;value 2500 ;gameid Umineko4final *define humanz 900 ;windowback automode automode_time -50 mode_wave_demo language english nsa errorsave ;エラー時に999番に保存 ;killmenu 7 ;「CD-DA」項目を非表示 ;killmenu 4 ;「ボリューム」項目を非表示 ;killmenu 2 ;「表示形式」項目を非表示 ;caption "うみねこのなく頃に" ;versionstr "うみねこのなく頃にＥＰ４　ver1.005","制作　０７ｔｈ　Ｅｘｐａｎｓｉｏｎ" caption "Umineko no Naku Koro ni,Ps3 Patch 1.0 by a Goat" versionstr "Umineko no Naku Koro ni EP4, ver1.005","created by 07th Expansion" ;メニューの内容 ;rmenu "セーブする",save,"ロードする",load,"次の選択肢へスキップする",skip,"文字を消す",windowerase,"回想",lookback,"タイトルに戻る",reset ;メニューウィンドの設定 menusetwindow 20,20,5,3,1,0,#cccccc ;menuselectcolor #aaaaff,#ffffff,#aaaaaa ;セーブファイルの指定 savename "記録を保存する","記録を読み込む","記録" savenumber 18 ;グローバル変数の宣言 globalon ;メッセージスピード defaultspeed 40,20,0 defaultfont "ＭＳ ゴシック" ;禁則処理 addkinsoku "”","“" mov %0,1 ;エフェクト ;デフォルトスピード ;エフェクト　クイック ;エフェクト　スロウ ;部活用　クイック ;クロスフェード effect 2,10,1000 effect 22,10,400 effect 42,10,3000 effect 62,10,200 ;表情の変化用 effect 80,10,200 ;左フェード effect 3,18,1300,":c;Bmp\Efe\left.bmp" effect 23,18,300,":c;Bmp\Efe\left.bmp" effect 43,18,3000,":c;Bmp\Efe\left.bmp" effect 63,15,300,":c;Bmp\Efe\left.bmp" effect 83,15,5,":c;Bmp\Efe\left.bmp" ;右フェード effect 4,18,1300,":c;Bmp\Efe\right.bmp" effect 24,18,300,":c;Bmp\Efe\right.bmp" effect 44,18,3000,":c;Bmp\Efe\right.bmp" effect 64,15,300,":c;Bmp\Efe\right.bmp" effect 84,15,5,":c;Bmp\Efe\right.bmp" ;上フェード effect 5,18,1300,":c;Bmp\Efe\down.bmp" effect 25,18,300,":c;Bmp\Efe\down.bmp" effect 45,18,3000,":c;Bmp\Efe\down.bmp" effect 65,15,300,":c;Bmp\Efe\down.bmp" effect 85,15,5,":c;Bmp\Efe\down.bmp" ;下フェード effect 6,18,1300,":c;Bmp\Efe\up.bmp" effect 26,18,300,":c;Bmp\Efe\up.bmp" effect 46,18,3000,":c;Bmp\Efe\up.bmp" effect 66,15,300,":c;Bmp\Efe\up.bmp" effect 86,15,5,":c;Bmp\Efe\up.bmp" ;上面右、下面左フェード effect 7,18,1300,":c;Bmp\Efe\x.bmp" effect 27,18,300,":c;Bmp\Efe\x.bmp" effect 47,18,3000,":c;Bmp\Efe\x.bmp" effect 67,15,300,":c;Bmp\Efe\x.bmp" ;中央からフェード effect 8,18,1300,":c;Bmp\Efe\c.bmp" effect 28,18,300,":c;Bmp\Efe\c.bmp" effect 48,18,3000,":c;Bmp\Efe\c.bmp" effect 68,15,300,":c;Bmp\Efe\c.bmp" effect 88,18,1,":c;Bmp\Efe\c.bmp" effect 9,18,1300,":c;Bmp\Efe\m1.bmp" effect 29,18,300,":c;Bmp\Efe\m1.bmp" effect 49,18,3000,":c;Bmp\Efe\m1.bmp" effect 69,15,300,":c;Bmp\Efe\m1.bmp" ;観音開き effect 10,18,3000,":c;Bmp\Efe\1.bmp" effect 30,18,300,":c;Bmp\Efe\1.bmp" effect 50,18,3000,":c;Bmp\Efe\1.bmp" effect 11,18,3000,":c;Bmp\Efe\2.bmp" effect 31,18,300,":c;Bmp\Efe\2.bmp" ;グローバル変数エリア ; 使用変数名 numalias UMINEKOEND,2901 ;終了フラグ numalias UMINEKOPATCH,2955 numalias rroff,2956 numalias ispatched,2957 ;xxxxttttyyyyzzzz numalias savemodePage,3001 ;セーブ画面ページ収得エリア numalias savedataTime,3100 ;セーブデータ用時間データ文字エリア numalias savedataComment,3200 ;セーブデータ用コメントエリア numalias savedataflg,3300 ;セーブデータ用グローバルエリア ;3500以上はあけておく numalias scenario1_1,101 ;キャラクター説明フラグ値　シナリオ１進行度１ numalias scenario1_2,102 ;キャラクター説明フラグ値　シナリオ１進行度２ numalias default_vol,70 ;numalias condition,%0 : inc %0 ;dim ?condition[20] numalias scenario_Number,%0 : inc %0 ;開始シナリオナンバー numalias remnu_data,%0 : inc %0 ;右クリックシステム用資料室解禁フラグ numalias data_Number,%0 : inc %0 ;右クリックシステム用資料室フラグ numalias data_pagemax,%0 : inc %0 ;資料閲覧最大数 dim ?remnu_data[100] ;資料閲覧フラグ numalias intro_prog_flg,%0 : inc %0 ;キャラクター説明グラフィック終了用フラグ numalias introduction_BEA_flg,%0 : inc %0 ;キャラクター説明　ベアトリーチェ表示フラグ numalias monoflg,%0 :inc %0 ;右クリック停止フラグ numalias rmordflg,%0 :inc %0 ;右クリック停止フラグ numalias save_on_flg,%0 :inc %0 ;セーブON停止フラグ numalias introduction_open,%0 : inc %0 ;キャラクター説明システム開放フラグ numalias on,1 numalias off,0 numalias BGM_Play,%0 : inc %0 ;曲名のパス収納用 numalias Me_Play,%0 : inc %0 ;ミュージックエフェクトのパス収納用 numalias Se_Play,%0 : inc %0 ;サウンドエフェクトのパス収納用 numalias BGM_Play_Channel,%0 : inc %0 ;前奏ＢＧＭの再生チャンネル用 numalias Me_Play_Channel,%0 : inc %0 ;ミュージックエフェクトの再生チャンネル用 numalias Se_Play_Channel,%0 : inc %0 ;サウンドエフェクトの再生チャンネル用 numalias BGM_s_Ch,%0 : inc %0 ; numalias Me_Number,%0 : inc %0 ;再生するミュージックエフェクトのナンバー収納用 numalias Se_Number,%0 : inc %0 ;再生するサウンドエフェクトのナンバー収納用 numalias Me_s_Ch0,%0 : inc %0 ;ミュージックエフェクトのチャンネル使用フラグ numalias Me_s_Ch1,%0 : inc %0 numalias Me_s_Ch2,%0 : inc %0 numalias Me_s_Ch3,%0 : inc %0 numalias Me_s_Ch4,%0 : inc %0 numalias Me_s_Ch5,%0 : inc %0 numalias Set_vol,%0 : inc %0 ;指定ボリューム numalias BGM_v_Ch,%0 : inc %0 ;ＢＧＭ用ボリュームフラグ numalias Me_v_Ch0,%0 : inc %0 ;ミュージックエフェクトのボリュームフラグ numalias Me_v_Ch1,%0 : inc %0 numalias Me_v_Ch2,%0 : inc %0 numalias Me_v_Ch3,%0 : inc %0 numalias Me_v_Ch4,%0 : inc %0 numalias Me_v_Ch5,%0 : inc %0 numalias Se_v_Ch1,%0 : inc %0 ;サウンド用 numalias Se_v_Ch2,%0 : inc %0 numalias Se_v_Ch3,%0 : inc %0 numalias BGM_v_Chx,%0 : inc %0 ;ＢＧＭ用ボリュームフラグ numalias Me_v_Chx0,%0 : inc %0 ;ミュージックエフェクトのボリュームフラグ numalias Me_v_Chx1,%0 : inc %0 numalias Me_v_Chx2,%0 : inc %0 numalias Me_v_Chx3,%0 : inc %0 numalias Me_v_Chx4,%0 : inc %0 numalias Me_v_Chx5,%0 : inc %0 numalias Se_v_Chx1,%0 : inc %0 ;サウンド用 numalias Se_v_Chx2,%0 : inc %0 numalias Se_v_Chx3,%0 : inc %0 numalias BGM_v_Chy,%0 : inc %0 ;ＢＧＭ用ボリュームフラグ numalias Me_v_Chy0,%0 : inc %0 ;ミュージックエフェクトのボリュームフラグ numalias Me_v_Chy1,%0 : inc %0 numalias Me_v_Chy2,%0 : inc %0 numalias Me_v_Chy3,%0 : inc %0 numalias Me_v_Chy4,%0 : inc %0 numalias Me_v_Chy5,%0 : inc %0 numalias Se_v_Chy1,%0 : inc %0 ;サウンド用 numalias Se_v_Chy2,%0 : inc %0 numalias Se_v_Chy3,%0 : inc %0 mov %1,1001 numalias Fede_bgmv,%1 : inc %1 ;指定数字 numalias Fede_Me1v,%1 : inc %1 numalias Fede_Me2v,%1 : inc %1 numalias Fede_Me3v,%1 : inc %1 numalias Fede_Me4v,%1 : inc %1 numalias Fede_Me5v,%1 : inc %1 numalias Fede_wait,%1 : inc %1 numalias Fede_bgmvflg,%1 : inc %1 ;変動なしチェックフラグ numalias Fede_Me1vflg,%1 : inc %1 numalias Fede_Me2vflg,%1 : inc %1 numalias Fede_Me3vflg,%1 : inc %1 numalias Fede_Me4vflg,%1 : inc %1 numalias Fede_Me5vflg,%1 : inc %1 numalias Fede_bgmv2,%1 : inc %1 ;音量変動値 numalias Fede_Me1v2,%1 : inc %1 numalias Fede_Me2v2,%1 : inc %1 numalias Fede_Me3v2,%1 : inc %1 numalias Fede_Me4v2,%1 : inc %1 numalias Fede_Me5v2,%1 : inc %1 numalias Fede_bgmvflg2,%1 : inc %1 ;アップダウンフラグ numalias Fede_Me1vflg2,%1 : inc %1 numalias Fede_Me2vflg2,%1 : inc %1 numalias Fede_Me3vflg2,%1 : inc %1 numalias Fede_Me4vflg2,%1 : inc %1 numalias Fede_Me5vflg2,%1 : inc %1 numalias Fede_bgmv3,%1 : inc %1 ;10ミリセコンド用現在値 numalias Fede_Me1v3,%1 : inc %1 numalias Fede_Me2v3,%1 : inc %1 numalias Fede_Me3v3,%1 : inc %1 numalias Fede_Me4v3,%1 : inc %1 numalias Fede_Me5v3,%1 : inc %1 numalias Fede_bgmv4,%1 : inc %1 ;10ミリセコンド用変動値 numalias Fede_Me1v4,%1 : inc %1 numalias Fede_Me2v4,%1 : inc %1 numalias Fede_Me3v4,%1 : inc %1 numalias Fede_Me4v4,%1 : inc %1 numalias Fede_Me5v4,%1 : inc %1 numalias tmordflg,%0 :inc %0 ;テキストモードフラグ（０／Ｏｎ　１／ｏｆｆ） numalias backlogTotalNum,%0 : inc %0 ;バックログ最大値 numalias Textlog,2100 ;テキストログの取得番号 numalias backloglook,2000 ;現在表示テキストログ numalias pose,%0 : inc %0 numalias Fade_back,699 ;フェードアウト用スプライト番号 numalias Fade,%0 : inc %0 ;フェードアウト回数 numalias Fade_wait1,%0 : inc %0 ;フェードアウトウェイト numalias ch_vol_b,%0 : inc %0 ;フェードアウト用ボリューム変動値 numalias ch_vol_0,%0 : inc %0 numalias ch_vol_1,%0 : inc %0 numalias ch_vol_2,%0 : inc %0 numalias ch_vol_3,%0 : inc %0 numalias ch_vol_4,%0 : inc %0 numalias ch_vol_5,%0 : inc %0 intlimit BGM_v_Ch,0,100 ;ＢＧＭ用ボリュームフラグ intlimit Me_v_Ch0,0,100 ;ミュージックエフェクトのボリュームフラグ intlimit Me_v_Ch1,0,100 intlimit Me_v_Ch2,0,100 intlimit Me_v_Ch3,0,10 intlimit Me_v_Ch4,0,100 intlimit Me_v_Ch5,0,100 intlimit Se_v_Ch1,0,100 ;：サウンド用 intlimit Se_v_Ch2,0,100 intlimit Se_v_Ch3,0,100 numalias Readbacklogpage,%0 : add %0,100 ;バックログの現在表示ページ numalias BacklogNum,%0 : add %0,100 ;バックログの現在取得ページ numalias Backlogpage0,%0 : inc %0 ;バックログの最小ページ数 numalias Backlogpage1,%0 : add %0,10 numalias BacklogpageMax,%0 : inc %0 ;バックログの最大ページ数 numalias mini,1 numalias MAX,10 numalias savemodePageNow,%0 : inc %0 ;セーブ画面現在表示ページ numalias savescreenshotsp,%0 : inc %0 ;スクリーンショットスプライト番号 numalias saveTimesp,%0 : inc %0 ;時間スプライト番号 numalias saveTextsp,%0 : inc %0 ;テキストスプライト番号 numalias saveTimesp2,%0 : inc %0 ;時間スプライト表示エリア numalias saveTextsp2,%0 : inc %0 ;テキストスプライト表示エリア numalias SaveNum,%0 : inc %0 ;セーブデータファイル番号 numalias SaveTime,%0 : inc %0 ;セーブデータファイル番号 numalias Morth,%0 : inc %0 ;月 numalias Day,%0 : inc %0 ;日 numalias Hour,%0 : inc %0 ;時 numalias Minute,%0 : inc %0 ;分 numalias Strsp,%0 : inc %0 ;文字列スプライトの設定文字列 numalias SpNum,%0 : inc %0 ;スプライト番号 numalias x1,%0 : inc %0 ;スプライトｘ軸 numalias y1,%0 : inc %0 ;スプライトｙ軸 numalias x2,%0 : inc %0 ;スプライトｘ軸 numalias y2,%0 : inc %0 ;スプライトｙ軸 numalias x3,%0 : inc %0 ;スプライトｘ軸 numalias y3,%0 : inc %0 ;スプライトｙ軸 numalias savedataNowNum,%0 : inc %0 ;セーブデータ番号 numalias Page1,%0 : inc %0 numalias Page2,%0 : inc %0 numalias Page3,%0 : inc %0 numalias Page4,%0 : inc %0 numalias Page5,%0 : inc %0 numalias save,%0 : inc %0 numalias eye_custom1,%0 : inc %0 ;アイキャッチカスタムモードの背景表示フラグ numalias eye_custom2,%0 : inc %0 ;アイキャッチカスタムモードのロゴ表示フラグ numalias eye_efeB1,%0 : inc %0 numalias eye_efeB2,%0 : inc %0 numalias eye_efeB3,%0 : inc %0 numalias eye_efeL1,%0 : inc %0 numalias eye_efeL2,%0 : inc %0 numalias eye_efeL3,%0 : inc %0 numalias eye_waitB,%0 : inc %0 numalias eye_waitL,%0 : inc %0 numalias x,%0 : inc %0 numalias y,%0 : inc %0 numalias cspParam,%0 : inc %0 numalias BtnRes,%0 : inc %0 numalias TextCC12Flug,%0 : inc %0 numalias TextCC1SpNum,601 numalias TextCC2SpNum,602 numalias Text_back,603 numalias efespflg,%0 : inc %0 ;雨等Dll演出用管理画像フラグ番号 numalias efespflg2,%0 : inc %0 ;雨等Dll演出用管理表示フラグ番号 numalias efesp,798 ;雨等Dll演出用スプライト番号 numalias bgsp,799 ;演出背景用スプライト番号 numalias bgsp2,902 ;立ち絵後ろ、背景前 numalias crosstimer,%0 : inc %0 numalias Free1,%0 : inc %0 ;：フリーエリア numalias Free2,%0 : inc %0 numalias Free3,%0 : inc %0 numalias Free4,%0 : inc %0 numalias Free5,%0 : inc %0 numalias Free6,%0 : inc %0 numalias Free7,%0 : inc %0 numalias Free8,%0 : inc %0 numalias Free9,%0 : inc %0 numalias Free11,%0 : inc %0 ;：フリーエリア numalias Free12,%0 : inc %0 numalias Free13,%0 : inc %0 numalias Free14,%0 : inc %0 numalias Free15,%0 : inc %0 numalias Free16,%0 : inc %0 numalias Free17,%0 : inc %0 numalias Free18,%0 : inc %0 numalias Free19,%0 : inc %0 numalias Free21,%0 : inc %0 ;：フリーエリア numalias Free22,%0 : inc %0 numalias Free23,%0 : inc %0 numalias Free24,%0 : inc %0 numalias Free25,%0 : inc %0 numalias Free26,%0 : inc %0 numalias Free27,%0 : inc %0 numalias Free28,%0 : inc %0 numalias Free29,%0 : inc %0 numalias ryuu1,%0 : inc %0 ;：フリーエリア numalias ryuu2,%0 : inc %0 numalias ryuu3,%0 : inc %0 numalias ryuu4,%0 : inc %0 numalias ryuu5,%0 : inc %0 numalias ryuu6,%0 : inc %0 numalias ryuu7,%0 : inc %0 numalias ryuu8,%0 : inc %0 numalias ryuu9,%0 : inc %0 numalias KIN,1 numalias KLA,2 numalias NAT,3 numalias JES,4 numalias EVA,5 numalias HID,6 numalias GEO,7 numalias RUD,8 numalias KIR,9 numalias BUT,10 numalias ROS,11 numalias MAR,12 numalias NAN,13 numalias GEN,14 numalias KUM,15 numalias GOH,16 numalias SHA,17 numalias KAN,18 numalias BEA,19 numalias BER,20 numalias lam,21 numalias enj,22 numalias WAL,23 numalias EV2,24 numalias RON,25 numalias START_bg,%0 :inc %0 numalias title_y,%0 :inc %0 ;タイトルロゴのｙ座標 numalias title_trap,%0 :inc %0 :inc %0 numalias m_temp1,%0 : inc %0; 文字変数（一時利用の汎用文字変数／通常変数） mov %0,601 numalias Cinema_logo,%0 : inc %0 ;アイキャッチ時のロゴスプライト numalias Cinema_up,%0 : inc %0 ;アイキャッチ時の黒帯スプライト（上） numalias Cinema_down,%0 : inc %0 ;アイキャッチ時の黒帯スプライト（下） numalias intro,%0 : inc %0 ;登場人物紹介告知スプライト numalias left,%0 : inc %0 numalias right,%0 : inc %0 numalias name_W,%0 : inc %0 ;顔ウィンドウ用現在位置枠 numalias name1,%0 : inc %0 numalias name2,%0 : inc %0 numalias name3,%0 : inc %0 numalias name4,%0 : inc %0 numalias name5,%0 : inc %0 numalias name6,%0 : inc %0 numalias name7,%0 : inc %0 numalias name8,%0 : inc %0 numalias name9,%0 : inc %0 numalias name10,%0 : inc %0 numalias name11,%0 : inc %0 numalias name12,%0 : inc %0 numalias name13,%0 : inc %0 numalias name14,%0 : inc %0 numalias name15,%0 : inc %0 numalias name16,%0 : inc %0 numalias name17,%0 : inc %0 numalias name18,%0 : inc %0 numalias name_ch,%0 : inc %0 numalias name_namber,%0 : inc %0 numalias introduction_sp,%0 : inc %0 numalias comment_sp1,%0 : inc %0 numalias comment_sp2,%0 : inc %0 numalias introduction_back,%0 : inc %0 numalias r_back,%0 : inc %0 intlimit name_namber,0,20 numalias backlogupbtn,%0 : inc %0 ;バックログ用上ボタンスプライト番号 numalias backlogdownbtn,%0 : inc %0 ;バックログ用下ボタンスプライト番号 numalias backlogtext,%0 : inc %0 ;バックログ用テキストスプライト番号 numalias backscreen,%0 : inc %0 ;バックログ用背景プライト番号 numalias textlognow,%0 : inc %0 ;セーブデータ用ログエリア numalias flg_sp_x,%0 : inc %0 ;フラグタイトルスプライトのｘ軸 numalias flg_sp_y,%0 : inc %0 ;ｙ軸 numalias flg_number_tx,%0 : inc %0 ;フラグ十の桁のスプライトのｘ軸 numalias flg_number_ty,%0 : inc %0 numalias flg_number_ox,%0 : inc %0 ;フラグ一の桁のスフライトのｘ軸 numalias flg_number_oy,%0 : inc %0 numalias flg_number_t,%0 : inc %0 ;フラグの十桁目の変数 numalias flg_number_o,%0 : inc %0 ;フラグの一桁目の変数 numalias flg_passT,%0 : inc %0 ;フラグタイトルのパス収納変数 numalias flg_pass1,%0 : inc %0 numalias flg_pass10,%0 : inc %0 numalias flg_sp1,894 ;フラグタイトルのスプライト番号 numalias flg_sp2,893 ;フラグ十桁目のスプライト番号 numalias flg_sp3,892 ;フラグ一桁目のスプライト番号 numalias rmenu_back,699 ;右クリックシステム用背景スプライト番号 numalias rmenu_btn1,698 ;右クリックシステム用人物紹介スプライト番号 numalias rmenu_btn2,697 ;右クリックシステム用セーブスプライト番号 numalias rmenu_btn3,696 ;右クリックシステム用ロードスプライト番号 numalias rmenu_databtn,693 ;右クリックシステム用資料室スプライト番号 numalias rmenu_btn_Exit,695 ;右クリックシステム用ＥＸＩＴスプライト番号 numalias Load,694 mov %0,1001 numalias KIN_DefA1,%0 : inc %0 ;金蔵立ち絵デフォ numalias KIN_WaraiA1,%0 :inc %0 ;笑い numalias KIN_IkariA1,%0 :inc %0 ;怒り numalias KIN_MajimeA1,%0 :inc %0 ;真面目 ;numalias KIN_DefA2,%0 : inc %0 ;金蔵立ち絵デフォ numalias KIN_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias KIN_AkuwaraiA2,%0 :inc %0 ;悪笑い ;numalias KIN_KomaruA1,%0 :inc %0 ;困る ;numalias KIN_OdorokiA1,%0 :inc %0 ;驚き numalias KIN_fumuA1,%0 :inc %0 ;ふーむ numalias KIN_nakuA1,%0 :inc %0 ;泣く numalias KIN_nakuA2,%0 :inc %0 ;泣く２ numalias KIN_WaraiA2,%0 :inc %0 ;笑い２ numalias KIN_fukigenA1,%0 :inc %0 ;不機嫌 numalias KLA_DefA1,%0 : inc %0 ;蔵臼立ち絵デフォ numalias KLA_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias KLA_KomaruA1,%0 :inc %0 ;困る numalias KLA_KomaruA2,%0 :inc %0 ;困る numalias KLA_KomaruA3,%0 :inc %0 ;困る numalias KLA_KomaruA4,%0 :inc %0 ;困る numalias KLA_MajimeA1,%0 : inc %0 ;真面目 numalias KLA_IkariA1,%0 :inc %0 ;怒り ;numalias KLA_DefA2,%0 : inc %0 ;蔵臼立ち絵デフォ２ ;numalias KLA_WaraiA1,%0 :inc %0 ;笑い ;numalias KLA_OdorokiA1,%0 :inc %0 ;驚き numalias KLA_AkuwaraiA2,%0 :inc %0 ;悪笑い２ numalias KLA_AkuwaraiA3,%0 :inc %0 ;悪笑い３ numalias KLA_MajimeA2,%0 : inc %0 ;真面目２ numalias KLA_NayamuA1,%0 : inc %0 ;悩む numalias KLA_NayamuA2,%0 : inc %0 ;悩む numalias KLA_NayamuA3,%0 : inc %0 ;悩む numalias KLA_DefA1G,%0 : inc %0 ;蔵臼立ち絵デフォ numalias KLA_AkuwaraiA1G,%0 :inc %0 ;悪笑い numalias KLA_KomaruA1G,%0 :inc %0 ;困る numalias KLA_KomaruA2G,%0 :inc %0 ;困る numalias KLA_KomaruA3G,%0 :inc %0 ;困る numalias KLA_KomaruA4G,%0 :inc %0 ;困る numalias KLA_MajimeA1G,%0 : inc %0 ;真面目 numalias KLA_IkariA1G,%0 :inc %0 ;怒り numalias KLA_AkuwaraiA2G,%0 :inc %0 ;悪笑い２ numalias KLA_AkuwaraiA3G,%0 :inc %0 ;悪笑い３ numalias KLA_MajimeA2G,%0 : inc %0 ;真面目２ numalias KLA_NayamuA1G,%0 : inc %0 ;悩む numalias KLA_NayamuA2G,%0 : inc %0 ;悩む numalias KLA_NayamuA3G,%0 : inc %0 ;悩む numalias NAT_DefA1,%0 : inc %0 ;夏妃立ち絵デフォ numalias NAT_DefB1,%0 : inc %0 ;夏妃立ち絵デフォ numalias NAT_WaraiA1,%0 :inc %0 ;笑い numalias NAT_WaraiB1,%0 :inc %0 ;笑い numalias NAT_IkariA1,%0 :inc %0 ;怒り numalias NAT_IkariB1,%0 :inc %0 ;怒り numalias NAT_OdorokiA1,%0 :inc %0 ;驚き numalias NAT_OdorokiB1,%0 :inc %0 ;驚き numalias NAT_MajimeA1,%0 :inc %0 ;真面目 numalias NAT_MajimeB1,%0 :inc %0 ;真面目 ;numalias NAT_DefA2,%0 : inc %0 ;夏妃立ち絵デフォ２ ;numalias NAT_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias NAT_KomaruA1,%0 :inc %0 ;困る numalias NAT_WaraiA2,%0 :inc %0 ;笑い２ numalias NAT_WaraiB2,%0 :inc %0 ;笑い２ numalias NAT_HisuA1,%0 :inc %0 ;ヒステリー numalias NAT_HisuB1,%0 :inc %0 ;ヒステリー numalias NAT_OdorokiA2,%0 :inc %0 ;驚き２ numalias NAT_OdorokiB2,%0 :inc %0 ;驚き２ numalias NAT_zutuuA1,%0 :inc %0 ;頭痛 numalias NAT_zutuuB1,%0 :inc %0 ;頭痛 numalias NAT_TukareA1,%0 :inc %0 ;疲れ numalias NAT_TukareB1,%0 :inc %0 ;疲れ numalias NAT_TukareA2,%0 :inc %0 ;疲れ numalias NAT_TukareB2,%0 :inc %0 ;疲れ numalias NAT_DefA1G,%0 : inc %0 ;夏妃立ち絵デフォ numalias NAT_DefB1G,%0 : inc %0 ;夏妃立ち絵デフォ numalias NAT_WaraiA1G,%0 :inc %0 ;笑い numalias NAT_WaraiB1G,%0 :inc %0 ;笑い numalias NAT_IkariA1G,%0 :inc %0 ;怒り numalias NAT_IkariB1G,%0 :inc %0 ;怒り numalias NAT_OdorokiA1G,%0 :inc %0 ;驚き numalias NAT_OdorokiB1G,%0 :inc %0 ;驚き numalias NAT_MajimeA1G,%0 :inc %0 ;真面目 numalias NAT_MajimeB1G,%0 :inc %0 ;真面目 ;numalias NAT_DefA2,%0 : inc %0 ;夏妃立ち絵デフォ２ ;numalias NAT_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias NAT_KomaruA1,%0 :inc %0 ;困る numalias NAT_WaraiA2G,%0 :inc %0 ;笑い２ numalias NAT_WaraiB2G,%0 :inc %0 ;笑い２ numalias NAT_HisuA1G,%0 :inc %0 ;ヒステリー numalias NAT_HisuB1G,%0 :inc %0 ;ヒステリー numalias NAT_OdorokiA2G,%0 :inc %0 ;驚き２ numalias NAT_OdorokiB2G,%0 :inc %0 ;驚き２ numalias NAT_zutuuA1G,%0 :inc %0 ;頭痛 numalias NAT_zutuuB1G,%0 :inc %0 ;頭痛 numalias NAT_TukareA1G,%0 :inc %0 ;疲れ numalias NAT_TukareB1G,%0 :inc %0 ;疲れ numalias NAT_TukareA2G,%0 :inc %0 ;疲れ numalias NAT_TukareB2G,%0 :inc %0 ;疲れ numalias JES_DefA1,%0 : inc %0 ;朱志香立ち絵デフォ numalias JES_DefA2,%0 : inc %0 ;朱志香立ち絵デフォ２ numalias JES_WaraiA1,%0 :inc %0 ;笑い numalias JES_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias JES_IkariA1,%0 :inc %0 ;怒り numalias JES_KomaruA1,%0 :inc %0 ;困る numalias JES_KomaruA2,%0 :inc %0 ;困る２ numalias JES_KomaruA3,%0 :inc %0 ;困る３ numalias JES_OdorokiA1,%0 :inc %0 ;驚き numalias JES_MajimeA1,%0 :inc %0 ;真面目 numalias JES_atyaA1,%0 :inc %0 ;あちゃー numalias JES_futekiA1,%0 :inc %0 ;不敵 numalias JES_futekiA2,%0 :inc %0 ;不敵２ numalias JES_TohohoA1,%0 :inc %0 ;とほほ numalias JES_TohohoA2,%0 :inc %0 ;とほほ２ numalias JES_TohohoA3,%0 :inc %0 ;とほほ３ numalias JES_TohohoA4,%0 :inc %0 ;とほほ４ numalias JES_WaraiA2,%0 :inc %0 ;笑い２ numalias JES_NakuA1,%0 :inc %0 ;泣く numalias JES_IkariA2,%0 :inc %0 ;怒り２ numalias JES_IkariA3,%0 :inc %0 ;怒り３ numalias JES_NayamuA1,%0 :inc %0 ;悩む ;EP2追加表情 numalias JES_NakuA2,%0 :inc %0 ;泣く２（半ベソ numalias JES_NakuA3,%0 :inc %0 numalias JES_TereruA1,%0 :inc %0 numalias JES_TereruA2,%0 :inc %0 numalias JES_NakiWaraiA1,%0 :inc %0 numalias JES_AisoWaraiA1,%0 :inc %0 numalias JES_AtyaA2,%0 :inc %0 numalias JES_AtyaA3,%0 :inc %0 numalias EVA_DefA1,%0 : inc %0 ;絵羽立ち絵デフォ numalias EVA_DefB1,%0 : inc %0 ;絵羽立ち絵デフォ numalias EVA_WaraiA1,%0 :inc %0 ;笑い numalias EVA_WaraiB1,%0 :inc %0 ;笑い numalias EVA_IkariA1,%0 :inc %0 ;怒り numalias EVA_IkariB1,%0 :inc %0 ;怒り numalias EVA_KomaruA1,%0 :inc %0 ;困る numalias EVA_KomaruB1,%0 :inc %0 ;困る numalias EVA_MajimeA1,%0 :inc %0 ;真面目 numalias EVA_MajimeB1,%0 :inc %0 ;真面目 ;numalias EVA_DefA2,%0 : inc %0 ;numalias EVA_DefB2,%0 : inc %0 ;numalias EVA_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias EVA_AkuwaraiB1,%0 :inc %0 ;悪笑い ;numalias EVA_OdorokiA1,%0 :inc %0 ;驚き ;numalias EVA_OdorokiB1,%0 :inc %0 ;驚き numalias EVA_hohoemiA1,%0 :inc %0 ;微笑み numalias EVA_hohoemiA2,%0 :inc %0 ;微笑み２ numalias EVA_akireA1,%0 :inc %0 ;呆れ numalias EVA_akireA2,%0 :inc %0 ;呆れ２ numalias EVA_IkariA2,%0 :inc %0 ;怒り numalias EVA_KomaruA2,%0 :inc %0 ;困る２ numalias EVA_KomaruA3,%0 :inc %0 ;困る３ numalias EVA_futekiA1,%0 :inc %0 ;不敵 numalias EVA_AkuwaraiA1,%0 :inc %0 ;呆れ numalias EVA_KomaruA4,%0 :inc %0 ;呆れ２ numalias EVA_NakuA1,%0 :inc %0 ;怒り numalias EVA_NakuA2,%0 :inc %0 ;困る２ numalias EVA_OdorokiA1,%0 :inc %0 ;困る３ numalias EVA_OdorokiA2,%0 :inc %0 ;不敵 numalias EVA_DefA1G,%0 : inc %0 ;絵羽立ち絵デフォ numalias EVA_WaraiA1G,%0 :inc %0 ;笑い numalias EVA_IkariA1G,%0 :inc %0 ;怒り numalias EVA_KomaruA1G,%0 :inc %0 ;困る numalias EVA_MajimeA1G,%0 :inc %0 ;真面目 numalias EVA_hohoemiA1G,%0 :inc %0 ;微笑み numalias EVA_hohoemiA2G,%0 :inc %0 ;微笑み２ numalias EVA_akireA1G,%0 :inc %0 ;呆れ numalias EVA_akireA2G,%0 :inc %0 ;呆れ２ numalias EVA_IkariA2G,%0 :inc %0 ;怒り numalias EVA_KomaruA2G,%0 :inc %0 ;困る２ numalias EVA_KomaruA3G,%0 :inc %0 ;困る３ numalias EVA_futekiA1G,%0 :inc %0 ;不敵 numalias EVA_AkuwaraiA1G,%0 :inc %0 ;呆れ numalias EVA_KomaruA4G,%0 :inc %0 ;呆れ２ numalias EVA_NakuA1G,%0 :inc %0 ;怒り numalias EVA_NakuA2G,%0 :inc %0 ;困る２ numalias EVA_OdorokiA1G,%0 :inc %0 ;困る３ numalias EVA_OdorokiA2G,%0 :inc %0 ;不敵 numalias EVA_DefB1G,%0 : inc %0 ;絵羽立ち絵デフォ numalias EVA_WaraiB1G,%0 :inc %0 ;笑い numalias EVA_IkariB1G,%0 :inc %0 ;怒り numalias EVA_KomaruB1G,%0 :inc %0 ;困る numalias EVA_MajimeB1G,%0 :inc %0 ;真面目 numalias EVA_hohoemiB1G,%0 :inc %0 ;微笑み numalias EVA_hohoemiB2G,%0 :inc %0 ;微笑み２ numalias EVA_akireB1G,%0 :inc %0 ;呆れ numalias EVA_akireB2G,%0 :inc %0 ;呆れ２ numalias EVA_IkariB2G,%0 :inc %0 ;怒り numalias EVA_KomaruB2G,%0 :inc %0 ;困る２ numalias EVA_KomaruB3G,%0 :inc %0 ;困る３ numalias EVA_futekiB1G,%0 :inc %0 ;不敵 numalias EVA_AkuwaraiB1G,%0 :inc %0 ;呆れ numalias EVA_KomaruB4G,%0 :inc %0 ;呆れ２ numalias EVA_NakuB1G,%0 :inc %0 ;怒り numalias EVA_NakuB2G,%0 :inc %0 ;困る２ numalias EVA_OdorokiB1G,%0 :inc %0 ;困る３ numalias EVA_OdorokiB2G,%0 :inc %0 ;不敵 numalias HID_DefA1,%0 : inc %0 ;秀吉立ち絵デフォ numalias HID_WaraiA1,%0 :inc %0 ;笑い numalias HID_KomaruA1,%0 :inc %0 ;困る numalias HID_MajimeA1,%0 :inc %0 ;真面目 ;numalias HID_DefA2,%0 : inc %0 ;秀吉立ち絵デフォ２ ;numalias HID_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias HID_IkariA1,%0 :inc %0 ;怒り ;numalias HID_OdorokiA1,%0 :inc %0 ;驚き numalias HID_fumuA1,%0 :inc %0 ;ふーむ numalias HID_MajimeA2,%0 :inc %0 ;真面目２ numalias HID_KomaruA2,%0 :inc %0 ;困る２ numalias HID_WaraiA2,%0 :inc %0 ;笑い２ numalias HID_DefA1G,%0 : inc %0 ;秀吉立ち絵デフォ numalias HID_WaraiA1G,%0 :inc %0 ;笑い numalias HID_KomaruA1G,%0 :inc %0 ;困る numalias HID_MajimeA1G,%0 :inc %0 ;真面目 numalias HID_fumuA1G,%0 :inc %0 ;ふーむ numalias HID_MajimeA2G,%0 :inc %0 ;真面目２ numalias HID_KomaruA2G,%0 :inc %0 ;困る２ numalias HID_WaraiA2G,%0 :inc %0 ;笑い２ numalias GEO_DefA1,%0 : inc %0 ;譲治立ち絵デフォ numalias GEO_WaraiA1,%0 :inc %0 ;笑い numalias GEO_KomaruA1,%0 :inc %0 ;困る numalias GEO_MajimeA1,%0 :inc %0 ;真面目 ;numalias GEO_DefA2,%0 : inc %0 ;譲治立ち絵デフォ２ numalias GEO_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias GEO_AkuwaraiA1k,%0 :inc %0 ;悪笑い（曇りめがね ;numalias GEO_IkariA1,%0 :inc %0 ;怒り ;numalias GEO_OdorokiA1,%0 :inc %0 ;驚き numalias GEO_DefA1k,%0 : inc %0 ;デフォ（曇りめがね numalias GEO_nakuA1,%0 :inc %0 ;泣く numalias GEO_nakuA1k,%0 :inc %0 ;泣く（曇りめがね numalias GEO_nakuA2,%0 :inc %0 ;泣く２ numalias GEO_nakuA2k,%0 :inc %0 ;泣く２（曇りめがね numalias GEO_HohoemiA1,%0 :inc %0 ;微笑み numalias GEO_HohoemiA1k,%0 :inc %0 ;微笑み（曇りめがね numalias GEO_KomaruA1k,%0 :inc %0 ;困る（曇りめがね numalias GEO_WaraiA1k,%0 :inc %0 ;笑い（曇りめがね numalias GEO_WaraiA2,%0 :inc %0 ;笑い２ numalias GEO_WaraiA2k,%0 :inc %0 ;笑い２（曇りめがね numalias GEO_MajimeA1k,%0 :inc %0 ;真面目（曇りめがね numalias GEO_MajimeA2,%0 :inc %0 ;真面目２ numalias GEO_MajimeA2k,%0 :inc %0 ;真面目２（曇りめがね numalias GEO_MajimeA3,%0 :inc %0 ;真面目３ numalias GEO_MajimeA3k,%0 :inc %0 ;真面目３（曇りめがね numalias GEO_MajimeA4,%0 :inc %0 ;真面目４ numalias GEO_MajimeA4k,%0 :inc %0 ;真面目４（曇りめがね numalias GEO_MajimeA5,%0 :inc %0 ;真面目５ numalias GEO_MajimeA5k,%0 :inc %0 ;真面目５（曇りめがね numalias GEO_KomaruA2,%0 :inc %0 numalias GEO_KomaruA2k,%0 :inc %0 numalias GEO_KomaruA3,%0 :inc %0 numalias GEO_KomaruA3k,%0 :inc %0 numalias GEO_KomaruA4,%0 :inc %0 numalias GEO_KomaruA4k,%0 :inc %0 numalias GEO_KomaruA5,%0 :inc %0 numalias GEO_KomaruA5k,%0 :inc %0 numalias GEO_IkariA1,%0 :inc %0 numalias GEO_IkariA1k,%0 :inc %0 numalias GEO_IkariA2,%0 :inc %0 numalias GEO_IkariA2k,%0 :inc %0 numalias GEO_IkariA3,%0 :inc %0 numalias GEO_IkariA3k,%0 :inc %0 numalias GEO_IkariA4,%0 :inc %0 numalias GEO_IkariA4k,%0 :inc %0 numalias GEO_NiramuA1,%0 :inc %0 numalias GEO_NiramuA1k,%0 :inc %0 numalias RUD_DefA1,%0 : inc %0 ;留弗夫立ち絵デフォ numalias RUD_DefA2,%0 : inc %0 ;留弗夫立ち絵デフォ２ numalias RUD_WaraiA1,%0 :inc %0 ;笑い numalias RUD_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias RUD_KomaruA1,%0 :inc %0 ;困る numalias RUD_MajimeA1,%0 :inc %0 ;真面目 numalias RUD_OdorokiA1,%0 :inc %0 ;驚き ;numalias RUD_IkariA1,%0 :inc %0 ;怒り numalias RUD_NayamuA1,%0 :inc %0 ;悩む numalias RUD_AkuwaraiA2,%0 :inc %0 ;悪笑い２ numalias RUD_MajimeA2,%0 :inc %0 ;真面目２ numalias RUD_WaraiA2,%0 :inc %0 ;笑い２ numalias RUD_DefA1G,%0 : inc %0 ;留弗夫立ち絵デフォ numalias RUD_DefA2G,%0 : inc %0 ;留弗夫立ち絵デフォ２ numalias RUD_WaraiA1G,%0 :inc %0 ;笑い numalias RUD_AkuwaraiA1G,%0 :inc %0 ;悪笑い numalias RUD_KomaruA1G,%0 :inc %0 ;困る numalias RUD_MajimeA1G,%0 :inc %0 ;真面目 numalias RUD_OdorokiA1G,%0 :inc %0 ;驚き numalias RUD_NayamuA1G,%0 :inc %0 ;悩む numalias RUD_AkuwaraiA2G,%0 :inc %0 ;悪笑い２ numalias RUD_MajimeA2G,%0 :inc %0 ;真面目２ numalias RUD_WaraiA2G,%0 :inc %0 ;笑い２ numalias RUD_DefB1G,%0 : inc %0 ;留弗夫立ち絵デフォ numalias RUD_DefB2G,%0 : inc %0 ;留弗夫立ち絵デフォ２ numalias RUD_WaraiB1G,%0 :inc %0 ;笑い numalias RUD_AkuwaraiB1G,%0 :inc %0 ;悪笑い numalias RUD_KomaruB1G,%0 :inc %0 ;困る numalias RUD_MajimeB1G,%0 :inc %0 ;真面目 numalias RUD_OdorokiB1G,%0 :inc %0 ;驚き numalias RUD_NayamuB1G,%0 :inc %0 ;悩む numalias RUD_AkuwaraiB2G,%0 :inc %0 ;悪笑い２ numalias RUD_MajimeB2G,%0 :inc %0 ;真面目２ numalias RUD_WaraiB2G,%0 :inc %0 ;笑い２ numalias KIR_DefA1,%0 : inc %0 ;霧江立ち絵デフォ numalias KIR_WaraiA1,%0 :inc %0 ;笑い numalias KIR_MajimeA1,%0 :inc %0 ;真面目 numalias KIR_KomaruA1,%0 :inc %0 ;困る numalias KIR_KomaruA2,%0 :inc %0 ;困る２ ;numalias KIR_DefA2,%0 : inc %0 ;霧江立ち絵デフォ２ ;numalias KIR_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias KIR_IkariA1,%0 :inc %0 ;怒り ;numalias KIR_OdorokiA1,%0 :inc %0 ;驚き numalias KIR_MajimeA2,%0 : inc %0 ;真面目２ numalias KIR_NayamuA1,%0 :inc %0 ;悩む numalias KIR_futekiA1,%0 :inc %0 ;不敵 numalias KIR_WaraiA2,%0 :inc %0 ;笑い２ numalias KIR_SakebuA1,%0 :inc %0 ;叫ぶ numalias KIR_DefB1G,%0 : inc %0 ;霧江立ち絵デフォ numalias KIR_WaraiB1G,%0 :inc %0 ;笑い numalias KIR_MajimeB1G,%0 :inc %0 ;真面目 numalias KIR_KomaruB1G,%0 :inc %0 ;困る numalias KIR_KomaruB2G,%0 :inc %0 ;困る２ numalias KIR_MajimeB2G,%0 : inc %0 ;真面目２ numalias KIR_NayamuB1G,%0 :inc %0 ;悩む numalias KIR_futekiB1G,%0 :inc %0 ;不敵 numalias KIR_WaraiB2G,%0 :inc %0 ;笑い２ numalias KIR_SakebuB1G,%0 :inc %0 ;叫ぶ numalias BUT_DefA1,%0 : inc %0 ;戦人立ち絵デフォ numalias BUT_DefA2,%0 : inc %0 ;戦人立ち絵デフォ２ numalias BUT_WaraiA1,%0 :inc %0 ;笑い numalias BUT_KomaruA1,%0 :inc %0 ;困る numalias BUT_OdorokiA1,%0 :inc %0 ;驚き numalias BUT_MajimeA1,%0 :inc %0 ;真面目 ;numalias BUT_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias BUT_IkariA1,%0 :inc %0 ;怒り numalias BUT_NakuA1,%0 :inc %0 ;笑い２ numalias BUT_WaraiA2,%0 :inc %0 ;笑い２ numalias BUT_OyaA1,%0 :inc %0 ;おや？ numalias BUT_kuyasigaruA1,%0 :inc %0 ;悔しがる numalias BUT_AseruA1,%0 :inc %0 ;焦る numalias BUT_OdorokiA2,%0 :inc %0 ;驚き２ numalias BUT_OdorokiA3,%0 :inc %0 ;驚き３ numalias BUT_KomaruA2,%0 :inc %0 ;困る２ numalias BUT_KomaruA3,%0 :inc %0 ;困る３ numalias BUT_NayamuA1,%0 :inc %0 ;悩む numalias BUT_NayamuA2,%0 :inc %0 ;悩む２ numalias BUT_NiramuA1,%0 :inc %0 numalias BUT_NiramuA2,%0 :inc %0 numalias BUT_NiramuA3,%0 :inc %0 numalias BUT_NiramuA4,%0 :inc %0 numalias BUT_FutekiA1,%0 :inc %0 numalias BUT_NakuA2,%0 :inc %0 numalias BUT_NakuA3,%0 :inc %0 numalias BUT_FutekiA2,%0 :inc %0 numalias BUT_FutekiA3,%0 :inc %0 numalias BUT_MajimeA2,%0 :inc %0 numalias BUT_MajimeA3,%0 :inc %0 numalias BUT_MajimeA4,%0 :inc %0 numalias BUT_MajimeA5,%0 :inc %0 numalias BUT_NayamuA3,%0 :inc %0 numalias BUT_NayamuA4,%0 :inc %0 numalias BUT_SakebuA1,%0 :inc %0 numalias BUT_SakebuA2,%0 :inc %0 numalias BUT_DefB1,%0 : inc %0 ;戦人立ち絵デフォ numalias BUT_DefB2,%0 : inc %0 ;戦人立ち絵デフォ２ numalias BUT_WaraiB1,%0 :inc %0 ;笑い numalias BUT_KomaruB1,%0 :inc %0 ;困る numalias BUT_OdorokiB1,%0 :inc %0 ;驚き numalias BUT_MajimeB1,%0 :inc %0 ;真面目 ;numalias BUT_AkuwaraiB1,%0 :inc %0 ;悪笑い ;numalias BUT_IkariB1,%0 :inc %0 ;怒り numalias BUT_NakuB1,%0 :inc %0 ;笑い２ numalias BUT_WaraiB2,%0 :inc %0 ;笑い２ numalias BUT_OyaB1,%0 :inc %0 ;おや？ numalias BUT_kuyasigaruB1,%0 :inc %0 ;悔しがる numalias BUT_AseruB1,%0 :inc %0 ;焦る numalias BUT_OdorokiB2,%0 :inc %0 ;驚き２ numalias BUT_OdorokiB3,%0 :inc %0 ;驚き３ numalias BUT_KomaruB2,%0 :inc %0 ;困る２ numalias BUT_KomaruB3,%0 :inc %0 ;困る３ numalias BUT_NayamuB1,%0 :inc %0 ;悩む numalias BUT_NayamuB2,%0 :inc %0 ;悩む２ numalias BUT_NiramuB1,%0 :inc %0 numalias BUT_NiramuB2,%0 :inc %0 numalias BUT_NiramuB3,%0 :inc %0 numalias BUT_NiramuB4,%0 :inc %0 numalias BUT_FutekiB1,%0 :inc %0 numalias BUT_NakuB2,%0 :inc %0 numalias BUT_NakuB3,%0 :inc %0 numalias BUT_FutekiB2,%0 :inc %0 numalias BUT_FutekiB3,%0 :inc %0 numalias BUT_MajimeB2,%0 :inc %0 numalias BUT_MajimeB3,%0 :inc %0 numalias BUT_MajimeB4,%0 :inc %0 numalias BUT_MajimeB5,%0 :inc %0 numalias BUT_NayamuB3,%0 :inc %0 numalias BUT_NayamuB4,%0 :inc %0 numalias BUT_SakebuB1,%0 :inc %0 numalias BUT_SakebuB2,%0 :inc %0 numalias ROS_DefA1,%0 : inc %0 ;楼座立ち絵デフォ numalias ROS_WaraiA1,%0 :inc %0 ;笑い numalias ROS_IkariA1,%0 :inc %0 ;怒り numalias ROS_KomaruA1,%0 :inc %0 ;困る numalias ROS_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias ROS_MajimeA1,%0 :inc %0 ;真面目 ;numalias ROS_DefA2,%0 : inc %0 ;楼座立ち絵デフォ２ ;numalias ROS_OdorokiA1,%0 :inc %0 ;驚き numalias ROS_WaraiA2,%0 :inc %0 ;笑い２ numalias ROS_KomaruA2,%0 :inc %0 ;困る２ numalias ROS_KomaruA3,%0 :inc %0 ;困る３ numalias ROS_NayamuA1,%0 :inc %0 ;悩む numalias ROS_KomaruA4,%0 :inc %0 numalias ROS_OdorokiA1,%0 :inc %0 numalias ROS_IkariA2,%0 :inc %0 numalias ROS_IkariA3,%0 :inc %0 numalias ROS_IkariA4,%0 :inc %0 numalias ROS_AseruA1,%0 :inc %0 numalias ROS_DefA1G,%0 : inc %0 ;楼座立ち絵デフォ numalias ROS_WaraiA1G,%0 :inc %0 ;笑い numalias ROS_IkariA1G,%0 :inc %0 ;怒り numalias ROS_KomaruA1G,%0 :inc %0 ;困る numalias ROS_AkuwaraiA1G,%0 :inc %0 ;悪笑い numalias ROS_MajimeA1G,%0 :inc %0 ;真面目 ;numalias ROS_DefA2G,%0 : inc %0 ;楼座立ち絵デフォ２ ;numalias ROS_OdorokiA1G,%0 :inc %0 ;驚き numalias ROS_WaraiA2G,%0 :inc %0 ;笑い２ numalias ROS_KomaruA2G,%0 :inc %0 ;困る２ numalias ROS_KomaruA3G,%0 :inc %0 ;困る３ numalias ROS_NayamuA1G,%0 :inc %0 ;悩む numalias ROS_KomaruA4G,%0 :inc %0 numalias ROS_OdorokiA1G,%0 :inc %0 numalias ROS_IkariA2G,%0 :inc %0 numalias ROS_IkariA3G,%0 :inc %0 numalias ROS_IkariA4G,%0 :inc %0 numalias ROS_AseruA1G,%0 :inc %0 numalias ROS_DefB1G,%0 : inc %0 ;楼座立ち絵デフォ numalias ROS_WaraiB1G,%0 :inc %0 ;笑い numalias ROS_IkariB1G,%0 :inc %0 ;怒り numalias ROS_KomaruB1G,%0 :inc %0 ;困る numalias ROS_AkuwaraiB1G,%0 :inc %0 ;悪笑い numalias ROS_MajimeB1G,%0 :inc %0 ;真面目 ;numalias ROS_DefB2G,%0 : inc %0 ;楼座立ち絵デフォ２ ;numalias ROS_OdorokiB1G,%0 :inc %0 ;驚き numalias ROS_WaraiB2G,%0 :inc %0 ;笑い２ numalias ROS_KomaruB2G,%0 :inc %0 ;困る２ numalias ROS_KomaruB3G,%0 :inc %0 ;困る３ numalias ROS_NayamuB1G,%0 :inc %0 ;悩む numalias ROS_KomaruB4G,%0 :inc %0 numalias ROS_OdorokiB1G,%0 :inc %0 numalias ROS_IkariB2G,%0 :inc %0 numalias ROS_IkariB3G,%0 :inc %0 numalias ROS_IkariB4G,%0 :inc %0 numalias ROS_AseruB1G,%0 :inc %0 numalias MAR_DefA1,%0 : inc %0 ;真里亞立ち絵デフォ numalias MAR_DefA1k,%0 : inc %0 ;真っ黒真里亞立ち絵デフォ numalias MAR_WaraiA1,%0 :inc %0 ;笑い numalias MAR_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias MAR_IkariA1,%0 :inc %0 ;怒り numalias MAR_KomaruA1,%0 :inc %0 ;困る numalias MAR_OdorokiA1,%0 :inc %0 ;驚き numalias MAR_MajimeA1,%0 :inc %0 ;真面目 numalias MAR_NakuA1,%0 :inc %0 ;泣く ;numalias MAR_DefA2,%0 : inc %0 ;真里亞立ち絵デフォ２ ;numalias MAR_Kuro_DefA1,%0 :inc %0 ;黒真里亞立ち絵デフォ ;numalias MAR_Kuro_WaraiA1,%0 :inc %0 ;黒真里亞立ち絵笑い numalias MAR_AkuwaraiA2,%0 :inc %0 ;悪笑い２ numalias MAR_AkuwaraiA3,%0 :inc %0 ;悪笑い３ numalias MAR_WaraiA2,%0 :inc %0 ;笑い２ numalias MAR_niyariA1,%0 :inc %0 ;ニヤリ numalias MAR_niyariA2,%0 :inc %0 ;ニヤリ２ numalias MAR_fukigenA1,%0 :inc %0 ;不機嫌 numalias MAR_fukigenA2,%0 :inc %0 ;不機嫌２ numalias MAR_SakebuA1,%0 :inc %0 ;叫ぶ ;真里亞、猫耳バージョン（末尾にNを追加） numalias MAR_DefA1N,%0 : inc %0 ;真里亞立ち絵デフォ numalias MAR_DefA1kN,%0 : inc %0 ;真っ黒真里亞立ち絵デフォ numalias MAR_WaraiA1N,%0 :inc %0 ;笑い numalias MAR_AkuwaraiA1N,%0 :inc %0 ;悪笑い numalias MAR_IkariA1N,%0 :inc %0 ;怒り numalias MAR_KomaruA1N,%0 :inc %0 ;困る numalias MAR_OdorokiA1N,%0 :inc %0 ;驚き numalias MAR_MajimeA1N,%0 :inc %0 ;真面目 numalias MAR_NakuA1N,%0 :inc %0 ;泣く numalias MAR_AkuwaraiA2N,%0 :inc %0 ;悪笑い２ numalias MAR_AkuwaraiA3N,%0 :inc %0 ;悪笑い３ numalias MAR_WaraiA2N,%0 :inc %0 ;笑い２ numalias MAR_niyariA1N,%0 :inc %0 ;ニヤリ numalias MAR_niyariA2N,%0 :inc %0 ;ニヤリ２ numalias MAR_fukigenA1N,%0 :inc %0 ;不機嫌 numalias MAR_fukigenA2N,%0 :inc %0 ;不機嫌２ numalias MAR_SakebuA1N,%0 :inc %0 ;叫ぶ numalias NAN_DefA1,%0 : inc %0 ;南条立ち絵デフォ numalias NAN_KomaruA1,%0 :inc %0 ;困る numalias NAN_MajimeA1,%0 :inc %0 ;真面目 ;numalias NAN_DefA2,%0 : inc %0 ;南条立ち絵デフォ２ ;numalias NAN_WaraiA1,%0 :inc %0 ;笑い ;numalias NAN_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias NAN_IkariA1,%0 :inc %0 ;怒り ;numalias NAN_OdorokiA1,%0 :inc %0 ;驚き numalias NAN_MajimeA2,%0 :inc %0 ;真面目２ numalias NAN_KomaruA2,%0 :inc %0 ;困る２ numalias NAN_KomaruA3,%0 :inc %0 ;困る３ numalias NAN_KomaruA4,%0 :inc %0 ;困る４ numalias NAN_fumuA1,%0 :inc %0 ;ふーむ numalias GEN_DefA1,%0 : inc %0 ;源次立ち絵デフォ numalias GEN_KomaruA1,%0 :inc %0 ;困る numalias GEN_MajimeA1,%0 :inc %0 ;真面目 ;numalias GEN_DefA2,%0 : inc %0 ;源次立ち絵デフォ２ ;numalias GEN_WaraiA1,%0 :inc %0 ;笑い ;numalias GEN_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias GEN_IkariA1,%0 :inc %0 ;怒り numalias GEN_OdorokiA1,%0 :inc %0 ;驚き numalias GEN_MajimeA2,%0 :inc %0 ;真面目２ numalias KUM_DefA1,%0 : inc %0 ;熊沢立ち絵デフォ numalias KUM_DefA2,%0 : inc %0 ;熊沢立ち絵デフォ２ numalias KUM_WaraiA1,%0 :inc %0 ;笑い numalias KUM_KomaruA1,%0 :inc %0 ;困る numalias KUM_OdorokiA1,%0 :inc %0 ;驚き numalias KUM_MajimeA1,%0 :inc %0 ;真面目 ;numalias KUM_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias KUM_IkariA1,%0 :inc %0 ;怒り numalias KUM_MajimeA2,%0 :inc %0 ;真面目２ numalias KUM_WaraiA2,%0 :inc %0 ;笑い２ numalias GOH_DefA1,%0 : inc %0 ;俊朗立ち絵デフォ numalias GOH_WaraiA1,%0 :inc %0 ;笑い ;numalias GOH_DefA2,%0 : inc %0 ;俊朗立ち絵デフォ２ ;numalias GOH_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias GOH_KomaruA1,%0 :inc %0 ;困る numalias GOH_MajimeA1,%0 :inc %0 ;真面目 numalias GOH_hohoemiA1,%0 :inc %0 ;微笑み numalias GOH_hohoemiA2,%0 :inc %0 ;微笑み２ numalias GOH_omakaseA1,%0 :inc %0 ;お任せください numalias GOH_omakaseA2,%0 :inc %0 ;お任せください２ numalias GOH_omakaseA3,%0 :inc %0 ;お任せください３ numalias GOH_IkariA1,%0 :inc %0 ;怒り numalias GOH_IkariA2,%0 :inc %0 ;怒り２ numalias GOH_OdorokiA1,%0 :inc %0 ;驚き numalias GOH_IiwakeA1,%0 :inc %0 numalias GOH_IiwakeA2,%0 :inc %0 numalias GOH_KomaruA1,%0 :inc %0 numalias GOH_KomaruA2,%0 :inc %0 numalias GOH_KomaruA3,%0 :inc %0 numalias SHA_DefA1,%0 : inc %0 ;紗音立ち絵デフォ numalias SHA_WaraiA1,%0 :inc %0 ;笑い numalias SHA_KomaruA1,%0 :inc %0 ;困る numalias SHA_OdorokiA1,%0 :inc %0 ;驚き numalias SHA_MajimeA1,%0 :inc %0 ;真面目 numalias SHA_HajiraiA1,%0 :inc %0 ;恥じらい ;numalias SHA_DefA2,%0 : inc %0 ;紗音立ち絵デフォ２ ;numalias SHA_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias SHA_IkariA1,%0 :inc %0 ;怒り numalias SHA_WaraiA2,%0 :inc %0 ;笑い２ numalias SHA_WaraiA3,%0 :inc %0 ;笑い３ numalias SHA_MajimeA2,%0 :inc %0 ;真面目２ numalias SHA_HajiraiA2,%0 :inc %0 ;恥じらい２ numalias SHA_HajiraiA3,%0 :inc %0 ;恥じらい３ numalias SHA_fumanA1,%0 :inc %0 ;不満 numalias SHA_tokuiA1,%0 :inc %0 ;得意 numalias SHA_OdorokiA2,%0 :inc %0 ;驚き２ numalias SHA_MajimeA3,%0 :inc %0 numalias SHA_IkariA1,%0 :inc %0 numalias SHA_IkariA2,%0 :inc %0 numalias KAN_DefA1,%0 : inc %0 ;嘉音立ち絵デフォ numalias KAN_DefA2,%0 : inc %0 ;嘉音立ち絵デフォ２ numalias KAN_IkariA1,%0 :inc %0 ;怒り numalias KAN_KomaruA1,%0 :inc %0 ;困る numalias KAN_OdorokiA1,%0 :inc %0 ;驚き numalias KAN_MajimeA1,%0 :inc %0 ;真面目 ;numalias KAN_WaraiA1,%0 :inc %0 ;笑い ;numalias KAN_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias KAN_OdorokiA2,%0 :inc %0 ;驚き２ numalias KAN_NayamuA1,%0 : inc %0 ;悩む numalias KAN_FumanA1,%0 : inc %0 numalias KAN_FumanA2,%0 : inc %0 numalias KAN_IkariA2,%0 : inc %0 numalias KAN_IkariA3,%0 : inc %0 numalias KAN_DefA1B,%0 : inc %0 ;嘉音立ち絵デフォ　魔法の刃装備　blade numalias KAN_DefA2B,%0 : inc %0 ;嘉音立ち絵デフォ２ numalias KAN_IkariA1B,%0 :inc %0 ;怒り numalias KAN_KomaruA1B,%0 :inc %0 ;困る numalias KAN_OdorokiA1B,%0 :inc %0 ;驚き numalias KAN_MajimeA1B,%0 :inc %0 ;真面目 ;numalias KAN_WaraiA1B,%0 :inc %0 ;笑い ;numalias KAN_AkuwaraiA1B,%0 :inc %0 ;悪笑い numalias KAN_OdorokiA2B,%0 :inc %0 ;驚き２ numalias KAN_NayamuA1B,%0 : inc %0 ;悩む numalias KAN_FumanA1B,%0 : inc %0 numalias KAN_FumanA2B,%0 : inc %0 numalias KAN_IkariA2B,%0 : inc %0 numalias KAN_IkariA3B,%0 : inc %0 ;偽嘉音 numalias KA2_DefA1,%0 : inc %0 ;嘉音立ち絵デフォ numalias KA2_DefA2,%0 : inc %0 ;嘉音立ち絵デフォ２ numalias KA2_IkariA1,%0 :inc %0 ;怒り numalias KA2_KomaruA1,%0 :inc %0 ;困る numalias KA2_OdorokiA1,%0 :inc %0 ;驚き numalias KA2_MajimeA1,%0 :inc %0 ;真面目 ;numalias KA2_WaraiA1,%0 :inc %0 ;笑い ;numalias KA2_AkuwaraiA1,%0 :inc %0 ;悪笑い numalias KA2_OdorokiA2,%0 :inc %0 ;驚き２ numalias KA2_NayamuA1,%0 : inc %0 ;悩む numalias KA2_FumanA1,%0 : inc %0 numalias KA2_FumanA2,%0 : inc %0 numalias KA2_IkariA2,%0 : inc %0 numalias KA2_IkariA3,%0 : inc %0 numalias KA2_DefA1B,%0 : inc %0 ;嘉音立ち絵デフォ　魔法の刃装備　blade numalias KA2_DefA2B,%0 : inc %0 ;嘉音立ち絵デフォ２ numalias KA2_IkariA1B,%0 :inc %0 ;怒り numalias KA2_KomaruA1B,%0 :inc %0 ;困る numalias KA2_OdorokiA1B,%0 :inc %0 ;驚き numalias KA2_MajimeA1B,%0 :inc %0 ;真面目 ;numalias KA2_WaraiA1B,%0 :inc %0 ;笑い ;numalias KA2_AkuwaraiA1B,%0 :inc %0 ;悪笑い numalias KA2_OdorokiA2B,%0 :inc %0 ;驚き２ numalias KA2_NayamuA1B,%0 : inc %0 ;悩む numalias KA2_FumanA1B,%0 : inc %0 numalias KA2_FumanA2B,%0 : inc %0 numalias KA2_IkariA2B,%0 : inc %0 numalias KA2_IkariA3B,%0 : inc %0 numalias BEA_DefA1,%0 : inc %0 ;ベアトリーチェ立ち絵デフォ numalias BEA_DefA2,%0 : inc %0 ;ベアトリーチェ立ち絵デフォ２ numalias BEA_WaraiA1,%0 :inc %0 ;笑い numalias BEA_AkuwaraiA1,%0 :inc %0 ;悪笑い ;numalias BEA_MajimeA1,%0 :inc %0 ;真面目 numalias BEA_WaraiA2,%0 :inc %0 ;笑い２ numalias BEA_FutekiA1,%0 :inc %0 ;不敵 numalias BEA_OdorokiA1,%0 :inc %0 ;驚き numalias BEA_FutekiA2,%0 :inc %0 ;不敵 numalias BEA_AkuwaraiA2,%0 :inc %0 ;悪笑い２　 numalias BEA_AkuwaraiA3,%0 :inc %0 ;悪笑い３ numalias BEA_AkuwaraiA4,%0 :inc %0 ;悪笑い４ numalias BEA_AkuwaraiA5,%0 :inc %0 ;悪笑い５ numalias BEA_FukigenA1,%0 :inc %0 ;不機嫌 numalias BEA_FukigenA2,%0 :inc %0 ;不機嫌２ numalias BEA_FukigenA3,%0 :inc %0 ;不機嫌３ numalias BEA_AseruA1,%0 :inc %0 ;焦る numalias BEA_NayamuA1,%0 :inc %0 ;悩む numalias BEA_WaraiA3,%0 :inc %0 ;笑い３ numalias BEA_KomaruA1,%0 :inc %0 ;困る numalias BEA_KomaruA2,%0 :inc %0 ;困る２ numalias BEA_OdorokiA2,%0 :inc %0 ;驚き２ numalias BEA_NayamuA2,%0 :inc %0 ;悩む２ numalias BEA_IiwakeA1,%0 :inc %0 ;良い訳 numalias BEA_IiwakeA2,%0 :inc %0 ;良い訳２ numalias BEA_HanbesoA1,%0 :inc %0 ;半ベソ numalias BEA_HanbesoA2,%0 :inc %0 ;半ベソ２ numalias BEA_HanbesoA3,%0 :inc %0 ;半ベソ３ numalias BEA_HanbesoA4,%0 :inc %0 ;半ベソ４ numalias BEA_HanbesoA5,%0 :inc %0 ;半ベソ５ numalias BEA_HanbesoA6,%0 :inc %0 ;半ベソ６ numalias BEA_GamanA1,%0 :inc %0 ; numalias BEA_GamanA2,%0 :inc %0 ; numalias BEA_GamanA3,%0 :inc %0 ; numalias BEA_GamanA4,%0 :inc %0 ; numalias BEA_GamanA5,%0 :inc %0 ; numalias BEA_GamanA6,%0 :inc %0 ; numalias BEA_GamanA7,%0 :inc %0 ; numalias BEA_IiwakeA3,%0 :inc %0 ; numalias BEA_KomaruA3,%0 :inc %0 ; numalias BEA_KomaruA4,%0 :inc %0 ; numalias BEA_MajimeA1,%0 :inc %0 ; numalias BEA_MajimeA2,%0 :inc %0 ; numalias BEA_MajimeA3,%0 :inc %0 ; numalias BEA_MajimeA4,%0 :inc %0 ; numalias BEA_WaraiA4,%0 :inc %0 ; numalias BEA_FumanA1,%0 :inc %0 ; numalias BEA_FumanA2,%0 :inc %0 ; numalias BEA_FumanA3,%0 :inc %0 ; numalias BEA_IkariA1,%0 :inc %0 ; numalias BEA_IkariA2,%0 :inc %0 ; numalias BEA_NakuA1,%0 :inc %0 ; numalias BER_DefA1,%0 :inc %0 ;ベルデフォ numalias BER_DefA2,%0 :inc %0 ;こちらを見る numalias BER_AkuwaraiA1,%0 :inc %0 ;こちらを見る numalias LAM_AkuwaraiA1,%0 :inc %0 ;ラムダデルタ numalias LAM_AkuwaraiA2,%0 :inc %0 numalias LAM_AkuwaraiA3,%0 :inc %0 numalias LAM_AkuwaraiA4,%0 :inc %0 numalias LAM_OdorokiA1,%0 :inc %0 numalias LAM_AkuwaraiA5,%0 :inc %0 numalias LAM_AkuwaraiA6,%0 :inc %0 numalias LAM_FutekiA1,%0 :inc %0 numalias LAM_FutekiA2,%0 :inc %0 numalias LAM_FutekiA3,%0 :inc %0 numalias LAM_OdorokiA2,%0 :inc %0 numalias GOA_DefA1,%0 :inc %0 ;山羊の従者　goat numalias GOA_DefA1B,%0 :inc %0 ;　　　　　刃装備 numalias RG1_DefA1,%0 :inc %0 ;ルシファー　Lucifer numalias RG1_HohoemiA1,%0 :inc %0 numalias RG1_HohoemiA2,%0 :inc %0 numalias RG1_WaraiA1,%0 :inc %0 numalias RG1_WaraiA2,%0 :inc %0 numalias RG1_WaraiA3,%0 :inc %0 numalias RG1_WaraiA4,%0 :inc %0 numalias RG1_AkuwaraiA1,%0 :inc %0 numalias RG1_AkuwaraiA2,%0 :inc %0 numalias RG1_AkuwaraiA3,%0 :inc %0 numalias RG1_AkuwaraiA4,%0 :inc %0 numalias RG1_MajimeA1,%0 :inc %0 numalias RG1_FumanA1,%0 :inc %0 numalias RG1_FumanA2,%0 :inc %0 numalias RG1_KomaruA1,%0 :inc %0 numalias RG1_KomaruA2,%0 :inc %0 numalias RG1_KomaruA3,%0 :inc %0 numalias RG1_NakuA1,%0 :inc %0 numalias RG1_OdorokiA1,%0 :inc %0 numalias RG1_OdorokiA2,%0 :inc %0 numalias RG1_OdorokiA3,%0 :inc %0 numalias RG1_IkariA1,%0 :inc %0 numalias RG1_IkariA2,%0 :inc %0 numalias RG2_DefA1,%0 :inc %0 ;レヴィアタン　Leviathan numalias RG2_HohoemiA1,%0 :inc %0 numalias RG2_HohoemiA2,%0 :inc %0 numalias RG2_WaraiA1,%0 :inc %0 numalias RG2_WaraiA2,%0 :inc %0 numalias RG2_WaraiA3,%0 :inc %0 numalias RG2_WaraiA4,%0 :inc %0 numalias RG2_AkuwaraiA1,%0 :inc %0 numalias RG2_AkuwaraiA2,%0 :inc %0 numalias RG2_AkuwaraiA3,%0 :inc %0 numalias RG2_AkuwaraiA4,%0 :inc %0 numalias RG2_MajimeA1,%0 :inc %0 numalias RG2_FumanA1,%0 :inc %0 numalias RG2_FumanA2,%0 :inc %0 numalias RG2_KomaruA1,%0 :inc %0 numalias RG2_KomaruA2,%0 :inc %0 numalias RG2_KomaruA3,%0 :inc %0 numalias RG2_NakuA1,%0 :inc %0 numalias RG2_OdorokiA1,%0 :inc %0 numalias RG2_OdorokiA2,%0 :inc %0 numalias RG2_OdorokiA3,%0 :inc %0 numalias RG2_IkariA1,%0 :inc %0 numalias RG2_IkariA2,%0 :inc %0 numalias RG3_DefA1,%0 :inc %0 ;サタン　Satan numalias RG3_HohoemiA1,%0 :inc %0 numalias RG3_HohoemiA2,%0 :inc %0 numalias RG3_WaraiA1,%0 :inc %0 numalias RG3_WaraiA2,%0 :inc %0 numalias RG3_WaraiA3,%0 :inc %0 numalias RG3_WaraiA4,%0 :inc %0 numalias RG3_AkuwaraiA1,%0 :inc %0 numalias RG3_AkuwaraiA2,%0 :inc %0 numalias RG3_AkuwaraiA3,%0 :inc %0 numalias RG3_AkuwaraiA4,%0 :inc %0 numalias RG3_MajimeA1,%0 :inc %0 numalias RG3_FumanA1,%0 :inc %0 numalias RG3_FumanA2,%0 :inc %0 numalias RG3_KomaruA1,%0 :inc %0 numalias RG3_KomaruA2,%0 :inc %0 numalias RG3_KomaruA3,%0 :inc %0 numalias RG3_NakuA1,%0 :inc %0 numalias RG3_OdorokiA1,%0 :inc %0 numalias RG3_OdorokiA2,%0 :inc %0 numalias RG3_OdorokiA3,%0 :inc %0 numalias RG3_IkariA1,%0 :inc %0 numalias RG3_IkariA2,%0 :inc %0 numalias RG4_DefA1,%0 :inc %0 ;ベルフェゴル　Belphegor numalias RG4_HohoemiA1,%0 :inc %0 numalias RG4_HohoemiA2,%0 :inc %0 numalias RG4_WaraiA1,%0 :inc %0 numalias RG4_WaraiA2,%0 :inc %0 numalias RG4_WaraiA3,%0 :inc %0 numalias RG4_WaraiA4,%0 :inc %0 numalias RG4_AkuwaraiA1,%0 :inc %0 numalias RG4_AkuwaraiA2,%0 :inc %0 numalias RG4_AkuwaraiA3,%0 :inc %0 numalias RG4_AkuwaraiA4,%0 :inc %0 numalias RG4_MajimeA1,%0 :inc %0 numalias RG4_FumanA1,%0 :inc %0 numalias RG4_FumanA2,%0 :inc %0 numalias RG4_KomaruA1,%0 :inc %0 numalias RG4_KomaruA2,%0 :inc %0 numalias RG4_KomaruA3,%0 :inc %0 numalias RG4_NakuA1,%0 :inc %0 numalias RG4_OdorokiA1,%0 :inc %0 numalias RG4_OdorokiA2,%0 :inc %0 numalias RG4_OdorokiA3,%0 :inc %0 numalias RG4_IkariA1,%0 :inc %0 numalias RG4_IkariA2,%0 :inc %0 numalias RG5_DefA1,%0 :inc %0 ;マモン　Mammon numalias RG5_HohoemiA1,%0 :inc %0 numalias RG5_HohoemiA2,%0 :inc %0 numalias RG5_WaraiA1,%0 :inc %0 numalias RG5_WaraiA2,%0 :inc %0 numalias RG5_WaraiA3,%0 :inc %0 numalias RG5_WaraiA4,%0 :inc %0 numalias RG5_AkuwaraiA1,%0 :inc %0 numalias RG5_AkuwaraiA2,%0 :inc %0 numalias RG5_AkuwaraiA3,%0 :inc %0 numalias RG5_AkuwaraiA4,%0 :inc %0 numalias RG5_MajimeA1,%0 :inc %0 numalias RG5_FumanA1,%0 :inc %0 numalias RG5_FumanA2,%0 :inc %0 numalias RG5_KomaruA1,%0 :inc %0 numalias RG5_KomaruA2,%0 :inc %0 numalias RG5_KomaruA3,%0 :inc %0 numalias RG5_NakuA1,%0 :inc %0 numalias RG5_OdorokiA1,%0 :inc %0 numalias RG5_OdorokiA2,%0 :inc %0 numalias RG5_OdorokiA3,%0 :inc %0 numalias RG5_IkariA1,%0 :inc %0 numalias RG5_IkariA2,%0 :inc %0 numalias RG6_DefA1,%0 :inc %0 ;ベルゼブブ　Beelzebub numalias RG6_HohoemiA1,%0 :inc %0 numalias RG6_HohoemiA2,%0 :inc %0 numalias RG6_WaraiA1,%0 :inc %0 numalias RG6_WaraiA2,%0 :inc %0 numalias RG6_WaraiA3,%0 :inc %0 numalias RG6_WaraiA4,%0 :inc %0 numalias RG6_AkuwaraiA1,%0 :inc %0 numalias RG6_AkuwaraiA2,%0 :inc %0 numalias RG6_AkuwaraiA3,%0 :inc %0 numalias RG6_AkuwaraiA4,%0 :inc %0 numalias RG6_MajimeA1,%0 :inc %0 numalias RG6_FumanA1,%0 :inc %0 numalias RG6_FumanA2,%0 :inc %0 numalias RG6_KomaruA1,%0 :inc %0 numalias RG6_KomaruA2,%0 :inc %0 numalias RG6_KomaruA3,%0 :inc %0 numalias RG6_NakuA1,%0 :inc %0 numalias RG6_OdorokiA1,%0 :inc %0 numalias RG6_OdorokiA2,%0 :inc %0 numalias RG6_OdorokiA3,%0 :inc %0 numalias RG6_IkariA1,%0 :inc %0 numalias RG6_IkariA2,%0 :inc %0 numalias RG7_DefA1,%0 :inc %0 ;アスモデウス　Asmodeus numalias RG7_HohoemiA1,%0 :inc %0 numalias RG7_HohoemiA2,%0 :inc %0 numalias RG7_WaraiA1,%0 :inc %0 numalias RG7_WaraiA2,%0 :inc %0 numalias RG7_WaraiA3,%0 :inc %0 numalias RG7_WaraiA4,%0 :inc %0 numalias RG7_AkuwaraiA1,%0 :inc %0 numalias RG7_AkuwaraiA2,%0 :inc %0 numalias RG7_AkuwaraiA3,%0 :inc %0 numalias RG7_AkuwaraiA4,%0 :inc %0 numalias RG7_MajimeA1,%0 :inc %0 numalias RG7_FumanA1,%0 :inc %0 numalias RG7_FumanA2,%0 :inc %0 numalias RG7_KomaruA1,%0 :inc %0 numalias RG7_KomaruA2,%0 :inc %0 numalias RG7_KomaruA3,%0 :inc %0 numalias RG7_NakuA1,%0 :inc %0 numalias RG7_OdorokiA1,%0 :inc %0 numalias RG7_OdorokiA2,%0 :inc %0 numalias RG7_OdorokiA3,%0 :inc %0 numalias RG7_IkariA1,%0 :inc %0 numalias RG7_IkariA2,%0 :inc %0 numalias WAL_DefA1,%0 :inc %0 ;ワルギリア numalias WAL_DefA2,%0 :inc %0 ;ワルギリア numalias WAL_WaraiA1,%0 :inc %0 ;ワルギリア numalias WAL_WaraiA2,%0 :inc %0 ;ワルギリア numalias WAL_KomaruA1,%0 :inc %0 ;ワルギリア numalias WAL_KomaruA2,%0 :inc %0 ;ワルギリア numalias WAL_MajimeA1,%0 :inc %0 ;ワルギリア numalias WAL_OdorokiA1,%0 :inc %0 ;ワルギリア numalias WAL_FumanA1,%0 :inc %0 ;ワルギリア numalias WAL_IkariA1,%0 :inc %0 ;ワルギリア numalias WAL_IkariA2,%0 :inc %0 ;ワルギリア numalias WAL_AkuwaraiA1,%0 :inc %0 ;ワルギリア numalias WAL_AkuwaraiA2,%0 :inc %0 ;ワルギリア numalias EV2_DefA1,%0 :inc %0 ;魔女絵羽 numalias EV2_WaraiA1,%0 :inc %0 ; numalias EV2_WaraiA2,%0 :inc %0 ; numalias EV2_HohoemiA1,%0 :inc %0 ; numalias EV2_HohoemiA2,%0 :inc %0 ; numalias EV2_TokuiA1,%0 :inc %0 ; numalias EV2_AkuwaraiA1,%0 :inc %0 ; numalias EV2_AkuwaraiA2,%0 :inc %0 ; numalias EV2_AkuwaraiA3,%0 :inc %0 ; numalias EV2_AkuwaraiA4,%0 :inc %0 ; numalias EV2_AkuwaraiA5,%0 :inc %0 ; numalias EV2_AkuwaraiA6,%0 :inc %0 ; numalias EV2_AkuwaraiA7,%0 :inc %0 ; numalias EV2_AkuwaraiA8,%0 :inc %0 ; numalias EV2_NiramuA1,%0 :inc %0 ; numalias EV2_NiramuA2,%0 :inc %0 ; numalias EV2_NiramuA3,%0 :inc %0 ; numalias EV2_KomaruA1,%0 :inc %0 ; numalias EV2_OdorokiA1,%0 :inc %0 ; numalias EV2_OdorokiA2,%0 :inc %0 ; numalias EV2_FukigenA1,%0 :inc %0 ; numalias EV2_FukigenA2,%0 :inc %0 ; numalias EV2_FukigenA3,%0 :inc %0 ; numalias EV2_IkariA1,%0 :inc %0 ; numalias EV2_IkariA2,%0 :inc %0 ; numalias EV2_MajimeA1,%0 :inc %0 ; numalias RON_DefA1,%0 :inc %0 ;ロノウェ numalias RON_DefA2,%0 :inc %0 ; numalias RON_WaraiA1,%0 :inc %0 ; numalias RON_WaraiA2,%0 :inc %0 ; numalias RON_AkuwaraiA1,%0 :inc %0 ; numalias RON_MajimeA1,%0 :inc %0 ; numalias RON_MajimeA2,%0 :inc %0 ; numalias RON_OdorokiA1,%0 :inc %0 ; numalias RON_OdorokiA2,%0 :inc %0 ; numalias S45_DefA1,%0 :inc %0 ;シエスタ姉妹（４５） numalias S45_DefA2,%0 :inc %0 ;シエスタ姉妹（４５） numalias S45_OdorokiA1,%0 :inc %0 ;シエスタ姉妹（４５） numalias S45_KomaruA1,%0 :inc %0 ;シエスタ姉妹（４５） numalias S45_MajimeA1,%0 :inc %0 ;シエスタ姉妹（４５） numalias S45_NakuA1,%0 :inc %0 ;シエスタ姉妹（４５） numalias S41_DefA1,%0 :inc %0 ;シエスタ姉妹（４１０） numalias S41_AkuwaraiA1,%0 :inc %0 ;シエスタ姉妹（４１０） numalias S41_AkuwaraiA2,%0 :inc %0 ;シエスタ姉妹（４１０） numalias S41_MajimeA1,%0 :inc %0 ;シエスタ姉妹（４１０） numalias S41_OdorokiA1,%0 :inc %0 ;シエスタ姉妹（４１０） numalias S41_NakuA1,%0 :inc %0 ;シエスタ姉妹（４１０） numalias S41_NakuA2,%0 :inc %0 ;シエスタ姉妹（４１０） numalias ENJ_DefA1,%0 :inc %0 ;縁寿 numalias ENJ_DefA2,%0 :inc %0 ;縁寿 numalias ENJ_WaraiA1,%0 :inc %0 ;縁寿 numalias ENJ_WaraiA2,%0 :inc %0 ;縁寿 numalias ENJ_WaraiA3,%0 :inc %0 ;縁寿 numalias ENJ_FumanA1,%0 :inc %0 ;縁寿 numalias ENJ_FumanA2,%0 :inc %0 ;縁寿 numalias ENJ_MajimeA1,%0 :inc %0 ;縁寿 numalias ENJ_NayamuA1,%0 :inc %0 ;縁寿 numalias ENJ_KomaruA1,%0 :inc %0 ;縁寿 numalias ENJ_KomaruA2,%0 :inc %0 ;縁寿 numalias ENJ_KomaruA3,%0 :inc %0 ;縁寿 numalias ENJ_KomaruA4,%0 :inc %0 ;縁寿 numalias ENJ_KomaruA5,%0 :inc %0 ;縁寿 numalias ENJ_IkariA1,%0 :inc %0 ;縁寿 numalias ENJ_IkariA2,%0 :inc %0 ;縁寿 numalias ENJ_HanbesoA1,%0 :inc %0 ;縁寿 numalias ENJ_HanbesoA2,%0 :inc %0 ;縁寿 numalias ENJ_HanbesoA3,%0 :inc %0 ;縁寿 numalias ENJ_NakuA1,%0 :inc %0 ;縁寿 numalias ENJ_NakuA2,%0 :inc %0 ;縁寿 numalias OKO_DefA1,%0 :inc %0 ;小此木 numalias OKO_WaraiA1,%0 :inc %0 ;小此木 numalias OKO_WaraiA2,%0 :inc %0 ;小此木 numalias OKO_AkuwaraiA1,%0 :inc %0 ;小此木 numalias KAS_DefA1,%0 :inc %0 ;須磨寺霞 numalias KAS_WaraiA1,%0 :inc %0 ;須磨寺霞 numalias KAS_WaraiA2,%0 :inc %0 ;須磨寺霞 numalias KAS_AkuwaraiA1,%0 :inc %0 ;須磨寺霞 numalias KAS_AkuwaraiA2,%0 :inc %0 ;須磨寺霞 numalias KAS_AkuwaraiA3,%0 :inc %0 ;須磨寺霞 numalias KAS_KomaruA1,%0 :inc %0 ;須磨寺霞 numalias KAS_IkariA1,%0 :inc %0 ;須磨寺霞 numalias KAS_AseruA1,%0 :inc %0 ;須磨寺霞 numalias KAS_AseruA2,%0 :inc %0 ;須磨寺霞 numalias KAS_SakebuA1,%0 :inc %0 ;須磨寺霞 numalias AMA_DefA1,%0 :inc %0 ;天草十三 numalias AMA_DefA2,%0 :inc %0 ;天草十三 numalias AMA_AkuwaraiA1,%0 :inc %0 ;天草十三 numalias AMA_MajimeA1,%0 :inc %0 ;天草十三 numalias AMA_DESU,%0 :inc %0 ;天草十三 numalias SAK_DefA1,%0 :inc %0 ;さくたろ numalias SAK_WaraiA1,%0 :inc %0 ;さくたろ numalias SAK_WaraiA2,%0 :inc %0 ;さくたろ numalias SAK_WaraiA3,%0 :inc %0 ;さくたろ numalias SAK_OdorokiA1,%0 :inc %0 ;さくたろ numalias SAK_KomaruA1,%0 :inc %0 ;さくたろ numalias SAK_KomaruA2,%0 :inc %0 ;さくたろ numalias SAK_NakuA1,%0 :inc %0 ;さくたろ numalias SAK_NakuA2,%0 :inc %0 ;さくたろ numalias SAK_NakuA3,%0 :inc %0 ;さくたろ numalias PRO_DefA1,%0 :inc %0 ;教授 numalias PRO_WaraiA1,%0 :inc %0 ;教授 numalias PRO_MajimeA1,%0 :inc %0 ;教授 numalias PRO_MajimeA2,%0 :inc %0 ;教授 numalias PRO_KomaruA1,%0 :inc %0 ;教授 numalias PRO_OdorokiA1,%0 :inc %0 ;教授 numalias S00_DefA1,%0 :inc %0 ;シエスタ００ numalias S00_MajimeA1,%0 :inc %0 ;シエスタ００ numalias S00_MajimeA2,%0 :inc %0 ;シエスタ００ numalias S00_OdorokiA1,%0 :inc %0 ;シエスタ００ numalias S00_OdorokiA2,%0 :inc %0 ;シエスタ００ numalias S00_KomaruA1,%0 :inc %0 ;シエスタ００ numalias S00_NakuA1,%0 :inc %0 ;シエスタ００ numalias S00_NakuA2,%0 :inc %0 ;シエスタ００ numalias GAP_DefA1,%0 :inc %0 ;ガァプ numalias GAP_DefA1a,%0 :inc %0 ;ガァプ numalias GAP_DefA2,%0 :inc %0 ;ガァプ numalias GAP_DefA2a,%0 :inc %0 ;ガァプ numalias GAP_DefA3,%0 :inc %0 ;ガァプ numalias GAP_DefA3a,%0 :inc %0 ;ガァプ numalias GAP_WaraiA1,%0 :inc %0 ;ガァプ numalias GAP_WaraiA1a,%0 :inc %0 ;ガァプ numalias GAP_WaraiA2,%0 :inc %0 ;ガァプ numalias GAP_WaraiA2a,%0 :inc %0 ;ガァプ numalias GAP_WaraiA3,%0 :inc %0 ;ガァプ numalias GAP_WaraiA3a,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA1,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA1a,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA2,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA2a,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA3,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA3a,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA4,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA4a,%0 :inc %0 ;ガァプ numalias GAP_AkuwaraiA5,%0 :inc %0 ;ガァプ numalias GAP_AseruA1,%0 :inc %0 ;ガァプ numalias GAP_AseruA1a,%0 :inc %0 ;ガァプ numalias GAP_IkariA1,%0 :inc %0 ;ガァプ numalias GAP_IkariA1a,%0 :inc %0 ;ガァプ numalias NA2_DefA1,%0 :inc %0 ;南条息子 numalias NA2_DefA2,%0 :inc %0 ;南条息子 numalias NA2_DefA3,%0 :inc %0 ;南条息子 numalias NA2_MajimeA1,%0 :inc %0 ;南条息子 numalias NA2_MajimeA2,%0 :inc %0 ;南条息子 numalias NA2_MajimeA3,%0 :inc %0 ;南条息子 numalias KU2_DefA1,%0 :inc %0 ;熊沢息子 numalias KU2_WaraiA1,%0 :inc %0 ;熊沢息子 numalias KU2_MajimeA1,%0 :inc %0 ;熊沢息子 numalias KAW_DefA1,%0 :inc %0 ;川畑船長 numalias KAW_DefA2,%0 :inc %0 ;川畑船長 numalias KAW_WaraiA1,%0 :inc %0 ;川畑船長 numalias KAW_NayamuA1,%0 :inc %0 ;川畑船長 numalias KAW_KomaruA1,%0 :inc %0 ;川畑船長 ;水族館 aquarium stralias aqu_i1a,"custom\BMP\background\aquarium\aqu_i1a.png" ;水族館　室内　１枚目 stralias aqu_i1b,"custom\BMP\background\aquarium\aqu_i1b.png" ;水族館　室内　２枚目 stralias aqu_i1c,"custom\BMP\background\aquarium\aqu_i1c.png" ;水族館　室内　３枚目 stralias aqu_i2a,"custom\BMP\background\aquarium\aqu_i2a.png" ;水族館　室内　大水槽１枚目 stralias aqu_i2b,"custom\BMP\background\aquarium\aqu_i2b.png" ;水族館　室内　大水槽２枚目（至近） stralias aqu_i2c,"custom\BMP\background\aquarium\aqu_i2c.png" ;水族館　室内　大水槽３枚目 ;レストラン restaurant stralias res_i1a,"custom\BMP\background\restaurant\res_i1a.png" ;レストラン　テーブル席　１枚目 stralias res_i1b,"custom\BMP\background\restaurant\res_i1b.png" ;レストラン　テーブル席　２枚目 stralias res_i1c,"custom\BMP\background\restaurant\res_i1c.png" ;レストラン　テーブル席　３枚目 stralias res_i2a,"custom\BMP\background\restaurant\res_i2a.png" ;レストラン　カウンター　１枚目 stralias res_i2b,"custom\BMP\background\restaurant\res_i2b.png" ;レストラン　カウンター　２枚目 stralias res_i2c,"custom\BMP\background\restaurant\res_i2c.png" ;レストラン　天井 stralias res_o1a,"custom\BMP\background\restaurant\res_o1a.png" ;ファミレス　夜外観 stralias res_i3a,"custom\BMP\background\restaurant\res_i3a.png" ;ファミレス　テーブル席　１枚目 stralias res_i3b,"custom\BMP\background\restaurant\res_i3b.png" ;ファミレス　テーブル席　２枚目 stralias res_i3c,"custom\BMP\background\restaurant\res_i3c.png" ;ファミレス　テーブル席　３枚目 stralias res_i3d,"custom\BMP\background\restaurant\res_i3d.png" ;ファミレス　メニュー stralias res_i4a,"custom\BMP\background\restaurant\res_i4a.png" ;レストラン stralias res_i4b,"custom\BMP\background\restaurant\res_i4b.png" ;席 stralias res_i4c,"custom\BMP\background\restaurant\res_i4c.png" ;席 stralias PRO_o1a,"custom\BMP\background\city\PRO_o1a.png" ;教授宅前 ; amusement　遊園地 stralias amu_o1a,"custom\BMP\background\city\amu_o1a.png" ;遊園地　外（空） stralias amu_i1a,"custom\BMP\background\city\amu_i1a.png" ;遊園地 stralias amu_i1b,"custom\BMP\background\city\amu_i1b.png" ;遊園地 ;沖縄の海岸 stralias o_beach_1a,"custom\BMP\background\forest\o_beach_1a.png" ;砂浜（沖縄）　１枚目 stralias o_beach_1b,"custom\BMP\background\forest\o_beach_1b.png" ;砂浜（沖縄）　２枚目 stralias o_beach_1c,"custom\BMP\background\forest\o_beach_1c.png" ;砂浜（沖縄）　３枚目 stralias o_Sky_1a,"custom\BMP\background\forest\o_Sky_1a.png" ;砂浜（沖縄　空）　１枚目 ;文化祭　(school) festival stralias schF_R1a,"custom\BMP\background\school\schF_R1a.png" ;文化祭　室内１枚目 stralias schF_R1b,"custom\BMP\background\school\schF_R1b.png" ;文化祭　室内２枚目 stralias schF_R1c,"custom\BMP\background\school\schF_R1c.png" ;文化祭　室内３枚目 stralias schF_P1a,"custom\BMP\background\school\schF_P1a.png" ;文化祭　廊下　１枚目 stralias schF_P1b,"custom\BMP\background\school\schF_P1b.png" ;文化祭　廊下　２枚目 stralias schF_P2a,"custom\BMP\background\school\schF_P2a.png" ;文化祭　廊下２　１枚目 stralias schF_P3a,"custom\BMP\background\school\schF_P3a.png" ;文化祭　廊下（掲示板）　１枚目 stralias schF_S1a,"custom\BMP\background\school\schF_S1a.png" ;文化祭　出店　１枚目 stralias schF_S1b,"custom\BMP\background\school\schF_S1b.png" ;文化祭　出店　２枚目 stralias schF_S1c,"custom\BMP\background\school\schF_S1c.png" ;文化祭　出店　３枚目 stralias schF_S1d,"custom\BMP\background\school\schF_S1d.png" ;文化祭　出店　４枚目 stralias schF_C1a,"custom\BMP\background\school\schF_C1a.png" ;文化祭　コンサート　１枚目 concert stralias schF_C1b,"custom\BMP\background\school\schF_C1b.png" ;文化祭　コンサート　２枚目 concert stralias schF_C1c,"custom\BMP\background\school\schF_C1c.png" ;文化祭　コンサート　３枚目 concert stralias schF_C2a,"custom\BMP\background\school\schF_C2a.png" ;文化祭　コンサート（暗い）　１枚目 concert stralias schF_C2b,"custom\BMP\background\school\schF_C2b.png" ;文化祭　コンサート（暗い）　２枚目 concert ;(school) ルチーア学園 stralias schR_o1a,"custom\BMP\background\school\schR_o1a.png" ;聖ルチーア学園校門 stralias schR_o2a,"custom\BMP\background\school\schR_o2a.png" ;聖ルチーア学園敷地内（エンジェの隠れ家 stralias schR_o3a,"custom\BMP\background\school\schR_o3a.png" ;聖ルチーア学園敷地内 stralias schR_o3b,"custom\BMP\background\school\schR_o3b.png" ;聖ルチーア学園敷地内 stralias schR_P1a,"custom\BMP\background\school\schR_P1a.png" ;聖ルチーア学園　廊下 stralias schR_P1b,"custom\BMP\background\school\schR_P1b.png" ;聖ルチーア学園　廊下 stralias schR_R1a,"custom\BMP\background\school\schR_R1a.png" ;聖ルチーア学園　教室１ stralias schR_R1b,"custom\BMP\background\school\schR_R1b.png" ;聖ルチーア学園　教室２ stralias schR_R1c,"custom\BMP\background\school\schR_R1c.png" ;聖ルチーア学園　教室３ stralias schR_R1d,"custom\BMP\background\school\schR_R1d.png" ;聖ルチーア学園　天井 stralias schR_R1aN,"custom\BMP\background\school\schR_R1aN.png" ;　夜教室１ stralias schR_R1bN,"custom\BMP\background\school\schR_R1bN.png" ;　夜教室２ stralias schR_R1cN,"custom\BMP\background\school\schR_R1cN.png" ;　夜教室３ stralias schD_P1a,"custom\BMP\background\school\schD_P1a.png" ;学園寮　廊下 dormitory stralias schD_P1b,"custom\BMP\background\school\schD_P1b.png" ;学園寮　廊下 stralias TOI_1a,"custom\BMP\background\school\TOI_1a.png" ;トイレ個室内 stralias ROS_o1aN,"custom\BMP\background\rosehouse\ROS_o1aN.png" ;楼座宅　外　夜 stralias ROS_R1a,"custom\BMP\background\rosehouse\ROS_R1a.png" ;楼座宅リビング stralias ROS_R1aN,"custom\BMP\background\rosehouse\ROS_R1aN.png" ;楼座宅リビング stralias ROS_R1aR,"custom\BMP\background\rosehouse\ROS_R1aR.png" ;楼座宅リビング stralias ROS_R1b,"custom\BMP\background\rosehouse\ROS_R1b.png" stralias ROS_R1bN,"custom\BMP\background\rosehouse\ROS_R1bN.png" stralias ROS_R1bR,"custom\BMP\background\rosehouse\ROS_R1bR.png" stralias ROS_P1a,"custom\BMP\background\rosehouse\ROS_P1a.png" ;廊下 stralias ROS_P1aN,"custom\BMP\background\rosehouse\ROS_P1aN.png" ;廊下 stralias ROS_Ro1a,"custom\BMP\background\rosehouse\ROS_Ro1a.png" ;楼座寝室 stralias ROS_M1a,"custom\BMP\background\rosehouse\ROS_M1a.png" ;マリアの部屋 stralias ROS_M1b,"custom\BMP\background\rosehouse\ROS_M1b.png" stralias ROS_M1c,"custom\BMP\background\rosehouse\ROS_M1c.png" stralias ROS_M1aN,"custom\BMP\background\rosehouse\ROS_M1aN.png" ;マリアの部屋　夜 stralias ROS_M1bN,"custom\BMP\background\rosehouse\ROS_M1bN.png" stralias ROS_M1cN,"custom\BMP\background\rosehouse\ROS_M1cN.png" stralias NAN_R1a,"custom\BMP\background\nanclinic\nan_R1a.png" ;南条診療所　室内 stralias NAN_R1b,"custom\BMP\background\nanclinic\nan_R1b.png" ;南条診療所　室内 stralias NAN_R1c,"custom\BMP\background\nanclinic\nan_R1c.png" ;南条診療所　室内 stralias KUM_R1a,"custom\BMP\background\kumhouse\KUM_R1a.png" ;熊沢宅　室内 stralias KUM_R1b,"custom\BMP\background\kumhouse\KUM_R1b.png" ;熊沢宅　室内 stralias KUM_R1c,"custom\BMP\background\kumhouse\KUM_R1c.png" ;熊沢宅　室内 stralias KAW_R1aN,"custom\BMP\background\Kawhouse\KAW_R1aN.png" ;川畑宅　室内 stralias KAW_R1bN,"custom\BMP\background\kawhouse\KAW_R1bN.png" ;川畑宅　室内 stralias KAW_R1cN,"custom\BMP\background\kawhouse\KAW_R1cN.png" ;川畑宅　室内 stralias KAW_R2a,"custom\BMP\background\kawhouse\KAW_R2a.png" ;川畑宅　室内 stralias KAW_R3a,"custom\BMP\background\kawhouse\KAW_R3a.png" ;川畑宅　昼間　店 stralias KAW_R3aN,"custom\BMP\background\kawhouse\KAW_R3aN.png" ;川畑宅　夜　店 stralias KAW_R3b,"custom\BMP\background\kawhouse\KAW_R3b.png" ;川畑宅　昼間　店 stralias KAW_R3bN,"custom\BMP\background\kawhouse\KAW_R3bN.png" ;川畑宅　夜　店 stralias KAW_R3c,"custom\BMP\background\kawhouse\KAW_R3c.png" ;川畑宅　昼間　店 stralias KAW_R3cN,"custom\BMP\background\kawhouse\KAW_R3cN.png" ;川畑宅　夜　店 stralias cit_1a,"custom\BMP\background\city\cit_1a.png" ;街の風景　１枚目 city sky stralias cit_2a,"custom\BMP\background\city\cit_2a.png" ;街の夜景　１枚目 city sky stralias cit_2b,"custom\BMP\background\city\cit_2b.png" ;街の夜景　２枚目 city sky stralias cit_3a,"custom\BMP\background\city\cit_3a.png" ;街の夜道　１枚目 stralias par_1a,"custom\BMP\background\city\par_1a.png" ; stralias par_1b,"custom\BMP\background\city\par_1b.png" ; stralias par_1c,"custom\BMP\background\city\par_1c.png" ; stralias con_i1a,"custom\BMP\background\city\con_i1a.png" ;コンビニ　店内 stralias cof_1a,"custom\BMP\background\city\cof_1a.png" ;喫茶店　１枚目 coffee shop stralias BUI_o1a,"custom\BMP\background\city\BUI_o1a.png" ;右代宮ビル　全景 stralias BUI_o2a,"custom\BMP\background\city\BUI_o2a.png" ;右代宮ビル　外階段 stralias BUI_o2b,"custom\BMP\background\city\BUI_o2b.png" ;右代宮ビル　外階段前 stralias BUI_R1a,"custom\BMP\background\city\BUI_R1a.png" ;右代宮ビル　部屋１ stralias BUI_R1b,"custom\BMP\background\city\BUI_R1b.png" ;右代宮ビル　部屋２ stralias BUI_R1c,"custom\BMP\background\city\BUI_R1c.png" ;右代宮ビル　部屋３ stralias BUI_R1d,"custom\BMP\background\city\BUI_R1d.png" ;右代宮ビル　部屋４ stralias BUI_E1a,"custom\BMP\background\city\BUI_E1a.png" ;エレベーターホール stralias BUI_inf1a,"custom\BMP\background\city\BUI_inf1a.png" ;受付　information stralias BUI_inf1b,"custom\BMP\background\city\BUI_inf1b.png" ;受付 stralias BUI_inf1c,"custom\BMP\background\city\BUI_inf1c.png" ;受付 stralias HOT_i1a,"custom\BMP\background\city\HOT_i1a.png" ;ホテル内（見上げる構図 stralias HOT_i1b,"custom\BMP\background\city\HOT_i1b.png" ;エレベーターホール（スイートルーム stralias HOT_R1a,"custom\BMP\background\city\HOT_R1a.png" ;ホテル　室内 stralias HOT_R1b,"custom\BMP\background\city\HOT_R1b.png" ; stralias HOT_R1c,"custom\BMP\background\city\HOT_R1c.png" ; stralias sta_1a,"custom\BMP\background\city\sta_1a.png" ;駅　１枚目 station stralias Hos_P1a,"custom\BMP\background\city\Hos_P1a.png" ;病院　通路　１枚目 stralias Hos_P1b,"custom\BMP\background\city\Hos_P1b.png" ;病院　通路　２枚目 stralias Hos_R1a,"custom\BMP\background\city\Hos_R1a.png" ;病院　病室　１枚目 stralias Hos_R1b,"custom\BMP\background\city\Hos_R1b.png" ;病院　病室　２枚目 stralias Hos_R1c,"custom\BMP\background\city\Hos_R1c.png" ;病院　病室　３枚目 stralias off_1a,"custom\BMP\background\city\off_1a.png" ;オフィス電話　１枚目 office stralias tra_1a,"custom\BMP\background\city\tra_1a.png" ;電車　（車内）　１枚目 train stralias tra_1b,"custom\BMP\background\city\tra_1b.png" ;電車　（車内）　２枚目 stralias tra_1c,"custom\BMP\background\city\tra_1c.png" ;電車　（車内）　３枚目 ;空港 stralias air_o1a,"custom\BMP\background\airport\air_out1a.png" ;空港　外　１枚目 stralias air_i1a,"custom\BMP\background\airport\air_in1a.png" ;空港　室内　１枚目 stralias air_i1b,"custom\BMP\background\airport\air_in1b.png" ;空港　室内　２枚目 stralias air_i1c,"custom\BMP\background\airport\air_in1c.png" ;空港　室内　３枚目 stralias air_i1d,"custom\BMP\background\airport\air_in1d.png" ;空港　室内　４枚目 stralias air_i1e,"custom\BMP\background\airport\air_in1e.png" ;空港　室内　５枚目（カウンター前） stralias air_T1a,"custom\BMP\background\airport\air_T1a.png" ;空港トイレ　個室　１枚目 stralias air_T2a,"custom\BMP\background\airport\air_T2a.png" ;空港トイレ　　１枚目 ;新島空港 stralias air_o2a,"custom\BMP\background\airport\air_out2a.png" ;新島空港　外　１枚目 stralias air_o2b,"custom\BMP\background\airport\air_out2b.png" ;新島空港　外　１枚目 stralias air_o2bR,"custom\BMP\background\airport\air_out2bR.png" ;新島空港　外　反転 stralias air_i2a,"custom\BMP\background\airport\air_in2a.png" ;新島空港　室内　１枚目 stralias air_i2b,"custom\BMP\background\airport\air_in2b.png" ;新島空港　室内　２枚目 ;飛行機 stralias airp_o1a,"custom\BMP\background\airport\airp_out1a.png" ;飛行機　外１　１枚目airplane stralias airp_o2a,"custom\BMP\background\airport\airp_out2a.png" ;飛行機　外２　１枚目（遠め） stralias airp_o2b,"custom\BMP\background\airport\airp_out2b.png" ;飛行機　外２　２枚目（至近） stralias airp_i1a,"custom\BMP\background\airport\airp_in1a.png" ;飛行機　機内　１枚目 stralias airp_i1b,"custom\BMP\background\airport\airp_in1b.png" ;飛行機　機内　２枚目 stralias airp_w1a,"custom\BMP\background\airport\airp_w1a.png" ;飛行機　窓　１枚目 stralias airp_w1b,"custom\BMP\background\airport\airp_w1a.png" ;飛行機　窓　２枚目 stralias airp_w1c,"custom\BMP\background\airport\airp_w1a.png" ;飛行機　窓　３枚目 stralias airp_w1d,"custom\BMP\background\airport\airp_w1a.png" ;飛行機　窓　４枚目 stralias airp_w1e,"custom\BMP\background\airport\airp_w1e.png" ;飛行機　窓　５枚目 stralias airp_w1f,"custom\BMP\background\airport\airp_w1f.png" ;飛行機　窓　６枚目 stralias airp_w1g,"custom\BMP\background\airport\airp_w1g.png" ;飛行機　窓　７枚目 stralias airp_w1h,"custom\BMP\background\airport\airp_w1h.png" ;飛行機　窓　８枚目 stralias airp_w1i,"custom\BMP\background\airport\airp_w1i.png" ;飛行機　窓　９枚目 stralias airp_w1j,"custom\BMP\background\airport\airp_w1j.png" ;飛行機　窓　１０枚目 stralias airp_w1k,"custom\BMP\background\airport\airp_w1k.png" ;飛行機　窓　１１枚目 stralias car_i1a,"custom\BMP\background\airport\car_i1a.png" ;車　車内　１枚目 stralias car_o2a,"custom\BMP\background\airport\car_o2a.png" ; stralias car_o2b,"custom\BMP\background\airport\car_o2b.png" ; stralias car_o2c,"custom\BMP\background\airport\car_o2c.png" ; stralias car_i3a,"custom\BMP\background\airport\car_i3a.png" ;車　車内　レンタカー stralias car_i3b,"custom\BMP\background\airport\car_i3b.png" ;車　車内　 stralias car_i3c,"custom\BMP\background\airport\car_i3c.png" ;車　車内　 ;港 stralias ship_P1a,"custom\BMP\background\ship\ship_P1a.png" ;港　埠頭　１枚目 stralias ship_P1b,"custom\BMP\background\ship\ship_P1b.png" ;港　埠頭　２枚目 stralias ship_P1c,"custom\BMP\background\ship\ship_P1c.png" ;港　埠頭　３枚目 ;船 stralias ship_S1a,"custom\BMP\background\ship\ship_S1a.png" ;船　接岸　１枚目 stralias ship_S1b,"custom\BMP\background\ship\ship_S1b.png" ;船　接岸　２枚目 stralias ship_S1c,"custom\BMP\background\ship\ship_S1c.png" ;船　接岸　３枚目 stralias ship_S2a,"custom\BMP\background\ship\ship_S2a.png" ;船　甲板　１枚目 stralias ship_S2b,"custom\BMP\background\ship\ship_S2b.png" ;船　甲板　２枚目 stralias ship_S2c,"custom\BMP\background\ship\ship_S2c.png" ;船　甲板　３枚目 stralias ship_S3a,"custom\BMP\background\ship\ship_S3a.png" ;船　船内　１枚目 stralias ship_S3b,"custom\BMP\background\ship\ship_S3b.png" ;船　船内　１枚目 stralias ship_S3c,"custom\BMP\background\ship\ship_S3c.png" ;船　船内　１枚目 stralias sea_1a,"custom\BMP\background\ship\sea_1a.png" ;船　海　１枚目 stralias sea_1b,"custom\BMP\background\ship\sea_1b.png" ;船　海　２枚目 stralias sea_1c,"custom\BMP\background\ship\sea_1c.png" ;船　海　３枚目 stralias sea_1d,"custom\BMP\background\ship\sea_1d.png" ;船　海　４枚目 stralias sea_2a,"custom\BMP\background\ship\sea_2a.png" ;船　荒波　１枚目 stralias sea_2b,"custom\BMP\background\ship\sea_2b.png" ;船　荒波　２枚目 stralias sea_2c,"custom\BMP\background\ship\sea_2c.png" ;船　荒波　３枚目 stralias sea_3a,"custom\BMP\background\ship\sea_3a.png" ;海　海岸　見下ろし stralias sea_3b,"custom\BMP\background\ship\sea_3b.png" ;海　水面 stralias shr_1a,"custom\BMP\background\ship\shr_1a.png" ;船　祠　１枚目　shrine ;森から庭園への道 stralias forest_P1a,"custom\BMP\background\forest\forest_P1a.png" ;庭園への道　１枚目 stralias forest_P1aN,"custom\BMP\background\forest\forest_P1aN.png" ;庭園への道　１枚目 stralias forest_P1aR,"custom\BMP\background\forest\forest_P1aR.png" ;庭園への道　１枚目 stralias forest_P1b,"custom\BMP\background\forest\forest_P1b.png" ;庭園への道　２枚目 stralias forest_P1bN,"custom\BMP\background\forest\forest_P1bN.png" ;庭園への道　２枚目 stralias forest_P1bR,"custom\BMP\background\forest\forest_P1bR.png" ;庭園への道　２枚目 stralias forest_S1a,"custom\BMP\background\forest\forest_S1a.png" ;庭園への階段　１枚目 stralias forest_S1b,"custom\BMP\background\forest\forest_S1b.png" ;庭園への階段　２枚目 ;獣道 stralias forest_P2a,"custom\BMP\background\forest\forest_P2a.png" ; stralias forest_P2aN,"custom\BMP\background\forest\forest_P2aN.png" ; stralias forest_P2aR,"custom\BMP\background\forest\forest_P2aR.png" ; stralias forest_P2b,"custom\BMP\background\forest\forest_P2b.png" ; stralias forest_P2bN,"custom\BMP\background\forest\forest_P2bN.png" ; stralias forest_P2bR,"custom\BMP\background\forest\forest_P2bR.png" ; ;崖 stralias cliff_1a,"custom\BMP\background\forest\cliff_1a.png" ; stralias cliff_1b,"custom\BMP\background\forest\cliff_1b.png" ; stralias hill_1a,"custom\BMP\background\forest\Hill_1a.png" ;丘 stralias hill_1b,"custom\BMP\background\forest\Hill_1b.png" ; stralias hill_1c,"custom\BMP\background\forest\Hill_1c.png" ; stralias hill_1aR,"custom\BMP\background\forest\Hill_1aR.png" ; stralias hill_1bR,"custom\BMP\background\forest\Hill_1bR.png" ; stralias hill_1cR,"custom\BMP\background\forest\Hill_1cR.png" ; stralias hill_1aN,"custom\BMP\background\forest\Hill_1aN.png" ; stralias hill_1bN,"custom\BMP\background\forest\Hill_1bN.png" ; stralias hill_1cN,"custom\BMP\background\forest\Hill_1cN.png" ; ;砂浜から森へ stralias beach_1a,"custom\BMP\background\forest\beach_1a.png" ;船着場から砂浜　１枚目 stralias beach_1b,"custom\BMP\background\forest\beach_1b.png" ;船着場から砂浜　２枚目 stralias beach_2a,"custom\BMP\background\forest\beach_2a.png" ;砂浜　１枚目 stralias beach_2b,"custom\BMP\background\forest\beach_2b.png" ;砂浜　２枚目 stralias beach_3a,"custom\BMP\background\forest\beach_3a.png" ;砂浜　荒れ模様１枚目 stralias beach_L1a,"custom\BMP\background\forest\beach_L1a.png" ;砂浜空ロング昼１ stralias beach_L2a,"custom\BMP\background\forest\beach_L2a.png" ;砂浜空ロング夕１ stralias beach_S1a,"custom\BMP\background\forest\beach_S1a.png" ;砂浜からの階段　１枚目 stralias beach_S1b,"custom\BMP\background\forest\beach_S1b.png" ;砂浜からの階段　２枚目 stralias beach_S1c,"custom\BMP\background\forest\beach_S1c.png" ;砂浜からの階段　３枚目 stralias beach_S2a,"custom\BMP\background\forest\beach_S2a.png" ;砂浜からの階段２　１枚目 stralias beach_S2b,"custom\BMP\background\forest\beach_S2b.png" ;砂浜からの階段２　２枚目 stralias well_1a,"custom\BMP\background\forest\well_1a.png" ;森の中の井戸１ stralias well_1b,"custom\BMP\background\forest\well_1b.png" ;森の中の井戸２ stralias well_1c,"custom\BMP\background\forest\well_1c.png" ;森の中の井戸３ stralias well_1aR,"custom\BMP\background\forest\well_1aR.png" ;森の中の井戸１ stralias well_1bR,"custom\BMP\background\forest\well_1bR.png" ;森の中の井戸２ stralias well_1cR,"custom\BMP\background\forest\well_1cR.png" ;森の中の井戸３ stralias well_1aN,"custom\BMP\background\forest\well_1aN.png" ;森の中の井戸１ stralias well_1bN,"custom\BMP\background\forest\well_1bN.png" ;森の中の井戸２ stralias well_1cN,"custom\BMP\background\forest\well_1cN.png" ;森の中の井戸３ stralias Sky_1a,"custom\BMP\background\forest\Sky_1a.png" ;青空　１枚目 stralias Sky_2a,"custom\BMP\background\forest\Sky_2a.png" ;夕焼け　１枚目 stralias Sky_2b,"custom\BMP\background\forest\Sky_2b.png" ;夕焼け　２枚目 stralias Sky_3a,"custom\BMP\background\forest\Sky_3a.png" ;青空　１枚目 stralias Sky_4a,"custom\BMP\background\forest\Sky_4a.png" ;空 stralias Sky_4b,"custom\BMP\background\forest\Sky_4b.png" ;空 stralias moon_1a,"custom\BMP\background\forest\moon_1a.png" ;満月　１枚目 stralias moon_2a,"custom\BMP\background\forest\moon_2a.png" ;満月　都市部 stralias OBS_1a,"custom\BMP\background\forest\OBS_1a.png" ;(心象世界の)展望台　observatory stralias Different_garden1a,"custom\BMP\background\garden\Different_garden1a.png" ;不思議な森の道　１枚目 stralias Different_garden1b,"custom\BMP\background\garden\Different_garden1b.png" ;不思議な森の道　２枚目 ;薔薇庭園 stralias rose_G1a,"custom\BMP\background\garden\rose_G1a.png" ;庭園　館外観正面　１枚目 stralias rose_G1aR,"custom\BMP\background\garden\rose_G1aR.png" ;庭園　館外観正面　１枚目の雨 stralias rose_G1aN,"custom\BMP\background\garden\rose_G1aN.png" ;庭園　館外観正面　１枚目の夜 stralias rose_G1b,"custom\BMP\background\garden\rose_G1b.png" ;庭園　館外観正面　２枚目 stralias rose_G1c,"custom\BMP\background\garden\rose_G1c.png" ;庭園　館外観正面　３枚目 stralias rose_G1d,"custom\BMP\background\garden\rose_G1d.png" ;庭園　館外観正面　４枚目 stralias warehous_o1a,"custom\BMP\background\garden\warehous_o1a.png" ;庭園　倉庫外観　１枚目 stralias warehous_o2a,"custom\BMP\background\garden\warehous_o2a.png" ;庭園　倉庫外観　１枚目　シャッターが開く stralias warehous_i1a,"custom\BMP\background\garden\warehous_i1a.png" ;庭園　倉庫内部　１枚目 stralias warehous_i1b,"custom\BMP\background\garden\warehous_i1b.png" ;庭園　倉庫内部　２枚目 stralias warehous_i1c,"custom\BMP\background\garden\warehous_i1c.png" ;庭園　倉庫内部　３枚目 stralias warehous_i1d,"custom\BMP\background\garden\warehous_i1d.png" ;庭園　倉庫内部　４枚目 stralias warehous_i1e,"custom\BMP\background\garden\warehous_i1e.png" ;庭園　倉庫内部　５枚目　天井 stralias garden_1a,"custom\BMP\background\garden\garden_1a.png" ;庭園への道　１枚目 stralias garden_1aR,"custom\BMP\background\garden\garden_1aR.png" ;雨庭園への道　１枚目 stralias garden_1aN,"custom\BMP\background\garden\garden_1aN.png" ;夜庭園への道　１枚目 stralias garden_1b,"custom\BMP\background\garden\garden_1b.png" ;庭園への道　２枚目 stralias garden_1bR,"custom\BMP\background\garden\garden_1bR.png" ;雨庭園への道　２枚目 stralias garden_1bN,"custom\BMP\background\garden\garden_1bN.png" ;夜庭園への道　２枚目 stralias garden_1c,"custom\BMP\background\garden\garden_1c.png" ;庭園への道　３枚目 stralias garden_1cR,"custom\BMP\background\garden\garden_1cR.png";庭園への道３枚目の雨 stralias garden_1cN,"custom\BMP\background\garden\garden_1cN.png";庭園への道３枚目の夜 stralias garden_R1a,"custom\BMP\background\garden\garden_R1a.png" ;庭園　昼間　東屋　１枚目 stralias garden_R1aN,"custom\BMP\background\garden\garden_R1aN.png" ;庭園　夜　東屋　１枚目 stralias garden_R1aR,"custom\BMP\background\garden\garden_R1aR.png" ;庭園　雨　東屋　１枚目 stralias garden_R1b,"custom\BMP\background\garden\garden_R1b.png" ;庭園　昼間　東屋　２枚目 stralias garden_R1bN,"custom\BMP\background\garden\garden_R1bN.png" ;庭園　夜　東屋　２枚目 stralias garden_R1bR,"custom\BMP\background\garden\garden_R1bR.png" ;庭園　雨　東屋　２枚目 stralias garden_R1c,"custom\BMP\background\garden\garden_R1c.png" ;庭園　昼間　東屋　３枚目 stralias garden_R1cN,"custom\BMP\background\garden\garden_R1cN.png" ;庭園　夜　東屋　３枚目 stralias garden_R1cR,"custom\BMP\background\garden\garden_R1cR.png" ;庭園　雨　東屋　３枚目 stralias garden_R1d,"custom\BMP\background\garden\garden_R1c.png" ;庭園　昼間　東屋　４枚目 stralias garden_R1dN,"custom\BMP\background\garden\garden_R1cN.png" ;庭園　夜　東屋　４枚目 stralias garden_R1dR,"custom\BMP\background\garden\garden_R1cR.png" ;庭園　雨　東屋　４枚目 stralias rose_P1a,"custom\BMP\background\garden\rose_P1a.png" ;庭園の道　１枚目 stralias rose_P1aR,"custom\BMP\background\garden\rose_P1aR.png" ;雨庭園の道　１枚目 stralias rose_P1aN,"custom\BMP\background\garden\rose_P1aN.png" ;夜庭園の道　１枚目 stralias rose_P1aP,"custom\BMP\background\garden\rose_P1aP.png" ;庭園の道　１枚目 stralias rose_1a,"custom\BMP\background\garden\rose_1a.png" ;庭園の薔薇　１枚目 stralias rose_1aR,"custom\BMP\background\garden\rose_1aR.png" ;雨庭園の薔薇　１枚目 stralias rose_1aN,"custom\BMP\background\garden\rose_1aN.png" ;夜庭園の薔薇　１枚目 stralias rose_1b,"custom\BMP\background\garden\rose_1b.png" ;庭園の薔薇　２枚目 stralias rose_1bR,"custom\BMP\background\garden\rose_1bR.png" ;雨庭園の薔薇　２枚目 stralias rose_1bN,"custom\BMP\background\garden\rose_1bN.png" ;夜庭園の薔薇　２枚目 stralias rose_1c,"custom\BMP\background\garden\rose_1c.png" ;庭園の薔薇　３枚目 stralias rose_1cR,"custom\BMP\background\garden\rose_1cR.png" ;雨庭園の薔薇　３枚目 stralias rose_1cN,"custom\BMP\background\garden\rose_1cN.png" ;夜庭園の薔薇　３枚目 stralias rose_1cP,"custom\BMP\background\garden\rose_1cP.png" ;庭園の薔薇　３枚目 stralias rose_1d,"custom\BMP\background\garden\rose_1d.png" ;庭園の薔薇　４枚目 stralias rose_1dR,"custom\BMP\background\garden\rose_1dR.png" ;雨庭園の薔薇　４枚目 stralias rose_1dN,"custom\BMP\background\garden\rose_1dN.png" ;夜庭園の薔薇　４枚目 stralias rose_1dP,"custom\BMP\background\garden\rose_1dP.png" ;雨庭園の薔薇　４枚目 stralias rose_1e,"custom\BMP\background\garden\rose_1e.png" ;庭園の薔薇　５枚目 stralias rose_1eR,"custom\BMP\background\garden\rose_1eR.png" ;雨庭園の薔薇　５枚目 stralias rose_1eN,"custom\BMP\background\garden\rose_1eN.png" ;夜庭園の薔薇　５枚目 stralias rose_1eP,"custom\BMP\background\garden\rose_1eP.png" ;雨庭園の薔薇　５枚目 stralias rose_2a,"custom\BMP\background\garden\rose_2a.png" ;魔女空間薔薇庭園　１枚目 stralias rose_2b,"custom\BMP\background\garden\rose_2b.png" ;魔女空間薔薇庭園　２枚目 stralias rose_2c,"custom\BMP\background\garden\rose_2c.png" ;魔女空間薔薇庭園　３枚目 stralias rose_2aN,"custom\BMP\background\garden\rose_2aN.png" ;夜魔女空間薔薇庭園　１枚目 stralias rose_2bN,"custom\BMP\background\garden\rose_2bN.png" ;夜魔女空間薔薇庭園　２枚目 stralias rose_2cN,"custom\BMP\background\garden\rose_2cN.png" ;夜魔女空間薔薇庭園　３枚目 stralias rose_2aP,"custom\BMP\background\garden\rose_2aP.png" ;魔女空間薔薇庭園　１枚目 stralias rose_2bP,"custom\BMP\background\garden\rose_2bP.png" ;魔女空間薔薇庭園　２枚目 stralias rose_2cP,"custom\BMP\background\garden\rose_2cP.png" ;魔女空間薔薇庭園　３枚目 stralias rose_3a,"custom\BMP\background\garden\rose_3a.png" ;魔女空間薔薇庭園　１枚目 stralias rose_3b,"custom\BMP\background\garden\rose_3b.png" ;魔女空間薔薇庭園　２枚目 stralias rose_3c,"custom\BMP\background\garden\rose_3c.png" ;魔女空間薔薇庭園　３枚目 stralias rose_3aN,"custom\BMP\background\garden\rose_3aN.png" ;夜魔女空間薔薇庭園　１枚目 stralias rose_3bN,"custom\BMP\background\garden\rose_3bN.png" ;夜魔女空間薔薇庭園　２枚目 stralias rose_3cN,"custom\BMP\background\garden\rose_3cN.png" ;夜魔女空間薔薇庭園　３枚目 stralias rose_3aP,"custom\BMP\background\garden\rose_3aP.png" ;魔女空間薔薇庭園　１枚目 stralias rose_3bP,"custom\BMP\background\garden\rose_3bP.png" ;魔女空間薔薇庭園　２枚目 stralias rose_3cP,"custom\BMP\background\garden\rose_3cP.png" ;魔女空間薔薇庭園　３枚目 ;本館 stralias M_o1a,"custom\BMP\background\mainbuilding\M_o1a.png" ;本館　外見　１枚目 stralias M_o1aR,"custom\BMP\background\mainbuilding\M_o1aR.png";本館　外見　１枚目の雨 stralias M_o1aN,"custom\BMP\background\mainbuilding\M_o1aN.png";本館　外見　１枚目の夜 stralias M_o1b,"custom\BMP\background\mainbuilding\M_o1b.png" ;本館　外見　２枚目 stralias M_o1bR,"custom\BMP\background\mainbuilding\M_o1bR.png";本館　外見　２枚目の雨 stralias M_o1bN,"custom\BMP\background\mainbuilding\M_o1bN.png";本館　外見　２枚目の夜 ;ドア。本館以外でも使用可能 stralias M_door1,"custom\BMP\background\mainbuilding\M_door1.png";ドア stralias M_door2,"custom\BMP\background\mainbuilding\M_door2.png";ドアノブ stralias TEL1a,"custom\BMP\background\efe\TEL1a.png" ;白電話 ;通路（P）は階段とする ;食堂 stralias Mdin_1a,"custom\BMP\background\mainbuilding\Mdin_1a.png" ;本館１Ｆ 食堂１　１枚目　dining stralias Mdin_1aR,"custom\BMP\background\mainbuilding\Mdin_1aR.png" ;本館１Ｆ 食堂１　１枚目　diningの雨 stralias Mdin_1aN,"custom\BMP\background\mainbuilding\Mdin_1aN.png" ;本館１Ｆ 食堂１　１枚目　diningの夜 stralias Mdin_1b,"custom\BMP\background\mainbuilding\Mdin_1b.png" ;本館１Ｆ 食堂１　２枚目 stralias Mdin_1bR,"custom\BMP\background\mainbuilding\Mdin_1bR.png" ;本館１Ｆ 食堂１　２枚目の雨 stralias Mdin_1bN,"custom\BMP\background\mainbuilding\Mdin_1bN.png" ;本館１Ｆ 食堂１　２枚目の夜 stralias Mdin_1c,"custom\BMP\background\mainbuilding\Mdin_1c.png" ;本館１Ｆ 食堂１　３枚目 stralias Mdin_1cR,"custom\BMP\background\mainbuilding\Mdin_1cR.png" ;本館１Ｆ 食堂１　３枚目の雨 stralias Mdin_1cN,"custom\BMP\background\mainbuilding\Mdin_1cN.png" ;本館１Ｆ 食堂１　３枚目の夜 stralias Mdin_1d,"custom\BMP\background\mainbuilding\Mdin_1d.png" ;本館１Ｆ 食堂１　４枚目 stralias Mdin_1dR,"custom\BMP\background\mainbuilding\Mdin_1dR.png" ;本館１Ｆ 食堂１　４枚目の雨 stralias Mdin_1dN,"custom\BMP\background\mainbuilding\Mdin_1dN.png" ;本館１Ｆ 食堂１　４枚目の夜 stralias Mdin_1e,"custom\BMP\background\mainbuilding\Mdin_1e.png" ;本館１Ｆ 食堂１　５枚目 stralias Mdin_1eR,"custom\BMP\background\mainbuilding\Mdin_1eR.png" ;本館１Ｆ 食堂１　５枚目の雨 stralias Mdin_1eN,"custom\BMP\background\mainbuilding\Mdin_1eN.png" ;本館１Ｆ 食堂１　５枚目の夜 stralias Mdin_1f,"custom\BMP\background\mainbuilding\Mdin_1f.png" ;本館１Ｆ 食堂１　６枚目 stralias Mdin_1fR,"custom\BMP\background\mainbuilding\Mdin_1fR.png" ;本館１Ｆ 食堂１　６枚目の雨 stralias Mdin_1fN,"custom\BMP\background\mainbuilding\Mdin_1fN.png" ;本館１Ｆ 食堂１　６枚目の夜 stralias Mdin_1g,"custom\BMP\background\mainbuilding\Mdin_1g.png" ;本館１Ｆ 食堂１　７枚目　天井 stralias Mdin_1gR,"custom\BMP\background\mainbuilding\Mdin_1gR.png" ;本館１Ｆ 食堂１　７枚目　天井の雨 stralias Mdin_1gN,"custom\BMP\background\mainbuilding\Mdin_1gN.png" ;本館１Ｆ 食堂１　７枚目　天井の夜 ;大広間 stralias Mhal_1a,"custom\BMP\background\mainbuilding\Mhal_1a.png" ;本館１Ｆ 大広間１　１枚目　hall stralias Mhal_1aR,"custom\BMP\background\mainbuilding\Mhal_1aR.png" ;本館１Ｆ 大広間１　１枚目　hallの雨 stralias Mhal_1aN,"custom\BMP\background\mainbuilding\Mhal_1aN.png" ;本館１Ｆ 大広間１　１枚目　hallの夜 stralias Mhal_1b,"custom\BMP\background\mainbuilding\Mhal_1b.png" ;本館１Ｆ 大広間１　２枚目 stralias Mhal_1c,"custom\BMP\background\mainbuilding\Mhal_1c.png" ;本館１Ｆ 大広間１　３枚目 stralias Mhal_2a,"custom\BMP\background\mainbuilding\Mhal_2a.png" ;本館１Ｆ 大広間２　１枚目 stralias Mhal_2aR,"custom\BMP\background\mainbuilding\Mhal_2aR.png" ;本館１Ｆ 大広間２　１枚目の雨 stralias Mhal_2aN,"custom\BMP\background\mainbuilding\Mhal_2aN.png" ;本館１Ｆ 大広間２　１枚目の夜 stralias Mhal_2b,"custom\BMP\background\mainbuilding\Mhal_2b.png" ;本館１Ｆ 大広間２　２枚目 stralias Mhal_2bR,"custom\BMP\background\mainbuilding\Mhal_2bR.png" ;本館１Ｆ 大広間２　２枚目の雨 stralias Mhal_2bN,"custom\BMP\background\mainbuilding\Mhal_2bN.png" ;本館１Ｆ 大広間２　２枚目の夜 stralias Mhal_2c,"custom\BMP\background\mainbuilding\Mhal_2c.png" ;本館１Ｆ 大広間２　３枚目　肖像画が在る窓 stralias Mhal_2cR,"custom\BMP\background\mainbuilding\Mhal_2cR.png" ;本館１Ｆ 大広間２　３枚目　肖像画が在る窓の雨 stralias Mhal_2cN,"custom\BMP\background\mainbuilding\Mhal_2cN.png" ;本館１Ｆ 大広間２　３枚目　肖像画が在る窓の夜 stralias Mhal_2d,"custom\BMP\background\mainbuilding\Mhal_2d.png" ;本館１Ｆ 大広間２　シャンデリア ;サロン stralias M1F_S1a,"custom\BMP\background\mainbuilding\M1F_S1a.png" ;本館１Ｆ 広間１　１枚目　saloon stralias M1F_S1aR,"custom\BMP\background\mainbuilding\M1F_S1aR.png" ;本館１Ｆ 広間１　１枚目　saloonの雨 stralias M1F_S1aN,"custom\BMP\background\mainbuilding\M1F_S1aN.png" ;本館１Ｆ 広間１　１枚目　saloonの夜 stralias M1F_S1b,"custom\BMP\background\mainbuilding\M1F_S1b.png" ;本館１Ｆ 広間１　２枚目 stralias M1F_S1bR,"custom\BMP\background\mainbuilding\M1F_S1bR.png" ;本館１Ｆ 広間１　２枚目の雨 stralias M1F_S1bN,"custom\BMP\background\mainbuilding\M1F_S1bN.png" ;本館１Ｆ 広間１　２枚目の夜 stralias M1F_S1c,"custom\BMP\background\mainbuilding\M1F_S1c.png" ;本館１Ｆ 広間１　３枚目 stralias M1F_S1cR,"custom\BMP\background\mainbuilding\M1F_S1cR.png" ;本館１Ｆ 広間１　３枚目の雨 stralias M1F_S1cN,"custom\BMP\background\mainbuilding\M1F_S1cN.png" ;本館１Ｆ 広間１　３枚目の夜 stralias M1F_S1d,"custom\BMP\background\mainbuilding\M1F_S1d.png" ;本館１Ｆ 広間１　４枚目　天井 stralias M1F_S1dR,"custom\BMP\background\mainbuilding\M1F_S1dR.png" ;本館１Ｆ 広間１　４枚目　天井の雨 stralias M1F_S1dN,"custom\BMP\background\mainbuilding\M1F_S1dN.png" ;本館１Ｆ 広間１　４枚目　天井の夜 stralias M1F_S2a,"custom\BMP\background\mainbuilding\M1F_S2a.png" ;本館１Ｆ 広間２　１枚目 stralias M1F_P1a,"custom\BMP\background\mainbuilding\M1F_P1a.png" ;本館１Ｆ 通路１　１枚目 stralias M1F_P1aR,"custom\BMP\background\mainbuilding\M1F_P1aR.png" ;本館１Ｆ 通路１　１枚目の雨 stralias M1F_P1aN,"custom\BMP\background\mainbuilding\M1F_P1aN.png" ;本館１Ｆ 通路１　１枚目の夜 stralias M1F_P1b,"custom\BMP\background\mainbuilding\M1F_P1b.png" ;本館１Ｆ 通路１　２枚目 stralias M1F_P1bR,"custom\BMP\background\mainbuilding\M1F_P1bR.png" ;本館１Ｆ 通路１　２枚目の雨 stralias M1F_P1bN,"custom\BMP\background\mainbuilding\M1F_P1bN.png" ;本館１Ｆ 通路１　２枚目の夜 stralias M1F_P1c,"custom\BMP\background\mainbuilding\M1F_P1c.png" ;本館１Ｆ 通路１　３枚目　天井 stralias M1F_P1cR,"custom\BMP\background\mainbuilding\M1F_P1cR.png" ;本館１Ｆ 通路１　３枚目　天井の雨 stralias M1F_P1cN,"custom\BMP\background\mainbuilding\M1F_P1cN.png" ;本館１Ｆ 通路１　３枚目　天井の夜 stralias M1F_P1d,"custom\BMP\background\mainbuilding\M1F_P1d.png" ;本館１Ｆ 通路１　３枚目　廊下窓 stralias M1F_P1dR,"custom\BMP\background\mainbuilding\M1F_P1dR.png" ;本館１Ｆ 通路１　３枚目　廊下窓の雨 stralias M1F_P1dN,"custom\BMP\background\mainbuilding\M1F_P1dN.png" ;本館１Ｆ 通路１　３枚目　廊下窓の夜 stralias M1F_P2a,"custom\BMP\background\mainbuilding\M1F_P2a.png" ;本館１Ｆ 通路１　１枚目 stralias M1F_P2b,"custom\BMP\background\mainbuilding\M1F_P2b.png" ;本館１Ｆ 通路１　２枚目 stralias M1F_P2bR,"custom\BMP\background\mainbuilding\M1F_P2bR.png" ;本館１Ｆ 通路１　２枚目の雨 stralias M1F_P2bN,"custom\BMP\background\mainbuilding\M1F_P2bN.png" ;本館１Ｆ 通路１　２枚目の夜 stralias M1F_P2c,"custom\BMP\background\mainbuilding\M1F_P2c.png" ;本館１Ｆ 通路１　３枚目 stralias Ment_1a,"custom\BMP\background\mainbuilding\Ment_1a.png" ;本館１Ｆ 玄関（階段前）１　１枚目　entrance stralias Ment_1aR,"custom\BMP\background\mainbuilding\Ment_1aR.png" ;本館１Ｆ 玄関（階段前）１　１枚目　entrance stralias Ment_1aN,"custom\BMP\background\mainbuilding\Ment_1aN.png" ;本館１Ｆ 玄関（階段前）１　１枚目　entrance stralias Ment_1b,"custom\BMP\background\mainbuilding\Ment_1b.png" ;本館１Ｆ 玄関（階段前）１　２枚目 stralias Ment_1bR,"custom\BMP\background\mainbuilding\Ment_1bR.png" ;本館１Ｆ 玄関（階段前）１　２枚目 stralias Ment_1bN,"custom\BMP\background\mainbuilding\Ment_1bN.png" ;本館１Ｆ 玄関（階段前）１　２枚目 stralias Msta_1a,"custom\BMP\background\mainbuilding\Msta_1a.png" ;階段（最上階）　１枚目　staircase stralias Msta_1b,"custom\BMP\background\mainbuilding\Msta_1b.png" ;階段（踊り場）　２枚目 stralias Msta_1c,"custom\BMP\background\mainbuilding\Msta_1c.png" ;階段（見下ろす）　３枚目 stralias Msta_2a,"custom\BMP\background\mainbuilding\Msta_2a.png" ;階段（地下室）　１枚目 stralias Mcou_1a,"custom\BMP\background\mainbuilding\Mcou_1a.png" ;中庭　１枚目　cour stralias Mcou_1aR,"custom\BMP\background\mainbuilding\Mcou_1aR.png" ;中庭　１枚目　courの雨 stralias Mcou_1aN,"custom\BMP\background\mainbuilding\Mcou_1aN.png" ;中庭　１枚目　courtの夜 stralias M2F_P1a,"custom\BMP\background\mainbuilding\M2F_P1a.png" ;本館２Ｆ 通路１　１枚目 stralias M2F_P1aR,"custom\BMP\background\mainbuilding\M2F_P1aR.png" ;本館２Ｆ 通路１　１枚目 stralias M2F_P1aN,"custom\BMP\background\mainbuilding\M2F_P1aN.png" ;本館２Ｆ 通路１　１枚目 stralias M2F_P1b,"custom\BMP\background\mainbuilding\M2F_P1b.png" ;本館２Ｆ 通路１　２枚目 stralias M2F_P1bR,"custom\BMP\background\mainbuilding\M2F_P1bR.png" ;本館２Ｆ 通路１　２枚目の雨 stralias M2F_P1bN,"custom\BMP\background\mainbuilding\M2F_P1bN.png" ;本館２Ｆ 通路１　２枚目の夜 stralias M2F_P1c,"custom\BMP\background\mainbuilding\M2F_P1c.png" ;本館２Ｆ 通路１　３枚目 stralias M2F_P1cR,"custom\BMP\background\mainbuilding\M2F_P1cR.png" ;本館２Ｆ 通路１　３枚目の雨 stralias M2F_P1cN,"custom\BMP\background\mainbuilding\M2F_P1cN.png" ;本館２Ｆ 通路１　３枚目の夜 stralias M2F_P1d,"custom\BMP\background\mainbuilding\M2F_P1d.png" ;本館２Ｆ 通路１　４枚目　階段前 stralias M2F_P1dR,"custom\BMP\background\mainbuilding\M2F_P1dR.png" ;本館２Ｆ 通路１　４枚目　階段前 stralias M2F_P1dN,"custom\BMP\background\mainbuilding\M2F_P1dN.png" ;本館２Ｆ 通路１　４枚目　階段前 stralias Mlib_1a,"custom\BMP\background\mainbuilding\Mlib_1a.png" ;本館　金蔵の書斎　１枚目 stralias Mlib_1aR,"custom\BMP\background\mainbuilding\Mlib_1aR.png" ;本館　金蔵の書斎　１枚目の雨 stralias Mlib_1aN,"custom\BMP\background\mainbuilding\Mlib_1aN.png" ;本館　金蔵の書斎　１枚目の夜 stralias Mlib_1b,"custom\BMP\background\mainbuilding\Mlib_1b.png" ;本館　金蔵の書斎　２枚目 stralias Mlib_1bR,"custom\BMP\background\mainbuilding\Mlib_1bR.png" ;本館　金蔵の書斎　２枚目の雨 stralias Mlib_1bN,"custom\BMP\background\mainbuilding\Mlib_1bN.png" ;本館　金蔵の書斎　２枚目の夜 stralias Mlib_1c,"custom\BMP\background\mainbuilding\Mlib_1c.png" ;本館　金蔵の書斎　３枚目 stralias Mlib_1cR,"custom\BMP\background\mainbuilding\Mlib_1cR.png" ;本館　金蔵の書斎　３枚目の雨 stralias Mlib_1cN,"custom\BMP\background\mainbuilding\Mlib_1cN.png" ;本館　金蔵の書斎　３枚目の夜 stralias Mlib_1d,"custom\BMP\background\mainbuilding\Mlib_1d.png" ;本館　金蔵の書斎　４枚目 stralias Mlib_1dR,"custom\BMP\background\mainbuilding\Mlib_1dR.png" ;本館　金蔵の書斎　４枚目の雨 stralias Mlib_1dN,"custom\BMP\background\mainbuilding\Mlib_1dN.png" ;本館　金蔵の書斎　４枚目の夜 stralias Mlib_1e,"custom\BMP\background\mainbuilding\Mlib_1e.png" ;本館　金蔵の書斎　天井　５枚目 stralias MNAT_1a,"custom\BMP\background\mainbuilding\MNAT_1a.png" ;本館　夏妃の部屋　１枚目 stralias MNAT_1b,"custom\BMP\background\mainbuilding\MNAT_1b.png" ;本館　夏妃の部屋　２枚目 stralias MNAT_1c,"custom\BMP\background\mainbuilding\MNAT_1c.png" ;本館　夏妃の部屋　３枚目 stralias MNAT_2a,"custom\BMP\background\mainbuilding\MNAT_2a.png" ;本館　夏妃の部屋　１枚目 stralias MNAT_2b,"custom\BMP\background\mainbuilding\MNAT_2b.png" ;本館　夏妃の部屋　２枚目 stralias MNAT_2c,"custom\BMP\background\mainbuilding\MNAT_2c.png" ;本館　夏妃の部屋　３枚目 stralias MNAT_2d,"custom\BMP\background\mainbuilding\MNAT_2d.png" ;本館　夏妃の部屋　４枚目 stralias MNAT_2e,"custom\BMP\background\mainbuilding\MNAT_2e.png" ;本館　夏妃の部屋　５枚目 stralias MNAT_2aR,"custom\BMP\background\mainbuilding\MNAT_2aR.png" ;本館　夏妃の部屋　１枚目 stralias MNAT_2bR,"custom\BMP\background\mainbuilding\MNAT_2bR.png" ;本館　夏妃の部屋　２枚目 stralias MNAT_2cR,"custom\BMP\background\mainbuilding\MNAT_2cR.png" ;本館　夏妃の部屋　３枚目 stralias MNAT_2dR,"custom\BMP\background\mainbuilding\MNAT_2dR.png" ;本館　夏妃の部屋　４枚目 stralias MNAT_2eR,"custom\BMP\background\mainbuilding\MNAT_2eR.png" ;本館　夏妃の部屋　５枚目 stralias MNAT_2aN,"custom\BMP\background\mainbuilding\MNAT_2aN.png" ;本館　夏妃の部屋　１枚目 stralias MNAT_2bN,"custom\BMP\background\mainbuilding\MNAT_2bN.png" ;本館　夏妃の部屋　２枚目 stralias MNAT_2cN,"custom\BMP\background\mainbuilding\MNAT_2cN.png" ;本館　夏妃の部屋　３枚目 stralias MNAT_2dN,"custom\BMP\background\mainbuilding\MNAT_2dN.png" ;本館　夏妃の部屋　４枚目 stralias MNAT_2eN,"custom\BMP\background\mainbuilding\MNAT_2eN.png" ;本館　夏妃の部屋　５枚目 stralias MNAT_2f,"custom\BMP\background\mainbuilding\MNAT_2f.png" ;本館　夏妃の部屋　燭台 stralias MJES_1a,"custom\BMP\background\mainbuilding\MJES_1a.png" ;本館　朱志香の部屋　１枚目 stralias MJES_1b,"custom\BMP\background\mainbuilding\MJES_1b.png" ;本館　朱志香の部屋　２枚目 stralias MJES_1c,"custom\BMP\background\mainbuilding\MJES_1c.png" ;本館　朱志香の部屋　３枚目 stralias MJES_1d,"custom\BMP\background\mainbuilding\MJES_1d.png" ;本館　朱志香の部屋　４枚目 stralias MJES_1e,"custom\BMP\background\mainbuilding\MJES_1e.png" ;本館　朱志香の部屋　５枚目 stralias MJES_1aR,"custom\BMP\background\mainbuilding\MJES_1aR.png" ;本館　朱志香の部屋　１枚目 stralias MJES_1bR,"custom\BMP\background\mainbuilding\MJES_1bR.png" ;本館　朱志香の部屋　２枚目 stralias MJES_1cR,"custom\BMP\background\mainbuilding\MJES_1cR.png" ;本館　朱志香の部屋　３枚目 stralias MJES_1dR,"custom\BMP\background\mainbuilding\MJES_1dR.png" ;本館　朱志香の部屋　４枚目 stralias MJES_1aN,"custom\BMP\background\mainbuilding\MJES_1aN.png" ;本館　朱志香の部屋　１枚目 stralias MJES_1bN,"custom\BMP\background\mainbuilding\MJES_1bN.png" ;本館　朱志香の部屋　２枚目 stralias MJES_1cN,"custom\BMP\background\mainbuilding\MJES_1cN.png" ;本館　朱志香の部屋　３枚目 stralias MJES_1dN,"custom\BMP\background\mainbuilding\MJES_1dN.png" ;本館　朱志香の部屋　４枚目 ;書斎もどき stralias M2F_R1a,"custom\BMP\background\mainbuilding\M2F_R1a.bmp" ;本館２Ｆ 室内１　１枚目 stralias M2F_R1b,"custom\BMP\background\mainbuilding\M2F_R1b.bmp" ;本館２Ｆ 室内１　２枚目 stralias M2F_R1c,"custom\BMP\background\mainbuilding\M2F_R1c.bmp" ;本館２Ｆ 室内１　３枚目 stralias M2F_R1d,"custom\BMP\background\mainbuilding\M2F_R1d.bmp" ;本館２Ｆ 室内１　４枚目　天井 stralias M2F_R1dR,"custom\BMP\background\mainbuilding\M2F_R1dR.bmp" ;本館２Ｆ 室内１　４枚目　天井 stralias M2F_R1dN,"custom\BMP\background\mainbuilding\M2F_R1dN.bmp" ;本館２Ｆ 室内１　４枚目　天井 ;二人用のテーブルのある部屋 stralias M2F_R2a,"custom\BMP\background\mainbuilding\M2F_R2a.png" ;本館２Ｆ 室内２　１枚目 stralias M2F_R2b,"custom\BMP\background\mainbuilding\M2F_R2b.png" ;本館２Ｆ 室内２　２枚目 stralias M2F_R2c,"custom\BMP\background\mainbuilding\M2F_R2c.png" ;本館２Ｆ 室内２　３枚目 ;揺り椅子のある部 stralias M2F_R3a,"custom\BMP\background\mainbuilding\M2F_R3a.png" ;本館２Ｆ 室内３　１枚目 stralias M2F_R3b,"custom\BMP\background\mainbuilding\M2F_R3b.png" ;本館２Ｆ 室内３　２枚目 stralias M2F_R3c,"custom\BMP\background\mainbuilding\M2F_R3c.png" ;本館２Ｆ 室内３　３枚目 ;ベッドのある部屋 stralias M2F_R4a,"custom\BMP\background\mainbuilding\M2F_R4a.png" ;本館２Ｆ 室内４　１枚目 stralias M2F_R4aR,"custom\BMP\background\mainbuilding\M2F_R4aR.png" ;本館２Ｆ 室内４　１枚目の雨 stralias M2F_R4aN,"custom\BMP\background\mainbuilding\M2F_R4aN.png" ;本館２Ｆ 室内４　１枚目の夜 stralias M2F_R4b,"custom\BMP\background\mainbuilding\M2F_R4b.png" ;本館２Ｆ 室内４　２枚目 stralias M2F_R4bR,"custom\BMP\background\mainbuilding\M2F_R4bR.png" ;本館２Ｆ 室内４　２枚目の雨 stralias M2F_R4bN,"custom\BMP\background\mainbuilding\M2F_R4bN.png" ;本館２Ｆ 室内４　２枚目の夜 stralias M2F_R4c,"custom\BMP\background\mainbuilding\M2F_R4c.png" ;本館２Ｆ 室内４　３枚目 stralias M2F_R4cR,"custom\BMP\background\mainbuilding\M2F_R4cR.png" ;本館２Ｆ 室内４　３枚目 stralias M2F_R4cN,"custom\BMP\background\mainbuilding\M2F_R4cN.png" ;本館２Ｆ 室内４　３枚目 ;小会議室 stralias M2F_R5a,"custom\BMP\background\mainbuilding\M2F_R5a.png" ;本館２Ｆ 室内５　１枚目 stralias M2F_R5b,"custom\BMP\background\mainbuilding\M2F_R5b.png" ;本館２Ｆ 室内５　２枚目 stralias M2F_R5c,"custom\BMP\background\mainbuilding\M2F_R5c.png" ;本館２Ｆ 室内５　３枚目 stralias M2F_R5d,"custom\BMP\background\mainbuilding\M2F_R5d.png" ;本館２Ｆ 室内５　４枚目 stralias M2F_R5e,"custom\BMP\background\mainbuilding\M2F_R5e.png" ;本館２Ｆ 室内５　５枚目 stralias M2F_R5f,"custom\BMP\background\mainbuilding\M2F_R5f.png" ;本館２Ｆ 室内５　６枚目 stralias M2F_R6a,"custom\BMP\background\mainbuilding\M2F_R6a.png" ;本館２Ｆ 室内６　１枚目 ;台所 stralias Mkit_1a,"custom\BMP\background\mainbuilding\Mkit_1a.png" ;本館　台所　１枚目 kitchen stralias Mkit_1aR,"custom\BMP\background\mainbuilding\Mkit_1aR.png" ;本館　台所　１枚目 kitchenの雨 stralias Mkit_1aN,"custom\BMP\background\mainbuilding\Mkit_1aN.png" ;本館　台所　１枚目 kitchenの夜 stralias Mkit_1b,"custom\BMP\background\mainbuilding\Mkit_1b.png" ;本館　台所　２枚目 stralias Mkit_1bR,"custom\BMP\background\mainbuilding\Mkit_1bR.png" ;本館　台所　２枚目の雨 stralias Mkit_1bN,"custom\BMP\background\mainbuilding\Mkit_1bN.png" ;本館　台所　２枚目の夜 stralias Mkit_1c,"custom\BMP\background\mainbuilding\Mkit_1c.png" ;本館　台所　３枚目 stralias Mkit_1cR,"custom\BMP\background\mainbuilding\Mkit_1cR.png" ;本館　台所　３枚目の雨 stralias Mkit_1cN,"custom\BMP\background\mainbuilding\Mkit_1cN.png" ;本館　台所　３枚目の夜 ;浴室 stralias Mbat_1a,"custom\BMP\background\mainbuilding\Mbat_1a.png" ;本館　浴室　１枚目 bathroom stralias Mbat_1b,"custom\BMP\background\mainbuilding\Mbat_1b.png" ;本館　浴室　２枚目 ;トイレ stralias Mbat_2a,"custom\BMP\background\mainbuilding\Mbat_2a.png" ;本館　トイレ　１枚目 ;ボイラー室 stralias Mboi_1a,"custom\BMP\background\mainbuilding\Mboi_1a.png" ;本館　ボイラー室　１枚目 boiler stralias Mboi_1b,"custom\BMP\background\mainbuilding\Mboi_1b.png" ;本館　ボイラー室　２枚目 boiler stralias Mboi_1c,"custom\BMP\background\mainbuilding\Mboi_1c.png" ;本館　ボイラー室　３枚目 boiler stralias Mboi_1d,"custom\BMP\background\mainbuilding\Mboi_1d.png" ;本館　ボイラー室　４枚目 boiler stralias Mvip_1a,"custom\BMP\background\mainbuilding\Mvip_1a.png" ;本館　貴賓室　１枚目 vip room stralias Mvip_1aR,"custom\BMP\background\mainbuilding\Mvip_1aR.png" ;本館　貴賓室　１枚目 vip room雨 stralias Mvip_1aN,"custom\BMP\background\mainbuilding\Mvip_1aN.png" ;本館　貴賓室　１枚目 vip room夜 stralias Mvip_1b,"custom\BMP\background\mainbuilding\Mvip_1b.png" ;本館　貴賓室　２枚目 stralias Mvip_1bR,"custom\BMP\background\mainbuilding\Mvip_1bR.png" ;本館　貴賓室　２枚目雨 stralias Mvip_1bN,"custom\BMP\background\mainbuilding\Mvip_1bN.png" ;本館　貴賓室　２枚目夜 stralias Mvip_1c,"custom\BMP\background\mainbuilding\Mvip_1c.png" ;本館　貴賓室　３枚目 stralias Mvip_1cR,"custom\BMP\background\mainbuilding\Mvip_1cR.png" ;本館　貴賓室　３枚目雨 stralias Mvip_1cN,"custom\BMP\background\mainbuilding\Mvip_1cN.png" ;本館　貴賓室　３枚目夜 stralias Mvip_1d,"custom\BMP\background\mainbuilding\Mvip_1d.png" ;本館　貴賓室　窓　４枚目 stralias Mvip_1dR,"custom\BMP\background\mainbuilding\Mvip_1dR.png" ;本館　貴賓室　窓　４枚目雨 stralias Mvip_1dN,"custom\BMP\background\mainbuilding\Mvip_1dN.png" ;本館　貴賓室　窓　４枚目夜 stralias Mvip_1e,"custom\BMP\background\mainbuilding\Mvip_1e.png" ;本館　貴賓室　天井　５枚目　 stralias Mvip_2a,"custom\BMP\background\mainbuilding\Mvip_2a.png" ;本館　貴賓室　１枚目 stralias Mvip_2aR,"custom\BMP\background\mainbuilding\Mvip_2aR.png" ;本館　貴賓室　１枚目雨 stralias Mvip_2aN,"custom\BMP\background\mainbuilding\Mvip_2aN.png" ;本館　貴賓室　１枚目夜 stralias portrait1,"custom\BMP\background\mainbuilding\portrait1.png" ;本館　ベアトリーチェの肖像画全体図 stralias portrait2,"custom\BMP\background\mainbuilding\portrait2.png" ;本館　ベアトリーチェの肖像画　上 stralias portrait3,"custom\BMP\background\mainbuilding\portrait3.png" ;本館　ベアトリーチェの肖像画　上（EP2の私服仕様） stralias portrait4,"custom\BMP\background\mainbuilding\portrait4.png" ;本館　ベアトリーチェの肖像画　上（EP3の魔女絵羽仕様） ;ゲストハウス ;外観 stralias G_o1a,"custom\BMP\background\guesthouse\G_o1a.png" ;別館外観　１枚目 stralias G_o1aR,"custom\BMP\background\guesthouse\G_o1aR.png";別館外観　１枚目の雨 stralias G_o1aN,"custom\BMP\background\guesthouse\G_o1aN.png";別館外観　１枚目の夜 stralias G_o1b,"custom\BMP\background\guesthouse\G_o1b.png" ;別館外観　２枚目 stralias G_o1bR,"custom\BMP\background\guesthouse\G_o1bR.png";別館外観　２枚目の雨 stralias G_o1bN,"custom\BMP\background\guesthouse\G_o1bN.png";別館外観　２枚目の夜 stralias G_o1c,"custom\BMP\background\guesthouse\G_o1c.png" ;別館外観（見上げる）　３枚目 stralias G_o1cR,"custom\BMP\background\guesthouse\G_o1cR.png" ;別館外観（見上げる）　３枚目 stralias G_o1cN,"custom\BMP\background\guesthouse\G_o1cN.png" ;別館外観（見上げる）　３枚目 ;ロビー lobby stralias Glob_1a,"custom\BMP\background\guesthouse\Glob_1a.png" ;別館１Ｆ　ロビー　カウンター　lobby stralias Glob_1b,"custom\BMP\background\guesthouse\Glob_1b.png" ;別館１Ｆ　ロビー　カウンター stralias Glob_1c,"custom\BMP\background\guesthouse\Glob_1c.png" ;別館１Ｆ　ロビー　テーブル stralias Glob_1d,"custom\BMP\background\guesthouse\Glob_1d.png" ;別館１Ｆ　ロビー　テーブル stralias Glob_1e,"custom\BMP\background\guesthouse\Glob_1e.png" ;別館１Ｆ　ロビー　天井 stralias Glob_1aR,"custom\BMP\background\guesthouse\Glob_1aR.png" ;別館１Ｆ　ロビー　カウンター　lobby stralias Glob_1bR,"custom\BMP\background\guesthouse\Glob_1bR.png" ;別館１Ｆ　ロビー　カウンター stralias Glob_1cR,"custom\BMP\background\guesthouse\Glob_1cR.png" ;別館１Ｆ　ロビー　テーブル stralias Glob_1dR,"custom\BMP\background\guesthouse\Glob_1dR.png" ;別館１Ｆ　ロビー　テーブル stralias Glob_1eR,"custom\BMP\background\guesthouse\Glob_1eR.png" ;別館１Ｆ　ロビー　天井 stralias Glob_1aN,"custom\BMP\background\guesthouse\Glob_1aN.png" ;別館１Ｆ　ロビー　カウンター　lobby stralias Glob_1bN,"custom\BMP\background\guesthouse\Glob_1bN.png" ;別館１Ｆ　ロビー　カウンター stralias Glob_1cN,"custom\BMP\background\guesthouse\Glob_1cN.png" ;別館１Ｆ　ロビー　テーブル stralias Glob_1dN,"custom\BMP\background\guesthouse\Glob_1dN.png" ;別館１Ｆ　ロビー　テーブル stralias Glob_1eN,"custom\BMP\background\guesthouse\Glob_1eN.png" ;別館１Ｆ　ロビー　天井 stralias Glib_1a,"custom\BMP\background\guesthouse\Glib_1a.png" ;別館１Ｆ　書庫 stralias Glib_1b,"custom\BMP\background\guesthouse\Glib_1b.png" ;別館１Ｆ　書庫 stralias Glib_1c,"custom\BMP\background\guesthouse\Glib_1c.png" ;別館１Ｆ　書庫　上段 ;食堂 stralias Gdin_1a,"custom\BMP\background\guesthouse\Gdin_1a.png" ;別館１Ｆ 食堂１　１枚目　dining stralias Gdin_1b,"custom\BMP\background\guesthouse\Gdin_1b.png" ;別館１Ｆ 食堂１　２枚目 stralias Gdin_1c,"custom\BMP\background\guesthouse\Gdin_1c.png" ;別館１Ｆ 食堂１　３枚目 ;サンルーフ stralias Gsun_1a,"custom\BMP\background\guesthouse\Gsun_1a.png" ;別館１Ｆ サンルーフ１　１枚目 stralias Gsun_1b,"custom\BMP\background\guesthouse\Gsun_1b.png" ;別館１Ｆ サンルーフ１　２枚目 stralias Gsun_1c,"custom\BMP\background\guesthouse\Gsun_1c.png" ;別館１Ｆ サンルーフ１　３枚目 ;サロン１ stralias G1F_S1a,"custom\BMP\background\guesthouse\G1F_S1a.png" ;別館１Ｆ 広間１　１枚目 stralias G1F_S1b,"custom\BMP\background\guesthouse\G1F_S1b.png" ;別館１Ｆ 広間１　２枚目 stralias G1F_S1c,"custom\BMP\background\guesthouse\G1F_S1c.png" ;別館１Ｆ 広間１　３枚目 ;ベアトリーチェ空間化したサロン１ stralias G1F_S1aP,"custom\BMP\background\guesthouse\G1F_S1aP.png" ;別館１Ｆ 広間１　１枚目 stralias G1F_S1bP,"custom\BMP\background\guesthouse\G1F_S1bP.png" ;別館１Ｆ 広間１　２枚目 stralias G1F_S1cP,"custom\BMP\background\guesthouse\G1F_S1cP.png" ;別館１Ｆ 広間１　３枚 ;サロン ２ stralias G1F_S2a,"custom\BMP\background\guesthouse\G1F_S2a.png" ;別館１Ｆ 広間２　１枚目 stralias G1F_S2b,"custom\BMP\background\guesthouse\G1F_S2b.png" ;別館１Ｆ 広間２　２枚目 stralias G1F_S2c,"custom\BMP\background\guesthouse\G1F_S2c.png" ;別館１Ｆ 広間２　３枚目 ;サロン ２ stralias G1F_S2aR,"custom\BMP\background\guesthouse\G1F_S2aR.png" ;別館１Ｆ 広間２　１枚目 stralias G1F_S2bR,"custom\BMP\background\guesthouse\G1F_S2bR.png" ;別館１Ｆ 広間２　２枚目 stralias G1F_S2cR,"custom\BMP\background\guesthouse\G1F_S2cR.png" ;別館１Ｆ 広間２　３枚目 ;サロン ２ stralias G1F_S2aN,"custom\BMP\background\guesthouse\G1F_S2aN.png" ;別館１Ｆ 広間２　１枚目 stralias G1F_S2bN,"custom\BMP\background\guesthouse\G1F_S2bN.png" ;別館１Ｆ 広間２　２枚目 stralias G1F_S2cN,"custom\BMP\background\guesthouse\G1F_S2cN.png" ;別館１Ｆ 広間２　３枚目 ;通路 stralias G1F_P1a,"custom\BMP\background\guesthouse\G1F_P1a.png" ;別館１Ｆ 通路１　１枚目 stralias G1F_P1aR,"custom\BMP\background\guesthouse\G1F_P1aR.png" ;別館１Ｆ 通路１　１枚目の雨 stralias G1F_P1aN,"custom\BMP\background\guesthouse\G1F_P1aN.png" ;別館１Ｆ 通路１　１枚目の夜 stralias G1F_P1b,"custom\BMP\background\guesthouse\G1F_P1b.png" ;別館１Ｆ 通路１　２枚目 stralias G1F_P1bR,"custom\BMP\background\guesthouse\G1F_P1bR.png" ;別館１Ｆ 通路１　２枚目の雨 stralias G1F_P1bN,"custom\BMP\background\guesthouse\G1F_P1bN.png" ;別館１Ｆ 通路１　２枚目の夜 stralias G1F_P1c,"custom\BMP\background\guesthouse\G1F_P1c.png" ;別館１Ｆ 通路１　３枚目 stralias G1F_P1d,"custom\BMP\background\guesthouse\G1F_P1d.png" ;別館１Ｆ 通路１　４枚目 stralias G1F_P1e,"custom\BMP\background\guesthouse\G1F_P1e.png" ;別館１Ｆ 通路１　５枚目 stralias G1F_P2a,"custom\BMP\background\guesthouse\G1F_P2a.png" ;別館１Ｆ 通路２　１枚目 stralias G1F_R1a,"custom\BMP\background\guesthouse\G1F_R1a.png" ;別館１Ｆ 室内２　１枚目　使用人部屋（予定） stralias G1F_R1aR,"custom\BMP\background\guesthouse\G1F_R1aR.png" ;別館１Ｆ 室内２　１枚目　使用人部屋（予定）の雨 stralias G1F_R1aN,"custom\BMP\background\guesthouse\G1F_R1aN.png" ;別館１Ｆ 室内２　１枚目　使用人部屋（予定）の夜 stralias G1F_R1b,"custom\BMP\background\guesthouse\G1F_R1b.png" ;別館１Ｆ 室内２　２枚目　使用人部屋（予定） stralias G1F_R1bR,"custom\BMP\background\guesthouse\G1F_R1bR.png" ;別館１Ｆ 室内２　２枚目　使用人部屋（予定）の雨 stralias G1F_R1bN,"custom\BMP\background\guesthouse\G1F_R1bN.png" ;別館１Ｆ 室内２　２枚目　使用人部屋（予定）の夜 stralias G1F_R2a,"custom\BMP\background\guesthouse\G1F_R2a.png" ;別館１Ｆ 室内２　１枚目　部屋（EP3予定） stralias G1F_R2b,"custom\BMP\background\guesthouse\G1F_R2b.png" ;別館１Ｆ 室内２　２枚目　部屋（EP3予定） stralias G1F_R2c,"custom\BMP\background\guesthouse\G1F_R2c.png" ;別館１Ｆ 室内２　３枚目　部屋（EP3予定） stralias G1F_R2aR,"custom\BMP\background\guesthouse\G1F_R2aR.png" ;別館１Ｆ 室内２　１枚目　部屋（EP3予定） stralias G1F_R2bR,"custom\BMP\background\guesthouse\G1F_R2bR.png" ;別館１Ｆ 室内２　２枚目　部屋（EP3予定） stralias G1F_R2cR,"custom\BMP\background\guesthouse\G1F_R2cR.png" ;別館１Ｆ 室内２　３枚目　部屋（EP3予定） stralias G1F_R2aN,"custom\BMP\background\guesthouse\G1F_R2aN.png" ;別館１Ｆ 室内２　１枚目　部屋（EP3予定） stralias G1F_R2bN,"custom\BMP\background\guesthouse\G1F_R2bN.png" ;別館１Ｆ 室内２　２枚目　部屋（EP3予定） stralias G1F_R2cN,"custom\BMP\background\guesthouse\G1F_R2cN.png" ;別館１Ｆ 室内２　３枚目　部屋（EP3予定） stralias G2F_P1a,"custom\BMP\background\guesthouse\G2F_P1a.png" ;別館２Ｆ 通路１　１枚目 stralias G2F_P1b,"custom\BMP\background\guesthouse\G2F_P1b.png" ;別館２Ｆ 通路１　２枚目 stralias G2F_P1c,"custom\BMP\background\guesthouse\G2F_P1c.png" ;別館２Ｆ 通路１　３枚目 stralias G2F_P1bN,"custom\BMP\background\guesthouse\G2F_P1bN.png" ;別館２Ｆ 通路１　２枚目 stralias G2F_R1a,"custom\BMP\background\guesthouse\G2F_R1a.png" ;別館２Ｆ 室内１　１枚目 stralias G2F_R1aR,"custom\BMP\background\guesthouse\G2F_R1aR.png" ;別館２Ｆ 室内１　１枚目の雨 stralias G2F_R1aN,"custom\BMP\background\guesthouse\G2F_R1aN.png" ;別館２Ｆ 室内１　１枚目の夜 stralias G2F_R1b,"custom\BMP\background\guesthouse\G2F_R1b.png" ;別館２Ｆ 室内１　２枚目 stralias G2F_R1bR,"custom\BMP\background\guesthouse\G2F_R1bR.png" ;別館２Ｆ 室内１　２枚目の雨 stralias G2F_R1bN,"custom\BMP\background\guesthouse\G2F_R1bN.png" ;別館２Ｆ 室内１　２枚目の夜 stralias G2F_R1c,"custom\BMP\background\guesthouse\G2F_R1c.png" ;別館２Ｆ 室内１　３枚目 stralias G2F_R1cR,"custom\BMP\background\guesthouse\G2F_R1cR.png" ;別館２Ｆ 室内１　３枚目の雨 stralias G2F_R1cN,"custom\BMP\background\guesthouse\G2F_R1cN.png" ;別館２Ｆ 室内１　３枚目の夜 stralias Gsta_1a,"custom\BMP\background\guesthouse\Gsta_1a.png" ;階段（最上階）　１枚目　staircase stralias Gsta_1b,"custom\BMP\background\guesthouse\Gsta_1c.png" ;階段（踊り場）　２枚目（現在欠番） stralias Gsta_1c,"custom\BMP\background\guesthouse\Gsta_1c.png" ;階段（見下ろす）　３枚目 stralias cha_o1a,"custom\BMP\background\chapel\cha_o1a.png" ;礼拝堂　外観　１枚目　chapel stralias cha_o2a,"custom\BMP\background\chapel\cha_o2a.png" ;礼拝堂　入り口　１枚目　chapel stralias cha_o2aN,"custom\BMP\background\chapel\cha_o2aN.png" ;礼拝堂　入り口　１枚目　夜 stralias cha_o2b,"custom\BMP\background\chapel\cha_o2b.png" ;礼拝堂　入り口　２枚目 stralias cha_i1a,"custom\BMP\background\chapel\cha_i1a.png" ;礼拝堂　内部　正面　１枚目　chapel stralias cha_i1b,"custom\BMP\background\chapel\cha_i1b.png" ;礼拝堂　内部　２枚目 stralias cha_i1c,"custom\BMP\background\chapel\cha_i1c.png" ;礼拝堂　内部　３枚目 stralias cha_i1d,"custom\BMP\background\chapel\cha_i1d.png" ;礼拝堂　内部　４枚目 stralias cha_i1e,"custom\BMP\background\chapel\cha_i1e.png" ;礼拝堂　天井　４枚目 stralias Se_o1a,"custom\BMP\background\secrethouse\Se_o1a.png" ;隠れ家　外観 stralias fence_1a,"custom\BMP\background\secrethouse\fence_1a.png" ;隠れ家　フェンス stralias Se1F_S1a,"custom\BMP\background\secrethouse\Se1F_S1a.png" ;サロン　１枚目 stralias Se1F_S1aN,"custom\BMP\background\secrethouse\Se1F_S1aN.png" ;サロン　夜　１枚目 stralias Se1F_S1aR,"custom\BMP\background\secrethouse\Se1F_S1aR.png" ;サロン　雨　１枚目 stralias Se1F_S1b,"custom\BMP\background\secrethouse\Se1F_S1b.png" ;サロン　２枚目 stralias Se1F_S1bN,"custom\BMP\background\secrethouse\Se1F_S1bN.png" ;サロン　夜　２枚目 stralias Se1F_S1bR,"custom\BMP\background\secrethouse\Se1F_S1bR.png" ;サロン　雨　２枚目 stralias Se1F_S1c,"custom\BMP\background\secrethouse\Se1F_S1c.png" ;サロン　３枚目　天井 stralias Se1F_S1cN,"custom\BMP\background\secrethouse\Se1F_S1cN.png" ;サロン　３枚目　夜　天井 stralias Se1F_S1cR,"custom\BMP\background\secrethouse\Se1F_S1cR.png" ;サロン　３枚目　雨　天井 stralias Sehal_1a,"custom\BMP\background\secrethouse\Sehal_1a.png" ;ホール　１枚目 stralias Sehal_1b,"custom\BMP\background\secrethouse\Sehal_1b.png" ;ホール　２枚目 stralias garden_Se1a,"custom\BMP\background\garden\garden_Se1a.png" ;庭　１枚目 stralias garden_Se1b,"custom\BMP\background\garden\garden_Se1b.png" ;庭　２枚目 stralias garden_Se1c,"custom\BMP\background\garden\garden_Se1c.png" ;庭　３枚目 stralias garden_Se2a,"custom\BMP\background\garden\garden_Se2a.png" ;ガーデンチェア　１枚目 stralias garden_Se2b,"custom\BMP\background\garden\garden_Se2b.png" ;ガーデンチェア　２枚目 stralias garden_Se2c,"custom\BMP\background\garden\garden_Se2c.png" ;ガーデンチェア　３枚目 stralias garden_Se3a,"custom\BMP\background\garden\garden_Se3a.png" ;花畑　１枚目 stralias sub_sta1a,"custom\BMP\background\subway\sub_sta1a.png" ;地下道　階段 stralias sub_P1a,"custom\BMP\background\subway\sub_P1a.png" ;地下道　通路　subway stralias sub_P1b,"custom\BMP\background\subway\sub_P1b.png" ;地下道　通路　subway stralias sub_P1c,"custom\BMP\background\subway\sub_P1c.png" ;地下道　通路　subway stralias sub_D1a,"custom\BMP\background\subway\sub_D1a.png" ;地下道　ドア stralias sub_R1a,"custom\BMP\background\subway\sub_R1a.png" ;地下道 stralias sub_R1aP,"custom\BMP\background\subway\sub_R1aP.png" ;地下道 stralias sub_R1b,"custom\BMP\background\subway\sub_R1b.png" ;地下道 stralias sub_R1bP,"custom\BMP\background\subway\sub_R1bP.png" ;地下道 stralias sub_R1c,"custom\BMP\background\subway\sub_R1c.png" ;地下道 stralias sub_R1cP,"custom\BMP\background\subway\sub_R1cP.png" ;地下道 stralias sub_R1d,"custom\BMP\background\subway\sub_R1d.png" ;地下道 stralias PRI_o1a,"custom\BMP\background\subway\PRI_o1a.png" ;地下牢　外側 stralias PRI_i1a,"custom\BMP\background\subway\PRI_i1a.png" ;地下牢　内側 stralias PRI_i1b,"custom\BMP\background\subway\PRI_i1b.png" ;地下牢　内側 stralias PRI_i1c,"custom\BMP\background\subway\PRI_i1c.png" ;地下牢　内側 stralias PRI_efe,":a;custom\BMP\background\subway\PRI_efe.png" ;地下牢　格子スプライト stralias butterfly_1a,"custom\BMP\background\efe\butterfly_1a.png" ;輝く蝶　１枚目　遠め stralias butterfly_2a,"custom\BMP\background\efe\butterfly_2a.png" ;輝く蝶　１枚目　近め stralias butterfly_3a,"custom\BMP\background\efe\butterfly_3a.png" ;輝く蝶　１枚目　群れ stralias butterfly_3x,":a;custom\BMP\background\efe\butterfly_3x.png" ;輝く蝶　２枚目　群れ　スプライト用 stralias butterfly_4a,":a;custom\BMP\background\efe\butterfly_4a.png" ;輝く蝶　２枚目　群れ stralias butterfly_4sp1,":a;custom\BMP\background\efe\butterfly_4sp1.png" ;輝く蝶の群れ　２枚目 stralias butterfly_4sp2,":a;custom\BMP\background\efe\butterfly_4sp2.png" ;輝く蝶　２枚目　 stralias butterfly_4sp1R,":a;custom\BMP\background\efe\butterfly_4sp1R.png" ;輝く蝶　（反転）　２枚目 stralias butterfly_4sp2R,":a;custom\BMP\background\efe\butterfly_4sp2R.png" ;輝く蝶　（反転）２枚目　群れ stralias chess1,"custom\BMP\background\efe\chess1.png" ;チェス stralias oct_4_1986,"custom\BMP\background\efe\oct_4_1986.png" ;日付表記 stralias oct_5_1986,"custom\BMP\background\efe\oct_5_1986.png" ;日付表記 stralias oct_4_1998,"custom\BMP\background\efe\oct_4_1998.png" ;日付表記 stralias oct_4_1998b,"custom\BMP\background\efe\oct_4_1998b.png" ;12年後 stralias oct_1998,"custom\BMP\background\efe\oct_1998.png" ;1998年表記 stralias purgatorio,"custom\BMP\background\efe\purgatorio.png" ;お茶会看板 stralias sweet1,"custom\BMP\background\efe\sweet1.png" ;かぼちゃ菓子 stralias sweet2,"custom\BMP\background\efe\sweet2.png" ;かぼちゃ菓子いろいろ stralias magicsquare_sun7,"custom\BMP\background\efe\magicsquare_sun7.png" ;太陽の７の魔法陣 stralias magicsquare_moon1,"custom\BMP\background\efe\magicsquare_moon1.png" ;月の１の魔法陣 stralias magicsquare_mars3,"custom\BMP\background\efe\magicsquare_mars3.png" ;火星の３の魔法陣 stralias magicsquare_mars5,"custom\BMP\background\efe\magicsquare_mars5.png" ;火星の５の魔法陣 stralias magicsquare_GAP,"custom\BMP\background\efe\magicsquare_GAP.png" ;ガァプの魔法陣 stralias blood_1a,"custom\BMP\background\efe\blood_1a.png" ;流血１ stralias blood_1aR,"custom\BMP\background\efe\blood_1aR.png";流血１のリバース stralias blood_1b,"custom\BMP\background\efe\blood_1b.png" ;流血２ stralias blood_2a,"custom\BMP\background\efe\blood_2a.png" ;血ぼた　少ない stralias blood_2b,"custom\BMP\background\efe\blood_2b.png" ;血ぼた stralias blood_2c,"custom\BMP\background\efe\blood_2c.png" ;血ぼた stralias blood_2d,"custom\BMP\background\efe\blood_2d.png" ;血ぼた stralias blood_2e,"custom\BMP\background\efe\blood_2e.png" ;血ぼた　多い stralias bullet_1a,"custom\BMP\background\efe\bullet_1a.png" stralias bullet_1b,"custom\BMP\background\efe\bullet_1b.png" stralias bullet_1c,"custom\BMP\background\efe\bullet_1c.png" stralias bullet_1d,"custom\BMP\background\efe\bullet_1d.png" stralias bullet_1e,"custom\BMP\background\efe\bullet_1e.png" stralias cut_1a,"custom\BMP\background\efe\cut_1a.png" ;剣戟　左 stralias cut_1b,"custom\BMP\background\efe\cut_1b.png" ;剣戟　左 stralias cut_1c,"custom\BMP\background\efe\cut_1c.png" ;剣戟　左 複合 stralias cut_2a,"custom\BMP\background\efe\cut_2a.png" ;剣戟　右 stralias cut_2b,"custom\BMP\background\efe\cut_2b.png" ;剣戟　右 stralias cut_3a,"custom\BMP\background\efe\cut_3a.png" ;剣戟　左三連斬１ stralias cut_3b,"custom\BMP\background\efe\cut_3b.png" ;剣戟　左三連斬２ stralias cut_3c,"custom\BMP\background\efe\cut_3c.png" ;剣戟　左三連斬３ stralias nails1,"custom\BMP\background\efe\nails1.png" ; ;竜騎士版剣戟 stralias BLADE1R,"custom\BMP\background\efe\BLADE1R.png" ;剣戟　赤１ stralias BLADE2R,"custom\BMP\background\efe\BLADE2R.png" ;剣戟　赤２ stralias BLADE3R,"custom\BMP\background\efe\BLADE3R.png" ;剣戟　赤３ stralias BLADE4R,"custom\BMP\background\efe\BLADE4R.png" ;剣戟　赤４ stralias BLADE5R,"custom\BMP\background\efe\BLADE5R.png" ;剣戟　赤５ stralias BLADE6_1R,"custom\BMP\background\efe\BLADE6_1R.png";剣戟　赤６−１：振り上げ stralias BLADE6_2R,"custom\BMP\background\efe\BLADE6_2R.png";剣戟　赤６−２：大斬り！ stralias BLADE7_1R,"custom\BMP\background\efe\BLADE7_1R.png";剣戟　赤７−１：振り上げ stralias BLADE7_2R,"custom\BMP\background\efe\BLADE7_2R.png";剣戟　赤７−２：大斬り！ stralias BLADE1P,"custom\BMP\background\efe\BLADE1P.png" ;剣戟　紫１ stralias BLADE2P,"custom\BMP\background\efe\BLADE2P.png" ;剣戟　紫２ stralias BLADE3P,"custom\BMP\background\efe\BLADE3P.png" ;剣戟　紫３ stralias BLADE4P,"custom\BMP\background\efe\BLADE4P.png" ;剣戟　紫４ stralias BLADE5P,"custom\BMP\background\efe\BLADE5P.png" ;剣戟　紫５ stralias BLADE6_1P,"custom\BMP\background\efe\BLADE6_1P.png";剣戟　紫６−１：振り上げ stralias BLADE6_2P,"custom\BMP\background\efe\BLADE6_2P.png";剣戟　紫６−２：大斬り！ stralias barrier1,"custom\BMP\background\efe\barrier1.png" ;バリア stralias barrier,":a;custom\BMP\background\efe\barrier.png" ;バリア stralias barrier1p,":a;custom\BMP\background\efe\barrier1p.png" ;紫バリア stralias barrierbrake1,":a;custom\BMP\background\efe\barrierbrake1.png" ;バリアの波紋 stralias barrierbrake2,":a;custom\BMP\background\efe\barrierbrake2.png" ;バリアの波紋 stralias chain1aS,"custom\BMP\background\efe\chain1aS.png" ;魔法の鎖　直線 stralias chain2aS,"custom\BMP\background\efe\chain2aS.png" ;魔法の鎖　蛇行 stralias chain2bS,"custom\BMP\background\efe\chain2bS.png" ; stralias chain2cS,"custom\BMP\background\efe\chain2cS.png" ; stralias chain2dS,"custom\BMP\background\efe\chain2dS.png" ; stralias chain2eS,"custom\BMP\background\efe\chain2eS.png" ; stralias chain3aS,"custom\BMP\background\efe\chain3aS.png" ;魔法の鎖　曲線 stralias homing1,"custom\BMP\background\efe\homing1.png" ;黄金誘導弾：多層 stralias homing2,"custom\BMP\background\efe\homing2.png" ; stralias homing3,"custom\BMP\background\efe\homing3.png" ; stralias homing4,"custom\BMP\background\efe\homing4.png" ; stralias homing5,"custom\BMP\background\efe\homing5.png" ; stralias homing6,"custom\BMP\background\efe\homing6.png" ; stralias homing7,"custom\BMP\background\efe\homing7.png" ; stralias homing1R,"custom\BMP\background\efe\homing1R.png" ;黄金誘導弾：多層：反転 stralias homing2R,"custom\BMP\background\efe\homing2R.png" ; stralias homing3R,"custom\BMP\background\efe\homing3R.png" ; stralias homing4R,"custom\BMP\background\efe\homing4R.png" ; stralias homing5R,"custom\BMP\background\efe\homing5R.png" ; stralias homing6R,"custom\BMP\background\efe\homing6R.png" ; stralias homing7R,"custom\BMP\background\efe\homing7R.png" ; stralias homing1S,"custom\BMP\background\efe\homing1S.png" ;黄金誘導弾：単線 stralias homing2S,"custom\BMP\background\efe\homing2S.png" ; stralias homing3S,"custom\BMP\background\efe\homing3S.png" ; stralias homing4S,"custom\BMP\background\efe\homing4S.png" ; stralias homing5S,"custom\BMP\background\efe\homing5S.png" ; stralias homing6S,"custom\BMP\background\efe\homing6S.png" ; stralias homing7S,"custom\BMP\background\efe\homing7S.png" ; stralias homing1SR,"custom\BMP\background\efe\homing1SR.png" ;黄金誘導弾：単線：反転 stralias homing2SR,"custom\BMP\background\efe\homing2SR.png" ; stralias homing3SR,"custom\BMP\background\efe\homing3SR.png" ; stralias homing4SR,"custom\BMP\background\efe\homing4SR.png" ; stralias homing5SR,"custom\BMP\background\efe\homing5SR.png" ; stralias homing6SR,"custom\BMP\background\efe\homing6SR.png" ; stralias homing7SR,"custom\BMP\background\efe\homing7SR.png" ; stralias homing6BS,"custom\BMP\background\efe\homing6BS.png" ;青の誘導弾：単線 stralias homing7BS,"custom\BMP\background\efe\homing7BS.png" ; stralias homing6BSR,"custom\BMP\background\efe\homing6BSR.png" ;青の誘導弾：単線：反転 stralias homing7BSR,"custom\BMP\background\efe\homing7BSR.png" ; stralias system1,"custom\BMP\background\efe\system1.png" ;射撃誘導システム起動 stralias system2,"custom\BMP\background\efe\system2.png" ;データ収集開始… stralias system3,"custom\BMP\background\efe\system3.png" ;射撃曲線形成中… stralias system4,"custom\BMP\background\efe\system4.png" ;射撃準備完了 stralias system5,"custom\BMP\background\efe\system5.png" ;命中率97.89％ stralias shotgun1B,":a;custom\BMP\background\efe\shotgun1B.png" ;青き散弾右上（注意：スプライト） stralias shotgun2B,":a;custom\BMP\background\efe\shotgun2B.png" ;青き散弾右下（注意：スプライト） stralias shotgun3B,":a;custom\BMP\background\efe\shotgun3B.png" ;青き散弾左上（注意：スプライト） stralias shotgun4B,":a;custom\BMP\background\efe\shotgun4B.png" ;青き散弾左上（注意：スプライト） stralias barrierbrake1p1,":a;custom\BMP\background\efe\barrierbrake1p1.png" ;紫バリアの剣戟の波紋 stralias barrierbrake1p2,":a;custom\BMP\background\efe\barrierbrake1p2.png" ;紫バリアの剣戟の波紋 stralias barrierbrake1p3,":a;custom\BMP\background\efe\barrierbrake1p3.png" ;紫バリアの剣戟の波紋 stralias barrierbrake1p4,":a;custom\BMP\background\efe\barrierbrake1p4.png" ;紫バリアの剣戟の波紋 ;５は欠番 stralias barrierbrake1p6,":a;custom\BMP\background\efe\barrierbrake1p6.png" ;紫バリアの剣戟の波紋 stralias barrierbrake2p1,":a;custom\BMP\background\efe\barrierbrake2p1.png" ;紫バリアの波紋 stralias barrierbrake2p2,":a;custom\BMP\background\efe\barrierbrake2p2.png" ;紫バリアの波紋 stralias barrierbrake2p3,":a;custom\BMP\background\efe\barrierbrake2p3.png" ;紫バリアの波紋 stralias barrierbrake2p4,":a;custom\BMP\background\efe\barrierbrake2p4.png" ;紫バリアの波紋 stralias barrierbrake2p5,":a;custom\BMP\background\efe\barrierbrake2p5.png" ;紫バリアの波紋 stralias tower1,":c;custom\BMP\background\efe\tower1.png";魔法の戦塔　縦長　夜　スプライト専用 stralias tower2,":a;custom\BMP\background\efe\tower2.png" ;双子の戦塔 stralias tower2R,":a;custom\BMP\background\efe\tower2R.png" ;双子の戦塔（赤窓） stralias tower3,":a;custom\BMP\background\efe\tower3.png" ;墜落する戦塔 stralias tower4,":a;custom\BMP\background\efe\tower4.png" ;一本の戦塔 stralias bullet1a,":c;custom\BMP\background\efe\bullet1a.png" ;弾幕　薄（赤） stralias bullet1b,":c;custom\BMP\background\efe\bullet1b.png" ;弾幕　中（赤） ;stralias bullet1c,":a;custom\BMP\background\efe\bullet1c.png" ;弾幕　厚 stralias bullet2a,":c;custom\BMP\background\efe\bullet2a.png" ;弾幕　薄（青） stralias bullet2b,":c;custom\BMP\background\efe\bullet2b.png" ;弾幕　中（青） stralias javelin1,":a;custom\BMP\background\efe\javelin1.png" ;グングニル stralias javelin1a,":a;custom\BMP\background\efe\javelin1a.png" ;槍 stralias javelin1b,":a;custom\BMP\background\efe\javelin1b.png" ;槍 stralias javelin1c,":a;custom\BMP\background\efe\javelin1c.png" ;槍 stralias javelin1d,":a;custom\BMP\background\efe\javelin1d.png" ;槍 stralias Armor1a,":a;custom\BMP\background\efe\Armor1a.png" ;魔法甲冑 stralias Armor1b,":a;custom\BMP\background\efe\Armor1b.png" ; stralias Armor1c,":a;custom\BMP\background\efe\Armor1c.png" ;電源ＯＮ stralias Armor1d,":a;custom\BMP\background\efe\Armor1d.png" ;魔法付与中 stralias Armor0,":a;custom\BMP\background\efe\Armor0.png" ;巨人兵のいない背景 stralias Armor1,":a;custom\BMP\background\efe\Armor1.png" ;巨人兵１人（中央） stralias Armor2,":a;custom\BMP\background\efe\Armor2.png" ;巨人兵２人 stralias Armor3,":a;custom\BMP\background\efe\Armor3.png" ;巨人兵３人 stralias Armor4,":a;custom\BMP\background\efe\Armor4.png" ;巨人兵４人 stralias Armor5,":a;custom\BMP\background\efe\Armor5.png" ;巨人兵５人 stralias Armor6,":a;custom\BMP\background\efe\Armor6.png" ;巨人兵６人 stralias Armor7,":a;custom\BMP\background\efe\Armor7.png" ;巨人兵７人（戦列） stralias Armor7b,":a;custom\BMP\background\efe\Armor7b.png";巨人兵７人（黄金の輝き） stralias stake1a,":c;custom\BMP\background\efe\stake1a.png" ;蒼き杭 stralias stake1b,":c;custom\BMP\background\efe\stake1b.png" ; stralias stake1c,":c;custom\BMP\background\efe\stake1c.png" ; stralias stake1d,":c;custom\BMP\background\efe\stake1d.png" ; ;stralias tower1a,":c;custom\BMP\background\garden\tower1a.png";魔法の戦塔　縦長　夜　スプライト専用 ;stralias tower1b,":c;custom\BMP\background\garden\tower1b.png";魔法の戦塔　縦長　夜　スプライト専用　銃座 stralias white1,":a;custom\BMP\background\efe\white1.png" ;真っ白画面 stralias white_Waku,":a;custom\BMP\background\efe\white_Waku.png" ;白枠 ;状況説明の図面 stralias MAP01,"custom\BMP\background\efe\MAP01.png" ;シャッター小屋の鍵 stralias MAP02,"custom\BMP\background\efe\MAP02.png" ;書斎のレシート stralias MAP03,"custom\BMP\background\efe\MAP03.png" ;書斎のレシート（戦人案） stralias MAP04,"custom\BMP\background\efe\MAP04.png" ;チェーンの客間 ;ＥＰ２ stralias MAP05,"custom\BMP\background\efe\MAP05.png" ;礼拝堂の鍵の謎 stralias MAP06,"custom\BMP\background\efe\MAP06.png" ;礼拝堂の鍵の謎：戦人解答 stralias MAP07,"custom\BMP\background\efe\MAP07.png" ;朱志香の鍵の謎 stralias MAP08,"custom\BMP\background\efe\MAP08.png" ;朱志香の鍵の謎：戦人解答 stralias MAP09,"custom\BMP\background\efe\MAP09.png" ;狼と羊のパズル stralias MAP10,"custom\BMP\background\efe\MAP10.png" ;５つの連鎖密室 stralias MAP10b,"custom\BMP\background\efe\MAP10b.png" ;５つの連鎖密室（黄色い矢印） stralias MAP10c,"custom\BMP\background\efe\MAP10c.png" ;５つの連鎖密室（それをバツ） stralias gold1,"custom\BMP\background\efe\gold1.png" ;黄金のインゴット stralias gold2,"custom\BMP\background\efe\gold2.png" ;黄金のインゴットの山：壁 stralias gold3,"custom\BMP\background\efe\gold3.png" ;黄金のインゴットの山：敷き詰め stralias key1,"custom\BMP\background\efe\key1.png" ;礼拝堂の鍵 stralias key2,"custom\BMP\background\efe\key2.png" ;マスターキーの鍵束 stralias Pumpkin1,"custom\BMP\background\efe\Pumpkin1.png" ;ハロウィン飾り１ stralias Pumpkin2,"custom\BMP\background\efe\Pumpkin2.png" ;ハロウィン飾り２ stralias bite,"custom\BMP\background\efe\bite.png" ;ガブリ！！ stralias note1,"custom\BMP\background\efe\note1.png" ;メッセージボトルのノート片 stralias Book1,"custom\BMP\background\efe\Book1.png" ;マリアの日記帳 stralias Letter1,"custom\BMP\background\efe\Letter1.png" ;当主の封筒 stralias number,"custom\BMP\background\efe\number.png" ;謎の数字：07151129 ;0229 0319 0328 0409 0418 0427 0508 0517 0526 0607 0616 0625 ;0706 0715 0724 0805 0814 0823 0904 0913 0922 1129 1219 1228 ;この物語は架空です。 stralias text001,"custom\BMP\background\efe\text001.png" ;架空の物語のお断り stralias text002,"custom\BMP\background\efe\text002.png" ;右クリックでTIPSモードのお知らせ stralias text003,"custom\BMP\background\efe\text003.png" ;右クリックでTIPSモードのお知らせ＋左クリックでゲームを開始します。 stralias text004,"custom\BMP\background\efe\text004.png" ;新要素が追加されました。 stralias text005,"custom\BMP\background\efe\text005.png" ;新要素が追加されました(裏お茶会バージョン） stralias text006,"custom\BMP\background\efe\text006.png" ;エピソードロックの解除、新要素の追加告知 stralias text007,"custom\BMP\background\efe\text007.ong" ;右クリックで碑文が見れるよ〜 stralias text010,"custom\BMP\background\efe\text010.png" ;碑文の全文 stralias text010a,"custom\BMP\background\efe\text010a.png" ;碑文の全文：三区分１ stralias text010b,"custom\BMP\background\efe\text010b.png" ;碑文の全文：三区分２ stralias text010c,"custom\BMP\background\efe\text010c.png" ;碑文の全文：三区分３ stralias text011,"custom\BMP\background\efe\text011.png" ;碑文三区分１のみ stralias text012,"custom\BMP\background\efe\text012.png" ;碑文三区分２のみ ;飛行機シーンのキャスト紹介 stralias OP0101,"custom\BMP\background\efe\OP0101.png" ;第１話ＯＰクレジット1 stralias OP0102,"custom\BMP\background\efe\OP0102.png" ;第１話ＯＰクレジット2 stralias OP0103,"custom\BMP\background\efe\OP0103.png" ;第１話ＯＰクレジット3 stralias OP0104,"custom\BMP\background\efe\OP0104.png" ;第１話ＯＰクレジット4 stralias OP0105,"custom\BMP\background\efe\OP0105.png" ;第１話ＯＰクレジット5 stralias OP0106,"custom\BMP\background\efe\OP0106.png" ;第１話ＯＰクレジット6 stralias OP0107,"custom\BMP\background\efe\OP0107.png" ;第１話ＯＰクレジット7 stralias OP0108,"custom\BMP\background\efe\OP0108.png" ;第１話ＯＰクレジット8 ;沖縄シーン、キャスト紹介 stralias OP0201,"custom\BMP\background\efe\OP0201.png" ;第２話ＯＰクレジット1 stralias OP0202,"custom\BMP\background\efe\OP0202.png" ;第２話ＯＰクレジット2 stralias OP0203,"custom\BMP\background\efe\OP0203.png" ;第２話ＯＰクレジット3 stralias OP0204,"custom\BMP\background\efe\OP0204.png" ;第２話ＯＰクレジット4 stralias OP0205,"custom\BMP\background\efe\OP0205.png" ;第２話ＯＰクレジット5 stralias OP0206,"custom\BMP\background\efe\OP0206.png" ;第２話ＯＰクレジット6 stralias OP0207,"custom\BMP\background\efe\OP0207.png" ;第２話ＯＰクレジット7 stralias OP0208,"custom\BMP\background\efe\OP0208.png" ;第２話ＯＰクレジット8 stralias end_1b,"custom\BMP\background\efe\end_1b.png" ;第１話ＥＤ最後の画面 stralias ep2_text,"custom\BMP\background\efe\ep2_text.png" ;第２話最後の画面 stralias Different_space_1a,"custom\BMP\background\efe\Different_space_1a.png" ;カケラ空間 stralias Different_space_1b,"custom\BMP\background\efe\Different_space_1b.png" ;カケラ空間 stralias Different_space_1c,"custom\BMP\background\efe\Different_space_1c.png" ;カケラ空間 stralias Different_spiral_1a,"custom\BMP\background\efe\Different_spiral_1a.png" ;カケラ空間　渦巻き stralias Different_space_P1a,"custom\BMP\background\efe\Different_space_P1a.png" ;カケラ空間　通路 stralias Different_space_P1b,"custom\BMP\background\efe\Different_space_P1b.png" ;カケラ空間　通路 stralias Sakutaro1a,"custom\BMP\background\efe\Sakutaro1a.png" ;さくたろ　背景１ stralias Sakutaro1b,"custom\BMP\background\efe\Sakutaro1b.png" ;さくたろ　背景２ stralias Sakutaro2a,"custom\BMP\background\efe\Sakutaro2a.png" ;さくたろ　マフラーあり　背景１ stralias Sakutaro2b,"custom\BMP\background\efe\Sakutaro2b.png" ;さくたろ　マフラーあり　背景２ stralias GOA_memory1,":c;custom\BMP\background\efe\GOA_memory1.png" ;ヤギさんの思いで stralias GOA_memory2,":c;custom\BMP\background\efe\GOA_memory2.png" ;ヤギさんの思いで stralias GOA_memory3,":c;custom\BMP\background\efe\GOA_memory3.png" ;ヤギさんの思いで stralias GOA_memory4,":c;custom\BMP\background\efe\GOA_memory4.png" ;ヤギさんの思いで ;stralias Different_space_2a,"custom\BMP\background\efe\Different_space_2a.png" ;カケラ空間 ;stralias Different_spiral_2a,"custom\BMP\background\efe\Different_spiral_2a.png" ;カケラ空間　渦巻き stralias staff_1a,"custom\BMP\background\staff\staff_1a.png" ;スタッフルーム stralias staff_1b,"custom\BMP\background\staff\staff_1b.png" ; stralias ENJ_mirai01,"custom\BMP\background\efe\ENJ_mirai01.png" ;聖ルチーア学園、と出るタイトル stralias CG01,"custom\bmp\background\Special\01.png" ;聖ルチーア学園、と出るタイトル stralias CG02,"custom\bmp\background\Special\02.png" ;聖ルチーア学園、と出るタイトル stralias CG03,"custom\bmp\background\Special\03.png" ;聖ルチーア学園、と出るタイトル stralias CG04,"custom\bmp\background\Special\04.png" ;聖ルチーア学園、と出るタイトル stralias CG05,"custom\bmp\background\Special\05.png" ;聖ルチーア学園、と出るタイトル stralias CG06,"custom\bmp\background\Special\06.png" ;聖ルチーア学園、と出るタイトル stralias mhal_ta1a,"custom\bmp\background\mainbuilding\mhal_ta1a.png" stralias CG07,"custom\bmp\background\Special\07.png" ;聖ルチーア学園、と出るタイトル stralias CG08,"custom\bmp\background\Special\08.png" ;聖ルチーア学園、と出るタイトル stralias CG09,"custom\bmp\background\Special\09.png" ;聖ルチーア学園、と出るタイトル stralias CG10,"custom\bmp\background\Special\10.png" ;聖ルチーア学園、と出るタイトル stralias CG11,"custom\bmp\background\Special\11.png" ;聖ルチーア学園、と出るタイトル stralias CG12,"custom\bmp\background\Special\12.png" ;聖ルチーア学園、と出るタイトル stralias CG13,"custom\bmp\background\Special\13.png" ;聖ルチーア学園、と出るタイトル stralias CG14,"custom\bmp\background\Special\14.png" ;聖ルチーア学園、と出るタイトル stralias CG15,"custom\bmp\background\Special\15.png" ;聖ルチーア学園、と出るタイトル stralias CG16,"custom\bmp\background\Special\16.png" ;聖ルチーア学園、と出るタイトル stralias CG17,"custom\bmp\background\Special\17.png" ;聖ルチーア学園、と出るタイトル stralias CG18,"custom\bmp\background\Special\18.png" ;聖ルチーア学園、と出るタイトル stralias CG19,"custom\bmp\background\Special\19.png" ;聖ルチーア学園、と出るタイトル stralias CG20,"custom\bmp\background\Special\20.png" ;聖ルチーア学園、と出るタイトル stralias CG21,"custom\bmp\background\Special\21.png" ;聖ルチーア学園、と出るタイトル stralias CG22,"custom\bmp\background\Special\22.png" ;聖ルチーア学園、と出るタイトル stralias CG23,"custom\bmp\background\Special\23.png" ;聖ルチーア学園、と出るタイトル stralias CG24,"custom\bmp\background\Special\24.png" ;聖ルチーア学園、と出るタイトル stralias CG25,"custom\bmp\background\Special\25.png" ;聖ルチーア学園、と出るタイトル stralias CG26,"custom\bmp\background\Special\26.png" ;聖ルチーア学園、と出るタイトル stralias CG27,"custom\bmp\background\Special\27.png" ;聖ルチーア学園、と出るタイトル stralias CG28,"custom\bmp\background\Special\28.png" ;聖ルチーア学園、と出るタイトル stralias CG29,"custom\bmp\background\Special\29.png" ;聖ルチーア学園、と出るタイトル stralias CG30,"custom\bmp\background\Special\30.png" ;聖ルチーア学園、と出るタイトル stralias CG31,"custom\bmp\background\Special\31.png" ;聖ルチーア学園、と出るタイトル stralias CG32,"custom\bmp\background\Special\32.png" ;聖ルチーア学園、と出るタイトル stralias CG33,"custom\bmp\background\Special\33.png" ;聖ルチーア学園、と出るタイトル stralias CG34,"custom\bmp\background\Special\34.png" ;聖ルチーア学園、と出るタイトル stralias CG35,"custom\bmp\background\Special\35.png" ;聖ルチーア学園、と出るタイトル stralias CG36,"custom\bmp\background\Special\36.png" ;聖ルチーア学園、と出るタイトル stralias CG37,"custom\bmp\background\Special\37.png" ;聖ルチーア学園、と出るタイトル stralias CG38,"custom\bmp\background\Special\38.png" ;聖ルチーア学園、と出るタイトル stralias CG39,"custom\bmp\background\Special\39.png" ;聖ルチーア学園、と出るタイトル stralias CG40,"custom\bmp\background\Special\40.png" ;聖ルチーア学園、と出るタイトル stralias CG41,"custom\bmp\background\Special\41.png" ;聖ルチーア学園、と出るタイトル stralias CG42,"custom\bmp\background\Special\42.png" ;聖ルチーア学園、と出るタイトル stralias CG43,"custom\bmp\background\Special\43.png" ;聖ルチーア学園、と出るタイトル stralias CG44,"custom\bmp\background\Special\44.png" ;聖ルチーア学園、と出るタイトル stralias CG45,"custom\bmp\background\Special\45.png" ;聖ルチーア学園、と出るタイトル stralias CG46,"custom\bmp\background\Special\46.png" ;聖ルチーア学園、と出るタイトル stralias CG47,"custom\bmp\background\Special\47.png" ;聖ルチーア学園、と出るタイトル stralias CG48,"custom\bmp\background\Special\48.png" ;聖ルチーア学園、と出るタイトル stralias CG49,"custom\bmp\background\Special\49.png" ;聖ルチーア学園、と出るタイトル stralias CG50,"custom\bmp\background\Special\50.png" ;聖ルチーア学園、と出るタイトル stralias CG51,"custom\bmp\background\Special\51.png" ;聖ルチーア学園、と出るタイトル stralias CG52,"custom\bmp\background\Special\52.png" ;聖ルチーア学園、と出るタイトル stralias CG53,"custom\bmp\background\Special\53.png" ;聖ルチーア学園、と出るタイトル stralias CG54,"custom\bmp\background\Special\54.png" ;聖ルチーア学園、と出るタイトル stralias CG55,"custom\bmp\background\Special\55.png" ;聖ルチーア学園、と出るタイトル stralias CG56,"custom\bmp\background\Special\56.png" ;聖ルチーア学園、と出るタイトル stralias CG57,"custom\bmp\background\Special\57.png" ;聖ルチーア学園、と出るタイトル stralias CG58,"custom\bmp\background\Special\58.png" ;聖ルチーア学園、と出るタイトル stralias CG59,"custom\bmp\background\Special\59.png" ;聖ルチーア学園、と出るタイトル stralias CG60,"custom\bmp\background\Special\60.png" ;聖ルチーア学園、と出るタイトル stralias CG61,"custom\bmp\background\Special\61.png" ;聖ルチーア学園、と出るタイトル stralias CG62,"custom\bmp\background\Special\62.png" ;聖ルチーア学園、と出るタイトル stralias CG63,"custom\bmp\background\Special\63.png" ;聖ルチーア学園、と出るタイトル stralias CG64,"custom\bmp\background\Special\64.png" ;聖ルチーア学園、と出るタイトル stralias CG65,"custom\bmp\background\Special\65.png" ;聖ルチーア学園、と出るタイトル stralias CG66,"custom\bmp\background\Special\66.png" ;聖ルチーア学園、と出るタイトル stralias CG67,"custom\bmp\background\Special\67.png" ;聖ルチーア学園、と出るタイトル stralias CG68,"custom\bmp\background\Special\68.png" ;聖ルチーア学園、と出るタイトル stralias CG69,"custom\bmp\background\Special\69.png" ;聖ルチーア学園、と出るタイトル stralias CG70,"custom\bmp\background\Special\70.png" ;聖ルチーア学園、と出るタイトル stralias CG71,"custom\bmp\background\Special\71.png" ;聖ルチーア学園、と出るタイトル stralias CG72,"custom\bmp\background\Special\72.png" ;聖ルチーア学園、と出るタイトル stralias CG73,"custom\bmp\background\Special\73.png" ;聖ルチーア学園、と出るタイトル stralias CG74,"custom\bmp\background\Special\74.png" ;聖ルチーア学園、と出るタイトル stralias CG75,"custom\bmp\background\Special\75.png" ;聖ルチーア学園、と出るタイトル stralias CG76,"custom\bmp\background\Special\76.png" ;聖ルチーア学園、と出るタイトル roff defsub me1 defsub me1v defsub me2 defsub me2v defsub me3 defsub me3v defsub me4 defsub me4v defsub me5 defsub me5v defsub bgm1 defsub bgm1v defsub meplay defsub meplay2 defsub bgmplay defsub bgmplay2 defsub se1 defsub se2 defsub se3 defsub se1v defsub se2v defsub se3v defsub seplay defsub seplay2 defsub mevol defsub bgmvol defsub e_ defsub silent defsub E_B defsub E_M0 defsub E_M1 defsub E_M2 defsub E_M3 defsub E_M4 defsub E_M5 defsub E_A defsub E_MA defsub Fede defsub FedeXX defsub cross1 defsub cross2 defsub introduction_flg defsub dllefe defsub dllefe_off defsub csp defsub mono defsub flg_set defsub flg_p defsub clock defsub eye1 defsub eye2 defsub eye11 defsub eye12 ;メタ世界関連の命令 defsub meta_set defsub meta_set2 defsub meta_set_ef defsub meta_set2_ef defsub meta_end defsub meta_end_ef defsub meta_ld defsub meta_cl defsub meta_bg defsub meta_cbg defsub mset defsub mset2 defsub msetef defsub mset2ef defsub mend defsub mendef defsub mld defsub mcl defsub mbg defsub mcbg defsub mchana defsub mhana1 defsub mhana2 ;煉獄の七姉妹、ブレードのＯＮ、ＯＦＦ defsub bld defsub bcl ;画像の上に蝶を被せる命令 defsub bfly1 defsub bfly1R defsub bfly2 defsub bfly2R defsub cbfly ;立ち位置の座標を取得する命令 defsub tati_x_get ;defsub texton ;defsub textoff pretextgosub *pretext textgosub *text_cw loadgosub *Coll_system usewheel useescspc maxkaisoupage 100 setlayer 0,50,"snow.dll" ;setlayer 10,20,"MSpDraw.dll" rubyon 17,17 gosub *bt_def game *Start menu_click_def mov %m_temp1,0 saveoff ;csp -1 ;if %UMINEKOEND < 50 mov %UMINEKOEND,50 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 lsph TextCC1SpNum,":l/3,160,2;bmp\cursor0.bmp",0,0 lsph TextCC2SpNum,":l/3,160,2;bmp\cursor1.bmp",0,0 ;lsph text_back,":a;bmp\introduction_back1.bmp",0,0 ;setcursor 0,":l/3,160,2;Bmp\cursor0.bmp",0,0 ;setcursor 1,":l/3,160,2;Bmp\cursor1.bmp",0,0 ;アイキャッチ表示速度基本設定 mov %eye_waitB,2000 mov %eye_waitL,2000 mov %Set_vol,50 gosub *check_game gosub *DATA_SET gosub *YATA_r_def texton mov %backlogTotalNum,%BacklogNum mov %BacklogNum,Backlogpage1 ;dec %backlogTotalNum mov $START_bg,Sea_1a gosub *bt_def2 mov %save_on_flg,on ;セーブON命令を動作させる。 goto *b_sakuru_logo *umi1_opning texton csp -1 bg black,2 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd ;うみねこのなく頃に ;第一話　Legend of the golden witch　仮打ち mono 0 E_A bg text002,22 seplay 2,25 wait 3000 ;original line v ;bg text003,80 mov ?grim[1][grim_flg],1 ;seplay 9,1062 click bg "bmp\background\efe\grimoire1.png",22 wait 3000 click bg black,2 wait 1000 se1 28 bg text001,1 delay 6000 bg black,2 wait 2000 ;■オープニング（後で書くよ） ;金蔵と源次、南條の会話。@ bg Mlib_1a,8 ld l,$NAN_DefA1,3 bgmplay 13 ;「…………また。@…お酒を嗜まれましたな？」\ `"............Again.`@` ...So, you still haven't overcome your love of alcohol?"`\ ;＜南條 ld l,$NAN_fumuA1,80 ;　聴診器を外しながら、年輩の医師は溜め息を漏らす。@ `The old physician let out a sigh as he removed the stethoscope.`@ br ;　埃と甘ったるい異臭の入り混じった薄暗い書斎に、年輩の男たちの姿はあった。\ `Two elderly men could be seen in the dimly-lit study, which was filled with dust and a sickly-sweet stench.`\ bg Mlib_1b,24 ;　書斎と呼ぶにはとても広い部屋の一角には高級そうなベッドがあり、@診察を受ける男と、それを診察する医師。@そしてそれを見守る使用人のように見えた。\ `In the corner of this room, which was much larger than what most people would call a study, `@`there was an expensive-looking bed, a man undergoing a medical examination, and the physician conducting it.`@` There was also what appeared to be a servant watching over the whole scene.`\ ld r,$KIN_DefA1,4 ;「酒は我が友だ。@お前に負けぬ友人であり、そしてお前よりも付き合いが長い。」@ `"The bottle is my friend.`@` It is no less of a friend than you, and it has stood by my side even longer than you have."`@ ;＜金蔵 br ;　聴診器のために胸をはだけさせていた男は、着衣の乱れを直しながら、悪びれる様子もなくそう言う。\ `As the man who had bared his chest for the stethoscope rearranged his clothes, he spoke unapologetically.`\ ld l,$NAN_KomaruA3,23 ;「…………金蔵さん。@…あんたの体が一見調子がいいのは薬が効いてるからだ。@だが、そんな強い酒を飲み続けては薬の意味もなくなってしまう。@…悪いことは言わん。@酒は控えなさい。」\ `"............Kinzo-san.`@` ...Your body only appears to be well thanks to the effects of the medicine.`@` However, if you continue to drink such strong spirits, the treatment will become meaningless.`@` ...Trust my judgement.`@` Refrain from drinking."`\ ;＜南條 ld r,$KIN_WaraiA2,80 ;「忠告の気持ちだけはありがたくいただいておく。@我が友よ。@………源次。@もう一杯頼む。@心持ち薄めでな。@南條の顔も立ててやれ。」\ `"I thank you, though only for the sentiment, my friend.`@` .........Genji.`@` Another glass.`@` Water it down slightly.`@` That way Nanjo can save face."`\ ;＜金蔵 bg Mlib_1c,0 ld c,$GEN_DefA1,24 ;「………よろしいのですか。」\ `".........Are you quite sure?"`\ ;＜源次 ;　源次と呼ばれた老齢の執事は、酒を求める主と、それを止める主治医の双方を見比べた後、@無言で小さく頷き、己の主の命令に忠実に従うのだった。\ `After eyeing both the master who demanded the alcohol and the family doctor who forbade it, `@`Genji, the old butler, silently gave a slight nod and carried out his master's orders faithfully.`\ bg black,5 ;　彼が酒棚で準備をするのを眺めながら、主治医の南條は再び深い溜め息を漏らす…。\ `The family doctor, Nanjo, let out a deep sigh once again as he watched the butler busy himself alongside the liquor cabinet...`\ ;　室内を満たしているその匂い。@ `There was a smell filling up the room.`@ br ;　…心も、そして魂も溶かしてしまうような、毒のある甘い匂いは、@主人の愛して止まないその毒々しい緑色の酒の匂いだったのだ。\ `...This sweet, poisonous aroma felt as though it melted the heart, if not the soul itself.`@` It was the smell of that venomous green drink that the man couldn't bring himself to part from.`\ bg Mlib_1b,0 ld r,$KIN_DefA1,6 ;「……南條。@お前は私の長きに渡る親友だ。@今日まで私を永らえさせてくれたことを、深く感謝する。」\ `"......Nanjo.`@` You are my close friend, and we've known each other for quite a long time.`@` I am deeply grateful for all that you have done to keep me alive this long."`\ ;＜金蔵 ld l,$NAN_DefA1,23 ;「私は何も。@……医者としての忠告など、金蔵さんはまったく聞いてくれませんからな。」@ `"I have done nothing.`@` ......After all, you never listen to my advice as your physician."`@ ;＜南條 ld r,$KIN_WaraiA1,80 ;「はっはっはっは…。@お前とて、指し間違えた手を待てと言っても聞かぬではないか。@ならば相子というものだろう。」\ `"Hahahaha...`@` And you never listen when I warn you about a mistaken chess move you're about to make.`@` It seems we are even."`\ ;＜金蔵 bg Mlib_1d,0 ld r,$GEN_MajimeA2,24 ;「……お館様。」\ `"......Master."`\ ;＜源次 ld l,$KIN_WaraiA2,23 ;「すまぬ。@……薬は切れても死にはせんが、こいつが切れては死んでしまうでな。」\ `"Thank you.`@` ......I wouldn't die if I ran out of your medicine, but I would if I ran out of this."`\ ;＜金蔵 ;　諦めの表情を浮かべる南條を尻目に、金蔵は源次に差し出されたグラスを受け取る。@ `Disregarding Nanjo, who had his face set in a resigned expression, Kinzo took the glass that Genji was holding out to him.`@ br ;　…いっぱいに満たされたその毒々しい色を見て酒だと連想できる者は少ないだろう。\ `...There are probably very few people who would associate the venomous color, which filled the glass, with an alcoholic beverage.`\ bg black,22 bg Mlib_1e,22 ;「………南條。@正直に話せ。@私の命はあとどの程度持つ？」@ `".........Nanjo.`@` Be honest with me.`@` How much time do I have left?"`@ ;＜金蔵 ;「さぁて…。@どのくらいと申し上げれば、そのお酒を控えてくれますやら。」\ `"Well now...`@` How short must I make it to get you to stop drinking?"`\ ;＜南條 ;　南條はもう一度、諦めの溜め息を漏らす。@ `Nanjo once again let out a sigh of resignation.`@ br ;　そして、結局はグラスを煽る金蔵を見ながら言う。\ `Then, he finally spoke to Kinzo as the latter swirled his glass.`\ bg black,22 ;「………長くはありませんな。」@ `".........You don't have much time."`@ ;＜南條 ;「…どの程度に長くないというのだ。」\ `"...What precisely do you mean by that?"`\ ;「……このチェスで例えましょう。@金蔵さんの詰めもなかなかですが、私のキングを追い詰めるには至りますまい。」\ `"......Let us illustrate it with the chess game here.`@` You have very nearly achieved checkmate...but you have not yet cornered my king."`\ bg chess1,8 ;　南條の目線の先には、サイドテーブルがありそこには重厚なチェスセットが置かれていた。@ `Nanjo's gaze was directed at a side table with a massive chess set placed on top of it.`@ br ;　駒を見る限り、ゲームはだいぶ終盤に入っている。\ `Judging by the positioning of the pieces, the game seemed to be entering its final stage.`\ ;　黒のルークやビショップが敵陣深く食い込んでいた。@ `The black rook and bishop were cutting deeply into the enemy lines.`@ br ;　白のキングはすでにキャスリングして追い詰められており、素人目に見てもそう長い時間を掛けずに決着がつきそうに見える。\ `The white king had already been castled and cornered, so that even an amateur could see that the match would reach its conclusion before too long.`\ ;　このチェスは、南條が診察に訪れる度に数手ずつを進め合ってきたものだ。@ `Every time Nanjo came to give a medical examination, both of them would make a few moves.`@ br ;　それを指して、決着に至るより金蔵が永眠する方が早いだろうと断言する。@ `Nanjo was hinting that Kinzo would most likely fall into his eternal sleep before this game could be concluded.`@ br ;　…それは医者としてというより、長年の友人としての言葉だった。\ `...These were less the words of a physician than they were the words of an old friend.`\ bg Mlib_1a,26 ld l,$NAN_fumuA1,22 ;「…………普通の患者になら、/ `"............Were you a normal patient, `/ ;!d800遺言を書くよう勧める頃です。」\ !d800`I would recommend that you write a will at this point."`\ ld r,$KIN_fukigenA1,24 ;「……遺言とは何だ、南條。@私の屍をどのように食い散らせとハゲタカ共に指南する書置きなのか。」@ `"......And what is a will, Nanjo?`@` Handwritten instructions to the vultures on how to devour and scatter my corpse?"`@ ld l,$NAN_DefA1,80 ;「いいや違いますぞ。@……遺言は、意思を残すことだ。@遺産分配のことだけを書くものじゃない。」\ `"No, not at all.`@` ......As the word suggests, it is a way for you to record your will for later generations.`@` It is far more than just a means to divide up your inheritance."`\ ld r,$KIN_WaraiA2,80 ;「ほう。@……遺産分配以外に書くこととは何なのか。」@ `"Hoh.`@` ......And apart from the division of the inheritance, what might I write of?"`@ ld l,$NAN_KomaruA3,80 ;「…………心残りや、/ `"............Oh, there's your regrets...`/ ;!d800遣り残し。@受け継いで欲しいことや、/ !d800`and matters you have left unfinished.`@` Things you want to be passed down...`/ ;!d800……伝えたいこと。@……何でもいいんです。」\ !d800`...and things you want to tell.`@` ......Anything you want."`\ bg Mlib_1e,22 meplay2 1,5,40 ;「……ふ。@………受け継いでほしいことや、伝えたいことだと？@　馬鹿馬鹿しい。@この右代宮金蔵、後に残したいことも伝えたいこともただのひとつもないわッ！！@　裸一貫で生まれた。@そして裸一貫で死ぬ！@　馬鹿息子どもに残したいものなど何一つないわッ！！@　もしも訪れる最期が今日だとしても、今だとしても！@　私は何も恐れることなくその死の運命を受け容れようではないか！！@　全てを築き上げた。@富も！@　名誉も！@　全てだ！！@　それらは私とともに築き上げられ、私とともに失われよう。@後に残してやるものなど何もないわッ！！@　何もないッ！！@　あとは野となれ山となれ！@　墓も棺も何も望まぬわ！！@　それが魔女と私の契約だ！@　私が死ぬ時に全てを失う！@　初めからその約束だからこそ、何も残らぬのだ。@何も残せぬのだ！！」\ `"...Hmph.`@` .........Things I want to be passed down and things I want to tell?`@` Ridiculous.`@` I, Ushiromiya Kinzo, have not one thing I want to tell or leave behind!!`@` I was born with nothing.`@` I will die with nothing!`@` There is nothing I wish to leave to my foolish children!!`@` Even if the end were to come today, even if it were to come right now!`@` I shall accept this fate of death without a trace of fear!!`@` I created everything.`@` My fortune!`@` My prestige!`@` Everything!!`@` Those were built up by me, and they will be lost along with me.`@` There is nothing I wish to leave behind!!`@` Nothing!!`\ `After I'm gone, I care not if it all goes to waste!`@` I desire no tomb, no coffin!!`@` Those were the terms of the contract I made with the witch!`@` When I die, everything will be lost!`@` That has been part of the promise since the beginning, and that's why nothing will be left behind.`@` There is nothing I can leave behind!!"`\ textoff fede 10,1000 ;　そこまでを一気に捲くし立てると、金蔵は急にがっくりと肩を落とした。@ `After reaching a furious crescendo, Kinzo suddenly slumped over.`@ br ;　…その表情は、まるで憑き物が落ちたように弱々しいものだった。\ `...His expression was limp and feeble, as though an evil spirit had possessed him and then left.`\ ;「/ ;!s300/ ;………………/ `"`!s150`............`/ ;!sdだが未練はある。@残すものは何一つないが、残したまま逝けぬものが、ひとつだけある…。」\ !sd`However, I do have one regret.`@` I have nothing to leave behind, but there is one thing I cannot leave undone..."`\ ;「………それを書き記せばいい。@もちろん、生きている内にこなせればそれでいい。@だが万一の時、残された者がそれを引き継いでくれる。@自分に万一があっても、必ずその心残りが解決できるように残していく。@　……それが遺言というものです。」\ `".........You would do well to write it down.`@` Of course, it would be best if you could finish it before your time comes.`@` However, even if the worst happens, those who come after you will carry it to completion.`@` You must leave behind your regrets so that they can be resolved even if you are unable to do so yourself.`@` ......That is the purpose of a will."`\ ;　南條がやさしく肩を叩こうとすると、急に激昂した金蔵が南條のその手を払いのける。\ `When Nanjo tried to gently pat Kinzo's shoulder, the dying man flew into a sudden rage and batted away Nanjo's hand.`\ se1 20 bg black,1 ;「駄目だ駄目だ駄目だ！！@/ `"It's useless, useless, useless!! `@/ meplay2 1,17,40 ;　私が生きている内でなくてはならぬ、私は死ねば魂はすぐに契約の悪魔に食らわれて消え去ってしまう！@　死後の世界も安らぎも私にはないのだ！@　だから全ては私が生きている内でなければならぬ！！@　だから遺言状など私には必要ないッ！！@　そのようなものを書く暇があったなら……、/ `It must be done while I still live!`@` At the moment of my death, my soul will be devoured by the demons of the contract and wiped out of existence!`@` For me, there will be no peace or another world after death!`@` That's why everything must be done before I go!!`@` That's why a will has no meaning for me!!`@` And even if I had a chance to write such a thing, `/ ;!w800あったならッ！！@　…私は見たい。@もう一度見たい！@　ベアトリーチェの微笑む顔がもう一度見たい！！@　あぁ、ベアトリーチェ、なぜに私をこれほどまでに拒むのか！！@　今こそお前に与えられた全てを返そう、全てを失おう！！@　だから最後にもう一度だけお前の微笑を見せてくれ…。\ !w800`......if I did have such a chance!!`\ `...I'd want to see it.`@` I want to see it one more time!`@` I want to see Beatrice's smiling face one last time!!`@` Oh, Beatrice, why have you resisted me for so long!?`@` I'll return everything you have given me!`@` I am prepared to lose everything!!`@` So please, show me your smile just one more time...`\ meplay2 2,16,40 ;　ベアトリーチェ、頼む後生だ、聞こえているはずだ、お前はそういう女だ！@　頼む、姿を見せてくれ！！@　いるんだろう？！@　聞こえていながら姿を消し、今もこの部屋のどこかで私を嘲笑っているのだろう？！@　私の前にもう一度現れてくれ、そして微笑んでくれ！！@　なじってくれてもいい、望むならお前の手で私の命を奪ってくれてもいい！！@　このままひとりで死にたくないッ！！@　お前の微笑みを再び一目見るまでは絶対に死ねないのだ！！@　あぁ、ベアトリーチェ、ベアトリーチェ！！@　この命はくれてやる、お前にくれてやる！！@　後生だ、ベアトリーチェぇぇえぇえぇッ！！！」\ `Beatrice, I beg of you!`@` You must be able to hear my plea...that's the kind of woman you are!`@` I beg of you, show yourself to me!!`@` You're here, aren't you?!`@` You're standing there invisible, listening to every word I say, `@`and even now you're mocking me from somewhere in this room, aren't you?!`@` Please, appear before me one more time and smile!!`@` Feel free to scold me, even snatch away my life by your own hands if you wish!!`@` I don't want to die alone like this!!`@` I cannot let myself die until I've seen your smile just one more time!!`@` Aah, Beatrice, Beatrice!!`@` I offer up this life of mine, I offer it up to you!!`@` I'm begging you, Beatriiiiiiiiiiiice!!!"`\ ;※ムービー演出あるとしたらココ。@ ;１９８６年１０月４日０８時００分 ;■調布空港　※カメラは第三者メインで。@立ち絵と名前を出すことでプレイヤーに覚えてもらうため。@（メインってだけだから、第三者オンリーって意味じゃないよ〜） skipoff textoff E_A bg black,22 ;wait 2000 ;movie "custom\movie\umineko_op.mpg",click mpegplay "movie\umineko_op.mpg",1 bg black,1 textoff wait 5000 se1 29 bg oct_4_1986,2 wait 7000 bgmplay 2 bg white,9 bg Airp_o1a,6 !sd ;「へー。@時代ってやつは進歩してんなぁ…。@たったの２０分で着いちまうってんだから驚いちまうぜ…。」\ `"Whoa...`@` Things sure move with the times...`@` I can't believe we'll be able to make the trip in just twenty minutes..."`\ ;　頭を掻きながら時代の進歩を驚く他ない。@ `I couldn't help but scratch my head and marvel at how far things have come in recent years.`@ br ;　かつては船だった。@ `We used to go by boat.`@ ;　新島に着くまでで半日もたっぷりは揺られなきゃならなかったんだからな。@ ;　便利な時代になったもんだぜ。\ `Back then, we were all forced to endure nearly half a day of swaying back and forth over the sea before we reached Niijima.`@ `Things have gotten so much more convenient these days.`\ ;　しかし、あんな小さな飛行機には乗ったことがない。@ ;　でっかいジャンボジェット機ならあるんだが、こんなスモールサイズは初体験だ。\ `Still, I've never been on a plane this small.`@ `I've flown in a huge jumbo jet before, but this will be my first experience in such a tiny one.`\ ;　…やっぱ揺れるんかなぁ。@ `...It's going to shake, isn't it...`@ br ;　船なんかも小さい方が揺れは大きいって言うし、やっぱ飛行機もそうなんだろか。@ ;　…はー、勘弁願いたいぜ。\ `They say that smaller boats shake more, so I guess the same rule probably applies to planes.`@ `...Aaah, just spare me.`\ ;e_ 2,1 bg air_o1a,0 ld r,$GEO_waraiA1,24 ;「はっははは、大丈夫だよ、戦人くん。@船に比べたら全然揺れは少ないよ。」@ `"Haahahaha, don't worry, Battler-kun.`@` It'll shake much less than that boat did."`@ ld l,$BUT_OdorokiA2,23 ;「おわぁッ、じょ、譲治の兄貴かよ！@/ `"Gyah?! ...I, is that you, George-aniki?! `@/ ld l,$BUT_komaruA1,80 ;　へっへー、急に勘弁してくれよ、今ので寿命が３年縮んじまったぜ。@つーか、揺れって何すか？@/ `Heheh, don't scare me like that...you just shaved three years off my life.`@` Anyways, what's shaking got to do with anything? `@/ ld l,$BUT_aseruA1,80 ;　いっひっひっひ、別に俺ぁ飛行機も揺れんのかな、まさか墜ちたりしねぇかなぁ〜なんて、夢にも思っちゃいないぜ〜？」\ `Ihihihi, you don't think I'm actually scared of the plane shaking or maybe falling out of the sky or something, ri~ght?"`\ ld r,$GEO_hohoemiA1,80 ;「ごめんごめん。@もう小さい頃とは違うよね。@あれから６年も経ってるんだし。@もう戦人くんも子供じゃないか。@はっはははは。」@ `"Oh, of course not, my mistake.`@` I see you've changed a lot since we last saw you.`@` After all, it's been six years since then.`@` You're not a kid anymore.`@` Hahahahaha."`@ ld l,$BUT_defA2,80 ;「ちぇー、兄貴はタバコも酒もＯＫってかよ。@タバコは興味ねぇけど、酒は飲んでみたいよなぁ、ひっひっひ！@　兄貴なんか、叔父さんの遺伝子あんなら、相当飲めちゃいそうだけど？」\ `"Sheesh, and here you are, old enough to smoke and drink.`@` I've got no interest in smoking, but I've always wanted to try some booze, heheheh!`@` Well, if you've got your dad's genes, I'll bet you can hold your own when it comes to drinking, right?"`\ ld r,$GEO_DefA1k,80 ;「僕の場合は、好きで飲むというよりは仕事で飲む方が多いからね。@日本のビジネスは酒抜きでは難しいよ。」@ `"Well, I usually drink for business rather than pleasure.`@` It's pretty hard to do business in Japan without it."`@ ld l,$BUT_WaraiA1,80 ;「いっひっひー！@　そ〜っすよねぇ？！@　だから俺も日頃から予習復習を欠かさないんすよ〜！」\ `"Ihihihi!`@` That's exactly right!`@` That's why I never miss a chance to get in some practice!"`\ ld r,$GEO_KomaruA1,80 ;「だ、駄目だよ、戦人くんはまだ未成年じゃないか！@　未成年の飲酒は発育に悪影響を及ぼす可能性が…、/ ;!d1000って、う〜ん。」@ `"Th, that's no good, Battler-kun, you're still a minor!`@` Drinking alcohol is known to stunt the growth of minors and...`/ !d1000`...um, never mind."`@ ld l,$BUT_waraiA2,80 ;「こんだけ立っ端がありゃー俺の発育は充分っすから〜！@　むしろちょいと身長縮めた方が服が探しやすいくらい！」@ ;　俺は得意げに胸を張ってみせる。\ `"Come on, I'm tall enough already!`@` In fact, it'd be easier to find clothes if I shrunk a little!"`@ `I puffed my chest out proudly.`\ bg black,25 ;　成長期を迎えるまでは、俺の身長はクラスじゃ真ん中よりは前の方だった。@ ;　それが、あれよあれよという間にでかくなり、今じゃ１８０ｃｍは超えてる。@ `Until I hit my growth spurt, my height was below average in my class.`@ `But then, I grew and grew, and before I knew it, I'd passed 180cm (5ft 11in).`@ br ;　これも、弛みない筋トレと怪しげな通販の筋力増強剤のお陰だろうなぁ。@ ;　早々に身長が伸びきった譲治兄貴を１０ｃｍも超えて見下ろせる日が来ようとは、夢にも思わなかったぜ。\ `I guess I have all that muscle training and those shady mail-order performance-enhancing drugs to thank for that.`@ `Before then, I'd never dreamed that I'd shoot 10 cm above George-aniki, who'd reached his peak height early on.`\ ;　……あぁ親戚連中に、戦人ちゃん大きくなったわね〜って言われるんだろうなぁ。@ ;　…アレ、恥ずかしくてたまんねぇから、勘弁願いたいんだけどなぁ。@ `.......Damn, I'll bet my relatives all say 'look how big you've grown, Battler-chan!' or something.`@ `...It's all so embarrassing...`@` I wish they'd just give me a break.`@ br ;　しかし、俺の名前の戦人って、@…なんつーか、すげぇ名前だよな。\ `Anyways, my name, 'Battler'...`@`...well, it's pretty damn weird, don't you think?`\ bg air_i1a,26 ;　付けた親のセンスを疑うぜ。@ ;　初対面でちゃんと読めるヤツはまずいないな。@ `I've got to wonder what my parents were thinking when they gave me that name.`@ `I've never met anyone who could read it right the first time.`@ br ;　一番多いのはセントくん。@ ;　残念、そいつぁハズレだぜ。\ `I usually get called '#86ef9cSento-kun#ffffff'.`/ mov ?grim[2][grim_flg],1 mov %r_hyouji_grim,2 ;seplay 9,1062 @ `Unfortunately, that's not even close.`\ ld c,$BUT_DefA2,4 mov ?r[but][condition],1 seplay 9,1060 ;　俺の名は、右代宮戦人。@ `My name is written 右代宮 戦人.`@ br ;　読めるか？@　苗字は“うしろみや”。@こりゃまだマシだよな。\ `Can you read it?`@` The first part is my family name, 'Ushiromiya'.`@` That's a fairly plausible Japanese pronunciation so far.`\ ;　問題は名前だ。@ `The problem is my own name.`@ ;　………戦人で“バトラ”って読む。\ `.........戦人 is made up of the characters for 'fight' and 'person', and it's pronounced 'Battler'.`\ ;†　ここで、戦人の読み仮名が説明されたところで、TIPSシステムの戦人が参照可能に。 ;　右代宮戦人（うしろみやばとら）。@ `Put it all together, and you've got Ushiromiya Battler.`@ br ;　すげぇぜ。@名付けた親もすげぇが、受理したお役所の窓口もすげぇぜ。@…そのどっちも、俺の必ず殺すリストの筆頭さ。\ `Pretty crazy, right?`@` It's crazy enough that my parents decided to call me that, but it's even more crazy that some government worker let them make it official.`@` ...Both groups are at the top of my must-kill list.`\ bg air_i1b,0 ld r,$GEO_hohoemiA1k,24 ;　んで、彼は俺の従兄にあたるお人だ。@ `Anyway, this is one of my cousins.`@ ;†　ここで、譲治の読み仮名が説明されたところで、TIPSシステムの譲治が参照可能に。 mov ?r[geo][condition],1 seplay 9,1060 ;　名前は右代宮譲治（うしろみやじょうじ）。\ `His name is 右代宮 譲治, pronounced Ushiromiya George.`\ ;　俺より５つ上だから、今年で多分２３のはずだ。@ ;　右代宮のいとこは男２人、女２人なので、兄貴とはいっつも一緒に遊んでた。@ `He's five years older than me, so he's probably turning 23 this year.`@ `Since the Ushiromiya cousins consist of two boys and two girls, I ended up playing with George all the time.`@ br ;　その名残で今も兄貴と呼んでるわけさ。\ `And because I've always thought of him as a big brother, I still call him 'Aniki' today.`\ bg air_i1c,23 ld l,$HID_waraiA2,23 ;「しっかし、戦人くんは大きゅうなったなぁ。@男子三日会わざれば刮目して待つべしとは、よう言うたもんや。」@ `"Whoo, Battler-kun, look how big you've gotten.`@` You know what they say, 'leave a boy for three days and you'll hardly recognize him'!"`@ ld r,$EVA_DefA1,24 ;「やっぱり血かしらねぇ。@留弗夫も高校くらいまでは身長、そんなになかったのよ？@　成長期が遅いほうが最終的には伸びるのかもねぇ。」@ `"It must be in his blood, I suppose.`@` Rudolf wasn't that tall either until around his high school years.`@` Perhaps people end up taller if their growth spurt comes late."`@ ld l,$BUT_defA1,23 ;「んなことないっすよ。@男は中身も伴わなくっちゃぁ！」\ `"Nah, it's nothing special.`@` A real man needs to be tough on the inside too!"`\ ld r,$HID_WaraiA1,24 ;「そうや！@　戦人くんはわかっとる！@　男は中身で勝負なんや！@　常に己の鍛錬を忘れたらあかん。@そして虎視眈々とチャンスを待ってドカンと開花させるんや！@/ `"Exactly!`@` Battler-kun here knows how it works!`@` Real men win or lose based on what they've got on the inside!`@` Can't ever forget to keep up your trainin' and discipline.`@` You do that, wait ve-ry alertly for the perfect moment...and strike! `@/ ld r,$HID_DefA1,80 ;　わしも、まさか今日、会社社長なんて一国一城の主になれるとは思わんかった…。@そうや、あの無一文の焼け野原がわしの原点なんや…！」\ `Now, I never even imagined that I'd become the company president I am today, master of my own domain...`@` Yep, to think I've come this far after starting out penniless and ruined...!"`\ cl a,0 ld c,$HID_DefA1,23 ;†　ここで秀吉のTIPSモード情報が閲覧可能に〜〜〜〜〜〜 ;　この恰幅の良さそうな小太りのオヤジは、/ `This stout, plump, old guy is `/ mov ?r[hid][condition],1 seplay 9,1060 ;譲治兄貴の父親の、秀吉（ひでよし）伯父さん。@ `George-aniki's dad, Hideyoshi (秀吉) oji-san.`@ br ;　俺の親父の姉の旦那に当たる。@ ;　つまり血の繋がってない伯父ってわけだ。@ `He's the husband of Dad's older sister.`@ `In other words, we're not blood-related.`@ br ;　とても気さくで子供にやさしく、しかもついでに小遣いのはずみもいい、最高の伯父さんってわけさ。\ `He's nice to children, sociable all the time, and even quick to give out some spending money to us kids.`@` Simply put, he's an awesome uncle.`\ ;　印象的な怪しい関西弁風の方言はオリジナル？のもので、本人は生粋の関東人だ。@ `He speaks in an odd and very noticeable Kansai dialect, but he's actually a natural-born Kanto man.`@ br ;　何でも、ビジネスの世界では印象付けが大事とかで、@他の人とは毛色の違う言葉を狙って話すことで自分をより印象付けようという演出らしいんだが。@ ;　……もっとも、本場の関西人の前では恥ずかしいので、標準語に戻すんだとか。@ `Apparently, impressions are everything in the business world,`@` so speaking in a different style than other people is an act that makes him stick out more.`@ `......However, I hear that he gets embarrassed when talking within earshot of a real Kansai person, so he switches back to standard Japanese.`@ br ;　…よくわからんが面白い人なのは間違いない。\ `...I don't really get it, but he's definitely an interesting person.`\ bg Air_i1b,0 ld l,$EVA_akireA1,23 ;「すーぐ自分の自慢話に入っちゃうのが玉に瑕なのよねぇ。@およしなさいな。@戦人くん、耳にタコが出来ちゃってるんだから。@ねー？」@ `"If only you weren't so quick to brag about your life's story.`@` That's enough for now, I think.`@` I'm sure Battler's getting tired of it.`@` Aren't you?"`@ ld r,$BUT_WaraiA1,24 ;「そんなことねぇっすよ、ひっひっひ！@　でも、いいじゃないすか。@語れる武勇伝があるってのは男としてかっこいいことだと思いますよ。@俺なんか、語るような話は何もないっすからねぇ。」\ `"Nope, not at all, hihihi!`@` Nothing wrong with that.`@` I think it's pretty cool for a man to have some stories he can brag about.`@` I don't have anything like that at all."`\ ld l,$EVA_WaraiA1,80 ;「あら、そーぉ？@　戦人くんなんか、そのルックスでいっぱい女の子を泣かせてそうだから、さぞかし武勇伝が多そうだと思ったんだけどぉ？」@ `"Oh, really?`@` I'd imagine a man with your looks would leave girls crying left and right.`@` I can't believe that you have nothing at all to brag about."`@ ld r,$BUT_KomaruA1,80 ;!s0「わたたたッ、/ ;!d800じょじょ、/ ;!d900冗談じゃないっすよ！@/ ;!sd　そんな妙な武勇伝、あるわけないじゃない〜！@　むしろ紹介してほしいくらいっす〜！」\ !s0`"Wh, what? `/ !d800`Y, y, `/ !d900`you're joking, right!? `@/ !sd`Of course nothing weird like that's ever happened to me!`@` In fact, I'd rather it did!"`\ ld l,$EVA_akireA2,80 ;「あらぁ、あるんでしょ武勇伝。@…くすくす、伯母さんにも後で教えてね。@譲治ったらそういう浮ついた話がぜぇんぜんないんだから。@うふふふ…。」\ `"Ah, so you do have some stories.`@` ...*giggle* You must tell your aunt all about it later.`@` After all, nothing of the sort ever happens to George.`@` Heheheh..."`\ cl a,0 ld c,$EVA_DefA1,24 ;†　ここで絵羽の情報が閲覧可能に。 mov ?r[eva][condition],1 seplay 9,1060 ;　この叔母さんは、譲治兄貴の母親の、絵羽（えば）伯母さんだ。@ `This is my aunt and George-aniki's mother, Eva (絵羽) oba-san.`@ br ;　俺の親父の姉に当たる。@ ;　秀吉伯父さんともども、ひょうきんなお人で、昔っからよく俺をからかってくれたもんだぜ。@ `She's my Dad's older sister.`@ `She and Hideyoshi oji-san are a pair of jokers, and they've always teased me back as far as I can remember.`@ br ;　そのせいで、小さい頃、少々苦手だったこともある。@ `This sometimes made them a bit hard to get along with when I was small.`@ br ;　…いや、今でも苦手であることを現在進行形で確認中だがなぁ。\ `...Well, I guess the events of the last 30 seconds prove that they can still be hard to get along with.`\ ;　まぁでも、譲治兄貴の家族は、何だかんだで面白くてみんな仲は良さそうだよな。@ `Even so, George-aniki's family is interesting and fun, and they seem to get along just fine.`@ br ;　……やれやれ、ウチの家族とは大違いだぜ。\ `......Sheesh, that's pretty much the total opposite of my family.`\ bg black,24 bg air_i1d,24 ld l,$KIR_DefA1,23 ;「戦人くん。@留弗夫さんを見なかった？」@ `"Battler-kun, `@`have you seen Rudolf-san?"`@ ld r,$BUT_waraiA2,24 ;「え？@　さっきお手洗いに行くのを見ましたけど？@　まぁだ出てこないんすか？@　こりゃあ、ぽっくり逝っちまったかなぁ、ナムナムナム。」\ `"Huh?`@` He headed off to the bathroom a while ago.`@` Is he not back yet?`@` Heh, maybe the poor geezer dropped dead, #86ef9cnamunamunamu#ffffff."`/ mov ?grim[3][grim_flg],1 mov %r_hyouji_grim,3 ;seplay 9,1062 \ ld l,$KIR_komaruA1,80 ;「自分のお父さんにそんな言い方はないでしょ。@まぁ、あの人のお手洗いが長いのは今に始まったことじゃないしね。」@ `"That's no way to talk about your own father.`@` Still, this isn't the first time he's taken so long in the bathroom."`@ ld r,$BUT_waraiA1,80 ;「あ〜、あんにゃろは昔っからそうです。@雑誌持ってトイレに入るのやめてほしいんすよね。@何の雑誌持ち込んでな〜にをしてんだか！@　いっひっひ！」\ `"Yeah, the guy's always been that way.`@` Does he really have to take a magazine with him every time he needs to take a dump?`@` Oh, what on earth might he be doing with those?!`@` Ihihi!"`\ ;bg air_i1b,0 ld l,$Kir_futekiA1,80 ;「あら、そんな心配は全然不要よ？@　私と一緒にいる以上、そんなことひとりでさせやしないもの。」@ `"Oh, you don't need to worry about that at all.`@` Since we've been together, I haven't let him do that on his own."`@ ld r,$BUT_defA1,80 ;「ひっひっひ！@　なぁんの話か、後でじっくり聞きたいっすねぇ〜！@　親父め、タマまで握られてグゥの音も出ないわけだ。」\ `"Hihihi!`@` Oooh, I'll have to get the juicy details later!`@` Sounds like Dad's got his balls in an iron grip."`\ ld l,$KIR_WaraiA2,80 ;「握っとかないとどういうことになるか、よーくわかってるでしょ？」@ `"You know exactly what would happen with that man if I didn't keep a tight grip, don't you?"`@ ld r,$BUT_DefA2,80 ;「いやいやまったく。@あのクソ親父の手綱は霧江さんにしか無理っすよ。@実の息子の俺も、喜んで譲っちゃいますわ。」@ `"No kidding.`@` You're the only one capable of reigning in that old bastard.`@` As his son, I'm more than happy to let you take over."`@ ld l,$KIR_WaraiA1,80 ;「えぇ、任せてちょうだい。@そういうの、得意なのよ？」\ `"Yes, leave it all to me.`@` After all, that's my specialty."`\ ;　この人は、俺の親父の奥さんに当たる人。@ `This woman is my father's wife.`@ ;†　ここで霧江の情報が閲覧可能に mov ?r[kir][condition],1 seplay 9,1060 ;　名は、右代宮霧江（きりえ）。@ `Her name is Ushiromiya Kyrie (霧江).`@ br ;　会話を少し聞けばわかるだろうが、俺の実の母親じゃない。@ ;　いわゆる継母ってヤツさ。\ `As you can probably tell from our conversation, she's not my real mother.`@ `She's basically my stepmother.`\ ;　俺の本当のお袋は６年前に死んだ。@ ;　その後に親父が再婚したのがこの霧江さんってわけだ。@ `My real mom died six years ago.`@ `Kyrie-san is the woman Dad married afterwards.`@ br ;　俺もさすがにこの歳だ。@ ;　今さら再婚の相手をお袋とは呼べない。@ `It's understandable for someone my age.`@ `I could never bring myself to call his new wife 'Mom'.`@ br ;　向こうだって、こんなデカくて血も繋がってない連れ子を息子とは呼びたくないだろう。\ `And I doubt she feels like using the word 'son' on this massive kid who's no relation to her at all.`\ ;　お互いガキじゃない。@ ;　喧嘩したって得はないさ。@ `We aren't little kids.`@ `We know there's nothing to be gained by fighting.`@ br ;　そんなわけで、無理に家族ごっこはしないってことにした。@ `So, we decided that we wouldn't force ourselves to pretend that we were family.`@ br ;　家族でなく、近所のお姉さんというような感じで、比較的フランクに接しあうことにしている。\ `I've decided to act a bit more frank with her, as though she's a friendly neighbor instead.`\ ;無理して互いに気持ち悪い思いをするよりは、他人と割り切った方がよっぽど気楽ってもんだ。@ `It's much easier to just keep a little distance, instead of forcing ourselves to act all close and making each other uncomfortable.`@ br ;　霧江さんもその辺りは非常にさばさばした人だったので、お陰で俺たちは何とかうまくやれてるわけだ。\ `Kyrie-san has been very open about all this, and thanks to that, we've been able to get along pretty well.`\ bg air_i1a,23 ;　そうして、トイレでいない親父の悪口で盛り上がっていると、@当の本人がハンカチで手を拭きながら帰ってきた。\ `Then, just when we were badmouthing Dad about being in the bathroom,`@` the man himself came back, wiping his hands with a handkerchief.`\ ld r,$RUD_DefA1,24 ;「んん〜？@　戦人ぁ。」@ `"Hmm?`@` Battler."`@ ld l,$BUT_aseruA1,23 ;「何だよ親父ぃ。@/ `"Hey, what's up, Dad? `@/ cl r,0 ld c,$RUD_AkuwaraiA1,24 se1 47 quakey 4,1000 ld l,$BUT_odorokiA2,80 ;…いててて！@　耳つねんな、耳ぃ！」\ `...Owowowowww!`@` Don't pinch my ear, gaah!"`\ ld c,$RUD_waraiA2,80 ;「まぁた、母さんと俺の悪口を言ってたろぉ。@なぁんでお前には父親に対する尊敬の念ってやつが沸かねぇんだ〜？」@ `"So, you've been talking trash about me with Mom again, haven't you?`@` What makes it so hard to show a little respect for your father, hmm?"`@ se1 48 quakey 4,1000 ;「いてててていてててて！@　痛ぇよクソ親父！@　俺の耳、伸ばしたって空は飛べねぇぞ、痛ぇ〜〜！！」\ `"Owowow, owowowowow!`@` Dammit, that hurts!`@` You can stretch my ear all you want, but I'm not gonna be able to fly.`@` That hurts!!"`\ ld c,$RUD_WaraiA1,80 ;「ほれほれ。@!s0上/ `"C'mon now.`@!s0` Up, `/ se1 47 quakey 2,400 ;上/ `up, `/ se1 47 quakey 2,400 ;下/ `down, `/ se1 48 quakey 2,400 ;下/ `down, `/ se1 48 quakey 2,400 ;左/ `left, `/ se1 47 quakex 2,300 ;右/ `right, `/ se1 48 quakex 2,300 ;左/ `left, `/ se1 47 quakex 2,300 ;右。/ `right. `/ se1 48 quakex 5,500 ;@お父様、失礼なこといってごめんなさいって言ってみろぅ。」@ @`Now say 'Father, please forgive me for being so rude'."`@ ld l,$BUT_ASERUA1,80 ;「冗談じゃねぇぜ、そういうのは会員制のお店でやりやがれってんだ。@痛ててて、だからは〜なぁせーって！！」\ `"Like hell I will! Go find yourself some members-only store if you want it that much!`@` Gyaah, let goooo!!"`\ !sd cl l,24 ld c,$RUD_defA1,80 ;　……このクソ親父が俺の親父だ。@ ;　俺の身長もなかなかのもんだと思うが、親父も同じくらいの立っ端がある。@ `......This old bastard is my Dad.`@ `I think I'm pretty tall, but Dad's about the same height.`@ br ;　絵羽伯母さんが、俺の身長を見て、親父の血だなと言うのも納得できるだろう。\ `It's probably no surprise that Eva oba-san started talking about Dad's blood when she saw my height.`\ ;　ちなみに、親父譲りなのは身長だけじゃない。@名前の酷さもさ。\ `By the way, my height isn't the only thing I got from him.`@` It seems having weird names runs in the family.`\ ;†　ここで留弗夫の情報が閲覧可能に。 mov ?r[rud][condition],1 seplay 9,1060 ;　親父の名前は右代宮留弗夫。@ `Dad's full name is written 右代宮 留弗夫.`@ br ;　……読めるか？@ ;　留弗夫だぞ留弗夫。@ ;　これで“ルドルフ”って読むんだぜ。@ `......You can't read it, can you?`@ `Come on, it's just 留弗夫.`@ `Anyways, this guy's name is pronounced 'Rudolf'.`@ br ;　たはは…、さぞや、この名前を付けた祖父さまを恨んだだろうよ。@ `Haha...he must hate Grandfather for giving him that name.`@ br ;　だからって俺にまでその妙なネーミングセンスの伝統を受け継ぐんじゃねぇってんだ。\ `Still, that's no reason to pass that weird naming tradition onto me.`\ ld r,$EVA_DefA1,24 se1 47 ld c,$RUD_KomaruA1,80 ;　クソ親父が俺の耳をつねり上げて遊んでいると、さらにその後から、親父の耳を絵羽伯母さんがつねり上げる。\ `As the old bastard twisted my ear all over the place, Eva oba-san snuck up behind him and grabbed his ear.`\ ld r,$EVA_WaraiA1,80 ;「こらこら留弗夫ぅ？@　息子を虐待してるんじゃないのぉ。」@ ;「いててて、痛ぇよ姉貴…。」@ `"Hey, Rudolf?`@` Isn't that child abuse?"`@ `"Gyaah, that hurts, Aneki..."`@ br ;　その構図は、例え図体が大きくても、いたずらっこな弟にお仕置きする姉という関係そのものだ。\ `This scene perfectly illustrated the relationship between the prankster younger brother and the older sister who could deal out punishment to him despite his size.`\ bg air_i1c,0 ld r,$KIR_waraiA2,24 ;「絵羽姉さん、そのくらいにしてあげてください。@同じ分、後で反対の耳を私が引っ張って伸ばしておきますので。」@ `"I think that's good enough for now, Eva nee-san.`@` I'll make sure to stretch out his other ear later on."`@ ;＜霧江 ld l,$EVA_akireA1,23 ;「あら、ごめんなさいね。@霧江さんの引っ張る分も残しておかなくっちゃぁ。@/ `"Oh, my apologies.`@` I must leave some pulling for you to do, Kyrie-san. `@/ ld l,$EVA_WaraiA1,80 ;留弗夫ぅ？@　後でたっぷり霧江さんにお仕置きしてもらいなさいねぇ？」\ `Rudolf?`@` Make sure Kyrie-san gives you lots and lots of punishment later on, alright?"`\ bg air_i1a,0 ld c,$RUD_KomaruA1,23 ;「ったく姉貴こそ弟虐待もいいとこだぜ。@/ `"You're one to talk, Aneki, abusing your little brother like that. `@/ ld c,$RUD_DefA1,80 ;秀吉兄さんもこんな姉貴を拾ってくれて本当にありがとうございます。@兄さんの寛大さがなかったら、今でもまだ売れ残ってますよ。@弟として申し訳ないです。」\ `Hideyoshi nii-san, I'd like to thank you very much for picking her up.`@` If you hadn't been so generous, she'd still be unsold in the store.`@` You have my gratitude and apologies."`\ cl c,0 ld l,$RUD_DefA1,0 ld c,$EVA_IkariA1,24 ;「…ん〜？！@　だぁれが売れ残るってぇ？」@ `"...Hmm~?!`@` Who are you calling 'unsold'?"`@ br ;　絵羽伯母さんが２、３歩、ステップで間合いを取ると、@/ `After taking 2...3 steps back, `@/ textoff bg white,80 se1 20 bg air_i1c,0 ld l,$RUD_odorokiA1,0 ld r,$EVA_IkariA1,1 ;相変わらず惚れ惚れしちまう上段後回し蹴りを、親父の鼻先ビッタリ１ｃｍのところで止めてみせる。\ `Eva oba-san unleashed one of her beautiful high reverse roundhouse kicks,`@` which stopped just a centimeter away from the tip of Dad's nose.`\ ;　美容だか何だかで太極拳を始めて、そこから中国拳法に興味を持って、@それで空手だテコンドーだカポエィラだと渡り歩き、…最近は何を習ってんだっけ？@ `After starting out with Tai-chi-chuan for her figure, Eva oba-san then developed an interest in the Chinese martial arts.`@` After that, she went through karate, tae kwon do, capoeira, ...and what is it she's learning now, again?`@ br ;　…まぁとにかく、絵羽伯母さんが、女の武器は下半身とかいう時は、言葉通りの意味を持つってわけさ。\ `...Well anyway, they say a woman's weapons are in her lower body, and that's literally true for Eva.`\ cl c,0 ld r,$EVA_futekiA1,23 ;「留ぅ弗〜夫ぅ〜？@　側頭部直撃だと一発で昏倒するわよぅ？@　この間、演武でミスって相方、泡吹いちゃったんだからねぇ？」@ `"Rudo~lf?`@` Did you know that a single direct blow to the side of the head like that would knock you unconscious?`@` Not so long ago, I accidently connected in a practice match and my opponent was out cold."`@ ld l,$RUD_defA2,80 ;「…はー、いやいや。@足癖の悪い姉貴で本当に申し訳ないです。」@ `"...Sheesh, what a pain.`@` Guess I have to apologize for that strange way she walks too."`@ ;＜留弗夫 ;　親父は、まったく動じない風で、肩をすくめて秀吉伯父さんに苦笑いを送る。\ `Dad, completely unfazed, shrugged and smiled ironically at Hideyoshi oji-san.`\ bg air_i1b,0 ld r,$HID_WaraiA2,24 ;「わっはっはっは、わしには兄弟がおらん。@だから絵羽と留弗夫くんのじゃれ合いを見とると、胸がぽかぽかしてくるんや。@兄弟や家族はホンマにええもんやなぁ。」@ `"Wahahaha, never had a brother or sister myself.`@` So, when I see you two bickerin' with each other, it makes me feel all warm and fuzzy inside.`@` It sure is nice to have a big family and siblings."`@ ld l,$KIR_DefA1,23 ;「あら、譲治くんに弟を作ってあげるという話はないんですか？@　もう譲治くんも立派な大人になって手も離れたでしょうから、次の子がいてもいいでしょうに。」\ `"Oh, then why not consider making a little brother for George-kun?`@` He's is already a fine adult who's about to go off on his own, so it might be a good time to have another child."`\ ;＜霧江 cl r,23 ld r,$RUD_akuwaraiA1,24 ;「おいおい、霧江ぇ、生まれてくる子の苦労も考えてやれよ。@よくこの性悪姉貴から生まれて、譲治くんはあんなにも真っ直ぐ育ってくれたもんさ。@/ `"Hey, have a little sympathy for the kid and all the pain and suffering he'd have to live through.`@` I'm surprised even George-kun turned out as well as he did after being born from this sinister sister of mine. `@/ ld r,$RUD_WaraiA1,80 ;本当に譲治くんは偉いな。@ウチのボンクラに今度、爪の垢をわけてやってくれよ。」@ `And what an awesome kid he is.`@` Please share some of that with our blockhead of a son someday, will you?"`@ ld l,$KIR_WaraiA2,80 ;「そんなことないわよ。@絵羽姉さんの教育が間違ってなかったから、譲治くんはあんなに素直ないい子になったんだから。@ですよねぇ、姉さん。」\ `"That's not how it worked.`@` It's thanks to Eva nee-san's proper rearing that George-kun became the good, gentle kid he is now.`@` Isn't that right, Nee-san."`\ ;＜霧江 bg air_i1c,0 ld r,$EVA_WaraiA1,24 ;「あらあら、そんなぁ、うふふふ、どうかしら…！@　うちの譲治もまだまだ頼りなくって。@/ `"Oh, come now. Heheh, you think so...?`@` Our George still has a long way to go. `@/ ld r,$EVA_hohoemiA1,80 ;そうそう、それよりお宅の縁寿ちゃんはどんな具合なの？@　吐いちゃったって聞いたけど？」@ `Ah, by the way, how's your little Ange-chan doing?`@` I heard she was vomiting?"`@ ld l,$HID_fumuA1,23 ;「そうやそうや！@　久しぶりに顔が見れると思って期待してたんやで。@大丈夫なんか！」\ `"Oh, that's right!`@` And I was hopin' to finally see her face after such a long time.`@` Is she alright?"`\ ld c,$KIR_defA1,22 ;「いつも季節の変わり目に風邪を引くんです。@どうも弱くって…。@本当は連れてきたかったんですけど、今回は私の実家に面倒見てもらってます。」@ `"She often catches a cold when the seasons change.`@` She's very frail...`@` I did want to bring her along, but we decided to have my family look after her this time."`@ ;＜霧江 ld r,$EVA_akireA1,80 ;「それが賢明よぅ？@　本家の毒気に当てない方が治りは早いもの。@大人の都合より子供の病気の方が大事よ？」@ `"I think that's a wise move.`@` Sticking her in that venomous head house wouldn't do her any good at all.`@` A child's health is always more important than an adult's convenience, don't you think?"`@ ;＜絵羽 ld l,$HID_defA1,80 ;「わしな、吐く風邪によーぅ効く薬、知っとんや！@　帰ったらすぐ送るさかい、使ぅてくれや！」@ `"I know of some great medicine for vomitin' colds like that!`@` When we get back home, I'll send some to you right away, so please let her use it!"`@ ld c,$KIR_waraiA2,80 ;「ありがとうございます、秀吉兄さん。@いつもお世話になりっぱなしで…。」\ `"Thank you very much, Hideyoshi nii-san.`@` I'm always in your debt..."`\ ;＜霧江 bg black,24 bg air_i1e,24 ;　…なぁんて話にいつの間にか発展しちまうと、俺ら子供の出番なんてありゃしないわけさ。@ `...And once the conversation suddenly veered off in that direction, we kids didn't have any chance of butting in.`@ br ;　親父につねられた耳の分は絵羽伯母さんがきっちり仕返ししてくれたんで、とりあえず納得することにするか。\ `For now, I'm just happy that Eva oba-san gave Dad his just desserts for tugging on my ear.`\ ld l,$GEO_DefA1,23 ;「まだ、天候調査中がなくならないね。」@ `"Are we still waiting for the weather report?"`@ br ;　譲治兄貴がカウンターを指差す。@ ;　俺たちが乗る予定の便の、出発予定時刻の脇には相変わらず「天候調査中」の札が付いたままだった。\ `George-aniki pointed at the counter.`@ `The 'checking weather' sign was still stuck next to the departure times for the flight we were scheduled to board.`\ ;　兄貴が言うには、小型機というものは、風などの天候の影響を強く受けるらしく、@天候次第で便の発着時間に大きく影響があることはザラにあるらしい。@ `According to Aniki, smaller planes are more subject to winds and other effects of the weather, `@`and it's not at all uncommon for flights to be delayed because of that.`@ br ;　……おいおい、本当に揺れないんだろうなぁ…？\ `......Wait a sec, it isn't really going to shake...is it...?`\ ;　こうして地上にいる分には、ただの曇天で風があるようには感じられない。@ ;　…まぁ、飛行機が飛ぶ上空は話が違うのかもしれねぇな。\ `From down here on the ground, it just looks cloudy, not windy.`@ `...Well, I guess it's different up where the planes fly.`\ bg air_i1d,23 ld r,$Eva_hohoemiA1,24 ;「ちょっと天気が怪しいものねぇ。」@ ;　絵羽伯母さんが待合ロビーのテレビを見ている。@ `"The weather's a bit uncertain today."`@ `Eva oba-san looked at a TV in the lounge.`@ br ;　そこには天気予報が映し出されていて、関東地方に台風が近付きつつあることを教えてくれていた。\ `The weather forecast was being broadcast, informing us that a typhoon was approaching the Kanto region.`\ ld l,$RUD_DefA1,23 ;「また台風か。@……親族会議が毎年１０月ってんじゃ、これは宿命だぜ。@もうちょい時期を選んでくれりゃあいいのによ。」@ `"A typhoon again?`@` ......I guess it's unavoidable, with the annual family conference being held in October.`@` Couldn't he choose a better season?"`@ ;＜留弗夫 ld r,$EVA_akireA2,80 ;「同感ねぇ。@私もお盆の時期にやってくれればっていっつも思うわよ。@なら留弗夫、それ、今回の会議でお父様と兄さんに提案してみればいいじゃない。」\ `"I agree.`@` I've always hoped we could have it sometime around the Obon festival in mid-August.`@` In that case, why don't you suggest that to Father and Nii-san during the conference?"`\ ld l,$RUD_defA2,80 ;「…冗談。@姉貴が言えよ。@俺が何を言っても兄貴は聞かねぇよ。」\ `"...Very funny.`@` Why don't you do it yourself?`@` Our brother would never listen to anything I suggested."`\ ld r,$EVA_akireA1,80 ;「嫌ぁよ。@私は別に１０月でも困らないもの。@留弗夫が、台風が嫌だからって言うから、提案したら？@って言っただけよぅ？」@ `"No way.`@` It doesn't really bother me that much to have it in October.`@` I just suggested that you might want to propose it to them, since you said you hate typhoons so much."`@ ld l,$RUD_akuwaraiA1,80 ;「俺は台風が来るのはいつものことだなって言っただけだろ。@お盆の時期がいいって言い出したのは姉貴だぜぇ？」@ `"I only said that typhoons always come around this time of year.`@` You're the one who said you wanted to move it to the Obon festival, right?"`@ ld r,$EVA_WaraiA1,80 ;「あらぁ、去年留弗夫も言ったわよぅ？@　お盆の時期なら仕事のスケジュールとも合わせ易いのにぃって！」\ `"Well, you said it too last year!`@` Didn't you say that it would be easier to fit into your schedule if we had it during the Obon festival?!"`\ ld l,$RUD_odorokiA1,80 ;「言ってねぇだろ、そんなことよ。」@ `"I've never said anything like that."`@ ld r,$EVA_IkariA1,80 ;「言ったわよぅ。@私、そういうのは絶対忘れないもん！」@ `"Oh yes, you did.`@` I certainly wouldn't forget something like that!"`@ ld l,$RUD_komaruA1,80 ;「いいや言ってねぇよ、言ってんのはいつも姉貴だよ！」@ `"No, I didn't...you're the one saying that all the time!"`@ ld r,$EVA_FutekiA1,80 ;「知ってるぅ？@　寸止めって高等技術なのよぅ？」@ `"Didn't you know?`@` Stopping a kick just a hair's breadth away is a very high-level technique."`@ ld l,$RUD_waraiA2,80 ;「ちぇ、いい歳した女がはしたなく股ばっか開いてんじゃねぇぜ！」\ `"Sheesh, women your age shouldn't spread their legs like that!"`\ bg air_i1e,24 ;　親父と絵羽伯母さんのやり取りを見ていると、まったくのガキの喧嘩にしか見えないな…。\ `Dad and Eva oba-san's argument looked no different from a couple of brats quarreling...`\ ld l,$GEO_waraiA1,23 ;「普段は父親や母親として振舞っていても、@こうして親族会議で、元の兄弟に出会うと、子供の頃の自分に戻っちゃうからだろうね。」@ `"Even though they normally behave like usual parents, `@`they turn right back into kids again when they meet their siblings at these family conferences."`@ ld r,$BUT_DefA1,24 ;「と、冷静に分析できる譲治兄貴の方がずっと大人に見えるぜ。@……俺は将来、あんなクソ親父みたいにはなりたくないねぇ。@なるなら、兄貴みてぇな知的な大人になりたいもんだぜ。」\ `"You're the one who looks like an real adult, analyzing it all calmly.`@` ......I hope I never turn out like that old bastard.`@` I'd much rather end up as an intellectual adult like you, Aniki."`\ ld l,$GEO_hohoemiA1,80 ;「僕かい？@　僕なんかまだまださ。@社会経験が全然足りないし社交性も度胸も足りない。@…戦人くんには、それらのいくつかがすでにあるように思うよ。@だからきっと、成人したら僕なんかすぐに追い抜いちゃうさ。」@ ;　譲治兄貴は照れ隠しのように頭を掻きながら笑う。@ `"Like me?`@` Oh, I still have a long way to go.`@` I still have very little experience out there in the real world, and I need to work on becoming more bold and sociable.`@` ...I think you've far surpassed me on all of those counts, Battler-kun.`@` I'm sure you'll outstrip me fast enough when you become an adult."`@ `George-aniki scratched his head and laughed, as though trying to hide his embarrassment.`@ br ;　だがもちろん、それは謙遜だ。\ `Of course, he was just being humble.`\ ;　兄貴は、大学に入ると同時に秀吉伯父さんの会社に見習いとして入り、学業とビジネスの帝王学を平行して学んだ。@ `Aniki entered a university and became an apprentice at Hideyoshi oji-san's company at the same time, studying both academics and how to become a business emperor in parallel.`\ ;br ;　そして大学を出てすぐに伯父さんの側近として会社に入り、さらにバリバリと勉強に励みながら、様々な社会経験を重ねている。@ ;　やがては独立して自分の城を持ちたいという、立派な夢も持っている。@ `Then, right after graduating, he got into Hideyoshi oji-san's company as his father's aide, piling up a lot of real-life experience as he devoted himself zealously to his work.`@ `His great dream is to one day stand on his own and build up his own kingdom.`@ br ;　それに向かって努力を怠らない兄貴は、まさに男の鑑だ。@掛け値なしで尊敬できるぜ。\ `Aniki is a real paragon of a man, sparing no effort as he strives towards his goal.`@` It's no exaggeration to say that I really respect him.`\ bg black,25 ;　そこへ俺と来たら。@兄貴とは雲泥の差さ。@ `And then there's me.`@` I'm nothing at all like Aniki.`@ br ;qqqq ;　のんびりぼんやりとモラトリアム高校生活を満喫中ってザマだ。\ `I'm living my happy-go-lucky, idle high school life to the max.`\ ;　将来の夢なんか全然ナシ！@ ;　楽してカッコよく荒稼ぎしてウハウハしたいが、そんなうまい話、あるわけもねぇさな。@ `I've got no dreams for the future!`@ `I'd like to just sit back, stay cool, and let the money flow in, but of course that could never happen.`@ br ;　…兄貴は同じ歳の頃、すでに立派な目標を掲げ勉強中だったんだから、俺なんか足下にも及ばねぇわけさ。\ `...When Aniki was my age, he had already formed an impressive objective and had started devoting himself towards studying for that goal, so I guess I can't compare at all.`\ ;　クソ親父は、お前も俺の会社で修行するか、まずは便所掃除からだけどなーとか言いやがる。@ ;　畜生、絶対にあのクソ親父の世話にはならねぇぞ。@ `My dad just says 'sure you can study at my company, if you like cleaning toilets'.`@ `Dammit, I'm not gonna be in the debt of that old bastard.`@ br ;　俺は俺の人生を切り開いてやる！@ `I'll find my way myself!`@ br ;　………って、威勢だけは一人前なんだが。\ `..........If only willpower was all it took to become an adult.`\ ;　巷で流行の自分探しの旅ってヤツでもやってみるかぁ？@ ;　……そんなゼニ、かじれるスネもねぇけどな。\ `Should I go on one of those self-searching journeys that are all the rage these days?`@ `......Well, it's not like I could mooch off my parents for that kind of money...`\ bg air_i1b,22 ;　その時、秀吉伯父さんが大きな声を上げた。@ `Right then, Hideyoshi oji-san shouted out loudly.`@ br ;　伯父さんは基本的にいい人なんだが、声のボリュームってやつをコントロールできないところだけが玉に瑕だ。\ `Oji-san is a really nice person on the whole, but he does have a problem controlling the volume of his voice.`\ ;　見れば、遅れてやってきた楼座叔母さんたちを出迎えているところだった。\ `When I looked over, I saw that he was greeting Rosa oba-san, who had come late.`\ bg air_i1a,0 ld l,$HID_WaraiA1,24 bgmplay 3 ;「おーおーおー！！@　楼座さんやないか！@　真里亞ちゃん、久しぶりやのー！！」@ `"Ohoooooooooh!!!`@` If it isn't Rosa-san!`@` Maria-chan, long time no see!!"`@ ld r,$MAR_WaraiA1,24 ;「久しぶりー！@　うー！」\ `"Long time no see-!`@` Uu-!"`\ ld c,$ROS_nayamuA1,24 ;「真里亞！@　お久しぶりです、でしょ？@　言ってごらん？」@ `"Maria!`@` Shouldn't that be 'It's good to see you again'?`@` Greet your uncle properly."`@ ld r,$MAR_DefA1,80 ;「うー。@お久しぶり、です…。」@ `"Uu-.`@` It's...good to see you again..."`@ ld l,$HID_waraiA2,80 ;「そうや！@　よく言えたなぁ！@　ご褒美に飴玉あげよなぁ！@　……っとと、あれ？@　どこにしまったんや…。」\ `"There you go!`@` Well said!`@` How about some candy as a reward?!`@` ......Oh, huh?`@` Where'd I put it..."`\ bg air_i1c,0 ld r,$KIR_defA1,24 ;「楼座さん、お久しぶりです。@真里亞ちゃんもお久しぶり。」\ `"Rosa-san, it's good to see you again.`@` It's good to see you too, Maria-chan."`\ ;＜霧江 ld l,$ROS_defA1,23 ;「ご無沙汰してます、霧江姉さん、秀吉兄さん。@/ `"It's been too long, Kyrie nee-san, Hideyoshi nii-san. `@/ ld l,$ROS_WaraiA1,80 ;…と、/ ;!d800……あら、戦人くん？！@　大きくなったわね…！」@ `...And, `/ !d800`......oh my, Battler-kun?!`@` Look how big you've gotten...!"`@ cl r,23 ld r,$BUT_komaruA1,24 ;「いやぁ〜、はっはっはぁ…。@今日は会う度に言われてて恥ずかしいっすよ…！」@ `"Ah, come on, hahaha...`@` It's embarrassing hearing that from every person I meet...!"`@ cl r,23 ld r,$RUD_DefA1,24 ;「おう、楼座。@遅かったな。@飛行機がダイヤ通りだったらギリギリってとこだったぜ…？」\ `"Hey, Rosa.`@` You're late.`@` If the plane was on time, you'd barely have made it..."`\ ld l,$ROS_defA1,80 ;「ごめんなさい。@列車の接続がうまく行かなくて。@何、また天候調査中なの？」@ `"I'm sorry.`@` We had some trouble making our train connection.`@` So, are we waiting on the weather again?"`@ ld c,$EVA_WaraiA1,23 ;「ボヤかないボヤかない。@船で６時間も揺られるくらいなら、飛行機でほんの３０分の方がずっとマシよぅ。@例え、１時間余計に待たされたって、全然早いんだからぁ。」\ `"Oh, don't complain.`@` I much prefer the 30 minute plane trip to spending six hours bouncing about on a boat.`@` Even if we're kept waiting here for an hour, it's still much faster overall."`\ ;＜絵羽 bg air_i1a,23 ld r,$HID_WaraiA1,24 ;「真里亞ちゃんも大きくなったでー！！@　今、身長いくつあるんや！」@ `"Maria-chan's gotten huge too!!`@` So, how tall are you now?"`@ ld l,$MAR_niyariA1,23 ;「うー！@　身長いくつあるんやー！」@ ;　秀吉伯父さんの質問をオウム返しにして、真里亞は母親に聞く。@ `"Uu-!`@` So, how tall am I now?!"`@ `Maria-chan parroted Hideyoshi oji-san's question, looking up at her mother.`@ br ;　自分でも今の身長がいくつかよく覚えてないらしいな。@ ;　育ち盛りの真っ只中だろうから、身長なんて毎月変わってるだろう。@ ;　もう数年もすりゃ、一気に女らしくなるんだろうよ。\ `I guess she doesn't remember her own height.`@ `She's probably right in the middle of a growth spurt, so her height must change every month.`@ `In just few more years, she'll probably start looking very feminine.`\ cl r,23 ld r,$ROS_WaraiA1,24 ;「えっと…、この間の身体測定でいくつって出たっけ。@これでも少しずつは伸びてるんですよ。@ねー？」@ `"Umm, ...how tall were you the last time you got measured...?`@` You keep getting bigger and bigger, don't you?`@` Right?"`@ ld l,$MAR_WaraiA1,80 ;「うー！」\ `"Uu-!"`\ bg air_i1b,0 ld r,$KIR_waraiA2,24 ;「去年よりもずっと成長したと思いますよ。@えっと、今年で９歳でしたっけ？」@ `"I think she's grown a lot since last year.`@` Let's see, she turned nine years old this year, didn't she?"`@ ;＜霧江 ld l,$MAR_DefA1,23 ;「９歳。@うー。」@ `"Nine years old.`@` Uu-."`@ ld r,$GEO_waraiA2,24 ;「そうだね、９歳だね。@真里亞ちゃんも元気そうでよかった！@/ `"That's right, you're nine years old now.`@` Glad to see you're doing well too, Maria-chan! `@/ ld r,$GEO_KomaruA1k,80 ;　よいしょ、/ ;!w700…んん、/ ;!w800もう高い高いをするにはちょっと重くなってきたかなぁ…。」\ `Up you...`/ !w700`...nng...`/ !w800`I guess you've gotten a bit too heavy to play airplane with..."`\ ;＜譲治 cl c,0 ld r,$BUT_WaraiA1,23 ;「うわ、譲治兄貴、そりゃあレディに失礼だろ。@ほれ、俺がやってやるぜ、高い高い〜。」@ `"George-aniki, what a rude thing to say to a lady.`@` Here, I'll do it...up ya go~..."`@ ld l,$MAR_KomaruA1,80 ;「……うー。」\ `"......Uu-."`\ ;　兄貴に代わって彼女を抱き上げてやろうとすると、真里亞はそれを拒絶するように身を固くし、俺の顔をしげしげと見て訝しがる。@ `When I went to lift her up in Aniki's place, Maria stiffened defensively, staring suspiciously at my face.`@ br ;　…あーそうだよな。@何しろ６年ぶりってことは、前に会ったのは真里亞が３歳の時だ。@ ;　俺の顔を覚えてるわけもねぇな。\ `...Ah, that's right.`@` The last time I met Maria, it was six years ago, and she was only three years old.`@ `Of course she doesn't remember my face.`\ bg air_i1d,0 ld l,$KIR_WaraiA1,24 ;「真里亞ちゃん、覚えてる？@　戦人くんよ。@一緒に遊んでもらったの忘れちゃった？」@ `"Maria-chan, don't you remember?`@` It's Battler-kun.`@` You used to play together, remember?"`@ ;＜霧江 ld r,$MAR_fukigenA1,24 ;「………うー。」\ `".........Uu-."`\ cl l,24 ld l,$RUD_DefA2,23 ;「無理だろ。@最後に戦人と会ったのは３つの時だぜ。@３つの時の記憶なんか残ってねぇよ。」@ `"No surprise, I guess.`@` The last time she met Battler, she was only three.`@` You don't keep memories at that age."`@ ;＜留弗夫 br ;　俺以外とは毎年会ってるから面識もあるだろうが、俺は６年ほど右代宮の家とは縁がなかった。@ ;　だから、９歳の彼女の記憶に残ってないのも無理はない。@ `She must know everyone's face apart from mine because she meets them every year, but I haven't had contact with the Ushiromiya family for about six years now.`@ `So, it's no surprise that this nine year old girl doesn't have any memories of me.`@ br ;　俺だって、３つの頃の泣き虫な彼女の記憶がおぼろげに残ってるだけだしな。\ `Even I can only just barely remember her being a three year old crybaby.`\ bg air_i1c,0 ld r,$ROS_DefA1,23 ;「真里亞。@戦人お兄ちゃんよ。@留弗夫兄さんの息子さん。@…わかる？」\ `"Maria.`@` This is Battler onii-chan.`@` Rudolf nii-san's son.`@` ...Understand?"`\ ;＜楼座 ld l,$MAR_KomaruA1,23 ;「…………兄さんの息子さんが。@兄さんが息子さん。@…………？？@　……うーーー！！」@ `"............The brother's son is...`@` The brother is the son...`@` ............??`@` ......Uuuu---!!"`@ br ;　そのうーという声は多分、ややこしい説明が理解できなくてパンクした音なんだろう。@ ;　ちょっと説明がややこしかったもんな。\ `She probably uses that 'uu-' sound to fill in the blanks when she can't understand a complicated explanation.`@ `I guess that was a bit too confusing for her.`\ ld c,$GEO_hohoemiA1,22 ;「真里亞ちゃん。@彼は戦人くん。@僕と同じ従兄だよ。」@ `"Maria-chan.`@` This is Battler-kun.`@` He's your cousin, like me."`@ ;＜譲治 ld l,$MAR_DefA1,80 ;「……譲治お兄ちゃんと同じ？@/ `"......Like George onii-chan?`@/ ;!s0　…/ ;!d200/ ;…/ !s0` ...`/ !d200/ `...`/ ;!d200…/ ; x7 !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ ;戦人？/ ;!sd@　従兄？@　……うー。」@ `Battler? `/ !sd@`Cousin?`@` ......Uu-."`@ ld c,$GEO_WaraiA2,80 ;「そう。@よくできたね。」@ `"That's right.`@` You got it."`@ ;＜譲治 br ;　こういう辺り、兄貴は本当にうまいなぁというか、大人だなぁと思う。@ ;　未婚のくせに子供のあやし方が完璧過ぎる。@さぞや将来、子煩悩な父親になるだろうな。\ `This part of Aniki is what makes me really look up to him.`@ `For someone who isn't married, he's just great at dealing with kids.`@` I'm sure that he'll be an indulgent father in the future.`\ cl a,0 ld r,$MAR_fukigenA1,22 ;「…戦人お兄ちゃん？」@ ;　その呼び名でよいのかという風な目つきで、真里亞が俺をじっと見ている。\ `"...Battler onii-chan?"`@ `Maria looked straight at me with a questioning expression, as though asking whether it was alright to call me that.`\ ld l,$BUT_DefA1,23 ;「おうよ、俺が戦人だ。@よろしくな、真里亞！」@ `"Yep, that's me, Battler.`@` Nice to meet you, Maria!"`@ ld r,$MAR_niyariA1,80 ;「うー！@　戦人！」@ `"Uu-!`@` Battler!"`@ cl l,23 ld l,$ROS_majimeA1,24 ;「こら、真里亞！@　呼びつけじゃ駄目でしょ、戦人お兄ちゃんと呼びなさい…！」\ `"Maria!`@` You mustn't talk to him like that! Call him Battler onii-chan...!"`\ bg air_i1b,0 ld r,$BUT_WaraiA2,23 ;「いいっすよ楼座叔母さん。@細かいことは気にしないっすから。@なー、真里亞ぁ！@　俺とお前は名前を呼びつけ合う仲だもんなぁ？！」\ `"That's alright, Rosa oba-san.`@` I don't sweat the small stuff.`@` Hey, Maria!`@` We're close enough that we don't need honorifics, right?!"`\ ld l,$MAR_WaraiA2,23 ;「戦人戦人ばとらー！@　うーうー！」@ `"Battler, Battler, Battleeerrr!`@` Uu-uu-!"`@ ld r,$BUT_WaraiA1,80 ;「おうよ、真里亞真里亞まりあー！@　うーうー！！」\ `"That's right, Maria, Maria, Mariaaa!`@` Uu-uu-!!"`\ se1 3 cl l,24 quakex 3,500 seplay 2,3 cl r,24 quakex 3,500 ;　６年のブランクを埋め合うように、しばらくの間、俺たちはくるくるとじゃれ合った。@ `We horsed around for a while to make up for the six year gap in our friendship.`@ br ;　彼女にとっては、未だ初対面のデカい兄ちゃんという域を出ないだろうが、その辺はゆっくり交流していけばいいさ。\ `She probably still thinks of me as nothing more than a big, new friend, but things'll probably work out as we get to know each other again.`\ ;　いやしかし驚いたな。@俺の中に残っていた６年前の彼女の記憶とまんま変わらない。@ ;　やっぱり人間はそうそう変わるもんじゃないんだな。@イメージ通りのままの無垢な彼女でいてくれて少し嬉しい。\ `But I'm surprised.`@` She's just the way I remembered her being six years ago.`@ `Seems that people just don't change that much after all.`@` I'm a bit happy that she's still the pure, innocent girl I remember.`\ cl a,0 ld c,$MAR_niyariA2,22 ;†　ここで真里亞の情報閲覧が可能に〜〜〜〜 mov ?r[mar][condition],1 seplay 9,1060 ;　彼女の名前は、右代宮真里亞。@ ;　…真里亞は読めるよな？@　“マリア”と読む。@ ;　亞の字が十字架っぽいのがちょいとオシャレな感じだ。@ `Her name is written 真里亞.`@ `...Of course, 真里亞 is pronounced 'Maria'.`@ `The third character looks like a cross, which is pretty cool.`@ br ;　感情をあまり顔に出さないので、何を考えてるのかわかりにくいが、それはあくまでも表情だけの問題だ。@ ;　内面は人懐っこい普通の女の子と変わりない。\ `Her feelings don't usually show up on her face, so it can be difficult to know just what she's thinking, but that's just how she looks on the outside.`@ `On the inside, she's just a sweet, normal girl.`\ bg air_i1d,0 ld c,$ROS_WaraiA1,24 ;ここで楼座の情報閲覧が可能に〜〜〜〜 mov ?r[ros][condition],1 seplay 9,1060 ;　そして、真里亞の母親の、楼座叔母さん。@ウチの親父の妹に当たる。@ `Then there's Maria's mother, Rosa oba-san.`@` She's my dad's younger sister.`@ br ;　楼座でローザと読む。@…これじゃ丸っきり外人だぜ。@ ;　失礼だが、ウチの親父の留弗夫と双璧を成すとんでもないネーミングさ…。@にも関わらず、親父と違って捻くれなかった叔母さんは偉い。\ `Rosa is written 楼座.`@` ...Here's a name that's totally not Japanese.`@ `Sorry to say it, but her name's almost as ridiculous as Dad's...`@` I've got to respect her for not ending up as screwed up as he is.`\ ;　…思えば、親兄弟の名前はみんな外人めいたものだ。@ ;　祖父さまの趣味なんだろうか。@ `...When I think about it, all the names in my family sound foreign.`@ `Just why is Grandfather so obsessed with this?`@ br ;　そのお陰で孫の俺らまで迷惑してるんだけどな。@ ;　その癖、祖父さまの名前は普通に日本人っぽかったりするから腹立たしいぜ？\ `Because of him, even us grandchildren have to put up with this weird naming sense.`@ `It's even more annoying since Grandfather's own name is perfectly normal.`\ ;　しかし、楼座叔母さんは他の親類と比べ、ほっとするところがある。@ `Anyway, there's one thing about Rosa oba-san that's a relief compared to the other family members.`@ br ;　クソ親父や絵羽伯母さんには、人をからかったりおちょくったりしようとする、妙な性分があるが、@同じ血を引くにも関わらず楼座叔母さんにはそういうところはない。@ `The old bastard and Eva oba-san have this annoying urge to tease and mock people all the time, `@`but even though she shares their blood, Rosa oba-san isn't like that at all.`@ br ;　親兄弟の中では一番の常識人なのだ。\ `She has the most common sense among all the siblings.`\ ;　秀吉伯父さんと同じで、いつも子供の味方でいてくれるやさしい叔母さんだ。@ `Like Hideyoshi oji-san, she's a kind aunt who'll always be on the kids' side.`@ br ;　……ただ、教育的には厳しいのか、秀吉伯父さんのように小遣いの気前が良かったりはしないのだけが残念だぜ。\ `......However, possibly because she's more strict as a parent, she's not liberal with handing out spending money like Hideyoshi oji-san.`\ bg black,2 !w1000 bg air_i1a,6 ;　さて。@これで飛行機に乗る親族は全員揃った。\ `Alright.`@` Now we have the entire group of family members who are going to board the plane.`\ ;　まるでそれを見届けたかのようなタイミングで、ロビーに放送があった。\ `Then, as though it had waited for us all to gather, an announcement rang out through the lobby.`\ ;「お待たせしました。@新島行き２０１便の搭乗をこれより開始いたします。@ご搭乗のお客様はカウンター前の、白線前に２列でお並び下さい。」\ `"Our apologies for the wait.`@` Boarding will now commence for flight 201 to Niijima.`@` We ask that the passengers please form two lines in front of the counter, behind the white line."`\ ld r,$RUD_DefA1,24 ;「楼座、搭乗手続きまだだろ、急げ急げ。」@ `"Rosa, you still haven't gone through boarding procedures, right?`@` Hurry up."`@ ;＜留弗夫 ld l,$ROS_KomaruA1,23 ;「いけない…！@　真里亞、いらっしゃい！」@ `"Oh no...!`@` Maria, come on!"`@ ld c,$MAR_defA1,23 ;「うー！」\ `"Uu-!" `\ bg black,23 ;　滑走路に出る前に金属検査を受ける。@ `We had to go through a metal detector before going out on the runway.`@ br ;　国際線のような物々しさはなかったが、小型機とはいえ一応は飛行機だ。@ ;　金属探知機を持った職員にボディチェックを受ける。\ `Our small plane wasn't as massive as an international flight, but it was still a plane.`@ `A staff member holding a metal detector checked us all.`\ bg white,2 meplay 1,1 bg airp_o2a,6 ;　並んだ全員がチェックをクリアすると、職員の先導で滑走路に出た。\ `Once all of us cleared the check, we followed the staff member out onto the runway.`\ ;　その行列を見てみると、何だ何だ、右代宮一族しかいないぜ。@ ;　これじゃまるで、貸切のチャーター機みたいじゃないか。\ `Come to think of it, everyone here is in the Ushiromiya family.`@ `It's like this is a reserved charter flight or something.`\ bg white,24 bg airp_o2b,24 ;　飛行機の搭乗口前で行列は停まる。@ ;　先導の職員は振り返り、名簿を見ながら言った。\ `Our group stopped in front of the entrance to the airplane.`@ `Then, our guide turned around and spoke, looking down at the passenger list as he did.`\ ;「それではこれよりご搭乗となります。@名簿をお読み上げいたしますので、@前方の座席右側から順に、右、左、次の列の右、左と詰めてお座りになってください。@それではお読み上げいたします。@右代宮秀吉さま！」\ `"Boarding will now commence.`@` As I call out the names on the passenger list, `@`please take your the seats in order, starting from the front row on the right side and going right to left, then onto the next row.`@` I will now begin reading the passenger list.`@` Ushiromiya Hideyoshi-sama!"`\ ld r,$HID_DefA1,24 ;「わしからか！@　はい！@　…そうだ絵羽、飴玉あるか？@　さっきから探してるんだが見付からないんや。」\ `"Oh, I'm first!`@` Right here!`@` ...By the way, do you have some candy, Eva?`@` I've been lookin' all over for some, but I can't find any."`\ ;「右代宮絵羽さま。」\ `"Ushiromiya Eva-sama."`\ ld l,$EVA_DefA1,24 ;「ハンドバッグの中よ。@機内に入ったら出すわ。」\ `"They're in the handbag.`@` I'll get one once we're inside the plane."`\ bg airp_o2a,23 ;　離着陸の時の気圧の変化で耳が痛むのの予防に、飴玉がいいとかいう噂を聞いたな。@ ;　それのことだろう。\ `I've heard that candies are a good way to protect your ears from hurting because of variations in atmospheric pressure when landing or taking off.`@ `That's probably what they're talking about.`\ ld r,$BUT_WaraiA1,24 ;「…俺の席、窓際だといいなぁ！」@ `"...Hope I get a window seat!"`@ ld l,$GEO_WaraiA1,23 ;「ははは、大丈夫だよ。@窓際席しかないもん。」@ `"Hahaha, don't worry.`@` There aren't any other kinds of seats."`@ ;＜譲治 br ;　譲治の兄貴が言うには、座席が２列しかないらしい。@ `As George-aniki said, there were apparently only two lines of seats.`@ br ;　さっすが小型機…。@………本当に揺れねぇだろうなぁ…？\ `So, this is what a small plane is like...`@` .........It isn't really going to shake, right....?`\ bg airp_o2b,24 ;「右代宮譲治さま。」\ `"Ushiromiya George-sama."`\ ld r,$GEO_DefA1,24 ;「はい。@大丈夫だよ戦人くん。@あんまり揺れないから。」\ `"Right here.`@` Don't worry, Battler-kun.`@` It won't shake too much."`\ cl r,24 ;「右代宮戦人さま。」\ `"Ushiromiya Battler-sama."`\ ld l,$BUT_KomaruA1,24 ;「あ、兄貴、あんまりってどのくらいだよぉ？！@　船から落ちても泳げるからいいが、飛行機は墜ちたらそれでおしまいなんだぜー？！@　もちろん客席にはパラシュートがあるんだろ？@　え、ねぇのッ？！」\ `"A, Aniki, what do you mean 'not too much'?!`@` You can just swim if you fall from a boat, but if a plane crashes you're screwed, right?!`@` We all get our own parachutes in our seats, don't we?`@` Wait, we don't?!"`\ ;「右代宮留弗夫さま。」\ `"Ushiromiya Rudolf-sama."`\ ld c,$RUD_DefA1,24 ;「おら、戦人、感動してねぇでとっとと奥行け。」@ `"Come on, Battler, quit being a wuss and get in."`@ cl l,80 quakey 3,300 ;「痛ぇよ親父！@　押すなって！@　パラシュートがねぇんだよ！」\ `"Ow! Dad!`@` Don't push me!`@` We don't get parachutes!"`\ ;「右代宮霧江さま。」\ `"Ushiromiya Kyrie-sama."`\ ld r,$KIR_futekiA1,24 ;「ほら、仲良くジャレてないの。@進む進む。」@ `"Alright, stop fooling around.`@` Let's move along."`@ ld c,$RUD_odorokiA1,80 ;「痛ぇよ霧江！@　押すなって！@　ボンクラが進まねぇんだよ！」\ `"Ow! Kyrie!`@` Don't push me!`@` This blockhead isn't moving!"`\ cl a,24 ;「右代宮真里亞さま。」\ `"Ushiromiya Maria-sama."`\ ld c,$MAR_defA1,24 ;「うー！@　進む進む！」\ `"Uu-!`@` Move, move!"`\ cl c,24 ;「右代宮楼座さま。」\ `"Ushiromiya Rosa-sama."`\ ld r,$ROS_nayamuA1,24 ;「こら、真里亞！@　静かにしなさい…。」\ `"Maria!`@` Be quiet."`\ cl r,24 bg black,24 mov %ryuu1,70 for %ryuu1 = 70 to 100 mevol 1,%ryuu1 wait 100 next bg airp_i1a,8 ;「こちらは機長の川畑です。@本日は新東京航空２０１便をご利用いただき、誠にありがとうございます。@新島空港までは約２０分のフライトの予定です。@上空の気流が乱れているとの報告が入っています。@多少の揺れがあるかもしれませんので、離陸後もシートベルトは外さないようにお願いいたします。」\ `"This is your pilot, Kawabata.`@` We'd like to thank you for taking New Tokyo Aviation's flight 201 today.`@` We estimate that the flight to Niijima airport will take about 20 minutes.`@` We are receiving reports of atmospheric turbulence.`@` There might be some shaking of the aircraft, so we ask that you do not unfasten your seat belts after takeoff."`\ bg airp_i1b,24 ;「あ、兄貴ぃ、シートベルト外しちゃいけない揺れって何だよ？！@　ジャンボ機なら、離陸後はシートベルト外せるぜぇ？！@　それが外しちゃいけないってどんな揺れだよ〜お？！@　くそー、騙されたぁ、何が揺れないだぁ！@　パラシュートはどこだよ？！@　やっぱり俺は船がよかったああぁあぁー！！」\ `"A, Aniki, did that guy just say we needed to wear seatbelts?!`@` In a jumbo jet, they let you undo them after takeoff, right?!`@` So it's gonna shake so much we can't take them off?!`@` Dammit, you tricked me! It is going to shake after all!`@` Where are the parachutes?!`@` I knew I should've taken the boooooaaaaat!!"`\ skipoff textoff bg black,22 fede 0,2000 wait 1000 bgmplay 4 textoff mov %free1,8000 bg black,24 bg OP0101,2 wait %free1 wait 2000 bg white,24 bg OP0102,2 wait %free1 bg white,24 bg OP0103,2 wait %free1 bg white,24 bg OP0104,2 wait %free1 bg white,24 bg OP0105,2 wait %free1 bg white,24 bg OP0106,2 wait %free1 bg white,24 bg OP0107,2 wait %free1 bg white,24 se1 28 bg OP0108,2 wait %free1 wait 3000 bg white,2 fede 0,7000 ;■機内シーン。@スクリプトによるムービー的演出。@ ;※ムービーとの調整によるが、スタッフ等の表示を。@第１話名の表記など。@ ;※シーン的には、機内〜飛行中〜新島空港 *umi1_1 ;■新島港 textoff bg air_o2a,8 ;E_A wait 1000 bg air_i2a,2 bgmplay 2 ;「………やっぱ船だよな…、/ `".........Should've taken the boat...`/ ;!d900……船……。」\ !d900`......the boat......"`\ ld r,$MAR_WaraiA2,24 ;「墜ちるー！@　墜ちるー！@　うーうーうーうー！！」@ `"Faaalll!`@` Faaalll!`@` Uu-uu-uu-uu-!!"`@ ld l,$ROS_nayamuA1,23 ;「真里亞、もういい加減になさい！@/ `"Maria, that's enough! `@/ ld l,$ROS_WaraiA1,80 ;……でも意外ねぇ。@戦人くん、てっきり怖い物なしだと思ってたら。」\ `......But what a surprise.`@` I thought there was nothing that could scare Battler-kun."`\ bg air_i2b,0 ld r,$RUD_WaraiA1,24 ;「こいつ、昔から乗り物がなぜかダメでさぁ。@二言目には、墜ちるだの沈むだの。@なっさけない男だなぁ、お前ぇは。」@ ;＜留弗夫 `"This guy can't handle vehicles for some reason.`@` Always yells about falling and sinking and stuff.`@` You're a disgrace of a man, you are."`@ ld l,$BUT_odorokiA2,23 ;「……うるへー。@ありゃぁさすがに揺れすぎだろ…。@小型機乗るのは初めてだったからちょいと堪えちまっただけだぜ…。」\ `"......Ah, shut up.`@` That thing was seriously shaking way too much...`@` I just got a little stressed, since it was my first time on a small plane like that..."`\ cl r,23 ld r,$EVA_akireA1,23 ;「あの大騒ぎでちょいとなのぉ？@　うふふふ、戦人くんとは海外旅行を一緒に行くと賑やかそうねぇ。@伯母さんとエジプトとか行かない？@　１４時間も飛行機に乗れるわよぅ？」@ ;＜絵羽 `"You call that 'a little stressed'?`@` Heheheh, sounds like it'd be fun to take an overseas vacation with you, Battler-kun.`@` Would you like to go to Egypt with your aunt?`@` You'd get to ride a plane for a full 14 hours?"`@ ld c,$KIR_komaruA1,24 ;「あっははは！@　いい提案ね。@戦人くん、絵羽姉さんに少し鍛えてもらいなさいよ。@それにしてもおっかしい！@　あっはははは！」\ ;＜霧江 `"Ahhahaha!`@` There's a good plan.`@` Battler-kun, you should go let Eva nee-san toughen you up some.`@` Still, it's so hilarious!`@` Ahhahahaha!"`\ bg air_i2a,0 ld r,$HID_WaraiA2,23 ;「わっははは、こらこら、人間誰しも得手不得手はあるもんや。@そない笑ぅたら悪いで。@わっはははは…！」@ `"Wahhahaha, now, now.`@` Everyone's got their own strong and weak points.`@` It's bad to laugh at 'em.`@` Wahhahaha...!"`@ ld l,$GEO_KomaruA1,23 ;「と、父さんも笑うのは悪いよ。@ほら、真里亞ちゃんももう笑っちゃダメ。」@ ;＜譲治 `"D, Dad, you're laughing too.`@` Hey, Maria-chan, you shouldn't laugh anymore."`@ ld c,$MAR_DefA1,22 ;「もう笑っちゃダメ？@　うー！」@ `"Shouldn't laugh anymore?`@` Uu-!"`@ br ;　畜生畜生！@　飛行機が苦手なのがそんなに悪いかよ。@ `Gyah, dammit!`@` Is being scared of planes really such a big deal?`@ ;　みんなが俺のことをウドの大木とか思ってるのが丸わかりだぜ…。@ちぇ！\ `Everyone obviously thinks I'm a big oaf now...`@` Tch!`\ textoff bg white,24 bg car_i1a,24 wait 3000 bg white,24 fede 0,2000 meplay 1,2 bg ship_P1a,26 ;　空港からタクシーに分乗し、俺たちは港にやって来た。@ `We split up and took separate taxis from the airport to the harbor.`@ ;　ここから船で島まで向かうのだ。\ `From there on, we would be taking a boat to the island.`\ ;　すぐ隣の島だから大した距離じゃない。@ `The islands are right next to each other, so the distance of the trip wasn't that great.`@ ;　船でのんびり３０分くらいってとこだ。\ `By boat, it was a leisurely 30 minutes to the island.`\ ;　島へ向かう船が停泊している埠頭へ行くと、手を振っている人影が見えた。\ `After going to the pier where the boat to the island is anchored, we saw a silhouette waving its hand.`\ bg ship_P1b,24 fede 0,2000 ld c,$JES_DefA1,22 bgmplay 11 ;「譲治兄さんー！@　お久しぶりだぜー！！」\ `"George nii-saaan!`@` It's been so frickin' long!!"`\ cl c,0 ld l,$JES_DefA1,0 ld r,$GEO_waraiA1,24 ;「やぁ、朱志香ちゃん、１年ぶりだね！@　背、また伸びたんじゃないかい？」@ `"Ah, Jessica-chan, it's been a year since I saw you!`@` You've gotten taller again, haven't you?"`@ ld l,$JES_WaraiA1,80 ;「きゃっはは、よしてくれよー、毎年言われんのは恥ずかしいぜ！」\ `"Kyah-haha, don't gimme that, it's embarrassing when you say that every year!"`\ ;「……お、おいおい兄貴、ウソだろ。@こいつが本当に朱志香なのかよ！」@ `"......H, hey, Aniki, you've gotta be kidding me.`@` That's really Jessica?!"`@ ld l,$JES_odorokiA1,80 ;「ってことは譲治兄さん…。@このデカブツ、/ `"Wait a sec, George nii-san...`@` This big guy, `/ ;!d600…戦人なのかよ？！」\ !d600`...is Battler?!"`\ ;　お互い、まじまじと相手を観察し合う。@ `We both stared each other down.`@ br ;　…俺の記憶の中にこんな姉ちゃんの姿はないが、このひでぇ言葉遣いははっきり残っていた。\ `...She definitely didn't look like that in my memories, but I do remember her #86ef9ccrazy way of talking#ffffff.`/ mov ?grim[4][grim_flg],1 mov %r_hyouji_grim,4 \ cl r,23 ld r,$BUT_waraiA1,24 ;「いよぉ朱志香ぁ！@　何だよお前！@　ウソだろ、なぁに女みたいな格好してんだよッ！@　何だよこれ、乳かよ、お前にも胸なんか出来たのかよ！@　いっひっひ、揉ませろ揉ませろ〜ぃ！」\ `"Yo, Jessica!`@` What's this now!`@` You're kidding me, you look like a woman now!`@` What're these, boobs? Even you managed to get a chest!`@` Ihihi, let me rub 'em, let me~!"`\ cl a,0 ld c,$JES_AkuwaraiA1,23 ;「ふざけやがれ、私ゃ花も恥らう１８だぜ！@　髪だって伸びりゃあ出るとこだって出るぜぃ！@　てめぇに揉ませる乳なんざあるもんかぃ！@　戦人こそ何だよ、バカみてーに図体だけデカくなりやがって！！@　ちったぁ腕力付いたのかぁ？！」\ `"Don't screw around with me, I'm a blushing flower of 18!`@` Just like hair grows out, so'll other stuff!`@` You think I got boobs just so you can go and rub 'em, loser!?`@` And what about you, Battler? You got all ridiculously big only physically!!`@` Did you get a little stronger?"`\ ;「ざけんじゃねぇ、あれからどれだけ鍛錬積んだか思い知らせてやんぜ！！」@ `"Don't screw with me, I'll show you how much training I've piled up since back then!!"`@ ld c,$JES_WaraiA1,80 ;「うぜーぜ！！@　返り討ちだー！」\ `"You're pissing me off!!`@` I'll beat you at your own game!"`\ ;†　ここで朱志香の情報閲覧が可能に〜〜〜〜 mov ?r[jes][condition],1 seplay 9,1060 ;　この上等なヤツは、右代宮朱志香。@ `This headstrong girl's name is 朱志香.`@ br ;　……俺と同じく不幸な星の下に生まれ、妙なネーミングを付けられた不憫な仲間だ。@ `......She was born under the same unlucky star as me, sharing the same kind of weird name.`@ ;　何しろ、朱志香で“ジェシカ”と読む。\ `Anyway, 朱志香 is pronounced 'Jessica'.`\ meplay 1,2 ;　彼女は俺の親父の兄の娘に当たる。@ `She's Dad's older brother's daughter.`@ br ;　その兄が右代宮家の長男坊になるので、一応、朱志香は右代宮家直系の跡取り娘ってことにもなるわけだな。\ `That older brother happens to be the oldest son of the Ushiromiya family, so for now, it means Jessica is the direct heir of the Ushiromiya family.`\ ;　朱志香とは歳が同じということもあって、あと異性同士のいがみ合いみたいなのもあって、@昔っから親類で集まる度に喧嘩し合いながらじゃれ合う仲だった。\ `Since Jessica and I are the same age and sometimes had little boy-girl squabbles with each other, `@`we've always been used to fighting and joking around together whenever the relatives gather.`\ ;　朱志香の方が成長が早かったこともあり、体格や腕力はいつも負けていたっけな。@ `Jessica grew more quickly, so she always had me beat in terms of size and physical strength.`@ ;　だから、こうやって取っ組み合いの力比べになったら、大抵は朱志香のペースだったもんだ。@ `So, when we scuffled as a contest of strength, it usually went Jessica's way.`@ br ;　だから、こうして俺の方が大柄になったことがはっきりわかっていても、未だ腕力では朱志香に勝てないような錯覚がしちまう。\ `So even though I clearly understand that I'm bigger now, I still feel like I can't win against Jessica with my strength.`\ ld c,$JES_OdorokiA1,80 quakey 4,1000 ;「…………ぅお…お…！@　何だよ、何、マジになってんだよ…！@　痛ててて…。」@ `".........Woh...ah...!`@` What the...what're you getting all serious for...?!`@` Owowow..."`@ ;「おいおいおい、全然力入れてねぇぜぇ？@　朱志香お前、貧弱になっただろ。」@ `"Hey hey hey, this is nothin'!`@` Jessica, you've gotten weak."`@ ld c,$JES_KomaruA1,80 ;「う、うるせーぜ。@こちとら女やってんだ。@いつまでも腕力で男に勝てるわけねーだろ！」\ `"Sh, shut up.`@` I'm a woman, `@`so there's no way I could beat a man with physical strength forever, right?!" `\ bg sky_1a,25 ;「ま〜そりゃあそうだよなぁ！@　俺が腕に付けた分の肉をお前は胸に付けたんだもんなぁ〜。@俺の腕とお前の乳ならちょうどいい力比べになりそうじゃねぇのか〜？！」\ `"Weeelll, that's certainly true!`@` The meat I put on my arms all went to your che~st.`@` It looks like it'd be a pretty even test of strength between my arms and your boobs, don't you thi~nk?!"`\ ;「だからお前ぇに揉ませる乳はねー！！@　それよりお前こそどうなんだよ、身長同様、可愛いゾウさんもちったぁ大きくなったのかぁ〜？！」@ `"I told you, my boobs aren't for you to feel up!!`@` Besides, how 'bout you? Did your cute lil' elephant-san get a bit bigger to go with the rest of you?!"`@ ;「バカやめろイヤン、痴女ぉお嫁に行けなくなるぅうぅ、股間触んないでぇ〜！！」@ `"Stop it, idiot! Nooo, you perv!`@` I'll be ruined for marriage...don't touch my cro~tch!!"`@ ;「ひ、人様が聞いて誤解すること言うんじゃねぇえーッ！！」\ `"D, don't say stuff people are gonna misinterpret!!"`\ ;　正直なところ、こうして馬鹿騒ぎをして誤魔化さなきゃならないほど、女らしく成長した朱志香に驚いていた。@ `Honestly, I was so surprised at how feminine Jessica has become that I had to seriously horse around to hide it.`@ br ;　……そりゃそうさ、６年前のガキ大将っぷりを思い出しゃあ、誰だって驚くはずさ。\ `......That's right, considering what a bossy brat she was six years ago, anyone would be surprised.`\ ;　もっとも、それは朱志香もだろうよ。@ `And I guess she's just as surprised.`@ ;　腕力じゃ未だ負ける気がしなかったんだろう。@ `She definitely wasn't expecting she'd lose to me in a test of strength.`@ br ;　それがあっさりと負けちまったもんだから、向こうも俺がこの６年であまりに成長したことに驚いてるはずだ。@ `After losing that easily, she must be shocked at how much I've grown in the past six years.`@ br ;　………６年か。@改めて俺は、短くない年月の空白を思い知る。\ `......Six years.`@` Once again, I'm being shown just what a huge gap of time that was.`\ bg ship_P1b,0 ld c,$JES_OdorokiA1,26 ;「やれやれ…、完敗だぜ。@こりゃーもう、私じゃ敵わねぇなー。」@ `"Crap..., total defeat.`@` It's like I'm no match for you anymore."`@ ld l,$GEO_hohoemiA1k,23 ;「そんなことないよ。@戦人くんにもきっと弱点はあるよ。@ね、真里亞ちゃん。」@ `"That's not true.`@` Even Battler-kun must have his weaknesses.`@` Right, Maria-chan?"`@ ld r,$MAR_defA1,22 ;「うー！@　墜ちるー墜ちるー！！」@ `"Uu-!`@` Faaall, faaall!!"`@ ;「ちょッ、バカよせ、真里亞ぁ〜、それはナイショにしようなぁ？」\ `"Shh, cut it out Maria~, let's keep that a secret, okay?"`\ ld c,$JES_KomaruA1,80 ;「おちるー？@　何だそりゃ。」@ `"Fa-ll?`@` What the hell's that?"`@ ;「へっへー！@　生憎だが、この弱点は朱志香にゃもう晒さないぜぇ？@　何しろ、悪夢の空路はもう終わっちまったんだからな！@　あとはのんびりチャポチャポとお船の旅さぁ。@あのオンボロ漁船がこれほど恋しくなるとは思わなかったぜ。@いっひっひ！」\ `"Heheh!`@` Sorry, but there's no chance Jessica'll be able to see that weakness of mine now!`@` After all, the nightmare plane trip is already over and done with!`@` Only thing left is the nice, quiet splashing of the boat trip.`@` I never thought I'd start loving that piece-a-junk boat this much.`@` Ihihi!"`\ ld c,$JES_tohohoA2,80 ;「あーん？？？@　譲治兄さん、こいつ、頭どうかしたのか？」@ `"Hu-h????`@` George nii-san, is there something wrong with his head?"`@ ld l,$GEO_WaraiA1k,80 ;「すぐにわかるよ。@すぐにね。」@ `"You'll understand soon.`@` Very soon."`@ br ;　兄貴のにやにや笑う意味を、俺はこの時点では理解できずにいるのだった…。\ `At the time, I didn't understand what Aniki meant by that big smile...`\ bg ship_P1c,3 E_MA bgmplay 5 ld c,$KUM_WaraiA1,24 ;「これはこれは……、はぁー！@　戦人さんも大きくなりまして…！」@ `"What have we here..., oooh!`@` Battler-san, how big you've grown...!"`@ ;　今度は誰だ。@割烹着姿の婆さんだった。@ `Who's it this time?`@` It's an old lady with an apron.`@ br ;　………お、おうおう、懐かしいぜ、思い出した！\ `.........Oh, oh yeah, that takes me back...I remember now!`\ bg ship_P1b,0 ld l,$GEO_DefA1,24 ;「戦人くん、覚えてるかい？@　ほら、お手伝いの熊沢さんだよ。」@ ;＜譲治 `"You remember her, right?`@` Look, it's one of the servants, Kumasawa-san."`@ ld r,$BUT_WaraiA1,24 ;「熊沢の婆ちゃんは忘れねぇぜ！@　何しろ、この６年、ちっとも老けちゃいねぇぜ〜。@むしろ若返ったんじゃねぇの〜？」\ `"How could I forget Kumasawa baa-chan!`@` Anyway, you haven't aged a bit in these past six years.`@` Wait, you haven't gotten younger, have you~?"`\ cl l,24 ld l,$KUM_defA2,23 ;「ほっほっほ！@　最近はお肌がぴちぴちしてきちゃってぇ〜！@　ほぅら胸もますますに大きくなっちゃいましたんですよ？@　…揉んでみますぅ？」@ `"Hoh-hoh-ho!`@` Lately, my skin has been getting all smooth and silky!`@` And look, hasn't my chest gotten even bigger as well?`@` ...Want to try rubbing it?"`@ ld r,$BUT_KomaruA1,80 ;「ご、ご冗談んん！@　俺が揉みたいのはピチピチした姉ちゃんの胸限定だぜ！」@ `"V, very funny!`@` My breast rubbing is strictly limited to bouncy girls!"`@ ld l,$KUM_WaraiA2,80 ;「私とて、若い日にはそれはピチピチしておりましたよ〜？@　ほらほら、ぜひどうぞお揉みくださいませぇ！」@ `"Even I had some bouncy ones in my youth, you know~?`@` Now, now, please feel free to have a go!"`@ ld r,$BUT_AseruA1,80 ;「ひょお、勘弁してくれよー！@　若い姉ちゃんだ若い姉ちゃん！@　熊沢の婆ちゃんじゃねぇよー！」\ `"Gyah, gimme a break!`@` It's girls I'm looking for!`@` Not grannies!"`\ ;　朱志香との悪ふざけをすっかりなぞり返されてしまった。@そういや、昔っからよくからかう人だったっけなぁ！\ `The jokes I'd cracked about Jessica were being used against me.`@` Come to think of it, Kumasawa has always been the type to tease people.`\ bg ship_P1c,0 ld l,$RUD_akuwaraiA1,23 ;「おいおい、よせよ熊沢さん。@棺桶に半分足突っ込んだ人がはしゃいじゃいけねぇぜ。」@ ;＜留弗夫 `"Kumasawa-san, stop that now.`@` People with one foot in the coffin shouldn't jump around."`@ ld r,$KUM_defA2,24 ;「若い方とじゃれるのが、何よりの若返りの薬ですよ。@ほっほっほ！」\ `"To sport with the young is the best rejuvenation medicine.`@` Hoh-hoh-ho!"`\ cl l,24 ld l,$EVA_akireA1,24 ;「熊沢さんが迎えに来るなんて珍しいじゃない。@どういう風の吹き回しかしらぁ？@　用事を頼まれるといつも腰痛になるあなたが。@くすくす。」@ ;＜絵羽 `"It's rare for Kumasawa-san to come pick us up.`@` Now, I do wonder why?`@` Whenever you're entrusted with something to do, your lumbago always kicks in.`@` *snicker*."`@ ld r,$KUM_DefA1,80 ;「ほっほっほ、絵羽さまは相変わらず手厳しゅうございます。@急なお買い物がありましたもので、そのついでに皆様のお迎えをしようと思いまして。@もっともお迎え待ちの老いぼれのお迎えでは景気もお悪いでしょうが。@ほっほっほ…！」\ `"Hoh-hoh-ho, Eva-sama, you are harsh as usual.`@` I found myself with some urgent purchases to make, and while I was at it, I thought I would come welcome you all.`@` Although, it does give a bad impression if the one waiting to greet you is a decrepit old woman.`@` Hoh-hoh-ho...!"`\ ;　さらりと嫌味を言う絵羽伯母さんだが、熊沢の婆ちゃんはさすがに年季が入ってる。@ `Eva oba-san spoke sarcastically, but Kumasawa baa-chan's years of experience were nothing to sneeze at.`@ ;　さらりと涼しげに受け流して見せるぜ。@ `She was more than capable of smoothly and coolly letting that comment slide.`@ br ;　まぁ、こう言っちゃ何だが、熊沢の婆ちゃんは使用人としてはもう旬を過ぎているかもしれない。@ `Well, I'd rather not say it, but old Kumasawa baa-chan may be past her prime as a servant.`@ ;　元気そうには振舞ってるが、頭痛だの腰痛だのと体はボロボロ。@正直なところ、まだ勤めてるってだけでも大したもんなくらいさ。\ `She might act as though she's in good health, but between the headache and the lumbago, her body is wearing out.`@` To tell the truth, the very fact that she's still working is impressive.`\ ;　…今年でいくつだったっけ？@　 `...How old is she this year again?`@ br ;　下手すりゃ８０にも届くはず。@ `She must be pushing eighty at least.`@ ;　それでこれだけ元気に振舞えるんだから恐れ入るぜ。\ `It's incredible that she's still able to act so brightly.`\ cl l,24 ld l,$ROS_waraiA2,23 ;「ますますにお元気なようで。@そうだ、これ。@前に話してたお茶です。@ほら、買ってきました。@後で飲んでみてください。」@ ;＜楼座 `"You just seem to get more and more lively.`@` Oh, that's right, here you are.`@` It's the tea I told you about before.`@` Look, I bought you some.`@` Please do try it later on."`@ ;　楼座叔母さんは荷物からお土産の入った袋を出して見せる。@ `Rosa oba-san took a souvenir bag out from her suitcase.`@ br ;　昨年に会った時にしたらしい約束をちゃんと覚えていて律儀にそれを買ってくるとは。@…こういう辺りの律儀さは楼座叔母さんらしい。@ `To think that she remembered the promise that she had apparently made last year and faithfully bought it.`@` ...This sort of thoughtfulness was just like Rosa oba-san.`@ ;　約束は忘れず、そして破らない人だ。\ `She wasn't the kind of person who would forget or break a promise.`\ ld r,$KUM_WaraiA1,80 ;　熊沢の婆ちゃんは一年前の約束を覚えていたばかりか、使用人である自分にまで土産を持ってきてくれたことにとても感激しているようだった。\ `Whether or not Kumasawa baa-chan remembered this year-old promise, she seemed deeply touched by the fact that someone would bring a gift to a simple servant like her.`\ ;†　ここで熊沢の情報閲覧が可能に〜〜〜 mov ?r[kum][condition],1 seplay 9,1060 ;　彼女は、熊沢チヨさん。@ `This woman is Kumasawa Chiyo-san (熊沢 チヨ).`@ br ;　右代宮本家にもう何年も勤めてる古参の使用人だ。@ `She's a senior servant who's been working for the Ushiromiya head house for many years.`@ ;　さすがに高齢なので力仕事は得意じゃないが、台所仕事から掃除、洗濯と何でもこなすスーパー使用人らしい。\ `As you could expect from someone her age, she isn't that good at manual labor, but from kitchen work to cleaning and laundry, she's a kind of super servant who can handle just about anything.`\ ;　玉に瑕なのはサボリ癖があるらしいということか。@ `It seems like her only flaw is a tendency to slack off.`@ br ;　力仕事や面倒な仕事は、持病がどうのこうのと屁理屈を言ってよく逃げようとするらしい。@ `I hear she tries to get away from heavy or troublesome work by playing up her chronic diseases.`@ ;　……サボリ癖というよりは、熊沢の婆ちゃんの場合、のらりくらりと要領がいいというべきなのかもしれない。@ `......In Kumasawa baa-chan's case, maybe we should call that a sort of lazy craftiness.`@ br ;　…給金を払ってる側からはたまったもんじゃないだろうが。\ `...Though it probably doesn't impress those paying her salary.`\ ;　まぁ、それをひょうひょうとやってのけても、なぜか憎めない。@ `Ah well, even if she's pretty flaky when it comes to work, I could never dislike her.`@ ;　きっといつも笑顔を絶やさないその明るさのせいだろう。\ `I guess that's probably because of her cheerfulness and her constant smile.`\ ld c,$HID_waraiA2,24 ;「やー、相変わらずお元気そうで何よりでんな！@　あれから背中の具合はどないでっか。」@ `"Hey, glad to see you're still in fine spirits!`@` How's your back doin' then?"`@ ld r,$KUM_DefA1,80 ;「薬を飲んでも、ちーっともよくなりませんで。@こればかりはお医者さまではどうにもなりません。@不治の病ちゅーもんですわ、ほっほっほ！」\ `"Even with the medicine, it's not getting one whit better.`@` According to the doctor, nothing can be done for this one.`@` It's what's called an incurable disease, hoh-hoh-ho!"`\ bg black,24 bg ship_P1b,24 ld r,$RUD_WaraiA1,24 ;「それにしても、朱志香ちゃんはますます美人になったなぁ。@夏妃姉さんに似て良かったぜ。」@ ;＜留弗夫 `"At any rate, Jessica-chan's only gotten prettier.`@` Good thing she looks like Natsuhi nee-san."`@ ld l,$JES_TohohoA1,23 ;「そ、そうですか…？@　私的には全然似てないつもりなんですけど…。@つーか、親には似たくないです。@尊敬してないんで。」@ `"R, really...?`@` Personally, I don't think we look alike at all...`@` I mean, I don't even want to look like my parents.`@` 'Cause I got zero respect for 'em."`@ ld c,$KIR_WaraiA2,24 ;「こら、そんなこと言っちゃダメよ。@くす、それにしても、親に似たくないって言ってる人が多いわね、うちの一族は。」@ ;＜楼座 `"Now, you shouldn't say such things.`@` *giggle*, even though there are quite a few people who don't want to look like their parents in our family."`@ cl l,24 ld l,$BUT_DefA1,24 ;「あ、それ俺ー！」\ ;＜戦人 `"Ah, that's me!"`\ ld r,$RUD_waraiA2,80 ;「馬鹿言え、お前こそ俺に似るんじゃねぇ。@お前の鼻が似ててムカつくんだよ。」@ `"You idiot, don't you start looking like me.`@` Your nose looking like mine already pisses me off."`@ ld c,$KIR_futekiA1,80 ;「何言ってんのよ。@呆れるくらいそっくりよ、あなたもお父様もね？」@ ;＜霧江 `"What are you talking about?`@` You're surprisingly alike, you and your father."`@ ld r,$RUD_akuwaraiA1,80 ;「おいおい、そりゃねぇだろ…。@俺のどこが親父に似てるってんだぁ？」\ ;＜留弗夫 `"Come on, you can't be serious...`@` Just how am I like Dad?"`\ bg ship_P1a,0 ld l,$EVA_akireA2,23 ;「傲慢で偉そうなところとかそっくりよ。@あんたと兄さんは特にお父様の血が強いわねぇ。@ねぇ楼座？」@ ;＜絵羽 `"You're his copy in arrogance and self-importance.`@` Father's blood is especially strong in you and Nii-san.`@` Wouldn't you say, Rosa?"`@ ld r,$ROS_akuwaraiA1,24 ;「えぇまったく。@蔵臼兄さんも留弗夫兄さんも、信じられないくらいお父様にそっくり。」\ ;＜楼座 `"Oh, absolutely.`@` Krauss nii-san and Rudolf nii-san are almost unbelievably like Dad."`\ bg Ship_P1b,0 ld r,$RUD_KomaruA1,24 ;「おいおい、参ったな、何で俺だけ女どもに集中砲火なんだ。@秀吉兄さん、助けてくださいよ。」@ `"Alright, alright already, why am I the only one under fire from the girls?`@` Hideyoshi nii-san, please help me out."`@ ld l,$HID_WaraiA1,23 ;「いやいやぁ、留弗夫くんはいっつも女性にモテてるなぁ。@羨ましいでぇ！@　わっはっはっは！」\ `"My my, Rudolf-kun, you're always so popular with the ladies.`@` I'm jealous!`@` Wahahahaha!"`\ bg ship_P1c,0 ld c,$KUM_WaraiA1,24 ;「ほっほっほ！@　相変わらずモテモテでお羨ましいことです。@それでは皆様、お船の方へお乗り下さいませ。@ささ、真里亞さん、一緒にお船に乗りましょうねぇ。」@ `"Hoh-hoh-ho!`@` As usual, you're popular enough to make me jealous.`@` Well then, everyone, shall we head over to the boat?`@` Come now, Maria-san, let's get on the boat together, alright?"`@ ld r,$MAR_defA1,24 ;「一緒にお船に乗る。@うー！@　みんなも一緒に乗る。@うー！」\ `"Get on the boat together.`@` Uu-!`@` Everyone gets on together.`@` Uu-!"`\ bg Ship_P1a,23 ;「おうよ、もう今度は怖くないぜ。@波で揺れるのは慣れてるしなぁ。@あのオンボロ漁船の場合、揺れて怖いってより、エンジンがぶっ壊れて漂流するんじゃねぇかって方が怖いぜ。」\ `"Hell yeah, this time around I'm not gonna be scared.`@` I'm used to being shaken by the waves.`@` With that piece-a-junk fishing boat, I'm less afraid of the shaking than the engine breaking down and the boat drifting off."`\ ld l,$GEO_DefA1k,23 ;「そうだ、戦人くん、言うのを忘れてた。@…あの漁船はだいぶ老朽化してたんで数年前に引退したんだよ。@今は他の船が島まで運んでくれるんだ。」\ `"Oh yes, Battler-kun, I forgot to tell you.`@` ...That fishing boat was completely decrepit so it was taken out of use a few years back.`@` Now we get taken to the island in another boat."`\ ld r,$JES_waraiA1,23 ;「あー、そうか。@戦人は新しい船が初めてなんだなー！@　快適だぜ？@　すっげえ速いんだ！@　何しろ、とんでもないスピードが出るんだからさ！」@ `"Ohhh, right.`@` It's Battler's first time in the new boat!`@` It's super comfy!`@` And frickin' fast!`@` It can go at crazy high speeds!"`@ ;「ほー…。@ってことは船旅の時間がさらに短縮されたわけか。@そりゃあ素晴らしい！@　何しろ、飛行機よりマシとは言え、沈没の危険に晒される時間が少しでも短くなるってんだから、こりゃあ極めて素晴らしいぜ〜。」\ `"Ohhh...`@` That means less trip time, right?`@` That sounds great!`@` Anyway, even if it's only a bit better than an airplane, as long as we get just a little less time exposed to the danger of sinking, that's really just awesomely great~."`\ ld c,$MAR_DefA1,22 ;「…うー。@戦人はまた、墜ちるー墜ちるー？」@ `"...Uu-.`@` Is Battler going to faaall faaall again?"`@ ;「そりゃあ飛行機の時だけさ。@もう大丈夫だぜぇ！」\ `"That's only on airplanes.`@` Everything's fine now!"`\ ld r,$JES_futekiA1,80 ;「何しろ、船長自慢の改造高速艇らしいぜ？@　だいぶいじってるらしく、@プロペラは高性能のが４基も付いてて最高速度は４０ノットを超えるとか何とか自慢してたなー。@いつも自慢されるんで覚えちまったぜ。」\ ;＜朱志香 `"Anyway, it's the captain's pride and joy, and it's a kinda modded high-speed boat.`@` Seems he tinkers with big parts of it.`@` He was bragging about how he attached four-base high efficiency propellers to it so that he could break 40 knots or something like that.`@` I just remember how he's always bragging."`\ ld l,$GEO_WaraiA1,80 ;「僕も毎年聞かされるんで覚えちゃったよ。@船長は昔、外国の漁船と速度比べをして負けて以来、スピード改造に取り憑かれちゃったんだってさ。@その時の相手は漁船なのに３０ノット以上も出せたんだってね。」@ ;＜譲治 `"Me too, I remember since we're told about it every year.`@` The captain says that since he lost a speed contest with a foreign fishing boat a long time ago, he became obsessed with modding.`@` He says that at the time, even though it was only in a fishing boat, his opponent could go at over 30 knots."`@ ld r,$JES_AkuwaraiA1,80 ;「その雪辱の念が結実して、スカっと爽快な超高速改造艇の誕生となったわけさ。@戦人もきっと気に入るぜー。」\ `"To fulfill his thirst for a revenge match, he created an awesome whole new super high-speed modded boat.`@` I'm sure you'll just love it, Battler."`\ ;　…ちょ、超高速改造艇ぇ…？@ `...S, super high-speed modded boat...?`@ br ;　……最初はいつ沈没するかもわからねぇボロ船よりはマシだろうと歓迎してたんだが……、/ `...My first thought was that this would be much better than some beat-up boat that might sink at any time......`/ ;!d800何だか嫌な予感がしてくるぜ…。@……まさか。\ !d800`...but for some reason, I got this feeling of foreboding...`@` ......Probably just over-thinking it.`\ bg black,2 fede 0,2000 !w1000 bgmplay 3 !w500 meplay 1,4 meplay2 2,3,100 bg sea_1a,22 quakey 3,500 quakey 3,500 quakey 3,500 quakey 3,500 quakey 3,500 quakey 3,500 quakey 3,500 quakey 3,500 bg Ship_S2b,0 ld r,$RUD_WaraiA1,6 ;「おい戦人ぁ、島までは泳いで行った方がいいんじゃねぇかぁ？」\ ;＜留弗夫 `"Hey, Battler, maybe you should just swim to the island."`\ bg ship_S2a,0 ld l,$GEO_KomaruA1,23 ;「戦人くん、柵からあんまり身を乗り出しちゃダメだよ。@落ちちゃうから。」@ ;＜譲治 `"Battler-kun, you shouldn't lean over the railing too much.`@` You might fall."`@ ld r,$MAR_WaraiA1,24 ;「うーうー！！@　落ちるー落ちるー！！」@ `"Uu- Uu-!!`@` Faaall, faaall!!"`@ ;「ちっくしょおおぉおぉ…、さっきからみんながニヤニヤ笑ってたのはこれだったのかぁ！」\ `"Daaaaammiiiiit..., so this is why you were all grinning before!"`\ ;　船長が個人的趣味で改造しまくったという超高速艇は、なるほど、あの６年前のオンボロ漁船とは比べ物にならなかった。\ `So this is the super high-speed boat that the captain started modding...`@` Oh, yes, that piece of junk fishing boat from six years ago doesn't hold a candle to this one...`\ bg sea_1a,22 quakey 3,500 quakey 3,500 ;「うおおおおおおおお、揺れる揺れる揺れるー！！@　落ちる落ちる落ちるー！！」\ `"Whooooooooa, it's shaking it's shaking it's shaking!!`@` Fall fall faaall!!"`\ textoff quakey 3,500 quakey 3,500 ;「うーうーうー！！@　落ちる落ちる落ちるー！」@ `"Uu-uu-uu-!!`@` Fall fall faaall!!"`@ ;「落ちたら海じゃねぇかよ、溺れちまうぞ、パラシュートだ、じゃねぇぜ、浮き輪はどこだー！！@　ライフジャケットをくれぇええぇ！！」\ `"If I fall, I'll land in the ocean and drown...where's the parachute...no, wait, where's the buoy?!`@` Gimme a life jackeeeet!!"`\ textoff quakey 3,500 ;「わーっはっはっはっは！@　何だよ戦人、おめー、それ何の真似だよ、わーっはっはっはっは！」@ `"Waah-hah-hah-hah-ha!`@` What's up, Battler, what's with that kinda attitude, waah-hah-hah-hah-ha!"`@ ;「朱志香ちゃんも真里亞ちゃんもいじめちゃ悪いって。@戦人くんも怖いなら甲板に出なきゃいいのに。@船内ならもう少し怖くないと思うけどなぁ。」\ `"Jessica-chan, Maria-chan, it's not nice to tease.`@` Battler-kun, if you're scared, then just don't come out on the deck.`@` I think that if you stay inside the boat, you'll be a bit less afraid."`\ textoff quakey 3,500 quakey 3,500 ;「へっへー、そいつぁノーサンキューだぜ兄貴！@　海難事故の犠牲者はいつも船内なんだ。@生存者は大抵、事故時は甲板なんだぜ。@だから俺はここにいる！！@　でも揺れるーー！！@　落ちるー！！@　うおおおおおおぉおぉぉ！！」\ `"Heheh, that's a no thank-you, Aniki!`@` Shipwreck victims are always the ones inside the boat.`@` The survivors are usually those on the deck during the accident.`@` That's why I'm here!!`@` But, it's shaking!!`@` I'm gonna faaall!!`@` Whooooaaaaaahhh!!"`\ textoff quakey 3,500 quakey 3,500 ;「揺れる落ちるー！！@　うーうーうー！！」@ `"Shake faaall!!`@` Uu-uu-uu-!!"`@ ;「真里亞、よしなさいったら！@　……でも戦人くん、本当に苦手なのね…。@船長さんに速度を落とすように言ってきてあげるわ。」@ `"Maria, I told you to behave yourself!`@` ......But Battler-kun, it looks like you really can't handle it...`@` I'll go tell the captain to slow down for you."`@ ;「うおおおお、楼座叔母さんありがとおおおおぉ！@　海の上でも安全運転、徐行運転指差し確認んんんんん！！」\ `"Whooooa, Rosa oba-san, thank yooooouuuuu!`@` I confirm that safe, slow driving is the thing, even on the seaaaaa!!"`\ textoff quakey 3,500 ;「くっくっく！@　ダメよ楼座。@青年には試練も必要なんだから。@ね、戦人くん？@　これくらいへっちゃらで克服できちゃうわよねぇ？@　じゃないと伯母さんとエジプトに行けないわよぅ？」\ ;＜絵羽 `"*cackle*!`@` Don't do that, Rosa.`@` Ordeals are necessary to the young.`@` Right, Battler-kun?`@` If it's only this, you can easily conquer it, right?`@` Otherwise, you won't be able to go to Egypt with your aunt!"`\ textoff quakey 3,500 quakey 3,500 quakey 3,500 ;「うおおおお、絵羽伯母さんの意地悪ぅうううぅ！@　あぁダメ落ちるぅううぅ！！@　ライフジャケットぉおおぉ、パラシュートぉおおぉ！！@　ふおおおおおおおぉおおぉおおおおおおおぉおぉぉ……！！！@　い、いや、ひっくり返して考えるんだ！@　敵の狙いは何だ？！@　俺をこうして怖がらせることか？！@　そいつが狙いなら甘いぜ、びびってなんかやるもんかぁああぁぁああぁ！！@　でもらめぇえぇ、落ちるゥウウゥゥウゥ！！！」\ `"Whooooa, Eva oba-san, you're meeeeeeeeaaaan!`@` Ooh noooo, I'm gonna faaaaaall!!`@` Life jackeeeet, parachuuuute?!!`@` Whoooooooaaaaaaahh......!!!`@` N-no, okay, turn it over and think that way!!`@` What's the enemy aiming for?!`@` He wants to make me afraid like this?!`@` If that's what he's aiming for, too bad, like hell I'll be scaaaaaaaared!!`@` But stooopp iiit, I'm gonna faaaaaaall!!!"`\ bg black,5 fede 0,2000 bgmplay 5 bg Ship_S2c,6 ;　…なぁんて大騒ぎをした挙句、@楼座叔母さんが船長に言ってくれたお陰で、何とかマシな速度にまで落としてもらえたのだった…。\ `...So, after I made a huge fool of myself for a while,`@` Rosa oba-san had a talk with the boat captain, and he slowed down to a more manageable speed for me...`\ ld c,$BUT_KomaruA1,6 ;「…………はぁ…。@これくらいなら何とか…。@………さっきのは生きた心地がしなかったぜぃ……。」\ `"............Haa...`@` This speed is a bit better...`@`.........earlier, I didn't even feel alive......"`\ ;　俺にとって許容できるこの速度は、どうもかなりの鈍足らしい。@ `Apparently, the max speed I can tolerate is extremely slow.`@ br ;　…でもさっきのは異常だったぜ…。@ `...But that just now was completely insane...`@ ;　もう船がばっかんばっかん揺れて！@　海の上を滑るというか跳ねるというか！@ `The whole boat was shaking!`@` Sliding and leaping on the ocean's surface!`@ ;　船ってより、トビウオに乗ってるような気分だったぜ…。\ `It felt like I was riding on the back of a flying fish...`\ bg Ship_S2a,0 ld l,$JES_WaraiA1,23 ;　疲れきり、げっそりと柵に持たれかかる俺を、朱志香は飽きもせずゲラゲラ笑っていた。\ `Jessica was still guffawing at me as I leaned against the railing, tired and disheartened.`\ ld l,$JES_AkuwaraiA1,80 ;「さっきは力比べで負けたけどよー、もっと重要な部分で負けてなかったことがわかって、私ゃ嬉しいぜ。@いやしかし、ぷーくっくっくっく！」@ `"I lost in that strength contest earlier, but I'm glad to know I'm no worse off where it really counts.`@` But seriously, hahahahahah!"`@ ld r,$BUT_odorokiA2,24 ;「くそー…、好きなだけ笑えよ。@いつか弱点を見つけ返して、てめーの乳、揉み潰してやるぜー……。」@ `"Dammit..., go ahead and laugh.`@` One of these days, I'm gonna find your weakness and I'll get back at you...and then your boobs will be mine to squish......"`@ ld l,$JES_WaraiA1,80 ;「あっはっはっは、見付られたら考えてやるぜー？！@　わーっはっはっは！」\ `"Ahahaha, well, we'll see about that if you ever do find it, okay?!`@` Waah-hah-hah-ha!"`\ ld c,$MAR_DefA1,23 ;「うー。@戦人、へろへろ。」@ `"Uu-.`@` Battler, all weak."`@ ld r,$BUT_komaruA1,80 ;「あぁ、戦人、へろへろだ…。@海も空もごめんだぜ、俺は陸の上で死にたいさ…。」\ `"Yeah, Battler, all weak...`@` I want to die on land, not in the ocean or the sky..."`\ ;　真里亞が俺の背中をさするような仕草をしてくれたので、お返しに頭をぽんぽんと叩いてやった。@ `Maria was patting my back, so I patted her head in return.`@ ;　…表情は相変わらずの無表情だか、気遣いたい気持ちが伝わってくる。\ `...Her expression was blank, as usual, but I realized that she wanted to console me.`\ bg black,24 cl c,0 bg Ship_S2b,0 ld r,$GEO_hohoemiA1,0 ld l,$KUM_DefA1,24 ;「戦人くん、船長が罪滅ぼしにって、ドリンクをサービスしてくれたよ。@飲んで一服しないかい。@落ち着くよ。」@ `"Battler-kun, the captain is throwing in drinks to make up for this.`@` Won't you have just one?`@` To calm yourself down."`@ br ;　譲治の兄貴と熊沢の婆ちゃんが、よく冷えた雫の浮く缶ジュースを人数分、持ってきてくれた。\ `George-aniki and Kumasawa baa-chan brought us all glasses with floating ice cubes and canned drinks.`\ ;　熊沢さんのニヤニヤ笑いを見る限り、船内では親たちが俺の大騒ぎをゲラゲラ笑い合っている真っ最中なんだろう。@ `Judging from Kumasawa-san's big grin, our parents inside the boat were probably all rolling around laughing at my moment of pure terror.`@ ;　くそ、恥ずかしくて親の誰とも顔を合わせたくねぇ…。@ `Dammit, I'm so embarrassed that I can't bear to face any of them...`@ br ;　何か話題を切り返さないと、いつまでも俺がネタにされそうな気がしたので、何か無難な話題を切り出すことにする。\ `If I didn't change the subject somehow, I had the feeling I'd be the butt of everyone's jokes for the whole trip, so I tried to think of something harmless to talk about.`\ bg Ship_S2a,23 ;「…おう朱志香。@蔵臼伯父さんと夏妃伯母さんは元気なのかよ。」@ `"...Hey, Jessica.`@` How are Krauss oji-san and Natsuhi oba-san doing?"`@ ld c,$JES_DefA1,22 ;「親父とお袋ぉ？@　残念ながら元気だぜー。@二言目には勉強しろ勉強しろってうるせーけどよ。@秀吉叔父さんとか留弗夫叔父さんとか、そういうこと言わなそうだから羨ましいぜー？」\ `"My old man and my mom?`@` Unfortunately, they're fine.`@` Though every other word out of their mouths is 'study, study', which pisses me off.`@` I'm so jealous, since it doesn't look like Hideyoshi oji-san or Rudolf oji-san say those kind of things."`\ cl c,0 ld l,$JES_DefA1,0 ld r,$GEO_WaraiA1,24 ;「はっはは、とんでもない。@僕も受験を控えてた頃はいっつも受験受験って言われてたよ。@うるさくも思ったけど、今は感謝してるよ。」@ `"Hahaha, oh no.`@` When I was slacking off during exams, I was always getting told 'exams, exams'.`@` I thought it was annoying, but now I'm grateful."`@ cl l,24 ld l,$BUT_waraiA2,23 ;「はー、やっぱり譲治兄貴は人間が出来てるなぁ…。@ちなみにウチは絶賛放任中だからな。@なぁんにも言われないぜぇ？@　まー言われたって聞かねぇけどなー、ひっひっひ！」\ `"Hah, I knew it, George-aniki can be human too...`@` Anyways, I have to look after myself.`@` No one tells me what to do!`@` Well, it's not like I'd listen if they did, hihihi!"`\ bg Ship_S2c,0 ld r,$KUM_DefA1,24 ;「戦人さんは、まだご実家には戻られておられないのですか？」@ ;＜熊沢 `"Battler-san, you still cannot return to your home?"`@ ;「…まー、ちょくちょく戻るようには。@まだ服とかだいぶ前の家に残してるんで。」\ `"...Well, I kinda go back now and then.`@` I'm still leaving lots of clothes and stuff at the previous house."`\ ld l,$MAR_DefA1,23 ;「……うー？@　戦人、お家が２つある？」@ `"......Uu-?`@` Battler has two houses?"`@ ;「ん、/ `"Uh, `/ ;!d900………んー。@……まぁな。」@ !d900`.........hmmm.`@` ......Something like that."`@ ld l,$MAR_fukigenA1,80 ;「どうして？@　どうしてお家が２つ？@　うー？@　うー？」@ `"Why?`@` Why do you have two houses?`@` Uu-?`@` Uu-?"`@ br ;　真里亞だけがよく事情が飲み込めず、素朴な疑問を口にする。@ `Only Maria, who couldn't really grasp the situation, voiced her naive question.`@ ;　だが、みんな俺をちらちらと見て、知りながらも答えはしなかった。\ `However, the others just shot nervous glances at me, choosing not to respond even though they knew the answer.`\ ld c,$JES_defA2,24 ;「真里亞ぁ！@　ほら、船着場が見えてきたぜ…！@　ほら、あれ！@　見えるか？！」@ ;＜朱志香 `"Maria!`@` Look, you can see the harbor now...!`@` Look, over there!`@` Can you see it?!"`@ ld l,$MAR_odorokiA1,80 ;「うー！@　船着場見えた、船着場見えた！」@ `"Uu-!`@` Saw the harbor, saw the harbor!"`@ ;　朱志香が気を利かせてくれたつもりらしい。\ `Apparently, Jessica was trying to be nice by changing the subject.`\ bg white,22 bg Sea_1a,22 ;　……やれやれ。@好んで語りたいことじゃないが、変にタブー扱いされるのも気持ち悪いな。@ `......Ah, well.`@` I'd rather not talk about it if I can help it, but it's uncomfortable to have it treated like some kind of weird taboo.`@ br ;　……俺はもうそんなに気にしちゃいねぇんだが。\ `......I don't mind that much myself anymore.`\ ;　俺は右代宮の人間だが、@実はこの６年ほど、死んだ母方の祖父母宅に身を寄せ、母方の姓を名乗っていた。@ `I am a member of the Ushiromiya family, `@`but the truth is that, for these last six years, I've been living with my grandparents on my late mother's side, and I've even been using her family name.`@ br ;　その祖父母が相次いで亡くなったため、仕方なくクソ親父のところへ戻らざるを得なくなったわけだ。\ `When those grandparents passed away one after the other, I'd basically had no choice except to go back and live with the old bastard.`\ ;　言っとくが家出とかじゃないぜ。@ `Don't get me wrong.`@` I didn't just run away from home or anything like that.`@ ;　一方的に非があるのは親父の方さ。@ `The only one at fault here is my dad.`@ br ;　……霧江さんのことはそんなに気にしてない。@ `......I don't really blame Kyrie-san.`@ ;　あのクソ親父の手綱を握ってうまく乗りこなせるなんて大したもんさ。\ `Being able to hold that old bastard's reins and ride him out is no mean feat.`\ ;　…だが、あのクソ親父が母さんに働いた裏切りだけは、@……悪ぃが、未だ心の整理がつかない。\ `...Still, the betrayal that the old bastard inflicted on my mom...`@` ......Well, unfortunately, I still haven't fully gotten over that.`\ bg ship_S2a,22 ld r,$GEO_DefA1,24 ;「こほん。@もうすぐ着くねぇ。」@ `"*Ahem*.`@` We'll be getting there soon."`@ ;　譲治兄貴が話題を逸らそうと咳払いをする。\ `George-aniki cleared his throat, trying to change the topic.`\ ld l,$KUM_DefA1,23 ;「……失礼しました。@年寄りが余計なことを言ってしまったようで。@お気に触りましたら、」@ `"......Please forgive my indiscretion.`@` It seems this old woman has said too much already.`@` If I have hurt your feelings-"`@ cl r,23 ld r,$BUT_DefA2,24 ;「へっへー！@　気にもしてないし触ってもないぜ。@気にすんなよ、熊沢の婆ちゃん。」@ `"Heheh!`@` I don't mind it and no one's feelings are hurt.`@` Don't worry, Kumasawa baa-chan."`@ br ;　熊沢さんも迂闊なことを言ってしまったと後悔しているようだったが、@これ以上、変に気;を遣われたくないので、俺は茶化すようにして立ち上がる。\ `Kumasawa-san seemed to regret speaking out of turn, `@` but I was more concerned about being worried over for something like that, so I stood up and passed it off lightly.`\ bg Ship_S2b,24 ;　それから缶ジュースに口を付け、島影を眺めている朱志香と真里亞のところへ行った。\ `After that, I had a sip of my drink and headed over to Maria and Jessica, who were gazing at the silhouette of the island.`\ ld r,$MAR_defA1,24 ;「うー！@　戦人、島が見えた、島が見えた！@　あれあれあれ！@　うーうーうー！」@ `"Uu-!`@` Battler, saw the island, saw the island!`@` There there there!`@` Uu-uu-uu-!"`@ ld l,$BUT_waraiA1,23 ;「どれどれ、おぉ、見えてきたな。@６年ぶりでも記憶と寸分変わらない島影だぜ。」\ `"Where is it...oh, I see it now.`@` Even after six years, the island hasn't changed a bit."`\ bg white,2 bg sea_1c,8 ;　前方には小さな島影がだいぶ近付いてきていた。\ `The small island's silhouette in front of us had gotten pretty close.`\ ;　島の名前は六軒島。@ `This island's name is Rokkenjima.`@ br ;　伊豆諸島の中に含まれる、全周が１０ｋｍ程度の小さな島だ。\ `It's a small island about 10km around, located in the Izu Archipelago.`\ ;　伊豆七島ってくらいだから島は７つだろうと誤解してる連中がいるが、そんなことはない。@ `Since they call this archipelago 'the Izu Seven', lots of people think there are seven islands, but that's not true.`@ br ;　実際は７つ以上ある。@ `There are actually more than seven.`@ ;　この六軒島も、そんな７つにすら入れてもらえないささやかな島のひとつだ。\ `Rokkenjima is one of the minor islands that don't get counted.`\ ;　それでなくとも、この島のことを知る人間はほとんどいないだろう。@ `Even considering that, there are probably very few people who know about this island.`@ ;　なぜなら、この島へは右代宮家の人間以外は立ち入らない。@ `After all, only the people of the Ushiromiya family come to this island.`@ br ;　つまり、余所者や観光客にはまったく無縁なのだ。@ `In other words, it has no ties whatsoever to outsiders or tourists.`@ ;　だから旅行用パンフレットに島の名前が載ることはまったくない。\ `So, you'll never find this island's name in a travel brochure.`\ ;　なぜなら、六軒島は丸ごと、右代宮本家が領有している私有地だからだ。@ `This is because all of Rokkenjima is an estate possessed by the Ushiromiya head house.`@ br ;　だから右代宮家だけが住んでいて、右代宮家の関係者しか出入りしない。\ `Only the Ushiromiya family lives there, and only people connected to the Ushiromiya family come and go to and from there.`\ ;　船着場とお屋敷があるだけ。@ `There's nothing there except a harbor and a mansion.`@ ;　島のほとんどは未開の森林のまま残されている。@ `The vast majority of the island is still just uncultivated forest.`@ br ;　ゴルフコースでも作ればいいものを、勿体無い話さ。@ `Such a waste, when it could be made into a nice golf course.`@ ;　でも、浜辺は全てプライベートビーチだと考えれば、何とも豪勢な話かもしれない。\ `However, when you realize that the entire coastline is a private beach, it starts to sound pretty magnificent.`\ bg sea_1a,22 ;　今さらだが、はっきり言っちまうと、/ `You might have realized it by now, but to put it simply...`/ ;!d900……まぁその、右代宮家は大富豪なわけさ。@ !d900`...well, the Ushiromiya family is just rolling in dough.`@ br ;　本家は莫大な財産を持ってるそうだし、@親父たち分家もずいぶんな資産を蓄えていて、それぞれが事業で成功している。\ `The fortune possessed by the head house is apparently vast,`@` and Dad and the others who make up the branch families have built up plenty of wealth for themselves, finding success in their respective businesses.`\ ;　俺は６年間、祖父母の家で庶民の暮らしをしてたからすっかり忘れちまったが、@…クソ親父の家は確かに立派だし、何から何まで嫌味な金持ち趣味剥き出しだったように思うぜ。@ `I've been living a commoner's life at my grandparents' home these six years, so I'd completely forgotten, `@`...but the old bastard's house really is elegant, and everything about it is tuned to match the snobbish tastes of the annoyingly rich.`@ br ;　それを言えば、譲治の兄貴も、朱志香も真里亞も、もちろん俺も、資産家のボンボンやお嬢様ってことになるわけだ。\ `Come to think of it, I guess that means George-aniki, Jessica, Maria, and I are all wealthy, high-class gentlemen and ladies.`\ ;　もちろん俺らにはそんなつもりはない。@ `Needless to say, none of us feel that way at all.`@ br ;　俺には金持ちなんて自覚はねぇし、自己に厳しい譲治兄貴にもそんな甘えはない。@ `I don't see myself as being rich, and George-aniki, who takes self-discipline very seriously, doesn't let himself get too comfortable.`@ br ;　朱志香は、金はいらないから都会に引っ越したいといつもぼやいてたし、@真里亞はまだ子供でお金に全然興味がない。\ `Jessica is always complaining that she'd rather move to the city than be rich,`@` and Maria is still a kid who isn't even interested in money at all.`\ ;　…それも嫌味か。@ `...Does that attitude really make us any less snobbish?`@ ;　火の車で首が回らねぇ連中から見れば、何とも恵まれた話だ。@ `From the perspective of people in poverty who can't pay the bills, we really have been blessed with a lot.`@ br ;　これ以上は過ぎた説明なんで控えるとしよう。\ `This isn't the place to explain any further, so I won't.`\ ;　まぁ、生まれる親を選べないのと同じさ。@ `Anyways, it's the same as not being able to choose the parents you're born from.`@ ;　狙って金持ちに生まれたわけじゃねぇ。@ `I didn't ask to be born into a rich family.`@ ;　それを妬まれるのもお門違いってもんだろ。@ `And I don't think it's really something to be envied.`@ br ;　何をやっても正当に評価されず、二言目にはお金持ちだからと僻まれるのも、結構堪えるもんさ…。\ `It can be pretty trying when people are prejudiced against you just because you're rich and refuse to judge you by your merits...`\ ;　そんな感傷に浸っていると、真里亞が柵から身を乗り出しながら騒ぎ出した。\ `As I pondered these sentimental thoughts, Maria started shouting and leaned over the railing.`\ bg black,22 fede 0,2000 bg ship_S2a,6 meplay 1,4 ld r,$MAR_fukigenA1,4 ;「…………うー。@……ない。」@ `"............Uu-.`@` ......Gone."`@ ld l,$BUT_DefA2,23 ;「どうしたんだよ、真里亞。@何か落としちゃったのか？」\ ;＜戦人 `"What's wrong, Maria?`@` Did you drop something?"`\ ld r,$MAR_IkariA1,80 ;「うーうー！@　ないない！@　うーうーうーうー！！」@ `"Uu-uu-!`@` Gone, gone!`@` Uu-uu-uu-uu-!!"`@ ;　真里亞がないないと騒ぎ出す。@ `Maria kept yelling 'gone, gone'.`@ br ;　言葉だけを聞けば、何か落し物かと思うのだが、彼女はないないと連呼しながら洋上を指差すのだった。\ `At first, it sounded as though she had dropped something, but while she shouted, she also pointed out over the ocean.`\ ld c,$GEO_defA1,22 ;「どうしたの？@　何がないんだい？@　僕も探してあげるよ。@何？@/ `"What's wrong?`@` What's gone?`@` I'll look for it too, if you want.`@` What is it? `@/ ld c,$GEO_majimeA2,80 ;　……………？」\ `............?"`\ bg sea_1b,22 ;　落し物なら床を見るだろうが、真里亞は洋上を指差している。@ `If she'd dropped something, she would probably have looked down at the floor, but Maria was pointing out over the ocean.`@ br ;　洋上を指差すからには、そこに何かがあると思うべきなのだが、真里亞はないないという。@………はて。\ `One would assume that she had seen something out over the ocean, but she kept saying that it was gone...`@` ......Strange.`\ ;　だが、６年前の風景を最後の記憶に持つからこそ、毎年ここに来ている兄貴より俺が先に気付くことができた。\ `However, since my last memories of this place came from six years ago, I was able to spot it before Aniki, who comes here every year.`\ ;「…………あれ…。@……確かさ、この辺に小さい岩の上に鳥居みたいなのがなかったっけ。@…そうだ、確かにあったぜ。@島に近付いてくると最初に迎えてくれる目印みたいなもんだったからよく覚えてるぜ。」\ `"............Huh...?`@` ......If I remember correctly, wasn't there a Torii or something on top of a small crag around here?`@` ...That's right, it was definitely there.`@` I remember it well, since as we get closer to the island, it's the first thing to greet us, like a landmark."`\ ;「へー、戦人すごいじゃねぇか。@６年ぶりなのに、よく覚えてるもんだぜ。」@ ;＜朱志香 `"Wow, you're amazing, Battler.`@` Even though it's been six years, you remembered."`@ ;「あったね…！@　僕も思いだしたよ。@鎮守の社と鳥居みたいなものが、岩の上にぽつんと建ててあったよ。@……そう言えばないね。@去年は確かにあったと思う。」@ ;＜譲治 `"It was here, wasn't it...!`@` I remember too.`@` The #86ef9ctutelary god#ffffff's shrine and that #86ef9cTorii#ffffff-like thing had been built all alone on that crag.`/ mov ?grim[5][grim_flg],1 mov %r_hyouji_grim,5 ;seplay 9,1062 @` ......And now that you mention it, they are gone, aren't they.`@` They definitely were there last year, I think."`@ ;「ない。@ない。@うーうーうー！」\ `"Gone.`@` Gone.`@` Uu-uu-uu-!"`\ bg ship_S2a,0 ld l,$BUT_defA2,26 ;「大方、波か何かでさらわれちまったんだろー？@　小さい岩だったしな、だいぶ風化で脆くなってたんだろさ。」@ `"Maybe they were washed away by the waves or something?`@` It was a small crag, it probably got brittle because of its exposure."`@ ld r,$JES_atyaA1,24 ;「私もそうだと思ってるんだけどよ。@なくなっちゃったのはこの夏のことなんだよ。@何でもよぅ、」\ ;＜朱志香 `"I think so too.`@` It probably disappeared during the summer.`@` Whatever."`\ bg Ship_S2c,0 ld c,$KUM_DefA1,24 meplay2 3,16,40 ;「ある晩に大きな稲妻が落ちて、御社を砕いてしまったんだとか…。@……鎮守様に落雷があるなど、これは不吉の徴に違いないと、漁民たちは囁いておりますねぇ。@…くわばらくわばら…。」\ ;＜熊沢 `"Or perhaps a huge lightning bolt fell one evening and smashed the shrine...`@` ......The fisherman whisper that having a thunderbolt fall upon our honored tutelary God would be a certain sign of misfortune.`@` ...Lightning begone, lightning begone..."`\ ;　熊沢さんはからかうように悪戯っぽく笑いながら、両手を揉み合せるような仕草をする。@ `Kumasawa-san smiled impishly as if teasing us, rubbing her hands together.`@ br ;　でも、真里亞は真に受けているようで、@真剣な顔をしながら、鎮守様が祀られていた岩があったと思われる洋上をじっと凝視しているのだった。\ `However, Maria was apparently taking it seriously,`@` and she stared fixedly over the ocean to where the crag housing the god of the shrine was supposed to be.`\ bg black,22 fede 13,2000 bg Ship_S2a,23 ld c,$MAR_fukigenA1,22 ;「…………不吉の、徴。@…………うー。」\ `"............A sign...of misfortune.`@` ............Uu-."`\ ld r,$JES_majimeA1,24 ;「よせよ熊沢さん。@真里亞はそういう冗談の通じない年頃なんだからさぁ。」@ ;＜朱志香 `"Enough, Kumasawa-san.`@` Maria isn't old enough to understand this kind of joke."`@ ld l,$GEO_WaraiA1,23 ;「大丈夫だよ真里亞ちゃん。@偶然だよ。@何も怖いことなんか起きないよ。」@ `"It's alright, Maria-chan.`@` It's just a coincidence.`@` Nothing scary's gonna happen."`@ ;　譲治の兄貴が、真里亞を安心させるように肩に手を置くが、真里亞の険しい表情は解れなかった。\ `George-aniki put a hand on Maria's shoulder to calm her down, but Maria's sharp-eyed expression didn't budge.`\ bg black,25 ;「…………不吉。@…………不吉。」\ `"............Misfortune.`@` ............Misfortune."`\ ;　真里亞はうわ言のようにその言葉を繰り返す。@ `Maria muttered that word over and over.`@ ;　ひとつの単語を連呼するのは真里亞の昔からの癖らしい。@ `Apparently, repeating a single word over and over is a habit that Maria's had for a long time.`@ br ;　だが、口にする単語が、文字通り不吉なので少しだけ気味が悪い。\ `However, since the word she was saying was literally an ill omen, it was a bit creepy.`\ fede 0,3000 bg Ship_S2a,0 ld l,$MAR_fukigenA1,26 ld r,$BUT_DefA1,24 meplay2 1,5,40 ;「おいおい、真里亞。@そんなに何度も繰り返してたら、本当に不吉がやって来ちまうぜ？」@ ;＜戦人 `"Hey now, Maria.`@` If you say it over and over like that, misfortune will really end up happening, you know?"`@ ;　真里亞のもう片方の肩を叩く。@ `I tapped Maria's other shoulder.`@ br ;　すると真里亞はびくりとして振り返り、俺の顔をまじまじと見ながら言った。\ `And then, Maria whipped her head around, stared into my face, and spoke unblinkingly.`\ bgmplay 6 cl l,0 ld c,$MAR_MajimeA1,23 ;「うー。@………不吉、来る。」@ `"Uu-.`@` .........Misfortune...is coming."`@ ld r,$BUT_WaraiA1,80 ;「へぇ？@　来るって、どこからさ。」\ `"Huh?`@` And just where is it coming from?"`\ ;　緊張を解してやろうと思って、俺は茶化したように応える。\ `I answered light-heartedly, trying to break the tension in the air.`\ bg sky_1a,22 ;　…すると真里亞はすっと指を立て腕を高々と突き上げると、…天を指した。@ `...At that moment, Maria held up a finger, raised her arm high, ...and pointed up to the heavens.`@ br ;　見れば、空は相変わらずの曇天だったが、朝よりだいぶ鉛色になっていた。\ `When I looked up, I saw that the sky was still just as cloudy, but it had grown a great deal more leaden than it had been that morning.`\ ;　そうだ、台風が近付いてるって言ってたな。@ `That's right, they were saying that a typhoon was approaching.`@ br ;　…島には一泊することになってるが、その間にうまく通り過ぎてくれないと月曜に登校できなくなっちまう。@まぁ休める口実としては最高だが。\ `...We had planned to spend one night on the island, but if this storm doesn't pass quickly, I won't be able to make it to school on Monday.`@` Well, I guess it makes for a pretty good excuse to be absent.`\ ;「…………………うー…。」@ `".....................Uu-..."`@ ;　…この曇り空に不吉な何かを感じているらしい。@ `...She apparently sensed some kind of misfortune in this cloudy sky.`@ ;　さっきからずっと唸っている。\ `She's been muttering that non-stop for a while now.`\ ;　真里亞だって多感な年頃の女の子だ。@ `Girls at Maria's age tend to be very impressionable.`@ ;　よく女の子が、霊感が強いとか霊媒体質だとか騒ぎ出すのはちょうど真里亞くらいの年頃からのはず。@ `She's just about the age that many girls start to get excited about sixth senses and whether they have any physic potential and stuff.`@ br ;　…子供らしい感受性と言えないこともなかった。\ `...For all we know, this might be due to her childish, sensitive nature.`\ bg Ship_S2b,26 fede 0,2000 meplay 1,4 ld r,$GEO_DefA1,23 ;「大丈夫だよ真里亞ちゃん。@天気は今夜くらいには崩れるかもしれないけど、明日にはよくなって綺麗な青空になってるよ。」@ `"It's alright, Maria-chan.`@` The weather might get worse around tonight, but tomorrow it'll clear up and become a pretty blue sky."`@ ld l,$MAR_fukigenA1,24 ;「うー。@綺麗な青空………。@………うー…。」\ `"Uu-.`@` Pretty blue sky.........`@` .........Uu-..."`\ ld r,$GEO_hohoemiA1,80 ;「そう、明日になれば綺麗な青空になるよ。@止まない雨はないし、晴れない雲だってない。」@ ;＜譲治 `"That's right, by tomorrow it'll be a pretty blue sky.`@` There's no rain that doesn't end, and no clouds that never clear."`@ ld l,$MAR_komaruA1,80 ;「うー…。@………止まない雨。@…晴れない雲。@………………うー………。」@ `"Uu-...`@` .........Rain that doesn't end.`@` ...Clouds that never clear.`@` ..................Uu-........."`@ cl r,24 ld r,$BUT_defA2,23 ;「確かに台風が近付いてるけどよ、すぐに過ぎちまうってぇ！@　大丈夫さ真里亞。」@ ;＜戦人 `"I know the typhoon's coming, but soon it'll go away!`@` It's alright, Maria."`@ ld l,$MAR_sakebuA1,80 ;「……………うー。@…うー！！@　うーうーうー！！@　うーうーうー！！」\ `"...............Uu-.`@` ...Uu-!!`@` Uu-uu-uu-!!`@` Uu-uu-uu-!!"`\ ;　真里亞がうーうーと騒ぎ出す。@ `Maria started yelling 'uu-uu-'.`@ ;　…それはまるで、自分が伝えたいことがまったく伝わらないので癇癪を起こしているようにも見えた。@ `...It looked as though she was having a tantrum because no one could understand what she was was trying to say.`@ br ;　一体、真里亞は必死になって何を警告しようとしているのか。@ `What in the world is Maria trying so desperately to warn us about?`@ ;　それが理解できなくて、俺たちも漠然とした不吉さを感じるしかない…。\ `Unable to understand her, we couldn't help but feel a vague sense of misfortune...`\ ;　……人には誰しも霊感があるというが、それは加齢に伴って弱くなっていくものらしい。@ `......I've heard that everyone can feel the supernatural, but that it weakens as you age.`@ br ;　だとすれば、真里亞は俺たちの中で一番幼く、俺たちが加齢によって失ってしまった何かの感覚を未だ持ち続けていることになる。@ `That might mean that Maria, the youngest one of us all, still possessed some kind of sense that the rest of us had lost.`@ br ;　…その何かが、彼女に警告を与えているというのだろうか。\ `...I wonder if that sense is sending her a warning.`\ bg ship_S2a,23 ;　その時、熊沢さんが静かに口を開いた。\ `At that moment, Kumasawa-san quietly opened her mouth.`\ ld c,$KUM_defA1,2 ;「………何でも、/ `".........Rumor has it...`/ ;!d900…六軒島はその昔、」@ !d900`...that long ago, Rokkenjima was-"`@ ld r,$JES_majimeA1,80 ;「熊沢さん。@その話はなしにしようぜ。」\ `"Kumasawa-san.`@` Let's not talk about that now."`\ ;　熊沢さんが何かの話をしようとした矢先、朱志香がそれをぴしゃりと遮った。@ `Just as Kumasawa-san was about to tell some kind of story, Jessica sharply interrupted her.`@ ;　朱志香にしてはずいぶんバッサリだった。\ `For Jessica, this was an extremely firm reaction.`\ ;　単純な好奇心からその先を促したくなるが、@話を遮った朱志香の様子から見て、一層、真里亞の不安感を煽り立てるような内容であることは想像に難しくない。@ `I wanted to push her further, just out of simple curiosity, `@`but judging by Jessica's appearance, it would probably be something that would further inflame Maria's unease.`@ br ;　…無理に聞いても、心が晴れ晴れするような話では断じてあるまい。\ `...If I did try to press her for the story, the odds were pretty good that it wouldn't be anything bright and cheery.`\ cl c,0 ld l,$KUM_WaraiA1,24 ;「……ほっほっほ、それは申し訳ございませんね…。@…ここの風は年寄りには堪えますんで、ちょっと失礼させていただきます…。」\ `"......Hoh hoh hoh, I do apologize about that...`@` ...The wind here is hard to bear for the elderly, so if you would excuse me for now..."`\ cl l,24 ;　おしゃべり好きにとって、しゃべるなと言われればその場にいる価値はない。@ `Gossipers have no reason to hang around after they've been told to stop chatting.`@ br ;　熊沢さんは、自分が出しゃばり過ぎたことにようやく気付くと、船内に戻っていくのだった。\ `When Kumasawa-san finally realized that she'd overstepped her bounds, she went back inside the boat.`\ textoff ;フェードアウトしたい！ fede 0,2000 bgmplay 11 ld l,$HID_DefA1,23 ;　入れ替わりで秀吉伯父さんがやって来る。\ `After she left, Hideyoshi oji-san came along to replace her.`\ ;　途中から来た伯父さんは、この場の複雑な空気など理解できないので、@爽やかに無神経に、場の空気を掻き乱してくれるのだった。@ `Since he'd shown up partway through, he completely failed to notice the complicated atmosphere that hung about the scene,`@` so he refreshingly and unwittingly swept that atmosphere aside.`@ br ;　結果的には、その無神経さのお陰で場が和むことになる。\ `So, in the end, it was his unwittingness that brightened the mood.`\ ld l,$HID_WaraiA1,80 ;「もう到着だそうやないか！@　おおぅ、もうちょいやのう！@　今日はのんびりスピードだから時間が掛かってもーたわ。@誰のせいやねん！@　わっはっはっはっは！」@ `"Looks like we're almost there!`@` Alright, just a little more!`@` Took forever at the speed we went today, didn't it?`@` You all know whose fault that is!`@` Wahhahahahaha!"`@ cl r,23 ld r,$BUT_aseruA1,24 ;「うっわ、秀吉伯父さん、もう勘弁してくださいよ〜…たはは〜！」\ ;＜戦人 `"Aww, Hideyoshi oji-san, gimme a break already~...hahaha~!"`\ ld c,$JES_WaraiA1,23 ;「あはは、もっと言ってやってくださいー。@ったく、戦人のせいで時間掛かりすぎだぜ〜！」\ ;＜朱志香 `"Ahaha, please, say more to him.`@` Honestly, because of Battler, it's takin' forever~!"`\ bg ship_S2b,0 ld c,$MAR_KomaruA1,26 ;「………うー。」@ `".........Uu-."`@ ;　真里亞は、誰も自分の話を聞いてくれないと思ったのかもしれない。\ `Maria probably thought that no one would listen to her.`\ ;　むずかるような顔をして俯く。@ `She hung her head, wearing a fretful face.`@ br ;　そんな彼女に、譲治兄貴は目線を合わせるようにしゃがみながらやさしく言った。\ `As she did, George-aniki crouched down to meet her eyes and spoke to her kindly.`\ ld l,$GEO_DefA1,23 ;「真里亞ちゃん。@何も怖くないよ。@だって、僕たちが一緒だもの。@一緒だと何も怖くないんだよ。@言ってごらん。」@ ;＜譲治 `"Maria-chan.`@` There's nothing to be afraid of.`@` Because we're all together.`@` There's nothing to be afraid of if we're together.`@` Go ahead and say it."`@ ld c,$MAR_fukigenA1,26 ;「…………うー。@…一緒だと、何も怖くない…。」\ `"............Uu-.`@` ...There's nothing to be afraid of...if we're together..."`\ ld l,$GEO_WaraiA1,80 ;「うん。@一緒だと、何も怖くない。」@ ;＜譲治 `"Yes.`@` There's nothing to be afraid of if we're together."`@ ;「…………うー。」\ `"............Uu-."`\ bg Ship_S2c,0 ld r,$BUT_defA2,24 ;「そうさ、譲治の兄貴の言う通りだぜ〜？@　俺たちが一緒にいると、いつだって何だって絶対に怖くねぇんだ。@なぁ朱志香！」@ `"That's right, exa~actly what George-aniki said.`@` If we're all together, there'll absolutely never be anything at all to be afraid of.`@` Right, Jessica?"`@ ld l,$JES_defA1,23 ;「ああ、間違いないぜ。@譲治兄さんの言うことはいつも本当だよ、真里亞。」\ `"Yeah, no doubt about that.`@` What George nii-san said will always be true, Maria."`\ bg ship_S2b,0 ld r,$MAR_fukigenA1,23 ;「……うー。@譲治お兄ちゃんはいつも本当。」\ `"......Uu-.`@` George onii-chan always true."`\ ld l,$GEO_hohoemiA1,23 ;「うん。@僕は嘘をつかないよ。@だから信じて。@みんなと一緒にいれば何も怖くないんだよ。」@ `"Yes.`@` I don't lie.`@` So trust me.`@` There's nothing to be afraid of if we're all together."`@ ld r,$MAR_DefA1,80 ;「うー。@……譲治お兄ちゃんは嘘をつかない。@信じる。@みんなと一緒にいれば怖くない。@………うー、怖くない！」@ `"Uu-.`@` ......George onii-chan doesn't lie.`@` I trust you.`@` There's nothing to be afraid of if we're all together.`@` .........Uu-, not afraid!"`@ cl r,0 ld c,$MAR_DefA1,80 ;　真里亞が譲治兄貴の胸に飛び込んで、ぎゅーっとしがみ付く。\ `Maria jumped into George-aniki's arms and hugged him tightly.`\ ld l,$GEO_WaraiA1,80 cl c,0 ld r,$MAR_WaraiA1,23 ;　それを兄貴が撫でてやると、ばっと離れた。@ `After Aniki patted her head, she jumped away again.`@ br ;　その表情は見違えるくらいに元通り。@ `Her facial expression had undergone a 180 degree change, turning back to normal.`@ ;　元の真里亞に戻っていた。\ `She was once again the ordinary Maria.`\ ld r,$MAR_DefA1,80 ;「うー。@みんなと一緒だからもう怖くない。@…うーうー。」@ `"Uu-.`@` There's nothing to be afraid anymore, because we're together.`@` ...Uu-uu-."`@ ld c,$BUT_DefA1,22 ;「あぁ、そうだぜ。@…もう平気みたいだな。@真里亞は強いな、偉いぜ！」@ ;＜戦人 `"Yeah, that's it.`@` ...You look all better now.`@` You're strong, that's awesome!"`@ ld r,$MAR_WaraiA2,80 ;「……うー！@　真里亞、偉い！」\ `"......Uu-!`@` Maria, awesome!"`\ bg Ship_S2a,0 ld r,$HID_waraiA2,23 ;「なんや、どうしたんや。@真里亞ちゃん、船酔いだったんか？@ん？」@ `"Hey now, what's goin' on here?`@` Maria-chan didn't get seasick, did she?`@` Hm?"`@ ld l,$JES_WaraiA1,23 ;「ははは、まぁそんなとこです。@もうじき着きますねー。」@ ;＜朱志香 `"Hahaha, well, something like that.`@` We'll be arriving soon."`@ br ;　船着場はもう、すぐそこまで迫っていた。\ `The harbor was already drawing near.`\ ;■第１アイキャッチ：１０月４日（土）１０時３０分 textoff wait 3000 eye2 10,30,10,30,1,0,510,340,25 *umi1_2 textoff bg white,22 ;meplay 1,-1 E_A meplay 1,1 quakey 3,1000 bg black,22 ;　船が大きくガクンと揺れる。\ `The boat gave a big shudder.`\ ;　船着場に接岸したようだった。@ ;　船の人が出てきて、舫い綱を持ちながら埠頭に飛び移る。\ `Seems we've docked at the harbor.`@ `The boat driver came out and jumped to the pier with the mooring rope.`\ bg Ship_S1b,26 ;　そこにはタキシード姿の大柄な男がいて、俺たちをにこやかな笑顔で迎えていた。@ `A large man in a tuxedo was waiting there for us with a warm, smiling face.`@ br ;　……面識はないが、服装から右代宮本家の使用人だろうと察する。\ `......I didn't know his face, but judging by his clothes, I guessed that he was a servant of the Ushiromiya family head house.`\ textoff fede 0,2000 bgmplay 7 ld l,$GOH_WaraiA1,23 ; 「お嬢様、お帰りなさいませ。@だいぶ遅かったので心配いたしておりました。」\ `"Welcome home, Milady.`@` You were quite late, and I began to worry."`\ ld r,$JES_WaraiA1,24 ; 「うん、心配ありがと！@　ウドの大木が怖がっちゃってよー。@それで徐行運転だったってわけ。@マジでうぜーぜ！」@ `"Ah, thanks for caring!`@` This moron got so scared that we had to slow down.`@` It was seriously annoying!"`@ ld c,$BUT_odorokiA2,24 ;「う、うるせー…、いつか逆の立場になったら覚えてろー、…ぅぅ。」\ `"S, shut up...someday, when the shoe's on the other foot, you'll remember this, ...ugghh."`\ bg black,25 ;　この調子じゃ、親族中に言いふらされて、今日の晩餐は俺の話題で持ちきりだな。@ `At this rate, the word'll spread around the entire family and I'll become the big conversation piece during dinner.`@ br ;　ただでさえ６年ぶりってことで話題にされやすいってのに、さらに美味しい話題まで提供しちまうとは…！@ `Even without this, everyone'd be talking about me because of that six year gap...but now I've given them an even juicier topic...!`@ ;　畜生、何で右代宮本家は離島なんかに住んでんだー！\ `Dammit, why does the Ushiromiya head house have to live on this isolated island!`\ bg Ship_S1c,22 ;　そうこうしている内に、船の接岸は終了した。@ ;　下船用の小さな橋板が掛けられる。@ `In the meantime, the boat had finished its mooring.`@ `A small plank was lowered so that we could get down.`@ br ;　船内からぞろぞろと親たちも上がってきた。\ `One by one, our parents came out of the boat.`\ ld r,$GOH_hohoemiA1,24 ;「皆様、長旅お疲れさまでした。@奥様、お手をどうぞ。」@ `"You must all be quite tired from your long trip.`@` Madam, please, allow me to assist you."`@ ld l,$EVA_WaraiA1,23 ;「ありがと。@お久しぶりねぇ、郷田さんもお元気？」@ ;＜絵羽 `"Thank you.`@` It's been a while, Gohda-san. How are you?"`@ ld r,$GOH_WaraiA1,80 ;「ありがとうございます。@お陰様で毎日元気にお勤めをさせていただいております。」\ `"Thank you for your concern.`@` It is always my pleasure to serve."`\ cl l,24 ld l,$KIR_DefA1,23 ;「戦人くんは郷田さんとは初対面じゃない？@　確か６年前はお勤めじゃなかったですよね？」@ ;＜霧江 `"Battler-kun, isn't this your first time meeting Gohda-san?`@` If I'm not mistaken, you weren't working here six years ago, right?"`@ ld r,$GOH_OmakaseA3,80 ;「はい。@ですので、戦人さまとは初めてご挨拶させていただきます。@初めまして、戦人さま。」\ `"Indeed.`@` So please, allow me greet him for the first time.`@` It is an honor to meet you at last, Battler-sama."`\ cl l,24 ld l,$BUT_DefA1,23 ;「……俺も立っ端にゃ多少の自信があったんだが、でっけぇ人だなぁ。@…紛れもなく初対面だぜ。@こんな大男、会ったら絶対忘れないさ…！@/ `"......I'm pretty secure about my height, but you're huge.`@` ...This is definitely our first meeting.`@` If I'd ever met a big guy like you, I'd never forget it...!`@/ ld l,$BUT_defA2,80 ;　どうも初めまして。@戦人っす。」\ ` It's a pleasure.`@` I'm Battler."`\ ld r,$GOH_WaraiA1,80 ;「お待ち申し上げておりました。@一昨年から右代宮本家にお仕えさせていただいております、使用人の郷田と申します。/ `"I do apologize for the wait.`@` I have been working for the Ushiromiya head house since the year before last. I am Gohda (郷田), your servant.`/ ;ここで郷田の情報閲覧が可能に〜〜〜〜〜〜〜〜〜〜 mov ?r[goh][condition],1 seplay 9,1060 ;@どうぞよろしくお願いいたします。@何かご用命がございましたら、いつでもお申し付けください。」\ @` It is a pleasure to make your acquaintance.`@` If there is ever anything you need, please feel free to rely on me."`\ cl l,23 ld l,$GEO_DefA1,23 ;「郷田さん、お久しぶりです。」@ `"Gohda-san, it's been some time."`@ ;＜譲治 ld r,$GOH_hohoemiA1,80 ;「譲治さま、ご無沙汰をいたしております。@お手をどうぞ。」\ `"It has been too long, George-sama.`@` Please, allow me to assist you."`\ cl l,23 ld l,$HID_WaraiA2,23 ;「あんた、相変わらず大した接客のプロや…。@もし職に困ったらいつでもわしに声を掛けんやでぇ。@いつでも雇ったる！」@ `"As usual, you're a reception pro...`@` If you ever need a job, just let me know, okay?`@` I'd hire you anytime!"`@ ld r,$GOH_omakaseA2,80 ;「これは身に余る光栄です。@どうぞお手を、秀吉さま。」\ `"You do me too much honor.`@` Please allow me to assist you, Hideyoshi-sama."`\ bg Ship_S1b,23 ;　郷田さんは、その後も全員の下船を補助して挨拶をしていた。@ `Gohda-san then lent a hand to everyone as they disembarked, greeting them as they passed.`@ br ;　挨拶や仕草が洗練されていて、何と言うか、プロの身のこなしだ。@ ;　見かけのゴツさの割りにとても優雅だった。\ `His speech and mannerisms had the refined polish of a professional.`@ `He was very graceful, in contrast with his initially rough-looking appearance.`\ ;　大男特有の威圧感があるので怖い人かと思っていたが、想像するよりずっと礼儀正しい人だ。@ ;　勤めて２年と言ってるが、その前にもどこかで同じような職だったに違いない。\ `His large size made him seem a bit scary at first, but he was much more polite than my first impression of him had led me to believe.`@ `He claimed to have served on the island for two years, but he had doubtless worked at a similar job somewhere before.`\ bg beach_1a,22 ;　全員が下船すると、舫い綱は解かれ、船は船着場を離れ始める。@ ;　新島の母港へ引き上げるのだろう。@ `After everybody disembarked, the mooring rope was untied and the boat started to steer away from the harbor.`@ `It was probably returning to its home port of Niijima.`@ br ;　船長がお別れの手を振ってくれる。@ ;　真里亞も律儀に手を振り返していた。\ `The captain waved his hand in farewell.`@ `Maria conscientiously waved her hand back. `\ ld r,$BUT_DefA2,24 ;「…………ん〜、何だかさっきから違和感があると思ったら、あれだな。@うみねこの声を聞いてないぜ。」\ `"............Hmmm, now that I think about it, that must be why I've felt something out of place for a while now.`@` I can't hear the cries of the seagulls."`\ ld l,$JES_TohohoA1,23 ;「うみねこぉ？@　鳥のか？」\ ;＜朱志香 `"Seagulls?`@` The birds?"`\ bg black,22 bg sky_1a,26 meplay2 1,5,40 ;　この島に来るといつも、うみねこがにゃあにゃあと賑やかな声で迎えてくれたんだっけ。@ `It's true that whenever I come to this island, the seagulls always meet us with their lively 'nyaa nyaa' cries.`@ br ;　そのせいで、ここ以外でうみねこの声を聞いても、親族会議に来ているような気分になる。\ `And because of that, whenever I hear the cries of the seagulls in any other place, I get the feeling that I'm coming to a family conference.`\ ;　六軒島は、右代宮本家が住んでいる極めて一部分以外は、手付かずで放置されているため、野鳥の天国になっているらしい。@ `Except for the small part of the island where those of the Ushiromiya head house live,`@` Rokkenjima had been left uncultivated, apparently transforming into a paradise for wild birds.`@ br ;　どっかの岸壁がうみねこの巨大コロニーになってるらしく、この島はいつもはうみねこだらけなのだ。@ `The whole wharf looked like it was turning into a huge seagull colony, and this island always was full of seagulls.`@ br ;　そのうみねこの歓迎がなかったので、どこか少しだけ寂しかった。\ `Since those seagulls didn't come to greet us, I felt a bit lonely.`\ textoff fede 10,2000 bg beach_1b,0 ld r,$ROS_DefA1,26 ;「どうしたの、戦人くん。」@ ;＜楼座 `"What's wrong, Battler-kun?"`@ ld l,$BUT_WaraiA1,23 ;「あぁ、楼座叔母さん。@…いやぁ別にぃ、うみねこの声が聞こえないんで、何か寂しいなぁ〜って。」\ `"Oh, Rosa oba-san.`@` ...Nah, it's nothing really, I was just sayin' that since I can't hear the seagulls, it feels a bit lonely."`\ ld r,$ROS_WaraiA1,80 ;「あら、そう言えばそうね。@いっつも賑やかなのに、今日はさっぱりいないわね。」@ ;＜楼座 `"My, now that you say so, it's true.`@` Even though they're always so lively, today there isn't one to be seen."`@ ld c,$MAR_DefA1,22 ;「……うー？@　どうしてうみねこいない？」@ `"......Uu-?`@` Why no seagulls?"`@ ld r,$ROS_WaraiA2,80 ;「うーん、うみねこたちも今日は他所で集まりがあるからかな？@　真里亞もうみねこ見たかったの？」@ ;＜楼座 `"Hmmm, maybe it's because the seagulls are having a gathering somewhere too?`@` Maria, did you want to see the seagulls?"`@ ld c,$MAR_FukigenA1,80 ;「うー、見たかった。」\ `"Uu-, wanted to."`\ ld l,$BUT_WaraiA2,80 ;「何だってこうも丸っきりいねぇんだー？@　朱志香がみぃんな焼き鳥にして食っちまったんかなぁ！」@ `"What happened for them to all disappear?`@` Maybe Jessica made aaall of 'em into #86ef9cyakitori#ffffff and ate 'em!"`/ mov ?grim[6][grim_flg],1 mov %r_hyouji_grim,6 ;seplay 9,1062 @ ld c,$MAR_OdorokiA1,80 ;「……うー？！」\ `"......Uu-?!"`\ bg Beach_1a,0 ld l,$JES_komaruA1,23 ;「ぶ、物騒なこと言うんじゃねぇー！/ `"The hell, don't say disturbing stuff like that!`/ ;se1 9 quakey 3,300 ;@　真里亞が勘違いするだろー！！」@ @` You'll get Maria all confused!!"`@ ld r,$MAR_fukigenA2,24 ;「うーうーうー！@　朱志香お姉ちゃんが焼き鳥にした、焼き鳥にしたー！@　うー！！」@ `"Uu-uu-uu-!`@` Jessica onee-chan made them into yakitori, made them into yakitori!`@` Uu-!!"`@ ld l,$JES_ikariA1,80 ;「してないしていない！@　そんなの私がするわけねえだろ？！」\ `"I did not, I did not!`@` Why the hell would I do something like that?!"`\ ld c,$BUT_WaraiA1,24 ;「そうだそうだぁ〜、朱志香が焼き鳥にしたんだー！@　皮につくねにレバーにねぎまぁ〜ん！」@ `"That's right, that's right~, Jessica made 'em into yakitori!`@` Skin 'n meatballs, liver 'n onio~on!"`@ ld r,$MAR_WaraiA2,80 ;「ワワに靴練り！@　レバーにねぎまぁーん！！@　うーうーうー！@　あははあはは！@　きゃっきゃ、きゃっきゃ！」@ `"Swim in meat dolls!`@` Liver 'n oniooon!!`@` Uu-uu-uu-!`@` Ahaha, ahaha!`@` Hahahaha!"`@ br ;　朱志香を囃し立てると、真里亞も面白そうに俺に追従してくれる。\ `As I made fun of Jessica, Maria tagged along looking like she was having fun.`\ ;　おぉ、こんなにもノリのいいやつだったのか！@ ;　よしよし、今日から俺の子分１号に加えてやるぜ！@ `Ooh, so she's a person who goes with other people's moods!`@ `Alrighty then, from today on I'll make you my number one follower!`@ br ;　笑いかけてやると、ささやかな連帯感が嬉しいのか、とても嬉しそうに笑った。\ `As I smiled at her, she beamed, looking overjoyed and possibly happy with my modest solidarity.`\ bg Beach_1b,0 ld r,$GEO_WaraiA1,24 ;「違うよ、真里亞ちゃん。@野鳥って天気や気圧の変化に敏感なんだそうだよ。@今夜辺り、天気が崩れそうだしね。@巣へ早めに引き上げてるのかもしれないね。」@ ;＜譲治 `"That's not it, Maria-chan.`@` It seems that wild birds are attuned to changes in the weather and atmospheric pressure.`@` It looks like the weather will get worse around tonight.`@` It's possible they hurried back to their nests."`@ ld l,$MAR_fukigenA1,23 ;「…………うー。@焼き鳥じゃない？@　朱志香お姉ちゃんが焼き鳥にしたんじゃない？」\ `"............Uu-.`@` Not yakitori?`@` Jessica onee-chan didn't make them into yakitori?"`\ ld c,$JES_OdorokiA1,64 ;「違う違う！！@　わ、私はそんなことしないって！@　ほら戦人もウソだったって認めろよ！」@ `"I did not, I did not!!`@` I said, I wouldn't do stuff like that!`@` Alright, Battler, you admit right now that you lied!"`@ ld r,$GEO_MajimeA2,80 ;「戦人くん。@真里亞ちゃんは素直な子だから、そういう冗談でも真に受けちゃうんだよ。@冗談も少し選んだ方がいいよ。」@ ;　…譲治の兄貴にしっとりやんわりとお説教される。@ `"Battler-kun.`@` Maria-chan is a naive girl, so she takes even jokes seriously.`@` You should choose your jokes more carefully."`@ `...George-aniki gently scolded me.`@ br ;　…図体のでかさだけは兄貴を上回っても、やっぱり兄貴は兄貴だ。@素直に謝るしかねぇ。\ `...Even though I outstripped Aniki in height, Aniki was of course Aniki.`@` There was no choice but to obediently apologize.`\ bg beach_1a,0 ld c,$BUT_aseruA1,23 ;「お、おう、/ ;!d800悪ぃ悪ぃ…。@　真里亞、今のは冗談だ。@うみねこたちは今日は巣で大人しくしてるってさ。」@ `"H-hey,`/ !d800` my bad, my bad...`@` Maria, that just now was a joke.`@` It's just today the seagulls are all quiet in their nests."`@ ld r,$MAR_defA1,24 ;「……戦人はウソ？@　譲治お兄ちゃんは本当？」@ `"......Battler lie?`@` George onii-chan true?"`@ br ;　せっかく楽しかったのに、実は騙されていた…？@ ;　無垢な瞳が俺を責めるようだ。@ ;　……ちょいとさすがに悪ノリし過ぎたかもなぁ。\ `Despite her having all that fun, she really was tricked...?`@ `Her pure eyes seemed to blame me.`@ `......Maybe I went a little overboard with her after all.`\ ld c,$BUT_waraiA1,80 ;「あぁ、そうだそうだ。@譲治兄貴が言ったのが本当だ。@天気が悪いんで今日は引き上げたんだろうよ。@いなくなったわけじゃないんだぜ？@　ねぇ叔母さん！」\ ;＜戦人 `"Yeeaah, that's right, that's right.`@` What George-aniki said is true.`@` The weather is bad so they probably went home for today.`@` It doesn't mean they're gone, does it?`@` Right, Oba-san!"`\ bg Beach_1b,0 ld l,$ROS_WaraiA1,24 ;「そうよ。@明日以降、天気が良くなったらきっと戻ってきて、みゃーみゃーと声を聞かせてくれるわ。」@ ;＜楼座 `"That's right.`@` Tomorrow, when the weather gets better, I'm sure they'll come back and let us hear their 'Myaa myaa' cries."`@ ld r,$MAR_niyariA1,22 ;「うー。@天気良くなって戻ってくるの待つ。@明日まで待つ。@天気良くなるまで待つ。@うーうー！」@ `"Uu-.`@` They're waiting for the weather to get better to come back.`@` Waiting for tomorrow.`@` Waiting for the weather to get better.`@` Uu-uu-!"`@ br ;　真里亞は機嫌を直し、うみねこが空いっぱいに帰ってくる明日を楽しみにするのだった。\ `Maria was in a lighter mood, and was looking forward to tomorrow when the seagulls would come back and fill the skies.`\ bg beach_1a,23 ;　それにしても譲治の兄貴は小さい子の面倒を見るのがうまいぜ。@ `Still, George-aniki really was amazing at taking care of kids.`@ br ;　…６年前のガキンチョだった俺も、兄貴にいい感じで面倒を見られてた気がするし。@ ;　……兄貴、ちょっとした才能なのかもしれないなぁ。\ `...I think I remember Aniki taking good care of me as well when I was a brat six years ago.`@ `......Aniki, that's probably your gift.`\ ld r,$ROS_WaraiA2,24 ;「譲治くんは小さい子の面倒を見るのがうまいわね。@保育士さんでも勤められるんじゃない？」@ ;＜楼座 `"George-kun is amazing at taking care of kids.`@` And you're not working in child-care?"`@ ld l,$JES_WaraiA1,23 ;「あー、譲治兄さんの天職っぽいぜ。@私的には社長室でビジネスってより、そっちの方が兄さんのイメージだぜ？」@ ;＜朱志香 `"Yeah, George nii-san, looks like it's what you were born to do.`@` Personally, I see you doing that rather than doing business in some company president's office."`@ cl r,23 ld r,$GEO_DefA1,24 ;「まさか。@保育士さんは立派なお仕事だよ。@単なる子供好き程度に務まる仕事じゃないね。」\ `"Oh, no.`@` Child-care is a fine job.`@` But it's not a job where merely liking children is enough."`\ cl l,24 ld l,$ROS_WaraiA1,24 ;「本当に譲治くんは謙虚ね。@でも、戦人くんも子供のあやし方が上手よ？@　さっきはほんの少しの間だけど、真里亞、とっても楽しそうだった。@これからも今みたいに遊んであげてね。@冗談は選んで、だけどね？@　くす。」\ ;＜楼座 `"You're truly modest, George-kun.`@` But Battler-kun is also quite good with children!`@` Earlier, even if it was just for a time, Maria seemed to be having a lot of fun.`@` Keep on playing with her like you did just now.`@` Just choose the jokes carefully though, alright?`@` *giggle*."`\ ;　楼座叔母さんがくすりと笑いながら、ウィンクするような仕草をしてくれた。@ ;　真里亞の楽しそうな仕草が嬉しかったという辺りは、なるほど母だなぁと思った。\ `Rosa oba-san winked at me, giggling a little.`@ `A real mother, I thought to myself, who's happy that Maria looks like she's having fun.`\ bg black,24 bg Beach_S1a,0 ld c,$RUD_DefA1,26 ;「おおい、楼座ぁ。@それにガキ共も何やってんだ、行くぞー。」\ ;＜留弗夫 `"Come ON, Rosa.`@` And you brats too, what the hell're you doing. Let's go now!"`\ bg beach_1b,0 ld r,$ROS_WaraiA1,23 ;「はいはい、今行きます。」@ ;＜楼座 `"Alright, alright, we're coming."`@ br ;　クソ親父が早く来いと手を振っている。@ ;　そろそろ行かないとな。@ ;　同じ立ち話をするんでも、手荷物を部屋に置いてからでも遅くないはずだしな。\ `The old bastard was waving his hand for us to hurry up.`@ `But yeah, we needed to get moving.`@ `It's not like it'd be too late to have the same discussion after we got our luggage in our rooms.`\ bg beach_1a,23 ld c,$GOH_DefA1,23 ;「それでは皆様、お泊りのゲストハウスの方へご案内させていただきます。@どうぞこちらへ。」@ ;　郷田さんが全員に呼びかけ、先導を始める。@ ;　熊沢さんはしんがりだった。\ `"Now then everyone, I shall lead you towards the guesthouse where you will be staying.`@` Please, this way."`@ `Gohda-san called to everyone and started leading us.`@ `Kumasawa-san brought up the rear.`\ textoff wait 1500 bg beach_S1b,22 wait 1500 bg beach_S1c,22 wait 1500 bg beach_S2a,22 ;wait 1500 ;bg beach_S2b,22 wait 1500 bg black,22 bg forest_P1b,26 wait 1500 bg forest_P1a,22 ;　薄暗い森の中を、蛇腹になった捻くれた道が続く。@わずかに登りになっていた。\ `A serpentine, twisting path led into a dim forest.`@` It ran a bit uphill.`\ ;　傾斜を少しでも感じさせないために道を捻ってあるんだろうが、@俺的には潔く直線の階段か何かにしてもらった方が嬉しい。@ `I'd guess the path was made twisting so that the slope wouldn't be felt too much, but`@` personally, I'd have been happier if they'd had the guts to make some stairs in a straight line.`@ br ;　……絶対これ、勿体ぶって距離感を出すためにわざと道を捻ってあるぞ…。\ `......No doubt they made the path twisting on purpose, to put on airs of distance and importance...`\ bg forest_S1a,22 ;　やがて石造りの庭園風の階段が見えてきた。@ `Before long, we saw garden-style stone steps. `@ br ;　…あぁ、この辺からは記憶がある。@ ;　こいつを上がると確か…。\ `...Aaah, from here on, I have some memories.`@ `Go up these, and...`\ bg forest_S1b,22 ;　石段の向こうに、美しいゲストハウスが見えてくる。\ `At the top of the stone steps, we saw a beautiful guesthouse.`\ bg white,22 fede 0,2000 bgmplay 8 bg rose_1a,2 ;　その佇まいももちろん素晴らしいものだが、それ以上に、/ ;!d1000……その前に広がる美しい薔薇の庭園の美しさに心を奪われずにはいられなかった。\ `Its facade was of course lovely, but even more so, `/ !d1000`......we couldn't enter its doors without having our hearts stolen away by the splendor of that beautiful rose garden that spread before it.`\ bg garden_1a,22 ld r,$HID_WaraiA1,4 ;「はぁ〜！@　今年も相変わらず、大したもんや…。@目の保養とはこのことやで…。」@ ;　石段を登りきり、薔薇の庭園に迎えられた人たちは次々の感動を口にする。\ `"Aaah~!`@` It's as beautiful as ever this year...`@` A real delight for the eyes..."`@ `After climbing the stone steps, the people welcomed in by the rose garden gave voice to their impressions one by one.`\ ld l,$EVA_DefA1,23 ;「今年は少し花に元気がないんじゃない？@　やっぱり夏があまり暑くなかったせいかしら。」@ ;＜絵羽 `"Aren't the flowers less lively this year?`@` It must be because the summer wasn't warm enough."`@ cl r,23 ld r,$GOH_omakaseA3,24 ;「そのせいもあるかと思います。@去年の咲きに比べると、今年は少々見劣るのが残念です。」\ ;＜郷田 `"I also believe that is so.`@` When one compares with last year's blooming, it is a pity that this year's is a bit inferior."`\ bg rose_1b,22 ;　とはいっても、それでも立派な薔薇庭園だった。@ ;　６年前にも毎年、たくさんの薔薇が出迎えてくれたのを覚えている。\ `Even so, it was a delightful rose garden.`@ `I remembered that every year before six years previously, huge amounts of roses had greeted me.`\ ;　…六軒島を訪れた人間を最初に歓迎するこの薔薇庭園は、@毎年訪れている親族であっても、感嘆を漏らさずにはいられないのだ。@ `...This rose garden was the first thing that greeted the people who came to Rokkenjima.`@` Even our parents, who came every year, couldn't help but let their wonder slip out.`@ br ;　その上、俺の記憶にある、６年前の庭園よりパワーアップしているように見えた。\ `And moreover, it looked like a 'powered-up' version of the garden from six years ago that was in my memories.`\ bg garden_1b,22 ld r,$KIR_DefA1,24 ;「いつ見てもすごいわね。@自宅にこれだけの薔薇園があったら、さぞや素敵でしょうに。」@ ;＜霧江 `"This place is always so amazing.`@` It must be wonderful to have a rose garden like this in your own home."`@ ld l,$RUD_DefA1,23 ;「よせよ、誰が手入れすんだよ。@薔薇は虫とか病気とか大変なんだぜ？」\ ;＜留弗夫 `"Give it up.`@` Who do you think would take care of it?`@` Roses are a real pain, with bugs and diseases to worry about."`\ cl r,23 ld r,$ROS_DefA1,24 ;「そうね。@霧江姉さんは毎日、薔薇の手入れをしてて、虫が付かないようにしてるそうよ？」@ ;＜楼座 `"Well, from what I've heard, `@`Kyrie nee-san takes care of her rose every day and makes sure no bugs get anywhere near it, right?"`@ ld l,$RUD_majimeA2,80 ;「え？@　そうなのかよ、そんな話は知らないぜ？」\ ;＜留弗夫 `"Huh?`@` What are you talking about?"`\ cl l,24 ld l,$KIR_waraiA2,23 ;「そうなんです。@この人の場合は、薔薇の方から虫を求めて行っちゃうから、どっちかというと性質の悪い食虫植物ってところね。」@ ;＜霧江 `"That's right.`@` Though in this person's case, the rose goes after the insects like some nasty carnivorous plant."`@ bg garden_1a,0 ld r,$RUD_akuwaraiA1,23 ;「…あー、そういう話かよ。@ったく、楼座、今日はそういう話は勘弁してくれよ。@もうそういうのはすっかり足を洗ったんだぜ？」\ `"...Oh, so that's what you mean.`@` C'mon, Rosa, can't you give that a rest just for today?`@` I've put that sort of thing completely behind me."`\ ld l,$ROS_akuWaraiA1,23 ;「どうかしら。@留弗夫兄さんは遺伝子的レベルでだらしないですし…！」@ ;＜楼座 `"I wonder.`@` After all, you are a womanizer on an almost genetic level...!"`@ cl r,23 ld r,$KIR_futekiA1,24 ;「大丈夫よ楼座さん。@あんまりおイタする薔薇なら、根元からチョンって切っちゃうから。」\ ;＜霧江 `"No need to worry, Rosa-san.`@` When a rose gives you too much trouble, it's always best to snip it at the root."`\ bg garden_1c,0 ld r,$KUM_WaraiA1,24 ;「ほっほっほっほ…、物騒なお話ですねぇ。」@ ;＜熊沢 `"Hoh-hoh-hoh-ho, such frightening talk this is."`@ ld l,$HID_WaraiA1,23 ;「モテる男はいつもリスクと隣り合わせなんや。@わしも来世じゃもうちょい美形に生まれたいもんやで〜！」\ `"Guys who're popular with the ladies are always forced to live dangerously.`@` I sure hope I turn out a bit prettier in my next life!"`\ ld c,$RUD_KomaruA1,22 ;「だから秀吉兄さん、モテてなんかないって。@…霧江も物騒な話なんかやめろぃ。@俺の薔薇が萎れちまったじゃねぇか。」\ `"Hideyoshi nii-san, as I keep telling you, it isn't like that at all.`@` ...And Kyrie...stop it, you're freaking me out.`@` Hasn't my rose withered already?"`\ bg black,24 bg garden_1b,0 ld r,$GEO_waraiA2,24 ;「ほら、真里亞ちゃん来てごらん。@こっちの薔薇は特に立派だよ。」@ ;＜譲治 `"Hey, Maria-chan, look over here.`@` These roses are especially magnificent."`@ ld l,$MAR_DefA1,23 ;「…薔薇が立派。@…うー！」\ `"...Roses are magnificent.`@` ...Uu-!"`\ bg rose_1a,0 ld r,$BUT_WaraiA1,24 ;「ん〜〜、芳しい匂いだぜ。@俺のエレガントさにぴったりだなぁ〜。」@ ;＜戦人 `"Hmmm~~, smells pretty sweet.`@` Look, this matches my elegance pe~rfectly."`@ ld l,$JES_OdorokiA1,23 ;「おいよせよ！@　真里亞が真似してトゲで怪我するだろー！」@ ;＜朱志香 ;　キザったらしく薔薇の匂いを嗅ぐような仕草をして見せたら怒られた。\ `"Hey, cut it out!`@` Maria's gonna imitate you and get hurt by the thorns!"`@ `She yelled at me as I leaned in to smell the rose's scent with an exaggerated gesture.`\ bg black,23 bg garden_1b,0 ld r,$GEO_hohoemiA1,0 ld l,$MAR_WaraiA2,23 ;　…まさかなと思って振り返ると、真里亞が俺そっくりの真似をして、譲治の兄貴を大層笑わせていた。\ `...I thought she was overreacting, but when I turned around, I saw Maria imitating my every gesture and George-aniki smiling broadly at us.`\ ld r,$GEO_waraiA2,80 ;「ほら、真里亞ちゃん、気をつけて。@薔薇のトゲは痛いよ。」@ ;＜譲治 `"Hey now, Maria-chan, be careful.`@` Rose thorns can hurt."`@ cl l,0 ld c,$MAR_defA1,23 ;「……うー？@　…………譲治お兄ちゃん。@この薔薇だけヘン。@うー。」@ `"......Uu-?`@` ............George onii-chan.`@` Only this rose is strange.`@` Uu-."`@ ld l,$JES_DefA1,23 ;「ヘン？@　どうしたんだよ。」\ ;＜朱志香 `"Strange?`@` What's wrong?"`\ bg rose_1b,22 ;　真里亞が一本の薔薇を指差す。@ ;　すぐにその違和感はわかった。@ `Maria pointed to one rose.`@ `I immediately understood why she found it odd.`@ br ;　立派な薔薇たちの中で、その一本だけが萎れかけていたのだ。\ `In the midst of all these magnificent roses, just one single rose was withering.`\ ;　特別な理由があるわけじゃない。@ ;　元気な薔薇もあれば萎れる薔薇もある。@ `There wasn't any particular reason.`@ `Some roses flourish, and others wither.`@ br ;　それだけのことなのだが、みんな元気なのに一本だけ元気がないというのが、真里亞にはとても気になるようだった。@ `That's all there was to it, but Maria seemed very concerned about the only unhealthy one in the group.`@ br ;　…多分、ある種の仲間はずれ的な感情を感じているに違いない。\ `...It must have made her feel lonely.`\ bg garden_1a,0 ld l,$GEO_DefA1,22 ;「この薔薇だけ元気がなくて、可哀想…？」@ ;＜譲治 `"So, you feel sad for this rose because it's the only one that isn't healthy...?"`@ ld r,$MAR_fukigenA1,24 ;「……うー。@他はみんな元気なのに、これだけ可哀想。」@ `"......Uu-.`@` The others are all healthy, but this one's sad."`@ ld c,$JES_defA2,22 ;「まぁ、咲いたり枯れたりはそれぞれだからなぁ。@一足先に萎れる代わりに、その薔薇は他のどの薔薇よりも早く開花できたんだと思うぜ？」@ ;＜朱志香 `"Well, you always get a few that wither.`@` I'll bet the only reason that one withered is because it bloomed earlier than any of the other roses."`@ cl l,24 ld l,$BUT_DefA1,24 ;「そうだよな。@いっぱい咲いて、その役目を終えてお休みに入ったってだけのことだと思うぜ。@そんなに気に病むことはねぇさ。」\ ;＜戦人 `"Yeah, that's right.`@` It probably just bloomed all over the place, fulfilled its duty and went to rest.`@` You shouldn't get so worked up about it."`\ cl a,0 ld c,$MAR_fukigenA1,22 ;「………うー。」@ ;　真里亞の無垢な感受性は、このぽつりと萎れる薔薇に何かの感傷を感じさせるらしい。@ `".........Uu-."`@ `It seemed that Maria's pure, sensitive nature was making her feel some emotional pain for the rose that withered alone.`@ br ;　理屈ではわかっていても、寂しさが拭えないようだった。\ `Even though she understood the logic of it, it still felt lonely to her.`\ cl c,0 ld r,$MAR_fukigenA1,0 ld l,$GEO_WaraiA2,24 ;「じゃあ真里亞ちゃん。@帰るまでの間、この薔薇をお世話してあげるといいよ。」@ ;＜譲治 `"Then, Maria-chan,`@` why don't you look after this rose until we leave?"`@ ld r,$MAR_DefA1,80 ;「うー？」\ `"Uu-?"`\ ;　譲治の兄貴は一度腰を上げると、ポケットをまさぐる。@ ;　取り出したのは、機内で舐めていた飴玉の包み紙だった。@ `George-aniki straightened up and felt around in his pocket.`@ `He then took out the wrapping from the candy Maria had eaten on the plane.`@ br ;　それをこよりのように細くすると、目印をつけるようにその薔薇にやさしく縛り付けた。\ `He twisted it into a thin string, and gently tied it to the rose as a sort of marker.`\ ld c,$JES_defA1,24 ;「へー、なんだか可愛くなったね！」@ ;＜朱志香 `"Heeey, that's pretty cute!"`@ ld l,$GEO_HohoemiA1,80 ;「これが、この薔薇の目印だよ。@あとでお水とかをあげに来てごらん。@薔薇さんもきっと喜ぶと思うよ。」@ `"Let's mark it with this.`@` Later on, you can come and give it some water.`@` I'm sure Mr. Rose will be happy."`@ br ld r,$MAR_WaraiA2,80 ;「……うー！@　お水とかをあげに来る！」\ `"......Uu-!`@` Come to give it water!"`\ ld l,$GEO_WaraiA1,80 ;「せっかくだから、この薔薇さんに何か名前を付けてあげるといいよ。@そうすると、薔薇さんも喜ぶと思うし、真里亞ちゃんと心もきっと通い合うと思うよ。」\ ;＜譲治 `"I think you should give Mr. Rose here a name.`@` I'm sure that'll make it happy, and you'll get to know it a little better."`\ ld r,$MAR_defA1,80 ;「名前…？@　名前…。@……うー…うー…。」@ ;　真里亞は腕組をしながら、相変わらずの仏頂面だけれども、真剣に悩み始める。@ `"Name...?`@` Name...`@`......Uu-...uu-..."`@ `Though she still wore her usual sullen face, Maria crossed her arms and began to consider this intently.`@ br ;　少なくとも、傷心からはすっかり立ち直ったように見えた。@さすがは兄貴だ。\ `At the very least, she appeared to have been completely pulled out of her slump.`@` Nice going, Aniki.`\ bg rose_1b,24 ld r,$JES_DefA2,24 ;「譲治兄さんって、昔っから包容力があるよな。@尊敬するぜ。」@ ;＜朱志香 `"George nii-san has always been really understanding.`@` Can't help but respect him."`@ ld l,$BUT_DefA1,23 ;「だな。@人徳ってヤツだろ。@後でツメの垢をもらってきてやるから一緒に飲もうぜ。」\ ;＜戦人 `"Yeah.`@` I guess he was just born that way.`@` We've gotta start picking up tips!"`/ ;seplay 9,1062 \ bg black,24 bg garden_1a,24 ld r,$HID_DefA1,24 ;「この庭園は、お前が子供の頃にもこんなに立派だったんか？」\ ;＜秀吉 `"Was this garden just as magnificent when you all were kids?"`\ ld l,$EVA_DefA1,23 ;「私が出てってからよ、こんなに立派になったのは。@前の庭園の方が素朴で愛着があったんだけどねぇ。@兄さんがちょっと悪趣味にいじり過ぎたのよ。@前の方がずっとよかったんだから。」@ ;＜絵羽 `"From the time I left the House onwards, it started to really become something.`@` Before that, the garden was simpler, but I'm still attached to that one though.`@` Nii-san fiddled with it too much, with his slightly bad taste.`@` It was better the way it was before."`@ ld r,$HID_WaraiA2,80 ;「絵羽、ポジティブシンキングやで！@　昔は置いといて、今のこの美しさを愛でなあかん。@その方が心が安らかになるでぇ。」@ `"Eva, you've gotta think positive!`@` Regardless of how it once looked, its beauty now is something to be admired.`@` You'll be able to relax a lot better if you look at it that way."`@ ld l,$EVA_KomaruA3,80 ;「別にそんな意味じゃぁ。@ただ私は、昔の方が素敵だった庭園をあなたにも見て欲しかったなぁってだけよぅ。」\ `"I didn't mean it like that...`@` I was just saying that I wanted you to see this garden the way it was before too."`\ cl a,22 ld c,$GOH_DefA1,24 ;「それでは皆様、よろしいでしょうか。@そろそろお部屋の方にご案内いたします。」\ `"Now then, everyone, if you please.`@` I shall be guiding you to the rooms now."`\ bg garden_1c,22 ;　郷田さんがそろそろ良いかとみんなに声を掛けるが、@一年ぶりの薔薇庭園にすっかり心を奪われてしまって、なかなか耳を貸そうとはしなかった。\ `Gohda-san called to everyone to ask if we were ready, `@`but our hearts had been completely stolen away by the rose garden after a year of absence, and we didn't lend him an ear.`\ ;　団体旅行じゃないから、厳しいスケジュールがあるわけじゃない。@ ;　それに、親兄弟たちにとっては懐かしき実家の敷地内なので、誰かに促される義理もないのだろう。@ `Since we weren't a travel group, it wasn't like we had a strict schedule to follow.`@ `Besides, since our parents were visiting their old home, full of nostalgia, it wasn't like they had to let themselves be urged on by anyone or anything.`@ br ;　その辺りの事情を理解し、郷田さんは親たちが薔薇に飽きて部屋に案内してくれと言い出すまで、にこやかなまま待ち続けるのだった…。\ `Understanding the situation, Gohda-san continued to wait, smiling widely, until our parents got tired of the roses and told him to guide us to the rooms...`\ bg black,22 fede 0,3000 bg garden_1a,0 ld r,$HID_WaraiA1,22 ;「おや…！@　おおい！@　嘉音くんやないか！@　久しぶりやな、元気かぁ！」@ ;　秀吉伯父さんが唐突に大声を上げた。\ `"My...!`@` Heeey!`@` If it isn't Kanon-kun!`@` It's been so long! How are you doin'?!"`@ `Hideyoshi oji-san suddenly shouted.`\ bg black,22 bg rose_G1b,22 bgmplay 9 ld c,$KAN_DefA1,2 ;　手を振っている方を見ると、/ `In the direction he was waving at, `/ ;!d900………小柄な少年がいた。\ !d900`.........there was a slender boy.`\ ;　郷田さんのような大柄の男を見た直後だと、その小柄さが一層際立って見えたかもしれない。@ `Meeting him right after a huge man like Gohda probably emphasized his small stature.`@ br ;　少年は、手押しの猫車に園芸の道具などを積んで運んでいるところだった。@ ;　自分が呼び止められたことを知ると、猫車を置いて帽子を取り、頭を下げた。\ `The boy was in the middle of transporting piled-up gardening tools and the like in a wheelbarrow.`@ `When he realized he was being called to stop, he set down the wheelbarrow, took his hat off and bowed his head.`\ ld c,$KAN_nayamuA1,80 ;「………………。@………こんにちは。」\ `"..................`@`.........Good afternoon."`\ ;　…多分、俺より年下だと思う。@ ;　雰囲気から彼も使用人であることがわかった。\ `...I figured he was probably younger than me.`@ `I realized by the general atmosphere surrounding him that he was a servant too.`\ ;　秀吉伯父さんの挨拶に応える形で挨拶を返してくれたが、本来は無愛想なのかもしれない。@ ;　ちょっと感情の篭らない挨拶だった。\ `He answered Hideyoshi oji-san's greeting, but he seemed unsociable deep down.`@ `It was a greeting that lacked feeling.`\ ;　俺らの関心が彼に移ったのに気付くと、郷田さんは少年の脇に行き紹介してくれた。\ `When Gohda-san noticed that our interest had shifted towards him, he went to the boy's side and introduced him to us.`\ cl c,0 ld r,$GOH_DefA1,0 ld l,$KAN_nayamuA1,24 ;「戦人さま、ご紹介いたします。@右代宮本家にお仕えしております使用人のひとりです。@…嘉音さん、お客様にご挨拶を。」@ `"Battler-sama, I shall introduce you.`@` He is one of the servants who serve the Ushiromiya head house.`@` ...Kanon-san, greet our guest."`@ ld l,$KAN_defA2,80 ;「………………初めまして。@使用人の…………、/ `"..................I'm pleased to meet you.`@` I am the servant............, `/ ;ここで嘉音の情報閲覧が可能に〜〜〜〜 mov ?r[kan][condition],1 seplay 9,1060 ;!d1000嘉音（かのん）です。」\ !d1000`Kanon (嘉音)."`\ ;　やはり第一印象に違わず、無愛想というか、口下手だなと感じた。@ `Yep, my first impression wasn't wrong, he gave the feeling that he was unsociable, and a bit of a poor speaker.`@ br ;　郷田さんが使用人として非常に洗練されていることと比べると、@どうしても年齢相応の未熟さを感じてしまうのだった。@ `Compared to Gohda-san, who was extraordinarily polished as a servant,`@` no matter what he did, he gave off a feeling of inexperience typical of his age.`@ br ;　郷田さんが、もう少し自己紹介はできませんかと小声で促しているが、嘉音という少年は俯くだけだ。\ `When Gohda-san urged him in a whisper to give a bit more of an introduction, the boy named Kanon only cast his eyes downwards.`\ ld r,$GOH_omakaseA3,80 ;「嘉音さん。@もう少し何か挨拶することはできませんか…？」@ `"Kanon-san.`@` Could you perhaps give them a little more as a greeting...?"`@ ld l,$KAN_majimeA1,80 ;「…………いえ。@…………僕たちは、/ ;!d800……家具ですから。」@ `"............No.`@` ............Because we, `/ !d800`......are furniture."`@ br ;　俺らに悪意があってそれ以上の挨拶を拒んでいる、@というよりは、これ以上何を挨拶すればいいかわからず黙っているしかない、という風に見えた。\ `It seemed that he wasn't refusing to greet us out of spite,`@` but rather, he gave the impression that he had no choice but stay silent, not knowing what to add to his greeting.`\ cl r,22 ld r,$JES_TohohoA2,64 ;「あ、あー、嘉音くんは寡黙でさ、余計なおしゃべりはしない性分なんだよ。@愛想は少し悪いけど根はいい人なんだぜ。@誤解しないで…！@/ `"Ah, uh, Kanon-kun's shy, he's the kind that doesn't talk much.`@` He might not be that sociable, but deep down he's really a good person!`@` Don't get him wrong...!`@/ ld r,$JES_DefA1,80 ;　ここに勤めて３年になるっけ？@　確か郷田さんより１年長いんだよな、嘉音くん？」@ ` You've been working here for three years, was it?`@` So yeah, you've been here a year longer than Gohda-san, right Kanon-kun?"`@ ;　別に悪い印象を持ったわけじゃないのに、朱志香が慌ててフォローしてくれる。@ `Even though it's not like he made a super bad impression, Jessica hurriedly backed him up.`@ br ;　…なるほど、普段から無愛想で損をしているらしい。\ `...I see, apparently him being unsociable works against him all the time.`\ cl r,23 ld r,$BUT_DefA1,24 ;「そっか、よろしくな。@俺は戦人！@　１８だけど、君はいくつだい？」@ `"Ok then, nice to meet you.`@` I'm Battler!`@` I'm 18, how old are you?"`@ ld l,$KAN_KomaruA1,80 ;「………………………。」@ ;　答えるべき質問かどうか、値踏みするような沈黙。@…これまた先に朱志香が教えてくれた。\ `"..........................."`@ `A silence, as if appraising whether it was a question that must be answered or not.`@` ...But here again, Jessica plowed ahead.`@ ld c,$JES_OdorokiA1,22 ;「えっとえっと…！@　確か、私たちの２つ下だから、…１６だったよなー？」@ `"Um, uhh...!`@` If I remember correctly, he's two years younger than us so...sixteen, right?"`@ ld l,$KAN_majimeA1,80 ;「…………はい、…そうです。」\ `"............Yes, ...that is correct."`\ ;　できることなら年齢を打ち明けたくなかったという風に見えた。@ `It looked like if given a choice, he would have preferred not to tell us his age.`@ br ;　年齢を話したくないのは、それを理由に見下されるかもしれないからだ。@ ;　…俺も同じくらいの歳の時、大人に歳を聞かれるのが嫌いだった気がする。\ `Him not wanting to tell his age was probably because he thought he would be looked down upon for it.`@ `...I remember that when I was around his age, I hated being asked how old I was by adults.`\ ;　…なるほど、１６か。@ `...I see, sixteen huh?`@ br ;　その辺が微妙な年頃かもしれねぇな。@ ;　…だとしたら悪いことを聞いちまったぜ。\ `That's gotta be a delicate time.`@ `...In that case, I asked something I shouldn't have.`\ ld r,$BUT_WaraiA1,80 ;「へっへ〜、近い歳で嬉しいぜ！@　気さくに戦人って呼んでくれよな！@　俺も君のことは嘉音って呼ぶぜ！」@ `"Heh he~, I'm glad you're about our age!`@` Just be cool and call me Battler!`@` And I'll call you Kanon!"`@ ld l,$KAN_DefA1,80 ;「………ありがとうございます。@お気持ちだけで結構です、…戦人さま。」\ `".........Thank you very much.`@` But just the sentiment is sufficient, ...Battler-sama."`\ ;　朱志香が勝手にあわあわしてる。@ ;　嘉音くんの拒絶的な返事に俺が印象を悪くしているものと思っているらしい。@ `Jessica looked all downcast for some reason.`@ `She seemed to think that my impression of Kanon was worsening because of his rejection.`@ br ;　まぁ女の朱志香には、この辺のむずかる男心はわかるまいよ。@ ;　俺はほんの２年だが青年時代をリードしている先輩として、そこら辺を理解してやることにする。\ `Well, that girl Jessica probably couldn't understand the fretful male heart at this age.`@ `As his elder, even by just two years, who would lead him into adolescence, I took it upon myself to understand that.`\ bg garden_1a,0 ld r,$GOH_hohoemiA2,24 ;「嘉音さん、もう少し愛想よくはできませんか？@　笑顔も使用人の義務ですよ？」@ ;＜郷田 `"Kanon-san, could you perhaps be a little more courteous?`@` A smiling face is also the duty of a servant."`@ ld l,$KAN_majimeA1,23 ;「……………申し訳ありません。@…努力します。」\ ;＜嘉音 `"...............I apologize.`@` ...I shall make an effort."`\ ld c,$KUM_WaraiA1,23 ;「ほっほっほ…。@郷田さん、嘉音くんもいろいろ頑張ってるんですよ、ねぇ？」@ ;＜熊沢 `"Hoh-hoh-ho...`@` Gohda-san, Kanon-kun is trying his best, isn't he?"`@ ;　無愛想な点はよく注意されることらしい。@ ;　そして一向に改まらないことでもあるようだ。@ `It looked like he had already been well warned about his discourtesy.`@ `And apparently he hadn't improved a bit.`@ br ;　郷田さんは営業スマイルのままだったが、諦めの小さな溜め息を漏らす。\ `Gohda-san kept his business-smile, but let a small sigh of resignation escape.`\ cl a,22 ld c,$KAN_nayamuA1,22 ;「……それでは、まだ仕事がありますので。@………失礼します。」\ `"......Well then, I still have work to do.`@` .........If you'll excuse me."`\ ;　これ以上、この場で沈黙を守ることは嘉音くん自身にとっても居心地の悪いものらしい。@ ;　もう一度ぺこりと頭を下げると踵を返し、猫車を押し始めるのだった。\ `It looked like Kanon himself was uncomfortable with remaining silent here any longer.`@ `After another perfunctory bow, he turned on his heels and started pushing the wheelbarrow again.`\ bg black,1 se1 13 quakey 5,300 ;　すると突然、猫車がぐらりと転んで積荷を散らしてしまった。@ ;　猫車のひとつしかない車輪が小石でも噛んだのでバランスを崩してしまったのだろう。\ `Just then, suddenly, the wheelbarrow wobbled and fell, scattering the load.`@ `I guess the wheelbarrow with its single wheel caught on a pebble and lost its balance.`\ bg rose_G1a,0 ld r,$GOH_HohoemiA1,26 ;「何をしてるんですか…、ささ、早く片付けて…！」\ `"What have you done..., now now, quickly clean it up...!"`\ ld l,$KAN_KomaruA1,6 ;　お客様の前で無様な姿を見せるのは使用人の恥だとでも言わんばかりに、郷田さんが小声で急き立てる。@ ;　嘉音くんも、言われなくてもわかってるとばかりに、無言で落ちた荷を猫車に積み直す。\ `Since Gohda-san was one to harp on the fact that presenting a clumsy appearance in front of guests is a servant's shame, he urged him along in a low voice.`@ `Kanon-kun, who probably understood quite well without being told, wordlessly reloaded the wheelbarrow with the fallen objects.`\ ;　シャベルなんかの園芸道具は軽そうだからいいが、一抱えもあるような肥料の袋を持ち上げるのには苦労しているようだった。\ `He seemed to be fine with the light-looking gardening tools, shovels and such, but he looked like he was having trouble getting his arms around and lifting up some sacks of fertilizer.`\ ld c,$JES_DefA1,24 ;「大丈夫かよ、そそっかしいな。@ほら。」@ ;＜朱志香 `"Are you alright? You're so careless.`@` Here."`@ ld r,$GOH_omakaseA3,80 ;「お嬢様、お召し物が汚れます。@ここはお任せ下さい。」@ ;＜郷田 `"Milady, you will dirty your garments.`@` Please, leave it to us."`@ ;　朱志香が拾ったシャベルを、郷田さんは優雅な仕草で取り上げる。@ `Gohda-san took the shovel that Jessica had picked up with an elegant gesture.`@ br ;　その背中では、肥料の袋に難儀している嘉音くんの姿があった。\ `At his back was the figure of Kanon-kun having trouble with the sacks of fertilizer.`\ bg garden_1a,0 ld r,$MAR_DefA1,24 ;「……うー。@お召し物が汚れる？」@ `"......Uu-.`@` You'll dirty your garments?"`@ ld l,$BUT_WaraiA1,23 ;「安心しろよ、俺が着てるのはそんなお上品なものじゃねぇぜ。@/ `"Don't worry, the ones I'm wearing aren't that elegant. `@/ ld l,$BUT_DefA1,80 ;それによ、俺はレストランで、落ちたフォークをウェイトレスに拾わせるってやつが大嫌いなんだ。」@ ;　俺は他にも転がる肥料を抱え上げる。@ `Besides, I hate guys who make the waitress pick up the fork they dropped at a restaurant."`@ `I lifted up the other bags that had fallen.`@ br ;　決して軽くはなかったが、俺にとっちゃ朝飯前だ。\ `Of course, they weren't light, but for me it was a piece of cake.`\ cl r,23 ld r,$KAN_defA2,24 ;　嘉音くんは驚いた目を向ける。@ ;　まさか客人に手伝ってもらえるとは思わなかったって顔だ。\ `Kanon-kun turned his surprised eyes towards me.`@ `It was the face of one who would never have thought to receive help from a guest. `\ ld r,$KAN_KomaruA1,80 ;「…………ば、戦人さま…。@結構です…、僕が全てやりますので…。」@ `"............B-Battler-sama...`@` That's sufficient..., I'll take care of everything, so..."`@ ld l,$BUT_WaraiA2,80 ;「気にすんなぁ！@　こう見えても鍛え方が違うぜ！@　へへん！」@ `"Don't you worry!`@` I may not look it, but I've got it where it counts!`@` Heheh!"`@ br ;　嘉音くんはまだ成長期前って感じで、少々ひ弱そうな体つきだ。@ ;　ちょいとこの重さは堪えるのかもしれない。\ `Since Kanon-kun looked like he hadn't yet gone through his growth spurt, he was stuck with a sorta weak body.`@ `I guessed that this kind of weight was too much for him.`\ bg garden_1b,0 ld r,$GEO_DefA1,24 ;「結構重いね。@嘉音くんが苦労するのも無理はないよ。@嘉音くん、気にしないで。」@ ;＜譲治 `"It's quite heavy, isn't it.`@` It's natural that it would be difficult for you.`@` Kanon-kun, don't worry about it."`@ ld l,$BUT_WaraiA1,23 ;「これぞ俺の見せ場さぁ。@これでさっきの船の分はチャラだよなぁ？」\ `"Ok, my time to shine.`@` This makes up for the boat part from before, right?"`\ cl r,23 ld r,$JES_akuWaraiA1,23 ;「は！@　この程度のことじゃ、さっきの大騒ぎが帳消しになるもんかよ！@　あっはっはっは！@　嘉音くんにも後で教えてやるよ、戦人ったら面白ぇんだぜ！」@ ;＜朱志香 `"Ha!`@` As if your antics earlier could be written off just by this!`@` Ah-hah-hah-ha!`@` Later, I'm gonna tell Kanon-kun too just how funny you were, Battler!"`@ ld c,$MAR_WaraiA2,22 ;「落ちるー落ちるー！！@　うーうーうー！！！」\ `"Faaall faaall!!`@` Uu-uu-uu-!!!"`\ bg black,22 bg rose_G1a,2 ;　そんな風にしている内に、積荷は全て元通り猫車に積みあがる。\ `As they did this, I piled all the stuff back into the wheelbarrow.`\ ld c,$KAN_nayamuA1,22 ;「…………お見苦しいところをお見せして、申し訳ございませんでした。」@ `"............For letting you see such unsightliness, I beg your forgiveness."`@ ld r,$GOH_DefA1,24 ;「ささ、もう結構ですよ。@行ってください。」\ ;＜郷田 `"Very well, enough now.`@` Please, go."`\ ;　もてなすべきお客にみっともないところを見せてしまったのは使用人としては恥ずべきことなのだろう。@ ;　退場を急かす郷田に促され、嘉音くんは去っていった。\ `Letting such a disgraceful thing be seen by the guests who were supposed to be made welcome...must have been hideously embarrassing as a servant.`@ `Pressed by Gohda to hurry up and exit, Kanon-kun left.`\ cl c,23 wait 1000 ld l,$EVA_akireA1,23 ;「郷田さんもいじめ過ぎよぅ。@意地悪言わないであなたも手伝えばよかったんじゃない？」@ ;＜絵羽 `"You're too harsh on him, Gohda-san.`@` Wouldn't it have been better if you'd helped him, instead of being a bully?"`@ ld r,$GOH_omakaseA3,80 ;「…これは至りませんで。@誠に申し訳ございませんでした。」@ ;＜郷田 `"...That had not occurred to me.`@` I deeply, deeply implore your forgiveness."`@ ;　郷田さんは笑顔を寸分歪ませることもなく、優雅に謝罪の言葉を口にするのだった。\ `Without even a twitch in his smile, Gohda-san apologized elegantly.`\ bg garden_1b,23 ld l,$HID_DefA1,23 ;「嘉音くんもえぇところはぎょうさんあるんやで。@ただ、若いんかのぅ、色々と損をしとる。@勿体無いわ。」@ `"Kanon-kun has a ton a things he's good at too.`@` It's just that bein' young works against him all the time.`@` It's a cryin' shame."`@ ld r,$RUD_DefA1,24 ;「気難しい年頃さぁ。@そっとしといてやれよ。@使用人は寡黙なくらいが丁度いいさ。@なぁ熊沢さん。」\ ;＜留弗夫 `"It's a prickly age.`@` You be nice to him.`@` Close-mouthed servants are just fine.`@` Right, Kumasawa-san?"`\ cl l,24 ld l,$KUM_WaraiA1,23 ;「ほっほっほっほ、留弗夫さまは手厳しゅうございますこと！@　私ほど使用人で寡黙な者はおりませんとも、えぇ！」@ `"Hoh-hoh-hoh-ho, Rudolf-sama, you truly are harsh!`@` There is no servant as silent as I, of course!"`@ br ;　その白々しい言葉にみんなは思わず苦笑いを漏らす。@ ;　本人だって夢にもそう思ってなんかいない。@ ;　だから、場を和ますために言ってくれたのだ。\ `Everyone smiled wryly at that shameless lie.`@ `Even she herself didn't believe that, not in her wildest dreams.`@ `She said that to loosen us all up.`\ ;　なるほど、熊沢の婆ちゃんってこういうキャラだったんだな。@ `Yeah, that's the kind of character Kumasawa baa-chan used to be.`@ br ;　ちょっと硬くなっていた雰囲気は、熊沢さんのカラカラとした笑いでみるみる晴らされていった。\ `The mood that had stiffened a little was cleared up in a twinkling, thanks to Kumasawa-san's cheerful smile.`\ bg rose_G1a,24 ld r,$KIR_waraiA2,24 ;「そろそろ荷物を置きたいわね。@郷田さん、部屋割りはどうなってるのかしら？」@ ;＜霧江 `"I'd like to put down the luggage soon.`@` Gohda-san, how are we to split up for our rooms?"`@ ld l,$GOH_DefA1,23 ;「昨年と同じになっております。@さ、ご案内いたします。@どうぞこちらへ。」\ `"It shall be the same as the previous year.`@` I shall guide you.`@` Please, this way."`\ ;　俺たちは瀟洒で小綺麗なゲストハウスへ向かう。@ ;　ここが、一泊の間の俺たちの仮の宿になるのだ。\ `We headed towards a trim, elegantly simple guesthouse.`@ `This was gonna be our temporary quarters for a night.`\ ;■嘉音へカメラ移行。@カメラは中立目線で。@ bg black,2 !w1000 bg garden_1c,22 ld c,$KAN_majimeA1,22 ;「……………………………………。」@ `".........................................."`@ br ;　客人一行がゲストハウスに入っていくのを、嘉音は垣根越しに見送っていた。@ ;　それから、猫車に積まれた、あの重い肥料の袋に目を落とす。\ `Kanon watched over a hedge as the guests all entered the guesthouse.`@ `Then, he let his eyes fall on those heavy sacks of fertilizer, piled up in the wheelbarrow.`\ ;　脳裏に過ぎるのは、さっきのミスの時。@ `In his mind, he kept going over his previous mistake.`@ br ;　体躯の大きい戦人が、自分が満足に持ち上げられない袋を、さも軽そうに持ち上げて見せていた。\ `Battler, big and strong, had picked up the sacks in front of him, the sacks he couldn't lift himself, as if they were feathers.`\ ;　その好意が、嘉音に何の感傷を与えているのか、傍目に理解することはとても難しかっただろう。@ ;　でも、そのうな垂れた後姿を見る限り、そっとせずにはいられない何かを感じさせるのだった。\ `It was extremely difficult for an outside observer to guess what emotions that favor had stirred up in Kanon.`@ `But as far as you could tell by watching him hang his head from behind, there was something that he just couldn't let go.`\ ;　…ぽつりと独り言が零れる。@ `...Muttered words escaped his lips.`@ br ;　でもそれは、呟いた自分の耳にすら届かないほどの小さなもの。\ `But those words he murmured were so soft that they didn't reach even his own ears.`\ bg black,62 ;!s0「……………僕だって、/ !s0`"...............Even I, `/ ;!d1000………………………。」\ !d1000`..........................."`\ !sd ;　嘉音はうな垂れ、下唇を小さく噛むのだった…。\ `Kanon hung his head, slightly biting his lower lip...`\ ;■ゲストハウス前 ;ここはフェードアウトにしたい〜〜〜 fede 0,3000 !w1000 bg white,2 bg G_o1a,26 bgmplay 7 wait 1000 bg G_o1b,22 wait 1000 bg black,22 bg G1F_P1a,22 ld l,$BUT_DefA2,23 ;「薔薇の庭園は記憶にあったんだけどよぅ…。@このゲストハウスっつーのは記憶にねぇなぁ。@これ建てたのは最近か？」@ `"I remember the rose garden, but...`@` I don't remember this guesthouse at all.`@` Was it built like recently?"`@ br ;　門柱らしきものに「渡来庵」と記されているが、みんなはゲストハウスと呼んでいたので俺もそれに習った。\ `'Toraian' (Visitor's Retreat) was written on a gatepost-like thing, but since everyone called it the guesthouse, I followed their lead.`\ ;　薔薇の庭園を見下ろすように立つ真新しい洋館は、庭園との調和を大切にした見事なデザインだった。\ `The brand-new western-style guesthouse that stood overlooking the rose garden had a magnificent design carefully done in harmony with the garden.`\ ld r,$GEO_DefA1,24 ;「正解だよ。@建ったのはつい一昨年さ。@それ以降は、僕たちはこっちに泊めさせてもらってるんだよ。」@ ;＜譲治 `"Correct!`@` It was built the year before last.`@` And after that, they made us sleep over here.`@ cl l,24 ld l,$JES_DefA1,23 ;「へへ、年季の入ったボロ屋敷よりこっちの方が好評みてぇだしな。@私も自分の部屋をこっちに持ちたいぜ。」@ ;＜朱志香 `"Hehe, this place's more fun than that junky old mansion you knew.`@` I wish my room was over here!"`@ ld c,$MAR_defA1,22 ;「うー！@　真里亞も持ちたい！@　持ちたいー！」\ `"Uu-!`@` Maria wants one too!`@` Waaant!"`\ ;　…俺の家も裕福な部類に入るだろうが、本家に比べたらまったくの庶民だなぁと思う。@ `...I guess you could say my house was also upper-class, but I thought it was completely ordinary compared to the head house.`@ br ;　年に何度も訪れない客人のために、こんな立派なゲストハウスを建てちまうってんだから、その富豪っぷりには驚かされるさ。\ `The display of wealth was shocking, as was the fact that they would build this kind of awesome guesthouse for guests who come over like once a year.`\ bg G1F_P1b,24 ld c,$GOH_DefA1,24 ;「絵羽さま、秀吉さま。@こちらのお部屋をお使い下さいませ。@留弗夫さま、霧江さまはこちらのお部屋をお使い下さいませ。」\ `"Eva-sama, Hideyoshi-sama.`@` Please, do make use of this room.`@` Rudolf-sama, Kyrie-sama, please make use of this room here."`\ cl c,22 ld l,$EVA_DefA1,23 ;「やっぱりここは綺麗で上品でいいわね。@洋風って本当に素敵だわぁ。」@ `"Ah yes, it's pleasant how pretty and elegant this place is.`@` Western style truly is wonderful."`@ cl l,23 ;se1 15 ld r,$HID_WaraiA1,24 ;「ほんの２〜３日なら洋風もええやろが、ずっといて落ち着くのは断固和風やで！@　日本人は畳みの上が一番くつろげるんや。」\ `"I can handle the western style for a few days, but any longer than that and you need the good old Japanese style!`@` Japanese people just relax best on tatami mats."`\ cl r,23 ;se1 16 ld l,$GEO_HohoemiA1,23 ;「…はは、新しい家を和風にするか洋風にするかで喧嘩してね。@お父さんが和風で着工させたのを母さん、まだ根に持って、よく言い合いをするんだよ。」@ `"...Haha, they've been fighting over making our new house Japanese-style or western-style.`@` Mom still holds a grudge about Dad having the construction started as Japanese-style, and they bicker all the time about it."`@ ld r,$JES_TohohoA1,24 ;「譲治兄さんのところは両親仲が良くて羨ましいぜ？@　うちなんか冷め切ったもんさ。@そのくせ、私の成績の話だけは連帯しやがる。」\ ;＜朱志香 `"I'm really jealous, George nii-san. Your parents get along well, don't they?`@` Mine are so frosty.`@` But even so, they're right with each other when it comes to my grades."`\ bg G1F_P1a,22 ;　部屋はみんなツインらしい。@ ;　お陰で、家族とかいう理由でクソ親父と同じ部屋を強制されずに済むのはありがたいことさ。@ `All the rooms seemed to be two-person.`@ `I was grateful, because since things turned out like this, I wasn't gonna be forced to share the same room with the old bastard, under the pretext that we were family.`@ br ;　親父たちだって、俺なんかがいたら、よろしくできないだろうしなー、いっひっひ。\ `I figure those two wouldn't be able to enjoy themselves with someone like me around, ihihi.`\ ld l,$KIR_futekiA1,22 ;「何、気持ち悪い顔で笑ってんのよ。@どうせ下世話なこと考えてるんでしょ。」@ ;＜霧江 `"What's that creepy smile all about? `@` You're thinking about something dirty, aren't you."`@ ld r,$BUT_waraiA2,24 ;「いっひっひっひ〜！@　下世話なぁんてと〜んでもないぃ！@　どうぞごゆっくりお過ごし下さいませぇ〜！@/ `"Ihihihi~!`@` Something diiirrrty? Of cooouuurse not!`@` Do please...enjoy your staaay~!`@/ se1 48 quakey 4,300 ld r,$BUT_odorokiA2,80 ;　あいててててッ！@　痛ぇよクソ親父！」@ ` Ow, owowowow!`@` That hurts, you old bastard!"`@ cl l,25 ld l,$RUD_DefA1,26 ;　またしても後から親父に耳をつねり上げられる。\ `Once again, Dad pulled my ears from behind.`\ ld l,$RUD_akuwaraiA1,80 ;「馬鹿なこと言ってんじゃねぇ。@俺ぁ、胃がキリキリ痛み始めててとてもそんな元気は湧かねぇぜ。@今回はお前が主賓だろうが。@せいぜい、親父や兄貴たちに可愛がられろよ。@　……親父の前では言葉遣いにだけ気をつけろ？@　あの人、本ッ当にシャレが通じねぇからなぁ。@……朱志香ちゃん、我らが当主さまのご機嫌は最近どうなんだ？」\ ;確認 `"Cut the crap.`@` I'm getting a stomachache, and I'm not in the mood for this.`@` You're the guest of honor this time around.`@` You play as nice as possible with Dad and Aniki and the rest.`@` ......At the very least, pay attention to what you say in front of Dad, got it?`@` Because wisecracks don't go too well with him.`@` ......Jessica-chan, what's the head of our family's mood been lately?"`\ bg G1F_P1b,0 ld r,$JES_MajimeA1,24 ;「…んー……、/ `"...Hmm......,`/ ;!d900去年から相変わらず、かな。@……余命３ヶ月、余命３ヶ月って割には相変わらずピンピン、/ ;!d700カリカリ、/ ;!d600イライラしてるって話です。」\ !d900`Same as last year, I guess.`@` ......Considering they say he's got three months left, he's as stubborn, `/ !d700`grumpy, `/ !d600`and irritable as ever."`\ ld l,$ROS_KomaruA1,23 ;「今年も相変わらず不機嫌、ってわけね。@……お守りができるのは相変わらず、源次さんだけなの？」@ ;＜楼座 `"Meaning, this year he's in his usual bad mood.`@` ......And as usual, the only one who's able to take care of him is Genji-san?"`@ ld c,$KUM_defA1,22 ;「お館様も、源次さんにだけは心を許しておいでのようです。@私たち下々では、近頃はお目通りすらなかなか叶わず…。」\ ;＜熊沢 `"It seems that the Master will only open his heart to Genji-san.`@` Lately, us small people cannot even get an audience..."`\ ld r,$JES_atyaA1,80 ;「また書斎に閉じこもって、怪しげな黒魔術三昧じゃねえのかな。@何をやろうとてめぇの趣味だから構わねぇけど、臭いが立ち込める系は勘弁してほしいもんだぜ。@…ついでにそのまま書斎から永久に出てくんなってんだ。@へへへ！」\ ;＜朱志香 `"He's shut himself up in his study again, probably doing nothing but that weird black magic of his.`@` What he does for a hobby is his own damn business, but when he starts stinking up the house, it really gets on my nerves.`@` ...And I wish he'd never come out of that study again.`@` Heheheh!"`\ bg G1F_P1a,0 ld r,$GEO_defA1,23 ;「年長の人にそんな言い方をするもんじゃないよ。@右代宮家を復興させてくれた大恩人なんだから、もっと感謝しないと。」@ ;＜譲治 `"You shouldn't talk like that about the elderly.`@` We're all indebted to him, since he rebuilt the Ushiromiya Family, and a little gratitude wouldn't hurt."`@ ld l,$JES_tohohoA2,23 ;「ん、…まぁ…。@……ごめん。」\ ;＜朱志香 `"Hm, ...well...`@` ......Sorry."`\ ;　譲治兄貴にたしなめられては、朱志香も暴言を撤回するしかない。\ `After being rebuked by George-aniki, Jessica had no choice but to take back her thoughtless remark.`\ bg M1F_P1c,22 ;　右代宮家は大富豪だが、ってことはやはり世間とは完全にズレてる曲者ぞろいだ。@ `The Ushiromiya family was wealthy beyond belief, but that, of course, meant that all its members were weird people who cut themselves off from the world entirely.`@ br ;　その頂点に立つ右代宮家当主、つまり俺たちの祖父さまは、その中でも特に曲者で恐ろしいお人らしい。\ `The Head of the Family, standing at its peak - in other words, our Grandfather - seemed to be a particularly weird and terrifying person, even for our family.`\ ;　さっき親父が、胃がキリキリして…と言ったが、それは今日ここに来ている大人たちの率直な気持ちだろう。@ `Dad had said he was getting a stomachache earlier..., but I guess that was what all the adults who came here today were actually feeling.`@ br ;　孫である俺たちがきゃっきゃと遊んでいるのが、さぞや羨ましいに違いない。\ `No doubt they were jealous of us, the grandchildren, just playing and laughing without a care.`\ bg black,25 ;　親父に聞かされた話じゃ、何でもかんでも鉄拳制裁で、娘であろうと木刀で容赦なく打ち据える暴力当主だったそうだ。@ `From the stories Dad told me, the Head of the Family was a violent man who rained blows on his sons with his own fists and even beat his daughters mercilessly with a wooden sword.`@ br ;　そんだけの硬派さがあったら、息子たちの名前ももう少し硬派にしたらどうだよ。@ ;　お陰で孫まで迷惑してるぜ。\ `If he was such a hard-ass with his kids, why wasn't he the same with their names?`@ `Because of that, it's a pain even for us grandkids.`\ bg G2F_P1a,22 ;　……まぁそのおっそろしいイメージには違和感は寸分もない。@ `......Well, I'm not the least unsettled by his terrifying image.`@ br ;　俺も何度も会った記憶はないが、非常に気難しそうな顔をした祖父さんで、いっつも鋭い眼光で周りを萎縮させていたっけ。\ `I don't have many memories of meeting him over the years, but I remember Grandpa, his face always full of menacing thunder-clouds, always making his surroundings shrink away with a sharp look.`\ ;　祖父さんがいる時の張り詰めた空気は、窒息しかねない辛いものだったことも思い出す。@ `I remember that the room's atmosphere got so tense whenever he was around, you couldn't even breathe.`@ br ;　今頃になって親父の、今回はお前が主賓という言葉が重みを持って蘇る。\ `What my dad said right now about me being the guest of honor now carries a little more oomph for me.`\ ;「………６年前は俺も小学生だったが、さすがに今は高校生だ。@失礼のある態度なんか取ったら、大変なことになるかもしれねぇなぁ。@…怖ぇ怖ぇ。」@ `".........Six years ago I was in grade school, but, as one would expect, I'm a high-schooler now.`@` If I act up, things'll probably get serious.`@` ...Ooo, scary."`@ ld r,$GEO_hohoemiA1,24 ;「確かに強面だけど、そんなに硬くなるほど怖い人じゃないよ。@決して理不尽なことは言ってないもん。@口下手なだけでちゃんと筋は通す人だよ。」\ ;＜譲治 `"He does look frightening, but he's not completely terrifying.`@` He's definitely never unfair.`@` He's just very direct and not a pretty talker, that's all."`\ ld l,$JES_atyaA1,23 ;「譲治兄さんは昔から成績優秀で一族の鑑じゃねぇかよ。@私たちとじゃ祖父さまの待遇が全然違うぜ！@/ `"But George nii-san, you've been the family darling since like forever because of your awesome grades, right?`@` Grandfather treats us completely different!`@/ ld l,$JES_TohohoA1,80 ;　私なんか木刀で引っ叩かれたことあるしよー。@尻だぜ尻！@　それも乙女の生尻をよー！」\ ` Like me, I've gotten slapped with a wooden sword.`@` On my ass, my ass!`@` On my maidenly, innocent ass!"`\ ld r,$GEO_DefA1k,80 ;「朱志香ちゃんは本家の跡取り娘だもん。@お祖父さまも特に目をかけてくれてるんだよ。@その厳しさは期待の気持ちの裏返しだと思わなくちゃ。」@ `"Well, you're the heiress of the head house, Jessica-chan.`@` Grandfather is giving you special attention.`@` You have to realize that his strictness shows how much he's expecting of you."`@ ld l,$JES_KomaruA1,80 ;「冗談じゃねぇぜ。@…その跡取りってヤツは譲治兄さんに譲るよ。@私が担ぐにはちょいとしんどいぜ。」\ `"Oh, come on. `@` ...Seriously, I could just turn the succession over to you, George nii-san.`@` It's a bit of a heavy burden for me to carry."`\ ;　すでに紹介したと思うが、朱志香は本家の跡取り娘だ。@ ;　俺たち分家筋のいとことじゃ、肩に圧し掛かるプレッシャーも違うだろう。\ `I think I already said it before, but Jessica was the daughter who would inherit the head house.`@ `As cousins of a branch of the family, the pressure on our shoulders was probably different.`\ cl r,23 ld r,$MAR_DefA1,24 ;「………うー？@　朱志香お姉ちゃんが重い？@　真里亞が持ったら軽くなる？」@ `".........Uu-?`@` Jessica onee-chan, heavy?`@` If Maria holds it, will it get lighter?"`@ ld l,$JES_WaraiA2,80 ;「んー？@　あっはははは、サンキューな。@大丈夫、真里亞ちゃんには押し付けねぇよ。@/ `"Hm?`@` Ahahahaha, thanks.`@` It's alright, it's not gonna get pushed on you, Maria. `@/ ld l,$JES_DefA1,80 ;……この十字架は、私が墓まで背負ってくよ。@…安心しなって。」\ `......I'm gonna bear that cross until my grave.`@` ...Don't worry."`\ ;　真里亞の無邪気な気遣いに感謝するが、朱志香の表情には容易には晴らせぬ将来への不安が残っているようだった。@ `She was grateful for Maria's innocent consideration, but it seemed that anxiety for the future she couldn't clear away remained on Jessica's face. `@ br ;　…お互い様か。@受験を控えた高校生なら、誰だって将来への不安は隠せねぇさ。\ `...Were we the same?`@` If it was a high-schooler near an examination, nobody'd be able to hide their anxiety for the future.`\ cl l,23 ld l,$ROS_DefA1,23 ;「真里亞、いらっしゃい。@お母さんと真里亞はこの部屋よ。」\ ;＜楼座 `"Maria, come here.`@` Mom and Maria will be in this room."`\ bg G2F_P1b,0 ld r,$GEO_DefA1,24 ;「戦人くんは僕と一緒にこっちの部屋だってさ。」\ ;＜譲治 `"Battler-kun, you will be with me in this room here."`\ ;se1 15 bg white,22 bg G2F_R1a,2 ;「おー？@　何々、こりゃあ驚いたぁ〜！@　親たちの部屋より広めじゃないのよ、わ〜オ！」@ `"Oh?`@` This is a surprise!`@` It's bigger than our parents' room, wo~w!"`@ ld r,$JES_futekiA1,22 ;「どうせ、いとこ同士で集まるだろうと思ってよ。@大きめの部屋にするように言っておいたんだ。」\ ;＜朱志香 `"Anyway, being cousins, I think we'll gather together.`@` I went and told them in order to get a bigger room."`\ ld l,$MAR_KomaruA1,23 ;「うー！@　真里亞もこっちがいい！@　お母さんと一緒よりこっちがいい！@　うーうー！」\ `"Uu-!`@` Maria likes here best too!`@` Here is better than being together with Mom!`@` Uu-uu-!"`\ cl r,23 ld r,$BUT_waraiA1,24 ;「そうか、真里亞もこっちがいいか！@　よし、ここは俺と譲治兄貴の部屋だが、特別に出入りを許可してやろう！@　お母さんにはナイショだぞ〜？」@ `"Okay, you like it here better too, Maria!`@` Alright, this room is George's and mine, but we'll specially allow you to come in and out!`@` Keep it a secret from your mom, right?"`@ ld l,$MAR_WaraiA2,80 ;「うー！@　ナイショ！」\ `"Uu-!`@` Secret!"`\ ;　その母親の楼座叔母さんがすぐ後にいるわけだが、真里亞は元気よく握り拳で天を突き、返事をするのだった。\ `Her mother, Rosa oba-san, was right behind us, but Maria still answered, striking the air with her fists clenched tight.`\ bg black,25 !w1000 bg G2F_P1a,22 ;　親たちは部屋に荷物を入れると、また廊下に集まっていた。\ `After our parents put the luggage in the rooms, they gathered again in the corridor.`\ ld c,$RUD_DefA1,22 ;「おいガキども、お前らはどうする。@ここでいとこ同士、おしゃべりでもしてるか？」@ ;＜留弗夫 `"Hey brats, what'll you do?`@` Are you cousins just gonna stay here and chat?"`@ ;　到着の挨拶をしに屋敷の方へ行くらしい。@ `It seemed they were heading to the mansion to announce their arrival.`@ br ;　…筋なら、付いていって一緒に挨拶するべきなんだが、@そうなら親父はお前らも来いと一言、言って終わりだ。@ `...Normally, we would have had to follow them and greet everyone together, `@`but if that had been the case, Dad would just have said 'You guys come!' and finished it.`@ br ;　来ないのも勝手だぞと言ってくれてるし、どうしよう？\ `He was telling us that it was alright if we didn't come, so what'll we do?`\ cl c,0 ld r,$HID_DefA1,24 ;「どうせもうすぐお昼や。@子供はそこでくつろいでたらええ。@それに表で遊べるのは下手をすると今の内だけかもしれんしの。」\ ;＜秀吉 `"Anyways, it's gonna be high noon soon.`@` Better let the kids unwind here.`@` Besides, if worse comes to worst, this might be the last chance they get to play outdoors."`\ ld l,$MAR_odorokiA1,23 ;「うー！@　真里亞も行くー！」@ `"Uu-!`@` Maria will go too!"`@ cl r,23 ld r,$ROS_DefA1,24 ;「真里亞はここでお留守番してなさい。@いたずらをしないで大人しく待ってるのよ。」@ `"Maria, you house-sit for Mommy, okay?`@` You behave yourself and wait here."`@ ld l,$MAR_KomaruA1,80 ;「……うー。」\ `"......Uu-."`\ bg G2F_P1b,24 ;　真里亞が留守番することになった以上、置いてきぼりってわけには行かない。@ ;　譲治の兄貴はそれをすぐに察し、いとこ代表として明快に返事をした。\ `Telling Maria to take house-sit was a pretty lame excuse for leaving her behind.`@ `George-aniki soon realized it and gave a clear reply for all of us.`\ ld r,$GEO_WaraiA1,24 ;「じゃあ、僕たちはお言葉に甘えて、留守番してようか。@１年ぶりに積もる話もあるしね。」@ `"Well, we'll accept your offer and house-sit.`@` We have lots of stories to tell each other, after a year."`@ ld l,$KIR_waraiA1,23 ;「それがいいわ。@戦人くんなんか６年分積もってるんだしね。」@ ;＜霧江 `"That's nice.`@` And Battler-kun has six years' worth, doesn't he?"`@ ld c,$BUT_defA1,22 ;「へいへい。@お子ちゃまな俺は大人しくお留守番してるぜ。」\ ;＜戦人 `"Yeah, yeah.`@` I'll take care of the house like a good boy."`\ bg G2F_P1c,0 ld r,$JES_akuWaraiA1,23 ;「熊沢さん、私もこっちに残るからよ！@　後は大人に任せて若者は退散してるぜ、へへへ！」@ ;＜朱志香 `"Kumasawa-san, I'm gonna stay here too!`@` We'll leave the rest to the adults and us kids'll break rank, hehehe!"`@ ld l,$KUM_WaraiA1,23 ;「それがおよろしいでしょう、ほっほっほ。@奥様にはそのようにお伝えいたします…。」\ ;＜熊沢 `"That's nice, hoh-hoh-ho.`@` I'll report it to Madam..."`\ bg Gsta_1a,0 ld c,$GOH_hohoemiA1,22 ;「それでは皆様、お屋敷の方へご案内させていただきます。@どうぞこちらへ。」\ ;＜郷田 `"Then, everyone, I will be guiding you to the mansion.`@` Please, this way."`\ cl c,22 ld r,$EVA_DefA1,24 ;「…他の子はともかく、譲治は成人してるんだから連れて行った方がいいんじゃない？」@ ;＜絵羽 `"...Since George isn't a child anymore, and is getting to be an adult, wouldn't it be better if he came with us?"`@ ld l,$HID_DefA1,23 ;「そんなんで譲治だけ仲間外れは可哀想やで。@いとこ同士の交流も大事や。@ほな、行ってくるでー！」\ `"If we make him come, only poor George will be out of place.`@` Interactin' with his cousins is also important.`@` Okay, bye then!"`\ bg Gsta_1c,22 ;　大人たちはぞろぞろと表へ出て行く。@ `The adults left one after the other.`@ br ;　船着場からの先導と同じで、先頭は郷田さん、しんがりは熊沢さんだ。\ `Like the time he had guided us from the harbor, Gohda-san went ahead, with Kumasawa-san at the rear.`\ bg black,23 bg G2F_R1a,23 ;　俺たち用に割り当てられたいとこ部屋に集まろうとすると、譲治の兄貴がちょっとごめんと言い、@ぞろぞろと出て行く大人たちの後を付いていく熊沢さんに駆け寄って、何か尋ね事をしているようだった。\ `As we gathered in the cousins' room assigned to us, George-aniki asked us to excuse him for a second.`@` He rushed over to Kumasawa-san, who was following behind the disappearing adults, and seemed to be asking her something.`\ ;　用事はすぐ済み、戻ってきた。\ `He soon finished his business and came back.`\ ld l,$BUT_defA2,22 ;「どうしたんだよ、兄貴。」@ `"What's up, Aniki?"`@ ld r,$GEO_waraiA1k,22 ;「あー、何でもないよ。@ちょっと聞きたいことがあっただけさ。」@ `"Ah, nothing.`@` I just wanted to ask something."`@ cl l,24 ld l,$MAR_fukigenA2,23 ;「うー！@　真里亞にも聞いて！@　真里亞にも聞いてー！」\ `"Uu-!`@` Tell Maria too!`@` Tell Maria too!"`\ cl r,23 ld r,$JES_WaraiA1,22 ;「……ん〜？@　んふふふふー。@何かなぁ、譲治兄さんが、私に聞かなくて熊沢さんには聞くことって何かなぁ〜？@　あー、全然検討がつかねぇぜー？」\ ;＜朱志香 `"......Hm~?`@` Hmhuhuhuhu.`@` What could it be that George nii-san asks Kumasawa-san and doesn't ask me, I wonder~?`@` Ah, I don't have a clue~!"`\ cl l,24 ld l,$GEO_KomaruA1k,23 ;「いや、誤解だよ…！@　朱志香ちゃんが何を誤解してるのか知らないけど…！」\ `"No, it's a misunderstanding...!`@` I'm not sure what Jessica-chan is misunderstanding but...!"`\ ;　兄貴が何だかおたおたしている。@ `Aniki was getting pretty tongue-tied.`@ br ;　何かやましいことでもあって、それを朱志香に握られてるとでも言う感じだな。@ ;　…何であれ、朱志香だけが知ってて俺は知らないなんて面白くないぜ！\ `It's almost as though he had a guilty conscience and he was putty in Jessica's hands.`@ `...Why? Something only Jessica knows and I don't is no fun at all!`\ bg G2F_R1b,23 ld r,$BUT_defA1,22 ;「なぁ真里亞、俺たちだけ除け者なんてねぇよなぁ〜？@　何の話か聞きてぇよな〜？！」@ `"Well, Maria, it seems only us two are out of the loop, right~?`@` What is this all about, now? I want to know, hmm~?!"`@ ld l,$MAR_majimeA1,22 ;「うー！@　戦人と真里亞も聞きたいー！@　戦人と真里亞も聞きたいー！」@ `"Uu-!`@` Battler and Maria want to know too!`@` Battler and Maria want to know too!"`@ br ;「「うーうーうーうー！！！」」@ `""Uu-uu-uu-uu-!!!""`@ br ;　真里亞と二人でうーうー唸りながら囃し立てる。\ `I fooled around while "Uu~"ing together with Maria.`\ cl c,0 ld r,$MAR_majimeA1,0 ld l,$GEO_KomaruA1,23 ;「いや、だから…大したことじゃ、あははは…、」@ `"No, I'm telling you... it's no big deal, ahahaha..."`@ cl l,0 ld c,$GEO_KomaruA1,0 ld l,$BUT_WaraiA2,23 ;「嘘吐けぇ〜！@　兄貴にしちゃ嘘がヘタだぜ、白状しやがれぃ！@　真里亞、お前は右脇をくすぐれ、俺は左脇だ！」@ ;「うー！@　真里亞は右脇で、戦人は左脇だー！@　うー！」\ `"Li~ar!`@` You suck at lying, now confess!`@` Maria, you tickle his right side, I'll tickle his left!"`@ `"Uu-!`@` Maria right side, Battler left!`@` Uu-!"`\ Se1 20 bg black,1 bg G2F_R1c,22 ;「ちょっと！！/ `"Wait a second!!`/ se1 13 quakey 3,300 ;@　二人ともやめて…！！@　あははは、/ @` Wait you two...!!`@` Ahahaha, `/ se1 3 quakey 5,300 ;やめッ、/ `stop, `/ se1 7 quakex 4,300 ;あっはははははは！！」/ `ahahahahahaha!!"`/ se1 1 quakey 4,1000 @ ;　ベッドの上を転げ回るように逃げる譲治の兄貴を俺と真里亞で追っ掛けてじゃれ合う。\ `Maria and I played around, chasing George-aniki, who ran away, rolling on the bed.`\ ;　高校生にもなって猫の子じゃあるまいしとは思うが、やっぱりこういうじゃれ合いは懐かしい。@ `I think that when you're a high-schooler you try not to act like a kitten anymore, but in spite of that, I missed this kind of fun.`@ br ;　温かみのある楽しさだった。\ `A warm kind of fun.`\ bg G2F_R1a,0 ld r,$JES_AkuWaraiA1,23 ;「はっはははは、譲治兄さんが熊沢さんに聞いたのはねー？@　ん〜？@　まぁほらアレだぜ。@兄さんも本家は一年ぶりだからよ。@その間に辞めた使用人とか入った使用人とか、そういうのがいたら挨拶したいーって、そういうことらしいぜぇ？」\ ;＜朱志香 `"Haahahahaha, George nii-san, what were you asking Kumasawa-san?`@` Hmm~?`@` Well, I've got a good guess.`@` It's been a year since you last came to the head house.`@` During that time, some servants retired while new ones came over...and you wanted to say hi, right?"`\ ld l,$MAR_DefA1,23 ;「……うー？@　挨拶する、真里亞も挨拶する！」@ `"......Uu-?`@` Greet, Maria will greet too!"`@ ld c,$BUT_defA1,26 ;「何だよそれぇ、全然やましくねぇじゃねぇかよ兄貴。@……う〜〜ん？@　違うなぁ？？@　真里亞、騙されるな、兄貴は何か隠してるぞ〜ん？@　拷問再開だー！！@　うをりゃああ〜！！」\ `"What the hell, that's not anything to feel guilty about, Aniki.`@` ......Hmm~~m?`@` That's not it??`@` Maria, don't be fooled, what are you hiding, Aniki?`@` More torture!!`@` Uworyaaa!!"`\ se1 20 bg G2F_R1b,24 se1 13 quakey 3,300 se1 4 quakey 3,300 se1 3 quakey 3,300 ;「や、やめてよ本当に！@　あっははははは！@　真里亞ちゃんももうやめてー！！」@ ;＜譲治 `"S, stop it, seriously!`@` Aahahahahaha!`@` Maria-chan, you too, stop already!!"`@ ld r,$MAR_WaraiA2,24 ;「あっははははは、あっははははは！/ `"Aahahahahaha, aahahahahaha!`/ se1 3 quakey 3,300 ;@　きゃっきゃ、きゃっきゃ！！」/ @` Hahahaha!!"`/ se1 6 quakex 2,200 se1 7 quakey 2,200 se1 8 quakey 2,200 \ ;＜真里亞 ld l,$JES_DefA1,23 ;「多分、掃除とか昼飯の準備とかで忙しいんだよ。@大丈夫、後でちゃんと挨拶に来るぜ。@郷田の出しゃばりの出迎えより、紗音の出迎えの方が良かったーってんだろ？@　へっへへ！」\ `"They're probably busy with cleaning or lunch arrangements.`@` It's alright, we'll go and greet them properly afterwards.`@` Shannon's reception will sure be better than Gohda's nosy one, right?`@` Heehehe!"`\ cl r,23 ld r,$BUT_waraiA1,24 ;「紗音？@　……しゃのん。@……あぁぁあああぁ…。@思い出したぜ、そんな子もいたな！@　今も使用人やってんのか？@　元気かよ！」\ `"Shannon?`@` ......Shannon.`@` ......Aaaaaaaaahh...`@` I remember, that girl!`@` She's still a servant now?`@` Such spirit!"`\ ;■屋敷・客間 bg black,2 fede 0,3000 bg M_o1a,2 bgmplay 10 wait 3000 bg Ment_1b,2 wait 1000 bg black,2 bg Mdin_1a,2 ld r,$HID_DefA1,24 ;「そういや、夏妃姉さん。@最近は頭痛の方はどうなんや。@一時、だいぶしんどそうにしとったろ。」@ `"By the way, Natsuhi nee-san.`@` How's your headache been lately?`@` It seemed to be pretty serious for a time."`@ ld l,$NAT_zutuuA1,23 ;「…お陰で、最近はだいぶ調子がいいです。@心配をしてくれてありがとう。」\ `"...I have been much better lately.`@` Thank you for your concern."`\ cl r,23 ld r,$ROS_DefA1,24 ;「そうだ、これ。@夏妃姉さんにお土産。」@ ;＜楼座 `"Oh, right. Here.`@` A present for you, Natsuhi nee-san."`@ ld l,$NAT_defA1,80 ;「……いつもありがとう。@貴方には何かをもらってばかりね。@…これは、紅茶？」@ `"......Thank you very much.`@` I'm always receiving gifts from you.`@` ...Is this black tea?"`@ ld r,$ROS_WaraiA2,80 ;「ペパーミントとレモンバームのハーブティー。@頭痛によく効くって有名なお店のブレンドなの。@姉さんにも効くかなって思って。」\ `"It's herb tea with peppermint and lemon balm.`@` It's a blend from a well-known store and is supposed to be good for headaches.`@` I thought it might help you too."`\ ;　楼座は昔から気が効く女性だった。@ `Rosa was always a conscientious woman.`@ br ;　…４兄弟の末っ子であり、上の３人と歳が大きく離れていることもあって、@兄や姉たちの毒気を宿さずに成長できたお陰かもしれない。@ `...Probably because she was the youngest of four siblings and much younger than the other three, `@`she managed to grow up without harboring the venomosity of her brothers and sisters.`@ br ;　その気遣いに夏妃は一瞬だけ表情を和ませるが、@長年の気苦労によって凝り固まってしまったその淡白な表情を解すほどには至らなかった…。\ `Her consideration made Natsuhi soften her expression for just a moment,`@` but it wasn't enough to make her let down her guard, which was constructed around her long-held anxiety.`\ bg Mdin_1b,24 ld r,$EVA_AkireA2,24 ;「そう言えばあなた、いっつも頭痛だって言ってたわねぇ。@しっかりなさいな？@　朱志香ちゃん、今年は受験でしょう？@　人生の節目じゃない。@母親のあなたがそんなじゃ頼りないわよぅ？@　それに夏妃姉さん、私より３つも若いんだからぁ。@もうちょっとしっかりなさい？」\ ;＜絵羽 `"That reminds me, you were always saying you get those headaches.`@` Pull yourself together.`@` Jessica-chan will have her exams this year, won't she?`@` Isn't that a turning point in her life?`@` Are you that unreliable as a mother?`@` Besides, Natsuhi nee-san, you're three years younger than me.`@` Can't you pull yourself together?"`\ ld l,$NAT_zutuuA1,23 ;「…………。@………ごめんなさい。@生まれつきの頭痛持ちなもので。」\ `"............`@`.........I apologize.`@` I was born with this discomfort."`\ ;　絵羽は時折、言葉を選ばないが、夏妃に向けた言葉には微笑みで誤魔化しつつも、ちょっぴりの明白な悪意が含まれていたようだった。@ `Eva sometimes fails to choose her words carefully, but even though she hid it with a smile, her comments aimed at Natsuhi contained shards of obvious malice.`@ br ;　もちろん、それは夏妃にも届く。@ `Of course, that didn't escape Natsuhi.`@ br ;　夏妃は苦々しく表情を歪めたい衝動を必死に抑えながら、軽く聞き流しているように振舞うのだった。\ `She frantically contained her urge to grimace, and pretended to ignore Eva.`\ bg Mdin_1c,0 ld r,$KIR_waraiA2,24 ;「うちの戦人くんも今年は受験でしょ？@　留弗夫さんも少しは関心を持ったら？@　自分の息子のために、夏妃姉さんみたいに頭痛になるくらい真剣になりなさいよ。」\ ;＜霧江 `"Our Battler-kun will have his exams this year too, right?`@` Rudolf-san, shouldn't you be a little concerned too?`@` For the sake of your own son, get serious to the point of getting headaches like Natsuhi nee-san."`\ ld l,$RUD_DefA2,23 ;「俺が何か言えば必ず反抗するヤツだぜ？@　じゃあ何て言うんだ、むしろ逆で遊んでていいぞって言うのか？@　あいつそういうのだけは素直に聞きやがるぜ。@/ `"If I say anything, he automatically goes against it.`@` So what should I say? Should I say the opposite, that it's okay for him to mess around?`@` That's probably the only thing he'd obediently listen to me say. `@/ ld l,$RUD_waraiA1,80 ;秀吉兄さんのところは受験、本当にうまく行ったじゃないですか。@ぜひ子供操縦術の秘訣を教えてくださいよ。」\ ;＜留弗夫 `In your family, Hideyoshi nii-san, didn't George do really well on his exams?`@` Please, teach me the secret to controlling children."`\ bg Mdin_1b,0 ld r,$HID_fumuA1,23 ;「うーむ、そうやなぁ…。@何のために勉強するのかっちゅうことを説いたかもしれんなぁ！@　個々の勉強に意味があるわけやないんや。@/ `"Hmm, well...`@` It's probably because I convinced him why he should study!`@` Study isn't worth anything on its own.`@/ ld r,$HID_komaruA1,80 ;そう、勉強っちゅうのは、わからんことを自分で調べて身につけるという行為の練習なんや！@　これが出来んヤツは社会に出ても使い物にならん！@　国語算数が出来ろと言ってるんやない。@勉強し身につけることを学べっちゅうことやな！」\ ` That's right, the real point of studyin' is to train yourself by researchin' what you don't know!`@` If you can't do that, you can't be useful to society!`@` I'm not talkin' about math or writin'.`@` You need to learn how to learn!"`\ ld l,$NAT_defA1,23 ;「…ご立派ですわ。@うちの朱志香にもそれが理解できればいいんだけど。@今のままでは、とてもじゃないけど、右代宮家の跡取りとしては、」@ ;＜夏妃 `"...That's splendid.`@` It would be nice if our Jessica could understand that, though.`@` As it is now, she doesn't at all, but as the heiress of the Ushiromiya family,"`@ ld c,$EVA_akireA1,22 ;「いいじゃないの、無理に跡取りにしなくても。@女には女の幸せというものもあるんだしぃ。@それを親が押し付けちゃ悪いわよぅ？」\ ;＜絵羽 `"Do you really have to force her into becoming the successor?`@` Women have to find their own happiness.`@` Parents shouldn't be deciding that for their children, right?"`\ ld r,$HID_fumuA1,80 ;「よさんか、絵羽。@子供の育て方は家それぞれや。@押し付けがましいのはあかんで。」@ `"Hold your horses, Eva.`@` Each family has its way to raise their children.`@` You shouldn't be pushy."`@ ld c,$EVA_waraiA1,80 ;「ごめんなさい。@夏妃姉さんも気を悪くしないでね。」\ `"I'm sorry.`@` Natsuhi nee-san, don't take it the wrong way."`\ ld l,$NAT_zutuuA1,80 ;「………………………。」\ ;＜夏妃 `"..........................."`\ bg Mdin_1f,22 ;　窓から射す明かりは、曇天と言えどこんなにも温かなのに、室内の空気は澱んでいて、@…夏妃ならずとも鈍い頭痛を感じさせるような気がした。@ `Though the light shining in through the window was quite warm despite the cloudy weather, there was a dark mood about the room,`@` ...which probably caused headaches for other people besides Natsuhi.`@ br ;　その空気を打ち払うかのように、霧江が明るく一同に提案する。\ `As if to brush away that mood, Kyrie brightly made a suggestion to all present.`\ ld r,$KIR_WaraiA1,24 ;「でも、本当に素敵な香りの紅茶ね。@さっそく頂いてみましょうよ。@レオポルドの紅茶なんて、日本じゃ確か銀座でしか買えなかったはずよ？」@ `"Still, this black tea has a really lovely aroma.`@` Let's drink it at once.`@` In Japan, surely you can't buy something like Leopold's black tea anywhere but Ginza, right?"`@ ld l,$ROS_WaraiA2,23 ;「霧江姉さんはお詳しいですね。@買って来た甲斐がありました。」@ ;＜楼座 `"Kyrie nee-san, how knowledgeable of you.`@` It really was worth buying."`@ br ;　霧江と楼座が席を立ち、紅茶を入れてこようとする。@それを夏妃が制した。\ `Kyrie and Rosa stood up from their seats and made as if to prepare the black tea. `@`Natsuhi forstalled them.`\ bg Mdin_1c,0 ld r,$NAT_zutuuA1,23 ;「……お二人ともありがとう。@それは後で頂きましょう。@うちの者がすぐお茶を持ってきますので、どうぞおくつろぎください。」\ `"......Thank you, both.`@` Let us save that for later.`@` One of our people will soon be coming to bring some tea, so please relax."`\ ld l,$RUD_DefA1,23 ;「二人とも後にしろよ。@ウェルカムドリンクくらいご馳走になろうぜ。」@ ;＜留弗夫 `"Leave it for later, you two.`@` Let's enjoy our 'welcome drink'."`@ br ;　留弗夫が席に戻れと、さりげなく目で合図をする。@ ;　…霧江と楼座はすぐに理解し、大人しく無言で席に戻った。\ `Rudolf gave a subtle signal with his eyes for them to sit down again.`@ `...Kyrie and Rosa understood instantly and obediently returned to their seats.`\ bg Mdin_1g,22 ;　客人たちが挨拶に見えたのだから、すぐにお茶が振舞われるべきなのだ。@ `The guests had already been greeted, so it was time for some tea to be prepared for them.`@ br ;　…そのお茶のタイミングが遅れて、客人たちが自分たちでお茶を入れようなどと言い出しては、ホストの顔は丸潰れだ。\ `...That tea was late and having the guests talk about making some themselves was an embarrassment for the host.`\ ;　夏妃は、お茶の準備が遅れている使用人たちの不手際に下唇を噛む。@ `Natsuhi bit her lower lip, frustrated with the ineptitude of the servants who were taking too long to bring the tea.`@ br ;　…絵羽はその表情を見ながら、はばかることなく、くすくすと笑うのだった。\ `...Seeing her face, Eva, without hesitation, started to giggle.`\ bg black,22 bg Mdin_1d,22 ;　……もちろん、客間のそんな経緯など、紗音が知ろうはずもない。@ `......Of course, Shannon had no way of knowing what was taking place in the parlor.`@ br ;　ティーカップを積んだ配膳ワゴンを押してやって来た、という、@ただそれだけで夏妃に痛みを伴う眼差しを向けられて、意味もわからず萎縮するしかなかった。\ `She came pushing a dish cart piled with tea cups.`@` For no apparent reason, Natsuhi gave her a pained look, and Shannon couldn't help but flinch without knowing what she had done wrong.`\ ld r,$SHA_fumanA1,4 ;「……し、失礼いたします。@お茶のご用意をさせていただきます。」\ ;＜紗音 `"......E, excuse me.`@` The tea is prepared."`\ ld l,$HID_WaraiA1,23 ;「おう、紗音ちゃん、久しぶりやのぅ！@　ますますべっぴんさんになりよったなぁ！」\ `"Oh, Shannon-chan, it's been a while!`@` You keep getting prettier every time I see you!"`\ ld r,$SHA_hajiraiA2,80 ;「………いえ、/ ;!d500…あの、/ ;!d400………どうも…、」@ `".........Oh, `/ !d500`...um, `/ !d400`.........thanks...,"`@ ld c,$NAT_hisuA1,22 ;「おしゃべりは配膳を済ませてからになさい。@お茶が冷めます。」@ `"Leave the chatting for after you've set the table.`@` The tea will get cold."`@ ld r,$SHA_OdorokiA1,80 ;「……もっ、…申し訳ございません、奥様。」\ `"......I,...I apologize, Madam."`\ ;　怯える小動物のように謝る仕草が、配膳ワゴンに触れ、ティースプーンを数本落として、耳障りな音を立ててしまう。@ `She apologized like a small frightened animal, and, bumping against the serving cart, made a jarring racket as she dropped several tea spoons.`@ br ;　その無様に夏妃がますます表情を険しくし、それがますます紗音を萎縮させていた。\ `Her clumsiness made Natsuhi's expression even harsher, which made Shannon in turn quail even more.`\ bg Mdin_1b,23 ld r,$EVA_AkireA1,23 ;「いいのよ夏妃姉さん。@挨拶のひとつくらいしたって、どうってことないわよ。@もう充分待たされてる分、充分、お茶も冷めてるもの。@うふふふぅ。」\ ;＜絵羽 `"It's alright, Natsuhi nee-san.`@` It's just one kind of greeting, no big deal.`@` We've already been made to wait for so long, the tea must be cold.`@` Heheheh."`\ ld l,$SHA_hajiraiA1,23 ;「そ、…それは大丈夫です…。@冷めてはおりませんので…、」@ `"It, ...it's alright...`@` It's not cold yet..."`@ cl r,23 ld r,$NAT_odorokiA1,24 ;「………紗音、早く配膳を済ませなさい。」@ `".........Shannon, finish setting the table, quickly."`@ ld l,$SHA_OdorokiA1,80 ;「しっ、失礼しました奥様……。」@ `"I, I'm sorry, Madam......"`@ br ;　夏妃がイラついていることは明白だった。\ `It was obvious that Natsuhi was getting irritated.`\ ;　…お茶が遅れた不手際も、使用人の無様も全ては夏妃の日頃の指導の至らなさということに結びつき、自分の顔を潰してしまう。@ `...The ineptitude that delayed the tea, the clumsiness of the servant, everything pointed to the incompetence of Natsuhi's everyday guidance, making her lose face.`@ br ;　年に一度しかない日に、その無様を晒すことは、右代宮本家の台所を預かる身としては屈辱でしかなかったに違いない。\ `As the person in charge of the Ushiromiya head house's kitchen, allowing that clumsiness to be exposed today of all days was surely nothing less than total humiliation.`\ ld c,$RUD_DefA1,24 ;「よせよ夏妃姉さん。@紗音ちゃんだって頑張ってるのにいじめちゃ可哀想だぜ？」@ ;＜留弗夫 `"Lay off, Natsuhi nee-san.`@` Don't you think it's a little harsh to bully Shannon-chan when she's trying her best?"`@ ld r,$NAT_hisuA1,80 ;「いじめてなんかいません…！」\ ;＜夏妃 `"I'm not bullying anyone...!"`\ bg Mdin_1a,0 ld r,$KIR_WaraiA2,23 ;「いい香りね。@お茶の銘柄を聞いてもいいかしら？」@ ;＜霧江 `"What a nice smell.`@` May I ask you the brand of this tea?"`@ ld l,$SHA_KomaruA1,23 ;「…………ぇっと…、/ `"............Umm..., `/ ;!d900……も、/ !d900`......I'm, `/ ;!d500…申し訳ございません…。@後ほど調べてまいります…。」\ !d500`...I'm terribly sorry...`@` I'll find out for you later..."`\ ;　霧江は、険しくなった空気を切り替えたくて気を遣ったつもりだった。@ `Kyrie wanted to cut through the tense mood, planning to be nice to her.`@ br ;　…だが、かえって紗音は醜態を晒すことになってしまい、ますますに夏妃の表情と部屋の空気を険しくさせてしまう。@ `...However, instead, Shannon had shown a disgraceful display, darkening Natsuhi's face and the room's mood.`@ br ;　もうこの頃には、絵羽は、誰の耳にも届く声でくすくすと笑っていた。\ `By this point, Eva was audibly giggling.`\ cl r,23 ld r,$EVA_akireA1,24 ;「なぁにぃ？@　紗音ちゃん、自分で淹れてるものが何かもわからないのぅ？@　ダメよぅ、そんな怪しげなものを来客に振舞っちゃぁ。@こんなお茶じゃ銀のスプーンでもないと飲めないわよぅ？」@ `"Whaat's this?`@` Shannon-chan, don't you even know what you're pouring us?`@` Come now, you mustn't serve something so suspicious to guests.`@` We'll need a silver spoon at the very least before we can drink this.`@ ld l,$SHA_OdorokiA1,80 ;「………す、/ `".........I, `/ ;!d600…すみません……。@すぐに用意を…、」\ !d600`...I'm sorry......`@` I'll go get one immediately..."`\ ld r,$EVA_AkireA2,80 ;「ねぇ紗音ちゃん。@銀のスプーンって何に使うか知ってるぅ？@　銀じゃないとダメなのよ？@　なぜかわかるぅ？」@ `"Shannon-chan?`@` Do you know what silver spoons are used for?`@` Or why they have to be silver?`@` Do you know why?"`@ ld l,$SHA_komaruA1,80 ;「……………ぃぇ…、/ `"...............No..., `/ ;!d800………ぁの……。」\ !d800`.........umm......"`\ ;　絵羽がいたずらっぽく微笑みながら、配膳をする紗音を覗き上げる。\ `Eva's eyes played over Shannon, who was setting the table, as a catty smile floated onto her face.`\ ;　…絵羽のその表情は、それだけを見たなら小悪魔的な愛くるしいものなのかもしれない。@ `...Eva's expression as she watched was charming in an impish sort of way.`@ br ;　しかし、口から紡がれる言葉には、カミソリのような鋭利さが確かに含まれていた。\ `However, the words being spun from her lips held within them the keenness of a razor.`\ ;　じっとその瞳を覗きつづける絵羽に、紗音は何とか目を合わせまいとするのが精一杯だ。@ `Shannon tried with all her might to avoid Eva's gaze, which continued to stare at her.`@ br ;　紗音が答えに窮したのを見て取り、すぐに楼座が助け舟を出す。\ `Grasping that Shannon was hard-pressed for an answer, Rosa promptly gave some timely help.`\ ld c,$ROS_DefA1,24 ;「銀は毒に触れると曇るって言われてるの。@…くす、紗音ちゃんもひとつお勉強ができたわね。」\ ;＜楼座 `"They say that if silver is touched by poison, it dims.`@` ...*giggle*, you've learned something, right, Shannon-chan?"`\ bg Mdin_1e,22 ;　毒見をしなければ飲めないお茶扱い。@ `If the tea hasn't been tested for poison, it can't be drunk.`@ br ;　夏妃にとってそれは、お茶とそれを振舞った自分を貶されたのとまったく同じことだ。@ `In Natsuhi's eyes, this was an insult to both the tea...and herself for serving it.`@ br ;　留弗夫は軽薄そうに笑いながら絵羽の肩を叩く。\ `Rudolf, laughing flippantly, patted Eva's shoulder.`\ bg Mdin_1c,0 ld r,$RUD_WaraiA1,23 ;「はは、姉貴に銀食器なんていらねぇだろ。@毒舌の姉貴がひと舐めしたら、銀の皿だって真っ黒に曇っちまうぜ。」\ `"Haha, Aneki doesn't need any silver cutlery.`@` With just one lick of her poisonous tongue, even a silver plate would go pitch black."`\ ld l,$HID_WaraiA2,23 ;「わっはっはっは！@　わしゃあその毒舌を毎日聞かされとるから、もう毒に耐性がついてしもぅたわ！@　絵羽も、わし相手には構わんが耐性のない相手にはちぃと加減せんとな！@　わっはっはっは！」@ `"Wahahahaha!`@` Since I get to hear that poison-tongue every day, I must be poison-proof by now!`@` I don't pay it much mind, but poor souls without resistance are in for a stormy ride!`@` Wahahahaha!"`@ ld c,$EVA_WaraiA1,22 ;「あらあら、ひどぅい。@紗音ちゃんにお茶の知識を教えてあげただけじゃない。@くすくす。」\ `"My, how cruel.`@` I only gave Shannon-chan a bit of information about tea, didn't I?`@` *giggle*."`\ ;　秀吉の馬鹿笑いに合わせるように、みんなも苦しげではありながらも笑いを重ねる。@ `Everyone followed the lead set by Hideyoshi's horselaugh and smiled, though sourly.`@ br ;　夏妃だけは笑いに加わらなかったが、それでもとりあえず、客間内は談笑で盛り上がっていると誤解できる程度にはなった。\;確認誤字 `Only Natsuhi didn't join in, but for the time being, the conversation inside the parlor could now be mistaken for a lively and friendly chat.`\ bg Mdin_1d,0 ld r,$SHA_komaruA1,24 ld l,$KIR_NayamuA1,23 ;　ようやくお茶の配膳を終えて戻ろうとする紗音に、霧江は助け舟にならなくてゴメンと小さく謝る。@ `Kyrie apologized to Shannon in a low voice for not being able to help as she finally finished setting the tea table and tried to leave.`@ cl r,23 ;　…紗音は小さく頷き返し、そそくさと出て行くのだった……。\ `...Shannon gave a light bow and made a hasty retreat......`\ bg black,23 bg M1F_P1b,23 ;■廊下 ;　俯きながら、配膳ワゴンを押して廊下を歩む紗音…。@ `Shannon cast her eyes downwards, pushing the cart down the corridor...`@ br ;　その痛々しい様子に、彼女が何かのいじめを受けたことは容易に想像することができた。\ `The pitiful air around her made it obvious that she had borne the brunt of some bullying.`\ ld r,$KAN_defA2,24 ;「……気を落とさないで。@姉さんは何も悪くない。」@ ;＜嘉音 `"......Don't be sad.`@` You didn't do anything wrong, Nee-san."`@ ld l,$SHA_MajimeA1,23 ;「……………見てたのね。」@ ;＜紗音 `"...............You were watching."`@ ld r,$KAN_nayamuA1,80 ;「そういうお役目だから。」@ `"That is my duty."`@ ld l,$SHA_fumanA1,80 ;「……………………。」\ `"........................"`\ ld r,$KAN_komaruA1,80 ;「奥様も絵羽さまも地獄へ堕ちろ。@……でも、それより卑劣なのはあいつだ。」@ `"Madam and Eva-sama can go to hell.`@` ......But the even worse coward is that guy."`@ br ;　嘉音が憎々しげに眼差しを向ける先は、客間とは逆の方向だった。\ `Kanon glared hatefully in the opposite direction of the parlor.`\ bg black,25 bg Mkit_1a,22 ;　お茶の準備が遅れたのは、厨房でちょっとしたトラブルがあったからだ。@ `The preparations for the tea had been delayed by some trifling problem in the kitchen.`@ br ;　そのトラブルは紗音のせいではない。@ `These problems were not Shannon's fault.`@ ;　実は郷田のちょっとしたミスだった。\ `The truth is that it had been Gohda's mistake.`\ ;　そもそも、賓客が集まっているところへお茶を運ぶという派手な仕事を、あの見栄っ張りの郷田が譲るわけがない。\ `There was no way that a showoff like Gohda would ever hand over a flamboyant job like carting the tea to the guests in the first place.`\ ;　お茶をもう一度準備するのに無駄な時間を掛けてしまった。@ `He had ended up wasting time preparing the tea a second time.`@ br ;　だからポイントが稼げないことがわかり、たまたまその場を通りかかった紗音に配膳を押し付けたのだ。@ `So, knowing that he wouldn't be able to make it on time, he pushed the task of setting the table on Shannon, who happened to be passing by.`@ br ;　……要領がいいと言えばいいし、卑怯だと言えば紛れもなく卑怯だった。\ `......One could say that cutting corners like this was an especially despicable kind of cowardice.`\ bg black,22 bg M1F_P1b,0 ld r,$SHA_fumanA1,0 ld l,$KAN_komaruA1,26 ld r,$SHA_majimeA2,80 ;「……いいの、ありがとう嘉音くん。@…私、全然気にしていないし…。」@ `"......It's alright, Kanon-kun, thank you.`@` ...I really don't mind..."`@ ld l,$KAN_defA2,80 ;「……………………………。」@ ;　嘉音のその沈黙は、紗音の言葉が心にもないことであるのを如実に語る。\ `"................................."`@ `Kanon's silence vividly showed that Shannon's words weren't coming from her heart.`\ ld r,$SHA_WaraiA1,80 ;「…………ありがとう。@嘉音くんだけでもわかってくれたんで、ちょっと心が楽になったかな。」@ `"............Thank you.`@` Even if you're the only one who understands, I feel better."`@ ld l,$KAN_majimeA1,80 ;「……姉さんは心に色々溜め込みすぎる。@……たまには自分にやさしくしてあげて。」@ `"......You bottle things up too much, Nee-san.`@` ......You should be less hard on yourself for once."`@ ld r,$SHA_WaraiA3,80 ;「うん。@……ありがとうね。」@ ;　その時、不意に人の気配がしたので、二人は慌てて振り返った。\ `"Yeah.`@` ......Thanks."`@ `Suddenly, they both felt someone's presence and whirled around.`\ bg M1F_P2b,0 ld r,$GEN_DefA1,24 ;　そこには、初老の男の姿があった。@ ;　使用人の長である源次である。\ `A middle-aged man stood there.`@ `It was Genji, the head servant.`\ ld r,$GEN_komaruA1,80 ;「………………そこで何をしている。@…紗音、早く厨房に戻りなさい。」\ ;＜源次 `"..................What are you doing here?`@` ...Shannon, hurry back to the kitchen."`\ ld l,$SHA_KomaruA1,23 ;「は、はい。@……失礼いたしました……。」@ `"Y, yes.`@` ......If you'll excuse me......"`@ ld c,$KAN_majimeA1,23 ;「……………………………。」\ ;＜嘉音 `"................................."`\ ;　紗音は畏まり、すぐに配膳ワゴンを押して立ち去ろうとする。@ ;　だが、嘉音は言葉にできない何かを瞳に宿して、無言でそれを源次に訴えている。\ `Shannon humbly obeyed and promptly made to push the cart and leave.`@ `However, Kanon appealed to Genji in silence, bearing something in his eyes that he could not express in words.`\ ld r,$GEN_defA1,80 ;「……………どうした。@何かあったか…？」\ ;＜源次 `"...............What is it?`@` Did something happen...?"`\ ld c,$KAN_odorokiA2,80 ;「…しゃ、/ ;!d700……紗音は何も悪くないのに、/ ;!d600あいつら…、」@ ;＜嘉音 `"...Sha, `/ !d700`......Shannon didn't do anything wrong.`/ !d600` But even so, they..."`@ ld l,$SHA_OdorokiA1,80 ;「やめて嘉音くん…。@/ `"Stop it, Kanon-kun...`@/ ld l,$SHA_fumanA1,80 ;……失礼しました。@すぐに仕事に戻ります。@嘉音くんも自分の持ち場に戻って。@……お願い。」@ ;＜紗音 `......If you'll excuse me.`@` I'll return to work immediately.`@` Kanon-kun, you too, go back to your post.`@` ......Please."`@ ld c,$KAN_defA2,80 ;「…………姉さんがそういうなら。」\ ;＜嘉音 `"............If you say so, Nee-san."`\ ld r,$GEN_majimeA2,80 ;「………………。@…何事もないなら、そうしなさい。」\ ;＜源次 `"..................`@`...If that is all, then go."`\ ld c,$KAN_nayamuA1,80 ;「……はい。@……失礼します。」\ ;＜嘉音 `"......Yes.`@` ......If you'll excuse me."`\ cl c,24 bg M2F_P1c,22 ;　その姿を廊下の影から見守る割烹着姿の老婆は熊沢であった…。\ `From the shadows in the hallway, an old woman wearing an apron watched over them. It was Kumasawa...`\ lsp bgsp,$KUM_MajimeA1,434,0 print 24 ;この熊沢は、通常のｒの位置ではなく、画面右側からひょこっとはみ出して覗いている感じにしたい〜〜。このモノローグの末・アイキャッチ直前で、熊沢の立ち絵を左フェードで消去したい。 ;　……おいたわしや、紗音さん、嘉音さん…。@ ;　あの二人がいじめられる理由は何もないのです。@ `......I feel so sorry for them, Shannon-san, Kanon-san...`@ `There's no reason for those two to be picked on. `@ br ;　…しかし、郷田さんに嫌われているのは紛れもない事実…。\ `...But, it cannot be denied that they are disliked by Gohda-san...`\ ;　郷田さんは、右代宮本家へいらっしゃられるまで、どこかの立派なホテルにお勤めだったそうです。@ `Until Gohda-san was taken in by the Ushiromiya head house, I heard he worked for a fabulous hotel somewhere.`@ br ;　そこで身につけられたというお仕事ぶりは、そりゃあ大したものだとは思います。\ `I think the manner of work he learned there was quite something.`\ ;　ただ、郷田さんはここではもっとも年季の短い使用人。@ ;　…ご自身のそれまでの積み重ねによるプライドもあられたのでしょう。@ `It's just that...Gohda-san is the newest servant here.`@ `...He must have a lot of pride accumulated from his previous posts.`@ br ;　彼は、自分より長い年季を持ちながらも未熟で、人生経験も及ばない紗音さんと嘉音くんを、ことある毎にいびられるのです…。\ `Because Shannon-san and Kanon-kun are his seniors here at the mansion, and yet are inexperienced and have gone through much less in life than he has,`@` he picks on them at every chance he gets...`\ ;　また、…気の毒なことに、夏妃奥様にも嫌われております…。@ `And also, ...although it's terrible, they are hated by Madam Natsuhi too...`@ br ;　もちろん、年季という意味では奥様の方が長くこの家におられます。@ ;　ただ、………こればかりは奥様にも同情しなくてはなりません。\ `Of course, in terms of experience, Madam has been in the family much longer.`@ `It's only that, .........they are just not allowed to sympathize with her.`\ ;　…本当にお館様も罪作りな方でございます…。@ `...The master is also a truly cruel person...`@ br ;　ご自身の、ちょっとした気まぐれが、奥様にこれほどまでの劣等感をお与えになるとは、どうして思い至らなかったのでしょう…。\ `He probably did not realize his own trifling whims passed so much of an inferiority complex to his wife...`\ ;　……もちろん奥様とて内心は、あの二人に辛く当たる謂れは何もないことを重々承知してはおります…。@ `......Naturally, Madam's inner thoughts fully acknowledge that there's no reason to treat those two so harshly...`@ br ;　…しかし、それが理屈でわかっているからといって、どうにもならないのが人の心…。\ `...However, the heart has reasons that reason knows not...`\ ;　あぁ、おいたわしや…。@ `Aah, I feel so sorry for them...`@ br ;　私には何もできず、こうして物陰から見守ることしかできないのです……。\ `I can't do anything but watch over them from the shadows......`\ textoff csp bgsp print 3 ;この部分で熊沢を左フェードで消したい。今はｒ位置の立ち絵扱いなのでこの命令。 ;■第２アイキャッチ：１０月４日（土）１１時１５分　※１２時００分に針が進む。@ wait 3000 eye1 11,15,12,00,1,0,510,340,25 fede 0,3000 ;ここでフェードアウトしたい〜〜〜〜〜〜〜 *umi1_3 ;■ゲストハウス・いとこ部屋 bg white,6 bgmplay 2 bg G2F_R1c,22 ;　俺たちはいとこ同士４人で、色々な話に花を咲かせていた。\ `The four of us cousins were enjoying our stories, just shooting the breeze.`\ ;　何しろ、男女の両方が揃い、その上、成人、高校生、小学生と世代も揃ってる。@ `Anyway, there are both girls and guys here. Plus, we've got people over a wide spread of ages: adult, high school, and elementary school.`@ br ;　それぞれが身の上話をするだけで、他の３人にとっては大いに興味深いことだった。\ `Even though everyone was only telling his or her personal story, the other three were listening attentively.`\ bg G2F_R1a,0 ld l,$BUT_defA2,23 ;「なんかやっと馴染んできたぜ。@朱志香も真里亞も６年前からは想像もつかないくらい成長しちまったからよ。@正直なところ、少しだけ違和感を持ってたんだが、こうして話をしている内に、中身はあの頃から何も変わってないことがわかったぜ。」\ `"I think I'm finally getting used to all this.`@` Jessica and Maria have grown more than I could've imagined in the past six years.`@` To be honest, I was feeling a bit uncomfortable, but talking like this, I guess that on the inside, nothing's really changed since back then."`\ ld r,$JES_futekiA1,24 ;「同じ言葉を返してやるよ。@戦人だって、６年ぶりだってのに全然変わってねぇぜ。@図体がいくらでかくなっても、中身は相変わらずお子様だってことだな。」\ `"I agree.`@` Battler, even after six years you haven't changed a bit.`@` Even though your body's gotten gigantic, you're still a kid inside."`\ ld c,$MAR_niyariA1,26 ;「うー！@　真里亞もお子様！@　真里亞もお子様ー！」\ `"Uu-!`@` Maria's a kid too!`@` Maria's a kid too!"`\ ld l,$BUT_WaraiA2,80 ;「真里亞だっていつまでもお子様じゃねぇぞぅ？@　お子様から可愛いお姫様に成長してくんだからなぁ〜？@　そうしたらまな板みてぇな胸も、すぅぐ朱志香並みになるぞ〜？@　そしたら揉ませてくれよー約束だぞぉぅ！！」@ `"Well, even you aren't gonna be a kid forever, are you Maria?`@` I mean, you're growing from being a kid to a cute young lady, aren'tcha?`@` And when that happens, that flat-as-a-board chest'll be on Jessica's level, huh~?`@` When that happens, let me rub it, OK? Promise!!"`@ ld c,$MAR_WaraiA1,80 ;「うー！@　揉ませる！@　約束する！@　うー！」\ `"Uu-!`@` Let you rub it!`@` Promise!`@` Uu-!"`\ cl r,23 ld r,$GEO_KomaruA1k,24 ;「だ、駄目だよ真里亞ちゃん！@　そんな約束しちゃ、ダメダメダメ！」@ ;＜譲治 `"N, no, Maria-chan!`@` You can't make that kind of promise, that's bad, bad, bad!"`@ ld c,$MAR_MajimeA1,80 ;「うー？@　約束したから揉ませる！@　真里亞、約束は守る！@　絶対守る、うー！！」\ `"Uu-?`@` Maria promised, so let him rub it!`@` Maria'll keep her promise!`@` Definitely keep it, uu-!!"`\ ld l,$BUT_WaraiA1,80 ;「…真里亞ぁ、お前、本当に素直ないい子だなぁ…。@お前と結婚する未来の旦那さんはきっと幸せ者だぜ。」\ ;＜戦人 `"...Mariaa, you're a really earnest, good girl...`@` The guy you marry's gonna be really lucky."`\ cl r,23 ld r,$JES_OdorokiA1,24 ;「って、いい話に摩り替えつつ、約束を保持してんじゃねぇぜ！@　真里亞ちゃん、その約束はナシ！@　ナシ！」@ ;＜朱志香 `"Just a..., getting back on topic here, you're not gonna be keeping that promise!`@` Maria, that promise never happened!`@` Never!"`@ ld c,$MAR_KomaruA1,80 ;「うー。@約束取り消し？@　うー……。」\ `"Uu-.`@` Promise is cancelled?`@` Uu-......"`\ bg G2F_R1b,0 ld r,$GEO_WaraiA1,24 ;「やっぱり、戦人くんも揃って４人で集まらないと、いとこが集合した気がしなかったね。@この６年は、やっぱり寂しかったよ。」\ ;＜譲治 `"As I thought, without Battler-kun in our little quartet, it just didn't feel like all the cousins were here.`@` These six years have been kinda lonely."`\ ld l,$JES_defA2,23 ;「…そうだなー。@こういうふざけた話にはならなかったな。@でも建設的な話はできてたと思ったぜ？@　将来に対する心構えとか、受験とか就職とかよー。」\ `"...That's true.`@` We weren't able to goof off like this.`@` Still, we did have have some pretty constructive conversations, don'tcha think?`@` Stuff about preparing for our future, exam-taking, or finding jobs."`\ cl r,23 ld r,$BUT_WaraiA2,24 ;「へへーん、悪ぅござーましたね〜！@　俺が来たらおマヌケなドタバタばっかりでよ〜！」@ `"Oo~ooh, I'm sorr-rry!`@` Now that I'm here, there's just this stupid babbling~!"`@ bg G2F_R1a,0 ld l,$MAR_niyariA2,23 ;「でも真里亞は今年のが楽しい。@うーうー！」@ `"But, Maria's having fun this year.`@` Uu- uu-!"`@ ld r,$GEO_waraiA2,24 ;「そうだね。@僕も同感、今年が一番楽しいよ。」\ `"That's true.`@` I agree, this year's the most fun."`\ ;＜譲治 ;　真里亞の率直な一言が、多分、この場にいる全員の代弁に違いなかった。@ `Maria's sincere words probably spoke for everyone. `@ br ;　譲治兄貴が真里亞の頭を撫でてやると、真里亞は上機嫌の猫の子のようにころころと笑うのだった…。\ `When George-aniki stroked Maria's head, she giggled like a happy kitten...`\ bg black,5 textoff wait 1500 se1 19 wait 2000 bg G2F_R1b,22 ;「……失礼いたします。@お食事のご用意ができました。」@ ;＜紗音 `"......Pardon me.`@` Your meal is prepared."`@ ;　慎ましやかなノックの音と、同じくらい慎ましやかな若い女性の声が聞こえた。@ `A timid knocking sound and an equally timid young woman's voice came through the door.`@ br ;　朱志香がそれに元気よく応える。\ `Jessica answered brightly.`\ ld r,$JES_waraiA1,24 ;「紗音、入れよー！@　戦人は覚えてるだろー？！」@ ;　朱志香がベッドから立ち上がり、扉を開ける。@ `"Shannon, come in!`@` You remember Battler, don'tcha?!"`@ `Jessica stood up from the bed and opened the door.`@ br bg G2F_R1a,23 ;se1 16 ld r,$SHA_DefA1,24 ;　そこには、俺らと近い歳に違いない使用人の女の子がいた。\ `There stood a servant girl who was definitely about our age.`\ ld r,$SHA_tokuiA1,80 ;「ご、ご無沙汰いたしております、戦人さま。@６年ぶりでございます、紗音です。」@ `"I-it's been quite some time since we last met, Battler-sama.`@` It's nice to see you after six years. I'm Shannon."`@ br ;　おずおずとした仕草で俺の姿を認めると、深々と会釈をした。\ `Trembling a little, she acknowledged me and bowed deeply.`\ ld l,$BUT_waraiA1,23 ;「…はーー…！@　朱志香にも驚かされたが、紗音ちゃんにも驚かされたぜ…。@あんたもすっかり美人になったじゃねぇのよ〜！」@ `"...Ah...!`@` Jessica had me surprised, but Shannon-chan!`@` You've turned into a total beauty too, haven't you?!"`@ ld r,$SHA_HajiraiA3,80 ;「も、……勿体無いお言葉、恐悦に存じます……。」\ `"Y...your words are too good for me..."`\ ld l,$BUT_waraiA2,80 ;「しかしよ〜、この島じゃよっぽど食事の栄養価が高いんじゃねぇのか〜ん？@　何を食ってどこを鍛えたらそんなにでかいお乳になるんだか〜！！@　朱志香とどっちがでけぇか、ちょいと触って確かめさせてもらうぜぇえぇ〜？！」\ `"Bu~t, the food on this island must be reeeally nutritional, right?`@` What are you eating, where are you training, to get boobs that big?!!`@` Guess I'll have to feel 'em a bit and see whether yours or Jessica's are bigger, oka~ay?!"`\ bg black,22 ;　両手をわきわきさせてヨダレを垂らしながら迫る俺！@ `With both hands poised and saliva dribbling from my mouth, I closed in!`@ br ;　……俺の名誉と正義のために補足しておくが、@これは別に、おっぱいを揉まないと首のリンパ腺が異様に痒くなって掻き破ってしまうような奇病に冒されたからじゃないぞ？@ ;　俺的なお約束のコミュニケーションなのだ。\ `......For the sake of my honor and justice, `@`I'd like to point out that I don't suffer from some strange disease that makes my lymph nodes itch until I scratch my neck open and which can only be prevented by rubbing breasts.`@ `It's just my Battler-style way of communicating.`\ ;　こんな風に迫るシーンがあれば、十中八九、引っ叩かれたりどつかれたりするだろ？@ `If I slowly close in on her like this, odds are eight or nine out of ten that I get slapped or clobbered, right?`@ br ;　そういうお茶目な展開を狙う戦人さまオリジナルのコミュニケーション術なわけさ！\ `This is a Battler-sama original technique which'll lead to a gag like that and break the ice!`\ ;　………ま、まぁその何だ、十中八九の残り一くらいの確率で、本当にタッチできたらラッキーだけどな…？@ `.........W, well, that means I really do get to touch them on that one-in-ten chance though, right?`@ br ;　いひひゃひゃひゃっ、そこまではさすがに期待してねぇってぇえぇ〜！！\ `Ihihyahyahya, like I really expect that'd ever happen?!!`\ ;mov %rmordflg,on bg G2F_R1a,0 lsp bgsp,":a;custom\shannon\1\SHA_bustupSP.bmp",0,0 print 8 ;　と、俺の手は今や紗音ちゃんのお乳に接触するまで１ｃｍくらいのところまで来たんだが、……未だ反撃が来ない。@ `At that point, my hands were less than a centimeter away from Shannon-chan's boobs, but......the counterstrike had yet to come.`@ ;skipoff br ;　何をされるのかは理解していて真っ赤になって俯いているのだが、@両手は前でお行儀よく組まれたままで、拒絶してどつくとか、胸を庇おうとか、そういう行動を取ろうとはしないのだ。\ `She blushed and lowered her head in embarrassment when she realized what was going on,`@` but she just stood there with both hands politely joined in front of her, not even trying to resist or cover her breasts.`\ ;!s0　…うををおおい、それは想定外だろッ！！/ !s0`...Whoaaaaah, I wasn't planning on this!!`/ quakey 5,500 !sd@ br ;　たた、頼むよどついてくれよ、このままじゃマジでお触りしちまうぞぉおおぉ？！\ `P, please, hit me right now! At this rate I'm seriously gonna...?!`\ textoff ;mov %rmordflg,off csp bgsp se1 20 wait 300 se1 12 quakey 4,300 bg black,14,300 se1 13 quakey 3,300 ;　って、タイミングだったので、朱志香が俺の後頭部に肘鉄を叩き込んでくれて本当に嬉しかったぜ…。\ `...Which is why I was glad that Jessica chose that time to drive her elbow into the back of my head.`\ bg G2F_R1b,0 ld r,$JES_IkariA1,26 ;「ふぐぉおおおぉおぉぉ、あいたたたたたぁ、朱志香ぁあぁッ、ありがとよっぉおぉ〜！！」@ `"Guaaaah, ooooowww, thank you Jessicaaaaaaa~!!"`@ ld r,$JES_OdorokiA1,80 ;「なな、何で私が感謝されんだぁ？！@　？？？」\ `"W, w, why the hell are you thanking me?!`@` ???"`\ bg G2F_R1a,0 ld l,$BUT_komaruA1,23 ;「いやいや済まんぜ紗音ちゃん。@魅力的な胸に思わず吸着されそうになっちまった…。@つーか、さすがにあの間合いまで来たら痴漢確定だろ。@駄目だぜ、抵抗しなきゃよぅ〜！」\ `"No, no, my bad, Shannon-chan.`@` Looks like I got a little too absorbed in your hypnotic chest...`@` So now we can see that if I get too close I degenerate into a big pervert after all.`@` Seriously, you've got to resist!"`\ ld r,$SHA_hajiraiA2,24 ;「………で、ですけど、/ ;!d600………戦人さまは、…大切なお客様ですし……。」\ `".........B, but, `/ !d600`.........you are...an important guest, Battler-sama......"`\ ld l,$BUT_aseruA1,80 ;「あのなぁ、お客様でも痴漢は痴漢！@　女の子の胸は大体、１０ｃｍくらいからが防空識別圏だなぁ。@２ｃｍ圏まで侵入してきたらこれはもう領空侵犯だぜ、スクランブル発進で即ビンタを食らわせてやれぃ！」\ `"Now look here, a pervert's a pervert whether he's a guest or not!`@` Ten centimeters around a girl's chest is like an Air Defense Identification Range.`@` If someone trespasses within two centimeters, that's already an invasion of airspace and you can immediately give me a slap, like a high-alert takeoff!"`\ ld r,$SHA_OdorokiA1,80 ;「…………そっ、そんなことできません…！@　私たちは……、…その、家具ですし…。」\ `"............I-I couldn't do such a thing...!`@` We are......, ...that is, furniture and..."`\ ;　もちろん触られたくはないのだが…、客人がそれを望むなら何とか応えようという自己犠牲精神。@ `Of course she didn't want her breasts touched, but..., if a guest so desired, she intended to sacrifice her own needs in response anyway.`@ br ;　…こんな子、トキより先に保護すべきだぞ…。\ `...A girl like this needs some urgent protection...!`\ ld l,$BUT_komaruA1,80 ;「…い、今時、こんな献身美徳な子がいるとは…。@軽い眩暈すら覚えるぜ。@……でも駄目だ！@　ダメなんだぁああぁ！！@　俺がエロい顔で迫る！@　張ッ倒す！！@　イヤ〜ン、エッチ！@　そういうお約束じゃないとオチがつかねぇんだよぉ、頼むよお願いだよ、俺を引っ叩いてくれよ！@　こう、バチンっと！@　バチンっとぉおぉ〜！！」\ `"...I-in these days, to think that there's a dedicated and virtuous girl like this...`@` Getting... giddy again!...`@` ......But, no!`@` NooOoo!!`@` I'm coming at her with a perverted face again!`@` Someone trip me!!`@` No~oo, pervert!`@` Without your word, I can't settle down! Please, I beg you, smack me!`@` Like this, smack!`@` Hit meeee~!!"`\ ld r,$SHA_HajiraiA2,80 ;「お、…………お願いは聞けません。@家具ですから。@……でも、/ ;!d800…………命令ならお聞きします。@…それが勤めですから。」\ `"I............I cannot obey your request.`@` Because I'm furniture.`@` ......But, `/ !d800`............if it's an order, I'll obey you.`@` ...Because that is my duty."`\ bg G2F_R1b,24 ld r,$GEO_hohoemiA1,24 ;「あはは、じゃあ命令させてもらうことにするよ。@次から戦人くんが胸に触ろうとしてきたら、平手打ちで反撃すること。@いいね？」\ ;＜譲治 `"Ahaha, then I'll make it an order.`@` The next time Battler-kun tries to touch your breasts, counterattack with a slap.`@` Alright?"`\ ld l,$SHA_WaraiA3,23 ;「……は、はい。@仰せつかりました。@以後、そのようにさせていただきます。@戦人さま、ご承知おきくださいませ…。」\ `"......Y-yes.`@` I'll do as you wish.`@` From now on, please allow me to do so.`@` Battler-sama, please accept this..."`\ ;　紗音ちゃんは優雅な仕草で俺にお辞儀しながらそう宣言する。@ `Shannon-chan announced this while bowing elegantly to me.`@ br ;　表情は晴れやかだった。@ ;　俺は、それでＯＫと親指を立てて応えてやる。\ `Her facial expression was radiant.`@ `I gave her a thumbs-up to signal that it was OK with me.`\ cl r,23 ld r,$BUT_defA2,24 ;「６年前はお手伝いさんの連れ子がついでにお手伝いみたいな印象だったんだけど、@……すっかり一人前の使用人さんだなぁ。@今年で何年になるんだぁ？」\ `"Six years ago, you might've been mistaken for a servant's daughter who lent a hand at your parent's work,`@` ......but now you're a full-fledged adult servant.`@` How many years has it been?"`\ ld l,$SHA_WaraiA1,80 ;「はい。@お陰様で１０年ほどお仕えさせていただいております。」\ `"Yes,`@` I've had the pleasure of serving this household for ten years."`\ cl a,0 ld c,$SHA_WaraiA1,22 ;ここで紗音の情報閲覧が可能に〜〜〜〜〜〜〜 mov ?r[sha][condition],1 seplay 9,1060 ;　彼女は紗音。@……“シャノン”と読む。@ ;　これまた日本人離れしたすげぇ名前だ。@ `She's 紗音.`@` ......The kanji for her name are read as "Shannon".`@ `This is another far from typical name for a Japanese person.`@ br ;　昔は俺もガキだったので大して気にせずこの名前を鵜呑みにしていたのだが、@右代宮家の人間でないにも関わらず、このネーミングセンスは珍しい。\ `Being a kid back in those days, I had taken in her name without paying it much attention, `@`but despite the fact that she is not a member of the Ushiromiya family, she still has this unusual name.`\ ;　…恐らく、使用人の源氏名みたいなもんだろう。@ `...Maybe it's like a servant's 'professional name' or something.`@ br ;　…だとすると、さっき薔薇庭園で出会った嘉音くんのネーミングセンスも納得できる。\ `...If so, I can kind of understand why that Kanon-kun's name sounds the way it does.`\ ;introduction_flg SHA,1,scenario1_1,scenario1_1 ;　彼女は６つの時からここに勤めているという古参の使用人だ。@ ;　容姿がすっかり変わってしまったので記憶は繋がらないが、６年前の彼女にはお互い面識がある。@ `She's a long-term servant who's served here since she was six years old.`@ `Since her body had changed radically, she didn't match my memories, but I got acquainted with her six years ago.`@ br ;　内気な感じの性格は今も昔も変わらないようだが、やはり歳相応の女の子らしい魅力が宿ったような気がする。@ `It looked like she was just as shy she had been in the past, but I got the feeling that the charm befitting a girl her age came naturally to her.`@ br ;　特に胸だな、胸。\ `Especially her breasts, her breasts.`\ bg G2F_R1c,0 ld r,$GEO_HohoemiA1k,24 ;「さっき会った嘉音くんは彼女の弟なんだよ。」@ ;＜譲治 `"That kid we met earlier, Kanon-kun, is her little brother."`@ ld l,$SHA_MajimeA2,23 ;「…弟というわけでは…。@でも、私のことを姉と慕ってくれます。@…何か失礼なことはしませんでしたか？」\ `"...He's not exactly my little brother...`@` Still, he loves me like a big sister.`@` ...He didn't cause you any trouble, did he?"`\ cl r,23 ld r,$JES_atyaA1,24 ;「はは！@　相変わらずいつも通りだぜ。@もうちょっと愛想よくすればいいのによ、勿体無いやつー。」\ `"Haha!`@` He's the same as always.`@` It's such a shame that he doesn't act just a bit more sociable."`\ ;＜朱志香 ld l,$SHA_KomaruA1,80 ;「…嘉音くんがご迷惑をお掛けしたようで、…申し訳ございません……。」@ `"...It seems Kanon-kun has caused trouble,...I apologize......"`@ cl r,23 ld r,$BUT_waraiA1,24 ;「別に迷惑なんか何も！@　同じ男としてわかるさ、ありゃあ気難しい年頃だ。@愛想が悪いのは当り前だぜ！」\ ;＜戦人 `"He didn't cause any trouble at all!`@` As a fellow man, I understand how moody you can get at that age.`@` It's no surprise that he's unsociable!"`\ ld c,$MAR_waraiA2,23 ;「うー！@　真里亞もよく言われる！@　愛想悪いって言われるー！@　嘉音と一緒！@　うー！」@ `"Uu-!`@` Maria gets called that all the time too!`@` Gets called unsociable!`@` Like Kanon!`@` Uu-!"`@ ld l,$SHA_WaraiA1,80 ;「くす、……真里亞さまは愛想悪くなんかありません。」@ `"*giggle*,......Maria-sama is not unsociable at all."`@ ld c,$MAR_fukigenA1,80 ;「うー？@　一緒が良かった…。@うー。」\ `"Uu-?`@` It was nice to be like him...`@` Uu-."`\ cl r,23 ld r,$GEO_DefA1k,24 ;「えっと、食事の準備が出来たんだっけ？」@ ;＜譲治 `"Umm, you said the meal was ready, right?"`@ ld l,$SHA_hajiraiA1,80 ;「あ、……はい！@　失礼いたしました！@　…お食事のご用意が整いましたので、皆様をお屋敷へご案内いたします。」@ `"Ah, ......Yes!`@` I'm sorry!`@` ...The preparations for your meal have been carried out, so I shall be accompanying everyone to the mansion."`@ br ;　紗音は形式的なお辞儀をし直して勤務モードに復帰する。\ `Shannon bowed again formally and returned to her "duty mode".`\ ;　これ以上、下らない話に付き合わせれば、@それはかえって彼女の仕事に迷惑をかけてしまうことを察した俺たちは、それ以上の脱線はせず腰を上げることにした。\ `We realized that if we made her stick around for any more light conversation,`@` it would actually make it harder for her to do her job. We got up off our butts to avoid interfering with her work any further.`\ bg G2F_R1a,24 ld r,$GEO_WaraiA2,24 ;「じゃ、お屋敷に行こうか。@みんなもお腹が空いてたところでしょ。」@ ;＜譲治 `"Then, shall we go to the mansion?`@` Everyone's probably hungry, right?"`@ ld l,$JES_waraiA2,23 ;「だなー。@郷田さんがいる時のメシは楽しみなんだよ。@あの人、どこぞの有名ホテルでシェフをやってたらしくて、かなり料理の腕があるんだぜ！」\ ;＜朱志香 `"Yeah.`@` I'm really looking forward to Gohda-san's food.`@` That guy, seems he was a chef at this famous hotel, so he's super good at cooking!"`\ cl r,23 ld r,$BUT_WaraiA1,24 ;「ほぅほぅ！@　そ〜りゃ楽しみぃ！！@　行こうぜ真里亞！@　ガツガツ犬みたいに食い散らかすぞ！！」@ `"Ooooh!`@` I'm looking forward to it!!`@` Let's go Maria!`@` We're gonna stuff ourselves like pigs!!"`@ ld c,$MAR_WaraiA1,80 ;「うー！@　犬みたいに食い散らかす！」\ `"Uu-!`@` Stuff ourselves like pigs!"`\ cl l,24 ld l,$GEO_WaraiA1,23 ;「ダメダメ！@　戦人くんの言うことはいちいち真に受けちゃダメだよ？@　全部冗談なんだから。@さ、行こ行こ。」\ ;＜譲治 `"No, no!`@` You just can't take everything Battler-kun says seriously, OK?`@` Because it's all jokes.`@` Alright, let's go."`\ bg black,23 bg G1F_P1a,23 ;　俺たちは紗音ちゃんに先導され、お屋敷へ向かうのだった。\ `Under Shannon-chan's guidance we headed towards the mansion.`\ bg black,23 bg rose_G1a,23 wait 2000 bg rose_1a,23 wait 2000 bg garden_1c,23 wait 2000 bg white,22 bg M_o1a,2 ;　再び立派な薔薇庭園に迎えられ、さらに進むと見えてくるのが、………迫力ある、右代宮本家のお屋敷である。\ `Met once again by the magnificent rose garden, we continued onward as it came into view...the intimidating mansion of the Ushiromiya Head Family.`\ ;　戦後すぐに建てられたらしいから、すでに半世紀近くを経た貫禄を漂わせている。@ `It had apparently been built shortly after the war, so you could feel the dignity of almost a half century hanging about it.`@ br ;　見てくれは確かにゴージャスだが、古い建物だけあり、空調などの設備が今ひとつ弱いらしい。@ ;　朱志香の話によれば、特に真冬は隙間風に悩まされるそうだ。@ `On the surface, the building was gorgeous, but being as old as it was, the equipment such as the AC seemed quite frail.`@ `According to Jessica, midwinter was especially tough, what with all the drafts.`@ br ;　…コタツでも出しゃあいいのにな。\ `...It's not like they couldn't just take the #86ef9ckotatsu#ffffff out.`/ mov ?grim[7][grim_flg],1 mov %r_hyouji_grim,7 ;seplay 9,1062 \ textoff fede 0,2000 se1 17 bg black,50 bgmplay 12 bg Mhal_2a,50 ld c,$GEN_DefA1,24 ;　玄関を入ると、老いた使用人が迎えてくれた。@ ;　彼はさすがに俺の記憶にも残ってる。@ `As we entered the entrance hall, an aged servant greeted us.`@ `Now him I remembered.`@ br ;ここで源次の情報閲覧が可能に〜〜〜〜〜 mov ?r[gen][condition],1 seplay 9,1060 ;　最古参で、使用人の長を勤める源次さんだ。\ `As the most senior member of the staff, Genji-san (源次) served as the head of the servants.`\ ld c,$GEN_MajimeA2,80 ;「…………戦人さま、お久しゅうございます。」@ ;　俺と目が合うと、落ち着きある声で挨拶してくれた。@ `"............Battler-sama, we have not met in a long while."`@ `As our eyes met, he saluted us with a composed voice.`@ br ;　郷田さんのお辞儀を優雅だと例えるなら、@そこまで洗練されていないが、無骨だけれども気持ちが伝わるお辞儀だった。\ `He didn't give quite as refined a bow as Gohda's, `@`but even so, and even though it felt rustic, it was a bow that had feeling.`\ ;「源次さん、本当にお久しぶりっす！@　お元気そうですね。」@ `"Genji-san, it really has been a while!`@` You look well."`@ ld c,$GEN_DefA1,80 ;「お陰様で健やかに過ごさせていただいております…。@……戦人さまこそ、ご立派になられました。@………お館様の若き日に、少し似てこられましたな。」@ ;「俺が祖父さまに？@　ってことは、さぞや祖父さまは若い頃モテたろうなぁ、いっひっひ！」\ `"Thank you, I have been quite well...`@`......Battler-sama, you have become a splendid young man.`@` .........You have grown to resemble the Master in his youth."`@ `"I'm looking like Grandfather?`@` I guess that means that Grandfather was pretty popular when he was young, Ihihi!"`\ ld c,$GEN_komaruA1,80 ;「………ここからは紗音に代わって私がご案内申し上げます。@どうぞこちらへ。」@ ;　紗音ちゃんは深々とお辞儀をして俺たちを見送る。@ `".........From here on, I shall take Shannon's place and accompany you.`@` Please, come this way."`@ `Shannon-chan bowed deeply and saw us off.`@ br ;　ここからは源次さんの案内で食堂へ向かっていった。\ `Leaving the entrance hall, we headed to the dining room under Genji-san's guidance.`\ ;　若者勢がこの６年で見違えるほど成長したのに比べれば、源次さんは熊沢さんと同じでまったく逆。@ `Genji-san, just like Kumasawa-san, stood in stark contrast to us young people who had grown beyond recognition over the last six years.`@ br ;　６年前の記憶とまったく姿が変わらない。@ ;　時間を止めたまま再会したかのようだった。\ `His figure was exactly the same as in my memories of six years ago.`@ `It seemed like time had stopped since the last we met.`\ ;　源次さんは非常に寡黙で真面目な人だ。@ `Genji-san was a silent and diligent person.`@ br ;　祖父さまの側近というか、介護者というか、@……考えようによっては女房役とまで言えたかもしれない。\ `He was like Grandfather's close aide or caregiver, `@`......in fact, you could even go so far as to say he was Grandfather's right-hand man.`\ ;　実際、死んだ祖母さまよりも常に側に控えさせていたらしい。@ `Actually, it seems that he was by Grandfather's side more than my late Grandmother was.`@ br ;　朱志香に言わせると、祖父さまはどんな肉親たちよりも信頼しているという。\ `According to Jessica, Grandfather trusted him more than any of his blood relatives.`\ ;　しかし勤めてどのくらいになるんだろう。@ `But I wonder how long he's served.`@ br ;　詳しく聞いたことはないが、この屋敷が建てられた当初からいる、みたいな話を聞いたこともある。@ `I've never heard the details, but I'm pretty sure he's been here since the beginning, when this mansion was constructed.`@ br ;　…ということは、半生を奉公に捧げてるってことになる。@…そりゃあ、信頼も厚いわけだぜ。\ `...That is to say, he had dedicated half of his life to serving here.`@` ...In other words, he's both trustworthy and faithful.`\ bg black,22 ;　食堂に向かうため、源次さんの先導で吹き抜けのホールを通り抜ける時。@ `As we cut through the open-ceilinged hall behind Genji-san,`@ br ;　……俺は６年前の記憶にないものを見つける。\ `......I found something I had no memory of from six years ago.`\ textoff fede 0,3000 bg white,22 bg black,22 bgmplay 1 wait 500 lsp efesp,portrait1,0,-825 for %Free1 = 1 to 412 msp efesp,0,2 print 1 wait 30 next delay 6000 csp efesp bg Mhal_2c,2 ;　それは、２階に上がる階段の真正面に飾られた、とても大きな肖像画だった。\ `It was an awfully big portrait hung right in front of the stairs that rose to the second floor.`\ ;　その迫力に、思わず足を止めてしまう…。@ `Without thinking, I stopped walking, under its spell...`@ br ;　急に俺が立ち止まったので、後に続く真里亞が俺の背中に激突する。\ `Since I'd suddenly stopped, Maria, who was following behind me, ran into my back.`\ ld l,$MAR_defA1,23 ;「うー？」@ `"Uu-?"`@ ld r,$BUT_majimeA1,24 ;「……あぁ悪ぃ。@…なぁ朱志香ぁ。@あんな絵、前はあったっけ？」@ `"......Aah, sorry.`@` ...Hey, Jessica.`@` Did that picture used to be there?"`@ br ;　俺はホールに掲げられた目立つ大きな肖像画を指差す。@みんなも足を止めた。\ `I pointed at the big portrait that caught the eye, hanging in the hall.`@` Everyone else stopped too.`\ cl l,24 ld l,$JES_tohohoA1,23 ;「…あぁ、…そっか。@戦人が来てた頃にはアレは掛けられてなかったっけ。@いつからだったかな…。」@ ;＜朱志香 `"...Aah, ...Right.`@` When you last came here, that hadn't been hung yet, had it?`@` When was it again..."`@ cl r,23 ld r,$GEO_DefA1,24 ;「確か、/ ;!d1000……僕の記憶が正しければ、一昨年辺りだったと思うよ。」\ ;＜譲治 `"I think, `/ !d1000`......If my memory doesn't fail me, I think it was around the year before last."`\ cl l,24 ld l,$GEN_DefA1,22 ;「…………左様でございます。@一昨年の４月に、お館様が兼ねてより画家に命じて描かせていたものをあそこに展示なされたのでございます。」\ `"............You are correct.`@` In April of the year before last, as it had been arranged, the Master ordered an artist to paint it and it was put on display over there."`\ cl r,23 ld r,$BUT_oyaA1,24 ;「あの祖父さまがねぇ。@わざわざ描かせてか…。」\ `"Grandfather did that?`@` So, he went out of his way to have it drawn..."`\ bg portrait2,22 ;　肖像画には、この洋風屋敷に相応しい、優雅なドレスを着た気品を感じさせる女性が描かれていた。\ `The portrait was appropriate for this western style mansion, and that woman wearing an elegant dress gave off a sense of refinement. `\ ;　………歳はわからないが、目つきにやや鋭さと意志の強さを感じさせるため、若そうな印象を受けた。@ `.........I couldn't have guessed her age, but judging by her obvious strength of will and the sharpness in her eyes, she radiated youth.`@ br ;　よく名画にあるような中年女性の余裕ある雰囲気とは違う気がする。\ `It was a different feeling than the composed mood of middle-aged women that are often in famous pictures.`\ ;　この女性が普通に黒い髪だったなら、すでに亡くなって久しい祖母さまの若き日の肖像画かもしれないと思っただろう。@ `If this woman had normal black hair, I might have thought it was a portrait of my long-deceased Grandmother in her prime.`@ br ;　だが、肖像画の女性は美しい黄金の髪で、日本人的でない容姿を感じさせた。\ `However, the woman in the portrait had beautiful blonde hair and didn't look Japanese at all.`\ bg Mhal_2c,22 ;「で。@……誰だい、このご婦人はよぅ。」@ `"So.`@` ......Who is she then, this woman?"`@ br ;　その素朴な質問に、真里亞が、自分は知っていると言わんばかりに威勢よく答えてくれた。\ `To that naive question, Maria, as though trying to prove that she knew it herself, answered me with authority.`\ ld r,$MAR_DefA1,24 ;「うー！@　真里亞知ってる。@ベアトリーチェ！」@ ;「ベア、……何だって？」\ `"Uu-!`@` Maria knows.`@` She's Beatrice!"`@ `"Bea,......what?"`\ ld l,$GEO_DefA1k,23 ;「……ベアトリーチェ。@魔女だよ。@戦人くんは昔、聞かされたことない？」@ ;＜譲治 `"......Beatrice.`@` She's the witch.`@` Didn't you ever hear about her, long ago?"`@ ;「魔女ぉ。@…って、/ ;!d600…………この島の？」\ ;＜戦人 `"The witch.`@` ...you mean, `/ !d600`............of this island?"`\ bg black,22 bg sea_1c,22 ;　…すでに話したと思うが、この六軒島は全周が１０ｋｍ程度の小さい島だ。@ ;　だが右代宮家だけが住むにしては広大だ。@ `...I think I already said this, but Rokkenjima is a small island that only spans about ten kilometers.`@ `However, considering that only the Ushiromiya family lives here, that's quite large.`@ br ;　だから住めるよう整地されているのは、船着場と屋敷の周りの敷地だけで、@後はこの島が無人島だった時代から手付かずのままになっている。\ `So, only a harbor and the site around the mansion were set up to be lived in.`@` Beyond that, the island remained as untouched as it was when it was still uninhabited.`\ bg forest_P1b,22 ;　一切の明かりもなく電話もなく通行人もいない無人の広大な森が、@どれほど危険なものかを理解するには、都会的な常識を少し外す必要がある。@ `The vast and empty forest had no lamplight, phones or people passing through at all.`@` To understand how dangerous it is, you needed to throw off all your street smarts from the city.`@ br ;　何しろ、万が一、森の奥深くで穴にでも落ちて捻挫したら、@泣こうが喚こうが誰も助けに来てくれないのだ。\ `Anyway, if by any chance you fell down a hole in the depths of the forest and sprained your ankle,`@` you could cry or scream, but no one would come save you.`\ bg black,2 ;　そのまま暗くなれば電柱の一本もない森は真の暗黒に包まれる。@ `If it got dark, the forest, where there were no streetlights, was wrapped up in complete darkness.`@ br ;　また、道標があるわけでもないから迷いやすく、暗い森の中は方向感覚も見失いやすいのだ。\ `And also, since it didn't have any guideposts, it would be easy to get confused and lost, losing your sense of direction inside the dark forest.`\ ;　現在でこそ、森というと憩いのイメージを感じるが、@文明の光が夜を駆逐するまでの前時代の人類にとって、森は海同様に文化を地理的に隔離する、地上の海同然だったのである。@ `Nowadays, most people see a forest as a peaceful place, `@`but to the people of the bygone eras, before the light of civilization drove out the night, forests were as geographically separated from civilization as the ocean. Like an ocean above the ground.`@ br ;　海に出る漁師たちが、専門的な知識を有してなお命を脅かされることもあるように。@ `Just like how fishermen who go out into the ocean are threatened despite their technical knowledge...`@ br ;　森に出る猟師たちにも専門的な知識が求められ、@同じく命を脅かされることもあったのだ。\ `Hunters who go out to the forest have technical knowledge as well,`@` yet are also in danger.`\ bg M_o1a,22 ;　…そんな危険な森に、子供が遊びに行ったら大変なことになるかもしれない。@ `...If children go play in that dangerous forest, something terrible might happen.`@ br ;　そう思った親の誰か。@…祖母さまか、あるいは他でもない、祖父さまが言い出したのかもしれない。@ `Someone's parents must have thought so.`@` ...Maybe my Grandmother, or possibly anybody else other than Grandfather might have said that.`@ br bg black,22 ;　さもなくば、はるか大昔からこの島に語り継がれているのか。\ `Or maybe it's been handed down in this island from long, long ago.`\ bg portrait2,22 ;　………森には恐ろしい魔女がいるから立ち入ってはならない。\ `.........There's a terrible witch in the forest, so you must not go in.`\ ;　そんな六軒島の怪談が生まれたのである。@ ;　それが、六軒島の魔女伝説である。\ `Thus, Rokkenjima's ghost story was born.`@ `That is the legend of the witch of Rokkenjima.`\ ;　だから、この島で魔女と言ったら、それは広大な未開の森の主を指す。@ `That's why, if we say 'witch' in this island, we're referring to the master of the vast and savage forest.`@ br ;　そういえば小さかった頃、この屋敷に泊まり、風雨が窓を叩く不気味な夜には、@森の魔女が生贄を求めて彷徨っているというような話にだいぶ怯えたもんさ…。\ `Which reminds me, when I was little and stayed at this mansion, in the eerie nights where the wind and rain struck the windows,`@` I got terrified by a story that the witch of the forest was roaming around searching for a sacrifice...`\ ;　ベアトリーチェ、/ ;!d800…か。\ `Beatrice, `/ !d800`was it?`\ ;　………兄貴に言われて記憶を探ると、確かにそんな名前だとだいぶ小さい頃に教えられた気もする。\ `.........When Aniki told me and I searched my memory, I was sure I remembered hearing a name like that when I was little.`\ bg Mhal_2c,0 ld r,$BUT_defA2,6 ;「…なるほどなぁ。@しかし、あの魔女伝説の魔女に、ベアトリーチェなんてオシャレな名前が付いてたとは、とんと忘れてたぜ。@……祖父さまめ、孫たちが信じないもんだから、わざわざ絵に描きやがったかぁ？」\ ;＜戦人 `"...Right.`@` Still, I completely forgot that the witch of that legend had an elegant name like Beatrice.`@` ......Since us grandchildren didn't believe Grandfather, he went out of his way to have her depicted in this painting?"`\ ld l,$JES_MajimeA1,23 ;「……祖父さまの妄想の中の魔女だよ。@…この絵を掲げた頃から現実と幻想の区別が付かなくなり始めた。@……私たちにとっては想像の中の魔女に過ぎないけど、…祖父さまにとっては、彼女はこの島に“い”る存在。@……“い”る。@だから、それを理解することができない私たちにもわかるよう、あの絵を描かせたって言うんだけど。@/ `"......It's the witch from Grandfather's delusions.`@` ...Ever since he had this picture hanged, he's been blurring the line between reality and illusion.`@` ......To us, it's no more than the witch from his imagination, but ...to Grandfather, she's a being that 'exists' on this island.`@` ......'Exists'.`@` That's why he says he had that picture painted. So that we'd understand.`@/ ld l,$JES_nayamuA1,80 ;………はんッ、気持ち悪いったらありゃしないぜ。」\ ` .........And I'm sorry, but she just doesn't exist."`\ cl r,23 ld r,$GEN_komaruA1,24 ;「……………………お嬢様。@…お館様にとっては大切な肖像画です。@……お館様の前でそのように仰られることがございませんよう、固くお願い申し上げます。」\ `"........................Milady.`@` ...To the Master, this is an important portrait.`@` ......I beg of you, do not say such a thing in front of him."`\ ld l,$JES_odorokiA1,80 ;「………わかってるぜ。@頼まれても言わねぇよ。」@ `".........I get it.`@` You don't need to beg."`@ cl l,24 ;　朱志香は忌々しいような目つきで肖像画を一瞥すると、そっぽを向く。\ `Jessica turned away, after glaring a second at the portrait.`\ ld l,$GEO_MajimeA1k,24 ;「…行こうよ。@食堂にみんなを待たせてるよ。」@ ;＜譲治 `"...Let's go.`@` We're making everyone wait in the dining room."`@ cl r,23 ld r,$MAR_defA1,24 ;「うー！@　お腹空いたー！」\ `"Uu-!`@` Hungry!"`\ bg black,22 bg portrait2,22 ;　……この島で、右代宮家が支配している部分などほんのわずかだ。@ `......Only a small portion of this island was controlled by the Ushiromiya family.`@ br ;　残りの未開な部分を全て彼女、…魔女ベアトリーチェが支配しているというのなら。@ `All of the wild remainder...was the witch Beatrice's domain.`@ br ;　……彼女こそがこの六軒島を真に支配する存在なのだと言える。\ `......One could say that she was the being who actually ruled over Rokkenjima.`\ ;　船で来る途中、洋上の鎮守の社が落雷で失われたということを知った時に感じたある種の違和感と不吉さが少しだけ蘇る。\ `That slightly unsettling feeling of misfortune that I had felt when I learned the Tutelary God's shrine had been struck by lightning on the boat trip revived within me a bit.`\ ;　そしてあの時、熊沢さんは六軒島について何か不吉な話をしようとして、それを朱志香に止められたことも。@ `At that time, Kumasawa-san had tried to tell an ominous story about Rokkenjima and had been stopped by Jessica.`@ br ;　………この島の何を話そうとしたのかはわからない。\ `.........I didn't know what she had tried to tell us about this island.`\ ;　でも、ひとつわかることがある。@ ;　…六軒島の支配者は、右代宮家じゃない。@ `But, there was one thing I did know.`@ `...Rokkenjima's ruler was not the Ushiromiya family.`@ br ;　魔女、ベアトリーチェなんだ。@ `It was the witch, Beatrice.`@ br ;　そう。@……ここは、魔女の島なのだから。\ `Yes.`@` ......Because this was the witch's island.`\ bg M1F_P1b,22 ;「戦人ー！@　うー、遅いー！」@ `"Battler!`@` Uu-, slo-ow!"`@ br ;　見ればみんなはもう食堂へ向かっていた。@ ;　俺は慌ててその後を追うのだった…。\ `When I looked around, everyone was already heading towards the dining room.`@ `I hurriedly chased after them...`\ bg black,4 fede 0,3000 ;ここはフェードアウトにしたい〜〜〜〜！ ;　食堂の大きな観音扉の前までやって来る。@ `We walked up to the huge double doors that led to the dining room.`@ se1 19 ;　源次さんがノックする。\ `Genji-san knocked.`\ ;「……お子様方をお連れいたしました。@失礼いたします…。」@ ;　扉が開けられ、中へ招かれる。\ `"......I have brought the children.`@` If you will excuse me..."`@ `The door was opened and we were invited inside.`\ se1 17 bg white,50 bgmplay 12 bg Mdin_1d,50 ;　如何にも大金持ちーって感じの食堂には、来客に序列を思い知らせるのが目的としか思えない超長いテーブルが置かれ、@その序列に従い、もう親たちが着席していた。\ `The dining room, everything in the room looking clearly expensive, was set up with a super-long table which was obviously positioned with no other purpose than to make the guests conscious of their rank.`@` Our parents were already sitting in accordance to that ordering.`\ ld l,$RUD_waraiA1,22 ;「遅ぇぞ、ガキども。@早く席につけよ。」@ ;　クソ親父が着席を促す。@ `"You're late, brats.`@` Hurry up and take a seat."`@ `The old bastard pressed us to sit.`@ br ;　長いテーブルの、自分たちが座る場所だけがぽっかりと空いていて、一層、遅刻した感を煽った。\ `Only the places where we would sit were empty at the long table, which only made us feel our tardiness all the more.`\ bg Mdin_1a,22 ;　一番奥正面のいわゆるお誕生席が最上位の席、祖父さまの指定席だ。@ `The seat at the head of the table, called the Incipient's Chair, was for the most highly ranked, reserved for Grandfather.`@ br ;　そこはまだ空席だった。@ ;　…もったいぶって最後に来るつもりなんだろう。\ `It was still empty.`@ `...He was probably planning to come in last to ham it up.`\ bg Mdin_1e,22 ;　席順の序列は、お誕生席を正面奥に見ながら、左・右と序列が続き、序列の順位が低いほどお誕生席から遠のいていく。@ `The seating order, looking at the Incipient's Chair at the head of the table, went from left to right with the lower ranking seats progressing in rows of two further away from it.`@ br ;　つまり、お誕生席に一番近い第１列目の左席、序列第２位の席は親兄弟の長兄の蔵臼伯父さんの席。\ `So, on the left-hand side of the first row, closest to the Incipient's Chair, was where Krauss oji-san, ranked at number two, should have sat.`\ ;　………伯父さんもまだ来てないようで空席だった。\ `.........It looked like Oji-san hadn't arrived yet, so that seat was empty.`\ bg Mdin_1d,0 ld r,$EVA_defA1,22 ;　そしてその向かいの、第１列目の右席には、序列第３位で親兄弟の長女の絵羽伯母さんが座る。\ `And then to his opposite, on the right side of the first row sat the eldest daughter of the family, Eva oba-san, ranked at number three.`\ bg Mdin_1b,0 ld l,$RUD_defA2,23 ;　第２列目の左席は序列第４位。@ ;　親兄弟の３人目ということでうちのクソ親父、留弗夫が座る。@ `The left-hand side of the second row was for number four.`@ `There sat my old bastard, Rudolf, as one of the three siblings already present.`@ br ld r,$ROS_defA1,24 ;　その向かいの第２列目右席、序列第５位は、親兄弟の末っ子の楼座叔母さんの席。\ `Opposite him sat number five, the youngest sibling, Rosa oba-san.`\ bg Mdin_1d,22 ;　こう来れば、次は親たちの配偶者が来るだろうと思うかもしれないが、@/ `Going like this, you might think that the next ones to come would be their husbands and wives, but...`@/ ld l,$JES_defA2,22 ;ところがどっこい、次の第３列目左席、つまり序列第６位は朱志香の席だったりする。@ ` It's weird, but the next left-hand seat in the third row, meaning number six, was Jessica's seat.`@ br ld r,$GEO_hohoemiA1k,22 ;　その向かい席は譲治兄貴。@ `Opposite her was George-aniki.`@ bg Mdin_1d,0 ld l,$BUT_waraiA2,22 ;　そして朱志香の隣の席は俺で、@/ `Then, next to Jessica, was me,`@/ ld r,$MAR_niyariA1,22 ;その向かいは真里亞となる。\ ` And opposite me was Maria.`\ bg Mdin_1f,0 ld l,$NAT_defA1,22 ;　そして俺の隣、つまり第５列目左席の序列第１０位まで来てようやく夏妃叔母さんなのである。@ `Then, finally, next to me on the left-hand side of the fifth row was number ten, Natsuhi oba-san.`@ br ld r,$HID_defA1,22 ;　…その向かいが秀吉伯父さんで、@/ `...Opposite her was Hideyoshi oji-san.`@/ cl l,22 ld l,$KIR_defA1,22 ;夏妃叔母さんの隣の第６列目、一番手前の左席が霧江さんである。\ ` Next to Natsuhi oba-san, in the sixth row and in the final seat on the left-hand side, was Kyrie-san.`\ bg black,22 ;　霧江さんの向かいの席にも食事の支度がされていたが空席だった。@ ;　序列的に言うなら、そこは楼座叔母さんの旦那さんが座るべき席だ。@ `The seat opposite to Kyrie-san was empty even though everything had been set out.`@ `According to this ranking system, that spot was the seat where Rosa oba-san's husband should be sitting.`@ br ;　……来ていないはずなのに、その席にも準備がされていた。\ `......Even though he wasn't supposed to be coming, his place was made up.`\ bg Mdin_1g,22 ;　普通、序列は配偶者にも準ずる格を認めるものだが、右代宮家は独自の序列を持っていた。@ `These kind of ranking orders usually recognize the status of the spouse, but the Ushiromiya family had an original kind of ranking.`@ br ;　……多分、男尊女卑の名残だろう。@ ;　女の腹は借り物だとする考えに基づくと、直系の子供がもっとも序列が高く、孫が次。@ `......Maybe it's a leftover of male chauvinism.`@ `If the system is predicated on the idea that a woman's womb is just a borrowed thing, then the children of direct descent would have a much higher ranking, and the grandchildren would come next.`@ br ;　血の繋がらない配偶者たちは一番ビリって考えになるわけだ。\ `Meaning that the spouses, with no blood ties, are considered the last in line.`\ ;　……気の毒な話だが、その序列によるならば祖母さまが生きていたとして、@その序列は俺よりも下だということになる。@ `......It's terrible, but according to that ranking order, Grandmother, when she was alive, `@`would have been in a position even lower than mine.`@ br ;　若い日には父に従い、嫁いでからは夫に従い、老いてからは子に従え。@ `In their youth they obey their father; after they get married, their husband; after aging, their children.`@ br ;「女、三界に家なし」なんて言われた昔の名残だ。\ `There's the old saying, 'Women, whether in their past, present, or future, have no home'.`\ bg Mdin_1e,22 ;　そんなことに思い至らない昔は、@親兄弟は親兄弟同士、いとこはいとこ同士とそれぞれのグループごとに座れて話が弾んでいいなんて思っていたが、@この歳になって再び着席順を見直してみると、何とも複雑な気持ちにさせられる…。\ `Long ago, when I was still incapable of figuring all this out,`@` I'd thought it was so great that we could all chat, with the adult siblings in their group and us cousins in ours.`@` However, now that I can reexamine the seating order after growing up a bit, it stirs up some very complicated feelings in me...`\ ;　本家の長男に嫁ぎ、家を切り盛りする実質上のナンバー２の夏妃伯母さんが俺の右側の席、@…つまり俺より２つも序列が下だというのだから。@ `Natsuhi oba-san, married to the eldest son of the family and number two in managing the house, sat to my right,`@` ...which meant that she was two steps lower than me in the ranking order.`@ br ;　…伯母さんの胸中を察することは難しかった。@ `...It was difficult to guess what was going inside Oba-san's head.`@ br ;　なので俺は、伯母さんに謝るような仕草をしてから着席するのだった。\ `That's why I made a small apologetic gesture before sitting down.`\ ld r,$NAT_DefA1,24 ;「お久しぶりですね、戦人くん。@ずいぶん背が伸びましたね。」@ ;＜夏妃 `"How nice to see you, Battler-kun.`@` You've grown quite tall, haven't you?"`@ ld l,$BUT_waraiA1,23 ;「え、ぁ、はい！@　食ったり食べたり食事したりしてたらいつの間にかこんな身長に。」\ `"Huhh, ah, yeah!`@` I ate and ate and ate meals and before I knew it I got this tall."`\ ld r,$NAT_WaraiA1,80 ;「さすが男の子ね。@身長はいくつくらいあるの？」@ `"Boys will be boys, no?`@` How tall are you?"`@ ld l,$BUT_aseruA1,80 ;「１８０かな？@　つーか伯母さん、そこは、食べてばっかりじゃねぇかーって突っ込んでくださいよ〜ん！」\ `"I guess about 180 cm?`@` Ah, Oba-san, please, whenever you feel like it, feel free to say 'Stop stuffing yourself!'"`\ ld r,$NAT_defA1,80 ;「え？@/ `"Huh?`@/ ld r,$NAT_tukareA2,80 ;　……あぁ、くす、ごめんなさいね。」@ ` ......Aah, *giggle*, I'm sorry."`@ br ;　伯母さんは遅れて笑いに付き合ってくれたが、どこが笑うべきツボか理解できてないようだった。\ `Oba-san, after a moment, gave a small laugh, but it seemed she couldn't quite figure out what she was supposed to be laughing at.`\ ;ここで夏妃の情報閲覧が可能に〜〜〜〜〜〜 mov ?r[nat][condition],1 seplay 9,1060 ;　この人は夏妃（なつひ）伯母さん。@ `This woman is Natsuhi (夏妃) oba-san.`@ br ;　親兄弟の長男の妻、つまり、うちの親父の兄の奥さんに当たる人だ。@ ;　朱志香の母親と言った方がわかりやすいか。@ `She's the wife of the eldest son of the family, meaning she is my father's older brother's wife.`@ `Is it easier to get it if I call her Jessica's mother?`@ br ;　…こう言っちゃ悪いが、嫌いってわけでもないが、特別好きでもない伯母さんだ。\ `...It feels bad to say it like this, but, not that I hated her, I didn't particularly like her.`\ ;　あまり子供の輪に入ってこないし、いつも気難しそうな顔をして、親たちと難しい話をしているという印象しかない。@ `She never got into our kids' circle, and she always looked difficult to get along with. And it didn't help that she gave the impression that she was at odds with the other parents.`@ br ;　…実際、あまり言葉を交わしたことがなく、今もどう掴みを取ろうかだいぶ迷ったのだ。@ ;　…甲斐なく外してしまったがなー。\ `...The fact is that having barely ever exchanged words, I hesitated a lot about how to approach her.`@ `...And I ended up empty-handed.`\ ;introduction_flg NAT,1,scenario1_1,scenario1_1 bg black,22 bg Mdin_1g,22 ;　テーブルの上には整然と食器が並べられていたが、まだ食事の配膳は始まっていなかった。\ `The silverware had been tidily set up on the table, but the meal itself hadn't been brought in.`\ ;　基本的に、上席者が着席するまでは食事は始まらない。@ `In essence, until the man at the head of the table had taken his seat, the meal wouldn't start.`@ br ;　つまり、最上位の祖父さまが来ない限り、いつまでもお昼は始まらない。@ ;　前菜すら来ないわけだ。\ `So, as long as Grandfather, the highest ranked, didn't come, lunch would be indefinitely on hold.`@ `Not even the appetizers would come.`\ ;　つまりこの食堂の沈黙は、親たちが空腹を堪えながら祖父さまが来るのはまだかと待つものだったのである。\ `So, while our parents withstood their hunger, the silence of the dining room would still wait for Grandfather to come.`\ ;　ただ、俺の記憶の中の祖父さまは、こうして会食などがある時には必ず時間通りに現れたものだ。@ `It's just that the Grandfather I remembered, when we ate together like this, always showed up at the right time.`@ br ;　…全員が揃ってなお待たせるほど遅刻するなどということはありえない人だったはず。\ `...He was supposed to be the kind of person that would never be so late that he'd keep everyone waiting, even though they were all present.`\ bg black,22 bg Mdin_1d,0 ld r,$BUT_komaruA3,22 ;「遅ぇな、祖父さま。@……俺の記憶じゃ、時間に厳格な人だったと思うんだけどな。」\ `"Grandfather's pretty late.`@` ......As far as I can remember, he was always strict about staying on time."`\ ld l,$JES_TohohoA1,23 ;「あー、６年前はそうだったかもなぁ。@…最近はそうでもねぇよ。@というか、もう自分の世界オンリーって感じで会食にも顔を出さねぇぜ。@さすがに今日くらいは足並みを揃えてくれるって思ってたんだけどな。@/ `"Well, that might've been true six years ago,`@` ...but it hasn't been that way lately.`@` Seriously, he's off in his own little world so often that he doesn't even show up at family meals.`@` ...Even so, I figured that he'd at least stick around for today's meal.`@/ ld l,$JES_AkuwaraiA1,80 ;…まー、私ゃ来ない方が気楽で嬉しいけどよー。」\ ` ...Still, I feel more relaxed and happier without him."`\ cl r,23 ld r,$NAT_hisuA1,24 ;「…朱志香！」@ ;＜夏妃 `"...Jessica!"`@ br ;　母親の夏妃伯母さんに叱られ、朱志香は舌を出しながらそっぽを向く。\ `After being scolded by her mother, Jessica faced the other way, sticking her tongue out.`\ ;　……仕方ねぇぜ。@ ;　ホストさまがいらっしゃるのを待つとするか。@ `......No way around it.`@ `Nothing to do but wait for the host to arrive.`@ br ;　時計を見ると、もうじき１２時の２０分を指そうとしていた…。\ `When I glanced at the clock, I saw that it was almost 12:20...`\ bg black,45 ;ここはフェードアウトにしたい〜〜〜〜〜〜 fede 0,3000 ;wait 1000 ;■金蔵の書斎 bgmplay 13 bg Mlib_1d,0 ld c,$KIN_fumuA1,22 ;ここで金蔵の情報閲覧が可能に〜〜〜〜〜〜〜〜 mov ?r[kin][condition],1 seplay 9,1060 ;　右代宮本家の老いた当主、右代宮金蔵（きんぞう）。@ `The old master of the Ushiromiya head house, Ushiromiya Kinzo (金蔵).`@ br ;　その姿は、彼の書斎にあった。\ `His shape in his study.`\ se1 19 ;　時計は昼を指していたが彼は席を立とうとはしない。@ `The clock showed noon, but he didn't even attempt to get up.`@ br ;　老眼鏡を掛けながら、凝った意匠の装丁がされた古めかしい本を次々に積み上げ、それらを読みふけることに没頭している。\ `Putting his spectacles on, he piled up one by one beside him old-fashioned books with elaborately designed bindings, and immersed himself in their reading.`\ se1 19 ;　それは楽しくて仕方がない、というよりは、一分一秒が惜しいような焦燥感、あるいは危機感のようなものすら感じられた。\ `It definitely didn't look like it was for his leisure; on the contrary, he exuded impatience, crisis, as though every minute, every second were precious.`\ bg Mlib_1c,22 ;　締め切られた室内は、濃厚な埃が舞い、胡散臭い異臭を放つ薬品の臭いを混ぜこぜにした空気で澱んでいる。@ `The inside of the sealed room, where dense dust danced, stagnated, steeped in the suspicious stench of smelly medicine.`@ br ;　しかもそれはどことなく甘く、重く。@ `...Somehow, sweet, heavy.`@ br ;　まともな鼻を持つ人間なら、入って最初にやることは間違いなく窓を開けて換気することだろう。\ `For anyone with an good nose, the first thing they'd do after entering would be to open a window and ventilate the room.`\ bg Mlib_1b,24 se1 19 ;　その書斎の扉を、さっきから叩き続ける音が繰り返されている。@ ;　その音には時折、「お父さん」という声が混じっていた。\ `The knocking against the study door had been going on for a while.`@ `A voice calling 'Father' sometimes mingled with the knocks.`\ ;　金蔵は大きく溜め息をつくと、手にしている古書を乱暴に閉じて卓上に叩き付ける。@ ;　それから大声で、扉を叩き続けている蔵臼に怒鳴った。\ `As Kinzo heaved a deep sigh, he snapped the old book he had in his hands shut and slammed it on the table.`@ `Then, he yelled at Krauss who was still knocking on the door.`\ bg Mlib_1d,0 ld c,$KIN_ikariA1,22 ;!s0「やかましいッ！！/ !s0`"Silence!!`/ quakey 4,300 !sd@/ ;　その音を止めぬか、愚か者ッ！！！/ ` Will you not stop that noise, fool!!!`/ se1 12 quakex 3,200 ;@　叩けば扉は開かれると誰が教えた！@　その馬鹿者は磔にしたぞッ！！@　お前もそうされたいのかッ！！」\ @` Who told you the door would open if you knocked!?`@` I'll crucify the imbecile!!`@` Do you wish to be as well!!??"`\ bg black,22 ;「……お父さん。@年に一度の親族会議の日ではありませんか。@皆、下に集まっています。@どうかお出で下さい。」\ `"......Father.`@` Isn't today the annual family conference?`@` Everyone's gathered down there.`@` Please come out."`\ ;　蔵臼は扉越しに父に呼びかける。@ ;　…金蔵はいつも書斎に篭りきりで、家人すらも部屋に入れることを嫌った。@ `Krauss called out to his father through the door.`@ `...Kinzo always shut himself up in the study and hated it when even his family entered the room.`@ br ;　そのため、こうして廊下から言葉をかけるしかないのである…。\ `For that reason, Krauss had no choice but to call out thus from the corridor...`\ bg Mlib_1d,0 ld c,$KIN_ikariA1,22 ;「私に構うでないッ！！@　皆とは何か、私をここから引き摺り出そうとする者どもなのかッ！！@　ならば殺してしまえ！@　バラバラにし薪にして魔女の炉にくべてしまえッ！！@　その炉には鍋を掛けてニガヨモギを煮るがいい！@　黙示録の煮汁はそれでも私をここから連れ出そうとする馬鹿者どもに飲ませてやれッ！@　残りは酒に漬けるのだ！@　あぁ、源次はどこだ！@　源次を呼べい！！@　苦艾の魔酒を用意させろ！@　緑の妖精の囁きが届かぬ！！@　あぁ、源次はどこだッ、源次を呼べぇえぇいッ！！！」\ `"They do not care about me!!`@` What manner of men is everyone then, trying to drag me out of here!!??`@` Very well, kill them!`@` Dismember them, make them into firewood, feed them to the witch's hearth!!`@` Put a pot in that hearth and boil wormwood!`@` Force the imbeciles who dare try to lure me out of here to drink the broth of the Apocalypse!`@` I will soak their dregs in liquor!`@` Aah, Genji, where are you!?`@` Call for Genji!!`@` Have my demonic absinthe prepared!`@` The whispering of the green fairy reaches me no longer!!`@` Aah, Genji, where are you?! Call for GenjiiIii!!!"`\ bg M2F_P1c,22 ;　…扉の前では、蔵臼と南條、そして源次が、出てこようとしない主を待ち続けている。\ `...Before the door, Krauss, Nanjo and Genji kept waiting for the master of the house, who would not come out.`\ ld r,$KLA_DefA1,24 ;「ふ…。@……すっかり嫌われてしまったようだ。@もう私の声では何も届かんよ。」@ ;＜蔵臼 `"Hmph...`@`......Looks like he hates me to his core.`@` My voice doesn't reach him anymore."`@ ;　蔵臼は、やれやれという風に肩をすくめて苦笑いをしてみせる。\ `Krauss shrugged as though saying 'It's no use' and smiled bitterly.`\ ;　…自分の呼びかけに父が応じるとは鼻から思ってはいない。@ ;　しかし長男の務めとして、形式的に声を掛けただけだ。\ `...He himself hadn't really believed his father would answer his calls.`@ `However, as it was the duty of the eldest son, he had formally made the request.`\ ld l,$NAN_komaruA3,23 ;「……金蔵さん。@あんたの顔を見に、息子や娘や孫たちが来てるんじゃないか…。@ちょっと顔を見せてやったらどうだね…。」\ ;＜南條 `"......Kinzo-san.`@` Aren't your sons and daughters and your grandchildren coming to see you...?`@` How about you show your face, just a little...?"`\ bg black,22 ;!s0「うるさい黙れッ！！！/ !s0`"Shut up, be silent!!!`/ se1 12 quakey 3,200 ;@　私に意見するというか南條ッ！！/ @` Do you admonish me, Nanjo?!!`/ se1 7 quakey 3,200 ;@　貴様など呼んではおらぬ、私は源次を呼べと言ったのだ！！@　さぁ急げ、すぐに呼べ！/ @` I do not call for you lot, I said to call for Genji!!`@` Now call for him immediately!`/ se1 12 quakey 3,200 ;!sd@　時間は常に有限だ、使徒たちはすでにラッパを構えているぞ、なぜにそれがわからぬか愚かな羊どもめッ！！」\ !sd@` Time is short, the apostles are already readying their trumpets! Why do you not understand, you foolish sheep!!"`\ bg Mlib_1a,22 ;　金蔵が重い古書を何度も何度も卓上に叩きつける。@ ;　その騒々しい音が、最上級の不快を示していることは明白だった。\ `Kinzo slammed the old, heavy book on the table over and over.`@ `The racket obviously indicated his highest displeasure.`\ bg Mlib_1b,0 ld c,$KIN_MajimeA1,24 ;　金蔵は老眼鏡を置くと乱暴に席を立つ。@ `Kinzo put his spectacles down and flew up from his chair.`@ ;　そして、満場のオペラ座で歌うように、訴えるように両腕を大きく広げて怒鳴った。\ `He spread his arms wide open, as if to sing to a packed opera house, as if appealing to someone, and yelled.`\ bg black,0 ld c,$KIN_IkariA1,80 ;「なぜだッ？！@　なぜにいつも私には邪魔が入るのかッ？！@　全てを捨てよう、全てを捧げよう、その見返りに私はひとつしか求めないというのにッ！！\ `"Why?!`@` Why is there always something in my way?!`@` I would throw it all away, I would offer up everything, and there is only one thing I ask in repayment!!`\ ld c,$KIN_nakuA2,80 ;　おぉベアトリーチェ、お前の微笑みをもう一度見られるならば、私は世界中から微笑を奪い取り全てをお前に捧げようッ！！@　おおぉ、蝗の軍団長たちよ、世界中から微笑を刈り取り収穫せッ、げほげほッ、ゲーホゲホゲホッ！！！@　あぁ全てが汚らわしい、全てが煩わしい！！\ `Ooh, Beatrice, if I could see your smile but one more time, I would plunder the smiles of the Earth and offer them all up to you!!`@` Oooh, commanders of the locust legions, reap the smiles of the Earth, *coughcough*, *COUGH* *kofkof*!!!`@` Aah, all is filthy, all is irksome!!`\ ld c,$KIN_nakuA1,80 ;　なぜこの貴重な一日に私は邪魔を受けねばならぬのかッ！！@　ゲーホゲホゲホゲホ！！@ゴホッゴホゴホッ！！！@　源次を呼べぇえぇぃ！！！@　ゲーホゲホゲホ！！」\;確認（蝗） `Why must I suffer this impediment on this most precious of days!?!?`@` *cough* *cough* *cough* *cough*!!`@` *cough* *cough*!!!`@` Call for GenjiiIii!!!`@` *cough* *cough* *cough*!!"`\ bg M2F_P1c,0 ld l,$KLA_akuwaraiA2,2 ;「……何を怒鳴ってるのかもさっぱりだな。@もう頭がどうにかなっているのだろう。」\ `"......I have no idea what he's yelling.`@` I guess he's finally gone nuts."`\ ld r,$NAN_fumuA1,24 ;「蔵臼さん…。@実のお父さんに、そりゃああんまりじゃないかね…。」@ `"Krauss-san...`@` Isn't that a bit harsh, to your birth father..."`@ ld l,$KLA_nayamuA1,80 ;「親父はすでに死んでいる。@……ここにいるのは、親父だったものの幻さ。@いずれにせよ、本人にここを出る意思がない以上、どうにもならんね。」\ `"My father is already dead.`@` ......All that's here is a phantom of what Father once was.`@` At any rate, as long as he has no intention of coming out, there's nothing we can do."`\ ld r,$NAN_KomaruA3,80 ;「…………………金蔵さん。」@ ;　書斎からはまだ咽るセキの声が繰り返されている…。\ `".....................Kinzo-san."`@ `Choking coughs continued to pour from the study...`\ ld l,$KLA_DefA1,80 ;「私は下に戻る。@……郷田の自慢のランチをこれ以上、無駄に冷ましてしまうことはない。@親類たちにとって、当家での数少ない楽しみだろうからな。@…ふ。」\ `"I'm going back downstairs.`@` ......It would be a waste to let that lunch Gohda's so proud of get any colder.`@` It's one of the few things we can look forward to...in this family.`@` ...Hmph."`\ bg M2F_P1a,3 ;　蔵臼は踵を返す。@ `Krauss spun on his heels.`@ br ;　腕時計を見て、わかりきっていたことに無駄な時間を費やしたという悪態を態度で示して見せた。\ `He looked at his wristwatch, mumbling and acting as though he had wasted time doing something he knew would be in vain.`\ ld r,$KLA_akuwaraiA2,24 ;「源次さん。@……親父殿がお呼びだ。@相手を頼む。」@ ;ggggg `"Genji-san.`@` ......Father is calling for you.`@` Keep him company."`@ ld l,$GEN_majimeA2,23 ;「………畏まりました。」\ `".........Certainly."`\ ld r,$KLA_MajimeA1,80 ;「南條先生。@食事に行きましょう。@……いつまでもここにいると、この甘い臭いで味覚までおかしくなってしまう。」@ `"Doctor Nanjo.`@` Let's go eat.`@` ......If we stay here any longer, even our sense of taste will go insane from this sweet smell."`@ cl r,23 ;　蔵臼は南條を待たず、階段を下りていった。\ `Without waiting for Nanjo, Krauss went downstairs.`\ ;　源次は、南條にも食事へ行くよう促す。@ `Genji urged Nanjo to go and eat.`@ br ;　…南條は階下へ消える蔵臼の背中と書斎の扉を見比べると、深い溜め息をひとつ漏らすのだった。\ `...Nanjo looked first to Krauss's back as he disappeared down the stairs, then to the study door, and he let out a deep sigh.`\ ld r,$NAN_KomaruA3,24 ;「……すまんが源次さん。@頼みます。」@ `"......Sorry, Genji-san.`@` Please."`@ ld l,$GEN_defA1,80 ;「はい、……お任せ下さい。」@ `"Yes, ......Please leave it to me."`@ ld r,$NAN_fumuA1,80 ;「お酒はなるべく与えないように。@……あれは常習性が強すぎる。」\ `"If possible, don't give him alcohol.`@` ......It's too powerful a habit."`\ quakey 3,200 ;「源次はまだかッ！！！@　何者が源次を阻んでいるというのか！！@　あぁ、源次はどこだッ、源次を呼べいッ！！！」\ `"Is Genji not here yet?!!!`@` Who dares keep Genji from coming?!!`@` Aah, Genji, where are you, call for Genji!!!"`\ ld l,$GEN_majimeA1,80 ;「さぁ、/ ;!d300……ここはお任せ下さい。」@ `"Now, `/ !d300`......please leave it to me."`@ ld r,$NAN_komaruA3,80 ;「…うむ。@………すみませんな。」@ `"...*nods*.`@` .........Sorry." `@ cl r,3 ;　南條は小さく頭を下げると、階段を下りていった…。\ `Nanjo gave a small duck of his head and descended the stairs...`\ ;　源次はそれを見送ると、書斎の扉をノックする。\ `Genji saw him off, and knocked at the study door.`\ bg black,23 se1 19 bg Mlib_1a,22 ;「………お館様。@源次でございます。」\ `".........Master.`@` It is Genji."`\ ld r,$KIN_nakuA2,24 ;「源次かッ！！@　何ゆえ私をこれほどに待たすのかッ！！@　そこには誰もおるまいな？！」\ `"Genji?!!`@` Why must you make me wait so long?!!`@` There is no one there, I trust?!"`\ ;「はい。@私だけでございます。」\ `"Yes.`@` I am alone."`\ bg Mlib_1c,23 ;　書斎の金蔵は席に戻ると、卓上の古風なスイッチを押す。@ `Kinzo returned to his seat in the study and pressed an old-style switch on the table.`@ textoff se1 44 wait 3000 ;扉が開く音ではなく、カギが外れる、ガチャンの音で〜〜〜 ;　…すると少しだけ遅れて、扉の施錠が開く重い音が聞こえた。\ `...After a small delay, the heavy sound of the door unlocking could be heard.`\ ;　金蔵は自分の書斎を家人が荒らそうとしていると信じていた。@ `Kinzo believed that his family might try to break in his study.`@ br ;　あるいは、換気しようと誰かが窓を開けた際に彼にとっての重要な資料などが飛び散り、@それがひどく彼を不愉快にさせたのか。\ `Perhaps someone once opened the window for some air and scattered important documents and other stuff?`@` Is that what made him so nasty?`\ bg Mlib_1e,22 ;　…今では金蔵は、自分の部屋に厳重な施錠を施し、@自分の許可がなければ誰も入室できないようにして、自ら作った座敷牢に自らを閉じ込めているのだった。\ `...Now, Kinzo had placed a secure lock in his own room, `@`making it so that without his permission nobody could enter, and locking himself in the dungeon he'd created.`\ ;　もっとも信頼されている源次は比較的入室を許されているが、それも絶対ではない。@ ;　金蔵の機嫌が悪ければ入ることはできない。\ `Genji, who he trusted the most, was relatively free to enter the room, but that was also not absolute.`@ `If Kinzo was in a bad mood, even he wouldn't be able to enter.`\ ;　………それ以外の人間には、顔すら合わせようとせず、扉越しに会話をするのがせいぜい。@ `.........Anyone else would be limited to holding a conversation through the door, not even seeing his face.`@ br ;　しかも多くの場合、それは会話として成り立たなかった。\ `And most of the time, they wouldn't even get a real conversation.`\ bg black,2 ;　だが、それらは家人にとってさしたる問題にはならなかった。@ `However, that didn't become a big problem for the family.`@ br ;　気難しくなり、自らの怪しげな研究に没頭し引き篭もってくれる老いた当主の隠居に、わざわざ口を挟む理由もなかったからである。\ `Because going to the trouble of speaking to the aged Head, who was impossible to please, completely immersed in his odd research, and always locked up in his hideaway, just wasn't worth the effort.`\ ;　……書斎から出てこないのを幸いに、使用人たちに世話を任せきりにして、自分たちもまた、隔離しているつもりなのだったから。\ `......They were happy that he didn't come out of his study and, putting him in the hands of the servants, they themselves also tried to avoid him.`\ bg Mlib_1b,0 ld l,$GEN_DefA1,0 ld r,$KIN_DefA1,22 ld r,$KIN_fumuA1,80 ;「源次、いつものやつを頼む。@私は忙しい。」@ `"Genji, my usual.`@` I'm busy."`@ ld l,$GEN_komaruA1,80 ;「……はい。」\ `"......Yes."`\ bg Mlib_1d,24 ;　源次は、書斎の一角に向かう。\ `Genji headed to a corner of the study.`\ ;　そこには怪しげなボトルが毒々しい色を自慢しあいながら陳列されていた。@ `There, a suspicious-looking bottle boasting a venomous color was displayed.`@ br ;　…それは実際には酒なのだが、この怪しげな室内にあっては不気味な毒物だと疑ってしまいそうになる。\ `...It was actually liquor, but, considering that it was placed in this suspicious-looking room, one begins to doubt whether it isn't actually some kind of ghastly poison.`\ bg black,22 bg Mlib_1a,22 ;　書斎の中は、金蔵が集めてきた奇怪なる蔵書が山を成していた。@ `Inside the study, the mysterious collection of books that Kinzo had gathered had grown into a mountain.`@ br ;　それらはいずれも禁じられた、あるいは呪われた、あるいは封印された奇怪なる古書や禁書たちである。\ `They were bizarre ancient or banned books, all of them either forbidden, cursed, or sealed.`\ ;　もっともそれを古書と呼べば金蔵は猛り狂いこう言うだろう。@ `But then, if one were to call them old books, Kinzo would fly into a rage and say something like this:`@ br ;　グリモワール（呪文書）と呼べ！@　と。\ `"Call them Grimoires!"`\ bg Mlib_1c,24 ;　怪しげに溶けて奇妙な造形となった蝋燭や、黒魔術において何かの意味を持つのだろう、奇怪なオブジェクトの数々。@ `There were many mysterious objects, like a candle suspiciously melted and molded into a strange shape, which probably had something to do with black magic.`@ br ;　天球儀に記された星座は、今日の夜空をよく知る者が見たなら首を傾げるようなものばかりが記されている。\ `The constellations drawn on a certain celestial globe contained quite a few dots that a person who knows the night sky well would tilt their head at.`\ ;　無造作に開かれたまま置かれた古書に記されているイラストは、いずれも宗教的な神秘的なもの、@あるいは悪魔的なグロテスクなもの、そして様々な魔法陣の奇怪な図形。@ `The illustrations inscribed in old, casually opened books were all full of religious,`@` or possibly demonic, grotesque arcana, as well as the weird shapes of various magical circles.`@ br ;　そして何より、この部屋に充満する甘い毒の臭いは、この部屋に初めて訪れる者を、@視覚的にも嗅覚的にも、そして感覚的にも深く冒し、現実感を喪失させるに違いない…。\ `And above all, the sweet, poisonous smell that filled the room`@` profoundly assaulted those who entered for the first time in their sense of sight and smell, then all their senses, making them lose their grip on reality ...`\ bg black,25 ;　そんな書斎の中で、源次はいつもの慣れた手つきで、金蔵の愛飲する酒を準備する。@ `Inside that study, Genji, with his well trained hand, prepared Kinzo's usual drink.`@ br ;　複雑な意匠のボトルに満たされた暗緑色の不気味な液体は、酒だと教えられなければとても口に含む気にはなるまい。\ `If you didn't know that the ominous dark green liquid that filled the complexly designed bottle was liquor, you really wouldn't want to put it in your mouth.`\ ;　……それをグラスに少々注ぎ、@奇妙な形をしたスプーンに角砂糖を乗せてその上からピッチャーの水を注ぎ込む。\ `......He poured a small quantity of the spirits into the glass.`@` After placing a cube of sugar in a strangely shaped spoon, he then poured water from a pitcher over it.`\ ;　不思議なことに、暗緑色の液体は透明な水が注ぎ込まれると白く白濁する。@ `Strangely, when the transparent water was poured, the dark green liquid turned a cloudy white.`@ br ;　…それはまるで水と化学反応を起こしたかのような奇妙な錯覚を与え、ますますに酒だという認識を遠のかせた。@ `...It was a strange optical illusion, as though the water had caused a chemical reaction and made the drink become even more unrecognizable as liquor.`@ br ;　それに、金蔵が好む独自のフレーバーを加え、味を調える。\ `It improved the original flavor Kinzo liked and adjusted the taste.`\ ;　…レシピはない。@ ;　飲んだ金蔵の一喜一憂によってだけ出来具合を計り、数十年かけて身につけたものである。\ `...There was no recipe.`@ `Its success was measured only by Kinzo's mood swing when he drank it, and he had learned how to make it only after many decades.`\ bg Mlib_1c,23 ;　源次はそのグラスを盆に載せ、金蔵の元に向かう。@ ;　金蔵はいつの間にか、窓の外を眺めていた。\ `Genji placed the glass in the tray, and faced Kinzo.`@ `Kinzo was now gazing out the window.`\ ld r,$GEN_DefA1,24 ;「………どうぞ、お館様。」@ `".........Here, Master."`@ ld l,$KIN_DefA1,23 ;「すまん…。」@ `"Thank you..."`@ br ;　ついさっきまで怒鳴り、叫び、絶叫していたのと同じ人物とは思えないくらい、金蔵は落ち着きを取り戻していた。\ `Kinzo, now unrecognizable as the man who was shouting, screaming and yelling just before, regained his composure.`\ ;　その男の背中には、ただグラスを傾けて窓から景色を見下ろすだけで示せる貫禄と知性が宿っていた。\ `In that man's back dwelt a dignity and intelligence made plain simply by how he tilted his glass and gazed down at the scenery beyond the window.`\ ;　源次は、金蔵がいつでもグラスを置けるよう、@自らが生きたサイドボードであるかのように、じっとその左後方に控えていた。@ `Genji, in order to allow Kinzo to set down his glass any time, `@`motionlessly waited behind and to Kinzo's left, as though he were a living sideboard.`@ br ;　すると金蔵は窓の外を見たまま、グラスだけを突き出した。\ `Thereupon, while Kinzo looked out the window, he stuck out only the glass.`\ ;　中身はほんの一口分ほど残っている。@ `There was just a mouthful remaining.`@ br ;　それは源次の持つ盆に載せようという仕草ではなく、源次にグラスを譲ろうとするような仕草だった。\ `It was not a gesture intended to set it upon the tray, as Genji expected, but was an motion to hand the glass over to Genji.`\ ld l,$KIN_fumuA1,80 ;「……飲め。@…我が友よ。」@ `"......Drink it.`@` ...My friend."`@ ld r,$GEN_majimeA2,80 ;「…………………勿体無いお言葉です。」@ `".....................That is more than I deserve."`@ ld l,$KIN_waraiA2,80 ;「私とお前の仲に儀礼はいらぬ。@……飲め。@友よ。」\ `"No need for ceremony between us.`@` ......Drink it.`@` My friend."`\ ld r,$GEN_defA1,80 ;「……………いただきます。」@ `"...............Thank you."`@ br ;　源次はうやうやしくグラスを受け取ると、舐めるようにグラスをわずかに傾ける。@ ;　それから、くっと煽った。\ `Genji respectfully received the glass and inclined it a little to taste its contents.`@ `After that, he agitated it.`\ ld l,$KIN_fumuA1,80 ;「お前が作るのを真似ているのだが、どうにも同じ味が出ぬ。@……お前が作る方が美味い。」\ `"I attempted to imitate your concoction, but no matter how I try I cannot replicate the taste.`@` ......The way you make it is pure relish."`\ ld r,$GEN_komaruA1,80 ;「………ありがとうございます。@お館様のご指導の賜物です。」@ `".........Thank you very much.`@` It is the fruit of your guidance, Master."`@ ld l,$KIN_WaraiA2,80 ;「ふ…。」@ ;　金蔵は、無礼講にせよと言っても決してそうしない忠臣を鼻で笑う。@ `"Hmph..."`@ `Kinzo smiled at his loyal subject who refused to put aside rank even when asked to.`@ br ;　しかしそれは小馬鹿にしたものではなく、親しい友人の治らぬ癖に笑うような軽やかなものだった。\ `However, he was not making fun of him; it was relaxed, like a smile at a close friend's unriddable bad habit.`\ ld l,$KIN_defA1,80 ;「………互いに老いたな。@歳を数えることも忘れてすでに久しい。」@ `".........We have grown old together.`@` I forgot my age a long time ago."`@ ld r,$GEN_MajimeA2,80 ;「今日まで過ごすことをお許しいただけたのも、全てお館様のお陰でございます。」@ `"Being allowed to live here until now has all been thanks to you, Master."`@ br ;　金蔵は、世辞はいらぬとでも言うように薄っすらと笑う。\ `Kinzo gave a thin smile, as if to say he didn't need compliments.`\ ld l,$KIN_waraiA2,80 ;「………今日まで、本当によく私に仕えてくれた。@……息子たちは誰もが私を変人呼ばわりした。@大勢いた使用人も皆、私を恐れて辞めていった。@……お前だけが、今でも私に仕えてくれる。」@ `".........Until now, you have served me exceedingly well.`@` ......My sons call me eccentric.`@` The servants that were once many, all of them, retired in their growing fear of me.`@` ......Only you, even now, serve me."`@ ld r,$GEN_DefA1,80 ;「…勿体無いお言葉です。」\ `"...That is more than I deserve."`\ ld l,$KIN_fukigenA1,80 ;「………私の余命もそう長くはあるまい。@……息子たちは私の遺産がいつ転がり込んでくるかをうろうろ待つ禿鷹ばかりだ。」@ `".........I do not have much time left to live.`@` ......My sons are vultures, lazily waiting for my inheritance to fall into their hands."`@ ld r,$GEN_MajimeA2,80 ;「……………………。」\ `"........................"`\ ld l,$KIN_ikariA1,80 ;「蔵臼の愚か者は金を湯水のように使い、１枚の金貨を得るのに２枚の金貨を捨てておる。@それで金を稼げたなどと妄言をッ！！@　絵羽は金の亡者だ、あやつは私を鶏か何かだと思っておる！！@　死んだらガラにしてダシまで取る気だ！！\ `"That fool Krauss squanders money like water, throws away two gold coins to obtain one.`@` With that, he deludes himself in saying he earned money!!`@` Eva is a slave to money, thinking of me as a hen or whatnot!!`@` As if when I die, she'll even use my carcass to make broth!!`\ ld l,$KIN_nakuA2,80 ;　留弗夫の間抜けは女遊びばかりッ！！@　楼座はどこの馬の骨ともわからん男の赤ん坊など生みおって！！@　朱志香は無能で無学だ！！@　譲治には男としての器がない！@　戦人は右代宮家の栄誉を自ら捨ておった愚か者だッ！！@　真里亞など見るのも汚らわしいッ！！\ `That dunce Rudolf just wants to fool around with women!!`@` Rosa bore the baby of a nobody!!`@` Jessica is incompetent and illiterate!!`@` George has none of what it takes to be a man!`@` Battler is a fool who threw away the honor of the Ushiromiya family!!`@` And Maria is obscene to the eye!!`\ ld l,$KIN_nakuA1,80 ;　なぜだ、なぜに右代宮の血はこうも無能なのかッ！！@　私の築き上げた栄光をッ受け継ぐに相応しい者はおらんのかッ？！@　あぁわかっておるとも、これがベアトリーチェの呪いであることもわかっておる！！@　…はッ、黄金の魔女め、それが私への復讐のつもりか。\ `Why, why is the Ushiromiya blood so incompetent!?!?`@` Is there anyone worthy to inherit the glory I built?!`@` Aah, of course, I know, this is also Beatrice's curse, I know it!!`@` ...Aah, Golden Witch, is this the revenge you planned for me?`\ bg black,22 ;　憎みたくば憎むがよい！@　逃げたければ逃げるがよい！！@　逃がさぬ、逃がさぬ逃がさぬ逃がさぬわッ！！@　お前は私の物だッ！！@　常に私の腕の中でなくてはならん！@　私の生涯の全てなのだ！！@　我が鳥篭にて永遠に私に、私だけに囁き続けるのだ！！@　ベアトリーチェ……。@なぜに、…微笑み返してはくれぬ…。@おおおおおぉ、おおぉおおぉぉ…！！@　ベアトリーチェぇえぇええぇぇえぇぇ！！@　おおおぉおおぉおぉおぉぉ……。」\ `If you want to hate me, you can hate me!`@` If you want to run away, you can run away!!`@` I won't let you go, I won't let you go won't let you go won't let you go!!`@` You're mine!!`@` You cannot be anywhere but in my arms!`@` For all my life!`@` You'll continue to whisper for all eternity in my bird cage to me, only to me!!`@` Beatrice......`@` Why, ...won't you give me back your smile...`@` OOOoooooh, OOOooOOOoooh...!!`@` BeatriceeeEEEeeee!!`@` OOOoooOOOOoohh......"`\ bg Mlib_1b,22 ;　それを咆哮すると、金蔵は再び咽る。@ ;　源次は盆とグラスを置くと、主人の背中をさする…。@ `After howling, Kinzo choked once again.`@ `Genji set the tray and the glass down and patted his master's back...`@ br ;　源次の表情には何の変化もない。@ ;　………いつものことなのだ。\ `Genji's facial expression did not change.`@ `.........It was always like this.`\ ld l,$KIN_fukigenA1,22 ;「…………ゲホン…。@ンン。@…………すまぬ、我が友よ。」@ `"............*cough*...`@` Hmhm.`@` ............Thank you, my friend."`@ ld r,$GEN_MajimeA2,24 ;「……………………。」\ `"........................"`\ ;　さっきまでの錯乱のような発作が収まると、再び金蔵は落ち着きを取り戻していた。@ `The outburst, like his previous agitation, had calmed, and Kinzo regained his composure again.`@ br ;　…その変わり身は、まるでひとつの体に荒ぶる金蔵と落ち着きある金蔵の異なる二人が同居しているようにすら見えた。\ `...His change of stance was like seeing two different people, a wild Kinzo and a composed Kinzo, living together inside one body.`\ bg black,22 ;「ゆえに。@……私は決心した。@…………………このままぼやけ切った余生を怠慢に過ごすことなど、もはや耐えられはせん。@この身に、最後に賭するコインがあるならば、それを悪魔たちのルーレットに託してみたい。@……魔法の力はいつも賭けるリスクで決まる。@日本古来の呪術である丑の刻参りがそうであろう。@七日間、儀式を目撃されてはならないというリスクを支払うからこそ魔力が宿る。@困難なリスクが生じれば生じるほどに魔力は強く生じるのだ。\ `"And so,`@` ......I have decided.`@` .....................I cannot stand spending my dimmed, remaining years procrastinating like this.`@` If this body of mine is the final coin I have to bet, then I choose to abandon it to the whims of the Demons' Roulette.`@` ......The power of magic is always settled with a gamble.`@` Like visiting a shrine at the Hour of the Ox in ancient Japanese sorcery, to nail a curse doll to a tree.`@` The magic power dwells in incurring the risk that it will be seen within the seven days the curse takes.`@` The more dangerous the risk, the stronger the magic power will be.`\ ;　神話に登場する数々の奇跡は天文学的リスクに奇跡的な低確率を得て成就した驚愕すべき魔力の結晶なのだと言える！@　モーゼが海を割ったのは神の奇跡ではない、@虐殺の秤に載せられ軍勢によって紅海に追い詰められた絶体絶命のリスクが奇跡の魔力を生んだのだ！@　同じことが同じ規模で繰り返されようとも、再び海が割れることはないだろう。\ `Many miracles that happened in myth can be said to be the crystallization of a shocking magic power, that had a low probability of happening and an astronomical risk!`@` That Moses parted the waters of the sea was not a miracle of God -`@` the risk of that desperate situation, cornered by soldiers on the Red Sea's shores, weighed upon the scales of slaughter, gave birth to the miraculous magic power.`@` Even if the same thing occurs again, on same scope, the sea will no doubt not part.`\ ;　なぜならモーゼは、力ある者たちのルーレットの、阿僧祇、那由他を掛けたよりも多く存在する目の中にひとつだけ刻まれた奇跡を見事引き寄せることができたからだ。@その天文学的確率に勝利できる力！！@　そう、奇跡を掴み取る運気は即ち魔力なのだ！！@　強大な魔力を得るためには絶望的なリスクを背負わねばならぬ！！@　魔力持たぬ者はそれを賭けでなく自暴自棄と呼ぼう！@　しかし真に魔力ある者はその奇跡を掴み取り、神秘を成就させるのだッ！！@　もしも私にその魔力があるならば！@　私はその奇跡を掴み取るだろう、生涯を費やした願いを実現できるだろうッ！！」\ `That is because Moses, instead of betting on incalculable odds in the roulette of those with power, managed to spectacularly draw to himself the single miracle carved within the eyes of many.`@` That power that can triumph over astronomical odds!!`@` Yes, magical power is that fortune through which miracles are grasped!!`@` To obtain this mighty magic power, one must face the risk of despair!!`@` Those who possess no magical power call that desperation rather than a bet!`\ `However, people who truly have magic power grab that miracle and fulfill the mystery!!`@` And if that power exists within me...!`@` I'll seize that miracle and I'll be able to make the wish I devoted my life towards come true!!"`\ bg white,22 bg Mlib_1e,22 ;　金蔵は窓の外の天を仰ぐ。@ ;　そして天上の何者かに訴えるように両腕を広げる。\ `Kinzo looked up to the sky outside the window.`@ `He spread his arms as if appealing to someone up in the skies.`\ ;「もしッ！！！@　私にその奇跡を手にする資格があったなら！！@　………おぉぉ…、/ ;!d400ベアトリーチェ…、/ ;!d400ベアトリーチェ…。@お前の愛くるしい笑顔をもう一度だけ見せてくれ…。@どれほどの月日を経ようとも、お前の面影が消えることはない…。@ただお前の微笑が見たい…、それだけだ…！@　お前から授かったものを全て返そう！@　あの日からの栄光を全てお前に返そうッ！@　富も名誉も黄金もいらぬ！！@　お前に授かった全てを返そうッ！！@　私はただ、お前の微笑が見たいだけなのだッ！！@　後生だ、ベアトリーチェ！！@　おおおぉぉぉおぉ…ぉおぉおお…ぉぉ…！！」\ `"If only!!!`@` If only I were capable of gaining that miracle!!`@` .........Oooh...,`/ !d400` Beatrice..., `/ !d400` Beatrice...`@` Show me your lovely smile once more...`@` No matter how much time passes, your face does not vanish...`@` I just want to see your smile..., that is all...!`@` I'll return everything you granted me!`@` I'll return all the glory I've gained since that day!`@` I don't need fortune, prestige, gold!!`@` I'll return everything you granted me!!`@` I just want to see your smile!!`@` For goodness' sake, Beatrice!!`@` OOOoooooOooh...oOoOOoh...ooh...!!"`\ ;　……世迷言の如き怒鳴り声は、いつしか絶叫になり、…そして慟哭になっていた。\ `......His nonsensical yells segued into a scream...and then into a wail.`\ ;　金蔵はいつしか床の上に伏し、両手で床を掻き毟っていた。@ `Kinzo folded over onto the bed, and tore it with both hands.`@ br ;　源次は掛ける言葉もなく、慟哭する主を見下ろしているしかなかった…。\ `Genji had no choice but to wordlessly watch over his master's lament...`\ bg black,5 fede 0,3000 wait 1000 se1 16 bgmplay 10 wait 1000 bg Mdin_1e,28 ld r,$KLA_AkuwaraiA2,24 ;■食堂 ;「やぁ、諸君。@……当主様は具合が優れられないとのことだ。@せっかくこうして一年ぶりの会合に集まってくれた諸君と、昼食を共にできないことを非常に残念にしておられた。@/ `"Well, ladies and gentlemen.`@` ......The Head of the family is not in his best shape.`@` All of you who have come back together for this long awaited yearly meeting, it is a great shame that he won't be able to partake in lunch with us.`@/ ld r,$KLA_DefA1,80 ;……郷田、ランチを始めてくれ。」\ ` ......Gohda, let the lunch begin."`\ bg Mdin_1b,0 ld l,$GOH_DefA1,23 ld l,$GOH_OmakaseA3,80 ;「かしこまりました、それでは本日の昼食を始めさせていただきます。」\ ;＜郷田 `"Certainly. I shall begin today's luncheon."`\ bg Mdin_1c,23 ld r,$EVA_DefA1,24 ;「……南條先生、そんなにお父様のお具合は悪いの？@　せめて顔くらい見せてくれてもいいわよねぇ？」@ ;＜絵羽 `"......Doctor Nanjo, is Father's condition that bad?`@` It would have been nice if he at least showed his face, right?"`@ ld l,$NAN_fumuA1,23 ;「体調というよりは、機嫌ですな…。@こればかりは、付ける薬がありませんので。」\ ;＜南條 `"Rather than his physical condition, it's his mood...`@` And for that, there is no medicine I can prescribe."`\ bg Mdin_1b,0 ld r,$RUD_waraiA1,23 ;「おいおい、機嫌って、またかよ、そりゃないぜ。@こちとら、秋のクソ忙しい時期にスケジュール都合してご機嫌伺いに来てるんだ。@それをよぅ、」@ ;＜留弗夫 `"Hey hey, 'mood', you say? Not that again.`@` We come to see how he's doing, making time in our schedules in this damn busy season of autumn.`@` And now that-"`@ ld l,$KLA_nayamuA1,23 ;「ふ…、良かったじゃないか、留弗夫。@ご機嫌は伺えたんだ。@……それとも、不機嫌な親父殿を私に代わり、お前が説得して連れてきてくれるのかね？」\ ;＜譲治；確認、譲治？ `"Hmph..., don't complain, Rudolf.`@` I managed to see how he's doing.`@` ......Do you want to take my place, and try to persuade our ill-humored Father to come join us?"`\ ld r,$RUD_AkuwaraiA1,80 ;「…………まっさかぁ。」@ ;　留弗夫は肩をすくめる。@ `"............Are you kidding?"`@ `Rudolf shrugged.`@ br ;　自分勝手な親父だと憤りもするが、顔を見ずに済むならそれはそれで…というように見えた。\ `Apparently, even though Rudolf seemed to resent the way his father did whatever he pleased...he'd rather avoid seeing his father's face if he could help it.`\ cl r,23 ld r,$ROS_KomaruA1,24 ;「夕食までにはその機嫌、直りそうなの？@　蔵臼兄さん。」@ ;＜楼座 `"Does it seem like his mood will improve before dinner?`@` Krauss nii-san?"`@ ld l,$KLA_DefA1,80 ;「そんなことは知らんよ。@親父殿に直接聞いてみるといい。@…もっとも、声を掛けない方が機嫌の直りは早いと思うがね。」\ ;＜蔵臼 `"I have no idea.`@` You can try and ask Father directly.`@` ...Although, I think his mood will improve faster if we don't bother him."`\ bg Mdin_1e,0 ld r,$JES_AkuwaraiA1,24 ;「源次さんだけだよ、祖父さまの機嫌を直せるのは。@情けないぜ、自分の親の機嫌を使用人に直させるんだからよ。」\ ;＜朱志香 `"The only one who can get Grandfather better is Genji-san.`@` It sucks though, making the servants deal with your own parent's bad mood."`\ ld l,$KLA_komaruA1,23 ;「朱志香。@余計なことは言わなくていい。」\ ;＜蔵臼 `"Jessica.`@` Don't speak out of turn."`\ ;　いとこたちだけに聞こえるようぼやいたつもりだったが、しっかり蔵臼の耳にも届いてた。@ `She'd planned for her complaint to be heard only by her cousins, but it had reached even Krauss's ears.`@ br ;　叱られた朱志香はヘソを曲げた顔をしてソッポを向く。\ `Scolded, Jessica scowled and turned away, sulking.`\ bg Mdin_1f,0 ld r,$BUT_DefA2,24 ;「……機嫌が云々ってことは、病状はそんな悪くないんじゃねぇの？@　元気がないってんならともかく、機嫌が悪いってのは、少なくとも気はしっかりしてる証拠だぜ。」\ ;＜戦人 `"......His disease can't be that bad, can it, with that kinda temper?`@` I mean, if he's not healthy, and his mood is bad, at least it's proof he's still hanging on."`\ ld l,$GEO_DefA1,23 ;「お祖父さまは特に強い気力をお持ちだからね。@…でも、体が必ずしもそれに伴えるとは限らないよ。@去年からずっと、余命３ヶ月って言われ続けてる。@…最初の診断が正しいなら、お祖父さまは気力だけで永らえてるってことになる。@……気遣ってあげないといけないよ。」\ ;＜譲治 `"It's because Grandfather has especially strong willpower.`@` ...But, it doesn't mean that his body will always follow that.`@` Since last year, they keep saying that he has three months left.`@` ...If the initial diagnosis was correct, Grandfather has been prolonging his life by willpower alone.`@` ......It should be a cause for concern."`\ bg black,22 bg Mdin_1a,22 ;　当主の席を空席のまま始まる昼食。@ `Lunch started with the family head's seat still empty.`@ br ;　…そこに座るべき人物はすでに老い、@右代宮家を一代にして復興させた輝かしき栄光は忘れ去られつつある。@ `...The man who should be sitting there was already old, `@`and the brilliant glory which had rebuilt the Ushiromiya family in a single lifetime was being forgotten.`@ br ;　その席が空白のまま食事が始まることに、もう誰も違和感を感じないように…。\ `Nobody seemed to feel uncomfortable when the meal began with that seat still empty...`\ ;■第３アイキャッチ１０月４日（土）１２時３０分　が１３時３０分に進む textoff wait 3000 eye1 12,30,13,30,1,0,510,340,25 E_A ;音楽はフェードアウトにしたい〜〜〜〜 *umi1_4 ;■食堂 bgmplay 2 bg Sky_1a,22 ;　右代宮家の親族会議は年に一度。@ ;　１０月の最初の土日に行なわれる。@ `The Ushiromiya family conference was held once every year.`@ `It took place on the first weekend of October.`@ br ;　世間一般的な家だったら、親族会議なんてもったいぶった名前で呼んだところで、@久しぶりに親類が顔を合わせて寿司桶でも囲みながら挨拶する程度だろう。\ `If a normal family were to use a pretentious name like 'family conference', `@`you'd expect it to be nothing more than a reunion of rarely seen relatives who greet each other surrounded by buckets of sushi.`\ ;　しかし、莫大な資産の一部を息子兄弟に貸し出し、@事業的な成功を以って一人前と見なそうという右代宮家では、それは文字通り会議であったという。\ `However, because the sons and siblings had been lent a great fortune, `@`in the Ushiromiya family, which considers only those that achieve success in business adults, it literally was a conference.`\ bg M_o1b,22 ;　どれほどの資産を投じて、どのような事業を行い、どれほどの収益を上げたのか。@ ;　その結果、本家より借りた資産をどれだけ返済できるのか。@ ;　あるいは、さらなる事業のためにどれだけを借りるのか。@ ;　どのようなことが教訓となり、どのようなことから失敗が学べるのか。@ `How much of the fortune was invested? What kind of business was conducted? How much was earned?`@ `As a result, how much of the fortune borrowed from the main family can be repaid?`@ `Or, possibly, how much will be borrowed for future business ventures?`@ `What lessons have they learned, and what could they learn from their mistakes?`@ br ;　そういうことをかつては大真面目に会議をしていたらしい。\ `It seems that topics like these had been discussed very seriously in the past.`\ bg black,25 ;　それを指して親父は、針のむしろと呼んでいた。@ `My dad called it a bed of nails.`@ br ;　相当厳しい親族会議だったらしく、罵声や怒声が次々と浴びせられ、いい年にもなって平手打ちをもらうこともざらだったらしい。\ `Apparently, it used to be a very serious family meeting, bathed in harsh and angry voices. Even on a good year, it was common for someone to get slapped.`\ bg Mdin_1e,22 ;　ただ、それも今では昔のこと。@ `However, that had become a thing of the past.`@ br ;　皆がそれぞれに事業家として成功を収めた今では、@世間一般的な、年に一度の挨拶的な会合になりつつあった。\ `Now, with everyone pursuing their own business ventures and achieving success, `@`it was a normal yearly get-together.`\ ;　それでも、祖父さまに近況を聞かれるのは非常にストレスになることで、@俺たち孫にとっては単なる会合に過ぎなくても、親たち息子にとっては今でも胃が痛む会合らしい。\ `Even so, hearing about Grandfather's condition caused a significant amount of stress, `@`so while to us grandchildren it was nothing more than a simple meeting, to our parents it was still a real stomachache.`\ ;　その張本人が、理由はどうあれこうして欠席してくれているのだから、さぞかし今日のランチは美味だったことだろう。@ `I guess that since the ringleader was absent for various reasons, today's lunch was even more delicious.`@ br ;　鬼の居ぬ間にとはよく言ったものだ。\ `The phrase 'while the demon is not around, everyone can relax' comes to mind.`\ bg Mdin_1b,0 ld l,$KLA_DefA1,23 ;　さて、６年ぶりに顔を見る、朱志香の父親についても紹介しておこう。\ `Well then, let's introduce Jessica's father, whose face I hadn't seen for six years.`\ ;ここで蔵臼の情報開示が可能に〜〜〜〜〜！ ;　うちの親父の左に座っているのが、親父の兄貴に当たり、朱志香の父親でもある/ `The man sitting to my father's left was his older brother and the father of Jessica, `/ mov ?r[kla][condition],1 seplay 9,1060 ;蔵臼伯父さん。\ `蔵臼 oji-san.`\ ;　……これは読みやすいな。@ `......This name sure is easy to read.`@ br ;　蔵臼で“クラウス”と読む。@ `Krauss (蔵臼).`@ br ;　…ここまで妙な名前が続くと、もうセンスが捻れてきて、@クラウスいいじゃん、@カッコイイなんて思うようになっちまうぜ…。\ `Since everyone had these weird names, our naming sense was pretty twisted, `@`so Krauss actually didn't seem that bad.`@` I'd even started to think it was pretty cool.`\ ;　夏妃伯母さん同様、蔵臼伯父さんともあまりおしゃべりをした記憶はない。@ `Just like with Natsuhi oba-san, I didn't have many memories of speaking with Krauss oji-san.`@ br ;　あまり子供と話さない人で、いっつも大人たちと話している印象しかないという点では、夏妃伯母さんとまったく同じだ。\ `He had never been one to talk to children, and I felt like he was always talking with the adults, just like Natsuhi oba-san.`\ bg black,25 ;　うちの親父の陰口によると、ずいぶんと陰湿で乱暴な人だったらしい。@ `From my father's gossip, it seems that he was a pretty spiteful and unreasonable person.`@ br ;　親父の言い分が真実なら、昔は長兄として威張り散らしていたそうで、@絵羽伯母さんにも楼座叔母さんにも嫌われているという親兄弟みんなの嫌われ者だそうだ。\ `If what my father said is true, he used to be very domineering as the oldest sibling, `@`and was hated by Eva oba-san, Rosa oba-san, and the rest of the family.`\ bg Mdin_1b,0 ld c,$KLA_AkuWaraiA2,0 ld r,$EVA_WaraiA1,0 ld l,$RUD_WaraiA1,26 ;　……って割には、親兄弟、みんなで楽しく談笑してるじゃねぇか。\ `Huh? It looks like he's having a friendly chat with the rest of the family, doesn't it?`\ ;　まぁ、子供の頃には仲が悪くても、大人になって互いが別々に生活をするようになると、関係が変わることもあるという。@ `Oh, well. Even if their relationship was bad when they were children, sometimes when people grow up and go their separate ways, their relationship changes.`@ ;　そういうことなんだろう。\ `That's probably what this was.`\ ;　何しろ、それぞれが近い歳の子供を持っている。@ `After all, they all had children of about the same age.`@ br ;　近い境遇を持つ立場として、意見交換は互いにとって有益なんだろう。\ `By sharing the same family environment, they probably profited by exchanging opinions.`\ ;　そのせいか、さっきから親父たちの輪は俺と朱志香の受験の話ばっかりだ。@ `Maybe because of that, a short while ago the circle of parents began to discuss the exams Jessica and I were taking.`@ br ;　朱志香は左隣のうちのクソ親父に受験の話を振られないように、@意識して逆の右方向を向きながら矢継ぎ早に話題を続けて隙を見せないようにしている。\ `Jessica, in order to escape the discussion of exams with my father sitting on her left, `@`purposefully faced right while firing off a rapid series of comments, so as not to show any weaknesses.`\ bg Mdin_1c,0 ld r,$NAN_DefA1,0 ld l,$KIR_DefA1,24 ;　あとは、蔵臼伯父さんたちとは逆側。@ `Moving on, let's look at the end opposite from Krauss and the others.`@ br ;　テーブル末席の霧江さんの向かいに座っている恰幅のいい老紳士だ。@この人は初対面だった。\ `In the very last seat at the table, an old gentleman with a sturdy physique sat facing Kyrie-san.`@` This was my first time meeting him.`\ ld r,$NAN_fumuA1,80 ;ここで南條の情報閲覧が可能に〜〜〜〜！ mov ?r[nan][condition],1 seplay 9,1060 ;　さっき紹介を受けたが、南條というお医者の先生で、祖父さまの主治医らしい。@ `I had only just been introduced to him, but it seems that he was Grandfather's personal doctor, a man called Nanjo (南條).`@ br ;　隣の新島にでっかい診療所をお持ちだそうだが、息子にそれを譲り、今は悠々自適の老後だという。\ `I had heard that he used to own a huge clinic on the nearby Niijima island, but he turned it over to his son and then began living a life of leisure in his old age.`\ ;　祖父さまがこの島に屋敷を立てた当初からの付き合いだそうで、数十年の交流があるという。@ `He had known Grandfather since the very beginning when the mansion was first constructed on this island, and had built up a relationship over several decades.`@ ;　まさか祖父さまの怪しげな趣味のご縁かと思ったら、意外にもチェス仲間なのだそうだ。@ `I thought that he might be Grandfather's companion in his suspicious hobbies, but, surprisingly, it seems that he is Grandfather's chess partner.`@ br ;　……なるほど、洋物被れの祖父さまらしい趣味だぜ。@ `......I see. That kind of hobby seems very like our Grandfather with his love of western style.`@ br ;　親族と使用人を除いて、ただひとり六軒島に出入りできる存在とも言えるだろう。\ `You could probably say that he was the only person who could enter Rokkenjima and was neither a family member nor a servant.`\ ;　席の近い霧江さんたち女性陣との会話を聞いている限り、落ち着きのある老紳士という感じだ。@ `He gave an impression of a calm old gentleman as he listened to Kyrie and the other women's conversation.`@ br ;　……短気な祖父さまとこれだけ長く付き合えたのだから、その大らかさはただものではないだろう。\ `After staying by our short-tempered Grandfather's side for so long, his big heart was nothing to laugh at.`\ ;introduction_flg NAN,1,scenario1_1,scenario1_1 bg Mdin_1d,22 ;　…ただ、今日という親族会議の日に、主治医とは言え右代宮家以外の人間が同席しているというのも、少し妙な話だった。@ `...Still, even if he was a family doctor, having anyone outside the Ushiromiya family attend the family conference was a little odd.`@ br ;　そのことから何となく、祖父さまの容態がだいぶ悪く、@それが親族会議の議題のひとつとなっているのではないかと想像する…。\ `I imagined that because Grandfather's condition had grown much worse, `@`it may have become one of the major topics of discussion.`\ ;　さっき譲治の兄貴も言ってる。@ `George was just saying it, too.`@ br ;　祖父さまは去年辺りから余命が短いというような宣告をずっと受け続けてると。\ `Reports that Grandfather's remaining life was very short had been appearing continuously since around a year ago.`\ ;　…汚ぇ話だが、これだけ大富豪の祖父さまだ。@ `It was a nasty story, but Grandfather was an extremely rich man.`@ br ;　死ねば遺産がどっと出て、親父たちの胃酸も同じくらいどっと出て、さぞや胃潰瘍になるだろうよ。\ `At the time of his death, his wealth would suddenly be released, along with our parents' stomach acid, and would probably lead to ulcers.`\ ;　こういうのの分け合いは多ければ多いほどトラブルになるそうだからな。@ `With this kind of thing, the greater the share, the more trouble would be caused.`@ br ;　…そういう話も、親族会議には含まれるのかもしれない。@…まぁ、俺たち子供にゃ関係ないことだが。\ `This would probably also be included in the family conference.`@` Oh well, it's not like it had anything to do with us children.`\ bg Mdin_1a,22 ;　……最後に、空席ではあるが、祖父さまの紹介をしよう。\ `......Finally, even though he was absent, let me introduce our Grandfather.`\ bg black,0 ld c,$KIN_DefA1,22 ;　あのお誕生日席に座るべき人物は、右代宮金蔵。@ `The person who should be sitting in that 'Incipient's Chair' was Ushiromiya Kinzo.`@ br ;　…ひでぇ話さ。@一族にみんな妙な名前をつけやがった分際で、自分は金蔵（きんぞう）なんてえれー無難な名前を名乗ってやがる。@ `...It really sucks.`@` Everyone else in the family has these weird names, but he himself took this perfectly normal name.`@ br ;　そこで金蔵と書いてゴールドスミスとでも呼ばせたら、素敵ー！@って絶叫しちまうんだけどな！\ `If only his name were written Kinzo(金蔵), but he let us call him 'Goldsmith' or something, `/ ;mov ?grim[10][grim_flg],1 ;seplay 9,1062 `that'd be totally awesome.`\ bg Mdin_1f,22 ;　さっきから何度か話題に上ってるので大体わかるだろうが、非常に短気でおっかないお人だ。@ `As you can probably guess from the topics that have been raised, he was a frightening person with an extremely short temper.`@ br ;　…俺は孫だし、最後に会ったのは６年前の小学生の時だったので、@叩かれたりした覚えはないんだが、親兄弟たちはずっと鉄拳で教育されてきたらしい。\ `Because I was one of the grandchildren and hadn't met the family since elementary school, `@`I had no memory of being beaten, but it seems that our parents were raised with an iron fist.`\ ;　さっきの、不機嫌な祖父さまをお前が説得に行くのかという、@蔵臼伯父さんとウチの親父のやり取りを、そういう裏を知った上で聞いてみると非常に微笑ましくなっちまうわけさ。\ `That earlier conversation between my father and Krauss oji-san about who should go try to convince Grandfather to come out`@` seems oddly funny if we take this into account.`\ bg black,22 fede 0,2000 ;ここは音楽をフェードアウトしたい〜〜！ ;　その祖父さまを語る上での重要なエピソードは、それこそ昭和以前にまで遡って右代宮家を語らなければならない。\ `In order to tell Grandfather's story, you have to first go back and recount that episode that occurred before the Showa era (1926-1989).`\ bgmplay 1 bg G_o1c,22 ;　右代宮家は、明治・大正の頃までは隆盛を極めたそりゃあ立派な家柄だったそうだ。@ `Until the Meiji (1868-1912) and Taishou (1912-1926) eras, the Ushiromiya family was great and prosperous.`@ br ;　紡績工場をいくつも持ち、毎日笑い転げてるだけで金が転がり込んでくる富豪っぷりだったらしい。\ `They owned several spinning mills, so while they just laughed heartily every day, the money kept rolling in, making them very wealthy.`\ ;　ちなみに祖父さまは分家筋で、本来なら右代宮本家とは何の関係もない人だった。@ `Incidentally, Grandfather, as a member of the branch family, essentially had nothing to do with the main family.`@ br ;　当主継承権からも遠く、煌びやかな本家とは縁も遠かったらしい。\ `Distantly separated from the head's inheritance, his relationship with the head house was also very distant, apparently.`\ mono 2 print 80 ;　ところが大正１２年の関東大震災で、当時、小田原に屋敷を持っていた右代宮本家はペッタンコ。@ `Even so, during the Great Kanto Earthquake in the year Taisho 12 (1923), the mansion owned by the Ushiromiya family in Odawara was flattened.`@ br ;　東京下町に持っていた紡績工場は大火事で全焼し、@右代宮家は一瞬にして主だった親族と財産を丸ごと失ったんだそうだ。\ `The spinning mills in Tokyo were all burned down in a huge fire, `@`and the Ushiromiya family lost most of its wealth and family members in an instant.`\ bg black,22 mono off ;　それで右代宮本家の跡継ぎは誰だってことになったら、分家筋も分家筋の金蔵祖父さましか残ってなかったらしい。@ `It then became a matter of who in the main family would become the heir, and it seemed as though no one except the branch family, which included Kinzo, was left.`@ br ;　本人は後にこのことを、運命がひっくり返るほどの強運だったと述懐してる。\ `Kinzo himself later said that it was such good luck, it was as though fate itself had been turned upside-down.`\ ;　それで、平凡だった祖父さまの生活は一転。@ ;　財産のほとんどを失った瀕死の右代宮家の再興を託されることになった。@ `With that, Grandfather's normal life did a 180.`@ `He was entrusted with reviving the wealth that the dying Ushiromiya family had almost completely lost.`@ br ;　もっとも、いきなり託されたって何ができるわけでもない。@ ;　周りの人間たちもそう多くを期待はしなかったろう。\ `Naturally, just because he had been entrusted with this task didn't mean he could accomplish it.`@ `It seems that the surrounding people weren't really expecting much.`\ bg chess1,22 ;　だが、祖父さまが非凡な才能と強運を発揮し始めたのはここからだ。@ `However, from this point on, Grandfather began displaying his extraordinary talent and good luck.`@ br ;　祖父さまは右代宮家に残された全財産と自分の頭髪から足の爪まで丸ごと担保に入れるような状態で巨額の借金をし、@莫大な資本金を築くと、すぐに事業を興した。\ `Grandfather used all of the family funds and everything from the hair on his head to his toenails as collateral to borrow a massive amount of money, `@`created a gigantic supply of funds and soon revived the family's business.`\ ;　こんなのブレーキのない自転車で坂道を転がり落ちるような状態だ。@ `It was like tumbling down a hill on a bike without any brakes.`@ br ;　その状態のまま、隣の自転車へ飛び乗り、さらに隣の自転車へ！@　ってな大道芸もいいところ。@誰だって祖父さまには商才がないと思っただろう。\ `And then, jumping onto a neighboring bike, and then another one!`@` Just like some crazy street performance.`@` Probably, anyone would have thought that Grandfather had no business ability.`\ bg black,22 ;　だが、信じられないような強運や奇跡、偶然をいくつも積み重ねて次々にチャンスを物にし、@いつの間にか進駐軍に強力なコネクションを持つようになっていた。\ `Even so, with an unbelievable amount of good luck and miracles, with coincidences piling up and every chance taken advantage of, `@`before anyone knew it, he began to make connections with the occupying forces.`\ ;　当時の日本は、マッカーサーとＧＨＱは天上の存在ってな時代だ。@ `At that time, McArthur and the GHQ were in charge.`@ br ;　祖父さまは瞬く間に進駐軍の庇護下で大事業を成功させて成り上がっていくことになる。\ `Grandfather, in a twinkle of the eye, began succeeding in business under the protection of the occupying forces, quickly becoming very rich.`\ ;　そして、ここまで至ればもう運じゃなく情報勝ちだったんだろう。\ `At this point, it was no longer luck but information that won the day.`\ ;　よっぽどぶっといコネクションを進駐軍に作ったに違いない。@ ;　……祖父さまは朝鮮特需が起こるのを、その前から知っていた。@ `He must have made some seriously thick connections with the occupying forces.`@ `......Grandfather knew beforehand about emergency demands that would be made for the Korean War.`@ br ;　いや、それどころか、朝鮮特需が起こることを最初から見越していて事業を食い込ませていたのだ。\ `No, on the contrary, he must have foreseen these special procurements from the very beginning and started eating into his businesses.`\ ;　歴史の教科書じゃ、朝鮮特需で日本中が大儲けしたような感じで記されているが、現実にはそうじゃない。\ `As we read in the history books, all of Japan made a large profit off of the emergency demands for the Korean War, but in actuality that didn't happen.`\ ;　ごく限られた大金持ちがマネーゲームに勝って濡れ手に粟だっただけだ。@ `Only a very limited number of the super rich played the money game and made an easy profit.`@ br ;　ほとんどの国民は貧しいままだった。@ `Most of the citizens remained poor.`@ br ;　……だからつまり、祖父さまは極めてラッキーな勝ち組の１人だったわけだ。\ `In other words, Grandfather was an extremely lucky member of this group of winners.`\ ;　朝鮮特需が確か、昭和２５年頃だっけ？@ ;　んで、関東大震災が大正１３年ってことは。@ `This all happened...during the year Showa 25 (1950), I think.`@ `And, since the year following the Great Kanto Earthquake was Taisho 13 (1924)...`@ br ;　……祖父さまは瀕死の右代宮家を、わずか２０数年でかつて以上に復興させちまったわけだ。\ `......That means Grandfather was able to revive the near-dead Ushiromiya family in only about 20 years to a level even higher than it had been before.`\ bg sea_1c,26 ;　それで、縁ある小田原に本家を復興すると思ったら、@何と、伊豆諸島の小島を丸ごと購入するというとんでもないことをしちまった。\ `With that, you'd think that he would revive the main family in Odawara, `@`but for some reason, he went and did something as crazy as buying an entire small island in the Izu archipelago.`\ ;　島を丸ごと買うなんて、今じゃ並大抵のことじゃできない。@ `Buying an entire island is not something that you can ordinarily do today.`@ br ;　だが、祖父さまはうまかった。@ ;　ＧＨＱを通じて、水産資源基地を建設したいと申請。@ `However, Grandfather was clever.`@ `He contacted the GHQ and applied for the establishment of a marine resource base.`@ br ;　この島を事業地として取得し、その後、そいつを反故にして自分の土地にしちまったわけだ。\ `He acquired this island as a business property, and then threw that away and claimed it as his own plot of land.`\ bg black,25 ;　戦後の食糧難対策ってことで、しかもＧＨＱの肝煎りじゃ誰も逆らえない。@ ;　当時の東京都はほとんどタダ同然のカネでこの土地を提供したそうだ。@ ;　後に東京都は返せとゴネたらしいが、強引とは言えＧＨＱが絡んでる。@ `After the war there were prevention measures against food shortages, and, furthermore, having the sponsorship of the GHQ meant that nobody could oppose him.`@ `It seems that Tokyo Metropolis had almost no money at the time and offered this land.`@ `Later, Tokyo made difficulties by telling Kinzo to return the land, but the pushy GHQ intervened.`@ br ;　どうせ袖の下もばっちりだったんだろうぜ。@ ;　結局、都は泣き寝入りすることになった。\ `Anyway, it seems as though under the table bribes worked perfectly.`@ `In the end, the city gave up in frustration.`\ ;　祖父さまは本当にうまく、そして強運に恵まれて時代の荒波を泳ぎ切り、@莫大な財産と自分だけの島までをも手に入れたのだ。@ `Grandfather, with considerable skill and blessed with good luck, managed to weather the stormy seas of that period, `@`obtaining a vast fortune and his own island.`@ br ;　もちろん、運だけでもないかもしれない。@ ;　西洋かぶれで培われた英語力。@ ;　それを武器にＧＨＱに食い込むことができたのだから。\ `Of course, it wasn't all luck.`@ `He was skilled with English, and this was cultivated by his western obsession.`@ `Using this as a weapon, he was able to take a bite out of the GHQ.`\ bg M_o1a,22 ;　島にはすぐに屋敷が建てられた。@つまりこの屋敷だ。@ `A mansion was immediately built on the island.`@` That would be this mansion.`@ br ;　昔っから西洋被れだった祖父さまは、この無人島だった六軒島を、思う存分自分の夢を実現できるキャンバスにしたんだろう。\ `Grandfather, with his western style, made this once uninhabited island, Rokkenjima, a canvas upon which he could realize his dreams to his heart's content.`\ bg rose_G1a,22 ;　ずっと思い描いてきた情緒溢れる西洋屋敷に、様々な薔薇の植えられた美しい庭園。@ `...with the western mansion that he had always imagined, overflowing with emotion, to the beautiful garden where various roses had been planted.`@ br bg beach_2b,22 ;　そして自分以外は誰も足跡を残すことが許されぬプライベートビーチ。@ `And a private beach where nobody other than himself would ever be permitted to leave a footprint.`@ br ;　……男子、ここまでできりゃあ本懐だよな。\ `......If a boy could have this much, it would be a dream come true.`\ bg black,22 ;　その後は莫大な資産をうまく運用し、@超安定の鉄鋼業界の大株主となり、その配当金だけで悠々自適というわけだ。\ `After that, making good use of his huge fortune, `@`he became a large stock holder in the extremely stable iron and steel industry and was able to live an easy and comfortable life just using the dividends.`\ ;　ま、そんなすげぇお人なわけさ。@ `Well, he's just that incredible.`@ br ;　こういう人物には大抵、時代を見通す先見の明があったとか、そういう評価が後付で付くもんなんだが、@祖父さまはそれらを全て否定し、@自分は単に並外れた運気に恵まれていただけであると言い続けたそうだ…。\ `This kind of person usually has the ability to foresee and predict the future, or at least that is how they are portrayed. `@`Grandfather denies all of that, repeatedly saying that he was simply blessed with extraordinary luck...`\ ;　……まぁ、そんな名君も、自分の夢を全て実現してこんな島に引き篭もっちゃ、@だんだんおかしくもなるのも仕方ないってもんさ。\ `......Anyway, even a lord like that, with all of his dreams made real, `@`can't help but grow increasingly odd when locked up alone on an island.`\ bg Mlib_1a,26 ;　昔っから西洋かぶれだったってのは誰でも知ってるが、@…怪しげな黒魔術趣味は一体いつ頃からなのか、親兄弟たちもよくは知らない。\ `Everyone had known for a long time of his western obsession, `@`but none of our parents really knows when his bizarre black magic hobby began.`\ ;　大昔からの西洋かぶれが黒魔術趣味も含んでいたのか、@それとも、戦後の奇跡的お家再興の強運に、自身が神秘的な何かを感じたのかもしれない。\ `Did his love of black magic begin way back when he became fascinated with everything western, `@`or, possibly, did his miraculous stretch of good luck which allowed him to revive the family cause him to feel a mysterious power in himself?`\ bg Mlib_1d,24 ;　…いつの頃からか祖父さまは黒魔術研究をライフワークにし始め、@自分の書斎を怪しげな書物や薬品薬草、マジックアイテムで埋め尽くし始め、どんどんおかしくなっていったそうだ。\ `At some point, Grandfather began to make the research of black magic his life's work. `@`He filled his study up with suspicious books, chemicals, and magical items as he became increasingly bizarre.`\ bg black,22 ;　人生の成功者の余生なんだから、どう過ごそうと勝手だと、周りは温かく？見守ったそうだが…。@ `I heard that, as a successful man, he had the right to decide how he wanted to live the rest of his life, and those surrounding him warmly watched over him, but...`@ br ;　………絶対ぇウソだな。@ ;　気持ち悪ぃから関わりたくねぇとドン引きしてただけだろうぜ。\ `That's definitely a lie.`@ `They probably were just driven away, thinking 'that's disgusting, I don't want to get involved.'`\ ;　ま、…動乱の時代はチャンスとリスクの大博打時代だったわけさ。\ `Well, ...that agitated period was like a big gamble, with both opportunities and risks.`\ bg sea_1c,22 ;　祖父さまだって今の世に生まれてみろ。@ `Let's say Grandfather was born in this time period.`@ br ;　何のチャンスもなく、のんびりまったりと義務教育から大学までコマを進めて、@きっと平凡なサラリーマンをやってただろうぜ。\ `He would've had no opportunities and would probably have advanced like a chess piece from mandatory education to college at a leisurely pace, `@`never becoming more than an average salary man.`\ ;　そうしたならあそこに座って、職場の上司の悪口に花でも咲かせてたかもな。@ ;　いやいや、こんなお屋敷の食堂じゃなくて、飲み屋の掘りごたつだったかもしれねぇぜ。@ `If that happened, he'd probably have sat somewhere, happily talking behind his boss's back.`@ `No, no. Not in a mansion's dining hall. More like a table at some bar.`@ br ;　そうだったなら、さぞや気楽な親族会議だったろうによ。\ `If that were the case, I'm sure that this would be a more comfortable family conference.`\ bg black,2 fede 0,2000 ;フェードアウトにしたい〜〜〜 bgmplay 7 ;　さて、死に損ない祖父さまの話なんかもういいだろ。@ ;　それより、この素ン晴らしいランチの話をしようぜ〜ん？！\ `Alright, that's enough of the old geezer's story.`@ `More importantly, let's talk about this incre~dible lunch!!`\ bg Mdin_1b,2 ld r,$BUT_defA1,23 ;「前菜の、刺身のサラダで俺はすでに確信してたね！@　郷田さんは大したシェフだぜ！@　しかも魚は近海で取れたやつだろ？@！　スーパーの刺身とはわけが違ったぜ！」\ `"I'm already convinced by the sashimi salad!`@` Gohda-san is an excellent chef!`@` Plus, these fish were caught in the adjacent seas, weren't they?`@`! They're totally different from sashimi you get at the supermarket!"`\ ld l,$RUD_AkuwaraiA1,23 ;「おいおいよせよ戦人ぁ。@育ちがバレちまうだろうが。」@ `"Hey, quit it Battler.`@` Your upbringing will be exposed."`@ ;＜留弗夫 ;　みんなが大笑いする。@ `Everyone let out a big laugh.`@ br ;　ちぇ、てめぇだって貧乏臭い一杯飲み屋が好きなくせに。\ `Damn it, you say that even though you love those cheap pubs.`\ bg Mdin_1c,0 ld r,$GEO_WaraiA1,24 ;「はははは。@僕も仕事の都合で珍しいところで食事をすることもあるけど、それらと比べても、これはかなりのものだよ。@郷田さんは多分、その道じゃ少しは知られた人だったんじゃないかな。」\ ;＜譲治 `"Hahahaha.`@` Depending on the situation with my job, I also have eaten at many odd places, but compared to all of those, this is an excellent dish.`@` Gohda-san probably also learned a lot that way."`\ ld l,$JES_futekiA1,23 ;「よくは知らねぇんだけどよ。@老舗ホテルで暖簾分けだか派閥の分裂だかややこしいことがあってよ。@そのトラブルで辞めざるを得なくなっちまったんだってさ。@それでその時、偶然、お袋が使用人の求人を出してたわけなんだよ。」\ ;＜朱志香 `"Well, I don't know too much about it.`@` At the famous hotel where he used to work, employee politics got pretty complicated and everyone split into factions.`@` In the middle of all that, he was apparently forced to retire.`@` Then, by chance, Mom sent out job offers for a servant."`\ bg Mdin_1f,0 ld l,$GOH_omakaseA3,24 ;　空いた皿を下げる郷田さんが笑顔は崩さないままに、決して平坦ではなかった自分の過去を振り返っていた。\ `Gohda lowered the empty plate and, without losing his smile, began to recount his own uneven past.`\ ;「……世の中というのは難しいものです。@しかし、そのお陰でこうして今日、右代宮家で再び料理人として腕を振るう機会を賜ることができました。@大勢の方の笑顔も嬉しいですが、@お仕えすると決めた限られた方々にだけ喜んでいただくために、繊細なお仕事ができるのも、とても楽しいことでございます。@これも全て、機会を下さった奥様のお陰です。」@ ;＜郷田 `"The world is a difficult place.`@` However, it is thanks to this that I was given a chance to display my skills as a chef once again, this time for the Ushiromiya family.`@` Although I also enjoy the smiles of a larger number of people, being able to make only those who have hired me happy while performing such a delicate job is extremely entertaining for me.`@` All of this is thanks to the opportunity given to me by Madam."`@ ;　郷田さんはうやうやしく夏妃伯母さんに頭を下げる。\ `Gohda-san respectfully bowed his head towards Natsuhi oba-san.`\ ld r,$NAT_zutuuA1,24 ;「応募のあった中で、郷田が一番腕がよかったからです。@客観的判断に基づくもので私情はありませんので感謝には及びません。」@ `"That is because among all of the applicants, you were the most talented.`@` The decision was not based on personal feelings, but purely objective, so there is no need to thank me."`@ br ;　…やれやれ。夏妃伯母さんってどうしていつもこう、淡白な言い方なのねぇ。@ ;　もうちっとこう、やさしい言い方ができたなら、与える印象も違うだろうに。\ `...Oh man, why does Natsuhi oba-san always have to speak so frankly.`@ `If only she spoke more gently, she might give off a different impression.`\ bg Mdin_1d,0 ld r,$SHA_DefA1,0 ld l,$KUM_DefA1,2 ;　廊下から配膳ワゴンと一緒に紗音ちゃんと熊沢さんがやって来た。\ `Shannon-chan and Kumasawa-san entered from the hallway with a serving cart.`\ ld r,$SHA_TokuiA1,80 ;「……失礼いたします。」@ ;＜紗音 `"Please excuse us."`@ cl l,24 ld l,$GOH_DefA1,23 ;「それでは本日のデザートに移らせていただきます。」@ ;＜郷田 `"Now then, let us move on to today's dessert."`@ ;　郷田さんたちが、美しく飾られたデザートをみんなの前に並べてくれた。\ `Gohda-san and the others laid out the beautifully adorned dessert.`\ bg Mdin_1g,22 ;　デザートは別腹って言うけど本当だな…。@ `I guess it's true when they say you have another stomach for dessert.`@ br ;　あれだけの美味いものをこれだけ食わせられて、もう充分なんて思ってたら、@このデザートを見た途端に、まだまだイケルぜなんて主張しだしてやがる。\ `I'd thought that being fed all that delicious food had totally filled me up, `@`but as soon as I laid eyes on the dessert, my stomach started yelling 'More!'`\ ;　俺はデザートには詳しくないんだが、とにかく美味そうだった。\ `I don't know much about desserts, but this looked really good.`\ ;　白いプリンみたいなものに、真っ赤な２色のソースが添えられ、@上品に薔薇の花びらまで飾られている。@ `A white pudding-like substance was garnished with two shades of red sauce, `@`and elegant rose petals adorned the dish.`@ br ;　こういう上品なお食事だと、全員の前に配られ、それからシェフによる料理の能書きが語られる。@それが終わるまでは基本的にお預け状態だ。\ `With such magnificent food distributed in front of everybody, it was time for the chef to extol the virtues of his creation.`@` ;　だが、そういう堅苦しいルールとは無縁の真里亞は、綺麗でおいしそうなデザートに興奮し、目の前に置かれた途端にすぐにむしゃぶりつくのだった。@ `However, Maria, who was completely indifferent to this strict rule, got excited by this beautiful and delicious looking dessert and jumped into the fray as soon as it was placed before her.`@ br ;　楼座叔母さんが、行儀が悪いと叱るが、譲治の兄貴がまぁまぁいいじゃないですかとフォローする。\ `Rosa oba-san scolded her, calling it bad manners, but George responded by saying 'Now, now, it's alright.'`\ bg Mdin_1d,0 ld r,$MAR_WaraiA2,22 ;「うー？！@　こっちの酸っぱい！@　こっちの酸っぱい！@　戦人、こっちのはハズレー！@　うー！」@ `"Uu-?!`@` This part's sour!`@` This part's sour!`@` Battler, this one's no good!`@` Uu-!"`@ ;　真里亞が２色のソースを味見して、大声をあげる。@ `Maria exclaimed as she sampled the two colored sauces.`@ ;「何だと、アタリとハズレがあるのかよ、よし俺も味見をしてやるぜ〜！@　むむぅ？！」\ `"What, some are good and some bad? Alright, I'll give it a go~!`@` Mmmmm?!"`\ ;　２色のソースは甘味と酸味の２つの味になってるらしい。@ ;　俺も行儀は悪いが小指に付けて舐めてみる。@ `Apparently the sauce was a blend of sweet and sour.`@ `Despite it being bad manners, I also stuck my little finger in and licked it.`@ br ;　おう、片方はなかなかキュっとくる酸っぱさだぜ。@ ;　黄色いソースならレモンかなとも思うが、赤い色だと何の酸っぱさか見当もつかない。\ `Whoa, half of it was sour enough to make you pucker up.`@ `If it were yellow, I'd have suspected lemon, but I couldn't guess what kind of sourness would be red.`\ bg Mdin_1c,0 ld l,$SHA_DefA1,23 ;　俺たちの後で配膳ワゴンを片付けている紗音ちゃんに聞いてみることにする。\ `I decided to ask Shannon, who was putting away the serving cart behind us.`\ ld r,$BUT_defA2,24 ;「紗音ちゃん、この酸っぱいのは何のソースだい？」@ `"Shannon-chan, what kind of sauce is this sour stuff?"`@ ld l,$SHA_KomaruA1,80 ;!s0「……ぇっと……、/ !s0`"......Umm......, `/ ;!d800…………あの…、/ !d800`............Err..., `/ ;!d500……ぅ…、」@ !d500`......u..., "`@ ;!sd　紗音ちゃんが言いよどむ。\ !sd`Shannon-chan hesitated to speak.`\ ;　配膳はしてるがよくは知らないということなんだろう。@ ;　にしちゃ、やたらと窮している。@……悪いこと聞いちゃったかな？@ ;　それとも、聞いてはならないでも使ってるんだろうか。\ `Maybe she was just setting the table and doesn't really know.`@ `Man, she's at a total loss.`@`......did I ask something wrong?`@ `Or did they use something that we'd be better off not knowing about?`\ cl r,23 ld r,$NAT_hisuA1,24 ;　夏妃伯母さんが頭痛でもするような仕草を見せると、向かいの席で配膳していた熊沢さんが、ほっほっほと笑い出す。\ `While Natsuhi oba-san acted as though she had a headache, Kumasawa-san, who was setting the table at the opposite seat, began to laugh with a 'Hoh-hoh-ho'.`\ bg Mdin_1e,0 ld r,$KUM_WaraiA2,24 ;「何の材料を使っていると思いますか？@　ほっほっほ、驚きますよ…。」@ `"What ingredients do you think we made it out of?`@` Hoh-hoh-ho, it'll shock you..."`@ ld l,$BUT_komaruA1,23 ;「え、…ぜ、全然わかんねぇぜ。@というか、熊沢の婆さんがそういう笑い方すると不気味でならねぇぜ。@んで、何なんだよ正体は！」\ `"Huh? I, I don't have a clue.`@` Wait a sec, Kumasawa baa-san, that laugh's pretty creepy.`@` So, what is it?!"`\ ld r,$KUM_defA2,80 ;「……ナイショですよ？@　お耳を拝借。」@ `"Don't tell anyone, alright?`@` Let me borrow your ears."`@ br ;　向かいから熊沢さんが乗り出してくる。@ ;　耳を貸せというので俺も乗り出す。@ ;　興味を持ち、朱志香も譲治兄貴も、もちろん真里亞も熊沢さんに耳を寄せる。\ `Kumasawa-san leaned across from the other side of the table.`@ `I leaned forward too when she asked me to listen.`@ `Their interest caught, Jessica, George-aniki, and, of course, Maria also put their ears closer.`\ ld l,$MAR_fukigenA1,23 ;「うー。@何？@　何ー？@　早くー！@　早くー！」\ `"Uu-.`@` What?`@` Wha-t?`@` Quickly-!`@` Quickly-!"`\ ;「この酸っぱいのはですねぇ。@/ `"The sour part is, well, `@/ ld r,$KUM_waraiA1,80 ;……実は、お魚の鯖の絞り汁ですよぅ、ほっほっほ！」\ `......Actually, it's squeezed juice from a mackerel, Hoh-hoh-ho!"`\ ;!s0「「「ええぇーーッ、サバぁッ？！？！」」」/ !s0`"""HAAAaaahh, mackerel?!?!"""`/ quakey 5,400 !sd@ br ;　そんな馬鹿なと仰天する俺たち。@ ;　納得した顔でウンウンと頷くのは真里亞だけだ。\ `"That's crazy," we all thought, horrified.`@ `Only Maria accepted it, nodding with an 'uh-huh'.`\ ld l,$MAR_DefA1,80 ;「うー？@　鯖は酸っぱいよ？@　絞ったらこうなる！」\ `"Uu-?`@` Mackerels are sour?`@` If you squeeze them, this comes out!"`\ bg Mdin_1g,22 ;!s0「「…ぷ、わっはっはっはっは…！」」/ !s0`""...ha, Wahahahahaha...!""`/ quakey 4,300 !sd\ ;　真里亞が鯖は酸っぱいと騒ぎ出すと大人たちは笑いを堪え切れなくなった。@ `When Maria started clamoring that mackerel were sour, the adults were unable to contain their laughter.`@ br ;　楼座叔母さんだけが赤面して真里亞に、違うわよ、酸っぱいのはしめ鯖でしょ！@　と小声で言う。\ `Only Rosa oba-san, her face red, told Maria that mackerel is sour only once prepared,`@` in a small voice.`\ bg Mdin_1e,0 ld l,$KUM_WaraiA2,26 ;　あーー、もう完ッ璧に思い出したぜ。@熊沢さんってこういうキャラなんだよなぁ！@ ;　俺も小さかった頃、熊沢の婆ちゃんに色々と騙されてた気がするぜ！@ `Ahh--, now I remember it perfectly.`@` Kumasawa-san was always this kind of a character, wasn't she?`@ `I think she must have tricked me too in various ways when I was young!`@ br ;　中でも致命的なのはアレだ！@　中華料理に入ってる黒いヘロヘロ！@　キクラゲだよ！@　あれのこと、ペンギンの肉って吹き込まれて、俺、得意げに学校で言いふらしてたんだぜー？！\ `Amongst all of them, the most lethal must have been that one!`@` That flimsy black thing in the Chinese dish!`@` It was a #86ef9ckikurage#ffffff mushroom!`/ mov ?grim[8][grim_flg],1 mov %r_hyouji_grim,8 ;seplay 9,1062 @` She told me it was penguin meat and I went all around school like a smartass telling everyone, didn't I?!`\ ld r,$BUT_waraiA1,23 ;「熊沢の婆ちゃん、相変わらずだなぁ…！@　真里亞が信じちゃうだろー？」@ `"Kumasawa baa-chan, you sure haven't changed...!`@` You know Maria's gonna believe now, right?"`@ ld l,$KUM_defA2,80 ;「ほっほっほ、冗談ですよ？@　今から郷田さんがソースの正体を教えてくれますからねぇ？」@ `"Hoh-hoh-ho, it's just a joke, right?`@` Now, Gohda will tell us what the sauce's true nature is, won't he?"`@ cl a,22 br ;　郷田さんは自分の自信作を怪しげに笑われてちょっとだけ不満そうだったが、@咳払いをひとつしてからデザートの紹介をしてくれた。\ `Gohda looked a little put off about his masterpiece being laughed at in such a strange way, `@`but after clearing his throat once, he introduced the dessert to us.`\ ld c,$GOH_OmakaseA3,22 ;「それでは、デザートのご説明をさせていただきます。@本日は、ご来賓の皆様が大層お気に入りでございました薔薇の庭園にちなみまして、パンナコッタをローズガーデン風に仕上げてみました。@散らしてございます薔薇の花びらは当家の庭園より先ほど採取してきたものでございます。@ソースはストロベリーとローズヒップの２色の赤をご用意しました。@ストロベリーの甘味とローズヒップの酸味を交互にお楽しみになって下さい。@なお花びらは観賞用となっておりますので避けてからお召し上がり下さいませ。@それではどうぞお楽しみ下さい。」\ `"Well then, allow me to introduce tonight's dessert.`@` Based on the rose garden that everyone seemed to enjoy so much today, I finished this panna cotta in a rose garden style.`@` The rose petals scattered across were selected just now from that rose garden.`@` The sauce is a combination of two reds, strawberry and rose hips.`@` Please enjoy this mixture of the strawberry's sweetness and the rose hip's sourness.`@` Furthermore, the rose petals are merely decoration, so please avoid them while you eat.`@` With that said, please, enjoy."`\ bg Mdin_1g,22 ;　……はーー…。…なんつーか、食う前から拍手したくなるよなぁ。@ ;　薬だってそうだろ、ただ飲むより、説明書のウンチクを読んだほうがより効く気がするしな。@ `......Ha--......Man, I almost want to applaud before eating.`@ `Just like with medicine, reading the instructions seems to work better than just drinking it.`@ br ;　郷田さんの能書きで、さらにデザートがパワーアップした気がするぜ。\ `As Gohda-san elaborated on the details of this dessert, it started to feel even more appetizing.`\ ;　しかし、芸が細かいというかうまいというか。@このデザートはもともと予定されていたものだろうが、俺たちが事前に薔薇庭園で足を止めていたことからヒントを得て、@表の庭園の花びらをちょいと添えるだけで、ものすごいタイムリーな季節感を演出している。\ `Seriously, should you call him subtle or just talented?`@` The dessert was probably planned from the beginning, but taking the hint when we all stopped in front of the rose garden earlier today, `@`he displayed an incredible and timely awareness by just adding a few rose petals from that garden.`\ ;　甘いのと酸っぱいのの２種類の取り合わせも絶妙だ。@ ;　ただ甘いだけだったら途中で慣れて飽きてしまう。@ `This combination of sweet and sour was also exquisite.`@ `If it was just sweet, you'd just get used to it and bored halfway through.`@ br ;　そんな時に酸っぱい方のソースを絡めると、とても鮮烈な味がするし、@もう一度甘いソースに戻ると、口の中が酸っぱくなっているので再び甘味を楽しめるのだ。\ `But if you reached the sour sauce at that point, you'd get a really vivid taste.`@` And then, once you returned to the sweet sauce, all of the sourness in your mouth would be replaced with an enjoyable sweetness.`\ ;　それはみんなも同じだろう。@ `I'm sure everyone else felt the same way.`@ br ;　郷田さんが席の近くを通りかかる度に、味とその工夫を褒め称えるのだった。\ `Every time Gohda-san passed by one of the seats, someone praised the taste and his creation.`\ bg Mdin_1d,0 ld r,$GOH_DefA1,26 ld r,$GOH_omakaseA2,80 ;「いかがですか、奥様。」@ `"How is it, Madam?"`@ ld l,$NAT_defA1,80 ;「相変わらず見事です。@お客様を御持て成しするに値します。」\ `"Splendid, as always.`@` It is worthy of entertaining our guests."`\ ld r,$GOH_hohoemiA2,80 ;「恐れ入ります。@……奥様、ご存知ですか？@　ローズヒップには頭痛に効く効果もあるそうですよ。@奥様に特にお気に入りいただけるかと思い、特別にご用意させていただきました。」@ `"I am most grateful for your words.`@` ......Madam, did you know?`@` I have heard that rose hip has the ability to cure headaches.`@` I thought that Madam especially would appreciate it, so I had it specially prepared."`@ ld l,$NAT_zutuuA1,80 ;「…そう。@ありがとう。」\ `"Is that so?`@` Thank you."`\ cl r,23 ld r,$KIR_waraiA1,24 ;「ほら、言ったでしょ夏妃姉さん。@ローズヒップは頭痛に効くって。」@ ;＜霧江 `"See, didn't I tell you, Natsuhi nee-san?`@` Rose hip works on headaches."`@ ld l,$NAT_defA1,80 ;「みたいね。@…効くといいんだけど。」\ `"So it seems.`@` ...At least it would be nice if that were the case."`\ bg Mdin_1b,0 ld r,$HID_WaraiA1,23 ;「はぁー！@　郷田さん、あんたにゃ惚れるで！@　なぁ、後であんたの待遇、聞かせてや！@　無理ならあんたの欲しい年収、指立ててくれるだけでもええんやで！@　あんたの腕がこの島だけで独占されとるのは人類の食文化に対する冒涜や！@　その腕、わしの会社で振るって、お客の皆さんを喜ばせてみる気はないかのぅ！」\ ;＜秀吉 `"Haa-!`@` Gohda-san, I love ya!`@` Hey, later, why don't you tell me how they're treating you!`@` If you've got any problems with it, just lift a finger and I'll give you whatever salary you want!`@` Havin' your talent monopolized by this small island is sacrilege to humanity's cookin' culture!`@` Wouldn't you be willin' to display your talent to all of the guests at my company?"`\ ld l,$KLA_AkuWaraiA2,23 ;「はっはっは、秀吉さん。@うちの郷田を引き抜かれるのですか？@　これは困った。@郷田の待遇をもっとよくしないと引き抜かれてしまいそうだ。」@ `"Hahaha, Hideyoshi-san.`@` Are you trying to recruit our Gohda?`@` how troubling.`@` We better start treating Gohda better or he'll get snatched away."`@ ;＜蔵臼 cl r,23 ld r,$EVA_WaraiA1,24 ;「くすくす、そうした方がいいわねぇ。@じゃないと引き抜かれて、三食が熊沢さんの鯖料理にされちゃうわよぅ？」@ ;＜絵羽 `"*giggle* Yes, you really should.`@` If you don't, he'll be lured away and you'll be stuck with three meals a day of Kumasawa-style mackerel cooking, won't you?"`@ ld c,$KUM_WaraiA1,22 ;「ほっほっほ、これはこれは手厳しゅうございます。@すっかり根に持たれてしまいまして。」\ ;＜熊沢 `"Hoh-hoh-ho, that's harsh.`@` It seems someone's holding a grudge against me."`\ bg Mdin_1d,22 ;「「「わっはっはっはっはっは！！！」」」\ `"""Wahahahahaha!!!"""`\ ;　みんなが大笑いする。@ `Everyone let out a huge laugh.`@ br ;　朱志香によると、熊沢さんの「鯖ネタ」はある種の繰り返しギャグであるらしく、@親族たちにとってはもうとっくにお馴染みのネタなのだそうだ。\ `According to Jessica, Kumasawa-san's mackerel was often the material of a running gag, `@`and our parents had long since gotten used to it.`\ ;　熊沢さんは、鯖には貴重な栄養が含まれていて、老化防止にいいとか頭が良くなるとかいろいろ効能を説いてくれていた。@ `Kumasawa-san often claimed that mackerel had a precious nutritional value that could do things such as prevent aging and make people smarter.`@ br ;　…外見の老化は防止できてないようだが、中身の老化は防いでいるようだ。@ ;　あの歳でこんな冗談が未だ言える元気があるなら、その効能は本物だ。\ `...It seemed that while it couldn't stop the outward signs of aging, it helped prevent aging on the inside.`@ `Since she was still healthy enough to tell these kinds of jokes at her age, that benefit must be the real thing.`\ ld l,$KUM_DefA1,23 ;「ほっほっほ…。@それでは失礼いたします。@夕食には奮って！@　たくさんの鯖料理をお召し上がりいただきますので、どうぞご期待くださいませね？」\ `"Hoh-hoh-ho...`@` In that case, if you'll excuse me...`@` Prepare yourself for tonight's dinner!`@` I'll be cooking plenty of mackerel dishes for you to eat, so look forward to it!"`\ ld r,$RUD_WaraiA1,24 ;「わっはっはっは、期待してるよ。@今晩はしめ鯖でキュっとしゃれ込みたいぜ。@ ;」＜留弗夫 `"Wahahaha, we sure will.`@` I want to get all dressed up for tonight's mackerel!"`@ ld c,$ROS_WaraiA1,24 ;「それは素敵ね。@ついでに日本酒のおいしいのも出てこないかしら。」@ ;＜楼座 `"That sounds wonderful.`@` I wonder if any delicious Japanese sake will be included."`@ ld l,$KUM_waraiA2,80 ;「えぇ、ございますよぅ？@　六軒島名物の鯖焼酎なるものがございまして…。」\ ;＜熊沢 `"Really, is that so?`@` How about some of our famous Rokkenjima mackerel liquor..."`\ ;「「「わっはっはっはっはっは！！！」」」\ `"""Wahahahahahaha!!!"""`\ bg black,24 bg Mdin_1f,0 ld r,$KUM_DefA1,0 ld l,$SHA_DefA1,24 ;　熊沢さんは紗音ちゃんと一緒にお辞儀すると、配膳ワゴンを押しながら退出していった。@ `Kumasawa-san, together with Shannon-chan, bowed and pushed the serving cart away.`@ cl a,2 br ;　すっかりお株を奪われてしまった郷田さんが、今晩は仔牛のステーキですのでと大真面目に弁明しているのも可笑しかった。\ `Amusingly, Gohda-san, who looked just as though his stock had been stolen from him, explained very seriously that tonight's dinner would actually be calf steak.`\ ;■廊下 bg black,22 bg M1F_P2b,23 ld r,$SHA_KomaruA1,23 ;「……あの…、/ ;!d800………熊沢さん、…さっきはありがとうございました…。」@ ;　配膳ワゴンを押しながら、紗音は深々と頭を下げた。\ `"......Umm...`/ !d800`.........Kumasawa-san, ...Thank you for doing that back there..."`@ `As she pushed the serving cart, Shannon bowed her head very deeply.`\ ld l,$KUM_WaraiA1,23 ;「ほっほっほ、なぁんもお礼を言われることなんてありません。」@ ;　熊沢は惚けるが、もちろんわかってて出した助け舟だった。@ `"Hoh-hoh-ho, I haven't done a~nything that requires thanks."`@ `Kumasawa may have played dumb, but she had obviously understood and saved Shannon in the nick of time.`@ br ;　さっき、戦人にデザートの詳細を聞かれた時、紗音は言いよどんでしまった。\ `Back when Battler had asked for the details of the dessert, Shannon had unfortunately hesitated.`\ ;　かわし方はいくつかあるかもしれないが、いずれもスマートであるべきだ。@ `There may have been several ways to dodge the question, but all of them would have been tricky.`@ br ;　答えに窮するとすぐに言いよどんでしまう紗音は、ただそれだけの短所のためにいつも損をしていた。\ `Shannon, who hesitated when hard pressed for a response, was always suffering because of this small weakness.`\ ;　郷田のように、ミスがあってもうまく立ち回れる狡猾さがわずかにでも紗音にあったなら、もう少し気楽に日々を送れたろうに。@ `If only Shannon, like Gohda, had a little of the craftiness needed to skillfully shake off a mistake, her days would be a little more comfortable.`@ br ;　…そつなく仕事をこなせる分、その短所は非常に気の毒だった。\ `As far being able to flawlessly handle her work, this weakness was especially unfortunate.`\ ;　もっとも、ミスを言い繕って誤魔化すことを思いつかない紗音の素直さは、わかる人間にはわかる。@ `Naturally, those whose knew of Shannon's meek nature and her inability to gloss over a mistake and deceive people would understand this.`@ br ;　…だからこそ、熊沢もさらりと助け舟を出してくれるのだ。\ `Therefore, Kumasawa came to her aid without hesitation.`\ ld l,$KUM_DefA1,80 ;「さっき源次さんが、午後のシフトに変更があると仰ってましたよ。@確か紗音さんは、夕方までお休みがもらえたと思いました。@ほっほっほ、うらやましい。」@ `"I just heard from Genji-san that there was a change in the afternoon shifts.`@` I believe Shannon-san was given a break until this evening.`@` Hoh-hoh-ho, I'm jealous."`@ ld r,$SHA_OdorokiA1,80 ;「え、…ぁ、すみません、シフト表を確認していませんでした。」\ `"Huh, ...ah, I'm sorry. I haven't checked the list of shifts yet."`\ ld l,$KUM_WaraiA1,80 ;「そうそう。@オーブンでこれからちょっと鯖を焼こうと思ってるんですよ。@できたら、お休みの前にちょっと手伝ってくれると嬉しいですねぇ。」@ `"Ah, yes.`@` I was thinking I might start cooking some mackerel in the oven.`@` If you don't mind, I would be happy if you would help out a bit before your break."`@ ld r,$SHA_WaraiA2,80 ;「あ、はい…！@　喜んでお手伝いさせていただきます。」@ `"Ah, yes...!`@` I would be delighted to help."`@ br ;　紗音にとって熊沢は、使用人としての母親のようなものだった。\ `To Shannon, Kumasawa was like a mother among the servants.`\ ;■屋敷内 bg black,22 fede 0,3000 ;音楽はフェードアウトしたい〜〜〜〜〜〜〜〜！ wait 1000 bgmplay 12 bg M1F_S1a,6 ;　食堂は片付けがあるので追い出された。@ ;　その代わり、客間でお茶が振舞われることになる。@ `The dining hall needed to be cleaned up, so we were chased out.`@ `Instead, tea was being served in the parlor.`@ br ;　楼座叔母さんが夏妃伯母さんに買って来た紅茶を淹れてくれるらしい。\ `It seems that they had prepared the black tea that Rosa oba-san had bought for Natsuhi oba-san.`\ ;　真里亞もその紅茶を飲みたいと主張したが、子供は表で遊んでこいとうちのクソ親父に言われて却下された。\ `Maria insisted that she also wanted to drink the black tea, but was rejected by the old bastard, who told the children to go play outside.`\ ld r,$GEO_WaraiA1,24 ;「戦人くん、みんなで表に散歩に行かないかい？」@ ;＜譲治 `"Battler-kun, why don't we all go for a walk outside?"`@ ld l,$HID_waraiA2,23 ;「薔薇でも見に行ったらえぇ。@でも天気には充分注意するんやで。@空はまだ明るいが、天気予報は降る降ると繰り返しちょる。」\ ;＜秀吉 `"It's alright if you just go to look at the roses.`@` But keep a close eye on the weather.`@` The sky's still clear, but the weather report kept on talkin' about rain."`\ bg M1F_S1b,0 ld r,$MAR_DefA1,24 ;「うー！@　真里亞は海がいい、海がいい！！」@ ;＜真里亞 `"Uu-!`@` Maria wants the beach, wants the beach!!"`@ ld l,$EVA_HohoemiA1,23 ;「あら、素敵じゃない。@砂浜で遊ぶなんて、普段はなかなかできないものねぇ。」@ ;＜絵羽 `"Aw, isn't that great?`@` Playing on a sandy beach isn't something that you get to do often, is it?"`@ ld c,$JES_WaraiA1,22 ;「そっか。@よし、じゃあみんなで浜辺でも行こうぜ！」\ ;＜朱志香 `"Really?`@` Alright, let's all go to the sandy beach then!"`\ ld r,$MAR_WaraiA2,80 ;「うー！　行こう行こう！」@ `"Uu-! Let's go, let's go!"`@ cl l,24 ld l,$ROS_nayamuA1,23 ;「真里亞、服を濡らさないようにするのよ。@靴もよ。」@ ;＜楼座 `"Maria, be careful not to get your clothes wet.`@` Your shoes, too."`@ ld r,$MAR_DefA1,80 ;「うー！@　濡らさない！」\ `"Uu-!`@` Won't get wet!"`\ bg M1F_S1c,0 ld r,$KIR_WaraiA1,24 ;「くす、素直で可愛いぃ。@戦人くん、真里亞ちゃんの面倒、ちゃんと見てあげてね。」 ;＜霧江 `"*giggle*, that obedience is so cu~te.`@` Battler-kun, make sure you keep an eye out for Maria-chan, okay?"`@ ld l,$BUT_WaraiA2,23 ;「おうよ、任せろ！」\ ;＜戦人 `"Great, leave it to me!"`\ ld c,$RUD_AkuwaraiA1,24 ;「ほ〜ぅ、お前も霧江に頼まれると素直で可愛いじゃねぇかぁ。@…たまには俺の言うことも素直に聞いてみろよ。」@ ;＜留弗夫 `"Haaah, isn't your obedience to Kyrie's request just as cute?`@` ...Why don't you also listen to me obediently for a change?"`@ ld l,$BUT_WaraiA1,80 ;「ヘッ！@　まっぴらゴメンだぜぃ！@　行こうぜみんな、ほらほら！」@ ;＜戦人 `"Heh!`@` Hell no!`@` Let's go everyone, c'mon!"`@ cl l,24 br ;　子供たちは客間を飛び出していった。\ `The children flew out of the parlor.`\ bg M1F_S1a,23 ld l,$GEN_DefA1,23 ;　入れ替わりに配膳ワゴンを押した源次がやって来て、紅茶を準備してくれた。\ `They were replaced by Genji, who pushed a serving cart in and prepared the black tea.`\ ;　客間は気高い香りに満たされ、喉を潤す前からとても楽しませてくれた…。\ `The parlor was filled with a sublime aroma which entertained everyone while they waited to appease their thirst...`\ bg black,22 bg M1F_S1b,22 ld r,$KLA_AkuwaraiA2,24 ;「はっはっはっはっ は…。@留弗夫のところは家族仲がいいじゃないか。@良いことだ。」@ ;＜蔵臼 `"Hahahahah, ha...`@` Rudolf's family sure seems close, doesn't it.`@` That's nice."`@ ld l,$RUD_defA1,23 ;「よせよ、兄貴のところにゃ負けるぜ。」\ ;＜留弗夫 `"Quit it. Aniki's family beats ours."`\ cl r,23 ld r,$EVA_akireA1,24 ;「そうよぉ。@朱志香ちゃん、本当に可愛らしく育ったじゃない。@これも夏妃姉さんの教育の賜物ねぇ？」@ ;＜絵羽 `"That's true~.`@` Jessica-chan really has been raised to be cute. hasn't she?`@` This is also the fruit of your training, isn't it, Natsuhi nee-san?"`@ cl l,24 ld l,$NAT_DefA1,23 ;「………どうも。」@ ;＜夏妃 `".........Thank you."`@ ;　夏妃は素っ気無く答える。\ `Natsuhi answered coldly.`\ ;　…そこで会話が途切れたので、客間は沈黙してしまった。\ `With that, the conversation halted, and the parlor became silent.`\ ; それに耐えられないのか、秀吉が大袈裟に身振りしながら話題を再び切り出す。\ `Possibly because he couldn't stand it anymore, Hideyoshi broke the silence with an exaggerated gesture.`\ bg M1F_S1c,0 ld r,$HID_WaraiA2,24 ;「しっかし、成長は早いもんやで。@…いつまでも子供だと思っとったが、図体は見る見るでかくなり、いつの間にか大人の仲間入りや。@戦人くんなんか見違えたで！」@ ;＜秀吉 `"Still, they sure do grow fast.`@` ...I've always thought of them as children, but they've been gettin' huge right before my eyes and, before I knew it, they've joined the group of adults.`@` Battler-kun, for example, is beyond recognition!"`@ ld l,$KIR_waraiA2,23 ;「体は大きくなりましたけど、まだ子供です。@うちの主人も未だに子供ですけれど。」\ ;＜霧江 `"His body has gotten much bigger, but he is still a child.`@` Well, my husband is also still a child."`\ bg M1F_S1b,0 ld r,$ROS_DefA1,23 ld r,$ROS_KomaruA1,80 ;「…子供と大人の境ってどこなのかしらね。@私、未だに大人になったって自覚が持てない。」@ ;＜楼座 `"I wonder where the border between child and adult is.`@` I still don't feel as though I've grown up."`@ ld l,$KLA_akuwaraiA1,23 ;「ふ、情けないじゃないか。@一児の母の言うことではない。」\ ;＜蔵臼 `"Hmph, isn't that pitiful.`@` That's not something the mother of a child should say."`\ cl r,23 ld r,$EVA_akireA1,24 ;「そうね。@私たちももう子供じゃない。@大人同士よ。@だから感情的にならず、知的な会話をしたいわねぇ。」\ ;＜絵羽 `"That's right.`@` We're not children anymore.`@` We are all adults.`@` So I want to stop this sentimental talk and move on to a more intellectual discussion."`\ textoff fede 0,2000 meplay 1,11 ;　絵羽がちくりとする嫌味を込めて微笑むと、場の空気が少しだけ硬くなる。@ ;　…せっかくの紅茶の香りが飛んでしまった気がした。\ `When Eva smiled with sharp sarcasm, everything seemed to get more tense.`@ `...It felt like the smell of the tea that had been prepared so carefully just flew out the window.`\ ld l,$KLA_nayamuA1,80 ;「知的な会話なら昔からいつも心掛けているじゃないか。@……お前の嫌味は、時に的を外している。@昔から変わらない。」\ ;＜蔵臼 `"We have all intended to have an intellectual discussion for some time now, haven't we?`@` ......It seems that your sarcasm is poorly timed.`@` Just as it used to be."`\ ld r,$EVA_ikariA1,80 ;「…昔からいつも、ですって？@　あらあら。@その言葉を綺麗に包装して、何十年か前のこの部屋に届けてあげたいわね。@/ `"...'Just as it used to be,' is it?`@` My, my.`@` I wish I could wrap those words up and send them to this room a few decades ago.`@/ ld r,$EVA_akireA1,80 ;ねぇ楼座ぁ？」\ ;＜絵羽 ` Right, Rosa?"`\ ld c,$ROS_KomaruA2,22 ;「………………。」@ ;＜楼座 `"................"`@ ;　楼座は曖昧な顔で笑う。@ `Rosa smiled with an uncertain face.` ;　…肯定しても否定しても兄か姉の不快を買う。@ `Whether she agreed or disagreed, she knew that she would earn the displeasure of her brother or her sister.`@ br ;　末っ子ゆえに養わざるを得なかった処世術だった。\ `It was a bit of worldly wisdom she had needed to learn as the youngest sibling.`\ bg M1F_S1a,0 ld r,$RUD_MajimeA2,23 ;「よせよ姉貴。@ガキどもがいない間に本題に入ろうじゃねぇか。@それこそ知的な話を。」@ ;＜留弗夫 `"Quit it, Aneki.`@` We should enter into the main topic while the brats aren't around, right?`@` Let us make that our intellectual discussion."`@ br ;　留弗夫が一同の顔を見渡すと、ある者は小さく溜め息を吐き、ある者は小さな観念を浮かべる。@ `As Rudolf glanced over the faces of all present, some let out a slight sigh and some let a small look of resignation cross their face.`@ br ;　……避けずにはいられない、/ ;!d800本当の議題だった。\ `......This was the unavoidable`/ !d800` true agenda.`\ E_A bgmplay 14 ld r,$RUD_majimeA1,80 ;「去年の時点で余命３ヶ月だったんだ。@ってことはすでにマイナス９ヶ月ってことじゃねぇか。@いつお迎えが慌ててすっ飛んで来るかもわからねぇ状態ってことだぜ？」@ ;＜留弗夫 `"Last year, his life expectancy was estimated at about three months.`@` Which means that you could say that it's already minus nine months now, couldn't you?`@` I guess this means that it could come at any time now."`@ ld l,$NAT_hisuA1,23 ;「………当主様は今でも健在でおられます。@このような不穏当な話を日も明るい内からなさろうとするなど、留弗夫さんの正気を疑わざるを得ません。」\ ;＜夏妃 `"The family head is still in good health.`@` Raising such an inappropriate topic while the sun is still bright...I can't help but doubt your true intentions, Rudolf-san."`\ ld c,$HID_fumuA1,22 ;「だがな夏妃さん。@…こういうしょっぱい話は、いざことがあってからじゃあ遅いんや。@今が元気だからこそ、余裕ある内にしとくもんなんやで。@これも財産のエチケットみたいなもんや。」\ `"Still, Natsuhi-san.`@` If we don't discuss this until somethin' happens, it'll be too late.`@` He's still healthy now, so we must figure out something while we still have some time left over.`@` It's the same as financial etiquette."`\ bg M1F_S1c,0 ld r,$KLA_DefA1,24 ;「諸君の関心は親父殿のようじゃないか。@…南條先生。@あなたから説明して下さいませんか。@彼らもそれをお望みらしい。」\ ;＜蔵臼 `"It seems as though everyone is concerned about Father.`@` ...Doctor Nanjo.`@` Could we hear the details from you?`@` It seems as though they are also hoping for that."`\ ld l,$NAN_fumuA1,23 ;「…………………コホン。」@ ;＜南條 `"......................*cough*."`@ br ;　窓辺で薔薇庭園を眺めていた南條は、自分が呼ばれたことに気付くと咳払いをひとつした。\ `Nanjo, standing by the window and staring out at the rose garden, let out a single cough when he realized that he was being called.`\ cl r,23 ld r,$ROS_KomaruA1,24 ;「……南條先生。@…お父様の具合はどんな感じなんですか？」\ ;＜楼座 `"...Doctor Nanjo.`@` ...How is Father's condition?"`\ bg black,25 bg M1F_S1d,22 ;「まず初めに…。@私が去年申し上げました余命３ヶ月という言葉が独り歩きをしているようですので、その訂正からいたします。」@ ;＜南條 `"Well, first off...`@` Because my estimate last year that he had only three months to live has not borne out, allow me to start with that revision."`@ ;「言われずともわかるわ。@余命というのはあくまでも見込みであって約束ではない、と仰られるのよねぇ？」\ ;＜絵羽 `"No need to explain.`@` You're saying that measuring remaining life is only a prediction, not a promise, right?"`\ ;「…左様です。@ですから、皆さんから度々お尋ねを受けますが、いつ亡くなるのか、ということは決して断言できないことなのです。@人の命は体と心に支えられております。@…体が弱れば危うくもなりますが、それを補う心の強さがあれば、小康状態を維持することもあるのです。」\ `"...That is correct.`@` Because of that, while I will accept everyone's repeated questions, I can by no means confirm when he will pass away.`@` A human's life is supported by their body and their mind.`@` ...If the body is weak, the situation becomes more dangerous, but if the mind is strong enough to compensate for that weakness, the lull in one's condition can be preserved."`\ bg M1F_S1a,0 ld r,$KIR_DefA1,26 ;「体はともかく、お心はまだしっかりしていて意気軒昂でいらっしゃられる、ということですね。」@ ;＜霧江 `"So you're saying that even if his body is weak, his mind is still firm and spirited."`@ ld l,$RUD_MajimeA1,23 ;「………霧江、すまんがしばらく黙っててくれ。」@ ;＜留弗夫 `".........Kyrie, sorry, but please stay quiet for a while."`@ ld r,$KIR_NayamuA1,80 ;「……ごめんなさい。」\ ;＜霧江 `"......Sorry."`\ cl r,23 ld r,$NAN_majimeA1,24 ;「左様です。@金蔵さんの体はすっかり病魔に蝕まれております。@増してや、あのような強いお酒を嗜まれ続けてはとてもとても…。」@ ;＜南條 `"That is correct.`@` Kinzo-san's body is being overwhelmed by the demon of ill health.`@` Furthermore, to continue having a taste for that kind of strong liquor is very, very..."`@ ld l,$RUD_defA2,80 ;「崖っぷちなのも酒のせい。@永らえてるのも酒のせいか。@酒豪の親父らしいな。」@ ;＜留弗夫 `"So drinking is reason why he's teetering on the edge.`@` Is his long life also the liquor's fault?`@` Sounds like Father, the heavy drinker."`@ bg M1F_S1b,0 ld r,$EVA_DefA1,24 ;「それで先生、もちろん見込みで結構なんですけども…。@……お父様、来年の今日まではさすがにどうかしら…？」\ ;＜絵羽 `"Well then, Doctor, I know you can't give anything more than a prediction...`@`......but what do you think about Father's chances of living until this day next year...?"`\ ld l,$NAT_OdorokiA1,23 ;「当主様に対してあまりに無礼な質問です。」@ ;＜夏妃 `"That's quite a rude question to ask about the head."`@ ;　夏妃が憮然とした表情を隠すこともなく絵羽に突きつける。@ `Natsuhi jumped on Eva, unable to hide her astonished expression.`@ br ld r,$EVA_akireA2,80 ;　それに対し絵羽は不敵な表情を返すが、それに気付いた秀吉がすぐに取り繕うように苦笑いする。\ `In response, Eva returned a daring glance, but Hideyoshi, realizing what was going on, tried to smooth things over with a bitter smile.`\ ld c,$HID_KomaruA1,23 ;「あぁ、夏妃さん、堪忍な！@　絵羽、お前も少し言葉を選ばんか。」@ ;＜秀吉 `"Ah, Natsuhi-san, forgive her!`@` Eva, try and choose your words a bit more carefully, okay?"`@ ld r,$EVA_waraiA1,80 ;「ごめんなさい。@お父様の容態が気になって仕方なかったもので。@くす。」\ ;＜絵羽 `"I'm sorry.`@` I was just so concerned over Father's condition.`@` *giggle*."`\ ld l,$NAT_zutuuA1,80 ;「…………そうですか。@それは気付きませんでした。」\ ;＜夏妃 `"Is that so?`@` I hadn't realized."`\ bg M1F_S1c,0 ld c,$KLA_AkuwaraiA2,23 ;「南條先生、聞かせてやってください。@父親の寿命を気遣う娘の麗しい家族愛じゃないですか。」@ ;＜蔵臼 `"Doctor Nanjo, please tell us.`@` For the sake of the beautiful family love of a daughter worried about her father's lifespan."`@ ;　蔵臼が嫌味をこめた笑いを向けると、絵羽もにっこりと、まったく同質の笑いを返す。\ `Krauss laughed sarcastically, and Eva, smiling sweetly, returned an identical chuckle.`\ cl c,0 ld l,$NAN_defA1,23 ;「…来年までお元気か、という質問ですが。@……医者の私としてはとても難しい。@この小康状態がまだしばらくは続くようにも思いますし、/ `"...You ask whether he will still be healthy next year,`@` ......but as a doctor, it is very hard to say.`@` Because while I do think this lull in his condition will continue for a while,`/ ;!d1000何らかの発作が来ればその時にはどうしようもないかもしれません。@……何しろ、六軒島は孤島です。@すぐに救急車が飛んで来れるわけではありません。@本来ならば、本土の然るべき大病院に入院していただきたいところなのですが…。」\ ;＜南條 !d1000` if he suffers some kind of fit, there may be nothing we can do.`@` ......Anyways, Rokkenjima is a solitary island.`@` It is not as though an ambulance can quickly jump in to save him.`@` Normally, I would want to have him hospitalized in a large hospital on the mainland, but..."`\ ld r,$KLA_nayamuA1,24 ;「親父殿は高尚な研究を中断されたくないと仰せだ。@……去年、無理に連れ出そうとしたのが仇になったらしい。@外へ出れば病院に閉じ込められてしまうのではないかとひどくお疑いになられていてな。@すっかりこのザマなのだよ。」\ ;＜蔵臼 `"Father stated that he does not want his noble research interrupted.`@` ......It seems he holds a grudge over the way we tried to force him out last year.`@` Apparently, he strongly suspects that he'll be shut away in some hospital if he goes outside.`@` And that's how things are now."`\ cl l,24 ld l,$ROS_KomaruA3,23 ;「南條先生の診察は受けておられるの？」@ ;＜楼座 `"Has Doctor Nanjo been examining him?"`@ ld r,$KLA_KomaruA1,80 ;「親父殿は南條先生には心を許しておられる。@…機嫌が良ければ診察も受けられるようだがね。」\ ;＜蔵臼 `"Father trusts Doctor Nanjo.`@` ...It seems he can be examined when in a good mood..."`\ bg M1F_S1a,24 ld r,$NAN_majimeA1,24 ;「……容態を見はするが、薬を勧めようとも入院を勧めようとも、聞き入れてくれん。@……本当に見るだけですがな。」@ ;＜南條 `"I can examine his condition, but if I try to recommend medicine or hospitalization, he refuses to listen.`@` ......I've really only been able to look."`@ ld l,$HID_majimeA1,23 ;「お医者嫌いの方もおるもんや…。@しかし困ったもんだのお！」@ ;＜秀吉 `"It's true that there are people that hate doctors...`@` Still, what a hassle!"`@ ;　南條が大きく溜め息をつく。@ ;　医者の診察はその後の治療の指針とするためのものだ。@ `Nanjo sighed deeply.`@ `The purpose of an examination was to determine what medical treatment was appropriate.`@ br ;　診察は受けても、その後に従わなければ何の意味もない…。\ `Receiving an examination and then not following the advice given made the whole thing pointless...`\ cl r,23 ld r,$RUD_MajimeA1,24 ;「つまりおさらいすると。@相変わらず余命は３ヶ月。@瀕死のまま後どれだけ永らえるか見当も付かねぇってことだ。」@ ;＜留弗夫 `"Then, in summary,`@` his expected life is still three months.`@` There's no way to guess how long he will continue to live while still on the verge of death."`@ cl l,24 ld l,$NAT_MajimeA1,23 ;「………留弗夫さん。@言葉を少し慎まれてはいかがですか？」@ ;＜夏妃 `"......Rudolf-san.`@` Couldn't you be more discreet with your words?"`@ ld r,$RUD_DefA2,80 ;「あぁ、すまんね。@昔からこういう口の聞き方なんだ。@勘弁してくれ。」\ ;＜留弗夫 `"Ah, sorry.`@` I've always talked this way.`@` Give me a break."`\ ld c,$ROS_komaruA1,22 ;「南條先生のご意見はわかった。@……蔵臼兄さんから見てどうなの？」\ ;＜楼座 `"I understand Doctor Nanjo's opinion.`@` ...What do you think, Krauss nii-san?"`\ bg M1F_S1b,0 ld r,$KLA_DefA1,23 ld r,$KLA_AkuwaraiA3,80 ;「……ふ。@実を言うと、南條先生とは異なる意見でね。@とても余命３ヶ月の重病人とは思えないというのが本心だ。@怒鳴り声は相変わらず健在で、いつぶん殴られるかと冷や冷やしっぱなしだよ。@……長男にだけ親父の世話を押し付けるのは実にフェアではないね。」\ ;＜蔵臼 `"......Hmph.`@` To be perfectly honest, I have to disagree with Doctor Nanjo.`@` I find it truly difficult think of Father as a person so sick that he has only three months to live.`@` His yell is as healthy as ever, and I still get the chills at the thought of his fists raining down on me.`@` ......Pushing the care of your father solely on the shoulders of the eldest sibling is far from fair."`\ ld l,$RUD_WaraiA1,23 ;「はっはは。@来世では俺より後に生まれろよ。@/ `"Hahhaha.`@` In the next world, get born after me.`@/ ld l,$RUD_MajimeA1,80 ;………さて、話を戻そうぜ。@そんなわけで、公正中立なお医者の先生の見解じゃ、いつお隠れになっちまってもおかしくない状態だ。@兄貴にゃ悪いが、ここは専門家の意見を採用させてもらうぜ？@　となりゃ、決して親父の財産を話し合うことは時期尚早ではないってことさ。」\ ;＜留弗夫 `.........Alright, let's return to our discussion.`@` In that case, according to the impartial and neutral doctor's opinion, it wouldn't be odd for him to go any time.`@` Sorry, Aniki, but I'd rather trust the opinion of a specialist.`@` With that, I believe the discussion of Father's fortune is no longer a premature topic."`\ cl r,23 ld r,$EVA_AkireA1,24 ;「お父様の個人資産は恐らく数百億にも届くでしょうねぇ？@　でもそれは、綺麗な現金で揃ってるわけじゃないわ。@お誕生会のケーキみたいに、綺麗にナイフが入ってカットできるほど単純じゃないでしょぉ。」\ ;＜絵羽 `"Father's personal funds probably reach as far as several ten billion yen, right?`@` But, it's not as though all of that is neatly gathered as ready cash.`@` It's not as simple as neatly cutting a birthday cake with a knife."`\ ld l,$RUD_waraiA1,80 ;「…姉貴の例えは面白ぇな。@そうさ、ケーキの上には苺やらチョコの家やらが載ってて、綺麗に等分するのが難しいことだってあるだろ。@それを加味して、どういう風にナイフを入れるのか、先に相談しておくのは大切なことだと思うぜ…？」\ ;＜留弗夫 `"...Aneki's metaphor is interesting, isn't it?`@` That's right, sometimes strawberries or chocolates are placed on top of the cake, making it hard to cleanly divide it into equal parts.`@` Taking that into consideration, I think it's important to first discuss how best to stick the knife in, don't you...?"`\ bg M1F_S1a,0 ld r,$NAT_zutuuA1,23 ;「それを、当主様が存命の内から、さも他界なされたかのように声高に議論される皆さんの気がしれません。」\ ;＜夏妃 `"I truly don't understand everyone. Even while the head is still alive, you're discussing the matter in loud voices as though he were already dead."`\ ld l,$EVA_waraiA1,23 ;「あらぁ、必要な話よぅ？@　だって遺産相続は、その時点で直ちに行なわれなきゃならないものよ？@　増してや栄光ある右代宮家の財産は莫大。@事前に入念な相談が必要なことはおわかりでしょうが。@/ `"Come now, don't you see how important this is?`@` After all, when the time comes, the inheritance of his fortune must be carried out immediately, right?`@` Moreover, the glorious Ushiromiya house's wealth is vast.`@` Don't you understand that a careful discussion is necessary beforehand?`@/ ld l,$EVA_akireA1,80 ;当家の資産は、あなたのご実家とは大違いなんだからぁ。」\ ;＜絵羽 ` Because there's a huge difference between this family's resources and your family's wealth."`\ ld r,$NAT_ikariA1,80 ;「……失礼なっ。@私の実家は関係ありません。」@ ;＜夏妃 `"......How rude.`@` The family I was born to has nothing to do with this."`@ ;　夏妃が憤慨しながらも低い声で言い返すと、沈み込んでいた場の空気はさらに険悪さを増していく…。\ `As Natsuhi resentfully responded in a low voice, the already dark atmosphere grew even more hostile...`\ ld c,$HID_majimeA1,22 ;「よさんか絵羽…。@夏妃さん、堪忍な！@　口が悪いのは許したってな。」@ ;＜秀吉 `"Give it a rest, Eva...`@` Natsuhi-san, forgive us!`@` Pardon her rudeness."`@ br ;　秀吉が取り繕うように、両者に愛想笑いを向けるが、それはかえって絵羽と夏妃の険悪さを引き立たせるだけだった…。\ `Hideyoshi, tried to smooth things over by glancing at both with a forced smile, but it only resulted in making the hostility between Eva and Natsuhi even more intense...`\ bg M1F_S1d,0 ld c,$NAN_fumuA1,25 ;「…………これ以上は、お邪魔なようですな。@失礼させていただきましょう。」@ ;＜南條 `"............Staying any longer would make me a hindrance.`@` Please excuse me."`@ cl c,5 ;　南條は席を立ち、客間を出て行く。@ `Nanjo rose from his seat and exited the parlor.`@ br se1 16 ;　……部外者ならば当然の気遣いだろうが、この場を退出できることを羨む眼差しがその背中を見送っていた。\ `...To an outsider it may have seemed like a normal act of courtesy, but his back was watched by several glances envious of his ability to escape.`\ bg M1F_S1b,22 ld r,$KLA_DefA1,24 ;　退出し、その足音が遠ざかって消えた頃、蔵臼は足を組み直した。\ `After the doctor had exited and his footsteps had disappeared into the distance, Krauss recrossed his legs.`\ ld r,$KLA_AkuwaraiA2,80 ;「つまり、お前たちの言い分はこうかね。@……親父殿の余命は短い。@遺産分配について早急かつ具体的な協議に入りたい。@……何を焦っているのかね。@確かにお前たちの言う通り、右代宮家の財産を算定し分配するのは簡単なことではないだろう。@なればじっくりと算定すべきじゃないのかね？@　お前たちは今晩の内にもケーキを切り分けたいと焦っているように見える。@そうだろう、楼座。@何を焦ることがあるのかね？」\ ;＜蔵臼 `"In other words, what you all have to say is something like this.`@` ...Father's remaining life is short.`@` You want to quickly enter into a practical conference concerning the distribution of the inheritance.`@` ......Why are you so eager, I wonder?`@` Certainly, as you say, estimating and distributing the Ushiromiya family's wealth is no simple task.`@` In that case, shouldn't we carefully and deliberately calculate?`@` It seems to me that you are all impatient to split up the cake tonight.`@` That's true, isn't it Rosa?`@` Is something making you impatient?"`\ ld l,$ROS_komaruA1,24 ;「……………焦ってるわけじゃない。@…でも、兄弟の間での取り決めは必要。@それはいつでもいいことだけれども、@お父様の具合が悪くなっていて、その日が近付いているというなら、@先に話だけしておいても…、それは性急とは言わないと思うし…。」@ ;＜楼座 `"............We are not impatient.`@` ...However, a decision between the siblings is essential.`@` It doesn't matter when, `@`but if the day when Father's condition worsens is approaching, `@`discussing the matter beforehand isn't what I would call impatience..."`@ br ;　楼座は絵羽と留弗夫の方をちらりと見る。@ ;　…歳がもっとも開いた末妹の彼女にとっては、長兄の詰問は辛いものだった。\ `Rosa shot a glance at Eva and Rudolf.`@ `...As the youngest daughter in the family, being cross-examined by the eldest was harsh.`\ ld r,$KLA_MajimeA1,80 ;「………ほぅ。@それはお前の本心かね？@　兄弟で一番素直で綺麗な心を持っていたお前がそんなことを言い出すとは思えんね。@そこの２人に吹き込まれたんじゃないのかね…？」@ ;＜蔵臼 `"......Oh?`@` Is that your true opinion?`@` I didn't expect that the most honest and pure-hearted of the siblings would say something like that.`@` I wonder if those two told you to say that...?"`@ ld l,$ROS_KomaruA2,80 ;「……………………。」\ ;＜楼座 `"........................"`\ bg M1F_S1a,0 ld r,$RUD_majimeA2,23 ;「よせよ兄貴。@楼座だって兄弟だぜ。@親父の遺産に公平な権利がある。@関心を持つのは当然じゃねぇか。@…親父だっていつかは必ず死ぬし、それは遠い未来の話でもない。@……むしろ兄貴が悠長すぎるくらいさ。@まるで遺産分配から話を逸らしたくて仕方がないように見えるぜ。」@\ ;＜留弗夫 `"Quit it, Aniki.`@` Rosa is also our sibling.`@` She has a fair right to Father's inheritance.`@` It's obvious she would be interested, right?`@` ...After all, Father will definitely die, and that's not something that'll happen in the distant future.`@` ......On the contrary, Aniki, you are far too relaxed.`@` It seems almost as though you would like nothing better than to turn the discussion away from the distribution of the inheritance."`@\ ld l,$NAT_odorokiA1,23 ;「………それはどういう意味ですか。@主人にやましいところがあると仰いたいのですか。」@ ;＜夏妃 `".........What do you mean by that?`@` Are you trying to accuse my husband of something?"`@ cl r,23 ld r,$HID_majimeA2,24 ;「ま、まぁまぁ夏妃さん。@話は聞いておくんなはれ…。」\ `"C, calm down Natsuhi-san.`@` Listen to what we have to say..."`\ cl a,22 ld c,$EVA_defA1,22 ;「兄さん、今は大変強気だそうじゃない？@　そうよねぇ、去年以降、空前の好景気で円は上がる一方。@＄が１００円に至るのだって夢物語じゃなさそうよぅ？@　それに、与党は来年頃に保養地整備法を成立させようって言うじゃない。@今や日本中のリゾート開発会社が、どれだけ軍資金を集められるかって奔走しているところよ。」\ ;＜絵羽 `"Nii-san, I hear these are very good times nowadays.`@` That's right, on the one hand, since last year the rise of the yen has led to an unprecedented boom in prosperity.`@` It seems that it's no longer a dream that the dollar will reach 100 yen.`@` Also, the ruling party says that it will establish health resort maintenance law by next year.`@` At this moment, resort development companies across Japan are running about trying to gather as much capital as they can."`\ bg M1F_S1c,0 ld r,$KLA_AkuwaraiA1,24 ;「……詳しいじゃないか。@これから日本には空前の好景気が訪れる。@親父殿が右代宮家を再興した時と同じ、朝鮮特需の再来さ。@……日本国民は死に物狂いで働き高度経済成長を実現して世界で一番豊かな国民となり、我が世の春を謳歌するようになった。@国民の消費は増大し、それを回収できる施設が泡銭を手にする時代になったのだよ。@今や国民のニーズは三種の電化製品ではない。@スキー場、ゴルフ場、総合プール。@リゾートホテルにテーマパーク！\ `"You sure are knowledgeable.`@` Soon, Japan will see an unprecedented boom.`@` Just like when Father revived the Ushiromiya family. Another case like the Korean war demands.`@` ...The people of Japan have gotten into a frenzy trying to realize vast economic growth and become the most prosperous people in the world, glorifying the spring of our society.`@` Private spending has increased, and institutions that can profit from that can make easy money in this era.`@` The people's needs are not three kinds of electrical appliances.`@` Places to ski, to golf, public pools.`@` Resort hotels and theme parks!`\ ld r,$KLA_AkuwaraiA2,80 ;　数年前に開業したデルゼニーランドには行ったかね？@　素晴らしい遊園地じゃないか！@　あそこでは大人も童心に返り家族で楽しむことができるんだ。@かつて家族を顧みずに滅私奉公することだけが美徳だった時代はもはや終わろうとしている。@我々は、世界で一番豊かな国民として、ようやくそれを享受できるようになったのだよ。」\ ;＜蔵臼 `Have you gone to Delsney Land, which opened just a few years ago?`@` Isn't that an excellent theme park!`@` In that place, even an adult can be a kid and have fun with his family.`@` The old era where only selflessly devoting yourself while failing to consider your family was considered a virtue is ending.`@` Now, as the most prosperous people in the world, we can finally accept that."`\ ld l,$HID_fumuA1,23 ;「蔵臼兄さんの読みは大したもんや。@…わしも数年前に聞いた時はそんなアホなと思ったわ。@……でもな、Ｇ５のプラザ合意聞いてから変わったんや。@円は見る見る強くなり、地価はこれから天上知らずに上がるやろ。@日本が世界経済の中心になる日も遠くはない。@……兄さんは時代を見る目のあるお人や。@それだけは間違いないで。」\ ;＜秀吉 `"Krauss-san, your foresight isn't something to be trifled with.`@` ...When I heard that several years earlier, I thought it was ridiculous.`@` ...However, when I heard about the G5 nations' Plaza Accord, that changed.`@` The yen became increasingly strong, and the price of land will soon skyrocket, I believe.`@` The day that Japan becomes the economic center of the world isn't far off.`@` ......You have a very forward looking view.`@` At least there can be no debate about that."`\ cl r,23 ld r,$RUD_DefA1,24 ;「秀吉兄さんに同じだ。@兄貴は１０年越しで時代を読めてるよ。@その嗅覚は親父譲りだろうな。@大したもんだぜ。@/ `"I feel the same as Hideyoshi-san.`@` Aniki, you can read into the next decade of history.`@` That keen sense surely came from Father.`@` It's incredible.`@/ ld r,$RUD_MajimeA1,80 ;……だが、親父と違って、ちょいと見通しのタイミングを読み違っちまったところはあるよな？」\ ;＜留弗夫 `......However, unlike Father, there have been cases where the timing of your predictions have been mistaken, haven't there?"`\ ld c,$EVA_MajimeA1,22 ;「兄さんは、必ず日本が好景気を迎えると信じて、あちこちにリゾート計画を起こし、そのほとんどで失敗し続けたわ。@…兄さんの読みどおりの時代は確かに訪れつつあるけど、その時期を読むことには失敗したわねぇ。\ `"Nii-san, believing that Japan will definitely face an economic boom, you have been planning resorts everywhere. And almost all of them continue to fail.`@` ...While I'm sure that the era you predicted is arriving, it seems that you misread the timing of that boom.`\ ld c,$EVA_AkireA1,80 ;……早過ぎたのよ。@そして焦って清算して、結局は傷口を広げたわぁ。@…本当に嗅覚がアテになって、好景気が訪れることを読めていたなら清算するわけない。@これって、兄さんが自分で自分の才能を信じてない証拠じゃないのぅ？」\ ;＜絵羽 `...You were too early.`@` And then you hurriedly tried to sell everything off, and as a result opened the wound even further.`@` ...If your nose was really so reliable and you predicted the coming of a boom, then there should be no reason for you to sell off your property.`@` Is this proof that you don't trust your own ability?"`\ bg M1F_S1a,23 ld r,$NAT_OdorokiA1,22 ;「……失礼な！@　主人を侮辱するつもりですか。」@ ;＜夏妃 `"......How rude!`@` Are you trying to insult my husband?"`@ ;　夏妃が眉間にシワを寄せてソファーを立ち上がる。@ `Natsuhi's forehead creased as she rose from the sofa.`@ br ;　絵羽はまったく気にせず、余裕ある微笑みで蔵臼を凝視していた。@ ;　…蔵臼もまた余裕を崩さず、夏妃に座れと告げる。\ `Eva, paying this no heed, stared at Krauss with a confident smile.`@ `...Krauss, who also maintained his confident appearance, told Natsuhi to sit down.`\ ld l,$KLA_akuwaraiA3,23 ;「よさないか夏妃。@昔からこういう言い方しかできないやつだ。@…少し落ち着きなさい。@また頭痛に障る。」\ ;＜蔵臼 `"Please stop, Natsuhi.`@` My little sister has always talked that way.`@` ...Calm yourself a little.`@` Your headache will get worse."`\ bg M1F_S1b,24 ld r,$EVA_MajimeA1,24 ;「兄さんに才能がない証拠は、私たちのすぐ近くにもあるわよ。@…………だって兄さん、この島をリゾート化するって張り切ってたじゃなぁい？@　素敵なリゾートホテルも建てて、庭園も綺麗に整備してぇ。@私は素人だからわかりかねるけど、相当のお金を使ったんでしょ？」\ ;＜絵羽 `"Proof that you have no talent is also right here.`@` ............After all, Nii-san, weren't you all excited about turning this island into a resort?`@` Building a wonderful resort hotel, beautifully maintaining the garden.`@` I'm just an amateur and don't pretend to understand, but you must have used a significant amount of money, right?"`\ ld l,$NAT_IkariA1,23 ;「だから何だと言うのですか！@　主人の事業はあなたとは関係ありません！」\ ;＜夏妃 `"Then, what are you trying to say!`@` My husband's business has nothing to do with you!"`\ cl r,23 ld r,$RUD_MajimeA1,24 ;「いいや、そいつは違うぜ夏妃さん。@六軒島は兄貴の物じゃない。@親父の物だ。@もちろん建てたホテルは兄貴の物だぜ？@　何なら俺たちは今夜の宿泊料を払ってやってもいいさ。@なぁ楼座。」@ ;＜留弗夫 `"Actually, that's not true, Natsuhi-san.`@` Rokkenjima is not Aniki's.`@` It is Father's.`@` Of course, the hotel that was constructed is Aniki's, right?`@` If you like, you can charge us lodging fees tonight.`@` Right, Rosa?"`@ ld c,$ROS_KomaruA1,23 ;「……………それは、まぁ。@…持ち合わせで足りるなら。」\ ;＜楼座 `"............Well, hmm.`@` If what I have on hand will suffice."`\ bg M1F_S1b,0 ld r,$KLA_DefA1,24 ;「リゾート化できればこの島の資産価値は上がる。@支出がかさんだことは事実だが、未来に大きな収穫を期待できる。@そうなれば、結果的にお前たちにとっても有益なはずじゃないか。」\ ;＜蔵臼 `"If I can make it into a resort, this island's financial worth will rise.`@` It is true that expenses have piled up, but we can hope to have a large harvest in the future.`@` When that happens, it should prove to be beneficial to all of you as well."`\ ld l,$EVA_WaraiA1,23 ;「それはわかるわよ。@この島の価値が上がれば、それを遺産分配する時の私たちの獲り分も増えるもの。@もちろん、島や屋敷を四分の一ずつ切り取れとは言わないわ。@それを算定したお金で解決してくれればいいだけの話よ。」@ ;＜絵羽 `"I understand that.`@` If the value of this island rises, that will increase our shares when we distribute the inheritance.`@` Of course, I won't ask you to divide the island and the mansion into four equal parts.`@` But that's only if the matter can be settled by calculating its financial worth."`@ ld r,$KLA_KomaruA1,80 ;「そこまでわかっているなら、私の事業に何の不満があるんだね。」\ ;＜蔵臼 `"If you understand that much, what about my business makes you so dissatisfied?"`\ cl l,24 ld l,$RUD_DefA2,23 ;「不満じゃねぇさ、不安なのさ。@第一、兄貴。@あのホテル、いつになったら開業するんだ？@　このままじゃ俺たちの手垢だらけになっちまうぜ？」@ ;＜留弗夫 `"We aren't dissatisfied, we're uneasy.`@` In the first place, Aniki, `@` when do you plan to open that hotel?`@` Left this way, you won't get anything out of it except our grubby hand prints, right?"`@ cl r,23 ld r,$EVA_DefA1,24 ;「そうよぉ。@大切な商売道具でしょう？@　確かに開業するまでずっと鍵を掛けておくわけにもいかないわよね？@　少しは使って風通しをよくしないと建物は傷んじゃうもの。@でも、私たちが年に一度泊まるだけのゲストハウスっていうんじゃ、ちょっと豪勢過ぎやしないかしらぁ。@ねぇ、楼座ぁ？」\ `"That's right.`@` It's an important tool for your business, isn't it?`@` Surely you can't keep it locked up until the moment you open it for business, right?`@` Buildings go bad if you don't use them and air them out every once in a while.`@` Even so, it's a bit extravagant for a guesthouse that we only use once a year.`@` Right, Rosa?"`\ cl l,24 ld l,$ROS_DefA1,23 ;「………………そうね。@あんなに素敵なら、オープンしたらさぞや人気が出るでしょうね。」\ ;＜楼座 `"..................That's right.`@` If it is that wonderful, I'm sure that it will become quite popular once you open it."`\ bg M1F_S1a,0 ld r,$KIR_NayamuA1,23 ;「ぁぁ…、/ ;!d700………あなたが前に言ってたホテルって、ゲストハウスのことだったのね…。」@ ;＜霧江 `"Oh...`/ !d700`.........The hotel that you mentioned earlier is actually the guesthouse, isn't it..."`@ ld l,$RUD_WaraiA1,23 ;「立派なもんだろ。@楼座の言う通り、オープンできたら人気が出るだろうよ。」\ ;＜留弗夫 `"It's splendid.`@` Just as Rosa said, if you were to open it, I'm sure it would become popular."`\ ;　彼らが案内された宿泊所であるゲストハウスは、そのために建てられたものではない。@ `The lodging they had been guided to had not been constructed with the intent of building a guesthouse.`@ br ;　…本来はリゾートホテルとして建てられたものなのだ。@ ;　だが、２年前に完成しているが、その後、開業の目処はまったく立っていなかった…。\ `...It was originally constructed as a resort hotel.`@ `However, even though it was constructed two years before, there was absolutely no prospect of it opening.`\ cl r,23 ld r,$EVA_MajimeA1,24 ;「兄さんのいつもの事業と同じよ。@着目や企画はご立派。@そしていつも途中で立ち行かなくなって、何も回収できずに終わる。」\ ;＜絵羽 `"Nii-san, it's just like all of your enterprises.`@` Your attention and planning are both fabulous.`@` Then, it always becomes unable to maintain itself partway, and ends without being able to collect any profit."`\ ld l,$RUD_DefA2,23 ;「この島を、ただ住むだけにしか使わないのは勿体無いってぇ兄貴の着眼は立派さ。@そしてリゾート化して、マリンスポーツやらフィッシングやらハネムーンやらを誘致して盛り上げようってのはなかなかいい絵だったと思うぜ。@俺だって長男だったなら、この島を何かに有効利用できないかと頭をひねったに違いないさ。」\ ;＜留弗夫 `"It was brilliant of Aniki to spot that this island, when used only as a place to live, was a waste.`@` I think that turning it into a resort which could use things like marine sports, fishing, or honeymoons to attract customers was a pretty good plan.`@` If I were the oldest son, I'm sure I would be puzzling over what kind of profit I could get out of this island."`\ ld r,$EVA_ikariA1,80 ;「でも、もう出来上がってから２年も経つのよ？@　２年経って未だに開業の目処はつかないの？@　任せてる管理会社はどこぉ？」@ ;＜絵羽 `"But, two full years have passed since you finished building, right?`@` After two years, you still haven't had the opportunity to open it?`@` Where is the managing company you entrusted it to?"`@ cl l,24 ld l,$NAT_IkariA1,23 ;「……失敬な！@　それは主人の手落ちではありません！@　主人の仕事を請け負う会社間でトラブルが生じているだけで、うちはあくまでも被害者です！」\ ;＜夏妃 `"......Impertinence!`@` That is not my husband's fault!`@` There has just been some trouble with the company that my husband contracted with. No matter how you look at it, we are victims here!"`\ bg M1F_S1c,0 ld r,$HID_MajimeA1,24 ;「しかしなぁ…。@蔵臼兄さんが任せてる例のトコ…、/ ;!d800あまりえぇ噂は聞かんでぇ？」\ `"And yet...`@` This company that Krauss-san hired..., `/ !d800`I haven't heard many good rumors about it."`\ ;＜秀吉 ld l,$EVA_AkireA1,23 ;「はっきり言ってあげなさいよ。@……不払い、横領、トラブルで計画が空中分解しちゃったって話、私たちの耳に届かないとでも思ってるぅ？@　裏も取れてるんだから。」\ ;＜絵羽 `"Just spit it out.`@` ...Did you think that rumors about nonpayment, embezzlement, and projects that disintegrated mid-way wouldn't reach my ears?`@` I've been collecting evidence."`\ bg M1F_S1b,0 ld r,$NAT_IkariA1,23 ;「何の裏だか存じませんが事実無根です！@　観光業への新規参入には方々への根回しが必要になります。@相手が信用に足りるかを諮ることも大事です。@それに手間取っているだけに過ぎません！」\ ;＜夏妃 `"I don't know what kind of evidence you found, but it's all baseless!`@` As new members in the sightseeing business, it is necessary to lay the groundwork with various people.`@` It is also important to discuss how trustworthy the other party is.`@` This is nothing more than taking some time to meet that end!"`\ ld l,$KLA_MajimeA1,24 ;「……ホテルの完成が早すぎて勇み足になったことは認めよう。@だが維持費がかかってるわけじゃない。@やがて大きな意味を持つ布石だ。」\ ;＜蔵臼 `"......I'll accept that, in my rashness, the hotel was completed too early.`@` However, we are not paying maintenance costs.`@` It's a slow and vital strategic arrangement."`\ bg M1F_S1c,0 ld r,$RUD_AkuwaraiA1,24 ;「嘘吐けよ。@清算したくても売れないだけだろ。@観光ルートの確立してない何もない離島に、やたら豪華なホテルなんて、買い手がつくわけもねぇさ。@それに、事業に集めた融資はどうなってんだよ。」\ ;＜留弗夫 `"Liar.`@` I'll bet you want to sell it but can't.`@` There's no reason for anyone to buy such an extravagant hotel on an isolated island without any established sightseeing routes.`@` What happened to the financing that you collected for this project?"`\ ld l,$HID_MajimeA1,23 ;「維持費はかからんでも、返せん借金は膨らむ一方や。@……すまんが蔵臼兄さん。@この島の開発計画の話、ちょいと調べさせてもろぅたんや。@…正直、こっちもえぇ話は聞かへんのや。」\ `"Even if you aren't incurring maintenance costs, the borrowed money that you can't return is steadily swelling.`@` ...Sorry, Krauss nii-san.`@` I investigated the development plan for this island a little.`@` ...Honestly, I have also heard nothing good."`\ bg M1F_S1a,0 ld r,$KLA_DefA1,22 ;「秀吉さん。@確かに今の財政状況だけを見たらそういう印象を持たれるかもしれない。@だが、これは先行投資なのだよ。@その読みを誤り、これまでに多くの負債を生んでしまったことは認めざるを得ない。\ `"Hideyoshi-san.`@` I'm sure that only looking at the current financial condition could lead you to that impression.`@` However, that is a prior investment.`@` I have no choice but to admit that my prediction was mistaken, and that up until now, several liabilities have been created.`\ ld r,$KLA_AkuwaraiA3,80 ;だが、ようやく時代が私に追いついた。@これまでに失った分はすぐに取り戻せる。@いや、それどころかこれまでの投資だってやがては私の元に戻ってくる。@そう、例えるなら放った稚魚が鮭となり、肥えて返ってくるようにね。」\ `However, the times have finally caught up with me.`@` I will soon regain everything that I have lost up to this point.`@` No, actually, all of the investments I have made until now will finally return to my possession.`@` That's right, just like throwing away a small fry which then becomes a salmon, they will come back even bigger than before."`\ ld l,$HID_majimeA2,23 ;「それは認めるで。@これからリゾート業界は空前の好景気を迎えるやろ…。@これまでの負債を埋められるほどかはわからんが…。\ `"I'll accept that.`@` Starting soon, the resort business will probably see an unprecedented boom...`@` Whether it'll be enough to bury all of your liabilities is...`\ ld l,$HID_MajimeA1,80 ;………だがな、蔵臼兄さん。@これまで、さんざん負け続けた兄さんが、どこから軍資金を調達したって言うんや。@それも半端ない軍資金や。@あれだけの穴を埋められる軍資金やで？」\ `.........However, Krauss nii-san.`@` After all your miserable and repeated failures in the past, who in the world would supply you with funds?`@` It would have to be a massive amount of funds.`@` Enough funds to cover your massive debt, right?"`\ cl r,23 ld r,$NAT_majimeA1,24 ;「……秀吉さんは何を仰いたいのですか。」\ ;＜夏妃 `"......What are you trying to say, Hideyoshi-san?"`\ ld l,$HID_KomaruA1,80 ;「あぁ、夏妃さん、ホンマ怒らんといてな！@　わしらも調べたんや。@…これまで負け戦続きの蔵臼兄さんに、最近の強気な莫大投資を支えられるほどの融資を誰ができたんか、調べたんや。」\ `"Ahh, Natsuhi-san, please don't get angry!`@` We also investigated that.`@` We investigated to see if anyone loaned Krauss nii-san, who has continued to lose so much, a large enough investment to support him recently."`\ bg M1F_S1b,0 ld r,$RUD_MajimeA1,24 ;「…結果。@いねぇんだよ、@そんな後ろ盾は。@弱り目と逆に張るのがマネールーレットの鉄則だ。@兄貴はこの界隈じゃ、ちょいと知られた弱り目さ。@確かに時代は好景気を迎えようとしているが、これまでの兄貴の失敗とを天秤に掛けて、@その上で融資に値すると思う連中がいるのか、って言ったら、/ ;!d1000誰もいなかったのさ。」\ `"...And the result,`@` there is none.`@` There is no backer.`@` Turning things around during a time of weakness is the iron rule of the money roulette.`@` Aniki's was a well known time of weakness in this neighborhood.`@` Surely this era seems set to welcome an economic boom, but when we asked who, with respect to Aniki's failures, `@`would find him worthy of funding, `/ !d1000`there was no one."`\ ;＜留弗夫 ld l,$EVA_AkireA1,23 ;「ならねぇ…？@　そのお金をぉ、どこから調達したの？@　ってことになるのよ。」\ ;＜絵羽 `"Then what...?`@` Where did you raise that money from?`@` ...That's the question, now."`\ bg M1F_S1c,0 ld r,$KLA_AkuwaraiA3,24 ;「………ほぅ。@興味深い話じゃないか。@それで？」@ ;＜蔵臼 `".........Ho.`@` Isn't this an interesting story.`@` And?"`@ ld l,$NAT_HisuA1,23 ;「あ、あなたッ！@　このような暴言をいつまで放置されるつもりですか！！」\ ;＜夏妃 `"D, dear!`@` How long do you plan to ignore these abusive remarks!!"`\ bg M1F_S1b,0 ld r,$RUD_majimeA2,23 ;「座れよ夏妃さん。@………短刀直入に言おう。@兄貴は親父の個人資産を自分の事業に流用してる。@これはほぼ間違いねぇ。@これが俺たちの誤解だってんなら、どうかぜひそれを解いてもらいたいもんさ。」\ `"Sit down, Natsuhi-san.`@` Let me say it directly.`@` Aniki has been diverting Father's private funds for his own business.`@` There is almost no doubt.`@` If we made some mistake, please, feel free to explain it for us."`\ ld l,$EVA_akireA2,23 ;「留弗夫、流用なんてもんじゃないわよぅ。@これは横領よ？@　刑事告発できる立派な犯罪なんだから。」@ ;＜絵羽 `"Rudolf, this isn't diverting funds.`@` This is embezzlement, isn't it?`@` This is a huge crime that can be criminally prosecuted."`@ ld r,$NAT_IkariA1,24 ;「ぶ、無礼極まりないッ！！@　仮にも右代宮本家跡継ぎの右代宮蔵臼に向かって信じられない暴言ですッ！！」\ ;＜夏妃 `"Th-, this is rudeness in the extreme!!`@` How can you even face the successor to the Ushiromiya head house and level these abusive accusations!!"`\ ld l,$EVA_AkireA1,80 ;「暴言じゃないわよ、図星でしょう？@　何とか事業を成功させてこれまでの損失を埋めたいんだけど、その穴は広がっていく一方！@　博打の穴をさらに大きく張った博打で埋めたいだけよ。@その軍資金がすぐ近くにあったなら手をつけるのは道理！@　はっきり言うわ、兄さんがしているのは横領よ。@お父様に対する裏切りよ？@　然るべき決着が付いた後には司法に委ねることになるでしょうねぇ？@　そんな輩に右代宮本家跡継ぎを名乗らせるとお思い？」\ `"They aren't abusive, they're right on the mark, aren't they?`@` I'm sure he'd like to make his business succeed so that he can recover his losses, but his debt is actually growing!`@` He's just trying to cover up the failure of one gamble by making an even bigger one.`@` If he had funds close at hand, it's only logical that he'd try to use them!`@` Let me say it clearly. Nii-san, what you are doing is embezzlement.`@` You're betraying our father.`@` You know that we'll have the courts settle it after this is all over, right?`@` Do you think that kind of person has any right to assume the position as successor to the Ushiromiya family?"`\ meplay 1,5 bg M1F_S1d,22 ;ここで地震処理を〜〜〜〜 quakey 4,500 ;「い、言うに事欠いて…、と、当主様への裏切りとは聞き捨て難いッ！！@　この栄光ある右代宮家の敷居を跨ぐ資格は、もはや貴女にはありませんッ！！@　即刻、ここを出て行きなさいッ！！@　さぁ！！@　ほらッ！！」\ `"Y-, you can't say that...s, saying that he's betraying the head isn't something that can be easily overlooked!!`@` You have no right to straddle the threshold of the glorious Ushiromiya family!!`@` Leave this place immediately!!`@` Alright?!`@` Get out!!"`\ ;　すでに怒りの限界に達していた夏妃は、激高しながら絵羽を怒鳴りつける。@ ;　そして絵羽と廊下を交互に指差しながら出て行けと示した。\ `Natsuhi, who had already reached the limits of her anger, shouted at Eva in a rage.`@ `She then pointed alternately at Eva and the hallway, indicating that she should leave.`@ ;　絵羽は扇子を取り出すと、それで扇ぐような仕草をしながら、悪意を持った眼差しで静かに聞き直す。@ `Eva took out a folding fan and fanned herself with it, glaring maliciously at Natsuhi as though silently daring her to repeat what she'd said.`@ br ;　なのに、口元は三日月のように弧を描いて笑みを浮かべたままだった。@ ;　…その不気味な沈黙に、楼座はごくりと唾を飲む。\ `However, her mouth was still smiling, curved in the shape of a crescent moon.`@ `...In that unpleasant silence, Rosa gulped.`\ bg black,22 ;「ねぇ、…夏妃姉さん？@　誰に向かってそんな口をお聞きなの？」\ `"Hey, ...Natsuhi nee-san?`@` Who do you think you are speaking to?"`\ bg M1F_S1c,0 ld r,$NAT_IkariA1,22 meplay2 2,19,90 ;「無礼極まりない主人の妹に対してですッ！！@　これ以上は私も本家の台所を預かる者として聞き捨てなりませんッ！！」\ `"I'm speaking to the extremely impolite sister of my husband!!`@` As the person in charge of the main family's kitchen, I cannot overlook any more of this!!"`\ ;ここでさらにMEでフランジャー時計？を重ねたいなぁ〜 ld l,$EVA_akireA2,23 ;「台所を預かるぅ？@/ ;!s0　ふふふ、/ ;!d600はははは、/ ;!d800あっはっはっはっはっは！！@/ `"In charge of the kitchen?`@/ !s0` Huhuhu, `/ !d600`hahahaha, `/ !d800`ahhahahahaha!!`@/ bg black,1 ;　黙るがいい、/ ` Shut up, `/ se1 11 ;この下女がッ！」/ `you maid servant!"`/ quakey 5,500 !sd\ bg M1F_S1b,0 ld c,$EVA_futekiA1,26 ;　絵羽は扇子をバチンと畳むと威勢よく立ち上がる。@ `Eva folded the fan with a snap and rose powerfully.`@ br ;　その直前までの優雅かつ小馬鹿にしたような振る舞いからは想像もできないくらいに攻撃的だった。\ `Compared to the elegance and playful behavior she had shown until just now, she was unimaginably aggressive.`\ ld c,$EVA_IkariA2,80 ;「馬鹿馬鹿しい、お前が下がりなさいッ！！@　この右代宮絵羽に！@　当主様の左肩を許されている右代宮家序列第３位のこの絵羽に下がれとッ？！@　身の程を知りなさいッ！！@　そしてお前のそのみすぼらしい姿を鏡に映してみるがいい！！@　お前の服のどこに翼が？@　どこに片翼の鷲が許されているのか？@　貴様など右代宮家の跡継ぎを残すためだけの借り腹じゃないの！！@　身の程を弁えるがいい、この端女があッ！！」@ `"How foolish. Bow down!!`@` Before Eva of the Ushiromiya family!`\ `I'm telling you to bow down before the third ranked in the Ushiromiya family hierarchy, who is allowed to stand at the left shoulder of the head!!`@` Know your place!!`@` And then look in a mirror at your shabby figure!!`@` Where on your clothes is the wing?`@` Where are you permitted to wear the One-winged Eagle?`@` Aren't you nothing more than a borrowed womb to house the next successor to the Ushiromiya family!!`@` Understand your place, you lowly maidservant!!"`@ ;　絵羽は醜く顔を歪めながら、夏妃の心に言葉で爪を突きたてて、ぎゅぅっと、捻りこむ。\ `While Eva's face grimaced unattractively, her words cut into Natsuhi's heart, as though pierced by claws, and painfully twisted in.`\ bg black,1 ;「…………………………ッッ！！！」\ `"........................!!!"`\ ;　……夏妃には言い返したい言葉が百はあった。@ ;　でも、怒りと悲しみで喉を潰され、それらのひとつも口に辿り着かせることができなかった。@ `There were a hundred ways Natsuhi wanted to respond.`@ `However, her anger and sorrow crushed her throat, and not one of them managed to make it to her mouth.`@ br ;　…行き場を失った怒りは、一粒の熱い涙となってぼろりと零れ落ちる…。\ `The anger which had lost any place to go became a single hot tear which slowly dripped down...`\ bg M1F_S1b,0 ld c,$EVA_MajimeA1,26 ld c,$EVA_futekiA1,80 ;「なぁにぃ？@　何か言い返したいなら、どうぞ言い返しなさいよ。@ほぅら。」@ ;　絵羽は挑発の眼差しを向ける。@ `"Whaaat?`@` If you have something to say, please, say it now.`@` Come on."`@ `Eva faced her with a provocative gaze.`@ br ;　……だが、夏妃は握り拳を震わせたままわなわなと震えることしかできない…。\ `......However, Natsuhi's fist was shaking; she trembled all over, unable to do anything...`\ ;　その火薬の臭いすらする緊迫を、蔵臼は静かに破った。\ `Krauss quietly broke that powder-keg tension.`\ textoff fede 10,3000 bg M1F_S1c,0 ld r,$KLA_komaruA1,24 ;「夏妃。@席を外しなさい。@頭を冷やすといい。」@ `"Natsuhi.`@` Leave your seat.`@` You should cool off your head."`@ ld l,$NAT_OdorokiA2,23 ;「なッ、…！！」@ ;　夫が自分の肩を持たなかったことを夏妃は憤慨し、その矛先を向け直す。\ `"Wha, ...!!"`@ `Natsuhi, resenting the fact that her husband had not come to her aid, shifted the focus of her attack.`\ E_A bgmplay 10 ld l,$NAT_IkariA1,80 ;「あッ、…あなたはさっきから何を言われているのかわかってるんですか？！@　この人たちは、言うに事欠いて、あなたのことを、お父様への裏切り者呼ばわりしているんです！！@　私たちが右代宮家の栄光を守り、@お父様からそれを受け継ぐため日々高潔であろうとする全ての努力を蔑ろにして踏み躙る、何という聞き難い暴言ッ！！@　あなたもあなたです、どうして言い返さないんですか！@　あなたが言い返さないから私が言い返しているのに、さっきからあなたは私に任せっきりで…ッ！！@　その私に頭を冷やして来いなんて言うんですか？！@　いっつも私ばかり！！\ `"D, dear, don't you understand what they're saying about you?!`@` These people are baselessly calling you a traitor to Father!!`@` They are making light of the fact that we protect the glory of the Ushiromiya family and in order to receive that glory from Father, we have been purely spending our days expending every effort. They trample all of that underfoot; what a painful rambling!!!`@` You are you. Why don't you talk back!`@` Since you won't talk back, I have, but for a while you have been relying completely on me!!`@` Are you telling me to go cool my head and come back?!`@` It's a-lways me!!`\ cl l,24 ;　私はいつも真剣にこの家のことを考えているのにッ、それをあなたは…ッ！！@　うううぅううぅ、うううううううううう！！！」\ `Even though I have always seriously considered this family's affairs, you've...!!`@` WhaaaAAaaAaaaa, whaaaaaAAAAAAA!!!"`\ bg black,24 ;　夏妃はもはや涙も隠せない。@ ;　そのまま客間を飛び出していった。@ `Natsuhi was already unable to hide her tears.`@ `She flew from the room in that state.`@ br ;　後には痛々しい空気だけが残り、客間を満たしていた…。\ `After that, all that remained was an somewhat embarrassed mood about the parlor...`\ bg M1F_S1a,22 ;　足音が遠ざかり静寂が戻ると、蔵臼は小さく肩をすくめるような仕草をして見せた。\ `When the sound of footsteps grew distant and silence returned, Krauss shrugged his shoulders slightly.`\ ld r,$KLA_defA1,24 ;「……妻が失礼した。@昔から感情を抑えるのが下手でね。@私も苦労している。」@ ;＜蔵臼 `"...I apologize for my wife.`@` She has always been bad at controlling her emotions.`@` It's hard even for me right now."`@ ld l,$EVA_akireA2,23 ;「あんなのに切り盛りされてたんじゃ、兄さんも気苦労が絶えないわねぇ？@　くすくすくす…！」\ ;＜絵羽 `"If she's been managed like that, it must worry Nii-san to no end, huh?`@` *giggle*giggle*...!"`\ bg black,24 wait 1000 bg M2F_P1a,24 ;「ぅうううぅ。@うううううぅううぅううぅうッ！！！」@ ;＜夏妃 `"Whaaa.`@` WHAAAAaaaaaAAAAaAAAA!!!"`@ ld c,$KUM_komaruA1,23 ;「……お、……奥様……、」@ ;＜熊沢 `"...Ma, ......Madam......"`@ ;「何でもありません…！@　下がりなさい…！！」\ `"It's nothing...!`@` Leave me be...!!"`\ ;　夏妃は自分の寝室に飛び込むと、…ベッドに伏して号泣した。@ ;　その胸を掻き毟るような泣き声は廊下の熊沢の耳にも届くのだった…。\ `Natsuhi flew into her room and bent over the bed, lamenting...`@ `Those heartwrenching sobs reached Kumasawa in the hallway...`\ ld c,$KUM_KomaruA1,80 ;　……おいたわしや奥様…。\ `......Poor Madam Natsuhi...`\ ;　奥様と絵羽さまは犬猿の仲。@ `There is a deep enmity between her and Eva-sama.`@ br ;　…このお二人の関係を説明するのは、女の私にはとてもしんどくございます…。\ `Explaining their relationship would be very tiresome for a woman such as myself...`\ ;　右代宮家は血を特に重んじられますが、嫁いで家を出れば、本来は序列から除籍されます。@ `The Ushiromiya family held blood in high regard, but if someone married outside the family, they were normally removed from the family hierarchy.`@ br ;　……ですから絵羽さまも本来は、秀吉さまとのご成婚の際に除籍されるはずだったのです。\ `...Thus, under normal circumstances, Eva-sama should have been removed when she married Hideyoshi-sama.`\ bg black,22 ;　ところが、/ ;!d900…これは誰のせいでもありません。@ ;　増してや奥様のせいであろうはずもありません。@ ;　神さまの気まぐれとしか言いようがありません。@ `However...`/ !d900`...this was not anyone's fault.`@ `Madam definitely bore no guilt.`@ `There's no way to say it other than calling it a whim of god.`@ br ;　…蔵臼さまと夏妃さまにはなかなか子宝が授からなかったのです。\ `...Krauss-sama and Natsuhi-sama were not blessed with children for some time.`\ ;　何しろ男尊女卑の右代宮家でございます。@ ;　妻は跡継ぎを残すための道具。@ `Anyways, this was the male dominant Ushiromiya family.`@ `A wife was just a tool to create a heir.`@ br ;　……その妻が唯一の役割を果たせないのなら、もはや人間扱いなどされません。@ `......If that wife could not fulfill her only duty, she would not be treated as a human.`@ br ;　当時の奥様が、お館様からどれほど責め苛まれていたか、思い出すのも苦しゅうございます…。\ `It is painful to remember how much the Master tortured Madam during that time...`\ bg M_o1b,22 ;　そんな中、絵羽さまに秀吉さまとのご結婚の話が持ち上がりました。@ `During that time, Eva-sama and Hideyoshi-sama's wedding was discussed.`@ br ;　……絵羽さまは狡猾でした。@ ;　…奥様がいつまでも身篭られないことに付け入ってお館様に取り入ったのです。\ `Eva-sama was sly.`@ `...Taking advantage of Madam's inability to become pregnant, she gained the favor of the Master.`\ ;　入り婿を取って自分が跡継ぎを産むと吹き込み、@ご自分の籍を右代宮家に留まらせるよう認めさせたのでございます。\ `She inspired him to allow her to marry and give birth to a successor herself, making sure to avoid transferring her name out of the Ushiromiya register.`\ ;　右代宮家に嫁ぎ外様扱いの奥様と、@入り婿を取る形で血族として残った絵羽さまは、右代宮家の序列の中では雲泥の差。@ `There was a vast difference in the Ushiromiya hierarchy between Madam, who married into the Ushiromiya family and was treated like an outsider, `@`and Eva-sama, who was related to the family by blood and whose husband took on the Ushiromiya name.`@ br ;　しかも絵羽さまは先に、それも男児をご出産されております…。@ `And beyond that, Eva-sama was the first to give birth to a boy...`@ br ;　どれほど奥様の立場が絵羽さまの前で弱いものであったか、お察しいただけますでしょうか…。\ `As for how much weaker Madam's position was compared to Eva-sama, I believe you could see for yourself...`\ ;　…奥様にとっては、もし自分がすぐに懐妊することができれば、絵羽さまの入り婿などお館様に認めさせずに済み、@今日の絵羽さまの増長を許さずに済んだだろうという悔しい気持ちがあるに違いありません…。\ `...I'm sure Madam is tormented by the thought that if only she had gotten pregnant earlier, the Master wouldn't have accepted Eva-sama's request to keep her last name after marriage, `@`and Eva-sama wouldn't have been permitted to act as arrogantly as she had today...`\ bg black,22 ;　しかし…、それは奥様のせいであろうはずもない……。@ `However..., that was not Madam's fault......`@ br ;　全ては気まぐれな神さまと、朱志香さんをお届けすることが遅れたコウノトリのせいなのでございます……。\ `All of the blame lies with god's whims and the stork that delivered Jessica late......`\ ;　だからといって、奥様にはそうと割り切れるはずもない…。@ `Even so, Madam won't allow herself to see things this way...`@ br ;　……ただただ、妻としての責務を全うできなかったことに、女として悔し涙を零すしかできないでしょう…。\ `......She probably can't help but cry bitter tears at her inability to carry out the duties expected of a wife...`\ ;　あぁ、おいたわしや…。@ ;　私には何もできず、こうして物陰から見守ることしかできないのです……。\ `Ahh, how sad...`@ `I cannot do anything except watch over her from the shadows......`\ bg M1F_S1d,22 ;▲第４アイキャッチ：１０月４日（土）１４時００分　が１３時３０分に戻る textoff wait 3000 eye1 14,00,13,30,1,1,510,340,25 E_A ;フェードアウトにするよ〜〜〜〜〜〜〜〜〜〜 *umi1_5 bgmplay 8 bg Mhal_2a,22 ;　玄関を出る前に再びホールを横切る。\ `We crossed the hall again on our way to the entrance.`\ bg Mhal_2c,22 ;　すると再び、あの魔女の肖像画が目に入った。\ `As we did, we once again saw that witch's portrait.`\ ;　だが、目に入ったという言葉は妥当ではないかもしれない。@ ;　……むしろ、目が吸い込まれた、という方が相応しいだろう。@ `However, the word 'saw' is probably not the best word to describe that experience.`@ `......It was more like our eyes were drawn to it.`@ br ;　怜悧な魅力を持つその女性の瞳には、見る者を釘付けにする魔力が確かに宿っていた。\ `That woman's eyes, with their sage-like glamor, definitely had the power to make those who viewed it stand rooted to the spot.`\ ld r,$BUT_DefA2,24 ;「…………魔女、ベアトリーチェか。@……本当かねぇ。」@ `"............So this is the witch, Beatrice.`@` ......Is it true?"`@ ld l,$MAR_DefA1,23 ;「うー？@　戦人信じてない…？」\ `"Uu-?`@` Battler doesn't believe...?"`\ ;　さっき、この絵は何かと聞き、最初にベアトリーチェであると答えたのは真里亞だった。@ `Back when he had asked what this picture was, the first person to tell him it was Beatrice had been Maria.`@ br ;　だから、戦人がそれを疑うのは、真里亞にとって自分を信じてないように感じられたのだろう。@ `Therefore, when Battler showed signs of doubt, Maria must have felt that Battler didn't have faith in her.`@ br ;　…もちろん、戦人はそんな意味で言ったのではないのだが。\ `...Of course, that's not what Battler meant.`\ ;　真里亞は肖像画に駆け寄ると、その下にあるプレートをパシパシと叩く。@ ;　そこに肖像画のタイトルが記されているのだろう。@ `Maria ran up to the portrait and began banging on a plate hanging below it.`@ `Maybe the title of the portrait was written there.`@ br ;　真里亞は自分は嘘をついていないということを証明したくて、意固地になってそこを叩き続けていた。\ `Maria, trying to prove that she wasn't lying, obstinately continued to hit the plate.`\ bg black,22 bg Mhal_2a,0 ld r,$BUT_WaraiA1,22 ;「あー、悪ぃ悪ぃ、/ ;!d600別に真里亞が言ったのを疑ったわけじゃないぜ。」@ ;＜戦人 `"Ah-, sorry about that, `/ !d600`it's not like I doubt anything you said, Maria."`@ ld l,$MAR_niyariA1,23 ;「うー！@　戦人納得！@　うー！」\ `"Uu-!`@` Battler believe it!`@` Uu-!"`\ ;　真里亞の頭を撫でながら謝ってやると、彼女は納得してくれたようで、胸を張る仕草をしながら、誇らしげにうーうーと唸っていた。\ `When he patted Maria's head and apologized, she seemed to accept it, sticking out her chest and proudly uu-uu-ing.`\ bg black,22 fede 0,2000 ;音楽はフェードアウトで〜〜〜 bgmplay 1 bg portrait2,22 ;「………………何々。@『我が最愛の魔女ベアトリーチェ』。@………懐かしき故郷を貫く、/ ;!d800…って、………何だこの怪しげな長い碑文はよ？」\ `".........What's this?`@` 'My most beloved witch Beatrice'.`@` .........My beloved hometown, `/ !d800`......what's with this weird, long epitaph?"`\ ;　プレートには肖像画のタイトルが記されていたが、それだけを刻むにはあまりに大きい。@ `The plate did have the title of the portrait written on it, but it was much too big to contain only that.`@ br ;　そしてタイトルの下には、碑文のようなものが長々と記されていた。@ `Beneath the title, what looked like an long epitaph was also written.`@ br ;　その文言を斜め読みした時、物騒な単語がいくつも並び出してぎょっとする。\ `If you just skimmed over it, several unnerving words would jump out at you.`\ bg Mhal_2b,0 ld r,$JES_atyaA1,26 ;「すげーだろ、ソレ。@祖父さまが書かせたものだよ。@…意味深だろ？」@ ;＜朱志香 `"Incredible, isn't it?`@` Grandfather had that written.`@` ...Pretty deep, huh?"`@ ld l,$MAR_DefA1,23 ;「うー！@　真里亞知ってる！@　黄金の隠し場所ー！」\ `"Uu-!`@` Maria knows!`@` The place where the gold is hidden!"`\ bg Mhal_2c,0 ld c,$BUT_oyaA1,24 ;「……おいおい、右代宮家の隠し黄金の話か？@　そりゃまた懐かしい話だな…。@……ってゆーか兄貴、…これマジなのか？」@ ;＜戦人 `"......Wait, is it that story about the Ushiromiya family's hidden gold?`@` There's another thing that I remember from long ago...`@`...Wait, Aniki, ...is that for real?"`@ cl c,22 ld r,$GEO_MajimeA1k,24 ;「これを書かせたお祖父さまは、この絵とこの碑文に関しては何も語ってくれないんだ。@………でも親類たちの間では、お祖父さまの黄金の隠し場所を記したもので、@この謎を解いた者に家督と黄金の全てを譲るという意味ではないかと、もっぱら囁かれてるよ。」\ ;＜譲治 `"Grandfather had this written, but he never said anything about this picture or the epitaph.`@` ......Even so, amongst the family, it is often whispered that it points to the location of Grandfather's hidden gold,`@` and that he will relinquish the inheritance and the gold to the person who solves the riddle."`\ ld c,$MAR_WaraiA2,24 ;「うー！@　真里亞聞いた真里亞聞いた！@　黄金いっぱいいっぱい！」@ `"Uu-!`@` Maria heard that too, Maria heard that too!`@` Lots and lots of gold!"`@ ld l,$JES_TohohoA1,23 ;「…さてなぁ。@１０ｔの金塊なんてねぇ。@私ゃちょいと眉唾だけどな。」@ ;＜朱志香 `"...Well, something like that.`@` Something like 10 tons of gold bars.`@` I think it's a fake, though."`@ cl r,24 ld r,$BUT_WaraiA2,24 ;「しかしよ、こんな碑文を読んじまうと、マジかなって気になっちまぅなぁ。」\ ;＜戦人 `"Still, if you read this all the way through, it almost seems real."`\ bg black,22 ;　………さっき、祖父さまの生い立ちについては説明したと思うが、@右代宮家の黄金伝説についても説明しておこう。\ `......I think I already explained Grandfather's upbringing, `@`but let me also mention the Ushiromiya family's 'Legend of the Gold'.`\ ;　祖父さまは関東大震災で潰れかかった右代宮家を継ぎ、@戦後の荒波をうまく乗り切り莫大な富を手にした。@ `Grandfather succeeded the Ushiromiya family after it had been destroyed in the Great Kanto Earthquake `@`and, by successfully riding the stormy seas after the war, managed to accumulate great wealth.`@ br ;　…そこまでは誰もが知る一般的な話だ。\ `...That much of the story everyone knows.`\ ;　だが、ここから妙な話が始まる。\ `However, from here on, the strange part of the story begins.`\ ;　…一部に、祖父さまの黒魔術趣味が絡んでくるせいで信憑性は極めて低いのだが、……。@ ;　……まぁ疑ったり馬鹿にしたりするのは全ての説明を終えてからでもいいだろう。\ `...Part of it is closely tied to Grandfather's black magic hobby, so its credibility is extremely low, but......`@ `......Well, wait until the end before you doubt or make fun of it.`\ bg Mlib_1a,22 ;　戦後、祖父さまは時代を先読みした大博打に勝ち、莫大な富を築くのだが、@……その祖父さまが、最初の資本金をどう築いたか、ということである奇妙な伝説があるのだ。\ `After the war, Grandfather correctly predicted what the future would hold and won in a huge gamble, accumulating a vast store of wealth,`@` ......but there is a mysterious legend about how he gained the funds in the first place.`\ ;　祖父さまは分家筋から来た人間で、政界にも財界にもコネクションはなく、@後に進駐軍に太いコネクションを築くにしても、一番の最初は誰の信頼も得ていない無名の人物だったはずだ。\ `Grandfather came from the branch family and had no connections in the business world or the financial world. `@`Even though he later built connections with the occupying forces, in the beginning he was supposedly a nameless person who had not yet gained anyone's trust.`\ ;　カネは信用で集めるものでもある。@ ;　信用のできない人物にカネを貸す者はありえない。@ `Money can only be gathered based on trust.`@ `There's no way anyone would lend money to an untrustworthy person.`@ br ;　……その信用がゼロの祖父さまは、如何にして最初の莫大な資金を手に入れたのか。@ `......How did Grandfather, whose trustworthiness was zero, manage to obtain the large amount of funds in the first place?`@ br ;　……このことを尋ねられた祖父さまはこう答えたという。\ `It is said that, when asked that question, Grandfather answered like this...`\ bg black,22 bg portrait2,22 ;　私はある日、黄金の魔女ベアトリーチェに出会ったのだ、と。\ `'On a certain day, I encountered the Golden Witch Beatrice.'`\ ;　祖父さまは偉大なる魔術師で、錬金術、悪魔召喚の術を研究し続けていて云々かんぬん。@ `Grandfather then went on and on about how he continued to research alchemy and techniques for summoning demons in order to become a great magician.`@ br ;　…そして、悪魔を呼び出す儀式の果てに召喚したのが、黄金の魔女ベアトリーチェなのだという。\ `...And the entity summoned as the result of the demon-calling ceremony was the Golden Witch Beatrice.`\ ;　そして祖父さまは己の魂と引き換えに、ベアトリーチェに富と名誉を授けるよう契約したというのだ。\ `He then said that he made a contract where, in exchange for his own soul, he would receive fortune and honor.`\ ;　魔女は、祖父さまに１０ｔの黄金を与えたという。@ `The witch then granted Grandfather 10 tons of gold.`@ ;　祖父さまはその黄金を担保に莫大な資金を用意し、@さらにそれを元手に何倍にも増やし、右代宮家を復興させたというのだ…。\ `Grandfather used this gold as collateral to prepare a vast quantity of funds,`@` and then used that to multiply his wealth by several times and revive the Ushiromiya family...`\ bg M1F_P1b,22 ;　この辺の話は、親たちが子供の頃からすでに聞かされている相当古い話らしい。@ `It seems that this story was so old that our parents had already been told it when they were still children.`@ br ;　だから、親たちも小さい頃には、@祖父さまが魔女より得たという黄金がこの島のどこかに隠してあるのではないかと信じて、色々と探検をしたりしたらしい。\ `Therefore, while our parents were still young,`@` they explored this island in various ways, believing that the gold that Grandfather had received from the witch might be hidden somewhere.`\ bg forest_P1a,22 ;　だが、無人の森に入って迷子になったりして危なかったため、@祖母さま辺りが、森には魔女が住んでいるから危ない、近寄ってはいけない、というような話を吹き込んだんだとか…。\ `However, since there was the danger of them getting lost in the abandoned forest,`@` Grandmother began to spread the story that the witch lived in the forest and that approaching it was forbidden.`\ bg black,22 bg Mhal_2c,0 ld r,$BUT_WaraiA1,26 ;「……そんな話があったなぁ。@俺たちも小さい頃、親からその話を聞かされて、宝探しと称して島中あちこちうろうろして、@………森で迷ってわんわん泣いて、使用人さんに見つけてもらって親に滅茶苦茶怒られたんじゃなかったっけ。@…なーつかしぃぜ。」\ ;＜戦人 `"...I remember that old story.`@` When we were little, our parents told us about it and we went all over the island searching for treasure.`@` ......Didn't we get lost in the forest and start crying until some of the servants found us? Our parents were so mad at us.`@` ...How nostalgic."`\ ld l,$JES_futekiA1,23 ;「バカだったよなぁ。@だってよぅ、祖父さまはその資本金で儲けた挙句でこの島を買うんだぜ？@　この島に来る前から黄金を持ってたってことになるじゃねぇか。@この島にあるわけがないぜ。」\ ;＜朱志香 `"We sure were idiots, weren't we?`@` After all, Grandfather used that to build up the funds that he finally bought this island with, right?`@` That means he must have had the gold before coming to this island.`@` There's no reason the gold itself should be on the island."`\ cl r,23 ld r,$GEO_DefA1k,24 ;「……そうとも限らないよ。@その黄金が、元からこの島に隠されていて、それを確実に自分のものにするために、この島を丸々買い取ったとかね。@何しろ１０ｔもあるんだもん。@安全な場所に移すより、隠し場所そのものを確保する方が現実的だよ。」\ ;＜譲治 `"That's not necessarily so.`@` Maybe the gold was hidden on the island from the beginning and he bought the whole island just to make sure it was all his.`@` There was a whole 10 tons of it, right?`@` It seems more realistic that he would try to secure the place where it was hidden rather than try to move it all."`\ bg portrait2,22 ;「この碑文を書かせたのは２年前。@それも祖父さま自身ってなると、/ ;!d700……なるほど、黄金伝説も信憑性が増してくるじゃねぇか。@祖父さまが右代宮家復興の資本金にしたという魔女に授けられた黄金が１０ｔ。@……そいつがどこかに今も眠っていて、祖父さまはこの謎を解けたヤツに全部を譲ろうって、そういうつもりなのかもしれねぇ。@………はぁ、祖父さまらしいセンスというか、何と言うか……。@いっひっひ！@　マジなら何とも景気のいい話だぜ。」\ `"This epitaph was written two years ago.`@` And since Grandfather wrote it himself...`/ !d700`......I see, this does make the Legend of the Gold more believable.`@` The funds that revived the Ushiromiya family which he calls the witch's gold weighed 10 tons.`@` ......And that's sleeping somewhere, ready to be turned over to whoever can solve Grandfather's riddle. Maybe that's why he did it?`@` ......Haa, I guess that sounds like Grandfather's style or something......`@` Ihihi!`@` If it's true, that's pretty incredible."`\ ;　プレートに刻まれた碑文には謎めいた、詩のような唄のようなものが記されている。@ `The epitaph carved into the plate was very mysterious, with something like a poem or a song written on it.`@ br ;　その文章は祖父さまの黒魔術趣味全開で非常に物騒な、実に悪趣味な内容だが、@確かにこの謎を解けば黄金の隠し場所に至れるような、そんな風にも読み取れる内容だ。\ `That paragraph was incredibly disturbing, filled with the signs of Grandfather's black magic hobby, and its contents were in bad taste,`@` but it could definitely be viewed as a puzzle which, if solved, could lead to the place where the gold was hidden.`\ bg Mhal_2c,0 ld l,$GEO_DefA1,26 ;「そういうつもりなのかどうか、お祖父さまの胸中は想像もつかないけどね。@……ひとつ言えるのは、この胡散臭い碑文を、お祖父さまは一族全員に告示するかのようにここに掲示したこと。@そして、黄金の存在はほのめかしながらも、未だにその隠し場所について一切触れないこと。@………そこから、親たちが想像を膨らませて、お祖父さまの知恵比べに違いないって言い出した…。」\ `"Whether that's what he intended or not, I can't even imagine what his true motive was.`@` ......All I can say is, this shady epitaph was displayed here so that everyone in the family could see it.`@` By doing so, he could hint at the existence of the gold while still avoiding telling where the hiding place is.`@` ......That caused our parents' imagination to run wild and call it equal to Grandfather's level of genius..."`\ ld r,$JES_WaraiA1,24 ;「…欲の皮が突っ張ってる、うちの親父辺りだろうぜ、こんな世迷言を真に受けてるなんてよ。@祖父さまの黒魔術趣味は馬鹿にしてるくせに、この隠し黄金の話だけは信じてやがる。@調子のいい話さ。」\ ;＜朱志香 `"...Sounds just like my dad, so greedy that he takes something like this so seriously.`@` Even though he laughs at Grandfather's black magic hobby, he'll still believe this story about the hidden gold.`@` It just sounds so good."`\ ld l,$GEO_MajimeA2,80 ;「……確かに現実的な話じゃないよね。@当時、無名で何のコネクションもなかったお祖父さまに、無償で莫大な金塊を融資する人物なんているわけがない。@……それがいたからこそ、お祖父さまはそのスポンサーを魔女と呼んだ、というのなら考えられない話じゃないけど。」\ ;＜譲治 `"......Well, it's certainly not a realistic story.`@` At that time, when Grandfather was still nameless without any connections, there was no way anyone would just lend him a massive quantity of gold bars for free.`@` ......Because of that, it's not unthinkable that Grandfather would call his sponsor a witch."`\ cl r,23 ld r,$BUT_WaraiA2,24 ;「でもよぅ、１０ｔだぜ、１０ｔ。@一体、現金に直したらいくらくらいになるんだ？@　っていうか、とんでもない量になるはずだぜ？！」\ ;＜戦人 `"Yeah, but, it's 10 tons. 10 tons!`@` If you traded that for money, how much would that come to?`@` Anyway, it'd have to be a ridiculous amount, right?!"`\ ld l,$GEO_MajimeA1k,80 ;「………とんでもない量だよ。@人類が有史以来、採掘した黄金はせいぜい１０万ｔって言われてる。@人類の歴史が手にした黄金の、１万分の１を個人が手にしているっていうのは、とてつもないことだよ。@…それが一箇所にあり、しかもそれをお祖父さまにポンと貸し出せるような『魔女』。@……只者じゃないね。」\ ;＜譲治 `"......It would be a ridiculous amount.`@` They say that the total amount of gold mined by humankind since the dawn of history is　at most 100,000 tons.`@` That 1/10,000 of all of the gold humankind has obtained throughout history should belong to just one person is just insane.`@` ...And that all of that was collected in one place and that there was a witch who could just 'poof' lend it to Grandfather.`@` That would be no ordinary person."`\ bg Mhal_2a,0 ld r,$JES_futekiA1,23 ;「私はよぅ、その１０ｔって数字ももはや嘘くさいと思ってるぜ？@　第一よ、祖父さま以外に見たヤツはいないんだろ？@　仮に気前のいい魔女が実在して黄金を貸したとしても、それは１０は１０でも１０ｋｇぐらいの間違いじゃねぇのか？@　１０ｋｇでも相当いい金額になるはずだぜ？」@ `"As for me, I think that that number '10 tons' sounds totally fake.`@` In the first place, has anyone other than Grandfather ever even seen it?`@` And even if some generous witch lent him some actual gold, couldn't that 10 be right but actually be mistaken from 10 kilograms?`@` Even 10 kilograms would be a pretty incredible sum, right?"`@ ld l,$MAR_niyariA2,23 ;「うー。@…１０ｋｇの黄金っていくら？」\ `"Uu-.`@` ...10 kilograms of gold is how much?"`\ ;　話についていけず、すっかり煙に巻かれていた真里亞が、ようやく質問できる場所を得て俺たちに問い掛ける。@ `Maria, who wasn't following the story and felt like she was being spoken to in riddles, finally found a place where she could ask us a question.`@ br ;　その質問は俺もしたいと思ってたところだ。\ `A question which I also wanted to know right then.`\ ;　黄金が１０ｋｇだの１０ｔだのと言われても、すげぇ量だとは思うが、どのくらいすごいのか価値がわからない。@ `Whether I hear 10 kilograms or 10 tons, I know that it's an incredible amount, but I couldn't guess exactly how incredible each one is.`@ br ;　譲治の兄貴が腕組をしながら金相場を思い出している。\ `George-aniki folded his arms and tried to remember the market price of gold.`\ bg Mhal_2a,0 ld r,$GEO_DefA1,24 ;「………さぁ。@金も相場の影響を受けるから何とも言えないし、純度や鋳造先の信用によっても変わってくる。@換金に手数料も掛かるし。@ただ、希少金属であることは間違いなくて、このまま採掘が進めば人類はあと半世紀ほどで全てを掘り尽くしてしまうんじゃないかって憶測もある。@/ `"......Well.`@` Gold is also affected by speculation. Its price can also change depending on its purity and the trustworthiness of the foundry.`@` You would also need to pay a commission to turn it into money.`@` Still, it is definitely a precious metal, and some people estimate that if gold mining continues at its current rate, within half of a century, humankind will have mined all of it.`@/ ld r,$GEO_MajimeA1,80 ;…………でたらめに言って、/ ;!d1000……１ｋｇ当たり、２００万円程度の価値はあるんじゃないかと思うね。」\ ;＜譲治 `............Just guessing haphazardly, `/ !d1000`......For one kilogram, I think maybe a price of 2 million yen."`\ ld l,$JES_OdorokiA1,24 ;「ひゅうッ…。@………私よ、１０ｋｇってのは今、適当に言った控えめな数字なんだけどよ…。@…それでも、２千万円の価値があるってことになるじゃねぇかよ！」\ ;＜朱志香 `"WHAAaa...`@`......I know I just randomly said that 10 kilograms would be a humble amount...`@`...but even that would be worth 20 million yen, wouldn't it!?"`\ ld c,$MAR_fukigenA1,23 ;「うー？@　真里亞、体重２８ｋｇ。」@ `"Uu-?`@` Maria weighs 28 kilograms."`@ ld r,$GEO_waraiA2,80 ;「………ということは、真里亞ちゃんと同じ重さの黄金なら、@その価値は５０００万円を超えるって計算になるね。」\ ;＜譲治 `".........Which means that if we had Maria-chan's weight in gold,`@` we could estimate its worth at over 50 million yen."`\ bg Mhal_2c,0 ld r,$BUT_OdorokiA2,24 ;「そりゃたまげるなぁ…。@/ `"That's just unbelievable...`@/ ld r,$BUT_komaruA1,80 ;１０ｔならいくらだ？@　１０ｋｇで２０００万が１０００倍だから、……えっと。@………はー！@　２００億円か？！@　こりゃあたまらねぇや！」\ ;＜戦人 ` How much would 10 tons be then?`@` 10 kilograms is 20,000,000 times 1000, so......umm.`@`.........That's it!`@` 20 billion yen?!`@` What the hell!"`\ ;　２００億円がどれほどの価値を持つか、/ ;!d1000……俺たちはそれぞれが持つ金銭感覚で測るしかない。\ `How much is 20 billion yen actually worth? `/ !d1000`......We can only measure it relative to our own pocketbooks.`\ ;　何しろ、生涯賃金が２億円なんて言うくらいだ。@ `Anyways, let's say that wages over a lifetime are about 200 million yen.`@ br ;　…社会人になって死に物狂いで働いて会社のために人生を捧げきって、老境に差し掛かってようやく解放され。@その退職金までを全て含めて２億円だ。@ `...You grow up and work like crazy, sacrificing your life for your company, and as you approach old age are finally freed.`@` Everything including retirement money could be about 200 million yen.`@ br ;　…つまり、この額は人間の人生の金額、@いや、命の値段と言い切っていい。\ `...In other words, that is the amount of money for a human's life.`@` You could even call it the price of a life.`\ ;　そんな、命が１００必要な莫大な金額。@ `...So 100 times this sum is an unbelievable amount of money.`@ br ;　……２０歳から就労して６０歳まで４０年働くとして、/ ;!d800……４０００年分の労働賃金に匹敵。@ `......If you work from age 20 to age 60, that's 40 years of work, `/ !d800`......so it's equal to 4000 years of work wages.`@ br ;　縄文時代からずっと毎日働き続けてようやく得られる額ってことじゃねぇか。\ `It's like you worked every day starting from the Jomon period and finally accumulated this much money.`\ ld l,$MAR_odorokiA1,23 ;「…うー。@２００億円って、すごい…？」\ `"...Uu-.`@` Is 20 billion yen huge...?"`\ ld r,$BUT_DefA1,80 ;「あぁ、すげえよ。@真里亞の大好きなショートケーキだったら、多分、一生懸っても食いきれないくらい買えるぜ。」\ ;＜朱志香 `"Yeah, it's huge.`@` Maria, you could buy more of that shortcake you love than you could eat in a lifetime."`\ bg Mhal_2a,0 ld r,$GEO_MajimeA1,23 ;「……でも、２００億円という現金ならいざ知れず、@それと同等の金塊が一所にあるなんて、とても現実的とは思えないね。@さっきも言った通り、黄金は非常に重くて、財産をまとめておくにはちょっと便利とは思えないよ。@ものすごい額面の有価証券とかものすごく価値のある宝石とか、そういうものなら考えられなくもないけれど。@…戦時中の混乱期に、自分の資産を持ち運べるよう、全て宝石などに変えた人たちがいたのは有名な話だからね。@……でも、黄金で資産を備蓄したというのはなかなか聞かない。」\ `"......However, while that might be possible with 20 billion yen in cash, `@`I don't think it would be very realistic to have that much in gold bars all in one place.`@` Just as I said, gold is extremely heavy, and it is not very convenient for purchasing assets.`@` With highly valued stocks and bonds or really expensive precious gems, it wouldn't be unthinkable though.`@` ...You often hear of people who, in the period of confusion during the war, often traded their wealth for precious gems so that they could carry it around with them.`@` ......But you don't usually hear stories of people exchanging their wealth for gold."`\ ;＜譲治 ld l,$JES_DefA1,23 ;「確かに重いけどよ、国際的に一番信用されてて価値も安定してるし、意味はあるんじゃないのかなぁ。@証券とかだったら、国が滅びちまったら紙切れになっちまうわけだし。」\ ;＜朱志香 `"Of course it's heavy, but internationally it's the most trusted and stable. Doesn't that mean something?`@` With bonds, for example, if the country is destroyed they're just scraps of paper."`\ ld r,$GEO_DefA1,80 ;「そういう考え方もあるね。@…でも、１０ｋｇのインゴット１つでも体感重量は相当のものだよ。@聞いたことない？@　５０ｋｇの人間は背負えても、５０ｋｇの俵は担げないって。@それだけの莫大な重量の金塊を、個人が所有するリスクと手間は計り知れないね。」\ ;＜譲治 `"You can also look at it that way.`@`...but even one 10 kilogram ingot is pretty heavy to carry around.`@` Haven't you heard?`@` A 50 kilogram person can't carry a 50 kilogram bag over their shoulder.`@` With that many gold bars, the amount of labor and risk for one person would be hard to calculate."`\ cl l,24 ld l,$BUT_DefA2,23 ;「ってことはつまり、２００億円の札束が唸ってるって話ならともかく、@２００億円分の黄金が山積みになってるってのは、ちょいと現実味がないわけだな。」@ ;＜戦人 `"So what you're saying is, while a stack of banknotes worth 20 billion yen would be annoying, `@`20 billion yen in gold would be such a big mountain that practically it would be kinda pointless."`@ ld r,$GEO_HohoemiA1,80 ;「そういうことになるね。@…黄金伝説なんて響きはとても面白いんだけど、そもそも１０ｔの黄金という時点で少々無理があるねぇ…。」\ ;＜譲治 `"That's right.`@` ...Although the Legend of the Gold does have a pretty interesting ring to it, just the part about the 10 tons of gold makes it pretty much impossible..."`\ ld c,$JES_TohohoA1,23 ;「そうやって理詰めで考えると、見る見る嘘くさくなっていくぜ。@はは、夢のない話さ。」@ ;＜朱志香 `"If you think about it logically like that, it sounds obviously fake.`@` Haha, kind of brings you back down to reality."`@ ld r,$GEO_DefA1,80 ;「でも、そこは何しろあのお祖父さまだからね。@親切な大金持ちからの融資を大袈裟に吹聴して、魔女から授かった１０ｔの黄金、何て例え方をしたのかもしれないよ。@１０ｔという数字も象徴的な感じがするしね。」\ ;＜譲治 `"Anyways, that's Grandfather for you.`@` Spreading exaggerated rumors about financing from some kind rich person by calling it 10 tons of gold received from a witch, probably figuratively.`@` Even the number '10 tons' feels pretty symbolic."`\ ld l,$BUT_WaraiA2,80 ;「つまり、借りたカネのありがたさは１０ｔの黄金に匹敵する価値があった、ってなことだな。」\ ;＜戦人 `"You mean like his gratitude for the money he borrowed was worth 10 tons of gold, or something?"`\ ld c,$JES_AkuwaraiA1,80 ;「へへへ、祖父さまに、大金持ちの有閑マダムが気前よく恵んでくれて。@そのご婦人を魔女と呼んだ、ってことじゃねぇのかー？」\ ;＜朱志香 `"Hehehe, maybe some rich man's leisured wife generously granted it to Grandfather.`@` And maybe then he started calling this person a witch?"`\ bg black,22 bg portrait2,22 ;　なるほど、朱志香の例えは悪くない。@ `I see. Jessica's example isn't bad.`@ br ;　…社会信用がゼロだった祖父さまに、気前よく莫大なカネを貸し付けてくれたら、@それは魔女と呼んでもいいほどのお人だ。\ `...Someone who would generously lend a huge sum of money to Grandfather when his trustworthiness was still zero could be called a witch.`\ ;　……しかも後に祖父さまはそのカネを元に莫大な富を築き上げる。@ `......Furthermore, Grandfather later used that money to build a vast amount of wealth.`@ br ;　…人を見る目も並外れて優れてるとすれば、@これも魔女と呼んで差し支えないだろう。\ `...Someone with such a great ability to judge people `@`might also fittingly be called a witch.`\ ;　それに、それだけの莫大な融資をしたのだから、その使い方には熱心な指導もしただろう。@ `Also, since she went to the trouble of lending all that money, she might also have enthusiastically guided how it was spent.`@ br ;　案外、進駐軍に食い込んで朝鮮特需で稼げ…なんていうこともその魔女が祖父さまに吹き込んだのかも。@ `The decision to unexpectedly get involved with the occupying forces and profit from the Korean War demands might have been inspired in Grandfather by the witch.`@ br ;　その部分も含めて、魔女に富と名誉を授けられた、@という言い方をするなら、そういうこともありなのかもしれない。\ `If you put those together, saying that he received wealth and honor from the witch `@`might actually make sense.`\ bg black,22 bg Mhal_2c,0 ld r,$BUT_DefA1,22 ;「なるほどな。@…………ってことはつまり、この魔女さまは、右代宮家復興のための資金を恵んでくださった、復興の大恩人ってわけだ。@…となりゃ、祖父さまが感謝の気持ちを込めて、こんだけデカイ絵を描かせて掲げさせたってのも、なるほど、おかしい話じゃないのかもな。」\ ;＜戦人 `"I see.`@` .........So, in other words, this witch granted the funds necessary to revive the Ushiromiya family and Grandfather owed her big time.`@` ...If that's the case, Grandfather, with his feelings of gratitude, had that huge painting drawn and displayed... I get it. It's not that strange a story."`\ ld l,$JES_waraiA1,23 ;「ひょっとするとよ、当の本人は見るからに魔女っぽい婆さんだったかもしれないぜ？@　それを祖父さまが美化して、こんな美人に描いてくれたってのは考えられる話さ。@はっはははは、案外、当の本人に会ってみたら、こんなに美人じゃないかもしれねぇな！」\ ;＜朱志 `"What if this person looked like an old witch-like granny?`@` If that's true, I can definitely understand why Grandfather tried to pretty her up when he had the painting drawn.`@` Hahahahaha, I'll bet if we ever did meet this person, she wouldn't be nearly this pretty!"`\ ld c,$GEO_WaraiA1k,24 ;「はっはっはっは、ありえるね。@ベアトリーチェって名前は如何にも洋風だけど、僕たち一族の名前がみんな洋風であることを考えると、@このベアトリーチェって名前も、日本人名を無理やり洋風にアレンジしたものなのかもしれないよ。」\ ;＜譲治 `"Hahahaha, that's possible.`@` The name Beatrice sounds pretty western, and if you think about how everyone in our family has western-style names, `@`maybe even the name Beatrice is the result of Grandfather trying to rearrange some Japanese person's name to make it sound western."`\ ld r,$BUT_defA2,80 ;「なるほどなるほど。@この美人は絵の中にしかいないってわけだな。@それじゃあの立派そうな乳は揉めそうにないぜ〜、いっひっひ！@　ハナっから魔女なんておかしいんだよな。@そんなのが地球上のどこにいるってんだ。」\ ;＜戦人 `"I get it, I get it.`@` That means that this pretty girl doesn't exist outside the picture.`@` Guess that means I won't be able to rub those elegant breasts~, ihihi!`@` In the first place, isn't a witch a little weird?`@` Like you could find something like that anywhere on earth."`\ ;　魔女の森に怯えた６年前の自分と決別したくて、俺が小馬鹿にしたようにへらへら笑うと、真里亞が俺の袖を引っ張った。@ `As I made fun of the witch, laughing, I was trying to separate myself from the kid I was six years ago who was afraid of the witch of the forest. At that time, Maria tugged on my sleeve.`@ br bg Mhal_2a,0 ld r,$MAR_MajimeA1,24 ;　…その力加減はちょっぴりの不快さを込めていた。\ `...The strength with which she did was filled with a little unhappiness.`\ ld l,$BUT_waraiA2,23 ;「ん？@　何だよ真里亞。」@ `"Hmm?`@` What is it, Maria?"`@ ld r,$MAR_IkariA1,80 ;「うー！@　うーッ！！@　ベアトリーチェはいーるー！」@ `"Uu-!`@` Uu-!!`@` Beatrice e-xi-sts!"`@ br ;　真里亞はじっと俺を睨む。@ `Maria stared up at me.`@ ;　…いつも仏頂面だが、彼女なりに怒っているのが瞳の色でわかった。\ `She had on her usual sour look, but I could tell she was angry because of the color of her eyes.`\ ld r,$MAR_fukigenA2,80 ;「魔女いる！@　魔女はいる！@　うーうーうー！！！」@ `"Witches exist!`@` Witches exist!`@` Uu-uu-uu-!!!"`@ ld l,$BUT_KomaruA1,80 ;「何だよ、そりゃいるだろうよ、テレビをつけりゃアニメとかによぅ。」@ `"Well sure, they do exist...if you turn the TV on and watch anime or something."`@ ld r,$MAR_sakebuA1,80 ;「いるー！！@　魔女はいるー！！@　うーうーうー！！！」@ `"Exi-st!!`@` Witches exi-st!!`@` Uu-uu-uu-!!!"`@ ;　真里亞が何でこんなにも突っかかってくるのかわからなくて焦る。\ `I started getting impatient, not knowing why Maria was jumping on me like this.`\ ;　すると朱志香が俺の肩を叩いて小声で教えてくれた。\ `Then, Jessica tapped me on the shoulder and told me in a small voice.`\ bg Mhal_2b,0 ld r,$JES_KomaruA1,23 ;「…バカだな、子供の夢、打ち砕いてんじゃねぇぜ。@真里亞は魔女とかベアトリーチェとかが確かに存在するって信じてんだよ。」@ ;＜朱志香 `"Dumbass, you're smashing a kid's dream.`@` Maria really believes that things like witches and Beatrice exist."`@ ld l,$GEO_DefA1,23 ;「確か真里亞ちゃんは学校の文集に、将来なりたいものは『魔女』って書いたんだっけ？」@ ;＜常時 `"Come to think of it, Maria-chan, in social studies at your school, when you were asked to write what you wanted to be when you grew up, you wrote 'a witch', didn't you?"`@ cl r,22 ld r,$MAR_MajimeA1,24 ;　真里亞は真剣に頷く。@ ;　目の端に涙がちょっぴり滲んでいた。\ `Maria nodded seriously.`@ `Tears started to run from the corners of her eyes.`\ ;　………なるほど、将来、魔女になりたいと願う少女にとっては、@ベアトリーチェという存在は、確かに魔女がこの世に存在するという証でもあり、@そして憧れる崇拝の対象でもあるに違いない。\ `.........I see. To a girl who wants to become a witch in the future, `@`the existence of Beatrice was proof that witches do exist in this world, `@`and was therefore an image that she yearned after and admired.`\ ld r,$MAR_fukigenA2,80 ;!s0「いるー！/ !s0`"Exi-st!`/ se1 6 quakey 3,200 ;@　いるー！/ @` Exi-st!`/ se1 6 quakey 3,300 ;@　魔女はいるー！！/ @` Witches exi-st!!`/ se1 7 quakey 4,300 ;@　なのに戦人が信じない！@　うーうーうー！！！」@ @` But Battler still doesn't believe!`@` Uu-uu-uu-!!!"`@ !sd ld l,$GEO_WaraiA2,80 ;「うん、いるよ、魔女は。@お兄ちゃんは信じるよ。」@ ;＜譲治 `"It's alright. They exist, witches.`@` Onii-chan believes it."`@ ;　譲治の兄貴が跪いて真里亞の頭を抱く。@ ;　…その様子を見ながら朱志香が俺の脇を小突く。\ `George-aniki kneeled down and held Maria's head.` `...Watching this, Jessica poked my side.`\ ;　…つまりこれはあれか。@ `...So that's what it is.`@ br ;　サンタクロースを信じてる子供の前で、サンタなんているわけねーぜと、@クリスマスイブに爆弾発言しちまったようなもんだと。@ `It's like, on Christmas Eve, shouting that Santa Claus couldn't exist in front of a child who believes in him.`@ br ;　…信じてる夢を砕いちまうのは俺のセンスなわけもない。\ `...I'm not the kind of guy who likes to shatter kids' dreams.`\ cl l,24 ld l,$BUT_KomaruA1,23 ;「………あー、悪かったぜ。@別に真里亞の夢にケチをつけたわけじゃねぇんだ、謝るよ。@ベアトリーチェはいるよな。@今もこの島の森の中に住んでいて、夜な夜なこの屋敷で何をやってるのか覗き見しに来るんだろ。@……だから森には入っちゃいけない。@夜はいつまでも暗い森を眺めていてはいけない。@……森の魔女、ベアトリーチェに見付かってしまうかもしれないから。@…………祖母さまがそう言ってたんだもんな。」\ ;＜戦人 `"......Oh, I'm sorry.`@` I wasn't trying to make fun of your dreams. I apologize.`@` Beatrice does exist.`@` Even now she's living in the forest, and comes every night to the mansion to peek in and see what everyone's doing.`@` ......So you shouldn't go into the forest.`@` At night, you mustn't stare into the dark forest.`@` You might be seen by the witch of the forest, Beatrice.`@` .........After all, Grandmother said so."`\ ld r,$MAR_MajimeA1,80 ;「…うー……。@本当に？@　…本当に戦人は信じる？」@ `"Uu-......`@` Really?`@` Battler really believes?"`@ ld l,$BUT_aseruA1,80 ;「あぁ、信じるぜ。@ケチをつけて悪かったよ。@…ほら、仲直りしようぜ？」\ `"Yep. I believe.`@` Sorry for doubting it.`@` ...C'mon, let's make up."`\ ;　俺が手を出すと、真里亞はそれを小さい手で握り、仲直りをしてくれた。@ ;　真里亞もそれ以上はぐずらずにいてくれたので、譲治の兄貴も朱志香もほっとする。\ `I stuck out my hand and Maria grabbed it with her tiny hand, and we made up.`@ `Maria didn't grumble any more than that, so George-aniki and Jessica were relieved.`\ bg black,23 fede 0,2000 ;音楽をフェードアウトにしたい〜〜〜〜 bgmplay 12 bg Mhal_2a,0 ld r,$SHA_DefA1,23 ;「……あら。@皆様、ここにいらっしゃられたんですか。@てっきり海岸へ行かれたとばかり…。」@ ;＜紗音 `"...Oh.`@` So this is where all of you were.`@` I was sure you had just left to go to the beach."`@ ;　バスケットを持った紗音ちゃんが、俺たちが肖像画の前にたむろっているのを見つけて驚いたようだった。\ `Shannon-chan, carrying a basket, was surprised to find us all gathered in front of the portrait.`\ ld l,$JES_DefA1,23 ;「紗音か。@いやさ、戦人はベアトリーチェの肖像画を初めて見るからさ。@まぁ見とれてたってわけだぜ。」@ ;＜朱志香 `"Ah, Shannon.`@` Well, this is the first time Battler has seen Beatrice's portrait.`@` He was just fascinated by it."`@ ld r,$SHA_tokuiA1,80 ;「そうですね、見とれちゃいますね。@…ベアトリーチェさまって本当にお綺麗です。@さぞやお館様を虜になさったろうと思います。」\ ;＜紗音 `"That's right, it is fascinating.`@` ...Beatrice-sama is truly beautiful.`@` I am sure that she captivated the Master."`\ cl l,24 ld l,$GEO_hohoemiA1,23 ;「あはははは。@パトロン説の他にも、お祖父さまの初恋の人だという説もあるんだ。@…どちらにせよ、彼女に出会ってから数十年を経ているだろうにも関わらず、今なお心の中に大きく居座り続けているんだから、@…それは今なお虜にしているということなんだろうね。」\ ;＜譲治 `"Ahahahaha.`@` In addition to the patron theory, there's also a theory that she was Grandfather's first love.`@` ...Either way, although it's been several decades since he met her, even now she holds a special place in his heart.`@` ...Which must mean that he is still captivated by her."`\ bg Mhal_2c,0 ld r,$BUT_WaraiA2,24 ;「やれやれ。@これじゃあ、祖母さまはさぞや嫉妬したろうぜー？」@ ;＜戦人 `"Sheesh.`@` That must have made Grandmother pretty jealous, right?"`@ ld l,$JES_futekiA1,23 ;「私はよく知らねぇけど、やっぱりそういうのはあったらしいぜ。@祖母さまは金髪の浮気相手がいると信じてたらしいな。」\ ;＜朱志香 `"I'm not really sure, but that might actually be true.`@` Apparently Grandmother believed that he was cheating on her with some blonde-haired person."`\ bg Mhal_2a,0 ld r,$MAR_DefA1,0 ld l,$SHA_DefA1,23 ld r,$MAR_OdorokiA1,80 ;「……うー？@　いい匂い！@　紗音からいい匂い！」@ `"......Uu-?`@` Good smell!`@` Good smell coming from Shannon!"`@ ;　真里亞が鼻をクンクンさせながら、紗音ちゃんが持つバスケットに関心を寄せる。@ `Maria, sniffing, approached the basket Shannon-chan was holding with interest.`@ br ;　言われて見れば、バニラエッセンスと香ばしい香りのハーモニーが。\ `After hearing that, I noticed a fragrant scent with the essence of vanilla.`\ ld l,$SHA_WaraiA1,80 ;「あ、申し訳ございません。@熊沢さんから、これを皆さんにお届けするように言付かりました。」\ ;＜紗音 `"Ah, I apologize.`@` I was told by Kumasawa-san to bring them to everyone."`\ ld c,$GEO_DefA1,22 ;「何だろう？@/ `"What is it, I wonder?`@/ ld c,$GEO_WaraiA1,80 ;'　……あは、素敵だね！@　クッキーだ。」@ ;＜譲治 ` ......Ooh, excellent!`@` Cookies."`@ ld r,$MAR_ikariA1,80 ;「うー！@　クッキー食べたい！@　クッキー食べたい！@　うー！」@ `"Uu-!`@` Want to eat cookies!`@` Want to eat cookies!`@` Uu-!"`@ ld l,$SHA_waraiA3,80 ;「えぇ、お召し上がりいただけますよ。@…でも、その…、」\ ;＜紗音 `"Please, eat as much as you would like.`@` ...But, umm..."`\ bg Mhal_2c,24 ;　果たして肖像画前のこんなところでクッキーを振舞ってもいいものか、@と紗音ちゃんが俺たちに判断を求めるような目線を投げかけてくる。@ `After all, it's not like you can just serve cookies in a place like this, in front of the portrait.`@` Shannon-chan sent us a glance which seemed to ask what we wanted to do about it.`@ br ;　…まぁ普通に考えればお行儀はよくないよな。\ `...Well, normally that would be considered impolite.`\ ld r,$JES_WaraiA1,24 ;「真里亞、ここじゃなくて他所で食べようぜ？@　クッキーをお弁当にピクニックに行こう。」@ ;＜朱志香 `"Maria, why don't we eat someplace other than here?`@` Let's put the cookies in a bento and have a picnic."`@ ld l,$MAR_WaraiA1,23 ;「うー！@　ピクニック行こうピクニック行こう！！@　クッキー食べれるなら行こう！」\ `"Uu-!`@` Have a picnic, have a picnic!!`@` If we can eat cookies, let's go!"`\ ld c,$BUT_DefA1,23 ;「そうだな、ちょっと表の空気を吸いに行くか。@魔女様の御前でつまみ食いもねぇもんだぜ。」@ ;＜戦人 `"That's right, let's go get some fresh air.`@` We shouldn't grab food right in front of the witch."`@ ld r,$JES_DefA1,80 ;「そうだ、元々私たちは浜辺に行こうって言ってたんじゃねぇか。@行こうぜ行こうぜ。」\ ;＜朱志香 `"That's right, didn't we say that we wanted to go down to the beach in the first place?`@` Let's go, let's go."`\ bg Mhal_2a,0 ld r,$GEO_DefA1,0 ld l,$SHA_waraiA3,23 ld r,$GEO_HohoemiA1,80 ;「紗音ちゃん。@申し訳ないんだけど、腰を下ろせる敷物と水筒にお茶を入れてきてもらうのをお願いしてもいいかな。」@ ;＜譲治 `"Shannon-chan.`@` Sorry, but could I ask you to get us a blanket to sit on and some flasks of tea."`@ ld l,$SHA_majimeA2,80 ;「はい…！@　かしこまりました。」@ ;＜紗音 `"Right...!`@` Certainly."`@ cl l,24 ;　紗音ちゃんは指示を受けると、優雅にお辞儀をしてから引き返す。@ ;　俺たちは先に浜辺へ行くことになった。\ `Shannon-chan received her instructions and gracefully bowed before retracing her steps.`@ `We headed for the beach on our own.`\ bg black,24 bg Mhal_2a,24 ;　みんなでぞろぞろと玄関へ向かう。\ `Everyone headed for the entrance in a group.`\ ;　…そんな俺たちの背中を、あの魔女が見下ろしているような気がして、もう一度だけ振り返る。\ `...Feeling as though that witch was staring down at our backs, I turned around once more.`\ bg Mhal_2c,23 ld c,$MAR_fukigenA1,22 ;「…うー。@……戦人、まだ信じてない…？」\ `"...Uu-.`@` ...Battler, you still don't believe...?"`\ cl c,0 ld l,$MAR_fukigenA1,0 ld r,$BUT_WaraiA2,24 ;「いやぁ、信じるぜ。@……その方が夢があるしな！@　黄金の魔女ベアトリーチェが祖父さまに１０ｔの黄金を授けた！@/ `"Nope, I believe.`@` ...That way is more imaginative!`@` The golden witch Beatrice gave Grandfather 10 tons of gold!`@/ ld r,$BUT_DefA2,80 ;　それでその黄金がどこかに眠っているかもしれない。@しかもそいつを、祖父さまは怪しげな碑文に書き残し、見つけられるもんなら見つけてみろと俺たちを挑発してるってんじゃねぇか。@こういうロマンはあった方がいいってもんさ。」\ ;＜戦人 ` And that gold might be sleeping around somewhere.`@` And besides, didn't Grandfather write that strange epitaph as though challenging us to find it if we can?`@` I think that kind of romantic story is way better."`\ cl l,24 ld l,$JES_futekiA1,23 ;「２００億円の黄金かー！@　へへ、私たち４人で山分けしたってとんでもない金額になるな！」@ ;＜朱志香 `"20 billion yen worth of go-ld!`@` Hehe, even if we split it up between the four of us, that's still a ridiculous amount of money!"`@ cl r,23 ld r,$GEO_HohoemiA1,24 ;「１人頭５０億円か。@…すごいね！@　それだけあったらどんな事業でも興せそうだよ。@いや、そもそも働かずに生涯を優雅に過ごせるだろうね。」@ ;＜譲治 `"5 billion yen for each of us...`@`...Incredible!`@` With that kind of money, any business would prosper.`@` No wait, we could live our whole lives fabulously without working at all."`@ ld c,$MAR_WaraiA2,22 ;「うーうー！@　５０億円よりクッキー、クッキー！！」@ `"Uu-uu-!`@` Not 5 billion yen, cookie, cookie!!"`@ cl l,23 ld l,$BUT_WaraiA2,23 ;「わっはっはっは、真里亞にはカネよりクッキーだな。@しかし５０億円かぁ、夢のある話さ！」\ ;＜戦人 `"Wahahaha, Maria would take cookies over money.`@` Still, 5 billion yen, that's like a dream!"`\ bg black,5 fede 0,3000 ;音楽をフェードアウトにしたい〜〜〜〜〜〜〜〜 wait 1500 bgmplay 15 bg M1F_S1d,8 ;■客間 ;「馬鹿馬鹿しい。@……まさかお前たちは、親父殿の黄金伝説を本当に信じているのかね？」\ ;＜蔵臼 `"Ridiculous.`@` ......Is it possible that you all truly believe in Father's Legend of the Gold?"`\ bg M1F_S1a,22 ld r,$RUD_DefA1,24 ;「…………魔女が黄金を与えた云々はさすがに信じねぇさ。@だが黄金の話だけは間違いじゃない。」\ ;＜留弗夫 `".........The story about a witch who gave him the gold and so forth, we obviously don't believe.`@` However, there's no mistake about the gold."`\ ld l,$EVA_majimeA1,23 ;「お父様が出自不明の金塊を持っていたことは複数の筋から確認されているわ。@死んだマルソーの会長は生前、お父様に某所で積み上げられた金塊を実際に見せられたという。@お父様はそれを指して、１０ｔ分あるとはっきり明言したわ。」\ ;＜絵羽 `"The fact that Father obtained gold bars from an unknown source can be confirmed in several ways.`@` We heard that, before the president of the Marusoo company died, Father showed him a large amount of gold somewhere.`@` Father used that claim to prove that that there were 10 tons worth."`\ cl r,23 ld r,$KLA_AkuwaraiA2,24 ;「老いぼれの戯言じゃないか。@親父殿と一緒に、存在しない黄金の存在をでっち上げただけだ。@取るにも足らない。」\ ;＜蔵臼 `"That's just the nonsense of a senile old man.`@` Along with Father, he was just fabricating a story.`@` You can't take it seriously."`\ ld c,$HID_MajimeA1,22 ;「存在せん黄金にあないな軍資金は集まらへんで…！@　会長さんは生前、その真摯なお人柄であれだけ大勢の財界人から尊敬を集めたお人や。@詐欺の片棒なんか担がへん…！」\ ;＜秀吉 `"If that gold didn't exist, he wouldn't have been able to gather so much funding...!`@` Before the president died, he was a person with such a sincere personality that he gathered the respect from many in the business world.`@` He couldn't have become a partner in such a fraud...!"`\ bg M1F_S1c,0 ld r,$RUD_MajimeA2,24 ;「兄貴。@マルソーの会長は確かに見たんだ。@１０ｔの黄金をはっきりとその目で。@しかも親父はそのインゴットの１つを任意で抜き取らせ、会長に持ち帰らせて鑑定させた。@……それは１０ｋｇのインゴットで、鑑定結果は純度フォーナイン。@インゴット表面には、右代宮家の家紋である片翼の鷲が刻印されていたという。」\ ;＜留弗夫 `"Aniki,`@` the president of Marusoo definitely saw it.`@` 10 tons of it, clearly with his own eyes.`@` Even more, Father let the president take one ingot at random and have it examined.`@` The results of the examination showed that the 10 kilogram ingot was 99.99 percent pure.`@` He said that the Ushiromiya family crest, the One-winged Eagle, was carved into it."`\ ld l,$EVA_DefA1,23 ;「右代宮の黄金伝説は瞬く間に財界のフィクサーたちの間に広がったわ。@鋳造元不明の黄金は換金率が悪い。@ボロ儲けのチャンスだと思った彼らはそれを担保に認め、結果、お父様は莫大な融資を受けることができた…。」\ ;＜絵羽 `"Almost instantly, the Ushiromiya Legend of the Gold spread amongst the fixers of the business world.`@` Gold from an unknown foundry has a poor rate of conversion into money.`@` Thinking that it was a chance for decisive profits, they accepted it as collateral, and as a result Father was able to receive a giant loan..."`\ bg M1F_S1a,0 ld r,$KLA_AkuWaraiA1,24 ;「馬鹿馬鹿しいにもほどがあるじゃないか。@…お前たちはいくつになるんだ。@まだそんな子供の頃のお伽噺を真に受けているのかね？@/ `"Isn't there a limit to how ridiculous you can get?`@` ...How old are you people?`@` Are you still taking that nursery tale you heard as a kid seriously?`@/ ld r,$KLA_nayamuA1,80 ;　第一、その１０ｔの黄金の証拠はどこにあるんだ？@　親父殿と親交の深かったごく一部の人間の虚言だけじゃないか。」\ ` Where is the proof that this 10 tons worth of gold even exists?`@` Isn't it just the lies of Father and those who were closest to him?"`\ ld l,$RUD_nayamuA1,23 ;「……もちろん口伝だけさ。@でもよ、兄貴。@親父が調達した莫大なカネはそれに見合う担保が必要だった。@仮に黄金がデマでも、それに匹敵する価値あるお宝を親父が見せたのは紛れもない事実じゃねぇのかぃ？」\ ;＜留弗夫 `"......Of course it's just a story.`@` But still, Aniki.`@` The amount of money that Father raised required a suitable quantity of collateral.`@` Even if the gold was just a rumor, that he must have shown them a treasure of comparable worth is an unmistakable truth."`\ ld r,$KLA_MajimeA1,80 ;「徒手空拳の親父殿が作った黄金幻想さ。@ありもしない黄金をあるかに振る舞い、スポンサーたちを騙したんだ。@一世一代の大博打だったのだろう。@……運よく、その資産の運用に成功できた。@もし朝鮮特需が訪れなかったら右代宮家の再興はならず、親父殿は世紀のペテン師として追われていただろう。」\ `"It was just an illusion of money created by our penniless father.`@` He made it seem that non-existent gold actually existed and fooled his sponsors.`@` It was probably the gamble of a lifetime.`@` ...Fortunately, his use of those funds proved successful.`@` If the Korean war demands hadn't come and the Ushiromiya family had not been restored, Father would probably have been hounded after as the crook of the century."`\ bg M1F_S1b,0 ld c,$HID_majimeA1,24 ;「じゃあ蔵臼兄さんは、黄金など最初から存在せず、…全てお父さんのでっち上げだ、言うんか。」\ ;＜秀吉 `"In that case, are you saying that the gold never existed, and that Father made it all up?"`\ bg M1F_S1a,0 ld l,$KLA_DefA1,23 ;「もちろんさ。@だから、充分な成功を収めた後には黄金幻想など面倒なだけだった。@だから親父殿は魔女だの黒魔術だのと、わけのわからないことを後に言い出して信憑性を薄めたのさ。@/ `"Of course.`@` Therefore, after he was sufficiently successful, the illusion of gold became inconvenient.`@` So Father made up that absurd story about the witch and black magic and made the whole thing seem less believable.`@/ ld l,$KLA_AkuwaraiA1,80 ;つまり、黄金幻想がでっち上げであることを明かしたのだよ。@魔女に黄金を授かった等と言えば、もはや誰も黄金の存在を信じたりはしまい？\ ` In other words, he revealed that the illusion of gold was fabricated.`@` If he says that he received the gold from a witch, no one would believe that it exists at all, right?`\ ld l,$KLA_nayamuA1,80 ;　あるいは、お前たちのために言い出したのかもしれないな。@なのに、ありもしない黄金を遺産分配に含めて議論しようという馬鹿な息子たちが現れる。@……楼座、まさかお前まで、こんなでっち上げを信じてるって言うんじゃないだろうな…？」\ ;＜蔵臼 `He possibly said it for all of your sakes.`@` Nevertheless, some stupid offspring wanting to divide up this non-existent gold with the rest of the inheritance have appeared.`@` ......Rosa, don't tell me that even you believe this kind of a fabrication...?"`\ bg M1F_S1b,0 ld l,$ROS_KomaruA1,23 ;「…………………私は、お父様が本当に黄金を持っていたかどうかを確かめることはできない。@/ `"...............I can't prove whether or not Father really has the gold.`@/ ld l,$ROS_majimeA1,80 ;……でも、お父様の４人の子供の１人として、正当な分を主張したいだけよ。」\ ;＜楼座 ` However, as one of father's four children, I just want to claim my rightful share."`\ ld r,$KLA_DefA1,24 ;「ほぅ…。@楼座も言うようになったじゃないか。@なるほど、お前たちはこう言いたいわけかね。@私が黄金を独り占めしようとしている、と…。」@ `"Ho...`@` It looks like even Rosa's started to say it.`@` Alright, maybe this is what you all want to say:`@` that I am trying to keep all of the gold to myself..."`@ cl l,23 ld l,$EVA_akireA2,23 ;「兄さんが莫大な軍資金を調達したのは事実。@それが、お父様の個人資産の横領では断じてありえないと言うなら。@……つまりはそういうことよぅ？」\ `"Nii-san, the fact is that you've obtained a massive amount of funding.`@` If we rule out the possibility that you have been embezzling Father's personal funds, `@`then there's only one possibility left, right?"`\ cl r,23 ld r,$RUD_defA1,24 ;「……兄貴はすでに１０ｔの金塊を見つけてるんじゃないかって。@俺たちはそう見てるのさ。」\ ;＜留弗夫 `"Aniki, maybe you have already found the 10 tons of gold bars.`@` It sure looks that way to us."`\ bg M1F_S1c,0 ld l,$KLA_komaruA1,24 ;「馬鹿馬鹿しい。@そんなものは元より存在しない。」@ ;＜蔵臼 `"Ridiculous.`@` Something like that never existed in the first place."`@ ld r,$EVA_WaraiA1,24 ;「じゃあ説明なさいよぅ。@お父様の財産の横領、お父様の隠し黄金。@そのどちらでもないなら、どうやってあれだけの軍資金を調達できたって言うの？」\ ;＜絵羽 `"Then explain yourself.`@` Embezzlement of Father's assets or Father's hidden gold.`@` How could you have gathered so much funding if you didn't use one of these?"`\ ld l,$KLA_majimeA2,80 ;「私にも政界財界に友人が多くいてね。@彼らから協力を得ただけに過ぎんよ。@……それについて、お前たちに説明する義務はない。@わかっているだろう？@　話せぬ方面の筋もある。」\ ;＜蔵臼 `"I also have many friends in the political world and the financial world.`@` I have done nothing more than gain their assistance.`@` ......And as to that, I have no responsibility to explain it to you.`@` You understand, don't you?`@` There are some topics that can't be talked about."`\ cl r,23 ld r,$RUD_DefA2,24 ;「……兄貴がそうだと言い張るんならそれでいいさ。@でもよ兄貴。親父は長くない。@来年の今日まで生きてるなんて、誰にも保証できねぇんだぜ？@　親父が死ねばその時点で遺産相続だ。@俺たちは全員の立場から中立な弁護士と会計士を立てて親父の財政状況を調査させるぜ。」\ ;＜留弗夫 `"......If you insist on it, that's alright.`@` But Aniki, Father doesn't have long.`@` Nobody can ensure that he will live to see this day next year.`@` When Father dies, the inheritance will be passed on.`@` We will all set up impartial lawyers and accountants to inspect Father's financial and political status."`\ bg M1F_S1a,0 ld c,$EVA_futekiA1,23 ;「その時、お父様の資産に兄さんが不当な干渉をしていることが発覚したなら…。@……おわかりねぇ？」\ ;＜絵羽 `"If, at that time, the fact that our brother has unjustly interfered with Father's money comes to light...`@`......you understand, right?"`\ bg M1F_S1b,0 ld r,$KLA_MajimeA1,24 ;「何の話だかさっぱりわからんね。@妻でなくても憤慨したい気持ちだ。」@ ;＜蔵臼 `"I don't have a clue what you're talking about.`@` You're starting to make me feel as indignant as my wife was."`@ ld l,$HID_MajimeA1,23 ;'「…お父さんの黄金は、もちろんお父さんの財産や！@　表に出せんカネやっちゅうのもわかっとる。@しかし、４人に公平な権利があるはずや。」\ ;＜秀吉 `"...Father's gold is definitely one of Father's assets!`@` I understand that it's money that you can't reveal openly,`@` but the four siblings should have an equal right to it."`\ bg M1F_S1c,0 ld r,$RUD_WaraiA1,24 ;「つまり、兄貴が黄金を独り占めしていないかどうか、兄貴についても財務状況を調査させてもらうぜ、ってことなのさ。」\ `"In short, even though you are our brother, we will have your financial situation investigated to determine whether or not you are hoarding the gold."`\ ld l,$EVA_AkireA1,23 ;「いい機会じゃない。@兄さんの言うところの、友人知人にバックアップしてもらったというところを証明なさいよ。@そうすれば兄さんは潔白。@私たちは下らない疑いを持ってしまったことを潔く謝れるわぁ。@ねぇ楼座？」\ ;＜絵羽 `"Isn't this a good opportunity.`@` Prove the existence of this backup from friends and acquaintances that you mentioned.`@` That way we can sportingly apologize for foolishly doubting you.`@` Right, Rosa?"`\ ld c,$ROS_nayamuA1,23 ;「……そうね。@蔵臼兄さんこそ話をはぐらかしてるわ。@やましいところがないというなら証明してくれればいいだけの話なのに、兄さんはまるで取り合おうとしてくれない。」\ ;＜楼座 `"......That's right.`@` Krauss nii-san, you are the one who's avoiding the topic.`@` If you were guiltless, you could just prove that you were in the right. Yet you aren't even trying to respond."`\ ld r,$RUD_DefA2,80 ;「だがまぁ、兄貴の立場にも配慮するさ。@親父の名代ということで、俺たちよりひとつ多く責任を背負ってるところもあるだろ。@今まで散々気楽に過ごしてきた俺たちが、それを察しないでぶーぶー言うのは、こりゃフェアな話じゃないぜ。」\ ;＜留弗夫 `"However, Aniki, we still have to consider your position here.`@` As Father's representative, you're probably bearing a larger share of the burden than we are.`@` It wouldn't be fair for the rest of us, who have been living terribly relaxed lives until now, were to complain without taking that into account."`\ bg M1F_S1a,0 ld l,$KLA_majimeA2,23 ;「…………ほぅ。@さっきから貶されたり持ち上げられたりと忙しい。@本題に入りたまえ。」\ ;＜蔵臼 `".........Ho.`@` Until just now I've been busy being spoken ill of and being flattered.`@` Please get to the point."`\ ld r,$HID_FumuA1,24 ;「つまりな、……お父さんの財産をアレコレ調べて、重箱の隅を突っつくんは、無粋やないかって話なんや。@蔵臼兄さんの言う通り、うまく説明できんカネの動きもあるやろ。@そこを理解した上で、わしらは兄さんに相談を持ってきたんや。@…お互いにとって悪ぅない相談や。」\ ;＜秀吉 `"In short, ......randomly investigating nit-picky aspects of Father's wealth seems a fairly inefficient way to do it.`@` As you said, Krauss nii-san, there may also be movements of money that are difficult to explain.`@` Upon understanding that, we have come to consult with you.`@` ...A mutually beneficial consultation."`\ ld l,$KLA_akuwaraiA2,80 ;「相談？@　ほぅ。」\ ;＜蔵臼 `"Consultation?`@` Ho."`\ bg M1F_S1b,0 ld c,$RUD_WaraiA1,24 ;「……遺産分配時に、今日まで親父の面倒を見てきてくれた兄貴のご苦労を最大限に汲み取り、分配に寛大な理解を示そうってことさ。」\ ;＜留弗夫 `"......When the inheritance is distributed, you will be rewarded for your years of hard work taking care of Dad by an agreement that is generous in your favor."`\ ld r,$EVA_HohoemiA1,24 ;「間違えないでよぅ？@　別に私たちの権利を放棄するって言ってるわけじゃないのよぅ？@　ただ、その権利を主張する際に、@兄さんの立場に立った寛大な理解があってもいいじゃないかしら、ということなのよ。」\ ;＜絵羽 `"Don't misunderstand us, Nii-san.`@` It's not like we are saying that we will abandon our rights.`@` It's just that when we claim what we deserve,`@` it wouldn't be bad if we allow a generous understanding from your position. That's what we mean."`\ ld l,$HID_majimeA1,23 ;「つまり、条件を飲んでくれたら、@わしらは遺産分配時にお父さんの財務状況調査を蔵臼兄さんに一任してもいい、っちゅうこっちゃ。」\ ;＜秀吉 `"In other words, if you'll accept our conditions,`@` at the time of the division of the inheritance, we won't mind leaving the investigation of Father's financial status to you, Krauss nii-san."`\ bg black,25 bg M1F_S1d,22 ;　絵羽以下の兄弟たちは皆、蔵臼が父親の財産を掠め取っていると疑っている。@ `All of the siblings from Eva downward suspected that Krauss was trying to steal their father's wealth.`@ br ;　そのような状況下で、父親の財産状況を蔵臼自身に報告させようというのは、非常な矛盾で、大きな譲歩だった。\ `In that situation, letting Krauss report on the state of their father's wealth by himself was extremely contradictory and a huge concession.`\ ;　彼らが主張するように、蔵臼の財産横領が事実なら、蔵臼はそれを隠蔽できる。@ ;　そうでなくても、遺産分配を自分に有利なように主導することも可能なのだから。@ `If, as they claimed, Krauss was actually embezzling money, Krauss would be able to hide that fact.`@ `Besides that, it would also be possible for him to control the distribution of the inheritance in a manner favorable to himself.`@ br ;　蔵臼も、この話があまりに美味過ぎることには怪訝を感じざるを得なかった。@ ;　これほどの譲歩に対する見返りが何か、気にならないはずもない…。\ `Krauss, also realizing that this sounded to good to be true, couldn't help but feel doubt...`@ `He had to worry about what kind of collateral they had to make this kind of a compromise...`\ bg M1F_S1a,0 ld c,$KLA_AkuwaraiA2,22 ;「……ほぅ。@信用ゼロの私に長兄としての信頼を返してくれるというのか。@その見返りは何だね。」\ `"...Hoh.`@` After mistrusting me completely, you now say that you're willing to restore your confidence in me as the eldest sibling?`@` And what are you asking for?"`\ bg M1F_S1b,0 ld r,$RUD_DefA1,24 ;「同じ兄弟としての公平な権利さ。@……俺たちの兄貴は親父の財産を掠め取るようなヤツじゃない。@だがしかし、兄貴に融資するパトロンも存在しない。@…となりゃつまりこういうことなら兄弟は納得するわけさ。」\ ;＜留弗夫 `"Just what we deserve as siblings.`@` ......You aren't the kind of person who would steal Father's property.`@` However, there is no patron financing you.`@` ...Considering all that, there is a certain explanation that would satisfy the rest of us."`\ ld l,$EVA_akireA1,23 ;「……兄さんは、１０ｔの黄金を見つけ、@それを担保に軍資金を作った。@…そう、お父様がかつてそうしたようにね？」@ ;＜絵羽 `"......Nii-san, you found 10 tons of gold and used that as collateral to gather some funding.`@` ...Yes, just like Father did in the past, right?"`@ cl r,23 ld r,$HID_DefA1,24 ;「そういうことなら、お父さんの財務状況におかしな点は一切あらへん。@蔵臼兄さんはずっとお父さんの世話をしてきた孝行息子や。@そないなお人を信用せんわけにはいかへん。」\ ;＜秀吉 `"If that's the case, there won't be any funny bits in Father's finances.`@` You've always been a good son, lookin' after Father.`@` Why would we mistrust a person like that?"`\ bg M1F_S1a,0 ld l,$KLA_MajimeA1,23 ;「………回りくどくて判り辛いな。@もっとはっきり具体的に言いたまえ。」\ ;＜蔵臼 `".........You're being so roundabout I can barely understand you.`@` Say it more clearly and practically."`\ ld r,$RUD_MajimeA1,24 ;「条件の１つ目。@まず、兄貴は親父の黄金を見つけていたことを認めること。」@ ;＜留弗夫 `"Our first condition:`@` Aniki, you must admit that you have found Father's gold."`@ ld l,$KLA_KomaruA1,80 ;「…ありもしない黄金を、私が持っていると認めろと？」\ ;＜蔵臼 `"...Are you asking me to admit that I possess gold that does not exist?"`\ ld c,$EVA_AkireA1,24 ;「条件２。@その黄金について、兄弟の取り分を認めこれを支払うこと。」@ ;＜絵羽 `"Our second condition:`@` Regarding the gold, take each sibling's portion and pay it to us."`@ ld l,$KLA_MajimeA1,80 ;「馬鹿な。@ありもしない２００億の黄金について、１人頭５０億、合計１５０億を支払えというのか。@……馬鹿馬鹿しい！」\ ;＜蔵臼 `"How foolish.`@` With the non-existant 20 billion yen of gold, that would be 5 billion yen per person. Are you telling me to pay a total of 15 billion yen?`@` ......Ridiculous!"`\ cl r,22 ld r,$HID_MajimeA1,24 ;「最後まで聞きなはれ！@　そない大金、出てこんのはわかっとる。@出来へん取引はするつもりないで！@　もちろん黄金の取り分についても、蔵臼兄さんの今日までのご苦労を充分に労って換算するつもりや。」\ `"Keep listening until the end!`@` We know that much money can't just appear out of nowhere.`@` We're not asking you to make an impossible deal!`@` Of course, regardin' the portions of the gold, we plan to reward you sufficiently for your hard work until now in our calculations."`\ ld c,$EVA_WaraiA1,80 ;「条件３。@黄金の分配は右代宮本家当主跡継ぎの肩書きに５０％。残りを兄弟の正当な取り分として分割。@もちろん、蔵臼兄さんもこれには含めるわよ。」@ ;＜絵羽 `"Our third condition:`@` The portion of the gold to the one bearing the title of successor to the Ushiromiya main family will be 50%. The remainder will be split fairly between the siblings.`@` Of course, this also includes you, Krauss nii-san."`@ cl l,24 ld l,$RUD_MajimeA2,23 ;「２００億の内、１２５億を兄貴に。@２５億を絵羽姉さんに。@２５億を俺に。@２５億を楼座に。」\ ;＜留弗夫 `"Of the 20 billion, 12.5 billion will go to Aniki,`@` 2.5 billion will go to Eva nee-san,`@` 2.5 billion will go to me,`@` and 2.5 will go to Rosa."`\ bg M1F_S1b,0 ld r,$KLA_AkuwaraiA2,24 ;「…………ありがたくて涙が出る分配じゃないか。@存在しない黄金のために、お前たちに７５億支払えというのかね。」@ ;＜蔵臼 `".........That portion makes me so grateful I could cry.`@` So you're saying, for the sake of the gold that doesn't exist, I must pay you 7.5 billion."`@ ld l,$EVA_futekiA1,23 ;「何よぅ。@兄さんの取り分は私たちの５倍じゃない。@私なら躍り上がっちゃう好条件よぅ？@　うふふふふ…。」\ ;＜絵羽 `"What's wrong?`@` Nii-san, your share is five times the size of ours.`@` That's such a good condition, I'd be jumping for joy.`@` Uhuhuhuhuhu..."`\ bg black,22 bg M1F_S1d,22 ;「条件の４。@分配金は親父の死亡時に遺産分配に含めて清算する。@ただし、手付金として俺たちの取り分の１０％を即納してもらう。@支払いは来年３月までだ。」\ ;＜留弗夫 `"Our fourth condition:`@` The divided gold will be included when the inheritance is distributed at the time of Father's death.`@` However, as a deposit, 10% of our portions will be paid to us promptly.`@` The payment must be made before March of next year."`\ ;「……どや、蔵臼兄さん。お父さんの財産を巡る信頼を回復する絶好のチャンスやないか！@　さすがに７５億の大金はお父さんが亡くなってからやないと無理やろ。@だが、手付けの７億半は何とかできんこともないんとちゃうか？」\ `"......What do you think, Krauss nii-san?`@` This is an ideal chance for you to restore the trust you need to run Father's assets, isn't it?!`@` Of course, it might be impossible to get a whole 7.5 billion before Father dies.`@` However, you can't say that you couldn't manage a deposit of 750 million, right?"`\ ;「半年で７億ってのはちょいとしんどい話だが、@政界財界に友人が多いってのが自慢の兄貴なら、何とかできるだろ。」\ ;＜留弗夫 `"Paying 700 million in half a year might be slightly bothersome, `@`but Aniki, who has many friends in the political and business spheres, should be able to manage it."`\ ;「本当なら今すぐ７５億を一括で払ってもらいたいところよぅ。@でも兄さんの立場に配慮して、とりあえず１割を納める誠意を見せてくれたら、@残りの９割は遺産分配時に持ち越してくれていいってことなの。@…ね？@　１割程度の誠意なら、兄さんにだって示せるんじゃない？」\ ;＜絵羽 `"Normally, I'd hope to receive the 7.5 billion right now, all at once.`@` But out of concern for you, I'll show my sincerity by asking for only ten percent of that for the time being.`@` It's alright to let the remaining 90 percent carry over until the distribution of the inheritance.`@` ...Right?`@` With ten percent to show sincerity, even you would notice it."`\ bg M1F_S1a,0 ld c,$KLA_AkuwaraiA1,22 ;「…………親父殿の財産状況調査を私に一任する権利を、７億５０００万で売りつけようというのかね。@………ふ、ふっふっふ。@上等じゃないか。@お前たちも成長したものだ。@この私に取引を持ちかけられるようになるとは。」\ ;＜蔵臼 `"............So my right to investigate the status of Father's assets is being sold to me for 750 million.`@` .........Heh, heheheh.`@` Isn't that great?`@` You all sure have grown.`@` I never thought you all would become capable of offering a deal to me."`\ bg M1F_S1c,0 ld r,$EVA_MajimeA1,24 ;「これらを兄さんが飲むなら、私たち兄弟はお父様の財産状況調査を兄さんに一任する。@ただし、その調査結果は抗弁の対象となる。@/ `"Nii-san, If you accept these, the rest of us siblings will leave the investigation of Father's assets to you.`@` However, the results of that invesigation will be subject to protest.`@/ ld r,$EVA_akireA1,80 ;…当然よねぇ？@　７５億分、私たちの取り分が減るように調整されちゃったら悲しいもの。」\ ;＜絵羽 `...It's only natural, right?`@` We'd be sad if you adjusted our portion of 7.5 billion downwards."`\ ld l,$RUD_MajimeA2,23 ;「原則的に文句は言わねぇつもりだ。@兄貴が綺麗にやってくれたならそれでいい。@…よっぽど露骨なことをしなけりゃ、俺たちは事を荒立てるつもりなんかねぇんだぜ。@俺たちだって早く遺産は欲しい。@いつまでもぐだぐだして取りっぱぐれたくねぇんだ。」\ ;＜留弗夫 `"As a general rule, we wouldn't complain.`@` As long as you do it neatly, it's fine.`@` ...As long as you don't do anything significantly obvious, we don't plan to aggravate anything.`@` We just want the inheritance quickly.`@` We don't want it to get all drawn out and led astray."`\ bg M1F_S1b,0 ld r,$KLA_DefA1,23 ;「……抗弁された場合の再調査は、誰がするのかね？」\ ;＜蔵臼 `"......In the case of a complaint, who would do the second investigation?"`\ ld l,$ROS_KomaruA1,23 ;「……………兄さんでいいわ。@多分これが、兄弟が合議する最初で最後の機会だもの。@…そんなことにはならないと信じてる。」@ ;＜楼座 `"............It's alright if it is you.`@` This will probably be the first and last opportunity for the siblings to discuss this.`@` ...I believe that it won't come to that."`@ ld c,$EVA_WaraiA1,22 ;「ふふふ、くっくっくっく！@　楼座もたまには言うわねぇ。」\ ;＜絵羽 `"Heheh, *cackle*cackle*!`@` Rosa really can talk sometimes."`\ bg M1F_S1d,25 ;　蔵臼が長兄としてまったく信用されていないことは、今さら説明の必要がないほどに明白だった。@ `That Krauss was completely not trusted as the oldest sibling is so obvious at this point that there's no need to explain it.`@ br ;　暴君だった長兄は、常に権利を詐取し続け、兄弟たちの取り分を侵し続けてきたのだ。@ `The formerly tyrannical oldest brother would always abuse his privileges and violate the other siblings' shares.`@ br ;　…それに対し、大人になった彼ら３人が連帯し、初めて兄に刃向かったということ…。\ `...Compared to that, the other three, who had become adults, were only now striking back at him for the first time, and only by working together...`\ bg M1F_S1c,0 ld r,$HID_majimeA1,26 ;「申し訳ないが、条件はまだ続くんや。@条件５。@この取り決めはお父さんの遺言状に優先する。@………後になって、この取り決めが反故になるような遺言が出てきちゃかなわんちゅうこっちゃな。」\ `"I'm sorry, but there are further conditions.`@` Our fifth condition:`@` This decision must take precedence over Father's will.`@` .........Later on, we don't want some will to appear and make this decision completely useless."`\ ld l,$KLA_akuwaraiA3,23 ;「………入念じゃないか。@…なら質問だが、仮に本当に黄金が見付かった場合、どうするのかね？」\ ;＜蔵臼 `".........I see that you're very cautious.`@` ...Then let me ask, if the gold really were found, what would you do?"`\ cl r,23 ld r,$RUD_AkuwaraiA1,24 ;「それに対する支払いを兄貴が済ませてる以上、@俺たちは/ ;!w600“本当に”/ ;!w800黄金が出てこようがどうでもいいことさ。@…俺たちの取り分は先払いってな感じになるわけだからな。」\ ;＜留弗夫 `"As long as you settle this matter with the corresponding payment, `@`the rest of us`/ !w600` 'really'`/ !w800` don't care whether the gold appears or not.`@` ...You can think of our share as an advance payment."`\ ld c,$EVA_waraiA1,24 ;「くすくす、夢があっていいじゃない。@この島をリゾート化するつもりなんでしょう？@　その工事の途中で、ひょっこり黄金が見付かるかもしれないじゃなぁい。」@ ;＜絵羽 `"*giggle*, it's alright to dream.`@` You plan to turn this island into a resort, right?`@` During construction, you might stumble upon the gold by chance."`@ ;　絵羽がころころと笑う。@ ;　蔵臼はそれを見ても、眉一つ歪めずにやり過ごしていた。\ `Eva let out a high-pitched laugh.`@ `Krauss watched without even flinching.`\ ld l,$KLA_MajimeA2,80 ;「……条件に７を付けて貰おう。@私以外の兄弟が黄金を発見した場合、速やかに私に引き渡すこと。」@ ;＜蔵臼 `"......Let me add a 7th condition before I accept.`@` In the situation that any sibling other than myself finds the gold, they will immediately turn it over to me."`@ ld c,$EVA_HohoemiA1,80 ;「えぇえぇ、もちろん保証するわよぅ？@　くすくすくす！」\ ;＜絵羽 `"Yes, yes. Of course, we'll hold onto it for you.`@` *giggle*!"`\ bg black,22 ;　詭弁だ。@ `It was a play on words.`@ ;　存在しない黄金にカネを払わせた彼らが、@仮に本当に黄金を見つけたとして、蔵臼に取り分を保証するわけなどない。@ `The others, who were forcing Krauss to pay money for some nonexistent gold, `@`would of course not ensure Krauss's portion if they actually found the gold.`@ br ;　この取引は初めから蔵臼に対して脅迫的なのだ。\ `From the beginning, this deal had been nothing more than a threat directed at Krauss.`\ ;　事実がどうかは別にして、蔵臼が父親の財産を横領している可能性は極めて高い。@ `While the truth might be different, the possibility that Krauss was embezzling his father's assets was extremely high.`@ br ;　やがて訪れる金蔵の死去に際して、遺産分配となれば、必ずや不明朗な事実が判明するだろう。@ `When at last Kinzo faced death and the inheritance would be distributed, surely some unpleasant facts would be established.`@ br ;　それは蔵臼にとって致命傷となりかねない事態だ。\ `That situation would likely be a fatal wound to Krauss.`\ ;　その弱点を彼らは掴み切り、譲歩するふりをしながら兄を脅迫して莫大なカネを搾り出そうとしているのだ。\ `They had snatched up that weak point and, under the veil of compromise, were threatening their brother to try and wring out a huge sum of money.`\ ;　……だが、彼らは失念していた。@ `......However, they had let one thing slip.`@ br ;　彼らが３人で連帯しなければ勝てないと思わしめた長兄の、悪知恵に限って回転の速い頭を忘れていたのだ。\ `The three of them had forgotten that their oldest sibling, who they couldn't defeat unless they banded together, was very crafty and had a swiftly spinning brain.`\ bg M1F_S1a,22 ;　勝利を確信して笑みを絶やさない絵羽に、蔵臼はリラックスを示して見せると小気味よく笑いながら言った。\ `Krauss, noticing that Eva, sure of her victory, could not hide her smile, relaxedly let out a gloating laugh as he spoke.`\ ld c,$KLA_AkuwaraiA1,22 ;「はっはっは。@とても良い話じゃないか。@……私も、お前たちとの関係が疎遠になっていたことには非常に心を痛めていた。@この条件を飲むことによって、兄弟間の関係が再び友好なものにできるなら、それはとても嬉しいことだよ。@喜んで話に乗らせてもらおうじゃないか。@……喜べ楼座。@取引は成立だ。」\ ;＜蔵臼 `"Hahaha.`@` Isn't that a great story?`@` ...I also have felt a deep pain in my heart at my estrangement from the rest of you.`@` If by accepting these conditions, the relationship between the siblings could once again become friendly, I would be quite pleased.`@` I'll join in on this with pleasure.`@` ......Be happy, Rosa.`@` The deal is concluded."`\ bg M1F_S1b,0 ld r,$ROS_KomaruA2,24 ;「……………………。」@ ;＜楼座 `".................."`@ br ;　楼座の表情は曇る。@ ;　……兄がこういう言い方をする時、話は決して好転しないからだ。\ `Rosa's expression dimmed.`@ `......When her brother started talking like this, the conversation would never change for the better.`\ bg M1F_S1a,0 ld l,$EVA_MajimeA1,23 ;　…それは絵羽も敏感に感じ取っていた。@ ;　だから、蔵臼が素直に取引に乗ってくれたにも関わらず、その不安感を拭えずにいた。\ `...Eva was also sensitive enough to realize this.`@ `Therefore, even though Krauss had obediently accepted the deal, she was unable to wipe away her feeling of insecurity.`\ ld l,$EVA_ikariA1,80 ;「…いやに素直ね。@兄さんらしくもないわ。」@ ;＜絵羽 `"...My, how obedient.`@` That's not like you, Nii-san."`@ ld r,$KLA_akuwaraiA2,24 ;「それはひどいじゃないか。@私に下心があるというのかね？@　あるわけもないさ。@お前たちと同じだ。」@ ;＜蔵臼 `"That's harsh.`@` You think I have an ulterior motive?`@` Of course there isn't one.`@` Just the same as all of you."`@ br ;　“お前たちと同じだ”。@ `'Just the same as all of you'.`@ br ;　その部分だけが強調されたような気がした。\ `It felt as though only that part was emphasized.`\ bg M1F_S1b,0 ld r,$RUD_KomaruA1,24 ;　留弗夫の顔色も曇る。@ `The color of Rudolf's face darkened.`@ br ;　“お前たちと同じ程度に、考えがあるさ”。@…そう聞こえたからだ。\ `He heard it as 'I have an idea at the same level as yours'.`\ ;　だから焦る。@このまとまりかかった話を決着させようと結論を急いた。\ `That gave him a sense of urgency.`@` Trying to bring this near-finished discussion to a conclusion, he rushed to wrap it up.`\ ld r,$RUD_NayamuA1,80 ;「……ならいいんだ。@…じゃあ兄貴。@ここにサインをもらえるか。@今の話を書き出した俺たちの誓約書だ。@人数分ある。@同じ内容に全員がサインする。」@ ;＜留弗夫 `"......Then we are good.`@` ...So, Aniki.`@` Would you mind signing here?`@` This is a written contract containing the discussion we have been having.`@` There's one for each person.`@` Everyone will sign for the same contents."`@ ;　留弗夫は懐より、取引の詳細が記された４人分の誓約書を取り出す。\ `Rudolf took four written contracts out of his breast pocket that had the details of their deal written on them.`\ ld l,$HID_DefA1,23 ;「蔵臼兄さんの提案した、条件７ももちろん今から追記するで。@安心したってな。」@ ;＜秀吉 `"The seventh condition that Krauss nii-san proposed will, of course, be added from now on.`@` Don't worry."`@ ld r,$RUD_DefA1,80 ;「兄貴、ペン使うか？」@ ;＜留弗夫 `"Aniki, will you use a pen?"`@ ;　留弗夫が懐から万年筆を取り出し蔵臼に差し出す。\ `Rudolf took a fountain pen out of his breast pocket and offered it to Krauss.`\ ;　蔵臼はそれを受け取る仕草をしたが、ふっと薄く笑うと、受け取らずに手を引っ込め、言った。\ `Krauss made as if to accept it, but then, with a small laugh, drew back his hand without taking it and spoke.`\ cl a,22 ld c,$KLA_AkuwaraiA2,23 ;「…………実は、/ ;!w700この取り決めを確かに履行するために一点だけ修正を提案したい。」\ ;＜蔵臼 `"............Actually,`/ !w700` in order to make sure this agreement is definitely effective, I would like to propose a single amendment."`\ ;　蔵臼がその一言を口にした時。@ ;　…兄弟たちは皆、背中を何か忌々しいものがぞわりと上って来るのを同時に感じた。\ `When Krauss said that one sentence...`@ `...All of the siblings felt as though something annoying was creeping up their backs at the same time.`\ bg M1F_S1a,0 ld r,$EVA_akireA1,23 ;「……ダ、ダメよぅ。@もう決まった話よ？@　黙ってサインを。」\ ;＜絵羽 `"...Tha-, that won't do.`@` We've already decided, haven't we?`@` Quietly sign it."`\ ld l,$KLA_DefA1,23 ;「絵羽、何を焦っているんだね？@　もちろんサインはする。@お前たちに黄金の分け前、７５億円分を約束する。@親父殿の遺産分配の時、綺麗さっぱり清算することも約束する。@/ `"Eva, why are you so impatient.`@` Of course I will sign.`@` I'll promise that your share of the gold will be 7.5 billion yen.`@` I also promise that, when Father's inheritance is distributed, I will cleanly and neatly liquidate it.`@/ ld l,$KLA_nayamuA1,80 ;………だが、一点だけどうしても譲歩してもらいたい部分があるのだよ。」@ ;＜蔵臼 ` .........However, in one part, there is a point that I cannot compromise on no matter what."`@ cl r,23 ld r,$RUD_akuwaraiA2,24 ;「…………何の話だよ。@どの点が気に入らねぇってんだ…？」\ ;＜留弗夫 `".........What are you talking about.`@` What point don't you like...?"`\ ld l,$KLA_akuwaraiA3,80 ;「分け前の１割、７億５千万円を即納する点だよ。@お前たちの指摘通り、私の財政状況は決して裕福ではない。@数々の先行投資によって、未来に必ず回収できると保証されながらも、@今のこの時点では火の車であることは認めなければならない。\ `"The part about promptly paying ten percent of each portion, 750 million yen.`@` As you pointed out, my political and financial status is not prosperous.`@` While I can ensure that I will definitely collect on various future investments,`@` at this time I have no choice but to admit that I am very poor.`\ ld l,$KLA_akuwaraiA2,80 ;　つまり、今すぐに動かせる金はまったくないということだ。@……私は無能で商才の嗅覚も鈍い。@お前たちの言うところの、弱り目の私には７億半も半年で動かせる力はないということだよ。」\ ;＜蔵臼 `In short, I have absolutely no money that I can move around right now.`@` I am incompetent, and my business skills and senses are dull.`@` Since I am as weak as you all have said, I have no power to move 750 million in just half of a year."`\ ld c,$EVA_IkariA1,24 ;「そ、そんなはずはないでしょう。@いい加減なことを言ってこの場を誤魔化す気？」@ ;＜絵羽 `"Tha-, that can't be true.`@` Are you trying to deceive us with such a careless trick?"`@ ld l,$KLA_defA1,80 ;「遺産分配時に全て一括で清算する。@１割を即納する条件を削除したまえ。@…それが私にサインさせるための唯一の条件だ。」\ ;＜蔵臼 `"At the time of the division of the inheritance, I will liquidate everything at once.`@` Remove the condition that I must pay you ten percent in advance.`@` ...That is the only situation I am willing to sign under."`\ bg M1F_S1c,0 ld r,$HID_fumuA1,24 ;「……蔵臼兄さん、この１割はな、あくまでも兄さんの誠意を測る数字なんやで？@　本当なら取引の余地もない話や。@そこを百歩譲った上で、とりあえず１割の誠意でこの場は丸く治めちゃるっちゅう大サービスなんやで。@そう説明した上で、そこを断るっちゅうんは、互いの信頼関係にちょいと影を落とすんとちゃいますか…？」\ ;＜秀吉 `"......Krauss nii-san, that ten percent is nothin' more than a number to measure your sincerity, isn't it?`@` There shouldn't really be any room for argument on this deal.`@` We're doin' you a favor by offerin' to let things slide for just ten percent in good faith money.`@` Now that you understand that, rejectin' our offer would seriously damage our trusting relationship, yes...?"`\ ;　秀吉は謙遜するような表情を浮かべながら揉み手のような仕草をするが、@その瞳は決して落ち着いたものではなかった。@ `Hideyoshi had a humble expression on his face and was rubbing his hands together,`@` but his eyes were not calm at all.`@ br ;　……蔵臼は、その瞳の中の影をすでに見抜いていた。\ `......Krauss had already seen through the shadow in the depths of those eyes.`\ ld l,$KLA_AkuwaraiA1,23 ;「………ふ。@お前たちは何を焦っているのかね？@　…それとも、何に怯えているのかね？@　………楼座、私にだけは教えてくれんかね。@…他の兄弟たちには内緒でこっそりと。」@ `".........Hmph.`@` Why are you all so hurried?`@` Or are you possibly afraid of something?`@` .........Rosa, won't you tell at least me?`@` ...Secretly, without telling the rest of the siblings."`@ cl r,23 ld r,$ROS_KomaruA3,24 ;「……………べ、別に私は……、」\ ;＜楼座 `"............It, it's not like I......"`\ cl l,24 ld l,$RUD_komaruA1,24 ;「よせよ兄貴。@俺たちは兄貴がサインするかしないかしか聞いてない。@妙な勘繰りも交渉もなしだ。」\ ;＜留弗夫 `"Quit it, Aniki.`@` All we're asking is whether you're going to sign or not.`@` Just forget about making any strange deals or anything suspicious."`\ bg M1F_S1b,0 ld c,$KLA_defA1,23 ;「……ほぅ？@　私には交渉の余地もないと。@…立場が弱いのは私の方で、公平な関係ではないと、そう言いたいのかね…？」\ `"......Hoh?`@` So I have no margin for negotiation.`@` ...Do you claim that my position is so weak that we are not in an even relationship...?"`\ meplay 1,5 ;　留弗夫の背筋にぞっとしたものが這い上がってくる…。@ `Shivers began to crawl up Rudolf's back...`@ br ;　子供の頃から、決して超えることの出来なかった兄の壁の高さとその長き影に、@自分が飲み込まれつつあることに気付き始める…。\ `He began to feel himself getting sucked in by the height of his brother's completely insurmountable wall and that long shadow which had existed since they were children...`\ ld c,$KLA_nayamuA1,80 ;「取引は公平な関係であるべきじゃないのかね？@　この取引は私にとっては、弟や妹たちと長いこと失ってきた信頼を取り戻し、兄弟愛を深め合うもの。@それは私にとって、緊急に解決したかった心のしこりだ。@それが今日解決できてとても嬉しいと思う。@………だが、お前たちも、この取引を急ぎ締結することがとても嬉しいんじゃないのかね…？」\ ;＜蔵臼 `"Shouldn't this deal be made on an even footing?`@` To me, this deal will restore the long lost trust of my younger brother and sisters and deepen the love between us siblings.`@` And there has been an uneasiness in my heart to have this resolved quickly.`@` I would be very happy if it could be resolved today.`@` .........But you too would be very happy if this deal were quickly resolved, wouldn't you...?"`\ ;　蔵臼がぎょろりと兄弟たちを見回す。@ ;　…弟たちは動物的本能で目を背けた。@ `Krauss stared at each of the siblings.`@ `...They avoided his gaze with animal-like instinct.`@ br ;　秀吉だけが背けるのに遅れる。@…だから蔵臼の眼差しに捕まった。\ `Only Hideyoshi was slow avoiding it.`@` ...So he was caught in Krauss's gaze.`\ ld c,$KLA_AkuwaraiA3,80 ;「秀吉兄さん。@あなたの会社、非常に好調子だそうじゃないですか。@トントン拍子で上場を果たし、業績も株価も右肩上がり。@実にお羨ましいことです。」\ ;＜蔵臼 `"Hideyoshi-san.`@` I hear that your company has been going extremely well recently, hasn't it?`@` With a swift rhythm it has become listed as a stock, and both its performance and stock prices have soared.`@` I am truly jealous."`\ bg M1F_S1c,0 ld r,$EVA_majimeA1,24 ;「……う、うちの人の話は関係ないでしょ。」\ ;＜絵羽 `"...M-, my husband's situation surely has nothing to do with this."`\ ld l,$KLA_nayamuA1,23 ;「だが、株主たちに対する還元を怠ったのが悪かった。@そして上場した時に足回りを固め切らなかったのもまずかった。@……気付いた時には性質の悪い連中に、自社株をだいぶ買い集められていたらしいじゃないですか。」@ ;＜蔵臼 `"However, it is unfortunate that you have neglected your stockholders.`@` It's also horrible that you were unable to solidify your base when you became stock-listed.`@` ...Before you realized it, some bad-natured colleagues of yours had bought up a huge share of your company's stock, didn't they?"`@ cl r,23 ld r,$HID_komaruA1,24 ;「………な、/ ;!d800……何でそんな話、知っとるんや…。」\ ;＜秀吉 `".........H,`/ !d800` ......how could you know something like that..."`\ ld l,$KLA_AkuwaraiA2,80 ;「秀吉さんと同じですよ。@私に融資する人間などいないと裏を取れる程度に、私も秀吉さんの裏を取れるのです。@ははは、そんな不思議がることはないじゃないですか。」@ ;＜蔵臼 `"The same way as Hideyoshi-san.`@` If you can collect evidence proving that no one would offer a loan to me, then I can collect evidence on Hideyoshi-san.`@` Hahaha, is it really that strange of a thing?"`@ br ;　蔵臼がにやりと笑う。@ ;　…対照的に秀吉の顔は見る見る青ざめていく……。\ `Krauss grinned broadly.`@ `...In contrast, Hideyoshi's face was turning obviously pale......`\ bg M1F_S1d,25 ;　秀吉の会社は、ゼロからスタートした外食チェーン運営会社だった。@ `Hideyoshi's company was a fast food chain management company that he had started from nothing.`@ br ;　秀吉の経営努力により次々と業績を上げ事業を拡大、ついに念願の株式上場を果たした。\ `Through Hideyoshi's management efforts, performance of the business repeatedly rose and magnified, and recently a petition to make it a stock-listed company succeeded.`\ ;　株式制度の最大の利点は、株券を販売することにより巨額の融資を得られることにある。@ `The greatest advantage of being in the stock-holding system was that, by selling stock certificates, a large amount of financing could be gained.`@ br ;　その額は、本来の営業利益よりもはるかに大きい。@ ;　その為、会社をより大きく成長させるため大きな軍資金を集めるには非常に有効な手段であった。\ `That amount was far greater than the actual profits from the business.`@ `This made it an extremely effective way to gather the massive funds needed to grow his company even further.`\ ;　だが、株主たちは会社に融資をするのと引き換えに、一定の権利を有する。@ `However, in exchange for financing the company, the stockholders had certain rights.`@ br ;　それは、自分たちが融資した会社が、融資した以上の利益を上げられるよう監視し、指導する権利である。\ `That was, in order to give the company that they had financed even greater profit, they had the right to observe and control it.`\ ;　……その権利は株主総会で保証され、時には彼らによって無能な経営陣が更迭されることすらある。@ `......That right was guaranteed to all stockholders, and they would sometimes use it to dismiss ineffectual management.`@ br ;　経営を監視することによって、自分たちの融資した額が無駄にならないようにする「権利」なのである。\ `It was the 'right' to prevent the money they had spent financing the company from going to waste by watching the management of the company.`\ ;　だが、その権利を強権的に行使すれば、会社の経営陣を全て追い出し、会社を乗っ取ることもできる。\ `However, if they use this right forcibly, they can eject the former management and take over the company.`\ ;　…株主総会には、経営陣の罷免と新しい経営陣を指名する権限もあるからだ。@ `...Because the general body of all shareholders has the power to dismiss the management and nominate new management.`@ br ;　この権利は株主たちの多数決で決まる。@ ;　そして多くの株を持つ者が、その数分、多く投票できるのだ。\ `That power is determined based on the majority decision of the stockholders.`@ `And people who hold more stock get to cast more votes.`\ ;　つまり、過半数の株を持つ者、もしくは勢力は、自分たちの自由に経営陣を追い出し、好きな者を社長にできるのである。@ `In other words, if some person or group holds a majority of the stock, they can freely chase out the old management and make the president anyone they would like.`@ br ;　望めば、自らが社長に着くことすら可能なのだ。\ `If they want, it is also possible for them to make themselves president.`\ ;　多くの会社は、悪意ある者に株が買い占められて自分たちの立場が脅かされないよう、@株券を自社の社員などの身内に多く購入させるなどして、敵対勢力が過半数を抑えることがないよう、何らかの防御策を取っている。\ `In many companies, their stock gets bought up by malicious people and, in order to prevent their position from being threatened,`@` they make their own employees or people close to them buy a lot of stock certificates. To prevent hostile action from being taken by the majority, they try to take some kind of defensive measures.`\ bg black,22 ;　しかし、秀吉の会社は上場から日が浅く、その辺りの防御策を固める時間が足りなかった。@ `However, since Hideyoshi's company had only recently become stock-listed, he hadn't had the time to strengthen those defensive measures.`@ br ;　いや、秀吉自身、会社経営に現を抜かし、上場の恐ろしさをよく理解していなかったこともあるかもしれない。@ `No, maybe Hideyoshi himself was so engrossed in the management of his company that he couldn't realize the dangers of being stock-listed.`@ br ;　それを、彼が経営に没頭する良心的な良い経営者と見るか、足下をさらわれた愚かな経営者と見るかは難しいのだが…。\ `It's hard to say whether he should be viewed as a kind-hearted and skilled manager immersed in management, or a foolish manager who had his feet swept out from under him...`\ ;　…その甘さを、見逃さない連中がいたということである。\ `...There were people out there who would not let him get away with that naivety unscathed.`\ ;　彼らは秀吉の会社の株を次々に買い集め、無視できぬ勢力を一気に築き上げた。@ ;　そして株主たちに怪文書を送りつけ多数派工作を仕掛けてきた。@ `They began repeatedly buying up Hideyoshi's company's stock and suddenly gained such strength that they couldn't be ignored.`@ `They then sent anonymous documents to the shareholders and began to capture the majority.`@ br ;　曰く、「現経営陣は無駄な投資を繰り返し株主への還元を怠っている。@現経営陣を退陣させ、投資の無駄を省き株主への還元の多い会社へと生まれ変わらせよう」と。\ `The documents read: 'The current management continues to make pointless investments and is ignoring the needs of the stockholders.`@` Let us force the current management to retire, cut the current wasted investments, and let this company be born again as one that gives more back to the stockholders.'`\ ;　会社の経営実態を正しく知らしめることはとても難しい。@ `It is very difficult to make the actual state of a company's management known.`@ br ;　…秀吉が寝る間も惜しみ常に会社のためを思って出してきた成果を、悪意で曲解させ、株主たちの信頼を失わせたのである。\ `...The success created by Hideyoshi's tiny amount of sleep and his constant concern for his company was cruelly twisted, and he lost the trust of his stockholders.`\ ;　彼ら勢力は過半数に近い株を抑え始めていた。\ `Their efforts had almost collected a majority of the stock in the company.`\ ;　…この時点で秀吉も気付き、株の買い戻しを始めたが、会社が買収工作を受けていることを理解している株主たちは、@秀吉の買戻し、もしくは総会での白紙委任状への判子に対し皆がそれぞれ法外な金額を要求。@ `...At that point, even Hideyoshi noticed and started to buy back the stock, but the stock holders, who realized that the company was undergoing an acquisition maneuver, `@`demanded a ridiculous price for the shares that Hideyoshi was trying to buy back.`@ br ;　金額交渉の余地のない秀吉を苛み続けていた。\ `They continually tortured Hideyoshi, who had no leeway in the negotiation of the price.`\ ;　互いの勢力が欲しがる物は価値が上がるのは資本主義の必定。@ ;　そして、多数決に勝った者が全てを支配するのも民主主義の必定。@ `One of the certainties of capitalism is that value will rise when both parties vie for the same thing.`@ `And one of the certainties of democracy is that the majority controls everything.`@ br ;　つまり最後には、より多くの株を買い集めることができたものが勝つ。@ `So in the end, whoever manages to buy up the most stock wins.`@ br ;　…つまり、より多くのカネを集めたものが勝つ。\ `...So whoever has the most money wins.`\ bg M1F_S1a,22 ;　秀吉は大量の金を手に入れなければ、自分が育て上げてきたもの全てを失いかねない瀬戸際にいたのである…。@ `If Hideyoshi could obtain a large sum of money at this critical time, he would be able to avoid losing all of that which he had built up...`@ br ;!s0　ダカラ、/ ;!d1000現金ガスグニ大量ニ、/ ;!d1000喉カラ手ガ出ルホドニ欲シカッタ…！@ !s0`THEREFORE, `/ !d1000`MORE THAN ANYTHING ELSE, `/ !d1000`HE WANTED A LOT OF MONEY RIGHT NOW...!`@ !sd br ;　いつ死ぬかもわからない金蔵の遺産相続など待てないのだ。\ `He couldn't wait for the division of Kinzo's inheritance, which could happen at any time.`\ ld r,$KLA_AkuwaraiA2,24 ;「留弗夫の方も、最近は大変だそうじゃないかね。@海外は怖いとよく言うが、本当にそうらしいな。@アメリカの裁判は極めて感情的に決まる。@彼らは外国人に寛大な判決など出しはしない。@……先方と和解した方が結局は安上がりになると弁護士に忠告を受けたんじゃないのかね？」\ `"And you, Rudolf, you've been in a lot of trouble lately, haven't you?`@` They say it's scary overseas, but it seems that's really true.`@` American trials are settled quite emotionally.`@` They won't give a generous judgement to a foreigner.`@` ......Weren't you advised by your lawyer that making a settlement with the other party would be more economical in the end?"`\ ld l,$KIR_MajimeA2,23 ;「…………何の話…？」@ ;＜霧江 `"............What are you talking about...?"`@ cl r,23 ld r,$RUD_AkuwaraiA2,23 ;「……まぁ、仕事上のトラブルさ。@大したことじゃない。@カネでケリのつく話さ…。」\ ;＜留弗夫 `"......Well, it's some trouble from work.`@` It's no big deal.`@` It'll be settled with money..."`\ ;　霧江は、留弗夫の浮かべる微妙な表情の意味をすぐに察する。@ `Kyrie quickly recognized what Rudolf's complicated expression meant.`@ br ;　……夫は、自分の知らないところで大きなトラブルに巻き込まれ、ひとり苦悩していたのだ。\ `......Her husband had gotten wrapped up in some kind of trouble without her knowledge, and had been suffering alone.`\ cl a,22 ld c,$KLA_AkuwaraiA3,22 ;「その通りさ。@世の中なんだってカネでケリが付く。@失った兄弟の絆だって買い戻せるようにな！@　アメリカは権利侵害などには五月蝿い国だ。@だがカネさえあれば何でも和解できる。@資本主義万歳だよ。@…もっとも、和解金は数百万＄にも及びそうだとの噂もあるがね？」\ ;＜蔵臼 `"That's right.`@` In this world, anything can be settled with money.`@` After all, it can even buy back the broken bonds between siblings!`@` America is very fussy about the violation of rights.`@` But with money, anything can be settled.`@` Long live capitalism.`@` ...Although it's rumored that the settlement money can reach several million dollars, isn't it?"`\ bg black,22 ;　留弗夫はある種の隙間産業で莫大な財を築いていた。@ `Rudolf had been building a large amount of wealth with a certain type of niche market.`@ br ;　…だが、隙間は隙間。@ ;　決して日向の仕事ではない。\ `...However, a niche is a niche.`@ `It's definitely not a sunny job.`\ ;　米国の巨大企業は留弗夫の会社を権利侵害で告訴しようとしていた。@ `An American corporate giant was trying to accuse Rudolf's company of violating their rights.`@ br ;　様々な条件から、裁判での勝ち目は非常に薄いと考えられ、留弗夫は全面的な降伏を迫られていたのである。\ `For various reasons, it was thought that winning the trial was extremely unlikely, and Rudolf went for an all-out surrender.`\ ;　…だが、それでもカネで解決する道がある。@ ;　そのカネさえ支払えれば、痛手ではあっても、まだまだ持ち直せるのだ。\ `...But even that was a path resolved with money.`@ `If he could only pay that money, though it might be painful, he could still pick himself back up.`\ ;　…しかし、払えなければ全てを失う。@ `...But if he didn't pay, he'd lose everything.`@ br ;!s0　ダカラ、/ ;!d1000現金ガスグニ大量ニ、/ ;!d1000喉カラ手ガ出ルホドニ欲シカッタ…！\ !s0`THEREFORE, `/ !d1000`MORE THAN ANYTHING ELSE, `/ !d1000`HE WANTED A LOT OF MONEY RIGHT NOW...!`\ bg M1F_S1b,0 ld l,$KLA_DefA1,22 ld l,$KLA_AkuwaraiA1,80 ;!sd「………楼座は清く正しい妹だ。@危険なマネーゲーム等には手を出さない。@…だが、お人好しな性分が災いしたんじゃないかね…？@　連帯保証人は、気安く引き受けるものではないと思うがね。」\ !sd`".........Rosa, you're a good and noble little sister.`@` You wouldn't even touch a dangerous money game.`@` ...However, your softhearted nature was your ruin, wasn't it...?`@` I wouldn't think one should agree to become a co-signer so lightly."`\ ld r,$ROS_komaruA1,24 ;「ん、/ ;!d500…ぇっと、/ `"Nn, `/ !d500`...umm, `/ ld r,$ROS_ikariA1,80 ;!d600…そ、それは蔵臼兄さんとは関係ないッ！！」\ ;＜楼座 !d600`...Th-, that has nothing to do with you, Krauss nii-san!!"`\ ;　楼座が珍しく感情を露にして叫ぶ。@ ;　…それは知られていないはずのことだったからだ。@ ;　蔵臼はその様子を見ながらくぐもった笑いを漏らす…。\ `Rosa uncharacteristically lay bare her emotions and yelled.`@ `...There's no way he could know.`@ `As Krauss watched, he let slip a muffled laugh...`\ bg M1F_S1d,22 ;　……何のことはない。@ `......Without exception.`@ br ;　彼らは全員が全員、@現金ガスグニ大量ニ、/ ;!d800喉カラ手ガ出ルホドニ欲シカッタ…！\ `Every one of them, `@`MORE THAN ANYTHING ELSE, `/ !d800`WANTED A LOT OF MONEY RIGHT NOW...!`\ ;　つまり、立場は逆転したのだ。@ `In other words, the situation had been reversed.`@ br ;　なぜなら、彼らが脅迫している蔵臼にだけ急ぐ大金が必要ない。@ ;　それに対して脅迫する３人は、何としても急ぎ大金がほしい。@ `Because only Krauss, who they were threatening, had no urgent need for a large sum of money.`@ `Compared to that, the three who were threatening him wanted money quickly, no matter what the cost.`@ br ;　つまり、この取引は引き伸ばすほどに蔵臼に有利なのだ。\ `So Krauss was able to control this deal however he liked.`\ bg black,22 ;　蔵臼は非常に狡猾だったのだ。@ ;　彼らのアキレス腱は初めから知っていた。@ ;　それでも確実ではなかった。@ `Krauss was very sly.`@ `He had known of their Achilles heel from the beginning.`@ `Even so, he had not been certain.`@ br ;　だからそれらを最後の最後まで伏し、彼らの出方を完全に見極めた上で反撃に転じたのである。\ `Therefore, he had hidden that until the very end, and, upon closely and completely examining their attitude, he had struck back.`\ ;ここでさらに時計フランジャーを重ねたい〜！！ meplay 2,19 bg M1F_S1a,0 ld c,$KLA_nayamuA1,22 ;「私もできることなら、可愛い弟や妹たちの危機に金を工面してやりたいと思っているよ。@…だが残念なことに持ち合わせがなくてね。@/ `"If I could, I would love to raise some money for my cute brother and sisters in their time of need.`@` ...But unfortunately, I have nothing on hand.`@/ ld c,$KLA_AkuwaraiA1,80 ;……７億半もの大金が工面できるスポンサーに心当たりがあるなら、先にそちらを当たってもらいたいのだよ。」\ ;＜蔵臼 `......If you have any sponsors in mind that can raise a whole 750 million, I suggest you try there first."`\ ;　勝ち誇った蔵臼の言葉はあまりに白々しい。@ ;　弟たちは、歯軋りしながらそれを聞き流すしかなかった。@ `Krauss's elated words were horribly blunt.`@ `The other siblings could do nothing more than listen, grinding their teeth.`@ br ;　………そんな都合のいいスポンサーに心当たりがあったなら、こんな真似はしないのだ。@ ;　万策が尽きたからこそ、このような大勝負に出ているのだ。\ `.........If they could think of a sponsor that convenient, they wouldn't have kept up this charade.`@` They had entered this huge battle specifically because they had exhausted all other options.`\ ld c,$KLA_AkuwaraiA3,80 ;「……もしお前たちが、どうしてもこの兄を頼りたいというなら。@私の口利きでスポンサーを探してやってもよいのだがね。@………おっと、私にはそんなものはいないと言っていたか。@それではどうにもならんねぇ。@……ふっふふふふふふふふ！」\ ;＜蔵臼 `"...If you're still set on relying on your older brother, `@`you can use my influence to find a sponsor.`@` .........Oh wait, you already said that I have no influence.`@` Well then, I can't do anything, can I?`@` ......Hehheheheheheheh!"`\ bg M1F_S1c,24 ;　勝ち誇る蔵臼の低い笑い声が客間をじわじわ満たしていく。@ `Krauss's low, gloating laugh began to fill the parlor.`@ br ;　さっきまで長兄を追い詰めていた弟、妹たちは、歯軋りしながら表情を歪ませることしかできない…。\ `The younger siblings who had, until now, been driving the oldest brother into a corner, could do nothing more than grimace and grind their teeth...`\ ld r,$HID_KomaruA1,24 ;「…………え、絵羽……、」@ ;＜秀吉 `"............E, Eva......"`@ ld l,$EVA_IkariA2,23 ;「……冗談じゃないわ…。@兄さんに借りなんか作れるもんですか…。@冗談じゃない、/ ;!d800…冗談じゃない……！」\ ;＜絵羽 `"......Don't make me laugh...`@` As if I could borrow from you...!`@` Don't make me laugh,`/ !d800` ...Don't make me laugh......!"`\ bg M1F_S1b,0 ld r,$ROS_KomaruA3,23 ;「………………く、/ ;!d800……蔵臼兄さんを頼ったら、どう助けてくれるの…。」@ ;＜楼座 `"............If,`/ !d800`......if we relied on you, how would you help us..."`@ ld l,$KLA_AkuwaraiA1,23 ;「言ったではないか。@私にできるのは他のスポンサーを探すだけだよ。@もちろん、利息を融通してもらえるようには最大限、交渉するがね。@ふふふふふ、くっくくくくくくく！！」\ ;＜蔵臼 `"I told you, didn't I.`@` All I can do is find other sponsors for you.`@` Of course, I will negotiate for the largest interest rate possible.`@` Hehheheheh, gahahahahahahahaha!!"`\ bg M1F_S1a,0 ld r,$RUD_KomaruA1,24 ;「……畜生……、/ ;!d800足下見やがってぇ…………。」@ ;＜留弗夫 `"......Damn you...,`/ !d800`taking advantage of us............"`@ ld l,$KIR_MajimeA1,23 ;「………あなた。@落ち着いて。」@ ;＜霧江 `".........Honey.`@` Please calm down."`@ ld r,$RUD_akuwaraiA2,80 ;「落ち着いてるぜ、俺は極めて冷静だぜ……。@……………クソッタレが…！」\ ;＜留弗夫 `"I am calm. I'm extremely cool......`@`............You bastard...!"`\ ;　霧江は夫の手を握る。@ `Kyrie grabbed her husband's hand.`@ br ;　その仕草がかえって哀れに感じて、留弗夫はその手を振り払った。@ ;　…それを見て蔵臼はさも愉快なことのように笑う。\ `But that action made him feel even more pitiful, so Rudolf shook it off.`@ `...Krauss laughed as though seeing that made him extremely happy.`\ bg M1F_S1c,24 ld c,$KLA_nayamuA1,22 ;「こんな時、本当に親父殿の隠し黄金が見付かればいいんだがねぇ。@そうすればすぐに２５億ずつをこの場で切り分けてやれるのだが。@残念残念、残念至極！@　非常に極めて実にどうしようもなく残念だ！\ `"In times like these, it sure would be nice to find Father's hidden gold.`@` If you did, you could split it up into 2.5 billion yen portions right now.`@` How sad, how sad. How very sad!`@` How extremely totally truly hopelessly sad!`\ ld c,$KLA_DefA1,80 ;　…………今宵は兄弟みんなで酒を酌み交わしながら、親父殿の隠し黄金を、@……ベアトリーチェの碑文の謎を、みんなで解き明かしてみようじゃないかね。@/ `............Tonight, as all the siblings drink together, `@`let us solve the riddle of Beatrice's epitaph and discover the location of Father's hidden gold.`@/ ld c,$KLA_AkuwaraiA3,80 ;仲良し兄弟が４人揃えば、きっと解けない謎はないはずさ。@…はっはははははははははははははははははははははははははははッ！！」\ ` If we combine four friendly siblings, there is surely no puzzle that can't be solved.`@` ...Hahhahahahahahahahahahahahahahahahahahahahahaha!!"`\ bg black,42 wait 1000 fede 0,3000 bg M_o1b,2 wait 1000 bgmplay 13 bg black,2 bg Mlib_1d,4 wait 1000 bg Mlib_1e,8 ;ld c,$KIN_DefA1,22 ;■金蔵の書斎 ;「………………ふ。@面白いことをする。@それでその、突きつけた条件というのは何か。」@ ;＜金蔵 `"............Hmph.`@` They're doing something interesting.`@` Well then, what are the conditions that they attached?"`\ ;bg Mlib_1b,0 ;ld r,$KAN_DefA1,24 ;「……はい。@蔵臼さまは黄金の発見を問わずにその分け前として、絵羽さま、留弗夫さま、楼座さまに、計７５億円を支払うこと。@ただしその１割を３月までに支払うこと。」\ ;＜嘉音 `"......Yes.`@` Whether or not Krauss-sama actually discovered the gold, he would pay Eva-sama, Rudolf-sama and Rosa-sama a total of 7.5 billion yen for their shares.`@` However, ten percent of that would be paid before March."`\ bg Mlib_1a,0 ld l,$KIN_WaraiA2,26 ;「ふ、はっはっはっはっはっは…。@蔵臼の間抜けめ。@弟たちに足をさらわれるとはな。@実に愉快ではないか。@/ `"Fu, hah-hah-hah-hah-hah-ha...`@` Krauss, you dunce.`@` That he would have his feet swept out from under him by his younger siblings...`@` Isn't that truly pleasant.`@/ ld l,$KIN_waraiA1,80 ;……しかし、詰めが甘いようだな？」\ `......But it seems their trap was naive?"`\ ld r,$KAN_DefA1,23 ;「………はい。@蔵臼さまはそれを、絵羽さま以下お三人が緊急に大金を用立てする必要があるためと看破されました。」@ `".........Yes.`@` Krauss-sama exposed that Eva-sama and the younger siblings all had an urgent need to get money."`@ ld l,$KIN_fumuA1,80 ;「ふ。@その程度のことは看破できるのか。@中途半端に無能な男め。@………今はどうしている？」\ `"Hmph.`@` Can you really call something of that level exposing?`@` That incomplete, incompetent man.`@` .........What are they doing now?"`\ ld r,$KAN_KomaruA1,80 ;「……話は一度中断されました。@今は、ベアトリーチェさまの碑文の話をされています。」@ `"......That conversation has been put on hold for the time being.`@` Now, Beatrice-sama's epitaph is being discussed."`@ ld l,$KIN_WaraiA2,80 ;「私の黄金がどこに隠されているのか、その謎を解こうと、か？」@ `"So, they are trying to solve the riddle and find out where my gold is hidden?"`@ ld r,$KAN_DefA1,80 ;「……………はい。」\ `"............Yes."`\ bg Mlib_1e,25 ;　金蔵は老眼鏡を置くと、ふっと鼻で笑う。\ `Kinzo set down his glasses and snorted.`\ ;「………奇跡の成就が先か、@愚か者どもが黄金を暴くのが先か。@…実に見物ではないか。@……愚か者どもが我が謎を解き明かしたなら、その時は私の全ての敗北だ。@我が屍を骨の一欠けらまでしゃぶり尽くすがいい。@愚か者どもの貪欲さが偉大なる魔法に奇跡を宿らせるのだ。@……だがもし！！@　奇跡の成就が先だったなら…、/ ;!d1000先だったなら！@　ベアトリーチェは再び蘇る！！@　私が半生をかけて追い求めたあの微笑が蘇るのだ…！\ `".........Will the miracle be fulfilled first, `@`or will those fools expose the gold first?`@` ...What a sight.`@` ...If those fools solve my puzzle, at that time I will be completely defeated.`@` They can suck my corpse down to the last fragment of bone.`@` Great magic can house a miracle from the fools' greed.`@` ...And yet!!`@` If the fulfillment of the miracle comes first...`/ !d1000`If it comes first!`@` Beatrice will be resurrected again!!`@` That smile which I have been chasing half my life will be restored...!`\ ;　おおぉベアトリーチェ！！@　奇跡を賭す聖なる夜がやって来るぞ、悪魔たちとのゲームが始まるぞ…！@　私はきっと打ち勝つ、絶対に生き残る！！@　他のやつらの命はくれてやる！@　富も名誉も財産も黄金も何もいらぬ！@　ただお前の微笑みがもう一度見たいだけなのだッ！！@/ ;!s0　ゲホンゲホンゴホン！！」/ `Oooooohhh, Beatrice!!`@` The sacred night when the miracle is wagered will come, and the devils' game will begin...!`@` I will definitely win, and will definitely remain alive!!`@` I'll give up the other people's lives!`@` I don't need wealth or honor or assets or gold or anything!`@` I only want to see your smile one more time!!`@/ !s0` *Coughcoughcough*!!"`/ quakey 2,500 quakey 2,400 !sd\ bg Mlib_1c,26 ;　金蔵は咽こんでしまい苦しそうにする。@ `Kinzo choked, apparently in great pain.`@ br ;　嘉音は主人の背中をさすろうと近付くが、金蔵は来なくて良いと制した。\ `Kanon got closer and tried to pat his master's back, but Kinzo signaled that he didn't need to.`\ ld r,$KIN_DefA1,24 ;「…………なぜ、私が黄金の隠し場所をわざわざ人目に触れるように曝したかわかるか？」@ `"............Do you know why I went to the trouble of exposing the hidden location of the gold so that everyone could see it?"`@ ld l,$KAN_nayamuA1,23 ;「……いえ。」\ `"......No."`\ ld r,$KIN_fukigenA1,80 ;「魔法の力はリスクで決まるからだ。@ベアトリーチェの黄金を暴こうとする人間が多ければ多いほど。@その危険が高まれば高まるほどに、それでもなお成就できた時、魔法の力は偉大なる奇跡を起こせるのだ。@/ `"It is because magical power is decided by risk.`@` If the number of people who try to discover Beatrice's gold is great,`@` and the danger of that happening is great as well, then assuming that the bet is successful despite those long odds, the magical power will bring about a grand miracle.`@/ ld r,$KIN_waraiA2,80 ;………魔法とはつまりゲームなのだよ。@優れている者が勝者になるのではない。@勝者には魔法が与えられ優れるのだ。@わかるか？@　生命の奇跡が数億分の一という神々しい確率に勝利するからこそ与えられるようにな。@………………お前には少し難しいか。」\ `.........In other words, magic is a game.`@` It is not true that the most superior person will become the winner.`@` The winner is superior because he is granted magic.`@` Do you understand?`@` The miracle of life can be granted only after winning against the divine odds of several hundred million to one.`@` ............Is this a little difficult for you to understand?"`\ ld l,$KAN_defA1,80 ;「………申し訳ございません。」\ `".........My apologies."`\ bg black,25 bg Mlib_1e,22 ;「よい。@……つまりはこういうことだ。@ベアトリーチェの碑文の謎を解いた者には、私が築き上げてきた全てを与えよう。@富、名誉、黄金、そして右代宮家の家督、私が築き上げてきた全てだ！@　その謎に挑む資格があるのは、何も私の息子たちだけとは限らぬ。@例えお前であっても、その謎を解けたなら全てを得る資格があるのだ。」\ `"That's fine.`@` It all comes down to this.`@` To the one that solves the mystery of Beatrice's epitaph, I will give all of that which I have built up.`@` Wealth, honor, gold, and the inheritance of the Ushiromiya family. Everything that I have established!`@` Since tackling the riddle is the only condition, it is not limited to my children.`@` For example, if you succeeded in solving it, that would make you qualified to gain everything."`\ ;「………はい。@ですが、/ ;!w800……僕にはあのような難しい謎はわかりかねます。」\ `".........Yes.`@` However,`/ !w800`......I couldn't possibly understand such a difficult riddle."`\ ;「無論だ。@難解に作った。@…だが、お前も挑め。@それが我が魔法の奇跡を呼ぶ糧となる。@誰もが挑み、誰にも至れなかったなら、その時はその時。@だが、奇跡が集い魔法の力が生まれたなら、その時こそ！@　ベアトリーチェが蘇るのだ。@だからお前も挑め。@誰もが挑め。@そして我が魔法に力を捧げるのだ！！@　わかるな？！」\ `"Of course.`@` I made it difficult.`@` ...But you must also challenge it.`@` That will become the seed with which the miracle of my magic will be summoned.`@` If everyone challenges it, and everyone fails, that will be that.`@` However, if the miracles are gathered and the magical power is born, it will happen then!`@` Beatrice will revive.`@` Therefore you too must challenge it.`@` Everyone must challenge it.`@` And in doing so, they must give strength to my magic!!`@` Do you understand?!"`\ ;「…………はい。@…努力します。」\ `"............Yes.`@` ...I will try."`\ bg Mlib_1d,22 ;　金蔵はしばらくの間、興奮した様子で頭を抱えながらぶつぶつと独り言を繰り返していた。@ `For a long while, Kinzo repeatedly muttered to himself, agitated and grabbing onto his head.`@ br ;　嘉音は、主から次の指示が与えられるまで、その場に直立不動でじっと待機していた。@ `Kanon stayed where he was, alert and unmoving, until he was given the next order from his master.`@ br ;　…やがて金蔵もそれに気付く。\ `...Kinzo finally realized this.`\ bg Mlib_1b,0 ld l,$KIN_DefA1,23 ;「もうよい、下がれ。@……酒棚に菓子の袋があろう。@駄賃に持って行くがよい。」@ `"Very well, leave me.`@` ......There is a bag of sweets on the liquor cabinet.`@` You can take some with you as a reward."`@ ld r,$KAN_majimeA1,24 ;「……結構です。@僕は、@………家具ですから。」\ `"......I'm fine.`@` After all,`@` .........I am furniture."`\ ld l,$KIN_WaraiA2,80 ;「…………ふむ。@……家具は菓子など食わぬか。@…道理だな。@ならばもう下がれ。」@ `"............Hmmm.`@` ......So furniture doesn't eat sweets?`@` ...Indeed.`@` In that case, leave me."`@ ld r,$KAN_DefA1,80 ;「はい。@……失礼いたします。」\ `"Yes.`@` ......Excuse me."`\ bg black,8 bg M2F_P1c,2 ;　嘉音はお辞儀をしてから書斎を出る。@ ;　扉が閉じられると、ゴトリという重々しい施錠音が響くのだった。\ `Kanon bowed and left the study.`@ `As the door was closed, a heavy locking noise resounded.`\ se1 18 bg black,10 wait 2000 seplay 2,44 wait 6000 ;　しかしそれは嘉音が施錠した音ではない。@ ;　扉がオートロックのためである。@ `But that was not the sound of Kanon locking the door.`@ `It was the door locking automatically.`@ br ;　金蔵が許可した者しか入れず、一度退出すれば再び入ることはできない。@ ;　……肉親の誰も信用できず、自らを書斎に閉じ込め外界と隔離する金蔵が施した、拒絶の仕掛けだった。\ `No one could enter without Kinzo's permission, and once they left, they could not enter again.`@ `......It was a mechanism that Kinzo, unable to trust his blood relatives, had created to lock himself up in his own study and isolate himself from the outside world.`\ ;　……彼はもはや、血を分けた息子たちではなく、自らを家具と呼ぶ使用人たちにしか心を許せなくなっていたのである…。\ `He was already unable to trust anyone excepting, not the sons who shared his blood, but those servants who called themselves furniture...`\ ;■肖像画前 textoff bg black,22 wait 2000 bg Mhal_2a,2 wait 3000 bg Mhal_2c,0 ld r,$NAN_DefA1,2 ld l,$GEN_DefA1,3 ;「………………南條さま、いかがなさいましたか。」@ `"............Nanjo-sama, how are you feeling."`@ ld r,$NAN_majimeA1,80 ;「…あぁ、源次さん。@いや何、居場所がなくなりましてな。」@ ;　南條は苦笑いしながら客間の扉の方を振り返る。@ `"...Ah, Genji-san.`@` Oh, it's just that there is no place for me to be anymore."`@ `With a bitter laugh, Nanjo turned to face the door to the parlor.`@ br ;　…その仕草で、南條の言いたいことは源次に伝わったようだった。\ `...It seemed that because of that motion, Genji understood what Nanjo wanted to say.`\ ;　源次も一族の状況は大体わかっている。\ `For the most part, Genji also understood the family's situation.`\ ;　…客間で現在、仕える主に対して不敬な話題が交わされているであろうことには、眉をひそめたい気持ちもあったに違いない。@ `...It must have made him want to frown, knowing that right now in the lounge, the master he served was being discussed so disrespectfully.`@ br ;　だがそれを、その淡白な表情から測るのはとても難しかった。\ `But it would have been very difficult to gather that from his indifferent expression.`\ ld r,$NAN_fumuA1,80 ;「………しかし、/ ;!d1000…私にはわかりませんな。@…どうして金蔵さんは、こんな挑発的なものを書かれたのでしょう。」\ `".........But, `/ !d1000`...I don't understand.`@` ...Why did Kinzo-san have something so provocative written, I wonder."`\ ;　南條はベアトリーチェの肖像画を見る。@ ;　……いや、目線は肖像画の下の、碑文のプレートに向けられていた。\ `Nanjo looked at the portrait of Beatrice.`@ `......No, he actually directed his gaze beneath the portrait, at the plate with the epitaph.`\ bg Mhal_2a,23 ld r,$GEN_komaruA1,24 ;「……………私には、お館様のお考えはわかりかねます。@ですが、深いお考えがあってのことと察しします。」\ `"............I don't presume to understand the Master's thoughts.`@` However, I have realized that those thoughts are very deep."`\ ld l,$NAN_DefA1,23 ;「……金蔵さんのチェスは、昔からずいぶんと遠大な読みで布石を打たれるものでした。@いや、時には理解できない一手さえ。@……私如き凡庸では、何を目論まれているのか、皆目見当も付きませんな…。」\ `"Since long ago, when Kinzo-san played chess, he would always prepare his moves according to some far-reaching judgement.`@` Yes, sometimes even to make moves I couldn't understand.`@` ......For an average person like me, it was impossible to see through to whatever it was he was planning..."`\ ld r,$GEN_defA1,80 ;「私は、これをお館様の何かの遺言状ではないかと考えています。@………それを理解できた者に、財産や家督を譲られようということなのでしょう。」\ `"Sometimes I wonder whether this is not some kind of will from the Master.`@` .........Would he entrust his assets and inheritance to whoever could solve this riddle?"`\ ;ψ ld l,$NAN_fumuA1,80 ;「……つまり、私のような余所者に解かれてしまう前に、@兄弟４人で協力し合って謎を解け、@ということではないか、ということですな。@金蔵さんは息子さんたちのことを口悪く罵ってはいますが、何とか兄弟が仲を取り戻して欲しいと願われているのかもしれません。」\ `"......Then maybe he hoped to force the four siblings to work together and solve the riddle `@`before some outsider like myself solved it.`@` It might be something like that.`@` Kinzo-san might rudely abuse his children, but he may also hope that the siblings repair their relationship."`\ ;ψ bg black,22 ;「……………………。」\ `"..............."`\ bg portrait2,2 ;　南條の言うようにこの碑文が、兄弟仲を取り戻させるのが目的だったなら、どれほど微笑ましいことか。\ `If, as Nanjo said, this epitaph had been written to repair the relationship between the siblings, that would be extremely pleasant.`\ ;　…しかし南條も源次も、それだけは絶対にありえないだろうと理解していた。@ `...However, both Nanjo and Genji realized that at least that much was definitely impossible.`@ br ;　もっとも長く金蔵と縁を持ち、肉親たちよりも心を許されている二人であっても、@金蔵の真意は測りかねているのだった…。\ `As those who held the longest relationship with Kinzo, even though they were more trusted than his blood relatives, `@`they could not guess at Kinzo's true motive...`\ bg Mhal_2c,0 ld r,$GEN_defA1,2 ;「……お館様は、一族の者でなくとも謎に挑む資格があると常々仰っています。@……南條先生はいかがですか。」\ `"......The Master is always saying that it doesn't matter whether they're a member of the family as long as they have the qualification of solving the riddle.`@` ......What about you, Doctor Nanjo?"`\ ld l,$NAN_fumuA1,23 ;「いやいや……、この老いぼれには少々難解が過ぎますな。@/ `"No, no......It's a little too hard to understand for this senile old man.`@/ ld l,$NAN_DefA1,80 ;……実は以前、この碑文を手帳に記しましてな。@夜な夜な、寝る前に挑んでみたのですが、@……はっはっは、実に難しい。@お迎えが来るまでの間、ゆっくり楽しむことができそうです。@源次さんこそ、いかがですかな？」\ ` ......Actually, I wrote this epitaph down on my notebook at one point in time.`@` Night after night, I would try to solve it before going to sleep, `@` ......but, hahaha, it really is hard.`@` It looks like there might be some free time to relax and consider it before someone comes to get us.`@` What do you say, Genji-san?"`\ ld r,$GEN_MajimeA2,80 ;「………私めはお館様にお仕えする家具に過ぎません。@黄金も財産も、私には不要なもの。」@ `".........I am nothing more than furniture that serves the Master.`@` Gold and assets are useless to me."`@ ld l,$NAN_fumuA1,80 ;「やれやれ、本当に謙虚な方です。@…だからこそ、金蔵さんもあなたには心を許されるのでしょう。」@ `"My, my, you are a humble person.`@` ...That's probably why Kinzo-san trusts you so much."`@ ld r,$GEN_DefA1,80 ;「ならば光栄なことです…。」\ `"If so, I am honored..."`\ bg black,5 ;　南條は軽く笑って応えると、再び碑文を見る。\ `As Nanjo lightly laughed in response, he once again looked at the epitaph.`\ ;「……懐かしき、故郷を貫く鮎の川。@黄金郷を目指す者よ、これを下りて鍵を探せ…。」\ `"......My beloved hometown, the sweetfish river running through it.`@` You who seek the Golden Land, follow its path downstream and seek the key..."`\ bg portrait2,2 br ;　我が最愛の魔女ベアトリーチェの肖像画の碑文に記されたものは以下のとおりである。\ `That which is written on the epitaph of the portrait of my most beloved witch Beatrice is as follows:`\ br ;　懐かしき、故郷を貫く鮎の川。@ ;　黄金郷を目指す者よ、これを下りて鍵を探せ。@ `My beloved hometown, the sweetfish river running through it.`@ `You who seek the Golden Land, follow its path downstream and seek the key.`@ br ;　川を下れば、やがて里あり。@ ;　その里にて二人が口にし岸を探れ。@ ;　そこに黄金郷への鍵が眠る。@ `If you follow the river downstream, you will find a village.`@ `In the village, look for the shore the two will tell you of.`@ `There sleeps the key to the Golden Land.`@ br ;　鍵を手にせし者は、以下に従いて黄金郷へ旅立つべし。\ `He who lays hand upon the key shall travel under the rules below.`\ br ;　第一の晩に、鍵の選びし六人を生贄に捧げよ。@ ;　第二の晩に、残されし者は寄り添う二人を引き裂け。@ ;　第三の晩に、残されし者は誉れ高き我が名を讃えよ。@ ;　第四の晩に、頭をえぐりて殺せ。@ ;　第五の晩に、胸をえぐりて殺せ。@ ;　第六の晩に、腹をえぐりて殺せ。@ ;　第七の晩に、膝をえぐりて殺せ。@ ;　第八の晩に、足をえぐりて殺せ。@ ;　第九の晩に、魔女は蘇り、誰も生き残れはしない。@ ;　第十の晩に、旅は終わり、黄金の郷に至るだろう。\ `At the first twilight, you shall lift up as sacrifice the six chosen by the key.`@ `At the second twilight, those who remain shall tear apart the two who are close.`@ `At the third twilight, those who remain shall praise my honorable name on high.`@ `At the fourth twilight, gouge the head and kill.`@ `At the fifth twilight, gouge the chest and kill.`@ `At the sixth twilight, gouge the stomach and kill.`@ `At the seventh twilight, gouge the knee and kill.`\ br `At the eighth twilight, gouge the leg and kill.`@ `At the ninth twilight, the witch shall be revived and none shall be left alive.`@ `At the tenth twilight, the journey shall end and you should reach the village of gold.`\ br ;　魔女は賢者を讃え、四つの宝を授けるだろう。@ `The witch will praise the wise, and should bestow four treasures.`@ br ;　一つは、黄金郷の全ての黄金。@ ;　一つは、全ての死者の魂を蘇らせ。@ ;　一つは、失った愛すらも蘇らせる。@ ;　一つは、魔女を永遠に眠りにつかせよう。@ `One shall be, all the gold from the Golden Land.`@ `One shall be, the resurrection of the souls of all the dead.`@ `One shall be, even the resurrection of the lost love.`@ `One shall be, to put the witch to sleep for all time.`@ br ;　安らかに眠れ、我が最愛の魔女ベアトリーチェ。\ `Sleep peacefully, my most beloved witch, Beatrice.`\ ;ここで肖像画の碑文が以降、閲覧可能に〜！ mov ?tips[1][tips_flg],1 seplay 9,1062 mov %remnu_data,on mov %data_pagemax,0 inc %data_pagemax ;●以後、@右クリックで「ベアトリーチェの碑文」@の閲覧が可能に ;▲第５アイキャッチ：１０月４日（土）１４時００分　が１５時００分に進む textoff wait 3000 eye2 14,00,15,00,1,0,510,340,25 *umi1_6 bgmplay 8 textoff bg white,2 lsp bgsp,beach_L1a,0,0,0 for %Free1 = 1 to 128 resettimer msp bgsp,0,-2,2 waittimer 20 print 1 next for %Free1 = 1 to 232 resettimer msp bgsp,0,-2,0 waittimer 20 print 1 next csp bgsp print 2 bg beach_2a,22 ;■海岸 ld r,$BUT_DefA2,24 ;「第十の晩に旅は終わり、@黄金郷に至るだろう、か。@しかし真里亞はマメだな、@ちゃんとメモしてるとは偉いぜ。」@ ;＜戦人 `"So...at the tenth twilight, the journey shall end, `@`and you should reach the Golden Land.`@` You really are diligent, Maria.`@` You did a good job taking notes on all of this."`@ ld l,$MAR_odorokiA1,22 ;「うー！@　真里亞は忘れっぽいからちゃんと書く！@　ママに言われたからちゃんと書く！」\ `"Uu-!`@` Maria forgets a lot so wrote it exactly!`@` Mama told me so wrote it exactly!"`\ ;　真里亞がいつも持ち歩いてる手提げの中には手帳が入っており、@そこには例のベアトリーチェの碑文が書き写されていた。@ `There was a notebook inside the handbag Maria was always carrying around,`@` and Beatrice's epitaph was copied onto it.`@ br ;　その為、@俺たちはこうして海岸に出ても碑文の謎解きに挑戦できるのだった。\ `Thanks to that, `@`we were all able to challenge the puzzle of the epitaph while walking down this beach.`\ ;　朱志香たちにとっては、@すでに何度も挑戦し、@すでに飽きてしまっている謎解きだ。@ `Jessica and the rest had already tried to solve it several times, `@`and had already gotten bored with it.`@ br ;　だが俺には初めてだからな、@わくわくしちまってやめられたもんじゃない。@ ;　男のロマンをくすぐりまくりだぜ！\ `However, since this was a first for me, `@`I was so excited that I couldn't stop.`@` It really tickled my man's sense of romance!`\ bg beach_2b,22 ld l,$BUT_defA1,23 ;「まず１行目。@懐かしき、故郷を貫く鮎の川、か。@祖父さまの故郷ってどこだっけ？」@ ;＜戦人 `"Let's start with the first line.`@` My beloved hometown, the sweetfish river running through it.`@` Where was Grandfather's hometown again?"`@ ld r,$JES_DefA1,24 ;「戦前の右代宮家は小田原の辺りに屋敷を構えてたって聞いたぜ。@んで、となりゃ、小田原に流れてる鮎の泳ぐ川に関心が行くわけだろ？」\ ;＜朱志香 `"I heard that, before the war, the Ushiromiya family had a mansion near Odawara.`@` So, that said, anyone would want to know about the sweetfish river that flows through Odawara, right?"`\ ld l,$BUT_waraiA2,80 ;「まずはその川が起点になるからなぁ。@んで、黄金郷を目指す者はそいつを下って鍵を探せとあるわけだ。@小田原にある川って何だ？@　鮎が泳ぐ川だぜ？」\ ;＜戦人 `"Because that river would be the starting place.`@` Anyone searching for the golden land would head down that and search for the key.`@` What's the name of the river in Odawara?`@` Does it have sweetfish swimming in it?"`\ bg beach_2a,0 ld l,$GEO_DefA1,23 ;「小田原で鮎って言ったら、早川だろうね。@渓流釣りで有名だよ。」@ ;＜常時 `"For sweetfish in Odawara, it'd be Hayakawa.`@` It's famous for its mountain stream fishing."`@ ld r,$MAR_defA1,24 ;「うー。@真里亞、魚嫌いー。」\ ;＜真里亞 `"Uu-.`@` Maria hates fi-sh."`\ ld c,$BUT_WaraiA1,22 ;「いっひっひ、真里亞ももう少し大きくなったらわかるぜぇ〜！@　鮎の塩焼きをベロベロベロ〜ってなぁ！@　ンまいぜぇ〜！@　さっきメシ食ったばっかりだってのに、もう腹が減ってきちまうぜ。」@ ;＜戦人 `"Ihihi, Maria, you'll understand when you get o~lder!`@` Licklicklick salty roasted sweetfish!`@` Yummy~!`@` Even though we just ate, I'm getting hungry again."`@ cl l,24 ld l,$SHA_defA1,23 ;「……あの、ビスケットでもお持ちしましょうか？」\ ;＜紗音 `"...Umm, shall I bring you a biscuit?"`\ ld c,$BUT_waraiA2,80 ;「え？@　あ、悪い悪い、そんなつもりで言ったんじゃないぜ、気にすんな！」\ ;＜戦人 `"Huh?`@` Oh, sorry. That's not what I meant, don't mind it!"`\ ;　紗音ちゃんは、午後の仕事はしばらくないということで律儀に俺たちに付き合ってくれていた。@ `Shannon-chan, since she didn't have any afternoon chores for a while, was faithfully keeping us company.`@ br ;　使用人という立場上、俺たちに付き合った方がかえって気を遣って疲れちまうんじゃないかと思ったが、彼女の場合はそうでもないらしい。\ `I would have thought that, as a servant, accompanying us would force her to take care of us and tire her out, but it seemed that it wasn't so in her case.`\ ;　…むしろ、歳の近い人間たちと一緒に会話に加われるのが楽しいようだった。@ `...To the contrary, it seemed she was having fun joining in on the conversation with people of a similar age.`@ br ;　聞けば彼女は住み込みで働いているという。@ ;　となれば、歳の近いのは朱志香だけだ。@ `When I asked, I heard that she was a live-in worker.`@ `So normally, the only person close in age to her was Jessica.`@ br ;　なるほど、そりゃあ味気ないよな。\ `I get it, that must be pretty wearisome.`\ bg beach_2b,0 ld l,$BUT_DefA1,24 ;「さて、小田原で鮎の川って言えば早川だってことはわかった。@となりゃ下るしかねぇよな！@　早川を下ると何があるんだろうなぁ？」@ ;＜戦人 `"Alright, so I get that the sweetfish-filled river near Odawara is Hayakawa.`@` In that case, we have to go down it!`@` Don't you find anything if you head down Hayakawa river?"`@ ld r,$SHA_tokuiA1,24 ;「えっと、@…………下流に出て、海に出ると思います。」\ ;＜紗音 `"Ummm,`@` ............if you follow it downstream, you'll arrive in the ocean."`\ ld l,$BUT_DefA2,80 ;「そうさ、河口部に出る！@　そして碑文の三行目には、川を下ればやがて里ありとあるな。@ちなみにそういう河口部は大抵、大昔から輸送の要衝になってて大きな都市があるもんさ。@　ここが次のチェックポイントだなぁ。」\ ;＜戦人 `"Of course, you'd reach the mouth of the river!`@` And then the third line of the epitaph was 'If you follow the river downstream, you will find a village.'`@` By the way, since long ago, the mouths of rivers have been key points in transportation, and large cities tend to be built there.`@` That would be the next checkpoint."`\ bg beach_1b,0 ld l,$GEO_hohoemiA1,23 ;「ふむふむ。@なかなかいい筋だね。@戦人くんの想像通り、そこは大昔にとても栄えた古都だよ。@小田原城があるところだね。」\ ;＜譲治 `"Hmmmmmm.`@` That's a pretty good theory.`@` Just like you imagined, in ancient times, there was a very prosperous old city there.`@` That's where Odawara castle is."`\ ld r,$SHA_majimeA2,24 ;「あ、修学旅行で小田原城に行った気がします。@素敵なお城でしたよ。」@ ;＜紗音 `"Ah, I think I might have gone to Odawara castle on a field trip once.`@` It really was a wonderful castle."`@ ld c,$JES_WaraiA1,22 ;「あー、私も小田原城だったぜ。@洋館に住んでて何だが、やっぱり日本人は和風の方が落ち着くよな！」@ ;＜朱志香 `"Yes, I also went to Odawara castle.`@` Even though I live in a western-style house, it sure is true that Japanese people feel calmer with Japanese style!"`@ cl l,24 ld l,$MAR_fukigenA1,23 ;「うー。@真里亞、お城退屈ー。@遊園地がいい。@うー！」\ `"Uu-.`@` To Maria, castle is bo-ring.`@` Amusement parks are better.`@` Uu-!"`\ bg beach_2a,24 ld r,$BUT_WaraiA1,24 ;「そうかそうか、よしよし！@　黄金を見つけたら、この戦人さまが気前よく遊園地を一日借り切って遊ばせてやるぜ〜！@/ `"I see, I see. Alright, alright!`@` If we find the gold, the great Battler-sama will generously reserve a whole theme park for a day and let you play in it~!`@/ ld r,$BUT_WaraiA2,80 ;　………しかし、小田原城とはなぁ。@小田原城の隠し黄金…。@おほ？！@　こりゃあ何だかいかにもって感じだよな？！」\ ;＜戦人 `.........Still, Odawara castle.`@` The hidden gold of Odawara castle...`@` Oho?!`@` That sounds pretty good, doesn't it?!"`\ ld l,$JES_AkuwaraiA1,23 ;「はっはははは！@　まぁ、２年前の私たちもそこまでは行き着いたぜ。@小田原で鮎の泳ぐ川を下った里。@そこが多分、小田原城辺りだろうってところまでは私たちも行き着いたさ。@問題は次の行だろ。@さて、戦人の珍推理はどこまで行けるか見物だぜ。」\ ;＜朱志香 `"Hahahahaha!`@` Well, two years ago, we figured out that much.`@` The village down the river where the sweetfish swim in Odawara.`@` We figured that it was probably somewhere near Odawara castle.`@` The problem is the next line.`@` Alright, let's see where Battler's strange reasoning can take him."`\ ;　朱志香がニヤニヤと笑う。@ ;　その程度で謎が解けるなら、とっくの昔に私が見つけてるぜと言わんばかりだ。@ `Jessica grinned broadly.`@ `It was like she was saying that, if the puzzle could be solved so easily, she would have found it long ago.`@ br ;　…くそー、@きっと俺が見つけて独り占めしてやる！\ `...Damn it,`@` I'll definitely find it and keep it all for myself!`\ ld r,$BUT_KomaruA2,80 ;「４行目。@…その里にて二人が口にし岸を探れ。@………二人ってのが何のことかわからねぇが、とにかく岸だな。@………岸って何だよ？！@　うーんうーん、/ ;!d800…岸って名前が付く地名でもあるのかなぁ？」@ ;＜戦人 `"The fourth line.`@` ...In the village, look for the shore the two will tell you of.`@` .........I don't know what it means by 'the two', but anyways, the shore.`@` .........What does it mean by the shore?!`@` No, wait,`/ !d800` ...Is there any place near there with 'shore' in its name?"`@ ld c,$SHA_MajimeA2,24 ;「えっと、@……曽我岸という地名が小田原にあるんだそうですよ。」\ ;＜紗音 `"Ummm,`@` ......I have heard that there is a place called #86ef9cSogakishi#ffffff in Odawara."`/ mov ?grim[9][grim_flg],1 mov %r_hyouji_grim,9 ;seplay 9,1062 \ ld r,$BUT_waraiA2,80 ;「え？！@　おお、@詳しいな！@/ `"Huh?!`@` Wow, `@`you sure know a lot!`@/ ld r,$BUT_WaraiA1,80 ;　ってことは何だよぉ〜、@紗音ちゃんも黄金を狙って、謎解きに挑戦してるんだなぁ〜？@　となりゃ俺たちゃライバルだぜ！」\ ;＜戦人 ` So~, what does that mean?`@` Shannon-chan, are you also after the gold, and trying to solve the riddle~?`@` That makes us rivals!"`\ ld c,$SHA_hajiraiA1,80 ;「べ、別に黄金なんて興味は…。@ただその、以前に譲治さまから教えてもらっただけで…。」@ `"I, it's not like I'm interested in gold...`@` It's just that...George-sama told me about it before..."`@ ld l,$JES_DefA2,80 ;「２年前の私たちも同じ推理に行き着いたってわけさ。@わざわざ地図を広げて調べたんだぜ！」\ ;＜朱志香 `"That's because we reached the same conclusion two years ago.`@` We even went to the trouble of laying out a map and looking it up!"`\ cl r,23 ld r,$GEO_DefA1k,24 ;「小田原城の、北に５ｋｍくらいだったかな。@そこには確かに曽我岸という地名があるよ。@/ `"It was about five kilometers to the north of Odawara.`@` We definitely found a place called Sogakishi there.`@/ ld r,$GEO_MajimeA2,80 ;……でも、そこからがわからないんだ。@次の５行目にはその土地のどこに鍵があるかは記してない。@真里亞ちゃん、読んでくれるかい？」\ ;＜譲治 `......However, after that, we don't know.`@` The fifth line doesn't say where the key is hidden in that place.`@` Maria-chan, could you read it for us?"`\ bg beach_1a,23 ld c,$MAR_defA1,22 ;「…うー。@……そこにオウゴンキョウへの、/ ;!d800…カギが、/ ;!d1000ネムる。@/ `"...Uu-.`@` ......There sleeps the `/ !d800`...key to the `/ !d1000`Golden Land.`@/ ld c,$MAR_waraiA2,80 ;うー！@　読めた！」\ ` Uu-!`@` I could read it!"`\ ld l,$JES_waraiA1,23 ;「曽我岸ったって、広いだろうし、かつてそこに右代宮家の家があったわけでもない。@その広大な土地のどこかに鍵が隠されててノーヒントってんじゃ、こいつぁお手上げってわけだぜ。」@ ;＜朱志香 `"Sogakishi is probably large, and there wasn't ever any house built there by the Ushiromiya family.`@` There are no hints as to where the key is hidden in this huge area, so this is where we give up."`@ ld r,$BUT_AseruA1,24 ;「確かになぁ。@…鍵が手に入らないことにはその先の行に進めないぜ。@譲治兄貴、曽我岸ってのはどんなとこなんだ？」\ ;＜戦人 `"You're right.`@` ...And without the key, we can't advance to the next line.`@` George-aniki, what kind of place is Sogakishi?"`\ bg beach_1b,0 ld r,$GEO_hohoemiA1,24 ;「さぁねぇ…。@行ったことはないからわからないけど、地図によると山の中みたいだよ。@確か、浅間山の山麓みたいだったね。」@ ;＜譲治 `"Let's see...`@` I've never been there, so I don't really know, but according to the map, it's in the mountains.`@` I'm pretty sure it was at the base of Asama mountain."`@ ld l,$BUT_DefA2,23 ;「……うーん。@何だかぱっとしねぇなぁ。@宝の在り処を隠した謎ってのは、もっとビッタリとはまるモンじゃねぇのかよ。@どうも曽我岸ってのがそもそも間違いって気がするぜ。」\ ;＜戦人 `"......Hmmmm.`@` That's a little annoying.`@` Couldn't a puzzle for the hiding place of a treasure be a little more exact?`@` Anyways, I get the feeling that Sogakishi is definitely the right place."`\ cl r,23 ld r,$JES_futekiA1,24 ;「私は曽我岸を疑ってるぜ？@　私たちが知らないだけで、例えば祖父さまの子供時代を過ごした家とかがあるかも知れないだろ。@１行目に、懐かしき故郷を〜って行があるくらいだもんな。@…紗音は祖父さまによく酒とか注がされてたろ。@昔話とか聞かされたことないのか？」\ ;＜朱志香 `"Well, I doubt it's Sogakishi.`@` It could be talking about some house that Grandfather lived in when he was a kid that we don't know about.`@` After all, the first line mentioned his beloved hometown.`@` ...Shannon, you've fed a lot of sake to Grandfather, haven't you?`@` Hasn't he ever told you about his hometown?"`\ bg beach_2b,0 ld r,$SHA_MajimeA1,23 ;「……お館様は昔の話はほとんどされません。@…ただ、右代宮家が滅びかけた関東大震災について、非常に他人事のように話されることがありましたので、@関東地方よりずっと遠方にお住まいだったかもしれません。」\ ;＜紗音 `"...The Master almost never speaks of his past.`@` ...However, he speaks of the Great Kanto Earthquake as though it was someone else's story, `@`so he may have been living far away from the Kanto area."`\ ld l,$GEO_DefA1,23 ;「右代宮本家は小田原に住んでたかもしれないけど、分家はその限りじゃなかったろうね。@お祖父さまはよく自分のことを、分家も分家、跡継ぎにもっとも縁遠かった、@と言われるくらいだからね。」@ ;＜譲治 `"The Ushiromiya family may have been living in Odawara, but the branch family was not limited to that.`@` Grandfather often called himself part of a branch of the branch family, `@`the least connected to the successor."`@ cl r,23 ld r,$BUT_WaraiA1,24 ;「ってことはつまり！@　懐かしき故郷ってのが、すでに小田原じゃない可能性もあるってことだなぁ…。」\ ;＜戦人 `"So that's what you mean!`@` The beloved hometown might not even be Odawara at all..."`\ cl r,23 ld r,$JES_atyaA1,24 ;「祖父さまの故郷なんて聞いたこともないぜ。@聞いても、素直に教えちゃくれねぇだろうしよー。」\ ;＜朱志香 `"I've never even asked about Grandfather's hometown.`@` I doubt that I'd get an honest answer if I did."`\ ld l,$GEO_MajimeA1k,80 ;「懐かしき故郷というのが、右代宮家のルーツを指さないのであれば、小田原説は初めから間違ってることになっちゃうね。@もちろん、曽我岸の疑いが晴れたわけじゃないけれども。@例えば、幼少のころを小田原で過ごし、その後、遠方へ引っ越した可能性もあるだろうし。」\ ;＜譲治 `"If the so-called beloved hometown isn't referring to the Ushiromiya family's roots, then the Odawara theory is wrong from the beginning.`@` Of course, this doesn't remove any possibility that it was Sogakishi.`@` For example, he could have lived in Odawara when he was very young, but then moved far away later."`\ bg beach_1b,0 ld r,$MAR_fukigenA1,24 ;「うー…。@さっきから何の話かわかんない。@うー。」@ ;　真里亞がすっかり置いてきぼりにされていて、退屈だと頬を膨らませている。\ `"Uu-...`@` I don't get what you're talking about.`@` Uu-."`@ `Maria had been completly left out of the conversation, and she now sat puffing out her cheeks in boredom.`\ ld l,$BUT_WaraiA1,23 ;「あー、つまりだな。@黄金スゴロクの最初のスタート地点が決まらないことには、何も始まらないってことだぜ。@/ `"Right, so in short, `@`if we can't decide upon the starting place for the gold's dice game, we can't even begin to play.`@/ ld l,$BUT_WaraiA2,80 ;……………いや待てよ？@　最初の５行で見付かるのは鍵だろ？@　鍵なんてなくても、扉はブチ壊して入ることだってできるはずだぜ。@とりあえず最初の５行をすっ飛ばして、その先の推理に入ってもいいんじゃねぇか〜？」\ ;＜戦人 `............But wait?`@` In the first five lines the thing we're searching for is a key?`@` Even without a key, we should be able to bust right through any door.`@` Can't we just throw away the first five lines and start figuring out the rest?"`\ cl r,23 ld r,$JES_OdorokiA1,24 ;「ほー…。@その発想はなかったぜ。@/ `"Ooh...`@` I hadn't thought of that.`@/ ld r,$JES_WaraiA1,80 ;まぁいいや、どうせ暇潰しなんだ。@続きを聞かせろよー、戦人の推理！」\ ;＜朱志香 ` Oh well, we're just wasting time anyway.`@` Let's hear the rest of Battler's reasoning!"`\ cl l,24 ld l,$SHA_KomaruA1,23 ;「……でも、その先からは急に物騒になるんですよね…。」@ ;＜紗音 `"......But in the next part it quickly becomes disturbing..."`@ ;　紗音ちゃんがちょっぴり眉をひそめる。@ `Shannon-chan frowned slightly.`@ br ;　どんなことが書かれていたっけと真里亞の手帳を見ると、@…なるほど、納得する。\ `After looking back at Maria's notebook to recall what was written there,`@` ...alright, I agree.`\ bg black,22 bg Sky_1a,22 ;「第一の晩に、鍵の選びし六人を生贄に捧げよ、…か。@いきなり物騒になるな。」@ ;＜戦人 `"At the first twilight, you shall lift up as sacrifice the six chosen by the key...`@` It sure does get horrible quickly."`@ ;「第二の晩には寄り添う二人を引き裂けと来たもんだ。@恋仲を破談させるのか、@文字通り引き裂くという意味なのか、@わかりかねるけど、どっちにせよ気持ちの悪い話だぜ。」\ ;＜朱志香 `"At the second twilight, it says to tear apart the two who are close.`@` Does that mean to make them break off their loving relationship?`@` Or does it mean to literally tear them apart?`@` I don't know, but either way, it's pretty disgusting."`\ bg beach_2a,0 ld r,$GEO_MajimeA1,26 ;「その第二の晩の解釈を別にしても、第一の晩に６人。@第四の晩から第八の晩までで５人、@少なく見積もっても１１人が生贄にされなきゃならない。」@ ;＜譲治 `"Even if we ignore the meaning of that second line, at the first twilight it's six people, `@`and at the fourth through eighth twilights it's five people,`@` so at least 11 people must become sacrifices."`@ ld l,$MAR_niyariA1,23 ;「うー。@ベアトリーチェが蘇るための生贄ー！」\ `"Uu-.`@` Sacrifices to revive Beatrice!"`\ cl r,23 ld r,$BUT_MajimeA1,24 ;「…なるほど魔女復活のための生贄か…。@そういう解釈にもなるな。@その結果、第九の晩に魔女が蘇って……。@…最後は極めつけだな。」\ ;＜戦人 `"...I see, sacrifices to restore the witch...`@` That's what it would mean.`@` As a result, the witch will be revived at the ninth twilight......`@`...That last part is guaranteed."`\ bg Beach_2b,24 ld r,$SHA_KomaruA1,22 ;「…………第九の晩に魔女は蘇り、誰も生き残れはしない。@……結局はみんな死んでしまいます。」\ ;＜紗音 `"............At the ninth twilight, the witch shall be revived and none shall be left alive.`@` ......So everyone will die in the end."`\ ld l,$JES_DefA1,23 ;「それでようやく次の第十の晩にゴールってことになってんな。@みんな死んじまうのに、黄金郷へ至るだろうって言われても困ったもんだぜ。」@ ;＜朱志香 `"And with that, the following tenth night becomes the goal.`@` If everyone's dead, it'd be pretty hard to reach the Golden Land."`@ cl r,23 ld r,$GEO_MajimeA2k,24 ;「…鍵を手に旅に出た当人も、生き残れないに含めるのかどうかは解釈のわかれるところだね。」\ ;＜譲治 `"...I'm not sure whether or not the traveler who holds the key would be included in the 'none shall be left to live' part."`\ bg beach_2a,0 ld r,$BUT_DefA2,23 ;「しかしよ、最後のところには面白ぇことが書いてあるぜ？@　ゴールした後、@魔女からもらえる４つの宝の行だよ。@一つは全ての黄金。@問題は次だ。@全ての死者の魂を蘇らせるとあるぜ？@　みんな死んじまった、っていうのと掛けてるような気がしねぇか？」\ ;＜戦人 `"But at the end, something pretty interesting is written.`@` The lines about how, after reaching the goal,`@` the four treasures will be given by the witch.`@` One shall be all the gold.`@` The problem is the next one.`@` It says the resurrection of the souls of all the dead, right?`@` Doesn't it seem like this refers to everyone that died in the earlier lines?"`\ ld l,$SHA_defA1,23 ;「………それを言われれば、次の、失った愛すらも蘇らせる、という部分は、@第二の晩の、寄り添いし二人を引き裂け、に掛けているようにも見えますね。」\ ;＜紗音 `".........If you put it like that, the next one, the resurrection of the lost love part`@` might be referring to the pair torn apart at the second twilight."`\ ld c,$GEO_WaraiA1,23 ;「そうだね。@そして４つ目も第九の晩に掛けてある。@第九の晩に蘇った魔女を、４つ目の宝が再び眠りにつかせている。」\ ;＜譲治 `"That's right.`@` And the fourth one refers to the ninth twilight.`@` The fourth treasure is putting the witch, revived at the ninth twilight, to sleep."`\ bg beach_1a,0 ld r,$JES_futekiA1,24 ;「…好意的に解釈すりゃあ、@死んだり別れさせたりと忙しいが、最後には全部チャラになるわけだな。@目覚めた魔女も再び眠るし、手元にはたっぷりの黄金だけが残るって寸法だぜ。」\ ;＜朱志香 `"If we interpret that favorably,`@` it'll be hectic with people dying and breaking up, but it will all be made well in the end.`@` The awakened witch will once again sleep, and all that will be left is plenty of left-over gold."`\ ld l,$BUT_defA1,23 ;「死んだり蘇らせたり、別れさせたりくっつかせたりと、魔女さまはお忙しいこったなぁ。」@ ;＜戦人 `"The witch must be busy killing, reviving, breaking up, and reuniting people."`@ ld r,$JES_WaraiA1,80 ;「ついでに、起きたり眠ったりな。@ははははは。」\ ;＜朱志香 `"Not to mention waking up and sleeping.`@` Hahahahaha."`\ bg sky_1a,25 ;「やれやれ、せっかくの隠し黄金の話も、魔女の話が絡んじまうと急に胡散臭くなっちまうぜ。」@ ;＜戦人 `"Oh well, just when the tale of the hidden gold was getting interesting, as soon as the witch's story is tied in, it quickly gets pretty shady."`@ ;「違いないな、あっははははははは！」\ ;＜朱志香 `"Too true. Ahahahahahaha!"`\ ;　朱志香と二人して笑う。@ ;　魔女なんて馬鹿馬鹿しいという意味でだ。@ `I laughed along with Jessica.`@ `After all, a witch was just ridiculous.`@ br ;　…もちろん、そういう意味で笑えば、魔女の存在を信じる真里亞は機嫌を悪くする。\ `...Of course, once we started laughing like that, Maria, who believed in the witch, got angry.`\ bg beach_1b,0 ld r,$MAR_fukigenA2,26 ;「うー！@　魔女はすごいー！@　魔法で何でもできる！@　殺すことも。@生き返らせることも。@愛を与えることも、奪うことも。@/ `"Uu-!`@` The witch is awesome!`@` She can do anything with magic!`@` Even kill.`@` Even bring back to life.`@` Even give love, even take it.`@/ ld r,$MAR_sakebuA1,80 ;空も飛べるし、姿を透明にできるし、黄金もパンも生み出せる！@　うー！@　うー！！@　うーうーうー！！」\ `Can fly in the sky, can become invisible, can even make gold and bread out of nothing!`@` Uu-!`@` Uu-!`@` Uu-uu-uu-!!"`\ ld l,$JES_OdorokiA1,23 ;「ぁ、いけね…。@悪い悪い…、冗談だよ！」@ ;＜朱志香 `"Erk, oh no...`@` My bad...it's just a joke!"`@ ;　朱志香がぺろりと舌を出して謝るが、真里亞は納得してくれなかった。@ `Jessica apologized, sticking out her tongue, but Maria didn't accept it.`@ br ;　俺の手から自分の手帳を取り返すと他のページを開きながら、魔女の存在を訴える。\ `She grabbed her notebook back out of my hands and, opening to the other pages, tried to prove that the witch existed.`\ seplay 1,1010 bg black,63 ;　それらのページには色とりどりに描かれた魔女のイラストがあり、@魔女に対して持つ真里亞のファンタジックなイメージをよく表現していた。\ `Those pages had colored illustrations of witches drawn on them, `@`and conveyed the fantastical image Maria had of witches well.`\ ;　それは鉤鼻の老婆が箒で空を飛び…、というような定番の禍々しいものではなく、@夢見がちな女の子なら、誰もが少女時代に思い描くような、美しいドレスを着飾って、@不思議な力で何でもできる、夢のような存在として描かれている。\ `It was not the normal sinister image of a crooked-nose hag flying around on a broom,`@` but a dreamlike person with unnatural powers that could do anything and wore a beautiful dress.`@` It was just what you would expect from an imaginative young girl.`\ ;　空を踊るように駆け、虹を渡り、@いくら注げども尽きない魔法の紅茶ポットやティーカップセットたちと踊り明かす。@ `Dancing in the sky, crossing a rainbow, `@`dancing around all night with a teacup and a teapot that would never get empty no matter how much you poured out of it.`@ br ;　杖を振るえば、空の星は飴玉となって降り注ぎ、@道端にはお菓子を実らせる花々が芽吹いていた。\ `With a flourish of her staff, the stars in the sky would become candy and pour down,`@` and flowers that produced sweets would bud by the roadside.`\ bg sky_1a,22 ;　……真里亞にとって魔女は、彼女を虜にする魔法の夢を具現化できる唯一の存在。@ `......To Maria, a witch was a unique concept, an embodiment of the magical dream that so captivated her.`@ br ;　成長すればするほどに知る、無味簡素な現実に潤いを持たせてくれる最後の存在。@ `As she grew up, this was the last thing that gave richness to her dull and plain everyday life.`@ br ;　だからこそ、真里亞は魔女を信じた。\ `That is why Maria believed in witches.`\ ;　それを穢されたくなかった。@ ;　だからこそ、魔女の存在を肯定する碑文も、穢されたくなかった。@ `She didn't want that dream to be insulted.`@ `And, she didn't want the epitaph, which affirmed the existence of the witch, to be insulted.`@ br ;　魔女ベアトリーチェは、真里亞の夢そのものだから…。\ `Because the witch Beatrice is Maria's dream...`\ bg beach_1a,0 ld c,$MAR_KomaruA1,0 ld r,$GEO_DefA1,22 ld r,$GEO_WaraiA2,80 ;「真里亞ちゃんにとっては、これは黄金の隠し場所を示すものじゃなくて、@魔女を蘇らせるための、魔法なんだって。」@ ;＜譲治 `"To Maria-chan, this is not something that points to the hiding place of the gold, `@`but magic to revive the witch."`@ br ;　つまり、魔女と真里亞を結ぶ、@唯一の架け橋。\ `So it was the single link between Maria and the witch.`\ ;　真里亞はすっかりヘソを曲げてしまって、譲治の兄貴に抱きついていた。@ `Maria was very angry and clung onto George-aniki.`@ br ld l,$JES_atyaA1,23 ;　俺と朱志香は頭を掻きながら謝る。@ `Jessica and I scratched our heads and apologized.`@ br ;　…さっき肖像画の前でヘソを曲げられた時はすんなり機嫌を直してくれたが、二度目はダメなのかもしれない。\ `...It might not be possible to smooth things over again like the time she got mad in front of the portrait.`\ ;　真里亞はもう、簡単に機嫌を直そうとはしてくれなかった。@ ;　どうしたものか俯く俺と朱志香に変わり、紗音ちゃんがおずおずと口を開いた。\ `Maria didn't want to be easily consoled.`@ `Unlike Jessica and I, who hung our heads wondering what we had done, Shannon-chan timidly opened her mouth.`\ bg beach_2b,24 ld r,$SHA_DefA1,24 ;「あの、/ ;!d1000………真里亞さま、ご存知ですか…？@　私たち使用人たちの間では、ベアトリーチェさまの怪談が語り継がれているんですよ。」@ `"Umm,`/ !d1000` .........Maria-sama, did you know...?`@` There is a ghost story about Beatrice that has been passed down amongst the servants."`@ ld l,$MAR_fukigenA1,23 ;「……うー？」\ `"......Uu-?"`\ ld c,$JES_TohohoA2,23 ;「あ、あぁ、そうだったっけ！@　紗音、聞かせてやれよ。@私は知らないんだけど、使用人の間じゃかなり有名な話らしいぜ？」@ ;＜朱志香 `"A, ah, yeah, that's right!`@` Shannon, tell us about it.`@` I don't really know, but it's apparently pretty famous amongst the servants."`@ cl l,24 ld l,$BUT_aseruA1,23 ;「何の話だ？@　怪談？」\ ;＜戦人 `"What is this?`@` A ghost story?"`\ bg beach_2a,0 ld l,$GEO_DefA1,23 ;「うん。@僕たちが生まれる前からある話らしいね。@母さんにも話を聞かされたことがあるよ。」\ ;＜譲治 `"Yes.`@` It seems it's a story from before we were born.`@` I also heard it from my mother."`\ cl l,24 ld c,$SHA_tokuiA1,23 ;「……はい。@この島にお屋敷が建てられてからずっと語り継がれている話です。@……当時の使用人たちは、お屋敷には昼と夜で違う主がいると囁きあっていたそうです。」\ ;＜紗音 `"...Yes.`@` It has been passed down since the mansion was built on this island.`@` ...The servants of that time whispered that the mansion had two Masters, one of the Day and one of the Night."`\ bg black,2 ;　紗音が語るその話は、学校の七不思議にも通じそうな、@典型的な怪談話だった。\ `The tale that Shannon told was just like a typical campfire ghost story.`\ ;　魔女の森があり、そこに住まう魔女がいるならば、@…それが屋敷の中にやって来ないわけもない。@ `If there was a forest with a witch living inside it,`@` ...then there's no reason the witch couldn't pay the mansion a visit.`@ br ;　いつの頃から使用人たちの間に、自然と芽生えた怪談だった。\ `At some point, this ghost story naturally sprouted up between the servants.`\ bg M2F_P1c,2 ;「ちゃんと閉めたはずの窓や扉や鍵が、もう一度見回りに来たら開いていたとか。@消したはずの灯りが付いていたり、@付けたはずの明かりが消えていたり。@置いたはずの物がなくなっていたり、@置いた覚えのない物が置かれていたり。@……そういうことがある度に、古い使用人たちは魔女が姿を消してお屋敷に訪れて、悪戯をしていったのだろうと囁きあったそうです。」\ `"When they did the rounds one last time to check supposedly closed doors, windows and locks, some of those would be open.`@` Lights that were supposed to be off were turned on,`@` and lights that were supposed to be on went out.`@` Things left lying around would disappear,`@` and things would appear when no one had any memory of putting them there.`@` When any of these things happened, the old servants would say that the witch had visited the mansion, invisible, and was playing pranks."`\ bg black,22 bg beach_1b,0 ld r,$MAR_fukigenA2,26 ;「うー！@　ほらいる！@　ベアトリーチェはいるー！！」@ `"Uu-!`@` See, she exists!`@` Beatrice exists!!"`@ ld l,$JES_tohohoA2,23 ;「あぁ、いるよな。@私も昔よく、登校の時に限って鞄が見付からなかったりしたもんだぜ…。」@ `"Yeah, she exists.`@` I remember often being unable to find my shoes before heading to school..."`@ ;＜朱志香 ;　真里亞はこれこそ魔女が実在する証拠であるとでも言わんばかりに、うーうーと胸を張る。@ `Maria puffed out her chest with an 'uu-uu-' as though this was the final proof that the witch existed.`@ br ;　口に出せばまた真里亞の機嫌を損ねてしまうだろうから、口にはしないが。\ `If I opened my mouth, Maria would probably be hurt again, so I didn't.`\ bg sky_1a,22 ;　…まぁ、どこにでもよくあるような話だった。@ `...I mean, you hear that kind of story everywhere.`@ br ;　地方によっては、それを小人の仕業だと呼ぶだろうし、妖精の仕業だと呼ぶだろう。@ ;　この島ではそれが魔女と呼ばれたというだけの話。\ `Depending on the place, it might be blamed on a dwarf or an elf.`@ `It's just that, on this island, they call it the witch.`\ ;　確かに、風情ある狭くない屋敷の中を夜回りすれば、不気味でないはずはない。@ `Of course, you would expect that walking around a vast, elegant mansion at night would be a little unsettling.`@ br ;　ひと気のない島だ。@ ;　隙間風の入る屋敷だそうだから、雷雨の夜の見回りはさぞかし薄気味悪いに違いないだろう。\ `It's an island devoid of people.`@ `Since the mansion is so drafty, walking around on the night of a thunderstorm would certainly be eerie.`\ bg beach_2b,0 ld r,$SHA_tokuiA1,26 ;「他にも、鬼火や輝く蝶々が舞っているのを見たという使用人も。@……嘉音くんもそれらしいものを、以前、夜の見回りの時に見たことがあると言ってました。@あと、最近ではお屋敷の中で深夜に、不思議な足音をよく聞くと使用人の間で話題です。@私たちは、肖像画の中のベアトリーチェさまが姿を消してお屋敷の中を散歩しているんだろうと囁き合ってるんですよ。@…ずいぶん前ですが、@私もそうかもしれない足音を、夜の見回りの時に聞いたことがあります。」\ ;＜紗音 `"In addition, some servants have also seen will‐o'‐the‐wisps and glittering butterflies dancing around.`@` Kanon-kun also saw something like that when he went patrolling one night.`@` And recently, the servants have been talking about strange footsteps inside the mansion near midnight.`@` We have whispered together that the Beatrice-sama from the portrait sometimes makes herself invisible and walks through the mansion.`@` ...It happened a long time ago,`@` but I have also heard those kinds of footsteps while patrolling at night."`\ ld l,$BUT_defA2,23 ;「……ひゅう。@そりゃ怖ぇな…。」@ ;＜戦人 `"......Whew.`@` That's scary..."`@ ld r,$SHA_WaraiA1,80 ;「あ、…でも、@怯えることはないんですよ？@　ベアトリーチェさまはお館様とは異なる、もう一人のお屋敷の主です。@だから変に怯えたりしないで、敬意を持っていれば、決して悪いことはしないのだそうです。」\ ;＜紗音 `"Ah, ...but,`@` there's nothing to be afraid of, right?`@` Beatrice-sama is another ruler of this mansion separate from the Master.`@` Therefore, don't be strangely afraid. If you respect her, she won't do anything bad."`\ cl l,24 ld l,$GEO_DefA1,23 ;「ただし、敬意を持たないと恐ろしいんだったね？」\ ;＜譲治 `"However, it would be dreadful if you didn't respect her, right?"`\ ld r,$SHA_komaruA1,80 ;「…はい。@私が勤めを始める直前に、階段を転がり落ちて腰に大怪我をして辞めた方は、@ベアトリーチェさまのことを悪く言っていたそうです。@だから使用人たちは、ベアトリーチェさまのお怒りに触れたのだろうと噂しあったそうです…。」\ ;＜紗音 `"...Yes.`@` I heard that, just before I began working, `@`someone who spoke badly about Beatrice-sama fell down the stairs and quit after receiving a large injury to their back.`@` Because of that, there was a rumor between the servants that Beatrice-sama's anger had been brought down upon this person..."`\ cl l,24 ld l,$MAR_KomaruA1,23 ;「うー…。@戦人と朱志香、きっとお怒りに触れる…。@うー…。」@ ;＜真里亞 `"Uu-...`@` Anger will definitely be brought down on Battler and Jessica...`@` Uu-..."`@ ld c,$BUT_OdorokiA2,24 ;「わわ、悪かったぜ！@　お怒りに触れちゃたまらねぇ！@　謝るよ真里亞。@もちろん魔女さまにも謝るぜ。@ベアトリーチェさまごめんなさい、余所者の戯言と思って勘弁してやってください。」\ `"I, I, I'm sorry!`@` I don't want her anger brought down upon me!`@` I apologize, Maria.`@` Of course, I also apologize to the witch.`@` I'm sorry, Beatrice-sama. Please forgive an outsider's nonsense."`\ ;＜戦人 cl r,23 ld r,$JES_KomaruA1,24 ;「私も謝るぜ。@ベアトリーチェさまごめんなさい。@………これで魔女さま、私たちを許してくれるかな？」@ ;＜朱志香 `"I'll apologize as well.`@` I'm sorry, Beatrice-sama.`@` .........Will the witch be able to forgive us now?"`@ ld l,$MAR_MajimeA1,80 ;「…うー。@わかんない。@魔女は気まぐれだから、許してくれる時は許してくれるし、許さない時は許さない。@うー！」\ `"...Uu-.`@` Don't know.`@` The witch is fickle, so she forgives when she forgives, and doesn't forgive when she doesn't forgive.`@` Uu-`!"\ ;ψ（５月８日、@ここから再開） bg beach_2a,0 ld r,$GEO_KomaruA1,23 ;「それは困ったね…。@/ `"That's no good...`@/ ld r,$GEO_hohoemiA1,80 ;真里亞ちゃん、戦人くんと朱志香ちゃんが、ベアトリーチェさまのお怒りに触れないようにする、いいおまじないとかないかな。@何か魔除けとかさ。」\ ;＜譲治 `Maria-chan, isn't there some kind of good luck charm that could prevent Battler-kun and Jessica-chan from having Beatrice-sama's anger brought down upon them?`@` Some kind of amulet or something?"`\ ;　譲治兄貴は、魔女について一番詳しいと自負する真里亞に、その方法を尋ねることで自尊心を蘇らせようとしていた。@ `By relying on Maria, who was proud at knowing the most about witches, George was able to revive her self-esteem.`@ br ;　……本当に子供をあやすのがうまいと再び感心せざるを得なかった。\ `...I was once again forced to admire his ability to comfort children.`\ bg beach_1a,0 ld l,$MAR_MajimeA1,24 ;　真里亞は、俺と朱志香に魔女の怒りが及ばないようにするおまじないはないものかと、@腕組みをして真剣に悩んでから、手帳のページを捲り始める。\ `Maria, seriously pondering and crossing her arms, began flipping through the pages of her handbook as if there were obviously some charm capable of protecting Jessica and myself from the witch's wrath.`\ ;　単なる落書き日記帳かと思っていたが、@……何だか魔術書のようなページもたくさんある。@ `I had thought it was just a simple scribbled diary, `@`......but it turned out that there were also several pages that looked like they had come from a book on black magic.`@ br ;　その中の、魔法陣みたいなものを模写したようなページをいくつも真剣に見比べていてた。@ `In the midst of those, several of what looked like magical circles had been copied and seriously compared to each other.`@ br ;　………どうやら、黒魔術趣味を持つのは祖父さまだけではないらしいな。\ `.........In any case, it looks like that black magic hobby wasn't limited to Grandfather alone.`\ ld l,$MAR_defA1,80 ;　やがて調べ物を終えたのか、@手帳をパチンと勢いよく閉じるとそれを手提げに放り込み、さらにその中身を漁り始める。@ `When she finally found what she was looking for, `@`she vigorously closed the notebook with a snap and threw it into her handbag. She then began fishing through that bag's contents.`@ br ;　どうもごちゃごちゃと色々なものがしまわれているようだった。\ `It seemed that various jumbled up things were in there.`\ ;　しばらくの間、様々なガラクタ（真里亞にとっては重要なマジックアイテムなんだろう）を取り出しては、@これは違う、あれは違うと出し入れを繰り返した。@ `After a while, she took out various pieces of junk - although they were probably important magical items to Maria -`@` and repeatedly threw them back in, saying they were wrong.`@ br ;　まるで、取り出す道具を間違えたドラ○もんみたいでちょっぴりユーモラスだ。\ `It was all a little humorous, just like when Dora○mon took out the wrong tool.`\ ;　やがて、お目当てのものをようやく発掘できたらしい。@ `Finally, it seemed that she had discovered what she was looking for.`@ br ld l,$MAR_WaraiA1,80 ;　さっきまでのむずかった表情からは想像もつかないくらいに晴れ晴れしい顔で、ソレを俺と朱志香に突き出した。\ `With a face unimaginably clearer than the difficult expression she had worn until now, she stuck 'them' out to Jessica and me.`\ ld l,$MAR_WaraiA2,80 ;「うー！」\ `"Uu-!"`\ bg black,22 ;　受け取ってみると、それはいかにも安っぽそうなおまじないアイテムだった。@ `As I reached out to grab it, I noticed that it was a very cheap-looking charm.`@ br ;　プラスチック製の軽い数珠で作ったブレスレット風のもので、@サソリをモチーフにしたようなデザインのメダルが付いていた。\ `It looked like a bracelet made from a plastic rosary,`@` with a scorpion motif medal attached.`\ ;　ほら、よく１２星座に対応した安っぽいアクセサリーがあったりするじゃないか。@ ;　ゲームセンターのクレーンゲームの景品にでもありそうな感じの。@ `I mean, you often find cheap accessories that correspond to the constellations.`@ `It felt like a gift that you might win in the crane game at an arcade.`@ br ;　まさにそんなものに見えた。\ `It really looked like something like that.`\ ;　それが２つ。@ ;　俺と朱志香の分という意味だろう。@ `There were two.`@ `Probably one for me and one for Jessica.`@ br ;　……しかし、変に２つあるせいで余計、量産品っぽい安っぽさがあり、@とてもマジックアイテムとしてのありがたさが感じられない。\ `......However, considering the odd fact that there were two of them, they looked like cheap manufactured goods,`@` and it was quite hard to think of them as magical items.`\ bg beach_2a,0 ld r,$JES_DefA1,22 ld r,$JES_WaraiA2,80 ;「これを私と戦人に？」@ ;＜朱志香 `"You're giving these to me and Battler?"`@ ld l,$MAR_WaraiA2,23 ;「うー！@　このお守りならベアトリーチェも大丈夫！@　サソリは魔除けの力があるから！」@ `"Uu-!`@` With these charms, even Beatrice is no problem!`@` Because the scorpion has the power to block magic!"`@ ld c,$BUT_AseruA1,23 ;「へー、そうなのか？@　サソリにそんな力がねぇ。」@ ;＜戦人 `"Huh, really?`@` Didn't know scorpions could do that."`@ ld l,$MAR_KomaruA1,80 ;「うー、戦人が信じない！@　うーうーうー！」\ `"Uu-, Battler doesn't believe!`@` Uu-uu-uu-!"`\ ;　俺の余計な一言でもう一度真里亞に火をつけてしまった…。@ `I had inflamed Maria again because I said too much...`@ br ;　真里亞は再び手帳を取り出すと、様々なページを開いては突きつけ、@いかにサソリには神聖な力があって、古来から魔除けの魔法陣に描かれてきたかを延々と説かれることになった。\ `Maria took out her notebook again, and while pointing out various pages,`@` went on and on about how the scorpion had holy power, and that it had been drawn in magic-repelling magical circles since ancient times.`\ bg beach_2b,0 ld r,$SHA_WaraiA2,24 ;「……あ、他の使用人の子から聞いたことがあります。@サソリって、魔術では魔除けのシンボルとして描かれることもあるんだとか…。」@ ;＜紗音 `"......Ah, I've heard about that from some of the other young servants.`@` Something about how the scorpion is drawn as a magic repelling symbol in sorcery..."`@ ld l,$JES_TohohoA1,23 ;「へー、そうなのかぁ…！」\ ;＜朱志香 `"Huh, really...!"`\ cl r,23 ld r,$MAR_MajimeA1,24 ;「うー！@　サソリは悪い魔法や災厄から守ってくれる。@そしてエメラルドは心に平和をもたらしてくれる。@だから二重で効果がある！@　うー！」@ `"Uu-!`@` The scorpion protects against bad magic and misfortune.`@` And emerald brings peace to the heart.`@` Therefore, the effect is double!`@` Uu-!"`@ cl l,24 ld l,$GEO_WaraiA1,23 ;「本当だ。@サソリがエメラルドを抱いて守ってるね。@なるほど、これはご利益がありそうだよ。」\ ;＜譲治 `"It's true.`@` The scorpion wraps around the emerald and protects it.`@` I see, that seems very useful."`\ ;　あまりにも安っぽそうなお守りに、色々と減らず口でツッコミをしたい気持ちもあったが、@俺たちのためを思って用意してくれたお守りの効能を一生懸命語る真里亞を見ていると、@たとえゲームセンターの景品のお守りであったとしても、ご利益があるように感じられた。\ `I really wanted to make fun of this worthless looking charm, `@`but as I watched Maria explaining the charm with all of her heart, and realized that she had prepared them out of consideration for us,`@` it felt as though, even if it were just a prize from a game center, it would still be beneficial.`\ ;　お守りは材質が問題じゃないよな。@ `The material quality of the charm wasn't important.`@ br ;　気持ちの強さの問題さ。@ ;　そいつを小馬鹿にするほど、俺も落ちぶれちゃいないつもりだぜ。\ `The strength of her feelings was.`@ `Even I wouldn't plan on ruining everything by making fun of it.`\ bg beach_2a,0 ld r,$BUT_WaraiA1,23 ;「そっか、ありがとな。@ベアトリーチェさまには謝ったけどよ、万が一、崇りがある時でも、真里亞のこのお守りのお陰で安心だぜ。@なぁ、朱志香ぁ。」@ ;＜戦人 `"Okay, thank you.`@` I apologized to Beatrice-sama, but, even in the worst case where I'm cursed, I'll be safe now thanks to Maria's charm.`@` Right, Jessica?"`@ ld l,$JES_WaraiA1,24 ;「あぁ、そうだぜ！@　ありがとうな、真里亞。」\ ;＜朱志香 `"Ah, that's right!`@` Thank you, Maria."`\ ld c,$MAR_waraiA2,22 ;「うー！@　心に平穏が欲しい時は腕に付ける。@お財布に入れるとお金が減らなくなる！@　ドアノブに掛けておくと悪いモノが入ってこられなくなる！@　便利なお守り！」@ `"Uu-!`@` Wear it on your arm when you want a peaceful heart.`@` If you put it in your wallet, your money won't decrease!`@` If you hang it from a doorknob, bad things can't get in!`@` It's a really convenient charm!"`@ cl r,23 ld r,$SHA_WaraiA2,24 ;「それはすごい効能ですね。@真里亞さまが自信を持って勧めるお守りなら、きっと頼もしいものと思います。」\ ;＜紗音 `"What an incredible effect.`@` If Maria-sama is confident in this charm and recommends it, I am sure it will be reliable."`\ ;　紗音ちゃんが小さく手を叩くような仕草をしてくれると、真里亞はえっへんと胸を張るような仕草をする。\ `As Shannon-chan clapped her hands together, Maria stuck out her chest.`\ ;　もう完全に元気になっていた。@ `She was completely vigorous again.`@ br ;　こんなにも上機嫌になってくれるなら、もうしばらく話の主役を真里亞に譲ってもいいだろう。@ ;　思えば、黄金の隠し場所の話で盛り上がっていた時は付いていけず、少し退屈そうにしていたように思う。\ `If it would keep her in this good of a mood, it would probably be worth it to let Maria lead the discussion for a while longer.`@ `When you think about it, she hadn't shared in our excitement when we talked about the gold's hidden location, so I think she had gotten a little bored.`\ bg white,22 bg sky_1a,26 ;　俺と朱志香は熊沢さんの焼いてくれたクッキーを食べながら真里亞に黒魔術のあれこれを尋ねる。@ `While eating the cookies Kumasawa-san had baked, Jessica and I asked Maria this and that about black magic.`@ br ;　真里亞は嬉しそうにしながら、饒舌に質問に答えてくれた。@ `Maria happily chatted away in response to our questions.`@ br ;　その度に譲治の兄貴と紗音ちゃんが驚いたり相槌を打ったりしてくれる。\ `For each one, George-aniki and Shannon-chan would act surprised and agree with everything she said.`\ ;　空の雲の色はますますに重たくなっていくが、いとこ同士の一年ぶりのコミュニケーションを存分に満喫するのだった…。\ `The color of the clouds in the sky grew progressively heavier, but the cousins really enjoyed communicating freely after one year of separation...`\ bg black,42 wait 1000 bg beach_1a,0 ld r,$GEO_defA1,22 ;「……ん。@今、額にぽたって来なかったかい？」@ ;＜譲治 `"...Nn.`@` Did I just feel a drop on my forehead?"`@ ld l,$BUT_defA2,23 ;「え？@　どうだろうな？」\ ;＜戦人 `"Huh?`@` What's up?"`\ bg black,25 ;　譲治の兄貴が額を擦りながら空を見上げる。@ `As George-aniki rubbed his forehead, he looked up at the sky.`@ br ;　空の色や空気の湿っぽい臭いを思えば、いつ雨粒が降って来てもおかしくない。@ ;　少しずつ風も強くなってきた気がする。\ `Considering the color of the sky and the dampness of the air, it wouldn't have been odd for a raindrop to fall down.`@ `It also seemed like the wind had gotten a little stronger.`\ bg beach_1b,0 ld r,$MAR_defA1,22 ;「うー？@　真里亞、ぽたっと来ない。@真里亞だけ来ない。@うー！」@ `"Uu-?`@` Maria didn't feel a drop.`@` Only Maria didn't.`@` Uu-!"`@ ld c,$BUT_DefA1,24 ;「安心しろ、俺にも来ねぇぜ。@それに今夜になれば、誰にも等しく大雨が降るだろうよ。」@ ;＜戦人 `"Calm down, neither did I.`@` Anyways I'm sure that it'll rain so much tonight that everyone will get the same amount of raindrops."`@ ld l,$GEO_MajimeA1,24 ;「そうだね。@そろそろ引き上げた方がいいかな…？」@ ;＜譲治 `"That's right.`@` Maybe we should head back soon...?"`@ br ;　紗音ちゃんが時計を見るような仕草をする。@　もう夕方のいい時間かもしれない。\ `Shannon-chan looked down at her watch.`@` It was already well into the evening.`\ bg beach_1a,0 ld r,$JES_DefA2,23 ;「もう仕事に戻る時間かよ？」@ ;＜朱志香 `"Is it already time for you to return to your work?"`@ ld l,$SHA_tokuiA1,23 ;「はい。@…皆様と一緒で楽しい時間を過ごさせていただきました。@ありがとうございました。」@ `"Yes.`@` ...For allowing me to enjoy some time together with everyone,`@` thank you very much."`@ ld c,$GEO_WaraiA1,24 ;「熊沢さんにクッキーをご馳走様って伝えてね。@さぁみんな、片付けを手伝おう。」\ ;＜譲治 `"Tell Kumasawa-san thanks for the cookies.`@` Alright everyone, help out with the cleanup."`\ ;　紗音ちゃんは、それは使用人の仕事だからと固辞しようとするが、@生憎、フォークを落としたらウェイトレスに拾われるより先に拾うのが俺の生き甲斐だからな。\ `Shannon-chan declined our help, saying that this was a servant's job,`@` but picking up a dropped fork before the waitress has to is like my purpose in life.`\ bg black,22 bg beach_1b,26 ;　俺たちは敷物を畳み、ゴミを集めてお片付けを手伝った。\ `We folded up the blanket, gathered up the trash, and helped clean everything up.`\ ld r,$MAR_WaraiA2,24 cl r,0 ld c,$MAR_WaraiA2,24 ;「うー！@　ゴミが逃げるー！@　うーうー！！」@ `"Uu-!`@` The trash is getting awa-y!`@` Uu-uu-!!"`@ ld l,$BUT_WaraiA1,23 ;「そいつぁ逃がさないぜ、真里亞より先にいただきだ！」@ ;＜戦人 `"I won't let it get away. I'll take it before Maria does!"`@ ld c,$MAR_fukigenA2,80 ;「うー！！@　真里亞が拾う！@　うーうーうー！」\ `"Uu-!!`@` Maria will pick it up!`@` Uu-uu-uu-!"`\ ld r,$JES_akuWaraiA1,24 ;「真里亞ー！@　靴を濡らすなよ、怒られるぜー！」@ ;＜朱志香 `"Maria-!`@` Don't get your shoes wet, you'll get in trouble-!"`@ ;　ゴミが強い風に煽られて飛んでいくのを追いかけるのも、真里亞にとっては遊びの延長のようだった。\ `To Maria, chasing after some trash that the strong winds had sent flying was just like another game.`\ bg black,22 meplay 1,5 bg beach_1a,26 ;　片付けが終わる頃には、だいぶ強い風が吹くようになっていた。@ ;　引き上げるにはいい潮時だったようだ。\ `When we finished cleaning up, the wind had started blowing very strongly.`@ `It looked like a good chance to head back.`\ ld c,$SHA_majimeA2,22 ;「皆様のお陰で助かりました。@ありがとうございました。」@ ;＜紗音 `"Everyone really helped me out.`@` Thank you very much."`@ ld r,$GEO_DefA1,24 ;「…もう本当に時間がないみたいだね。@先に戻っていいよ。」@ ;＜譲治 `"...It really looks like you're out of time.`@` It's alright if you head back first."`@ ;　紗音ちゃんの慌しそうな様子に、残り時間が大して残されていないことを譲治の兄貴が悟る。\ `George-aniki perceived from her hurried appearance that very little of her free time was left.`\ ld l,$JES_DefA1,23 ;「源次さん、時間には厳しい人だからなー。@定時に持ち場に付いてないと厳しそうだぜ。」@ ;＜朱志香 `"Genji-san is very rigorous about time.`@` If you aren't at the right place at the right time, he can be very strict."`@ ld r,$GEO_hohoemiA1,80 ;「また後でね。@お仕事がんばってね。」@ ;＜譲治 `"We'll see you later.`@` Do your best with your work."`@ ld c,$SHA_WaraiA2,80 ;「は、はい！@　……それでは失礼させていただきます。」@ `"Ye, yes!`@` ......Then if you will excuse me."`@ cl c,23 ;　最敬礼のお辞儀をしてから、紗音ちゃんはぱたぱたと薔薇庭園に駆けて行った。\ `After making a respectful bow, Shannon-chan ran over towards the rose garden.`\ cl a,22 ld l,$BUT_DefA2,23 ;「じゃ、俺たちもゲストハウスへ戻ろうぜ。@テレビでも見てくつろがせてもらうさ。」@ ;＜戦人 `"Okay, let's head back to the guesthouse.`@` We can watch television or something and relax a little."`@ ld r,$MAR_defA1,24 ;「うー！@　テレビ見る！@　テレビ見る、うー！」@ `"Uu-!`@` Watch TV!`@` Watch TV, uu-!"`@ ld c,$JES_WaraiA1,23 ;「なら決まりだな。@戻ってみんなで一緒にテレビでも見ようぜ。」\ ;＜朱志香 `"Then it's decided.`@` Let's head back and everyone can watch television together."`\ bg beach_S1a,22 ;　まだ遊び足らなそうな真里亞も、テレビを見るということで納得してくれた。@ `Maria, who hadn't had enough fun yet, agreed when she thought about watching television.`@ br ;　俺たちは緩い階段を登って薔薇庭園に戻った。\ `We climbed up the gentle stairs and returned to the rose garden.`\ ;■薔薇庭園 textoff bg beach_S2b,22 wait 700 bg forest_P1a,22 wait 500 bg forest_S1a,22 wait 500 bg forest_S1b,22 wait 500 bg white,22 E_B bg rose_G1a,22 ;　だいぶ風が強くなり、庭園のたくさんの薔薇たちが小波のように揺らめいていた。@ `The wind had become very strong, and roses shook throughout the garden like ripples on the water.`@ br ;　この美しい薔薇もこれが見納めかもしれない。@ ;　今夜の台風がきっと目茶目茶にしてしまうだろう…。\ `This might be our last chance to see these beautiful roses...`@ `Tonight's typhoon was sure to ruin them...`\ ld r,$BUT_MajimeA1,24 ;「薔薇、今夜の風でやられちまうかもしれないな。」@ ;＜戦人 `"These roses might be done in by tonight's winds."`@ ld l,$JES_DefA2,23 ;「そうだな。@薔薇たちもラッキーだったと思うぜ？@　台風の前に戦人たちを歓迎できたんだからよ。」\ ;＜朱志香 `"You're right.`@` Don't you think the roses were lucky?`@` After all, they got to welcome all of you before the typhoon."`\ ld c,$GEO_DefA1k,23 ;「花はいつか必ず散る。@でも、だからこそ咲き誇る今を愛でることができるんじゃないかな。」@ ;＜譲治 `"A flower will always lose its petals at some point.`@` However, because of that, we can admire them even more when they are in bloom."`@ ld r,$BUT_DefA1,80 ;「そうだな。@…真里亞もよく目に焼き付けとけ。@今この瞬間が、今年で一番の薔薇なんだぜ。」@ `"That's right.`@` ...Maria, burn this image into your eyes.`@` At this moment, they are the best roses of the year."`@ cl l,24 ld l,$MAR_DefA1,23 ;「うー。@目に焼き付ける。」\ `"Uu-.`@` Burned into eyes."`\ ld l,$MAR_OdorokiA1,80 ;　すると真里亞は急にぽんと手を打つ。@ ;　何かを思い出した風だった。\ `Right then, Maria suddenly clapped her hands.`@ `It looked like she had remembered something.`\ ld l,$MAR_KomaruA1,80 ;「……真里亞の薔薇…。@台風で飛ばされちゃう。@……うー！」@ `"......Maria's rose...`@` The typhoon will send it flying.`@` ......Uu-!"`@ ld r,$BUT_oyaA1,80 ;「あ、譲治の兄貴に目印のリボンを付けてもらったあの元気のない薔薇か？」\ ;＜戦人 `"Oh, you mean that unhealthy rose George-aniki marked with a ribbon?"`\ ;　真里亞は薔薇の場所を覚えてるらしい。@ `It seemed that Maria remembered where the rose was.`@ cl l,24 br ;　一目散に駆け出していった。@ ;　俺たちもその後を追う。\ `She ran at full speed.`@ `The rest of us followed her.`\ bg rose_1b,24 ld r,$MAR_KomaruA1,24 ;「…………うー？@　うー。」@ `"............Uu-?`@` Uu-."`@ ld l,$JES_tohohoA1,23 ;「あれはどこだったっけなぁ…？@　確かこの辺だったと思ったぜ。」@ ;＜朱志香 `"Where was that again...?`@` I'm sure it was somewhere around here."`@ ;　周りをきょろきょろと探してみるが、何しろこれだけの薔薇の中の一輪だ。@ ;　この辺りにあるとはわかっても、なかなか見つけられなかった。\ `We searched everywhere around that area, but, after all, it was only a single flower amongst all of these roses.`@ `Even though we knew it was somewhere close by, we weren't able to find it.`\ ;　台風の尖兵の風たちが、庭園いっぱいの薔薇をうねらせる。@まるで、そうすることで真里亞の薔薇の在り処をわからなくさせようと、意地悪しているかのように見えた…。\ `The winds that made up the front lines of the typhoon were making the roses throughout the garden undulate.`@` It was almost like it was teasing us by making the location of Maria's rose impossible to find...`\ cl r,23 ld r,$GEO_KomaruA1,24 ;「ここじゃなかったかな…。@少し手分けをして探してみようか。」@ ;＜譲治 `"Maybe it wasn't here...`@` Let's try spreading out a bit in our search."`@ cl l,24 ld l,$BUT_DefA1,23 ;「そうだな。@人海戦術で行こうぜ。@/ `"Sounds good.`@` Let's go for strength in numbers.`@/ ld l,$BUT_oyaA1,80 ;………ん？@　何だよ真里亞。」@ ;＜戦人 ` .........Hm?`@` What's up Maria."`@ cl r,23 ld r,$MAR_KomaruA1,24 ;　俺たちが手分けして探そうとすると、不機嫌そうな顔をした真里亞が俺の上着を引っ張る。@ `As we made to split up and search, Maria tugged on my jacket with an unhappy face.`@ br ;　……他所へ行くなという意思表示に感じられた。\ `......It felt like her intention was to stop us from going to another place.`\ ld l,$BUT_DefA2,80 ;「何だよ、どうした。」@ ;＜戦人 `"What is it, what happened?"`@ ld r,$MAR_fukigenA2,80 ;「……うー。@真里亞の薔薇はここなの。@ここにあるの…！」\ `"......Uu-.`@` Maria's rose is here.`@` It's here...!"`\ ld c,$JES_atyaA1,24 ;「でも現にないぜ…？@　この花壇の裏側だったかもな。@みんなで探せば早いぜ？」\ ;＜朱志香 `"But it's actually not, is it...?`@` Maybe it was on the other side of the flower bed.`@` If we all look, we'll find it fast, right?"`\ ld r,$MAR_sakebuA1,80 ;「うー！！@　ここなの！@　真里亞の薔薇はここなの！！@　探して！/ `"Uu-!!`@` It's here!`@` Maria's rose is here!!`@` Look for it!`/ quakey 2,400 ;@　さーがーしーてー！！/ @` Look--for--it!!`/ se1 8 quakey 2,400 se1 8 quakey 2,400 ;@　うーー！！」@ ;　真里亞は地団太を踏む。\ @` Uuu--!!"`@ `Maria stomped her feet in irritation.`\ cl a,22 ;　……間違いなくそこにあったと言って指し示すのだが、現にそこにはない。@ ;　かといって、他を探そうとすると真里亞は怒る。@ `...She had pointed out this spot and said it was definitely here, but it actually wasn't.`@ `Having said that, Maria got mad when we went to go search elsewhere.`@ br ;　…俺たちは途方に暮れるしかなかった。\ `...We couldn't help but be puzzled.`\ ;　しばらくの間、俺たちは真里亞に付き合い、@薔薇の茂みの中を探すフリをしなければならなかった。\ `For a while, we would have to stay with Maria, `@`and pretend to search through this rose thicket.`\ bg black,22 wait 2000 bg rose_1b,26 ld r,$MAR_sakebuA1,24 ;「……うー。@うー…！@　ない。@……ない！@　ない！@　うーー！！」/ `"......Uu-.`@` Uu-...!`@` Not here.`@` ......Not here!`@` Not here!`@` Uuu--!!"`/ quakey 3,600 @ ;　ここにあるはずなのにないとでも言うのだろうか。@ ;　真里亞はどんどん不機嫌になっていく…。\ `Maybe she's saying that it should be here but isn't.`@ `Maria became increasingly ill-tempered...`\ bg rose_1a,0 ld l,$BUT_KomaruA1,23 ;「…参ったな。@真里亞がすっかり癇癪を起こしちまったぞ。」@ ;＜戦人 `"...Oh man, `@`Maria is really losing her temper."`@ ld r,$JES_KomaruA1,24 ;「真里亞はたまに、すごくどうでもいいことを気にし始めちゃうんだよ。@それがどうにかなる時はいいんだけど…。」@ ;＜朱志香 `"Maria sometimes starts to really care about really pointless things.`@` If she gets what she wants, that's alright, but..."`@ ld c,$GEO_KomaruA1k,22 ;「ない物は探せないしね…。@困ったな…。」@ ;＜譲治 `"You can't find something that isn't there...`@` That's not good..."`@ br ;　すっかり途方に暮れていると、@真里亞が大きな声を上げた。\ `Just when we were at a loss as to what was going on, `@`Maria raised a loud voice.`\ bg rose_G1a,23 ;「ママー！！@　うーうー！！」@ ;　大きく手を振る向こうには、楼座叔母さんの姿が見えた。\ `"Mama-!!`@` Uu-uu-!!"`@ `In the direction she was waving her hand, Rosa oba-san's figure was visible.`\ ;　台風が来る前にもう一度薔薇を見ようと思ったのか、@ゲストハウスに用事でもあったのか。@ `Maybe she wanted to look at the garden one more time before the typhoon came, `@`or maybe she had some business at the guesthouse.`@ br ;　屋敷の方から楼座叔母さんがやって来る。@ ;　すぐに娘の声に気付いてやって来てくれた。\ `Rosa oba-san was coming from the mansion.`@ `She quickly noticed her daughter's voice and came over.`\ bg rose_1a,24 ld r,$ROS_WaraiA1,24 ;「あらあら、どうしたの、みんな。@何か探し物なの？」@ `"My, my, what happened, everyone?`@` Are you looking for something?"`@ ld l,$MAR_KomaruA1,23 ;「探してー！@　ママも真里亞の薔薇を探して！@　うーうーうー！！」@ `"Loook!`@` Mama, you look for Maria's rose too!`@` Uu-uu-uu-!!"`@ ld r,$ROS_majimeA1,80 ;「真里亞の薔薇って？」@ `"Maria's rose?"`@ cl l,24 ld l,$GEO_majimeA1,23 ;「この辺に元気のない薔薇をひとつ見つけて、それに目印を付けたんです。」\ ;＜譲治 `"We found an unhealthy rose around here and marked it."`\ ld c,$BUT_oyaA1,23 ;「飴玉かなんかの包み紙でキュっと。@…しかし真里亞、確か俺の記憶が正しけりゃ、すぐ手前の目立つところに生えてたはずだぜ？@　足が生えてどこかに行っちまったんじゃなきゃ、他の場所だったと思うぜ。@真里亞の記憶違いじゃないのか？」\ ;＜戦人 `"We wrapped a candy wrapper around it.`@` ...But Maria, if I remember correctly, it was growing right in front and really stood out, didn't it?`@` Unless it grew legs and ran off somewhere, it must have been somewhere else.`@` Did Maria remember it wrong?"`\ bg rose_1b,0 ld r,$MAR_SakebuA1,24 ;「うー！！@　ここなの！！@　こーこーなーの！！/ `"Uu-!!`@` It is here!!`@` It--is--here!!`/ se1 8 quakey 2,400 se1 8 quakey 2,400 ;@　戦人が信じてくれない！@　うーうー！！」\ @` Battler doesn't believe!`@` Uu-uu-!!"`\ ld l,$ROS_IkariA1,23 ;「そのうーうー言うのをやめなさいって何度言ったらわかるの！@　ママも探してあげるから静かにしなさい！！」@ `"How many times do I have to tell you to stop saying 'uu-uu-' before you will understand!`@` Mama will look for it, so stay quiet!!"`@ ;　温和なところしか見たことがない楼座叔母さんが怒るので、少し驚く。\ `I was a little surprised to see Rosa oba-san, who I had only ever seen as gentle, get angry.`\ cl a,25 ;　楼座叔母さんも捜し始めるので、俺たちも一応それに付き合うが、@この辺りにないことはすでに充分確認済みだ。@ `Rosa oba-san began searching as well, so we went along with her for the time being,`@` but we were already more than sure that it wasn't around here.`@ br ;　…だから楼座叔母さんも、すぐにここにはないと理解する。\ `...Therefore, Rosa oba-san also soon realized that it wasn't here.`\ ld r,$ROS_KomaruA3,26 ;「ここにはその薔薇はないわよ。@他の場所の間違いじゃない？@　これだけたくさんの薔薇があるんだから、」@ `"The rose isn't here.`@` Did you mistake this place for somewhere else?`@` There are so many roses around,"`@ ld l,$MAR_fukigenA2,23 ;「うー！！@　うーーーッ！！！@　違うの！！/ `"Uu-!!`@` Uuuu---!!!`@` That's wrong!!`/ se1 9 quakey 2,400 ;@　ここにあるの！！@　ママも信じてくれない！@　うーうーうー！！！」/ @` It is here!!`@` Mama doesn't believe!`@` Uu-uu-uu-!!!"`/ se1 10 quakey 3,600 se1 10 quakey 3,600 \ ld r,$ROS_nayamuA1,80 ;「ちゃんと信じて探してるでしょ？！@　でもないじゃない！」@ `"Didn't I believe you and look hard for it?!`@` But it isn't here!"`@ ld l,$MAR_sakebuA1,80 ;「うーうー！！@　でもここなの！！@　ここにあるのにないの！！@　うーうーうー！！」\ `"Uu-uu-!!`@` But it is here!!`@` It is here but it isn't!!`@` Uu-uu-uu-!!"`\ ld r,$ROS_majimeA1,80 ;「じゃあ誰かが抜いちゃったんでしょ！@　とにかくそのうーうー言うのをやめなさい！！」@ `"Then someone must have ripped it out!`@` Anyways, stop saying 'uu-uu'!!"`@ ld l,$MAR_fukigenA2,80 ;「うーうーうー！！@　真里亞の薔薇、抜いたの誰、抜いたの誰ッ！！/ `"Uu-uu-uu-!!`@` Who ripped out Maria's rose, who did?!?!`/ se1 10 quakey 4,800 ;@　返して、返して！！/ @` Give it back, give it back!!`/ se1 10 quakey 4,800 ;@　うーうー！！@　うーうーうーうー！！！」@ @` Uu-uu-!!`@` Uu-uu-uu-uu-!!!"`@ ld r,$ROS_IkariA1,80 ;「そんなの知らないわよッ！！@　やめなさい、そのうーうー言うのをやめなさい！！」\ `"How should I know!!`@` Stop it, stop saying 'uu-uu-'!!"`\ E_A seplay 1,6 bg white,1 bgmplay 16 bg black,80 ;　楼座叔母さんが平手で真里亞の左頬を打つ。\ `Rosa oba-san slapped Maria's left cheek with her palm.`\ ;　その瞬間だけ、真里亞の騒ぎが沈黙した。@ `In that instant, Maria was shocked into silence.`@ br ;　もちろんそれは一瞬だけのこと。@ ;　真里亞は自分の願いが叶えられず、拒絶されたことを知るとますますに大きな声で騒ぎ出す。\ `Of course, it was only for an instant.`@ `When Maria realized that her wish was being rejected before it could be fulfilled, she started yelling with an increasingly louder voice.`\ meplay 1,5 bg rose_1b,0 ld r,$MAR_nakuA1,22 ;「うーうー！！@　うーうーうー！！@　真里亞の薔薇！@　真里亞の薔薇！！@　うーうーうーうーうーうーうー！！！」@ `"Uu-uu-!!`@` Uu-uu-uu-!!`@` Maria's rose!`@` Maria's rose!!`@` Uu-uu-uu-uu-uu-uu-uu-!!!"`@ ld l,$ROS_IkariA1,63 ;「その変な口癖をやめなさいって言ってるでしょ！！@　だからクラスの子たちにも馬鹿にされるんでしょうが！！@　いい加減にしなさいッ！！」\ `"Didn't I tell you to stop that weird habit!!`@` That's why all of the kids in your class make fun of you!!`@` Cut it out!!"`\ seplay 1,6 bg white,1 bg black,80 ;　もう一度、平手が真里亞の頬を打つ。\ `Once again, her palm slapped Maria's cheek.`\ bg rose_1b,0 ld r,$MAR_NakuA1,0 ld l,$ROS_IkariA1,22 ;　今度は沈黙しなかった。@ ;　咳を切ったように泣き出し、ますますに大声で泣き喚く…。@ `This time she didn't go silent.`@ `She choked as she started crying, and began to bawl in an increasingly louder voice...`@ br ;　楼座叔母さんは明らかにイラついていて、娘を黙らせようともう一度平手を振り上げる…。\ `Rosa oba-san was clearly irritated, and lifted her hand once more to try and shut her daughter up...`\ ld c,$BUT_AseruA1,24 ;「ろ、楼座叔母さん…。@まぁまぁ…その、小さい子供のことですし、そんなマジになんなくっても…、いっひっひ。」\ ;＜戦人 `"Ro, Rosa oba-san...`@` Now, now...She's just a little kid. There's no reason to get so serious...ihihi."`\ ;　俺は苦笑いで揉み手しながら、とりあえず場に割って入ろうとするが、@…マジな顔をした楼座叔母さんに凄まれ、余計なことはするもんじゃないと思い知らされる。\ `I tried to cut in with a bitter smile, rubbing my hands together, `@`...but Rosa oba-san threatened me with a serious face which told me not to butt in.`\ ld l,$ROS_majimeA1,80 ;「ごめんね、戦人くんたちはちょっとお部屋に戻っててくれる？@　叔母さんは真里亞とちょっと話があるの。」\ `"I'm sorry, would Battler-kun and the rest of you return to your room?`@` Oba-san needs to have a little talk with Maria."`\ cl c,23 ld r,$MAR_sakebuA1,80 ;「うーうーうー！！@　誰も真里亞の薔薇を信じてくれない！！@　ここにあったのに！！@　うーうー！！@　探して！！@　さーがーしーてー！！@　ここなの、ここにあったの！！@　うーうーうーうー！！！」@ `"Uu-uu-uu-!!`@` Nobody believes in Maria's rose!!`@` Even though it was here!!`@` Uu-uu-!!`@` Look for it!!`@` Look--for--it!!`@` Here, it was here!!`@` Uu-uu-uu-uu-!!!"`@ ld l,$ROS_nayamuA1,80 ;「でもないじゃないッ！！@　なら他の場所の勘違いでしょ？！」\ `"But it's not here!!`@` Then did you confuse it with somewhere else?!"`\ ld r,$MAR_NakuA1,80 ;「うーうーうーうー！！@　ここなの！！@　絶対にここなのッ！！@　うーうーうー！！」\ `"Uu-uu-uu-uu-!!`@` It is here!!`@` It is definitely here!!`@` Uu-uu-uu-!!"`\ ld l,$ROS_IkariA1,80 ;「じゃあなくなっちゃったのよ！！@　諦めなさいッ！！」@ `"Then it has disappeared!!`@` Give it up!!"`@ ld r,$MAR_sakebuA1,80 ;「どうして？！@　どうして真里亞の薔薇がなくなっちゃうの？@　どうしてどうして？！@　うーうーうー！！！」@ `"Why?!`@` Why did it disappear?`@` Why, why?!`@` Uu-uu-uu-!!!"`@ ;「知らないわよ、そんなのッ！！@　だからその、うーうー言うのをやめなさいッ！！」\ `"I don't know that!!`@` So stop saying 'uu-uu-'!!`\ bg white,80 bg rose_1b,0 ld l,$ROS_IkariA1,0 se1 13 seplay 2,6 quakey 4,300 ;　楼座叔母さんが再び手を振り上げ、感情に任せて頬を打つ。@ ;　それは力強く、真里亞を転ばせるだけの力があった。\ `Rosa oba-san once again raised her hand and, overrun by emotions, slapped Maria's cheek.`@ `It was so strong, it knocked Maria over.`\ ld r,$BUT_komaruA1,24 ;「へっへー…、楼座叔母さん、@いくら娘でも暴力はいけねぇっすよ…。」@ ;＜戦人 `"H, hey...Rosa oba-san, `@`even if she is your daughter, you shouldn't be violent like that..."`@ ;　転んだまま、うーうーと泣き続ける真里亞を庇うように俺は間に入る。@ `I stepped between them to protect Maria, who was still on the ground, crying 'uu-uu-'.`@ br ;　……親子の問題に部外者が余計なお世話なのはわかってる。@ ;　だからって、俺はこういうのを黙って見学しろとは習わなかったからな…。\ `......I knew that problems between parent and child were none of my business as an outsider.`@ `But I wasn't brought up to just silently observe something like this...`\ ld l,$ROS_majimeA1,80 ;「戦人くんは変に思わないの？@　あなたの学校に、うーうー唸ってる女の子なんている？」\ `"Don't you think it's weird, Battler-kun?`@` Do you have any girls at your school that mutter 'uu-uu-'?"`\ ld r,$BUT_aseruA1,80 ;「いや、まぁさすがに高校には…。@でも小学生ならそういう、うーうー言うのも可愛いじゃないっすか…。」@ `"Well, I am in high school...`@` But for an elementary schooler, I think saying 'uu-uu-' is pretty cute..."`@ ld l,$ROS_IkariA1,80 ;「可愛い？@　うーうー言うのが可愛い？@　可愛いってッ？！」\ `"Cute?`@` Saying 'uu-uu-' is cute?`@` Cute?!"`\ ;　その無責任な言葉が楼座叔母さんの逆鱗に触れたらしい。@ ;　叔母さんはすごい形相で俺の胸倉を掴み上げる…。\ `It seemed that my reckless words had brought Rosa oba-san's wrath down upon me.`@ `Oba-san grabbed my collar with a terrifying expression...`\ cl a,0 ld c,$ROS_IkariA1,23 ;「馬鹿言ってんじゃないわよ！！@　真里亞がいくつか知ってる？@　９歳よ？！/ `"Don't say such nonsense!!`@` Do you know how old Maria is?`@` She's nine!`/ quakex 4,300 ;@　小学４年生なのよッ？！@　幼稚園児じゃないのよッ？！@　それなのに、まだクラスでうーうー言ってるのよ！！@　わかる？！/ @` That she's a fourth grader?!`@` That she's not a kindergartner?!`@` And even so, she still says 'uu-uu-' during class!!`@` Do you understand?!`/ quakex 4,300 ;@　この子、クラスで何て言っていじめられてるか知ってるの？！@　この変な口癖のせいで、未だに友達のひとりもいないのよ？！@　無責任に真里亞のことを可愛いとか言って現実から目を逸らさないで！！@　この子の将来のことを、もっともっと真剣に考えてッ！！！」/ @` This kid, do you know what they say about her when they bully her?!`@` That, thanks to that weird habit, she still hasn't made even a single friend?!`@` Don't turn your eyes from reality and recklessly call Maria cute!!`@` Think more seriously about this kid's future!!!"`/ quakey 4,300 \ cl a,23 ;「うーうーうーうーうー！！！@　うーうーうーうーうーうー！！！」@ ;「だからそのうーうー言うのをやめなさいッ！！/ `"Uu-uu-uu-uu-uu-!!!`@` Uu-uu-uu-uu-uu-uu-!!!"`@ `"I told you, stop saying 'uu-uu-'!!!`/ se1 9 quakey 3,300 ;@　やめろって言ってんでしょ！！」@ @` Didn't I tell you to stop it!!"`@ se1 10 quakey 3,200 ;　うずくまりながら、ますますに不満の声を上げるその頭を楼座叔母さんは引っ叩く。\ `Rosa oba-san struck Maria's quivering head from which an increasingly unsatisfied voice was rising.`\ se1 13 bg black,1 ;　俺は止めようとするが、叔母さんに突き飛ばされてしまう…。@ ;　俺の背中が譲治の兄貴にぶつかった。\ `I tried to stop it, but Oba-san thrust me away...`@ `My back hit George-aniki.`\ E_MA bg rose_1a,0 ld r,$GEO_majimeA3k,26 ;「……昔は楼座叔母さんも、真里亞ちゃんの幼児言葉のひとつだくらいにしか思わなかったんだけど…。@小学校の中学年になっても、治らないのを最近はだいぶ気にしてて…。」@ ;＜譲治 `"......A long time ago, Rosa-san also thought of it as nothing more than one of Maria-chan's baby words...`@`but she is now midway through elementary school, and the fact that it hasn't been fixed has bothered her a lot recently..."`@ ld l,$BUT_KomaruA1,23 ;「別に、どういう言葉遣いをしようと関係ねぇだろ…。」\ `"It's not like it matters what kind of words she uses..."`\ ld r,$GEO_MajimeA1,80 ;「そのまま社会人にはなれないよ。@…だから、見ていて気持ちのいい光景ではないけれど、@……これは叔母さんたち親子の問題なんだよ。」@ `"You can't grow up to be like that.`@` ...Therefore, even though it's not a pleasant scene to watch,`@` ......this is a problem between parent and child."`@ ld c,$JES_odorokiA1,23 ;「………ま、@私も、この言葉遣いのせいでよくお袋に怒られるけどよ。」@ ;＜朱志香 `".........Well, `@`I also often get in trouble from my mother about how I speak."`@ br ;　そんな風に言われたら、この痛々しい光景も、部外者の俺が割り込むものではないのかもしれない…。\ `If you look at it that way, maybe an outsider shouldn't interfere with this even though it's painful to watch...`\ ld r,$GEO_DefA1,80 ;「戦人くんだって、小さい頃、悪い癖が治らなくて、怒られたことがあったんじゃないかい？」@ `"Battler-kun, didn't you ever have any bad habits as a kid that you couldn't fix and got you in trouble?"`@ ld l,$BUT_majimeA1,80 ;「……まぁ、ひとつやふたつは。@授業参観の日に、人前でずっと怒られてた時は恥ずかしくて堪らなかったぜ。」\ `"......Well, one or two.`@` On Parent's Day, I always got in trouble in front of everyone, and it was so embarrassing, I couldn't stand it."`\ ld r,$GEO_MajimeA1,80 ;「じゃあ、今の真里亞ちゃんたちの気持ちはわかるよね。@……僕たちに、ここにいてほしいとは思わないんじゃないかな。@……朱志香ちゃんにもわかるよね？」@ `"Well then, you can understand Maria-chan's feelings right now.`@` ......I'm sure she doesn't want us to be here now.`@` ......Do you understand as well, Jessica-chan?"`@ ld c,$JES_MajimeA1,80 ;「…………怒られてるところを、誰かに見られてぇとは思わないぜ。」\ ;＜朱志香 `".........I don't think anyone likes to be seen when they're being punished."`\ ld r,$GEO_MajimeA2k,80 ;「行こう。@ゲストハウスへ戻ろう。@そして真里亞ちゃんが戻ってきたら、@何事もなかったかのように迎えてあげようよ。@…それが、一番じゃないかい？」\ `"Let's go.`@` Let's return to the guesthouse.`@` Then, after Maria-chan comes back,`@` let's welcome her as if nothing happened.`@` That's probably for the best, isn't it?"`\ bg black,22 bg rose_G1a,22 ;　譲治の兄貴の言い分は多分もっともだと思ったし、@…そういうもっともらしい理由をつけて、この胸の痛くなる場から退散できるなら、俺たちはそれでよかったのかもしれない。@ `Because we thought that George-aniki's point was probably correct,`@` ...we were fine with using that correct-sounding reason to justify retreating`@` as long as it would ease the pain in our chests.`@ br ;　俺と朱志香は、譲治兄貴に頷き、その場を後にする。\ `Jessica and I nodded at George-aniki, and we all left.`\ bg rose_1b,0 ld c,$MAR_NakuA1,22 ;　真里亞に、俺たちはゲストハウスに行ってるからなと声を掛けるが、@耳には届いていないようだったし、言っている俺たちもどこか後ろめたくて白々しかった…。\ `We called towards Maria that we were going to head to the guesthouse, `@`but since it didn't seem to reach her ears, we also had shamelessly guilty consciences...`\ cl a,0 ld l,$MAR_nakuA1,0 ld r,$ROS_IkariA1,80 ;「それなら好きなだけひとりで探しなさい！@　ママは知りませんッ！！」@ `"In that case, look by yourself as much as you want!`@` Mama doesn't care!!"`@ ld l,$MAR_SakebuA1,80 ;「うー！！！@　探す！@　真里亞がひとりで探すー！！@　ママが知らなくても探す！@　うーうーうーうーうー！！！」@ `"Uu-!!!`@` Look for it!`@` Maria will look for it by herself!!`@` Will look for it even if Mama doesn't care!`@` Uu-uu-uu-uu-uu-!!"`@ ;「勝手にしなさいッ！！」@ `"Have it your way!!"`@ cl r,23 ;　楼座はその言葉を最後にぶつけると、ぐるりと踵を返して屋敷へ足早に戻っていく。\ `After blasting her with those last few words, Rosa spun on her heels and quickly returned to the mansion.`\ bg black,24 ;　真里亞にとってそれは、とても冷たく傷つく仕草に見えただろう。@ ;　だが楼座にしてみればそういうつもりではなかった。\ `Maria probably viewed that as a cold gesture meant to injure.`@ `But from Rosa's perspective, that was not her intention.`\ ;　…感情的に頬を叩いてしまった手が、まだじんじんしていたから。@ `...It was because the hand which she had so emotionally struck Maria's cheek with was still numb.`@ br ;　…このまま叫び続けていると、また感情に飲み込まれて、娘の頬を何度も打ってしまいそうだったから。\ `It was because, if she stayed there screaming, she might again be taken over by her emotions and continue slapping her daughter's cheek over and over.`\ meplay 1,5 bg rose_1a,22 ;　楼座が立ち去った後の薔薇庭園には、真里亞がたったひとりで残される。@ ;　風はますますに強くなり始め、時折、額に雨粒がぼたりと当たった。@ `After Rosa left, only Maria was left alone in the rose garden.`@ `The wind began to blow stronger and stronger, and every once in a while, a raindrop would fall on her forehead.`@ br ;　…でも、真里亞はその場所を立ち去ることができない。@ `...However, Maria couldn't leave that place.`@ br ;　あの、可哀想な萎れた薔薇を見つけるまでは。\ `Not until she found that poor, withering rose.`\ bg black,2 ;　間違いなくそれはここにあった。@ `It had definitely been there.`@ br ;　……なのに、/ ;!d800ない。@ `......Even so,`/ !d800` it wasn't.`@ br ;　場所はわかっていて、しかもそれはそこなのに、/ `Even though she knew the place and even though it had been there,`/ ;!d800ない。@ !d800`it wasn't.`@ ;　真里亞は恨めしそうに、あったはずの場所を睨み続けながら、必死に考える。\ `Maria, while bitterly staring at the place it was supposed to be, thought frantically.`\ ;　見る角度がおかしいのではないか。@ ;　見る高さがおかしいのではないか。@ `Maybe the angle I'm looking from is wrong.`@ `Maybe the height I'm looking from is wrong.`@ br ;　……たった一点を凝視しながら、@真里亞は何度も立ち位置を変えては睨み続ける。\ `......While gazing at a single point, `@`Maria repeatedly stood up, changed her position and continued to stare.`\ ;　風はますますに強くなり始める……。@ `The wind was getting increasingly stronger......`@ br ;　でも真里亞はいつまでも花壇の前で、あの薔薇を探し続けているのだった…。\ `But Maria kept on looking for that rose in front of the flower bed...`\ fede 0,5000 bg black,2 wait 1000 dllefe 1,1 meplay2 1,12,40 bg M_o1bR,2 wait 3000 dllefe_off bg black,25 bg Mlib_1dR,22 ;■金蔵の書斎 ;　………金蔵は窓を叩く雨粒の音に気付く。@ ;　とうとう降り出したらしい。@ ;　天気予報で予想していたよりは遅い降り出しであった。\ `.........Kinzo noticed the sound of the raindrops beating on the window.`@ `It seemed to be pouring down thickly.`@ `It had begun to rain later than the weather report had predicted.`\ bg Mlib_1bR,23 ;　金蔵は雨音に誘われるように窓辺へ近付く。\ `Kinzo, as if being summoned by the sound of the rain, approached the window.`\ ;　雨の音は静寂の音。@ `The sound of the rain is a sound of silence.`@ br ;　その音はどんな静けさよりも静寂を感じさせ、@人間など結局は生まれてから死ぬまで孤独でしかないことを思い出させてくれる。\ `That sound feels quieter than any silence `@`and makes humans remember that, in the end, they are alone from when they are born to when they die.`\ bg black,22 ;「……遅かったではないか、ベアトリーチェ。」@ `"......You're late, Beatrice."`@ br ;　その言葉は降雨の空に告げたもの…？@ ;　金蔵の眼差しの先に応える者の姿はない。\ `Were those words directed at the rainy sky...?`@ `No one could be seen in the direction of Kinzo's gaze.`\ bgmplay 17 bg Mlib_1e,0 ld c,$KIN_majimeA1,22 ;「……さぁ、始めようではないか。@私とお前の、奇跡の宴を。@……今こそこの島は現世より切り離された。@もう誰も、私の儀式の邪魔をすることはできぬ。@お前に相応しい生贄は充分にあるぞ。@息子たちが４人。@その伴侶が３人。@孫たちが４人。@私に客に使用人たち！@　どれでも好きなだけ食らうがいい。@運命の鍵は、悪魔のルーレットに従い生贄を選ぶであろう。@そのルーレットが私を選ぶならば、私すらもお前の生贄となろう。@……だが、だからこそなのだ…。@それだけの狂気を賭けるからこそ、/ ;!d800……私は必ずや偉大な奇跡を起こすだろう。\ `"......So, shall we start?`@` Let us begin our banquet of miracles.`@` ......Even now this island has been cut off from the world.`@` Now there is no one who can interrupt my ceremony.`@` There are many fitting sacrifices for you.`@` Four of my children.`@` Three of their companions.`@` Four of my grandchildren.`@` Me and my guests and my servants!`@` You may eat up as many as you please.`@` The key of fate will select the sacrifices in accordance with the Demons' Roulette.`@` If that roulette chooses me, even I will become your sacrifice.`@` ...However, because of that...`@` because I will bet on that madness,`/ !d800`......I will definitely create a grand miracle.`\ ld c,$KIN_ikariA1,80 ;　…さぁ、好きなだけ食らうがいいッ…！！@　私はそのルーレットに打ち勝つだろう。@さぁ、全てを賭すぞ。@まずは右代宮家の家督を返そう。@受け取るがいいッ！！」\ `...Come, devour as much as you wish...!!`@` I will overcome that roulette.`@` Yes, I'll put everything on the line.`@` First, I'll return the inheritance of the Ushiromiya family.`@` Accept it!!"`\ bg black,22 wait 400 mevol 1,70 dllefe 1,1 ;４０のボリュームで始めた雨の音を、ここでフェードで７０にアップさせたい！ mov %tmp,40 for %tmp = 40 to 70 resettimer mevol 2,%tmp waittimer 100 next ;　金蔵は乱暴に窓を開けると、指にはめていた黄金の指輪をむしり取り、力強く投げ捨てる。\ `As Kinzo violently opened the window, he ripped off a golden ring stuck to his finger and forcefully threw it away.`\ se1 20 wait 1000 bg white,80 ;遠雷のSEを入れる。…ゴロゴロゴロゴロ…。 se1 21 bg black,1 ;　……その時、雷鳴が響き、まるで稲光がそれを受け取ったかのような錯覚がした。\ `......At that time, thunder resounded, giving the illusion that the lightning had accepted the ring.`\ ;「そして………、お前が蘇った時、@そこにいるのは私であるだろう。@私が最後まで生き残り、お前の目覚めを見守るだろう。@………さぁ、来たれベアトリーチェ…。@ようこそ、我が宴へ…！@　私が生み出した全てと引き換えに、私にもう一度だけ奇跡を見せておくれ。@……おおおぉ、/ ;!d800…ベアトリーチェぇえぇ…………。」\ `"And with that........., when you are resurrected, `@`I will be there.`@` I will live until the end and watch over you as you awaken.`@` .........So, come Beatrice...`@` Welcome to my banquet...!`@` In exchange for all that I have created, show me another miracle just this one time.`@` ......Oooooohh,`/ !d800`...Beatriceeeeeee........."`\ dllefe_off bg Mlib_1e,22 ;▲第６アイキャッチ；１０月４日（土）１７時００分　が１８時００分に進む textoff wait 3000 eye1 17,00,18,00,1,0,510,340,25 *umi1_7 bg black,2 wait 1000 meplay2 1,13,40 bg rose_G1aR,22 dllefe 1,1 wait 4000 ;■ゲストハウス・いとこ部屋 bg G2F_R1aR,26 dllefe_off ;　番組の上に、ニュース速報のテロップが入る。@ ;　それは災害情報で、あちこちの自治体で大雨洪水警報や波浪警報が出されたことを告げ続けている。@ `A news ticker popped up on top of the TV program we were watching.`@ `The disaster report told how municipalities all over were continually sending out rain, flood, and wave warnings.`@ br ;　もちろんそんなテロップより、窓を激しく叩き始めた雨粒の方がずっと説得力を持って教えてくれていた。\ `Of course, the harshly beating raindrops on the window were much more convincing.`\ ld r,$BUT_DefA2,24 ;「……すっげぇ降りだなぁ。@でもこれだけ盛大だと、すぐに止みそうな気もするけどな。」@ ;＜戦人 `"......This rain's incredible.`@` Still, when it's raining this hard, it feels like it's going to stop soon."`@ ld l,$JES_AkuwaraiA1,23 ;「そりゃ甘ぇぜ。@台風の速度が遅いそうだから、下手すりゃ明日も丸一日こんな調子らしいぜ？@　ちょっとの天気でも、船は欠航するもんだしよ。」\ ;＜朱志香 `"You wish!`@` They said the typhoon's moving slow, so in the worst case it'll be like this all day tomorrow.`@` Even a little weather'd be enough to stop the boats."`\ cl r,23 ld r,$GEO_KomaruA1,24 ;「やっぱり、日曜日の内には引き上げられないか。@…念の為、月曜日に外部とのスケジュールを入れなくて正解だったよ。」\ ;＜譲治 `"It looks like we won't be able to head out on Sunday after all.`@` ...Just in case, I cleared any business I had with the outside world from my Monday schedule. I'm glad I did."`\ cl l,24 ld l,$BUT_WaraiA2,23 ;「ってことはぁ、いっひっひ、月曜の学校はサボれそうだなぁ〜。@島生活ってのも悪くないもんだぜ！@　……そういや、朱志香は登校って、毎日、船で通ってるわけだろ？@　船が欠航したら学校はどうなるんだ？@　カメハメハ大王並みに、雨が降ったらお休みで風が吹いたら遅刻して、か？」\ ;＜戦人 `"I guess this means, ihihi, it looks like we'll be skipping school Monday~.`@` Living on an island's starting to look pretty good!`@` ......Come to think of it, Jessica, do you have to take a boat to school every day?`@` What do you do when the boats are closed down?`@` Do you stay home when it rains and show up late when the wind's blowing, like King Kamehameha?"`\ bg G2F_R1bR,0 ld r,$JES_DefA2,24 ;「船が出なきゃ休みになるぜ。@もっとも、そう甘くはねーけどな。@大抵、その代わりに自習が指示されて、後でかっちりと見られるからそうそう気楽でもねーさ。」@ `"If the boats don't come, I stay home.`@` Still, it's not as good as it sounds.`@` Usually, I'm ordered to study by myself, and it's not that fun with someone standing right behind you watching everything you do."`@ ld l,$BUT_DefA1,23 ;「例えば、梅雨なんかの長く天気が崩れる時期だと、@数日間くらい登校できないこともあるんじゃねぇのか？」\ `"During the rainy season, does the weather ever stay bad for a long time`@` and make you miss a bunch of days in a row?"`\ ld r,$JES_TohohoA1,80 ;「そういうこともあるぜ？@　でも、毎日、きっちり担任から電話が掛かってきて、どう自習しろ、何を提出しろとすっぱく指導されるけどなー。」\ `"That also happens.`@` Still, every single day, my homeroom teacher would call and sourly guide me on how I should teach myself and what I had to turn in."`\ bg G2F_R1cR,24 ld r,$GEO_HohoemiA1,24 ;「戦人くんが考えてるほど簡単にはサボれないよ。@船で通う人たちのルールに従って、しっかり勉強をしているよ。」\ `"She can't just easily skip the way you are thinking of, Battler-kun.`@` She has to follow the rules for people that travel to school by boat and get a good amount of studying done."`\ ld l,$JES_WaraiA1,23 ;「むしろ登校できた方が気楽だぜ？@　自分の部屋じゃ気が散るし集中もできねぇしな。@それでいて、問題集ばっかり数日もやらされてるとかなり精神的に堪えるもんがあるぜ？@/ `"It'd actually be easier to just go to school.`@` In my own room, I get distracted and can't concentrate.`@` After being made to do nothing but workbooks for several days straight, it's pretty hard to handle all that mental stress.`@/ ld l,$JES_waraiA2,80 ;　……大学の時にはよ、寮のあるところに入って、さっさとこんな不便な島はおさらばしたいもんだぜ。」\ ` ......When I get into college, I really just wanna go to some dorm and quickly say goodbye to this inconvenient island."`\ cl r,23 ld r,$BUT_defA2,24 ;「へー…。@じゃあよ、ちなみに、行きは天気が良くても帰りは悪くて欠航ってなったらどうすんだ？@　学校に泊まるのか？」@ `"Huh...`@` So, by the way, what do you do when the weather's good in the morning, but then gets so bad on your way home that the boats are closed?`@` Do you spend the night at school?"`@ ld l,$JES_futekiA1,80 ;「そういうのはよくあることだぜ。@だから帰島できない人用の宿泊所があってよ。@そこに寝泊りするんだよ。@下手すりゃ数日間、家に帰れないこともあったりするぜ。」\ `"That actually happens a lot.`@` Because of that, they've built some lodgings there for people who can't get back to the island.`@` I stay over there.`@` Sometimes, when it gets really bad, I can't get back home for a few days at a time."`\ bg G2F_R1bR,0 ld l,$GEO_KomaruA1,23 ;「乗車率が２００％を超えるような満員電車で毎日通勤通学しなければならない人から見てみると、@船の通学なんて趣きがあって良さそうだな、なんて無責任に思っちゃうけど。@やっぱり色々と苦労があるんだね。」\ ;＜譲治 `"If you look at it from the perspective of those people who have to go to school every day on a train packed to twice its capacity,`@` going to school on a boat might seem pretty interesting and fun. Or at least they might irresponsibly think that.`@` I guess different people have different kinds of difficulties."`\ ld r,$JES_KomaruA1,24 ;「よく、無神経な観光客がそういうこと言ってるぜ。@私は島の生活なんてもうお腹いっぱいだね。@早く高校を出て、こんな島とはおさらばしたいぜ。」@ `"Thick-skinned tourists say that kind of thing all the time.`@` I've had enough of island life.`@` I really want to quickly graduate high school and say goodbye to this island."`@ ld c,$BUT_WaraiA2,23 ;「高校にだって全寮制のところとかあったろうよ。@何でわざわざ新島の学校を選んだんだよ。」\ ;＜戦人 `"Even for high school, there should be places where the students live in dormitories.`@` Why did you go to all of the trouble of choosing the school on Niijima?"`\ ld r,$JES_OdorokiA1,80 ;「私は最初っからそれを希望してたぜ？！@　でもお袋がよ、当主跡継ぎとしての修行やらマナーやらが云々ってうるさくてよ。@/ `"I've wanted to go to one of those from the beginning!!`@` Still, Mom's always going on about how I need to learn manners and discipline as the successor to the head.`@/ ld r,$JES_KomaruA1,80 ;…結局、高校も地元になっちまったのさ。@はー、こんな島はごめんだぜ。@早く都会で生活したいよ。@雨が降ろうが槍が降ろうが、ラフな格好でサンダルを履けば、@５分足らずでコンビニに行けるような都会に引っ越したいぜ…。」\ ` ...In the end, I got stuck with a high school close to home.`@` Man, I hate this island.`@` I just want to go live in a city.`@` I don't care if rain or even spears fall from the sky, as long as I can move to a city where I can wear casual clothes and sandals`@` and can get to a convenience store in less than five minutes..."`\ ld l,$GEO_WaraiA1,80 ;「はははは。@もう少しの辛抱だよ。@高校卒業まであとちょっとでしょ？」@ ;＜譲治 `"Hahahaha.`@` Hold out just a little longer.`@` It's only a short while until you graduate high school, right?"`@ ld r,$JES_AkuwaraiA1,80 ;「そのちょっとも我慢できねぇぜー。@あ〜あ…。」\ `"I can't wait a little longer.`@` Aaaaaah..."`\ bg G2F_R1cR,24 ;　朱志香は大きく伸びをしながらソファーにもたれ込む。@ `Jessica stretched out and reclined in the sofa.`@ br ;　時間帯がぱっとしないせいか、面白い番組もやっておらず、@俺たちは夕食に呼ばれるまでの時間を気だるそうに潰すしかなかった。\ `Maybe because now was a bad time slot, there weren't any interesting programs on, `@`and we had nothing to do but languidly kill time until we were called for dinner.`\ ;　真里亞は結局、このいとこ部屋には帰ってこなかった。@ `Maria had so far not returned to the cousins' room.`@ br ;　多分、楼座叔母さんに連れられ屋敷に行ったのだろう。@ `She had probably been brought back to the mansion by Rosa oba-san.`@ br ;　大人たちが難しい話をしている中で、真里亞ひとりがぽつんとしていてもさぞ退屈だろう。\ `It had to be pretty boring for Maria, all by herself while the adults are having a confusing conversation.`\ ;　……なら、俺たちも屋敷に移るか、とも思ったが、さすがにこの天気だったし、@ 夕食までの時間もそう長くはないだろうと思い、俺たちはここに留まっていた。\ `......We thought we might head over to the mansion to see her, but after all, there was this lousy weather,`@` and there wasn't much time until dinner, so we stayed where we were.`\ bg black,22 se1 19 wait 1000 bg G2F_R1bR,26 ;　その時、慎ましやかなノックの音が聞こえた。@ ;　朱志香が応える。\ `At that time, we heard the sound of a humble knock.`@ `Jessica answered.`\ ;「はーい！」@ ;「………お食事の準備が整いました。@お屋敷へお越し下さい。」\ `"Ye-s!"`@ `".........The preparations for dinner are complete.`@` Please come to the mansion."`\ ;　嘉音くんの声だった。@ ;　この雨の中、わざわざ屋敷から俺たちを呼びに来てくれたのか？@ ;　内線電話でも掛ければ良かっただろうに。@ `It was Kanon-kun's voice.`@ `Had he gone to all the trouble of coming from the mansion in this rain just to call us over?`@ `Couldn't he have just called us on the telephone?`@ br ;　……まぁ、使用人の奉公というものは、時に合理化とは逆らうものなのだろう。\ `......Oh well, maybe sometimes part of a servant's duty is to go against common sense.`\ bg G2F_R1aR,23 ld r,$GEO_hohoemiA1,26 ;「何となくお腹が空いてきた頃だったしね。@行こうか。」@ ;　譲治の兄貴がテレビを切って立ち上がる。\ `"Just when I was getting hungry.`@` Let's go."`@ `George-aniki turned off the television and stood up.`\ ld l,$BUT_WaraiA1,23 ;「俺はとっくにぺこぺこ〜！@　本家の晩餐は毎回凝ってるしなぁ〜！@　それに郷田さん、仔牛のステーキとか言ってなかったっけぇ？@　う〜ん、たぁまらねぇぜ〜！！」@ `"My stomach's been growling for a while!`@` I've always been a huge fan of the main family's dinners!`@` And didn't Gohda-san say it was calf steak or something?`@` Oohh, I can't wai~t!!"`@ cl r,24 ld r,$JES_WaraiA1,24 ;「親族会議の日は特に豪華になるしな。@私だって楽しみだぜ！@　行こ行こ。」\ ;＜朱志香 `"It's even more fabulous on the day of the family conference.`@` Even I'm looking forward to it!`@` Let's go, let's go."`\ bg black,23 bg G1F_P1aR,0 ld c,$KAN_NayamuA1,23 ;　部屋を出ると、嘉音くんがうやうやしく黙礼をしてくれた。\ `As we left the room, Kanon-kun bowed silently and respectfully.`\ cl c,0 ld l,$KAN_NayamuA1,0 ld r,$JES_DefA1,24 ;「じゃあ行こうぜ。@外の降りはだいぶ酷いだろ？」@ ;＜朱志香 `"Alright, let's go.`@` Is the rain nasty out there?"`@ ld l,$KAN_DefA1,80 ;「……はい。@お召し物を濡らさぬよう、充分ご注意ください。」@ `"......Yes.`@` Take care not to get your garments wet."`@ cl l,23 ;　俺たち三人の姿を認めた上で、嘉音くんは空っぽの室内を覗き込む。\ `After seeing the three of us out, Kanon-kun peered into the empty room.`\ ld l,$KAN_DefA2,24 ;「………真里亞さまはいらっしゃいませんか…？」@ `".........Wasn't Maria-sama with you...?"`@ ld r,$JES_MajimeA1,80 ;「一緒じゃないぜ？@　楼座叔母さんと一緒じゃないのかよ。」\ ;＜朱志香 `"No she isn't.`@` Wasn't she with Rosa oba-san?"`\ ;■洋館・客間 bg black,5 wait 3000 E_A meplay2 1,12,40 bg M1F_S1dR,48 ;　他に誰もいない客間のソファーに体を預けていた楼座は、いつの間にか寝入ってしまっていた。@ `Rosa, lying on a sofa in the empty parlor, had fallen asleep at some point.`@ br ;　…子供たちには想像もつかないような負担が、彼女の身には掛かっていた。@ ;　だから、少し気を緩めれば、その疲れはすぐにも楼座を眠りの世界へ誘ってしまうのだった。\ `...She was bearing a burden on her shoulders that a child could never even imagine.`@ `Therefore, when she let herself relax, that exhaustion quickly led Rosa into the world of sleep.`\ bg black,22 bg M1F_S1aR,0 ld l,$GEN_DefA1,22 ;　それに気付き、源次は毛布を持ってきた。@ ;　それを掛けてあげようとしたところで楼座は電気に弾かれたように目を覚ます。\ `Realizing this, Genji brought a blanket over to her.`@ `When he tried to spread it over her, her eyes snapped open as though she had been shocked with electricity.`\ ld r,$ROS_IkariA1,26 ;!s0「………………ぁッ、/ ;!d800…………。@/ !s0`"...............Ah,`/ !d800`............`@/ ld r,$ROS_NayamuA1,80 ;!sd……ありがとう、源次さんなのね。」@ !sd......`Thank you, Genji-san."`@ ;　自分の体に触れたものがただの毛布で、源次の厚意によるものだったと理解し、ようやく安堵の息を漏らす。\ `When she realized that the thing that had touched her was just a blanket, and that Genji had been considerately giving it to her, she let out a sigh of relief.`\ ld l,$GEN_KomaruA1,80 ;「……起こしてしまいましたか。@失礼いたしました。」@ `"......Did I wake you?`@` My sincere apologies."`@ ld r,$ROS_komaruA1,80 ;「いえ、いいの。@寝るつもりじゃなかったから。@…今は何時なの？」@ `"No, it's okay.`@` I hadn't planned on sleeping in the first place.`@` ...What time is it now?"`@ ld l,$GEN_DefA1,80 ;　時間を問われ、源次は懐から懐中時計を取り出して確認する。\ `When he was asked for the time, Genji checked a pocket watch that he took out of his chest pocket.`\ ld l,$GEN_MajimeA1,80 ;「………６時を少し過ぎたところです。」@ `".........It is slightly after 6:00."`@ br ;　ずいぶん、長く寝込んでいたような感覚だったのに、大して時間が経っていなかったことを知り、楼座は軽く頭を振る。@ `Rosa gave her head a little shake as she realized that, even though it had felt like she had slept for a long time, not much time had actually passed.`@ ;　…まったく休んだ気がしないのに、彼女を包み込んだまどろみはだいぶ深いようだった。\ `...Even though she didn't feel rested at all, the drowsiness that wrapped around her felt very deep.`\ ld r,$ROS_DefA1,80 ;「ありがとう、毛布は結構よ…。@変な時間に眠っちゃ駄目ね。@すっかり時間の感覚が狂っちゃったわ。@………………雨、/ ;!d800とうとう降り出したのね。」@ `"Thank you, I'll be fine without the blanket...`@` I mustn't sleep at such a strange time.`@` My sense of time has been completely thrown off.`@` ...............The rain,`/ !d800` it really is pouring."`@ ;　楼座はようやく、自分をまどろみに深く誘った静寂の音の正体が、いよいよ降り始めた雨であることを知る。\ `Rosa finally realized that the peaceful sound that had put her to sleep was actually the rain that had started falling.`\ bg black,22 bg M1F_S1dR,25 ;「風もだいぶ出ているようね。@…いよいよ台風なのかしら。」@ `"The wind is also blowing hard.`@` ...I wonder if it's finally the typhoon?"`@ ;「……そのように、テレビでは申しております。@遅い台風だそうで、明日いっぱいはこんな調子だそうです。」@ `"......That's what they said on TV.`@` The typhoon is moving slowly, so they think it'll be like this all day tomorrow."`@ ;「そう…。@………この素敵な薔薇庭園も、日中のあれが見納めだったのね。」@ `"Really...?`@` .........That wonderful rose garden, that must have been my last chance to see it."`@ br ;　窓から見える薔薇庭園は、すっかり風雨の向こうに霞んでしまっていた。\ `From the window, what she could see of the rose garden was completely blurred by the wind and the rain.`\ E_A ;「…真里亞…。@……そうだ、真里亞は？！」@ `"...Maria...`@`......That's right, Maria?!"`@ bgmplay 6 ;「…………私はお見かけしておりませんが。@ゲストハウスにお戻りではないでしょうか。」\ `"............I have not seen her.`@` Did she not return to the guesthouse?"`\ ;　楼座は我が子の性分をよく知っている。@ ;　そしてぞっとする。\ `Rosa knew her daughter's nature well.`@ `She had always known.`\ ;　真里亞は馬鹿が七つ付くほどの正直だから、@……ないものを探していなさいと命じたら、ずっとずっと探し続けている。@ `Maria was stubbornly honest,`@` ......and if she was ordered to find something that didn't exist, she would look forever and ever.`@ meplay2 1,12,40 br ;　……雨が降り出しても…！！\ `......Even if rain was pouring down...!!`\ bg black,22 ;「……違うわ。@いとこの子たちは先に行ってしまったから、あそこには真里亞ひとり…！@　あの子は、誰かにもう止めろと言われない限り、例え槍が降ってこようとあそこに居続けるわ！@　傘もささずに！！@　………ああぁッ、私は感情に任せて何てことをッ！！」@ `"......That's wrong.`@` The cousins left earlier, so Maria was alone...!`@` Unless someone told her to stop, she would stay there even if spears fell down from the skies!`@` Without even opening an umbrella!!`@` .........AAaah, what have I done, losing control of my emotions!!"`@ br ;　その愚直さを母である自分が一番知っていながら、自分はまた一時の感情に任せて何てひどいことをッ…！！\ `Even though she had known about that simple honesty better than anyone, she had once again lost control of her emotions and done such a horrible thing!!`\ bg M1F_S1dR,1 ;!s0「真里亞ぁああぁッ！！」/ !s0`"Mariaaaaaaa!!"`/ quakex 3,500 !sd@ !sd ;　楼座は源次の肩を弾き飛ばしながら、廊下を駆け出していった。\ `Rosa pushed Genji away and ran down the hallway.`\ bg black,22 wait 1000 meplay 1,13 ;雨の音 meplay 2,14 ;暴風の音 dllefe 1,1 bg G_o1bR,22 wait 2000 bg G_o1cR,22 ;■ゲストハウス・外 ;　表は実に台風らしい、豪快な降りになっていた。\ `The outside really looked like a typhoon, and was pouring down magnificently.`\ ;　地形的なものなのか、台風というほどの強風はなく、傘が風に奪われるほどのものではないようだ。@ `Maybe because of some figure of the terrain, the winds were not as strong as a typhoon, so an umbrella wouldn't be torn out of one's hands.`@ br ;　もっとも、それでも充分に風雨と呼べるものだ。@ ;　のんびりと雨に濡れる薔薇を愛でている余裕はないだろう。\ `Even so, it sure was a windy rain.`@ `There was no time to admire the roses being soaked by the rain.`\ dllefe_off E_M2;暴風の音のみ停止。雨の音は継続中。 mevol 1,40 bg G1F_P1aR,0 ld r,$BUT_komaruA3,24 ;「とりあえず今は真里亞が気になるぜ。@………まさかあの後も、ずっとひとりでヘソ曲げて、あそこで薔薇探しをしてるなんてことはないよな。」@ ;＜戦人 `"Anyways, I'm getting pretty worried about Maria.`@` .........You don't think that she's still rebelliously searching for that rose alone, do you?"`@ ld l,$GEO_majimeA3,23 ;「…そうだね。@さすがにこの雨じゃ、/ ;!d1000……と思いたいところだけど、真里亞ちゃんはたまにすごく頑固で、ものすごく愚直な時がある。」\ ;＜譲治 `"...I wonder.`@` After all, in this rain,`/ !d1000`......well I wish I could say differently, but Maria-chan is sometimes really stubborn and too honest."`\ bg G1F_P1bR,24 ;　楼座叔母さんが屋敷に連れて行ったんだろうと思い、深く気に留めなかった。@ `We hadn't worried much, thinking that Rosa oba-san had taken her back to the mansion.`@ br ;　…だが、俺たちを呼びに、屋敷からやって来た嘉音くんが、こっちに真里亞がいると思っていたという点が気になる。\ `...However, when Kanon-kun had come from the mansion to call us and thought that Maria was here, we got a little worried.`\ ld r,$KAN_defA1,24 ;「………お屋敷ではお見掛けしませんでしたので、てっきりこちらにおられるとばかり。@楼座さまは仮眠を取られておいででしたので…。」@ ;＜嘉音 `".........I did not see her in the mansion, so I was sure that she was here.`@` Since Rosa-sama was taking a nap..."`@ ld l,$JES_odorokiA1,23 ;「ここに来る途中に、見掛けなかったのかよ？」@ ;＜朱志香 `"You didn't see her on your way over here?"`@ ld r,$KAN_KomaruA1,80 ;「………申し訳ございません。@傘をさし、急ぎ駆け抜けたもので、そこまでの注意を払いませんでした。」\ `".........My apologies.`@` I opened my umbrella and ran as fast as I could, so I did not pay much attention."`\ ;　お屋敷とゲストハウスを最短距離で結んで薔薇庭園を突っ切ると、そこは真里亞が薔薇を探していた場所とは少しずれる。@ `If he had cut through the rose garden on the shortest line between the mansion and the guesthouse, then he would have missed the place where Maria had been looking for her rose by a little.`@ br ;　増してやこの雨だ。@ ;　嘉音くんが気付かなかった可能性は充分にある。\ `And it was raining this hard, too.`@ `There was a good chance that Kanon-kun had failed to notice her.`\ bg G1F_P1aR,0 ld r,$BUT_komaruA2,24 ;「ここで議論するより、直接確かめる方が早ぇさ。@/ `"Enough arguing around here, it'd be faster to just check it out directly.`@/ ld r,$BUT_defA1,80 ;……兄貴、ちょいと駆けっこと行こうじゃねぇかよ。」@ `......Aniki, why don't we race over there?"`@ ld l,$GEO_WaraiA1k,23 ;「６年成長したから、僕に勝てるつもりかい？@　よし、決着を付けようじゃないか。@/ `"Do you plan on beating me now that you've been growing for six years?`@` Alright, let's see who wins.`@/ ld l,$GEO_majimeA2k,80 ;…………行こう！！」\ `............Let's go!!"`\ bg black,22 meplay 2,14 mevol 1,70 dllefe 1,1 ;mov %efespflg,on ;lsp efesp,"*0" ;layermessage 0,"i|rain1.bmp,rain2.bmp,rain3.bmp" ;画像登録 ;layermessage 0,"s|1,30,-9,0,0" ;delay 800 ;print 10,500 bg G_o1aR,22 ;　俺と譲治の兄貴は雨の中へ飛び出していく。@ ;　その後を、朱志香と嘉音くんも追った。\ `George-aniki and I flew out into the rain.`@ `Jessica and Kanon-kun followed us.`\ bg black,22 bg garden_1bR,0 ld l,$ROS_KomaruA1,24 ;「真里亞ぁーッ！！@　いるなら返事をしなさい！！@　真里亞ぁーー！！」@ ;＜楼座 `"Mariaaa-!!`@` If you're there, answer me!!`@` Maria--!!"`@ ld r,$GEO_MajimeA3,24 ;「楼座叔母さんだ。@叔母さん！！」@ ;＜譲治 `"It's Rosa oba-san.`@` Oba-san!!"`@ ;　譲治の兄貴が返事をすると、楼座叔母さんがまるで取っ組みかかるかのように飛びついてくる。\ `When George-aniki called back, Rosa oba-san jumped as though someone had grabbed her.`\ cl a,0 ld c,$ROS_IkariA1,63 ;「真里亞はどこ？！@　譲治くんたちと一緒じゃないの？！」@ `"Where is Maria?!`@` Isn't she with you?!"`@ ld r,$GEO_KomaruA1k,24 ;「いえ、僕たちはあの後、真里亞ちゃんには出会ってません。」@ ;＜譲治 `"No, we didn't meet with Maria-chan after that."`@ br cl c,64 ;!s0「真里亞ぁああぁぁ！！！」/ !s0`"Mariaaaaa!!!"`/ Se1 7 quakex 4,400 \ ;＜楼座 ;!sd　…………６年前の真里亞は３歳だった。@ !sd`............Six years ago, Maria had been three years old.`@ ;　言われたことは何でもかんでも鵜呑みにする無垢な可愛いヤツだった。\ `She had been a cute and pure kid who would just accept whatever anyone said.`\ ;　…しかしあれから６年経ってるんだぞ！@ `...But six years had passed since then!`@ ;　９歳にもなりゃ、良いことも悪いことも経験して普通はスレる。@ `She was nine now, and experiencing the good and bad parts of life should have taught her something.`@ br ;　……なのにお前ってヤツはまだ純粋無垢なままでいやがるってのか…？！\ `......And yet, she's still just as innocent and pure as she used to be...?!`\ bg rose_1bR,23 ;「真里亞ぁあああぁあぁあぁぁ！！！」@ ;＜戦人 `"Mariaaaaaaaaaaaa!!!"`@ ;　薔薇の花壇を回りこむと、ひょこりと白いそれが振り返った。\ `As I circled the rose bed, something white unexpectedly turned to face me.`\ E_B ;　……白い傘だった。@ `......It was a white umbrella.`@ br ;　真里亞は白い傘をさしながら、しゃがみこんで、まだ薔薇を探していたのだ…。\ `Maria, holding a white umbrella, was crouching, still searching for that rose...`\ ld c,$MAR_fukigenA1,26 ;「…………うー。」@ ;　泣き腫らして真っ赤になった顔は、雨と泥粒で汚れ、本当に痛々しいものだった。\ `"............Uu-."`@ `Her face, which had turned bright red from her crying her eyes out, was dirtied with water and mud. It was a truly pitiful sight.`\ ld r,$BUT_OdorokiA2,24 ;「お前、/ ;!d700……まだ探してたのか！！」@ `"You idiot,`/ !d700`......are you still looking?!"`@ ld c,$MAR_KomaruA1,80 ;「……うー……。@見付からない…。@真里亞の薔薇、/ ;!d800……見付からない……。@…うー……。」@ `"......Uu-......`@` Can't find it...`@` Can't find...`/ !d800`...my rose......`@`...Uu-......"`@ br ;　真里亞は雨が降り出してからずっとここにいたのだろう。@ ;　すっかり肩は冷えてしまっていた。\ `Maria had probably been here since the rain had started pouring down.`@ `It looked like her shoulders were freezing.`\ ;　疲れ切ってはいるようだったが、幸いにも傘を持っていたため、全身ズブ濡れというわけではなかった。@ `She looked tired to the bone, but fortunately, since she was holding an umbrella, she was not completely soaked.`@ br ;　…多分、真里亞がいつも持ち歩いている手提げの中に傘があったのだろう。@ ;　………よかった。@本当によかった。\ `...It was probably an umbrella from the handbag that Maria was always walking around with.`@ `......Thank goodness.`@` Seriously, thank goodness.`\ bg rose_1aR,0 ld r,$GEO_WaraiA1,23 ;「戦人くん！@　よかった、見つけたんだね！」@ ;＜譲治 `"Battler-kun!`@` Thank goodness, you found her!"`@ ld l,$ROS_komaruA3,23 ;「真里亞ぁあぁあぁあぁ！！/ `"Mariaaaaaaaaa!!`/ quakex 3,400 ;@　ごめんなさい、本当にごめんなさい…！！」@ ;　楼座叔母さんが、傘を投げ出して真里亞に抱きつく。\ @` I'm sorry, I'm so sorry...!!"`@ `Rosa oba-san threw her umbrella away and hugged Maria.`\ bg rose_1bR,0 ld c,$MAR_fukigenA1,24 ;「……うー………。@ない。@…真里亞の薔薇がない…。@……うー……。」@ `"......Uu-.........`@` It's not here.`@` ...Maria's rose isn't here...`@ `......Uu-......"`@ ld r,$ROS_KomaruA1,24 ;「あとでママも一緒に探してあげるから…。@ね？@　だから今日はお預けにしなさい。@……ね？」@ `"Mama will look for it with you later...`@` Okay?`@` So just let it go for today.`@` ...Okay?"`@ ld c,$MAR_komaruA1,80 ;「…………うー…。@今日はお預け………。」@ `".........Uu-...`@` Let it go for today......"`@ br ;　真里亞はまだ納得が行っていなかったようだが、冷え切った体は、それを拒む元気など残してはいなかった。@ `It looked like Maria still wasn't able to accept it, but she no longer had enough energy left to resist.`@ br ;　朱志香と嘉音くんたちも追いついてくる。\ `Jessica and Kanon-kun caught up with us.`\ bg rose_1aR,23 ld l,$KAN_defA2,23 ;「……すぐにお屋敷でタオルの用意をさせましょう。」@ ;＜嘉音 `"......I'll have a towel ready in the mansion immediately."`@ ld r,$JES_OdorokiA1,23 ;「真里亞……。@ずっとここにいたのか……。」@ `"Maria......`@` Were you here the whole time......?"`@ ;＜朱志香 cl l,24 ld l,$ROS_KomaruA3,22 ;「ごめんね……。@本当に悪いママでごめんね………。」@ ;＜楼座 `"I'm sorry......`@` I'm sorry for being such a bad mother........."`@ cl r,23 ld r,$GEO_MajimeA1,24 ;「……楼座叔母さん、とりあえずお屋敷に行きましょう。@このままじゃ真里亞ちゃん、風邪を引いちゃう。」\ ;＜譲治 `"......Rosa oba-san, why don't we head back to the mansion for the time being.`@` Maria will catch a cold like this."`\ ld l,$ROS_MajimeA1,80 ;「………そうね…。@真里亞、行きましょう。@ちゃんと綺麗にしないと、お祖父さまに怒られちゃうわよ。」@ `".........You're right.`@` Maria, let's go.`@` If we don't get you cleaned up, Grandfather will get mad at you."`@ ld c,$MAR_defA1,22 ;「うー…。@お腹空いた。」@ `"Uu-...`@` I'm hungry."`@ cl r,23 ld r,$JES_Defa1,24 ;「もう食事の時間だぜ。@真里亞はよく頑張ったよ。@天気がよくなったら、私たちも一緒に探してやるから。」\ ;＜朱志香 `"It's already time to eat.`@` Maria did a good job holding out.`@` Once the weather gets better, we'll all go search together."`\ bg black,22 ;　いつまでもこの雨の中にはいられない。@ ;　俺たちは真里亞を連れて屋敷へ向かった。\ `We couldn't stay in the rain forever.`@ `We took Maria with us as we headed back to the mansion.`\ bg rose_1bR,22 ;　真里亞は思っていたほど衰弱していたわけではないようだった。@ `Maria apparently wasn't as weak as I had thought.`@ br ;　夕食が仔牛のステーキであったことを思い出すと、お腹空いた空いた、うーうー！と連呼し、いつもの元気さを取り戻すのだった。@ `When she remembered that dinner was calf steak, she started chanting "I'm hungry, I'm hungry, uu-uu-!", and returned to her usual healthy self.`@ br ;　……楼座叔母さんは、真里亞のうーうーを咎めはしなかった。\ `......Rosa oba-san didn't chide Maria on her 'uu-uu-'.`\ ld r,$JES_DefA2,24 ;「そっか。@傘を持っていたのか。@さすが真里亞は物持ちがいいぜ。」@ ;＜朱志香 `"Really?`@` She had an umbrella?`@` Maria sure is good at packing the right stuff."`@ ld l,$MAR_defA1,23 ;「……うー。@真里亞、傘なんか持ってない。@うー。」\ `"......Uu-.`@` Maria didn't bring an umbrella.`@` Uu-."`\ cl r,23 ld r,$BUT_DefA2,24 ;「何だよ、じゃあその手に持ってる白い傘はどうしたんだよ？」@ ;＜戦人 `"What? Then how did you get that white umbrella you're holding?"`@ ld l,$MAR_niyariA2,80 ;「うー！@　貸してもらった！」\ `"Uu-!`@` Borrowed it!"`\ ;　どうやら、親切な人が傘を持ってきてくれたらしい。@ ;　普通の子なら、雨が降れば雨宿りを考えるだろうが、頑固な真里亞はそれくらいのことでは挫けない。@ `It seemed that some caring person had somehow brought her an umbrella.`@ `A normal girl would look for shelter once it started raining, but there was no way that stubborn Maria would lose heart and do something like that.`@ br ;　…だからその人物も雨宿りを勧めることを諦め、せめて傘を持ってきてくれたのだろう。\ `...So maybe that person gave up recommending that she find shelter, and at least had her take an umbrella.`\ cl r,23 ld r,$ROS_WaraiA1,24 ;「そう。@その人にお礼を言わないとね。@誰？」@ ;＜楼座 `"That's right.`@` I will have to thank that person.`@` Who was it?"`@ ld l,$MAR_WaraiA2,80 ;「うー！@/ `"Uu-!`@/ se1 26 ;　ベアトリーチェー！」@ ` Beatrice!"`@ br ;　真里亞がとても嬉しそうに口にした名前は、この島の魔女の名だった。@ `The name that Maria mentioned very happily was that of the island's witch.`@ br ;　楼座は一呼吸置いてから、上機嫌な真里亞の機嫌を損ねないように聞きなおす。\ `Rosa took a deep breath and asked again while trying to avoid hurting Maria's feelings now that she was happy.`\ ld r,$ROS_DefA1,80 ;「そう、良かったわね。@それで、誰なの…？@　傘を持ってきてくれた人は。」@ `"Really? That's nice.`@` So, who was it?`@` The person who brought you that umbrella?"`@ ld l,$MAR_KomaruA1,80 ;「うー。@ベアト、/ ;!d500リーチェー！@　うーうー！」\ `"Uu-.`@` Beat,`/ !d500` ri-ce-!`@` Uu-uu-!"`\ ;　母が自分の言葉を信用してくれなかったことをすぐに感じ取った真里亞は、再び不機嫌そうな声を上げる。@ `Maria, who quickly picked up that her mother didn't believe her, made an angry face once again.`@ br ;　なので楼座はそれ以上を追求するのを止めた。@ ;　真里亞に聞くより、夕食の席で貸してくれた人を聞いた方が早そうだ…。\ `So Rosa stopped pursuing the subject.`@ `It looked like it would be faster to ask the person who had lent Maria the umbrella during dinner rather than ask Maria herself...`\ bg black,5 dllefe_off print 22 fede 0,3000 meplay2 1,12,40 wait 1000 ;■金蔵の書斎 se1 19 wait 1000 bg Mlib_1aR,2 ;「お父さん。@せめて晩餐にだけは出席してください。@これでは親族会議になりません。」@ `"Father.`@` Please at least join us for dinner.`@` It won't be a family conference like this."`@ se1 19 ;　ドンドンと扉が叩かれながら、懇願する蔵臼の声が聞こえてくる。@ ;　だが、その声には、どうせ耳には届くまいという諦めが感じられた。\ `Along with a dull pounding on the door, the sound of Krauss's entreaty could be heard.`@ `However, that voice seemed to be giving up since its sound wasn't reaching its intended ears.`\ bg Mlib_1cR,0 ld r,$NAN_fumuA1,24 ;「………金蔵さん。@せめて夕食くらいは出んかね。@あんたの顔を見ようと、息子さんたちが集まってきてるんじゃないか。」@ ;＜南條 `".........Kinzo-san.`@` Won't you at least come out for dinner?`@` Haven't all of your sons gathered here to see your face?"`@ ld l,$KIN_fumuA1,23 ;「黙れ南條。@…………ビショップが効かぬか。@………………一手足りぬ……。」\ ;＜金蔵 `"Silence, Nanjo.`@` ............So the bishop won't work.`@` ...............One move too short......"`\ bg Mlib_1bR,23 ;　金蔵は、南條と長く続けてきたチェスの最後の攻防で頭がいっぱいなようだった。@ ;　眉間にシワを寄せ、老眼鏡越しに盤面を睨み続ける金蔵の耳には、蔵臼の声は届いていない。\ `Apparently, Kinzo was completely focused on the final battle of his long-lasting chess match with Nanjo.`@ `Kinzo's brow was wrinkled as he continued to glare at the game board through his spectacles.`@` Krauss's voice didn't reach his ears.`\ ld l,$NAN_KomaruA3,23 ;「…………金蔵さん。@私も腹が減った。@下に降りて食事をせんか。」@ `".........Kinzo-san.`@` I am also hungry.`@` Won't you come down and eat?"`@ ld r,$KIN_fukigenA1,24 ;「ならばお前だけで行くといい。@私はもうしばらく、この一手を吟味させてもらうぞ。@…今夜で決着をつけてやる。@/ `"In that case, you can go by yourself.`@` Let me consider this next move for a little longer.`@` ...We are going to finish it tonight.`@/ ld r,$KIN_fumuA1,80 ;………さもなくば、お前との決着は金輪際つけられそうにないからな。」\ `............Otherwise, it looks like we won't resolve it until the world ends."`\ bg Mlib_1e,22 ;　南條は自ら席を立ち、金蔵にも同じように席を立つよう促したつもりだったが、それでも金蔵の目がチェス盤から離れることはなかった。@ `Nanjo stood from his seat, hoping this would prompt Kinzo do the same, but Kinzo's eyes never left the chessboard.`@ br ;　金蔵がチェスに対し、いつも盲目的な集中力を見せることは常々知っていたが、@それでも今夜の集中力はこれまでとは比べ物にならないものだった。\ `He knew well that Kinzo always displayed a blind concentration when it came to chess,`@` but he had never seen Kinzo as concentrated as he was now.`\ ;　…それはまるで、彼が言うように、今夜で決着をつけなければ二度とこの勝負を進める機会はない、とでも言うかのよう…。@ `...It was almost as though, as Kinzo had said, if the game wasn't finished tonight, there would never be another chance for them to continue their contest, or something like that...`@ br ;　これ以上、しつこく声を掛けても心に届くことはないだろう。@ ;　南條は諦め、蔵臼が叩き続ける扉へ向かう…。\ `It looked like even if he called out obstinately, it wouldn't reach Kinzo's heart.`@ `Nanjo gave up and headed to the door that Krauss was still banging on...`\ bg black,22 se1 17 bg M2F_P1cR,22 ;■書斎の外の廊下 ;　書斎の扉が開く。@ `The door to the study opened.`@ br ;　…まさか本当に金蔵が出てきたのかと思い、蔵臼は後退った。@ ;　しかしその姿が南條のものだったので、安堵の息を漏らす…。\ `Krauss was taken aback, thinking that maybe Kinzo was actually coming out.`@ ld r,$KLA_majimeA2,24 ;「……南條先生。@親父殿は。」@ ;＜蔵臼 `"......Doctor Nanjo.`@` Is Father..."`@ ld l,$NAN_fumuA1,23 ;「……………お役に立てなくて申し訳ございませんな…。@…今や金蔵さんの世界はこの部屋だけです。」@ `"............I am sorry I couldn't be of service...`@`...Right now, Kinzo-san's world is nothing but this room."`@ br ;　南條は諦めきった表情で首を横に振る。@ ;　蔵臼はもう一度拳を振り上げ、扉を叩きながら怒鳴った。\ `Nanjo shook his head with a completely defeated expression.`@ `Krauss raised his fist once more and banged on the door, shouting.`\ se1 19 ld r,$KLA_komaruA1,80 ;「……お父さん、聞こえますか！@　私たちは下へ降りますが、気が向かれたらいつでもおいで下さい。@息子兄弟一同、ずっとお待ちしておりますよ…！」\ `"......Father, can you hear me?!`@` We are heading down now, but any time you feel like it, please join us.`@` All of your children are waiting for you...!"`\ bg black,22 bg Mlib_1cR,0 ld c,$KIN_fumuA1,22 ;　これだけ大声を出し、騒々しく扉を叩いているのだ。@ ;　金蔵の耳にまったく届かないはずはない。\ `The voice was very loud, and the door was being noisily pounded on.`@ `There was no way that it wouldn't reach Kinzo's ears.`\ ;　…………届いてはいるのだ。@ ;　しかし、届いていて無視をしているのだ。@ `............It was reaching him.`@ `However, he ignored it anyways.`@ br ;　しかし、昼に呼ばれた時のように激昂はしない。@ `However, unlike the time he was being called down for lunch, he did not get into a rage.`@ ;　……今の金蔵はただひたすらに心穏やかで、…それはまるで、運命に身を任せるかのような達観すら感じられた。\ `......Kinzo was now simply calm at heart, ...it was almost as though he had gained a far-sightedness by turning himself over to fate.`\ ld c,$KIN_DefA1,80 ;「……晩餐にも、息子たちの顔にも興味はない。@…………私がここを出るのは、ベアトリーチェが蘇る時か、私が鍵の生贄に選ばれた時だけだ…。@もう悪魔のルーレットは回っている。@今さら晩餐に何の意味があろう………。」\ `"I'm not interested even in dinner, even in my sons' faces.`@` ............I will only leave here when Beatrice is resurrected or when I am chosen as a sacrifice for the key.`@` The Demons' Roulette has already started spinning.`@` What meaning does dinner have at this point........."`\ ;　耳障りな扉を叩く音などまるで耳に入らぬかのように。@ ;　…金蔵は達観の境地でチェスの一手に黙考するのだった…。\ `Acting as though the painfully loud banging on the door completely failed to enter his hearing...`@ `...and still in his philosophic state, Kinzo silently thought about his next chess move...`\ bg black,2 wait 1000 ;■食堂 bg Mdin_1dR,2 ;　食堂には相変わらず、金蔵の姿だけがなかった。@ ;　蔵臼が苦笑いを浮かべながら、南條と戻ってくる。\ `Just as always, Kinzo's figure could not be seen anywhere in the dining hall.`@ `Krauss, wearing a bitter smile, returned with Nanjo.`\ bg Mdin_1eR,0 ld r,$KLA_majimeA2,23 ;「親父殿は相変わらずご気分が優れられないそうだ。@年に一度の、親族が集まるこの機会に同席できないことを、非常に残念がられておられた。」\ ;＜蔵臼 `"Just as always, Father is not feeling well.`@` He truly regrets missing this once-a-year opportunity to sit together with his gathered relatives."`\ ;　絵羽と留弗夫が失笑する。@ `Eva and Rudolf sniggered.`@ br ;　金蔵の性分からして、残念がるわけもないし、@…そして、この席に現れないことを残念がる親類もいなかったからだ。\ `Judging by Kinzo's character, he didn't regret it at all.`@` ...and none of his relatives regretted that he hadn't appeared either.`\ ld r,$KLA_DefA1,80 ;「ではディナーを始めようじゃないか。@郷田、始めたまえ。」@ ;＜蔵臼 `"Then why don't we start dinner.`@` Gohda, begin."`@ ld l,$GOH_WaraiA1,23 ;「かしこまりました。@それでは始めさせていただきます。」@ ;＜郷田 `"Certainly.`@` Well then, let me begin."`@ br ;　郷田は、年間を通しての見せ場のひとつである親族会議の晩餐の開始をようやく告げられ、満面の笑みで頷いた。\ `When Gohda was told to begin the family conference dinner, his highlight scene for the whole year, he nodded, grinning broadly.`\ bg black,24 bg Mdin_1cR,0 ld r,$ROS_DefA1,24 ;「……えっと、真里亞に傘を貸してくれた人は誰かしら？」@ ;　静寂の食堂で楼座がおずおずと切り出すと、食堂の人間たちは一斉に注目した。\ `"......Umm, I was wondering, who was it that lent Maria an umbrella?"`@ `When Rosa timidly cut through the silence of the dining hall, everyone in the dining hall noticed.`\ ld l,$EVA_waraiA1,23 ;「…傘ぁ？@　何の話？」@ ;＜絵羽 `"...Umbrella?`@` What's going on?"`@ ld r,$ROS_waraiA1,80 ;「その……。@さっき、真里亞が薔薇庭園にいた時に雨が降り出して…。@誰かに白い傘を借りたみたいなんだけど、お礼が言いたくて…。」\ `"Umm......`@` A short while back, when Maria was in the rose garden and it started raining...`@` it seems she borrowed a white umbrella from someone, and I wanted to thank them..."`\ bg Mdin_1bR,0 ld r,$RUD_akuwaraiA1,23 ;「俺たちじゃねぇぜ。@楼座が出てった後は、部屋を移してずっと“仲良く”おしゃべりをしてたからなぁ。」@ ;＜留弗夫 `"It wasn't one of us.`@` After you went out, Rosa, we moved over to our room and had a 'friendly' chat the whole time."`@ ld l,$HID_komaruA1,23 ;「はは、…そうやで。@あの後も兄弟で仲良くおしゃべりをしとったのや。」\ ;＜秀吉 `"Haha, ...that's right.`@` After that, the siblings had a real friendly chat."`\ ;　秀吉の仲良くという言葉にはかなりの違和感があり、@その場に居合わせなかった人間でも、さぞや不愉快な会話だったのだろうと察しがついた。\ `The word friendly fell awkwardly from Hideyoshi's lips,`@` so that even those that hadn't been there realized that it hadn't been a pleasant conversation.`\ bg Mdin_1eR,0 ld r,$KLA_DefA1,24 ;「少なくとも、私と絵羽と留弗夫と、あと秀吉さんと霧江さんでないことも確かだがね。」@ ;＜蔵臼 `"At the very least, it certainly couldn't have been me, Eva, Rudolf, or even Hideyoshi-san or Kyrie-san."`@ ld l,$KIR_WaraiA2,23 ;「私たちは、夏妃姉さんと楼座さんが出て行った後もずっと一緒だったわ。@食事の時間までずっとね。」\ ;＜霧江 `"We were together the whole time, even after Natsuhi nee-san and Rosa-san left.`@` The whole time until the meal started."`\ ld c,$EVA_hohoemiA1,23 ;「兄さんは源次さんと一緒にお父様を呼びに上の書斎へ。@私たちはそのまま食堂へ直行したもの。@だから私たちではないわね。@…傘を貸すなんて親切、使用人の誰かじゃないのぉ？」@ ;＜絵羽 `"Nii-san went up to the study with Genji-san to call Father.`@` At that time, the rest of us went straight to the dining hall.`@` So it wasn't one of us.`@` ...Couldn't it have been a servant kind enough to lend an umbrella?"`@ bg Mdin_1cR,0 ld r,$ROS_waraiA2,23 ;「じゃあ、郷田さん？」\ ;＜楼座 `"So, Gohda-san?"`\ ld l,$GOH_omakaseA3,23 ;「……私はずっと厨房で準備をしておりましたもので。@申し訳ございません…。」@ `"...I have been in the kitchen the whole time preparing.`@` My sincere apologies..."`@ br ;　その人物が自分だったなら格好良かったのに、と郷田は少しだけ残念そうだった。\ `Gohda looked slightly disappointed about missing this chance to show off.`\ bg Mdin_1fR,24 ;　そこへ、オードブルを乗せた配膳台車を押して、熊沢と紗音が現れる。\ `At that time, Shannon and Kumasawa appeared, pushing a serving cart loaded with hors d'oeuvres.`\ ld l,$ROS_WaraiA1,23 ;「じゃあ、熊沢さんか紗音ちゃんかしら？」@ `"Then what about Kumasawa-san or Shannon-chan?"`@ ld r,$SHA_OdorokiA1,24 ;「…はい？@　なっ、何か粗相がございましたでしょうか…。」@ ;＜紗音 `"...Yes?`@` Have I made some mistake...?"`@ ;　途中からやって来たため、何かのミスの犯人探しをされているのではないかと誤解し、紗音は萎縮する。\ `Shannon shrunk, having come in part way and mistakenly thinking that she was being accused of making some error.`\ cl l,24 ld l,$GEO_hohoemiA1,23 ;「違うよ。@真里亞ちゃんが薔薇庭園にひとりでいたときに雨が降って来てね。@誰かが傘を貸してくれたんだよ。@楼座叔母さんがその人にお礼を言いたいって言うのさ。」\ ;＜譲治 `"No you haven't.`@` When Maria-chan was alone in the rose garden, it started to rain.`@` Someone gave her an umbrella.`@` Rosa oba-san said that she wanted to thank that person."`\ ld c,$MAR_fukigenA1,23 ;「……うー。@……ベアトリーチェ…。」@ `"......Uu-.`@` ......Beatrice..."`@ ;　真里亞は口を尖らせながら、小声で魔女の名を口にする。\ `Maria, her mouth a thin line, said the witch's name in a small voice.`\ bg Mdin_1dR,23 ;　楼座叔母さんが状況をもう一度説明してくれた。@ ;　すると熊沢さんはからからと笑う。\ `Rosa oba-san explained the situation one more time.`@ `As she did, Kumasawa-san cackled.`\ ld r,$KUM_WaraiA1,24 ;「ほっほっほ。@私たちでもございませんよ。@私も紗音さんも一緒にお部屋の準備をしておりましたから、お外には出ておりません。」@ ;＜熊沢 `"Hoh-hoh-ho.`@` It wasn't us.`@` Shannon-san and I were preparing the rooms together, so we did not go outside."`@ ld l,$SHA_KomaruA1,23 ;「…はい。@……気が利かなくてすみません……。」\ `"...Yes.`@` ......I apologize for not being able to help......"`\ bg Mdin_1aR,0 ld r,$KLA_DefA1,24 ;「部屋の準備？@　…とは、何のことかね？」@ ;＜蔵臼 `"Preparing the rooms?`@` What do you mean by that?"`@ ld l,$NAT_zutuuA1,23 ;「………………この雨ですから、/ ;!d700客人の皆さんがゲストハウスにお帰りになられるのも大変かと思って、@使用人たちに屋敷内の客室の準備をするように命じたのです。」\ ;＜夏妃 `"...............Because of this rain,`/ !d700` we thought that it would be difficult for all of the guests to return to the guesthouse,`@` so the servants were ordered to prepare the guest rooms inside the mansion."`\ bg Mdin_1bR,0 ld r,$EVA_AkireA2,24 ;「…あぁら、気が効くじゃない？@　そうねぇ、この雨の中、表に追い出すのは失礼だものねぇ？」@ ;＜絵羽 `"...Re-ally? How thoughtful.`@` That's right, it would be rude to chase us outside in the middle of this rain."`@ ld l,$HID_majimeA1,23 ;「もう、よさんか…。」\ ;＜秀吉 `"Could you give it a rest..."`\ bg Mdin_1dR,24 ld r,$SHA_majimeA1,24 ;「はい。@奥様からそのようにご指示を受けまして、私と熊沢さんと嘉音くんの三人で準備をしておりました。@…そして御夕食の時間になり、源次さまからゲストハウスのお子様方をお呼びするようご指示をいただいた為、@嘉音くんが行ってくれたのです。」\ ;＜紗音 `"Yes.`@` We received the order from Madam, and I, Kumasawa-san, and Kanon-kun were preparing the rooms.`@` ...Then it became time for dinner, and since he was ordered by Genji-sama to go to the guesthouse and call the kids,`@` Kanon-kun left."`\ ld l,$KUM_DefA1,23 ;「えぇ。@ですから、嘉音さんがゲストハウスに行かれる時に真里亞さんを見つけて、傘をお渡ししたのではありませんか？」@ ;＜熊沢 `"Yes.`@` In that case, did Kanon-san find Maria on the way to the guesthouse and hand her the umbrella?"`@ cl a,0 ld c,$MAR_SakebuA1,22 ;ここでゴロゴロと雷鳴のSEを〜〜〜〜〜 se1 21 meplay2 2,5,40 ;「……うー。@ちーがーうーー！！」\ `"......Uu-.`@` W-ro-ng--!!"`\ ;　傘を受け取った当の本人がそれを否定する。@ ;　楼座は困ってしまう。@ `The person who had actually received the umbrella denied it.`@ `Rosa was troubled.`@ br ;　傘を貸してくれた人に一言お礼を言いたいだけなのに、その人物が見付からない。@ ;　こうしてみんなが集まる晩餐の席で聞けばすぐわかると思ったのに…。\ `All she wanted to do was give a word of thanks to the person who had lent the umbrella, but she couldn't find them.`@ `And she had thought that asking like this with everyone gathered for dinner would work immediately...`\ bg Mdin_1bR,0 ld r,$ROS_DefA1,23 ;「…じゃあ、夏妃姉さん？」@ `"...Then, Natsuhi nee-san?"`@ ld l,$NAT_zutuuA1,23 ;「ごめんなさい。@私は皆さんとの“仲良く”の語らいの後、頭痛が酷かったので、自分の部屋で休んでいました。@ですから表へは出ていません。」\ ;＜夏妃 `"I'm sorry.`@` After everyone's 'friendly' chat, my headache was so bad that I have been resting in my room.`@` Therefore, I did not go outside."`\ ld r,$ROS_KomaruA1,80 ;「………なら誰なの？@　譲治くんたち？@　……のわけないわよね。」@ `".........Then who?`@` George-kun and the kids?`@` ......That can't be right."`@ cl l,24 ld l,$GEO_majimeA1,23 ;「いえ、僕たちじゃありません。@僕たちはずっとゲストハウスでテレビを見てました。」@ ;＜譲治 `"No, it wasn't us.`@` We were watching television in the guesthouse the whole time."`@ ld c,$JES_KomaruA1,23 ;「むしろ私たちは、真里亞は叔母さんと一緒に屋敷に行ったとばかり…。」\ ;＜朱志香 `"Actually, we thought that Maria had just gone back to the mansion with Oba-san..."`\ cl r,23 ld r,$BUT_oyaA1,24 ;「そこへ嘉音くんが来て、真里亞は一緒じゃないのかと聞いたんで、初めて屋敷にはいないのかってわかったんだよ。@第一、俺だったら傘を貸すより先に、手ぇ引っ張って屋根の下に連れて行くぜ。」\ ;＜戦人 `"Then Kanon-kun came, and he asked whether Maria was with us. That was when we first realized that she wasn't in the mansion.`@` In the first place, if it were me, before lending her an umbrella, I'd have grabbed her hand and pulled her under a roof."`\ bgmplay 18 bg Mdin_1eR,24 ;　楼座はすっかり困惑してしまう。@ ;　親類も使用人たちも次々に自分ではないと言い張る。@ ;　…決して隠すようなことじゃないのに。@ `Rosa was completely baffled.`@ `One by one, the relatives and the servants were claiming that it wasn't them.`@ `...Even though it really wasn't something anyone would need to hide.`@ br ;　となると、消去法で残る人間はわずかしかいない。\ `With that, by process of elimination, the number of people it could have been wasn't large.`\ ld r,$NAN_DefA1,24 ;「もちろん、私でもありませんな。@雨が降り始めてすぐの頃、金蔵さんの部屋を訪ねて、ついさっきまで一緒にチェスをしておりました。」@ ;＜南條 `"Of course, it wasn't me.`@` Right after it began raining, I visited Kinzo-san's room, and was playing chess with him until just now."`@ ld l,$KIR_DefA1,23 ;「……ということは、お祖父さまでもないようね。」@ ;＜霧江 `"......Which means that it also wasn't Grandfather."`@ cl r,23 ld r,$BUT_waraiA2,24 ;「何だ何だ…。@妙な話になってきたぜぇ？@　あと残るのは誰だぁ？」\ ;＜戦人 `"Wait a sec...`@` Isn't this starting to get a bit weird?`@` Who's left?"`\ cl a,22 ld c,$ROS_KomaruA2,22 ;「じゃあ、…誰。@…源次さん？@　え？@/ `"Then, ... who?`@` ...Genji-san?`@` Huh?`@/ ld c,$ROS_WaraiA2,80 ;　あの、ちょっと待って、勘違いしないでくれる？@　別に私は何かの犯人探しをしてるんじゃないのよ。@雨の中の真里亞に傘を差し伸べてくれた人に、母としてお礼が言いたいだけなの……！」\ ;＜楼座 ` Um, wait a second, don't get me wrong.`@` It's not like I'm searching for some culprit or anything.`@` All I want to do is, as a mother, thank that person who gave Maria an umbrella in the middle of the rain......!"`\ ;　…雨の中にたたずむ少女に傘を与えたなら、それは誇るべきことで隠すことじゃない。@ `...Giving an umbrella to a girl loitering in the rain was something to be praised, not hidden.`@ br ;　…にも拘らず、誰も挙手しない。\ `...Despite that, no one raised their hand.`\ ;　……どうして？@ `......Why?`@ br ;　誰もが、何とも妙な話になったとヒソヒソ話をしていた…。\ `Everyone started whispering about how strange this had gotten...`\ ld r,$RUD_DefA2,24 ;「……落ち着けよ楼座。@傘を借りた本人に聞けばいいじゃねぇか。」\ `"......Calm down, Rosa.`@` Why don't we just ask the person who was lent the umbrella?"`\ ;　誰もが思うもっともな話だ。@ ;　傘を借りた真里亞からどうしてそれを聞けないのか、小首を傾げていた。@ `That's what everyone had been thinking since the beginning.`@ `They were all scratching their heads at why she didn't just ask Maria, who had been given the umbrella.`@ br ld c,$ROS_KomaruA1,80 ;　だが楼座は下唇を噛む仕草をする。@ ;　真里亞に聞けば、何と答えるかもう知っているからだ。\ `However, Rosa bit her lower lip.`@ `After all, she already knew how Maria would answer if asked.`\ bg Mdin_1cR,0 ld r,$HID_WaraiA2,23 ;「道理や！@　留弗夫くんの言う通りやないか。@真里亞ちゃん、おじさんに教えてぇな！@　真里亞ちゃんに傘を貸してくれたのは誰や。」\ `"Of course!`@` Rudolf-kun here's got it right.`@` Maria-chan, tell your uncle!`@` Who lent you the umbrella?"`\ cl r,0 ld c,$MAR_WaraiA2,22 se1 48 ;「ベアトリーチェ！」@ `"Beatrice!"`@ br ;　その答えに、一瞬だけ食堂は沈黙に包まれると、すぐにそれは弾けて笑いに包まれた。\ `The dining hall was wrapped in silence for an instant, but that soon broke and it was wrapped in laughter.`\ bg Mdin_1aR,23 ld r,$KLA_AkuwaraiA2,24 ;「はっはっはっは。@なるほど、森の魔女ベアトリーチェが不憫に思って傘を貸してくれたか。@いい話じゃないかね。@楼座、そういうことだ。」@ ;＜蔵臼 `"Hahahaha.`@` I see, Beatrice, the witch of the forest, felt pity and lent her an umbrella.`@` What a nice story.`@` Rosa, there you go."`@ ld l,$ROS_komaruA2,23 ;「……ん、/ ;!d700…………んん。」@ `"......Nn,`/ !d700`............Nnnn."`@ br ;　楼座は納得が行かないようだった。@ ;　…ちょっと傘のお礼をしたいだけなのに、なぜこんなにも煙に撒かれなくてはならないのか…。\ `Rosa couldn't believe it.`@ `...Even though she just wanted to say thanks for the umbrella, why did everything have to be so clouded in smoke...`\ ld c,$MAR_WaraiA2,22 ;「うー！@　蔵臼伯父さんの言う通り。@ベアトリーチェが貸してくれたの！@　うーうー！」@ `"Uu-!`@` Just like Krauss oji-san said.`@` Beatrice lent it to me!`@` Uu-uu-!"`@ ld r,$KLA_nayamuA1,80 ;「はっはっはっはっは…。@それは良かった。@無垢だというのは実に羨ましいことではないか。@なぁ諸君。@はっはっはっは…。」@ ;＜蔵臼 `"Hahahahaha...`@` Isn't that great?`@` I'm really jealous of such purity.`@` What do you think, everyone?`@` Hahahaha..."`@ br ;　蔵臼は明らかに馬鹿にした表情で笑うが、@真里亞は自分の主張を信じてくれたように感じたらしく、非常に満足げに喜ぶのだった。\ `Krauss was laughing with a face that was clearly mocking her, `@`but Maria, apparently feeling that her claim was being believed, was overjoyed.`\ bg Mdin_1bR,0 ld r,$JES_TohohoA2,23 ;「……一体どうなってんだ？@　まさか本当に魔女が現れて傘を貸したってのかよ？」@ ;＜朱志香 `"......How did that work?`@` Does that mean a witch really appeared and lent her an umbrella?"`@ ;　朱志香が俺の正面の真里亞には聞こえないように小声で問い掛けてくる。\ `Jessica asked me in a small voice that wouldn't carry over to Maria, who was sitting across from me.`\ ld l,$BUT_majimeA1,23 ;「真里亞って、冗談が言えるタイプだっけ？」\ ;＜戦人 `"Has Maria ever been the type to joke?"`\ ;　同じ話をウチのクソ親父辺りが言い出したなら、ユーモアのひとつだろうと受け取ることもできる。@ `If we had heard that kind of story pop out of that old bastard's mouth, we'd have just taken it as another joke.`@ br ;　……だが、真里亞が口にすると、それは何とも説明のし難い、不思議な違和感を伴う…。\ `......However, it was hard to explain it that way when Maria said it. This was getting pretty unnerving...`\ ld r,$JES_komaruA1,80 ;「いや。@昔から愚直なぐらい正直で真面目だよ。@普通なら聞いただけで嘘とわかるような冗談すら鵜呑みにするタイプだぜ？@　真里亞から冗談を言い出すなんて聞いたこともない。」@ `"No way.`@` She's always been frank and serious.`@` Hasn't she always just swallowed up jokes that were supposed to be obvious lies?`@` I've never even heard of her cracking a joke."`@ br ;　それを一番良く理解しているのは楼座叔母さんだろう。@ ;　妙な按配にすっかりわけがわからなくなってしまったようだった。\ `Rosa oba-san probably knew that better than anyone.`@ `It appeared that because of this weird situation, she had no idea what was going on anymore.`\ ld l,$BUT_komaruA2,80 ;「じゃあ、真里亞がベアトリーチェに傘を借りたと言ったなら、それは間違いなくベアトリーチェなのか？」@ ;＜戦人 `"So, if Maria says that she borrowed an umbrella from Beatrice, that definitely was Beatrice?"`@ ld r,$JES_odorokiA1,80 ;「………真里亞に関してだけは、何かの比喩とか冗談とか、そういうことは考えられねぇぜ。@…額面通りの意味だと思うべきだろうよ。」\ ;＜朱志香 `".........We're talking about Maria here, so I can't think of it as some kind of metaphor or joke.`@` ...It might be best to take what she says at face value."`\ ld l,$BUT_AseruA1,80 ;「じゃあ何だよ。@源次さん辺りが、あの肖像画のゴツいドレスを着て真里亞に傘を持って行ってやったって言うのかぁ？」@ `"Then what's going on?`@` Are you saying that Genji-san or someone put on that fancy dress from the portrait and gave Maria the umbrella?"`@ ld r,$JES_KomaruA1,80 ;「…そんなことは知らねぇぜ…。@私が聞きたいくらいさ。」@ `"...I'm not sure about that...`@` Actually, that's what I want to know."`@ br ;　朱志香はおどけるように肩をすくめるが、表情まではおどけ切ってはいなかった。\ `Jessica shrugged jokingly, but her expression wasn't completely joking.`\ bg black,22 wait 500 bg Mdin_1eR,22 ;　オードブルの配膳が終わり、郷田が自慢のウンチクを垂れた後、食事が始まる。@ `Once the hors d'oeuvres were set out and Gohda showed off his vast store of knowledge, the meal began.`@ br ;　ささやかな談笑が時折聞かれたが、それらはどこかよそよそしく、雨の音が食堂に忍び込んでくることを忘れさせない静かな晩餐だった。\ `A couple casual chats broke out here and there, but they seemed somehow distant. In this silence, the sound of the rain snuck into the dining hall.`\ bg black,2 fede 1,3000 bg M1F_P1bR,2 ;■廊下 ;　配膳台車を押して厨房に戻る途中の熊沢たちは、源次と嘉音に出会う。\ `Kumasawa and Shannon, pushing the serving cart, ran into Genji and Kanon on their way to the kitchen.`\ ld r,$KUM_DefA1,24 ;「…源次さんですか、真里亞さんに傘を貸されたのは。」@ ;＜熊沢 `"...Oh, it's Genji-san. Did you lend Maria-san an umbrella?"`@ ld l,$GEN_DefA1,23 ;「………傘？@　何のことだ。」\ ;＜源次 `".........Umbrella?`@` What are you talking about?"`\ ld r,$KUM_majimeA1,80 ;「はい。@……雨が降り出した時に、真里亞さまはひとりで薔薇庭園におられたそうで。@…そこで、どなたかに傘をお借りになったそうなのですが、@それがどなたかわからないのです。」\ ;＜紗音 `"Right.`@` ......I heard that when it started raining, Maria-sama was alone in the rose garden.`@` ...And it seems that she borrowed an umbrella from someone there,`@` but we don't know who it was."`\ bg M1F_P2bR,0 ld r,$KAN_DefA2,24 ;「……僕じゃないよ。@真里亞さまはゲストハウスにいると思ってたくらいだからね。@戦人さまが最初に見つけられた時には、もう白い傘をお持ちだった。」@ ;＜嘉音 `"It wasn't me.`@` After all, I thought that Maria-sama was in the guesthouse.`@` When Battler-sama first found her, she was already holding a white umbrella."`@ ld l,$GEN_KomaruA1,23 ;「申し訳ないが、それは私でもない…。」@ ;＜源次 `"My apologies, but it was not me either..."`@ cl r,23 ld r,$SHA_komaruA1,24 ;!s0「………じゃあ、まさか、/ ;!d800……お館様、/ ;!d800でしょうか？」\ ;＜紗音 !s0`".........Then, you don't think,`/ !d800`......the Master,`/ !d800`possibly?"`\ !sd ;　食堂に集った面々と、この場に集った面々の全員が、自分ではないと明言した。@ `Everyone in both the dining hall and the place where they were standing had stated that it wasn't them.`@ br ;　…となれば、残るのは金蔵だけとなるが…。\ `Which meant that only Kinzo was left, but...`\ bg M1F_P1bR,0 ld l,$KUM_DefA1,23 ;「何かの御用で廊下を歩かれている時、偶然、薔薇庭園に傘もささない真里亞さまが見えたとか…。」@ ;＜熊沢 `"Maybe he went walking down the corridor for some reason, when, by coincidence, he saw Maria-sama in the rose garden without even an umbrella..."`@ ld r,$GEN_MajimeA1,24 ;「……………お館様は/ ;!d800真里亞さまのことをあまりお好きではない。」\ ;＜源次 `"............The Master`/ !d800` does not particularly like Maria-sama."`\ ld c,$KAN_KomaruA1,22 ;「同感だね。@…………お館様が真里亞さまのために直々に階下までお越しになって、傘をお持ち下さるとは考えられないよ。」@ ;＜嘉音 `"I feel the same.`@` ............I can't imagine that he would, for Maria-sama's sake, go to all of the trouble of going down the stairs to carry an umbrella to her."`@ ld l,$KUM_WaraiA2,80 ;「あら、……困りましたわね。@では、真里亞さまに傘をお貸しになられたのは、本当にベアトリーチェさまってことに？@　ほっほっほっほ…。」\ ;＜熊沢 `"Oh, my......how troublesome.`@` So that means that the one who lent Maria-sama an umbrella really was Beatrice-sama?`@` Hoh-hoh-hoh-ho..."`\ ;　食堂の親族たちが笑い捨てたのと同じように、熊沢も笑う。@ ;　……それ以外に、この煙に撒かれた状況を打ち破る方法が思いつかなかった。\ `Kumasawa laughed, just like the relatives in the dining hall had laughed it off.`@ `......She couldn't think of any other way to break through the smoke veiling the current situation.`\ ;　そこへパンパンと、手を叩く乾いた音が響いた。@ `Just then, the crisp sound of hands clapping twice rang through the hallway.`@ bg black,24 bg M1F_P2bR,0 ld r,$GOH_DefA1,24 ;　一同が振り返ると、食堂から出てきた郷田だった。\ `They all turned around at once to see that it was Gohda, who was coming out of the dining hall.`\ ld r,$GOH_hohoemiA2,80 ;「さぁさぁ皆さん。@ディナーは配膳のタイミングも大事です。@すぐにスープの配膳に取り掛かってください。@源次さん、彼女らは大切なお仕事中ですのでお引止めになられないで下さい。」\ ;＜郷田 `"Alright, everyone.`@` When serving a dinner, proper timing in setting the table is essential.`@` Please immediately see to setting out the soup.`@` Genji-san, the women are in the middle of an important job, so please don't get in their way."`\ bg M1F_P1b,24 ld c,$KAN_odorokiA2,22 ;「……………………。」\ `"....................."`\ ;　嘉音は、尊敬する源次に対し見下したような言葉遣いをする郷田に敵意の眼差しを見せる。@ `Kanon glared at Gohda for being rude to Genji, a person Kanon respected.`@ br ld r,$GEN_DefA1,24 ;　それに源次が気付き、表情に出ていることを咎めるかのように肩を一度、ポンと叩いた。@ `Genji, realizing this, patted Kanon once on the shoulder as if to warn him.`@ ld c,$KAN_MajimeA1,80 ;　嘉音は渋々としながらも顔を背け、表情を戻す。\ `Kanon reluctantly turned away, and returned his expression to normal.`\ ld r,$GEN_MajimeA1,80 ;「……郷田の指示に従いなさい。@今は晩餐の配膳を急ぐように。」@ ;＜源次 `"......Obey Gohda's order.`@` Let us now hurry to prepare the dinner table."`@ ld l,$GOH_OmakaseA1,23 ;「ほらほら、時間がありません。@たらたらしない！@　急ぎますよ…！」@ ;＜郷田 `"Come on, we have no time.`@` Don't just dawdle around!`@` Hurry...!"`@ ;　郷田は紗音から配膳台車を奪うと、ぐんぐん押して先に厨房へと向かっていった。\ `Gohda grabbed the serving cart from Shannon and steadily pushed it forwards towards the kitchen.`\ bg M1F_P2bR,23 ld r,$KUM_DefA1,24 ;「…では私どもも厨房に戻らせていただきます。@…郷田さんも気の短い方ですからねぇ、…ほっほっほ。」@ ;＜熊沢 `"...Then please allow us to return to the kitchen.`@` ...After all, Gohda-san's temper is very short, ...hoh-hoh-hoh."`@ ld l,$SHA_KomaruA1,23 ;「わ、私もこれで失礼いたします…。」\ ;＜紗音 `"P, please excuse me as well..."`\ cl a,23 bg black,2 ;　熊沢と紗音はその場を立ち去る。@ ;　後には源次と嘉音が残った。@ ;　窓からは時折雷鳴の轟く風雨の夜暗が見える。\ `Kumasawa and Shannon left.`@ `Only Genji and Kanon remained.`@ `Through the window, the darkness of the rainy night could be seen, along with the occasional thunderbolt.`\ bgmplay 15 meplay2 1,13,40 bg M1F_P1aR,2 ld r,$KAN_MajimeA1,24 ;「…………源次さま。@ベアトリーチェさまが本当に、/ ;!d900………お戻りになられたのでしょうか。」@ ;＜嘉音 `"............Genji-sama.`@` Did Beatrice-sama really,`/ !d900`.........return?"`@ ld l,$GEN_DefA1,23 ;「………………………わからん。」@ `".....................I don't know."`@ ld r,$KAN_DefA1,80 ;「……お館様にお知らせしますか。」\ `"......I will inform the Master."`\ ld l,$GEN_majimeA2,80 ;「せずとも良い。@………本当にお戻りになられたなら、やがて自ずとお館様の前へ現れよう。@………それに、あれは気まぐれなお方。@お館様にご報告申し上げたところで、お姿を現されないことには、何の意味もない…。」\ `"That is not necessary.`@` .........If she has truly returned, she will eventually appear before the Master of her own accord.`@` .........Furthermore, she is a fickle person.`@` It would be pointless to report to the Master only to find that she does not appear..."`\ ld r,$KAN_defA2,80 ;「………………お館様の儀式は、すでに始まっているということでしょうか。」\ `"...............I wonder if this means that the Master's ceremony has already begun."`\ ld l,$GEN_komaruA1,80 ;「…おそらく。@だがそれは、我ら家具には何の関わりもないこと。@……お館様に受けたご恩を、最期の瞬間までお返しするのみだ。」@ `"...Probably.`@` However, that has nothing to do with furniture like us.`@` ......We must return the favor that we received from the Master...until our final moments."`@ ld r,$KAN_majimeA1,80 ;「………はい。@…それが僕たち家具の、/ ;!d800……………務めです。」\ `".........Yes.`@` ...That is furniture's`/ !d800`...............duty."`\ ;ここで雷鳴が欲しい。遠雷のゴロゴロがほしい！ se1 27 cl a,0 bg white,1 dllefe 1,1 bg black,80 ;　雷鳴がもう一度轟く。@ ;　その稲光が照らし出される瞬間以外は、窓の外は全て夜の闇が支配している。@ `The thunder crashed once more.`@ `Except for that instant when the lightning lit up the sky, all that could be seen out of the window was the darkness of night.`@ br ;　日の当たる時間帯が人の支配する時間帯なら、日の当たらぬ時間帯は、人ならぬ者が支配する時間帯。\ `Just as humans rule when the sun is up, the time when the sun is down is ruled by those that are not human.`\ bg garden_1cN,2 ;　今や六軒島と屋敷を包み込む夜の闇は、右代宮家でない、もうひとりの支配者が支配していた。@ `The darkness of night that now surrounded Rokkenjima was ruled, not by the Ushiromiya family, but by another master.`@ br ;　その支配者は、薔薇庭園でひとり雨に打たれていた真里亞を不憫に思い、傘を貸したのだろうか…。\ `Did this Master take pity on Maria when she was alone and pummeled by the rain in the rose garden, and lend her an umbrella...?`\ ;　嘉音は窓の向こうにぼんやり見える薔薇庭園の外灯を見る。@ ;　それはぼんやりと光るだけで、周りを照らすには至っていない。\ `Kanon looked at the rose garden's lights, dimly visible beyond the window.`@ `The dim lights were not enough to illuminate the surrounding area.`\ ;　その光を見ることが、まるで魔女と目を合わせているように感じられて、嘉音は無理に目を逸らすのだった。@ `Looking at those lights felt like making eye contact with the witch, and Kanon uselessly averted his gaze.`@ br ;　…さもないと、その光に、目を吸い込まれてしまいそうな気がして……。\ `...If he didn't, it felt like his eyes would be absorbed by that light......`\ ;■食堂 dllefe_off bg black,2 E_A E_MA ;これはフェードアウトにしたい〜〜〜〜 meplay2 1,12,40 wait 500 bg Mdin_1gR,8 ;　天気のせいもあるのだろうか。@ `Can the weather change how people act?`@ ;　気圧などは人間の体調や機嫌にも影響を与えると聞いたことがある。@ `You often hear stories about how things like atmospheric pressure can influence people's moods and physical health.`@ br ;　先ほどから、この陰鬱な空気を晴らそうと度々みんなが挑戦するのだが、@どんな話題も一時的なものにしかならず、結局は雨の音で食堂を埋めるほかなかった。\ `For some time now, everyone had been struggling to clear the gloomy atmosphere,`@` but any conversation was quickly cut off, and in the end the dining hall was simply buried by the sound of the rain.`\ bg Mdin_1fR,24 ;　デザートは何とかショコラケーキに梨のシャーベットを添えた物。@ ;　郷田さんが、トドメとばかりにレシピについて熱弁を奮ってくれたが、細かい部分は記憶に残らなかった。\ `Dessert was some kind of chocolate cake accompanied by pear sherbet.`@ `Gohda-san enthusiastically explained the recipe as soon as this final dish was presented,`@` but I quickly forgot the details.`\ ;　主賓である祖父さまを欠き、天気も最悪で、真里亞に傘を貸した人物も謎のまま。@ `The guest of honor, Grandfather, was absent, the weather was horrible, and the person who had lent Maria the umbrella was still a mystery.`@ br ;　何ともすっきりしない気分のまま、晩餐は終わりを迎えてしまった。\ `When dinner ended, no one felt even one bit refreshed.`\ ;　…今さらだが、食事ってのは味だけでなく、全体の雰囲気も大事なのだなと痛感する。@ `...It was too late now, but we realized painfully that taste wasn't the only important part of a meal. The whole atmosphere was also critical.`@ br ;　晩餐という名の演奏の指揮者でもある郷田さんは、場を盛り上げようと、@色々と小洒落たスピーチなどで頑張ってくれたが、ひとつ及ばなかったようだ。\ `Gohda-san, the supposed conductor of this musical piece called dinner, did his best to enliven the place,`@` dropping little jokes left and right, but apparently not one of them succeeded.`\ bg black,23 bg Mdin_1dR,23 ;　食後はコーヒー、紅茶、オレンジジュースのどれがいいかと全員の注文を聞くと、厨房に下がっていった。@ ;　その姿が見えなくなってから、蔵臼伯父さんが言う。\ `After taking orders for after-dinner coffee, tea, and orange juice, he left for the kitchen.`@ `As soon as he disappeared, Krauss oji-san spoke.`\ ld r,$KLA_DefA1,24 ;「……やれやれ。@せっかく郷田が腕を揮ってくれた晩餐も、こうも沈み込んでしまっては実に味気ないというものだ。」@ ;＜蔵臼 `"......My, my.`@` How truly irksome that this dinner, which Gohda worked so hard to create, has been so poorly received."`@ ld l,$EVA_akireA2,23 ;「………えぇ、まったくね。@今日は何を食べても美味しく感じられない、そういう気分よ。」\ ;＜絵羽 `".........Yes, seriously.`@` It feels like nothing would taste good today. It's just that kind of mood."`\ ld r,$KLA_AkuwaraiA1,80 ;「ほぅ。@どうしてそういう気分なのか聞きたいね。@心が晴れ晴れできるよう、兄として後で協力させてもらうよ。」\ ;＜蔵臼 `"Ho.`@` I want to know why you feel that way.`@` Sometime later, allow me, as your older brother, to help cheer you up."`\ ld l,$EVA_MajimeA1,80 ;　絵羽伯母さんは表情をちょっぴりだけ歪ませる。@ ;　…蔵臼伯父さんと仲が悪いことはすでに聞いていたが、それをはっきりと感じさせるものだった。@ ;　見れば、表情を歪めているのは親父も、楼座叔母さんもだった。@ `Eva oba-san grimaced slightly.`@ `...I had already heard that she was not on good terms with Krauss oji-san, but now I could clearly feel it.`@ `When I looked around, I noticed that my father and Rosa oba-san were also grimacing.`@ br ;　どうやら、一同の気が晴れないのは、天気以外にも理由があるらしい…。\ `Anyhow, it looked like there was something besides the weather that was troubling all of them.`\ bg Mdin_1eR,24 ld r,$BUT_aseruA1,24 ;「……絵羽叔母さんもウチの親父も、/ ;!d1000…ずいぶん機嫌が悪そうっすね。」@ `"......Both Eva oba-san and my father,`/ !d1000`...they aren't looking too happy."`@ ld l,$NAT_zutuuA1,23 ;「そう？@　私はそうは思いませんよ。」@ ;＜夏妃 `"Really?`@` I don't think so."`@ br ;　右隣の夏妃伯母さんにそう尋ねるが、…どうやら伯母さんも機嫌が悪いらしい。@ ;　興味もないという風な感じで、ぴしゃりと言い切られてしまった。\ `I asked Natsuhi oba-san, who was sitting on my right, ...but it looked like she was also in a bad mood.`@ `She snapped back as though she was absolutely not interested.`\ ld c,$HID_WaraiA2,24 ;「まぁ、ちょいと大人の話で込み入ってなぁ。@戦人くんたち子供は気にせんでええ話や！@　ははははは、/ ;!d700なぁ、夏妃さん、霧江さん。」\ ;＜秀吉 `"Well, our adult conversation got a little complicated.`@` It's not somethin' that kids like you need to worry about, Battler-kun.`@` Hahahahaha,`/ !d700` right? Natsuhi-san? Kyrie-san?"`\ ;　秀吉伯父さんが笑いながら言ってくれるが、いつもの伯父さんらしい朗らかさがなく、@大人の話とやらがどれほど込み入ったのか、おぼろげに想像させてくれた。@ `Hideyoshi oji-san laughed as he spoke, but without his usual brightness,`@` so I could vaguely imagine just how complicated their adult conversation had actually become.`@ br ;　しかもその上、伯父さんが話を振った夏妃伯母さんも霧江さんも、まるで耳に入らなかったかのように無視をしている。\ `On top of that, even Natsuhi oba-san and Kyrie-san, the people he had directed his comment to, ignored him as though they hadn't heard anything.`\ bg Mdin_1fR,22 ;　…子供抜きでどういう話をしているのかはわからないが、@なるほど、親父が屋敷に挨拶に行く時、胃が痛い…みたいなことを言っていたことを思い出させられる。@ `...I didn't know what kind of conversation they had been having while the kids were away, `@`but it reminded me of how Father had said he had stomach cramps when we had arrived at the mansion.`@ br ;　親族会議というものは、子供にとっては再会を喜び合う行事だが、大人にとっては必ずしもそういうものではない、ということだ…。\ `The family conference might have been a playful reunion to us kids, but it was definitely different for the adults...`\ ;　秀吉伯父さんが大人たちに無視され、何だか重苦しい沈黙が訪れた時、霧江さんが答えてくれた。\ `When Hideyoshi oji-san was ignored by the other adults and an awkward silence fell over the room, Kyrie-san spoke up.`\ ld r,$KIR_futekiA1,24 ;「……子供たちの進路はどうなるのかしらとか、そういう話よ。@戦人くんは将来はどうするの？@　ぼんやりと大学進学？@　そんなのじゃ長い人生レースのスタートラインとしては心細いわよ？」\ ;＜霧江 `"......We were talking about how the kids' careers would turn out.`@` What would you do in the future?`@` Just drift on to college?`@` Wouldn't that be a little disheartening as a starting line for the long race of life?"`\ ld l,$BUT_komaruA1,23 ;「あいたたたた…、@霧江さん、メシの最中にそんな話されちまったら、消化不良で便秘になっちまうぜぇ〜？」@ ;＜戦人 `"Hey! Wait a sec...`@` Kyrie-san, if you start talking about something like that in the middle of a meal, it won't digest well and we'll all get constipated, ri~ght?"`@ ld c,$HID_WaraiA1,24 ;「わっはっはっは…！@　そうやそうや、戦人くんや朱志香ちゃんの進路の話をしとったんや！@　将来のことは真剣に考えんとあかんで！@　わっはっはっは…。」\ `"Wahahaha!`@` That's right, that's right! We were talking about Battler-kun and Jessica-chan's careers!`@` You can't take the future too seriously!`@` Wahahaha..."`\ ;　秀吉伯父さんは、さもそういう話だったという風に相槌を打つが、多分違う。\ `Hideyoshi heartily agreed as if they really had been talking about that, but that was probably wrong.`\ ;　霧江さんは、明らかに話をはぐらかしたのだ。@ `Kyrie-san had been obviously trying to avoid talking about something.`@ ;　でも、霧江さんがそうするのが最善だと判断したなら、多分、この場はそういうことなのだろう。@ `However, if Kyrie-san had determined that this was the best course of action for now, then she was probably right.`@ br ;　それを理解し、俺はこれ以上、絵羽伯母さんや親父の不機嫌の理由について疑問を持つのをやめる…。\ `Taking this into account, I'll cast aside my suspicions as to the cause behind Eva oba-san and Dad's bad moods...`\ bg black,2 bg Mdin_1gR,22 ;　やがてコーヒーや紅茶を積んだ配膳台車が戻ってくる。\ `At long last, the serving cart returned, filled with coffee and tea.`\ ;　それを熊沢さんと紗音ちゃんが配膳した。@ ;　そして、これで今夜の晩餐は終わりであることを郷田さんが説明する。\ `Kumasawa-san and Shannon-chan served it to everyone.`@ `Gohda-san then explained that, with this, tonight's dinner was over.`\ ;　もっと晴れ晴れとした気分で食えたなら、人生で最高のディナーだったろう。@ ;　最高のディナーを、最高のコンディションで臨めなかったことだけが残念だった。\ `If I had been able to eat in a more cheerful mood, it might have been the best dinner in my life.`@ `It was a shame that this best dinner couldn't have been had under the best conditions.`\ bg Mdin_1c,0 ld r,$MAR_WaraiA2,23 ;「うー！@　譲治お兄ちゃん、これでご飯は終わり？@　終わり？」@ `"Uu-!`@` George onii-chan, is dinner over now?`@` Over?"`@ ld l,$GEO_HohoemiA1,23 ;「うん。@これでおしまいだよ。」@ ;＜譲治 `"Yes.`@` With this, dinner is finished."`@ ld c,$ROS_nayamuA1,23 ;「はしたないわよ。@お席について、落ち着いてジュースを飲みなさい。」@ ;＜楼座 `"That's not ladylike.`@` Stay in your seat, and calmly drink up."`@ ld r,$MAR_WaraiA1,80 ;「…うー。」\ `"...Uu-."`\ ;　真里亞は、時折轟く雷鳴が面白くて仕方がないらしい。@ `Maria looked like she was really excited about the occasionally crashing thunder.`@ ;　早く食事を終えて窓辺に駆けて行きたいのだろう。@ `Maybe she wanted to quickly finish eating and run over to the window.`@ ;　さっきからそわそわと食事の終わりを待っているようだった。\ `She had been fidgeting for a while, waiting for the meal to end.`\ ;　……雷って怖がるヤツと面白がるヤツの２つがいるが、どうやら真里亞は後者らしいなぁ。@ `......Some people are afraid of thunder, while others find it interesting, and Maria was apparently one of the latter.`@ br ;　だから、譲治の兄貴に食事はこれでおしまいだと教えてもらえて、満面の笑みを浮かべた。\ `Therefore, when she heard from George-aniki that dinner was over, a huge smile broke across her face.`\ cl r,23 bg Mdin_1fR,23 ld c,$MAR_niyariA1,23 ;　そして席を立つと、椅子の下に置き、食事の時間にも側から離さなかった手提げを取り出しその中を漁る。@ ;　その仕草に、特別な関心を払う者はいなかった…。\ `She then stood from her seat, took out her hand bag - which she had set under her seat, never having left it even while she was eating - and began fishing around inside of it.`@ `No one seemed particularly concerned with this behavior...`\ ld r,$GEO_majimeA2,24 ;!s0「………何だい、/ ;!d1000それは。/ ;!sd@どこから持ってきたの？」@ ;＜譲治 !s0`".........What's this?`/ !d1000` This,`/ !sd@` where did you get it?"`@ ;　最初に気付いたのは譲治だった。@ ;　その言葉で戦人も気付く。\ `George was the first to notice it.`@ `As he spoke, Battler also noticed.`\ bg black,25 se1 26 bg Letter1,22 ;　見れば、いつの間にか真里亞の手には綺麗な洋形封筒が握られていた。\ `When they looked, they noticed that Maria was now holding a beautiful western-style envelope.`\ ;　その封筒の表面には、右代宮家の家紋である片翼の鷲をイメージしたものが箔押しされていた。@ `On the front of the envelope, the Ushiromiya family crest - the One-winged Eagle - was done in gold leaf.`@ br ;　さらに赤黒い蝋で封までされていて、真里亞がいたずらに持っていていいものではない、格を感じさせた。\ `Furthermore, the fact that it was sealed with dark-red wax made it clear that this was not something that Maria could have brought as a prank.`\ bg black,22 bg Mdin_1dR,0 ld r,$NAT_OdorokiA2,22 ;「……真里亞ちゃん、それは何？」@ ;＜夏妃 `"......Maria-chan, what is that?"`@ ;　夏妃も、真里亞が持つその封筒の異様さに気付いたらしい。@ ;　小さな子に諭すにしては厳しすぎるその口調で、周りの親類たちもようやく気が付いた。\ `It seemed that Natsuhi had also noticed the strangeness of the envelope that Maria was holding.`@` Because her voice sounded too serious to be admonishing a small child, the other relatives around her finally noticed.`\ ld l,$RUD_DefA1,23 ;「どうしたよ、夏妃姉さん。」@ ;＜留弗夫 `"What happened, Natsuhi nee-san?"`@ ld c,$EVA_MajimeA1,24 ;「…………それ、@…何？」@ ;＜絵羽 `"............What is,`@` that?"`@ cl r,23 ld r,$ROS_KomaruA3,24 ;「真里亞…、@あなた、それをどこで拾ったの…。」@ ;＜楼座 `"Maria...`@`where did you pick that up...?"`@ cl l,24 ld l,$NAN_MajimeA2,23 ;「その封筒は、/ ;!w700……金蔵さんの……、」\ ;＜南條 `"That envelope has,`/ !w700`......Kinzo-san's......"`\ meplay2 2,5,40 bg black,22 bg letter1,22 ;　南條が呟いたその一言で、お子様な俺たちにもなぜ場が凍りついたのか理解できた。@ `As Nanjo muttered that, even us kids could understand why everyone seemed to be frozen solid.`@ br ;　真里亞が持つ封筒は、右代宮家当主、つまり金蔵がプライベート用に作らせた特注の封筒だった。\ `The envelope that Maria held was one of the Ushiromiya family head's custom-made envelopes for private use.`\ ;　……つまり、意味するところはひとつしかない。@ ;　この封筒は、金蔵からのメッセージが収められているのだ。\ `......In other words, it could only mean one thing.`@ `This envelope contained a message from Kinzo.`\ bg black,22 bg Mdin_1aR,0 ld r,$KLA_majimeA1,24 ;「ほぅ………。@…どうしてそんな封筒がここにあるんだね…？」@ ;＜蔵臼 `"Ho.........`@`...What is an envelope like that doing here...?"`@ ld l,$RUD_komaruA1,23 ;「……こ、……こいつぁ面白いもんが飛び出してくるぜ。」@ ;＜留弗夫 `"......It, ......it looks like something interesting has jumped out at us."`@ ld c,$HID_komaruA1,22 ;「………ちょ、ちょいとわしに見せてみぃ…！」\ ;＜秀吉 `"......J, just let me have a peek...!"`\ bg Mdin_1bR,0 ld c,$MAR_DefA1,24 ld c,$MAR_fukigenA2,80 ;「うー！！@　駄目ぇ、真里亞が読むの！@　真里亞がみんなに読んで聞かせなさいって言われたの！！」@ `"Uu-!!`@` No way, Maria will read it!`@` Maria was told to read it to everyone!!"`@ ;　秀吉伯父さんが真里亞の手から封筒を引っ手繰ろうとするが、真里亞は抱き締めるようにして庇い、それを拒む。\ `Hideyoshi oji-san tried to snatch the envelope out from Maria's hands, but she protected it as though hugging it, and didn't let go.`\ bg Mdin_1dR,24 ld r,$KIR_majimeA1,24 ;「秀吉兄さん、子ども相手に力尽くなんていけませんよ。@/ `"Hideyoshi-san, you can't use all of your strength against a child.`@/ ld r,$KIR_waraiA2,80 ;………真里亞ちゃん、その封筒はどうしたの？」\ ;＜霧江 `.........Maria-chan, where did you get this envelope?"`\ ld l,$MAR_DefA1,23 ;「うー！@　傘を貸してくれた時にベアトリーチェにもらった。@ご飯が終わったら、真里亞がみんなに読んで聞かせろって言われた！@/ ;!s0　真里亞は魔女のめ、/ ;!w200め…、/ ;!w600“めっせんじゃ”なの！/ ;!sd@　うー！」\ `"Uu-!`@` I got it from Beatrice when she gave me the umbrella.`@` She told Maria to read it to everyone after the meal was over!`@/ !s0` Maria is the witch's me,`/ !w200` me...,`/ !w600` 'Messenger'!`/ !sd@` Uu-!"`\ cl r,23 ld r,$BUT_waraiA2,24 ;「メッセンジャー…？@　ひっひっひ、この島の魔女さまはずいぶんと洒落てるじゃねぇかよ。」@ ;＜戦人 `"Messenger...?`@` Ihihihi, the witch of the island sure likes to mess around."`@ ;　戦人がおどけて見せるが、つられて笑ってくる者は誰一人いなかった。\ `Battler tried to joke about it, but no one went along with him.`\ ld c,$EVA_akireA1,22 ;「………………そ、それで中には何て書いてあるのかしらぁ、真里亞ちゃん…？」@ `"...............I, I wonder what's written inside of it. Maria-chan...?"`@ ld l,$MAR_WaraiA2,80 ;「うー。@読む！@　うー！」\ `"Uu-.`@` Read it!`@` Uu-!"`\ bg black,22 ;　真里亞は封筒を無造作に開ける。@ `Maria casually opened the envelope.`@ br ;　…蝋で封をされていただけなので、ぽろりと封蝋が取れてそれは開かれた。\ `...It was sealed only with wax, so she just had to remove the sealing wax to open it.`\ ;　…その封蝋が机の上に転がる。@ `...That sealing wax fell onto the desk.`@ ;　それを素早く秀吉が拾い上げてまじまじと見た。@ `Hideyoshi hastily picked it up and stared fixedly at it.`@ br ;　そしてそれを机の中央に置くと、夏妃、霧江、南條が睨むように注目する。\ `He then set it in the center of the table, where Natsuhi, Kyrie, and Nanjo glared at it.`\ ;　封蝋には、右代宮家の家紋であり、金蔵の紋章でもある片翼の鷲が刻印されていた。\ `In the sealing wax, the Ushiromiya family crest - which was also Kinzo's personal crest - the One-winged Eagle was imprinted.`\ bg Mdin_1cR,26 ld r,$NAT_OdorokiA2,24 ;「…………これは、当主様の紋章…。」@ ;＜夏妃 `".........This is the family head's personal crest..."`@ ld l,$NAN_komaruA1,23 ;「………私は金蔵さんに手紙をもらったことがあるからわかる。@これは間違いなく、金蔵さんの封蝋だ。」@ ;＜南條 `".........I know because I have received letters from Kinzo-san before.`@` Without a doubt, this is Kinzo-san's wax seal."`@ cl r,23 ld r,$KIR_majimeA1,24 ;「でも、このお屋敷には、それと同じ紋章がいくつもあるのでは？@　例えば、封蝋用のハンコのようなものがあれば、金蔵さんでなくても封蝋はできるのでは？」\ ;＜霧江 `"But, in this mansion, couldn't there be several identical seals?`@` For example, if there was some kind of stamp for wax seals, couldn't someone other that Kinzo-san have sealed it?"`\ ld l,$NAN_majimeA2,80 ;「いや、金蔵さんは封蝋には必ず、自分が指にしている“右代宮家当主の証”の指輪で刻印をする。@この形や複雑な意匠は…、間違いなく金蔵さんの封蝋だ…。」@ ;＜南條 `"No, Kinzo-san would always use a ring on his finger, his "Proof of the Ushiromiya Family Headship", when he sealed the wax.`@` This shape and complex design is definitely Kinzo-san's seal..."`@ ld c,$KLA_komaruA1,24 ;「そうとは限らんよ。@親族であれば一度くらいは親父の手紙を受け取ったことはあるはずだ。@その封蝋を元に、偽の紋章を作り親父殿を騙って刻印した可能性が否めない。」\ ;＜蔵臼 `"That is not necessarily so.`@` Anyone in the family must have received a letter from Father at least once.`@` We can't eliminate the possibility that someone, using that wax as a model, created a fake seal to pass themselves off as Father."`\ cl r,23 ld r,$RUD_MajimeA1,24 ;「兄貴に同感だ。@封蝋に刻印されている紋章が、どれだけ親父の物に酷似していたとしても、間違いなく親父の物であるとは証明不能だぜ。@だからその封筒が親父の物であるという証拠にはならない。」@ ;＜留弗夫 `"I agree with Aniki.`@` No matter how the seal resembles Father's, we can't prove that it is the real thing.`@` Therefore, it doesn't prove that this envelope came from Father."`@ cl c,22 ld c,$EVA_MajimeA1,24 ;「私もまったく同じよ。@封蝋の刻印だけで、お父様の手紙だなんて決め付けることには同意できないわ。@南條先生、曖昧な言葉は慎んでいただけるかしら…？！」\ ;＜絵羽 `"I feel the same way.`@` I cannot approve of arbitrarily deciding that this is Father's letter only by the seal in the wax.`@` Doctor Nanjo, couldn't you use more discretion with your vague words...?!"`\ ld l,$NAN_fumuA1,80 ;「…………これは失礼…。@出過ぎた口でしたな…。」@ ;＜南條 `"............I apologize...`@` I said too much..."`@ ;　蔵臼以下の兄弟たちが次々と、真里亞の持つ封筒は金蔵のものであるとは限らないと、南條の発言を否定する。\ `One after another, all of the siblings, from Krauss on downwards, rejected Nanjo's statement, saying that the envelope that Maria was holding had not necessarily been sent by Kinzo.`\ ;　彼らは恐れていた。\ `They were afraid.`\ ;　その中に、金蔵の意思が書かれていて、@遺産に関して何か決定的に不利な発表をするのではないかと心底恐れていた。\ `Kinzo's intentions were written in there,`@` and they feared from the bottoms of their hearts that it might be some decidedly unfavorable announcement regarding the inheritance.`\ bg Mdin_1dR,22 ld l,$ROS_KomaruA1,23 ;「…真里亞…。@その封筒は、傘を貸してくれた人が、くれたのね…？」@ ;＜楼座 `"...Maria...`@` The person who gave you that envelope was the same person who lent you that umbrella, right...?"`@ ld r,$MAR_WaraiA1,24 ;「うー！」@ `"Uu-!"`@ ld l,$ROS_MajimeA1,80 ;「うーじゃわからないでしょ！@　そうなの？！」@ `"I don't know what 'uu-' means!`@` Is it true?!"`@ ld r,$MAR_KomaruA1,80 ;「うー…。@……うん。@うー。」\ `"Uu-...`@`......Yes.`@` Uu-."`\ ld c,$GEO_KomaruA1,22 ;「つまり、@…魔女、/ ;!d400ベアトリーチェが、傘と一緒に真里亞ちゃんにその封筒を…？」@ ;＜譲治 `"So, in other words,`@` ...the witch,`/ !d400` Beatrice, gave Maria-chan that envelope along with the umbrella...?"`@ ld r,$MAR_WaraiA2,80 ;「うー！」@ ;　真里亞が力強く頷く。\ `"Uu-!"`@ `Maria nodded forcefully.`\ bg Mdin_1cR,0 ld r,$NAT_OdorokiA2,23 ;「…しゅ、主人に私も同感です。@得体の知れない何者かが手渡した怪文書です。@読むにも値しません。」@ ;＜夏妃 `"...I, I agree with my husband.`@` It's a dubious letter handed over by some suspicious person.`@` It's not even worth reading."`@ ld l,$BUT_waraiA2,23 ;「せめて読むくらいいいじゃねぇかよ、なぁ？」\ ;＜戦人 `"There's nothing wrong with just reading it, right?"`\ cl a,0 bg black,1 ;　戦人は悪ぶりながら、小声で朱志香に言ったつもりだったが、ばっちり夏妃に聞かれていて、ものすごい目で凄まれる。\ `Battler said it to Jessica in a small voice, trying to act tough, but Natsuhi heard him clearly and glared at him with threatening eyes.`\ bg Mdin_1aR,23 ld r,$JES_OdorokiA1,24 ;「そ、それで真里亞は、/ ;!d800その、/ ;!d600…ベアトリーチェに、食事が終わったら読めって言われたんだな？」@ ;＜朱志香 `"A, and then,`/ !d800` err,`/ !d600` ...Beatrice told you to read it after the meal was over, right Maria?"`@ ld l,$MAR_majimeA1,22 ;「うー！」\ `"Uu-!"`\ bg black,22 bg Mdin_1dR,0 ld r,$KIR_DefA1,22 ld r,$KIR_WaraiA2,80 ;「………いいじゃないの、皆さん。@これはお祖父さまの封筒ではなく、ベアトリーチェの封筒。@誰が書いたのかはともかく、中身を聞いてからの判断でもいいんじゃないかしら？」\ ;＜霧江 `".........It's alright, everyone.`@` This isn't Grandfather's envelope, it's Beatrice's.`@` Who cares who wrote it, why can't we just hear what's inside before we decide?"`\ ld l,$HID_KomaruA1,80 ;「そ、…そうやな。@お父さんが書いたとは限らんが、中身が気になるんは事実や。@……真里亞ちゃん、さっきは無理やり取ろうとしてすまんかった！@　謝るから、みんなの前でそれ、読み上げてくれんか。」\ ;＜秀吉 `"Th, ...that's right.`@` Even if Father didn't necessarily write it, I'm still concerned about its contents.`@` ......Maria-chan, I'm sorry I tried to take it from you by force earlier!`@` I apologize, so will you read it aloud in front of everyone?"`\ cl r,23 ld r,$ROS_MajimeA1,24 ;「…………真里亞。@読みなさい。」@ ;＜楼座 `"............Maria.`@` Read it."`@ ld c,$MAR_DefA1,22 ;「うー。」@ `"Uu-."`@ ;　真里亞は親族全員に凄まじい目で凝視される中、手紙をかさかさと広げる…。\ `As all of the relatives stared fiercely at Maria, she spread the letter open with a rustle...`\ bg Mdin_1aR,0 ld r,$RUD_komaruA1,23 meplay 3,11 ;「……本当に親父の手紙だと思うか。」@ ;＜留弗夫 `"......Do you think it really is Father's letter?"`@ ld l,$KLA_MajimeA1,23 ;「ありえんね。@親父殿が私たちに何かを発表する時は、直接でなければいつだって源次を通してじゃないか。@……このような小洒落た方法でするとは思えんね。」\ ;＜蔵臼 `"Impossible.`@` Whenever Father has announced something to us in the past, if he didn't do it directly, he would always send Genji, right?`@` ...I can't believe that he would use such a joke-like approach."`\ ld c,$EVA_AkireA2,24 ;「そうよぅ。@真里亞をメッセンジャーに？@　それこそお父様の趣味じゃないわよぅ…。@楼座、これは真里亞ちゃんが私たちを驚かそうという何かの隠し芸なんでしょ…？」@ ;＜絵羽 `"That's right.`@` Maria, a messenger?`@` That's seriously not one of his hobbies...`@` Rosa, could this be Maria-chan trying to surprise us with some kind of hidden talent...?"`@ cl r,23 ld r,$ROS_KomaruA1,24 ;「…………………ま、真里亞はそんな気の利いたことをできる子じゃない。」\ ;＜楼座 `"..................Well, Maria's not really a kid who is capable of something so clever."`\ bg black,22 bg Mdin_1f,22 ld c,$MAR_ikariA1,26 E_M2 ;「読む。@うー。」@ `"Read it.`@` Uu-."`@ br ;　真里亞の口から出る言葉なのに、なぜかいつもと違う声のような気がして。@ `The words came out of Maria's mouth, but for some reason it felt like her voice was different than usual.`@ ;　一同はシンと黙り込む…。\ `Everyone went suddenly silent...`\ E_MA E_A bgmplay 19 bg black,2 ;「六軒島へようこそ、右代宮家の皆様方。@私は、金蔵さまにお仕えしております、当家顧問錬金術師のベアトリーチェと申します。」\ ;＜黒真里亞、かな…？ `"Welcome to Rokkenjima, members of the Ushiromiya family.`@` I am Beatrice, the alchemist for this family employed by Kinzo-sama himself."`\ bg Mdin_1bR,0 ld r,$HID_waraiA2,23 ;「………そんなアホな…！」@ ;＜秀吉 `".........How absurd...!"`@ ld l,$EVA_IkariA1,23 ;「黙って！」\ ;＜絵羽 `"Quiet!"`\ bg Mdin_1fR,22 ld r,$MAR_waraiA1,24 ;「長年に亘りご契約に従いお仕えしてまいりましたが、本日、金蔵さまより、その契約の終了を宣告されました。@よって、本日を持ちまして、当家顧問錬金術師のお役目を終了させていただきますことを、どうかご了承くださいませ。」\ ;＜黒真里亞 `"I have served him for many years in accordance with our contract, but on this day, Kinzo-sama has announced the final suspension of that contract.`@` Therefore, I ask that you acknowledge my resignation from the position of family alchemist from this day forth."`\ ld l,$KLA_majimeA1,23 ;「……下らん、戯言だ…！」@ ;＜蔵臼 `"......How foolish...`@` What nonsense...!"`@ ld c,$NAT_OdorokiA2,24 ;「き、聞くに堪えません…！」\ ;＜夏妃 `"I, I can't stand to listen to it...!"`\ bg Mdin_1gR,22 ;「さて、ここで皆様に契約の一部をご説明しなければなりません。@私、ベアトリーチェは金蔵さまにある条件と共に莫大な黄金の貸与をいたしました。@その条件とは、契約終了時に黄金の全てを返還すること。@そして利息として、右代宮家の全てを頂戴できるというものです。」\ `"And now, there is one part of the contract that must be explained to all present.`@` I, Beatrice, lent Kinzo-sama a vast quantity of gold under certain terms.`@` One of these terms specifies that all the gold is to be returned to me upon the termination of the contract.`@` Furthermore, I am to receive everything of the Ushiromiya family as interest."`\ ;「む、無茶苦茶や！！」@ ;＜秀吉 `"R, ridiculous!!"`@ ;「…は、初めっから無茶苦茶だぜ…。」\ ;＜朱志香 `"...I, it's been ridiculous from the very beginning..."`\ bg black,25 bg Mdin_1cR,22 ld r,$BUT_waraiA2,24 ;「要するにあれだろ？@　よくある悪魔の契約みたいなヤツなんだろ？@　んで、契約がおしまいってことになるから、利子を回収に来たってわけだ。@いんや、長年の退職金のつもりかなぁ？@　ちゃっかりした魔女だぜ。」@ ;＜戦人 `"So it's basically one of those things, right?`@` Doesn't it sound just like one of those contracts with the devil?`@` So, the contract has expired, so they've come to collect the interest.`@` Is she trying to grab some retirement money for her old age or something?`@` What a cheeky witch."`@ ld l,$GEO_MajimeA3k,23 ;「戦人くん、今は茶化さない方がいい…。」\ ;＜譲治 `"Battler-kun, now is not the time to joke around..."`\ ;　戦人はここで茶化さなくてどこで茶化すんだという顔をする。@ ;　それくらいに大人たちの顔は、ある者は蒼白で、ある者は呆然としていた。\ `Battler made a face as if to ask, "If I can't make fun of this, what can I make fun of?"`@ `At the same time, some of the adults' faces were pale, while others looked completely shocked.`\ bg Mdin_1fR,0 ld c,$MAR_waraiA2,22 ;「これだけをお聞きならば、皆様は金蔵さまのことを何と無慈悲なのかとお嘆きにもなられるでしょう。@しかし金蔵さまは、皆様に富と名誉を残す機会を設けるため、特別な条項を追加されました。@その条項が満たされた時に限り、私は黄金と利子を回収する権利を永遠に失います。」\ ;＜黒真里亞 `"After hearing this, you will may feel as though Kinzo-sama has been savagely ruthless.`@` However, Kinzo-sama did append a special clause to the contract so that you would have a chance to preserve your wealth and honor.`@` If and only if that special clause is fulfilled, I will loose my rights to the gold and the interest for all eternity."`\ bg Mdin_1cR,0 ld r,$RUD_KomaruA1,24 ;「……特別な条項…？」@ ;＜留弗夫 `"......A special clause...?"`@ ld l,$EVA_majimeA1,23 ;「そ、それは何よ…？！」\ ;＜絵羽 `"Wh, what is it...?!"`\ bg black,22 ;「特別条項。@契約終了時に、ベアトリーチェは黄金と利子を回収する権利を持つ。@ただし、隠された契約の黄金を暴いた者が現れた時、@ベアトリーチェはこの権利を全て永遠に放棄しなければならない。@……利子の回収はこれより行ないますが、もし皆様の内の誰か一人でも特別条項を満たせたなら、@すでに回収した分も含めて全てお返しいたします。@なお、回収の手始めとしてすでに、右代宮本家の家督を受け継いだことを示す“右代宮家当主の指輪”をお預かりさせていただきました。@封印の蝋燭にてそれを、どうかご確認くださいませ。」\ `"Special clause.`@` Beatrice retains the right to collect the gold and accumulated interest upon the termination of the contract.`@` However, if someone is able to discover the hidden gold of this contract, Beatrice must abandon these rights for all time.`\ `......The collection of the interest will proceed shortly, but if any one of you fulfills the terms of this special clause, `@`I shall return everything, including the portion that has already been collected.`@` Furthermore, as the first step in this collection of Kinzo-sama's debt, I have taken possession of the Ushiromiya family 'Head's Ring', which signifies the passage of the Ushiromiya family headship from one individual to another.`@` I ask that you confirm this for yourselves by examining the imprint on the wax seal."`\ bg Mdin_1aR,22 ld r,$KLA_IkariA1,24 ;「………これがそうだと言うのか…？！@　親父が指輪を手放すなどありえん…！」@ ;＜蔵臼 `".........Does it really say that...?!`@` That Father would relinquish his ring is unthinkable...!"`@ ;　先ほどの封蝋を蔵臼は穴が開くほど睨みつける。@ `Krauss was staring at the sealing wax as though he was trying to burn a hole through it.`@ ;　肩越しに絵羽と留弗夫も同じように睨みつける！\ `Eva and Rudolf were doing the same over his shoulder!`\ ld l,$NAN_MajimeA2,23 ;「た、確かに、チェスの時、金蔵さんの指に何か足りんような違和感は感じとりました………。」@ ;＜南條 `"I, I'm sure I had the odd feeling that something was missing from Kinzo's finger when we were playing chess........."`@ ld c,$NAT_IkariA1,24 ;「南條先生！@　おぼろげな記憶でいい加減なことを言わないように！」\ ;＜夏妃 `"Doctor Nanjo!`@` Don't say something so careless just because of a vague memory!"`\ bg Mdin_1bR,0 ld r,$KIR_majimeA1,24 ;「その真贋をここでは計れないわ。@本当に指輪をお祖父さまは誰かに手渡したのか、この手紙が本当の話かどうかは、お祖父さまに直接確認すればいいだけの話じゃない。」@ ;＜霧江 `"We can't prove its authenticity here.`@` We can only determine whether Father has really handed over his ring and whether this letter tells the truth by asking him directly."`@ ld l,$ROS_KomaruA2,23 ;「そ、そうね。@霧江さんの言う通りだわ…。」\ ;＜楼座 `"Th, that's right.`@` It's just as Kyrie-san says..."`\ bg Mdin_1aR,0 ld r,$NAN_KomaruA1,23 ;「………果たして。@…金蔵さんがそれを答えてくれますかな…。@あの人のお考えは、時に人の世の常識では量りかねますからな…。」@ ;＜南條 `".........Do you really think...`@`...that Kinzo-san will tell you...?`@` After all, that person's thoughts are sometimes impossible to predict using common sense..."`@ ld l,$KLA_MajimeA1,23 ;「どの道、戯言の域を出んね…！@　第一、黄金幻想自体が親父殿のまやかしだ。@ありもしない黄金の話を始めるのはお前たちだけで充分だ！」\ ;＜蔵臼 `"No matter what happens, it's still nonsense...!`@` In the first place, the illusion of gold itself is a fake.`@` If you want to talk about nonexistent gold, leave me out of it!"`\ ld c,$EVA_AkireA2,24 ;「でも、魔女様は仰ってるわよぅ？@　黄金を見つけたものに、家督と全ての財産を引き渡す、ってね？@　つまりベアトリーチェさまは、お父様の顧問弁護士もしくは金庫番でもあられるってことじゃないのかしらぁ…？」\ ;＜絵羽 `"But, this is the witch speaking, right?`@` About how the inheritance and all of the assets would be handed over to the one who finds the gold, right?`@` So, could this mean that Beatrice-sama is Father's legal advisor, or maybe in charge of his funds...?"`\ cl r,23 ld r,$NAT_OdorokiA1,24 ;「こ、このような怪しげな文章を子どもに託すような怪人物を信用することなどできません！」@ ;＜夏妃 `"W, we can't possibly trust some strange person who entrusts such a suspicious paper to a child!"`@ cl c,22 ld c,$RUD_akuwaraiA2,24 ;「兄貴…、腹を割ってもらうぜ。@兄貴の知らない人物が親父の財産管理をしてるようなことはありえるのか！」\ ;＜留弗夫 `"Aniki..., let's be frank.`@` Is it possible that someone you don't know is actually handling Father's assets?!"`\ ld l,$KLA_IkariA1,80 ;「い、いや、それはない！@　私は当主代行として親父殿の全ての財産を把握している！@　私に知られずにそれらを自由にできる人間はいないはずだ！」@ ;＜蔵臼 `"N, no, that's impossible!`@` As the agent to the head, I am in control over all of Father's assets!`@` There shouldn't be anyone who can freely do that without me knowing it!"`@ cl r,23 ld r,$ROS_MajimeA1,24 ;「じゃあつまり、蔵臼兄さんの把握していない財産ってことじゃないの？」\ ;＜楼座 `"So, in other words, there are some assets that you are not in control of, Krauss nii-san?"`\ cl a,0 ld c,$KLA_IkariA1,23 ;「馬鹿な、そんなものあるわけがないッ！」\ ;＜蔵臼 `"How foolish, there's no way something like that exists!"`\ bg Mdin_1cR,0 ld r,$EVA_AkireA1,24 ;「………………あるわよぅ。@兄さんが把握していないお父様の資産。」@ ;＜絵羽 `"...............It does exist.`@` Some of Father's property that Nii-san doesn't control."`@ ld l,$NAT_IkariA1,23 ;「そんなものあるわけがありませんッ！！」@ ;＜夏妃 `"There is no way that something like that exists!!"`@ ld c,$HID_MajimeA1,24 ;「いや、あるで。@…………それがお父さんの、いや、ベアトリーチェの隠し黄金や！！」\ ;＜秀吉 `"No, it does.`@` ............That'd be Father's, no, Beatrice's hidden gold!!"`\ cl a,22 ld r,$RUD_MajimeA1,24 ;「話を整頓しよう。@つまり、親父には兄貴も知らない腹心がいた。@そしてそいつはずっと黄金の番と運用を任されてきたわけだ。@あるいは悪魔の契約紛いのルールで融資した好事家の大富豪か。」\ ;＜留弗夫 `"Let me make it simple.`@` In short, Father has some trusted confidante that Aniki doesn't even know about.`@` Furthermore, this person has always been in charge of watching and managing the gold.`@` It's possible that this person is a dilettante of a very rich family who provided his financing in the first place under the guise of a devil's contract."`\ ld c,$KIR_MajimeA1,24 ;「………その腹心のベアトリーチェさんは、自分の黄金を融資する相手として、息子兄弟の誰が相応しいか試したい、ということなのかしら？」\ ;＜霧江 `".........Could it be that this confidante called Beatrice is trying to test which of the sons and daughters is most fitting to be financed by her gold?"`\ ;　その霧江の一言は、兄弟たちの誰もがはっきりさせたい一言だった。@ `What Kyrie said was something that all of the siblings wanted to be made clear.`@ br ;　思えば今日まで、ホールの魔女の肖像画の下に、あれほどの怪しげな碑文が掲載され、@それを暴いた者に全てが与えられるのではと囁かれながらも、……誰も、そうだとはっきり言明しなかった。\ `Upon reflection, they realized that Kinzo's strange epitaph had always hung in the hall beneath the portrait of the witch,`@` and while it had long been whispered that the one who solved the puzzle would receive everything, ......no one had ever clearly stated it.`\ ;　きっとそうに違いないと夢を見てきただけなのだ。@ `It was just something that everyone had hoped might be true.`@ ;　それが、今この場で、ベアトリーチェの手紙によって、はっきりと示される！@ `That had, right here, right now, been clearly expressed by Beatrice's letter!`@ br ;　隠し黄金を見つけ出した者に、右代宮家の全てが与えられると、はっきり明示したのだ。\ `It clearly specified that everything of the Ushiromiya family would be given to the one who found the gold.`\ bg black,22 bg Mdin_1fR,0 ld c,$MAR_waraiA1,22 ;「黄金の隠し場所については、すでに金蔵さまが私の肖像画の下に碑文にて公示されております。@条件は碑文を読むことができる者すべてに公平に。@黄金を暴けたなら、私は全てをお返しするでしょう。@それではどうか今宵を、金蔵さまとの知恵比べにて存分にお楽しみくださいませ。@今宵が知的かつ優雅な夜になるよう、心よりお祈りいたしております。@/ `"Kinzo-sama has already publicly displayed the location of the hidden gold within the epitaph under my portrait.`@` The rules apply equally to all who can read the epitaph.`@` If you discover the gold, I shall return everything to you.`@` Tonight, I ask that you enjoy your battle of wits with Kinzo-sama to the fullest.`@` I sincerely pray that this night will be both intellectual and elegant. `@/ ;ここでTIPS「魔女の手紙」が閲覧可能に〜〜〜 mov ?tips[2][tips_flg],1 seplay 9,1062 ;――黄金のベアトリーチェ。」\ `――Beatrice the Golden."`\ ;＜黒真里亞 meplay 1,14 bg black,2 wait 3000 se1 19 wait 400 seplay 2,19 bg Mlib_1bR,22 ;■金蔵の書斎 ;「……お父さん、聞こえているはずです！@　返事をしてください！」\ ;＜蔵臼 `"......Father, I know you can hear me!`@` Please respond!"`\ ;　金蔵の書斎の扉が、打楽器のように激しく激しく何度も叩かれている。@ ;　その向こうから聞こえる叫びは、蔵臼や留弗夫、時に絵羽の声。@ `The door to Kinzo's study was being violently, violently beaten against over and over again like a percussion instrument.`@ `The screams coming from the other side were Krauss's, Rudolf's, and sometimes Eva's voices.`@ br ;　怪しげな手紙の真相を問い質そうと押しかけた兄弟たちだった。\ `It was the siblings, who were trying to intrude upon Kinzo's study to question him about the truth behind that mysterious letter.`\ bg Mlib_1cR,0 ld r,$KIN_fumuA1,24 ;　金蔵は食事を取っていた。@ `Kinzo was eating.`@ br ;　机の上には上品なテーブルクロスが引かれ、下の食堂で食卓を彩った素晴らしき晩餐を再現している。\ `An elegant tablecloth was set over the desk, and the fabulous dinner that had colored the table down in the dining hall was once again laid out.`\ ;　黙々と食事を進める金蔵。@ ;　…空いた皿を下げる紗音は、叩かれ続ける扉と金蔵の顔を、不安げに見比べる。\ `Kinzo continued his meal in silence.`@ `...Shannon, taking away an empty plate, looked uncomfortably between the door being beaten on and Kinzo's face.`\ bg Mlib_1aR,0 ld l,$SHA_KomaruA1,23 ;「……………皆さんがお呼びですが、/ ;!d800…いかがいたしますか…？」@ ;＜紗音 `"............Everyone is calling for you, but...`/ !d800`...but what should I do...?"`@ bg Mlib_1cR,0 ld r,$KIN_fumuA1,24 ;「…捨て置け。@神と我が晩餐は沈黙を尊ぶ。」@ ;＜金蔵 `"...Leave it.`@` God and I value silence during dinner."`@ cl l,24 ld l,$GEN_majimeA1,23 ;「…………黙らせますか？」@ ;＜源次 `"Should I silence them?"`@ ld r,$KIN_waraiA2,80 ;「必要ない。@我が耳には届いておらぬ。」@ ;＜金蔵 `"There's no need.`@` It does not even reach my ears."`@ ;　金蔵は涼しげに食事を嗜む。\ `Kinzo coolly tasted his food.`\ cl l,24 ;　源次は静かに頭を下げると一歩下がる。@ ;　…すると、源次の斜め後に影のように控えていた嘉音が口を開く。\ `Genji quietly lowered his head and took a single step back.`@ `...As he did, Kanon, who stood in reserve like a shadow behind and to the side of Genji, opened his mouth.`\ bg Mlib_1dR,24 ld l,$KAN_nayamuA1,23 ;「………真里亞さまがベアトリーチェさまより手紙を受け取られたとのことで、その真偽を確かめたいのでしょう。」\ ;＜嘉音 `".........Since Maria-sama received a letter from Beatrice-sama, I wonder whether they want to test its authenticity."`\ bg Mlib_1cR,22 ld c,$KIN_WaraiA1,24 ;「…はっはっはっは…。@………あやつめ、さっそく始めおったか。@/ `"...Hahahaha...`@`.........Those fools, did they start already?`@/ ld c,$KIN_MajimeA1,80 ;…………さぁ、ベアトリーチェ。@賭けるコインに不足はあるまい。@存分に今宵を楽しもうではないか。@……負ける気はないぞ。@お前の微笑みは永遠に私のものだ。@もう一度見られるなら、富も名誉も、我が命すらも惜しくはない。\ `............Come, Beatrice.`@` There's nothing lacking in the coins that have been wagered.`@` Shall we enjoy this night to the fullest?`@` ......I don't feel like losing.`@` Your smile is mine for all eternity.`@` If I could see it one more time, I wouldn't regret losing my wealth, my honor, or even my life.`\ ld c,$KIN_ikariA1,80 ;　………さて、ルーレットは回り始めた。@ボールはどのポケットに落ちるのか？@　ノワールか、ルージュか。@それとも親の総取りか。@さぁ始めるがいい、ベアトリーチェ。@私が再びお前に奇跡の力と言うものを見せてやる…！」\ `.........Well then, the roulette has begun to spin.`@` Which pocket will the ball fall into?`@` Noir? Rouge?`@` Or house takes everything?`@` Come, you may begin, Beatrice.`@` I'll show you the power of miracles once more...!"`\ ;▲第７アイキャッチ：１０月４日（土）２０時００分　が２２時００分に進む textoff wait 3000 eye1 20,00,22,00,2,0,510,340,25 *umi1_8 meplay2 1,12,40 wait 2000 ;■客間 bg M1F_S1dN,2 ;　魔女が真里亞に託した不思議な手紙は、俺たち全員の頭から、どんな晩飯が並んだのかという記憶さえ吹き飛ばしてしまった。\ `The strange letter that the witch had entrusted Maria with had wiped all memories of dinner from our minds.`\ ;　真里亞は、楼座叔母さんや他の親族たちにさんざん質問責めにされ、@いくら話しても信じてくれないと完全に機嫌を悪くしてしまった。@ `Maria was repeatedly barraged with questions by Rosa oba-san and the other parents `@`and became increasingly ill-tempered when they refused to believe her.`@ br ;　俺たちが声を掛けても無視する有様だった。\ `If I tried to raise my voice in this kind of situation, I would just be ignored.`\ ;　親たちは、黄金の話に色めきあったり、財産分与がどうのこうのと、俺たち子どもがいることも忘れて盛んな議論をしていた。@ `Our parents were all stirred up, firing back and forth about the distribution of the assets, and completely forgetting that we children were even there.`@ br ;　…そういう話を影でしてるんだろうなぁとは思っていても、@こんなに露骨だとは思わず、少なからず俺たち子どもにショックを与えるのだった。\ `...Even though I'd already figured that they had been talking like this in the shadows,`@` I hadn't thought they would be so blunt. It gave all of us kids a considerable shock.`\ bg M1F_S1aN,26 ;　…漏れ聞く限り、親たちは全員、とにかくカネが少しでも多く、少しでも早くほしいらしい。\ `...From what we could overhear, all of the parents wanted more money as soon as possible.`\ ;　祖父さまの遺産がどうのこうの。@ ;　黄金を見つけた場合の配分はどうのこうの。@ ;　前払いだの現金だの。@ `Back and forth about Grandfather's inheritance.`@ `Back and forth about the distribution of the gold if it was found.`@ `About advance payments and cash.`@ br ;　……その浅ましさには、実の息子であっても眼を背けたくなってしまう。@ ;　…それはどうやら朱志香も同じらしかった。\ `......It was so despicable, I couldn't bear to watch, even though one of them was my father.`@ `...It looked like Jessica felt the same way.`\ ;　俺たちは誰に頼まれずとも席を外し、大人たちのいないところでたむろしているのだった…。\ `Since no one particularly needed us, we left our seats and went to hang out somewhere apart from the parents...`\ bg M1F_S1bN,24 ld r,$JES_komaruA1,24 ;‡ ;「………なるほどな。@祖父さまがメシの席にも顔を出したくない理由が、よーくわかったよ。@/ `".........I see.`@` Now I really understand why Grandfather didn't want to show his face during meals.`@/ ld r,$JES_OdorokiA1,80 ;うちの親たちにはすっかり幻滅だぜ！@　カネだの遺産だの！@　よくもまぁ、あそこまで大っぴらに！」\ ;＜朱志香 ` I am so disillusioned with our parents now!`@` The money, the inheritance!`@` How could they act like that right out in the open!"`\ ld l,$BUT_aseruA1,23 ;「俺の場合は、クソ親父に幻滅しきってるからよ。@これ以上、評価の下がりようがないぜ。@いっひっひ！」@ ;＜戦人 `"Well I'm already completely disillusioned with that old bastard.`@` There's no way I could think any worse of him.`@` Ihihi!"`@ ld r,$JES_KomaruA1,80 ;「そ、そんなの私だって同じだぜ！@　しかし……、今夜のには呆れたぜ。@心底呆れたぜ…。」\ ;＜朱志香 `"Th, that's exactly the same as me!`@` However......, that freakin' shocked me.`@` Shocked me to the bottom of my heart..."`\ ;　朱志香はイラつきながら俯く。@ `Jessica looked down at the floor, irritated.`@ br ;　…普段は親のことを悪ぶって言っているが、実際は心の底からそうというわけでもないのかもしれない。@ `...She was always talking about how bad her parents were, but maybe she hadn't really felt that way deep inside.`@ ;　朱志香のショックの深さからそれがうかがえた。\ `I could realize that from the depths of Jessica's shock.`\ bg M1F_S1aN,0 ld l,$GEO_majimeA1,23 ;「……未成年の君たちはご両親に養育してもらってるからわからないだろうけど。@……お金を得るというのは、単純な綺麗事じゃないよ。@未成年である今にそれを理解しろとは言わない。@……でも、ご両親なりに何かの努力をしていることだけは認めてあげてほしいな。」@ ;＜譲治 `"......You are all minors and were brought up by your parents, so you might not understand,`@` ......but getting money is neither a simple nor a pretty thing.`@` Since you are minors now, I won't try to force you to understand.`@` ......But still, I want you to realize that your parents are just doing their best in their own way."`@ ld r,$BUT_KomaruA1,24 ;「………やれやれ。@譲治の兄貴は人間ができてるぜ。」\ ;＜戦人 `".........Oh great,`@` George-aniki's gotten all mature."`\ ld c,$JES_nayamuA1,24 ;「譲治兄さんは、社会人になってバリバリ働いてるけどよ。@……カネとか財産とか、そういう話になったら、ウチの親父たちみたいに強欲むき出しのハゲタカになれるってのかよ…？」\ ;＜朱志香 `"I know that George nii-san has become a full-fledged member of society and is working hard,`@` ......but does that mean that once you start talking about money and assets, you turn into an shameless, greedy vulture...?"`\ ld l,$GEO_KomaruA1,80 ;「…………………自分だけの話だったら、そんなことはしたくないよ。@/ `"............If you're talking about me, no, I wouldn't want to do that.`@/ ld l,$GEO_majimeA1k,80 ;でも、家族や社員、部下やその家族の生活を背負ったら、…戦わなければならない時もあるかもしれない。」@ ;＜譲治 ` However, when your family and your employees, your subordinates and their families are all counting on you, ...there are some times when you must fight."`@ ld c,$JES_KomaruA1,80 ;「………私はそんな戦い、嫌だぜ。@祖父さまの遺産がどうのこうのなんて話、ヘドが出るぜ。」@ ;＜朱志香 `".........I hate that kind of fight.`@` That back and forth about Grandfather's inheritance, it just makes me wanna puke."`@ br ;　朱志香は唾を吐き捨てるような乱暴な仕草をする。@ ;　…そのトゲトゲした様子から最大限の傷心が感じられた。\ `Jessica pretended to spit violently.`@ `...That harsh reaction made the depths of her pain very clear.`\ ld r,$BUT_KomaruA3,80 ;「…もうこの話はやめようぜー？@　祖父さまの隠し黄金がどうのこうの、財産だ遺産だって話は親たちの問題で俺たちの問題じゃないさ。」@ ;＜戦人 `"...Let's stop talking about this.`@` All of this about Grandfather's hidden gold, about property and inheritance is our parents' problem, not ours."`@ ld l,$GEO_DefA1,80 ;「僕も同感だよ。@……せめて気を利かせて、親たちの話し合いを邪魔しないのが子どもの務めだと思うね。」@ ;＜譲治 `"I agree.`@` ......At the very least, I think that being considerate and staying out of the parents' way when they're talking is the duty of their children."`@ ld c,$JES_odorokiA1,80 ;「……ちぇ。@…何だか面白くねぇぜ…。」\ ;＜朱志香 `"......Heh.`@` ...Sounds pretty boring..."`\ bg M1F_S1dN,25 ;　大人は汚い、なんて定形文は誰だって知ってるが、@…それをもろに見ちまったわけだから、俺たちお子様には少なからずショックがあったのは事実だ。@ `Everyone knows the phrase "Adults are filthy", `@`...but we had now seen that for ourselves, and that really did give us a shock.`@ br ;　譲治の兄貴はすっかり大人だったし、俺はそもそも親父には幻滅してたしということもあって、ショックはそう大きくなかったが、@……朱志香にはそうでもなかったらしい。\ `George-aniki was now pretty much an adult, and I had already been disillusioned with my dad in the first place, so the shock wasn't that big for us,`@` ......but it looked like it was different for Jessica.`\ ;　朱志香のショックは、どうやら俺が想像しているよりずっと深いものらしかった。@ `It looked like the shock that Jessica had received was even bigger than I had thought.`@ br ;　………こいつって、悪ぶった口の聞き方はしているが、中身は昔からまったく変わっていないのだろう。@ `.........This girl, she was always talking badly about her parents, but it looked like she hadn't changed at all on the inside since long ago.`@ ;　…今でも相変わらず、人を疑うことを知らない、心の綺麗でデリケートなヤツなんだ。@ `...Even now, she was still a pure-hearted and delicate person who couldn't doubt others.`@ br ;　親のことだって、多分、人並みには尊敬していたに違いない。\ `I'm sure she respected her parents as much as anyone else did.`\ ;　……それが、他の親兄弟たちと、子どもたちの目の前で堂々と、@カネカネ遺産遺産、俺のカネだなんだかんだと騒ぎ出したのだから、さぞかしショックは大きかったろう…。\ `......And then her parents started raging about, going 'Money money inheritance inheritance, my money!'`@` right in front of all of the other parents and the children. It was no surprise that the shock of hearing that was so big...`\ bg M1F_S1bN,0 ld r,$GEO_MajimeA1,26 ;「…朱志香ちゃん。@どうかお父さんとお母さんのことを嫌いにならないで。@……理解しろとまでは言わないから、せめてどうか嫌いにならないであげて。」@ ;＜譲治 `"...Jessica-chan.`@` Please don't start hating your mother and father.`@` ......I won't ask you to understand them, but at least don't hate them."`@ ld l,$JES_OdorokiA1,23 ;「わかってるよ、少し放っておいてくれよ…！！」\ ;＜朱志香 `"I get it, just leave me alone a bit...!!"`\ ;　６年前のお子様な俺だったら、消沈している朱志香に追い打つようにからかうのだが、@……さすがに俺も６年分程度は成長した。@ `Six years ago, I would have further taunted the dejected Jessica,`@` ......I guess I really have grown over six years.`@ br ;　今の朱志香はそっとしておいた方がいいのがわかる…。\ `I realized that it would be better to leave Jessica as she was right now...`\ cl l,24 ;　朱志香はぷいっと向こうを向くと、客間を出て行く。@ `Jessica suddenly looked away sulkily and left the parlor.`@ br ;　…ひとりにしてほしいということなんだろう。@ `...She probably wanted to be left alone for now.`@ ;　俺は、らしからぬその背中を無言で見送るしかなかった…。\ `I could do nothing but wordlessly watch her back as she left...`\ ld r,$GEO_DefA1,80 ;「……そう言えば真里亞ちゃんはどこに行ったんだろ。」@ ;＜譲治 `"......Come to think of it, I wonder where Maria-chan went."`@ ld l,$BUT_oyaA1,23 ;「多分、まだ肖像画の前でいじけてるんだろうぜ。」\ ;＜戦人 `"She's probably around the portrait hiding in a corner."`\ ;　魔女を自分の憧れの存在と位置付ける真里亞にとっては、ベアトリーチェとの接触と、その証拠である手紙をもらったことは、@みんなに驚き、そして喜んで欲しい出来事だったに違いない。@ `Maria, who truly looked up to witches, had expected that coming in direct contact with Beatrice and receiving the letter as proof `@`would be an event that would surprise everyone and make them happy.`@ br ;　だが、大人たちはその真偽を疑い、真里亞の話を鵜呑みにせず、徹底的に質問責めにした。@ `However, the adults had doubted its authenticity, and without swallowing Maria's story, had thoroughly bombarded her with questions.`@ ;　…それがどれほど真里亞を傷つけたのか、いくら俺でも想像に難しくない。\ `It was hard for me to imagine how much that must have hurt Maria.`\ ;　真里亞にも、そして朱志香にも、俺たちは声をかけられない。@ ;　…結局、譲治の兄貴と一緒に、闇夜に降り続ける雨音に身を委ねているしかなかった…。\ `I couldn't speak to Maria or Jessica.`@ `...In the end, George-aniki and I just abandoned ourselves to the sound of the falling rain in the dark night...`\ meplay 2,11 ld r,$GEO_MajimeA2k,80 ;「台風はどんな感じなんだろうね。@……ニュースをやってないかな。」@ ;＜譲治 `"I wonder what's happening with that typhoon.`@` ...Maybe there's some news."`@ cl r,23 ;　譲治の兄貴は、客間の隅に置かれたテレビの方へ歩いていく。@ `George-aniki started walking over to the corner of the parlor where the television was.`@ br ;　俺まで来いとは呼ばれなかったし、別に台風が今どこの洋上にいようとどうでもいいことだ。@だから俺はテレビには行かず、窓辺でぼんやりしていた。\ `He hadn't called me over, and I really couldn't have cared less where the typhoon was on the sea now.`@` So without going over to the television, I loitered around the window.`\ bg M1F_S1cN,23 ld l,$KIR_DefA1,23 ;「……そんなに風は出てなさそうだけど、海の上はひどいのかしらね。@天気予報では暴風警報も聞いてたんだけど。」@ ;＜霧江 `"......The wind hasn't picked up that much here, but I wonder if it's horrible over the sea.`@` I did hear from the weather report that there was a severe storm warning."`@ ld r,$BUT_DefA2,24 ;「霧江さんか。@…大人たちの積もる話はどんな感じなんすかー？」@ ;＜戦人 `"Ah, Kyrie-san.`@` ...How's the adult's conversation been piling up."`@ ;　嫌味の意味は通じているらしい。@ ;　霧江さんは肩をすくめる。\ `It looked like she caught the sarcasm.`@ `Kyrie-san shrugged.`\ ld l,$KIR_futekiA1,80 ;「…この胃の痛くなる話は徹夜で続くのかしら。@嫌になるわ。」@ ;＜霧江 `"...That stomachache of a discussion could continue all night.`@` It will get nasty."`@ ld r,$BUT_defA1,80 ;「まぁ、せいぜいよろしく、祖父さまの財産分配について、ハゲタカごっこをお楽しみ下さいってんだ。@…最低の気分だぜ。」\ ;＜戦人 `"Well then, please enjoy playing vultures to Grandfather's property as much as you'd like.`@` ...It's disgusting."`\ ld l,$KIR_KomaruA1,80 ;「それに関しては同感よ。@戦人くんみたいに席が外せるなら、私もそうしたいわ。@…でも、そうも行かない。@たとえ発言権がなくてもね？@　パートナーも大変よ？」@ ;＜霧江 `"I'll agree with you on that.`@` If I could just slip away like you, I would do it.`@` ...Unfortunately, I can't.`@` Even if I'm not allowed to speak.`@` My partner needs me, right?"`@ ;　霧江さんは苦笑いをしながら溜め息をつく。\ `Kyrie-san took a deep breath, smiling bitterly.`\ ;　そりゃあそうだ。@ `That's right.`@ ;　嫁いできた霧江さんには発言権はないだろう。@ `They probably wouldn't let Kyrie-san, who married into the family, speak.`@ br ;　でも、親父のパートナーとして側にいて支え続けなくてはならない。@ `Still, as Dad's partner, she had no choice but to stay by his side and support him.`@ ;　……心的負担は、矢面にいる以上、俺よりずっと上に違いない。@ `......She must have had to bear the full brunt of this mental pressure, much more than I did.`@ br ;　謝ろうとは思わないが、口を悪くし過ぎたと思い、俺はそれ以上の嫌味をやめる…。\ `I wasn't going to apologize, but, realizing that I had spoken too harshly, I cut the sarcasm for the time being...`\ ld r,$BUT_waraiA2,80 ;「どんな感じなんすか。@相変わらず、謎の魔女ベアトリーチェの話題で持ちきりですか？」\ ;＜戦人 `"So how does it look?`@` Are they still stuck on the topic of the mysterious witch, Beatrice?"`\ ld l,$KIR_NayamuA1,80 ;「……まぁね。@あの人たちは、お祖父さまが亡くなった時の遺産分配について、兄弟４人で話をまとめようとずっと密約を重ねてきた。@…そこへ未知の５人目が現れて、話をややこしくしようって言うんだから、穏便な話のわけもないわ。@互いを罵りあったり、かと思えば共闘しようってことになったり。@……夏妃姉さんでなくても頭痛がしてくるところよ。」\ `"...More or less.`@` Those four siblings are always piling up secret agreements when they come together to discuss the distribution of Grandfather's inheritance after his death.`@` ...They're saying that some unknown fifth person has appeared and is trying to make things even more complicated, and there's no way that'll make for a peaceful conversation.`@` Just when you think they're snarling at each other, they'll set up a common front.`@` ......Natsuhi nee-san's not the only one getting headaches."`\ ;　他の兄弟よりも多く取り分がほしいという意味においては、彼らはライバル同士らしいが、@兄弟以外に一円も掠め取られたくないという意味においては、仲間同士でもあった。\ `On the one hand, they all want a larger portion than the other siblings, so they are all rivals,`@` but on the other hand, they don't want one yen to be snatched up by anyone other than the siblings, so they are also all allies.`\ ;　詳しくは話してもらえなかったが、兄弟は休戦協定と抜け駆け防止のルール、@様々な状況下での取り分の防衛、最悪の場合の法的対応などを延々と協議しているらしい。@ `I haven't been told the details, but they argue on and on about their ceasefire agreement and rules to prevent anyone from getting ahead,`@` under which their portions are protected, and which can, in the worst case scenario, even become grounds for legal action.`@ br ;　……ここまで来ると、呆れを通り越して逞しさを感じちまう…。\ `......That they would go this far to preserve their shares was more than shocking...`\ ld r,$BUT_DefA2,80 ;「ってことは、さしずめ。@ベアトリーチェは祖父さまからの刺客ってとこですかねぇ。@…自分抜きで遺産の分配なんて話を勝手に進めてた息子たちに一泡吹かせたかったんだろうぜ。@いっひっひ！」\ `"So, basically,`@` Beatrice is like an assassin sent by Grandfather.`@` ...He probably wanted to scare the hell out of his children for just talking about the distribution of the inheritance without him.`@` Ihihi!"`\ ;ここで遠雷ゴロゴロのSEを一発 se1 21 meplay2 3,5,40 ld l,$KIR_MajimeA1,80 ;「何者かしらね、ベアトリーチェって。@自称してることが全て本当なら、今日まで誰にも知られずにいた謎の人物で、しかもお祖父さまの隠し黄金の存在を知っていて。@その上、当主の指輪まで委ねられている。@…相当に信頼された人物ね。」\ `"Who is this Beatrice, I wonder?`@` If she is who she says she is, then she's a mystery that no one knew about until today, and she also knew about the existence of Grandfather's hidden gold.`@` Furthermore, she was even entrusted with the Head's Ring.`@` ...She must truly have been trusted by him."`\ ld r,$BUT_DefA1,80 ;「さすがに箒にまたがった魔女だとは思わないっすけど。@……でも、魔女と呼ぶに値する怪人物であることは間違いないっすね。」\ ;＜戦人 `"Well, obviously I don't think she's a witch riding around on a broom.`@` ......But she was surely a mysterious person who rated being called a witch."`\ ld l,$KIR_nayamuA1,80 ;「真里亞ちゃんがその辺りのことを詳しく話してくれればいいのだけど。@……みんな、小さい子にがっつき過ぎだわ。@すっかり怯えてしまって、聞けるものも聞けなくなってしまった。@あの人たち、北風と太陽とか読んだことないのかしら。」\ `"If only Maria-chan would go into more detail about that.`@` ......Even though she's just a little girl, everyone has been just chewing her up over this.`@` They really scared her, and some things that they might have asked now can't be asked.`@` I wonder if those people have ever even read 'The North Wind and the Sun'."`\ ld r,$BUT_waraiA2,80 ;「確かなのは、真里亞がベアトリーチェと名乗る人物から手紙を受け取ったこと。@……自分で現れて直接話せばいいものを、手紙を託して今もどこかに身を潜めているっていう、シャイな怪人物ですけどね。@ははははは…。」\ `"What is for certain is that Maria received a letter from a person who took the name Beatrice.`@` ......Entrusting Maria with a letter and hiding away even now, when she could have just appeared and talked to us directly...she sure is shy for a mystery person.`@` Hahahahaha..."`\ ld l,$KIR_majimeA2,80 E_M2 E_M3 ;「……ねぇ、戦人くん。@ベアトリーチェなんて人物が、本当にいると思う？」@ `"......Hey, Battler-kun.`@` Do you think that someone called Beatrice actually exists?"`@ ld r,$BUT_DefA2,80 ;「さぁ。@あくまでも偽名じゃないすかね。@祖父さまの代理人として、その妄想の中の魔女の名を名乗ることを許された、とか。」\ `"Who knows?`@` Doesn't it really seem like a false name?`@` Like she's Grandfather's representative, so she was permitted to take the name of the witch from his delusions?"`\ ld l,$KIR_majimeA1,80 bgmplay 20 ;「うぅん、そうじゃなくて。@今、この六軒島には全部で１８人いるの。@……１９人目が存在すると思う？」@ `"No, that's not what I meant.`@` Right now, there are a total of 18 people here on Rokkenjima.`@` ......Do you think that there is a 19th person?"`@ br ;　この島には今、１８人もいたのか。@ ;　そう思い、指を折って数えてみると、確かに１８になった。\ `Are there really 18 people on this island?`@ `Wondering about that, I began counting on my fingers, and it really did come out to 18 people.`\ ld r,$BUT_komaruA3,80 ;「１９人目が存在すると思う、って。@……どういう意味っすか？」@ `"Do I think that a 19th person exists, you say.`@` ......What exactly do you mean?"`@ ld l,$KIR_waraiA2,80 ;「言葉通りの意味よ。@……真里亞ちゃんに傘を貸した人物は私たち１８人の中にはいないらしい。@なら、１９人目がいて、その人物が真里亞ちゃんに傘を貸したと思うのが妥当じゃない？」@ `"Just what I said.`@` ......It looks like the person who lent Maria that umbrella was not one of us 18.`@` Therefore, isn't it valid to think that a 19th person exists, and that this was the person who lent Maria the umbrella?"`@ ld r,$BUT_MajimeA1,80 ;「…………まぁ、……そうなりますね。」\ `"............Well, ......that does make sense."`\ ld l,$KIR_MajimeA1,80 ;「なら、その人物は今どこにいるの？@　少なくとも雨が降り出した瞬間には島にいた。@そしてその後はどんどん天気は悪化して、とても船なんか出せない状態。@となればその人物はまだ島の中にいて、どこかで雨宿りをしていなくてはならない。@……私たちの誰の目にも触れずね？」\ `"Then, where exactly is this person now?`@` At the very least, she must have been on this island when it started raining.`@` And since that time, the weather has become progressively worse, so taking a boat out would be pretty much impossible.`@` In that case, that person must still be on the island hiding from the rain somewhere.`@` ......And without being spotted by any of us?"`\ ld r,$BUT_KomaruA3,80 ;「………確かに、俺たちは屋敷やゲストハウスの中を勝手にうろつき回ってましたが、誰も１９人目なんかには会ってないわけですよね。@/ `".........Certainly, all of us have been randomly prowling around all over the mansion and the guesthouse, but no one has bumped into a 19th person.`@/ ld r,$BUT_DefA2,80 ;…でもまぁ、これだけの広さのある島ですし。@屋敷やゲストハウス以外に雨宿りできるところだってあるのかも。」\ `...Even so, this island is huge.`@` There might be other places to hide from the rain outside the mansion and the guesthouse."`\ bg black,22 ;　この頃には、霧江さんが何を疑っているのか、何となく話の方向性から気付いていた。@ `At about this time, I began to realize what direction Kyrie-san's doubts were taking us in.`@ br ;　霧江さんは、１９人目を否定しているのだ。@ `Kyrie-san was denying that a 19th person existed.`@ ;　……ベアトリーチェは、１８人の中。@ `......Beatrice was one of us 18.`@ br ;　…つまり、俺たちがよく知る人物の誰かが騙っていると考えているのだ。\ `...In other words, she thought that someone we knew well was tricking us.`\ bg M1F_S1bR,0 ld r,$KIR_nayamuA1,26 ;「ベアトリーチェが自称する通りなら、その人物は間違いなく最高の賓客よ。@お祖父さまが信頼する最高の腹心。@…そんな人物を、お祖父さまが歓待しないわけがない。@お屋敷に迎え入れないわけはないのよ。@でも私たちは誰も見ていない。」\ `"If Beatrice was really her name, this person would definitely be the most honored of guests.`@` The most honored of confidants, trusted by Grandfather.`@` ...There's no way that Grandfather wouldn't give that kind of person a warm reception.`@` She would surely have been ushered into the mansion.`@` However, we haven't seen anyone."`\ ld l,$BUT_waraiA2,23 ;「待ってくださいよ、それはちょいと性急な推理じゃないっすか？@　確かに誰の目にも触れてはいないけれど、だからって１９人目を否定することにはならないんじゃないすか？\ `"Wait a second, isn't this line of reasoning a little too hasty?`@` Yes, no one spotted them, but that doesn't mean that you can deny the possibility that a 19th person exists, right?`\ ld l,$BUT_komaruA3,80 ;　何かの理由があって、こっそり上陸して、ずっと隠れているのかも。@……悪魔の証明ってヤツっすよ。@いることを証明するのは容易い。@ベアトリーチェってやつが、俺たちの前に現れて挨拶すりゃあ解決する。@でも、１９人目がいないことを証明するのは不可能っすよ。」\ `Maybe, for some reason, they landed on the island stealthily and have been hiding ever since.`@` ......It's what they call the Devil's Proof.`@` It's easy to prove that something exists.`@` If this Beatrice appears in front of us all and says hi, then everything is resolved.`@` However, it's impossible to prove that there is no 19th person."`\ ld r,$KIR_MajimeA1,80 ;「……うん。@戦人くんの推理の仕方は悪くないわ。@現在の状況では、１９人目の存在を認めるにも否定するにも情報が足りない。@……でもね、チェス盤をひっくり返して考えると、ほぼ１９人目はありえないって断言できちゃうのよ。」\ `"......Yes.`@` Battler-kun, your way of reasoning isn't bad.`@` In the current situation, there's not enough information to either accept that a 19th person exists or deny it.`@` ......But if you turn the chessboard over and think of it that way, we can be nearly sure that the existence of a 19th person is impossible."`\ ;　チェス盤をひっくり返す、というのは霧江さんの口癖だ。@ `'Turn the chessboard over' was one of Kyrie-san's favorite phrases.`@ ;　…俺もこの言葉に感化され、たまに使ったりする。\ `...I had also been influenced by those words, and used them myself from time to time.`\ ;　チェスや将棋は、手に詰まった時、盤面をひっくり返すと、相手側から全体を見ることで打開策が見えることが少なくないという。@ `When you got stuck trying to find a move in chess or Shogi, by turning the board over and looking at everything from your opponent's standpoint, you could often see a strategy that would give you the upper hand.`@ br ;　転じて、敵の立場に立って物を考えるという意味なのだ。\ `It meant turning things around and putting yourself in your opponent's shoes.`\ ld r,$KIR_majimeA2,80 ;「……いい？@　仮に１９人目の人物としてベアトリーチェが実在したとして。@その人物は、誰にも知られることなくこっそりとこの島に上陸し、ずっと隠れていた。@何かの理由があってね？@　なら、どうしてわざわざ姿を現して真里亞ちゃんに手紙を渡したの？」\ `"......You see?`@` Let's say that that a 19th person called Beatrice actually exists.`@` That person must have managed, without being seen by anyone, to stealthily arrive on this island and remain hidden since then.`@` Maybe they had some reason, okay?`@` In that case, why did they go to all of the trouble of appearing before Maria and handing her the letter?"`\ ;　確かにそれは矛盾する。@ `It really was a contradiction.`@ br ;　姿を隠したい理由があって、@ずっと姿を隠していたはずなのに、真里亞の前には堂々と姿を現している。\ `If they had some reason for hiding themselves,`@` then they should have stayed hidden the whole time. But even so, they had appeared openly in front of Maria.`\ ld l,$BUT_aseruA1,80 ;「それは……、/ ;!d800…ほら、真里亞も言ってた。@メッセンジャーにされたって言ってたじゃないすか。@真里亞が一番、年下で素直そうだったからじゃ…。」\ `"Then......`/ !d800`...wait, Maria even said it.`@` Didn't she say that she had been made a messenger?`@` Since Maria was the youngest and looked the most innocent..."`\ ld r,$KIR_MajimeA1,80 ;「メッセンジャーなんて必要なの？@　手紙を親族会議の席上に送りたかったら、郵送すればいいだけの話よ。@４人の兄弟全員に郵送すれば黙殺することもできない。@手紙を持参して、こっそり手渡す理由がないのよ。」@ `"Why would they need a messenger?`@` If they just wanted a letter delivered to the family conference, they could have mailed it.`@` If they mailed it to each of the four siblings, they would be unable to ignore it.`@` There was no need for them to carry it themselves and secretly hand it over."`@ ld l,$BUT_MajimeA1,80 ;!s0「…………………確かに、/ ;!d1000………何だかおかしな話っすね。」\ !s0`"..................That really`/ !d1000`.........does sound pretty weird."`\ !sd ld r,$KIR_nayamuA1,80 ;「そもそも、ベアトリーチェが存在していて、その存在をアピールしたいならみんなの前に堂々と姿を現せばいいだけの話。@なのに現れず、真里亞ちゃんという小さな子を通しておぼろげな輪郭だけでその存在を主張しようとする曖昧さ。@矛盾。@もっと考えて？\ `"In the first place, if Beatrice existed, and she wanted to make her presence known to everyone, then she could have just openly presented herself to all of us.`@` Despite that, she chose the vague method of appearing through a little girl called Maria-chan, and only gave us an indistinct impression of who she was.`@` Contradiction.`@` Let's go a little deeper, shall we?`\ ld r,$KIR_MajimeA1,80 ;　…………真里亞ちゃんの前に姿を現し、１９人目の存在を印象付けるという点と、にもかかわらず、@今この瞬間も私たちの前に姿を現さず隠れ続けている点。@これらの矛盾。@……これを念頭に置いた上でチェス盤をひっくり返すの。\ `............She appeared in front of Maria, trying to give us the impression that a 19th person existed, and yet,`@` she still hasn't appeared before us and is hiding somewhere at this very moment.`@` These are contradictions.`@` ......By keeping these in mind, you turn the chessboard over.`\ ld r,$KIR_futekiA1,80 ;つまり、１９人目の人物としてベアトリーチェがいる、と印象付けたい人物の目論見は何か、よ。」\ `In short, there is some scheme by someone who wants to give the impression that there is a 19th person called Beatrice."`\ ld l,$BUT_KomaruA2,80 ;「……姿を隠したい人物なら、その存在をアピールするわけがない。@そして、姿を現したい人物なら、手紙を託すなんて遠回しをするわけがない。@……ってことは…？」\ `"......If this person wanted to hide, then they wouldn't have made their presence known.`@` And if they wanted to show themselves, they wouldn't have used the roundabout approach of entrusting someone with a letter.`@` ......Which means...?"`\ ld r,$KIR_majimeA1,80 ;「簡単よ。@ベアトリーチェは１８人の中にいるのよ。@だからこそ、１８人以外の人物が存在するような幻想を作り出しているのよ。@…これ見よがしな１９人目のアピール。@/ `"It's simple.`@` Beatrice is one of the 18 people.`@` Which means that they want to create the illusion that there is someone outside of the 18 people.`@` ...The 19th person was revealed so spectacularly. `@/ ld r,$KIR_nayamuA1,80 ;それで得をするのは、姿を潜めた１９人目じゃない。@すでにいる１８人の方なのよ。@……もちろん、この推理は穴だらけ。@いくつかの前提がひっくり返るだけですぐに崩れるもろいものだけど。@私はほぼ間違いないと見てるわ。」\ `The only person who could profit from this would not be some 19th person in hiding.`@` It would be one of the original 18 people.`@` ......Of course, this reasoning is full of holes.`@` If you turn over even a few of its premises, it will simply fall apart.`@` But I think it is almost certainly correct."`\ bg M1F_S1dN,25 meplay2 2,5,40 ;　…急に気味の悪い話になる。@ `This quickly starting to sound pretty creepy.`@ br ;　真里亞に傘を貸して手紙を渡したのは誰か。@ `Someone had lent Maria the umbrella and handed her the letter.`@ ;　１８人の全員が違うということになった。@ ;　にもかかわらず、ベアトリーチェは１８人の中に潜むというのだ。@ `This couldn't have been one of the 18.`@ `And yet, Beatrice was hidden amongst those 18.`@ br ;　その人物は、自分の正体を隠し、ベアトリーチェを騙ることで何を企んでいるのか…。\ `What was that person planning, hiding their true form and pretending to be Beatrice...?`\ bg M1F_S1aN,26 ld l,$KIR_MajimeA1,23 ;「真里亞ちゃんの自作自演も疑ったんだけど、文章の内容が非常に手が込んでて、真里亞ちゃんが自前で用意したとは考え難い。@……でも、真里亞ちゃんが何者かと共謀している可能性も否定できないわ。」@ `"I had suspected that it might have been Maria-chan playacting, but the contents of the message were extremely complicated, so it's hard to think that Maria-chan prepared it herself.`@` ......However, I can't deny the possibility that Maria-chan is working together with someone."`@ ld r,$BUT_OyaA1,24 ;「お、おいおい…、真里亞は９歳のお子様だぜ？！@　誰と、何を共謀するってんだよ！@　しかも愚直で真面目で素直なあの性分だぜ？！」\ `"W, wait, a sec..., Maria's a nine year old kid, right?!`@` What could she possibly be planning, and with who?!`@` And what about her serious, too honest, and obedient character?!"`\ ld l,$KIR_WaraiA2,80 ;「えぇ、私も真里亞ちゃんの性分はよく理解しているわ。@……でも、だからこそありえると思うの。@魔女に憧れ、その存在を妄信している夢見がちな少女。@そこに、ベアトリーチェと名乗る人物が現れて魔女だと名乗ったら、彼女はそれを大喜びで鵜呑みにして信じるんじゃないかしら。」\ `"Yes, I also understand what kind of a person Maria-chan is.`@` ......But I think that's exactly why it's possible.`@` That girl's a dreamer who can't help but look up to and blindly accept the existence of witches.`@` So if a person appeared in front of her and said they were the witch Beatrice, Maria-chan would be so happy that she would just swallow it up, I think."`\ ld r,$BUT_waraiA2,80 ;「………つまり、あの肖像画のゴツいドレスを着て変装すれば、真里亞は騙すことは難しくないと？」\ `".........So you're saying that if someone disguised themselves by wearing that fancy dress from the portrait, tricking Maria wouldn't be that hard?"`\ ld l,$KIR_DefA1,80 ;「その論法になっちゃうと、私たち女性陣はみんな疑われちゃうことになるんだけどね。@……とにかく、真里亞ちゃんが何者に出会ったのか。@それの詳細を聞くことが、この謎を解く一番にしてもっとも身近な鍵なのよ。\ `"Of course, with that reasoning, all of us women would become the primary suspects.`@` ......Anyways, did Maria-chan encounter someone?`@` Learning the details of that question would be the best key to solving this riddle.`\ ld l,$KIR_majimeA1,80 ;　…しかしその鍵は、少女の心の奥に頑なに閉ざされてしまったわ。@みんなが頭ごなしに魔女の存在を否定し、一体その人物は誰なのかと問い詰めすぎた。@……真里亞ちゃんは当分、大人には心を開かないでしょうね。」\ `...But this key is being obstinately closed up inside her heart.`@` Everyone denied the existence of the witch without listening to her, and barraged her too much with questions about who Beatrice actually was.`@` ......Maria-chan probably won't open her heart to the adults now."`\ bg black,5 wait 700 bg Mhal_2cN,22 meplay2 3,13,60 ;■肖像画前 ;　薄暗いホールの、ベアトリーチェの肖像画の前で、……真里亞は泣きじゃくっていた。\ `In the dim hall, in front of the portrait of Beatrice, ......Maria was sobbing.`\ ld c,$MAR_NakuA1,22 ;「……うー…。@うー。@…誰もね、真里亞がベアトリーチェに会ったことを信じてくれない！@　……うー……、/ ;!d800うー……。@ベアトリーチェのくれた手紙も見せたのに、それでも信じてくれないの…！@　………うー……うっ、/ ;!d400…うっ、/ ;!d500……えっく…、/ ;!d600ひっく！」\ `"......Uu-...`@` Uu-.`@` ...No one believes Maria met with Beatrice!`@` ......Uu-......,`/ !d800` Uu-......`@` Even though I showed them the letter Beatrice gave, they still don't believe...!`@` .........Uu-......u,`/ !d400` ...u,`/ !d500` ......hic...,`/ !d600` hic!"`\ bg black,2 fede 10,2000 meplay2 1,12,40 fede 1,3000 bg M1F_S1aN,0 ld r,$KIR_MajimeA1,22 ;■客間 ;「とにかく、鍵は真里亞ちゃんが握ってるわ。@ベアトリーチェが１８人の中にいるのか、１９人目なのか、それを知る鍵をね。」@ `"Anyways, Maria-chan's holding the key.`@` The key to whether Beatrice is one of the 18 people or a 19th person."`@ ld l,$BUT_aseruA1,23 ;「…真里亞は頑固だぜ？@　あいつ、ヘソを曲げるとなかなか機嫌を直さないからな。」\ `"...Maria is stubborn, right?`@` That girl, when she gets angry, it's pretty hard to make her feel better."`\ ld r,$KIR_waraiA2,80 ;「大人の私より、子どもの戦人くんの方が機嫌を直せる確率は高そうよ。@…彼女の機嫌が直ったら聞いてみて。@/ `"Battler-kun, I think that a kid like you would be better at cheering her up than an adult like me.`@` ...After she's feeling better, try asking.`@/ ld r,$KIR_WaraiA1,80 ;……遺産分配がどうのこうのって話には関心ないけど、@こんな王道洋館ミステリーみたいなシチュエーションにはわくわくしちゃわない？@　真里亞ちゃんに手紙を渡した人物は一体誰なのか。@……知的好奇心が疼くわ。」\ `......I know you don't care about all this back and forth on the distribution of the inheritance,`@` but don't you think this rich western mansion mystery situation is exciting?`@` Who in the world is this person who gave Maria-chan the letter?`@` ...It makes your intellectual curiosity ache."`\ ld l,$BUT_waraiA1,80 ;「うんざりするようなカネの話に付き合わされても、わくわくとは、実にタフなことだぜ…。@大人はすげぇや。」\ `"Even though it's connected to that boring money problem, it's pretty exciting and a really tough problem...`@` Adults can be pretty horrible."`\ ;　俺は呆れて肩をすくめる。@ ;　…でも気付いていた。@ `I shrugged, surprised.`@ `...But she had noticed it.`@ br ;　俺が親たちの不穏な話を漏れ聞いてしまったため、@消沈しているのに気付いて、気分転換をさせてくれたのだろう。\ `She had noticed the dejection I had felt because I had overheard our parents' turbulent discussion,`@` and was probably trying to turn my mood around.`\ ;　…少なくとも悪態をつけるくらいには気分も回復した。@ `...She had at least managed to make me feel good enough to hurl abuse.`@ br ;　……本当のお袋じゃねぇし、霧江さんをお袋と呼ぶ気もずっとねぇが。@ ;　…大人な人だな、と思った。\ `......She wasn't my real mother, so I never felt like calling her Mom.`@ `...But it did make me think 'she's a real adult'.`\ bg M1F_S1bN,0 ld r,$RUD_DefA1,24 bgmplay 12 ;「おうガキども、ここにいたのか。@霧江も長ぇ化粧直しじゃねぇか。@俺も次からは化粧をしてくることにするぜ。」@ ;＜留弗夫 `"Hey, brats, so this is where you were?`@` Kyrie, you really took your time fixing your makeup, didn't you?`@` From now on, I'll start wearing it too."`@ ld l,$KIR_WaraiA1,23 ;「ごめんなさい。@女の化粧は長いのよ。@…………どう？@　兄弟水入らずの話し合いは。」@ ;＜霧江 `"I'm sorry.`@` A woman's makeup takes a long time.`@` ............So?`@` How has the discussion been without me?"`@ cl r,23 ld r,$BUT_defA1,24 ;「へっへっへ、さぞや和気藹々としてるだろうよ。」@ ;＜戦人 `"Hehehe, I'm sure everything was all peaceful and harmonious."`@ ;se1 6 quakex 2,600 ;　霧江さんに、肘で脇の下の急所を小突かれる。\ `Kyrie-san poked the weak spot under my arm with her elbow.`\ bg M1F_S1aN,0 ld r,$RUD_defA2,23 ;「…一度頭を冷やそうってことで小休止さ。@こりゃあ夜通しになりそうだぜ。@泣けてくらぁ。」@ ;＜留弗夫 `"...We decided to take a break to cool our heads a little.`@` It looks like it'll last all night.`@` Makes me want to cry."`@ ;　減らず口は相変わらずだが、疲れは隠し切れないようだった。@ `His way of talking hadn't changed, but he couldn't completely hide his fatigue.`@ ;　…同情するつもりはないが、普段の元気な親父と比べると少し痛々しい姿だった。\ `...I couldn't say I was sympathetic, but he looked pitiful compared to his normal, energetic self.`\ ld r,$RUD_akuwaraiA1,80 ;「しっかし酷ぇ雨だな。@ゲストハウスに戻るのも嫌になるぜ。@夏妃姉さんが、屋敷で泊まれるよう準備してくれたらしい。@どうする？」@ ;＜留弗夫 `"Still, that rain's just awful.`@` I really don't want to go back to the guesthouse.`@` It looks like Natsuhi nee-san made preparations for us to spend the night here in the mansion.`@` What'll we do?"`@ ld l,$KIR_waraiA2,23 ;「……散会になった時に考えてもいいんじゃない？@　部屋に戻る体力もなくなってたら、その時はお世話になりましょうよ。」\ ;＜霧江 `"......We don't need to think of it until you're done, right?`@` If you run out of enough energy to head back to our room, then we can let them take care of us."`\ ld r,$RUD_DefA2,80 ;「そうだな。@その時に考えりゃいいか。@……戦人はどうする。」@ `"That's right.`@` We can think about it later.`@` ......What about you, Battler?"`@ cl l,24 ld l,$BUT_DefA2,23 ;「俺がいちゃあお邪魔だろうからよ。@気ぃ遣って向こうに戻るぜ。」@ `"If I stayed, I'd just get in the way.`@` I'll be nice and go back over there."`@ ld r,$RUD_defA1,80 ;「………そうか。@すぐ戻るのか？」@ `".........Is that so?`@` Will you go back soon?"`@ ld l,$BUT_DefA1,80 ;「さぁな。@ひとりで戻ったって寂しいしよ。@子ども全員で揃って帰ることにするぜ。」\ `"I dunno.`@` It'd be lonely to head back by myself.`@` I'll gather all of the kids and we'll head out."`\ ld r,$RUD_WaraiA1,80 ;「そうだな。@そうするといい。@……………それで戦人。@お前、今夜はそうは簡単には寝ないだろ？」@ `"Alright.`@` That'd be good.`@` ............So, Battler.`@` You won't just be going to sleep that easily, right?"`@ ld l,$BUT_waraiA2,80 ;「多分、いとこたちとおしゃべりしてるだろうからな。@夜更かししそうな気配はあるぜ？@　それがどうかしたのかよ。」\ `"Yeah, I'll probably be up talking with the cousins.`@` Sound like we'll be up all night, doesn't it?`@` We'll have to do something about that."`\ ld r,$RUD_MajimeA1,80 ;「……そうか。@もし、大人たちの会議が終わってお前がまだ起きてたら、ちょいと家族でしたい話があるんだ。」@ `"......Really?`@` If, when the adults' discussion is over, you are still awake, I want to have a little talk as a family."`@ ld l,$BUT_defA1,80 ;「…何だよ？@　ガラにもねぇな。」\ `"...A what?`@` That doesn't sound like you."`\ ;　同じことは霧江さんも感じたらしい。@ ;　何の話？@と親父に小声で聞く。@ `Apparently, Kyrie-san was thinking the same thing.`@ `'What are you talking about?'`@` She asked him in a small voice.`@ br ;　…どうやら、霧江さんも親父が何の話をしているのかわかりかねているようだった。\ `...Anyhow, it looked like Kyrie-san didn't have a clue what Dad was talking about either.`\ ld r,$RUD_MajimeA2,80 ;「……霧江にも聞いてもらいたい話だ。@……後で話すから、今は聞くな。@頼む。」@ `"......I also want to talk to Kyrie about it.`@` ......I'll tell you later, so don't ask now.`@` Please."`@ ld c,$KIR_futekiA1,23 ;「…………………？」@ ;＜霧江 `"..................?"`@ br ;　うちのクソ親父ほど「家族」ってものを顧みないヤツはいなかったと思う。@ ;　…その親父が家族で話があると言い出す。@ ;　……俺も霧江さんも、目を丸くするしかなかった。\ `I don't think there's anyone who ignores their family as much as this old bastard.`@ `...And this was the guy that was asking us to have a talk as a family.`@ `......Both Kyrie-san and I couldn't help but get wide-eyed.`\ ld r,$RUD_defA2,80 ;「そうビビった顔すんなよ。@ビビりてぇのは俺の方なんだ。@…………何しろ、……。」@ `"Don't make that scared looking face.`@` I'm the one that should be scared.`@` ............Anyways, ......"`@ ;　そこで一回言葉を飲み込む。@ `At that point, he swallowed his words for an instant.`@ br ;　…勿体ぶるのは親父の性分ではないはずなのだが。\ `...Even though putting on airs of importance wasn't much like my dad.`\ ld l,$BUT_defA2,80 ;「…気持ち悪ぃぜ、親父。@今、家族は全員揃ってるじゃねぇかよ。@勿体ぶらずに言えよ。」\ `"...You're freaking me out, Dad.`@` Everyone in the family's gathered here now, right?`@` Don't make a big deal out of it and spit it out."`\ bg black,22 fede 1,2000 ;!s0「…………………俺は多分。@/ ;!d800………今夜、/ ;!d800殺されるだろうな。」@ !s0`"..................Tonight, `@/ !d800`.........I will probably, `/ !d800`be killed."`@ !sd br ;ここで雷鳴のSEを入れたい〜〜〜！！！ se1 27 ;　大きな雷鳴が轟く。@ `There was a huge crash of thunder.`@ br ;　かなり近くに落ちたようだった。\ `It must have been really close.`\ ;　その稲光で白く照らし出された親父のその表情は、俺の目に焼きつく。\ `Dad's expression, brightly illuminated by the lightning, was burned into my eyes.`\ ;　……いつも自信満々で人を小馬鹿にした表情を崩したことのなかった親父が、@……何とも説明のし難い、弱々しい表情を。@ `Dad face, which always looked so sure of itself and which always wore a taunting expression,`@` ......was for some reason that I couldn't explain, strangely frail.`@ br ;　…………それは、親父に似た顔をした別人かと思うほどやつれたものに見えた。\ `It was so worn out that he looked like a different person.`\ bg M1F_S1cN,0 ld r,$BUT_OdorokiA2,22 meplay2 2,11,90 ;「は、はぁ…？！@　…何言ってんだよ、ガラでもねぇ！」@ ;＜戦人 `"Wh, what...?!`@` ...What are you talking about, that doesn't sound like you!"`@ ld l,$KIR_WaraiA2,23 ;「くす。@同感よ。@どうしたの、急に弱気ね。@あなたらしくもない。」\ ;＜霧江 `"*giggle*.`@` I agree.`@` What happened? You look so timid all of a sudden.`@` It's not like you."`\ bg M1F_S1bN,0 ld c,$RUD_DefA2,23 ;「………俺も化粧直しに行ってくる。@ついてくんなよ。」@ `".........I'm going to go fix my makeup.`@` Don't follow me."`@ ;　親父は弱々しく背を向ける。@ `Dad turned away, weakly.`@ cl c,23 ;　…後には、目を丸くしたままの俺と霧江さんだけが残されていた。\ `After that, only Kyrie and I were left, still wide-eyed.`\ bg M1F_S1cN,24 ld r,$BUT_OdorokiA2,24 ;「何だってんだ………。@今夜、殺されるゥ？@/ `"What did he say.........?`@` Tonight, he'll be killed?`@/ ld r,$BUT_NayamuA2,80 ;　まさか、あの妙な手紙のせいで親父、ビビっちまったのかぁ？@　連続殺人ものの映画の見過ぎだぜぇ？」@ ` You don't think that mysterious letter scared him?`@` Hasn't he been watching too many serial murder movies?"`@ ld l,$KIR_KomaruA1,23 ;「………………うーん。」@ ;＜霧江 `"...............Hmmmmmmmm."`@ br ;　霧江さんは俺の軽口には応えず、去っていく親父の背中をじっと見つめ続けていた…。\ `Kyrie-san didn't answer my lighthearted words, and continued to stare at my dad's disappearing back...`\ ld l,$KIR_waraiA2,80 ;「……戦人くんは留弗夫さんに、今話せと言ったら、話さず立ち去った。@みんなに話すことがあると言い出しながら答えなかった。@どうして？@　……チェス盤をひっくり返す。@…………すると？」@ `"......Battler-kun, when you told Rudolf-san to say something, he left without telling us anything.`@` Even though he said that he had something to say to everyone, he didn't answer you.`@` Why?`@` ......Turn the chessboard over.`@` ............And when you do?"`@ ld r,$BUT_defA2,80 ;「話すと言っておきながら話せない矛盾。@…何すかね、親父側から見ると何か見えてきますか。」\ `"There's the contradiction that he said he wanted to talk but then couldn't.`@` ...What, can you see anything by looking from Dad's perspective?"`\ ld l,$KIR_waraiA1,80 ;「……くす。@えぇ見えるわよ。@話したいことがある。@でも、自分から言い出す勇気がない。@“だから、追ってきて俺に話しかけて聞き出してくれ”が正解ね。@ついてくるなも、逆の意味よ。@ついてきて俺を問い詰めてくれ、が正解。@……まったく、甘えん坊さんなんだから。」@ `"......*giggle*.`@` Yes, I can see something.`@` He wants to talk about something.`@` However, he doesn't have the courage to bring it up.`@` So he actually means 'In that case, chase after me and talk to me, and ask me about it yourself'.`@` By saying 'Don't follow me', he actually means the opposite.`@` He actually means "Follow me and force me to answer."`@` ......Seriously, what a spoiled brat."`@ ld r,$BUT_odorokiA2,80 ;「えぇー？！@　そういう推理でいいんすかぁ？！@　そ、そんな滅茶苦茶な。」\ `"Whaaaa-?!`@` Can you really reason it out like that?!`@` Th, that's ridiculous."`\ ld l,$KIR_komaruA1,80 ;「ふふふ、名探偵や名刑事が男女の気持ちや心を推理できる？@　できないでしょ？@　異性の気持ちを探るのは、難事件のトリックを暴くよりはるかに高度な技術なのよ。@私に言わせれば、名作推理小説より恋愛小説の方がよっぽど難解なミステリーなんだから。」@ `"Heheheh, can great detectives deduce the emotions and feelings between men and women?`@` They can't, right?`@` Figuring out the feelings of the opposite sex is an even more advanced art than exposing the tricks in difficult crime cases.`@` If you ask me, romance novels have much deeper mysteries than masterpiece mystery novels."`@ ld r,$BUT_KomaruA1,80 ;「は、…はぁ。@そういうもんすかね……。」\ `"I, ...I see.`@` Is that how it is......"`\ ld l,$KIR_waraiA2,80 ;「私はあの甘えん坊さんと一緒にいるわ。@……普段は虚勢を張ってるけど、今夜はかなりの激論で疲れきってる。@誰かに寄りかかりたい気持ちなんでしょうね。@それに応えるのがパートナーの役目よ。」\ `"I stand alongside that spoiled brat.`@` ......He normally loves to bluff, but tonight he's completely tired out from that heated discussion.`@` He probably wants someone to lean on at the moment.`@` And responding to that need is the duty of his partner."`\ ld r,$BUT_defA2,80 ;「はー。@そりゃあお熱いことで。@じゃあうちのクソ親父の世話をよろしく頼みますよ。」@ `"Ha--.`@` Sounds passionate.`@` Then I'll leave that old bastard in your hands."`@ ld l,$KIR_WaraiA1,80 ;「えぇ、任せておいて。」@ `"Yes, leave it to me."`@ cl l,24 ;　霧江さんが立ち去るその背中に、俺は声を掛ける。\ `I called out to Kyrie-san's departing back.`\ ld l,$KIR_DefA1,23 ;「……え？@　何？」@ ;＜霧江 `"......Huh?`@` What?"`@ ld r,$BUT_WaraiA1,80 ;「いや、ありがとよって。@お陰で陰鬱な気分がだいぶ晴れたぜ。」@ `"Um, I wanted to say thanks.`@` Thanks to you, my gloomy mood has cleared up a lot."`@ ld l,$KIR_WaraiA1,80 ;「ならよかった。@コミュニケーションは大事ね。」@ `"That's good.`@` Communication is important."`@ cl l,4 ;　霧江さんはウィンクで応えた後、去った親父を追っていった…。\ `After answering with a wink, Kyrie-san followed after Dad...`\ ;■どこかの暗い廊下 bg black,2 fede 0,2000 meplay2 1,13,40 bg M2F_P1cN,6 ;　灯りの満たされない薄暗闇の廊下に夏妃の姿があった。@ `Natsuhi could be found in the dimly lit hallway.`@ ;　時折、雷鳴が轟くが、それによって夏妃が表情を変えることはない。@ `Now and then, the thunder would crash, but this had no effect on Natsuhi's expression.`@ ;　……疲れきった表情だった。\ `......Her expression was completely worn out.`\ bg black,22 ;　夏妃の脳裏に、ついさっきまでの食堂での親族たちとのやり取りが蘇る…。\ `The discussion that had just taken place between the relatives in the dining hall was repeating itself inside Natsuhi's mind...`\ fede 0,2000 bgmplay 14 mono 1 bg Mdin_1fN,2 ;　ベアトリーチェは、黄金だけでなく、右代宮家の家督と全財産についてまでも、謎を解いた者に与えると宣言してきた。\ `Beatrice had proclaimed that in addition to the gold, all of the inheritance and property of the Ushiromiya family would be given to the person who could solve the riddle.`\ ;　…つまり、長男である蔵臼が家督を継げるという絶対の保証を揺るがしてきたつもりなのだ。@ ;　弟と妹たちは本来ならば家督を継げるチャンスはまったくない。@ `...In other words, she planned to undermine the absolute guarantee that Krauss, as the oldest brother, had to succeed the family head.`@ `Originally, the other siblings had absolutely no chance to succeed the head.`@ br ;　そんな彼らにとって、このベアトリーチェの「提案」はこの上なく魅力的なのだ。@ ;　彼らが、ベアトリーチェの提案を呑もうと言い出すのは当然のことだった。\ `To them, this 'proposal' by Beatrice was extremely desirable.`@ `It was obvious that they would accept Beatrice's proposal.`\ bg black,22 ;　…下手くそな推理ごっこをするまでもなく、ベアトリーチェなどという１９人目の存在がいるわけがないのはわかる。\ `...There was no need to play that clumsy detective game. She knew that this so called 19th person, Beatrice, couldn't exist.`\ ;　これは、ベアトリーチェという架空の存在を使者にした、金蔵直筆のメッセージも同然なのだ。@ `Naturally, Beatrice was nothing more than a fictional character used to pass a message that Kinzo had written himself.`@ br ;　その証拠に、金蔵はあの手紙の真偽について、頑なに不介入を貫き続けている。@ `The proof was that Kinzo remained stubbornly neutral as to that letter's authenticity.`@ ;　……当主の指輪を預かっているという、金蔵が捨て置けるわけもない暴言を放置している。@ `......He was completely ignoring these reckless claims that he shouldn't be able to ignore: that he had given up the Head's Ring.`@ br ;　…………つまり、金蔵は無言で、あの手紙を自分のメッセージだと認めているのだ。\ `............In short, Kinzo had wordlessly admitted that the letter held his own message.`\ bg letter1,22 ;　おそらく、真里亞に手紙を渡したのは使用人の誰かだろう。\ `Most likely, one of the servants had given Maria the letter.`\ ;　金蔵が凝った計画を編み出し、あの肖像画のドレスを用意し、@……多分、紗音辺りにでも着せて傘と手紙を渡させたのだろう。@ `Kinzo had probably worked out an elaborate plan where the dress from the portrait would be prepared,`@` ......and someone, probably Shannon, would be made to wear it and deliver the letter and the umbrella.`@ br ;　それで、肖像画の中の魔女を実在するかのように仕立て上げたかったのだ。@ `By doing that, he could make it seem like the witch from the portrait actually existed.`@ ;　…いやむしろ、それゆえに金蔵が黒幕に違いないと断定できると言うべきか。\ `...No, if anything, from that alone you could conclude that Kinzo was behind all of this.`\ ;　となれば、……兄弟４人の密談に、金蔵が割り込んで来たも同じこと。@ `In that case, ......it was the same as Kinzo trying to butt in on the siblings' private discussion.`@ br ;　そして金蔵は、自分の作った謎を解いた人間に、全てを引き渡すと宣言することで、蔵臼の絶対有利を揺るがしてきたのだ。\ `Then Kinzo, by announcing that he would give everything to the person who could solve the riddle, could weaken Krauss's overwhelming advantage.`\ bg black,22 bg Mdin_1gN,22 ;　………もう間違いない。@ `.........Now it was certain.`@ ;　金蔵は、日中の客間での兄弟会議を盗み聞いていたのだ。@ `Kinzo had listened in on the siblings' discussion in the parlor earlier that day.`@ br ;　そして、蔵臼が他の３人の攻撃を凌いでしまったことを知り、@再び戦いの天秤に均衡を取り戻させるため、３人が有利になる怪文書を送りつけてきたのだ。\ `So he had known how Krauss had staved off the attack by the other three,`@` and to make the scales of the battle go back into balance, he had sent out this strange letter which benefited the other three.`\ ;　絵羽と留弗夫は、兄弟の中では年齢的に劣り立場の弱い楼座を抱き込み、@３：１で再び蔵臼を圧倒して、滅茶苦茶な理論を押し通そうとしている。@ `He was trying to push this crazy theory so that Rosa, who had a weak position among the siblings because of her age, and Eva and Rudolf`@` could join together, and with three against one, could overwhelm Krauss yet again.`@ br ;　……そして、一度は大勢の決した戦いを仕切りなおし、多額の現金を支払わそうと何度も畳み掛けてきている…。\ `......And by doing that, he gave them the power to resettle what had once been a nearly decided conflict. They had now started repeatedly pressing Krauss to pay them a large amount of money...`\ ;　絶対に家督を引き継げるというセーフティーを兄弟全員が保証することを条件に、一度は拒否した前払い金の話を蒸し返しているのだ。\ `Using the condition that all of the siblings would guarantee Krauss the succession to the family head, talk about the advance payment which had once been denied was being brought up again.`\ bg black,22 ;　確かに、隠し黄金の話を抜きにしても、右代宮家の財産は莫大だ。@ `Of course, even without the story about the hidden gold, the Ushiromiya family's store of wealth was vast.`@ br ;　その財産だけでも充分な価値がある。@ ;　隠し黄金が金蔵の死と共に永遠の闇に葬られたとしても、充分に納得できるだけの価値がある。\ `Just that store was worth more than enough by itself.`@ `Even if the hidden gold was buried forever along with Kinzo's death, there would be more than enough to satisfy.`\ ;　だからこそ、隠し黄金云々に関心はなくとも、万一それを誰かに発見された時、@その人物に家督を譲らなければならないという怯えは一生付いて回る。\ `Therefore, even if they weren't that interested in the gold itself, `@`Kinzo had managed to instill the lifelong fear that, on the off-chance that someone found the gold, that person would be granted the position of family head.`\ ;　それにこのようなアキレス腱は、いつか必ずや何者かに利用されるのだ。@ `And this kind of Achilles' heel would definitely be taken advantage of by someone sooner or later.`@ br ;　このアキレス腱は、当主跡継ぎである蔵臼だけのもの。@ `The only person with this fatal weakness was the successor to the head, Krauss.`@ ;　……兄弟たちは蔵臼だけが失うものを見つけ、@…いや、金蔵によって知らされ、そこを徹底的に付け込んでくる。\ `......The other siblings had found,`@` ...no, they had been told by Kinzo about something that only Krauss could lose, and they had thoroughly taken advantage of that.`\ bg Mdin_1bN,0 ld c,$NAT_MajimeA1,22 ;　…夏妃は苦しい立場の蔵臼の唯一の味方として、妻として、共に戦っているつもりだった。@ `...Natsuhi, as Krauss's only ally in his painful position, and as his wife, wanted to fight alongside him.`@ br ;　隠し黄金など存在自体がまやかしだと繰り返し、蔵臼に譲歩する必要などないと説き続けた。\ `She kept trying to explain to him that the existence of the gold itself was a farce and that there was no need for him to compromise.`\ ;　蔵臼はいつも夏妃に言ってきた。@ ;　兄弟全員に言ってきた。@ ;　隠し黄金など、金蔵の生み出した幻想に過ぎないと、いつもいつも言ってきた。@ `Krauss had always told Natsuhi.`@ `He had told all of the siblings.`@ `He always, always said that the hidden gold was nothing more than an illusion created by Kinzo.`@ br ;　だからそれを夏妃は妻として信じ、それを拠り所に夫を支えてきた。\ `Therefore, Natsuhi had believed that as his wife, and on that foundation had supported her husband.`\ cl c,22 ld l,$KLA_KomaruA1,23 ;　しかし、蔵臼には夏妃の言葉が届かない。\ `Even so, Natsuhi's words didn't reach Krauss.`\ ;　…夏妃がこれほどまでに戦い、力を貸しているのに、ひとりで戦いを進め、兄弟３人に妥協をしようとしている…。@ `...Even though Natsuhi had fought so hard and had lent all of her strength, he continued to fight by himself, and was trying to compromise with the other three siblings...`@ br ;　夏妃はなぜ自分が力になれないのか、悲しみ、不甲斐なく思い、そして憤った。\ `Natsuhi sadly and weakly wondered why she could not be of use to him, and started getting angry.`\ bg black,8 mono 0 ;　頭を冷やすために一度小休止を取ろうということになった時。@ ;　夏妃は蔵臼に食って掛かった。\ `It had happened when everyone decided to take a short break to cool their heads.`@ `Natsuhi had flared up against Krauss.`\ ;　なぜ自分はあなたの力になれないのかと憤った。@ `Enraged, she had asked why she could not be useful to him.`@ br ;　……すると蔵臼は、話したいことがあると言って、夏妃を普段は立ち入らせない私室のひとつへ招いた。@ `......He had then told her that he wanted to talk about something, and invited her into a room that she was normally not allowed to enter.`@ br ;　その部屋には重そうな南京錠が掛けられており、それを見ただけで何か不穏な気持ちはしていた…。\ `That room had been sealed with a heavy-looking padlock, and just looking at it had given her an uncomfortable feeling...`\ ;■廊下 fede 0,2000 meplay2 1,12,40 wait 1000 bg M2F_P1dN,0 ld r,$NAT_IkariA1,22 ;「他の３人の言うことも、ベアトリーチェを名乗る不審人物の言うことも何も気にかけることはありません！！@　黄金など所詮はお父様が生み出したまやかし。@それを見つけられることなどあるわけがない！@　あなたが跡継ぎであることは磐石です。@何を恐れることがあるのです？！」\ `"There's no reason for you to worry about what those three or even this suspicious person who calls themselves Beatrice says!!`@` After all, the gold is just a ruse created by Father.`@` There's no way something like that could be found!!`@` You will definitely be the successor to the family.`@` What are you afraid of?!"`\ bg M2F_P1cN,0 ld l,$KLA_majimeA2,23 se1 25 ;　蔵臼が扉の南京錠を外す。@ ;　そして夏妃に先に入るように促した。\ `Krauss removed the padlock on the door.`@ `He then motioned for Natsuhi to enter.`\ ld l,$KLA_KomaruA1,80 ;「入りたまえ。」@ `"Enter."`@ ld r,$NAT_OdorokiA1,24 ;「な、……何ですか。」@ `"Wha, ......what is this?"`@ ld l,$KLA_MajimeA1,80 ;「見せたい物がある。@……君に初めて見せるものだ。」\ `"There's something I want to show you.`@` ......This is the first time I've shown it to anyone."`\ bg black,22 fede 0,2000 se1 17 meplay 1,15 ;　夏妃は怪訝な表情を浮かべながら扉を恐る恐る開ける…。@ ;　真っ暗だった。@ `Natsuhi timidly opened the door with a dubious expression on her face...`@ `It was pitch black.`@ ;　灯りを付けようとスイッチを探るが、初めて入る部屋だったのでよくわからなかった。\ `She searched for a switch to turn on the lights, but since this was her first time in the room, she didn't know where it was.`\ ;　その背中を押すようにして蔵臼も入ってくると、灯りをつける前に扉を閉めたため、２人は真っ暗闇に包み込まれてしまった。@ `Krauss entered behind her, pushing her in, and when he closed the door before turning on the lights, the two were swallowed up by the darkness.`@ br se1 18 ;　蔵臼が施錠する音だけが暗闇に響いていた。\ `Only the sound of Krauss locking the door rang out through the dark.`\ ;「こ、これは何事ですか…。@あ、灯りを…。」@ ;「今つける。@待ちたまえ。」@ `"Wh, what are you doing...?`@` Th, the lights..."`@ `"I am turning them on now.`@` Wait."`@ bg Mlib_1e,22 ;　その言葉通り、蔵臼は壁のスイッチを押すと、頼りない明かりがつき、部屋を照らし出した。\ `Just as he said, when Krauss pushed a switch on the wall, a flickering light turned on and lit up the room.`\ ;「………………………そ、/ ;!d500それは……？」@ ;＜夏妃 `"...............Th, `/ !d500`that is......?"`@ ;　夏妃は息を呑む。\ `Natsuhi had her breath taken away.`\ ;　その部屋は窓のない、一目見ると空っぽの部屋のように見えた。@ `The room had no windows, and at a glance, it appeared to be empty.`@ br ;　その部屋の中央には、小さな丸机が置かれ、@灯りはその机だけを、まるで舞台の上の主役であるかのように照らし出していた。\ `In the middle of the room, a small, round table had been set, and the lights brightened only that table, as if it were the leading part in a play.`\ bg black,2 ;　その机の上には、埃の積もった凝った意匠の赤いテーブルクロスが敷かれ、@……そこには成人の腕くらいの大きさのソレが置かれていた。@ `On top of the table, a red tablecloth of elaborate design had been set out, covered with dust,`@` ......and on top of that, 'something' about the size of a grown man's arm had been set down.`@ br ;　……夏妃はソレを見て息を呑んだのだ。\ `......That something took Natsuhi's breath away.`\ textoff E_A seplay2 1,28,100 bg gold1,2 delay 2000 bgmplay 17 ;「凄まじい純度を持つ黄金のインゴットだよ。@こいつがなければ、誰も黄金伝説を信じはしなかった。」\ `"It's a gold ingot of incredible purity.`@` Without this, no one would have believed in the Legend of the Gold."`\ ;　それは、大きな純金のインゴットだった。@ `It was a ingot of solid gold.`@ br ;　おぼろげな灯りにもかかわらず、高貴で重厚な黄金色の輝きを放っている…。\ `Even in the faint light, it sparkled with a noble and dignified gold glint...`\ bg black,22 bg Mlib_1e,0 ld l,$KLA_MajimeA1,26 ;「こいつはまともなインゴットじゃない。@このインゴットを鋳造したのが、国内なのか国外なのか、それすらも私にはわからないんだ。」\ `"This is not a proper ingot.`@` I don't even know whether it was cast inside or outside the country."`\ ;　最高純度の純金インゴットを作るには高度な技術力がいる。@ ;　そしてその純度の証明として、鋳造元や保証する銀行名などを刻印するのが通例だ。@ `It took a high level of skill to make the purest of solid gold ingots.`@ `And in order to verify that purity, it was standard to have the original foundry and the name of the bank that guaranteed it imprinted on the gold.`@ br ;　…しかし、このインゴットにはその刻印はない。@………鋳造元不明の謎の金塊。\ `...However, this ingot did not have that kind of seal.`@` .........This mysterious gold bar had come from an unknown foundry.`\ ld l,$KLA_DefA1,80 ;「ここを見たまえ。@…………怯えることはない。@こいつはただの金塊だ。」@ ;　夏妃は蔵臼に勧められ、恐る恐るインゴットに近付く……。\ `"Look here.`@` ............There's nothing to be afraid of.`@` It's just a bar of gold."`@ `Natsuhi, following Krauss's words, timidly approached the ingot...`\ bg black,25 ;「そこだ。」@ ;　インゴットの表面を指し示す蔵臼。@ ;　…夏妃はその示す部分に目を凝らす…。\ `"Right there."`@ `Krauss pointed at the surface of the ingot.`@ `...Natsuhi concentrated on that section...`\ bg gold1,2 ;「…………………！！」@ `"...............!!"`@ br ;　そこには薄っすらと、片翼の鷲の紋章が刻印されている！@　夏妃はもう一度息を呑んだ。\ `Right there was the thin imprint of the One-winged Eagle crest!`@` Natsuhi's breath was taken away once again.`\ ;「そうだよ。@これこそが、親父がベアトリーチェに与えられたと言い、保証人のマルソーの会長に任意でひとつを抜き取らせて持ち帰らせ、@財界のフィクサーたちを信用させたという、伝説のインゴットなのだよ。@方々に手を尽くして私が見つけた。@……他の兄弟たちより早くね。」@ `"That's right.`@` This is the legendary ingot that Father said he received from the witch, that the president of Marusoo witnessed and was allowed to select at random to take back with him,`@` that gained the trust of the fixers in the business world.`@` I had to use all possible means to find it.`@` ......I found it before the other siblings could."`@ ;「………そんな…………。@……じゃあ、/ ;!d800………お父様の黄金伝説は………、」\ `".........How could............`@`......Then, `/ !d800`.........the legend of Father's gold is........."`\ ;「実在する。@……右代宮金蔵が授けられたベアトリーチェの黄金は実在するのだよ。」@ ;「そんな……………！@　ほ、……本当にあるなんて…………。」\ `"It actually exists.`@` ......The gold that Ushiromiya Kinzo received from Beatrice actually exists."`@ `"How could............!`@` H, ......how could it really exist........."`\ bg black,22 bg Mlib_1e,22 ;　夏妃は呆然とする……。@ `Natsuhi was shocked......`@ br ;　金蔵の黄金などでっちあげだとずっと蔵臼は言ってきた。@ ;　だから妻としてそれを信じてきた。\ `Krauss had always said that Kinzo's gold was just a fabrication.`@ `So she had believed it as his wife.`\ ;　しかし、事実は違った。@ ;　はっきりとした証拠を持ち、他の兄弟たちの誰よりも黄金伝説が間違いないという確信を持っていたのだ。@ `However, the reality was different.`@ `Since he held definite proof, he had been more certain than any of the other siblings that the Legend of the Gold was true.`@ br ;　だからこそ、蔵臼は、見つけられぬ黄金を自分以外の誰かが見つけた時、全てを失うかもしれないリスクを心底恐れていた。\ `Because of this, Krauss was deeply frightened at the possibility that someone other than himself would find the gold that he had failed to find, costing him everything.`\ ;　……しかし、夏妃にとってこの事実は心を引き裂いて余りあるものだった。@ ;　蔵臼の妻として、もっとも身近な理解者として献身的に支えてきたつもりだった。@ `......But to Natsuhi, this truth was more than enough to split open her heart.`@ `She had thought that, as Krauss's wife, she should be his closest confidant, which was why she had been selflessly supporting him.`@ br ;　…にもかかわらず、その自分に今日までこの事実は伏せられてきた。@………なぜ？\ `...And yet, he had hid this fact from her until today.`@` .........Why?`\ bg black,25 ;!s0「……そ、/ ;!d500………そこまでに、/ ;!d800…………私はあなたの信頼に足りないというのですか…………。」@ ;!sd「………そういうつもりはない。@話す必要がなかっただけだ。」@ ;!s0「あ、/ ;!d400……あなたにとっては、/ ;!d800…………妻は！@　その程度のものなのですか…………！」/ !s0`"......Ha, `/ !d500`.........have I been, `/ !d800`............so undeserving of your trust............?"`@ !sd`".........I didn't mean it like that.`@` It was only that there was no need to mention it."`@ !s0`"I, `/ !d400`......is that all a, `/ !d800`............a wife means to you............?!"`/ !sd\ meplay2 1,5,40 ;「落ち着きたまえ…。@激情にすぐ駆られるのは君の悪い癖だ。」@ `"Calm down...`@` Becoming passionate easily is one of your bad habits."`@ ;「あなたがそうさせてるんじゃないですかッ！！！@　私は右代宮家に嫁ぎ、今日まであなたの妻として仕えてきました…！@　あなたのために生まれた家を捨て、/ ;!d500身も心も捧げてお仕えしてきました…！！@　その報いが、/ ;!d1000………これなんですか………！！@　そんな……、/ ;!d800…………そんなことって……………！！」\ `"You're the one who's making me like that, aren't you!!!`@` I have been supporting you as a wife ever since I married into this family...!`@` For your sake, I threw away the family I was born into, `/ !d500`I've been offering up my heart and my body to serve you...!!`@` And in return, `/ !d1000`.........what is this.........!!?`@` How could...... `/ !d800`............How could you............!!"`\ ;　蔵臼はうんざりした顔で表情を歪める…。@ ;　夏妃のこういう部分が嫌いなのだと、露骨に口にしているも同然な表情だった…。\ `Krauss grimaced, looking annoyed...`@ `His expression effectively communicated how much he disliked this part of Natsuhi...`\ bg Mlib_1e,22 ld r,$NAT_tukareA1,26 ;「……私は………、@もうあなたの力になれそうもありません…………。」@ `"......It doesn't look like.........,`@` I will be of any use to you anymore............"`@ ld l,$KLA_DefA1,23 ;「ふむ、それでいい。@………兄弟のトラブルを私が自分の力で解決する。@君の力は借りんよ。」\ `"Hmmm, that's fine.`@` .........I can resolve the troubles with the siblings by myself.`@` I don't need your help."`\ ld r,$NAT_IkariA1,80 ;「違います！！@　これは右代宮家のトラブルです！@　確かに私にはこの身に家紋を刻むことが許されていません！@　でも、あなたの妻です！！@/ `"That's wrong!!`@` This is the Ushiromiya family's problem!`@` It's true that I am not permitted to have the family crest imprinted on my body!`@` But I am still your wife!! `@/ ld r,$NAT_OdorokiA2,80 ;　なのに、……私には力添えする資格もないのですか…？！@　あなた………ッ！！！」\ `Even so, ......are you saying I'm not capable of helping you...?!`@` Are you.........!!!?"`\ ld l,$KLA_komaruA1,80 ;「…………………君を思えばこそ、あえて関わらせなかったのだ。@これ以上は頭痛に触るだろう。@君は今夜はこれで休みたまえ。@兄弟の話は兄弟でつける。@君は関係ない。@それだけだ。」\ `"...............I especially wouldn't want to risk getting you involved.`@` It would probably make your headaches even worse than they are now.`@` Take a rest for today.`@` The siblings will deal with the siblings' problems.`@` It has nothing to do with you.`@` That is all."`\ bg black,1 se1 18 fede 0,3000 se1 15 wait 3000 ;■廊下 meplay2 1,13,30 wait 600 bg M2F_P1aN,22 ;　鈍い頭痛が夏妃を苛む…。@ `A dull headache tormented Natsuhi...`@ ;　どんな薬や、どんな香を焚こうとも癒されることはない。@ `No matter what medicine she took, no matter what scents she burned, it wouldn't heal.`@ br ;　……むしろこうしてひとりで薄暗い廊下にたたずみ、雨音で頭を満たしている方が痛みを和らげてくれるような気がした…。\ `......On the other hand, by standing here alone in a dimly lit corridor, her head filled with the sound of the rain, she felt like the pain had softened a little...`\ bg M2F_P1dN,22 bgmplay 16 ;　………私は、夏妃ではあっても、/ ;!d700…右代宮夏妃ではなかったのだ。@ `.........Even if I am Natsuhi, `/ !d700`...I am not Ushiromiya Natsuhi.`@ br ;　借り腹と蔑まれ、…それすら出来ぬと罵倒され、/ ;!d900………それでもなお妻の役割を全うしようとして、/ ;!d700……夫にまで拒絶される。\ `As a borrowed womb, I am despised, ...and abused for not even being able to take care of that, `/ !d900`.........even so, I have tried to properly perform the duties of a wife, `/ !d700`......but have been rejected even by my husband.`\ ;　娘の養育だけが自分に残された仕事なのかとがんばった。@ ;　…しかし、やり場のない怒りや悲しみは、無意識の内にそれらを歪ませてしまった…。@ `I did my best as though raising my daughter was the last job left to me...`@ `...However, my anger and sadness, having no place to go, caused me to subconsciously strain that relationship too...`@ br ;　過剰に厳しくした教育のせいで、朱志香にはすっかり嫌われてしまった。@ ;　学校の成績にしか興味がないと蔑まれている。\ `Because I have been excessively strict in Jessica's education, I am thoroughly disliked by her.`@ `Jessica despises me for not being interested in anything but grades.`\ bg black,22 ;　……私にはもう、/ ;!d800………右代宮家でできることは、ない………。@ `......There is no longer, `/ !d800`.........anything I can do for the Ushiromiya family.........`@ br ;　うぅん、/ ;!d500……駄目だ。@ `No, `/ !d500`......that's no good.`@ ;　それでも夫の力となり、他の欲深な兄弟たちの目論見を退けなければならない。\ `Even so, I must help my husband dislodge the schemes of the other greedy siblings.`\ ;　当主様だってもう長くない。@ ;　やがて当主は蔵臼が引き継ぐ。@ `The head won't be around much longer.`@ `Eventually, Krauss will succeed the head.`@ ;　そして次の跡継ぎは朱志香なのだ。@ `And the next successor will be Jessica.`@ ;　………厳密には、朱志香が連れ帰る入り婿が当主になるのだが、大筋は同じことだ。@ `.........Strictly speaking, the man who enters the family by marrying Jessica will become the next head, but it all comes to the same thing.`@ br ;　……朱志香を、右代宮家を継ぐに値し、誰からも認められる立派な跡継ぎにしなくては。\ `......I have to make Jessica an excellent successor who everyone will accept as worthy to take over the Ushiromiya family.`\ ;　あの貪欲な右代宮絵羽は、これから将来においても、何かと本家に難癖をつけ、@あわよくば朱志香を跡継ぎから引き摺り下ろし、譲治をその座につけようと暗躍し続けるだろう。@ `In the days to come, that greedy Ushiromiya Eva will probably be plotting to find some fault with the main family,`@` so that if all goes as she plans, Jessica will be dragged down from the succession, with George in her place.`@ br ;　……悔しいが、譲治は男子で、その上、人間として円熟している。@ ;　…反抗期真っ只中で成績も並み以下の朱志香と比べれば、どちらが当主跡継ぎに相応しいかは一目でわかる。\ `......It is regrettable, but George is a man, and even more, has matured as a person.`@ `...Compared to Jessica, who is right in the middle of her rebellious period and whose grades are slightly below average, it can be seen at a glance who is more fit to succeed the head.`\ ;　だから、そんなものに揺るがされないように、朱志香には立派になってもらわなくては。@ ;　そして、………立派になった朱志香には、そんな朱志香に相応しい立派な男性と結婚してもらいたい。@ `So in order to secure Jessica's position, I need to turn her into an excellent person.`@ `After doing that, .........I want to find her an excellent husband worthy of the excellent person she will have become.`@ br ;　………朱志香のことを真に受け止め、生涯の苦楽を共にしてくれる素晴らしき男性と。\ `.........A wonderful man who will truly accept Jessica, and stay with her through all of life's joys and sorrows.`\ bg M1F_P1cN,26 ;　それは、……………自分の人生に対する何かを、娘に託そうとしているのか。@ `Was that............Natsuhi trying to entrust her daughter with fulfilling some desire of her own?`@ br ;　夏妃は逃れえぬ運命によって、右代宮家に嫁がなければならなかった日々を思い返してしまう…。\ `Natsuhi thought back to the days when she'd had no choice but to marry into the Ushiromiya family, because of that unavoidable fate.`\ ;　それは自ら禁じた記憶のはず。@ `She had tried to block that from her memory.`@ br ;　………彼女はそれを意識して忘れ、右代宮夏妃として与えられた人生に、積極的に臨もうとしたのだ…。\ `.........She had consciously forgotten that, and had actively attended to the life she had been given as Ushiromiya Natsuhi...`\ ;　そして積み重ねた新しい人生。@ `And had built up a new life.`@ br ;　………でも、…その全てが、/ ;!d800……さっき、呆気なく否定された気がする。\ `.........But, ...it felt like, `/ !d800`......just now, all of that had been casually rejected.`\ bg black,22 ;「…………………………。@何を考えて生きていけばいいのか、/ ;!d1000……………わからない。」@ `"..................`@`How should I think as I live my life? `/ !d1000.`............I don't know."`@ ;　夏妃は力なく窓ガラスに頭を持たれ掛ける…。@ `Natsuhi helplessly rested her head against the glass of the window...`@ br ;　雨粒によって冷やされたガラスは、なぜか心地よく、無慈悲なはずなのに、…今は夏妃を唯一理解してくれる存在に感じられた…。\ `The glass, which was cool thanks to the raindrops beating against it, was somehow refreshing. Even though it should have been emotionless, ...right then it seemed to be the only thing that could understand Natsuhi...`\ ;　そこに、誰かが現れたとしても、今の夏妃は気にも留める気はなかった。@ `At that point, even if someone had appeared, Natsuhi probably wouldn't have cared in the state she was in.`@ br ;　………でも、気に留める。@ ;　………愛娘だったからだ。\ `.........But she did care.`@ `.........Because it was her beloved daughter.`\ fede 0,2000 bgmplay 10 bg M2F_P1bN,0 ld c,$JES_OdorokiA1,6 ;「………か、/ ;!d600……母さんか。@何だよこんなところに。@幽霊かと思ったぜ…。」@ ;＜朱志香 `".........O, `/ !d600`......oh, it's you, Mom.`@` What are you doing here?`@` I thought you were a ghost..."`@ ;　いつも通りの、女の子らしくない悪い言葉遣い。@ `Just like always, her words were rough and not at all like a girl's.`@ br ;　…反射的に、叱り付ける言葉が喉を突く。@ ;　………だが、その喉を突く力が弱かったお陰でそれを口に出すのを止まることができた。\ `...Instinctively, words of rebuke rose to Natsuhi's throat.`@ `.........However, their strength gave out and they didn't escape her lips.`\ cl c,0 ld r,$NAT_tukareA1,0 ld l,$JES_OdorokiA1,24 ;「……………………朱志香。@ごめんね、母さんは頭痛が酷いの。@そっとしておいてくれる。」\ `"..................Jessica.`@` I'm sorry, Mom's headache is awful.`@` Please leave me be."`\ ld l,$JES_komaruA1,80 ;「………………そう……。」@ ;　朱志香は初めて見る母の弱々しさに、少なからず狼狽する。\ `"...............Really......"`@ `Jessica was slightly disconcerted when she first spotted her mother's feebleness.`\ ;　ついさっきまで、母を含め、親たちを軽蔑する感情でいっぱいに満たされていた。@ `Until just now, she had been filled with contempt for all of the parents, including her mother.`@ br ;　…でも、そんな気持ちはもうわずかほども残っていなかった。@ ;　……全て、母のその疲れきった表情のせいで、抜け切ってしまった。\ `...But now, only a tiny bit of those feelings remained.`@ `......All of it had been wiped out by her mother's completely exhausted face.`\ bg black,25 ;　代わりに蘇るのは、譲治に言われた言葉。@ `In its place, the words that George had told her floated back up in her mind.`@ br ;　親は親なりに努力している。@ `The parents are doing their best in their own way.`@ br ;　…そして、家族を背負うからこそ、綺麗事では済ませず、戦わなければならない重責。\ `...And since they were supporting their family, they couldn't afford to keep everything pleasant, and had a heavy responsibility to fight.`\ ;　……それを誰も理解しようとしなかったからこそ、母はこんな薄暗い廊下で、ひとりでたたずんでいるのではないのか…。\ `......Couldn't her mother have been standing around in this dimly lit hallway because no one had tried to understand that...?`\ ;　朱志香は、母のことなど嫌いだった。@ ;　……だから、少し弱々しそうな様子なだけで、やさしい言葉を掛けるつもりなどない…。@ `Jessica didn't like her mother.`@ `......So it would be hard to give her mother words of kindness even if she looked a little frail...`@ br ;　だから、それでもなおやさしい言葉を掛けようとするには、両拳を握り締め、胸の奥から言葉を捻り出さなければならなかった。\ `Therefore, when she tried to talk to her mother kindly anyways, she had to gather up the words from deep in her heart, both fists clenched.`\ bg M2F_P1aN,0 ld r,$JES_nayamuA1,26 ;「ず、………ずいぶん立て込んだ話をしてるようじゃん…。」@ `"I, .........it looks like you really have your hands full with that discussion..."`@ ld l,$NAT_zutuuA1,23 ;「…………………お前には関係ありません。@他所へ行っていなさい。」@ `"...............It has nothing to do with you.`@` Please go somewhere else."`@ ld r,$JES_OdorokiA1,80 ;「………頭痛ひどい？@　わ、私、薬もらって来ようか…？」@ `".........Is your headache bad?`@` Sh, should I go get some medicine...?"`@ ld l,$NAT_TukareA1,80 ;「……………構わないで結構です。@…お願いだから、一人きりにして。」\ `"............You don't have to trouble yourself.`@` ...I'm asking, so please leave me by myself."`\ ;　夏妃は冷たくしているのではない。@ ;　…自分の短気をぶつけてしまわないよう、今の自分から遠ざけたいだけなのだ。@ `Natsuhi was not being unsociable.`@ `...She just wanted her daughter to go far away so that she didn't have to bump into Natsuhi's own short temper.`@ ;　……でも、その気持ちが伝わるわけもない。\ `......But there was no chance that her intentions would reach Jessica.`\ ld r,$JES_nayamuA1,80 ;「…………………う、……うん。」@ ;　朱志香が悲しそうに俯く。@ `"...............Y, ......yes."`@ `Jessica hung her head, looking sad.`@ br ;　…その表情を見て夏妃は、朱志香が母に振り絞ったやさしさを感じ取る。@ `...Looking at that expression, Natsuhi realized that Jessica was trying to muster up the strength to be kind to her mother.`@ ;　軽く頭を振り、邪険にしてしまいそうになる気持ちを追い払う…。\ `She gave her head a small shake to drive away her own unkind feelings...`\ ld r,$JES_MajimeA1,80 ;「じゃあ私、……行くよ。@……大人の邪魔にならないように、いとこたちと一緒にいるから。@…………じゃ…。」@ `"Then I'll, ......leave.`@` ......I'll be with the other cousins so I don't get in the way of the adults.`@` ............See you later..."`@ ld l,$NAT_tukareA2,80 ;「………お待ちなさい。」@ `".........Wait there."`@ ;　寂しそうに立ち去ろうとする朱志香を呼び止める。\ `She called Jessica, who was trying to leave and looked lonely, to a stop.`\ ld r,$JES_DefA2,80 ;「……何…？」@ `"......What...?"`@ ld l,$NAT_zutuuA1,80 ;「…………気遣いをありがとう。@………お前を残して寝込むわけには行きません。」@ `".........Thank you for being considerate.`@` .........It isn't good of me to go to sleep and leave you alone."`@ ld r,$JES_OdorokiA1,80 ;「よ、よせよ、縁起でもないぜ…。」\ `"D, don't talk like that, you'll bring bad luck..."`\ bg M2F_P1bN,24 ;「…心配を掛けました。@もう大丈夫です。@………私は行きます。」\ `"...You were worried about me.`@` I'm alright now.`@` .........I will go."`\ ;　これ以上、ここで弱々しい表情を見せればかえって娘を不安にさせる。@ ;　…夏妃はそう思い、感謝の言葉を残して立ち去ろうとする。\ `'If I stay here any longer, my feeble expression would actually make my daughter feel more uncomfortable.'`@ `...Thinking this, Natsuhi left Jessica with words of gratitude and made to depart.`\ bg M2F_P1aN,0 ld c,$JES_nayamuA1,23 ;　……その背中に、今度は朱志香が声を掛けた。@ ;　夏妃は立ち止まって振り返り、何の用か聞く。\ `......This time, Jessica called out to her mother's back.`@ `Natsuhi stopped and turned around, asking what business Jessica had with her.`\ ;　でも朱志香は、どうして自分が呼び止めてしまったのか自分でもわからなくて、@…しばらくの間、苦笑い気味に呻きながら、何を口にすればいいか悩んだ。@ `But Jessica herself didn't know why she had stopped her mother,`@` ...and for a while, she smiled wryly、muttering to herself as she hesitated over what to say.`@ ;　そしてポケットをまさぐっていると、何かが手に触れ、それを取り出した。\ `She was poking around in her pocket when her hand touched something, and she took it out.`\ ld c,$JES_komaruA1,80 ;「あ、あのさ、母さん！@　私さ、今日、お守りもらったんだよ。@何だっけな、魔除けだったっけ？@/ `"Um, hey, Mom!`@` I, uh, was given a charm today.`@` What was it, a charm against magic?`@/ ld c,$JES_OdorokiA1,80 ;　えっとえっと……、確かその、ドアノブにぶら下げてるといいんだっけ？@　あははは…、忘れちまったぜ…。@私が持ってても仕方ないし……。@母さんにあげるよ。」\ ` Umm, err......, I'm pretty sure that, you were supposed to hang it from your doorknob, was it?`@` Ahahaha..., I forget...`@` There's no reason for me to have it, so......`@`I'm giving it to you."`\ ;　それは、昼間、海岸で真里亞にもらったサソリのお守りだった。@ `It was the scorpion charm that Maria had given her by the beach that day.`@ br ;　真里亞に効能を色々聞いたはずなのに、この瞬間の朱志香は頭が真っ白で、そんなことを言うのがやっとだった。\ `Although she had heard of its various effects from Maria, right now, Jessica's mind was blank, and she was just barely able to say even that much.`\ ;　朱志香は、どうせ受け取ってもらえないだろうと思い、お守りを握って突き出した手を、すぐに引っ込めてしまった。@ `Jessica, thinking that her mother probably wouldn't accept it anyway, immediately drew back the hand she had stuck out, grasping the charm.`@ br ;　……だから、夏妃がこちらへ戻ってきて、その手を取った時には、とても驚いた…。\ `......So when Natsuhi came back to take it, she was extremely shocked...`\ bg M2F_P1bN,0 ld r,$NAT_waraiA1,24 ;「…………………これは？@　何かの景品…？」@ `"...............What is this?`@` Some kind of giveaway...?"`@ ld l,$JES_KomaruA1,23 ;「ま、まぁその、私も多分そうだろうと思ってるけどよ…。@こんな玩具みたいなお守りじゃ、…ご利益は期待できねぇよな……。」@ `"W, well it's, I think it's something like that...`@` You couldn't really expect a charm that looks like a toy to be effective......"`@ ;　しかし母は、その手に握られた、サソリのお守りを受け取る。\ `But her mother grasped that hand and accepted the scorpion charm.`\ ld r,$NAT_tukareA2,80 ;「ありがとう。@大切にします。@…………朱志香には今度、私が子どもの頃、大切にしていたお守りを代わりにあげましょう。」@ `"Thank you.`@` I'll take good care of it.`@` ............Sometime soon, in exchange, why don't I give you a charm that was important to me when I was a child?"`@ ld l,$JES_OdorokiA1,80 ;「…べ、別にそんなつもりで渡すんじゃないぜ。@/ `"...I, it's not like that's why I gave it to you. `@/ ld l,$JES_KomaruA1,80 ;……でも、まぁ、/ ;!d800……どうしてもって言うんなら…。」\ `......But, well, `/ !d800`......if you really say so..."`\ ld r,$NAT_zutuuA1,80 ;「では、私はもう休みます。@頭痛が酷いので。@………朱志香もあまり夜更かしをし過ぎないように。」@ `"Then I will rest for now.`@` My headache is awful.`@` .........Try not to stay up too late."`@ ld l,$JES_MajimeA1,80 ;「うん…。」\ `"Sure..."`\ bg M2F_P1cN,4 ;　夏妃はお守りをポケットに収め、背中を向ける。@ ;　……そして、暗い廊下の向こうへ消えていくのだった…。\ `Natsuhi put the charm in her pocket and turned away.`@ `......She then disappeared into the dark hall...`\ bg black,42 fede 0,4000 wait 1000 meplay2 1,12,40 wait 700 bg M1F_S1cN,26 meplay 2,11 ;■客間 ld r,$GEO_DefA1,24 ;「…やっぱり、明日も丸一日こんな天気みたいだね。」@ ;＜譲治 `"...It looks like the weather will be like this all day tomorrow after all."`@ ld l,$BUT_defA2,23 ;「やれやれ、今日の日中が嘘のようだぜ。」@ ;＜戦人 `"Oh well, it sounded like a lie earlier today."`@ ;　客間のテレビ前で、俺と譲治の兄貴はぼんやりと過ごしていた。\ `George-aniki and I were killing time in front of the parlor television.`\ bg M1F_S1aN,0 ld r,$JES_majimeA1,23 ;　そこへ朱志香が戻ってくる。@ ;　彼女も相変わらずぼんやりした表情をしていたが、先ほどに比べれば少しは落ち着いたようだった。\ `At that point, Jessica returned.`@ `Her face was still blank, but it looked like she had calmed down a little since she had left.`\ ld r,$JES_DefA2,80 ;「……真里亞はまだ肖像画前？」@ ;＜朱志香 `"......Is Maria still in front of the portrait?"`@ ld l,$BUT_DefA2,23 ;「いや。@さっき戻ってきて、今はそっちのソファーで寝てるぜ。@真里亞にはもう遅い時間だもんな。」\ ;＜戦人 `"Nope.`@` She just came back, and she's sleeping over there on the sofa.`@` It is getting pretty late for her."`\ bg M1F_S1dN,25 ;　時計を見れば、午後１０時を過ぎている。@ ;　…夜更かしするにしても、そろそろ部屋に戻るべき時間だった。\ `Looking at the clock, it was a little past 10:00 PM.`@ `...Even if we were going to stay up all night, it was about time to head back to our room.`\ bg M1F_S1bN,22 ld r,$JES_DefA2,24 ;「一応、うちのお袋が屋敷にも部屋を用意してくれたんだけどよ。@……どうする？」@ ;＜朱志香 `"My mother had a room prepared for us in the mansion for the time being, but... `@`......what'll we do?"`@ ld l,$GEO_DefA1,23 ;「僕はゲストハウスに戻りたいかな。@……親たちの様子を見る限り、僕たちはお屋敷にいない方がいいと思う。」@ ;＜譲治 `"I think I'd rather head back to the guesthouse.`@` ......Judging by our parents' appearance, I think it would be better if we weren't in the mansion."`@ ld c,$BUT_DefA1,23 ;「俺も同感だぜ。@子どもは邪魔せず引っ込んでろって感じみてぇだからなぁ。@大人しくそうするさ。」\ ;＜戦人 `"I agree.`@` It feels like they're telling us kids to mind our own business and stay out of their way.`@` Let's do that, like good little boys and girls."`\ bg M1F_S1aN,0 ld l,$ROS_DefA1,23 ;　そんな話をしていると、客間に楼座叔母さんが入ってきた。@ ;　きょろきょろとしている仕草は、多分、真里亞を探しているものに違いない。\ `After we discussed that, Rosa oba-san came into the parlor.`@ `She was looking all over restlessly, probably trying to find Maria.`\ ld r,$BUT_DefA2,24 ;「楼座叔母さん、真里亞ならそこのソファーっすよ。」@ ;＜戦人 `"Rosa oba-san, if you're looking for Maria, she's over there on the sofa."`@ ld l,$ROS_WaraiA2,80 ;「ありがとう。@すっかり眠っちゃってるわね。@……ベッドに移さないと。」@ `"Thank you.`@` My, she's out cold.`@` ......We must move her to a bed."`@ cl r,23 ld r,$GEO_waraiA1,24 ;「よかったら、僕がベッドまで背負って行きましょうか。」\ ;＜譲治 `"If you would like, I'll carry her over to a bed."`\ ld l,$ROS_DefA1,80 ;「ありがとう、助かるわ。@………譲治くんたちは、ゲストハウスに戻るの？@　それとも夏妃姉さんが用意してくれた部屋に泊まるのかしら？」@ `"Thank you, that would be wonderful.`@` .........Will all of you return to the guesthouse?`@` Or will you stay in the room Natsuhi nee-san had prepared?"`@ cl r,23 ld r,$JES_DefA2,24 ;「今、話し合ってました。@ゲストハウスへ戻ろうかって話になったところです。」\ ;＜朱志香 `"We were just talking about that.`@` We had just decided to head over to the guesthouse."`\ ld l,$ROS_WaraiA1,80 ;「そう。@なら真里亞も一緒にしてあげてもいいかしら。@…いとこのみんなと一緒の方が、きっと安心できると思うしね。」@ `"Really.`@` Then I wonder if you wouldn't mind taking Maria with you.`@` ...I think it will be much more comforting if all of the cousins are together."`@ br ;　その言葉の影には、自分も含め大人たちが真里亞の心を深く傷つけてしまったに違いないことへの後悔が含まれているようだった…。\ `It seemed that, in the shadow behind those words, there was some regret that the adults, herself included, had deeply hurt Maria's feelings...`\ bg M1F_S1bN,0 ld r,$BUT_WaraiA1,24 ;「任してくださいよ叔母さん。@何しろこっちにゃ、真里亞をあやすことに関してはエキスパートがいるっすからねぇ！」@ ;＜戦人 `"Leave it to us, Oba-san.`@` After all, we do have an expert at comforting Maria with us!"`@ ld l,$GEO_komaruA1k,23 ;「そ、それは僕のことかい？@/ `"A, are you talking about me? `@/ ld l,$GEO_waraiA1,80 ;　僕だけじゃ無理だよ。@みんなでだよ。」@ ;＜譲治 `I couldn't do it myself.`@` We'll need everyone together."`@ cl r,23 ld r,$JES_WaraiA2,22 ;「そうだぜ。@戦人だって、あんなにも真里亞と意気投合してふざけ合ってたじゃねぇかよ。」@ ;＜朱志香 `"That's right.`@` Battler, weren't you the one who hit it off with Maria when you were messing around earlier?"`@ br ;　そんなやり取りをしていると、楼座叔母さんは本当に嬉しそうな顔で微笑むのだった。\ `As we said this, Rosa oba-san smiled, looking truly happy.`\ ld c,$ROS_WaraiA1,23 ;「みんな、ありがとう。@……私たちの話し合いはだいぶ遅くまで掛かりそう。@だから申し訳ないけど、真里亞をみんなにお願いするわ。」\ `"Thank you, everyone.`@` ......It looks like our meeting will last until very late.`@` Therefore, I'm sorry for the burden, but I'll be counting on everyone for Maria's sake."`\ bg black,22 bg M1F_S1dN,22 ;「おーい真里亞ぁ、熟睡かぁ…？@　ゲストハウスに戻るぞ〜。」@ ;＜戦人 `"Hey, Maria, did you have a good sleep...?`@` We're going back to the guesthouse~."`@ ;　真里亞はむにゃむにゃと何か答えたかのように口篭るが、寝返りをうつと再び寝込んでしまった。@ `Maria muttered something indistinct and fell back asleep.`@ ;　……眠りは深いようだった。\ `......It looked like she was sleeping deeply.`\ bg M1F_S1cN,26 ld r,$JES_DefA1,23 ;「すっかり寝込んじゃったようだぜ。@起こすのは悪いな。」@ ;＜朱志香 `"She's really out cold.`@` It'd be bad to wake her."`@ ld l,$GEO_DefA1k,23 ;「うん、僕が背負うよ。」\ ;＜譲治 `"Right, I'll carry her."`\ bg black,24 fede 10,2000 meplay2 1,13,40 bg Ment_1bN,24 ;　真里亞の体は見た目よりずっと軽い。@ ;　担ぎ上げ、譲治兄貴の背中に背負わせる。\ `Maria's body was much lighter than it looked.`@ `George-aniki picked her up and pulled her over his back.`\ ;　表は大雨だから、背負っている兄貴は自分で傘をさせない。@ ;　それをフォローするため、楼座叔母さんもゲストハウスまで来てくれるようだった。@ `It was raining hard outside, and Aniki couldn't hold an umbrella and carry Maria at the same time.`@ `It looked like Rosa oba-san would come with us as far as the guesthouse to help out.`@ br ;　だが、蔵臼伯父さんの呼ぶ声が聞こえたため、戻らざるを得なくなってしまった。\ `However, when she heard Krauss oji-san's voice call out to her, she had no choice but to return.`\ ld r,$ROS_KomaruA1,24 ;「……困ったわね。@もう戻らないと。」\ ;＜楼座 `"......That's too bad.`@` I have to go back now."`\ bg Ment_1aN,0 ld l,$SHA_DefA1,24 ;「………皆さん、ゲストハウスまでお戻りですか？」@ ;＜紗音 `".........Is everyone returning to the guesthouse?"`@ ;　ホールに出てから玄関に行こうとすると、使用人室が開き、紗音ちゃんが出てきた。\ `After we left the hall on the way to the entrance, the door to the servant room opened and Shannon-chan stepped out.`\ ld l,$SHA_TokuiA1,80 ;「だいぶ暗くなっておりますので、私がご案内させていただきます。」@ ;＜紗音 `"It has become very dark, so allow me to guide you."`@ ld r,$ROS_WaraiA2,24 ;「ちょうどよかったわ、紗音ちゃん。@譲治くんが真里亞を負ぶって行ってくれるの。@傘をさしてあげてくれないかしら。」@ `"That would be great, Shannon-chan.`@` George-kun is going to carry Maria there.`@` Could you hold an umbrella for him?"`@ ld l,$SHA_defA1,80 ;「はい、かしこまりました。」@ `"Yes, certainly."`@ br ;　紗音ちゃんは俺たちの分の傘と、案内用の懐中電灯を持ってきた。\ `Shannon-chan brought umbrellas for each of us and a flashlight to guide the way.`\ se1 17 bg black,24 bg M_o1aN,24 mevol 1,70 meplay 2,5 dllefe 1,1 ;　玄関の扉を開けると、実に素敵な大雨が降っていた。@ ;　夜の薔薇を愛でながらのんびり散歩して戻る、なんて余裕をかましてる暇はなさそうだな…。\ `As we opened the front door, the downpour was quite terrific.`@ `It looked like we wouldn't have any spare time to take a pleasant walk and enjoy the nighttime rose garden...`\ ld r,$BUT_DefA1,24 ;「兄貴、重くねぇか？@　俺が背負うぜ？」@ ;＜戦人 `"Aniki, is she too heavy?`@` Want me to carry her?"`@ ld l,$GEO_HohoemiA1k,23 ;「大丈夫だよ。@真里亞ちゃんくらい背負えるよ。」@ ;＜譲治 `"It's alright.`@` I can at least carry Maria-chan."`@ cl r,23 ld r,$ROS_DefA1,24 ;「……本当にありがとうね。@真里亞をよろしくお願い。」@ ;＜楼座 `"......I'm truly grateful.`@` Please take care of Maria."`@ cl l,24 ld l,$JES_DefA2,23 ;「うん、わかりました。@じゃ、お休みなさい、叔母さん。」@ ;＜朱志香 `"Right, we understand.`@` In that case, goodnight, Oba-san."`@ ld c,$SHA_TokuiA1,23 ;「それではお送りしてまいります。」@ ;＜紗音 `"Then I will see them over there and return here."`@ ld r,$ROS_WaraiA2,80 ;「えぇ、よろしく…。」@ ;　楼座叔母さんは俺たちの背中を見送ってくれた。\ `"Yes, please..."`@ `Rosa oba-san saw us off.`\ bg black,22 ;「………真里亞。@……いつもごめんね…。」@ `".........Maria.`@`......I'm sorry for everything..."`@ br ;　楼座が呟くその声は、当人にも、そして子どもたちの誰にも届かず、雨音に掻き消えるのだった…。\ `Rosa's mumbling voice didn't reach the person in question, nor anyone else, but disappeared beneath the sound of the rain......`\ ;■ゲストハウス textoff wait 2000 bg garden_1cN,22 wait 2000 bg rose_1aN,22 wait 2000 bg rose_G1aN,22 wait 2000 bg G_o1aN,22 ;　大雨の薔薇庭園をさっさと通り抜け、俺たちはゲストハウスに到着する。\ `After cutting through the rainy rose garden, we arrived at the guesthouse.`\ ld r,$BUT_WaraiA2,24 ;「かー、俺が真里亞を背負うって立候補すりゃあよかったぜ〜！@　そうすりゃ、傘をさしてくれる紗音ちゃんのでっけぇお乳を二の腕でたっぷり堪能できたってのによぅ！」@ ;＜戦人 `"Ahh, if only I'd applied for the position of Maria-carrier!`@` Then I'd have been able to rub Shannon-chan's huge breasts all over with my arm!"`@ ld l,$GEO_KomaruA1k,23 ;「そそそ、そんなつもりじゃないよ、誤解だよ…！」@ ;＜譲治 `"Ththth, that's not why I did it, it's a misunderstanding...!"`@ ld c,$SHA_hajiraiA2,23 ;「そっ、そうしないと譲治さまが濡れてしまうと思いまして………。」\ ;＜紗音 `"I, I thought that if I didn't, George-sama would get all wet........."`\ cl r,22 ld r,$JES_akuwaraiA1,24 ;「ほーら、馬鹿なこと言ってないで入るぜー！」@ ;＜朱志香 `"C'mon, quit babbling and go in!"`@ ;　朱志香に小突かれながら傘を畳み、ゲストハウスに入った。\ `After being nudged by Jessica, Shannon folded up her umbrella and went into the guesthouse.`\ bg black,22 dllefe_off E_M2 mevol 1,40 print 22 bg G1F_P1bN,22 ld r,$SHA_tokuiA1,24 ;「お召し物を濡らしてしまった方はいらっしゃいませんか？@　タオルを用意いたしますが…。」@ ;＜紗音 `"Has anyone gotten their clothes wet?`@` I can bring some towels if you want..."`@ ld l,$BUT_defA2,23 ;「そこまで気を遣わなくていいぜぇ？@　ありがとよ紗音ちゃん。」@ ;＜戦人 `"You don't need to worry about us that much.`@` Thank you, Shannon-chan."`@ ld c,$GEO_WaraiA1,23 ;「そうだ。@僕たちはこれからトランプでもして少し遊ばないかって話なんだけど、よかったら少し一緒しないかい？」\ ;＜譲治 `"That's right.`@` We were saying earlier that we would play some cards, do you want to stay with us for a while?"`\ cl l,24 ld l,$JES_atyaA1,23 ;「あれ？@　今日のシフト、深夜勤は誰になってんだ？」@ ;＜朱志香 `"Huh?`@` Who had the night shift on today's schedule?"`@ ld r,$SHA_majimeA2,80 ;「親族会議中は特別シフトになってたと思いました。@少し変更も出てるみたいなので、ちょっと確認してきます……。」@ ;＜紗音 `"I believe there has been a special schedule during the family conference.`@` I think there were a few changes, so I will go and check......"`@ cl c,23 ld c,$BUT_DefA2,24 ;「あぁ、わざわざ屋敷に戻らないとわからないんなら無理に、」\ ;＜戦人 `"Wait, if you have to go all the way back to the mansion to find out, don't force yourself."`\ ld r,$SHA_WaraiA3,80 ;「あ、大丈夫です。@ゲストハウスの使用人室でわかりますので。@……ちょっと失礼しますね。」@ ;＜紗音 `"Ah, it's alright.`@` I can find out from the servant room in the guesthouse.`@` ...Please excuse me for a short while."`@ cl r,24 ;se1 15 ;　紗音ちゃんはぺこりと頭を下げると、ゲストハウスの使用人室に入っていった。\ `Shannon-chan gave a quick bow and went into the guesthouse servant room.`\ bg black,24 bg G2F_R1aN,22 ;　俺たちはいとこ部屋に向かい、とりあえず、真里亞をベッドの中に入れてあげることにする。@ `The rest of us headed for the cousins' room and put Maria in the bed for the time being.`@ br ;　真里亞はすっかり熟睡で、まったく目を覚ます様子はなかった…。\ `Maria was sleeping very deeply, and there was absolutely no sign of her eyes opening...`\ ;　取り合えず、部屋の冷蔵庫からジュースを取り出して、それを飲みながらトランプでもして遊ぶことになった…。\ `We got some drinks out of the room's refrigerator, and spent some time playing cards while drinking...`\ ;■使用人室 bg black,5 textoff wait 1000 se1 19 wait 2000 se1 15 bg G1F_R1aN,0 ld l,$KAN_nayamuA1,22 ld r,$SHA_majimeA1,24 ;「……あれ？@　嘉音くん？@　源次さままでこちらに。@…今夜のシフトはどうなっているのでしょうか…？」@ ;＜紗音 `"......Oh?`@` Kanon-kun?`@` Even Genji-sama is here.`@` ...What has happened with tonight's shift...?"`@ ld l,$KAN_DefA2,80 ;「…………蔵臼さまの命令があってね。@シフトの大掛りな変更があったんだよ。」\ ;＜嘉音 `"............Krauss-sama has given an order.`@` There have been modifications made to most of the schedule."`\ bg G1F_R1bN,0 ld r,$GEN_DefA1,24 ;「……うむ。@郷田さんがお屋敷の深夜勤に変更になった。@紗音と嘉音はゲストハウスの深夜勤。@私と熊沢さんはゲストハウスに泊まるようにとのご命令だ…。@お前も、今夜はこのままこちらに留まるよう、たった今、電話があった。」@ ;＜源次 `"......Hmm.`@` Gohda-san has been changed to the night shift at the mansion.`@` You and Kanon have the night shift in the guesthouse.`@` Kumasawa-san and I have been ordered to spend the night in the guesthouse...`@` Just now, a phone call came, saying that you are also to remain here."`@ ld l,$SHA_OdorokiA1,23 ;「えぇ…？@　ず、ずいぶん大掛りな変更ですね…。@お屋敷とゲストハウスのお当番が、丸っきり逆になってるじゃないですか…。」\ ;＜紗音 `"Huh...?`@` Th, that's quite a large modification...`@` The shifts at the guesthouse and the mansion have almost been completely reversed, haven't they...?"`\ bg black,25 ;　本来は、紗音と嘉音がお屋敷の深夜勤になり、親族たち賓客が宿泊するゲストハウスの深夜勤が接待経験の豊富な郷田になるはずだった。@ `Originally, Shannon and Kanon had been given the night shift in the mansion, while the night shift in the guesthouse, where all of the relatives were staying, had been assigned to Gohda, who had an abundance of experience in entertaining.`@ br ;　そして、熊沢がゲストハウスに宿泊、源次はお屋敷に宿泊となっていた。@ ;　だが、突然に蔵臼からシフトを変更するように命令があったらしい。@ `Kumasawa should have been staying at the guesthouse, while Genji should have been staying in the mansion.`@ `However, it seemed that Krauss had suddenly ordered that the schedule be modified.`@ br ;　……お屋敷とゲストハウスのシフトを丸ごと交換し、源次はゲストハウスに泊まるようにと。\ `......The shifts at the guesthouse and the mansion had all been reversed, and Genji was spending the night in the guesthouse.`\ bg G1F_R1aN,0 ld r,$KAN_MajimeA1,26 ;「…………多分、ベアトリーチェさまの手紙のせいだろうね。」@ ;＜嘉音 `"............It's probably because of Beatrice-sama's letter."`@ ld l,$SHA_komaruA1,23 ;「多分って、……どうして？」@ ;＜紗音 `"...Why probably?"`@ ld r,$KAN_DefA2,80 ;「………あんな怪しげな手紙が現れたら、蔵臼さまが僕たちを疑うのは当然だからね。@………お館様直属の僕たちを、極力、親族会議の席から遠ざけたかったんだろうよ。」\ ;＜嘉音 `"When such a mysterious letter appeared, it was only natural that Krauss-sama would suspect one of us.`@` .........We serve directly under the Master, so Krauss-sama tried as best he could to keep us far away from the family conference."`\ bg black,22 ;　源次、紗音、嘉音の３人は、右代宮家の紋章である「片翼の鷲」を身に着けることを許された、金蔵直属の使用人だ。@ `Genji, Shannon, and Kanon were all permitted to wear the Ushiromiya family crest, the 'One-winged Eagle', as the servants who served directly under Kinzo.`@ br ;　もちろん、右代宮家に仕えているため、誰の命令にも従うが、唯一の上司は金蔵だけだ。@ ;　人事権も金蔵のみが握っているため、たとえ蔵臼と言えど、彼らを勝手に解雇することはできない。@ `Of course, since they were working for the Ushiromiya family, they had to obey anyone's orders, but their only boss was Kinzo.`@ `Since only Kinzo held the right to employ them, even Krauss could not have them dismissed of his own accord.`@ br ;　その為、蔵臼たちには時に、金蔵の手先と見られて疎まれることも少なくなかった。\ `Because of this, they were often viewed by Krauss and the others as Kinzo's underlings and shunned.`\ ;　実際、金蔵は彼ら以外の人物を書斎に入れることは滅多にない。@ ;　この突然のシフト交換は、まさにそんな不信感の表れと言えただろう。@ `In reality, Kinzo would seldom let anyone other than them enter his study.`@ `You could probably say this sudden shift change clearly expressed the sense of mistrust that caused.`@ br ;　金蔵の余命を思えば、これが遺産問題直前の最後の親族会議となるに違いない。\ `Considering the time Kinzo had left to live, this would definitely be the last family conference before the problem of the inheritance would come up.`\ ;　しかも、ベアトリーチェを名乗る奇怪な手紙が舞い込んで寝耳に水。@ `On top of that, the mysterious letter that claimed to be from Beatrice had dropped in out of the blue.`@ br ;　そんなデリケートかつ重要な会議の席から、金蔵の忠臣たちを締め出したかったに違いない…。\ `Krauss definitely wanted to keep Kinzo's loyal subjects away from the table of such a delicate and important discussion...`\ bg G1F_R1aN,22 ld r,$GEN_majimeA2,24 ;!sd「……ではすまんが、私は向こうでくつろがせてもらう。@…もし何かあったらすぐに呼ぶように。@ !sd`"......If you would excuse me, I will go rest.`@` ...If anything happens, call me immediately. `@ br se1 21 ;今夜のお客様は、(特別だ/・・・)。」\ `For the Master, tonight is `(`special`/・・・)`."`\ ;＜源次　 ld c,$KAN_nayamuA1,0 ld l,$SHA_fumanA1,22 ;!sd「「はい、かしこまりました、源次さま。」」\ ;＜紗音・嘉音 !sd`""Yes, certainly, Genji-sama.""`\ cl r,23 ;　源次は頷き返すと、衝立の向こうに行き、上着を脱いでようやく一日の緊張を解すのだった…。\ `Genji nodded back, went behind a screen, took off his jacket, and slowly began to relax after a day's worth of tension...`\ cl c,0 ld r,$KAN_DefA1,23 ;「………今お戻りになられたのは、お子様方…？」@ ;＜嘉音 `".........The ones who just returned now, were they the children...?"`@ ld l,$SHA_defA1,80 ;「うん。@親族の方々はお屋敷で会議を。@だいぶ長引きそうな雰囲気だったかな…。」@ `"Yes.`@` The other relatives are having a conference in the mansion.`@` It looked like it would drag on until much later..."`@ ld r,$KAN_majimeA1,80 ;「……なら気楽だね。@これ以上の深夜になって、しかもこの天気。@多分、親族の皆さんはお屋敷の方のお部屋にお泊りさ。」\ `"......That would be comfortable.`@` It's already this late, and there's this weather.`@` Probably, the rest of the relatives will spend the night in their rooms in the mansion."`\ ld l,$SHA_tokuiA1,80 ;「多分ね…。@源次さまがいないから言うけど、/ ;!d800……ゲストハウス行きになって、ちょっと嬉しかった……かな…。」\ `"Yes, probably...`@` I'm only saying this because Genji-sama isn't around, but `/ !d800`I'm a little happy I was sent to the guesthouse......I think..."`\ ld r,$KAN_nayamuA1,80 ;「ふーん…？@　どうしてだい？@　意地悪な奥様や絵羽さまから離れられたから？@　…それとも、別の理由があるのかい？」@ `"Oh...?`@` Why's that?`@` Because you can stay away from Madam and Eva-sama, those bullies?`@` ...Or do you have another reason?"`@ ld l,$SHA_OdorokiA2,80 ;「べ、……別の理由なんか…、/ ;!d780…あ、ありません…！」\ `"I, ......it's not like I have..., `/ !d780`...a, another reason...!"`\ ld r,$KAN_defA1,80 ;「………そっか。@なら、二人で深夜勤をがんばろう。@よろしく、姉さん。」@ `".........I see.`@` Then, let's do our best together with our midnight shift.`@` I'm counting on you, Nee-san."`@ ld l,$SHA_hajiraiA2,80 ;「あ、……えっと………。@私、ついさっき、お子様方に、お部屋で遊ばないかとお呼ばれしてて…。」\ `"Ah, ......umm.........`@` Just now, I was asked to go to the children's room and play with them..."`\ ;　紗音は申し訳なさそうに俯きながら、…ちらちらと嘉音の目を覗き見る。@ ;　嘉音は目を合わせようともせず、溜め息混じりに素っ気無く言う。@ ;　「姉」を甘やかすつもりはないらしい。\ `Shannon hung her head apologetically, ...gazing at Kanon uncertainly.`@ `Kanon didn't try to meet her eyes, and spoke curtly as he sighed.`@ `It looked like he didn't plan on indulging his 'sister'.`\ ld r,$KAN_KomaruA1,80 ;「…………駄目だよ。@深夜勤を仰せつかってる。@…それに、僕たち家具には遊びのお誘いは必要ない。@…わかるね？」@ `"............You can't.`@` You were assigned the night shift.`@` ...And besides that, it is not necessary for furniture like us to respond to an invitation to play.`@` ...You understand, right?"`@ ld l,$SHA_hajiraiA1,80 ;「そ、…そんなことわかってます。@………………んん。」@ ;　紗音は小さく肩を落とす。\ `"Y, ...yes, I do understand.`@` ...............Nnnn."`@ ;　…規律を重んじる嘉音が、多分そういうだろうことは予想がついていたが、それでも少しは気落ちしたようだった。@ `...She had already expected that Kanon, who considered rules to be very important, would probably say something like that, but even so, she was a little discouraged.`@ br ;　嘉音は日誌を捲りながら、紗音の方を向きもせずに言う。\ `As Kanon turned over a diary, he spoke without facing Shannon.`\ cl r,23 ;「…………なら、お子様方をお待たせしてしまってるね。@深夜勤に当たってしまったからご一緒できないと謝ってこなきゃ。@……行ってきなよ。」@ `"............In that case, the children will be waiting for you.`@` You will have to apologize and tell them that you have the night shift and won't be able to stay with them.`@` ......Go and come back."`@ ld l,$SHA_hajiraiA3,80 ;「え、………ぁ、うん！@　私、謝ってくるね…。」\ `"Huh, .........ah, yes!`@` I'll go apologize and come back..."`\ ;　紗音は、弟の機嫌が変わってしまう前にそそくさと席を立つと、ぺこりと頭を下げて使用人室を飛び出していった…。\ `Shannon hurriedly stood from her seat before her brother's mood could change, and flew out of the servant room after giving a quick bow......`\ bg G1F_R1bN,23 ;　その背中を見送りながら、嘉音は深い溜め息をひとつ漏らす…。@ ;　衝立の向こうから源次の声がした。\ `As he watched her back go, Kanon took a single deep breath...`@ `Genji's voice came from beyond the screen.`\ bg Mlib_1e,22 ;「……嘉音。@……私がここにいるから、お前も行くといい。」@ `"......Kanon.`@` ......I will be here, so you can go too."`@ ;「源次さま…。@……誘われたのは紗音だけです。@僕は別に誘われては…、」@ `"Genji-sama...`@`......Shannon was the only one called.`@` It's not like I was invited..."`@ ;「その場にいなかったからお声を掛けられなかっただけだ。@いればお前も誘われている。@……たまには子どもらしく遊んでくるといい。」\ `"That is only because you were not there at the time.`@` If you had been, you would have been invited as well.`@` ......It is good to play as a child from time to time."`\ ;「…………………………………。@……いえ、僕には必要ない行為です。@……人の子には遊びも必要でしょうが。@……僕らは、……家具ですから。」@ `"........................`@`......No, that's not something that I need to do.`@` ......Kids who are people may have a need to play, but`@` ......we are......only furniture."`@ ;「…………………そうか。」\ `"...............Is that so."`\ ;「…………姉さんだって、/ ;!d600…家具です。@………人のふりをしたって、/ ;!d700…後で苦しむだけなのに。@…僕はそれがわかっているから、人に近付きたくないだけなんです。」\ `"............Nee-san is also, `/ !d600`...furniture.`@` .........Even if she pretends to be a person, `/ !d700`...it will only hurt her later.`@` ...I understand that, so I try not to get too close to people."`\ ;　源次はそれ以上、何も言わなかった。@ `Genji did not say anything after that.`@ br ;　……しばらくすると立ち上がり、ポットのお湯で粉末のココアを作ると、それを嘉音にも振舞うのだった。\ `......After a while, he stood up and used a pot of hot water to make powdered cocoa, and served some to Kanon as well.`\ ;■ゲストハウス・いとこ部屋 bg black,5 fede 0,2000 meplay2 1,12,40 wait 2000 bg G2F_R1cN,2 ld r,$BUT_komaruA1,24 ;「そりゃ本当かよッ？！？！@　そりゃあ知らなかったぜ…！！」@ ;＜戦人 `"Is that for real?!?!`@` I didn't know that...!!"`@ ld l,$JES_tohohoA2,23 ;「馬鹿、声が大きいぜ！@　真里亞が起きちゃうだろー！」@ ;＜朱志香 `"Dumbass, you're too loud!`@` You'll wake Maria up!"`@ ;　戦人は素っ頓狂な声を上げて、手持ちのトランプを散らしながら派手に驚いていた。\ `Battler was so surprised that he yelled obnoxiously and scattered his cards everywhere.`\ ;　その声に、真里亞は一度寝返りをうって見せたが、すぐにすやすやと深い眠りに戻る…。@ `His voice caused Maria to turn over once, but she soon fell back into a deep sleep...`@ br ;　朱志香に小突かれ、声が大きすぎるとたしなめられるのだった。\ `Jessica gave him a jab, and he lowered his voice.`\ ld r,$BUT_aseruA1,80 ;「いや、しかし…、言われて見れば確かにそれっぽい雰囲気はあったんだよなぁ…。@……はぁ、なるほどなぁ、譲治の兄貴がなぁ…。」\ ;＜戦人 `"Still, seriously..., now that I've heard about it, they really did have that kind of atmosphere, didn't they...`@`......Haa, now I see, that George-aniki..."`\ bg G2F_R1bN,23 ;　部屋に譲治の姿はない。@ ;　さっき、紗音が部屋にやって来た時、急に屋敷に忘れ物をしたから取りに戻ると言い出したのだ。@ `George could not be seen anywhere in the room.`@ `A short while ago, when Shannon had come into the room, George had suddenly said that he had forgotten something in the mansion and needed to go back and get it.`@ br ;　紗音は来た時同様、ご案内しますと言い、二人で退出していった。\ `Shannon had said she would guide him, just like she had on the way to the guesthouse, and the two of them had departed together.`\ ld r,$JES_AkuwaraiA1,24 ;「……いや、昔からそれっぽい気配はあったんだぜ？@　好きな物を聞いてきたり、趣味を聞いてきたりさ。@単に関心を持つだけにしてはどうも…、何て思ってたらよぅ！」@ ;＜朱志香 `"......Yeah, they've really been showing signs for a long time, haven't they?`@` Asking what the other person liked, asking what their hobbies were.`@` And somehow thinking they could pass it off as nothing more than a passing interest!?"`@ ld l,$BUT_komaruA1,23 ;「そういや、昔っから譲治の兄貴は紗音ちゃんにやたらとやさしかった気がするぜ……。@なぁるほどなぁ…。」\ `"Come to think of it, I get the feeling that George-aniki has always been overly nice to Shannon-chan......`@` No-w I get it..."`\ ;■雨天の薔薇庭園・雨宿りできる東屋（あずまや）？ bg black,5 fede 0,2000 wait 2000 meplay 1,13 bg rose_G1aN,2 dllefe 1,1 wait 3000 bg rose_1bN,2 wait 3000 bg garden_1aN,2 wait 3000 dllefe_off mevol 1,40 bg garden_R1aN,2 wait 3000 ld r,$GEO_DefA1,24 ;「天気予報によると、今夜が一番ひどいみたい。@明日いっぱいも止まないらしいけど、もう少しマシになるそうだよ。」@ ;＜譲治 `"According to the weather report, it looks like it will be at its worst tonight.`@` It also seems that it won't stop tomorrow, but it should get a little better."`@ ld l,$SHA_tokuiA1,23 ;「…そうですか。@では、明後日までは、船は来られないかもしれませんね……。@…譲治さまの月曜日のお勤めに差し支えが出ないか心配です…。」\ ;＜紗音 `"...Really?`@` Then, maybe, the boat won't arrive until the day after tomorrow......`@`...I've been worried that might interfere with your work on Monday..."`\ ld r,$GEO_HohoemiA1,80 ;「ははは、台風が来ていることは知っていたからね。@万一に備えて月曜日には予定を入れなかったから大丈夫さ。@…こう見えても、スケジュールは先読みできるタイプなんだ。」\ ;＜譲治 `"Hahaha, I already knew that the typhoon would be coming beforehand.`@` Just in case, I made sure that I didn't have any plans for Monday, so it's alright.`@` ...I may not look like it, but I really am the type who can plan ahead in his schedule."`\ ;　譲治は胸を張って誇るような仕草をする。@ `George puffed out his chest, acting proud.`@ br ;　それは、いとこたちの中で最年長である譲治の普段の落ち着きある様子から比べると、少し子供っぽくて微笑ましかった。@ `Compared to the normally calm appearance that George always had as the oldest cousin, he now looked amusingly like a little kid.`@ br ;　紗音はそのギャップをくすりと笑う。\ `Shannon chuckled at this gap.`\ ld l,$SHA_WaraiA3,80 bgmplay 21 ;「さすが、やがては会社を興される方はしっかりしていますね。」\ `"It's no surprise that someone who will soon make his company prosperous is so well prepared."`\ bg garden_R1bN,22 ld c,$GEO_waraiA1,24 ;「…やっぱり会社を興すというのは大変だね。@お金とかそういうのだけじゃないものがとても大事だって、@父さんのところで勉強していてわかるよ。@会社を興すということは、城を持ち、部下を率いるということ。\ `"...Well, making a company prosperous really is a tough job.`@` Money isn't the only thing that's important.`@` I learned that well by studying from my father.`@` Making a company prosperous is like having a castle and leading your subordinates.`\ ld c,$GEO_WaraiA2,80 ;　うちの父さんは秀吉って名前だけあって、戦国武将のエピソードがとても好きでね。@会社経営の哲学をよくそこから語るんだ。@…知ってるかい？@　戦国最強の騎馬軍団と恐れられた武田信玄も、最初は部下たちの結束がバラバラで、統率力をまるで発揮できなかったんだそうだよ。」\ `My dad, Hideyoshi, really loved reading about great leaders during the warring periods of Japan.`@` Much of his philosophy on managing businesses comes from talking about them.`@` ...Did you know?`@` Takeda Shingen, who was feared as the leader of the strongest cavalry corps in the warring periods, started out with his troops in complete disarray, and didn't have the kind of strong leadership necessary to utilize them well."`\ bg garden_R1cN,0 ld r,$SHA_MajimeA2,24 ;「そうなんですか？@　何だか意外ですね。」\ `"Is that true?`@` That's a little unexpected."`\ ld l,$GEO_majimeA1k,23 ;「信玄は部下たちを結束させるため、数々のリーダーシップを発揮してるんだよ。@例えば、戦場で武功を立てた部下に対し、すぐその場で褒章を与えたり。@普通、こういうのは戦が終わってからまとめてやるものだからね。\ `"In order to unite his troops, Shingen utilized several strategies.`@` For example, when a soldier succeeded well in battle, he would immediately honor them with a medal.`@` Normally, that kind of thing was put off until after the war and they were all awarded at once.`\ ld l,$GEO_WaraiA1,80 ;　それを、戦場の本陣の中にいながらマメにやり続け、@部下の武功を素早く評価しやる気につなげたというのは非常に大きいことだよ。@それから部下が病気で伏せった時には誰よりも早く駆けつけお見舞いをした、とかね。@…武田信玄は戦国最強の騎馬軍団を率いただけじゃない。@戦国一の部下思いの人だったんだよ。」\ `He also worked diligently while on the field of battle,`@` and when he immediately showed his appreciation for his troops' military exploits, he motivated them in an extremely significant fashion.`@` After that, whenever one of his troops was brought down by an illness, he would be the first to rush up to them and care for them, things like that.`@` ...Takeda Shingen wasn't just the man who led the strongest calvary corps in the warring period.`@` He was the person who cared the most for his troops throughout the warring period."`\ ld r,$SHA_WaraiA1,80 ;「……そんな方だから、部下の皆さんも付いてきてくれたんですね。」@ `"......Since he was that kind of person, all of his troops went along with him."`@ br ;　実は、この話は何年か前にすでに紗音は聞かされている。@ ;　…でも、父の話と絡めこういう話をする時の譲治はいつもとても輝いていて、楽しそうだった。@ `The truth was, Shannon had already heard this story several years ago.`@ `...But when George started to tie his father in with one of these stories, he would always be beaming, looking like he was having a great time.`@ br ;　だから紗音は口を挟まず笑顔でその先を促すのだ。\ `So Shannon just smiled without interrupting, urging him to continue.`\ ld l,$GEO_hohoemiA1,80 ;「確かに資本主義の世界では、お金は力で石垣の高さでもある。@でもね、戦も城も自分ひとりじゃ成り立たない。@大勢の部下に支えられ、その力を借りて初めて成立するものなんだよ。@/ `"Of course, in a capitalist world, the power of money can build up a large stone wall.`@` But did you know? You can't build up a castle or succeed in war by yourself.`@` That kind of thing can only be created with the support of many subordinates, by borrowing their strength. `@/ ld l,$GEO_MajimeA2,80 ;……それを理解してから父さんの背中を見ると、自分がいかに未熟で、@父さんがどれほどの切磋琢磨をして今日を築き上げてきたかがよくわかるんだ。」\ `......After understanding this, when I look at my father's back, I realize how immature I am.`@` I see how much my father has cultivated his character by working hard, and understand well how he was able to build up all that he has until today."`\ ld r,$SHA_TokuiA1,80 ;「譲治さまは、お父様のことをとても尊敬されているんですね…。@羨ましいです。」\ `"George-sama, you truly look up to your father...`@` I'm jealous."`\ ld l,$GEO_KomaruA1k,80 ;「あ、あぁ、ごめん…、別にそういう意味で言ったんじゃないんだよ。」@ `"A, ah, sorry..., that's not exactly the way I meant to say it."`@ ld r,$SHA_hajiraiA2,80 ;「す、すみません…、私も別にそういう意味で言ったつもりは……。」@ ;　二人して気まずそうに俯きあう。\ `"I, I am sorry..., I also didn't mean it that way......"`@ `The two of them awkwardly looked at their feet.`\ bg black,25 ;　紗音に両親はいない。@ ;　彼女は金蔵が持つ、福音の家という名の孤児院で育った。@ `Shannon had no parents.`@ `She had been brought up in an orphanage owned by Kinzo called the Fukuin (福音) House.`@ br ;　孤児院は名誉院長である金蔵の下へ、優秀な院生を奉仕活動に送っていた。@ ;　そこで認められれば、孤児院を出て右代宮家で使用人として仕えることができる。@ `Under the guidance of the honorary director, Kinzo, the orphanage offered excellent graduates a chance to live a life of service.`@ `If they were accepted, they would be able to leave the orphanage and work as servants for the Ushiromiya family.`@ br ;　…これが、院生の最大の名誉だとされていた。\ `...This was considered to be the highest honor for a graduate.`\ ;　福音の家出身の使用人は、奉仕活動中は「音」の文字を持つ名前を名乗ることになる。\ `Servants from the Fukuin House all took names with the character "on" (音) in them while they served.`\ bg rose_1aN,22 dllefe 1,1 ;　だから「紗音」という名前も本名ではない。@ ;　それは「嘉音」も同様だ。@ `So "Shannon" (紗音) wasn't her real name.`@ `The same goes for "Kanon" (嘉音).`@ br ;　福音の家の院生たちはみんな孤児。@ ;　さもなければ特殊な事情により両親に離縁されている者ばかり。@ `All of the graduates from the Fukuin House were orphans.`@ `Or you could say that they were all people who, through special circumstances, had been disowned by their parents.`@ br ;　……なので、院生たちは互いが唯一の家族であると教えられていた。@ ;　だから嘉音が、紗音のことを姉と呼ぶのは、彼らにとってとても自然なことなのだ。\ `......Because of this, the graduates had been taught to think of each other as their only family.`@ `That's why it seemed so natural to Kanon when he called Shannon his sister.`\ bg M_o1aN,22 ;　そして、今日は紗音と嘉音が屋敷に詰めているが、@他にも眞音（マノン）や恋音（レノン）といった、音の文字を持つ使用人が数人いて、ローテーションを変わることもある。\ `And while only Shannon and Kanon were working today in the mansion, `@`there are other servants who worked in the shift rotation, named Manon (眞音) and Renon (恋音) who also inherited the '音' character in their names.`\ ;　…もっとも、右代宮家で使用人を長く続けられる者はそう多くはない。@ ;　多くは３年程度で辞めていくのが通例だった。@ `...However, there were not many servants who stayed with the Ushiromiya family for long.`@ `It was standard for them to quit after three years.`@ br ;　なので、紗音の１０年にも及ぶ勤続年数は例外中の例外だったと言えるだろう。\ `So you could probably say that Shannon, who had been working for over ten years, was an exception to an exception to the rule.`\ ;　右代宮家で使用人として仕えるのは非常に負担の大きいことだが、給金は決して悪くない。@ `Working as a servant for the Ushiromiya family was a heavy burden to bear, but the pay wasn't bad at all.`@ br ;　３年も働けば社会に出る充分な準備金になる。@ `Working for a full three years would earn more than what was needed to enter mainstream society.`@ br ;　だから院生たちは右代宮家で働くことがとても辛いことであることを理解していたが、それでもなお希望するのだった。\ `That was why, even though the graduates from the orphanage realized what a harsh task working for the Ushiromiya family was, they still hoped to be accepted.`\ bg black,22 dllefe_off ;　紗音の場合は、他の使用人たちより根性があったから１０年を続けられたと見るべきではないかもしれない。@ `Maybe the fact that Shannon had managed to continue for more than ten years shouldn't be viewed as her having more willpower than any of the other servants.`@ br ;　辞職を言い出せない気の弱さが勤めさせた１０年だったのかもしれない。\ `Maybe she was made to continue working for ten years because she didn't have the courage to say that she wanted to quit.`\ ;　それら福音の家から送られる“優秀な”使用人は、もはや血縁すら信用できない金蔵にとっては唯一信頼できる存在であった。@ `To Kinzo, who could not even trust his own blood relatives, those 'excellent' servants sent from the Fukuin House were the only ones he could trust.`@ br ;　そのためある時、金蔵は彼らを直属の使用人として家紋をまとうことを許し、自分の身近に仕えさせたのである…。\ `Because of that, Kinzo would sometimes allow them to wear the family crest as servants under his direct control, and have them work close to him...`\ bg garden_R1aN,26 meplay2 1,12,40 ld r,$GEO_DefA1,24 ;「……えっと、……その、もう勤めて１０年近くになるんだっけ？@　だいぶお金もたまったんじゃないかい？」@ `"......Err, ......um, you've already been working here about ten years, was it?`@` You must have saved up a lot of money by now, right?"`@ ld l,$SHA_majimeA2,23 ;「どうでしょう…。@別に私、買いたい物も特にありませんし…。@ほんの何百万かあったって、それで残りの人生を過ごせるわけもありませんし…。」\ `"I wonder...`@` It's not like there's anything in particular I'd like to buy...`@` I think about a few million yen, which isn't enough to live off of for the rest of my life..."`\ ld r,$GEO_hohoemiA1,80 ;「目標の額があってお勤めを続けてるわけじゃないのかい？」@ `"Have you continued working to try and meet some target sum?"`@ ld l,$SHA_tokuiA1,80 ;「………そ、…そうですね。@……私はこのお屋敷以外に行く当てもありませんし。@……お嬢様とも、他の使用人の子たちとも仲良くやれてますし…。@……奥様には時折お叱りを受けますけど、……薔薇の世話やお屋敷のお掃除も楽しいですし…。」\ `".........Y, ...yes, that's right.`@` ......I have nowhere to go outside of this mansion.`@` ......I have been getting along well with Milady and the other servants' children, too...`@`......I am sometimes scolded by Madam, but, ......caring for the rose garden and cleaning the mansion is fun..."`\ ld r,$GEO_MajimeA1,24 ;「でも、それは紗音ちゃんの、/ ;!d800……うぅん、紗代（さよ）ちゃんの人生じゃない。」@ `"But, that isn't Shannon-chan's, `/ !d800`......no, Sayo(紗代)-chan's life."`@ ld l,$SHA_hajiraiA2,80 ;「………えっと…。」@ ;　紗音は本名を出されて俯く…。@ ;　譲治が何を言おうとしているかわかり口篭った。\ `".........Umm..."`@ `Shannon cast her eyes downwards when she heard her real name...`@ `She understood what George was trying to say and closed her mouth.`\ ld r,$GEO_MajimeA2k,80 ;「僕は成人し、社会人になってからも勉強してわかったことがある。@……子どもの頃、僕らが思っていたほど、人生は単調で短くないんだ。」\ `"Even after becoming an adult and a full-fledged member of society, I've been studying and I've learned something.`@` ......A human's life is not as monotonous or short as we thought when we were kids."`\ ;　学生の頃、誰もが抱き恐れる妄想。@ `When they are students, everyone has certain fears that they can't shake.`@ br ;　……自分の人生の残り全てが、退屈で単調な放課後の眠い授業のように、@永遠にのんびりと怠惰に何も起こらずに終わってしまうのではないか…。\ `......Wondering whether they will live the rest of their lives like they were in sleepy classes after a monotonous and boring school day,`@` spending their time in a carefree laziness without anything interesting happening until it was all over...`\ ;　しかし、それは未成年の学生である内だけの話だ。@ `However, these thoughts will only arise while a person is still an underage student.`@ br ;　人の人生において学生時代など卵の殻を割るまでの未熟かつ瞬きする間の日々でしかない。@ `Compared to a human's life, the time they spend as a student is nothing more than a blink of the eye, a period where they break through the shells of their immaturity.`@ br ;　殻の内側は温かくも窒息しそうで退屈な世界かもしれないが、@殻の外には無限の可能性に満ちた広大な世界が広がっているのだ。\ `The inside of the shell might be a hot, suffocating and boring world,`@` but the world beyond that shell is vast and filled with limitless possibilities.`\ ld r,$GEO_DefA1,80 ;「君の人生は、まだ紗音という殻の中でしかないんだ。@君は自分の人生が、この生活のままずっと続いていくと勘違いしてるんじゃないかな。」@ `"So far, you have been living inside your shell.`@` Aren't you making the mistake of thinking that your life will always continue like this?"`@ ld l,$SHA_komaruA1,80 ;「それは……、…。@…………………。」\ `"That is......, ...`@`..............."`\ ;　紗音はその言葉を否定できない。@ `Shannon couldn't deny those words.`@ br ;　…自分の人生に明確な疑問を抱くこともできないし、@それをどう変えたいという願望や目標もないから、今の生活を怠惰に続けている。\ `...She hadn't been able to doubt her way of life,`@` and since she never had any hope or goal to change herself, she had continued her life of idleness.`\ ;　…それに、自分の人生がこれですでに満たされているのかと言われれば、@…それはそれで頷けるものでもなく……。@ `...And if she were asked whether this life was satisfying,`@` ...she wouldn't have been able to nod......`@ br ;　彼女にとって、それはわざと目を背けていたことなのかもしれない。@ `This might have caused her to avert her eyes from the truth.`@ br ;　…それを譲治に諭されない限り、彼女は気付かないふりをし続け、自分の本当の人生を少しずつ蔑ろにしていく…。\ `...As long as she wasn't admonished by George, she would have continued pretending not to notice as her real life slipped away, neglected, bit by bit...`\ ld l,$SHA_MajimeA1,80 ;「……譲治さま。@…………私は、/ ;!d800……このままでいては、…いけないのでしょうか。」@ `"......George-sama.`@`............Should I not, `/ !d800`......continue living, ...this way?"`@ ld r,$GEO_MajimeA1,80 ;「いけないよ。@/ `"You must not. `@/ ld r,$GEO_HohoemiA1,80 ;あ、それから今、ルール違反がひとつあったね？」@ `Ah, and by the way, didn't you break one of the rules just now?"`@ ;　譲治は厳しそうに即答すると、すぐに悪戯っぽい顔で笑う。@ `George immediately gave a strict answer, and then broke out into a mischievous smile.`@ br ld l,$SHA_HajiraiA1,80 ;　紗音はすぐに何を注意されたのか理解したが、…それが恥ずかしいらしく、再び俯いた。\ `Shannon already knew what she was being chided for, ...and it seemed that it embarrassed her, as she hung her head.`\ ld r,$GEO_defA1k,80 ;「僕たちしかいない時は、“さま”はなしの約束だよ…？」@ `"Didn't you promise not to use "sama" when the two of us are alone...?"`@ ld l,$SHA_HajiraiA2,80 ;「………や、……約束では聞けません。@………ですが、ご命令でしたら聞かないわけにはいきません…。@私は、…………家具ですから。」\ `".........I couldn't obey that as a promise.`@` .........But, if it was an order, I would have to obey it...`@` Because I'm, ............furniture."`\ ld r,$GEO_HohoemiA1k,80 ;「じゃあ、命令だよ。」@ `"Then it's an order."`@ ld l,$SHA_HajiraiA3,80 ;!s0「えっと、/ ;!d500………………はい。@……かしこまりました、/ ;!d700…譲治さん。」@ !s0`"Err, `/ !d500`...............Yes.`@` ...Certainly, `/ !d700`...George-san."`@ ;!sd　紗音は俯き赤くなりながら、譲治をさん付けで呼び直す…。\ !sd`As Shannon hung her head, her face red, she said George's name again, this time using san...`\ ld r,$GEO_WaraiA2,80 ;「うん、それでいいよ、紗代ちゃん。」@ ;　譲治は紗音の、いや、紗代のわずかの勇気を褒める笑顔を浮かべる。\ `"Yes, that's fine, Sayo-chan."`@ `A smile rose to George's face praising Shannon's, no, Sayo's small act of bravery.`\ bg black,22 bg rose_1bN,22 dllefe 1,1 ;　そのやり取りを見る限り、彼らの交際がすでに短くないことをうかがわせた…。@ `Just watching this conversation would give anyone a feeling of how close their relationship was...`@ br ;　二人はしばらくの間、荒れる天気などまったく意にも介さぬかのように、@誰にも内緒の交際で築いてきた様々な思い出を語り合うのだった。@ `For a long while, the two talked as if the weather raging around them didn't even enter their consciousness.`@` They talked about the many memories they'd built during their relationship that no one else knew about.`@ br ;　時に稲光が水を挿そうとするが、薔薇も頬を染めるような時間を汚すことなどできなかった…。\ `Every once in a while, a flash of lightning would slice through the rain, but this could sully neither the roses nor the time they spent blushing at each other...`\ textoff fede 1,10000 dllefe_off bg black,22 bg garden_R1bN,22 ld r,$GEO_defA1k,24 ;「……………そ、…そうだ。@…君に、見せたい物があって。」@ `"............Th, that's right.`@` ...I have something I wanted to show you."`@ ld l,$SHA_hajiraiA2,80 ;「……な、……何でしょうか。」\ `"......Wh, ......what could it be?"`\ ;　雄弁と語る譲治が、急にどもり出す。@ ;　その様子に紗音も何かを悟った。\ `George, who had been speaking eloquently, suddenly started to stutter.`@ `Shannon also noticed something about his appearance.`\ ;　譲治はおずおずと自分のポケットを探る。@ ;　それはポケットの淵などに引っかかり、どもる譲治同様に少々間の抜けた様子で取り出された。\ `George timidly searched through his pocket.`@ `Something got caught in the depths of his pocket, and just like the stuttering George, it took a little while to get it out.`\ bg black,22 fede 0,2000 bgmplay 22 ;　それは、小さな小箱。@濃い青色のベルベット生地の小箱。@ ;　…その特徴的な形だけで、中に何が納められているかを想像させた。\ `It was a very small box.`@` A small box covered in a deep blue velvet.`@ `...That peculiar shape was enough to make anyone realize what was resting inside.`\ bg garden_R1aN,0 ld r,$GEO_MajimeA1,0 ld l,$SHA_hajiraiA2,22 ;　紗音は、きっとそうに違いないとわずかの心の準備はしていた。@ ;　だがそれでも、それを直視すると再び顔が紅潮するのを拒めない…。@ `Shannon had prepared her heart a little, thinking it must be something like that.`@ `But even so, when she actually saw it, she couldn't avoid blushing once more...`@ br ;　譲治はその小箱を開け、それを摘み取り…、紗音に受け取るように差し出す。\ `George opened the small box, took that thing out..., and held it out for Shannon to take it.`\ ld r,$GEO_MajimeA1k,24 ;「これを君に受け取って欲しいんだ。」@ `"I want you to accept this."`@ ld l,$SHA_odorokiA1,80 ;「こ、………このような高価な物は、その、お、お受け取りできません…！」@ `"I, .........I can't accept something so valuable...!"`@ ld r,$GEO_hohoemiA1k,80 ;「……受け取れない…？」@ `"...You can't accept it...?"`@ ld l,$SHA_HajiraiA1,80 ;!s0「い、…いえ、/ ;!d800その…、/ ;!d500………こんなもの、/ ;!d600……私には、/ ;!d800………す、過ぎていて………。」\ !s0`"N, ...no, `/ !d800`umm..., `/ !d500`.........Something like that, `/ !d600`......is too good, `/ !d800`.........f, for me........."`\ !sd ld r,$GEO_MajimeA1,80 ;「紗代。@これはお願いじゃない。@/ `"Sayo.`@` This is not a request. `@/ ld r,$GEO_defA1k,80 ;……命令だよ？@　この指輪を受け取って。@…ね？」@ `......It's an order, okay?`@` Accept this ring.`@` ...Okay?"`@ ld l,$SHA_HajiraiA3,80 ;「は、……ぅ…。@め、……命令では、/ ;!d800………従わなくてはなりません…。」@ `"Ha, ......u...`@` I, ......I can't, `/ !d800`.........disobey an order..."`@ ld r,$GEO_HohoemiA1,80 ;「うん、そうだね。@…いい子だよ。」\ `"Yes, that's right.`@` ...Good girl."`\ bg black,25 ;　紗音は、真っ赤な顔を見られたくなくて、俯いたまま、おずおずと譲治の手から指輪を受け取る…。\ `Shannon, not wanting to show her bright red face, timidly accepted the ring from George's hand while still staring at the ground...`\ ;　それは単なるアクセサリーとしての指輪ではない。\ `That ring wasn't a simple accessory.`\ ;　……古来より、特別な意味を持って特別な女性に捧げられてきた高潔なものだ。@ ;　…だからこそ譲治は、受け取ることを命じられても、それ以上を命令することはできない。@ `......It was a noble object, which since ancient times was meant to be held with a special meaning and offered to a special woman.`@ `...Therefore, while George could order her to take it, he could not order anything beyond that.`@ br ;　それ以上は命令でなく、紗音の、いや、紗代が自分の意思でしなければならないのだ。\ `Anything beyond that would depend, not on an order, but on Shannon's, no, Sayo's own will.`\ bg garden_R1aN,0 ld c,$GEO_DefA1k,26 ;「だから、ここからはもう命令じゃない。@………紗代。@明日までに、言葉でない形で返事がもらいたい。@/ `"So, from here on it's no longer an order.`@` .........Sayo.`@` I want you to answer me tomorrow, without using words. `@/ ld c,$GEO_waraiA1,80 ;……………わかるね？」\ `............Do you understand?"`\ bg garden_R1cN,0 ld r,$SHA_HajiraiA1,24 ;「…えっと、…………ど、…どうすれば………。」@ `"...Err, ............H, ...how........."`@ ld l,$GEO_DefA1,23 ;「もうこれ以上は命令じゃないから、僕は君に命令はしない。@/ `"I won't order you any more, so this isn't an order. `@/ ld l,$GEO_hohoemiA1k,80 ;……でも、指輪は指にするものだからね。@……気に入ってくれたなら、好きな指に付けてくれればいい。」\ `......But a ring is something you put on your finger.`@` ......If you like it, you can just put it on any finger that you choose."`\ ;　紗音は無知を装っただけだ。@ ;　どうすればいいのか、全てわかってはいた。@ `Shannon had only pretended not to know.`@ `She had already understood what he wanted her to do.`@ br ;　…でもそれは、彼女の人生にとっての大きな岐路となる…。\ `...But she was standing at a huge crossroads of her life...`\ ld l,$GEO_hohoemiA1,80 ;「……もうこんな時間だね。@今夜はこれくらいにしよう。」@ ;　譲治はほんの少しだけ素っ気無くしながら、紗音に背を向ける。\ `"......Look how late it's gotten.`@` Let's call it a day."`@ `George faced away from Shannon, seeming slightly uncomfortable.`\ ld l,$GEO_MajimeA1,80 ;「君に、左手に付けて欲しいと命令することもできるかもしれない。@君も、命令されればそれに従えるという臆病な甘えがあるかもしれない。@……でも、最後のここだけは、君の、……紗代の意思でしてもらいたいんだ。@…わかるね？」\ `"I probably can't order you to wear it on your left hand.`@` You might be timid and dependent enough to actually obey that kind of an order.`@` ......But I want this last part to be given by Sayo's own will.`@` ...Understand?"`\ ld r,$SHA_HajiraiA2,80 ;「…………は、/ ;!d800………はい。」@ `"............Y, `/ !d800`.........yes."`@ ld l,$GEO_hohoemiA1,80 ;「だから、…それが命令。@………今夜よく考えて、明日その返事を見せて欲しい。」@ `"So, ...that's my order.`@` .........I want you to think about it well tonight and show me your answer tomorrow."`@ ld r,$SHA_HajiraiA1,80 ;「…………………。」@ ;　紗音は頷き返す。\ `"..............."`@ `Shannon nodded back.`\ ;　……これまでの交際の日々の積み重ねがあり、今日がある。@ ;　…紗音にとって今日のこの瞬間は、決して不意打ちなものではない…。\ `...Today was the culmination of their long relationship.`@ `...This moment had not come as any surprise to Shannon...`\ ld l,$GEO_defA1k,80 ;「………そろそろゲストハウスに戻ろうか。@これ以上遅いと、みんなを心配させちゃうよ。」@ `".........We should be getting back to the guesthouse soon.`@` If we take any longer, we'll make everyone worry about us."`@ ld r,$SHA_HajiraiA2,80 ;!s0「……あ、/ ;!d600……えっと…、/ ;!d800…すみません、私！@　その、お屋敷に用を思い出しまして、/ ;!d400…その、/ ;!d900……お屋敷へ行かねばなりません…。」@ !s0`"......Ah, `/ !d600`......err..., `/ !d800`...I'm sorry, I...!`@` Um, I just remembered something I had to do in the mansion, so, `/ !d400`...um, `/ !d900`......I have to go back to the mansion..."`@ ld l,$GEO_waraiA1k,80 ;!sd「こんな時間に？@　………本当かな？」@ ;　譲治は悪戯っぽく笑いながら紗音の顔を覗き込む。@ ;　それが紗音の嘘に違いないことを見抜いていた。\ !sd`"Something this late?`@` .........Really?"`@ `George stared into Shannon's face as he laughed mischievously.`@ `He definitely saw through Shannon's lie.`\ ;　……しかしその気持ちを察すれば、恥ずかしくなりひとりになりたいと言い出す気持ちもわからなくはなかった。@ `......However, after noticing that feeling, it wasn't as if he couldn't understand that she might be so embarrassed that she'd want to be alone.`@ br ;　だから譲治は、紗音の嘘を裏側まで理解した上で、それを認めてやるのだった。\ `So because George realized the meaning behind Shannon's lie, he accepted it.`\ textoff bg black,2 bg rose_1aN,2 meplay2 1,12,40 dllefe 1,1 wait 10000 eye1 22,00,23,00,1,0,510,340,25 ;▲第８アイキャッチ：１０月４日（土）２２時００分　が２３時００分に進む ;fede 0,6000 *umi1_9 ;■屋敷〜屋敷の使用人室 meplay2 1,12,40 bgmplay 8 se1 17 bg Mhal_2aN,8 ;　紗音は、ふらついた足取りで屋敷の玄関を入る。\ `Shannon entered the entrance hall to the mansion with a tottering gait.`\ ;　高揚感と不安感の入り混じった一言では言い表せない気持ちで胸が膨らみ、はち切れそうだった。@ `A mixture of exaltation and uncertainty gave her a feeling that she couldn't easily describe. It swelled up in her chest until it felt like she was about to burst.`@ br ;　使用人室の前で一度だけ深呼吸をし、心を落ち着かせてから扉を開いた。\ `After stopping for a second in front of the servant room to take a deep breath and calm her heart, she opened the door.`\ ;se1 16 bg G1F_R1aN,4 ;　中には、今夜のお屋敷の深夜勤を言い付けられた郷田がいて、くたびれたクロスワードパズルの雑誌に没頭していた。@ `Inside, Gohda, who had been ordered to take the midnight shift at the mansion tonight, was absorbed in a crossword puzzle magazine, completely worn out.`@ br ;　親族の誰かが来たのかと、一瞬だけ顔を向けるが、使用人仲間だとわかり何事もなかったかのように顔を戻す。\ `He looked up for an instant to see whether one of the family had come, but when he realized that it was a fellow servant, he returned to his puzzle as if nothing had happened.`\ ld r,$SHA_hajiraiA1,4 ;「……あの、/ ;!d400…源次さまより、郷田さんのお手伝いに就くように言われてまいりました。」\ `"......Umm,`/ !d400` ...I was told by Genji-sama to help Gohda-san and came over."`\ ld l,$GOH_hohoemiA1,23 ;「あぁ、そうですか…。それは助かります。@そろそろ戸締りの見回りに行きたかったのですが、ここを空けてもいいものか困っていたのです。@何しろ、旦那様方の会合はまだだいぶ続きそうですからね。@いつ何時、お茶のご用命があるかもわかりませんし。」\ `"Ah, really... Thanks a lot.`@` I was just about to go make the rounds and close up the mansion, but there's no way I could leave this place empty.`@` Anyways, Krauss-sama and the others' meeting looks as though it will continue for quite some time.`@` They might order some tea at any time."`\ ld r,$SHA_majimeA2,80 ;「そうですよね…。@では、どうしましょうか…、私が留守番を、」@ `"That's true...`@` Then, what shall we do...? Should I watch over-"`@ ld l,$GOH_OmakaseA1,80 ;「では紗音さん、申し訳ありませんがお屋敷内の見回りをお願いします。@私はここで、親族の皆さんのご用命の待機をしておりますので。」@ `"In that case, Shannon-san, sorry, but would you please patrol the inside of the mansion?`@` I will stay here, awaiting the family's orders."`@ ld r,$SHA_fumanA1,80 ;「は、……はい…。」\ `"Ye, ......yes..."`\ ;　…紗音はちょっぴり呆れる。@ `...Shannon was a little surprised.`@ br ;　自分は厚意でここに手伝いに来ているのに、本来の当番の本来の仕事を当然のように押し付けるなんて。@ `Despite the fact that she had come here to help out as a favor, she was being forced to do the job of the person actually on duty as though it were natural.`@ br cl l,24 ;　しかも、それを一方的に押し付けると、郷田は再び雑誌に没頭して、クロスワードパズルに浸りこむ。\ `Furthermore, after one-sidedly forcing that task on her, Gohda had once again gone back to his magazine and had become immersed in his crossword puzzle.`\ bg black,4 bg M1F_P1cN,4 ;se1 15 ;　一応、年長者に対する礼儀として頭を下げてから、紗音は見回りのため退出する。\ `For the time being, as a sign of respect for her elder, Shannon bowed her head, and she left the room to patrol the mansion.`\ ;　ちょっとカチンと来たお陰で、さっきまでのふわふわした感覚が、少し治まることができたのだった。@ `Because it had come fairly suddenly, the airy sensation that she had felt a little while ago had lessened a bit.`@ br ;　それに、こんな顔を源次や嘉音には見せられない。@ ;　心が落ち着きを取り戻すまで、少し時間がほしかったから、見回りもそう悪いものではなかったかもしれない…。\ `And she couldn't show this kind of face to Genji-sama and Kanon-kun.`@ `Until her heart was able to calm down, she wanted a little time to herself, and maybe going on patrol wasn't such a bad way to do that...`\ bg black,4 fede 1,2000 ;　食堂からは、親族たちが喧々諤々と議論する声が聞こえてくる。\ `From the dining hall, she began to hear the tumultuous voices of the family's discussion.`\ ;　誰かが冗長に語っては、それを誰かが否定し、@それを長々と語ると、また別の誰かが否定する。@ `Someone was speaking at great length, and was then interrupted by someone else.`@` This second person also began to speak in a very long, drawn-out fashion, until yet another person interrupted him.`@ br ;　そんなことの繰り返し。@ ;　声にも不機嫌さが滲み出ているようだった。\ `That kept on repeating.`@ `It was as though their displeasure was seeping out through their voices.`\ ;　自分はゲストハウスに行けと言われているのだから、蔵臼に見付かるとまずい。@ ;　紗音はそう思い、食堂の前を足早に抜ける。\ `She had been told to go to the guesthouse, so it would be bad if she was discovered by Krauss.`@ `Thinking that, Shannon quick-footedly left from the entrance to the dining hall.`\ ;　そして、暗闇に支配された屋敷の中を、決められたルートに従いながら戸締りの確認をしていく。\ `Then, inside the mansion controlled by darkness, she began to check that the house was all closed up, following a prearranged route.`\ bg black,4 bg M2F_P1bN,4 ;　廊下を歩き、その窓ひとつひとつの戸締りを確認した。\ `She walked down the hall, checking that each window was closed.`\ ;　六軒島には右代宮家以外の人間はいないのだから、本来、戸締りにはそれほど重要な意味があるわけではない。@ `On Rokkenjima, there were no humans other than the family, so in actuality, closing up wasn't that terribly meaningful of a task.`@ br ;　夏妃がそれを無用心だと叱るまで、右代宮本家には戸締りの習慣はなかったのである。\ `Until Natsuhi had scolded them that this attitude was careless, closing up had not been customary in the Ushiromiya family.`\ bg black,22 ;　冷え切った窓の金具は冷たく、それらの確認をひとつずつ進めていく度に、心の火照りが冷まされていく気がした。\ `The metal fixtures on the completely chilled windows were freezing, and every time she went to check on them, one-by-one, it felt like the glow in her heart seemed to cool down.`\ ;「…………………？」\ `"..................?"`\ E_A textoff se1 22 bg butterfly_1a,24 bg black,4 wait 5000 meplay2 1,12,40 bgmplay 18 ;　その時、廊下の向こうに何かが瞬いたのを見た気がした。@ `At that time, she thought she saw something flickering across the hall.`@ br ;　……瞬き？@ ;　そんなものが廊下の闇の向こうに見えるわけがない…。\ `......Flickering?`@ `Something like that shouldn't be visible beyond the darkness of the hall...`\ bg M1F_P1dN,22 ;　何かの勘違いかと思ったが、しばらくの間だけ息を殺し、@カーテンの束を抱きながら、恐る恐る廊下の奥を凝視する……。\ `At first, she thought she had made some mistake, but after a while, she killed her breathing.`@` Grasping a curtain, she fearfully gazed into the center of the hall......`\ ;　しかし、時折轟く雷鳴が廊下を照らし出す以外には、二度とあの瞬きを見ることはできなかった。\ `However, other than the occasional crack of thunder brightening the hallway, she was unable to glimpse any flicker again.`\ ;　……やっぱり気のせいだろう。@ ;　心が落ち着かないので、ありもしないものを見てしまったのかもしれない。\ `...It must have been her imagination after all.`@ `Maybe because she couldn't calm her heart, she saw something that didn't even exist.`\ ;　紗音は再び戸締りの確認を再開する…。@ ;　しかし、その脳裏には、ある薄気味悪い想像が蘇っていた。\ `Shannon resumed checking the windows...`@ `However, in the back of her mind, a certain unnerving imagination was resurrected.`\ bg black,22 ;　…それは、右代宮本家に使える使用人たちの間で語り継がれる、あの怪談。@ `...It was that which had been passed down amongst the servants who served the Ushiromiya main family, that ghost story.`@ br ;　屋敷には昼と夜とで違う主が。@…その夜の主、ベアトリーチェが時に、輝く蝶の姿で屋敷を飛びまわるという、怪談。\ `The mansion had different Masters of the Day and of the Night.`@` ...The master of the night Beatrice would sometimes fly around the mansion in the form of sparkling butterflies. That was the story.`\ ;　……そう言えば、嘉音くんが前に見たことがあるなんて言ってたっけ……？@ ;　私は何かの見間違いだろうと信じてあげなくて、不貞腐れていたけど…。@ `...Come to think of it, didn't Kanon-kun once say that he had seen it with his own eyes......?`@ br ;　………まさか、…本当に……………？@ ;　轟く雷鳴は、それに答えてはくれなかった…。\ `.........Could it possibly... really............?`@ `The roar of the thunder gave no answer...`\ textoff skipoff fede 0,5000 se1 23 meplay2 1,13,60 meplay2 2,5,60 dllefe 1,1 bg garden_1cN,2 wait 5000 bg rose_1aN,2 wait 5000 bg garden_1bN,2 wait 5000 bg M_o1bN,2 wait 6000 dllefe_off mevol 1,40 mevol 2,40 bg Ment_1bN,2 wait 6000 bg Mhal_2cN,2 wait 13000 bg portrait2,2 wait 13000 fede 10,2000 ;時計の音 bgmplay 23 bg black,2 bg Mdin_1eN,0 ld r,$RUD_MajimeA2,2 wait 2000 ld l,$KLA_AkuwaraiA2,23 wait 2000 bg Mdin_1aN,0 ld r,$KIR_majimeA2,0 ld l,$ROS_komaruA1,22 wait 2000 bg Mdin_1bN,0 wait 1000 ld l,$HID_komaruA1,0 ld r,$EVA_ikariA2,23 wait 2000 bg black,3 wait 1000 bg M2F_P1cN,0 ld l,$SHA_KomaruA1,8 wait 2000 bg G1F_R1bN,0 ld r,$GOH_DefA1,2 wait 2000 bg G1F_R1aN,0 ld l,$KAN_nayamuA1,22 wait 1000 ld r,$GEN_DefA1,4 wait 2000 bg black,2 bg Mdin_1gN,0 ld r,$KUM_DefA1,22 wait 2000 bg black,23 ld l,$NAN_fumua1,22 wait 2000 bg black,3 bg G2F_R1aN,0 ld r,$GEO_HohoemiA1,22 wait 2000 bg G2F_R1bN,0 ld l,$JES_WaraiA1,0 ld r,$BUT_waraia1,24 wait 2000 bg black,5 wait 1000 bg Mlib_1cN,0 ld c,$KIN_fumuA1,2 wait 2000 bg black,5 wait 1000 bg Mhal_2cN,2 wait 3000 ;肖像 bg portrait2,2 wait 10000 eye2 0,0,6,0,10,0,510,340,25 ;▲第９アイキャッチ：１０月４日（土）２４時００分　が５日（日）０６時００分に進む fede 0,2000 *umi1_10 ;■ゲストハウス使用人室 bg black,2 se1 28 bg oct_5_1986,2 wait 7000 bg black,2 meplay2 1,13,40 bg M1F_P1d,2 ;　源次は蝶ネクタイを固く締め直すと、カーテンの隙間から外を見た。\ `Genji once again tightened his bow tie, and looked outside through a crack in the curtains.`\ ;　昨夜に比べればほんの少しは雨脚も弱まっただろうか。@ `Maybe the rain had died down a tiny bit since the previous night.`@ ;　…でも、分厚い雨雲はわずかほどの朝の太陽も、その気配さえも許すつもりはないらしい。@ `...But it didn't look like the thick rain-clouds were planning to let any trace of the morning sun get by.`@ br ;　清々しさとは程遠い、薄暗い朝だった。\ `The morning was dim, and far from refreshing.`\ ld r,$GEN_MajimeA1,6 ;「………やはり、今日いっぱいは止みそうにないか…。」@ ;＜源次 `".........As expected, it doesn't seem that it will stop today."`@ ld l,$KAN_DefA1,23 ;「お待たせしました、源次さま。」\ ;＜嘉音 `"Sorry for keeping you waiting, Genji-sama."`\ ;　嘉音が身なりの確認を終え、洗面所から出てくる。@ `Kanon finished checking his appearance, and exited the washroom.`@ ;　普段のシフトなら、深夜勤から早朝勤につながるような辛いことはそうない。@ `In a normal schedule, it was rare for anyone to have to suffer going straight from a midnight shift to a morning shift.`@ ;　親族会議の２日間だけの特別体制だった。\ `There was a special system for the two days of the family conference.`\ ;　もっとも、この台風が今日も去らなければ、親族たちは明日まで島に滞在を続ける。@ ;　特別体制はもう１日続くと覚悟しておいた方がよいだろうと嘉音は思っていた。\ `But then, as long as the typhoon didn't leave today, the relatives' stay on this island would last until tomorrow.`@ `Kanon thought that it was best to be prepared for the special schedule to be extended one more day.`\ bg white,22 dllefe 1,1 mevol 1,70 meplay 2,5 bg G_o1a,22 ;　ゲストハウスを出て、二人は傘を開く。@ ;　薔薇庭園は一晩の風雨で荒れてしまっていた。\ `The two of them left the guesthouse, opening their umbrellas.`@ `The rose garden had been devastated by the wind and rain last night.`\ ;　親族を迎えるために数日をかけて綺麗に手入れしたのに、それを台無しにする手間はたった一晩の風雨で充分とは。@ `Even though they had spent several days making it beautiful to welcome the guests, it had only taken one stormy night to ruin it.`@ br ;　嘉音は溜め息をつく。\ `Kanon sighed.`\ bg black,24 bg rose_G1c,24 ;　二人は屋敷に向かう。@ ;　郷田と合流して、朝食の準備をするためだった。@ `The two headed for the mansion.`@ `They were supposed to meet up with Gohda and prepare breakfast.`@ br ;　凝り性の郷田のことだから、もうとっくに起床していて、ガラス細工のように精巧で絶妙な朝食を準備しているに違いない。\ `Gohda was such a perfectionist that he had probably already woken up, and was probably already preparing a breakfast both exquisite and as elegant as glasswork.`\ bg black,24 bg M_o1a,24 ;　屋敷の玄関の軒下に入り、傘を畳む。\ ;　源次は自分のポケットより数本の鍵を束ねたものを取り出し、それで玄関の鍵を開錠した。\ `They reached the overhang by the entrance to the mansion, and folded up their umbrellas.`\ `Genji took from his pocket a bundle of several keys, and used it to unlock the front door.`\ dllefe_off bg black,25 ;　六軒島には右代宮家の屋敷以外はないため、その昔は施錠の習慣はなかった。@ ;　だが、夏妃の命令により深夜から早朝にかけては施錠が義務付けられたのだった。\ `There was nothing on Rokkenjima outside the Ushiromiya family mansion, so, in the past, they hadn't been in the habit of locking up.`@ `However, Natsuhi had ordered that the mansion would be locked up from midnight to early morning.`\ se1 17 E_M2 mevol 1,40 bg Mhal_2aR,22 ;　そして朝の開錠は早朝勤の使用人が行なうことになっていた。@ `After that, unlocking the door in the early morning had become part of the servants' morning shift.`@ br ;　郷田は起床してすぐに朝食の準備に入るため、それは源次たちが行なうことになっていたのである。\ `This task had been given to Genji and Kanon so that Gohda could begin the preparations for breakfast as soon as he woke up.`\ ;　屋敷の中は静まり返っていて、屋敷そのものがまだ眠りについているような印象を感じさせた。\ `Silence had fallen in the mansion, giving the impression that the mansion itself was asleep.`\ ld r,$GEN_DefA1,24 ;「………では、朝の仕事を始めよう。」@ `".........Well then, let us begin the morning chores."`@ ld l,$KAN_DefA1,23 ;「はい。」\ `"Yes."`\ cl r,23 cl l,24 ;　二人は手分けして屋敷内のカーテンを開けることにした。@ `The two of them split up and began opening the curtains throughout the mansion.`@ br ;　…カーテンに閉ざされたままでは、屋敷の中は未だ昨夜から抜け出せていないかのような薄暗闇を掃えない。\ `...If the curtains remained closed, the inside of the mansion would still be dim, as if it hadn't managed to escape the previous night, and they wouldn't be able to clean.`\ bg Mhal_2a,2 ;　嘉音は慣れた手順で、屋敷内をうまく一筆書きで描けるように回りながら、次々にカーテンを開けていく。@ `Kanon, in a well rehearsed procedure, went around the mansion opening one window after another without having to retrace his steps once.`@ br ;　このようなひどい天気であっても、カーテンを開けることによって、少しは朝の気配を迎え入れることができるのだった。\ `Even with this horrible weather, by opening the curtains, it began to feel just a little bit like morning.`\ bg black,24 bg M1F_P1b,24 ;　その途中で厨房の前を通りかかった。@ `While doing that, he passed in front of the kitchen.`@ br ;　…まだ嗅げてもいないはずなのに、郷田自慢の料理の匂いを先に期待して、空腹の胃袋が疼くのを感じる。\ `...Even though he knew that he wouldn't be able to smell it yet, his stomach started aching for some of Gohda's much bragged about cooking.`\ bg white,24 bg Mkit_1a,0 ld r,$KAN_DefA1,24 ;「………おはようございます。@/ `".........Good morning. `@/ ld r,$KAN_majimeA1,80 ;………………？」@ `...............?"`@ ;　中で準備に勤しんでいるであろう郷田に挨拶しようとしたが、厨房に郷田の姿はなかった。\ `He tried to greet Gohda, who he had thought would be preparing the meal inside the kitchen, but Gohda was nowhere to be seen.`\ bg Mkit_1b,24 ;　厨房は薄暗く、カーテンどころか換気扇すら回っていない。@ ;　火の気もなく寒々しいままで、無論、朝食の準備が行なわれている様子もなかった。\ `The kitchen was darkly lit, and there was no fan for ventilation, much less curtains to be opened.`@ `Since it was still cold without a hint of a fire, it was obvious that no preparations for breakfast were taking place.`\ ;　…あってはならないことだが、郷田が寝坊しているのかもしれない。\ `...Even though it wouldn't be permitted, maybe Gohda had overslept.`\ ;　使用人も人間だ。@ ;　時には起きられなかったりして遅刻することもある。@ `Even servants are human.`@ `They can sometimes be late when they are unable to wake up.`@ br ;　…そのようなことが万一あった時、騒ぎにして無様を晒さないよう、さり気無くフォローし、@そのようなミスがあったことすら主人たちに悟らせないのもまた、使用人の美徳であった。\ `...In the rare case when that happened, clamoring to hide the unsightly scene, casually smoothing it over, `@`and making sure that the presence of such a mistake was never noticed by the master were just some of a servant's virtues.`\ bg black,23 ;　嘉音は壁に備え付けられている電話の受話器を取ると、使用人宿泊室の内線番号をダイヤルする。\ `Kanon took the receiver of the phone that had been fitted to the wall and dialed the number for the extension line to the room where the servants slept.`\ ;「……………………？」@ `"..................?"`@ ;　……独特のツーという機械音を感じない。\ `......He couldn't hear that characteristic sound of a dial tone.`\ ;　嘉音は受話器を取り直してみるが、それでもいつもの機械音を聞くことはできなかった。@ `Kanon tried picking up the receiver again, but even so, he couldn't hear the usual dial tone.`@ br ;　ダイヤルし直してみるが、何の反応も示さなかった。\ `He tried dialing again, but it had no apparent effect.`\ bg Mkit_1c,26 ;　……ひょっとすると、昨夜の落雷で何か機械に異常でも出て、内線電話が壊れてしまったのだろうか？\ `......Could it be that the lightning last night had done something to one of the machines and broken the extension phone?`\ ;　この屋敷の設備は老朽化している。@ `The equipment in this mansion was all worn out.`@ ;　ささやかなことで故障することがあるのを嘉音は充分に承知していた。@ `Kanon fully understood that even the smallest thing could have caused it to break down.`@ br ;　嘉音は電話で起こすことを諦め、使用人宿泊室へ駆けていった。\ `Kanon gave up trying to wake him with the phone, and dashed over to the room where the servants slept.`\ ;■夏妃の寝室 textoff bg black,2 fede 0,2000 meplay2 1,12,40 bg white,6 wait 1000 bg MNAT_1c,9 ;　いつまで眠っていたのか、いつから目を覚ましぼんやりと天井を見上げていたのか。@ ;　……そんな曖昧な目覚めが、いつもの夏妃の朝であった。\ `...How long had she slept until? How long had it been since she had awoken and started lazily staring up at the ceiling?`@ `......That vague sense of awakening was Natsuhi's usual morning experience.`\ ;　眠りはいつも浅く、薬に頼らなくてはそれすら至れない。@ ;　…夏妃にとって、眠りは決して甘美なものではなかった。\ `Her sleep was always light, and she wouldn't even have been able to sleep at all without medicine.`@ `...To Natsuhi, sleeping was definitely not a happy thing.`\ ;　外を見れば相変わらずの大雨。@ `When she looked outside, she saw that it was still pouring.`@ ;　わずかばかりの明るさが感じられなければ、未だに昨夜が続いているのではと勘違いするほどだった。\ `If she hadn't sensed a tiny amount of light, she might have mistakenly thought that it was still last night.`\ ;　…自分はホスト側の人間なのだから、客人よりも後に起床するわけにはいかない。@ `...She herself was one of the hosts, so she mustn't wake up later than her guests.`@ br ;　夏妃はそう自分を鞭打ち、疲れの抜け切らない体を起こす。\ `Urging herself on, she raised up her body, which still hadn't completely recovered from yesterday's weariness.`\ bg MNAT_1a,22 ;　この部屋にいる内は、誰も彼女を苛まない。@ ;　頭痛もこれ以上ひどくはならない。@ `While she was inside this room, no one would torment her.`@ `Her headache wouldn't get any worse than it already was.`@ ;　……この部屋だけが彼女にとって安らぎの空間だった。@ `......This room was her only peaceful space.`@ br ;　だから、ここを出れば夫の兄弟たちとの腹の探りあいの世界に戻ることになる。\ `So when she left, it meant returning to the world of her husbands' siblings probing each others' minds.`\ ;　…ならいっそ、ずっとこの部屋に篭ったままでいられたら…。@ `...Then wouldn't it be better to just stay locked up in this room forever...?`@ ;　夏妃はそんな妄想を考え、苦笑した。@ ;　…これでは、金蔵と同じではないかと。\ `Natsuhi smiled bitterly at this delusion.`@ `...She was starting to sound like Kinzo.`\ bg MNAT_1b,24 ;　…普段は、自分たちを顧みず自室に篭る金蔵に悪態を付いておきながら、実はそれに憧れている矛盾。@ `...Even though most of the time she would carelessly call Kinzo names for staying locked up in his own room, the truth was that she actually longed to do so herself.`@ br ;　……夏妃は頭を軽く振って、その妄想の代わりにいつもの頭痛を呼び覚ますのだった。\ `......Natsuhi gave her head a small shake, and her fantasy was replaced by the reawakening of her usual headache.`\ bg black,22 fede 0,2000 bg M_door2,5 bgmplay 12 ;　部屋から出ようと扉のノブに手を掛けると、昨夜、寝る前にノブにぶら下げたサソリのお守りが手に触れる。@ `When she reached for the doorknob, trying to leave the room, her hand touched the scorpion charm that she had hung from it before going to sleep the previous night.`@ br ;　……朱志香が夏妃に譲った、あの真里亞のお守りだった。\ `......It was Maria's charm, that Jessica had given Natsuhi.`\ bg MNAT_1b,2 ;　朱志香は確か、これには魔除けの効果があって、ドアノブに掛けておくといいと言っていた。@ `Surely, Jessica had said something about it having the power to repel magic, and that she should hang it from her doorknob.`@ br ;　…ひょっとするとそのお陰で、少なくともこの部屋だけは、夫の兄弟たちの毒気から守られていたのかもしれない。@ `...Maybe it was thanks to the charm that at least this room had been protected from her husband's siblings' malice.`@ ;　……そう思えば、今朝の気分もほんの少しだけは晴れ晴れとしてくるのだった。\ `......As she thought this, her mood began to get a little more cheerful.`\ ;「……………朱志香のお陰で、…少しはゆっくり眠れたということかしら…。」@ `"............I wonder if it was thanks to Jessica, ...that I was able to get a little peaceful sleep..."`@ ;　そこで夏妃は思い出す。@ ;　そうだ、昨夜、朱志香に、このお守りの代わりに自分のお守りをあげようと約束したんだっけ。\ `Then Natsuhi remembered.`@ `That's right, last night, I promised Jessica that I would give her a charm of my own in exchange for this one, didn't I?`\ bg MNAT_1c,22 ;　夏妃は化粧台の引き出しを開け、子どもの頃から大事にしている年代物の小物入れを取り出す。\ `Natsuhi opened a drawer on her dresser, and she took out an antique accessory case that she had treasured when she was a child.`\ ;　その中には、当時の夏妃にとって価値があると思われた様々な小物が収められていた。@ `Inside, there were many small objects that Natsuhi had thought were valuable at the time.`@ br ;　そこから小さな赤い巾着袋を取り出す。@ ;　…開けると、中には直径１０ｃｍ程度の小さな丸い鏡が入っていた。\ `From amidst those, she pulled out a red pouch.`@ `...Inside was a small, round mirror about 10cm across.`\ ;　相当古いものらしいが、鏡の背の意匠は凝っており、歴史的価値が感じられそうな気配があった。@ `It looked quite old, but the design on the back of the mirror was very ornate, and it felt like something with historical value.`@ br ;　少なくとも、プラスチック製のサソリのキーホルダー風情と比べれば、はるかにご利益がありそうに見える。\ `At the very least, it looked much more effective when compared to the other charm, which looked like a plastic scorpion key-holder.`\ ;　この鏡は魔除けの霊鏡だそうで、祖父の形見分けの時に祖母から特にと贈られたものだ。\ `She had heard that this mirror was a spiritual mirror to ward off evil spirits, and she had been given it specially by her Grandmother when her grandfather's mementos had been distributed.`\ ;　鏡には不思議な力が宿ると古来より信じられている。@ ;　光を跳ね返すその様から、災厄や悪意をも跳ね返すと信じられたのだろう。\ `It had been believed since long ago that a strange power slept in that mirror.`@ `It was believed that, in the same way it reflected light, it also deflected misfortune and malice.`\ bg MNAT_1a,26 ;　夏妃はそれを再び巾着袋に戻す。@ ;　…朱志香に渡すに相応しいものだろう。\ `Natsuhi returned the mirror to its pouch.`@ `...It would probably be a fitting object to hand over to Jessica.`\ textoff fede 0,2000 meplay2 1,12,40 se1 19 ;　それを懐に収めたところで、唐突に扉を叩くノックの音が響き渡った。\ `Just as she was placing it in her pocket, the sound of someone knocking on the door suddenly echoed throughout the room.`\ ;「………はい。」@ ;「おはようございます、奥様。源次でございます。@早朝から申し訳ございません。」@ ;「……今行きます。@何事ですか？」\ `".........Yes?"`@ `"Good morning, Madam, it is Genji.`@` My apologies for waking you so early."`@ `"...I am coming now.`@` What is it?"`\ bg black,24 ;　使用人がこのような早朝に、それも直接やって来るなど、これまでにないことだった。\ `No servant had ever come to her this early in the morning, nor had they come to her directly.`\ ;　…何かマズイことでもあったのだろうか。@ `Maybe something bad had happened.`@ br ;　例えば、朝食の準備に致命的な手抜かりがあり、客人たちの前で恥をかくことになる、とか。@ `For example, maybe some fatal oversight had been made during the preparations for breakfast and the household had been put to shame in front of the guests, or something.`@ br ;　…夏妃は、これから聞かされるであろうトラブルに先んじるように溜め息を漏らす…。\ `...Natsuhi took a deep breath in anticipation for whatever troubles she was about to be told of...`\ se1 17 bg M2F_P1a,0 ld l,$GEN_DefA1,23 ;　扉を開くと、源次は最敬礼して再び朝の挨拶を口にした。@ ;　一応、夏妃もそれに応える。\ `When she opened the door, Genji once again said a morning greeting to her while bowing deeply.`@ `Natsuhi tentatively responded.`\ ld r,$NAT_DefA1,24 ;「………おはようございます。@何かありましたか？」@ `".........Good morning.`@` Did something happen?"`@ ld l,$GEN_MajimeA2,80 ;「申し訳ございません。@………昨夜の落雷で電話機器に故障が出たようです。@…内線電話が不通になっておりますもので、直接のお伺いになってしまったことをお許し下さい。」\ `"My apologies.`@` .........It seems that the telephones have broken down because of last night's lightning.`@` ...The extension telephone has been interrupted, so please forgive my coming to see you directly."`\ ld r,$NAT_tukareA1,80 ;「内線電話が不通？@　それは面倒になりましたね。@修理は可能ですか？」@ `"The extension telephone has been interrupted?`@` That will be troublesome.`@` Will it be possible to repair it?"`@ ld l,$GEN_defA1,80 ;「……残念ながら故障箇所がわかりません。@後で業者を呼んで修理させたいと思います。」\ `"......I am afraid that we don't know the location of the damage.`@` I would like to call an expert and have him repair it."`\ ld r,$NAT_zutuuA1,80 ;「ということは、この台風が過ぎるまでは修理不能ということですか。@…つまり、客人たちの滞在中はずっと不通ということですね。@…客人たちのお世話に支障は？」@ `"Does that mean that we will be unable to repair it until the typhoon has passed?`@` ...Which means that the guests will be unreachable for the duration of their stay.`@` ...Will there be any problem for our guests?"`@ ld l,$GEN_komaruA1,80 ;「…………出ないよう、最善を尽くします。」@ `"............We will do all we can to make sure there is none."`@ ld r,$NAT_DefA1,80 ;「結構です。@…粗相のないようよろしく頼みます。」\ `"That is fine.`@` ...I will be counting on you to make sure that there are no blunders."`\ bg black,25 ;　夏妃は少しだけ胸を撫で下ろす。\ `Natsuhi let out a small sigh of relief.`\ ;　どのようなトラブルが起こったのかと身構えていたが、@電話の故障程度だったら想定するトラブルの内に入らない。@ `She had been prepared for the worst,`@` but damage to the telephones wasn't the kind of trouble she was worried about.`@ br ;　…もっとも、それでも絵羽辺りの嫌味を聞かされずには済まないだろう。\ `...But then, even this would probably be enough to spark sarcasm from Eva.`\ ;　夏妃は軽く頭を振る。\ `Natsuhi gave her head a light shake.`\ bg M1F_P1d,0 ld r,$NAT_DefA1,26 ;「朝食の準備は順調ですか？」@ `"Are the preparations for breakfast proceeding well?"`@ ld l,$GEN_majimeA1,23 ;「……それが、…郷田の姿が見えません。@朝食の仕度もまだ行われておらず…。」@ `"......About that, ...we haven't been able to find Gohda.`@` The arrangements for breakfast have yet to be carried out..."`@ ld r,$NAT_OdorokiA1,80 ;「何ですって？」\ `"What did you say?"`\ ;　夏妃は憤慨する。@ `Natsuhi was indignant.`@ br ;　…彼女にとっては、電話の不通よりもそちらの方が大事だった。@ `To her, this was a much bigger problem than the phones not working.`@ br ;　にもかかわらず、その報告の方が後回しだったからだ。\ `And despite that, this piece of information was the part that had been postponed.`\ ;　普段、何事もそつなくこなすのに、なぜ親族たちが訪れているこの朝にこんな失態を…。@ ;　夏妃は額に手を当て、ふるふると首を振った。\ `Why did everything go well most of the time, and then come to something like this when the relatives were visiting...`@ `Natsuhi smacked her head with her hand and nodded distractedly.`\ se1 15 bg M2F_P1a,24 ;「大方、朝寝坊でもしているのでしょう。@とにかく、誰でもいいから急いで朝食の準備を。@/ `"I guess everyone oversleeps sometimes.`@` Anyway, it doesn't matter who, just hurry with the breakfast's preparation. `@/ bg black,1 E_A ;……………なッ、」\ `...............Wha-"`\ bg M_door1,24 ;　夏妃は廊下に出て、自分の部屋の扉を閉めようと一度振り返った。@ ;　そこで目にした気持ちの悪い“それ”に絶句したのだ。\ `Natsuhi exited into the hall and turned around for a second to close the door to her room.`@ `The unpleasant "thing" that she saw there silenced her completely.`\ bg black,24 mono 2 bg M_door2,24 se1 24 ;　…それは、赤黒い液体を指につけてドアノブの辺りを掻き毟ったような、不快なもの。@ `...There was a dark red liquid stuck to her fingers and some unpleasant marks around the doorknob that looked as though something had been tearing at it.`@ br ;　まるで両手を血に浸し、扉やノブを弄ったかのような…、@そんな風に演出したくて何者かが残した悪趣味な悪戯だろう。\ `It was as though someone had soaked both of their hands in blood and groped at the door and the knob..., `@`like someone had wanted to stage something like that and left this mark as an awful prank.`\ bg black,22 mono 0 meplay2 1,12,40 bg M2F_P1a,26 ld r,$NAT_OdorokiA2,24 ;!s0「こ、/ ;!d600……これは何の悪戯ですか………。@悪趣味な…！」@ !s0`"Wh, `/ !d600`......what kind of prank is this.........?`@` How awful...!"`@ ld l,$GEN_majimeA1,24 ;!sd「………私も、今ここにお伺いして初めて気付きました。@後ほど清掃いたします。」@ !sd`".........I also just noticed it as I came to call you.`@` I will clean it later."`@ ld r,$NAT_HisuA1,80 ;「…お、…大方、/ ;!d700趣味の悪い客人の冗談でしょう。@……不愉快です、実に不愉快です…！」\ `"...P, ...perhaps, `/ !d700`a vulgar joke by one of the guests.`@` Disgusting, truly disgusting...!"`\ ;　このような幼稚かつ不愉快な悪戯を一体誰が！\ `Who in the world would pull such a childish and disgusting prank!`\ ;　夏妃は大体の想像がついていたが、どうせ証拠などないし、@詰め寄ってものらりくらりで独り相撲になるだろうと思った。@ `Natsuhi had a pretty good idea, but of course there was no proof,`@` so even if she pushed the issue, it would just seem as though she was making a fuss about nothing.`@ br ;　むしろ、こんな悪戯がされていたこと自体、気付きもしなかったという方がかえっていいに違いない。\ `On the contrary, after having such a prank played on her, it would definitely be better if she didn't notice it.`\ cl a,23 ;　夏妃は、綺麗に汚れを落としておくようにと改めて命じると、踵を鳴らしながら客間へ向かうのだった。\ `Natsuhi gave the order to have it cleaned, and headed off to the parlor with a squeak of her heels.`\ bg black,4 textoff bg M1F_P1b,24 wait 2000 bg black,24 bg M1F_S1b,0 ld r,$HID_DefA1,0 ld l,$EVA_DefA1,4 ;■客間 ;　夏妃と源次が客間へ行くと、そこにはもう絵羽と秀吉が来ていた。\ `When Natsuhi and Genji arrived in the parlor, Eva and Hideyoshi were already there.`\ bg M1F_S1a,3 ld r,$NAT_DefA1,24 ;「………おはようございます、皆さん。」@ ;＜夏妃 `".........Good morning, everyone."`@ ld l,$HID_WaraiA1,23 ;「おはよう、夏妃さん。@朝食も郷田さんが作るっちゅう話やないか。@朝から胃袋が大喜びで騒ぎっぱなしなんや。@わっはっはっは。」@ `"Mornin', Natsuhi-san.`@` I heard Gohda-san would be makin' us breakfast too, isn't that right?`@` My stomach's been gettin' all excited since I woke up.`@` Wahahaha."`@ ld c,$EVA_WaraiA1,24 ;「本家の楽しみは食事くらいがせいぜいですものねぇ？@　くすくす。」@ `"It looks like food is the best you can look forward to in the main house, right?`@` *giggle* *giggle*."`@ ld r,$NAT_MajimeA1,80 ;「………絵羽さんも、朝からご機嫌がよろしいようで何よりです。」\ `".........You too, Eva-san, I'm pleased to hear that you are well this morning."`\ ;　朝っぱらからの鍔迫り合いに、夏妃はうんざりした表情を返す。\ `Natsuhi returned Eva's gaze, which was fiercely competitive even though it was early in the morning, with a weary expression.`\ bg M1F_S1c,0 ld l,$KAN_defA1,24 ;　そこへ嘉音が小走りにやって来た。@ `Then Kanon jogged in.`@ br ;　親族たちの姿に、屋敷内で走ったことの非礼を詫びるように頭を下げると、源次に近付き小声で何かを報告する。\ `After bowing in apology to the relatives for running inside the mansion, he noticed Genji and told him something in a small voice.`\ ld r,$NAT_MajimeA1,24 ;「……嘉音。@郷田はまだ見付からないのですか。」@ ;＜夏妃 `"......Kanon.`@` Have you still not found Gohda?"`@ ld l,$KAN_KomaruA1,80 ;「………申し訳ございません、奥様。@お屋敷内もゲストハウスも回ったのですが、/ ;!d700…まだ。」@ `".........My apologies, Madam.`@` I went all over the inside of the mansion and the guesthouse, `/ !d700`...but I still haven't..."`@ ld r,$NAT_hisuA1,80 ;「一体、どこへ行ったというのです。@……とりあえず今は郷田より、朝食の準備が先決です。@至急、対応しなさい。」@ `"Where in the world has he gone?`@` ......For now, breakfast is a higher priority than finding Gohda.`@` Quickly, take care of it."`@ ld l,$KAN_MajimeA1,80 ;「………はい。」\ `".........Yes."`\ bg M1F_S1a,0 ld r,$GEN_DefA1,23 ;　嘉音はちらりと源次を見る。@ ;　…まだ報告すべきことがあるのだが、それを自分の口から言ってもいいものかと、源次に尋ねているように見えた。@ `Kanon glanced at Genji.`@ `...It looked like he had something else to report, but that he was asking Genji whether he should say it himself.`@ br ld r,$GEN_MajimeA2,80 ;　…源次は頷き、自分の口から報告することにする。\ `...Genji nodded, and he decided to give the report himself.`\ ld r,$GEN_MajimeA1,80 bgmplay 18 ;「…………奥様。@郷田だけではありません。@…旦那様の姿もありません。」@ `"............Madam.`@` It is not only Gohda.`@` ...Your husband is also nowhere to be found."`@ ld l,$NAT_OdorokiA1,23 ;「主人が？」\ `"My husband?"`\ ld r,$GEN_DefA1,80 ;「はい。@奥様より先に旦那様に朝食の準備がないことをご報告しようと思い、寝室をおうかがいしたのですが、お姿がありませんでした。@それから、旦那様だけではありません。@……留弗夫さま夫妻と楼座さまのお姿もありません。」\ `"Yes.`@` I thought I would report to him before Madam about the lack of preparation for breakfast, and visited his room, but I did not find him there.`@` Furthermore, it was not only he who was missing.`@` ......Rudolf-sama and his wife, as well as Rosa-sama are nowhere to be found."`\ ld l,$NAT_OdorokiA2,80 ;「ゲストハウスにも？@　屋敷にもですか？」@ `"Not even in the guesthouse?`@` Not in the mansion?"`@ ld c,$KAN_MajimeA1,23 ;「………はい。@ゲストハウスのお部屋にもおられません。」\ ;＜嘉音 `".........Yes.`@` They are also not in their rooms in the guesthouse."`\ bg M1F_S1d,26 ;　郷田ひとりだけ姿が見えないと聞いた時は、寝坊したのか、どこかで油を売っているのかと思ったが、@親族たちも含めての不在だということになると、もう少し楽観的な考え方に変わって来る。\ `When she had heard that Gohda alone was missing, she had thought that he might have slept in or was loafing around somewhere,`@` but once she heard that several of the relatives were also missing, her optimistic way of thinking began to change.`\ ;　昨夜の親族会議は、下手をすると徹夜となり未だに続いているのではないか。@ `Could last night's family conference have continued all night and still be going on?`@ br ;　それで、部屋の空気も澱んできたので、頭を冷やそう等ということになり、@この雨の中、ぞろぞろと散歩に出ている可能性も考えられた。\ `It was also imaginable that they had wanted to cool off their heads after being in that stuffy room,`@` and had all gone off on their own walks through the rain.`\ ;　…頭を冷やそう、等という辺りは、実に蔵臼が好んで言いそうな言葉だった。@ ;　多分、郷田も何かの世話に呼ばれ同行しているのだろう。\ `...The part about 'cooling off their heads' really sounded like something Krauss would like to say.`@ `Probably, Gohda had been called to go with them to aid them with something.`\ ;　郷田は時間を忘れる男ではない。@ ;　もう戻らなければ朝食の準備に差し支えるとわかっているに違いない。@ `Gohda was not a man who lost track of time.`@ `He had to have understood that, if he did not return, the preparations for breakfast would be hindered.`@ br ;　にもかかわらず、抜け出せないような雰囲気で、/ ;!d700今この瞬間も会議が続いているのではないか。\ `Even so, there had been that inescapable atmosphere, `/ !d700`so maybe that conference had continued to this very moment.`\ ;　……なるほど、それは夏妃にとって、非常に説得力のある想像だった。\ `......I see, thought Natsuhi. To her, this was an extremely persuasive theory.`\ ;　夏妃は今朝、目を覚ました時、昨夜がまだ続いているような錯覚に陥ったことを思い出し、@…それが決して錯覚ではなかったことを知り、再びうんざりとした溜め息を漏らす。@ `Natsuhi remembered the illusion that she had felt that morning of being sucked into a continuation of the previous night.`@` ...When she learned that the feeling wasn't just an illusion, she once again took a deep, weary breath.`@ br ;　まだ、金蔵の財産を巡る汚らわしいハゲタカたちの宴が続いているのだから。\ `Because that banquet of filthy vultures circling around Kinzo's property was still continuing.`\ bg M1F_S1c,0 ld r,$NAT_MajimeA1,6 ;「……大方、庭園のどこか、あるいは海岸の方で相も変わらず遺産の話を繰り返しているのでしょう。@…とにかく、郷田を呼び戻さなくては、いつまでも朝食の準備が整いません。」@ `"......Perhaps they are still repeating that same discussion about the inheritance somewhere in the garden, or maybe the beach.`@` ...Anyway, if we don't call Gohda back, we'll never be able to begin preparations for breakfast."`@ ld l,$HID_fumuA1,23 ;「ってことは何や。@…兄さんたちの話し合いはまだ続いとるんか…！」@ `"So what're you sayin'?`@` ...Are Nii-san and the rest still continuin' their discussion...?!"`@ br ;　小声で言ったつもりだったが、夏妃のそれは秀吉に聞かれ、状況を把握されてしまったようだった。\ `She had planned to say it in a small voice, but Hideyoshi overheard Natsuhi, and managed to grasp the situation.`\ cl r,23 ld r,$EVA_akireA1,24 ;「兄さんも留弗夫もタフねぇ。@楼座の場合は若さかしら？@　……私たち、昨夜の２４時過ぎにはもう眠くてベッドに戻らせてもらったんだけど。@確かにあの時点でもまだ兄さんたちは熱論を交わしてたわ。@……男って熱くなると嫌ぁねぇ。」@ ;＜絵羽 `"Nii-san and Rudolf sure are tough.`@` Maybe it's just youth in Rosa's case?`@` ......The two of us were so tired that we had to go back to bed just after midnight.`@` I do remember that Nii-san and the rest were still having a heated discussion at that point.`@` ......Men sure are nasty when they get excited."`@ ;　夏妃は無表情のまま鼻で笑う。\ `Natsuhi snorted, her face still blank.`\ bg M1F_S1a,23 ld r,$NAT_DefA1,24 ;「嘉音、表を探してらっしゃい。@郷田を見つけたら、すぐに戻って朝食の準備をするよう伝えなさい。」@ `"Kanon, search outside.`@` If you find Gohda, tell him to return immediately and begin preparations for breakfast."`@ ld l,$KAN_DefA1,23 ;「……かしこまりました。」\ `"......Certainly."`\ bg M1F_S1b,0 ld r,$EVA_DefA1,24 ;「夏妃姉さん、表とは限らないわよぅ？@　お父様の書斎ってことはないかしら？」\ `"Natsuhi nee-san, they aren't necessarily outside, right?`@` Couldn't they also be inside Father's study?"`\ ld l,$HID_MajimeA1,23 ;「…なるほど、考えられん話やないで。@どういう話の流れかはわからんが、@お父さんの書斎に場所を移して、お父さんにも混じってもらって議論を続けてるっちゅう可能性は充分あるやろ。」\ ;＜秀吉 `"...I see, that wouldn't be impossible to consider.`@` I don't know what they've been discussin',`@` but there's also a decent chance that they've moved to Father's study and included him in the discussion."`\ cl r,23 ld r,$NAT_MajimeA1,24 ;「……そのような汚らわしい話題を好んで、お父様が書斎へ招き入れることなど考えられません。」\ `"......I can't imagine that Father would be so pleased at that detestable topic that he would invite them into his study."`\ cl l,24 ld l,$EVA_AkireA2,24 ;「あらぁそう？@　じゃあ仕方ないわね。@源次さんと嘉音くんは申し訳ないけど、外を探してきて頂戴。@確かに兄さんなら、頭を冷やすために外を散歩しようなんて言い出しても不思議はないわ。@たとえこんな天気でもね。@私はお父様の書斎に行って来るわ。@ひょっとするとそこにいるかもしれないしねぇ？」\ ;＜絵羽 `"You really think so?`@` Well, then there's nothing we can do.`@` I'm sorry Genji-san, Kanon-kun, but could you search outside?`@` I'm sure it wouldn't be odd for Nii-san to propose that they go outside for a walk to cool their heads.`@` Even in this weather.`@` I will go to Father's study.`@` Maybe there's still some chance they'll be there, isn't there?"`\ ld r,$NAT_hisuA1,80 ;「………………客人である絵羽さんにそこまでのご足労はお掛けできません。@私が行ってきます。@朝のご挨拶もかねて。」@ `"...............Eva-san, a guest such as you mustn't trouble herself.`@` I will go.`@` I can also tell him good morning."`@ ld l,$EVA_waraiA1,80 ;「あら、じゃあお願いするわね？@　でも、朝の挨拶を交わしてくれるかは疑わしいわねぇ？@　夏妃姉さんって、お父様とは仲、よろしかったかしら？」\ `"Really, then I'm counting on you, alright?`@` But I somehow doubt whether he will return your greeting.`@` Natsuhi nee-san, have you always been on such good terms with Father?"`\ ld r,$NAT_DefA1,80 ;「………仲が良いかはわかりかねますが、@右代宮家の跡継ぎの妻を許されるだけの信頼を得ていると確信しています。」\ `".........I don't know whether it could be called good terms, `@`but I am sure that I have gained his trust as the wife of the successor to the Ushiromiya family."`\ ld l,$EVA_AkireA1,80 ;「なら、きっと返事くらいはしてくれるわねぇ？@　お父様とは朝食くらいご一緒したいの。@ぜひ降りてきて下さるよう、説得してくれないかしらぁ？@　……私たちはすっかり嫌われちゃってるみたいだけど、そこまで信頼を得ている夏妃姉さんの言うことなら、聞いてくれそうですもの。\ `"Then I'm sure that he will at least answer you, right?`@` I want to at least eat breakfast with Father.`@` I wonder if you could convince him to come down and join us?`@` ......It seems that he thoroughly despises the rest of us, but I'm sure if his trusted Natsuhi asks, he will surely listen.`\ ld l,$EVA_AkireA2,80 ;　…そこまで啖呵を切って、お父様を説得できず、ひとりで降りてきちゃったりしたら………、@信頼を得ているなんて、二度と言えないかもねぇ…？@　くすくすくす！」\ `...If you can't convince father after speaking to me so sharply, and have to come down by yourself.........,`@` I'm sure you will never again be able to say that you're trusted by him, right...?`@` *giggle* *giggle* *giggle*!"`\ ld r,$NAT_zutuuA1,80 ;「…………自信はありませんが、努力はします。」@ `"............I am not confident, but I will try."`@ ;　夏妃は憮然として言い返す。@ ;　だが、金蔵の気性を知っている以上、書斎から連れ出せる自信はまったくなかった。@ `Natsuhi responded, discouraged.`@ `However, knowing Kinzo's temperament, she had absolutely no confidence in her ability to bring him out.`@ br ;　…絵羽だって、どうせ連れ出せないだろうと高を括っている。@ ;　だからと言って、自分には無理だと引き下がり絵羽に行かせては自分の立つ瀬がない…。\ `Eva herself was making light of the fact that this couldn't be done.`@ `But even so, Natsuhi would lose face if she gave up, saying it was impossible, and let Eva go instead...`\ ;　夏妃は、絵羽の意地悪な無理難題に、小さな握り拳を揮わせるのだった。@ `Eva's mean-spirited and unreasonable demand made Natsuhi clench her fists slightly.`@ br ;　…その様子に気付いた源次が、肩越しにそっと語りかける。\ `...When Genji realized this, he softly spoke to her over her shoulder.`\ bg M1F_S1c,22 fede 1,2000 ld r,$GEN_MajimeA2,24 ;「……奥様。@よろしければ、これをお持ち下さい。」@ `"......Madam.`@` If you would, please take this."`@ ld l,$NAT_DefA1,23 ;「それは…？」\ `"This is...?"`\ se1 31 ;　源次が、金色に輝く凝った意匠の鍵を夏妃に差し出す。@ ;　それは金蔵の書斎の鍵だった。@ `Genji handed Natsuhi a sparkling gold key of ornate design.`@ `It was the key to Kinzo's study.`@ br ;　書斎の扉は常にオートロックで施錠されていて、金蔵が入室を許さない限り開錠されない。@ ;　だが、源次だけは金蔵の特別の信頼を得ていて、扉の鍵を持つことが許されていたのである…。\ `The study would always lock itself, and couldn't be unlocked as long as Kinzo forbade entrance.`@ `However, since Genji was especially trusted by Kinzo, he was allowed to carry a key to that door...`\ ld l,$NAT_MajimeA1,80 ;「でも、この鍵を使ったら、あなたも咎めを受けるのではありませんか…。」@ `"But, if this key is used, won't you also receive the blame...?"`@ ld r,$GEN_defA1,80 ;「……お館様は、深くお休みになられている時は、扉を叩くくらいではお耳に届かないこともございます。@/ `"......When the master is sleeping deeply, simple knocking on the door will not reach his ears. `@/ ld r,$GEN_KomaruA1,80 ;…それに、お館様にお部屋を出ていただくよう説得するには、扉越しでは難しゅうございましょう。@ぜひお使い下さい…。」@ `...And when persuading the master to leave his room, it would be more difficult if you must talk through the door.`@` Please use it..."`@ ;「……源次…。」\ `"......Genji..."`\ bg M1F_S1d,25 meplay 2,11 ;　夏妃はこれまで源次のことを、金蔵直属で自分に仕えることはない冷たい使用人と思ってきた。@ `Until now, Natsuhi had thought of Genji as a cold servant who, since he worked directly under Kinzo, would not do anything for her.`@ ;　しかしその認識を、少し改めなければならないようだった…。@ `But it looked like she would have to alter her understanding of him...`@ br ;　感謝の気持ちを伝えたかったが、その時にはもう源次は背を向けて、嘉音と一緒に廊下を歩み去っていた。@ `She wanted to communicate her feelings of thanks, but by then, Genji had already turned his back on her, and was walking down the corridor with Kanon.`@ br ;　…だがそれを見送る夏妃の背中にかけられる言葉は嘲笑的だった。\ `...The words that reached Natsuhi from behind her as she watched them go were sneering.`\ bg M1F_S1a,0 ld r,$EVA_WaraiA1,26 ;「じゃあ、お父様を必ず連れてきてね？@　息子の可愛い嫁の言うことですもの。きっと聞いてくれるわよ。@くすくすくす。@私たちは客人だから、ここでのんびりくつろがせてもらうわぁ。」@ `"Then, you must bring Father with you, right?`@` After all, it's his son's cute wife who's asking. I'm sure he'll listen to you.`@` *giggle* *giggle* *giggle*.`@` We are guests, so let us leisurely relax here."`@ ld l,$HID_majimeA2,23 ;「よさんか絵羽、口が過ぎるで。@すまんが夏妃姉さん、お父さんのこと、よろしく頼むわ…。」\ `"Quit it, Eva, you're talkin' too much.`@` Sorry, but Natsuhi nee-san? We're counting on you about Father..."`\ ;　夏妃は返事をせず、踵を強く打ち鳴らしながら足早にその場を去るのだった。\ `Natsuhi, without answering, forcefully spun around on her heels and quickly left that place.`\ bg black,3 fede 0,2000 meplay2 1,13,40 wait 2000 bg G2F_R1c,8 ;■ゲストハウス・いとこ部屋 ;　あれだけ昨夜、盛大に騒いだのだから、誰も起きられるわけもない。@ `After all that excitement the previous night, there was no way anyone was going to wake up soon.`@ ;　俺、譲治の兄貴、朱志香の３人はいとこ部屋のベッドで高いびきだった。@ `George-aniki, Jessica and I were snoring loudly on the bed in the cousins' room.`@ br ;　だが、それに加わらず、真っ先に就寝していた真里亞は、きっちりさっぱり目を覚ます。\ `But Maria, who didn't join in, and who had gone straight to bed the previous night, suddenly and completely opened her eyes.`\ ld c,$MAR_fukigenA1,6 ;「…………………………………。」@ `"....................."`@ ;　寝惚け眼を擦りながら見渡せば、３人のいとこたちが累々と高いびき。@ `As she rubbed her sleepy eyes and looked around, the loud snoring coming from the three cousins continued.`@ br ld c,$MAR_DefA1,80 ;　…真里亞はしばらくの間、どうしたものかと思案しなければならなかった。@ ;　それから、自分が母親と一緒でないことに気付いて急に心細くなる。\ `...For a while, Maria had to think about what had happened.`@ `After that, she realized that her mother was not with her and quickly got lonely.`\ bg G2F_R1a,23 ;　真里亞は、自分たち親子が泊まることになっていた部屋へ行こうと、いとこ部屋を出て行く。@ `Maria left the cousins' room, trying to head to the room that had been arranged for her and her mother.`@ bg black,64 se1 16 ;　熟睡する３人などお構いなしに、バタンと大きな音を立てて。@ `Paying no heed to the three who were sleeping soundly, she made a loud banging sound.`@ br ;　その音に反応して、戦人はむにゃむにゃと寝返りを打ったが、目を覚ますほどではなかった。\ `In response, Battler mumbled and rolled over in his sleep, but it wasn't enough to wake him up.`\ se1 15 bg G2F_R1a,0 ld r,$MAR_fukigenA1,63 ;　しばらくすると、真里亞は再びバタンと賑やかな音を立てて扉を開き、戻ってきた。\ `After a while, Maria returned, once again opening the door with a lively bang.`\ ld r,$MAR_fukigenA2,80 ;「………………うー。」@ `"..................Uu-."`@ ;　出て行った時は眠そうな顔だったが、戻ってきた時は不満そうな顔だった。@ `When she had left the room, her face had been sleepy, but after returning, she now looked discontent.`@ bg M2F_R1c,24 br ;　そして、手近にいた戦人のベッドに這い上がり、トランポリンのように飛び跳ねて大騒ぎし出す。\ `After that, she climbed up on Battler's bed, which happened to be the closest, and started yelling and jumping on it like it was a trampoline.`\ E_MA bgmplay 3 se1 13 quakey 4,500 ;「うーうーうー！！/ `"Uu-uu-uu-!! `/ se1 13 quakey 4,500 ;@　おーきーてー！！/ @`Wa-ke u-p!! `/ se1 13 quakey 3,400 ;@　うーうーうー！！」/ @`Uu-uu-uu-!!"`/ se1 13 quakey 5,500 @ bg black,1 ;「おわぁッ、何だ何だぁッ？！@　敵襲かぁ？！@　回せーー！！」\ ;＜戦人 `"Waaa, what, what?!`@` Is it a raid?!`@` Surround the--m!!"`\ ;　俺が起きたのを確認すると、真里亞は次は譲治の兄貴のベッドに飛び移り同じことをする。@ ;　…そんな調子で、俺たち３人は非常に快適な朝の目覚めを振舞われたのだった。\ `After making sure that I was awake, Maria moved over to George-aniki's bed and started jumping on that too.`@ `...In that manner, the three of us were all greeted with an extremely pleasant awakening.`\ bg G2F_R1b,26 ld r,$GEO_hohoemiA1,26 ;「ありがとう真里亞ちゃん、起こしてくれたんだね。@僕たちは昨夜が遅かったから寝坊しちゃったのを起こしてくれたんだね…。@/ `"Thanks, Maria-chan, for waking us up.`@` You stopped us from sleeping in after that late night... `@/ ld r,$GEO_KomaruA1k,80 ;…でも、もう少しだけ起こし方をやさしくしてくれると完璧だったかな…。」\ ;＜譲治 `...But maybe it would be better if you could be a little more gentle..."`\ ld l,$JES_komaruA1,26 ;「…譲治兄さんは本当に大人だよ、尊敬するぜ…。」@ ;＜朱志香 `"...George nii-san, you really are an adult, I respect that..."`@ cl r,23 ld r,$BUT_DefA2,24 ;「もうすぐ７時なんだな…。@まぁ確かにもう起きてもいい頃だぜ。@ふわぁあぁ。」\ ;＜戦人 `"It'll be 7:00 soon...`@` Well, it's not really a bad time to wake up.`@` *yaaawn*."`\ bg G2F_R1a,22 meplay2 1,13,0 cross1 3000,40,0,0,0,0 ld l,$MAR_KomaruA1,23 ;「うー！@　ママがいないー！@　うーうーうー！」@ `"Uu-!`@` Mama's not he-re!`@` Uu-uu-uu-!"`@ ld r,$GEO_defA1,24 ;「楼座叔母さんが？@　部屋にいなかったの？@　もう起きてお屋敷の方に行っちゃったのかな。」\ ;＜譲治 `"Rosa oba-san?`@` She wasn't in her room?`@` I wonder if she has already woken up and gone to the mansion."`\ ld l,$MAR_SakebuA1,80 ;「いーなーいー！！@　うーうー！@　うー！@　マーマー！@　うーうーうー！！」\ `"No-t he-re!!`@` Uu-uu-!`@` Uu-!`@` Ma-ma-!`@` Uu-uu-uu-!!"`\ ;　真里亞は不愉快そうに、うーうー唸り続ける。@ `Maria kept groaning 'uu-uu-' and looking unhappy.`@ ;　母の姿が見えなくて寂しいというよりは、いると思っていた場所にいなかったので、肩透かしが不愉快だったという風に見えた。@ `It seemed like she wasn't simply lonely because she couldn't find her mother,`@` but actually unhappy because her mother wasn't in the place Maria thought she was`@` and this made her feel like she'd been tricked.`@ br ;　今どこにいると一言教えてあげられればそれで納得してくれるのかもしれないが、@生憎、楼座叔母さんがどこにいるのか、ここにいる以上わかりようもなかった。\ `She might have been satisfied just to hear where her mother was, `@`but unfortunately, as long as Rosa oba-san wasn't here, we had no way of knowing where she was.`\ bg G2F_R1b,24 ld r,$JES_DefA1,24 ;「どうせ、朝食に行くことになるんだし、屋敷の方に行こうぜ。」@ ;＜朱志香 `"Anyway, it's time to go to breakfast, so let's head over to the mansion."`@ ld l,$BUT_DefA1,23 ;「そうだなぁ。@真里亞、一緒に屋敷へ行こうぜ？@　きっと楼座叔母さんもそこさぁ。」@ ;＜戦人 `"That's right.`@` Maria, will you go to the mansion with us?`@` I'm sure Rosa oba-san will also be there."`@ cl r,23 ld r,$MAR_defA1,24 ;「うー？@　ママはお屋敷？@　なら行く。@うー。」@ `"Uu-?`@` Mama's in the mansion?`@` Then I'll go.`@` Uu-."`@ ld c,$GEO_hohoemiA1,24 ;「そうだね、お屋敷に行こうか。@多分、親たちはもう向こうに行ってるんだよ。」\ ;＜譲治 `"That's right, let's go to the mansion.`@` Our parents have probably already gone there."`\ ;　真里亞の直前までの癇癪は嘘のように収まり、いつもの冷静を取り戻してくれた。@ ;　俺たちは身支度を整えると、部屋を出て、屋敷へ向かうのだった。\ `Maria, as though her earlier temper had been a lie, regained her usual composure.`@ `We got dressed, left the room, and headed for the mansion.`\ bg black,24 textoff wait 2000 ;■金蔵の書斎 mevol 1,70 meplay 2,5 dllefe 1,1 bg M_o1b,22 wait 4000 bg black,25 fede 0,2000 meplay2 1,12,40 wait 1000 dllefe_off se1 19 wait 1000 se1 19 bg M2F_P1c,22 ;　書斎の扉を再び叩く。@しかし返事はなかった。@/ `The door to the study was once again knocked upon.`@` But there was no answer. `@/ ld l,$NAT_tukareA1,23 br ;　…まだお休みなようなので、起こせなかった、/ ;!d800…等といって下に戻れば、絵羽はさぞや鬼の首を取ったように面白がるだろう。@ `...He was still sleeping, and she couldn't wake him. `/ !d800`...If she said something like that and returned downstairs, Eva would be very amused and triumphant.`@ br ;　それに、絵羽の話は抜きにしても、年に一度の親族会議を、昨日丸々引き篭もり、未だ挨拶さえしていないというのには問題があった。\ `And even if she didn't tell Eva, there was the problem that, during this once a year family conference, he had stayed locked up all day yesterday, and had still not come out to greet the guests.`\ ;　…たとえ当主であっても、いや、当主だからこそ、姿を現さないわけにはいかないのだ。@ `...Even though he was the head--no, especially because he was the head, he couldn't fail to make an appearance.`@ br ;　…自分に説得できるだろうか。@ ;　夏妃は意を決し、源次に借りた鍵を挿し込んで、扉を開ける…。\ `...I wonder if I can convince him myself?`@ `Natsuhi readied herself, and, using the key that she had borrowed from Genji, opened the door...`\ textoff se1 31 wait 1500 se1 25 wait 2000 textoff se1 17 bg white,10 wait 500 bg black,10 ;　細く開いた扉から、むわっと溢れ出して来る脳を蝕むような甘い臭いは、覚悟があっても顔をしかめずにはいられないものだった。@ `Even though she was prepared for the sweet stench that seemed to eat into her brain after pouring out through the small crack in the door, she couldn't help but grimace.`@ br ;　まだ休んでいるかもしれないと思い、夏妃は音をさせないよう静かに入室する…。\ `Thinking that he might still be sleeping, Natsuhi entered the room quietly...`\ bg Mlib_1d,2 fede 0,2000 ld r,$KIN_defA1,6 bgmplay 1 ;　すると、金蔵はすでに起きていて、窓から外を見下ろしているところだった。\ `When she did, Kinzo, already awake, was looking down out of the window.`\ bg Mlib_1b,0 ld l,$NAT_OdorokiA2,26 ;「お、……お目覚めでしたか…。@おはようございます…。」@ ;「………………どうやって入ったのか。」@ `"S, ......so you're awake...`@` Good morning..."`@ `"...............How did you get in?"`@ ;　金蔵は背を向けたまま聞いた。\ `Kinzo spoke with his back still facing her.`\ ;　その声が激昂したものではなく、落ち着いたものだったので、夏妃は少しだけほっとした。@ `His voice was not harsh, but calm, and Natsuhi was slightly reassured.`@ br ;　…だが、起きていたにもかかわらず、あれだけ叩いたノックを無視する程度には不機嫌なのだ。@ `...However, even though he had been awake, he was at least in a bad enough mood that he had ignored the sound of all of that knocking.`@ br ;　夏妃は緊張を解くことはできなかった。\ `Natsuhi wasn't able to break the tension.`\ ld l,$NAT_DefA1,80 ;「……申し訳ございませんでした。@源次さんにお願いして、書斎の鍵をお借りさせていただきました…。」@ `"......My sincere apologies.`@` I asked Genji-san, and he allowed me to borrow the key to the study..."`@ ld r,$KIN_WaraiA2,24 ;「ほぅ…。@源次がか。@………我が友がそれに足ると思ったならば、話を聞かぬわけにも行くまい。@/ `"Ho...`@` Genji did?`@` .........If my friend thought it was that important, then I have no choice but to listen. `@/ ld r,$KIN_fukigenA1,80 ;して、…私に何用か。」\ `Tell me, ...what business do you have?"`\ ld l,$NAT_OdorokiA2,80 ;「は、はい…。@………もうじき朝食の準備が整いますが、ぜひ、お父様にもお出でいただきたく思いまして…。」@ `"Y, yes...`@`.........Breakfast will soon be prepared, and I would greatly appreciate it if you would join us..."`@ ld r,$KIN_fumuA1,80 ;「朝食はここで取る。@いつものように運ばせるがいい。」@ `"I will eat here.`@` Have it brought here like always."`@ ld l,$NAT_majimeA1,80 ;「しかし、お父様…。@年に一度の親族会議です。@せめてお顔をお見せになってください。」\ `"But Father...`@` This is the annual family conference.`@` Please, at least let them see your face."`\ cl a,0 ld c,$KIN_majimeA1,24 ;「………下に降りて。@私の死後、遺産をどのように食い千切るのかを決める議論に加われというのか。@馬鹿らしい。@/ `".........Go back downstairs.`@` Are you asking me to join in on the discussion of how they chew my inheritance to bits after I die?`@` How foolish. `@/ ld c,$KIN_fukigenA1,80 ;………そのような話は私を抜きで好きに進めるがいい。@そしてそれが親族会議だというなら、私がこの部屋を出るほどの価値はない。@私は忙しいのだ。@構うでない。」\ `.........They can keep talking about that kind of thing as much as they like without me.`@` And if that's what you call a family conference, it's nothing so important that I should leave my room for it.`@` I am busy.`@` Do not bother me."`\ ;　最後の一言には、これ以上の問答は無用だという凄みが込められていた。@ `With his last words came the threat that any further questions would be useless.`@ br ;　…夏妃は、これ以上の言葉を重ねれば、今度こそ逆鱗に触れることになると感じ取った。@ ;　絵羽に、やはり説得できなかったかと嫌味を言われるのは癪だが、これ以上はどうしようもない…。\ `...Natsuhi realized that adding any further pleas would finally bring his wrath down upon her.`@ `It would be annoying to hear Eva sarcastically say that she hadn't been able to convince him after all, but there was nothing more Natsuhi could do...`\ bg Mlib_1a,23 ld r,$NAT_TukareA1,4 ;「………そうですか……。@…わかりました……。@みんな残念がるでしょうが、そう伝えます。」@ `".........Is that so......?`@` ...Understood......`@` I am sure that everyone will be sorry to hear it, but I will tell them."`@ br ;　夏妃は諦めることにする。@ ;　黙礼し、金蔵が発作的な激昂を起こす前に退室しようとした。\ `Natsuhi decided to give up.`@ `Bowing silently, she tried to leave the room before Kinzo's spasmodic temper could fire up.`\ bg black,22 fede 0,2000 ;　すると、そんな夏妃に金蔵が声を掛けた。@ `As she did, Kinzo spoke to Natsuhi.`@ br ;　……普段の金蔵を思えば、まるで別人のように落ち着いた、やさしい声だった。\ `......Compared to the usual Kinzo, this voice was calm and gentle, like it came from another person.`\ bg Mlib_1e,6 bgmplay 9 ;「……夏妃。@…右代宮の家に嫁ぎもうずいぶんになるな。」@ ;「は、……はい。@…右代宮を名乗ることを許されてから、もうずいぶんになります。」@ `"......Natsuhi.`@` ...It has been quite some time since you married into the Ushiromiya family."`@ `"Y, ......yes.`@` ...It has been a while since I was first permitted to bear the name Ushiromiya."`@ ;「……前の家が恋しくなることもあるか。」@ ;「……………いえ。@…嫁ぐとは生家を捨てることです。@私は右代宮夏妃。@帰る家も懐かしむ家も、全てはこの右代宮の家のみです。」\ `"......Do you sometimes long for your previous family?"`@ `"...............No.`@` ...Marriage means throwing away your parents' family.`@` I am Ushiromiya Natsuhi.`@` The family I return to and the family I am fond of, both are the Ushiromiya family."`\ bg black,22 ;　それは決して誇張ではない。@ ;　夏妃はそれだけの決意を持って右代宮の姓を名乗っている。@ `It was definitely not an exaggeration.`@ `Natsuhi had been that determined when she had taken the name Ushiromiya.`@ br ;　……だからこそ、それが夫にすら認められず空回りするのが、あまりに悲しいのだ。\ `......That was why she was so sorrowful that, despite all of her fruitless effort, she was not even accepted by her husband.`\ bg Mlib_1e,2 ;「………蔵臼が女で、/ ;!d800…お前がその夫であったなら。@…………いや、…それは言うまい。」\ `".........If Krauss were a woman, `/ !d800`...and you were his husband...`@`.........No, ...I won't say that."`\ bg Mlib_1c,0 ld l,$KIN_fumuA1,0 ld r,$NAT_tukareA1,22 ;「そ、……それはどういう意味ですか、/ ;!d700…お父様。」\ `"Wh, ......what do you mean by that, `/ !d700`...Father?"`\ ;　夏妃はどきりとする。@ ;　……今の金蔵の言葉が、もし言葉通りの意味だったなら…。@ `Natsuhi was shocked.`@ `......If Kinzo's words just now had been meant literally...`@ br ;　………それは今の夏妃にとって、今日までの苦難を報って余りある言葉だったからだ。\ `.........They would have been more than enough to make up for all she had suffered up to that point.`\ ld l,$KIN_defA1,80 ;「……………忘れよ。@年寄りの戯言だ。」@ `"............Forget it.`@` It's just the nonsense of an old man."`@ cl l,4 ;　金蔵は再び背を向ける。@ ;　…忘れよとは言われたが、夏妃は胸の中が温かくなるのを感じずにはいられなかった…。\ `Kinzo once again faced away from her.`@ `...He had told her to forget it, but Natsuhi couldn't help feeling a warmth in her heart...`\ ld r,$NAT_tukareA2,80 ;「…お父様。@…………この夏妃は、血は繋がらずともお父様の娘です。@………右代宮家の名誉も栄光も、/ ;!d700…そしてお父様が残された物も全て、/ ;!d600……この夏妃が必ずや守って見せますから……！」\ `"...Father.`@` ............Even though I, Natsuhi, am not connected to you by blood, I am still your daughter.`@` .........The honor and glory of the Ushiromiya family, `/ !d700`...and everything that you have left, `/ !d600`......I, Natsuhi, will definitely show you that I can protect it......!"`\ bg black,2 bg Mlib_1e,6 ;「………………お前に片翼の鷲をまとう資格はない。@…しかし、お前の心には確かに片翼の鷲が刻まれている。@………ならばお前は間違いなく我が血族で、右代宮家の栄光を引き継ぐ者だ。@…………お前の衣服に鷲がないことを嘲笑う者もいよう。@しかしそれに耳を貸すことはない。@…心に鷲を持つ者だけが、真の私の血族なのだ。@…………お前を右代宮家に迎えられたことを、今は光栄に思っている…。」\ `"...............You do not have the qualifications to wear the One-winged Eagle.`@` ...However, the One-winged Eagle is surely engraved in your heart.`@` .........In that case, you are definitely my blood relative, a person who will inherit the glory of the Ushiromiya family.`@` ............Some will sneer that there is no eagle on your clothes.`@` However, that is nothing to lend an ear to.`@` ...Only those who hold the eagle in their hearts are my true blood relatives.`@` ............I now believe that it was an honor that you were welcomed into the Ushiromiya family..."`\ bg black,2 bg Mlib_1a,26 ;　金蔵はそれ以上は何も言わず、夏妃に背を向けたままだった。\ `Without saying anything more, Kinzo remained with his back to Natsuhi.`\ ;　だが、夏妃は子供の頃以来、忘れて久しい、熱い何かが目元にこみ上げてくるのを感じずにはいられなかった…。@ `However, Natsuhi couldn't help but feel something warm well up inside her that she hadn't felt since long ago, when she had been just a child...`@ br ;　夏妃はその背中に黙礼し、部屋を後にした…。\ `Natsuhi bowed silently to his back and left the room...`\ bg black,3 ;■書斎前 wait 1000 meplay2 1,12,40 bg M2F_P1c,4 ld r,$EVA_HohoemiA1,24 ;「…あら、ちょうどいいタイミングだったわねぇ。@お父様の様子はどう？@　あんまり遅いから、様子を見に来ちゃったのよぅ？」\ ;＜絵羽 `"...Ah, good timing.`@` How is Father?`@` You were taking so long, I came to check, you see?"`\ ;　書斎を出ると、絵羽が階段を上がってくるのが見えて目が合った。@ `When Natsuhi left the study, she saw Eva climbing the stairs and their eyes met.`@ br ;　絵羽は、金蔵を説得できずとぼとぼとひとりで夏妃が出てきたと思っており、嫌らしくにやにや笑っていた。\ `Eva, thinking that Natsuhi would leave drudgingly after failing to convince Kinzo, was smirking unpleasantly.`\ ;　しかし、今の夏妃にはそのような軽薄な笑いは侮蔑になりはしなかった。@ `However, the way Natsuhi was now, such a frivolous laugh would not disturb her.`@ br ;　……彼女は衣服に家紋を刻むことは許されなかった。@ ;　………しかし、心に刻むことは許されたのだから。@ `......She was not permitted to wear the family crest on her clothing.`@ `.........But she was permitted to wear it in her heart.`@ ;　だから平然と、涼やかと、…そして、右代宮本家の栄光を守る者の威厳で堂々と言ってやった。\ `So she spoke calmly, clearly, ...and confidently with the dignity of the one who would protect the glory of the Ushiromiya family.`\ ld l,$NAT_majimeA1,23 ;「お父様は親族会議にはおいでにならないそうです。@汚らわしい議題に関心はないと仰せです。」@ `"Father said that he would not join in on the family conference.`@` He says that he has no interest in such an obscene topic."`@ ld r,$EVA_AkireA2,80 ;「…とか何とか言っちゃってぇ。@お父様を説得できなかったんなら、素直にそう言えばいいじゃなぁい。」\ `"...I'm sure he said something like that.`@` If you weren't able to persuade Father, say so frankly."`\ ld l,$NAT_zutuuA1,80 ;「……哀れですね。@お父様が嘆かれるお気持ちもわかろうというものです。」@ `"......How pitiful.`@` I'm beginning to understand Father's feelings of regret."`@ cl l,23 ld r,$EVA_IkariA1,80 ;「な、……それはどういう意味よ…。」\ `"Wha, ......what do you mean by that...?"`\ ;　夏妃は応えない。@ `Natsuhi did not answer.`@ br ;　さっき金蔵が見せていたように、堂々とした背中を見せながら階段を下りていく。\ `Just as Kinzo had done earlier, she showed Eva her back as she headed down the stairs.`\ bg black,23 ;　絵羽は自分が馬鹿にされたことと、何があったのか知らないが、急に夏妃が自信満々になったことを理解するのがやっとだった。@ `Eva finally realized that she was being made fun of, and that something had happened to quickly bolster Natsuhi's confidence.`@ br ;　それでも、金蔵の逆鱗に触れる勇気はないのだろう。@ ;　その扉を叩くこともできず、舌打ちして、扉を引っ掻くような仕草をしてから夏妃の後を追うしかなかった。\ `Even so, she didn't have the courage to risk Kinzo's wrath.`@ `Unable to even knock on the door, she could only scratch at the air in front of it, cluck her tongue, and follow after Natsuhi.`\ bg Mhal_2a,26 ld l,$EVA_akireA1,24 ;「そ、それで、兄さんたちはいたの？@　お父様に聞いたのぅ？」\ `"S, so, were Nii-san and the rest there?`@` Did Father tell you about them?"`\ ld r,$NAT_MajimeA1,24 ;「……聞きそびれましたが、書斎の中にはいませんでした。@…お父様が、夫たちの下賎な話のために入室を許すこともありえませんから、行き先を知ることもないでしょう。@下に降りて、使用人たちが探してくれるのを待ちましょう。@/ `"......I didn't get the chance to ask, but they were not inside the study.`@` ...Father would never let them into his room to discuss such a lowly topic, so it is unlikely that he knows where they went.`@` Let us go downstairs and wait for the servants to return from their search. `@/ ld r,$NAT_WaraiA1,80 ;…朝食は遅れますが、お茶でもいかがです、絵羽さん？」@ `...Breakfast may be late, but how about some tea, Eva-san?"`@ ld l,$EVA_IkariA1,80 ;「……べ、…別に結構よ。」\ `"......Th, ...that would be fine."`\ ;　絵羽は、夏妃の様子が、行きと帰りでまったく違うことに戸惑いを隠せなかった。@ `Eva couldn't hide her confusion over the complete difference in Natsuhi's appearance.`@ br ;　…堂々としていて、悔しいが何らかの貫禄さえある。@ ;　特に揚げ足も取れず、夏妃に従って客間に戻るしかなかった。\ `...She was acting so boldly, and while Eva hated to admit it, she even had a sense of dignity about her.`@ `Unable to find fault with anything, she could only follow Natsuhi back to the parlor.`\ bg black,3 fede 1,2000 ;■客間 bg M1F_S1a,2 ;　夏妃たちが客間に戻ると、秀吉だけでなく、子どもたち４人と南條も合流していた。@ ;　秀吉と話をしていた源次は、夏妃が戻ってきたことに気付くと現状を報告してくれた。\ `When the two of them returned to the parlor, not only Hideyoshi, but the four children and Nanjo as well had gathered there.`@ `Genji, who had been talking with Hideyoshi, reported the current situation when he noticed that Natsuhi had returned.`\ ld r,$NAT_MajimeA1,24 ;「主人たちはまだ見付からないのですか。」@ `"You still have not found my husband and the rest?"`@ ld l,$GEN_MajimeA2,23 ;「……はい、申し訳ございません。@……あと、熊沢が朝食の準備に入りました。@もう少し時間をいただきたいとのことです。」\ `"......Yes, my apologies.`@` ......Also, Kumasawa has begun the preparations for breakfast.`@` She said that she will need just a little longer."`\ ;　時計を見れば、午前８時を過ぎたところだった。@ `The clock read a little past 8:00.`@ br ;　本当なら８時が朝食の時間だ。@ ;　それをオーバーしてしまった時点でホストとしては、本来なら失態だ。\ `8:00 should have been the time to start breakfast.`@ `Normally, going over that time limit was a disgrace to the host.`\ ld l,$GEN_MajimeA1,80 ;「……今、嘉音が表を探しています。@…それから、紗音の姿も見えません。」@ `"......Kanon is now searching outside.`@` ...Furthermore, no one has seen Shannon."`@ ld r,$NAT_hisuA1,80 ;「紗音まで？@　………まったく、主人は何人を従えて散歩に出掛けたのですか。」\ `"Even Shannon?`@` .........Seriously, how many people does my husband have to order to go with him when he wants to go for a walk?"`\ bg black,25 bg M1F_S1d,22 ;　一体、何人の姿が見えないというのか。@ `How many people couldn't be found?`@ br ;　ここまで盛大な人数だと、まるで自分たちだけが何か面白いことの除け者にされたようで実に不愉快だった。\ `After the number of people had grown so large, it was starting to feel truly unpleasant, as though they were the only ones being left out on something interesting.`\ ;　どうも、子どもたちも、いや、特に真里亞も同じ気持ちらしい。@ `At the very least it looked like the children, no, Maria especially felt the same way.`@ br ;　母親たちが自分を除け者にしてどこかでこっそり美味しい物を食べているに違いないと、腹の虫を鳴かせながら憤慨している。\ `She was indignant, her stomach grumbling, almost as though her mother and the others had left her alone to go off and eat something delicious without her.`\ ;　その不機嫌を直そうと、他の子どもたちはテレビのチャンネルを次々替え、真里亞が興味を持ちそうな番組を探すのだった。@ `Trying to fix her bad mood, the other children were flipping through the channels on the television, trying to find a program that might interest Maria.`@ br ;　南條は、そんな子どもたちの様子を幸福そうに眺めながら、ソファーで本を読んでいた。@ ;　チェスに関する本に違いない。\ `Nanjo was sitting in the sofa, gazing blissfully at the children while reading a book.`@ `It must have been a book about chess.`\ bg black,22 ;　ぱたぱたと駆けてくる足音がする。@ ;　それはひとり分の音だったので、姿を現す前から蔵臼たちでなく、嘉音だろうと察することができた。\ `The sound of footsteps came rushing towards them with a pitter-patter.`@ `There was only one set, so they realized before they saw the source that it was not Krauss and the rest, but probably Kanon.`\ bg M1F_S1a,26 ld l,$KAN_DefA2,23 ;「…………奥様、失礼します。」@ `"............Madam, excuse me."`@ ld r,$NAT_DefA1,24 ;「その様子では見つけられなかったようですね。」@ `"Judging by your appearance, you still haven't been able to find them."`@ ld l,$KAN_MajimeA1,80 ;「…申し訳ございません。@まだ…、」@ `"...My apologies.`@` I still haven't..."`@ ld r,$NAT_zutuuA1,80 ;「もう充分です。@ご苦労をかけました。」\ `"That will be enough.`@` You've worked hard."`\ ;　どこにいるか知らないが、どうせこの島のどこかにいる。@ ;　昨夜から何も口にしていないなら、今頃お腹が鳴り出している頃だ。@ `She didn't know where they were, but they had to be somewhere on this island.`@ `They hadn't put anything in their mouths since last night, so their stomachs must be growling about now.`@ ;　向こうからのこのこと帰ってくるに違いない。@ `They would surely saunter in any time now.`@ br ;　…もう夏妃は呆れ果て、無理に彼らを探し出す必要性はないと考えるようになっていた。\ `...Natsuhi was already dumbfounded, and she had begun to think that there was no urgent need to find them right then.`\ ld r,$NAT_majimeA1,80 ;「私はお客様方にお茶のご用意をしに厨房へ行きます。@二人とも早朝からご苦労様でした。」@ `"I will go to the kitchen to prepare some tea for all of the guests.`@` Thanks to both of you for all of your hard work so early in the morning."`@ cl r,23 ;　夏妃は、緊張が解けたら頭痛が押し寄せてきたというような仕草をしながら、客間を出て行った。@ `Natsuhi, acting as though the release in tension had caused a new surge in her headache, left the parlor.`@ br ld l,$KAN_defA2,80 ;　…その背中に嘉音は声を掛けようとするが、夏妃はさっさと行ってしまうのだった。\ `...Kanon tried to call to her back, but Natsuhi left swiftly.`\ ld r,$GEN_DefA1,24 ;「…………どうした？@　まだ何かあるのか？」@ `"............What is it?`@` Was there something else?"`@ ld l,$KAN_MajimeA1,80 ;「………はい。@…旦那様方のお姿を見つけることはできませんでしたが、/ ;!d900………その。」\ `".........Yes.`@` ...I was unable to find her husband or anyone else, but, `/ !d900`.........ummm."`\ ;　嘉音の歯切れが悪い。@ ;　彼らの行方は依然わからないが、それと関係するかもしれない何かを見つけたという感じだった。@ `Kanon sounded evasive.`@ `He still didn't know where they were, but maybe he had found something with some relation to that.`@ br ;　そのやりとりに気付き、絵羽と秀吉もやって来た。@ ;　嘉音の、どこか様子のおかしいところに気付いているのだろう。\ `When Eva and Hideyoshi noticed this exchange of words, they came over.`@ `Maybe Kanon had noticed something that looked strange.`\ bg M1F_S1c,0 ld r,$HID_defA1,24 ;「どうしたんや嘉音くん。@蔵臼兄さんたちは見付かったんか？」@ ;＜秀吉 `"What's goin' on, Kanon-kun?`@` Did you find Krauss nii-san and everyone else?"`@ ld l,$KAN_defA1,23 meplay2 2,11,90 ;「……実は…。@薔薇庭園の倉庫の様子がおかしいのです。」@ `"......Actually...`@` Something looked odd about the rose garden storehouse."`@ cl r,23 ld r,$GEN_MajimeA1,24 ;「……………様子がおかしい、/ ;!d600…というのはどういう意味だ？」@ ;＜源次 `"............Something looked odd, `/ !d600`...what do you mean by that?"`@ ld l,$KAN_majimeA1,80 ;「……それが、その、@………何と説明すればいいのか…。」\ `"......It was, um, `@`.........how should I explain it..."`\ ;　嘉音は再び言いよどむ。@ ;　…普段の物怖じしない彼とは到底思えない言い方だった。@ `Kanon once again hesitated.`@ `...He wasn't speaking anything like you'd expect from the usually fearless Kanon.`@ br ;　その様子に、絵羽と秀吉も小首を傾げ合う…。\ `Eva and Hideyoshi looked slightly doubtful at his appearance...`\ cl r,23 ld r,$EVA_HohoemiA1,24 ;「どういうこと？@　倉庫の中に兄さんたちがいたんじゃないの？」@ ;＜絵羽 `"What do you mean?`@` They aren't inside the storehouse, are they?"`@ ld l,$KAN_DefA2,80 ;「いえ、…中はこれから調べます。@その鍵を取りに戻ったところなのですが…。@……その…。」\ `"No, ...I am going to inspect the inside now.`@` I was just returning to bring the key, but...`@`......umm..."`\ ld c,$HID_DefA1,24 ;「よぅわからんが、とにかく中を調べればいいだけの話やないか。@その倉庫の鍵はどこにあるんや？」@ `"I don't really get it, but it sounds like everythin' will be fine if we just investigate inside it.`@` Where's the key to that storehouse?"`@ ld l,$KAN_defA1,80 ;「………使用人室にあります。@すぐに中を確かめましょう。」\ ;＜源次 `".........It is in the servant room.`@` I will go check the storehouse immediately."`\ bg black,23 wait 3000 bg M1F_S1d,26 ;　嘉音が使用人室へ駆けていき、鍵を取ってくる。@ `Kanon dashed off to the servant room and returned with the key.`@ br ;　源次は、確かめてくると言い残して客間を出るが、絵羽と秀吉もそれに付いていった。\ `Genji left the parlor, saying that he would go check, but Eva and Hideyoshi also followed.`\ bg black,24 ;　…普段、物怖じしない性格である嘉音が言いよどむ“倉庫の様子がおかしい”とは何事なのか。@ `...What was this 'something odd about the storehouse' that had caused the usually fearless Kanon to hesitate?`@ br ;　表は相変わらずの大雨だったが、それより嘉音にそう言わしめる“何か”に対する好奇心の方が勝っていたのだろう。@ `It was still pouring outside, but their curiosity over this 'something' that Kanon couldn't talk about won out.`@ br ;　子どもたちがテレビを見て騒いでいる間に、嘉音たちは玄関へ駆けていくのだった…。\ `While the children made a big fuss watching television, Kanon and the rest dashed over to the entrance...`\ fede 0,2000 ;■薔薇庭園〜そして倉庫前 bg M_o1b,22 meplay 1,13 dllefe 1,1 wait 2000 bg rose_G1c,23 ;　薔薇庭園の倉庫は、庭園管理用の様々な園芸道具をしまっているところだった。\ `The rose garden storehouse was a place that housed various tools used to manage the garden.`\ ;　決して綺麗な建物ではない。@ ;　そのため美観的な都合から、薔薇庭園の隅に隠れるように建てられていた。\ `It was definitely not a pretty building.`@ `Because of its appearance, it had been built hidden in a corner of the rose garden.`\ bg garden_1c,23 ;　傘を差した４人が薔薇庭園を、嘉音、源次、絵羽、秀吉の順で駆け抜けていく。\ `Kanon, Genji, Eva, and Hideyoshi came cutting across the rose garden holding umbrellas.`\ ;　薔薇庭園を抜け、普通に薔薇を鑑賞する人は立ち入らない管理用の小道に入っていく。@ `They entered a small path just off the rose garden, which was normally off limits for those appreciating the garden and only used by those maintaining the garden.`@ br ;　それをさらに駆け抜けていくと、前方に倉庫が見えてくるのだった。\ `As they dashed along that as well, the front of the storehouse came into view.`\ bg black,22 wait 1500 textoff se1 26 bg warehous_o1a,25 wait 5000 ;　それはだいぶ古くなった倉庫小屋で、完全無欠な美しさを誇る薔薇庭園と比べると、@あまりに貧相なもので、なるほど、目に付かないような場所にしてあるのも納得できた。\ `It was a very old shed of a storehouse, and compared to the flawlessly perfect beauty of the rose garden,`@` it was pretty seedy-looking. It was easy to understand why it had been built in a hard to see place.`\ ;　嘉音たちにだいぶ遅れて、絵羽と秀吉も到着する。\ `Eva and Hideyoshi arrived at the storehouse long after Kanon and Genji.`\ ld r,$HID_KomaruA2,64 ;「はぁ…、/ ;!d500はぁ…。@嘉音くんたちは速いなぁ…！@　わしは心臓が爆発しそうや…。」@ `"Ha..., `/ !d500`ha...`@` You two sure are fast...!`@` I thought my heart was gonna explode..."`@ ld l,$EVA_DefA1,64 ;「こんなところに倉庫なんか建ててたのねぇ。@/ `"I guess they did build a storehouse over here. `@/ ld l,$EVA_IkariA2,80 E_MA ;!s0………ってッ、/ ;!d400…な、/ ;!d600……何よそれ…。」\ !s0`.........bu, `/ !d400`...wha, `/ !d600`......what is that...?"`\ dllefe_off bg black,1 meplay 1,16 ;!sd　嘉音が指差す先を見て、絵羽が絶句する。@ ;　それに気付き、秀吉も嘉音の指の先を見て同様に絶句した。@ !sd`When Eva looked at where Kanon was pointing, she was at a loss for words.`@ `Noticing this, Hideyoshi also followed Kanon's finger and was likewise too shocked to speak.`@ br ;　倉庫の入り口はシャッターになっていた。@……そこに、………。\ `The entrance to the storehouse was a kind of shutter.`@` ......And there, .........`\ ;　……嘉音が、自分の見たものを言葉で形容できなかったことを、今こそその場の全員が納得するほかなかった。\ `......Everyone there suddenly realized why Kanon had been unable to find words that could describe what they now saw.`\ ;　長いこと風雨に晒され汚れきったシャッターに、@……べったりと。\ `On the shutter, which was completely filthy from being exposed to wind and rain for so long, `@`stuck right on it...`\ E_A dllefe 1,1 se1 24 bg magicsquare_sun7,5 ;　……不気味な赤黒い…、液体？@　粘液？@　あるいはネバつく塗料のようなものなのか…。@…そんな不気味な何かで、口で形容できない不気味な図形が描かれていた。@ `......There was something that looked like a strange dark-red..., liquid?`@` Mucus?`@` Or maybe it was some sticky paint...`@`...An indescribably eerie shape was drawn on the shutter with some kind of ghastly substance.`@ br ;　それは雨のせいで、まるで傷口から鮮血を零すかのように何本も垂れ落ちていた…。\ `The rain had caused it to drip down like fresh blood leaking from an open wound...`\ meplay 2,16 ;　もう言葉は選ばない。@ `There were no words that could describe it.`@ br ;　……血をイメージさせる赤黒い不気味な何かで、@……不気味な何かを暗示させるような図形、@マークのようなものが描いてあるのだ。\ `Some kind of mark was drawn,`@` ...with a ghastly substance meant to look like blood,`@` ...in a shape meant to suggest something ominous.`\ ;　…二重の円が描かれ、その内側には十字をイメージさせる意匠が描かれていた。@ `...Two circles were drawn there, and inside them was a design that looked like a cross.`@ br ;　十字は上下左右の辺が広く誇張されていて、ヨーロッパ辺りの何かの紋章を思わせた。@ `The four ends of the cross were widely exaggerated, and it looked like some kind of crest from somewhere around Europe.`@ br ;　そしてそれら図形の隙間には、得体の知れない文字、@あるいは記号のようなものがびっしり細かく、書き込まれていた……。\ `And in the cracks between these shapes, written closely packed together, were some unfamiliar characters,`@` or possibly symbols......`\ bg black,25 bg warehous_o1a,0 ld r,$HID_KomaruA1,26 meplay 1,13 ;「………なんちゅぅ悪趣味な落書きや…。@……これ、あれか？@　悪魔の儀式とかの、魔法陣ゆうやつとちゃうか？！」@ `".........What a vulgar scribble...`@`......Could this be...one of those?`@` One of those magic circles used in demonic ceremonies?!"`@ ;　真っ赤な何かで滴り落ちるように描かれた不気味な図形を指し、秀吉がそう例えたとしても無理はなかった。\ `It was only natural that Hideyoshi would say that about the ghastly shape, drawn with a deep-red, dripping substance.`\ cl r,0 ld l,$EVA_IkariA1,23 ;「これ、いつ書かれたの…？！」@ ;＜絵羽 `"When was this written...?!"`@ ld r,$KAN_komaruA1,24 ;「……昨日、雨が降り出す前にここに来ましたが、その時には何も書かれてませんでした。」\ ;＜嘉音 `"......Last night, I came here before it started raining, but there was nothing drawn here at that time."`\ cl r,23 ld r,$GEN_majimeA1,24 ;「…………他の方々の目に触れる前に何とかしよう。@ご覧になられたら、ご不快になられるだろう……。」@ ;＜源次 `"............We must do something before anyone else sees this.`@` If they laid eyes upon it, it would cause them great discomfort......"`@ ld l,$EVA_majimeA1,80 ;「そうね…。@ただの倉庫小屋とはいえ、こんな気持ち悪い落書きを一秒たりとも放置したくないわ。」\ ;＜絵羽 `"That's right...`@` Even though it's just a shed, I don't want to leave such an unpleasant scribble alone for even one second."`\ ld r,$GEN_DefA1,80 ;「倉庫の中に塗料もあります。@応急処置で取り合えず塗り消して、/ ;!d500後日、天気のいい日に改めて塗装しましょう。@…………………………。」\ `"There is some paint inside the storehouse.`@` Let us paint over it temporarily as an emergency measure, `/ !d500`than repaint it again someday when the weather is good.`@` .................."`\ dllefe_off bg black,22 ;　源次は、これと同じ色の、赤黒い不気味な何かで落書きされているのを、ついさっき見たことを思い出す…。@ `Genji remembered that he had just recently seen another scribble, and that it too had been made with a strange, dark-red substance of the same color as this...`@ br ;!s0　………それは確か…、/ ;!d800………そう、夏妃の部屋の扉で見た…。\ !s0`.........That must have been..., `/ !d800`.........that's right, he had seen it on the door to Natsuhi's room...`\ !sd bg warehous_o1a,0 ld l,$EVA_MajimeA1,23 dllefe 1,1 ;「嘉音くん。@さっさとこの落書きを消して戻りましょ？@　たとえ倉庫とは言え、実家の落書きは本当に腹立たしいわ。」@ ;＜絵羽 `"Kanon-kun.`@` Let's remove this scribble quickly and return, alright?`@` Even though it's just a storehouse, it's really irritating to have graffiti around the home I was brought up in."`@ cl a,22 ld c,$KAN_defA2,24 ;「……はい。@すぐに済ませますので…。」\ ;＜嘉音 `"......Yes.`@` I will take care of it immediately..."`\ cl c,25 ;　嘉音はシャッター前にしゃがみ込み鍵を開ける。@ ;　そして力を込めて一気に引き上げた。\ `Kanon squatted in front of the shutter and unlocked it.`@ `He then lifted it up with all of his strength.`\ dllefe_off seplay2 1,49,100 delay 1000 bg black,66 ;　騒々しい音が響き渡り、不気味な図形を描いたシャッターが上部の収納部分に飲み込まれていく。@ `A boisterous noise resounded, and the eerie shape drawn on the shutter began to get sucked in through the top as the shutter was raised.`@ br ;　…仮とはいえ、不吉なものが眼前から消えて、一同はほっと胸を撫で下ろす…。\ `...At least for the time being, that sign of misfortune disappeared from their direct gaze, and they all breathed a sigh of relief...`\ ;■客間 textoff bg white,2 E_M2 dllefe 1,1 bg M_o1b,26 wait 2000 bg black,22 dllefe_off mevol 1,40 bg M1F_S1c,26 ld c,$MAR_WaraiA2,22 ;　子ども向けの番組にめぐり合えたお陰で、真里亞はすっかり機嫌を直していた。\ `Thanks to a kids' program that they had come across, Maria was feeling much better.`\ bg M1F_S1b,0 ld l,$BUT_WaraiA1,0 ld r,$JES_WaraiA1,23 ;　戦人や朱志香は、幼児番組にいちいちツッコミを入れてはケタケタ笑っている。@ `Battler and Jessica were making fun of the kids' program at every turn, cackling.`@ bg M1F_S1c,0 ld l,$MAR_WaraiA2,0 ld r,$GEO_HohoemiA1k,24 ;　譲治は真里亞の目線で、一緒に番組を楽しんでいるのだった。\ `George was enjoying the program along with Maria.`\ bg M1F_S1a,0 ld r,$NAN_DefA1,23 ;　南條は離れたソファーに座り、静かに読書で時間を潰していた。\ `Nanjo sat on a sofa by himself, passing the time by reading quietly.`\ bg black,25 ;　廊下から慌しい足音が聞こえてくる。\ `They heard hurried footsteps coming from the hallway.`\ ;　それは一人分の足音だった。@ `They were footsteps from a single person.`@ br ;　…ということは、さっき出て行った嘉音たち４人ではないのだろうか？\ `...Did that mean that it wasn't the group of four that had just left?`\ bg M1F_S1b,0 ld c,$GEN_komaruA1,22 ;　戻ってきたのは源次だった。@ `Genji was the one who had returned.`@ br ;　息を切らすことすら使用人の美徳に反すると考える源次が、@ぜいぜいと肩で息をしているのはとても珍しいことだった。\ `It was very rare for Genji, who considered being out of breath a violation of a servant's virtues,`@` to be gasping for air.`\ ;　おそらく、表から駆け戻ってきたのだろう。@ ;　肩はぐっしょり濡れていて、いつものスマートな源次の雰囲気ではなかった。@ `He had probably come dashing back from outside the mansion.`@ `His shoulders were soaking wet, and he didn't have his usual smart appearance.`@ br ;　源次は、南條と目が合ったことに気付くと、軽く黙礼してから早足に近付いてきた。\ `When Genji noticed Nanjo looking at him, he gave a small, silent bow and quickly approached him.`\ ld c,$GEN_defA1,80 ;「………南條先生、申し訳ございません。@至急お越しください。」@ `".........Doctor Nanjo, my apologies.`@` Please, come with me, quickly."`@ ld r,$NAN_fumuA1,26 ;「な、/ ;!d700………何事ですかな。」\ `"Wh, `/ !d700`.........what has happened?"`\ ld c,$GEN_majimeA1,80 ld r,$NAN_MajimeA2,80 meplay2 2,5,40 ;　源次が南條の耳元で何かを小声で伝えると、南條の顔色が変わった。@ `As Genji whispered something into Nanjo's ear, Nanjo's face changed color.`@ br ;　テレビに夢中な子どもたちに気取られないようにソファーを立つと、@二人で足音を殺しながら早足に客間を出て行く。\ `He stood from the sofa, trying not to be noticed by the children who were still engrossed by the TV,`@` and the two of them rapidly left the parlor, muffling their footsteps.`\ bg black,23 bg M1F_P1b,0 ld c,$NAT_DefA1,23 ;　ちょうど客間を出るところで、配膳台車にお茶の道具を積んだ夏妃と出くわした。\ `Just when they were about to leave the parlor, `@`they came across Natsuhi, who was pushing a serving cart loaded with a tea set.`\ ld r,$GEN_defA1,24 cl c,0 ld l,$NAT_OdorokiA2,80 ;　源次が夏妃に小声で何かを伝えると、夏妃もまた顔色を変えて驚愕した。@ `Genji whispered something into Natsuhi's ear, and Natsuhi's face too changed color, shocked.`@ br cl a,23 ;　…そして配膳台車を放ったらかしにして、３人で玄関に向かって駆けていく…。\ `...Then, leaving the serving cart where it was, the three of them started dashing towards the entrance...`\ bg black,22 bg M1F_S1c,22 ;　彼らが薔薇庭園を駆けて行くのを、窓越しに譲治が気付く。\ `George noticed them running down the rose garden through the window.`\ ld c,$GEO_MajimeA1k,24 meplay2 3,11,100 ;「……何だろう。@源次さんと南條先生と、/ ;!d800……あれは夏妃伯母さんかな。」@ `"......What is that?`@` Genji-san and Doctor Nanjo and, `/ !d800`......and that's Natsuhi oba-san, isn't it?"`@ cl c,0 ld r,$GEO_MajimeA1k,0 ld l,$BUT_DefA2,23 ;「どうしたんだよ、兄貴。」\ `"What's up, Aniki?"`\ ld r,$GEO_MajimeA2,80 ;「………何かあったのかな。@ひどい慌てようだったね。」\ ;＜譲治 `".........Maybe something has happened.`@` They looked horribly flustered."`\ bg M1F_S1a,23 ;　朱志香と真里亞も、いつの間にか絵羽と秀吉と南條が席を外していて、@客間の出入り口外に配膳台車が置き去りにされているのを見て、何かがあったことを感じ取った。\ `Jessica and Maria also realized that something had happened from the fact that Eva, Hideyoshi and Nanjo were no longer in their seats,`@` and because the serving cart had been abandoned in the entrance to the parlor.`\ ld r,$JES_TohohoA2,24 ;「何か事故でもあったとか…？」@ ;＜朱志香 `"Could there have been some kind of accident...?"`@ ld l,$BUT_waraiA2,23 ;「…行ってみようぜ。@俺たちだけ除け者なんて面白くねぇしなぁ？@　いっひっひ！」\ `"...Let's go check it out.`@` It's no fun if we're the only ones left out, right?`@` Ihihi!"`\ ;　戦人のその一言は、なぜか非常に不謹慎に聞こえた。@ `For some reason, what Battler said sounded extremely indiscreet.`@ br ;　…だが、大人たちがこの雨の中を形振り構わず走っていく様子に、不安感と関心を持ったことを否定できなかった。\ `...But they couldn't deny that they were a little insecure and concerned after seeing the adults run off into the rain regardless of appearance.`\ ld r,$JES_DefA2,80 ;「……行ってみようぜ？@　何があったか気になるぜ…。」@ ;＜朱志香 `"......Let's check it out, alright?`@` I'm worried something might have happened..."`@ ;　強がらない朱志香のその一言は全員の胸中を代弁していた。\ `Jessica's insecure words spoke for all of them.`\ bg M1F_S1c,0 ld r,$BUT_DefA2,24 ;「おい真里亞、お前も来るか？@　それともテレビを見てるか？」@ ;＜戦人 `"Hey Maria, are you coming too?`@` Or will you watch TV?"`@ ld l,$MAR_ikariA1,23 ;「うー！@　真里亞はテレビがいい！@　うーー。」\ `"Uu-!`@` Maria wants TV!`@` Uuu--."`\ cl r,23 ld r,$GEO_MajimeA2,24 ;「僕たちだけで行こう。@真里亞ちゃん、すぐ戻るからね。@テレビを見て待ってるんだよ。」@ ;＜譲治 `"Then only the rest of us will go.`@` Maria-chan, we'll be back soon.`@` Stay here watching TV."`@ ld l,$MAR_WaraiA2,80 ;「うー！」\ `"Uu-!"`\ bg black,23 textoff bg Ment_1b,23 wait 1500 bg black,23 bg garden_1c,23 mevol 1,70 mevol 2,70 E_M3 dllefe 1,1 ;　子どもたちが外へ出た時は、先に出て行った大人たちの姿は見えなくなっていた。@ ;　でも、朱志香には駆けて行った方向から大よその目安が付いているようだった。@ `By the time the kids went outside, they had lost sight of the adults, who had left earlier.`@ `But it looked like Jessica had a pretty good idea of where they had gone from the direction they had been running.`@ br ;　朱志香に先導され、雨に濡れる薔薇庭園を駆け抜けていく…。\ `Following Jessica, we ran through the rain-soaked rose garden...`\ bg black,22 ;　風が急に強くなった気がした。@ ;　…意地悪な雷鳴がまた昨夜のように騒ぎ出す。\ `It felt like the wind suddenly got stronger.`@ `...The malicious sound of thunder began to ring out like it had the previous night.`\ ;　まるで、島を包む不気味な何かが、自分たちをこの先へ行かせまいとしているかのような、そんな感じだった。\ `It felt like an eerie something had surrounded the island, and was trying to stop us from moving forward.`\ bg garden_1a,0 ld r,$BUT_MajimeA1,24 ;「朱志香、この先には何があるんだ？！」@ ;＜戦人 `"Jessica, is there something over this way?!"`@ ld l,$JES_komaruA1,23 ;「確か、園芸道具なんかの倉庫があったはずだぜ。」@ ;＜朱志香 `"I'm pretty sure there's a storehouse for gardening tools or something."`@ cl r,23 ld r,$GEO_MajimeA1k,24 ;「そんなところに、一体何があるんだろうね…。」\ ;＜譲治 `"What in the world could there be in a place like that..."`\ bg black,24 ;　向こうに朱志香の言うとおりの倉庫が見えてくる。@ ;　そこには、大人たちの姿があった。\ `Just as Jessica had said, they began to see a storehouse in front of them.`@ `They could also see the adults there.`\ ;　倉庫のシャッターは開き、数人の大人たちが物色しているように見える。@ ;　なぜか夏妃だけは倉庫の外にいて、傘も差さずに彼らに背を向けて俯くような仕草をしていた…。\ `The shutter to the storehouse was open, and several adults looked as though they were searching for something.`@ `For some reason, only Natsuhi was outside the storehouse. Without even holding an umbrella, she looked like she was hanging her head, and her back was facing them...`\ bg warehous_o2a,0 ld c,$GEN_MajimeA1,0 ld l,$NAN_majimeA2,0 ld r,$NAT_tukareA1,22 ;　さっき出て行った源次や南條、夏妃。@ `Genji, Nanjo, and Natsuhi, who had just left.`@ br ;　先に出ていた嘉音と絵羽、秀吉の姿もあり、大勢の人影があったが、まったく賑やかさはなかった。\ `Since Kanon, Eva, and Hideyoshi, who had left earlier, were also there, it appeared as though there was a large gathering of people, but there was absolutely no bustle of activity.`\ ;　子どもたちがやってくるのに夏妃が気付くと、ものすごい形相を浮かべながら、両手を広げてこちらへ駆けて来た。\ `When Natsuhi realized that the children had come, a terrible expression rose to her face, and she ran at them with her arms spread wide.`\ se1 21 cl a,0 ld c,$NAT_IkariA1,80 ;「来てはいけませんッ！！！@　お屋敷へ戻っていなさい！！」@ `"Don't come over here!!!`@` Go back to the mansion!!!"`@ br ;!s0　……でも、/ ;!d500…いや、/ ;!d400だからこそ、/ ;!d600子どもたちは夏妃が遠ざけようとするその光景を見てしまう。\ !s0`......However, `/ !d500`...no, `/ !d400`because of that, `/ !d600`the kids saw that scene which Natsuhi was trying to keep them away from.`\ !sd bg black,22 dllefe_off bg warehous_i1a,2 ;　シャッターの開け放たれた倉庫内は、頼りない蛍光灯で照らし出されていた。@そこには、……、\ `Inside the storehouse with the shutter wide open, a flickering fluorescent light shone down.`@` And over there, ......,`\ bg white,1 E_A bgmplay 24 *wtfb ;xxxxttttyyyyzzzz se1 27 ;「きゃああぁあああぁぁぁああぁあぁッ！！！」/ ;＜朱志香 `"KyaaaaaAAAAAAaaaaaAAaa!!!"`/ bg black,22 @ br ;　朱志香の絹を裂くような悲鳴が響き渡る。@ `Jessica's piercing shriek rang out.`@ br ;　…しかしそれは、朱志香の悲鳴が一番大きかったというだけのことで、@…戦人の口からも、譲治の口からも等しく零れたものだった…。\ `...But that was just because Jessica's scream was the loudest.`@` ...The same thing spilled out of Battler and George's mouths as well...`\ meplay2 1,13,40 if %rroff = 1 jumpf dllefe 1,1 ~ bg warehous_o2a,0 ld r,$NAT_IkariA1,0 ld l,$EVA_IkariA1,22 ;　絵羽も夏妃同様に両手を広げながら、ものすごい形相で子どもたちに怒鳴りつける。\ `Eva, just like Natsuhi, spread her arms, and with a terrible expression roared at the kids.`\ ld l,$EVA_IkariA2,80 ;「譲治ッ、みんなを連れて屋敷に帰っていなさい！！！@　早くッ！！@　今すぐに！！」\ if %rroff = 1 jumpf `"George, take everyone and return to the mansion!!!`@` Quickly!!`@` Right now!!"`\ ~ if %rroff <> 1 jumpf `"To-`!d500`, ...George, take everyone and return to the mansion!!!`@` Quickly!!`@` Right now!!"`\ ~ ;　夏妃が両手を広げた時、それはこれ以上先に進ませないためのものだと思った。@ ;　…しかし、今、絵羽が両手を広げているのはそのためではない。\ `When Natsuhi had spread her arms, I had thought that she was trying to prevent us from advancing any further.`@ `...However, right now, that wasn't why Eva was spreading her arms.`\ ;　…そこにある惨状を子どもたちに見せないためのもの。@ if %rroff = 1 jumpf `...She was trying to hide that terrible scene from the kids.`@ ~ if %rroff <> 1 jumpf `.........Because her left arm is obviously doing something behind her back...`@ ~ br ;　その惨状を、せめて自分の腕一本分でも視界を遮って、子どもたちの瞳と心を庇おうという母の心！\ if %rroff = 1 jumpf `It was her mother's heart, trying to protect the eyes and hearts of us children by attempting to block our view of that terrible scene by at least the width of one of her arms!`\ ~ if %rroff <> 1 jumpf `What is she hiding there?!`\ ~ bg black,1 if %rroff = 1 jumpf dllefe_off ~ meplay 2,5 ;「……何の冗談だってんだよ、こりゃあよぉ…ッ？！」\ ;＜戦人 `"......Is this some kind of joke? Is it...?!"`\ if %rroff <> 1 jumpf `#ff0000Yes.#ffffff`\ ~ bg blood_1a,22 meplay 3,17 ;　…こんな安っぽい光景、今日まで散々見てきた。\ `...I had seen this kind of cheap scene all too often.`\ if %rroff = 1 jumpf ;　漫画やテレビ、アニメに映画、いくらでも腐るほど見てきたぜ…。@ `In manga, TV, anime, and movies, I had seen it over and over again...`@ ~ if %rroff <> 1 jumpf `In manga, TV, anime, movies, `!d300`and visual novels about crickets that won't be released for 20 years, I had seen it over and over again...`@ ~ ;　ただ、そういうちょいと刺激的な映像が、現実に目の前に現れたってぇだけのことじゃねぇか…ッ！！@　それだけのことで、/ `This was just...just seeing something appear in real life that I had seen plenty of times before in some of those more sensational movies, wasn't it!!?`@` That alone shouldn't, `/ ;!d600…あぁあぁ、/ ;!d800でもあの、スーツは、/ !d600`...aaaaah, `/ !d800`but that...that suit, `/ ;!d500…うちのクソ親父のなんだよな…？@　…わかってるよ、そいつは蔵臼伯父さんだ…。@霧江さんにッ、楼座叔母さんにッ、うおおおおおぉおおおぉぉおおおッッ！！！\ !d500`...it's that old bastard's, isn't it...?`@` I get it, then that's Krauss oji-san...`@` And Kyrie-san, and Rosa-san, UwooOOOOOOoooooOOo!!!`\ bg warehous_o2a,0 ld l,$NAT_odorokiA2,0 ld r,$JES_IkariA1,64 if %rroff = 1 jumpf dllefe 1,1 ~ ;「父さんッ、お父さん！！！」@ ;＜朱志香 `"Dad, DAD!!!"`@ cl l,0 ld c,$NAT_IkariA1,63 ;「駄目よ朱志香！！@　入っては駄目ッ！！@　見ては駄目！！！」\ ;＜夏妃 if %rroff = 1 jumpf `"You mustn't, Jessica!!`@` You mustn't go in!!`@` You mustn't look!!!"`\ ~ if %rroff <> 1 jumpf `"You mustn't, Jessica!!`@` You mustn't go in!!`@` You mustn't look!!!`@ ld c,$NAT_hisuA1,0 `Especially Gohda, he's REALLY ****'d up."`\ ~ ;「お父さんお父さんッ！！@/ `"Dad, Dad!! `@/ se1 27 bg black,1 if %rroff = 1 jumpf dllefe_off ~ ;　ひぃいいいぃやああぁあぁああッ！！！」\ `HyyaaaaaAAAAAAa!!!"`\ ;＜朱志香 bg white,1 bg black,2 bg warehous_i1a,0 ld c,$NAN_KomaruA2,26 ;「………死後硬直をほぼ全身に認められる…。@……多分、/ ;!d1200死後６時間以上は経過しとるだろう…。@損壊部位の状況を見る限り、死後に破壊された可能性が高い…。@/ if %rroff = 1 jumpf `".........Rigor mortis has set in across the entire body...`@`......Probably, `/ !d1200`at least six hours have passed since death...`@` As far as I can tell by looking at the damaged area, there is a high probability that they were damaged after their deaths...`@/ cl c,0 ld r,$NAN_MajimeA2,23 ;……いや、滅多なことは言えん…！@　私は町医者だ、検死は専門外だ…！」\ ;＜南條 `......No, I must watch what I say...!`@` I'm a general practitioner, an autopsy is outside my area of expertise...!"`\ ~ if %rroff <> 1 jumpf `".........Rigor mortis has set in across the entire body...`@`......Probably, `/ !d1200`at least six hours have passed since death...`@` As far as I can tell by looking at the damaged area,`!d500` there is a high probability that they were murdered by half-naked demon girls...`@/ cl c,0 ld r,$NAN_MajimeA2,23 ;……いや、滅多なことは言えん…！@　私は町医者だ、検死は専門外だ…！」\ ;＜南條 `......No, I must watch what I say...!`@` I'm a fat old man, and girls are outside my area of expertise...!"`\ ~ ld l,$HID_KomaruA2,23 if %rroff <> 1 jumpf `"......I'm hungry."`\ cl l,23 print 1 wait 1000 ~ if %rroff = 1 jumpf ;「……ちゅうことは何や。@殺しただけじゃ飽き足らず、…さらにこんな無体なことをしたんゆうんか！！@　悪魔や、悪魔の所業やッ！！」/ `"......So what does that mean?`@` Just killin' them wasn't enough, ...so they went on to do somethin' like this?!!`@` The devil, this here's the work of the devil!!"`/ se1 11 quakey 3,400 se1 11 quakey 3,400 \ ~ ;＜秀吉 bg black,22 ;　夏妃伯母さんは朱志香を、絵羽伯母さんは譲治の兄貴を抱きとめていたので、@……俺だけが倉庫の入り口までやってくることができた。\ `Natsuhi oba-san caught Jessica in her arms and Eva oba-san caught George-aniki,`@` ......so I was the only one who could approach the entrance to the storehouse.`\ ;　…………あぁ、/ ;!d800…俺にも、抱きとめて引き止めてくれる人がいりゃあ、@……こんな最低最悪な光景を、目に焼き付けずに済んだだろうよ…。\ `............Aah, `/ !d800`...if only there had been someone there to catch me too, `@`I wouldn't have needed to have this horrible, evil scene burned into my eyes...`\ bg warehous_i1b,2 ;　……いや、そいつは違う。@ `......No, that's not it.`@ br ;　…俺を抱きとめてくれる人がいないからここに ;いるんじゃなくて、@ `...It isn't that there's no one here to catch me...`@ br ;(抱きとめてくれる人が、/・・・・・・・・・・・) ;(そこにいるから、ここにいるんじゃねぇかッ！！/・・・・・・・・・・・・・・・・・・・・・・)\ if %rroff = 1 jumpf (`The people who should catch me, `/・・・・・・・・・・・・・・) br (`they're right there, aren't they!!`/・・・・・・・・・・・・・・・)\ ~ if %rroff <> 1 jumpf (`The people who should catch me, `/・・・・・・・・・・・・・・) br (`are all sticky and gross, aren't they!!`/・・・・・・・・・・・・・・・)\ ~ ;　…朱志香の言うとおり、そこは確かに園芸道具をしまっておく倉庫のようだった。\ if %rroff = 1 jumpf `...Just as Jessica had said, it did look like a storehouse used to keep gardening tools.`\ ~ if %rroff <> 1 jumpf `...Just as Jessica had said, it did look like a storehouse used to keep gardening tools and corpses and stuff.`\ ~ bg warehous_i1c,22 ;　草刈機やその替え刃、@草刈鎌や金槌、@鋸などと大工道具…。@ ;　積み重ねられた植木鉢や肥料の袋。@ if %rroff = 1 jumpf `A lawn mower with extra blades,`@` a grass sickle and a hammer, `@`a saw and some construction tools...`@ `Piled up potted plants and bags of fertilizer.`@ ~ if %rroff <> 1 jumpf `A lawn mower with extra blades,`@` a grass sickle and a hammer, `@`a saw and Houjou Teppei's left arm...`@ `Piled up potted plants and bags of that shit you feed plants with.`@ ~ br ;　それらと同じ扱いのように、何人もの死体が寝かされていた。@いや、放り込まれていた！\ `And treated just the same, the corpses of several people had been laid to rest there.`@` No, had been thrown in there!`\ bg blood_1a,2 ;　服装でわかる。@ ;　……ウチのクソ親父に、霧江さん。@…蔵臼伯父さんに楼座叔母さん。@……向こうは、…郷田さんに、/ `I could tell them by their clothes.`@ `......That old bastard and Kyrie-san.`@` ...Krauss oji-san and Rosa oba-san.`@` ......Beyond that, ...Gohda-san and, `/ mov ?r[kla][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[ros][condition],2 mov ?r[goh][condition],2 seplay2 9,1061,100 ;@…まだいるのか？@　何人死んでんだよ…。@……ふざけんなよ、片手じゃ折る指が足りねぇぞ、畜生ぉおおおおぉッ！！！/ if %rroff = 1 jumpf @`...there's still more of them?`@` How many people died...`@`......You're fucking kidding me!`@` I can't even count them on one hand! Damn iiiiiiiiiiiiiiiiiiiiiiit!!!`/ se1 11 quakey 4,300 \ ~ if %rroff <> 1 jumpf @`...there's still more of them?`@` How many people died...`@`......You're fucking kidding me!`\ ;ld l,$but_komarub3,23 `I can't even count them on one hand!`/ @ br ;ld l,$but_komarub1,0 `...Although Grandfather could do it with his feet, right?`@` Damn him...`\ ;cl l,0 ~ ;　ここにある、用途以外に用いたなら残忍性を剥き出しにするに違いない園芸道具を使用したのか、@それとも他所からその為だけに残酷な道具を持ち込んだのかはわからない。\ if %rroff = 1 jumpf `I didn't know whether it had been one of these gardening tools, which if used for something other than their intended purpose could definitely be wielded with a naked brutality,`@` or whether some horrible tool had been brought in here specifically for this.`\ ~ if %rroff <> 1 jumpf `I didn't know whether it had been one of these gardening tools, which if used for something other than their intended purpose could definitely be wielded with a naked brutality,`@` ......wait, that just sounds wrong...`@ `Better not let Beato hear me say stuff like that.`\ reset ~ ;　……とにかく、/ ;!d500………ここに転がっている遺体は、どれも惨い化粧が施されていた。@ `......Anyways, `/ !d500`.........the bodies which had been tumbled into here, each of them had been given an atrocious makeup.`@ br ;　…化粧じゃねぇよ、…こいつは…、/ `...It wasn't makeup, ...it was more like..., `/ wait 700 ;“顔面を耕す”って表現の方が相応しいだろ…！\ `"their faces had been plowed"...!`\ se1 21 bg blood_1aR,2 ;　顔面は粉砕され、真っ当な人間なら例え死後でも浮かべられないような表情を作らされている。@…目の位置も鼻の位置もわからねぇ、口はわかるぜ、歯茎が剥き出しになってて口をぽっかりと開けているから！@　でも、前歯は飛んでるし、そもそもそれを覆う頬っぺただってぐちゃぐちゃで剥き出しで！@　男のくせにやたら気遣ってたお洒落化粧も何の役にも立っちゃいない…！！\ `Their faces were smashed, forced into an expression that a normal person couldn't make even after death.`@` ...I couldn't tell where the eyes or the noses were, but I could find their mouths...because they were gaping wide, the ridges of their teeth exposed!`@` But their front teeth were missing, and even the cheek that should have covered that was all torn up and exposed!`@` Even as a man, the stylish makeup that I thoughtlessly worried about was all useless...!!`\ bg warehous_i1c,0 ld c,$BUT_kuyasigaruA1,26 meplay 4,16 ;「…うおおおぉおおおおおぉおぉおぉぉ！！！/ `"...UwooooOOOOoooooooohh!!! `/ se1 10 quakex 4,300 ;@　親父ぃいいぃ！！@　てめぇは絶対地獄行きだとは思ってたぜッ？！@　でもよ、ここまでじゃねぇだろ？@　ここまで惨ぇ目に遭わされるほどの悪党じゃなかっただろうがよッ！！@　だから霧江さんもさぁ、/ @`Daaaaaaaaaaad!!`@` I always thought you were going to hell?!`@` But still, not like this, right?`@` You weren't such a son of bitch that you should have to suffer so brutally!!`@` And even Kyrie-san, `/ ;!d500……こんな男と付き合うのはやめろって言ったんだ…。@…あんたまで、/ ;!d600……そこまでの目に遭わされる理由は何もねぇじゃねぇかよ……。\ !d500`......didn't I tell you to stop going out with this guy...`@`...even you, `/ !d600`......there was no reason for even you to go through this, was there......`\ ld c,$BUT_nakuA1,80 ;…顔がねぇ…、顔がねぇよ…。@くそくそくそくそッ、ひぃいいいいいぃいいいぃッ！！！」\ `...There's no face..., there's no face...`@` Damn it damn it damn it damn it, hiiiiiiiiiiiiiii!!"`\ ld l,$NAN_majimeA2,24 ;「……戦人さん、これ以上を見てはいかん…。@こんな姿を、お父さんもお母さんもあんたに見せたいわけがない…！@　お父さんとお母さんのためにも、…これ以上を見てはいかん！！」\ ;＜南條 `"......Battler-san, you mustn't look any more...`@` There's no way that your mother and father would want you to see them like this...!`@` For your mother and your father's sakes, ...you mustn't look any more!!"`\ bg warehous_i1e,62 ;「死者ってのは安らかに眠る顔ってやつを拝ませてくれるんじゃねぇのかよ？！@　顔がねぇんだよ、俺の親父と、霧江さんの顔がねぇんだよッ！！/ `"Dead people are supposed to have faces that look like they're sleeping peacefully, right?!`@` There's no face, my dad and Kyrie-san have no faces!! `/ se1 11 quakey 4,500 ;@　どういう顔して死んじまったのか、…それすらもわからねぇんだよ！！@　何だよ俺はッ！！/ @`I don't even know what kind of faces they were wearing when they died!!`@` What's wrong with me!! `/ se1 11 quakex 3,300 ;@　親父たちのことを思い出す時は、このぐちゃぐちゃの化け物みてぇな顔をいつも思い出せってのかよ？！/ @`Will I have to see these faces, smashed up like they're monsters, every time I remember Dad and the rest?! `/ se1 11 quakey 3,300 ;@　そいつぁ最高だぜ、/ @`That's just great, `/ se1 11 quakex 4,500 ;クソ親父のにやにやとした顔を思い出さなくていいんだからよぉ、最高だぜ最高だぜ！！/ `I don't even want to remember that old bastard's smug face, just great, just great!!`/ se1 11 quakey 4,400 \ ;　でもよ、霧江さんの顔くらいはいいだろ…？@　霧江さんは悪党じゃねぇ…。@たまにはムカつくと思ったけどよ…、/ ;!d700ちょいとカッコいい俺の姉貴分だったお人じゃねぇかよ……。@……こりゃねぇよ…、/ ;!d700こんなのってねぇよ……！！@　蔵臼伯父さんなんかまだマシじゃねぇか！！@　顔面じゃなくて側面だぜ？！@　少なくとも顔半分は残ってるじゃねぇかよ！！@　まだマシだぜまだマシだぜ！！」\ `But you know, why even Kyrie-san's face...?`@` Kyrie-san wasn't a bastard......`@`......I sometimes got a little sick of her, but..., `/ !d700`she was a little cool, just like a big sister to me......`@`......and then..., `/ !d700`and then this......!!`@` At least Krauss oji-san's better, isn't he!!?`@` It's not his whole face, just the side!!`@` He at least has half of his face left, doesn't he!!`@` That's still better, that's still better!!"`\ bg black,1 se1 21 ;「いやああぁあああああああああぁああああああぁああああああぁああああああぁああぁあぁッ！！！」@ ;＜朱志香 `"NooooooooooooooooooOOOOOOOOOOooooooooooooooooooOOOOOooooo!!!"`@ ;　俺の暴言を耳に入れまいと、朱志香は自らの悲鳴で自らの耳を満たす。\ `Trying to shut out my reckless words, `@`Jessica tried to fill her ears with the sound of her own screaming.`\ bg warehous_i1e,22 ;「…よすんだ、戦人くん…！@　もうよすんだ…もうよすんだ……！」@ ;＜譲治 `"...Stop it, Battler-kun...!`@` Just stop it...just stop it......!"`@ ;「兄貴、兄貴ぃッ！！@　うおおおおおおぉおおおぉおぉ！！！」@ `"Aniki, Aniki!!`@` UoooOoooOOOooooooooo!!!"`@ br ;　俺は歳甲斐とか形振りとか、そんなの全然関係なく、@……膝を落としながら、兄貴の胴にしがみ付いてわんわんと泣いた。\ `Disregarding age and appearance,`@` ......I fell to my knees, clinging to Aniki's waist and sobbing.`\ ;　それはまるで、その場に居合わせた全員の泣き声を俺が代弁したかのよう…。@ ;　俺は全員分の気持ちを代表して、いつまでも泣き喚くのだった……。\ `It was as if I was crying on behalf of everyone there...`@ `Representing the feelings of everyone there, I screamed over and over......`\ bg black,42 fede 1,5000 fede 0,5000 wait 2000 meplay2 1,12,40 bg warehous_i1d,26 ld r,$GEO_MajimeA3,24 ;「……………お父さん…。@/ ;!s0………死、/ ;!d700………倒れているのは、/ ;!d1000蔵臼伯父さん、留弗夫叔父さん、霧江叔母さんに、@楼座叔母さん、郷田さんで、/ ;!d800……………５人…？」\ ;＜譲治 `"............Father...`@/ !s0`.........the ones dea-, `/ !d700`.........lying over there are `/ !d1000`Krauss oji-san, Rudolf oji-san, Kyrie oba-san and,`@` Rosa oba-san, Gohda-san, `/ !d800`...............five people...?"`\ ld l,$HID_komaruA1,23 ;!sd「…………いや。@……６人や。@……ここに、/ ;!d800…もう１人おる…。」\ ;＜秀吉 !sd`"............No.`@` ......There are six people.`@` ......There's...`/ !d800`one more person..."`\ ;　秀吉が今、見下ろしているその遺体は、…たまたま荷物の山奥の物陰で、@入り口の譲治からは死角だった。@ `The body that Hideyoshi was looking down on now was hidden in the shadow of a mountain of random objects,`@` in a blind spot to George, who stood by the entrance.`@ ;　…だから、それが誰の遺体か、…譲治にはわからない……。@ `...So George couldn't tell , ...whose body it was......`@ br ;　…だから、………譲治は我が身を呪う。@ ;　いつも……、最悪の想像だけは当たってしまう我が身を呪う…！\ `...Therefore, .........George cursed himself.`@ `He cursed himself for always imagining the worst...!`\ ld r,$GEO_komaruA1k,80 ;!s0「…じゃあ、/ ;!d800……お父さんの足元に倒れているのは、/ ;!d1000…………しゃ、/ ;!d1000…紗音なんだね………。」/ !s0`"...So, `/ !d800`......the one lying at Father's feet is, `/ !d1000`............Sha, `/ !d1000`...Shannon, isn't it.........?"`/ !sd\ ld l,$HID_KomaruA2,80 ;「………あぁ。@……紗音ちゃんや。」/ `".........Yes.`@` ......It's Shannon-chan."`/ mov ?r[sha][condition],2 seplay 9,1061 @ ld r,$GEO_nakuA2k,80 bgmplay 25 ;「…………………。」\ `"......................"`\ ;　譲治は沈黙する。@ ;　……下唇を噛みながら、小さく震える…。\ `George was completely silent.`@ `......He shook slightly, his lower lip trembling...`\ bg black,26 ;　本当なら、…彼は泣き叫びながら愛する彼女の遺体に駆け寄りたかった。@ ;　…だが、………軽率に駆け寄る前に、@……彼は冷静さを振り絞って、父に聞いた。\ `He wanted to run up to his beloved, screaming and crying.`@ `...But, ......before rashly running up to her, `@`......he mustered up all of his strength, and asked his father.`\ bg warehous_i1d,22 ld l,$GEO_NakuA1,26 ;「……紗音も、@………蔵臼伯父さんたちと、@…………同じなのかな。」@ `"......Is Shannon also, `@`.........the same as, `@`............Krauss oji-san and the others?"`@ ld r,$HID_KomaruA1,24 ;「……………………………。」\ `"........................"`\ ;　秀吉は、その言葉の意味を深く理解する。@ ;　…だから即答できなかった。@ `Hideyoshi deeply understood the meaning of those words.`@ `...So he couldn't give George an answer.`@ ;　……いや、……これが今の譲治にとって、誠意と慈しみのある唯一の返事だと思った。\ `......No, ......he thought that, to George right now, that was the only possible sincere and loving response.`\ ;　譲治の聞いた、同じかな、というのは、@…同じような遺体なのか、という意味だ。@ `When George had asked whether she was the same, `@`...he had meant to ask whether her body was the same as the others.`@ br ;　……それを秀吉が否定しなかった以上、/ ;!d600………同じような惨い遺体なのだ。\ `......Since Hideyoshi hadn't denied it, `/ !d600`it meant that the body was just as horrible.`\ textoff fede 10,1000 ld l,$GEO_NakuA2k,80 ;「…………紗音を、/ ;!d500……見てもいいかな………。」@ `"............Can I, `/ !d500`......look at Shannon.........?"`@ ld r,$HID_MajimeA2,80 ;「…………………いや、/ ;!d900………あかん。」\ `".....................No, `/ !d900`.........you can't."`\ ld l,$GEO_NakuA1k,80 ;「……どうして…？@　だって、……もう二度と紗音の顔を見られないんだよ…？@　その、……最後の顔を、@……どうして見たらいけないんだよ……。」@ `"......Why...?`@` After all, ......I won't be able to see Shannon's face again, right...?`@` So, ......why can't I see, `@`......her last face......?"`@ ld r,$HID_majimeA1,80 ;「……お前が最後に紗音ちゃんに会ったのは昨日か？」@ `"......The last time you met Shannon-chan was yesterday?"`@ ld l,$GEO_NakuA2,80 ;「………うん。」\ `".........Yes."`\ bg black,5 ;「そうか…。@…………その紗音ちゃんは、/ ;!d700別れ際に、お前にどんな顔を見せたんや…。」\ `"I see...`@`.........when you left her, `/ !d700`what kind of face was she showin' you...?"`\ ;!s0「/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d200、/ ;!d800素敵な笑顔だったよ。」@ !s0`"`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d200`, `/ !d800`it was a wonderful smile."`@ !sd br ;　指輪を渡して、@……心は決まっていたはずなのに戸惑って、@はにかんで、@…そんな表情を見せるのが照れくさくなって逃げ出してしまった、@…あの表情が蘇る…。\ `After receiving the ring, `@`......she was bewildered even though her heart should have been decided,`@` bashful,`@` ...and running away because she was too shy to show him that face.`@` ...That expression was revived in George's mind...`\ ;「…………そうか。@……なら、紗音ちゃんも、……その笑顔をお前に残したいと願うはずや。」\ `"............I see.`@` ...Then, Shannon-chan must also have wished to leave you with that smile."`\ bg blood_1a,42 ;　…秀吉は、足元の紗音の遺体を見下ろす。@ ;　………それは、他の遺体と同じような目を覆いたくなるような惨状。\ `...Hideyoshi looked down upon Shannon's body lying at his feet.`@ `.........Just like the other bodies, it was in such a horrible state that it would make anyone want to cover their eyes.`\ bg blood_1aR,2 ;　……頭部を側面から砕かれ、表情は半分しか残っていなかった。@ `......Half of the face had been smashed off, and no more than half of her expression remained.`@ br ;　………血で真っ赤に染まったその半分の表情は、@綺麗に拭いてあげたなら、あのお淑やかな笑顔をそこに覗かせてくれるのだろうか。@………半分だけ……。\ `.........If the remaining half, soaked red with blood, `@`had been wiped clean, that graceful smiling face might have peeked out.`@` .........Only half of it......`\ bg black,5 ;　秀吉は思わず自分の目を叩くように覆う。@ `Without thinking, Hideyoshi slapped his hand over his eyes.`@ br ;　……何という惨さ…。\ `......How cruel...`\ ;　どうせ砕くなら、全部砕いてくれたなら、これは紗音の服を着た別の誰かなどという苦しい言い訳で、一時、譲治の心をごまかすこともできただろう。@ `Even though it was smashed, if only all of it had been crushed, he might have been able to deceive George's heart for a while by saying that it was just someone else wearing Shannon's clothes.`@ ;　なのに、半分、顔が残してある…！@ `Even so, half of the face was left...!`@ br ;　これほどの屈辱を遺体に与え、……しかもこの遺体が紗音以外の何者でもないという事実をはっきり残している！@　何という非道、何という外道…。\ `It caused the body so much humiliation, ......and also made it clear that this body wasn't someone other than Shannon!`@` How inhuman, how unjust...`\ bg warehous_i1c,0 ld c,$KAN_majimeA1,6 ;　そんな秀吉の足元には、そんな紗音の半分だけ残された表情を、必死に目に焼き付けようとしている嘉音の姿があった。\ `Trying his best to burn the image of the remaining half of Shannon's expression into his eyes,`@` was Kanon.`\ ;　……嘉音は泣いていなかった。@ ;　…涙を浮かべてはいたが、零してはいなかった。\ `Kanon was not crying.`@ `...Tears had risen to his eyes, but they did not drip down.`\ ;　だからといってそれが、誰よりも悲しんでいないということにはならない。@ `But that didn't mean that he wasn't feeling as much sadness as everyone else.`@ br ;　……同じ孤児院で生活し、@姉と慕った紗音を失うことは、@肉親を失うこととまったく同じに違いない…。\ `......Losing Shannon, who had lived with him in the same orphanage, whom he had loved as a sister,`@` must have been just the same as losing a blood relative...`\ bg warehous_i1d,0 ld r,$HID_KomaruA2,24 ;「…………譲治。@……紗音ちゃんはきっと、@ありがとう、言うてるぞ…。@お前に、恥ずかしいところを見られとうなかったんや。@………きっと、/ ;!d700……お前が堪えてくれたこと、感謝しとるで…。」\ `"............George.`@` ......I'm sure Shannon-chan...`@`would be grateful...`@`if you didn't look at her in such a pitiful state.`@` .........I'm sure...`/ !d700`...she would thank you for stayin' strong..."`\ bg warehous_o2a,0 ld l,$GEO_NakuA1,23 dllefe 1,1 ;「……わかってる。@………わかってるよ父さん、……わかってるよ……。」@ ;　譲治は倉庫の外の壁に寄りかかり、…力なくへたり込む。\ `"...I understand.`@` .........I understand, Father, ......I understand......"`@ `George leaned against the outside wall of the storehouse, ...sinking down powerlessly.`\ ld l,$GEO_NakuA2k,80 ;「………父さん。@……頼みがあるんだ。」@ ;「何や……。」\ `".........Father.`@` ......I have a request."`@ `"What......?"`\ ld l,$GEO_NakuA2,80 ;「……僕の代わりに見て欲しいんだ。@……………紗音は指に、@………指輪を付けてるかな…。」@ ;「…指輪……？@　……ちょいと見てみる…。」\ `"......I want you to look for me.`@` On Shannon's finger, `@`.........is there a ring...?"`@ `"...A ring...?`@` ......Let me see..."`\ bg black,23 dllefe_off bg warehous_i1d,23 ;　秀吉がしゃがみ込む。@ ;　…すると嘉音が、すっと紗音の一方の手を指差す。\ `Hideyoshi crouched down.`@ `...As he did, Kanon silently pointed to one of Shannon's hands.`\ ld r,$HID_majimeA2,80 ;「…………あぁ、/ ;!d400……あるで。@こりゃ、ダイヤの指輪や。@屑ダイヤとちゃう。@…なかなかの値打ち物や…。」\ `"............Yeah, `/ !d400`......there is.`@` It's a diamond ring.`@` With a valuable diamond.`@` ...Must have been pretty expensive..."`\ ;「それは、@………………どっちの手の、@どの指にあるのかな。」@ `"And,`@` ...............which hand, `@`which finger is it on?"`@ ld r,$HID_komaruA1,80 ;「……っと、/ ;!d800左手の薬指や。@……そっか、/ ;!d700……紗音ちゃん、/ ;!d900…婚約しとったんか…。」\ `"......Hmm, `/ !d800`the ring finger of her left hand.`@` ...I see...`/ !d700`...was Shannon-chan...`/ !d900`...engaged...?"`\ bg warehous_i1c,0 ld l,$EVA_IkariA1,23 ;「……………譲治…。@……あなた、まさか、」\ ;＜絵羽 `"............George...`@`......You, it couldn't be-"`\ ld r,$HID_komaruA2,24 ;「絵羽ッ！！@　今はそんなん関係ないで！！@　紗音ちゃんは男に将来を約束されとったんや…！@　一生を幸せにしちゃると男に言わせたんや…。@それが誰かは問題とちゃうで！\ `"Eva!!`@` Right now that doesn't matter!!`@` A man made a lifelong promise to Shannon-chan...!`@` A man promised her happiness for life...`@` Who could possibly be in the wrong here!?`\ bg black,22 ;!s0　男にそこまで言わしめて…、/ ;!d800……女の本懐やないか…。@…いつこの指輪をもらったんかは知らん。@誰が渡したかも知らん！@　だが、/ !s0`Being told that by a man..., `/ !d800`it's a woman's dream, isn't it...?`@` ...I don't know when she received this ring.`@` I also don't know who gave it to her!`@` However, `/ ;!d600………それでも紗音ちゃんは指輪をもらえたんや。@そして、…それを受け容れ、左の薬指に通したんや。@…指輪を贈った男も、/ ;!d600…きっと喜んだんとちゃうか。」\ !d600`.........even so, Shannon-chan took this ring.`@` Then, ...she accepted it, and put it on her left ring finger.`@` ...I'm sure the man who gave it to her, `/ !d600`...was also happy."`\ ;!sd　その場にいた多くの者は、秀吉が異常事態に混乱して妙なことを口走っているくらいにしか思わなかっただろう。@ !sd`To most of the people there, Hideyoshi was simply disturbed by this extraordinary situation and was blurting out strange things.`@ br ;　………でも、/ ;!d1000……本当の意味で、@譲治と紗音の仲を知る者だったなら、@……その言葉は全て理解できた。\ `.........But, `/ !d1000`......to those who knew the truth about George and Shannon's relationship, `@`......everything he said made sense.`\ bg black,22 bg warehous_o2a,0 ld r,$GEO_nakuA2k,26 meplay2 1,12,40 dllefe 1,1 ;「…………そっか。@………ありがとう、/ ;!d800…………父さん。」\ `"............I see.`@` .........Thank you, `/ !d800`............Father."`\ ;ld r,$GEO_majimeA1k,26 ;　譲治は立ち上がる。@ ;　涙の跡はまだ残っていたが、表情はいつもの落ち着きを取り戻していた…。\ `George stood up.`@ `The traces of tears still streaked his face, but his expression had returned to its usual calm...`\ ld r,$GEO_MajimeA1k,80 ;「……行こう。@戦人くん、朱志香ちゃん。@……これ以上、僕たちがここにいると、大人の邪魔になる。」@ `"......Let's go.`@` Battler-kun, Jessica-chan.`@` ......If we stay here any longer, we'll get in the way of the adults."`@ ld l,$JES_nakuA1,23 ;「…………ぐす。@………そうだな…。」\ ;＜朱志香 `"............Sniff.`@` .........You're right..."`\ ;　朱志香は一度鼻をすすり、ずっと自分を抱きしめていてくれた母に、もう大丈夫だという顔を見せる。@ `Jessica sniffled once, and showed her mother, who had been holding her the whole time, her face, trying to say that she was alright.`@ ld l,$JES_nayamuA1,80 ;　…それから譲治に向き直った時には、もういつもの顔だった。@ ;　……笑顔は取り戻せなかったけれども。\ `...When she faced George again, she once again had on her usual face.`@ `......Although she still couldn't smile.`\ ld l,$JES_odorokiA1,80 ;「……戦人…。@しっかり………。」@ `"......Battler...`@`don't lose heart........."`@ br ;　戦人は、ずっとずっと、両親の遺体の前にしゃがみ込んでいた…。\ `Battler kept on crouching in front of his parents' bodies......`\ ;＜朱志香 bg warehous_i1c,0 ld r,$BUT_nayamuA1,6 dllefe_off ;「……………………すまねぇな。@…がっつり泣いたら落ち着いたぜ…。@親父の野郎、…普段はクソクソ言ってるくせに、@ちょっと死んじまったくらいでピーピー泣くんじゃねーぜって笑ってやがらぁ。@/ `".....................I'm sorry.`@` ...I'll calm down once I've cried my share...`@` You bastard, Dad, ...I bet you're laughing at me, always talking shit about you, then crying like a baby just 'cause you died. `@/ ld r,$BUT_nayamuA2,26 ;……仕方ねぇだろ…、/ ;!d800親が死んだら泣くように遺伝子刷り込まれてちまってんだからよぅ…！」\ `......I give up..., `/ !d800`I guess I just got passed the gene that makes you cry when your parents are dead...!"`\ ;　戦人も涙の跡を真っ赤に残していたが、苦笑いだとしても、@…笑っているふりをできるくらいには立ち直り始めていた。\ `Battler's face was still bright red from the tears, but even if it was a bitter smile, `@`he had at least recovered enough to fake a smile.`\ bg warehous_o2a,0 ld l,$NAT_MajimeA1,23 dllefe 1,1 ;「……嘉音。@…お前もこれ以上ここにいてはいけません。@子どもたちを連れてお屋敷に戻っていなさい。」@ `"......Kanon.`@` ...You too mustn't remain here any longer.`@` Take the children and return to the mansion."`@ br ;　夏妃は、倉庫に踏み入ることもできず、ずっと雨に打たれていた。@…戦人とは違う、彼女なりの、…悲しみ方があったのかもしれない。\ `Natsuhi, unable to take a step into the storehouse, had been standing under the rain the whole time.`@` ...Maybe she had her own way of grieving, different from Battler's.`\ ;　夫亡き後、自分が責任感を持たなければならないことを自覚し、@……彼女は、嘉音にそう命じた。\ `She realized that she had to take on a sense of responsibility now that her husband was dead,`@` ...so she gave Kanon those orders.`\ ;＜夏妃 ld r,$KAN_majimeA1,24 ;「……………はい。@奥様。」\ `"...............Yes.`@` Madam."`\ ;　嘉音はすっと立ち上がり、こちらを振り返る。@ `Kanon rose silently, and turned to face her.`@ br ;　……まるで、紗音と一緒に自分の心も殺されてしまったかのような、…真っ白い顔、@……生気を感じられない表情だった。\ `His face was pure white, almost as though his own heart had died along with Shannon,`@` ......there was no life in his expression.`\ ;　平凡な日常の中で、美しい薔薇庭園を案内しなさいと言われれば、@嘉音は先陣を切って子どもたちを案内もしたかもしれない。@ `On an ordinary day, if he had been told to guide the children through the rose garden,`@` Kanon would have led the way and guided them.`@ br ;　……しかし今は、子どもたちと嘉音の区別はない。@ ;　…近しい者を亡くし傷心する…、歳の近い子どもたちでしかなかった。\ `......But now, there was no distinction between Kanon and the children.`@ `...They were now just kids of about the same age..., with the wounds of having lost someone close to them.`\ cl r,3 ;　子どもたちが帰っていくのを見届けてから、夏妃は源次に指示する。\ `Natsuhi ordered Genji to see that the children returned.`\ ld l,$NAT_TukareA1,80 ;「………源次。@…すぐに警察に連絡しなさい。@台風が通り過ぎるまでは来られないでしょうが、どうすればいいか指示を与えてくれるはずです。」@ `".........Genji.`@` ...Contact the police immediately.`@` They probably won't be able to come until the typhoon passes, but they should be able to tell us what to do next."`@ ld r,$GEN_defA1,24 ;「……わかりました。@防災用の無線機がありますのでそれで連絡します。」\ `"...Understood.`@` There is an emergency radio, so I will use that to contact them."`\ ;　それを聞いて夏妃は思い出す。@ ;　そうだ、今日は電話が故障しているんだっけ…。@ `When she heard that, Natsuhi remembered.`@ `That's right, the telephones were out today, weren't they...?`@ br ;　しかし、離島での生活は電話機のトラブルも想定していて、無線機も備えていた。@ ;　……とにかく、警察に連絡して指示を仰ごう。@…全てはそれからだった。\ `However, since it had been assumed that there could be trouble with the phones on this isolated island, a radio had been installed.`@ `......Anyways, let's contact the police and receive their instructions.`@` ...Everything else can wait.`\ ld l,$NAT_zutuuA1,80 ;「………南條先生。@………もうこの場は、どうしようもありませんか？」@ ;＜夏妃 `".........Doctor Nanjo.`@` .........Is there anything you can do here anymore?"`@ cl r,23 ld r,$NAN_KomaruA4,24 ;「残念ながら…。@………私には何もできませんな………。」\ ;＜南條 `"Unfortunately...`@`.........I cannot do anything........."`\ ld l,$NAT_defA1,80 ;「…………わかりました。@…源次、せめて主人たちの顔を何かで覆ってやることはできませんか。@このような姿を晒すことは、当人にとっても屈辱的でしょうから…。」\ ;＜夏妃 `"............Understood.`@` ...Genji, could you at least cover their faces with something?`@` Exposing them like this is humiliating to them as well..."`\ bg warehous_i1b,0 dllefe_off ld r,$GEN_majimeA2,23 ;「………はい。」@ ;＜源次 `".........Yes."`@ br ;　源次が、倉庫内に干してあった手ぬぐいを数枚、手に取ると、@絵羽が甲高い声でそれを制した。\ `Genji picked up several dried up towels from inside the storehouse,`@` when Eva stopped him in a shrill voice.`\ E_B meplay2 2,5,40 ld l,$EVA_IkariA1,23 ;「ちょっとちょっと！@　お待ちなさいよ。@ここは犯行現場なんでしょ？@　なら変に手を加えちゃ駄目よ。@私たちは混乱してて現場に土足で踏み入っちゃったけど、それはきっと警察の捜査の邪魔になったわよぅ？」@ `"Wait a second!`@` Stop.`@` This is the scene of the crime, isn't it?`@` Then we can't disturb it.`@` In our confusion, we've tracked muddy footprints all over the scene, but surely that will get in the way of the police's investigation, right?"`@ cl r,23 ld r,$NAT_majimeA1,24 ;「……………………。」\ `"....................."`\ ;　夏妃はむっとした表情で絵羽を睨む。@ ;　……客観的には絵羽の言うとおりだ。@ `Natsuhi glared at Eva, offended.`@ `......Objectively speaking, Eva was right.`@ br ;　しかし、このような無惨な骸を残し、死してなお辱めを受けている彼らに、@顔を隠してやる程度の施しさえさせないつもりかと、せめて睨みつけて抗議する。\ `Even so, she glared at Eva as though accusing her of refusing to do those tragic corpses, which had been humiliated even after death, the simple kindness of covering their faces.`\ ;　……しかし、絵羽の言うそれは極めて冷静で正しかった。\ `......However, Eva had spoken both calmly and correctly.`\ ;　この凄惨な状況は断じて事故などではない。@ `This horrible state was definitely not an accident.`@ br ;　事件だ。@……何者かが、彼らを殺した。@殺人事件なのだ。\ `It was a crime.`@` ......Someone had killed them.`@` It was a murder case.`\ ;　だったら、この場をこれ以上荒らすことは慎むべきなのだ…。@ ;　少しでも警察に協力し、憎むべき犯人を見つけ出す手掛かりを引き継がなければならない。\ `In that case, they should be careful not to further disturb the site.`\ `They had to aid the police at least this much, so that they might hand over a clue that could be used to find the detestable culprit.`\ bg warehous_i1a,23 ld r,$NAN_fumuA1,24 ;「…………私も絵羽さんに賛成ですな。@…警察が来るまで、ここは手付けずにしておくべきです…。」@ ;＜南條 `"............I agree with Eva-san.`@` ...Until the police come, we should leave everything be..."`@ ld l,$GEN_MajimeA1,23 ;「……奥様、いかがなさいますか。」\ ;＜源次 `"......What do you say, Madam?"`\ bg warehous_i1c,0 ld r,$NAT_MajimeA1,24 ;「……………そうですね。@…わかりました。@ここを閉ざしなさい。@…それから、念のため、ここに別の施錠をするように。」@ `"............You're right.`@` ...Understood.`@` Close it up.`@` ...And, just in case, we should put a different lock on it."`@ ld l,$HID_fumuA1,23 ;「……別の施錠？」\ ;＜秀吉 `"......A different lock?"`\ ld r,$NAT_zutuuA1,80 ;「えぇ。@……ここに来た時、シャッターの鍵は閉じていました。@…ということは、シャッターの鍵を使い、犯人が施錠したということです。」@ `"Yes.`@` ......When we came here, the shutter was locked.`@` ...That means that the culprit used the key to the shutter to lock it."`@ ld l,$HID_MajimeA2,80 bgmplay 20 ;「た、……確かに道理や。@じゃあ、ここを開けた鍵に犯人の指紋が残ってるんとちゃうんか？！」\ ;＜秀吉 `"Th, ......that makes sense.`@` Then, does that mean that the key which opens this shutter will have the culprit's fingerprints?!"`\ cl r,23 ld r,$EVA_majimeA1,80 ;「……警察に証拠として提出する価値はあるでしょうけど、@嘉音くんが普通に持って、ここを開けるのに使用しちゃったわ。@多分、嘉音くんの指紋も付着しちゃってるわよ。@そしてその鍵はさっき、源次さんに手渡され、源次さんも素手で受け取ってる。@…大した証拠にはなりそうにないわねぇ。」\ ;＜絵羽 `"......I am sure it will be worthwhile to submit it to the police as evidence,`@` but Kanon-kun usually has it, and uses it to open this.`@` It will probably also have Kanon's fingerprints on it.`@` Also, that key was handed to Genji just now, and he took it with his bare hands.`@` ...It doesn't look like it will be very useful as evidence."`\ bg warehous_i1b,0 ld l,$GEN_KomaruA1,23 ;「………それは無用心でした。@…申し訳ございません…。」@ ;＜源次 `".........That was careless of me.`@` ...My apologies..."`@ ld r,$HID_majimeA1,24 ;「源次さん。@この倉庫の鍵は他にもあるんか？」@ ;＜秀吉 `"Genji-san.`@` Are there other keys to this storehouse?"`@ ld l,$GEN_defA1,80 ;「……いいえ。@この１つだけです。」\ `"......No.`@` Only this one."`\ ld r,$HID_KomaruA1,80 ;「ということは、犯人はその鍵を使用人室から持ち出し、@…そして律儀に、元の場所に戻した、っちゅうことになるな……？」\ ;＜秀吉 `"Which means that the culprit walked out of the servant room with that key,`@` and then conscientiously returned the key to where they found it, right......?"`\ bg black,22 bg map01,22 ;　秀吉の話はもっともで、考えてみればおかしな話だった。@ `Hideyoshi's theory sounded plausible, but was actually very strange if you thought about it.`@ br ;　奪った鍵をなぜわざわざ元通りに戻したのか。@ ;　……いや、さらに深く考えてみれば、まだ奇妙な点が見えてくる。@ `Why would they go to all the trouble of returning a key they stole.`@ `......No, if you think about it even more deeply, there are some even more bizarre points.`@ br ;　犯人が死体を隠すのは、普通、犯行発覚を遅延させその隙に遠方に逃げるための時間稼ぎだ。\ `Usually, when a criminal hides a body, they are trying to delay the point at which it will be found and use that time to escape.`\ ;　実際に殺した場所がこことは限らないが、この島のどこかで６人を殺し、@この倉庫に担ぎ込んだのは、死体を隠し、事件発覚を遅くさせるためだと、普通なら考える。\ `The actual place where the six were killed wasn't necessarily here, but it was normal to think that they had been killed somewhere on this island, carried to this storehouse, and hidden to delay the discovery of the crime.`\ ;　……だが、シャッターに書かれたあの不気味な魔法陣のような落書きは、@ここに死体が隠してあることを雄弁に物語っている。@ `......But that graffiti drawn on the shutter that looked like an eerie magic circle`@` had eloquently indicated that the corpses were hidden here.`@ br ;　……そうだと具体的に書いてあるわけではないが、６人も失踪し、@あのような目立つ落書きがされていて、しかもここを開ける鍵が所定の場所に戻されていたなら、@……それはまるで、ここにある死体を見つけてくれといわんばかりなのだ。\ `......It didn't specifically say that they were here, but after six people had gone missing,`@` by making such an obvious scribble and even returning the key to open it,`@` it seemed almost as though someone had wanted the corpses to be discovered here.`\ bg black,42 bg warehous_i1c,0 ld r,$NAT_hisuA1,26 ;「……とにかく、一度は犯人が開け閉めをした施錠だけでは信用できません。@犯人の手からもこの場所を保護する意味で、施錠を新たにしたいと言っているのです。」@ ;＜夏妃 `"......Anyways, we can't trust only a lock that the culprit has opened once before.`@` If we want to protect this place from the culprit's hand, I think we should put a new lock on."`@ ld l,$NAN_DefA1,23 ;「良い案だと思います…。@私も賛成です。」\ ;＜南條 `"I think that is a good plan...`@` I agree."`\ bg warehous_i1d,24 ;　源次は倉庫内をごそごそと漁ると、小さな箱に入った新品の南京錠を開封した。\ `Genji fished around inside the storehouse, and unsealed a brand-new padlock which had been inside a small box.`\ ld l,$GEN_DefA1,23 ;「鍵はどうなさいますか…？」@ `"What should I do with the key...?"`@ ld r,$NAT_zutuuA1,80 ;「……私が持ちましょう。@責任を持って警察に手渡します。」@ ;＜夏妃 `"......I will take it.`@` I will take responsibility and hand it over to the police."`@ ;　源次の手から、南京錠の鍵が夏妃に手渡される。\ `Natsuhi took the key to the padlock from Genji's hand.`\ se1 50 bg black,25 bg warehous_o1a,65 mevol 1,70 mevol 2,70 dllefe 1,1 ;　それから全員が外に出て、シャッターを下げた。@ `After that, they all exited and lowered the shutter.`@ br ;　……それによって、彼らの死体は再び、不気味な魔法陣の描かれたシャッターによって封印されることになる。\ `......Because of that, the corpses were once again sealed behind that shutter, covered with that gruesome magic circle.`\ seplay 2,31 ;　源次はシャッター前にしゃがみ込むと新品の南京錠を括り付ける。@ `Genji crouched down in front of the shutter to fasten the new padlock.`@ br ;　…シャッターには本来の施錠の他に、自前の錠前を付けることができるものもある。@これはそういうタイプだった。\ `...In addition to the main lock on the shutter, there is sometimes a place where you can attach your own lock in front of it.`@` This was one of those types.`\ ;　雷鳴の混じる大雨の中、不気味にたたずむ倉庫…。@ ;　閉じられたシャッターには血を思わせる不気味な何かで魔法陣が描かれ、６人もの遺体を飲み込む。\ `In the midst of the roar of thunder and the pouring rain, the storehouse stood there, ominously...`@ `With its closed shutter still covered in a blood-like, creepy substance, it swallowed up the bodies of the six.`\ ;　……新しい鍵をつけさせた夏妃には、警察のための現場保全というよりは、@……この不気味な魔物に、これ以上の犠牲者を飲み込ませないために、@その口を永遠に開けないよう封じたかったという気持ちもあったのかもしれない……。\ `......To Natsuhi, putting the new lock on wasn't mainly to preserve the scene for the police,`@` ......she might have felt like she wanted to shut that mouth for all eternity,`@` to prevent the victims from being swallowed any more by that eerie demon......`\ ld r,$NAT_DefA1,24 ;「……さぁ行きましょう、皆さん。@…南條先生、ご足労をありがとうございました。@…源次は急いで警察に連絡を。」@ `"......Come on, let's go, everyone.`@` ...Doctor Nanjo, thank you very much for your work.`@` ...Genji, quickly, contact the police."`@ ld l,$GEN_MajimeA1,23 ;「戻りましたら、すぐに連絡します…。」\ `"I will contact them as soon as I return..."`\ cl a,23 ;　大人たちは倉庫を後にする。\ `The adults left the storehouse.`\ bg magicsquare_sun7,2 ;　…シャッターに描かれた不気味な魔法陣は、@６人の遺体を飲み込んだまま、時折の雷鳴に照らされながら、不気味に浮かび上がるのだった……。\ `...The ghastly magic circle drawn on the shutter,`@` still swallowing the six bodies, loomed eerily, occasionally lit up by the lightning......`\ textoff wait 3000 ;▲第１０アイキャッチ：１０月５日（日）０８時３０分　が０８時４５分に進む eye1 8,30,8,45,1,0,510,340,25 ;E_A *umi1_11 ;■客間 bg M_o1a,26 meplay 1,12 dllefe 1,1 wait 4000 dllefe_off bg black,24 bg M1F_S1a,24 mevol 1,40 ;　聞こえるのは、雨の音と、真里亞が見続けているテレビの幼児番組の音声、@そしてそれに夢中でけたけたと笑い続けている真里亞の声だけだった。\ `All that could be heard was the sound of the rain, the voices from the kids' television program that Maria was watching, `@`and the engrossed Maria's cackling voice.`\ ;　だからつまり、@……この世のものとは思えない惨状を目にして呆然としながら帰ってきた彼らを迎えたのは、@テレビに笑い転げる真里亞の笑い声だったことになる…。\ `In other words,`@` what greeted them as they returned dumbfounded from that horrible, bizarre scene `@`was the voice of Maria as she rolled around laughing at the television...`\ bg M1F_S1c,24 ;　戻ってきた彼らは、真里亞の母である楼座の死を何と伝えればいいかわからず、息苦しく沈黙するしかできない。@ `Without knowing how explain to Maria that her mother, Rosa, was dead, those who returned to the room couldn't manage any more than a suffocating silence.`@ br ld r,$MAR_fukigenA1,24 ;　真里亞は最初、自分の顔をジロジロと見る彼らに怪訝な顔を返したが、@自分を咎めているわけではないらしいと結論付けると、それらを無視して再びテレビに没頭するのだった…。\ `At first, Maria returned their stares with a dubious look, `@`but when she realized that they weren't trying to blame her for anything, she ignored them and again immersed herself in the television program...`\ bgmplay 14 bg M1F_S1b,0 ld r,$GEO_MajimeA3k,0 ld c,$JES_NayamuA1,0 ld l,$BUT_NayamuA1,23 ;　子どもたちは無言でソファーに深く腰をかける…。@ ;　ショック状態で頭が真っ白になっているのだろう。@ `The children wordlessly sat down on the sofa...`@ `Their minds were probably blank from their state of shock.`@ br ;　みんなあれだけ泣き、悲しんだのに、…今は全ての感情を失ってしまったかのような表情で、ただぼんやりと座っている…。\ `Everyone had already cried and mourned so much...but now they just vaguely sat there, their faces expressionless...`\ bg M1F_S1a,0 ld l,$KAN_nayamuA1,23 ;　嘉音だけはいつものような落ち着いた表情に戻っていた。@ ;　…しかし、だからといって、ショックが拭えたとは限らないだろう。@ `Only Kanon had returned to his usual calm expression.`@ `However, that probably didn't mean he had been able to wipe out the shock.`@ br ;　…何もない虚空を睨み続けている彼の目には、今は何も映っていなかった…。\ `Nothing was reflected in his eyes as he stared into the emptiness...`\ bg M1F_S1c,0 ld r,$HID_MajimeA1,24 ;　秀吉はそわそわしながら、先ほどの惨状を思い出しては、@信じられない、この世のものとは思えない、悪魔の仕業やと呟き続けている。@ `Hideyoshi, fidgeting as he remembered that horrible scene, `@`kept muttering, 'Unbelievable. That can't be somethin' of this world, it's the work of the devil.'`@ br ld l,$NAN_DefA1,23 cl r,0 ld c,$HID_komaruA2,24 ;　それらを時々、問い掛けの形に変えて南條にぶつけていたが、@/ `Every once in a while, he tried to ask a question and bumped into Nanjo,`@/ ld l,$NAN_MajimeA1,80 ;南條は医者らしく冷静に、少し見ただけでは何もわからない、@警察が調べなければわからないと繰り返すのだった。\ ` but Nanjo, in a calm doctor-like manner, kept repeating that nothing could be understood by only glancing at the scene, `@`and that until the police arrived, he wouldn't know anything.`\ ;　でも、南條が冷静に見えたのは、あくまでも興奮や恐怖が抑えられない秀吉に比べればというだけの話。@ ;　南條も実際は強いショックを受けていて、顔面は蒼白だった。\ `However, Nanjo only appeared calm next to Hideyoshi, who was agitated and fearful to the utmost.`@ `In fact, Nanjo had also received a huge shock, his face a deathly pale.`\ bg M1F_S1b,23 ld r,$NAT_DefA1,24 ;　そんな中だからこそ、リーダーシップを発揮しようと奮い立つのだろうか。@ `Maybe it was because of their attitudes that Natsuhi tried to rise to the challenge and take control.`@ br ;　夏妃は普段と変わらぬ態度のように見えた。@ ;　そしてきびきびと指示をする。\ `Natsuhi was apparently unchanged from her normal attitude.`@ `And she briskly gave directions.`\ ld r,$NAT_MajimeA1,80 ;「……私はお父様のところへ行ってきます。@…源次は急ぎ、警察へ連絡を。」@ ;＜夏妃 `"......I will head to Father's place.`@` Genji, quickly contact the police."`@ ld l,$GEN_DefA1,23 ;「かしこまりました…。」\ ;＜源次 `"Certainly..."`\ cl l,24 ld l,$EVA_AkireA1,23 ;「私も一緒させていただいていいかしら、夏妃姉さん？@　……蔵臼兄さんがいなくなった以上、お父様の補佐は私の仕事だもの。@その私が夏妃姉さんに任せっきりでここでくつろいでるわけにはいかないわ。」\ ;＜絵羽 `"I wonder if you would allow me to tag along, Natsuhi nee-san?`@` ......Since Krauss nii-san is now gone, the task of aiding Father has been left to me.`@` It would be improper of me to relax here while relying entirely on Natsuhi nee-san."`\ ld r,$NAT_OdorokiA2,80 ;　このような事態に何と逞しいことかと、夏妃は絶句する。@ `Natsuhi was struck speechless by Eva's aggressive actions in a situation like this.`@ br ;　蔵臼が死んだなら、次に指揮を執るのはその妻ではなく、@次の序列である自分だと、そう主張したいらしい。@ `It seemed that she was claiming that, with Krauss dead, the one to take responsibility should not be his wife,`@` but herself, the next highly ranked in the family.`@ ;　…あるいは、この非常事態に夏妃が自分を差し置いて切り盛りしているのが気に入らないのか。\ `...Possibly, she had not been happy at all when Natsuhi had ignored her in this extreme situation.`\ ;　もっとも、絵羽とて直前までショックで頭が真っ白だった。@ ;　…夏妃が指示を始めて、初めて我に帰ったのだ。\ `Naturally, Eva's mind had been blank from the shock until just now.`@ `...She only returned to herself after Natsuhi started giving orders.`\ ld r,$NAT_zutuuA1,80 ;「………………………。@……お好きになさるといいでしょう。」@ ;＜夏妃 `"..................`@`...Just do as you like."`@ cl r,23 ;　夏妃はそれ以上、何も言わず、先に歩き出す。@ ;　その後に絵羽も付いていくのだった。\ `Natsuhi, without saying anything more, walked out.`@ `Eva followed behind her.`\ bg M1F_S1a,24 ld l,$KUM_KomaruA1,64 se1 16 ;　…それと入れ替わるように、客間に熊沢が駆け込んできた。@ `...As they did, Kumasawa ran into the parlor.`@ br ;　普段は走るような人ではないので、何かあったのかと思うのが正常な感覚だが、@…今は誰もがショックに打ちひしがれていて、その程度のことを気には留めなかった。\ `Since she normally wasn't the kind of person to run around, anyone would guess that something had happened,`@` ...but since everyone had been stricken by that earlier shock, this level of a disturbance didn't overly trouble them.`\ ld l,$KUM_MajimeA1,80 ;!s0「……あ、あの、/ ;!d800…奥様、/ ;!d600…奥様………！」\ !s0`"......U, umm, `/ !d800`...Madam, `/ !d600`...Madam.........!"`\ !sd ;＜熊沢 ld r,$HID_DefA1,24 ;「夏妃姉さんなら、お父さんのところへ行ったで。@すぐ戻ってくるやろ。@…どないしたんや、熊沢さん。」\ ;＜秀吉 `"If you're lookin' for Natsuhi nee-san, she went to see Father.`@` She'll probably be back soon.`@` ...What happened, Kumasawa-san?"`\ se1 21 ld l,$KUM_OdorokiA1,80 ;!s0「そ、それが、!d500………食堂に、!d400……血が…、!d600……血が……！」\ !s0`"Th, that is, `!d500`.........in the dining hall, `!d400`......blood..., `!d600`......blood......!"`\ ;!sd　客間にいた全員の耳がびくりと震える。\ !sd`Everyone in the parlor turned to listen.`\ ;　誰もが思った。@ ;　…聞き間違えであってほしいと。@ `Everyone thought the same thing.`@ `'I hope I misheard that.'`@ br ;　……どんな器にだって入る限界の量があるように、@…もうこれ以上の惨劇を受け容れることのできる器など、誰にもなかった。\ `......Just like how any container has a limit to how much you can put in it,`@` ...no one felt like they could accept any more tragedies beyond what had already happened.`\ ;　だから思った。@聞き間違えであってほしいと……。\ `So they all thought it.`@` I hope I misheard that......`\ ld r,$HID_MajimeA1,80 ;「な、……何やて、/ ;!d800……食堂…？」@ ;＜秀吉 `"Wh, ......what happened,`/ !d800`......in the dining hall...?"`@ ld l,$KUM_KomaruA1,80 ;「朝食の準備に…、/ ;!d900食堂に配膳に行ったら…、/ ;!d700……あわわわわわ…わわ…。」\ ;＜熊沢 `"When I went to the dining hall..., `/ !d900` to set up for breakfast..., `/ !d700`......Awawawawawa... wawa..."`\ bg M1F_P1b,64 seplay 2,16 ;　真っ先に走ったのは譲治だった。@ `George ran straight for it.`@ ;　その荒々しい足音に我に帰った秀吉と南條が後を追う。@戦人たちもそれに続く。\ `His harsh footsteps jogged Hideyoshi and Nanjo to their senses, and they chased after him.`@` Battler and the others followed.`\ bg black,22 bg Mdin_1d,30 ;　彼らは次々に食堂に飛び込むが、熊沢が真っ青になるほどの変化は見つけられなかった。@ `They flew into the dining hall one after another, but they didn't find any change that would have caused Kumasawa to go pale.`@ br ;　…あの倉庫の凄惨さを知る者たちにとって、それは一瞬、拍子抜けだった。\ `...To those who had viewed that gruesome scene in the storehouse, it was a bit of an anticlimax.`\ bg blood_2e,25 meplay2 5,5,40 ;　だが、後から来た熊沢が指差して教えてくれた。@ ;　……確かに、床に血の跡が残っていたのである。\ `However, Kumasawa, who had followed them, pointed it out.`@ `......There really were some traces of blood remaining on the floor.`\ ;　…あの惨状を思えばそれは決して派手ではない。@ `...Compared to that terrible scene, it was not very impressive.`@ ;　…しかし冷静に考えたなら、これは相当の出血を物語るのに間違いなかった。\ `...However, if you calmly thought about it, this definitely indicated the loss of a lot of blood.`\ bg Mdin_1a,26 ld l,$GEO_KomaruA1k,23 ;「…………ここにも血溜まりがあるよ。@…………これは一体……。」\ ;＜譲治 `"............Blood has also gathered here.`@` ............What in the world......"`\ bg Mdin_1c,0 ld r,$NAN_komaruA2,24 ;「……だいぶ、時間が経っているように見えますな…。@……おそらく、昨夜……ここで殺されたんだと見て良いでしょう…。」@ ;＜南條 `"......It appears that a great deal of time has passed...`@` ......It's probably safe to say that they were killed here last night..."`@ ld l,$HID_komaruA1,23 ;「そ、そういうことになるんやろな…。@…わしらは昨夜はずっと食堂で話し合いをしとった…。@そして、ここに何者かが押し入ったに違いない…。」\ ;＜秀吉 `"I, it would seem to mean that...`@`...We'd been talkin' together in the dinin' hall until late into the night...`@` After that, someone must've broken in..."`\ cl r,23 ld r,$GEO_MajimeA3,24 ;「父さんたちが打ち合わせを抜けて休んだのは何時だっけ……？」@ ;＜譲治 `"Dad, when did all of you finish their meeting and go to sleep......?"`@ ld l,$HID_majimeA1,80 ;「…うむ…。@昨夜の２４時を少し過ぎたくらいの頃や…。@/ `"...Hmm...`@` It was a little past midnight...`@/ ld l,$HID_komaruA1,80 ;……だから、/ ;!d500…その後に、/ ;!d600…と考えるんが妥当やろな…。」\ ;＜秀吉 `......So, `/ !d500`...sometime after that...`/ !d600`...is probably when it happened..."`\ bg Mdin_1b,23 ld c,$JES_nayamuA1,24 ;「………マジかよ…。@………勘弁してくれよ………。」\ ;＜朱志香 `".........Seriously...`@`.........gimme a break........."`\ ld l,$KAN_majimeA1,23 ;「お嬢様、……しっかり……。」@ ;＜嘉音 `"Milady, ......get a hold of yourself......"`@ ld r,$BUT_NayamuA2,24 ;「…へへへへ…。@…俺はもう、さっきの倉庫でこの世の地獄ってヤツを拝んじまったから、今さらこのくらいじゃ堪えねぇぜ…。」\ ;＜戦人 `"...Hehehehe...`@`...After seeing that hell on earth in the storehouse, I think I can handle this much..."`\ bg Mdin_1e,24 ld c,$JES_ikariA2,23 ;「……そうかよ、良かったな…。@私は頭がどうにかなっちまいそうだぜ…。@……ここは食堂だぜ？@　私は毎日ここで食事をして、学校のことをぼやいたり、宿題のことをぼやいたり、@……親父に学校の成績の話をされたり、/ ;!d700……そういうところなんだぜ……？」\ ;＜朱志香 `"......Really? Great for you...`@` I feel like my head's gonna explode...`@`......This is the dining hall, right?`@` This is where every day I would eat, complain about school, complain about homework, `@`......talk to my parents about my grades, `/ !d700`......that's what this place is to me......"`\ ld l,$KAN_defA2,23 ;「…………お嬢様。@これ以上、ここに居るのはよくありません。@…客間へ戻りましょう。」\ ;＜嘉音 `"............Milady.`@` It wouldn't be good to remain here any longer.`@` ...Let's return to the parlor."`\ ld r,$BUT_KomaruA2,24 ;「俺も同感さ…。@………秀吉伯父さん！@　この部屋は多分、警察にとって重要な意味があると思います。@俺たちが踏み荒らしちまうのはマズイじゃないんすか？」@ ;＜戦人 `"I agree...`@`.........Hideyoshi oji-san!`@` I think this room will be really important to the police.`@` Don't you think it would be bad if we trampled all over it?"`@ br ;　真っ青になって震える朱志香の肩を、嘉音と共に抱き、戦人は少しだけ力強い声で提案する。\ `Battler proposed this in a slightly powerful voice as, along with Kanon, he grabbed the pale and shaking Jessica's shoulders.`\ bg Mdin_1d,23 ld r,$NAN_komaruA2,24 ;「………戦人さんの言う通りですな。@この部屋にこれ以上、好んで居続けることはありますまい。」@ ;＜南條 `".........Everything is just as Battler-san has said.`@` There is nothing more to be gained from remaining in this room."`@ ;　南條が全員の蒼白な顔を見て言う。\ `Nanjo spoke while looking at everyone's pale faces.`\ ;　……あの倉庫の惨状は、この世のものとは思えないものではあっても、@少なくともこことは離れた場所で、切り離して逃げてきたという気持ちで誰もが自分を納得させていた。\ `......Even though that horrible scene in the storehouse had felt like something not of this world,`@` at least then we had been able to leave, to cut ourselves off from that place and run away. Everyone had shared in that feeling.`\ bg black,22 bg Mdin_1g,22 ;　……でもこの食堂は違う。@ `......However, this dining hall was different.`@ br ;　母屋である屋敷の中にあり、@…そして朱志香の言う通り、この屋敷の中でも心落ち着く場所のひとつだったはずだ。@昨日、親類みんなでランチやディナーを楽しんだ場所だ。\ `It was in the main wing of the mansion,`@` ...and as Jessica had said, the inside of the mansion was supposed to be the one place where we could feel secure.`@` It was the same place that all of the relatives had eaten lunch and dinner yesterday.`\ bg black,25 bg blood_2e,25 ;　……そこが、血で汚されていることの衝撃は、倉庫の惨状を再び思い出させ、@自分たちが決して惨劇現場から逃れてはいないことを無理やり認識させるのだ……。\ `......The shock of seeing this place smeared with blood reminded us of that horrible spectacle in the storehouse,`@` and forced us to accept that we really hadn't been able to run away from the scene of that tragedy......`\ bg Mdin_1c,24 ld c,$HID_majimeA2,24 ;「…うむ。@わしも同感や…。@この部屋には犯人の痕跡が残ってるかもわからんしな！@ ;　素人のわしらがかき回すべきとちゃうで。@…早ぅ出るんや。@早う早ぅ！」\ `"...Hmm.`@` I also agree...`@` The culprit might have left traces in this room!`@ `Amateurs like us shouldn't stir the place up.`@` ...Let's leave quickly.`@` Quickly, quickly!"`\ ;　秀吉も戦人の言う意味を理解し、急き立てるように食堂から出ろ出ろと叫ぶ。@ `Hideyoshi also understood the meaning of what Battler had said, and pushed everyone to hurry out of the dining hall.`@ br ;　…これ以上、血を見るのは今の自分たちには酷に過ぎることなのだ。\ `...The way we were then, looking at that blood any longer would have been too harsh.`\ bg black,22 ;　その言葉に逆らう者はいなかった。@ ;　皆、先を争うように食堂を後にする。@ ;　…………まるで、最後の人はこの部屋に取り残されて閉じ込められてしまうかのように…。\ `Nobody went against his words.`@ `Everyone raced each other out of the dining hall.`@ `............It was almost as though the last person in the room would be trapped in there, all alone.`\ textoff se1 18 bg black,42 fede 1,2000 fede 15,2000 bg M1F_S1a,3 ;　廊下で、未だ震えて壁にもたれかかる熊沢に肩を貸すと、一同は客間に戻ってきた。@ `Once in the hallway, we helped Kumasawa, who was still trembling and leaning against the wall, and we all headed back to the parlor together.`@ ld r,$GEN_DefA1,24 ;　…そこへ源次が戻ってくる。\ `...Then, Genji returned.`\ ld l,$NAN_DefA1,23 ;「……おお、源次さん。@警察に連絡はつきましたか。」@ ;＜南條 `"......Oh, Genji-san.`@` Were you able to contact the police?"`@ ld r,$GEN_MajimeA2,80 ;「………………それが、申し訳ございません。/ `"............About that, my sincerest apologies. `/ fede 0,1000 bgmplay 18 ;…無線機の故障か、それ以外の理由によるものかわかりませんが…、」@ ;＜源次 `...I don't know if it was a failure of the radio or something else that caused it, but..."`@ cl l,24 ld l,$HID_KomaruA2,23 ;「何や…、警察に連絡がつかんのか…！！@　電話も無線もどっちも駄目なんか！」\ ;＜秀吉 `"What..., you didn't contact the police...!!`@` You tried the phone and the radio and both failed!?"`\ ld r,$GEN_defA1,80 ;「…申し訳ございません。@月曜の朝に船が来ることになっていますので、その船の通信機を借りることができると思います。」@ ;＜源次 `"...My apologies.`@` A boat will be arriving on Monday morning, and I believe we will be able to borrow their communications equipment."`@ ld l,$HID_majimeA2,80 ;「この島には船はないんか？！@　新島の警察署までちょっくら行ってくることはでけんのか！」@ ;＜秀吉 `"Isn't there a boat on this island?!`@` Can't we just take a little trip out to the Niijima Police Department?!"`@ ld c,$NAN_KomaruA2,23 ;「…秀吉さん、この天気では無理だ…。@少なくとも、台風が通り過ぎるまではどうにもなりません。」\ ;＜南條 `"...Hideyoshi-san, that would be impossible with this weather...`@` At the very least, we can't do anything until the typhoon passes by us."`\ ld r,$GEN_MajimeA1,80 ;「蔵臼さまのボートは今、修理中で島にありません…。@ですので、月曜の船を待つ他ないかと……。」@ ;＜源次 `"Krauss-sama's boat is being repaired and is not on the island...`@` Therefore, we must wait for the boat coming on Monday......"`@ ld l,$HID_komaruA2,80 ;「そ、そんなアホな話があるか…！@　６人も死んだんやで！！@　そして電話も無線も通じず、船もない！@　台風が過ぎて船が来るまで…、つまり明日の朝までわしらは警察にも連絡できず、この島におれっちゅうことなんか？！」\ ;＜秀吉 `"H, how could this happen...?!`@` Six people are dead!!`@` The phones and radio aren't working, and there's no boat!`@` Until the typhoon passes and the boat comes...in other words, until tomorrow morning, will we just have to stay here on this island without being able to contact the police?!"`\ se1 21 bg black,22 ;「………ってことはつまり。@……俺たちだけじゃなく、/ ;!d800…伯父さんたちを殺した犯人も、この島から出られず、足止めってことだな…。」\ ;＜戦人 `".........Which means that...`@`......not just us, `/ !d800`...but the criminal who killed everyone is also confined to this island..."`\ bg M1F_S1c,26 ld r,$GEO_MajimeA1k,24 meplay2 2,16,40 ;「……そういうことになるね。@……みんなを殺した犯人は、まだこの島にいる。」\ ;＜譲治 `"......That certainly follows.`@` ......The culprit who killed everyone is still here on the island."`\ ld l,$JES_OdorokiA1,23 ;「お、……親父たちを殺したヤツは、この島から逃げ出せず、まだ潜んでやがるってことかよ…。@/ `"S, ......so the bastard who killed Dad and the others, without being able to escape the island, must still be hiding somewhere...`@/ ld l,$JES_IkariA1,80 ;……くそ、くそくそくそ！！@　見つけ出してやるぜ、警察になんか引き渡すもんか！！@/ `......Damn it, damnitdamnitdamnit!!!`@` I'll find that bastard, no way I'll hand him over to the police!! `@/ ld l,$JES_NakuA1,80 ;　私がこの手で八つ裂きにしてやる…！！！@　ううぅうぅぅ！！！」\ ;＜朱志香 `I'll slice him into bits myself...!!!`@` Whaaaaaaaaaaaa!!!"`\ bg M1F_S1b,23 ld c,$MAR_fukigenA1,24 ;「………………………………。」@ ;＜真里亞 `"....................."`@ ;　真里亞はようやく、客間の様子がおかしいことに気付く。@ `Maria had finally realized that something was odd in the parlor.`@ br ;　…おかしいというよりは、彼らが自分だけがわからない何かで盛り上がっていることに対し疎外感を感じ不愉快に思った、@という方が正しいだろうか。\ `...Rather than noticing something odd, `@`it was probably better to say that she felt unhappy and neglected since everyone was getting so excited about something only she didn't know about.`\ ld c,$MAR_niyariA1,80 ;「………うー。@…朱志香お姉ちゃん。@誰か死んじゃったの？」@ `".........Uu-.`@` ...Jessica onee-chan.`@` Who died?"`@ br ;　本当にきょとんとした言い方。@ `The way she spoke was completely calm.`@ ;　…まるでテレビドラマの登場人物の話をしているように他人事だった。\ `...Just as though she was talking about someone who had appeared on a television drama, as though it was someone else's problem.`\ bg M1F_S1a,0 ld l,$JES_OdorokiA1,23 ;　…それが朱志香には気に入らなかったのだろう。@ `...Jessica probably didn't like that.`@ br ;　……これほど悲しみに暮れる自分を見てそれが理解できないのかと言わんばかりに、真里亞に食って掛かる。\ `......As though trying to say 'Can't you tell just by looking at me, overwhelmed with grief!', she flared up against Maria.`\ ld l,$JES_IkariA2,80 ;「死んじまったぜ、みんなみんな！！@　私の親父も、戦人の父さんと母さんも！！@　郷田さんも紗音も！！@　そして真里亞の母さんも！！」@ ;＜朱志香 `"They all died, everyone, everyone!!`@` My dad and Battler's parents!!`@` Gohda-san and Shannon!!`@` And even your mother, too!!"`@ ld r,$GEO_MajimeA3k,64 ;「よすんだ、朱志香ちゃん…！！@　悲しいのは君だけじゃない…！」\ ;＜譲治 `"Stop it, Jessica-chan...!!`@` You aren't the only one who's sad...!"`\ bg M1F_S1c,24 ld r,$NAN_KomaruA2,24 ;「…真里亞さん…。@ショックだろうが聞いてください。@……あなたのお母さんがな…。@……死んでしまいました。」\ ;＜南條 `"...Maria-san...`@` I know this will come as a shock, but please listen.`@` ......Your mother...`@`......has died."`\ ld l,$MAR_fukigenA1,23 ;「…………ママが死んじゃった？@　……うー…？」@ `"............Mama is dead?`@` ......Uu-...?"`@ cl r,23 ld r,$BUT_nayamuA1,24 ;「……あぁ、誰かに殺されちまった。@…悲しいだろうがよ、心をしっかり…、」\ ;＜戦人 `"......Yes, someone killed her.`@` ...I know it's sad, but stay strong..."`\ ld l,$MAR_defA1,80 ;「……………………何人、/ ;!d800死んじゃった？」@ ;＜真里亞 `"...............How many people, `/ !d800`died?"`@ cl r,23 ld r,$JES_IkariA2,24 ;「６人だぜ！！@　６人だッ！@　……くそくそくそ！@　あんな残酷なことしやがって！！@　程ってもんがあるだろうがよ、人間ならよ…！@　誰だか知らねぇが、犯人は人間じゃねぇぜ！！@　血の色が赤いわけがねぇ！！」\ ;＜朱志香 `"Six people!!`@` Six people!`@` ......Dammitdammitdammit!`@` How could you do something so cruel!!`@` There's a limit to how cruel you can be, if you're a human...!`@` I don't know who it is, but the culprit isn't human!!`@` There's no way their blood is red!!"`\ bg black,2 fede 1,2000 ;「…………うー。@犯人は人間じゃない。@…＊が選んだ＊＊なだけ。」\ `"............Uu-.`@` The culprit isn't human.`@` ...It's just the **** chosen by the ****."`\ bg M1F_S1b,0 ld r,$BUT_oyaA1,22 ;「え？@　……………おい真里亞、/ ;!d700今、何て言った？」\ ;＜戦人 `"Huh?`@` ............Hey, Maria, `/ !d700`did you say something just now?"`\ ;　今、真里亞は何か言ったが、@それが、会話の流れから想定される単語から大きくかけ離れていたため、一瞬、意味を理解できなかった。\ `Maria had just said something,`@` but since the words were so remotely separated from the flow and context of the conversation, for a second, I couldn't understand them.`\ bg M1F_S1d,22 ;　それをもう一度聞きなおそうとした時、@客間の入り口で夏妃伯母さんの大きな声が突然聞こえて驚かされた。@ `When I tried to ask her to repeat it again,`@` I was shocked by the sudden sound of Natsuhi oba-san's loud voice coming from the entrance to the parlor.`@ br ;　祖父さまのところへ行っていた夏妃伯母さんと絵羽伯母さんが戻ってきたのだろう。\ `It looked like Natsuhi oba-san and Eva oba-san had returned from their trip to see Grandfather.`\ textoff fede 12,1000 meplay2 1,11,90 bg M1F_S1a,26 ld r,$NAT_OdorokiA1,24 ;「無線でも連絡できない？！@　………こんな時に使えなくて、何のための防災無線ですか！」@ ;＜夏妃 `"You can't contact them with the radio?!`@` .........If we can't use it at a time like this, why do we even have an emergency radio!"`@ ld l,$GEN_MajimeA2,23 ;「……………申し訳ございません。@毎年、保守点検はさせているはずなのですが…。」\ ;＜源次 `"............My apologies.`@` It was supposed to have a maintenance inspection every year..."`\ bg M1F_S1b,24 ld r,$EVA_MajimeA1,24 ;「ほら、光をチカチカさせるみたいな船舶信号ってあるじゃない？@　そういうので向こうの島に連絡することはできないのかしら？」@ ;＜絵羽 `"Wait, don't you have one of those boat signaling devices that makes a flashing light?`@` Couldn't you use that to contact the next island?"`@ ld l,$GEN_KomaruA1,80 ;「……そのような設備はございません…。@…申し訳ございません…。」\ ;＜源次 `"......We do not have such equipment...`@`...My apologies..."`\ bg M1F_S1a,0 ld r,$KUM_DefA1,23 ;　そこへ、朝食を載せた配膳台車を押す熊沢がやって来る。@ `Just then, Kumasawa came pushing a serving cart loaded with breakfast.`@ ;　……あの食堂で食事などできるわけもないため、秀吉が客間へ運ぶよう指示したためだ。@ `......Since there was no way we would be able to eat in the dining hall, Hideyoshi ordered her to take it to the parlor.`@ ld l,$NAT_defA1,23 ;「なぜ朝食をこちらに？」\ ;＜夏妃 `"Why are we eating breakfast here?"`\ bg M1F_S1b,0 ld r,$HID_komaruA1,24 ;「……あぁあぁ、夏妃さん…、それは後で話す。@それより絵羽、お父さんはどうなんや。」@ ;＜秀吉 `"......Aaaahhh, Natsuhi-san...I'll tell you later.`@` More importantly, Eva, how was Father?"`@ ld l,$NAN_DefA1,23 ;「ご一緒でないところを見ると、/ ;!d800………このような事態になっても、部屋から出ませんか…。」\ ;＜南條 `"Judging by the fact that he is not with you, `/ !d800`.........he won't even leave his room for a situation like this..."`\ bg M1F_S1c,0 ld r,$EVA_ikariA1,24 E_A ;「いないわ。@……部屋は空っぽだったのよ。」/ ;＜絵羽 `"He isn't there.`@` ......The room was empty."`/ mov ?r[kin][condition],2 se1 1061 @ ld l,$HID_majimeA1,23 bgmplay 26 ;「なんやて…。@こんな時にどこ行ったんや…！」@ ;＜秀吉 `"What the...`@` Where could he have gone at a time like this...?!"`@ cl r,23 ld r,$KAN_defA1,24 ;「…………お館様が、書斎を出られたというのですか…？」\ ;＜嘉音 `"............Did you say that the Master has left his study...?"`\ bg M1F_S1a,0 ld c,$NAT_OdorokiA2,23 ;「…そうです。私も驚いています…。@いつの間に部屋を出たのやら……。@あなたたちに心当たりはないのですか？」@ `"...That's right. I am also surprised...`@` I wonder when he left his room......`@` Do any of you have an idea?"`@ ;　夏妃はそう言い、源次と嘉音を見る。\ `Natsuhi looked at Genji and Kanon as she said this.`\ ;　…片翼の鷲を許された直属の使用人なら行きそうな場所を知っているのではないか、ということだろう。@ `Maybe she was trying to ask whether the servants who served directly under the One-winged Eagle would know of a place he might go.`@ br ;　………しかし、実際は逆のようだった。@ `.........However, it was probably the other way around.`@ ;　…金蔵のことを知り尽くしている彼らだからこそ、むしろ部屋を出ることの方がありえない、という顔つきだった。\ `Their faces made it clear that those who knew Kinzo best realized even more than the rest how impossible it was for him to leave his room.`\ bg M1F_S1c,0 ld r,$KAN_majimeA1,24 ;「………僕たちにも、見当がつきません。」@ ;＜嘉音 `".........Even we have no idea."`@ ld l,$GEN_majimeA1,23 ;「…ご存知の通り、お館様はあの書斎の中に、お休みの場所からご不浄まで全てを設けさせました。@お館様があの部屋をお出になることなどよっぽどの事がない限り、考えられません。」\ ;＜源次 `"...As you all know, within that study, the Master had everything set up from a place to sleep to a bathroom.`@` I couldn't imagine him leaving that room except for a significant reason."`\ bg M1F_S1a,23 ld r,$HID_KomaruA1,24 ;「…………となると、…何や。@その“よっぽどの事”があった、って考えるのが自然だっちゅうことになるんか…！」@ ;＜秀吉 `"............In that case, what?`@` Isn't it natural to think that one of those 'significant reasons' came up...!?"`@ ld l,$NAT_hisuA1,23 ;「まだそうと決まったわけではありません！ @/ `"We still don't know whether that is the case! `@/ ld l,$NAT_majimeA1,80 ;　とにかく気まぐれな方ですから、現状をご存知なく、おひとりで散歩をされている可能性もあります。@……仮にそうだとしたら、一刻も早く、現状をお知らせして、ご指示を仰がねばなりません。」\ ;＜夏妃 `Anyways, he is a fickle person, so it's possible that he went for a walk by himself without knowing the current situation.`@` ......If that is the case, we have to tell him what has happened and ask for instructions as fast as we can."`\ cl r,23 ld r,$EVA_AkireA1,24 ;「……そうねぇ。@………考えたくはないけど、…お父様の身に何かあったのかもしれないしねぇ…？」@ ;＜絵羽 `"......That's right.`@` .........Although I don't want to think about it, ...it's possible that something has happened to him, isn't it...?"`@ ld l,$NAT_OdorokiA2,80 ;「そのような不吉なことは考えたくもありません…！」\ ;＜夏妃 `"I don't even want to think about something that ominous...!"`\ bg M1F_S1d,25 meplay2 1,12,40 meplay2 2,5,40 ;　６人が無惨な死体で発見され、金蔵の姿が見えない。@ ;　その上、電話は故障し、無線も通じず、警察にも連絡が取れない。@ `No one had seen Kinzo since the six horrible corpses had been found.`@ `On top of that, the phones were broken, the radio wouldn't reach anyone, and there was no way to contact the police.`@ br ;　…台風も明日には去り、船も来てくれるらしいが、@……それまでこの島は、外部の誰にも頼れず、そして誰も逃げ出すことができないということだ。\ `...It looked like the typhoon would leave tomorrow and a boat would come,`@` ......until then, no one could rely on anyone outside the island, nor could they escape the island.`\ ;　誰もがあまりに突然の惨劇に、冷静さを失っていた。\ `Everyone had lost their composure at the extremely sudden tragedy.`\ ;　…重苦しい沈黙と焦燥感。@ `...Everyone felt a heavy silence. Everyone was impatient.`@ ;　…何かをしなくてはならないのに、何も思いつかず、@ある者はイラつき、ある者は頭を抱えるだけ。@ `...Even though they needed to do something, they couldn't think of anything,`@` so some of them held their heads in their arms while others got irritated.`@ br ;　………誰にも、…今、この六軒島で何が起こっているのか説明することはできなかった……。\ `.........Right now, no one could explain what was occurring on this island, Rokkenjima......`\ ;■時間経過シーン… bg black,2 fede 0,4000 wait 2000 meplay2 1,13,40 meplay2 2,11,90 bg M1F_S1a,2 ;　その後、熊沢さんが作ってくれた朝食を、客間でぼそぼそと食べた。\ `After that, we ate the breakfast that Kumasawa-san had made. It felt dry and tasteless.`\ ;　もちろん、あんなことがあった直後だ。@ ;　誰だって食欲などわかない。@ `Of course, this was right after something like that had happened.`@ `No one felt particularly hungry.`@ br ;　…でも、食べなければ体が参ってしまうのは理屈でわかっている。\ `However, we realized that not eating would weaken our bodies.`\ ;　…それに作ってくれた熊沢さんにも悪い。@ `It would also be rude to Kumasawa-san, who had made the breakfast.`@ br ;　郷田さんが、凝りに凝った料理のために取り寄せただろう珍しい西洋野菜は、熊沢さんによって、和風に料理され、@違和感のある彩りとなっていた。\ `Kumasawa-san had taken the tasteful western vegetables, ones that Gohda-san had probably ordered to make the meals feel more elaborate, and cooked them in a Japanese style,`@` making them turn an unpleasant color.`\ bg black,22 ;　これらの材料によって、郷田さんがどんな料理を作るつもりだったのか…。@今となっては想像することもできない。@ `As to what Gohda-san had been planning to cook with those ingredients...`@`right then I couldn't even imagine it.`@ ;　それを想像すれば、郷田さんの死に様が再び蘇り、口の中が酸っぱい何かで満たされる…。@ `If I did think about it, I would be reminded of the way Gohda-san had died, and the inside of my mouth would be filled with a sour taste...`@ br ;　みんなは一応、食べるふりだけするのだが、箸が進むはずもなかった。\ `For the time being, everyone pretended to eat, but no one was actually going to move their chopsticks.`\ bg M1F_S1d,2 ;　そして、現状についての周知が行われた。@ `Then everyone began thinking about the current situation.`@ br ;　まず、……蔵臼伯父さん、@ウチの親父、@霧江さん、@楼座叔母さん、@郷田さんに紗音ちゃんの６人が、@薔薇庭園の倉庫で無惨な死体となって発見されたこと。\ `First off, ......Krauss oji-san,`@` my dad,`@` Kyrie-san,`@` Rosa oba-san,`@` Gohda-san and Shannon-chan:`@` six people whose cruelly mutilated corpses had been found in the rose garden storehouse.`\ ;　にもかかわらず、電話も無線も使えず、警察への連絡が未だできないこと。@ ;　……つまり、ってことはこの台風が通り過ぎるまで、俺たちにできることは何もないってわけだ。\ `And despite that, without being able to use phones or radio, we still couldn't contact the police.`@ `......So until the typhoon passed, there was nothing we could do.`\ bg black,22 ;　さらに、この事態に少しはリーダーシップを発揮してくれるかと期待した祖父さまはいつの間にかいなくなっていた。@ `Furthermore, Grandfather, who we had hoped might be able to show a little leadership in this kind of a situation, had disappeared some time ago.`@ br ;　……郷田さんが朝食を作らなかったのだから、未だ空腹なはずで、@単にぶらりと散歩に出ているだけなら、今頃空腹で向こうからぴーぴー言ってくるはずだ。\ `......Gohda-san hadn't made breakfast, so Grandfather's stomach must have been empty,`@` and if he had just been taking a casual walk, we should have been able to hear him whining about how hungry he was about now.`\ ;　にもかかわらず、/ ;!d900現れない。@ `And despite that, `/ !d900`he hadn't appeared.`@ br ;　……事件に巻き込まれた可能性は少なくなかった。\ `......There was more than a small chance that he had become caught up in the earlier crime.`\ mono 1 bg M2F_P1b,0 ld l,$EVA_majimeA1,0 ld r,$NAT_majimeA1,22 ;　夏妃伯母さんたちは、祖父さまを呼びに行った帰りに、その姿を探して各階に声を掛けたそうだが見つけられなかったという。@ `Natsuhi oba-san and Eva oba-san had said that, on their return trip from going to see Kinzo, they had called out to him on every floor, looking for him, but were not able to find him.`@ br ;　…タイミング的に考えて、事件に関係があると考えるのが妥当だろう。\ `...If you think about the timing of it all, it was probably best to think that he had been caught up in the crime.`\ bg black,2 mono 0 ;　食堂で殺されたと思われるうちの親父たちが、わざわざその遺体を倉庫に移されていたように、@祖父さまもすでに殺されていて、@その遺体が妙な場所に運び込まれていて、未だ発見されていないだけ…、@というのは誰も口にしないが、非常に説得力のある想像だった…。\ `If the culprit had taken the trouble to move the corpses of Dad and the rest, who we figured had been killed in the dining hall, all the way to the storehouse,`@` maybe they had already killed Grandfather,`@` moved his corpse to some strange location, and we had simply not found it yet.`@` No one actually said it, but this theory seemed extremely convincing...`\ bg M1F_S1c,26 ld r,$NAT_DefA1,24 ;「私たちは、お屋敷の戸締りを確認してきます。@お父様も念入りに探さなければなりません。@子どもたちはこの部屋を出ないように。@/ `"We will go check that all of the windows and doors are closed.`@` We must also carefully search for Father.`@` So that the children stay in this room...`@/ ld r,$NAT_zutuuA1,80 ;絵羽さんと秀吉さんは、申し訳ありませんが、ここで子どもたちと一緒にいてください。@南條先生もお願いいたします。」@ `Eva-san and Hideyoshi-san, I'm sorry, but please stay here with the children.`@` Doctor Nanjo as well."`@ ;＜夏妃 ld l,$NAN_MajimeA1,23 ;「…わかりました。@ここでお待ちしています……。」\ ;＜南條 `"...I understand.`@` I will wait here......"`\ cl r,23 se1 15 ;　夏妃伯母さんは、使用人たち、源次さんと熊沢さんと嘉音くんを従え、客間を出て行った。@ `Natsuhi oba-san followed the servants, Genji-san, Kumasawa-san, and Kanon-kun, out of the parlor.`@ br ;　残ったのは、絵羽伯母さんと秀吉伯父さん。@南條先生と、俺たち子ども４人の合計７人だった。\ `All that was left was Eva oba-san, Hideyoshi oji-san,`@` Doctor Nanjo, and the four of us children for a total of seven people.`\ bg M1F_S1b,23 ld r,$HID_WaraiA2,24 ;「みんなで仲良く、テレビでも見て待ってよな。@しっかし、日曜日の午前中はロクな番組やっとらへんなぁ。」@ `"Let's all stick together, and maybe watch some television while we wait.`@` Unfortunately, I don't think that there'll be any good shows on during the middle of the day on Sunday."`@ ;＜秀吉 ;　秀吉伯父さんは暗くなった場を盛り上げようと、陽気そうに振舞う。\ `Hideyoshi oji-san tried to stir up this gloomy atmosphere, acting cheerfully.`\ ld l,$MAR_WaraiA2,23 ;「うー。@ロクな番組、見る見る。@うーうー！」@ `"Uu-.`@` Good show, watch it, watch it.`@` Uu-uu-!"`@ ld r,$HID_WaraiA1,80 ;「おう、そうか。@真里亞ちゃんはテレビ見るか。@じゃあ伯父さんと一緒に見ようなぁ。」@ `"Oh, really?`@` You want to watch TV, Maria-chan?`@` Then come and watch it with your uncle."`@ ;　乗ってきたのは真里亞だけだった。\ `Maria was the only one who played along.`\ ;　…真里亞は母である楼座叔母さんが殺されたと教えられえても、特に感情のゆらめきを見せなかった。@ `...Even though Maria had been told of her mother's death, she didn't show the slightest flicker in her emotions.`@ ;　…真里亞の９歳という年齢は、こんなにも幼いものだったのだろうか……。@ `Maybe it was because Maria was only nine years old, and was still too young......`@ br ;　周りはとてもそういう気分になれず、各々がソファーに身を沈めて放心するのだった…。\ `Everyone else's mood failed to improve, and they each sank absentmindedly into their sofas...`\ bg M1F_S1a,23 ld r,$BUT_majimeA1,24 ;「…………兄貴。@聞いていいか？」@ ;＜戦人 `"............Aniki.`@` Can I ask you something?"`@ ld l,$GEO_MajimeA1,23 ;「…何だい？」\ `"...What is it?"`\ ld r,$BUT_defA2,80 ;「……さっき倉庫で。@兄貴は紗音ちゃんの指輪の話をしたよな。@……あれ、贈ったのは兄貴か？」\ `"......Just now in the storehouse.`@` You said something about Shannon-chan and a ring.`@` ......Did you give that to her?"`\ ld l,$GEO_KomaruA1k,80 ;　譲治の兄貴は応えなかったが、俯き、固く両目を瞑った。@……それ以上明白な答えはなかった。\ `George-aniki didn't answer, but he hung his head and closed both of his eyes.`@` ......There could be no clearer response.`\ bg M1F_S1b,0 ld r,$JES_OdorokiA1,24 ;「よせよ戦人。@……少しは察しろよ。」@ ;＜朱志香 `"Quit it, Battler.`@` ......Figure it out yourself."`@ ld l,$BUT_NayamuA1,23 ;「……だな。@悪ぃことを聞いたぜ。」\ ;＜戦人 `"......You're right.`@` I shouldn't have asked that."`\ bg black,22 E_M2 bgmplay 25 ;「……………そうさ。@僕だよ。@………彼女に、/ ;!d500昨夜、求婚したんだ。@…その時、指輪を渡した。@……明日になったら、/ ;!d500それを好きな指にはめて、/ ;!d500返事としてくれって、@……はは、キザったらしいことを言ってね。」@ `"............That's right.`@` It was me.`@` .........Last night, `/ !d500`I proposed to her.`@` ...That was when I gave her the ring.`@` ......I told her that tomorrow, `/ !d500`she should put it on whatever finger she wanted, `/ !d500`as her answer.`@` ...Haha, I sound so full of myself."`@ br ;　……そして、その指輪は、/ ;!d1000……紗音ちゃんの左手の薬指にあった。\ `......And that ring had been, `/ !d1000`......on the ring finger of Shannon-chan's left hand.`\ bg M1F_S1c,0 ld r,$JES_nayamuA1,24 ;「…………………私さ。@…数年前から、紗音に相談を受けてたぜ。@…譲治兄さんのことでさ。」@ ;＜朱志香 `"...............Well, I...`@`...several years ago, I had a talk with Shannon.`@` ...About you, George nii-san."`@ ld l,$GEO_majimeA1k,23 ;「……何て言ってたのかな。」\ ;＜譲治 `"......I wonder what she could have said."`\ bg black,22 mono 1 bg rose_G1d,0 ld l,$JES_waraiA1,0 ld r,$SHA_odorokiA2,28 ;「……………紗音は嘘をつくのが下手だったからよ。@譲治兄さんのことを言っているのはすぐにバレバレでさ。@/ `"............Shannon was always really bad at lying.`@` Once she started talking about you, it was instantly obvious. `@/ ld r,$SHA_tokuiA1,80 ;……………自分は、/ ;!d500…使用人の身分だけど、親しくしてもいいのだろうか、とか。@……男の人の好きそうな物は何かとか、@どういう服を着たら喜ぶかとか、@そんなことを色々とさ。@………………なんつーのかその、まぁ妬けたぜ。」\ `............She asked whether it would be okay if she herself, `/ !d500`...with only the status of a servant, could get close to you.`@` ......She asked about stuff like what kind of things do boys like, `@`and what kind of clothes should she wear would make them happy, `@`lots of stuff like that.`@` ...............How should I say it? Well, I was jealous of her."`\ bg black,45 mono off ;「………それが、婚約指輪を渡されて、@そこで、/ ;!d800……おしまいかよ。」\ ;＜戦人 `"......So I handed her the engagement ring, `@`and then, `/ !d800`......it was all over."`\ ;!s0「……価値観は人それぞれだけどよ。@……男から求婚されるってのは、@………ある意味、/ ;!d700人生の到達点なんだと思うんだよ。@……だからきっと。@昨夜の紗音は、/ ;!d700心の底から、/ ;!d800……いや、生まれてから今までの中で、一番幸せだったと思うぜ…。」\ ;＜朱志香 !s0`"......A sense of value varies with the person.`@` ......But being proposed to by a man, `@`.........can, in a way, `/ !d700`be the high point of a girl's life.`@` ...So I'm sure.`@` Last night, I think Shannon was, ` !d700`from the bottom of her heart, `/ !d800`......no, more than she ever had been since she was born, truly happy..."`\ bg M1F_S1d,6 ;!sd「……………………………………。」@ ;＜譲治 !sd`"........................"`@ br ;　…譲治の兄貴は顔を上げず、深い溜め息を漏らす…。@ ;　……あるいは、涙を滲ませているのか。\ `...George-aniki, without raising his head, sighed deeply...`@ `......Or maybe tears had risen to his eyes.`\ bg M1F_S1c,0 ld r,$GEO_nakuA2,4 ;「…………紗音は昨夜、ゲストハウスの当番だったらしいんだ。@……でも、…紗音は僕と一緒にゲストハウスに帰るのを恥ずかしがって、@……お屋敷に行ってしまった。」\ `"............It seems that Shannon was on duty in the guesthouse last night.`@` ......But, ...because she was too embarrassed to go back to the guesthouse with me, `@`......she went over to the mansion."`\ ld l,$JES_nayamuA1,23 ;「……紗音の気持ちを察しろよ。@…婚約指輪をもらえば、どんなに予告されてたって普通は舞い上がっちまって頭は真っ白になっちまうぜ。@……気恥ずかしくて仕方なかったんだろうよ。」\ `"......Think about Shannon's feelings.`@` ...She had received an engagement ring, and no matter how much she had been prepared for it beforehand, it was perfectly normal that she got so excited that her mind went blank.`@` ......Her being embarrassed was only natural."`\ bg black,25 ;!s0「……それで紗音は、/ ;!d700…………当番でないはずのお屋敷へ行き、@…そこで郷田さんの仕事を手伝い、/ ;!d900……………事件に巻き込まれてしまった………。@僕が、@…あの日、@あの場所で、@……指輪なんか渡さなければ……、/ ;!d600紗音は、/ ;!d500……紗代は、/ ;!d800……事件に巻き込まれなかったんだ…！/ !s0`"......And then, Shannon, `/ !d700`............even though she hadn't been on duty there, she went to the mansion, `@`...and helped Gohda-san with his job, `/ !d900`...............and got caught up in this case.........`@` If only I hadn't, `@`on that day, `@`in that place, `@`given her that ring......, `/ !d600`Shannon wouldn't have, `/ !d500`......Sayo wouldn't have, `/ !d800`......been caught up in that case...!`/ se1 11 quakey 4,500 ;@　…ううぅうぅぅッ！！」\ @` ...Whaaaaaaaaa!!"`\ !sd bg M1F_S1a,22 ld l,$BUT_nayamuA1,23 ;「兄貴。@それだけは違うぜ。@断じて違う。@……だから、それ以上泣くんじゃねぇ。」@ ;「………………ぅうぅぅぅ…。」\ `"Aniki.`@` That's wrong.`@` That's definitely wrong.`@` ......So don't cry any more."`@ `"...............Aaaahaaaaaa..."`\ bg black,2 fede 1,3000 bg M1F_S1b,22 ld r,$EVA_HohoemiA2,24 ;「戦人くん。@そっとしてあげなさい。」@ ;＜絵羽 `"Battler-kun.`@` Leave him alone."`@ ;　絵羽伯母さんに言われ、俺はそれ以上、言葉をかけるのをやめる。\ `After Eva oba-san spoke to me, I stopped talking to him.`\ ;　…慰めの言葉は、間違えれば心を傷つける。@ ;　朱志香が兄貴の隣に座り、静かに肩を抱いていた。\ `...Misplaced words of comfort might actually hurt him.`@ `Jessica sat down next to Aniki, and put an arm around him.`\ ;　………兄貴と紗音の馴れ初めからを知り、@紗音から交際についての相談まで受けていたという朱志香にしか、…兄貴を慰めることはできないだろう。\ `Maybe only Jessica, who had known about Aniki and Shannon's love since the beginning, `@`and who had discussed that relationship with Shannon, ...could comfort Aniki now.`\ bg M1F_S1c,24 ;　俺は、絵羽伯母さんのところへ行き、向かいのソファーに腰を下ろした…。\ `I went over to Eva oba-san and sat down in the opposite sofa...`\ ld l,$EVA_HohoemiA1,23 ;「戦人くんは強いわね…。@もうだいぶしっかりしているように見えるわよ。」@ `"Battler-kun, you really are strong...`@` It looks like you have kept a good hold on yourself."`@ ld r,$BUT_nayamuA2,24 ;「…まぁその、ほら、愛の深さが傷の深さじゃないっすか。@俺は別にあんなクソ親父、どう死のうが知ったことじゃないし。@…霧江さんは気の毒ですが、…まぁ本当の親ってわけじゃないですしね。」\ `"...Umm, well, look, the depth of the love becomes the depth of the wound, right?`@` After all, it's not like how that old bastard died has anything to do with me.`@` ...I feel bad about Kyrie-san, but...well, she wasn't actually my parent."`\ ld l,$EVA_WaraiA1,80 ;「あらぁ。@というわりにはさっき、すっごく大泣きしてたわよぅ？」@ ;＜絵羽 `"My, my.`@` But on the other hand, you were crying a lot back then, right?"`@ ld r,$BUT_komaruA1,80 ;「まぁ、育ての親に対する恩は、あのくらい泣けばＯＫかと思いまして…。@へへへ…。」\ `"Well, I did think that at least that much crying was due as gratitude to the parent who raised me...`@` Hehehe..."`\ ld l,$EVA_DefA1,80 ;「………その辺の切り替えの早さやドライな辺りは、本当に留弗夫譲りね。@…あの子は昔から激しく喜んだり悲しんだり怒ったりしたけれど、@すぐにケロリと平静を取り戻したわ。」\ `".........The speed of that changeover and that dry tone must have come from Rudolf.`@` ...That kid would always get violently happy, sad, and angry,`@` but he would always regain his cool immediately afterwards."`\ ld r,$BUT_aseruA1,80 ;「……そんなことはないっすよ。@俺だって、まだまだ心のショックから立ち直れちゃいません。@/ `"......It's nothing like that.`@` I haven't really been able to get over the shock yet. `@/ ld r,$BUT_NayamuA1,80 ;…ただ俺がみんなと違うのは、…それによってどういう感情が生み出されるかってことだと思います。」@ `...I think it's just that the emotions that rose up in me were different from everybody else's."`@ ld l,$EVA_waraiA1,80 ;「どういうこと？」\ `"What do you mean?"`\ bg M1F_S1d,25 bgmplay 27 ;　俺は譲治の兄貴や朱志香に比べたら、ずっと涼しそうに振舞っている。@ `I had been acting much calmer than George-aniki and Jessica had been.`@ br ;　…それは悲しみが浅くて、もう立ち直ったからではない。@ ;　悲しみが、別の感情に徐々にすり替わっていったからだ。\ `That wasn't because my sadness was any less intense, or because I had already sprung back to normal.`@ `It was just because my sadness was gradually replacing a different emotion.`\ ;「…………悲しい、ってよりは、/ ;!d700………腹立たしいって気持ちなんすよ。@どこのどいつがこんなことをしやがったのか。@…横っ面に一発お見舞いしてやらないことには腹の虫が治まらねぇんです。」\ `"............Rather than sadness, `/ !d700`.........it's more like I'm irritated.`@` What bastard did this and where?`@` ...It's kinda been eating at me that I didn't get a chance to smack him upside the face."`\ ;　それが、俺の本音だった。@ ;　このまま悲しみに暮れて膝を抱いているだけじゃ、自分を許せないのだ。\ `That was what I really wanted to do.`@ `It was like I couldn't allow myself to just sit here, overwhelmed with sadness and hugging my knees.`\ ;「……親父たちが殺されて以降、この島は台風に包まれたままです。@……つまり、これだけの上等をキメてくれやがった野郎は、まだこの島の中にいるってことです。」@ ;「そういうことになるわね。@………今も暗い森のどこかに身を潜めているのかしら？」\ `"......Since the time Dad and everyone else were killed, this island has remained covered by the typhoon.`@` ......In short, that means that the bastard responsible for all of this is still somewhere on this island."`@ `"It sure does mean that.`@` .......I wonder if they're hiding themselves somewhere in that dark forest even now?"`\ bg black,25 ;　………よく似た話題を、/ ;!d500…昨夜、ここで霧江さんとした気がする。@ `.........I felt like I'd had `/ !d500`a very similar conversation with Kyrie-san the night before.`@ br ;　そうだ。@昨日の晩餐の席でベアトリーチェを名乗る手紙が現れて、@……１９人目の人物は果たして存在するのか否か、という話をした時だ。\ `That's right.`@` After the letter from the person who claimed to be Beatrice appeared at the dinner table last night, `@`......we had talked about whether or not a 19th person actually exists.`\ bg M1F_S1c,0 ld r,$BUT_MajimeA1,22 ;「絵羽伯母さん。@………この殺人、/ ;!d800…昨夜のベアトリーチェの手紙と何か関連があるんでしょうかね。」\ `"Eva oba-san.`@` .........This murder, `/ !d800`...do you think it has anything to do with the letter from Beatrice last night?"`\ ld l,$EVA_hohoemiA1,23 ;「…あぁ、例の？@　…………さぁ、どうかしらね。@あの手紙は、お父様が遺産問題に絡みたくて出した怪文書という見方で兄弟は一致したんだけれども。@………それと今朝の事件に関係があるかは、今の段階ではわかりかねるわね…。」\ `"...Aah, that one?`@` ............Well, I wonder.`@` All of the siblings were in agreement that the mysterious letter had been sent to further complicate the problem of Father's inheritance.`@` .........As to whether that and the case this morning are related, it's impossible to tell at this stage..."`\ ld r,$BUT_komaruA3,80 ;「あの手紙、ホントにベアトリーチェなんて魔女が真里亞に渡したんすかねぇ。」\ `"Was that letter really given to Maria by some witch called Beatrice?"`\ ld l,$EVA_AkireA2,80 ;「まっさかぁ。@全部、お父様の仕組んだ茶番でしょう？@　紗音ちゃん辺りに肖像画のドレスを着させて、真里亞ちゃんを騙したんでしょ？@　お父様らしい、手の込みすぎた悪戯だと思うけどぉ？」\ `"How could it be?`@` All of it was a farce devised by Father, wasn't it?`@` He made someone like Shannon-chan wear the dress from the portrait and deceive Maria-chan, right?`@` Isn't that just like the kind of intricate prank Father would pull?"`\ bg garden_1c,25 dllefe 1,1 ;「………昨夜、霧江さんと、ベアトリーチェは実在するんだろうかって話をしたんすけど、@霧江さんも俺たち１８人の中にベアトリーチェがいるだろうと言ってましたね。」@ `".........Last night, I talked with Kyrie-san about whether Beatrice actually exists, `@`and Kyrie-san also said that Beatrice was probably one of the 18 of us."`@ ;「そんなの当然じゃない。@この島には、私たちしかいないのよぅ？@　なら私たちの中の誰かがベアトリーチェを騙ったに決まってるじゃない。」\ `"Isn't that obvious?`@` There's no one else on this island besides us, right?`@` Then there must be someone amongst us who is pretending to be Beatrice."`\ ;「この島には俺たち以外はいない、/ ;!d700っすか…。」\ `"There's no one else but us on this island, `/ !d700`you think...?"`\ ;「当然でしょ？@　私たち以外の誰がここにいるって言うの？@　この島には私たちしかいない。@１８人しかいない。@…なら、ベアトリーチェを騙るのも１８人の中の誰かしかいないじゃない。」\ `"Obviously, right?`@` Are you saying there could be someone else here other than us?`@` No one is on this island except us.`@` There are only 18 people.`@` So the one pretending to be Beatrice has to be one of those 18."`\ bg black,25 dllefe_off ;　霧江さんが“チェス盤をひっくり返して”至った１９人目の否定。@ `Kyrie-san had denied that there was a 19th person by 'turning over the chessboard'.`@ br ;　絵羽伯母さんは、そこまで理論立てて至ったわけではなさそうだが、意見だけは同じようだった。\ `Even though Eva oba-san hadn't constructed an argument that complicated, her opinion at least was the same.`\ ;　…ただ、だとすると、非常に嫌な話になる……。\ `...Except, if that were the case, our situation would start to look very ugly......`\ ;　ベアトリーチェの手紙の時には誰かのいたずら程度で済ますことができた。@ `At the time of Beatrice's letter, the matter could be easily settled since it hadn't seemed to be anything more than a prank.`@ br ;　…しかし、１９人目を否定した場合、話はそれだけでは済まなくなる。@ `...However, now the matter couldn't be settled by simply denying the existence of a 19th person.`@ br ;　………つまり、\ `.........In other words,`\ bg M1F_S1c,0 ld r,$BUT_nayamuA1,0 ld l,$EVA_defA1,22 meplay2 2,5,70 ;「…１９人目がいないなら。@……親父たちを殺した犯人も、１８人の中にいるってことになっちまうじゃないっすか。@………つまり、今この屋敷にいる誰かが殺したってことになる…！」\ `"If there is no 19th person, `@`then the culprit who killed Dad and the others is also one of the 18, right?`@` .........So, in other words, that would mean that someone in this very mansion is the one who killed them...!"`\ ld l,$EVA_akireA1,80 ;「…………………………………。」@ `"....................."`@ ;　絵羽伯母さんは意味深に笑う。@ `Eva oba-san smiled meaningfully.`@ br ;　…それは伯母さんにとって、当然かつもっとも最初に気付くべき結論のようだった。\ `...It looked like Oba-san thought that this conclusion should have been obvious from the very beginning.`\ ld l,$EVA_akireA2,80 ;「犯人は倉庫の中に６人の遺体を運び込んだわ。@でも、よく倉庫の中に運び込めたわよね？@　あのシャッターは常に閉められていて、施錠されていたそうよ？@/ `"The culprit carried the bodies of those six into the storehouse.`@` But they sure did a good job getting into that storehouse, didn't they?`@` That shutter is always closed and locked, right? `@/ ld l,$EVA_hohoemiA1,80 ;　つまり、倉庫内に運び込むには、シャッターの施錠を開ける必要があった。@…わかる？」\ `In other words, in order to carry them into the storehouse, the culprit would need to unlock the shutter.`@` ...Understand?"`\ ld r,$BUT_oyaA1,80 ;「……たまたまその日、シャッターが開けっ放しになってた可能性は？」@ `"......Is there any possibility that the shutter was left open by mistake that day?"`@ ld l,$EVA_MajimeA1,80 ;「使用人たちは常に閉めていると言ってたわ。@つまり、鍵を使用人室から持ち出さなくては、倉庫は絶対に開けられない。」@ `"The servants said that it is always shut.`@` In other words, unless they brought the keys out of the servant room, they definitely couldn't have opened the storehouse."`@ ld r,$BUT_komaruA3,80 ;「鍵は使用人室の１つしかないんすかね…。」\ `"Is the only key the one in the servant room...?"`\ ld l,$EVA_waraiA1,80 ;「源次さんはそうだと言ってるわ。@ということは、犯人はそのたった１つの倉庫の鍵の在り処を知っていて持ち出した。@/ `"Genji-san said that was the case.`@` Which means that the culprit knew where that single key was stored and took it out. `@/ ld l,$EVA_akireA2,80 ;さっき、嘉音くんが使用人室に鍵を戻すところを見たわ。@壁にびっしりと鍵が掛けられていて、とても素人にはどこに何が掛けてあるのかわからなかった。@犯人は、その中から倉庫の鍵を見事選び出したのよ？\ `Just now, I saw Kanon-kun return the key to the servant room.`@` The wall was packed with keys, and I don't think that a novice would know where and to what those keys went to.`@` The culprit was magnificently able to select the key to the storehouse from all of those.`\ ld l,$EVA_AkireA1,80 ;　しかも、札も何も付いていない鍵を手にして、薔薇庭園裏にある倉庫の鍵だと理解した。@…ついでに言うと、倉庫の場所すら理解していた。@………もっとはっきり断言するわ。@犯人は使用人室の内部にも熟知している。」\ `Furthermore, even though the key didn't have a tag or anything sticking to it, they knew it was the key to the storehouse behind the rose garden.`@` ...And that means that they also knew where the storehouse was.`@` .........I'll say it even clearer.`@` The culprit knew the inside of the servant room well."`\ bg black,22 meplay2 3,17,70 ;　それは非常に単純明快な話だった。@ `Her argument was extremely plain and clear.`@ br ;　……遺体が薔薇庭園のどこかの茂みにでも放り込まれていたなら、まだ理解は容易だった。\ `......If the bodies had been found thrown somewhere in the bushes of the rose garden, there wouldn't have been much to go on.`\ ;　しかし、たった１つしかない倉庫の鍵は使用人室にあり、@しかも大量の鍵と一緒にしまわれており、素人目にはとても判別できない。@ `However, if there was only one key to the storehouse in the servant room,`@` and it was stored with such a large group of keys, a novice would not be able to tell them apart.`@ br ;　となると、普段、使用人室に出入りしていて、鍵の所在などについて熟知している人間が犯人ということになる。\ `This meant that the culprit was someone who could normally enter the servant room, and knew where the key was well.`\ ;　…使用人室には普通、家人だって入らない。@ ;　……ということは…………、\ `...The family didn't normally go into the servant room.`@ `......Which meant that............`\ bg M1F_S1d,25 ;!s0「………ってことは、/ ;!d500………使用人の誰かが、/ ;!d500……犯人………。」@ ;!sd「悪いけど、それ以上は伯母さんも言えないわよ。@……でも、ひとつだけ教えられることがあるわ。」@ ;「……何すか。」\ !s0`".........Which means that, `/ !d500`.........one of the servants is, `/ !d500`......the culprit........."`@ !sd`"I'm sorry, but even Oba-san can't say any more than that.`@` ......However, I'll tell you one thing."`@ `"......What's that?"`\ bg black,22 mono 2 bg Mdin_1b,2 ;「犯人、……うぅん、犯人たちは複数で、そして充分な武装をしていたと考えられるわ。@だってそうでしょう？@　食堂にいた兄さんたち４人を一度に襲って殺し、合計６人分の遺体を、遥々と薔薇庭園の向こうの倉庫まで運んで、悪趣味な化粧と落書きを施してる。@……これだけのことを単独犯で行えるはずもないでしょう？」\ `"The culprit, ......no, culprits in the plural, would have more than enough weapons in their arsenal if that were the case.`@` You see it, don't you?`@` They had to assault the four in the dining hall and kill them, drag a total of six bodies all the way to the storehouse beyond the rose garden, and scribble that disgusting makeup on their faces.`@` ......There's no way that a single culprit could carry all of this out on their own, right?"`\ ;　道理だ。@時間さえ掛ければ１人でも不可能ではないだろうが、それではあまりにも手間が掛かる。@ `It was impossible.`@` It might not have been if a single person had enough time, but that would have taken ages.`@ br ;　少なくない人数が関わったと考えるのが妥当だろう。\ `It was probably best to think that a significant number of people had been part of it.`\ bg black,2 mono 0 fede 12,1000 fede 13,1000 bg M1F_S1b,26 ld r,$BUT_komaruA3,23 se1 21 ;!s0「……………ひゅぅ。@ってことは絵羽伯母さんは、/ ;!d500……、/ ;!d500使用人の人たちがみんなグルだろうって言ってんすか。」\ !s0`"............Erk.`@` So what Eva oba-san means is, `/ !d500`......, `/ !d500`maybe all of the servants were in cahoots."`\ !sd ld l,$EVA_waraiA1,80 ;「静かになさいな？@　憶測で言っちゃ悪いわよ。@/ `"Please keep it quiet, okay?`@` It's still just a guess, so it would be bad to say it. `@/ ld l,$EVA_akireA2,80 ;……それに、もし本当にそうだったらどうするつもり？@　彼らは私たちを生かして帰さないでしょうねぇ。@しかも、兄さんたち４人をやすやすと殺した相手なのよ。@/ `......And if it really is true, what would you do?`@` They might not let us return alive.`@` This is an opponent who had no trouble killing Nii-san and the three others. `@/ ld l,$EVA_futekiA1,80 ;今、この部屋に残っていて、まともに戦えそうな人間は、うちの家族の３人にせいぜい戦人くんで４人ってところ？@　状況は昨晩と何も変わらない。@……つまり、犯人にとって、残る私たちを皆殺しにするなんて簡単なことなのよ。」\ `Right now, the only people I can count on to fight with me are the three people in my family and maybe Battler-kun, as well, which comes to a total of four people, right?`@` The situation is no different than it was last night.`@` ......In short, it would be easy for the culprit to massacre the rest of us."`\ bg black,25 ;　俺は、親父たちを殺した犯人を、警察よりも早く暴きたいと思い、こうして絵羽伯母さんと推理ごっこをしていた。\ `I had been playing detective with Eva oba-san, trying to expose the person who had killed Dad and the rest before the police did.`\ ;　…もし見事犯人を看破できたなら、その証拠を突きつけたかった。@ ;　……そうすれば、よくある探偵映画みたいに、犯人は観念して降参すると思い込んできた。@ `...If only I could skillfully penetrate the culprit's identity, I wanted to stick proof that it was them in their face.`@ `......I had been so sure that, just like in one of those detective movies, the culprit would then give up and surrender.`@ br ;　しかし、犯人が降参するのは、抗っても無駄だからという前提があるからだ。\ `However, the culprit would only surrender if there was no way for them to fight back.`\ bg M1F_S1d,26 ;　今この島で起こっている事件の犯人たちは、@無力どころか、島に残った人間全員を皆殺しにすることすら可能かもしれない。@ `The culprits behind these cases on the island were far from helpless,`@` and might even be able to massacre all of the remaining people on the island.`@ br ;　…しかもこの島は台風によって切り取られた巨大な密室で、@殺す時間も、そして何かの工作や偽装をする時間も、明日までたっぷり丸一日ある……。\ `...And on top of that, this island was like a giant locked room, cut off from the outside world by the typhoon,`@` so they had a full day, until tomorrow, to kill, scheme and camouflage themselves......`\ ;　つまり、今の俺たちはまだ推理ごっこに興じられるような安全圏にはいない…。@ `In short, it wasn't a safe atmosphere where we could get very far by playing detective...`@ br ;　それどころか、犯人たちが機嫌を損ね、@再び大量殺人を繰り返すかもしれない恐怖に怯えていなければならない段階なのだ…。\ `To the contrary, we were at a stage where we had to be scared stiff, since playing detective might displease the culprits, `@`and cause them to repeat another mass murder......`\ bg M1F_S1a,0 ld r,$EVA_AkireA2,26 meplay2 2,11,100 ;「…まぁ、あくまでも可能性の問題よぅ？@　……でも私は、使用人の人たちをまだ信用できないわね。@それに、私は使用人だけを疑ってるわけじゃないわ。@さらに黒幕がいるかもしれないと思ってるわよ？」\ `"...Well, it is just a possibility, right?`@` ......But I can't bring myself to trust the servants yet.`@` And that doesn't mean I only suspect them.`@` Don't you think there might be some mastermind behind all this?"`\ ld l,$BUT_oyaA1,23 ;「黒幕？@　ほぅ…、どうしてっすか。」\ `"A mastermind?`@` Hmm...why do you say that?"`\ ld r,$EVA_WaraiA1,80 ;「勘よぅ。@……使用人は書いて字の如し。@誰かに使用されて手足となる存在よ？@/ `"It's just a feeling.`@` ......Think about what the word servant literally means.`@` It means someone who serves as someone else's arms and legs, right? `@/ ld r,$EVA_MajimeA1,80 ;　殺されたのは右代宮家の親族ばかり。@なら、その結果で利害が発生する人間が関わるのは当然。」\ `Everyone who was killed had some relation to the Ushiromiya family.`@` So naturally, it was someone who had some interest in that result."`\ ;　これまた単純明快…。@ `This was also plain and clear...`@ br ;　右代宮家では今まさに、祖父さまが死んだら遺産の分配はどうするかなんて話の真っ最中だ。@ `It all went straight to the discussion that had been taking place in the Ushiromiya family about how to distribute the inheritance when Grandfather died.`@ br ;　古典の推理小説で使い古された典型的な設定なら、@これは間違いなく遺産問題に絡む右代宮家縁者の犯罪…。\ `If this case followed the standard form of any classic mystery novel,`@` it was definitely a crime by someone with ties to the Ushiromiya family and who was entangled in the inheritance problem...`\ ;　多分、伯母さんもその辺りの小説をいくつか読んだことがあるのだろう。@ `Oba-san had probably also read a few books in that genre.`@ br ;　……絵羽伯母さんの理論は、やや決めつけっぽいところはありながらも、誰もが至る考えである王道的なものだ。\ `......Eva oba-san's argument had a few one-sided conclusions to it, and it was probably a shortcut that anyone could have reached.`\ ;　恐らく、至る筋道は違っても、最終的にはほとんどの人間が使用人たちを疑うことになるだろう。@ `I think anyone would have doubted the servants, even if their logic was different.`@ br ;　特に、シャッターの鍵を巡る話は、使用人の誰かが事件に関わっていることを濃厚かつ容易に疑わせる…。\ `Especially the story about the key to the shutter. That was enough to make it easy to suspect that one of the servants was involved in the case...`\ ld l,$BUT_nayamuA2,80 E_MA ;「!s0…………………だぁから、/ ;!d800…なぜか気に入らねぇんすよねぇ。」@ `"`!sd`...............That's why, `/ !d800`...I don't like it for some reason."`@ !sd ;＜戦人 ld r,$EVA_HohoemiA1,80 ;「気に入らないって、何の話ぃ？」@ `"What do you mean, you don't like it?"`@ ld l,$BUT_WaraiA2,80 ;「いえいえ、こっちの話っす。@いっひっひ！」@ `"Nah, just talking to myself.`@` Ihihi!"`@ br ;　俺はおどけながら誤魔化すが、自分の中の違和感をどうしても拭えなかった。\ `I tried to trick her by joking, but I couldn't wipe out the sense of unease I felt inside me.`\ bg black,22 ;　……あまりにも至る推理が安易だからだ。@ `......Because it was an easy guess to reach.`@ br ;　(誰でも至れる推理/・・・・・・・・)。@ (`A guess that anyone could reach`/・・・・・・・・)`.`@ br ;　…それがどうしても納得できねぇ。@ `...And I just couldn't accept that.`@ br ;　…霧江さんに習った“チェス盤をひっくり返して”の考え方だと、@……だからこそ、使用人が犯人ということはありえないと思うのだ。\ `...If I tried 'turning the chessboard over' like I had learned from Kyrie-san,`@` that was exactly why it was impossible for a servant to be the culprit.`\ mono 1 dllefe 1,1 bg warehous_o1a,2 ;　本当に使用人たちが犯人なら、自分たちの縁のある場所には遺体を隠さない。@ ;　自分たちが鍵を管理する薔薇庭園の倉庫などもってのほかだ。\ `If the servants really had been the culprits, they wouldn't hide the bodies in a place that was tied to themselves.`@ `There were other places besides the rose garden storehouse, whose key they themselves controlled.`\ ;　警察は真っ先に鍵の管理方法などで追求してくるだろう。@ `The police would probably immediately pursue whoever had been in control of the key.`@ br ;　そこから何かが露呈する危険もある。@ ;　……彼らが犯人であると仮定すればするほど、倉庫に遺体を移す理由がない。@ `That would create a danger for exposure.`@ `......If we were to assume that they were the culprits, they had no reason to carry the bodies into the storehouse.`@ br ;　…というのを逆手にとって、わざと倉庫に置いたのか？@ ;　いや、それだけは断じてありえない。\ `...If you twist that around, why did they purposefully put them in the storehouse?`@ `No, that definitely didn't make sense.`\ bg black,22 dllefe_off bg warehous_i1b,2 ;　警察が来て現場検証を行えば、様々なことが判明するだろう。@ ;　犯人たちがどんなに注意深く殺人を実行しようとも、必ず何かの痕跡を発見される。@ `When the police come and inspect the site, several things will probably become clear.`@ `No matter how deeply careful the culprits were in carrying out murder, some kind of traces will definitely be found.`@ br ;　つまり、彼らにとって百害はあっても一利はないのだ。\ `So, in summary, they had everything to lose and nothing to gain.`\ bg black,2 mono off ;　こうして考えると、犯人サイドからこの殺人ゲームを見た場合、@遺体をアピールすることに意味が感じられない。@ `If you think about it this way, and look at the game from the culprit's side,`@` it would seem pointless for them to let the corpses be found.`@ br ;　遺体が見付かれば、警察への通報とか、@残った人間たちが用心深くなるとか、@犯人探しを始めるとか、@…とにかく犯人にとって居心地のよくなることは何一つ起こらない。\ `If the bodies were found, a report would be sent to the police,`@` the remaining people would become even more cautious,`@` and they could start looking for the culprit, `@`...anyways, none of these things would make the culprit feel any more comfortable.`\ bg M1F_S1b,26 ;　…最近読んだ『ひぐらしのなく頃に』とかいう小説でも主人公の母親が言ってたぜ。@ `...Just like the words of the main character's mother in a novel I read recently called "Higurashi no naku koro ni".`@ br ;　完全犯罪ってのは、“起承転結の「起」”を起こさないことが肝要だと。\ `A mystery story had four parts: introduction, development, turn and conclusion. Eliminating the first part was essential for the perfect crime.`\ ;　……今、祖父さまの姿が見えない。@ `......Right now, no one knew where Grandfather was.`@ br ;　すでに犠牲になっているのか、あるいは犯人の１人なのかはわからないが、@………このわからない状態の方が、犯人にとっては好都合のはず。\ `We didn't know whether he had already become a victim, or if he was one of the culprits, `@`.........but this state of confusion had to be beneficial to the culprit.`\ bg black,25 dllefe 1,1 bg magicsquare_sun7,45 ;　遺体をこれ見よがしにアピールして、@殺人事件がさぁ起こりましたよなんて宣伝するのは、まったく犯人にとって得るものがない。\ `By showing us the bodies that obviously,`@` and making us all realize there is a murder case going on, the culprit had absolutely nothing to gain.`\ ;　いや、そこでこそ“チェス盤をひっくり返す”ところさ。\ `Right, that was where we could 'turn the chessboard over'.`\ ;　なら、このこれ見よがしなアピールは犯人の目的そのものってことになる。@ `So the culprit's goal was to clearly show us the bodies.`@ br se1 21 ;　……つまり犯人にとっては下手すると、(殺すことよりも、あそこに６人の死体を用意する/・・・・・・・・・・・・・・・・・・・・・・) `......So, at the very least, to the culprit, ` br (`the appearance of the corpses there meant`/・・・・・・・・・・・・・・・・・・・・・・) br ;(方が意味があったってことになる/・・・・・・・・・・・・・・・)。\ (`more than the deaths themselves`/・・・・・・・・・・・・・・・)`.`\ ;　つまり、犯人はこの殺人を誇示しているわけだ。@ ;　誰に？\ `In other words, the culprit wanted to display this murder.`@ `To who?`\ ;　……俺たちにだ。@ ;　こいつはメッセージだ。@ ;　犯人たちは俺たちに、何かを突きつけている。@ `......To us.`@ `It was a message from them.`@ `The culprit was trying to shove something in our faces.`@ br ;　…それが何か、わからない。\ `...I didn't know what that could be.`\ ;　現時点では、この趣味の悪い大量殺人は、俺たち全員への悪意以上のものは感じ取れない。@ `At the current time, none of us could grasp anything from this vulgar mass murder except malice.`@ br ;!s0　……全員への、/ ;!d900悪意、/ ;!d1000…か。/ !s0`......Malice towards, `/ !d900`everyone, `/ !d1000`...perhaps.`/ !sd\ bg black,2 meplay2 1,12,0 meplay2 2,17,0 meplay2 3,16,0 cross1 4000,70,70,70,70,70 bg M_o1a,26 ;　殺された６人は、今、生き残っている人たち全員にとって、みんな何らかのつながりがある。\ `Each one of the survivors had some kind of connection to one of the six who had been killed.`\ ;　蔵臼伯父さんの死は、朱志香の一家に悲しみを与えた。@ `Krauss oji-san's death brought Jessica the grief of losing one of her family.`@ br ;　俺の親父と霧江さんの死は、俺に悲しみを与え、@楼座叔母さんの死は真里亞に悲しみを与えた。@ `The deaths of Dad and Kyrie-san brought me sorrow, `@`while Rosa oba-san's death brought Maria sorrow.`@ br ;　……郷田さんの死は使用人仲間に衝撃を与えただろうし、@紗音ちゃんの死は、婚約した譲治の兄貴や、姉と慕っていた嘉音くんに悲しみを与えた。\ `......Gohda-san's death probably influenced his fellow servants,`@` and Shannon-chan's death brought grief to George-aniki, who had proposed to her, and Kanon-kun, who had loved her like an older sister.`\ ;　……今この島にいる誰もに、均等に悲しみを与えているのだ。@ `......Everyone now on this island had received an equal amount of sadness.`@ br ;　絵羽伯母さんは、使用人たちがグルに違いないと言い切ったが、@……なら郷田さんや紗音ちゃんの遺体はどう説明するのか。\ `Eva oba-san had claimed that the servants were definitely in cahoots,`@` ......but then how could you explain the deaths of Gohda-san and Shannon-chan?`\ bg black,25 br ;　……それにこの論法で行けば、@(この６人の/・・・・・) `......And by this argument, `@(`the grief`/・・・・・) br ;(死によって全員に与えられている悲しみが、絵羽/・・・・・・・・・・・・・・・・・・・・・・) (`caused by the six deaths hit everyone`/・・・・・・・・・・・・・・・・・・・・・・) br ;(伯母さんと秀吉伯父さんだけは免れている/・・・・・・・・・・・・・・・・・・　)。\ (`but Eva oba-san and Hideyoshi oji-san`/・・・・・・・・・・・・・・・・・・)`.`\ ;　使用人たちに疑いを向け、蚊帳の外を気取る絵羽伯母さん自身、@疑いの余地がないとは言い切れないのだ。\ `It was very possible to doubt Eva oba-san herself,`@` who was acting like she was outside the net of suspicion, and who might have been trying to point that suspicion at the servants.`\ ;　……そもそも、シャッターの鍵の話で煙に撒かれたから使用人が疑わしいという論法になってしまったが、@……この殺人で誰が得をするのかという、動機の線から疑うと、@…………絵羽伯母さんはもっとも怪しい人物に浮上する。\ `......In the first place, she had managed to avoid suspicion and place it on the servants with that argument about the key to the shutter,`@` ......but if you looked at it from a perspective of motive, about who would gain something from the murders, `@`............Eva oba-san's name floated to the top of the list.`\ dllefe_off bgmplay2 28,0 cross2 6000,70 bg M1F_S1a,0 dllefe_off ld c,$EVA_AkireA2,6 ;「……戦人くんが何を考えてるか、伯母さんわかるわよぅ？」@ `"......Battler-kun, Oba-san knows what you are thinking about, okay?"`@ cl c,0 ld l,$EVA_AkireA2,0 ld r,$BUT_WaraiA2,24 ;「え？@　いっひっひ、嫌だなぁ、/ ;!d800内緒にしててくださいよぅ、/ ;!d700卑猥なことで頭をいっぱいにしてたなんてぇ。」\ `"Huh?`@` Ihihi, oh no, `/ !d800`please don't tell anyone, `/ !d700`about how my head's so full of obscene stuff."`\ ld l,$EVA_MajimeA1,80 ;「私が、この殺人で一番得をする。@……どうせ疑われるだろうから、先に自己申告しておくわ。」@ `"I'm the one who would gain the most from these murders.`@` ......Since I'm going to be suspected anyways, I might as well get it out in the open myself."`@ br ;　茶化して誤魔化したつもりだったが、通用しないようだった。\ `I had tried to trick her by joking around, but it looked like it hadn't worked.`\ ld l,$EVA_WaraiA1,80 ;「遺産は兄弟の数で分割する。@でも今や、４兄弟は私ひとり。@右代宮家の全財産は全て私のものになるの。@……うふふふふふ。」@ `"The inheritance will be divided between the siblings.`@` But right now, the four siblings are just me.`@` All of the assets of the Ushiromiya family will become mine.`@` ......Eheheheheh."`@ ld r,$BUT_nayamuA2,80 ;「秀吉伯父さんが聞いたら、よさんか絵羽、洒落にならんって言うところっすね…。」\ `"If Hideyoshi oji-san heard you, he'd say 'Could you give it a rest, it's not a joke'..."`\ ld l,$EVA_HohoemiA1,80 ;「ごめんねぇ？@　どう取り繕ったってどうせ疑われるだろうから、ふざけただけよ。@/ `"I'm sorry?`@` No matter how I try to smooth it over, I'll just be suspected anyways, so I was just fooling around. `@/ ld l,$EVA_MajimeA1,80 ;　……だからこの殺人は、私の立場から見れば、私を疑わせるためのものではないかと思ってるの。@……困ったことに、昨夜のアリバイは弱いわ。」@ `......So I've been thinking, from my point of view, this murder might have been planned to cast suspicion on me.`@` ......Unfortunately, my alibi for last night is weak."`@ ld r,$BUT_MajimeA1,80 ;「聞かせてもらってもいいっすか。@昨夜のことを。」\ `"Could you tell me about it?`@` About last night?"`\ bg M1F_S1d,25 ;「戦人くんたちも知っている通り、兄弟が遺産をどう食い千切り合うかという話し合いは、深夜まで続いたわ。@でも、何時まで続いたかは知らない。@私と主人は朝が早かったからね。@もう眠くて眠くて、２４時を過ぎた辺りで抜けさせてもらったの。@そしてゲストハウスに戻って休んだわ。」\ `"As you know, the discussion between the siblings of how to slice up and eat the inheritance continued until late in the night.`@` But I don't know how late it lasted.`@` My husband and I had woken up early that morning.`@` We were so sleepy, and a little past midnight, they let us go.`@` We then returned to the guesthouse and rested there."`\ bg M1F_S1b,0 ld l,$BUT_nayamuA2,26 ;「……それを、秀吉伯父さん以外の誰かに証明できるっすか？@　いやいや、別に絵羽伯母さんを疑ってるわけじゃないっすよ〜？@　ひっひっひ！」\ `"......Can anyone other than Hideyoshi oji-san prove that?`@` No, wait Eva oba-san, it's not like I'm suspecting you or anything, ri~ght?`@` Hihihi!"`\ ld r,$EVA_WaraiA1,24 ;「あら、どうだか？@　くすくす。@証明になるかわからないけれど、ゲストハウスに戻ってきた時、源次さんに出迎えを受けてタオルはいるかと聞かれたわ。@/ `"My, what do you mean?`@` *giggle*.`@` I don't know if it counts as proof, but when we returned to the guesthouse, we were greeted by Genji-san and asked if we needed a towel. `@/ ld r,$EVA_DefA1,80 ;　だから私たちがゲストハウスに戻ってきた時間は２４時過ぎだと証明してくれると思うわよ。@……もっとも、私の仮説通り、使用人たちもグルなのだとしたら、こんなのアリバイにならないけどねぇ？」\ `I think that should be enough to prove that we had returned to the guesthouse a little after midnight.`@` ......Of course, if my theory was correct, the servants would all be in cahoots, and that wouldn't actually make for an alibi, would it?"`\ ld l,$BUT_defA1,80 ;「確かにそうっすねぇ？@　ってことは俺、今、真犯人と推理ごっこをしてるってことになるんすか？@　いっひっひ！」\ `"Is that really true?`@` That'd mean that, right now, I'm playing detective with the real culprit, right?`@` Ihihi!"`\ ld r,$EVA_futekiA1,80 ;「でも、私の名誉のために言わせてもらうけど、遺産目当てだったなら、こんな変な殺人はしないわよぅ？@/ `"However, let me say this for my honor's sake: if my goal was the inheritance, I wouldn't have needed to commit this weird kind of murder, right? `@/ ld r,$EVA_akireA2,80 ;　だって、遺産相続権を喪失させるだけなら、どんな死に方だって構わない。@むしろ事故死に見せかけた方がスマートでしょう？@　使用人たちを抱きこんで、周到に計画していたなら、なおさらそうするでしょうよ。」\ `After all, if I just wanted to make them forfeit their rights to the inheritance, the method of their deaths wouldn't have mattered.`@` On the contrary, you'd expect that I would try to make their deaths look like an accident, wouldn't I?`@` If I had roped in the servants, and carefully planned everything out, I would be even more capable of doing that."`\ bg M1F_S1c,24 ld r,$BUT_KomaruA2,24 ;「確かにそうっすね…。@営利で人を殺すなら、それは常に殺人に見せるべきではない。」@ `"You're right about that...`@` If you were killing someone to make a profit, you definitely shouldn't make it look like a murder."`@ ld l,$EVA_akireA1,23 ;「そういうことよ？@　だから伯母さんは、今からとてもブルーな気持ちなわけ。@……警察には黒幕扱いされて、さんざん調べられるでしょうねぇ。@やだやだ…。」\ `"That's it, right?`@` So from here on, Oba-san is in a very blue mood.`@` ......I'll probably be treated as the person behind this by the police, and harshly investigated.`@` Oh no, oh no..."`\ ;　絵羽伯母さんは、肩をすくめて苦笑いして見せた。@ `Eva oba-san shrugged with a bitter smile.`@ br ;　……使用人たちが疑わしく思えるのが容易なように、絵羽伯母さんを疑わしく思うのもとても容易だ。\ `......Just like it was easy to think of the servants as suspicious, it was also very easy to think of Eva oba-san as suspicious.`\ bg black,23 meplay 1,17 ;　なら“チェス盤をひっくり返したら”、@……容易に疑えてしまう絵羽伯母さんでもありえないのか…？@ `So if we 'turn the chessboard over',`@` ......did that mean it was impossible for the culprit to be the easily doubtable Eva oba-san...?`@ br ;　しかし、その論法がまかり通るなら、動機なんて何の役にも立たなくなってしまう。\ `However, if we used that method with impunity, then motive wouldn't count for anything.`\ ;　いや、そんなことはないはず…。@ ;　動機を知ることは犯人を知る強力な手掛かりになるはずだ。@ `No, that can't be right...`@ `Knowing the motive should be a big clue towards knowing the culprit.`@ br ;　…だから古今の殺人者たちは、巧みにそれを気取られないよう、事件を複雑に偽装するのではないか……。\ `...That was why murderers from all time periods tried to skillfully put on airs to the contrary, and disguise the case in various ways......`\ ;　………わからない、…わからない…。@ ;　チェス盤をひっくり返す度に、表と裏が何度も行ったり来たり…。@ `.........I don't know, ...I don't know...`@ `Every time I turn the chessboard over, it keeps flipping from front to back and back to front...`@ br ;　…俺の思考は真相に近付いているのか。@ ;　……それとも………。\ `...Were my thoughts closing in on the truth?`@ `......Or were they.........`\ fede 10,2000 meplay2 1,12,0 cross1 5000,40,40,40,40,40 bg M1F_P1a,23 ;　絵羽伯母さんは、それ以上の会話を望まなかったので、俺は腕を組みながら窓辺へ行き、少し頭を冷やした。\ `Eva oba-san didn't want to talk any more than that, so I headed to the window, folding my arms, so that I could cool my head a little.`\ ;　客間を見渡してみると、譲治の兄貴たちも集まって話をしていた。@ ;　…どうも、例のシャッターに描かれていたとかいう魔法陣の話らしい。\ `As I looked over the parlor, I saw George-aniki and the others gathered, talking.`@ `...It looked like they were talking about the magic circle that had been painted onto the shutter.`\ bg M1F_S1a,0 ld r,$HID_majimeA2,24 ;　秀吉伯父さんは、それを思い出しながら、真里亞のノートの余白にそれを書き出している。@ `As Hideyoshi oji-san thought back to that time, he started drawing the shape in the margins of Maria's notebook.`@ br ;　……なるほど、祖父さまの次にオカルトに詳しい真里亞には、その意味がわかるかもしれない。\ `......I see, since Maria was second only to Grandfather in knowledge of the occult, she might understand what it meant.`\ ld r,$HID_MajimeA1,80 meplay2 2,11,90 ;「うーん、多分こんな感じだったと思うで！@　十字架をアレンジしたみたいなマークが描かれとったんや。@/ `"Hmmm, I think it was probably somethin' like that!`@` There was a mark arranged in the shape of a cross. `@/ ld r,$HID_KomaruA1,80 ;そして、こんな感じで外周の円を取り囲むように妙な文字がびっしり書き込まれていて、十字架の上下左右の辺と、その四隅にも何か書かれていたんや。@アルファベットとかそういうのとちゃうで。@あれはよく言う古代文字とかいうやつや。」\ `And then, surroundin' the circle all around the perimeter were these closely packed strange letters, on all four sides of the cross, and in the four corners, there was somethin' written.`@` It didn't look like the alphabet or somethin' like that.`@` It was what they call ancient characters."`\ ld l,$NAN_FumuA1,80 ;「……あと、円周部の頂点に小さなマークがありましたな。@…小さな丸を５つ、十字状に並べ、それぞれを直線で結んだようなマークでした…。」@ ;＜南條 `"......After that, around the top of the circumference, there was a small mark.`@` ...Five small circles arranged in a + sign, and straight lines connecting them..."`@ ld r,$HID_fumuA1,80 ;「あぁ、確かにそんなのも描いてあったで…！@　うん、図形的には間違いなくこれや。@細かい文字はわからんが、配列はほぼ同じや。」\ `"Ah, yes, there definitely was somethin' like that drawn there...`@` Yep, there's no mistakin' the shape.`@` I don't understand the thin characters, but the arrangement was nearly the same."`\ bg black,25 ;　その図形をみんなが覗き込むので、俺も覗き込んでみた。\ `Everyone was staring down at the shape, so I stared down at it too.`\ bg magicsquare_sun7,22 ;　…聞く話では、こいつがあの倉庫のシャッターに、血みたいな塗料か何かでべったり描かれていたらしい。@ `...From what I had heard, this had been painted on the shutter to the storehouse with some material that looked like blood.`@ br ;　……なるほど、こいつは不気味だな。\ `......I see, this sure is unsettling.`\ bg M1F_S1a,22 ld r,$JES_OdorokiA1,24 ;「…こんなわけのわかんねぇもんを描きたがるのは、祖父さまだけだろ。@……まったく、どこに行っちまったんだ？！@　とっ捕まえて、意味を聞き出してやりたいぜ！！」\ `"...The only person who would want to draw something this confusing is probably Grandfather.`@` ......Seriously, where did he go?!`@` I wanna grab him and ask what the hell this is supposed to mean!!"`\ ;　朱志香の声には短気な怒りが含まれている。@ `Jessica's voice contained impatience and anger.`@ br ;　祖父さまが犯人だとまでは言わないが、@祖父さまが犯人の素性を知っているに違いないと考えているようだった。\ `She hadn't gone so far as to say that Grandfather was the culprit, `@`but it looked as though she thought that Grandfather definitely knew the culprit's background.`\ bg magicsquare_sun7,22 ;　……確かに、右代宮家とオカルトの２つを結びつけたら、十人が十人、うちの祖父さまを名指しするだろう。@ `......Of course, if you were searching for the link that bound the Ushiromiya family and the occult together, our Grandfather's name would probably come up.`@ br ;　……そして、オカルトの知識がない人間には、この妙なマークの意味はわからない。\ `......And, to a person who knew nothing of the occult, this strange mark would have no meaning.`\ ;　ってことは、………、@こいつは、…祖父さまに宛てたものじゃねぇんだろうか……。\ `Which meant that, ........., `@`this might have been, ...something addressed to Grandfather......`\ ;　そうさ、犯行をアピールするのはそれを生き残った者たちに見せ付けたいからだ。@ `That's right, and the reason the crime had been shown off to the survivors was so that they would find this.`@ br ;　……じゃあ、メッセージの相手の、肝心の祖父さまはどこに消えちまったんだ……？\ `In that case, where had Grandfather, as the essential recipient of this message, disappeared off to......?`\ bg M1F_S1c,0 ld r,$GEO_MajimeA1k,26 ;「こんな図形に、何か心当たりはあるかい…？」\ ;＜譲治 `"Does this shape ring any bells...?"`\ ld l,$MAR_fukigenA1,24 ;「…………………………。@……うー。」@ ;　真里亞は真剣な顔をして図形に見入っている。\ `".....................`@`......Uu-."`@ `Maria looked at the shape with a serious face.`\ ;　…得意分野とあって張り切っているのだろうか。@ `...Maybe she was enthusiastic since this was her area of expertise.`@ br ;　…だが、その様子はどこか他人事で、@…自分の母の遺体を閉じ込めていたシャッターに描かれていたもの、という風には見えなかった…。\ `...However, her appearance was that of someone separated from the events at hand, `@`...as though this thing hadn't been drawn on the shutter closed around her mother's corpse...`\ ld r,$GEO_MajimeA2,80 ;「…僕の第一印象では、ドイツの十字章に似たデザインだなって思ったかな…。」@ ;＜譲治 `"...My first impression was that the design resembled a German swastika..."`@ bg M1F_S1b,0 ld l,$HID_fumuA1,23 ;「あー…。@確かにこんなデザインや。@ということはドイツと何か関係があるんか。」@ `"Aah...`@` It certainly does have that kind of design.`@` Does that mean it has somethin' to do with Germany?"`@ ld r,$NAN_DefA1,24 ;「ドイツの十字章はもともと、聖地巡礼者を守るための騎士修道士たちの紋章だったそうですな…。」\ ;＜南條 `"The swastika was originally a crest from a religious order of knights and was supposed to protect pilgrims traveling to sacred places..."`\ cl l,23 ld l,$JES_komaruA1,24 ;「……つまり、この魔法陣には、宗教的な意味があるってことかよ…？@　ますますにちんぷんかんぷんだぜ……。」@ ;＜朱志香 `"......So in other words, this magic circle might have some religious meaning...?`@` This is starting to sound like gibberish......"`@ ;　俺もその議論に加わろうと全体を見渡した時、……ぎょっとする。@ `When I looked over at all of them, preparing to jump into the discussion, ......something shocked me.`@ br bg black,2 E_M2 meplay2 2,5,40 ;　真里亞が、…何とも形容できない不気味な表情で笑っていたからだ。\ `Maria was laughing, an eerie and incomprehensible expression on her face.`\ ;　…それはまるで、議論し合うみんなの無知さ加減を馬鹿にするような、そんな笑い。@……真里亞が浮かべられるなんて、夢にも思わなかった表情だった…。\ `...It was almost as if she was making fun of everyone's ignorance, and laughing at us.`@` ......It was an expression that I couldn't have dreamed I would ever see on Maria's face...`\ ;　そして、/ ;!d800……笑う。@ `And, `/ !d800`......she laughed.`@ ;　その不気味な、軋むような笑い声を、/ ;!d800…俺は目の前で見ているにもかかわらず、断じて認めたくなかった。\ `That eerie, jarring laugh, `/ !d800`...even though I was looking at it right in front of my eyes, I really didn't want to accept it.`\ fede 0,2000 bg M1F_S1a,0 ld c,$MAR_AkuwaraiA2,2 bgmplay 19 ;「きひひひひひひひひひひひひひひひひ。@全然違うよ、みんな。@きっひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひ…。@こんなの見てわっかんないかなぁ。@きっひひひひひひひひひ。」\ `"Kihihihihihihihihihihihihihihihihi.`@` That's completely wrong, everyone.`@` Kihhihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihi...`@` Can't you tell just by looking?`@` Kihhihihihihihihihihi."`\ ;　誰もが度肝を抜かれている間、真里亞はひとり、機嫌良さそうにけたけたと笑い続けていた…。\ `While everyone was scared out of their wits, Maria, alone, kept on cackling happily...`\ ;　やがて、その笑いは唐突にぷっつり途切れる。@ ;　でも表情は、真里亞とは到底思えない誰かのままだった。\ `After a while, that laugh was suddenly and abruptly cut off.`@ `But her expression was still like someone completely different from Maria.`\ ld c,$MAR_fukigenA1,80 ;「これは太陽の７の魔法陣だよ。@……書かれてる文字はヘブライ語。@貸して？」@ `"This is the seventh magic circle of the sun.`@` ...The characters are written in Hebrew.`@` Could you let me borrow it?"`@ ld l,$HID_KomaruA1,23 ;「あ、……あぁ。」\ ;＜秀吉 `"Ah, ......yes."`\ bg black,25 ;　呆気に取られる秀吉の手から真里亞は筆記用具を奪う。@ `Maria stole the writing materials from the stunned Hideyoshi's hand.`@ ;　そして、秀吉の描いた魔法陣の隣に、さらさらと魔法陣を描き込んでいく…。\ `She then started drawing another magic circle with a rustle, right next to the one that Hideyoshi had drawn...`\ bg M1F_S1a,0 ld r,$MAR_AkuwaraiA2,26 ;「……ね？@　こんな図形だったんじゃないかな？」@ `"......See?`@` Was it this kind of shape?"`@ ld l,$NAN_MajimeA2,23 ;「ぅ……、うむ…。@そんな図形だった…。」@ ;＜南條 `"Y......, yes...`@` It was..."`@ ld c,$JES_OdorokiA1,23 ;「…ま、真里亞、すごいな…。@さっすが詳しいぜ…。」\ ;＜朱志香 `"...M, Maria, incredible...`@` You really do know a lot..."`\ ;　朱志香が取り繕うように褒め言葉を口にする。@ `Jessica tried to smooth things over by praising Maria.`@ ;　……みんなのよく知る真里亞であることを確かめたかったのかもしれない。@ `Maybe she wanted to make sure that this was still the Maria who everyone knew so well.`@ ;　…でも真里亞は特に返事を返してはくれなかった。\ `...But Maria didn't answer her in any way in particular.`\ bg black,22 ;　真里亞は、図形の隙間に見慣れない文字をさらさらと書き込んでいく。@ `With a rustle, Maria began writing characters that seemed familiar to her in the corner of the shape.`@ br ;　…それを見る秀吉伯父さんと南條先生の目がみるみる見開かれていく…。\ `...When Hideyoshi oji-san and Doctor Nanjo saw them, their eyes immediately began to open wide...`\ bg magicsquare_sun7,22 ;「天地と左右に書かれているのは風火水土を司る天使たちの名。@/ `"Written on the top and bottom and left and right are the names of the angels who preside over wind, fire, earth and water. `@/ ;mov $Free1,"Chasan、Arel、Phorlakh、そしてTaliahad。" `Chasan, Arel, Phorlakh, and Taliahad.`@ ;$Free1@そして斜め四方には四大の王たちの名。@/ `And in the four corners are the names of the four great kings. `@/ ;mov $Free1,"Ariel.、Seraph、Tharshis、そしてCherub。" `Ariel., Seraph, Tharshis, and Cherub.` ;$Free1@…合ってる？」\ ` ...Do they match?"`\ ;　見たものを正確に書くことはできなくても…、@見たものと同じものをもう一度見せられたなら、それだと断言することは難しくない。@ `Even if they hadn't been able to correctly write what they had seen..., `@`when they were once again shown something identical, it wasn't difficult for them to realize that the two were the same.`@ br ;　真里亞に合っているかと聞かれ、秀吉伯父さんと南條先生はうんうんと何度も頷く。\ `When Maria asked them whether it matched, Hideyoshi oji-san and Doctor Nanjo nodded over and over again.`\ bg M1F_S1c,26 ld r,$HID_KomaruA2,24 ;「間違いない…、そうや、確かにこんな文字が書かれとった…！@　何でこんなん書けるんや……。」@ ;＜秀吉 `"There's no mistake, that's it. I'm sure that those kinds of characters were written there...!`@` How can you write something like that......?"`@ ld l,$NAN_KomaruA1,23 ;「あ、…あと、円周部にも文字が書かれておりましたな……。」@ ;＜南條 `"Th, ...there were also characters written around the circumference......"`@ cl a,22 ld c,$MAR_fukigenA2,24 ;「わかってるよ。@……………………………こうでしょ？」@ ;　真里亞はさらさらと円周部にもヘブライ語をぐるりと書き込んで行く…。\ `"I know.`@` .....................Like this, right?"`@ `With another rustle, Maria began to surround the circumference with more Hebrew writing...`\ ld c,$MAR_AkuwaraiA3,80 ;「旧約聖書の詩篇、第１１６編の１６節と１７節だよ。@……聖書くらい、読んでなきゃ。@きひひひひひひひ……。」@ `"It's from Psalms of the Old Testament, the 16th and 17th verses of the 116th Psalm.`@` ......You must have at least read the Bible.`@` Kihihihihihihihi......"`@ ;　知っていることがさも当り前であるかのように、真里亞は笑う。\ `Acting as though knowing this was only common sense, Maria laughed.`\ ;　しばらくの間、俺も含め全員が絶句するしかなかった。@ ;　…やがて譲治の兄貴が我に帰り、ようやく言葉を口にできた。\ `For a while, everyone, including me, was at a loss for words.`@ `...A little later, George-aniki returned to his senses, and slowly managed to speak.`\ bg M1F_S1a,0 ld r,$GEO_MajimeA3,23 ;「……すごいね、驚いたよ…。@…それで、この魔法陣にはどんな意味があるんだい？」\ ;＜譲治 `"......That's incredible, I'm surprised...`@`...So, what meaning does this magic circle have?"`\ ld l,$MAR_fukigenA1,23 ;「太陽の力を借りる魔法陣だよ。@……黄金で描き護符にして身につけたる者は、いかなる牢獄であろうとも束縛から逃れ、自由を得られる力を授けられる。」\ `"It's a magic circle to borrow the power of the sun.`@` ......He who wears it as a talisman drawn in gold shall be able to break free from the bonds of any prison, and receive the power to gain freedom."`\ cl r,23 ld r,$JES_komaruA1,24 ;「…束縛から逃れ、/ ;!d800……自由を得られる…？@　意味深だぜ…。」@ ;＜朱志香 `"...Break free from the bonds, `/ !d800`......gain freedom...? It sounds deep..."`@ ld l,$MAR_ikariA1,80 ;「この束縛という意味は、何も肉体的なものだけを指さないと解釈されている。@…だから、縛られて牢屋にいる人ばかりに意味があるわけじゃないよ。@しがらみや逃れ得ぬ運命など、精神的な束縛からの解放も意味してるんだよ。」\ `"The word 'bonds' is not limited in its interpretation to some kind of physical object.`@` ...Therefore it does not only hold meaning for people locked up in an actual jail.`@` It can also refer to the release from mental bonds such as ties of obligation and inescapable fate."`\ bg M1F_S1b,24 ld r,$BUT_nayamuA1,24 ;「……しがらみや、/ ;!d700逃れ得ぬ運命、……か。@…これまた意味深だな。」@ ;＜戦人 `"......Ties of obligation and, `/ !d700`inescapable fate, ......you say?`@` ...That's also pretty deep."`@ ld l,$HID_MajimeA1,23 ;「しかしさっぱりわからん…。@それとあの６人の遺体とどんな関係があるっちゅうんや。@…束縛からの解放どころか、殺された上に倉庫に閉じ込められてたんやで？！」\ `"But I really don't understand...`@` What does this have to do with those six bodies?`@` ...Far from bein' released, they were killed and stuffed in a storehouse, weren't they?!"`\ ;＜秀吉 bg M1F_S1a,0 ld r,$MAR_fukigenA1,23 ;「別にその６人のために魔法陣が描かれてるわけじゃないね。@魔法陣のために、６人はそこにいるんでしょ。@お気の毒だよ。@/ `"It's not like the magic circle was drawn for their sakes.`@` The six of them were there for the sake of the magic circle.`@` It is truly pitiable. `@/ ld r,$MAR_AkuwaraiA2,80 ;…きひひひひひひひひひひひひひひひひ。」@ `...Kihihihihihihihihihihihihihihihihi."`@ ld l,$GEO_KomaruA1,23 ;「どういう意味だい…？@　魔法陣のために、６人がいるってのは一体？」\ ;＜譲治 `"What do you mean...?`@` What in the world do you mean when you say the six of them were there for the sake of the magic circle?"`\ ;　真里亞は、人差し指を立てて、小馬鹿にするような仕草で振ってみせる。\ `Maria lifted up her pointer finger and waggled it as if she were making fun of us.`\ cl a,0 ld c,$MAR_akuwaraiA3,24 ;「それは円周部に書いてるよ。@読めないかなぁ？@　詩篇、第１１６編、１６節と１７節。@/ `"That's written around the circumference.`@` Can't you read it?`@` Psalms, chapter 116, verses 16 and 17. `@/ ld c,$MAR_majimeA1,80 ;……読んであげるよ。@“主は私の枷を解かれました。@私はあなたに感謝の生贄を捧げ、主の御名を呼ぶでしょう”。@……ね？」\ `......I'll read it for you.`@` 'The Lord has freed me from my chains.`@` I will offer to you the sacrifice of thanksgiving, and will call on the name of the Lord'`@` ......See?"`\ bg M1F_S1c,24 ld l,$JES_OdorokiA1,23 ;「ね、って…、/ ;!d800………何を言ってるのかさっぱりだぜ。」@ ;＜朱志香 `"See, you say..., `/ !d800`.........I have no idea what you're saying."`@ ld r,$BUT_nayamuA2,24 ;!s0「…………生贄だ、/ ;!d600……ってのか？」/ !s0`"............You're saying that, `/ !d600`......they're sacrifices?"`/ !sd\ ;＜戦人 bg magicsquare_sun7,26 ;　今、真里亞が読み上げた部分が魔法陣の肝要な部分なのだとしたら、@……この魔法陣はご利益の代償として生贄を捧げると言っている。@ `If the part that Maria had just read aloud was the vital part of the magic circle, `@`......then it was saying that the benefit of this magic circle required sacrifices to be offered in exchange.`@ br ;　…そして、この魔法陣が描かれた倉庫の中には生贄が捧げられていた………。\ `...So inside the storehouse, where the magic circle had been drawn, the sacrifices had been offered.........`\ bg black,22 bg M1F_S1c,26 ;　同じ想像には、やや遅れて全員が至ったらしい。@ `It looked like everyone had slowly arrived at the same conclusion.`@ br ;　…ある者は呆然とし、ある者は狂っていると吐き捨てながら拳を膝に打ち付ける…。\ `...Some people were shocked, others spat something out furiously as they punched their knees...`\ ;　……何とも薄気味悪い話になってきやがった。@ ;　…しかも納得できねぇし理解もできねぇ。@ `......This was starting to become a seriously disturbing story.`@ `...And since we couldn't accept it, we couldn't understand it.`@ br ;　……どんな魔法陣だろうとお呪いだろうと、@信じてるヤツが勝手にやればいいさ、イチャモンなんか付けねぇさ。\ `......I don't care what kind of magic circles or curses other people believe in, I won't pick a fight with them.`\ bg blood_1a,22 ;　…でもよ、そんな下らねぇことの生贄に親父たちは殺されたのかよ……！@ ;　何とも遣り切れない気持ちだった。@ `...But did they really kill Dad and the rest as sacrifices for crap like that......?!`@ `I just couldn't stand that feeling.`@ br ;　……これならまだしも、遺産が絡んでどうのこうのって話でうんざりしてた方がマシだってもんだ…！\ `......After this, I'd rather still be disgusted over that theory about fighting over the inheritance...!`\ ;　俺は怒りとも悲しみともつかない感情に苛立ちながら、みんなの輪を抜け、再び窓辺に戻った。\ `As I started getting pissed off with a feeling between anger and sadness, I broke from the circle everyone was in and returned once again to the window.`\ bg M1F_P1a,25 meplay2 1,12,40 ;　……昨日から何かが狂っている。\ `......Something had gone insane since yesterday.`\ ;　昨夜の晩餐で真里亞が読み上げた、魔女ベアトリーチェの手紙。@ `That letter from the witch, Beatrice, that Maria had read aloud at last night's dinner.`@ br ;　…あの時から俺たちは、@…いや、この屋敷やこの島が、何か奇妙な世界に取り込まれ始めている気がする…。\ `...After that point, it felt like we had, `@`...no, like this whole mansion and this whole island had started to become shut up in some kind of mysterious world...`\ ;　そう。@思い返せば、あの手紙は魔女の誘いだったのだ。@ ;　この島の夜の支配者が、昼間の俺たちを、もうひとつの世界へ招待したのだ。@ `That's right.`@` When I think back on it, that letter was an invitation from the witch.`@ `The ruler of the nighttime island had invited us inhabitants of the day into another world.`@ br ;　電話も無線も途絶し、台風に閉ざされたこの島は、今や切り取られた異世界とすら言い切れる。\ `The phone and the radio had been interrupted, the island was shut off by the typhoon, you could now call it another world cut off from the real one.`\ ;　……そう、今のこの島じゃ、魔女が手紙を送り、魔法陣に生贄が捧げられるのが当り前ってわけだ。@ `......That's right, right now, on this island, now that the witch has sent her letter, having sacrifices offered for a magic circle is perfectly natural.`@ br ;　………そして次は何が起こるってんだ？@ ;　山羊の仮面でも被ったおかしな連中が盆踊りでも始めるってのかよ…！\ `.........So what will happen next?`@ `Will some weird people wearing goat masks start doing the Bon Festival dance or something...?!`\ ;　…あぁ、ダメだダメだ、わけがわかんねぇ…。@ ;　頭ん中がぐちゃぐちゃで、何を考えればいいのかもわかんねぇ…。@ `...Aah, it's hopeless, it's hopeless, I don't get it...`@ `The inside of my head's all screwed up, and I don't even know what to think...`@ br ;　怒り、悲しみ。@相反する感情が渦を巻き、俺を飲み込んでいく。@ ;　俺は抗うこともできず、…こうして両目を手で覆って飲み込まれていくに身と心を任せるだけだ………。\ `Anger, sadness.`@` The opposing emotions all swirled up together, and they started to suck me in.`@ `Unable to resist, ...I could do nothing but cover my eyes with my hands and trust to my mind and body as I started getting sucked in.........`\ bg black,42 fede 0,3000 meplay2 1,11,90 ;　………俺の心が挫けかけた時、小さい頃の記憶が蘇る。\ `.........As I started losing heart, I began to recall a memory from when I was small.`\ ;　俺が小さかった頃のことさ。@ `It was from when I was very small.`@ br ;　テレビでオカルトものの怖い映画を見ちまって、ひとりでトイレにも行けなくなっちまった時だ。@ `I had unfortunately seen a scary occult movie on TV, and for a while, I hadn't even been able to go to the bathroom by myself.`@ ;　…あんのクソ親父は大層笑ってこう言い放ちやがったぜ。\ `...That old bastard had given an exaggerated laugh and said this:`\ ld r,$RUD_WaraiA1,22 ;　……なぁ戦人。@ ;　どうして悪魔だのオカルトだのってのを、わざわざこうして映画にすると思う？\ `......Hey, Battler.`@ `Why do you think they go to all of the trouble to make movies like this about demons and the occult and such?`\ ld r,$RUD_defA2,80 ;　ねぇからだよ。@…そんな滑稽なもんは地球のどこにもねぇのさ。@ ;　ねぇから、わざわざ見たくて作るんだよ。@ ;　だから俺はオカルト映画なんて、ちゃんちゃら可笑しくて笑っちまうってんだ。@ `It's because they don't exist.`@` ...Something that ridiculous can't be found anywhere on the planet.`@ `Because they don't exist, people want to see them and go to a lot of effort making them.`@ `That's why those occult movies just make me laugh.`@ br ld r,$RUD_akuwaraiA1,80 ;　俺に言わせりゃ、悪魔やら妖怪やらより、@今年度の収支報告や、機嫌を悪くした女房の方が一億倍も怖ぇってもんだぜ。\ `If I were forced to choose, I'd say, rather than demons and monsters, `@`this year's earnings call and angry wives are 100 million times scarier.`\ ld r,$RUD_waraiA1,80 ;　さらに言うぜ？@　俺に言わせりゃな。@ ;　怖がるってのは、心と生活にゆとりのある連中の娯楽的感情なのさ。@ `I'll go further, alright?`@` If you force me to.`@ `What you're scared of is something made to entertain people who have too much time on their hands and too much empty space in their minds.`@ br ;　暇で暇でしょうがないから、連中は変わった感情で心を遊ばせたくて、@悪魔だのオカルトだのって文化を作り出したんだよ。\ `They have so much free time, they don't know what to do with it, so in order to play around with their unusual emotions, `@`they created a culture of demons and monsters and stuff.`\ cl r,42 E_A ;　………………………………………。@ ;　……まったくだぜ、俺は何をぼんやりしてやがったんだ。@ ;　すっかりヤラれちまってたぜ。\ `........................`@ `......Seriously, why have I been acting so damn thickheaded.`@ `I was totally taken in.`\ bgmplay 29 ;　………ふざけんじゃねぇ、ここは人間の世界さ。@ ;　魔女も悪魔も魔法陣も生贄も知ったこっちゃねぇさ。@ `.........Don't try to mess with me, this is the human world.`@ `I don't even care about witches, demons, magic circles and sacrifices.`@ br ;　俺の親父たちを殺した人間が、今まだこの島にいる。@ ;　ただそれだけのことじゃねぇか…！\ `The human who killed Dad and everyone else is still on this island.`@ `That's all there is, right...?!`\ ld l,$KIR_DefA1,22 ;　次に俺の心に語り掛けてきたのは霧江さんだった。\ `The next thing that started speaking to my heart was Kyrie-san.`\ ld l,$KIR_WaraiA2,80 ;　チェスや将棋ってね？@ ;　終盤の終盤、詰めの最後の段階に入れば入るほど、最善手は限られてくるのよ。@ `You're talking about chess and Shogi, right?`@ `In the last part of the last part of the game, when you proceed to the final stage and everything becomes more and more closed in, the best possible moves start to become limited.`@ br ld l,$KIR_WaraiA1,80 ;　……だから、自分が追い詰めている、@あるいは追い詰められているというその時、@両者の手は限りなく読みやすくなるのよ。\ `......Therefore, if you're backing someone against the wall, `@`or someone is doing the same to you, `@`both players' moves become infinitely easier to read.`\ ld l,$KIR_futekiA1,80 ;　つまり、完全に追い詰められて打つ手なしって思ったその時こそ、もっとも読みやすい瞬間なのよ。@ `In other words, when you are completely cornered and you think you have no moves left, that is the moment when it is easiest to read your opponent.`@ br ;　……でも、守勢に立った人間はどうしても考えが硬くなって相手の手を読むことにまで考えが至らない。\ `......However, when a person is forced into a defensive position, they can't help but lose their ability to think clearly, so they aren't able to get their minds around their opponent's moves.`\ ld l,$KIR_WaraiA1,80 ;　……そういう時はね、@“チェス盤をひっくり返す”の。\ `......That's when you `@`'turn the chessboard over'.`\ bg white,22 bg M1F_S1c,62 meplay2 1,13,40 ;　俺は勢い良く、両手で自分の頬を叩く。@ ;　………すっかり目が覚めた。@ `With all of my strength, I slapped my face with both hands.`@ `.........Now, my eyes were truly open.`@ br ;　さっぱりわからねぇと、完璧に追い詰められた今こそが“チェス盤をひっくり返す”タイミングじゃねぇのか…！\ `When you don't understand anything, and you are completely cornered just like I was then, isn't that the perfect time to 'turn the chessboard over'...!`\ ;　守勢に立った俺たちには、犯人の目論見はさっぱり見当が付かない。@ `With us put on the defensive, we couldn't even guess at the culprit's scheme.`@ br ;　…ひっくり返して見てみたら、一体何が見えるのか。\ `...If you turned it over and looked at it that way, just how far could you see?`\ bg black,22 ;　……まず、犯人は殺人を犯す時点で、島が台風に閉ざされているのを知っていた。@ ;　だから、殺人を実行しても翌朝にすぐ逃げられるわけではないことも理解していたはず。@ `......First off, at the time the murders were committed by the culprit, they knew that the island was cut off by the typhoon.`@ `Therefore, they should have understood that even if they carried out the murders, they wouldn't be able to get away until the next morning.`@ br ;　つまり、犯人は退路の確保もなく殺人に踏み切ったわけだ。\ `In short, the culprit had begun without securing a way to escape.`\ bg warehous_o1a,22 dllefe 1,1 ;　しかもその死体は倉庫にぶち込み、@ご丁寧にも、ここにありますよと妙な落書きでアピールまでしてくれやがった。@ `Furthermore, that bastard had tossed the corpses in the storehouse, `@`almost like they were politely telling us 'They are here' with that weird scribble.`@ br ;　つまり、やがて死体を見つけるだろう俺たちに“見せたい”のだ。\ `In other words, since we would probably find the corpses sooner or later, they 'wanted to show us them'.`\ ;　……もし俺たちが全員トボけていて、@あの倉庫に気付かなかったら、犯人の目的は“達せられていなかったのではないか”。\ `......If we had all been dim `@`and hadn't noticed the storage shed, the culprit's goal 'would not have been achieved', would it?`\ bg black,22 ;　へへ、こう考えてくると、犯人のやつめ。@ ;　朝からの俺たちの動きにハラハラしてやがっただろうよ。@ `Hehe, if you think about it this way, that bastard of a culprit...`@ `Since this morning, he must have been watching our every move with bated breath.`@ br ;　何しろ、あの倉庫を見つけてくれなかったら、@昨晩、さんざん苦労して準備したものがパーになるところだったんだからなぁ。\ `After all, if we hadn't been so kind as to discover what was on the storehouse,`@` all of that hard work and preparation that they had done last night would have just gone 'poof'.`\ dllefe_off bg blood_1a,80 ;　犯人は、倉庫の死体を見せて俺たちに何を感じさせたいんだ？@ `What did the culprit want to make us feel by showing us the corpses in the storehouse?`@ br ;　６人の遺体はみな顔面を著しく破壊されていた。@ ;　…怨恨？@　見せしめ？\ ;　遺体の破壊は死後だ。@ `All six of the bodies had had their faces noticeably destroyed.`@ `...A grudge?`@` A warning?`\ `The defacement of the bodies had occurred after death.`@ ;　つまり、殺人の手段じゃない。@殺した相手への意味じゃない。@ ;　…それを“発見する者たちへの意味”だ。@ `So it hadn't been the means by which the culprit had murdered.`@` It didn't mean anything to those who had been killed.`@ `...It 'did have meaning to those who found the bodies'.`@ br ;　これだけ惨たらしく殺した、と、俺たちにアピールしたいわけだ。\ `The culprit wanted to make it appear that they had been killed so brutally.`\ bg M1F_S1b,22 ;　は！@　そう考えてくると、舐めんじゃねぇって気になってくるぜ。@ ;　誰が踊るかよ、ビビって下さいって言われて、ハイそうですかというわけにゃ行かねぇぜ。@ `Ha!`@` After thinking this way, I really want to tell that bastard to stop taking me so lightly.`@ `Who would just dance to that tune? If you're told 'Please be scared', you can't just say 'Really? Sure thing!'`@ br ;　…この右代宮戦人、入口はコチラと言われたら、窓から入り込みたくなる性分と来らぁ！\ `...When someone tells the great Ushiromiya Battler 'the entrance is right here', I'm the kind of guy who'll start wanting to sneak in through the window!`\ bg black,22 bg magicsquare_sun7,22 meplay2 2,5,40 ;　次に気になるのは、シャッターの魔法陣もどきだ。@ `The next thing that had me concerned was the shape of the magic circle on the shutter.`@ br ;　…オカルトに関しちゃ、祖父さま並みの知識を持っていることを披露してくれた真里亞も認める、本格派魔法陣と来た。\ `As Maria, who had shown that her knowledge of the occult rivaled Grandfather's, had recognized, that magic circle was genuine.`\ ;　そんなものを、傘を片手に真っ暗な中、@時間を掛けて書いたってんだから、その手間と凝り性には恐れ入るねぇ。\ `They must have drawn that thing in pitch-black darkness, taking a lot of time and holding an umbrella in one hand.`@` Isn't that amount of hard work and perfectionism impressive?`\ ;　それだけの手間を掛けた意味は何だ？@ `What purpose would have been worth all of that effort?`@ br ;　…この屋敷でオカルト的なものがあったら、俺たちはほぼ自動的に祖父さまの関与を疑うだろう。@ `...If we were looking for a fan of the occult in this mansion, most likely, all of us would naturally doubt Grandfather.`@ br ;　俺たちに、“祖父さまが関わっていると思わせたい”ってのか？\ `Did they want to 'make us think Grandfather was involved?'`\ ;　だが、それだけが目的なら、魔法陣風のいい加減な落書きでもよかったはずだ。@ ;　どうせ俺たち素人にはそれが本格派かデタラメかなんて理解できないんだからな。\ `But if that was all they wanted, they could have just drawn any old scribble that looked like a magic circle.`@ `It wasn't like any of us amateurs could be able to tell the difference between genuine and fake.`\ ;　…しかし、魔法陣は本格派、しかもヘブライ語とやらでまで書かれてるって話だ。@ `...However, this magic circle was genuine, and furthermore, it had even been written in Hebrew.`@ br ;　………つまり、この魔法陣は、@“オカルトの知識のある人間にだけは読み取れる”メッセージ性があるってことだ。\ `.........So this magic circle had a message `@`'that could only be understood by someone with knowledge of the occult'.`\ bg black,22 ;　メッセージってのはコミュニケーションのひとつだ。@ ;　……送ったら、相手からのリアクションを期待するものでもある。\ `This message was a form of communication.`@ `......By sending it, they were hoping for a reaction.`\ ;　…リアクション？@ `...Reaction?`@ br ;　………祖父さまは今、どういうわけか姿が見えない。\ `.........For some reason, we couldn't find Grandfather now.`\ ;　祖父さまがどうやってあのシャッターの魔法陣を見たのかは知らないが、@…その結果のリアクションとして姿を消した、ということなのか…？@ `I couldn't know how Grandfather might have seen the magic circle on the shutter,`@` but had he chosen to hide himself in reaction to that sign...?`@ br ;　いや、そう見せ掛けて俺たちに祖父さまの関与を疑わせようという罠なのか。@ ;　…どっちにも読めるぜ、うぜえ真似じゃねぇか。\ `No, was it a trap to make us suspect that Grandfather had participated?`@ `...You could read it either way, damn that's annoying.`\ ;　……犯人は、俺たちにこんなオカルトの真似事を見せて、どんなリアクションを期待してるってんだ…？@ `......What kind of reaction was the culprit hoping to get out of us by showing this imitation of the occult...?`@ ;　どうやらそこに、犯人の尻尾があるような気がするぜ…。\ `Somehow, that felt like the culprit's weak point...`\ bg M1F_P1a,22 ;　昨夜の晩餐で真里亞が読み上げた、あのベアトリーチェの手紙の一部が脳裏に蘇る。@ `The letter from Beatrice that Maria had read aloud during last night's dinner sprang back into my mind.`@ br ;　……知恵比べをお楽しみ下さいとかのたまったやつだ。\ `......This person was satisfied with playing a battle of wits.`\ ;　面白いじゃねぇか。@ ;　こいつは俺たちと魔女さまの知恵比べだ。\ `Isn't that interesting?`@ `This is a battle of wits between us and the witch.`\ ;　てめぇのオカルトごっこに俺たちが飲み込まれるのが早いか。@ ;　俺がてめぇの化けの皮を剥いでやるのが早いか。@ `Will we be sucked up by her occult game first?`@ `Or will we pull off her fake skin first?`@ br ;　……台風が過ぎるまで、たっぷり一日あるわけだぜ。@ ;　楽しませてもらおうじゃねぇか…！\ `......There's a whole day until the typhoon passes.`@ `Why not enjoy ourselves...?!`\ bg black,42 fede 0,3000 meplay2 1,12,40 bg M1F_S1a,22 ;　気付けば、客間の中は静まり返っていた。\ `I finally noticed that the inside of the parlor had gone quiet again.`\ ;　みんな、思い思いのソファーに腰を沈め、何かを考え込んだり、@イラついたり、落ち込んだりしている。\ `Everyone had sunk into their favorite sofas, some deep in thought,`@` some irritated, some acting depressed.`\ bg M1F_S1c,0 ld c,$MAR_waraiA2,24 ;　真里亞はさっきからずっとそうであったかのように、再びテレビの前に戻り観賞を続けている。@ `Maria was once again enjoying the television as if she had never left it.`@ br ;　…退屈な番組よりＣＭの方が楽しいらしく、うーうーきゃっきゃと喜んでいた。\ `It looked like she found the commercials more fun than the boring program, and she happily yelled 'uu-uu-' and giggled.`\ bg M1F_S1b,23 meplay 2,16 ;　そんなみんなの様子を、俺はジロリとひとりひとり眺める。@ ;　１９人目などいないなら、/ ;!d800………この部屋の中に、犯人がいるからだ。\ `I stared at each person's appearance in turn.`@ `If there wasn't a 19th person, `/ !d800`.........the culprit must be in this room.`\ textoff bg black,2 bg M1F_S1C,0 ld r,$EVA_akireA2,0 ld l,$HID_majimeA2,2 wait 2000 bg black,2 bg M1F_S1a,0 ld r,$JES_ikariA1,0 ld l,$GEO_majimeA3,2 wait 2000 bg black,2 bg M1F_S1b,0 ld r,$NAN_komaruA1,2 wait 2000 bg black,2 bg M1F_S1C,0 ld l,$MAR_waraiA2,2 wait 2000 bg black,2 bg M1F_P1a,0 ld r,$BUT_majimeA1,2 wait 2000 bg black,2 bg M1F_s1d,2 ;　…今は、夏妃伯母さんが使用人たちと屋敷内の見回りをしているところだったか。\ `...Right now, Natsuhi oba-san was searching the mansion with the servants though, wasn't she?`\ ;　……なら、この部屋の中に、ではない。@ ;　……この屋敷の中に、と言うべきだ。@ `......Then it shouldn't be 'in this room.'`@ `......'In this mansion,' is what we should say.`@ br ;!s0　…何しろ、夏妃伯母さんだって黒幕の可能性はあるし、/ ;!d900…使用人が下手人である可能性は未だ否定できない。/ !s0`...After all, there was also the possibility that Natsuhi oba-san was behind this, `/ !d900`...and we still couldn't deny that one of the servants could be the killer.`/ !sd@ ;　………誰もがクロの可能性があった。\ `.........Anyone could be the bad guy.`\ ;　しかし、夏妃伯母さんたちは遅いな…。@ `Still, Natsuhi oba-san and the rest sure are slow...`@ br ;　確かに狭くはない屋敷だが、戸締りを見て回るだけにしては少し時間を掛け過ぎではないだろうか…。\ `Of course, it's not a small mansion, but isn't this taking a little too long just to walk around, checking the windows and doors...?`\ bg black,23 ;　そう思った頃、夏妃伯母さんたちは帰ってきた。@ ;　誰かが欠けていたりはしない。@ ;　……安心しようとしたのも束の間。@ ;　全員がぎょっとして夏妃伯母さんを見る…。\ `Just as I thought that, Natsuhi oba-san and the rest returned.`@ `Not one of them was missing.`@ `......But our relief was short-lived.`@ `Everyone looked at Natsuhi oba-san, shocked...`\ ;　……絵羽伯母さんに聞かされた話が蘇る。@ `......The story I had been told by Eva oba-san started to creep back into my mind.`@ br ;　犯人たちは、親父たちを６人も一度に殺せるほどの人数、@あるいは武器を用意していた可能性があると。\ `The possibility that the culprits had enough in numbers or weapons to kill all of those six at once.`\ bg M1F_S1a,0 ld c,$NAT_MajimeA1G,22 E_M2 bgmplay 28 ;「………驚かせてしまいましたね。@万が一に備えて持ってきたものです。」@ ;＜夏妃 `".........Sorry if I've startled you.`@` I brought this to be prepared for the worst."`@ ;　夏妃伯母さんが手にしていたのは、ライフル銃だったからだ。\ `Because that thing in Natsuhi oba-san's hand was a rifle.`\ ;　ぱっと見る限りは、猟銃とよく似たシルエットだったが、@全長が非常に短く、何だか子どもサイズの鉄砲というイメージだった。@ `At a glance, its silhouette looked a lot like a hunting gun, `@`but it was unusually short, and kinda looked like a kid-sized gun.`@ br ;　だが、その重厚感は、この銃が断じて子どもの玩具ではないことを語っている。\ `However, it had a thickness to it which revealed that this was definitely not some kid's toy.`\ bg M1F_S1b,24 ld r,$NAN_defA1,24 ;「…それは金蔵さんの銃ですな…？」@ ;＜南條 `"...Is that Kinzo-san's gun...?"`@ ld l,$NAT_waraiA1G,23 ;「ご存知でしたか。@そうです。@お父様の古いコレクションの中にあったことを思い出し、探し出してきました。」\ ;＜夏妃 `"Did you know about it?`@` That's right.`@` I remembered that it was in Father's old collection, and I managed to find it."`\ cl r,23 ld r,$BUT_WaraiA2,24 ;「ひゅぅ！@　すっげぇ…。@夏妃さん、それホンモノなんすか？」@ ;＜戦人 `"Whoa!`@` Awesome...`@` Natsuhi-san, is that thing real?"`@ ld l,$NAT_zutuuA1G,80 ;「えぇ、本物です。@実弾を発砲できますよ。@昔、お父様は野鳥を追い払うのに使ったりしていました。」\ `"Yes, it's real.`@` It can fire live ammunition.`@` Long ago, Father used it to chase wild birds."`\ bg M1F_S1c,0 ld r,$EVA_akireA2,24 ;「……あら懐かしい。@どこから出てきたんやら。@私がいくら触らせてって言っても、指一本触れさせてくれなかったやつよぅ。」@ ;＜絵羽 `"......Ah, I remember.`@` Where could that have come from...`@` No matter how much I asked him to let me touch it, he never let me lay even one finger on it."`@ ld l,$JES_DefA1,23 ;「へぇ…。@祖父さま、こんなの持ってたんですか…。@知らなかったですよ。」\ ;＜朱志香 `"Oh...`@` Grandfather had one of these...?`@` I didn't know."`\ ld r,$EVA_akireA1,80 ;「お父様は昔、西部劇にどっぷり浸かってたことがあってね。@あの世代はこういうライフル銃が大好きなのよぅ。」@ ;＜絵羽 `"Long ago, Grandfather was really addicted to cowboy films.`@` That generation really liked this kind of rifle."`@ ld c,$GEO_HohoemiA1,23 ;「ウィンチェスターですか？@　でも、こんな短い仕様のは初めて見ました。」\ ;＜譲治 `"Is that a Winchester?`@` But I've never seen something that short before."`\ bg M1F_S1a,23 ld r,$HID_WaraiA1,24 ;「あーーッ！@　思い出したわ、その銃ッ！@/ `"Ah--!`@` I remember that gun! `@/ ld r,$HID_WaraiA2,80 ;　懐かしいなぁ、拳銃宿無しでスチーム・マックィーンがぶっ放しとったやつだわ！！@　お父さんも渋いなぁ…！」@ ;＜秀吉 `That really takes me back. That's the one Steam McQueen fired off in Wanted: Alive or Dead!!`@` Father sure has good tastes...!"`@ ld l,$GEN_MajimeA2,23 ;「………お館様がだいぶ昔に、アメリカより特別に取り寄せさせたものです。@…ご覧の通り実銃ですので、どうかこの件はご内密にお願いいたします…。」\ ;＜源次 `".........Long ago, the Master had that brought over specially from America.`@` ...As you can see, it is a real gun, so please don't tell anyone about this..."`\ cl r,23 ld r,$KUM_WaraiA1,24 ;「手に入れられたばかりの頃は、大層気に入られておりまして。@撃つより、薬莢を出す動作が面白いらしくて、裏の森でいろいろとカッコつけて遊んでおられたもんですよ。@ほっほっほっほ…。」\ ;＜熊沢 `"He was quite fond of it right after he managed to acquire it.`@` It seems the workings that ejected the cartridges were more interesting to him than shooting it, and he played around with it back in the forest all the time.`@` Hoh-hoh-hoh-ho..."`\ bg M1F_S1b,24 ld r,$EVA_AkireA1,24 ;「……しかし物騒ねぇ。@そんなものまで持ち出しちゃうのかしらぁ？」@ ;＜絵羽 `"......Still, it's the real thing.`@` Are you sure you should be dragging this out?"`@ ld l,$NAT_hisuA1G,80 ;「万が一に備えてです。@………賊はおそらく１人ではないでしょう。@しかも、主人たちを６人も殺した恐ろしい相手です。@……私には主人に代わって、皆さんを明日まで守る義務がありますので。」\ `"This is preparing for the worst.`@` .........There's probably more than one of them.`@` Furthermore, they are horrible people who killed six of us, including my husband.`@` ......I have the responsibility to protect everyone until tomorrow in my husband's place."`\ bg M1F_S1d,25 ;　夏妃さんはそう言うと、どっかりとソファーに腰を下ろし大きく溜め息をつく。\ `As Natsuhi-san said this, she slumped down into one of the sofas and took a deep breath.`\ ;　屋敷内の戸締りの確認と、…あと祖父さまを探すということになっていたはずだ。@ `She had been trying to find Grandfather as well as check the doors and windows.`@ br ;　そして祖父さまと一緒じゃないところを見ると、その行方は未だわからないというようだった。\ `Since Grandfather was not with her, apparently his whereabouts were still unknown.`\ bg M1F_S1c,26 ld r,$NAT_majimeA1,24 ;「…屋敷内の戸締りは厳重に確認してきました。@ですが、万が一ということもあります。@皆、なるべくここに一緒にいた方がいいでしょう。」@ `"...I carefully checked all of the doors and windows throughout the mansion.`@` However, we must be prepared for anything.`@` Everyone, I think it would be best if we all remained here."`@ ld l,$EVA_AkireA1,23 ;「そうねぇ？@　ここに全員が集まって、相互監視をしている方が安心だわ。」@ `"Don't you?`@` If everyone is gathered here, then we can all feel more secure by keeping an eye on each other."`@ ld r,$NAT_OdorokiA1,80 ;「………それはどういう意味ですか、絵羽さん。」@ `".........What do you mean by that, Eva-san?"`@ ld l,$EVA_akireA2,80 ;「別にぃ？@　夏妃姉さんの意見に賛成しただけよ？」\ `"Nothing really.`@` I'm just agreeing with your opinion, aren't I?"`\ ;　険悪な雰囲気になる二人…。@ ;　遺産問題で誰が一番得をするかと考えれば、一番疑わしいのは絵羽伯母さんだ。@ `There was a dangerous atmosphere between the two of them...`@ `If you think about who was the most suspicious from the inheritance problem standpoint, Eva oba-san was the obvious answer.`@ br ;　…しかし、夏妃伯母さんが怪しくないという保証もない。\ `...However, there was no proof that Natsuhi oba-san was innocent.`\ ;　……いや、そもそもベアトリーチェの手紙が祖父さまの仕組んだ手の込んだ悪戯で、@この事件すらもその延長だと言うなら、祖父さまだって充分に疑わしい。\ `......No, if you view Beatrice's letter as Grandfather's complicated prank,`@` and think of this case as just an extension of that, there was more than enough evidence to doubt even Grandfather.`\ ;　そして、夏妃伯母さんは、犯人は外にいると思っている。@ ;　…だが絵羽伯母さんは、犯人は内にいると思っている。\ `So Natsuhi oba-san thought that the criminal was on the outside.`@ `...But Eva oba-san thought the criminal was on the inside.`\ bg black,25 ;　それはつまり、１９人目の存在を認めるか、否かということ。@ `In short, it was the question of whether or not a 19th person exists.`@ br ;　………昨夜の晩餐でベアトリーチェと名乗る魔女からの手紙を受け取って以来、何度も繰り返されている疑問だ。\ `.........It was the doubt that had been repeated endlessly since last night's dinner, with the letter from the witch who called herself Beatrice.`\ ;!s0　……果たして、俺たちの中に犯人はいるのか、/ ;!d800いないのか。@ !s0`......So was the culprit among us, `/ !d800`or not.`@ ;　そして、魔女ベアトリーチェは存在するのか、/ ;!d800しないのか。/ `And did Beatrice exist, `/ !d800`or not.`/ !sd\ bg M1F_S1d,26 ;　魔女なんて馬鹿なものがいるわけがないと言うのなら、@それはつまり、ここにいる血を分けた親族たちの中に犯人がいると言うのと同じだ。@ `If you assume that something as stupid as a witch couldn't exist,`@` it was the same as saying that one of these relatives here, who shared a common bloodline, was the culprit.`@ br ;　それが嫌なら、魔女なんてお伽噺の中の存在を認める方がはるかに気楽だ。\ `If you didn't like that, it would be much more comfortable to simply accept the fairy tale about the witch.`\ ;　…………魔女が？@ ;　怪しげな魔法陣を描いて生贄を捧げた？@ `............And the witch?`@ `Did she draw that weird magic circle and sacrifice those people?`@ br ;　その寝言を受け容れられるなら、…俺は今、この部屋にいる人間を全て信じることができるのだ。\ `If I accepted that rubbish, ...I would be able to completely trust everyone in this room.`\ ;　だが、下らない常識が邪魔をする。@ ;　……魔女なんて存在しないと何度も繰り返す。@ `However, damn common sense got in the way.`@ `......It kept repeating that witches don't exist.`@ br ;　……なら、/ ;!d900…………この中に、犯人がいるのだ…。@ `......In that case, `/ !d900`............the culprit was among us...`@ br ;　いつ止むとも知れぬ雨音の中で、俺たちは沈黙を拭えない…。\ `In the middle of the seemingly endless rain, none of us could break our silence...`\ textoff wait 3000 eye1 9,30,13,0,10,0,510,340,25 E_A ;▲第１１アイキャッチ：１０月５日（日）０９時３０分　が１３時００分に進む *umi1_12 meplay2 1,13,40 meplay2 2,5,40 bg black,22 wait 2000 bg Mkit_1a,46 ;　昼食が終わり、使用人たちは食器を下げ、厨房にいた。@ ;　風雨は強くも弱くもならず、この島を異界に切り離したままだ。\ `Lunch ended, and the servants removed the tableware and went to the kitchen.`@ `The wind and rain neither weakened nor strengthened, and the island remained cut off from the outside world.`\ ;　夏妃は当初、誰も部屋から一歩も出さないつもりらしかったが、@さすがにそれは無理だと、昼食の準備の時間になってようやく気付く。@ `It seemed that, at first, Natsuhi had planned not to let anyone set one foot outside the room,`@` but when it came time to prepare lunch, she finally realized that this was impossible.`@ br ;　ただし、厨房にひとりでいることがないよう、使用人たち３人で行くように言われた。\ `However, in order to avoid having anyone alone in the kitchen, she told the three servants to go together.`\ ;　その為、１１人もごった返して空気が澱んだ客間を、最初に出る権利を得たのは使用人たちだった。@ `Because of that, the servants were the first ones given the right to leave the stuffy parlor, which had been packed with eleven people.`@ br ;　……あのような事件があった直後ということもあり、@朝食が進まなかった者も多かったため、昼食はみんな無言でもくもくと食べた。\ `......Since breakfast had immediately followed that terrible incident, and many of them hadn't eaten much,`@` everyone tore into their lunches in silence.`\ bg Mkit_1c,0 ld r,$KUM_defA1,24 ;「私が洗いますから、源次さんと嘉音くんは、少し休んでいてくださいな。@…何か飲みます？」\ ;＜熊沢 `"I will wash the dishes, so you can rest a while, Kanon-kun, Genji-san.`@` ...Do you want something to drink?"`\ bg Mkit_1b,23 ld l,$GEN_DefA1,23 ;「………私は結構。@………嘉音は？」@ ;＜源次 `".........I don't need anything.`@` Kanon?"`@ ld r,$KAN_DefA1,24 ;「……僕も結構です。」\ ;＜嘉音 `"......I don't need anything either."`\ bg Mkit_1c,0 ld r,$KUM_majimeA1,24 ;「お二人とも、早朝から大変だったでしょう…。@参ってしまうのも仕方ないことですよ…。」\ ;＜熊沢 `"You two must have been so busy, and so early in the morning...`@` It's no wonder you're worn out..."`\ bg black,22 ;　厨房の中を、熊沢が食器を洗う音だけが響き渡る。\ `The only sound was that of Kumasawa washing the dishes, which resounded throughout the kitchen.`\ ;　源次と嘉音は、少し離れたところにある椅子に座り、軽く目を閉じていた。@ ;　熊沢の言う通り、二人とも疲労が溜まっているのだろう。\ `Genji and Kanon sat in some chairs a short distance away, their eyes lightly closed.`@ `Just as Kumasawa had said, those two had probably built up a great deal of fatigue.`\ ;　だからと言って、親族たちの前でそれを見せることはできない。@ ;　…それが彼らの美徳だった。\ `But that didn't mean they could let it show in front of the relatives.`@ `...Avoiding that was one of their virtues.`\ ;　しばらくの間、沈黙が続いた後、@………嘉音がぽつりと口にした。\ `After the silence had continued for some time,`@` .........Kanon opened his mouth and muttered.`\ ;「……………紗音…。@……………どうして…、あんな酷い死に方を…。」\ `"...............Shannon...`@`............Why..., did she have to die in such a horrible way...?"`\ bg Mkit_1b,0 ld l,$GEN_MajimeA1,23 E_M1 bgmplay 30 ;「……死に方のことは忘れなさい。@………ただ、…運がなかっただけだ。」@ ;＜源次 `"......Forget about how she died.`@` .........It was nothing more than...bad luck."`@ ld r,$KAN_majimeA1,24 ;「………そうですね。@…ただ、運がなかっただけです…。」@ ;＜嘉音 `".........You're right.`@` ...It was nothing more than bad luck."`@ ;　二人は再び沈黙する。@…嘉音の表情は悲痛だった。\ `They both fell silent once again.`@` ...Kanon's expression was filled with grief.`\ bg Mkit_1c,24 ;「紗音ちゃんが死んじゃったなんて…。@未だに信じられませんよ。@……本当に可哀想に…。@……もう会えないなんて嘘みたいですよ…。@もう一度あの子の笑顔が見たかったのに…。」@ `"To think that Shannon-chan's actually dead...`@` I still can't believe it.`@` ......Poor, poor Shannon-chan...`@`......Not being able to meet her again feels like a lie...`@` I just wanted to see that girl's smiling face one more time..."`@ br ;　熊沢は背を向けたまま言う。\ `Kumasawa spoke with her back facing them.`\ ;　…紗音の遺体を見ていない熊沢だから、@もう一度笑顔が見たいと表情のことを口にできる。@ `...After all, Kumasawa hadn't seen Shannon's corpse,`@` so she had no trouble mentioning Shannon's face.`@ br ;　…嘉音はその言葉を聞き、半分しか残されなかった紗音の面影を再び思い出し、悲痛な表情をさらに歪めた…。\ `...When Kanon heard those words, it reminded him again of how only half of Shannon's face had been left, and his grieving expression twisted even further...`\ bg Mkit_1a,24 ld r,$KAN_DefA2,24 ;「………どうしてベアトリーチェさまは紗音を…。@……生贄が欲しかったなら、他にも大勢いただろうに…。@……どうして…、……どうして…！」\ ;＜嘉音 `".........Why did Beatrice do that to Shannon...?`@` ......If she wanted a sacrifice, there were plenty of others to choose from...`@`......Why..., ......why...?!"`\ ld l,$GEN_majimeA1,23 ;「………ただ、運が悪かっただけだ。@…少しの運が違えば、紗音の代わりにあそこに横たわっていたのは、私だったかもしれないしお前だったかもしれない。@/ `".........It was nothing more than bad luck.`@` ...If we were less lucky, one of us could have been lying out there.`@/ ld l,$GEN_KomaruA1,80 ;あるいは他の誰かだったのかもしれない。@……全ては運命だ。」\ ;＜源次 ` And it could have been anyone else.`@` ......Everything is left to fate."`\ ld r,$KAN_defA1,80 ;「源次さま。@………奥様の部屋の扉に、血のような跡が付いていたと仰っていましたね…？@　シャッターに描かれていたのと同じもので？」@ ;＜嘉音 `"Genji-sama.`@` .........You said that the door to Madam's room was stained with traces of something like blood, right...?`@` The same substance that was painted on the shutter?"`@ ld l,$GEN_MajimeA1,80 ;「……うむ。@…気味の悪い跡だった。@まるで、血の付いた指でドアノブを引き抜こうとするかのような、@…いや、扉を掻き破ろうとしたのか…。@…そんな気味の悪い跡だった。」\ `"......Hmmm.`@` ...It was the trace of something unpleasant.`@` Almost as though someone with blood-stained fingers had been trying to pull out the doorknob,`@` ...no, scratch through the door...`@`...That sort of unpleasant mark."`\ ld r,$KAN_defA2,80 ;「ベアトリーチェさまが、奥様の部屋を訪れて、@……そして、扉を開こうとしたけれど、/ ;!d900開けなかった…、@ということでしょうか…？」\ `"So does this mean that...`@`Beatrice-sama came to visit Madam's room,`@` ......and tried to open the door, but`/ !d900` couldn't...?"`\ bg black,25 mono 2 E_MA bg M_door2,25 ;　源次は夏妃の部屋の扉の、あの血の跡のようなものを思い出す…。@ `Genji thought back to the time he had seen those traces of blood on the door to Natsuhi's room...`@ br ;　ドアノブの周りに付着したそれと、掻き毟ったような痕跡は、@ドアを開けたかったが開けられなかった、/ ;!d700というように確かに見えた…。\ `With the substance sticking to the door around the doorknob, and the marks of something scratching against the door...`@`it had definitely appeared as though`/ !d700` someone had tried to open the door, but couldn't...`\ ;!s0「…どうして、/ ;!d900………奥様は生贄を免れたんだ…。@もし奥様が選ばれてたなら、/ ;!d700……紗音は、/ ;!d700……紗音は、死ななくて済んだのにッ…。」/ !s0`"...Why,`/ !d900` .........was Madam not chosen as a sacrifice...?`@` If only she had been chosen,`/ !d700` ......Shannon wouldn't,`/ !d700` ......Shannon wouldn't have had to die..."`/ !sd\ ;＜嘉音 mono 0 bg black,1 E_A ;　その時、廊下からコツリと音がした。@二人は驚き、振り返る。\ `Just then, a loud, sharp noise came in from the hall.`@` Both of them turned around, surprised.`\ bg Mkit_1c,0 ld r,$BUT_majimeA1,22 meplay2 1,12,40 meplay2 2,5,40 ;「……………………面白そうな話じゃねぇか。@　俺も混ぜてくれよ。」@ ;＜戦人 `"..................It sounds like you're having a pretty interesting discussion.`@` Let me join in too."`@ ;　厨房の入口にはいつの間にか戦人の姿があった。\ `Before any of the servants had realized it, Battler was standing in the doorway to the kitchen.`\ ld l,$KAN_DefA1,23 ;「……戦人さま。@これは失礼いたしました…。」\ ;＜嘉音 `"......Battler-sama.`@` Please, excuse me..."`\ ;　源次さんと嘉音くんは驚いて立ち上がり慌てて頭を下げた。@ `Genji-san and Kanon-kun stood up, surprised, and hastily bowed.`@ br ;　…だが俺にとってはそんなのはどうでもいい。@ ;　今の話の続きの方が大事だった。\ `...But I didn't care about stuff like that.`@ `I was more concerned with continuing their discussion.`\ ld r,$BUT_DefA2,80 ;「便所って言って抜けさせてもらったのさ。@ずっとあの部屋に閉じ込められてると窒息しちまいそうだったからなぁ。@/ `"I told them I was going to the bathroom, so they let me go.`@` I thought I'd suffocate if I was locked up in that room any longer.`@/ ld r,$BUT_komaruA3,80 ;…水でも飲ませてもらおうかと思ったら、面白そうな話が聞こえてきたんでよ。@……頭なんか下げなくていいぜ。@今の話の続きを聞かせてくれよ。」\ `...When I was about to come ask you for some water, I overheard something pretty interesting.`@` ......You don't need to bow your heads or anything.`@` Please, let me hear the rest."`\ ld l,$KAn_KomaruA1,80 ;「…………今のは、……別に……。」\ `"............That just now, ......wasn't really......"`\ ld r,$BUT_nayamuA2,80 ;「ちょいと前から話は聞かせてもらってるんだ。@今さら隠すなよぅ。@/ `"I've been listening to you for a while.`@` Don't try to hide it now.`@/ ld r,$BUT_nayamuA1,80 ;…………だから短刀直入に聞くさ。@…ベアトリーチェってのは何者だ？@　どうやらお伽噺の魔女、ってだけじゃなさそうだな。」\ `............So I'll ask directly.`@` ...Who is this Beatrice?`@` She's supposed to be a witch from a kid's story, but it doesn't look that way now."`\ ld l,$KAN_majimeA1,80 ;「……………………。」\ ;＜嘉音 `"....................."`\ ;　嘉音くんは目線を逸らした。@ `Kanon-kun averted his gaze.`@ ;　…聞かれたくない話題であったことが見え見えで、@…だからこそ一層聞きたくなっちまう。@ `...It was obvious that he didn't want to talk about this,`@` ...which only made me want to ask even more.`@ se1 8 br ;　俺は努めて笑顔を見せながらその胸倉を掴み上げた。\ `While making an effort to smile, I grabbed the collar of his shirt.`\ bg black,22 ;「……昨夜までなら俺は無関係さ。@だがな、今朝からは違う。@親父たちを殺された時点で、俺は立派な関係者だ。@………俺にもその胡散臭そうな話を聞かせてもらう資格があるはずだぜ…？」\ `"......If it were last night, this'd be none of my business`@` But after this morning, everything's changed.`@` Now that Dad and the rest have been killed, this is totally my business.`@` .........I have the right to listen to this suspicious story, don't I...?"`\ ;　それでも苦しそうに逸らし続ける嘉音くんの目を睨み込んでやる。@ ;　…身長差がだいぶあるため、嘉音くんは爪先立ちになり少しだけ苦しそうだった。\ `Even so, I glared into Kanon's eyes as he kept trying to look away in apparent pain.`@ `Since there was a big difference in our heights, Kanon had to stand on his toes and it looked like it hurt a bit.`\ bg Mkit_1b,0 ld l,$KUM_komaruA1,23 ;「…………戦人さん…。@…手を離してやってくださいな…。@別に嘉音さんは隠しているわけではないのです…。」@ ;＜熊沢 `"............Battler-san...`@`...please let go of him...`@` It's not like Kanon-san is really hiding anything..."`@ ld r,$BUT_NayamuA2,24 ;「じゃあ話してくれたっていいじゃねぇか。@仲間ハズレたぁ寂しいぜぇ？」\ `"Then you won't have any problem talking about it, right?`@` It's lonely being out of the loop, get it?"`\ cl l,24 ld l,$GEN_defA1,23 ;　さらに嘉音くんの胸倉を捻りあげようとすると、源次さんが割って入りながら言った。@ ;　…その表情にはわずかの覚悟がある。@ `When I tried to further twist up his collar, Genji-san cut between us and spoke.`@ `...There was a slight sense of resignation on his face.`@ br ;　……隠す気はないらしかった。\ `......It looked like he didn't plan on hiding anything.`\ ld l,$GEN_komaruA1,80 ;「………お話しすることはできます。@……ただ、戦人さまがお気を悪くされるかもしれませんから、嘉音は躊躇しているのです…。」@ ;＜源次 `".........I can talk about it.`@` ......Kanon only hesitated because you might have taken it badly, Battler-sama..."`@ ld r,$BUT_komaruA3,80 ;「躊躇なんて男らしくねぇぜぇ？@　内緒にされる方が気持ち悪いさ。@/ `"Hesitating isn't very manly, is it?`@` Keeping it a secret's even more unpleasant. `@/ ld r,$BUT_oyaA1,80 ;……聞かせてくれよ。@どうせ明日までできることはないんだ。@多少は胡散臭い話の方が退屈も紛れるってもんだぜ。」\ `......Tell me about it.`@` It's not like we have anything better to do before tomorrow comes.`@` A slightly shady story might be the best way to stave off boredom."`\ ;　源次さんと嘉音くんは互いの顔を見合った後、話す覚悟を決めたかのように頷き合う…。\ `After Genji-san and Kanon-kun looked at each other, they nodded as though they had decided to talk...`\ bg Mkit_1c,0 ld r,$KAN_majimeA1,24 meplay2 3,11,90 ;「……わかりました。@何でもお聞き下さい。@…………お話しします。」\ ;＜嘉音 `"......Understood.`@` Please ask us anything.`@` ............We will talk."`\ ld l,$BUT_DefA1,23 ;「あぁ。@じゃあ聞くぜ。@/ `"Right.`@` Then I'll ask. `@/ ld l,$BUT_majimeA1,80 ;……ベアトリーチェってのは一体何なんだ。@…俺が知ってる限りでは、六軒島の森に住まう魔女ってことになってる。@…森に入ると危ないからってんで、祖母さま辺りが作り出した脅し話だって聞いてる。@……違うのか？」\ `......Who in the world is Beatrice?`@` ...All I know is that she's a witch who lives in the forest of Rokkenjima.`@` ...I've heard that it's a story that Grandmother or someone invented to keep people out of the dangerous forest.`@`......Is that wrong?"`\ ld r,$KAN_nayamuA1,80 ;「…………いえ、…違いません。@その通りです。@ベアトリーチェさまは、六軒島の森に住まわれる魔女であらせられます。」@ ;＜嘉音 `"............No, ...it isn't wrong.`@` It's as you say.`@` Beatrice is a witch who dwells in the forest of Rokkenjima."`@ cl l,24 ld l,$GEN_DefA1,23 ;「……戦人さま。@………にわかには信じられないでしょうが…。@ベアトリーチェさまは存在するのです。@…お館様に莫大な黄金を授け、長いことお側にお仕えした、実在する方なのです。」\ ;＜源次 `"......Battler-sama.`@` .........I don't expect you to believe this all of a sudden, but...`@`Beatrice-sama exists.`@` ...She is a real person, the one who gave the Master a vast amount of gold and who has worked by his side for many years."`\ bg Mkit_1b,0 ld r,$BUT_OdorokiA2,23 ;「はぁ…？@　よせやい、よせやい…。@祖父さまの受け売りを言うのも給料の内だってぇのか…？」@ `"Huh...?`@` Ah, come on...`@` Is Grandfather paying you to repeat everything he says...?"`@ br ;　俺は茶化すように笑うが、@源次さんも、嘉音くんも、/ ;!d700……慌てて目を逸らして食器を洗い始める熊沢の婆ちゃんも、誰も笑わない。@ `I laughed like it was a joke,`@` but neither Genji-san nor Kanon-kun laughed, `/ !d700`......not even Kumasawa baa-chan, who was avoiding my eyes, flustered, as she started washing the utensils.`@ br ;　だから仕方なく、俺だけが笑った。@…苦しく、苦く。\ `So unfortunately, I was the only one laughing.`@` ...Painfully, bitterly.`\ ld r,$BUT_nayamuA2,80 ;「……なるほど、源次さんが断るだけはあるぜ。@…こいつぁ確かに、正気じゃあ気を悪くする。@……………つまり、ベアトリーチェっていう名の人物は実在するんだな？」\ `"......I see, that's why Genji-san refused to mention it.`@` ...If you really mean it, of course I'd take it badly.`@` .............So you're saying that a person named Beatrice actually exists?"`\ ld l,$GEN_MajimeA2,23 ;「……はい。@お館様がこの島にお屋敷を構える以前から、ずっとお仕えしている方でございます。@…恐らく、私よりも長くお仕えしているでしょう。」\ ;＜源次 `"......Yes.`@` She was working for the Master since before the mansion was built on this island.`@` ...She has most likely been working for him even longer than I have."`\ ld r,$BUT_oyaA1,80 ;「何てこった、霧江さんの仮説は外れたな…。@……祖父さまに、ベアトリーチェという名の腹心は実在したってわけだ。@/ `"What do you know, Kyrie-san's theory was off...`@`......Grandfather really did have a confidante called Beatrice. `@/ ld r,$BUT_komaruA3,80 ;……そいつは今、この島にいるんだな…？」\ `......Is that person on the island now...?"`\ cl l,24 ld l,$KAN_DefA2,23 se1 21 ;「……………はい。@いらっしゃっていると思います。」@ ;＜嘉音 `"...............Yes.`@` I believe that she is here."`@ ld r,$BUT_oyaA1,80 ;「…曖昧な言い方だな。@ってことは、昨日今日、そいつの顔を見たってわけじゃなさそうだな。」\ `"...That's a vague way to say it.`@` I guess that means you haven't seen her face today or yesterday."`\ ld l,$KAN_majimeA1,80 ;「……はい。@…………大変申し上げ難いのですが…、/ ;!d800…その…。」@ `"......Yes.`@` ............It is extremely difficult to say, but..., `/ !d800`...umm..."`@ br ;　嘉音くんがそこで一度俯き、再び目線を逸らす。\ `Kanon-kun once again dropped his gaze, avoiding my eyes.`\ ld r,$BUT_nayamuA2,80 ;「…何だよ、そこで切るなよぅ。@寸止めみたいで気持ち悪いぜぇ？」@ `"...Come on, don't just stop there.`@` That's like freezing an inch before the blow, right?"`@ ;　俺は再びおどけた仕草をしながら先を促す。\ `I urged him on jokingly.`\ ;　…しかし、嘉音くんは言っていいかどうか、まだ迷っているようだった。@ `...However, it looked like Kanon was still confused as to whether he should speak or not.`@ br ;　………すると、熊沢の婆ちゃんがボソリと言った。\ `.........Then, Kumasawa baa-chan whispered.`\ bg black,22 fede 10,2000 ;「…ほっほっほ…。@お顔を見ようにも、/ ;!d800………ベアトリーチェさまには、お姿がありませんから…。」\ `"...Hoh-hoh-hoh...`@` You cannot see her face, `/ !d800`.........because Beatrice-sama has no form..."`\ bg Mkit_1b,0 ld r,$BUT_oyaA1,23 bgmplay 26 ;「………お姿が、/ ;!d500………何だって？」\ ;＜戦人 `"............She has no, `/ !d500`.........what did you say?"`\ ld l,$GEN_DefA1,23 ;「ベアトリーチェさまには、お体がありません。@…ですからベアトリーチェさまがお望みにならない限り、私ども凡庸にはお姿を見ることすら叶いません。」@ ;＜源次 `"Beatrice-sama has no body.`@` ...Therefore, unless Beatrice-sama wishes it, common people like us are not able to see her form."`@ cl r,23 ld r,$KUM_MajimeA2,24 ;「ベアトリーチェさまが人の姿をされていた頃の絵が、あの肖像画のものなのだとか…。@/ `"I have heard that the portrait shows what Beatrice-sama looked like back when she had a human form...`@/ ld r,$KUM_WaraiA1,80 ;……そのお姿を懐かしみ、よく肖像画の前にたたずまれているそうな…。@…ほっほっほ…。」\ ;＜熊沢 `......It seems he yearned for that figure so much, he would often stand in front of that portrait...`@`...Hoh-hoh-hoh..."`\ ld c,$KAN_nayamuA1,23 ;「ベアトリーチェさまは時折、輝く蝶の姿に身を変えられて現れることがあります。@……万一、お屋敷の中でお見掛けした場合には、決してその後を追ってはならない決まりです。@/ `"Beatrice-sama sometimes changes her form into glittering butterflies and shows herself.`@` ......On the rare occasion that you spot them somewhere in the mansion, there is a rule that you absolutely mustn't chase after them. `@/ ld c,$KAN_defA2,80 ;追えば不幸があると囁かれています。@…その禁を破り、大怪我をして辞めた使用人も実際にいます。」\ ;＜嘉音 `It is whispered that you will meet with disaster if you follow them.`@` ...In fact, there was a servant who broke that rule and quit because of a great injury."`\ bg Mkit_1a,23 ld r,$BUT_AseruA1,24 ;「……おいおい、マジかよ。@あんたら本気でそんな話をしているのかよ……？」\ `"......Wait a sec, are you kidding me?`@` Are you all serious about this......?"`\ ld l,$GEN_KomaruA1,23 meplay 1,16 ;「…戦人さま、すでにベアトリーチェさまがお越しになっておられます。@そのようなお言葉は、よろしくないかと思います。」@ ;＜源次 `"...Battler-sama, Beatrice-sama has already arrived.`@` Such language may be unwise."`@ cl r,0 ld c,$KAN_NayamuA1,23 meplay 2,5 ;「ベアトリーチェさまは、ご自身を冒涜される方を好みません。@……その存在を疑えば、必ずや不幸が降りかかるでしょう。」\ ;＜嘉音 `"Beatrice-sama does not like it when she is profaned.`@` ......If you doubt her existence, you will surely meet with disaster."`\ ld r,$KUM_MajimeA1,24 ;meplay 3,17 ;「戦人さん…、気持ちの悪い話とお思いでしょう。@ですがね？@　ベアトリーチェさまは“い”るんですよ？」@ ;＜熊沢 `"Battler-san..., you probably find this story unpleasant.`@` But you know what?`@` Beatrice does 'exist', okay?"`@ ld l,$GEN_DefA1,80 ;「……“い”ます。@それを疑われることを、ベアトリーチェさまはことの他、嫌われます。」\ ;＜源次 `"......She 'exists'.`@` Beatrice-sama hates people who doubt that."`\ ld c,$KAN_defA1,80 ;「…………わかりませんか、戦人さま。@……ベアトリーチェさまは、今すでに、ここにお越しになっております…。」\ ;＜嘉音 `"............Don't you understand, Battler-sama?`@` ......Beatrice-sama has already arrived here..."`\ bg Mkit_1c,0 ld r,$BUT_komaruA1,24 ;「…おいおい、よせよ。@俺、そういうのは弱いんだぜ…？@　脅しっこなしにしろぃ…。」\ ;＜戦人 `"...Come on, quit it.`@` You know I'm weak against that stuff...`@` You're freaking me out..."`\ ;　だが、使用人たち３人の目に冗談めいたものは欠片ほども見当たらない。@ `However, there was no trace of a joke in the eyes of the three servants.`@ br ;　俺の上辺だけの強がった笑いが、みるみる乾いていく。@ ;　…彼らの目も、みるみる乾いていく。\ `On the surface, I laughed and tried to look unconcerned, but I was quickly starting to sober up.`@ `...Their eyes were also sobering up fast.`\ ld l,$KUM_MajimeA2,23 ;「……戦人さん…、お願いですから、ベアトリーチェさまを冒涜することはおやめ下さい。@悪いことは申し上げません…。」@ ;＜熊沢 `"......Battler-san..., I beg that you stop profaning Beatrice-sama.`@` Please trust me..."`@ br ;　あの、いつも朗らかで人をからかってばかりいる熊沢の婆ちゃんが、@……今まで一度も見せたことのない、乾ききった顔でそう言う。\ `Kumasawa baa-chan, who was usually cheerful and would always tease people,`@` ......now spoke with a totally straight face.`\ ld r,$BUT_OdorokiA2,80 ;「………い、……いや…。@いるって言われてもよ。@俺には何も見えないぜ…？@　今、俺の隣にいるとでも言うのかよ？@　冗談よせやい…。」\ `".........W, ......well...`@` Sure you say she exists...`@`but I don't see anything...`@` Are you trying to say that she's standing right next to me or something?`@` Quit joking around..."`\ bg black,1 fede 0,2000 se1 22 ld c,$MAR_defA1k,46 ;「きひひひひひひひひひひひひひひひひひ……。」\ ;＜黒真里亞 `"Kihihihihihihihihihihihihihihihihi......"`\ bgmplay 20 ;　その時、あの薄気味悪い笑い声が突然、厨房中に響き渡った…。\ `Just then, that unnerving laugh suddenly filled the kitchen...`\ bg Mkit_1a,0 ld c,$MAR_AkuwaraiA2,42 ;　…振り返れば、入口にいつの間にか真里亞の姿があった。@ ;　…だがその表情や雰囲気、気配は、…使用人たちとまったく同じものだった。\ `...When I turned around, Maria was standing there by the entrance.`@ `...But her expression and the feeling about her, her presence...felt exactly the same as the servants.`\ ld c,$MAR_akuwaraiA1,80 ;「…波長の合う合わないは生まれつきだよ。@戦人は、生まれつき波長が合わないタイプなんだよ。@だから見えない、@会えない、@話せない。@/ `"...Whether your wavelength matches or not is determined at birth.`@` Battler, you were born with a mismatched wavelength.`@` That's why you can't see her.`@` That's why you can't meet with her,`@` and that's why you can't talk to her. `@/ ld c,$MAR_AkuwaraiA2,80 ;…きひひひひひひひひひひひひひひひ。@ベアトリーチェの一番嫌いなタイプだよ。」\ `...Kihihihihihihihihihihihihihihihi.`@` You're the type Beatrice hates the most."`\ ;　真里亞はさもおかしそうに、…だけれども不気味に笑う。@ `Maria's laugh almost sounded insane, ...and it was extremely eerie.`@ br ;　……まるで、この中で俺一人がわかっていないというような笑い方だった。\ `......It was almost like she was laughing at me because I alone didn't understand.`\ ld c,$MAR_majimeA1,80 ;「ベアトリーチェのことが知りたい？@　…………ベアトリーチェはね、千年の魔女なんだよ。@……あらゆる悪魔を使役し、錬金術を究め賢者の石を生み出し莫大な黄金を生み出すことができる。@お祖父さまは彼女と契約することで右代宮家に莫大な富を築いたんだよ。\ `"Do you want to know about Beatrice?`@` ............Beatrice is a thousand year old witch.`@` ......With all of the demons at her command, she can harness the power of alchemy to create the philosopher's stone and a vast quantity of gold.`@` Grandfather built up all of the vast wealth of the Ushiromiya family by making a contract with her.`\ ld c,$MAR_fukigenA2,80 ;……昨日、私がベアトリーチェの手紙を読んだでしょ？@　あれはホントウなんだよ。@…まぁ、戦人に信じろと言っても無理な話だろうけど。@/ `......Yesterday, I read Beatrice's letter, didn't I?`@` That was real.`@` ...Well, I guess it's pointless for me to try and force you to believe. `@/ ld c,$MAR_AkuwaraiA3,80 ;…六感が、生まれつきサッパリみたいだからね。@きひひひひひひひひひひひひひひひひひ…！」\ ;＜真里亞 `...After all, it looks like you were born without a trace of the sixth sense.`@` Kihihihihihihihihihihihihihihihihi...!"`\ cl c,0 ld l,$MAR_AkuwaraiA3,0 ld r,$BUT_nayamuA2,24 ;「……何だよそれ。@魔女ぉ、悪魔ぁ？@　そんなの誰に聞いたんだよ…。」@ `"......What are you talking about?`@` Witches, demons?`@` Who told you about that...?"`@ ld l,$MAR_AkuwaraiA2,80 ;「きひひひひひひひひひひ。@ベアトリーチェ本人に聞いたんだよ。@きひひひひひひひひひひひひひひひ！」\ `"Kihihihihihihihihi.`@` I heard it from Beatrice herself.`@` Kihihihihihihihihihihi!"`\ ;　気持ち悪い笑い声を上げ続ける真里亞。@ ;　…しかしそれを見守る使用人たちの表情は眉ひとつ歪みもしなかった。\ `Maria kept doing that unpleasant laugh.`@ `...However, the servants who watched over this didn't even blink.`\ ;　あの、玄関ホールに飾ってある肖像画の魔女に、聞いた。@ `She heard it from...that witch in the portrait adorning the entrance hall.`@ br ;　それ以上でも以下でもないと、真里亞は奇声で笑い続ける…。\ `Maria kept on laughing in a weird voice, as though this was nothing more or less than the truth...`\ ld r,$BUT_nayamuA1,80 ;「…真里亞、聞くだけ野暮だろうがもう一回聞くぜ…？@　昨日、真里亞にあの手紙を渡したのは誰だ。」\ `"...Maria, it might be rude to ask, but I'll ask one more time, okay...?`@` Who gave you that letter yesterday?"`\ ld l,$MAR_ikariA1,80 ;「ベアトリーチェにもらったって、何度言えばわかるかなぁ？@/ `"I got it from Beatrice.`@` How many times must I tell you before you understand? `@/ ld l,$MAR_akuWaraiA2,80 ;　……わかんないよね？@　見えないんだもんね。@信じられないもんね？@　…きひひひひひひひひひひひひひひ。」@ `......You don't get it, do you?`@` You can't see it.`@` You can't believe it, can you?`@` ...Kihihihihihihihihihihihihihihihi."`@ ;　そこでピタリと、真里亞は笑いをやめる。\ `Just then, Maria's laughter suddenly stopped.`\ ld l,$MAR_FukigenA1,80 meplay2 1,18,40 ;「………戦人。@まだわかんない？@　ベアトリーチェさまが“い”るのが。」@ `".........Battler.`@` You still don't understand?`@` Beatrice-sama 'exists'."`@ ld r,$BUT_OdorokiA1,80 ;「“い”るって、………どこにさ。」@ `"She 'exists', you say.........but where?"`@ cl a,0 ld c,$MAR_AkuwaraiA2,22 ;「だからベアトリーチェさまが、ここに、“い”るのが。」\ `"Like I said, Beatrice-sama 'exists' here."`\ ld l,$GEN_defA1,0 ld r,$KUM_majimeA1,22 meplay2 2,11,90 ;　……そうさ。@ ;　思えば、さっきからずっと使用人たちの目の焦点がずれていると感じていた。@ `......That's right.`@ `Now that I think about it, I've been feeling for some time now that the others haven't been looking in quite the right direction.`@ br ;　…みんなぼんやりとしているなんて思っていたが、……そうじゃない。\ `...I'd figured that everyone had just been gazing into the distance, but......that wasn't the case.`\ ;　ここにいる、源次さん、/ ;!d700嘉音くん、/ ;!d700熊沢さん、/ ;!d700…そして、真里亞の４人は、@……俺を除く全員は、@……………俺のすぐ後を見ているのだ……。\ `The four here, Genji-san, `/ !d700`Kanon-kun, `/ !d700`Kumasawa-san, `/ !d700`and Maria,`@` ......everyone except me, `@`.........were looking at a spot right behind me......`\ bg black,22 ;　俺は硬い唾を飲み込みながら、ゆっくりと背後を、肩越しに見る。@ `Holding my breath tightly, I slowly looked over my shoulder.`@ ;　…もちろん、そこに誰がいるわけもない。@ ;　そんなことはさっきからずっと承知してる！@ `...Of course, there wasn't anyone there.`@ `I've known that the whole time!`@ br ;　………しかし、この部屋にいる俺以外の全員が、そこにいるらしい人物に焦点を合わせているのだ。\ `.........However, everyone in the room except me was focusing on that point as if there was someone there.`\ bg Mkit_1c,26 ld c,$MAR_ikariA1,24 ;「ベアトリーチェは千年を生きた偉大な、黄金の魔女。@……でも、波長の合う人間にしか自分の姿を見せられないし、話しかけられない。@/ `"Beatrice is a great witch of gold who has lived for one thousand years.`@` ......But since she can't show her form to humans of the wrong wavelength, she can't talk to them. `@/ ld c,$MAR_fukigenA1,80 ;…だからね？@　それがとても悲しいんだよ。@…だから、戦人みたいな、生まれつき魔法のセンスもカケラもない人に、存在を否定されるのがものすごく嫌いなんだよ…！\ `...And you know what?`@` That's really sad.`@` ...It means that she truly despises it when people like you, who were born without a fragment of the ability needed to sense magic, deny that she exists...!`\ ld c,$MAR_akuwaraiA1,80 ;………戦人は幸運だよ。@昨日、私にお守りをもらっていて良かったね？@　それを身につけてなかったら、今頃、ベアトリーチェのどんな呪いが身に及んでいたかわかったものじゃない。@…ホントウに幸運なんだよ戦人は。@きひひひひひひひひひひひひひひひひひひひひひひひ…！」\ `.........You're lucky, Battler.`@` Good thing that I gave you that charm yesterday, right?`@` Don't you realize what kind of curse Beatrice would have put on you by now if you hadn't been carrying it around?`@` ...You really are lucky, Battler.`@` Kihihihihihihihihihihihihihihihihihihi...!"`\ bg Mkit_1b,23 ld r,$BUT_NayamuA2,24 ;「………あぁ、あのサソリのキーホルダーかよ。@あれって安っぽい景品か何かだと思ってたんだが、ちっとはご利益あったってことなのかぁ？」\ `".........Right, that scorpion keyholder.`@` I'd thought that was just some cheap gift or something, but are you saying that really had some benefit?"`\ ld l,$MAR_AkuwaraiA2,80 ;「きひひひひひひひ。/ `"Kihihihihihihihi. `/ fede 1,2000 ;それがなかったら今頃、戦人があの倉庫の中で顔面を砕かれて生贄にされていたんだよ。@きひひひひひひひひ、幸運だったよ戦人は…！@　きっひひひひひひひひひひひひひ！」@ `If it weren't for that, you'd be lying in that storehouse as a sacrifice with your face crushed by now.`@` Kihihihihihihihihi, you're so lucky, Battler...!`@` Kihhihihihihihihihihihihihihihihihi!"`@ ld r,$BUT_nayamuA1,80 ;「……そうか。@あれがなかったら、俺は今頃殺されてたってのか……。」\ `"......I see.`@` So if it weren't for that, I'd have been killed by now......"`\ ld l,$MAR_MajimeA1,80 meplay2 3,16,40 ;「何で戦人はベアトリーチェを信じないの…？@　“い”るのに。@今、そこに、ほら。@/ `"Battler, why don't you believe in Beatrice...?`@` Even though she 'exists'.`@` Right now, over there, look. `@/ ld l,$MAR_AkuwaraiA1,80 ;きひひひひひひひ！@　ね、信じる気になったでしょ。@信じなよ。@真里亞にお守りをもらったことを感謝しながら…！@/ `Kihihihihihihihi!`@` Hey, I'll bet you want to believe it now.`@` Believe it.`@` And thank me for giving you that charm...! `@/ ld l,$MAR_AkuwaraiA2,80 ;　あれがなければ、戦人は今頃倉庫の中。@代わりに誰か１人が助かっていたかも知れないね？@　きっひひひひひひひひひひひ！」\ `If it weren't for that, you'd be in the storehouse right now.`@` But then, maybe you would have saved someone else in exchange, right?`@` Kihhihihihihihihihihihi!"`\ bg black,1 E_A ;　ぷ。\ `*pop*.`\ bgmplay 29 ;　……俺はそこで笑いが堰を切る。@ `......Right then, I burst into laughter.`@ br ;　魔女ごっこは確かに途中まで面白かったが、最後のツメは、残念だが綺麗に決まらなかったらしいな。\ `Playing witches had been pretty fun up until a second ago, but unfortunately, that last one seemed to be too much for me to gloss over.`\ bg Mkit_1b,1 ld r,$BUT_defA1,26 ;「ふっはっはっはっはっはっはっは。@……じゃあ全然駄目だぜ、真里亞ぁ？@　ってことなら悪いが、あぁ全然駄目だ。」\ `"Hahahahahahah.`@` ......Then it's all useless, isn't it, Maria?`@` If that's true, then I'm sorry, but it's all useless."`\ ;　真里亞は俺が突然笑い出すのを見て、笑うのを止める。@ `When Maria saw me suddenly start laughing, she stopped.`@ br ;　俺が何を笑っているのかわからず、不快そうなのがよくわかる。\ `Even though she didn't understand what I was laughing at, she realized it wouldn't be pleasant for her.`\ ld l,$MAR_fukigenA1,80 ;「…………………………。」\ ;＜真里亞 `".................."`\ ld r,$BUT_komaruA2,80 ;「お前が傷つくだろうと思ったから、俺、黙ってたけどよ。@/ `"I thought it might hurt you, so I didn't say it earlier, but...`@/ ld r,$BUT_waraiA1,80 ;……お前にもらったお守りよ、俺、ポケットに入れたつもりだったんだけどよ。@どっかに落っことしちまったんだぜ？\ `...Although I thought I'd put that charm you gave me in my pocket, `@`I must have dropped it somewhere, you see?`\ ld r,$BUT_nayamuA2,80 ;……だから俺が今この瞬間に無事なのはお守りのお陰でもねぇし、なら魔女さまの呪いがあって当然なのに、今この瞬間もピンピンしてる。@……悪いが俺は自分の目で見たものしか信じねぇ。\ `......That means the charm can't be the only reason I'm alive now, and even though I should have been cursed by the witch, I'm perfectly fine.`@` ......Sorry, but I don't believe in things I don't see with my own eyes.`\ ld r,$BUT_odorokiA1,80 ;　第六感？@　波長？@　魔法のセンス？@　悪いが俺はそういう眉唾なモンは一切信じねぇぜ。@クラスの女が、霊感がいいの悪いのって言い出すのを聞いてると虫唾が走るのさ！@　…あんたらがいくら祖父さまに給料もらってるか知らねぇが、俺を妙な宗教に勧誘しようったって、@そう簡単には行かねぇってこと、よく肝に銘じておきやがれってんだ。」\ `Sixth sense?`@` Wavelengths?`@` Magic sensitivity?`@` Sorry, but I don't believe in fake stuff like that.`@` When I hear the girls in class start talking about how good or bad their ability to sense the supernatural is, it pisses me off!`@` ...I don't know how much Grandfather is paying you, but if you're trying to talk me into joining some cult,`@` believe me, you won't be able to do it that easily."`\ bg Mkit_1c,0 ld r,$KAN_DefA2,24 ;「……………戦人さま…。」\ ;＜嘉音 `"............Battler-sama..."`\ ld l,$BUT_majimeA1,23 ;「…嘉音くんたちが信じるのは自由だぜ。@/ `"...You guys are free to believe whatever you want. `@/ ld l,$BUT_odorokiA1,80 ;!s0だが、俺が信じるかどうかは、/ ;!d700常に・/ ;!d800俺が・/ ;!d800自分で決めるッ！/ ;!sd@　悪ぃが、この目で見るまで、ベアトリーチェなんて胡散臭いものの存在を信じるわけには行かないぜ…！！」@ !s0`However, when it comes to the things I believe, `/ !d700`I am `/ !d800`always `/ !d800`the one who decides! `/ !sd@`Sorry, but I can't believe in something as shady as Beatrice until I've seen her with my own eyes...!!"`@ br ;　力強く啖呵を切ってやる…。@ ;　すると真里亞も再びけたけたと笑い出す。\ `I spoke forcefully and sharply...`@ `When I did, Maria started cackling again.`\ bg Mkit_1a,0 ld c,$MAR_AkuwaraiA2,24 meplay2 1,12,40 meplay2 2,5,40 ;「きっひひひひひひひひひひ…！@　ならそれでいいんじゃない…？@/ `"Kihhihihihihihihihihihihi...!`@` Well that's just fine, isn't it...? `@/ ld c,$MAR_fukigenA2,80 ;　いずれ、お前のような、波長が全然合わない人の目にもベアトリーチェは見えるようになる。\ `Eventually, even people like you with totally mismatched wavelengths will be able to see Beatrice.`\ ld c,$MAR_akuWaraiA3,80 ;………もうじき、蘇るんだよ。@ベアトリーチェはね。@……そうしたら、一緒にいっぱいお話をしたり遊んだりしようって、約束してるんだよ。@/ `.........Very soon, she will revive.`@` Beatrice will revive.`@` ......Once that happens, she's promised to talk with me and play with me a lot. `@/ ld c,$MAR_AkuwaraiA1,80 ;…疑う必要も、無理に信じる必要もまったくない。@……現れるんだよ、もうじきね。@きひひひひひひひひひ…！」\ `...There's absolutely no need to doubt or to force you to believe.`@` ......She will appear, very soon.`@` Kihihihihihihihihihi...!"`\ bg black,42 fede 0,4000 wait 4000 ;■廊下 textoff bg M_o1bR,24 meplay 1,12 dllefe 1,1 wait 2000 bg black,24 dllefe_off mevol 1,40 bg M1F_S1bR,24 ;　食事が終われば、便所に行きたいヤツもいれば一服したくなるヤツもいる。@ ;　俺が厨房へ水を飲みに行ったように、客間から外出した人間は少なくないようだった。\ `Some people usually head to the bathroom after a meal; others prefer to take a short nap.`@ `It seemed that several people had gone out of the parlor, just like I did when I went to the kitchen to drink some water.`\ ld c,$NAT_zutuuA1G,22 ;　結局、夏妃伯母さんの、全員客間に缶詰の号令は、@ひとりにならないこと、@客間から離れないことが守られるならと、渋々ではあるが撤回されることになった。\ `In the end, Natsuhi's order to keep everyone packed together in the parlor,`@` that no one be left alone`@` and that no one leave the parlor, had to be withdrawn, however reluctantly.`\ ;　何しろ１１人も人間が早朝からずっと同じ部屋に篭っていれば、空気だって澱もうってもんだ。@ `In any case, if eleven people are shut up in the same room starting early in the morning,　the air will start to get stagnate.`@ br ;　…それに、多少の時間が経ち、@みんなが朝のショックから立ち直れてきたこともあるし、危機感が薄れてきたこともあるのかもしれない。\ `...And after a little time had passed,`@` everyone had started to recover from the shock of that morning. Maybe their sense of danger was weakening over time.`\ bg M1F_P1bR,24 meplay2 2,5,40 ;　……だが、この屋敷の中で６人もの人間が殺されたのだけは、@疑いようもない事実なわけで、誰もが完全に油断しきっているわけではなかった。@ `......However, it was a certain fact that six people had been killed inside this mansion,`@` so no one was completely negligent.`@ br ;　だから、ほんのちょっと悪ぶって廊下の空気を吸うと、@……そこにぽつんといるのが怖くなり、結局は客間に戻ってくるのだった。\ `So when they went out into the hallway for a breath of fresh air, trying to act tough,`@` ......they would quickly get scared of standing there, isolated, and would eventually return to the parlor.`\ bg black,23 ;　…ほらあれだ。@北風と太陽ってヤツ。@ `...I guess it's like 'The North Wind and the Sun'.`@ ;　無理に閉じ込めようとするとみんな抵抗するが、じゃあどうぞお好きにというと大人しく戻ってくる。@ `If you force someone to stay shut in, they'll resist, but if you tell them to do whatever they want, they'll come back, obediently.`@ br ;　人間ってのは天邪鬼なもんだ。\ `People sure are hypocrites.`\ bg M1F_S1bR,0 ld r,$GEN_majimeA2,0 ld l,$KUM_DefA2,24 E_M2 ;　………使用人たちは、食器の片付けが済むと、@夏妃伯母さんの言い付け通り、客間に大人しく戻ってきて、入口に近いソファーに座り、じっと待機していた。@ `.........When the servants finished cleaning up from the meal, `@`they returned obediently to the parlor just as Natsuhi oba-san had told them to, and sat in a sofa near the entrance, patiently awaiting orders.`@ br bg M1F_S1cR,0 ld r,$MAR_DefA1,24 ;　真里亞は、魔女ごっこは終わったとでも言うかのように、@俺のよく知る無垢な真里亞に戻って、うーうー言っていた。\ `Maria, almost as though she had suddenly finished playing witches,`@` had returned to the pure Maria I knew well, saying 'uu-uu-'.`\ bg black,22 bgmplay 30 ;　…さっきのあれは一体何だったってんだ。@ ;　………俺は、自分の後にベアトリーチェなんてヤツが透明な姿で立っているなんて気配は微塵も感じることができなかった。@ `...What in the world was that back there?`@ `.........I hadn't felt even an atom of the presence of this person called Beatrice, supposedly standing behind me, invisible.`@ br ;　…だが、真里亞の中には、その気配をわずかに垣間見た気がする…。\ `...However, it felt like, inside Maria, I could catch a glimpse of a little of that presence...`\ bg M1F_S1aR,23 ld l,$GEO_DefA1,23 ;「確かに。@真里亞ちゃんは魔女とかの話になると人が変わるね。@…昨日、海岸で戦人くんも見たでしょ？」@ ;＜譲治 `"You're right.`@` When Maria starts talking about witches, she changes.`@` ...Battler-kun, you also saw it down by the beach yesterday, right?"`@ ld r,$BUT_KomaruA2,24 ;「あのサソリのキーホルダーの時か。@…いや、あんな機嫌を損ねるみたいな感じじゃなくてよぅ。@まるでその、二重人格みたいな感じで。」\ ;＜戦人 `"You mean that scorpion keyholder?`@` ...No, I don't mean like when her feelings were hurt,`@` I'm talking about when she looked like she had a dual personality."`\ cl l,24 ld l,$JES_TohohoA1,23 ;「あぁ、たまにそういうこともあるな。@……さっき、真里亞が魔法陣の話を始めた時みたいなやつ、たま〜にあるぜ。@気持ち悪いけどな。」\ ;＜朱志香 `"Aah, that happens sometimes.`@` ......Just like when Maria started talking about the magic circle, that just happens sometimes.`@` It's freaky though."`\ ;　朱志香の話によると、あの、きひひひひひと笑う真里亞は、たまに見掛けるものらしい。@ `According to Jessica, it seems that she's spotted the 'Kihihihihihi' laughing Maria a few times.`@ br ;　タイミングがタイミングだったし、しかも俺は初めて見たから度肝を抜かれたが…。\ `This was just bad timing, and furthermore, it was the first time I'd seen it so it really shocked me...`\ ld r,$BUT_NayamuA1,80 ;「あれってのは何なんだ？@　真里亞は二重人格か何かなのか。@それとも本当に霊感が強かったりとかして、そういうのに憑依されたりとかしちまうのかよ。」@ `"So what is that?`@` Does Maria have a dual personality or something?`@` Or are you saying that her spiritual sense really is that strong, and she's being possessed by it?"`@ ld c,$GEO_KomaruA1k,23 ;「…うーん、そういうのじゃないと思うよ。@戦人くんにも経験ない？@　小さい頃、自分以外の誰かになりたかったなんてこと。」\ ;＜譲治 `"...No, I don't think it's that.`@` Haven't you ever experienced it?`@` When you were small, did you have someone other than yourself who you wanted to be?"`\ bg black,25 ;　人間、生まれたばかりの時は誰だって没個性だ。@ ;　ところが成長期を迎え、自我ってやつが生まれ始めると、没個性なのが許せなくなる。\ `Right when humans are born, no one has any individuality,`@ `Even so, when they reach their growth period, their sense of self starts to be born, and they start to gain a sense of individuality.`\ ;　人と違う何かを持ちたくなる。@ `They want to be different from other people.`@ br ;　…しかしだからと言って、学校で等しく同じことを習い、@同じ生活を強いられている自分に、クラスの他の連中と違う何かを得られるはずもない。\ `...But that doesn't mean that they will find that they're different from the others in their class, `@`since they are learning the same thing in school and forced into the same lifestyle.`\ ;　すると最初に始めるのはルール破り、いわゆる反抗期だ。@ ;　みんながルールを守るから、自分だけルールを破って個性を示したい。@ `When they realize that, they start off by breaking the rules, in what's called the rebellious age.`@ `Since everyone follows the rules, they want to show off their individuality by breaking them.`@ br ;　…周りを子どもっぽいと言って馬鹿にしながらワルぶる連中も、@こうして見りゃあ可愛いお子様の自分探しってわけだ。\ `...Even people who call this behavior childish and make fun of it,`@` will realize that it's just a cute kid searching for themselves when they look at it this way.`\ ;　……なんて、偉そうに講釈を垂れてるが、この辺は譲治の兄貴の受け売りだ。@ `......Well, I'm lecturing about all this like I'm so smart, but I actually got it second hand from George-aniki.`@ br ;　俺自身、小悪党ぶっててそれがカッコイイと思ってきた恥ずかしいヤツでもある…。@ ;　まぁ、そうして目立って、異性の気を引きたいお年頃もあったと。\ `I myself was one of those embarrassing guys who thought it was cool to act like a little bastard...`@ `Well, that was when I was the age where you try standing out for the opposite sex.`\ bg M1F_S1aR,0 ld r,$GEO_DefA1,26 ld r,$GEO_MajimeA1k,80 ;「成長期の根底には子どもから脱却したいという、ヒヨコが殻を破るのに似た衝動がある。@子どもと大人の違いは何かわかるかい？」@ ;＜譲治 `"The whole point of the growing period is that people try to separate themselves from being a kid. It's the same impulse as a chick trying to crack the shell of their egg.`@` Do you know what the difference between a child and an adult is?"`@ ld l,$BUT_MajimeA1,23 ;「年齢？@　それとも体格？」\ ;＜戦人 `"Age?`@` Or is it the condition of their body?"`\ ld r,$GEO_HohoemiA1,80 ;「違うよ、経験だよ。@大人が子ども見下すのは人生経験が少ないからだよ。@子どもが何を言っても鼻で笑ってしまうのは、世間知らずのくせにと見下しているからだよ。」\ ;＜譲治 `"No, it's experience.`@` Adults can look down on children because children have very little life experience.`@` The reason they snort and look down on children whenever they say anything is because children don't know anything about the world."`\ cl l,24 ld l,$JES_WaraiA1,23 ;「あぁ、そういうのわかるぜ。@子どもの頃って、妙に人生ってもんを悟りきったようなことを口にして、年長者ぶりたくなるよな。@…大人は子どもが何を言っても、世の中甘くないとか、社会に出ればわかるとか鼻で笑ってる。@/ `"Yeah, I understand that.`@` When you're a kid, you try to say things like you've got life all figured out, and try to act like an adult.`@` ...No matter what a kid says, adults will just snort at them because they're too naive or because they'd 'understand once they grew up' or something. `@/ ld l,$JES_atyaA1,80 ;…まぁ、実際そうなんだけど、子ども的にはそういうのって見下されてるみたいでムカつくんだよな。」\ ;＜朱志香 `...Well, it's probably true, but to a kid, it's just annoying, like they're being looked down upon."`\ bg M1F_S1cR,24 ld r,$BUT_oyaA1,24 ;「……なるほどな。@知識や経験の有無か。@…確かに年齢だけ無駄に食ってても尊敬はされねぇよな。」@ ;＜戦人 `"......I get it.`@` It's about whether they have knowledge and experience.`@` ...Of course, age isn't something to respect if a person's just wasted their lives."`@ ld l,$GEO_MajimeA2,23 ;「となるとつまり、子どもから脱却したいという衝動を持つ時期に、かつ他者とは違うという個性を持ちたくなる。@/ `"Therefore, during the period when they try to separate themselves from other children, they also try to take on personalities different from those around them. `@/ ld l,$GEO_HohoemiA1k,80 ;子どもからの脱却がつまり、知識や経験なのだとしたら？」\ ;＜譲治 `if what separates kids and adults is knowledge and experience, then...?"`\ ld r,$BUT_AseruA1,80 ;「…………なるほど、他人の持ち得ない知識を持つことが、ひとつのアイデンティティになるわけか。」\ ;＜戦人 `"............I get it, if they know something that no one else knows, it becomes part of their identity."`\ bg M1F_S1bR,23 ld r,$JES_DefA2,24 ;「小学校の頃なんかさ、クラスの誰も知らないことを知っていたり、@持っていたり、身につけていたりするとヒーローになれたよな。@戦人もそういう経験あるだろ。」@ ;＜朱志香 `"You know, when I was in elementary school, I'd learn things no one else knew,`@` get things no one else had, and wear things no one else wore, and became a bit of a hero for it.`@` I'll bet you have done the same thing, Battler."`@ ld l,$BUT_WaraiA1,80 ;「あるある。@何か一芸に秀でたいと思うお年頃って確かにあるな。@…なるほど、それが子どもからの脱却、つまり成長期ってわけか。」\ ;＜戦人 `"Yeah, yeah.`@` There was definitely an age when I wanted to excel in something.`@` ...I see, that was because I was trying to separate myself from being a child, my growing period."`\ cl a,22 ld c,$GEO_WaraiA1,22 ;「健全な意味での成長期は、そうして没個性を脱却するために、人が持たない知識やスキルを身につけることを促す。@/ `"If you look at it in a good way, the growing period, by forcing you to separate yourself from others, pushes you to gain skills and knowledge that no one else has. `@/ ld c,$GEO_HohoemiA1,80 ;…これは社会学的にも面白いことだよ。@人が没個性を嫌うために、人と違う技術を身につけようとする。@これにより社会は幅広い技術を獲得して立脚する。@…神々の高度なプログラミングに驚かされるね。」\ ;＜譲治 `...This is also interesting from a sociological standpoint.`@` Because people hate being like everyone else, they try to learn skills that other people don't know.`@` In this way, society can acquire the broad range of skills it needs to survive.`@` ...The quality of the gods' programming is truly surprising."`\ bg M1F_S1cR,0 ld r,$BUT_WaraiA2,24 ;「まぁ、個性がネガティブに働くこともあるぜぇ？@　クラスみんなが真剣に勉強してるから、俺だけはサボって目立とうとかよ。」\ ;＜戦人 `"Well, individual personalities can also be negative, right?`@` Like when everyone in the class is studying hard, and I'm just slacking off, it sticks out."`\ ;　…そりゃー、俺のことだがな。@ `...I actually had been like that.`@ br ;　そんな俺を放課後にビンタしてくれた中学の先生には、ようやく最近になって感謝できるようになったが。\ `Only recently, I'd finally been able to thank that middle school teacher who had slapped me after school.`\ ld r,$BUT_DefA1,80 ;「でもまぁ、誰も飛べない跳び箱を飛んでやりたいとか、@成績のいい連中を周回遅れにさせてやるぜってマラソンで全力疾走とか、そういう気持ちはあったなぁ。@…勉強は駄目だったから、少なくとも運動では見返してやるぜって根性はあった。@/ `"But, well, I'd try to jump over things that no one else could,`@` sprint as fast as I could, trying to lap those guys with good grades when we did a marathon. I just felt like doing it.`@` ...It was in my nature that, if I couldn't study well, then at least I could get back at them by exercising. `@/ ld r,$BUT_MajimeA1,80 ;……なるほど、ちゃんと成長期してるな俺。」\ ;＜戦人 `......I get it, I really went all out during my growing period."`\ ld l,$JES_DefA1,23 ;「男子って、やっぱり肉体的な方面に関心が向くよな。@/ `"After all, boys do tend to focus more on physical things. `@/ ld l,$JES_WaraiA1,80 ;でもよ、同じ時期に女子は、精神的な面に向きやすいんだよ。@……戦人のクラスの女子にも、占いとか霊感とか、そんなこと言ってる女子連中のグループがあったりしただろ。」\ ;＜朱志香 `But you know? Girls of the same age tend to focus more on emotional things.`@` ......I'll bet there were groups of girls in your classes that were really interested in fortune telling and their spiritual senses."`\ ld r,$BUT_WaraiA1,80 ;「あーあー、あったあった！@　人の星座とか血液型とか聞いてきて、あーやっぱりぃ、クスクス！@　とか笑われると大いにムカついたもんだぜ。@/ `"Yeah, yeah! There was, there was!`@` They'd come over, asking me for my sign and my blood type! And then they'd laugh 'Aah, I thought so, *giggle* *giggle*!'`@` It really got on my nerves. `@/ ld r,$BUT_DefA2,80 ;どこのクラスにいっても女子は、占いが好きだし、@決まって霊感に強いだの弱いだの、感受性がどうこう、見えないものが見えちまうだの、そういう手合いが必ずいたもんだぜ。」\ ;＜戦人 `No matter which class you go to, girls like fortune telling.`@` Deciding whether your spirit sense was strong or weak, what your sensitivity was, whether you could see things that couldn't be seen. That kind of thing definitely happened."`\ bg M1F_S1aR,0 ld l,$GEO_DefA1,23 ;「占いも霊感も、学校では教えないものだからね。@男の子と違い、内向的な世界に関心を持ちやすい女の子にとって、@それはアイデンティティを確立しやすくて、かつ興味深いジャンルなんだよ。」\ ;＜譲治 `"That's because fortune telling and spiritual senses are things that aren't taught in school.`@` To girls, who unlike guys are more introverted, `@`that's a genre which is easy to build an identity upon, and one that they find very interesting."`\ ld r,$JES_futekiA1,24 ;「男子が成長期に入ると、急にワルぶったりして大人に反抗を始めるのとまったく同じに、@女子も成長期に入ると、そういうのに興味が出るようになるんだよ。@/ `"Just like when boys enter their growing period, and start acting tough and rebel against adults,`@` when girls enter their growing period, they start getting interested in that kind of thing. `@/ ld r,$JES_TohohoA1,80 ;……私はそうでもなかったけどさ！」@ ;＜朱志香 `......Well, I didn't though!"`@ cl l,24 ld l,$BUT_MajimeA1,23 ;「……つまり、真里亞がオカルトに関心を持つのは、年頃の女の子としては、そう珍しくもないってことか。」\ ;＜戦人 `"......So Maria having so much interest in the occult isn't that rare among girls her age?"`\ bg black,22 ;　…そこまでは納得できても、…あの気味の悪い二重人格のようなものは説明できるのだろうか…。@ `...Even if you accept that, ...I wonder if it explains that creepy dual personality thing...`@ br ;　…………いや、何となく納得できるような気がする。\ `............Well, I think I can accept it vaguely.`\ bg M1F_S1bR,24 ld r,$GEO_DefA1,24 ;「さっきも言った通り、大人になるというのは、知識や経験を持つことを言う。@だから、それを得るために子どもたちは色々なことを学んで子どもを脱却しなければならないんだけど。@/ `"As you just said, becoming an adult means gaining knowledge and experience.`@` We have to teach kids various things so that they can gain knowledge and truly awaken. `@/ ld r,$GEO_WaraiA1k,80 ;…子どもの世界に今も昔も蔓延っている、ある便利な妄想があるんだよ。@わかるかい？」\ ;＜譲治 `...A child's world, both now and in the past, grows rapidly, and there are some delusions which are convenient during that time.`@` Do you understand?"`\ ld l,$JES_WaraiA1,23 ;「漫画やアニメに多いだろ？@　ほらアレだよ。@前世の記憶が蘇って、とか。@偉大なる何とかの魂が乗り移って、とか。」@ ;＜朱志香 `"You see it all the time in manga and anime right?`@` It's kinda like that.`@` Like memories from antiquity are revived.`@` Like someone's possessed by the soul of the great something, or whatever."`@ cl r,23 ld r,$BUT_DefA1,24 ;「あー、他にも遺伝子が覚醒したりとか、@封印されていた能力やら記憶やらが戻ったりとか、色々あるな。@どういうわけかあの時期はそういうのがやたらと流行るもんさ。@…どうしてだ？」\ `"Ah, and also like a sleeping gene gets awakened,`@` or maybe a sealed power or memory returns. There's a lot of that.`@` For some reason, those kinds of things are really popular at that age.`@` ...Why's that?"`\ cl l,24 ld l,$GEO_MajimeA2,23 ;「今あげたキーワードは全て、子どもの自分に、知識や経験を直ちに付加できる幻想だからだよ。@９歳の女の子も、千年を生きた魔女が私に憑依していると言い出せば、@１００９歳のアイデンティティが得られるわけだからね。」@ ;＜譲治 `"All of those examples you've just mentioned are illusions that children can add to their knowledge and experience immediately.`@` If a nine year old girl says that she has a thousand year old witch possessing her,`@` it's because by saying that, she gains a 1009 year old identity."`@ ld c,$JES_DefA1,24 ;「まぁつまり、勉強するのは面倒臭い。@でも人とは違うスキルを持って周りに威張りたい、チヤホヤされたい、っていう連中にとっては、便利な妄想なんだよな。」\ ;＜朱志香 `"So what you're saying is that studying is annoying.`@` But to people who want to learn different skills from everyone else and brag about it, and get attention from it, it's a convenient delusion."`\ ;　勉強せずに、ラクして威張れる。@ ;　……なるほど、子どもの願望そのものなわけだ。\ `So she could brag about something without having to work hard or study.`@ `......I see, isn't that a kid's greatest dream?`\ cl a,0 ld c,$GEO_MajimeA1k,23 ;「あとは、子どもからの脱却願望には、必ず自分の理想像の自己投影が行われ、@その願望の姿が別人格として形成されることが少なくない。@/ `"Furthermore, in their desire to separate themselves from being kids, they always project an image of their ideal imagination,`@` and it's not rare for the image of their desire to become an alternate personality. `@/ ld c,$GEO_DefA1,80 ;戦人くんだって、家と学校では多少キャラクターが違うということがあるんじゃないかな？@　多分、家での自分の姿を、クラスの友人たちに見せるのは恥ずかしいはずだよ。@学校の自分は、自分のなりたい姿の投影で、家の自分は本来の姿だから。」\ ;＜譲治 `Even you, Battler-kun, I'm sure your character is a little different at home and at school, right?`@` It would probably be embarrassing if anyone at school saw how you were at home.`@` At school, you try to project yourself as you want to be, but home is where you are your true self."`\ bg M1F_S1aR,0 ld r,$BUT_NayamuA2,23 ;「………つまり、キャラクターの使い分けというか、@……人格の多重化はごくごく当り前だと言いたいわけか。」\ `".........So, in other words, I'm changing my character for different situations.`@` ......Are you trying to say that having multiple personalities is actually really common?"`\ ld l,$JES_TohohoA1,23 ;「オカルトが好きな女子は、それを憑依と言ったり覚醒と言ったりするぜ。@正直、ドン引きするくらいにキャラを変える子もいるよ。@/ `"A girl who is a fan of the occult might say that she's being possessed and then reawakened.`@` Honestly, there are some kids who can suddenly change their personalities. `@/ ld l,$JES_atyaA1,80 ;……男子にもいるだろ？@　キレたとか言って、やたらめったら粗暴キャラに変身するヤツが。@あれ、本人はカッコいいと思ってるんだろうけど、見ててイタイよな。」\ ;＜朱志香 `......Even some boys, right?`@` Guys who just blow their top and suddenly become violent.`@` I'll bet they think it's pretty cool, but it's painful to watch."`\ ld r,$BUT_KomaruA2,80 ;「つまりおさらいするとだ。@…真里亞くらいの年頃の女の子が、さっきみたいな不気味な二重人格みたいなのを見せても、@それほど珍しいものじゃないと言いたいのか…？」\ `"So let's sum this all up.`@` ...Girls of about Maria's age, even if they show a creepy second personality like she did a minute ago,`@` you're saying that's not such a rare thing...?"`\ cl l,24 ld l,$GEO_HohoemiA1,23 ;「簡単にまとめるとそういうことだね。@…アイデンティティは自己を形成するための大切なもの。@それを馬鹿にしたりすると、かえってその殻に閉じ篭ってしまうこともある。@/ `"If you bring it all together simply, that's what it means.`@` ...Identity is an important thing used to build up one's sense of self.`@` If you make fun of that, it could actually cause children to go back into their shell. `@/ ld l,$GEO_WaraiA1,80 ;だから、ほどほどに付き合ってあげるのが大切なんだよ。@…それを丸ごと受け容れてあげるのが、親の包容力というものなんだけどね。」\ ;＜譲治 `So it's important to go along with them to some degree.`@` ...Although whether that is accepted is determined by the broad-mindedness of the parent."`\ ld r,$BUT_WaraiA1,80 ;「……兄貴、それで独身って信じられねぇぜ…。@もう子どもが中学くらいに上がってそうな貫禄さぁ。@/ `"......Aniki, I can't believe you aren't married...`@` You sound like you've already raised kids through middle school. `@/ ld r,$BUT_MajimeA1,80 ;………じゃあ、楼座叔母さんもあの真里亞の二重人格についてはよく知っていたのかな。」\ `.........So, I wonder if Rosa oba-san also knew much about Maria's dual personality."`\ bg M1F_S1cR,24 ld r,$JES_MajimeA1,24 ;「知ってたぜ。@………ここだけの話、楼座叔母さんはすっごく嫌がってた。@気持ち悪いし、クラスでますます孤立を深めるだけだって。@だから真里亞がオカルトの話を始めたり、魔女みたいな声で笑い出したりすると、必ずビンタしてたぜ。@/ `"She knew about it.`@` .........Just between us, Rosa oba-san really hated it.`@` She said it was unpleasant, and that Maria was becoming increasingly isolated from the rest of the class.`@` So any time Maria started talking about the occult or laughing like a witch, she would slap her. `@/ ld r,$JES_KomaruA1,80 ;…だから真里亞も、楼座叔母さんがいる時にはそういう話をしないようになったみたいだけど。」\ ;＜朱志香 `...And it looks like Maria stopped talking that way in front of her."`\ bg M1F_S1dR,25 ;　………成長期を迎えた女の子に起こる、ちょっとした遊びみたいなものなんだろうか。@…さっきのあれは。\ `.........Maybe it was just a little game, from a girl facing her growing period,`@` ...that thing that had happened back there.`\ ;　人と違う何かを身につけて没個性を脱却したいと願った少女が、オカルトや魔女に興味を持つ。@ `Just a girl trying to show that she was different and independent by holding interest in witches and the occult.`@ br ;　…そして、幼い自分とは違う自分を持ちたくて、真里亞が理想とする魔女的人格を持ち、使い分ける。@ `...And since she wanted to be different from herself, young as she was, she was switching between her normal personality and the personality of her ideal, a witch.`@ br ;　………それは最初、非常に不気味なものだと思ったが、@こうして譲治の兄貴に諭されると、誰もが一度は通る道だと言う気もしてくる。\ `.........In the beginning, I had found that very disturbing,`@` but after being lectured to by George-aniki, it felt like this was a path that everyone walked down at one time or another.`\ bg black,22 ;　……俺も内緒だが、幼稚園の頃は、@地球の平和は俺たちで守るとかいって、悪ガキたちと一緒に地球防衛軍を結成していたような。@ `......I haven't told anyone, but when I was in kindergarten,`@` I joined up with a little gang of kids trying to form a Earth Defense Force, saying we'd help protect peace on earth.`@ br ;　戦闘訓練と称してＥＤＦ！ＥＤＦ！と連呼していたことを思い出すと赤面しちまうぜ…。\ `My face turns red when I remember how, during what we called battle practice, we would chant EDF!EDF!...`\ bg M1F_S1aR,26 ;　真里亞はけろっとしていて、相変わらず、@うーうーきゃっきゃと年頃の女の子らしい笑い声をあげながらテレビに没頭している。@ `Just like usual, Maria was relaxing,`@` immersed in the TV, 'uu-uu-'ing and laughing just like any girl her age.`@ br ;　……でもその内面には、彼女が憧れ、妄信する魔女を理想としたもうひとりの人格が眠っているのだ。@ `......But on the inside, another personality, that of the ideal witch that she respected and blindly accepted, was sleeping.`@ br ;　でもそれは異常なことでも何でもなく、年頃の女の子のひとりとして、当り前なこと…。\ `But that wasn't anything extraordinary. It was perfectly natural for a girl of her age...`\ bg black,22 fede 1,2000 ;　…………少し、落ち着いた。@ ;　さっきの厨房での奇怪な経験のショックが和らぐ。@ `............I calmed down a little.`@ `I had started to recover from that mysterious shock I had received in the kitchen.`@ br ;　…兄貴たちと話をしなかったら、俺は今も背後に、姿の見えぬ魔女がひたひたとつけて来る妄想に怯えていたかもしれない。\ `If I hadn't talked to Aniki and Jessica, I might still be frightened by the idea that an invisible witch was standing right behind me.`\ ;　…しかし、……本当にそれだけでさっきの出来事を納得してしまっていいのだろうか。\ `...However, ......can I really accept that as an explanation of what happened back there?`\ bg M1F_S1dR,22 meplay2 2,5,40 ;　真里亞ひとりの問題だったなら、成長期の女の子の、気まぐれな妄想と片付けることもできた。@ `If it had just been Maria, I could have explained it as the fickle delusions of a growing girl.`@ br ;　…しかしあの場には、源次さんも嘉音くんも、そして熊沢の婆ちゃんまでいた。@ ;　彼らは誰も真里亞のそれを否定しなかった。@ `But Genji-san, Kanon-kun, and Kumawasa baa-chan had also been there.`@ `None of them had denied what Maria said.`@ br ;　………無言で、ベアトリーチェが“い”ることを肯定していた。\ `.........They had silently accepted that Beatrice 'exists'.`\ ;　何だか、気分が悪くなってくる…。\ `I was starting to feel a little uneasy...`\ bg black,22 ;　絵羽伯母さんは１９人目など存在しないと主張し、@親族のゴタゴタに絡む内部犯行の事件だと断じている。@ `Eva oba-san had claimed that no 19th person exists,`@` saying that someone within the family's messy quarrel had committed the crime.`@ br ;　一方、夏妃伯母さんはこの屋敷の外に犯人が潜んでいると主張している。@ ;　それは即ち内部犯行の否定、１９人目の肯定だ。\ `On the other hand, Natsuhi oba-san had claimed that the culprit was hiding somewhere outside the mansion.`@ `That meant that she was denying that the crime had been committed by one of us, and accepting that a 19th person exists.`\ ;　そして厨房で真里亞は、そして使用人たちまでもが１９人目を肯定した。@ `And in the kitchen, Maria and the servants had agreed that a 19th person exists.`@ br ;　だが、彼らが断じた１９人目は人間ではなかった。@ ;　……不可視の魔女が、怪しげな何かをしでかしていると言い出すのだ。\ `But according to them, this 19th person isn't human.`@ `......They had said that it was an invisible witch, plotting something mysterious.`\ bg blood_1a,22 meplay2 3,11,90 ;　１９人目は、いるのか、いないのか。@ ;　そして犯人は、人間なのか、魔女なのか。@ `Was there a 19th person, or not?`@ `And was the culprit a human, or a witch?`@ br ;　いずれの話も、なぜか笑い飛ばせない。@ ;　…一番滑稽なはずの魔女の話さえもだ。\ `For some reason, I couldn't just laugh it off.`@ `...Even the most ridiculous story about the witch.`\ textoff fede 12,2000 bg black,42 bg M1F_S1cR,6 ld r,$BUT_majimeA1,24 bgmplay 18 ;「……朱志香。@ベアトリーチェの話ってのは、俺の認識では、森に子どもたちが迷い込まないようにってんで作った、大人の脅し話だってことになってんだが。@…この屋敷じゃ違うのか…？」\ `"......Jessica, all I know about the story of the witch is that it was a story made by the adults to keep the kids too scared to enter the forest, but...`@`...is it different here in the mansion...?"`\ ld l,$JES_komaruA1,23 ;「…………んー…。@私も戦人と同じ意見だぜ？@/ `"............Hmmm...`@` I have the same view as you, okay? `@/ ld l,$JES_majimeA1,80 ;　こんなのは子どもに言うことを聞かせるために親が作った間抜けな怪談だと思ってる。@……でも、そうだと口にはできない空気が屋敷内にあることは否めないな…。」\ ;＜朱志香 `I think it was just a stupid ghost story made by the parents so that their kids would listen to them.`@` ......But I can't deny that the atmosphere inside the mansion makes it a little hard to say it out loud..."`\ cl r,23 ld r,$GEO_MajimeA1,24 ;「……お祖父さまが、ベアトリーチェは存在すると公言されているからね。@使用人たちは立場上、それを疑えないし。@/ `"......Because Grandfather has proclaimed that Beatrice does exist.`@` And because of their position, the servants can't doubt that. `@/ ld r,$GEO_KomaruA1k,80 ;蔵臼伯父さんたちも、お祖父さまと喧嘩がしたいわけもないから、表向きは口を揃えてる。@……だから多分、このお屋敷では、ベアトリーチェの存在を疑うことは、ある種のタブーだと思うんだよ。@年に一度しか来ない僕たちと違ってね。@……そうでしょ？」\ ;＜譲治 `Even Krauss oji-san doesn't want to get into a fight with him, so on the surface, they go along with it.`@` ......So you could probably say that, inside this mansion, doubting the existence of Beatrice is taboo.`@` Unlike the rest of us, who only come here once a year.`@` ......Is that right?"`\ ld l,$JES_TohohoA1,80 ;　朱志香は感服したかのように大きく息を漏らす…。@ ;　どうも、兄貴の見立ての通りらしい。\ `Jessica took a deep breath in admiration...`@ `It looked like Aniki had guessed right.`\ ld l,$JES_OdorokiA1,80 ;「……譲治兄さんの言う通りだぜ。@みんな腹の中じゃ信じてるわけじゃない。@…でも、表向きはその存在を認めてる。@/ `"......It's just like you say.`@` No one really believes it on the inside.`@` ...But on the outside, they accept that she exists. `@/ ld l,$JES_atyaA1,80 ;ほら、神さまの存在を認めるような、そんな雰囲気だよ。@実際にはいないことを知ってても、それを口に出して否定したら野暮みたいな空気だな…。」\ ;＜朱志香 `See, it's just like the way some people are about gods.`@` Even though they know god doesn't exist, they feel like it would be uncouth if they actually said that out loud..."`\ bg M1F_S1aR,0 ld r,$BUT_komaruA2,23 ;「……使用人たちの間ではどういうことになってんだ？@　やっぱり、雇い主の祖父さまが“い”るって言ってんだから、それに口調を合わせてるわけか…？」\ ;＜戦人 `"......How do you think the servants feel about it amongst themselves?`@` Is it true that, since their employer says she 'exists', they have to go along with it...?"`\ ld l,$JES_majimeA1,23 ;「さぁ…。@詳しくはわからないけど、/ ;!d1000……使用人たちの間では、ベアトリーチェの話は、ある種の怪談扱いになってるよ。@/ `"Well...`@` I don't really know the details, `/ !d1000`......but between the servants, the story about Beatrice has been treated a little like a ghost story. `@/ ld l,$JES_TohohoA1,80 ;…ほら、昨日、海岸で紗音が話してくれたろ？@　夜、見回りをしている時、不気味な何かを見かけたとか、そういう話。」\ `...Remember yesterday? When Shannon was talking to us down by the beach?`@` That story about how one night, when she was doing the rounds in the mansion, she saw something unsettling."`\ ;　言ってたな、そんな話…。@ `She had said something like that, hadn't she...`@ br ;　あの時は、機嫌を損ねた真里亞に合わせてくれてるんだろうと、深く気に留めなかったが、@…確かに大真面目に言っていた気がする。\ `Back then, I had thought she was just being really nice to help improve Maria's mood,`@` ...but it had felt like she was serious when she said it.`\ bg black,22 ;　……そうだ。@確かに言っていた。@ `......That's right, she definitely said it.`@ br ;　…さっき、厨房で源次さんたちに口々言われたのと同じようなことを確かに言っていた…。\ `...She definitely said the same kind of thing that Genji and the rest had all unanimously declared back in the kitchen...`\ mono 1 bg beach_2b,0 ld r,$SHA_tokuiA1,26 ;「他にも、鬼火や輝く蝶々が舞っているのを見たという使用人も。@……嘉音くんもそれらしいものを、以前、夜の見回りの時に見たことがあると言ってました。@あと、最近ではお屋敷の中で深夜に、不思議な足音をよく聞くと使用人の間で話題です。@私たちは、肖像画の中のベアトリーチェさまが姿を消してお屋敷の中を散歩しているんだろうと囁き合ってるんですよ。@…ずいぶん前ですが、私もそうかもしれない足音を、夜の見回りの時に聞いたことがあります。」\ ;＜紗音 `"In addition, some servants have also seen will‐o'‐the‐wisps and glittering butterflies dancing around.`@` Kanon-kun also saw something like that when he went patrolling one night.`@` And recently, the servants have been talking about strange footsteps inside the mansion near midnight.`@` We have whispered together that the Beatrice-sama from the portrait sometimes makes herself invisible and walks through the mansion.`@` ...It happened a long time ago,`@` but I have also heard those kinds of footsteps while patrolling at night."`\ ;　……そうだ。@確かにそう言った。@ ;　それはさっき聞かされたのとまったく同じ話だ。\ `......That's right, she definitely said that.`@ `Exactly the same thing that I had been told just now.`\ ld r,$SHA_WaraiA1,80 ;「あ、…でも、怯えることはないんですよ？@　ベアトリーチェさまはお館様とは異なる、もう一人のお屋敷の主です。@だから変に怯えたりしないで、敬意を持っていれば、決して悪いことはしないのだそうです。」@ ;＜紗音 `"Ah, ...but,`@` there's nothing to be afraid of, right?`@` Beatrice-sama is another ruler of this mansion separate from the Master.`@` Therefore, don't be strangely afraid. If you respect her, she won't do anything bad."`@ ld l,$GEO_DefA1,23 ;「ただし、敬意を持たないと恐ろしいんだったね？」\ ;＜譲治 `"However, it would be dreadful if you didn't respect her, right?"`\ ld r,$SHA_komaruA1,80 ;「…はい。@私が勤めを始める直前に、階段を転がり落ちて腰に大怪我をして辞めた方は、@ベアトリーチェさまのことを悪く言っていたそうです。@だから使用人たちは、ベアトリーチェさまのお怒りに触れたのだろうと噂しあったそうです…。」\ ;＜紗音 `"...Yes.`@` I heard that, just before I began working, `@`someone who spoke badly about Beatrice-sama fell down the stairs and quit after receiving a large injury to their back.`@` Because of that, there was a rumor between the servants that Beatrice-sama's anger had been brought down upon this person..."`\ bg black,5 mono off bg M1F_S1dR,28 ;「……敬わないと、お怒りに触れて怪我をする。@…つまり、使用人たちにとってベアトリーチェって存在は、@お稲荷さんにイタズラしたら、おキツネさまの崇りがあるってくらいには信憑性があるわけだ。」\ `"......If you don't respect her, her anger will be brought down upon you and you will be injured.`@` ...So, to the servants, Beatrice's existence is just as credible as the story that, if you pull pranks on #86ef9cInari-san#ffffff, you will receive #86ef9cKitsune-sama's#ffffff curse."`/ mov ?grim[10][grim_flg],1 mov %r_hyouji_grim,10 ;seplay 9,1062 \ ;　確かに、祟りなんて存在しないと誰もが認めるこの現代であっても、@…人はそれを恐れ、最低限の敬いを残している。\ `Of course, even though everyone accepts that curses and the like don't exist in the modern era,`@` ...people are still afraid and still have a little respect for them.`\ ;　家を建てる時に、神主さんを呼んで土地の神さまに敬いを示す儀式は、住宅地でもよく見かけるはずだ。@ `You often see it when, in a residential area, someone is building a house, and they call a Shinto priest for a ceremony to honor the god of that plot of land.`@ br ;　…あんなの時間とカネの無駄遣いだろうと思うかもしれないが、@職人たちはこれをやらないと必ず大きな事故があると言って、決して疎かにしないという。\ `...You might think that was just a big waste of time and money,`@` but it is said that if the workers don't do that, a big accident will occur, so they never neglect to do it.`\ bg black,22 ;　稲荷神社を区画整理なんかで不用意にどかすと、@おキツネさまの崇りがあるってのも聞く話だ。\ `You also hear about how, if an Inari shrine is carelessly removed during a town replanning,`@` there would be a curse by Kitsune-sama.`\ ;　占領軍が飛行場を拡張しようとして、邪魔なお稲荷さんをどかそうとしたら、@作業員が次々と謎の高熱で倒れたなんて話をどこかで読んだことがある気がする。@ `I think I might have read somewhere that when the occupying forces were trying to expand an airport, and had to remove a Inari-san that was in the way,`@` all of the workers were suddenly taken out by some mysterious fever.`@ br ;　近代的なビル街でも同じで、まるでそこだけを避けるように、@近代的ビルが昔ながらの稲荷神社を挟むように林立しているというのは、東京でも珍しい景色ではない。\ `Even in modern cities like Tokyo, it wasn't rare to see modern buildings packed all around an old Inari shrine, leaving the shrine itself untouched.`\ ;　何も日本に限ったものじゃない。@ ;　多分、外人が赤ん坊に洗礼を受けさせるのも似たようなもんだろう。@ `And this wasn't limited to Japan.`@ `It's probably similar to how people baptize babies.`@ br ;　確か、キリスト教の教義じゃ、@洗礼を受けない魂は一番罪が軽いとは言え、地獄送りの要件を満たしていたはずだ。\ `Of course, by the Christian doctrine,`@` if unbaptized souls have even the slightest amount of sin, they will still go to hell.`\ ;　赤ん坊の額に水なんか掛けたって子どもが泣き叫ぶだけだ。@ `Putting water on a child's forehead doesn't do anything but make them cry.`@ br ;　でも、それだけの手間で、子どもが地獄行きを免れられるなら、親はそのお呪いを喜んで行うだろう。\ `But if by doing just that, parents can prevent their children from going to hell, they will happily go through with that ceremony.`\ bg M1F_S1aR,0 ld r,$BUT_nayamuA1,26 ;　……つまり、これほどに合理的な近代社会を迎えながら、@それでもなお我々は、ある種の信仰と畏怖を捨てられずにいるのだ。@ `......In short, even in this modern society of reason,`@` we were still unable to throw away every trace of belief and fear.`@ br ;　…それは消極的ではあっても、ある種の超常的存在の肯定とも言える。@ ;　この島では、それが、ベアトリーチェという名で崇められている、というだけのことなのか…。\ `...You could say that it was a passive acceptance of the supernatural.`@ `Maybe the only difference on this island was that Beatrice was the name that was respected here...`\ ld r,$BUT_MajimeA1,24 ;「…じゃあつまり、@この島で、とても人間業とは思えない何かが起これば、それはベアトリーチェの仕業だ、となるわけか。@/ `"...So, in other words,`@` if anything happens that doesn't seem explainable in human terms, it's called the work of Beatrice. `@/ ld r,$BUT_DefA2,80 ;………紗音ちゃんも言ってた気がするな。@ちゃんと締めたはずの窓や扉や鍵が、もう一度見回りに来たら開いていたとか。@消したはずの灯りが付いていたり、付けたはずの明かりが消えていたりとか。\ `.........I think Shannon-chan said it.`@` Windows and doors and locks that were tightly shut would be open the next time you went to check them.`@` Lights that should have been on went out, and lights that should have been out were turned on.`\ ld r,$BUT_WaraiA2,80 ;……で確か朱志香は、朝、出掛けようとしたら鞄が見付からないのもベアトリーチェの仕業だってふざけたんだよな？」@ `......And after all, like Jessica was joking about, sometimes when she went to leave in the morning, she couldn't find her shoes. That was also the work of Beatrice, right?"`@ ld l,$JES_TohohoA2,23 ;「よく覚えてるなぁ。@/ `"I remember it well. `@/ ld l,$JES_WaraiA1,80 ;…普通なら小人さんが隠したとでも言うところが、この島ではベアトリーチェが、になるってだけの話だぜ。@まぁ、そんなくっだらない話さ。」\ ;＜朱志香 `...Normally, you'd say some little imps took them, but on this island, it's Beatrice.`@` Man, what a stupid story."`\ ld c,$GEO_WaraiA1,23 ;「このお屋敷も、築３０年くらいになるそうだからね。@それだけになれば、多少の怪談やオカルトは生まれてくるものだよ。@学校の七不思議なんかのようにね。」\ ;＜譲治 `"This mansion has been standing for about thirty years by now, hasn't it?`@` It's natural for things that old to get their fair share of ghost and occult stories.`@` Like the seven mysteries at a school."`\ ld r,$BUT_MajimeA1,80 E_MA ;「…………………そこで、@“チェス盤をひっくり返す”ぜ…？」@ ;＜戦人 `"............So is that where we `@`'turn the chessboard over'...?"`@ ld l,$JES_majimeA1,80 ;「え？」\ ;＜朱志香 `"Huh?"`\ bg M1F_S1dR,25 meplay 1,16 ;「………つまり、この島では、人間にはできないことはベアトリーチェの仕業と置き換えることができるルールがあるってわけだ。@人間にはできないこと。@……人間は何人だ？@　１８人だ。@…………つまり犯人は、この島のルールに則って、この事件は魔女の仕業だとアピールしてることになる。@つまりそれは、１９人目の仕業ですよと、訴えたくて仕方がないわけだ。@ `".........In other words, on this island, there's a rule that Beatrice is blamed for anything that couldn't have been done by humans.`@` Things that humans can't do.`@` ......How many humans are there?`@` There's 18.`@` ............So the culprit, knowing about this rule, wanted to make it appear that this crime was the work of the witch.`@` If that were the case, we would have to accept that a 19th person was responsible.`@ br ;…………(気に入らねぇぜ/・・・・・・・)。@全然気に入らねぇ。」\ `............`(`I don't like it`/・・・・・・・)`.`@` I really don't like it."`\ bg M1F_S1aR,0 ld r,$JES_OdorokiA1,24 ;「気に入らないって、何がだよ…。」\ ;＜朱志香 `"What don't you like...?"`\ ld l,$BUT_majimeA1,23 ;「…………仮に、不可視の１９人目が存在して、そいつが自分の存在をアピールしたいなら、@……俺ならもっと完璧なタイミングでやるぜ？」@ ;＜戦人 `"Just assume that an invisible 19th person existed, and that this person wanted to make it known that they existed.`@` If it were me, I could do it with even more perfect timing."`@ cl r,23 ld r,$GEO_MajimeA2k,24 ;「……完璧なタイミングで、ってのはどういう意味だい。」\ ;＜譲治 `"......What do you mean by perfect timing?"`\ ld l,$BUT_komaruA2,80 ;「…あぁ。@だって、事件は深夜から未明に掛けて起こったろ？@　深夜まで話し合いをしてたり、夜勤をしてたり、あるいは部屋に帰って寝ていたり。@/ `"...Well.`@` After all, the crime probably took place after midnight while it was still dark, right?`@` Until midnight, people were talking together, some people had the night shift, and some people had returned to their rooms and were sleeping. `@/ ld l,$BUT_nayamuA1,80 ;…どいつもこいつもアリバイがあやふやで、充分、内部犯行が疑える段階だ。@譲治の兄貴も、絵羽伯母さんに聞かされてるんだろ？@　内部犯行の可能性が高いって話。」\ ;＜戦人 `...Everyone's alibi is really vague, and there's plenty of room to suspect that the crime was committed by one of us.`@` George-aniki, Eva oba-san probably told you too, right?`@` That there's a good chance that one of us is the culprit?"`\ ld r,$GEO_majimeA3,80 ;「…ん、……うん。@…まぁね。」\ `"...n, ......yes.`@` ...I guess."`\ bg black,24 bg M1F_S1bR,0 ld c,$BUT_komaruA3,23 ;「……つまり、不可視の１９人目が実在したなら、最初の事件は自分のアピールに失敗してるんだ。@/ `"......In other words, if the 19th person really existed and wanted to show themselves, this first crime was a complete failure. `@/ ld c,$BUT_oyaA1,80 ;…いや、そもそも時間帯がミステイクだ。@不可視の１９人目をアピールするためには、@死んだ `...No, in the first place, it was a mistake in the timing.`@` If this invisible 19th person really wanted to show themselves,`@` they had to make sure that the crime took place` br ;６人以外の１２人が(全員シロであることが/・・・・・・・・・・) ;(確定している状況下で行われなければならない。/・・・・・・・・・・・・・・・・・・・・・・)\ (`under conditions which proved that the`/・・・・・・・・・・・・・・・・・・) br (`remaining twelve people were all innocent`/・・・・・・・・・・・・・・・・・・・)`.`\ ld c,$BUT_nayamuA1,80 ;　疑わしい人間がゼロにならなきゃ、自分の存在をアピールできないんだよ。@だから、全員のアリバイが一番あやふやになる深夜の時間帯は、@１９人目にとって自分が一番あやふやになる時間帯でもある。@にもかかわらず、その時間を選んで犯行に及んだ。」\ `Unless there are no suspicious humans, they can't prove that they exist.`@` So by killing them in the middle of the night, when everyone's alibis were at their most ambiguous,`@` whether or not this 19th person exists was also at its most ambiguous.`@` Even so, they chose that time to commit the crime."`\ bg M1F_S1bR,24 ld r,$GEO_MajimeA3,24 ;「……そんな時間に犯行を起こせば、１８人の誰かが疑われるのは明白。@…にもかかわらず、真里亞に手紙を渡して魔女を名乗り、誰もが自分でないと否定している。」\ ;＜譲治 `"......By committing the crime then, it's obvious that one of the 18 would be suspected.`@` ...Even so, everyone has denied that they were the one who took the name of the witch and handed Maria the letter."`\ ld l,$JES_KomaruA1,23 ;「つまり、……ベアトリーチェという１９人目がいるように見せ掛けたい人間が、１８人の中にいると、こう言いたいのかよ…？@/ `"In other words, ......you're trying to say that one of the 18 is trying to make it look like a 19th person called Beatrice exists...? `@/ ld l,$JES_TohohoA2,80 ;　何だかぶっ飛んだ発想だな……。@…まだお袋の、屋敷の外に不審者が潜んでいるって話の方が信憑性があるってもんだぜ…。@…まさか戦人は、この客間の中に犯人がいると疑っているのかよ…？」\ ;＜朱志香 `That's pretty crazy......`@`...I think that my mom's theory that someone is hiding outside the mansion is a little more credible...`@`...Battler, do you actually suspect that someone in this room is the culprit...?"`\ bg M1F_S1cR,24 ld c,$BUT_KomaruA3,24 ;「あぁ。@…何者かが、俺たちにベアトリーチェが存在すると、認めさせようとしている。@……そうさ、昨夜のあの手紙からもう事件は始まっていたんだ。@…証拠も根拠も何もねぇけどな…。@/ `"Yeah.`@` ...Someone trying to force us to accept that Beatrice exists.`@` ......That's right, the letter last night is when this whole thing started.`@` ...I don't have any basis or proof, but... `@/ ld c,$BUT_majimeA1,80 ;……チェス盤を逆さにした限りじゃ、俺の見立てはこんなところだ。」\ `......With the chessboard upside-down, this is my best guess."`\ bg M1F_S1bR,23 ld r,$JES_komaruA1,24 ;「……ぶっ飛びまくってるにも程があるぜ…。@妙な推理小説の読みすぎじゃねぇのかよ…。」@ ;＜朱志香 `"......Seriously, that's too crazy...`@` Haven't you been reading too many weird detective novels...?"`@ ld l,$GEO_MajimeA1,23 ;「でも、無視できない着眼点もあるね。@……１９人目がいるかいないかは別にしても、@その犯人は確実にこの島のルールに則って、何かを仕掛けてきている。@/ `"But it's a viewpoint that we can't ignore.`@` ......Whether there's a 19th person or not, `@`the culprit is definitely planning something involving that rule about this island. `@/ ld l,$GEO_MajimeA2k,80 ;……僕はね、今、戦人くんの話を聞いていて、少しだけ気持ち悪いことを思い出してたんだよ。」@ ;＜譲治 `......Just now, listening to Battler-kun talk, I've remembered something that's a little disturbing."`@ cl r,23 ld r,$BUT_OyaA1,24 ;「気持ち悪いことって…？」\ ;＜戦人 `"Something disturbing...?"`\ bg black,22 bg letter1,22 ;ld l,$GEO_KomaruA1,80 ;「うん。@……覚えてるかい？@　ベアトリーチェの手紙。@……ベアトリーチェは利子の回収を行うと言っていたね。@そして利子とは、右代宮家の全てだと言った。」@ ;＜譲治 `"Yes.`@` ......Do you remember?`@` Beatrice's letter.`@` ......It said that Beatrice was going to collect interest.`@` And by interest, it mentioned everything of the Ushiromiya family."`@ br ;　俺と朱志香は、昨夜、真里亞が読み上げた内容を思い返す…。\ `Jessica and I thought back on what Maria had read aloud the previous night...`\ ;bg M1F_S1dR,25 ;「…言ってたぜ。@確かに言ってた。@そして利子の回収をこれから行うが、黄金の謎を解いたら、その権利を失うとも言ってたよな。」\ ;＜朱志香 `"...It said that.`@` It definitely said that.`@` That the collecting of the interest would now take place, but if the riddle of the gold could be solved, she would lose that right."`\ bg black,22 ;「…お祖父さまは黄金を授かり、右代宮家を再興した。@つまり、黄金を資本に生み出したもの全てが利子だってベアトリーチェは言っている。@……つまり…、」\ ;＜譲治 `"...Grandfather was granted the gold, and the Ushiromiya house prospered.`@` In other words, Beatrice is talking about the interest on all of the gold that was created.`@` ......In other words..."`\ bg blood_1a,25 meplay2 2,12,40 ;「………冗談キツイぜ、兄貴…。@……まさか、右代宮家の全て、@…つまり、祖父さまが生み出したもの全てってことは、@……祖父さまから血を分けた一族のことを指すってのかよ…！」\ ;＜戦人 `".........That's pretty scary for a joke, Aniki...`@`......You don't mean, everything of the Ushiromiya family,`@` ...in other words, everything that Grandfather gave birth to,`@` ......in other words, everyone with Grandfather's blood flowing through their veins...!?"`\ ;「あの手紙をそう読み解いたなら、@…この殺人はベアトリーチェが行った正当な利子の回収ということになる。@…となれば、この事件はまだ続くよ。@…利子の回収は、まだ途中なんだからね。」\ ;＜譲治 `"If you read the letter that way,`@` ...these murders are just Beatrice legitimately collecting interest.`@` ...If that's the case, these crimes will continue.`@` ...Because the collection of interest is still only halfway completed."`\ bg M1F_S1aR,26 meplay2 3,11,90 ;　譲治はぐるりと客間を見渡す。@ ;　……右代宮の名を持つ者はまだ大勢いるのだ。@ `George turned around, looking over the parlor.`@ `......There were still many people who held the name Ushiromiya.`@ br ;　右代宮の姓を持たない使用人たちもこれを免れてはいないことは、@郷田さんと紗音ちゃんが殺されたことからわかる…。\ `And we knew that, since Gohda-san and Shannon-chan had been killed,`@` not even the servants, who didn't bear the name Ushiromiya, would be spared...`\ bg M1F_S1cR,0 ld r,$JES_ikariA1,24 ;「わ、…私たち、/ ;!d800………全員を殺すつもりかよ…。@/ `"A, ...are you, `/ !d800`.........saying that we're all gonna be killed...? `@/ ld r,$JES_OdorokiA1,80 ;…でもおかしいよ譲治兄さん！@　ならどうして６人だけ？@　他に大勢殺せたはず。@下手をすれば、寝込みを襲って全員を一晩で殺すことも可能だったはず。@どうしてそれをしなかったの？！」\ ;＜朱志香 `...But that's weird, George nii-san!`@` In that case, why only six people?`@` They should have killed a lot more.`@` In the worst case, it should have been possible for them to assault everyone while they were sleeping and kill them.`@` Why didn't they do that?!"`\ ld l,$GEO_MajimeA3,23 ;「…………特別条項だよ。@…黄金の謎を暴く者が現れたら、利子の権利は失われる。@……そして、手紙の最後にはこう結ばれていたはずだよ？@　…お祖父さまの黄金の謎をみんなで解いてみろとね。」\ ;＜譲治 `"............The special clause.`@` ...If someone managed to solve the riddle of the gold, the right to the interest would be lost.`@` ......And the very last part of the letter is tied in with this, right?`@` ...It said to try and solve the riddle of Grandfather's gold."`\ cl a,0 ld c,$BUT_nayamuA2,24 ;「ジーザス…！@　……ようやく犯人のメッセージがわかってきたじゃねぇか…。@つまり犯人は俺たちに、祖父さまのあの碑文の謎を解いてみやがれと言ってるわけだ。@ `"Jesus...!`@` ......It looks like we're finally getting close to understanding the culprit's message...`@` In other words, the culprit is telling us to try and solve the riddle on that epitaph Grandfather had made.`@ br ;(……しかも、ぼやぼやしてれば、どんどん利子/　　・・・・・・・・・・・・・・・・・・・) ;(の回収を進めちまうつもりだ/・・・・・・・・・・・・・)…。」\ (`......Furthermore, they're saying that if we`/　　・・・・・・・・・・・・・・・・・・) br (`just sit around, they'll keep collecting`/・・・・・・・・・・・・・・・・) br (`the interest`/・・・・・・)`..."`\ bg M1F_S1dR,25 ;　ぶっ飛びまくった想像をいくつも重ねているのは自覚している。@ ;　……だが、世の中の出来事ってのは全てが結びついて線になってるわけじゃない。@ `I realized that this was all based on several crazy guesses.`@ `......But not everything that happens in this world fits together in a perfect line.`@ br ;　…未知の事象のほとんどは点でしかない。@ ;　……それらを結んで線にすることで、俺たちは理解をしていく。\ `...Most of the events that we don't know about yet are only individual points.`\ `......By fitting them into a straight line, I was beginning to understand.`\ ;　その結ぶ線の両端の点は、距離が近ければ近いほど理知的で理解に容易だ。@ ;　…そして離れていれば離れているほどそれを欠いている。@ `The closer the points are to the line, the easier it is, intellectually, to understand them.`@ `...And the farther away they are from the line, the more fragmented everything becomes.`@ ;　ゆえに距離的に、ぶっ飛んでいると称する。@ `Therefore, as far the distance between these guesses was concerned, we should call this theory crazy.`@ br ;　…だが、その結べる距離が狭ければ、発想が狭いとも言う。\ `...However, if the distance is narrow between the points, you could call the idea limited.`\ ;　発想は推理と異なるのか？@ ;　俺は安直な想像で無理やり事件を理解しようとしているだけなのか？\ `Would that idea be any different from reasoning?`@ `Was I just trying to force everything that I knew about the case to fit my simple imagination?`\ bg black,22 ;　いいや違う。@ ;　暗闇の中を手で探る、その探りこそが想像だ。@ `No, that's not it.`@ `When you're searching around with your hands in the dark, that search is imagination.`@ br ;　想像だけが、結ぶべき点と点を見つけ出す。@ ;　…推理は、その間に線を結ぶ行為に過ぎないのだ。\ `Only imagination can find points that fit with each other.`@ `...Reasoning is nothing more than tying those lines together.`\ ;　想像なくして推理もない。@ ;　……俺のしていることは、ぶっ飛んでいるかもしれないが、…間違ってもいないはずなんだ。\ `If you can't imagine, you can't reason.`@ `......What I was doing might have been crazy, ...but it also wasn't a mistake.`\ ;　想像の力だけが、闇の中から手掛かりを見つけ出す。@ ;　……そしてそれを、推理の力で結びつける。@ `Only the power of imagination could pull out a clue from the darkness.`@ `......And the power of reasoning could tie those clues together.`@ br ;　…それは敵の弱点を探し出し、そこを貫くという手順によく似ている。\ `...It was a lot like the process of searching out an enemy's weak spot and striking.`\ ;　ぶっ飛んでいてもいい。@ ;　弱点をまず探せ。@ `It's alright if it's crazy.`@ `Find the weak point first.`@ ;　貫く方法をそれから探す！@ `Then we can think about how to strike!`@ br ;　今は結ぶ先の点を探す段階なんだ…！\ `Now was the time to find the points that we could tie together later...!`\ fede 0,3000 ;■時間経過的シーンを少々。 textoff meplay2 1,13,70 dllefe 1,1 bg garden_1cR,42 wait 3000 bg M_o1aR,22 wait 3000 mevol 1,40 dllefe_off bg black,8 bg M1F_S1dR,2 ;　俺は、１９人目が存在するかどうかは一旦保留し、@犯人の目的が、碑文の謎を俺たちに解かせることにあるのではないかという仮説を発表した。\ `For the time being, I put aside whether a 19th person exists,`@` and announced the theory that the goal of the culprit might have been to make us solve the riddle of the epitaph.`\ ;　秀吉伯父さんは非常に強い関心を示してくれたが、夏妃伯母さんは馬鹿馬鹿しいと一蹴した。\ `Hideyoshi oji-san looked like he was really interested, but Natsuhi oba-san thought it was ridiculous.`\ bg M1F_S1aR,0 ld r,$HID_komaruA1,26 ld r,$HID_MajimeA1,80 ;「確かに。@そう考えるとあの怪しい手紙も納得が行くというもんや。@その動機はなかなかええ線を行っとると思うで…！@　真里亞ちゃんに手紙を渡したのが誰かはさておきな。」@ ;＜秀吉 `"Of course.`@` If you think about it that way, even that letter from yesterday makes sense.`@` That motive seems to fit pretty well with the facts...!`@` Settin' aside whoever it was that gave Maria-chan the letter."`@ ld l,$MAR_fukigenA1,23 ;「うー！@　ベアトリーチェはいるー！！@　うー。」\ ;＜真里亞 `"Uu-!`@` Beatrice exists!!`@` Uu-."`\ ;　昨日からずっと見せてきた、可愛らしく頬を膨らませるその仕草が、…可愛らしく見ることができない。@ `Even though she was puffing up her cheeks in that cute way she had been doing since yesterday, ...I couldn't think of it as cute.`@ ;　…それを茶化すと、突然、不気味な笑い声を上げそうで…。\ `...If I took it lightly, it might suddenly transform into a creepy laugh...`\ bg M1F_S1bR,24 ld r,$NAT_zutuuA1,24 ;「…隠し黄金など存在しません。@ですが、その存在を妄信する犯人が、お父様の黄金を目当てで、@それを私たちに解かせて横領を企んでいるという動機は、なるほどと頷けるものがあります。\ `"The hidden gold doesn't exist.`@` However, the culprit, who foolishly believes that it does, wants Father's gold.`@` If their motive is to make us solve the riddle and then steal the gold from us, then I will agree that it makes sense.`\ ld r,$NAT_MajimeA1,80 ;　しかし、ならばなぜ右代宮家の主要な人物ばかりを最初に殺したのです？」\ `However, in that case, why did they kill those most highly ranked in the Ushiromiya family first?"`\ ld l,$NAN_fumuA1,23 ;「………道理ですな。@謎を解かせるなら、金蔵さんに近しい人物を先に殺すことは得策ではないはずです。」\ ;＜南條 `".........That makes sense.`@` If they wanted to make us solve the riddle, killing those closest to Kinzo-san doesn't sound like a good plan to me."`\ bg M1F_S1cR,24 ld r,$EVA_AkireA2,24 ;「そうねぇ…？@　それに、その論法で行くんだったら、最初にお父様を脅迫した方が早くない？@　私たちに謎を解かせるよりも、本人に答えを聞いた方が早いはずよぅ。」@ ;＜絵羽 `"Really...?`@` But if we follow that argument, wouldn't it have been quicker if they had threatened Father in the first place?`@` You'd think it would be faster to just ask the person who wrote it, rather than try to force us to solve it."`@ ld l,$HID_fumuA1,23 ;「確かにその通りや。@…もっとも、お父さんが並大抵の脅迫で口を割るとは思えんが。」\ ;＜秀吉 `"That's also a good point.`@` ...However, I don't think that Father would let it slip because of any ordinary threat."`\ bg M1F_S1bR,0 ld r,$NAN_KomaruA3,23 ;「金蔵さんをよく知る方なら、金蔵さんが並大抵の脅しには屈しないことをよく存じているでしょう…。」@ ;＜南條 `"Anyone who knows Kinzo-san well would probably realize that he won't bow to ordinary threats..."`@ ld l,$NAT_waraiA1,23 ;「……これだけの財産を持つ右代宮家を背負われる方です。@今日まで様々な攻撃や脅迫に晒されてきました。@それら全てに打ち勝ってきたからこそ、今日の繁栄があるのです。」\ ;＜夏妃 `"......He is a man who bears the burden of all the Ushiromiya family's wealth.`@` He's been exposed to many threats and attacks in the past.`@` It is because he was able to overcome them that the family prospers today."`\ cl r,23 ld r,$JES_akuWaraiA1,24 ;「それに関しては私も同感だぜ。@うちの祖父さまが脅されて何かに従うなんて、ちょっと想像もつかないぜ！」@ ;＜朱志香 `"That's freakin' right.`@` I can't even imagine that our Grandfather would obey if someone threatened him!"`@ ld l,$NAT_zutuuA1,80 ;「…朱志香、言葉遣いがはしたないです。」@ ;＜夏妃 `"...Jessica, watch your language."`@ ld r,$JES_KomaruA1,80 ;「…………ぅ、/ ;!d500……はい。」\ ;＜朱志香 `"............u, `/ !d500`......Yes."`\ bg M1F_S1aR,23 ld c,$BUT_komaruA2,24 ;「なら、………こういう発想はどうだろう。@……いや、これもぶっ飛んでるか…？」\ `"In that case, .........what about this idea?`@` ...No wait, is that too crazy...?"`\ bg black,22 fede 0,2000 bgmplay 28 ;　…俺が躊躇するな。@ ;　ぶっ飛んだ発想は弓と同じだ。@ `...I couldn't hesitate!`@ `A crazy idea was like a bow and arrow.`@ br ;　…当たり難いだろうが、彼方にいる敵を討つことができる優秀な武器だ。\ `...It might be hard to hit with, but if you could strike the enemy on the other side, it was a great weapon.`\ ;　……研究では、合戦の死者のほとんどは矢傷が原因だったという。@ ;　……戦では矢は一本しか飛ばさないわけじゃない。@ `......They say that most people who have died in battles were killed by wounds from arrows.`@ `......In a battle you couldn't just shoot off one arrow.`@ br ;　大量の矢を一度に射て、そして敵兵に面で襲い掛かる。@……だから射て、次々と！@ `You shoot off a whole bunch of arrows at once, and attack the enemy soldiers with a wall of them.`@` ......So shoot them, over and over!`@ br ;　“面で真実に襲い掛かれ…！”\ `'Attack with a wall of truth...!'`\ bg M1F_S1aR,0 ld c,$BUT_DefA1,23 ;「犯人が隠された黄金が狙いってんなら、俺たちに解かせるのは効率が悪い。@謎を作った本人に答えを聞く方が手っ取り早いさ。@/ `"If the culprit is after the hidden gold, it would be very ineffective for them to force us to solve the riddle.`@` Asking the person who made it in the first place would be much quicker and easier. `@/ ld c,$BUT_MajimeA1,80 ;………じゃあさ、これはつまり、@…全て祖父さまに宛てたメッセージってことじゃないのか？」\ ;＜戦人 `.........In that case, the question is,`@` ...is this all a message directed at Grandfather?"`\ bg black,22 meplay2 1,5,40 ;　つまり、この殺人は、祖父さまに対する脅迫だ。@ `In other words, this murder was a threat directed at Grandfather.`@ br ;　……黄金の在り処を教えなければ、親族たちを次々と殺していくぞというメッセージだ。@ `......If he didn't tell the culprit where the gold was, his family members would be killed off one by one.`@ br ;　謎を解けと突きつけられているのは俺たちだけじゃない。@…祖父さまもなんだ？！\ `What if we weren't the only ones being forced to solve this riddle...`@`...what if Grandfather was too?!`\ ;　そう考えれば、祖父さまの不自然な失踪にも説明がつく。@ `If you think about it that way, it explained Grandfather's mysterious disappearance.`@ br ;　犯人が祖父さまを襲ったなら、６人の遺体の状況から考えて、@必ずや悪趣味な化粧を加えてこれ見よがしにどこかに晒す。\ `If the culprit had attacked Grandfather, then judging by the state the six corpses were left in,`@` he should have been displayed somewhere with that horrible makeup added.`\ ;　なのに未だ見付かっていない。@ `But despite that, we still hadn't found him.`@ br ;　……つまり祖父さまは拉致されて、どこかに捕らわれている？！\ `......Did that mean that Grandfather was kidnapped, and had been taken somewhere?!`\ bg M1F_S1cR,0 ld r,$NAT_OdorokiA2,22 ;「………そんな…。@………まさか、そんな……！」\ ;＜夏妃 `".........How could...`@`.........You aren't saying, how could......!"`\ ld l,$EVA_AkireA1,23 ;「くすくす。@面白い話じゃない。@…つまり、お父様はどこかに監禁されていて、@黄金の在り処を話さないと次々に殺人を繰り返すぞと脅されているわけ？」@ ;＜絵羽 `"*giggle* *giggle*.`@` That sounds interesting.`@` ...So Grandfather is being confined somewhere,`@` and being threatened that if he doesn't tell them the location of the gold, we will be killed off one by one?"`@ ld r,$NAT_hisuA1,80 ;「その話のどこが面白いのか、理解に苦しみます…！」@ ;＜夏妃 `"It pains me to think about how you find that interesting...!"`@ ;　夏妃伯母さんが凄むが、絵羽伯母さんは涼しそうに微笑むだけだった。\ `Natsuhi oba-san threatened her, but Eva oba-san just smiled calmly.`\ ld c,$GEO_majimeA3,23 ;「……この時間になっても姿を現さない以上、お祖父さまが事件に巻き込まれているのはほぼ間違いないと思います。@それを思えば、戦人くんの仮説も無視することはできないんじゃないですか…？」@ `"......Since we still haven't seen him after all this time, I think that it's almost certain that Grandfather has gotten caught up in the crime.`@` If you think about it, you can't just ignore Battler-kun's theory, right...?"`@ ld l,$EVA_majimeA1,80 E_M1 ;「譲治は黙ってなさい。@……そもそもお父様って、いついなくなったのかしら？」\ ;＜絵羽 `"Stay quiet George.`@` ......When did Father disappear in the first place?"`\ bg M1F_S1aR,23 ld r,$HID_MajimeA2,24 ;「…最後にお父さんの姿を見たのは誰や？」\ ;＜譲治 `"...Who was the last person to see Father?"`\ ld l,$NAT_TukareA1,23 ;「………多分、私でしょう。@今朝、主人たちの姿が見えないと騒ぎになった時、お父様の書斎にいるかもしれないという話になり、@私がお部屋におうかがいして、そこでご挨拶をしました。@/ `".........It was probably me.`@` This morning, when we were worried that we didn't know where my husband and the rest were, we were talking about how they might be in Father's study,`@` and I went to check his room and greeted him. `@/ ld l,$NAT_DefA1,80 ;………そう言えば、書斎の鍵をずっと借りっぱなしですね。@源次、これは返しておきます。」\ ;＜夏妃 `.........Come to think of it, I've been holding the key to his study the whole time, haven't I.`@` Genji, let me return this to you."`\ bg M1F_S1bR,0 ld l,$GEN_majimeA2,24 se1 31 ;　夏妃伯母さんは金色の鍵を取り出すと、それを源次さんに手渡す…。@ ;　その鍵を見ながら、絵羽伯母さんがくすりと笑う…。\ `Natsuhi oba-san pulled out the gold key and handed it to Genji...`@ `Looking at the key, Eva oba-san giggled...`\ ld r,$EVA_hohoemiA1,24 ;「…ねぇ、源次さん。@どうせ警察はお父様の部屋も徹底的に捜査すると思うわ。@…何を隠していても、どうせ暴かれちゃう。@……だったらちょっと早く、今この場で話してくれてもいいんじゃないかしらぁ？」@ ;＜絵羽 `"...Hey, Genji-san.`@` I'm sure the police will inspect Father's room thoroughly anyways.`@` ...If there's anything hidden there, it will just be exposed anyways.`@` ......So maybe it would be better if you just told us about it right here, right now."`@ ld l,$GEN_DefA1,23 ;「…………何の話でしょうか。」\ ;＜源次 `"............What are you talking about?"`\ ld r,$EVA_AkireA2,80 ;「シンプルな話よ。@………お父様の書斎はその鍵がなければ外から入ることはできない密室よ？@　その定義の確認をしたいの。@お父様の部屋には入口がひとつある。@あとは窓？@　他に出入り口は？」@ ;＜絵羽 `"It's simple.`@` .........Father's study is a closed room, with no way in or out except for that key, right?`@` I want to verify whether that's true.`@` There is one entrance to Father's study.`@` What about the window?`@` Any other entrances or exits?"`@ ld l,$GEN_MajimeA1,80 ;「……………ありません。@中に入るには入口しかありません。」\ ;＜絵羽 `"............There are none.`@` There is no way to get in except the entrance."`\ ld r,$EVA_MajimeA1,80 ;「間違いなくね？@　秘密の隠し扉なんかがあったりはしないのね？@　……お父様が不在である以上、右代宮家の最高序列者は私よ。@その右代宮家の当主代行として聞いているの。@それを理解した上で答えなさい。@あの部屋には入口以外に、他に出入り口は？@　……お父様の最高の側近だったあなたは知っているはずよ。」\ `"You're sure about that?`@` There isn't some secret hidden door or anything?`@` ......Since Father isn't here, I am the highest ranked member of the Ushiromiya family.`@` I am asking you as a representative of the Ushiromiya family head.`@` Understand that and answer me.`@` Are there any ways in or out of that room other than the main entrance?`@` ......As Father's closest aide, I'm sure you know."`\ ;　夏妃伯母さんは、最高序列者の辺りでむっとした顔をしたが、@とりあえず口を挟まず、源次がどう返事をするのか待っていた。@ `Natsuhi oba-san looked a little offended at the part about the 'highest ranked family member',`@` but she kept her mouth closed for the time being, and waited for Genji's answer.`@ br ;　……俺は一抹の違和感を拭えない。@ ;　何で隠し扉が云々なんて話になるんだ…？？\ `......I couldn't help but feel a little uncomfortable.`@ `Why was she going on and on about hidden doors...??`\ cl a,0 ld c,$EVA_WaraiA1,24 ;「嘉音くんも熊沢さんも、知ってるなら教えてくれない？@　あるならあるって言ってくれた方がいいの。@/ `"You, too, Kanon-kun, Kumasawa-san. If you know, won't you tell me?`@` If there is one, it would be better if you said it. `@/ ld c,$EVA_akireA2,80 ;…じゃないと、今からある人がとても追い詰められることになるわよぅ？@　……隠し扉があると仮定されたら、私の話は全て水の泡。」@ ;＜絵羽 `...If there isn't, then someone might be driven into a corner in a second.`@` ......If we assume that there is a hidden door, then my argument comes to nothing."`@ br ;　絵羽伯母さんは、追い詰められるとかいうある人のことを特定しなかったが、@…何となく話の流れから、夏妃伯母さんを指したものではないかと感じてしまう。\ `Eva oba-san didn't specify which person was about to be driven into a corner,`@` ...but following the flow of the conversation, I had to feel that she was referring to Natsuhi oba-san.`\ bg M1F_S1cR,24 ld r,$GEO_KomaruA1k,24 ;「……母さん、…何の話？」\ ;＜譲治 `"......Mother, what are you talking about?"`\ ld l,$EVA_MajimeA1,23 ;「譲治は少し黙ってなさい。@………どうなの？@　源次さん。@嘉音くん。@そして熊沢さん？@　隠し扉はあるの？@　ないの？@　源次さんはお父様が書斎を改造した時、施工業者の監督をしていたはず。@知らないとは言わせないわよ。」\ ;＜絵羽 `"George, stay quiet for a while.`@` .........What do you say?`@` Genji-san?`@` Kanon-kun?`@` Or Kumasawa-san?`@` Is there a hidden door?`@` Is there not one?`@` Genji-san, when you remodeled Father's study, you must have overseen the construction.`@` I won't let you say that you don't know."`\ cl r,23 ld r,$GEN_KomaruA1,24 ;「…………そのようなものは、お館様の書斎にはありません。」@ ;＜源次 `"............There is nothing like that in the Master's study."`@ ld l,$EVA_futekiA1,80 ;「間違いなく？@　片翼の鷲を許された嘉音くぅん？」\ ;＜絵羽 `"You're sure?`@` What about Kanon-kun, trusted by the One-winged Eagle?"`\ ld c,$KAN_defA2,24 ;「……はい。@間違いなく。@……お館様の書斎に隠し扉などありません。」@ ;＜嘉音 `"......Yes.`@` I'm sure.`@` ......There is nothing like a hidden door in the Master's study."`@ ld l,$EVA_IkariA1,80 ;「熊沢さんは？」@ `"Kumasawa-san?"`@ cl r,23 ld r,$KUM_KomaruA1,24 ;「い、……いえ、私も聞いたことがありませんよ…。」\ ;＜熊沢 `"N, ......no, I haven't heard of such a thing..."`\ bg M1F_S1aR,23 ld r,$EVA_MajimeA1,24 ;「お父様と親交の深い、南條先生は？」@ `"What about Doctor Nanjo, who had a close relationship with Father?"`@ ld l,$NAN_KomaruA2,23 ;「……わ、私もそんなものは聞いたことがありませんな…。」\ ;＜南條 `"......I, I have never heard of something like that..."`\ ld r,$EVA_WaraiA1,80 ;「結構！@　じゃあいい？@　話を始めるわよ。@とってもシンプルな話なの。」\ `"Great!`@` Then are you ready?`@` Let me begin.`@` It's really simple."`\ bg black,22 meplay2 1,16,40 ;　誰もが、絵羽伯母さんは何を得意げに語りだすのかと首を傾げていた。@ `Everyone tilted their head doubtfully, wondering what Eva oba-san was so proudly starting to talk about.`@ br ;　…絵羽伯母さんは、自分だけが知っている秘密を明かすかのように得意げな顔で笑う。\ `...Eva oba-san laughed triumphantly, as though she were about to reveal a secret that only she knew.`\ fede 0,2000 bg M1F_S1cR,22 ld r,$EVA_HohoemiA1,24 ;「お父様を最後に目撃したのは夏妃姉さんよね？@　…詳しい時間は忘れちゃったけど、今朝の９時前くらいのことだと思ったわ。@/ `"Natsuhi nee-san was the last person to spot Father, right?`@` ...I forget the exact time, but I think it was a little before 9:00 in the morning. `@/ ld r,$EVA_AkireA1,80 bgmplay 19 ;……姉さん、覚えてる？@　私、あなたがお父様の書斎からちょうど出てくるところに出くわしたわよねぇ？」\ `......Nee-san, do you remember?`@` I ran into you just as you were coming out of Father's study, right?"`\ ld l,$NAT_OdorokiA1,23 ;「……えぇ、覚えています。@それが何だというのですか。」\ ;＜夏妃 `"......Yes, I remember.`@` What does that have to do with anything?"`\ ld r,$EVA_WaraiA1,80 ;「そして、次に姉さんがお父様の書斎を訪れたのは？@　兄さんたちの遺体が見付かってからよね？@　それを報告しに書斎に上がり、そこで私と一緒に不在を確認したわ。@/ `"And the next time Nee-san went to visit Father's study?`@` That was after we had found the bodies of Nii-san and the rest, right?`@` Together with me, you went up to the study to report that, and we discovered that he wasn't there. `@/ ld r,$EVA_akireA2,80 ;………ところで姉さん。@その時、お父様の書斎に入ろうとして、気付いたことはなかったかしらぁ？」\ ;＜絵羽 `.........By the way, Nee-san.`@` At that time, when you went to enter Father's study, did you notice anything?"`\ ld l,$NAT_DefA1,80 ;「………気付いたこと？@　…何のことですか？」@ `".........Notice anything?`@` ...What are you talking about?"`@ ld r,$EVA_WaraiA1,80 ;「ほらぁ。@ゴミを拾ったでしょ？@　畳んだレシートを。」@ `"Come on.`@` You threw away some trash, right?`@` A folded receipt."`@ ld l,$NAT_HisuA1,80 ;「……確かに、そんなゴミを拾った気がします。@それが何か…？」\ `"......I do seem to remember throwing away some trash.`@` What does that have to do with...?"`\ ld r,$EVA_AkireA2,80 ;「そのレシートは、私が飛行場に着く前に寄った売店で飴玉を買った時にもらったものよ。」@ ;　絵羽伯母さんは、ハンドバッグから小さな飴玉の袋を取り出す。\ `"I got that receipt when I bought some candy at a store in the airport."`@ `Eva oba-san pulled a small bag of candy out of her handbag.`\ bg M1F_S1b,0 ld r,$GEO_MajimeA2,24 ;「…あぁ、あの時に買った飴のレシート？@　…でも母さん、そのレシートの話が何と関係あるの…？」@ ;＜譲治 `"...Aah, the receipt from when you bought that candy?`@` ...But Mother, what does that receipt have to do with anything...?"`@ ld l,$HID_KomaruA1,23 ;「譲治、もうちょい黙って聞いとってや…。」\ ;＜秀吉 `"George, stay quiet and listen for just a little longer..."`\ ;　秀吉伯父さんの表情が少しだけ険しい。@ `Hideyoshi oji-san's expression was a little strict.`@ br ;　…どうやら、絵羽伯母さんが何の話をしているか、理解しているようだった。\ `...Somehow, it seemed that he understood what Eva oba-san was getting at.`\ bg M1F_S1aR,0 ld c,$EVA_WaraiA1,23 ;「本当にこれは気まぐれよ？@　何かを予見してたとか、@ましてや夏妃姉さんを罠に掛けようとか、そんなのじゃ断じてないんだから。@/ `"It was really just on a whim, you see?`@` Maybe I had a little foresight, `@`but I definitely wasn't planning on setting a trap for Natsuhi nee-san or anything. `@/ ld c,$EVA_MajimeA1,80 ;……実はね、そのレシート。@姉さんがお父様と最後に会って出てきて、そこで私と会ったでしょ？@　その時、書斎の扉に私が挟み込んだものなのよ。」\ `......Actually, this receipt -`@` you remember, Nee-san, that just after you met Father and left, you met me right?`@` At that time, I stuck this into the door to the study."`\ bg M1F_S1cR,24 ld r,$BUT_komaruA2,24 meplay2 1,13,50 se1 21 ;「……ってことは、どういうことっすか。@つまり、夏妃伯母さんがそのレシートを拾うまで、誰もドアを開けていない…？」\ ;＜戦人 `"......So, what does that mean?`@` Does it meant that, until Natsuhi oba-san picked up that receipt, no one opened the door...?"`\ ld l,$JES_OdorokiA1,23 ;「ちょ、ちょっと待ってよ絵羽叔母さん…！@　レシート挟むなんてバレバレだって！@　祖父さまが外出した時に気付いて、面白がってもう一回挟み直した可能性も…。」@ ;＜朱志香 `"W, wait a second, Eva oba-san...!`@` Sticking a receipt in would be obvious!`@` It's possible that, when Grandfather opened the door, he noticed it and, finding it interesting, stuck it back in the door..."`@ ;　朱志香が慌てて反論する。@ `Jessica hurriedly argued back.`@ br ;　…意味するところはまだ曖昧でも、@自分の母に何かの嫌疑が掛けられつつあることは理解できていたからだ。\ `...She still didn't really know what it meant,`@` but she realized that, whatever it was, it would raise doubts about her own mother.`\ bg M1F_S1aR,0 ld c,$EVA_MajimeA1,23 ;「もちろん、バレないようレシートは小さく折り畳んだわ。@でもね、レシートが落ちるところを仮に見たとしても、扉のどこの高さの部分に挟みこんであったかは、正確にはわかんないんじゃない？@/ `"Of course, I folded the receipt up very small so that no one would notice it.`@` But even if you assume that he saw it fall, he would have no way of knowing how high up the door it had been stuck, right? `@/ ld c,$EVA_HohoemiA1,80 ;　私は夏妃姉さんが鍵を取り出している間に確認したわ。@レシートが挟み込まれた位置は、寸分の１ｍｍの違いもなく、私が挟んだ場所だった…！」\ `I checked it while Natsuhi nee-san was taking the key out.`@` The receipt was still stuck not one millimeter away from where I had put it...!"`\ cl c,0 ld r,$NAT_IkariA1,0 ld l,$EVA_HohoemiA1,24 ;「な、……なぜそんな子ども染みた悪戯をされるのか、理解できません！@　お、大方、私の部屋の扉に悪戯をしたのも貴方でしょう！」\ `"I, ......I can't understand why you would pull such a childish prank!`@` I, I'll bet you were the one who did that prank on the door to my room, too!"`\ cl l,24 ld l,$NAN_defA1,23 ;「……夏妃さんの部屋の扉？」\ ;＜南條 `"......The door to Natsuhi-san's room?"`\ ld r,$NAT_hisuA1,80 ;「…不愉快な話だったので、話しませんでしたが、@今朝、目が覚めたら、扉の外側に、あのシャッターの落書きと同じと思われる赤い塗料で悪戯がされていたです。@掻き毟ったような気持ちの悪い跡で…。」\ ;＜夏妃 `"...It was unpleasant to talk about, so I didn't,`@` but this morning, when I woke up, there were the signs of some prank on the outside of my door, with what was probably the same red paint that was scribbled across the shutter.`@` There were some unpleasant marks, as though someone had been tearing at the door..."`\ ld c,$HID_MajimeA1,23 ;「何や、その話！@　何で今まで黙っとったんや…！！」\ ;＜秀吉 `"Wait, what is this!`@` Why have you been silent about this until now...!!?"`\ ld r,$NAT_odorokiA2,80 ;「申し訳ありません。@あの後、立て続けに色々と恐ろしいことが起こったため、今の今まで失念していました。」\ ;＜夏妃 `"My apologies.`@` Since so many horrible things have occurred since then, I had completely forgotten about it until just now."`\ bg M1F_S1bR,0 ld l,$EVA_AkireA2,23 ;「知らないわよ、そんなの。@私がしてるのは姉さんの部屋じゃなくて、お父様の部屋の扉の話よぅ？@　姉さんがお父様がいるのを確認してから、私と一緒に不在を確認するまでの間、あの扉は一度も開かれてないのよ。@扉を使わず、どうやってお父様は外に出たのかしらぁ？」\ ;＜絵羽 `"I don't know anything about that.`@` What I did wasn't to your door, but the door to Father's room, right?`@` After you checked that he was in his room, and until we made sure that he wasn't, that door wasn't opened even once.`@` How did Father get out if he didn't use the door?"`\ ld r,$NAT_OdorokiA2,24 ;「………そ、…そんなことは知りません…！@　私が知りたいくらいです！！」@ ;＜夏妃 `".........I, ...I don't know that...!`@` That's what I want to know!!!"`@ cl l,24 ld l,$HID_MajimeA2,23 ;「夏妃姉さんの他に、お父さんの在室を確認したのは誰や。」\ ;＜秀吉 `"Natsuhi nee-san, other than you, who else checked to see whether Father was in his room?"`\ cl r,23 ld r,$NAN_fumuA1,24 ;「昨夜、金蔵さんとチェスをしたのが会った最後ですな…。@…夕食の直前までご一緒だったはずです……。」@ ;＜南條 `"Last night, the last time I met Kinzo-san was when we were playing chess...`@`...so I was with him until just before dinner......"`@ cl a,0 ld c,$HID_fumuA1,23 ;「それより後の時間は誰かおらんのか？」\ ;＜秀吉 `"Who saw him after that?"`\ bg M1F_S1aR,0 ld l,$GEN_DefA1,23 ;「……………私です。@昨夜の晩餐のお世話をしております。」@ ;＜源次 `"...............I did.`@` I gave him his dinner last night."`@ ld r,$KAN_defA1,24 ;「……はい。@僕と紗音も一緒でした。」\ ;＜嘉音 `"......Yes.`@` Shannon and I were with him."`\ cl l,24 ld l,$HID_DefA1,23 ;「ここまでは間違いなくお父さんも部屋にいたやろな。@/ `"So at that time, Father was still definitely in his room. `@/ ld l,$HID_majimeA1,80 ;…だがな、夏妃姉さん。@不在だった書斎は窓も扉も全て締め切られた状態だったそうやないか。@……なのに夏妃さんは今朝、お父さんに会って話をした言うとる。」\ ;＜秀吉 `...However, Natsuhi nee-san.`@` When you found out that he wasn't there, I hear that all ways in or out of the study were closed, right?`@` ......But even so, you said that she met with him this morning."`\ bg M1F_S1cR,24 ld r,$NAN_KomaruA4,23 ;「……わ、……私には皆さんが何を険悪になっとるのかわかりません。@…どなたか、説明してくださいますかな…。」@ ;＜南條 `"......I, ......I don't understand why everyone has become so gloomy.`@` Could someone explain it to me...?"`@ ld l,$GEO_MajimeA3k,23 meplay2 2,17,40 se1 21 ;「と、……父さんと母さんは、/ ;!d800………夏妃叔母さんが今朝、お祖父さまに会ったというのは、/ ;!d1000……嘘だと言っているのかい？」\ ;＜譲治 `"F, ......Father and Mother are you`/ !d800`.........saying that what Natsuhi says about meeting Grandfather this morning `/ !d1000`......is a lie?"`\ cl r,24 ld r,$JES_IkariA1,23 ;「う、嘘なんかつくもんかよ、母さんは潔白だぜ！！@　何で嘘なんかつくんだよ！！」@ ;＜朱志香 `"How could she tell a lie? Mom's innocent!!`@` Why would she lie!!"`@ cl l,24 ld l,$NAT_IkariA1,23 ;「朱志香！@　言葉遣いを直しなさいといつも言っています！」\ ;＜夏妃 `"Jessica!`@` I keep telling you to watch your language!"`\ bg M1F_S1bR,23 ;　場が一気に騒然とする…。@ `All at once, everything became confused...`@ br ;　応接テーブルを挟んで、絵羽伯母さんと夏妃伯母さんが対峙し合い、@譲治の兄貴と朱志香が対峙し合う…。@……何なんだよ一体…！！\ `Eva oba-san and Natsuhi oba-san confronted each other across the parlor table,`@` with George confronting Jessica...`@`......What in the world...!!`\ ld r,$EVA_MajimeA1,24 ;「複数の人間の目撃があるのは、昨晩までよ？@　でも今朝以降、お父様の姿を見たと称するのは夏妃姉さんただひとり。@/ `"Many people spotted him last night, right?`@` But since this morning, the only one who claims that they saw Father is Natsuhi nee-san. `@/ ld r,$EVA_AkireA1,80 ;……そして、私の挟んだレシートが物語る奇妙な事実。@…さぁ、この点と点はどうやれば結べるのかしらぁ…？」\ ;＜絵羽 `......And then there's that strange fact we learned from the receipt.`@` ...So, how can we connect these points together...?"`\ bg black,22 mono 1 bg M_door1,5 ;　絵羽叔母さんは、全員に想像するように促す…。@ `Eva oba-san urged everyone to imagine it...`@ br ;　……確かにこのレシートは、何かの点になり得る。@ ;　…だが、何の点とどう結べば線が引けるのかわからない…！\ `......Sure, that receipt could become an important point.`@ `...But I didn't know what kind of line could be drawn through that point...!`\ ;　絵羽叔母さんが期待する答えを探るなら、@………夏妃伯母さんが、あたかも祖父さまが在室しているように今朝、嘘をついたことになる。@ `The answer Eva oba-san was hoping for,`@` .........was that Natsuhi oba-san had lied about seeing Grandfather in that room this morning.`@ br ;　それを、絵羽叔母さんの気まぐれが看破した……？？\ `Had Eva oba-san's whim exposed that......??`\ bg black,22 mono 0 bg M1F_S1aR,0 ld r,$JES_OdorokiA1,23 ;「わっけわかんねぇぜ！！@　何で母さんが嘘をつかなきゃならないんだよ！！@　その理由がねぇじゃねぇかよ！！」\ ;＜朱志香 `"I don't get it at all!!`@` Why would Mom have to lie!!?`@` She had no reason to, right!!?"`\ ld l,$EVA_WaraiA1,23 ;「……その理由は私も知りたいわよぅ。@/ `"......That's what I want to know. `@/ ld l,$EVA_AkireA1,80 ;でもね、朱志香ちゃん？@　お父様の在室を偽る価値がまったくないとは限らないのよぅ？@　推理小説でもたまに出てくるでしょ？@　生存時刻を偽ることによって自分のアリバイを偽証するトリックよぅ。」@ ;＜絵羽 `But Jessica-chan.`@` You can't say that there was no reason for her to lie and say that Grandfather was in the room, right?`@` You see it every once in a while in mystery novels, don't you?`@` That trick of confusing the time of death to create an alibi."`@ ld r,$JES_ikariA1,80 ;「な、何だそりゃあ？！@　そんなの聞いたことないぜ！！」\ ;＜朱志香 `"Wh, what are you talking about?!`@` I've never heard of that!!"`\ ld l,$EVA_MajimeA1,80 ;「…お父様はまだ見付からないけれど、普通に考えれば、もう殺されていると考えるのが自然でしょうねぇ。@となれば、必ず近い内に死体は見付かる。@…その時、死亡時刻をうまく偽ることができれば、夏妃姉さんはアリバイを作ることができるのよ。@……わかる？@　みんな？」\ ;＜絵羽 `"...We still haven't found him yet, but if you think about it normally, it would be natural to assume that he has already been killed.`@` In that case, we would expect to find his corpse soon.`@` ...If, at that point, the time of death could be faked, Natsuhi nee-san would be able to create an alibi.`@` ......Do you understand?`@` Everyone?"`\ bg black,2 mono 1 dllefe 1,1 bg M_o1b,24 ;　…今朝、夏妃伯母さんが在室を確認したのが実は嘘で、@…その時刻に祖父さまは死んでいて？@ ;　…それで、とある場所に遺体を移し、そこで今、殺されたように偽装する。@ `...This morning, when Natsuhi oba-san went to check that Grandfather was there, she lied,`@` ...and he was already dead at that time?`@ `...And then, she moved the body to some location, and disguised it to make it seem like he had just been killed there.`@ br ;　……そして自分はみんなと一緒にいたりして、アリバイを用意できるようにする。@ `......And then she could stay with everyone else to prepare an alibi.`@ br ;　……そして、誰かの悲鳴が聞こえた！@　とか言って駆けつけて、みんなと一緒に第一発見者になって…、っていう話なのか……？\ `......And then, she could say 'I heard someone screaming!'`@` or something and dash over there, and become the first to find the body along with everyone else..., is that what Eva oba-san's saying......?`\ dllefe_off mono 0 bg M1F_S1aR,0 ld l,$NAT_OdorokiA2,63 ;「馬鹿馬鹿しい。@推理小説など所詮は娯楽小説！@　そんなものばかり読んでいるから、そのような不謹慎な発想に至るのです！」\ ;＜夏妃 `"Ridiculous.`@` After all, detective novels are just entertainment novels!`@` You can only think of such an indiscreet idea because you read them all the time!"`\ ld r,$JES_IkariA1,64 ;「そうだぜ！！@　死亡時刻を少しくらい誤魔化したって、そんなの警察が検死すりゃ一発でバレるじゃねぇかよ！！@　古典の世界だったらともかく、現代日本でそんなトリック、本気で通用すると思ってんのかよ？！@　おっかしいぜ？！」\ ;＜朱志香 `"That's right!!`@` Even if she tried to fake the time of death a little, all of that would be blown away in an instant once the police did their autopsy!!`@` It might been effective in the past, but do you really think that kind of trick would work in modern Japan?!`@` Are you insane?!"`\ bg M1F_S1aR,0 ld l,$EVA_AkireA2,23 ;「……そうかしらぁ？@　今朝、南條先生が亡くなった人たちの死体を見て、死亡時刻を曖昧に見積もられたわよぅ？@　検死結果は、環境や個体差に非常に左右されやすい。@数時間単位で誤差の出る非常にアバウトなものなのよぅ。@/ `"......You think so?`@` This morning, when Doctor Nanjo looked at the corpses, he was only able to give a vague estimate of the time of death, right?`@` It would be very easy to influence the results of the autopsy by messing around with the corpses' surroundings.`@` It's a very relative estimate with an uncertainty of several hours. `@/ ld l,$EVA_waraiA1,80 ;しかも困ったことに、警察の科学的な捜査は明日にならないとできない。@そこまでの正確な死亡時刻を測ることなんて、朱志香ちゃんの言う現代日本でも、そうそう簡単なことじゃないのよぅ？@　ねぇ、南條先生…？」\ ;＜絵羽 `And, unfortunately, the police's scientific investigation will have to wait until tomorrow.`@` Measuring the correct time of death after that, even in modern Japan like you said, wouldn't be that easy, right?`@` Right, Doctor Nanjo...?"`\ ld r,$NAN_MajimeA2,24 ;「…………検死は、経験と勘の必要な、非常に難しい作業です…。@誤診率も非常に高いと聞いております…。@確かに、ほんの数時間程度の誤差を出してしまうことは大いにありえるでしょうな…。」\ ;＜南條 `"............An autopsy an extremely difficult task that requires both experience and instinct...`@` I have heard that there is a very high chance of a mistaken diagnosis...`@` I imagine it is very possible for a misreading of just a few hours to occur..."`\ ld c,$HID_KomaruA2,23 ;「…しかしアリバイの世界は数時間もあれば充分やで！@　古典のトリックとちゃう！@　充分に通用するトリックなんや！@　……夏妃姉さん。@わしら、あんたを疑いたいわけやないんやで？@　疑いとうないから、潔白を示してほしいだけなんや。」\ ;＜秀吉 `"...However, for an alibi, that's more than enough!`@` It's an old trick!`@` It's a trick that works well enough!`@` ......Natsuhi nee-san.`@` It's not like we want to suspect you, alright?`@` We just want you to prove your innocence so we don't have to suspect you."`\ bg M1F_S1bR,0 ld r,$NAT_ikariA1G,24 ;「何の潔白を示せというのですか！！@　今朝、私は確かにお父様にお会いしました！！@　そして心の中に片翼の鷲を刻めとお言葉をいただいて…。@……あのお言葉をも否定するというのですかッ！！@　それだけは断じて許せません！！@　お父様が掛けられた言葉までも否定することは断じて許せません！！」\ ;＜夏妃 `"What is this innocence you want me to prove!!?`@` This morning, I definitely met with Father!!`@` And he told me to keep the One-winged Eagle engraved in my heart...`@`......Are you denying that he said that, too!!?`@` I will definitely not permit that!!`@` I won't permit you to deny that Father said those words!!"`\ ld l,$EVA_WaraiA1,23 ;「……あるいは、お父様の遺体は出てこないのかしらぁ？@　普通失踪は死亡宣告に７年掛かるもの。@/ `"......Maybe Father's body won't appear somewhere?`@` Normally, a person has to be missing for seven years before they're officially dead. `@/ ld l,$EVA_IkariA2,80 E_B ;余命残りわずかなお父様を、７年も延命しその財産を独占するには、何ともうまいやり方じゃなぁい！」\ ;＜絵羽 `Wouldn't that be a clever way to extend Father's nearly finished life another seven years and keep all of his wealth for yourself!"`\ cl a,0 ld l,$NAT_IkariA1G,83 se1 30 ld l,$NAT_ikariB1G,86 bgmplay 31 ;「き、聞き捨てなりません！！@　それ以上は聞き捨てがなりません！！@　私は右代宮夏妃ッ！！@　この身に片翼の鷲をまとう資格はなくとも、胸の中にしかと刻まれています！！@　当主跡継ぎの蔵臼の妻として、その責務を代行する私に向かって何たる暴言ッ！！！」\ `"I, I can't let you get away with saying that!!`@` I can't let you get away with saying any more!!`@` I am Ushiromiya Natsuhi!!`@` Although I do not have the right to wear the One-winged Eagle on my body, it is certainly engraved on my heart!!`@` What do you think you're saying to the wife of Krauss, successor to the head, and the person who will act as such in his place!!!"`\ ld r,$EVA_ikariA2,84 ;「なぁに？@　その銃で私を撃つのぅ？@　いいわよぅ？@　撃っちゃえばぁ？！@　どうせ、言い逃れも思いつかなくて苦し紛れなんでしょう？！@　やりなさいよ、暴力で真実を誤魔化してごらんなさいよ…？！」\ `"What's this?`@` Are you going to shoot me with that gun?`@` Go ahead.`@` And if you shoot?!`@` You're just desperate because you can't think of a way out, right?!`@` Do it, just try to obscure the truth with violence...!!"`\ bg black,1 se1 30 ;「く……、このぉッ！！！！」\ `"Y......, you!!!!"`\ ;　別に夏妃伯母さんは銃を構えて威嚇してたわけじゃない。@ ;　でも、絵羽伯母さんに誘導されるように銃を構えさせられてしまう！@ `It wasn't like Natsuhi oba-san had been actually holding that gun at the ready and threatening anyone.`@ `But after she was told to by Eva oba-san, she did hold it at the ready!`@ br ;　…さすがにこの段階になって、朱志香や源次さんが止めに入った。\ `...Unsurprisingly, once things got to this stage, Jessica and Genji-san tried to stop her.`\ bg M1F_S1cR,0 ld c,$NAT_odorokiB2G,26 ld l,$GEN_majimeA1,63 ;「…奥様、どうかお気を鎮めください……！」@ ;＜源次 `"...Madam, please, calm yourself......!"`@ ld r,$JES_IkariA2,24 ;「母さんは嘘なんかついてない！@　ならこんなの聞き捨てなきゃ！！」\ ;＜朱志香 `"Mom, you aren't lying!`@` So there's no reason for you to listen to this!!"`\ bg M1F_S1bR,23 ld c,$HID_majimeA1,24 ;「……落ち着いてぇな、夏妃姉さん。@確かにお父さんは部屋にいたと誓ってくれればいいんやで？@　それだけなのに、何でそんなに取り乱しとるんや…？」@ ;＜秀吉 `"......Calm down, Natsuhi-san.`@` Wouldn't everything be fine it you just swear that Father was definitely in that room?`@` Why are you getting so distracted over that...?"`@ ld l,$NAN_KomaruA4,23 ;「…そ、…それもそうです。@夏妃さんは嘘をついていない。@それだけのことじゃありませんか…。」\ ;＜南條 `"...Th, ...that's right.`@` Natsuhi-san isn't lying.`@` Isn't that the end of it...?"`\ ld r,$EVA_WaraiA1,24 ;「だから説明してほしいのよ。@お父様がどうやって部屋からいなくなったのか。@…窓は内側からしっかり閉じられていた。@扉も同じよぅ？@/ `"Then I want you to explain.`@` How did Father manage to disappear from the room?`@` ...The window was closed tight from the inside.`@` The same was true for the door, right? `@/ ld r,$EVA_AkireA1,80 ;　……今朝、夏妃姉さんが間違いなくお父様に会ったというなら、@…夏妃姉さんには、“開かぬ扉”の密室から如何にしてお父様が部屋からいなくなったかを説明してもらわなくちゃ。@じゃないと、姉さんが嘘つきってことに、やっぱりなっちゃうものねぇ？」\ `......This morning, if you really met with Father,`@` ...then you must explain how Father disappeared from this 'unopened door' closed room scenario.`@` If you don't, that would mean that you are lying after all, right?"`\ bg M1F_S1aR,23 ld l,$NAT_IkariB1G,64 ;「貴方という人はどこまで私を愚弄すればッ……！！！」\ `"How far do you plan to mock me......!!!?"`\ ld r,$EVA_ikariA2,63 ;「反論したいなら、ぜひしなさいな？！@　そうね、今すぐこの場で釈明をしてみなさい？@　そうしたら、貴方を疑ったことを謝ってあげてもいいわ。@あの書斎の密室から、お父様は如何にして抜け出したのか！！」\ `"If you want to argue back, go ahead!!`@` That's right, try explaining it right here, right now.`@` After that, I can apologize to you for doubting you.`@` How did Father manage to get out from that closed room!!?"`\ ld l,$NAT_odorokiB1G,80 ;「そんなこと、説明もできませんし、不要です！！」\ ;＜夏妃 `"I can't explain that so it's unnecessary!!"`\ ld r,$EVA_futekiA1,80 ;「そう？@　なら私が説明してあげるわよぅ？@　私の立場も姉さんの立場もいいとこどりの、とても仲良しな説明なんだから！@　……姉さんの言う、今朝の時点でお父様が在室していたことを信じてあげるわよ。@でも、次に扉が開かれた時にお父様はいなかった。@ここまでは異存ないわよねぇ？」\ `"Really?`@` Then let me explain it.`@` We'll take the best parts from my perspective and yours, and come up with a more friendly explanation!`@` ......I'll believe that, like you said, Father was still in his room this morning.`@` However, the next time the door was opened, Father wasn't there.`@` You don't have any objections so far, right?"`\ ld l,$NAT_ikariB1G,80 ;「貴方の言うことにこれ以上、耳を傾ける気はありませんッ！！@　その軽薄な口を噤みなさい！！」\ `"I have no desire to listen to anything more you have to say!!`@` Shut your frivolous mouth!!"`\ ;bg M1F_S1bR,0 ;ld c,$EVA_MajimeA1,24 bg black,22 bg map02,22 ;「私の推理はこうよ？@　扉から姉さんしか出入りしていないことは、私が２回確認している。@そしてレシートもそれを立証している！@　にも関わらずお父様を部屋から出すパズルの答えは？@/ `"My reasoning goes like this, alright?`@` Both times, I checked and made sure that you were the only one to go through that door.`@` And the receipt is proof of that!`@` And yet despite that, what is the answer to the puzzle of how Father was sent out of the room? `@/ ;ld c,$EVA_futekiA1,80 ;　窓よ！@　窓から出したのよ。@……夏妃姉さんはお父様を、３階の書斎の窓から中庭に突き落としたのよッ！！！」\ `The window!`@` He was sent out the window.`@` ......Natsuhi nee-san, you threw Father out of the third story window of the study into the courtyard!!!"`\ bg M1F_S1cR,0 ld l,$NAT_IkariB1G,24 ;se1 30 ;「おおっぉおぉお、おのれぇええええぇえぇッ！！！」@ ;＜夏妃 `"Y----, YOUUUUUUUUUUUUU!!!"`@ ld c,$KAN_KomaruA1,24 ;「奥様、堪えてください…！！」@ ;＜嘉音 `"Madam, please, endure it...!!"`@ ld r,$KUM_OdorokiA1,24 ;「絵羽さま…、どうかお止め下さいませ……！！」\ ;＜熊沢 `"Eva-sama..., please stop this...!!"`\ bg M1F_S1aR,23 ld r,$EVA_IkariA2,24 ;「その後、中庭に転落して死んだお父様の遺体は、@夏妃姉さんが屋敷内の戸締りを確認すると言って出て行った時にどこかへ隠したのよぅ！@/ `"After that, when you left and said you were going to check the doors and windows,`@` you took Father's corpse, which had fallen in the courtyard, and hid it! `@/ ld r,$EVA_futekiA1,80 ;　多分、その時に、死亡時刻を偽る工作もしたんでしょうねぇ？！」\ `That was probably when you took some measures to fake the time of death, right?!"`\ ld l,$HID_MajimeA2,23 ;「……蔵臼兄さんたちの事件も、さらに昨夜のベアトリーチェの事件もひっくるめて！@　夏妃さんが怪しい可能性が非常に高いっちゅうことだ…。@本当ならこんなこと言いたくはない。@/ `"......This ties in with the case regardin' Krauss nii-san and the rest, and also the case regardin' Beatrice last night!`@` There's an extremely good chance that Natsuhi-san is suspicious in those cases...`@` Normally, I wouldn't want to say this. `@/ ld l,$HID_KomaruA2,80 ;…だが、もうぶちまけてしまったからには仕方がない…！@　頼むわ、夏妃姉さん！@　どうか自分の無実を説明してくれんか！！@　さもないとわしは、あんたを疑わなきゃならんのや…！！」\ `...But now that it's out in the open, there's nothin' else I can do...!`@` Please, Natsuhi nee-san!`@` Please explain how you can be innocent!!`@` Otherwise, I can't help but suspect you...!!"`\ ld c,$NAT_IkariA1G,64 ;「なぜこの私がッ！！@　この私が、右代宮夏妃がこのような辱めをぉおおおぉ！！！」\ `"Why me!!?`@` Why must I, Ushiromiya Natsuhi, be insulted like thiiiiiiiiiiis!!!"`\ bg black,1 E_A ;　……………ふむ。@…言い分は出揃ったようだな。\ `............Hmmmm.`@` ...Looks like it's time for me to have my say.`\ bgmplay 29 bg M1F_S1bR,0 ld l,$BUT_waraiA1,26 ;「いっひっひっひ。@/ `"Ihihihi. `@/ ld l,$BUT_defA2,80 br br ;　…駄目だな、(全然駄目だぜ？/・・・・・・・)@　絵羽伯母さん。」\ `...It's useless. `(`It's all useless,`/・・・・・・・)@` Eva oba-san."`\ ld r,$JES_OdorokiA1,24 ;「…だ、…駄目って何がだよ、戦人…。」@ ;＜朱志香 `"...Wh, ...what do you mean 'useless', Battler..."`@ ;　朱志香がすがるような目で俺を見上げる。@ ;　絵羽伯母さんは相変わらず余裕ある表情だった。\ `Jessica looked up at me, hanging on to my every word.`@ `Eva oba-san's expression was composed as always.`\ bg M1F_S1cR,0 ld r,$EVA_akireA2,24 ;「……全然駄目って、何が？@　戦人くん。@聞かせてよぅ。」\ ;＜絵羽 `"......Useless, you say? What is?`@` Battler-kun.`@` Tell me."`\ bg M1F_S1aR,23 ld c,$BUT_nayamuA1,24 ;「一方からしか見られないから、夏妃伯母さんしかありえないって思い込んじまうのさ。@…別に夏妃伯母さんを擁護するわけじゃねぇが、そんなハッタリのチェックメイトじゃ、通用しねぇってことさ。\ `"If you only look at it from one angle, then you'd be stuck thinking that it had to be Natsuhi oba-san.`@` ...It's not like I'm defending her, but that won't be good enough for a clear checkmate.`\ ld c,$BUT_nayamuA2,80 ;　レシートを軸にした推理はまずまずだとは思う。@筋は悪くない。@だが、俺の採点じゃせいぜい６５点ってとこだ。@これが答案なら、居残りで補習ってとこだぜ？@　いっひっひ！」\ `I think basing the whole theory off of that receipt is passable.`@` It's not a bad thread of logic.`@` But I'd only give it a grade of 65 at best.`@` If this were an exam, that'd be bad enough to get you extra lessons in detention, right?`@` Ihihi!"`\ bg M1F_S1bR,24 ld r,$EVA_AkireA1,24 ;「…あら、じゃあ、レシートで封印されている扉をどうやって破って、お父様を失踪させられると言うのぅ？　私の説以外に！」\ ;＜絵羽 `"...Oh my. Well, how would you break through a door sealed by a receipt, and make Father disappear?`@` Other than by my theory?!"`\ ld l,$BUT_komaruA2,23 ;「絵羽伯母さんの説は確かに面白い。@そして、その説以外に祖父さまが失踪できる方法がないって言い切れるなら、@最終目撃者である夏妃伯母さんがクロであると確かに言い切れるだろう。\ `"Eva oba-san's theory's really interesting.`@` And if you could show that there was no way to make Grandfather disappear other than yours,`@` then you would probably prove that the last person to see him, Natsuhi oba-san, had to be responsible.`\ ld l,$BUT_odorokiA1,80 ;　だが、夏妃伯母さんが無実で、濡れ衣である可能性が残っている以上、そうだと断言することはできねぇ！！」\ `However, since there still is a possibility that she is innocent, and that these accusations are false, you can't make that claim!!"`\ ld r,$EVA_waraiA1,24 ;「……ふぅん。なら戦人くんは、夏妃姉さん以外の誰にお父様を失踪させられたというの？@　姉さんしかありえないのよ。@私のレシートがそれを証明してしまったわぁ？@　一度目に書斎に訪れた夏妃姉さん。@そして二度目に私と訪れるまでの間、書斎は完全に密室で、密室開封後には失踪している！@　これで夏妃姉さんが犯人じゃないというなら、どんなトリックがあるっていうのぅ？！」\ `"......Hmm. Then, Battler-kun, are you saying that someone other than Natsuhi nee-san made Grandfather disappear?`@` It would be impossible for anyone else to do it.`@` My receipt proved that, right?`@` After the first time she visited that study,`@` and until the second time when we visited it together, the study was a perfect closed room, and when the seal was broken on the closed room, he was already missing!`@` If this doesn't prove that she was the culprit, what kind of trick could they have used?!"`\ ld l,$BUT_defA2,80 ;「だから６５点なんだよ、絵羽伯母さん。@じゃあここで“チェス盤をひっくり返す”ぜ？@　どうやって、外部から祖父さまを失踪させるか、じゃない。@どうやって、内部から祖父さまが失踪するかって考えるんだ。\ `"Like I said, Eva oba-san, only 65 points.`@` So, let's try 'turning the chessboard over', shall we?`@` It's not about how they managed to make Grandfather disappear from the outside.`@` Think about how Grandfather disappeared from the inside.`\ meplay2 4,17,40 cl a,0 ld c,$BUT_nayamuA1,23 ;　扉にはレシートが挟まれていたから使用されていない。@窓も、出ることはできても、外側からは施錠できず、しかも絵羽叔母さんは書斎を訪れた時に窓の施錠を確認している。@だから窓も使用されていない。@その時点では確かに書斎は密室だった。@これは認めるしかない！@　だがしかし、書斎は永遠に密室だったわけじゃない。@レシートの封印さえ解かれれば、扉は使用可能になり脱出可能になる。\ `The door had the receipt stuck in it, so it couldn't have been used.`@` He also couldn't have gone through the window, because you can't lock it from the outside, and when Eva oba-san visited the study, she checked to make sure it was locked.`@` So the window also wasn't used.`@` At that point, the study really was a closed room.`@` We have to accept this!`@` However, the study didn't remain a closed room forever.`@` Once the seal created by the receipt was removed, it would also be possible for someone to escape by the door.`\ ld c,$BUT_oyaA1,80 ;　…つまり、夏妃伯母さんがどうやって祖父さまを失踪させたかじゃない。@…どうやって、祖父さまは書斎を脱出したのかって考えるんだよ！！\ `...In other words, it's not about how Natsuhi oba-san made Grandfather disappear.`@` ...We need to think about how he was able to escape!!`\ bg black,22 bg map03,22 ;mono 1 ;bg Mlib_1e,22 ;　祖父さまの書斎は、ただの書斎じゃねぇんだよな？@　源次さんの話じゃ、トイレからキッチン、ベッドルームまであるちょいとした家並みじゃねぇか。@……例えば、ベッドの下にでも潜って隠れたら、伯母さんたちは部屋からいなくなったと思い込めるぜ？\ `Grandfather's study isn't an ordinary study, right?`@` According to Genji-san, there's a toilet and a kitchen and even a bedroom, almost like a little house.`@` ......For example, what if he was hiding under the bed and the two of you only thought he was missing?`\ ;　絵羽伯母さんも、そこまで調べてきたわけじゃねぇだろ？@　そして伯母さんたちは失踪したと思い階下へ戻る。\ `Eva oba-san, even you didn't check that far right?`@` And then the two of you went back down the stairs, thinking that he wasn't there.`\ ;bg M_door1,22 se1 21 ;　この時、レシートはもうない！@　つまり、祖父さまは密室である間は部屋に隠れ続け、@絵羽伯母さんたちをやり過ごした後に部屋から脱出することで、この密室を破ることができるッ！！\ `At that time, the receipt was already gone!`@` In other words, if Grandfather was hiding in his room the whole time when it was a closed room, `@`and escaped after letting the two of you go past him, we can crack this closed room right open!!"`\ bg black,22 ;mono 0 bg M1F_S1bR,22 ld l,$EVA_ikariA2,23 ;「な、何よそれ！@　どうしてお父様がそんな妙なことをして部屋を抜け出さなきゃならないの？！@　荒唐無稽にも程があるわよ！」\ `"Wh, what is this!?`@` Why would Father want to do something that weird and then escape the room?!`@` Don't be so absurd!"`\ ld r,$BUT_nayamuA2,24 ;「あぁ、荒唐無稽かもな。@だが、それでも夏妃伯母さんが濡れ衣かもしれない可能性は示してる。@絵羽伯母さんのレシートは完璧じゃねぇ。@チェスで言えばチェックくらいにはなったろう。@だが、チェックメイトじゃねぇ！！\ `"Yeah, it might be absurd.`@` However, it still shows that there is a possibility that Natsuhi oba-san is being accused falsely.`@` Your receipt wasn't perfect.`@` In chess, we might call that check,`@` but it isn't checkmate!!`\ ld r,$BUT_odorokiA1,80 ;　そして、俺が最高に気に入らねぇのは、@それを夏妃伯母さんに釈明しろと迫って、それが出来なきゃクロだって断定しようとした絵羽伯母さんのその論法さ！@　それがまかり通るってんなら、この右代宮戦人、@ここでもう一回チェス盤をひっくり返させてもらおうじゃねぇかッ！！\ `And the thing that I like least is your argument,`@` pressuring Natsuhi oba-san to explain it, and then claiming that, if she doesn't, she must be guilty!`@` If you're asking me to let that slide, then why don't you let me,`@` Ushiromiya Battler turn the chessboard over one more time!!`\ ld r,$BUT_oyaA1,80 ;絵羽伯母さん、あんたの論法によるならよ。@……あんたと秀吉伯父さんが昨日、親父たち６人を殺害してから、のこのことゲストハウスに帰ったんじゃないってことを、この場で釈明してもらわなくちゃならねぇぜ…！\ `Eva oba-san, according to your argument,`@` ......you must explain to us why you and Hideyoshi oji-san couldn't have killed those six last night and then casually returned to the guesthouse...!`\ ld r,$BUT_odorokiA1,80 ;夏妃伯母さんに釈明を強いたんだ。@あんたにはもちろん、自身の潔白を釈明できるんだろうなぁ？！@　祖父さまの遺産が全部転がり込む絵羽伯母さんよぅ！！」\ `You've been trying to force Natsuhi oba-san to explain.`@` I'm sure you can prove your own innocence, right?!`@` Eva oba-san, who's had all of Grandfather's wealth suddenly plopped down right into her hands!!"`\ ;＜戦人 bg M1F_S1bR,23 ld r,$JES_IkariA1,24 ;「そ、そうだぜ、絵羽叔母さんだって充分怪しいじゃねぇかよ！！@　母さんが祖父さまの最終目撃者だから怪しいって言うなら、@絵羽叔母さんだって、父さんたちの最終目撃者じゃないか！！@　戦人の言う通りだぜ、自分たちは殺してないってことを証明してみせろよ！！」\ ;＜朱志香 `"Th, that's right, you are suspicious enough yourself, aren't you!!?`@` If you say Mom's suspicious because she was the last person to see him,`@` then what about you, Eva oba-san, who were the last person to see Dad and the rest?!!`@` Just like Battler said, prove that you two weren't the ones that killed them!!"`\ ld l,$GEO_majimeA3,23 ;「………僕も、お母さんの推理は少し勇み足だと思うな。@……レシートの件は、確かに重要なヒントだと思う。@/ `".........Mother, I also think that your reasoning was a little overeager.`@` ......I'm sure that the receipt was an important hint. `@/ ld l,$GEO_MajimeA1k,80 ;でもそれは、戦人くんの言うとおり、夏妃伯母さんが何某かの犯人であることを断定できるものじゃない。@……僕たちは等しく全員が容疑者なんだ。@夏妃伯母さんだけが責められる道理はない。」\ `But, like Battler-kun said, that's not enough to prove that Natsuhi oba-san is this culprit.`@` ......I think everyone's equally suspicious.`@` It's not right for only Natsuhi oba-san to be persecuted."`\ bg M1F_S1aR,0 ld r,$EVA_ikariA2,23 ;「ほ、誇り高きお父様が、床に這いつくばってベッドの下に？@　そんな戯言で説明がつくと思って？！」\ ;＜絵羽 `"O, our great Father, crawling under his bed?`@` You call nonsense like that an explanation?!"`\ ld l,$JES_IkariA1,23 ;!s0「それなら絵羽叔母さんが先に説明しろよ！！@　６人を誰がどうやって殺して、そして自分が関わっていないという証拠を示してみろってんだッ！！@/ !s0`"In that case, why don't you explain first!!?`@` Who killed those six, and how, and then try showing us proof that you weren't involved!! `@/ ld l,$JES_IkariA2,80 ;　……ゲホン、/ ;!d500ゲホゲホゲホン、/ ;!d500ゲホッ、/ ;!d300ゴホッ！！！@　うー、ゲホゲホゲホ！！@/ `......*cough*, `/ !d500`*cough* *cough* *cough*, `/ !d500`*cough*, `/ !d300`*cough*!!!`@` Uu-, *kofkofkof*!! `@/ cl l,65 se1 13 quakey 3,700 ;　ゲホゲホッ！！@ゲホゲホガハガハッ！！！」/ `*coughCOUGH*!!`@` *kofkofkofkof*!!!"`/ !sd@ ;＜朱志香 bg black,22 E_MA meplay2 1,12,0 meplay2 2,5,0 cross1 4000,40,40,40,40,40 bg M1F_S1dR,0 ld c,$JES_ikariA2,24 ld l,$KAN_KomaruA1,23 ;「お嬢様…、お嬢様…！！」\ ;＜嘉音 `"Milady..., Milady...!!"`\ ;　朱志香が急に咳き込み始める。@ ;　威勢よく叫びすぎて咽てしまったのかと思ったが、それにしては長く本当に苦しそうだった…。@ `Jessica suddenly started coughing.`@ `At first I thought that she was just choking after yelling too loud, but before long, I realized how painful it looked...`@ br ;　朱志香はなおも咳を続け、床に四つん這いになりながらも咽続ける…。\ `Jessica kept coughing and choking, down on her hands and knees...`\ ld r,$NAT_odorokiA2,24 ;「朱志香…、しっかり…！！@　南條先生…！」@ ;＜夏妃 `"Jessica..., get a hold of yourself...!!`@` Doctor Nanjo...!"`@ cl r,23 ld r,$NAN_komaruA2,24 ;「…朱志香さん、吸入器を早く。@……いえ、私が持ってきているのがあります。」@ ;＜南條 `"...Jessica-san, your inhaler, quickly.`@` ......No wait, I have one with me."`\ bg black,22 ;　南條先生は、ソファーに置いてあった自分の鞄から気管支拡張剤の吸入器を取り出し、朱志香に渡す。@ `Doctor Nanjo pulled a bronchodilator inhaler from his own bag, which was lying on the sofa, and handed it to Jessica.`@ br ;　……そう言えば、６年前の朱志香も、時折激しく咽こみ始めると、あれで薬を吸ってたっけ…。@ ;　でも、朱志香がこんなにも苦しむ様子は、６年前には見られないものだった。\ `......Come to think of it, six years ago, didn't Jessica sometimes break into violent coughing and have to use that...?`@ `However, six years ago, I had never seen Jessica look like she was in this much pain.`\ bg M1F_S1cR,26 ld r,$BUT_majimeA1,24 ;「……兄貴、朱志香ってこんなに喘息ひどかったっけ…？」@ ;＜戦人 `"......Aniki, was Jessica's asthma always this bad...?"`@ ld l,$GEO_komaruA1,23 ;「ここ数年でだいぶ悪くなったんだよ…。@大丈夫な時はいいんだけどね…。@突然発作が来ると咳が止まらなくなるんだよ。」\ ;＜譲治 `"It's gotten a lot worse these last few years...`@` It's no problem when she's normal, but...`@`when an attack comes suddenly, she can't stop coughing anymore."`\ bg M1F_S1aR,23 ld c,$JES_IkariA2,6 ;「ゲホンゲホン！！@　うー、ガハッゲホゲホゲホ！！@　ゴホンゴホン、ゴホンゴホン！！」\ ;＜朱志香 `"*cough* *cough*!!`@` Uu-, ga-*COUGH* *coughcough*!!`@` *kofkof*, *kofkof*!!"`\ ld r,$KAN_DefA2,24 ;「……お嬢様、お薬です。@………さぁ…。」@ ;＜嘉音 `"......Milady, your medicine.`@` .........Here..."`@ ld c,$JES_NayamuA1,80 ;「……………ん、/ ;!d700…。@……ゲホンゴホン！！」\ ;＜朱志香 `"...............Nnn, `/ !d700`...`@`......*coughcough*!!"`\ ;　嘉音くんの手から吸入器を与えられ、朱志香が慣れた手つきでそれを吸う。@ ;　…しばらくは喉に痒さを感じているようだったが、次第に治まっていった…。\ `Taking the inhaler from Kanon-kun, Jessica used it with a practiced hand.`@ `...It looked like her throat would still itch for a while, but she had it under control...`\ bg M1F_S1bR,0 ld r,$BUT_aseruA1,23 ;「大丈夫かよ、朱志香…。@びっくりしたぜ…。」@ ;＜戦人 `"Are you alright, Jessica...?`@` You scared me..."`@ ld l,$JES_odorokiA1,23 ;「……大したことねぇよ。@…心配すんじゃねぇぜ…。」@ ;＜朱志香 `"......It's no big deal.`@` ...Don't worry about it..."`@ br ;　朱志香は全身に玉のような汗を浮かべて荒い息を隠せずにいたが、とりあえず突発的な喘息発作は治まったようだった…。\ `Beads of sweat covered Jessica's whole body and she couldn't hide her rough breathing, but it looked like her sudden attack had calmed down for now...`\ bg black,2 ;　この騒ぎで、さっきまでの険悪な雰囲気はうやむやになってしまった。@ `This disturbance had made the dangerous atmosphere up until now seem slightly unfocused.`@ br ;　だが、それでいい。@ `But that was fine.`@ ;　……こんな、互いの猜疑心を駆り立てあうようなことはまったく不要なのだ。@ ;　思えば、互いのアリバイを探り合うことも犯人探しも、まったく不要なことかもしれない。\ `......That kind of battle of mutual suspicion was completely unnecessary.`@ `When you think about it, even finding alibis for each other and looking for the culprit was probably unnecessary.`\ ;　なぜなら、自分たちは無力な市民でしかないが、@明日になって警察が来てくれれば、必ずや最先端の技術を駆使して徹底的に捜査し、@全ての謎を解いて犯人を逮捕してくれるのだから…。\ `After all, we're just powerless, ordinary people,`@` and when the police come tomorrow, they'll definitely employ cutting edge techniques and investigate the case thoroughly,`@` solving all of the riddles and arresting the culprit...`\ bg M1F_S1cR,23 ld l,$EVA_defA1,23 ;「…………確かに戦人くんの言う通りかしら。@…夏妃姉さんが疑わしいように、私たちも疑わしさを拭えていない。@それを今、議論し合うのは確かに不毛ね。@…明日、警察に全てを任せれば済むだけの話よ。\ `"............I wonder if Battler-kun is right after all.`@`...Just like Natsuhi nee-san is suspicious, I can't ignore the fact that I am suspicious too.`@` Arguing about that now will surely be unproductive.`@` ...Everything will be fine if we just leave it to the police tomorrow.`\ ld l,$EVA_MajimeA1,80 ;　………でも、戦人くんだって知りたいんじゃないの？@　犯人を。@…大切な人を失った痛みを思い知らせてやるために、一秒でも早く知りたいんじゃない？」\ ;＜絵羽 `.........But don't you want to know too, Battler-kun?`@` Who the culprit is?`@` ...Don't you want to let them know the pain you feel from losing someone precious to you, as soon as possible?"`\ ld r,$BUT_MajimeA1,80 ;「………それは否定しないです。@これだけの上等をキメてくれやがった野郎を、たとえ一日であったとしてものさばらしたくはない。\ `".........I won't deny that.`@` Even one day would be too long to let the wonderful bastard who's behind this go.`\ ld r,$BUT_NayamuA1,80 ;　……でも、だからと言って、１８人の中の誰かを疑いたくはない。@さっきはああ言ったが、俺は絵羽叔母さんだって疑いたくない。@…俺にとっての絵羽叔母さんは、茶目っ気があっていつも楽しくさせてくれる最高の伯母さんだ。\ `...But that doesn't mean that I want to doubt one of the 18.`@` Even though I said what I said earlier, I don't even want to doubt you, Eva oba-san.`@` ...To me, you are an awesome aunt who's always fun, if a little playful.`\ ld r,$BUT_KomaruA2,80 ;……そんな伯母さんと、こんな罵り合いはしたくねぇ。@ここにいる誰だってそんなことは望んでねぇはずさ。@………だろ？@　みんな。」\ ;＜戦人 `......I don't want to trade insults with an aunt like that.`@` I wouldn't want to do that with anyone here.`@` .........Right?`@` Everyone?"`\ bg M1F_S1cR,0 ld r,$GEO_majimeA1,24 ;「………………戦人くんに同じ。@…意味のない罵り合いだね。@……多分、これだけの人数が、朝から一所にずっと集まってるから、みんなストレスが溜まってるんだよ。」\ ;＜譲治 `"...............I feel the same way as Battler-kun.`@` ...It's pointless to trade insults.`@` ......It's probably just the stress built up because so many people have been crammed in one place since morning."`\ ld l,$NAN_KomaruA3,23 ;「……でしょうな。@無理もないことです…。@言ってできるものではありませんが、なるべく皆さん、リラックスしましょう…。」\ ;＜南條 `"......Probably.`@` It is only natural...`@` It may not be my place to say it, but I think we should all relax as much as possible..."`\ bg black,22 fede 10,2000 meplay2 1,13,0 cross1 3000,40,40,40,40,40 bg M1F_S1bR,2 ld r,$HID_fumuA1,24 ;「……………絵羽。@わしらも頭を冷やすべきとちゃうか。@…レシートの件は確かに、お父さんの失踪を探る上で重要な手掛かりになると思うで。@警察が来たら話すといいやろ…。」\ ;＜譲治 `"............Eva.`@` I also think we should cool our heads.`@` ...The receipt is certainly an important clue in searchin' for Father's whereabouts.`@` We should tell the police about it when they come..."`\ ld l,$EVA_KomaruA3,23 ;「…そうね。@…そう。@レシートの一件で、つい鬼の首を取ったような気持ちになっちゃったのね。@/ `"...That's right.`@` ...Right.`@` I just felt a little triumphant when I figured out that part with the receipt. `@/ ld l,$EVA_HohoemiA2,80 ;……確かに夏妃姉さんだけを疑うのはフェアじゃないわ？@　私たちだって等しく疑わしい。\ `......Of course it isn't fair to only doubt Natsuhi nee-san, right?`@` I'm just as suspicious.`\ ld l,$EVA_akireA1,80 ;　……でもね、戦人くん？@　レシートの話だけは本当よ？@　これ、…忘れないでね。@そして、これがどういう意味を持つか、もう一度よく考えてみてね…？」@ ;＜絵羽 `......But still, Battler-kun?`@` At least the part about the receipt is real, alright?`@` ...Don't forget this.`@` And try thinking deeply about what this means, okay...?"`@ cl r,23 ld r,$BUT_majimeA1,24 ;「…………………。」\ `"..............."`\ bg M1F_S1aR,0 ld l,$NAT_majimeA1,24 ;「………………………………。」\ ;＜夏妃 `"..........................."`\ meplay2 2,11,90 ;　絵羽叔母さんと秀吉伯父さんは立ち上がる。@ ;　客間を出て行こうというつもりらしい。\ `Eva oba-san and Hideyoshi oji-san stood up.`@ `It looked like they planned on leaving the parlor.`\ cl a,23 ld l,$EVA_majimeA1,0 ld r,$HID_majimeA2,24 ld l,$EVA_ikariA1,80 ;「結局、私たちは、こんな推理ごっこしても意味はないのよ。@だって、どうせ警察が全て明かしてくれるんですもの。」\ ;＜絵羽 `"In the end, it's pointless for us to continue playing detectives.`@` After all, the police will reveal everything in the end anyways."`\ bg black,25 ;　………そう。@ `.........That's right.`@ br ;　俺たちがこんな推理ごっこをしなくても、台風が過ぎ去って、@…あの、賑やかなうみねこたちが船着場に戻ってくる頃には、勝手に解決するのだ。\ `Even if we don't play this detective game, the typhoon will pass,`@` ...and when those lively seagulls return to the harbor, everything will settle itself.`\ ;　そう。@こんな事件は、思えば本当に下らない。\ `That's right.`@` If you think about it, this kind of crime is completely trivial.`\ br ;　……必ず解決するのだ。@ `......It will definitely be resolved,`@ br ;　俺たちが何もしなくとも、@ `even if we do nothing, `@ br ;　(うみねこのなく頃に/・・・・・・・・・)。\ (`when the seagulls cry`/・・・・・・・・・)`.`\ bg M1F_S1cR,42 ld c,$EVA_DefA1,24 ;「…これ以上、夏妃姉さんも私の顔を見ていたくはないでしょう？@　私も同じよ。@…確か、姉さんは昨日、ゲストハウスに帰らなくて済むようにって、客室を用意してくれたのよねぇ？@/ `"...Natsuhi nee-san, I'll take it that you don't want to see my face anymore?`@` I feel the same.`@` ...If I remember correctly, yesterday, you had some rooms prepared for us in the mansion so that we wouldn't need to go back to the guesthouse, right? `@/ ld c,$EVA_WaraiA1,80 ;　あそこはバスもトイレもあるし、鍵もチェーンも掛かる。@横になれるベッドもあるし、主人も真里亞ちゃんとチャンネル争いをせずにテレビを見ることができるわ？」\ `There should be a bath and a toilet there, as well as a lock and a chain to secure the door.`@` There's even a bed to lie on, and my husband will be able to watch TV without having to fight with Maria-chan over which channel to watch, okay?"`\ bg M1F_S1aR,23 ld l,$NAT_hisuA1G,23 ;「………………………………。@……お好きになさるといいでしょう。@…でも、…くれぐれも用心を。」\ ;＜夏妃 `"...........................`@`......Do whatever you want.`@` ...But make sure to be cautious."`\ ld r,$EVA_defA1,24 ;「ありがとう、姉さん。@…そして余計なお世話よ。@姉さんはみんなの監視をよろしくね？@　犯人は、この中に必ずいるんだから。@/ `"Thank you, Nee-san.`@` ...And mind your own business.`@` I'll be counting on you to keep an eye on everyone, alright?`@` Because the culprit is definitely here. `@/ ld r,$EVA_AkireA1,80 ;…そして姉さんも自分が監視をされていることを、お忘れなく。」@ ;＜絵羽 `...And Nee-san, make sure you don't forget to keep an eye on yourself, too."`@ ld l,$NAT_majimeA1G,80 ;「………捨て台詞はそれで充分ですか。」\ ;＜夏妃 `".........Haven't you made enough parting remarks?"`\ ld r,$EVA_WaraiA1,80 ;「…えぇ、充分よぅ。@………じゃあね、夏妃姉さん。@……源次さん、夕食になったら呼んでね。@それまでチェーンを掛けて閉じ篭ってるわ。」@ `"...Yes, that's enough.`@` .........See you, Natsuhi nee-san.`@` ......Genji-san, we'll call for you when it's dinnertime.`@` Until then, we'll lock ourselves in with the chain."`@ ld c,$HID_MajimeA2,24 ;「………………………。」\ ;＜秀吉 `"....................."`\ ld l,$NAT_hisuA1,80 ;「……源次、嘉音。@お二人を客室までお送りを。」\ ;＜夏妃 `"......Genji, Kanon.`@` Escort them to the guest room."`\ ld r,$EVA_defA1,80 ;「結構よぅ。@送り狼なんて嫌だもの。@むしろ、私たちが部屋に行くまで、誰もこの部屋を出ないでくれる方が安心よ。@………譲治、行くわよ。」\ ;＜絵羽 `"We'll be fine.`@` I hate shady escorts.`@` In fact, I would be more comfortable if nobody left this room until we reach ours.`@` .........Let's go, George."`\ bg M1F_S1c,0 ld r,$GEO_MajimeA1,24 ;「……………僕は、ここでみんなといるよ。」@ ;＜譲治 `"............I'll stay here with everyone."`@ ld l,$EVA_MajimeA1,23 ;「譲治…！@　この部屋に犯人がいるのよ。@そんなところにいるつもり…？！」@ `"George...!`@` The culprit is in this room.`@` Do you plan on staying in a place like that...?!"`@ ld r,$GEO_MajimeA2,24 ;「……この部屋を出るということは、…親族の誰かを疑うのと同じことだよ。@…僕は、……あんな恐ろしいことができる人間が、親族にいるなんて、信じない。」\ `"......Leaving this room would be the same as suspecting one of my relatives.`@` ...I, ......can't believe that anyone in our family is capable of something that horrible."`\ ld l,$EVA_ikariA1,80 ;「譲治…！@　……あなたからも言ってやってよ…！」@ `"George...!`@` ......Even you're saying it...!"`@ ld c,$HID_majimeA1,23 ;「………譲治ももう、一人前の男や。@…その譲治の仁義が、この部屋から出ぇへん言わせるなら、それも勝手やろ。@好きにさせたれ…。」@ `".........George is already an adult man.`@` ...If his code tells him not to leave this room, then it's up to him.`@` Let him do what he wants..."`@ ld r,$GEO_majimeA3k,80 ;「…父さん…。」\ `"...Father..."`\ bg black,23 se1 18 bg M1F_P1bR,23 ;　絵羽伯母さんと秀吉伯父さんが出て行く。@ ;　見送りの言葉は雨音だけだった。\ `Eva oba-san and Hideyoshi oji-san left.`@ `The only voice that called after them was the sound of the rain.`\ bg black,2 wait 5000 bg M1F_S1dR,8 ;　客間を殺伐とした空気が埋めていく…。@ ;　時計を見ると、いつの間にか夕方になっていた。@ `The parlor was being buried beneath the savage atmosphere...`@ `When I looked at the clock, I was surprised to find that it was already evening.`@ br ;　………そんなにも長い時間、俺たちは不毛なことを考えたり、話し合ったり、罵りあったりしていたのか…。\ `.........Had we really spent that much time worrying about needless things, talking with each other, fighting with each other...?`\ bg black,22 ;　うんざりした気持ちになりながら、頭を掻き毟ると、@/ `Feeling bored, I started clawing at my head when`@/ bg M1F_S1b,0 ld c,$MAR_DefA1,22 ;……真里亞と目が合った。@ `......Maria and I made eye contact.`@ br ;　てっきり、テレビに没頭しているのだと思っていたので、少し驚く。\ `Since I had thought she was completely immersed in the TV, I was a little surprised.`\ cl c,0 ld l,$MAR_DefA1,0 ld r,$BUT_oyaA1,24 ;「……今なら信じるぜ。」@ `"......I believe it now."`@ ld l,$MAR_fukigenA1,22 ;「うー…？」\ `"Uu-...?"`\ ld r,$BUT_NayamuA1,80 ;「手紙も殺人も全て、ベアトリーチェの仕業だ。@…いや、むしろ頼むからそうだと名乗り出てほしいぜ。@………１９人目の仕業ってことにさせてくれ。@じゃなきゃ、俺たち１８人はいつまでも互いを疑い合わなくちゃならねぇ…。@…これなら１９人目の存在を信じる方がマシさ…。」\ `"The letter, the murders, everything. It was all Beatrice.`@` ...No, actually I was hoping that someone would come out and say that was true.`@` .........I want it to be the work of a 19th person.`@` Otherwise, the 18 of us will have to keep on doubting each other...`@`...I think believing in a 19th person is better than that..."`\ ld l,$MAR_defA1,80 ;「…………………………。」\ `".................."`\ ld r,$BUT_nayamuA2,80 ;「…扉も窓も開けずに祖父さまを外へ連れ出すなんて、ベアトリーチェならお茶の子さいさいなんだろ…？」@ `"...Bringing Grandfather outside without opening the doors or windows must be a piece of cake for Beatrice, right...?"`@ br ld l,$MAR_fukigenA1,80 ;　真里亞は、一度だけ小さな溜め息を漏らしてから俯き、……そして顔を上げる。\ `Maria, after taking a single, short breath, hung her head, ...and then raised her face again.`\ ld l,$MAR_AkuwaraiA1,80 meplay2 3,16,40 ;「…………そうだよ。@きひひひひひひひ、魔女の前に扉の鍵なんて何の役にも立たないんだよ。@……ベアトリーチェは７２柱の全てに精通する。@３３位のガァプは望む相手を臨む場所へ瞬時に運ぶ力を与えるし。@/ `"............That's right.`@` Kihihihihihihihi, locking a door is useless against a witch.`@` ......Beatrice is familiar with all 72 demons.`@` The 33rd ranked, Gaap, gives the power to instantly carry the desired person to any location. `@/ ld l,$MAR_AkuwaraiA3,80 ;…彼女にとって、どのような密室に閉じこもった人間だろうと、連れ出すことは難しいことでも何でもないんだよ？@　きひひひひひひひひひひひひひひひひひ…。」\ `...To her, taking a person out of any closed room isn't hard at all, you see?`@` Kihihihihihihihihihihihihihihihihihi..."`\ ld r,$BUT_NayamuA1,80 ;「魔女はすげぇな。@……頼むから、もしまだ事件を起こす気なら、絶対に人間には無理なことをして、@/ `"Witches sure are incredible.`@` ......Tell her, if she feels like committing another crime, to do it in a way that no human could, `@/ ld r,$BUT_KuyasigaruA1,80 ;……俺に１９人目を、/ ;!d700……いや、魔女の存在を信じさせてくれよ。」\ `......and make me believe that a 19th person, `/ !d700`......no, a witch, exists."`\ ld l,$MAR_AkuwaraiA1,80 ;「……………………………きひひ。@……いいよ。@会ったら伝えておくよ。」\ `"...............Kihihi.`@` ......Alright.`@` If I meet her, I'll tell her."`\ bg black,42 ;　くそ…。@さっきから自分でもわけがわからなくなるぜ…。@ `Crap...`@` Nothing's made sense to me for a while now...`@ br ;　１９人目を信じ込まされると、それを否定し、１８人しかいないと信じ込まされると、今度はそれも否定してしまう。@ `Just when I want to believe in a 19th person, I deny it, and just when I want to believe that there are only 18 people, I deny that too.`@ br ;　１８人以外の何かがいてほしいと思うのに、その１９人目を認められない。\ `Even though I wish that there were more than just the 18 people here, I couldn't accept the existence of that 19th person.`\ ;　……つまり、１８人以上なのに、１９人未満。@ ;　……この屋敷にいる人数は、１９＞Ｘ＞１８。@ `......In short, even though there are more than 18 people, there are less than 19 people.`@ `......The number of people in this mansion is 19>X>18.`@ ;　つまり、人数は整数で表せないってわけだ。\ `So the number of people can't be represented by an integer.`\ ;　……だが、小数点以下なんてありえないさ。@ ;　人の数は整数でしか示せないはずだ。@ `......However, it's impossible for there to be anything after the decimal point.`@ `You shouldn't be able to show the number of people with anything but an integer.`@ br ;　…なのに、１９＞Ｘ＞１８。@ ;　１未満の小数がどうして絡んでしまうんだ…！\ `...And yet, 19>X>18.`@ `How do you explain the fraction less than 1...!`\ ;　無理もないさ。@ `It's no wonder.`@ br ;　…その１９人目は、(視えない不可視の存在/・・・・・・・・・・)。@ `...That 19th person was `(`something`/・・・・・) br (`that couldn't be seen`/・・・・・・・・・・・)`.`@ ;;;;;;;;;Translation note: Kanji alert ;The kanji 視 is used irregularly here. ;Normally, it can replace the 見 in 見る(to see), meaning to stare at or investigate, ;but here it's used to replace the 見 in 見える(to be visible) ;I'm guessing that means that he's really saying it's impossible to observe and understand her, rather that just look at her...maybe? br ;　だから、整数でしか書けない人数表記では、 `That's why, since you can only write the number of people as an integer,` br ;(視えない/・・・・)。\ (`you couldn't see that person`/・・・・・・・・・・・・・)`.`\ ;　その魔女は、視えない。@ ;　ベアトリーチェには体がないから。@ `That witch cannot be seen.`@ `Because Beatrice has no body.`@ ;　ゆえに、不可視。\ `Therefore, she is invisible.`\ ;　１９人目はいるのか、いないのか。@ ;　魔女はいるのか、いないのか。@ `Is there a 19th person, or not?`@ `Does the witch exist, or not?`@ se1 21 br ;　１９＞Ｘ＞１８。@ `19>X>18.`@ br ;　…このＸの中に、魔女がいる…！\ `...The witch exists somewhere in that X...!`\ textoff dllefe 1,1 mevol 1,70 bg M_o1bR,2 wait 3000 ;▲第１２アイキャッチ：１０月５日（日）１６時００分　が１９時００分に進む eye1 16,0,19,0,10,0,510,340,40 *umi1_13 E_A ;■客間 meplay2 1,12,40 bg M1F_S1aN,26 ;　絵羽伯母さんたちが去った後も、気まずい雰囲気は残り続けた。@ `The uncomfortable atmosphere continued even after those two left.`@ br ;　犯人は誰かということを考えること自体が、誰かを疑うのと同じ意味であるという雰囲気が蔓延し、@…事件を論ずること事態がタブーのような感じになっていった。\ `It was thick with the idea that thinking about who the culprit was would be the same as deciding who to doubt.`@` ...It had begun to feel like discussion of the case was itself taboo.`\ ;　だからみんな、口にだけは事件のことを出さなくなっている。@ `So no one mentioned the case, at least out loud.`@ br ;　……しかし、その分、頭の中はいっぱいに違いない。@ ;　口から吐き出せない分が、みんな頭の中ではち切れそうになっているだろう…。\ `......However, those thoughts were what filled our minds.`@ `All that we couldn't say aloud made our heads feel like they were going to explode...`\ ;　なので、とりあえずの表向き、客間は平穏を取り戻していた。@ ;　全てをうやむやにしながら。\ `So, at least on the outside, the parlor had once again regained its calm mood.`@ `Everything was left unsettled.`\ bg M1F_S1cN,24 ld r,$GEO_majimeA1,24 ;「……少しだけ雨脚が弱まった気がするね。」@ ;＜譲治 `"......It feels like the rain's gotten a little lighter."`@ ld l,$MAR_fukigenA1,23 ;「うー…？@　まだいっぱい降ってるよ。@うー…。」@ `"Uu-...?`@` Still pouring down.`@` Uu-..."`@ ld c,$BUT_WaraiA2,24 ;「仮に止んだって、この島には船がねぇんだしな。@…船が、明日すぐに来てくれりゃいいんだがよ。@洋館バカンスはもうお腹いっぱいだぜ、いっひっひ。」\ ;＜戦人 `"Even if it did stop, there's no boat on this island.`@` ...But it'd be nice if the boat came quickly tomorrow.`@` I've had enough of this western mansion vacation, ihihi."`\ bg M1F_S1bN,24 ld r,$JES_MajimeA1,24 ;「母さん、明日、船はいつ来るのかな。」@ ;＜朱志香 `"Mom, when will the boat come tomorrow?"`@ ld l,$NAT_HisuA1,80 ;「本来なら、帰りの船は今日の３時に来てくれることになっていました。@先方も、台風が過ぎてから来直すと電話をしてくれたでしょうが、生憎、電話は不通ですから…。@/ `"Normally, the boat to take them back would arrive at 3:00 today.`@` They probably sent us a phone call to say that they would come after the typhoon passed, but unfortunately, the phones aren't working... `@/ ld l,$NAT_MajimeA1,80 ;……でも、向こうも子どもの使いではありません。@客人の方々の送迎目的だと教えてありますから、@恐らく、明日の朝一番で…、/ ;!d900多分９時頃くらいに来てくれるでしょう。」\ ;＜夏妃 `......But they aren't children over there.`@` They were told to both drop off and collect our guests, `@`so they will most likely arrive first thing tomorrow morning..., `/ !d900`probably about 9:00, I believe."`\ bg black,25 ;　外はすっかり真っ暗になっていた。@ ;　時計を見ると、７時を少し過ぎたところ。@お腹も減り始めたところだ…。\ `It was completely black outside.`@ `When I looked at the clock, I realized that it was just past 7:00.`@` I was starting to get hungry...`\ wait 2500 ;■厨房 bg Mkit_1cN,0 ld c,$KUM_DefA1,26 ;　厨房では、熊沢が張り切って料理をしていた。@ `In the kitchen, Kumasawa was cooking enthusiastically.`@ br ;　色々なお皿が並び、郷田の芸術料理からはだいぶ見劣るにしても、充分に華やかなものだった。\ `She had laid out a variety of dishes, and while they didn't match the level of Gohda's artful cooking, they were still quite gorgeous.`\ ;　落ち込んだ心を、少しでも食事で盛り上げたいという熊沢の気遣いだった。@ `It was an act of kindness from Kumasawa, who was trying to enliven everyone's low spirits with some food.`@ br ;　熊沢は、郷田のような職業的料理人にはだいぶ劣るが、決して下手なわけではない。@ `Kumasawa wasn't nearly as talented as a professional cook like Gohda, but she was far from unskilled.`@ ;　…むしろ漁村育ちの彼女の手による素朴な料理は、時にとても高い評価を受けるのだった。\ `...On the contrary, since she had been brought up in a fishing village, the simple food she created was sometimes very highly valued.`\ bg Mkit_1bN,0 ld r,$KAN_nayamuA1,23 ;　熊沢が調理を終えた料理を、嘉音が教えられながら皿に盛り付けていた。\ `Kanon arranged the food Kumasawa had finished creating on plates, under her direction.`\ ;　嘉音も時には厨房を手伝うが、それが役割として与えられることは少なかったため、懸命ではあったが少々だけ稚拙だった…。@ `Kanon also helped in the kitchen sometimes, but since he was rarely placed in that role, he was slightly awkward, even though he tried his best...`@ br ld r,$KAN_defA2,80 ;　盛り付けがうまくできていないことを自覚し、嘉音は少しだけ表情を曇らせる。@ ;　でも熊沢はそれでいいと微笑んでいた。\ `Self-conscious about the fact that he couldn't skillfully arrange the food, Kanon's expression darkened slightly.`@ `But Kumasawa smiled as though everything was fine.`\ ld l,$KUM_WaraiA2,23 ;「ほっほっほ、綺麗に盛り付けられてますよ。@嘉音くんもお上手ですよ？」@ ;＜熊沢 `"Hoh-hoh-ho, it's arranged beautifully.`@` Kanon-kun, aren't you skilled."`@ ld r,$KAN_majimeA1,80 ;「……………紗音姉さんだったら、/ ;!d800…もっと綺麗に…。」@ ;＜嘉音 `"............If it had been Shannon nee-san, `/ !d800`...it would be even more beautiful..."`@ ;　盛り付けの手を少しだけ止め、嘉音が俯く…。\ `Kanon stopped arranging the food for a bit, and hung his head...`\ ;　熊沢の料理の補助はいつも紗音だった。@ ;　…嘉音は今夜、それを代わっている。@ `Shannon was the one who always assisted Kumasawa in her cooking.`@ `...Tonight, Kanon was doing it instead.`@ br ;　……そして、紗音の面影と、無惨な最期を思い出し、顔を歪める…。\ `......And as he remembered Shannon's face, and her brutal end, he grimaced...`\ bgmplay 30 bg Mkit_1aN,0 ld l,$NAN_DefA1,0 ld r,$GEN_DefA1,23 ld r,$GEN_KomaruA1,80 ;「…………今は忘れなさい…。」@ ;＜源次 `"............Forget it for now..."`@ ;　源次はポーンを一手進めながら嘉音に気遣う声を掛ける。@ `Genji spoke kindly to Kanon as he advanced a pawn.`@ br ;　…客間の空気が気まずくなり逃げ出してきた南條に求められ、チェスの相手をしているのだった。\ `...Nanjo had escaped from the parlor once the mood had become sour, and Genji had become his opponent in a game of chess upon Nanjo's request.`\ bg Mkit_1bN,23 ;「………はい。@……今は、忘れます。」@ ;＜嘉音 `".........Yes.`@` ......I will forget it for now."`@ ;「…うむ。@それがいいだろう。」\ ;＜源次 `"...Hmm.`@` That is probably for the best."`\ ;　源次はわざと嘉音の方を向かずに言う。@ `Genji purposefully faced away from Kanon as he spoke.`@ br ;　…今の嘉音にとって、自分の瞳を誰かに見られることは、かえって辛いことなのかもしれないと理解していたからだ。@ `...He did so because he understood that it might make things tougher on Kanon if he noticed that someone was looking at his eyes.`@ br ;　南條もそれを理解していて、安易な言葉をぐっと堪えるのだった。\ `Nanjo also understood that, and held back any thoughtless words.`\ bg Mkit_1aN,23 ld r,$NAN_fumuA1,24 ;「……金蔵さんも、どこへ行かれたんでしょうな…。@……ご無事だといいのですが…。」@ ;＜南條 `"......I wonder where Kinzo-san has gone...`@`......I hope that he is safe, but..."`@ ld l,$GEN_MajimeA1,23 ;「………わかりません。@…ただ、全てはお館様が望まれ、仕組まれたことのように思っています。@……それを邪推することは、お館様にお仕えする家具には過ぎたことです。」\ ;＜源次 `".........I do not know.`@` ...Only, I think everything is as the Master hoped, as he has arranged.`@` ......To distrust that would exceed my role as furniture working for the Master."`\ ld r,$NAN_defA1,80 ;「…源次さんは怖くないのですか…？@　私には、今夜まだ何か、良くないことが起こるような気がして、怖いのです…。」@ ;＜南條 `"...Aren't you scared, Genji-san...?`@` I am frightened something bad will occur again tonight..."`@ ld l,$GEN_MajimeA2,80 ;「…………怖いことなど何も。@…私はただ、右代宮家にお仕えするだけですので。」@ `"............I have nothing to be afraid of.`@` ...I simply work for the Ushiromiya family."`@ ld r,$NAN_KomaruA3,80 ;　南條は、ふぅっと鼻から深く溜め息を吐き出すと、熟考の一手を指すのだった。\ `Nanjo sighed through his nose, and made a carefully considered move.`\ bg black,22 ;　…南條は少しだけ怪訝に思う。@ `...Nanjo was very slightly dubious.`@ br ;　……ひょっとして源次は、自分のことを蚊帳の外だと思っているのではないかと。\ `......Could Genji possibly think that he would be left out of this?`\ dllefe 1,1 bg M_o1aN,22 ;　この屋敷の中で今何が起こっているのか、まったく想像がつかない。@ `He couldn't even imagine what was happening inside this mansion.`@ ;　…しかし、金蔵が仕組んだ何かである可能性は決して否定できない。\ `...But he definitely couldn't deny the possibility that Kinzo had devised something.`\ dllefe_off bg black,22 bg chess1,22 meplay2 2,11,90 ;　…この島をチェスに見立てて金蔵がゲームを行い、その結果、６人の駒が倒れた。@ `...If you liken this island to chess, Kinzo had opened the game, and as a result, six pieces had been defeated.`@ br ;　……源次はそれを、自分だけはチェス盤の外側にいるから安全だと思い安心しているのではないだろうか。\ `......Could it be that Genji was calm because he believed that he only was on the outside of the chessboard and safe?`\ ;　南條は思う。@ `Nanjo thought about it.`@ br ;　……このチェス盤の上には、誰という例外はなく、全員が等しく駒として並べられているのではないだろうか。@ `......Isn't everyone just a piece on this chessboard, lined up equally, without any exceptions?`@ br ;　……金蔵から最高の信頼を得ている源次であっても、@…いや、唯一の親友であると自負している自分さえも、@…このチェス盤の上に置かれた駒に過ぎないのではないだろうかと。\ `......Wasn't even Genji, who had gained more of Kinzo's trust than anyone,`@` ...no, who was confident of his position as Kinzo's only close friend, `@`...just another one of the pieces laid out on the chessboard?`\ bg black,22 ;「………源次さん。@…私は、今夜が本当に怖いのです。@……無事に明日の朝を迎えられることを心より願っています…。」\ ;＜南條 `".........Genji-san.`@` ...I am really frightened about tonight.`@` ......I'm hoping with all my heart that we will be still be safe when tomorrow morning comes..."`\ ;■絵羽たちの客室 textoff dllefe 1,1 mevol 1,70 meplay 2,12 bg M_o1bN,22 wait 3000 bg black,22 dllefe_off mevol 1,40 mevol 2,40 wait 500 fede 1,2000 bg M2F_R4cN,26 se1 21 ;　絵羽たちが移動した客室は、ゲストハウスが建てられる前、来客を泊めるのに使われていた本来のものだった。\ `The guest room that Eva and Hideyoshi had moved into had originally been built to house guests before the guesthouse had been constructed.`\ ;　だからほんの数年前までは、親族会議の度に世話になっている馴染みの部屋でもあった。@ `So until a few years ago, they had stayed in this room every family conference and were very familiar with it.`@ br ;　この部屋はホテルの客室と同じで、ベッドルームにバストイレが付き、@同じ閉じ篭っているだけなら、客間よりもはるかに居心地がよかった。\ `This room, just like a room at a hotel, had a bedroom and a bathroom,`@` so even though they were still shut in, it was far more comfortable than the parlor.`\ bg M2F_R4bR,24 ld r,$HID_DefA1,24 ;「やっぱり、家族だけだとリラックスできるな。@……他のみんなも客室に篭って鍵を掛けてりゃええんや。」\ ;＜秀吉 `"Guess it's true that you can relax more when you're alone with your immediate family.`@` ......Maybe it'd be better if everyone else also shut themselves in guest rooms and locked the doors."`\ ld l,$EVA_KomaruA1,23 ;「夏妃姉さんが客間を出るなって威張り散らしてるんだもん。@誰も口答えなんてできないでしょ。@/ `"Natsuhi nee-san said that no one could leave the parlor, throwing her weight around.`@` I'm sure no one will be able to talk back. `@/ ld l,$EVA_komaruA3,80 ;あの人、ずっと冷や飯を食ってきたから、兄さんが死んでやっと天下が来たって張り切ってんのよ。@…まったく、ずうずうしいったらありゃしない。」\ ;＜絵羽 `That person, she was always so dependent, and now that Nii-san's dead, she's in such high spirits that she's taking charge.`@` ...Seriously, how shameless can she be."`\ ld r,$HID_waraiA2,80 ;「…まぁ、そう言うな。@夏妃さんもあれで結構がんばっとるんやで。@お前も、そう突っ掛からんでもええやないか。@/ `"...Come now, don't say that.`@` Natsuhi-san's doin' pretty well.`@` No need to jump on her like that. `@/ ld r,$HID_defA1,80 ;………さっきのレシートの件も、あそこまでは言い過ぎやで。」@ `.........And about that receipt earlier, you went too far there."`@ ld l,$EVA_hohoemiA2,80 ;「……だってぇ。@あそこで言わなかったら、もう言うタイミングがないんだもん…。」\ `"......Come on.`@` If I hadn't said it there, there wouldn't be another good time to say it..."`\ bg black,22 ;　絵羽は可愛らしく膨れながら、テレビを見ながらベッドに横たわっている秀吉の脇に座る。\ `Eva, sulking cutely and looking at the television, sat alongside Hideyoshi, who was lying on the bed.`\ bgmplay2 8,0 cross2 4000,70 bg M2F_R1dN,26 ;「でも、…………こうして二人きりになるのはずいぶん久しぶりよね。」@ `"Still, ............it's been a very long time since we've been alone like this."`@ ;「そうやなぁ。@思えば、わしもお前も老けたもんや。@譲治が生まれてから、何もかもがあっという間や。」\ `"You're right.`@` When I think about it, both you and I have gotten older.`@` Since George was born, everything's gone by in the blink of an eye."`\ ;「…本当にあっという間よ。@……子どもを作るの、焦り過ぎたかしら。」@ `"...It really has gone by in the blink of an eye.`@` ......I wonder if we were too hasty in having a child."`@ br ;　絵羽は遠くを見る目をする。@ ;　……そう、あれは千載一遇のチャンスだと思った。\ `Eva's eyes looked like they were staring off into the distance.`@ `......Yes, she had thought it had been a once-in-a-lifetime chance.`\ bg black,42 ;　…兄の蔵臼がいつまでも子どもを設けられなかったのだ。@ `...Her older brother Krauss had been unable to have a child for quite some time.`@ ;　夏妃と結婚してから６年を経ても懐妊の兆しが見えず、金蔵はそれを不快に思っていた。@ `Six years passed after his marriage to Natsuhi without any signs of pregnancy, which didn't please Kinzo at all.`@ br ;　自分は、どうせ結婚すれば右代宮の籍を失うのだから、当主跡継ぎが生まれるだの生まれないだのはどうでもいい話。@…そう思っていた。\ `Eva herself had thought that, since when she married, her name would be moved outside the Ushiromiya register anyway, it didn't matter whether the successor to the head was born or not.`\ bg M1F_P1d,22 ;　それが、ある日。@……天の啓示を聞いたのだ。@ ;　……あるいは、欲深な自分が聞いた悪魔の囁きだったのか。@ `And then, one day,`@` ......she had a heavenly revelation.`@ `......Or maybe it was the whisperings of the devil that she had heard in her greed.`@ br ;　自分が先に跡継ぎを出産できれば、右代宮の籍に残れるのではないか。@ ;　…あわよくば、右代宮家を自分が引き継げるのではないか…。\ `Why couldn't she remain in the Ushiromiya register by giving birth to a successor first?`@ `...If things went well, could she inherit the Ushiromiya family herself...?`\ ;　相談を持ちかけられた秀吉は、二つ返事で頷いてくれた。@ ;　……これは、秀吉も欲深な考えがあったからではない。\ `When she proposed this to Hideyoshi, he had approved of it instantly.`@ `......This had not been because Hideyoshi also had greedy thoughts.`\ bg black,22 ;　…身寄りのなかった秀吉にとってそれは、@忘れて久しい親族というものをもう一度感じることのできる機会だったのだ。@ `For Hideyoshi, who had no close relatives,`@` it was a chance for him to feel once more the long forgotten thing called family.`@ br ;　だから、結婚する上でどちらの苗字になるかはこだわらないと、あっさり頷き、右代宮姓で入籍することを認めてくれた。\ `So when they got married, he had not fussed over which last name they were to keep, and had quickly agreed to have his name entered into the Ushiromiya family register.`\ bg M_o1b,22 ;　金蔵を口説き落とすのは簡単ではなかったが、絵羽も娘として金蔵の性分を知り尽くしていた。@ `It hadn't been easy to persuade Kinzo, but as his daughter, Eva knew Kinzo's personality well.`@ br ;　……だから、夏妃に対する不満がもっとも高まっているタイミングを見計らい、@見事、婿養子を迎えることを認めさせたのだ。\ `......So, by choosing the time when Kinzo was most dissatisfied with Natsuhi,`@` she was magnificently able to make him accept Hideyoshi as a son-in-law.`\ ;　……裸一貫から立身した秀吉に、金蔵はどこか自分と重なるものを見たのかもしれない。@ `......Looking at Hideyoshi, who had achieved success after starting from nothing, Kinzo might have seen a little bit of himself.`@ br ;　すぐに秀吉を気に入り、入籍を認めてくれた…。\ `He quickly grew to like Hideyoshi, and permitted him to transfer into the Ushiromiya register...`\ bg black,22 ;　譲治をやがては右代宮家の跡継ぎにする。@ ;　その一念で厳しく育ててきた。@ `George would eventually become successor to the Ushiromiya family.`@ `They had raised him strictly with that purpose in mind.`@ ;　甲斐あり、譲治はどこに出しても恥ずかしくない素晴らしい青年に成長してくれた。@ `George had been worth their while, and had grown into a fabulous young man who wouldn't disappoint no matter where he went.`@ ;　…だから、使用人の紗音如きに恋心を寄せているのが許せなかった。@ `...That was why he had not been permitted to fall in love with a servant like Shannon.`@ br ;　……だから、紗音が死んで婚約が無効になったとわかった時、@……凄惨な事件に衝撃を受ける自分と同時に、@可愛い譲治を使用人女如きに奪われなくてよかったと安堵する自分が同時にいた…。\ `......So when she had learned that Shannon was dead and the engagement was invalid, `@`......while part of her had been shocked at the gruesome crime,`@` part of her had been relieved that her cute George wouldn't be stolen by some servant girl...`\ bg M2F_R4aN,26 ld r,$EVA_komaruA2,24 ;「………………。@………私、/ `"...............`@`.........I, `/ ;!d400………蔵臼兄さんのことが、昔から嫌いだったわ。@偉そうで、威張ってて。@自分がやがては当主になるのだと自慢してて。@……だから、それに一矢報いてやりたかった。@…でも、それは子どもの頃の感情なのよ…？@　でも、その感情は、……結局、自分の人生のほとんどを支配した。@それだけならまだいい！@　……その感情は、あなたや譲治まで巻き込んで、振り回してしまった。」\ !d400`............have hated Krauss nii-san since long ago.`@` He was so full of himself, always swaggering around.`@` So proud that he would one day become the head.`@` ......So I wanted to get back at him.`@` ...Was that just a childish emotion...?`@` But in the end, that emotion guided my entire life.`@` If that had been all, then it would have been fine!`@` ......But because of that emotion, I got you and George involved. I used you."`\ ld l,$HID_defA1,26 ;「…………絵羽、そない自分を責めるな。」@ ;＜秀吉 `"............Eva, don't blame yourself for that."`@ ;　秀吉は起き上がり、絵羽の肩を抱く。@……温かい包容力が伝わる。\ `Hideyoshi got up and held Eva's shoulder.`@` ......She could feel a warm understanding from him.`\ ld l,$HID_fumuA1,80 ;「…わしはな、自分の人生はもうとっくに折り返しに入っとる。@…でもな、今日までの生活を後悔したことは一度もないで。@一度もや。\ `"...Well, I reached the halfway point in my life long ago.`@` ...But you know, I have absolutely no regrets about how I've lived my life.`@` Not one.`\ ld l,$HID_WaraiA2,80 ;………絵羽と一緒で、他の男どもじゃ味わえん楽しい人生になったと思っとる。@……戦争で身寄りを失ったわしに、もう一度家族の温もりを教えてくれた。@だから右代宮の家には感謝しとるし、わしの唯一の家だと思っとる。\ `.........I think that since I've been with you, Eva, I've been able to relish an enjoyable life that other men never will.`@` ......After I lost my relatives in the war, you taught me once more what the warmth of family is.`@` So I'm grateful the Ushiromiya family and think of it as my only family.`\ ld l,$HID_defA1,80 ;………わしとお前が歩んできた人生にな、無駄なことなんか、なーんにもなかった。@今日まで、ホンマに楽しい人生やったで。」\ `.........In this life I've led with you, not a single thing has been wasted.`@` It's really been a fun life up to today."`\ bg black,5 ;「……ありがとう、/ ;!d500……あなた。」\ `"......Thank you, `/ !d500`......dear."`\ ;　絵羽は俯き、秀吉の胸に顔を埋める…。@ ;　……客間にいる誰にも、絵羽のこんなもろい姿を想像することはできないだろう。\ `Eva hung her head, burying her face in Hideyoshi's chest...`@ `......Probably, no one in the parlor could even imagine that this side of Eva existed.`\ ;「感謝するのはわしや。@今日まで、お前と一緒にいて、後悔した日なんてあらへん！」@ ;「………………私もよ。@あなたと一緒になれて、…よかった。」\ `"I'm the one who should be thankin' you.`@` Until today, there hasn't been a single day that I've regretted being with you!"`@ `"...............Me too.`@` I'm so glad...to have you by my side."`\ bg M2F_R1dN,6 meplay2 1,12,40 ;「譲治ももう立派な大人や。@わしが見張ってなくてもしっかり仕事ができる一人前や。@……どや。@正月辺りをのんびりモルジブ辺りで過ごさんか。@わしら二人水入らずや。」@ `"George is already a fine adult.`@` Even if I don't look out for him, he's a man who could do his job well on his own.`@` ......I wonder.`@` Around New Year's, do you want to go spend some time in the Maldives?`@` Just us, no one else."`@ ;「……いやぁよ。@毎年、年賀状の返礼で寝る暇もないとか言ってるじゃない…。」\ `"......No wa-y.`@` Aren't you always saying that you're so busy responding to New Year's cards that you don't even sleep...?"`\ ;「次の正月だけはナシや！@　年賀状は見ん。@黙って、下のお年玉くじだけチェックするんや。@今年はカラーテレビくらい当てたいで！」@ `"None of that this New Year's!`@` I won't read New Year's cards.`@` I'll just stay quiet and check to see if I've won the New Year's lottery.`@` It'd sure be nice if we won a color TV this year!"`@ ;「いやぁだぁ…。@モルジブでお年玉くじのチェックなんてしたくないぃ…。」\ `"No wa--y...`@` I don't want to check the lottery in the Maldives..."`\ ;「じゃあ、そいつもナシや！@　……水入らずのんびりで、譲治が生まれる直前の新婚時代の、続きをちょいとしてみんか。」@ `"Then none of that either!`@` ......How does it sound?`@` Just the two of us, taking our time, a continuation of when we were newlyweds, just before George was born."`@ ;「………うん。@…それならいいわね…。」@ ;「モルジブはええとこらしいで。@何もない島に美しい珊瑚礁と水上コテージが並んでてな…。」\ `".........Yes.`@` ...In that case, fine..."`@ `"I hear the Maldives are wonderful.`@` An island with nothin' on it, surrounded by beaut'ful coral reefs and cottages lined up over the water..."`\ bg M2F_R4cN,26 ld r,$EVA_komaruA1,24 ;「……新婚時代の続きって、いつからなの…？」@ `"......A continuation of when we were newlyweds, you say, starting when...?"`@ ld l,$HID_defA1,23 ;「仕事納めしたらすぐや。@旅行店に聞いてみんとわからんが、多分、大晦日前には、」@ `"As soon as I've finished some business.`@` I won't know until I ask the travel agency, but probably before New Year's Eve-"`@ ld r,$EVA_komaruA3,80 br ;「いやぁ。@………今、/ ;!d800…すぐがいい。」\ `"No way.`@` .........Right now, `/ !d800`...I want to go right now."`\ textoff cl a,4 wait 700 seplay2 1,13,40 ;　ぐずるように、あるいは甘えるように、絵羽は唇をねだる…。@ `Eva nagged at his lips, peevishly, or maybe coquettishly...`@ br ;　部屋を満たすものは、秀吉が付けっ放したニュースの遠いアナウンサーの声と、無粋に窓を叩きつける雨音だけだった…。\ `The only sounds that filled the room were the distant voice of the announcer on the news, which Hideyoshi had left on, and the obnoxious pounding of the rain against the window...`\ ;■時間経過シーン textoff wait 2000 bg black,5 fede 1,3000 mevol 1,70 dllefe 1,1 bg M_o1aN,22 wait 2000 mevol 1,40 dllefe_off bg M1F_P1bN,6 wait 2000 bg black,24 se1 19 wait 1500 se1 15 bg M1F_S1aN,0 ld l,$GEN_MajimeA2,24 ;　コンコンとノックがあってから源次さんが入ってきた。\ `There was a knock on the door, and Genji-san entered.`\ ld l,$GEN_DefA1,80 ;「………奥様。@お夕食の準備が整いました。@お食事は、またこちらでよろしいですか…？」@ ;＜源次 `".........Madam.`@` Dinner has been prepared.`@` Will you eat in here again...?"`@ ld r,$NAT_DefA1,24 ;「…えぇ。@ここへ運ばせなさい。@南條先生はまだ厨房にいるのですか？」@ `"...Yes.`@` Bring it here.`@` Is Doctor Nanjo still in the kitchen?"`@ ld l,$GEN_MajimeA1,80 ;「…………はい。@次の一手を熟考したいと仰っております。@…ご安心を、他の使用人たちと一緒です。」\ `"............Yes.`@` He has said that he wishes to carefully deliberate over his next move.`@` ...Do not worry, he is with the other servants."`\ bg M1F_S1cN,24 ld r,$JES_DefA2,24 ;「源次さんは祖父さまの相手ができるくらい、チェスが強いもんな。@南條先生よりも強いらしいぜ？」@ ;＜朱志香 `"Genji-san's good enough at chess to be Grandfather's opponent.`@` I hear he's even better than Doctor Nanjo, right?"`@ ld l,$GEO_HohoemiA1,23 ;「…そうなんだ。@昔、相手をしてもらったことがあるけど、あれは勝たせてくれたのかな。」\ ;＜譲治 `"...That's right.`@` Long ago, he played against me, but he must have let me win."`\ bg M1F_S1bN,23 ld c,$BUT_DefA1,24 ;「真里亞、もうすぐメシだそうだぜ。@しかし、よく一日中テレビを見ていて飽きねぇなぁ！」@ ;＜戦人 `"Maria, sounds like it'll be time to eat soon.`@` But look at you, you've been watching TV all day long and you still haven't gotten bored!"`@ ld l,$MAR_DefA1,26 ;「うー。@いつもテレビいっぱい見てるから平気。@うー。」\ `"Uu-.`@` I've been watching TV the whole time so I'm fine.`@` Uu-."`\ ld r,$GEO_WaraiA2,24 ;「へー、真里亞ちゃんはテレビっ子なんだね。」@ ;＜譲治 `"Heh, Maria-chan sure is a TV kid."`@ cl c,23 ld c,$JES_WaraiA1,24 ;「食事だから、机の上を片付けないと駄目だぜ。」\ ;＜朱志香 `"Food's coming, so we have to clean up the table."`\ ;　さっき、真里亞のノートを何ページか破いて、みんなでお絵かき大会をした残骸が残っている。@ `Just now, we had torn several pages of Maria's notes out, and there was a mess where everyone had been drawing together.`@ br ;　それを朱志香が手早く片付け始める。@ ;　……しかし、みんな絵心あるよな。@びっくりだぜ。\ `Jessica began cleaning that up quickly.`@ `......Still, everyone here sure can draw.`@` Really shocking.`\ bg black,23 bg M1F_S1aN,0 ld r,$NAT_defA1,23 ;「……源次。@絵羽さんたちにも、せめて食事くらい一緒にしないかとお声を掛けなさい。@……どうせ断るでしょうが。」@ ;＜夏妃 `"......Genji.`@` Ask Eva-san and Hideyoshi-san whether they would at least like to have dinner with us.`@` ......Although they will probably turn us down."`@ ld l,$GEN_KomaruA1,23 ;「…かしこまりました。」\ `"...Certainly."`\ ld r,$NAT_ZutuuA1,80 ;「お父様の次は絵羽さんですか…。@つくづく、右代宮家の食卓には全員が揃いませんね。」@ ;＜夏妃 `"So Eva-san follows after Father...`@` It's really hard to gather everyone to the Ushiromiya dinner table."`@ ;　夏妃は再び頭痛が疼き出すのを感じ、軽くこめかみを押さえるのだった…。\ `Natsuhi felt her headache start throbbing again, and lightly held her temples...`\ ;■絵羽たちの客室の前廊下 bg black,23 fede 0,2000 textoff wait 1000 meplay2 1,13,40 meplay2 2,5,40 bg M2F_P1bN,22 ;　厨房から客室はそう離れていないから源次もひとりで行き来したが、客室は少し遠ざかる。\ `The distance from the kitchen to the parlor wasn't that large, so Genji had gone and come back by himself, but the guest room was a little farther away.`\ ;　夏妃にみだりにひとりにはならないようにと注意されたし、@ついさっき、南條にも危機感をもっと持った方がいいと諭されたばかり。@ `Natsuhi had warned him unnecessarily not to be alone,`@` and just now, Nanjo had also admonished him, saying that it would be better if he held a little more concern for his safety.`@ br ;　…源次は嘉音を伴い、二人で絵羽たちの客室を訪れていた。\ `...Kanon accompanied Genji, and the two of them went to visit Eva and Hideyoshi in their guest room.`\ bg black,24 textoff bg M_door1,2 se1 19 wait 1000 ;　源次が、コンコンとノックする。\ `Genji knocked on the door.`\ ld r,$GEN_MajimeA2,23 ;「……絵羽さま、秀吉さま。@お夕食の準備が整いました。」@ ;　しばらくの間、出てくるのを待ったが反応がなかった。\ `"......Eva-sama, Hideyoshi-sama.`@` Dinner has been prepared."`@ `He waited a short while for them to come out, but there was no response.`\ ld l,$KAN_OdorokiA2,23 ;「…………源次さま、……これは。」\ ;＜嘉音 `"............Genji-sama, ......Look at this."`\ bg black,25 ;　嘉音が扉の下を指差す。\ `Kanon pointed under the door.`\ se1 24 bg letter1,22 ;　……そこには洋形封筒が差し込まれていた。\ `......A western-style envelope had been inserted under it.\ ;　こういう差し込まれ方をしたら、それは外部の人間が室内にいる人間に対し、メッセージを残していったように受け取るのが普通だろう。@ `Normally, when something was inserted this way, it would be interpreted as a message from someone outside to someone in the room.`@ br ;　…だから、これは絵羽たちに充てた私文書で、彼らが関心を持っていいものではないはず。@ `...So since this might be a private note meant for Eva and Hideyoshi, it was not something that Kanon and Genji were supposed to take interest in.`@ br ;　…しかし、その洋形封筒は、@……昨夜、真里亞が取り出して全員を驚かせた、あの金蔵の封筒なのだ。\ `...But this western-style envelope,`@` ......was Kinzo's envelope, the same as the one Maria had taken out last night and surprised everyone with.`\ bg M_door1,22 bgmplay 26 ld r,$GEN_majimeA1,26 ;「…………………。@…間違いない。@お館様の封筒だ。」@ ;＜源次 `"...............`@`...There can be no mistake.`@` It is the Master's envelope."`@ ld l,$KAN_OdorokiA2,23 ;「……あるいは、/ ;!d600…………。」@ ;＜嘉音 `"......Or could it be`/ !d600`............"`@ br ;　金蔵の封筒ではあっても、……昨日の夜、真里亞が読み上げたその手紙の主は金蔵ではなかった……。\ `Even though it was Kinzo's envelope, ......the author of the letter Maria had read aloud last night had not been Kinzo......`\ bg black,22 bg M_door2,22 se1 19 ;　源次は一層強くノックを繰り返し、大きい声で呼んだ。\ `Genji continued knocking a little harder and called out in a loud voice.`\ ;「絵羽さま。@絵羽さま…！@　源次でございます。@いらっしゃいますか？！@　お返事をお願いいたします、絵羽さま…！！」\ `"Eva-sama.`@` Eva-sama...!`@` It is Genji.`@` Are you there?!`@` Please answer, Eva-sama...!!"`\ ;　しかし中からは何の返事もない。\ `But there was no response from inside.`\ ;　食事に呼びに行った時、客人が深く眠ってしまっていて起きないことはたまにある。@ `Sometimes, when the servants went to call some guests for a meal, the guests would be sleeping so deeply that they wouldn't wake up.`@ ;　…そういう時は、呼びに来たことを示す手紙を挟んでそっとしておくことになっている。@ `...In times like that, the servants would stick a letter in the door to show that it was time to come out, and leave the guest be.`@ br se1 19 ;　……しかし、源次はそれにもかかわらず、さらに激しく扉を叩いて絵羽の名を呼んだ。@ `......But despite that, Genji beat even harder on the door and called out Eva's name.`@ ;　だが返事はない。\ `However, there was no answer.`\ bg black,22 se1 21 ;　嘉音は扉に耳をつけ、息を殺し室内の物音を探る…。\ `Kanon stuck his ear up to the door, and holding his breath, listened for any sounds coming from inside...`\ bg M_door1,0 ld r,$KAN_KomaruA1,22 ;「…………テレビの音らしきものが。@…でも気配が感じられません。@…お部屋は空っぽかも…。」@ `"............I hear something that sounds like the television.`@` ...But I don't sense anyone.`@` ...The room might be empty..."`@ br ;　源次はハンカチを取り出し、直接指で触れてしまわないように注意しながら、@扉の下に差し込まれている封筒をそっと引き出す…。\ `Genji took out a handkerchief, and, careful not to touch it with his bare hands,`@` gently pulled out the envelope which had been stuck under the door...`\ meplay2 3,16,40 ;　そこには真っ赤な封蝋がされていた。@ ;　…封蝋の印は、紛れもなく右代宮家当主の指輪によるもの…。\ `It had been sealed with deep red sealing wax.`@ `...Without a doubt, the mark on that sealing wax had come from the Ushiromiya family Head's Ring...`\ ld l,$GEN_majimeA1,26 ;「絵羽さま！@　絵羽さま！！@/ `"Eva-sama!`@` Eva-sama!! `@/ se1 19 ;　どうかお返事を！！@/ `Please, answer!! `@/ se1 19 ;　もうお部屋にはいらっしゃいませんか？！」@ ;＜源次 `Are you still in your room?!"`@ br ;　それでもやはり返事はない…。\ `Even so, there was still no answer...`\ ;　二人が屋敷内をぶらりと散歩している可能性はある。@ `There was a chance that the two were aimlessly walking around the mansion.`@ br ;　…絵羽にとってこの屋敷は生家だ。@ ;　気楽に出歩くことは充分に考えられる…。\ `...This was the home Eva had grown up in.`@ `There was plenty of reason to think that she had gone out on a casual stroll...`\ bg M_door2,22 se1 31 ;　源次はポケットをまさぐり、客室が開けられる鍵を含んだ鍵束を取り出す。\ `Genji groped around in his pocket, and pulled out the bundle of keys that contained the key that would open the guest room.`\ ;「……源次さま…？！」@ ;　嘉音にも意味はわかっている。@ `"......Genji-sama...?!"`@ `Kanon also understood what this meant.`@ br ;　……客人の外出を見届けた後に、ベッドメイク等のために鍵を開けて入ることはある。@ `......They would sometimes unlock the door so they could go in and do things like make the beds, but only after they had made sure the guest was out.`@ br ;　だが、それ以外の理由で、ましてや在室の可能性がある状況下でしかも客人の許可なく鍵を開けることは、使用人にあるまじき行為だ。\ `To unlock the door for a separate reason, and especially to do so when there was a chance the guests were still in there and without their permission, was an action unbecoming of a servant.`\ bg black,22 ;　…しかし源次は決断する。@ ;　………もし、ただノックに返事がないだけだったらここまではしなかった。\ `...But Genji had decided.`@ `.........If the only problem had been that his knock hadn't received a reply, he wouldn't have gone this far.`\ ;　しかし、扉の下にある封筒は紛れもなく金蔵のもの。@ `But the envelope under the door was doubtlessly Kinzo's.`@ ;　……いや、右代宮家当主の洋形封筒。@ `......Or rather, one of the western-style envelopes of the Ushiromiya family head.`@ ;　…そしてその封筒は昨夜の時点から差出人を金蔵に限らなくなった。@ `...And after last night, the sender of this envelope could be someone other than Kinzo.`@ br ;　……もしそれが、金蔵以外の人間から差し出されたものなら………。\ `......If this letter had been sent by someone other than Kinzo.........`\ ;「絵羽さま…！@　申し訳ございません。@お部屋を失礼させていただきます…。」@ `"Eva-sama...!`@` My apologies.`@` Allow me to enter your room..."`@ br ;　源次は最後にそう断ってから、鍵穴に鍵束の内のひとつを差し込む。\ `After giving that final notice, Genji stuck one of the keys from the bundle into the keyhole.`\ se1 25 wait 1000 ;　鍵が開く音。@ ;　……そして、ゆっくりとノブを捻り、扉をゆっくりと開けていく。@ `There was the sound of the door unlocking.`@ `......And, after slowly turning the knob, he slowly started opening the door.`@ se1 17 bg white,10 bg black,22 br ;　その隙間から灯りが漏れてきた。@ ;　……在室している？@　それとも、……電気の消し忘れ…？\ `A light seeped through the crack of the door.`@ `......Were they in the room?`@` Or had they, ......forgotten to turn out the lights...?`\ bg M_door2,1 se1 32 ;　ガチャン。\ `*clank*.`\ ;　…それはドアチェーンを引っ張る音だった。@ ;　チェーンが掛けられていたのだ。\ `...It was the sound of the door chain being pulled tight.`@ `The chain had been secured.`\ ;　チェーンは外から掛けられないものだ。@それは同時に在室も示す。@ `The chain couldn't be secured from the outside.`@` That meant that they were in the room now.`@ br ;　部屋の中からはテレビの音声も漏れ聞こえた。@ `The sound of voices on the TV seeped out of the room.`@ ;　…灯り、チェーン、そしてテレビ。@ `...The lights, the chain, and the TV.`@ br ;　それらが示すのは明らかな在室なのだが、@………気配がない。\ `All of these things made it clear that they were in the room,`@` .........but there was no sign of them.`\ ;　源次は扉の隙間より再び絵羽を呼んだ。@ ;　だが返事はなかった。\ `Genji called to Eva once again through the crack of the door.`@ `But there was no answer.`\ bg M_door1,22 ld l,$KAN_DefA2,23 ;「…………………源次さま…。@…………いかがしますか…。」\ ;＜嘉音 `"...............Genji-sama.`@` ............What should we do...?"`\ ;　使用人たちはその職務上、屋敷内のほとんどの施錠を開けることができる。@ ;　しかしチェーンを開ける術は持たない。@ `As part of their job, the servants were able to unlock almost any lock in the mansion.`@ `But they had no way to open a door with a chain.`@ br ;　……このチェーンを開けるには、切断するしかない。@ ;　…それは使用人が通常の業務の中で許されたことでは断じてない。\ `......The only way to get by the chain was to cut it.`\ `...That was certainly not permitted as part of a servant's usual work.`\ ;　……すでに不気味な悪寒が二人の背中を駆け上っていた…。@ `......A creepy chill had already rushed up their backs...`@ ;　嘉音は再び息を殺し、室内の気配をうかがうが、それでも誰の気配も感じ取ることができなかった。\ `Kanon held his breath again and tried to sense someone through the door, but even so, he was not able to sense anyone.`\ ld r,$GEN_majimeA1,24 ;「……………私は奥様をお呼びしてくる。@…嘉音はチェーンの切断を。」@ `"............I will call Madam and return.`@` ...Kanon, cut the chain."`@ ld l,$KAN_defA2,80 ;「は、……はい…！」@ `"Y, ......yes...!"`@ cl l,64 ;＜嘉音 ;　切断する工具を取りに、慌てて駆け出していく嘉音を源次が呼び止める。\ `Kanon, who was rushing away hurriedly to get a cutting tool, was called back by Genji.`\ ld r,$GEN_defA1,80 ;「待て嘉音…！@　………厨房に戻り、熊沢と行動するように。@断じて、ひとりで行動してはならんぞ。」@ ;＜源次 `"Wait, Kanon...!`@` .........Return to the kitchen and take Kumasawa with you.`@` You must not act alone."`@ ld l,$KAN_defA1,23 ;「……はい…。@かしこまりました…。」\ `"......Yes...`@` Certainly..."`\ ;　嘉音は、この緊急事態に何を面倒なことを、と思ったようだった。@ ;　……だがそれは源次の用心深さゆえのことだった。@ `It looked like Kanon was wondering why he had to do something so troublesome in the middle of this urgent situation.`@ `......But Genji had said it out of wariness.`@ br ;　…自分はどうなろうと構わない。@ `...He didn't care what happened to himself.`@ ;　……しかし嘉音には、万一のことはあってほしくなかった。\ `......But in the worst case scenario, he didn't want anything to happen to Kanon.`\ ;■厨房 textoff bg black,23 fede 1,1000 bgmplay 28 bg M1F_P1bN,23 wait 1000 bg black,23 bg Mkit_1aN,23 ;　厨房には、配膳台車に食事を積み込んでいる熊沢と、@起死回生の一手がようやく思いついたらしく、それを見せたくて源次の帰りを待っていた南條がいた。@ `In the kitchen was Kumasawa, who was piling food on the serving cart, `@`and Nanjo, who seemed to have thought of a move that would turn the tables on Genji, and had been awaiting his return, wanting to show him.`@ br ;　…だが、戻ってきた源次の様子がおかしいことにすぐ気付く。\ `...But he immediately realized that something was wrong with Genji's appearance.`\ bg Mkit_1bN,0 ld r,$NAN_Defa1,24 ;「……おや、……どうしましたか、源次さん…。」\ ;＜南條 `"......Oh, ......what has happened, Genji-san..."`\ ld l,$GEN_majimeA2,23 ;「………南條先生、申し訳ありませんが、この勝負は一度中断させてください。@/ `".........Doctor Nanjo, my apologies, but please allow this match to be suspended one more time. `@/ ld l,$GEN_MajimeA1,80 ;………嘉音はチェーンを頼む。@熊沢、食事の配膳は一時中断し、嘉音と同行するように。@私は奥様のところへ行く。@南條先生もご一緒に。」@ `.........Kanon, take care of the chain.`@` Kumasawa, stop setting up dinner for now and accompany Kanon.`@` I will go over to Madam.`@` If you would come with me, Doctor Nanjo."`@ ld r,$NAN_komaruA4,80 ;「な、…何かあったんですかな……。」\ ;＜南條 `"H, ...has something happened......?"`\ cl a,24 ;　源次は事情の飲み込めないままの南條をつれ、足早に出て行く。\ `Genji took Nanjo, who still didn't know what was going on, and quickly left the kitchen.`\ bg Mkit_1c,0 ld r,$KUM_MajimeA2,24 ld l,$KAN_OdorokiA2,23 ;「…熊沢さん。@申し訳ありませんが、僕と一緒に来てください。」@ ;＜嘉音 `"...Kumasawa-san.`@` My apologies, but please come with me."`@ ld r,$KUM_KomaruA1,80 ;「な、…何があったんですか、嘉音さん……。」@ ;＜熊沢 `"Wh, ...what happened, Kanon-san......?"`@ br ;　熊沢も、南條同様、事情が飲み込めずまったく同じことを口にしながら、廊下へ飛び出していく嘉音の背中を追うのだった…。\ `Kumasawa said almost exactly the same thing as Nanjo, unable to take in the situation, and chased after Kanon, who had flown out into the hallway...`\ bg black,24 ;　嘉音は熊沢を伴い、倉庫へ行き、@工具箱や壁いっぱいに掛けられたものの中から、チェーンの切断に使えそうな工具を物色する。\ `Kumasawa accompanied Kanon, and they went to the storehouse.`@` From amongst the tools packed in toolboxes and hanging on the walls, Kanon looked for a tool that could be used to cut the chain.`\ bg warehous_i1e,26 ;「何を探してるんですか…。@…私も手伝いますよ……。」@ `"What are you looking for...?`@` ...I will help......"`@ ;「……ドアチェーンを切断するんです。@…大きめの番線カッターはどこだっけ…。」@ ;「ドアチェーンを…？@　ど、どうしてそんなことをするんですか…。」\ `"......We're cutting a door chain.`@` ...Where was that large wire cutter..."`@ `"A door chain...?`@` Wh, why would you do something like that...?"`\ ;「…………絵羽さまたちのお部屋にチェーンが。@…中にいらっしゃるはずなのに、お声を掛けても返事がないんです。」@ `"............The chain to Eva-sama and Hideyoshi-sama's room.`@` ...Even though they should be inside, when we called to them, they didn't answer."`@ ; ;　熊沢は、チェーンを切ることと絵羽たちの返事がないこととを結びつけるのに、若干の時間を要したが、切迫した事態であることを理解した。\ `It took Kumasawa some time to figure out how cutting the chain and Eva and Hideyoshi not answering were connected, but she did realize that this was an urgent situation.`\ bg black,24 ;「これなら多分…。」\ `"This will probably..."`\ ;　嘉音は壁に掛けてあった大型の番線カッターを手に取る。@ `Kanon took down a very large wire cutter that had been hanging on the wall.`@ ;　カッターという名だが、形状は大型のペンチとでもいった方がわかりやすい。@ `It was called a cutter, but maybe it would be easier to understand if we said it was shaped like a large pair of pliers.`@ br ;　……指を容易に切断してしまえる危険な工具だと注意された記憶が蘇る…。\ `......The kind of thing that brings back memories of a dangerous tool that you might have been warned could easily cut through one of your fingers...`\ bg M2F_P1bN,26 ;　嘉音はそれを持ち、階段を駆け上がっていく。@ ;　………もう、直感していた。@ `Kanon took that and rushed up the stairs.`@ `.........He knew it instinctively.`@ br ;　…一分一秒を争って開けた方がいい。@ `...He should fight for every minute, every second to open it quickly.`@ ;　…………あるいは、/ ;!d800……もう…………。\ `............Or maybe, `/ !d800`......already............`\ ld l,$KUM_OdorokiA1,23 ;「待ってください、嘉音さん……！@　はぁ、…はぁ…！」@ `"Please wait, Kanon-san......!`@` Haah, ...haah...!"`@ ld r,$KAN_odorokiA2,24 ;「……早く！」\ `"......Hurry!"`\ bg black,22 ;　ようやく熊沢は追いつき、両膝に手を付いてぜぇぜぇと息をする。\ `Kumasawa eventually caught up with him, gasping for breath with both hands on her knees.`\ bg M_door1,22 ;　嘉音は番線カッターを持ち直し扉を見上げた時、あっ、と絶句した…。\ `When Kanon changed his grip on the wire cutters and looked up at the door, he let out an 'ah', struck speechless...`\ E_A bg black,22 se1 33 bg magicsquare_moon1,1 ;wait 500 ;nega 0 ;print 22 wait 4000 bgmplay 15 ;「………な、/ ;!d1000……何ですか、これは………。@………ひぃぃぃぃぃぃ……。」@ ;＜熊沢 `".........Wh, `/ !d1000`......what is, this.........`@`.........hiiiiiiiii......"`@ ;　顔面を蒼白にして、熊沢が力なく叫ぶ…。\ `Kumasawa screamed weakly, her face pallid...`\ ;　無理もない…。@なぜなら、そこには、………扉には、……あの、薔薇庭園の倉庫のシャッターに書かれていた魔法陣のように、@血のような塗料で、また不気味な図形が描かれていたからだ。\ `That was no surprise...`@` Because, right there, .........on the door, ......just like the magic circle that had been drawn on the shutter of the rose garden storehouse,`@` there was another eerie shape drawn with a paint that looked like blood.`\ ;　もっとも、今度のものを「魔法陣」と呼んでいいのかは怪しい。@ `However, it would be odd to call this one a 'magic circle'.`@ br ;　…なぜなら、それは魔法陣と聞いて一般人が想像するような、円の内側に図形が掛かれたものでなく、@もう少し幾何学的な図形が描かれていたからだ。@ `...Because, unlike what most people would think of as a magic circle, it wasn't a circle with shapes drawn inside it,`@` but a slightly more geometrical shape.`@ br ;　……しかし、その図形の隙間に書き込まれたアルファベットとは異なる奇怪な文字は、紛れもなく、あのシャッターの魔法陣と同じもの…。\ `......But since in the gaps of the figure, there was something written in strange characters that were not from the alphabet, this was doubtlessly the same as the magic circle on the shutter...`\ ;　しかし嘉音が絶句しているのは、この魔法陣の不気味さだけではない。@ ;　……こんなものは、さっきはなかったのだ…！！\ `But the thing that had Kanon struck speechless was not how eerie the magic circle was.`@ `......It was that something like this hadn't been here a short while ago...!!`\ bg black,22 ;meplay2 1, ;　厨房に一度戻った。@ ;　それから倉庫に工具を取りに行き、そのままここへ直行した。@ `He had returned to the kitchen for a short while.`@ `He had then gone to the storehouse to grab a tool, and headed right back.`@ ;　時間に直して５分も経っていないはずだ。@ `Put those together and it couldn't have been more than five minutes.`@ br ;　…その間に、こんな不気味なものが書き加えられているなんて…？！\ `...How could someone add something this creepy during that period of time...?!`\ ;　それらは本当に、今さっき描かれたものらしく、@まるで扉が生きて血を流すかのように、だらり、だらりと滴り落ちて、不気味な垂直の赤い筋を下に伸ばしていく……。\ `And as though it had just been drawn,`@` almost like the door itself was bleeding,`@` several unsettling vertical red lines slowly dripped down, getting longer and longer......`\ bg M1F_P1cN,0 ;「……ひぃいいぃぃぃぃ…、……ひぃぃぃぃぃぃぃぃぃ…！」@ ;＜熊沢 `"......Hiiiiiiiiiii..., ......hiiiiiiiiiiiiiiii...!"`@ se1 13 ;　熊沢は腰を抜かして、その場にへたり込む。@ `Kumasawa's knees gave way, and she sank down on the spot.`@ ;　…もし熊沢が先にそうしなかったなら、嘉音もそうしたかったに違いない。\ `...If Kumasawa hadn't done this first, then Kanon surely would have wanted to.`\ ;「……ベ…アトリーチェ…さま……………。」@ ;＜嘉音 `"......Be...atrice...sama..............."`@ ;「ひぃいいぃいぃ…！@　ベアトリーチェさまの仕業ですよ、恐ろしや恐ろしや…！！」\ `"Hiiiiiiiiiii...!`@` It's the work of Beatrice-sama, how horrid, how horrid...!!"`\ bg magicsquare_moon1,22 ;「………………………っ。」\ `".....................hh."`\ ;　嘉音は唾を飲み込んでから、番線カッターを構えて扉に近付く。@ ;　…不気味な魔法陣に近付きたくなんかないし、滴り落ちている不気味な血のようなものに触れたくもない。@ `Kanon gulped, then readied the wire cutter and approached the door.`@ `...He didn't want to get close to this disturbing magic circle, and he really didn't want to touch the steadily dripping substance that looked like blood.`@ ;　……だが、近付かなければチェーンは切断できないのだ。\ `......But if he didn't get close, he couldn't cut the chain.`\ ;　悪寒に耐えながらもう一度唾を飲み込み、意を決してからさらに近付いて番線カッターをチェーンに当てる。@ `Fighting this cold feeling, he gulped again, and after gathering his courage, went even closer, putting the wire cutter up against the chain.`@ se1 32 br ;　……そして渾身の力で絞ると、チェーンは想像していたよりもはるかにあっさりと切断された。\ `......He then pressed with all of his strength, and cut through the chain far more easily than he had imagined.`\ ;　切断されたチェーンは左右に分かれ、ちゃりちゃりと音を立てながらまだ揺れ続けている…。\ `The cut chain fell into two separate parts, which continued to clang as they swayed back and forth...`\ bg M2F_P1bN,22 ld c,$KUM_KomaruA1,26 ;「………嘉音さん、/ ;!d600………足元に封筒が……。@…しかもこれは、…お館様のもの……。」\ ;＜熊沢 `".........Kanon-san, `/ !d600`.........by your feet, an envelope......`@`...and isn't that, ...the Master's......"`\ ;　熊沢も扉の下の洋形封筒に気付いたようだった。@ ;　そして、封蝋が当主の指輪で刻印が打たれていることにも。@ `It looked like Kumasawa had also noticed the western-style envelope at the bottom of the door.`@ `And that the sealing wax had been sealed with the Head's Ring.`@ br ;　嘉音は、封筒の中身を検めるのと、部屋の中を確認するのとどっちが先か一瞬だけ迷ったが、@自分の本来の目的を最優先することにした。\ `Kanon was lost for a just a second over whether he should open the letter first or check inside the room,`@` but he eventually decided on fulfilling his original purpose.`\ bg black,25 ;　…嘉音はポケットからハンカチを取り出す。@ ;　自分の指紋を扉に残さない工夫だった。@ `...Kanon pulled a handkerchief out of his pocket.`@ `This was so he wouldn't leave fingerprints on the door.`@ br ;　……もしも最悪の予想が当たっていたなら、………この部屋も警察が調べることになる…！！\ `......If his worst fears had been realized, .........the police would want to investigate this room too...!!`\ se1 17 seplay 2,21 bg white,30 bg M2F_R4aN,22 meplay2 1,13,40 meplay2 2,16,40 ;　扉をゆっくりと押し開ける…。@ ;　部屋の中から漏れていたテレビの音声が、より一層わかるようになる。\ `He slowly pushed the door open...`@ `He was able to hear the sound of the television that had been seeping out slightly more clearly now.`\ ld r,$KAN_KomaruA1,24 ;「……………………絵羽さま……？」\ `".....................Eva-sama......?"`\ bg black,24 bg M2F_R4cN,22 ;　ベッドの上に仰向けになっている絵羽の姿があった。@……靴を履いたままベッドに…？\ `Eva was face up on the bed,`@` ......on the bed with her shoes still on...?`\ ;　後から嘉音の背中に隠れながら、恐る恐る入ってきた熊沢が、その絵羽を見て、ひぃッ！と再び短い悲鳴をあげる。\ `Kumasawa, who had fearfully entered after Kanon and who was hiding behind his back, screamed a short 'Hii-!' again when she saw Eva like that.`\ bg black,25 ;　嘉音は、絵羽の靴が最初に目に入ったので、土足でベッドにいる違和感が先に頭に入ったが、@…そのまま視線を絵羽の頭の方へずらしていった時、@…嘉音も同じように短い悲鳴を口にせざるを得なかった…。\ `Eva's shoes had been the first part of her that Kanon had seen, so, at first, he'd had a strange feeling since she was wearing shoes in bed, `@`...but when Eva's head shifted into his line of sight,`@` ...Kanon couldn't help but let out a short scream like Kumasawa...`\ ;　絵羽の、眉間からまっすぐに、……何かが。@ ;　……置いてある？@　生えている…？@ `Eva's forehead, right in the middle, ......something was...`@`......set there?`@ `Growing there...?`@ E_MA br ;　違う。@/ `No. `@/ E_A ;…眉間にまっすぐと、@/ `...Right in the center of her forehead, `@/ ;!d400…古風なナイフ？/ !d400`...an old-fashioned knife?`/ se1 34 ;のような凶器が突き立てられているッ！！！\ ` or some weapon like it was sticking out!!!`\ bgmplay 24 textoff wait 800 seplay 2,35 bg blood_2a,1 wait 800 seplay 3,35 bg blood_2b,1 wait 800 seplay 2,35 bg blood_2c,1 wait 800 seplay 3,35 bg blood_2d,1 wait 800 seplay 2,35 bg blood_2e,1 wait 800 ;　突き立てられた根元から、血が滴り落ち、向こう側のシーツを真っ赤に濡らしていた…。\ `At the base of where it was stuck in, blood dripped down, staining the sheets on the other side bright red...`\ se1 13 ;　熊沢は再び腰を抜かして床にへたり込む。@ `Kumasawa's knees gave way once more, and she sank down on the floor.`@ ;　…口をぱくぱくとさせるが、悲鳴を零すこともできなかった。\ `...Her mouth kept flapping open and closed, but she couldn't even scream.`@ ;　……絵羽は、眉間に何かの凶器を打ち込まれ、絶命していた。/ `......Eva, with some kind of weapon sticking out of her forehead, was dead.`/ mov ?r[eva][condition],2 seplay2 9,1061,100 @ br ;　両目はかっと見開き、自分を殺した相手を確かにその目に焼き付けたのだろうが、@…それを伝える口は、すでに永遠に閉ざされていた。\ `Both eyes were open wide, and the image of the person who killed her must have been burned into them,`@` ...but the only mouth that could say who had been closed for all eternity.`\ ;　一番見たくないはずの眉間にどうしても目が行ってしまう…。\ `Even though that forehead was the last place they wanted to look, they couldn't tear their eyes from it...`\ ;　そこには、凶器が絵羽の眉間から直立するように刺さっている。@ ;　その、柄の部分には、単なる工具では考えられないような複雑な意匠がされていた。@ `Right there, the weapon was stuck into Eva's forehead, standing almost perfectly upright.`@ `And on the handle was a complicated design that you wouldn't expect to see on an ordinary weapon.`@ br ;　……それは、…一言で言えばオカルト的。@ ;　…何かの悪魔をデザインしたかのような悪趣味なものだった。\ `......That thing, ...could be summed up with the word 'occult'.`@ `...It was a vulgar object, with a design that might have been of some demon.`\ bg M2F_R4bN,22 ;「……秀吉さまは…？@　…秀吉さま…！」@ ;　絵羽の姿はベッドの上にあったが、もうひとつのベッドは空っぽだった。@ `"......What about Hideyoshi-sama...?`@` ...Hideyoshi-sama...!"`@ `Eva was on top of her bed, but the other bed was empty.`@ br ;　…秀吉はどこに？！\ `...Where was Hideyoshi?!`\ bg black,24 ;　腰を抜かして放心している熊沢を尻目に、念のためバスルームを確認する。@ `After taking a backwards glance at Kumasawa, still on her knees and stupefied, he checked the bathroom just in case.`@ meplay 1,12 ;　その扉を開けた途端に、湯気とシャワーの音が迎えた。\ `At the moment he opened the door, he was greeted by steam and the sound of the shower.`\ bg Mbat_1a,26 ;　バスルームは、ホテル等で馴染み深いバストイレの一体型だった。@ `The bathroom was of the same familiar style as most hotel bathrooms.`@ ;　シャワーを浴びる時は防水のカーテンで水が飛ばないように仕切って使用する。\ `When taking a shower, a waterproof curtain was used to keep water from flying out.`\ bg blood_1b,22 ;　その防水カーテンが半分開かれていて、@……そこには全裸の秀吉が両目を見開いたまま、バスタブの中に崩れ落ちていて…、@その目は嘉音と真正面から向かい合っていた。\ `That waterproof curtain was half open,`@` ......and lying tumbled down in the bathtub was Hideyoshi, completely naked, both eyes still open...,`@` and those eyes were pointing right at Kanon.`\ ;　眉間には絵羽と同じく、悪魔を思わせるデザインの凶器が打ち込まれている。@ `Just like Eva, a weapon with a demon-like design was stuck into his forehead.`@ br ;　頭部はずっと温水シャワーを浴びっぱなしだったせいで、絵羽のように顔の半分を血で汚しているということはなかったが、@…シャワーを浴びたまま絶命する姿は、あまりに悲惨だった……。/ `Since his head had been under the hot water of shower the whole time, his face wasn't half covered and filthy with blood like Eva's had been,`@` ...but the sight of him dead while still taking a shower was tragic enough......`/ mov ?r[hid][condition],2 seplay2 9,1061,100 \ bg black,22 ;　その時、廊下から夏妃の声が聞こえた。@ ;　源次と一緒にやって来たのだろう。\ `Just then, Natsuhi's voice rang through the hall.`@ `She was probably coming with Genji.`\ E_MA bg M2F_P1bN,0 ld r,$NAT_OdorokiA2G,24 ;「……ま、またしてもこのような落書きが……。@/ `"......A, again with these scribbles...... `@/ ld r,$NAT_MajimeA1G,80 ;…この手紙は…？@　中には何と？」@ ;＜夏妃 `...What about this letter...?`@` What does it say inside?"`@ ld l,$GEN_MajimeA2,23 ;「いえ、…まだ読んでおりません。」\ ;＜源次 `"I don't know, ...I haven't read it yet."`\ cl l,24 ld l,$NAN_KomaruA1,23 ;「………迂闊に触らん方がいいですな…。@犯人の指紋が残っとるかもしれん…。@警察に渡した方がいい…。」\ ;＜南條 `".........We shouldn't touch it carelessly...`@` The culprit's fingerprints might be left on it...`@` We should hand it over to the police..."`\ ld r,$NAT_HisuA1G,80 ;「……わざわざ手紙を残すくらいです。@どうせ指紋など残っていません。」@ ;＜夏妃 `"......They went out of their way to leave it here.`@` I'm sure they wouldn't have left fingerprints."`@ ;　夏妃はそう言い切ると、封筒を拾い上げるのだった。\ `As Natsuhi said that, she picked up the envelope.`\ bg black,24 ;　…そして、中身を検める前に、自らも部屋に入り、……そして絶命している絵羽を見つける。\ `...And before checking its contents, she entered the room herself, ......when she found Eva, dead.`\ bg M2F_R4cN,22 wait 1000 bg blood_2e,23 meplay 1,17 ;「え、……絵羽さん……ッ！！！！」@ ;＜夏妃 `"E, ......Eva-san......!!!!"`@ ;「……奥様…、こちらには秀吉さまも…………。」\ ;＜嘉音 `"......Madam..., Hideyoshi-sama is here, too............"`\ bg black,24 bg Mbat_1a,24 wait 1000 bg blood_1b,24 ;「こ、……これは……、/ ;!d500惨いですな……。」@ ;＜南條 `"Th, ......this is......, `/ !d500`truly atrocious......"`@ ;「…嘉音、シャワーを止めてあげなさい…。@気の毒にもほどがあります…！」\ ;＜夏妃 `"...Kanon, turn off the shower...`@` Don't let this be any more pitiful than it needs to...!"`\ ;「は、…はい。」@ ;＜嘉音 `"Y, ...yes."`@ ;　嘉音はハンカチを握りながらバルブをひねり、シャワーを止める。\ `Kanon gripped his handkerchief and twisted the valve, turning off the shower.`\ bg Mbat_1b,26 ;　バスタブの中には、ボディソープの小瓶が蓋を開いたまま落ちていた。@ `In the bathtub, a small jar of body soap had fallen with its cap off.`@ br ;　……まさに入浴中を襲われたのだろう。@ ;　……血の飛沫がまだわずかに白いバスタブに付着していて、白と赤の不気味なコントラストを見せていた。\ `......It really looked like he had been attacked while taking a shower.`@ `......There was still a small splash of blood clinging to the white bathtub, and the combination of red and white made a horrible contrast.`\ bg Mbat_1a,22 ld r,$GEN_KomaruA1,24 ;「…………南條先生…。」\ ;＜源次 `"............Doctor Nanjo..."`\ ld l,$NAN_KomaruA2,23 ;「…わ、……わかっとる……。@……死斑は出とらんな…。@死後硬直も始まっとらん。@おそらく、殺されてから１時間経ったかどうかというところだろう…。@/ `"...I, ......I understand......`@`......No signs of postmortem lividity...`@` Rigor mortis hasn't begun either.`@` We should probably assume that about one hour has passed since they died... `@/ ld l,$NAN_MajimeA2,80 ;しかし、……このような柄の短い凶器で頭蓋骨を……。@考えられん…。」@ ;＜南條 `But even so, ......how a weapon with such a short handle could do that to the skull......`@` I cannot imagine..."`@ ;　脈拍や瞳孔の確認をし、南條は二人が絶命していることを改めて確認する。\ `Nanjo checked their pulse and their pupils, making certain of their deaths once more.`\ bg blood_1b,22 ;　…嘉音はその事務的な対応を見て、思った。@ ;　……そんなことをしなくても、ひと目で絶命してるのがわかるじゃないか、と。\ `...As Kanon watched this businesslike treatment, he thought.`@ `......Couldn't you tell at a glance that they're dead without doing all that?`\ ;　南條は刺さっている凶器を抜こうかと考えたが、@なるべく現状を保持して警察に引き渡した方がいいと判断し、手をつけないことにした。\ `Nanjo thought about removing the weapon, `@`but after deciding it would be better to preserve the scene and hand it over to the police, he left it alone.`\ bg black,22 meplay 2,16 ;　しかし、根元の部分をよく見ると刃がない。@ ;　…というより、刃物状ではなく、むしろ円錐状。@ `But he couldn't see the blade well at the base of the wound.`@ `...Even more importantly, it wasn't shaped like a flat blade, but was conical.`@ ;　…ナイフというよりは、柄の短い槍のような、切ることではなく、突くことを目的とした特殊な形状であることがうかがえた。@ `...He noticed that, rather than a knife, it was more like a short handled spear, something with a shape better suited for thrusting than slicing.`@ br ;　人によっては、短い槍ではなく、太いアイスピックと例えるかもしれない。\ `Rather than a short spear, some people might call it a thick icepick.`\ ;　しかしいずれにせよ、このような不気味な意匠の施された凶器が、本来どのようなおぞましい目的のために生み出され、@そして如何にしてそれを全うしたかは、それ以上言葉で語る必要がまったくないくらいにこうして歴然と示されている…。\ `At any rate, the weapon's unsettling design made it obvious what its original purpose was,`@` and how that purpose was carried out.`@` No further words were needed to describe it...`\ ;　夏妃は、バスルームに充満するおぞましい蒸気から一刻も早く逃れようと、@ハンカチで口元を押さえながら部屋を飛び出す…。@ `Natsuhi, hoping to escape the repulsive steam filling the bathroom as soon as she could,`@` covered her mouth with a handkerchief and dashed from the room...`@ ;　彼らの惨い姿は、一瞬見ただけでもう眼に焼きついてしまっている。@これ以上を見ていたら、永遠にその姿が眼から消えないに違いない…。\ `Just viewing their gruesome bodies for an instant had been enough to burn the image into her eyes.`@` If she looked any longer, that image would surely remain in her vision for all eternity...`\ bg blood_1a,22 ;　こみ上げてくる嘔吐感は、今朝のあの園芸倉庫でのものとまったく同じ…。@ ;　夏妃は客室に背を向けたまま、しばらくの間、嘔吐感と戦わなくてはならなかった…。\ `The rising urge to vomit was exactly the same feeling she'd had that morning at the gardening storehouse...`@ `For a while, Natsuhi couldn't help but stand with her back facing the guest room, fighting that sickness in her stomach...`\ bg black,22 bg M2F_P1bN,0 ld c,$NAT_OdorokiA2G,26 ;「……と、………とにかく、この部屋を子どもたちに、@…譲治くんに見せるわけには行きません。@至急、この部屋を閉じなさい…！」@ ;＜夏妃 `"......A, .........anyways, we can't let the kids,`@` ...we can't let George-kun see this room.`@` Quickly, close this room up...!"`@ cl c,0 ld r,$NAT_OdorokiA2G,0 ld l,$KUM_KomaruA1,23 ;「………え、…えぇ、見せられませんとも…。@両親のこんな惨い姿をとても譲治さんには……。」@ ;＜熊沢 `".........Y, ...yes, it shouldn't be shown to them...`@` If George-san saw his parents in this brutal state......"`@ br ;　だが、廊下を猛烈に走り近付いてくる足音は、部屋に飛び込んでくる前から譲治のものであることが理解できた。\ `But the recklessly approaching footsteps were obviously George's even before he came flying into the room.`\ bg black,25 ;　譲治は、子どもたちと一緒に客間で待っていた。@ `George and the other children had been waiting in the parlor.`@ br ;　だが、源次が夏妃を呼び出し、夏妃が真っ青になって客間を飛び出していくのを見て、虫の報せを感じたのだった。\ `But when they had seen Genji call Natsuhi out, and had noticed her turn pale and fly out of the room, they had felt that he might have been the bearer of bad news.`\ ;　そして、客室に大勢が集まっているのを見て、確信する…。\ `And when they saw a large group of people gathered around the guest room, they were sure of it...`\ bg M2F_P1aN,0 ld c,$GEO_KomaruA1k,63 meplay 3,13 ;「父さん！！！@　母さんッ！！！」@ ;＜譲治 `"Father!!!`@` Mother!!!"`@ cl c,64 ld r,$JES_OdorokiA1,64 ;「………ぅあッ、/ ;!d400な、……何だよこれ、/ ;!d700また、……魔法陣かよッ？！」@ ;＜朱志香 `".........Aaahh, `/ !d400`wh, ......what is this, `/ !d700`another, ......magic circle?!"`@ ld l,$MAR_fukigenA1,23 ;「………………………………。」\ ;＜真里亞 `".................."`\ bg M2F_P1bN,24 ld r,$BUT_OdorokiA1,24 ;「絵羽伯母さんたちは無事なんだよな？！@　おい、嘉音くん！@　これは何の騒ぎなんだ？！」@ ;＜戦人 `"Eva oba-san and Hideyoshi oji-san are safe, right?!`@` Hey, Kanon-kun!`@` What's this all about?!"`@ ld l,$KAN_OdorokiA1,24 ;「…戦人さま…。@……………………………。」@ ;＜嘉音 `"...Battler-sama...`@`....................."`@ ;　嘉音が語らなくとも、部屋に飛び込んだ譲治の叫びで、彼らは全てを理解するのだった。\ `Kanon didn't have to say anything.`@` George's scream after he ran into the room told them everything they needed to know.`\ bg black,24 bg M2F_R4aN,0 ld c,$GEO_NakuA1,24 ;「……うわああぁあああぁあぁぁぁああぁぁあぁあぁ！！@　誰がッ、/ ;!d500…誰がこんなことをッ！！@　殺してやるッ、殺してやるッ！！！」@ `"......UwaaaaaaaaaaaaaAAAAAAAAAAAaaaaa!!`@` Who, `/ !d500`......who did this!!`@` I'll kill you, I'll kill you!!!"`@ ld r,$NAT_TukareA1,24 ;「…譲治くん、/ ;!d600………しっかり……。」\ ;＜夏妃 `"...George-kun, `/ !d600`.........hang in there......"`\ bg M2F_R4cN,24 ;　夏妃は譲治の肩に手を触れるが、それは乱暴に振り払われる。@ `Natsuhi touched George's shoulder with her hand, but he violently shook her off.`@ ;　…譲治は絵羽のベッドの傍らに崩れ落ち、母の面影の前でベッドに顔を埋めながら号泣する。@ `...George fell over beside Eva, and buried his face in the bed in front of his mother's face, wailing.`@ br ;　そして何度も何度も握り拳をベッドに打ちつける…。\ `Then he pounded on the bed with his fist, over and over again...`\ se1 11 quakey 2,300 se1 11 quakey 2,300 ld r,$JES_OdorokiA1,24 ;!s0「………じょ、/ ;!d400…譲治兄さん、/ ;!d700……し、しっかり……。@/ !s0`".........Ge, `/ !d400`...George nii-san, `/ !d700`......h, hang in there......`@/ ld r,$JES_NayamuA1,80 ;………って、/ ;!d600…戦人？」/ `.........huh, `/ !d600`...Battler?"`/ !sd@ ;＜朱志香 ld l,$KAN_majimeA1,23 ;「…………戦人さま…。」\ ;＜嘉音 `"............Battler-sama..."`\ bg black,22 ;　戦人は、………廊下の壁に背中を付き、@……はばかることなく、右手で両目を覆いながら嗚咽を漏らしていた……。\ `Battler, .........had his back against the wall of the hallway,`@` ......and was, without restraint, covering his eyes with his right hand and weeping......`\ ;「酷ぇ……。@…………酷ぇぜ……。@……心に決めた女を婚約した次の日に失って。@………同じ日に、…親父とお袋まで殺されるなんてよ…。@…………そんなの、あんまりにも惨いじゃねぇか……。」\ `"Horrible......`@`............That's horrible......`@`......He proposed to the girl he loved and lost her the next day.`@` .........And on the same day, even his Mom and Dad were killed...`@`............I, ...isn't that too harsh......"`\ ;　…もちろん、死んだ誰もが等しく気の毒だった。@ ;　でも戦人にとって、……死なれ、残った者の方がずっと気の毒だった。@ `...Of course, all dead people are equally pitiable.`@ `But to Battler, ...those left alone by the deaths of others were far more pitiable.`@ br ;　今この場にいる誰もが近しい人を失ってる。@ ;　譲治だけが気の毒なわけじゃない。@ `Everyone here now had lost someone close to them.`@ `George wasn't the only one pitiable.`@ br ;　……しかし、…譲治のそれは、群を抜いた。\ `......However, ...George's pain was far greater than everyone else's.`\ bg M2F_P1bN,0 ld r,$JES_odorokiA1,24 ;「………………戦人………。」\ ;＜朱志香 `"...............Battler........."`\ ld l,$BUT_NakuA1,23 ;「そりゃよ、…人はいつか死ぬぜ…。@人間、誰だっていつかは死別の悲しみと戦わなきゃならねぇ日が来るだろうよ。@…でもよ、そいつは兄貴にとってはずっと未来の話で、@……しかもそいつは、ひとつずつ順番に訪れるべきもんじゃねぇかよ…！！@　……惨ぇ…。@惨過ぎるぜ……。@……野郎……、/ `"You know, ...all people die sooner or later...`@` If you're human, the day will eventually come when you must fight the sorrow of losing someone close to you.`@` ...But still, shouldn't that day be far in the future for Aniki,`@` ......and shouldn't those deaths visit him one at a time...?!!`@` ......Horrible...`@`that's too horrible......`@`......That bastard......, `/ seplay2 1,8,100 quakex 2,300 ;野郎………！/ `that bastard.........! `/ seplay2 2,8,100 quakex 2,300 ;@　少しは、……人の情けってもんがねぇのかよ…！！@　ううっぅううぅぅッ！！！」\ @`What happened to human compassion...?!!`@` Aaaaaaaaaaaaaaahhh!!!"`\ cl r,23 ld r,$MAR_defA1,24 ;「………うー…。@戦人、…泣かない泣かない…。」\ `".........Uu-...`@` Battler, ...don't cry, don't cry..."`\ ;　真里亞が無機質な声で戦人を慰める…。@戦人は乱暴に自分の涙を拭った。\ `Maria tried to comfort Battler in a mechanical-sounding voice...`@` Battler violently wiped his tears.`\ cl a,0 ld c,$BUT_odorokiA1,23 seplay2 3,8,100 quakex 2,300 ;「あぁ…。@くそ、…もう流さねぇぜ…。@悔し涙も悲しみの涙も、もう二度と流さねぇぜ…。@………あぁ、全然駄目だ。@俺たちは魔女さまに詰めを食らってるわけだ。@守勢一方ってわけだ…！@　そりゃあ駄目だぜ、全然駄目だ！@　チェス盤が引っくり返っちまうぜ…！！@　野郎は俺たち羊が、明日まで逃げる手段もなく怯えてるだけだろうと思ってるだろうよ。@…だがな、引っくり返すぜ！！@　明日までこの島から逃げられねぇのは野郎も同じだ…！@　小便チビりそうになりながら逃げ隠れするのは俺たちじゃねぇ、野郎の方だ！@　暴いてやるぜ、必ずな。@明日までに…、@いや、明日なんか待たねぇ、今夜だ。@今夜中にその胸倉を掴みあげてやらぁ…！！」\ `"Aah...`@` Damn it, ...I won't cry anymore...`@` Tears of regret, tears of sadness, I won't shed them again...`@`.........Aah, it's all useless.`@` The witch has backed me into a corner.`@` I'm always on the defensive...!`@` And that's useless, it's all useless!`@` I'll turn the chessboard over...!!`@` That bastard probably thinks we'll be running scared like sheep until tomorrow without trying anything.`@` ...But guess what, I'll turn it over!!`@` That bastard can't escape this island until tomorrow either...!`@` We won't be the ones hiding away, pissing ourselves, that bastard will!`@` I'll expose you, you'll see.`@` By tomorrow...,`@` no, I won't wait for tomorrow, tonight.`\ `Before tonight's over I'll be gripping you by the collar...!!"`\ bg black,42 fede 1,4000 fede 0,3000 *umi1_14 ;■少し時間経過… meplay2 1,12,40 textoff bg M1F_P1cN,26 wait 2000 bg M2F_P1bN,22 ld c,$NAT_odorokiA1G,24 ;「……とにかく、この部屋は警察が来るまでこのままにして施錠します。@……いいですね？」\ ;＜夏妃 `"......At any rate, we'll lock this room and leave everything as it is until the police come.`@` ......Any problems?"`\ ;　夏妃が全員に、有無を言わせない口調でそう宣言する。@ `Natsuhi proclaimed it as though she didn't care whether we agreed or not.`@ br ;　…反論する者がもしもいるとすれば、それは譲治だったが、…譲治ももう充分に涙を流したのだろう。@ `...If anyone had a right to object, it would have been George, ...but he looked as though he had shed enough tears.`@ br ;　譲治が背中を向けたまま小さく頷き、立ち上がると、それで他の全員も同意した。\ `George nodded slightly, still facing away from us, `@`and when he stood up, everyone else agreed too.`\ bg black,25 ;　夏妃は拾った当主の洋形封筒をまだ開けていなかった。@ `The letter in the head's western-style envelope that Natsuhi had picked up still hadn't been opened.`@ ;　…だが、話の流れから、この部屋を出ることになってしまったので、開封は客間でみんなの前で行うことにした。\ `...But now that we had decided to leave this room, she had decided to unseal it in the parlor, where everyone could watch.`\ bg M2F_P1cN,23 ;　そして客間へ戻ろうと廊下を歩き出すと、@………すぐに違和感、…あるいは異常に気付く者が現れた。\ `As soon as we walked out into the hallway to head back to the parlor,`@` .........some of us immediately felt something out of place, ...or maybe sensed something strange.`\ textoff fede 0,2000 ld r,$MAR_FukigenA1,24 bgmplay 6 ;「……………うー。@……臭いよ？」@ ;＜真里亞 `"............Uu-.`@` ......Stinks?"`@ ld l,$JES_TohohoA2,23 ;「あ、…真里亞もわかるか？@/ `"Ah, ...did you notice it too, Maria? `@/ ld l,$JES_KomaruA1,80 ;　…こりゃ何の臭いだよ、…酷ぇ臭いだぜ…。」@ ;＜朱志香 `...What is this stench, ...it smells awful..."`@ ;　皆、鼻をくんくん鳴らせると、@…確かに、これまで嗅いだことのない、焦げたような酷い悪臭が廊下を漂ってくるのを感じた。\ `When everyone sniffed the air,`@` ...they did notice a horrible burnt smell drifting through the hallway, one that none of us had smelled until then.`\ bg M2F_P1bN,0 ld r,$KUM_MajimeA1,23 ;「……私、ちょっと厨房を見てきます…。@火はちゃんと消したはずなんですよ……。」@ `"......I will go quickly to check the kitchen...`@` I'm sure I turned the flame off......"`@ cl r,23 ;＜熊沢 br ;　焦げた臭いがすれば、さっきまで厨房で火を扱った熊沢が、真っ先に自分の不手際かと疑いたくなるのも当然だった。@熊沢はあたふたと駆け出していく。\ `After noticing a burnt smell, it was natural that Kumasawa, who had just been using the fire in the kitchen, suspected that her own clumsiness had caused it.`@` Kumasawa hastily dashed away.`\ ld l,$GEN_majimeA1,23 ;「……嘉音、熊沢と行きなさい。@ひとりにさせないように。」@ ;＜源次 `"......Kanon, go with Kumasawa.`@` Do not let her be alone."`@ ld r,$KAN_odorokiA2,24 ;「は、はい…！」@ ;嘉音 `"Y, yes...!"`@ cl r,23 ;　源次の指示に頷き、嘉音は後を追っていった。@ ;　…走るわけではないが、それ以外の面々も臭い元を探すため、その後を追った。\ `After nodding at Genji's order, Kanon followed after her.`@ `...He wasn't running, but as he followed her, he tried to search for the cause of the smell in other directions as well.`\ bg black,24 bg Ment_1aN,24 ld r,$MAR_defA1,24 ;「…うー。@臭い。@……うーー。」\ `"...Uu-.`@` Stinks.`@` ......Uuu--."`\ ld l,$NAT_odorokiA2G,23 ;「これは確かに……、鼻が曲がりそうな臭いですね。@…しかし換気のために窓を開けてもいいものか…。」@ ;＜夏妃 `"It truly is......a stench that makes the nose wrinkle.`@` ...However, that doesn't mean we can just open a window for ventilation..."`@ ;　夏妃は、防犯上の都合から窓を開けることを渋る。\ `Natsuhi was reluctant to open the windows in a situation where self-defense was so important.`\ cl r,23 ld r,$GEN_DefA1,24 ;「……換気扇を回させましょう。@窓を開ける必要はないと思います。」\ ;＜源次 `"......Let us run the fan.`@` I do not believe there will be any need to open the windows."`\ bg Mhal_2aN,24 ld r,$BUT_KomaruA3,24 ;「…譲治の兄貴。@……話し掛けても大丈夫かよ？」@ ;＜戦人 `"...George-aniki.`@` ......Is it okay if I talk to you?"`@ ld l,$GEO_MajimeA2k,23 ;「……犯人を探す相談なら構わないよ。」@ ;＜譲治 `"......If it's about finding the culprit, then I have no problems."`@ ;　譲治はもう悲しみの淵からは這い上がっているようだった。@ `It seemed that George still hadn't climbed out of the abyss of his sorrow.`@ br ;　…今、譲治の胸を満たしているのは、自分の愛した人と両親の命を奪った犯人を憎む静かなる炎の感情だけだ。\ `...All that filled his chest now was the quiet flame of hatred towards the culprit who had stolen the lives of his beloved parents.`\ ld r,$BUT_NayamuA1,80 ;「…部屋にはチェーンが掛かってた。@…さっき構造を見たが、とても外から細工できる代物じゃねぇ。@……つまり、完璧な密室だったってぇことだ。」\ `"...The chain for this room was set.`@` ...From what I could tell by looking at it, I'm positive that it couldn't be opened from the outside.`@` ......In other words, this was a perfect closed room."`\ ld l,$GEO_MajimeA1,80 ;「………そうなるね。@薔薇庭園の倉庫の時は、シャッターの鍵を使用人室からこっそりと持ち出したのだろうとか、@あるいは複製の鍵を持っていた可能性とか、いくつか方法が想像できた。@/ `".........That makes sense.`@` In the case of the rose garden storehouse, they might have sneaked the shutter's key out of the servant room,`@` or maybe they had a duplicate key.`@` ...I can imagine many ways they could've done it. `@/ ld l,$GEO_KomaruA1k,80 ;………でも、チェーンは違う。@チェーンは一般に浸透した施錠方法の中で、もっともシンプルに密室を構築できる。」\ `.........But this chain is different.`@` Among generally used locking techniques, a chain is the simplest one to create a closed room with."`\ ld c,$JES_KomaruA1,24 ;「チェーンだけは、物理的に破壊しない限り、外からはどうにもならないぜ。@/ `"Only a chain will block everyone coming from the outside as long as it isn't physically broken. `@/ ld c,$JES_OdorokiA1,80 ;じゃあつまり、犯人は扉からは出入りしなかったってことなのか…？」@ ;＜朱志香 `So does this mean that the culprit couldn't have gone in or out through the door...?"`@ ld r,$BUT_nayamuA2,80 ;「……こりゃ面白ぇや。@つい数時間ほど前にも、扉以外でどうやって部屋から出入りしたのかって、みんなで騒いだ気がするぜ。」\ ;＜戦人 `"......That's interesting.`@` Just a few hours ago, I seem to remember everyone making a fuss over how to enter a room without using the door."`\ bg black,25 bg map02,22 ;　祖父さまが部屋から消えたと騒いだ時。@ `Back then, everyone had been making a fuss over how Grandfather had disappeared from his room.`@ br ;　…絵羽叔母さんが気まぐれに挟んだレシートによって、扉は封印されていたことが明かされ、@その間、出入りした唯一の人物として夏妃伯母さんが疑われることとなった。@ `Because of the receipt that Eva oba-san had stuck in the door on a whim, it was revealed that the door had remained sealed,`@` and since Natsuhi oba-san had been the only person to enter or exit during that time, she had been under suspicion.`@ br ;　絵羽叔母さんは、夏妃伯母さんが祖父さまを窓から突き落として、@自分は扉から出たのだというそれはそれで筋の通った説を展開してみせた。\ `Eva oba-san had proposed a theory about how Natsuhi oba-san might have thrown Grandfather out the window,`@` and left by the door herself.`\ bg black,22 bg map04,22 ;　しかし今度の扉はもっと単純だ。@ `But this door is much simpler.`@ br ;　内側からドアチェーンで封印されていた。@ ;　窓も内側から閉まり、遺体も室内にある。@ `It was sealed from the inside by the door chain.`@ `The window had also been closed from the inside, and the bodies had been in the room.`@ br ;　……今度こそ掛け値なし、本物の密室だ。\ `......This time it really had been, without exaggeration, a true closed room.`\ ;　…そう。@祖父さまの失踪も含むなら、事件は三度起こり、三度、扉の話が話題に上った。\ `...That's right.`@` If you include Grandfather's disappearance, three cases have occurred, and all three times, the door has been the point of interest.`\ bg black,22 bg warehous_o1a,28 dllefe 1,1 delay 2000 dllefe_off bg MAP01,22 ;　最初はシャッター。@ `The first was the shutter.`@ br ;　使用人室に鍵があり、それを知る者を仮定するならば、とても密室とは言えない代物だった。\ `There was a key in the servant room, and if we assume someone knew about that, this can't really be called a closed room.`\ bg black,22 dllefe_off bg Mlib_1bN,22 delay 2000 bg MAP02,22 ;　次はレシートで封印された扉。@ `The next was the door sealed by the receipt.`@ br ;　だが、夏妃伯母さんが室内に入っている以上、@祖父さまを例えば窓から出して、あるいは突き落として、夏妃伯母さんが窓を施錠してから退出することもできる。\ `However, since Natsuhi oba-san had entered the room,`@` then if Grandfather had left through the window or been thrown out, she would have been able to lock the window before escaping.`\ bg MAP03,22 ;　もしくは俺の珍説のように、レシートがなくなるまで隠れていて、その後に部屋を出たとか。@……とにかく、苦し紛れないくつかのトリックで破れなくもない扉だ。@ `Or, like my theory, he could have hidden until the receipt was gone, and left the room later.`@` ......Basically, this door can be defeated with a handful of desperate tricks.`@ br ;　その意味では、これまた密室とは言えない代物だ。\ `In that sense, you really can't call this one a closed room either.`\ bg black,22 bg M_door1,22 delay 2000 bg MAP04,22 ;　そして今度はドアチェーンで封印された扉。@ `And now, we have the door sealed with the door chain.`@ br ;　…今度こそお手上げだった。@ ;　扉も窓も全て内側から施錠されていた。@完全な密室だ。\ `...Finally, we have to give up.`@ `The window, the door...everything had been locked.`@` It was a perfect closed room.`\ ;bg black,25 ;　最初の密室は、全員が疑えるので成立しない。@ ;　…次の密室は、夏妃伯母さんを疑えるので成立しない。@ `The first hadn't been a closed room because everyone could be suspected.`@ `...The second hadn't been a closed room because Natsuhi oba-san could be suspected.`@ br ;　…だが今度の密室は、誰も疑うことができない！@ ;　部屋は完全に密室で、全員を等しく拒むドアチェーンという封印がある…！\ `...But this time, no one can be suspected!`@ `This room was a perfect closed room because everyone had been sealed outside just as completely as everyone else because of the door chain...!`\ bg black,22 bg Mhal_2cN,0 ld r,$GEO_MajimeA3,26 ;「……なら、犯人は室内に入らずに犯行に及んだ…？@　部屋の外から何らかの方法で…。」@ ;＜譲治 `"......In that case, did the culprit carry out the crime without entering the room...?`@` Some method from outside the room...?"`@ ld l,$JES_NayamuA1,23 ;「確かに…。@チェーンである以上、人が通れるほどは開けなくても、多少の隙間を開けることができる。@ノックして顔を覗かせたところを襲うとか…。@いや、…甘いか…？」\ ;＜朱志香 `"Well...`@`because of the chain, even though it can't be opened wide enough for a person to fit through, you can open it a small crack.`@` Did the culprit knock on the door to make them peer out before attacking them...?`@` Wait, ...is that naive...?"`\ cl r,23 ld r,$BUT_nayamuA1,24 ;「甘いよな。@………絵羽伯母さんの遺体が扉のすぐ側だったならそれも考えたぜ。@/ `"Yeah, it is.`@` .........If Eva oba-san's body had been lying right next to the door, then it might have been possible. `@/ ld r,$BUT_KuyasigaruA1,80 ;だが絵羽伯母さんは部屋の奥のベッドの上！@　しかも秀吉伯父さんはバスルームだった。@チェーンの隙間からでは、姿を見ることもできねぇし、手を伸ばすこともできねぇ。@…畜生、全然駄目だぜ、さっぱりだ！！」\ ;＜戦人 `But she was on the bed in the center of the room!`@` And Hideyoshi oji-san was even in the bathroom.`@` Looking from the crack in the door, you couldn't even see them, and you couldn't reach them with your hands either.`@` ......Damn it, it's all useless. I don't have a clue!!"`\ ;　……くいくいと、俺の袖が引っ張られる。@…真里亞だった。\ `......Something was tugging softly at my sleeve.`@` ...It was Maria.`\ bg black,24 fede 1,2000 bg Mhal_2aN,0 ld r,$MAR_niyariA1,24 meplay2 2,16,40 ;「…………うー。@…満足？」@ `"............Uu-.`@` Satisfied?"`@ ld l,$BUT_nayamuA1,23 ;「満足って、何がだよ。」\ `"What do you mean 'satisfied'?"`\ ld r,$MAR_AkuwaraiA2,80 ;「………きひひひひひひひひひひひひ。@…戦人は親族の誰かを疑うのが嫌だから、犯人はベアトリーチェであってほしいと願ったよ？\ `".........Kihihihihihihihihihihihihi.`@` ...Battler, since you didn't want to doubt any of your relatives...`@`you made a wish, saying that you wanted the culprit to be Beatrice, right?`\ ld r,$MAR_akuWaraiA1,80 ;　だからベアトリーチェは叶えた。@…戦人が言ったとおり、“絶対に人間には無理なことをして、戦人に魔女の存在を信じさせて”くれた。@/ `Well, Beatrice granted that wish.`@` ...Just as you said, she 'did something that was completely impossible for a human to make you believe in the witch'. `@/ ld r,$MAR_AkuwaraiA3,80 ;…………なのにわがまま。@きひひひひひひひひひひひひひひひ、@/ `............And even so, you're so selfish.`@` Kihihihihihihihihihihihihihihihi. `@/ cl l,0 ld c,$BUT_nayamuA1,0 ld r,$MAR_sakebuA1,80 ;!s0あ痛っ。」/ !s0`O-uch."`/ E_M2 se1 9 quakey 3,200 !sd@ ;　気持ち悪く笑う真里亞の頭を拳骨で小突く。\ `I tapped Maria, who was laughing unpleasantly, on the head with my fist.`\ ld c,$BUT_NayamuA2,80 bgmplay 28 ;「おう、叶えてくれてありがとよ。@今のはその礼と、不謹慎な時に笑ったことへの教育的指導だ。@それより教えやがれ。@絵羽叔母さんたちの部屋の扉にも、また怪しげな落書きがされていた。@あれもまた魔法陣なのか？！」@ `"Sure, thanks for granting it.`@` In return, let me teach you about not laughing at times like this.`@` More importantly, tell me.`@` There was another mysterious scribble on the door to Eva oba-san and Hideyoshi oji-san's room.`@` Was that another magic circle?!"`@ ld r,$MAR_AkuwaraiA2,80 ;「……きひひひひひひひ。@あれは特に覚えやすい特徴的な形なんだから、あのくらい知ってて欲しいね。@/ `"......Kihihihihihihihi.`@` That one had a really memorable and characteristic design, so I'd hoped you'd at least know what it was. `@/ ld r,$MAR_fukigenA2,80 ;!s0あ痛っ。」/ !s0`O-uch."`/ se1 9 quakey 3,200 !sd\ ld c,$BUT_komaruA2,80 ;「知らねぇから花を持たせてやってんだ。@ごちゃごちゃ言わねぇで解説しろぃ。」\ `"I don't know, so I'll give you all the credit.`@` Quit whining and explain."`\ ld r,$MAR_akuwaraiA3,80 ;「………戦人は暴力的だね。@あんまり意地悪すると教えないよ……？@/ `".........You sure are violent, Battler.`@` I won't tell you if you're too mean, get it......? `@/ ld r,$MAR_sakebuA1,80 ;!s0　あ痛っ！/ !s0`O-uch! `/ se1 9 quakey 3,200 ld r,$MAR_ikariA1,80 ;!sd@　うー……、言うよ言うよ、このゲンコツ男。@………あれは月の１の魔法陣だよ。」@ !sd@`Uu-......, I'll say it, I'll say it, stop hitting me.`@` .........That's the first magic circle of the moon."`@ ld c,$BUT_nayamuA1,80 ;「何の意味がある。@その魔法陣のご利益は？！@　書かれてるヘブライ語の意味は！」\ `"What does it mean?`@` What is this magic circle's benefit?!`@` What does the Hebrew writing mean?!"`\ bg black,22 bg magicsquare_moon1,22 ;「記されているのは、旧約聖書、詩篇第１０７篇の１６節。@……“主は青銅の扉を破り、鉄のかんぬきを打ち破って下さいました”。@……魔法陣の効用は２つ。@１つは、如何なる方法によって閉ざされた扉でも開くことができる。」\ `"The words are from the Old Testament, Psalms 107 verse 16.`@` ......'For he has broken gates of brass and cuts through bars of iron'.`@` ......This magic circle has two effects.`@` First, it can open a door regardless of which method has been used to lock it."`\ ;「そりゃ便利な魔法だぜ。@…つまり、魔法の力に頼らなきゃ開けぬ密室の扉っていう、魔女さまのアピールってわけか…！@　もう１つの効用は？！」\ `"That sure is convenient magic.`@` ...So you're saying that they're trying to make it look like they're a witch because this closed room has a door that can't be opened without relying on magic...?!`@` And the other effect?!"`\ ;「開かぬ扉を八方塞の事態に見立て、扉を開く。@……難解な事態の時に用いることで、それまで思いつきもしなかった解決策を与えてくれるんだよ。@……平たく言うと、観察力や洞察力、ひらめきや直感を授けてくれるんだね。@…………きひひひひひひひひひ。@ベアトリーチェは、戦人如き人間風情に、この扉の開き方がわかるものかって、挑発してるんだよ。@きっひひひひひひひひひひひひひひ、@/ `"When you are blocked in every direction, it finds an unopened door and opens it.`@` ......By using it in a difficult situation, it gives you a solution you hadn't even thought of until then.`@` To put it simply, you receive the power of observation and the power of discernment, inspiration and intuition.`@` ............Kihihihihihihihihihi.`@` Beatrice is trying to provoke you lowly humans, since she thinks there's no way you could figure out how this door was opened.`@` Kihhihihihihihihihihihihihihihi, `@/ se1 9 bg white,1 bg Mhal_2cN,0 ld c,$MAR_FukigenA2,1 ;あ痛っ。」\ `O-uch."`\ cl c,23 ld l,$BUT_DefA1,24 ;「ようし、もう黙れご苦労。@……上等だぜ、その魔女の挑戦、受けてやらぁ！」\ `"Alright, good work, so shut up.`@` ......Sounds great, I'll accept this challenge from the witch!"`\ ld r,$GEO_MajimeA2k,24 ;「……真里亞ちゃん。@…この世に魔女も悪魔も存在しない。@…父さんと母さんは誰かが殺した！@　それが僕のよく知る人間なのか、知らない人間なのかはわからない。@でも、そのどちらであっても必ず人間なんだ…！！」@ ;＜譲治 `"......Maria-chan.`@` ...Things like witches and demons don't exist in this world.`@` ...Someone killed Father and Mother!`@` I don't know whether that was someone I know or not.`@` But either way, it was definitely a human...!!"`@ cl l,24 ld l,$JES_OdorokiA1,23 ;「………しかし、……どうやって。@せいぜい１０ｃｍ程度しか開かない扉の隙間から、どうやったら室内の二人を…！」\ ;＜朱志香 `".........Yeah, but......how?`@` How did they reach them through that crack in the door?`@` It couldn't have been more than ten centimeters wide...!"`\ bg Mhal_2bN,0 ld r,$NAT_odorokiA2G,24 ;「それにしても耐え難い臭いです。@……一体、何事なのですか…！」\ ;＜夏妃 `"At any rate, I can hardly stand this stench.`@` ......What in the world could it be...?!"`\ ;■厨房 bg black,23 wait 2000 bg M1F_P1bN,23 ;　先行する熊沢と嘉音は、厨房に着く前に、臭いの発生元は厨房ではないことに気付く。@ `Before they even reached the kitchen, Kanon and Kumasawa, who had gone ahead, realized that the smell wasn't coming from there.`@ br ;　なぜなら、厨房に至る途中にある、地下への階段からさらに濃密な悪臭が登ってくるのに気付いたからだ。\ `That was because, on their way to the kitchen, they realized that an even thicker wave of stench was rising up from the stairs leading to the basement.`\ ld r,$KAN_DefA2,24 ;「………ボイラー室…。」@ ;＜嘉音 `".........The boiler room..."`@ ld l,$KUM_MajimeA2,23 ;「……またボイラーの調子が悪いんでしょうか…。」\ ;＜熊沢 `"......I wonder if there's something wrong with the boiler again..."`\ bg black,22 ;　その階段は地下のボイラー室へ通じるものだった。@ `Those stairs led to the underground boiler room.`@ br ;　屋敷のボイラーは古く、このところ調子も悪い。@ `The mansion's boiler was old, and in poor condition.`@ ;　二人も何度かボイラーの不調に立ち会ったことがあるが、このような臭いを噴出す不調は初めての経験だった。\ `Both of them had witnessed problems with the boiler on several occasions, but they had never smelled the boiler belching out a stench like this before.`\ E_A se1 15 wait 2000 ;　バタン。\ `*slam*.`\ bgmplay 32 bg M1F_P1bN,0 ld l,$KAN_OdorokiA1,0 ld r,$KUM_MajimeA2,22 ld r,$KUM_KomaruA1,80 ;「い、今の音は……？！」@ ;＜熊沢 `"Wh, what was that sound......?!"`@ ;　地下より聞こえたその音は、確かに扉が閉じる音だった。@ `The sound that they had heard from the basement had definitely been the sound of a door closing.`@ ;　……熊沢も、問い掛けるように言いはしたが、それ以外の何の音でもないことをすでに理解している。\ `......Kumasawa tried to speak, as though asking a question, but she had already realized that the sound couldn't have been anything else.`\ cl r,25 se1 13 ;　熊沢はその音に大層驚き、再び腰をぬかしてへたり込んでしまう…。@ `Kumasawa was so surprised at that sound that her knees gave way yet again and she cowered...`@ br ;　……なぜなら、(今この瞬間、ボイラー室に/・・・・・・・・・・・・・・) `......Because, `(`at that very moment,`/・・・・・・・・・) br ;(いられる人間はいないからだ/・・・・・・・・・・・・・)。@ (`no one could have been in the boiler room`/・・・・・・・・・・・・・・・・)`.`@ br ;　さっきの絵羽たちの部屋に全員が揃った！@　なら、今の扉の音は何者に発せられる音だというのか！\ `Just a few seconds ago, everyone had been crowded together around Eva and Hideyoshi's room!`@` So who caused the sound of a door closing just now?!`\ ld l,$KAN_OdorokiA2,80 ;「……………………………！」@ ;＜決意して駆け下りる嘉音 `"........................!"`@ cl l,24 ld r,$KUM_KomaruA1,24 ;「嘉音さん…！！」\ ;＜熊沢 `"Kanon-san...!!"`\ bg black,25 ;　嘉音は瞬時に状況を整理し、地下へ駆け下りる…！@ `After taking a second to sort out the situation, Kanon ran down towards the basement...!`@ br ;　今、扉を閉じる音がしたのに、誰の気配も登ってこないということは、扉を閉めた何者かはボイラー室の中にいるということだ。\ `Since they had heard the sound of a door closing just now, and there was no trace of someone climbing the stairs,`@` it meant that the person who had closed the door was now inside the boiler room.`\ ;　もしボイラー室が袋小路だったなら、嘉音は焦って飛び出したりはしなかった。@ `If the boiler room had been a dead end, Kanon wouldn't have rushed in so hastily.`@ br ;　…しかし、嘉音は使用人だから知っている。@ ;　ボイラー室には屋敷側からの入口と、中庭側からの入口の２つがある。@ `...But Kanon was a servant, so he knew.`@ `There were two entrances, one that opened to the mansion and one that opened to the courtyard.`@ ;　今追わなければ、取り逃がすかも知れないのだ…！\ `If he didn't chase them now, they might slip away...!`\ ;　熊沢も、嘉音にだいぶ遅れて、その思考を理解する。@ ;　…しかし、ひとりで行かせてはならない…！@ `Kumasawa reached the same conclusion long after Kanon did.`@ `...But she couldn't let him go alone...!`@ br ;　もし、ボイラー室にいる存在が犯人で、@…最初の殺人で大人６人をやすやすと殺して見せたほどの相手なら、@嘉音１人が取っ組みかかったところでどうにかなる相手ではない。\ `If the thing in the boiler room was the culprit,`@` ...an opponent who had easily killed six adults in the first murder,`@` then no matter how Kanon confronted them, he wouldn't be a match.`\ ;　…その論法なら、熊沢が１人加勢したところで何の意味もないのだが…。@ ;　とにかく熊沢は、嘉音をひとりで行かせてはならないと思い、遅れて階段を駆け下りる…！！\ `...Of course, with this argument, even if Kumasawa joined him, it wouldn't change anything...`@ `At any rate, after a delay, Kumasawa decided that she mustn't let Kanon go alone, and she dashed down the stairs...!!`\ ;■ボイラー室 meplay2 1,20,0 cross1 4000,70,70,70,70,70 bg Mboi_1c,42 ;　その時点で、嘉音はすでにボイラー室にいた。@ `At that time, Kanon was already in the boiler room.`@ br ;　ボイラー室独特のじめじめした熱気が苛む。@ ;　…もともと、不快な湿気と臭気の篭っている場所だった。\ `The boiler room's characteristic damp heat tormented him.`@ `...It had always been an unpleasantly smelly and hot place.`\ ;　しかもその上、あの悪臭が充満していて、嘉音は吐き気すら催す。@ ;　……この部屋が発生元であることは疑いようもなかった。\ `And on top of that, the room was full of that horrible stench...which made Kanon feel like he was going to be sick.`@ `......There was no doubt that this room was the origin.`\ ;　なら、それがどこから発せられているのか、嘉音は探るべきなのだ。@ ;　だが、嘉音は正面を見据えたまま、入口のすぐ脇にある工具棚から鉈を掴み取る。\ `In that case, Kanon should have been searching for where the smell was coming from.`@ `However, Kanon kept gazing straight forward as he grabbed a hatchet from a tool shelf just off to the side of the door.`\ ;　……鉈が欲しくて手を伸ばしたのではない。@ ;　…武器になるものなら何でもいいから、手に取りたかったのだ。@……なぜ？\ `......He hadn't stretched out his hand because he'd wanted a hatchet.`@ `...He had wanted to grab a weapon, any weapon.`@` ......Why?`\ bg black,22 bg Mboi_1a,22 ld l,$KAN_defA2,3 meplay2 2,17,40 ;「……………………………………………。」@ ;＜嘉音 `".............................."`@ br ;　嘉音は、裸電球程度では到底切り裂けぬ闇の中を凝視する。@ `Kanon gazed into the darkness where the naked light bulb couldn't pierce.`@ br ;　……そして、(答えた/・・・)。\ `......Then, he `(`answered`/・・・・)`.`\ ld l,$KAN_komaruA1,23 ;「………………ルーレットは、数字と赤黒に賭けて配当を競い合う。@……だが、赤か黒かのような、リスクの低い賭けは、その程度の配当しか与えられない。」\ `"..................In roulette, you bet on a number or the colors red or black, vying for a payoff.`@` However, low risk bets like black and red only offer a similarly low payoff."`\ ;　嘉音の口から紡がれる言葉が、…深い闇に飲み込まれていく。@ ;　その闇が不意に、煌きながら、渦を巻き始める…。\ `The words coming from Kanon's mouth...were swallowed up by the darkness.`@ `That darkness suddenly started to swirl, glittering...`\ bg black,22 fede 0,3000 se1 22 bg butterfly_1a,44 bg black,44 wait 3500 meplay2 1,21,20 bg butterfly_3a,48 ;　それは、……とても幻想的な光景…。@ `It was, ......a very fantastical scene...`@ br ;　ボイラー室のあちこちの影に隠れていた黄金に輝く蝶たちが、@…美しく瞬きながら羽ばたき、…闇の中へ集い消えていく…。\ `Golden sparkling butterflies that hid in the shadows all over the boiler room...`@`flapped their wings, twinkling beautifully, ...and gathered in the darkness, disappearing...`\ ;　嘉音は、蝶たちを飲み込む闇に向かって言い続けていた。@ ;　……しかし、闇の中に集った蝶たちは、………多分、恐らく、いや、どうせ、……笑う。@ `Kanon continued speaking, directing his words at the darkness as it swallowed the butterflies up.`@ `......But as the butterflies gathered in the darkness, they.........perhaps...probably...no, they must have......laughed.`@ br ;　…しかし嘉音はまったく怯むことなく、言葉を続けた。\ `...But Kanon continued to speak without faltering in the slightest.`\ bg Mboi_1b,22 ld r,$KAN_odorokiA2,24 ;「…逆に、より的中率の低い賭け方をすれば、そのリスクに比例した配当が与えられる。@…………お館様は、天文学的なリスクを的中できることを“奇跡”と呼び、@その結果得られる天文学的な配当を“魔法”と呼んでいた。\ `"...On the other hand, if you bet on something of a lower probability, you receive a payoff proportional to the risk.`@` ............The Master called succeeding despite an astronomical risk a 'miracle',`@` and called the astronomical payoff gained as a result 'magic'.`\ ld r,$KAN_odorokiA1,80 ;…………お館様とお前が、どんな“魔法”を求めてルーレットに挑んでいるのか、そんなことには興味ない……。@しかし、お前は忘れている。@……ルーレットには、赤でも黒でもない目が出得ることを、忘れている。」\ `............I have no interest what kind of 'magic' you and the Master were seeking when you spun that roulette......`@` But you forgot something.`@` ......You forgot that roulette has a pocket that is neither black nor red."`\ bg black,22 bg Mboi_1c,22 ;　ルーレットには“０”という特殊な目があり、ルールによっては親の総取りを意味し、@盤面に賭けた全てのコインが流れてしまう、あたかも没収試合のような目がある…。\ `Roulette has a special pocket called '0', which means that the house takes everything in certain variants of the game.`@` This means that all of the coins bet on the table will be swept up, just as though everyone has forfeit...`\ bg Mboi_1d,22 ;「………僕は、ひとつだけ心に決めていた。@……もし。@………紗音が殺されて、僕が生き残るようなことがあったなら。@………この身を投げ出して、お前のルーレットを全て台無しにしてやろうと…！」\ `".........I set my heart on one thing.`@` ...I decided that if,`@` .........Shannon were to be killed, and I was left alive,`@` .........I would bring this roulette of yours to ruin even at the cost of my life...!"`\ bg black,22 bg Mboi_1b,0 ld r,$KAN_odorokiA1,24 ;gggg ;「…………これは、お館様が決めたルールでも、…ましてやお前が決めたルールでもない。@………このルールは僕が作った。@/ `"............This isn't one of the Master's rules, ...and it certainly isn't one of yours.`@` .........I made this rule myself. `@/ ld r,$KAN_ikariA1,80 ;………僕は、もう家具じゃない。@………お前のルーレットの、ゼロなんだ…！」\ `.........I'm not furniture anymore.`@` .........I'm the zero on your roulette...!"`\ bg black,22 bg butterfly_3a,22 mevol 1,30 ;　…嘉音の顔が、屈辱に、歪む。@ ;　………彼の克己に対し嘲りが与えられたのは明白だった。\ `...Kanon's face was twisted with humiliation.`@ `.........It was clear that his self-restraint was being ridiculed somehow.`\ bg black,22 mevol 1,40 ;　嘉音の眉間がさらに、歪み、…嘉音が誰にも見せたことのないだろう激情を表情に浮かべる。@ `Kanon's brow creased even further, ...and a furious expression that Kanon had never shown anyone appeared on his face.`@ br ;　……鉈を握る手が震える。@…汗が雫となって伝い落ちる…。\ `......The hand grasping the hatchet was shaking.`@` ...His sweat became drops which slid down...`\ mevol 1,50 ;　嘉音の手を震えさせているのが、怒りの感情だけではないことは明白だった。@ ;　…だが、嘉音はその感情を飲み込む…。\ `It was clear that the emotion causing Kanon's hand to shake was not anger alone.`@ `...However, Kanon suppressed that emotion...`\ bg Mboi_1a,22 ld c,$KAN_odorokiA2,23 meplay 3,16 ;!s0「…………………僕はもうお前の言葉に惑わされたりはしない。@………悪魔のルーレットはこれでおしまいだ。@/ !s0`"I won't let your words lead me astray again.`@` .........This is where the Demons' Roulette ends. `@/ ld c,$KAN_ikariA1,80 ;…じ、/ ;!d400……地獄にてさらに千年、次の召喚者を待つがいい、/ ;!d1000ベアトリーチェえええぇええぇッ！！！」/ `...W, `/ !d400`......wait another thousand years in hell for your next summoner, `/ !d1000`Beatriiiiiiiiiiiiiiice!!!"`/ !sd\ bg black,1 se1 20 ;　嘉音が鉈を振り上げて闇に飛び込もうとした時、闇は確かに嘲笑った。@ ;　その勇気を、低俗かつ無為無駄無意味だと嘲笑った。\ `When Kanon swung the hatchet upwards and tried to dive into the darkness, the darkness definitely sneered.`@ `It sneered at that courage as vulgar, lazy, futile, and meaningless.`\ mevol 1,60 wait 1500 mevol 1,70 wait 1500 mevol 1,80 wait 1500 mevol 1,90 wait 1500 mevol 1,100 wait 2500 E_A wait 750 mov %ryuu1,1 resettimer for %ryuu1 = 1 to 2 waittimer 85 seplay 1,40 waittimer 170 seplay 2,41 waittimer 255 seplay 3,42 waittimer 340 resettimer seplay 2,41 next wait 50 se1 36 bg portrait2,1 bg black,80 wait 2000 seplay 2,37 wait 1500 seplay 3,38 wait 2000 bg Mboi_1d,42 ;　……そして嘉音は、鉈を振り上げた姿のまま、@………もうそれ以上、一歩も踏み出すことはできなかった…。\ `......Kanon, his hatchet still held aloft,`@` .........couldn't take another step after that...`\ seplay 3,39 ;　ガランという音は、@嘉音が握っていた鉈を落とし、それが床に転がったもの…。@ `With a *clang*,`@` the hatchet that Kanon had been grasping fell and rolled on the floor...`@ br se1 13 quakey 2,200 wait 700 se1 13 quakey 2,200 ;　そして、次に二度続くドサリという音は、@嘉音が両膝を、左、右…と順に着く音…。\ `And following that, with a pair of thuds,`@` Kanon's knees hit, ...left, then right...`\ meplay 1,17 ;　鉈を落とした後は、まるで空を掴もうとするかのようにも見える、その腕は徐々に下がり。@……胸元に当てられる。@そしてもう片方の手も。\ `That hand, which looked like it was trying to catch the sky now that the hatchet had been dropped, gradually lowered,`@` ......landing on his chest.`@` Then, the other hand did the same.`\ textoff se1 35 bg blood_2a,1 wait 1000 seplay 2,35 bg blood_2b,1 wait 750 seplay 3,35 bg blood_2c,1 wait 700 se1 35 bg blood_2d,1 wait 250 seplay 2,35 bg blood_2e,1 fede 0,2000 ;　……そこには、……悪魔を描いた意匠の掘り込まれた柄が。@ ;　嘉音の胸に、……絵羽たちの眉間に刺さっていたあの凶器が……。\ `......Right there, a handle with a demon-shaped design was buried into his chest.`@ `The same type of weapon that had been stabbed into Eva and Hideyoshi's foreheads...was in Kanon's chest......`\ bgmplay 33 ;!s0「……………ぅ/ ;!d600…………………く、/ ;!d700…………。」/ !s0`"...............u`/ !d600`.....................ghh, `/ !d700`............"`/ !sd@ ;　苦悶に歪む嘉音の口の端から、鮮血が零れ落ちる…。@ `Kanon was curled up in anguish, fresh blood dribbling from the corner of his mouth...`@ ;　…それは、嘉音の白い肌には過ぎた化粧…。\ `...It was...makeup over Kanon's white skin...`\ textoff bg butterfly_3a,48 bg black,48 wait 2000 ;　その様子に、闇の中に煌く黄金の蝶たちが蟲惑的に舞い踊る…。@ `Around this scene, the glittering gold butterflies danced through the darkness, mesmerizing...`@ ;　それは美しき美しき、ひとりの少年の克己への賛辞と嘲りと侮蔑と葬送の舞い。\ `It was a beautiful, beautiful dance...a funeral march of tribute, ridicule, and contempt for single boy's self-sacrifice.`\ ;　…嘉音は自身の絶命をすでに覚悟していたが、@……与えられた死を、そのままの形で受け容れることにだけでも、最後の抵抗を試みる。@ `...Kanon had already been prepared for his own death,`@` ......but although he could do nothing but accept the death he had received, he attempted one last measure of resistance.`@ br ;　…そして両手で胸に刺し込まれた凶器の柄を握り、@…………この世のものと思えぬ激痛に歯を食いしばりながら……………、@…………………………抜く。\ `...He grasped the handle of the weapon sticking into his chest with both hands,`@` ............and gritting his teeth with an acute, unearthly pain............,`@` ........................he pulled it out.`\ bg black,1 textoff rmode 0 monocro #ff0000 bg white,18,1000,":a;bmp\efe\blood_2a_efe.bmp" wait 1000 bg black,2 monocro off rmode 1 ;　一瞬だけ、真っ赤な飛沫が噴出す。@ `For only a moment, a bright-red spray gushed out.`@ se1 38 ;　……そして、ごぽりと、…不快な音をさせた。@ `......It made an unpleasant *bloop* sound.`@ br ;　それは多分、嘉音の魂を死者の沼が飲み込んでいく時と同じ音…。\ `It probably resembled the sound of Kanon's soul as it was sucked into the swamp of the dead...`\ wait 4000 bg Mboi_1d,22 seplay 2,16 ld r,$KUM_odorokiA1,24 ;「……………嘉音さんッ？！@　ひぃいいいいいぃッ！！！@　だ、誰かぁああぁあぁぁ！！@　ひぃぃぃぃいいぃぃッ！！」@ ;＜熊沢 `"............Kanon-san?!`@` Eeeeeeeeeeeeek!!!`@` S, someoooooooone!!`@` Eeeeeeeeekkk!"`@ ;　熊沢は眼前の受け容れがたい光景に絶叫した。\ `Kumasawa screamed at the incomprehensible sight in front of her.`\ bg black,26 bg blood_1a,26 ;　血の海に横たわる嘉音…。@ ;　…熊沢の胸中は混乱で滅茶苦茶だった。@ `Kanon was lying in a pool of blood...`@ `...Kumasawa's heart was a complete mess.`@ br ;　あぁ、何という不運！ `Aah, what a horrible fate!` ;　自分と一緒だったなら殺されなかったのに！@ `He wouldn't have been killed if I had been with him!`@ ;　あぁ、何という幸運！@ ;　自分と一緒だったなら自分も殺されていたかもしれない！！\ `Aah, what incredible luck!`@ `If I had been with him, I might have been killed too!!`\ ;　だからその絶叫する表情は、顔の全ての筋肉を吊り上げた、まるで泣き笑いのような…、錯乱の形相だった。@誰にもその表情を嘲笑えはしない…！！\ `As she screamed, her expression was filled with complete confusion, and all of the muscles of her face were pulled up, almost as though she was smiling while crying...`@` No one could have made fun of an expression such as this...!!`\ bg Mboi_1a,0 ld l,$BUT_odorokiA1,0 se1 16 ld r,$NAT_ikariB1G,24 ;「何事ですか、熊沢ッ！！@　返事をしなさい、熊沢！！！」@ ;＜夏妃 `"What is it, Kumasawa?!!`@` Answer me, Kumasawa!!!"`@ ;　一番最初に飛び込んできたのは、ライフル銃を構えた夏妃だった。@ ;　その後に戦人と源次が飛び込んでくる。\ `The first one to dash in was Natsuhi, holding the rifle.`@ `Battler and Genji dashed in after her.`\ bg blood_1a,22 ;　彼らは本来なら、このボイラー室に充満する猛烈な悪臭の発生源について議論するだろう。@ ;　……だが、血の海に溺れるかのように倒れている嘉音を前に、それは二の次だった。\ `Normally, they probably would've started discussing the origin of that violent stench filling the boiler room.`@ `......But after they saw Kanon, who was lying on the ground as if he were drowning in an ocean of his own blood, the stench wasn't important any more.`\ ;「嘉音！@　返事をしなさい！！@　……源次、南條先生をここにッ！！」\ ;＜夏妃 `"Kanon!`@` Answer me!!`@` ......Genji, bring Doctor Nanjo here!!"`\ bg Mboi_1b,0 ld l,$NAT_MajimeA1G,26 ;　夏妃は嘉音が瀕死とはいえ、まだ意識があることに気付き源次に託す。@ ;　…夏妃はライフル銃を高々と構えると、ボイラー室の奥の暗がりに向けながら怒鳴る！\ `Natsuhi realized that even though Kanon was on the verge of death, he was still conscious, so she sent Genji to get the doctor.`@ `...Natsuhi, holding the rifle aloft, faced the darkness in the center of the boiler room and shouted!`\ se1 43 ld l,$NAT_IkariB1G,66 ;「……そこに隠れている者は何者ですッ！！！@　大人しく出てきなさいッ！！@　そちらから出てこないなら、容赦なく撃ちますッ！！」@ ;＜夏妃 `"......Who is hiding over there?!!!`@` Come out quietly!!`@` If you don't come out from there, I'll shoot without mercy!!"`@ ld r,$BUT_OdorokiA1,64 ;「ライトだ！@　伯母さん、照らすぜッ！！」\ ;＜戦人 `"A flashlight!`@` Oba-san, let's light them up!!"`\ textoff bg white,28 wait 1000 bg Mboi_1c,26 ;　戦人が咄嗟の機転を利かし、入口脇の工具棚から大型の懐中電灯を取って、夏妃が睨みつける闇をその灯りで切り裂いた。@ `Battler, thinking quickly, took a large flashlight from the tool shelf alongside the door and used its light to cut through the darkness Natsuhi was glaring into.`@ br ;　だが、そこには無機質な配管と扉が照らし出されるだけだった。\ `But the light only shone on mechanical-looking piping and a door.`\ ;　扉はわずかに隙間を残して開いており、何者かが慌しくそこから出て行ったらしいことは明白だった。\ `The door had been left open a small crack, and it was obvious that someone had left through there in a hurry.`\ ld r,$BUT_OdorokiA1,64 ;「……夏妃伯母さん、あの扉はどこへッ？！」@ ;＜戦人 `"......Natsuhi oba-san, where does that door go?!"`@ ld l,$NAT_odorokiB2G,63 ;「げ、源次…！@　あの扉はどこに通じているのですか？！」@ ;＜夏妃 `"G, Genji...!`@` Where does that door lead to?!"`@ ld c,$GEN_majimeA1,64 ;「…な、中庭です…！」\ ;＜源次 `"...The, the courtyard...!"`\ cl a,0 ld c,$BUT_OdorokiA1,64 ;「に、逃がすかよッ、クソこの野郎ぉおおおおぉおおおぉッ！！！」\ ;＜戦人 `"L, like hell I'd let you get away, you damn bastaaaaaaaard!!!"`\ bg black,1 se1 16 ;　戦人は雄叫びを上げながら扉に体当たりする。@ `Battler let out a war cry as he slammed into the door.`@ meplay2 1,12,40 meplay2 2,5,40 br ;　冷たい外気がどっと噴出してきた。\ `Cool air from outside suddenly rushed in.`\ ;　…そこには細く粗末な登り階段があった。@ ;　…戦人は絶叫しながらそれを駆け上がっていく！\ `...There were some thin, rough stairs leading up.`@ `...Battler ran up them, shouting!`\ ;「待ちなさい戦人くん！！@　ひとりでは危険ですッ！！」@ ;　戦人の後を追い、夏妃も階段を駆け上がる。\ `"Wait, Battler-kun!!`@` It's dangerous to be alone!!"`@ `Natsuhi was also rushing up the stairs, chasing after Battler.`\ bg white,22 mevol 1,70 mevol 2,70 dllefe 1,1 bg M_o1bN,26 ;　そこは中庭だった。@ `They were in the courtyard.`@ ;　…屋敷の中庭はもっぱら採光のために設けられたもので、それほど立派なところではなかった。\ `...The courtyard of the mansion had been built strictly for lighting purposes, so it wasn't a very elegant place.`\ ;　四囲を囲まれているため、強い風の音を聞くことは出来ても、風の一切吹き込まぬ穏やかな空間だった。@ `Because it was surrounded on all sides, the air was calm and completely undisturbed, even though they could hear the sound of strong winds.`@ br ;　そして、そこにはしとしとと悲しみの雨だけが降っていた…。\ `There was only the gentle, sorrowful rain...`\ ;　ぱらぱらと冷たい雫が降る中を駆け上がり、中庭に出た戦人は四方を見渡す。@ ;　……無論、不審な人影がのこのこと待ち構えていようはずもなかった…。\ `As he ran through the cold and scattered raindrops, dashing up the stairs into the courtyard, Battler looked in every direction.`@ `......Of course, the odds of him finding a suspicious silhouette just standing around nonchalantly were pretty much zero...`\ ;　戦人はぐるぐると四方を見渡す。@ぐるぐると、ぐるぐると。@方向感覚を失いそうになるくらいに、ぐるぐると。@その光景の中に、犯人の姿があることを祈って…！@ `Battler turned around, looking in all directions.`@` He turned again and again.`@` He kept spinning until he almost lost his sense of direction.`@` He prayed that he would see the culprit somewhere in this scenery...!`@ br ;　だが、あるわけがない。@ ;　屋敷の壁と窓がいくつも無情に並ぶのがぐるぐると目に入るだけだ…！\ `But there was no chance.`@ `All he saw as he spun was more and more of the mansion's heartless walls and windows...!`\ bg Mcou_1aN,22 ;　しかも、中庭から屋敷に入る入口は２つもあり、そのどちらにも鍵は掛かっていなかった。@ `Furthermore, there were two entrances into the mansion from the courtyard, and neither of them were locked.`@ ;　中庭の構造上、屋敷の外から入れないため、鍵が設けられてなかったのだ。@ `Because the courtyard couldn't be entered from outside the mansion, the doors had been built without locks.`@ br ;　……これではどちらを出たのかわからない！@　お手上げだった。@ ;　戦人は罵りの言葉と共に、握り拳を壁に叩きつけるのだった…。\ `......He didn't know which one they had left through!`@` He had to give up.`@ `Battler pounded the wall with his fist, swearing...`\ ld r,$NAT_odorokiB1G,24 ;「……戦人くん！！@　ひとりで先走っては駄目です！！@/ `"......Battler-kun!!`@` You mustn't run ahead by yourself!! `@/ ld r,$NAT_TukareA1G,80 ;　……………………。@…………戦人くん……？」@ ;＜夏妃 `.....................`@`.........Battler-kun......?"`@ ;　戦人は壁に額を付き、…爪を立てて掻き毟りながら泣いていた…。\ `Battler put his head against the wall, and scratched at it with his fingernails as he cried......`\ bg M_o1bN,22 meplay 3,17 ;「………畜生、……畜生畜生…ッ！！@　絵羽伯母さんに、秀吉伯父さん！@　さらに嘉音くんかよッ！！！@　６人も殺しやがった！！@　飽き足らずさらに３人も殺しやがった！！@　ふざけるな、ふざけるなぁああぁあぁッ！！@　絵羽伯母さんも秀吉伯父さんも、昔からいつもやさしくしてくれる愉快な伯母さんたちだったじゃねぇかよ…！！@　嘉音くんとは昨日会ったばかりだが、きっとこれから仲良くなれたと思うぜ？！@　何で殺したんだッ！！/ `".........Damn it, ......damn it, damn it!!`@` Eva oba-san and Hideyoshi oji-san!`@` And now Kanon-kun!!!`@` You killed a full six people!!`@` And that wasn't enough, so you had to kill three more!!`@` Are you kidding me, are you fucking kidding meeeeeeeeeeeeee!!`@` Eva oba-san and Hideyoshi oji-san were always kind and fun as an aunt and uncle...!!`@` I just met Kanon yesterday, but I'm sure I'd have gotten along fine with him!`@` Why did you kill them?!! `/ se1 11 quakey 3,200 ;@　どうして、どうして…ッ！！！@　人ってのはな、殺しちまったらな、二度と生き返らねぇんだぞ？！@　竹の子みてぇにひょいひょい生えてきちゃこねぇんだぞッ？！@　………どうして殺すんだよ？！@　どうして…、/ @`Why, why...?!!!`@` You know, when people die, they don't come back to life again, right?!`@` They aren't gonna quickly sprout up again like bamboo shoots, you see?! `\ `.........Why did you kill them?!`@` Why..., `/ se1 11 quakey 2,300 ;どうして…ッ！！！/ `why...?!!!`/ se1 11 quakey 3,200 ;@　うおおおおおぉおぉぉぉ…！！」/ @` Aaaaaaaaaaaaaaaaahhhh...!!"`/ se1 11 quakey 3,200 \ bg black,22 fede 13,2000 bg Mcou_1aN,0 ld r,$BUT_NakuA1,22 ;　…戦人は、人の心の痛みや無念がわかる男だった。@…だから、泣く。@力の限り。@ `...Battler was a boy who could understand the feelings of pain and regret in a person's heart.`@` ...So he cried.`@` With all his strength.`@ br ;　夏妃は、豪放そうな性格だと思っていた戦人に、こんな繊細な一面があったことを知って少しだけ驚くと共に、@…まだ未成年である傷つきやすい戦人の心を理解し、受け止めた。\ `Natsuhi, who had always thought of Battler as a frank person, was a little surprised to find that he had this delicate side,`@` ...and at the same time, understood how easily hurt the heart of a young person could be, so she held him.`\ ld c,$NAT_TukareA1,23 ;「……………………大丈夫です。@…あなたも、譲治くんも。真里亞ちゃんも朱志香も、私が絶対に守ります。@………母として、…そして、右代宮家の代表として…！」@ `"..................It's alright.`@` ...I will definitely protect you, George-kun, Maria-chan, and Jessica.`@` .........As a mother, ...and as the representative of the Ushiromiya family...!"`@ ;「……ううううぅうぅううぅ！！@　うおおおぉおおぉおぉぉぉ！！」\ `"......WhaaaaAAAAaaaAAAAA!!`@` AaaaaaAAAAAAAAhhh!!"`\ ;　戦人はしばらくの間、夏妃の胸で号泣した後、@これまでもそうだったように、涙を拭きながら苦笑いして、充分に泣き尽くしたことをアピールした…。\ `Battler, after sobbing into Natsuhi's chest for a while,`@` wiped his tears with a bitter smile, as though he had been like that the whole time, and tried to appear as though he had cried more than enough already...`\ bg black,22 bg M_o1bN,26 ;「とにかく、一度、下に戻りましょう。@……犯人を捜すより、自分たちの身を守る方が最優先です。@明日になれば船が来る。@そうすれば警察がやって来て、全てを白日の下に晒し出してくれるでしょう。@………犯人がどう足掻こうとも、この島から逃げられるものですか…！！」@ `"Anyways, let's go back down for now.`@` ......Protecting ourselves is a higher priority than finding the culprit.`@` Tomorrow, the boat will arrive.`@` After that happens, the police will come, and everything should be brought to light.`@` .........There's no way the culprit can escape this island, no matter how much they struggle...!!"`@ ;「……そうっすね。@…警察さえ来れば。」\ `"......That's right.`@` ...When the police come..."`\ se1 21 ;　うみねこのなく頃には、…事件は解決している。\ `When the seagulls cry, the crime will be solved.`\ ;　でも、…なぜか戦人は、うみねこがもう二度と鳴いてくれないような、そんな不安感をわずかに覚える。@ `But, ...for some reason, Battler felt a slight sense of uneasiness...as if the seagulls would never cry again.`@ br ;　……そんなことがあるわけがない。@ `......That couldn't be true.`@ ;　台風が過ぎ去れば、再び船着場には賑やかなうみねこたちが帰ってくるはずなのに……。\ `When the typhoon passes, the lively seagulls should return to the harbor again......`\ dllefe_off bg black,2 fede 0,4000 wait 1500 E_A ;■ボイラー室 textoff bg Mboi_1c,22 meplay2 1,20,40 ;　俺は夏妃伯母さんと一緒にボイラー室に戻り、何の収穫もなかったことを力なく伝えた。@ `I returned to the boiler room along with Natsuhi oba-san and told everyone weakly that we hadn't found anything.`@ br ;　嘉音くんは、南條先生と譲治の兄貴が二人で使用人室に運んだという。@ ;　使用人室には救急箱や流しがあり、保健室的な機能を持っているらしい。@ `Doctor Nanjo and George-aniki carried Kanon-kun to the servant room.`@ `The servant room had a first aid kit and a sink, and could apparently function as a nurse's office.`@ br ;　熊沢さんと朱志香もそれに同行した。\ `Kumasawa-san and Jessica accompanied them.`\ bg blood_1b,22 meplay2 2,11,90 ;　…床には、嘉音くんが残した血溜まりが残っている。@ `...Stains from Kanon-kun's blood remained on the floor.`@ br ;　そのおびただしい出血量と、無造作に転がる凶器の無慈悲な形状から、/ ;!d900……多分、南條先生の手当ては徒労に終わるだろうと思った…。\ `Judging by the large amount of blood lost and the ruthless shape of the weapon that had fallen carelessly to the ground, `/ !d900`......I figured that Doctor Nanjo's treatment would probably end in vain...`\ ;　その凶器は紛れもなく、絵羽伯母さんたちの眉間に刺さっていたものと同じだった。@ ;　……いや、柄の部分の悪魔のデザインが少し違うだろうか…？@ `That weapon was doubtlessly the same type that had been stuck in Eva oba-san and Hideyoshi oji-san's foreheads.`@ `......But wait, isn't the demononic design on the handle a little different...?`@ br ;　その辺は多少の個性差だろう。@ ;　とにかく、同じ形状の凶器という意味ではまったく同じだった。\ `There seemed to be some small differences in that part.`@ `Still, as far as their overall shape was concerned, the weapons were all of the same type.`\ ;　絵羽伯母さんたちの時は、少々残酷だが、現場保全の意味もあり、凶器は突き刺さったままの状態にされた。@ `Though it had seemed brutal, we'd left the weapons that had been stuck into Eva oba-san and Hideyoshi oji-san to preserve the crime scene.`@ br ;　…だからこうして、完全な状態で凶器全体を見るのはこれが初めてだった。\ `...So this was the first time we were able to have a perfect view of the entire weapon.`\ bg black,22 ;　やはり凶器は、ナイフのような刃物ではなく、アイスピック状、@…いや、細い杭状のものだった。@ `As we had expected, the weapon was not bladed like a knife, but shaped like an icepick,`@` ...or rather, a thin stake.`@ ;　しかもそこには、ドリル状？のような螺旋の意匠が施されていた。@ `And also, ...it had a spiral-shaped pattern that might have been like a drill.`@ br ;　…悪趣味に例えれば、生贄の心臓に杭を打つために作られたような、そんな悪魔の儀式ご用達っぽくも見える…。\ `...It looked like something that might be driven into the hearts of human sacrifices in some demonic ritual...`\ ;　全長は柄の部分も入れて２５ｃｍくらい。@その半分ほどが真っ赤に血で染められた杭状の部分。@ `Including the handle, it was 25 centimeters long.`@` Half of that was the stake shaped part, which was stained with deep red blood.`@ ;　……血に染まった部分の長さが、嘉音くんの胸をどれだけ深々と貫いていたかを想像させる…。\ `......The length of the blood-stained part made it clear just how deeply it must have penetrated into Kanon-kun's chest...`\ bg Mboi_1a,0 ld l,$GEN_MajimeA2,0 ld r,$MAR_fukigenA1,22 ;　だが、夏妃伯母さんたちは凶器には目もくれず、凄まじい臭いを噴出している焼却炉の前にいた。\ `But Natsuhi oba-san and the rest didn't even look at the weapon, and instead stood in front of the incinerator, where the horrible stench was emanating from.`\ ;　かつて、炉の中にくべられていたそれを、引きずり出したのだろう。@ ;　…それは未だ燻り、不快この上ない悪臭をもうもうと放ち続けていた…。@ `They had probably pulled out 'that', which had been burnt up in the furnace.`@ `...'It' was still smoldering and kept sending out dense waves of that awfully unpleasant smell...`@ br ;　源次さんと真里亞が、…それをじっと見下ろしている。@ ;　夏妃伯母さんは正視に堪えないのだろう。@…首を何度も振りながら背を向けていた。\ `Genji-san and Maria stared down at it.`@ `Natsuhi oba-san probably couldn't stand to look directly at it.`@` ...She kept shaking her head, her back to it.`\ bg black,1 ;「……………………う…！」\ `".....................Uu-...!"`\ ;　…もうこれ以上、何を見ても驚かないつもりだったが、/ ;!d800……これは、/ ;!d600……、うぐ…！@ `...I'd thought that after everything that had happened, nothing could surprise me anymore, but, `/ !d800`......this was, `/ !d600`......, gghh...!`@ br ;　思わず込み上げる吐き気に俺はしばらく呻いた…。\ `I stood there for a while, moaning, with a rising urge to vomit...`\ E_M2 ;　………あのこの世のものと思えない悪臭の正体は、@………焼却炉で焼かれていた、@/ `.........The true form of that unearthly stench,`@` .........which came from the burnt insides of the incinerator, `@/ se1 24 ;死体を焦がす臭いだったのだ……。\ `was the smell of a charred corpse......`\ meplay2 2,17,40 ;　着衣も体の表面も髪の毛も全て焼け爛れたそのグロテスクな死体は、@こうなってしまっては顔や年齢はおろか、性別さえ見当がつかない…。@ `The clothes, the surface of the body, and the hair were all hideously burned.`@` That grotesque corpse was in a state where not the face, nor the age, nor even the gender could be even guessed at...`@ br ;　しかし、冷静に考えれば、現時点で出てくる死体は、１人しかいなかった。@ ;　………朝から姿を消し、行方のわからなかった、@………祖父さまだ。\ `But when I thought about it calmly, I realized that a corpse appearing at this time could only be one person.`@ `.........It was Grandfather, who had disappeared that morning, and whose whereabouts had been unknown.`\ bg Mboi_1d,25 ld l,$GEN_komaruA1,26 ;「………おそらく、…お館様だと思います。」@ ;＜源次 `".........I believe, ...it is most likely the Master."`@ ld r,$NAT_odorokiA2G,26 ;「……………私も、…同感です。@…………このようなお姿でお亡くなりになるとは……。@………おいたわしや…。」\ ;＜夏妃 `"............I, ...agree.`@` .............That he would pass away in such a state......`@`.........It's heartrending..."`\ ld c,$BUT_nayamuA1,22 ;「…でも、この死体、……本当に祖父さまだって保証はあるんすか…？@　こうも黒焦げじゃ、性別さえも想像つかないってのに…。」@ ;＜戦人 `"...But, ...is there any proof that this corpse really is Grandfather...?`@` It's burnt so black, you can't even tell what sex it is..."`@ ld r,$NAT_tukareA1,80 ;「戦人くん、…足を御覧なさい。」@ ;＜夏妃 `"Battler-kun, ...look at the feet."`@ ;　夏妃伯母さんは、ハンカチで口元を覆い眼を背けながら、焼け焦げた死体の足を見ろと指し示す。@ `Natsuhi oba-san, with her handkerchief over her mouth and her eyes averted, pointed and told me to look at the burnt corpse's feet.`@ ;　………………？\ `..................?`\ bg black,22 fede 12,1000 ;「……両足の指が６本あるのがおわかりになりませんか。」@ ;＜源次 `"......Notice how there are six toes on each foot."`@ ;「え？@/ `"Huh? `@/ se1 26 ;　………………あ、/ ;!d800……本当だ………。」\ ;＜戦人 `...............Ah, `/ !d800`......you're right........."`\ meplay2 2,11,90 ;　足の指が、確かに源次さんの言う通り、どちらの足にも６本ある。@ ;　それぞれの指が実にもっともらしく並んでいるので気付かなかった…。\ `Just as Genji-san had said, there were six toes on each foot.`@ `Each of the toes had been arranged so normally that I hadn't noticed...`\ bg Mboi_1b,0 ld r,$GEN_DefA1,22 ;「……お館様はお生まれの時から両足の指がそれぞれ６本でした。@…そして、ゆえにお館様は右代宮家の再興を託されたのです。」@ ;＜源次 `"......Since the Master was born, both of his feet have had six toes.`@` ...Consequently, the Master was entrusted with the revival of the Ushiromiya family."`@ ld l,$NAT_zutuuA1,80 ;「右代宮家には昔から、生まれつき多指症の方が多かったそうです。@…多分、遺伝的なものでしょう。」\ ;＜夏妃 `"I have heard that since long ago, cases of polydactyly were common in the Ushiromiya family.`@` ...It's probably hereditary."`\ bg black,22 ;　多指症ってのは、書いて字の如し。@ `Polydactyly literally means 'many fingers'.`@ br ;　生まれる時のちょいとした神さまのミスで１本になるはずの指が２本に分かれてしまって、増えてしまうことがあるのだ。\ `Because of a little mistake by god when the person is born, one of their toes or fingers splits into two, and the total number increases.`\ ;　ただ、多指症が世間で騒がれることはそうそうない。@ ;　なぜなら、これは病気ではなく、生まれつきのものだからだ。@ `But a big deal isn't usually made of polydactyly in the world at large.`@ `That's because it isn't a disease, just something people are born with.`@ br ;　だから赤ん坊の時にもう病院は把握していて、１歳くらいになったら、手術して元通りに直してしまう。\ `So while they are still babies, at about the time they turn one year old, they can be taken to the hospital and given surgery to make them normal.`\ ;　だから、仮に多指症だったとしても物心が付く前に治療されてしまっていて、子ども自身は覚えてすらいないわけだ。@ `Even a child with polydactyly can be treated before they become aware, so they might not even remember it themselves.`@ br ;　ちなみに、赤ん坊二千人に１人くらいの可能性で起こりえるものらしいので、@人目には触れないながらも、決して珍しいものではない。\ `By the way, it seems that there is a possibility for this to occur in one out of every two thousand babies,`@` so even though it's not usually seen, it isn't that rare at all.`\ ;　そう言えば、秀吉伯父さんに昔、聞かされたことがあるような。@…あの豊臣秀吉も手の指が６本あったんだとか…。\ `Speaking of which, I think Hideyoshi oji-san mentioned something to me long ago.`@` ...Something about how even Toyotomi Hideyoshi, the man who unified Japan at the end of the Sengoku period, possessed six fingers on one hand...`\ bg Mboi_1c,26 ;　夏妃伯母さんが言うには、右代宮家の歴代当主の中でも名君と讃えられた何人かが、みんな多指症だったらしい。@ `According to Natsuhi oba-san, among the many Ushiromiya family heads, the ones praised most for their wisdom had all possessed polydactyly.`@ br ;　……そのため、祖父さまが生まれた時、名君の再来かと親族たちに騒がれたのだそうだ。@で、関東大震災で主だった親族たちが全滅し、そこからお家を再興できるのは、@吉祥の徴を持って生まれてきた祖父さまだ、ってな論法になったらしい。\ `......Because of that, when Grandfather was born, his relatives were all excited at the thought that he might become another wise leader.`@` And, when the leading relatives all died in the Great Kanto Earthquake, it was apparently argued Grandfather should be the one to restore the family because of the auspicious sign of his birth.`\ ;　もし祖父さまが当主もまんざらじゃないって思ったんなら、その６本目は幸運の指ってことになるのかもな。@ `If Grandfather hadn't disliked his position as the head overly much, this sixth toe must have been pretty lucky for him.`@ ;　……そう言えば、どこかの国では多指症の人は神さまの使いだと信じられてて崇められてる、なんて話も聞いたような…。\ `......Come to think of it, I think I've heard about some country where it's believed that people with polydactyly should be treated as gods and revered...`\ bg black,22 ;　余談だが、推理小説なんかで死体を焼く時は、身元を不明にするための目的ですることが多いもんだ。@ `This is beside the point, but it's fairly common in mystery novels for a corpse to be burned to hide whose body it is.`@ br ;　……しかし、祖父さまの場合は、ちょっと焼いたくらいじゃ誤魔化せない、ちゃんとした証があったってことか…。\ `......But I guess that in Grandfather's case, just being toasted wouldn't be enough to hide the proof of his identity...`\ E_M2 ;　そして、……祖父さまの遺体はただ焼け焦げているだけではなかった。/ `And, ......Grandfather's body was not simply burnt.`/ mov ?r[kin][condition],3 seplay 9,1061 @ br ;　……絵羽伯母さんたちと同じように、…そして嘉音くんの胸にも突き刺さっていた、@/ `......Just like Eva oba-san and Hideyoshi oji-san, ...one of those things that had been stuck in Kanon's chest, `@/ se1 33 ;あの“悪魔のアイスピック”が、…眉間に突き立てられている……！\ `one of those 'demon's icepicks', ...was stuck into his forehead......!`\ bg Mboi_1b,0 ld r,$GEN_defA1,24 ;「…………指に、“当主の指輪”がありません。」@ ;＜源次 `"............The Head's Ring is not on his finger."`@ ld l,$NAT_tukareA1,23 ;「…昨夜の手紙のとおりということですか。@/ `"...So everything is as the letter last night said. `@/ ld l,$NAT_zutuuA1,80 ;………………お父様、/ ;!d900……さぞやご無念でしょう……。」@ ;＜夏妃 `..................Father, `/ !d900`......would probably be horribly disappointed......"`@ ;　夏妃さんはうな垂れ、硬く目を瞑る…。\ `Natsuhi-san let her head droop and closed her eyes tightly...`\ bg black,25 wait 2000 meplay2 2,11,90 wait 1000 bg Mboi_1a,22 ;　……この部屋も、警察に引き渡すべき重要な犯行現場となった。@ ;　……祖父さまの死体はここに残し、部屋は施錠して封印することとなった。\ `......This room had also become a vital crime scene for us to hand over to the police.`@ `......It was decided that we would leave Grandfather's corpse here and lock the room, sealing it.`\ ;　祖父さまの遺体はいつ頃から焼却炉で焼かれていたのかははっきりしない。@ `It isn't clear when Grandfather's corpse started burning in the incinerator.`@ br ;　源次さんが言うには、火勢がそんなに強くなかったので、だいぶ前から焼かれていて、@炉から漏れ出した臭いが室内に少しずつ充満し、あふれ出して階段を登ってきたのではないかという。\ `Since, according to Genji, the strength of the flames hadn't been that strong, the body must have started burning a long time ago,`@` so that stench could slowly creep out of the furnace and fill the room bit by bit, eventually pouring out and climbing up the staircase.`\ ;　……レアかウェルダンかはとりあえず置いとくが、@…とにかく祖父さまが、オートロックの密室に閉じこもっていたにもかかわらず、連れ出され、殺されて焼かれた。@…そう見て間違いないだろう…。\ `......Putting aside whether he was rare or well-done,`@` Grandfather had been brought out, killed, and burned...even though he had started out locked away in the closed room created by his auto-lock.`@` ...There's probably no doubting this...`\ bg Mboi_1b,0 ld c,$GEN_MajimeA2,22 ;　しかし、源次さんが言うには、ボイラー室は普段から施錠されているという。@ `However, according to Genji-san, the boiler room is usually locked.`@ br ;　……俺たち以外の誰かが潜んでいて犯行に及んでいる可能性が限りなく高くなり、@しかもそいつはマスターキーのようなものを持ち歩いている可能性も高い。@ `......The possibility that someone outside our group had snuck in and committed the crime was overwhelmingly high,`@` and there was also a good chance that this person was walking around with something like a master key.`@ br ;　…何しろ、今の屋敷内は戸締りがされていることになっている。@ ;　にもかかわらず、犯人はこうして屋敷内を自由に闊歩しているのだから。\ `...After all, the doors and windows throughout the mansion had been checked.`@ `But despite that, the culprit was able to strut around the mansion freely.`\ bg black,25 fede 0,2000 bg Mboi_1d,22 bgmplay 34 ;　この一件で、１９人目が存在することは確定したのか？@ ;　今までまったく姿を現さず、にもかかわらず存在をアピールするという矛盾。@ `After this latest crime, can we be sure that a 19th person exists?`@ `They haven't shown themselves once, and yet someone's trying to tout their existence.`@ br ;　それを俺は、霧江さんのチェス盤理論で、逆に１９人目を否定してきた。\ `Along with Kyrie-san's chessboard theory, I've been using this contradiction to deny the existence of a 19th person.`\ ;　…またしてもチェス盤をひっくり返すならば。@これほど明らかに１９人目の存在がはっきりするなら、@…ならばこそ、１９人目の存在など、なお一層ありえないということになる。@その１９人目が姿を現さない限り…！\ `...By flipping the chessboard over once more,`@` the very fact that this crime makes it perfectly obvious that a 19th person exists...`@`means that the existence of the 19th person is even less possible.`@` As long as that 19th person doesn't show themselves in front of us...!`\ ;　……レシートで封印した扉から祖父さまを連れ出し、@チェーンで封印した扉の向こうの絵羽伯母さんたちを殺せた犯人なら、@……怪しげなトリックや仕掛けで、見事架空の１９人目を生み出すことも可能なのか…？！？！\ `......If the culprit could get Grandfather out through the door sealed by the receipt, `@`if they could kill Eva oba-san and Hideyoshi oji-san from the other side of a door sealed by a chain, `@`......then is it possible for them to even create a fictional 19th person through strange tricks and devices...?!?!`\ ;　もし、１８人の中に犯人がいると今でも信じているなら、/ ;!d900……その容疑者は今やあまりに限られている。\ `If we still want to believe that the culprit is among us, `/ !d900`......then the list of suspects is very short.`\ bg black,22 meplay2 1,17,40 ;　俺たち子ども４人に、夏妃伯母さん。@そして源次さん、@熊沢の婆ちゃん、@そして南條先生。@…この中に犯人がいるってことになる！\ `The four of us kids, Natsuhi oba-san,`@` Genji-san, `@`Kumasawa baa-chan, `@`and Doctor Nanjo.`@` ...One of these people has to be the culprit!`\ ;　いや、そうとも決め付けられない。@ ;　……さっき祖父さまの遺体が本当に本人か疑ったじゃないか。@ `Wait, we can't be sure of that.`@ `......Just a second ago, we started doubting whether the corpse here was actually Grandfather's, right?`@ br ;　…同じことを、他の遺体についても考えてみるべきじゃないだろうか。\ `Maybe we can think of the other bodies in the same way.`\ bg blood_1aR,2 ;　例えば、最初に殺された６人は顔面を酷く破壊されていた。@ `For example, the first six all had their faces horribly smashed.`@ br ;　……面影を確認できる遺体もあったが、例えばウチのクソ親父辺りなんかは、@綺麗にお面でも剥がすかのように、きっちりと顔面を失わされていた…。@ `......Some of the bodies had kept enough of their faces for us to confirm who they were, but that old bastard, for example...`@`had lost his entire face, as though it had been peeled off...`@ br ;　俺たちは服装と状況だけで遺体を特定したに過ぎない…。\ `We had only figured out which body was which by their clothes and surroundings...`\ ;　予め身代わりの死体を用意し、自らを死んだと偽装してどこかに隠れ潜んでいて犯行に及んでいるとか…？@ `Had the culprit prepared a fake body beforehand and disguised it to make it look like they'd died...when they'd actually hid somewhere after committing the crime...?`@ ;　…そんな馬鹿なと思うが、それでも不可能なトリックじゃない。@ `...It sounds ridiculous, but that doesn't mean it's an impossible trick.`@ br ;　……１９人目、/ ;!d700……いや、………魔女に屈服するにはまだ早い……！\ `......It's too early to give in to this 19th person, `/ !d700`......no, this witch......!`\ bg black,22 fede 12,2000 fede 1,3000 bg Mboi_1b,0 ld r,$NAT_MajimeA1,26 ;「真里亞ちゃん、それ以上しげしげと見てはなりません。@さぁ戦人くんも。@嘉音の容態も気になりますし、いつまでもこのようなところにはいられません。@戻りましょう。」\ `"Maria-chan, you mustn't stare so fixedly anymore.`@` Come on, Battler-kun too.`@` I am worried about Kanon's condition, and I don't want to stay in a place like this any longer than I have to.`@` Let's go back."`\ bg Mboi_1a,0 ld l,$MAR_fukigenA1,24 ;＜夏妃 ;「……うー。」@ `"......Uu-."`@ br ;　真里亞はみんなと一緒に出て行かず、ボイラー室に残っていた。@ ;　しげしげと見ているのは多分、@祖父さまの遺体じゃなくて、その眉間に付き立てられた“悪魔のアイスピック”の方だろう。@ `Maria hadn't gone out with everyone else, but had remained in the boiler room.`@ `The thing she was staring fixedly at was probably not Grandfather's body,`@` but the 'demon's icepick' that was sticking out of his forehead.`@ br ;　…多分、マニアにゃ堪らない一本に違いない。\ `...She was probably barely able to contain her enthusiasm.`\ ;　その頭をコツンと叩く。\ `I tapped her on the head.`\ ld r,$BUT_NayamuA2,24 ;「おい真里亞。@……ベアトリーチェの目的は何なんだ。@俺たち全員の命か…？」@ `"Hey, Maria.`@` ......What's Beatrice after?`@` Is it all of our lives...?"`@ textoff fede 0,2000 bgmplay 17 ld l,$MAR_AkuwaraiA2,80 ;「……きひひひひひひひひ。@ベアトリーチェはもうすぐ蘇るんだよ。@…その時、誰も生き残れはしない。@……きひひひひひひひひひひひ。」\ `"......Kihihihihihihihi.`@` Beatrice will revive very soon.`@` ...At that time, none shall be left alive.`@` ...Kihihihihihihihi."`\ ld r,$BUT_nayamuA1,80 ;「よくも笑えるもんだぜ。@自分だけ蚊帳の外だと思ってるのか？@　どうして自分の身に危機が迫っていると感じない？@　どうして怯えない？！」\ `"How can you laugh at something like that?`@` Do you think you're the only one who's safe?`@` Why don't you feel like you're in danger?`@` Why aren't you scared?!"`\ cl a,0 ld c,$MAR_odorokiA1,23 ;「……ベアトリーチェは約束してくれたもん。@…真里亞は黄金郷へ連れて行ってもらえるんだよ。@/ `"......Beatrice promised me.`@` ...She said that she's going to take me to the Golden Land. `@/ ld c,$MAR_akuwaraiA3,80 ;………そこはね、しがらみも何もない、全ての人たちがずっと一緒に、いつまでもやさしくしあって行ける素敵な場所なんだよ。\ `.........It's a wonderful place where you have no obligations, everyone's always together, and everyone is always nice to everyone else.`\ ld c,$MAR_Akuwaraia1,80 ;　………真里亞は楽しみだよ？@　その時は、もうすぐだもん。@…きひひひひひひひひひひひひひひひひひひひひひひひ…。」\ `.........I'm looking forward to it.`@` That time will come, very soon now.`@` ...Kihihihihihihihihihihihihihihihihihi..."`\ textoff wait 2000 meplay2 1,16,40 ld c,$MAR_defA1k,45 ;　…一体、真里亞は何者なんだ…。@ `...Just what kind of person is Maria...?`@ ;　………俺は、６年前の３歳の時の真里亞しか知らない。@無垢で素直ないい子だった。@ `.........I only know what Maria was like six years ago, when she was three.`@` She had been pure and obedient...a good kid.`@ br ;　そして６年経ったこの真里亞と、…俺の知る真里亞が繋がらない。@ `This new Maria six years later and the Maria I knew, ...didn't seem to fit together.`@ br ;　……誰なんだ、この、真里亞と名乗る“魔女”は…。\ `......Just who are they...Maria and the one who claims to be a 'witch'...?`\ ;　魔女の存在を頑なに妄信する彼女にとっては、@……この一連の不可解な事件は全て、魔女が確かに存在する証。@ `To Maria, who obstinately believes in the witch,`@` ......this series of unsolvable crimes is proof that the witch actually exists.`@ br ;　人間には困難な何かが起こる度に、俺たちはベアトリーチェという魔女の存在を信じなければならなくなる。\ `Every time something occurs that would be difficult for a human, it becomes a little harder for the rest of us to not believe in Beatrice.`\ ;　それは真里亞にとって、…かつて頑なにその存在を否定し続けた親族たちが、@次々に魔女の存在を認めていくという“痛快”なことでもある…。@ `It must be an 'intense pleasure' for Maria to see her relatives, who once firmly denied the witch's existence,`@` start acknowledging that witch's existence one by one...`@ br ;　……だから、上機嫌だってのか…？\ `......Is that why she's in high spirits...?`\ textoff fede 10,1000 cl c,0 bg Mboi_1c,24 ld r,$BUT_KomaruA3,24 ;「………真里亞。@もういっぺんだけ聞く。@どうせ答えは同じだろうが、もういっぺんだけ聞く。」@ `".........Maria, let me ask this one more time.`@` You'll probably answer the same anyway, but I'll ask just once more."`@ ld l,$MAR_fukigenA1,23 ;「うー…？」\ `"Uu-...?"`\ ld r,$BUT_odorokiA1,80 ;「…お前は昨日、薔薇庭園で手紙をもらった。@……そいつは誰なんだ…！」@ `"...Yesterday, you were given a letter in the rose garden.`@` ......Who gave it to you...?!"`@ ld l,$MAR_fukigenA2,80 ;「うー。@…だからベアトリーチェ。@…戦人がまだ信じない。@うー。」@ ;　真里亞は従来の言葉を繰り返すだけだ。\ `"Uu-.`@` ...Like I said, Beatrice.`@` You still don't believe.`@` Uu-."`@ `Maria only repeated what she had already said.`\ bg black,22 meplay2 1,20,40 ;　……真里亞は１９人目の魔女に会っている。@ `......Maria had met with the 19th person, the witch.`@ br ;　それは本当に１９人目なのか、それとも１８人の誰かに、そうだと言えと吹き込まれたのか。\ `Had that really been a 19th person, or had that been one of the 18, who told her to say otherwise?`\ ;　ひとつだけ確かなのは、真里亞は俺たちとずっと一緒にいて、常にアリバイがあるし、不審な行動も一切ない。@ `All that's certain is that Maria has been with the rest of us constantly, has always had an alibi, and hasn't done anything that would put her under suspicion.`@ br ;　……ベアトリーチェのメッセンジャーにされ、心酔しているだけで、決して１９人目ではない。@ `She's simply overjoyed at being made Beatrice's messenger, and there certainly isn't a 19th person...`@ br ;　………………はず。\ `...............Supposedly.`\ bg Mboi_1d,2 meplay2 2,11,90 ;　そうだ。@絵羽伯母さんたちの部屋で拾った手紙は、中に何と書かれているのだろう…。@夏妃伯母さんがまだ持っているはず…。\ `That's right,`@` I wonder what's written in the letter we picked up in Eva oba-san and Hideyoshi oji-san's room...`@` Natsuhi oba-san should still have it with her...`\ textoff wait 3000 ;▲第１３アイキャッチ：１０月５日（日）１９時３０分　が２０時００分に進む eye1 19,30,20,0,1,0,560,150,60 ;eye1 19,30,20,0,1,0,510,340,25 *umi1_15 ;■使用人室 meplay2 1,12,40 ;　……嘉音くんはついに、意識を取り戻すことはなかった。/ `......In the end, Kanon-kun did not regain consciousness.`/ mov ?r[kan][condition],2 seplay 9,1061 \ ;　南條先生たちの懸命の治療にもかかわらず…。@ `Even though Doctor Nanjo and the rest did all they could to heal him...`@ ;　…いや、薬も施設もないこの島で可能な治療など元々何もない…。@ `...There was very little that could be done on an island like this without medicine or proper facilities...`@ br ;　しかし、犯人と唯一対峙した人間だった。@ ;　その手掛かりをせめて聞ければ…。@ `However, Kanon was the only human ever to confront the culprit.`@ `If only he could give us some kind of clue...`@ br ;　しかし、嘉音くんは運ばれた時からもう、/ `However, at the time we carried Kanon here, it was already`/ ;!d700………手遅れだった。\ !d700`.........too late.`\ bg G1F_R1bN,22 ld r,$NAN_KomaruA2,26 ;「………申し訳ありません。@あのような重症を、設備のないところではどうしようも…。」@ ;＜南條 `".........My sincere apologies.`@` Without proper facilities, there was nothing I could do about such a serious wound..."`@ ld l,$NAT_DefA1,23 ;「…いえ、無理もないことです。@最善を尽くして下さり、ありがとうございました。」@ ;＜夏妃 `"...No, that's perfectly understandable.`@` Thank you so much for giving it your very best."`@ ;　南條先生のシャツは激しい返り血を浴び、最後の一秒まで献身的な治療に当たったことが想像できた。\ `Doctor Nanjo's shirt had been sprayed by a violent spurt of blood, so it was easy to imagine the devotion with which he had tried to save Kanon's life...up until the last second.`\ bg black,23 bg Ment_1bN,23 ;　廊下では朱志香がしゃがみ込み、さめざめと泣いていた。@ `Jessica was crouched in the corridor, crying in anguish.`@ ;　……嘉音くんの死の瞬間を、看取ったのかもしれない。@ `She had probably been taking care of Kanon until the moment of his death.`@ br ;　譲治の兄貴が慰めの言葉を掛けているが、朱志香がそれを拒絶したため、@それ以上は無理に関わろうとせず、そっとしておいていた。\ `George-aniki tried to approach her with words of comfort, but when Jessica pushed him away,`@` he stopped trying to force her to talk and left her alone.`\ bg M1F_P2bN,24 ld r,$KUM_KomaruA1,24 ;「…………私が、嘉音さんをひとりで行かせなければ……、……ううぅ…。」@ ;＜熊沢 `"............If only I hadn't let Kanon-san go alone......, ......ooohhhh..."`@ ld l,$GEN_MajimeA2,23 ;「……気に病むことはない。@…仮に一緒だったら、熊沢も襲われていたかもしれん。@……それに、愚かにも先走った故の自業自得だ。」\ `"......Do not let that bother you.`@` ...If you had been with him, you would probably have been attacked as well.`@` ......He foolishly jumped forward and paid for his mistake."`\ ld c,$JES_IkariA1,64 bgmplay 16 ;「そんな言い方ってねぇぜッ？！@　嘉音くんは犯人の姿を見つけて、勇敢に立ち向かったんだ！！@　熊沢さんも一緒だったら、犯人は躊躇して逃げることを選んだかもしれない！！」@ ;＜朱志香 `"How can you say it like that?!`@` Kanon-kun spotted the culprit and bravely stood up to them!!`@` If only Kumasawa-san had gone with him, the culprit might have hesitated and chosen to run away!!"`@ br ;　普段、細かい気遣いのできる朱志香の口から出たとは思えない、感情的な言葉が飛び出す。@ `Emotion-filled words that I never thought I'd hear coming from Jessica's mouth tumbled out.`@ ;　…熊沢さんは申し訳ないと、うな垂れるしかなかった…。\ `...Kumasawa, looking truly sorry, could do nothing but hang her head...`\ bg Ment_1bN,23 ld r,$BUT_nayamuA1,24 ;「朱志香…。」@ ;＜戦人 `"Jessica..."`@ ld l,$GEO_MajimeA1k,23 ;「………今は言葉を掛けるべきじゃない。@…僕だって、……そして戦人くんもだろ？@/ `".........You shouldn't have said that.`@` ...It's the same for me, ......and probably Battler-kun as well, okay? `@/ ld l,$GEO_NakuA2k,80 ;　もう何が何だかわからなくて、心が張り裂けそうだよ……。」@ `We don't know what's going on, and it feels like our hearts are going to split open......"`@ ;＜譲治 ;　譲治の兄貴は、再び目頭に涙を溜める。@ `There were tears in George-aniki's eyes again.`@ ;　…泣き崩れる朱志香を見て、再び両親を失った悲しみがぶり返してしまったのだろう。\ `...Seeing Jessica break down crying probably brought back the pain of losing his parents.`\ ;　…………俺は、まとめて一気に泣いた。@ ;　…だからさらに泣きたいとは思わない。@ `............I had already cried myself dry.`@ `...So I didn't want to cry anymore.`@ br ;　…しかし、彼らの胸中は痛いほどわかった。\ `...However, I understood how great the pain in their chests was.`\ bg M1F_P2bN,24 ld r,$MAR_WaraiA1,24 ;「…………大丈夫だよ、朱志香。@………嘉音にだってまたすぐ会えるよ。」@ `"............It's alright, Jessica.`@` .........You'll be able to meet Kanon again soon."`@ ld l,$JES_nakuA1,23 ;「…よしてくれよ！@　そういう慰めはいらねぇぜ…！」@ `"...Stop it!`@` Stop trying to console me...!"`@ ld r,$MAR_akuwaraiA2,80 ;「ベアトリーチェは死者も、失った愛すらも蘇らせる。@……だから、きっとすぐに会えるよ。@そしてきっと、みんなで穏やかに過ごせるから。」\ `"Beatrice will resurrect the dead, and even love that has been lost.`@` ...So you'll definitely be able to meet him soon.`@` Then, everyone will be able to live in peace."`\ cl a,0 ld c,$JES_IkariA1,23 meplay2 2,5,40 ;「嘉音くんを殺したのが、真里亞に昨日手紙を渡したっていうベアトリーチェなのか？！@　そいつはどこにいるんだよ？！@　どこに隠れてるんだよッ？！@　私が見つけて引き裂いてやるッ！！！@　言えよッ、知ってるんだろ、犯人の正体を！！/ `"Is this Beatrice of yours, the one who supposedly gave you that letter yesterday, the one who killed Kanon-kun?!`@` Where is she?!`@` Where is she hiding?!`@` I'll find her and tear her apart!!!`@` Say it! You know, don't you? You know who the culprit really is!!`/ se1 8 quakex 3,200 ;@　お前は何を知っていて何を隠してるんだッ！！@　話しやがれぇええぇッ！！！」/ @` What do you know and what are you hiding?!!`@` Tell me, damn iiiiiiiiit!!!"`/ se1 10 quakey 3,200 \ ld l,$GEN_majimeA1,24 ;「お、……お嬢様、お止め下さい…！」@ `"M, ......Milady, please stop...!"`@ ld r,$MAR_SakebuA1,80 ;「うー！@　うー！@　ベアトリーチェはいるー！@　“い”るー！！@　うーうーうー！！」\ `"Uu-!`@` Uu-!`@` Beatrice exi-sts!`@` 'Exi-sts'!!`@` Uu-uu-uu-!!"`\ ld c,$JES_IkariA2,80 ;「畜生、源次さん離せよ！！@　真里亞が犯人を知ってる！！@　しかもそいつは知ってて隠してるんだ！@　そして、俺たちの内情を伝えて、殺しの手引きをしてるに違いないんだぜ！！」@ `"Damn it, let go of me, Genji-san!!`@` Maria knows who the culprit is!!`@` And she's been hiding that she knows it!`@` She must be telling them what we're doing, guiding them as they kill us!!"`@ cl r,0 ld r,$NAT_OdorokiA1,64 ;「朱志香ッ、静かにしなさい！！」\ `"Jessica, be silent!!"`\ ;　真里亞に掴みかかる朱志香…。@ `Jessica rushed at Maria and grabbed hold of her...`@ ;　源次さんがそれを押し留めようとするが、それでも朱志香は収まらない。@…続いて聞こえたのは夏妃伯母さんが頬を打つ音だった。\ `Genji tried to stop her, but Jessica could not be calmed.`@` ...The next thing I heard was the sound of Natsuhi oba-san slapping Jessica's face.`\ E_M2 bg white,1 bg black,22 bg M1F_P1bN,6 ;　後には、朱志香のすすり泣く悲しい声が響き渡るだけだった…。\ `After that, Jessica's sorrowful sobbing voice resounded throughout the hall...`\ ld c,$GEO_majimeA1,24 ;「……真里亞ちゃん。@…僕は、君が断じて犯人ではないことを知っている。@…君はいつも僕たちと一緒にいたし、犯人なんかと通じている時間はなかった。@/ `"......Maria-chan.`@` ...I know that there's no way you're the culprit.`@` ...You have been with us since the beginning, and there was no time for you to communicate with any culprit. `@/ ld c,$GEO_MajimeA1k,80 ;…………だから、聞かせて欲しい。@……君に昨日、手紙を渡したベアトリーチェとは、…誰なんだい。」\ ;＜譲治 `............So, I want you to tell me something.`@` ......This 'Beatrice' who handed you the letter yesterday, ...who was she?"`\ ;　……その言葉は、やさしそうに見えるが、…真里亞に対し拭いきれぬ疑いを持つことを如実に物語っていた。@ `......Although those words seemed kind, ...they clearly showed that George still had some doubts about Maria.`@ br ;　……取っ組みかかりこそしない。@ ;　しかし、気持ちは朱志香とまったく同じだったのだ。\ `......He hadn't tackled Maria.`@ `However, he felt exactly the same way Jessica did.`\ cl c,0 ld r,$GEO_MajimeA1k,0 ld l,$BUT_NAyamuA1,23 ;「……兄貴。@同じことは俺もさっき聞いたぜ。@…返事は同じさ。」@ ;＜戦人 `"......Aniki.`@` I already asked her the same thing.`@` ...The answer was the same, too."`@ ld r,$GEO_majimeA2,80 ;「真里亞ちゃんの口から聞きたい。@……ベアトリーチェとは誰なんだい。」\ ;＜譲治 `"I want to hear it from Maria's mouth.`@` ......Who is Beatrice?"`\ bg M1F_P1dN,24 ld l,$MAR_fukigenA1,23 ;「……………………………。@言っても、どうせ、……信じない。」\ `"........................`@`Even if I tell you, you won't......believe me anyway."`\ ld r,$GEO_MajimeA2k,24 ;「それはどういう意味だい？！@　…ひょっとして、僕らのよく知る人物が犯人で、@…君は何かの事情からそれを庇うために黙っているというのかい？！@　君は、あの手紙を誰にもらったんだい！」\ ;＜譲治 `"What do you mean by that?!`@` ...Is it possible that the culprit is someone I know well,`@` and that, for some reason, you're covering for them by remaining silent?!`@` Who gave you that letter?!"`\ E_MA ld l,$MAR_ikariA1,80 ;「…………ベアトリーチェにもらったんだよ。@何度だって言う。@手紙はベアトリーチェにもらった。@/ `"............I got it from Beatrice.`@` I'll say it no matter how many times you ask.`@` I got the letter from Beatrice. `@/ ld l,$MAR_akuwaraiA3,80 ;……きひひひひひひひひひ。@譲治お兄ちゃんがベアトリーチェを信じないのは、殴れる相手じゃないから？\ `......Kihihihihihihihihi.`@` George onii-chan, do you refuse to believe in Beatrice because she's not an opponent you can hit?`\ cl a,0 ld c,$MAR_akuwaraiA1,23 ;　譲治お兄ちゃんは、やるせない気持ちを暴力に変えて誰かにぶつけたいと思っている。@だから、殴れる相手がニンゲンじゃなきゃ収まりが付かない。@………だから、そんな譲治お兄ちゃんには真実を話しても、受け容れられない。@だから、言っても無駄。@信じない。\ `You want to turn your feelings of helplessness into violence and beat someone up.`@` So you won't be satisfied unless your opponent is a human you can hit.`@` .........So even if I tell you the truth, you won't accept it.`@` So it's pointless for me to tell you.`@` You won't believe.`\ ld c,$MAR_AkuwaraiA2,80 ;　…………でも真里亞は何度も言うよ。@真実だから言うよ。@……ベアトリーチェはね、“い”るの！@　きひひひひひひひひひひひひひひ…！@　黄金郷の扉はもうすぐ開かれるよ。@真里亞はそこに行くの。@ベアトリーチェが約束してくれたの！\ `............But I will keep on saying it.`@` I'll say it because it's true.`@` ......Beatrice 'exists'!`@` Kihihihihihihihihihihihihihihi...!`@` The door to the Golden Land will soon be opened.`@` I'll go there.`@` Beatrice promised!`\ ld c,$MAR_komaruA1,80 ;　その世界では、ママもやさしくて、パパも一緒でやさしいの。@真里亞は早くそこへ行きたいの。@……みんなはベアトリーチェのことを恐れている。@そしてそれは無理もないことだけど。@……なら安心して。@…ベアトリーチェは言ってたよ。@ `In that world, Mama is nice, Papa is with us and is also nice.`@` I want to go there right away.`@` ......Everyone is afraid of Beatrice.`@` But that is only natural.`@` ......So calm yourselves.`@` ...Beatrice said so herself.`@ br ;(台風が去るまでに、全てを終わらせるからって/・・・・・・・・・・・・・・・・・・・・・)。@/ (`By the time the typhoon has passed`/・・・・・・・・・・・・・・・・)`,` br (`I will have ended everything`/・・・・・・・・・・・・・・・・)`.`@/ ld c,$MAR_fukigenA1,80 br ;!s0………あ痛っ。」/ !s0`.........Ouch."`/ se1 11 quakey 3,400 !sd\ ;＜真里亞 ld r,$BUT_nayamuA2,24 meplay2 1,12,40 ;「……饒舌な真里亞も嫌いじゃねぇが、とりあえずはそのくらいにしとけ。@…魔女はいるいる言ってたお前にとって、さぞや現状は愉快だろうが、とりあえずそいつはお前だけで噛み締めとけ。@他人にまで押し付けるんじゃねぃ。」@ ;＜戦人 `"......Maria, I don't mind you being talkative, but let's leave it at that for now.`@` ...I'll bet this is all a pretty happy situation for you, since you're always going on about how a witch exists, `@`but keep that to yourself for the time being.`@` Leave everyone else out of it."`@ ld c,$MAR_defA1,80 ;「うー。」\ `"Uu-."`\ bg Ment_1bN,0 ld l,$JES_ikariA1,23 se1 21 ;「こ、こいつ、前から気持ち悪いやつだとは思ってたけど、/ ;!d700……おかしいぜ、どっかおかしいぜ！！@/ `"Th, this brat, I had a bad feeling about her before, `/ !d700`......and there's something wrong, something's wrong with her!!`@/ ld l,$JES_IkariA2,80 ;　戦人は思わねぇのかよ、源次さんは？！@　熊沢さんは？！@　母さんはどうだよ！！@　真里亞は犯人の正体を知ってて隠してる！@　確かに直接手を下してるわけじゃないかもしれない！@　でも間違いなく犯人の一味だぜ！！@　そうさ、スパイさ！@　私たちと一緒になんかいさせられないぜッ！！」@ ;＜朱志香 ` Don't you think so too, Battler, Genji-san?!`@` Kumasawa-san?!`@` What about you, Mom!!`@` Maria knows who the culprit is and she's hiding it!`@` Maybe she hasn't directly done anything!`@` But she's definitely the criminal's accomplice!!`@` That's right, a spy!`@` We can't let her stay with us any longer!!!"`@ ld r,$MAR_waraiA2,24 ;「………………………きひひひ。」\ ;＜真里亞 `".....................Kihihihi."`\ cl l,24 ld l,$NAT_MajimeA1,23 ;「………真里亞ちゃん。@…不謹慎な話を慎むべき時もあることを知りなさい。@これ以上、混乱に油を注ぐような真似が過ぎれば、伯母さんも本気で怒ります。」@ ;＜夏妃 `".........Maria-chan.`@` ...You must realize that there are some times where indiscreet discussion must be avoided.`@` If you keep adding oil to the fire, even I will get very angry."`@ ld r,$MAR_fukigenA1,80 ;「………………。」\ `".................."`\ ;　夏妃伯母さんが怖い目をして睨む。@ `Natsuhi oba-san glared at Maria with frightening eyes.`@ br ;　…真里亞は、楼座叔母さんのような、賑やかな叱り方には慣れていたが、無言系にはまだ免疫がなかったらしい。@…肩をすくめ口を噤んだ。\ `...Maria was used to Rosa oba-san's loud style of scolding, but she apparently wasn't immune to this kind of silent telling off.`@` She shrugged and kept her mouth shut.`\ bg M1F_P1cN,25 meplay2 2,5,40 ;　荒涼とした空気が満ちる…。@ `A desolate feeling filled the room...`@ ;　誰が何を口に出しても、余計に何かがこじれる気がした。\ `It felt as though things would just get more complicated if anyone spoke.`\ ;　……一体これで、何人が死んだんだ。\ `......How many people have already died?`\ ;　親父たちが６人。@ `Six people in Dad's group.`@ ;　それから絵羽伯母さんたち夫婦２人に、嘉音くん、祖父さま。@ `After that, both Eva oba-san and Hideyoshi oji-san, Kanon-kun, Grandfather...`@ ;　………この島には１８人もいたはずなんだ。…その内の１０人が殺されちまった。@ `.........There were a whole 18 people on this island, ...and 10 of those people have been killed.`@ br ;　半分以上が殺されちまった。@ ;　……そして、残り８人は大丈夫なんて保証は今やまったくない…。\ `More than half of us have been killed.`@ `......And right now, there is absolutely no proof that the remaining eight people will be alright...`\ bg black,22 fede 1,3000 bg M1F_P1bN,26 ld r,$NAT_TukareA1G,24 ;「……とにかく、今は仲違いをしている時ではありません。@……犯人が神出鬼没に屋敷内を出入りしていることが間違いなくなった今、@私たちは明日まで身を守ることだけに専念しなくてはなりません。」@ ;＜夏妃 `"......Anyways, now is not the time for discord.`@` ......Now that we are certain that the culprit can enter and leave the mansion at will and strike out of nowhere,`@` we must give our undivided attention to surviving until tomorrow."`@ ld l,$BUT_komaruA2,23 ;「…夏妃伯母さんに極めて同感だぜ。@……犯人探しは今夜、ゆっくりできるさ。@今はどこで篭城するかを考えた方がいい。」\ ;＜戦人 `"...I agree strongly with Natsuhi oba-san.`@` ......Tonight, we can put off searching for the culprit.`@` Instead, it would be better to think of where we can barricade ourselves in."`\ bg black,23 ;　俺はそう言いながらみんなに時計を示す。@ `As I said this, I pointed out the clock to everyone.`@ bgmplay 14 br ;　もう夜の８時を回っている。@ `It was already 8:00 at night.`@ ;　…朝早くから俺たちは次々とショックを受け続け、身も心も疲れ切っていた。\ `...We had been receiving shocks over and over again since the early morning, and both our bodies and our minds were completely tired out.`\ ;　……明日まではまだまだ長い。@ `......There was still a long, long time until tomorrow.`@ ;　体を休められ、最低限の安心ができる篭城場所を見つけなければならない…。\ `We needed to find some place to barricade ourselves in so we could rest our bodies and get even the smallest amount of relief...`\ bg M1F_P2bN,22 ld r,$NAN_KomaruA3,24 ;「………私も同感ですな…。@私も含め、もうみんな体も心も限界まで打ちのめされています。@今からそれを考えた方が賢明でしょうな…。」@ ;＜南條 `".........I agree...`@` Everyone is already pushing their mental and physical limits, myself included.`@` I believe it would be wise to take that into account..."`@ ld l,$BUT_nayamuA1,80 ;「そういうこった。@………敵はマスターキーに準ずるものを持っている公算が高い。」\ ;＜戦人 `"That's right.`@` .........There's a high probability that the enemy has the equivalent of a master key."`\ bg M1F_P1bN,23 ld r,$GEO_MajimeA1,24 ;「…紗音や嘉音くん、郷田さんはマスターキーを持ってましたか？」@ ;＜譲治 `"...Were Shannon, Kanon-kun and Gohda-san holding master keys?"`@ ld l,$GEN_KomaruA1,23 ;「………はい。@勤務時間中だったなら身につけていたはずです。」@ ;＜源次 `".........Yes.`@` They were supposed to have them on their person during work."`@ ld c,$BUT_oyaA1,24 ;「…現場をいじらない方がいいってんでそこまでは調べなかったろうが、誰かの鍵が奪われている可能性は否定できねぇな。」\ ;＜戦人 `"...We didn't want to disturb the scene, so we didn't investigate that closely.`@` We can't eliminate the possibility that someone stole a key from them."`\ bg Ment_1bN,0 ld r,$NAT_majimeA1G,24 ;「………そもそも犯人は、薔薇庭園倉庫のシャッターを開けるために、一度使用人室を訪れている可能性があります。@そこでマスターキーをすでに入手していると考えて間違いないでしょう。」\ ;夏妃 `".........We know there's a chance that the culprit visited the servant room at some point in time so that they could unlock the shutter to the rose garden shed.`@` It's conceivable they obtained a master key from there earlier on."`\ bg black,25 ;　右代宮家は使用人の人数も少なくはない。@ ;　そのため、マスターキーは複数本あった。@ `There were many servants serving the Ushiromiya family.`@ `Because of that, there were several master keys.`@ br ;　また、勤務が交代する度に、それらを使用人の間でやり取りしていたため、@その辺りの管理が若干ずさんであったことを認めなければならなかった。\ `Furthermore, every time the shifts changed, the keys were passed between servants,`@` and we had to acknowledge that this had probably gotten a bit sloppy at times in the past.`\ bg M1F_P2bN,0 ld l,$BUT_majimeA1,24 ;「仮に、殺された使用人の誰かのポケットから鍵束を拝借したとして、@その鍵でも開けられない安全な場所はあるのか…？」@ ;＜戦人 `"Even if they borrowed a bundle of keys from the pockets of one of the murdered servants,`@` is there any safe place that even those keys couldn't open...?"`@ ld r,$KUM_MajimeA1,24 ;「………私たちはお仕事の都合上、全てのお部屋の鍵を預かっております…。@お屋敷もゲストハウスも全てです…。」\ ;＜熊沢 `".........Because of the conditions of our jobs, we have been entrusted with keys to all of the rooms...`@` All of them in the mansion and in the guesthouse..."`\ ld c,$JES_IkariA1,24 ;「つまり、……私たちはどこへ立て篭もって鍵を掛けようと、意味がないってわけだ。@…上等だぜ、鍵なんかいるもんか、来るなら来やがれってんだ！@　返り討ちにしてやるぜ！！」\ ;＜朱志香 `"So in other words, ......no matter where we hole up and lock ourselves in, it'd just be pointless.`@` ...Sounds great, like you'll even need a key! If you're gonna come, come on, dammit!`@` I'll beat you at your own game!!"`\ bg M1F_P1bN,0 ld r,$GEO_MajimeA1,23 ;「………敵は正面から来ないよ。@最初の６人はともかく、母さんたちや嘉音くん、@…そしてお祖父さまの例を見る限り、敵は孤立した人間だけを狙ってる。@一部屋に固まっている僕たちのところへ堂々と乗り込んでこられるほどの力はないんだよ。」\ ;＜譲治 `".........The enemy won't approach us from the front.`@` I don't know about the first six, but if we look at what happened to my parents and Kanon-kun,`@` ...and even Grandfather, the enemy has only gone after isolated people.`@` They don't have the power to assault all of us openly in a secure room."`\ ld l,$BUT_MajimeA1,23 ;「そうだな。@兄貴の言う通りだ。@/ `"That's right.`@` It's just like Aniki says. `@/ ld l,$BUT_komaruA2,80 ;……ひょっとすると、伯母さんのライフル銃が抑止効果として成立してるのかもしれないぜ。」@ ;＜戦人 `......Maybe Oba-san's rifle can serve to stave off the enemy."`@ cl r,23 ld r,$NAT_defA1G,24 ;「…………なら、良いのですが。」\ ;＜夏妃 `"............I hope that is so, but..."`\ bg Ment_1bN,0 ld r,$MAR_NiyariA1,24 ;「…………………………。」@ ;＜真里亞 `"....................."`@ ld l,$BUT_NayamuA2,24 ;「真里亞、言いたいことがあるんだろうが、そいつは飲み込んで、しばらく黙ってろ。」@ `"Maria, I know you want to say something, but keep it to yourself and stay quiet for a while."`@ ld r,$MAR_fukigenA1,80 ;「…うー。」@ `"...Uu-."`@ ;　どうせ真里亞は、魔女は銃など恐れないとか言いたかったのだろう。@ `Maria probably wanted to say that witches weren't afraid of things like guns, or something like that.`@ br ;　だがそれを口にすればまた雰囲気は険悪になる。@それを察し、先に釘を打っておく…。\ `But if she were to say it out loud, the atmosphere around here would start to get pretty edgy.`@` I had noticed and decided to put a stop to it...`\ bg M1F_P1dN,23 ld l,$GEN_DefA1,23 ;「……………よろしいでしょうか。@一箇所だけ、使用人の鍵束でも入れない場所が。」@ ;＜源次 `"............Would you mind?`@` I know of only one place that can't be entered even with the servants' keys."`@ ld r,$NAT_odorokiA1G,24 ;「それはどこです？」\ ;＜夏妃 `"Where is that?"`\ ld l,$GEN_komaruA1,80 ;「……はい。@/ `"......Very well.`@/ meplay2 3,16,40 ;お館様の書斎です。」\ ` The Master's study."`\ cl r,23 ld r,$JES_OdorokiA1,24 ;「わ、…私は反対だぜ！！@　祖父さまの気持ち悪い部屋になんか入りたくない！」@ ;＜朱志香 `"I, I'm against this!!`@` I don't even wanna think about going in Grandfather's creepy room!"`@ ld c,$GEO_MajimeA1k,23 ;「あの部屋に入れる鍵は何本あるんですか。」\ ;＜譲治 `"How many keys can gain access that room?"`\ ld l,$GEN_MajimeA1,80 ;「……２本です。@１本は常に私が。@もう１本はお館様がお持ちでしたが、先ほど、ボイラー室の遺体からこれを。」\ ;＜譲治 `"......There are two.`@` I always have one of them.`@` The other was held by the Master himself, but just now, from the corpse in the boiler room..."`\ bg black,22 se1 31 ;　源次さんが、懐からハンカチを取り出して開くと、焦げて汚れた書斎の鍵を見せる。@ ;　そして、一度夏妃伯母さんに貸した自分の鍵を並べて見せる。\ `Genji-san took a handkerchief out of his pocket and opened it, showing us the burnt and filthy key to the study.`@ `Then, he showed it alongside his own key, which he had once lent to Natsuhi.`\ ;「…本来なら、警察のために鍵も残すべきだったのですが、@……お館様より書斎の留守は必ず守るようにと仰せ付けられておりましたもので、私がお預かりさせていただいておりました。」\ ;＜源次 `"...Normally, I should have left the Master's key for the police, `@`......but because he ordered me to protect the safety of the study, I borrowed it for the time being."`\ bg M1F_P2bN,0 ld r,$NAN_MajimeA1,24 ;「………なるほど…。@ということは、金蔵さんの書斎は唯一の安全地帯というわけですな…。」@ ;＜南條 `".........I see...`@` Which means that Kinzo's study is the only safe location right now..."`@ ld l,$NAT_HisuA1G,23 ;「…そういうことになりますね。@……あの怪しげな臭いの部屋に一晩も立て篭もるなど、考えたくもありませんが、@あの部屋が一番安全であることを今は認めなければならないようです。」\ ;＜夏妃 `"...It would appear that way.`@` ......I don't even want to think about being shut up in that strange room all night,`@` but it appears we must accept that his room is safer than anywhere else right now."`\ cl r,23 ld r,$BUT_KomaruA2,24 ;「……………その安全な部屋に閉じ篭ってた祖父さまを、犯人は連れ出して殺してる。@…絶対安全とは言い切れねぇけどな。」@ ;＜戦人 `"............After Grandfather locked himself up in that safe room, the culprit brought him out and killed him.`@` ...We can't say for certain whether it's truly safe."`@ cl l,24 ld l,$GEO_majimeA1,23 ;「戦人くんの説の、お祖父さまがうまくレシートをやり過ごして自分の意思で部屋を出た、@…と考えるなら、篭城の価値はあるかもしれない…。」\ `"According to your theory, Grandfather skillfully let Natsuhi oba-san and Mother walk right past him, which removed the receipt, and then left the room of his own free will.`@` ...If you think about it that way, it still might have some worth as a place to barricade ourselves in..."`\ ld r,$BUT_nayamuA2,80 ;「……楽観的過ぎだぜ、兄貴。」\ ;＜戦人 `"......You're too optimistic, Aniki."`\ bg black,25 ;　しかし、……同時に面白い話でもあると思った。@ `However, ......at the same time, I thought he brought up a pretty interesting point.`@ br ;　なぜなら、これは封印の扉を如何にして開けたのかを敵に、魔女自らに問い質せるからだ。\ `After all, this gives us a chance to question the enemy, the witch herself, about how the sealed door had been opened.`\ bg black,22 bg M_door1,22 ;　犯人が何らかの方法で祖父さまを書斎からさらったと仮定したなら。@ ;　書斎に篭った俺たちを襲うために、祖父さまを連れ出した時と同じトリックを再び披露しなければならない。@ `If we assume that the culprit used some technique to kidnap Grandfather from his study...`@ `They would have to show us the same trick again if they wanted to assault us in the study.`@ br ;　……それを目の前で証明させるチャンスでもある。\ `......That would also give us a chance to make the culprit show us some proof right before our eyes.`\ bg black,22 bg portrait2,26 ;　本当に魔女だというなら、俺たちの眼前で、開けゴマと唱えて魔法で開けるところを見せてみろというのだ。@……しかし、それは不可能だろう。@ `If they're a real witch, we would be forcing her to use her little magic trick to open the door right in front of us.`@` ......But such a thing is probably impossible.`@ br ;　チェス盤をひっくり返して考える限り、犯人は自分を魔女だと思わせようと振舞っていることは明白だ。\ `If you turn the chessboard over, you realize that the culprit is obviously trying to act like they're a witch.`\ ;　……本当に魔女なら、俺たちの目の前に現れて、グゥの音も出ないほどにカラフルな魔法を披露すればいい。@ `......If that's true, all they have to do is appear in front of us and wow us with a colorful display of magic.`@ br ;　…しかしそれを避けている以上、そうだと思わせたいニセ魔女の仕業ということになる。\ `...Since they've avoided doing that, everything must be the work of a fake witch who wants us to think otherwise.`\ bg black,22 br ;　……だからこそ、(魔法以外の方法で密室を/・・・・・・・・・・・) ;(破った犯人には、俺たちの眼前で再び書斎の扉を/・・・・・・・・・・・・・・・・・・・・・・) ;br ;(開けられない/・・・・・・)。\ `......Therefore, `(`a culprit who used`/・・・・・・・・・) br (`a technique other than magic to defeat`/・・・・・・・・・・・・・・・・) br (`the closed room couldn't open the door`/・・・・・・・・・・・・・・・・) br (`before our eyes`/・・・・・・・)`.`\ bg M1F_P1dN,26 ld r,$BUT_majimeA1,24 E_M3 ;「……祖父さんの部屋ってのは８人で押しかけても大丈夫なくらいの広さなんすか？」@ ;＜戦人 `"......Is Grandfather's room big enough to stuff eight people in?"`@ ld l,$GEN_defA1,23 ;「………はい。@ベッドにソファー、毛布類もありますので、贅沢を言わなければ充分に夜を越すことができます。@流しにご不浄、冷蔵庫に酒棚もあります。」\ ;＜源次 `".........Yes.`@` There is a bed, a sofa and blankets, so while it is not luxurious, it will be more than enough to spend the night.`@` There is also a sink, a bathroom, a refrigerator and a liquor cabinet."`\ ld r,$BUT_WaraiA1,80 ;「ひゅぅ。@そいつはすげぇぜ。@…しかしおかしなもんだな。@自分の家の中に、さらに自分の家を作ったってのか？@　島を丸ごと買って自分の夢を全て実現しきった祖父さまの最後の家にしちゃ、ずいぶん手狭なんだな。」\ ;＜戦人 `"Whoa.`@` That's incredible.`@` ...But isn't that weird?`@` You're saying he built another house inside his house?`@` That's pretty cramped for that last house of someone like our Grandfather, who bought a whole island and realized all of his dreams."`\ cl l,24 ld l,$NAT_zutuuA1,23 ;「……………………。@そうですね。@……いつの頃からか、お父様にとっては、屋敷内ですら、心を許せる場所ではなくなってしまったのでしょう。」\ ;＜夏妃 `"...............`@`That's right.`@` ......After some point in time, Father wouldn't trust any other place even inside the mansion."`\ bg M1F_P2bN,24 ld r,$JES_NayamuA1,24 ;「………そこに引き篭もっていたのを私たちは嘲笑い、そして今度は私たちがそこに立て篭もろうってわけだ。@…は！」@ `".........We always sneered about how he shut himself up in there, and this time, we're the ones who are gonna shut ourselves up.`@` ...Ha!"`@ ;　朱志香は吐き捨てるように言う。\ ;＜朱志香 `Jessica spat the words out.`\ ld l,$GEO_MajimeA3,23 ;「朱志香ちゃんは…、立て篭もるより、犯人を捜しに行きたいという感じだね。」\ ;＜譲治 `"Jessica-chan, it feels like you would rather go search for the culprit than stay shut up somewhere."`\ ld r,$JES_KomaruA1,80 ;「…もちろん、こっちから捜しに行って見つけられるなんて思っちゃいないぜ。@…結局は待つしかない。@な/ `"...Of course, I don't think we'll be able to find them if we just start searching now.`@` ...In the end, we can't do anything but wait.`@` Th`/ ld r,$JES_IkariA1,80 ;らどこで待ったって同じだろ？！@　逃げも隠れもしない。@客間でテレビでも見ながら、のんびり現れるのをまとうじゃねぇかよ、ベアトリーチェさまをよぉ！」\ ;＜朱志香 `en it doesn't matter where we wait, does it?!`@` We can't run away or hide.`@` Why don't we just take it easy in the parlor, watching TV or something and waiting for Beatrice-sama to appear?!"`\ bg M1F_P1dN,23 ld r,$NAT_HisuA1G,24 ;「……現れなければ現れないで充分です。@犯人を暴くのは私たちである必要がないからです。」@ ;＜夏妃 `"......It's alright if she doesn't appear.`@` There is no need for us to expose the culprit."`@ ld l,$NAN_fumuA1,23 ;「正論ですな……。@警察が来るまで、危険を冒すべきではありません。」\ ;＜南條 `"Well said......`@` We shouldn't take too many risks before the police get here."`\ ld r,$NAT_defA1G,80 ;「ありがとう、南條先生。@………私はお父様の書斎に移るべきだと思います。@…確かに、お父様が連れ出された可能性があり、絶対の安全が保証されているわけではない。@/ `"Thank you, Doctor Nanjo.`@` .........I think we should move to Father's study.`@` ...Considering the possibility that Father was taken out of there, there's no proof that it is completely safe. `@/ ld r,$NAT_zutuuA1G,80 ;……しかし、戦人くんの推理の、@お父様が何らかの方法で自ら書斎を出て、外で襲われた可能性も否定できません。」\ ;＜夏妃 `......However, I can't deny the other possibility...`@` Perhaps, as Battler-kun reasoned, Grandfather left the study of his own accord and was attacked outside."`\ bg black,22 bg MAP03,22 ;　…あの時は、とりあえずそういう珍説を唱えた。@ `...A while back, I proposed that strange theory.`@ ;　しかし、絵羽伯母さんが反論した通り、トリックとしては成立しても、@なぜ祖父さまがそんな面倒をしてまでこっそり書斎を抜け出したのかという動機は、まるで説明できない。\ `However, just as Eva oba-san had said, even though that trick would work,`@` I can't explain what motive could have made Grandfather do something so awkward and then sneak out of his own study.`\ ;　そして、ベッドの下に隠れてやり過ごし、レシートがなくなってから脱出するというトリックも、@祖父さまが“扉にレシートが挟まれていることを知って”いなくては使えない。\ `And Grandfather couldn't have used that trick unless he had 'known that the receipt was wedged in the door'.`\ bg black,22 mono 1 bg M1F_S1cR,0 ld r,$EVA_ikariA2,22 ;　絵羽伯母さんはそこまでを指摘はしなかったが、@……荒唐無稽な珍説であったことは明らかだ。@ `Eva oba-san hadn't pointed out that last part, `@`......but it's clear how absurd the theory was.`@ ;　ならやはり、絵羽伯母さんが主張していたように、扉は封印され密室だったのか。@ ;　犯人は夏妃伯母さんで、部屋が密室であったことは疑いようもない事実…？\ `Then does that mean, as Eva oba-san claimed, that the door was sealed and the room was closed?`@ `Is it a doubtless fact that Natsuhi oba-san was the culprit, and that the room was a closed room...?`\ ;　…………今この場に伯母さんがいてくれたなら、堂々とそう主張して俺の珍説を吹き飛ばしてくれただろう。\ `.........If Oba-san were here now, she would probably make that claim openly and blow my strange theory away.`\ bg black,22 mono 0 bg M1F_P1bN,22 ;　…だがとにかく。@ `...But anyways.`@ ;　寝床とトイレを同時に持ち、８人全員が立て篭もれる部屋で、@…その部屋を開けるたった２本しかない鍵がここに揃っている以上、現在のこの屋敷の中でもっとも安全な場所であると言わざるを得ない…。@ `I had to admit that a room with both a bed and a toilet, that all eight people could be shut up in, `@`...and with only two keys, both of which were gathered here, had to be the safest place in the mansion right now...`@ br ;　少なくとも、相変わらず客間に篭るので問題ないだろうと言うよりはマシに思えた。\ `At the very least, I figured this would be better than just staying shut up in the parlor and hoping nothing would go wrong.`\ ;　いや、……客間だったからこそ、俺たちは無事だったのか？@ ;　そこを出て、未知の場所へ移動するのはかえって危険じゃないのか…？\ `But wait, ......have we been safe only because we've been shut up in the parlor?`@ `What if leaving that room and moving to an unexplored location is actually more dangerous...?`\ bg black,22 meplay2 3,17,40 ;　…あぁ、駄目だ駄目だ全然駄目だ…。@ `...Aah, it's useless, it's useless, it's all useless...`@ ;　………俺の安っぽい頭もそろそろ熱で焼け付いてきた頃だ。@ ;　…チェス盤をひっくり返し続けると、真と逆が延々といつまでも入れ替わり続けて、何も信じられなくなる…。\ `.........My flimsy head is about to break out in a fever.`@ `...If I keep turning the chessboard over, right and wrong will keep switching with each other over and over, and I won't be able to believe anything...`\ ;　１８人の中に犯人がいそうになるとベアトリーチェを信じたくなり、@ベアトリーチェを信じそうになると１８人の中に犯人を見つけたくなる。@ `When it seems like the culprit is one of the 18, I want to believe in Beatrice,`@` and once I start believing in Beatrice, I start wanting to find the culprit amid the 18.`@ ;　…それらが延々とぐるぐる回り続け、結局俺は、思考的に一歩も元の場所から踏み出していないのではないか…。\ `...If that keeps spinning around forever, in the end, my thoughts won't have taken one step from where they started...`\ fede 1,3000 ;　……俺がチェス盤思考を霧江さんから教えてもらったのはいつの昔だったっけ…。\ `......How far back in the past was it that Kyrie-san taught me this chessboard way of thinking...?`\ ;　状況をひっくり返し、敵側の思考から状況を探るというコンセプトが面白くて、@当時の俺は面白がり、全ての思考にこの考えを採用していた気がする。@ `That concept of examining the situation by turning it over and thinking from the enemy's side...`@`I get the feeling that I was so interested in this way of thinking at the time, that I let it guide the way I thought about everything.`@ br ;　……ちなみに当時の霧江さんは親父の同僚。@ ;　…まさか家族に加わる日が来るとは夢にも思わなかった…。\ `......By the way, Kyrie-san was Dad's coworker back then.`@ `...I hadn't dreamed that the day would come when she would be added to our family...`\ fede 0,2000 bgmplay 34 ;　…霧江さん、/ ;!d800……言ってなかったっけ。@ `...Didn't Kyrie-san, `/ !d800`......tell me something?`@ br ;　チェス盤思考はひとつの考え方ではあっても、決して万能ではなく、@むしろ拘り過ぎるとかえって良くないと言っていた気がする…。\ `I get the feeling she once said that, while this chessboard thinking was one way to look at things, it clearly wasn't all powerful,`@` and it wouldn't be good to rely on it too much...`\ mono 1 bg M1F_S2a,0 ld c,$KIR_WaraiA2,22 ;「チェス盤思考ってのはね。@昔、本で読んだゲーム理論というものを私なりに解釈したものよ。@とても面白い学問だから、戦人くんも大学に入ったら挑戦してみるといいわよ。」\ ;＜霧江 `"There's this thing called chessboard thinking.`@` It's my interpretation of something called game theory, which I read about in a book.`@` It's a very interesting subject, and you should also tackle it when you get into college, Battler-kun."`\ ;「ぜひやってみたいっす！@　それを勉強してチェス盤思考をもっと鍛えたら、どんな相手の手の内も読めるみたいで楽しいじゃないっすか。」\ `"I really wanna try it!`@` If I could study and perfect my chessboard thinking, it'd be fun to be able to read into any opponent's moves, wouldn't it?"`\ ld c,$KIR_KomaruA1,80 ;「でもね、妄信しちゃ駄目よ。@ゲーム理論は非常に奥深く複雑な学問なの。@チェス盤思考はその上辺だけを私なりに解釈した考え方に過ぎない。@……戦人くんが想像するほどに、相手の手の内を読みきるには、相当の勉強が必要よ。@しかも、チェス盤理論は応用の利く便利なものではあっても完璧ではない。@便利ではあっても弱点が多い。」\ `"But you can't believe in it blindly.`@` Game theory is a very deep and complicated subject.`@` Chessboard thinking is just my interpretation that skims the surface of game theory.`@` ......In order to thoroughly read your opponent's moves like you are imagining, you need to study your opponent.`@` Additionally, while chessboard theory is convenient and practical, it isn't perfect.`@` It has many weak points despite its convenience."`\ ;「……弱点？」\ `"......Weak points?"`\ ld c,$KIR_WaraiA1,80 ;「えぇ。@…チェス盤思考の基礎はゲーム理論。@ゲーム理論は突き詰めると数学に行き着くの。@数学の弱点は何か知ってる？@　………ノイズよ。」\ `"Yes.`@` ...Chessboard thinking is founded upon game theory.`@` When you thoroughly investigate game theory, it boils down to math.`@` Do you know what the weak point of math is?`@` .........It's noise."`\ bg black,22 ;　１＋１＝２と数学で書いたら、@この式は何億年経とうと１＋１＝２で、それ以上にも以下にもならない。@ `In math, when you write 1+1=2,`@` that process will always result in 1+1=2 no matter how many billions of years pass...nothing more, nothing less.`@ br ;　ノイズが一切混じらないからだ。\ `That's because there's absolutely no noise mixed in.`\ ;　だが、例えば、@……数学ではなく、国語だとノイズが混じる。@ `But, for example,`@` ...unlike math, the Japanese language has noise mixed in.`@ br ;　例えば漢字がいい例だ。@ ;　古い漢字と新しい漢字で微妙に違うように、@時代の変化によってノイズが混じり変化が起こっていることを示している。@ `Kanji are a good example.`@ `Old kanji and new kanji are slightly different,`@` which represents an introduction of noise created by the changes between time periods.`@ br ;　歴史もそうじゃないか。@ ;　…現代から見て愚行と思える政策も、その当時にあっては意味のあるものだったことは少なくない。\ `Isn't history the same?`@ `...There are dozens of policies that seem foolish in the modern era, but were meaningful at some point in the past.`\ bg chess1,22 ;　チェスのルールは一定だからこそ、ある盤面について達人同士が議論したなら、@百年前の人だろうと百年後の人だろうと、同じ見解に達することがありえる。@ `Because the rules of chess are fixed, when a pair of experts are discussing one particular layout,`@` it's possible that they could reach the same conclusion whether they're from one hundred years in the past or one hundred years in the future.`@ br ;　…しかし、チェスのルールが時代の変化に伴って大胆に改定されたなら、@同じ盤面についての議論が、時代の変化によって変わってしまうことはありえるのだ。\ `...However, if the rules of chess had gone through massive changes over time,`@` it is possible that a discussion about the same layout would have changed as well.`\ bg M1F_S2a,0 ld c,$KIR_futekiA1,22 ;「その通り。@人の世の事象は本来ノイズだらけなのよ。@人の感情だってそうでしょう？@　まったく同じことが起こったからといって、人は必ず決められた反応を示すとは限らない。@/ `"That's right.`@` Events in the world of humans are naturally full of noise.`@` Aren't human emotions that way?`@` Even if the exact same thing occurs more than once, there's no guarantee that humans will always act in a predictable fashion. `@/ ld c,$KIR_NayamuA1,80 ;……それを数学の理論で当てはめ、相手の行動を読もうとする時点で、@すでに理論には弱点と限界があることを知らなければならない。@……手っ取り早く言うと、チェス盤思考は、ノイズや気まぐれ、そして誤解、認識ミスに非常に弱いの。」\ `......If we apply the theory of math to them, then even when we try to read an opponent's action,`@` we must realize that there are already some limits and weak points to our theory.`@` ......To put it quick and easy, chessboard thinking is extremely weak against noise and fickleness, and even mistakes or incorrect knowledge."`\ bg black,22 mono 0 ;　…そうだ。@ ;　確かに霧江さんはそう言っていた…。\ `...That's right.`@ `...Kyrie-san definitely said that...`\ bg chess1,22 ;　そもそもチェスというゲームは、双方が同じルールで戦い、@勝利という同じ目標で戦うからこそ、双方の手の内を読みあえるのだ。@ `Chess has always been a game were both sides play by the same rules and fight with the same conditions for victory.`@` This is why it is possible for both sides to predict the other's moves.`@ br ;　………常に相手が最善手でゲームを進めていると仮定できるから読みあえるのだ。\ `.........It's possible to read an opponent because you can always suppose that they will advance with the best moves they can find.`\ bg black,1 ;　……だがもし。@相手がちょっとした疲れや気まぐれで、最善とは言い難い一手を指したなら？@ `......But what if...`@`the opponent is fickle or a little tired, and makes a move that can hardly be called 'the best'?`@ br ;　あるいは、…実はこのゲームには特別なルールがあって、@敵だけが知り、行使できる未知の何かがあったら？@ `Or maybe, ...what if the game actually has special rules,`@` only the enemy knows them, and they can make use of something unknown to you?`@ meplay2 1,17,40 br ;　いや、そもそも、実は相手には勝利以外の隠された目的があったら？\ `In fact, what if the opponent actually has some goal other than victory?`\ ;　敵の立場に立っての思考。@ ;　これこそがチェス盤思考の基本。@ `Think from your enemy's perspective.`@ `That is the basis of chessboard thinking.`@ br ;　…ということはつまり、@……自分が敵を見誤っていたら、そこから導き出される答えは全てデタラメであり、何の役にも立たないことになってしまう…。\ `...Which means that,`@` ......if you misread your enemy, the answer that you draw from that process will be complete rubbish, useless...`\ ;　俺はチェス盤思考で、事件の裏に潜む何者かの輪郭を、何度か捉えたような気でいる。@ `Many times, I've thought that by using chessboard thinking, I could perceive the plans of the person hiding behind this case.`@ br ;　しかし、俺は犯人のことを何もわかっていない。@ ;　……全ては思考の迷路遊びでしかないのか。\ `However, I don't know anything about the culprit.`@ `......Am I just playing in a labyrinth of thought?`\ fede 10,2000 ;　………こんな時、霧江さんがいてくれたなら……、@もっともっと研ぎ澄まされた思考で何かに気付いてくれるだろうに……。\ `.........If Kyrie-san were here at a time like this......, `@`she'd probably be able to notice something with her much, much sharper thinking ability......`\ meplay2 1,13,0 cross1 4000,40,40,40,40,40 bg M1F_P1cN,2 ;　……朱志香は最後まで祖父さまの書斎に移動することを嫌がった。@ ;　だが、結局は夏妃伯母さんが無理やり押し通して移動することになった。\ `......Jessica hated the thought of moving into Grandfather's study until the very last moment.`@ `But in the end, Natsuhi oba-san persisted and we decided to move there.`\ ;　もう、みんなすっかり疑心暗鬼に陥ってしまっていた。\ `Everyone was already trapped by paranoia.`\ ;　…熊沢さんが、夕食を一度は用意したのだが、絵羽伯母さんたちの一件で一度、厨房と客間を無人にしてしまっている。@ `...Kumasawa-san had prepared dinner at one point, but after the case involving George-aniki's parents, the kitchen and the parlor had become devoid of people.`@ br ;　その際に毒を盛られたかもしれないと誰かが言い出した。@ `Someone had said that it might have been death by poison.`@ ;　…そのため、俺たちは熊沢さんが腕を振るってくれた夕食に手を付けることができなくなったのだった。\ `...Because of that, we were unable to even touch the food that Kumasawa-san had taken the trouble to make for us.`\ bg black,22 mono 2 bg Mdin_1fN,22 ;　………親父たち６人を殺した方法は未だ不明だが、毒殺の可能性もあった。@ `.........The manner in which the first six had been killed was still unknown, but there was a possibility that it was poison.`@ br ;　…確かにこれなら、大の大人６人の殺害を、例え犯人が１人であったとしても実行できる。@ `...Of course, if this were the case, even a single person would be able to carry out the murder of six large adults.`@ br ;　…しかもこの想像は、犯人が単独で且つ、夏妃伯母さんのライフル銃を恐れていることを想像させ、自分たちの精神安定上とても良かった。\ `...Furthermore, this idea made it seem like there was only a single culprit, who was afraid of Natsuhi oba-san's rifle, `@`and this was very good for our emotional stability.`\ bg black,22 mono 0 ;　しかし、疲労と空腹は想像する以上に辛いものだった。@ `But the fatigue and hunger were even harsher than we had imagined.`@ br ;　……そこで熊沢さんの提案で、みんなで一緒に厨房へ行き、@缶詰などの毒物混入を疑い難いものを集めて持ち込もうということになった。\ `......Then, we all went along with Kumasawa-san's proposal to go together to the kitchen,`@` and gathered some canned food, which would be hard to poison, to take in with us.`\ bg black,22 bg Mkit_1cN,24 ;　このような殺伐とした一日を、せめて夕食でだけはねぎらいたいという熊沢さんの努力は、このような気の毒な形で水泡に帰す…。@ `All of Kumasawa-san's efforts to reward us with just a little dinner on this savage day regrettably came to nothing...`@ br ;　配膳台車に積み込まれた食事が少しだけ悲しかった。\ `The food piled up on the serving cart looked just a little sad.`\ textoff bg black,2 bg M1F_P1bN,24 wait 2000 bg black,24 bg Mhal_2bN,24 ;　みんなで階段を上がっていく。@ ;　先頭は夏妃伯母さんで、用心深く暗がりを両眼と銃口で睨み付けた。\ `We all started climbing the stairs.`@ `Natsuhi oba-san, who was in the lead, warily stared into the darkness with both eyes and the barrel of the gun.`\ bg black,24 bg M2F_P1cN,24 ;　３階に辿り着くと、事前に夏妃伯母さんに脅されていた通り、@薬品系の臭いと甘ったるい臭いの入り混じった、脳を蝕むような臭いが漂ってくるのを感じた。\ `Once we'd dragged ourselves up to the third floor, just as Natsuhi oba-san had warned us of beforehand...`@`there was a mixture of a chemical smell and a sickly-sweet aroma, a stench hanging in the air that felt like it was eating into our heads.`\ ld r,$BUT_NayamuA2,24 ;「……なるほど、こりゃ一晩も篭ったら頭痛にでもなりそうな臭いだな。@…今さらながら、祖父さまの書斎に反対した朱志香に賛成だぜ。」\ ;＜戦人 `"......I see, this kind of stench probably would give you a headache if you were shut in with it for a whole night.`@` ...I know it's a little late, but I'm with Jessica. I vote against going into Grandfather's study."`\ bg M_door1,24 ;　その臭いは、この一際立派な扉から漏れ出てくるように感じる。@ `It felt like the stench was floating out from this magnificent door.`@ br ;　……これが、来る者をみんな拒んだという開かずの書斎の扉か…。\ `......It was the door to the forbidden study, which should defend against any who would enter...`\ ;　源次さんが鍵を開けるまでの間、真里亞はその扉やドアノブを興味深そうにじっと見ていた。\ `While Genji-san was unlocking the door, Maria was staring at the door and the doorknob with great interest.`\ ld r,$MAR_defA1,24 ;「………うー。@…すごいドア。」@ `".........Uu-.`@` ...Incredible door."`@ ld l,$BUT_WaraiA2,23 ;「古く厳めしくて冗談の通じなさそうな、如何にも祖父さまの書斎に相応しい扉だよな。」\ ;＜戦人 `"It looks old and strict and like it'd stop any jokes cold. Sure is a fitting door for Grandfather's study."`\ ld r,$MAR_MajimeA1,80 ;「……霊的な悪意を退ける力がとても強く込められている。@………多分、ベアトリーチェはこの扉を開けられないね。」@ `"......It contains a really strong power to ward off any spiritual menace.`@` .........Beatrice probably couldn't open this door."`@ ld l,$BUT_oyaA1,80 ;「ほぅ…？@　そりゃどういうことだよ。」\ `"Oh...?`@` What does that mean?"`\ bg M_door2,22 ;　真里亞がドアノブを指差す。@ `Maria pointed at the doorknob.`@ br ;　………そこには、サソリの紋章…、@…いや、サソリをあしらった魔法陣のような意匠が刻まれていた。\ `......A scorpion crest..., `@`...no, a design like a magic circle arranged around a scorpion, was inscribed there.`\ textoff fede 0,1000 se1 22 bg magicsquare_mars5,2 ;　…このデザインは、……そうだ。@ ;　俺と朱志香が昨日、真里亞にもらったあのキーホルダーのお守りにそっくりじゃないか…。\ `...That design, ......that's right.`@ `Isn't that just like those keyholder charms that Maria gave Jessica and me yesterday...?`\ bg M_door1,0 ld r,$MAR_AkuwaraiA1,22 bgmplay 26 ;「………火星の５の魔法陣は強力な魔除け。@しかもこの魔法陣は相当、丹念に作られていて、力がよく満ちている。@…………魔の者であるベアトリーチェにとって、この魔法陣はとても厄介だろうね。」@ `".........The fifth magic circle of Mars is a strong magic repellent.`@` Additionally, this magic circle was very diligently constructed, and is full of power.`@` ............To beings of magic like Beatrice, this magic circle is quite troublesome."`@ ld l,$BUT_NayamuA2,23 ;「それは心強いじゃねぇか。@この部屋ならベアトリーチェの魔手から逃れられるってことだろ？@　うちの小魔女さまは実に頼もしいぜ。」\ ;＜戦人 `"Isn't that comforting.`@` Are you saying that we can even escape the grip of Beatrice's evil hand in this room?`@` Our little witch here sure is reliable."`\ bg M2F_P1cN,0 ld r,$GEO_MajimeA1,23 ;「……なら、ベアトリーチェはどうやって中のお祖父さまを…？」@ ;＜譲治 `"......Then how did Beatrice take Grandfather out...?"`@ ld l,$MAR_fukigenA1,23 ;「…………戦人が推理した通りだよ。@…ベアトリーチェは中に入れない。@でも、彼女には魔法があるし、使い魔だっている。@それらを使って、お祖父さまが自分から書斎を出てくるように仕向けることはできるかも。」\ ;＜真里亞 `"............Just as Battler reasoned.`@` ...Beatrice can't go inside.`@` But since she has magic, she can create a familiar.`@` Using them, she might have been able to force Grandfather to leave the study."`\ cl r,23 ld r,$BUT_WaraiA2,24 ;「あー、漫画で読んだな。@吸血鬼は十字架が怖くて近付けねぇけど、@使い魔たちはへっちゃらなんで、使い魔に襲わせるみたいなシーンを読んだことがあるぜ。」\ ;＜戦人 `"Aa-, I read that in a manga.`@` I've seen a bunch of scenes where vampires were frightened of crosses, so they couldn't get close,`@` but their familiars were fine, so they made their familiars attack."`\ ld l,$MAR_defA1,80 ;「戦人たちに昨日あげた、サソリのキーホルダーのようなお守りも、この火星の５の魔法陣だよ。@込められている力は微々たるものだけど、この島を出るまでの間を守ってくれるだけなら充分だった。@/ `"Those scorpion keyholder-like charms I gave to you yesterday also had the fifth magic circle of Mars on them.`@` The power dwelling within them was weak, but they should be enough to protect you until we leave the island. `@/ ld l,$MAR_AkuwaraiA2,80 ;………なくしちゃったそうだけどね？@　きひひひひひひひひひひ…。」\ `.........Although it sounds like you've lost yours, right?`@` Kihihihihihihihihihihihi..."`\ bg M_door1,0 ld r,$NAT_MajimeA1G,24 ;「……サソリのキーホルダーのお守り？」\ ;＜夏妃 `"......Scorpion keyholder charms?"`\ ld l,$JES_TohohoA2,23 ;「あ、……あぁ、その…。@昨日、私が母さんに渡したお守りは、真里亞にもらったものだったんだよ。@ドアノブに掛けると魔除けになるとか言われて、…私より母さんの方がいいかなって、あの時は思って…。」@ ;＜朱志香 `"Ah, ......aaah, that...`@` The charm I gave you yesterday was something I got from Maria.`@` I heard that it would repel magic if you put it on your doorknob, ...and at the time I thought maybe it would be better if you had it...."`@ ld r,$NAT_zutuuA1G,80 ;「……そうでしたか。@…朱志香にしては変わった物を持っていると思っていました。」\ ;＜夏妃 `"......Is that so?`@` ...I thought it was an odd thing for you to be carrying around."`\ cl l,24 ld l,$MAR_defA1,23 ;「…………夏妃伯母さんがあれを…？@　ドアノブに？」@ ;＜真里亞 `"............Natsuhi oba-san put that...`@`on her doorknob?"`@ ld r,$NAT_DefA1G,80 ;「えぇ。@…昨夜、そう聞き、寝る前に扉の内側のドアノブに掛けました。」\ ;＜夏妃 `"Yes.`@` ...Last night, after hearing about it from Jessica, I hung it from the doorknob on the inside of my door."`\ ld l,$MAR_AkuwaraiA1,80 meplay2 1,17,40 ;「なら、夏妃伯母さんはとても幸運だよ。@………そうだったなら昨夜、ベアトリーチェは夏妃伯母さんに指一本触れられなかっただろうね。@/ `"Then Natsuhi oba-san, you're really fortunate.`@` .........If you did that, Beatrice probably couldn't even lay a finger on you yesterday. `@/ ld l,$MAR_AkuwaraiA3,80 ;…ベアトリーチェはさぞや悔しがったと思うよ。@……きひひひひひひひひひひひ…。」\ ;＜真里亞 `...I think Beatrice must have been really annoyed.`@` ......Kihihihihihihihihihihihi..."`\ bg black,22 ;　…ベアトリーチェが悔しがる…？@ ;　指一本触れられない…？\ `...Beatrice, annoyed...?`@ `Couldn't lay one finger...?`\ mono 2 bg M_door1,23 ;　夏妃は今朝見た、あの扉の外側にあった、血の付いた指で掻き毟ったような不気味な落書きを思い出し、……はっと息を呑んだ。\ `Natsuhi thought back on that eerie scribble she had seen that morning, like someone had been tearing at the outside of her door with blood-soaked hands, ......and gasped in surprise.`\ meplay2 2,17,40 ;　まさか、/ ;!d800………ベアトリーチェを名乗る魔女は、/ ;!d800……自分の部屋の扉を入ろうとしたのではないだろうか…？@ `Could it be, `/ !d800`.........that this witch who called herself Beatrice, `/ !d800`......had tried to enter through the door to Natsuhi's own room...?`@ br ;　だが、内側には魔除けのお守りが掛けられていた。@ ;　…だから扉を破れなかった。@だから悔しかった。@…だから、引っ掻いた…？\ `But the magic repelling charm had been hanging from the inside.`@ `...So she couldn't break through the door.`@` So she was annoyed.`@` ...So, she scratched at it...?`\ bg black,22 mono 0 fede 10,2000 bg M2F_P1cN,24 ld r,$JES_odorokiA1,24 ;「よせよ、そういう話…。@魔女なんかいないぜ。@いるのは犯人。@それも私たちと同じ人間だ。@……それを確かめる必要があるってんなら、八つ裂きにして血が赤いかも確認してやろうじゃねぇか。@/ `"Quit it, don't talk about that...`@` Witches don't exist.`@` The culprit does.`@` And that's a human just like us.`@` ......And if you need proof, why don't we dice her up and see if her blood's red? `@/ ld r,$JES_ikariA2,80 ;……くそ、………くそ……。@……よくも…嘉音くんを………。」\ ;＜朱志香 `......Damn it, .........damn it......`@`......How could you...to Kanon-kun........."`\ bg black,22 bg M_door2,24 se1 25 ;　ガチャン。@源次が鍵を開ける。@ `*click*.`@` Genji unlocked the door.`@ br ;　８人は金蔵の書斎に入るのだった…。\ `Eight people entered Kinzo's study...`\ ;■金蔵の書斎 E_A se1 17 bg white,10 bg Mlib_1aN,10 meplay2 1,11,90 ;　祖父さまの書斎は、………事前に噂を聞いていたので、それほど驚きはしなかった。\ `Grandfather's study.........I'd heard rumors about it beforehand, but I was still shocked.`\ bg Mlib_1cN,24 ;　オカルト好きが自分の趣味で徹底的に固めきっただけのこと。@ `He had done nothing more than fortify it thoroughly with his occult hobbies.`@ br ;　…もし祖父さまがアイドルの追っかけが趣味だったら、壁中がアイドルポスターで埋まっていただろうというだけの話だ。@ `...If Grandfather's hobby had been chasing after pop idols, these walls might be buried beneath idol posters.`@ br ;　理解はできずとも、趣味の塊の部屋であるということだけはよくわかった。\ `Even if I didn't understand it, I did realize that this room was a bundle of all his hobbies.`\ ;　しかしそれでも、怪しげな薬物の臭いと、脳を溶かすような甘い臭いにはさすがに閉口するしかなかった…。\ `Even so, I couldn't help but remain dumbfounded by the smell of his creepy medicine and the sweet stench that seemed to melt my head...`\ se1 18 bg black,10 wait 2000 seplay 2,44 wait 6000 bg Mlib_1bN,22 bgmplay 30 ;　扉が閉まると、自動的にガチャンという音がする。@ ;　…なるほど、閉じると自動的に閉まるオートロックというわけか…。@ `When the door was closed, it automatically made a *clunk*.`@ `...I see, this is the auto-lock that's activated whenever the door is closed...`@ br ;　そしてこの扉を外から開けられる鍵は２本しかなく、その２本が今この室内に存在している。@……つまり、この部屋はこれで“密室”になったのだ。\ `And there were only two keys which could open this door from the outside, both of which were in this room.`@` ......In other words, this room had become a 'closed room'.`\ ;　………シャッター、レシート、チェーン。@……そして、オートロック。@ ;　…四度目の扉はそれまでで最高の形で施錠され、文句のない形で密室を構成してくれた。\ `.........The shutter, the receipt, the chain.`@` ......And now, the auto-lock.`@ `...This fourth door had the most magnificent lock yet, and this was doubtlessly a closed room.`\ bg black,22 bg Mlib_1e,22 meplay2 1,13,40 ;　それをより確実に確認するため、まず最初に部屋全体の戸締り確認から行なわれた。@ `Just to make absolutely sure that the room was secure, we checked all over for ways in or out.`@ br ;　窓はしっかり施錠されていた。@ ;　ならこれで完璧なのだが、念には念を入れて壁をぐるりと叩いてみる。\ `The window was tightly locked.`@ `That should have been enough, but just in case, we tried knocking all over the walls.`\ bg black,22 ;　……隠し扉があるのではないかと囁かれたからだ。@ ;　…だが不審な点は見つけられなかった。\ `......After all, it was rumored that there might be a hidden door in this room.`@ `...But we couldn't find anything suspicious.`\ ;　祖父さまの書斎はとても大きかった。@書斎といっても一部屋ではない。@ `Grandfather's study was very large.`@` Even though we called it a study, it wasn't really a single room.`@ br ;　そこは簡単に区分すると、書斎部分と寝室部分、トイレ・風呂部分と賄い用の流し部分の４区画となっていた。\ `It could be divided up into four basic sections: a study section, a bedroom section, a toilet/bathroom section and a section for cooking that had a sink.`\ bg Mlib_1bN,22 ;　なるほど、この書斎だけで充分、生活空間は成立している。@ ;　…祖父さまがこの部屋を出なくても充分生活ができるのも納得だった。\ `I see, this study has enough in it to live in.`@ `...Now I understand how Grandfather could live his whole life in this room without ever leaving.`\ ;　祖父さまにテレビを見る習慣はなかったらしく、この部屋にはテレビはおろかラジオもなかった。@ `It seemed that Grandfather wasn't in the habit of watching TV, because there was no television or even a radio in this room.`@ ;　……俺たちは明日の朝まで、風雨の音だけを聞きながら過ごすしかないということだ。\ `......We can't do nothing except pass the time listening to the sound of the rain...until tomorrow morning.`\ bg chess1,22 ;　南條先生が、ソファーの前のテーブルに置かれたチェス盤を見つめ呟く…。\ `Doctor Nanjo looked closely at the chessboard that sat on the table in front of the sofa and muttered...`\ ;　それは、昨日まで進めていた祖父さまとのチェスの途中らしい。@ `It was apparently the partly finished chess match he'd been playing with Grandfather until yesterday.`@ ;　……黒が白をかなり追い詰めており、もう数手でチェックメイトに至るだろうという、終盤の終盤だった。@ `......The black had the white pretty well cornered, and it looked like checkmate would be reached within a few moves. The last part of the endgame.`@ br ;　あと一息でチェックメイトだったが、@……詰めを焦り、/ ;!d700……ついには届かなかった。\ `Even though checkmate had almost been reached,`@` ......the endgame had been rushed, `/ !d700`......and in the end, was never completed.`\ bg black,22 bg Mlib_1dN,0 ld r,$NAN_fumuA1,26 ;「……金蔵さん。@…やはり、/ ;!d600………この勝負は決着が付きませんでしたな…。」@ ;＜南條 `"......Kinzo-san.`@` ...It seems, `/ !d600`.........we weren't able to see this match through after all..."`@ ld l,$GEN_KomaruA1,23 ;「………南條先生…。」\ ;＜源次 `".........Doctor Nanjo..."`\ ld r,$NAN_DefA1,80 ;「…わしは長く金蔵さんの友人だったが、……金蔵さんのことを知っているのは半分だけでしかなかった。@…金蔵さんにはいつも、聡明な金蔵さんと、何かの狂気に囚われた金蔵さんの二人が同居していたように思う…。@/ `"...I was Kinzo-san's friend for a long time, ......but I never knew about more than half of him.`@` ...I believe that two Kinzos existed, a wise one...and one trapped by some madness... `@/ ld r,$NAN_KomaruA3,80 ;………わしは、金蔵さんのことを何も理解してはおらんかった…。」\ ;＜南條 `.........I never understood anything about him..."`\ ld c,$KUM_majimeA2,24 ;「…特にベアトリーチェさまのことになると、人が変わったようでしたっけねぇ…。」\ ;＜熊沢 `"...Especially when it came to Beatrice-sama, it would seem like his personality changed..."`\ bg black,25 bg portrait2,22 ;　熊沢の婆ちゃんが見上げる先には、ベアトリーチェの肖像画があった。@ `In the direction of Kumasawa-san's upward gaze, the portrait of Beatrice could be seen.`@ ;　玄関ホールに掛けられている巨大なものではなく、この部屋用に作らせた小さいもののようだ。\ `It wasn't massive like the one hanging in the entrance hall, but small, made for this room.`\ ;　祖父さまは、毎日をこの部屋で過ごし、@そしてどれほどの時間を、あの肖像画の魔女に話し掛けて過ごしてきたのだろう。\ `Grandfather probably spent every day in this room, and so much of his time...`@`talking to the witch in that portrait.`\ bg black,22 ;　……そもそも、祖父さまにとってベアトリーチェとは何者なのだろう。@ ;　…今や子どもが森に迷い込まぬように親たちが作った脅し話の域では説明できない…。\ `......Who was Beatrice to Grandfather in the first place?`@ `...Right now, you couldn't just explain it away by saying it was a story made by the parents to frighten children away from wandering into the forest...`\ bg Mlib_1e,26 ;　俺たちは厨房から持ち込んだ缶詰を食べながら、そもそもベアトリーチェとは何者なのかを話しあった。\ `While eating the canned food we had brought from the kitchen, we talked together about who Beatrice was.`\ ;　……犯人がベアトリーチェ本人なのか、あるいはそれを騙る別人なのか、@魔女なのか人間なのかはともかく、事件の根底や背景には、この肖像画のご婦人が強く関わっている。@ `......Whether the culprit was Beatrice herself or someone pretending to be her,`@` whether they were a witch or a human, that was besides the point.`@` The woman in this portrait was strongly related to the basis and background of this case.`@ br ;　………彼女の話抜きに、この事件は何も語れないのだ。\ `.........You couldn't talk about this case without talking about her.`\ bg black,22 fede 1,3000 bg Mlib_1dN,0 ld r,$JES_nayamuA1,24 ;「……そうだ。@…母さん、絵羽伯母さんたちの部屋で、犯人の手紙を拾ったんでしょ？」@ ;＜朱志香 `"......That's right.`@` ...Mom, you picked up the culprit's letter in Eva oba-san's room, right?"`@ ld l,$NAT_DefA1,23 ;「えぇ…。@まだ開けていませんでしたね…。@……開けてみましょう。」\ ;＜夏妃 `"Yes...`@` I still haven't opened it...`@`......Let's try opening it."`\ ;　…夏妃伯母さんはあの洋形封筒を取り出す。@ `...Natsuhi oba-san took out that western-style envelope.`@ br ;　源次さんが書斎机の引き出しからペーパーナイフを取り出し、手渡した。\ `Genji-san pulled a paper knife out of a drawer in the study desk and handed it to her.`\ bg black,22 bg Mlib_1cN,25 ;　その開封作業を見ながら、譲治の兄貴が少しだけ表情を歪める。@ ;　……何しろ、自分の親の殺害現場に残されていた手紙だ。@ `While watching her open it, George-aniki grimaced slightly.`@ `......After all, it was a letter left at the site where his parents had been murdered.`@ ;　…兄貴にとって堪え難い内容が記されている可能性は充分ある…。\ `...There was a good chance that its contents would say something unbearable to Aniki...`\ ;　それは夏妃伯母さんも理解しているようだった。@ ;　…だから、読み上げず、まずは自分が先に内容を目で読んだ。@ `It seemed that Natsuhi oba-san also realized that.`@ `...So she glanced over the contents first without reading it aloud.`@ br ;　俺たちは、その表情がショッキングなものに歪むのではないかと少し怯えたが、伯母さんの眉が不愉快そうに少し歪んだだけだった。\ `We were a little frightened that she might grimace after reading something shocking, but she just frowned unhappily.`\ bg Mlib_1aN,0 ld r,$NAN_KomaruA3,22 ;「……内容は、何と…？」@ ;＜南條 `"......What does...it say...?"`@ ld l,$NAT_zutuuA1,23 ;「…不愉快な一文があります。@……私たちを挑発するつもりなのでしょう。」@ `"...There is one unpleasant sentence.`@` ......It must be trying to provoke us."`@ br ;　夏妃伯母さんは、子どもたちに見せても問題ない内容だと判断し、それをテーブルの上に公開してくれた。@みんなが一斉にそれを覗き込む。\ `Natsuhi, after deciding that the contents could be shown to the children, set it openly on the table.`@` Everyone stared at it at the same time.`\ bg Mlib_1cN,0 ld r,$JES_KomaruA1,24 se1 26 ;「“我が名を讃えよ”。/ `"'Praise my name'. `/ mov ?tips[3][tips_flg],1 seplay 9,1062 @/ ld r,$JES_odorokiA1,80 ;………何だよこれ。@……うぜぇぜ。」@ ;＜朱志香 `.........What the hell?`@` ......That's annoying."`@ ld l,$GEO_MajimeA3,23 ;「………ベアトリーチェの勝ち名乗りみたいなものだろうね。@…………くそ…。」\ ;譲治 `".........It's probably Beatrice declaring herself the victor.`@` ............Damn it..."`\ bg Mlib_1bN,0 ld r,$MAR_defA1,23 ;「…………………………。」@ ;真里亞 `"....................."`@ ld l,$BUT_DefA1,23 ;「大方、また怪しげな魔法陣でも出てくるのを期待してたんだろ。」@ ;＜戦人 `"Normally, you'd expect another weird magic circle to show up."`@ ld r,$MAR_AkuwaraiA2,80 ;「……魔法陣ではなかったけどね。@……想像は裏切られなかったよ。@…きひひ。」\ `"......But it wasn't a magic circle.`@` ......It's just as I expected.`@` ...Kihihi."`\ bg Mlib_1aN,0 ld l,$NAT_defA1,0 ld r,$NAN_defA1,24 ld r,$NAN_fumuA1,80 ;「どういう意味でしょう……。@自分の存在を誇示したいのでしょうか…。」@ ;＜南條 `"What could it mean......?`@` I wonder if she wants to tout her own existence..."`@ ld l,$NAT_zutuuA1,80 meplay2 2,5,40 ;「そう考えるのが妥当でしょう。@……この手紙で初めて、私たちは昨夜の手紙の主が犯人であると理解できる。@……ここに書かれている内容よりも、昨夜と同じ封筒で、というところに意味があるものと思います。」\ ;＜夏妃 `"That seems reasonable.`@` ......With this letter, we now know that the author of last night's letter is the culprit.`@` ......I think the identical envelope is more significant than what is written here."`\ ld c,$GEN_DefA1,24 ;「……………封筒も封蝋も、間違いなくお館様が使われていたものです。」@ ;＜源次 `"............Without a doubt, this is the type of envelope and sealing wax that the Master used."`@ cl r,23 ld r,$KUM_KomaruA1,24 ;「…おおぉぉ…。@もう私には何が何だかわかりませんよ……。@こんなことは、右代宮のお家にお仕えして以来、初めてのことです…。」\ ;＜熊沢 `"...Ooooohh...`@` I don't know what's going on anymore......`@` This is the first time I've seen anything like this since I started working for the Ushiromiya family..."`\ cl l,24 ld l,$BUT_MajimeA1,23 ;「昨日の手紙の言う通りなら、……ベアトリーチェは自称、祖父さまの最古の腹心だ。@……祖父さまも常々、そう口にしてたんですよね？」@ ;＜戦人 `"If we're to believe the letter last night, ......then Beatrice claims to be Grandfather's oldest confidante.`@` ......Grandfather often said the same thing in the past, right?"`@ ld c,$GEN_MajimeA1,0 ld r,$KUM_MajimeA1,80 ;　源次さんと熊沢さんに言ってやると、二人は一緒に頷いた。\ `He spoke to Genji-san and Kumasawa-san, who nodded together.`\ cl a,0 ld c,$BUT_nayamuA2,23 ;「…ってぇことは、祖父さまの次に詳しいのは、源次さんと熊沢さんってことになる。@………話してくれないっすか。」\ ;＜戦人 `"...So, the two of you knew more about this than anyone except Grandfather.`@` .........Could you tell us?"`\ bg Mlib_1dN,24 ld r,$NAT_zutuuA1,24 ;「………私は長いこと、わざと耳にしなかった話です。@/ `".........For a long time, I made a point of ignoring this topic. `@/ ld r,$NAT_odorokiA1,80 ;ですがこの期に及んではそうも言っていられません。@…源次、知っている限りを話しなさい。」\ ;＜夏妃 `But now that it has come to this, I can no longer do so.`@` ...Genji, tell us everything you know."`\ bg black,22 fede 12,2000 meplay2 2,11,90 bg Mlib_1cN,0 ld c,$GEN_majimeA2,22 ;「…………………………………。」\ ;＜源次 `"........................"`\ ;　源次さんは答えない。@ ;　…知ってて黙っているのか、それとも何も知らないのか。\ `Genji-san didn't answer.`@ `...Did he remain silent despite his knowledge, or did he know nothing at all?`\ ;　…でも、俺には想像がつく。@ ;　…ベアトリーチェという魔女は、使用人たちの間ではすでに神格化した怪談だ。@ `...Still, I had a good guess.`@ `...The ghost story of the witch Beatrice had long been deified among the servants.`@ ;　……オカルト趣味の祖父さまとも、さぞや親和性が高いだろう。@ ;　だから、祖父さまにさらに妙なことを吹き込まれ、ますますに魔女を神格化していった可能性は高い。@ `......He had probably been very close to Grandfather and his occult hobbies.`@ `So there was a good chance that he'd been indoctrinated with even weirder things, and had increasingly come to deify the witch.`@ br ;　祖父さまに忠誠を誓う最も信頼された使用人だからこそ、@祖父さまの生み出した魔女幻想にもっとも感化されているとも言える…。\ `As Grandfather's most trusted servant, who had sworn loyalty to him,`@` he might be the most influenced by the illusion of the witch that Grandfather had created...`\ bg black,22 bg Mlib_1e,22 ;　だから、源次さんが黙っている理由はたったひとつ。@ `So there was only one reason for Genji-san to remain silent.`@ br ;　……口にしてもいいが、必ずや反感を買うことになるので、口にしない方がマシだし、どうせ言ったって信じない。@ってところだろう。\ `......He could say it, but it would definitely cause a backlash, so it was better if he kept his mouth shut...and it wasn't like we would believe him anyway.`@` Something along those lines.`\ ;　…真里亞はその辺りを、歯に衣を被せずにしゃあしゃあとのたまって、さっき朱志香に取っ組みかかられたばかりでもある。@ `...A short while ago, Maria had been more than willing to speak bluntly and unrestrainedly, and that had earned her a scuffle with Jessica.`@ br ;　源次さんが沈黙を守るのは当然だ…。\ `It was natural for Genji-san to keep his silence...`\ bg black,2 fede 0,3000 bg Mlib_1dN,0 ld l,$NAT_zutuuA1,23 bgmplay 1 ;!s0「……お父様の、/ ;!d1000…妾、/ ;!d900ですか？」/ !s0`"......Was she, `/ !d900`...father's, `/ !d1000`concubine?"`/ !sd\ ;＜夏妃 ;　妾（めかけ）。@……ありえる話だった。@ `His concubine...`@`......That could be possible.`@ br ;　普通の貧乏人が一夫多妻に否定的なのは、何も道徳観だけじゃない。@ ;　養えない経済的都合があるからだ。\ `For ordinary poor people, polygamy isn't only viewed negatively from a moral perspective.`@ `It is also an unmaintainable financial situation.`\ ;　……だが、大金持ちにはそれがない。@ `......But that isn't the case for the very rich.`@ br ;　だから、堂々と正妻以外に女を囲うことがありえる。@ ;　…祖父さまに、祖母さま以外の女がいたことは否定できない。\ `It's possible for them to have another lover in addition to their real wife.`@ `...We can't deny the possibility that Grandfather had another woman in his life besides Grandmother.`\ bg black,22 bg Mlib_1dN,0 ld c,$JES_NayamuA1,26 ;「かもな…。@祖母さまは生きてた頃、よく疑ってたらしいぜ。@浮気相手がいるってな。@/ `"Maybe...`@` When Grandmother was alive, it seems she strongly suspected it.`@` She thought he was cheating on her. `@/ ld c,$JES_komaruA1,80 ;……俺はてっきりそれは、祖父さまの想像の中の魔女のことを指してるんだとばかり思ってたんだが…。」\ ;＜朱志香 `......I always thought she meant Grandfather's imaginary witch..."`\ bg Mlib_1aN,23 ld l,$BUT_NayamuA1,23 ;「…そりゃ、何とも面白い話になってきたぜ。@……源次さんは俺に言ったよな？@　ベアトリーチェはこの屋敷ができる以前から祖父さまに仕えてたって。」@ `"...This is getting really interesting.`@` ......You told me, didn't you Genji-san?`@` You said Beatrice has been working for Grandfather since before the mansion was finished."`@ ld r,$NAT_DefA1,24 ;「お屋敷が竣工したのは昭和２７年と聞いています。」\ ;＜夏妃 `"I heard that the construction of the mansion was completed in Showa 27 (1952)."`\ ld c,$GEO_MajimeA3k,24 ;「ってことは、ベアトリーチェという人は、３０年以上も昔からお祖父さまと連れ添っていたということになるね…。」@ ;＜譲治 `"That would mean that this person called Beatrice has been in a relationship with Grandfather for over thirty years..."`@ ld l,$BUT_oyaA1,80 ;「その、３０年前の妾、もしくはその縁者や隠し子が、何かの恨みがあって、何らかの復讐を企んだ、か。@/ `"Could that concubine of thirty years ago...or maybe a relative or hidden child with that person...hold some kind of grudge and be planning revenge? `@/ ld l,$BUT_WaraiA1,80 ;…いっひっひ、なるほど、洋館ミステリーっぽいありがちなストーリーになってきたじゃねぇか。」\ ;＜戦人 `...Ihihi, I see, this is starting to sound just like your standard western mansion mystery."`\ ld r,$NAT_HisuA1,80 ;「…………汚らわしい話ですが、一番納得できる筋書きです。@…どうですか、源次。」\ ;＜夏妃 `"............It's a filthy topic, but the easiest line of reasoning to accept.`@` ...What do you think, Genji?"`\ bg Mlib_1cN,0 ld c,$GEN_komaruA1,24 ;「…………………………。@……………恐らく、お館様に恋愛の感情はおありになられたでしょう。@亡くなられた奥様より、愛しておられたに違いありません。」\ ;＜源次 `".....................`@`............The Master surely had feelings of deep love for her.`@` There can be no mistake that he cared for her more than his late wife."`\ ld r,$JES_IkariA1,24 ;「……ベアトリーチェってのは何者なんだよ！@　そして今はどうしてるんだ？！」\ `"......Who is this person called Beatrice?!`@` And what is she doing now?!"`\ textoff fede 0,3000 ld c,$GEN_defA1,80 ;「………………。@……お屋敷が出来るより前に、お亡くなりになったと聞いています。」\ ;＜源次 `"...............`@`......I have heard that she passed away before the mansion was completed."`\ bg Mlib_1bN,0 ld l,$BUT_OyaA1,23 meplay2 1,16,40 ;「すでに死んでいる…？」\ ;＜戦人 `"She's already dead...?"`\ ld r,$GEN_DefA1,24 ;「……はい。@……お館様は大層深く悲しまれ、@………ベアトリーチェさまを蘇らせる方法として、黒魔術に傾倒なさっていったのです。@/ `"......Yes.`@` ......The Master mourned for her most grievously,`@` .........and he devoted himself to the art of black magic as a means to revive Beatrice-sama. `@/ ld r,$GEN_KomaruA1,80 ;……お館様はベアトリーチェさまを、心の底から愛しておられたのです。@…このような狂気に駆り立てるほどに。」@ ;＜源次 `......The Master loved Beatrice-sama from the bottom of his heart.`@` ...It was that madness which drove him to do all that you see here."`@ ;　源次さんはそう言いながら、……祖父さまの狂気が詰まったこの部屋を見よと言うように、両手を広げた。\ `As Genji-san said this, he spread his arms, as though asking us to look at this room, filled with the signs of Grandfather's madness.`\ bg black,2 fede 0,2000 bg Mlib_1e,42 bgmplay2 35,0 cross2 5000,70 ;　…一同は絶句する。\ `...We were all at a loss for words.`\ ;　普通に考えるなら、黒魔術趣味など不気味なだけで、何を考えて傾倒したのかまったく理解できなかった。@ `Almost anyone would find it impossible to understand.`@` What could be possibly be so enrapturing about this unpleasant black magic hobby?`@ ;　…金蔵は狂気の中で右代宮家を復興させた“変わり者”だからと、誰も理解しようとしなかった…。\ `...Since Kinzo was just an 'eccentric' who had restored the Ushiromiya family amidst his madness, nobody had tried to understand him...`\ bg black,2 bg portrait2,6 ;　祖父さまの胸中にあったのは、愛する女性を失い、@……それを諦めきれぬ悲しみだけ。\ `All that had been on Grandfather's mind was the loss of a beloved woman,`@` ......and the sorrow that he couldn't escape.`\ ;　……ついさっきまで、不気味だと思っていたこの部屋は、@…その瞬間に全て理解できるものとなって変わった。\ `......Earlier, this room had seemed creepy,`@` ...but in an instant, our understanding of it began to change.`\ bg black,2 bg Mlib_1aN,3 ;!s0　不気味な蔵書も、/ ;!d600魔法陣も、/ ;!d800薬物も、/ ;!d700…全て全て。@ !s0`The creepy books, `/ !d600`the magic circles, `/ !d800`the medicine, `/ !d700`...all of it.`@ !sd br ;　……すでにこの世を去って３０年以上も経つたったひとりの女性の面影をもう一度蘇らせたいがためだけに…。\ `......All just because he wanted to revive the face of a single woman who had left this world for thirty years, for one last time...`\ bg black,22 bg Mlib_1dN,0 ld r,$KUM_MajimeA2,22 ;「…………一度だけ、深く酔われたお館様にベアトリーチェさまのお話を聞かされたことがあります。@………詳しいことは忘れてしまいましたが。@/ `"............The Master only told me about Beatrice-sama's story once, when he was very drunk.`@` .........Although I have forgotten the details. `@/ ld r,$KUM_Waraia2,80 ;……それはもう、/ ;!d800…女の私が聞いて羨むような、深い深い愛情でございました。」\ ;＜熊沢 `......It was, `/ !d800`...a deep, deep love, enough to make a woman like me jealous."`\ bg Mlib_1cN,24 ld l,$NAN_komaruA3,23 ;「……金蔵さんは右代宮家の当主を継いだ時、@…当時、まだ生き残っていた右代宮家の長老たちの意向で、亡くなった奥さんとの結婚を決められたのです。」@ ;＜南條 `"......When Kinzo-san succeeded the headship of the Ushiromiya family,`@` ...his marriage to his late wife had already been decided by the few surviving elders of the family."`@ ld r,$GEO_MajimeA2,24 ;「…つまり、右代宮家にとって得になる女性との結婚を、/ ;!d900……強制された？」\ ;＜譲治 `"...So, `/ !d900`......he was forced into a marriage with some woman who would benefit the Ushiromiya family?"`\ ld l,$NAN_fumuA1,80 ;「……左様です。@……金蔵さんは、お家復興のためだけに当主に据えられ、全ての重責を背負わされたのです。@/ `"......That is correct.`@` ......Kinzo-san was installed as the head who would revive the family, and had to bear all of that heavy responsibility. `@/ ld l,$NAN_defA1,80 ;………そんな金蔵さんが、どこでどういう経緯でベアトリーチェと知り合ったのかは、…わかりかねます。」\ ;＜南條 `.........I do not pretend to know the details of when or where Kinzo-san first met her."`\ cl r,24 ld r,$BUT_NayamuA1,23 ;「…………それ以上を語るのは、無粋だな。」\ ;＜戦人 `"............It'd be rude to say any more than that."`\ bg black,2 bg Mlib_1e,2 ;　祖父さまは、そこで初めて、本当の恋に落ちた…。\ `At that point, Grandfather had truly fallen in love for the first time...`\ ;　それがどれほど深い感情だったか。@…それをうかがい知るのは容易だ。@ `I wondered how deep that affection must have been.`@` ...Still, it was easy to tell just by looking around us.`@ br ;　……この部屋いっぱいに詰め込まれた黒魔術関係の山々。@ ;　そして祖父さまが今日まで一日も惜しまずに閉じ篭り続け、自身の研究に没頭した気の遠くなるような日々。@ `......This room was covered with piles upon piles of things having to do with black magic.`@ `And Grandfather had spent every day shut in here, immersed in his research and isolated from the outside world, never regretting one minute of it.`@ br ;　……そこから、祖父さまが如何にベアトリーチェを愛したかを感じずにはいられない…。\ `......You couldn't help but realize how deep Grandfather's love for Beatrice was...`\ bg Mlib_1aN,2 ld r,$JES_nayamuA1,24 ;「…………………。@……私、……誤解してたよ、源次さん。」@ ;＜朱志香 `"...............`@`......I, ......had it all wrong, Genji-san."`@ ld l,$GEN_komaruA1,23 ;「……………何を、でしょうか。」\ ;＜源次 `"............What, exactly?"`\ ld r,$JES_majimeA1,80 ;「私、……使用人の人たちが、魔女を妄信するのは、祖父さまの気持ち悪い黒魔術趣味に感化されてるからじゃないかってずっと思ってきた。@……違ったんだな…。」\ ;＜朱志香 `"I, ......I've always thought that...maybe you servants believed blindly in the witch because you were influenced by Grandfather's creepy black magic hobby.`@` ......But that's not how it was..."`\ ;　彼らは、ベアトリーチェの魂だけでも蘇り、@……この屋敷の中にいるということにして、/ ;!d800……祖父さまの心を慰めていたのだろうか…。\ `By acting as though at least Beatrice's soul had been restored,`@` ......and existed inside this mansion, `/ !d800`......you might have hoped to soothe Grandfather's heart...`\ ;　源次さんは目蓋を閉じ、遠い日の何かを思い出すような表情を浮かべながらも、/ ;!d600……無言を貫いた。@ `With closed eyes, and an expression as though he was remembering something from the distant past, `/ !d600`......Genji had broken his long silence.`@ br ;　…………それを告白することは、すでに死んでいても、自分の唯一の主に対する最大の裏切りになってしまうからだろう。\ `............In making that confession, he probably felt like he was betraying his one and only Master in the most serious way, even though that person was already dead.`\ bg black,22 bg portrait2,22 ;　……ベアトリーチェは魔女として蘇り、今もこの館にいる。@ `......Beatrice has revived as a witch, and she is in the mansion even now.`@ br ;!s0　……そう語り、/ ;!d900信じ、/ ;!d800…信じさせ。/ ;!sd@………源次は墓の中までそれを持っていく。@ !s0`......He had been told that, `/ !d900`had believed it, `/ !d800`...had been made to believe it,`/ !sd@`.........and Genji would take that with him to the grave.`@ br ;　それが、主に捧げられる最後の奉公なのかもしれない。\ `This might have been the last service he offered up to his Master.`\ ;　使用人たちの間で囁かれ続け、六軒島の怪談となってきた魔女伝説。@ `The legend of the witch, the mysterious tale of Rokkenjima that was still whispered of amongst the servants.`@ br ;　……その正体は、最愛の人を失った祖父さまへの、/ ;!d1000……悲しい嘘。@…いや、心遣い。\ `......Its true nature was, `/ !d1000`......a sad lie.`@` ...No, it was an act of kindness towards Grandfather, who had lost the person he loved above all else.`\ bg Mlib_1aN,0 ld r,$NAT_tukareA1G,22 meplay2 1,12,40 ;「………………。@……私は、お父様の前で、魔女を否定する話を何度か口にした覚えがあります。@………今なら、それがどれだけお父様を傷つけていたか、わかります…。」@ ;＜夏妃 `"...............`@`......I remember denying the witch's existence in front of Father on multiple occasions.`@` .........Now I finally understand how much that must have wounded him..."`@ ld l,$GEO_MajimeA1,23 ;「……今の僕にならわかるよ。@/ `"......Right now, I can understand very well. `@/ ld l,$GEO_majimeA1k,80 ;………紗音を蘇らせる方法が黒魔術だというなら、@……僕は今すぐにもこの部屋の次の主となって研究を始めるよ…。」\ ;＜譲治 `.........If I thought that I could revive Shannon using black magic,`@` ......I'd immediately become the next owner of this room and start researching..."`\ bg Mlib_1dN,0 ld r,$BUT_KomaruA3,24 ;「…………………………兄貴。」@ ;＜戦人 `".....................Aniki."`@ br ;　譲治の瞳から、再び一筋の涙が零れ落ちる。@ `Another strand of tears dripped from George's eyes.`@ ;　……もらい涙だろうか、朱志香も涙を浮かべ、鼻をすすっていた…。\ `......Maybe his tears were infectious.`@` Tears rose to Jessica's eyes too, and she sniffled...`\ ld l,$MAR_waraiA1,4 ;「…………ベアトリーチェは言っていたよ。@………もうじき、蘇ることができる。@会うことができる、って。」\ `".........Beatrice has said it.`@` .........Very soon, she will be able to revive people.`@` You'll be able to meet them, she said."`\ bg black,22 bg portrait2,22 ;　――もうじき、黄金郷の扉が、開かれる。@ `――Very soon, the door to the Golden Land will be opened.`@ br ;　そこは黄金色に輝く約束の地で、全ての死者の魂を蘇らせ、失った愛をも蘇らせる。@ `In the promised land that glitters gold, the souls of all the dead will be resurrected, and the lost love will be too.`@ br ;　……そして私は、安らかな世界にて永遠に眠り続けるであろう。\ `......Then I will sleep in a world of peacefulness for all time.`\ bg black,22 bg Mlib_1dN,0 ld r,$BUT_NayamuA1,24 ;「……そう言ったのか。@真里亞に手紙を渡したベアトリーチェは。」@ ;＜戦人 `"......Did she say that?`@` The Beatrice who gave you the letter?"`@ ld l,$MAR_fukigenA1,80 ;「……………信じないよね？@　……きひひひ。」\ `"...............You don't believe, do you?`@` ......Kihihihi."`\ ld r,$BUT_KuyasigaruA1,80 ;「……ここに祖父さまがいたなら。@きっと喜んだろうな。@もうじきベアトリーチェが蘇ることに、さぞや躍り上がって喜んだろうなぁ…。@…なら、俺は信じたぜ。@…祖父さまが半生を掛けて研究したことで蘇り、愛した女の魂が蘇ったと信じて寿命を全うできるって言うんなら、…俺も信じたぜ。」\ `"......If only Grandfather were here.`@` I'm sure he'd be happy.`@` I'm sure he'd be jumping for joy now that Beatrice is about to be revived...`@`...In that case, I believe.`@` ...If Grandfather gave up half of his life for this research, trying to resurrect the soul of the woman he loved, and spending the rest of his life believing, ...I'll believe too."`\ ld l,$MAR_OdorokiA1,80 ;「………戦人……………………。」\ `".........Battler.................."`\ ;＜真里亞 cl r,23 ld r,$GEO_MajimeA1k,24 ;「…ひとりの女性をずっと愛し続けた気持ちが、/ ;!d700……周りにも伝わり、真実となる。@/ `"...When love for a single woman is persistent over a long time, `/ !d700`......it is shared by those around you and becomes the truth. `@/ ld r,$GEO_majimeA2,80 ;………それを気遣いと呼べばそれまでだろうけれど。@………今の僕は、…あえてそれを魔法と呼んであげたいね。」\ ;＜譲治 `.........Maybe you could say they're just being considerate.`@` .........But right here, now, ...I'd like to call that magic."`\ ld l,$MAR_komaruA1,80 ;「…………気遣いじゃないよ。@………本当に、…魔法だよ。@…魔女だよ。@……きひひひひひ。@やっぱり、誰にもベアトリーチェの姿は見えないんだね…。」\ ;＜真里亞 `"............It isn't just consideration.`@` .........It really is, ...magic.`@` ...She's a witch.`@` ......Kihihihihihi.`@` It looks like nobody can see Beatrice after all..."`\ bg black,5 ;　しばらくの間。@俺たちは雨音だけを聞きながら、@……この部屋の主が、どんな愛情と狂気で半生を過ごしたのか、思いを馳せるのだった…。\ `Some time passed.`@` As we listened to the sound of the rain,`@` ......we considered what kind of love and madness must have possessed the owner of this room as he spent half of his life here...`\ fede 0,5000 bg Mlib_1cN,26 ld r,$NAT_zutuuA1,24 meplay2 1,13,40 ;「………女の私から聞けば、お父様の純愛の気持ちも少しは理解したいところですが、@……それではお母様の立つ瀬がありません。」@ ;＜夏妃 `".........If you ask me as a woman, then while I'd like to understand Father's feelings of true love,`@` ......it did leave Mother in an awkward position."`@ ld l,$JES_atyaA1,23 ;「はは、同感だぜ。@浮気は浮気。@綺麗事にされちゃかなわねぇよな…。」\ ;＜朱志香 `"Haha, I agree.`@` Cheating is cheating.`@` No way to make it pretty..."`\ cl r,23 ld r,$BUT_DefA2,24 ;「……それもそうだな。@祖母さまが気の毒になっちまうぜ。」@ ;＜戦人 `"......That's also true.`@` Poor Grandmother."`@ cl l,24 ld l,$GEO_majimeA2,23 se1 21 ;「それで、……ベアトリーチェとお祖父さまの間に子どもがいた、なんて話はある…？」@ ;＜譲治 `"And, ......is there any story about a child between Beatrice and Grandfather...?"`@ br ;　今回の事件には、ベアトリーチェという強いキーワードが隠されているように思う。@ ;　となれば、ベアトリーチェの縁者を疑うのは当然の流れだった。\ `The keyword 'Beatrice' has been hidden in every corner of this case.`@ `So it's natural to suspect any relative of Beatrice.`\ bg Mlib_1bN,0 ld r,$GEN_komaruA1,23 ;「いえ。@………そのような話は聞いたことがありません。」@ ;＜源次 `"No.`@` .........I have not heard of anything like that."`@ ld l,$GEO_MajimeA1,24 ;「……仮にいたとしたら、最愛の人の忘れ形見として、きっと全ての愛情を注ぎ込んだだろうね。@/ `"......If there was one, a memento of his most beloved person, he surely would have given them all of his affection. `@/ ld l,$GEO_MajimeA2k,80 ;…それがなく、黒魔術に没頭していったなら、子どもはいなかったと考えるべきなのかな。」\ ;＜譲治 `...Since that didn't happen, and he immersed himself in black magic...maybe we should assume that there was no such child."`\ bg Mlib_1dN,24 ld r,$JES_MajimeA1,24 bgmplay 18 ;「………………そう言えば、こんな噂を聞いたことがあるぜ。@/ `"............Come to think of it, this reminds me of a rumor I heard. `@/ ld r,$JES_NayamuA1,80 ;…知ってるだろ？@　祖父さまが福音の家っていう、孤児院に莫大な援助をしてるって話。」@ ;＜朱志香 `...You know it, right?`@` You know that story about how Grandfather heavily supported an orphanage called the Fukuin House?"`@ ld l,$NAT_ODorokiA1,23 ;「…よしなさい。@それはお父様を冒涜する中傷に過ぎません。」\ ;＜夏妃 `"...Enough of that.`@` That is nothing more than slander which would desecrate Father."`\ bg Mlib_1aN,0 ld c,$BUT_WaraiA2,23 ;「教えてくれよ夏妃伯母さん。@…隠し事はなしなのは伯母さんもだと思うっすよぅ？」\ ;＜戦人 `"Tell us, Natsuhi oba-san.`@` ...Don't you agree that we shouldn't hide things from each other?"`\ bg black,5 bg Mlib_1e,22 ;「……………下らない話です。@お父様は孤児院に莫大な援助をし、社会勉強の一環として、当家の使用人雇用枠を開放していました。@…それを、お父様に汚らわしい趣味があると吹聴する愚か者がいたというだけの話です。」\ ;＜夏妃 `"............It's a worthless story.`@` It is said that Father heavily supported an orphanage...and that they started having the orphans employed as servants for his house, as part of their social studies.`@` ...It's nothing more than a story spread by some foolish people, saying that this had something to do with one of Father's filthy hobbies."`\ ;「一時期それが、黒魔術の生贄にするためだ、みたいな噂になってさ…。@実際、いつもこの部屋で怪しげな実験や儀式を繰り返してたわけで、私も半分は信じてたところがあったぜ…。」\ ;＜朱志香 `"At one point, there was a rumor that he was collecting sacrifices for his black magic...`@` Actually, since he's always doing weird experiments and ceremonies in this room, I half believed it myself..."`\ bg Mlib_1dN,0 ld r,$BUT_KomaruA2,22 ;「……その、福音の家出身の使用人ってのは？」@ ;＜戦人 `"......And these servants who came from the Fukuin House?"`@ ld l,$GEN_DefA1,23 ;「…………何人かいますが、親族会議中のシフトでは紗音と嘉音の二人でした。」@ ;＜源次 `"............There were several of them, but during the family conference, only Shannon and Kanon were scheduled to be here."`@ br ;　ベアトリーチェを蘇らせるための、……生贄に、孤児院から使用人として呼び寄せた…？\ `To resurrect Beatrice, ......he had summoned servants from an orphanage, as sacrifices...?`\ bg Mlib_1cN,23 ld r,$JES_komaruA1,24 ;「確かに祖父さまが使用人として選ぶのは、いっつも紗音や嘉音くんくらいの若い子ばかり。@…私だって、祖父さまには妙な趣味があるに違いないって信じてたぜ。」@ `"After all, everyone that Grandfather selected as a servant was young, about the same age as Shannon or Kanon-kun.`@` ...I was sure that it was because Grandfather had some bizarre hobby."`@ ld l,$NAT_HisuA1,23 ;「朱志香！@　言葉を慎みなさい。」@ ;＜夏妃 `"Jessica!`@` Control your words."`@ br ;　夏妃伯母さんが叱り付けると、一気に気まずい空気になり、みんな閉口してしまった。\ `When Natsuhi oba-san scolded her, the atmosphere instantly went sour and everyone fell quiet.`\ bg black,22 ;　…しかし、俺の脳裏に何かが引っ掛かった。\ `...However, something was tugging at the back of my mind.`\ ;　生贄…。@生贄…。@ ;　………孤児院から連れてこられた生贄…。\ `Sacrifices...`@` Sacrifices...`@ `.........Sacrifices brought over from an orphanage...`\ ;　……何だ？@ ;　生贄なんて物騒な言葉は、なかなかお目にかかるもんじゃない。@ `......What is it?`@ `Freaky words like 'sacrifices' don't pop up often.`@ br ;　…なのに最近、この単語をどこかで見聞きした。@………記憶のどこかに引っ掛かってる。\ `...Even so, I've seen or heard that word recently.`@` .........Some part of my memory is tugging at me.`\ ;　……なぁ、ベアトリーチェ。@ ;　お前は何を知ってるんだ…？\ `......Hey, Beatrice.`@ `What do you know...?`\ bg portrait2,8 ;　俺はベアトリーチェの肖像画の前に来ていた。@ `I had arrived in front of the portrait of Beatrice.`@ br ;　玄関ホールにあるような巨大さはないが、@名のある画家に描かせたに違いないその肖像画は、サイズは小さくなっても威厳は充分だった。\ `It wasn't as vast as the one in the entrance hall,`@` but that portrait, which must have been drawn by some famous painter, was still just as intimidating in this smaller size.`\ ;　…その下に、玄関ホールと同様に、例の隠し黄金の場所を示しているとか言われる碑文が書かれている……。\ `...Below it, just like in the entrance hall, was the epitaph said to point out the place where the gold was hidden......`\ bg black,1 E_A bgmplay 36 ;!s0「………………あ、/ ;!d800……………！@　生贄、/ ;!d700……だ。」/ !s0`"..................Ah, `/ !d800`...............!`@` Sacrifices, `/ !d700`......here."`/ !sd\ ;＜戦人 bg Mlib_1cN,0 ld c,$JES_OdorokiA1,22 ;「な、何だよ戦人。@急に気持ち悪いこと言うなよ…。」\ ;＜朱志香 `"Wh, what the hell, Battler?`@` You're creeping me out..."`\ bg black,25 bg portrait2,22 ;!s0「………生贄を、/ ;!d800６人。@…………あ、/ ;!d800………ああああぁああぁぁあッ！！！」\ !s0`".........Sacrifices, `/ !d800`six.`@` .........Ah, `/ !d800`.........AAAAAAAAaaaaaaaahh!!!"`\ ;!sd　俺の両眼が皿のように見開かれていく…。@ ;　……そこには、全てが最初から予見されていた……！@ !sd`Both of my eyes were as wide as plates...`@ `......Right there, everything had been predicted since the very beginning......!`@ br ;　みんながそこに群がる。@ ;　そしてみんなも俺と同じに愕然とした表情を浮かべる…！\ `Everyone crowded around.`@ `And the same expression of terror rose to everyone's face...!`\ ;　そう。@碑文には記されていた。\ `That's right.`@` It was written in the epitaph.`\ meplay2 1,16,40 br ;“第一の晩に、鍵の選びし六人を生贄に捧げよ”\ `'At the first twilight, you shall lift up as sacrifices the six chosen by the key'`\ bg Mlib_1aN,22 ld r,$BUT_odorokiA2,24 ;「あ、……あぁ、間違いない。@最初に死んだのは６人だ！@　そしてシャッターに描かれた魔法陣、じゃねぇ、ヘブライ語でも生贄を捧げると書いてあった…！！」@ ;＜戦人 `"Ah, ......aaahh, there's no doubt.`@` Six people died in the beginning!`@` And even on the shutter where the magic circle was drawn, no, where the Hebrew was written, it mentioned the offering of sacrifices...!!"`@ ld l,$MAR_fukigenA1,23 ;「……うー。@…私は最初からそう言ってるー。」\ `"......Uu-.`@` ...I've been saying that from the beginning."`\ bg black,22 ;　そうだ、真里亞は一番最初に言ってる！@ ;　６人の遺体が見付かり、客間でテレビを見ていた真里亞が言ってる！@ `That's right, Maria had been saying it from the very beginning!`@ `Right after we found the six bodies, when Maria was in the parlor watching TV, she had said it!`@ br ;“…………うー。@犯人は人間じゃない。@ `'............Uu-.`@` The culprit isn't human.`@ br ;(鍵が選んだ生贄なだけ/・・・・・・・・・・)”\ (`It's just the sacrifices chosen by the key.`/・・・・・・・・・・・・・・・・・・・)`'`\ bg Mlib_1aN,0 ld r,$BUT_OdorokiA1,22 se1 21 ;「これは黄金の隠し場所なんかじゃねぇ！！@　黒魔術か何かの、復活の儀式の手順なんだ！@　確かこの碑文には大勢の“死”が必要になるはず！」@ ;＜戦人 `"This has nothing to do with the location of the hidden gold!!`@` It's black magic or something, the instructions for a resurrection ceremony!`@` After all, this epitaph requires a large number of 'deaths'!"`@ ld l,$JES_OdorokiA1,23 ;「…た、確かに。@ざっと読むだけでも６＋２＋５で、@…１３人は死ななくちゃならないことになってるぜ…！」\ ;＜朱志香 `"...It, it sure does.`@` Even reading through it quickly, there'd be 6+2+5,`@` ...13 people who must die...!"`\ bg Mlib_1bN,0 ld r,$GEO_MajimeA3k,24 ;「…普段はこの島には、何人いるんですか？！」@ ;＜譲治 `"...How many people are normally on this island?!"`@ ld l,$NAT_OdorokiA2,23 ;「し、…使用人のシフトにもよるでしょうが、お父様、夫に私に朱志香。@そして使用人が２〜３人。@…昨日今日は５人いてもらってますが、普段はそこまでいません。」\ ;＜夏妃 `"It, ...it changes depending on the shifts for the servants, but there's Father, my husband, me and Jessica.`@` And two or three servants.`@` ...Today and yesterday, there were five of them, but there aren't normally that many."`\ cl r,23 ld r,$BUT_NayamuA1,24 ;「ってことはだ。@……この“儀式”を実行しようとしたら、普段じゃ生贄が足らないってわけだ。@/ `"Which means that normally,`@` ......there wouldn't be enough sacrifices to carry out this 'ceremony'. `@/ ld r,$BUT_KuyasigaruA1,80 ;……いや、違うぜ。@……祖父さまは孤児院から、不気味な儀式の生贄にするために使用人を採ったという噂…。」\ ;＜戦人 `......No, wait.`@` ......There's that rumor that Grandfather was collecting servants from an orphanage to be used as sacrifices in some creepy ceremony..."`\ ld c,$JES_IkariA1,23 meplay2 1,13,40 ;「つまり何だよ？！@　生贄の人数を増やすために使用人を増やし、……さらに人数が集まる年に一度の親族会議は、@…この儀式を執り行える年にたった一度、唯一のタイミングだったってことじゃねぇか！」@ ;＜朱志香 `"So what does this mean?!`@` He increased the number of servants to increase the number of sacrifices, ......and waited for the annual family conference when even more people would gather...`@`...Isn't now the only time of the year that this ceremony could be held?!"`@ ;　朱志香がそれを叫んだ時、真里亞が実に気分よさそうに、あの気持ち悪い声で笑い出す。\ `When Jessica screamed this, Maria broke out in that creepy laugh, looking truly pleased.`\ bg Mlib_1aN,0 ld c,$MAR_AkuwaraiA1,23 ;「……………きひひひひひひひひひひひひ。@…人は運気を試すために、ある種の確率に願掛けをすることがない？」\ ;＜真里亞 `"............Kihihihihihihihihihihihihihihi.`@` ...Aren't there some people who make bets to test their fate?"`\ bg black,22 ;　ゲタを放り投げて、表が出たら明日は晴れるとか。@ ;　…もしもこのコインが表だったら明日はいい日だとか。@ `Like throwing a sandal and saying that if it lands right side up, tomorrow will be sunny.`@ `...Or saying that tomorrow will be a good day if a coin lands heads up.`@ br ;　……そういうちょっとした迷信みたいなものはいくらだってある。@ `......There are many little superstitions like that.`@ br ;　ツキがなくてうんざりしている時に、たまたまサイコロを振って６が３つも並んだなら、これは何かの奇跡の前触れだと信じたくなるだろう。\ `Sometimes, when your luck is down and you get bored, and you roll the dice and get three sixes, you want to believe that it's the sign of some miracle.`\ ;　…ゲタの表裏程度じゃせいぜい二分の一の確率。@ ;　仮に表が出てもそれほどのありがたみはない。@ `...When flipping a sandal, you have at worst a 50% chance.`@ `Even if you get it right side up, it's not worth much.`@ br ;　…しかしサイコロ３つが、無意識に振ってぞろりと６が揃ったなら、これは何かの奇跡だと思うに違いないだろう。\ `...But if you carelessly roll three dice and they all come up six, you might think that's a small miracle.`\ bg Mlib_1aN,0 ld c,$MAR_AkuwaraiA3,80 ;「………魔術にもそういう考えはあるんだよ。@…限りなくありえない出目を期待して、ひたすらに祈祷を続ける。@……そうして蓄えられた祈祷の念は、奇跡の出目が現れた時、魔力を持って具現化される。@/ `".........Magic works the same way.`@` ...If you want an unlimited, impossible effect, then you must pray earnestly.`@` ......Then, the feelings from all those stored up prayers gain magical power and become incarnate. `@/ ld c,$MAR_MajimeA1,80 ;…………お祖父さまがしようとした魔術は、多分、そういうもの。@鍵が無作為に選ぶ生贄の抽選。@それに万が一自分が当たることがないように、この島にもっとも人が多くなる日を選んで儀式を実行した…。」\ ;＜真里亞 `............The magic that Grandfather was trying to perform was probably like that.`@` The key randomly selected sacrifices in a lottery.`@` So to reduce the chance that he himself was selected, he chose the day with the greatest number of people on the island to carry out the ceremony..."`\ ld r,$NAT_IkariA1,24 ;「馬鹿馬鹿しい！！@　これらが全て、怪しげな魔法の儀式の過程で起こった事件だと言い出すのですか！」\ ;＜夏妃 `"Ridiculous!!`@` Are you saying that this entire situation is because of something like a ceremony for some weird magic?!"`\ ;　夏妃は叫ぶ。@ `Natsuhi yelled.`@ br ;　……脳裏に浮かぶのは、サソリのお守りによって、自分がそれを免れたかもしれないという恐怖感。\ `......She couldn't stop thinking fearfully about how she might have been protected just because of the scorpion charm.`\ bg black,22 mono 2 bg M_door1,22 meplay2 2,17,40 ;　………もし、自分が朱志香にあのお守りをもらってドアノブにぶらさげなかったら、@……私も６人の中の１人に混じって殺されていた？！@ `.........If I hadn't received that charm from Jessica and hung it from my doorknob,`@` ......would I have been killed, mixed in along with those six?!`@ br ;　しかも奇怪なのは、お守りを内側にぶら下げたにもかかわらず、扉が破られなかった点だ。\ `And the weirdest part is...even though I hung the charm from the inside of my door, they couldn't get through the door.`\ ;　……犯人は、扉の外から、お守りの存在を理解し、扉を開けることを断念している。@ `......The culprit had noticed the charm from outside the door, and had given up trying to open the door.`@ br ;　……そんなのは人間には知覚不能だ。@ ;　人間以外の何者かを防ぐお守りが防いだ、人間以外の何者か…！！@　ありえないありえないありえない！！！\ `......A human couldn't have perceived that.`@ `The charm meant to stop someone that was not human...had done just that...!!`@` Impossible, impossible, impossible!!!`\ bg black,22 mono 0 bg Mlib_1cN,24 ld r,$NAN_KomaruA2,24 ;「だが、夏妃さん…。@確かに、……碑文の内容は、その後をなぞっとる…。」@ ;＜南條 `"However, Natsuhi-san...`@` Look, ......the epitaph goes on after that..."`@ ld l,$KUM_komaruA1,23 ;「だ、第二の晩に、残されし者は寄り添う二人を引き裂け…。@…これは、絵羽さまたちのことを指しているのでしょうか…。」\ ;＜熊沢 `"A, at the second twilight, those who remain shall tear apart the two who are close...`@`...Could this be talking about Eva-sama and Hideyoshi-sama...?"`\ bg Mlib_1aN,23 ld r,$GEO_MajimeA3,24 ;「………く、悔しいけど、…そうだと判断せざるを得ない。@…そして、母さんたちを殺した犯人は、続く“第三の晩”の言葉を手紙に書き、その場に残したんだからね。」@ ;＜譲治 `".........P, painful as it may be, ...we must reach that conclusion.`@` ...And after the culprit killed them, they left the words from 'the third twilight' in a letter there."`@ ld l,$BUT_kuyasigaruA1,23 ;「そ、そうだな…。@第二の晩を実行し、第三の晩をその場に残した。@…第三の晩は、まさにさっき夏妃伯母さんが読んだとおりだぜ…！！」\ ;＜戦人 `"Th, that's right...`@` After carrying out the second twilight, they left the third twilight in that place.`@` ...The third twilight was...just like Natsuhi oba-san just read...!!"`\ bg black,22 bg portrait2,22 ;“第三の晩に、残されし者は誉れ高き我が名を讃えよ”@ `'At the third twilight, those who remain shall praise my honorable name on high'`@ br ;　ああああぁぁ…、こうして読むと、まだまだ続いているんじゃないだろうか。\ `Aaaaaaaaaahhh..., if you read it this way, it just keeps going on, doesn't it?`\ meplay2 3,16,40 ;“第四の晩に、頭を抉りて殺せ”@ `'At the fourth twilight, gouge the head and kill'`@ br ;　頭を抉（えぐ）りて殺せ。@ `Gouge the head and kill.`@ ;　……絵羽伯母さんたちは頭に“悪魔のアイスピック”を抉りこまれて殺されていた。@ `......George-aniki's parents were killed with the 'demon's icepicks' gouged into their heads.`@ br ;　…だが、それを第二の晩にカウントするなら、/ ;!d800……それ以外に、頭に抉りこまれていた人物…。\ `...But if that counted for the second twilight, `/ !d800`......someone else must be gouged in the head...`\ bg Mlib_1aN,0 ld r,$BUT_nayamuA1,22 ;「……祖父さまだ…。@焼却炉の中で焼かれてたから、そっちに目が行っちまって気付かなかったが、@……祖父さまも眉間に、/ ;!d700…いや、頭を抉られてた。」@ ;＜戦人 `"......That's Grandfather...`@` He had been burned in the incinerator, and our eyes were so drawn to that part that we didn't notice,`@` ......but Grandfather's forehead, `/ !d700`...no, his head had been gouged."`@ ld l,$JES_OdorokiA1,23 ;「祖父さまが、……第四の晩の犠牲者？@　じゃ、…じゃあ嘉音くんは…！」\ ;＜朱志香 `"Grandfather is, ......the victim of the fourth twilight?`@` Th, ...then, Kanon-kun...!"`\ cl r,23 ld r,$GEO_KomaruA1k,24 ;「…“第五の晩に、胸を抉りて殺せ”。@……嘉音くんについては、犯人との突発的な遭遇による犯行だと思ってたけど、………違う。@誰か一人を誘き出し、胸を貫くことを初めから狙っていたんだ…。」@ ;＜譲治 `"...'At the fifth twilight, gouge the chest and kill'.`@` ...We thought that Kanon-kun's case was an unexpected encounter with the culprit, .........but that's wrong.`@` They had been planning on luring someone out alone and driving something through their chest from the beginning..."`@ cl l,24 ld l,$NAT_OdorokiA2G,23 ;「…………もし、犯人がこれをなぞっているとしたなら。@…まだ３人が死ななければならないというのですか…！」\ ;＜夏妃 `"............If the culprit has followed the epitaph this far...`@`...does that mean three people still have to die...?!"`\ bg black,22 ;“第六の晩に、腹を抉りて殺せ”@ ;“第七の晩に、膝を抉りて殺せ”@ ;“第八の晩に、足を抉りて殺せ”\ `'At the sixth twilight, gouge the stomach and kill'`@ `'At the seventh twilight, gouge the knee and kill'`@ `'At the eighth twilight, gouge the leg and kill'`\ bg Mlib_1cN,0 ld r,$KUM_OdorokiA1,24 ;「……た、……確かに、/ ;!d700…そう読み取れますけど…。@……ひぃぃ…。」@ ;＜熊沢 `"......Y, ......yes, `/ !d700`...you could read it that way...`@`......hiiiii..."`@ ld l,$BUT_MajimeA1,23 ;「いいや、そいつはどうかな…。@………あと３人が死ねば“第九の晩”になる。@見てみろよ…。」\ ;＜戦人 `"Well, I wonder about that...`@`.........After those three die, it reaches the ninth twilight.`@` Take a look..."`\ bg black,1 locate 0,6 se1 21 ;“第九の晩に、魔女は蘇り、誰も生き残れはしない”\ `'At the ninth twilight, the witch shall be revived and none shall be left alive'`\ bg Mlib_1aN,0 ld l,$JES_NayamuA1,22 ;「私たちは、……ベアトリーチェに、みんな殺される……。」@ ;＜朱志香 `"We are, ...all going to be killed by Beatrice......"`@ ld r,$BUT_KuyasigaruA1,24 ;「………わけがわかんねぇ。@結局、何人いようが最後には全員死ぬってことじゃねぇか。@……祖父さまは何が目的だったんだ。@この儀式じゃ、祖父さま自身、何をどうしたって生き残れねぇじゃないか…！」\ ;＜戦人 `".........I don't get it.`@` Doesn't that mean that everyone will die no matter how many people there are?`@` ......What was Grandfather's goal?`@` Doesn't this mean that this ceremony would kill Grandfather himself no matter what...?!"`\ bg Mlib_1bN,24 ld c,$MAR_akuWaraiA3,24 ;「……………誰も生き残れなくていいんだよ。@……第十の晩には、黄金郷にたどり着く。」\ ;＜真里亞 `"............It's alright if no one's left alive.`@` ......At the tenth twilight, we finally arrive at the Golden Land."`\ ;“第十の晩に、旅は終わり、黄金の郷に至るだろう”@ ;“魔女は賢者を讃え、四つの宝を与えるだろう”\ `'At the tenth twilight, the journey shall end and you should reach the village of gold'`@ `'The witch will praise the wise, and should bestow four treasures'`\ ld c,$MAR_AkuwaraiA2,80 ;「……お祖父さまは死を恐れてなんかいなかったんだよ。@………ほら、四つの宝の２番と３番を見てごらんよ。」\ ;＜真里亞 `"......Grandfather wasn't afraid of something like death.`@` .........Look at the second and third of the four treasures."`\ bg Mlib_1a,0 ld r,$GEO_MajimeA2k,23 ;「…………“一つは、全ての死者の魂を蘇らせ。@一つは、失った愛すらも蘇らせる”。@……つまりお祖父さまは、自分がこの儀式の途中で死んでしまっても、やがては復活できると信じてた…？」\ ;＜譲治 `"............'One shall be, the resurrection of the souls of all the dead. `@` One shall be, even the resurrection of the lost love'.`@` ......So Grandfather believed that he would eventually be revived, even if he died partway through this ceremony...?"`\ ld l,$JES_IkariA1,23 ;「馬鹿馬鹿しいぜ、妄言だぜ！！@　死んだらそれまでだろ？！@　死者は生き返らない。@人類が何千年もかけて追い求め、結局は未だに成し遂げられない奇跡だぜ？！@　つまり、こういうことだろ？@　死後の世界で再会できて蘇ることができるとか、そういう類だろ？！」\ ;＜朱志香 `"Ridiculous, that's insane!!`@` When you die, it's over, right?!`@` The dead don't come back to life.`@` Isn't that a miracle that humanity has been chasing after for thousands of years and still hasn't accomplished?!`@` So is this what it means?`@` Something like, you'll be able to meet them in the world after death, where they can be revived?!"`\ ld c,$BUT_NayamuA2,24 ;「……朱志香の言い分通りだとするなら、……こいつはつまり、@老い先短い祖父さまが恋に狂っての自殺紛い、@いや、…壮大な無理心中ってことなのか…？！」\ ;＜戦人 `"......If what you say is right, ......would that mean...`@`Grandfather, whose remaining life is slim and who is insane because of love, is committing suicide,`@` no, ...a massive forced group suicide...?!"`\ bg Mlib_1dN,0 ld l,$GEN_MajimeA2,24 ;「………………………………。」\ ;＜源次 `"........................"`\ ld r,$NAT_odorokiA1G,24 ;「……源次。@…その可能性は考えられるのですか…！」@ ;＜夏妃 `"......Genji.`@` ...Can that possibility be considered...!?"`@ ld l,$GEN_defA1,80 ;「…………わかりません。@…お館様は時に千年の未来を見越されるほどの聡明なお方です。@しかし、凡庸な私にはそれが狂気としか映らないこともあります…。」\ ;＜源次 `"............I don't know.`@` ...The Master is a man who sometimes has the wisdom to see a thousand years into the future.`@` However, there are times when that appears to be nothing more than madness to commoners such as myself..."`\ bg Mlib_1cN,23 ld r,$JES_ikariA1,24 ;「それって、イエスって意味だよな？！@　熊沢さんはどうなんだよ？！」@ ;＜朱志香 `"What, does that mean yes?!`@` What do you say, Kumasawa-san?!"`@ ld l,$KUM_KomaruA1,23 ;「わっ、私は何も知りません…！@　えぇ、知りませんとも…。@知っていたなら、今日この島にいると思いますか？@　仮病でも何でも使ってお休みしていますよ、えぇ！！」\ ;＜熊沢 `"I, I don't know anything...!`@` That's right, I don't know...`@` Do you think I would be on this island today if I did know?`@` I would have faked an illness or done anything to take the day off, that's right!!"`\ bg Mlib_1bN,0 ld r,$GEO_KomaruA1,23 ;「お祖父さまの長年の友人である、南條先生のご意見は…？」@ ;＜譲治 `"What about your opinion, Doctor Nanjo? You've been Grandfather's friend for many years..."`@ ld l,$NAN_MajimeA2,23 ;「………げ、源次さんに同じです。@…金蔵さんは凡人をはるかに超越した方だった。@そこに、ある種の人間離れした力すらも感じることはありました。@/ `".........I, I feel the same as Genji-san.`@` ...Kinzo-san was a man who far surpassed ordinary people.`@` I've even felt a sort of inhuman power from him at times. `@/ ld l,$NAN_KomaruA1,80 ;………私にも、………金蔵さんが何を考えてこの碑文を残されたのか、……わからない…！」\ ;＜南條 `.........I too, .........don't know what Kinzo-san was thinking when he wrote that epitaph...!"`\ bg Mlib_1aN,23 ld r,$NAT_majimeA1G,24 ;「…ひとつだけ言えるのは、…仮にこの筋書きを作ったのがお父様であっても、実行しているのは別の人間だということです。」\ ;＜夏妃 `"...All we can say......is that even if the person who created this outline was Father, the one carrying it out is a different person."`\ ld l,$BUT_komaruA3,23 ;「確かに。@………少なくとも、祖父さまと嘉音くんを襲った犯人は他にいる。@しかもそいつは、この碑文通り、まだ事件を続けようとしている…！」@ ;＜戦人 `"That's right.`@` .........At the very least, there's another culprit who attacked Grandfather and Kanon-kun.`@` Furthermore, that person is still continuing the crimes just as the epitaph says...!"`@ cl r,23 ld r,$GEO_majimeA3k,24 ;「…僕たちが深く考えなかった最初の手紙…。@あれには何て書いてあっただろう？」\ ;＜譲治 `"...The letter in the beginning that we didn't think deeply about...`@` What was it that was written there?"`\ bg black,25 bg letter1,22 ;　俺たちは昨夜の、手紙の朗読を思い出す…。@ `We thought back to the recitation of the letter last night...`@ br ;　手紙の中でベアトリーチェは宣言した。@ ;　金蔵との契約に従い、利子として右代宮家の全てを貰い受けると宣言した。\ `Beatrice had proclaimed something inside the letter.`@ `She had proclaimed that, according to her contract with Kinzo, she would collect everything of the Ushiromiya family as interest.`\ ;　だが、それには特別条項があるとも明かした。@ `But then she had also revealed a special clause.`@ br ;　祖父さまが隠した黄金の在り処を暴いた者が現れたなら、それを放棄するというものだ。@ `If someone discovered the location of the gold Grandfather had hidden, that right would be lost.`@ br ;　あの手紙の時点で、祖父さまはまだ生きていた。@ ;　…しかしあの時点ですでに“当主の指輪”による封蝋はされていた。\ `At the time that the letter had been read, Grandfather was still alive.`@ `...But at that time, it had already been sealed with wax by the Head's Ring.`\ ;　…ということは、祖父さまの存命中にすでに指輪はベアトリーチェの手に渡っていたことになる。\ `...Which meant that Grandfather had handed the ring over to Beatrice while he was still alive.`\ bg black,22 bg Mlib_1e,25 ;　………それは普通に考えるならば、@ベアトリーチェがこの怪しげな契約を実行するに当たって、祖父さまがその権利を保証したと見るべきだろう。@ `......If you think about that straightforwardly,`@` maybe we should assume that Beatrice is carrying out that strange contract, and that Grandfather is securing her that right.`@ br ;　……つまり、祖父さまはこの手紙の内容を知っていて、許可したも同然だということだ。\ `......In other words, this was the same as saying that Grandfather knew of and approved of the contents of that letter.`\ ;　つまり、謎を解かないとベアトリーチェが利子の回収を始めるぞ、@というのは、ベアトリーチェと祖父さまの連名のメッセージも同然なのだ。@ `In other words, it's as though this is a joint message from Beatrice and Grandfather...`@`telling us that Beatrice will start collecting interest if we don't solve the riddle.`@ br ;　……つまり、祖父さまとベアトリーチェは、この碑文の謎を解いてみろと言ってるわけだ。@そして、それが出来ないなら、碑文に則って皆殺しにしようと言っているのだ。@ `......In other words, Grandfather and Beatrice were telling us to solve the riddle of the epitaph.`@` And if we couldn't, they were saying that the massacre would be carried out according to the epitaph.`@ br ;　それに何の意味がある？@ ;　何を求める？！@ ;　さっぱり意味がわからない！\ `What does that mean?`@ `What do they want?!`@ `I don't have a clue what it means!`\ bg Mlib_1aN,0 ld c,$MAR_defA1,22 ;「…………………。@/ `"......................`@/ ld c,$MAR_waraiA1,80 ;………ほら、ベアトリーチェからまた手紙だよ。」@ ;＜真里亞 `.........Look, another letter from Beatrice."`@ ld r,$BUT_oyaA1,24 ;「……え？@　何だって？」\ ;＜戦人 `"......Huh?`@` What did you say?"`\ ;bg Mlib_1cN,24 bg black,22 bg letter1,22 ;　真里亞が指差すのは、みんながさっき食べた缶詰がまだ置かれているテーブルの上。@ `Maria was pointing at the top of the table, where the canned food that everyone had been eating just now still lay.`@ br ;　そこには、確かにベアトリーチェの洋形封筒が置かれているが、……それが何だというのか。\ `A western-style envelope really was sitting there, ......but something about it...`\ ld r,$NAT_OdorokiA2,1 E_A se1 34 ;「……えぇッ？！」\ ;＜夏妃 `"......What in the?!"`\ textoff meplay 4,15 bg Mlib_1cN,0 ld r,$NAT_OdorokiA2,2 ;　夏妃伯母さんが素っ頓狂な声を上げて、自分の手元とテーブルの上を見比べる。@ `Natsuhi oba-san let out a hysterical cry, looking between her own hand and the table.`@ br ;　……だって、伯母さんがさっき開封した封筒はまだ自分が手に握っている。@ `......Because the envelope that she had just opened was still grasped in her hand.`@ br ;　……なのに、テーブルの上に、まだ封筒がある…？！\ `......And despite that, there's an envelope on the table...?!`\ ld l,$JES_IkariA1,23 meplay2 1,5,40 ;「な、……何だよッ？！？！@　どういうことだよ真里亞！！@　その封筒はどこから出てきたんだ？！」\ ;＜朱志香 `"Wh, ......what is this?!?!`@` What's going on Maria!!`@` Where did that envelope come from?!"`\ bg Mlib_1dN,0 ld r,$MAR_DefA1,24 meplay2 2,13,40 ;「……今、見たら置いてあった。@うー。」@ ;＜真里亞 `"......Just now, I looked and it was lying there.`@` Uu-."`@ ld l,$KUM_odorokiA1,23 meplay2 3,16,40 ;「わ、……私は何も知りませんよ、何も！！」\ ;＜熊沢 `"I, ......I don't know anything, anything!!"`\ cl a,0 ld c,$BUT_OdorokiA1,24 mevol 1,50 mevol 2,50 mevol 3,50 ;「冗談じゃねぇ、ここには俺たち８人しかいねぇんだぞ！！@　９人目が、こっそり忍び込んでいたなんてこともあるわけがねぇ！！@　俺たちがちょいと肖像画の前に集まっていたわずかの隙しかないんだぞッ？！」\ ;＜戦人 `"This isn't funny, there's only the eight of us here!!`@` There's no way some ninth person snuck in!!`@` There wasn't enough time during the few seconds that we gathered around the portrait, right?!"`\ bg black,1 textoff mevol 1,60 mevol 2,60 mevol 3,60 wait 500 mevol 1,70 mevol 2,70 mevol 3,70 wait 500 mevol 1,80 mevol 2,80 mevol 3,80 wait 500 ;bgmplay2 37,80 mevol 1,90 mevol 2,90 mevol 3,90 wait 500 mevol 1,100 mevol 2,100 mevol 3,100 wait 500 wait 2000 E_MA wait 1000 bgmplay2 37,80 bg Mlib_1aN,0 ld c,$NAT_odorokiA1G,1 seplay2 1,30,100 ld c,$NAT_IkariB1G,86 ;「全員下がりなさいッ！！！@　壁へ下がりなさいッ！！」@ ;＜夏妃 `"Get back, all of you!!!`@` Back against the wall!!"`@ ;　夏妃伯母さんはライフル銃を源次さんたちに向けて吠え立てる…！@ `Natsuhi oba-san was pointing the rifle at Genji and the others, bellowing at them...!`@ br ;　源次さんは何が何やらわからないという顔をして気圧される…。@ ;　それはもちろん俺もだが、……数瞬遅れて、夏妃伯母さんと同じ思考に至る。\ `Genji-san was overpowered, his face looking like he didn't have a clue what was going on...`@ `Of course, I felt the same, ......but a few moments late, I reached the same conclusion Natsuhi oba-san had.`\ ;　たった今の今まで、この机の上にこんな手紙はなかった…！@　そして誰もこの部屋には入ってきていない！@　となれば、この中にいる誰かが、全員が肖像画に気を取られて目を離した隙に置いたということじゃないか…！！\ `Until just a few seconds ago, there was no letter like this on the table...!`@` And nobody entered this room!`@` That means someone among us placed it there during the few seconds when everyone was looking away, preoccupied with the portrait...!!`\ cl c,0 ld R,$NAT_ikariB1G,80 ;「戦人くん、この封筒を開けて中身を読んで！」@ `"Battler-kun, open that envelope and read what's inside!"`@ ld l,$BUT_odorokiA2,24 ;「お、おうッ！！」\ `"S, sure!!"`\ ;　俺は封筒を拾う。@……封蝋はされたまま。@ ;　中身を検める前から、これは未開封の、未知の封筒であることがわかる！@ `I picked up the envelope.`@` ......It was still sealed with wax.`@ `Even without disturbing its contents, I realized that this was an unopened envelope, an unknown envelope!`@ br ;　俺はペーパーナイフになど頼らず、乱暴に千切り開け、中の手紙を引きずり出した。\ `Without relying on a paper knife, I violently tore it open and pulled out the letter inside.`\ bg black,26 ;　内容は、以下の通り。\ `The contents were as follows.`\ ;“金蔵さまの碑文の謎をお楽しみいただいているでしょうか。@すでにご存知と思いますが、皆様方には時間が多くは残されてはおりません。@どうか、嵐が過ぎ去れば逃げ出すことができるという甘えをお捨て下さいませ。@このゲームには、私と皆様方のどちらが勝つかの結果しかない。@時間切れは私の勝ちとなる。@引き分けはありません。@そこをどうか誤解なきようお願い申し上げます”\ `'Are you enjoying the riddle of Kinzo-sama's epitaph?`@` As you are all probably aware, you have very little time remaining.`@` Please abandon any naive hopes of escaping after the storm passes.`@` This game can only end with my victory or yours.`@` When time runs out, I will win by default.`@` There will be no ties.`@` Make sure that you do not misunderstand your current situation.'`\ mov ?tips[4][tips_flg],1 seplay2 9,1062,70 bg Mlib_1bN,0 ld l,$BUT_odorokiA2,26 ;「って、内容だぜ……。」@ ;＜戦人 `"That's what it says......"`@ ld r,$NAT_hisuB1G,24 ;「………この手紙を誰が置いたかは明白ではありません。@ですが疑わしき人物を絞ることはできました。@/ `".........It isn't clear who put this letter there.`@` However, I have been able to narrow down the list of suspects. `@/ ld r,$NAT_ikariB1G,80 ;貴方たちです！！」\ ;＜夏妃 `It's you all!!"`\ bg Mlib_1dN,0 ld r,$KUM_OdorokiA1,24 ;「……お、奥様…。@それは、……あんまりにございます……。」\ ;＜熊沢 `"......M, Madam...`@` That's just, ......too horrible......"`\ ld l,$NAT_MajimeB1G,23 ;「私は肖像画の前に行く直前、ここに缶詰を置きました。@その時、このような怪しげな手紙は決して置かれていなかったことを確認しています！！\ `"Just before I moved towards the portrait, I set a can of food down here.`@` At that time, there definitely wasn't anything as strange as this letter there!!`\ ld l,$NAT_IkariB1G,80 ;　そしてその時、すでに朱志香と譲治くん、戦人くんは肖像画の前にいたッ！！@　そして彼らはこの手紙が現れるまで肖像画の前を離れていない！@　つまり貴方達４人の中に、その手紙を置いた人物がいる！！@　ベアトリーチェがいるッ！！！」\ `And at that time, Jessica, George-kun and Battler-kun were already in front of the portrait!!`@` And they didn't leave the spot in front of the portrait until the letter appeared!`@` So the person who set that letter down is one of you four!!!`@` Beatrice is here!!!"`\ bg Mlib_1aN,0 ld r,$MAR_fukigenA2,24 ;「………うー。@ベアトリーチェは真里亞たちじゃない。@…ベアトリーチェは“い”るもん！」@ `".........Uu-.`@` We aren't Beatrice.`@` ...Beatrice 'exists'!"`@ ld l,$NAT_ikariB1G,80 se1 30 ;「お黙りなさいッ！！！@　貴方達の中の１人が疑わしいのか、全員が疑わしいのかわかりません。@…しかし、確実に貴方達の中に犯人が混じっているッ！！！」\ `"Silence!!!`@` I don't know whether I should suspect one of you or all of you.`@` ...But without a doubt, at least one among you is the culprit!!!"`\ cl a,0 ld l,$NAT_ikariB1G,0 ld c,$MAR_fukigenA2,0 ld r,$JES_IkariA1,24 ;「……そ、…そうだぜ。@１９人目なんかいるわけがない…！@　魔女なんかいるわけがないんだ！！@　嘉音くんを殺したのだって、/ ;!d800……そうさ、熊沢さんなら説明できるよ！！@/ `"......Th, ...that's right.`@` There can't be a 19th person...!`@` There's no way witches exist!!`@` Even when Kanon-kun was killed, `/ !d800`......yeah, that could be explained if Kumasawa-san was the one who did it!! `@/ ld r,$JES_IkariA2,80 ;　熊沢さんは本当は嘉音くんと一緒にボイラー室に入り、殺したんだ！@　そして後から来たらもう倒れていたとウソをついた！！」\ ;＜朱志香 `The truth is that Kumasawa-san entered the boiler room with Kanon-kun and killed him!`@` And then she lied, saying he had already fallen when she got there!!"`\ ;cl c,22 ld c,$KUM_OdorokiA1,24 ;「ご、誤解ですお嬢様…！！@　私がなぜそのようなことを…！！」\ ;＜熊沢 `"Y, you're making a mistake, Milady...!!`@` Why would I do something like that...?!!"`\ bg Mlib_1bN,0 ld r,$GEO_majimeA3,23 ;「…母さんたちをどうやってあの密室で殺したのかは、見当もつかない。@でも、母さんたちが殺された時、使用人の人たち以外の全員にはアリバイがあった。@/ `"...I don't have the slightest idea how my parents were killed in that closed room.`@` But when they were killed, everyone except for the servants had an alibi. `@/ ld r,$GEO_komaruA1k,80 ;……なかったのは使用人の人たちだけ…。@でも、…本当に疑ってもいいんだろうか…？！」@ ;＜譲治 `......The only ones who didn't were the servants...`@` But, ...does that mean we should suspect them...?!"`@ ld l,$BUT_KuyasigaruA1,23 ;「……た、…確かにそれを言い出したら全ての件でアリバイはないが…。@………くッ！！」\ ;＜戦人 `"......Y, yes...now that you mention it, they have no alibi for any of the cases...`@`.........Nng!!"`\ bg black,1 ;　こんな短絡的な決め付けでいいんだろうか？！@ ;　だが、今この部屋この場所この瞬間というミニマムな単位の中では明白だ。@ `Should we really be so quick to make that judgment?!`@ `But this time...in this room, in this place, in this moment...in this minimally small bit of time and space, it's obvious.`@ br ;　彼ら４人だけが、俺たちの死角で手紙を置けた…！！@ ;　誰が置いたかは識別できないが、彼ら４人の中の誰かが置いたのは明白なんだ…！！\ `Only one of the four of them could have set the letter there in our blind spot...!!`@ `We can't tell who put it there, but it's obvious that one of the four did it...!!`\ bg Mlib_1dN,24 ld r,$NAN_KomaruA1,24 ;「…な、……夏妃さん。@どうか落ち着きなさい…。@今日一日色々なことがあった！@　心が参っているのはよぅくわかります…！」\ ;＜南條 `"...Na, ......Natsuhi-san.`@` Please, calm yourself...`@` A lot has happened today!`@` I understand the condition your heart is in right now...!"`\ ld l,$NAT_odorokiB2G,23 ;「南條先生をお疑い申し上げるのは非常に心苦しいです…！@　ですが、お父様の主治医として、唯一無二の親友として！　長くお父様と共にあられた。@/ `"Doctor Nanjo, it truly pains me to call you suspicious...!`@` However, you are Father's personal doctor and his closest friend! `@/ ld l,$NAT_odorokiB1G,80 ;ベアトリーチェのことも知っているかもしれない。@何かの古いしがらみを知っていて隠しているのではありませんか？！」\ `You have been by his side for many years, and you might even know about Beatrice.`@` Could you be hiding some kind of old obligation?!"`\ ld r,$NAN_majimeA2,80 ;「そんなはずはない…！！@　落ち着きなさい…！」\ ;＜夏妃 `"Of course not...!!`@` Calm yourself...!"`\ ;　南條先生が必死に潔白を訴えるその姿は見ていて痛々しい。@ ;　嫌疑を掛けられれば、誰もが返す正常な反応だろう。\ `It was pitiful to watch Doctor Nanjo frantically pleading his innocence.`@ `It was probably a normal reaction that anyone would give if they were suspected.`\ bg Mlib_1cN,0 ld l,$KUM_odorokiA1,0 ld r,$JES_IkariA2,23 ;　それは熊沢も同じ。@ ;　朱志香に嘉音殺しを疑われ、先ほどからうろたえ続けている。\ `Kumasawa was the same.`@ `Since Jessica had started suspecting her in the murder of Kanon, she had been totally flustered.`\ bg Mlib_1bN,0 ld c,$GEN_MajimeA2,24 ;　だからこそ、平然とし続ける源次の様子が不敵に見えるのだ。@ ;　夏妃伯母さんは銃口を向ける。\ `That was why Genji's still calm appearance looked so bold.`@ `Natsuhi oba-san pointed the barrel of the gun.`\ cl c,0 ld r,$GEN_MajimeA2,0 ld l,$NAT_MajimeB1G,23 se1 43 ;「…………源次。@あなたはお父様の一番の部下です。@…ベアトリーチェとは、あなたがお父様に見せた幻想で、あなたこそがその実行者だったのではないのですか？！」\ ;＜夏妃 `"............Genji.`@` You were Grandfather's number one subordinate.`@` ...Was Beatrice an illusion you showed to Father, with you as the performer?!"`\ ld r,$GEN_komaruA1,80 ;「………そうお疑いいただけるのは、奥様が私を、お館様の一番の僕だとお認めいただけたということで、@……このような場ではありますが、とても名誉なことだと存じます。@………しかし、この手紙を置いたのは、私ではありません。」\ ;＜源次 `".........If by suspecting me, you recognize me as the Master's greatest servant,`@` ......then it is a great honor to me, regardless of the circumstances.`@` .........However, I am not the one who put the letter there."`\ ld l,$NAT_IkariB1G,80 ;「それを私が鵜呑みにできると思いますかッ！！@　お前が首謀者に決まっています！@　あるいは熊沢も南條先生もその共犯かもしれない！！@/ `"Do you expect us to just accept that!!`@` You must be the ringleader!`@` Maybe Kumasawa and Doctor Nanjo are your accomplices!! `@/ ld l,$NAT_majimeB1G,80 ;　………真里亞ちゃんもです。」\ `.........And Maria-chan."`\ bg Mlib_1aN,0 ld c,$MAR_DefA1,23 ;　大人を疑うだけならともかく、夏妃伯母さんは真里亞にも容赦なく銃口を向けた。@ ;　しかし真里亞はけろりとしている。@ `Not content to doubt just the adults, Natsuhi oba-san pointed the gun relentlessly at Maria too.`@ `But Maria acted as though nothing had happened.`@ br ;　………あるいは、撃たれても平気だとでも言うかのように。\ `.........Or maybe she thought she would be fine even if she was shot.`\ cl c,0 ld r,$MAR_DefA1,0 ld l,$NAT_zutuuB1G,23 ;「真里亞ちゃん。@…今この場ではもう、幼いから疑いの枠から外すという段階にない。@だから誰もが昨夜からずっと持ってきた疑問をもう一度ぶつけさせてもらいます！@/ `"Maria-chan.`@` ...By this point, we can no longer remove someone from suspicion just because they are young.`@` So for the last time, let me ask the question that everyone's had since last night! `@/ ld l,$NAT_ikariB1G,80 ;　…昨日、薔薇庭園で貴方に手紙を渡したベアトリーチェは誰ですッ！！」@ `...Yesterday, who was the Beatrice that handed you the letter?!!"`@ ld r,$MAR_fukigenA1,80 ;「………………うー。」\ `"...............Uu-."`\ cl a,0 ld l,$NAT_ikariB1G,0 ld c,$MAR_fukigenA1,0 ld r,$JES_IkariA2,24 ;「……真里亞、誤魔化すんじゃねぇぜ！！@　この際はっきりさせろ！@　お前に手紙を渡したのは誰なんだよッ！！」@ ;＜朱志香 `"......Maria, don't try to fool us!!`@` Make it clear!`@` Who gave you that letter?!!"`@ ld c,$MAR_AkuwaraiA2,80 ;「…きひひひひひ。@…だから何度も言ってるよ。@ベアトリーチェだよ。@千年を生きる黄金の魔女なんだよ。@/ `"...Kihihihihihi.`@` How many times do I have to tell you?`@` It's Beatrice.`@` The thousand year old Golden Witch. `@/ ld c,$MAR_AkuwaraiA3,80 ;…………姿を知りたければ後ろを振り返ればいい。@…ほら、そこにいるよ。@ベアトリーチェが。@……きっひひひひひひひひひひひひひひひひひひひひひ！」\ `............If you want to know what she looks like, just turn around.`@` ...See, she's right there.`@` Beatrice is.`@` ......Kihhihihihihihihihihihihihihihihihihihihihihihihihihihihi!"`\ ld r,$JES_IkariA1,80 ;「ば、馬鹿にしてんのかてめぇえぇええええぇッ！！！」@ ;＜朱志香 `"D, don't mess with us, Mariaaaaaaaaa!!!"`@ ;cl c,24 ld l,$MAR_AkuwaraiA3,0 ld c,$BUT_OdorokiA1,24 ;「よせ朱志香！@　真里亞もよせ。@状況がわかってんのか？！@　そんなこといって何になるってんだ！@　無意味な挑発はよしやがれってんだ！」\ ;＜戦人 `"Enough, Jessica!`@` Maria, too.`@` Don't you understand the situation?!`@` What are you hoping to gain by saying stuff like that?!`@` Stop stirring each other up pointlessly!"`\ ld l,$MAR_fukigenA1,80 ;「……真里亞にはわかんないよ。@…戦人たちは、誰が犯人ならいいの？@　自分たちの中に犯人がいると信じたくない時だけベアトリーチェを信じて、@……親しい人を殺された恨みを晴らしたい時だけ、暴力をぶつけられるニンゲンの犯人を信じたがってベアトリーチェを否定する。\ `"......I don't understand.`@` ...All of you are fine with calling someone the culprit?`@` You only believe in Beatrice when you don't want to doubt one of your own.`@` When you're trying to settle a grudge because someone who's close to you has been killed, only then do you want to believe in a human who you can attack with violence, and deny Beatrice.`\ cl a,0 ld c,$MAR_IkariA1,80 ;　…………だから、視えないんだよ。@……ベアトリーチェは“い”る。@お前たちには視えない！」\ ;＜真里亞 `............Like I said, she can't be seen.`@` ......Beatrice 'exists'.`@` You all can't see her!"`\ cl a,0 ld r,$MAR_IkariA1,0 ld l,$NAT_IkariB1G,23 ;「黙りなさいッ！！！@　貴方が犯人だと決め付けたくはありませんが、この状況を不愉快にさせて楽しんでいる利敵行為者であることは、もはや疑いの余地もありません！！」\ ;＜夏妃 `"Silence!!!`@` I don't want to label you as the culprit, but there is no longer any doubt that you enjoy making this situation unpleasant and are providing assistance to the enemy!!"`\ ld r,$MAR_AkuwaraiA1,80 ;「……きひひひひひひひ。@…なら、どうするの？@　真里亞を撃つ？@　別にいいよ。@もうすぐ黄金郷の扉が開かれる。@そして全ての死者が蘇る。@……今や死は恐れるべきことではないんだよ。@……きひひひひひひひひひひひひひひひひひひひひ！」\ `"......Kihihihihihihihi.`@` ...Then what will you do?`@` Shoot me?`@` I don't mind.`@` Very soon, the door to the Golden Land will be opened.`@` Then all the dead will be resurrected.`@` ......Right now, death is nothing to be afraid of.`@` ......Kihihihihihihihihihihihihihihihihihihihihihi!"`\ bg Mlib_1bN,24 ld r,$JES_ikariA1,24 ;「か、母さん、やっぱりこいつは怪しいよ！！@　一緒になんかいられないよッ！！」\ ;＜朱志香 `"M, Mom, they really are suspicious!!`@` We can't stay with them!!"`\ ld l,$GEO_komaruA1k,23 ;「でも夏妃伯母さん、どうか落ち着いて…！@　真里亞ちゃんを撃つ理由は何もない！@　どうか冷静に…！@　手紙は挑発するけど、何も恐れることはない！@　犯人だって、明日が怖いんだ。@警察が怖いんだ！@　この島は今、無秩序に支配されているけれど、それは台風で隔離されているからだけに過ぎない！@　台風が過ぎれば、秩序が戻ってくる！@　だから伯母さん、撃っちゃいけない…！！」\ ;＜譲治 `"But Natsuhi oba-san, please, calm down...!`@` There's no reason to shoot Maria!`@` Please remain composed...!`@` The letter was meant to provoke us, but it's nothing to be afraid of!`@` Even the culprit is scared...scared of tomorrow.`@` They're scared of the police!`@` Right now, this island is free from the reach of the law, but that's only because it's isolated by this typhoon!`@` Once the typhoon passes, the law will return!`@` So you mustn't shoot...!!"`\ ld r,$JES_nakuA1,80 ;「…なんで譲治兄さんはそんなにも冷静なんだよ！！@　この４人の中に犯人がいる！@　いや、あるいは４人が全員グルかもしれない！@　この中に、絵羽伯母さんたちを殺した犯人がいるかもしれないってのに、何でそんなに冷静なんだよ！！」\ ;＜朱志香 `"...How can you stay so calm, George nii-san?!!`@` One of these four is the culprit!`@` No, maybe all four of them are working together!`@` How can you stay so calm when one of these four might be the culprit who killed your parents?!!"`\ ld l,$GEO_MajimeA3,80 ;「僕だって、犯人を見つけて殺してやりたい気持ちはあるさ…！@　でも、それは単なる蛮行だ。@僕は罪の裁きを秩序に任せる！@　だからどんなに疑わしくても、引き金を引いてはいけないんだ！！」\ `"Even I have the desire to find the culprit and kill them...!`@` But that would be simple barbarism.`@` I will leave the judgement of crimes to the law!`@` So no matter how suspicious they are, you mustn't pull that trigger!!"`\ ;＜譲治 cl r,23 ld r,$BUT_komaruA1,24 ;「じょ、譲治の兄貴に同じだ…。@夏妃伯母さん。@ここはちょいと冷静になろうぜ…。@とにかく撃つのはまずいぜ、いっひっひ…！@　こういう時はよ、頭を後に反らして、クールになれって３回唱えるといいらしいぜ…。」\ ;＜戦人 `"I, I feel the same as George-aniki...`@` Natsuhi oba-san.`@` Get a hold of yourself for a second...`@` Anyways, it'd be bad to shoot, ihihi...!`@` In times like this, I hear you should tilt your head back and say 'Stay cool' three times..."`\ bg Mlib_1cN,0 ld c,$NAT_odorokiB1G,23 ;「……………はっきりさせておきます。@魔女などいない！@　ここは六軒島で、ここは右代宮家の本家屋敷です！\ `"............Let me make this clear.`@` Witches don't exist!`@` Not on Rokkenjima, not in the Ushiromiya mansion!`\ ld c,$NAT_ikariB1G,80 ;　右代宮家代表、右代宮夏妃として宣言しますッ！！@　ここには魔女などいない！@　ベアトリーチェなど認めない！！@　何を企もうとも、娘たちには指一本触れさせないッ！！！@　それが母としての、当家代表としての務めですッ！！」\ ;＜夏妃 `I declare it as Ushiromiya Natsuhi, representative of the Ushiromiya family!!`@` There's no witch here!`@` I won't accept Beatrice!!`@` No matter what you're planning, I won't let you lay one finger on my daughter or the rest of them!!!`@` That's my duty as a mother and as representative to the family!!"`\ bg Mlib_1e,2 ;　その言葉が、……全てに決着を付ける最後の決別の言葉となった。@ `Those words, ......were the final words of farewell...that settled everything.`@ br ;　…夏妃伯母さんは、娘である朱志香を守るためなら、疑わしき人物の全てを敵と見なせるのだ。\ `...To protect her daughter, Natsuhi oba-san would regard any suspicious person as an enemy.`\ ;　……俺と譲治の兄貴がこちら側にいるのは、たまたま俺たちが、この手紙についてだけアリバイを証明できたに過ぎない。@ `......The only reason George-aniki and I were standing on this side was because, by coincidence, we had a clear alibi regarding the letter.`@ br ;　もし俺が、肖像画に近付かなかったなら、@……俺も銃口を向けられて、疑わしいと罵られていたのだろうか…。\ `If I hadn't approached the portrait,`@` ......I would also be at the other end of that gun barrel, treated like a criminal...`\ bg black,80 mono 2 bg Mlib_1e,80 meplay2 1,17,70 ;　……だが、そう思う自分がいると同時に、@…疑わしい人物を全てこの部屋から追い出せば、ようやく安全が確保できるのではないかと考える自分もいる…。\ `......But even though part of me thought that, `@`...part of me was thinking that chasing all of the suspicious people from this room would finally guarantee our safety...`\ ;　源次さんも熊沢さんも南條先生も、祖父さま側の人間だ。@ ;　真里亞だって、ベアトリーチェを妄信しているという点で祖父さま側と言えるだろう。@……そうさ、全員疑わしいんだ。@ `Genji-san and Kumasawa-san and Doctor Nanjo. All of them were on Grandfather's side.`@ `Maybe you could say that once Maria started blindly believing in Beatrice, she was also on Grandfather's side.`@` ......That's right, they're all suspicious.`@ br ;　しかし、それでいいんだろうか…？！@ `But is this really alright...?!`@ ;　疑わしきを全て追放するなんて無秩序で、俺たちは魔女という無秩序に抗してもいいんだろうか…？！\ `If we throw out all of the suspicious ones so chaotically, would it still be alright for us to defy the chaos of the witch...?!`\ bg black,42 mono 0 fede 0,9000 wait 2000 bg Mlib_1cN,42 meplay2 1,12,40 meplay2 2,11,90 ;　夏妃伯母さんは、自らの口から、彼らに出て行けとは言わなかった。@ ;　……しかしそれは、無言の圧力で、彼らが自らそう言い出すよう、仕向けたようなものだ。@ `Natsuhi oba-san didn't tell them to leave with her own words.`@ `......But with wordless pressure, she induced them to say that themselves.`@ br ;　……だから、南條先生がその言葉を言わなかったなら、この冷たい沈黙はいつまでも続いたに違いない。\ `......Because if Doctor Nanjo didn't say those words, this cold silence would surely continue forever.`\ ld r,$NAN_KomaruA1,24 ;「…………落ち着きなさい、夏妃さん。@………だが気持ちはよくわかる。@わしだって、今朝からの異常な事件続きで、頭がどうかなってしまいそうだ…。@だから、わしらを疑いたい気持ちもよくわかる…。」\ ;＜南條 `"............Calm yourself, Natsuhi-san.`@` .........But I understand your feelings well.`@` I myself feel like there's something wrong with my head after all of these strange, repeated cases...`@` So I understand well why you want to suspect us..."`\ ld l,$NAT_TukareB1G,23 ;「………………もし本当に南條先生が無関係なら、…私は無礼極まりないことをしているのだと思います。@………ですが、…今だけはわかってください。」\ ;＜夏妃 `"...............If you really have nothing to do with this, ...I would think that what I am doing is beyond rude.`@` .........However, ...please understand, just this once."`\ textoff wait 1000 ld r,$NAN_defA1,22 wait 1000 ld r,$NAN_fumuA1,80 ;「………わかった。@…わしらは部屋を出ましょう。@………どうですかな、源次さん。@…客間に戻って、チェスの続きと行きませんかな。」@ ;＜南條 `".........Understood.`@` ...Let's leave the room.`@` .........What do you say, Genji-san?`@` ...Shall we return to the parlor and continue our chess game?"`@ cl l,24 ld l,$GEN_defA1,23 ;「……………………それをお望みでしたら、……ぜひ。」\ ;＜源次 `"...............If that is what you wish, ......by all means."`\ ld c,$KUM_OdorokiA1,23 ;「……わ、……私は嫌ですよ…！@　だって、この中に狼がいるとわかってて部屋から追い出されてしまうんですよ…？！@　嫌ですよ奥様、どうかお許し下さい、ひいぃいいぃぃぃぃぃ……！」\ ;＜熊沢 `"......I, ......I don't want to...!`@` After all, that means we'll have to leave this room knowing that the wolf is among us, right...?!`@` I don't want to Madam, please forgive me. Hiiiiiiiiiiiiiiii......!"`\ ;　熊沢さんの言いたいことはもっともだ。@ ;　自分が潔白なら、自分は犯人と一緒に危険地帯へ放逐されるも同じ。@ `It was obvious what Kumasawa-san was trying to say.`@ `If she was innocent, then she was being ejected into dangerous territory along with the culprit.`@ br ;　……今のこの状況下で、この部屋から容疑者たちと共に出て行けと促すのは、限りなく見殺し行為に近い…。\ `......In the current situation, urging her to leave this room along with the suspects was almost exactly the same as letting her get killed...`\ meplay2 3,5,40 ;　だが、熊沢さんは確かに、嘉音くんの殺人に関してだけは第一発見者という疑わしさがある。@ `However, Kumasawa-san really was suspicious just for being the first one to discover that Kanon-kun had been murdered.`@ ;　…あの時点では、熊沢さん以外の全員にアリバイがある。@ `...At that time, everyone except Kumasawa-san had an alibi.`@ br ;　……何かの仕掛けや、１９人目の存在が立証できない限り、熊沢さんはもっとも疑わしい容疑者のひとりなのだ。\ `......As long as the use of some device...or the existence of some 19th person could not be established, Kumasawa-san was by far the most likely suspect.`\ bg black,22 ;　それを信じたくはない。@ `I didn't want to believe it.`@ ;　しかし、彼女も含めて疑わずにはいられないほど、夏妃伯母さんも俺たちも、心が追い詰められていた…。@ `However, Natsuhi oba-san and the rest of us were in such a difficult situation that we couldn't help doubting her as well...`@ br ;　だから、俺たちは高圧的に彼らを部屋から追放しようとする夏妃伯母さんに、何も口を挟まない。@……発砲こそ引き止めたが、彼らの部屋からの追放を、消極的に賛成している…！\ `So we didn't say anything to stop Natsuhi oba-san from trying to oppressively chase them from the room.`@` ......We had stopped her from shooting, but we were passively agreeing to chase the others out of the room...!`\ ;　なおも愚図る熊沢さんに、真里亞が言う。\ `On top of that, Maria spoke to the fretful Kumasawa-san.`\ bg Mlib_1cN,23 ld l,$MAR_WaraiA1,23 ;「…………大丈夫だよ。@……ベアトリーチェは敬う人にはやさしいから。@…熊沢さんはベアトリーチェが“い”るって、信じてるもん。@/ `"............It's alright.`@` ......Beatrice is kind to those who respect her.`@` ...You believe that Beatrice 'exists'. `@/ ld l,$MAR_AkuWaraiA2,80 ;…だからきっと大丈夫だよ。@……真里亞は客間でテレビを見るよ。@一緒に見ようよ。@…ここ、テレビがなくてつまんないもん。@…………きひひひひひひひひひひひひひひひひ。」@ ;＜真里亞 `...So it's definitely alright.`@` ......Maria will watch TV in the parlor.`@` Let's watch it together.`@` ...This place has no TV and it's boring.`@` ............Kihihihihihihihihihihihihihihihi hihihi."`@ ;　真里亞の悪戯っぽい笑いは、今の熊沢にとってさぞや恐ろしいものに見えただろう…。\ `It looked like Kumasawa found Maria's roguish laugh very frightening...`\ ;　しかし、自分以外の３人は部屋を出ることに同意している。@ ;　熊沢は流れに逆らえず、泣きながら部屋を出ることに同意せざるを得なかった…。\ `However, the three other people had agreed to leave the room.`@ `Kumasawa couldn't fight the flow, and had to agree, crying as she left the room...`\ bg black,5 fede 13,2000 bg Mlib_1aN,0 ld l,$NAN_DefA1,22 ;「…それでは夏妃さん。@今夜はこれで。@……また、明日お会いしましょう。」\ ;＜南條 `"...Well then, Natsuhi-san.`@` That will be all for tonight.`@` ......Let us meet again tomorrow."`\ ld r,$NAT_tukareB1G,24 ;「……えぇ。@今夜だけは、わかって下さい。@警察が来たら、全員に今夜のこの無礼を必ず謝罪しますから。@/ `"......Yes.`@` Please understand, at least for tonight.`@` When the police come, all of us will surely apologize for our rudeness. `@/ ld r,$NAT_tukareA2G,80 ;…チェスもよろしいでしょうが、できたら安全なところに。@…源次、頼みます。」@ ;＜夏妃 `...You may play chess, but do it in a safe place if you can.`@` ...Genji, I leave it to you."`@ ld c,$GEN_MajimeA2,23 ;「………かしこまりました。」\ ;＜源次 `".........Certainly."`\ cl l,24 ld l,$KUM_komaruA1,23 ;「…ほ、……ほほほ…。@仕方ありませんねぇ…。@子連れの熊が一番恐ろしいと言いますから。」@ ;＜熊沢 `"...Ho, ......hohoho...`@` It can't be helped, can it...`@` They always say that the most frightening bears are those with their children."`@ ld r,$NAT_TukareA1G,80 ;「……源次も熊沢も、本当に申し訳ありません。@……また明日、お会いしましょう。@…………真里亞ちゃんも。@…冷たい伯母さんを、どうか許して。」@ ;＜夏妃 `"......Genji, Kumasawa, my sincere apologies.`@` ......Let us meet again tomorrow.`@` ............Maria-chan too.`@` ...Please forgive your cold Oba-san."`@ ld c,$MAR_WaraiA2,23 ;「うー。@真里亞は許す。@うー！」\ ;＜真里亞 `"Uu-.`@` Maria forgives.`@` Uu-!"`\ cl l,0 cl c,0 ld l,$GEN_DefA1,23 ;「奥様、この部屋の鍵です。@……２本全てを、お預けします。」@ ;＜源次 `"Madam, the keys to this room.`@` ......I will hand both over to you."`@ se1 31 ;　源次さんの懐から、２本の金色の鍵が取り出され、夏妃伯母さんに手渡される…。\ `Genji-san pulled two golden keys from his pocket and handed them to Natsuhi oba-san...`\ ld l,$GEN_MajimeA2,80 ;「…それから、私が持っているお屋敷内の鍵束もお預けいたします。」@ `"...And, I will also hand over my bundle of keys to the inside of the mansion."`@ seplay 2,31 br ;　１０本くらいの様々な鍵が束ねられた鍵束を取り出し、それも手渡す。\ `He took out a bundle of about ten keys of various shapes, and handed it over.`\ ;　………使用人にとってその証は、実は鍵なのかもしれない。@ ;　鍵を預けられるということは、信頼され、任されるということ。@ `.........To the servants, those keys were probably proof of their position.`@ `Being placed in charge of those keys meant that they were trusted, relied upon.`@ br ;　……それを返却しなければならないということは、…その信頼を、失ったということ。\ `......When they were forced to return them, ...it meant that they had lost that trust.`\ ;　…そう考えたなら、……長年にわたり仕えてきた彼にとって、これほどの屈辱はないかもしれない。@ `...Thinking about it this way, ......to Genji-san, who had worked here for a span of many years, there could be no greater shame.`@ ;　……しかし、源次さんはいつものように、淡白な表情のままでいた。\ `......However, Genji-san's usual indifferent expression remained on his face.`\ ld r,$NAT_defA1G,80 ;「……源次。@……私はお前を、お父様がお亡くなりになったら、長年の苦労を労って退職を許すつもりでいました。@/ `"......Genji.`@` ......I had planned that, after Father passed away, I would reward you for your many years of hard work and allow you to retire. `@/ ld r,$NAT_zutuuA1G,80 ;………なのに、このような仕打ちを…。@…私は、心より恥じます…………。」\ ;＜夏妃 `.........And yet, treating you like this...`@`...makes me feel ashamed from the bottom of my heart............"`\ ld l,$GEN_DefA1,80 ;「私はお館様より、すでにご恩は受けております。@……今日までの日々はそれに対するご恩返しの日々であっただけです。@………どうか、お気に病まれませんよう。」\ ;＜源次 `"I have already received the Master's favor.`@` ......Everything I have done until today has been in repayment for that.`@` .........Please, do not worry over it."`\ se1 17 bg black,23 bg M2F_P1cN,23 ld r,$NAN_DefA1,23 E_M2 ;「……それでは、…参りますかな、皆さん。@…おやすみなさい。」@ ;＜南條 `"......Well, then, ...shall we, everyone?`@` ...Good night to you all."`@ cl r,23 ld l,$MAR_niyariA1,23 ;「うー。@おやすみ。@戦人もおやすみ、うー！」\ ;＜真里亞 `"Uu-.`@` Good night.`@` Battler too, good night, uu-!"`\ ld r,$BUT_KomaruA2,24 ;「……あ、……真里亞。@ちょっと待て。」@ `"......Ah, ......Maria.`@` Wait a sec."`@ br ;　罪の意識が、真里亞を呼び止める。\ `Knowledge of my crime made me call Maria back.`\ textoff fede 10,2000 ;　…俺はポケットをまさぐり、……あのサソリのキーホルダーを取り出す。\ `...I groped around in my pocket, ......and took out that scorpion keyholder.`\ ld r,$BUT_nayamuA1,80 bgmplay 38 ;「…………これ、魔除けなんだろ。@…身に付けとけ。」@ `"............This repels magic, I think.`@` ...Wear it."`@ ld l,$MAR_fukigenA1,80 ;「うー…？@　戦人、確か落としてなくしたって……。」\ `"Uu-...?`@` Didn't you say you dropped it......"`\ ld r,$BUT_NayamuA2,80 ;「…あん時ゃ、何かシャクんなって、なくしたとかホラを吹いただけだ。@……お前の大切なお守りを無くすわけねぇだろ。」@ `"...Back then, I was a little annoyed, and I was just bluffing that I'd lost it.`@` ......There's no way I'd lose my precious charm."`@ ld l,$MAR_defA1,80 ;「……………………。」\ `"..............."`\ ;　真里亞は無言でお守りを受け取る。@ ;　……俺は、それ以上の何の言葉も掛けることはできなかった…。\ `Maria silently took the charm.`@ `......I was unable to say anything after that...`\ cl a,22 ld c,$GEN_MajimeA2,24 ;「…………それでは皆様、おやすみなさいませ……。」\ ;＜源次 `"............Well then, everyone, good night to you......"`\ cl c,3 ;　俺たちは、返事を返すこともできず、……疲れきった表情で、彼らが出て行くのを見送る。\ `We watched them leave, our expressions completely tired out, ......and we weren't even able to respond.`\ br se1 18 bg black,10 wait 2000 seplay 2,44 wait 6000 ;　……そして扉が閉まり、オートロックの音が聞こえるまで、次の呼吸すら許されずにいるのだった…。\ `......Until the door closed and we heard the auto-lock, we were unable to breathe...`\ bg Mlib_1cN,2 ;　そして、呼吸をようやく許された時。@ `Then, we were finally allowed to take a breath.`@ ;　…俺はずっと握り締めていて、汗で歪んでしまったベアトリーチェの手紙が、実は２枚目があったことに気付く。@ `...After that, I noticed that Beatrice's letter, which I had been gripping the whole time and which was soaked with my sweat, actually had two sheets.`@ br ;　…紙がぴったりくっ付いていたので、１枚と勘違いしてしまっていたようだった。\ `...The paper had been tightly stuck together, so I had mistakenly thought that there was only one.`\ bg magicsquare_mars3,22 ;　その２枚目に文字はなかった。@ `There were no characters on the second sheet.`@ br ;　……描かれていたのは、血のような赤いインクで書かれた魔法陣。@ `......The thing drawn there was a magic circle, written with a red ink like blood.`@ br ;　………これまでの魔法陣が皆、違うものだったように、この魔法陣も初めて目にする新しいものだった。\ `.........Just like how every magic circle up until then had been different, this magic circle was one that I had never laid eyes on.`\ ;　それは円の中に、大小２つの三角形が組み合わされたような、シンプルなもの。@ `Inside the circle, a large triangle and a small triangle were fit together in a simple design.`@ ;　でも、例によってそこにはヘブライ語が書かれていて、何かの意味を持っているのは明白なようだった。@ `But just as before, there was writing in Hebrew, and it seemed clear that it held some kind of meaning.`@ br ;　それが何なのか知りたいが、…唯一、魔法陣の意味を理解できる真里亞はもう部屋から追放されている…。\ `I wanted to know what that could be, ...but we had just chased Maria, the only person who could understand the meaning of magic circles, out of the room...`\ bg black,5 ;　…………魔法陣は、ベアトリーチェからの第２のメッセージでもあると、俺は考えている。@ `.........I thought of this magic circle as Beatrice's second message.`@ ;　…この魔法陣は何の意味があるのか。@…………………くそ…！\ `...What does this magic circle mean?`@` ..................Damn it...!`\ ;　疑わしき人物を全て追い出し、後は朝までここで篭城しているだけで全てが終わるのだろうか。@ `After chasing out all the suspicious people, all we had to do was stay barricaded here until morning, and everything would probably be over.`@ br ;　……台風が過ぎ去り、うみねこのなく頃には、全てが解決しているのだろうか。\ `......Once the typhoon has passed, when the seagulls cry, everything may be resolved.`\ ;　だが、書斎に忽然と現れた手紙はその甘えを一蹴している。@ ;　……時間切れは魔女の勝利になると、はっきり明記していた。\ `But the letter, which had unexpectedly appeared in the study, forced us to reject that naivety.`@ `......It had made it very clear that, if time ran out, it would mean the witch's victory.`\ ;　時間が切れたら、魔女は打って出るつもりなのか。@ ;　……今度こそ、６人の大人を一度に殺して見せたような、恐るべき魔力を振るうつもりなのか。@ `When time runs out, is the witch planning to take on the offensive?`@ `......This time, is she planning to display some fearful magical power, maybe something that could have been used to kill six adults at once?`@ br ;　…いや、そもそも時間が切れるとはいつのことを指すのか。@……何も、わからない…。\ `...Wait, when is time supposed to run out?`@` ......I don't know...anything...`\ bg Mlib_1cN,22 ld c,$NAT_TukareA1G,24 ;「…………これで、……もう安全です。@……もう。@………絶対に…。」@ ;＜夏妃 `"............With this, ......we should finally be safe.`@` ......Finally.`@` .........Definitely..."`@ ;　そう言いながらも、ライフル銃を手放せない夏妃伯母さん。@…その表情から緊張が抜けることはない。\ `Even as she said that, Natsuhi oba-san couldn't stop gripping that rifle.`@` ...There was no release in the tension of her expression.`\ ;　無論、俺たちも安堵の息を漏らす気には、まだまだなれなかった。@ ;　………少なくとも、うみねこの鳴き声を再び耳にできるまでは……。@ `Of course, none of us felt like breathing a sigh of relief.`@ `.........At least, not until we could hear the cry of the seagulls once more......`@ textoff wait 3000 eye1 22,0,23,30,1,0,590,450,100 ;▲第１４アイキャッチ：１０月５日（日）２２時００分　が２３時３０分に進む *umi1_16 ;■時間経過シーン〜金蔵の書斎 bg black,2 bgmplay 38 wait 3000 bg Mlib_1e,6 ;　俺たちは、彼らを追放してから、……もう誰も、ただの一言も発しなくなった。\ `After we chased them out, ......nobody wanted to say anything.`\ ;　…疑わしきを全て追放した。@ `...All of the suspicious ones had been chased out.`@ ;　その中に潔白な人間がいるかもしれないことを知りながら、追放した。@ `Even though we had known that there might be some innocents among them, we had chased them out.`@ br ;　……互いを疑い合わなくてよい楽園から、@彼らを追放した。\ `......We had chased them out of this paradise where people didn't have to doubt each other.`\ ;　しかし、彼らの追放の動機は人が人を疑うという、人として最低の罪によるもの。@ `But our motive for chasing them out had been suspicion of others, the worst kind of crime for a human.`@ br ;　……もし、１９人目の存在として、魔女の存在を受け容れられたなら、@……自分たちは今も、互いを信じあってこの部屋で膝を寄せ合えたのではないだろうか。\ `......If we had accepted the existence of a 19th person, of the witch,`@` ......then we all might still be talking face to face, trusting in each other.`\ bg black,25 meplay2 2,5,40 ;　あの瞬間。@疑わしきを全て追放することに、自分たちは賛成した。@ ;　……しかし、それが正しかったのかどうか。@ `In that instant,`@` we had agreed to chase out all of the suspicious people.`@ `......But had that been the right thing to do?`@ br ;　……いくら過ごせども尽きぬ沈黙の時間は、ただただ静かにその罪を苛み続ける……。\ `......During this endless silence, we could do nothing but be quietly tormented by that sin...`\ bg Mlib_1aN,0 ld c,$NAT_tukareA1G,6 ;　夏妃伯母さんはライフル銃を片時も手放さず、扉を正面にしながら、ソファーに深く腰をかけていた。@ `Natsuhi oba-san faced the door, without letting go of her rifle for even an instant, sitting far back in the sofa.`@ br ;　……多分、今夜は一睡もせず扉を見張り続けるだろう。\ `......She would probably spend the night staring at the door without a wink of sleep.`\ bg Mlib_1dN,0 ld l,$GEO_MajimeA1k,4 ;　譲治の兄貴は、カーテンを閉じた窓の隙間から、@中庭と、それを囲む屋敷を眺めている。@ `George-aniki gazed through a gap in the closed curtains by the window,`@` looking down at the courtyard and the mansion that surrounded it.`@ br ;　……不審者の影が窓に映らないか確認しているのか、@…何かに対し自問自答しているのか、…わからない。\ `......I didn't know whether he was checking to see if a suspicious shadow would become visible through the window,`@` ...or whether he was wondering to himself about something.`\ bg Mlib_1bN,0 ld r,$JES_NayamuA1,3 ;　朱志香は、夏妃伯母さんの脇のソファーに斜めに腰掛け、…死んだような表情を浮かべていた。@ `Jessica was sitting sideways on the sofa next to Natsuhi oba-san, ...with a dead expression on her face.`@ br ;　……そして、時折思い出したように、あの喘息の発作の時に使っていた吸入器を取り出し、くわえていた。\ `......And every once in a while, as though she'd just remembered something, she would take out the inhaler that she had used during her asthma attack and stick it in her mouth.`\ bg black,2 ;　…さっき兄貴に教えられたが、/ ;!d1000……朱志香は嘉音くんのことが好きだったらしい。\ `...I just heard it from Aniki, but,`/ !d1000`......apparently Jessica liked Kanon-kun.`\ ;　それは本人もまだ自覚に至っていない淡いものらしかった。@ `It seems that it was such a vague thing that she hadn't realized it herself.`@ br ;　…ほらあれだ。@周りで見ている人たちの方が、本人よりも先に察してしまうというやつだ。@ `...You know.`@` It's the kind of thing that other people tend to spot before the person in question realizes it.`@ br ;　…だとしたら、/ ;!d800……想い人の死で初めて、自分の想いに気付いたのかもしれない。@ `...In that case, `/ !d800`......she might have first learned of her feelings when the person she liked died.`@ ;　………それは、とても気の毒で悲しいことに違いなかった。\ `.........It was truly pitiful and sad.`\ ;　そういえば、…あの吸入器は嘉音くんが差し出してた。@……それを思い出しているのだろうか。\ `Come to think of it, ...Kanon-kun had been the one to hand her that inhaler.`@` ......Maybe she was remembering that.`\ bg Mlib_1cN,0 ld c,$BUT_nayamuA1,2 ;　俺は、……あの２枚目の手紙に書かれた魔法陣が何の意味を持つのか調べようと思い、祖父さまの蔵書を漁っていた。\ `I was fishing around Grandfather's study, ...thinking I'd research the meaning of the magic circle on the second sheet of the letter.`\ ;　ここに閉じ篭るという守勢に回りながらも、何かの鍵を見つけたいという攻勢を維持したい俺の反抗心だった。@ `Even though we were shut up here in a defensive position, my rebellious nature made me want to find some key, some way to resist.`@ br ;　…どうせ、明日の朝まで時間はたっぷりあるのだ。@ ;　その時間に何をしようと、誰も咎めない。\ `...After all, we have plenty of time until tomorrow morning.`@ `No matter what I do with that time, no one can find fault with it.`\ ;　みんなは、この魔法陣にはそれほどの興味を示さなかった。@ `No one else showed that much interest in this magic circle.`@ br ;　…意味不明だし、わかったところで、余計に不快な思いをするメッセージが込められているのだろうと思ったに違いない。@ `...Its meaning was unknown, and once we understood it, we were sure to find some message that would cause us unnecessary anguish.`@ ;　……それについては俺も同意する。@ `......I also agreed about this.`@ br ;　…だが、だからと言って放置もできず、こうして調べ物のふりをしながら時間を潰している…。\ `...However, I couldn't just ignore it, so I killed time pretending to research it...`\ bg black,2 bg Mlib_1dN,2 meplay2 1,13,40 ld r,$GEO_DefA1,24 ;「………熱心だね。@…何か手掛かりになるようなことは見つけられたかい…？」@ ;＜譲治 `".........You sure are enthusiastic.`@` ...Did you find anything that might serve as a hint...?"`@ ld l,$BUT_komaruA2,23 ;「…さっぱりさ。@そもそも、日本語で書かれた本を探すことからして骨だぜ。@…祖父さまは一体、何ヶ国語を読めたってんだ。@大したもんだぜ。」\ ;＜戦人 `"...Not a thing.`@` The first tough part is finding a book written in Japanese.`@` ...Just how many languages could Grandfather read?`@` He's incredible."`\ ld r,$GEO_HohoemiA1,24 ;「戦人くんは眠くないの？@　……誰かが起きていてくれる内に休んだ方がいいよ。@/ `"Aren't you tired, Battler-kun?`@` ......You should take a rest while someone else stays awake. `@/ ld r,$GEO_MajimeA1k,80 ;夏妃伯母さんは不寝番をしてくれると言ってるけど、体が持つわけない。@ローテーションで休んだ方がいいよ。」\ ;＜譲治 `Natsuhi oba-san told us to stay vigilant all night, but there's no way our bodies can handle that.`@` We should take turns sleeping."`\ ld l,$BUT_DefA2,80 ;「じゃあ、兄貴が先に休めよ。@………俺は眠気が来るまで、ちょいと調べ物をしてるさ。」@ `"Then you sleep first, Aniki.`@` .........I'll keep researching until I get sleepy."`@ ld r,$GEO_DefA1,80 ;「……さっきの魔法陣？」\ `"......That magic circle just now?"`\ ld l,$BUT_nayamuA1,80 ;「…まぁな。@どうせ時間は腐るほどあるさ。@……ベアトリーチェさまがどういうメッセージを込めやがったのか、面白そうだと思ってよ。」\ `"...Pretty much.`@` We've got plenty of time to kill.`@` I thought it'd be interesting to find out what kind of message Beatrice-sama put in it."`\ cl r,23 ld r,$JES_nayamuA1,24 ;「…………よせよ。@そういうのやってると、妙なのに取り憑かれちまうぜ。」@ ;＜朱志香 `"............Give it a rest.`@` If you do that, you'll start getting obsessed with all this weird stuff."`@ ld l,$BUT_nayamuA2,80 ;「安心しろよ。@俺は真里亞にお墨付きをもらってるぜ。@…俺には霊的才能はからっきしなんだとよ。@いっひっひ…！」\ ;＜戦人 `"Don't worry.`@` I've been certified by Maria.`@` ...She said I've got barely any spiritual talent.`@` Ihihi...!"`\ bg black,2 fede 10,3000 bg Mlib_1e,2 ;!s0「………真里亞のこと、/ ;!d600…………邪険に、/ ;!d500し過ぎたかな。」@ ;＜朱志香 !s0`".........Were we too, `/ !d600`............cruel, `/ !d500`to Maria?"`@ ;!sd「…………朱志香。@…今はそれを考えてはなりません。」\ ;＜夏妃 !sd`"............Jessica.`@` ...You mustn't think that now."`\ ;「でも母さん…。@もしも真里亞が無関係で、犯人が他にいたなら、/ ;!d800……犯人は襲いやすい相手を狙うに決まってる。@……それで殺されたなら、/ ;!d1000………私たちは、…見殺しにしたことになるよ…。」\ ;＜朱志香 `"But Mom...`@` If Maria wasn't involved, and there's a culprit besides her, `/ !d800`......she's obviously a soft target for the culprit.`@` ......If she's killed because of this, `/ !d1000`.........then we've, ...just let her die..."`\ bg Mlib_1aN,26 meplay2 1,11,90 ;　重苦しい沈黙が、再び訪れる。@ `A gloomy silence settled once again.`@ ;　…朱志香は、感情に任せて言葉をぶつけてしまったことを後悔しているようだった。@ `...It looked like Jessica regretted letting her emotions take hold of her and snapping at Maria.`@ br ;　……こいつは昔からこうだな。@ ;　…悪ぶってやり過ぎて、後になって後悔してる。\ `......She had always been like that.`@ `...Always acting tough and regretting it later.`\ ld r,$NAT_zutuuA1G,24 ;「……気持ちはわかりますが、真里亞は犯人と接触し、@こともあろうか、その肩を持つように煙に撒く発言を繰り返しています。@………私は、この部屋から追い出せてせいせいしています。」\ ;＜夏妃 `"......I understand how you feel, but Maria was in close contact with the culprit,`@` and she might have been siding with them, talking like that over and over to further obscure things.`@` .........I am relieved that we chased them out."`\ ld l,$BUT_nayamuA2,23 ;「…夏妃伯母さんって、結構キツイっすね。@……９歳の女の子の戯言かもしれないじゃないっすか。」\ ;＜戦人 `"...That's pretty harsh, Natsuhi oba-san.`@` ......Couldn't it just have been the nonsense of a nine year old girl?"`\ ;　自分で言っていて白々しい…。@ ;　俺は今日、何度も真里亞の存在を不気味に思い、その正体を疑っている。@ `It probably wasn't very convincing to hear that coming from me...`@ `I myself had thought Maria was creepy on several occasions, and I had doubted her true nature.`@ br ;　……そして、真里亞がこの部屋を追い出される時、安堵の感情さえ覚えたことは否定できない…。\ `......And when Maria had been chased out of this room, I couldn't deny that I'd felt some relief...`\ ld r,$NAT_TukareA1G,80 ;「………………もしそうだったなら。@明日、謝罪します。@…彼らをこの部屋から追い出したのは全て私の責任です。@……だから、貴方達が気に病むことはないのです。」\ ;＜夏妃 `"...............If that is the case,`@` then tomorrow, we will apologize for what we did.`@` ...I will take full responsibility for chasing them out of this room.`@` ......This isn't something that the rest you have to worry about."`\ ;　夏妃伯母さんのその言葉には、悲壮な決意が感じられた。@ `I could feel a tragic determination in Natsuhi oba-san's words.`@ ;　……自分の娘を守るためなら、疑わしきは断固として追放する。@ `......To protect her own daughter, she had resolutely chased out the suspicious ones.`@ br ;　…その結果、不幸にして疑われた人物を見殺しにしてしまうことがあったとしても仕方がない、@…そしてその責任は全て自分が負うという覚悟だ。\ `...And, if as a result, she had to watch people who had unfortunately been suspected die, so be it.`@` ...She was prepared to take full responsibility.`\ ld l,$BUT_KuyasigaruA1,80 ;「…何で真里亞って、あんなことばかり言うんだよ。@自分で自分の首を絞めてるぜ…。」@ ;＜戦人 `"...Why does Maria have to keep saying stuff like that?`@` She's bringing about her own ruin..."`@ cl r,23 ld r,$GEO_MajimeA1,24 ;「………………もともと、真里亞ちゃんが魔女や魔法に傾倒するようになったのは、@………僕は楼座叔母さんのせいじゃないかと思ってる。」@ `"..................I think that the reason Maria-chan adores witches and magic so much,`@` .........might be because of Rosa oba-san."`@ ld l,$BUT_OyaA1,80 ;「楼座叔母さんのせい？@　何がどう関係してるってんだよ。」\ `"Because of Rosa oba-san?`@` What does she have to do with this?"`\ ld r,$GEO_majimeA3k,80 ;「……戦人くんだって気付いてるんじゃないかい。@…真里亞ちゃんの本当の父親はずいぶん昔に蒸発してるんだ。@…叔母さんはそれを、海外出張とか言って誤魔化しているけど、ね。」@ ;＜譲治 `"......Didn't you realize it too, Battler-kun?`@` ...Maria-chan's real father ran off somewhere a long time ago.`@` ...Although Oba-san tried to confuse the issue by saying he's on a foreign business trip."`@ cl l,24 ld l,$NAT_TukareA1G,23 ;「…………右代宮家では、楼座さんたちに関わる話はタブーとされているところがあります。」\ ;＜夏妃 `"............Talking about Rosa-san's family has become a kind of taboo in the Ushiromiya family."`\ ld r,$GEO_majimeA1,80 ;「叔母さんは再婚だって考えたと思うよ。@……でも、真里亞ちゃんの存在が枷になって、非常に難しかったんじゃないかと思うんだ。@/ `"I think Oba-san thought about remarrying.`@` ......But I also believe Maria-chan may have become her shackles and made that quite difficult. `@/ ld r,$GEO_MajimeA3,80 ;…………だって叔母さんは時折、@…ものすごく感情的に真里亞ちゃんに当たっていたから。」\ ;＜譲治 `............After all, she sometimes, `@`...got really emotional and hit Maria-chan."`\ bg Mlib_1cN,24 ld c,$JES_majimeA1,23 ;「…………それについては同感だぜ。@……楼座叔母さんは、真里亞を好きになろうと努力してるように見えた。@/ `"............I agree with you there.`@` ......It looked like Rosa oba-san was trying hard to like Maria. `@/ ld c,$JES_nayamuA1,80 ;……ってことはつまり、/ ;!d800……好きじゃないってことなんだよな。@………再婚の妨げになっている真里亞に、思うところがあったんだろうよ…。」\ ;＜朱志香 `......Which means, `/ !d800`......that she didn't really like her.`@` .........She might have thought of Maria as an obstruction to remarriage..."`\ cl c,0 ld r,$JES_nayamuA1,0 ld l,$GEO_MajimeA1,23 meplay2 1,12,40 ;「…母親の感情的な拒絶が、きっと彼女の幼い心に深い傷を残したと思うんだ。@……そして、どこかでオカルト趣味と出会い、心の隙間を埋めるように没頭していく。@/ `"...I think that the emotional rejection from her mother must have left some deep scars on her young heart.`@` ......So she learned about this occult hobby from somewhere, and immersed herself in it so she could bury the holes in her heart. `@/ ld l,$GEO_majimeA1k,80 ;……知ってるかい？@　真里亞ちゃんにとって、魔女のイメージは決してネガティブなものじゃないんだよ。@…ほら、昨日、海岸で、真里亞ちゃんのノートを見せてもらわなかったかい…？」\ ;＜譲治 `......Did you know?`@` To Maria-chan, the image of a witch isn't negative at all.`@` ...Remember, yesterday, at the beach, when she showed us her notebook...?"`\ bg Mlib_1e,25 ;「……あぁ。@…何だか楽しそうな落書きでいっぱいだったぜ。」@ `"......Yeah.`@` ...It was full of all those fun-looking scribbles."`@ br ;　昨日、海岸で魔女の存在を疑った時。@ ;　…真里亞は熱くなって魔女について説明を始めたっけ。\ `Yesterday, when we were down by the beach, doubting the witch...`@ `...Maria had gotten all riled up and started explaining about witches.`\ ;　そして開いたページには、醜悪な姿をした魔女の絵は一枚たりともなかった。@ `And not one of the pages had shown a picture of an ugly witch.`@ br ;　色とりどりに描かれた美しく、可愛らしく、楽しそうな魔女たち。@ `They were all brightly colored, beautiful, cute witches that looked like they were having fun.`@ br ;　男が想像するような禍々しさはまったくなく、@…美しいドレスを着飾って、人の夢を何でも叶えてくれる、不思議な魔法でみんなを幸せにしてくれる存在。\ `There was absolutely nothing sinister about them, like a boy might have imagined.`@` ...They were beings adorned with beautiful dresses, who could grant anyone's dreams with their mysterious magic and who made everyone happy.`\ bg black,22 ;　……母に愛されないという悲しみ。@ `......The sorrow of not being loved by her mother.`@ br ;　…真里亞は、そこから自分を助けてくれて、幸せにしてくれる存在として、魔女に救いを求めたのか。\ `...Had Maria saved herself from that, seeking help from witches as beings who could give her happiness?`\ ;　いつか魔女がやってきて、素敵な魔法で自分を幸せにしてくれる。@ ;　……そう信じても、成長と共に淡い夢が少しずつ引き裂かれていく現実。@ `Someday, a witch would come, and using her wonderful magic, would bring Maria happiness.`@ `......Even though she believed that, as she grew older, she had to face reality as her fleeting dreams were sliced to ribbons one by one.`@ br ;　………そんな彼女の前に、@六軒島の魔女を名乗る存在が現れて、@幸せになれる黄金郷へ連れて行ってあげようと囁いてくれたら。\ `.........If in front of a girl like that,`@` something claiming to be the witch of Rokkenjima appeared,`@` and whispered that she would take Maria to the Golden Land, where Maria could be happy...`\ bg Mlib_1aN,0 ld r,$GEO_KomaruA1k,22 se1 21 ;「………………………。@/ ;!s0……僕は、/ ;!d800……今頃になって胸中を告白するよ。@……真里亞ちゃんを、/ ;!d600……いや、……源次さんたちを追い出したのは、/ ;!d1000……多分、…いけないことだったんじゃないかな…。」@ ;＜譲治 `"........................`@/ !s0`......I, `/ !d800`......now that it's come to this, I want to confess what's in my heart.`@` ......Maybe throwing out Maria-chan, `/ !d600`......no, ......Genji-san and the rest too, `/ !d1000`......was probably, ...the wrong thing to do..."`@ ld l,$JES_NayamuA1,23 ;「……………気まずくは、/ ;!d800………あるぜ…。」@ ;＜朱志香 `".........It wasn't, `/ !d800`.........pleasant..."`@ ;!sd　面と向かって拒絶の声をぶつけた朱志香だからこそ、@…今、呵責に強く苛まれているに違いない。\ !sd`Since Jessica had been the one to face them and slam them with words of rejection,`@` ...her conscience must be tormenting her a lot right now.`\ bg Mlib_1bN,0 ld r,$NAT_hisuA1G,24 ;「なら、皆さんはあの手紙をどう説明するのですか。@私の後にいた４人以外の誰にも置くことはできなかった。@それは私がこの目ではっきり確認しています。@/ `"Then, how do you all explain that letter?`@` No one could have set it there except the four people standing behind us.`@` I made sure of that with my own eyes. `@/ ld r,$NAT_HisuA1,80 ;…あの４人が潔白だというなら、どうやって、この密室の、８人もの人間がいる中で手紙を置けたというのですか。」\ ;＜夏妃 `...If those four are innocent, how was that letter placed there in a closed room with eight people?"`\ ld l,$BUT_nayamuA1,23 ;「…………そうなんだよ…。@……その話が始まっちまうと、確かに４人は怪しいってことになっちまう。@………だが、@ `"............That's right...`@`......When you put it that way, those four really do seem suspicious.`@ ld l,$BUT_KuyasigaruA1,80 br ;…(全然駄目なんだ。/・・・・・・・・)@あぁ、(全然駄目だぜ/・・・・・・)…。」\ `.........But, `@`...`(`It's all useless.`/・・・・・・・・)@ br `Aah, `(`it's all useless`/・・・・・・・・)`..."`\ cl r,23 ld r,$GEO_MajimeA2k,24 ;「駄目って、…何がだい。」\ ;＜譲治 `"Useless? ...What is?"`\ ld l,$BUT_NAyamuA1,80 meplay2 2,11,90 ;「あぁ。@………もう今さら何の役にも立たないかも知れねぇが、またチェス盤をひっくり返させてくれ。@…つまり、あの４人が本当に犯人だってんならよ、おかしいんだよ。」\ ;＜戦人 `"Right.`@` .........It might not be worth anything anymore, but let me turn the chessboard over again.`@` ...In other words, if one of those four really was the culprit, isn't that weird?"`\ bg Mlib_1dN,0 ld l,$JES_NayamuA1,24 ;「………………………そうだぜ…。@……あんなテーブルの上に堂々と置いたら、この中に犯人がいますよと告白するようなもんじゃねぇか。\ `"........................That's right...`@`......Wasn't setting that letter openly on the table the same as confessing that one of them was the culprit?`\ ld l,$JES_OdorokiA1,80 ;　…そうだよ、おかしい。@……やるなら、例えば扉の隙間に置いて、廊下側から差し込まれたように見せかけるとか！@　そうだよ、部屋の外に犯人がいるように見せかけなきゃ、自分が疑われてしまうことがわかってたはず！」\ ;＜朱志香 `...You're right, that's weird.`@` ......If they were going to do it, you'd think they'd put it in the crack of the door, for example, to make it look like someone had slipped it in from the outside!`@` That's right, they should have understood that they would be suspected if they didn't make it look like the culprit was outside the room!"`\ ld r,$BUT_MajimeA1,24 ;「あぁ、そういうことなんだ。@…あの４人の中に犯人がいたとして、@テーブルのど真ん中に手紙をポンと置くことは、リスクばかりで何の意味もないんだ。\ `"Yeah, that's it exactly.`@` ...If the culprit was one of those four, setting that letter right in the middle of the table would be both risky and meaningless.`\ ld r,$BUT_KuyasigaruA1,80 ;　…………だが、どうやってそこに手紙を置いたかのトリックは置いといて、@……あの４人以外の誰か、…即ち、この部屋の外に犯人がいたと仮定した時、@あの手紙には大きな意味が生まれる…。」\ ;＜戦人 `............But, putting aside whatever trick they used to set it there,`@` if we assume that the culprit is someone other than those four, ...in other words, someone who was outside the room,`@` then they had a lot to gain from that letter..."`\ ld c,$NAT_MajimeA1,23 ;「……………よしなさい、戦人くん。@…今さら些細な問題です。」\ ;＜夏妃 `"...............Stop that, Battler-kun.`@` ...Right now, that's a trivial problem."`\ ;　俺の言った言葉の意味を、夏妃さんは真っ先に察する。@ `Natsuhi-san quickly guessed what I was getting at.`@ br ;　……いや、あるいは、俺が思いつくずっと前からもう気付いていて、口に出さなかっただけなのか…。\ `......No, maybe she had thought of it long before I had, and had simply held her tongue...`\ bg black,25 ;「……この部屋の外に犯人がいて、…俺たちが外からは手出しをできない密室に立て篭もっちまったらお手上げだ。@………そうだよ。@この部屋から祖父さまがいなくなったって話の時、俺が披露した説じゃねぇか。\ `"......If the culprit was outside the room, ...then once we shut ourselves up in a closed room where the culprit couldn't touch us, it was all over for them.`@` .........That's right.`@` It's the same as the theory I proposed about how Grandfather disappeared from this room, isn't it?`\ bg MAP03,22 ;　……祖父さまが、自分から出て行くという説。@…自分から出て行くような、何かの細工を犯人がして、まんまと外へ誘き出していたのだとしたら…。」\ `......That theory that Grandfather left the room of his own accord.`@` ...If the culprit used some tactic to lure him out, and Grandfather left of his own accord, then..."`\ bg black,22 mono 1 bg M_door1,0 ld c,$MAR_OdorokiA1,2 ;　それを言ったら、…この書斎のドアノブにサソリの魔法陣を見つけた時、真里亞だって言ってる。@ `Come to think of it, ...when we found the scorpion magic circle on the doorknob to the study, Maria had said it herself.`@ br ld c,$MAR_MajimeA1,80 ;　……ベアトリーチェはこの扉を破れない。@ `......Beatrice couldn't get through this door.`@ br ;　でも、自分から書斎を出てくるように仕向けることはできるかもって。\ `But she could induce someone to leave of their own accord.`\ bg black,22 mono 0 bg Mlib_1cN,0 ld r,$JES_nayamuA1,26 ;「……だとすると、/ ;!w800…………私たちは犯人の罠に見事はまって、@新しい生贄候補を送り出しちまったことになるぜ…？」@ ;＜朱志香 `"......In that case, `/ !w800`............does that mean we fell for the culprit's trap completely...`@`and sent out some new potential sacrifices?"`@ ld l,$NAT_TukareA1,23 ;「…………源次たちも馬鹿ではありません。@身を守ろうと思うなら、この部屋の次に安全な場所をすぐに思いつくでしょう。@そこできっと身を潜めています。」\ ;＜夏妃 `"............Genji and the rest aren't fools.`@` When they try to protect themselves, they should find the next safest place after this room.`@` They will definitely be able to hide themselves there."`\ ;　夏妃伯母さんの言葉は返事になっていない。@ `Natsuhi oba-san hadn't answered the question.`@ br ;　……夏妃伯母さん自身、もし犯人がこの中にいなかったなら、あの手紙は罠として意味があることに気付いているのだ。\ `......Natsuhi oba-san herself realized that if the culprit hadn't been in that group, that letter could easily have been a trap.`\ ;　しかし、一度は追放した人間をわざわざ呼び戻すリスクに意味がない。@ `However, it wasn't worth the risk of calling back the people she had once thrown out.`@ br ;　…夏妃伯母さんにとって、子どもたちを守るのが今は唯一にして最大の責務………。@ ;　そのためになら、多少の犠牲は止むを得ないと考えている…。\ `...To Natsuhi oba-san, right now, her greatest and only duty was to protect the children.........`@ `She was thinking that, in order to do that, a few sacrifices were unavoidable...`\ cl r,23 ld r,$BUT_majimeA1,24 ;「………なぁ、夏妃伯母さん。@キツイこと聞くぜ？@/ `".........Hey, Natsuhi oba-san.`@` Let me say something a little harsh, alright? `@/ ld r,$BUT_defA2,80 ;　……もし、あの時、たまたま朱志香も伯母さんの後にいたなら、@………伯母さんはこの部屋から朱志香も追い出してたかい？」@ ;＜戦人 `......At that time...what if, by coincidence, Jessica had also been standing behind you.`@` .........Would you have chased Jessica from the room too?"`@ ld l,$NAT_zutuuA1,80 ;「…………………………………。」\ ;＜夏妃 `"........................"`\ ld r,$BUT_NayamuA1,80 ;「確かに残酷なところはあったかもしれない。@…でも、夏妃伯母さんは母として、娘を守りきろうと思った。@その責務から、自分がやがては糾弾されることを覚悟で、彼らを追放したんだ。@/ `"It's true that a lot of brutal things have happened.`@` ...But as a mother, you thought you should protect your daughter no matter what.`@` Because of that duty, you chased them out, even though you knew that you would eventually be held responsible for it. `@/ ld r,$BUT_majimeA1,80 ;…………俺は別にそれを責めてぇわけじゃねぇ。@ただ、その。@………朱志香はいいお袋を持ったなって、そう思ったのさ。」\ ;＜戦人 `............It's not like I'm condemning that.`@` But, umm.`@` .........I was just thinking about what a great mother Jessica has."`\ bg Mlib_1bN,0 ld l,$GEO_majimeA1k,23 ;「……そうだね。@…夏妃伯母さんは、朝からずっと続いているこんな事件の中でも、冷静さを失わず、ずっとみんなを牽引してきてくれた。@/ `"......That's right.`@` ...You've been dealing with these incidents since morning, and you've been pulling all of us along this whole time, without losing your composure. `@/ ld l,$GEO_defA1,80 ;……もし伯母さんまで混乱していたら、僕たちは今頃全員、犯人の手に掛かっていたかもしれない。@…だから、僕たちは伯母さんに、感謝しなくちゃいけないと思う。」\ ;＜譲治 `......If you were all confused too, the rest of us would probably be in the culprit's grasp by now.`@` ...So I think that we all have to thank you."`\ ld r,$NAT_tukareA1,24 ;「……………………ありがとう。」\ ;＜夏妃 `".....................Thank you."`\ cl l,24 ld l,$JES_nayamuA1,24 ;「……………。@…戦人たちの言いたいことは、…つまり、こういうことだろ？@/ `"............`@`...So what you're trying to say...`@/ ld l,$JES_OdorokiA1,80 ;　………真里亞の母でもあってほしいって……。」@ `.........is that you want her to act as Maria's mother too......?"`@ ;朱志香 ld r,$NAT_zutuuA1,80 ;「……………………………。」\ ;＜夏妃 `"........................"`\ ld l,$JES_NayamuA1,80 ;!s0「……私、/ ;!d500………真里亞のことを、実の妹みたいだとずっと思って可愛がってきた。@………なのに、/ ;!d800……色んなことがあって、ちょっと混乱しちゃって…。@……酷いことをたくさん言って傷つけてしまった…。@………………母さん、/ !s0`"......I, `/ !d500`.........always thought of Maria as a real little sister and adored her.`@` .........And yet, `/ !d800`......a few things happened, we got a little confused...`@`......and I've said a lot of mean things to her, hurt her... `@`...............Mom, `/ ;!d900…お願いだよ。@………真里亞も、/ ;!d600………うぅん、みんなも、一緒にいようよ…。@………私たちの中に、/ !d900`...please.`@` .........Let's stay together with Maria, `/ !d600`.........no, everyone...`@`.........there was no, `/ ;!d500…犯人なんていなかったんだよ……。@この事件の犯人は、/ ;!d500………魔女の、ベアトリーチェでいいじゃないか…。@だから、もう、……疑い合うのはやめようよ……。」\ ;＜朱志香 !d500`...culprit among us......`@` The culprit in this case is, `/ !d500`.........the witch, Beatrice, okay...?`@` So, ......let's stop doubting each other......"`\ bg black,22 ;!sd　夏妃伯母さんは少しだけ目を閉じた。@ !sd`Natsuhi oba-san closed her eyes for a short while.`@ br ;　…再び疼き出した頭痛に耐えているのか、…それとも何かに思いを馳せているのか…。\ `...Was she coping with her throbbing headache again, ...or was she thinking of something...`\ bg Mlib_1e,5 ;「……………………………。@朱志香は、@…………主人と結婚してから、１２年もかけてようやく授かった、……大切な娘です。@私は、朱志香を守るためなら、どのような鬼にでもなります。」\ ;＜夏妃 `"..................`@`You are,`@` .........my precious daughter, ......the one I finally received a whole twelve years after I married my husband.`@` I would become the worst kind of demon to protect you."`\ ;　少しだけ強い語尾…。@ `That was some pretty strong language at the end there...`@ ;　綺麗事は充分に理解している、その上でなお、自分は鬼となってでも娘を守りたいという強い決意。@ `She realized very well that she was oversimplifying, but even so, she was strongly resolved to protect her daughter even if she had to become a demon.`@ br ;　…………しかしそれは、罪の意識に苛むからゆえのもの。\ `............But that was because the knowledge of her crime tormented her.`\ ;　………何て長い一日なんだ。@ `.........Today had been so long.`@ ;　…今日の一日で、どれだけのことが起こって、…俺たちはどれだけ追い詰められちまったってんだ…。@ `...So many things had happened in one day, ...and we had been cornered so thoroughly...`@ br ;　……今の俺たちに、明日を迎える資格などあるのだろうか……。\ `......I wonder if we have the right to greet tomorrow the way we are now......`\ bg black,1 E_MA ;　……………あ、…あった。\ `...............Th, ...there it is.`\ ;「……見つけた。@…この魔法陣だ。」\ ;＜戦人 `"......I found it.`@` ...It's this magic circle."`\ ;　俺はずっと捲り続けていた本から、ついに、２枚目の手紙に書かれた魔法陣と同じものを見つける。@ `Inside the book I had been flipping through, I had found the same magic circle that had been drawn on the second sheet of the letter.`@ br ;　譲治の兄貴も覗き込んでくる。\ `George-aniki peered at it as well.`\ bg magicsquare_mars3,22 ;　その魔法陣の名は、……火星の３の魔法陣。\ `This magic circle's name was, ......the third magic circle of Mars.`\ ;　ヘブライ語で書かれているのは、旧約聖書の詩篇、第７７篇１３節の一部。@ `The Hebrew written on it was from Psalms 77 verse 13 of the Old Testament.`@ br ;“あなたのように偉大なる神が、他におりましょうか”。@ `'What god is so great as our God?'`@ br ;　魔法陣の意味するところは、@………“不和”。@ `The meaning of the magic circle was,`@` .........'discord'.`@ br ;　…内部分裂を煽り、敵を自ずから瓦解させる。\ `...Agitate internal divisions and cause the enemy to bring about their own downfall.`\ bg Mlib_1cN,0 ld c,$BUT_kuyasigaruA1,26 se1 21 meplay2 1,13,40 ;「…………おいおい…。@マジかよ……。」@ ;＜戦人 `"............Wait a sec...`@` Seriously......?"`@ br ;　今の俺たちの状況や心境に、これ以上相応しいものがあるだろうか。@ `Could there be a more fitting way to describe our current situation and mental state?`@ ;　俺たちは絶句する他ない。\ `We couldn't help but be stunned into silence.`\ bg Mlib_1dN,0 ld r,$JES_odorokiA1,24 ;「……じゃあ、……この手紙は罠だってのかよ…？！@　どうやってここに置いたんだよ？！@　この部屋には私たち８人以外には誰もいなかったんだぜ？！」@ ;＜朱志香 `"......So, ......this letter was a trap...?!`@` How did they place it here?!`@` There wasn't anyone in this room except for the eight of us, right?!"`@ ld l,$BUT_OdorokiA1,23 ;「と、とにかく、どうやってここに置いたのか、その方法は捨て置くぜ。@……とにかく、犯人の狙いはたったひとつ！@　この鉄壁の書斎に疑心暗鬼を引き起こして、生贄羊を俺たちの手で外へ放り出させることだったんだ…！！」\ ;＜戦人 `"A, anyways, let's ignore how they got it in here for now.`@` ......The culprit was after just one thing!`@` They wanted to spread the seeds of doubt inside this impregnable room and use us to throw the sacrificial sheep out...!!"`\ cl r,23 ld r,$GEO_MajimeA3k,24 ;「だとしたら…、狙いは、外へ出された人たちだ……！！」\ ;＜譲治 `"In that case..., what they're after, ...is the people who went out of the room......!!"`\ bg Mlib_1e,25 meplay2 2,5,40 ;「か、母さん、……どうしよう！！@　あの４人が危ない…！」@ ;＜朱志香 `"M, Mom, ......what should we do?!!`@` Those four are in danger...!"`@ ;「………………………………。」\ ;＜夏妃 `"....................."`\ ;　夏妃伯母さんが苦々しく沈黙するのは当然だ。@ `It wasn't surprising that Natsuhi oba-san remained unpleasantly silent.`@ ;　…仮に全てが犯人の罠で、さっき部屋から追放した４人が危ないとしても、@今ここにいる４人の安全とは関係がない。@ `...Even this was all a trap by the culprit, even if the four who had been chased out of the room were in danger,`@` it had nothing to do with the safety of the four people in here.`@ br ;　しかも追放した４人の潔白を証明する方法はない。@ `And there was no way to prove the innocence of the four people we had chased out.`@ ;　……彼らを見殺しにする覚悟があるのなら、何があろうともこの部屋を出るべきではないのだ。@…それが、一番安全！！\ `......If we're willing to let them die, then we shouldn't leave this room no matter what.`@` ...That way is...safest!!`\ bg black,1 E_A meplay2 1,23,70 ;　その時、突然、けたたましい電話の音が響き渡った。\ `At that time, suddenly, the piercing sound of a phone rang through the room.`\ ;　それは、祖父さまの書斎机の上に置かれたアンティークな内線電話だった。@ `It was the antique extension phone that was set on the table in Grandfather's study.`@ br ;　……こんな話をしていてすぐに鳴ったのだ。@ ;　その電話が、追い出された彼らからのＳＯＳの電話に違いないと思うのは当然のことだった。\ `......It had started ringing right as we began this conversation.`@ `It was natural that we would think it an SOS from the others we had chased out.`\ se1 21 ;　だが夏妃伯母さんは言った。\ `But then Natsuhi oba-san spoke.`\ bg Mlib_1dN,0 ld r,$NAT_OdorokiB2G,22 ld r,$NAT_OdorokiA2G,80 bgmplay 34 ;「ど、………どうして電話が？！@　故障していて使えないはずなのに…！！」@ ;＜夏妃 `"W, .........why a phone call?!`@` It should be broken down and unusable...!!"`@ ld l,$BUT_OdorokiA1,23 ;「そんなことは関係ねぇさ…！@　もし、真里亞たちが助けを求める電話だったら…！」\ ;<戦人 `"That doesn't matter...!`@` If that's Maria calling for help...!"`\ ld r,$NAT_majimeA1G,80 ;「そもそも、電話の不通が犯人の工作によるものならば……、@この電話は、/ ;!d1000………おそらく……。」\ ;＜夏妃 `"If the problem with the phones was the culprit's work in the first place......,`@` then this phone call is, `/ !d1000`.........probably......"`\ mevol 1,90 ;　その一言で、助けを求める悲鳴のように聞こえた電話の呼び出し音は、正体不明の何者かからの不気味な呼び出し音に変わる…！@ `With that one sentence, the ring of the phone, which had sounded like a scream for help...started to sound like a ghastly cry from some unknown person...!`@ br ;　夏妃伯母さんは受話器を取るべきかどうか躊躇した。\ `Natsuhi oba-san hesitated over whether to pick up the receiver.`\ bg Mlib_1bN,23 ld r,$GEO_KomaruA1,24 ;「と、取ろう、伯母さん…！@　何かの理由で電話が回復したのかも…。@真里亞ちゃんたちからの緊急の電話の可能性もある…！」@ ;＜譲治 `"L, let's take it, Oba-san...!`@` The phones might have been fixed for some reason...`@` It could still be an urgent call from Maria-chan and the rest...!"`@ ld l,$JES_IkariA1,23 ;「そうだぜ…！@　それに万一、犯人からの電話だったら上等さ！@　話を聞いてやろうじゃねぇか…！@　それにどうせ電話だ。@受話器越しに何をほざいたって痛くも痒くもないぜ…！！」\ ;＜朱志香 `"That's right...!`@` And on the slight chance that it is a call from the culprit, bring it on!`@` Why don't we listen to them...!`@` It's just a phone call.`@` No matter what they babble through the receiver, it's not like it's gonna hurt you...!!"`\ cl r,23 ld r,$BUT_nayamuA2,24 ;「……伯母さんが取らないなら、/ ;!d800……俺が取るぜ……！」\ ;＜戦人 `"......If you don't pick it up, `/ !d800`......then I will......!"`\ bg black,22 E_M1 se1 53 ;「わ、……私が取ります。@……もしもし？」@ ;＜夏妃 `"I, ......I will take it.`@` ......Hello?"`@ br ;　俺が受話器を取ろうと手を伸ばすと、それには及ばないと夏妃伯母さんが受話器を取った。\ `I stretched out my hand to take the receiver, but Natsuhi oba-san grabbed it before I could reach.`\ ;　…俺たちは固唾を呑んで、その電話の相手が何者か探ろうとする…。\ `...We all held our breath, trying to figure out who the person on the other end of the phone was...`\ ;　しかし夏妃伯母さんは、しばらくの間、もしもしを連呼するだけ。\ `But for a while, Natsuhi oba-san kept saying 'hello'.`\ ;　………無言電話…？@ ;　真里亞たちがそんな不気味な電話を掛けるわけもない。@ `.........A silent phone call...?`@ `There's no way Maria and the others would do something so creepy.`@ meplay2 3,13,40 br ;!s0　……ということは、/ ;!d800……この電話は、/ ;!d700………まさか、/ ;!d600…本当に…………。\ !s0`......Which means, `/ !d800`......could this phone call, `/ !d700`......possibly, `/ !d600`...really.........?`\ !sd ;　夏妃はもしもしと繰り返すのを止め、耳を澄ました。@ `Natsuhi stopped repeating 'hello' and strained her ears.`@ br ;　………受話器のずっと向こう…、遠くから、何か聞こえる気がするからだ。@ `.........It looked like she would hear something on the other end of the receiver, coming from far off.`@ br ;　…………何だろう……？\ `............What was it......?`\ ;「……え？@　…………………これは、/ `"......Huh?`@` ...............This is, `/ fede 0,3000 ;………………歌…？」\ ;＜夏妃 `...............a song...?"`\ bgmplay 15 bg Mlib_1cN,0 ld l,$NAT_odorokiA2,26 ld r,$GEO_MajimeA3,24 ;「歌って、……何ですか、伯母さん。」\ ;＜譲治 `"What do you mean, ......a song?"`\ ld l,$NAT_MajimeA1,80 meplay2 1,16,40 ;「………わかりません。@電話の向こうでかすかに、……誰かが歌っているのが聞こえます……。@何の、ことやら……。」@ ;＜夏妃 `".........I don't know.`@` Faintly, from the other end of the phone, ......I can hear someone singing......`@` I wonder what...it could be......"`@ ld c,$BUT_nayamuA2,24 ;「ちょ、ちょっと受話器を借りますぜ…。@/ `"G, give it here for a sec... `@/ ld c,$BUT_odorokiA1,80 ;もしもし？！@　……………………………………？！」\ ;＜戦人 `Hello?!`@` ...........................?!"`\ bg black,25 ;　呆然とする夏妃伯母さんの手より受話器を半ば強引に奪い、耳を押し付ける。\ `I half forced the receiver from the stunned Natsuhi oba-san's hand, and pressed it against my ear.`\ ;　……………最初、何も聞こえなかった。\ `...............At first, I didn't hear anything.`\ meplay2 2,17,40 ;　…でも、……言われているから気がつける。@ `...But, ......since I had been told about it, I noticed it.`@ br ;　…………小さい声というよりは、受話器の遠くで、@……………女の子が歌を歌っているのが聞こえる。@ `............It wasn't like someone talking in a quiet voice, ...but it did seem to be coming from someone far away from the other receiver,`@` ............and it sounded like a girl singing a song.`@ br ;　……その声は、何となく真里亞のように聞こえたが、…だとしてもますます状況が理解できない。\ `......That voice somehow sounded like Maria's, ...but even so, the situation kept making less sense.`\ ;　少なくとも、電話を掛けてきたのは真里亞じゃない。@ `At the very least, the one who had made the phone call hadn't been Maria.`@ ;　真里亞は受話器から離れたところで何か歌を歌っているからだ。@ `Because Maria was singing some song far away from the receiver.`@ br ;　……なら、電話を掛けたのは、源次さんか熊沢さんか南條先生の中の誰かのはず。\ `......In that case, the one who made the phone call should have been Genji-san, Kumasawa-san, or Doctor Nanjo.`\ ;　…………なのに、何もしゃべってくれない。@…なぜ…。@どうして…。@…………この電話を掛けてきたのは、誰なんだッ……？！？！\ `............And yet, they weren't saying anything.`@` ...Why...?`@` For what reason...`@` ............The person who made this phone call...who was it......?!?!`\ bg Mlib_1cN,0 ld l,$BUT_OdorokiA1,26 meplay2 3,13,40 se1 21 ;「おいッ！！@　もしもし！！@　誰だ、返事をしろ！！@　歌ってるのは真里亞なのか？！@　返事をしてくれ！！」@ ;＜戦人 `"Hey!!`@` Hello!!`@` Who is it? Answer me!!`@` Is that Maria singing?!`@` Answer me!!"`@ ld r,$JES_IkariA1,24 ;「な、…何が起こってんだよ！@　どういうことだ？！」@ ;＜朱志香 `"W, ...what's happening!`@` What is it?!"`@ ld l,$BUT_KuyasigaruA1,80 ;「わからねぇ…！@　ひとつ言えることは、/ ;!d700…多分、これは罠で、……そして真里亞が危険だってことだけだ…。」\ ;＜戦人 `"I don't know...!`@` All I can say is, `/ !d700`...this is probably a trap, ......and Maria's in trouble..."`\ bg Mlib_1e,25 ;　夏妃伯母さんは再び受話器を取り、何度呼びかけても埒が明かないとわかると、電話を一度切った。@ `Natsuhi oba-san took the receiver again, but after yelling into it several more times, she realized that she wasn't getting anywhere and hung up.`@ br ;　そして素早くダイヤルする。@……そして舌打ちした。\ `She then dialed quickly.`@` ......She clicked her tongue.`\ ;　そうか、電話が回復したなら警察にだって通報できるはず。@ `That's right, if the phones were working, we should be able to reach the police.`@ ;　……しかし、伯母さんの反応を見る限り、外線電話は相変わらずつながらないようだった。\ `......But judging by Oba-san's reaction, the outside telephone line still didn't connect.`\ bg Mlib_1bN,0 ld r,$GEO_MajimeA3,24 ;「……い、行こう！@　罠かもしれないことはわかってても、行かないわけにはいかない！」@ ;＜譲治 `"......L, let's go!`@` Even if we know it might be a trap, we have to go!"`@ ld l,$BUT_odorokiA1,23 ;「あぁ、まったくだぜ！！@　朱志香と夏妃伯母さんはここにいてくれ！」@ ;＜戦人 `"Yeah, definitely!!`@` Jessica, Natsuhi oba-san, stay here!"`@ ;　俺と兄貴が駆け出そうとすると、夏妃伯母さんが制した。\ `When Aniki and I tried to dash out, Natsuhi oba-san stopped us.`\ bg Mlib_1aN,0 ld c,$NAT_MajimeA1G,23 ;「お待ちなさい。@………貴方達だけに行かせるわけには行きません。@私も行きます。@朱志香はここで待ちなさい。」@ ;＜夏妃 `"Hold it.`@` .........I cannot let you go alone.`@` I will go too.`@` Jessica, wait here."`@ ld r,$JES_IkariA1,24 ;「私だけ除け者かよ？！@　冗談じゃない、私も行くぜ…！！」\ ;＜朱志香 `"And you'd have me be the only one left out?!`@` Quit joking around, I'm going too...!!"`\ bg Mlib_1bN,0 ld r,$BUT_nayamuA1,24 ;「そうだな、その方がいいかもしれねぇぜ。@…電話が、俺たちをさらに分散させる狙いがあるってんなら、留守番を残すのは適当じゃねぇ。」@ ;＜戦人 `"That's right, it might be better that way.`@` ...If the goal of that phone call was to split us up further, it wouldn't be a good idea to leave someone to watch this room."`@ ld l,$GEO_komaruA1k,23 ;「議論する暇も惜しい。@みんなで行こう！」\ ;＜譲治 `"There's no time to argue.`@` Let's all go!"`\ bg Mlib_1e,25 ;　夏妃伯母さんはライフル銃を高々と構え、先頭に立つ。\ `Natsuhi oba-san raised the rifle high and took the lead.`\ ;　俺も素手というわけには行かない。@ `I couldn't go unarmed myself.`@ br ;　怪しげな儀式に使いそうな三叉の燭台を見つけ、得物とした。@ ;　蝋燭を挿すトゲが短いながらもついているそれは、さながら三叉の槍のようだった。\ `I found a three-pronged candlestick and readied it.`@ `Although the pins on it, which were used to fit candles, were short, it was almost like a three-pronged spear.`\ bg black,22 fede 0,3000 se1 17 wait 1000 bg M2F_P1cN,10 meplay2 1,5,40 ;　そして俺たちは書斎を出る。@ `Then the four of us left the study.`@ ;　この屋敷の中で、一番安全な場所だったはずの書斎を、出る。\ `We left the study, which should have been the safest place inside the mansion.`\ ;　こうして俺たちは、安全な密室に篭城したにもかかわらず誘き出され、@…ひょっとするとそれは…、@……祖父さまがこの部屋から失踪した時のことを、再びなぞり直すことになってしまう…。\ `By doing this, we had been lured out, even though we had barricaded ourselves in a safe closed room.`@` ...Perhaps, we were..., `@`......doing exactly the same thing that Grandfather had done when he had disappeared from that room...`\ ld c,$JES_OdorokiA1,24 bgmplay 32 ;「真里亞ー！！@　どこにいるんだよー？！@　返事をしろー！！」@ ;＜朱志香 `"Maria-!!`@` Where are you-?!`@` Answer me-!!"`@ br ;　耳を澄ますが、何も聞こえない…。@ `I listened closely, but didn't hear anything...`@ ;　屋敷は狭くないし、過ぎ去ろうとしている台風は最後の足掻きとばかりに、雨音を一層騒がせる。\ `The mansion was vast, and since the passing typhoon was making its last stand, the sound of the rain was even noisier than before.`\ bg M_door1,24 ld r,$GEO_MajimeA1k,24 ;「…真里亞ちゃんは確か、客間でテレビを見たいと言ってたよね？！@　階下に下りてみよう！」@ ;＜譲治 `"...Maria-chan said that she wanted to watch TV in the parlor, right?!`@` Let's try going downstairs!"`@ ld l,$NAT_majimeA1G,23 ;「…………そうですね。@行ってみましょう。@……みんなは周りに用心して！」@ ;＜夏妃 `"............That's right.`@` Let's try there.`@` ......Everyone, be mindful of your surroundings!"`@ ld c,$BUT_odorokiA1,24 ;「おうッ！！」\ ;＜戦人 `"Yeah!!"`\ bg black,28 bg M2F_P1cN,2 ;　ライフル銃を構え、引き金に指を掛ける夏妃伯母さんを中心に、@俺たちは背中を寄せ合うようにしながら、周囲を警戒しつつ一塊になって移動する……。\ `With Natsuhi oba-san in the center, her rifle readied and her finger on the trigger,`@` we moved in a group, our backs together, checking our surroundings in all directions......`\ ;　さっきの不和を目論むという魔法陣が、まるでその魔力で成したように。@…俺たちは分裂し、しかもその上、危険地帯へ引きずり出されている。@ `It was just as though the magic of that magic circle designed to spread discord had worked.`@` ...We had split up, and furthermore, had thrown them out into dangerous territory.`@ br ;　……ということはつまり、今この瞬間、犯人のシナリオに乗っかっているということになる。@…ここからは突然何が起きてもおかしくない異空間なのだ…。\ `......In other words, even now, we were doing just what the culprit wanted us to do.`@` ...This was a separate world where it wouldn't be odd for anything to suddenly occur...`\ bg black,22 se1 43 ;　夏妃伯母さんは物陰や暗がりがある度に神経質に銃口を向ける。@ ;　その動きは警戒よりも怯えを強く感じさせる…。@ `Natsuhi oba-san nervously pointed the barrel of the gun at every dark spot and shadow.`@ `It felt like that motion was out of fear rather than caution...`@ br ;　しかし、手にするライフル銃は、きっと犯人を恐れさせる切り札でもあるはずなのだ…。\ `But the rifle she held in her hand should have been a trump card that the culprit was afraid of...`\ bg M2F_P1bN,2 ld l,$GEO_MajimeA1k,24 ;「……僕はずっと思ってたんだ。@…嘉音くんのように、胸にあの“アイスピック”を突き刺すことは、不可能ではないと思う。@……でも、母さんたちのように、頭蓋骨を打ち抜いて眉間に突き立てるなんて、簡単なことじゃないと思うんだ。」@ ;＜譲治 `"......You know, I've been thinking.`@` It wouldn't be impossible to stick one of those 'icepicks' into someone's chest, like in Kanon-kun's case.`@` ......But splitting the skull and sticking them into the forehead, like in my parents' case, wouldn't be that easy."`@ ld r,$BUT_KomaruA3,24 ;「犯人はそれだけ馬鹿力ってことか…？！」\ ;＜戦人 `"You think that the culprit had that kind of animal strength...?!"`\ ld l,$GEO_MajimeA3,80 meplay2 2,16,40 ;「…多分、あの“アイスピック”を飛ばす、あるいは打ち込む、射出機のような武器があるんだよ。@人力だけで、あれだけ深々と刺突するにはあの柄は短すぎる。」@ ;＜譲治 `"...They probably had some kind of weapon, a device that can shoot or pound in those 'icepicks'.`@` That handle was too short to be driven in that deeply by a human's strength alone."`@ cl r,23 ld r,$NAT_HisuB1G,24 ;「……いずれにせよ、頭蓋骨を打ち抜くほどに強力です。@…嘉音の傷も、肺にまで届いていたそうです。@/ `"......Either way, they have enough force to break through a skull.`@` ...It seems that Kanon's wound even reached his lungs. `@/ ld r,$NAT_MajimeB1G,80 ;……もし、相手の姿を見ても決して前に出ないように。@私の後から出てはいけませんよ。」\ ;＜夏妃 `......Even if you see our opponent, don't go forwards.`@` You mustn't move away from my back."`\ bg black,24 bg Mhal_2bN,24 ;　あんな不気味なアイスピックを撃ち出すという武器は、一体どれほどに禍々しく恐ろしいものなのか。@ `Just how sinister and frightening was this weapon that could shoot those creepy icepicks?`@ ;　……そしてそれは、今、俺が手にしている燭台のようなもので抵抗できるものなのか。\ `......And could I do anything to combat it with just this candlestick in my hand?`\ ;　最初の殺人で犯人は、多分、食堂で遺産問題を話し合っていた親父たち４人を一度に襲って殺している。@…そして、俺たちも、４人。@ `In the first murder, the culprit had probably assaulted all four of our parents at once as they discussed the inheritance problem in the dining hall.`@` ...And we also had four people.`@ br ;　……同じことを考えてるのは、俺だけではないようだった。@ ;　……譲治の兄貴も、@朱志香も、@…そして当然、夏妃伯母さんも、@……神経を極限まで研ぎ澄まし、最高最悪の緊張状態を維持しながら、一歩、一歩と、じりじりと歩を進めていく…。\ `......Apparently, I wasn't the only person thinking this.`@ `......George-aniki,`@` Jessica,`@` ...and, of course, Natsuhi oba-san,`@` ......were stretching their senses to the utmost limit, in the highest and worst state of tension, slowly advancing one step, then another...`\ bg black,2 ;　………あぁ、俺たちは何と罪深いことか。@ `.........Aaah, what have we done?`@ br ;　…これほどの恐ろしき世界に、……あの手紙一通によって蒔かれた疑心暗鬼によって、真里亞たち４人を突き落としたのだから…。\ `...Because of the seeds of doubt spread by that one letter, we threw Maria and the rest into the middle of this terrifying world...`\ bg Mhal_2aN,6 ;　一階にたどり着く。@………客間は、廊下の向こう、すぐだ。\ `We finally reached the first floor.`@` .........The parlor was just across the hall.`\ bg black,22 fede 10,2000 meplay2 1,17,40 ;　耳を凝らすと、………かすかに聞こえる。@……真里亞の、不思議な歌声が。\ `When we listened carefully, .........we could hear it faintly.`@` ......Maria's eerie singing voice.`\ ;　それは、機嫌がよくて自然と口に出てしまうような歌い方ではない。@ ;　………それはまるで、学校の授業などで、歌うことを命じられて歌うような、無機質な歌い方。\ `She wasn't singing naturally, as though she were in a good mood.`\ `.........She was singing mechanically, like she was at a graduation ceremony and she'd been ordered to.`\ ;　…歌っている歌は、誰もが学校で一度は歌ったことがあるに違いない平凡な民謡。@ `...The song she was singing was just a common folk song, one that everyone has probably sung in school at one time or another.`@ br ;　……しかし、それを、なぜ、こんな深夜に、ひとりで、一生懸命に、ずっと、どうして…？！\ `......But why that, in the middle of the night, alone, with all her heart, over and over, why...?!`\ bg M1F_P1bN,22 ;　書斎を出たばかりの時、俺たちは大声をあげ、真里亞はどこかと呼びかけた。@ `When we had just left the study, we had called out in loud voices, asking Maria where she was.`@ br ;　…しかし、今度は誰も何も、一言も発しない。@ `...But this time, no one said even a single word.`@ br ;　……息と足音を殺し、神経を研ぎ澄ましながら、神経質なくらいに辺りをうかがいつつ、……歩を進める…。\ `......We hid our breath and the sound of our footsteps, and, intensely aware to the point of being completely high-strung, ......we stepped forward...`\ bg M_door2,22 ;　客間の扉は閉まっていた。@ ;　だが、真里亞の歌声はその中から聞こえてくる…。\ `The door to the parlor was closed.`@ `But we could hear Maria's singing voice through it...`\ ;　夏妃伯母さんが扉の取っ手状のドアノブに手を掛ける…。@それを譲治の兄貴が制した。\ `Natsuhi oba-san put her hand on the handle of the doorknob...,`@` when George-aniki stopped her.`\ bg M_door1,22 ld r,$GEO_MajimeA3,22 meplay2 2,16,40 ;「…扉は僕が開ける…。@夏妃伯母さんと戦人くんは、武器を構えてて。」@ ;＜譲治 `"...I'll open the door...`@` Natsuhi oba-san, Battler-kun, ready your weapons."`@ ld l,$NAT_majimeB1G,23 se1 43 ;「…………わかりました。@……気をつけて。」\ ;＜夏妃 `"............Understood.`@` ......Take care."`\ cl r,23 ld r,$JES_odorokiA1,24 ;「開けると同時に攻撃してくるかもしれないぜ…。@譲治兄さん、注意して…！」\ ;＜朱志香 `"They might attack as soon as we open it...`@` George nii-san, watch yourself...!"`\ bg M_door2,22 meplay2 3,5,40 ;「…うん…。@………じゃ、……行くよ…？@　…………ん？！」@ ;＜譲治 `"...Sure...`@`.........then, ......I'll open it...`@`............Huh?!"`@ ;　押してみるが、すぐに硬い施錠の手応え。@ `He tried to open it, but immediately felt the hard resistance of the lock.`@ se1 31 ;　夏妃伯母さんがポケットから鍵束を出すと譲治の兄貴に託す。\ `Natsuhi oba-san took the bundle of keys from her pocket and gave them to George.`\ ;　……１０本近くも鍵があり、どれが何の鍵かさっぱりだった。@ ;　そのため、兄貴はガチャガチャと、数本の鍵を試さざるを得なかった。@ `......There were about ten keys, and none of us had a clue which was which.`@ `Because of this, George had to fumble around loudly and test several of the keys.`@ br ;　……それは、足音を殺し、客間を奇襲しようという俺たちにとっては、致命的に感じられた…。\ `......Since we had hidden our footsteps, preparing to make a surprise attack on the room, this felt almost fatal...`\ ;　客間の中からは、同じ歌をいつまでも何度も繰り返す真里亞の声がずっと聞こえている。@ ;　……それは例えるなら壊れた、狂ったカセットテープ…。\ `The whole time, we could hear Maria's voice from the parlor, singing the same song over and over.`@ `......It was like a broken, crazy cassette tape...`\ ;　今朝からずっとこの部屋の中にいた。@ ;　…いつも恐ろしいことはこの部屋の外で起こった。@ `In the morning, we had been in that room the whole time.`@ `...All of the frightening things had occurred outside that room.`@ ;　…だから、この部屋だけは安全だと思い込んできた。@ `So we had been under the impression that only that room was safe.`@ br ;　………その、根拠なき思い込みが、あっさりと崩れ去っていく……。\ `.........That baseless impression was quickly falling apart......`\ bg black,22 E_A se1 25 ;「…………ん、………開いた。」\ `"............Nn, .........it's open."`\ bg M_door1,0 ld r,$NAT_majimeB1G,22 meplay2 1,16,40 ;「…ありがとう。@譲治くんと朱志香は後に下がって。」@ ;＜夏妃 `"...Thank you.`@` George-kun, Jessica, move behind me."`@ ld l,$BUT_MajimeA1,23 ;「……伯母さん。@一気に飛び込んで左右に分かれよう。@扉を開けてぼさっとしたら、例のアイスピックがど真ん中に飛んでくるかもしれねぇぜ…！」\ ;＜戦人 `"......Oba-san.`@` Let's all jump in at once and split up in different directions.`@` If we just stand around after opening the door, those icepicks might fly right through the center...!"`\ ld r,$NAT_hisuB1G,80 ;「承知しています。@………いいですか…？」@ ;＜夏妃 `"I agree.`@` .........Ready...?"`@ ld l,$BUT_nayamuA2,80 ;「いっひっひ…！@　やっぱ嫌だって言いてぇなぁ…！」\ ;＜戦人 `"Ihihi...!`@` Like I'd quit now...!"`\ ;　俺は覚悟を決める。@ `I readied myself.`@ ;　…向こうがアイスピックを投げてくるってんなら、俺だってこの燭台をお見舞いしてやるッ！！\ `...If they were going to be throwing icepicks, I needed to be ready with my candlestick!!`\ ld r,$NAT_IkariB1G,80 ;「……行きますッ！！！」\ ;＜夏妃 `"...Go!!!"`\ bg black,1 E_A se1 16 wait 200 seplay 2,15 bg white,30 bg M1F_S1cN,22 ;　俺と夏妃伯母さんは、扉に体当たりをするようにして客間に飛び込み、@左右に素早くわかれ、客間の中で待ち受けているかもしれない何者かを探した。\ `Natsuhi oba-san and I rammed into the door before flying into the parlor,`@` quickly splitting up left and right, and searching the parlor for someone who might be waiting for us.`\ textoff bg black,1 se1 45 ;wait 4000 ;　しかし、俺たちの目に飛び込んできたのは、@…………あまりに、/ ;!d800………異様な光景だった…。\ `But what our eyes landed upon, `@`............was an incredibly, `/ !d800`.........strange sight...`\ bg blood_1a,22 meplay2 1,19,90 ;　客間は、………血で染まっていた。\ `The parlor.........was stained with blood.`\ ;　俺たちが今日の一日のほとんどを過ごし、@何者かの悪意から身を守るために身を寄せ合っていたその場所が、@鮮血で染められていたッ、血の海になっていたッ…！！\ `This place, where we had spent almost the entire day,`@` where we had pressed in together to protect ourselves from some unknown malice,`@` had become stained with fresh blood, had become an ocean of blood...!!`\ bg blood_1b,22 seplay 2,21 meplay2 2,13,40 ;　床には、源次さん、熊沢さん、南條先生の３人が、全身を血で真っ赤に染めて横たわっていた…。/ `On the floor lay Genji-san, Kumasawa-san, and Doctor Nanjo, their entire bodies stained bright red with the blood...`/ mov ?r[gen][condition],2 mov ?r[kum][condition],2 mov ?r[nan][condition],2 seplay 9,1061 @ ;　………しかし、彼らを彼らだと識別できたのは、あくまでも服装からだ。\ `.........But the only way we could identify them was by their clothes.`\ ;　……なぜなら、……あぁ、そうさ、そもそも今日一日の惨劇はこいつから始まったんだ…！！@ `......That was because, ......aaah, that's right, this was how this whole tragedy started...!!!`@ bg blood_1aR,22 seplay 3,34 br ;　３人の顔面は、…親父たちが倉庫の中でぐちゃぐちゃにされていたように、…どこが目で鼻かもわかりゃしない！！@　パイ皮で包んだトマトのポットシチューをみっともなく食い潰したみてぇに、……ぐちゃぐちゃで、…うおあああああああああああああぁあああぁあぁッ！！\ `Their faces were all squished up like Dad and the others in the storehouse, ...and you couldn't even tell where the eyes and noses were!!`@` It was like someone had eaten apart a tomato pot stew wrapped in a pie crust, all torn apart, ...uuwaaaaaaAAAAAAaaaaaaAAAAaahhh!!`\ E_M1 bgmplay 24 ;　そしてそれだけじゃない。@彼ら３人の体はまだ傷つけられていた。@……それは、あの、“悪魔のアイスピック”！@　それが、……源次さんは腹、南條先生は腿…、いや、膝？@　そうさ、膝だろうさ…！　碑文にゃ、第六の晩には腹を！　第七の晩には膝を抉れって書いてあるッ！@　だから熊沢の婆ちゃんのふくらはぎの辺りにも突き立てられているのを見て、あぁそうだろうよと自虐的に笑わざるを得なかった…！！\ `And that wasn't all.`@` Their bodies had other wounds.`@` ......They were those 'demon's icepicks'!`@` They were in......Genji-san's stomach, Doctor Nanjo's thigh..., no, his knee?`@` That's right, his knee...!`@` In the epitaph, the sixth twilight was the stomach! And at the seventh twilight, the knee was gouged!`@` So after seeing one of them stuck near Kumasawa baa-chan's calf, I couldn't help masochistically laughing 'Ahh, that's right'...!!`\ bg black,22 ;　第六の晩に、腹を抉りて殺せ。@ ;　第七の晩に、膝を抉りて殺せ。@ ;　第八の晩に、足を抉りて殺せ。@ `At the sixth twilight, gouge the stomach and kill.`@ `At the seventh twilight, gouge the knee and kill.`@ `At the eighth twilight, gouge the leg and kill.`@ br ;　あああぁ、……これで第八の晩までが終わってしまった。@そして迎える第九の晩は、……何だったっけ…？\ `Aaaaaah, ......now even the eighth twilight is over.`@` And the next one, the ninth twilight, ......what was it again...?`\ bg M1F_S1aN,26 meplay2 1,5,40 ;　真里亞は……、いた。\ `Maria......was there.`\ ;　………部屋の奥の壁に向かい、……たったひとりで立ち尽くしていた。@ ;　この惨状に背を向け、壁の前に立ち、ずっとずっと、歌を歌い続けていた…。\ `.........She was facing the wall in the inner part of the room, ...standing stock still, completely alone.`@ `She faced away from this horrible scene, standing by the wall, singing her song over and over...`\ ;　部屋には、それだけ。\ `There was nothing else in the room.`\ ;　……惨殺された３人の死体と、…この部屋から電話が掛けられたことを示す、未だ外れたままの受話器。@ `......Just the corpses of the three who had been brutally killed, ...and the receiver, which was still off its hook, showing that it had been this room that the call had come from.`@ br ;　………そして、この光景に背を向け、壁に向かってずっと歌い続ける真里亞だけ……。\ `.........Just that and Maria, her back to this scene, facing the wall as she kept on singing......`\ ;　その、……異様な光景に、……俺たちはもう、悲鳴すらも口から出ない。@ ;　…ただただ、呆然と目を見開き、口をだらしなく開け放つだけだ……。\ `......We couldn't even scream at this, ......bizarre scene.`@ `...We could only stare shocked, our mouths hanging loosely open......`\ bg M1F_S1dN,25 ;「ま、………真里亞…………？」@ ;＜朱志香 `"Ma, .........Maria............?"`@ ld c,$MAR_defA1k,46 meplay2 3,16,40 ;　朱志香が声を掛ける。@ `Jessica called out to her.`@ br ;　…だが真里亞に反応はない。@ `...But Maria showed no reaction.`@ ;　………ひとり、ずっとずっと、歌を歌い続けている……。\ `.........Alone, she kept singing, on and on......`\ ;　俺たちは、真里亞に迫っているだろう危機から、救い出そうとしてここへやってきた。@ `We had come here, trying to save Maria from some approaching danger.`@ ;　…だから、真里亞の姿を認めたなら、その無事を喜び、駆け寄って肩を抱くべきなのだ。@……なのに、それが誰もできない…！@ `...So, now that we had found her, we should have been running up to Maria, hugging her, joyous that she was safe.`@` ......And yet, not one of us could do that...!`@ br ;　誰もが思った。でも口にできなかった。@なぜならだってだって、そうさ馬鹿なでもどうせ、いやそんなはずは………！！\ `Everyone thought it. But they couldn't say it.`@` After all, because...because...that's right, even if that's crazy......no, it couldn't be.........!!`\ bg black,22 bg blood_1a,22 ;「ま、……真里亞！！@　歌うのをやめろ！！@　聞いてるのか！！」@ ;＜戦人 `"Ma, ......Maria!!`@` Stop singing!!`@` Are you listening?!!"`@ ;　俺も夏妃伯母さんも、…いつしか武器を真里亞の背中に向けていた。@ `At some point, ...Natsuhi oba-san and I had pointed our weapons at Maria's back.`@ br ;　……俺は乱暴な声で真里亞に叫ぶ。@ ;　……しかし、反応はない。@いつまでも、歌い続けている…！！\ `......I yelled at Maria in a violent voice.`@ `......But there was no reaction.`@` She just kept singing...!!`\ ;　燭台を構えたまま駆け寄り、俺は力強く、……いや、むしろ暴力的にその肩を叩く。@真里亞を振り返らそうと、無理やり肩を引っ張る！\ `With the candlestick still readied, I ran up to her, and forcefully, ......no, violently slammed my hand down on her shoulder.`@` Then I pulled on her shoulder, forcing her to turn around!`\ se1 12 bg black,1 ;「……うぁう。@…………うー。」\ `"......Uuwhoa.`@` ............Uu-."`@ se1 13 quakey 3,200 ;　真里亞の小柄な体はあっさり引き倒されて転んだ。@ `Maria's small body was quickly pulled down and fell.`@ ;　…そして、歌うことを邪魔されたことを不愉快に思うように、……いつもの真里亞の表情で俺を見つめる。@ `...And, as though unhappy about how her singing had been interrupted, ......Maria looked into my face with her usual expression.`@ br ;　このような、凄惨な状況下で、 `Even in this gruesome situation,` br ;(いつものように！！/・・・・・・・・・)\ (`she was just like normal!!`/・・・・・・・・・・・・)\ bg M1F_S1bN,22 ld r,$BUT_KuyasigaruA1,24 ;「真里亞ッ、これはどういうことなんだ？！@　だ、…誰がやったッ？！」\ ;＜戦人 `"Maria, what is this?!`@` Who did it?!"`\ ld l,$MAR_fukigenA1,26 ;「………うー。@ベアトリーチェ。」\ ;＜真里亞 `".........Uu-.`@` Beatrice."`\ bg black,1 seplay2 1,32,100 ;「い、いい加減にしろッ！！！」@ ;＜戦人 `"C, cut that crap!!!"`@ ;　持っていた燭台を壁に投げつける。@ `I threw the candlestick I had been holding against the wall.`@ ;　それは乱暴な、音の暴力となって真里亞の心にぶつかった。@ ;　……しかし、真里亞の表情はまったく歪まない！\ `The violence of that reckless sound should have gone straight into Maria's heart.`@ `......But Maria's expression didn't change at all!`\ bg M1F_S1aN,22 ld r,$GEO_komaruA1k,24 ;「よすんだ、戦人くん！@　真里亞ちゃん、……今度こそ君は、３人を殺す犯人の顔を見たはずだよ。@犯人は、……君に手紙を渡したという、ベアトリーチェなのかい？！」@ ;＜譲治 `"Quit it, Battler-kun!`@` Maria-chan, ......this time, you should have seen the face of the culprit who killed these three.`@` Was the culprit, ......the same Beatrice who gave you the letter?!"`@ ld l,$MAR_KomaruA1,23 ;「……うー。@ベアトリーチェ。」\ `"......Uu-.`@` Beatrice."`\ cl r,23 ld r,$BUT_KomaruA2,24 ;「あぁ、ならこれで確定したぜ。@１９人目はいるんだよ、ベアトリーチェは実在するんだ！！@/ `"Well, in that case it's certain.`@` There is a 19th person, Beatrice does exist!! `@/ ld r,$BUT_OdorokiA1,80 ;　じゃあ、真里亞、これくらいは教えてくれるよな？@　やつはこの３人をどうやって殺したんだ。@何をどうやったら、あんな惨い殺し方ができるんだッ？！」\ ;＜戦人 `Then, Maria, will you at least tell me this much?`@` How did they kill these three people?`@` What did they use to kill them in such a brutal way?!"`\ ld l,$MAR_fukigenA1,80 ;「……知らない。」\ ;＜真里亞 `"......I don't know."`\ ld r,$BUT_KuyasigaruA1,80 ;「知らねぇってことはねぇだろッ？！@　この部屋での出来事だぞ！！@　歌を歌うのに夢中で気付かなかったとか言い出すんじゃねぇだろうなッ？！」@ ;＜戦人 `"How could you not know?!`@` It happened in this room!!`@` Are you trying to tell me that you were so absorbed in singing that song that you didn't notice?!"`@ ld c,$GEO_KomaruA1,23 ;「落ち着いて戦人くん！！@　ま、…真里亞ちゃん。@僕とお話ししよう。@…ね？」@ ;＜譲治 `"Calm down, Battler-kun!!`@` Ma, ...Maria-chan.`@` Talk to me.`@` ...Okay?"`@ br ;　譲治の兄貴は、いつも真里亞にそうしていたように、彼女の目線に合うようにしゃがみ込むと、やさしくやさしく語りかける…。\ `George-aniki, as he always did, crouched down next to Maria so that their eyes met, and talked to her very kindly...`\ cl c,0 ld r,$GEO_hohoemiA1,23 ;「…真里亞ちゃんは、……どうして壁を向いてお歌を歌っていたのかな…？」@ ;＜譲治 `"...Maria-chan, ......why were you facing the wall and singing that song...?"`@ ld l,$MAR_majimeA1,80 ;「………うー。@…ベアトリーチェが、ここでね、壁を向いて、お歌をずっと歌っていなさいって言ったの。@うー。」@ ;＜真里亞 `".........Uu-.`@` ...Beatrice said to face the wall and keep singing for a long time.`@` Uu-."`@ ld r,$GEO_MajimeA2k,80 ;「じゃあ、ベアトリーチェがここへやって来たんだね？！@　その時にはまだ源次さんたちは生きていたんだよね？！」\ ;＜譲治 `"So, did Beatrice come here?!`@` Were Genji-san and the rest still alive then?!"`\ ld l,$MAR_DefA1,80 ;「……うー。@みんなで客間に来て座ってた。@……源次さんはちゃんと鍵を掛けてたよ。」\ `"......Uu-.`@` Everyone came into the parlor together and sat down.`@` ......Genji-san made sure to lock the door."`\ ld c,$JES_ikariA1,24 ;「確かに鍵は掛かってたが、……じゃあどうやってベアトリーチェは客間に入ってきたってんだよ！！」@ ;＜朱志香 `"It was locked when we got here, ......but then, how did Beatrice get into the parlor?!!"`@ ld l,$MAR_WaraiA2,80 ;「うー。@でもベアトリーチェは魔女だから鍵なんか関係ない。@蝶々になって、扉の隙間から通り抜けてきたんだよ。」\ ;＜真里亞 `"Uu-.`@` But Beatrice is a witch so locks don't matter.`@` She turned into butterflies and came in through the crack in the door."`\ cl c,0 cl r,23 ld r,$BUT_OdorokiA1,24 ;「はぁッ？！@　冗談も休み休み言いやがれッ！！！@　そんなわけねぇだろ？！@　お前は何を言ってやがるんだ？！」@ ;＜戦人 `"Huuhh?!`@` Calmly joking at a time like this?!!!`@` Like hell that happened!`@` What are you saying?!"`@ ld l,$MAR_AkuwaraiA2,80 ;「きっひひひひひひひひひひひひひひひひ！！@　信じられないよね？@　だから言いたくなかった。@どうせ言っても信じないもん。@でもベアトリーチェは魔女なの。@不思議な魔法で何でもできるの。@だからベアトリーチェは鍵の掛かった扉なんか全然関係ないんだよ。@きひひひひひひひひひひひひ…！」\ ;＜真里亞 `"Kihhihihihihihihihihihihihihihihihihihi!!`@` You can't believe it?`@` That's why I didn't want to say.`@` No matter how I say it, you won't believe.`@` But Beatrice is a witch.`@` She can do anything with her strange magic.`@` That's why Beatrice doesn't care whether a door is locked or not.`@` Kihihihihihihihihihihihihi...!"`\ ld c,$GEO_komaruA1,24 ;「そ、それで？！　現れたベアトリーチェは、そしてみんなはどうしたの？！」\ ;＜譲治 `"A, and then?! After Beatrice appeared, what happened to everyone?!"`\ bg M1F_S1cN,0 ld c,$MAR_MajimeA1,24 ;「……ベアトリーチェは言ったよ。@お祖父さまの書斎は強力な力に守られていてどうしても入れない。@だから、あと３人の生贄はこの客間の４人の中から選ぶって。@……みんな嫌だって言ったよ。@/ `"......Beatrice talked to us.`@` She said Grandfather's study was protected by a powerful force, and she couldn't enter no matter what she did.`@` So she told us that she'd select three sacrifices from the four people in the parlor.`@` ......Everyone said 'no way'. `@/ ld c,$MAR_AkuwaraiA2,80 ;きひひひひひひひひ、熊沢さんは嫌だ嫌だってすごい言ってた。@でも、ベアトリーチェは選ぶよ。@……そしたらね、ベアトリーチェは真里亞はいいよって言ってくれたの。@………どうしてだと思う？\ `Kihihihihihihihihi, Kumasawa-san kept saying 'no way, no way'.`@` But Beatrice chose.`@` ......And when she did, Beatrice said Maria would be fine.`@` .........Why do you think?`\ ld c,$MAR_WaraiA2,80 ;　戦人が、真里亞の安全を祈って念を込めてくれた、あの火星の５の魔法陣の、サソリのお守りがあったからだよ。@だからその力で、ベアトリーチェは私にだけは何もできなかった。\ `It's because of the scorpion charm with the fifth magic circle of Mars, upon which Battler prayed for Maria's safety and which he put his feelings into.`@` Because of that power, Beatrice couldn't do anything to me, and me alone.`\ ld c,$MAR_NiyariA1,80 ;だから、生贄は真里亞じゃない３人に決まったの。@そしたらね、ベアトリーチェはね、言ったの。」\ ;＜真里亞 `So she decided to use the other three as sacrifices.`@` After that, Beatrice spoke."`\ bg black,22 se1 21 ;“さぁさ、壁に向かって、お歌を歌って聞かせなさい。@……あなたはたくさんたくさんお歌を歌うから、何が起こっても何が聞こえても、聞こえない聞こえないわからない。@さぁさ、楽しいお歌を私にたくさん聞かせておくれ”\ `'Come, face the wall and sing a song for me.`@` ......You will sing lots and lots of songs, so no matter what happens, no matter what you hear, you won't hear you won't hear you won't know.`@` Come, let me hear many fun songs'`\ bg M1F_S1cN,0 ld l,$MAR_WaraiA2,26 ;「だから真里亞はずっとお歌を歌ってた。@ずっとずっと歌ってたんだよ。@だから何も聞こえないわからない。@…そしたら戦人たちがやって来たんだよ。@うー。」\ `"So I was singing the whole time.`@` Over and over.`@` So I didn't hear anything, didn't know anything.`@` ...And then all of you came.`@` Uu-."`\ ld r,$BUT_OdorokiA1,24 ;「それを信じろってのかッ？！@　馬鹿にするんじゃねぇぜ！！！」\ ;＜戦人 `"Are you asking us to believe that?!`@` You think we're stupid?!!!"`\ ld l,$MAR_AkuwaraiA3,80 ;「きっひひひひひひ！@　じゃあ今度は誰を疑う？@　真里亞を疑う？@　真里亞をこの場で殺してみる？@　そんなことしてもベアトリーチェは“い”なくならない。@これで第八の晩は終わったよ、ベアトリーチェは蘇る！！」\ ;＜真里亞 `"Kihhihihihihi!`@` Then who will you suspect this time?`@` Suspect me?`@` Try killing me right here?`@` Even if you do that, Beatrice won't stop 'existing'.`@` Now, the eighth twilight is over, and Beatrice will revive!!"`\ ld r,$BUT_KuyasigaruA1,80 ;「ふざけんな、もうそんな話は金輪際ごめんだぜッ！！@　魔女なんているもんか、煙に撒かれてたまるかッ！！！@/ `"Are you serious?! I've had enough of that talk!!`@` As if witches could exist, as if I'd let myself get tricked!!! `@/ ld r,$BUT_OdorokiA1,80 ;　俺は認めねぇぞ、ベアトリーチェなんて“い”ねぇ！！@　絶対に俺が認めねぇ！！@　だから存在なんかさせねぇ、蘇りもさせねぇ！！@　伝説は永遠に伝説のままだ。@この俺がそんなことを認めねぇええぇえ！！！」\ `I won't accept it, Beatrice doesn't 'exist'!!`@` I definitely won't accept it!!`@` So I won't let her exist, I won't let her revive!!`@` The legend will remain a legend forever.`@` I won't acknowledge something like thaaaaat!!!"`\ ld c,$JES_OdorokiA1,23 ;「よせよ戦人…！！@　真里亞が殺したわけでも見殺しにしたわけでもない！@　ベ、ベアトリーチェが来て、真里亞は抵抗できず従わざるを得なかっただけだぜ…！！」\ ;＜朱志香 `"Quit it, Battler...!!`@` It's not like Maria killed them or let them die!!`@` B, Beatrice came, and Maria had to obey, unable to resist...!!"`\ bg M1F_S1bN,23 ld r,$GEO_KomaruA1,24 E_A meplay2 1,17,40 ;「…………あれ？！@　な、……夏妃伯母さん？@　お、伯母さんがいない…！」@ ;＜譲治 `"............Huh?!`@` N, ......Natsuhi oba-san?`@` S, she isn't here...!"`@ ld l,$BUT_odorokiA2,23 ;「え？　あれ？！」@ ;＜戦人 `"Huh? Wha-?!"`@ ld c,$JES_ikariA1,24 ;「か、母さん？　どこ行ったの……？！」\ ;＜朱志香 `"M, Mom? Where did she go......?!"`\ bg M1F_S1cN,0 ld r,$MAR_defA1,24 ;「……………さっき、手紙を読みながらひとりで出て行ったよ。」\ ;＜真里亞 `"............Just now, she left by herself, reading a letter."`\ ;　手紙ッ？！@　そ、そりゃそうだろうな、第八の晩までがスッキリ爽快に決まったんだ。@ ;　また能書きのひとつもタレたくて手紙を残してただろうよ。@ `Letter?!`@` Th, that makes sense, the culprit must be so exhilarated now that we've reached the eight twilight.`@ `They might have left a letter so that they could brag even more.`@ ;　俺たちは真里亞に詰問することに夢中で、手紙を探そうなんて忘れてた…！\ `We had been so wrapped up in questioning Maria that we forgot to look for a letter...!`\ bg black,23 ;　でも、それを読んだら、どうしてこの危険な屋敷の中で、いくら武装してるとは言え、たったひとりで部屋を出るんだッ？！@ `But even as well armed as she was, why had she left the room by herself in this dangerous mansion after reading it?!`@ br ;　朱志香が後を追おうと扉の取っ手を引っ張ろうとすると、妙な手応えで開かない…！\ `Jessica tried to chase after her and tugged at the handle to the door, but it resisted strangely and wouldn't open...!`\ bg M_door2,22 meplay2 2,13,40 ;「母さん、お母さんッ！！@ `"Mom, Mom!!`@ se1 10 quakex 3,200 ;　何これッ！！@　開けて…、開けて…ッ！！！」/ `What's going on?!!`@` Open..., open...!!!"`/ se1 10 quakex 3,200 se1 10 quakex 3,200 \ ;＜朱志香 ;　無理もない。@……さっき、戦人が壁に投げつけて床に転がった燭台を、夏妃は拾っていたのだ。@ `It was only natural.`@` ......Natsuhi had picked up the candlestick, which Battler had thrown at the wall and which had fallen to the floor.`@ br ;　………そしてそれで観音扉が開かないよう、うまく取っ手の間に挟んでかんぬきとしたのだ。@ ;　…燭台の複雑な意匠がうまい形に引っかかり、それは実に頑丈に扉を封印していた。\ `.........She had then skillfully wedged it between the doorknobs on the double doors like a bolt, holding them closed.`@ `...The intricate design of the candlestick caused it to get caught solidly, and it really did make a sturdy seal on the door.`\ bg black,22 ;　母を呼ぶ娘の悲壮な叫び…。@ ;　それは、夏妃の耳に、届いていたのか、いないのか…。\ `The tragic scream of a daughter for her mother...`@ `Did it reach Natsuhi's ears, or not...?`\ textoff fede 0,3000 wait 1000 bgmplay2 39,80 wait 2000 bg Mhal_2aN,2 wait 3000 bg Ment_1bN,2 wait 3000 bg Mhal_2cN,2 wait 3000 ;　夏妃の姿は、/ ;!d400………ひとり、玄関ホールにあった。@ `Natsuhi's figure was, `/ !d400`.........alone in the entrance hall.`@ br ;　そこは、あのベアトリーチェの肖像画の飾られた場所。\ `It was the place decorated by the portrait of Beatrice.`\ ld l,$NAT_MajimeA1G,6 ;　夏妃は、客間で読んだベアトリーチェの最後の手紙をその場に捨て落とすと、@ライフル銃を構え直し、朗々と響き渡る声で、玄関ホールの巨大な空間で叫んだ。\ `Natsuhi threw down the letter that she had read in the parlor, Beatrice's last letter...`@`readied her rifle again, and in a voice that rang clear, yelled in the massive space that was the entrance hall.`\ ld l,$NAT_IkariB1G,26 se1 43 ;「……右代宮家代表、右代宮夏妃ですッ！！！@　姿を見せなさい、/ ;!d900…黄金の魔女、ベアトリーチェッ！！！」\ `"......I am Ushiromiya Natsuhi, representative of the Ushiromiya family!!!`@` Show yourself, `/ !d900`...Golden Witch, Beatrice!!!"`\ bg black,2 ;　玄関ホールは薄暗い。@ ;　わずかな灯りで中央が照らし出される以外は、漆黒の闇で塗りつぶされている。@ `The entrance hall was dimly lit.`@ `Other than a faint light which shone on the center of the room, everything was blotted out by the jet-black darkness.`@ br bg butterfly_1a,8 bg butterfly_3a,8 meplay2 1,21,10 ;　……その、闇の中に、/ ;!d800………黄金に輝く蝶たちが、蠢き、煌きながら、/ ;!d700……嘲笑う。\ `......In that darkness, `/ !d800`.........butterflies glittering in gold squirmed, twinkled, `/ !d700`......and sneered.`\ ;　夏妃は硬い唾を飲み込み直し、黄金の蝶たちに、冷たい銃口を向ける……。\ `Natsuhi gave one more huge gulp, and pointed the cold barrel of the gun at the gold butterflies......`\ ;「…………ようやく…。@………姿を現しましたね。@……………あなたのような存在が、本当に存在したなんて、/ `"............So you have finally...`@`.........shown yourself.`@` ...............I still can't believe, `/ ;!d700………私は未だ信じることができない…。@……でも、それは問題ではありません。\ !d700`.........that something like you really exists...`@`......But that isn't a problem.`\ ;……右代宮家の代表であると自負する私と、/ ;!d800右代宮家の当主を引き継いだと自称する貴女が、今この場にいる。@……あなたが本当に魔女なのかどうかは、今となっては些細な問題です！\ `......Both I, bearing the title of representative to the Ushiromiya family, `/ !d800`and you, the one who claims to succeed the head of the Ushiromiya family, are here right now.`@` ......At this point, whether you are a witch or not is a trivial problem!`\ ;　……………さぁ、/ ;!d900…決着をつけましょう。@…右代宮家を真に引き継ぐ者はどちらか。@…この右代宮夏妃か、 ;@…………貴女、/ ;!d600……ベアトリーチェかッ！！@　貴女の決闘の申し出、謹んでお引き受けさせていただきます…！！」\ `............Come, `/ !d900`...let us settle this.`@` ...Which of us will truly succeed the Ushiromiya family?`@` ...I, Ushiromiya Natsuhi,` @`............or you, `/ !d600`......Beatrice!!`@` Allow me to respectfully accept your request for a duel...!!"`\ textoff bg white,2 mevol 1,20 wait 1200 mevol 1,30 wait 1200 mevol 1,40 wait 1200 mevol 1,50 wait 1200 mevol 1,60 wait 1200 mevol 1,70 wait 1200 nega 1 bg butterfly_3a,22 nega 0 bg black,48 E_MA se1 27 bg Mhal_2c,1 bg Mhal_2cN,2 ;　黄金の蝶たちはゆっくりと人型を作り、薄明かりの中に歩み出る…。\ `The gold butterflies slowly formed a human shape, which walked into the dim light...`\ ld l,$NAT_majimeB1G,2 ;　夏妃が、ライフル銃を構え、/ ;!d500……睨む。@ `Natsuhi readied the rifle, `/ !d500`......and glared.`@ ;bg black,2 ;　魔女が、黄金の杖を振り上げ、/ ;!d800…笑う。\ `The witch raised her golden staff overhead, `/ !d800`...and laughed.`\ meplay2 1,17,70 ;　夏妃の指が、引き金をゆっくりと、/ ;!d1000絞り込んでいく………。\ `Natsuhi's finger, `/ !d1000`slowly squeezed the trigger.........`\ bg black,22 wait 2000 bg M_door2,1 ;「せぇのぉおおぉおおおおお！！！」@ ;＜戦人 `"And...gooooooooooooooooo!!!"`@ br E_MA se1 12 quakex 3,200 bg black,1 ;　戦人が思い切り助走をつけてから体当たりすると、かんぬきになっていた燭台はひしゃげて壊れ、扉に大きな隙間を作ることを許してくれた。@ `Battler made an all out dash at the door and rammed into it, crushing the candlestick which had been barring it, and making it possible for a big gap to be opened in the door.`@ ;　その隙間から燭台に何度も蹴りを加え、ついに扉を開放する。\ `He kept kicking the candlestick through that gap, and the door was finally released.`\ bg black,1 bgmvol 0 seplay2 2,46,100 wait 3000 for %free1 = 1 to 80 bgmvol %free1 wait 40 next ;　その時、確かに聞いた。@…乾いた銃声が一度、確かに聞こえた…！\ `At that time, they heard it.`@` ...They certainly heard the crisp sound of gunfire once...!`\ bg M1F_P1bN,22 ld r,$JES_IkariA2,24 meplay2 1,13,40 meplay2 1,5,40 ;「母さん！！@　お母さぁあぁぁん！！！」@ ;＜朱志香 `"Mom!!`@` Moooooooooooooooom!!!"`@ cl r,23 ld l,$GEO_MajimeA3,23 ;「朱志香ちゃん、ひとりで先走っちゃいけない…！！」@ ;＜譲治 `"Jessica-chan, you mustn't run off by yourself...!!"`@ ld r,$BUT_OdorokiA1,24 ;「今のは銃声だぜ？！@　夏妃伯母さんが撃ったんだッ！！」@ ;＜戦人 `"Was that the sound of a gun just now?!`@` Did Natsuhi oba-san shoot?!!"`@ br ;　誰を？@　犯人をだッ！！！\ `At who?`@` At the culprit!!!`\ bg black,24 wait 1000 bg Mhal_2aN,6 ;　音がしたのは玄関ホールだった。@ ;　そして、玄関ホールは、……まるで舞台の上のようだった。\ `The noise had come from the entrance hall.`@ `And the entrance hall, ......looked like a stage.`\ ;　悲劇のヒロインが、ライトを浴びて横たわっているかのように、@………そんな静寂の美しさをまとい、@……夏妃伯母さんが、仰向けになって倒れていた……。\ `Like the heroine of a tragedy, lying down and bathed in light,`@` .........arrayed in the beauty of that silence,`@` ......Natsuhi oba-san was face up, crumpled on the floor......`\ bg black,6 ;　朱志香が半狂乱になりながら夏妃伯母さんに駆け寄る。\ `Half-crazed, Jessica ran up to Natsuhi oba-san.`\ ;　…夏妃伯母さんの額には、/ ;!d700…まるで、ピジョンブラッドの煌きを一粒、あしらったかのよう。/ `...On Natsuhi oba-san's forehead, `/ !d700`...it was almost as though a sparkling shard of pigeon's blood ruby had been placed there.`/ mov ?r[nat][condition],2 seplay 9,1061 \ bg blood_2b,2 ;!s0　……そして、/ ;!d700……そこから一筋の、/ ;!d600………血の化粧が、/ ;!d700目元を掠めて、/ ;!d800表情を横断していく……。\ !s0`......And, `/ !d700`......from it, one stream, `/ !d600`.........of blood makeup, `/ !d700`passed by her eye, `/ !d800`and began to traverse her face......`\ ;!sd　微かに香る硝煙の臭いは、夏妃伯母さんが握ったままのライフル銃の銃口から。\ !sd`The faint smell of gunpowder smoke came from the barrel of the rifle Natsuhi oba-san still grasped.`\ meplay2 3,17,40 ;!s0　…………え？@　じゃ、/ ;!d900………じゃあ、/ ;!d700…………伯母さんは、/ ;!d500……自分で、/ ;!d800額を……撃ったのか…ッ？！/ ;!sd@　どうして？！\ !s0`............Huh?`@` Then, `/ !d900`.........then, `/ !d700`............she, `/ !d500`......shot, `/ !d800`herself......in the forehead...?! `/ !sd@`Why?!`\ ;「母さん、母さん母さんッ！！！@　うわあああぁあああぁああぁあああぁん！！！」\ ;＜朱志香 `"Mom, Mom Mom!!!`@` UWAAAAAaaaAAAAaaAAAA!!!"`\ bg Mhal_2aN,22 ld r,$BUT_KuyasigaruA1,24 ;「…わ、…わけがわからない！！@　どうして伯母さんはひとりで抜け出して、/ ;!d1000……どうして自分の額を撃ち抜いてるんだよッ？！」\ ;＜戦人 `"...I, I don't get it!!`@` Why did Oba-san run away alone, `/ !d1000`......why did she shoot through her own forehead?!"`\ ld l,$GEO_KomaruA1k,23 ;「……真里亞ちゃん、夏妃伯母さんは手紙を読んでから部屋を出たんだよね？！@　手紙がない！@　くそ、伯母さんは何を読んで、どうしてここに誘い出されたんだ？！」\ ;＜譲治 `"......Maria-chan, Natsuhi oba-san left the room after reading the letter, right?!`@` There's no letter here!`@` Damn it, what did Oba-san read, and why was she lured out here?!"`\ cl a,22 ld c,$JES_NakuA1,26 meplay2 4,16,40 ;「知らねぇぜ知らねぇぜ、そんなことはどうでもいいぜ…！！@　何なんだよ、どうして自殺なんだよッ？！@　何で……、私を置いてくんだよ？！@　うわぁあぁぁぁぁぁぁぁぁぁぁ……！！」/ `"I don't know, I don't know, who cares about that...!!`@` What the hell, why did she kill herself?!`@` Why......, did she leave me alone?!`@` UwaaaaaaAAAAAaaaaaa...!!"`/ se1 10 quakey 3,200 @ ;＜朱志香 ;　朱志香は母の屍にすがり付いてひたすらに泣き続ける…。\ `Jessica clung to her mother's corpse, crying earnestly...`\ bg black,22 ;　俺はどこへぶつければいいのかもわからぬ怒りに身を焦がし、夏妃伯母さんの手よりライフル銃を奪って、@全方位の暗闇に銃口をぐるぐると、まるで灯台のように向けては犯人の姿を探す。\ `My body was consumed with an anger I didn't know what to do with, and I stole the rifle from Natsuhi oba-san's hand.`@` I spun around, pointing the barrel of the gun into the darkness on all sides, as though I was pointing a light from a lighthouse, trying to find the culprit.`\ ;　譲治の兄貴は、この状況においても、冷静に何かを理解しようと努めていたが、それは実るわけのない努力だったかもしれない。\ `George-aniki, even in this situation, was trying to calmly figure something out, but that might have been a fruitless effort.`\ bg Mhal_2aN,0 ld c,$MAR_defA1,23 ;　…………そして、真里亞だけが、淡々としていた。@ `............And only Maria was completely indifferent.`@ ;　……これは、最初から決められた運命なのだからとでも言うつもりなのか。\ ;　違う。\ `......So is this all supposed to be some kind of predetermined fate?`\ `No, that's not it.`\ ;　これは全て、……素晴らしき世界へのプレリュード。@ `This is all, ......a prelude to a wonderful world.`@ br ;　黄金郷への扉がいよいよ、@開く。\ `The door to the Golden Land will finally...`@`open.`\ ld c,$MAR_ikariA1,80 ;「……第九の晩に、魔女は蘇り、誰も生き残れはしない。@……そして、第十の晩に旅は終わり、黄金の郷へ至るだろう。@/ `"......At the ninth twilight, the witch shall be revived and none will be left alive...`@`......and at the tenth twilight, the journey shall end and you should reach the village of gold. `@/ ld c,$MAR_WaraiA2,80 ;……これで全部終わったね、ベアトリーチェ。@おめでとう、おめでとう。@…だから真里亞を導いて、あなたの話してくれた黄金郷へ、@……今こそ……！！」\ ;＜真里亞 `......With this, everything is over, Beatrice.`@` Congratulations...congratulations.`@` ...So lead me.`@` Lead me to the Golden Land you told me of...`@`...right now......!!"`\ ;　そこでは全ての死者は蘇り、失われた愛すらも蘇る。@ `There, all of the dead will be revived, and even lost love will be restored.`@ br ;　…………だから、今日の惨劇の全ては真里亞にとって、ないも同じ。@ ;　今日までの、愛の失われた日々すらも、ないも同じ。\ `............So, in Maria's eyes, it's just as though all of today's tragedies didn't happen.`@ `It's as though all the time she spent deprived of love never happened.`\ cl c,0 ld l,$MAR_WaraiA2,0 ld r,$BUT_KuyasigaruA1,24 ;「いい加減にしやがれッ！！@　何が楽しい、何がおめでたい！！@　この島には１８人いた！@　１４人死んだ！@　残りは俺たち４人だ！！@/ `"Stop it!!`@` What's so fun? What's to be congratulated?!!`@` There were 18 people on this island!`@` 14 are dead!`@` Only the four of us are left!! `@/ ld r,$BUT_OdorokiA1,80 ;　俺は絶対に死なねぇぞッ！@　夜が明けるまで…、いやッ、台風が過ぎ去って、また船着場にうみねこたちが帰ってくるまで俺は絶対に死なねぇんだよッ！！@　生き残ってやる、生き残ってやる絶対ッ！！」\ ;＜戦人 `I'm definitely not gonna die!`@` Until the night is over..., no, until the typhoon passes, and the seagulls gather again at the harbor, I'm definitely not gonna die!!`@` I'll stay alive, I'll stay alive, definitely!!"`\ ld l,$MAR_AkuwaraiA2,80 ;「…………きひひひひひ。@よしなよ戦人。@…ベアトリーチェに銃なんて意味ないよ。@それに、生き残るも何も、もうおしまいなんだよ。@ `"............Kihihihihihi.`@` Give it up, Battler.`@` ...Guns are useless against witches.`@` Survival and everything else doesn't matter...because it's over.`@ br ;(もう、旅は終わったんだよ/・・・・・・・・・・・・)。@ (`The journey has already ended`/・・・・・・・・・・・・)`.`@ br ;……ほら、時計を見てごらん。」\ `......See, look at the clock."`\ bg black,22 ;　…え？@　時計？@ `...Huh?`@` The clock?`@ ;　その言葉に俺は自分の腕時計を見る。\ `Hearing those words, I looked at my wristwatch.`\ ;　２本の針は頂点で交わろうとしている。@ `Both needles were almost touching near the top.`@ br ;　……もうじき、午後１２時を迎える。@…つまり、２４時だ。\ `......Very soon, it will be 12:00 at night.`@` ...In other words, 24:00.`\ ;　思えば、２４時とは何と奇妙な時間なのか。@ ;　…２４時とも呼び、０時とも呼ぶ。@ `When you think about it, isn't 24:00 is a strange time?`@ `...It can be called 24:00, and it can also be called 0:00.`@ br ;　一日の全てが満ちた時間にして、…同時に新しい一日が始まるゼロの時間でもある。\ `It's the hour at the culmination of the previous day, ...and at the same time, it is hour zero as the next day begins.`\ ;「…………ベアトリーチェ！！」\ ;＜真里亞 `"............Beatrice!!"`\ ;　真里亞が突然、嬉しそうに叫び、暗がりへ駆けて行く。@ `Maria suddenly called out happily, and ran towards the darkness.`@ br ;　それはまるで、……その暗がりの中に、ベアトリーチェがいて、駆け寄っていくみたいじゃないか。\ `It was almost as though Beatrice was somewhere in that darkness, and Maria was running up to her.`\ bg black,22 ;　俺は銃口越しに、@朱志香は母の屍を抱きながら、@譲治の兄貴は呆然としながら、@……その闇の向こうを見る…。\ `As Jessica hugged her mother's corpse,`@` as George-aniki stood there, shocked,`@` I looked down the barrel of the rifle,`@` ......gazing into the darkness...`\ bg Mhal_2cN,42 ;　そこは、ベアトリーチェの肖像画の前。\ `We were in front of Beatrice's portrait.`\ ;　そして、真里亞が飛びつくのは、@/ ;!s0…………肖像画の、/ ;!d900…人物。\ `And, the thing Maria was running up to was, `@/ !s0`............the portrait's, `/ !d900`...subject.`\ se1 21 ;　嘘だ、/ ;!d400……馬鹿な、ありえねぇ…。@ `You've got to be kidding me, `/ !d400`......this is, ...just impossible...`@ ;　…こんな滅茶苦茶あって堪るもんか、/ ;!d600…魔女なんて“い”ねぇ、認めねぇ…！@ `...Like I'd fall for something like this, `/ !d600`...witches don't 'exist', I won't accept it...!`@ ;　お前みたいなやつが“い”ちゃいけねぇんだ、/ ;!d700だってここは人間の世界なんだぞ、人間じゃない存在なんて認められるかよ、俺は断じて認めねぇ！！\ `Something like you shouldn't 'exist', `/ !d700`because this is a human world! You think I could accept something that's not human?! I definitely won't accept it!!`\ !sd se1 30 ;　ライフル銃のレバーを力強く引くと、薬莢が排出されて床に転がり次弾が装填される。@ `When I pulled hard on the rifle's lever, the cartridge was ejected, fell on the floor, and a new cartridge was loaded.`@ ;　そして銃口越しに、俺は黄金の魔女を捉える…。\ `Then, I sighted the witch down the barrel...`\ ;　真里亞は振り返る。@ ;　……黄金の魔女にしがみ付いたまま、振り返る。\ `Maria turned around.`@ `......Still clinging to the Golden Witch, she turned around.`\ ld l,$MAR_fukigenA1,23 ;「……だから、意味なんてないってば。@…………ベアトリーチェに鉛弾なんて意味ないってば。@/ `"......Didn't I tell you it was meaningless?`@` ............Mere lead bullets are meaningless against Beatrice. `@/ ld l,$MAR_akuwaraiA1,80 ;……馬鹿だね、人間は。@……きひひひひひひひひひひひひひひひひひひひひひひ。」\ `......Humans are so stupid, aren't they?`@` ......Kihihihihihihihihihihihihihihihihihihihihi."`\ cl a,0 ld r,$BUT_odorokiA1,24 ;「俺は魔女なんて認めねぇぞッ！！@　貴様は誰だ！！@　一歩でも動いてみろ、指一本でも動かしてみろ！！@　こいつをブチ込んでやるッ！！！」\ `"I won't accept the existence of witches!!`@` Who are you?!!`@` Just try moving one step, just try moving one finger!!`@` I'll blast you away!!!"`\ bg black,22 bg portrait2,22 ;!s0「きひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひ、/ ;!d800くすくすくすくすくすくすくすくすくすくすくすくすくすくすくすくす、/ ;!d900「くっくっくっくっくっく、くっくっくっくっくっく、/ ;!d1000あっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっは！！」」/ !s0`"Kihihihihihihihihihihihihihihihihihihihihi, `/ !d800`*giggle*giggle*giggle*giggle*giggle*, `/ !d900`"*cackle*cackle*cackle*, *cackle*cackle*, `/ !d1000`Ah ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha!!""`/ !sd\ seplay2 1,51,100 ;bg Mhal_2aN,22 ;　魔女の、……いや、魔女たちの笑い声に合わせ、ホールの大時計までが、笑い出す…。\ `The laughter of the witch, ......no, the witches...joined together until even large clock in the hall was laughing...`\ ;　それは、２４時を知らせるものだっただろう。\ `It was probably telling us that the time was 24:00.`\ ;　今日という日の全てが満ちたことを知らせる音色にして、それが全て無に戻ったことを知らせる音色。\ `It was both a tone telling us that we had reached the culmination of this day, `@`and a tone informing us that all had returned to nothing.`\ br ;(時間切れは、魔女の勝利となると、ルールは明記/・・・・・・・・・・・・・・・・・・・・・・) (`The rule that the witch would win when time`/・・・・・・・・・・・・・・・・・・・) br ;(されていた。/・・・・・・)\ (`ran out had already been revealed.`/・・・・・・・・・・・・・・・・・)\ ;「………戦人。@…譲治兄ちゃんに朱志香。@……旅は、終わって、魔女は、蘇ったよ？」@ `".........Battler.`@` ...George nii-chan and Jessica.`@` ......The journey has ended, and the witch has...revived, see?"`@ br br ;　そして、(誰も生き残れはしない/・・・・・・・・・・)。\ `And `(`none shall be left alive`/・・・・・・・・・・)`.`\ E_MA bg black,1 bgmvol 90 br ;　魔女は賢者を讃え、四つの宝物を与えるだろう。\ `The witch will praise the wise, and should bestow four treasures.`\ br ;　一つは、黄金郷の全ての黄金。@ ;　一つは、全ての死者の魂を蘇らせ。@ ;　一つは、失った愛すらも蘇らせる。@ ;　一つは、魔女を永遠に眠りにつかせよう。\ `One shall be, all the gold from the Golden Land.`@ `One shall be, the resurrection of the souls of all the dead.`@ `One shall be, even the resurrection of the lost love.`@ `One shall be, to put the witch to sleep for all time.`\ br ;locate 0,7 ;　安らかに眠れ、我が最愛の魔女ベアトリーチェ…。\ `Sleep peacefully, my most beloved witch, Beatrice...`\ textoff bg portrait2,42 wait 3000 eye1 23,59,24,00,1,0,560,480,120 ;▲第１５アイキャッチ：１０月５日（日）２３時５９分　が２４時００分に進む *umi1_17 bgmonce "bgm\UmiNeko C FINALMIX_01.ogg" skipoff !sd btndef "bmp\background\efe\end_1a.jpg" ;スクロール画像を読みこむ blt 0,0,640,480,0,0,640,480 ;高速描画処理　座標０ bg end_1b,0 ;最後の背景を裏側に表示 waittimer 40 ; gosub *ep1_scroll ;スクロール実行本体 resettimer ;bg end_rogo,0 ;print 1 waittimer 8000 print 1 prnumclear ;数値ラベル設定クリア csp -1 ;スプライト全クリア btndef "" ;高速描画用画像の、メモリからの消去 ofscpy bg black,10,5000 fede 0,4000 wait 2000 if %UMINEKOEND < 11 mov %UMINEKOEND,11 : mov %UMINEKOEND_FLG,11 ;クリアフラグの変更 se1 22 bg TEXT004,22 delay 10000 bg black,22 E_A reset *umi2_opning if %UMINEKOEND_FLG = 20 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 texton csp -1 bg black,2 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd mono 0 E_A ;bg text002,22 ;seplay 2,25 ;wait 2000 ;bg text003,80 ;click ;bg black,2 ;wait 3000 bg "bmp\background\efe\grimoire1.png",22 wait 3000 click bg black,2 wait 300 se1 28 bg text001,1 delay 6000 bg black,2 wait 2000 ;うみねこのなく頃に ;第二話　Turn of the golden witch　仮打ち ;■水族館（譲治と紗音） mov %play_scene,10 ;シーン変数の入力 mov %r_hyouji_cha,geo mov %r_hyouji,0 gosub *SHA_isyou2 gosub *GEO_isyou2 bgmplay 21 bg aqu_i2b,22 ;「ほら譲治さま、見てください！@　かわいいですよ、ほらほら！」\ `"Hey George-sama, please look!`@` They're so cute, look, look!"`\ bg aqu_i1a,0 ld r,$SHA_WaraiA1,22 ; 紗音が水槽の中に仲良く泳ぐシュモクザメのつがいを見つけ、@まるで初めて水族館に来た小学生のようにはしゃぐ。\ `Shannon found a pair of hammerhead sharks playfully swimming in the tank,`@` running around like a grade schooler seeing an aquarium for the first time.`\ ld l,$GEO_WaraiA2,3 ;「うん、本当にかわいいね。@食べちゃいたいくらいだよ。」\ `"Yeah, they're really cute.`@` I almost want to eat them."`\ ld r,$SHA_HajiraiA1,80 ;「そ、そんなの可哀想です…。@/ `"I, I'd feel so sorry for them... `@/ ld r,$SHA_defA1,80 ; 知ってますか？@　水族館に来て美味しそうなんて言い出すのは、世界中でも日本人だけなんだそうですよ？」@ `Did you know?`@` I hear that the only people in the world who come to an aquarium and say that the fish look delicious are the Japanese."`@ ld l,$GEO_hohoemiA1k,80 ;「そうなんだ？@　…アメリカ人でもイタリア人でも、きっと食べちゃいたいって言うと思うよ。」\ `"Is that so?`@` ...I'm sure even Americans and Italians would want to eat these."`\ ld r,$SHA_HajiraiA1,80 ;「…え、/ ;!d600っと……。@その…。」@ `"...Uh,`!d600` ...um......`@`err..."`@ ld l,$GEO_WaraiA1,80 ;「似合ってるよ、その服。@本当に。」\ `"Those clothes look good on you.`@` Really."`\ ; 紗音は胸元を両手で抱え込むような仕草で恥ずかしがる。@ `Shannon embraced her chest with both hands in embarrassment.`@ ; …慣れないおめかしを笑われてるに違いないと感じたようだった。@ `...She apparently felt like she was being made fun of for wearing these clothes that she wasn't used to.`@ br ; 譲治も、顔には出さないものの、実はあまりにとんでもないことを自分でも驚くくらいにさらりと口にしてしまい、@内心は紗音に負けないくらい恥ずかしがっていた。\ `Even though George's face didn't show it, the truth was that he'd said something so completely unexpected that it surprised even him,`@` and he was as embarrassed as Shannon on the inside.`\ bg aqu_i1b,22 ; でも、紗音が過剰に恥ずかしがってくれている様子を見ていると、@何だか、好きな子にイタズラをしているような気持ちになって、@恥ずかしさの代わりに、くすぐったい楽しさが込み上げてくる。@ `However, when he saw how embarrassed Shannon was, `@`he started to feel as though he was teasing the girl he liked, `@`and instead of embarrassment, a ticklish amusement welled up in him.`@ ;xxxx br ; ……いや、それは適当な言い方ではないか。@ `......No, he didn't just feel like he was doing it.`@ ; …だって、好きな子にイタズラをしている、そのものなのだから。\ `...He really was teasing the girl he liked.`\ ; こう言っては何だが、@……かつてはこんな恥ずかしい言い回しは、今時、漫画の中にも出てこないと思ってた。@ `Nevertheless,`@` ......he had thought that such embarrassing expressions wouldn't even show up in manga these days.`@ ; それどころか、こんなことを口にするカップルがいたら、石を投げてやりたいとすら思ってた。\ `On the contrary, if he had seen another couple acting like that, he'd feel like throwing rocks at them.`\ bg black,22 ; しかし、今の僕たちには、たとえ石が投げつけられたとしても、@祝福の紙ふぶきと同じになってしまうに違いない。\ `However, even if rocks were thrown at us now, `@`I'm sure they would be just like confetti celebrating us.`\ ; カップルというやつが、ＴＰＯを弁えずにベタベタとしていることを僻んだ寂しい日々は、@今では思い出すこともできない。@ `Now, I can't even remember those lonely days...`@`when I felt jealous of couples who were completely oblivious to their surroundings.`@ br ; 古風な言い方で喩えるなら、これこそまさに薔薇色の日々…。\ `To use an old-fashioned phrase, these would be rose-colored days....`\ ; 文字通りデレデレする僕の眼中に、世界最大の水族館の大水槽はもはや映らない。@ `I'm so entranced that I don't even notice the big tank of the world's largest aquarium.`@ ; 紗音が魚たちと戯れて一喜一憂する姿を映し続けるのみだ。\ `Instead, I see Shannon rejoicing and playing with the fish.`\ bg aqu_i2a,0 ld l,$SHA_DefA1,6 ld l,$SHA_WaraiA1,80 ;「…すごいですね……。@クジラを泳がせることができる大水槽なんて、初めて見ました。」@ `"...It's amazing, isn't it......?`@` It's my first time seeing a tank large enough for a whale to swim in."`@ ld r,$GEO_hohoemiA1,24 ;「この大水槽がここの最大のウリだそうだからね。@何でも世界で最大なんだそうだよ。」\ `"I heard that this tank is the biggest selling point here.`@` And that it's the biggest in the whole world."`\ ld l,$SHA_WAraiA3,80 ;「そうなんですか？@　それはすごいですね。@……本当に素敵です。@水槽じゃなくてまるで、海の一部をナイフですっと切り取ってここに運んできたみたい。」@ `"Is that so?`@` That's amazing.`@` ......It's really wonderful.`@` It doesn't even look like a tank at all, but rather like they sliced off a part of the sea with a knife and brought it here."`@ ld r,$GEO_DefA1k,80 ;「そうだね。@これはもう立派な、小さな海だね。」\ `"I agree.`@` This is a splendid little sea."`\ bg aqu_i2b,22 ; 水槽をどんなに大きくしたって、水槽であることには変わりないと思っていた。@ `Despite its size, I hadn't thought of the tank as anything more than a tank.`@ ; だから、海の一部をナイフで切り取ったみたいな、という彼女の表現を面白いなと思った。\ `That's why I thought her expression about cutting of a part of the sea with a knife was so interesting.`\ ; 人間というのは、どんなに見聞を広めようとも、所詮は自分ひとりの価値観しか持てない。@だからこそ、異なる価値観を持つ人間と交流することはこんなにも面白いのかもしれない。\ `No matter how far humans broaden their experiences, they stick to their own view of the world in the end.`@` Maybe that's why it's so interesting to mingle with people who have a different worldview.`\ ; 僕は正直にそれを口にした。@ `I was honest when I said that.`@ ; すると彼女は答える。\ `Then, she responded.`\ bg aqu_i2a,6 ld r,$SHA_DefA1,80 ;「確かに、これは本当の海ではないかもしれません。@…でも、ここに泳ぐ彼らが海だと信じたなら、これは確かに海なんです。」@ `"Certainly, this might not be the real sea.`@` ...But, if those little guys swimming in there believe that it's the sea, then to them it certainly is the sea."`@ ld l,$GEO_DefA1,23 ;「たとえ、有限の水槽の中だったとしてもね。」\ `"Even though they're inside a finite tank?"`\ ld r,$SHA_TokuiA1,80 ;「海だって、有限ですよ。@うぅん、仮に無限だったとしても。@私たちは生きている内にどれほどの広さを行き来できるんでしょうね。@きっと、それは海よりずっと狭い。」\ `"The sea is finite too.`@` But, even if the sea were infinite,`@` how much could we cover in our whole lives?`@` I'm sure that it would only be a miniscule fraction of the sea."`\ bg black,22 bg aqu_i2b,22 ;「…確かに。@皮肉な話だね。@世界はこんなにも広いのに、僕たち人間のほとんどは、自分の国からも出ずに生涯を終える。」\ `"...Certainly.`@` It's ironic, isn't it?`@` Even though the world is so vast, most of us live our lives without ever leaving our own country."`\ ;「そこが、完成された世界だと信じられるなら。@たとえ狭い井戸の底だったって、立派な世界で、海なんです。@…そこに住むカエルにとっては。」\ `"If they believe that this place is a complete world, `@`then it would be a wonderful world, a sea...even if it were in the bottom of a narrow well.`@` ...A sea in the eyes of the frogs that live there."`\ ;bg black,22 br ; 六軒島という、全長が１０ｋｍ程度の小島で使用人として日々を過ごす彼女は、@微笑みながらそう言った。\ `Shannon, who spent her days as a servant on a small island 10 kilometers in circumference called Rokkenjima, `@`said that with a smile.`\ bg black,2 textoff fede 0,3000 skipoff textoff ;bg black,22 ;fede 0,2000 wait 2000 bgmplay 4 textoff mov %ryuu1,8000 bg black,24 bg OP0201,2 wait %ryuu1 wait 2000 bg white,24 bg OP0202,2 wait %ryuu1 bg white,24 bg OP0203,2 wait %ryuu1 bg white,24 bg OP0204,2 wait %ryuu1 bg white,24 bg OP0205,2 wait %ryuu1 bg white,24 bg OP0206,2 wait %ryuu1 bg white,24 bg OP0207,2 wait %ryuu1 bg white,24 se1v 28,90;＜＜＜＜＜新命令　ＳＥ１チャンネルに２８番音を音量９０で。 bg OP0208,2 wait %ryuu1 wait 3000 bg white,2 fede 0,7000 ;■水族館内、レストラン。 bgmplay 2 bg res_i2a,2 wait 2000 bg res_i2b,4 wait 2000 bg black,3 bg res_i1c,3 ; 僕たちは水族館を一通り回った後、見晴らしのいい展望レストランで少し遅い昼食を取った。\ `After we finished walking through the whole aquarium, we had a small late-afternoon lunch at a restaurant with a nice view.`\ ; バイキング形式に心が躍るのは、男の子だったら誰でもそうに違いない。@ `This buffet would certainly cause any boy's heart to jump about.`@ br ; 自分だって昔はそうだった。\ `I myself was like that in the past.`\ ; でも、紗音と一緒のバイキングは違う。@ `But with Shannon beside me, this buffet felt different.`@ ; 好きなものだけみっともなく山盛りにできない。\ `I couldn't shamefully pile on only the things I like.`\ ; 何て言うのかその、…見栄えを気にしてしまい、@トーストにサラダにコーヒーなんて、キザったらしいメニューにしてしまう。@ `I was...how should I put it...worried about my appearance and choose a menu suited for a snob, `@`toast, salad and coffee.`@ br ; 僕ひとりだったなら、焼きそばやマッシュポテトにグラタン等の油っぽいのを山盛りにしてるところだ。\ `If I were by myself, I'd have made a pile of oily stuff like yakisoba, mash potato, gratins, and the like.`\ ld r,$GEO_HohoemiA1,24 ;「紗音は、そんな程度でお腹が足りるのかい？@　だとしたら男ってのは本当に燃費の悪い生き物らしいね。」@ `"Shannon, is that enough for you?`@` If it is, then I guess we men are animals with really bad fuel efficiency."`@ ld l,$SHA_HajiraiA3,23 ;「…えっと、/ ;!d500べ、別にそういうつもりじゃなくて……。」\ `"...Umm, `!d500`I, I didn't mean to imply that......"`\ ; 紗音のトレイには、紅茶とサラダがあるだけだ。@ `On Shannon's tray, there was only tea and salad.`@ ; せめてもう一皿あってもいいと思う時点で、男の胃袋の考え方なのかもしれない。\ `Maybe the reason I thought she should have at least one more dish was because I was thinking with man's stomach.`\ ld l,$SHA_waraiA3,80 ;「譲治さまこそ、それで足りるんですか？@　男の方はもう少し召し上がった方が良いかと思います。@…普段の譲治さまだったら、もう少しお昼を召し上がられていると思いますよ？」\ `"George-sama, will that be enough for you?`@` I think it's better for men to eat a little bit more.`@` ...I imagine that you would normally eat more than that during lunch, right?"`\ ld r,$GEO_KomaruA1k,80 ;「しまった、そうか。@紗音には僕が本家で昼食を取る時、どれくらい食べてるのかバレてるんだったね。」\ `"Oops, really?`@` You must have figured out how much I eat when I had lunch on the island."`\ ld l,$SHA_majimeA2,80 ;「はい。@だから、今日はお腹の具合でも悪いのかと思いまして…。」\ `"Yes.`@` So, is your stomach not feeling good today?"`\ bg res_i2c,25 ; 紗音は体調の不良を疑ってくれる。@ `Shannon suspected that I wasn't feeling well.`@ ; 僕の下らない見栄で心配させてしまったようだ。@ `It seems that I've made her worry with my stupid attempt to show off.`@ br ; それに僕の胃袋は、これ以上見栄を張ることに同意してくれないようだった。\ `Besides, it didn't seem that my stomach would let me show off any longer.`\ bg black,22 bg res_i1b,0 ld l,$GEO_DefA1,26 ld l,$GEO_WaraiA1,80 ;「…いやぁ、あはは…。@もう白状するよ。@ついついカッコつけちゃってね…。@女の子と一緒だからって、遠慮しちゃって…。」\ `"...Gah, ahaha....`@` I'll confess already.`@` I was just trying to look cool...`@` I just held back because I was with a girl...."`\ ld r,$SHA_tokuiA1,24 ;「だと思いました。@親族会議でのお昼の食べっぷりから考えて、それではとても足りないと思いましたので。@遠慮なさらずに、どうぞもう一皿を取りに行って来て下さいな。」\ `"I thought so.`@` Considering how much you eat during lunch at the family conferences, I thought that this wasn't nearly enough.`@` Please, don't be so reserved, and feel free to go and choose another dish."`\ ld l,$GEO_HohoemiA1k,80 ;「ずるいな、僕ばっかり恥ずかしいよ。@じゃあ、紗音はどうなんだい？@　普段からこんな小食で、右代宮家のお勤めがこなせるのかい？」\ `"It's not fair for only me to be embarrassed.`@` What about you, Shannon?`@` How do you manage your work for the Ushiromiya family while eating so little?"`\ ld r,$SHA_HajiraiA2,80 ;「……え、っと、/ ;!d800…………ぁぅ。」\ `"......Umm, uh, `!d800`............au."`\ ; 紗音は真っ赤に赤面しながら沈黙する。@ `Shannon grew silent and blushed bright red.`@ br ; どうやら、見栄を張ってるのは僕だけじゃなかったらしい。@ `Apparently, I wasn't the only one showing off.`@ ; それがわかり、僕の気恥ずかしさは一転する。\ `When I realized that, my embarrassment disappeared completely.`\ ld l,$GEO_WaraiA2,80 ;「何だ、紗音もそれじゃ足りないんじゃないか。@そうだよそうだよ、普段のランチなら、もう少し量が多いものをぺろりと平らげてたよ。」\ `"My, my, that isn't enough for you, is it?`@` Yes, normally, you eat more than this for lunch."`\ ld r,$SHA_HajiraiA1,80 ;「お、女の子のお腹は魔法で出来てるから、これでも平気なんです…。@ぁぅ。」\ `"A, a woman's stomach made of magic, so this is enough...`@`au."`\ ld l,$GEO_waraiA1,80 ;「ということは、僕たちは互いに見栄っ張りだったってことになるね。@もう遠慮はなしにしないかい。」@ `"Then it must mean that we were both showing off to each other.`@` Let's not hold back anymore, shall we?"`@ ; 僕はもう茶化さないという意味の笑顔を浮かべ、席を立ち上がる。\ `I smiled to show that I wouldn't make fun of her anymore and stood up from the seat.`\ ld l,$GEO_hohoemiA1,80 ;「せっかく沖縄まで来たのに、ゴーヤを食べないのはもったいないからね。@ゴーヤの炒め物でも持ってくるよ。@紗音も一緒に行こうよ。@ほらほら。」@ `"After finally coming to Okinawa, it would be a waste if we didn't eat some bitter melon.`@` I think I'll even have some fried bitter melon.`@` Shannon, come with me.`@` C'mon, c'mon."`@ ld r,$SHA_WaraiA3,80 ;「あ、はい…！」@ `"Aah, yes...!"`@ br ; 傍から見ていたなら、僕たちは何と微笑ましく、そして何と恥ずかしい二人なのだろう。\ `To anyone watching us, we might seem like a pretty humorous and embarrassing couple.`\ bg white,4 bg res_i2b,4 ; しかし二人になってみて初めてわかる。@ `But it's only after trying to become a couple that you realize.`@ br ; 僕たちにとってはこのやり取りが全てで、世界なのだ。@ `This whole arguing back and forth means the world to us.`@ ; だから世界の外側の人がどんなに白い目で見たって、僕たちは気付かない。@ `That's why no matter how much everyone else stared at us with blank eyes, we wouldn't have noticed it.`@ br ; ……なるほど、カップルがＴＰＯを弁えずにイチャつきたがる心情を、この歳にしてようやく理解する。\ `......Indeed, at this age, I finally understand the feelings of couples who want to endlessly flirt without any regard to their surroundings.`\ bg white,23 bg res_i1b,23 ; 僕が炒め物を山盛りにした皿を持ってくると、紗音は可愛らしいケーキの載った皿を持ってきた。@ `After I returned with a plate piled up with fried food, Shannon arrived with a lovely cake.`@ br ; 互いの痩せ我慢を笑いあいながら、僕たちは昼食を再開する。\ `While laughing at our fake stoicism, we resumed our lunch.`\ bg white,24 bg res_i1c,24 ;「せっかく海を一望できる展望レストランなのに、あいにくの曇天が悔やまれるね。」@ `"Even though it's a restaurant with a view of the sea, it's so cloudy."`@ br ; 運よく座れた窓際の席は、視界に収まりきらないほどの雄大な海の景色を見せてくれた。@ `Luckily, from our window seats we were shown seaside scenery so grandiose that it didn't fit entirely within our field of vision.`@ ; しかし、生憎の曇り空のため、本来の美しさには程遠かった。\ `However, because of the cloudy sky, it was a far cry from its normal beauty.`\ ;「そうですね。@晴れていたら、さぞや真っ青な海を見せてくれたでしょうに。」@ `"That's right.`@` If it were clear, we would undoubtedly see a deep blue sea."`@ ;「そうだね。@普段、六軒島で海を見慣れてると思うけど、ここの海はきっと格別な青さを見せてくれたはずだよ。@…残念だなぁ。」\ `"Yep.`@` Even though I imagine you're used to the sea at Rokkenjima, normally, the sea here surely should have been an exceptional blue color.`@` ...It's a real shame."`\ ;「あ、でも…、お仕事の最中に見る海は、どんなに青くても灰色と同じです。@でも、今日はお仕事中じゃないから、…その…。」@ `"Aah, but..., no matter how blue it is, the sea I see during work might as well be gray.`@` But, today, I'm not working so, ...I mean..."`@ br ; 紗音なりに精一杯、恥ずかしいセリフを言ってみたらしい。@でも僕の点は辛い。\ `Apparently, Shannon was doing her best to say an embarrassing line.`@` But I didn't let her get off easy.`\ bg res_i2c,25 ;「惜しいな。@譲治さまと二人きりで見る海なら、たとえ灰色でも真っ青に見えます、@って言えたら、百点満点でご褒美だったんだけどなぁ。」@ `"What a shame.`@` If only you'd said 'When watching the sea with you, it would look deep blue no matter how gray it was', `@`I'd have given you full marks and a prize."`@ ;!s0「え、/ ;!d400あ、/ ;!d400すす、すみません……。/ ;!sd@ぅぅぅぅ…。」\ !s0`"Uh, `!d400`ah, `!d400`I, I, I'm sorry.......`!sd`nnnnnn...."`\ ;「ご褒美は何だったか、聞きたい…？」@ `"Wanna hear what my reward was?"`@ ;!s0「ぇっと、/ ;!d800……、/ ;!d700その、/ ;!d800聞いてもいいものでしたら……。」/ ;!sd@ !s0`"Umm, `/ !d800`......, `/ !d700`uh, `/ !d800`if you wouldn't mind......."`/ !sd@ ;「ダメ。@教えない。@あはははははは。」@ `"No.`@` I won't tell you.`@` Ahahahahahaha."`@ ;「ず、ずるいですよ、そんなの…。」\ `"Th, that's no fair...."`\ bg black,22 ; 僕は小学校の頃は、いわゆる「いじられキャラ」だった。@ `When I was in elementary school, I was always the kid that got bullied.`@ br ; みんなにからかわれては、オロオロ、オタオタして、そのリアクションでみんなは喜んでいた。\ `When everyone teased me, I grew nervous and speechless, to the delight of the bullies.`\ ; あの時の自分は、どうしてみんなは僕をいじめるんだろうと思っていたが。@ `Back then, I wondered why everyone teased me.`@ ; 今こうして紗音をおちょくっていてわかる。@ `But now, teasing Shannon like this, I understand why.`@ ; これはとても楽しいことだ。\ `This is so much fun.`\ ; 彼女の喜怒哀楽を、僕の思うままにできて、@…しかもそれを独占できるということ。@ `I can play with her emotions however I please, `@`...and I can have them all to myself.`@ ; これに勝る幸福を今、他に思いつくことはできなかった。\ `Right now, I can't think of any higher pleasure.`\ ; だからこそサジ加減。@ `That's why I have to treat her lightly.`@ ; 彼女を恥ずかしがらせて嫌な思いがさせたいわけじゃない。@ `I don't want her to get embarrassed and think bad of me.`@ ; だからこの話題をこれで切り上げてあげることにする。@ `That's why I decided to end this topic here and now.`@ ; しつこいのは良くないからね。\ `I didn't want to be too obstinate.`\ bg res_i1a,26 ld r,$GEO_DefA1,24 ;「お昼が終わったら、海岸を歩いてみないかい？@　ひょっとすると雲が晴れて、素敵な海が見られるかもしれないよ。」@ `"When you've finished your lunch, do you want to take a walk on the beach?`@` Maybe the clouds will clear up and we'll be able to see a picturesque sea."`@ ld l,$SHA_WaraiA1,23 ;「そうですね。@行ってみたいです。」\ `"That's right.`@` I want to go see it."`\ ld r,$GEO_WaraiA2,80 ;「うん、そうしよう。@…でも、そのケーキも本当に美味しそうだね。@僕も同じものを持ってこようかな。」\ `"Yeah, let's do it.`@` ...But, that looks like a really delicious cake.`@` I wonder if I should get one like that too."`\ ld l,$SHA_odorokiA2,80 ;「いけません…。@お昼にそんなに食べた上にケーキまで食べたら、太っちゃいますよ。@/ `"You can't...`@` If you eat cake after already eating so much, you will get fat. `@/ ld l,$SHA_hajiraiA2,80 ;譲治さまは、秀吉さまの血が濃いみたいですから、気をつけないとおデブさんになっちゃいます。」\ `It looks like Hideyoshi-sama's blood is pretty thick on you, George-sama, so if you don't take care, you will get chubby."`\ bg res_i2c,25 ;「じゃあ紗音は、僕がおデブになったら、嫌いになっちゃう…？@　僕は、たとえ紗音がおデブになっちゃっても、嫌いにならないよ。」\ `"Shannon, you won't stop liking me if I get fat, will you...?`@` After all, I wouldn't stop liking you if you did."`\ ;「そ、そういう意味じゃなくて…。@ちゃんと体を気遣わないと健康にって…、/ ;!d800あぅ。」\ `"I, I didn't mean it that way...`@` If you don't take good care of your body, your health will...,`!d800` au."`\ bg res_i1c,0 ld l,$GEO_DefA1,22 ;「母さんにもよく注意されるよ。@やっぱり僕も、太極拳とかを始めて運動しないと駄目かなぁ。」\ `"Mother warns me all the time too.`@` Still, I also wonder if I should start doing some exercises or take up Tai-chi-chuan."`\ ld r,$SHA_WaraiA3,24 ;「ダイエットは無茶な運動よりも、食生活の見直しから始めた方がいいんですよ。@その上で運動を重ねないと、効果が出ないんだそうです。」@ `"You should start reconsidering your eating habits and go on a diet, instead of just exercising more.`@` And furthermore, I heard that if you don't keep on exercising as well, you won't get any results."`@ ld l,$GEO_hohoemiA1k,80 ;「つまりそれは、デザートのケーキは控えろってことだね。@じゃあ仕方ないから、紗音がそのケーキを頬張るところを眺めていてあげるよ。」\ `"In other words, you're telling me to not eat cake, right?`@` Then, I guess I'll just have to gaze at you while you stuff your cheeks with that cake, Shannon."`\ ld r,$SHA_HajiraiA1,80 ;「えっと、/ ;!d800その、/ ;!d800………。@……ケーキまるまるひとつはさすがに食べ過ぎだと思いますけど、/ ;!d800……半分くらいだったら大丈夫かもしれません。@これ、本当に美味しいんですよ。」@ `"Uh, `!d800`umm, `!d800`.........`@`......Maybe one whole cake is too much but, `!d800`......maybe just half of one would be alright.`@` Here, it's really delicious."`@ br ; 紗音が自分のケーキを切り分け、それを僕のサラダの皿に移そうとする。@ `Shannon cut her own cake and tried to move half to my dessert plate.`@ ; 美味しいケーキの味を、僕と共有したいに違いない。\ `I had no doubt that she wanted to share the delicious cake's flavor with me.`\ bg res_i1b,23 ; なのに敢えて僕は、意地悪にその皿を引っ込めて遠ざける。\ `Even so, I boldly and meanly pushed that plate away.`\ ; 彼女は目をぱちくりさせる。@ `She blinked her eyes in surprise.`@ ; ケーキはいらないという意思表示なのか、量りかねているようだった。@ `She could't seem to figure out if that was a refusal of the cake or not.`@ br ; だから僕は、ウィンクしながら口を、あ〜んと開ける。\ `So I winked, opened my mouth, and said 'aah'.`\ ld c,$SHA_hajiraiA3,23 ;「くすくす。@それが一番したかったんですね。@……もう、譲治さまは甘えん坊です。@/ `"*giggle*.`@` This is what you've wanted from the beginning, isn't it?`@` ......Sheesh, you're such a pampered child, George-sama. `@/ cl c,0 lsp bgsp,":a;custom\Shannon\2\SHA_bustupSP.bmp",0,0 print 8 ;!s0はい、/ ;!d800あ〜ん。」/ ;!sd@ !s0`Ok, `!d800`say 'aah'."`!sd@ ; 恥らうような、呆れるような表情を浮かべながら、彼女はフォークでそれを差し出す。\ `While still wearing an embarrassed, annoyed face, Shannon offered the cake to me with a fork.`\ csp -1 bg black,22 ; ぱく。@ `*chomp*.`@ br ; それはどこにでもあるような安っぽいチョコレートケーキの味。@でも、格別。\ `It had the flavor of cheap chocolate you could find anywhere.`@` Still, it was exceptional.`\ ; だって、こんなにも馬鹿ップルの見本みたいな恥ずかしい真似でケーキをねだるのが、僕の長年の夢だったのだから。@ `Because eating cake in such an embarrassing way, as if we were a couple of perfect fools, had been my dream for many years.`@ ; だから、このケーキの味はまさに極楽の味わい…。\ `It made this cake's flavor heavenly....`\ ; いつか地球が滅ぶのが運命だというなら、それが今この瞬間でも悔いはない。@ `If the Earth is destined to end someday, I wouldn't have any regrets if it happened right now.`@ ; ……そんな至福の時間だった。\ `......It was such a moment of bliss.`\ ;■沖縄・海岸 fede 0,3000 me1 2;＜＜＜＜＜＜＜＜新しく実装された、簡略な演奏命令。音量は70に固定。 bg o_beach_1a,6 wait 3000 bg o_sky_1a,2 ; その後、僕らは海岸を歩きながら、貝殻を拾ったり、波から逃げたりしてはしゃぎあった。\ `After that, we gathered shells, ran from waves and enjoyed each other's company while walking along the beach.`\ ; 結局、空は曇天のままで晴れなかった。@ `In the end, the clouds never parted.`@ ; でも、僕たち二人の目には、共に真っ青な海が映っていたと信じてる。\ `However, we both believed that our eyes were still reflecting a deep, blue sea.`\ ;xxxx bg o_beach_1b,6 ld c,$SHA_tokuiA1,22 ;「………何だか、幸せ過ぎて、/ ;!d800…怖くなります。」\ `"......Somehow, I'm so happy, `!d800`...I'm getting scared."`\ bg o_beach_1c,0 ld r,$GEO_DefA1,24 ;「たまに言うね。@何を怖がることがあるんだい？」\ `"You do say that from time to time.`@` What is it that you're afraid of?"`\ ld l,$SHA_majimeA2,23 ;「…私、/ ;!d900………右代宮家にお仕えする使用人です。@そんな私が、右代宮家に連なる方と、…こうしてご一緒してるなんて…。@/ `"...I'm, `!d900`.........a servant of the Ushiromiya family.`@` For someone like me, ...to be hanging out with a member of the Ushiromiya family... `@/ ld l,$SHA_HajiraiA1,80 ;その、/ ;!d600………過ぎたことのように思えて。」\ `Umm, `!d600`.........It just seems like too much for me."`\ ld r,$GEO_hohoemiA1,80 ;「僕もびっくりしてるよ。@紗音ちゃんと出会ったのは、昨日今日のことじゃない。@何年も前から面識もある。@でも、年に何度もない親族の会合の席で挨拶をするだけ。@/ `"I'm also surprised.`@` I didn't just meet you yesterday or today, Shannon-chan.`@` We've known each other for years now.`@` But, we can only meet during the annual family conference. `@/ ld r,$GEO_WaraiA1,80 ;…そんな君とこうして一緒に過ごせる関係になるなんて、全然想像できなかったよ。@それは紗音もでしょ？」\ `...I never imagined getting into a relationship where I could spend time with you like this.`@` It's the same for you too, right?"`\ textoff fede 0,2000 bgm1 21;＜＜＜＜＜＜＜＜＜＜＜＜＜＜＜ ld l,$SHA_HajiraiA2,80 ;!s0「えっと、/ ;!d600……私は、/ ;!d800……その…。」/ ;!sd@ !s0`"Eerh, `!d600`......I'm, `!d800`......umm..."`!sd@ ld r,$GEO_HohoemiA1k,80 ;「ん？」\ `"Hm?"`\ bg black,25 bg o_beach_1a,22 ;!s0「……想像だけは、/ ;!d700……してました。@いえそのあの！@　想像というよりは、その、/ ;!d800……妄想みたいなもので……。@いつも紳士的で思いやりのある、譲治さまとご縁があったらなって、/ ;!d700……その、妄想してただけで……。」/ ;!sd\ !s0`"......I only, `!d700`......imagined.`@` No, umm, err!`@` Rather than imagination, `!d800`......it was more like a delusion......`@` When I started this relationship with you, George-sama, when you're always so considerate and gentlemanly, `!d700`...I mean, it just felt like a delusion......."`!sd\ bg black,22 bg o_beach_1c,0 ld r,$GEO_DefA1,22 ;「じゃあ、僕たちの縁は、君のその信じた心のお陰だね。@想う力には魔法が宿るんだよ。@だから、その魔法がきっと、僕らを巡り合わせてくれた。」\ `"Then, our relationship happened thanks to your believing heart.`@` Magic dwells in the power of feeling.`@` So, I'm sure that magic has brought us together."`\ ld l,$SHA_fumanA1,23 ;「………そうですね。@…多分きっと、……それは本当に魔法だったんだと思います。」\ `".........You're right.`@` ...I really think, ......that this is truly magic."`\ ld r,$GEO_WaraiA2,80 ;「でもね、そんなことはないんだよ。@僕の中でも、毎年出会う度に美しく見違えていった君の存在は、とても大きくなっていた。@そして、君にとっての僕も同じものだとしたなら、@今日ここに僕らがあることは必然の結果であって、魔法や奇跡なんかじゃないのさ。」\ `"But, you know, that's not quite right.`@` Every time we met, the Shannon within my heart kept becoming more and more beautiful.`@` If the same thing happened to you, `@`then the fact that we are here today is simply an inevitable consequence, rather than something caused by magic or a miracle."`\ bg black,22 ;fede 0,2000 me1 2;＜＜＜＜＜＜＜＜＜＜＜＜＜＜＜＜＜＜＜ bg o_sky_1a,22 ;「……………うぅん。@奇跡はあったんです、@譲治さま。」@ `"...............No.`@` A miracle did happen, `@`George-sama."`@ ; 彼女は海の向こうを見ながら、波打ち際に足を止める。\ `She stopped walking on the beach, gazing beyond the sea.`\ ;「……奇跡？」@ `" ......A miracle?"`@ ;「うぅん、魔法。@…あったんです。」@ `"No, magic.`@` ...It happened."`@ br ; たまに見せる、彼女のちょっぴりミステリアスな表現が僕を戸惑わせる。\ `I was bewildered by that slightly mysterious expression, which I sometimes heard her use.`\ ;「……魔法、が？」\ `"......Magic, you say?"`\ ;「はい、魔法です。@………言っても信じてくれないでしょうから、言いません。@でも、確かにその魔法には、私と譲治さまを巡り合わせてくれる奇跡を叶える力がありました。」\ `"Yes, magic.`@` .........Even if I say it, you probably won't believe me, so I won't say it.`@` But, that magic definitely had the power to grant the miracle which caused you and I to meet each other."`\ ;「それは何かのおまじないのこと？」@ `"You mean, like a good-luck charm?"`@ ;「そうですね。@そういうものの類かもしれません。@…ひとつ違うのは、おまじないなんかじゃなく、…本当に本当の、魔法だったという点です。」@ `"Yes.`@` Maybe it was something like that.`@` ...Except that it wasn't a charm, ...it really was magic."`@ ;「…ふぅん？」\ `"...Hmm?"`\ bg black,2 ; 出会いを、奇跡や偶然で修飾したがるのは紗音に限らず、女の子の普遍的な考え方なんだろうか。@ `Shannon wasn't the only one who'd want to credit an encounter on a miracle or serendipity, it might be a universal thing all girls share.`@ br ; 男の僕にとって、女の子との出会いは、気に入られようとする７０％の努力と、２０％の勇気。@そして１０％の偶然。@ `For a man like me, 70% of an encounter with a girl is an endeavour to try and please her, while 20% of it is raw courage.`@` And the remaining 10% is luck.`@ br ;彼女が全てだと信じるものは、僕の中では全体を占めるウェートが少ない。@ `What she chooses to believe weighs little in my thoughts.`@ ; …そういう考え方自体が、男性的で打算的なのだろうか。\ `...Maybe that way of thinking is in itself calculating and typical of men.`\ textoff bg o_sky_1a,22 fede 0,2000 bgm1 22 ; でも、それを口に出して言えば、どんな魔法も解けてしまう。@ `But, were I to express that in words, any kind of magic would be broken.`@ br ; 僕たちがこういう関係になるまでには、たくさんの偶然や歩み寄り、双方のたくさんの努力があったと思う。@ `I thought that, before we entered into this relationship, we both had many fortuities, concessions and great efforts.`@ ; それら全ての積み重ねの上に、今の二人きりの幸せな時間があり、@それを魔法と呼ぶならば、彼女の言い方は決しておかしなものではない。\ `After all that, if she wants to call these times together 'magic', that isn't strange in the slightest.`\ ; だから僕は言ってやる。\ `That's why I answered her the way I did.`\ ;「そうだね。@……同じ運命を百回繰り返したら、僕と君がこういう関係になる結果は、一度しか起こらないものだったかもしれないね。@互いを意識し合いながらも、僕たちは他人行儀な関係を今も続けていたかもしれない。@そんな他所の世界の僕らから見れば、今の僕たちはまさに奇跡のような関係に違いないだろうから。」\ `"You're right.`@` ......If the same fate were repeated a hundred times, maybe you and I could get into a relationship like this only one of those times.`@` In the other instances, even though we would be aware of each other, maybe we would have only maintained a reserved relationship after all this time.`@` Compared to those otherworldly selves, we are undoubtedly in a miraculous relationship."`\ bg o_beach_1b,0 ld c,$SHA_HajiraiA2,26 ;「そういうのじゃなくて…。@……本当に魔法なんです。@/ `"It's not like that...`@`......it really is magic. `@/ ld c,$SHA_hajiraiA1,80 ;…男の方に、いくら言ってもこういうのは信じてもらえないんでしょうか。@嘉音くんも全然信じてくれませんし。」\ `...No matter how often you tell men something like this, they'll never believe it.`@` Kanon-kun didn't believe me at all, either."`\ ld l,$GEO_DefA1k,23 ;「…信じるよ。@……僕が信じなくて、魔法が解けたら嫌だからね。」@ `"...I believe you.`@` ......Because I wouldn't want to break the magic by not believing in it."`@ ld c,$SHA_hajiraiA3,80 ;「譲治さま…。」\ `"George-sama..."`\ ; 君の魔法を蔑ろにするようなことを言ってごめんねと、僕は小さな声で告げる。@ `In a small voice, I apologized for making light of her magic.`@ br ; その言葉は、紗音にとってとても嬉しいもののようだった。@ `Those words seemed to make Shannon a lot happier.`@ br ; 愛の魔法を、二人が信じてくれたなら、それは永遠のものだから。\ `After all, if a pair of people believes in the magic of love, it becomes eternal.`\ bg o_beach_1c,3 ld l,$GEO_HohoemiA1k,23 ;「そうそう。@僕からわがままがひとつあるんだけど、聞いてもらえないかな。」@ `"Oh, that's right.`@` I have one more whim., but I'm not sure if you'd be willing to listen."`@ ld r,$SHA_DefA1,24 ;「…はい？@　何でしょうか。」\ `"...Yes?`@` What is it?"`\ ld l,$GEO_WaraiA1k,80 ;「その譲治さまって呼び方。@嫌いじゃないけど、もうなしにしないかい？」\ `"You know how you call me 'George-sama'?`@` It's not that I dislike it, but would you not call me that anymore?"`\ ld l,$GEO_hohoemiA1,80 ;「もちろん、右代宮家では体面もあるだろうから、六軒島での普段まで強制はしないよ。@でも、二人きりの時はなしにしよう。@うん、そういうルールにしよう。」\ `"Of course, you have to keep up your appearance with the Ushiromiya family, so I wouldn't force you to do so during your everyday routine at Rokkenjima.`@` But, when we are alone, I'd rather you didn't call me that.`@` Yeah, let's create that rule."`\ ld r,$SHA_hajiraiA2,80 ;「ル、ルールですか…。@も、もし破ったらどうなるんでしょう…？」\ `"A, a rule?`@` I, if I violate that rule, what would happen...?"`\ ld l,$GEO_DefA1k,80 ;「そうだね。@ルール違反には、何か罰ゲームがないといけないかもしれないね。@…そうだな、何がいいかな。@……聞きたい？」@ `"Hmm...`@` Maybe we should have some kind of punishment game if you transgress the rule.`@` ...Yes, what should it be...`@`......Wanna hear?"`@ ld r,$SHA_HajiraiA1,80 ;「い、いえ、聞きたくありません…。」\ `"N, no, I don't want to hear..."`\ ld l,$GEO_HohoemiA1,80 ;「あはははははは。@何がいいか、僕も考えておくことにするよ。」@ `"Ahahahahahaha.`@` I'll have to think about what it should be."`@ ld r,$SHA_HajiraiA3,80 ;「はい。@……譲治、/ ;!d700…さん。」@ `"Ok.`@` ......George`!d700`...san."`@ ld l,$GEO_DEfA1,80 ;「…うん。@素敵な響きだね。@嬉しいよ、/ ;!d800紗音。」\ `"...Yeah.`@` It sounds cool, doesn't it?`@` I'm so happy, `!d800`Shannon."`\ ld r,$SHA_HajiraiA2,80 ;!s0「わ、/ ;!d800……私も、/ ;!d800……紗代という、/ ;!d1000………名前があります。」/ ;!sd\ !s0`"I, `!d800`......I also, `!d800`......have another name`!d1000`.........Sayo."`/ !sd\ ld l,$GEO_HohoemiA1,80 ;「そっか。@ルールはフェアじゃないといけないね。@僕もそれを守って、今から君のことを、紗代と呼ぶことにするよ。@いいね？@　紗代…？」@ `"I got it.`@` The rule must be fair.`@` I'll also keep it, and from now on, I'll have to call you Sayo.`@` Alright?`@` Sayo...?"`@ ld r,$SHA_HajiraiA3,80 ;「は、はい。」\ `"Y-yes."`\ me1 2 bg o_sky_1a,22 ; 彼女の肩を抱き寄せる。@ `I embraced her shoulder.`@ br ; 華奢な体が、強引に抱き寄せられて、まるで人形のように僕の胸に飛び込んだ。@ `Then I forcefully embraced her entire body while she dived into my chest like a doll.`@ ; その頭を抱え込みながら、二人して水平線を見る。\ `As I held her head in my arms, we looked at the horizon.`\ ;「真っ青な海だね。@この海を、二人で見られて、とても嬉しいよ。」@ `"What a deep blue sea.`@` I'm so happy that we can look at this sea, just the two of us."`@ ;「……私もです。@この真っ青な海を、あなたと二人で見ることができて、とても嬉しいです。」\ `"......Me too.`@` I'm very happy that I can look at this deep blue sea with you."`\ ; 僕たちは、小雨すらぱらつき始めている灰色の海を眺めながら、@互いの鼓動をいつまでも確かめ合うのだった…。\ `As we gazed at the gray sea and a light rain began to sprinkle down, `@`we kept listening to each other's heartbeats.`\ bg black,42 gosub *SHA_isyou1 gosub *GEO_isyou1 mov %play_scene,20 ;シーン変数の入力 fede 0,5000 wait 2000 me1 3 textoff bg white,22 bg sea_2a,1 wait 500 bg sea_2b,22 wait 500 bg sea_2c,22 wait 300 bg black,22 br ; 私の耳を浸すのは波の音。@ `The sound of waves soaked into my ears.`@ br ; …いいえこれは、荒れ狂う波の音。@ `...No, this was the sound of enraged waves.`@ br ; 痛いくらいに冷たい飛沫を浴びたこの身が忘れさせない。\ `My body, bathed in painfully cold splashes, did not allow me to forget.`\ ; あれは私の古き運命が割って砕かれた日の記憶。\ `It wouldn't let me forget the memories of the day when my old fate was broken and smashed.`\ ; かつての私にとっての明日は、文字通り鏡のようなものだった。\ `In the past, tomorrows were literally like a mirror to me.`\ ; そこにはいつも、今日の私が映っている。@ `The person I am now, was always projected there.`@ ; ……今日とまったく変わることのない明日。@ `......It was a tomorrow absolutely no different from today.`@ br ; それが私の古き運命だった。\ `That was my old fate.`\ ; …その時、鏡の向こうに、私は初めて別の運命を見た。\ `...But at that moment, for the first time, I saw a different fate beyond the mirror.`\ me2 5 ; 魔女が囁きかける。@ `The witch whispers.`@ br ; 知恵の実をかじりなさいと誘惑する。@ `She tempts me to take a bite out of the fruit of knowledge.`@ ; 神の楽園に居続ける限り、私は家具のままだと苛む。\ `She torments me, saying that as long as I stay in the paradise of god, I'll remain furniture.`\ ; そして私は愛を知り、人となることを選ぼうとする。@ `So I try to choose to know love, and become a person.`@ br ; ……それは甘く蕩けるような蜜の日々だけれども、@……新しい苦悩の日々の始まりだと、今は気付けない……。\ `......Those days were like sweetly melting honey, `@`......but then, I hadn't realized that they were the beginning of the days filled with a new kind of suffering.......`\ bg sea_1b,8 ; 私は、教えてもらったばかりのモーターボートで、この小島にやって来た。@ `I came to this small island on a motorboat that I had just learned how to use.`@ br ; いや、小島とは到底呼べない。@岩礁と呼んだ方が正しいだろう。\ `No, I couldn't possibly call it a small island.`@` It'd really be more appropriate to call it a reef.`\ bg black,22 bg shr_1a,22 ; そこには鳥居があり、鎮守の祠があった。@ `On the reef, there was a torii and a small shrine for the local deity.`@ br ; 恐らく、六軒島の守り神を祀っているのだろう。@ `It was probably built to worship the guardian deity of Rokkenjima.`@ ; ……意味はわからずとも、神聖な意味が込められていることは理解していた。\ `......Even though I didn't know the exact meaning, I understood that it had a holy significance.`\ bg sea_2a,23 ; 私はこのような場所にもかかわらず、私の姿を誰かが見咎めていないか、もう一度だけ見回す。@ `Even in a place like this, I took just one more look around to see if there was someone who'd find fault with me being here.`@ br ; ……見えるのは荒れる海原と遠くに霞む新島、そしてそそり立つ崖に波を砕いている六軒島だけだった。\ `......The only things I could see were the stormy ocean, Niijima looming in the distance, and the waves breaking against Rokkenjima's steep cliffside.`\ bg shr_1a,23 se1 17 bg black,10 ; 私は意を決し、@……恐る恐る祠に近付き、/ ;!d800…そこに納められている鏡を手に取る。\ `I readied myself,`@` ......timidly approached the small shrine,`!d800` ...and took the mirror that was offered to that place.`\ se1v 28,90 ; それは古ぼけて曇り、薄汚れた鏡。@ `It was an old-looking mirror, dim and dirty.`@ ; ……普通の鏡だったら、それは価値を酷く貶めて感じさせるだろう。@ `......If it were an ordinary mirror, that'd probably give you a terribly bad impression of its value.`@ br ; …しかし、この祠に納められている鏡に限っては、むしろそれが何かの神格を感じさせた。\ `...However, since the mirror had been offered to this small shrine, it made you feel some kind of divinity.`\ ; ……そして自覚する。\ `......And I noticed.`\ se2 21 ; これはただの鏡じゃない。@ `This was not merely a mirror.`@ ; …無信仰な自分には古ぼけた鏡に過ぎなくても、本来は大切な意味のある鏡だ。@ `...Even if it would have been nothing more than an old-looking mirror to a non-believer like myself, it was actually a mirror that had an important meaning.`@ br ; ……それを、甘言に乗せられて割ってしまってもいいのだろうか。\ `......Is it really alright to break it after being captivated by honeyed words?`\ ; ……ううん、これは鏡じゃない。@ `......No, this is not really a mirror.`@ ; …これは逃れえぬ今日までの私の人生、そして運命。\ `...This is my life that I could not escape until today, and my fate.`\ ; これを、割るんだ。\ `I'll break it.`\ ; 割って、……鏡の向こうの人生を掴み取るんだ。@ `I'll break it, ......and seize a life from beyond the mirror.`@ ; 割らなければ、私の人生は永久に合わせ鏡。@何もわずかも変わることはない…。\ `If I don't break it, my life will forever be a pair of facing mirrors.`@` Nothing will ever change in the slightest....`\ bg Different_spiral_1a,2 me2 16 ; 魔女が囁きかける。@ `The witch whispers.`@ br ; 知恵の実をかじりなさいと誘惑する。@ `She tempts me to take a bite of true wisdom.`@ ; あるいは、私はもうその実を口にしてしまっているのかもしれない。\ `Maybe I'm already having a taste of that truth.`\ ; あの狂おしい感情を、知ってしまったから。@ `Because I ended up knowing those maddening sentiments.`@ ; アダムとイヴが、イチジクの葉をむしらずにはいられなかったように。@ `Just as Adam and Eve felt compelled to pluck the fig leaf.`@ br ; 私ももう、/ ;!d800……この鏡を割らずにはいられないのだ。\ `By now, `!d800`......I must break this mirror.`\ ; 今日まで何日も葛藤と戦った。@ `Until today, I had fought for many days.`@ ; 自分の中の、善なる自分と魔女に与する自分と何度も戦った。\ `Inside my heart, the virtuous part of me and the part that sided with the witch repeatedly fought each other.`\ bg black,22 me3 5 bg sea_2c,22 ; そして、ここにいる。@ `And now, here I am.`@ br ; ここにいる私は、勝ったのか、負けたのか。\ `Did the part of me who is here win or lose?`\ ; ひとつ、わかったことがある。@ `There's only one thing I know.`@ ; 何かを得るには、失う覚悟がなければならない。@ `To obtain something, you must be ready to lose something.`@ br ; 何も失おうとせず、変えようともしない臆病者に、新しい未来を切り開く鍵は決して与えられることはないのだ。\ `The cowards who don't risk loss and never try to change anything will never receive the key that opens the path to a new future.`\ ; 鍵は、すでに私の手中にある。@ `The key is already in my hands.`@ br ; それは、これを、割ること。@割ること。\ `The key is to break this.`@` To break it.`\ ; 六軒島に閉じ込められた家具の私に、他にできる努力が？@ `Is there any other effort I can make, as furniture imprisoned in Rokkenjima?`@ se1 21 br ; ない。@これしか、ない。\ `No. `@`There's nothing but this.`\ ; さぁ、勇気を。@ `Come, have courage.`@ ; そして私を家具から解放しよう。@ `I'll free myself from being mere furniture.`@ ; そして新たな苦しみを受け入れることで、人間となろう。@ `And I'll receive new sufferings, and become human.`@ ; これは自分に課す、きっと小さくて大きな試練。@ `These are surely the small and large trials I must impose on myself.`@ br ;!s0　さぁ、/ ;!d1000……割れ。/ ;!sd@ !s0`Come on, `!d1000`......break it.`/ !sd@ br ; 私を閉じ込める永遠に変わりなき運命を、叩き割れ……！\ `Break the eternally unchangeable fate that imprisons me, into pieces......!`\ ; それを振り上げ、@ `I raise the mirror high...`@ br ; ………私は、今日までの葛藤の日々を思い返し、@ `......and think back on the preceding days of conflict,`@ br ; ……それに見合わぬほどわずかな時間で回想を終えて、/ ;!s0…/ ;!d600…/ ;!d600叩き付けた。/ ;!sd\ `......and, finishing my reflections in the blink of an eye,`!s0`...`!d600`...`!d600`I throw it.`!sd\ E_A se1 20 wait 2000 se1v 27,90 bg white,10,10 bg black,1 me1v 3,90 ; 雷鳴がうなり、…私が大それたことをしたと咎める。@ `The thunder roars, ...crying out against me for my outrageous act.`@ ; …それはまさに、永遠の楽園から私を追放しようとする天使の怒り。\ `...Certainly, that was the hatred of the angels who were trying to banish me from eternal paradise.`\ ; 私は、真っ二つに割れて足元に転がる鏡を見下ろし…、@自分が確かにそれを成し遂げたことを確認してから、@……荒れ狂う空を見上げて叫んだ。\ `I look down on the mirror tumbling at my feet, broken in two equal parts..., `@`and after I made sure I've accomplished my task,`@` ......I scream while looking up at the enraged sky.`\ bg sea_2b,22 me2 16 ;!s0「…や、/ ;!d800……………約束は、/ ;!d900……守りました…。@……今度は、/ ;!d900………あなたが約束を守ってくれる番ですよね……？」/ ;!sd\ !s0`"...I,`!d800` ...............I kept,`!d900` ......the promise....`@`......Now,`!d900` .........it's your turn to keep your promise with me, right......?"`!sd\ se1 27 bg white,10,10 bg black,1 bg sea_2c,22 ; もう一度雷鳴が轟く。@ `A thunder roars once more.`@ br ; …もう私は楽園を追放されている。@ `...I'm already banished from paradise.`@ ; だから、生きるために、自分で足掻かなくちゃならない。\ `That's why I have to struggle by myself in order to live.`\ ; 魔女は言った。@それは世界の一なる元素。@ `The witch said it.`@` That's the sole element of the world.`@ br ; それを失うとは即ち、世界を失うということ。@ `To lose it means to lose the world.`@ ; …汲めど汲めど満たされぬ穴の空いた水筒に同じ…。\ `...Like how a canteen with a hole on the bottom can't be filled, no matter how much water you pump into it....`\ bg black,22 me3v 5,90 ;「……約束は守りました。@………今度はあなたが約束を守る番です。@……私の願いをどうか叶えてください！@　ベアトリーチェさまぁあッッ！！」\ `"......I kept the promise.`@` .........Now, it's your turn to keep your promise.`@` ......Please, grant my wish!`@` Beatrice-samaaaaaa!!"`\ skipoff textoff E_A ;movie "movie\umineko_op.mpg",click mpegplay "movie\umineko_op.mpg",1 bg black,1 textoff *umi2_1 mov %play_scene,30 wait 2000 me1 11 bg white,48 bg black,2 ;　私は回想している。\ `My mind wandered.`\ ;　今日という日の幸せを、想像するのもやっとだった日々を。@ `Back to the days when I could barely imagine the happiness I have today.`@ br ;　当時の私は中学生。@ `I was a middle schooler at the time.`@ ;　歳相応に色恋を想像することもある、普通の少女だった。\ `A normal girl, who imagined about love, as is normal at that age.`\ ;　でも、私はその夢を、本当は見てはいけなかった。\ `But I really should not have seen that dream.`\ ;　…なぜなら、私は「家具」だからだ。@ ;　家具は道具に過ぎず、人間ではない。@ `...Because I am furniture.`@ `Furniture is nothing more than a tool, and is not human.`@ br ;　人間未満の私は、義務教育に行かせてもらえただけでも十分すぎる幸せだったのだ。@ ;　だから恋なんて、本当は知ろうと思うこと自体が身に過ぎたことのはずだった…。\ `To a person less than human such as myself, just receiving my education was more than enough to make me happy.`@ `So even thinking about love was more than I deserved...`\ E_A ;■客間 bg M1F_S1a,8 bgm1 12 ;　右代宮家の親族会議は毎年１０月に行なう恒例的なものだが、@それ以外の時に親類たちが訪れることもあった。@ ;　…もちろん、お茶を飲みに来るわけでもないのだが。\ `The Ushiromiya family family conference was a customary event held every October, `@`but relatives sometimes visited at other times.`@ `...Of course, they didn't come just to drink tea.`\ bg M1F_S1c,23 ld c,$HID_DefA1,0 ld r,$EVA_DefA1,0 ld l,$GEO_DefA1,24 ;　この日は、絵羽の一家が、六軒島の本家を訪れていた。@ `On this day, Eva's family had visited the head family on Rokkenjima.`@ br ;　客間には、蔵臼の一家３人と絵羽の一家３人が揃い、@近況を報告しながら談笑しているところだった。\ `The three people from Krauss's family and the three people from Eva's family had gathered in the parlor,`@` and were having a friendly chat as they reported the news.`\ ;　絵羽たちの到着を、源次が金蔵に伝えたはずなのだが、なかなか降りてこない。@ ;　…おそらく、自分の「研究」に没頭していて、手を離す気がないのだろう。@ `Genji had supposedly told Kinzo of Eva's family's arrival, but he hadn't come down yet.`@ `...He was probably immersed in his own 'research', and couldn't spare the time.`@ br ;　それはよくあることなので、彼らは気まぐれな父が降りてくるまでのんびり待つのだった。\ `This often happened, so the others waited patiently for their fickle father to come down.`\ bg M1F_S1b,23 ld r,$KLA_akuwaraiA2,24 ;「ほぅ。@それは頼もしいじゃないか。@お父さんのところでたくさん勉強して、早く手助けができるよう、頑張りたまえ。」\ ;＜蔵臼 `"Hoh.`@` Isn't that reliable.`@` Do your best to study a lot from your father, and quickly become able to help him."`\ ld l,$GEO_WaraiA1,23 ;「ありがとうございます。@今は父の紹介で、たくさんの人生の先輩方に本当に貴重な勉強をさせていただいています。@そのいずれも、学校では学べないことばかりです。」\ ;＜譲治 `"Thank you very much.`@` I have been able to gain truly precious study from several of Father's elders who he has introduced me to.`@` Everything I learned was something that couldn't be learned in school."`\ bg M1F_S1c,0 ld r,$HID_DefA1,24 ;「学校で習うのは国語算数やない。@モノを学ぶ姿勢と態度を学ぶんや。@その基礎ができて、ようやく生涯をかけた勉強が始まるんやで。」\ `"You learn math and language in school, right?`@` What you really need to learn is the right attitude for learning more.`@` Once you form that basis, you can finally start a long period of study that'll last your entire life."`\ ld r,$HID_MajimeA1,80 ;「ここをな、勘違いしとるヤツは、生涯学べん石頭や。@国語算数で満点取れても、会社じゃ役に立たへん！」\ ;＜秀吉 `"People who don't get this and don't spend their whole lives learning are fools.`@` They might get full marks in math and language, but they'll be useless for their company!"`\ ld l,$KLA_AkuwaraiA1,23 ;「ふむ、まったくその通りだよ。@秀吉さんの教育方針はいつも本当にご立派ですな。」\ ;＜蔵臼 `"Hmm, that is exactly right.`@` Hideyoshi-san, your education policy is always truly excellent."`\ ld r,$HID_WaraiA2,80 ;「譲治もまだまだ半人前や！@　それを常に忘れんで、勉強に励むんやで。」@ ;＜秀吉 `"George isn't quite a full man yet!`@` He should always keep that in mind, and embrace his studies."`@ cl l,24 ld l,$EVA_HohoemiA2,23 ;「よしなさいよあなた。@譲治はいっつも一生懸命、頑張ってるわよぅ。@ねぇ？」@ ;＜絵羽 `"Stop it, dear.`@` George is a-lways giving it his all.`@` Right?"`@ cl r,23 ld r,$NAT_zutuuA1,24 ;「本当に立派ね。@うちの朱志香にも爪の垢をわけてもらいたいわ…。」\ ;＜夏妃 `"Truly excellent.`@` I wish our Jessica would learn from him..."`\ bg M1F_S1a,0 ld r,$JES_tohohoA1,23 ld r,$JES_komaruA1,80 ;「…ちぇー。@まぁだ、テストの結果を根に持ってるのかよ。@受験勉強は私なりにやってるって。@こんな席でまで言うこたねぇだろうよ。@うぜーぜ。」@ ;＜朱志香 `"...Sheesh.`@` Are you still holding a grudge about that test score?`@` I'm studying for tests as best I can.`@` At least don't say it here.`@` Pissing me off."`@ br ;　勤勉な譲治を讃える話の流れは、大抵、勉強嫌いの朱志香にお鉢が回ってくることになる。@ ;　やっぱりこっちに振られたかと、朱志香は露骨に嫌そうな顔をする。\ `When praising George for his diligence, the conversation sometimes turned to Jessica, who hated studying.`@ `Jessica made an openly displeased face, as though she'd known it would come to this.`\ bg M1F_S1c,0 ld r,$KLA_defA1,24 ;「やれやれ…。@朱志香は勉強と一緒に、少しはお淑やかな言葉遣いも学ぶ必要があるんじゃないかね？@　右代宮家の家紋を背負う一人娘が、それではみっともないな。」\ ;＜蔵臼 `"My, my...`@` Doesn't it seem as though, in addition to study, Jessica should also learn how to speak a little more lady-like?`@` That is shameful for a daughter who bears the Ushiromiya family crest."`\ ld l,$EVA_AkireA1,23 ;「あぁら、これはこれで魅力的よぅ、ねぇ？@　時代は変わるのよ。@男に食わしてもらうために貞淑を装わなくてはならなかった時代はとっくに終わってるんだから。」@ ;＜絵羽 `"My, isn't that fascinating, right?`@` Times change.`@` The time when we had to dress modestly to entertain men ended a long time ago."`@ cl r,23 ld r,$JES_WaraiA1,24 ;「そうそう！@　やっぱ絵羽叔母さんはわかってますねー！@　えへへへ！」\ ;＜朱志香 `"That's right, that's right!`@` I knew you'd understand, Eva oba-sa-n!`@` Eheheheh!"`\ bg M1F_S1b,23 ld r,$NAT_hisuA1,24 ;「……はぁ…。@今日は頭痛が特に堪えます。」@ ;＜夏妃 `"......Haah...`@` My headache is truly trying today."`@ ld l,$GEO_hohoemiA1,23 ;「大丈夫ですか？@　夏妃伯母さん、顔色が優れないみたいです。」\ ;＜譲治 `"Are you alright?`@` Natsuhi oba-san, your face looks off-color."`\ ld r,$NAT_zutuuA1,80 ;「ありがとう、大丈夫です。@/ `"Thank you, I am alright. `@/ ld r,$NAT_WaraiA1,80 ;……でも、本当に月日が経つのは早いものね。@半ズボン姿で浜辺を駆け巡って、ずぶ濡れになって帰ってきた日が、ついこの間のように思います。」\ ;＜夏妃 `......But time really has flown.`@` It feels like just yesterday when you would run around half-naked by the beach and come back soaked."`\ bg M1F_S1c,0 ld r,$EVA_DefA1,0 ld l,$JES_DefA2,24 ld r,$EVA_WaraiA1,80 ;「それは朱志香ちゃんも同じよねぇ？@　今じゃ、お化粧の仕方にだってこだわるレディなんだから。@眉にこだわりがあるのね、今日のあなた、とってもキュートよ。」\ ;＜絵羽 `"Wasn't Jessica-chan the same?`@` And now she's a lady who fusses over how to put on makeup.`@` You really are particular about your eyebrows. You look really cute today."`\ ld l,$JES_WaraiA1,80 ;「ありがとうございます。@誰も気付いてくれなかったんで、自信なくしてたとこです。」@ ;＜朱志香 `"Thank you very much.`@` Nobody noticed, so I was a little worried."`@ br ;　朱志香は、自分の「勉強」の成果をようやく気付けてもらえて、満面の笑みを浮かべる。@ `A full smile rose to Jessica's face as the results of her own 'studies' were finally noticed.`@ br ;　絵羽もそれに同じくらいの笑みを返した。@…そして、その笑みを夏妃にも向ける。\ `Eva smiled back in the same way.`@` ...Then, she turned that smile towards Natsuhi.`\ ld r,$EVA_AkireA2,80 ;「駄目よぅ、夏妃姉さん？@　自分の子の小さな変化にも気付かなくちゃ。@可哀想な朱志香ちゃん。@一番最初にお母さんに気付いてもらいたかったでしょうに〜、ねぇ？」@ ;＜絵羽 `"Come on, Natsuhi nee-san?`@` You must take notice of small changes in your own child.`@` Poor Jessica-chan.`@` Even though she probably wanted to first be noticed by her mother, right?"`@ ld l,$JES_atyaA1,80 ;「いいんですいいんです。@あの人、そういうの全然気付かない人なんで。」\ ;＜朱志香 `"No problem, no problem.`@` That person never notices anything."`\ bg M1F_S1a,0 ld r,$KLA_akuwaraiA2,23 ;「朱志香。@母親をあの人呼ばわりとは感心できんね。@謝りなさい。」@ ;＜蔵臼 `"Jessica.`@` I cannot admire you calling your mother 'that person'.`@` Apologize."`@ ld l,$NAT_zutuuA1,23 ;「……言葉遣いについては、あとでよく言って聞かせます。」\ ;＜夏妃 `"......Later, I will speak to you at length about your language."`\ bg M1F_S1b,0 ld c,$JES_KomaruA1,24 ;「ちぇ…。@お子様は邪魔だってんならそう言ってくれよ。@私ゃ席を外させてもらうぜ。@ここは空気が澱んでるぜ。」@ ;＜朱志香 `"Che...`@` If kids are a burden, just say so.`@` I'll get out of the way.`@` It's getting stuffy in here."`@ ld r,$NAT_OdorokiA1,24 ;「朱志香…！」@ ;＜夏妃 `"Jessica...!"`@ cl c,23 br ;　朱志香だって、受験を控えたナーバスな年頃だ。@ ;　最近は教育熱心な母親と激突することが多かった。\ `Jessica was still at the age where she was a novice at studying for tests.`@ `Recently, she had clashed often with her mother, who was enthusiastic about her education.`\ bg M1F_S1c,0 ld c,$SHA_fumanA1,23 ;「失礼いたします…。@/ `"Excuse me... `@/ ld c,$SHA_OdorokiA2,80 ;きゃ？！」@ ;＜紗音 `Kya?!"`@ br ;　不機嫌に客間を出て行こうとする朱志香と、お茶を積んだ配膳台車を押してきた紗音が鉢合わせする。\ `Jessica, who was trying to leave the parlor in a bad mood, and Shannon, who was pushing a serving cart filled with tea, bumped into each other.`\ cl c,0 ld l,$SHA_OdorokiA2,0 ld r,$JES_atyaA1,24 ;「あ、紗音。私の分のお茶はいらないぜ。@私は庭でもほっつき歩いてくる。」@ ;＜朱志香 `"Ah, Shannon. No need to worry about my tea.`@` I'm just going to wander around the garden."`@ cl r,23 ld l,$SHA_KomaruA1,80 ;「…お、お嬢様…。」\ ;＜紗音 `"...M, Milady..."`\ bg M1F_S1a,0 ld r,$NAT_hisuA1,24 ;「紗音、お茶が冷めます。@配膳を急ぎなさい。」@ ;＜夏妃 `"Shannon, the tea is getting cold.`@` Serve it quickly."`@ ld l,$SHA_ODorokiA1,23 ;「しっ、失礼しました…。」\ ;＜紗音 `"M, my apologies..."`\ textoff me1 11 fede 1,2000 ;　紗音に非があったわけではないが、@身内の恥を見られたような気持ちになり、つい夏妃は感情的な言葉をぶつけてしまう。@ `Shannon hadn't actually done anything wrong,`@` but Natsuhi, who felt like some shame to herself had been shown, lashed out at her emotionally.`@ br ;　…右代宮家ではよくあること。@ `...This was something that often happened in the Ushiromiya family.`@ br ;　しかし、そう思って割り切れるほど紗音はたくましくはないようだった。\ `But it seemed that Shannon wasn't strong-willed enough to accept it that way.`\ bg black,25 bg M1F_S1d,22 ;me1 11 ;E_B ;　すっかり萎縮してしまい、おどおどとしながら紅茶の準備をする。@ ;　萎縮すると、ミスが多くなるのは彼女の気の毒な癖だった。\ `She shrunk back, and prepared the black tea while cowering.`@ `She had the unfortunate habit of making more mistakes when she cowered.`\ ;　その痛々しい様子に、つい先ほどまでの和やかな雰囲気は霧散してしまう。@ `Her pitiful appearance dispersed the peaceful atmosphere that had been there until just a moment ago.`@ br ;　それは紗音のせいではないはずだが、紗音にはまるで自分が元凶のように感じられて、胸が締め付けられた。\ `That wasn't really Shannon's fault, but she thought she might be the source, and felt a pressure on her chest.`\ bg M1F_S1c,26 ;　震える指は、カチャカチャと食器を鳴らしてしまい、お世辞にも優雅とは言えない。@ `Her shaking fingers made the utensils clang, and you couldn't have complemented it as graceful.`@ br ;　それを気の毒に思えば気の毒に思うほど、場は沈黙し、@夏妃はそれにイラついているように見え、さらに紗音を萎縮させる…。@ ;　紗音のか細い首は、緊張感という死神に締め付けられて窒息してしまいそうだった。\ `The more pitiful everyone thought that was, the greater the silence grew,`@` the more irritated Natsuhi looked, and the more Shannon cowered...`@ `Shannon's thin neck felt like it was being suffocated and chocked by the death god of tension.`\ E_A ;　その時、譲治が、硬くなった場の空気を吹き飛ばすように、愉快そうに言った。\ `At that time, George spoke pleasantly, blowing away the stiff atmosphere.`\ ld r,$GEO_hohoemiA1,2 bgm1 8 ;「これはいい香りだね。@何の紅茶かな。」@ ;＜譲治 `"That's a nice smell.`@` What kind of black tea is it?"`@ ld l,$SHA_KomaruA1,23 ;「えっと、/ ;!d600………これは……。」@ ;＜紗音 `"Umm, `/ !d600`.........this is......"`@ ld r,$GEO_waraiA1,80 ;「うぅん、言わないで。@当てるから。@これは特徴的な匂いだから多分わかるよ。@……アールグレイ、かな？」@ `"No, don't say it.`@` I'll guess.`@` It's a very distinctive smell, so I probably know it.`@` ......Is it, Earl Grey?"`@ ld l,$SHA_HajiraiA1,80 ;「た、多分、そうだと思います…。」\ ;＜紗音 `"I, I think it probably is..."`\ ld r,$GEO_WaraiA2,80 ;「あはははは。@多分、アールグレイであってるよ。@台所に戻ったら紅茶の缶を見てごらん。」\ ;＜譲治 `"Ahahahaha.`@` It probably is Earl Grey.`@` When you get back to the kitchen, check the can."`\ bg M1F_S1a,23 ld l,$KLA_defA1,23 ;「ほぅ。@譲治くんは紅茶に詳しいのかね？」\ ;＜蔵臼 `"Hoh.`@` George-kun, you know a lot about black tea, don't you?"`\ ld r,$GEO_DEfA1,24 ;「お世話になっている社長さんに紅茶の詳しい人がいまして。@講釈を聞いている内に少しだけわかるようになりました。」\ ;＜譲治 `"A company president who looked after me was very knowledgeable about black tea.`@` While listening to his lectures, I was able to learn a little."`\ bg M1F_S1c,0 ld r,$HID_WAraiA2,24 ;「あぁあぁ、小此木食品の社長さんかい。@あの人、そういうウンチクは得意やなぁ！」@ ;＜秀吉 `"Oh yeah, the president of Okonogi Foods.`@` That person's profound knowledge was his specialty!"`@ ld l,$EVA_HohoemiA1,23 ;「紅茶の名前って産地を示すことが多いんでしょう？@　じゃあこれは、アールグレイという土地で栽培されたのが由来なのかしらね？」\ ;＜絵羽 `"The names of black tea often refer to the place they are made, right?`@` So is this something cultivated from a place called Earl Grey?"`\ bg M1F_S1b,0 ld c,$GEO_HohoemiA1,23 ;「昔、イギリスにグレイ伯爵という人がいたそうで、その人にちなんで付けた名前だそうだよ。@/ `"I have heard that long ago in England, there was a person called Earl Grey, and it was named after him. `@/ ld c,$GEO_DefA1k,80 ;ちなみに、この特徴的な匂いは茶葉のものではなくて、ベルガモットというミカンの親戚に当たる果物で付けたものなんだって。」\ ;＜譲治 `Furthermore, this distinctive smell doesn't come from tea leaves, but from a fruit called a bergamot, which is a relative of the mandarin orange."`\ bg M1F_S1c,0 ld r,$NAT_WaraiA1,24 ;「そうなの。@初めて知りました。@そういう知識を持っていると、紅茶もより美味しくいただけますね。」@ ;＜夏妃 `"Is that so?`@` I never knew that.`@` Knowing that, the black tea will taste even more delicious."`@ ld l,$HID_WaraiA2,23 ;「酒も煙草も同じや。@嗜好品はロマンを嗜むもんやで。@こういうウンチクが、味わいを深めるんや。」\ ;＜秀吉 `"Alcohol and cigarettes are the same.`@` Luxury items have a taste of romance.`@` Knowledge like this deepens the taste."`\ ld c,$EVA_AkireA2,23 ;「薬の能書きと同じよね。@夏妃姉さんも、愛用してる頭痛薬の説明書、今度はじっくり読んでから飲んでみなさいよ。@くすくすくすくす。」@ ;＜絵羽 `"It's the same as the advertising on medicine.`@` Natsuhi nee-san, you should try reading the explanation on your favorite headache medicine someday.`@` *giggle*giggle*giggle*giggle*."`@ ld l,$KLA_AkuWaraiA2,23 ;「はっはっはっは！@　それはいい。@今夜試してみなさい。」@ ;＜蔵臼 `"Hahahaha!`@` That would be good.`@` Try it tonight."`@ ld r,$NAT_ZutuuA1,80 ;「…えぇ、試してみます。」\ ;＜夏妃 `"...Yes, I'll try it."`\ bg M1F_S1a,23 ld r,$GEO_WaraiA1,24 ;「紗音ちゃん、そのポットを開けてごらん。@茶葉の中に、ベルガモットを乾燥させた物が混じっているのを見つけられるはずだよ。」@ ;＜譲治 `"Shannon-chan, try opening that pot.`@` You should find some dried bergamot mixed in with the tea leaves."`@ ld l,$SHA_WaraiA3,23 ;「あ、……はい。@入っています。@オレンジの皮を乾燥させたような物が混じっています。」\ ;＜紗音 `"Ah, ......yes.`@` It is in there.`@` Something like dried orange peel is mixed in."`\ ld r,$GEO_HohoemiA1,80 ;「うん。@多分これがベルガモットだね。@アールグレイの香りの主成分だよ。@匂いは鮮烈だから味がキツそうな印象があるけど、素直で飲みやすい味なんだよ。@ミルクティーにすると香りもまろやかになって素敵かもしれないね。@みんなに注いでポットに余った分があったら、ぜひミルクティーにして飲んでみるといいよ。」\ ;＜譲治 `"Yes.`@` That's probably bergamot.`@` The main ingredient in Earl Grey's scent.`@` The scent is vivid, so it gives the taste an intense impression, but it's a docile taste that's easy to drink.`@` If you make it with milk, the scent may become more mild and wonderful.`@` If there's anything left in the pot after you've poured for everyone, you really should try drinking it with milk."`\ ld l,$SHA_HajiraiA3,80 ;「ぁ、…はい…。@ありがとうございます…。」\ `"Ah, ...yes...`@` Thank you very much..."`\ bg black,22 ;　譲治が小さなウィンクをよこす。@ `George gave her a small wink.`@ br ;　紗音はようやく、場の空気を和ますために、譲治が気を遣ってくれたのだと気付く。@それも、萎縮していた彼女のために。\ `Shannon finally realized that George had been doing her a favor by calming down the atmosphere in the room.`@` And he had been doing it for her sake as she had cowered.`\ bg M1F_S1d,22 ;　右代宮家は、使用人に対して甘やかさない。@ ;　だから不手際があれば厳しく罰せられる。@ `The Ushiromiya family did not pamper their servants.`@ `So if there was any awkwardness, they would be harshly punished.`@ br ;　なので、こんな風に助け舟をもらえることは滅多になかった。\ `So it didn't often happen that they were given a helping hand like this.`\ ;　紗音は譲治の気遣いのお陰で、何とか気を取り直し、無事に配膳を終えることができた。@ `Thanks to George's concern, Shannon was somehow able to get a hold of herself and finish serving everything safely.`@ br ;　落ち着いてこなせば、何事も優雅にそつなくこなせるのだ。\ `If she was calm when she worked, she could easily carry out her tasks elegantly and flawlessly.`\ bg black,22 wait 1000 bg M1F_S1c,26 ;　テーブルの上に紅茶が並び、優美な香りを漂わせる頃には、@場はすっかり元通りになり、譲治の博識を讃えるような和やかなムードになっていた。\ `When the black tea was laid out on the table and the elegant scent drifted around,`@` the room was completely back to how it had been, in a peaceful mood, as everyone praised George's knowledge.`\ ;　紗音は、助けてくれたことにお礼を言いたかったが、それを伝える機会はなさそうだった。@ `Shannon wanted to thank him for saving her, but it didn't look like she would get the chance.`@ br ;　だからせめて、心の中で感謝し、それが伝わってくれるよう、神様に祈りつつ、配膳台車を押して退出した。\ `So she at least thanked him inside her heart, praying to God that George would hear it, and pushed the serving cart away.`\ bg black,3 ;■庭で、朱志香と紗音 mov %play_scene,30 fede 0,3000 wait 2000 bgm1 43 bg garden_1a,2 ld r,$JES_DefA1,24 ;「譲治兄さんは、昔からそういう時には助け舟を出してくれるんだよ。@話題をさらりと変えてくれるというかさ。」\ ;＜朱志香 `"George nii-san has always lent a helping hand in times like that.`@` By changing the topic or something."`\ ;　紗音と朱志香の姿は薔薇庭園にあった。@ `Shannon and Jessica could be seen in the rose garden.`@ br ;　母親と口喧嘩をしてしまった朱志香は、今更ノコノコと客間には戻れず、こうして時間を潰しているのである。\ `Jessica, who had gotten into a fight with her mother, still hadn't returned to the parlor, and was nonchalantly killing time like this.`\ bg garden_1b,24 ld l,$SHA_TokuiA1,23 ;「……思い返せば、こういう助けられ方をしたのは、今回が初めてじゃない気がします。」@ ;＜紗音 `"......When I think back on it, I feel that maybe this wasn't the first time he has helped me like that."`@ br ;　粗相をしてしまって、そこに譲治が居合わせた時。@彼はいつも、自然に場を取り繕うようにして和ませてくれていたように思う。\ `Whenever I made a careless mistake, and George was there,`@` he would always naturally smooth things over and make things harmonious, I think.`\ ;　…それは例えば、落としたフォークを一緒に拾ってくれるような直接的なものではないかもしれない。@ `...Maybe it wasn't something as direct as picking up a fork that had been dropped.`@ br ;　でも、それこそが彼なりの気遣いだったのだ。@ ;　使用人にも誇りがある。@自分のミスは自分で片付けたい。@ ;　…それを客人に手伝われては、立つ瀬がなくなってしまうのだから。\ `But that was his way of caring.`@ `Even servants have pride.`@` They want to fix their own mistakes by themselves.`@ `...Because if a guest helped them out with that, they would lose face.`\ ld r,$JES_akuwaraiA1,24 ;「そういう空気を読むのが得意なんだろうぜ。@まぁ、譲治兄さんの美学なんだろうよ。@あの人、妙にキザったらしいところあるからな。@あははははは。」@ ;＜朱志香 `"He's really good at reading between the lines in those kinds of situations.`@` Well, maybe that's George nii-san's aesthetic take on things.`@` That guy's more of a show off than he looks.`@` Ahahahahaha."`@ ld l,$SHA_HajiraiA1,80 ;「そ、そんなことありません…。@…とっても素敵な方だと思います。」\ ;＜紗音 `"Th, that's not true...`@`...I think he is a really wonderful person."`\ ld r,$JES_waraiA1,80 ;「んー…？！@　……ひょっとして紗音、譲治兄さんに惚れたぁ？」@ `"Hmmmm...?!`@` ......Shannon, you haven't fallen in love with George nii-san, have you?"`@ br ;　紗音が珍しく、ちょっぴり強い口調で朱志香の言葉を遮ったので、朱志香はすぐにピンとくる。\ `Shannon had uncharacteristically refuted Jessica's words forcefully, so Jessica had struck back.`\ ld l,$SHA_HajiraiA2,80 ;「いえっ、…そういうことはない、かと……。」\ `"No, ...that's not it, I think......"`\ ld r,$JES_tohohoA1,80 ;「そういや、譲治兄さんって、あまり浮いた話を聞いたことないし。@あれ？@　確か以前、家庭的な子がタイプだとか前に聞いたかな？@/ `"Come to think of it, I almost never hear anything bad about George nii-san.`@` Huh?`@` I think I remember hearing him say that family-oriented girls were his type, didn't I? `@/ ld r,$JES_WaraiA1,80 ;　そりゃいいぜ、紗音ぴったりじゃん！」@ `Nice, that fits you perfectly, Shannon!"`@ ld l,$SHA_OdorokiA2,80 ;「わわ、私がですか…？！@/ `"I, i, it does...?! `@/ ld l,$SHA_HajiraiA1,80 ;!s0　そんな、/ ;!d300…私にはその、/ ;!d400…そんな資格、ありませんし…。」/ !s0`How could, `/ !d300`...I am not, umm, `/ !d400`...qualified, like that..."`/ !sd\ ld r,$JES_akuWaraiA1,80 ;「資格はあるぜー？@　何年も昔から顔を合わせてて半ば幼馴染状態。@互いに男女であることを意識しないナチュラルな関係ってのは、一度意識し始めるとトントン拍子らしいぜ？@　うんうん！」\ `"You sure are qualified!`@` You've known his face since long ago so you're almost a childhood friend.`@` They say that in a natural relationship where you don't realize you're a boy and girl, once you do realize it, things go on without a hitch, right?`@` No doubt!"`\ ;　朱志香は、ティーン向けのその手の雑誌が大好きで、いつも電話で友人たちとそういう話で盛り上がっていた。@ ;　だからこの手の色恋の話には敏感なのだ。@ `Jessica loved teen magazines with this kind of story, and she was always getting excited talking about that kind of thing with her friends.`@ `So she was very sensitive to these kinds of love stories.`@ br ;　だから、この手の話を振られるのも、紗音は初めてではない。\ `So this wasn't the first time Shannon had been exposed to this kind of story.`\ bg garden_1c,22 ;　でも、譲治のことを異性として意識したのは、確かにこれが初めてだった。\ `But this was certainly the first time she had noticed George as a member of the opposite sex.`\ ;　自分は家具で、譲治は右代宮家に連なる大切な賓客。@ ;　……それ以上の関係なんて、想像することすら許されないと思ってきた。@ `She was furniture, and George was an honored guest connected to the Ushiromiya family.`@ `......She had thought that she wouldn't be allowed to even imagine any deeper relationship.`@ br ;　だから考えなかった。\ `So she hadn't thought of it.`\ ;　朱志香は他人事だからと、さも愉快そうに茶化す。@ ;　紗音は紅潮する頬を悟られないようにするのが精一杯だった。@ `Jessica poked fun at it, even more happy that it was someone else's problem.`@ `Shannon was doing her best to make sure that her blushing cheeks weren't discovered.`@ br ;　だから、そんなタイミングで譲治が現れたなら、冷静でいられるはずなどない。\ `So if George had shown up at a time like that, there'd be no way that she would be able to keep her cool.`\ bg M_o1a,22 ;　屋敷の玄関から、譲治が出てくるのが見えた。@ ;　彼もこちらの姿に気付いたらしい。@ ;　手を振りながらこちらへやってくる。@ `They saw George come out from the entrance hall of the mansion.`@ `It looked like he had seen them as well.`@ `He headed over, waving his hand.`@ br ;　紗音は、譲治がやってくるまでに普段通りの落ち着きを取り戻そうと、あたふたしなくてはならなかった…。\ `Shannon had to frantically try and regain her ordinary composure before George reached them...`\ bg garden_1a,0 ld r,$GEO_DefA1,23 ;「お祖父さまがやっと降りてきたよ。@後は大人たちの話になるからって追い出されてね。」@ ;＜譲治 `"Grandfather finally came down.`@` Now they're having an adult discussion, so they chased me out."`@ ld l,$JES_atyaA1,23 ;「ははは、そりゃ抜け出して正解だよ。@祖父さまの顔を拝むくらいなら、疫病神にキスした方がマシだぜ。」\ ;＜朱志香 `"Hahaha, escaping then was the right choice.`@` It'd be better to get kissed by the angel of death than to look at Grandfather's face."`\ ld r,$GEO_KomaruA1,80 ;「そんな言い方は悪いよ。@…ただ、お祖父さまは僕らのことを疫病神だと思っているかもしれないね。@何しろ、事業用にお金を借りたいという話でやって来たんだから。」\ ;＜譲治 `"You shouldn't speak that way.`@` ...However, I think Grandfather may think of us as the angel of death.`@` Anyways, when they started talking about borrowing money for business, I came over here."`\ bg black,22 bg M_o1b,22 ;　そう、これは毎年１０月恒例の親族会議ではなかった。@ `That's right, this wasn't the customary annual October family conference.`@ br ;　絵羽の一家が、本家に事業用の借金を申し込むために訪れたのである。\ `Eva's family had visited to apply for a business loan from the head family.`\ ;　金蔵は莫大な資産を持っていて、それを息子たちに貸し与えていた。@ `Kinzo had vast resources, and he lent those out to his children.`@ br ;　もちろん、生活に困窮したからと貸す金ではない。@ ;　…その借りた莫大な金を使い、どのように事業を拡大するか。@ ;　どれほどの利子を付けて、いつまでに返済できるのか。@ `Of course, they did not borrow money because they were living in poverty.`@ `...What kind of business would they expand, using the vast amount of money that they borrowed?`@ `How much interest would be attached, and how long would they have to repay it?`@ br ;　持たざる者の借金とは違う。@攻める者の借金なのである。\ `This wasn't a loan for those who didn't keep it.`@` It was a loan for those who were on the offense.`\ ;　金蔵は、資産を貸し与えるに値するかどうか、厳しく審査し、その後の運用についても厳しく監視した。@ `Kinzo strictly judged whether it was worth lending out his fortune, and afterwards, he strictly oversaw its use.`@ br ;　だからこうして、六軒島に親族が訪れて、金蔵に事業説明を行なう光景はたまにあることだった。\ `So this spectacle where relatives visited Rokkenjima and explained their business to Kinzo sometimes occurred.`\ bg Garden_1c,22 ;　親たちにとっては、大きなお金の動く緊張の強いられる会合かもしれない。@ `To the parents, it might be a situation where they were forced by nervousness to move a lot of money.`@ br ;　でも、六軒島という孤島に住む朱志香にとって、そんな機会は、いとこたちと会うことができる貴重なものでもあった。@ `But to Jessica, who lived on this isolated island called Rokkenjima, it was a precious opportunity to meet up with her cousins.`@ br ;だから、さっき母親と喧嘩した不機嫌も、@こうしてたまの客人である譲治を交えてお喋りをしていれば、すぐに直ってしまうのだ。\ `So being able to talk with the occasional guest such as George like this,`@` immediately cured her bad mood from getting into a fight with her mother a short while ago.`\ ld r,$JES_TohohoA1,24 ;「うちもまったくケチ臭ぇぜ。@カネなんて余ってるんだろうから、気前良く貸してやりゃいいのによ。@うちの親父も祖父さまも、どうせネチっこく勿体ぶってんだろうぜ。」\ ;＜朱志香 `"My family's also completely stingy.`@` Even though there's probably some money left over, and they could lend it out graciously.`@` My dad and Grandfather will probably pigheadedly act so important."`\ ld l,$GEO_DefA1k,23 ;「お金を貸す時、慎重になるのは当然のことだよ。@もちろんうちの父さんも、借り入れた分で事業を拡大し、しっかり返却できるプランを持って訪れてる。@あとはプレゼンテーション次第ってところだろうね。@/ `"It's natural to be prudent when lending money.`@` Of course, my father will use what he borrows to expand his business, and he came with a plan that could be refused.`@` Everything else is left up to the presentation. `@/ ld l,$GEO_MajimeA1,80 ;……本当は脇で見させてもらって勉強したいんだけど。@母さんに追い出されちゃったんだよ。@ちょっと残念かな。」\ ;＜譲治 `......But I really wish I could watch from the corner and learn.`@` Mother chased me out.`@` I'm a little let down."`\ bg garden_1b,0 ld r,$SHA_MajimeA1,23 ;「……お館様は、蔵臼さまや絵羽さまのことを、今でも子どもの頃とまったく変わらないように叱られるようです。@そんな姿を息子の譲治さまに、きっと見せたくないのでしょう。」\ ;＜紗音 `"......It seems that the Master still scolds Krauss-sama and Eva-sama as though they haven't changed since they were kids.`@` I'm sure she didn't want to show that to her son, George-sama."`\ bg black,25 ;　紗音は俯きながら、普段、屋敷に仕えながら見慣れた光景を思い返す。\ `As Shannon hung her head, she thought back on a scene familiar to those who worked in the mansion.`\ bg Mdin_1aN,28 ;　兄弟たちに尊大な態度で振舞う蔵臼ですら、金蔵の前では、未だに子ども扱いなのである。@ ;　…紗音も何度か、金蔵が蔵臼に、平手で打ったり、正座をさせているところを見たことがある。@ `Even Krauss, who acted haughtily towards his siblings, was still treated like a child by Kinzo.`@ `...Shannon herself had often seen Kinzo slap Krauss and tell him to sit up straight.`@ br ;　……いい歳にもなってそれを強いられるのは、相当の屈辱のはずだ。\ `......It was probably very embarrassing to be coerced like that at his age.`\ ;　そのような現場に居合わせてしまわないよう、気を利かすのもこの右代宮家では、使用人の立派な務めだ。@ ;　…もっとも、その意味では、居合わせてしまった紗音はつまり、ミスしているわけだが。\ `In the Ushiromiya family, taking care not to be in the same place when this happened was one of the great tasks of the servants.`@ `...However, that meant that every time Shannon was in the same place, it was a mistake.`\ bg black,22 bg garden_1a,0 ld r,$GEO_hohoemiA1,26 ;「そうだろうね。@…それを察して姿を消すのも、子どもの務め、かな。@/ `"Probably.`@` ...Realizing that and going away may be a child's duty. `@/ cl r,24 ;……うーん！@　それにしても、今年もこの庭園の花は本当に素敵だね。」@ ;＜譲治 `......We-ll!`@` Even so, the flowers in this garden are truly splendid this year."`@ ;　そう言いながら譲治は大きく伸びをする。@ `George stretched as he said that.`@ br ;　…そして、ちょっと重苦しくなった話題を、本当にさりげなく切り替える。\ `...And he smoothly changed the subject away from something that was a little gloomy.`\ ;　紗音も今度は気付ける。@ ;　……譲治という人は、こうして場の空気を敏感に読み取り、いつも和やかでいられるように話題を切り替え、気遣っていてくれたのだ。@ `This time, Shannon noticed it too.`@ `......This person, George, could sensitively figure out the situation, and always changed the subject to something harmonious, out of concern.`@ br ;　それは本当にさりげないもので、今日、意識するまでまったく気付けないものだった。\ `It had been so smooth that Shannon hadn't noticed it until today.`\ ;　譲治のそんな振る舞いに、今日の紗音は深く感服せざるを得なかった。@ `Today, Shannon had to really admire that behavior of George's.`@ br ;　紗音が知る年頃の男性は、ほとんどが義務教育時代のクラスメートだった。@ ;　でも彼らはいずれも幼くて、……譲治が持つような大人の落ち着きは誰も持っていなかった。\ `Almost all of the boys Shannon knew of her own age had been classmates during her education.`@ `But they were all young, ......and none of them had had the composure that George did.`\ ;　彼はついさっきまで客人のひとりでしかなかったはずなのに。@…今の紗音には、それだけで済ましてしまうことができなくなっていた。\ `Even though he had been just another guest until a while ago,`@` ...today, she couldn't describe him with just that.`\ ;　でも、それは使用人としての務めには雑念。@ ;　紗音は頭を小さく左右に振ってそれを追い出そうと努めた。\ `But that was idle thinking compared to her work as a servant.`@ `Shannon tried to chase that away with a small shake of her head.`\ bg garden_1b,0 ld l,$SHA_hajiraiA3,24 ld r,$JES_futekiA1,24 ;「ん？@　どうしたんだよ。」@ ;＜朱志香 `"Hm?`@` What's up?"`@ ld l,$SHA_OdorokiA2,80 ;「あ、いえ、何でもありません…！@/ `"Ah, no, it's nothing...! `@/ ld l,$SHA_hajiraiA1,80 ;　あの、お茶のご用意をしましょうか？@　その、……先ほどのアールグレイを改めてご用意します。」@ ;＜紗音 `Umm, shall I prepare some tea?`@` Umm, ......I will prepare some more of that Earl Grey."`@ cl r,23 ld r,$GEO_HohoemiA1,24 ;「あはは、紅茶の名前、覚えてくれたんだね。@嬉しいよ。」\ ;＜譲治 `"Ahaha, so you've remembered the name of that black tea.`@` I'm happy."`\ ld l,$SHA_komaruA1,80 ;「そ、………その………、」@ ;＜紗音 `"Um, .........umm........."`@ ld r,$GEO_DefA1,80 ;「ん？」@ ;＜譲治 `"Hm?"`@ ld l,$SHA_HajiraiA3,80 ;「…その、……さっきはお気遣いをありがとうございました…。」\ ;＜紗音 `"...Umm, ......thank you for your concern back then..."`\ ;　紗音は、ようやく言葉に出して先ほどのお礼を言うことができた。@ `Shannon was finally able to put her thanks into words.`@ br ;　文字にして書き出せば、それはまるで大した言葉ではないのだけど。@…紗音には、それを口にするのに、少しだけの勇気が必要だった。@ `If you wrote it out, it wouldn't be very long,`@` ...but Shannon had needed just a little courage to say that out loud.`@ br ;　でも譲治は惚ける。\ `But George played dumb.`\ ld r,$GEO_WaraiA2k,80 ;「何のことだい？@　お礼を言われるような覚えはないけど？@　ふふ。」@ ;＜譲治 `"What's this?`@` I don't remember doing anything I should be thanked for?`@` Heheh."`@ ;　感謝が欲しくて助けたわけじゃないという、彼なりのジェントルマンシップらしい。@ `It seemed he was being a gentleman in his own way, saying that he hadn't helped her because he wanted to be thanked.`@ br ;　譲治のその返事は、朱志香にとっては予想の範囲内だったらしい。@思わず噴き出してしまう。\ `It seemed that George's response had been more or less predictable to Jessica.`@` Without thinking, she burst out laughing.`\ bg garden_1a,23 ld l,$JES_AkuwaraiA1,23 ;「なー？@　こういうところ、キザったらしいだろー？」@ ;＜朱志香 `"See-?`@` This is it, isn't he a show-off?"`@ ld r,$SHA_HajiraiA1,24 ;「い、いえ…。@そんなことは……。」@ ;＜紗音 `"N, no...`@` That isn't......"`@ br ;　赤面して黙り込む紗音を、朱志香は面白そうに茶化す。@ ;　譲治にその経緯はわからないが、自分も同じように笑い、自然に輪に入るのだった。\ `Jessica made fun of Shannon as she remained silent, red-faced.`@ `George didn't know the details, but he naturally joined in, laughing the same way.`\ bg white,24 wait 1000 bg rose_1a,2 ;　３人は、それぞれの近況を語り合いながら、庭園をのんびり歩き回った。\ `The three of them lazily walked around the garden, talking about what was new.`\ ;　譲治なら、いとこの最年長者としての人生経験など。@ ;　朱志香なら最近の六軒島での生活。@ ;　そして紗音なら最近の仕事ぶりなど。@ `George, as the oldest cousin, talked about his life experiences.`@ `Jessica talked about recent life on Rokkenjima.`@ `And Shannon talked about her recent work.`@ br ;　そういう他愛もない話がくるくるといつまでもされるのだった。\ `They kept going on about these trivial things.`\ ;　紗音にとって譲治たちの話は、たとえ興味深いものではあっても、@その内容に特別な関心を寄せたことはなかった。\ `Shannon, even if she found the others' stories deeply interesting,`@` didn't feel particularly connected to their contents.`\ ;　自分は使用人に過ぎず、主人たちの生活に深入りするつもりなどまったくない。@ `She was nothing more than a servant, and she had no intention of delving into her master's lives.`@ br ;　ただ、自分と会話するという時間を快適に過ごしてもらいたくて、@興味深く聞いて相槌を打っているふりをしているだけだ。\ `She wanted them to enjoy their time speaking with her,`@` and was only pretending to listen intently and nod at the right moments.`\ bg rose_1b,0 ld c,$GEO_WaraiA2,22 ;　でも、なぜか譲治の話が、今日はとても興味深く感じられた。@ `But for some reason, she found talking with George deeply interesting today.`@ br ;　普段だったら聞き流してしまうようなことにも、言葉の裏に隠れたやさしさのようなものが見付けられる気がして。@ `Even for things that she would normally ignore, she felt like she could feel a kindness hidden beneath the words.`@ br ;　なぜか、譲治のことを、どんなささやかなことでもいいから、もっと知りたいと思った。\ `For some reason, she wanted to know more things about George, no matter how trivial.`\ ;　だから…、まじまじとその姿を見てしまう。\ `So..., she stared fixedly at him.`\ ;　右代宮譲治という人は、男性としてのルックスは、……多分、@平均の部類で、特別目立つ方ではないと思う。@ ;　でも、勤勉で、真面目で、…人の心がわかって、気遣ってあげられる思慮深さがある。\ `She thought that as far as looks went, this person Ushiromiya George, ......was probably, `@`about average, and he didn't really stick out.`@ `But he was diligent, serious, ...and had a deep prudence which allowed him to understand people's hearts and show concern.`\ ;　でも、それを意識したことなんて、今まで一度もなかった。@ ;　会った回数は決して多くないかもしれないけど、何年も前から顔を合わせている。@ `But she had never been aware of these things until now.`@ `She might not have met him many times, but she had known his face for many years.`@ br ;　それでも、今日まで一度も、それに気付けなかった。@ ;　…だから、紗音はそれに気付けなかった自分を恥じて、頬を紅潮させた。\ `Even so, she had not noticed once until now.`@ `...So Shannon was embarrassed that she hadn't been able to notice, and she blushed.`\ ;　譲治は、自分の話を紗音が熱心に聞いてくれると思ったのか、楽しそうに饒舌に身の上話を続ける。@ `Maybe George thought that Shannon was listening to his stories intently, because he kept on talking about himself.`@ br ;　…でも、朱志香はそんな紗音のわずかな変化を見逃さなかった。@ ;　だから、きっと紗音が一番聞きたいだろう話を自分から振ってやることにする。\ `...But Jessica didn't miss that slight change in Shannon.`@ `So she turned the discussion around to the topic Shannon wanted to hear about most.`\ bg rose_1a,0 ld r,$JES_futekiA1,23 ;「……そういやさぁ？@　譲治兄さん、いい加減に彼女とかはできたわけ？」@ ;＜朱志香 `"......Oh yeah, come to think of it,`@` George nii-san, did you finally get a girlfriend?"`@ ld l,$GEO_komaruA2,23 ;「な、何だい、藪から棒に…。」\ ;＜譲治 `"Wh, what is this, out of the blue..."`\ ;　普通なら、譲治のその反応だけで、もう答えになっているようなものだが。@ ;　なぜか、今の紗音には、それをはっきりと言葉で聞かないと理解できなかった。\ `Normally, just George's reaction would have been answer enough.`@ `But for some reason, as she was now, Shannon wouldn't be able to understand it unless he said it clearly.`\ cl r,23 ld r,$SHA_KomaruA1,24 ;「そ、…その…。@譲治さまはおやさしいですから、/ ;!d300……さぞや、/ ;!d300…その、……おモテになるだろうと……。」@ ;＜紗音 `"Um, ...umm...`@` George-sama is very nice, `/ !d300`......so I'm sure, `/ !d300`...umm, ......he's very popular......"`@ cl l,24 ;「いや、その、…はははははははははは。」\ ;＜譲治 `"No, err, ...hahahahahahahahahaha."`\ ld l,$JES_waraiA1,23 ;「よせよ紗音〜。@そういう追い詰め方はかえって意地悪だぜー？@　くっくっく！」@ ;＜朱志香 `"Quit it Shanno~n.`@` Isn't cornering him like that actually pretty me-an?`@` *cackle*!"`@ ld r,$SHA_HajiraiA1,80 ;「わ、私は別に、意地悪のつもりは………。」\ ;＜紗音 `"I, I wasn't trying to be mean........."`\ bg rose_1b,0 ld r,$GEO_komaruA3,24 ;「嬉しい勘違いをありがとう。@残念だけど、特定のひとりの女性とはまだご縁がないよ。@見ての通り、容姿も並以下だからね。@女の子を楽しくさせてあげられるような、気の利いた話術もないし。」\ ;＜譲治 `"Thank you for your happy wrong impression.`@` It's a shame, but I still don't have a relationship with any special girl.`@` As you see, my looks are below average.`@` And I can't speak tactfully in a way that can entertain a girl."`\ ld l,$SHA_OdorokiA2,23 ;「そ、そんなことないと思います。@……それに、男性の魅力は、容姿では量れないところで決まるんじゃないかと思います。@/ `"I, I don't think that's true.`@` ......And, I think that a man's charm is decided by something that can't be measured by his appearance. `@/ ld l,$SHA_HajiraiA1,80 ;だ、だからその、@……譲治さまはとても、魅力的な男性じゃないかと、その、…思います…。」@ ;＜紗音 `Th, that's why, umm,`@` ......I think that you might be a, um, ...very charming man, George-sama..."`@ br ;　紗音が、珍しく冗長に喋る。@ ;　普段の彼女を思えば、それはとても冗長だった。\ `Shannon was uncharacteristically verbose.`@ `Compared to how she normally was, this was very verbose.`\ ;　自身の魅力を力説されて譲治はまんざらでもないが、突然のベタ褒めにちょっぴりだけ驚いていた。@ `George looked fairly pleased about hearing his own charm described, but he was just a little surprised at this high praise.`@ br ;　朱志香は、自分の想像が的外れではなかったことを確信し、笑いを堪えるような仕草をする。\ `Jessica, sure now that her own imagination was right on, acted as though she could barely hold back her laughter.`\ ld r,$GEO_HohoemiA1,80 ;「ありがとう、紗音ちゃん。@僕に魅力を感じてくれるような、寛大な女性に早く巡り合いたいね。」\ ;＜譲治 `"Thank you, Shannon-chan.`@` I hope I can quickly run into a girl gracious enough to feel my charm."`\ ld l,$SHA_hajiraiA3,80 ;「えぇ、きっと巡り合えると思います。@……譲治さまの本当の魅力に気付いている女性は、きっと身、/ ;!d800……いえ、お、大勢いらっしゃると思いますよ。」@ ;　本当は、身近にいますよ、と言いたかったのだろう。@ `"Yes, I'm sure you'll run into one.`@` ......I'm sure there's at least one, `/ !d800`......no, a l, lot of girls that will recognize your real charm."`@ `Maybe she wanted to say that there was one really close.`@ br ;　…それを紗音は、使用人としての最後の一線を守り、はぐらかす。\ `...Shannon avoided saying that much, drawing a final line as a servant.`\ ld r,$GEO_komaruA4k,80 ;「そ、……そうかな。@…さすがに、照れるね…。」@ ;＜譲治 `"R, ......really.`@` ...I guess I'm kind of, embarrassed..."`@ br ;　女性にここまで褒められたことはなかったのだろう。@ ;　紗音のそれに負けないくらい、譲治も真っ赤に赤面する。@ `Maybe he had never been praised this much by a girl.`@ `George's face turned just as bright red as Shannon's.`@ br ;　そんな二人を見て、朱志香は小意地悪そうにくすくすと笑うのだった。\ `As she watched the two of them, Jessica giggled sadistically.`\ cl l,24 ld l,$JES_WAraiA1,23 ;「譲治兄さんも、やがては素敵なパートナーと出会うだろうけどさ。@今のままじゃきっと、上手にパートナーをエスコートできないと思うぜー？@　勤勉でいらっしゃるようだけど、そっちのお勉強はからっきしみたいだしよ。」\ ;＜朱志香 `"Well, I'm sure you'll eventually find a wonderful partner, George nii-san.`@` But I don't think you'll be able to escort your partner as you are now, ri-ght?`@` It looks like you're diligent, but it seems that you've been completely abandoning your study of 'that'."`\ ld r,$GEO_KomaruA2,80 ;「…わ、悪かったね。@その勉強はこれから少しずつしていくよ。」@ ;＜譲治 `"...S, sorry about that.`@` I'll start studying that bit by bit."`@ ld l,$JES_AkuwaraiA1,80 ;「相手もいないのにどうやって？@　恋愛映画でも見る？@　それとも秀吉叔父さんに習う？@　くっくっくっく！」@ ;＜朱志香 `"How would you do that by yourself?`@` Are you gonna watch movies about love?`@` Or are you gonna learn from Hideyoshi oji-san?`@` *cackle*cackle*!"`@ ld r,$GEO_komaruA3k,80 ;「ちぇ…。@まるで鬼の首でも取ったみたいだなぁ。@こういう話では、男は女の子に敵わないね。」\ `"Che...`@` Acting so triumphant.`@` Men aren't a match for girls when it comes to that."`\ ;　普段、譲治と朱志香が顔を合わせると、親たちは大抵、「譲治は勤勉で偉い」「朱志香は不勉強でけしからん」という話になる。@ `Normally, when George and Jessica got together, their parents would say 'George is diligent and admirable', and 'Jessica is lazy and rude'.`@ br ;　だから、珍しく立場が逆転したのが楽しくて仕方ないのだろう。@ ;　譲治もそれを理解していたので、今回はいじられ役を甘んじることにしている。\ `So it was probably unbearable fun for Jessica when their roles were finally reversed.`@ `George also realized that, so this time, he was content with being the one who was teased.`\ bg garden_1a,23 ld c,$JES_WaraiA1,24 ;「譲治兄さんさえいいならさ、紗音でちょっと練習してみたら？@　紗音を一日、退屈させずにデートに連れてくんだよ！@　どうよ？！」@ ;＜朱志香 `"Then George nii-san, as long as you're okay with it, why not practice a bit with Shannon?`@` You'll keep Shannon entertained all day long on a date!`@` What do you think?!"`@ ld r,$SHA_hajiraiA1,24 ;「そそ、そんな…！@　お、お嬢様…！」@ ;＜紗音 `"Wh, wh, what are you...!`@` M, Milady...!"`@ br ;　朱志香の大胆な提案に、紗音はポン！と弾けるような音とドーナツ状の煙を上げながら赤面してしまう。\ `When she heard Jessica's audacious plan, Shannon's face turned bright red with a 'poof', and a doughnut of smoke started to rise around it.`\ cl c,0 ld l,$GEO_komaruA4,23 ;「そ、それはとても魅力的な提案だけど、…紗音ちゃんに悪いよ。@彼女の貴重な休日を奪うだけじゃない。@彼女が本当に想いを寄せる人と二人きりで過ごす聖域に、僕が割り込んでしまうことになる。@そんな無粋なことはできないね。」\ ;＜譲治 `"Th, that's a very fascinating plan, but, ...I'd feel bad for Shannon-chan.`@` Wouldn't this just waste your precious day off?`@` I'd be butting in on the ideal moment when you'll be able to be alone with someone you really have feelings for.`@` I couldn't do something so boorish."`\ ld r,$SHA_odorokiA2,80 ;「わ、わ、…私も、その……、@……想い人とかそういう人はいませんので、その、/ ;!d400…そういうお気遣いは、はい、む、無用なのです…！」@ ;＜紗音 `"I, I, ...I also, umm......, `@`......don't have a person I have feelings for or anything, so, umm, `/ !d400`...caring for me like that is, yes, i, it's unnecessary...!"`@ br ;　紗音はすっかり頭に血が上ってしまい、自分でも何を口走っているのかわからない様子だった。@ `Shannon's blood had all rushed to her head, and it looked like even she didn't know what she was babbling about.`@ br ;　それは普段の紗音を知る朱志香にとってはとても滑稽なものらしい。@ ;　もう隠すことなくけたけたと笑っていた。\ `It seemed that Jessica, who knew how Shannon normally was, found that really comical.`@ `She couldn't hide her cackling laugh anymore.`\ ld l,$GEO_komaruA5,80 ;「…そ、そうなのかい…？@　紗音ちゃんみたいな可愛い子が独り身なんて、信じられないね…。」@ `"...I, is that true...?`@` I can't believe that a cute girl like you would be single, Shannon-chan..."`@ ld r,$SHA_hajiraiA2,80 ;!s0「わたわた、私、/ ;!d300…使用人ですからその、/ ;!d500……男の方との縁なんて、ありませんしその…。」/ !s0`"I, I, I, `/ !d300`...am a servant so, umm, `/ !d500`......I don't have any relationship with a boy, umm..."`/ !sd\ cl a,0 ld c,$JES_futekiA1,22 ;「ってことは、紗音も将来、素敵な男性を射止めるために、@交際の練習が必要だってことじゃないのかよ？@　つまり二人とも互いの思惑は一致するわけだ。@なるほど、こりゃいいぜ、くっくっく！」@ `"Which means that, in the future, if Shannon's gonna have any chance of getting herself a wonderful guy,`@` she needs practice with relationships, right?`@` So you each want the same thing.`@` Alright, that'll work nice, *cackle*!"`@ br ;　朱志香が無責任に二人を囃し立てる。@ ;　もう、紗音だけでなく譲治も赤面して俯いていた。\ `Jessica irresponsibly cheered the two of them on.`@ `Now, George was also hanging his head, red-faced.`\ bg garden_1b,22 ld r,$EVA_HohoemiA1,24 ;「譲治、さっきから呼んでるわよぅ？@　聞こえないの？」@ ;＜絵羽 `"George, I've been calling for you.`@` Can't you hear me?"`@ ;　そんな恥ずかしい状態で、突然、絵羽が現れたものだから、二人はさらに大慌て。@見ている朱志香は大笑いだった。\ `Since Eva appeared in what was already an embarrassing situation, both of them were even more flustered.`@` Jessica watched and laughed loudly.`\ bg garden_1a,0 ld r,$GEO_KomaruA1k,23 ;「あ、かか、母さん…！@　ごめんよ、話が込み入っちゃっててね。@気付かなかった…！」@ `"Ah, M, M, Mother...!`@` Sorry, our conversation got complicated.`@` I didn't notice...!"`@ ld l,$SHA_OdorokiA1,23 ;「これは絵羽さま…、大変失礼しました…。」\ ;＜紗音 `"Oh, Eva-sama..., my deepest apologies..."`\ ld c,$EVA_akireA1,24 ;「若い子たち同士で、大層盛り上がってたみたいねぇ。@あなたたちもみんなお年頃だもの。@そういう話題が尽きないのも、よくわかるわ。@くすくすくす。」\ ;＜絵羽 `"It looks like you young kids are getting really excited.`@` You're all about that age.`@` I know it's hard to stop talking about things like that.`@` *giggle*giggle*giggle*."`\ bg garden_1b,0 ld r,$JES_waraiA1,24 ;「嫌ですね、絵羽叔母さんだってまだまだお若いじゃないですかー。@秀吉叔父さんとの馴れ初めを聞かせてくださいよー。」@ ;＜朱志香 `"Come o-n, aren't you still really young, Eva oba-san?`@` Please tell us how you and Hideyoshi oji-san me-t."`@ ld l,$EVA_waraiA1,23 ;「あらあら、そんなの言えるわけないわよぅ。@くすくすくす。@本当にみんな若いんだから。@くすくすくす。」\ ;＜絵羽 `"Oh my, there's no way I could say that.`@` *giggle*giggle*giggle*.`@` Because you're all so young.`@` *giggle*giggle*giggle*."`\ cl r,23 ld r,$GEO_komaruA1,23 ;「そ、それで何、母さん。@用があって声を掛けたんじゃないの？」@ ;＜譲治 `"S, so, what is it, Mother?`@` You called because you wanted something, right?"`@ ld l,$EVA_hohoemiA1,80 ;「お父さんたちの話が終わったわ。@お祖父さまにあなたの話をするからいらっしゃい。」@ ;＜絵羽 `"Your father and the rest have finished talking.`@` We're going to talk to Grandfather about you, so come on."`@ ld r,$GEO_DefA1,80 ;「僕の話？@　何の話かな。」\ ;＜譲治 `"About me?`@` What could that be?"`\ ld l,$EVA_HohoemiA2,80 ;「今、みんなでしてたのと同じ話よ。@ほら、例の話ぃ。」@ ;＜絵羽 `"The same topic everyone was just having.`@` Remember, that topic?"`@ ld r,$GEO_KomaruA1,80 ;「あ、…あぁ、あの話かい。@別にお祖父さまに話すようなことじゃないんじゃないかな…。」\ ;＜秀吉 `"O, ...oh, that topic.`@` That isn't really something we need to talk to Grandfather about, right...?"`\ bg garden_1c,24 ld r,$JES_TohohoA2,24 ;「何の話だよ？@　まさか、譲治兄さん、誰かと結婚するの？！」@ ;＜朱志香 `"What are you talking about?`@` Wait, George nii-san, you aren't getting married to someone?!"`@ ld l,$SHA_OdorokiA2,23 ;「そ、…それはおめでとうございます…！」\ ;＜紗音 `"C, ...congratulations...!"`\ cl r,23 ld r,$GEO_MajimeA2,24 ;「違うよ違うよ…！@　特定の女性はいないってさっき言ったじゃないか。」@ ;＜譲治 `"No, no...!`@` Didn't I just say I didn't have a special woman?"`@ ld c,$EVA_AkireA1,23 ;「威張ることじゃないでしょう？@　…まったく。」@ ;＜絵羽 `"That isn't something to brag about, is it?`@` ...Seriously."`@ ;　絵羽は苦笑いしながら少しだけ呆れる。\ `Eva smiled bitterly, looking a little shocked.`\ bg garden_1b,0 ld r,$JES_WaraiA1,23 ;「…あ、…わかった！@　譲治兄さん、アレでしょ、お見合いだ！」@ ;＜朱志香 `"...Ah, ...I got it!`@` George nii-san, it's one of those, right? A marriage meeting!"`@ ld l,$SHA_hajiraiA2,23 ;「お見合い…、ですか？」@ ;＜紗音 `"A marriage meeting..., you say?"`@ cl r,23 ld r,$GEO_KomaruA5k,24 ;「……ん、……まぁね。@……はははは…。」\ ;＜譲治 `"......Nn, ......well, yeah.`@` ......Hahahaha..."`\ ;　譲治の男性観では、パートナーは自分の力で見つけて連れ帰ってくるものに違いない。@ `Surely, as a man, George wanted to find a partner by himself and take her back with him.`@ br ;　だから、親に設定された見合いの場で、パートナーと対面するというのは、ちょっぴり情けないものに感じるらしい。\ `So it seemed that he thought it would be a bit shameless to meet his partner for the first time in a marriage meeting arranged by his parents.`\ ld r,$GEO_komaruA2,80 ;「お見合いというのは、もっと年齢が成熟してからするものじゃないのかなぁ…！@　僕はまだ一人前になったって自覚すらないというのに…。」\ ;＜譲治 `"Shouldn't marriage meetings be done at a more mature age...?!`@` I still don't feel like I've become an adult..."`\ cl l,24 ld l,$EVA_WaraiA1,23 ;「もちろん、即結納、即結婚なんて焦る気は全然ないのよ？@　親睦を深めて、年齢的にもう少し落ち着いてから籍を入れる形でも問題ないの。」@ ;＜絵羽 `"Of course, we have no desire to rush into an immediate engagement or marriage, right?`@` It isn't a problem if you deepen your friendship, and then when you settle down as you age, have her moved to our family register."`@ br ;　絵羽の強引な雰囲気と、譲治ののらりくらりとした雰囲気から、このお見合いの図式が少し垣間見えるようだった。\ `From Eva's forceful appearance, and George's somewhat lazy one, the others could catch a glimpse of the scheme behind this marriage meeting.`\ ;　お相手が誰かはわからないが、きっと絵羽一家にとってビジネス的に価値のある相手なのだろう。@ `They didn't know who this other person was, but it was surely someone profitable to Eva's family in a business sense.`@ ;　籍を入れないまでにも、婚約関係になってでも両家に縁を持たせたいという、やや政策的な雰囲気が見て取れる。\ `This whole thing about having them have an engagement relationship until they changed registers to deepen the connection between the two families felt almost like a political strategy.`\ ld l,$EVA_hohoemiA1,80 ;「結婚はね、好きになってからするものじゃないの。@してから慣れることよ？@　感情だけで結婚すると必ず後悔する。@身元のしっかりした人を生涯の伴侶に選んで、それから愛情を築いていくのも、決して間違ったことではないの。」\ ;＜絵羽 `"Marriage isn't something you do after you start liking someone.`@` You fall in love after you do it, right?`@` If you marry just based on emotions, you'll definitely regret it.`@` There's definitely nothing wrong with choosing a person with a secure background for your partner in life, and then building up emotions of love."`\ bg garden_1a,0 ld r,$JES_AkuwaraiA1,23 ;「絵羽叔母さん、それじゃ秀吉叔父さんに悪いですよー。@くっくっく！」@ ;＜朱志香 `"Eva oba-san, isn't that rude to Hideyoshi oji-san?`@` *cackle*!"`@ ld l,$EVA_defA1,23 ;「私はあの人のこと大好きよ。@いつまでも一緒にいて、人生を共にしていきたい。」@ ;＜絵羽 `"I love that person.`@` I want to always be with him, and to live my life by his side."`@ ld c,$SHA_tokuiA1,24 ;「……絵羽さま、素晴らしいです。@本当にご立派です…。」\ ;＜紗音 `"......Eva-sama, that's wonderful.`@` Truly splendid..."`\ ld l,$EVA_WaraiA1,80 ;「ありがとう。@でも、その気持ちは二人で夫婦をしていく内に育んだものよ？@　そして、今の私たちより、未来の私たちの方がもっともっと仲良しだと信じてる。@私は夫婦はそういうものがいいと思ってるの。」\ ;＜絵羽 `"Thank you.`@` But we built up those feelings while we were husband and wife, you see?`@` And I believe that in the future, we will be much, much closer than we are now.`@` I think that's a good way for a husband and wife to be."`\ bg garden_1b,0 ld l,$GEO_komaruA3,24 ;「だからって、好きでもない相手と結婚してもいいって論法にはならないと思うけどな。」\ ;＜譲治 `"Although I don't think that means you can argue that it's alright to marry someone you don't even like."`\ ld r,$EVA_majimeA1,24 ;「だからって、好きな相手なら誰と結婚してもいいという論法にはならないわ。@結婚は一瞬。@でも、その後の夫婦生活はずっとずっと長いの。@/ `"That doesn't mean you can argue that it's alright to marry someone you don't even like.`@` A wedding is instantaneous.`@` But your life as a married could after that is very, very long. `@/ ld r,$EVA_hohoemiA1,80 ;だから、一時の感情に任せず、慎重に相手を探すべきなの。@そしてそれは人生経験の未熟なあなたより、お母さんたちの方が上手くやれるとは思わない？」\ ;＜絵羽 `So you should search with prudence, and not leave it up to momentary emotions.`@` Don't you think that your mother and the rest of us would be better at that than a person immature in life experience such as yourself?"`\ ld l,$GEO_komaruA2,80 ;「……そ、それはそうかもしれないけど…。」@ ;＜譲治 `"......Th, that may be true, but..."`@ ld r,$EVA_ikariA1,80 ;「あなたは私の自慢の一人息子よ。@どこへ出しても恥ずかしくないくらい、立派に成長してくれたわ。@…そして、お父様の血を引く唯一の男孫。@……あなたに相応しい相手は慎重に選ばなくてはならない。」\ ;＜絵羽 `"I am proud of you, my only son.`@` I want to make you grow so that you will never be embarrassed no matter where you go.`@` ...And you are the only grandson to carry Father's blood.`@` ......We must prudently choose a fitting partner for you."`\ ;　絵羽が譲治のことを目に入れても痛くないほどに可愛がっていることは、右代宮家に縁のある者なら誰もが知っていた。@ `As everyone related to the Ushiromiya family knew, Eva adored George so much that he was the apple of her eye.`@ br ;　しかしそれは、甘やかしてきたという意味ではない。@ ;　常に厳しくしつけ、そして期待を裏切らない好男児に彼は成長した。@…だから、目に入れても痛くないのだ。\ `But that didn't mean she had pampered him.`@ `She had been strict with him, and had grown him into a handsome man who wouldn't betray her expectations.`@` ...That's how he was the apple of her eye.`\ ld r,$EVA_HohoemiA2,80 ;「あなたの相手は、決して母さんたちの損得で決めてなんかいないわ。@……あなたに相応しい本当に素晴らしい女性に、母さんが会わせてあげる。@今は、あなたの中にある青臭い若さがそれを疎むかもしれない。@/ `"Your partner definitely won't be selected based on your parents' profit and loss.`@` ......I will let you meet a suitable and truly wonderful woman.`@` Maybe there is some immature youth inside of you that's alienating you from this. `@/ ld r,$EVA_HohoemiA1,80 ;……でも、これだけは母さんの言うことを聞きなさい。@私があなたの為を思わなかったことが、一度でもある？」@ ;＜絵羽 `......But at least listen to what your mother says on this point.`@` Have I ever failed to think of your sake?"`@ ld l,$GEO_komaruA3k,80 ;「…………………それは、……ないけど…。」\ ;＜譲治 `"..................No, ......you haven't..."`\ ld r,$EVA_WaraiA1,80 ;「今はそれで結構よ。@さ、行きましょう。@お父様を待たせてるわよ。@急いで屋敷に行きなさい。」\ `"That's enough for now.`@` So, let's go.`@` We're keeping Father waiting.`@` Hurry to the mansion."`\ ld l,$GEO_WaraiA1,80 ;「じゃ、ごめんね二人とも。@また後で。」@ ;＜譲治 `"Well, sorry, you two.`@` See you later."`@ ;　譲治は二人に頭を下げ、…さらに一度、紗音に頭を下げてから、屋敷へ駆けて行った。\ `George bowed to the two of them, ...and after bowing once more to Shannon, he dashed off to the mansion.`\ cl l,24 ld r,$EVA_DefA1,80 ;「じゃ、叔母さんも行くわね。@楽しい話を打ち切っちゃってごめんね、朱志香ちゃん、紗音ちゃん。」@ ;＜絵羽 `"Well, Oba-san will go too.`@` Sorry for interrupting your fun conversation, Jessica-san, Shannon-chan."`@ ld l,$JES_defA1,23 ;「い、いえいえ。@気にしないでください。@じゃ、紗音。@私たちは行こうぜ。」@ ;＜朱志香 `"N, no, no.`@` Please, don't worry about it.`@` Come on, Shannon.`@` Let's go."`@ ld c,$SHA_OdorokiA2,23 ;「は、はい…！」\ ;＜紗音 `"Y, yes...!"`\ ld r,$EVA_HohoemiA1,80 ;「大丈夫よ。@朱志香ちゃんだって、きっとその内、素敵な出会いがあるわよ。@朱志香ちゃんに相応しい、素敵な方がね。」@ ;＜絵羽 `"It's alright.`@` I'm sure you'll meet someone wonderful soon too, Jessica-chan.`@` A wonderful person suitable for you."`@ ld l,$JES_WaraiA1,80 ;「私と同程度ってことは、ははは、成績の悪い男かな？@　何だかうぜーぜ、ははは！」\ ;＜朱志香 `"So if he's at the same level as me, hahaha, you mean a guy with bad grades?`@` That kinda pisses me off, hahaha!"`\ ld r,$EVA_waraiA1,80 ;「もちろん紗音ちゃんにもね。@あなたに相応しい素敵な男性がきっと現れるわよ。」@ ;＜絵羽 `"And of course, you too, Shannon-chan.`@` I'm sure that a wonderful man suitable for you will appear."`@ ld c,$SHA_hajiraiA1,80 ;「は、はい！@　ありがとうございます…。」\ ;＜紗音 `"Y, yes!!`@` Thank you very much..."`\ ;cl r,0 ;ld l,$SHA_OdorokiA1,0 ;ld c,$EVA_WaraiA1,24 bg black,24 ;　くすりと絵羽は微笑むと、内緒話を求めるように、手で覆った口元を紗音の耳に寄せた。\ `As Eva giggled and smiled, she approached Shannon's ear with a hand over her mouth, as though she was trying to tell her a secret.`\ ;ld l,$SHA_KomaruA1,80 E_A ;「………え？」\ ;＜紗音 `".........Huh?"`\ ;ld c,$EVA_HohoemiA1,80 wait 2000 bgm1 17 ;「使用人風情のあなたにぴったりの相手が、きっと見付かるわよぅ。@……義務教育に行かせてもらった恩も忘れて。@身の程を知りなさい。」\ ;＜絵羽 `"I'm sure you'll find a perfect match for a lowly servant like yourself.`@` ......Have you forgotten to be grateful for your education?`@` Know your place."`\ ;ld l,$SHA_OdorokiA1,80 ;「………そ、…そんなつもりは…、…私…。」\ `".........Th, ...that's not what..., ...I meant..."`\ ;bg black,25 ;「譲治はお父様の血を引く孫の中では嫡男に当たるのよ。@ひょっとしたら未来の右代宮家を背負うことになるかもしれない人。@その期待に応えるために、たくさんの勉強を重ねて素晴らしい大学に入り、素晴らしい成績を残しているわ。@/ `"George is the eldest grandson carrying Father's blood.`@` He's a person who may bear the burden of the Ushiromiya family someday in the future.`@` To answer that expectation, he has studied tirelessly, entered a wonderful college, and is getting wonderful grades. `@/ ;そんな譲治と、低学歴の無能無資格無教養な使用人風情が釣り合うと本気でお思いぃぃ？」\ `Did you really think you could snatch George away, you uneducated, incompetent, unqualified, uncultured servaaaant?"`\ me1v 16,40 ;　悪意ある言葉が、一滴も漏らさぬように全て紗音の耳の穴に注ぎ込まれていく…。@ ;　……今の紗音にとってそれは、冷水を注ぎ込まれたのに似ていた。\ `Those malicious words all poured into Shannon's ear without spilling a drop...`@ `......To Shannon, it was like cold water was being poured in there.`\ ;「…………………わ、私は、/ ;!d500……そんなつもりは…。」\ `"..................I, I, `/ !d500`......didn't mean..."`\ ;　それらは全て小声の内緒話。@ `This was all whispered in secret.`@ ;　しかも表情は先ほどまでの微笑みをたたえたままだ。@ `And with the same smile as before.`@ br ;　…絵羽の表情しかうかがい知れない朱志香には、恋のくすぐったい話でもしたのだろうとしか思えなかった。\ `...Jessica, who could only see Eva's expression, didn't think it was anything other than Eva telling Shannon some embarrassing story about love.`\ E_MA ;　そして内緒話を終え、まるで念を押すように紗音の肩を、ポンと叩く。\ `When their secret conversation ended, Eva patted Shannon's shoulders, as though she was urging her on.`\ bg garden_1b,0 ld c,$EVA_HohoemiA1,26 ld c,$EVA_akireA2,80 ;「大丈夫よぅ。@あなたに“ぴったり”のお相手が、きっと見付かるから。@ね？@　くすくすくすくす。@…じゃあね朱志香ちゃん。@また後でねぇ。」\ ;＜絵羽 `"Don't worry, `@`I'm sure that you'll find a 'perfect' match for a partner.`@` Right?`@` *giggle*giggle*giggle*giggle*.`@` ...Alright, Jessica-chan.`@` See you later."`\ bg garden_1a,0 ld l,$JES_WaraiA1,23 ;「はい、また後でー。@秀吉叔父さんとの話、その時、聞かせてくださいね〜〜！！」@ ;＜朱志香 `"Yes, see you later.`@` Then, please tell me about your story with Hideyoshi oji-sa~~n!!"`@ ;bg garden_1b,0 ld r,$EVA_WaraiA1,24 ;「嫌ぁよぅ。@あははははははははは…！」\ ;＜絵羽 `"No waaay.`@` Ahahahahahahahahaha...!"`\ bg black,23 bg M_o1a,24 ;　絵羽はからからと笑いながら屋敷の玄関に戻っていく。@ `Eva laughed dryly and headed back to the entrance hall.`@ br ;　それに手を振る陽気な朱志香の後で、@…紗音は絵羽に言われた、身の程を知れという言葉を、深く深く噛み締めているのだった…。\ `Behind Jessica, who was cheerfully waving her hand,`@` ...Shannon reflected very, very deeply on those words of Eva's, about knowing her place...`\ ;■傷心の紗音（屋敷内でお掃除中・廊下） mov %play_scene,30 bg black,5 fede 0,3000 bg M2F_P1d,26 bgm1 38 ;　…ちょっとだけいい気になっていたことを、私は猛省する。\ `...I am seriously reflecting on how I got into a bit of a good mood.`\ ;　忘れていた。@私は家具なのだ。\ `I had forgotten.`@` I am furniture.`\ ;　家具は人じゃない。@ `Furniture isn't human.`@ br ;　だから、人として扱ってもらえたことそのものに感謝するべきであって、@それ以上を望むことは許されない存在なのだ。\ `So I am a being who must feel gratitude for even being treated like a human,`@` and I am not permitted to wish for anything more.`\ ;　人が、使い慣れた家具に愛着を持つとしても、@それは人側の感情であって、家具側にはそれを望む資格などない。@ `Even if people develop affection for furniture that they're used to using, `@`that is an emotion on the human's side, and the furniture's side has no right to hope for that.`@ br ;　……ただただ、日々を愚直に勤めるだけでいい。\ `......They should just serve with simple honesty every day.`\ ;　でも、譲治さまと朱志香さまと、あの３人で語り合っていた時に感じた気持ちは、…私にとって禁断の麻薬。@ `But that feeling I felt when talking with George-sama and Jessica-sama, ...is a forbidden drug for me.`@ br ;　つまりそれは知ってはならない感情だったのかもしれない。\ `In other words, it may be an emotion I must not know.`\ ld r,$NAT_hisuA1,24 me1 11 ;「……紗音。@先ほどからぼんやりが過ぎます。@体調でも悪いのですか？」@ ;＜夏妃 `"......Shannon.`@` You have been too careless for a while now.`@` Do you not feel well?"`@ ld l,$SHA_OdorokiA1,23 ;「い、いえ。@失礼いたしました…。」\ `"N, no.`@` My apologies..."`\ ;　ぼんやりが過ぎるという夏妃の言葉は的を射ていた。@ `Natsuhi's words 'too careless' were right on the mark.`@ br ;　…呼び掛けられるまでその存在に気付かなかったなんて、自分でも信じられなかった。\ `Even Shannon couldn't believe that she hadn't noticed Natsuhi until she had called.`\ ;　本来なら、彼女は清掃に集中していなくてはならない時間だった。@ ;　しかし彼女はため息ばかりで手をまったく動かしていなかったのだ…。\ `This was a time when she normally had to concentrate on the cleaning.`@ `But she had just kept sighing and hadn't accomplished anything...`\ ld r,$NAT_MajimeA1,80 ;「たとえお客様がおられなくても、常に気を張っていなくてはなりません。@そんな様では、右代宮家に仕える使用人として情けありませんよ。」@ `"Even if there aren't any guests, you must always be alert.`@` Acting like this is shameful as a servant working for the Ushiromiya family."`@ ld l,$SHA_komaruA1,80 ;「…はい。@以後、注意します…。」\ `"...Yes.`@` I will take care, from now on..."`\ ld r,$NAT_HisuA1,80 ;「もうじき、当主様と主人がお帰りになられます。@書斎の清掃は済んでいますか？@　階段の清掃は済んでいますか？」@ `"The head and my husband will return very soon.`@` Has the study's cleaning been completed?`@` Has the staircase's cleaning been completed?"`@ ld l,$SHA_odorokiA1,80 ;「も、申し訳ございません…。@まだです…。」\ `"M, my apologies...`@` Not yet..."`\ ld r,$NAT_DefA1,80 ;「えぇ、知っています。@ですから、瑠音にやらせておきました。@あなたがもたもたと廊下を清掃している時間で、彼女は書斎と階段の清掃を済ませてしまいましたよ。」\ `"Yes, I know.`@` So I had Runon do it.`@` While you were plodding around, cleaning the hallway, she finished cleaning the study and the staircase."`\ bg M1F_P1c,22 ;「……それは、その、/ ;!d500……丁寧にお掃除をしていたから、時間が掛かってしまって……。」@ `"......That's because, umm, `/ !d500`......I wanted to clean it properly, so it took some time......"`@ br ;　紗音は愚直だから、どんな仕事も真面目に丁寧に、手抜きなくこなした。@ ;　だからいつも仕事が遅かった。\ `Shannon was simple and honest, so she would always carry out her tasks seriously and properly, without any omissions.`@ `So she was always slow with her work.`\ ;　対して瑠音は、手を抜けるべきところで上手に抜く。@ `In contrast, Runon skillfully avoided important steps wherever she could.`@ ;　だから傍目にはほとんど遜色のない仕事を、遥かに短時間でこなすように見える。@つまり要領がいいということだった。@ `So she could compete her jobs with a result looked similar to an outsider, but in a much shorter time.`@` In other words, she was good at cutting corners.`@ br ;　それに比べれば、不機嫌な夏妃に対して口答えを返してしまった紗音は、本当に要領が悪いというべきだろう…。\ `Compared to that, maybe we should say Shannon, who talked back at Natsuhi when Natsuhi was in a bad mood, was bad at cutting corners...`\ ;　もちろん夏妃は、使用人の口答えを何よりも許さない。@ ;　眉間に歪んだしわを作ると、厳しい口調で言った。@ `Of course, there was nothing that Natsuhi couldn't stand more than a servant talking back.`@ `Her forehead creased, and she spoke sternly.`@ br ;　にもかかわらず、諭すかのようなゆっくりとした言い方は、この上なく恐ろしく、今更のように紗音に失言を気付かせた…。\ `And yet, her slow, admonishing style of speech was even more terrifying, and finally made Shannon realize she had said the wrong thing...`\ bg M2F_P1d,0 ld r,$NAT_zutuuA1,26 ld r,$NAT_OdorokiA1,80 ;E_MA se1 21 ;「ならば存分に丁寧な清掃を心掛けなさい。@紗音、あなたにこのまま大広間の清掃も命じます。@当主様の大切な絵画が多数飾られ、右代宮家への賓客をお招きすることもある大切な広間です。@埃ひとつ残さないよう、あなたが納得するまで丁寧に清掃なさい。@もちろん今日中にです。@それを終えて私に報告するまで、食事も休憩も許しません。@わかりましたね？」\ `"In that case, aim to do a thorough cleaning.`@` Shannon, I order you to clean the reception hall right now.`@` It is an important hall, where several pictures treasured by the head are displayed, and where honored guests of the Ushiromiya family are invited.`@` Clean it thoroughly, so that not a speck of dust remains, and so that even you are satisfied.`@` Of course, you will finish today.`@` Until you finish that and report it to me, you will not be permitted any food or rest.`@` Understood?"`\ ld l,$SHA_KomaruA1,23 ;「は、………はい、奥様。」@ `"Y, .........yes, Madam."`@ ld r,$NAT_MajimeA1,80 ;「結構。@使用人はその言葉だけを口にするように。@次の口答えには、より厳しい罰を与えますからそのつもりで。@よく胸に刻んでおきなさい。」\ `"That is good.`@` Servants should endeavor to only use those words.`@` The next time you talk back, I will give you an even more severe punishment, so with that in mind,`@` engrave these words in your heart."`\ ld l,$SHA_odorokiA1,80 ;「はい…、奥様。@…ご指導をありがとうございます。」@ `"Yes..., Madam.`@` ...Thank you for your guidance."`@ ld r,$NAT_HisuA1,80 ;「どういたしまして。」\ `"You are welcome."`\ bg black,3 bg M2F_P1a,22 E_MA ;　夏妃は頭痛に障るような仕草をしながら、廊下の向こうに去っていく…。\ `As Natsuhi acted like her headache was troubling her, she headed off down the corridor...`\ ;　その姿が見えなくなってから、紗音は俯き、ため息を吐き出した。@ ;　……ぼんやりとしているから、こういうことになる。\ `When she couldn't see her anymore, Shannon hung her head and sighed.`@ `......She had been careless, so something like this had happened.`\ ;　何をやっても不出来な私にとって清掃は、少しは人並みにこなせる仕事だったはずじゃないか。@それすらこなせないのだから、…情けなくて涙が零れる。\ `Even though I'm bad at everything I do, I should be able to at least carry out the cleaning as well as an average person can, right?`@` It's because I can't even perform that well, ...that I'm so shameful and crying.`\ bg black,22 ;　それ以上に情けないのは。@ ;　こうして、清掃ひとつしっかりこなせないだけでなく。@先ほど、夏妃に叱りを受けていた時にも。@………あの人が現れて助けてくれないかと夢想してしまったことだ。\ `What could be more shameful than this?`@ `Not only have I been unable to perform a single bit of cleaning well,`@` but just now, when Natsuhi was scolding me...`@`......I was envisioning that person appearing and rescuing me.`\ mono 1 bg garden_1b,0 ld c,$GEO_hohoemiA1,42 ;　もしここに譲治さまがいてくれたなら。@ `If only George-sama were here.`@ br ;　さりげなく私を助けてくれただろうか。\ `Would he casually step in and save me?`\ ;　わざと空気が読めないかのように陽気に現れ、話題をひらりと逸らし、夏妃に叱責していたことすら忘れさせてしまうに違いない…。@ `I'm sure he would show up cheerfully, intentionally acting like he doesn't know what's going on, `@`nimbly change the subject, and make me forget I was ever rebuked by Natsuhi...`@ br ;　そんな彼が、あの扉の向こうから。@あるいは、あの廊下の向こうから、@ひょいと現れるところばかりを夢想した。\ `I kept envisioning him,`@` suddenly appearing from the other side of the door,`@` or the other end of the hallway.`\ bg black,2 mono 0 ;　そんな素晴らしい彼に相応しいお見合いの相手はどんな人だろうと夢想した。@ ;　そして、そんな彼に自分はどれほど相応しくないのだろうと夢想した。@ `I envisioned the kind of person that would be an appropriate partner for him in a marriage meeting.`@ `And I envisioned how unfitting I am for him.`@ br ;　それをはっきりと絵羽に告げられた。それが夢の中でも何度も何度も繰り返されるのだ…。\ `Eva clearly told me that. It has repeated endlessly through my dreams...`\ bg M2F_P1d,4 ld r,$KAN_majimeA1,23 ;「………姉さんは相変わらず不器用だね。@奥様は今朝から虫の居所が悪い。@黙って俯いてればいいものを、余計なことを言うから。」@ ;＜嘉音 `".........You're still as clumsy as always, Nee-san.`@` Milady has been in a bad mood since this morning.`@` That happened because you said too much when you should have hung your head in silence."`@ ld l,$SHA_majimeA1,23 ;「……嘉音くん…。」\ `"......Kanon-kun..."`\ ;　嘉音はいつの間にかそこにいた。@ `Kanon was suddenly there.`@ ;　……もともと猫のように足音を立てず、気配をさせない彼だ。@ `......His footsteps were quieter than a cat's, and he left no trace of his presence.`@ br ;　いつからいたとしても、彼女には気付けなかっただろう…。\ `She probably wouldn't have noticed him no matter how long he stood there...`\ ;　嘉音の表情に浮かぶのは、憎悪。@ `The expression on Kanon's face was...hatred.`@ ;　紗音が浮かべ方を知らないその表情を、きっと紗音に代わって浮かべている…。\ `He made that expression for Shannon, who didn't know how to do it herself...`\ ld r,$KAN_komaruA1,80 ;「奥様も、そして瑠音も地獄へ堕ちろ。@あいつは奥様がどこをチェックするか知ってて、そこしか掃除しない。@さっきの掃除もそうだった。@見ていたから知ってる。@………本当の意味での掃除なんかしてないんだよ。@…丁寧に掃除する姉さんに寄生してるだけの最低なヤツだ。」\ `"Madam and Runon can fall into hell.`@` That person knows where Madam checks, and only cleans those areas.`@` Her cleaning just now was like that.`@` I know because I saw.`@` .........She wasn't really cleaning.`@` ...She's just the worst kind of parasite, leeching off of your thorough cleaning."`\ ld l,$SHA_KomaruA1,80 ;「そんな汚い言葉を使っては駄目よ…。@汚い言葉は、嘉音くんの綺麗な魂まで汚してしまう。@だからせめて、私の前ではそんな言葉遣いをしないで。@……ね？」@ `"You mustn't use such dirty words...`@` Dirty words pollute your clean soul, Kanon-kun.`@` So at least don't use those words in front of me.`@` ......Alright?"`@ ld r,$KAN_NayamuA1,80 ;「…………ふん。」@ `"............Hmph."`@ br ;　嘉音は不貞腐れたようにそっぽを向く。\ `Kanon faced away, acting sulky.`\ ;　素直ではない嘉音らしい態度だが、…私には少しだけ嬉しかった。@ `It was a dishonest reaction, very like Kanon, ...but I was a little happy.`@ br ;　私の代わりに、怒ってくれたから。\ `He was getting mad for my sake.`\ ld r,$KAN_DefA2,80 ;「……大広間の掃除は大変だよ。@僕も手伝う。」@ `"......Cleaning the reception hall will be tough.`@` I'll help."`@ ld l,$SHA_majimeA2,80 ;「ありがとう。@でも奥様に命じられたのは私だから大丈夫。@……嘉音くんにも自分のお仕事があるんでしょ？」\ `"Thank you.`@` But I was the one Madam ordered, so don't worry.`@` ......Don't you also have your own work, Kanon-kun?"`\ ;bg M1F_P1c,26 bg black,22 ;「……………汚らわしい仕事だよ。@僕の魂なんて、とっくに穢れてる。」@ ;　嘉音はそこで俯き、下唇を噛むような仕草をする…。\ `"............It's a filthy job.`@` My soul was corrupted long ago."`@ `Kanon then hung his head, and bit his lower lip...`\ ;「手伝ってくれるという言葉だけで、私は充分。@…嘉音くんも自分の仕事に戻らないと、あなたまで罰を受けることになっちゃう。@…そしたら私は悲しい。」\ `"Just saying that you'll help is enough for me.`@` ...If you don't go back to your own job, even you will receive punishment.`@` ...And that would make me sad."`\ ;　紗音は嘉音の性分をよく知っていた。@…時折、彼は自分を顧みない。@ ;　強く断らなくては、彼は自分の仕事を疎かにしてでも私を手伝ってしまうのだ…。@ `Shannon knew Kanon's character well.`@` ...Sometimes, he didn't reflect on himself.`@ `If I don't refuse forcefully, he will help me even if it means neglecting his own job...`@ br ;　嘉音は、自分の厚意を退けられたことを少しだけ悲しく思ったが、@それが結果的に余計に彼女を苦しめることにもなると理解し、ひとつ小さなため息をつく。\ `Kanon was a little sad that his favor had been rejected,`@` but he realized that in the end, going too far would also cause her pain, and he gave a single, small sigh.`\ bg M2F_P1d,22 ld r,$KAN_MajimeA1,24 ;「…………。@…わかったよ。@……姉さんもがんばって。」@ `"............`@`...Understood.`@` ......Do your best, Nee-san."`@ ld l,$SHA_fumanA1,23 ;「うん。@………それに、私にも責任はあるから。」\ `"Yes.`@` .........And I am also partly to blame."`\ ld r,$KAN_OdorokiA2,80 ;「姉さんには責任なんて何もないよ…！」@ `"You aren't at fault at all, Nee-san...!"`@ ld l,$SHA_majimeA2,80 ;「…うぅん。@あるの。@……だからもう行って。」\ `"...No.`@` I am.`@` ......So go now."`\ ld r,$KAN_defA2,80 cl r,3 ;　嘉音くんはまだ少し納得できないような表情を浮かべるが、それ以上はしつこくせず、姿を消してくれた。\ `Kanon-kun's face showed that he still hadn't completely accepted it, but without being any more persistent, he disappeared.`\ bg black,5 ;　……落ち込んでいる私に、嘉音くんは温かい言葉を掛けてくれたのに。@ ;　なのに私は、それが彼でなくて、また落胆している。@ `......Even though Kanon-kun had given me words of comfort when I was down.`@ `Even so, I was dejected again because it wasn't 'him'.`@ br ;　それは、もう、罪。@ `That in itself, was a sin.`@ br ;　私如きが見ることを許される夢にはあまりに過ぎた、身の程知らず。\ `That went far beyond any dream the likes of me could be permitted to see, I don't know my place.`\ ;　…朝食を疎かにした紗音は、もう思考も希薄になり始めていた。@ `...Shannon, who had neglected breakfast, already felt her thinking grow weaker.`@ br ;　……それでも、大広間の清掃を終わらせないことには、夏妃から食事の許可がもらえない。\ `......But if she didn't finish up cleaning the reception hall, she could not receive Natsuhi's permission to eat.`\ ;　意地悪な夏妃はきっと、厨房にもその旨を伝えているだろう。@ ;　…私は、奥様の罰を謹んで受けなければならない。@ `That cruel Natsuhi had surely told the kitchen something to that effect.`@ `...I have to respectfully receive Madam's punishment.`@ br ;　そう。@私は家具の分際で、…過ぎた夢に酔っていたのだ…。\ `That's right.`@` My position in the world is furniture, ...and I had been intoxicated by a dream that is beyond me...`\ bg Mhal_2aR,6 wait 2000 bg black,3 bg Mhal_1aR,4 me1v 5,40 ;　私は廊下の清掃を終え、今度は大広間にやってくる。\ `I finished cleaning the hallway and I went to the reception hall.`\ ;　空腹感が嗅覚を敏感にさせるのだろうか。@ `Maybe my hunger made my nose more sensitive.`@ br ;　離れているはずの厨房から、美味しい匂いが漂ってくるように感じ、一層、空腹の胃袋を刺激する。@ `I could sense a delicious aroma wafting from the kitchen, which should have been far away, and my empty stomach was encouraged even more.`@ br ;　…ここの清掃を終えるまで、私はスープにありつけないのだ。@覚悟を決めるしかない。\ `...Until I finished up here, I could not get any soup.`@` I just had to prepare myself.`\ bg black,4 bg Mhal_2cR,24 ;　大広間にはいくつかの肖像画が掛けられていた。@ `Several portraits were hung in the reception hall.`@ br ;　その中のある肖像画は、…使用人たちの間で、ある特別な意味を持つと考えられている。\ `One of those portraits, ...was thought to hold a special meaning amongst the servants.`\ bg black,22 fede 1,2000 bg portrait2,8 ;　……それは、魔女の肖像画。@ ;　正しい名称ではないが、屋敷の誰もがそう呼んでいた。\ `......It was the portrait of the witch.`@ `That wasn't its true name, but everyone in the mansion called it that.`\ ;　優雅な金髪の婦人を描いたこの肖像画の主の名は、ベアトリーチェ。@ `The name of the woman with elegant blonde hair, drawn as the subject of that portrait, was Beatrice.`@ br ;　…当主、金蔵のかつての愛人ではないかと囁かれている。@ ;　……そして、金蔵に伝説の黄金を与えた偉大なる魔女だとも。\ `...It was whispered that she might be the family head, Kinzo's former mistress.`@ `......And also that she was the great witch who had given Kinzo the gold of the legend.`\ se1 21 bg Mhal_2cR,6 ;　魔女ベアトリーチェは、六軒島の夜の主。@ ;　敬う者には寛大だが、蔑ろにする者には必ず呪いを与える。\ `The witch, Beatrice, master of the night on Rokkenjima.`@ `She was gracious to those who respected her, but she would surely curse those that made light of her.`\ ;　紗音はそういうルールや信仰を決して疎かにしない性分だった。@ `It was in Shannon's character not to neglect rules and beliefs such as those.`@ br ;　…だから、このもう一人の主の肖像画を、本人そのものだと思って、いつも丁寧に大切に取り扱っていた。@ `...So she thought of the portrait of her other master as that person herself, and always treated it carefully, treasuring it.`@ ;　…そして、この肖像画の中にしかいない魔女に、心の中で密かに語り掛けるのを日課にしていた。\ `...And telling the witch that only existed inside the portrait the secrets of her heart had become part of her daily routine.`\ bg black,22 ;　……彼女は家具。@ ;　家具は不平を言わない。@言えない。@ `......She was furniture.`@ `Furniture doesn't complain.`@` Cannot complain.`@ ;　だから、日々の辛さを吐露する資格はない。@口を開いてそれを言葉にする資格がない。@ `So she had no right to speak her mind about her difficult days.`@` She had no right to open her mouth and say those words.`@ br ;　だから、……彼女はせめて、心の中で吐露した。@ ;　口に出せない言葉を、心の中で吐露し、…姿なき魔女に訴えていたのだ。\ `So, ......she at least spoke her mind inside her heart.`@ `She spoke her mind inside her heart, using words she couldn't say aloud, ...and protested to the formless witch.`\ ;　もちろん、魔女は応えたりしない。@ ;　慰めることもないし、笑い飛ばすこともない。@ `Of course, the witch didn't answer.`@ `She didn't console, and she didn't laugh it off.`@ ;　……せめて相槌を打ってくれているように、その無言を自分なりに解釈するしかない。\ `......Shannon could only interpret that silence as she liked, as though the witch was responding agreeably.`\ bg portrait2,22 me2 11 ;　…ベアトリーチェさま。@ ;　……みすぼらしい私の話を聞いてください。@ `...Beatrice-sama.`@ `......Please listen to my worthless story.`@ br ;　紗音は魔女の肖像画の埃を払いながら、心の中でそう語り掛ける。\ `As Shannon wiped the dust from the witch's portrait, she spoke that inside her heart.`\ ;　………私は確かに絵羽さまの言う通り、無能で無教養な家具です。@ ;　……人じゃない。@ `.........I certainly am incompetent and uncultured, just as Eva-sama said.`@ `......I am not a person.`@ ;　…だから恋をする資格などないかもしれません…。@ ;　……でも、だったらどうして恋を知ることのできる心などお与えになったのでしょうか。\ `...So maybe I have no right to love...`@ `......But in that case, why was I given a heart which can know love?`\ ;　…そこで一度、紗音は涙を啜る。@ `...At that point, Shannon held back her tears for a time.`@ br ;　いつの間にか降っていた雨の音が、大広間の寒々しさと、彼女のみすぼらしさを一層引き立てている気がした。\ `The sound of the rain, which had started falling, along with the chill air in the reception hall, made her feel as though her shabbiness had increased another level.`\ bg black,22 me3v 12,40 ;「本当の家具なら、…心なんかない。@だから人を愛したりしなくて済むじゃないですか。@だから苦しまない。@……私も同じ家具なのに、……どうして心なんかあるんですか。@………こんな苦しくて辛い思いをするなら、…………こんな心なんて、与えないでほしかった…………！」\ `"Real furniture, ...doesn't have anything like a heart.`@` So they don't have to love people, right?`@` So they don't feel pain.`@` ......If I'm just another piece of furniture, ......why do I have a heart?`@` .........If it's going to be this painful and this harsh, ............I wish I hadn't been given something like a heart............!"`\ bg portrait2,1 E_A se3 37 ;　……なるほど。@家具に心を与えたか。@あれも時には愉快なことをする…。@くっくっくっく…！\ `......I see.`@` A heart was given to furniture.`@` One can sometimes make something pleasant out of that...`@` *cackle*cackle*...!`\ se1 21 me1 12 ;「ぇ……………………。」@ `"eh.................."`@ br ;!s0　応えず、笑わずの魔女が、/ ;!d500…応え、/ ;!d800笑った。/ !s0`The witch that didn't answer or laugh, `/ !d500`...answered, `/ !d800`and laughed.`/ !sd\ me2 16 ;　気の迷い？@　幻聴？@　いや違う。@ `Was it her imagination?`@` Was she hearing things?`@` No, that's wrong.`@ br E_A ;　…だって、次の言葉はちゃんと「声」になって、私の心ではなく、耳に聞こえたからだ…。\ `...After all, the next words became a 'voice', and I could hear them, not with my heart, but with my ears...`\ bgm1 44 ;「人間は世界を構成する元素について、紀元前の昔から探求を続けてきた。@古代ギリシャ人たちは風火水土の４つで世界の説明を試みたという。@その後も数千年かけて人間たちは、その４つに様々な元素を加え、@五大、六大、七大、八大、十二大と、様々な解釈で世界を説明しようとしたが、@唯一の真実である“一なる元素”を説明することはできなかった。@………しかし、星の導きによって現れたひとりの男が、ついにこの、世界を構成する一なる元素を説明した。@何かわかるか……？」\ `"Humans have continually searched for the elements that make up the world since before the modern era.`@` It is said that in the ancient times, Greeks tried explaining the world with the four elements of wind, fire, water, and earth.`@` And after that, over several millennia, humans added several elements to those four,`@` trying to explain the world with several interpretations such as the five elements, the six elements, the seven elements, the eight elements, and the twelve elements, `@`but they couldn't explain the one true 'single element'.`\ `.........However, a single man appeared, guided by a star, and finally explained the single element that makes up the world.`@` Know what it is......?"`\ bg black,1 ;!s0「………………ぇ、/ ;!d800………ぁ、/ ;!d600………だ、/ ;!d600…………だ、誰………。」/ !s0`"...............eh, `/ !d800`.........ah, `/ !d600`.........wh, `/ !d600`............wh, who........."`/ !sd\ ;　紗音は恐る恐る振り返る…。\ `Shannon fearfully turned around...`\ se1 27 bg white,1 bg black,22 bg Mhal_2cR,2 ld r,$BEA_DefA1,42 ;　そこには、……“い”た。\ `Right there, ......she 'existed'.`\ ;　幻覚などではなく、現実として。@ `Not as an illusion, in reality.`@ ;　それが白昼の幻でないことを、落雷のコントラストがはっきりと示した。\ `The contrast made by the lightning made it clear that this was not just a daydream.`\ ld r,$BEA_akuWaraiA1,80 me1v 12,40 ;「……それは『愛』よ。@くっくくくくくくく！」@ `"......That is 'love'.`@` *cackle*cackle*cackle*cackle*!"`@ br ;　肖像画の魔女は、優雅に黄金の煙管を咥え、くすりと笑った。@ ;　…人類の思考が迷走し、もっとも単純な答えから遠のいていった無知を笑った。\ `The witch of the portrait elegantly held a golden pipe to her mouth, and giggled.`@ `...She laughed at the ignorance which causes humankind's thoughts to stray far from the most simple answer.`\ ld r,$BEA_DefA2,80 ;「その男は世界の全てを愛で説明した。@それこそが一なる元素。@男は最小の数で世界の構成を説明しきったのだ。@/ `"That man explained everything in the world with love.`@` That is the single element.`@` That man fully explained how the world was constructed with the smallest number. `@/ ld r,$BEA_waraiA1,80 ;……何とも単純明快にして豪快爽快愉快痛快。@…やがてその男の生まれた年は、西暦紀元と呼ばれるようになったがな。@……くっくっくっく！」\ `......How simple and clear, how splendid, exhilarating, pleasant and thrilling.`@` ...The year that man was finally born was called the start of the modern era.`@` ......*cackle*cackle*!"`\ ;　紗音は言葉を失っていた。@ ;　この初対面の未知なる客人に、名前を聞くのが最初の言葉であるべきだと思った。@ `Shannon lost any words to speak.`@ `She thought that when first meeting an unknown guest, her first words should ask that person's name.`@ br ;　しかし、紗音は言葉を掛ける前から、…彼女の名がわかってしまったので、それを慎んだ。\ `But without saying anything, ...Shannon knew this person's name, so she refrained.`\ ;　いや、……この島の人間でありながら、彼女に名前を問うようなことがあれば、それは最大の不敬になってしまうに違いない。@ `No, ......surely as a person of this island, asking this person for her name would be the greatest disrespect.`@ br ;　なぜなら、…彼女こそが、この島の、金蔵とは異なるもうひとりの主なのだから。\ `Because, ...she was a master of this island in addition to Kinzo.`\ bg Mhal_1aR,0 ;ld l,$BEA_AkuwaraiA1,0 ld r,$SHA_OdorokiA1,24 ;「ベ、………ベアトリーチェさま……………。」@ `"B, .........Beatrice-sama............"`@ ld l,$BEA_defA2,80 ;●ベアトリーチェの情報１を追加 mov %play_scene,40 seplay 9,1060 mov %r_hyouji_cha,bea mov %r_hyouji,0 ;「いかにも。@妾がベアトリーチェである。@………千年を経ても、人が妾を見て最初に浮かべる表情は変わらんな。@…くっくっく。」@ `"Indeed.`@` I am Beatrice.`@` .........The face people first make when they see me hasn't changed after one thousand years.`@` ...*cackle*."`@ br ;　魔女は紗音の見せた反応が予想を裏切らなかったことを、くすくすと笑う。\ `The witch giggled at how Shannon's reaction didn't betray her expectations.`\ me2v 16,40 ;　紗音は、出会ってはいけない存在に出会ってしまったことに気付き、よろりと後ずさる。@ `Shannon realized that she had met with a being that mustn't be met with, and she took a step backwards.`@ br ;　……そこには壁と肖像画があるわけで、彼女は、魔女を見据えながら、魔女の肖像画を背負うのだった。\ `......That's where the wall and the portrait were, so even as she gazed at the witch, she supported the witch's portrait on her back.`\ ld l,$BEA_AkuwaraiA1,80 ;「お前の悩みは愛ゆえよ。@……それは即ち、世界の一なる元素。@つまり、この世の全てだ。@……それが満たされぬということは、世界が満たされぬに同じこと。@それは穴の空いた水筒に水を汲み続けるのに似ている。@……汲めども汲めども満たされぬ、永遠の心の砂漠。@人間の基礎にして全てにして原罪。」\ `"Your worries are due to love.`@` ......Which is the single element of the world.`@` In other words, everything of this world.`@` ......When that is not fulfilled, it means the world is not fulfilled.`@` It is like continually scooping water into a flask with a hole in it.`@` ......Even if you scoop and scoop, it is never filled, an eternal desert of the heart.`@` The original sin that humans are founded upon and everything is made of."`\ ld l,$BEA_DefA2,80 ;「わかるか？@　知識の実を口にしたアダムとイヴが知ったのは愛だったのだ。@…それを知ったがゆえに、人は楽園を追われ「人」たりえたのだ。@即ちそれは、愛を知り、苦しむからこそ人であること。@……心優しき娘よ。@そなたは誇っていい。@それを知った今、そなたはもはや家具にあらず。@そなたは今こそ『人間』なのだ。@我が名にかけて、それを認めようぞ。」\ `"Understand?`@` What Adam and Eve learned when they put the fruit of knowledge to their lips was love.`@` ...Because of that, humans were chased out of the garden and became 'human'.`@` Which means that what makes one human is knowing love and suffering.`@` ......You are a girl with a kind heart.`@` You should be praised.`@` Now that you have known that, you are no longer furniture.`@` You are now 'human'.`@` I recognize that upon my name."`\ ld r,$SHA_KomaruA1,80 ;「…………………えっと、………ぅ……。」\ `"...............umm, .........u......"`\ ld l,$BEA_WaraiA1,80 E_M2 ;「ふ。@凡庸の身には理解も辛き話か。@…まぁ良いわ。@くっくっくっく…。@許すがいい。@久しぶりに人間と話すのでな。@饒舌が過ぎたことを謝ろう。」@ `"Hmph.`@` Is it hard for a common person to understand?`@` ...Oh, well.`@` *cackle*cackle*...`@` Forgive me.`@` It has been a long time since I have spoken with a human.`@` I shall apologize for my talkativeness."`@ br ;　紗音に何の返事も期待せず、ベアトリーチェはしばらくの間、小気味よく笑い続けた。\ `Without expecting a reply from Shannon, Beatrice laughed pleasantly for a while.`\ ld l,$BEA_DefA1,80 ;「詫びと言っては何だが。@……妾の力で、そなたのその願望を叶えてやっても良いぞ？」\ `"Saying my apology is one thing, `@`......but would it be alright if I granted that desire of yours with my power?"`\ bg black,1 se1 21 ;「…え…、」@ `"...Huh..."`@ br ;　紗音にとって、その言葉の意味するところは、唐突な魔女の出現より驚くことだった。\ `The meaning of those words surprised Shannon even more than the witch's sudden appearance.`\ bg Mhal_2cR,0 ld c,$BEA_DefA2,22 ;「そなたを想い人と添い遂げさせてやっても良いと言っている。@……本来ならば、それに見合うだけの対価を要求するところだが。」\ `"I am offering to bring you and the one you love together.`@` ......Normally, I would demand something of equal value in return."`\ ld c,$BEA_WaraiA2,80 ;「…くっくっく、妾は機嫌が良い。@それに、そなたは妾への礼を欠かさず、今日までよく尽くした。@それへの褒美としてやっても良い。」\ `"...*cackle* However, I am in a good mood.`@` And you have never failed to pay your respects to me in the past.`@` That is something worth rewarding."`\ bg Mhal_1aR,0 ld l,$SHA_OdorokiA1,23 ;「…………ほ、…………本当ですか……。」@ `"............I, ............is that true......?"`@ br ;　本当なら、紗音はこの現実感を欠く客人に呆然として言葉など発せられたわけもない。@ `Normally, Shannon would have been shocked by this guest who didn't seem possible, and wouldn't have been able to speak.`@ br ;　……しかし、まるですでに魔女の術中に囚われてしまったかのように。@…紗音は魔女の問い掛けに答えてしまう。\ `......However, almost as though she had been captured by the witch's trick,`@` ...Shannon responded to the witch.`\ bg Mhal_2cR,0 ld r,$BEA_DefA2,24 ;「妾の魔法に掛かれば、想い人と結ばれるように取り計らうなど、造作もない。」@ `"If I use magic, it is no trouble at all to arrange for a pair of people with feelings for each other to be joined."`@ br ;　それは本当なんですね。@…思わずそう口にしてしまいそうな自分を、紗音は最後の理性で踏み止まる。\ `Yes, that's true.`@` ...Shannon, who almost said that without thinking, gave up on her last bit of common sense.`\ ;　魔女は、魔女だ。@禍々しい存在なのだ。@ `After all, this is a witch.`@` A sinister being.`@ ;　魔女ベアトリーチェが、自分の心の隙間をついて、私を虜にしようとしているに違いないのだ……。@ `The witch Beatrice is clearly trying to slip in through the cracks in my heart and take me prisoner......`@ br ;　小さい頃から、何度も絵本のおとぎ話で警告されてきた誘惑が、今まさに私の前にあった。\ `That sort of temptation, which so many fairy tale picture books warned me about when I was young, is right in front of me now.`\ ld r,$BEA_AkuWaraiA1,80 ;「畏怖もまた敬いのひとつよ。@心地よくはあるが、これでは埒が明かぬな。」\ `"Fear is also a form of respect.`@` It may be pleasant for me, but we will make no progress this way."`\ ld r,$BEA_DefA1,80 ;「……妾は確かにそなたらが忌み嫌う魔女像から離れはせぬ。@だが、妾は敬う者には好意を返す。@それは人間も同じであろう？@　そのように身構えられて好意を返せる人間も、またおらぬと思うがな？」\ `"......I may be no different from the image of a detestable witch that you hold in your mind.`@` However, I grant my favor to those who respect me.`@` Aren't humans the same?`@` Well, I doubt any human would grant their favor to a hostile attitude like that."`\ ld l,$SHA_hajiraiA2,23 ;「………し、……失礼しました…。@そんなつもりは…。」\ `".........M, ......my apologies...`@` I didn't mean..."`\ bg black,25 ;　紗音は、自分の態度が客人に失礼なものであったことにようやく気付く。@ ;　そして、…彼女が先ほど口にしてくれた言葉をようやく噛み締める。@ `Shannon eventually realized that her hostility was rude to this guest.`@ `And, ...she finally digested the words that had been spoken to her a short while ago.`@ br ;“そなたはもはや家具にあらず。@そなたは今こそ「人間」なのだ。”@ `'You are no longer furniture.`@` Now, you are "human".'`@ br ;　……その言葉は、噛み締めれば噛み締めるほどに。@……紗音には、自分の苦悩を全て理解してくれる気がした…。\ `......As she reflected upon those words,`@` ......Shannon felt as though the reason for all her worries was starting to become clear...`\ bg Mhal_1aR,26 ld r,$SHA_odorokiA1,24 ;「……さっきの、その、@…………褒美の話って、/ ;!d400……何ですか。」@ `"......What was that, umm, `@`............just now, `/ !d400`......about a reward?"`@ ld l,$BEA_DefA2,23 se1 21 ;「お前が、その心を虜にする男と結ばれるように取り計らってもいいと言っている。@妾の肖像画を、日々、丹念に磨いてくれたことへの礼とでも思うが良い。」\ `"I say that I can arrange for you to be bound to the man who has captured your heart.`@` You can think of it as a form of gratitude for diligently polishing my portrait all the time."`\ ld r,$SHA_KomaruA1,80 ;「……………………………。」@ `"........................"`@ ld l,$BEA_WaraiA1,80 ;「安心せよ、対価は求めぬ。@妾は気前が良い。@/ `"Calm yourself. I ask for nothing in return.`@` I am generous. `@/ ld l,$BEA_AkuwaraiA1,80 ;………だがな、対価は求めぬが頼みがある。」\ `.........However, though I ask for nothing in return, I do have a request."`\ bg black,22 ;　そら来たぞ…。@ `Look, here it comes...`@ br ;　心の中のもうひとりの紗音が警告する。@ ;　小さい頃に読んで怯えた絵本の中で何度も警告された……！\ `Part of Shannon's heart sent her a warning.`@ `This is what all those scary picture books she had read in when she was little had warned her about......!`\ me2 16 ;「この島のすぐ近くの海に、岩が覗き、そこに小さな鳥居と祠が設けてあるのを知っているか…？」\ `"Do you know of the small torii and shrine that have been constructed on the ocean very near this island, which you can see when you gaze at the cliffs...?"`\ bg sea_1c,8 ;　…紗音はすぐ連想する。@ `...Shannon immediately remembered it.`@ ;　それは船で六軒島へ至る時、小島とも呼べない岩礁に設けられた鳥居と鎮守の社のことだ。@ `When you reached Rokkenjima by boat, there was a torii and a shrine on a reef which was too small to even be called an islet.`@ br ;　熊沢さんに昔、それの由来を聞いたような気がするがよく思い出せない。@ ;　…旅の修験者だか何だかが、作ったとか祈ったとか何とか。\ `I have the feeling that Kumasawa-san told me its history, but I can't remember well.`@ `...A traveling mountaineering ascetic or someone had built it or wished it or something.`\ bg black,22 bg Mhal_2cR,0 ld r,$SHA_FumanA1,26 ld r,$SHA_KomaruA1,80 ;「…えぇ、知っていますが…。@…それが、何か………？」@ `"...Yes, I know about it, but...`@`...what does, that.........?"`@ ld l,$BEA_DefA2,23 ;「魔に通じぬ者に一から説明はせぬ。@早い話がだな、……アレには参っておるのだ。@/ `"I will not explain everything from square one to a person who does not know of demons.`@` To make a long story short, ......it is restraining me. `@/ ld l,$BEA_AkuwaraiA1,80 ;…実はな、あの祠の中に、ある鏡が納められている。@それをそなたに割って欲しいというのだ。」\ `...Actually, there is mirror kept inside that shrine.`@` I want you to break that."`\ bg portrait2,22 E_MA ;　それはあまりに胡散臭い願いだった。@ `That was a very suspicious request.`@ br ;　謂れは知らないが、鳥居と祠があって、そこに納められた物があったなら、それは神聖なものに違いない。@ `She didn't know the details, but anything that might be stored inside a shrine would have to be something sacred.`@ br ;　……それを割って欲しい？@ ;　魔女ともあろう者が、自らそれをできず、人間に頼むというのか…？\ `......She wants me to break that?`@ `Why would a witch be unable to do that herself, forcing her to ask a human for help...?`\ ;　その思考を言葉に出す必要はなかった。@ ;　ベアトリーチェはそのもっともな疑問に、紗音が答える前に語りだす。\ `There was no need for Shannon to speak her thoughts aloud.`@ `Beatrice started talking about this reasonable question before Shannon could give her answer.`\ ;「あの鏡の魔力は、妾の魔力と相対する。@……人の言葉でうまく説明できぬな。@…例えれば、食器の違いとでも言おうか。@あの鏡はフォークで、妾の力はスープなのだ。@フォークでスープは飲めまい？@　あの鏡の押し付けさえなければ、妾はスープを飲むのにぴったりのスプーンが用意できるというわけだ。@……それさえあれば、スープも飲めるし、岩牢だって掘り抜けるぞ。@…目玉だって刳り貫ける、……だったか？@　くっくっくっく！」\ `"The magic power of that mirror opposes my magic power.`@` ......I cannot explain it well with human words.`@` ...For example, let us speak of the differences between utensils.`@` That mirror is a fork, and my power is soup.`@` You cannot drink soup with a fork, correct?`@` If only the push of that mirror were gone, I could prepare a spoon perfect for drinking soup.`@` ......If only that were to happen, I could drink soup, and even dig my way out of a rocky prison.`@` ...I could even scoop eyeballs out, ......is that what it was?`@` *cackle*cackle*!"`\ bg black,22 ;「……な、………何の話かわかりません。@…私の無教養のせいだとしたら謝ります。」\ `"......I, .........I don't know what you are talking about.`@` ...If that is because I am uncultured, I apologize."`\ bg Mhal_1aR,0 ld c,$BEA_DefA1,26 ;「こういうことだ。@あの忌々しい鏡を妾のために割る手間をかけてくれたなら。@その褒美としてそなたの願いを叶えてやるということだ。」\ `"It comes down to this.`@` If you take action and break that annoying mirror for me,`@` as a reward, I will grant you your wish."`\ ld c,$BEA_WaraiA2,80 ;「……今日の妾は本当に機嫌がいい。@そなたが望むなら願い事を変えて、金蔵に授けた黄金を丸ごとくれてやることにしても良いぞ？@　くっくっくっく！」\ `"......I am in a very good mood today.`@` If you want to, you may change your wish, and I can give you all of the gold I bestowed upon Kinzo, alright?`@` *cackle*cackle*!"`\ bg black,22 fede 0,2000 bg Mhal_2cR,24 ld r,$SHA_KomaruA1,24 me1 12 ;「お、……………お断りします………。」\ `"I, ............I refuse........."`\ ld l,$BEA_futekiA1,23 me2 11 ;「……何と？」@ `"......What did you say?"`@ ;　紗音のその言葉を聞き、ベアトリーチェは初めて予想を裏切られたことを知る。\ `When she heard Shannon's words, Beatrice realized for the first time that her expectations had been betrayed.`\ ld l,$BEA_DefA2,80 ;「理由があれば聞かせよ。@誤解があるなら解こうぞ。」@ `"If there is a reason, tell me.`@` If there is a misunderstanding, I shall resolve it."`@ ld r,$SHA_OdorokiA1,80 ;「……り、…理由なんて、よくわかりません。@/ `"......I, ...I don't really understand the reason. `@/ ;ld r,$SHA_fumanA1,80 ;………でも、…今日までこの島は平和で、何も起こりませんでした。@…なら、鏡を割らなくても、今日までと同じ平和がこれからも続いていくはずです。」\ `.........But, ...until today, the island had been in peace, and nothing bad has happened.`@` ...So, even if I don't break the mirror, the peace that has existed until today should continue into the future."`\ cl a,0 ld c,$BEA_WaraiA1,23 ;「ふむ…。@なるほどなるほど、それはもっともだな。@そなたの言う通りだ。@あれを割らぬなら、割れぬ今日までと同じ日々が明日も明後日も続こうぞ。@妾が絶対の保証をしようではないか。」\ `"Hmm...`@` I see, I see, that is quite right.`@` It's just as you say.`@` If you don't break that, the same unbreakable days that have passed until today will continue into tomorrow and the next day.`@` Why don't I give you an absolute guarantee?"`\ ld c,$BEA_futekiA1,80 E_M1 ;「ベアトリーチェの名にかけて言う。@ `"I shall stake my name, Beatrice, on it.`@ br (`The unbreakable days until today will`/・・・・・・・・・・・・・・・) br (`continue into tomorrow and the next day`/・・・・・・・・・・・・・・・・)`.`@` And for eternity, in perpetuity."`\ ;　(割れぬ今日までと同じ日々が明日も明後日も続/・・・・・・・・・・・・・・・・・・・・・) br ;(こうぞ/・・・)。@それは永久に永遠に。」\ ;＜二度目の“割れぬ今日までと同じ日々が明日も明後日も続こうぞ”を点処理 me1 19 ;　紗音は不気味な錯覚に囚われる。@ `Shannon was trapped by a creepy hallucination.`@ br ;　鏡は恐らく魔女を縛るためのもの。@ ;　…なれば、鏡は魔女のために割られるべきもののはず。@ `The mirror was probably something to restrain the witch.`@ `...So breaking the mirror should have been something done for the witch's sake.`@ br ;　……なのにそれがまるで、紗音のために割らなければならないよう気がする。@ ;　何かの前提が摩り替えられている気がする…。\ `......But it felt as though Shannon had to do it for her own sake.`@ `It seemed like some premise had been switched...`\ ld c,$BEA_DefA1,80 me3 17 ;「妾はあくまでも褒美としてそなたに想いを成就する機会を与えたに過ぎぬ。@……割ろうが割るまいが、そなたの自由だ。@割れば、妾はそなたの願いを叶える。」\ `"What I will do is nothing more than give you a chance to fulfill your feelings as a reward.`@` ......It's up to you whether you try to break it or not.`@` If you break it, I will grant your wish."`\ ld c,$BEA_AkuwaraiA1,80 ;「割らねば、今日までの明日が永遠に続く。@そなたの願いは、永遠に叶うことはない。@……わかるか？@　何を言っているか。@くっくっくっくっく。」\ `"If you don't break it, the tomorrows up until today will continue for all eternity.`@` Your wish will not be granted for all eternity.`@` ......Do you understand?`@` What I am saying?`@` *cackle*cackle*."`\ textoff fede 0,3000 bgm1 40 ;　魔女は言っているのだ。@ `The witch spoke.`@ br ;　譲治と結ばれたかったら、鏡を割れと、迫っているのだ。@ ;　そして割らないなら、絶対にその想いは叶わないと宣告している……。\ `She was pressing Shannon, saying that if she wanted to be joined with George, break the mirror.`@ `And she was announcing that if Shannon didn't break it, then her feelings would definitely never be fulfilled......`\ bg black,22 ;「…やめて…ください……。@そんなの、/ ;!d800……聞きたくない………ッ！」\ `"...Please...stop it......`@` I don't, `/ !d800`......want to hear something like that.........!"`\ bg Mhal_2aR,0 ld r,$BEA_AkuwaraiA1,0 ld l,$SHA_OdorokiA1,26 ld r,$BEA_DefA1,80 me1 11 ;「そなたを苦しめたかったわけではないのだがな。@……まぁいい。@愛に狂おしさを感じるも人間の醍醐味よ。@その感情を存分に楽しむが良い。」\ `"I didn't want to cause you pain.`@` ......Oh well.`@` Feeling madness from love is the best thing about humans.`@` You should enjoy that emotion to your heart's content."`\ ld r,$BEA_WaraiA2,80 ;「だが、我が力を借りたいと願ったなら、いつでもあの鏡を割るが良い。@そして我が名を叫び呼び覚ますが良い。@妾は必ず約束を守るだろう。@……これならば文句はあるまい？@　そなたに今すぐの決断を迫るわけではない。@気楽であろう？」\ `"However, if you wish to borrow my power, you can break that mirror at any time.`@` And you can yell my name and awaken me.`@` I will definitely keep my promise.`@` ......This way, you should have no complaints, right?`@` I won't force you to decide right now.`@` Are you comfortable?"`\ me2 12 ;　それは、果たして気楽なことなのだろうか。@ ;　……断じて違う。@ `In the end, was that something she was comfortable with?`@ `......Definitely not.`@ br ;　恋に焦がれ愛に悩む彼女に、それから逃れる道を永遠に誘惑し続けようという、あまりに過酷な試練なのだ…。\ `To Shannon, who was burning with and worried by love, being tempted forever with a way to escape that path was truly a cruel test...`\ ld r,$BEA_DefA2,80 ;「この約束に期限は設けぬが、/ ;!d400……願いを叶える魔法には期限がある。@…その期限は私が決めるのではない。@そなたの想い人が自ら決める。@………意味がわかるか？」@ `"I won't set a time limit on that promise, `/ !d400`......but there is a time limit on the magic that can grant that wish.`@` ...That limit is not something I have decided.`@` The person of your feelings will decide it himself.`@` .........Do you know what that means?"`@ ld l,$SHA_KomaruA1,80 ;「……わ、わかりません。」\ `"......I, I don't know."`\ ld r,$BEA_AkuwaraiA1,80 ;「そなたの想い人が、愛の契りを結ぶべき相手を決めた時が、その期限となる。@……妾は魔女だが鬼ではない。@互いを愛し合う二人を引き裂く魔法は、持ち合わせていないのでな…？@　くっくくくくくくくくくく！！」\ `"The limit is the time that the person of your feelings chooses the person he should pledge his love to.`@` ......I am a witch, but I am not a demon.`@` I do not have a power which can tear apart two who love each other, you see...?`@` *cackle*cackle*cackle*cackle*!!"`\ bg black,25 bg portrait2,22 me3v 17,40 ;　そなたの想い人は近い内に見合いに臨むそうだな…？@ ;　そなたは世界で一番その男のことを想っているかもしれん。@だが、世界で一番相応しいとは限らんぞ…？\ `I hear that the person of your thoughts will soon be attending a marriage meeting, right...?`@ `You may have stronger feelings for that man than anyone else in the world.`@` However, that doesn't mean that you are the most appropriate for him, does it...?`\ se1 21 br ;　妾は見合いの相手を(知っている/・・・・・)。@ ;＜知っている：点処理 (`I know`/・・・・)` who he will be having the marriage meeting with.`@ br ;　その娘は、世界で一番、(右代宮譲治に相応/・・・・・・・・) ;＜右代宮譲治に相応しい：点処理 (`That girl is the most suitable`/・・・・・・・・・・・・)` for Ushiromiya George in the entire world.`@ ;br ;(しい/・・)。@ br ;　良い学校を出て、良い成績を残し、落ち着きがあって思慮深い。@ `She came from a good school, achieved good grades, and has composure and prudence.`@ br ;　お前より美しく、お前より聡明で、(お前よ/・・・) ;＜お前より相応しい：点処理 `She is more beautiful than you, wiser than` br `you, `(`more suitable than you`/・・・・・・・・・・)`.`\ ;br ;(り相応しい/・・・・・)。\ mevol 3,70 ;　お前のような無知無能無教養の娘が、どうして相応しかろうか？@　お前が一番知っている。@お前が一番相応しくない！@　お前と右代宮譲治が結ばれるなど、想像するだけでも罪深い、愚かしいことよ、愚かしい愚かしい身の程を知れぃ！！@　義務教育に行かせてもらった恩も忘れて。@身の程を知りなさい。\ `Why would a ignorant, incompetent, uncultured girl like you be suitable?`@` You know better than anyone.`@` You are the most unsuitable!`@` Even imagining that you and Ushiromiya George could be joined is sinful, and foolish, foolish foolish, know your place!!`@` Have you forgotten to be grateful for your education?`@` Know your place.`\ textoff se1 27 mevol 1,90 mevol 2,90 mevol 3,90 bg white,1 bg black,2 ;　譲治はお父様の血を引く孫の中では嫡男に当たるのよ。@ひょっとしたら未来の右代宮家を背負うことになるかもしれない人。@その期待に応えるために、たくさんの勉強を重ねて素晴らしい大学に入り、素晴らしい成績を残しているわ。@そんな譲治と、低学歴の無能無資格無教養な使用人風情が釣り合うと本気でお思いぃぃ？@/ `George is the eldest grandson carrying Father's blood.`@` He's a person who may bear the burden of the Ushiromiya family someday in the future.`@` To answer that expectation, he has studied tirelessly, entered a wonderful college, and is getting wonderful grades.`@` Did you really think you could snatch George away, you uneducated, incompetent, unqualified, uncultured servaaaant? `@/ se3v 37,100 ;　くすくす、くっくくくくくあっはははははははははははははははははははははははははははははははははははははははははッ！！！」\ `*giggle*giggle*, *cackle*cackle*cackle*ahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha!!!"`\ E_A se1 27 bg white,1 bg black,22 bg white,1 bg Mhal_2aR,0 ld c,$KAN_IkariA1,22 me1 12 ;「や、…………やめろッ、紗音を苛めるなッ！！@　貴様は誰だッ！！」@ ;＜嘉音 `"S, ............stop it, don't bully Shannon!!`@` Who the hell are you?!!"`@ br ;　その時、ベアトリーチェの言葉の刃から心を守ろうと頭を抱える紗音の前に、嘉音が走り出た。@ `At that time, as Shannon held her head, trying to protect her heart from the blade of Beatrice's words, Kanon ran in front of her.`@ br ;　嘉音にとって、この女が誰かはどうでもいい。@ ;　姉と慕い敬愛する紗音を苛めている敵であることがわかるなら、それ以上のことはどうでもよかった。\ `Kanon didn't care who this woman was.`@ `As long as he knew she was an enemy that was tormenting Shannon, who he loved and respected as a sister, nothing else mattered.`\ ld l,$SHA_OdorokiA2,23 ;「………嘉音くん…、/ ;!d700下がって…！@　この方は……！」@ ;＜紗音 `".........Kanon-kun..., `/ !d700`stay back...!`@` This person is......!"`@ ld c,$KAN_OdorokiA2,80 ;「……………………………。」@ ;＜嘉音 `"........................"`@ br ;　嘉音も、目の前にいる存在が、肖像画の魔女であることは理解できているようだった。@ ;　…そして、それが恐ろしい存在であることも。\ `It seemed that Kanon also realized that the being standing before him was the witch of the portrait.`@ `...And also that she was a terrifying being.`\ bg Mhal_2cR,23 ld c,$BEA_DefA1,24 E_A bgm1 19 ;「……紗音に褒美を取らせたかっただけだが、妾の言葉が過ぎ、苛めてしまったようだな。@それは謝ろう。」\ `"......I just wanted to make Shannon take her reward, but it seems I said too much, and ended up tormenting her.`@` I shall apologize."`\ ld c,$BEA_FutekiA1,80 ;「……だが先ほどの約束は、そなたへの褒美として残してゆく。@妾の力が必要ならば、いつでも呼び出すといい。@その方法はすでに教えた。」\ `"......But I will leave that promise as a reward to you.`@` If you need my power, call me at any time.`@` I have already told you how."`\ ld c,$BEA_waraiA2,80 ;「………では、これにて今宵は退散しよう。@敵意の眼差しは心地よくあるが、美容にはちと悪いのでな？@　くっくくくくく…。」\ `".........Well then, now, let us disperse.`@` Hostile gazes may be pleasant, but they are bad for your figure, right?`@` *cackle*cackle*cackle*..."`\ bg Mhal_2aR,0 ld r,$KAN_IkariA1,23 ;「消えろ…！！@　お前が何者か知らないが、お前は紗音を脅かしている！@　二度と現れるな！！」@ ;＜嘉音 `"Disappear...!!`@` I don't know who you are, but you're threatening Shannon!`@` Don't ever show yourself again!!"`@ br ;　嘉音のその言葉は、魔女をひどく不快にさせたようだった。\ `It seemed that Kanon's words made the witch horribly displeased.`\ bg Mhal_2cR,0 ld r,$BEA_AkuwaraiA1,24 ;「……言葉を選ばぬか下賎め。@…妾は敬う者に寛大だが、敬わぬ者には残酷であるぞ…？」@ `"......So, you do not choose your words carefully, lowborn?`@` ...I am gracious to those who respect me, but brutal to those who do not, right...?"`@ br ;　魔女が笑顔のまま、表情を歪ませ始める…。\ `While she still smiled, the witch's face began to twist itself...`\ se1 21 me1v 21,40 ;　そして、人の五感では形容できぬ何かの圧迫感が、徐々に部屋を満たしていく…。@ ;　それが何か理解できなくても、恐ろしいものであることはすぐに理解できた…。@ `And, there was a oppressive feeling that couldn't be noticed with any of the five senses, which gradually filled the room...`@ `Even though they couldn't understand it, they immediately realized that it was something terrifying...`@ br ;　海で泳ぐ時、その下の海中に巨大な何かが横切ったなら、正体を知るより早く陸に逃れたくなるはず。@…それと同じこと！\ `When you swim in the ocean. and something large goes by in the water beneath you, you want to escape to the land even before you learn what it is.`@` ...This was the same as that!`\ ld l,$SHA_OdorokiA1,24 ;「お、……おやめ下さいベアトリーチェさま！！@　嘉音くんはまだ子どもなんです。@言葉遣いについては謝ります！」\ ;＜紗音 `"P, ......please stop, Beatrice-sama!!`@` Kanon-kun is still a child.`@` I apologize for his language!"`\ ld r,$BEA_futekiA1,80 ;「………………………。」@ ;＜ベアト `"........................"`@ ld c,$KAN_OdorokiA2,23 ;「……………………ッ。」@ ;＜嘉音 `"..................ch."`@ br ;　体を張って紗音の前に立ちはだかる嘉音。@…その額に緊迫の汗が浮かぶ。\ `Kanon blocked the way to Shannon, his body outstretched.`@` ...There was tense sweat on his forehead.`\ for %ryuu1 = 40 to 70 wait 80 mevol 1,%ryuu1 next ;　その時、確かに魔女は嘉音の命運を握っていた。@ ;　…指一本必要ない。@ `At that time, the witch certainly had Kanon's fate in the palm of her hand.`@ `...She didn't even need to lift a finger.`@ br ;　自らの微笑みをひとつ歪めるだけで、その命運を握り潰してしまえるほど簡単に、その命運を握っていた…。\ `By just twisting her own smile, she had Kanon's fate in the palm of her hand, so that she would easily crush it...`\ ;　嘉音にもそれがわかっているのだ。@ ;　だから汗が浮かぶ。@足が竦む…。@ `Kanon also understood that.`@ `So he started sweating.`@` His knees felt weak...`@ br ;　しかし、ベアトリーチェはふっと笑うと緊張感を解き、笑った。\ `However, Beatrice abruptly released that feeling of tension, and laughed.`\ E_MA bg Mhal_2aR,23 ld c,$BEA_DefA2,24 me1 12 ;「………良かろう。@そなたが求めるなら特別に許そう。@…嘉音とやら。@彼女に免じて今宵は許してつかわす。@感謝するがよいぞ。@さて、今宵はこれで退散する。」\ `".........Very well.`@` If you ask, I will permit it this time.`@` ...Kanon is it?`@` In deference to her, I shall forgive you tonight and send you off.`@` You should thank me.`@` Well then, we will disperse for tonight."`\ ld c,$BEA_WaraiA1,80 ;「…………別れの挨拶に、ひとつ土産を残そう。@二人とも左手の手の平をこちらへかざせ。」\ `"............In parting, I shall leave a single souvenir.`@` Hold out the palm of your left hands, you two."`\ ;　ベアトリーチェがにやりと笑いながら指を鳴らすと、@二人の意思に反して、左手が正面にピンと伸びて、その手の平が開かれた。\ `When Beatrice grinned broadly and snapped her fingers, `@`against their will, their left hands stretched out in front of them, and their palms opened.`\ bg Mhal_2cR,24 se2 22 ;　それはまるで、左手だけが他人のものになってしまったような不思議な感覚。@ `It was a strange sensation, as though only their left hands had become someone else's.`@ br ;　左手だけが操り人形になってしまって、@天井から垂れる糸でピンと引っ張られるようなそんな感覚。\ `It felt like only their left hands had become puppets, `@`which were being pulled by strings hanging down from the ceiling.`\ ld r,$KAN_OdorokiA1,24 ;「こ、これは……、/ ;!d600何の真似だッ…？！」@ ;＜嘉音 `"Wh, what......, `/ !d600`are you trying to do...?!"`@ ;　嘉音が抵抗するが、左手の自由を取り戻すことはできなかった。\ `Kanon resisted, but he couldn't freely bring his hand back.`\ ld l,$BEA_DefA1,23 ;「騒ぐな。@すぐに済む。」\ ;＜ベアト `"Don't struggle.`@` It will be over soon."`\ bg black,8 ;　ベアトリーチェが煙管をかざすと、その煙の中からきらきらと金色に輝く粉末が宙をたなびく。@ `When Beatrice held her pipe aloft, from inside the smoke, gold-colored sparkling dust hovered in the air.`@ se1v 22,40 bg butterfly_1a,2 br ;　……そのきらきらは、やがて数匹の金色の蝶々になった。\ `......That sparkle eventually became several gold butterflies.`\ bg butterfly_3a,8 se3 22 ;　美しい蝶々たちは、大広間の中を自在に舞い、幻想的な美しい世界を作り上げた。@ `The beautiful butterflies danced freely throughout the reception hall, creating a fantastical and beautiful world.`@ br ;　…そして、その内の２匹の蝶々が、紗音と嘉音の手の平に飛び込む。\ `...And two of those butterflies alighted on the palms of Shannon's and Kanon's hands.`\ bg black,22 bg white,1 bg black,22 ;「ッ？！」@ ;＜嘉音 `"?!"`@ ;「痛い…！」@ ;＜紗音 `"Ouch...!"`@ br ;　チリっとした、火傷に似た痛みを感じる。@ `There was a sharp pain, as though they had been burned.`@ ;　二人が手の平を検めようとした時、先ほどまでの体の不自由は嘘のようになくなっていた。\ `When the two of them tried to examine their palms, there was no trace left of that inability to move their bodies, which had been there until a second ago.`\ bg Mhal_2aR,22 ld l,$SHA_KomaruA1,26 ;「………あ、……痣…？@　これは……。」@ ;＜紗音 `".........Ah, ......a bruise...?`@` What is......"`@ ;　手の平には豆粒大の大きさの、小さな火傷の痣ができていた。@ ;　…しかもそれは、蝶々の形をしていた…。\ `On the palm of her hand, a small burn mark had been made, the size of a speck.`@ `...Furthermore, it was shaped like a butterfly...`\ ld r,$KAN_OdorokiA2,26 ;「こ、…これは何の真似だ…。」@ ;＜嘉音 `"Wh, ...what is this supposed to be..."`@ ;　どうやら、同じ痣は嘉音の手にもあるようだった。@嘉音は憎々しげに魔女を凝視する。\ `Apparently, Kanon had the same bruise on his hand.`@` He stared at the witch hatefully.`\ bg Mhal_2cR,0 ld c,$BEA_DefA1,24 ;「単なる挨拶よ。@他意はない。@…ただの痣に過ぎぬから、ほんの数日で癒えよう。@手当ても必要ない。@それは、妾が確かに今日ここにあり、そなたと約束を交わしたことを明日に忘れさせぬための印だ。」\ `"It is a simple greeting.`@` I have no hidden motive.`@` ...It is nothing more than a bruise, so it will heal in just a few days.`@` There's not even any need to care for it.`@` That is a mark so that tomorrow, you will not forget that I truly was here, and that I made a promise with you."`\ ld c,$BEA_DefA2,80 ;「…………妾との出会いは刺激が強い。@…翌朝に、妾との出会いを夢か幻と思い込み忘れようとする人間も、時にはいるのでな。@…………ゆっくり考えるがいいぞ、紗音。@…そしてゆっくりと休み、明日の朝日に我が印を見て、改めて考えてみるがいいだろう。」\ `"............The impact of a meeting with me is strong.`@` ...Sometimes, at the next morning, people try to think of their meeting with me as a dream or an illusion.`@` ............You should think slowly and carefully, Shannon.`@` ...And you should probably take a good rest, look at my mark tomorrow morning, and try thinking again."`\ ld c,$BEA_WaraiA1,80 ;「妾は何も強要せぬ。@そなたが自らの意思で、自由に未来を決めるがいい。@………もっとも、欲する物の対価がその程度で済むとはな…。@悲恋をテーマに戯曲を書き上げた偉人たちが悔しがるぞ。@くっくっくっくっく！」\ `"I do not use coercion for anything.`@` You should freely decide your future, by your own will.`@` .........However, to think that the object of desire could be satisfied with compensation such as this...`@` It would annoy the great artists who write plays about blighted love to no end.`@` *cackle*cackle*cackle*!"`\ ld c,$BEA_futekiA1,80 ;「それでは、縁があったらまた会おう。@久しぶりの会話は実に楽しかったぞ？@　さらばだ、家具ども。@あっはははははははははははははは！」\ `"Well then, let us meet again when the chance arises.`@` It truly is fun to have a conversation again after so much time.`@` Goodbye, furniture.`@` Ahahahahahahahahahahahahahaha!"`\ textoff se3 52 cl c,99,3000,"breakup.dll/llB" wait 2000 ;　ベアトリーチェの体が、ぶわっと煙のように崩れてあふれ出す。@ `Beatrice's body crumbled like smoke and blew away.`@ ;　…それは黄金の煙、…いや、黄金の蝶の群だった。@ ;　それらは大広間に四方八方に分散し、…黄金の飛沫を残して空間に掻き消えてしまった。\ `...It was golden smoke, ...no, a group of gold butterflies.`@ `They scattered in all directions inside the reception hall, ...leaving a golden splash before disappearing into thin air.`\ me2v 11,90 ;　……後には、寒々しい静寂が残るだけだった。@ `......After that, only the cold silence was left.`@ br ;　そのあまりの静けさは、直前まで、嘉音と二人共々、白昼夢でも見ていたのではないかと思わせてしまうほどだった…。\ `The extreme silence was enough to make both of them think that they might have been daydreaming until just a moment ago...`\ ;　…だから魔女は残した。@ ;　これが白昼夢であると、断じて思わせないために印を残した。@ `...Which is why the witch had left it.`@ `She had left a mark to make it impossible for them to think that this was a daydream.`@ br ;　紗音と嘉音は、自分の手に残された蝶の痣と、それを記された時に感じた痛みを思い返しながら、@いつまでも呆然と立ち尽くしていた…………。\ `As Shannon and Kanon thought back on the butterfly bruises on their hands, and the pain they had felt when those had been left there,`@` they kept standing still, in shock............`\ br ;　そしてその日から。@ `And from that day on...`@ br ;　……紗音は、苦悩と葛藤の日々に苛まれることになる………。\ `......Shannon was tormented by days of suffering and conflict.........`\ ;▲第１アイキャッチ：時計なし。 eye12 wait 2000 *umi2_2 mov %play_scene,40 E_A ;■六軒島。朱志香と紗音。 bgm1 12 bg M_o1bN,2 wait 3000 bg black,22 bg MJES_1aN,3 ld c,$JES_OdorokiA1,24 ;「えええぇえぇえぇ？！@/ `"Eeeeeeeeeh?! `@/ ;　べ、別部屋って何だよ？！@/ `What do you mean, separate rooms?! `@/ ;　じゃあ、わざわざ紗音と譲治兄さんは別の部屋に泊まったのかよ？！」\ `Then, Shannon, you and George nii-san stayed at different rooms on purpose?!"`\ ;＜朱志香 bg MJES_1bN,0 ld r,$SHA_OdorokiA2,24 ;「は、……はい…。@/ `"Y-,...... Yes... `@/ ;ぁの、……そんなにもおかしかったでしょうか……？」@ `I mean, ...... was it that strange......?"`@ ;＜紗音 br ;　朱志香は、紗音の持ってきた沖縄土産の、チョココーティングのちんすこうを頬張りながら絶叫したため、@/ `Since Jessica's cheeks had been stuffed with chocolate-coated chinsukou biscuit that Shannon had brought as a present from Okinawa, `@/ ;それらは盛大に紗音に吹きかかるのだった…。\ `it all flew out at Shannon when Jessica cried out...`\ ld l,$JES_TohohoA2,23 ;「…しゃ、紗音さ、何のために沖縄まで旅行に行ったんだよ…。@/ `"...Sh, Shannon, why did you even go on a trip up to Okinawa...? `@/ ;それも譲治兄さんと二人っきりで！」@ `And even alone with George nii-san!"`@ ld r,$SHA_HajiraiA2,80 ;「それはその…、とても大きな水族館が沖縄にあるからぜひ行こうって誘われて…。@/ `"That is, I mean..., since there's a very big aquarium in Okinawa, I was invited to go and... `@/ ;私、…お魚とか好きですし…。」\ `I, ...like fish and stuff..."`\ ld l,$JES_IkariA1,80 ;「いや、だからさぁ？！@/ `"No, that's not it!!　`@/ ;　健全な男女がお泊りありで旅行に行ったわけだろ？！@/ `This is a young couple going on an overnight trip, right?! `@/ ;　それでチューもなければギューもないのかよ？！@/ `And you're saying there weren't even any hugs and kisses?! `@/ ;　ましてや部屋は男女で別部屋って何だよ？！」\ `To say nothing of the fact that the guy and girl were staying in different rooms!!"`\ ld r,$SHA_HajiraiA1,80 ;「チュ、チューについてはノーコメントです。@/ `"As for k, kisses, no comment. `@/ ;ぁ、でも、ギューはありましたよ…？@/ `Ah, but we did hug... `@/ ;　譲治さんの胸、温かかったです…。」\ `George-san's chest was warm..."`\ ld l,$JES_atyaA2,80 ;「そーゆうことじゃねーぜ！！@/ `"That's not the point!! `@/ ;　あーもぅ！@/ `Aah, geez! `@/ ;　何だってこんなカップルがいるんだよ？！@/ `Why do couples like this exist?! `@/ ;　あーもー！！@/ `Aaah, geez!! `@/ ;　じれってーぜ！」@ `It's so irritating!"`@ br ;　紗音的には色々あって、とても幸せな旅行だったらしいのだが、@/ `A lot of things had happened to Shannon and it seemed to have been a very happy trip, `@/ ;朱志香的にはあまりにももどかしいもののようだ。\ `but it looked like Jessica found it pretty irritating.`\ bg black,5 wait 1000 bg MJES_1cN,22 ;　朱志香はしばらくの間、もぐもぐとお土産を頬張りながら、@/ `For a while, Jessica chewed on her present, `@/ ;ベッドの上で、人の恋路をあーだこーだとグチグチ言いながら悶絶しているのだった。\ `complaining about romance and pretending to faint in agony on her bed.`\ ;　紗音と譲治が旅行先を沖縄に選んだのは、巨大な水族館があったからだった。@ `Shannon and George had chosen to go to Okinawa because there was a huge aquarium there.`@ ;　それは、彼らの出会いが水族館をきっかけにしたものだったからだ。@ `And they had used the aquarium as an excuse to get together.`@ br ;　水族館で始まった縁だから、初めてのお泊り旅行の行き先も水族館というちょっと記念的な意味もあったに違いない。\ `Since their relationship had started at an aquarium, having their first overnight trip also be to an aquarium must have held some commemorative value.`\ ld r,$JES_atyaA2,24 ;「そんな記念の節目の！@/ `"What a turning point! `@/ ;　初のお泊り旅行なら！！@/ `It was your first overnight trip!! `@/ ;　色々と進展するもんがあるはずだぜー？！@/ `Shouldn't there have been lots of progress?! `@/ ld r,$JES_TohohoA2,80 ;　それが！@/ `And even so, `@/ ;　男女別部屋？！@/ `separate rooms for the guy and girl?! `@/ ;　カップルでシングルを２部屋？！@/ `A couple taking two single rooms?! `@/ cl r,65 se1 13 quakey 4,600 ;　あーもー、本当にどうかしてるぜ！」@ `Aah, geez, really, what's wrong with you!"`@ ld l,$SHA_HajiraiA1,23 ;「…それはその、……お互い独身の男女ですし…。@/ `"...Err, umm, ......but we're both single... `@/ ;…譲治さんが、そこをしっかりするのが男女のマナーだと仰って……。」\ `...George-san says showing restraint is good manners for a couple......."`\ ld r,$JES_IkariA1,26 ;「だーから、それを踏み越えるためのお泊り旅行じゃねぇのかよー？！@/ `"Like I said, this overnight trip was so you could overcome that stage, right?! `@/ ;　もはやチューとかギューとかのレベルじゃねぇぜー？！」\ `You're already at the level of things like kissing and hugging, right?!"`\ ld l,$SHA_OdorokiA2,80 ;「お、お嬢様がどういう意味で仰ってるのかわかりませんが…。@/ `"M, Milady, I don't know what you mean by that.... `@/ ;じょ、譲治さまは最後まで本当に紳士でいて下さいました。@/ `G, George-sama was a real gentleman with me until the end. `@/ ld l,$SHA_HAjiraiA3,80 ;!s0それはその、/ !s0`That is, I mean, `/ ;!d300……私も、/ !d300`...... I also, `/ ;!d300…そういうことがあるかなというか、/ !d300`...wondered if those things would happen, you know, `/ ;!d800…でも私たち、お付き合いはしてますけどその、/ !d800`...but we, even though we are going out, `/ ;!d400べ、別に結婚してるわけじゃないし…。」/ !d400`I mean, it, it's not that we are married or anything..."`/ !sd\ ld l,$SHA_HajiraiA1,80 ;「お嬢様が期待されているようなことはその、/ `"What Milady seems to be expecting, `/ ;!d800……ちゃんと神さまの前で誓いを立ててからするべきでその、/ !d800`......I mean, we must do so only after we properly make a vow in front of God, umm, `/ ;!d700……すす、するべきでその…、/ !d700`......w w, we must..., `/ ;!d500ぁぅ。」/ !d500`au."`/ !sd\ ;　紗音の顔は真っ赤っか。@ `Shannon's face got bright red.`@ ;　両手で輪っかを作り、鎖を作ったり切ったりハートマークを作ったりと忙しない。\ `She made a circle with both hands, restlessly intertwining, separating and making heart marks with them.`\ bg black,22 bg MJES_1aN,26 ;　この旅行で、朱志香の期待したような劇的進展はなかったようだが、@/ `Apparently, the dramatic progress Jessica had looked forward to hadn't happened, `@/ ;紗音なりには意義深いものではあったようだ。@ ` but it seemed that it had been a very important experience for Shannon in her own way.`@ br ;　…結局、朱志香がどう妬こうが囃し立てようが、紗音に大きくリードされてしまった事実は変わらない。\ `...So in the end, whether Jessica was jealous of Shannon or cheered for her, it didn't change the fact that Shannon had a huge lead on her.`\ ;!s0「あーッ、私も彼氏ほしー！！/ !s0`"Aah, I want a boyfriend toooo!! `/ se1 6 quakey 3,400 ;　紗音に先を越されたのが悔しー！！/ `I can't believe Shannon got ahead of me!! `/ se1 7 quakey 5,500 ;　彼氏作る時は一緒だぜって約束したのに抜け駆けされたー、/ `Even though we promised that we would find boyfriends at the same time, you beat me, `/ ;!d600むがーー！」/ `Aarrrrrrgh!"`/ se1 12 quakey 3,400 seplay 2,13 quakey 5,500 !sd\ bg Mjes_1cN,23 ld r,$SHA_hajiraiA3,24 ;「あ、あの…。@/ `"U, umm... `@/ ;お嬢様は素敵な方ですから、私なんかよりきっと素敵な方がすぐに現れます…。」\ `Milady is a wonderful person, so I'm sure a wonderful person will appear very soon...."`\ bg MJES_1aN,0 ld l,$JES_IkariA1,24 ;「そういう慰めはいらねぇぜー！！@/ `"Don't try to console me!! `@/ ;　紗音の裏切り者ォ、出ていけー、うぜぇええー！@/ `Shannon, you traitor, get o-ut, shut u-p! `@/ ld l,$JES_IkariA2,80 ;　ケホケホ、げほんげほんげほんッ！！」@ `*cough*cough*, *cough*cough*cough*!!"`@ br ;　朱志香はたくさんあるクッションをぽこぽこと投げつけた。@ `Jessica threw several cushions at her.`@ ;　しかし途中から喘息の発作を起こしてしまい、苦しそうに咽込む。\ `But midway, she had an asthma attack and started to choke pretty badly.`\ bg MJES_1DN,23 ;　紗音は慌てて駆け寄り、近くのサイドテーブルの上を見る。@ `Shannon hurriedly ran over to a nearby side table and started searching around on top of it.`@ br ;　そこには可愛らしい篭が置かれ、その中に朱志香用の気管支拡張剤があった。@ `A lovely basket was placed there and inside of it was Jessica's bronchodilator.`@ ;　それを取り、朱志香に渡す。\ `Shannon picked it up and handed it over to Jessica.`\ bg black,22 ;　朱志香の喘息発作はいつも突然起こる。@ `Jessica's asthma attacks always came suddenly.`@ ;　だからこの薬をいつも肌身離さず持っていなくてはならなかった。\ `Because of this, she always carried this medicine around.`\ bg MJES_1e,2 ;　薬を吸引し、しばらくの間、咽込むのを堪えていると、ようやく喘息は治まった。\ `She breathed in the medicine and, after a while, managed to overcome her choking as her asthma finally settled down.`\ ;　紗音はここが引き上げる潮時だと思い、丁寧にお辞儀をして退室しようとする…。@ `Shannon thought this a good chance to leave and tried to exit the room after bowing courteously...`@ fede 0,2000 br ;　すると、またしても小さなクッションがひとつ飛んできて、紗音の頭にぽこんとぶつかった。\ `As she did, one more small cushion came flying and hit Shannon on the head.`\ bg MJES_1aN,24 ;ld r,$JES_KomaruA1,24 bgm1 10 ;　見れば朱志香は、最後の１個のお気に入りのクッションを抱いて顔を半分埋めながら、ちょっぴりだけ涙を浮かべていた。@/ `She noticed that Jessica was on the verge of crying, half of her face buried in her last and favorite cushion. `@/ ;その顔は真っ赤で神妙だった…。\ `That face was red and meek...`\ ld l,$SHA_KomaruA1,23 ;「……お、お嬢様……？」@ `"...... M, Milady......?"`@ ld r,$JES_nayamuA1,80 ;「しゃ、……紗音さ…。@/ `"Sha, ......Shannon...`@/ ;…正直に言って…。@/ `...Be honest with me...`@/ ;………私。@/ `.........Is my, `@/ ;…………髪型とか、…変かな…。」@ `............hairdo and stuff, ...... strange....?"`@ ld l,$SHA_majimeA2,80 ;「まさか…。@/ `"What are you saying... `@/ ;お嬢様の髪はとてもお美しいと思います。」\ `I think that your hair is very beautiful."`\ ld r,$JES_OdorokiA1,80 ;「じゃ、じゃあじゃあ、目とか変かな、鼻とか変じゃないかな。@/ `"Then, ...then, then, are my eyes strange, or maybe my nose? `@/ ;…やっぱり喋り方が駄目なのかな……。@/ `...Or is it the way I talk after all......? `@/ ;だから彼氏できないのかな……。」@ `Is that why I can't get a boyfriend......?"`@ ld l,$SHA_tokuiA1,80 ;「そんなはずはありませんよ。@/ `"Of course not. `@/ ;お嬢様はそのままで充分に素敵です。@/ `Milady, you are wonderful enough as you are. `@/ ;そして、その魅力はこれからもっともっと増していくと思いますよ。」\ `And I think that your charm will keep on increasing more and more from now on."`\ bg black,25 ;「……でも、私だけ彼氏できない…。@/ `" ......But, it's only me who can't find a boyfriend... `@/ ;サクもヒナも彼氏できたのに、私にだけできないよ……。@/ `Saku and Hina managed to find a boyfriend, but only I can't...... `@/ ;やっぱり私には魅力ないからかな……。@/ `Is it because I don't have any charm after all......? `@/ ;みんなね、文化祭に彼氏連れてくるんだって……。@/ `You know, everyone will bring their boyfriend along to the cultural festival...... `@/ ;私もその日までにはきっと彼氏いるって思って、大見得切って…。@/ `I was so sure I'd have a boyfriend before that day, and I said so, boldly...`@/ ;………彼氏なんてできやしない。@/ `.........I can't find a boyfriend. `@/ ;私だけ、私だけ……。」\ `Only me, only me......."`\ ;　いつの間にか、朱志香は大粒の涙を浮かべていた。@ `Before she realized it, Jessica was shedding huge tears.`@ br ;　朱志香は別に泣く気などなかったし、もちろん紗音の恋路が順調に進んでいることを友人として祝福する気持ちもあった。@ `Jessica didn't really feel like crying, and of course, she felt like supporting Shannon's progress in love as a friend.`@ br ;　…でも、囃し立てている内に、いつの間にか本音が混じり始めて、つい涙が零れてしまったのだ…。\ `...However, as she had cheered Shannon on, her true feelings had suddenly gotten mixed in, and she couldn't help but shed tears...`\ bg MJES_1e,22 ;　…紗音は、朱志香のその無垢で傷つきやすい心を理解する。@ `...Shannon understood Jessica's innocent and easily injured heart.`@ br ;　朱志香の普段の少しだけ乱暴な言葉遣いは、@…全て傷つきやすい自らの心を庇おうとしただけの結果。\ `Jessica's ordinary rough style of speech,`@` was all just an attempt to protect her own easily injured heart.`\ ;　……右代宮家の跡継ぎ令嬢として、六軒島に隔離された少女が本音を打ち明けられる相手は、紗音ただひとりだけだったのだ。@ `......As a daughter and successor to the Ushiromiya family, and as a girl isolated on Rokkenjima, the only person she could expose her true feelings to was Shannon.`@ br ;　それを、紗音は理解する。@ ;　だから、…少しだけいい気になったことを深く反省する。\ `Shannon understood that.`@ `So, ...she strongly regretted getting into even a slightly good mood.`\ bg MJES_1bN,0 ld c,$JES_NakuA2,23 ;「…ご、………ごめん…。@涙出ちゃうなんて、私、変だぜ。@ごめん、……ぐすん。」@ `"...S, .........sorry...`@` Crying like this, I'm, weird.`@` Sorry, ......*sniffle*."`@ ld r,$SHA_majimeA2,24 ;「お嬢様は素敵な方です。@そんなお嬢様に素敵な男性が現れないわけがありません…。」\ `"You are a wonderful person, Milady.`@` There is no way that a wonderful man won't appear for you, Milady..."`\ ld c,$JES_aisowaraiA1,80 ;「………しゃ、紗音、もう時間だろ？@　早く行かないとまた源次さんや母さんに怒られるぜ。@私は全然平気だから早く行きなよ…！@　へへ、悪ぃな、泣いちゃったりなんかしてさ。@……馬鹿みてぇだぜ、私。」\ `".........Sh, Shannon, it's about time, right?`@` If you don't go quickly, Genji-san and Mom will get mad.`@` I'm perfectly fine, so go quickly...!`@` Heheh, sorry for crying like this.`@` ......I'm such a moron."`\ bg black,23 ;bg G2F_R1aN,0 ;ld l,$SHA_DefA1,23 ;　朱志香は、構って欲しいわけじゃないというような仕草で背中を向けると、@追い払うような感じで手をひらひらと振る。@ `Jessica faced away, acting as though she didn't really want to trouble Shannon,`@` waving her hand as though driving Shannon away.`@ br ;　紗音は、それ以上しつこくされたくないという朱志香のサインを受け取ると、@ぺこりと頭を下げ、退室していくのだった…。\ `Shannon took that as a sign that anything more would be obnoxious, `@`bowed her head, and left the room...`\ ;cl l,24 wait 3000 ;se1 15 ;wait 1500 bg MJES_1b,4 ;　その足音が遠くへ消えていくと、朱志香はクッションを抱いたまま、そのままベッドに横たわる。\ `When her footsteps disappeared into the distance, Jessica lay down on her bed, still hugging a cushion.`\ ;　…まだ涙が浮かんでいて少し神妙な表情だったけれど、@…久しぶりに素直になった自分の心としばらくの間、静かに静かに対話をするのだった。\ `...Her expression was still a little meek, with tears in her eyes,`@` ...but for the first time in a long time, she had a very, very quiet and honest conversation with her heart.`\ bg black,5 ;!s0「私も、/ ;!d800…………恋が、/ ;!d600したい…。」/ !s0`"I also, `/ !d800`............want to fall, `/ !d600`in love..."`/ !sd\ ;＜朱志香 ;■薔薇庭園 mov %play_scene,40 textoff bg M_o1aN,2 fede 0,3000 wait 2000 bg M_o1a,2 wait 2000 bg white,9 bg rose_G1b,22 wait 2000 bg white,23 bg garden_1b,23 ;ld c,$SHA_WaraiA2,23 bgm1 7 ;　紗音が上機嫌に庭園の花壇に水遣りをしていると、ふと気配を感じた。@ `As Shannon watered the flower beds in the garden in high spirits, she sensed someone's presence.`@ br ;　家人が訪れたなら挨拶をしなくてはならないと思い、振り返ると、@……そこにいたのは何とあの魔女の姿だった。\ `She turned around, thinking that if this was one of the family coming to see her, she must greet them,`@` ......and what she saw was that witch.`\ bg rose_1a,0 ld l,$SHA_OdorokiA2,23 ;「ベ、……ベアトリーチェさま………。」@ `"B, ......Beatrice-sama........."`@ ld r,$BEA_defA1,24 ;「久しぶりよの。@どうだ？@　その後、そなたの想い人との仲は順調か？」\ `"It's been quite some time.`@` How are you?`@` Has your relationship with your special person progressed since last time?"`\ ;　ベアトリーチェは、薔薇のアーチの上に腰を掛けながら、上機嫌に煙管をふかしていた。@ `As Beatrice sat on the rose arch, she happily blew on her pipe.`@ br ;　そんなところに腰掛けたら、薔薇が潰れてしまうし、@アーチが倒れて危ないかもしれないが、…何しろ相手は魔女なのだ。@ `Sitting in a place like that would get you pricked by the roses, `@`and it might have been dangerous if you fell off the arch, ...but after all, this was a witch.`@ ;　それは余計な心配に違いなかった。\ `That would surely be worrying too much.`\ ld l,$SHA_hajiraiA1,80 ;「…は、はい。@お陰様でその、…順調です。」\ `"...Y, yes.`@` Thanks to you, ...it's going smoothly."`\ ld r,$BEA_defA2,80 ;「当然よ、妾の魔法はてきめんである。@…そなたにはまるで、二人が出会うのは予め決められた運命であったかのように感じているかも知れぬ。@だがそれは間違いよ、ゆめゆめ運命だなどと思うでないぞ。」@ `"Naturally, my magic is instantaneous.`@` Maybe you feel that your meeting was a predetermined fate.`@` But that isn't correct, don't think this has anything to do with fate."`@ ld l,$SHA_KomaruA1,80 ;「……そ、……それはわかってます。」\ `"......I, ......I understand that."`\ bg black,25 ;　魔女は念を押す。@２つのことを、念を押す。@ `The witch was calling attention to something.`@` Two things, actually.`@ br ;　譲治との縁は、本来なら絶対にありえなかった運命。@ ;　……そして、それを捻じ曲げるほどに、魔女の力が強大であると。\ `Originally, her relationship with George had been completely impossible.`@ `......And the power of magic was so great that it could distort that.`\ ;　紗音は、ついつい甘い日々に浮かれ、全ての運命が自分を中心に回っていると錯覚してしまいそうになっていた。@ `Shannon had just gotten wrapped up in those sweet days, and had started believing the illusion that all fate revolved around her.`@ br ;　…でも、魔女の言葉で思い出す。@ `...But she remembered the witch's words.`@ br ;　譲治との縁は、本来ありえないもので、@………いや、これからもありえないものかもしれない…。\ `Originally, her relationship with George had been impossible, `@`.........no, it might also be impossible in the future as well...`\ bg rose_1b,0 ld l,$BEA_WaraiA1,26 ;「…くっくっくっく、すまぬすまぬ。@/ `"...*cackle*cackle*, sorry, sorry. `@/ ld l,$BEA_DefA1,80 ;医者と同じよ。@病に悩めばすがるくせに、治れば感謝も忘れる。@……魔女が感謝されたためしはないのでな、つい卑屈になってしまった。@許すがいい。」\ `It's just like a doctor.`@` Even though you rely on them when you worry about your health, after you're healed, you forget even to thank them.`@` ......I've never been thanked as a witch, so I couldn't help acting a little rudely.`@` Forgive me."`\ ld r,$SHA_fumanA1,24 ;「………感謝の気持ちを、忘れたことはありません。@…ベアトリーチェさまのお力で幸せな思いができていること。@……そして、そのお力がなければ、私と譲治さまが寄り添う運命がなかったこと、@…決して忘れたことはありません。」\ `".........I have never forgotten my feelings of gratitude.`@` ...I was able to achieve happiness thanks to your power, Beatrice-sama.`@` ......And without that power, the fate that brought me and George-sama together wouldn't have happened.`@` ...I have never forgotten that."`\ ld l,$BEA_WaraiA2,80 ;「すまぬすまぬ。@いじめに来たわけではないのにな。@口が悪いのは妾が性分。@許されよ。@/ `"Sorry, sorry.`@` It's not like I came here to bully you.`@` Talking rudely is just my personality.`@` Do forgive me. `@/ ld l,$BEA_defA2,80 ;…それより、聞いたぞ聞いたぞ？@　二人きりで旅行に行ったとな。@さぞや楽しかったであろう。」@ `...More importantly, I heard, I heard!`@` About your trip alone with him.`@` I'm sure it was quite fun."`@ ld r,$SHA_hajiraiA3,80 ;「は、はい！@　とてもその、…楽しかったです。」@ `"Y, yes!`@` It was very, umm, ...fun."`@ br ;　紗音の顔が、ぱーっと明るくなっていく。@ ;　その変わり様を、魔女は現金だとでも言うように軽く笑う。\ `Shannon's face suddenly grew bright.`@ `The witch laughed lightly, as though that transformation was worth money.`\ bg white,22 bg sky_1a,22 ;「もはやそなたの想い人は一方的に想うだけの存在ではない。@互いに想い想われる恋人同士よ。@……愛に満たされた二人にとって世界はただそれだけで成立する。@素晴らしき理想の世界かな。@ふっふふふふふ！@　魔女も妬こうというもの。」\ `"Already the person of your thoughts is no longer an object of one-sided love.`@` You are a pair of lovers now.`@` ......To a pair filled with love, that alone is all they need in the world.`@` Is this a wonderful, ideal world?`@` Heheheheheh!`@` Even witches would be jealous."`\ ;　ベアトリーチェは小気味よさそうに笑う。@ ;　その笑顔に邪気はなく、恋人たちの甘い逢瀬を心から祝福しているように見えた。\ `Beatrice laughed pleasantly.`@ `That smile made her look as though she blessed the lovers' rendezvous from the bottom of her heart, without a trace of malice.`\ ;　あの日以来、ベアトリーチェは時折、紗音の前に姿を現すようになっていた。@ `After that day, Beatrice had shown herself before Shannon every once in a while.`@ br ;　依然として、紗音にとって彼女は薄気味悪い存在であることに変わりはない。@ ;　…しかし、譲治との縁を取り持つ魔法を授けてくれた大恩人でもあった。@ `Even now, Shannon still thought of her as a creepy being.`@ `...However, she was also indebted to this person for bestowing the magic that had given her the relationship she had with George.`@ br ;　だから紗音は極力、驚いたり怖がったりしないように努めようとしているのだった。\ `So Shannon tried with all her might not to be surprised or scared.`\ bg rose_1b,0 ld r,$SHA_TokuiA1,22 ;「そ…、そうだった。@/ `"Th..., that's right. `@/ ld r,$SHA_DefA1,80 ;……あの、ベアトリーチェさま。@旅行のお土産にお菓子を買ってきたんです。@…よかったらその、……ベアトリーチェさまもいかがでしょうか。」\ `......Umm, Beatrice-sama.`@` I bought some sweets as a souvenir from our trip.`@` ...Would you, umm, ......like some?"`\ ld l,$BEA_DefA2,23 ;「ほぅ？？？@　魔女に土産とな………？」@ `"Hoh???`@` A souvenir for a witch.........?"`@ br ;　千年を生きたと豪語する魔女も、甘い恋人たちの旅行土産をもらえるとは予見できなかったらしい。@ `It seemed that even a witch who boasted of living for one thousand years hadn't been able to predict that she would receive a souvenir from a pair of sweet lovers.`@ br ;　そのきょとんとした表情に、紗音は初めてこの魔女が友人であると感じたのだった。\ `When she saw that surprised expression, Shannon thought of the witch as a friend for the first time.`\ ;■海岸 mov %play_scene,40 bg white,3 bg sky_1a,2 fede 0,2000 bg white,2 me1 2 bg beach_2a,22 ld r,$BEA_WaraiA2,24 bgm1 8 ;「ほほぅ、ラードと小麦粉で作った東洋クッキーか。@それを西洋風にチョコで包むとはまさに和洋折衷、菓子のシルクロードよの。」\ `"Hohoh, an Oriental cookie made from wheat flour and lard.`@` To wrap that in western chocolate is truly a blending of Japanese and western style, the silk road of sweets."`\ ld r,$BEA_fukigenA2,80 ;「………何だ。@何が可笑しい？」@ `".........What?`@` What's so funny?"`@ ld l,$SHA_WaraiA3,23 ;「い、…いえ。@失礼いたしました。」\ `"N, ...nothing.`@` My apologies."`\ ;　恐ろしい力を持っているに違いない不思議な魔女が、@まるでリスが胡桃を頬張るような音を立てながら、カリカリと次々お菓子を口にする仕草に、@紗音はいつの間にか笑いを隠せなくなってしまっているのだった。\ `This witch, who surely held a terrifying power, `@`was chomping down on sweets one after another, making a sound like a squirrel stuffing walnuts into its mouth.`@` After a while, Shannon couldn't conceal her laughter.`\ ld r,$BEA_WaraiA1,80 ;「ふむ、馳走になったぞ。@……そなたには今度、ネロのドルチェ・ビータでも振舞おうぞ。@薔薇は永遠の愛の象徴。@今のそなたには薔薇のドルチェこそが相応しかろう。」@ `"Hmmm, a good meal.`@` ......I should serve you some Dolce Vita from Nero one of these days.`@` Roses are the symbol of eternal love.`@` I believe a rose dolce would be appropriate for you now."`@ br ;　魔女は近代のお菓子をたっぷり満喫し、すっかり上機嫌だった。\ `The witch was in a great mood, fully enjoying modern candy.`\ ld l,$SHA_DefA1,80 ;「あの、………これ。@本当にありがとうございました。@もう、私には充分だと思いますので、お返しします。」@ `"Umm, .........here.`@` I truly wish to thank you so much.`@` I believe you have done more than enough for me already, so I'm returning this."`@ br ;　紗音がそっとテーブルの上に置いたのは、金色の蝶のブローチだった。\ `The thing that Shannon had softly set on the table...`@`was a gold-colored butterfly brooch.`\ ld r,$BEA_DefA2,80 ;「返さずとも良い。@それに持ち続けていれば、二人の仲はこれからも永劫に磐石であろうが。」@ `"There is no need to return it.`@` If you continue holding that, your relationship should remain firm in perpetuity."`@ ld l,$SHA_WaraiA1,80 ;「……出会いの切っ掛けは、確かに魔法の力で与えてもらったかもしれません。@でも、その出会いを永遠のものにする努力は、二人で協力しあって続けていくものだと思います。」\ `"......Maybe I was given a chance to meet him by the power of magic.`@` But I think the effort that will make that meeting eternal will come from the two of us cooperating together."`\ ld r,$BEA_WaraiA1,80 ;「ふむ。@……愛も薔薇と同じか。@過ぎた施肥は根を腐らせる。@苦労せねば育めぬ花もあろう。@ならば好きにするが良い。@身に着けず、宝石箱の中にしまうも良かろう。@それはそなたに贈った妾の好意だ。@それを返されては妾も愉快ではない。」\ `"Hmmm.`@` ......Love and roses are the same.`@` Too much fertilizer causes the roots to rot.`@` Some flowers cannot be raised without hard work.`@` In that case, do as you wish.`@` You may wear it or keep it in a box.`@` That is my good will, given to you.`@` It would not please me if you were to return it to me."`\ ld l,$SHA_HajiraiA1,80 ;「あ、……も、申し訳ございません…！@　そういう意味で言ったわけじゃ…。」\ `"Ah, ......m, my apologies...!`@` That's not what I..."`\ cl a,0 ld c,$BEA_defA1,24 ;「くっくくく。@気を害してなどおらぬ。@そのブローチはすでにそなたのもの。@妾との友情の証にせいぜい大事にしてくれれば少しは気も慰む。」\ `"*cackle*cackle*.`@` No harm has been done.`@` That brooch is already yours.`@` If you treasure that proof of our friendship, that would comfort me a bit."`\ ld c,$BEA_DefA2,80 ;「持ち続け、そのご利益を得るもよし。@宝石箱にしまい込むもよし。@望むなら、恋路に悩む別の者に譲ろうとそなたの勝手だ。@……ただ大事にしてくれれば良い。@さすがに粗末にされては心が痛むでな。」\ `"You may hold on to it, and gain its benefits.`@` You may also keep it in a box.`@` If you wish, it is up to you whether you give it to another who is worrying about love.`@` ......But you should regard it as important.`@` Of course, it would pain my heart if you wasted it."`\ ;　ベアトリーチェが言うには、大昔から、人に請われて何かの魔力を込めた道具を与えるということは何度かあったらしい。@ `According what Beatrice said, several times in the distant past, she had been called by people and given them an tool imbued with some kind of magic power.`@ br ;　…しかし、多くの人は、その力で悩み事を解決すると、@今度はその力を不気味がるようになって、感謝の気持ちなど忘れて、授けた道具を忌み嫌い捨ててしまうのだという。\ `...However, when most people used that power to resolve their worries,`@` they quickly came to think of that power as creepy, and, forgetting their feelings of thanks, they threw the tools they had been given away with disgust.`\ ld c,$BEA_AkuwaraiA1,80 ;「だから、妾の好意に素直に感謝されたためしは多くない。@……いや、初めてか。@くっくくくくくく。」@ `"So I haven't often received thanks for my good will.`@` ......Let's see, is this the first time?`@` *cackle*cackle* *cackle*cackle*."`@ ;　魔女は強気に笑うが、紗音はそれを見て、悲しい笑いに感じた。\ `The witch laughed heartily, but it looked like a sad laugh in Shannon's eyes.`\ ;　かつての自分がそうであったように、…いや、今もまだそうかもしれない。@ `She herself had been like that in the past, ...no, maybe she was still like that now.`@ br ;　ベアトリーチェは間違いなく魔女であり、不思議な、恐ろしい力を持っている。@ ;　できることなら付き合いなどしたくないと誰もが思うだろう。\ `Beatrice was definitely a witch, with a strange and terrifying power.`@ `Most likely, no one would go along with her if they could help it.`\ ;　時に、その不思議な力に頼りながらも、その結果は感謝より畏怖の気持ちの方が大きかったに違いない。@ `Surely, even though they had relied on that strange power, people sometimes felt fear rather than gratitude as a result.`@ br ;　………そんな繰り返しがきっと、魔女を深く傷つけていったに違いない。\ `......It must have deeply hurt the witch when that repeated over and over.`\ ;　そう思った時から。@…紗音はベアトリーチェのことを怖がるのをやめようと思った。@ ;　それはきっと、彼女を千年以上も苛んできたに違いないのだ…。\ `Since the time she had started thinking that way,`@` ...Shannon had tried to stop being frightened of Beatrice.`@ `That was surely what had tormented her for longer than one thousand years...`\ bg white,25 bg sky_1a,22 E_MA ;　よほどお菓子を気に入ったのだろうか。@普段、毒舌であることが多いはずのベアトリーチェは、紗音が淹れてくれた紅茶をべた褒めしながら、大変上機嫌に過ごすのだった。@ `Maybe she really liked the sweets.`@` Beatrice, who normally spoke abusively, praised the black tea that Shannon served her, and looked to be in remarkably high spirits.`@ br ;　そうしながら、しばらくの間、魔女と使用人の二人は、譲治との旅行についての話に花を咲かせるのだった。\ `After doing that for a while, the witch and the servant grew animated talking about the trip with George.`\ me1v 5,50 ;　紗音がベアトリーチェについて知っていることはそう多くない。@ `Shannon didn't know much about Beatrice.`@ br ;　まず、彼女は幽霊のような存在で神出鬼没。@ ;　そして誰にでも知覚できるわけではないらしい。\ `First off, she was a ghost-like being who appeared in unexpected places at unexpected times.`@ `And it seemed that not everyone could perceive that she was there.`\ ;　何でも、人毎に波長のようなものがあり、魔女を知覚できるか否かについては激しい個人差があるのだという。@ `It seemed that each person had something called a wavelength, and that the ability to perceive it varied greatly among different people.`@ br ;　こうして言葉を交わせるほどに交流できるのは紗音と嘉音だけ。@ ;　…その気配を感じられる人間も少しはいるようだが、多くの人間はそれすらも感じ取ることができなかった。\ `Only Shannon and Kanon could interact with her enough to exchange words like this.`@ `...There were a few people who could sense her presence, but most people couldn't even feel that much.`\ bg black,25 ;　ベアトリーチェに言わせると、蔵臼夫婦は特に魔法の才能がゼロらしく、@どんなにべたべたと纏わりついても、決して気付いてくれないのだという。\ `From what Beatrice said, Krauss and his wife in particular had zero magical talent.`@` And no matter how much she followed them around, they would never notice her.`\ ;textoff ;bg Mhal_2b,0 ;ld r,$SHA_OdorokiA1,26 ;wait 1000 ;bg Mhal_2c,0 ;ld l,$NAT_zutuuA1,24 ;wait 1000 ;ld l,$NAT_HisuA1,80 ;wait 1000 ;ld r,$BEA_DefA2,99,3000,"breakup.dll/ulb" ;wait 1500 ;cl r,0 ;ld c,$BEA_WaraiA1,24 ;wait 2000 ;cl c,0 ;ld r,$BEA_DefA1,23 E_MA ;　以前、紗音が失敗をして夏妃に激しく怒られていた時、ベアトリーチェは夏妃の頭を煙管でぽこぽこと叩いて悪戯をして見せた。@ `Previously, when Shannon had messed up and Natsuhi had gotten really mad at her, Beatrice had started playing around, hitting Natsuhi on the head with her pipe.`@ br ;cl a,0 ;ld c,$NAT_HisuA1,23 ;　…なるほど、確かに夏妃はまったく気付かない。@ ;　しかしそれを目の当たりにしている紗音は思わず噴き出してしまい、ますますに夏妃に叱られるのだった。\ `...I see, Natsuhi really hadn't noticed at all.`@ `But Shannon, watching that, had burst out laughing without thinking, and had gotten scolded even more.`\ bg white,22 bg beach_2b,0 ld r,$SHA_majimeA2,26 ;me1 2 ;「なら、……お館様だったらどうでしょうか。@魔法の研究とかをなさっているそうですし、きっとベアトリーチェさまのお姿にも気付いてくださると思います。」\ `"Then, ......what about the Master?`@` I hear that he has been doing research in magic, so I'm sure he would be able to notice you, Beatrice-sama."`\ bg sky_1a,5 ;E_MA ;「…………金蔵も同じよ。@あれにも気の毒なくらいに魔法の才能がない。@…血だな。@同情に値するほど才能がない。」@ ;「………………？」\ `"............Kinzo is the same.`@` There is no one with a more pitiful lack of magical talent.`@` ...It's the blood.`@` He has so little talent that I feel sorry for him."`@ `"..................?"`\ ;　金蔵の話になった途端に、ベアトリーチェの雰囲気が変わったのを感じた。@ `As soon as they started talking about Kinzo, it felt like the atmosphere around Beatrice changed.`@ br ;　蔵臼たちについては、魔法の才能がないことを見下すような言い方だったのに、金蔵のそれには違う言い方をした。\ `She had spoken about Krauss and the rests' lack of magic talent as though she looked down on them, but she spoke of Kinzo in a different way.`\ ;　右代宮家に関わるものなら誰もが知る金蔵の黄金伝説。@ ;　…それによれば、金蔵は魔女ベアトリーチェを呼び出し、黄金を授けられたことになっている。@ `Anyone connected to the Ushiromiya family would know about Kinzo's Legend of the Gold.`@ `...According to that, Kinzo had summoned the witch Beatrice, and had been given the gold.`@ br ;　…つまりそれは、彼女は金蔵と何らかの交流があったということだ。\ `...In other words, that meant that she had some kind of relationship with Kinzo.`\ bg beach_2a,0 ld r,$BEA_nayamuA1,26 me1 2 ;「だからあれは、……才能のひとかけらもないくせに、至ったのだ。@…狂ったように独学を重ね、魔術師の域にまで達した。」@ `"That was because, ......even though he didn't have a scrap of talent, he succeeded.`@` ...He kept studying by himself like mad, and reached the level of magician."`@ ld l,$SHA_DefA1,23 ;「それは、………とてもすごいことなんですね……？」\ `"That's, .........something really incredible, right......?"`\ ld r,$BEA_WaraiA2,80 ;「……うむ。」@ `"......Hmm."`@ br ;　人を見下したように言うことが多い彼女が、珍しく人を讃える。@ ;　…才能がないと扱き下ろしておきながら、彼女は金蔵の努力を讃える。\ `The witch, who usually looked down on people, was unexpectedly praising someone.`@ `...While she lambasted him, saying that he had no talent, she praised Kinzo's efforts.`\ ld l,$SHA_TokuiA1,80 ;「そして、………お館様は魔法の力でベアトリーチェさまを呼び出した……。」@ `"And then, .........the Master summoned Beatrice-sama with the power of magic......"`@ ld r,$BEA_futekiA2,80 ;「うむ。@……まぁ、召喚に応えたのは気まぐれだ。@魔法を否定して久しいこのご時勢に、才能のカケラもない者が必死にやっているのでな。@少しからかってやろうと思ったのが妾の運の尽きよ。@くっくくくく。」\ `"Hmm.`@` ......Well, I only answered the summons on a whim.`@` In this period where magic has long been denied, those without a scrap of talent give it their all.`@` It was just my luck that I'd decide to come and laugh at him.`@` *cackle*cackle*cackle*."`\ bg black,22 fede 10,2000 ;　運の尽き、という言い方は、彼女にとって災難だったことを示す。@ `The words 'just her luck', ...showed that this had been a disaster for her.`@ br ;　紗音は、それ以上の話を促してもいいものか躊躇したが、ベアトリーチェは気にせずその先を自ら続けた。\ `Shannon hesitated over whether it would be alright to continue this discussion, but Beatrice continued on her own, ignoring Shannon.`\ E_A mono 1 bg Mlib_1b,22 bgm1 25 ;「一応、書式もルールも揃っていた。@いくつかの作法が混在していたが、まぁ、その熱意に免じ寛大に契約に応じてやったのだ。@……そして妾は山成す黄金を与えてやった。」@ `"A format and rules had been assembled.`@` Several customs were mixed in, but, well, in deference to his enthusiasm, we created a lenient contract.`@` ......Then I gave him a mountain of gold."`@ ;「そしてお館様は…、その黄金を使って事業を成功させて、今日の財を成すのですね。」\ `"Then the Master..., used that gold and succeeded in business, and grew his wealth into what it is today."`\ bg black,22 bg gold1,22 ;「うむ。魔法の才能はからっきしだが、商才と博才はあったようだな。@…いや、理不尽なる賭けに全てを賭す勇気と狂気ゆえにか。@……狂気は時に魔力に通ずる。@なるほど、その点から見れば、金蔵に魔法の才能がまったくなかったとは言い切れんか。@くっくっくっく…。」\ `"Hmm. His talent in magic was nothing, but it seems he had talent in business and gambling.`@` ...Or was it because of his bravery and madness to bet everything on unreasonable bets.`@` ......Madness sometimes brings about magic.`@` I see, if you look at it that way, maybe I can't really say that Kinzo had absolutely no magical talent.`@` *cackle*cackle*..."`\ bg black,22 mono off bg beach_1a,22 me1 2 ;　紗音はまるで白昼夢を見ているような気持ちだった。@ `Shannon felt like she was daydreaming.`@ br ;　金蔵が魔術に傾倒し、魔女を呼び出して黄金を授かったという話は、右代宮家の誰もが知りながらも、実際は信じてない世迷言だ。@ `While everyone in the Ushiomiya family knew of the story regarding how Kinzo had idolized black magic, summoned a witch, and been given gold, in actuality, it was all rambling that no one believed in.`@ ;　それを、当の魔女が自ら真実だと語っているのだから…。@ ;　紗音は自分だけが知っているとんでもない秘密に、ちょっぴりと困惑を覚えるのだった。\ `And now that she was hearing that it was true from the witch herself...`@ `Shannon felt a little flustered at this insane secret that only she knew.`\ bg beach_2a,0 ld r,$BEA_nayamuA1,23 ;「そして、莫大な財産を得た金蔵は、人の世で手に入れることのできる全ての夢を叶えきった。@………そして、最後に世界の真理を求めたのだ。」@ `"Then Kinzo, who had obtained a vast fortune, could completely obtain every dream one can satisfy with objects they can obtain in the human world.`@` .........And in the end, he searched for the truth of the world."`@ ld l,$SHA_MajimeA1,23 ;「世界の、…真理？」\ `"The truth, ...of the world?"`\ ld r,$BEA_futekiA2,80 ;「…世界を構成する一なる元素。@人の世で得られる全てを満たした金蔵は、人が求める最後の欲望としてそれを欲したのだ。」@ `"...The single element that makes up the world.`@` Kinzo, who had achieved everything one can obtain in the human world, wanted that, the final desire humans seek."`@ br ;　一なる元素。@………以前に彼女の口から聞かされた言葉のような気がする。@ ;　それが何だったか思い出そうとする紗音の表情を見て、ベアトリーチェは苦笑いしながら、思い出さなくて良い良いと手を振る。\ `The single element.`@` .........She felt like she had heard the witch say that word before.`@ `When Beatrice saw Shannon trying to remember what that was, she laughed bitterly, waving her hand and saying there was no need to remember.`\ ld r,$BEA_DefA2,80 ;「……妾も金蔵を少し見くびっていた。@まさか、あれほどの力を見せるとは思わなかったのでな。」\ `"......I underestimated Kinzo a little.`@` I truly hadn't thought that he would display such power."`\ ld r,$BEA_WaraiA1,80 ;「……お陰でこのザマだ。@茶飲み友達もなく、この島にもう何十年も縫い止められている。@…誰に話し掛けようとも声は届かず、どこへ行くこともできない。@何とも退屈な数十年だったことよ。」@ `"......And thanks to that, I'm in this state.`@` I've been sewn in place on this island for several decades now, without even a friend to drink tea with.`@` ...No matter who I try to talk to, my voice doesn't reach them, and no matter where I go, I cannot do anything.`@` Such boring decades."`@ br ;　そう自嘲するように笑いながらティーカップを指で弾く。@陶器の透き通った音がした。\ `As she laughed in self-derision, she tapped her teacup with her finger.`@` It made the transparent sound of pottery.`\ ;　…その表情を自嘲と例えたが、それが果たして的確な表現かわからない。@ `...Shannon didn't know whether the word 'self-derision' was really an accurate expression to describe the look on the witch's face.`@ br ;　紗音に全てはわからないが、何となく事情を察する。@ ;　…そしてそれは多分、彼女が自ら語らない限り、安易に促してはいけない話に違いない。\ `Shannon didn't understand everything, but she could more or less figure out the situation.`@ `...And it was probably a topic that she could not press the witch on easily, unless the witch started talking about it herself.`\ bg sky_1a,6 E_MA ;　彼女のこれまでを掻い摘めば。@ `To sum up everything she had said up until now...`@ br ;　金蔵の魔法によって呼び出されたベアトリーチェは、何らかの理由でこの島を離れられなくなったということだ。@ ;　そして力も姿も失い、退屈な日々を過ごしてきた。\ `Beatrice, who had been summoned by Kinzo's magic, could not leave this island for some reason.`@ `And she had lost her power and her form, living her days in boredom.`\ ;　そんな中、魔女に強い敬いを忘れない紗音に言葉が届いたのだ。@ ;　そして、自分の力をわずかでも取り戻す手伝いをさせたのだ。@ `During that time, her words had reached Shannon, who never forgot to strongly respect the witch.`@ `And she had helped the witch to regain her power, if only a little bit.`@ br ;　…その結果、こうして紗音とお茶を飲めるようになった…。\ `...As a result, she had become able to drink tea with Shannon like this...`\ textoff fede 0,2000 me1 2 bg beach_1a,6 ld r,$SHA_DefA1,24 ;「……ベアトリーチェさまが私に割るようにいったあの鏡は、一体、何なのですか？」\ `"......Beatrice-sama, what in the world was that mirror you told me to break?"`\ bg beach_2b,0 ld l,$BEA_WaraiA1,26 ;「あぁ、その話か。@/ `"Aaah, that story. `@/ ld l,$BEA_DefA1,80 ;………この辺りの島で、大昔、色々とあったらしくてな。@そのせいで良くないものが溜まり、悪い歪みを引き寄せていたのだ。@それを、旅の東洋魔術師か何かが、鎮魂の社を建立して封じ込めたらしい。」\ `.........Long ago, it seems various things happened on the islands around this area.`@` Because of that, bad things gathered, drawn towards an evil distortion.`@` It seems that a traveling eastern magician or something built a shrine for the repose of souls and sealed them in there."`\ ld l,$BEA_AkuwaraiA1,80 ;「…それ自体は妾とはどーでもいいことなのだが、困ったことに魔力の基礎が違っててな。@妾の魔力にも強い干渉を及ぼしておって、非常に迷惑していたのだ。」\ `"...That in itself had nothing to do with me, but unfortunately the foundation of that magical power was different.`@` It created a strong interference with my magical power, and was extremely bothersome."`\ ld r,$SHA_OdorokiA1,24 ;「そうだったんですか…。@私はてっきり、ベアトリーチェさまを封じていたものだとばかり…。」\ `"Is that how it was...?`@` And I just assumed that it sealed you, Beatrice-sama..."`\ ld l,$BEA_waraiA1,80 ;「妾を対象にしたものではない。@だが神格のある鏡だったからな。@結果として妾の力を封じ込めていたわけだ。@/ `"I was not its target.`@` But it was a divine mirror.`@` As a result, my power was sealed away. `@/ ld l,$BEA_DefA1,80 ;……料理に例えるならこうか。@妾の注文した西洋料理が厨房でまさに料理されているとする。@ところが、いざ配膳しようとしたら、客席は日本風で懐石料理が並べられている場だった。@だから厨房は場違いな皿を出せず、妾のところへはいつまで経っても西洋料理が届かない…、と言った感じよの。」\ `......If you were to use food as an example, maybe it would go something like this.`@` Let's say that the western-style food I ordered is being made in the kitchen.`@` However, when they try to set the table, the area for the guest seating is in the Japanese style with Japanese style dishes.`@` So the kitchen is unable to take out a plate which would be out of place, and no matter how long I wait, my western-style food won't arrive..., something like that."`\ ld l,$BEA_DefA2,80 ;「だからそなたに日本風の客席を打ち壊し、場を一度白紙に戻させたのだ。@そのお陰で、ようやく妾の注文した料理が届き力が戻った、というところか。@もっとも、ようやく食前酒が届いたというところよ。@メインディッシュにはまだまだ遠い。@今の妾など、靴屋の妖精にも劣る希薄な存在でな。」\ `"So you destroyed that Japanese-style guest seating, and returned the area to a blank slate for a time.`@` Thanks to that, the meal I had ordered was finally delivered, and my power came back, you could say.`@` However, so far, only the aperitif has arrived.`@` It will still be quite some time before the main dish.`@` As I am now, I'm even more faint than a fairy in a shoe store."`\ ld r,$SHA_WaraiA3,80 E_A bgm1 2 ;!s0「………ぷ、/ ;!d600……あっははははははは。」/ !s0`".........Pu, `/ !d600`......ahahahahahahaha."`/ !sd@ ld l,$BEA_fukigenA2,80 ;「む。@何が可笑しい？」\ `"Mu.`@` What is so funny?"`\ ld r,$SHA_tokuiA1,80 ;「いえ…。@魔女さまの例えがあまりに面白かったもので。@まさか魔法の話が、お料理の話に例えられるとは思いませんでした。」@ `"Nothing...`@` I thought the witch's example was so interesting.`@` I never thought you could use a story about food as an analogy for a story about magic."`@ ld l,$BEA_fukigenA3,80 ;「我ながらうまい表現だったつもりだが、よもや笑われるとは思わなかったぞ。@少し心外だ。」@ `"I had planned that to be a skillful expression, if I do say so myself, but I was sure it wouldn't be laughed at.`@` It's a little unexpected."`@ br ;　魔女は少しだけ不貞腐れたような表情を浮かべる。@ ;　…それはお茶を楽しむ友人同士が浮かべる表情としてまったくおかしなものではない。\ `A slightly sulky expression rose to the witch's face.`@ `...It wasn't a strange expression at all to be appearing on the face of some friends as they enjoyed their tea.`\ bg black,25 bg sky_1a,22 ;「……こう見えても、昔は残酷極まりないことで知られた妾だったが。@…丸くなったものよ。@人間とこうして他愛ない話で茶を交わせるようになるのだから。」@ `"......Although I may not look it, I was known for doing extremely brutal things in the past.`@` ...I've gotten soft.`@` Now I can even have a foolish discussion while drinking tea with a human."`@ br ;　それは恐らく独り言。@ `She was probably talking to herself.`@ ;　ベアトリーチェは、水平線をなぞるように飛ぶ海鳥たちを眺めながら、再び紅茶に口をつけるのだった。\ `As Beatrice gazed at the sea birds tracing the horizon, she put her tea to her lips again.`\ ;「…雲が出てきたな。@海も精彩を欠けば灰色の水溜りに過ぎぬ。」@ ;「そうでしょうか。@……曇っても、海は美しくて真っ青だと思います。」\ `"...The clouds have come out.`@` When the ocean loses its brilliance, it's nothing more than a gray puddle."`@ `"You think so?`@` ......I think the ocean is a beautiful deep blue, even if it gets cloudy."`\ bg beach_2b,0 ld r,$BEA_DefA1,26 ;「…………ふ。」@ `"............Hmph."`@ br ;　魔女には、紗音が口にしたその言葉の深い意味が感じ取れたのかもしれない。@ ;　…軽く笑うと空のティーカップを置いた。\ `Maybe the witch noticed the deep meaning behind Shannon's words.`@ `...She laughed lightly and set down her empty teacup.`\ ld r,$BEA_waraiA1,80 ;「……もはや、そなたの両目に埋められているのは黒い石ころではないらしい。@どうだ？@　……家具から、人間に生まれ変わった気持ちは理解できておるか？」\ `"......It seems that those things buried in your eyes aren't black pebbles anymore.`@` How is it?`@` ......Do you understand the feeling of furniture being reborn as a human?"`\ bg beach_2a,0 ld l,$SHA_DefA1,23 ;「……………はい。@/ `"............Yes. `@/ ld l,$SHA_WaraiA3,80 ;…世界が、こんなにもやさしかったなんて、知りませんでした。」\ ;　譲治との交際を始めてから、紗音は表情を明るくすることが多くなった。\ `...I did not know that the world was this kind."`\ `Since her relationship with George had begun, Shannon's face had grown brighter more often.`\ bg black,22 ;　笑顔は全てを円滑にし、運気すらも変える。@ `Her smile had made everything go smoothly, and had even changed her luck.`@ br ;　……紗音は以前に比べれば仕事でミスをすることも少なくなり、家人の評価も少し変わり始めていた。\ `......Shannon made less mistakes in her work than she had before, and the family members' opinion of her was starting to change slightly.`\ bg Mdin_1aN,22 ;　先日、滅多に言葉を交わすことがない蔵臼に突然話しかけられて驚いた。\ `Just the other day, Krauss, who rarely exchanged words with her, had suddenly started talking to her, surprising her.`\ ld r,$KLA_DefA1,24 ;「最近、良い笑顔をすることが多くなったじゃないか。@何か良いことでもあったのかね？」@ ;＜蔵臼 `"You've been making a good smile more often lately, haven't you?`@` Has something good happened?"`@ ld l,$SHA_HajiraiA3,23 ;「い、いえ…。@でも、……楽しい毎日です、はい。」\ `"N, no...`@` But, ......every day is fun, yes."`\ ld r,$KLA_AkuwaraiA2,80 ;「ふ。@良いことじゃないか。@同じ珈琲なら、笑顔で注がれた方がうまいに決まっている。@……その笑顔でもう一杯頼めんかね？」@ `"Hmph.`@` Isn't that a good thing?`@` Coffee is obviously more delicious if it's poured with a smile.`@` ......Could I ask for that smile again?"`@ ld l,$SHA_WaraiA2,80 ;「は、……はい！」\ `"Y, ......yes!"`\ ;　それは、紗音にとって自らに自信を持てるきっかけになった。@ ;　もちろんそれは自分の心の中のレベルで、誰が見ても変わったと思えるような大きな変化ではない。@ `That had become a chance for Shannon to gain confidence in herself.`@ `Of course, it didn't go beyond her own heart, and it wasn't so big a change that anyone would notice.`@ br ;　…でも、少しずつだけれど、彼女は変わり始めていた。\ `...But she had begun to change, bit by bit.`\ bg black,25 ;　紗音ははっきりと理解する。@ `Shannon understood it clearly.`@ ;　愛を知ることは、魂を得ること。@…即ち、家具から人間に生まれ変わること。@ `Knowing love was the same as gaining a soul.`@` ...And therefore she was born again from furniture to a human.`@ br ;　ベアトリーチェの言葉には何も間違いはなかった。@ ;　…彼女は愛を知ることで、人間を知ったのだ。\ `There was absolutely nothing wrong with Beatrice's words.`@ ` ......By knowing love, Shannon had learned what it was to be human.`\ bg white,22 bg beach_2a,0 ld l,$BEA_WaraiA1,0 ld r,$SHA_WaraiA1,26 ld l,$BEA_DefA1,80 me1 2 ;「……珍しい茶菓を馳走になったな。@有意義な時間であった。@そろそろ仕事に戻らねばならぬ時間であろう。@茶会はこれまでにしよう。@/ `"......These have been unusual snacks.`@` It was time well spent.`@` It's probably about time for you to return to your work.`@` Let us end our tea party now. `@/ ld l,$BEA_AkuwaraiA1,80 ;……そなたと妾が茶を飲むことを好かん者もおるようでな？」@ `......After all, someone doesn't like it when you drink tea with me, right?"`@ ld r,$SHA_OdorokiA2,80 E_B ;「え？」\ `"Huh?"`\ ld l,$BEA_futekiA1,80 ;　魔女がティースプーンを摘み上げると、それを指で弾いて宙に上げる。@ `The witch gripped a teaspoon and flipped it with her fingers, sending it up in the air.`@ br E_A textoff se1 5 bg white,1 bg black,22 wait 1000 seplay 2,20 bg beach_1a,1 se1 13 quakey 4,400 ;　…するとそれは虚空で見えない何者かの指に強く弾かれ、すぐ近くの茂みの中へ鋭く飛んでいく。\ `...After that, was launched by the fingers of some invisible person in empty space, and flew straight at a bush close nearby.`\ ld c,$KAN_OdorokiA2,6 me1 2 ;　茂みが激しく動き、その中から嘉音が出てきた。@ `The bush moved violently, and Kanon came out.`@ ;　……いつの間にかそこにいて、彼女らの茶会の様子をうかがっていたらしい。\ `......It seemed that he had been there for some time, and had been watching their tea party.`\ ;　手にはスプーンが握られている。@ `The spoon was gripped in his hand.`@ ;　…もし彼が咄嗟にそれを受け止められなかったら、額に激しくぶつかって血を滲ませていたかもしれない。\ `...If he hadn't caught it in an instant, it might have hit him hard in the forehead and caused him to start oozing blood.`\ ld c,$KAN_KomaruA1,80 ;「………………………。」\ ;＜嘉音 `".................."`\ bg beach_2b,24 ld l,$BEA_DefA2,23 ;「安心せよ。@茶会はこれで終わるぞ、嘉音。」@ `"Do not worry.`@` Our tea party is over now, Kanon."`@ ld r,$SHA_odorokiA2,24 ;「いつからそこにいたの？@　声を掛けてくれれば嘉音くんの紅茶も淹れたのに…。」\ ;＜紗音 `"How long were you there?`@` If you had called to us, I'd have poured you some tea too..."`\ ld l,$BEA_AkuwaraiA1,80 ;「女同士の語らいを邪魔したくなかったのであろう？@　くっくっくっく！」@ `"I imagine that you didn't want to interrupt a pair of women talking, right?`@` *cackle*cackle*!"`@ cl r,23 ld r,$KAN_DefA2,24 ;「………………。」\ `"............"`\ ;　嘉音は無言を貫いたが、その瞳には、わずかの敵意が含まれているようだった。@ `Kanon kept silent, but it seemed that there was a slightly hostile look in his eyes.`@ br ;　…表向きは敬っている仕草をしている。@しかし、紗音と違い、嘉音は魔女に対して心を許していなかった。@\ `...On the outside, he acted respectfully.`@` But unlike Shannon, Kanon did not trust the witch. `\ bg black,22 bg beach_2a,22 se1 22 ;　ベアトリーチェが煙管でテーブルを叩くと、お茶の道具たちが黄金の蝶に変わって一斉に舞い上がる。@ `When Beatrice hit the table with her pipe, the tea set turned into gold butterflies, which flew upwards as one.`@ br ;　それらが四方に散れば、もう後片付けは終わりだった。\ `They then scattered in every direction, and the cleanup was already done.`\ ld r,$BEA_DefA1,24 ;「楽しかったぞ、紗音。@…また縁があれば会おうぞ。@……まだまだ魔力が足りぬでな。@姿を現すのも疲れる。」@ `"It was fun, Shannon.`@` ...Let us meet again if the chance arises.`@` ......My magical power is still quite lacking.`@` It's tiring even to show myself."`@ ld l,$KAN_KomaruA1,23 ;「……そんなに疲れるなら、二度と現れるな。」@ `"......If you're that tired, never appear again."`@ br ;　嘉音はぼそりと小声で言うが、それはきっちりと魔女の耳に届いているようだった。@ ;　くすりと笑うが、返事はしない。\ `Kanon had said it in a small voice, but it seemed the witch had heard it perfectly.`@ `She giggled, but did not reply.`\ cl a,0 ld c,$BEA_WaraiA1,24 ;「紗音。@次の茶会では、譲治との話をまた聞かせておくれ。@人の恋路より甘い茶菓は他にない。@くっくっくっくっく。@それではさらばだ。」\ `"Shannon.`@` Tell me more about George at our next tea party.`@` There are no snacks sweeter than a person's love life.`@` *cackle*cackle*cackle*.`@` See you again."`\ se2 52 cl c,99,2000,"breakup.dll/llB" ;　ベアトリーチェの体も黄金の蝶となって四方へ散って消えていく。@ ;　…それは金箔の吹雪のような、とても幻想的で美しい光景だった。\ `Beatrice's body also became gold butterflies, which scattered in all directions and disappeared.`@ `...It was a very fantastical and beautiful scene, like a blizzard of gold leaf.`\ ;　紗音は魔女の退散をしばらくの間、そっと見送る…。@ ;　嘉音はその背中に近付き、姉とは対照的な表情を浮かべて言った。\ `For a while, Shannon quietly watched the witch's exit...`@ `Kanon approached her from behind, and spoke with a very different expression on his face than his sister's.`\ bg beach_2b,0 ld r,$KAN_MAjimeA1,24 ;「………姉さん、あいつと付き合っちゃ駄目だって、言ったじゃないか。」@ `".........Nee-san, didn't I tell you that you shouldn't hang around with her?"`@ ld l,$SHA_fumanA1,23 ;「ベアトリーチェさまは、そんなに悪い人じゃない。@…確かにちょっと怪しいところはあるけれど、」\ `"Beatrice-sama isn't that bad of a person.`@` ...Yes, she might be a little strange, but-"`\ ld r,$KAN_KomaruA1,80 ;「僕たちにしか姿が見えない時点で充分に胡散臭いよ…。@あいつは人間じゃない。@何を企んでるかわかるものか。」@ `"The fact that only we can see her is suspicious enough...`@` That person isn't human.`@` There's no way we could understand what she's planning."`@ ld l,$SHA_komaruA1,80 ;「嘉音くん、それは少し、失礼だと思うな。」\ `"Kanon-kun, I think that's a little rude."`\ ;　紗音が珍しく、少し厳しい口調で言う。@ ;　…それは、彼女をよく知る嘉音にとっては、非常に厳しく感じられるのだろう。@ `Shannon spoke seriously, which was unusual for her.`@ `...To Kanon, who knew her well, it must have seemed extremely serious.`@ ld r,$KAN_OdorokiA2,80 ;　紗音の口調に比べれば過剰なくらい嘉音は驚き、閉口する。\ `Kanon was excessively surprised at Shannon's style of speech, and remained silent.`\ ld l,$SHA_fumanA1,80 ;「確かにベアトリーチェさまは、人間とは違う。@恐ろしい力を持っているし、恐れ敬わなければならない存在だと思う。@…でも、人間とは違うからといって、それだけを理由に忌み嫌うのはとても失礼なことだと思うの。」\ `"It's true that Beatrice-sama is different from humans.`@` She has a terrifying power, so I think she is to be feared and respected.`@` ...But just because she's different from a human,`@` doesn't mean that it isn't really rude to loathe her like that."`\ ld r,$KAN_DefA2,80 ;「…………姉さんの言いたいことはわかるよ。@…姉さんはあいつにあのブローチをもらってから変わった。@/ `"............I understand what you're trying to say, Nee-san.`@` ...You've changed since she gave you that brooch. `@/ ld r,$KAN_KomaruA1,80 ;まるで魔女の虜だよ。@譲治さまとの仲を取り持ってもらって、頭が上がらないんだ。」@ `It's like you're the witch's prisoner.`@` She mediated your relationship with George-sama, and now you're indebted to her."`@ ld l,$SHA_KomaruA1,80 ;「…そんなことを言わないで。」\ `"...Don't say stuff like that."`\ cl a,0 ld c,$KAN_OdorokiA1,24 E_A bgm1 9 ;「あいつは人間じゃない。@何を考えてるかわからない。@だから気を許しちゃ駄目なんだ。@/ `"That person isn't human.`@` We don't know what she's thinking.`@` You mustn't trust her. `@/ ld c,$KAN_MajimeA1,80 ;………そして、人間じゃないのは僕らも同じだよ。@姉さん。」@ `.........And we aren't humans either,`@` Nee-san."`@ ;　嘉音の言葉が厳しくなる。@ ;　…その言葉は紗音の心を抉るものなのだろう。@紗音は下唇を噛みながら俯く。\ `Kanon's words became more serious.`@ `...Those words probably gouged at Shannon's heart.`@` Shannon bit her lower lip and hung her head.`\ ld c,$KAN_komaruA1,80 ;「僕らは家具だ。@…たとえ名前をもらい、人として接してもらったとしても、僕たちの生まれが変わるわけじゃない。」\ `"We are furniture.`@` ...Even if we receive names and are treated as humans, that won't change how we were born."`\ bg black,22 ;　そなたはもはや家具にあらず…。@ `You are no longer furniture...`@ br ;　ベアトリーチェにもらった一番嬉しかった言葉が、紗音の脳裏に過ぎる…。\ `Those words Beatrice had given her, which had made her happiest, floated through Shannon's mind...`\ bg beach_1a,0 ld r,$SHA_MajimeA1,26 ;「家具じゃ、/ ;!d800………ないよ。」\ `"I am not, `/ !d800`.........furniture."`\ ld l,$KAN_DefA2,23 ;「うぅん、家具だよ。@僕たちは人間未満の存在だよ。@……姉さんはそこを忘れたふりをして、…人間のふりをしているだけ。@自分でもわかっているはずだよ。」\ `"No, you are furniture.`@` We are less than human.`@` ......Nee-san, you're acting like you've forgotten that, ...and you're just pretending to be human.`@` You should understand that yourself."`\ ld r,$SHA_OdorokiA1,80 ;「私、……家具じゃないもん。@…人間だもん…！」@ `"I, ......am not furniture.`@` ...I'm human...!"`@ ld l,$KAN_NayamuA1,80 ;「いや、人間じゃない。@僕らには愛する資格も、愛される資格も初めからない。」@ `"No, you aren't human.`@` From the beginning, we have been unqualified to love or be loved."`@ br ;　嘉音の批判は、いつの間にか紗音と魔女の交流から焦点をずらしているようだった。@ ;　…紗音もすぐにそれを察する。\ `It seemed that Kanon's criticism had shifted in focus ever since Shannon had suddenly started meeting with the witch.`@ `...Shannon also noticed that quickly.`\ cl a,0 ld c,$KAN_komaruA1,23 ;「お嬢様に聞いたよ。@正直、呆れたね。@譲治さまと一緒に、旅行に出られるなんて…！@　家具の身の程を忘れてるよ。@姉さんはあの魔女に唆されて、自分が人間になれたと勘違いしてるだけなんだよ！」\ `"I heard from Milady.`@` Seriously, what were you thinking?`@` I can't believe that you would go on a trip with George-sama...!`@` You've forgotten your place as furniture.`@` You've just been tempted by that witch, and mistakenly believe that you became human!"`\ bg beach_1b,0 ld r,$SHA_fumanA1,24 ;「聞いて、嘉音くん。@…………確かに私たちは家具だよ。@人間に劣った、未満の存在。@/ `"Listen, Kanon-kun.`@` ............We certainly are furniture.`@` Lesser beings, inferior to humans. `@/ ld r,$SHA_MajimeA1,80 ;…でも、その満たない分をもし得られたなら。@…それは人間になれたということじゃないのかな。」@ `...But if we could replace that unfulfilled part...`@`...wouldn't that mean that we could become human?"`@ ld l,$KAN_MajimeA1,23 ;「……そんなもの、ありはしないよ。」\ `"......That couldn't happen."`\ ld r,$SHA_TokuiA1,80 ;「うぅん、あるの。@それを得たなら、私たちは家具なんかじゃない。@人間になれるよ。」@ `"No, it could.`@` If we can gain that, we won't be furniture.`@` We can become human."`@ ld l,$KAN_nayamuA1,80 ;「………………。@………馬鹿馬鹿しい。@…なれる、……ものか。」\ `"............`@`.........Ridiculous.`@` ...As if you, ......could."`\ ;　嘉音は吐き捨てるように、…だけれども弱々しくそう言い、そっぽを向く。@ `Kanon spat that out, ...but he said it weakly, and turned away.`@ br ;　それは多分、諦め。@ ;　……自分が家具であることを苦悩した日々の洗礼が、彼の心を頑なに閉ざしてしまった…。\ `He was probably giving up.`@ `......After being baptized as furniture in his days of suffering, his heart was firmly sealed...`\ ld r,$SHA_DefA1,80 ;「…なれるよ、嘉音くんも。@……普通の人間に。」@ `"...You can too, Kanon-kun.`@` ......You can become a normal human."`@ ld l,$KAN_DefA2,80 ;「………………………。@よしてよ、魔女の受け売りは。」\ `"..................`@`Stop it, that's the witch talking."`\ ld r,$SHA_TokuiA1,80 ;「うん。@ベアトリーチェさまに教えてもらったの。@……私たちは、世界の一なる元素を得ることで、人間になることができる。@/ `"Yes.`@` Beatrice-sama taught me.`@` ......By gaining the single element of the world, we can become human. `@/ ld r,$SHA_WaraiA1,80 ;うぅん、それを満たさないなら、それは人間じゃない。@……だから人は、一なる元素を得るために生涯を尽くし、貫いていく。」\ `No, nobody's human if that isn't satisfied.`@` ......So people spend their entire lives trying to gain that single element."`\ ld l,$KAN_KomaruA1,80 ;「姉さんが何を言っているのかわからないね。@世迷言なら聞きたくないよ。」\ `"I don't understand what you're saying, Nee-san.`@` I don't want to listen to ranting."`\ ld r,$SHA_tokuiA1,80 ;「なら、嘉音くんにもわかるように教えてあげるね。@………ほら、姉さんの指の先を見て？」@ `"Then I'll teach it so even you can understand.`@` .........Look, see what I'm pointing at?"`@ ld l,$KAN_DefA1,80 ;「……？」\ `"......?"`\ bg white,22 bg sky_1a,22 me1 2 ;　紗音は海を、水平線の彼方をすっと指差す。@ `Shannon quietly pointed at the sea, at the horizon.`@ br ;　嘉音には具体的に何を指差しているのかわからなくて、水平線と謎掛けをするような紗音の表情を交互に見比べるしかない。\ `Kanon didn't understand what she was actually pointing at, and couldn't do anything except look between the horizon and Shannon's expression, which looked like it was posing a riddle.`\ ;「海。@……嘉音くんは、海が何色に見える？」@ ;　その問い掛けはあまりにシンプルだった。@ `"The sea.`@` ......Kanon-kun, what color does the sea look to you?"`@ `It was a really simple question.`@ br ;　嘉音は、その問い掛けにどれほどの意味があるのか、しばらく推し量ったが、@何も思いつかなかったため、素直に自分の答えを述べた。\ `Kanon tried to guess the meaning behind that question for a while,`@` but since he couldn't think of anything, he obeyed and answered.`\ bg black,25 ;「…ぱっとしない、ねずみ色だよ。@それが何？」@ `"...It's a vague, dark-gray color.`@` So what?"`@ br ;　曇天の空の下に広がる海は、客観的に見て嘉音の表現する色が一番相応しかっただろう。@ `Objectively speaking, the sea, laid out beneath a cloudy sky, could probably be described best by Kanon's words.`@ br ;　……でも紗音は目を閉じて微笑みながら、小さく首を横に振る。\ `......But as Shannon closed her eyes and smiled, she shook her head slightly.`\ bg beach_2b,0 ld r,$SHA_DefA1,22 ;「私には、真っ青に見える。」\ `"It looks deep blue to me."`\ ld l,$KAN_DefA2,23 ;「……そういう意味？@　緑色の信号を青って言うようなものでしょ。」@ `"......Is that what you mean?`@` Like calling a green traffic light blue?"`@ ld r,$SHA_TokuiA1,80 ;「違うの。@……海は真っ青。@私にはわかって、嘉音くんにはわからないなら。@…これがつまり、そういうことなの…。」@ `"No.`@` ......The sea is deep blue.`@` If I understand, and you do not,`@` ...that's what it means..."`@ br ;　嘉音は下唇を噛んで、しばらくの間、沈黙した。\ `Kanon bit his lower lip and was silent for a while.`\ ld l,$KAN_MajimeA1,80 ;「……………………。@………わからないよ、………僕には。」@ `"..................`@`.........I, .........don't understand."`@ ;cl r,0 ld r,$SHA_defA1,80 ;「嘉音くん。@……手を出して？」@ `"Kanon-kun.`@` ......Would you stick out your hand?"`@ br ;　何を言われたかはわからず、きょとんとする嘉音の腕を取り、手の平を広げさせる。@ `As Kanon was taken aback, unable to understand what she was saying, she took his arm, and opened the palm of his hand.`@ br ;　そこに紗音は小さなものをそっと載せた。\ `Shannon softly set something there.`\ bg black,25 ;　それはベアトリーチェにもらった、あの魔法のブローチ。@ ;　黄金の蝶を模った、恋を成就させる魔法のお守り。\ `It was that magic brooch, which she had received from Beatrice.`@ `It was a magic charm, shaped like a gold butterfly, which could fulfill love.`\ ;「これは、/ ;!d500…………あいつの……。」@ ;「ううん、これは私の。@…だから私だと思って、粗末にしないで？」@ ;「…………………。」\ `"This is, `/ !d500`............hers......?"`@ `"No, this is mine.`@` ...So think of it as me and treat it with respect, okay?"`@ `"............"`\ bg sky_1a,26 ;　そう言われてしまっては投げ捨てることもできない。@ `After being spoken to like that, he couldn't just throw it away.`@ ;　嘉音は、どうしていいかわからず、手の平にブローチを載せたまま、しばらく困惑していた。@ `Kanon didn't know what he should do, and he stood there confused for a while, the brooch still on the palm of his hand.`@ br ;　その手の平に紗音は自分の手の平をそっと載せて、ブローチを二人の手で温めあう。\ `Shannon put the palm of her hand on top of Kanon's, and the brooch was warmed by both of their hands.`\ ;「これは本当の魔法の力を持ったお守り。@……きっと嘉音くんに、大切な気持ちを教えてくれると思うの。」@ ;「…あいつの魔法で教えられることなんて、何もない。」\ `"This charm holds true magical power.`@` ......I'm sure that it will teach you an important emotion, Kanon-kun."`@ `"...Nothing can be taught from that person's magic."`\ ;「うぅん、あるの。@……だから身に着けて。@恥ずかしければ、懐に忍ばせておくだけでもいいそうなの。」@ `"No, something can.`@` ......So wear it.`@` If that's embarrassing, I hear it's okay if you just hide it in your pocket."`@ ;「…………馬鹿馬鹿しい…。@あいつの魔法なんかに、惑わされて堪るか。」\ `"............Ridiculous...`@` As if I'd be led astray by that person's magic."`\ ;　そうは言いつつも、紗音に押し付けられては嘉音も邪険にできない。@ `Even as he said that, Kanon couldn't be cold-hearted towards something Shannon was pressing on him.`@ br ;　結局、嘉音は、自分が魔女の力になど屈しないことを証明してやる、@などという理由で渋々とそれを受け取ることに了承するのだった。@紗音は微笑んで頷き返す。\ `In the end, Kanon took it and agreed reluctantly, `@`as though saying he would prove that he wouldn't surrender to the witch's power.`@` Shannon smiled and nodded back.`\ bg beach_2a,0 ld r,$SHA_DefA1,26 ;「きっと、嘉音くんは大切なことを学べるよ。@……きっと、人間になれるから。@そうすればきっと、嘉音くんにもこの海が美しい青に見えるに違いない。」@ `"I'm sure you can learn something important from it.`@` ......And I'm sure you can become human.`@` And when you do, I'm sure that this ocean will look like a beautiful blue to you as well, Kanon-kun."`@ ld l,$KAN_majimeA1,23 ;「…ねずみ色は何度見たってねずみ色さ。」\ `"...Gray is gray no matter how many times I look."`\ ld r,$SHA_MajimeA2,80 E_MA ;「違うよ嘉音くん。@……そう見えるのは＊がないから。」@ `"That's wrong, Kanon-kun.`@` ......It only looks like that because you have no ****."`@ ld l,$KAN_defA2,80 ;「え…？」\ `"Huh...?"`\ ;　風が唸ったせいで、何と言ったのか、肝心な部分が聞き取れなかった。\ `Because of the howling wind, he hadn't been able to catch the main point of what she'd just said.`\ cl a,0 ld c,$SHA_WaraiA1,24 ;　だから紗音はもう一度言う。@ `So Shannon said it once more.`@ br ;　…世界の一なる元素。@ `...The single element of the world.`@ ;　それが満たされた、海が真っ青な世界を、もう一度だけ言う。\ `She spoke once more of the world where that was satisfied, where the sea was deep blue.`\ bg black,22 br ;「きっと、嘉音くんにも真っ青な海が見えるよ。@だって、」@ `"I'm sure you'll be able to see a deep blue ocean.`@` After all-"`@ br ;　愛がなければ、視えない。\ `Without love, it cannot be seen.`\ ;■薔薇庭園 mov %play_scene,40 textoff fede 0,3000 bg white,2 bg rose_G1a,6 wait 2000 bg white,23 bgm1 1 bg rose_1a,23 ld l,$KIN_fumuA1,23 ;「………そこにいるのは誰か。」@ ;＜金蔵 `".........Who is that there?"`@ ld r,$KAN_DefA2,4 ;「……嘉音です、お館様。」\ `"......It is Kanon, Master."`\ ;　金蔵が書斎を出ることは珍しかった。@ ;　……しかし、だからといって、彼の高尚な研究が中断されているわけではない。\ `It was rare for Kinzo to leave his study.`@ `......However, that in itself didn't mean his noble research had been suspended.`\ ;　気分を変えるために書斎を出たのだろうが、@その頭の中をいっぱいに占めているものは、書斎の中のそれと何も変わらない。@ `He may have left the study because of a change in mood, `@`but that didn't mean that the thoughts filling his head were any different from those he had had inside the study.`@ br ;　だから、いつの瞬間であっても、金蔵が望まない限り勝手に言葉を掛けることは、常に研究の邪魔になることを嘉音は心得ていた。\ `So Kanon knew that no matter what the time, speaking to Kinzo when he didn't want to be spoken to would always be a disturbance in his research.`\ ld l,$KIN_defA1,80 ;「天気が重いな。@崩れるのか。」@ `"The weather is heavy.`@` Will it get worse?"`@ ld r,$KAN_DefA1,80 ;「はい。@天気予報では、いつ雨があってもおかしくないと。@……傘をお持ちいたしましょうか？」\ `"Yes.`@` According to the weather report, it could rain at any time.`@` ......Shall I bring an umbrella?"`\ ld l,$KIN_FukigenA1,80 ;「それには及ばん。@……しばらく私を放っておくがいい。@息子たちに聞かれても、所在は知らぬと言っておけ。@私は自らの思考を巡る旅で忙しい。」@ `"It will not come to that.`@` ......You should leave me alone for a while.`@` If my children ask, say that you do not know where I am.`@` I am busy on a journey through my own thoughts."`@ ld r,$KAN_NayamuA1,80 ;「……かしこまりました。@それでは失礼いたします。」\ `"......Certainly.`@` Then, if you would excuse me."`\ ld l,$KIN_FumuA1,80 cl r,23 ;　嘉音が会釈をする間に、もう金蔵は自分の世界に戻り、嘉音がいたことも忘れ去っていた。@ `During the time that Kanon bowed to him, Kinzo had already returned to his own world, and had forgotten that Kanon was there.`@ br ;　そして再び、ぶつぶつと独り言を口にし始める。@ ;　その言葉の中には、…あの魔女の名前が何度も繰り返される。\ `And once again, he began rambling to himself.`@ `Amidst those words, ...the name of that witch was repeated many times.`\ bg black,2 me1 16 ;「……おぉ、ベアトリーチェ…。@お前の微笑みに手が届かぬ…。@どうすれば蘇るのか、どうすれば再び微笑んでくれるのか…。@……何が足りぬ。@研究か資料か触媒か。@それとも魔力か運気か神託か…！@　おおおぉベアトリーチェ、どうすればお前の面影をもう一度見ることができるのだ…。@おおおぉおおぉぉぉ……。」\ `"......Ooohh, Beatrice...`@` My hand will not reach your smile...`@` What should I do to revive you, what should I do so that you smile at me once again...?`@` ......What is lacking?`@` My research, my materials, my catalyst?`@` Or is it magical power or luck or an oracle...?!`@` Ooohhh, Beatrice, what can I do to see your face one more time...?`@` Ooooooooohhhhhhh......"`\ bg rose_1b,0 ld r,$KIN_NakuA1,24 ;　嘉音は嗚咽する主の声を背中越しに聞きながら、一度だけ振り返る。@ `As Kanon listened to his master's weeping voice with his back turned, he turned around just once.`@ br ;!s0　すると、/ ;!d900…………孤独な、老いた主のすぐ後に、/ ;!d1000……いないはずの人影がいた。/ !s0`When he did, `/ !d900`............right behind his isolated, old master, `/ !d1000`......was the shadow of a person that shouldn't have been there.`/ !sd\ ld l,$BEA_futekiA2,2 E_MA ;　それは、……魔女。\ `It was, ......the witch.`\ ;　嘉音は咄嗟に、魔女が何か良からぬ陰謀で金蔵に害を為そうとしているに違いないと考え、@急ぎ金蔵の元へ駆け戻り、自らを楯にしようと思った。\ `At once, Kanon, thinking that the witch must be plotting to do Kinzo some harm, `@`quickly ran back to Kinzo, trying to become a shield himself.`\ ;　だが、魔女の表情が見えた時、/ ;!d900…その気持ちは霧散した。@ `But when he saw the expression on the witch's face, `/ !d900`...that emotion of his vanished.`@ br ;!s0　なぜなら、ベアトリーチェの表情は、/ ;!d700……悲しみ、/ ;!d800……あるいは憐れみだったから。/ !s0`Because, Beatrice's expression was, `/ !d700`......sorrowful, `/ !d800`......or maybe pitying.`/ !sd\ ld l,$BEA_nayamuA1,80 ;「愚かな金蔵……。@……私はここにいるというのに、視えぬのか。」\ `"You fool, Kinzo......`@`......Can't you see me, even though I am here?"`\ ;　魔女の名を何度も繰り返し、再会を何よりも欲する金蔵のすぐ後に当の魔女がいる。@ `Right behind Kinzo, as he repeated the witch's name over and over, desiring to be reunited with her more than anything else, `@`was the witch herself.`@ br ;　なのに、金蔵は何も気付けない。@ ;　……ベアトリーチェが、その肩に手を載せようと、何も気付かない。\ `And yet, Kinzo didn't notice anything.`@ `......When Beatrice tried to rest her hand on his shoulder, he didn't notice anything.`\ ld r,$KIN_NakuA2,80 me1 5 ;「…なぜだ、なぜベアトリーチェの微笑みに手が届かぬのか！@　月齢か、@彗星の周期か、@惑星の配列か！@　何が足りぬのだ、何が、何がッ！！」\ `"...Why, why does my hand not reach Beatrice's smile?!`@` Is it the age of the moon, `@`the cycle of the comets, `@`the alignment of the planets?!`@` What is lacking, what is, what is?!!"`\ bg black,25 br ;「………無駄よ、金蔵。@…愛がなければ、/ ;!d800視えない。」\ `".........It's useless, Kinzo.`@` ...Without love, `/ !d800`it cannot be seen."`\ wait 2000 ;　嘉音はポケットの中の、…紗音にもらったあのブローチを取り出す。@ `Kanon took the brooch he had received from Shannon out of his pocket.`@ br ;　……自分も、何かを知ることで、今は視えない何かを見ることができるのだろうか。\ `......Would he also be able see something that couldn't be seen now, by learning something?`\ br ;「………………………………。@愛がなければ、視えない。」\ `"........................`@`Without love, it cannot be seen."`\ wait 2000 bg rose_1b,22 ;ld c,$KIN_NakuA1,26 ;　もう一度、金蔵の背中を見る。@ `He looked at Kinzo's back once more.`@ br ;　……もうそこに魔女の姿はなかった。\ `......The witch could no longer be seen there.`\ eye12 ;▲第２アイキャッチ：時計なし。 ;※時間経過シーンをゆっくり描き、前のシーンのイメージを中和する。 E_A wait 2000 *umi2_3 ;■朱志香の学校・文化祭 ;※文化祭の賑やかなムードをしばし演出。 mov %play_scene,45 textoff bg white,9 wait 1000 bg schF_S1d,2 me5v 24,40 wait 3000 bg white,2 bgm1 2 bg schF_S1c,22 wait 3000 bg white,2 bg schF_P3a,22 wait 3000 bg black,2 bg schf_P1a,22 fede 10,3000 ;　右代宮家にとって秋にある最大の行事は、１０月にある親族会議ただひとつだったが、@朱志香にとってはその前にもうひとつ、学校の文化祭があった。@ `The biggest event for the Ushiromiya family in fall was the family conference in October, `@`but to Jessica, there was another one before that: the school cultural festival.`@ br ;　朱志香にとって学校生活は、堅苦しい生活を強いられる日々のストレスを発散できるお気に入りの場所だった。\ `Jessica liked school.`@` To her, it was a place where she could let out the stress she'd built up during the rigid lifestyle she was forced to lead at home.`\ bg black,24 bg schF_R1a,24 ;　今日の文化祭でも、彼女は友人たちとグループを組み、@仮設舞台で軽音楽の発表をすることになっていた。@ `For the cultural festival today, she had formed a group with her friends, `@`and had announced that they would perform light music on a temporary stage.`@ br ;　そのために今日まで準備と練習を重ね、今日の当日を楽しみにしていたのだが、@………ある一点だけが悩みだった。\ `She had kept on preparing and practicing for that, and had really looked forward to today, `@`.........but there was one thing that had worried her.`\ bg black,25 ;　時計を見る。@ ;　…まだ時間までは少しあるが、…不安だった。@ `She looked at the clock.`@ `...There was still a little time, ...but she was uneasy.`@ br ;　ちゃんと来てくれるだろうか。\ `Would that person really come?`\ ;　ため息をつこうとしたら、友人たちが黄色い声を一斉に上げたので心臓が飛び上がった。\ `After taking a single deep breath, her heart jumped when all her friends suddenly started speaking in shrill voices.`\ bg schF_P1b,23 !s0 se1 3 ;「うっそー、ヒナの彼氏ィ超ォイケてんじゃん〜ッ！！」/ `"No wa-y, Hina's boyfriend's so a~wesome!!" `/ !d1000 se2 4 ;「マジすごくない？！/ `"Isn't he?! `/ !d800/ se3 4 ;　マジすごくない？！」/ `Isn't he?!" `/ !d700 se1 5 ;「リンの彼氏すっごい頭良さそォ！/ `"I heard Rin's boyfriend's re-ally smart! `/ !d800/ se2 5 ;　あれで鬼畜眼鏡なの、マジ本当ォ？！」/ `Is it true that guy's a glasses beast?!" `/ !d900 se3 9 ;「ダメダメ、うちのダンナ、ギャル男だしー！」/ `"No way, no way, my husband'll be a pretty bo-y!" `/ !d1000 se1 3 ;「「「きゃっきゃッ♪　きゃっきゃッ♪」」」/ `"""Kyakkya♪ Kyakkya♪"""`/ !sd\ ;　……全ての女性にとってそうだとは言わないが、@…少なくとも朱志香の学校での文化祭は、彼氏の品評会と同じ意味だった。\ `......None of the girls would say it, `@`...but to them, the cultural festival at Jessica's school was really a boyfriend exhibition.`\ bg black,25 ;　朱志香には彼氏がいない。@ `Jessica didn't have a boyfriend.`@ ;　異性の友人は多いのだが、特定のオンリーワンはいない。@ ;　…しかし朱志香は学校ではちょっとした有名人で、それに見合うパートナーがいて当然だと思われていた。@ `She had many friends of the opposite sex, but no special 'only one'.`@ `...But Jessica was a little famous around the school, and everyone thought it would be natural for her to have a fitting partner.`@ br ;　また、彼女の見栄っ張りなプライドもあたかもそうであるかのように振舞わせてきた。\ `Furthermore, her pride had caused her to act like that was the case.`\ ;　そうしてのらりくらりと何とか今年までは誤魔化し通してきた。@ ;　……しかし、諸々の事情によりいよいよ逃げられなくなったのが今年の文化祭だった…。\ `So she had slyly been able to trick them somehow until this year.`@ `......But for various reasons, she hadn't been able to escape this year's cultural festival...`\ bg schF_R1b,26 ;「ジェシ〜。@彼氏来たぁあ〜？」@ `"Jessie~.`@` Is your boyfriend he~re?"`@ ld l,$JES_OdorokiA1,24 ;「ふぇッ？！@/ `"Wha?! `@/ ld l,$JES_tohohoA2,80 ;　あ、あ、いや、まだ来てねーみてーだぜ？@　仕事忙しいのかな？@　あはははははははははは…。」\ ;＜朱志香 `Ah, uh, no, looks like he's not here yet.`@` Is he busy at work?`@` Ahahahahahahahahahaha..."`\ bg schF_R1c,24 !s0 se1 3 ;「ジェシの彼氏、どんな人なのォ？/ `"What kind of person is your boyfriend, Jessie? `/ !d400/ se2 6 ;　せめてヒントだけでも出してよ。/ `At least give us a hint. `/ !d600/ se3 7 ;何系？/ `What kind of relationship? `/ !d300/ se1 8 ;　何系？！」/ `What kind of relationship?!" `/ !d400 se2 3 ;「すっごいよね、社会人なんでしょ？！/ `"Awesome, he's a working man, right?! `/ !d400/ se3 5 ;　スーツとかで来る？！/ `Will he come in a suit?! `/ !d500/ se1 5 ;　もちろん眼鏡かけてるよね？！/ `Of course he'll be wearing glasses, right?! `/ !d200/ se2 5 ;　きゃーッ！！」/ `Kyaa-!!" `/ se1 11 quakex 4,300 ;「ねぇええぇ、でも本当はいないんだよね？/ `"Heeeeeey, he doesn't really exist, does he? `/ se1 4 ;　今、素直に白状したら、私の仲間にいれたげるって！/ `If you come clean now, we'll let you join us! `/ !d600/ se1 5 quakey 3,400 ;　一緒にこの文化祭を涙で濡らそうよぉおぉ！」/ `Let's cry together during this cultural festivaaaal!"`/ se1 2 quakey 6,500 !sd\ bg schF_R1a,0 ld r,$JES_TereruA1,23 ;「いやいやいや、いるいるいる、ホントにいるって…、@あはははははははははは…！！」\ `"No no no, he exists he exists he exists, I told you, he really exists..., `@`ahahahahahahahahahaha...!!"`\ ;　朱志香の苦笑いは脂汗まみれ。@ ;　…果たして勘の鋭い友人たちを本当に騙せているのか、大いに怪しい…。\ `Jessica's bitter smile was covered with cold sweat.`@ `...It was starting to seem doubtful whether she really had deceived her sharp-witted friends...`\ ;■屋敷での回想 mov %play_scene,40 bg black,5 wait 2000 mono 1 bg white,2 bg MJES_1b,0 ld c,$SHA_DefA1,6 mono off print 8 E_A ld c,$SHA_WaraiA2,80 bgm1 11 ;「ハイ。@なら、彼氏さんの偽者を立てて連れて行くというのはどうでしょうか。」\ ;＜紗音 `"Yes.`@` Then, how about making a fake boyfriend and taking him with you?"`\ bg MJES_1a,0 ld r,$JES_odorokiA1,24 ;「にに、偽者ぉ？！@　だ、誰を……！@　そんなのの心当たり、ねーぜ…！」@ ;＜朱志香 `"F, f, fake?!`@` Wh, who......?!`@` I can't think of...anyone!"`@ ;　紗音のとんでもない提案に朱志香は素っ頓狂に驚く。\ `Shannon's ridiculous plan surprised Jessica into hysterics.`\ ;　とはいえ、今から文化祭までに大急ぎで彼氏を作るという非現実的な方法に頭を悩ませるよりは、多少は現実的だった。\ `Even so, it was probably more realistic than the unrealistic methods running through her head about getting a boyfriend in the big rush before the cultural festival.`\ ld l,$SHA_TokuiA1,23 ;「例えばですが、@……嘉音くんなんてどうでしょう。」\ `"For example, `@`......what about Kanon-kun?"`\ ld r,$JES_aisowaraiA1,80 ;「かか、嘉音くぅううん？！@　ダダ、ダメダメ！！@　というかきっと嘉音くん、文化祭の日は仕事に決まってるぜ…、/ ;!w1000迷惑かけちゃ悪いしさ…。」\ `"K K, Kanon-kuuuuuun?!`@` N, n, no way, no way!!`@` Anyways, I'm sure Kanon-kun has work on the day of the festival..., `/ !w1000`and I don't want to bother him..."`\ ld l,$SHA_WaraiA1,80 ;「もちろん予定表も確認済みです。@嘉音くんはその日、お休みになっています。」\ `"Of course, I've fully checked the schedule.`@` Kanon-kun has that day off."`\ ld r,$JES_tereruA1,80 ;「……こ、…こんな時ばっかり要領がいいのな…。@/ `"......Wh, ...why are you always so clever at times like this... `@/ ld r,$JES_IkariA1,80 ;じゃなくて！@　休みならもっと悪いぜ…。@せっかくの休みを私の見栄のために引っ張りだせないよ！」\ `No, wait!`@` It'd be even worse if he's off...`@` I can't pull him away from his precious break just for my own vanity!"`\ ld l,$SHA_DefA1,80 ;「嘉音くんは、引っ張り出されないといっつも閉じ篭ってばかりいますので、@無理に引っ張りまわすくらいでちょうどいいかと思いますよ。」@ `"If you don't pull Kanon-kun away, he'll always be shut away by himself,`@` so I think it would be perfect if you could forcibly pull him away."`@ ld r,$JES_tereruA2,80 ;!s0「そそ、/ ;!d800……そうなの？@/ !s0`"Y, y, `/ !d800`......you think so? `@/ ld r,$JES_tereruA1,80 ;　…いや、/ ;!d800でも、/ ;!d800…嘉音くんに悪い……。」/ `...No, `/ !d800`but, `/ !d800`...I'd feel bad for Kanon-kun......"`/ !sd\ bg MJES_1b,0 ld c,$SHA_fumanA1,23 ;「なら万策尽きますね…。@大人しく彼氏はいませんと白状なされてはいかがでしょうか。」\ `"Then try everything else...`@` How about meekly confessing to everyone that you don't have a boyfriend?"`\ ld c,$SHA_WaraiA2,80 se1 4 ;「…それはそれは肩身の狭い思いをなされるでしょうが、@卒業までの短くも長ぁい間を耐え忍ばれるだけでございますし。@愛し合う恋人同士にとって、独り者の僻み顔が何にも勝る甘ぁい蜜なのです☆」\ `"...That may cause you to feel ashamed, `@`but you would only have to endure for the short and yet loooong time before graduation.`@` To a pair of lovers, there's no sweeter honey than the face of a single person with an inferiority complex☆"`\ ld r,$JES_IkariA1,24 ;!s0「しゃ、紗音んんん〜！！/ !s0`"Sh, Shannonnnn~!! `/ se1 5 quakex 2,300 ;@　私のために本気で悩んでないでしょ、おちょくってるでしょぉお！！」/ @`You aren't really worrying for my sake, are you, you're teasing me, riiiight?!!"`/ !sd\ cl a,25 se1 47 quakey 4,200 se1 48 quakex 3,200 se1 47 quakey 4,200 se1 48 quakex 3,200 ;　涙目で紗音に取っ組みかかる朱志香。@ ;　でも紗音はへっちゃらでいつもと同じ笑顔でにっこり笑っている。\ `Jessica wrestled about with Shannon, her eyes teary.`@ `But Shannon was unconcerned, laughing with her usual smile.`\ ld r,$SHA_tokuiA1,26 ;「ハイ。@私と譲治さまのことを茶化してばかりのお嬢様への仕返しです。」@ `"Yes,`@` this is to get you back for making fun of me and George-sama all the time."`@ br ;　年に一度もない紗音のしっぺ返しに、朱志香はクッションを抱きかかえながらベッドの上を悶絶して転がり回る。@ `Listening to Shannon's comeback, the likes of which didn't happen even once a year, Jessica hugged her cushion and rolled around on her bed, pretending to faint in agony.`@ br ;　勝ち誇ったように見えるその笑顔が悔しくてたまらないが、今は唯一の相談相手なのだ。@クッションで窒息死させるのはその後でもいい。\ `She was so frustrated that she couldn't stand Shannon's smile, which looked so triumphant, `@`but right now, she was the only person Jessica could talk with.`@` She could choke herself to death with her cushion later.`\ ld r,$SHA_majimeA2,80 ;「いいじゃないですか、お嬢様。@文化祭ではありますが、嘉音くんと一緒に遊びに行くチャンスですよ。」\ `"Isn't it alright, Milady?`@` It's a cultural festival, but it's also a chance for you to have fun with Kanon-kun."`\ bg MJES_1e,24 ld c,$JES_tereruA1,26 ;「いやそれはそうだけど、/ ;!d600いやいやいやいや……！！」\ `"No, that may be true, but, `/ !d600`no, no, no, no......!!"`\ cl c,25 se1 47 quakey 3,500 se1 48 quakey 3,500 ;　朱志香は真っ赤になった顔を見られまいとお気に入りのクッションに頭を埋める。@ ;　そしてカリカリと親指の爪をかじる。@ `Jessica buried her head in her favorite pillow to hide the fact that her face had grown bright red.`@ `And she grumpily chewed the fingernail on her thumb.`@ br ;　…そのリアクションは実に鑑賞向きだった。\ `...It really was a reaction to be appreciated.`\ ;　紗音と朱志香は、歳が近い同性ということもあり友人の関係でもあった。@ `Shannon and Jessica were of about the same age, of the same sex, and they were also friends.`@ br ;　しかも互いに思春期真っ只中。@ ;　恋愛に関する話はいつも尽きなかった。@ ;　なので、このような相談事を打ち明けあえる関係だった。\ `And they were both right in the middle of puberty.`@ `They could never talk enough about things related to love.`@ `That's why they were able to expose these topics to each other.`\ ;　だから紗音と譲治の恋の行方についても朱志香は詳しく聞いていたし、@逆に、朱志香がどんなタイプが好きで、どんな男性に興味を持っているかも、紗音は詳しく聞いていた。\ `So Jessica had heard the details of how Shannon's and George's love was progressing,`@` and on the other side, Shannon had heard the details of what type Jessica liked, and what kind of man she might be interested in.`\ ;　この朱志香の反応を見る限り、それを詳しく語るのも野暮だろうが…。@ ;　いつまでも朱志香が転げ回っているだけでは話が進まないので言ってしまおう。@ `Judging by Jessica's reaction, maybe it had been unrefined to speak of that in detail...`@ `She had said that because the discussion wouldn't progress if Jessica kept rolling around on the bed.`@ br ;　朱志香は、嘉音が現れてからずっと気になっていたのだ。\ `Jessica had been thinking about Kanon ever since he had shown up.`\ ;　六軒島に若い男はほとんどいない。@ ;　だから、朱志香が嘉音に興味を持ったのは思春期の少女として当然のことだったかもしれない。@ `There were almost no young men on Rokkenjima.`@ `So maybe it was natural for Jessica, as a girl in puberty, to become interested in Kanon.`@ br ;　でもそれを言ってしまったら乙女の純情や一目惚れというロマンを蔑ろにしてしまう。\ `But if anyone said that, it would destroy the romance of a maiden's pure heart and love at first sight.`\ bg MJES_1a,23 ;　紗音は嘉音とずっと孤児院で一緒だったので、勤めを始める前から面識があった。@ `Shannon had been with Kanon the whole time at the orphanage, so she had known him before they had started working.`@ br ;　だから朱志香は、嘉音がどんな人か、趣味は何か好物は何か好きな女の子のタイプは何かと、いつも根掘り葉掘り聞いていたのだ。@ `So Jessica had asked persistently about what his hobbies were, what his favorite food was, what type of girl he liked.`@ br ;　………いくら紗音でも、朱志香が嘉音に執心なのは丸判りだった。\ `.........It was clear to Shannon that Jessica was infatuated with Kanon.`\ ld l,$SHA_waraiA3,23 ;「もう。@…嘉音くんをデートに連れ出せる、良い機会じゃありませんか。」@ `"Come on.`@` ...Isn't this a good chance to take Kanon-kun on a date?"`@ ld r,$JES_tereruA2,24 ;「でで、でもでもでも、…嘉音くんにだって好きな人とかいるかもしれないし…。@私なんかの見栄っ張りにつき合わせたら気を悪くするぜ…？」\ `"B, b, but but but, ...Kanon-kun might also have someone he likes, so...`@`wouldn't he take it badly if I made him go with me just to show off...?"`\ ld l,$SHA_majimeA1,80 ;「お嬢様のような素直じゃない方を、/ ;!d800…何でしたっけ、譲治さまに習いました。@/ `"For people that aren't honest, like you, Milady, `/ !d800`...what was that word again, I learned it from George-sama. `@/ ld l,$SHA_WaraiA2,80 se1 3 ;そうそう、ツンドラとか言うそうですよ？@　あと十数年かすると流行るんだそうですよ？」\ `That's right, weren't they called '#86ef9ctsundora#ffffff'?`/ mov %play_scene,41 mov %r_hyouji_grim,2 ;seplay 9,1062 @` Sounds like it will become popular after a few decades, doesn't it?"`\ ;tttt ld r,$JES_TohohoA2,80 ;「へー、さっすが譲治兄さんだなぁ、/ ;!d600未来のトレンドがわかるのかよ。@すげーぜ。@/ `"Wo-w, George nii-san sure is incredible...`/ !d600`so, he's capable of foreseeing future trends now, is he?`@` Awesome. `@/ ld r,$JES_IkariA1,80 ;……じゃなくて！@　ってことは私ってタイプは時代がズレてるってことじゃねぇかよ！@/ `......No, wait!`@` Are you saying I'm living in the wrong time period?! `@/ se1 3 cl r,23 ;　うわーうわーうわー、もう駄目だー！！」/ `Waah, waah, waah, I give u-p!!"`/ se1 9 quakex 4,800 se1 11 quakex 5,900 se1 40 quakey 2,200 se1 41 quakey 2,200 se1 42 quakey 2,200 se1 13 quakey 4,400 \ bg black,2 ;　……結局、朱志香は、嘉音を彼氏の代役に立てようという計画に乗るのに、数日の無駄な時間をかけなければならなかった……。\ `......It took several days of fruitless efforts, but in the end, Jessica agreed to plan of having Kanon pretend to be her boyfriend......`\ fede 0,3000 ;■廊下 mov %play_scene,41 textoff ;bg black,2 ;wait 2000 bgm1 7 bg M2F_P1b,22 wait 2000 bg M2F_P1a,3 wait 2000 bg M2F_P1c,3 ld c,$KAN_defA2,23 !sd ;「……はい、お嬢様。@お呼びでしょうか。」\ `"......Yes, Milady.`@` Did you call me?"`\ ;　朱志香は、あぁ悪いタイミングで声を掛けてしまったと後悔する。@ `Jessica regretted calling out at such a bad time.`@ br ;　…嘉音はいつも仏頂面だが、その中でも機嫌の悪い日とマシな日がある。@ ;　…残念なことにこの反応は前者だった。\ `...Kanon always had a sour look, but he had some bad days and some good days.`@ `...Unfortunately, this reaction was the former.`\ bg M2F_P1b,0 ld r,$JES_TohohoA2,23 ;「いい、いやそのさ、/ ;!d600…………えっとぉ。」@ `"N, n, no, umm, well, `/ !d600`............errr."`@ ld l,$KAN_majimeA1,23 ;「…………………。」@ `"..............."`@ br ;　鏡の前で一晩予行演習を繰り返したはずの努力と自信は、ほんの５秒程度で崩れ去ってしまった…。@ `All that confidence and effort she had piled up by practicing in front of a mirror all night was wiped out in about five seconds...`@ ;　朱志香は真っ赤になりながら俯いてしまう。\ `Jessica turned bright red and hung her head.`\ ld l,$KAN_NayamuA1,80 ;　その様子を見て嘉音はため息をつく。@ ;　…朱志香は呆れられてしまったと思い、頭が真っ白になってしまう。\ `When he saw that, Kanon took a deep breath.`@ `...Jessica thought he had been shocked, and her face went pale.`\ ld l,$KAN_KomaruA1,80 ;「………紗音から聞いています。@お嬢様の学校の文化祭へお供するように、というお話ですか？」@ `".........I heard from Shannon.`@` This is about having me go with you to the school cultural festival, right, Milady?"`@ ld r,$JES_aisowaraiA1,80 ;「え？@　……あ、あぁああぁ！！@/ `"Huh?`@` ......Ah, aaaaaaahhh!! `@/ ld r,$JES_tereruA1,80 ;　紗音ナーイスッ、/ ;!d400じゃなくて！@/ `Nice, Shannon, `/ !d400`...yeah right! `@/ ld r,$JES_tereruA2,80 ;　う、うんうん。@そ、そうなんだけど、あのその！@　……………当日の予定は、どど、どうかな…。」\ `Y, yeah, yeah.`@` Th, that's right, but, umm, err!`@` ............D, d, do you have any plans that day...?"`\ ld l,$KAN_NayamuA1,80 ;「…紗音から、当日は特にお嬢様にお仕えするよう厳命されております。@僕は高校には行ったことがないのでわかりませんが、@/ `"...I was strictly ordered by Shannon to work specially for you on that day, Milady.`@` I have never been to high school, so I don't really understand, `@/ me1 5 ;何でも男性の付き人がいないと大変肩身が狭い場だとか。@…右代宮本家令嬢が、庶民に劣ることがあってはならないと特に厳命されておりますので。」\ `but I hear it's a place where girls feel very ashamed if they don't have a boy with them.`@` ...And I was particularly ordered that the daughter of the Ushiromiya family not be in any way inferior to common people."`\ ld r,$JES_tereruA1,80 ;!s0「わは、/ ;!d600わははははははははははッ、紗音あとでぶっ殺すーーーー！！！」/ !s0`"Waha, `/ !d600`wahahahahahahahahahaha, Shannon, I'll beat you to death late----r!!!"`/ quakex 3,200 !sd\ E_MA ;　朱志香は壊れた笑顔で、湯沸かし器のように湯気をあげながら、奇声で怒鳴り続けている。@ ;　それを見ながら、嘉音はもう一度、ため息をつく。\ `Jessica kept yelling with a strange voice, and a broken smile, like a tea kettle filled with boiling water.`@ `As Kanon watched this, he sighed again.`\ bg black,22 bg M2F_P1c,22 ;　嘉音も馬鹿ではない。@ `Kanon wasn't an idiot either.`@ br ;　朱志香がどういう意図で自分を誘っているか充分理解していた。@ ;　……しかし、お嬢の恋遊びに付き合わされるなんて、本当は面倒臭いだけだった。@ `He fully understood what Jessica intended by inviting him.`@ `......However, it would be really annoying to go along with the lady's game of love.`@ br ;　でも、紗音にしつこく言われている。@普段、借りも多い。@断れなかった。\ `But Shannon had talked to him persistently.`@` He was very indebted to her.`@` He couldn't refuse.`\ bg black,22 ;　…そして、ポケットの中のブローチ。@ `...And that brooch was in his pocket.`@ br ;　この妙な話も、このベアトリーチェのブローチに宿る魔力が引き寄せたものだというのか。@ `Couldn't this strange turn of events also have been brought about by the magic power residing in this brooch?`@ br ;　…………馬鹿馬鹿しい。\ `............Ridiculous.`\ ;　でも、紗音に言われたあの言葉が蘇る。\ `But he remembered those words Shannon had told him.`\ ;　…紗音は、自分に視えない何が見えたというのか。@ `...Had Shannon seen something that could not be seen by him?`@ br ;　紗音の気持ちなんてわからない。@僕らは家具だ。@…それ以上になんて、なれるものか。\ `I don't understand Shannon's feelings.`@` I am furniture.`@` ...As if I could, become something more than that.`\ bg M2F_P1c,0 ld r,$JES_tereruA1,0 ld r,$KAN_majimeA1,22 ;　相変わらず奇声をあげ続ける朱志香と、深いため息をつく嘉音の二人が実に珍妙な取り合わせだった…。\ `It was a truly odd exchange between Jessica, who was still rambling on in a strange voice, and Kanon, who took a deep breath...`\ textoff mono 1 print 2 bg black,42 fede 0,3000 mono off ;■文化祭に戻る・控えの教室 mov %play_scene,46 bg schF_R1c,22 bgm1 2 ;「ジェシぃ、人が来てるよー？！@　聞こえてないのォ？！」\ `"Jessie, someone's here!!`@` Didn't you hear?!"`\ ld c,$JES_atyaA3,24 ;「えッ、あ、あ、ごめん！！@　だ、誰…？」\ `"Huh, ah, ah, sorry!!`@` Wh, who...?"`\ ;　友人たちが身を寄せ合いながら、…何とも形容し難い目でこっちを見てヒソヒソ！@と小声になっていない小声で囁き合っている。@自分でも何だか白々しい。@ごめん、誰…、だって？！@　だ、誰が尋ねてくるかなんてわかってるくせに…！@　あぁああぁああ、駄目だ駄目だ頭が真っ白だぜ…。\ `As my friends all gathered together, ...they were looking this way with hard to describe expressions, whispering to each other!`@` in small voices that weren't small anymore.`@` Even I feel kind of shameless.`@` Did I just say 'sorry, who'?!`@` Like I don't know who's shown up...!`@` Aaaaaaaaah, it's useless, it's useless, my mind is blank...`\ bg black,22 E_A wait 1000 bg schF_P1a,0 gosub *KAN_isyou2 bgm1 3 mov %play_scene,50 ;嘉音の衣装を変える seplay 9,1060 mov %r_hyouji_cha,kan mov %r_hyouji,0 ld c,$KAN_DefA1,64 ;!s0「ウソあれジェシの彼氏ィ？！/ !s0`"No way, that's Jessie's boyfriend?! `/ !d400/ se1 6 ;　かっわいいぃいいぃ！！」/ `So cuuuuuuuuuuuuuute!!" `/ !d700/ se2 7 ;「ホントに彼氏いたんだぁあ？！/ `"She really had a boyfriend?! `/ !d400/ se3 8 ;　マジ嘘本当ぉおおぉ？！」/ `No way, seriously?!" `/ !d600/ se1 9 ;「朱志香の裏切り者ぉォオ！！/ `"Jessica, you traitor!! `/ !d300/ se2 10 ;　すっごい素敵じゃああん！！」/ `Isn't that really awesome?!!" `/ !d200/ se3 11 ;「年下？！/ `"He's younger?! `/ !d400/ se1 12 ;　年下なんて聞いてないよオッ？！」/ `I never heard he was younger?!" `/ !d500/ se2 13 ;「どこどこッ？！/ `"Where where?! `/ !d300/ se3 4 ;　ジェシの彼氏ってどこどこどこッ？！」/ `Where where where's Jessie's boyfriend?!" `/ !d600/ se1 3 se2 46 ;「ショタって本当ォオオオォ！！」/ `"She really does like young boys!!"`/ se3 8 quakey 4,300 !sd\ ;■学校廊下？ cl c,0 ld l,$KAN_DEfA1,0 ld r,$JES_tereruA1,24 ;「や、ややや、やあ！@　ぉ、遅かったじゃねえかよ、わははははは！」@ ;＜朱志香 `"He, h, h, h, hey!`@` A, aren't you late, wahahahahaha!"`@ ld l,$KAN_NayamuA1,80 ;「……昇降口がわからなかったもので。@遅くなって申し訳ございません。」\ ;＜嘉音 `"......I didn't know where the entrance was.`@` I apologize for being late."`\ ld r,$JES_TereruA2,80 ;「ぃ、いやその、…その格好も似合ってるぜ？@　わははははははは…！！」@ `"R, right, umm, ...that outfit suits you, doesn't it?`@` Wahahahahahahaha...!!"`@ ld l,$KAN_MajimeA1,80 ;「…紗音が、普段着ではよくないと言って、先日、一緒に買い物を。@……似合いませんでしたでしょうか…。」\ `"...Shannon...said normal clothes wouldn't do, ...so we went and bought this yesterday.`@` It probably doesn't fit me..."`\ ld r,$JES_tereruA1,80 ;「わ、わはははははははははははそんなことないよ！@　紗音、あとで二階級特進んんんんん！！」@ `"Wa, wahahahahahahahahahahahaha, that's not true!`@` Shannon, when I get back I'll promote you two leveeeeeeeels!!"`@ ld l,$KAN_DefA2,80 ;「………何だかここは女の人ばかりで居心地が悪いです。」\ `".........This place is kinda filled with girls. It's uncomfortable."`\ ld r,$JES_tereruA2,80 ;「だだ、だよなだよな！@　ささ、ここじゃなくてステージの方に行こうぜ？@　もうすぐ私たちの出番だからさ！@　さっさっさ！！」@ `"Y, y, yeah, isn't it?!`@` C, come on, let's not hang around here, let's go to the stage, alright?`@` 'Cause it'll be my turn really soon!`@` Come on come on come on!!"`@ ;　居心地が悪いのは朱志香も同じらしい。@ ;　黄色い目線を全身に浴びてやりにくそうにしている。@ `Jessica was just as uncomfortable.`@ `It looked like it was hard to be bathed in everyone's interested gazes.`@ br ;　…そんな様子を見て嘉音は、自分が来たから朱志香がやりにくくしているのだろうかと思ってしまう。\ `...When he saw Jessica's appearance, Kanon thought that he might have made things difficult for her by coming.`\ ld l,$KAN_MajimeA1,80 ;「……何だか迷惑をお掛けしているような気がします。@お邪魔だったでしょうか？」@ `"......I get the feeling that I'm getting in the way.`@` Am I a burden?"`@ ld r,$JES_aisowaraiA1,80 ;「そそ、そんなことないって！！」\ `"I, I, I told you, no way!!"`\ bg schF_P3a,23 ;「…僕がお邪魔でしたら、いつでも言ってくだされば…。」@ ;（（きゃーッ、うっそーー、僕ッコだぁあああーー！！！！））/ `"...Please tell me at any time if I am in the way..."`@ `((Kya-, no wa--y, he calls himself 'boku'!!!!))`/ se1 12 quakey 4,500 \ ;「あひィイイイイィ、じゃじゃ、邪魔なんかじゃないよ嘉音くん！！」@ ;（（（きゃああぁッ、彼氏、クン付けだぁあああぁあぁ！！！）））/ `"Ahiiiiiiiii, you, you, you aren't a burden, Kanon-kun!!"`@ `(((Kyaaaaaa, she calls her boyfriend 'kun'!!!)))`/ se1 12 quakey 4,500 \ ;「……僕はどうしていればいいでしょうか、お嬢様。」@ ;（（（（うそぉおッ、お嬢って呼ばせてんのォ、執事系ktkrェ！！））））/ `"......What should I do, Milady?"`@ `((((No waaaaay, she makes him call her Milady, like a butler #86ef9comgomg#ffffff!!))))`/ ;tttt se1 12 quakey 4,500 mov %play_scene,51 mov %r_hyouji_grim,3 ;seplay 9,1062 \ bg schF_R1a,1 se1 13 quakey 5,600 ;「らめええぇええェ、今日はお嬢様はらめえぇえぇえ！！」@ `"Nooooooooo, don't call me Milady todaaaaaaaaay!!"`@ ld r,$KAN_KomaruA1,24 ;「………そ、…そうですか。@わかりました朱志香さま。」@ ;（（（（（きゃああぁあ、調教済みのサマ付けだぁああああぁ！！）））））/ `".........R, ...really?`@` Understood, Jessica-sama."`@ `(((((Kyaaaaa, she's trained him to call her 'sama'!!)))))`/ se1 12 quakey 4,500 \ ld l,$JES_tereruA1,26 ;「ごごご、ごめん嘉音くん、３秒でいいから、目ェ瞑っててくれるかな…。」@ ;（（（（（（ひぃやあああぁああ、キスよキス、キスするのよぉおお！！））））））/ `"S s s, sorry, Kanon-kun, just for three seconds, could you close your eyes..."`@ `((((((Hiiyaaaaaaa, kiss, it's a kiss, she's going to kiss him!!))))))`/ se1 27 quakey 4,500 \ ld r,$KAN_NayamuA1,80 ;「で、…では瞑ります。」\ `"S, ...sure."`\ bg black,25 wait 2000 se1 4 wait 200 se1 4 wait 200 se1 4 wait 1500 se1 20 wait 200 se1 8 quakex 2,400 ;!s0　ズガッ、/ !s0`*bang*, `/ se1 6 quakey 2,400 ;どぎゃッ！/ `*thunk*! `/ se1 12 quakey 4,500 ;　ブンブン、/ `*bam*bam*, `/ se1 20 wait 100 se1 20 wait 500 ;ドッガーン、/ `*slam*, `/ se1 2 quakey 7,600 ;ぐぴゃごべッ！！/ `*crash*!!`/ bg schF_R1b,1 se1 27 quakey 8,700 !sd\ bg schF_R1a,25 ;　…嘉音が目を開くと、なぜか教室内はひどい惨劇。@ `...When Kanon opened his eyes, for some reason, there was a horrible tragedy in the room.`@ ;　みんな大の字型になって壁に打ち込まれていた。@ ;　朱志香は嘉音が目を開く前にメリケンサックをポケットにしまう。\ `Everyone had been driven into the walls, their arms and legs outstretched.`@ `Jessica put her brass knuckles in her pocket before Kanon opened his eyes.`\ ld r,$JES_aisowaraiA1,24 ;「と、とにかくステージの方に行こう。@私たちの出番はもうすぐだから、しばらく席で待っててよ。@/ `"A, anyways, let's go over to the stage.`@` Our turn is coming up soon, so wait in a seat for bit. `@/ ld r,$JES_WaraiA1,80 ;私たちは準備あるからさ！@　この先、突き当たりまでいけば仮設舞台があるからわかるぜ、そこで待ってて！」\ `'Cause we have to get ready!`@` If you go straight to the end here, there'll be a temporary stage, so you'll know where to go.`@` Please wait there!"`\ bg black,22 ;　何だか勝手が違ってやりにくそうにしている嘉音の背中をぐいぐい押して、廊下に追い出す。@ `She pushed Kanon's back, as looked like it would be hard for him to go by himself, and chased him out.`@ br ;　嘉音も、初めて見る朱志香の態度や狼狽ぶりに困惑しながらも指示に従い、指差された方へ向かうのだった。\ `Even though Kanon was confused by Jessica's attitude and panic, which he had never seen before, he followed her instruction, and headed in the direction she had indicated.`\ se1 18 bg schF_R1b,0 ld c,$JES_atyaA2,63 ;　その姿をぎこちない笑顔で見送った後、朱志香は教室の戸をぴしゃりと閉めて大声で叫ぶ。\ `After seeing him off with an awkward smile, Jessica slammed the door shut and yelled loudly.`\ ld c,$JES_tereruA2,80 ;「ささ、見たね？@　見たでしょ、満足したッ？！@/ `"There you go, you saw, right?`@` Did you see, are you satisfied?! `@/ ld c,$JES_akuwaraiA1,80 ;　わはははははははは、ざまーねーぜー！！！」\ ;＜朱志香 `Wahahahahahahahaha, sucks for you!!!"`\ bg schF_R1c,24 ;「……うぐぐぐぐぐぐ、賭けに負けたぁ。」@「絶対、ジェシに彼氏なんかいないと思ってたのにィ。」@「彼氏じゃないんでしょ、使用人へのパワハラでしょォオオ。」@「うわあぁん、ジェシの彼氏ステキだオォォ…！」\ `"......Ugugugugugugu, I lost the bet."`@`"I was sure that Jessie didn't have a boyfriend."`@`"That wasn't a boyfriend, right, she's just harassing one of her servants, right?"`@`"Waaaah, Jessie's boyfriend's incredibleeee...!"`\ bg schF_R1a,0 ld c,$JES_IkariA1,22 se1 2 ;「やや、やっかましいぜ！！@　ほらほら準備準備！！」@ `"Sh, sh, shut up!!`@` Come on, let's get ready!!"`@ br se1 20 wait 500 se1 3 ;　朱志香がもう一度ポケットからメリケンサックを取り出すと、みんなはキビキビと作業に戻るのだった。\ `When Jessica took the brass knuckles out of her pocket again, everyone energetically returned to their tasks.`\ textoff bg black,5 fede 0,2000 bgm1 9 bg schF_P3a,2 wait 2000 bg black,4 bg schF_C2b,4 me5v 24,40 ;「……………はぁ。」\ `"............Haah."`\ ;　嘉音は、朱志香に言われたように廊下を進むと、自動販売機のスペースを流用した仮設舞台があった。@ `When Kanon went down the corridor as Jessica had told him to, he ran into a temporary stage set up where the vending machines should have been.`@ br ;　多分、グループやサークル単位で時間貸ししているのだろう。@ ;　学生のグループが歌を歌っているが、それも大いに盛り上がっていた。\ `It was probably being rented by the hour by some group or circle.`@ `Groups from the school where singing songs, but the place was already getting excited.`\ bg schF_C2a,23 ;　その喧騒を嫌い、薄暗い壁にひとり寄りかかる。\ `Disliking that clatter, he approached a dark wall alone.`\ ;　……これが高校ってもんなのか。@ ;　うるさいところだな。@…嘉音はそう思った。\ `......So this is what they call high school.`@ `It sure is noisy.`@` ...That's what Kanon thought.`\ ;　そして、さっきの一度も見たことのないような振る舞いの朱志香を思い出す。@ ;　……正直、アルコールでも入ってるのではないかというようなはしゃぎ様だった。@ `Then he remembered Jessica just now, acting in a way that he'd never seen before.`@ `......Honestly, she was in such high spirits that alcohol might have been involved.`@ br ;　彼にとって、人は常に冷静で理知的であるべきなのが最大の美徳だ。@ ;　そんな嘉音にしてみれば、校内の文化祭という空気は非常に馴染みにくいものだった。\ `To him, the greatest virtue for people was to always be composed and intellectual.`@ `In that sense, it was very hard for Kanon to get used to the atmosphere in a school cultural festival.`\ ;　…自分は、見聞きしたことを全てお館様に報告する義務を持つ。@ ;　…だからさっきのハメを外した朱志香の様子も報告しなければならない。@ `...He had the responsibility to report everything he saw and heard to the Master.`@ `...So he also had to report about how Jessica had acted without restraint earlier.`@ br ;　……少なくとも、右代宮本家の令嬢として相応しいものではなかった。\ `......At the very least, it was not fitting for the daughter of the Ushiromiya family.`\ ;　お館様も蔵臼さまも、@…特に夏妃さまもお怒りになられるだろう。@ `The Master, Krauss-sama,`@` ...and especially Natsuhi-sama would probably be angry.`@ br ;　お嬢様を庇うように報告するなら、相応しくないご学友のせいだとするか…。\ `If I am to report it in a way that protects Milady, should I blame it on inappropriate school friends...?`\ bg black,22 ;「………何だよ、あれ。@……ばかみたいだ。」\ `".........What was all that?`@` ......So stupid."`\ ;　さっきの朱志香のはしゃぎ様をもう一度思い出し、嘉音は大きくため息をつく。@ `Kanon thought back on how Jessica had acted earlier, and sighed again.`@ br ;　夏妃の頭痛も少しは理解できようというものだった。\ `He could understand Natsuhi's headache a little now.`\ ;　……そういえば、夏妃さまはＰＴＡ会長として、体育館の式典にご出席の後、そのまま親睦会に行かれたはず。@ `......Come to think of it, Natsuhi-sama, as the president of the PTA, should have gone to an informal gathering after attending the ceremony in the gymnasium.`@ ;　お嬢様の催し物はご覧になれないと仰っていたっけ。@……多分、それで正解だろう。\ `Hadn't she said that she wouldn't be there to see Milady's event?`@` ......That was probably for the best.`\ bg schF_C1c,22 ld r,$KAN_MajimeA1,24 ;「…………人ごみは気持ち悪いな。@…何だってんだ、一体。」\ `".........Crowds are unpleasant.`@` ...What in the world is going on?"`\ ;　さっきから女子生徒にばかり、ちらちらとうかがわれている。@ ;　お嬢様のご学友たちが口にしていたようなことと同じことを小声でコソコソ言い合っているようで、実に気持ち悪い。\ `Several female students keep glancing at me.`@ `It seems they're all whispering the same things that Milady's school friends had said, and it's really unpleasant.`\ ;　そう言えば、紗音にも注意されていたような。@ `Come to think of it, didn't Shannon warn me?`@ br ;　……文化祭なんかをひとりで歩いていると、@おかしな人にたくさん声を掛けられるから気をつけるようにと注意されたっけ。\ `......If you walk alone at something like a school festival,`@` you better watch out because a lot of strange people will come and talk to you.`\ bg schF_C2a,24 ;「あ、あの〜、おひとりですかァ？」\ `"H, hello~, are you by yourself?"`\ ;　案の定、初対面の女性陣に話し掛けられる。@ ;　黄色い眼差しで背中が痒くなりそうだ。@ `Just as expected, a group of girls I'd never met started talking to me.`@ `Their stares started to make my back tingle.`@ br ;　……こういう時は、追っ払うことができる魔法の言葉があると言ってたっけ。@…えーと。\ `......Didn't she tell me some magic words that could chase them off in times like this?`@` ...Ummm.`\ ld l,$KAN_KomaruA1,80 ;「……すみません。@連れがいますので。」@ ;「え、あ、そうですか…！@　ご、ごめんなさい！」@ ;　ホントだ。@効果覿面だな…。@ `"......Sorry.`@` I'm with someone."`@ `"Uh, oh, really...?!`@` I, I'm sorry!"`@ `Ah, it worked.`@` Instant reaction...`@ br ;　でも、退いてはくれたが、僕に向けられる黄色い眼差しの数は大して変わらないようだ。\ `Well, that got them to go away, but it hasn't really changed the number of people staring at me.`\ bg schF_C1b,22 ;!s0「違うよぉ、あの子だよ、ジェシの彼氏ぃ！！」/ ;!d600「ウッソ？！/ ;!d300　あの子がぁ？！」/ ;!d500「信じらんないよね、絶対にエアだと思ってたよォ！」/ ;!d600「可愛いじゃーん、年下ァ？！/ ;!d300　いいなぁ！！」/ !s0`"No, it's that kid, Jessie's boyfriend!!"`/ !d600`"No way?! `/ !d300`That kid is?!"`/ !d500`"I can't believe it, I was sure he was fake!"`/ !d600`"Isn't he cu-te, he's younger?! `/ !d300`How nice!!"`/ !sd\ bg black,25 ;「……………はぁ。」@ ;　…二度とこんなところ来るもんか。@ `"............Haah."`@ `...There's no way I'll ever come to a place like this again.`@ br ;　嘉音は今日何度目になるかもわからないため息を漏らすのだった。\ `Kanon sighed for about the zillionth time that day.`\ E_A bg schF_C2a,22 bgm1v 3,20 E_MA se3 54 ;　すると、照明が変わり、立ち見の観客たちが大きな歓声を上げる。@ `When he did, the lighting changed, and the standing audience started cheering.`@ br ;　周りを見れば、いつの間にか大勢増えていた。@さっきまでと変わって男だらけだ。\ `When he looked around, he realized that there were suddenly a large number of people here.`@` And unlike earlier, they were all guys.`\ ;　すごい人垣で舞台すら見えない。@ ;　運よく、近くにビールケースが転がっていたので、それを踏み台にしてみる。\ `With this huge crowd, he couldn't even see the stage.`@ `Fortunately, there was a fallen beer case nearby, and he tried using that as a footstool.`\ ;　すると舞台の上にはいつの間にか新しいグループが上がっていた。\ `When he did, he realized that there was now a new group on the stage.`\ bg schF_C2b,24 ;　先頭はお嬢様だ。@ ;　舞台用の衣装に着替えられて、ギターなんて持ってる。@ ;　……知らなかった、弾けたんだ。@ `The leader is Milady.`@ `She's changed into stage clothes, and she's even holding a guitar.`@ `......I didn't know she could play.`@ br ;　いや、弾けたのかもしれない。@ ;　ギターの真似事を練習しているところを見たことはある。\ `No, maybe she could play.`@ `I have seen her practicing air guitar before.`\ ;　夏妃さまは勉強以外に朱志香さまの趣味をお認めにならない。@ ;　いつも隠れて練習していたのかもしれない。@ `Natsuhi-sama wouldn't approve of any hobbies outside of study.`@ `Maybe she was always practicing in secret.`@ br ;　…そう言えば、最近は学校からの帰りがだいぶ遅くなることもあったっけ。@ ;　…夏妃さまの目を忍び、学校で練習に励んでいたのかもしれない。\ `...Come to think of it, she's been returning really late from school recently, hasn't she?`@ `...Maybe she's been practicing at school, far away from Natsuhi-sama's prying eyes.`\ ;　やっぱり夏妃さまが来られなくて正解だ。@ ;　…せっかく練習したギターのことを咎められたら、さぞや落胆されるだろうから…。\ `It really is for the best that Natsuhi-sama didn't come.`@ `...If Milady were to get scolded by Natsuhi-sama after putting so many hours of practice in, she would probably be dejected...`\ ;!s0「「「ジェシ様ぁあああぁああああ！！」」」/ !s0`"""Jessie-samaaaaaaaaaaaaaaa!!"""`/ se1v 2,100 quakey 5,700 !sd\ bg black,22 mov %ryuu2,40 for %ryuu1 = 20 to 90 bgmvol %ryuu1 wait %ryuu2 next se2v 2,100 ;「今日は集まってくれて、ありがとォオオオォオォ！！」@ `"Everyone, thaaaaaaaaaanks for gathering here today!!"`@ br ;　スピーカーを経由して、朱志香さまの威勢のいい声が聞こえてくる。\ `I could hear Jessica-sama's forceful voice through the speakers.`\ bg schF_C2a,23 ;　…ジェシ様？@　学校での通り名だろうか。@ ;　観客の生徒たちはその名を連呼していた。@ ;　…お嬢様に相応しくない下品な呼び名に少しカチンと来る。\ `...Jessie-sama?`@` Maybe that's her nickname at school.`@ `The students in the audience had kept calling out that name.`@ `...I'm a little offended at this inferior name. It is inappropriate for Milady.`\ ;　ジェシ様と連呼される朱志香さまは大層ご機嫌だった。@ `Jessica-sama was in great spirits as they kept calling her Jessie-sama.`@ br ;　…多分、みんなファンなんだろう。@ ;　マイクパフォーマンスでそれに応えて盛り上げている。@ ;　…まるでテレビの歌謡番組のようだった。@ `...Everyone was probably a fan.`@ `Her mike performance responded to that and grew more excited.`@ `...It was almost like a song program on TV.`@ br ;　…………最初は軽薄だなと思っていたが、これはこれですごいなと評価を改めた。\ `............At first, he thought it was superficial, but that feeling had changed into appreciation.`@` It was pretty incredible.`\ bg black,22 ;　嘉音は進んで音楽を聞くことはないが、右代宮家の人間が好んで聞く音楽はよく耳にした。@ ;　…それらはほとんどがクラシックだったため、嘉音もクラシック音楽を自然と好むようになっていた。\ `Kanon had never listened to music of his own free will, but he had often heard the kind of music that the people of the Ushiromiya family liked.`@ `...Since that was almost all classical music, Kanon had naturally started liking classical music too.`\ ;　…そんな嘉音にとって、朱志香たちが歌う歌は何と言うかその、@…………非常にハイカラなものだった。@ ;　少なくとも、夏妃さまが聞かれたら卒倒しそうな雰囲気だった。\ `...So to Kanon, the song Jessica sang was, how should you say it, `@`............very highly colored.`@ `An any case, if Natsuhi-sama heard it, she would probably faint.`\ fede 0,2000 bgmvol 70 ;※ここでぺったん gosub *turu_pettann bg schF_C2b,42 bgmvol 50 ;　でも、みんなすごく楽しそうだった。@ `But everyone looked like they were having a really good time.`@ br ;　ペンライトまで持ち込んでいる熱心な観客たちは歌に合わせて、@まるで事前に取り決めていたかのようにぴったりと同じ動作で踊り狂っている。\ `The die-hard fans who had even brought pen-lights sang along, `@`dancing crazily with the same movements, almost as though it had been planned ahead.`\ ;　舞台上の朱志香さまも汗だくになりながら熱唱していた。@ `On the stage, Jessica-sama also sang enthusiastically, dripping with sweat.`@ br ;　………右代宮家の令嬢に相応しい要素は何一つ見つけられなかったが、/ ;!d600…でも、楽しそうだった。\ `.........He couldn't find a single element that was appropriate for a daughter of the Ushiromiya family, `/ !d600`...but it looked like she was having a lot of fun.`\ se1 2 ;!s0「「「ジェシ様ぁああぁあ！！/ !s0`"""Jessie-samaaaaaaaa!! `/ se2 2 ;!d600　ジェシィイジェシィイイイイィ！！！」」」/ !d600`Jessiiiiie, Jessiiiiiiiiiiie!!!"""`/ se3 2 quakey 4,600 !sd\ ;ld c,$JES_AkuwaraiA1,80 ;!s0「今日も背後に足音ひたひた！/ ;!d800　オヤシロ様がストーキーングッ！/ ;!d800　祟りに失踪、/ ;!d500生贄拷問、/ ;!d500鬼隠しってつまみ食い？！/ !s0`"Again, today, behind me, the sound of footsteps! `/ !d800`Oyashiro-sama is stalking! `/ !d800`Curses, disappearances, `/ !d500`sacrifices, torture, `/ !d500`Onikakushi, do you eat it?! `/ !d500/ ;ld c,$JES_IkariA1,80 ;　魔理沙って言うなァアアァぁああぁあぁ！！！」/ `Don't say #86ef9cMarisaaaaaaaaaaaaa#ffffff!!!"`/ mov %play_scene,52 mov %r_hyouji_grim,4 ;seplay 9,1062 ;tttt !sd\ bg black,22 fede 0,7000 ;wait 1000 bgm1 8 se1v 54,70 ;　…ノリには付いていけないが。@ ;　……とにかくお嬢様はすごく楽しそうで生き生きとしていた。\ `...I must not go along with it, but...`@ `......Anyways, Milady is full of life and looks like she's having a great time.`\ bg schF_C2b,2 ;　楽しそうにしているお嬢様を見ていて思う。\ `As I looked at Milady having a great time, I thought.`\ ;　これが、本当の右代宮朱志香の姿なんじゃないだろうか。@ `Isn't this Ushiromiya Jessica's true form?`@ br ;　…六軒島での暮らしが、如何に自分というものを殺されるかは他でもない、僕が一番知っているじゃないか。\ `...Don't I know best that during her life on Rokkenjima, she'd had no choice but to kill her sense of self?`\ ;　なら、…右代宮家の跡継ぎとしてのお嬢様でない、@朱志香というひとりの少女として生き生きできる時間がとても大切なものに違いない。@ `Then the time she spent, ...not as Milady, the successor to the Ushiromiya family, `@`but as a single girl called Jessica, living life to the fullest, must have been very important to her.`@ br ;　…自分はお嬢様の近くに仕え、春夏秋冬の全ての姿を見て、その全てを知り尽くしているつもりでいた。@ `...I worked close to Milady, saw her in all seasons, and I thought I knew everything about her.`@ ;　…でもそれは、六軒島でのお嬢様という限定された一面でしかなかったのだ。\ `...But that was only limited to one side of her, Milady of Rokkenjima.`\ bg black,5 ;　……僕らは家具。@ ;　六軒島で仕え、六軒島で生を終える。@ `......We are furniture.`@ `We serve on Rokkenjima, and end our lives on Rokkenjima.`@ br ;　…だから六軒島こそが世界の全てで、六軒島の外など天動説の世界のように、@世界の淵から海が零れ落ちているんじゃないかと思ってきた。@ `...So I had come to think that Rokkenjima itself was our whole world, as though, like in Ptolemaic theory, `@`the ocean spilled off the end of the world into an abyss.`@ br ;　でも、こんなお嬢様を見ていると、それがひどく狭い視野であることを思い知らされる。\ `But when I look at Milady like this, I realize that this is a horribly narrow outlook.`\ bg schF_C2a,26 ;　…相変わらず大盛り上がりしているこのノリにはついていけないけれど。@ ;　…僕は、六軒島では“視えない”何かを見た気がする。@ `...I still can't go along with the excitement of the crowd.`@ `...But I feel like I can see something that 'cannot be seen' on Rokkenjima.`@ br ;　………それが紗音のいう、視えないもののことなのかはわからないけれど。@ `.........I don't know if this is the unseeable thing Shannon was talking about...`@ br ;　まだ僕に、海が青くは見えない…。\ `But I still can't see the ocean as blue...`\ gosub *KAN_isyou1 ;■時間経過。六軒島のお屋敷、夜。夕食の席。 mov %play_scene,60 textoff bg black,45 fede 0,4000 wait 2000 me1 2 bg sky_1a,8 wait 3000 bg sky_2a,2 wait 2000 bg sky_2b,2 wait 2000 bg black,2 fede 0,2000 bgm1 12 bg M_o1aN,2 wait 2000 bg black,24 bg Mdin_1an,0 ld r,$KLA_DefA1,24 ;「今日は朱志香の学校の文化祭だったな。@…校長先生はお元気でおられたかね？」@ ;＜蔵臼 `"Wasn't today the cultural festival at Jessica's school?`@` ...Was the principal doing well?"`@ ld l,$NAT_WaraiA1,23 ;「…えぇ、お元気なようでした。@そうそう、高宮議員もお出でになっておりました。@あなたによろしくと特に言っておりましたよ。」\ `"...Yes, he seemed to be in good health.`@` That's right, Member Takamiya also came.`@` She said to leave it to her."`\ ld r,$KLA_akuwaraiA2,80 ;「ふむ、相変わらずご多忙そうかね？」@ `"Hmm, busy as usual?"`@ ld l,$NAT_DefA1,80 ;「そのようでした。@あの方も精力的な方です。@そうそう、あと榎本会長もお出ででしたっけ。」\ `"It appeared so.`@` That person is also very energetic.`@` That's right, then, I think President Emoto also came."`\ bg black,25 bg Mdin_1fN,22 ;　当然、夕食の席では、朱志香の文化祭の話題が出た。@ `Naturally, the topic of Jessica's cultural festival came up at dinner.`@ br ;　学校の行事は地元の有力者たちの社交場となることが多い。@ ;　この辺りの名士である右代宮家にとってもそれは同じだった。@ `School events often became social gatherings for local volunteers.`@ `It was the same for the Ushiromiya family, who were celebrities around here.`@ br ;　夏妃は、親睦会であった要人たちの名を思い出しては、蔵臼に近況を伝えるのだった。\ `By remembering the names of the important people at the informal gathering, Natsuhi told Krauss the news.`\ bg Mdin_1bN,0 ld r,$JES_majimeA1,24 ;　…朱志香は特にそんな会話に関心も持たず、カボチャのスープを行儀悪くずるずると音を立ててすする。\ `...Jessica didn't really have any interest in that discussion, and rudely slurped her pumpkin soup.`\ ld l,$GEN_komaruA1,23 ;「……お嬢様。@あまりお行儀がよろしくないかと。」@ ;＜源次 `"......Milady.`@` Are those manners appropriate?"`@ ld r,$JES_atyaA2,80 ;「…………へいへい、そりゃあ悪かったぜ。」\ ;＜朱志香 `"............Yeah yeah, sorry 'bout that."`\ cl l,23 ld l,$NAT_MajimeA1,23 ;「朱志香。@そういう言葉遣いは改めるよう、いつも言っていますよ。」@ ;＜夏妃 `"Jessica.`@` I am always telling you watch your language."`@ ld r,$JES_KomaruA1,80 ;「……はい。」@ ;＜朱志香 `"......Yes."`@ ;　朱志香は憮然と答える。@ ;　それを見て、蔵臼は少し微笑むと夏妃との話を中断した。\ `Jessica answered, discouraged.`@ `When he saw that, Krauss smiled a little and interrupted his conversation with Natsuhi.`\ bg Mdin_1a,0 ld r,$KLA_DefA1,23 ;「朱志香の方はどうだったかね、文化祭は。」@ ;＜蔵臼 `"How was the festival for you, Jessica?"`@ ld l,$JES_tohohoA2,23 ;「え？@　あ、/ ;!d800……あぁ、まぁ！」\ `"Huh?`@` Ah, `/ !d800`......well, okay!"`\ cl r,23 ld r,$NAT_WaraiA2,80 ;「見ていましたよ。@よく頑張っていましたね。」@ ;＜夏妃 `"I was watching.`@` You did a good job."`@ ld l,$JES_atyaA3,80 ;「え、……え？！@/ `"Huh, ......huh?! `@/ ld l,$JES_tereruA1,80 ;　あ、……あはははは、ま、まぁね！」@ ;＜朱志香 `Ah, ......ahahahaha, w, well!"`@ ;　朱志香の顔が真っ赤になる。@ `Jessica's face turned bright red.`@ br ;　…まさか夏妃が自分の舞台を見に来てくれるとは思わなかったのだろう。@ ;　嬉しい気持ちと恥ずかしい気持ちが入り混じる。\ `...She probably hadn't thought that Natsuhi would actually come to see her on the stage.`@ `She felt a mix of happiness and embarrassment.`\ ;　実際は、右代宮家に相応しくない音楽とかそういうことを言われたくないので見られたくはない。@ ;　……でも、親が自分の精一杯を見てくれて、よく頑張ったと声を掛けてくれるのは嬉しくないことではない…。\ `Actually, she hadn't wanted her mother to watch because she didn't want to be told that her music was inappropriate for the Ushiromiya family.`@ `......But it wasn't as though it didn't make her happy to hear her parent say that she did a good job after watching her try her best...`\ ld r,$NAT_TukareA2,80 ;「朱志香もなかなか落ち着きと貫禄が出てきましたね。@生徒代表に相応しい振る舞いでしたよ。」\ ;＜夏妃 `"Jessica appeared with both composure and dignity.`@` Fitting behavior for the students' representative."`\ textoff ld l,$JES_nayamuA1,22 ;!s0「…ぁ、/ ;!d300…………ぁあ、/ ;!d600…うん。」/ !s0`"...ah, `/ !d300`............oh, `/ !d600`...yeah."`/ !sd@ br ;　直前までの浮かれた笑顔が砂のように崩れる。@ ;　…朱志香はすぐに話が違うことに気付いた。\ `The smile that had been there until a second ago crumbled like sand.`@ `...Jessica immediately realized that she was talking about something different.`\ bg Mdin_1gN,25 ;　朱志香は学校の生徒会長でもあるのだ。@ `Jessica was also the school's student president.`@ br ;　…そんな面倒臭いものに関心はないのだが、親がうるさいのでいやいやなった。@ ;　不幸にも、学校内では人気者だったので当選してしまっていた。@ `...She had no interest in something so annoying, but her parents had been pushy so she had grudgingly accepted.`@ `Unfortunately, she was popular in school, so she had won the election easily.`@ br ;　だから文化祭冒頭の、生徒会主催の式典について夏妃は評価しているのだ。\ `So Natsuhi was praising her for the student council sponsorship ceremony at the beginning of the cultural festival.`\ ;　実のところ、そんなものは適当にこなしただけ。@ ;　すぐに仲間と合流して、ずっと舞台のリハーサルを行なっていた…。\ `Actually, she had just carried that out halfheartedly.`@ `She had immediately met up with her friends, and had held a stage rehearsal for the rest of the time...`\ ;「人の上に立ち、責任を背負うという経験は、必ず将来役に立つ。@右代宮家の人間として、きっと朱志香を成熟させてくれるだろう。」@ ;＜蔵臼 `"The experience of standing above people and bearing responsibility will surely be useful in the future.`@` I am sure that Jessica will mature as a member of the Ushiromiya family."`@ ;「ただ、挨拶が少し早口でした。@内容は及第点でしたが、早い口調はそれを薄れさせます。@一呼吸置く癖をつけるといいでしょう。」@ ;＜夏妃 `"But you spoke the greeting a little quickly.`@` You passed on content, but your fast style of speech was lacking.`@` It would be good if you developed a habit of taking a breath every once in a while."`@ br ;「………、…うん。」\ ;＜朱志香 `"........., ...yeah."`\ mov %play_scene,60 bg black,2 fede 0,3000 wait 1000 bgm1 10 bg M1F_P1bN,3 ;■廊下 ;　食事を終えた後、朱志香はまっすぐ自分の部屋に戻る気になれなかった。\ `After she finished eating, Jessica didn't feel like going straight to her room.`\ ;　自分の部屋というのはつまり、親にそこにいるよう指定された場所。@ `You could say that her room was the place where her parents had ordered her to be.`@ br ;　だから朱志香にとって、自分の部屋に戻らず、@この広大な屋敷の中で所在不明になることは、ささやかな反抗と言えたかもしれない…。\ `So maybe you could say that for Jessica, instead of returning to her own room, `@`being in an unknown location in this large mansion was a meager form of resistance...`\ textoff bg black,3 bg Mhal_2aN,24 wait 1000 bg black,10 bg garden_1aN,2 ;　屋敷の中にいることにさえ息苦しさを感じ、朱志香は薔薇庭園に出る。\ `Jessica felt that even being in the mansion made it hard to breathe, so she went outside to the rose garden.`\ bg M_o1bN,6 ;「……………。@…まぁ、来たところでどうせ、右代宮家の跡継ぎとして相応しくないとか何とか言うんだろうぜ。@…ならこれでいいんじゃねぇかよ。@あはははははは。」@ `"............`@`...Well, if she had been talking about that, I'm sure she'd have said something about how it wasn't appropriate for the successor to the Ushiromiya family.`@` ...So isn't it alright this way?`@` Ahahahahahaha."`@ br ;　朱志香は、自分が何を不貞腐れてるのだろうと笑う。@ `Jessica laughed at what she was sulking over.`@ br ;　…さっき、どんな言葉を掛けられれば自分は満足したのかを想像して、笑う。\ `...She laughed at what kind of words she would have had to receive to be satisfied.`\ ;　……馬鹿馬鹿しかった。@ ;　結局、自分がお子様なだけだった。@ ;　何だか呆れて、笑いたくなる。\ `......It was ridiculous.`@ `In the end, I was just acting like a kid.`@ `I'm a little surprised, and it makes me want to laugh.`\ bg black,1 ;「……お嬢様。」\ `"......Milady."`\ bg garden_1bN,0 ld c,$JES_odorokiA1,22 ld r,$KAN_DefA2,4 ld c,$JES_TohohoA2,80 ;「わッ、…嘉音くんか。@お、驚かすなよ、ははは…！@/ `"Wa, ...Kanon-kun.`@` D, don't scare me like that, hahaha...! `@/ ld c,$JES_IkariA2,80 ;　ごほんごほん！」@ `*cough*cough*!"`@ br ;　無理に笑おうとした矢先に、不意に嘉音が声をかけてきたので、咽込んでしまう。\ `Just as she had tried to force a laugh, Kanon had suddenly started talking to her, and she choked.`\ cl c,0 ld l,$JES_MajimeA1,24 ;「何？@　何か用…？」@ `"What?`@` Something to say...?"`@ ld r,$KAN_majimeA1,80 ;!s0「…………………、/ ;!d500その。」/ !s0`"..............., `/ !d500`umm."`/ !sd@ ld l,$JES_atyaA1,80 ;「……うん？」\ `"......Yes?"`\ ;　朱志香の表情は、嘉音がいつも見るそれになっていた。@ ;　ついさっきまでの物憂げな朱志香ではない。@ `Jessica's expression became the one she always had when looking at Kanon.`@ `The listless Jessica from a second ago was gone.`@ br ;　それは、右代宮本家跡継ぎの朱志香しか知らなかった昨日までの自分だったなら、@…朱志香はもう吹っ切れて元気を取り戻したと勘違いをするところだろう。\ `If he had still only known of Jessica as the successor to the Ushiromiya family, as he had until yesterday,`@` ...he would have mistakenly thought that Jessica's mood had sprung back to normal.`\ ;　……でも、それは違う。@ `......But that was wrong.`@ br ;　昨日までは視えなかった彼女を知ってしまったから、今の朱志香が見掛け通りの胸中であるわけがないと理解できた。\ `He now knew a part of her that he could not have seen until yesterday, so he understood that there was no way that, on the inside, Jessica was just as she appeared.`\ bg garden_1cN,25 ;「あ…、今日は文化祭、/ ;!d600…いや、私の見栄に付き合ってくれてありがとうな。@助かったぜ。」@ `"Ah..., about today's cultural festival, `/ !d600`...well, thanks for coming with me so I could show off.`@` You really helped."`@ br ;「……お歌。@…お上手でした。」\ `"......That song.`@` ...You were good."`\ ;「っえ？！@/ ;!s0　……あ、/ ;!d600………あはははははは？！/ ;!sd@　そ、そうかよ、照れるぜ…。」@ `"Wha?! `@/ !s0`......Ah, `/ !d600`.........ahahahahahaha?! `/ !sd@`R, really, I'm embarrassed..."`@ br ;　一番欲しかった言葉をもらえたくせに、@…朱志香は照れてしまい、それを素直に受け取れない。\ `Even though she had heard the words she had most wanted to hear,`@` Jessica acted shyly, and couldn't accept them seriously.`\ bg garden_1cN,0 ld c,$KAN_DefA1,22 ;「……僕には歌は歌えません。@楽器も、小学校で習ったハーモニカとリコーダー笛しか知りません。@…だからお嬢様も同じだろうと決め付けていました。」\ `"......I cannot sing.`@` And I don't know how to play any instruments other than the harmonica and the recorder, which I learned in elementary school.`@` ...So I had just assumed that Milady was the same."`\ ;　…嘉音はそこまで朱志香を見下していたつもりはない。@ `...Kanon hadn't planned on looking down on Jessica that much.`@ br ;　でも、特殊な楽器を演奏する人物はいつもテレビのブラウン管の向こう側。@ ;　…少なくとも朱志香には無理だろうと勝手に思い込んできた。\ `But people playing unique instruments were always on the other side of the Braun tubes in the TV.`@ `...At the very least, he had been under the impression that it would be impossible for Jessica.`\ ld c,$KAN_NayamuA1,80 ;「…僕は家具だから、@…歌を歌う必要も、楽器を扱う必要もないと信じてきました。」@ `"...I am furniture.`@` ...So I didn't believe there was any need to sing songs or play instruments."`@ br ;　でも、/ ;!d700……それが、わからなくなる。\ `But, `/ !d700`......I'm not sure anymore.`\ bg garden_1bN,0 ld r,$JES_majimeA1,23 ;「……嘉音くん。@その家具だからって口癖、本当に止そうぜ…。@使用人の心得ってやつだろ…？@　使用人は生きた家具であれってヤツ。@…源次さんがよく口にしてるもんな。」\ `"......Seriously, Kanon-kun, `@`enough with that phrase 'because I am furniture'...`@` That's some kind of understanding amongst the servants, right...?`@` That thing about servants being living furniture.`@` ...Genji-san says it a lot."`\ ld l,$KAN_MajimeA1,23 ;「心得というわけでは……。@…本当に、…家具ですし。」\ `"It isn't an understanding......`@`...Because we really are, ...furniture."`\ ld r,$JES_atyaA1,80 ;「福音の家の子たちが、…色々祖父さまから援助をもらってるってのは知ってるし、@それに恩義を感じてるのも知ってるよ。@/ `"I know that the kids from the Fukuin House, ...receive assistance from Grandfather in various ways,`@` and I realize that you feel gratitude for that. `@/ ld r,$JES_KomaruA1,80 ;……でもだからって、…家具なんて言い方はあんまりだぜ。@私たちは同じ人間じゃないかよ。」\ `......But that doesn't mean, ...you should call yourself furniture.`@` Aren't you a human like us?"`\ ld l,$KAN_nayamuA1,80 ;「……………………。」\ `".................."`\ bg rose_1aN,25 ;「嘉音くんは、私が歌ってるのを見て、…どう思った？」@ ;「……とても楽しそうに見えました。」@ ;「それは多分違うぜ。」@ ;「……え？」\ `"Kanon-kun, when you saw me singing, ...what did you think?"`@ `"......It looked like you were having a lot of fun."`@ `"That's probably wrong."`@ `"......Huh?"`\ ;「楽しそうに見えたんじゃなくて、@…羨ましかったんじゃない？」@ ;「……………、/ ;!d800そんなことは……。」\ `"It didn't look like I was having fun, `@`...you were jealous, weren't you?"`@ `"............, `/ !d800`that isn't......"`\ bg black,22 ;　それは多分、嘉音自身も気付いていない気持ち。@ ;　……嘉音は多分、これまでに見たことのない何かを見て、知って…それを羨ましく思った。@ `Even Kanon himself probably hadn't noticed that emotion.`@ `......Kanon had probably seen something he had never seen before, known about it...and been jealous.`@ br ;　そして、その気持ちを自らに誤魔化すために、自分は家具だからと何度も何度も繰り返している…。\ `And to trick himself about that emotion, he had called himself furniture over and over...`\ bg garden_1bN,0 ld l,$KAN_MajimeA1,2 ld r,$JES_defA2,24 ;「私は右代宮家の跡継ぎだか何だかだそうで、@……まぁその、色々な面倒がこれからもあると思う。@それについては、運のない星の下に生まれちまったと諦めるしかないさ。」\ `"I know I'm the successor to the Ushiromiya family or something,`@` ......and, well, I'm sure there'll be a lot of annoying stuff to do from now on.`@` As far as that goes, I can't do anything but give up, since I was born under an unlucky star."`\ ld r,$JES_MajimeA1,80 ;「…多分、嘉音くんが福音の家で生活しなければならなかったのと同じに、私たち自身にはどうしようもない。@生まれる星は選べなかった。」\ `"...Probably, just like you had to live at the Fukuin House, I don't have a choice either.`@` I couldn't choose the stars under which I was born."`\ ld l,$KAN_NayamuA1,80 ;「……………そうかもしれません。」\ `"............That may be true."`\ ld r,$JES_defA1,80 ;「ただ、私と嘉音くんでは大きく違うところが一点ある。@…わかる？」@ `"But there's one place where you and I are completely different.`@` ...Know what that is?"`@ br ;　僕は家具で、お嬢様はそうでないから。@……そう言おうとしたが、止める。\ `I am furniture, and Milady is not.`@` ......He was about to say that, but stopped.`\ ld l,$KAN_DefA2,80 ;「…わかりません。」\ `"...I do not know."`\ ld r,$JES_futekiA1,80 ;「嘉音くんは、自らの運命が自分の全てだと思って諦めた。@私はこんな運命じゃ納得できないから、自分の思い切りを頑張ろうと思った。@/ `"Kanon-kun, you think that your own fate is everything and you gave up.`@` I can't accept this kind of fate, so I do the best I can. `@/ ld r,$JES_DefA2,80 ;……だから、右代宮家のお嬢様をやらなければならない窮屈な自分と、@自分の好きなことに精一杯な自分というもう一人を作った。」\ `......So in addition to the constrained part of me that must act as the daughter of the Ushiromiya family, `@`I've created another part of me that can do everything I like."`\ ;ld l,$KAN_DefA1,80 bg black,22 ;「………もう一人の、自分。」\ `".........Another part, of yourself."`\ bg M_o1aN,25 ;「うん。@……嘉音くんは、自分のことを家具だからと言い聞かせてきた。@……そう言い聞かせなきゃならない辛いことが、きっとたくさんあったんだと思う。@…それについては、/ ;!d600……本当に気の毒だと思う。@………でも、それだけで嘉音くんの人生を全て決めちゃうなんて、私はそんなの悲しいと思うんだよ。」\ `"Yeah.`@` ......Kanon-kun, you've been instructed to say 'because I am furniture'.`@` ......I'm sure there's been many things that have been tough just because you've been instructed that way.`@` ...I think that's, `/ !d600`......really unfortunate.`@` .........But the thought that your entire life will be decided by that, I think that's just sad."`\ ;「……………………………。」\ `"........................"`\ ;「人はさ、自分の中に、自分が本当に好きになれるもう一人の自分をいつでも作り出すことができるんだよ。@現実逃避とかとは違うぜ？@　……そのもう一人の自分でいる時、私は最高に生きているって実感できる。@だから、普段の日常がどんなに窮屈で退屈でも、私はきっと窒息せずに生きていけるってわけ。」\ `"You know, people are always making another part of themselves inside themselves that they can really like.`@` This isn't escaping from reality, okay?`@` ......When I'm that other part of myself, I can really feel like I'm living a great life.`@` So no matter how constrained and boring everyday life is, I can definitely live without suffocating."`\ bg black,22 fede 0,3000 ;!s0「……自分の中に、/ ;!d600…自分が本当に好きになれる自分を、/ ;!d800作る…。」/ !s0`"......To make, `/ !d600`...inside yourself, `/ !d800`another self that you can really like..."`/ !sd\ bgm1 43 ;　家具以外の、自分を、作る…。\ `To make another me, which isn't furniture...`\ ;　紗音は、譲治さまと交際することで、家具ではない自分を生み出したのだろうか。@ ;　……そして、もう一人の紗音は、家具には視えない何かを、見たのだろうか。\ `Through her relationship with George-sama, has Shannon given birth to a part of herself that isn't furniture?`@ `......And did this other Shannon, see something that cannot be seen by furniture?`\ bg garden_1aN,2 ;「うん。@………私さ、嘉音くんのプライベートって全然知らないぜ。@でも、…何だか想像できる。@嘉音くんのプライベートには、多分、何もない。@図星でしょ…？」@ `"Yeah.`@` .........Well, I don't know anything about your private life, Kanon-kun.`@` But, ...I can sorta guess.`@` Your private life is probably, nothing at all.`@` Bulls-eye...?"`@ br ;　嘉音は返事をできないが、それでも十分に返事になっていた。\ `Kanon couldn't reply, but that was answer enough.`\ ;　彼にとって、プライベートという概念はない。@ `He had no concept of a private life.`@ br ;　だから、嘉音はいつでも嘉音だった。@ ;　だから、家具はいつでも家具だった。\ `So Kanon would always be Kanon.`@ `So furniture would always be furniture.`\ bg Garden_1cN,2 ld r,$JES_DefA1,24 ;「……嘉音くんの嘉音ってさ、本名じゃないんでしょ？」@ `"......Kanon-kun, Kanon isn't your real name, right?"`@ br ;　福音の家は、新しい院生に新しい家族と人生を与えるため、敢えて新しい名前を与える。@ `In the Fukuin House, because new graduates would be given new families and a new life, they were even given a new name.`@ br ;　……彼の場合はそれが「嘉音」だ。\ `......In his case, that was 'Kanon'.`\ bg garden_1aN,0 ld c,$KAN_majimeA1,23 ;「………確かに、……僕のこの名は、仮のものかもしれません。」\ `".........Certainly, ......that name of mine may be a temporary thing."`\ ;　自分は嘉音以外の何者でもないつもりだった。@ `He had thought that he wasn't anyone other than Kanon.`@ br ;　……でも、思い出す。@ ;　…嘉音でない自分が確かにいたことを。@ ;　でも、それはとてもとても遠い忘却の霧の彼方…。\ `......But he remembered.`@ `...There definitely had been a part of himself that wasn't Kanon.`@ `But that was far, far away, beyond of the distant fog of oblivion...`\ cl c,0 ld l,$KAN_majimeA1,0 ld r,$JES_defA1,24 ;「なら、嘉音くんにも、嘉音くんである時と、そうでない時で違う自分がいてもいいはず。@……使用人である時の嘉音くんは、自らを家具と呼び厳しく自己を戒めてるかもしれない。」\ `"So even for you, it should be alright to have times when you're Kanon-kun, and times when you aren't.`@` ......Maybe the Kanon-kun you are when you act as a servant calls himself furniture and strictly limits his own will."`\ ld r,$JES_WaraiA1,80 ;「……でも、嘉音くんじゃない時の君は、もっともっと自由に生きていいと思うんだ。」@ `"......But when you aren't Kanon-kun, I think it's alright to live much, much more freely."`@ br ;　その言葉は、決して口先だけのものではない。\ `Those words definitely weren't just lip-service.`\ ;　かつての朱志香もそうだった。@ ;　学校のどの友達とも異なる境遇に、自らの生まれを呪った。\ `Jessica had also been like this in the past.`@ `She had cursed her own birth into an environment different from all of her friends at school.`\ ;　自分だけが厳しく窮屈な境遇で、様々な習い事を押し付けられ、@遊ぶ友人にまで口出しをされた。@ `Only she had been in a heavily constricted environment. forced to learn various things,`@` and it had even interfered with the friends she had played with.`@ ;　……それが悲しかったけれど、そういう星の下に生まれたんだと諦めてしまっていた。@ `......Even though that was sad, she had given up, thinking that she had just been born under that kind of star.`@ br ;　でも朱志香はある日、それに諦め屈することをやめた。\ `But one day, Jessica had stopped giving up and surrendering.`\ ;　右代宮家のしきたりとか重圧とか、そんなのと関係ない。@ `Stuff like the Ushiromiya family customs and pressure, those didn't matter.`@ br ;　自分が本当にやりたいことをやれる、本当の「朱志香」を、自分の中に生み出したのだ。\ `She had created a real 'Jessica' inside herself, who could do what she really wanted to do.`\ ld r,$JES_futekiA1,80 ;「私さ、学校ではジェシってあだ名で呼ばれてる。@だからさ、ジェシである時は、自分に思い切り素直に生きてる。@だからこそ、朱志香である時も頑張れるんだ。」\ `"You know, I'm called by this nickname Jessie in school.`@` So when I'm Jessie, I live life honestly and to the fullest.`@` And because of that, I can do my best when I'm Jessica too."`\ ld r,$JES_defA1,80 ;「…嘉音くんにも、嘉音である時と、@嘉音じゃなくてその、@……本名である時で、違う生き方をしてもいいんじゃないかな。@……嘉音じゃない時、…自分を好きになれる自分に、なってみてもいいんじゃないかな。」\ `"...I wonder if it would be alright for you too, `@`to have times when you live as Kanon, and times when you live as, umm, `@`......your real name.`@` ......When you aren't Kanon, ...can't you become another part of yourself that you can like?"`\ ld l,$KAN_nayamuA1,80 ;「……………………僕が、嘉音じゃない時。」@ `"..................A time when, I am not Kanon."`@ br ;　本当の名前なんて、どうでもいいものだと思っていた。@ ;　だから、自分の全てが嘉音だと思った。@ `He had thought that his real name didn't matter at all.`@ `So he had thought Kanon was all of himself.`@ br ;　それを朱志香は、嘉音でないもう一人の自分という、新しい存在を作り出せという。\ `And now Jessica was saying that he should create a new existence, another part of himself that wasn't Kanon.`\ ld r,$JES_DefA2,80 ;「……嘉音くん。@嫌じゃなきゃ教えてよ。@……本当の名前、何て言うの？」\ `"......Kanon-kun.`@` If you don't mind, tell me.`@` ......What is, your real name?"`\ ld l,$KAN_majimeA1,80 ;「………………………………。」\ `"........................"`\ bg black,22 ;　短くない時間を沈黙する。@ `He was silent for quite some time.`@ br ;　嘉音の喉元まで、自分の本当の名前が込み上げていたかも知れない。@ ;　…彼はそれを口にしてもいいか、だいぶ長く躊躇した後、@…結局は、/ ;!d1200…飲み込んだ。\ `Maybe Kanon's real name had risen to the tip of his tongue.`@ `...After hesitating for a long time over whether he should say it, `@`...in the end, `/ !d1200`...he swallowed it back down.`\ bg garden_1bN,22 ld l,$KAN_DefA2,80 ;「……忘れました。@…僕の名前など、もうどうでもいいことです。」@ ;　その言葉の意味するところは、小さな拒絶。\ `"......I forgot.`@` ...My name doesn't matter anymore."`@ `Those words contained a slight rejection.`\ ld l,$KAN_MajimeA1,80 ;「僕が本当は何という名前であったとしても、@……今、ここに嘉音としてあることだけが現実です。@過去など何の関係もない。@……作られた家具の材料が、元は何という木の幹であったかどうでもいいことと同じです。」\ `"No matter what kind of real name I had,`@` ......the only truth now is that here, I am Kanon.`@` The past has nothing to do with anything.`@` ......The materials with which furniture is made, whether it was originally the trunk of a tree or not, in the end, it's all the same."`\ cl r,0 ld c,$JES_ODorokiA1,24 ;「……だからよせって！@　家具じゃないんだぞ、君は人間だぜ？！」\ `"......I told you to stop that!`@` You aren't furniture, you're human, right?!"`\ bg black,1 E_A ;「僕は人間じゃない！」\ `"I am not human!"`\ ;　嘉音がはっきりと拒絶を口にする。@ ;　……それは普段の彼が見せることのない激昂。@ `Kanon clearly spoke his refusal.`@ `......It was with a rage that he normally didn't show.`@ br ;　朱志香は何も言い返せず、沈黙させられてしまう…。\ `Jessica couldn't say anything back, and was struck silent...`\ bg garden_1cN,0 ld c,$KAN_komaruA1,22 bgm1 16 ;「…お嬢様は人間です。@だからどんな生き方をしようとも自由で、@どんな未来も、可能性もある。@それはまるで翼を持ち自在に空を舞う鳥のよう。@/ `"...You are human, Milady.`@` So you are free to live any way you like,`@` and any kind of future is possible for you.`@` It's almost like you have wings and can dance through the sky like a bird. `@/ ld c,$KAN_MajimeA1,80 ;でも、僕にはそんなものはないんです。@僕がたとえ鳥に見えたとしても、アヒルに過ぎない。@……アヒルに翼はあっても飛ぶことはできない。」\ `But I am not like that.`@` Even if I looked like a bird, I'd be nothing more than a domestic duck.`@` ......Even though they have wings, they cannot fly."`\ ld c,$KAN_IkariA1,80 ;!s0「なのに空の夢を語るなんて、/ ;!d800……そんなのは、/ ;!d700…残酷過ぎる…！」/ !s0`"But despite that, to speak of that dream in the sky, `/ !d800`......that's just, `/ !d700`...too cruel...!"`/ !sd\ ld c,$KAN_IkariA1,0 ld l,$JES_IkariA1,23 ;「…家具だのアヒルだの！！@　何だってんだよ一体！！@/ `"...Furniture and ducks!!`@` What the hell is all this!! `@/ ld l,$JES_komaruA1,80 ;　…………いや、…。」@ `............No, ..."`@ br ;　朱志香はつい、嘉音の強い語気に合わせて言い返してしまうが、買い言葉を返すべきではないと気付き、それを飲み込む。\ `Jessica had unconsciously gone along with Kanon's forceful manner of speaking, but she realized that she shouldn't fire back, and swallowed her words.`\ ld l,$JES_odorokiA1,80 ;「……………私は君のことを何も知らない。@生い立ちも知らないし、その苦労も知らない。@…だから、君がどうして自分を家具だなんて言い出すようになったのか想像もつかない。」\ `"............I don't know anything about you.`@` I don't even know your upbringing, and I don't know the hardships you've been through.`@` ...So I can't even imagine why you started calling yourself furniture."`\ ld l,$JES_ikariA1,80 ;「……でも、知って。@君は家具でもアヒルでもない。@ちゃんとした人間だぜ。」\ `"......But know this.`@` You aren't furniture or a duck.`@` You're a real human."`\ cl c,0 ld r,$KAN_odorokiA2,23 ;「………………………………。」\ `"........................"`\ ld l,$JES_nayamuA1,80 ;「使用人としての嘉音くんが家具だというなら、それでもいいよ。@……でも、…なら。@……嘉音くんは家具でない時の、人間の時の自分を作ってもいいとは思わない？」\ `"If you want to say that the Kanon-kun working as a servant is furniture, that's alright.`@` ......But, ...in that case,`@` ......don't you think that you can make a part of yourself for when you aren't furniture, when you're human?"`\ ld r,$KAN_odorokiA1,80 ;「……そんな可能性を抱けるのはお嬢様が人間だからです。@…僕はそうじゃない。@僕には未来も可能性も、見るべき夢もない。@/ `"......Only a human like Milady can embrace that possibility.`@` ...I am not like that.`@` My future and possibilities, aren't even a dream I am supposed to see. `@/ ld r,$KAN_majimeA1,80 ;…………だからお嬢様。@/ ;!s0それ以上、/ ;!d500…残酷なことを、/ ;!d700……言わないでください……。」/ `............So, Milady. `@/ !s0`Please don't, `/ !d500`...say any more, `/ !d700`......cruel things......"`/ !sd\ ld l,$JES_IkariA2,80 ;「何でだよ…。@何で、……そんなことを言うんだよ…。」\ `"Why...`@` Why, ......are you saying that..."`\ bg rose_1aN,23 ld c,$KAN_komaruA1,24 ;「お嬢様が僕のことを、…ご自分と同じ、人間だと勘違いなされているようだからです。@僕とお嬢様は違う存在。@それをはっきり申し上げておきたかったのです。」\ `"Because it seems that you are making the mistake that I am a human, just like you are, Milady.`@` We are different beings.`@` I just wanted to make that clear."`\ ld c,$KAN_defA1,80 ;「……紗音に聞きました。@お嬢様は、僕のことをお気に入りになられているとか。」\ `"......I heard from Shannon.`@` Something about Milady starting to like me."`\ bg rose_1bN,0 ld r,$JES_TereruA1,24 ;「え、……え？！@　あ、………いや、わはは…。」\ `"Huh, ......wha?!`@` Ah, .........no, wahaha..."`\ ld l,$KAN_KomaruA1,23 ;「…僕は人間に限りなく近い姿をしています。@だから、………紗音のように、自分を人間だと錯覚して、一時、恋愛の真似事をすることもできるかもしれない。」\ `"...I look almost identical to a human.`@` Therefore, .........like Shannon, maybe I could delude myself that I am human, and for a time, pretend to love."`\ ld l,$KAN_DefA2,80 ;「…でも、それは自分を騙しているに違いない。@いえ、お嬢様を騙すことにもなるのです。@紗音と譲治さまも必ず破綻する。@…その日が訪れることを紗音だって理解しているだろうに、…馬鹿なことを。」\ `"...But that would surely be fooling myself.`@` No, it would also be fooling you, Milady.`@` Shannon and George-sama will definitely fall apart.`@` ...Even though Shannon herself probably realizes that day will come, ...such a stupid thing..."`\ ld r,$JES_IkariA2,80 ;「ば、……馬鹿なってことはないだろ！！@/ `"Th, ......there's nothing stupid about it!! `@/ ld r,$JES_IkariA1,80 ;　そりゃ、譲治兄さんは立派な人だし、両親の期待も背負ってる。@…確かに、結婚とかになれば絵羽叔母さんが色々と口出しをしてくるだろうし、まぁその、前途は多難だと思うぜ？！@　…でもな、譲治兄さんはそんなのに屈する人じゃねぇ！@　紗音をジュリエットになんかしねぇぜ、きっと幸せにしてくれる！！」\ `And, George nii-san's a wonderful person, and he's bearing both of his parents' expectations.`@` ...Yeah, when it comes to marriage, I'm sure Eva oba-san will interfere in various ways, `@`and, umm, I think their future prospects look like they'll be full of trouble, alright?!`@` ...But you know, George nii-san isn't the kind of person who'll surrender to all that!`@` Shannon isn't Juliet, he'll definitely bring her happiness!!"`\ ld l,$KAN_defA1,80 ;「人は家具と恋などできない。@…お嬢様が家具を愛することができても、僕にお嬢様を愛することができないと、そう申し上げたいのです。」@ `"People cannot love furniture.`@` ...I am trying to say that even if Milady can love furniture, I cannot love Milady."`@ ld r,$JES_odorokiA1,80 ;「………………ん、」\ `"..................nn-"`\ ;　その嘉音の言葉は、……朱志香の今日一日の甘酸っぱい気持ち全てを打ち砕く。@ `Those words of Kanon's, ......crushed all of Jessica's bittersweet feelings from that day.`@ br ;　ここまではっきりとした拒絶など、彼女の気持ちの中に想定されていたはずもない…。\ `There was no way her emotions could have predicted that she would be refused so clearly...`\ ;　嘉音の胸の中の、頑な何かを解きほぐそうという気力は見る見る失われ、@…いつしか呆然と立ち尽くすだけになっていた…。\ `In an instant, she had lost the willpower that had caused her to try and unravel something stubborn in Kanon's heart,`@` ...and before she knew it, she was just standing there in shock...`\ ld l,$KAN_KomaruA1,80 ;「……お嬢様が僕を好かれているという気持ちが、僕の思いあがりによるものならどうかお許し下さい。」@ `"......Milady, if your feelings for me are due to my conceit, then please forgive me."`@ ld r,$JES_atyaA3,80 ;「…い、……いや。@…まぁその、…そこは否定しねぇぜ。」\ `"...N, ......no.`@` Well, ...I won't deny that."`\ bg black,25 ;ld l,$KAN_NayamuA1,80 ;「……ありがとうございます。」\ `"......Thank you very much."`\ ;ld r,$JES_atyaA1,80 ;「え…？」\ `"Huh...?"`\ ;「僕を人間だと思ってくれて、/ ;!d500…ありがとうございます。@そのお気持ちだけで、僕は本当に嬉しいです。@……そして、それ以上は、僕には残酷過ぎるから…。」\ `"For thinking of me as a human, `/ !d500`...thank you very much.`@` Just those feelings truly make me happy.`@` ......And, anything more would be too cruel, so..."`\ bg rose_1aN,2 ld c,$JES_aisowaraiA1,26 ;「いや、も、…もう充分だぜ。@…その、/ ;!d600………悪かったな。」@ `"No, th, ...that's enough.`@` ...Umm, `/ !d600`.........sorry."`@ ;　朱志香は頭をガリガリと掻き毟ると、無理に爽やかそうな口調でそう言った。\ `Jessica recklessly scratched at her head and spoke, trying to force her voice to sound bright.`\ ld c,$JES_nakiwaraiA1,80 ;!s0「……私ひとりがその、/ ;!d500……色々先走っちゃって、/ ;!d700…迷惑掛けたよ。/ !s0`"......I just kinda, `/ !d500`......ran on ahead by myself, `/ !d700`...and was a burden on you. `/ ;!sd@…正直ごめん。@貴重な休みを丸一日振り回しちゃって、…本当にごめん。」\ !sd@`...I'm honestly sorry.`@` I'm really sorry, ...for using up your whole day off."`\ bg rose_1bN,24 ld r,$KAN_DefA1,24 ;「いえ。@……僕も、楽しそうなお嬢様が見られて嬉しかったです。」\ `"No.`@` ......I was also...happy that I could see Milady having fun."`\ ld l,$JES_nakiwaraiA1,23 ;「…じゃあ、今夜はこれで終わりにしようぜ。@……私も部屋に戻って消灯しないと、また母さんに怒られちまうよ。@…ははは。」@ `"...Then, let's be done for the night.`@` ......If I don't go back to my room and turn off the lights, Mom will get mad at me again.`@` ...Hahaha."`@ ld r,$KAN_NayamuA1,80 ;「そうされた方がよろしいでしょう。@…おやすみなさいませ、お嬢様。」\ `"That would probably be most appropriate.`@` ...I wish you a good night, Milady."`\ bg black,24 bg garden_1aN,0 ld c,$JES_aisowaraiA1,24 ;「……うん。@…………おやすみ………。」\ `"......Yeah.`@` ............Good night........."`\ textoff ld c,$JES_nakuA2,22 wait 1000 ld c,$JES_nakiwaraiA1,22 wait 1500 cl c,23 ;　背を向けた朱志香は、元気なくとぼとぼと歩み去るかに見えた。@ ;　だが突然、がむしゃらに駆け出し、屋敷の方へ消えていった…。@ `Kanon saw Jessica trod away, looking disheartened, with her back to him.`@ `But she suddenly started dashing recklessly, and disappeared in the direction of the mansion...`@ br ;　その背中を見て、…嘉音は一瞬だけ、@自分は大きな間違いを犯したのではないかという気持ちに苛まれる。\ `As he watched her back, ...for just an instant, `@`Kanon was tormented by the feeling that he had just made a huge mistake.`\ bg black,25 ;　…しかし、自分は何も間違っていない。@ `...But he hadn't made a mistake at all.`@ br ;　……彼女のためを思えばこそ、もっとも痛みが小さいだろう今、彼女を拒絶しなくてはならないのだ。\ `......Thinking of her sake, he'd been forced to refuse her now, while the pain was still at its smallest.`\ E_A ;「…………女を泣かせるとは、なかなかやるではないか。@/ `"............Nice going, making a woman cry like that. `@/ bgm1 40 ;くっくっくっく。@お前がそこまで拒絶するとは意外であった。@……普通に受け答えしていれば、妾の魔法で二組目の恋人たちが生まれていたものを。」\ ;＜ベアト `*cackle*cackle*.`@` I didn't expect you to refuse her that strongly.`@` ......If you had answered normally, another pair of lovers would have been born with my magic."`\ bg rose_1aN,22 ld l,$BEA_AkuwaraiA1,42 ld r,$KAN_defA2,24 ;「いつからそこに…。@………最低なヤツだな。」@ `"How long have you been there...?`@` .........You're just horrible."`@ br ;　振り返ればそこにいつの間にか魔女の姿があった。@ ;　…まるでさっきからずっとそこにいて、彼ら二人を演劇のように鑑賞していたかに見えた。\ `When he turned around, the witch was suddenly there.`@ `...It look like she had been there the whole time, enjoying the performance of those two.`\ ld l,$BEA_futekiA1,80 ;「妾への暴言は、愉快なる見世物に免じて特別に許す。@……男と女の拗れ合いに勝る見世物は千年を経ても存在せぬな。@妾にとっては阿片より甘美な止められぬ快楽よ。@……ん？」\ `"I shall forgive your reckless words towards me just this once in deference to that pleasant show.`@` ......Even after one thousand years, no more interesting show exists than complications between boys and girls.`@` To me, it's a pleasure with a sweetness harder to resist than opium.`@` ......Nn?"`\ bg black,22 ;　嘉音は懐からあの蝶のブローチを取り出す。@ ;　それは魔女が与えた偉大なる魔法の結晶。\ `Kanon pulled that butterfly brooch out of his pocket.`@ `It was the crystallization of the great magic that the witch had bestowed.`\ se1 20 wait 500 se1 8 quakey 2,100 se1 8 quakey 2,300 se1 8 quakey 2,300 ;　それを躊躇せず嘉音は地面に叩きつけて踏みつける。\ `Without hesitation, Kanon slammed that against the ground and stomped on it.`\ bg rose_1aN,22 ld l,$BEA_akuwaraiA1,23 ;「……ほぅ？@　妾の与えたものと知りつつ、それは何を意味するのか。」\ `"......Hoh?`@` What is the meaning of this, when you know that was something given by me?"`\ ld r,$KAN_OdorokiA1,80 ;「今、理解した。@……お前がしているのは恋のキューピッドなんて洒落たものじゃない。@お前は、結ばれぬ者たちに恋を見せて誑かして楽しんでいるだけの悪魔だ。」\ `"Just now, I figured it out.`@` ......What you are doing isn't as tasteful as being a cupid of love.`@` You are just a demon who enjoys showing love to those who can never be joined, and deceiving them."`\ ld l,$BEA_waraiA1,80 ;「……………ふ。@…そう思うも自由よ。@妾が力を貸した人間の多くはお前と同じようなことを口にする。」\ `"............Hmph.`@` ...You are free to think that.`@` Most humans I have lent my power to have said the same thing."`\ ;cl r,0 ld r,$KAN_IkariA1,80 ;「惚けるな！！@　お前は、紗音を憐れんで力を貸したんじゃない。@…恋に胸を焦がす紗音の心の隙をついて自分を封じていた鏡を割らせた。@しかもそれだけじゃない、/ ;!d700…その末路まで想像がついていて、弄んでいる！@　違うか？！」\ `"Don't play dumb!!`@` You didn't lend Shannon your power because you felt sorry for her.`@` ...You found a weak point in Shannon's heart as her chest burned with love, and you made her break the mirror that sealed you.`@` And that's not all, `/ !d700`...you planned this out until the end, and you're toying with her!`@` Am I wrong?!"`\ ld l,$BEA_futekiA1,80 ;「ふっふふふふふふ、くっくっく！@　家具とはつくづく哀れな存在よ。@夢も未来も恋すらもないか。@よいよい、身の程は弁えるに限るぞ。@くっくっくっく！」@ `"Hehheheheheh, *cackle*!`@` Furniture is a thoroughly pitiful existence.`@` So you have no dreams, no future, and even no love?`@` Good, good, there is nothing better than knowing your place.`@` *cackle*cackle*!"`@ cl c,0 ld r,$KAN_OdorokiA2,80 ;「………く…。」\ `".........Gah..."`\ cl a,0 ld c,$BEA_futekiA2,23 ;「朱志香の心にはお前が察する通り、淡い恋心があった。@そなたはそれに鋏を入れ刈り取ったつもりでいる。」\ `"Just as you've noticed, there is a faint love in Jessica's heart.`@` I had hoped that you would punch a hole in that and harvest it."`\ ld c,$BEA_akuwaraiA1,80 me1v 5,50 ;「……だが知っておるか？@　木は勝手に茂らせたものより、枝を間引き剪定したものの方が太い枝をつけるというぞ。@……家具に恋する娘か、面白いぞ、実に面白い！@　紗音と譲治もやがては結ばれえぬ恋に行き詰まり、妾好みの大きな果実を実らせるだろう。」\ `"......But did you know?`@` Trees grow thicker branches if you thin out and prune them.`@` ......A girl who loves furniture, interesting, truly interesting!`@` Shannon and George will also eventually reach a stalemate with their love, which cannot be fulfilled, and ripen as the kind of large fruit I like."`\ ld c,$BEA_futekiA1,80 me2v 18,40 ;「しかし、如何せんあの二人はうまく行き過ぎていて面白くなくてな？@　そこへ行くと、お前たちは大いに妾を楽しませてくれそうだぞ、くーっくっくっく！」\ `"However, regretfully, it wouldn't be interesting if they didn't go too far, right?`@` If that happens, I think you all would entertain me greatly, *cackle*cackle*!"`\ ;　魔女は笑う。@ ;　結ばれえぬ二人と知りつつ結ばれるよう、魔法の力を貸した。@ `The witch laughed.`@ `Even though she had known that the two could not be joined, she had lent magic to join them together.`@ br ;　しかし、結ばれえぬ運命からは逃れられないのだ。\ `However, they couldn't escape the fate that made it impossible for them to be joined.`\ ;　……魔女は知っている。@ `......The witch knew that.`@ br ;　仮に結ばれたとて、紗音も譲治も、嘉音も朱志香も、必ず破綻し、@恋の地獄にて永遠の砂漠を彷徨いながら、永遠の渇きに苦しむことになる…！\ `Even if they were joined, the relationships of Shannon and George, Kanon and Jessica would fail,`@` and as they wandered through the eternal desert in the hell of love, they would be tormented by eternal thirst...!`\ ld c,$BEA_akuwaraiA1,80 ;「妾がその力を対価なく貸すことがあるとでも？@　恋に手は貸そう。@その対価は、やがて必ず訪れる二人への過酷な運命の鑑賞料としていただくわけよ。@これに勝る見世物は千年経っても存在せぬ…！」\ `"Did I not lend them that power without asking for compensation?`@` I'll lend a hand in love.`@` So that as compensation, I can enjoy watching the cruel fate that the two of them will eventually meet.`@` Even after one thousand years, no better show exists...!"`\ ld c,$BEA_akuwaraiA3,80 ;「金蔵を見るがいい。@恋の味を知り楽園を追放された哀れな老いぼれの末路を！@　死んでも死に切れぬさながら亡者のような生き様を見るがいい。@くっくっくっくっく！！」\ `"Just look at Kinzo.`@` See how he ended up, an old, pitiful man who knew the taste of love and was thrown out of paradise!`@` Look at how he lives, like a dead man that can't fully die.`@` *cackle*cackle*!!"`\ bg rose_1bN,0 ld r,$KAN_IkariA1,24 ;「やはりお前は魔女だ。@消えて失せろ、この悪魔め…ッ！！」\ `"You really are a witch.`@` Disappear and get out of my sight, you demon...!!"`\ bg rose_1aN,0 ld l,$BEA_futekiA2,23 ;「……頼まれずとも消えよう。@まだまだ妾には力が戻らぬでな。@姿を現し続けるのは、まだまだ疲れることよ。@/ `"......I shall disappear without being asked.`@` My power still hasn't returned.`@` It is still tiring to continue showing myself. `@/ ld l,$BEA_akuwaraiA1,80 ;……そなたら恋人たちに力を授けるのに無理をし過ぎたのでな。@…触媒のブローチなしで力を維持し続けるのは、今の妾には容易ではない。」\ `......I overdid it when I gave you lovers my power.`@` ...As I am now, it will not be easy to maintain that power without that brooch as a catalyst."`\ ;　嘉音は踏みつけたままのブローチをさらに踏みにじる。@ ;　…パキリと割れた感触が足の裏に伝わった。@ `Kanon ground his foot even more into the stomped brooch.`@ `He felt it break under his foot.`@ br ;　するとそれはさらりと水に溶けるように消え去り、@黄金に輝く蝶たちに変わって嘉音の足の裏からひらひらと舞い散っていった…。\ `Then, it evaporated like water, `@`and changed into butterflies that sparkled gold, which fluttered away from beneath Kanon's foot...`\ ld l,$BEA_waraiA1,80 ;「妾もこの姿を保ち続けるのがちと苦しい。@しばしそなたの願い通り、姿を消そう。@満ちぬ潮も月もないように、我が魔力も必ず満ちる。@…そして必ずや訪れよう、妾が蘇るに相応しい時が。」\ `"I also find it painful when I tend to preserve this form.`@` But as you ask, I will erase this form for a brief period.`@` Just like a low tide without the moon, my magical power will surely rise.`@` ...And I will surely visit, at a time that is appropriate for my revival."`\ ld l,$BEA_AkuwaraiA1,80 ;「……それが明日のことか来年のことか、さもなくば百年千年未来のことかは想像もつかぬ。@だが、妾を楽しませてくれる者たちがおる限り、妾は必ずや力を得て蘇るであろう。@……その時までしばし姿を消す。」\ `"......I cannot imagine whether that will be tomorrow, next year, or even one hundred or one thousand years in the future.`@` But as long as there are those that entertain me, I will surely gain power and revive.`@` ......I will erase this form for a short while, until that time comes."`\ ld l,$BEA_futekiA1,80 ;「そなたの手の平にもはや痣はなく、@そなたが望むならば明日の朝には妾の存在など夢か幻のように消し去ることもできよう。@……忘れ去られることほど妾に悲しいことはない。」\ `"The bruise on the palm of your hand is already gone, `@`so if you wish, tomorrow morning, you can let my existence disappear like an illusion or a dream.`@` ......I won't be saddened just by you forgetting about me."`\ ld l,$BEA_akuwaraiA3,80 ;「だが、妾は必ず蘇る。@そしてその日がいつ訪れても後悔することのないよう、自らを戒めよ。@私は必ずや再臨し、この島の真の主として全てを支配する。@…その時こそ再び黄金郷の扉が開かれる。@…欲深な亡者たちが必ずや私を呼び覚ます…！」\ `"However, I will definitely be revived.`@` Make sure that you won't regret that day's coming at any time.`@` I will surely have my second coming and control everything as this island's true master.`@` ...That is the time when the door to the Golden Land will be opened again.`@` ...I will surely wake the greedy dead...!"`\ ld r,$KAN_ikariA1,24 ;「…くどい！！@　早く消え去れ、黄金の魔女…！！」\ `"...You talk too much!!`@` Disappear, now, Golden Witch...!!"`\ se1 52 cl l,99,6000,"breakup.dll/ulb" ;　魔女は嘲りの笑いを残し、自らも黄金の蝶の群となって散り去る。@ ;　…辺りはまるで、スノーグローブに金の吹雪をまぶしたようにきらきらと輝く。@ `The witch left with a scorn-filled laugh, became a group of gold butterflies and scattered away.`@ `...The whole area sparkled like a gold blizzard in a snow globe.`@ br ;　それらは瞬きを二つもすれば儚く消え去ってしまう幻想風景…。\ `It was a fleeting fantastical scene that disappeared in a heartbeat...`\ bg black,22 fede 0,4000 ;　魔女の姿はすでにない。@ `The witch could no longer be seen.`@ ;　…しかし嘉音には、まだあの不愉快な甲高い笑い声が聞こえている気がした…。\ `...However, Kanon felt like he could still hear that shrill, unpleasant laugh...`\ wait 2000 bg rose_1bN,2 bgm1v 45,90 ;　……あぁ、愉快愉快。@ ;　なぜに久しぶりの人の世はこうも愉快なのか！@ `......Aahh, how pleasant, how pleasant.`@ `Why is the human world, which I haven't seen in a long time, so pleasant?!`@ br ;　恋に狂え。@黄金に狂え。@ `Go insane with love.`@` Go insane with gold.`@ br ;　そのどちらにも狂わぬ者など人間にあらず！\ `Those that don't go insane from those are not human!`\ bg garden_1cN,2 ;　なるほど、ゆえに家具とは言い得たり、くっくっくっく！@ `I see, so that's why the word furniture is fitting, *cackle*cackle*!`@ ;　家具は人間に奉仕するために生み出される。@ ;　そして妾は退屈なる千年の慰み者に人間を虐げる。@ ;　その妾が家具を支配できぬとは、…何とも愉快な三竦み！\ `Furniture is created to serve humans.`@ `And I cruelly treat humans as playthings during my thousand years of boredom.`@ `What a truly pleasant three-way deadlock, that I cannot control furniture!`\ bg black,25 ;　金蔵め、実に面白いことをしてくれる！@ ;　家具め、妾を討てるか試みてみるがいい…！@ `You fool, Kinzo, do something truly interesting!`@ `You, furniture, try and see if you can hit me...!`@ br ;　今宵、蒔きたる恋のタネは２つ。@ ;　…すでに蒔きたるタネと含めてこれで３つ！\ `Tonight, two seeds of love have been sown.`@ `...Including the one already sown, that makes three!`\ ;■金蔵の書斎 mov %play_scene,60 textoff wait 2000 bg Mlib_1aN,22 wait 1000 bg Mlib_1cN,24 ld c,$KIN_NakuA1,23 ;「ベアトリーチェ…。@なぜに、…私をひとり、この苦界に置き去りにしたのか…。@……私は憎い。@これほどまでに恋焦がれているのに、応えようとせぬお前を永遠に憎む…！」\ ;＜金蔵 `"Beatrice...`@` Why, ...did you leave me alone in this painful world...?`@` ......I hate that.`@` I will hate you for all eternity for not even trying to answer, even though you are yearned after this much...!"`\ bg Mlib_1bN,0 ld l,$GEN_MajimeA1,23 ;「お館様、それ以上のお酒は体に障ります。@…南條先生からも注意されているのでは。」\ ;＜源次 `"Master, drinking any more will be damaging to your health.`@` ...Haven't you also been warned by Doctor Nanjo?"`\ ld r,$KIN_NakuA2,80 ;「黙れ源次！！/ `"Be silent, Genji!! `/ quakey 3,500 ;@　お前にはわからぬ、我が嘆きも苦しみもわからぬ！@　お前だけは我が苦しみを理解してくれていると、お前だけは我が最古の友人であると信じているのに！！@　なぜに理解できないというのか！@/ @`You do not understand, you do not understand my grief and sadness!`@` Even though I believed that as my oldest friend, at least you would understand my pain!!`@` Why can't you understand?! `@/ ld r,$KIN_NakuA1,80 ;　おおおおぉベアトリーチェぇえぇ、/ ;!d600なぜ私だけを置き去りにぃぃ……！！」\ `Oooooohhh, Beatriiiiiice, `/ !d600`why did you leave me alooooone......?!!"`\ ld l,$GEN_majimeA2,80 ;「………………………。」\ ;＜源次 `"........................"`\ ;■朱志香の寝室？ textoff bg black,22 wait 1000 ;bg M2F_P1cN,6 ;wait 2000 ;bg black,4 ;bg M2F_P1bN,4 ;wait 2000 ;bg black,4 bg M1F_P2bN,4 ld c,$JES_NakuA1,24 ;「うううぅううぅ！@　ひっくひっく…！@　何なんだよ家具って！@　わけわかんねぇよ…！@　うううううぅううぅ！！」\ ;＜朱志香 `"Whaaaaaaaaa!`@` Hic, hic...!`@` What the hell do you mean by furniture?!`@` I don't get it...!`@` Whaaaaaaaaaaaa!!"`\ textoff cl c,64 se1 15 wait 1500 lsp bgsp,$KUM_komaruA1,434,0 print 24 ;「……おぉ、おいたわしや朱志香さま。@…寝室から聞こえてくるすすり泣く声に、私は事情を知りつつも、どうしようもないのでございます。@…全ては若すぎた二人と近すぎた距離、そして生まれた家柄が遠すぎたゆえの悲劇。@…私はただただ、お嬢様のお気持ちを汲み取り、足音を殺して静かに立ち去るのみなのでございます…。」\ ;＜熊沢 `"......Oooh, how heart-rending, Jessica-sama.`@` ...Even though her crying voice that I can hear from her room tells me of the situation, there is nothing I can do.`@` ...This is all a tragedy due to people who are too young getting too close, when the positions of their birth are too distant.`@` ...I can do nothing but understand Milady's feelings, hide my footsteps, and quietly walk away..."`\ csp bgsp print 3 bg black,45 fede 0,5000 ;■時間経過のシーン。どこかのデートシーン。 gosub *SHA_isyou2 gosub *GEO_isyou2 wait 3000 bg white,9 bg sky_1a,6 bgm1 12 wait 2000 bg white,2 bg cof_1a,0 ld r,$SHA_OdorokiA2,26 ;!s0「…えっと、/ ;!d300…そ、/ ;!d300…それって…。@……どういう意味ですか、/ ;!d700譲治さん…。」/ !s0`"...Umm, `/ !d300`...wh, `/ !d300`...what...`@`......do you mean by that, `/ !d700`George-san...?"`/ !sd\ ;＜紗音 ld l,$GEO_WaraiA1,23 ;「言葉通りの意味だよ。@……僕はまだ自分の城を築き上げてない。@それが出来て初めて、僕は一人前になれたと思えるんだ。@……その時、君と結婚したい。」\ `"I mean what I said.`@` ......I still haven't built up my castle.`@` Once I can do that, for the first time, I will be able to think of myself as an adult.`@` ......When that happens, I want to marry you."`\ ld r,$SHA_HajiraiA1,80 ;「……そ、/ ;!d400……それはその、/ ;!d600……えっと…。」\ `"......Th, `/ !d400`......that's, umm, `/ !d600`......err..."`\ ld l,$GEO_MajimeA1,80 ;「でも、それじゃ。@もう僕の心が許せないんだ。@……だから、君に婚約指輪を贈りたい。」@ `"But, `@`my heart won't let me do that anymore.`@` ......So I want to give you an engagement ring."`@ ld r,$SHA_HajiraiA2,80 ;!s0「こ、…婚約、/ ;!d400……ですか…。@でもその、/ ;!d300……私、/ ;!d700……か、/ ;!d700……………家具ですし………。」/ !s0`"E, ...engagement, `/ !d400`......you say...`@` But, umm, `/ !d300`......I, `/ !d700`......am, `/ !d700`...............furniture........."`/ !sd\ ld l,$GEO_HohoemiA1k,80 ;「そうだったね。@じゃあ家具は人の言うことを聞かないとね。@/ `"Maybe that's true.`@` And furniture has to listen to what people say. `@/ ld l,$GEO_MajimeA2,80 ;…今、君に贈るのに相応しい指輪を作らせてる。@多分、今度の親族会議の日には持っていけると思う。@その時に贈るから、どうか君の返事を聞かせて欲しいんだ。」\ `...Now, I will have a ring made that's appropriate to give to you.`@` I think I'll probably bring it to the family conference coming up soon.`@` I'll give it to you then, so please, I want you to let me hear your answer."`\ ld l,$GEO_majimeA1k,80 ;「……君が僕の婚約を受けてくれたら。@僕はその席で、お祖父さまを含めた全ての親族の前で君との婚約を宣言する。」\ `"......If you accept my engagement proposal,`@` I will proclaim right there, to all of the relatives, including Grandfather, my engagement to you."`\ ld r,$SHA_HajiraiA3,80 ;「じょ、……譲治さん…………。」\ `"G, ......George-san............"`\ cl l,0 ld c,$GEO_MajimeA1,23 ;「君と僕の仲を、相応しくないと咎める人たちはきっといる。@…でも、そいつらの顔を見る必要はない。@…君は、その瞳の中に僕だけを満たしていればいいから。」\ `"I'm sure some people won't approve of our relationship.`@` ...But, there's no need to look at their faces.`@` ...Because you only have to fill your eyes with me."`\ ld c,$GEO_HohoemiA1,80 ;「君を必ず幸せにする。@それだけは、絶対に約束するから。」\ `"I will definitely make you happy.`@` That, I promise you, definitely."`\ gosub *SHA_isyou1 gosub *GEO_isyou1 ;■ベアトのターンに戻る。 textoff bg black,2 fede 0,3000 wait 2000 me1v 16,40 wait 2000 bg butterfly_3a,22 wait 2000 bg Different_spiral_1a,2 bgm1 46 ;　どのように実るのか楽しみでならない！@ `I look forward to seeing how it will ripen!`@ br ;　熟れに過ぎて腐り落ちる果実の液に、黄金の蝶たちは舞い降りぬ。@ `The gold butterflies do not swoop upon the juice of overripe and rotting fruit.`@ br ;　今より収穫の日が待ち遠しい！@　宴の時はまだかまだか！@　くっくくくははははははははははははははははははははは…！！\ `I cannot wait for the day of harvest to come!`@` Is the time of the banquet here yet?!`@` *cackle*cackle*hahahahahahahahahahahahahahahahahahahahaha...!!`\ textoff bg black,42 wait 3000 ;■ドーン！ ;▲第３アイキャッチ：時計なし。 eye11 E_A se1 29 bg oct_4_1986,2 wait 7000 *umi2_4 ;■1986年10月４日 mov %play_scene,60 bg white,9 me1 25 bg tra_1c,6 bgm1 2 ;　彼女らは朝食を駅ビルの喫茶店で取った。@ `They had eaten breakfast at a coffee shop in the station building.`@ br ;　…その店は、たまたま１０月だったこともあり店内をハロウィンカラーでレイアウトしていた。\ `...By chance, the inside of the shop had been decorated with Halloween colors, since it was October.`\ ;　それをひどく真里亞が気に入ってしまったらしい。@ `It seemed that Maria had been awfully pleased with that.`@ br ;　さっきから電車内で、人目もはばからず、ハロウィンのお祭りがしたいしたいと騒ぎ続けていた。\ `And since then, she had kept on making a fuss inside the train about wanting to have a Halloween festival, without caring that she was attracting the attention of others.`\ ;　欧米では盛んなそのお祭りも、日本ではあまり馴染みがない。@ `Halloween is popular in Europe and America, but people aren't familiar with it at all in Japan.`@ br ;　商店街のレイアウトは橙色のカボチャをカラフルに飾るが、@トリックオアトリートと尋ねながらお菓子をねだる子どもの仮装行列が現れたりはしなかった。\ `The shopping district was colorfully decorated with orange pumpkins, `@`but the costume parades of children demanding sweets and saying 'trick or treat' were nowhere in sight.`\ ld c,$MAR_fukigenA2,24 ;「うー！@　ハロウィン祭りがしたいー！@　こんなお洋服やだ、魔女の格好がいいー！@　うーうー！」\ ;＜真里亞 `"Uu-!`@` I want a Halloween festival!`@` I don't want to wear these clothes, I want to look like a witch!`@` Uu-uu-!"`\ bg tra_1a,0 ld r,$ROS_NayamuA1,24 ;「親族会議は遊びじゃないのよ。@お祖父さまにお会いするんだから、ちゃんとしたお洋服じゃないと駄目。」\ ;＜楼座 `"The family conference isn't for playing.`@` We're going to meet Grandfather, so you have to dress up nice."`\ ;　満員とは行かないまでも、車内は座席ほとんどが乗客で埋まる程度には大勢いた。@ ;　そんな中、座席で足をばたばたさせながらわがままを騒ぐ真里亞に、楼座は顔をしかめている。@ `While it wasn't completely full inside the train, it was really packed, with almost all of the seats occupied by passengers.`@ `Among them, Maria was making a fuss, stomping her feet on the seat while Rosa scowled at her.`@ br ;　さっきから楼座は声を潜めながら何度も注意しているのだが、真里亞は一向に聞き入れなかった。\ `Since earlier, Rosa had warned her many times to lower her voice, but Maria hadn't obeyed her at all.`\ bg black,22 E_MA ;　…真里亞は一度頑固になってしまうと、どう説明してもなだめても納得しない。@ `...Once Maria gets this way, no matter how much you try to explain the situation or calm her, she doesn't listen.`@ br ;　かつての楼座は、時にそれに妥協し真里亞を甘やかしてしまった。@ ;　でも、それがきっと悪かったのだろう。@ `Before, Rosa used to pamper Maria and give in to her at times like this.`@ `But, that had probably been a bad thing.`@ br ;　幼い真里亞は駄々をこね続ければ母親は折れて自分の言うことを聞いてくれるものだと勘違いしてしまったに違いない。\ `When young Maria had complained noisily, her mother had given in, wrongly assuming that Maria had listened to what she had said.`\ ;　その過ちを教育書で気付かされた楼座は以来、愛娘を甘やかさないよう心を鬼にしているのだが…。@ `Rosa had realized that error with the help of an educational book, and since then, she had turned the part of her heart that wanted to pamper her beloved daughter into a demon...`@ br ;　真里亞との意思の疎通はますますに図れなくなり、楼座は自分の無力さに落胆することが少なくなくなっていた…。\ `But Rosa managed to get less and less of a mutual understanding with Maria, and started to be discouraged by her own powerlessness little by little...`\ bg tra_1c,0 ld l,$MAR_fukigenA2,23 ;「ハロウィンーハロウィンー！！@　お菓子をくれなきゃイタズラしちゃうぞー、うーうーうー！！」/ `"Halloween, Halloween!!`@` If you don't give me sweets, I'll play a prank, uu-uu-uu-!!"`/ se1 6 quakey 3,500 @ ld r,$ROS_IkariA1,24 ;「あなたにあげるお菓子はありません！@　さっき朝ごはんを食べたでしょ！」\ `"I don't have sweets to give you!`@` You just ate breakfast!"`\ ld l,$MAR_sakebuA1,80 ;「お菓子をくれなきゃイタズラしちゃう！@　お菓子をくれなきゃイタズラしちゃう！@　うーうーうー！！」/ `"If you don't give me sweets, I'll play a prank!`@` If you don't give me sweets, I'll play a prank!`@` Uu-uu-uu-!!"`/ se1 6 quakey 3,500 se1 6 quakex 3,500 \ bg black,22 bg tra_1b,24 me1 25 ;　足をばたばたとさせる真里亞の隣の座席に座っていた恰幅のいい老婦人が、ハンドバッグの中からのど飴を取り出し、差し出した。\ `A stout old woman, who was sitting nearby as Maria stomped her feet, picked a candy out of her handbag and gave it to Maria.`\ bg tra_1c,0 ld r,$MAR_WaraiA2,23 se1 6 ;「うー！　お菓子もらえた、お菓子もらえた！@/ `"Uu-! Got a sweet, got a sweet! `@/ se1 6 ;　見て見てママ、/ `Look, look, Mama, `/ se2 6 ;ママ！@/ `Mama! `@/ se1 7 ;　ハッピーハロウィン〜！」@ `Happy Hallowee~n!"`@ ld l,$ROS_ikariA2,23 E_B se1v 13,90 ;「こら真里亞、勝手に人にお菓子をもらっちゃ駄目でしょ？！@　返しなさい！！」\ `"Hey Maria, you can't just accept sweets from strangers, right?!`@` Return it!!"`\ bg tra_1b,24 ;「いいんですよ、ホッホッホ。@元気なお嬢さんですこと。@おいくつです？」@ `"It's alright, ho ho ho.`@` She's a lovely young lady.`@` How old is she?"`@ ;　老婦人のその言葉に他意はなかったかもしれない。@…でも、楼座には非常に屈辱的に聞こえたようだった。\ `Maybe there was no malice in those words from the old woman.`@` ...But, it seemed that Rosa had taken that in an extremely humiliating way.`\ bg tra_1c,0 ld l,$MAR_fukigenA1,24 ld r,$ROS_ikariA1,24 ;E_A se1v 7,90 ;「真里亞ッ、知らない人からお菓子をもらっちゃいけないっていつも言ってるでしょッ！！」@ `"Maria, I'm always telling you to not accept sweets from strangers!!"`@ ld l,$MAR_KomaruA1,80 ;me1 25 se1 6 ;「うー！@/ `"Uu-! `@/ se1 6 ;　うー！！@　これは真里亞がもらったのッ！！@/ `Uu-!!`@` Maria got that!! `@/ se1 6 ;　うー/ `Uu-`/ se2 6 ;うー！！@/ `uu-!! `@/ se1 8 ;　いやだッ、真里亞のッ！！」\ `No, Maria's!!"`\ cl r,0 ld c,$ROS_IkariA2,24 E_A se1 7 ;「離しなさいッ！@　ママの言うことを聞けっていっつも言ってるでしょ！！」@ `"Let go of it!`@` Don't I always tell you to listen to what Mama says?!!"`@ ld l,$MAR_SakebuA1,80 me1v 17,40 ;「真里亞のー！！@　真里亞のぉおおー！！@/ ;!s0　うー！！/ `"Mari-a's!!`@` Mariaaaa's!! `@/ !s0`Uu-!! `/ se1 8 quakex 3,500 ;　うーーうーー！！」/ `Uuu--uuu--!!"`/ se1 8 quakex 4,600 !sd\ se1 20 wait 1000 bg white,1 se1v 11,100 quakex 4,500 bg black,22 ;「そのうーうー言うのを止めなさいって言ってるでしょッ！！」@ ;「うーうーうーうーうーうーうーうー！！！」@ `"Don't I always tell you not to say uu-uu-!!"`@ `"Uu-uu-uu-uu-uu-uu-uu-uu-!!!"`@ br ;　楼座は反射的に真里亞の頬を激しく叩く。@ ;　…間髪入れずに真里亞は大声で泣き始めた。\ `Rosa reflexively hit Maria violently on her cheek.`@ `...In a flash, Maria started crying loudly.`\ bg tra_1b,26 ;　すぐにその手から、楼座は飴玉を奪い取り、隣に座り呆然としている老婦人に付き返す。\ `Rosa immediately took the candy from Maria's hand and pushed it back towards the dumbfounded old woman sitting next to them.`\ ld c,$ROS_IkariA4,64 me2 25 ;「…うちの娘に勝手にお菓子を与えないで下さい！」@ ;「……………ご、…ごめんなさい。」\ `"...Please, do not just give sweets to my daughter!"`@ `"...............I'm, ...I'm very sorry."`\ ;　肩で息を切らせながら、楼座は飴玉をもう一度老婦人に突き出す。@ `Breathing heavily, Rosa once again held the candy out to the old woman.`@ br ;　…老婦人は、何を口にすればいいか困惑した後、@多分自分のしたことはこの親子にとって迷惑だったのだろうと理解し、謝罪を口にして飴玉を受け取った…。\ `...After the old woman grew bewildered about what she should say, `@`perhaps she understood that what she had done may have caused trouble to parent and child, `@`and she accepted the candy back, apologizing...`\ textoff ld c,$ROS_komaruA4,42 fede 11,3000 bg tra_1c,24 ;　そしてようやく楼座は周りに気付く…。@ `Then, Rosa finally took notice of her surroundings...`@ br ;　着衣を乱し、鼻水を零しながらわんわんと泣き叫ぶ娘と、@呆然として見守る大勢の乗客たち。@ ;　…列車の走行音を除けば完全に沈黙した車内に。\ `Her daughter's clothes were all messed up, she was crying and shouting with her nose dripping, `@`and there were many dumbfounded passengers watching them.`@ `...Except for the sound of the train running, the interior was completely silent.`\ ;　その痛々しい沈黙は、幸いにもしばらくしか続かなかった。@ ;　…だが代わりに、ヒソヒソというそれまで以上に居辛い空気を生み出すのだった。\ `Fortunately, that pitiful silence didn't last more than a short while.`@ `...However, it was followed by an even more painful atmosphere as everyone whispered.`\ bg tra_1a,24 ;　真里亞は、両隣に座っている人たちなどお構いなしに、わーわーと叫び、相変わらず足をじたばたさせている。@ `Maria shouted, cried, kicked and stomped her feet as usual, paying no heed to the people sitting around her.`@ br ;　…それを再び衝動的に平手で打とうとするが、@車内の人々の白い目に気付いてしまった楼座には、もうそれをすることはできなかった。\ `...Impulsively, Rosa tried to slap her again, `@`but she noticed the cold eyes of the people in the train, and couldn't do that anymore.`\ bg black,25 fede 0,2000 ;　電車が停まると、楼座は真里亞の腕を強引に引っ張り、半ば引き摺るようにして降りる。\ `When the train stopped, Rosa forcibly pulled Maria's arm and got off, almost dragging her daughter along.`\ bg sta_1a,24 bgm1 13 ;　真里亞は相変わらず泣き止まない。@ `As usual, Maria didn't stop crying.`@ se1 11 quakex 4,400 ;　それをホームの端に連れて行き、楼座は再びその頬を打った。\ `Rosa took her to the end of the platform and hit her cheek again.`\ ;　打たれたその瞬間は一瞬泣き止むが、真里亞はすぐにそれまでより大きく泣き叫ぶ。@ `At the moment she was hit, Maria stopped crying for an instant, but before long, she shouted and cried even more then before.`@ br ;　感情を弾けさせた楼座は、真里亞の襟首を掴み上げ、その髪の毛を毟るように引っ張った。\ `Rosa, whose emotions had exploded, grabbed the nape of Maria's neck and dragged her, tugging at her hair.`\ ld r,$MAR_NakuA1,24 ;「うーッ！！@　うーうーうー！！@　うー！！@　ママ痛い、ママ痛い！！@　うーうーうーッ！！」@ `"Uu-!!`@` Uu-uu-uu-!!`@` Uu-!!`@` Mama, it hurts, Mama, it hurts!!`@` Uu-uu-uu-!!"`@ ld c,$ROS_IkariA2,23 ;!s0「だからうるさいって言ってんのよッ！！/ !s0`"That's why I'm telling you to shut up!! `/ se1 20 wait 1000 se1 11 quakex 4,500 ;@　そのうーうーをッ！@　やめなさいってッ、言ってるでしょおッ！！/ @`That uu-uu- of yours!`@` I'm telling you to stop that!! `/ se1 11 quakey 3,400 ;@　そんなだからクラスにお友達ができないんでしょ？！@　もっとしっかりしてよ！！@　何であんたはいつまでも頭の中が幼稚園なのよッ！！/ @`That's the reason you can't make friends in class, right?!`@` Get a hold of yourself!!`@` Why are you always a kindergartner inside your head?!! `/ se1 11 quakex 4,500 ;@　どうしてママの言うことが聞けないの！！@　どうしてッ！！@　どうして！！！」/ @`Why can't you obey what Mama says?!!`@` Why!!`@` Why!!!"`/ !sd\ bg black,22 ;　厳しい言葉と共に、楼座は何度も何度も頭を打つ。@ ;　真里亞が泣き叫べば泣き叫ぶほどに打つ。@ ;　そして真里亞も打たれれば打たれるほどに激しく泣き叫ぶ…。\ `Along with those severe words, Rosa hit Maria's cheek over and over again.`@ `The more Maria cried and shouted, the more Rosa hit her.`@ `And the more Maria was hit, the more intensely she cried and shouted...`\ ;「ママ、痛い…！@　ママ、痛い…！@　ママ、助けて、ママ、助けて…！@　うーうーうーうー！！」\ `"Mama, it hurts...!`@` Mama, it hurts...!`@` Mama, save me, Mama, save me...!`@` Uu-uu-uu-uu-!!"`\ ;!s0「そのッ、うーうーをッ、どうしてやめられないの！！/ !s0`"Why can't you stop that uu-uu-!! `/ se1 11 quakey 4,500 ;@　あんたがそんなだから友達ができないのよ！！@　あんたがそんなだからパパの出張が終わらないのよ！！@　あんたがそんなだから私が…！！」/ @`It's because you're like this that you can't make friends!!`@` It's because you are like this that Papa's business trip doesn't end!!`@` It's because you are like this that I...!!"`/ !sd\ bg sta_1a,26 ;「ぁ、…あの、…お客さんー、いかがされましたかー…。」\ `"ah, ...excuse me, ...madam, did something happen...?"`\ ld r,$ROS_ikariA1,63 ;「何かッ、ご用ですか…！」@ `"Is there something, that you want...?!"`@ br ;　恐る恐る声を掛けてきたのは駅員だった。@ ;　楼座は、親子の問題に他人が口を挟むなという形相で睨みつける。\ `The one who timidly called to her was the station attendant.`@ `Rosa glared at him with a look that said 'don't cut into the problems of a mother and a child, stranger'.`\ ;　駅員とて話しかけたくなかったに違いない。@ ;　しかし、楼座が思っているより遥かに長い時間をこのホームで怒鳴り続けていた。@ `The station attendant surely hadn't wanted to talk to her.`@ `However, Rosa had been yelling on the platform for a much longer time than she had imagined.`@ br ;　…そして、その感情的な叱り方に、ホームの乗客たちが駅員に声を掛けた方がいいのではないかと忠告したのである。\ `...Her emotional scolding had caused the passengers on the platform to advise the station attendant that it would be a good idea to call out to her.`\ ld r,$ROS_ikariA2,80 ;　楼座は、次の電車に乗るからもう構うなと駅員に怒鳴りつける。@ ;　…そしてようやく、あるいは再びというべきか、…ホームの乗客たちが遠くからジロジロと見ているのに気付くのだった。\ `Rosa yelled at the station attendant not to worry anymore, since they would get on the next train.`@ `...And then, finally, or maybe we should say, for the second time, ...she noticed the passengers on the platform staring at her from the distance.`\ ld r,$ROS_KomaruA2,42 me1v 5,40 ;　……楼座は自分がうっすらと汗をかき、風がそれを冷たくして苛むのを感じた。\ `......Rosa sweat slightly and felt the wind torturing her, making her sweat cold.`\ ;　真里亞は自分の頭を庇いながら、まだ泣き続けている。@ ;　……いや、…叩き続ける限り、ずっと泣き続けるだろう。\ `Maria still kept on crying, shielding her own head.`@ `......No, ...if this beating continues, she will probably keep crying forever.`\ bg black,25 se1 13 quakey 4,600 ;!s0「……………………、/ ;!d500……私は、/ ;!d800…………また……。」/ !s0`".................., `/ !d500`......I, `/ !d800`............again......"`/ !sd@ br ;　楼座は頭の中の、悪い熱気が醒めるに従い、/ ;!d800…また自分が良からぬものに魂を明け渡していたことを知る。\ `As Rosa recovered from the evil heat inside her head, `!d800`...she knew she had surrendered her soul to something bad again.`\ bg sta_1a,0 ld r,$MAR_nakuA1,26 ;「ママ、ママ！@　ママ、帰ってきて…！@　うー！@　うーうーうーうー！！」@ `"Mama, Mama!`@` Mama, come back...!`@` Uu-!`@` Uu-uu-uu-uu-!!"`@ ;　顔を涙と鼻水でぐしゃぐしゃにする真里亞を、楼座は両膝をついて抱きしめた。\ `Rosa fell to her knees and hugged Maria, whose face was all soggy with tears and mucus.`\ ld c,$ROS_KomaruA3,26 ;「……真里亞…、ごめんなさい…、ごめんなさい…。」\ `"......Maria..., I'm sorry..., I'm sorry..."`\ bg black,22 fede 10,2000 ;ld r,$ROS_WaraiA1,80 ;「ママ、……ママ…。@お帰り、お帰り……。」@ `"Mama, ......Mama...`@` Welcome back, welcome back......"`@ br ;　真里亞はようやく、…母が母に戻ってくれたことに気付く。@ ;　そしてその胴にしがみ付き、胸に顔を埋めて泣いた。\ `Finally, ...Maria realized that her mother had turned back to being her mother.`@ `Then, she clung to her mother's body and cried, burying her face on her mother's chest.`\ ;bg black,25 ;「…悪いママを許して…。@悪いママを許して…。@……本当に、…ごめんなさい…！@　ママをどうか嫌いにならないで……。」@ ;「うー…。@真里亞は全然平気…。@ママを嫌いになんかならない。@……ママはまた悪い魔女に乗り移られていただけ。@…でもママが帰ってきたから平気。」@ ;「うん、……うん…。@……悪い魔女に、…ママはまた乗り移られていたの…。@…ごめんね、……本当にごめんね……。」\ `"...Forgive your bad Mama...`@` Forgive your bad Mama...`@`......I'm really, ...sorry...!`@` Please, don't hate your Mama......."`@ `"Uu-...`@` Maria is perfectly fine...`@` Won't hate Mama.`@` ......Mama was only being possessed by an evil witch again.`@` ...But, Mama came back, so just fine."`@ `"Yeah, ......yeah...`@`......Mama was just, ...being possessed by an evil witch again...`@`...I'm sorry, ......I'm really sorry......."`\ ;　抱き合う二人は、相手に許しを請い、あるいは相手を許す言葉を互いに掛け合いながら、長い時間をそうしているのだった。\ `The two of them hugged each other, asking for forgiveness and sending words of forgiveness at each other, for a long time.`\ bg sta_1a,6 ;　しばらくして、ようやく二人は落ち着き、どちらからともなく顔を離す。@ `After a while, the two of them gradually calmed down and separated their faces from one another.`@ br ;　真里亞の顔も、楼座の顔も、…泣きはらして真っ赤だった。\ `Maria's face, Rosa's face, ...both were deep red after crying their eyes out.`\ ld r,$ROS_komaruA2,24 ;「…真里亞はハロウィンのお祭りがしたいの？」@ `"...Do you want to have a Halloween festival, Maria?"`@ ld l,$MAR_fukigenA1,23 ;「うん。@…譲治お兄ちゃんや朱志香お姉ちゃんに、カボチャマシュマロを見せてあげたかった……。」\ `"Yeah.`@` ...I wanted to show the pumpkin marshmallow to George onii-chan and Jessica onee-chan......."`\ bg black,2 bg sweet1,22 ;　それは、朝食を取った店のレジ脇で売っていたお菓子のこと。@ `That was a sweet which had been alongside the cash register at the shop where they had eaten breakfast.`@ br ;　……スティックの先に、ジャックオーランタンを模った大きな橙色のマシュマロが付いているファンシーなお菓子だった。@ `......It was a fancy sweet that had a big orange marshmallow in the shape of a jack o'lantern attached to the tip of a stick.`@ br ;　真里亞はそれを欲しいとしつこくねだったのだ。@ ;　…楼座は食事をしたばかりなのにお菓子なんてとんでもないとそれを却下したのだった。\ `Maria had wanted that and had insistently pestered for it.`@ `...Rosa had said that there was no way she would buy such a sweet right after they'd had breakfast, and had rejected it.`\ bg black,2 ;ld r,$ROS_WaraiA1,80 ;「……じゃあ、真里亞。@……この町に売っているかどうかわからないけど、降りて探してみようか。」@ `"......Then, Maria.`@` ......I don't know if they sell it in this town or not, but let's get off and try searching for it, okay?"`@ ;cl l,0 ;ld c,$MAR_WaraiA2,24 ;「ぅ、……うん！@　ママ大好き、愛している…。@ありがとお……。」@ `"u, ......yeah!`@` Like you so much Mama, love you...`@` Thank you..."`@ ;ld r,$ROS_WaraiA2,80 ;「私もよ真里亞、愛してるわ……。」\ `"I love you too, Maria......."`\ ;　本当は途中下車の駅で道草を食っているような時間はない。@ ;　飛行機を逃してしまえば、半日は遅れてしまうことになる。@ `The truth was that they had no time to waste loitering around at a stopover station.`@ `If they missed the airplane, they would fall half a day behind schedule.`@ br ;　もっと余裕を持って家を出ればよかったのだが、真里亞に着せる服をあれこれ選んでいる内に遅くなってしまった。@ ;　…そのせいで、今朝から楼座は少し焦り気味だったのだ。\ `She should have left home with more time to spare, but she had ended up leaving late after choosing Maria's clothes.`@ `...Because of that, Rosa had been a bit impatient since the morning.`\ ;bg black,25 ;　時計を見る。@…すぐにでも次の電車に乗るべきなのだ。\ `She looked at the clock.`@` ...They had to get on the next train immediately.`\ ;　でも、母と一緒にお菓子を買いに行こうと手を固く結ぶ、娘の手は温かかった。@ `But, her daughter firmly joined hands with her to go buy the sweet with her mother, and that hand was warm.`@ br ;　…今の楼座にとって、真里亞との絆を取り戻すことの方が大事だった。@ ;　……真里亞は自分にとって、愛しい娘であるだけでなく、…今の自分の全てなのだ。\ `...To Rosa as she was now, it was more important to regrow her bonds with Maria.`@ `...To her, Maria was not only a beloved daughter, ...she was everything Rosa had.`\ bg cit_1a,46 ;　幸い、駅前すぐに大きなスーパーがあるのが見えた。@ ;　…あれとまったく同じお菓子を見つけることはできないかもしれないが、似たようなもので納得してくれるだろう。@ `Fortunately, they could see that there was a big supermarket right in front of the station.`@ `...Maybe they wouldn't be able to find a sweet exactly like that one, but Maria would probably accept a similar one.`@ br ;　それに自分もこんな泣きはらした顔では出られない。@化粧を直さなくては。\ `Besides, Rosa also couldn't show up with a face swelled from crying.`@` She must fix her make-up.`\ ;bg black,22 ;bg sta_1a,26 ;ld r,$ROS_WaraiA1,24 ;「あれとまったく同じマシュマロは見付からないかもしれないけど、…似たようなお菓子があるといいね。@……それで、いとこのみんなを一緒に驚かそうね。」@ `"Maybe we won't find a marshmallow exactly like that one, ...but it's alright if there's a similar sweet, right?`@` ......With that, let's surprise all your cousins together."`@ ;ld l,$MAR_DefA1,23 ;「うん。@…ママと一緒に買うお菓子なら、何でもいい。」\ `"Yeah.`@` ...If it's a sweet I bought together with Mama, anything is fine."`\ ;bg white,5 ;bg cit_1a,8 me1v 24,50 ;　二人は見知らぬ町の駅で改札を出る。@ ;　真里亞は、母と渡る横断歩道を、まるで遊園地で歩くようにほくほくしながら歩む。@ `The two left the turnstiles of the station in this unknown town.`@ `Maria walked across the pedestrian crossing together with her mother, chuckling to herself, as though she was walking in an amusement park.`@ br ;　まだ互いの顔は真っ赤だったけど、@……ぎこちなくも笑いあう二人の親子は温かに見えた…。\ `Both faces were still deep red, `@`......but the two of them, mother and child, smiled at each other without any restraint, looking warm...`\ bg black,42 fede 0,4000 ;■右代宮家・屋敷 mov %play_scene,60 bg black,42 wait 2000 bg M_o1a,6 bgm1 1 wait 2000 bg M1F_P2a,26 ld r,$NAT_DefA1,24 ;「………あなた。@こんなところでどうされたのですか。」\ `".........Dear.`@` What are you doing in a place like this?"`\ ld l,$KLA_majimeA2,23 ;「君か。@………何でもない。@考え事をするのに、ここが少し心地よかっただけだ。」@ `"Oh, it's you.`@` .........It's nothing.`@` It's just that this was a pleasant place to think."`@ ld r,$NAT_zutuuA1,80 ;「…今日の準備は全て手配が終わっています。@あとはお茶でも飲みながら寛いで待とうではありませんか。」\ `"...I'm finishing all of today's preparations.`@` For now, shall we relax and wait while drinking tea?"`\ ld l,$KLA_komaruA1,80 ;「………すまん。@君に、いつも面倒なことを全て押し付けている。」@ `".........Sorry.`@` I'm always pushing all my problems on you."`@ ld r,$NAT_tukareA1,80 ;「…どうか。@私をもっと頼ってはいただけませんか。@…私はあなたの妻です。」\ `"...Please.`@` Can't you rely on me more?`@` ...I am your wife."`\ ld l,$KLA_MajimeA1,80 ;「……無論、君にはいつも助けられているし感謝もしている。@……だからこそ、私は私の仕事に専念できる。」\ `"...Naturally, I'm grateful for you always coming to my aid.`@` ......For that very reason, I am able to devote myself to my work."`\ ld r,$NAT_zutuuA1,80 ;「わかっています。@……お仕事のこと。@……そしてお父様の遺産の話、ですね。」\ `"I understand.`@` ......About your work.`@` And the topic of Father's inheritance, right?"`\ ld l,$KLA_AkuwaraiA2,80 ;「…………君には関係のないことだ。@欲深な兄弟たちの腐肉の漁りあいに過ぎん。」@ `"............That has nothing to do with you.`@` It's nothing more than fishing for rotten meat amongst greedy siblings."`@ cl r,0 ld c,$NAT_tukareA2,24 ;「……大丈夫です、あなた。@…全てうまく行きます。@あなたのお仕事がうまく行かなかったことはありません。」@ `"......It's alright, dear.`@` ...Everything will work out.`@` Your work never goes badly."`@ ld l,$KLA_KomaruA1,80 ;「…………………。」\ `"............."`\ ;　夏妃はそっと蔵臼の肩に寄り添う。@ `Natsuhi softly cuddled close to Krauss's shoulder.`@ br ;　蔵臼の仕事の苦労を労う言葉を掛けるが、…順調でないことを一番知っているのが夏妃だった。\ `She spoke words to reward Krauss for the difficulties of his work, ...but Natsuhi was herself the one who knew best that it wasn't going well.`\ bg black,5 ;　…蔵臼の事業は大きなカネが動くシーソーのようなもの。@ `...Krauss's project was something like a seesaw where a large amount of money swings.`@ br ;　大きな投資は大きな見返りに結びつくが、@規模の大きなシーソーは揺れが大きくも緩慢で、すぐに結果が出るものではない。\ `A big investment is linked to large collateral, `@`but with a large-sized seesaw, the swaying is greatly slowed, and it's not something which shows immediate results.`\ ;　時に、そのシーソーが早く良い方へ傾くよう、さらに投資をすることもある。@ ;　……もちろん、遠くない将来に、かさんだ投資が全て取り返せるという確信があったからだ。@ `At times, you make more investments so that the seesaw inclines faster towards the good side.`@ `......Naturally, you do that because you have confidence that, in a not so distant future, you'd be able to recover all the investments made.`@ br ;　……しかし、蔵臼が選ぶシーソーは、いつも思い通りにならない。@ ;　…先見性は間違っていないのだが、……時代が遅い。@いつもついてこない。\ `...However, the seesaws Krauss chose never turned out as he would have liked them to.`@ `...His foresight wasn't wrong, ......but times were slow.`@` They would never catch up with him.`\ bg M1F_P1c,22 ;　それは例えるなら、文字通り公園に置いてあるシーソー。@ `For example, think of a literal seesaw, placed in a park.`@ br ;　いつも大人気で必ず誰かが遊んでおり、遊びたくても長い順番待ちをしなくてはならなかった。@ `Due to its great popularity, there's always someone playing on it, and even if you wanted to play, you had to wait a long time for your turn.`@ br ;　…そして、そんなシーソーが空いているのをある日見つけ、自分が一番乗りだとそれに跨り、シーソーを独占した。\ `...And then, if you found that seesaw vacant on a certain day and were the first one to arrive, you would straddle it and have it all to yourself.`\ ;　しかし、…シーソーは反対側にも誰かが跨ってくれなかったら遊べない。@ ;　そして、いつまで経ってもシーソーの反対側に誰も来てくれない。@ `However, ...if nobody got on the opposite side of the seesaw, you couldn't play on it.`@ `And no matter how much time passed, nobody would come to the opposite side of the seesaw.`@ br ;　シーソーは人気のある遊具なんだから、待っていれば必ず相手は現れる。\ `The seesaw is a popular piece of playground equipment so, if you waited, a companion would surely show up.`\ bg black,25 ;　……蔵臼は気付く。@ `......Krauss was aware of that.`@ br ;　天気が崩れようとしているのだ。@ ;　だからみんなは表に遊びに出ていないのだ。\ `The weather looked like it was getting worse.`@ `So, nobody would come outside to play.`\ ;　でも、シーソーは人気のある遊具なんだから、必ず誰かが来る。@ ;　…天気が崩れそうだからとここを明け渡せば、必ず誰かがここを奪い、@自分はまたも楽しそうに遊ぶ誰かを遠くから指をくわえて眺めているだけになってしまう…。@ `But the seesaw is a popular piece of playground equipment so, surely someone will come.`@ `...If he vacated his place because the weather seemed to be getting worse, certainly someone would snatch his place away, `@`and he would end up only longingly gazing at someone having fun playing on the seasaw from a distance again...`@ br ;　シーソーの片側で、たったひとりじっと待ち続ける…。@ ;　それが今の蔵臼の事業、そして状況だった。\ `On one side of the seesaw, he continued to wait patiently, all alone...`@ `That was Krauss's project, and his current situation.`\ bg M1F_P2c,26 ld r,$KLA_KomaruA1,24 ;「…………私にもう少しの勇気と、…自分の先見性を信じる自信があれば…。@いつだって、……失敗はしなかった。」@ `"............If only I had a bit more courage, ...and the self-confidence to believe in my own foresight...`@` I'd never, ......have failed."`@ ld l,$NAT_MajimeA1,23 ;「…えぇそうです。@あなたの先見性はいつも間違っていません。@……あなただけが、お父様の才覚を受け継いだのです。@他の兄弟たちが誰も受け継がなかった天性のものを受け継がれた。」\ `"...Yes, that's true.`@` Your foresight is never wrong.`@` ......You are the only one who inherited Father's quick wits.`@` You inherited an innate disposition that none of the other siblings did."`\ ld r,$KLA_IkariA1,80 ;「……なのに、私はそれを信じられず！@　いつも臆病に自らの事業を畳んできた。@……なぜ自分を信じることができないのか！@　自分を信じられない男を誰が信じる？@　誰も信じない！！」\ `"......Even so, I cannot believe that!`@` I always closed my own projects like a coward.`@` ......Why can't I believe in myself?!`@` Who would believe in a man who can't believe in himself?`@` Nobody believes!!"`\ ;ld r,$KLA_KomaruA1,80 cl r,23 ;「……私は、いつも敗者の座るべき椅子に自ら座り、/ `"......I'm always sitting on the seat where the losers must sit, `/ !d600/ se1 8 ;……親父にも、お袋にも、/ `......my father, my mother, `/ !d800/ se2 8 ;…兄弟たちにも嘲笑われる…。@私はいつになったら、このコンプレックスから解放されるのだ……。@いつになったら………。」\ `...and my siblings, all of them sneer at me...`@` How long is it going to take for me to be set free of this complex......`@` How long........."`\ ld l,$NAT_tukareA1,80 ;　…夏妃だけは知っている。@ `...Only Natsuhi knew.`@ br ;　右代宮家の長男として、これから大きな責任を背負っていく蔵臼の、@辛い胸中を誰にも打ち明けられず、常に父の偉業と比べられる苦悩を知っている…。\ `She knew of Krauss's anguish.`@` As the eldest son of the Ushiromiya family, who had been forced to shoulder a big responsibility from now on, `@`he couldn't open his pained heart to anyone, and was always compared to his father's great enterprises....`\ cl l,0 ld c,$NAT_majimeA1,23 ;「………あなたが親族会議に専念できるよう、全ての手配を済ませています。@…全て。」\ `".........I'll finish all the preparations, so you can devote yourself to the family conference.`@` ...I'll handle all of them."`\ bg black,5 ;bg M1F_P1c,2 ;「…………すまん。@……親父殿の件は、@……問題ないかね。」@ ;「はい。@……源次と南條先生は私たちの味方です。@…あの強欲な兄弟たちを、決してお父様には会わせません。」\ `"............Sorry.`@` ......Will there be any problems, `@`......with Father?"`@ `"No.`@` ......Genji and Doctor Nanjo are on our side.`@` ...I'll never allow those greedy siblings to meet Father."`\ mov %play_scene,60 textoff bg black,5 fede 0,3000 bg M1F_P1b,2 ;wait 2000 ;bg M1F_P1a,2 wait 2000 bg black,23 bg Mkit_1a,23 ;■厨房 ld c,$GOH_omakaseA3,23 bgm1 11 ;「もしもし、はい郷田です。@/ `"Hello, Gohda here. `@/ ld c,$GOH_omakaseA1,80 ;……えぇ、お任せ下さい！@　年に一度の大仕事に腕が鳴っております。」\ `......Yes, please leave it to me!`@` I'm anxious to put my skills to work for the big annual job."`\ bg Mkit_1c,24 ;　厨房には、色とりどりの食材が集められ、さっそく下ごしらえが始められていた。@ `In the kitchen, multicolored ingredients were gathered and the preliminary arrangements were promptly being started.`@ br ;　まだ午前中だというのに、夕食の食材が鍋に掛けられシュンシュンと湯気を出している。\ `Even though it was still morning, the ingredients for dinner were already in saucepans and steaming.`\ ;　普段は料理以外にも雑事をこなさなければならないが、親族会議の日は料理人として専念することができる。@ `Normally, he had to deal with several assorted matters other than cooking, but on the day of the family conference, he could devote himself entirely to cooking.`@ br ;　元料理人の郷田にとって、一年間で最高の晴れ舞台に違いなかった。\ `To Gohda, who was originally a chef, this was surely the greatest gala occasion of the whole year.`\ bg Mkit_1a,0 ld c,$GOH_hohoemiA1,23 ;「えぇ、ディナーには仔牛のステーキを…！@　素晴らしい肉がすでに保冷庫で今夜を待ちわびておりますよ。@賄いも今夜はぜひ期待してください。」@ `"Yes, dinner will be an excellent calf steak...!`@` A wonderful cut of meat is already anxiously waiting for tonight in the refrigerator.`@` Please, be sure to look forward to the meal tonight."`@ br ;　郷田が使用人仲間にこれだけ上機嫌なのは珍しい。@ `It was rare for Gohda to be in this good of a mood towards his fellow servants.`@ br ;　右代宮家専属シェフを自負する郷田にとって、親族会議で自慢の料理を披露する資格を与えられているのは最高の栄誉なのだ。\ `To Gohda, who bragged about being a chef attached to the Ushiromiya family, being qualified to announce the cooking at the family conference was his greatest honor.`\ bg black,22 ;「……わかりました。@お任せいたしますのでよろしくお願いいたします。@…あと、熊沢がそちらにはおりませんか？」\ ;＜源次・受話器の向こうなので厨房にいない。 `"......Understood.`@` I will leave everything to you.`@` ...Also, is Kumasawa there?"`\ ;ld c,$GOH_DefA1,80 ;「熊沢さんですか？@　先ほど見掛けましたがこちらにはおりません。@ゲストハウスの方へ準備に行かれたのではないでしょうか。」\ `"Kumasawa-san?`@` I happened to see her earlier, but she is not here.`@` I wonder if she went to make preparations at the guesthouse."`\ ;■使用人室 ;bg black,23 ;「……また油を売っているのか。@……いえ、結構です。@では引き続きよろしくお願いします。」@ ;＜源次 `"......So she is loafing around again.`@` ......No, it is fine.`@` Then, I am counting on you from now on."`@ ;「えぇ、万事、この郷田にお任せを…！」\ `"Yes, leave everything to me, Gohda...!"`\ fede 0,2000 bg G1F_R1a,0 ld r,$GEN_DefA1,23 se1 53 ;　源次は軽くため息をつきながら受話器を置く。@ `Genji placed the telephone back on the receiver, sighing lightly.`@ br ;　この忙しいのに行方をくらませて一服しているに違いない熊沢と、@こういう見栄えのいい日にしかやる気を出さない見栄っ張りの郷田の二人に対し、もう一度ため息をつく。\ `Genji sighed once again, thinking of Kumasawa, who was probably hiding again even though things were this busy,`@` and the ostentatious Gohda, who only felt like doing anything on a day when he could show off.`\ bg G1F_R1b,0 ld l,$KAN_DefA1,0 ld r,$SHA_DefA1,24 ld r,$SHA_tokuiA1,80 me1v 5,20 ;「失礼します。@ゲストハウスの各お部屋の準備が整いました。」@ ;＜紗音 `"Excuse me.`@` The preparations for all the rooms in the guesthouse are complete."`@ ld l,$KAN_NayamuA1,80 ;「……お嬢様より、お子様方が泊まれるよう４人分の用意をするようにとのご指示を賜りましたが、いかがいたしましょう？」\ ;＜嘉音 `"......We received instructions from Milady to make preparations for four people so that the children can stay there, but what shall we do?"`\ bg G1F_R1a,0 ld l,$GEN_DefA1,23 ;「…今年は６年ぶりに戦人さまがお見えになるそうだ。@お嬢様もいとこ４人で夜更かしをされたいのだろう。@……準備するように。@奥様にはお伝えしなくて良い。」@ `"...I hear this year, Battler-sama is coming for the first time in six years.`@` I guess Milady wants the four cousins to stay up until late in the night.`@` ......Make the preparations.`@` You do not need to tell Madam."`@ ld r,$SHA_WaraiA3,24 ;「そうですね。@かしこまりました。」\ ;＜紗音 `"I see.`@` Certainly."`\ cl l,24 ld l,$KAN_fumanA2,23 ;「……今夜は深夜勤で、そのまま明日は早朝勤か。@しんどい二日間になりそうだな。」@ ;＜嘉音 `"......So tonight, we'll have the late night shift, followed immediately by the morning shift.`@` It looks like these two days will be tiresome."`@ ld r,$SHA_KomaruA1,80 ;「そう言えば、台風が直撃するって天気予報で言っていますね…。@大丈夫でしょうか。」\ ;＜紗音 `"Speaking of that, the weather forecast is saying a typhoon will strike right over here...`@` Is that alright?"`\ bg G1F_R1b,0 ld c,$GEN_Majimea1,24 ;「…台風がよほど逸れない限り、場合によっては親族の皆様方のお帰りの船に響くだろう。@親族会議の日程が月曜か火曜辺りまで長引くかもしれない。@……長丁場になるだろうが、皆くれぐれも粗相のないように頼む。」\ `"...As long as the typhoon doesn't go too far astray from its course, and depending on the situation, I believe it will affect the boat trip back for everyone in the family.`@` Maybe the family conference's schedule will be prolonged until around Monday or Tuesday.`@` ......It will probably be a long journey, but I earnestly ask of you all to not make any blunders."`\ ld c,$GEN_MajimeA2,80 ;「…………紗音は焦らぬよう落ち着いて。@嘉音は愛想よくご挨拶をするように。」\ `"............Shannon, do not be in a hurry, calm yourself.`@` Kanon, be sure to greet them with courtesy."`\ bg G1F_R1a,23 ld r,$SHA_ODorokia2,24 ;「……は、はい。@注意します。」@ ;＜紗音 `"......Y, yes.`@` I'll be careful."`@ ld l,$KAN_KomaruA1,23 ;「…注意します。」\ ;＜嘉音 `"...I'll be careful."`\ cl r,23 ld r,$GEN_DefA1,24 ;「大切なお客様がお越しになられる日だ。@…くれぐれも粗相がないように。」@ ;＜源次 `"This day, we will be entertaining a very important guest.`@` ...See that you do not make any blunders."`@ ld l,$KAN_majimeA1,80 ;「……心得ています。@…いつだって、ここには大切なお客様しか訪れませんから。」\ ;＜嘉音 `"......We understand.`@` ...Any guest who visits here is important."`\ br ld r,$GEN_majimeA1,80 ;「嘉音。@……今日は、本当の意味で、 `"Kanon.`@` In the truest sense, we will` br ;(大切なお客様/・・・・・・)を迎える。@心構えを改めるように。」@ ;＜源次＜大切なお客様：点処理 `receive an `(`important guest`/・・・・・・)` today.`@` Make sure that you are prepared."`@ ld l,$KAN_DefA2,80 ;「……はい。」\ ;＜嘉音 `"......Yes."`\ bg G1F_R1b,0 ld r,$SHA_tokuiA1,24 ld l,$GEN_komaruA1,23 ;「………紗音、どうした？@　…さっきから何かをそわそわしているようだが、何か時間の約束でもあるのか。」@ ;＜源次 `".........Shannon, what's wrong?`@` ...It seems you have been uneasy about something.`@` Do you have some prior engagement at this time?"`@ ld r,$SHA_hajiraiA2,80 ;「え？@　い、いえ、何でもありません。@失礼いたしました…。」\ ;＜紗音 `"Huh?`@` N, no, it's nothing.`@` My apologies..."`\ cl l,24 ld l,$KAN_nayamuA1,23 ;「姉さん。@今日は大切なお客様がお越しになる日なんだよ。@…プライベートとは切り離すようにね。」@ ;＜嘉音 `"Nee-san.`@` An important guest will be arriving today.`@` ...Detach yourself from your private life."`@ ld r,$SHA_HajiraiA1,80 ;「プ、…プライベートなんか知りません…。」\ ;＜紗音 `"I don't, ...I don't know what you mean by private life..."`\ me2 11 ;　紗音は頬をわずかにだけ赤らめると、時計から目を逸らす。@ `As Shannon blushed just a bit, she turned her gaze away from the clock.`@ br ;　……もう親族たちの飛行機は新島に着いたころだろうか。@ `......Was it about time for the airplane carrying the family to arrive at Niijima?`@ br ;　…譲治との久しぶりの再会に胸をときめかせているのを、少しは隠しているつもりなのだろうが、脇の嘉音には丸判りだった。\ `...She had planned on to hiding the fact that her reunion with George after such a long time was making her heart palpitate, `@`but Kanon, who stood at her side, understood her perfectly.`\ bg black,5 fede 0,3000 ;■調布飛行場 mov %play_scene,60 textoff wait 2000 bg white,9 bg airp_o1a,6 bgm1 2 wait 2000 bg black,24 bg air_o1a,24 wait 2000 bg air_i1a,24 wait 2000 bg black,24 bg air_T1a,24 ld c,$GEO_komaruA2k,26 ;「………紗音、これを黙って受け取ってくれ…！」\ `".........Shannon, be quiet and accept this...!"`\ ;　…トイレの個室の中で、譲治はまるで荒野の早撃ちガンマンのように、ポケットに忍ばせたベルベットの小箱を取り出す練習を繰り返していた。\ `...Inside a bathroom stall, George was practicing something over and over, taking out a small velvet box hidden in his pocket like a quick-draw desert gunman.`\ ld c,$GEO_komaruA1,80 ;「違うな…。@紗音は牽引力のある男性が好きなんだ。@も、もっと馬力がある感じじゃないと駄目だ…！」\ `"That's not it...`@` Shannon likes a man with traction.`@` I, it must have a more powerful feel to it...!"`\ ld c,$GEO_ikariA1k,80 ;「紗音、これを薬指につけるんだ。@/ `"Shannon, put this on your ring finger. `@/ ld c,$GEO_komaruA5,80 ;…め、命令だよ…？」\ `...Th, that's an order, okay...?"`\ ld c,$GEO_ikariA2k,80 ;「あぁ、左手とちゃんと言わないと右手にされちゃうかもしれない！@　い、いや、紗音もそこまでカマトトじゃないけど、@あぁでも、少しは自由意志がないと何だかその、/ ;!d800うううううううぅ、んーーーぅううううぅぅうぅ、むぅううううぅああああああぁ…！！　」\ `"Aah, if I don't say properly that it's on the left hand, maybe she'll put on the right hand!`@` N-, no, Shannon isn't that ignorant, `@`aaah but, if there's no free will, that'd be a little, I mean, `/ !d800`uuuuuu, nnnnuuuuuuu, muuuuuuuaaaaaaaaahhhh...!!"`\ bg black,1 se1 19 ;　腕を組み、うんうんうなっていると個室にノックがある。@ ;　譲治はビク！として現実に引き戻された。\ `As he crossed his arms, nodding, someone knocked on the door.`@ `George was suddenly brought back to reality.`\ bg air_T2a,0 ld c,$RUD_DefA1,24 ;「おぅ、譲治くん。@大丈夫かぁ？@　腹の調子でも悪いのかー？」@ ;＜留弗夫 `"Hey, George-kun.`@` You alright?`@` Got a stomachache or something?"`@ ;「あ、あはははは、留弗夫叔父さん…！@　大丈夫です、平気です！@　ご心配は無用です、あはははははは…！」\ ;＜譲治 `"Ah, ahahahaha, Rudolf oji-san...!`@` It's alright, I'm fine!`@` No need to worry, ahahahahahaha...!"`\ ld c,$RUD_WaraiA2,80 ;「そっか…？@　ならいいんだけどな。@無理して息み過ぎるなよ。@尻が切れちまうぜ。」@ `"Really...?`@` That's good then.`@` But you know, you're straining yourself way too much.`@` Your ass'll burst."`@ br cl c,23 ;　留弗夫はからからと笑いながら手を洗うと、出て行くのだった。@ ;　…譲治は恥ずかしい部分を聞かれていなかったと知り、ほっと胸を撫で下ろす…。\ `Rudolf washed his hands, laughing cheerfully, and left.`@ `...George knew that the most embarrassing part hasn't been overheard, and he patted his chest, feeling relieved...`\ bg black,23 bg air_i1b,26 ld r,$RUD_majimeA1,24 ;「霧江、楼座はまだ来ないのか？」@ `"Kyrie, isn't Rosa here yet?"`@ ld l,$KIR_WaraiA1,23 ;「まだよ。@遅いわね。」@ `"Not yet.`@` She's pretty late."`@ ld r,$RUD_DefA2,80 ;「天候調整中だからいいようなものを。@これで普段通りのダイヤだったらあいつ、乗り遅れちまうぜ。@そしたらどうする気なんだあいつ。」\ `"It's a good thing the weather's delaying our flight.`@` If the schedule had gone on normally, she would've missed the plane.`@` What would she have done then?"`\ ld l,$KIR_WaraiA2,80 ;「…楼座さんだっていい年の大人よ。@何とかするわ。@兄って人は、いくつになっても妹を子ども扱いなのね。」@ `"...Rosa-san is an adult now.`@` She'd manage it somehow.`@` No matter how old they get, older brothers always treat their younger sisters like children."`@ ld c,$BUT_DefA1,23 ;「親父だって、いくつになっても子どもだけどなー。」\ ;＜戦人 `"Dad's always a kid, no matter how old he gets."`\ ld r,$RUD_AkuwaraiA1,80 ;「んだとぉ？　俺が子どもならお前ぇは赤ん坊じゃねぇか。@ほれほれ、戦人ちゃん、高い高い〜！」@ `"What'd you say? If I'm a child, that'd make you a baby.`@` Come on, Battler-chan, up ya go~!"`@ ld c,$BUT_odorokiA2,80 ;「やめろ、くすぐってぇ、わははは、やめぇッ！」@ `"Stop it, that tickles, wahahaha, stooop!"`@ ld l,$KIR_KomaruA1,80 ;「親子ってより、悪ガキ仲間って感じね。@…ほら、いらしたわよ。」\ `"You look more like two bratty friends than a father and son.`@` ...Look, she's here."`\ bg air_i1c,0 ld r,$HID_WaraiA2,23 ;「おーおーおー！！@　楼座さんやないか！@　真里亞ちゃん、久しぶりやのー！！」@ ;＜秀吉 `"Ohoooooooooh!!!`@` If it isn't Rosa-san!`@` Maria-chan, long time no see!!"`@ ld l,$MAR_WaraiA2,23 ;「久しぶりー！@　うー！」\ `"Long time no see-!`@` Uu-!"`\ cl r,23 ld r,$ROS_MajimeA1,24 ;「真里亞！@　お久しぶりです、でしょ？@　言ってごらん？」@ `"Maria!`@` Shouldn't that be 'It's good to see you again'?`@` Greet Hideyoshi-san properly."`@ ld l,$MAR_FukigenA1,80 ;「うー。@お久しぶり、です…。」@ `"Uu-.`@` It's...good to see you again..."`@ ld c,$HID_WaraiA1,24 ;「そうや！@　よく言えたなぁ！@　ご褒美に飴玉あげよなぁ！@　……っとと、あれ？@　どこにしまったんや…。」\ `"There you go!`@` Well said!`@` How about some candy as a reward?!`@` ......Oh, huh?`@` Where'd I put it..."`\ bg air_i1c,0 ld r,$KIR_DefA1,24 ;「楼座さん、お久しぶりです。@真里亞ちゃんもお久しぶり。」@ ;＜霧江 `"Rosa-san, it's good to see you again.`@` It's good to see you too, Maria-chan."`@ ld l,$ROS_WaraiA2,23 ;「ご無沙汰してます、霧江姉さん、秀吉兄さん。@…と、……あら、戦人くん？！@　大きくなったわね…！」@ `"It's been too long, Kyrie nee-san, Hideyoshi nii-san. `@`...And, ......oh my, Battler-kun?!`@` Look how big you've gotten...!"`@ cl r,23 ld r,$BUT_AseruA1,24 ;「いやぁ〜、はっはっはぁ…。@今日は会う度に言われてて恥ずかしいっすよ…！」\ `"Ah, come on, hahaha...`@` It's embarrassing hearing that from every person I meet...!"`@ bg air_i1a,0 ld l,$RUD_WaraiA1,23 ;「おう、楼座。@遅かったな。@飛行機がダイヤ通りだったらギリギリってとこだったぜ…？」@ `"Hey, Rosa.`@` You're late.`@` If the plane was on time, you'd barely have made it..."`@ ld r,$ROS_KomaruA2,24 ;「ごめんなさい。@列車の接続がうまく行かなくて。@何、また天候調査中なの？」@ `"I'm sorry.`@` We had some trouble making our train connection.`@` So, are we waiting on the weather again?"`@ ld c,$EVA_WaraiA1,23 ;「ボヤかないボヤかない。@船で６時間も揺られるくらいなら、飛行機でほんの３０分の方がずっとマシよぅ。@たとえ、１時間余計に待たされたって、全然早いんだからぁ。」\ ;＜絵羽 `"Oh, don't complain.`@` I much prefer the 30 minute plane trip to spending six hours bouncing about on a boat.`@` Even if we're kept waiting here for an hour, it's still much faster overall."`\ bg air_i1e,24 ld r,$BUT_DefA2,24 ;「あれが真里亞なのか…？@　大きくなったなぁ…。@成長期かぁ…。」@ ;＜戦人 `"Is that Maria...?`@` You sure have gotten big...`@` She's at that growing age..."`@ ld l,$ROS_WaraiA1,23 ;「前に会ったのは６年前？@　それは変わるわよ。@女は心変わりがあればたった一日でも生まれ変わる生き物よ。」\ `"You last met her six years ago, right?`@` A lot has changed.`@` Women are animals that are born again in only one day when they have a change of heart."`\ ld c,$MAR_OdorokiA1,23 ;「……うー？」@ ;＜真里亞 `"......Uu-?"`@ ;　親類たちの中に見覚えのない大男が混じっているのに気付き、真里亞が戦人を睨みながら楼座の背中に隠れる。\ `Maria noticed a big man who she didn't remember mixed among the relatives, and hid behind Rosa's back, glaring at Battler.`\ bg air_i1d,0 ld r,$RUD_WaraiA1,23 ;「おい戦人、挨拶しろい。@前に会ったのが３歳の時じゃ、初対面も同じだぞ。」@ ;＜留弗夫 `"Hey, Battler, say hi.`@` The last time you met her, she was just three years old, so this is just like a first meeting."`@ ld l,$BUT_aseruA1,23 ;「３歳じゃ覚えてねぇよなぁ！@　よぅ真里亞、久しぶりぃ。@大きくなったなぁ！」\ `"She wouldn't remember if she was 3!`@` Hey Maria, long time no see.`@` You sure have gotten big!"`\ bg air_i1c,0 ld l,$MAR_OdorokiA1,0 ld r,$ROS_DefA1,24 ld r,$ROS_WAraiA2,80 ;「真里亞。@戦人お兄ちゃんよ。@留弗夫兄さんの息子さん。@…わかる？」@ ;＜楼座 `"Maria.`@` This is Battler onii-chan.`@` Rudolf oji-san's son.`@` ...Understand?"`@ ld l,$MAR_KomaruA1,80 ;「…………兄さんの息子さんが。@兄さんが息子さん。@…………？？@　……うーーー！！」\ `"............The brother's son is...`@` The brother is the son...`@` ............??`@` ......Uuuu---!!"`@ ;　明らかに警戒されているようだった。@ ;　大柄な戦人に、やたらとフランクに話しかけられたら、やはり怖いものがあるのだろう。@ `She was obviously on her guard.`@ `After all, it would be no surprise if she found it frightening for a large guy like Battler to suddenly start speaking frankly to her.`@ br ;　戦人もそれに気付き、何とかアプローチしようと色々考える。@ ;　すると、彼女が手に握っているお菓子に気がついた。\ `Battler noticed that as well, and thought of various ways he might approach her.`@ `Then, he noticed the sweet she had in her hand.`\ bg black,22 ;　それは、楼座に買ってもらったジャックオーランタンのお菓子だった。\ `It was the jack o'lantern sweet that Rosa had bought for her.`\ bg air_i1c,0 ld l,$MAR_KomaruA1,23 ld r,$BUT_WaraiA1,24 ;「そっか、１０月だからハロウィンか。@いっひっひっひ、お菓子をくれなきゃイタズラしちゃうぞ〜？！」@ `"I see, it's October, so that must be for Halloween.`@` Ihihihi, if you don't give me sweets, I'll play a prank, ri~ght?!"`@ br ;　小さい子の持つお菓子を奪おうとすれば、普通は泣かれてひと騒ぎになるはずだ。\ `If you try to snatch a sweet away from a small child, normally, you'd expect them to cry and start a fuss.`\ ld l,$MAR_WaraiA2,80 ;　このやり方はよくないだろうと大人たちは思ったが、意外にも真里亞は嬉しそうに破顔した。\ `The adults thought that method wasn't good, but surprisingly, Maria looked pleased, her face splitting into a wide grin.`\ bg air_i1d,23 ld r,$MAR_WaraiA1,24 ;「ハロウィン、ハロウィン！！@　ほらママ、戦人もハロウィン知ってる、ほらほら！！」@ `"Halloween, Halloween!!`@` Look, Mama, Battler also knows about Halloween, look, look!!"`@ ld l,$ROS_NayamuA1,23 ;「こら、戦人お兄ちゃんと呼びなさい！@　ごめんね戦人くん。」\ ;＜楼座 `"Hey, call him Battler onii-chan!`@` Sorry, Battler-kun."`\ cl r,23 ld r,$BUT_DefA2,24 ;「いやいや、気にしないっすよ。@俺は戦人と呼んでくれ。@俺も真里亞って呼ぶからな。@/ `"No, no, don't sweat it.`@` Please call me Battler.`@` Because I'll also call you Maria. `@/ ld r,$BUT_WaraiA2,80 ;ほら、真里亞、ハロウィンだぞ！@　お菓子をくれなきゃイタズラしちゃうぞ〜！！」@ `Look, Maria, it's Halloween!`@` If you don't give me sweets, I'll play a prank~!!"`@ cl l,24 ld c,$MAR_WaraiA2,26 ;「お菓子をくれなきゃイタズラしちゃうぞ〜！！@　きゃははは、きゃっきゃっ！！」\ `"If you don't give me sweets, I'll play a prank~!!`@` Kyahahaha, Kyakkya!!"`\ ;　真里亞は手提げの中から、手に持っていたのと同じジャックオーランタンのお菓子を取り出すと、戦人に差し出す。@ ;　それを戦人が受け取ることで、彼らの友情の確認は充分なようだった。@ `From inside her purse, Maria picked out a jack o'lantern sweet similar to the one she had in her hand and presented it to Battler.`@ `It seemed that Battler accepting it was enough to confirm their friendship.`@ br ;　大人たちは、子どもには子どものコミュニケーションがあるのだなぁと感服する。\ `The adults were amazed at how the children had established communication with each other.`\ ;　ハロウィンのお祭りがしたいと駄々をこねていた真里亞にとって、@トリックオアトリートを理解してくれた戦人はきっと仲間のように感じられたに違いない。@ `To Maria, who had been complaining that she wanted to have a Halloween festival, `@`it must have felt like Battler was a friend, since he knew about trick or treat.`@ br ;　先ほどまでの警戒ぶりが嘘のよう。@ ;　今はまるで十年来の友人たちのようにはしゃぎあっているのだった。\ `Her defensive posture from before was completely gone.`@ `Now, she was all merry, as though they been friends for decades.`\ ld r,$BUT_DefA1,80 ;「そうだなぁ、日本じゃハロウィンってマイナーなイベントだよな。@仮装行列で練り歩くなんて、向こうのニュースではよく見るけど、日本じゃ見たことないぜ。」@ `"That's right, in Japan, Halloween is a minor event.`@` You oftenly see people marching in costume parades on the news from overseas, but I've never seen it in Japan."`@ ld c,$MAR_fukigenA1,80 ;「真里亞も仮装したかった。@仮装していとこみんなで、お菓子をくれなきゃイタズラしちゃうぞってやりたかった…。」\ `"Maria wanted to wear a costume too.`@` Wanted to say 'If you don't give me sweets, I'll play a prank' with all the cousins wearing costumes..."`\ ld r,$BUT_WaraiA1,80 ;「そっかそっか。今度俺と一緒にやろうな！@　真里亞だったら何の仮装をして練り歩きたい？」\ `"I see, I see. Next time, let's do it together!`@` What would you like to dress up as?"`\ ;ld c,$MAR_WaraiA2,80 bg black,22 ;「魔女！！@　ベアトリーチェ！」\ `"A witch!!`@` Beatrice!"`\ ;bg black,2 fede 0,3000 mov %play_scene,60 wait 3000 bg white,9 bg M_o1b,26 bgm1 1 wait 2000 bg black,22 wait 1000 bg portrait2,2 wait 3000 bg Mhal_2c,0 ld r,$JES_majimeA1,26 ld l,$KUM_DefA2,23 ;■魔女の肖像画前 ;「おや、お嬢様、こんなところに。@奥様が探しておいででしたよ。」@ ;＜熊沢 `"Oh, Milady, what are doing in such a place?`@` Madam was looking for you."`@ ld r,$JES_atyaA2,80 ;「探されたくねぇからこんなところにいるんだぜ。@…どうせ、身なりは大丈夫かとか、言葉遣いをちゃんとするようにとかお小言が言いたいだけに違いないぜ。」@ ;＜朱志香 `"I don't want to be found, that's why I'm in this place.`@` ...At any rate, I'm sure she only wants to scold me, like 'is your appearance alright?' and 'watch your language'."`@ ld l,$KUM_WaraiA1,80 ;「ほっほっほ…。@違いありません。」\ `"Hoh-hoh-ho...`@` Without a doubt."`\ ld r,$JES_MajimeA1,80 ;「……私はさ。@なぜか親族会議の日になると、この魔女様が気になるんだよ。」@ `"......You know.`@` When the day of the family conference comes, for some reason, I feel uneasy about this witch."`@ ld l,$KUM_DefA1,80 ;「ほぅ…。@それはまたどうしてでございましょう…？」\ `"Hoh...`@` Why do you say that again...?"`\ bg black,25 bg portrait2,22 ;「親族会議ってのは、祖父さまに連なる全ての一族郎党が集まる日だ。@……今年は６年ぶりに戦人も来るそうじゃねぇか。@…そんな感じでさ。@何十年かぶりに、……今までずっと姿を現さなかった“親族”が、ひょっこりと現れるんじゃないかって、いつも思ってるんだよ。」\ `"The family conference is the day when everyone related to Grandfather gathers.`@` ......I hear that this time, Battler will also come after being away for six years.`@` ...Something like that.`@` I always wonder about whether some 'relative' who hasn't shown themselves for several decades might unexpectedly appear."`\ ;「…………ほほぅ。@そんな親族がおりますでしょうか…？」@ ;「ベアトリーチェさまだよ。@……素性は誰も知らない。@あるいは大昔の祖父さまの愛人なのか。@……その子孫がひょっこりと現れて、授けた黄金を返せなんて言い出すかもしれないぜ？」\ `"............Hohoh.`@` Could a relative like that exist...?"`@ `"It's Beatrice-sama.`@` ......Nobody knows her background.`@` Could she be Grandfather's mistress from long ago?`@` ......Maybe her descendants will unexpectedly appear and tell us to return the gold we were granted or something, right?"`\ ;「ほっほっほっほ…。@蔵臼さまたちは、お館様の遺産問題で今年も議論されるでしょうから。@…こうも魔女の黄金の話で盛り上がっては、黄金を与えた魔女本人がそろそろおいでになってもおかしくありませんねぇ。」\ `"Hoh-hoh-hoh-ho...`@` Krauss-sama and the others will probably have a discussion about the Master's inheritance problem this year too.`@` ...So, if they get excited with that talk of the witch's gold, it would be just natural if the witch who gave out the gold came soon herself, right?"`\ bg Mhal_2a,6 ld c,$JES_atyaA1,23 ;「熊沢さんはさ、@…辞めたり勤めたりと急がしいけど、源次さん並みに昔からここに出入りしてるわけでしょ？@　……ベアトリーチェのこと、もっと知ってるんじゃないの？」\ `"Kumasawa-san, you know, `@`...you're very busy with retiring and your work and all, but you've been here as long as Genji-san, right?`@` ......You know more, about Beatrice, don't you?"`\ bg Mhal_2c,0 ld r,$KUM_waraiA2,24 ;「……さぁて、どうでしょうねぇ。@/ `"......Well, I wonder. `@/ ld r,$KUM_defA2,80 ;ほっほっほ…。@思い出そうにもこの老いぼれ、今朝の朝食すらも思い出せませんので…。」@ `Hoh-hoh-ho...`@` Even if I try to remember, this old woman here can't even recall what she had for breakfast this morning..."`@ ld l,$JES_tohohoA2,23 ;「熊沢さんはいっつもそういう言い方で逃げるけど、何か知ってそうなんだよなぁ？@　知ってて物陰で笑ってるみたいな陰湿な雰囲気が時々するぜぇ？」\ `"Kumasawa-san, you're always escaping with those excuses, but you know something, right?`@` Sometimes you feel kinda devious, like you know something and you're laughing behind our backs, right?"`\ ld r,$KUM_WaraiA1,80 ;「ほっほっほ…、これは手厳しい。@…隠し事など何もしておりません。@……私から申し上げられることは、@ベアトリーチェさまは黄金の魔女であられて、この島の夜を支配されているもうひとりの主人であられるということだけでございます。」\ `"Hoh-hoh-ho..., that's harsh.`@` ...I don't have any secrets.`@` ......The only thing I can say is that Beatrice-sama is the Golden Witch, `@`and that she is the other master who controls the night of this island."`\ ld l,$JES_komaruA1,80 ;「祖父さまの受け売りかよ。@給料もらってるとはいえ、祖父さまの妄言に付き合うのも大変だなー。」@ `"That's second-hand talk from Grandfather.`@` It must be a pain to go along Grandfather's tales, even though you get paid."`@ ld r,$KUM_MajimeA1,80 ;「……ただ、これだけは申し上げられます。」@ `"......But, I can say this much."`@ ld l,$JES_tohohoA1,80 ;「…何？」\ `"...What?"`\ bg black,25 bg sea_1b,8 me1 5 ;「……六軒島は太古の昔、小豆島と呼ばれて恐れられてきました。@アズキはアクジキが訛ったものと言われ、本当は悪食島と呼ばれていたのだと、漁民たちの間では伝えられておりました。」\ `"......In ancient times, Rokkenjima was feared, and called 'Azukishima' (Azuki Bean Island).`@` The 'Azuki' is said to be a mispronounced form of 'Akujiki' and in fact it was called 'Akujikishima' (Evil Appetite Island).`@` That is what is told among the fishermen."`\ ;「前にも聞いたよ。@この辺は暗礁が多くて、海難事故が多かったから、漁民たちが恐れてむやみに近付かなかったって話だろ？」@ ;「……悪食島には悪霊が住み着いていて、太古の昔から人々の魂を食らい続けてきました。@…この島に関わり、命を奪われた人間はあまりにも多いのです。」\ `"I've also heard that.`@` It's that story about, since there are lots of sunken rocks and shipwrecks around here, the fishermen got afraid and unreasonably didn't approach here, right?"`@ `"......Evil spirits settled down in Akujikishima and continued to eat the souls of people since ancient times.`@` ...There were lots of people related to this island who were dispossessed of their lives."`\ bg black,2 mono 1 bg shr_1a,2 ;「それを旅の修験者だか何だかが、例の社を作って鎮魂したんで収まった、ってんじゃなかったっけ？@　…胡散臭ぇ話だぜ。」@ ;「その鎮魂の社はこの夏、暗き闇夜を引き裂く紫色の不気味な雷で打ち砕かれたとか…。」\ `"And then, a traveling mountaineering ascetic or someone built that shrine, reposed the souls and settled them there, wasn't it?`@` ...What a shady story."`@ `"That shrine for the repose of souls was destroyed by an eerie violet thunderbolt this summer, which tore up the darkness of the night..."`\ bg black,2 mono 0 fede 10,2000 bg Mhal_2a,0 ld r,$JES_WaraiA1,22 ;「熊沢さん、その話、好きだなぁ。@確かに鎮魂の社が落雷でなくなっちまうなんて不気味だが。@まぁもともとオンボロだったしな。@ちょっと高い波にでもさらわれたんじゃねぇのかな。@ははははは。」\ `"Kumasawa-san, you really like those stories.`@` I'll admit that it'd be pretty eerie for a shrine for the repose of souls to disappear with a thunderbolt.`@` But, well, it was all worn out from the start.`@` I wonder if it wasn't just carried away by some large wave.`@` Hahahahaha."`\ ld l,$KUM_MajimeA2,23 ;「眠りから目覚めた悪食島の悪霊が、ベアトリーチェさまを呼び寄せたのです。@………もし、ベアトリーチェさまが親族会議に訪れられるようなことがあったなら…。」@ `"The evil spirits of Akujikishima woke up from their sleep, and summoned Beatrice-sama.`@` .........If Beatrice-sama happened to come for the family conference..."`@ ld r,$JES_NayamuA1,80 ;「あったなら…？」\ `"If she happened to come...?"`\ ;　そこで熊沢は一度沈黙を守る。@ ;　…その先を促したい朱志香にとって、それは不気味な沈黙だった。\ `Kumasawa kept silent for a moment there.`@ `...To Jessica, who wanted to press her to keep going, it was an eerie silence.`\ ;　熊沢は、その沈黙で充分に朱志香を怖がらせたことがわかると、にやりと笑っていった。\ `When Kumasawa realized she was scaring Jessica with her silence, she grinned broadly.`\ bg black,2 ;ld l,$KUM_WaraiA1,80 ;「はてさて、どんなことになるやら。@ほっほっほっほっほ…。」\ `"Well now, I wonder what would happen.`@` Hoh-hoh-hoh-hoh-ho..."`\ fede 0,3000 mov %play_scene,60 ;bg black,3 ;wait 3000 ;mono 1 wait 2000 bg off_1a,26 bgm1 8 me1 12 ;■留弗夫の白昼夢（社長室の留弗夫・霧江と電話中） ;「へぇ、そいつはステキじゃないかよ。」@ ;＜留弗夫 `"Whoa, isn't that wonderful."`@ ;「でしょう？@　たまには優雅な時間を得てあなたの心を豊かにするのも、あなたの仕事に役に立つんじゃないかしら…？」\ ;＜霧江 `"Isn't it?`@` Isn't it useful for your work to enrich your heart and have an elegant time every once in a while...?"`\ ;「だな。@心と財布は豊かじゃなきゃいけねぇ。@わかったよ、その日は空けておくことにする。@予約を頼むぜ。」@ ;「わかったわ。@絶対よ。」@ ;「あぁ、よろしく頼む。@愛してるぜ、霧江。」\ `"I think so.`@` The heart and the wallet must be rich.`@` Got it, I'll keep that day open.`@` Please, make the reservations."`@ `"Understood.`@` Absolutely."`@ `"Yeah, I'm counting on you.`@` I love you, Kyrie."`\ bg black,25 bg G1F_R1a,0 ld c,$RUD_DefA2,22 se1 53 fede 1,3000 ;　留弗夫は受話器にキスをしてから置く。@ `After kissing the receiver, Rudolf hung up.`@ br ;　…席の前には腕まくりをした幹部が数人いて、その電話が終わるのを今か今かと待ち構えていた。\ `...Before his seat, there are many executives with their sleeves rolled up, eagerly awaiting the end of that phone call.`\ ld c,$RUD_majimeA2,80 ;「すまん、待たせたぜ。@米国から連絡は来たか？」@ ;「はい。@外線にデイル・ワタナベ弁護士からです。@お繋ぎします。」@ `"I'm sorry for making you wait.`@` Did the contact from America come?"`@ `"Yes.`@` It's from the lawyer Dale Watanabe on the external line.`@` I'll transfer it."`@ ld c,$RUD_majimeA1,80 ;「……結局のところ、感触はどうなんだ。」@ ;「それがその、……ひとつ芳しくないようでして。@先方は裁判をも辞さないつもりのようです。」\ `"......Overall, how do you feel about the situation?"`@ `"That is, well, ......it seems one thing is not favorable.`@` It seems the other party doesn't plan to withdraw from the trial at all."`\ ld c,$RUD_AkuwaraiA1,80 ;「……やっぱり誤魔化しきれねぇかなぁ。@たっはっは…。@繋いでくれ。」@ ;「わかりました。@すぐに。」@ ;　幹部は秘書室に外線をつなぐよう指示する。@すぐに留弗夫の前の電話が鳴り響いた。\ `"......Looks like we can't fool 'em after all.`@` Ahaha...`@` Please, transfer it here."`@ `"Understood.`@` Immediately."`@ `The executive ordered that the external line be transferred to the secretarial office.`\ bg black,25 bg off_1a,22 ;「もしもし。@ハローハロー！@　お待たせしました、右代宮です。@どうもどうも。@いかがですかそちらは。」@ ;「ハロー、プレジデント右代宮。@挨拶は抜きで本題に入りましょう。@良いニュースと悪いニュースがありますが、どちらを先にしますか？」\ `"Hello.`@` 'Hello, hello'!`@` Sorry for the wait, Ushiromiya speaking.`@` Thanks, thanks.`@` How is it going over there?"`@ `"'Hello', President Ushiromiya.`@` Let's skip the greetings and go right into the main question.`@` I have good news and bad news, which one shall we start with?"`\ ;「…悪ぃニュースが先がいいなぁ。@デザートがないと頑張れない性質なんだ。」\ `"...The bad news can go first.`@` I can't fight if there's no dessert."`\ ;「わかりました。@/ `"Understood. `@/ se1 21 ;悪いニュースは、先方が当方を告発する準備に入ったということです。@つい先日、類似した裁判で原告が圧勝する判決が出されました。@被告側も、当方が主張するのとほぼ同じ内容で論戦していたのですが、全てにおいて却下されました。@残念ながら、このまま法廷に臨めば、当方の主張はことごとく却下される可能性が極めて高いでしょう。」\ `The bad news is that the other party has started preparations to prosecute our party.`@` Just a few days ago, a similar trial resulted in a judicial decision where the plaintiff won.`@` The defendants were also arguing with roughly the same arguments we'll allege, but they were rejected in everything.`@` I'm afraid to say it, but if we face the courtroom as we are now, the probability that our allegations will be rejected is extremely high."`\ bg black,22 ;「…例の裁判、全滅だったか。@……うちより有利な条件だったと思ってたんだが。@そりゃあ辛いなぁ。@んで、良いニュースは？」\ `"...So that other trial was a disaster.`@` ......Even though I was thinking that their conditions were more favorable than ours.`@` That's tough, huh.`@` Then, what about the good news?"`\ ;「先方の幹部と接触できました。@先方に当方の立ち位置を説明し、@先方のブランドイメージを侵害する意図がないことを説明し、理解を得ることができました。@先方は近日中に条件提示を行ない、それらの履行が行なわれるなら告発を見送ると約束しました。@取締役会のナンバーツーによる発言です。」\ `"I managed to get in contact with the executives of the other party.`@` I explained to the other party the situation we are in, explained that we have no intentions of violating the other party's brand image, and I managed to get their understanding.`@` The other party will offer us conditions in a few days, and if these are carried out, they promised to withdraw from the prosecution.`@` This is their proposal according to the number 2 man on their board of directors."`\ ;「感触は？」@ `"Your impression?"`@ br ;「正直、非常に厳しいものになると予想されます。@当方の想定では避けられないものとして、社名変更、ブランド名変更。@交渉の余地のあるものとして、和解金額、大手新聞への謝罪広告掲載、それらの履行期間と見ています。」\ `"Honestly, I expect the conditions will be extremely severe.`@` We assume that changing the company name and the brand name will be inevitable.`@` Where we do have margin in the negotiations is the amount of settlement money, the appearance of a public apology on a major newspaper, `@`and the amount of time needed to carry out those things."`\ ;「ウチに潰れろと一言言やぁいいのに、回りくどいやつらだぜ。」\ `"These guys are simply and indirectly telling us to go bankrupt."`\ ;「先方は、近年、二代目社長に交代したばかりで、まだ足固めが終わっていません。@当方が徹底抗戦した場合、現社長に失点を与えたい勢力が何らかの利敵工作をしかねないと懸念しています。@その為、先方トップも本件を速やかに解決したいという思惑があるようです。@その為、迅速な和解のために多少の条件緩和を引き出せる余地も残っているかもしれません。」\ `"The other party, in the recent years, just changed to their second president and the groundwork is not finished yet over there.`@` If we resist until the bitter end, they fear that the forces who want to go against the current president wouldn't hesitate to do some work in favor of the enemy.`@` Hence, it seems the big shots of the other party want to settle this matter as fast as possible too.`@` Hence, for the sake of a quick settlement, maybe we still have enough leeway to pull for some mitigation of the conditions."`\ bg off_1a,22 ;「いずれにせよ、とんでもねぇカネが必要になるか。」@ ;「その覚悟は必要です。@そして、それでも懲罰的賠償金よりははるかに安いかと。」\ `"At any rate, will an absurd amount of money be necessary?"`@ `"You need to be prepared for that.`@` And even so, it would be much cheaper than disciplinary compensation."`\ ;「ありがとう先生。@また進展があったら連絡してください。@先生は高給取りだから、与太話もできねぇや。@はっはっはっは。@サンキューサンキュー、グッバーイ。」\ `"Thank you very much.`@` If there's any more progress, please contact me.`@` You have a high salary, so no idle gossiping around.`@` Hahahaha.`@` 'Thank you, thank you, goodbye'."`\ bg G1F_R1a,26 se1 53 ;　留弗夫は受話器を置く。\ `Rudolf hung up the phone.`\ ;　その話の内容は、応接席に座る幹部たちには想像の出来ているもののようだった。\ `It seemed that the executives sitting at the reception seats could guess about the contents of that discussion.`\ ld r,$RUD_WaraiA2,24 se2 21 ;「……聞こえたか野郎ども。@まぁ、総じるとだ。@カネさえ積みゃあ堪忍してやるぜってわけだ。@あとはカネの多寡だけを争点にすりゃあいい。」@ ;「しかし社長。@ワタナベ氏の示した和解金の想定額はあまりにも膨大です。@それだけの余裕はありません…！」\ `"......So you heard it, you rascals.`@` Well, you get the point.`@` As long as we get the money, they will forgive us.`@` After that, we should make only the amount of money the point at issue."`@ `"But, President.`@` The supposed sum for the settlement that Mr. Watanabe indicated is too much.`@` We don't have that much of a margin...!"`\ ld r,$RUD_akuwaraiA2,80 ;「こんなことになるってわかってたら、多角化なんて始めんじゃなかったぜ…。」@ ;＜留弗夫 ;「３年凌げれば資金的危機は脱出できる計算でした。@…まさか、ここで刺されるなんて…、本当についてない…！」\ `"When we knew it would become like this, we started the diversifying, didn't we...!"`@ `"The calculations were that we could escape the capital crisis if we were able to endure for three years.`@` ...It can't be, to be stabbed here..., really, we're in no position for that...!"`\ ld r,$RUD_akuwaraiA1,80 ;「ホップステップジャンプの、ステップでコケちまったんだもんなぁ。@泣けるぜ。」@ `"I guess we fell at the 'step' of the 'hop, step, jump'.`@` I could cry."`@ ;「メインバンクからカネを引っ張るしかありません。」\ `"We have no choice but to draw the money from the main bank."`\ ld r,$RUD_komaruA1,80 ;「銀行はまずいな。@連中は勝ち馬にしかカネを出さん。@…景気は上向いてるが、銀行に弱みは見せられねぇ。」@ ;「……社長。@簿外に資金はありますか。@我々の把握していない資金です。」\ `"Banks are no good.`@` They only bet their money on winning horses.`@` ...The situation is getting better, but we can't show weakness to the banks."`@ `"......President.`@` Do we have any funds which are unaccounted for?`@` Funds that are out of our grip?"`\ cl r,0 ld c,$RUD_OdorokiA1,24 se1 12 ;「よせやい。@俺がそういう男に見えるかよ。@俺の財布の中身は全てお前らに晒してるぜ？@　そこにある帳簿が我が社の全てだ。」\ ;「なら、……金策が必要です。@数百万＄単位を引っ張れるスポンサーが、大至急必要です。」@ ;「……社長！@　社長の交友関係で何とかなりませんでしょうか…！」@ `"Stop that.`@` Do I look like that kind of man?`@` The contents of my wallet are all exposed to you guys, alright?`@` The account books over there show all that our company has."`\ `"In that case, ......we need to raise money.`@` We need a sponsor who can draw in several million for us as soon as possible."`@ `"......President!`@` Couldn't something be worked out with one of your associates...?!"`@ se1v 13,40 wait 100 se1v 12,40 wait 100 ;「社長！@　社長…！」\ `"President!`@` President...!"`\ ld c,$RUD_AkuwaraiA1,80 ;se2 21 me3v 5,40 ;「…あぁあぁ、落ち着けてめぇら。@……金策は俺が何とかする。@お前らはガタガタせずに業務を維持しろ。@カネさえ積めば向こうは許すと言ってるんだ。@すでに俺たちはアジアに太いパイプを持ってる。@色々響くだろうが取引は維持できる。@要はカネさえ積めりゃ全て解決できる問題なんだ。」\ `"...Aaaah, calm down, you bastards.`@` ......I'll find a way to raise the money.`@` You guys maintain the business without making too much noise.`@` The other side is saying that they will forgive us as long as we gather the money.`@` We already have thick pipelines in Asia.`@` Things'll probably be shaky, but we'll be able to maintain transactions.`@` In short, the point is that if we gather the money, we'll be able to settle everything."`\ ld c,$RUD_WaraiA2,80 ;「見てろ、俺が全て解決する。@お前らを路頭に迷わせなんかしねぇぞ。@大船に乗った気でいろぃ！@　無事に解決したら、お前ら全員をシャンパンタワーでねぎらってやるぜ。@約束する。@だから黙って俺についてこい。@いいなッ！！」\ `"Look, I'll settle everything.`@` I won't let you out in the cold.`@` Start feeling like you've gotten on a big boat!`@` When I settle things safely, I'll be rewarding all of you guys with a champagne tower.`@` I promise.`@` So, shut up and come with me.`@` Alright?!!"`\ bg black,22 ;mono off E_A bg airp_i1b,1 me1 20 quakey 5,800 ;　ガクンと飛行機が大きく揺れる。@気流のせいだろう。@ `The airplane suddenly shook.`@` Probably because of turbulence.`@ br ;　その衝撃で留弗夫は目を覚ます。@ ;　朝が早かったせいもあり、座席に座って一息ついたらあっさり眠ってしまったのだ。\ `Rudolf woke up because of that shaking.`@ `Since he had woken up early that morning, he had ended up drifting off to sleep while resting in his seat.`\ bg airp_i1a,23 ld r,$KIR_DefA1,24 ;「…大丈夫？@　まだだいぶ眠いんじゃないの？@　このところだいぶ仕事が忙しかったようだし。」@ ;＜霧江 `"...Are you alright?`@` You're still very drowsy, aren't you?`@` Lately, it seems you've been very busy at your work."`@ ld l,$RUD_Waraia1,23 ;「仕事が忙しいなんて大いに結構じゃねぇか。@俺が暇になっちまったら俺たちゃ明日から路頭に迷うぜ。」@ `"Being busy at work is great, isn't it?`@` If I start wasting time, we'll all be out in the cold starting tomorrow."`@ ld r,$KIR_WaraiA2,80 ;「そうね。@戦人くんも帰ってきたんだから、二人で物乞いすればいいって問題じゃないわよ。」\ `"You're right.`@` Since Battler-kun's come back, it would be a problem if the two of us had to go around begging."`\ bg white,23 bg airp_w1h,23 ;「……そうだな。@６年ぶりに家族が揃ったんだからな。@…家族水入らずで過ごせるよう、家長が頑張らねぇとな…。」\ `"......That's right.`@` After six years, the whole family is present.`@` ...So, the family head has to give his best to be able to spend time together without outsiders..."`\ ;　窓の外を見ると、飛行機はもうだいぶ高度を下げ始めている。@ ;　さっきまでは黒い粒にしか見えなかった漁船が、はっきり見えるようになっていた。\ `When he looked outside the window, he saw that the airplane was already starting to drop in altitude considerably.`@ `The fishing boats, which had only looked like black grains until a short while ago had started to become clearly visible.`\ bg black,2 ;「………親父に土下座して、ゲンコツ一発で一千万借りられるなら、１ダースくらいもらっときてぇところなんだがな…。@さもなきゃ、とっととお隠れになってくれりゃあいいんだが。@………さんざんスネをかじって、今度は遺産目当てか。@…………俺は地獄行きだな。@…そりゃあ、こんな俺に親父も会いたくはないだろうよ……。」\ `".........If I could borrow ten million at once by prostrating myself before Father, I'd do it a dozen times, but...`@` If I can't, I better hurry and start to hide myself.`@` .........I've always depended severily on his financial support, and now I'm going for the inheritance.`@` ............I'm going to hell.`@` ...I guess Father won't want to meet me like this......"`\ mov %play_scene,60 textoff ;wait 3000 ;bg black,22 ;wait 2000 fede 0,3000 wait 2000 bg M_o1b,9 wait 2000 bg black,24 bg Mlib_1b,0 ld c,$NAN_DefA1,2 ld c,$NAN_fumuA1,80 ;■金蔵の書斎 bgm1 17 ;「……まさか今年も、親族会議にお出にならないつもりですかな？」@ ;＜南條 `"......Could it be that, this year too, you do not plan on going out at the family conference?"`@ br ;　南條はため息をつきながら金蔵の顔を見る。@ ;　…金蔵の目は怪しげな魔法書に釘付けのままだった。\ `Nanjo looked at Kinzo's face, sighing.`@ `...Kinzo's eyes were rooted to those strange magic books.`\ bg Mlib_1c,0 ld r,$KIN_fumuA1,24 ;「ハゲタカどもの議論に加わるつもりはない。@好きに我が骨のしゃぶり方でも議論するがよかろう。@……実に下らぬ。」@ `"I don't want to join in on the argument of those vultures.`@` They can discuss how they will suck my bones as they wish.`@` ......They really are foolish."`@ ld l,$NAN_KomaruA3,23 ;「…………………。@…やれやれ。@困ったものですな…。」\ `"..................`@`...My, my.`@` How troublesome..."`\ ;　南條は小さく首を横に振る。 `Nanjo shook his head slightly.`@ br ;　…彼にとって子や孫は可愛いものだ。@ ;　そして、彼らの成長は老後の唯一の楽しみだと信じている。@ `...To him, children and grandchildren were lovely things.`@ `And he believed that their growth was the only enjoyment for old men.`@ br ;　そんな彼にとって、金蔵の言葉はあまりに悲しいものだった。\ `To him, Kinzo's words were a very sad thing.`\ ld r,$KIN_fukigenA1,80 ;「この部屋を出るべき時が来れば私は姿を現す。@……あれが姿を今だ現さぬようにな。」\ `"If the time I must leave this room comes, I will show myself.`@` ......Just as that one does not show itself."`\ cl r,23 ;＜金蔵 ;　金蔵が顔を上げると、その目線の先には、壁にうやうやしく飾られた魔女の肖像画があった…。\ `When Kinzo raised his face, in the direction of his gaze was the portrait of the witch, which was respectfully displayed on the wall...`\ ld l,$NAN_fumuA1,80 ;「………………。」\ ;＜南條 `"............"`\ bg black,22 bg portrait2,26 ;　金蔵の頭の中には、今日が親族会議の日で、懐かしい親族たちが一堂に集まることなどわずかほどもないのだ。@ ;　……頭の中には、肖像画の中でしか微笑まない、油彩画の魔女の面影があるだけだ…。@ `Inside Kinzo's head, there was nothing like 'today is the day of the family conference and all my dear family will gather together'.`@ `......There was only the face of the witch in the oil painting, who didn't smile except inside the portrait...`@ br ;　金蔵がベアトリーチェの話をする時、余計な口を挟むことは、彼の逆鱗に触れることも同じであることを、誰もが知っていた…。\ `Everybody knew that when Kinzo talked about Beatrice, unnecessarily cutting in would instigate his wrath...`\ bg black,22 bg Mlib_1d,0 ld r,$KIN_fukigenA1,26 ;「私は今日、…ある儀式を執り行う。」@ `"Today, I will...hold a certain ceremony."`@ ld l,$NAN_MajimeA1,23 ;「ほう。@…それは何ですかな？」\ `"Hoh.`@` ...And what would that be?"`\ ld r,$KIN_fumuA1,80 ;「……儀式というよりは、博打に近い。@…なぜなら、リスクを負わぬ魔法に奇跡は宿らぬからだ。」\ `"......It would be more accurate to call it a gamble.`@` ...After all, miracles only dwell within magics based on risk."`\ bg black,25 ;　その話を南條はもう何度も聞いている。@ ;　金蔵の口癖といってもいい。@ `Nanjo already heard that story many times over.`@ `You could call it Kinzo's favorite phrase.`@ br ;　……ある種のリスクある確率に自分の運命を賭す時、金蔵はそれに勝利することで魔法や奇跡を信じているようだった…。\ `......It seemed that Kinzo believed that magic and miracles could happen by betting your own fate with certain kind of risk and triumphing...`\ bg Mlib_1a,0 ld r,$NAN_fumuA1,26 ;「かつて黄金のギャンブラーと言われた金蔵さんが、@いつお迎えが来てもおかしくないそのご老体で、一体どんな博打に挑みますやら…。@これは見物ですな…。」\ `"So, Kinzo-san, you who were once called the Golden Gambler, `@`that old man who could go to the other world at any time, I wonder what kind of gamble you will seek...`@` I guess this will be worth seeing..."`\ bg black,23 bg Mlib_1c,0 ld l,$KIN_WaraiA2,24 ;「ふ…。@……なるほど。@研究を尽くした秘術の儀式も、魔法に長けぬお前に掛かれば博打呼ばわりか。@まぁいい。」\ `"Hmph...`@`......I see.`@` If the secret ritual I devoted my research to hits you who is not proficient at magic as well, would you call it a gamble?`@` Whatever."`\ ld l,$KIN_DefA1,80 ;「……………奇跡を信じる私が勝てば、@お前の目には酔狂にしか見えなかったであろう我が研究の全てがこの日に結実したことを、はっきりと理解できるだろう。@お前が勝てば、@……見たままの通り、いつ迎えが来てもおかしくない年寄りの酔狂に終わるだけだ。」\ `"...............I believe in miracles and if I win, you will be able to understand clearly that all my research, which probably only appears as vagary in your eyes, did bear fruits in this day.`@` If you win, `@`......it will all end as nothing more than the vagary of the old man who can go to the other world at any time, in accordance to what you saw."`\ ld r,$NAN_MajimeA1,24 ;「ほぅ…。@一体、どんなギャンブルを始めるやら…。@あなたの友人として、その賭けに、…いや、儀式でしたか。@/ `"Hoh...`@` I wonder what on earth is this gamble you will start...`@` As your friend, in that bet, ...no, was it a ceremony? `@/ ld r,$NAN_fumuA1,80 ;…その儀式にあなたが勝てるよう、心からお祈りするだけです。」@ `...I only pray from the bottom of my heart that you can win in that ceremony."`@ ld l,$KIN_WaraiA2,80 ;「うむ、…感謝する。」\ `"Hmm, ...I thank you."`\ ld r,$NAN_DefA1,80 ;「……そう言えば金蔵さん。@今年の親族会議には懐かしい客がおられるそうですな？」@ `"......Speaking of that, Kinzo-san.`@` You heard that a longed-for guest will be present at the family meeting this year?"`@ ld l,$KIN_MajimeA1,80 ;「何……？」@ ;　南條の言葉に、珍しく金蔵が反応し振り返る。\ `"What......?"`@ `Kinzo reacted in a unusual way to Nanjo's words and turned around.`\ ld r,$NAN_MajimeA1,80 ;「ほら、留弗夫さんのところの戦人くんです。@６年ぶりにお出でになるそうじゃありませんか。@きっと立派になっていますよ。」\ `"Right, Battler-kun from Rudolf-san's family.`@` I hear he will be coming after six years.`@` I'm sure he has became a splendid boy."`\ ld l,$KIN_fumuA1,80 ;「…………何だ、戦人か。@…６年ぶり程度の客人など、懐かしいなどと呼びはせぬ。」@ `"............Oh, Battler?`@` ...I wouldn't call him 'longed for', a guest who doesn't show up for six years."`@ cl l,23 br ;　戦人の名を聞き、まるで拍子抜けだとでも言うような不機嫌な表情を見せると、金蔵は再び背を向けた。\ `After hearing Battler's name and showing an ill-humored expression, as though saying that was a let-down, Kinzo turned his back again.`\ ld r,$NAN_KomaruA3,80 ;「金蔵さんにとっての６年など、この部屋で研究に没頭すればあっという間のことでしょうからな…。」\ `"I guess these six years went by in a blink of an eye to you since you began immersing yourself in your research in this room..."`\ bg Mlib_1a,0 ld c,$KIN_WaraiA1,23 ;「ふ。@……本当に懐かしい客は、/ ;!d400………あるいは訪れるかもしれん。@………全てはルーレットの出目次第だ。@…すでにルーレットは回り始めている。@ルージュか、ノワールか。」\ `"Hmph.`@` ......Possibly, a truly longed-for guest, `/ !d400`.........will pay us a visit.`@` .........Everything depends on the results of the roulette.`@` ...The roulette is already starting to revolve.`@` Rouge, or Noir?"`\ ld c,$KIN_WaraiA2,80 ;「…………今宵、ルーレットがどんな奇跡を見せてくれるのか、楽しませてもらおうではないか。@…配当は大きいぞ。@そして負ける気はせぬ…。@……ベアトリーチェよ、…我が賭けを受けるがいい………。」\ `"............Tonight, let us enjoy ourselves as we see what kind of miracle the roulette will show us.`@` ...The payoffs are large.`@` And I don't feel like losing...`@` ......Beatrice, ...you can accept my bet........."`\ bg black,22 ;　その時、卓上の電話が鳴り響いた。@ `At that time, the telephone on the table rang.`@ br ;　金蔵はそのけたたましい音が気に入らなかったらしく、少しでも静けさを守るために受話器を取る。\ `It seemed that the piercing sound didn't please Kinzo, and he picked up the receiver in order to preserve the silence as much as he could.`\ bg Mlib_1e,22 ;「……何事か。@私は忙しい。」@ ;「源次でございます。@親族の皆様方が到着なされました。」@ ;「だからどうしたというのだ。@適当に茶でも出せば良い。」@ ;「…かしこまりました。@そのようにいたします。」\ `"......What is it?`@` I'm busy."`@ `"Genji speaking.`@` Everyone has arrived."`@ `"And what's wrong with that?`@` You can serve them some tea or something."`@ `"...Certainly.`@` I'll do that."`\ bg black,22 bg Mlib_1c,22 ;　金蔵は乱暴に受話器を置く。@ `Kinzo hung up the phone rudely.`@ br ;　それを見ながら南條は何度目になるかもわからないため息をつき、窓の外へ目を向けるのだった。\ `Looking at that, Nanjo sighed yet again and shifted his attention outside the window.`\ me1v 5,40 ;　今の金蔵は、どんな来客が訪れようとも関心を持たないだろう。@ ;　…そんな金蔵に、出るべき時に出ると言わしめる来客などいるのだろうか。@ `As he is now, Kinzo is probably not interested in any kind of guest.`@ `...Did a guest exist who would make Kinzo come out when the time came, as he had said?`@ br ;　金蔵にその心当たりがひとりいたが、それは絶対に現れるわけもない来客…。\ `He had someone in mind, but that guest couldn't appear...`\ bg black,22 bg portrait2,26 ;　南條は、笑っているのか、悲しんでいるのかすらも量れない淡白な表情を浮かべる肖像画の魔女を見やり、鉛色の空を見上げるのだった……。\ `Nanjo stared at the witch of the portrait, who held a candid facial expression, unable to decide whether she was smiling or sad, and he gazed up at the lead-colored sky......`\ mov %play_scene,60 ;●メ bg black,5 fede 0,2000 wait 2000 se1 22 bg butterfly_1a,2 wait 1000 bg butterfly_3a,22 wait 1000 se1 17 bg white,10 bg G1F_S1b,22 se2 52 bg G1F_S1bP,42 wait 2000 ld c,$BEA_akuwaraiA1,2 ;■お茶会の場所。戦人とベアト bgm1 47 ;　さぁて、駒はこれで全て並んだか……？@ ;　全ての駒を並べ直し、新しいゲームを始めようではないか。\ `Very well, are all the pieces lined up now......?`@ `Shall we line up all of these pieces again and start a new game?`\ ld c,$BEA_DefA2,80 ;「何か問題は…？」@ ;＜ベアト `"Do you have a problem...?"`@ cl a,0 ld l,$BEA_DefA2,0 ld r,$BUT_nayamuA1,24 ;「……ねぇよ。」@ ;＜戦人 `"......Nope."`@ ;　魔女は優雅に煙管を吹かしながら挑発の眼差しを浮かべる。\ `The witch looked at him in challenge while elegantly smoking her pipe.`\ ;　戦人は？@ ;　まるで相手にする気もないようにぞんざいに肩を竦める。\ `And Battler?`@ `He just slovenly shrugged his shoulders as though he didn't really feel like being her opponent.`\ ;　目は合わせない。@でもそれは相手にもしないという意味ではない。@ ;　…貴様の術策には決して乗らないという明白な決意。@ `He just couldn't make his eyes meet hers.`@` But that didn't mean he wasn't a match for her.`@ `...It signified his plain determination to never be taken in by the artifices of this bastard.`@ br ;　戦おうという力強い決意の表れ。\ `It was an expression of his powerful determination to fight.`\ ld l,$BEA_AkuwaraiA1,80 ;「まさか、無策ではあるまいな…？」@ `"Don't you tell me you don't have a plan...?"`@ ld r,$BUT_oyaA1,80 ;「お前の出方がわからねぇ以上、策も何もねぇぜ。@…好きに先手を取ればいいじゃねぇか。」\ `"Since I don't know your moves, I don't have any plan.`@` ...Feel free to take the initiative."`\ ld l,$BEA_WaraiA1,80 ;「ふ…。もちろんそうさせていただくぞ。@お前の守りを如何に崩すか。@何手で詰めるか。@/ `"Hmph... Naturally, you'll allow me that.`@` In what way shall I destroy your defense?`@` With how many moves will I checkmate you? `@/ ld l,$BEA_futekiA1,80 ;……妾の腕の見せ所よ。」\ `......It's an opportunity to display my skills."`\ ld r,$BUT_niramuA1,80 me1v 16,10 ;「…………お前がどんな手で来ようが、俺はお前を信じない！@　…その一点を俺が貫き通す限り、俺に負けはない。@ってことはだ。@このゲームはお前に勝てないように出来てるぜ…？」\ `"............Whatever moves you come at me with, I won't believe you!`@` ...As long as I stand my ground on that point, I won't lose.`@` And that's that.`@` This game was made so that I can't defeat you, right...?"`\ bg G1F_S1aP,0 ld c,$BEA_WaraiA1,23 ;「そうかも知れぬ。@しかしな？@　ゲームを何度繰り返すかは妾が決めるぞ。@そして妾が勝ち、そなたが負けを認めるまで何度でも繰り返されるぞ…？」\ `"Maybe you're right.`@` However, you know what?`@` I'll decide how many times we'll repeat this game.`@` It will be repeated over and over again, until I win and you recognize your defeat, okay...?"`\ ld c,$BEA_futekiA1,80 ;「つまりこれは拷問よ。@そなたが妾に屈服するまで続く永遠の拷問…！@　そなたが妾を、魔女の存在を認めるまで永遠に続く！」\ `"In other words, this is torture.`@` It's eternal torture that will continue until you surrender to me...!`@` It will continue eternally, until you recognize me and the existence of the witch!"`\ bg G1F_S1cP,0 ld l,$BUT_niramuA2,24 me2v 5,20 ;「……なら、俺もお前が根負けするまで、何度でも無限に付き合ってやるぜ。@意地の張り合いってヤツでは負けた例がねぇんだ。」\ `"......In that case, I'll go along with you endlessly, any number of times, until you run out of patience.`@` I've never lost in these 'endurance competitions'."`\ ld r,$BEA_AkuwaraiA1,24 ;「どこぞの魔女にでも入れ知恵されたか…？@　くっくっくっく、まぁ良い…！」@ `"Did a witch from somewhere suggest that to you...?`@` *cackle*cackle*, that's just fine...!"`@ ld l,$BUT_odorokiA1,80 ;「御託は聞き飽きたぜ。@…さぁ、おっ始めやがれ！」\ `"I'm tired of listening to your rambling.`@` ...C'mon, get this started!"`\ ld r,$BEA_futekiA1,80 ;「さぁ、始めようではないか！@　そなたの指し手はすでに知り尽くしておる。@手の内を知られた守りなどタカが知れておる！@　同じ手で凌ぎきれると思うでないぞ！！」\ `"Come, let us begin!`@` I already know your moves far too well.`@` A defense doesn't amount to much if the plan behind it is known!`@` Don't think you'll be able to defy me with the same moves!!"`\ ld l,$BUT_MajimeA1,80 ;「……ベアトリーチェ。@ひとつだけ最初に言っておくことがある。」\ `"......Beatrice.`@` I have only one thing to tell you before we start."`\ ld r,$BEA_DefA2,80 ;「なんだ…？」\ `"What is it...?"`\ textoff cl a,0 ld c,$BUT_nayamuA2,23 ;「お前が何をのたまおうと自由だ。@/ ;!s0だが、俺が信じるかどうかは、/ ;!d800常に・/ ;!d500俺が・/ ;!d500自分で決める…！/ `"You're free to say anything. `@/ !s0`However, whether I'll believe you or not, `/ !d800`is something・`/ !d500`I'll decide・`/ !d500`for myself...! `/ !sd@/ ld c,$BUT_odorokiA1,80 ;　貴様の魔法がどれほどのものだったとしても！@　俺の魂は屈しない。@これは俺への拷問だと？@　違うね！！」\ `No matter how much of this magic you have!`@` My soul won't yield to you.`@` You think this is torture for me?`@` You're wrong!!"`\ bg G1F_S1bP,0 ld r,$BEA_futekiA1,24 ;「ならば何だと言うのか…！」\ `"Then, what are you talking about...!"`\ ; mov %ryuu2,40 ; for %ryuu1 = 70 to 100 ; wait %ryuu2 ; bgmvol %ryuu1 ; next ;textoff ;fede 0,1500 cl a,0 ld l,$BUT_niramuA1,23 ;「これは、お前への拷問なのさ！！/ `"This is torture for you!! `/ fede 0,600 se1v 2,100 bgm1v 48,100 bg white,1 bg G1F_S1bP,0 ld l,$BUT_OdorokiB1,22 ;　お前がいつ俺に屈し、諦めるか！@　それまで繰り返される拷問なのさ！」\ `Someday you will yield to me and give up!`@` Until then, you'll be tortured over and over again!"`\ bg G1F_S1cP,0 ;ld c,$BEA_waraiA1,24 ld c,$BEA_waraiA2,24 ;「面白いかな、その喩えや良しッ！！@　互いを苛み合う拷問とは実に面白い！@/ `"How interesting, that's a nice comparison!!`@` Torture where we torment each other sounds truly interesting! `@/ ld c,$BEA_akuwaraiA1,80 ;　さぁて始めようではないかその拷問ッ！！@　右代宮戦人あああぁぁッ！！！」\ `Come, shall we begin that torture!!`@` Ushiromiya Battleeeeer!!!"`\ textoff se1v 2,100 bg white,1 bg G1F_S1cP,0 ld c,$BEA_futekiA1,2 bg black,42 eye2 10,45,10,45,1,0,510,340,25 ;▲第４アイキャッチ：１０月４日（土）１０時４５分 *umi2_5 ;▲第４アイキャッチ：１０月４日（土）１０時４５分 mov %play_scene,60 bg white,2 bg rose_1a,6 bgm1 12 ;　六軒島を訪れる親族たちは、毎年、最初に出迎えられる薔薇庭園で感嘆のため息を漏らすことになる…。@ `Every year, the relatives who visit Rokkenjima let out a sigh of admiration at the rose garden which first greets them...`@ ;　彼らは足を止め、今年の薔薇の美しさや咲き具合について語り合うのだった。\ `They stand still, talking with each other about the roses' beauty and the state of their blooming.`\ bg rose_1b,24 ld r,$MAR_DefA1,24 ld r,$MAR_KomaruA1,80 ;　その中に一輪、枯れ掛けた薔薇があり、真里亞が感傷に囚われ消沈してしまう。@ `In the midst of all this, there was a single unhealthy rose, and Maria became overwhelmed with dejection at its state.`@ br ld l,$GEO_DefA1,23 ld r,$MAR_WaraiA1,80 ;　でも、譲治が機転を利かし、@そんなに可哀想なら面倒を見てあげればいいと飴玉の包み紙で目印を付けてあげると、すぐに機嫌を直した。\ `But George used his quick wits, `@`and, saying everything would be fine if they looked over this poor thing, marked it with a candy wrapper, and immediately restored Maria's good mood.`\ bg rose_1a,0 ld r,$BUT_DefA2,0 ld l,$MAR_WaraiA2,23 ;　そして、今朝からずっと仲のいい戦人が、真里亞の大好きなハロウィンの話を振ると、もう元気を取り戻しはしゃぎ始めるのだった。\ `And once Battler, with whom she had been getting along well since that morning, raised the subject that Maria loved so much, Halloween, she began playing around energetically again.`\ bg black,22 bg sweet1,22 ;　真里亞にとっては、@今朝、楼座に買ってもらったジャックオーランタンのマシュマロ菓子が何よりの宝物なのだろう。@ `Maria probably treasured that marshmallow jack-o-lantern candy that her mother had bought for her more than anything.`@ br ;　…何本も買ってもらったらしく、会う人会う人にトリックオアトリートを求めては、逆にお菓子を与えているのだった。\ `...It seemed that several of them had been bought for her, and she demanded trick-or-treat from every person she met, giving them candy instead of the other way around.`\ bg black,23 bg rose_G1a,23 ld c,$BUT_defA2,24 ;「真里亞はどうしてこんなにハロウィンが好きなんだろうな。@日本人には、ひとつ馴染みにくいイベントだと思ってたんだが。」@ ;＜戦人 `"I wonder why Maria likes Halloween so much.`@` I thought that event was pretty difficult for Japanese people to get used to."`@ ld r,$JES_futekiA1,24 ;「仮装行列で練り歩く子どものお祭りだからじゃねぇのか？@　普段と違う格好をしてはしゃぎあうってのは楽しいぜ。」\ ;＜朱志香 `"Isn't that because it's a kid's festival where they get to parade around in costumes?`@` It's fun to play around in an outfit that's different than usual."`\ ld l,$GEO_HohoemiA1,23 ;「うーん、…多分、僕はもう少しディープな理由によるものだと思うなぁ。@何しろ、“魔女”の真里亞ちゃんだからね。」@ ;＜譲治 `"No, ...I think there's probably a slightly deeper reason.`@` After all, she is the 'witch' Maria-chan."`@ ld c,$BUT_defA1,80 ;「そういや、飛行場でも真里亞は、仮装するなら魔女になりたいって言っていたっけ。@真里亞って魔女が好きなんだ？」\ ;＜戦人 `"Come to think of it, when we were at the airport, didn't Maria say that if she was going to wear a costume, it would be a witch?`@` Did Maria like witches?"`\ bg garden_1c,0 ld r,$ROS_komaruA3,24 ;「……えぇ、大好きよ。@困ったくらいに。」@ ;＜楼座 `"......Yes, she loves them.`@` So much that it becomes a problem."`@ ld l,$JES_atyaA3,23 ;「まぁまぁ。@あのくらいの年頃は、ファンタジックな存在に憧れるもんですから。」@ ;＜朱志香 `"Well,`@` admiring fantastical stuff like that is to be expected at that age."`@ ld r,$ROS_nayamuA1,80 ;「せめて、テレビアニメのヒロインに憧れるくらいなら可愛いんだけど…。@…はぁ。」\ ;＜楼座 `"At least it would be cute if she admired a heroine on some TV anime...`@`...haah."`\ ;　楼座のその様子を見る限り、母親としては娘の魔女好きをあまり快く思っていないようだった。@ `Judging by Rosa's appearance, it seemed that, as a mother, she did not find her daughter's love for witches pleasant.`@ br ;　それは戦人以外のいとこたちにとっては理解できることであるらしく、苦笑いしながら肩を竦めあうのだった。\ `It seemed that the cousins other than Battler were able to realize this, and they shrugged their shoulders, smiling bitterly.`\ bg rose_G1a,24 ld r,$BUT_DefA2,24 ;「ふーん？@　魔女好きだとハロウィンも好きになるって論法なのか？@/ `"Hmmmm?`@` So you're arguing that because she likes witches, she also likes Halloween? `@/ ld r,$BUT_waraiA1,80 ;　わかんなきゃ本人に聞けばいいか。@おい真里亞。@ハロウィンと魔女って何か関係あるのか？」\ ;＜戦人 `If we don't know, why don't we just ask the person in question?`@` Hey, Maria.`@` What kind of relationship do Halloween and witches have with each other?"`\ ;　戦人がそれを問い掛けると、譲治と朱志香が、あっと小さく声を上げる。@ ;　…まるで後の祭りだとでも言わんばかりだった。\ `As Battler asked that, George and Jessica raised a small voice.`@ `...It seemed they were too late.`\ ld l,$MAR_WaraiA2,23 ;　その質問は、真里亞にとっては待ってましたとでも言うようなものらしい。@ `It almost looked as though Maria had been waiting for that question.`@ ld l,$MAR_akuwaraiA2,80 ;　一瞬だけ嬉しそうな表情を見せた後、わかってないなぁとでも言うような小意地の悪いものにかわる。@ `After looking happy for an instant, her expression turned a little mean, as though to say 'Didn't you know that?'`@ br ;　門外漢が間違った思い込みで失言し、マニアの逆鱗に触れてしまった時に見せる表情そのものだった。\ `It was the expression of an enthusiast who has been enraged by the misspeak of an outsider with a wrong impression.`\ textoff fede 0,2000 ld l,$MAR_MajimeA1,80 bgm1 49 ;「うー。@…ケルト人は、一年間を通じてその勢いを変える太陽は、@一年を通して、生まれ、育ち、老いて死んで、そして再び蘇ると考えていたの。」@ ;＜真里亞 `"Uu-.`@` ...The Celts thought of the changing strength of the sun over the course of a year as,`@` its birth, its growing up period, its aging and death, and then its revival."`@ ld r,$BUT_DefA2,80 ;「納得だな。@春のか弱いぽかぽかした太陽が、どんどん成長して暑いくらいになり、@次第に痩せ衰えていく様をなるほど、太陽の一生と考えるのも頷けるぜ。」\ ;＜戦人 `"I get it.`@` In spring, the weak warm sun starts to grow up and become hot,`@` and then it gradually gets weaker and worn out, so I agree that you could think of the sun as an entire life."`\ ld l,$MAR_OdorokiA1,80 ;「うん。@だから彼らは、１０月の最後に太陽は死に、死の国で体を休めて、冬至の日に再び蘇ると考えたの。@それで、太陽が一年の生涯を終えて死ぬその日を大晦日、サヴィンと呼んで、お祝いしたの。」\ ;＜真里亞 `"Yes.`@` So they thought that at the end of October, the sun died, rested its body in the land of the dead, and then revived again at the winter solstice.`@` Then, they called the day that the sun ended its one year lifespan and died New Year's Eve, or Samhain."`\ bg rose_G1b,0 ld l,$GEO_DefA1k,23 ;「再び日照時間が長くなりだす冬至の日を、太陽の復活の日とする考え方はとても面白いよね。@古代の人々がいかに太陽を神聖視していたかがわかるエピソードだよ。」\ ;＜譲治 `"It's very interesting to think that on the day of the winter solstice, when the daylight hours start to grow longer again, the sun is revived.`@` It's an episode that makes you understand how much ancient people regarded the sun as sacred."`\ ld r,$BUT_KomaruA2,24 ;「…なるほどなぁ。@んで、それが魔女とどう関係があるんだ？」\ ;＜戦人 `"...I see.`@` And? What do witches have to do with this?"`\ bg garden_1c,0 ld c,$MAR_Komarua1,24 ;　俺が適当に先を促したのが少し真里亞の逆鱗に触れたらしい。@ ;　口を挟まず説明させろというような目で睨みつけられる。@ `It seemed that my casual urging forward had slightly infuriated Maria.`@ `She glared at me with eyes that told me to let her explain without interrupting.`@ br ;　……真里亞が楽しそうに語っているのだから、とりあえず口を挟まないことにしておく…。\ `......Maria looked like she was having fun telling me, so I decided not to interrupt...`\ ld c,$MAR_WaraiA1,80 ;「１０月と１１月の狭間は、生と死がもっとも近くなる。@…ケルト人たちはこの時期に、生者の世界と、死者やこの世ならざる者の世界がもっとも近付き、@異界の住人たちがたくさん訪れると信じてたの。@/ `"In the interval between October and November, life and death become the closest they ever will.`@` ...The Celts believed that during this time, the world of the living and the world where the dead and those not of this world reside grew closer,`@` and many of those living in the other world would come to visit. `@/ ld c,$MAR_AkuwaraiA1,80 ;……日本でいうお盆みたいなものだよ。@きひひひひ。」\ `......It was like the Bon festival in Japan.`@` Kihihihihi."`\ bg black,25 ;　現世に戻ってくる霊魂たちが、人々の家に入ってきたり、あるいは憑り付いて悪さをすると当時の人々は信じていた。@ `At the time, the people believed that the souls returning to the physical world would go into people's houses or possess people, and do bad things.`@ br ;　そこで彼らは、これらの害を受けないようなおまじないを生み出していった。@ `So in order to avoid harm from them, the people created enchantments.`@ br ;　そのひとつが、不気味な怪物の姿を模して、霊魂たちを逆に怖がらせ、憑り付かれないようにしようというものだったらしい。\ `One of those was to imitate creepy monsters and scare the souls instead, which was apparently a way to avoid being possessed.`\ bg rose_G1a,22 ld r,$JES_WaraiA1,24 ;「その部分がお祭りになっていって、仮装行列になってったんだなぁ。@…真里亞は本当に物知りだぜ！」@ ;＜朱志香 `"That part became a festival, which turned into a costume parade.`@` ...Maria's really knowledgeable!"`@ ld l,$HID_WaraiA2,23 ;「……ほんまやなぁ。@わしも、ハロウィンにそないな謂れがあるなんて知らんかったわ。」\ ;＜秀吉 `"......Ain't it the truth.`@` Even I never knew Halloween had such a history."`\ ld c,$RUD_WaraiA1,23 ;「しかし、それのどこにお菓子をくれなきゃイタズラしちゃうぞってのが出てくるんだ？」\ ;＜留弗夫 `"But where did the whole thing about give us candy or we'll prank you come from?"`\ ;　意外にも博識なので、大人たちもいつの間にか話を聞いていた。@普段、最年少扱いされてばかりの真里亞は得意げに胸を張っているのだった。@ `Her knowledge was so extensive that the adults had suddenly started listening in too.`@` Maria, who was normally treated like the youngest the whole time, puffed out her chest in pride.`@ br ;　楼座は、子どもの話だからと、早く輪を散らしてゲストハウスに荷物を下ろしに行きたいと言うのだが、@誰も賛同してくれず、はぁっと重いため息を漏らすのだった。\ `Rosa tried to say this was just a kid's story, and that she wanted to quickly break up the circle and set the luggage down in the guesthouse,`@` but nobody else agreed, and she let out a heavy sigh.`\ bg rose_1b,0 ld c,$MAR_niyariA1,24 ;「うー。@トリックオアトリートは単なるお遊び。@本来のケルト人たちの儀式とは何の関係もない。@それは後にキリスト教の習慣が混合して出来たものなの。@…でも、真里亞は本来のハロウィンの姿とはそうあるべきだと思うの。」\ `"Uu-.`@` Trick-or-treat is just for fun.`@` It has nothing to do with what was originally a Celtic ceremony.`@` That was created later when Christian customs were mixed in.`@` ...However, Maria thinks that Halloween should be that way."`\ ;　真里亞の話によると、人ならざる者たちの世から訪れるのは死者の霊ばかりでなく、@人々の生活と密接な関係にある精霊たちもたくさん訪れるのだという。@ `According to Maria, the souls of the dead weren't the only ones who visited from the nonhuman world.`@` There were also spirits that had an intimate connection to how people lived.`@ br ;　その精霊たちの恩恵を人間が受けられるからこそ、素晴らしい恵みを得ることができ、@一年の収穫を得ることができたのだ。\ `Because humans could receive the favors of those spirits, they were able to earn a wonderful blessing,`@` and a year's worth of good crops.`\ ld r,$JES_DefA1,24 ;「つまり、ハロウィンってのは収穫祭の意味も少しはあったわけか。」@ ;＜朱志香 `"So in other words, Halloween was also a bit of a harvest festival?"`@ ld l,$BUT_WaraiA1,23 ;「なるほどな。@…言われてみりゃ１０月ってのは、季節的にも色々節目って気がするぜ。@日本の４月のちょうど反対側だもんな。@……なるほど、キリはいいかもしれねぇなぁ。」\ ;＜戦人 `"I see.`@` ...Now you mention it, I get the feeling that October is a turning point in various ways, including seasonally.`@` Really the opposite of April in Japan.`@` ......I see, that might be a good place to mark it."`\ bg garden_1a,0 ld r,$MAR_NiyariA1,23 ;「うー！@　そしてね、魔女たちはね、その時期に魔女集会、サバトを開いたの。@魔女たちは豊かな恵みをもたらしてくれた精霊たちに感謝し、労ったの。」\ `"Uu-!`@` And you know, the witches, they hold a witch assembly during that time, on the Sabbath.`@` The witches thank the spirits that give out blessings of prosperity, and reward them."`\ ld l,$GEO_WaraiA1,23 ;「ハロウィンの仮装は、向こうから来る客人たちの模倣。@……つまり、彼らにお菓子を施すのは、一年の収穫への感謝の気持ちがあってもいいわけだね。」@ ;＜譲治 `"Halloween costumes imitated the guests coming from the other side.`@` ......In other words, you might as well say that giving candy is because of feelings of thanks for the yearly harvest."`@ ld r,$MAR_WaraiA1,80 ;「うー！@　譲治お兄ちゃんの言う通り！」\ ;＜真里亞 `"Uu-!`@` Just like George onii-chan says!"`\ cl l,24 ld l,$BUT_waraiA2,23 ;「つまり、ハロウィンはこの世とあの世の交流のある時期ってわけなんだな？@　それでつまり、魔女たちにとってはそういう世界の客人たちと交流できる大切な機会だったと。@そう言いたいわけか。」@ ;＜戦人 `"So Halloween is a time when this world and that world intermingle?`@` So, in other words, it's the most important chance for witches to intermingle with guests from that world.`@` Is that what you want to say?"`@ ld r,$MAR_WaraiA2,80 ;「うー！！@　戦人の言う通り！」\ ;＜真里亞 `"Uu-!!`@` Just like Battler says!"`\ cl a,0 ld c,$MAR_AkuWaraiA1,80 me1v 16,50 ;「だからね？@　だからね？！@　魔女たちや悪魔たちの力がもっとも活発で盛んになるのが１０月なの！@　きひひひひひひひ、きっとベアトリーチェも来てくれる！」\ `"And you know what?`@` You know what?!`@` October is the time when the power of witches and demons is at its most vigorous and prosperous!`@` Kihihihihihihihi, I'm sure Beatrice will come!"`\ ld c,$MAR_waraiA2,80 ;「そしてね、一緒にマシュマロお菓子食べて、真里亞も黄金郷に連れてってもらうの！@　一緒に魔法のお唄を歌って、魔法の呪文を習って、魔法陣の書き方を習うの！@　そしてね、ルーンの秘密を習って、早く早く真里亞を立派な魔女にしてもらうの！」\ `"And then, we'll eat marshmallow candies together, and she'll bring Maria to the Golden Land with her!`@` We'll sing magical songs together, learn magic spells together, learn how to draw magic circles together!`@` And then, we'll learn the secrets of runes, and Maria will become a great witch really, really quickly!"`\ textoff fede 0,3000 bg rose_1a,0 ld l,$ROS_KomaruA4,23 ld r,$EVA_WaraiA1,24 me1v 5,40 ;「あらあら、それは素敵ねぇ。@子どもは夢があるのが一番よ。@/ `"My, my, isn't that wonderful.`@` It's best for kids to have dreams. `@/ ld r,$EVA_AkireA2,80 ;ところで楼座、@真里亞ちゃんは今年でいくつになったんだったかしら…？」\ ;＜絵羽 `By the way, Rosa,`@` how old will Maria be this year again...?"`\ ld l,$ROS_NayamuA1,80 ;「ま、…真里亞…。@もうそのお話は終わりにしなさい！」@ ;＜楼座 `"M, ...Maria...`@` That's enough of that story!"`@ cl r,23 ld r,$KIR_WaraiA2,24 ;「気にしないで、楼座さん。@女の子なら誰だって一度は思い描く夢じゃない。」\ ;＜霧江 `"Don't worry about it, Rosa-san.`@` It's a dream that any girl has at one time or another."`\ ld l,$ROS_KomaruA4,80 ;「あ、ありがとうございます。@…でももう、真里亞はそういう歳を卒業していますので。@/ `"Th, thank you very much.`@` ...But Maria has already graduated from that age. `@/ ld l,$ROS_ikariA1,80 ;…こら、やめさないと言ってるでしょ！」@ ;＜楼座 `...Hey, I'm telling you to stop!"`@ br ;　真里亞がこれ以上、黒魔術的なことを朗々と語りだし、親族たちの失笑を買わないうちに、楼座は黙らせようと凄む。\ `Rosa scolded Maria, trying to shut her up before her cheery discussion about black magic earned her the sniggers of the relatives.`\ bg rose_1b,0 ld l,$MAR_AkuwaraiA2,24 ld r,$BUT_AseruA1,24 ;「へー…。@そいつぁ何だかスケールのでかい話だな。@/ `"Hey...`@` Isn't that a pretty large-scale story? `@/ ld r,$BUT_KomaruA2,80 ;……ところでベアトリーチェって誰だっけ？@　……何だっけ、えっとえっと、聞いた名前だな…。」\ `......By the way, who was Beatrice again?`@` ......What was it, umm, umm, I've heard that before..."`\ ld l,$MAR_fukigenA1,80 ;　戦人は６年ぶりなので、六軒島の魔女伝説のことをすっかり忘れていた。@ `Battler had been gone for six years, and had completely forgotten about the Legend of the Rokkenjima Witch.`@ br ;　だが、ベアトリーチェの名を知らないと口にしてしまったことは、直前までとても上機嫌だった真里亞を一瞬で不機嫌にしてしまった。\ `However, when he said that he didn't know Beatrice's name, Maria's mood, which had been so bright until just now, became sour in an instant.`\ bg black,5 ;　それを見て、戦人はすぐにこの島の魔女の名前だったと思い出すのだが、全て後の祭り。@ `When he saw that, Battler immediately remembered that it was the name of the witch of this island, but the damage had been done.`@ br ;　…真里亞が機嫌を直すまで、延々と黄金の魔女の素晴らしきミステリアスなエピソードの数々を語りこまれるのだった…。\ `...Until Maria's mood improved, she went on and on about many mysterious and fabulous episodes regarding the Golden Witch...`\ fede 0,2000 bgm1 1 bg rose_1a,6 ld r,$ROS_nayamuA1,24 ;「もうよしなさい、真里亞。@/ `"That is enough, Maria. `@/ ld r,$ROS_aseruA1,80 ;ありがとうね戦人くん、お話に付き合ってくれて。@…嘉音くん、お仕事があるんでしょう？@　もう行って頂戴。@郷田さん、みんな取り敢えず荷物を置きたがってると思うの。@悪いんだけど、みんなをゲストハウスへ案内してくれるかしら？」\ ;＜楼座 `Thank you, Battler-kun, for going along with her story.`@` ...Kanon-kun, don't you have work to do?`@` Please leave now.`@` Gohda-san, it looks like everyone wants to set down their bags for the time being.`@` Sorry, but could you guide everyone to the guesthouse?"`\ bg rose_G1a,0 ld l,$KAN_DefA1,0 ld r,$GOH_DefA1,24 ld r,$GOH_HohoemiA2,80 ;「かしこまりました。@…それでは皆様、ゲストハウスへご案内いたします。」@ ;＜郷田 `"Certainly.`@` ...Well then, everyone, I will guide you to the guesthouse."`@ cl r,23 ld l,$KAN_NAyamuA1,80 ;「……それでは失礼いたします。」\ ;＜嘉音 `"......Then if you will excuse me."`\ cl l,24 ;　郷田が親族たちを先導してゲストハウスの方に向かっていく。@ `Gohda lead the relatives and they began to head to the guesthouse.`@ br ;　荷物を置いて、とりあえず一息つきたい彼らは、楼座と真里亞がその場に留まっていることには気付かなかった。\ `Since they wanted to set down their luggage and take a quick rest, they didn't realize that Rosa and Maria had stopped in that place.`\ textoff fede 0,2000 bg rose_1b,0 ld l,$MAR_fukigenA1,0 ld r,$ROS_komaruA4,24 ld r,$ROS_ikariA3,80 me1v 5,40 ;　彼らがゲストハウスの方へ行ってしまったのを見届けると、楼座の形相がたちまち変わった。\ `After watching them leave towards the guesthouse, Rosa's features changed suddenly.`\ ;　ずっと真里亞の腕を握り締めていた手を離す。@ `She let go with the hand that had been gripping Maria's arm the whole time.`@ br ;　…そこには真っ赤な跡が残り、真里亞の華奢な腕が、いかに過ぎた力で握られていたかわかった。\ `...There was a bright red mark there, making it clear how much excessive force she had been gripping Maria's slender arm with.`\ cl r,0 ld c,$ROS_IkariA4,24 E_A se1 6 ;　そしてその手は、真里亞の頭をぴしゃりと叩くと、左の耳を鋭くつねり上げる…。\ `That hand then slapped against Maria's head, pinched her left ear, and lifted...`\ bg black,22 se2 21 ;「魔女の話はするなといつも言っているでしょうが……。@…それは私との約束だといつも言っているでしょう……。」@ `"Even though I'm always telling you not to talk about witches......`@`...Haven't I always said that was our promise together......?"`@ ;「ママ痛い、ママ痛い…、痛い痛い痛い……。」\ `"Mama, ouch, Mama, ouch..., ouch ouch ouch......"`\ bg rose_1b,0 ld c,$ROS_IkariA2,1 se1 13 quakey 5,1000 bgm1 16 ;「ハロウィンハロウィンうるさいのよあんたは…。@魔女のお祭り…？@　ケルト人が何よ、黒魔術が何よ、馬ッ鹿じゃないの……？@　あんた、９歳よ９歳…。@電車であんなに騒ぐから、わざわざ電車降りてまでその蛍光塗料みたいな気持ち悪いオバケマシュマロを買ってやったのよ…。@遅刻してまであんたに買ってやったのよ。@あんたどこまで私の顔を潰せば気が済むのよ……！」\ `"You're so noisy with that 'Halloween, Halloween'...`@` A witch festival...?`@` What are the Celts, what is black magic, ridiculous, isn't it......?`@` You are nine years old, nine...`@` In the train, you made that ruckus, so I had to all the trouble of getting off the train and buying you that disgusting monster marshmallow that looked like it had fluorescent paint on it...`@` We were even late because I bought it for you.`@` How much more will you have to embarrass me before you're satisfied......?!"`\ ;　楼座は呪いの言葉を吐きながら、真里亞の耳を千切れんばかりに捻り上げる…。@ ;　真里亞は苦悶の表情を浮かべながら、懸命に爪先立ちになって、引っ張られる耳の痛みを和らげようとしている…。\ `As Rosa cursed, she twisted Maria's ear up, making it seem like it was going to snap off...`@ `As an expression of anguish spread across Maria's face, she stood on her tiptoes as though her life depended on it, trying to soften the pain on the ear that was being pulled...`\ bg black,1 se1 8 quakex 3,500 ;　真里亞が手に持っているあのお菓子を楼座は突然奪う。\ `Rosa suddenly stole the candy that Maria had been holding in her hand.`\ bg sweet1,22 textoff se1 20 wait 800 se1 11 quakey 3,300 se1 11 quakey 3,300 se1 11 quakey 3,300 ;　するとそれを地面に叩き付け、何度も何度も踏みつけた。@ `She then threw it on the ground and stepped on it over and over.`@ br ;　真里亞にとってそれは、束の間とはいえ、母と楽しく買い物をした記憶の証であったはず…。@ `To Maria, it was supposed to proof of her memory of that brief span of time when her mother had bought something fun for her...`@ br ;　それが他でもない母に踏みにじられる光景。@ ;　…それが真里亞の瞳に、消せない焼きごてを押し当てる…。\ `But the fact of the matter was that she saw her mother trampling on it.`@ `...It was as though a brand had been pushed against Maria's eyes, leaving a mark that couldn't be erased...`\ bg rose_1b,0 ld c,$ROS_ikariA1,80 ;!s0「こんな気持ち悪いお菓子が何よ、/ !s0`"What's with this disgusting candy, `/ se1 9 quakex 2,200 ;気持ち悪い気持ち悪い…！！/ `disgusting, disgusting...!! `/ se1 9 quakey 2,200 @/ ld c,$ROS_IkariA2,80 ;　あんたがそんなだからッ、あんたがそんなだからッ！！/ `That's what you are, that's what you are!! `/ se1 9 quakey 3,300 ;@　気持ち悪い気持ち悪い気持ち悪い！！！」/ @`Disgusting disgusting disgusting!!!"`/ se1 9 quakey 4,400 !sd@ br ;　そう言いながら何度も何度も平手で頭を打つ。@…頬は打たない。赤く腫れて目立つからだ。@ `As she said that, she struck Maria's head over and over again with her palm.`@` ...She didn't hit Maria's face. Because the red swelling would stand out.`@ br ;　真里亞は目を固く瞑り、母の暴力にじっと耐えている…。@…いや、少し違った。\ `Maria closed her eyes tightly, patiently bearing her mother's violence...`@`...No, that wasn't quite it.`\ ld r,$MAR_SakebuA1,24 ;「……帰ってきてママ、帰ってきてママ…。@助けてママ、助けてママ…。@悪い魔女に打ち勝って……。」@ `".......Come back, Mama, come back, Mama...`@` Save me, Mama, save me, Mama...`@` Beat the bad witch......"`@ ;　そう呟き続けながら、ずっと耐えているのだ…。\ `She kept bearing it, muttering that over and over...`\ textoff se1 20 wait 1000 bg white,1 se1 12 quakex 4,500 bg black,22 ;「だからッ！！@/ `"Didn't I, `@/ se2 6 quakey 3,300 ;　そのッ、/ `tell you, `/ se2 6 quakey 3,300 ;魔女ってのをッ、/ `to stop, `/ se2 6 quakey 3,300 ;やめろッ、/ `saying, `/ se2 6 quakey 3,300 ;つってんのよ！！@/ `witch!! `@/ se2 8 quakey 4,300 ;　このッ/ `Why you, `/ se2 8 quakey 4,300 ;このこのッ！！！」\ `you, you!!!"`\ ;　叩き疲れた楼座は肩で息をする。@ `Rosa's shoulders shook as she breathed, tired from hitting.`@ br ;　…真里亞は両手を握り締め、早く“母”が帰ってくるのを耐えている…。\ `...Maria grasped her hands together, withstanding it, hoping her 'mother' would come back quickly...`\ bg rose_1a,0 ld r,$ROS_komaruA4,22 ld l,$MAR_SakebuA1,26 me1v 5,40 ;「……ママ、ママ…。@早く帰ってきて…。@真里亞を助けてよ、ママ……。@悪い魔女をやっつけてよ……。」@ `"......Mama, Mama...`@` Come back quickly...`@` Save Maria, Mama......`@` Finish off the bad witch......"`@ ld r,$ROS_ikariA1,80 ;「い、…いつまでもそこでそうしていなさい！！@　そしてそこで、魔女でもハロウィンでもいつまでもブツブツひとりで言ってればいいのよ！！」\ `"Wh, ...why don't you just stay there doing that forever!!`@` And then you can just stand there, mumbling about witches and Halloween forever!!"`\ bg black,24 bg rose_G1b,24 ;　楼座はそれだけを言い捨てると、その場に真里亞を残し、ゲストハウスの方へ去っていく。\ `After throwing those words at Maria, Rosa went off towards the guesthouse, leaving Maria behind.`\ bg black,22 bg sweet1,42 ;　…真里亞は、泣いてもいいことすら思い出せず、@踏みにじられ、見る影もなくなったジャックオーランタンのお菓子をいつまでもいつまでも、見下ろしていた…。\ `...Maria, unable even to remember that it was alright to cry,`@` kept staring down at the trampled, unrecognizable jack-o-lantern candy...`\ bg black,42 fede 0,4000 wait 2000 mov %play_scene,60 textoff bg black,5 wait 1000 bg G1F_P1a,8 ld r,$EVA_DefA1,24 ;■ゲストハウス ;「あら、楼座。@どこ行ってたのぅ？」@ ;＜絵羽 `"Oh, Rosa.`@` Where did you go?"`@ ld l,$ROS_KomaruA1,23 ;「ごめんなさい。@薔薇が素敵だったもので、ついつい。」@ ;＜楼座 `"I'm sorry.`@` The roses were so wonderful, I just..."`@ ld c,$RUD_WaraiA1,24 ;「楼座、早く荷物を置いて来いよ。@兄貴んとこへ挨拶に行こうぜ。」\ ;＜留弗夫 `"Rosa, quickly set your luggage down and come.`@` We're going to Aniki to greet him."`\ bg G1F_P1b,0 ld l,$HID_WaraiA2,24 ;「ん？@　真里亞ちゃんはどうしたんや。@まだ花壇におるんかいな。」@ ;＜秀吉 `"Hmm?`@` What happened to Maria-chan?`@` Is she still by the flower beds?"`@ ld r,$ROS_KomaruA1,24 ;「…えぇ。@気に入った薔薇があるみたいで、世話をするって言って聞かなくて。@しばらくは好きにさせることにしました。」\ ;＜楼座 `"...Yes.`@` It looks like there was a rose she liked, and she said she wanted to look after it and didn't listen.`@` I decided to let her do what she wants for a while."`\ cl l,24 ld l,$KIR_KomaruA1,23 ;「…………女の子には女の子の世界があったことを、私たちはたまに忘れるわ。@時には尊重してあげないとね。」@ ;＜霧江 `".........We sometimes forget that girls have their own little world.`@` Sometimes, we have to respect that, right?"`@ ld r,$ROS_nayamuA1,80 ;「……そうね。@…お気遣いをありがとう、霧江姉さん。」\ `"......That's right.`@` ...Thank you for caring, Kyrie nee-san."`\ ld r,$ROS_majimeA1,80 me1v 5,30 ;「…郷田さん。@私たちの部屋はどこ？」\ ;＜楼座 `"...Gohda-san.`@` Where is our room?"`\ bg G1F_P1a,0 ld c,$GOH_HohoemiA2,23 ;「ご案内いたします、こちらでございます。@お荷物をお持ちいたしましょう。」@ ;＜郷田 `"I will guide you, this way.`@` Allow me to hold your luggage."`@ cl c,0 ld r,$GOH_HohoemiA2,0 ld l,$ROS_NayamuA1,23 ;「結構よ、自分で持てます、ありがとう。」\ ;＜楼座 `"I'm fine, I can carry it myself, thank you."`\ textoff bg black,22 bg Gsta_1c,22 wait 2000 ;bg black,25 ;bg Gsta_1a,22 ;wait 2000 bg black,24 bg G2F_P1a,24 wait 2000 bg black,24 bg G2F_R1a,0 ld r,$ROS_KomaruA4,24 ;　楼座は郷田に案内された客室に入る。@ `Rosa went into her room, guided by Gohda.`@ bg black,1 E_A se1 15 ;　そしてやや乱暴に扉を閉めると、ベッドの上に荷物を放り投げる。\ `She then closed the door somewhat violently and threw her luggage on top of the bed.`\ bg G2F_R1c,1 se1 13 quakey 4,800 ;「…………………………………………。@…………。」\ `"........................`@`........."`\ bgm1 13 ;　そのベッドの前に、…跪くように両膝を付き、……ベッドに顔を埋める。@ ;　しばらくの間、楼座はシーツを爪で引き裂くようにしながら、嗚咽を漏らし続けるのだった…。\ `In front of the bed, ...she got down on her knees, ......burying her face in the bed.`@ `For a while, Rosa made as if to shred the sheets with her fingernails, sobbing continually...`\ mov %play_scene,60 bg black,45 wait 4000 bg rose_1a,6 ld r,$KAN_majimeA1,24 ;■薔薇庭園 ;「………真里亞さま。@…大丈夫ですか。」@ ;＜嘉音 `".........Maria-sama.`@` ...Are you alright?"`@ br ;　茂みの裏に隠れていた嘉音が、楼座の姿がなくなったことを見届けてから姿を現す。\ `Kanon, who had been hiding behind a thicket, appeared after watching Rosa leave.`\ ld l,$MAR_AkuwaraiA2,23 ;「…きひ、……きひひひひひひひひひ…。@…平気だよ。@…きひひひひ。」@ `"...Kihi, ......kihihihihihihihihihi... `@`...I'm fine.`@` ...Kihihihihi."`@ br ;　真里亞は気持ち悪く笑うが、一部始終を見ていた嘉音にとってそれは、彼女なりの精一杯のやせ我慢に見えるのだった…。\ `Maria laughed unpleasantly, but to Kanon, who had seen the whole thing, it looked like she was enduring as best she could...`\ ld r,$KAN_KomaruA1,80 ;「最低のヤツだ。@あれで母親なんて……。」@ `"She's a horrible person.`@` I can't believe that was a mother......"`@ ld l,$MAR_AkuwaraiA1,80 ;「……仕方ないよ。@その程度の器にはその程度のが入り込む。@…真里亞は全然平気だよ。@きひひひひひひひひひ……。」\ `"......It can't be helped.`@` Maria can handle that much.`@` Maria is just fine.`@` Kihihihihihihihihihi......"`\ bg black,25 ;　嘉音は膝を付くと、踏みにじられたお菓子を拾う。\ `Kanon got down on his knees and picked up the trampled candy.`\ mono 1 bg sweet1,22 ;　……それは見るも無惨。@ `......It was tragic just looking at it.`@ br ;　埃を払って返してあげようと思ったが、とてもそんな有様ではなかった。\ `He thought about dusting it off and returning it to her, but really couldn't do so with it in that condition.`\ bg black,22 mono 0 bg rose_1a,0 ld c,$MAR_fukigenA1,26 ;　どうしようか途方に暮れていると、真里亞に目が合う。@ ;　……いや、合わなかった。@ ;　真里亞は、嘉音の拾い上げたお菓子を見ていた。\ `He was at a loss at what to do, and he met eyes with Maria.`@ `......No, they didn't meet.`@ `Maria was looking at the candy that Kanon had picked up.`\ ;　…今の真里亞の胸中は多分、…この踏みにじられてぐしゃぐしゃに潰されてしまったお菓子と同じに違いない…。@ `...Right now, Maria's heart was surely the same as the trampled candy which had been crushed into a pulp...`@ br ;　嘉音はそれを察したが、どうしてやればいいかわからない…。\ `Kanon realized this, but he didn't know what he should do...`\ bg rose_1b,0 ld r,$KAN_majimeA1,24 ;「…そうだ…。@……さっき僕がもらったのと交換してあげるよ。」@ ;　嘉音は、さっき真里亞にもらった同じお菓子がポケットにあったことを思い出す。\ `"That's right...`@`......I'll exchange it for something I received earlier."`@ `Kanon remembered that a similar candy which he had received from Maria was in his pocket.`\ ld l,$MAR_KomaruA1,23 ;　真里亞は手を突き出す。@ `Maria stuck out her hand.`@ br cl r,0 ld c,$KAN_NayamuA1,24 ;　……受け取るという意味なのだと思って、お菓子を差し出すが、真里亞は握ろうとしない。\ `......Kanon thought she was trying to take it, so he held out the candy, but Maria didn't try to grasp it.`\ ;　……そして嘉音は気付く。@ `......Then Kanon realized.`@ br ;　…返せと言っているのだ。\ `...She was saying 'Give it back'.`\ me1 5 ;　……どんなに無惨でも、踏みにじられた方のお菓子が、真里亞のもの。@ ;　…真里亞にと母が買ってくれたもの。@ `......No matter how tragic and trampled it was, the candy was Maria's.`@ `...Her mother had bought it for her.`@ br ;　どんなに無惨でも、このお菓子でなければならないのだ…。@ ;　それが、埃を払えば綺麗になる程度のものだったなら…。@ `No matter how tragic, it had to be this candy...`@ `If it could be made clean by dusting it off...`@ br ;　…嘉音は俯く。\ `...Kanon hung his head.`\ ld c,$KAN_fumanA1,80 ;「………僕には、埃を払う程度しかできない。@………ごめん。」@ ;　嘉音は彼女が求める、惨めなお菓子を差し出す。@真里亞はそれを受け取り、言った。\ `".........I can't do anything except dust it off.`@` .........Sorry."`@ `Kanon held out the miserable candy she wanted.`@` Maria took it, and spoke.`\ cl a,0 ld c,$MAR_niyariA1,23 ;「…ありがとう。@ニンゲンには埃しか払えないけど、魔女には元通りに直すことが出来るよ。@/ `"...Thank you.`@` A human can't do anything except dust it off, but a witch can repair it to how it was. `@/ ld c,$MAR_AkuwaraiA2,80 ;ベアトリーチェなら簡単にね。@きひひひひひ。」\ `It would be easy for Beatrice.`@` Kihihihihihi."`\ bg black,5 me2 16 ;!s0「…………真里亞さまは、/ ;!d800…ベアトリーチェ…、/ ;!d1000…さまのことをご存知なのですか。」/ !s0`".........Maria-sama, `/ !d800`...you know about Beatrice..., `/ !d1000`...sama?"`/ !sd\ ;　右代宮家に関わるものなら、戦人を例外にすればベアトリーチェの名を知らぬ者はおるまい。@ `There couldn't be anyone related to the Ushiromiya family who didn't know Beatrice's name, with Battler as an exception.`@ br ;　…しかし先ほど、真里亞は得意げに戦人に語った。@ ;　それはまるで、普段からベアトリーチェに会っているかのような口調だった。\ `...But just now, Maria had told Battler about it proudly.`@ `She had spoken almost as though she was meeting with Beatrice regularly.`\ ;　嘉音は左の握り拳の内側が、ちりりと痛むのを感じる。@ ;　……かつて、ベアトリーチェという魔女が現れ、自分と紗音を唆した。@ `The inside of the fist Kanon made with his left hand hurt sharply.`@ `......In the past, a witch called Beatrice had appeared, and had tempted him and Shannon.`@ br ;　あれは悪い夢だったとずっと思い込むようにしていた。@……だが、紗音はあれは現実で間違いなく本物の魔女だったと言い張っている。\ `He had always tried to make himself think it was a bad dream.`@` ......However, Shannon insisted that it had definitely been a real witch.`\ mono 1 bg sky_1a,22 ;　そしてこの夏。@ `And then, this summer.`@ br ;　……鎮守の社が一夜の内に落雷で跡形もなくなってしまった。\ `......The shrine to the local Shinto god had been hit by lightning and had disappeared without a trace over the span of a single night.`\ bg black,2 ;　…紗音が鏡を割ったことは知っていた。@ `...He had known that Shannon had broken the mirror.`@ br ;　……そして、魔女が去り際にやがて蘇ると捨て台詞を残したことも覚えていた。\ `......And he remembered that, upon the witch's departure, she had left with parting words staying that she would eventually be revived.`\ mono off bg rose_1a,0 ld c,$MAR_AkuwaraiA1,2 ;　そして、…………ベアトリーチェを信奉して止まない少女が、ベアトリーチェに会っているかのように話す。@ `And then, .........this girl who wouldn't stop having faith in Beatrice, spoke as though she had met Beatrice.`@ br ;　…嘉音は、心に何か不吉なものが込み上げるのを抑えられずにいた。\ `...Kanon couldn't suppress a sense of some kind of misfortune welling up in his heart.`\ textoff fede 10,3000 ;　しばらくの間、真里亞は嘉音の胸中を見透かすように沈黙を守った。@ ;　…まるで、ベアトリーチェの記憶が蘇るのを待っていたかのように。@ `For a while, Maria remained silent, as though she could see into Kanon's heart.`@ `...Almost as though she was waiting for a memory of Beatrice to be revived.`@ br ;　そして、さも事実であるかのように言う。\ `And then, she spoke, as though it was a fact.`\ ld c,$MAR_AkuwaraiA2,80 ;「きひひひひ…。@真里亞はね、ベアトリーチェとお友達なの。@今日だって会って一緒に遊ぶよ？@　きひひひひひひひひ…。」\ `"Kihihihihi...`@` You know, Maria is friends with Beatrice.`@` Why don't we meet her today and play?`@` Kihihihihihihihihi..."`\ bg rose_1b,0 ld r,$KAN_fumanA1,24 ;「遊び、…ますか。」\ `"P, ...play?"`\ ld l,$MAR_AkuwaraiA1,23 ;「…うん。@遊ぶよ？@　一緒にね、魔法のお勉強をするの。@きひひひひひひひ…。」\ `"...Yeah.`@` Let's play, okay?`@` Let's study magic together.`@` Kihihihihihihihi..."`\ bg black,42 ;　……嘉音が、悪い夢だったと思い込もうとしている魔女の面影が、@……じわりじわりと脳裏に蘇ってくるのだった……。\ `......The face of the witch, who Kanon had tried to pretend was a bad dream,`@` ......began to slowly creep into the back of his mind......`\ fede 0,5000 mov %play_scene,60 ;bg black,5 wait 2000 bg M1F_S1a,2 ld r,$NAT_ZutuuA1,24 bgm1 12 ;■大人たちの挨拶 ;「お父様は研究で大変ご多忙と仰せです。@残念ながらこちらへはお出でになれないとのことです。」\ ;＜夏妃 `"Father said he was extremely busy with his research.`@` Unfortunately, he said that he will be unable to come here."`\ bg M1F_S1c,0 ld l,$RUD_DefA2,24 ;「……やれやれ。@こちとら、秋の大忙しの中、日程をつけてはるばる六軒島まで来てるんだぜ。@親父も少しは愛想をよくしてもらいたいもんだぜ。」@ ;＜留弗夫 `"......Come on.`@` We've put this conference in our schedules and come all the way out to Rokkenjima during the very busy fall season.`@` I wish father would act a little more sociable."`@ ld r,$EVA_HohoemiA1,24 ;「本当よねぇ。@……南條先生。@本当に研究や機嫌の問題なのぅ？@　ベッドから起き上がれないくらいに、もう寝たきりだって言うんじゃないのぅ？」\ ;＜絵羽 `"Really.`@` ......Doctor Nanjo.`@` Is it really a problem with his research and his mood?`@` He isn't already bedridden, and unable to get up, right?"`\ bg M1F_S1b,0 ld l,$NAN_fumuA1,23 ;「……さて、……どうでしょうかな。@私の口からは何とも…。」@ ;＜南條 `"......Well, ......I wonder.`@` There is not much I can say..."`@ br ;　南條はちらりと夏妃を見る。@ ;　夏妃を差し置いてそれを口にする資格がないという風だった。\ `Nanjo glanced at Natsuhi.`@ `As though he wasn't qualified to disregard Natsuhi when he spoke.`\ ld r,$NAT_majimeA1,24 ;「お父様はますますにご健康でいらっしゃいます。@寝たきりなどと、失礼極まりない…！」\ ;＜夏妃 `"Father is steadily regaining his health.`@` Calling him bedridden is extremely rude...!"`\ cl l,24 ld l,$EVA_akireA2,23 ;「でも余命３ヶ月なんでしょう？@　普通に考えれば痩せ衰えてベッドからも起きられないはずよぅ。@でしょう、南條先生？」\ ;＜絵羽 `"But he only has three months left to live, right?`@` Normally, wouldn't that mean that he'd have wasted away, unable to get out of his bed?`@` Right, Doctor Nanjo?"`\ cl r,23 ld r,$NAN_fumuA1,24 ;「………並の患者ならそうでしょうがな。@金蔵さんは並外れた気力をお持ちです。@…あの気迫に、お迎えも恐れて近寄れないのかもしれませんな…。」\ ;＜南條 `".........For a normal patient, that would probably be the case.`@` But Kinzo-san has extraordinary willpower.`@` ...I may not even be able to approach, in fear of that willpower..."`\ bg M1F_S1a,0 ld l,$KIR_WaraiA1,23 ;「それほどまでにお元気なら、少なくとも安心ね。」@ ;＜霧江 `"If he's that energetic, then we can be at least a little reassured, right?"`@ ld r,$RUD_AkuwaraiA1,24 ;「…そこまで元気なら、せめて挨拶くらいはさせてほしいもんなんだがな。@…親族会議ってのは親父の顔を見に来たって意味なんだぜ？@　これじゃあ、何のために来たのかわからねぇぜ。」\ ;＜蔵臼？→留弗夫？ `"...Although if he's that energetic, I wish he'd at least come to greet us.`@` ...Isn't the point of the family conference to come and see Father's face?`@` Now I don't know why we came."`\ cl l,24 ld l,$KLA_NayamuA1,23 ;「そう言うな。@居れば居たで、心が休まらないといつもぼやくのだろうが。@/ `"Don't say that.`@` If he were here, you would complain the whole time about how you couldn't relax. `@/ ld l,$KLA_AkuwaraiA1,80 ;兄弟一同、水入らずで今年も全員、欠けることなく集まれたことを喜ぼうじゃないかね。」\ ;＜蔵臼 `Shouldn't we celebrate that all of the siblings have gathered this year, by ourselves, and without even one of us missing?"`\ bg M1F_S1b,0 ld r,$EVA_majimeA1,24 ;「昨年の親族会議でも会えなかったのよ？@/ `"We couldn't meet him at last year's family conference, right? `@/ ld r,$EVA_akireA1,80 ;　血を分けた子どもたちが、２年ぶりに挨拶したいというのが、どうして理解してもらえないのかしらぁ。」\ ;＜絵羽 `I wonder why you can't understand that his children, related by blood, want to see him after two years."`\ ld l,$NAT_zutuuA1,23 ;「……挨拶の言葉があるのでしたら、私どもがお伝えします。@/ `"......If you have words of greeting, I will tell him for you. `@/ ld l,$NAT_majimeA1,80 ;それとも絵羽さん。@……何かお父様にお会いして、挨拶以上のお話でもあられるのですか…？」\ ;＜夏妃 `And Eva-san.`@` ......Is there something you have to discuss with Father other than greeting him...?"`\ ld r,$EVA_akireA2,80 ;「………………ん。@…いやぁね、何の話よぅ、もう。」@ ;＜絵羽 `"............nn.`@` ...Come on, what are you talking about, sheesh."`@ ld c,$HID_MajimeA1,23 ;「よさんか絵羽。@/ `"Give it a rest, Eva. `@/ ld c,$HID_fumuA1,80 ;夏妃さん、堪忍な。@絵羽も娘として、お父さんの病状が不安なだけなんや。@ちょいと気持ちを汲み取ってぇな。」\ ;＜秀吉 `Natsuhi-san, forgive us.`@` Eva is just worried about the condition of Father's sickness, as his daughter.`@` Please understand her feelings a bit."`\ bg M1F_S1c,0 ld r,$KLA_DefA1,24 ;「その通りだな。@絵羽は親父殿が余命を宣告されてから急に親孝行をするようになったじゃないか。@…なるほど、その姿をぜひ見てもらいたいという気持ちも、わからなくない。@/ `"That's right.`@` Haven't you quickly become respectful of Father now that his remaining life has been announced, Eva?`@` ...I see, it isn't as though I can't understand how much you want to see him. `@/ ld r,$KLA_AkuwaraiA2,80 ;……ふ。」\ ;＜蔵臼 `......Hmph."`\ bg M1F_S1a,0 ld l,$EVA_IkariA1,23 ;「………何が言いたいのよ。」@ ;＜絵羽 `".........What are you trying to say?"`@ ld r,$RUD_MajimeA1,24 ;「よせよ姉貴。@晩飯までには機嫌を直してくれるよう、祈ろうじゃねぇか。@/ `"Quit it, Aneki.`@` Why don't we pray that his mood will improve by dinner? `@/ ld r,$RUD_DefA2,80 ;…それに俺たちは到着したばかり。@まずは軽く挨拶に訪れただけだぜ。@親族会議は親父抜きだって出来る。@/ `...And we've just arrived.`@` First, we'll just visit and have a light greeting.`@` We can even hold the family conference without Father. `@/ ld r,$RUD_WaraiA2,80 ;…いや、兄弟で意見を統一してからじゃなきゃ話せねぇことだって色々あるはずだぜ？@　なぁ、秀吉兄さん。」\ ;＜留弗夫 `...No, there should be a few things that the siblings couldn't talk to him about before forming a unified opinion, right?`@` Right, Hideyoshi nii-san?"`\ ld c,$HID_majimeA2,23 ;「うん！@　留弗夫くんの言う通りや。@/ `"Yep!`@` Just as Rudolf-kun says. `@/ ld c,$HID_KomaruA1,80 ;……わしらが全員顔を揃えるのは年に一度しかない。@貴重な時間を大事にし、忌憚ない話し合いをせんといかん。」@ ;＜秀吉 `......We can only gather our faces here once a year.`@` We must take this precious time seriously and talk together modestly."`@ br ;　まだお茶すら来ていないというのに、彼らは本当にたくましかった。\ `Even though the tea hadn't even come, ...they were very strong-minded.`\ cl l,24 ld l,$KIR_NayamuA1,23 ;「でも、その前に本家の素晴らしい調度品に囲まれた客間で、@のんびりと紅茶を楽しむゆとりがあってもいいんじゃないかしら…。」\ ;＜霧江 `"But before that, I wonder if we have enough leeway to enjoy some black tea at our leisure,`@` surrounded by the wonderful furnishings of the parlor..."`\ bg M1F_S1d,25 ;　霧江のその言葉は、居合わせた人間全員に対し、軽い戒めの意味合いがあったようだった。@ `Kyrie's words seemed to hold some slight warning towards all of the people gathered in that place.`@ br ;　全員それを理解し、咳払いをしたり、ネクタイを締めなおしたりなどしながら、一度、場の空気を元に戻す。\ `They all understood, and as they cleared their throats and straightened their neckties, the atmosphere in the room returned to normal for a moment.`\ bg black,2 fede 0,3000 bg M1F_S1a,26 ld l,$SHA_TokuiA1,23 bgm1 7 ;「……失礼します。@お茶をお持ちいたしました。」@ ;＜紗音 `"......Excuse me.`@` I have brought some tea."`@ bg M1F_S1b,0 ld r,$HID_WaraiA2,24 ;「いよぅ、紗音ちゃん。@ますますべっぴんさんになったなぁ！」@ ;＜秀吉 `"Hey, Shannon-chan.`@` You just keep gettin' prettier and prettier!"`@ br ;　紗音が配膳台車を押しながら客間に入ってくる。\ `Shannon entered the parlor, pushing the serving cart.`\ bg black,5 wait 1000 bg M1F_S1c,22 ;　一同は、取り敢えず紅茶くらいはのんびりと馳走になることにするのだった…。@ `Everyone decided to slowly enjoy some black tea for the time being...`@ br ;　客間の中を、優雅な香りがいっぱいに広がっていく。\ `A wonderful aroma began to spread throughout the parlor.`\ bg M1F_S1a,0 ld r,$KLA_AkuWaraiA2,0 ld c,$EVA_HohoemiA1,0 ld l,$RUD_WaraiA1,22 ;　その様子を見る限り、紗音が来る直前までのギスギスしていた空気が嘘のよう。@ ;　…もちろん、お茶を配膳している紗音は気付きもしないだろう。\ `As far as anyone could see, the strained atmosphere which had been there until right before Shannon had entered seemed like a lie.`@ `...Of course, Shannon, who was setting out the tea, probably didn't even notice.`\ ;　……そんな、みんなの大人な様子に、霧江は軽く笑い捨てるような仕草をするのだった。\ `......Kyrie acted as though she was laughing at everyone's adult appearance.`\ bg black,22 ;　留弗夫は、霧江が親族会議で率先して発言するのを好まない。\ `Rudolf didn't like it when Kyrie took the initiative and spoke at the family conference.`\ ;　…下らない男のプライドだ。@ `...It was his worthless male pride.`@ br ;　カミさんに助言されているような弱い男だと思われたくないのだろう。@ `He probably didn't want to look like a weak man who took advice from his wife.`@ br ;　それを理解し、極力、余計な発言をしないよう慎んでいる。\ `She understood that, and did her best to refrain from saying anything unnecessary.`\ bg M1F_S1c,22 ;　だから、兄たちと上辺だけは水入らずで過ごしているような輪から離れ、窓辺で紅茶をのんびり楽しんでいるのだった。\ `So she separated herself from the circle of siblings, which only looked like it had no outsiders in it on the outside, and slowly enjoyed her tea near the window.`\ ld r,$KIR_WaraiA2,24 ;「あら、楼座さん。@兄弟で水入らずなのでは…？」@ ;＜霧江 `"Oh, Rosa-san.`@` Wasn't it supposed to be just the siblings...?"`@ ld l,$ROS_nayamuA1,23 ;「……ご冗談を。」@ ;＜楼座 `"......You are joking."`@ ld r,$KIR_KomaruA1,80 ;「ごめんなさい、気を悪くしないで。@ウチの夫に呆れてるだけだから。」\ ;＜霧江 `"Sorry, don't take it the wrong way.`@` I'm just shocked at my husband."`\ bg M1F_S1d,25 ;　楼座は、上辺だけ調子を合わせることができなかったらしい。@ `It seemed that Rosa hadn't been able to get along just on the surface.`@ br ;　…遺産の奪い合いという血生臭く、かつ泥臭い議論のためにここに訪れているのだ。@ ;　今更馴れ合いのふりなどしたくないのだろう。@ `...They had come here to fight bloodily and dirtily, each trying to steal the inheritance.`@ `Maybe by now she didn't want to play a part in a conspiracy.`@ br ;　……あるいは、その程度にまだまだ彼女は未熟なのか。\ `......Or maybe she was still much too inexperienced for that.`\ bg M1F_S1c,0 ld l,$KIR_defA1,26 me1v 5,40 ;「…だいぶ、風が出てきているようですね。@…枝葉があんなに揺れて。」@ ;＜霧江 `"...It looks like the wind has started blowing hard out there.`@` ...The plants are all shaking so much."`@ ld r,$ROS_DefA1,24 ;「もう台風が近くまで来ているのでしょうね。@……今夜辺りからはだいぶ降るのかしら。」\ ;＜楼座 `"The typhoon has probably already come fairly close.`@` ......I wonder if it will rain a lot tonight."`\ textoff wait 2000 ld l,$KiR_waraiA2,80 ;「……………真里亞ちゃん、この一年でずいぶん立派になりましたね。」@ ;＜霧江 `"............Maria-chan really has grown a lot this past year."`@ ld r,$ROS_komaruA1,80 ;「………そう見えます…？@　未だに自分のお洋服を畳むことすらできないんですよ。」\ ;＜楼座 `".........Does it look that way...?`@` She still can't even fold her own clothing yet."`\ ld l,$KIR_WaraiA1,80 ;「えぇ。@こんなにも愛情たっぷりなお母さんと一緒なんですもの。@心の豊かな子に成長しますよ。」@ ;＜霧江 `"Yes.`@` It's because she has such an affectionate mother.`@` Kids with a rich heart grow."`@ br textoff fede 10,2000 ld r,$ROS_KomaruA2,80 ;　楼座は沈黙している。@ ;　………霧江がどちらの意味で言っているのか、わかりかねているのかもしれない…。\ `Rosa was silent.`@ `.........Maybe she was unsure as to how Kyrie meant that...`\ ld r,$ROS_KomaruA3,80 ;「…私なんて。@………母親失格ですよ。@……………子に、生まれる親は選べない。@あの子が可哀想で…。」\ ;＜楼座 `"...I,`@` .........am not qualified to be a mother.`@` ............Children can't choose their parents.`@` That poor girl..."`\ ld l,$KIR_KomaruA1,80 ;「お互い様じゃないですか。@……親だって、生まれる子は選べない。」@ `"Doesn't that go both ways?`@` ......A parent can't choose what kind of child is born, too."`@ ld r,$ROS_KomaruA1,80 ;「…………………………。」@ `"....................."`@ br ;　楼座は下唇を噛む…。\ `Rosa bit her lower lip...`\ ld l,$KIR_DefA1,80 ;「どちらが悪いとかじゃなくて。@一緒に生きていくんだという気持ちで、ゆっくり成長を見守ってあげればいいじゃないですか。」\ `"It isn't a matter of who is at fault.`@` Isn't everything alright as long as you slowly watch over her as she grows up, with living together on your mind?"`\ ld l,$KIR_WaraiA2,80 ;「楼座さんは毎日を真里亞ちゃんと過ごしてるから、小さな変化に気付かないかもしれないけれど。@一年ぶりに再会した私たちには、その大きな成長ぶりがよくわかりますよ…。」\ ;＜霧江 `"Rosa-san, you spend every day with Maria-chan, so you probably don't notice any small changes.`@` But the rest of us, who have been reunited with her after a year, really understand that she's grown up a lot..."`\ ld r,$ROS_KomaruA2,80 ;「……もし、本気で言ってくれるなら、ありがとうございます。」\ ;＜楼座 `"......If you are serious, thank you very much."`\ bg black,23 bg M1F_S1a,0 ld c,$SHA_DefA1,23 ld c,$SHA_tokuiA1,80 ;「それでは、失礼いたします。@御用がありましたら、いつでもお呼び付けください。」@ ;＜紗音 `"Then, if you will excuse me.`@` If there is anything you desire, please call for it at any time."`@ cl c,23 ;　紗音が丁寧にお辞儀して退室する。\ `Shannon bowed politely and left the room.`\ bg M1F_S1b,0 ld r,$RUD_AkuwaraiA1,0 ld l,$HID_WaraiA2,24 ;　鼻の下を伸ばした秀吉と留弗夫がそれを見送ると、@/ `As Hideyoshi and Rudolf, who had a soft spot for women, watched her go, `@/ ld r,$RUD_MajimeA1,0 ld l,$HID_MajimeA2,80 me1v 11,90 ;…場の空気は紗音が訪れる直前のものに逆戻りし始める。\ `...the atmosphere in the room began to revert back to what it had been right before Shannon had visited.`\ bg M1F_S1c,24 ld r,$EVA_akireA1,24 ;「………お父様がいらっしゃられないなら、それはそれで、できる話もあるというものよ。@ねぇ、留弗夫。」@ ;＜絵羽 `".........If Father is unable to be here, well then, there are still things we can talk about.`@` Right, Rudolf?"`@ ld l,$RUD_majimeA2,23 ;「あぁ、そうだな。@…俺たちははるばるここまで、埃の臭いがする紅茶を飲みに来たわけじゃねぇぜ？」\ ;＜留弗夫 `"Yes, that's right.`@` ...We didn't come all the way out here just to drink some dusty tea, right?"`\ bg M1F_S1a,0 ld c,$KLA_akuwaraiA2,23 ;「……良かろう。@一秒を争ってお前たちがしたいという話を聞こうじゃないか。」\ ;＜蔵臼 `"......Very well.`@` Why don't we hear this topic that you're scrambling to get to?"`\ bg black,24 bg M1F_S1b,24 ld r,$KIR_nayamuA1,24 ;「………やれやれ。@たくましい人たちね。@さっそく始めたわ。」@ ;＜霧江 `".........My, my.`@` Those people sure are strong-minded.`@` They really started fast."`@ ld l,$ROS_nayamuA1,23 ;「私も加わらないといけないわ。@……あの人たち、私が主張しないと、４人兄弟であることをすぐ忘れるから。」\ ;＜楼座 `"I must join in as well.`@` ......If I don't assert myself, those people will quickly forget that there are four siblings."`\ ld r,$KIR_KomaruA1,80 ;「…あなたも大変ね。@……ちょっと言葉を選ばなかったかしら。@ごめんなさい。」@ ;＜霧江 `"...It's pretty tough for you too.`@` ......Maybe I didn't choose my words well.`@` My apologies."`@ ld l,$ROS_KomaruA2,80 ;「うぅん、気にしてません。@…こちらこそごめんなさい。@私たち、互いに娘を持つ母親同士なんだから、もっと交流しなきゃいけないのに。@いっつも会えば変な話ばかりで…。」\ ;＜楼座 `"No, I don't mind.`@` ...I'm the one who should be apologizing.`@` As a pair of mothers with daughters, we must interact more often.`@` E-very time we meet, we talk about something strange..."`\ bg M1F_S1d,25 ;「……この屋敷の空気のせいよ。@ここの空気を嗅ぐと、いっつも私たちはギスギスしあってるもの。@……楼座さんとは、親族会議じゃない席で、一度ゆっくりお茶でも飲みたいわ。@銀座に行き付けの素敵な喫茶店があるの。@ぜひ今度招待させて。」@ ;＜霧江 `"......That's the fault of the atmosphere in this mansion.`@` Once we breathe in this air, everyone gets so strained.`@` ......Just once, I want to drink a nice, long cup of tea with you, Rosa-san, when you aren't attending a family conference.`@` There's a wonderful coffee shop in Ginza which is a favorite of mine.`@` Please let me invite you sometime soon."`@ ;「ありがとう、霧江さん。@その時はぜひ…。」\ ;＜楼座 `"Thank you, Kyrie-san.`@` That sounds good..."`\ bg black,5 wait 1000 bg M1F_S1a,22 ld c,$KIR_futekiA1,24 se1 21 ;「いやぁね。@急に空が暗くなってきたわ。@まるでこの部屋の人たちが天気を悪くしてるみたい。@……もうゴロゴロ鳴ってるわ。@/ `"Oh, no.`@` The sky is getting dark quickly.`@` It's almost as though the people in this room have made the weather worse.`@` ......There's already thunder. `@/ ld c,$KIR_waraiA2,80 ;あら？@　ポツリと来たかしら…？」\ ;＜霧江 `Oh?`@` Was that one there...?"`\ ld r,$ROS_MajimeA1,24 ;「…え？」\ `"...Huh?"`\ ;　確かに、客間の窓ガラスに小さな雨の飛沫が付いている。@ `There really were small splashes of rain on the glass of the parlor window.`@ ;　…予想より天気が崩れるのが早いようだった。@ `...It seemed that the weather had gotten worse faster than they had expected.`@ E_A br ;　……その時、楼座の頭の中に、音無き落雷が落ち、愛娘が薔薇庭園にいたことを思い出す。\ `......Just then, a silent thunderbolt struck inside Rosa's head, and she remembered that her beloved child was in the rose garden.`\ bg black,22 me1v 16,40 ;　普通の子なら、天気が崩れれば家に入ろうと考える。@……しかし真里亞は違う。@時に頑固になると、雨が降ろうが槍が降ろうがそこを動かない。@ `A normal girl would think about going into the house if the weather got bad.`@` ......But Maria was different.`@` She would sometimes become stubborn, and wouldn't move if rain or even spears fell from the sky.`@ br ;　……そうだ、私…。@……あの子に、 `......That's right, I...`@`......told that kid,` br ; (いつまでもそこでそうしてなさい/・・・・・・・・・・・・・・・)、って言わなかったっけ…。\ ;＜いつまでもそこでそうしてなさい：点処理 (`just stay there doing that forever`/・・・・・・・・・・・・・・・)`, didn't I...?`\ bg M1F_S1c,0 ld c,$ROS_odorokiA1,22 me2v 5,40 ;「い、……いけない…！@　真里亞…！！」\ ;＜楼座 `"Oh, ......oh no...!`@` Maria...!!"`\ bg M1F_S1a,23 ;　楼座が小さく叫ぶとみんなが振り返る。\ `Everyone looked back at Rosa when she let out a small scream.`\ ld r,$KLA_NayamuA1,24 ;「…何だ、どうしたんだね？」@ ;＜蔵臼 `"...What, what happened?"`@ ld l,$ROS_aseruA1,23 ;「ご、ごめんなさい、ちょっと表に行ってきます。@/ `"I, I'm sorry, I'm going outside for a second. `@/ cl l,24 ;すぐ戻ります！」\ ;＜楼座 `I'll be right back!"`\ bg M1F_S1b,0 ld r,$RUD_majimeA1,24 ld r,$RUD_majimeA2,80 ;「……何だ何だ、どうしたってんだ、あいつ…。」@ ;＜留弗夫 `"......What the, what's going on with her, really..."`@ ld l,$KIR_NayamuA1,23 ;「いいじゃない。すぐ戻るわよ。@/ `"It's fine, right? She'll be right back. `@/ ld l,$KIR_MajimeA1,80 ;……それより始めたら？@　私たちの本題。」@ ;＜霧江 `......More importantly, should we begin?`@` Our main topic."`@ ld c,$EVA_AkireA2,22 me3 11 ;「そうね。@楼座抜きでも進められる話よ。@話を戻しましょ。」\ `"That's right.`@` We can keep talking about that without Rosa.`@` Let's return to our discussion."`\ cl a,0 ld l,$KIR_nayamuA1,23 ;「………………。」\ ;＜霧江 `"............"`\ ;■薔薇庭園 mov %play_scene,60 textoff bg black,22 E_M1 E_M3 bg Ment_1a,24 ;　玄関から駆け出た楼座は薔薇庭園に走る。\ `Rosa dashed from the entrance hall into the rose garden.`\ bg black,28 se1 15 mevol 2,70 bg M_o1a,10 ;　扉を開くと、そよ風と呼ぶには強すぎる風が出ていて、思ったより早く台風が近付いていることを教えてくれた。\ `When she opened the door, the wind that hit her was too strong to be called a light breeze, and told her that the typhoon was approaching faster than she had thought.`\ se2 21 ;　霧江が言っていた通り、風には細かい雨粒が混じっている。@低い雷鳴も轟いていた。@ ;　……いつ降り出してもおかしくないかもしれない。\ `Just as Kyrie had said, the wind was mixed in with small droplets of rain.`@` There was also a low rumble of thunder.`@ `......It could start raining anytime.`\ bg black,24 bg garden_1c,24 ;　楼座は、薔薇庭園を目指す。@ ;　さっき真里亞を叱り付けた場所を目指す。\ `Rosa headed for the rose garden.`@ `She headed for the place where she had scolded Maria a short while ago.`\ ;　…時間的には、もうすぐお昼だった。@ `...It was almost lunchtime.`@ br ;　子どもたちは、お昼に屋敷に来ればいいということになっていたから、@多分、ゲストハウスにいて呼ばれるのを待っているのだろう。@ `The children had been told that they should come to the mansion around lunchtime,`@` so they were probably in the guesthouse, waiting to be called.`@ br ;　…真里亞が来なくても、私が屋敷に連れて行ったに違いないと考え、深く心配はしないはずだ。\ `...Even if Maria didn't come, they would surely think that I had taken her to the mansion with me, and wouldn't worry much.`\ ;　……だって、母親が一緒なんだから、心配の必要なんてあるはずがないのだ。@ `......After all she was with her mother, so there shouldn't have been anything to worry about.`@ br ;　その私がここにいて、娘を天気の崩れかけた屋外にひとり放り出している…！\ `I was here, and threw my daughter into the worsening weather outside, all alone...!`\ ld c,$ROS_IkariA1,24 ;「真里亞ぁあー！！@　いるのー！！@　いるなら返事をしてー！！」\ `"Mariaa-!!`@` Are you the-re!!`@` If you're there, answe-r!!"`\ bg black,22 ;「………うー。」\ `".........Uu-."`\ ;　やっぱりそうだった。@ `It really was as I'd thought.`@ br ;　私が叱り付けたあの場所で、…あの時とまったく同じように相変わらず立ち尽くしていた。\ `She was still standing stock still, ...exactly the same way she had been, in the place where I had scolded her.`\ ;　手に持っているのは、……私が買い与え、そして私が踏み潰した、あのお菓子。@ ;　それを握り締めたまま、強い風に髪の毛を散らされ苛まれ続けていた…。\ `Held in her hand, ......was the candy that I had bought, given her, and then stepped on and crushed.`@ `With that gripped in her hand, she stood there as the strong wind whipped her hair about, tormenting her...`\ bg rose_1a,24 ld c,$ROS_KomaruA1,24 ld c,$ROS_komaruA3,80 ;「ごめんなさい、ごめんなさい！！@　ごめんね真里亞…！！@　ママを許して…！」\ `"I'm sorry, I'm sorry!!`@` Sorry, Maria...!!`@` Forgive Mama...!"`\ bg rose_1b,24 ld l,$MAR_fukigenA1,23 ;「…うー。@ママ、お帰り…。@……真里亞、ママが帰ってくるの、ずっと待ってた。@…怖い魔女につねられたけど、我慢してママが帰ってくるの、泣かずに待ってた…。」\ `"...Uu-.`@` Mama, welcome back...`@`......Maria waited a long time for Mama to come back.`@` ...Mama was pinched by the scary witch, but Maria held out, waited for Mama to come back without crying..."`\ ld r,$ROS_KomaruA3,24 ;「……真里亞っ…。@……ママを許して…、ママを許して……。」@ `"......Maria...`@`......Forgive Mama..., forgive Mama......"`@ ld l,$MAR_niyariA2,80 ;「ママは悪くないの…。@また悪い魔女に憑り付かれただけなの……。@/ `"Mama isn't bad...`@` She was just possessed by a bad witch again...... `@/ ld l,$MAR_WaraiA1,80 ;だから平気。@ママ大好き。@愛してる……。」\ `So I'm fine.`@` I really like Mama.`@` I love you......"`\ bg black,25 ;「うううううぅううぅぅううぅぅ！！@　ごめんなさい、ごめんなさい…。@……悪い魔女に負けた……ママを、/ ;!d800………許して…………。」\ `"Whaaaaaaaaaaaaaa!!`@` I'm sorry, I'm sorry...`@`......Mama......lost to the bad witch, `/ !d800`.........forgive me........."`\ ;　楼座は真里亞の小さな胸に顔を埋めながら、涙を流して許しを乞う。@ ;　…そして、これが何度目になるかわからない涙を、再び零させた。\ `Rosa buried her face in Maria's small chest, crying and begging forgiveness.`@ `...And again those tears dripped down after who knows how many times.`\ ;　せめて二人を、燦々とした太陽が照らしていたなら、@二人のわだかまりが全て解け、これからのやり直しを感じさせたかもしれない。@ `If only the brilliant sun had been shining on the two of them,`@` all of their cares would have evaporated, and they would have felt like they could begin anew.`@ br ;　…しかし、今の二人を包むのは崩れ行く天気。@ ;　雷鳴の混じる強い風であることが悲しかった。\ `...However, what surrounded the two of them was the worsening weather.`@ `The strong winds mixed in with the sound of thunder were saddening.`\ bg rose_1a,6 ;　真里亞が鼻をすする音に気付く。@ ;　…いつまでも風に晒されていたら風邪を引いてしまうだろう。\ `The sound of Maria sniffling made Rosa notice.`@ `...If she stood exposed to the wind for too long, she would probably catch a cold.`\ ld l,$ROS_DefA1,26 ;「……さ、真里亞。@もうすぐお昼よ。@ママと一緒にお屋敷に行きましょう。」@ `"......So, Maria.`@` It will be lunch very soon.`@` Why don't you come back to the mansion with Mama."`@ ld r,$MAR_fukigenA1,24 ;「うー。@行かない。」@ `"Uu-.`@` Don't go."`@ cl l,0 ld c,$ROS_aseruA1,23 ;「ど、…どうして…？」\ `"Wh, ...why...?"`\ ;　楼座は、もう真里亞に許しを得られたと思ったから、まさか断られると思わなかった。@ `Rosa thought that she had already received Maria's forgiveness, so she hadn't imagined Maria would refuse.`@ br ;　でもその表情には、母親に反抗したいという様子は見られない。@…だから楼座は、どうして真里亞が天気の崩れつつある薔薇庭園に、意味もなく立ち尽くしていたいのか理解できなかった。@ `But that expression on Maria's face didn't look like that of a child resisting her mother.`@` ...So Rosa wasn't able to understand why Maria wanted to stand still, pointlessly, as the weather grew even worse.`@ br ;　その問いに真里亞は答える…。\ `Maria answered that question...`\ ld r,$MAR_WaraiA1,80 me1 16 ;「ベアトリーチェがね、@もうすぐ来るの。@だから待ってるの。」@ `"It's Beatrice.`@` She'll come really soon.`@` So I'm waiting."`@ ld c,$ROS_komaruA2,80 ;「………真里亞…。」\ `".........Maria..."`\ ;　楼座は少しだけ言い澱んでから沈黙する。@ `Rosa was a little lost for words and remained silent.`@ br ;　…せっかく仲直りしたばかり。@ ;　魔女を頭ごなしに否定できず、どう言えば真里亞が自分と一緒に屋敷へ来てくれるか言葉を選んだ。\ `...After they had just gone to great lengths to make up with each other.`@ `She chose her words carefully, trying to get Maria to come with her to the mansion without denying the witch outright.`\ textoff fede 11,2000 cl c,0 ld l,$ROS_DefA1,24 ;「……ベアトリーチェが、/ ;!d800…来るの？」@ `"......Beatrice is, `/ !d800`...coming?"`@ ld r,$MAR_WaraiA2,80 ;「うー！」@ `"Uu-!"`@ ld l,$ROS_WaraiA2,80 ;「そう…。@なら、ここじゃなくて、お屋敷の中で待ちましょう？@　いつまでもこんな風の中にいたら風邪を引いてしまうわ…。」\ `"Really...`@` Then instead of waiting here, why don't we wait in the mansion?`@` If you stay in this wind too long, you'll catch a cold..."`\ ld r,$MAR_OdorokiA1,80 ;「来るー！@　ベアトリーチェは来るー！！@/ `"Come!`@` Beatrice will co-me!! `@/ ld r,$MAR_WaraiA1,80 ;　そしたらね、ベアトリーチェにね、お菓子あげるの。@トリックオアトリートするの！@　ジャックオーランタンのマシュマロお菓子あげてハッピーハロウィンって言うのー！！@　うー！！」\ `And when she does, I'll give a candy to Beatrice.`@` I'll do trick-or-treat!`@` I'll give her a jack-o-lantern marshmallow candy and say Happy Halloween!!`@` Uu-!!"`\ ;　真里亞は手提げからもうひとつ、お菓子を取り出し、うーうー唸った。@ `Maria pulled yet another sweet out of her handbag, moaning uu-uu-.`@ ;　再び駄々をこね始めた真里亞に、楼座はどうしていいものかわからず困惑する…。\ `Rosa was bewildered and didn't know what to do as Maria started being difficult again...`\ E_A se1 27 bg white,1 ;quakey 5,800 bg rose_1br,22 ;　その時、一際大きな雷鳴が轟いた。@ `At that time, there was a sudden and massive roar of thunder.`@ me1 16 br ;　それは多分、合図。@ `It was probably a sign.`@ ;　……この島が、嵐に閉ざされ、現実の常識から切り離されたことを示す合図。@ `......A sign that this island was closed off by the storm, detached from common sense and reality.`@ br ;　だから多分、今この瞬間より、全ての常識が通用しなくなるに違いないのだ。\ `Therefore, after this moment, all common sense would probably be useless.`\ se2 21 ;　一際強い風が吹き、薔薇の花びらをたくさん散らす薔薇の吹雪の中、@……現れたその姿を、楼座はしばらくの間、現実の光景だと思えずにいた。@ `The wind blew even stronger, and in the middle of the blizzard of scattered rose petals, `@`......a figure appeared, leaving Rosa unable to imagine that this was a scene from reality.`@ br ;　…いや多分、でも絶対、…それは幻想的。@ `...No, it was probably, definitely, ...fantastical.`@ br ;　だってその人影は……………。\ `Because that shadow of a person was............`\ gosub *BEA_isyou2 ld c,$BEA_DefA1,99,8000,"breakup.dll/ulb" fede 0,2000 ld l,$MAR_WaraiA2,23 bgm1 44 ;‡ここでベアト情報を更新。 ;「ベアトリーチェー！！」@ ;　真里亞がその人影に飛びつく。\ `"Beatrice!!"`@ `Maria dashed over to the shadow.`\ ;　……普段の楼座なら、見ず知らずの人に娘が飛びつくようなことがあれば叱る。@ ;　…しかし楼座は、それを忘れて、ただただ呆然とするしかできなかった。\ `......Normally, Rosa would scold her daughter if she dashed over to someone who she hadn't seen and didn't know.`@ `...But Rosa forgot about that, unable to do anything but stand there, shocked.`\ ld c,$BEA_DefA2,80 ;「……久しぶりよ。@元気であったか？」@ `"......It's been a while.`@` Have you been healthy?"`@ ld l,$MAR_WaraiA1,80 ;「うー！@　真里亞は元気！@　魔女は風邪を引かない！@　うー！！」\ `"Uu-!`@` Maria is healthy!`@` Witches don't catch colds!`@` Uu-!!"`\ ld c,$BEA_WaraiA2,80 ;「くっくっくっく！@　魔女は呪いにて風邪を引かせはするが、自らが引いては何とも間抜けな話よ。@せいぜい自らが風邪を引くことなどないよう、これからも精進するがいい。」@ ;　そう言って悪戯っぽく微笑みながら真里亞の頭を撫でる…。\ `"*cackle*cackle*!`@` Witches make people catch colds with curses, but how foolish would it be if they caught one themselves.`@` From now on, you should concentrate on doing your best to not catch something like a cold."`@ `She patted Maria's head as she said this, smiling roguishly...`\ ;　嬉しそうに甘えるその女の名を、楼座は知るはずもなかった。@…しかし、真里亞は彼女が姿を現したその最初に呼んでいる。@ `Rosa couldn't have known the name of the woman who was spoiling Maria, looking happy.`@` ...However, Maria had called to her in the beginning when she had appeared.`@ br ;　だから楼座は、初対面にもかかわらず、彼女が名乗らずとも、その名を知ることができた。\ `Therefore, even though Rosa had never met her, even though she hadn't named herself, Rosa was able to know her name.`\ ;　……しかし、その名は、この六軒島では、右代宮家では特別な意味を持つ。@ `......However, that name held a special meaning on Rokkenjima and in the Ushiromiya family.`@ br ;　……そんな馬鹿なことが、あるわけが……！\ `......There's no way something that stupid......!`\ ld l,$MAR_WaraiA2,80 ;「ベアトリーチェ！@　ハッピーハロウィン！@　ほら、買ったの！@　ベアトにもあげる。@うー！」\ `"Beatrice!`@` Happy Halloween!`@` Look, bought it!`@` Give it to Beatrice too.`@` Uu-!"`\ ld c,$BEA_DefA1,80 ;「うむ、ハッピーハロウィン。@ほぅ、これを妾にとな？@　天国にも地獄にも行けず、煉獄の闇にて彷徨う男の唯一の灯りも、こうして菓子となれば実に可愛らしいことよ。」\ `"Hmm, Happy Halloween.`@` Hoh, for me?`@` How truly lovely that this unique light, of a man lost in the darkness of purgatory, unable to go to heaven or hell, would be made into a candy like this."`\ ld c,$BEA_waraiA1,80 ;「……人の世とも、人ならざる者との世とも切り離された今のこの島で、@これほど相応しい菓子はないかも知れぬな。@くっくくくく…！」\ `"......Right now, on this island that has been cut off both from the world of humans and the world of nonhumans,`@` there may be no more suitable sweet.`@` *cackle*cackle*...!"`\ ld c,$BEA_futekiA2,80 ;「………ん？@　真里亞、それはどうしたのか？」\ `".........Hm?`@` Maria, what's wrong with that?"`\ bg black,22 mono 1 bg sweet1,22 ;　魔女は、真里亞が握り締めているお菓子に気付く。@…それは楼座が踏みつけて惨めな姿になった、真里亞のお菓子。\ `The witch noticed the sweet that Maria was grasping.`@` ...It was Maria's candy, which had been stomped on by Rosa until it reached this pitiful state.`\ bg black,22 mono 0 bg rose_1a,23 ld r,$MAR_fukigenA1,24 ;「……うー。@踏んづけて潰れちゃった。@……ベアトは元に戻せる…？」\ `"......Uu-.`@` Stepped on and smashed.`@` ......Can Beato return it to normal...?"`\ ;　真里亞はあえて母に踏まれたとは言わなかった。@ ;　しかし魔女は、そのお菓子を見ると、なぜかにやりと笑って楼座の姿を見る。@ `Maria didn't go so far as to say that it was her mother who had stepped on it.`@ `However, when the witch saw the candy, for some reason, she looked at Rosa and grinned.`@ br ;　…楼座は、自分の全てを見透かすようなその眼差しに背筋がぞくりとするのを感じた。\ `...A chill went down Rosa's spine, as though she felt that this gaze was staring right through her.`\ ld l,$BEA_DefA2,23 ;「容易いことよ。@貸すが良い。」@ `"It will be easy.`@` Give it to me."`@ cl r,0 ld c,$MAR_WaraiA2,24 ;「うー！」@ `"Uu-!"`@ ;　真里亞は嬉々としてそのお菓子を差し出す。\ `Maria held out the candy gleefully.`\ ;　……楼座は呆然とそれを見守るしかない。@ `......Rosa could do nothing but watch over this, stunned.`@ ;　…あんなに惨めに踏み潰されたお菓子を、どう言い繕って誤魔化すというのか…？@ `...How would this person gloss over the fact that the candy was pitifully trampled and trick Maria...?`@ br ;　真里亞はまるで、元通りの新品に直してもらえると信じている。@ `Maria looked as though she believed that it could be fixed as good as new.`@ br ;　…そんなこと、本当の「魔法」でもなきゃ、できるわけがない…！\ `...There was no way that could be done without real "magic"...!`\ ld l,$BEA_waraiA1,80 ;「これはこれは、見事に潰れているな。@/ `"My, my, it is quite crushed, isn't it. `@/ ld l,$BEA_akuWaraiA1,80 ;……さぁさ、真里亞。@目を閉じて思い出してごらんなさい。」\ `......Come, Maria.`@` Close your eyes and try to remember."`\ bg black,25 ;「本当はあんなにも素敵なお菓子だったから。@思い出の中のお菓子はいっつもふっくら。@だからあなたも思い出してごらんなさい。@本当はどんなお菓子だったのか♪」\ `"Because it really was that wonderful a candy.`@` The candy of your memories is always full and fluffy.`@` So you too, close your eyes and try to remember.`@` What kind of candy was it really♪"`\ ;　…即興の民謡のような、歌うように語る不思議な言葉と共に、魔女はお菓子を宙に放る。@ `...Along with those strange words, spoken as though singing an improvised folk song, the witch threw the sweet into the air.`@ br ;　真里亞は魔女に言われた通り、目を閉じて思い出していた。@ ;　…潰れたお菓子が、本当はどんな姿をしていたか。\ `Maria was closing her eyes and remembering, just as the witch had told her.`@ `...What shape had that crushed candy really had?`\ ;　だから、その光景は楼座だけが見ていた。\ `Therefore, only Rosa saw that scene.`\ se1 52 bg butterfly_1a,22 ;　宙に放り上げたお菓子が、……金色に弾けて…、いや違う。@それは黄金の蝶。@ ;　何匹もの黄金の蝶に散り、…それは宙に手をかざす魔女の手に集まっていく。\ `The sweet which had been thrown into the air, ......burst into a gold color..., no, that wasn't it.`@` Those were golden butterflies.`@ `It scattered into several golden butterflies, ...and they began to gather at the witches hand, which was held up to the sky.`\ textoff bg butterfly_3a,22 ;wait 2000 bg white,8 bg rose_1a,0 ld l,$ROS_odorokiA1,22 ;　するとそれは、………信じられないことに、………買った時そのままの綺麗な元の姿に戻っていた…。@ ;　楼座と魔女だけがその光景を見ていた。@ `And as she did, .........unbelievably, .........it returned to its beautiful original form, just like the time it had been bought...`@ `Only Rosa and the witch had watched that scene.`@ br ;　楼座は、眼前で起きた出来事が理解できず、開いた口を閉じることも思い出せずにいた…。\ `Unable to understand the event that was occurring right in front of her eyes, Rosa stood with her mouth open, forgetting to shut it...`\ ld r,$BEA_defA1,24 ;「もう目を開けて良いぞ。@…受け取るが良い。@これでそなたの菓子も元通りだ。」@ `"You may now open your eyes.`@` You may take it.`@` With this, your sweet has returned to normal."`@ cl l,24 ld l,$MAR_WaraiA2,23 ;「うー！！@　ベアトリーチェはいつもすごいすごい、きゃっきゃ！！」\ `"Uu-!!`@` Beatrice is always awesome awesome, kyakkya!!"`\ bg black,24 bg rose_1b,0 ld r,$ROS_odorokiA1,24 me1 16 ;「……………………………。」@ `".................."`@ ;　無邪気に喜ぶ真里亞の姿と、呆然とする楼座の姿の対比が、あまりにくっきりとわかれていた。\ `There was a very bold contrast between Rosa's shocked appearance and Maria's innocently joyful one.`\ ;　……それを魔女は笑うのか。@ ;　ベアトリーチェは真里亞のそれに応えるのとは違う笑いを浮かべる。\ `......Was that what the witch was laughing at?`@ `A smile floated to Beatrice's face, different from the one that she had shown Maria.`\ ld l,$BEA_DefA2,23 E_MA ;「……妾の顔が、何かに似ているというのか？@　そうまじまじと見られては穴も開こうぞ。」@ `"......Does my face look familiar?`@` If you stare so fixedly, you might burn a hole through it."`@ ld r,$ROS_aseruA1,80 ;「え、……あ、ご、ごめんなさい…！」\ `"Huh, ......ah, I, I'm sorry...!"`\ bg black,22 ;　楼座はその言葉で強く意識する。@ `Rosa was very aware of the meaning of those words.`@ br ;　……彼女の面影を、楼座は知っていた。@ ;　……魔女の肖像画で知っていた。@ `......Rosa had known her face.`@ `......She had known it from the portrait of the witch.`@ br ;　しかし、いやでも、……本当にこの謎の女は……？！\ `But, no wait, ......was this mystery woman really......?!`\ bg rose_1b,0 ld l,$MAR_WaraiA1,0 ld r,$BEA_DefA1,26 ld r,$BEA_defA2,80 ;「……真里亞。@この菓子の代わりに、そなたにはこれを与えよう。」\ `"......Maria.`@` I will give this to you in exchange for that sweet."`\ ;ld l,$MAR_niyariA1,80 bg black,22 bg Letter1,22 ;「うー…？@　手紙？」@ `"Uu-...?`@` Letter?"`@ ;　魔女は懐より洋形封筒を取り出すと真里亞に与えた。@しかし、それを真里亞が開けようとするとそれを制する。\ `The witch pulled a western envelope from her pocket and gave it to Maria.`@` However, when Maria made to open it, the witch stopped her.`\ bg rose_1b,22 ld r,$BEA_DefA2,24 ;「ならぬ。@それを開ける時はすぐに訪れるが、それまで決して開けてはならぬ。@大事に持っているが良い。@そなたを黄金郷へ誘う招待状となろう。」@ `"You must not.`@` The time will soon come that you may open it, but until then, you definitely must not.`@` Take good care of it.`@` It will become an invitation calling you to the Golden Land."`@ ld l,$MAR_WaraiA2,26 ;「黄金郷！！@　やっと連れてってくれるんだね！！@　きゃっきゃッ！@　きゃっきゃッ！！」\ `"Golden Land!!`@` Finally take Maria there!!`@` Kyakkya!`@` Kyakkya!!"`\ ld r,$BEA_waraiA1,80 ;「大事にしまっておくのだぞ。@誰にも見せてはならぬ。」@ `"Take it and treat it with care.`@` You must not show it to anyone."`@ ld l,$MAR_OdorokiA1,80 ;「うー！@　守る！@　魔女との約束は絶対に守る！」\ `"Uu-!`@` Promise!`@` I'll definitely keep a promise with a witch!"`\ bg black,24 bg rose_1a,0 ld r,$ROS_komaruA3,23 ld l,$BEA_akuwaraiA1,23 ;「……そして、これはそなたへだ。」@ `"......And this is for you."`@ ld r,$ROS_aseruA1,80 ;「ぇ………？@　わ、……私……？！」\ `"eh.........?`@` M, ......me......?!"`\ ;　まさか、魔女が自分に話しかけてくるとは思わなかったのだろう。@ ;　楼座は突きつけられたもう一通の洋形封筒に困惑する。\ `She probably hadn't imagined that the witch would speak to her, too.`@ `Rosa was bewildered at this second western envelope, which was thrust before her.`\ bg black,22 bg Letter1,22 ;　その洋形封筒は見覚えのあるものだった。\ `She remembered seeing that western envelope.`\ ;　……間違いない。@ `......There could be no mistake.`@ ;　右代宮家の紋章をあしらった、金蔵が親書に使う特別な封筒だ。@ `It was Kinzo's special envelope, used when he wrote with his own hand, and bearing the Ushiromiya family crest.`@ br ;　しかもそれには赤い封蝋までされていて、@…しかも当主の指輪でされたと思われる封印までされていた。\ `Furthermore, it was sealed with red sealing wax,`@` ...and furthermore, it had the mark which was thought to be made by the Head's Ring.`\ ;　つまり、この中に何が書いてあるかを問わず、@…真里亞がベアトリーチェと呼ぶこの女は、@右代宮家現当主の親書を預かれるほどの信用を得ているということになる…！\ `In other words, without even asking what was written inside,`@` ...this woman, who Maria called Beatrice,`@` was trusted enough that she was in charge of a personal letter of the current Ushiromiya head...!`\ bg black,22 bg rose_1a,0 ld r,$BEA_futekiA2,26 ;「四兄弟の誰でも良かった。@だが、ここでそなたと出会ったということは、金蔵のルーレットがそなたを選んだということなのだろう。@/ `"It could have been any of the four siblings.`@` However, the fact that I have met you here probably means that you were chosen by Kinzo's roulette. `@/ ld r,$BEA_futekiA1,80 ;…ならば受け取るが良い。@そしてその中身を、全兄弟の揃う晩餐の席上で読み上げよ。」\ `...In that case, take it.`@` Then read its contents aloud while seated at the dinner table, when all of the siblings are gathered."`\ ld l,$ROS_ikariA1,23 ;「………何ですって……。」@ ;　楼座は渡された封筒と魔女の顔を何度も見比べる。\ `".........What did you say......"`@ `Rosa looked back and forth several times between the witch's face and the envelope that was handed her.`\ ;　今日は親族会議で、その最大の議題は遺産問題。@……そして、彼女は、絵羽、留弗夫の二人と組んで、@蔵臼にある条件を突きつけ、何億円かの即金を支払うよう強要する計画だった。\ `Today was the family conference, and the biggest object of discussion was the inheritance problem.`@` ......So, she had joined together with Eva and Rudolf,`@` and they had planned to force a certain condition on Krauss to try and extort several hundred million yen in cash out of him.`\ ;　それらを、魔女はまるで全て見透かしている。@ ;　……そして、兄弟全員が揃ったところで、私たちに何を宣言しようというのか。@ `It was as if the witch could see through all of that.`@ `......And what is she trying to announce to us when all of the siblings are gathered?`@ br ;　右代宮家当主にしか扱えぬ親書の封筒で…！\ `With a personal envelope that no one but the Ushiromiya head can use...!`\ ld r,$BEA_DefA1,80 ;「……真里亞。@天気が崩れるぞ。@ゲストハウスへ戻り、昼を待つが良い。@/ `"......Maria,`@` the weather is getting worse.`@` Return to the guesthouse and wait for lunchtime. `@/ ld r,$BEA_AkuwaraiA1,80 ;………それでは楼座、後ほど会おう。@その席で改めて名乗らせてもらおうぞ。@…くっくくくく。」@ `.........And Rosa, let us meet later.`@` Allow me to name myself in that place.`@` ...*cackle*cackle*cackle*."`@ cl r,3 br ;　魔女は笑いながら背を向ける。@ ;　…そして屋敷の方へ悠然と向かっていく。\ `The witch turned her back to her, laughing.`@ `...And then began to head towards the mansion with an air of composure.`\ bg black,22 bg rose_G1a,26 ;　真里亞は元気よく返事をして見送ると、楼座をその場に残してゲストハウスの方へ駆けていく。@ ;　……魔女と出会った幸運を、いとこたちに一刻も早く報告したいかのように。\ `As Maria energetically answered her and watched her go, she began to dash towards the guesthouse, leaving Rosa where she was.`@ `......As though she wanted to inform the other cousins of her good fortune at meeting the witch as soon as she could.`\ ;　楼座は、いよいよに風の強くなる薔薇庭園に取り残され、@……たった今の出来事が、どうか白昼の夢でありますようにと祈るしかなかった…。\ `At last, Rosa was left alone in the rose garden as the winds grew stronger,`@` ......unable to do anything except pray that what had happened was just a daydream...`\ mov %play_scene,60 textoff bg black,2 ;wait 2000 fede 0,4000 wait 1000 me1 5 bg M_o1aR,6 wait 3000 mevol 1,40 se1 17 bg black,10 bg Ment_1a,22 ld c,$GEN_MajimeA2,24 ;■玄関 ;　魔女が玄関に入ると、……そこには源次の姿があった。@ ;　源次は、玄関より訪れた「客人」に最敬礼の挨拶をして迎える…。\ `When the witch entered the entrance hall, ......Genji was visible there.`@ `Genji welcomed the 'guest' who approached from the entrance hall with a respectful bow...`\ ld c,$GEN_DefA1,80 ;「お待ちいたしておりました。@/ `"I have been waiting. `@/ ;ベアトリーチェの情報を２に変更 mov %play_scene,70 seplay 9,1060 mov %r_hyouji_cha,bea mov %r_hyouji,0 ;………ベアトリーチェさま。」@ ;＜源次 `.........Beatrice-sama."`@ cl c,0 ld l,$GEN_DefA1,0 ld r,$BEA_DefA2,24 ;「…久しぶりだな、源次。@………ふ。@老いたではないか。」\ `"...It's been a while, Genji.`@` .........Hmph.`@` You've gotten old."`\ ld l,$GEN_komaruA1,80 ;「……どれほどに老いようとも、家具は家具らしく、最後までお勤めを果たすのみでございます。」\ `"......No matter how old he is, furniture will only carry out his work like furniture, until the end."`\ ld r,$BEA_WaraiA1,80 ;「………あれの妻が、お前に嫉妬したことも懐かしい。@/ `".........I remember how that person's wife used to be jealous of you. `@/ ld r,$BEA_futekiA2,80 ;…金蔵は元気か？」@ `...Is Kinzo well?"`@ ld l,$GEN_MajimeA2,80 ;「大変お元気にございます。」@ `"He is very well."`@ ld r,$BEA_WaraiA2,80 ;「……ふ。@くっくくくくくくく！」\ `"......Hmph.`@` *cackle*cackle*cackle*cackle*!"`\ ;　魔女のその笑いは、金蔵が主治医に余命わずかと宣告されていることを知った上でなのだろう。@ `The witch probably laughed because she knew that Kinzo's own doctor had announced that his remaining life was slim.`@ br ;　…もっとも、実際の金蔵を見れば、@余命わずかとは到底思えないその気力に、元気であると例えたとしても何の不思議もないかもしれない。@ `...However, if anyone actually looked at Kinzo,`@` his will power, which made it extremely difficult to imagine that his remaining life really was slim, might make it seem natural to call him healthy.`@ ;　…あるいは、魔女はそれを笑ったのか。\ `...Maybe the witch laughed at that.`\ ld r,$BEA_AkuwaraiA1,80 ;「挨拶に行こうではないか。@３０年ぶりに、互いに呪いの言葉を吐きあうも良かろう。」\ `"Then let us greet him.`@` It will be good to hurl curses at each other after thirty years."`\ bg Ment_1b,24 ;　魔女はにやりと笑うと、源次を置いてさっさと歩き出す。@ ;　……その足取りは、屋敷の中を充分に知った家人のようだった。\ `As the witch grinned, she started walking, leaving Genji behind.`@ `......Her gait was like that of a family member who knew the inside of the mansion well.`\ ;　源次はその後を仕えるように追う。\ `Genji followed her, as though he served her.`\ textoff fede 0,2000 bg Mhal_2b,0 ld r,$KIR_NayamuA1,24 me1 11 ;　ちょうどその時、客間から霧江が出てきた。@ ;　…化粧直しにでも出たのだろう。@ `At that time, Kyrie came out of the parlor.`@ `...She probably went out to fix her makeup, or something.`@ br ld r,$KIR_MajimeA2,80 ;　そして、源次を従えるようにして歩く魔女の姿を見て、表情を崩さぬ程度に驚いた。\ `And when she saw Genji following a witch, she was surprised, although her expression did not change.`\ E_A bgm1 19 bg Mhal_2c,24 ld l,$GEN_MajimeA2,23 ld c,$BEA_DefA1,24 ;　金蔵の余命が長くなく、その遺産をどうしようかという親族会議のこの日に来客があり、@…しかもその人物は、源次を後に従えて歩くほど右代宮家に馴染みがあって。@ `There was a guest for Kinzo, whose remaining life was not long, on the day of the family conference when the fate of the inheritance was to be decided,`@` ...and furthermore, this person was well enough acquainted that Genji was following behind her.`@ br ;　……霧江はすぐにこの初対面の人物が、重要な意味を持つ何者かであることを理解する。\ `......Kyrie immediately realized that this person who she had never met before was deeply important.`\ ;　霧江は、魔女と目が合う。@ ;　……知らぬふりをするのも失礼だと悟り、挨拶した。\ `Kyrie and the witch's eyes met.`@ `......Realizing that it would be rude to pretend not to notice, she greeted the witch.`\ bg Mhal_2a,0 ld l,$KIR_majimeA2,23 ;「…………初めまして。」\ ;＜霧江 `".........Pleased to meet you."`\ ld r,$BEA_DefA2,24 ;「留弗夫の後妻だったか。」@ ;＜ベアト `"You were Rudolf's second wife, yes?"`@ cl l,24 ld l,$GEN_DefA1,24 ;「左様でございます。@留弗夫さまの今の奥方様であられます、霧江さまでございます。」\ ;＜源次 `"That is correct.`@` This is Kyrie-sama, Rudolf-sama's current wife."`\ ;　そのやり取りで、霧江は初対面の彼女が、右代宮家においてかなり格の高い賓客であることを理解する。\ `From this exchange, Kyrie realized that she was a guest of fairly high rank, even amidst the Ushiromiya family.`\ ;　………そして、それほどの賓客であるという事実と、@……彼女が背負う玄関ホールの肖像画の面影が重なり、……霧江の目は見る見るうちに見開かれていった…。\ `.........And, the fact this was a guest of that level,`@` ......coupled with the face of the portrait in the entrance hall that she bore, ......made Kyrie's eyes open wide in an instant...`\ bg black,22 bg Mhal_2cr,26 wait 2000 me1 5 bg portrait2,46 wait 2000 se1 27 bg white,1 bg portrait3,46 wait 4000 ld r,$BEA_defA2,2 wait 2000 se1 27 bg white,1 ;bg black,42 bg Mhal_2a,0 ld l,$KIR_MajimeA1,42 ld l,$KIR_WaraiA2,80 ;「……初めまして。@霧江と申します。@初対面でしょうか。@もし以前に挨拶をしていたなら、名前を忘れてしまって申し訳ございません。」\ `"......Pleased to meet you.`@` I am Kyrie.`@` I wonder it this is our first meeting.`@` If we did greet each other before, I apologize for forgetting your name."`\ ld r,$BEA_AKuwaraiA1,24 ;「…うすうすは想像がついているくせに、妾に敢えて名乗らそうというのか。」@ `"...Even though you have a vague idea, you dare to ask my name?"`@ ld l,$KIR_majimeA2,80 ;「………………………。」\ `"....................."`\ ;　霧江は社交的に腰を低く挨拶したつもりでいた。@ ;　それに対する返事があからさまに高圧的だったので、少し表情を曇らす。@ `Kyrie had planned on giving her a sociable and humble greeting.`@ `Her expression grew slightly cloudy at that openly oppressive response.`@ br ;　……どうも、好きになれそうにない相手のようだった。\ `......Anyhow, it didn't seem like this was a person she could grow to like.`\ bg Mhal_1aR,23 ld c,$BEA_waraiA1,24 ;　…しかし、もし霧江の想像が当たっているならば、……この「魔女」は恐らく、自分の夫の最大の関心事について、@そして今夜の親族会議を左右しかねない、大きな鍵を握っているのだ…。@ `...But if Kyrie's imagination was correct, ......this "witch" probably held a huge key to what her own husband was most interested in,`@` and something that couldn't help but influence tonight's family conference...`@ br bg black,22 ;　だから買い言葉を返さず、源次を従えて二階へ上がって行くその姿を、黙って見送るしかない。\ `So without shooting back a retort, Kyrie did nothing except silently watch her go up the stairs to the second floor, with Genji following behind.`\ fede 0,4000 wait 1000 se1 6 ;　だからその肩が後から叩かれ、窒息しそうになるくらいに驚いた。@ `So when someone tapped her shoulder from behind, she was so surprised, she almost choked.`@ me1 16 br ;　それは、夏妃だった…。\ `It was, Natsuhi...`\ bg Mhal_2c,0 ld r,$NAT_DefA1,24 ;「………霧江さん。@このようなところに立ち尽くして。@いかがなさいましたか…？」@ `".........Kyrie-san.`@` So, you were standing still in a place like this.`@` How are you feeling...?"`@ ld l,$KIR_WaraiA2,23 ;「ご、ごめんなさい。@……ちょっと、魔女の肖像画に見とれていただけです。」\ `"I, I'm sorry.`@` ......I was just slightly fascinated by the portrait of the witch."`\ ld r,$NAT_zutuuA1,80 ;「……黄金の魔女、ベアトリーチェ、ですか。@今日の右代宮家の復興は、彼女が授けた黄金がなければ成し遂げられなかったとか。@……お父様らしい、幻想的なお話ですね。」\ `"......The Golden Witch, Beatrice, was it?`@` Without the gold she gave, the revival of the Ushiromiya family to what it is today would not have succeeded, or something.`@` ......Just like Father, a fantastical story."`\ ;　夏妃のその言い方は、普段通り。@ ;　…魔女なんて馬鹿らしい、所詮は金蔵の世迷言に過ぎないという立場での言い分だ。\ `Natsuhi spoke in a perfectly ordinary way.`@ `...She spoke from the position that the idea of a witch was just foolish, and that after all, it was nothing more than Kinzo's ramblings.`\ bg black,22 ;　…しかし、今の霧江にはなぜか腑に落ちなかった。@ `...However. something didn't make sense to Kyrie now, for some reason.`@ br ;　自分はたった今、黄金の魔女が玄関からやってきて階上へ上がって行くのを見たのだ。@ `Just now, she herself had seen the Golden Witch come in from the entrance hall and climb up the stairs.`@ br ;　だからこそ夏妃の言い方がまるで、その存在を認めない、@あるいは、いないかのように思い込ませる誘導のように感じてしまう…。\ `So Natsuhi's method of speech seemed almost like it was inducing her to not accept that the witch existed,`@` or that it was forcing her to think that it might not exist...`\ bg Mhal_2a,24 ld l,$KIR_NayamuA1,23 ;「…ごめんなさい。@少し頭痛がする気がして。@…ちょっと休もうと思います。」@ ;＜霧江 `"...I'm sorry.`@` I think I'm feeling a bit of a headache.`@` ...I think I'll rest for a little while."`@ ld r,$NAT_WaraiA2,24 ;「あら、そうですか…？@　なら、良い頭痛薬がありますよ。@用意させましょう…。」\ `"Oh, is that so...?`@` Then I have some good headache medicine.`@` Allow me to prepare it..."`\ ;■金蔵の書斎前の廊下 mov %play_scene,70 bg black,45 fede 0,3000 wait 1000 bg M2F_P1a,6 me1v 5,40 wait 2000 bg black,23 bg M2F_P1b,23 wait 2000 bg black,23 bg M2F_P1c,3 ;　金蔵の書斎前の廊下には、あの緑色の酒独特の、甘い毒の匂いが立ち込めている…。@ ;　慣れきっている源次は顔をしかめない。@ ;　…そして黄金の魔女も、顔をしかめなかった。\ `The hallway in front of Kinzo's study was filled with the scent of sweet poison particular to that green liquor...`@ `Genji, who was completely used to it, did not grimace.`@ `...And the Golden Witch didn't grimace either.`\ bg black,22 bg M_door1,26 ld r,$BEA_nayamuA1,24 ;「……この中からどれほど出ぬのか。」@ `"......How long has he been inside here without leaving?"`@ ld l,$GEN_KomaruA1,23 ;「すでに数年になるかと思います。」\ `"I believe it has already been several years."`\ ld r,$BEA_AkuwaraiA1,80 ;「…………それほどまでに、妾を篭の鳥としたいか。@…哀れな。@……それを願うそなたが、今や篭の鳥。@…書斎の亡霊ではないか。@……それに気付けぬとは哀れな男よ。」\ `"............Did he want to make me a bird in a cage that much?`@` How pitiful.`@` ......Now you, the person who wished that, are the bird in a cage.`@` ...Aren't you the ghost of the study?`@` ......What a pitiful man to not recognize that."`\ ld l,$GEN_defA1,80 ;「……貴方様と再びお会いする日までは、恐らく、文字通り亡霊となっても研究を続けられるでしょう。」@ `"......He would probably continue his research until the day he could meet you again, even until he literally became a ghost."`@ ld r,$BEA_futekiA2,80 ;「愛か狂気か妄執か。@…それも高じれば魔力となるか。@……悲しき魔術師よ。」\ `"Is it love or madness or a delusion?`@` ...If those are well enough developed, will they become magic?`@` ......You sad magician."`\ bg black,24 bg M_door2,22 ;　魔女は書斎のドアノブを握る。\ `The witch grasped the doorknob to the study.`\ ;‡se1 ジュウと肉の焼けて爆ぜる音 se1 55 bg magicsquare_mars5,22 ;　……すると、ジュウとまるで肉が焼かれて爆ぜるような音がした。@ ;　…それは文字通り、ドアノブが魔女の手を焼いた音だった。\ `......When she did, there was a sound like that of flesh burning and splitting open.`@ `...It was the sound of the doorknob literally burning the witch's hand.`\ bg black,22 bg M_door1,0 ld r,$GEN_MajimeA1,23 ;「……ベアトリーチェさま…。」@ `"......Beatrice-sama..."`@ ld l,$BEA_aseruA1,23 ;「何だこれは。@/ `"What is this. `@/ ld l,$BEA_odorokiA1,80 ;………魔除けか！@　…あやつめ、こんなものに頼らなければ己が身も保てぬというのか…。」\ `.........A magic repellent!`@` ...Is that person unable to get by without relying on something like this...?"`\ ld r,$GEN_MajimeA2,80 ;「…その扉は、ベアトリーチェさまにはお辛いものと伺っております。@私が開きましょうか…？」\ `"...I have heard that this door is painful for you, Beatrice-sama.`@` Shall I open it...?"`\ ld l,$BEA_fukigenA1,80 ;「いや、…良い。@あやつが勝てば、妾は永遠の篭の鳥。@…あやつが負ければ、愛に狂い、全てを失った哀れな魔術師の生涯が笑い種となって残るだけ。」\ `"No, ...it is fine.`@` If he wins, I will be a bird in a cage for all eternity.`@` ...If he loses, only the life of a laughingstock will be left, the life of a pitiful magician who went mad with love and lost everything."`\ ld l,$BEA_akuwaraiA1,80 ;「……もはや金蔵も、妾さえも、ゲーム盤に並べられた駒に過ぎぬ。@…あとはルーレットの目が勝敗を分けるだけよ。@………ルーレットが目を見せるまで、妾と金蔵が再会する必要はない。」@ `"......Already, Kinzo and even I are nothing more than pieces laid out on the game board.`@` ...All that is left is for the result of the roulette to decide who wins and who loses.`@` .........Until the roulette shows its result, there is no need for me to be reunited with Kinzo."`@ br ;　魔女は、焼け爛れながらも、少しずつ癒えていく手の平を見る。\ `The witch looked at her hand, which, although it was horribly burned, was beginning to heal bit by bit.`\ cl a,0 ld c,$BEA_waraiA1,23 ;「……あるいは、そのための魔除けなのか。@………ふ。@…なるほど、それもまた潔し。@……全ては今や金蔵のゲーム盤の上よ。」\ `"......The magic repellent could be here for that reason.`@` .........Hmph.`@` ...I see, that is also honorable.`@` ......Now, everything is on top of Kinzo's game board."`\ se1 21 ld c,$BEA_akuwaraiA3,80 ;「気に入ったぞ、金蔵。@そなたとのゲーム、楽しませてもらうぞ。@……妾に恋焦がれ全ての生涯を投げ出した老魔術師の最後のギャンブル、その散り様を楽しませてもらうぞ…！！」\ `"I like it, Kinzo.`@` Allow me to enjoy my game with you.`@` ......Allow me to enjoy how the final gamble of the old magician who fell in love with me and threw away all of his life falls...!!"`\ textoff wait 2000 ;▲第５アイキャッチ：１０月４日（土）１２時００分　から　１３時００分へ進む eye1 12,00,13,00,1,0,510,340,25 wait 2000 *umi2_6 ;■ベアトの貴賓室前、廊下 mov %play_scene,70 me1v 12,40 bg black,22 ;「………誰か。」@ ;＜ベアト `".........Who is it?"`@ bg M2F_P1d,22 ld c,$KAN_DefA2,24 ;「失礼いたします…。@昼食をお持ちいたしました。」@ ;＜嘉音 `"Excuse me...`@` I have brought lunch."`@ ;「入れ。」@ `"Enter."`@ ld c,$KAN_fumanA2,80 ;「……失礼いたします。」\ ;＜嘉音 `"......Excuse me."`\ se1 17 ;cl c,24 textoff bg black,10 ;　了解を得て、嘉音が昼食の配膳台車を押しながら貴賓室に入る。@ `After receiving approval, Kanon entered the VIP room, pushing the lunch serving cart.`@ br ;　…この部屋を使用人たちは、魔女の貴賓室と呼んでいた。\ `...The servants called this room the witch's VIP room.`\ ;　なぜなら、普段からいつ使用があっても良いよう、常に清掃しておくよう金蔵から厳しく言いつけられていた。@ ;　…にもかかわらず、如何なる来客であってもこの部屋に通されることはなかった。\ `That was because Kinzo strictly ordered that it always be cleaned so that it could be used at any time.`@ `...Even so, guests would not be allowed into this room no matter who they were.`\ ;　…だからいつの頃からか使用人たちはこの部屋を、金蔵の待ち人の…、@あの肖像画の魔女を迎えるためだけの特別な、魔女の貴賓室であると呼び始めていたのだ。\ `...That's why, at some point, the servants had started calling it the VIP room, which was supposed to be set aside only to greet the special person Kinzo waited for...,`@` the witch from that portrait.`\ ;　そして、嘉音はこの日、それがまさにその通りであったことを知る…。\ `And today, Kanon knew that this was exactly right...`\ bg white,2 bg Mvip_1a,22 me1v 13,40 ;　入室すると、………黄金の髪の魔女は、窓から外を眺めていた。\ `When he entered the room, .........the blonde-haired witch was gazing out the window.`\ bg Mvip_1d,22 ;　外はすでに弱くない雨が降り始めている。@ ;　…何日もかけてこの日のために仕上げられた美しい薔薇の庭園が、風雨で荒れ行くのを見て、@何かの感傷にふけっているのだろうか。@ `Outside, the rain was no longer falling weakly.`@ `...As she looked out at the beautiful rose garden, which had been finished after several days of work for today's sake, `@`and saw the winds and rain ravage it, was she lost in some sentimental feelings?`@ br ;　背中を向けるその姿からは、それ以上をうかがうことは出来ない。\ `Kanon was not able to tell anything more from her back, which was facing him.`\ bg black,25 bg Mvip_2a,0 ld r,$KAN_NayamuA1,22 ;「…お食事の用意をさせていただきます。@…ベアトリーチェさま。」@ `"...I will prepare the meal.`@` ...Beatrice-sama."`@ br ;　だから嘉音は、……魔女を振り返らせたくて、わざわざ名前を呼ぶ。@ `Kanon went out of his way to call out the witch's name, ......because he wanted to make her turn around.`@ br ;　彼は知りたかった。@ ;　……かつて自分と紗音を唆したあの魔女が、……本当に再び現れたのか知りたかった。\ `He wanted to know.`@ `......He wanted to know whether the witch who had tempted him and Shannon in the past really had appeared again.`\ bg black,22 bg Mvip_1d,22 me2v 16,40 ;　…すると、……名を呼ばれた魔女は、背を向けたまま、……笑う。@ ;　声を押し殺して、笑う。@ `...When he did, ......the witch whose name had been called, ......laughed, her back still facing him.`@ `Holding back her voice, she laughed.`@ br ;　嘉音はぎくりとする…。@ ;　まるで、振り向かせたくて声を掛けた、その思惑が読まれているようで…。\ `Kanon was startled...`@ `It was almost as though she had read his mind and knew that he had called out to her, hoping to make her turn around...`\ bg black,22 bg Mvip_1b,0 gosub *BEA_isyou2 ld r,$BEA_DefA1,24 ;「………良い匂いだな。@どうやら蔵臼は、良い料理人を入れたと見える。」@ `".........It smells good.`@` It appears that Krauss has somehow employed a good cook."`@ ld l,$KAN_fumanA2,23 ;「……………………。@……はい。@…近年入った、郷田という料理人です。」\ `"...............`@`......Yes.`@` ...He is a cook called Gohda, and was employed in recent years."`\ ld r,$BEA_WaraiA2,80 ;「…料理の腕が良きことは何にも勝るものよ。@…美食は人の世で生きる快楽の三柱を成す。@千年を飽きぬにはこれを欠かぬが秘訣よ。@…くっくくくくくくく。」\ `"...There's nothing better than being skilled at cooking.`@` ...Gourmets form the three pillars of pleasure for living in the human world.`@` Not missing out on this is the secret to not getting bored after a thousand years.`@` ...*cackle*cackle*cackle*cackle*."`\ ;　魔女と目が合う。\ `Kanon and the witch's eyes met.`\ ld r,$BEA_AkuwaraiA1,80 me3v 5,50 ;　…そして、にやりと笑う…。\ `...And, she grinned...`\ ;　間違いない。@紛れもない…。@ ;　それは間違いなく、あの日の魔女、ベアトリーチェ…。@ `Without a doubt.`@` Certainly...`@ `This was without a doubt, the witch from that day, Beatrice...`@ br ;　かつて自分と紗音にしか見えなかった魔女は、ついに姿を持ち、玄関から堂々と客人としてやって来たのだ…。\ `The witch that no one but he and Shannon could see in the past finally held a form, and had arrived openly as a guest from the entrance hall...`\ ld l,$KAN_OdorokiA2,80 ;「………ベアト…リーチェ……。@……さま。」@ `".........Beatrice......`@`......sama."`@ ld r,$BEA_futekiA1,80 E_A bgm1 40 ;「久しぶりよの。@………家具の、嘉音。@…くっくくくくくくくくく！」@ `"It has been a long time.`@` .........Kanon, the furniture.`@` ...*cackle*cackle*cackle*cackle*cackle*!"`@ ld l,$KAN_NayamuA1,80 ;!s0「……………お久、/ ;!d800……しぶりでございます…。」/ !s0`"............It has, `/ !d800`......been a long time..."`/ !sd\ ;　嘉音は一応、客人への礼儀を忘れまいとする。@ `Kanon tried not to forget to be polite to the guest for the time being.`@ ;　…しかし胸中は、胡散臭き魔女の、それも親族会議の日の訪問に、暗雲が立ち込めていた…。\ `...But dark clouds began to enshroud his heart because of the visit of this suspicious witch, and on the day of the family conference...`\ ld r,$BEA_DefA1,80 ;「何をしに現れたのかと、気が気でならぬと見える。@……そうであろう…？」@ `"It seems you are uneasy about what I plan to do now that I have appeared.`@` ......Is that so...?"`@ ld l,$KAN_OdorokiA2,80 ;「………………………………。」\ `"....................."`\ ;　嘉音は無理に答えない。@ ;　…恐らく、この魔女は心を読む。@ ;　…ならば、わざわざそれを口に出すことに意味はないのだ。@ `Kanon didn't force an answer.`@ `...This witch probably reads minds.`@ `...So it was pointless to go to all the trouble of saying it out loud.`@ br ;　………無論、そんな反抗心すら、読まれる。@ `.........Of course, even his resisting heart would be read.`@ ld r,$BEA_WaraiA1,80 ;　だから魔女は、嘉音の稚拙な反抗をくすくすと笑うのだった。\ `So the witch giggled at Kanon's childish resistance.`\ ld r,$BEA_AkuwaraiA1,80 ;「……金蔵との最後の約束を、果たしに来た。」@ `"......I came to resolve my final promise with Kinzo."`@ ld l,$KAN_KomaruA1,80 ;「お館様との、……最後の約束…？」\ `"Your final promise with, ......Master...?"`\ bg black,25 bg Mvip_1e,22 me1 13 ;「……妾は金蔵に山を成す黄金を貸し付けた。@…それを金蔵が放棄する時、妾は利子を付けて返却を受けることになっておる。@………今宵、それを貰い受けに来た。」@ `"......I lent Kinzo a mountain of gold.`@` ...When Kinzo gives that up, it will be returned to me with interest.`@` .........I came to accept that tonight."`@ ;「……………僕には、何の話かわかりません。」\ `".............I don't know what you are talking about."`\ bg black,22 ;　しかし、胸中の不安は募っていく。@ ;　……この魔女の話に、ロクなものはないのだ。\ `However, uncertainty began to gather in his heart.`@ `......The story of this witch couldn't be anything good.`\ bg Mvip_1b,0 ld c,$BEA_DefA1,26 ld c,$BEA_WaraiA1,80 ;E_MA ;「……くっくくくくくくくく！@　違いない！@　魔女の話にロクなものはないぞ。@そなたは正しい。@/ `"......*cackle*cackle*cackle*cackle*!`@` There's no mistake!`@` The story of a witch isn't anything good.`@` You are correct. `@/ ld c,$BEA_DefA1,80 ;されど、魔女と鋏は使いようだ。@…ソロモン王のように、偉業を成し遂げる者も時にはおる。」\ `Be that as it may, witches are used like scissors.`@` ...Sometimes, there are people like King Solomon who succeed in great exploits."`\ ld c,$BEA_AkuwaraiA1,80 ;「………もっとも、多くの場合は、童話が語るようにロクな目には遭わんがな？@　くっくっくっく…！@　………しかし金蔵も食えぬ。@妾の利子の取立てすらも、自らの儀式に取り込みおった。@妾をも超える、とてつもない大魔術師か。@……さもなければ狂気に憑り付かれたただの痴れ者か。@…面白い。@実に面白い…！」\ `".........However, in most cases, one does not meet with a good fate such as those described in fairy tales, right?`@` *cackle*cackle*...!`@` .........But Kinzo is crafty.`@` He has taken in even the interest I am collecting for his own ceremony.`@` Is he an absurd magician to surpass even me?`@` ......Or else a fool possessed by madness?`@` ...Interesting.`@` Truly interesting...!"`\ ;　嘉音には、魔女が何を呟き、何を笑っているのか察することはできない。\ `Kanon couldn't guess what the witch was muttering and laughing about.`\ ;　…ひとつわかるのは、@……この魔女にとって笑うに値すること全てが、@自分たちにとってはまったく逆を意味するに違いないということだけだ。\ `...All he knew was,`@` ......anything that would make this witch laugh,`@` must have the exact opposite meaning to the rest of them.`\ ;　……そして脳裏に、かつて魔女が吐き捨てた恐ろしい言葉が蘇る。\ `......And in the back of his mind, the horrifying words the witch had spat at him in the past began to be revived.`\ bg black,22 fede 10,2000 mono 1 gosub *BEA_isyou1 bg rose_1aN,0 ld r,$BEA_akuwaraiA1,22 me1v 18,50 ;　妾がその力を対価なく貸すことがあるとでも？@　恋に手は貸そう。@その対価は、やがて必ず訪れる二人への過酷な運命の鑑賞料としていただくわけよ。@ `Did I not lend them that power without asking for compensation?`@` I'll lend a hand in love.`@` So that as compensation, I can enjoy watching the cruel fate that the two of them will eventually meet.`@ br ;　これに勝る見世物は千年経っても存在せぬ…！\ `Even after one thousand years, no better show exists...!`\ textoff mono off gosub *BEA_isyou2 bg Mvip_1b,0 ld r,$BEA_akuwaraiA1,42 fede 10,2000 ld l,$KAN_OdorokiA1,23 ;「………………………………。@…まさか、……お前は……。」@ `".....................`@`...Could it be, ......you......"`@ ld r,$BEA_waraiA2,80 ;「くっくっくくくくくく！@　くふふふはっはははははははは…！！」\ `"*cackle*cackle*cackle*cackle*!`@` Gehehehhahahahahahahahaha...!!"`\ ld r,$BEA_futekiA2,80 ;「………懐かしき、故郷を貫く鮎の川。@黄金郷を目指す者よ、これを下りて鍵を探せ。」@ `".........My beloved hometown, the sweetfish river running through it.`@` You who seek the Golden Land, follow its path downstream and seek the key."`@ me1v 11,0 cross1 2000,50,50,50,50,50 E_B br ;　魔女が突然、奇妙な詩を詠い始める…。@ ;　それは聞き覚えのあるものだった。\ `The witch suddenly began to recite a bizarre poem...`@ `It was something he remembered hearing.`\ ld l,$KAN_KomaruA1,80 ;「それは……、……まさか、魔女の碑文…。」\ `"Could that be......, ......the witch's epitaph..."`\ bg black,22 bg portrait2,22 ;　間違いない。@ `There was no mistake.`@ ;　…それは、金蔵が掲げた魔女の肖像画に添えられた碑文だ。\ `...It was the epitaph that accompanied the portrait of the witch that Kinzo had hung.`\ ;　親族たちは、恐らく黄金の隠し場所を示すに違いないと想像しているが、@何を意味するのかは誰も知らない。@ `The relatives imagined that it probably pointed to the location of the hidden gold,`@` but no one knew what it meant.`@ ;　魔女は唐突にその碑文を詠い始めたのだ。\ `The witch suddenly began reciting that epitaph.`\ textoff bgm1v 14,0 cross2 3000,70 E_MA bg black,22 bg Mvip_1a,26 ld c,$BEA_DefA1,23 ;「…嘉音。@家具である貴様なら金蔵から聞いていよう。@………全てを、黄金郷へ返す日が、やって来たのだ。@/ `"...Kanon.`@` Why don't you, as furniture, ask Kinzo about it?`@` .........The day when everything will be returned to the Golden Land, has come. `@/ ld c,$BEA_WaraiA1,80 ;喜ぶがいい。@…お前の恥辱に塗れた家具の日々が、ようやく終わる時がやって来たのだ。」\ `Be happy.`@` ...The day when the shame of your time as furniture will end has finally come."`\ bg Mvip_1b,0 ld r,$KAN_OdorokiA2,24 ;「……………………っ。」\ `"................"`\ ld l,$BEA_DefA2,23 ;「お前はそれをずっと望んできたはず。@…自らに存在価値を持たぬ家具にとって、ただ存在するだけの日々は苦痛に他ならない。」\ `"I believe you have wanted that for a long time.`@` ...To furniture, whose existence has no value, just existing day to day must be nothing but agony."`\ ld l,$BEA_futekiA1,80 ;「……魂ある者にとって現世は固執すべきものだが、なき者にとって現世は苦界でしかないからの。@くっくっくっく…！」\ `"......Those with souls should persist in the real world, but those without them find the real world to be nothing but suffering.`@` *cackle*cackle*...!"`\ bg Mvip_1e,25 ;　嘉音の表情に複雑な表情が浮かぶ。@ `Complicated expressions flitted across Kanon's face.`@ br ;　……それは嘉音が心待ちにしてきた解放の日。@ ;　…しかしその訪れは無慈悲なくらいに唐突だった。\ `......It was the day of release that Kanon had been looking forward to.`@ `...However, the coming of this day had been mercilessly sudden.`\ ;　そして、安息の日を告げる魔女の憎らしい口調が、なぜか受け入れがたく。@ ;　…嘉音は自らの抱くべき感情すら決められずにいる…。\ `And for some reason, it was difficult to accept, since he had been informed that the day of resting had come from a witch speaking in this hateful way.`@ `...Kanon wasn't even able to decide what emotion he should hold on to...`\ bg Mvip_1c,0 ld r,$BEA_futekiA1,6 ld r,$BEA_AkuwaraiA1,80 ;「……なぜに喜ばぬ？@　それとも、現世に何かの未練があるというのか。@……家具の分際で。」@ `"......Why are you not happy?`@` Could you actually have some regrets left in the real world?`@` ......As furniture?"`@ ld l,$KAN_MajimeA1,23 ;!s0「…………未練など、/ ;!d800……ない。@…僕は、/ ;!d800…………家具だから。」/ !s0`"............I have no, `/ !d800`......regrets.`@` Because I am, `/ !d800`............furniture."`/ !sd\ ld r,$BEA_futekiA1,80 ;「くっくくくくくくく。@…貴様は実に模範的な家具だな。@……良い良い。@……しかし、何の未練もないとはつくづく面白味のない。」@ `"*cackle*cackle*cackle*cackle*.`@` ...You truly are a model furniture.`@` ......How nice, how nice.`@` ......However, it wouldn't be interesting if you had no regrets."`@ ld l,$KAN_OdorokiA2,80 ;「……未練こそが、お前の快楽だというのか。」\ `"......Are you saying that regrets are your pleasure?"`\ cl a,0 ld c,$BEA_waraiA2,24 se1 21 ;「その通り！@　千年も生きると大抵の魔女は生き飽きる！@　妾は退屈から逃れるために、人間たちの運命にブランデーや果物を練りこみ、ケーキのように焼き上げるのだ。@オーブンの中で苛烈な運命に踊る人間たちの何と面白きこと…！」\ `"That is correct!`@` Most witches who live for one thousand years get tired of living!`@` In order to escape boredom, I adorn people's fates with fruit and brandy and cook them like cakes.`@` I find humans dancing through oppressive fates inside an oven to be so very entertaining...!"`\ ld c,$BEA_AkuwaraiA1,80 ;「くっくくくくく！@　妾は、この方面にかけては、ちと知られていてな？@　……妾の料理の腕を見に、時には遠方から珍客が見物に来ることすらあるくらいよ。@…ふっふふふふ、言っても家具如きには理解できぬか。」\ `"*cackle*cackle*!`@` It's well known that I take this position, right?`@` ......So much that rare guests come from far away to see my skill at cooking.`@` ...Heheheheh, even if I say that, it may be something that mere furniture can't understand."`\ bg black,25 bg Mvip_1e,22 ;　嘉音には、魔女が何を言っているのか理解できない。@ `Kanon wasn't able to understand what the witch was saying.`@ ;　しかし、人間たちの運命をまるで見世物のように扱い、@何かの危害を加えることで面白がっている恐ろしい存在であることは充分に理解できた。\ `However, he realized well enough that this was a terrifying being who treated the fate of humans as a show,`@` enjoying it whenever some harm befell them.`\ ;　……しかし、家具には魂も人生も、ましてや運命もない。@現世から解放される日まで使役されるだけの哀れな「家具」。@ `......However, furniture had no soul or life, much less a fate.`@` Pitiful "furniture" did nothing but serve until the day they were released from the real world.`@ br ;　…そんな家具たちにとって、全てから解放するために現れた魔女は慈しみ溢れる存在でもある…。\ `...To furniture like that, the witch, who had appeared to release them from everything, was a being for which they overflowed with affection...`\ ;　嘉音は、待ち焦がれたはずの日が訪れたにもかかわらず、それを容易に受け容れられない自分に困惑していた。\ `Even though the day that Kanon should have been waiting impatiently for had come, he was confused at himself and his inability to easily accept that.`\ bg black,22 ;　…それはなぜ…？@ `...Why was it...?`@ ;　………浮かんだのは、姉と慕う紗音の顔。@ ;　……そして、なぜか朱志香の顔。\ `.........The face of Shannon, the person he loved as a sister, rose to his mind.`@ `......And for some reason, Jessica's face did too.`\ bg Mvip_1d,22 me1 11 ;「…………………く。」@ `"...............Ku."`@ br ;　嘉音は苦々しく下唇を噛む。@ `Kanon bit his lower lip painfully.`@ ;　……朱志香を想うことは家具の身には許されぬこと。@それを自覚し、紗音の交際を咎めたはずなのに、…このような時に朱志香を思い出すなんて。@ `......What Jessica was thinking of was not permitted for furniture.`@` Even though he had tried to realize that, and had found fault with Shannon's relationship, ......how could he still remember Jessica at a time like this.`@ br ;　……自分の甘さにわずかの苦々しさを覚えるのだった。@そして、朱志香を忘れるために、思考を紗音に割く。\ `......He felt a little shameful at his own naivety.`@` And to forget about Jessica, he turned his thoughts to Shannon.`\ ;　紗音も家具だ。@ ;　……全てが無に帰る日を、喜ばないわけがない。@ `Shannon is also furniture.`@ `......On the day everything returns to nothing, there was no reason she shouldn't be happy.`@ br ;　……しかし紗音は、/ ;!d600………譲治と交際することで、家具が覚えてはならない感情を知ってしまった。@ `......But Shannon, `/ !d600`.........through her relationship with George, had known an emotion that shouldn't be known by furniture.`@ br ;　結ばれる資格などないくせに、見ることの許されぬ夢に浸り続けている。\ `Even though she wasn't qualified to be bonded with him, she was still trapped in a dream that she wasn't permitted to see.`\ bg black,22 ;　そんな紗音にとって、@……これは喜んで受け容れられるものになるだろうか。\ `Could Shannon, `@`......accept something like that with pleasure?`\ ;　……ならない。@ ;　…紗音は未練を残す。@ `......She must not.`@ `...Shannon still had remaining regrets.`@ ;　……それは多分、大きな苦しみとなって紗音を苛むだろう。\ `......That would probably become a great source of pain and torture for Shannon.`\ ;　その未練は、………他でもない、この魔女が植えつけた。@ `And the fact of the matter was that this regret, .........had been planted by this witch.`@ br ;　なぜ？@　その方が、“面白くなるから”というだけの理由で……！\ `Why?`@` Just because that would be 'more interesting'......!`\ E_MA bg Mvip_1b,0 ld c,$KAN_fumanA1,26 ;「……紗音は、……待ちわびていたはずの日に、知ってはならない感情を持ち、@……とても辛い思いを強いられるだろう。@/ `"......This day, ......that Shannon should have been waiting impatiently for, will probably force upon her very harsh thoughts, `@`......and give her emotions that she must not know. `@/ ld c,$KAN_fumanA2,80 ;………僕は、…僕たち家具を解放する日を手土産に訪れてくれたあなたに感謝する。」\ `.........I thank you for bringing me, ...us furniture the day of our release as a present."`\ ld c,$KAN_OdorokiA1,80 ;「……そして、紗音にその日を受け容れがたくしたお前を憎む…！」\ `"......And, I hate you for making this day difficult for Shannon to accept...!"`\ bg Mvip_1a,0 ld r,$BEA_waraiA1,23 ;「お前も紗音同様に、未練に苦しませてやりたかったぞ。@……しかしお前は愚直に家具であり続け、妾に篭絡されることもなかった。」\ `"I wanted to make you feel pain from your regrets as well, just like Shannon.`@` ......However, you continued to be like furniture with foolish honesty, and didn't get ensnared by me."`\ ld r,$BEA_AkuwaraiA1,80 ;「…………しかし、紗音を慕い過ぎたようだな？@　くっくくくくくく！@　紗音の未練が、そなたの未練となる。@……それは、妾への憎悪へと変わるのか…？」\ `".........However, it looks like you loved Shannon too dearly, right?`@` *cackle*cackle*cackle*cackle*!`@` Shannon's regrets became your regrets.`@` ......Will that become hatred for me...?"`\ bg Mvip_1b,0 ld l,$KAN_OdorokiA2,24 me1v 13,40 ;「………………………………。」\ `"........................"`\ bg Mvip_1a,0 ld r,$BEA_AkuwaraiA1,23 me2v 19,100 ;「妾を殺したくば、殺してみるが良い。@……くっくくくくくくく！@　金蔵の家具ならば、その程度の力は持っていよう？@　しかし、妾を殺せば家具どもに安息の日は永遠に訪れぬぞ。@……そなたにそれが耐えられるのか……？@　妾による解放を、本当に拒むことができるのか……？@　くっくっくっくっくっく！！@/ `"If you want to kill me, try to do it.`@` ......*cackle*cackle*cackle*cackle*!`@` As Kinzo's furniture, you should have at least that much power, right?`@` However, if you kill me, the day of rest for the furniture will not come for all eternity.`@` ......Could you withstand that......?`@` Can you really reject your release by me......?`@` *cackle*cackle*cackle*!! `@/ ld r,$BEA_futekiA1,80 ;　………跪けッ！」\ `.........Kneel!"`\ ld l,$KAN_OdorokiA1,23 ;「な、……何を…！」\ `"Wh, ......what...!"`\ ld r,$BEA_DefA1,80 ;「跪き、妾の靴に口付けをするが良い。@………さもなくば、妾はこの場を立ち去ろうぞ。@…帰りて永遠に姿を現さぬ。@/ `"Kneel and kiss my shoes.`@` .........Otherwise, I will leave this place.`@` ...I'll go back and never show myself again for all eternity. `@/ ld r,$BEA_AkuwaraiA1,80 ;…………のぅ、嘉音？@　そなたはそれに耐えられるのか…？」\ `............So, Kanon?`@` Could you withstand that...?"`\ ld l,$KAN_IkariA1,80 ;「…………………く……、」\ `"...............Ku......"`\ cl r,0 ld c,$BEA_futekiA1,24 ;「黄金郷の扉が開かれれば、そなたの苦難に満ちた家具の生は終わろう。@……望むならば、人間としての生を与えても良い。@さすればもはや朱志香とは対等！@　貴様も知りたいはずだ、恋の味が…！」\ `"If the door to the Golden Land is opened, your life as furniture that has been full of hardship will end.`@` ......If you desire, I will even give you life as a human.`@` After that, you will be on the same level as Jessica!`@` Surely you want to know of it, the taste of love...!"`\ bg black,0 ld c,$BEA_AkuwaraiA3,22 me3v 5,90 ;「………隠そうとも知っておるぞ…？@　甘き恋の沼にて溺れる紗音を見て、そなたは羨ましがっている。@…恋の味を知りたくてうずうずしておるのよ…。@くっくっく！！」\ `".........I know even if you try to hide it, you see...?`@` After seeing Shannon indulging in the sea of sweet love, you grew jealous.`@` ...You are sorely tempted to know the taste of love...`@` *cackle*cackle*!!"`\ bg Mvip_1a,0 ld c,$BEA_waraiA1,1 E_MA se1 12 quakey 4,800 ;「……やめろ……、やめろ…！@　僕を再び篭絡するつもりか……！@　僕はお前を楽しませるための玩具に成り果てたりしない…！」\ `"......Stop it......, stop it...!`@` Are you trying to ensnare me again......?!`@` I won't be reduced to a toy to please you...!"`\ bg black,23 bg Mvip_1c,24 ld c,$BEA_futekiA2,23 ;「ほぅ。@ならば紗音で満足するとしよう。@蒔いたタネはそなただけではないのでな。@時には実を結ばぬ果実もある。」\ `"Hoh.`@` Then I will be satisfied with Shannon.`@` You weren't the only one I sowed those seeds into.`@` There are sometimes fruits that don't bear fruit."`\ ld c,$BEA_akuwaraiA1,80 ;「………鍵を手にせし者は、以下に従いて黄金郷へ旅立つべし。@第一の晩に、鍵の選びし六人を生贄に捧げよ。@第二の晩に、残されし者は寄り添う二人を引き裂け…。」\ `".........He who lays hand upon the key shall travel under the rules below.`@` At the first twilight, you shall lift up as sacrifice the six chosen by the key.`@` At the second twilight, those who remain shall tear apart the two who are close..."`\ fede 0,3000 ;　魔女は再び碑文を詠う。@ `The witch recited the epitaph again.`@ ;　実に唐突に、それまでの流れを断ち切るように。@ ;　しかし、その挑発的な笑みは、まるでその碑文が、そのまま嘉音への脅迫になるとでも言わんばかりだった。\ `It was so sudden, and diverged so strongly from the current topic.`@ `However, that challenging smile made it seem almost as though she were using that epitaph as a threat to Kanon.`\ ld c,$BEA_defA2,80 se1 21 bgm1 44 ;「………わからぬか。@…この碑文の儀式を成し遂げるには、“第二の晩”に、寄り添う二人を生贄に捧げねばならぬ。@/ `".........Do you not understand?`@` ...For the ceremony of the epitaph to succeed, at the 'second twilight', the two who are close must be offered as sacrifices. `@/ ld c,$BEA_futekiA1,80 ;me1v 19,70 ;…………寄り添う二人は誰でも良い。@夫婦でも良いし、……恋人同士でも良い。@……誰を選ぶかは、儀式のルールに則り、妾が気まぐれに決めてよいことになっている。@……今の紗音なら、これほど相応しい第二の晩の生贄もないとは思わぬか…？@　くっくくくくくくくくくく！！」\ `............It could be any two who are close.`@` A husband and wife, or even a pair of lovers.`@` ......According to the rules of the ceremony, who will be selected is up to me to decide on a whim.`@` ......Don't you think that there is no one more fitting to be a sacrifice for the second twilight than Shannon as she is now...?`@` *cackle*cackle*cackle*cackle*cackle!!"`\ bg Mvip_1a,0 ld l,$KAN_OdorokiA1,23 ;「………ひ、……卑劣な………。」\ `".........Wh, ......what a dirty........."`\ bg black,25 ;　嘉音は知る。@ ;　…自分は今日まで、家具として家具らしく全てを諦めて生きてきたつもりだった。\ `Kanon knew.`@ `...Until today, he had planned on giving everything up and living as furniture, like furniture.`\ ;　…だが実際にはそうではなかったのだ。@ `...But in reality, that wasn't true.`@ br ;　紗音を慕い過ぎた。@ ;　…だから、紗音が苦しむ時、嘉音はそれを共有してしまうのだ。\ `He loved Shannon too dearly.`@ `...Therefore, when Shannon was in pain, Kanon shared in that.`\ ;　もし紗音が家具でい続け、@嘉音と同様にこの世に何の未練もなく淡々と生きてくれたなら、ここまで苦しまずに済んだ…！@ `If only Shannon had continued to live as furniture, `@`indifferently like Kanon, without any regrets in this world, he wouldn't have had to be in so much pain...!`@ br ;　魔女は、恋の味を覚えた…、/ ;!d800いや、恋の味を教えた紗音を、弄びなぶり殺しにするつもりなのだ。\ `The witch planned to toy with Shannon, who had known the taste of love..., `/ !d800`no, who she had taught the taste of love, as she killed her.`\ bg Mvip_1d,22 me2v 13,70 ;　慈しみのある解放として黄金郷に誘うのではなく、@その為の生贄として、責め苦の限りを与え苦しめ抜き、邪悪な儀式の人柱にしようとしている…！@ `Being released along with her love meant that she wouldn't be invited to the Golden Land, `@`but would become a human sacrifice for an evil ceremony, after receiving the limits of torture and pain...!`@ br ;　そして、この魔女は、面白いからというだけの理由で、紗音を現実に恐ろしい目に遭わせるだろう。\ `And this witch would probably make Shannon actually meet this horrible fate for no reason other than that it was interesting to her.`\ ;　……しかも、そうするぞと脅し、今日まで一度も魔女に屈しなかった自分を、今度こそ屈服させようとしている……。@ `......Furthermore, she was threatening to do that so that she could make Kanon, who hadn't submitted to the witch even once until now, finally surrender......`@ br ;　何のことはない。@…魔女を喜ばせまいと逆らってきた自分は、結局、魔女を面白がらせていただけなのだ。\ `It was that simple.`@` ...In the end, though he had tried resisting the witch to avoid pleasing her, he had only made things interesting for her.`\ ;　……所詮は家具。@いや、玩具。@……自分たちという存在は、彼女の退屈を紛らわせるだけの玩具でしかない…！\ `......After all, he was furniture.`@` No, a toy.`@` ......They were nothing but toys meant only to distract her from her boredom...!`\ bg black,22 bg Mvip_1a,0 ld r,$KAN_ikariA1,26 ;「……………く……そ………………。」\ `"............Da......mn..............."`\ cl a,0 ld c,$BEA_akuwaraiA1,23 ;「どうする、嘉音…？@　跪けば、紗音を生贄に選ぶことを控えんこともないぞ？@　くっくくくくくくくくくく！@　お前のような玩具を、一度屈服させてみたかった。@/ `"What will you do, Kanon...?`@` If you kneel, I'll surely hold back from choosing Shannon as a sacrifice, okay?`@` *cackle*cackle*cackle*cackle*cackle*!`@` I've wanted to make a toy like you surrender just once. `@/ ld c,$BEA_akuwaraiA3,80 ;くっくくくくくくくくくく、くひひひひひひひひひ！！」\ `*cackle*cackle*cackle*cackle*cackle*, kuhihihihihihihihi!!"`\ ;　魔女は優雅さなどカケラほどもなく、品のない笑いで嘉音を嘲笑った。@ ;　…そう、嘉音が決心するよりも早く、その屈服を見抜いていたのだ…。\ `Without even a fragment of elegance, the witch sneered at Kanon with an indecent laugh.`@ `...That's right, she had seen through Kanon even faster than he had been able to make up his own mind...`\ bg black,25 me3 17 ;「…………………………………く…。」\ `".................................Ku..."`\ ;　……嘉音は、……………片膝を付き、魔女の前に跪くことを選ぶ…。\ `......Kanon, ...............chose to get down on both knees in front of the witch...`\ ;　自分はどうなってもいい。@ `It didn't matter what happened to himself.`@ br ;　…でも、……家具の日々に、@唯一自分に生きる理由を教えてくれた紗音が弄ばれることだけは、@……それだけはどうしても見過ごすことができない…。\ `...However, ......just the fact that Shannon, `@`who during his days as furniture had given him his only reason to live, was being toyed with,`@` ......that alone was something that he couldn't overlook...`\ ;　だから。@……魔女の靴に口付けをすることなど、…嘉音にとっては安い誓い。\ `Therefore, `@`......something like kissing the shoes of the witch, ...was an easy oath for Kanon to make.`\ ;　……震える彼の唇が、魔女の靴に確かに触れた時。@ `......At the time that his quivering lips actually touched the witch's shoe...`@ br ;　…ベアトリーチェは恍惚の眼差しを浮かべてから、はち切れんばかりの声で、…笑った。\ `...Beatrice, after letting a look of ecstasy rise to her face, ...laughed with a voice filled to bursting.`\ mono 2 bg Mvip_1e,22 ;　それは千年を生き飽きた魔女が、唯一の生き甲斐とする邪悪な感情を満たされた、まさにその瞬間であった……。\ `At that moment, the witch, who had been bored of living after one thousand years, was completely filled with that evil emotion which was what she lived for......`\ bg black,42 se1 27 mono 0 bg white,1 bg black,2 fede 0,5000 wait 2000 mov %play_scene,70 bg M1F_P1aR,6 me1 12 wait 2000 bg black,24 bg M1F_S1a,24 ;■客間 ;　昼食を終えた親族たちは、客間に移っていた。@ `When lunch ended, the relatives moved to the parlor.`@ br ;　楼座が銀座の名店で、高級な銘柄の紅茶を買ってきてくれた。@それが振舞われ、客間の中はとても良い香りで満たされていた…。\ `Rosa had bought a high-class brand of black tea from a famous store in Ginza.`@` That had been prepared, and the inside of the parlor was filled with a very nice aroma...`\ bg black,24 bg M1F_S1b,24 ;　大人たちは、子どもたちが一緒ということもあって、@上辺だけは親族の交流らしく、近況や子育てなどについて和やかな話をしていた。\ `Since the children were together with the adults,`@` the adults tried to interact like relatives on the surface, talking peacefully about recent events and how their children were growing up.`\ ;　外は雨になってしまったので、子どもたちは外へ遊びに行けず、@こうして客間でテレビを見ているしかなかった。\ `It had started raining outside, `@`so the children couldn't do anything but sit here like this, watching TV, unable to go outside.`\ bg M1F_S1a,0 ld r,$MAR_WaraiA1,23 ;　真里亞はテレビっ子らしく、@飽きることなくお昼時の退屈な番組を見続け、きゃっきゃとひとり騒ぎ続けていた。\ `Maria continued watching a boring daytime program without getting bored, `@`going kyakkya all by herself, like a TV kid.`\ ld l,$BUT_DefA1,23 ;　戦人も最初はそれに加わり、真里亞との交流を深めていたようだが、@朝が早かったこともあり、次第に眠気に襲われていった…。\ `At first, Battler joined in, apparently deepening his relationship with Maria,`@` but he had gotten up early that morning, and was therefore attacked by a wave of drowsiness...`\ bg black,5 bg M1F_S1c,0 ld c,$BUT_OdorokiA2,26 ;「……ふぁぁあぁ…。」@ ;＜戦人 `"......Fuaaaaaah..."`@ ld r,$GEO_DefA1,24 ;「おや、大きな欠伸だね。@朝がずいぶん早かったんじゃないのかい。」@ ;＜譲治 `"Oh, that's a big yawn.`@` Did you get up really early this morning?"`@ ld c,$BUT_AseruA1,80 ;「…まぁ、そんなとこだよ。@緊張が解けて、雨の音を聞いてる内に眠くなってきちまった。」\ ;＜戦人 `"...Well, something like that.`@` With all the tension resolved, I started to get sleepy, listening to the sound of the rain."`\ ld l,$JES_TohohoA1,23 ;「緊張ぉ？@　へへ、あんだけ態度デカそうにしてて緊張なんてしてたのかよ。」\ ;＜朱志香 `"Tension?`@` Hehe, you call overreacting that much tension?"`\ bg M1F_S1a,0 ld r,$BUT_NayamuA2,23 ;「一応、俺なりにはなー。@/ `"At least it's like that for me. `@/ ld r,$BUT_OdorokiA2,80 cl r,25 ;……ふあああぁあぁあああぁ……。」@ `......Fuaaaaaaaaaaaaaaaaah......"`@ ;　戦人は大きな欠伸をもう一度すると、ソファーにゆっくり横になる。@ `Battler gave a great yawn once again, and slowly lay down in the sofa.`@ se1 13 ;　どうも、本当に眠いようだった。\ `He really did look tired.`\ ;　退屈のサインだと思い、話しかけた譲治たちだったが、本当に眠いらしいことがわかり、そっとすることにする。\ `George and the others had tried talking to him, thinking it was a sign of boredom, but when they realized he really was sleepy, they decided to let him be.`\ bg M1F_s1b,0 ld r,$KUM_DefA1,24 ;「おやおや。@食事の後にすぐ横になると鯖になると申しますよ。@ほっほっほ…！」@ ;＜熊沢 `"My, my.`@` They say that if you lie down right after eating, you'll become a mackerel.`@` Hoh-hoh-ho...!"`@ ld l,$BUT_KomaruA1,26 ;「……冗談よせやい。@郷田さん、今夜は仔牛のステーキだって言ってたぜ。@鯖のステーキになっちまう。」\ ;＜戦人 `"......Stop kidding around.`@` Gohda-san said that tonight would be calf steak.`@` That would make it mackerel steak."`\ bg M1F_S1a,0 ld r,$JES_DefA2,23 ;「熊沢さん。@こいつ、本当に眠いらしい。@毛布を持ってきてあげてくれないかな。」@ ;＜朱志香 `"Kumasawa-san.`@` This guy looks pretty tired.`@` Would you mind bringing him a blanket?"`@ ld l,$KUM_WaraiA2,23 ;「ほっほっほ。@さぁどうぞ。」\ `"Hoh-hoh-ho.`@` Here you go."`\ ;　熊沢が棚の中から毛布を持ってきてくれた。@ `Kumasawa brought a blanket over from the shelf.`@ ;　…広めの客間は、寒くはなかったが空気はほんの少しだけ冷えた。@ ;　だから戦人は毛布をかけられると、すぐに包まり、亀の子のように縮こまる。\ `...The wide parlor wasn't cold, but the air had gotten a little chilly.`@ `So when Battler took the blanket, he immediately wrapped himself up in it, like a little turtle.`\ bg black,24 bg M1F_S1c,0 ld c,$GEO_DefA1,24 ;「…本当に眠かったんだねぇ。@何時かに起きる？@　起こしてあげるよ。」\ ;＜譲治 `"...You really were sleepy.`@` When will you wake up?`@` I'll take care of it."`\ bg black,25 ;「……いや、特に希望は。@……何か用があったら起こしてくれりゃいいし、@…なぁんにもねぇんなら、ずっと眠らせてくれりゃいいぜ。@……お休み…。」\ ;＜戦人 `"......Nah, I'm not really hoping for anything.`@` ......You can wake me up if you have some business with me,`@` ...and if there's nothing, you can let me sleep forever.`@` ......Good night..."`\ bg M1F_S1a,0 ld r,$MAR_fukigenA1,26 ;「うー？@　戦人寝ちゃうの？@/ `"Uu-?`@` Battler sleep? `@/ ld r,$MAR_WaraiA1,80 ;　お昼寝？@　お昼寝？@　うーうー、真里亞もするー！」@ `A nap?`@` A nap?`@` Uu-uu-, Maria will do it too!"`@ ld l,$JES_WaraiA1,23 ;「こ、こら真里亞。@戦人は眠いんだから放っておいてあげなきゃ。@熊沢さん、もう一枚毛布をもらえるかな。」\ ;＜朱志香 `"H, hey, Maria.`@` Battler's sleepy, so you gotta leave him alone.`@` Kumasawa-san, could you give us another blanket?"`\ ;　真里亞が本当に昼寝をしたいかは怪しい。@ ;　戦人が毛布に包まっているのを見て、自分も欲しくなっただけかもしれない。@ `It was doubtful that Maria really wanted to take a nap.`@ `She probably saw Battler wrapped up in a blanket and wanted to do the same.`@ br cl r,25 ;　熊沢から毛布をもらえると、嬉々としてそれに包まり、再びテレビの正面に陣取るのだった。\ `When she received the blanket from Kumasawa, she joyfully wrapped herself up in it and set up camp again in front of the TV.`\ ld l,$JES_TohohoA1,80 ;「ちぇ。@…せっかく６年ぶりにいとこがみんな揃ったってのによ。@こいつ、今回の親族会議の主賓だって自覚、全然ねぇなぁ？」\ ;＜朱志香 `"Sheesh.`@` ...Even though we've finally gathered all the cousins together after six years.`@` This guy doesn't have a clue that he's the main guest of this family conference, does he?"`\ ;「……聞こえてるぞー。@…のんびり昼飯を食って、しかも外は台風で雨。@……何もすることがねぇってことはつまり、俺の出番じゃねぇってことさ。」\ `"......I can hear you-.`@` ...I've casually eaten lunch, and there's even a typhoon and rain.`@` ......Since we aren't doing anything, that means it isn't my turn yet."`\ bg M1F_S1c,0 ld r,$GEO_komaruA2k,24 ;「それはどうかなぁ。@何も起こらないから何もしない、なんて受身の姿勢じゃ、人生は退屈だよ？」\ ;＜譲治 `"I wonder about that.`@` If you have a passive attitude like that, and don't do anything unless something happens, your life will be pretty boring, right?"`\ bg M1F_S1d,25 ;「……違うぜ、そういう意味じゃない。@…なんつーのかな。@…こういう時、俺はこう思うことにしてる。@……出番じゃねぇんだよ。@こいつがお芝居だったならさ、俺の出番じゃねぇってことなんだよ。@……だったら舞台袖で大人しくしてるに限るってわけさ。」\ `"......Wrong, that's not what I mean.`@` ...How should I say it?`@` ...In times like this, I've decided to think this way.`@` ......It isn't my turn.`@` If this were a play, it wouldn't be my turn to go on stage.`@` ......So the best thing to do is stay on the wings of the stage."`\ ld l,$JES_akuwaraiA1,23 ;「自分の人生は、いつだって自分が主人公だろ？@　そんな脇役根性でどうすんだよ。@…自分から進んで舞台に上がらなきゃ。」\ ;＜朱志香 `"You're always the main character of your own life, right?`@` Why are you acting like a supporting actor?`@` ...You have to move forward by yourself and get up on the stage."`\ bg black,22 ;「………そういう意味じゃねぇ。@今は俺の出番じゃねぇって言いたいのさ…。@くぁあああぁああぁぁぁ……。@悪ぃな、眠くて思考がめちゃくちゃだ。@勘弁してくれ……。@むにゃむにゃ……。」\ `".........That's not what I mean.`@` What I'm mean by saying that it's not my turn now...`@` Kuaaaaaaaaaaah......`@` Sorry, my mind's a mess.`@` Give me a break......`@` Munyamunya......"`\ bg M1F_S1b,0 ld r,$GEO_WaraiA2,26 ;「確かに。@眠くて何だか支離滅裂なことを言ってるね。@…もうそっとしてあげようよ。」@ ;＜譲治 `"Seriously.`@` You're so sleepy that you aren't making any sense.`@` ...We'll leave you alone now."`@ ld l,$JES_OdorokiA1,23 ;「私は聞き捨てならねーぜ。@…自分の人生はいつだって自分が主人公だよ。@ちょっとその辺り、本格的に戦人と議論したいけどなぁ！」\ ;＜朱志香 `"I think that's inexcusable.`@` ...You are always the main character in your own life.`@` But I kinda want to seriously argue with Battler about that!"`\ ld r,$GEO_DefA1,80 ;「寝惚けてるだけだよ。@深く考えちゃダメさ。」@ ;＜譲治 `"He's just half-asleep.`@` Don't take him too seriously."`@ ld l,$JES_NayamuA1,80 ;「………何かさ。@自分は主役になれないから舞台に上がりたくない、みたいな根性。@……なぜだか、すっげえうぜーって思って…。」\ `".........You know what?`@` I think he's got that kind of personality where he doesn't want to get up on the stage because he can't be the main character.`@` ......Something about that pisses me off..."`\ bg Mvip_1d,6 ;　朱志香は窓の外の、雨に霞む灰色の薔薇庭園に遠い目を向ける…。@ `With distant eyes, Jessica gazed out the window at the gray rose garden obscured by rain...`@ br ;　額をガラスにつけると、ひんやりとした感触が、思い出したくない記憶を追い出してくれる気がした…。\ `When she put her forehead up against the glass, it felt as though the pleasantly cool sensation chased away the memories that she didn't want to remember...`\ ;「…………まだ、君の出番じゃなかったってことなのかよ。@…じゃあ、……いつ君は、舞台に上がるんだよ……。」@ ;＜朱志香 `"............What do you mean it's still not your turn?`@` ...Then, ......when will you get up on the stage......?"`@ br ;　なら、この舞台の主人公は誰だって言うんだ…。\ `In that case, who are you saying is the main character on stage...?`\ ;■雨の薔薇庭園。@メタ視世界の戦人とベアト mov %play_scene,70 gosub *BEA_isyou1 textoff bg black,2 fede 0,3000 se1 52 bg Different_spiral_1a,22 wait 2000 bg black,8 ;bg chess1,2 ;wait 1000 bg G1F_S1bP,2 ld r,$BUT_odorokiA1,24 se1 8 quakey 3,600 bgm1 19 ;「………もうやりたい放題じゃねぇかよ。@…何だこりゃあよ。@……滅茶苦茶じゃねぇか…！！」\ ;＜戦人 `".........Can't you just do what you want already?`@` ...What is this?`@` ......It's all screwed up...!!"`\ bg G1F_S1aP,0 ld l,$BEA_futekiA2,23 ;「くっくくくくくく…！@　そなたが妾を否定する根拠とする１８人だの１９人だのという理論が実に滑稽だったのでな。@指し手を変えてみたまでよ。」\ `"*cackle*cackle*cackle*cackle*...!`@` It's because your argument regarding 18 or 19 people, which you are using as a basis to deny me, is truly humorous.`@` So much so that I tried changing my move."`\ ld l,$BEA_futekiA1,80 ;「…そなたが妾を否定する最大の根拠は、単に妾が駒としてゲーム盤に並ばなかったからというだけのこと。@ならばこうして、クイーンを先に指せばいいだけの話ではないか。@…初手にてクイーンに道を開けるはチェスの王道ではないか。」\ `"...The greatest basis upon which you deny me is simply because I was not laid out as a piece on the game board.`@` So doing this is nothing more than showing you the queen first, isn't it?`@` ...Isn't opening the road for the queen in the first move one of the short-cuts in chess?"`\ ld r,$BUT_KuyasigaruA1,24 ;「………ふ、…ふざけやがって…。@こんなの、…認められるわけねぇじゃねぇかよ！@　魔女が歩いて玄関からやって来ただと？！@/ `".........Q, ...quit playing around...`@` There's no way, ...I can accept something like this, right?!`@` A witch came in, walking right through the entrance hall, you say?! `@/ ld r,$BUT_OdorokiA1,80 ;!s0　ふざけるんじゃねぇッ！！」/ !s0`Don't mess with me!!"`/ se1 11 quakey 5,600 !sd\ bg G1F_S1bP,23 ld c,$BEA_AkuwaraiA1,22 ;「何だ何だ…。@前回のゲームではそなたにさんざん自由に手を進めさせたぞ…？@　此度は妾がそなたの手に合わせて駒を動かしたに過ぎん。@………初手にてもう降参か…？」\ `"What's this...?`@` In the last game, I let you make your moves terribly freely, right...?`@` This time, I am doing nothing more than matching your moves and moving the pieces.`@` .........Will you give in already after the first move...?"`\ bg G1F_S1cP,0 ld r,$BUT_KuyasigaruA1,24 ;「……く、………くそったれ…。@ふざけるなッ！@　誰が降参なんかするかってんだ！@　上等な指し手だぜ、好きに進めればいいじゃねぇか。」\ `"......Y, .........you bastard...`@` Don't mess with me!`@` Who's gonna give in!`@` Great move, why don't you just move however you like?"`\ ld r,$BUT_nayamuA2,80 ;「なるほどな、まだまだお前の手番は終わってないってわけだ。@…好きに手を進めりゃいい！@　今の内に充分な陣形を築いとけ。」\ `"I see, so your turn is far from over.`@` ...Move however you like!`@` Form a huge battle formation while you can."`\ ld r,$BUT_OdorokiA1,80 ;「俺が必ず凌ぐ。@必ず詰める！！@　言い訳なんてされたくねぇ、存分に来やがれってんだ。」\ `"I will definitely defy you.`@` I'll definitely corner you!!`@` Come at me as best you can, I don't want you to have any excuses."`\ ld r,$BUT_niramuA3,80 ;「……まだまだこの程度じゃ、魔女なんて認められるわけがねぇぜ。@…そうさ、さっき、真里亞のお菓子を魔法で直したように見えたが、@実は同じお菓子をもうひとつ懐に忍ばせていて、芝居がかった方法で摩り替えて、あたかも魔法で直したみたいに見せただけかも知れない！@　あぁそうさ、そうに決まってる、駄目だぜ、全然駄目だぜ…！」\ `"......This much isn't even close to enough to make me accept something like a witch.`@` ...That's right, just now, it looked like Maria's candy was fixed with magic, `@`but you might have actually had another one of the same candy hidden in your pocket, `@`and switched them with that little show, making it only look like you had fixed it with magic!`@` Yeah, that's right, that has to be it, it's useless, it's all useless...!"`\ ld l,$BEA_DefA1,23 ;「……ほほぅ？@　楼座は、菓子が蝶に散る瞬間を見たぞ？」@ `"......Hohoh?`@` Rosa saw the moment when the candy split into butterflies, right?"`@ ld r,$BUT_KuyasigaruA1,80 ;「し、知らねぇよッ！！@　そんなのは幻覚か手品か、…さもなきゃ見間違いだろ！！@　大した問題じゃねぇ！！」\ `"I don't know about that!!`@` That was a hallucination or a trick, ...otherwise, she just saw it wrong!!`@` That isn't a big problem!!"`\ bg G1F_S1bP,0 ld c,$BEA_waraiA1,24 me1 16 ;「くっくくくくくくく！@　説明の付かぬ部分は瑣末と切り捨てたか。@……なるほど、それがそなたの受け手であるな…？」\ `"*cackle*cackle*cackle*cackle*!`@` So you throw out the part you can't explain as trivial?`@` ......I see, is that your move in response to mine...?"`\ ld c,$BEA_AkuwaraiA3,80 me2v 5,90 ;「くっくくくくくくく…、墓穴を掘ったぞ。@…右代宮戦人あ…。@ふっははははははははははは…！！@　お前の手番はまだ先だぞ。@もうしばらく妾の手番を進めさせてもらう。@まだまだこれからだぞ、魔女の手番は！！」\ `"*cackle*cackle*cackle*cackle*..., you've really put your foot in it.`@` ...Ushiromiya Battler...`@` Fuhahahahahahahahahahaha...!!`@` It still isn't your turn yet.`@` Allow me to make my move for a little longer.`@` It has barely begun, the Turn of the Witch!!"`\ se1 27 bg white,1 ;■時間経過 mov %play_scene,70 textoff me1 12 dllefe 1,1 bg M_o1aR,42 wait 3000 dllefe_off bg black,42 fede 0,4000 wait 1000 me1v 12,40 bg M1F_S1aR,6 ;　戦人のいびきが聞こえ出すと、静かに寝かせておこうと、親族たちは次第に客間から散っていった。\ `When they started hearing Battler's snores, the relatives went their separate ways, leaving the parlor and letting Battler sleep in silence.`\ bg M1F_S1cR,24 ;　あれだけ大勢が客間に集い賑やかだったのに、@……広大な屋敷は、一度全員を散り散りに飲み込んでしまうと、風雨の音しか聞こえない不気味な静寂を感じさせるのだった…。\ `Even though it had been so lively in the parlor with so many people gathered there,`@` ......when all of them scattered at once and were sucked into the vast mansion, it created an eerie silence, with no sound except that of the rain...`\ ;■どこかの廊下。@もしくはスペース？@　に集まる留弗夫たち。@ bg black,4 wait 1000 se1 21 me1v 13,40 bg white,1 bg black,2 wait 2000 bg M2F_R4aR,2 ld r,$RUD_OdorokiA1,24 ;「いいや。@そんな人間には一度も会ったことはないぜ。@…姉貴は。」@ ;＜留弗夫 `"Nope.`@` I haven't met a person like that even once.`@` Aneki?"`@ ld l,$EVA_MajimeA1,23 ;「…会ったことなんてないわ。@……霧江さん、本当なの？」\ ;＜絵羽 `"...I haven't met them.`@` ......Kyrie-san, is that true?"`\ bg M2F_R4bR,0 ld r,$KIR_MajimeA1,24 bgm1 15 ;「……私も、ちょっと玄関ホールに出た時に挨拶をしただけです。@二十歳ちょっとくらいに見えたわ。@私は名乗ったんだけど、彼女は名乗らなかった。@…源次さんに案内されて、二階へ上って行くのを見たの。」@ ;＜霧江 `"......Even I only greeted her quickly when she came into the entrance hall.`@` She looked like she was in her twenties.`@` I told her my name, but she didn't tell me hers.`@` ...She was being guided by Genji-san and I saw her go up to the second floor."`@ ld l,$HID_MajimeA1,23 ;「んなら、源次さんを見つけて直接話を聞いた方が早いやろ。@……しかし、妙な雲行きになって来よったな…。」\ ;＜秀吉 `"So it would probably be faster to find Genji-san and hear the story from him directly.`@` ......Still, what a strange turn of affairs..."`\ bg black,22 ;　謎の女は霧江に言った。@ ;　名乗らず、うすうす想像がついているくせにと嘲笑った。@ `The mystery woman had spoken to Kyrie.`@ `Without naming herself, she had sneered that Kyrie should have had a vague idea.`@ br ;　……そこから連想する人物。@ ;　…そして、彼女と瓜二つの、肖像画の魔女…。\ `......And the person that brought to mind...`@ `...was her look-alike, the witch of the portrait...`\ se1 27 bg white,1 wait 500 bg portrait3,42 wait 2000 bg black,42 bg M2F_R4aR,0 ld l,$RUD_komaruA1,26 ;「そいつは、自分が肖像画の魔女さまだと、/ ;!d800……そう言いたいってのかよ。」@ ;＜留弗夫 `"Was this person trying to say that she was, `/ !d800`......the witch of the portrait?"`@ ld r,$KIR_NayamuA1,24 ;「私はそういう意味で笑ったんだろうと理解したわ。@……私とは初対面でも、私があなたの後妻だと知っているような口ぶりだった。」\ ;＜霧江 `"I realized that was what she was laughing at.`@` ......Even though it was our first meeting, she spoke as though she knew I'm your second wife."`\ ld l,$RUD_MajimeA2,80 ;「……姉貴。@本当にそんなヤツは知らないんだな？」@ ;＜留弗夫 `"......Aneki.`@` You really don't know someone like that?"`@ cl r,23 ld r,$EVA_IkariA1,24 ;「くどいわよ。@そんな金髪女、この屋敷に出入りしたところなんて見たこともない！」\ ;＜絵羽 `"You talk too much.`@` I have never seen a blonde woman like that go in or out of this mansion!"`\ bg M2F_R4cR,0 ld l,$HID_majimeA1,24 ;「そないなことはどうでもええで。@…問題は、その女が自分はベアトリーチェだと名乗り、お父さんの財産管理人を名乗った場合の方や。」@ ;＜秀吉 `"That kind of thing doesn't matter.`@` ...The problem is what happens if that woman starts calling herself Beatrice, if she starts calling herself the manager of Father's assets."`@ ld r,$EVA_majimeA1,24 ;「あるいは、…愛人の娘を自称して、遺産の分配を要求するつもりかしら。@……いずれにせよ、とんでもないジョーカーが紛れ込んだものね。@/ `"Or, ...maybe she plans to call herself his mistress's daughter, and demand that the inheritance be distributed to her.`@` ...Either way, an outrageous joker has been slipped into the deck. `@/ ld r,$EVA_ikariA1,80 ;………兄さんが呼んだの？@　…それともお父様が…？」\ ;＜絵羽 `.........Did Nii-san call her?`@` ...Or did Father...?"`\ bg M2F_R4cR,0 ld r,$RUD_KomaruA1,24 ;「まずいな。@…俺たちは兄貴をうまく言い包めりゃ何とかできるものと思ってきた。@……しかしこれじゃ話が振り出しに戻っちまう。」@ ;＜留弗夫 `"This is bad.`@` ...We've been thinking that if we did a good enough job cornering Aniki in our discussion, we might be able to work things out.`@` ......But this takes us back to square one."`@ ld l,$KIR_majimeA2,23 ;「…………。@…あなたが私の知らないところでどんな策謀を巡らしてたのか知らないけれど。@……どうも、少しは対策を立てる時間を得られたみたいね。」\ ;＜霧江 `".........`@`...I don't know what kind of schemes you've been making when I'm not around, dear,`@` ......but it looks like we've been given a little time to form a counter-strategy."`\ ld r,$RUD_NayamuA1,80 ;「…あぁ。@その金髪姉ちゃんが、晩飯の席で突然現れて俺らの度肝を抜くのに比べたら、@今からわずかの時間でも対策を協議できる方がマシだ。」@ ;＜留弗夫 `"...Yeah.`@` The little time that we've been given to discuss a counter-strategy `@`is better than what would have happened if that blonde-haired nee-chan had suddenly appeared at the dinner table and scared the shit out of us."`@ cl l,24 ld l,$HID_KomaruA1,23 ;「…何しに現れたかわからへん以上、打てる対策も限られとるで。@……向こうの狙いは何なんや…。」\ ;＜秀吉 `"...Our effective counter-stategies will be limited as long as we don't know what she came to do.`@` ......What could she be after...?"`\ bg M2F_R4aR,0 ld c,$EVA_IkariA2,23 ;「決まってるでしょ！@　お父様の遺産の正当な後継者だと言い張るためよ！@　お父様は未だにベアトリーチェの虜なのよ。@その娘がいたなら、全財産を譲りたいと言い出すはずだわ！@　妙な遺言状でも突きつけてくるかもしれない！」\ `"Isn't it obvious!`@` It's to claim that they are the rightful heir to Father's inheritance!`@` Father is still captivated by Beatrice.`@` If that girl were here, you would think he'd want to give up all of his assets!`@` She might even thrust some strange will before us!"`\ ld c,$EVA_ikariA1,80 ;「…そりゃ、裁判沙汰にすれば半分の四分の一は主張できるかもしれないけど…、@……多分、決着するまで遺産分割はできなくなるわよ。@/ `"...For that, if we take it to court, we could probably claim half of a quarter of it..., `@`......but that probably wouldn't be resolved until the distribution of the inheritance is settled. `@/ ld c,$EVA_futekiA1,80 ;…それは困る。@私も、留弗夫も！@　もちろん楼座もね？」\ ;＜絵羽 `...That's a problem.`@` To me, to Rudolf too!`@` And of course Rosa too, right?"`\ bg black,24 bg M2F_R4bR,0 ld r,$RUD_majimeA1,24 ;「……俺たちは、それぞれの都合で早急にまとまったカネがいる。@…俺たち最大のウィークポイントってわけだ。@/ `"......For all of our various situations, we need to gather money urgently.`@` ...It's our biggest weak point. `@/ ld r,$RUD_majimeA2,80 ;なら、……狙いは何だ。@霧江、…読めるか？」\ ;＜留弗夫 `Then, ......what are they after?`@` Kyrie, ...can you tell?"`\ ld l,$KIR_MajimeA2,23 ;「……………………………。@……初耳なんだけれど、私たちには、急ぎ、まとまったお金が必要だという前提があるのね？」@ ;＜霧江 `".....................`@`......It's the first I've heard of it, but one of the premises here is that we have an urgent need to collect money, right?"`@ ld r,$RUD_NayamuA1,80 ;「…………………ん、……。」\ ;＜留弗夫 `".....................nn, ......"`\ bg M2F_R4cR,0 ld r,$HID_MajimeA1,24 ;「……霧江さん。@男の商売には、攻めの時にこそ軍資金が入用になることもあるんや。@それをわかってぇな。」@ ;＜留弗夫 `"......Kyrie-san.`@` When you're on the offensive in a man's business, that's the time you need funding.`@` Please understand that."`@ ld l,$EVA_majimeA1,23 ;「………なぁに、留弗夫。@霧江さんには話してなかったの？」@ ;＜絵羽 `".........Wha-t's this, Rudolf?`@` You didn't tell Kyrie-san about it?"`@ cl r,23 ld r,$RUD_komaruA1,24 ;「…すまん。@隠してたわけじゃないんだ。@……実は、ちょいとした…、」\ ;＜留弗夫 `"...Sorry.`@` I wasn't really hiding it.`@` ......Actually, it was kinda..."`\ cl l,24 ld l,$KIR_nayamuA1,23 ;「いいわ。@あなたが私に話す必要がないと判断した話なんだから、@それをこの場では追及しない。@/ `"It's alright.`@` If this is something that you decided wasn't necessary to tell me about,`@` I won't press you about it right here. `@/ ld l,$KIR_MajimeA1,80 ;……それより急務は、黄金の魔女さまの狙いを探ることなんでしょう？」@ ;＜霧江 `......What's more important is finding out what the Golden Witch is after, right?"`@ ld r,$RUD_MajimeA1,80 ;「あぁ…。@………俺たちの話を整理した上で、敵の打ってくる手が見えるか。」\ ;＜留弗夫 `"Yes...`@`.........By organizing what we know, will we be able to see the enemy's move coming?"`\ bg black,22 fede 10,2000 ;　留弗夫は、霧江の持つ独特の思考術「チェス盤思考」に、ある種の信頼を置いていた。@ `Rudolf had a certain measure of trust in Kyrie's unique thinking technique, 'chessboard thinking'.`@ br ;　もちろん、占い程度の気休めにしかならないのだが、@留弗夫が何かの大きな戦略を練る時、霧江の助言はいつも大きな参考になっていた…。@ `Of course, it didn't give him any more peace of mind than fortune telling, `@`but every time Rudolf was polishing up some important strategy, he would give a great deal of thought to Kyrie's advice...`@ br ;　霧江はしばらくの間、額に指を押し当て思案する…。\ `For a while, Kyrie pressed her finger against her forehead, considering...`\ fede 0,2000 bg M2F_R4cR,22 ;cl a,0 ld c,$KIR_NayamuA1,23 bgm1 34 ;「………今日の今日まで、彼女が訪れることが伏せられていた以上、@彼女は私たちに何らかのサプライズを与える目的があった。@/ `".........Judging by the fact that her coming here was kept hidden until today, `@`one of her goals is some kind of surprise that she wants to give us. `@/ ld c,$KIR_majimeA2,80 ;………それが財産なのか、親族としての認知なのかはわかりかねるわ。」\ `.........We can't know whether that has something to do with assets or being recognized as a relative."`\ ld c,$KIR_MajimeA1,80 ;「でも、今日の今日まで訪れることを伏せていたということは、@事前に知らせることで、対応を打たれたくなかったと言えるかもしれない。@ということは、彼女の目的は、対応を打たれると不利になるものらしい。@…わかる？」\ ;＜対応を打たれると不利になる：点処理 `"However, because it was kept hidden that she could come until today,`@` maybe you could say that she didn't want us to be notified in advance and therefore interact with her.`@` Which means that, it seems her goal is one that would be disadvantageous to her if we did interact.`@` ...Understand?"`\ bg M2F_R4aR,0 ld l,$RUD_majimeA1,23 ;「なるほどな…。@例えば親父が以前に書かせた遺言状そのものだとか、血縁の認知とそれを証明できるものだとか、@そういうものを持ってきたと仮定して。@/ `"I get it...`@` For example, if it was something like a will which Father had written previously, or something that could prove that she was acknowledged as a blood relative,`@` if we assume it was something like that, `@/ ld l,$RUD_majimeA2,80 ;……それが揺るぎないもので、磐石な証拠だと言うなら、むしろそれは予告するはずだろうよ。」\ ;＜留弗夫 `......it would be completely unshakable.`@` If she thought it was rock-solid proof, then you'd think she'd actually have announced it beforehand."`\ ld r,$KIR_WaraiA2,24 ;「…そうね。@むしろ、疑う立場にある私たちに、弁護士でも鑑定士でも連れてこさせて、@ぐぅの音も出ないくらいに事実を突きつけるべきなのよ。@それができるならね。」\ ;＜絵羽 `"...That's right.`@` Since we are in a position to doubt her, she should have brought a lawyer or an expert,`@` and thrust some completely undeniable proof before us.`@` If she could."`\ bg M2F_R4bR,0 ld c,$HID_komaruA1,24 ;「ふぅむ。@…つまり、奇襲狙いという時点で、敵は真正面からの正攻法では勝てんっちゅうことを意味するわけやな。@/ `"Hmmmm.`@` ...So that would mean that, from the time she first aimed for a surprise attack, we know the enemy couldn't win in an honest, frontal attack. `@/ ld c,$HID_fumuA1,80 ;道理や。@絶対勝てる切り札は堂々と切るに限るで。@回りくどい切り方は、むしろ切り札を曇らせるもんや。」\ ;＜秀吉 `No wonder.`@` If a trump card can win no matter what, it's best to play it out in the open.`@` If you play it in a roundabout way, it might actually obscure the impact of that trump card."`\ bg black,22 bg M2F_R4cR,22 ld c,$KIR_MajimeA2,24 se1 21 ;「……結論から言うと、@…皆さんがご執心の、遺産問題に直接、@もしくは間接的に絡む相当のサプライズが突きつけられると予想されるわね。@…おそらく向こうは、そのインパクトだけでこちらを圧倒できるつもりでいる。@/ `"......To skip to the conclusion, `@`...you would probably expect that that some huge surprise would be thrust in front of you, `@`something related either directly or indirectly to the inheritance problem that everyone is so infatuated with.`@` ...The other party probably plans to have the impact of this alone be enough to overpower us. `@/ ld c,$KIR_majimeA1,80 ;……しかし、その何かは、相当のインパクトを伴いながらも絶対ではない。」\ ;＜霧江 `......However, even if this carries with it a significant impact, it is not absolute."`\ bg M2F_R4aR,0 ld l,$EVA_akireA2,23 ;「つまり、……そこがこちらの付け込む余地というわけねぇ。」@ ;＜絵羽 `"In other words, ......we have enough leeway to take advantage of this."`@ ld r,$HID_WaraiA2,24 ;「あんたはほんま、頭の切れるお人や！@　これだけでもわかればだいぶ心強いでぇ！@/ `"You've really got brains!`@` Even understandin' just this much is really reassurin'! `@/ ld r,$HID_WaraiA1,80 ;　つまり、相手のペースに飲み込まれるな、っちゅうことやな。」\ ;＜秀吉 `In other words, you're tellin' us not to get sucked into our opponents pace."`\ cl l,24 ld l,$KIR_WaraiA2,23 ;「…結局のところ、非常にシンプルな結論よ。@相手が何を切り出そうとも、焦らず冷静に対応する。@/ `"...In the end, it's an extremely simple conclusion.`@` No matter what our opponent brings up, we interact calmly, without rushing things. `@/ ld l,$KIR_KomaruA1,80 ;……交渉術の初歩の初歩じゃない。@これじゃあ、相手の思考を読めたとはとても言えないわ。」@ ;＜霧江 `......This is just the very first step in the art of negotiation.`@` You really can't say that you've predicted your opponent's thoughts with just this."`@ cl r,23 ld r,$RUD_WaraiA1,24 ;「いいや。@…相変わらずなかなかのもんだぜ。@………こちらに攻める余地があるとわかれば、余裕も変わってくるってもんだ。」\ ;＜留弗夫 `"Come on.`@` ...Just like usual, that was pretty good.`@` .........Now that we know that we have a little leeway to attack, it gives us a little more room to spare."`\ ld l,$KIR_MajimeA2,80 ;「わからないのは、彼女と蔵臼兄さんの関係ね。@……蔵臼兄さんにとってもサプライズなのか、それとも彼女を呼んだのは他でもない蔵臼兄さん自身なのか。@/ `"What we don't know is how she is connected to Krauss nii-san.`@` ......Is it a surprise for Krauss nii-san too, or was the person who called her here none other than Krauss nii-san himself? `@/ ld l,$KIR_NayamuA1,80 ;……もし後者だったなら、ずいぶんと厄介なことになるかもしれないわよ。」\ ;＜霧江 `......If it's the latter, it might make things very troublesome."`\ bg M2F_R4bR,0 ld r,$EVA_MajimeA1,24 ;「…………そうね。@…謎の女を、親族会議の当日にこっそり呼びつける。@…嫌らしいセンスが、どことなく兄さんっぽい感じもする。」@ ;＜絵羽 `"............That's right.`@` ...Secretly calling a mystery woman on the day of the family conference.`@` ...Repulsive, but it somehow feels like Nii-san."`@ ld l,$RUD_MajimeA2,23 ;「姉貴、こうしよう。@…女の正体がはっきりと証明できない限り、俺らはその女の如何なる身分も認めない。」\ ;＜留弗夫 `"Aneki, let's do this.`@` ...As long as she can't clearly prove her identity, we won't accept her position in any way."`\ ld r,$EVA_akireA1,80 ;「それが最善ね。@……現に霧江さんに対して名乗ってすらいない。@…正体不明の女の発言で私たちの会議がかき回されちゃ堪らないわ。」\ ;＜絵羽 `"That would be best.`@` ......She really didn't even name herself to Kyrie-san.`@` ...We won't stand for an announcement from a woman whose true form is unknown to disturb our conference."`\ bg M2F_R4aR,0 ld l,$HID_MajimeA1,23 ;「……血縁証明でも示してみせるかもしれんで。@お父さんの血が流れてることが、例えば母子手帳でも示されたらどうにもならん。」\ ;＜秀吉 `"......She might even show us proof that she's a blood relative.`@` If she can show that Father's blood runs through her veins, like with a maternity record document, there's nothing we can do."`\ ld r,$RUD_AkuwaraiA1,24 ;「証明物なんかいくらでも偽装を疑える。@仮にそれがホンモノだったとしても、当人が本人だと証明するには病院沙汰にしなきゃならん。@/ `"We can suspect that any proof is only something disguised.`@` Even if it is the real thing, in order to prove that the person mentioned is the person in question, we would need to check their condition at a hospital. `@/ ld r,$RUD_DefA2,80 ;…少なくとも、今の六軒島でそれを証明することは不可能だ。」\ ;＜留弗夫 `...At the very least, it will be impossible to prove that now, on Rokkenjima."`\ cl l,23 ld l,$EVA_AkireA2,80 ;「………その通りねぇ。@つまりこういうことよ。@今の六軒島では、何が示されても真実だと受け容れることはできない。@/ `"......You're right.`@` So, in other words, it's something like this.`@` No matter what is shown to us now on Rokkenjima, it can't be accepted as truth. `@/ ld l,$EVA_AkireA1,80 ;台風が去って、然るべき場所で証明してみせるまで何も信じられないってことよ。@…くすくす。」\ ;＜絵羽 `So we can't believe anything until the typhoon passes and they prove it to us at the proper place.`@` ...*giggle*."`\ ld r,$RUD_WaraiA1,80 ;「そういうので揚げ足を取り捲るのは姉貴の得意技だな。@任せるぜ。」@ ;＜留弗夫 `"Recklessly finding fault in that kind of thing is Aneki's specialty.`@` We'll be counting on you."`@ ld l,$EVA_IkariA1,80 ;「馬鹿言ってんじゃないわよ。@あんたも協力するのよ。@……私たちにはお金がいる。@それも急ぎ、まとまった額が！@　私たちは運命共同体よ。@/ `"Are you an idiot?`@` You'll be helping too.`@` ......We need money.`@` And quickly, and a large sum!`@` We're all in this together. `@/ ld l,$EVA_ikariA2,80 ;………こんなところでひょっこり現れた謎の女に、遺産のアテをブチ壊されて堪るもんですか…！」\ ;＜絵羽 `.........As if we could just stand by and let a mystery woman, who appeared unexpectedly in a place like this, destroy our goal, the inheritance...!"`\ ;　留弗夫と絵羽の夫婦は、自分たちの遺産を余所者に掻っ攫われて堪るかと、@こんな時ばかり兄弟で結束するのだった。@ `Rudolf and Eva always grew united as siblings in times like these,`@` sickened by the idea that their own inheritance might be snatched away by an outsider.`@ br ;　霧江はその逞しい様子を見て、軽く首を横に振り、小さなため息を漏らしながら外を見た。\ `Kyrie noticed how indomitable they looked, swung her head slightly to the side, and gave a small sigh as she looked out the window.`\ bg black,25 bg Mvip_1d,22 me1v 13,40 ;　外は相変わらず強い雨が降っていて、全てが灰色になり精彩を欠いていた。@ ;　かつて太陽が照らし、青々とした庭園を見せてくれていたことがまるで嘘だったかのように感じさせる。@ `Outside, there was still a strong rain falling, and everything was gray, having lost all vibrance.`@ `It felt like the lush garden that the sun had shone on earlier had been no more than a lie.`@ br ;　霧江は、なぜか先ほど絵羽が口にした言葉を頭の中で繰り返していた。\ `For some reason, the words Eva had said just a short while ago kept repeating in Kyrie's head.`\ bg black,22 mono 1 se1 21 ld l,$EVA_AkireA2,24 ;　………つまりこういうことよ。@ ;　今の六軒島では、何が示されても真実だと受け容れることはできない。\ `So, in other words, it's something like this.`@ `No matter what is shown to us now on Rokkenjima, it can't be accepted as truth.`\ bg black,2 mono 0 bg Mvip_1d,22 ;　不思議な語感の言葉だった。\ `There was an odd nuance to those words.`\ ;　今のこの島は、台風に閉ざされ孤立している。@ ;　公的機関も病院もない。@ `Right now, this island was closed off by the typhoon and isolated.`@ `They had no official connections and no hospital.`@ br ;　だからこの島では、どんな機関が発行した証明書を見せようとも、全て虚偽だと言い張れる。@ ;　真実を証明することが不可能なのだ。\ `So on this island, no matter what manner of proof with any relation to the outside world was shown, one could claim that it was fiction.`@ `It was impossible to prove that something was the truth.`\ ;　外界と途絶し、外界で証明された全ての真実が「虚偽」と呼ばれてしまう…。@ `They were cut off from the outside world, and any truth that must be proven in the outside world would be called 'fiction'...`@ br ;　ならばつまり。@……今のこの六軒島には、真実など何もないということなのか。@ ;　……支配しているのは「虚偽」だけということなのか。\ `So did that mean, `@`......that now, on this Rokkenjima, there was nothing that was truthful?`@ `......That everything would be controlled by 'fiction'?`\ ;　それはまるで、@……真実で作られた人間の世界から、@…虚偽という異界に切り離されたような錯覚。\ `It almost gave the illusion,`@` ......that separate from the human world made from truth, `@`...was another world called fiction, in which they had been shut away.`\ bg black,5 ;　……霧江は、あの女の姿をもう一度思い出す。\ `......Kyrie remembered what that woman had looked like one more time.`\ bg portrait3,2 ;　そして、彼女の姿と肖像画の魔女を思い出す。@ `And she remembered the woman's figure, and the witch of the portrait.`@ br ;　人の世から隔絶し、人ならざる世に切り離された島に、……人ならざる世の存在が訪れる。@ `On this island, which had been isolated from the world of humans, and shut away in the world of nonhumans, ......a nonhuman being had visited.`@ br ;　霧江には、どうしてもあの女の浮かべた笑みが、不吉なものに思えてならないのだった……。\ `No matter what she did, Kyrie couldn't help think of that smile that had appeared on that woman's face as anything other than a thing of misfortune......`\ bg black,22 bg M2F_R1dR,22 me2v 5,40 ;　あの不吉な笑みを理解するのに、@…私のチェス盤思考は大きな前提を間違えている気がする。\ `It feels like my chessboard thinking mistook a vital premise, `@`...now that I try to understand that smile of misfortune.`\ ;　…そう、@あの笑みは、人ならざる者が見下すかのようだった。@ ;　私は相手を、自分たちと同じ「人間」だと仮定して推理した。@ `...That's right, `@`that smile seemed like that of something not human looking down on me.`@ `I have reasoned based on the assumption that my opponent was a 'human' like us.`@ br ;　……しかし、@今のこの島がそうであるように、彼女もまた人ならざる存在で、人間の価値観など通用しないのかもしれない。\ `......However,`@` just like this island now, she may be a being that is not human, and human values may not matter for her.`\ bg black,2 ;　だったなら…。@……全ての推理は何の役にも立たない。@ ;　あの魔女は何のために今日、ここに招かれたのか。@ `In that case...`@`......all reasoning is useless.`@ `For what reason has the witch been invited here today?`@ br ;　………ひとつだけ確かなのは、@…今この瞬間、この広大な屋敷のどこかに滞在しているという事実だけだ…。\ `.........Only one thing is certain.`@` ...Now, in this instant, she is staying somewhere in this vast mansion...`\ ;■楼座、真里亞。@玄関ホール。@魔女の肖像画の前 mov %play_scene,70 fede 0,3000 wait 1000 bg Mhal_2bR,6 me1v 12,40 wait 2000 bg Mhal_1aR,22 wait 2000 bg black,24 bg Mhal_2cR,0 ld r,$ROS_KOMARUA1,0 ld l,$MAR_DefA1,24 ld r,$ROS_MAJIMEA1,80 ;se1 21 ;「……真里亞。@……今日のお昼に、お外で私たち、………会ったわよね？@　女の人に。@あれは……、誰？」@ ;＜楼座 `"......Maria.`@` ......Around lunchtime today, we, .........met her outside, right?`@` A woman.`@` Who was......, she?"`@ ld l,$MAR_fukigenA1,80 ;「…うー。@何度も言ってる。@…ベアトリーチェ。」\ ;＜真里亞 `"...Uu-.`@` Said it many times.`@` ...Beatrice."`\ ld r,$ROS_komaruA3,80 ;「真里亞は、以前にベアトリーチェと会ったことがあるの…？」@ `"Maria, did you ever meet Beatrice before that...?"`@ ld l,$MAR_DefA1,80 E_A ;「うー。@/ `"Uu-. `@/ bgm1 20 ;毎年会ってる。」@ `Met her every year."`@ ld r,$ROS_KomaruA4,80 ;「毎年…？@　この、六軒島のお屋敷で？」@ `"Every year...?`@` In this mansion on Rokkenjima?"`@ ld l,$MAR_WaraiA1,80 ;「うー。」\ `"Uu-."`\ cl r,0 ld c,$ROS_ikariA1,24 ;「…うーじゃわからないでしょ！@　そうなの？！」@ `"...I don't know what uu- means!`@` Is that true?!"`@ ld l,$MAR_KomaruA1,80 ;「……うん。」@ `"......Yes."`@ ld c,$ROS_MajimeA1,80 ;「いつから会ってるの？@　何年前から！」\ `"How long have you been meeting her?`@` How many years ago did it start?!"`\ ld l,$MAR_fukigenA1,80 ;「…うー。@……わかんない。」@ `"...Uu-.`@` ......Don't know."`@ ld c,$ROS_IkariA1,80 ;「わからない？！@　どうして！@　去年？@　一昨年？！」@ `"You don't know?!`@` Why?!`@` Last year?`@` Two years ago?!"`@ ld l,$MAR_komaruA1,80 ;「……もっと前から。@……うー。」\ `"......Since before that.`@` ......Uu-."`\ se1 21 bg black,22 ;　楼座は愕然とする。@ ;　…この島には右代宮家の屋敷があるだけだ。@ ;　だから、この島に自分の知る以外の人間がいるわけないのだ。@ `Rosa was astonished.`@ `...Only the Ushiromiya family mansion existed on this island.`@ `So there was no way that there were any humans other than themselves on this island.`@ br ;　なのに真里亞は、何と毎年、親族会議の度にあの怪しげな女と出会っていたという……。\ `And yet, Maria said that she had been meeting with that suspicious woman every year during the family conference......`\ bg portrait2,8 ;　もしも真里亞が言うことが真実なら、@……あのベアトリーチェという奇怪な女は、毎年、親族会議の場にいたことになる。\ `If what Maria said was the truth, `@`......then that strange woman called Beatrice had been at the family conference every year.`\ ;　……そんな馬鹿な。@ `......That's insane.`@ br ;　あんな薄気味悪い女が、毎年、親族会議の場にいて、私たちは誰も気付かなかったというのか…？！\ `Is she saying that some eerie woman was at the family conference every year, and none of us ever noticed it...?!`\ bg black,22 bg Mhal_1aR,22 me1v 16,50 ;　楼座は、ほんの数時間前、@実際に薔薇庭園で自らが出会ったにもかかわらず、その存在を認めたくないという奇妙な感情に囚われる…。@ `Even though Rosa had just met her herself a couple of hours ago in the rose garden,`@` she was overcome with a strange emotion which told her not to accept that existence...`@ br ;　私は今日の昼、台風の近付く風の強い薔薇庭園で、一体“何”に出会ったのだろう……。\ `'What' in the world did I meet with earlier today in the rose garden, as the typhoon grew close and the winds blew strong......`\ ld r,$ROS_MajimeA1,24 ;「……真里亞。@あなたは毎年、彼女と会ってると言ったわね。@…会って、何をしてるの？」@ `"......Maria.`@` So, you said that you met her every year.`@` ...After you met, what did you do?"`@ ld l,$MAR_NiyariA1,23 ;「うー。@お唄を歌ったり、魔法を習ったり。@魔法陣の書き方も習うの。」\ `"Uu-.`@` Sang songs, learned magic.`@` Learned how to write magic circles."`\ ld r,$ROS_KomaruA1,80 ;「そ、…そう。@それはすごいわね。@/ `"R, ...really?`@` That's incredible. `@/ ld r,$ROS_komaruA4,80 ;……真里亞がよく自由帳にラクガキ…、/ ;!d800…じゃない、魔法陣を書いたりしてるわよね？@　それも彼女に教えてもらったの？」\ `......Maria, you often draw scribbles..., `/ !d800`...no, magic circles, in your notebook, right?`@` Did she teach you that?"`\ ld l,$MAR_WaraiA2,80 ;「うー！@　ベアトリーチェにね、お手本書いてもらうの！@　ほらほら、見て！　見て！」@ ;　真里亞は嬉々としながら手提げを漁る。@ `"Uu-!`@` You know what, Beatrice drew a model!`@` C'mon, c'mon, look! Look!"`@ `Maria joyfully fished around in her handbag.`@ br ;　……そして、一冊の自由帳を取り出し、そのページを開き始めた。\ `......Then, she drew out a single notebook and began opening to that page.`\ se1 1010 bg black,24 ;　それらのほとんどは、文字通りラクガキで埋められていた。@ `Most of the pages were covered with drawings that were literally scribbles.`@ se1 1010 br ;　どれもオカルト的なものばかりで、@嬉々としてページを捲る真里亞には悪いが、いずれも気色悪いものばかりだった。\ `All of them were occult-like things, and, `@`while it might sound rude to Maria, who was joyfully flipping through the pages, they were all creepy.`\ ;「ほら！　これ！@　ベアトリーチェが書いてくれた！！@　うー！！」\ `"Look! Here!`@` Beatrice wrote it!!`@` Uu-!!"`\ textoff se1 1010 bg magicsquare_sun7,24 wait 1000 se1 1010 bg magicsquare_moon1,24 wait 1000 se1 1010 bg magicsquare_mars3,24 wait 1000 se1 1010 bg magicsquare_mars5,24 ;　真里亞が開いたそれらのページには、これまた不気味な魔法陣が書かれていた。@ ;　……しかもそれは一目見て、真里亞が書いたものではないとわかった。\ `On each page Maria opened to, there was another eerie magic circle that had been drawn.`@ `......Furthermore, at a glance, Rosa realized that Maria hadn't drawn them.`\ ;　筆圧や線の太さ、図形の綺麗さ。@ ;　……これだけから書いた人間の素性を推し量ることはできないが、@確実に真里亞より年齢の高い人物が書いたことは理解できる。\ `The strength of the strokes, the thickness of the lines, how clean the shape was.`@ `......This by itself wasn't enough to guess the background of the person who had written it,`@` but it was enough for Rosa to understand that it was definitely someone older than Maria.`\ bg Mhal_2cR,0 ld c,$ROS_KomaruA4,26 me2v 13,40 ;　もう楼座は認めざるを得ない。@ `Rosa had to accept it now.`@ br ;　…この六軒島には、自分が今まで存在すら知らなかった人物が確かに存在して、@しかも毎年、親族会議の度に真里亞と遊んでいたのだ。\ `...There really was a person on this Rokkenjima that she herself hadn't known existed until now,`@` and this person had come to the family conference every year to play with Maria.`\ ld c,$ROS_majimeA1,80 ;「………真里亞。@その、魔女のベアトリーチェはここに住んでるの…？@　それとも、私たちのように、島の外に住んでるの…？」\ `".........Maria.`@` Umm, does this witch Beatrice live here...?`@` Or does she live outside the island like us...?"`\ bg Mhal_1aR,0 ld r,$MAR_WaraiA1,23 ;「うー。@……ベアトリーチェは六軒島の魔女だから、この島に住んでる。」\ `"Uu-.`@` ......Beatrice is the witch of Rokkenjima, so she lives on this island."`\ ld l,$ROS_ikariA1,23 ;「………じゃあ、親族会議のない日にも、この島にいる、…というのね……？」@ `".........So, you're saying that she's on the island even when it isn't the family conference, ...right......?"`@ ld r,$MAR_WaraiA2,80 ;「うー。」@ `"Uu-."`@ ld l,$ROS_IkariA2,80 ;「うーじゃわからないでしょ！！@　どうなの！」@ `"I don't know what uu- means!!`@` What do you mean?!"`@ ld r,$MAR_fukigenA1,80 ;「ッ…！@　…………うん。@…うー。」\ `"...!`@` ............Yes.`@` ...Uu-."`\ bg black,22 me3v 5,50 ;　な、……何てこと、何てこと………。@ ;　信じられない信じられない…！@ `Wh, ......what in the, what in the.........`@ `I can't believe it, I can't believe it...!`@ br ;　この島には、いつからあんな得体の知れない魔女が住み着いていたというのか！\ `How long has this unknown witch been living on this island?!`\ ;　私はかつてこの島に住んでいた。@ ;　この島で生活し、この屋敷で、この薔薇庭園で過ごした。@ `I used to live on this island.`@ `I lived on this island, passing the time in the mansion, in the rose garden.`@ br ;　だけれど、あんな魔女に出会ったことは、/ ;!d800……ない、/ ;!d1000……はず…………………。\ `And even so, I never encountered a witch like that, `/ !d800`......never, ` !d1000`......supposedly................`\ wait 2000 se1 27 wait 200 bg white,1 E_B E_MA bg black,2 wait 2000 me1v 12,40 bg Mhal_2aR,0 ld c,$MAR_fukigenA1,26 ;「ママ……？@　ママ……？@　どうしたの……？@　ママ…？！」@ `"Mama......?`@` Mama......?`@` What's wrong......?`@` Mama...?!"`@ ld r,$ROS_KomaruA4,26 ;「……頭が、………痛い…。」@ `"......My head, .........hurts..."`@ br ;　…多分、私は少女時代の記憶が少し入り混じってしまっているのだ。\ `...I was probably getting a little mixed up with my memories from when I was a young girl.`\ bg black,22 bg portrait2,22 ;　少女時代の私は、真里亞と違い、魔女の存在を強く恐れた。@ ;　だから、私にとってベアトリーチェの名は恐ろしいものの代名詞だった。@ `When I was a young girl, unlike Maria, I was very frightened of the witch.`@ `So for me, the name Beatrice was a synonym for something frightening.`@ br ;　……だから、それを名乗る女が現れたため、少女時代の恐怖感が蘇ってしまったに違いない…。\ `......So surely, my feeling of fear from my days as a young girl has been revived because a woman calling herself that has appeared...`\ ;　……魔女のわけない。@ ;　……ベアトリーチェを名乗る“人間”に決まってるじゃないか。\ `......She couldn't be a witch.`@ `......She's obviously a 'human' calling herself Beatrice, right?`\ bg black,22 ;　そうだ…。@ ;　……私はあの魔女から、封筒を託されている…。@ ;　あれは一体、何だったんだろう。@ `That's right...`@ `......That witch entrusted me with an envelope...`@ `What in the world could that be?`@ br ;　楼座は懐のポケットから、あの洋形封筒を取り出す。\ `Rosa pulled that western-style envelope out of her pocket.`\ se1 22 bg Letter1,8 ;　…それは、金蔵が親書に使う右代宮家の紋章をあしらった洋形封筒。@ ;　……そして赤い封蝋には、金蔵が持つ当主の指輪による封印までされている。\ `...It was the western-style envelope which bore the Ushiromiya family crest, which Kinzo used on his personal letters.`@ `......And it had even been sealed with the red sealing wax by the Head's Ring, which Kinzo held.`\ ;　………ということは、…この封筒は右代宮家当主のもの。@ ;　…つまり、お父様からのものだ。@ `.........Which meant, ...this envelope belonged to the Ushiromiya head.`@ `...In other words, it was from Father.`@ br ;　なぜ、それをベアトリーチェと名乗る女が持ち、私に差し出したのか。\ `Why was a woman calling herself Beatrice holding it, and why did she give it to me?`\ ;　そうだ。@これを確か、晩餐の席で読み上げろと言った。@ ;　………一体、中に何が書かれているというのだろう…。@ `That's right, `@`I'm sure she said to read this aloud at dinner.`@ `.........What in the world could be written inside...?`@ br ;　この封筒を開けることによって、@何かとんでもない不吉なものを解放してしまうのではないかという不安が楼座を襲う…。\ `An uncertainty gripped Rosa,`@` as if opening this envelope would release a ridiculous object of misfortune...`\ bg black,22 ;　……しかし同時に、この中に何が書かれているのか、他の兄弟たちよりも先に知りたい好奇心も芽生えた。@ `......However, at the same time, a little curiosity sprouted up, causing her to want to find out what was written inside before the other siblings.`@ br ;　常識的に考えれば、………おそらくこの中には、お父様の遺産相続を巡る何かの重大な決定が記されているだろう。\ `Using common sense, .........one could guess that a huge resolution somehow related to Father's inheritance was probably written inside.`\ ;　いや、…それをベアトリーチェと名乗る女性に持たせたのなら、それに関係ないわけがない。@ ;　……遺産を４人でなく、彼女を加えた５人で分配しろということなのか。\ `Actually, ...since she had been made to hold it by a woman who called herself Beatrice, there was no way that wasn't related.`@ `......Did it mean that this person wants, not just the four, but a total of five people to be included in the inheritance?`\ bg Letter1,22 me2v 16,40 ;　………………私には、まとまったお金が必要で、…しかもそれは長くは待てない。@ ;　お父様の遺産の分配を、まだ存命の内から議論するなんて、自分は罪深い娘だと思う。@ ;　……しかし、綺麗事を言っていられる段階にない。\ `...............I needed a large sum of money, ...and I couldn't wait long.`@ `I felt like a sinful daughter for discussing the distribution of Father's inheritance while he was still alive.`@ `......However, this was no time to keep everything pretty.`\ ;　…そして、蔵臼兄さんからお金を引き出すため、絵羽姉さんや留弗夫兄さんと談合してすらいる。@ ;　そんな私にとって、………魔女の出現は、不吉なものを予見させずにはいられないのだ…。@ `...And I was even consulting with Rudolf nii-san and Eva nee-san in order to get some money out of Krauss nii-san.`@ `With myself in this situation, I can't help but foresee misfortune...`@ br ;　………この中には何と書かれているのだろう。@……きっと、恐ろしいことが書かれているに違いない。@ `.........What could be written in here?`@` ......I'm sure there must be something frightening written.`@ br ;　………まずはこっそり読んでみようか？\ `.........Shall I first read it secretly myself?`\ bg black,22 mono 1 bg Mdin_1d,2 ;　魔女は全員が揃った晩餐の席でと注文を付けた。@ ;　……しかし、そうならば自らの手で晩餐の席上で読み上げればいいだけではないか。@ `The witch had requested it be done at the dinner table, when everyone was gathered.`@ `......However, didn't that just mean that she could have read it aloud herself at the dinner table?`@ br ;　なぜわざわざ私に託すのか。@ ;　………つまりそれは、先にこっそり読まれても仕方ないということではないのか…。\ `Why did she go to all the trouble of entrusting it to me?`@ `.........In other words, was that because it didn't matter whether I secretly read it beforehand...?`\ bg black,22 mono 0 me3v 19,70 ;　……先に中身を読んでおいた方がいい。@ ;　…約束違反なのはわかってる。@ `......It would be better to secretly read the contents first.`@ `...I understand that it would be breaking my promise.`@ br ;　……でも、そんな綺麗事はもう言っていられない…。\ `......But this is no longer the time to keep things pretty...`\ ;　内容次第では、絵羽姉さんや留弗夫兄さんに相談した方がいいだろう…。@ ;　…姉さんたちは、いつもこういうことに関しては、頭がとてもよく回る……。\ `It would probably be good to discuss it with Eva nee-san and Rudolf nii-san, ...depending on the contents.`@ `...Nee-san and the rest are always really good thinkers when it comes to this kind of thing......`\ ;　唾をごくりと飲み込み、……赤い封蝋に手が掛かった時。@ `When I gulped, ......and put my hand to the red sealing wax...`@ bg Mhal_2cR,1 E_A quakey 3,500 ;　…私の袖が急に引っ張られたので、小さな悲鳴をあげてしまった。\ `...Something suddenly pulled on my sleeve, and I let out a small scream.`\ ld r,$ROS_IkariA1,24 me1v 13,40 ;「………なッ、何？！@/ `".........Wh, what?! `@/ ld r,$ROS_aseruA1,80 ;　ま、………真里亞なの。@驚かせないで。@何？」@ `M, .........Maria.`@` Don't scare me like that.`@` What?"`@ ld l,$MAR_fukigenA2,23 E_A bgm1 17 ;「…うー………。@…………だめ。」@ `"...Uu-.........`@`............Can't."`@ ld r,$ROS_majimeA1,80 ;「え……？」@ ;　真里亞の表情に、あの魔女と同じ不吉なものが浮かんでいたことに、背筋がぞっとする…。\ `"Huh......?"`@ `The same sign of misfortune as the witch appeared in Maria's expression, sending a tingle up Rosa's spine...`\ ld l,$MAR_AkuwaraiA2,80 ;「……ベアトリーチェはママに、その手紙は晩餐で読みなさいって言った。@……魔女の約束は破っちゃだめだよ。@…………きひひひひひひひひひひひ…。」@ `"......Beatrice told Mama to read that letter during dinner.`@` ......You can't break a promise with a witch.`@` .........Kihihihihihihihihihihihi..."`@ ld r,$ROS_aseruA1,80 me1v 13,40 ;「ち、…違うわよ。@ちょっと封筒を見ただけじゃない。@……約束は守るわよ。@……ママもいつも真里亞に、約束は守りなさいって言ってるもんね。@…ママももちろん、約束は守るわよ…。」\ `"Th, ...that's not it.`@` I just wanted to look at the envelope for a second.`@` ......I'll keep my promise.`@` ......After all, Mama always tells Maria to keep her promises.`@` ...Of course Mama will keep her promise..."`\ ld l,$MAR_AkuwaraiA1,80 ;「うん。@ママはいい子。@…きひひひひひひひひひ…。」@ `"Yes.`@` Mama's a good girl.`@` ...Kihihihihihihihihihi..."`@ ld r,$ROS_KomaruA4,80 ;「そ、@……その笑い方。@……可愛くないからやめなさい。」@ `"Th, `@`......that laugh.`@` ......It isn't cute, so stop it."`@ ld l,$MAR_fukigenA1,80 ;「………うー。」\ `".........Uu-."`\ bg black,23 bg Mhal_1aR,0 ld c,$ROS_komaruA2,23 ld c,$ROS_majimeA1,80 ;「そう言えば真里亞も封筒をもらったわよね。@………中には何て書いてあったの？」@ `"Come to think of it, you received a letter too, Maria.`@` .........What was written inside?"`@ ld r,$MAR_DefA1,24 ;「開けてない。@…ベアトリーチェは、開ける時が来るまで開けちゃダメって言った。@だから大事に持ってる。@…うー。」\ `"It isn't open.`@` ...Beatrice said mustn't open it until the time to open it comes.`@` So taking good care of it.`@` ...Uu-."`\ ld c,$ROS_Nayamua1,80 ;「そ、……そう。@…真里亞は、ベアトリーチェの言うことはちゃんと聞くのね。」@ `"I, ......I see.`@` ...You listen well to what Beatrice says, don't you, Maria."`@ ld r,$MAR_WaraiA1,80 ;「うー。@真里亞はベアトリーチェの弟子だから、お師匠の言うことはちゃんと聞くの。」@ `"Uu-.`@` Maria is Beatrice's disciple, so she listens well to what her teacher says."`@ ld c,$ROS_KomaruA1,80 ;「……そ、………そう。」\ `"......I, .........I see."`\ ;　楼座は気付く。@ ;　……真里亞の眼差しの中に、…真里亞以外の人物の光が混じっていることを。@ `Rosa realized something.`@ `......Mixed in with Maria's gaze, ...was the light of a person other than Maria.`@ br ;　…この場でルールを破り、封筒を開けば、それは必ずベアトリーチェの知るところとなるだろう。\ `...If she broke the rules, and opened the envelope here, Beatrice would probably know about it.`\ ;　……なぜなら、真里亞は魔女の弟子。@ ;　………真里亞はあの魔女に通じているのだ……。\ `......Because Maria was the witch's disciple.`@ `.........Maria communicated with that witch......`\ bg black,24 bg Mhal_2cR,24 ld r,$ROS_nayamuA1,24 ;「…ママは約束を守るわ。@だから安心するよう、ベアトリーチェに言ってね。」@ `"...Mama will keep her promise.`@` So tell Beatrice not to worry, okay?"`@ ld l,$MAR_WaraiA2,23 ;「うー！@　伝える。」\ `"Uu-!`@` Tell her."`\ ld r,$ROS_komaruA4,80 ;「…ねぇ真里亞。@…ベアトリーチェとお話をしたいんだけど、どうすれば会えるのかしら…？」\ `"...Hey, Maria.`@` ...I want to speak with Beatrice, but what could I do to meet her, I wonder...?"`\ ld l,$MAR_NiyariA1,80 ;「知らない。@……ベアトリーチェはとても気まぐれだから、いつも突然姿を現すの。@真里亞からは会う方法を知らない。@/ `"I don't know.`@` ......Beatrice is very fickle, so she always shows herself suddenly.`@` Maria doesn't know a way to get her to meet Maria. `@/ ld l,$MAR_AkuwaraiA1,80 me2v 16,50 ;……でもね、いつも真里亞のことを見てるの。@だから、真里亞が困っていると、あとできっと助けてくれるの。@…きっとね、姿を消して、真里亞の近くに隠れてるんだよ。@……きひひひひひひひひひひひひひひひひひひひひひひひひひひひひ。」\ `......But you know, she's always watching Maria.`@` So when Maria gets in trouble, she'll definitely save her afterwards.`@` ...She has definitely, erased her form, and is hiding close to Maria.`@` ......Kihihihihihihihihihihihihihihihihihihihihihihihihihihihihi."`\ ld r,$ROS_IkariA1,80 ;「そ、……その笑いをやめなさいといつも言ってるでしょ！！」\ `"D, ......don't I always tell you to stop that laughing!!"`\ textoff ;bg white,1 se1 8 quakex 4,600 bg black,22 bg portrait2,26 ;　楼座は反射的に真里亞の頭を叩いてしまう。@ ;　……それは真里亞の笑い声を遮りはしたが、…その瞳に浮かぶ不吉な色を消し去ることはできなかった。\ `Rosa reflexively hit Maria on the head.`@ `......That put a stop to Maria's laughing voice, ...but it wasn't able to erase the color of misfortune that had risen to those eyes.`\ ;　楼座は誓う。@ `Rosa swore.`@ ;　…少なくとも、この島を離れるまでの間、真里亞を一人きりにさせてはならないと。@ ;　………娘を、これ以上、得体の知れない存在と接触させるわけにはいかなかった……。\ `...She swore that, at least until they left this island, she must not leave Maria alone.`@ `.........She couldn't allow an unknown being to make direct contact with her daughter any more......`\ ;▲第６アイキャッチ：１０月４日（土）１６時００分　から　１８時００分へ進む eye2 16,00,18,00,2,0,510,340,25 *umi2_7 ;■ゲストハウス・いとこ部屋 mov %play_scene,70 dllefe 1,1 me1 12 bg G_o1aR,6 wait 2000 bg black,2 dllefe_off bg G2F_R1cR,0 ld r,$JES_KomaruA1,26 mevol 1,40 ;「…真里亞、戻ってこねぇな。@……また楼座叔母さんに叱られてるのかな。」\ ;＜朱志香 `"...Maria hasn't come back.`@` ......I wonder if she's been scolded by Rosa oba-san again."`\ ;　今日の真里亞は、飛行場で出会った時から、ずっとハロウィンハロウィンと大はしゃぎしていた。@ `Since they had met Maria in the airport, she had been romping around about Halloween the whole time.`@ br ;　…ただ、少々ハメを外しすぎたようで、@飛行機の中や船の中、昼食の席でも騒がしくし過ぎ、楼座から何度も注意を受けていた。\ `...But maybe she had cut loose a little too much,`@` and acted a little too boisterous on the plane, on the boat, and during lunch, because Rosa had warned her several times.`\ ;　そういう時、楼座叔母さんは人前ではあまり叱らない。@ ;　…大抵、物陰に呼び、二人きりで叱ることが多い。@ `In times like that, Rosa oba-san would rarely scold her in front of people.`@ `...More commonly, she would call Maria into the shadows, and scold her when they were alone.`@ br ;　だから、こうして真里亞が呼び出されたなら、どこかで叱られているに違いないと彼らは考えるのだった。\ `So since Maria had been called off somewhere, they thought she must be getting scolded.`\ bg black,25 me2 11 ;　時計を見ればもう６時だった。@ ;　さすがにずっと叱られているとは思わない。@ ;　多分、毎週見ているアニメでも始まる時間ではないだろうか。@ ;　そのまま屋敷の客間に居付いてしまったのだろう。\ `When they looked at the clock, they realized that it was almost 6:00.`@ `They couldn't really imagine that Maria had been scolded this whole time.`@ `Maybe it was time for some anime she watched every week to start.`@ `She had probably stayed in the mansion's parlor the whole time.`\ textoff fede 12,2000 bg G2F_R1aR,23 ld l,$SHA_TokuiA1,23 ;「ひょっとすると、戦人さまがお目覚めになって、一緒に遊ばれているのかもしれませんね。」@ ;＜紗音 `"Possibly, Battler-sama has woken up and they are playing together."`@ ld r,$GEO_WaraiA2k,24 ;「真里亞ちゃんにとって、戦人くんは新しい友達のような感じだったろうからね。@…その戦人くんと飛行場で、ハロウィンごっこをするのがきっととても楽しかったんだよ。」\ ;＜譲治 `"That's because Maria-chan thinks of Battler-kun as a new friend.`@` ...I'm sure it was tons of fun when she played Halloween with Battler-kun at the airport."`\ bg G2F_R1bR,0 ld l,$JES_WaraiA1,24 ;「戦人もずいぶんはしゃいでたな。@あいつ、図体はデカくなったってのに、中身は昔っから全然変わらねぇぜ。」\ ;＜朱志香 `"Battler was messing around a lot himself.`@` Even though that guy's gotten big, he hasn't changed a bit since long ago."`\ ld r,$SHA_WaraiA1,23 E_A bgm1 12 ;「そうですね。@…戦人さまは６年前のままでいて下さった気がします。」@ ;＜紗音 `"That's true.`@` ...I get the feeling that Battler-sama was gracious enough to remain as he was six years ago."`@ cl r,23 ld r,$GEO_DefA1,24 ;「紗音は６年前の戦人くんのこと、覚えてるんだ？」\ ;＜譲治 `"Shannon, do you remember about Battler-kun six years ago?"`\ cl l,24 ld l,$SHA_WaraiA2,23 ;「えぇ。@何しろ、大層お元気な方でしたから。@くすくす。」@ ;＜紗音 `"Yes.`@` Because he was, well, very energetic.`@` *giggle*."`@ ld r,$GEO_WaraiA1,80 ;「僕も、６年前に４人で遊んだことを思い出すよ。@紗音はだいぶお姉さん風だったね。」@ ;＜譲治 `"I also remember how the four of us used to play six years ago.`@` Shannon acted a lot like a big sister."`@ ld c,$JES_WaraiA1,24 ;「そうだなぁ。@今よりしっかりしてた気がするぜ。@あはははは！」\ ;＜朱志香 `"That's right.`@` I get the feeling that she was even more level-headed then than she is now.`@` Ahahahaha!"`\ ld l,$SHA_HajiraiA2,80 ;「そ、…それはあの頃はその、……身の程を弁えておりませんでしたもので…。@その、色々と失礼いたしました…。」\ ;＜紗音 `"B, ...back then I, umm, ......didn't act fitting for my place so...`@`umm, I did some rude things..."`\ bg black,23 bg G2F_R1cR,0 ld r,$GEO_DefA1k,24 ;「……いいよ、そんな弁え。@/ `"......It's alright to act like that. `@/ ld r,$GEO_HohoemiA1,80 ;仕事中はともかく、こうして休み時間に過ごす時の僕らは、あの頃から変わらない、仲良しで居続けたいね。」\ ;＜譲治 `Forget when you're working, when you're taking your break, like now, I want you to stay with us and be friendly."`\ ld l,$JES_DefA1,23 ;「そうだぜ。@…使用人の紗音と、オフの時の紗代は使い分けていいだろ。@……奴隷じゃないんだぜ、使用人の仕事をしてるだけじゃないかよ。@/ `"That's right.`@` ...Treat the servant Shannon and off-duty Sayo differently.`@` ......You aren't a slave, you're just working as a servant, right? `@/ ld l,$JES_WaraiA2,80 ;………私は紗音とは、/ ;!d700…うぅん、紗代とは、一番古い友人だと思ってるぜ。」@ ;＜朱志香 `.........I think of you, Shannon, `/ !d700`...no, Sayo, as my oldest friend."`@ cl r,23 ld r,$SHA_HajiraiA1,24 ;「…………ありがとうございます、お嬢様。」\ ;＜紗音 `"............Thank you very much, Milady."`\ ;　紗音は、朱志香の言葉の裏側を理解しているようだった。@ ;　……彼女は、朱志香と嘉音の双方から、二人の多少の経緯を聞かされていたからだ。\ `It seemed that Shannon understood the hidden meaning behind Jessica's words.`@ `......Because she had heard a little bit about Jessica's and Kanon's history from both of them.`\ bg black,23 bg G2F_R1bR,0 ld c,$GEO_DefA1k,24 ;「………………。」@ ;＜譲治 `"..............."`@ ;　どうも、その経緯の多少は、譲治にも知らされているらしい。\ `Apparently, George had also been informed about that history, more or less.`\ ;　譲治は窓辺に寄ると、次第に暗くなってくる雨の空を見上げていた…。\ `As George approached the window, he looked up at the darkening rainy sky...`\ bg black,23 bg G2F_R1aR,0 ld l,$JES_majimeA1,0 ld r,$SHA_majimeA1,24 ld r,$SHA_majimeA2,80 ;「…嘉音くんはまだ幼いのに、考え方が少し背伸びしてるところがあると思うんです。」\ ;＜紗音 `"...Even though Kanon-kun is still young, I think that he's starting to grow a bit in his way of thinking."`\ ld l,$JES_atyaA3,80 ;「いや、はははは…。@もうよしてくれよ。@/ `"Uhh, hahahaha...`@` C'mon, quit it already. `@/ ld l,$JES_tereruA2,80 ;まぁその、私も雰囲気に流されてたところはあったと思うしさ…。@まぁその、…紗音たちのことを見てその、ちょっと羨ましいとか思って、気が急いていたところもあったかも知れねぇな。」\ `Well, umm, I think there's been some times when I've been sucked in by the atmosphere...`@` Well, umm, ...maybe after looking at you two, umm, I got a little jealous, and sometimes started feeling a little rushed."`\ ld l,$JES_tereruA1,80 ;「……わ、私のことなんかどうでもいいだろ。@それより、譲治兄さんたちの方はどういう感じなんだよ。@だいぶいい感じなんだろぉ？@　えっへっへ！」\ `"......Wh, what happens to me isn't important.`@` More importantly, how's it going between you two?`@` Looks like it's goin' pretty well, eh?`@` Ehehe!"`\ ;＜朱志香 ld r,$SHA_HajiraiA1,80 ;「えっと、……ど、…どうなんでしょう…。」@ ;＜紗音 `"Err, ......I, ...I wonder..."`@ cl r,23 ld r,$GEO_hohoemiA1,24 ;「うん。@とてもいい感じだよ。」@ ;＜譲治 `"Yes.`@` It's going very well."`@ br ;　赤面して口ごもる紗音と、朗らかに即答する譲治。@ ;　そのあっけらかんとした様子からは、羨ましいくらいに満帆な関係であることがうかがえた。\ `Shannon was lost for words, her face red, while George answered brightly and immediately.`@ `That carefree attitude made it obvious that their relationship was proceeding so perfectly, it would make anyone envious.`\ bg G2F_R1cR,24 ld r,$JES_tohohoA2,24 ;「ちぇ、妬けるぜ。@/ `"Heh, I'm jealous. `@/ ld r,$JES_atyaA3,80 ;……ってことは紗音もその内、寿退社ってわけなんだ？」@ ;＜朱志香 `......That mean Shannon's gonna resign and have a party soon?"`@ ld l,$SHA_HajiraiA1,23 ;「ど、どうなんでしょう…。@私にはその……。」@ ;＜紗音 `"I, I wonder...`@` I am, umm......"`@ cl r,23 ld r,$GEO_HohoemiA1k,24 ;「どうなんだろうね？@　僕にもわからないね？」\ ;＜譲治 `"I wonder, right?`@` How could I know?"`\ ;　譲治が意地悪そうに笑いながら紗音に詰め寄る。@…いつもの二人きりの時のじゃれ合いなのだろう。@ `George laughed like he was being mean and drew closer to Shannon.`@` ...It was probably the way they usually flirted when they were alone.`@ ;　朱志香は、ハイハイご馳走様と苦笑いするほかない。\ `Jessica could only smile bitterly and say yes, yes, thank you, that's enough.`\ bg black,2 wait 1000 me1v 12,40 bg G2F_R1bR,0 ld c,$GEO_MajimeA1,23 ;「僕には夢がある。@それは一国一城の主になりたいというビジネス的な野望だけじゃない。@生涯を共にできる伴侶と幸せな家族を築きたいという夢もある。」\ `"I have a dream.`@` It isn't only an ambition to become the leader of my own domain in business.`@` I also have a dream to build a family together with a partner I can spend my life with."`\ ld c,$GEO_WaraiA1,80 ;「…子供は最低でも二人ほしいとか。@家族で一緒にできるスポーツをしたいねとか。@他にもいろいろ。@そんな話をよく紗音とはするよ。@………こんなこと話すと、いつも紗音には、気が早いですねと笑われるんだけど。」\ `"...I want two kids at the very least.`@` And I'd like to do some sports that the whole family could do together.`@` And many more things besides that.`@` I often talk with Shannon about that kind of thing.`@` .........Although every time I talk about that sort of thing, Shannon always laughs and says I'm getting ahead of myself."`\ ld c,$GEO_DefA1k,80 ;「…僕はこの歳の内からもう、なぜか落ち着いた老後のことを考えてしまうんだよ。@……元気に成長した子どもたちと、駆け回る孫たちと。@そういうものに囲まれて、いつまでも紗音と二人、ゆっくりと余生を送れたらなって。」\ `"...For some reason, even at the age I am now, I've started having some calmer thoughts like I'm in my old age.`@` ......Healthy grown kids, and grandchildren running around.`@` If only I could spend the rest of my life at a slow pace, surrounded by that, and together with Shannon forever."`\ bg G2F_R1aR,23 ld r,$JES_aisowaraiA1,23 ;「そりゃ確かに気の早い話だぜ。@/ `"You're definitely getting ahead of yourself. `@/ ld r,$JES_atyaA3,80 ;……でも、何ていうのかその、譲治兄さんらしい話だなぁ。」@ ;＜朱志香 `......But, how should I say it, it sounds like you, George nii-san."`@ ld l,$SHA_hajiraiA3,23 ;「そんな家族に囲まれたら、さぞ素敵でしょうね。@……私が思い描いていた理想の家族も、そんな感じだったと思います。」\ ;＜紗音 `"Being surrounded by that family would probably be so wonderful.`@` ......The ideal family that I've painted in my mind is something like that."`\ ;　…孤児院で育った紗音にとって、和気藹々とした家族像には、強い憧れがあるのだろう。@ `...To Shannon, who had been raised in an orphanage, that harmonious image of a family was probably something she yearned after.`@ br ;　……そして、それを絶対に叶えると約束する譲治は、確かに彼女と共に生涯を過ごすのに相応しいかもしれない…。@ `......And George, who promised that he would definitely grant that wish for her, was surely a fitting person for her to spend her life with...`@ br ;　朱志香にとって紗音は大切な友達だ。@ ;　……その友達の将来を預けるのに、譲治はきっと一番相応しいに違いない。\ `Shannon was an important friend to Jessica.`@ `......George was surely the one most fit to entrust that friend's future to.`\ ld r,$JES_atyaA1,80 ;「まぁ、水を注すわけじゃねぇけど。@……秀吉叔父さんはともかく、絵羽叔母さんとかどうなわけ？@　説得は大変じゃないの？」@ `"Well, I don't want to throw cold water on you guys, `@`......but forget about Hideyoshi oji-san, what would happen with Eva oba-san?`@` Wouldn't it be tough to convince her?"`@ ld l,$SHA_KomaruA1,80 ;「……………………。」\ ;＜紗音 `"..............."`\ bg G2F_R1bR,24 ld c,$GEO_WaraiA1,24 E_MA ;「あっはっはっは。@そんなことは、誰も気にする必要はないよ。@/ `"Ah-hah-hah-ha.`@` There's no reason for anyone to worry about something like that. `@/ ld c,$GEO_MajimeA2,80 ;……僕が誰を伴侶に選ぶかは、誰にもはばかられない。@紗音は僕が幸せにする。@それに誰の許可が？」\ ;＜譲治 `......No one can worry about who I chose to be my partner.`@` Shannon makes me happy.`@` Whose permission do I need?"`\ bg G2F_R1aR,0 ld r,$JES_TohohoA2,23 ;「……ひゅーー。@/ `"......Whoa--. `@/ ld r,$JES_atyaA3,80 ;譲治兄さん、カッコいいぜ…。@よくそんな恥ずかしいセリフを堂々と。@昔の兄さんはそういうキャラじゃなかったと思ったんだけどなぁ。」\ ;＜朱志香 `George nii-san, that was cool...`@` I can't believe you can say something so embarrassing out loud.`@` I thought George didn't used to be that kind of character."`\ ld l,$GEO_WaraiA1k,23 ;「男子、三日会わざれば刮目して待つべしさ。@/ `"If you don't see a boy for three days, you should watch them closely. `@/ ld l,$GEO_HohoemiA1,80 ;……僕だって成長する。@…紗音を幸せにするために、僕はもっともっと勉強して、相応しい男に成長するつもりだよ。」@ `......Even I grow up.`@` ...I plan to study more and more to make Shannon happy and grow to be a suitable man."`@ br ;　一応、譲治にも恥ずかしいことを口にしている自覚はあるのだろうか。@ ;　ほんの少しだけ赤面し、頭を掻く仕草をする。\ `Did George even realize how embarrassing the words coming out of his mouth were?`@ `His face turned very slightly red, and he scratched his head.`\ bg G2F_R1bR,24 ld c,$SHA_HajiraiA1,24 ;「…………譲治さん。」@ ;＜紗音 `"............George-san."`@ ld r,$GEO_WaraiA1,24 ;「大丈夫。@母さんは確かにゴネるかもしれないけど、僕に任せておけばいい。@親族全員に、君が僕の伴侶だと認めさせてみせる。」\ ;＜譲治 `"It's alright.`@` I'm sure Mother will be difficult, but you can leave that to me.`@` I'll show you that I can make all of the relatives accept you as my partner."`\ bg G2F_R1aR,0 ld l,$JES_TohohoA2,23 ;「すっげぇな…。@/ `"Awesome... `@/ ld l,$JES_atyaA2,80 ;紗音が羨ましいぜ、まったく！」@ ;＜朱志香 `I'm jealous of you Shannon, seriously!"`@ ld r,$SHA_HajiraiA3,24 ;「……そ、そこまで言ってもらえてその、/ ;!d800………きょ、恐縮です…。」\ ;＜紗音 `"......I, if you will go so far then, `/ !d800`.........I, I'm sorry to trouble you..."`\ ld l,$JES_atyaA3,80 ;「ってゆーかよ、…私はお邪魔虫なんじゃないかって気がしてきたぜ。@席を外した方がいいかー？」\ ;＜朱志香 `"Wait a sec, I'm starting to feel like I'm getting in the way.`@` Would it be better if I le-ft?"`\ bg G2F_R1bR,22 me1 22 ;　朱志香が苦笑いしながら腰掛けていたベッドから立ち上がると、@ちょうどその時、電話が鳴り響いた。@ `When Jessica stood up from the bed she had been sitting on, smiling bitterly,`@` at that very moment, the phone rang.`@ br ;　何の用だろうと、朱志香が受話器を取る前に、紗音は時計を見て、はっとする。@ ;　……どうやら、休み時間を長く取り過ぎたらしい。\ `Before Jessica picked up the receiver, wondering what business they could have, Shannon looked at the clock, taken aback.`@ `......Somehow or another, it seemed that she had taken too long on her break.`\ ld c,$SHA_OdorokiA2,26 ;「す、すみません…！@　私、お勤めの時間を忘れておりました…！@　こ、これで失礼します…！」@ `"I, I am sorry...!`@` I forgot it was time for work...!`@` Th, then, if you will excuse me...!"`@ cl c,23 E_MA ;　朱志香が受話器を取ると同時に、紗音は部屋から駆け出していく。\ `At the same time that Jessica picked up the phone, Shannon began dashing out of the room.`\ ld l,$GEO_hohoemiA1k,23 ;「あ、紗音！@　………また、いつもの時間に、いつもの場所で。」@ ;＜譲治 `"Ah, Shannon!`@` .........Again, same time, same place."`@ ld r,$SHA_HajiraiA2,24 ;「は、………はい。@/ `"Y, .........yes. `@/ ld r,$SHA_HajiraiA1,80 ;…し、失礼します！」\ `...E, excuse me!"`\ bg G2F_R1cR,0 ld c,$JES_DefA2,23 me1v 12,40 ;「もしもし、朱志香です。@………あ、源次さん。@はい、紗音は今、そっちに戻ってますよ。@私たちが引き止めちゃったんです。@叱らないでやってください。@えぇ、はい。」\ `"Hello, it's Jessica.`@` .........Ah, Genji-san.`@` Yes, Shannon is going back to you guys now.`@` We held her up.`@` Please don't scold her.`@` Yeah, yes."`\ bg G2F_R1aR,0 ld r,$GEO_DefA1,23 ;「そっか。@もうじき夕飯の準備の時間なんだね。」\ `"I see.`@` So it will be time to prepare dinner very soon."`\ bg black,5 fede 0,2000 wait 1000 bg Mkit_1aR,26 me1v 13,40 ;■厨房 ;　厨房の配膳台には、たくさんの皿が並べられ、着々と晩餐の準備が進められていた。\ `Many plates were lined up on the counter in the kitchen.`@` Preparations for dinner were proceeding steadily.`\ ;　……並べられている皿の数を見る。@ `......The number of plates that were lined up there...`@ br ;　……１９組ある。@ ;　その数字は、毎年の親族会議で並べられる皿の数より１つ多かった。\ `......was 19.`@ `That number was one more than were lined up during the family conference every year.`\ bg Mkit_1bR,0 ld l,$GEN_KomaruA1,0 ld r,$GOH_komaruA1,22 ld r,$GOH_iiwakeA2,24 se1 21 ;「納得できません…！@　どうして私が直接お届けに上がってはならないのですか！」\ `"I can't accept it...!`@` Why can't I deliver it directly?!"`\ ;　郷田さんは、湯気を噴き出す鍋をよそに源次に食って掛かっておりました。@ `Gohda-san flared up at Genji, paying no heed to the pot that was boiling over.`@ br ;　お館様は書斎でひとりで食事を取られることを好みますので、書斎に配膳に行かなくてはなりません。@ ;　もっとも、これはいつものことではありますが。\ `The Master enjoyed having his food alone in his study, so the food needed to be set out in the study.`@ `However, this always happened.`\ ;　本当なら郷田さんは、自分が精魂込めて作った料理を、自らの手でお館様に配膳したい。@ `Gohda-san really wanted to set the table for the Master with his own hands, as he had put his heart and soul into his cooking.`@ br ;　……しかしお館様は、黄金の鷲の紋章を持った使用人しか書斎に入れないという厳しいルールを課されておりました。@ `......But the Master had imposed a strict rule that none but the servants bearing the Golden Eagle crest could enter his study.`@ br ;　………だから郷田さんは、書斎の外でお館様に挨拶することはできても、@書斎の中に料理を運ぶという栄誉を与えられたことは一度もなかったのでございます。\ `.........So while Gohda-san could greet the Master from outside the study,`@` not once had he been granted the honor of carrying his cooking into the study.`\ bg black,22 bg Mkit_1bR,26 ;　それに郷田さんは常々不満を持っていた。@ ;　…確かに自分は年季の上では一番の新参者に違いない。@ `Gohda-san was always unsatisfied with this.`@ `...Of course he was a newcomer in terms of years of service.`@ br ;　しかし、前職で充分な経験と積み重ねを持っており、決して金蔵の前でも失礼のない振る舞いができる強い自信があった。@ `However, he had piled up plenty of experience from his previous jobs, and he was strongly confident that he would always be able to perform in front of Kinzo in a way that would not insult him.`@ br ;　なのに、黄金の鷲を許されていないというだけの理由で、自分は未だにその栄誉を賜れない。\ `And yet, just because he was not permitted the Golden Eagle, he still hadn't been blessed with this honor.`\ lsp bgsp,$KUM_komaruA1,434,0 print 4 ;　……それが、彼のプライドをどれほど傷つけていたか想像できるでしょうか。@ ;　では、今夜も再びそれを蒸し返しているのかというと、そうではありません。@ `......You can probably imagine what damage that did to his pride.`@ `You might think that tonight was another repeat of that, but it wasn't.`@ br ;　今夜は、お館様の他にも、お部屋まで食事を運んでもらいたいという方がおられるからです。\ `Because tonight, there was a person other than the Master who wanted their food carried to their room.`\ bg black,22 ;　その人物は、非常に稀な賓客らしく、当主であるお館様と同格の扱いをするようにきつく厳命されておりました。@ `Apparently, this person was a very rare and honored guest, and there had been a strict order to treat this person in the same manner as the Master, who was the family head.`@ br ;　郷田さんは、この賓客に、ぜひ自らの手で配膳してポイントを稼ぎたかったに違いありません。\ `Gohda-san must have wanted to earn some points by serving this honored guest with his own hands.`\ ;　虚栄心のお強い方でございますから。@ ;　お館様に配膳する資格はなくても、せめてそれと同格の来客には…。\ `Because he was a person of strong vanity.`@ `If he wasn't qualified to serve the Master, then at least a guest of the same rank...`\ ;　昼食はどうしても手が空かず、嘉音さんに行ってもらった。@ ;　…だから、一年で最高の晩餐である今夜の食事を、ぜひ自分の手で配膳したかったのです。\ `He couldn't have made time during lunch no matter what, so Kanon-san had gone for him.`@ `...Therefore, he truly desired to serve tonight's food, the best dinner of the year.`\ bg Mkit_1bR,22 ;　ですが、それを源次さんに咎められたのでございます。@ ;　……郷田さんに黄金の鷲がないから、ということのようです。@ `But Genji-san had had a problem with that.`@ `......Something about how Gohda-san didn't have the Golden Eagle.`@ br ;　………再び、資格がないと咎められ、郷田さんの堪忍袋の緒が切れてしまったのでございます。\ `.........After being scolded that he wasn't qualified again, Gohda-san had lost his patience.`\ lsp bgsp,$KUM_majimeA1,434,0 print 24 ;　あぁ、おいたわしや郷田さん…。@ ;　私は物陰からこうして見守るしかないのでございます…。\ `Aah, so heartrending, Gohda-san...`@ `I cannot do anything more than watch like this from the shadows...`\ ld l,$GOH_IkariA1,23 ;「熊沢さん、油を売っている暇があったら、食堂の準備をしてきて下さい。@/ `"Kumasawa-san, if you have enough free time to dawdle around, please prepare the dining hall. `@/ ld l,$GOH_IkariA2,80 ;テーブルクロスは大丈夫ですか？！」@ `Is the tablecloth ready?!"`@ lsp bgsp,$KUM_WaraiA1,434,0 print 80 ;「ほっほっほっほ…、これはこれは失礼を…。」@ `"Hoh-hoh-hoh-ho..., oh my, my apologies..."`@ se1 48 textoff for %Free1 = 0 to 70 msp bgsp,1,0 ;wait 10 print 1 next csp bgsp br ;　こちらにお鉢が回ってきては大変と、熊沢はススーっと廊下に姿を消す。\ `When it became her turn to bear the brunt, Kumasawa softly disappeared into the hall.`\ bg Mkit_1aR,23 ld r,$GEN_DefA1,23 ;「ベアトリーチェさまは、お館様とまったく同格のお方です。@……ルールもお館様のそれと同じものを尊ばなくてはなりません。」\ `"Beatrice-sama is of exactly the same rank as the Master.`@` ......We must respect this rule in the same way we do with the Master."`\ ld r,$GEN_MajimeA2,80 ;「……郷田さんはご自身の仕事に専念され、親族の皆さんのお相手を、どうかよろしくお願いします…。」\ ;＜源次 `"......Gohda-san, if you would, please devote your attention entirely towards the task you are confident in, for all of the relatives..."`\ ld l,$GOH_iiwakeA2,23 ;「そのようなお客様相手に、源次さんならともかく、こんな子どもを行かせていいのですか？！@　もし何かの粗相があったら失礼に当たります。」\ `"I don't mind if it's you, Genji-san, but is it really alright to let a child like this go to such a guest?!`@` If she made some blunder, it would be quite rude."`\ ld l,$GOH_ikariA1,80 ;「確かに彼らの年季は長いですが、然るべきところで修行をしたことがあるわけじゃない。@正直に申し上げて、お客様に接する基礎ができていないのです！」\ `"I know that they have served here for a long time, but that doesn't mean that they have been trained in the proper areas.`@` If you will allow me to speak freely, they have no foundation which makes them able to interact with this guest!"`\ bg Mkit_1bR,24 ld r,$SHA_KomaruA1,24 ;「……………………。」@ ;＜紗音 `".................."`@ br ;　紗音が厨房の中に控えているにもかかわらず、郷田はそれをずけずけと言う。\ `Even though Shannon was waiting there in the kitchen, Gohda spoke so bluntly.`\ ;　源次が、ベアトリーチェの部屋へ食事を運ぶよう指名したのは紗音だった。@ ;　……黄金の鷲を許された使用人の中での序列を見るならば、紗音は確かに第二位だ。@ `Shannon was the one who Genji had ordered to carry the food to Beatrice's room.`@ `......By the ranking system among the servants permitted the Golden Eagle, Shannon was surely the second highest ranked.`@ br ;　…第一位の源次が金蔵の部屋に配膳に行くなら、ベアトリーチェの部屋へ配膳に行くのは紗音の仕事ということになる。\ `...If the highest ranked, Genji, went to set the table in Kinzo's room, then it fell to Shannon to set the table in Beatrice's room.`\ ;　郷田のプライドは、こういう序列を見せられる度に、いつもひどく傷ついていた。@ ;　…そんな時、彼は、露骨に紗音や嘉音の悪口を言い放つのだ。@ `Gohda's pride was always horribly injured when he was shown this ranking system.`@ `...In times like that, he would speak out bluntly and rudely about Shannon and Kanon.`@ br ;　郷田が、紗音のこれまでの失敗例をいちいち挙げては、あれがダメだこれがダメだと騒いでいる。\ `Gohda kept raising examples of each one of Shannon's failures until now, making a ruckus about how this was wrong and that was wrong.`\ bg black,22 ;　それを聞き俯く紗音の後から嘉音の声が聞こえた。@ `Shannon, who listened to this and hung her head in shame, heard Kanon's voice from behind her.`@ br ;　…嘉音は死角に当たる、入り口の廊下側壁に寄りかかって話を聞いていたのだ。@ ;　…厨房に入れば、自分にも火の粉が飛んでくることがわかっているのだろう。\ `...Kanon had heard everything, having approached from a blind spot in the hall along the wall near the entrance to the kitchen.`@ `...He probably knew that if he entered the kitchen, sparks would start to fly his way.`\ bg M1F_P1dR,0 ld r,$KAN_DefA2,24 me1v 12,40 ;「…………言わせておきなよ。@最低の男だ。」@ ;＜嘉音 `"............Let me say it.`@` He's a horrible man."`@ ld l,$SHA_komaruA1,23 ;「……で、…でも、接待の基礎の勉強になるし。@……郷田さんはたくさん勉強してるから、とても参考に…。」@ ;＜紗音 `"......B, but, it would help to build up a foundation of experience on how to entertain someone.`@` ......Gohda-san has learned a lot, so he could be a good reference...?"`@ ld r,$KAN_fumanA2,80 ;「ふん。@……姉さんはやさしいね。」\ ;＜嘉音 `"Heh.`@` ......Nee-san, you sure are nice."`\ ld l,$SHA_majimeA2,80 ;「……それより。@…………貴賓室のお客様が、/ ;!d800…ベアトリーチェさまだというのは本当なの？」@ ;＜紗音 `"......More importantly, `@`............is the guest in the VIP room, `/ !d800`...really Beatrice-sama, as they say?"`@ ld r,$KAN_MajimeA1,80 ;「…うん。@………昼食の配膳に行かされた時に会った。@…間違いなくあいつだったよ。」@ ;＜嘉音 `"...Yes.`@` .........I met her when I was made to set the table for her during lunch.`@` ...There's no mistake, it's her."`@ ld l,$SHA_waraiA1,80 ;「そ、そう。@お元気そうだった？」\ `"R, really?`@` Was she doing well?"`\ ld r,$KAN_NayamuA1,80 ;「……………………。」\ `".................."`\ ;　嘉音は、自分と紗音ではベアトリーチェに対して持っている印象が違ったことを思い出す。@ ;　紗音にとって魔女は、自分と譲治の仲を取り持つ魔法を授けてくれた、恋のキューピッドなのだ。@ `Kanon remembered that he and Shannon had different impressions about Beatrice.`@ `To Shannon, Beatrice was a cupid of love, who had granted her magic to create her relationship with George.`@ br ;　その浮かれた表情を見る限り、@…譲治との進展した仲を報告したくてうずうずしているという風に見えた。\ `Judging by the expression that rose to her face, `@`...it looked like she couldn't wait to inform Beatrice of how her relationship with George had progressed.`\ bg black,25 me2v 16,40 ;　……しかし、もう嘉音は知っている。@ ;　あの魔女は、恐ろしい目的を持ってここへ帰ってきたのだ。@ `......However, Kanon already knew.`@ `That witch had come here with a terrifying goal in mind.`@ br ;　……かつて自分たちにしか姿の見えなかった、希薄な魔女は、今や玄関から堂々とやってきて、@夕食を運ばせるほどの存在に復活したのだ。\ `......That vague witch that only they had been able to see in the past, had now walked in openly through the front door,`@` and had revived enough that they could now carry food to her.`\ gosub *BEA_isyou1 mono 1 bg rose_1aN,0 ld l,$BEA_DefA1,8 ;　…かつて嘉音の前から姿を消した時。@ ;　魔女はまだ自分の力が弱い、という風なことを言っていた。@ `...In the past, when she had disappeared from in front of Kanon...`@ `The witch had said something about how her own power was still weak.`@ br ;　………なら、こうして堂々と姿を現せるようになった魔女は、今度こそ往年の力を取り戻したというのだろうか。\ `.........Did that mean that the witch, who could now appear openly like this, had finally returned to her former power?`\ ld l,$BEA_AkuwaraiA1,80 ;　そして言った。@ ;　………破綻することを知っていて恋のタネを蒔いたと確かに言った。\ `And she had said that.`@ `.........She had definitely said that she had known of his failure and had sown the seeds of love.`\ bg black,22 mono off ;　さらに言った。@ ;　………黄金郷の扉が開かれる日が、いよいよ訪れたと確かに言った。\ `She had said something else.`@ `.........She had definitely said that the day on which the door to the Golden Land would be opened had finally come.`\ fede 12,2000 bg M1F_P1dR,0 ld r,$KAN_DefA2,26 ld r,$KAN_KomaruA1,80 ;「………紗音。@…あいつはお館様と何かの怪しげな儀式をし、…きっと想像もできない恐ろしいことをする。@……それには誰も抗えない。」@ `".........Shannon.`@` ...She will hold some bizarre ceremony with the Master, ...and will surely do something unimaginably horrible.`@` ......And no one can resist that."`@ ld l,$SHA_KomaruA1,23 ;「何の話なの……？」\ `"What are you talking about......?"`\ ld r,$KAN_MajimeA1,80 ;「あいつはやって来たんだ。@/ `"She came here. `@/ se1 21 ;…お館様が求めた、黄金郷の扉を開き、全てを黄金郷に戻すために。@/ `...As the Master requested, so that the door to the Golden Land would open, and so that everything would be returned to the Golden Land. `@/ ld r,$KAN_odorokiA1,80 ;あいつは僕に確かにそう言った！」@ `She definitely said that to me!"`@ ld l,$SHA_odorokiA1,80 ;「…………………………………。」\ `"........................"`\ ;　黄金郷の扉が開くという意味を、@……家具として金蔵に仕えた二人は、かつて聞かされていた。\ `In the past, `@`......the two of them, as furniture working for Kinzo, had been told what opening of the door to the Golden Land meant.`\ ;　だから、紗音は何の質問を返さずとも、全てを理解する。@ `Therefore, even without asking a single question in response, Shannon understood everything.`@ br ;　………だから、…深く絶望した。@ `.........So, ...she grew deeply hopeless.`@ br ;　…その悲しみに歪む表情を見て、嘉音の胸は掻き毟られる…。\ `...Something tore at Kanon's heart as he looked at that expression twisted with grief...`\ bg black,2 ;se1 20 ;quakey 4,800 fede 0,2000 bgm1 13 ;「……………そんな。@………どうして、…今になって…………。」\ ;＜紗音 `"............How could, `@`.........why, ...why now........."`\ bg M1F_P1dR,0 ld l,$KAN_ikariA3,26 ;「……だから言ったんだ。@僕らは家具だって！@　……人間の真似事なんかして、恋なんかするから、………僕たちの役目の終わるこの日を、素直に受け容れられない…！」\ `"......Didn't I tell you?`@` We are furniture!`@` ......Because we acted like humans, because of love, .........we can't obediently accept the day when our service is over...!"`\ ld r,$SHA_odorokiA1,26 ;「………………いつか、…この日が訪れることを、かつては願ってた。@……でも、いつまで経っても訪れなくて…。@……私たちはいつまで家具として苦しめばいいのか、わからなくて…。@………だから私、思ったの。@…安息の日なんて、永遠に訪れないんだ、って。」\ `"..................At one time, in the past, I wished that this day would come.`@` ......But it never came after so much time...`@`......I didn't know how long we would be able stand being tormented as furniture...`@`.........So I thought.`@` ...I thought that day of rest wouldn't come for all eternity."`\ ld l,$KAN_IkariA1,80 ;「………僕だって、そう思ってたさ！@　でも、必ずいつか訪れるって僕は信じてた！@　だから、僕は家具としての自覚を忘れなかったんだ！@　なのに姉さんは忘れた！」@ `".........That's what I thought!`@` But I believed that it would definitely come someday!`@` So I never forgot that I am furniture!`@` But Nee-san, you forgot that!"`@ ld r,$SHA_komaruA1,80 ;「……………………私が、……悪いのね……。@………私が………。」\ `"..................It's, ......my fault, isn't it......`@`.........I'm......"`\ ld l,$KAN_ikariA3,80 ;「あぁ、姉さんが悪い。@……姉さんさえ恋を覚えなかったら…。@……僕たちはようやく訪れた今日を喜び合うはずだった！@　姉さんが下らない未練を作ってしまったんだ！@　必ず去らなければならない世界なのに！！」\ `"Yeah, it's your fault, Nee-san.`@` ......If only you hadn't known love...`@`......we would both be happy that this day has finally come!`@` You built up shameless regrets!`@` Even though it was a world that you must not leave!!"`\ bg black,25 ;「……………儀式は、今夜始まるの…？」@ ;「…うん。@……………あと、あいつは僕に言った。@…今夜、譲治さまは姉さんに婚約指輪を贈るだろうって。」@ ;「……………………。」\ `"...............Will the ceremony, ...begin tonight...?"`@ `"...Yes.`@` ...............Then, she said this to me.`@` ...Tonight, George-sama will probably give you an engagement ring, Nee-san."`@ `"........................"`\ ;　それは事実。@ ;　……今日、譲治は懐に婚約指輪を忍ばせてきているはずだ。@ ;　……きっと今夜、それを渡すだろう。\ `That was a fact.`@ `......George should have snuck in an engagement ring in his pocket today.`@ `......And surely, he would hand it over tonight.`\ bg M1F_P1dR,0 ld l,$SHA_fumanA1,26 ld r,$KAN_odorokiA2,24 ;「……あいつは、姉さんと譲治さまを第二の晩の生贄に使うつもりで、二人の仲をくっ付けたんだ。@/ `"......She joined you together, planning to use you and George-sama as the sacrifices of the second twilight. `@/ ld r,$KAN_OdorokiA1,80 ;…わかる？@　姉さんはあいつに唆された上、利用されたんだよ！」@ `...Understand?`@` By tempting you, Nee-san, she took advantage of you!"`@ ld l,$SHA_KomaruA1,80 ;「…………そうだったの。@……考えたこともなかったわ。」\ `"............That's right.`@` ......I never thought of that."`\ bg black,22 ;「でもあいつは言ったよ。@…もし今夜、その婚約指輪を受け取らなかったなら、姉さんを生贄に選ばないと約束した。@…………僕たちが揃って黄金郷へ行ける確率はとても低いと思う。\ `"But she told me.`@` ...She promised that if you don't accept the engagement ring tonight, you won't be chosen as a sacrifice, Nee-san.`@` ............I think that our chances of being able to go to the Golden Land together are very slim.`\ ;　１３人が生贄になる。@生き残るのは５人だけ。@…その中に僕たち２人が入れる確率は本当に低い。@……でも、姉さんだけでもその約束が得られるなら、確率はもっと上がる！@　僕は賭けたいんだ！\ `There will be 13 people as sacrifices.`@` Only five people will be left alive.`@` ...The chances of us being a part of that group are really slim.`@` ......However, if only you, Nee-san, can take advantage of that promise, those chances rise higher!`@` I want to take that bet!`\ ;　黄金郷には救いがある。@僕たちはそこへ辿り着き、人間を手に入れるんだ。@そして姉さんと二人で、人間としての人生を歩みたいんだよ…！@　そうすれば、本当の恋だって、/ `Our salvation is in the Golden Land.`@` If we can make it that far, we can become human.`@` And I want to walk through life as a human, together with you, Nee-san...!`@` If we do that, we might be able to achieve, `/ ;!d800……できるかもしれない！」\ !d800`......true love!"`\ ;「…………………………。@…かつての私たちは、黄金郷へ行けることを夢見てたね。@………そこへ行けば、どんな願いでも叶う。@………私たちをこの苦しみから救ってくれる。@…………そう信じてた。」\ `"........................`@`...In the past, we used to dream about being able to go to the Golden Land.`@` .........If we go there, any wish will be granted.`@` .........We will be saved from this pain.`@` ............We believed that."`\ bg portrait2,8 ;　しかし儀式は、運命と偶然に選ばれた者を数人しか黄金郷へ招かない。@ ;　……他は全て、儀式の途中で生贄として命を落とす。\ `However, in this ceremony, only a few people, decided by fate and chance, would be invited to the Golden Land.`@ `......Everyone else would lose their life as a sacrifice midway through the ceremony.`\ ;　だが、かつての紗音と嘉音は、@黄金郷へ辿り着けようとも、生贄にされようとも、どちらにせよ家具の役目から解放されるものだと思っていた。@ `However, in the past, Shannon and Kanon had thought that whether they reached the Golden Land, `@`or were made sacrifices, they would still be released from their duties as furniture.`@ br ;　……だからつまり、家具である自分たちにとって、儀式は必ず解放を与えてくれるものだった。\ `......So in other words, this ceremony would definitely give release to furniture like them.`\ bg black,22 bg M1F_P1dR,0 ld r,$KAN_ikariA3,24 ;「僕は嫌だ。@……これまでの辛かった分を、姉さんと取り戻したい。@生贄なんてごめんだ。@僕と姉さんは生き残る。@そして二人で黄金郷へ辿り着く。」\ `"I don't like it.`@` ......I want to take back everything painful that we lost until now, together with you, Nee-san.`@` I won't become a sacrifice.`@` Nee-san and I will remain alive.`@` And we'll reach the Golden Land together."`\ ld r,$KAN_OdorokiA1,80 ;「…………だから姉さんを、第二の晩の生贄になんかさせない！@　頼むよ姉さん！@　あの男の指輪を受け取らないで！@　それを受け取らなければ、あいつは姉さんを生贄には選ばないと約束してくれた！！」\ `".........So I won't let you become the sacrifice of the second twilight!`@` Please, Nee-san!`@` Don't accept that man's ring!`@` If you don't accept that, she promised not to select you as a sacrifice, Nee-san!!"`\ ;bg Mkit_1a,0 ld l,$SHA_OdorokiA1,23 ;「…………………それは、……できないよ。@……今夜の指輪はとても特別なもの。@……それを受け取らないことは、…私の心が許さない。」\ `"..................I, ......cannot do that.`@` ......Tonight's ring is very special.`@` ......My heart won't permit me to not accept it."`\ ld r,$KAN_IkariA1,80 ;「姉さん…！@　儀式の生贄は、魔女が気まぐれに決めることになってる！@　その魔女が、姉さんだけは見逃すと約束してくれたんだよ！！@　姉さんだけは絶対に黄金郷へ行けるんだ！」@ `"Nee-san...!`@` The sacrifices of the ceremony are decided on the witch's whim!`@` That witch has promised to overlook just you, Nee-san!!`@` Only you will definitely be able to go to the Golden Land!"`@ ld l,$SHA_fumanA1,80 ;「……私だけ？@　嘉音くんは？」\ `"......Only me?`@` What about you, Kanon-kun?"`\ ld r,$KAN_ikariA2,80 ;「僕は、……魔女のゲームで充分さ。@…あいつの魔手なんか掻い潜ってやる。@………僕は無力じゃない。@わずかの確率を、無理やり掴み取ってやる…。」@ `"The witch's game, ......is enough for me.`@` ...I'll slip through her evil hand.`@` .........I am not powerless.`@` I'll forcibly grasp that small chance..."`@ ld l,$SHA_komaruA1,80 ;「………………………………………。」\ `"........................"`\ ld r,$KAN_ikariA3,80 ;!s0「僕たちの生なんて、所詮は仮初じゃないか。@…本当の人生を始めるために、/ ;!d800……僕たちは黄金郷へ辿り着こう。@そして、/ ;!d400…人間を手に入れよう。」\ !s0`"After all, our lives are temporary, aren't they?`@` ...In order to begin our real lives, `/ !d800`......let's drag ourselves to the Golden Land.`@` Then, `/ !d400`...we will gain humanity."`\ bg black,25 ;「……………そうしたらさ。@…僕も姉さんみたいに、/ ;!d600……恋が知れるかな。@もう、家具だからって、/ ;!d900………人を、泣かせずに済むかな……。」/ `"............And when we've done that, `@`...maybe I want to, `/ !d600`......be able to know love, like you, Nee-san.`@` Can I still, `/ !d900`.........let a person cry just because I'm furniture......?"`/ !sd\ ;「………嘉音くん…………。」@ ;!s0「僕は、/ ;!d500……もう家具は嫌だ……！@　……絶対に、/ ;!d800…人間になってやる……。@…こんな苦しみから、/ ;!d400……絶対に………！」/ `".........Kanon-kun............"`@ !s0`"I, `/ !d500`......don't like being furniture anymore......!`@` ......I'll definitely, `/ !d800`...become human......`@`...From this pain, `/ !d400`......definitely.........!"`/ !sd@ ;「………………………………………。」\ `"........................"`\ ;　嘉音の目には涙…。\ `There were tears in Kanon's eyes...`\ ;　嘉音は今になって気付く。@ ;　……恋の味を覚え苦しむのは紗音だけではなかった。@ `By now, Kanon had noticed.`@ `......Shannon hadn't been the only one to know and suffer the taste of love.`@ br ;　自分もだったのだ。\ `He had too.`\ ;　あの日に見せた朱志香の涙と、@……今日までの、取り繕いご機嫌を取るような朱志香の痛々しい笑顔が、@知らず知らずの内に、嘉音の心に何かの変化を与えていた…。\ `The tears Jessica had shown him that day, `@`......and Jessica's pitiful face as she tried to smooth things over and brighten her mood until today,`@` had slowly wrought some kind of change on Kanon's heart without him knowing it...`\ fede 0,3000 wait 2000 ;bg white,22 bg Mkit_1aR,0 ld c,$GEN_majimeA1,22 me1v 12,40 ;「………紗音！@　さっきから呼んでいる。」@ ;＜源次 `".........Shannon!`@` I have been calling to you for some time."`@ br ;　突然の源次の声に紗音ははっとする。@ ;　さっきからずっと呼ばれていたらしい。@ ;　慌てて返事をする。\ `Shannon was taken aback by Genji's sudden voice.`@ `Apparently, she had been called for repeatedly.`@ `She hurriedly answered.`\ bg M1F_P1dR,24 ;　……振り返ると、嘉音は姿を消していた。@ ;　……涙を誰にも見せる気はないらしい…。\ `......When she turned back, Kanon had disappeared.`@ `......It seemed he didn't feel like showing his tears to anybody...`\ bg Mkit_1aR,0 ld r,$SHA_ODorokiA1,24 ;「は、はい。@ぼんやりしていてすみません…。」\ ;＜紗音 `"Y, yes.`@` I'm sorry for being careless..."`\ ld l,$GEN_KomaruA1,23 ;「昼食は嘉音に頼んだが、本来は私の次の序列のお前が運ぶべきものだ。@………ベアトリーチェさまは当家の最高の賓客だ。@それ以上の賓客はいない。@……もう一人のお館様と思い、丁重に頼む。」\ ;＜源次 `"I entrusted Kanon with lunch, but it should have been you, as the next in rank after me, that carried it.`@` .........Beatrice-sama is the most honored guest of this house.`@` There is no more honored guest than her.`@` ......Please think of her as another Master, and be polite."`\ cl l,24 ld l,$GOH_majimeA1,23 ;「…よろしいですか、くれぐれも粗相のないようにお願いしますよ。@経験の未熟なあなたに託すのは非常に心苦しいですが、当家のルールとあっては仕方ありません。@……くれぐれも頼みますよ。」\ ;＜郷田 `"...Is that alright? I sincerely ask that you make no blunders.`@` It is quite painful for me to entrust this to someone inexperienced as yourself, but there's nothing we can do about the house's rules.`@` ......I am sincerely counting on you."`\ ;　郷田は、建前上は納得するが、わずかのミスがあっても絶対許さないという風な面持ちで紗音を脅す。@ `Gohda had officially agreed, but he threatened Shannon with an expression that told her that he definitely wouldn't forgive any mistakes.`@ br ;　そんなに行きたいなら郷田が行けばいいのにと紗音も思ったが、@……黄金の鷲を与えられた自分の責務と思い、諦めるしかない。\ `Shannon thought that Gohda should just go if he wanted to that much,`@` ......but she thought of her responsibilities as one who had been granted the Golden Eagle, and had to give up.`\ bg black,22 bg Mkit_1bR,22 ;　……それに。@ ;　…ベアトリーチェに会いたかった。@ ;　何を話す？@　何を聞く？@　…わからない。@ `......And.`@ `...I wanted to meet Beatrice.`@ `What will I talk about?`@` What will I ask?`@` ...I don't know.`@ br ;　感謝を？@　それとも嘆きを？@ ;　それとも、…何を？@　…わからない。@ `Will this be a meeting of gratitude?`@` Or else, grief?`@ `Or else, ...what?`@` ...I don't know.`@ br ;　紗音は配膳台車に魔女の食事を積み込むと、ゆっくりとした足取りで厨房を出て行くのだった…。\ `Shannon piled the witch's food onto the serving cart, and left the kitchen with a slow gait...`\ bg black,4 ;■金蔵の書斎 mov %play_scene,70 fede 0,3000 wait 1000 se1 19 me1v 13,40 bg Mlib_1aN,26 ;　ノックの主は蔵臼だった。\ `The person who knocked was Krauss.`\ ;「お父さん。@今日は年に一度の親族会議です。@お父さんを一目見ようと兄弟が揃ったのではありませんか。」\ `"Father.`@` Today is our annual family conference.`@` Haven't the siblings gathered here to get a glance of you, Father?"`\ bg Mlib_1cN,0 ld r,$KIN_IkariA1,24 ;「えぇい黙れ！！@　出ぬと言っている！@　源次、そこにいるのであろう！！@　なぜ私の指示した通りに食事をここへ運ばせんのか！！」\ `"Aaah, be silent!!`@` I'm saying I won't leave!`@` I imagine that you are there, Genji!!`@` Why haven't you had my food brought here as I ordered you to?!!"`\ bg M_door1,0 ld c,$KLA_majimeA2,0 ld l,$GEN_majimeA2,23 ;　金蔵は扉越しに怒鳴る。@ ;　…源次は蔵臼の後に控えていた。\ `Kinzo screamed across the door.`@ `...Genji was waiting behind Krauss.`\ ld l,$GEN_MajimeA1,80 ;「……お食事は書斎へ運べるよう準備しております。@…ただ、蔵臼さまが、今夜はどうか下へ降りていただきたいと…。」\ ;＜源次 `"......Your meal has been prepared so that it may be carried to the study.`@` ...However, Krauss-sama said that he wanted you to go downstairs tonight..."`\ ld c,$KLA_komaruA1,80 ;「お父さん。@毎日とは言いません。@せめて今夜だけでも、家族で揃ってはくれませんか。」@ ;＜蔵臼 ;!s0「誰が家族かッ！！/ `"Father.`@` I don't mean every day.`@` Even if it's just for tonight, won't you gather together with your family?"`@ !s0`"Who are you calling family!! `/ se1 9 quakey 3,500 ;@　貴様はいつから行き倒れを待つハゲタカたちを家族と呼ぶようになったのか！@　腐りて湧き出す蛆虫を家族と呼ぶようになったのかッ！！」/ @`When did you start calling those vultures who wait for me to collapse and die family?!`@` Have you started calling rotting, gushing maggots family?!!"`/ !sd\ bg M2F_P1dN,23 ld r,$KLA_Akuwaraia2,24 ;「………………………。@…やれやれ。」@ ;＜蔵臼 `".....................`@`...My, my."`@ ;　半ば予想通りの返事に、蔵臼は肩をすくめる。\ `Krauss shrugged at this answer, which he had half expected.`\ ;「源次、言われた通りに食事をここへ運べ！！@　なぜ言うことを聞かぬ！！@　なぜ！@　なぜッ！！」\ `"Genji, carry the meal here as you were told!!`@` Why don't you listen to what I say?!!`@` Why?!`@` WHY?!!"`\ ld r,$KLA_defA1,80 ;「……源次さん。@後を頼みます。@…もうあの人に私の声は届かんね。」@ `"......Genji-san.`@` I will leave the rest to you.`@` ...My voice will no longer reach that person."`@ br ;　蔵臼は小さく首を振ると、書斎の扉にとっとと背を向けるのだった。@ `Krauss gave his head a small shake, and quickly turned his back on the door to the study.`@ cl r,23 br ;　……兄弟たちの手前、どうせ無駄だと知りつつ声を掛けにきただけだ。\ `......He had only called out for the siblings' sake, even though he knew it was useless.`\ ;　源次は、蔵臼が階下へ降りていくのを見届けると、扉越しに再び声を掛けた。\ `After Genji watched Krauss go down the stairs, he called again across the door.`\ bg M_door1,24 ld c,$GEN_DefA1,24 ;「…お館様。@お食事を運ぶ準備はできております。@………南條先生の分はいかがしますか。」\ `"...Master.`@` We have finished preparations for the meal to be carried here.`@` .........What about a serving for Doctor Nanjo?"`\ bg black,24 bg Mlib_1dN,0 ld r,$NAN_DefA1,24 ;　南條の姿は、書斎の中にあった。@ ;　長く続けられてきた二人のチェスの決着を、金蔵が強くせがんだため、夕方前からずっと相手をさせられていたのだ。@ `Nanjo's figure was in the study.`@ `Because Kinzo had strongly pestered him about resolving their long lasting chess game, Nanjo had been Kinzo's opponent since before evening.`@ br ;　南條は医者として、金蔵に余命がないことを宣告している。@ ;　…その立場上、命がある内にチェスを決着したいとせがまれれば、断れなかった。\ `Nanjo had announced as a doctor that Kinzo's days were numbered.`@ `...In that situation, if Kinzo pestered him about finishing a chess game while he was still alive, Nanjo couldn't refuse.`\ bg Mlib_1c,0 ld l,$KIN_fumuA1,23 ;　金蔵は普段以上の集中力で一手を熟考する。@ ;　……先ほどからずっと金蔵の手番で、待ちくたびれた南條は、読んでもわからぬ魔術書を適当に抜き出しては斜め読みしているのだった。\ `Kinzo was thinking deeply about his move, concentrating more than usual.`@ `......It had been Kinzo's turn for quite some time, and Nanjo, who was tired of waiting, had randomly pulled out a book on magic that he couldn't understand and was skimming it.`\ ld r,$NAN_fumuA1,24 ;「………金蔵さん。@盤面を前に、腕を組むだけでは良い一手は出ませんぞ。@ひとつ、休憩をして、頭をリフレッシュしてみるのも良いのではありませんかな…？」\ ;＜南條 `".........Kinzo-san.`@` You won't think of a good move just by folding your arms and sitting in front of the board.`@` I wonder if it wouldn't be good to take a break and refresh our minds...?"`\ ld l,$KIN_fukigenA1,80 ;「黙れ。@……うーむ。@……守りはこれで充分か。@ビショップやナイトに隙間を突かれはしないか…。@…………んんんんん…。」\ `"Be silent.`@` ......Hmmm.`@` ......That should be good enough for defense.`@` Will the bishop and the knight be able to penetrate that hole...?`@` ............nnnnnnnn..."`\ bg black,26 bg chess1,22 ;　今日の金蔵は、とにかく堅い守りに固執した。@ ;　……普段の金蔵なら、攻撃は最大の防御が座右の銘のはず。@だが、今日はまるで逆だった。\ `Today, Kinzo was insistent on a strong defense.`@ `......Normally, Kinzo's motto was that offense was the best defense.`@` However, today was completely the opposite.`\ ;「…………私も腹が減りました。@ここいらで中断しませんか。@それに、休みなく頭を回転させておりましたから、もう頭がくらくらです。@……これ以上は、私も最善手を指せるとは限りませんぞ。」\ `"............I am also hungry.`@` Shall we suspend the game here?`@` And I've used my head so much without a break that I'm already feeling dizzy.`@` ......Any more of this might limit my ability to make my best moves."`\ ;「…それは困る。@…………チェスは、互いに常に最善手を指さねばならぬ。@…そうでない一手は理解に苦しみ、思考を読むゲームを狂わせてしまう。@…それでは興を著しく削ぐというものだ。」\ `"...That is a problem.`@` ............In chess, both players must always make their best moves.`@` ...Other moves are painful to understand, and ruin a game that is about reading thoughts.`@` ...That considerably reduces our enjoyment."`\ bg black,25 bg Mlib_1cN,26 ;　金蔵は大きくため息をつくと、ようやく盤面から目を逸らしてくれた。@ ;　チェスは対戦相手があってこそ。@ ;　…その相手が、疲れたから中断しようというのだから、仕方がない…。\ `Kinzo sighed deeply, and finally shifted his gaze away from the board.`@ `Chess needed an opponent.`@ `...If that opponent was tired and was trying to suspend the game, too bad...`\ ld c,$NAN_DefA1,24 ;「確かに、チェスの目的は勝利を目指すことで、互いにそのために最善手を指す。@…そしてそれを読みあう知的ゲームです。」\ `"It is true that the goal of chess is for both players to aim for victory and make the best moves possible in order to achieve that.`@` ...It is an intellectual game of being able to read each other."`\ ld c,$NAN_MajimeA1,80 ;「……ですが、勝利以外にもうひとつ目的があることを、金蔵さんはお忘れではありませんかな？」\ `"......But Kinzo-san, are you forgetting that there is another goal separate from victory?"`\ textoff fede 0,2000 bg Mlib_1dN,0 ld r,$KIN_FukigenA1,24 ;「…………何だと。@勝利以外にどんな目的があるというのか。」@ `"............What?`@` What goal could there be other than victory?"`@ ld l,$NAN_fumuA1,23 bgm1 25 ;「はっはっはっは……。@金蔵さんがそんなこともお忘れとは。@…チェスを通し、親友と楽しい時間を過ごす、@ですぞ。」\ `"Hahahaha......`@` Imagine that Kinzo-san would forget something like that.`@` ...Through chess, you get to spend some fun time with your friend,`@` you see."`\ ld r,$KIN_WaraiA2,80 ;「む。@……参ったな。@それは確か、ずいぶん昔に私がお前に言った言葉だったはず。@…………これは参った。」@ `"Ah,`@` ......I give up.`@` I believe those are words I said to you a long time ago.`@` ............I give up."`@ br ;　普段、しかめっ面をしていることが多い金蔵が、珍しく眉間を緩めて笑う。@ ;　…南條は、ずいぶん久しぶりに親友と再会した気がした。\ `Kinzo, who normally wore a frown, surprisingly relaxed his face and laughed.`@ `...Nanjo felt like he had been reunited with a close friend he hadn't seen in a long time.`\ ld l,$NAN_MajimeA1,80 ;「そういうことです。@一本取られたついでに、どうです。@私と下に降りて食事と行きませんかな？@　食後に珈琲と一緒に、カスパロフの中盤についての議論でもいかがです。」\ `"That's how it is.`@` Now that I've taken a shot back at you, what do you think?`@` Will you go down to eat with me?`@` What do you say about discussing Kasparov's middle game along with some coffee?"`\ bg Mlib_1e,25 ;「………………………………。@…良い提案だが、遠慮する。@……私はもうこの部屋から出られない。@…儀式は始まっているのでな。」@ ;「…………そうですか。@では、私はお腹もぺこぺこですからな。@…下へ降りることにします。@気が向いたらいつでも、」\ `"........................`@`...A good plan, but I will refrain.`@` ......I can no longer leave this room.`@` ...Because the ceremony has begun."`@ `"............Is that so?`@` Well, my stomach is growling.`@` ...I will go downstairs.`@` Any time you feel like it-"`\ ;「南條。@…………ありがとう。」@ ;「……おや、何の礼ですかな。」\ `"Nanjo.`@` ............Thank you."`@ `"......Oh, what could you be thanking me for?"`\ ;「…お前とのチェスの決着はつかなかった。@……だが、私が忘れていたチェスの目的は、どうやら果たせたらしい。@それはどうも、チェックメイトと同じくらい重要なものであったらしい。」@ ;「らしくもない。@何の感傷ですかな。」\ `"...We didn't resolve our chess match.`@` ......However, it seems that I have somehow succeeded in that goal of chess which I forgot.`@` It seems that was just as important as checkmate."`@ `"This isn't like you.`@` Why so sentimental?"`\ bg black,25 bg Mlib_1cN,0 ld c,$KIN_WaraiA2,22 ;「………お前が言ったのではないか。@私には余命がないと。@/ `".........You said it, didn't you?`@` My days are numbered. `@/ ld c,$KIN_fumuA1,80 ;……もう行け。@そしてもうこの部屋へ来るな。@……続きは黄金郷でやろう。」\ `......Now, go.`@` And don't come to this room again.`@` ......Maybe we will continue in the Golden Land."`\ bg Mlib_1aN,0 ld r,$NAN_MajimeA1,23 ;「…………………………。@…良いですが、仕切り直しですぞ。@ルークが落ちてしまったのは痛手ですのでな。@/ `"...................`@`...That is fine, but I have a score to settle.`@` Losing that rook was a serious blow. `@/ ld r,$NAN_DefA1,80 ;……それでは、後ほど。」\ `......Well then, I will see you later."`\ ld l,$KIN_WaraiA2,23 ;「あぁ、後ほどな。@…………黄金郷か、煉獄か。@あるいは次の世で。」@ `"Yes, later.`@` ............Maybe in the Golden Land, or in Purgatory.`@` Or maybe the next world."`@ ld r,$NAN_KomaruA3,80 ;「………………………。」\ `"....................."`\ cl r,3 ;　南條はそれ以上は何も言わなかった。@ ;　そして慣れた様子で卓上の、オートロックを解除するボタンを押す。@ ;　そして最後にもう一度、金蔵の背中を見てから、書斎を出て行くのだった。\ `Nanjo didn't say anything beyond that.`@ `And, with a practiced hand, he pushed the button on the table that would release the auto-lock.`@ `Then after looking at Kinzo's back one last time, he left the study.`\ textoff bg black,22 se1 15 me1v 12,0 cross1 3000,40,40,40,40,40 ;bg M2F_P1dN,10 ;wait 2000 ;bg black,24 ;bg Mhal_2bN,24 ;　入れ替わりに、廊下から源次の声が聞こえる。\ `As he did, Genji's voice came from the hall.`\ ;「……それではお館様。@これより夕食をお運びいたします。」@ ;「最後の晩餐になるやもしれぬ。@味わわねばな。@……準備を頼む。」@ ;「かしこまりました。@…………お館様のご準備の方は、万端となりましたか。」\ `"......Well then, Master.`@` I will now carry in your dinner."`@ `"It may be my final dinner.`@` I must savor it.`@` ......Please, prepare it."`@ `"Certainly.`@` ............Is everything to Master's satisfaction?"`\ bg M_door1,22 ;「…うむ。@この部屋を、今日まで十重二十重の結界で厳重に包んだ。@………あれのルーレットが私を選ぼうとも、必ずや弾き返す。@…そして生き残り、黄金郷へ辿り着く内のひとりは絶対に私となるッ…！@　……私を冥府へ連れ去ろうとする死神どもの来訪をも拒もうぞ…。」\ `"...Hmm.`@` Until today, this room has been wrapped in a multitude of rigorous barriers.`@` .........Even if that roulette chooses me, I will definitely repel it.`@` ...I will remain alive, and I will definitely become one of those who reach the Golden Land...!`@` ......I will reject the visit of the gods of death that try to drag me off to Hades..."`\ bg black,2 ;wait 1000 ;se1 16 fede 0,3000 wait 1000 mov %play_scene,70 se1 19 wait 2000 se1 17 bg Mvip_1aN,10 ld r,$SHA_fumanA1,24 me1v 12,40 ;■ベアトリーチェの貴賓室 ;「………失礼します。@…お食事の準備に参りました。」@ ;＜紗音 `".........Excuse me.`@` ...I have come to prepare the meal."`@ ;　紗音は頭を下げ配膳台車を押しながら貴賓室に入る。\ `Shannon entered the VIP room, bowing her head and pushing the serving cart.`\ ;　窓辺で、暗闇以外見えないはずの外を眺める若い女は、間違いなくあの魔女だった。\ `The young woman by the window, gazing out into the darkness, where nothing should have been visible, was definitely that witch.`\ gosub *BEA_isyou2 bg Mvip_1bN,0 ld r,$BEA_DefA1,24 bgm1 49 ;「今度は紗音か。@懐かしいな。@………ほぉ。@顔色がだいぶよくなったではないか。@嘉音とは違うな。@見違えたぞ。」@ `"So it is Shannon this time.`@` How nostalgic.`@` .........Hoh.`@` The color of your face looks quite well, doesn't it?`@` Different from Kanon.`@` Almost beyond recognition."`@ ld l,$SHA_majimeA1,23 ;「………ありがとうございます。」\ `".........Thank you very much."`\ bg black,25 bg Mvip_1e,2 ;　紗音は粛々と夕食の準備を進める。@ `Shannon solemnly prepared dinner.`@ br ;　…本当は魔女に聞きたいことや話したいことがたくさんあった。@ ;　…でもそれらがごちゃまぜになって、何から口に出せばいいかわからなかった。\ `...There were actually several things that she wanted to ask and talk about with the witch.`@ `...But those things were all jumbled up, and she didn't know where to start.`\ ;　胸中も、色々な感情がごちゃ混ぜで、自分がどんな感情なのかも理解できなかった。@ ;　…だから、曖昧なまま、淡々と仕事をするしかなかったのだ。@ `Her heart was also jumbled up with various things, and she didn't even understand her own emotions.`@ `...Therefore, still remaining vague, she could only do her job indifferently.`@ br ;　しかし、魔女はその胸中を察する。@ ;　魔女に隠し事などできないのだ…。\ `However, the witch guessed what was in her heart.`@ `You couldn't hide things from a witch...`\ bg Mvip_1cN,26 ld r,$BEA_futekiA2,4 ;「……………謝らぬぞ。@妾は魔女だからな。」@ `"...............I won't apologize.`@` Because I am a witch."`@ ld l,$SHA_fumanA1,23 ;「……何が、でしょう。」\ `"......For what?"`\ ld r,$BEA_DefA2,80 ;「おや。@…嘉音から聞かされたであろう。@そなたの恋路を助けたのは、妾の単なる悪戯心。@……如何にしてこじれ、捻れ、破綻するかを鑑賞するために蒔いたタネに過ぎぬと。」\ `"Come.`@` ...Kanon must have told you about it.`@` Saving your love life was simply my mischievous spirit.`@` ......It was nothing more than a seed I sowed to appreciate how things would get complicated, become twisted, and fail."`\ ld l,$SHA_majimeA1,80 ;「………恋は、するより聞く方が楽しい方もおられるでしょう。」@ `".........There are some who think it is more fun to hear about love than to have it."`@ ld r,$BEA_nayamuA1,80 ;「まさか、………妾に感謝しようというのではあるまいな。」\ `"You, .........couldn't possibly be trying to thank me, right?"`\ ld l,$SHA_fumanA1,80 ;「…はい。@……あなたが私にどんな下心があって恋の魔法を授けたとしても。@……あなたが私に与えてくれたものは変わらない。@/ `"...Yes.`@` ......No matter what kind of ulterior motive you had when you gave me the magic of love, `@`......it doesn't change the fact that I received it from you. `@/ ld l,$SHA_majimeA2,80 ;………だから、添い遂げられないと知りつつ蒔いたタネであったとしても。@…私は恨んだりしません。」\ `.........So even if you sowed that seed knowing that the two of us wouldn't be able to stay together for life, `@`...I won't hold a grudge against you."`\ ld r,$BEA_futekiA2,80 ;「…………ふぅむ。@……やはり家具というのは面白味のない。@/ `"............Hmmmm.`@` ......It appears that furniture isn't interesting after all. `@/ ld r,$BEA_WaraiA1,80 ;…くっくくくくくく。@それを面白く調理するのが妾の腕の見せ所よの。」\ `...*cackle*cackle*cackle*cackle*.`@` This is where I show my skill by cooking it into something interesting."`\ ld l,$SHA_fumanA1,80 ;「……私に、ベアトリーチェさまのお考えはわかりません。@……あなたは私たちなど足元にも及ばない大魔女で、@…その遠大な思慮など、想像するにも至りません。@でも、ひとつだけ言えることがある。」@ `"......I don't understand what you are thinking, Beatrice-sama.`@` ......You are a Great Witch, and people like us don't even reach your feet,`@` ...nor can we even imagine your grand thoughts.`@` But there is at least one thing I can say."`@ ld r,$BEA_nayamuA1,80 ;「……何だ。」\ `"......What is it?"`\ ld l,$SHA_tokuiA1,80 ;「私に、人間を教えてくれて、ありがとう。@………あなたが言った。@…私はもう、家具じゃない。」\ `"Thank you for teaching me to be human.`@` .........You said it.`@` ...I am no longer furniture."`\ se1 21 bg Mvip_2aN,24 ld r,$BEA_fukigenA1,24 ;「……………黙れ家具。@…真の人間ならば、婚約指輪を受け取ろうという日に告げられた死の宣告に、嘆き狂いて踊り出すだろう。」\ `"...............Be silent, furniture.`@` ...If you were a true human, hearing the announcement of your death on the day that you were to receive an engagement ring should have you dancing around, mad with grief."`\ ld r,$BEA_aseruA1,80 ;「なのにそなたは何だ。@達観し、全てを受け容れたような顔つきではないか。@……実に拍子抜けだぞ。家具ぅ…！」\ `"But what are you doing?`@` Doesn't your face look so enlightened, as though you have accepted everything?`@` ......Truly an anticlimax. Furniture...!"`\ ld l,$SHA_majimeA3,23 E_MA ;「いいえ。@私は、家具じゃない。」\ `"No.`@` I am not furniture."`\ ;bg Mvip_1e,25 ld r,$BEA_fukigenA1,80 ;「黙れ、家具。」@ `"Be silent, furniture."`@ ld l,$SHA_fumanA1,80 ;「黙りません。@家具ではありませんから。」@ `"I won't be silent.`@` Because I am not furniture."`@ ld r,$BEA_aseruA1,80 ;「妾の命令が聞けぬと言うか。」@ `"Are you saying you won't listen to my orders?"`@ ld l,$SHA_majimeA3,80 ;「家具なら命令に従います。@…でも人間は、命令に従うかどうかを自分で決めます。@ `"Furniture obeys orders.`@` ...But a human decides for herself whether to obey orders or not.`@ br ;(だから私はあなたの命令に従わない/・・・・・・・・・・・・・・・・)。」\ ;＜だから私はあなたの命令に従わない：点処理 (`So I won't obey your orders`/・・・・・・・・・・・・・・・・)`."`\ bg Mvip_1aN,0 ld c,$BEA_fukigenA1,26 ld c,$BEA_akuWaraiA3,80 ;「ふ。@…くっくくくくはっはははははははははははは…！@　……前言を撤回する。@やはり面白いぞ。」\ `"Hmph.`@` ...*cackle*cackle*cackle* hahahahahahahahahahahaha...!`@` ......I'll take back what I said.`@` You really are interesting."`\ ld c,$BEA_futekiA1,80 ;「……タネを蒔かねば、そなたは何の感情も抱かず儀式に身を任せただろう。@……しかし今のそなたは実に面白く育ち、妾を心底楽しませてくれるぞ。@それでいい。@妾は退屈を愛さないのだから。@……くっくくくくくくくくくくく！」\ `"......If I hadn't sowed those seeds, you probably would have allowed the ceremony to control your fate without clinging on to any emotions.`@` ......But now you have been brought up to be truly interesting, which pleases me to the bottom of my heart.`@` That will be fine.`@` Because I don't love boredom.`@` ......*cackle*cackle*cackle*cackle*cackle*!"`\ bg black,2 bg Mvip_1bN,24 ld r,$SHA_fumanA1,24 ;「………お夕食の準備が整いました。@…どうぞ。」@ `".........I have finished preparations for dinner.`@` ...Here you go."`@ ld l,$BEA_waraiA1,23 ;「うむ。@…なかなか美味そうではないか。@………郷田が黄金郷へ辿り着くことがあれば、妾の料理長に任命してやってもよかろう。」\ `"Hmm.`@` ...Doesn't this look delicious?`@` .........If Gohda makes it to the Golden Land, it would be desirable to commission him as my chief cook."`\ ld r,$SHA_MajimeA1,80 ;「……嘉音くんに聞きました。@………私に、譲治さんの婚約を断らせれば、私を生贄にしないなんて約束をしたとか。」@ `"......I heard from Kanon-kun.`@` .........Something about, if I rejected George-san's proposal, you promised not to make me a sacrifice."`@ ld l,$BEA_akuWaraiA1,80 ;「うむ。@したぞ。@……そなたは第二の晩に打ってつけの生贄候補だったのだがな。@…嘉音がそれを許せと泣いて叫ぶので寛大に聞き入れてやったのよ。@そなたが婚約を破棄すればとの条件付きでな。@……くっくくく、妾の何と寛大なことよ。」\ `"Hmm.`@` I did.`@` ......But that was only as a candidate for the sacrifice of the second twilight.`@` ...Kanon cried and screamed that I should forgive you for that, so I graciously listened to his words.`@` With the condition that you give up your engagement.`@` ......*cackle*cackle*, see how gracious I am?"`\ ld r,$SHA_majimeA3,80 ;「…………何て馬鹿な条件。@そして何て馬鹿な脅迫。@……そんなもので、嘉音くんを虐め抜いたというの。」@ `"............What a foolish condition.`@` And what a foolish threat.`@` ......Is that how you bullied Kanon-kun so much?"`@ ld l,$BEA_futekiA1,80 ;「ほう。@わかるのか。@……くっくっくっくっく！」\ `"Hoh.`@` So you understand.`@` ......*cackle*cackle*cackle*!"`\ ;　紗音は見抜いているようだった。@ ;　……魔女が、そんな酷い約束を餌に、嘉音をどのように虐め、どのように辱めたのか、想像がついているようだった。\ `Apparently, Shannon had seen through it.`@ `......Apparently, she could imagine how much Kanon had been bullied and humiliated by the witch, with that horrible promise as bait.`\ bg Mvip_1cN,0 ld c,$BEA_AkuwaraiA1,24 ;「絨毯に這いつくばらせ、妾の靴にキスをさせてやったぞ。@くっくくくく！@　それだけではない。@……他に、どのような辱めを与えたか、聞きたいか…？」@ `"I made him crawl on the carpet and kiss my shoes.`@` *cackle*cackle*cackle*!`@` And that's not all.`@` ......Do you want to hear the other ways in which I humiliated him...?"`@ br ;　紗音は無言で首を横に振る。\ `Shannon silently shook her head.`\ bg Mvip_1aN,0 ld l,$SHA_majimeA3,23 ;「あなたという人を、私はようやく理解しました。@あなたは、人をいじめ、惑わせ、困らせて、それを楽しみ糧にしている。@/ `"I have finally come to understand you.`@` You like to bully, confuse, and trouble people, and you do it to entertain yourself. `@/ ld l,$SHA_ikariA2,80 ;………だから、あなたに抵抗する唯一の方法が、これであると確信した。」\ `.........So I'm now sure that this is the way to resist you."`\ ld r,$BEA_defA2,24 ;「何だ。」\ `"What is?"`\ ;bg black,22 cl a,0 ld c,$SHA_majimeA3,23 se1 21 ;「あなたなんか知らない。@…私は、私に与えられた運命を全うする。@だからあなたを面白がらせたりしない。」\ `"I don't know you.`@` ...I will carry out the fate that has been given to me.`@` So I won't entertain you."`\ bg Mvip_1bN,24 ld c,$BEA_odorokiA1,24 br ;「……(あなたなんか、知らない/・・・・・・・・・・・)ぃ…？」\ ;＜あなたなんか、知らない：点処理 `"......`(`I don't, know you`/・・・・・・・・・・・)`u...?"`\ ;　魔女の形相が、一瞬だけ憎悪に歪んだ。@ ;　…それはすぐに消えるのだが、@悪意ある笑みを一度も崩したことのない魔女の表情に、束の間だけ浮かんだ珍しい感情だった。\ `The witch's features twisted in hatred for just an instant.`@ `...It disappeared immediately,`@` but that expression that rose to her face for only a brief time was unusual for the witch, whose malicious smile hadn't disappeared even once.`\ cl a,0 ld r,$BEA_akuwaraiA3,23 me1v 14,40 ;「くっくくくくくく！！@　…そういう抗い方もあるか。@/ `"*cackle*cackle*cackle*cackle*!!`@` ...Can you resist like that? `@/ ld r,$BEA_futekiA1,80 ;面白い。@気に入った。@殺してやる。@お前の想い人と一緒にな…！」\ `Interesting.`@` I like it.`@` I'll kill you.`@` Together with your lover...!"`\ bg Mvip_1cN,0 ld l,$SHA_majimeA3,23 ;「…それがあなたの決められた運命ならばご随意に。@/ `"...If that is the fate that you have decided, that is up to you. `@/ ld l,$SHA_ikariA1,80 ;……私はそれに怯えたり、逆らったりしません。@これから起こる苛烈な運命が、あなたの意思によるものだなんて、信じないから。@私たち人間は、未来に起こりうる運命など知らない。@だからこそ、最後の瞬間まで、自分の信念と運命に従い精一杯生き抜く。@運命はただのサイコロの目。@そこに悪意なんて感じない。@あなたが吹き込もうと、信じない。」\ `......I won't be afraid of that or go against that.`@` Because I don't believe that the severe fate that will start occurring from here on is something controlled by your will.`@` We humans don't know anything about fates that could occur in the future.`@` Therefore, until the last instant, I'll live to the fullest, relying on my own fate and conviction.`@` Fate is just a roll of the dice.`@` You can't feel malice from it.`@` I don't believe that you inspire it."`\ textoff fede 10,2000 bg Mvip_1bN,0 ld c,$BEA_AkuwaraiA3,24 ;「……ほぉ。@家具をやめたくせに、死を恐れぬとはな。@……それが妾を退屈させると思っているようだが、それは大きな誤解だぞ。@…そなたが本当に最後の瞬間までそれを貫けるか、ますます興味が湧いた。@くっくくくくくくくくくく…！」\ `"......Hoh.`@` Even though you have stopped being furniture, you have no fear of death.`@` ......It seems you think that will bore me, but that's a huge misunderstanding.`@` ...My interest will be increasingly satisfied as I see whether you really can stick to that until your last moments.`@` *cackle*cackle*cackle*cackle*cackle*cackle*...!"`\ bg Mvip_1bN,0 ld l,$SHA_ikariA2,23 ;「私は悔しい。@……どうしてあなたは人の姿をして、私たちの前に現れ、人の言葉で語り、私たちを嘲笑うのか。@…私たちの前に現れず、運命を予告しなかったなら、/ ;!d800……私たちは最後の一瞬まで、精一杯生きられるのに。」\ `"It's so frustrating.`@` ......Why did you take the form of a human, appear in front of us, speak with human words, and ridicule us?`@` ...If you hadn't appeared in front of us, if you hadn't predicted the future, `/ !d800`......we would have been able to live life to the fullest until the last moment."`\ ld r,$BEA_futekiA1,24 ;「それが魔女というものよ。@貴様らの運命を食い物に、高次の存在として低次の存在の上に君臨する。@そなたらの運命など所詮はカケラ。@両手で椀を作ればいくらでも掬える。」\ `"That's what witches do.`@` I live off your fates, reigning as a high-order being does over low-order beings.`@` After all, for all of you, fate is just a Fragment.`@` If you make soup with both hands, you can scoop out as much as you want."`\ ld r,$BEA_AkuwaraiA1,80 ;「……妾に飼われた肉牛どもが何をほざこうとも、妾の食卓を楽しませる結果に変わりはせぬのに同じこと。@くっくっくっく…！」\ `"......Just like how no matter what the beef cows I raise babble, it won't change whether I invite them to my dinner table.`@` *cackle*cackle*...!"`\ ld l,$SHA_MajimeA3,80 ;「……無力な私たちには、あなたの儀式にも運命にも抗うことなどできない。@…しかしあなたに、今すぐ不愉快な思いをさせることはできる。」@ `"......We are powerless, so we can't go against your ceremony or fate.`@` ...But I can make you unhappy right now."`@ ld r,$BEA_futekiA2,80 ;「ほぅ。@それは何か。」\ `"Hoh.`@` What would that be?"`\ cl a,0 ld c,$SHA_ikariA1,23 ;「………今すぐここを立ち去ることです。@あなたの言葉に答えることは、全てあなたを楽しませている。@あなたの問い掛けに答えないことが、あなたへ唯一できる抵抗です。」\ `".........I will walk away from this place right now.`@` Answering your words only entertains you.`@` Not answering your questions is the only way I can resist you."`\ cl a,24 ld r,$BEA_akuWaraiA1,24 ;「なるほどなるほど。@一矢報いることは出来よう。@…しかし妾を倒すことはできぬぞ？@　……妾は誰しもを永遠に殺す力を持っている。」\ `"I see, I see.`@` You may be able to take a shot at me.`@` ...But you cannot defeat me, right?`@` ......I have the power to kill anyone for eternity."`\ ld r,$BEA_AkuwaraiA3,80 ;「………永遠に繰り返し殺される輪廻の中で、そなたがいつまでその抵抗をできるか、実に楽しみだ。@ `".........I can't wait to see whether you can keep up that resistance in an endlessly repeating cycle of death and rebirth.`@ br ;　……(忘れるなよ？/・・・・・・)@　自らが口にした言葉。@くっくっくっくっくっく。」\ ;＜忘れるなよ？@：点処理 `......`(`Don't forget it, alright?`/・・・・・・・・・・・)@` You spoke those words yourself.`@` *cackle*cackle*cackle*"`\ textoff bg black,23 bg Mvip_2aN,0 ld c,$SHA_MajimeA3,23 me1v 12,40 wait 2000 ld c,$SHA_fumanA1,80 ;「それでは、失礼いたします。@御用がありましたらお呼び下さい。」\ `"Well then, if you will excuse me.`@` If you have any business, please call me."`\ cl c,23 ;　紗音は他人行儀に頭を下げ、背を向ける。@ ;　…その仕草は、魔女の言う通り、確かに一矢報いたのかもしれない。@ `Shannon gave a reserved bow, and faced away.`@ `...With that gesture, maybe she really had taken a shot back at the witch, just as Beatrice had mentioned.`@ br ;　…それまでに比べると、魔女の呼びかけはほんの少しだけ性急だったからだ。\ `...Because when the witch called out again, she sounded a little more quick-tempered than she had before.`\ bg Mvip_1bN,0 ld r,$BEA_futekiA2,24 ;「嘉音は妾に感謝したぞ。@…そなたは感謝せぬのか。@安息の日を妾が与えることを。」\ `"Kanon thanked me.`@` ...Can't you?`@` Can't you thank me for giving you your day of rest?"`\ bg Mvip_2aN,0 ld l,$SHA_fumanA1,23 ;「家具なら安息の日を喜びましょう。@ですが私は人間ですので。@だからあなたに感謝することはありません。@……御用はそれだけですか？」\ `"Furniture will be happy about their day of rest.`@` But I am a human.`@` So I have nothing to thank you for.`@` ......Do you have any other business?"`\ ld r,$BEA_fukigenA1,24 ;「………譲治から指輪をもらうつもりであろう？@　受け取れば、妾が嘉音と交わした、そなたを生贄に選ばないという約束を破棄すること、忘れるな。」\ `".........You plan to receive the ring from George?`@` Don't forget that if you do, I will abandon the promise I made with Kanon, the promise that you would not be selected as a sacrifice."`\ ld l,$SHA_tokuiA1,80 ;「まだ御用があるなら、他の者を来させますので。@それでは失礼いたします。」\ `"If you have any more business, I'll have someone else come for you.`@` If you will excuse me."`\ cl l,24 ;　ぴしゃりと遮る。@ ;　もう紗音は返事をしなかった。@ `A flat-out interruption.`@ `Shannon still hadn't answered her.`@ se1 17 ;　そして扉が閉じられるその音が、返事の代わりとなるのだった。\ `And the sound of the door closing came instead of an answer.`\ ;　その紗音の抵抗は、多分、彼女が思っているよりはるかに深く魔女に刺さったようだった。\ `It seemed that Shannon's resistance probably struck far more deeply into the witch than Shannon herself thought.`\ ld r,$BEA_aseruA1,80 ;　…なぜなら、ベアトリーチェは再び憎悪に満ちた形相を浮かべていたから。@ `...Because an expression of hatred once again rose to Beatrice's face.`@ br ;　最後まで篭絡されなかった嘉音を屈服させた。@…そうしたら、それまで容易に篭絡されていた紗音が、今度は屈服を拒否した。\ `She had made Kanon submit, even though he hadn't been ensnared until the end.`@` ...And after that, Shannon, who had until now been easily ensnared, refused to submit this time.`\ bg Mvip_1e,22 ;「……………何だ。@…やはりこれは面白いことではないか。@……くっくくくくくく。@…妾もまだまだ若いか。@これだから千年は生き飽きぬのよ…。」\ `"............What is this?`@` ...Isn't this interesting after all?`@` ......*cackle*cackle*cackle*cackle*.`@` ...Am I still far too young?`@` This is why I'm still not tired of living after one thousand years..."`\ textoff se1 27 bg white,1 wait 1000 bg black,2 fede 0,3000 wait 1000 mov %play_scene,70 textoff ;bg black,5 me1 12 me2 5 dllefe 1,1 wait 2000 bg M_o1aN,8 wait 3000 bg black,22 dllefe_off bg Mdin_1dN,6 mevol 1,40 mevol 1,40 ;■時間経過〜夕食の食堂 ;　親族会議でもっとも華やかな時間。@ ;　それが晩餐だった。@ `The most fabulous time in the family conference...`@ `That was the dinner.`@ br ;　かつて親族会議に真剣だった頃の金蔵は、年に一度、全員が揃うこの晩餐を非常に重視していた。\ `In the past, Kinzo, who had been serious about the family conference, took everyone's yearly gathering for dinner very seriously.`\ ;　この晩餐が見っとも無いようなことがあれば、それはホスト役である自分にとっての最大の恥であるとし、@夏妃に対し、くれぐれも恥ずかしい晩餐とならないよう厳命していたという。@ `Because anything embarrassing that occurred during the dinner would cause the deepest shame for him as the host, `@`he had strongly ordered Natsuhi to sincerely attempt to avoid anything embarrassing.`@ br ;　その為、蔵臼夫妻はやがて、料理の腕に自信のある郷田を雇うことになる。\ `Because of that, she and Krauss had employed Gohda, who had confidence in his cooking abilities.`\ ;　……その結果、自信の持てる素晴らしい晩餐を披露できるようになったにもかかわらず、@その頃には金蔵は書斎に引き篭もるようになっていて晩餐に姿を現さなくなったのだから、皮肉と言えたかもしれない…。\ `......As a result, even though they could announce a wonderful dinner they had confidence in, `@`by that time, Kinzo had closed himself up in his study and did not appear for dinner.`@` Maybe you could call that ironic...`\ bg black,24 ;　今夜のメインディッシュである仔牛のステーキが並べられると、郷田は自慢のトークで、さらに食欲を盛り上げてくれた。\ `When the main dish for tonight, calf steak, was set out, Gohda began to brag about it, further exciting everyone's appetite.`\ textoff bgm1v 7,0 cross2 3000,70 bg Mdin_1bN,24 ld c,$GOH_WaraiA1,24 ;「こちら、ソースはボルドレーズとなっております。@ベースの赤ワインはもちろんボルドー産の中でも素晴らしいものを使用しておりますが、その他にも、当家オリジナルブレンドとしまして、@世界各地数種類の銘酒をブレンドしまして、より深い味わいとなりますよう、整えてございます。@このソースは本年限りのものでございます。@どうかお楽しみいただければ幸いです。」\ `"The sauce here is Bordelaise.`@` Of course, the red wine base I used was excellent even among those made in Bordeaux, but in addition, I prepared an original blend of this house, `@`a blend of choice alcohol from around the world to further deepen the taste.`@` This sauce is limited to this year.`@` It would greatly please me if you were to enjoy yourselves."`\ bg Mdin_1cN,0 ld r,$KLA_AkuwaraiA2,23 ;「…素晴らしいじゃないか。@しかし、ボルドレーズソースはフランス料理の王道ではないのかね？@　それにフランス以外の酒を使うのは少し邪道ではないかという気もするね。」\ ;＜蔵臼 `"...Isn't that wonderful?`@` However, isn't Bordelaise sauce common to French cooking?`@` It almost seems like using alcohol from outside France with that is heresy."`\ ld l,$GOH_OmakaseA3,23 ;「旦那様。@本日は年に一度の親族会議でございます。@普段は遠方にお住まいの皆様が、遥々お越しになり一堂に集われた夜の晩餐には、@世界各地より、普段は出会うことのない各地の銘酒を取り寄せブレンドしたソースが、何よりも相応しいかと存じ、@特別にご用意させていただいたのでございます。」\ `"Master.`@` Today is the annual family conference.`@` As a dinner for those who normally live far away, and have traveled far from across the world to gather together,`@` I realized that a sauce made from a blend of fine alcohols from across the world that have never met each other before would be most fitting,`@` so I had it specially prepared."`\ bg Mdin_1aN,0 ld c,$HID_Waraia2,24 ;「素晴らしい！@　本当に素晴らしい料理人や、あんたは！@　能書きが加わると、料理も薬も効果は二倍になるっちゅうわけやなぁ！@　元の料理の美味さも二倍、さらに能書きで二倍。@味の倍々ゲームや！@　わっはっはっはっはっは！」\ ;＜秀吉 `"Wonderful!`@` A truly wonderful cook, that's what you are!`@` Food and medicine work twice as well if you advertise it right!`@` It's twice as delicious as normal food, and the advertisin' makes that twice as good.`@` The taste keeps doublin' and doublin'!`@` Wahahahahaha!"`\ bg Mdin_1dN,0 ld r,$EVA_akireA1,24 ;「くすくす。@嫌ぁねぇ兄さん。@その質問、読まれてたんじゃないのぅ？」@ ;＜絵羽 `"*giggle*.`@` Come on, Nii-san.`@` Didn't he see that question coming?"`@ ld l,$RUD_WaraiA1,23 ;「違いねぇな。@まんまと美味しいところを郷田さんに持ってかれちまったぜ。」\ ;＜留弗夫 `"There's no mistake.`@` Having Gohda-san handle the truly delicious part."`\ bg Mdin_1aN,0 ld r,$KLA_AkuwaraiA2,23 ;「そうかね？@　今日の料理をフランス風だと気付いていない者もいるんじゃないかと思ってね。」\ `"Is that so?`@` I thought there might be some people here who didn't notice that today's food was in the French style."`\ ld r,$KLA_NayamuA1,80 ;「……絵羽は先ほど、バターを使わないのが美徳といったが、それはスペイン風だ。@…確かに国境を接してはいるがね？」\ ;＜蔵臼 `"......Just now, Eva said that not using butter was a virtue, but that's the Spanish style.`@` ...Well, I guess they do share a border, right?"`\ ld l,$EVA_ikariA1,23 ;「…そういう意味で言ったんじゃないわよぅ。@話の一部分だけ抜き出して、勝手に加工しないでくれるかしら。」\ ;＜絵羽 `"...That's not what I meant.`@` Will you please not take a part of the conversation out of context and manufacture something?"`\ bg Mdin_1bN,0 ld r,$ROS_defA1,24 ;「…とってもおいしいソースね。@郷田さんは本当に素晴らしいわ。」@ ;＜楼座 `"...It's a very delicious sauce.`@` Gohda-san, you certainly are wonderful."`@ ld l,$GOH_OmakaseA2,23 ;「お褒めに与り、大変光栄です。@これも全て、奥様の日ごろのご指導のお陰でございます。」\ `"It is a great honor to receive your praise.`@` And this is all thanks to Madam's habitual guidance."`\ ;＜郷田 cl r,23 ld r,$NAT_zutuuA1,24 ;「……いえ、全て郷田のアイデアです。@私はレシピを聞き、承認しただけです。」\ ;＜夏妃 `"......No, it was all Gohda's idea.`@` I only listened to the recipe and approved of it."`\ bg black,25 me1v 13,0 cross1 3000,40,70,70,70,70 bg Mdin_1fN,22 ;　たかだかソースの話で、さっそく兄弟たちは鍔迫り合いをしているようだったが、@…基本的に晩餐は和やかに進んだ。\ `It looked like the siblings quickly got into a loud argument about the sauce,`@` ...but for the most part, dinner proceeded peacefully.`\ ;　……しかし、全員の胸中の中には、どうしても聞きたいことが燻り続けていた。@ `......However, something that they really wanted to ask about smoldered inside all of their hearts.`@ br ;　……それは、１９人目の来訪者のこと。@ ;　…………黄金の魔女のことである。@ ;　実際のところ、絵羽と留弗夫たちはこの晩餐を警戒していた。\ `......And that was the visitor, the 19th person.`@ `............The Golden Witch.`@ `In actuality, Eva and Rudolf and the rest were cautious during dinner.`\ bg Mdin_1gN,22 ;　謎の来客を紹介するなら、この晩餐の席がもっとも適当だったからである。@ ;　…しかし、食卓に魔女の分の皿は用意されなかった。\ `If the mystery guest was to be introduced, this dinner table was the most appropriate place to do it.`@ `...However, no place was prepared at the dinner table for the witch.`\ ;　親族会議は食後に本格的に行なわれ、深夜まで続くのが過去の例だ。@ `The family conference would begin in earnest after the meal, and previous experiences told them that it could last until deep into the night.`@ br ;　……しかし、紹介すべき人物を、深夜まで隠しておく意味があるのかどうか、理解はできなかった。\ `......But they couldn't understand what it would mean if this person, who should be introduced, still hadn't been by late that night.`\ textoff bgm1v 14,0 cross2 3000,70 bg Mdin_1bN,0 ld r,$RUD_majimeA1,0 ld l,$EVA_majimeA1,2 ;　だから絵羽と留弗夫たちは、ある疑問を感じるようになっていた。@ `So Eva and Rudolf and the rest began to feel some doubts.`@ br ;　……つまり、あの来客は、実は蔵臼にとっても未知の来客なのではないか、ということだ。\ `......About whether this guest was actually unknown to Krauss as well.`\ ;　蔵臼が遺産問題を有利に進めるために呼んだ刺客でないとするならば、@…蔵臼にも腹を割り、４兄弟で何らかの不利益に対抗する共同戦線を予め話し合っておくべきだろう。\ `If this wasn't an assassin called by Krauss to give him an advantage in the inheritance problem,`@` ...maybe they should speak frankly to Krauss beforehand, and create a common front to resist anything disadvantageous to the four siblings.`\ bg black,22 ;　……もし彼女が金蔵の刺客で、@４兄弟に遺産を渡さないことを目的としたならば、@蔵臼と兄弟たちとの反目は敵に利用されるだけの弱点となりかねないからだ…。\ `......If she was Kinzo's assassin, `@`whose purpose was to keep the inheritance from being handed over to the four siblings, `@`the enmity between Krauss and the other siblings could only become a weak point that benefitted the enemy...`\ bg Mdin_1dN,23 ld c,$GOH_hohoemiA1,26 ;「それでは、ごゆっくりお楽しみください…。」@ ;＜郷田 `"Well then, please enjoy at your leisure..."`@ br ;　配膳と料理の説明を終え、退室しようとする郷田を、霧江が小声で呼び止めた。\ `When he finished explaining the table setting and the cooking, Gohda tried to leave the room, but Kyrie called him to a stop with a small voice.`\ bg Mdin_1cN,23 ld r,$GOH_DefA1,24 ;「……はい、霧江さま。@何か？」@ `"......Yes, Kyrie-sama.`@` What is it?"`@ ld l,$KIR_waraiA2,23 ;「えっと、ごめんなさい。@……今日はお客様がいらっしゃってると思ったんだけど、…晩餐にはお見えにならないのかしら…。」@ ;＜霧江 `"Umm, I'm sorry.`@` ......I thought that there was a guest here today, ...but I haven't yet seen them at dinner..."`@ br ;　さりげない口調で言ったつもりだったが、隣の席の夏妃の耳には入ってしまう。\ `She had planned on saying it nonchalantly, but unfortunately, it reached the ears of Natsuhi, who was sitting in the next seat.`\ bg Mdin_1aN,0 ld r,$NAT_ZutuuA1,23 ;　夏妃はそれを、「客が来ているのに、ホストは晩餐に来ないのか」と、@……つまり、金蔵は晩餐には来ないのかと問い質したように聞こえたらしい。\ `It seemed that Natsuhi had heard it as, 'Even though the guests have come, won't the host come to dinner?'`@` ......In other words, that Kyrie had asked whether Kinzo was going to come to dinner.`\ ld r,$NAT_MajimeA1,80 ;「当主様は、体調が優れられませんので、お部屋で食事を取ると仰せです。@……主人が初めにそう説明いたしましたが、何か…？」@ ;＜夏妃 `"The head's condition is not good, so he said that he will take his dinner in his study.`@` ......My husband explained that in the beginning, but is something...?"`@ ld l,$KIR_NayamuA1,80 ;「………………ごめんなさい。@そうじゃないの。」\ `"...............I'm sorry.`@` That's not what I meant."`\ ;　…霧江は夏妃のその反応で、未知の来客は蔵臼夫婦にとっても未知の存在であることを瞬時に理解する。@ `...In an instant, Kyrie realized from Natsuhi's reaction that this unknown visitor was also unknown to Krauss and his wife.`@ br ;　………そしてそれが意味すること…。@ `.........And what that meant...`@ ;　……霧江の頭の中に置かれたチェス盤の上で、駒の配置がガラガラと大きな音を立てながら並べ直されていくのを感じる…。\ `......On the chessboard placed inside Kyrie's mind, it felt like there was a loud sound as the arrangement of the pieces changed...`\ bg black,24 bg Mdin_1cN,24 ld r,$BUT_DefA2,24 ;「客ぅ？」@ ;＜戦人 `"A gue-st?"`@ ;　さらに夏妃の隣に座る戦人は、霧江の言った意味を誤解なく受け取ったらしく、@今日の親族会議に、さらに誰が招かれているのかと疑問に思い、頓狂な声をあげた。@ `It seemed that Battler, who had been sitting next to Natsuhi, had heard Kyrie's words without misunderstanding them, `@`and thinking it was a question about whether yet another person had been invited to today's family conference, he let out a wild voice.`@ br ;　その為、この声を切っ掛けに、兄弟たちの腹の中にあった違和感が一気に溢れ出す…。\ `Thanks to that voice, the uncomfortable feeling in the siblings' chests suddenly exploded...`\ bg Mdin_1eN,24 ;　みんなが一斉に郷田の方を見る。@ `Everyone looked at Gohda at the same time.`@ br ;　……彼らのその様子を見る限り、あの謎の女が、少なくともここにいる誰かによって招かれたわけではないことは明白だった。\ `......Judging by their appearances, it was at least obvious that no one here had invited that mystery woman.`\ ld c,$GOH_komaruA2,24 ;　郷田は、全員の視線を集めたことに一瞬だけどきりとしたが、本来の見栄っ張りな性分が、かえってそれに優越感を感じさせる。@ ;　その為、極めて落ち着きある優雅な態度での返事となった。\ `For an instant, Gohda was startled to find everyone's gazes gathered on him, but because of his naturally vain personality, this actually gave him a feeling of superiority.`@ `Therefore, he answered in an extremely calm and graceful manner.`\ ld c,$GOH_omakaseA3,80 ;「……はい。@貴賓室でおひとりで食事を取られたいとのことで、そちらへお運びしております。」@ `"......Yes.`@` Because that person wanted to eat alone in the VIP room, their food was carried over there."`@ br ;　だから、郷田のその余りに優雅で、そして当り前な返事に、１９人目の来訪者がいることは全員にとって明白なことになる…。\ `Therefore, Gohda's extremely graceful and reasonable response made it obvious to everyone that a 19th person, a visitor, existed...`\ cl a,0 ;ld c,$GOH_komaruA1,0 ld r,$NAT_zutuuA1,23 ld r,$NAT_majimeA1,23 ;「貴賓室？　客？@　……何の、誰の話ですか。」@ ;＜夏妃 `"The VIP room? A guest?`@` ......What, who are you talking about?"`@ br ;　夏妃のその一言は、黄金の魔女の来訪を知らぬ者たち全員の疑問を代弁したものになった。\ `Natsuhi's words echoed the question that everyone who didn't know about the visitor, the Golden Witch, was thinking.`\ ;　郷田は、まさか夏妃に詰問されるとは思わず少しだけ狼狽する。@ ;　……あれだけ厳重に言われている賓客なのだ。@ ;　まさか蔵臼夫婦が知らないとは思わなかった。\ `Gohda was slightly disoriented, as though he hadn't thought Natsuhi would actually question him.`@ `......It had been an honored guest spoken of so severely.`@ `He hadn't imagined that Krauss and his wife might not have know.`\ ld l,$GOH_komaruA2,23 ;「その、……ベアトリーチェさまでございます。」\ ;＜郷田 `"Umm, ......it is Beatrice-sama."`\ bg Mdin_1cN,0 ld l,$MAR_WaraiA2,23 ;「ベアトリーチェ！！@　ほらっほらっ！@　ベアトリーチェ来てるでしょ、うーうーうー！！」@ ;＜真里亞 `"Beatrice!!`@` See, see!`@` Beatrice came, uu-uu-uu-!!"`@ br ;　真里亞はいとこたちにずっと、今日、ベアトリーチェに会った会ったとずっと言い続けていたのだ。@ `Maria had been telling the other cousins over and over again that she had met Beatrice that day.`@ br ;　……いとこたちも、良かったねと応じていたが、信じてはいなかった。@ ;　だから、…目を丸くする。\ `......The cousins had answered, saying 'Isn't that nice', but they hadn't believed,`@ `So, ...their eyes grew wide.`\ bg Mdin_1dN,0 ld r,$BUT_OdorokiA2,24 ;「す、すまねぇ。@俺はてっきり真里亞の冗談だと思ってたぜ…。@ほ、本当にいたんだな…。」@ ;＜戦人 `"S, sorry.`@` I was sure you were just joking, Maria...`@` S, so, she really was there..."`@ ld l,$JES_TohohoA2,23 ;「………ベアトリーチェって、……あの、黄金のベアトリーチェなのかよ…？！」\ ;＜朱志香 `".........By Beatrice, ......you mean that Beatrice of the gold...?!"`\ cl r,23 ld r,$MAR_KomaruA1,24 ;「うー！！@　真里亞は“い”るって、ずっと言ってる！@　誰も信じてないー！！」@ ;＜真里亞 `"Uu-!!`@` Maria has been saying she 'exists' the whole time!`@` No one believes!!"`@ ld c,$GEO_KomaruA1,23 ;「ごめんね、真里亞ちゃん…。@そういうつもりじゃないんだよ…。」\ ;＜譲治 `"Sorry, Maria-chan...`@` That's not what we meant..."`\ ;　みんながベアトリーチェの存在を疑っていたことがわかり、今日一日上機嫌だった真里亞はすっかり癇癪を起こしてしまう。@ `After learning that everyone had doubted Beatrice's existence, Maria, who had been in a good mood all day, completely lost her temper.`@ br ;　…隣の席の譲治は必死に真里亞をなだめていた。\ `...George, who sat in the next seat over, tried frantically to calm Maria.`\ bg Mdin_1aN,23 ld r,$KLA_AkuwaraiA2,24 ;「…郷田。@それもディナーの何かの余興なのかね？@　くっくっく、なかなかの味な演出だ。」@ ;＜蔵臼 `"...Gohda.`@` Is that another bit of dinner entertainment?`@` *cackle*, quite a good performance."`@ ld l,$RUD_majimeA2,23 ;「………兄貴。@三文芝居はやめようぜ。@…兄貴が呼んだんだろ。」@ ;＜留弗夫 `".........Aniki.`@` Stop playing dumb.`@` ...You called her, right?"`@ ld r,$KLA_majimeA1,80 ;「呼ぶ？@　誰を。@…どこから！」\ ;＜蔵臼 `"Called?`@` Called who?`@` ...From where?!"`\ ld c,$EVA_MajimeA1,23 ;「兄さん。@はっきりさせましょ。@……あれは誰。@まさか、本当に肖像画のベアトリーチェだというんじゃないでしょうね。」@ ;＜絵羽 `"Nii-san.`@` Let's make this clear.`@` ......Who is that?`@` Surely you aren't going to tell us that it really is the Beatrice from that portrait, right?"`@ ld r,$KLA_komaruA1,80 ;「私にはお前たちが何を言っているのかさっぱりだ！@　郷田、これは本当に冗談ではないのだな？！」\ ;＜蔵臼 `"I don't have a clue what you people are talking about!`@` Gohda, isn't this really a joke?!"`\ bg Mdin_1bN,0 ld l,$GOH_komaruA1,24 ;「わ、私はその……。@源次さんからそのように指示を受けただけでして、その…！」@ ;＜郷田 `"I, I, umm......`@` I was just ordered by Genji-san, umm...!"`@ ld r,$NAT_ikariA1,24 ;「源次を呼びなさい。@今すぐッ！！」@ ;＜夏妃 `"Call Genji.`@` Immediately!!"`@ cl l,24 se1 16 br ;　夏妃が叫ぶと、郷田は弾かれたように廊下へ飛び出していった。@ `When Natsuhi yelled, Gohda shot out into the hallway.`@ br ;　その時の、扉を開け放つ音をきっかけに、晩餐のテーブルは一気に騒然となる。\ `At that time, with the sound of the door being thrown open as a spark, the dinner table was suddenly engulfed in an uproar.`\ bg black,22 bg Mdin_1dN,26 ld r,$RUD_komaruA1,24 me1v 13,40 me2v 5,40 ;「じゃあ兄貴も知らないってんだな？@　呼んだのは誰だ。@親父ってことか？！」@ ;＜留弗夫 `"So you say you don't know either, Aniki?`@` Who called her?`@` Was it Father?!"`@ ld l,$KLA_majimeA1,23 ;「……私には何のことかわからんね。@お前たちは私が裏で糸を引いていると信じているようだが、それは大きな誤解だ。」\ ;＜蔵臼 `"......I don't know anything about this.`@` It seems that you people believe that I have been pulling the strings behind the scenes, but that is a huge misunderstanding."`\ bg Mdin_1cN,0 ld r,$HID_MajimeA1,23 ;「蔵臼兄さん、落ち着いてぇな。@わしらはもう腹の探りあいをすべき段階にないで。@もし、兄さんも知らない怪人物だっちゅうんなら、これはとんでもない話になるんやで…！」\ ;＜蔵臼 `"Calm down, Krauss nii-san.`@` We are no longer at the stage where we can sound each other out.`@` If you also say that you don't know this mystery person, the situation becomes ridiculous...!"`\ ld l,$NAT_odorokiA1,23 ;「秀吉さん、言葉を少し慎みませんか？@　主人は親族会議に不要な人間を招いたりはしません。」\ ;＜夏妃 `"Hideyoshi-san, won't you be a little more discreet with your words?`@` My husband would not invite unnecessary humans to the family conference."`\ ld c,$KLA_AkuwaraiA2,23 ;「まったくだ。@お前たちは何を言っているのかね。@/ `"Seriously.`@` What are you people talking about? `@/ ld c,$KLA_nayamuA1,80 ;肖像画の魔女が、額縁を抜け出して現れたとでも言うのかね！@　……実際にその魔女さまに会ったという人間がいるわけでもなかろうが。」\ ;＜蔵臼 `Are you saying that the witch of the portrait has broken out of her frame and appeared?!`@` ......There's no way anyone has actually met this witch."`\ bg Mdin_1aN,0 ld r,$ROS_MajimeA1,23 ;「私、会ったわ…！」\ ;＜楼座 `"I, met her...!"`\ ;　楼座が発言すると、絵羽と留弗夫も頷き返す。\ `Eva and Rudolf nodded at Rosa's proclamation.`\ ld c,$MAR_OdorokiA1,23 ;「うー！@　真里亞も会った！！@　蔵臼伯父さん、信じてー！@　ママを信じて！@　うーうー！」@ ;＜真里亞 `"Uu-!`@` Maria also met her!!`@` Krauss oji-san, belie-ve it!`@` Believe Mama!`@` Uu-uu-!"`@ ;　しばしの緊張を破り、真里亞も騒ぎ出す。@ `The brief tension was broken, and Maria also started to make a ruckus.`@ br ;　…もう場はめちゃくちゃだった。\ `...The room was already chaotic.`\ bg black,24 bg Mdin_1dN,24 ld r,$JES_OdorokiA1,24 ;「何が何だかさっぱりだぜ…。@つまり何だぁ？@　祖父さまに黄金を授けた魔女さまが、今年の親族会議にはスペシャルゲストとして登場ってわけかよ…！」@ ;＜朱志香 `"I don't have a clue what's going on...`@` So what does it mean?`@` Does it mean that the witch who gave Grandfather the gold is appearing as a special guest in this year's family conference...!"`@ ld l,$BUT_oyaA1,23 ;「しかし…、本当に…？@　楼座叔母さんの見間違いってことじゃねぇの…？」@ ;＜戦人 `"But..., really...?`@` Rosa oba-san didn't see it wrong, did she...?"`@ ld c,$MAR_SakebuA1,24 se1 47 br ;「真里亞も会ったーッ！！@　うーうーうーうーうーうーうー！！！」\ `"Maria met her too--!!`@` Uu-uu-uu-uu-uu-uu-uu-!!!"`\ bg Mdin_1aN,0 ld l,$ROS_KomaruA1,23 ld r,$GEO_MajimeA1k,24 ;「楼座叔母さん、……間違いなく、なんですか？」@ ;＜譲治 `"Rosa oba-san, ......are you, sure?"`@ ld l,$ROS_komaruA4,80 ;「…………えぇ。@………私と真里亞は会って、……話もしてる。」\ `"............Yes.`@` .........Maria and I met her, ......we even talked to her."`\ ld l,$ROS_aseruA1,80 ;「……私は会ったの！！@　あれは間違いなく魔女だった…！@　信じて！！@　私の見間違いとか錯覚とか、そんなのじゃ断じてない！@　あれは、………何だったの？！」\ ;＜楼座 `"......I met her!!`@` That was definitely a witch...!`@` Believe it!!`@` I definitely didn't see it wrong or hallucinate or anything!`@` What, .........was that?!"`\ bg black,22 fede 10,2000 bg Mdin_1gN,5 ;　…楼座は、台風が訪れる直前の刹那。@ ;　……薔薇庭園で確かに魔女に出会った。\ `...In the instant before the typhoon visited...`@ `......Rosa had definitely met with the witch.`\ ;　でもそれはあまりに現実とは受け容れがたい光景で……、@こうして口に出せば出すほどに、自分が何に会ったのかわからなくなる。@ `But that scene had been so hard to accept as truth......, `@`the more she spoke of it like this, the less she understood what it was she had met.`@ br ;　皮肉なことに、確かに魔女に会ったと口にする彼女が冷静を失っていたため、@彼女が躍起になればなるほど、その存在は曖昧になるのだった。@ `Ironically, because she had lost her composure and said that she had definitely met the witch,`@` the more desperate she became, the more vague the witch's existence seemed.`@ br ;　だから、冷静な一言が、その存在を間違いなく肯定した。\ `Because, with that one composed sentence, she had definitely affirmed that existence.`\ bg black,22 bg MDin_1bN,0 ld r,$KIR_MajimeA2,26 ;「………私も会ったわ。@挨拶、とはとても言えないけれど、一応言葉も交わしてる。@………楼座さんの見間違いとかじゃ、断じてないわ。」@ ;＜霧江 `".........I also met with her.`@` I greeted, ...well I really couldn't call it that. I exchanged a few words with her.`@` .........It's definitely not something that Rosa-san saw wrong."`@ ld l,$BUT_aseruA1,23 ;「霧江さん、それマジかよ…。」\ ;＜戦人 `"Kyrie-san, are you serious...?"`\ ld r,$KIR_NayamuA1,80 ;「えぇ。@………でも、彼女は私に名乗らなかった。@だから彼女がベアトリーチェであると断定はできない。」\ `"Yes.`@` .........But she didn't tell me her name.`@` So I can't conclude that she was Beatrice."`\ ;ld r,$KIR_MajimeA1,80 bg black,22 bg portrait3,2 ;「……でも、主観的で恐縮なんだけど。@……私は玄関ホールで彼女に会ったから、肖像画と顔を見比べることができた。@…私は第一印象で、彼女こそがこの肖像画の主に違いない、って思ったわ。@………あくまでも主観よ。」\ ;＜霧江 `"......However, sorry if this is subjective, `@`......but since I met her in the entrance hall, I was able to compare her face with the portrait.`@` ...My first impression was that, she was the subject of the portrait.`@` .........This is all just subjective."`\ se1 8 bg Mdin_1dN,0 ld l,$NAT_OdorokiA2,1 ;「そんなことはありえません！@　第一、その女はどこからやって来たというのですか。@今日の船は皆さんの送迎のための便が往復しただけです。@その船に乗っていたのですか？！」@ ;＜夏妃 `"That isn't possible!`@` In the first place, where did that woman come from?`@` That boat will only make the trip to the island to escort everyone there and back.`@` Was she riding on that boat?!"`@ ld r,$RUD_NayamuA1,24 ;「…………………。@それを言われると弱いな。@確かに、そんなご婦人と一緒に下船した記憶はない。」\ ;＜留弗夫 `"............`@`There's not much we can say if you ask us that.`@` Of course, I have no memory of that woman getting off the boat with us."`\ ld c,$EVA_akireA2,24 ;「あぁら、そぉ？@　私たちの乗ってきた船以外に船はないってどうして証明できるの？@　できないわ！@ `"Ooh, really?`@` How can you prove that there wasn't a boat other than the one we rode on?`@` You can't!`@ br ;　“(来なかった/・・・・・)”は証明できない！」\ ;＜絵羽 ;＜“来なかった”は証明できない！@：点処理 `You can't prove one '`(`didn't come`/・・・・・)`'!"`\ cl l,24 ld l,$BUT_oyaA1,23 ;「道理だな。@……“来た”は証明できる。@来たのを見たヤツが見たと言えばいい。@しかし“来ない”は証明できないぜ。@全員が来ない、見てないと言ったところで、全員が見てないところで“こっそり来た”ことを否定はできない。@つまり、悪魔の証明ってヤツだ。」\ ;＜戦人 `"That's right.`@` ......You could prove that it 'came'.`@` All you have to do is say that someone saw it.`@` But you can't prove that it 'didn't come'.`@` Even if everyone says that it didn't come - that they didn't see it - you can't deny that it could have 'come secretly'.`@` It's that thing they call the '#86ef9cDevil's Proof#ffffff'."`/ mov %play_scene,71 mov %r_hyouji_grim,5 ;seplay 9,1062 \ ;tttt bg black,25 me1 11 ;　悪魔が“いる”ことを証明するのは容易い。@悪魔に会えばいいのだから。@ ;　しかし“いない”ことを証明するのは不可能だ。@ `It's easy to prove that a devil 'exists'.`@` All you have to do is meet a devil.`@ `But it is impossible to prove that devils 'don't exist'.`@ br ;　誰も悪魔に会ってないからと言って、人間の立ち入れないいずこかに、彼らが隠れ潜んでいる可能性をも否定することにはならない。\ `Just by saying that no one has ever met a devil, you can't deny the possibility that they're hiding away somewhere that humans cannot go.`\ ;　……宇宙人の存在を否定できないのもまったく同じ。@ `......You can't deny the existence of aliens for exactly the same reasons.`@ br ;　人類が全宇宙を探索し尽くして、存在しないことを完全に示さない限り、宇宙人がいないなどと断定することはできないのだ。\ `Until humanity searches the whole of space and can show perfectly that aliens don't exist, you can't be sure that they don't exist.`\ ;　そして、我々には全宇宙に宇宙人が存在しないことを確認するなど間違いなく不可能。@ `And it's definitely impossible for us to ever check the entirety of space for the existence of aliens.`@ br ;　…だから、宇宙人の存在を証明する余地は数あれど、その存在を否定する証明はありえないのだ。\ `...Therefore, while there may be a number of ways to prove that aliens do exist, it is impossible to show proof that denies their existence.`\ bg Mdin_1eN,0 ld r,$GEO_MajimeA3,24 E_MA ;「……となれば、僕たちが乗ってきた船以外の船で来たかどうかなんて、議論しても無駄な問題ということになるね。@……僕たちと一緒の船にはいなかった。@それだけが事実で、それ以外の方法で、とにかくこの島に訪れたことになる。」\ ;＜譲治 ;＜僕たちと一緒の船にはいなかった：点処理 `"......In that case, even if we discuss whether a boat separate from the one we rode on came to the island, we would just be wasting our time.`@` ......She wasn't on the boat with us.`@` That much is a fact, and she visited this island through some other means."`\ ld l,$KIR_majimeA2,23 ;「そうね。@どうやって来たかなんて議論の必要はないかもしれない。@肝心なのは、現にこの屋敷に今いて、私たちと晩餐を共にする気がないという事実よ。」\ ;＜霧江 `"That's right.`@` There may be no need to discuss how she came here.`@` The essential point is the fact that she actually is in this mansion now, and doesn't feel like having dinner with us."`\ bg black,23 bg Mdin_1aN,0 ld c,$RUD_MajimeA1,23 ;「整理しよう。@…今、この島には右代宮家１８人以外にもうひとり客がいる。@そしてそいつは、兄貴も夏妃姉さんも知らない客だってんだな？」\ ;＜留弗夫 `"Let's review.`@` ...Right now, there is another guest on this island other than the 18 of the Ushiromiya family.`@` And that is a guest that even Aniki and Natsuhi-san don't know about, right?"`\ bg Mdin_1bN,0 ld l,$NAT_OdorokiA2,24 ;「知りません…！@　何の話だかもわかりません…！」@ ;＜夏妃 `"I don't know...!`@` I don't know what you're talking about...!"`@ ld r,$KLA_KomaruA1,24 ;「お前は少し黙っていなさい。@頭痛に障る。@/ `"Be silent for a while.`@` Your headache will get worse. `@/ ld r,$KLA_MajimeA2,80 ;……妻の言う通りだ。@私にはお前たちが何の話をしているのかさっきからさっぱりだ。」\ ;＜蔵臼 `......It is as my wife says.`@` I have no idea what you people have been talking about up until now."`\ cl l,24 ld l,$EVA_futekiA1,23 ;「じゃあ答えはひとつしかないわ。@……お父様が呼んだのよ。@今日の親族会議の為に！」@ ;＜絵羽 `"Then there can be only one answer.`@` ......Father called her.`@` For today's family conference!"`@ ld r,$KLA_ikariA1,80 ;「親族会議に？！@　だから何の為に！」@ ;＜蔵臼 `"For the family conference?!`@` Then for what reason?!"`@ ld l,$EVA_IkariA2,80 ;「そんなの知らないわよ！@　兄さんが知ってたらそれを問い詰めようって思ってたのよ！」\ ;＜絵羽 `"I don't know that!`@` I thought you knew, Nii-san, that's why I thought I'd question you!"`\ ld c,$HID_KomaruA2,24 ;「絵羽、よさんか！@　蔵臼兄さんは知らんと言うとる！@/ `"Eva, could you give it a rest?!`@` Krauss nii-san said that he doesn't know! `@/ ld c,$HID_MajimeA2,80 ;　……つまり話はこうや。@お父さんが肖像画の魔女にそっくりの客人をこっそり招いた。@それに、楼座さんが出会い真里亞ちゃんが出会い、そして霧江さんも会った。」\ `......So this is how it happened.`@` Father stealthily invited the witch of the portrait as a secret guest.`@` And she met with Rosa-san and Maria-chan and then Kyrie-san."`\ ld c,$HID_KomaruA1,80 ;「………今はそこまでや！@　わしらに言いたいことがあるんなら、とっとと姿を現せばええ！@　挨拶もなしに引き篭もってるっちゅうんはどないわけなんや、ってことなんや。」\ `".........That's all for now!`@` If she has something to say to us, she could just quickly show herself!`@` The question becomes why she's shut herself up without greeting us."`\ bg Mdin_1dN,0 ld r,$RUD_AkuwaraiA1,24 ;「親族会議なんかハナから関心のない親父が、新しい愛人をこっそり呼びつけたってわけかぁ？@　理想の魔女さまのおべべを着せてよぅ？@/ `"Does this mean that Father, who never had any interest in the family conference from the beginning, secretly called a new mistress here?`@` And had her wear the clothes of his ideal witch? `@/ ld r,$RUD_KomaruA1,80 ;　…………そう決着するには、今日という日は意味を持ち過ぎてるぜ。」\ ;＜留弗夫 `............This day is too important for us to come to that conclusion."`\ ld l,$EVA_IkariA1,23 ;「理由はひとつしかない。@親族会議に加わるためよ。@…お父様の遺産について、何かの権利を主張する気でいるのよ！」\ `"There can be only one reason.`@` To join in on the family conference.`@` ...She wants to claim some right to Father's inheritance!"`\ bg Mdin_1cN,0 ld r,$NAT_IkariA1,23 ;「馬鹿馬鹿しい！！@　当主様に愛人などと汚らわしいものなどおりません！」@ ;＜夏妃 `"Ridiculous!!`@` The head wouldn't have something as filthy as a mistress!"`@ ld l,$KLA_IkariA1,23 ;「お前は黙っていろと言っている！@/ `"I told you to be silent! `@/ ld l,$KLA_KomaruA1,80 ;　私はこの屋敷でずっと親父殿と過ごしているが、そんな話は聞いたこともない。@………最大限、理解を示したとして、@……何十年も昔の愛人との間に隠し子がいたとして、@……それを親父殿が探し出し、今日という日に呼びつけたと。@…こう言いたいのかね？」\ ;＜蔵臼 `I've been in this mansion with Father the whole time, and I haven't heard about this once.`@` .........At best, all we can guess is that Father's hidden mistress of several decades ago had a hidden child, `@`......and Father searched her out and called her today.`@` ...Is that what you want to say?"`\ ld r,$NAT_HisuA1,80 ;「あなた！@　お父様にそんなものがいるわけがありません！@　尊い右代宮の血が愛人如きに…！@　先ほどから数人が見た見たと自称しているに過ぎません！@　幻想、妄想、白昼夢に決まっています！@　あるいは、これも夫を陥れるための皆さんの何らかの芝居なのですか？！」\ ;＜夏妃 `"Dear!`@` Father couldn't have something like that!`@` To waste the noble blood of the Ushiromiya family on a mistress...!`@` This is nothing more than a few people saying that they saw something!`@` It's obviously an illusion, a delusion, a daydream!`@` Or is everyone taking part in some kind of act to trick my husband?!"`\ cl l,24 ld l,$EVA_IkariA2,23 ;「何の芝居だってのよ！！@　芝居だって言うならそっちでしょうが！！」\ ;＜絵羽 `"What act?!!`@` If anyone is acting, it's you!!"`\ bg Mdin_1aN,0 ld l,$RUD_nayamuA1,23 ;「よせよ姉貴。@……ちょいと暴力的な言い方だが、夏妃さんの言う通りではある。@霧江は姿を見たが、俺は見てない。@姉貴もだ。@だが楼座は見た。」\ `"Quit it Aneki.`@` ......This is a slightly reckless way to say it, but Natsuhi-san is correct.`@` Kyrie saw her, I did not.`@` Neither did you, Aneki.`@` But Rosa did."`\ ld l,$RUD_majimeA2,80 ;「……しかし、ってことは“いる”ってことになる。@“いる”を証明している連中が存在する以上、“いる”で直ちに決着だ。@悪魔の証明の逆パターンってわけだな。」\ `"......However, that means that she 'exists'.`@` Because there is someone who can prove that she 'exists', we directly conclude that she exists.`@` It is the opposite pattern of the Devil's Proof."`\ ld l,$RUD_DefA2,80 ;「………それに、俺も会いたいんだよ。@そして、一体当家に何の御用かと直接問い質したい。」\ ;＜留弗夫 `".........And I want to meet her too.`@` And I want to ask her directly what kind of business she has with the Ushiromiya family."`\ ld r,$KLA_AkuwaraiA1,23 ;「それについては私も同感だ。@六軒島へ何の御用かぜひお尋ねしたいものだ。」@ ;＜蔵臼 `"I agree with you on that.`@` I truly wish to enquire as to what business she has on Rokkenjima."`@ ld c,$EVA_IkariA2,24 ;「白々しいことを言わないで！@　狙いはひとつよ。@お父様の遺産を狙ってるのよ！@　相続問題に明るい弁護士に今後の作戦を練らせるべきよ。@お母様と同格の権利を愛人が主張した場合、私たちの取り分はかっきり半分さらわれることになる！」\ ;＜絵羽 `"Don't say such obvious lies!`@` She is after one thing.`@` It's Father's inheritance!`@` We should polish up any further strategy relating to the inheritance problem with a knowledgeable lawyer.`@` If the mistress claims equal rights as Mother, then our shares will be cut right in half!"`\ bg Mdin_1dN,0 ld r,$ROS_aseruA1,24 me1v 13,40 me2v 5,50 ;「………ちょ、ちょっとみんな待って！@　源次さんがもうじき来るわ。@彼は何でも知ってる。@きっと私たちの疑問に答えてくれるわ！@　それまでそういう話はなしにしましょう！！」\ `".........W, wait a second, everybody!`@` Genji-san will come very soon.`@` He knows everything.`@` I'm sure he will answer our questions!`@` Until then, let's stop talking about this!!"`\ ld r,$ROS_ikariA1,80 ;「さぁ子どもたち？！@　悪いけれど大人はちょっと込み入った話をしないといけないの！@　ゲストハウスへ戻っていなさい！！」\ `"Hey, kids?!`@` Sorry, but the adults have to start talking about something complicated!`@` Return to the guesthouse!!"`\ ;　楼座が少しだけ感情的に子どもたちに怒鳴りつける。@ `Rosa yelled at the children, slightly emotionally.`@ br ;　子どもたちは、どうしてここで突然自分たちにお鉢が回ってくるのか理解できなかったが、遅れて絵羽たちは理解した。\ `The children didn't understand why they were suddenly being yelled at this time, but Eva and the rest realized it too late.`\ bg black,22 ;　自分たちは、子どもたちの前で遺産相続の泥臭い話を、これほど盛大にしているのだ。@ ;　…この場に自分の子どもを居続けさせたいわけもない。@ `They were talking so grandly about the filthy topic of the inheritance in front of the children.`@ `...There was no way that they'd want their children to remain here.`@ br ;　だから、全員が楼座の提案にすぐ同意した。\ `So they all immediately agreed with Rosa's plan.`\ bg Mdin_1aN,0 ld r,$HID_majimeA1,26 ;「そ、そうやな、楼座さんの言う通りや！@　譲治！@　いとこみんなでゲストハウスに戻ってるんや！@　いとこ同士、仲良く遊ぶんやで！」@ ;＜秀吉 `"Th, that's right, just as Rosa-san says!`@` George!`@` Take all the cousins and go back to the guesthouse!`@` Play nice with all of them!"`\ ld l,$EVA_MajimeA1,23 ;「譲治、言われたとおりになさい。@いとこみんなを連れて、今すぐ出て行くのよ！」\ ;＜絵羽 `"George, do as you're told.`@` Take all of the cousins, and leave right now!"`\ bg black,24 bg Mdin_1dN,24 ld r,$GEO_KomaruA1,24 ;「ちょ、…ちょっと待ってよ母さん…！@　僕たちはまだ食事も終えていない…！」@ ;＜譲治 `"W, ...wait a second Mother...!`@` We still haven't finished eating...!"`@ ld c,$MAR_KomaruA1,24 ;「うー！@　デザートもまだ来てないー！！@　うーー！！」@ `"Uu-!`@` And dessert hasn't come ye-t!!`@` Uuu--!!"`@ ld l,$ROS_ikariA1,23 ;「デザートは郷田さんに、ゲストハウスに運ばせます！@　だから出て行きなさい！！」\ ;＜楼座 `"We will have Gohda-san carry dessert to the guesthouse!`@` So leave!!"`\ bg Mdin_1bN,23 ld r,$NAT_MajimeA1,24 ;「朱志香。@ここから先は大人の話し合いです。@行きなさい。」\ ;＜夏妃 `"Jessica.`@` From here on, the adults will be talking together.`@` Go."`\ ld l,$JES_KomaruA1,23 ;「………わ、…わかったよ。@………まだ食いかけだってのによ…。」\ ;＜朱志香 `".........U, ...understood.`@` .........Even though I'm still eating..."`\ bg Mdin_1fN,0 ld r,$BUT_defA2,24 ;「…ってことは、俺だけ例外ってことはないよな。」\ ;＜戦人 `"...Guess that means I'm not the only exception."`\ ld l,$KIR_nayamuA1,23 ;「理解してくれてありがとう、戦人くん。@/ `"Thank you for understanding, Battler-kun. `@/ ld l,$KIR_futekiA1,80 ;…でもあなたラッキーよ。」@ `...But you sure are lucky."`@ ld r,$BUT_futekiA1,80 ;「へー。@どうして。」@ `"Huh?`@` Why?"`@ ld l,$KIR_komaruA1,80 ;「私も出て行けるなら出て行きたいもの。」@ `"I'd want to leave if I could."`@ ld r,$BUT_nayamuA2,80 ;「…いっひっひっひ！@　違いねぇぜ。@大人は大人で、遺産を巡って楽しい一家団欒をお楽しみ下せぇってんだ。」\ ;ggggg `"...Ihihihi!`@` That's right.`@` I'll let you adults enjoy your happy family chat about the inheritance."`\ bg Mdin_1aN,22 ld c,$NAN_fumuA1,6 ;「…………私も席を外しましょう。@どうやら今夜は、私の出番はなさそうだ。」@ ;＜南條 `"............I will also leave my seat.`@` Anyhow, it appears that my turn will not come tonight."`@ ;　南條はすっと席を立つ。@ `Nanjo softly rose from his seat.`@ br ;　…一番隅の席で先ほどからのやり取りに対し、無駄口を挟まず、ずっと静観していた。@ ;　……落ち着きある老紳士らしい、大人の対応だったに違いない。\ `...He had been calmly watching the whole discussion without pointlessly interrupting from his seat in the farthest corner.`@ `......His reaction was very adult, like a calm old gentleman.`\ bg Mdin_1gN,25 ;　その南條の起立は、出て行くべき人々への促しとなった。@ `When Nanjo rose from his seat, it urged the other people who were supposed to leave.`@ br ;　子どもたちもガタガタと席を立つと、廊下が慌しくなり、使用人たちが戻ってきた。\ `The children noisily rose from their seats and as they hurried into the hallway, the servants returned.`\ bg black,22 se1 15 bg Mdin_1eN,0 ld r,$GOH_komaruA2,26 ;「遅くなって申し訳ございません…。@源次をお呼びいたしました…。」@ ;＜郷田 `"I apologize for taking so long...`@` I have called Genji..."`@ ld l,$GEN_majimeA2,23 ;「……お屋敷の中の戸締りの確認に行っておりましたもので、遅くなりました。@申し訳ございません。」\ ;＜源次 `"......I was checking to see that all of the doors and windows were shut, so it took me some time.`@` My apologies."`\ bg black,23 bg Mdin_1cN,0 ld r,$ROS_ikariA1,23 ;「さ！　子どもたちはゲストハウスへ！@/ `"Come on! Children, to the guesthouse! `@/ ld r,$ROS_nayamuA1,80 ;　郷田さん、申し訳ないのだけれど、子どもたちの分のデザートを、ゲストハウスへ運んでくれるかしら。」\ ;＜楼座 `Gohda-san, my apologies, but could you carry the children's portion of the dessert to the guesthouse?"`\ ld l,$GOH_komaruA1,23 ;「は…。@…よろしいのですか…？」@ ;＜郷田 ;　郷田は、せっかくの晩餐がこのような形で中断されることが面白くなかったらしい。@ `"Ha...`@`...Is that what you wish...?"`@ `It seemed that Gohda didn't find it interesting to see that the dinner he had worked so hard on had been interrupted like this.`@ br ;　…夏妃に、それで良いのかと確認を取るような目線を送る。\ `...He sent Natsuhi a look as though asking her whether that was really alright.`\ cl r,23 ld r,$NAT_zutuuA1,24 ;「楼座さんの言う通りにするように。@それから、私たちにデザートの配膳は不要です。@呼び出しがあるまで、食堂には近付かないように。@これは他の使用人にも伝えること。@いいですね？」@ ;＜夏妃 `"Do as Rosa-san says.`@` After that, it will not be necessary to set out dessert for us.`@` Try not to approach the dining hall until we call you.`@` Tell that to the rest of the servants too.`@` Alright?"`@ ld l,$GOH_komaruA2,80 ;「は、…はい。@かしこまりました…。」\ `"Y, ...yes.`@` Certainly..."`\ bg Mdin_1fN,0 ld r,$NAN_defA1,24 ;「さぁさぁ、皆さん。@参りましょうかな。@真里亞さんも、これ以上、お母さんを困らせてはいけません。」\ ;＜南條 `"Come, everyone.`@` Shall we go?`@` Even Maria-san must not trouble her Mother any further."`\ ld l,$MAR_fukigenA2,23 ;「うーうーうー！！@　真里亞もベアトの話するー！！@　やだやだやだうーうーうー！！！」@ `"Uu-uu-uu-!!`@` Maria also talk about Beato-!!`@` No no no, uu-uu-uu-!!!"`@ cl r,23 ld r,$GEO_waraiA2,24 ;「真里亞ちゃん。@僕たちに、ゲストハウスでベアトリーチェの話を聞かせてくれないかい？@　…ぜひ魔女の話を聞きたいんだ。@ね？」@ ;＜譲治 `"Maria-chan,`@` will you tell us about Beatrice in the guesthouse?`@` ...I really want to hear about the witch.`@` Okay?"`@ ld l,$MAR_WaraiA1,80 ;「うー？@　うー！」\ `"Uu-?`@` Uu-!"`\ bg black,23 bg Mdin_1dN,0 ld r,$JES_TohohoA2,23 ;「……譲治兄さんは本当にうめぇぜ。@感動するぜ。」@ ;＜朱志香 `"......You're really good, George nii-san.`@` I'm moved."`@ ld l,$BUT_WaraiA1,23 ;「本当に子持ちじゃねぇのかよ。@手馴れ過ぎだぜ、いっひっひ！」\ ;＜戦人 `"Are you sure you don't have kids?`@` You're too used to this, ihihi!"`\ bg Mdin_1gN,22 ;　真里亞は、譲治の言葉ですっかり機嫌を直し、率先してゲストハウスに行こうとまで言い出すのだった。@ `Maria's mood was completely back to normal at George's words, and she took the initiative, saying that she wanted to go to the guesthouse.`@ br ;　郷田は、自分まで追い出されるのが面白くなかったようだが、夏妃には逆らえず、戦人たちと共に退室して、その扉を閉めるのだった…。\ `It looked like Gohda didn't like being kicked out himself, but he didn't disobey Natsuhi, and left the room with Battler and the rest, closing the door...`\ bg black,22 bg Mdin_1aN,23 ld c,$GEN_DefA1,23 ;「……御用は何でしょうか。皆様。」\ ;＜源次 `"......Do you all have some business?"`\ bg Mdin_1eN,24 ld r,$EVA_MajimeA1,24 ;「えぇ、あるわ。@たっぷりと。@それもみんな。@誰から質問するか、くじ引きがほしいくらいよ。」@ ;＜絵羽 `"Yes, we do.`@` A bunch of it.`@` And we all do.`@` So much that we almost want to have a lottery to see who asks the first question."`@ ld l,$KLA_NayamuA1,23 ;「だが、誰が一番のくじを引こうとも、最初にする質問は同じだと思うがね。」\ ;＜蔵臼 `"But no matter who wins the first lottery, the first question will be the same, won't it?"`\ ld c,$RUD_WaraiA2,24 ;「違いねぇな。@/ `"That's right. `@/ ld c,$RUD_MajimeA1,80 ;………源次さん。@正直に答えてくれ。@…今、貴賓室にいる、ベアトリーチェってのは何者なんだ。」\ `.........Genji-san.`@` Answer me honestly.`@` ...This person called Beatrice, who's in the VIP room right now...who is she?"`\ se1 18 bg black,11 wait 500 E_B E_MA ;＜留弗夫 ;※ぎぃ〜〜〜、バタンー！@　扉が閉じてブラックアウトー ;▲第７アイキャッチ：１０月４日（土）１９時３０分　から　２２時００分へ進む eye2 19,30,22,00,2,0,510,340,25 ;■時間経過〜ゲストハウス *umi2_8 mov %play_scene,71 textoff se1 21 me1v 13,70 me2v 5,70 dllefe 1,1 bg G_o1aN,6 wait 2000 bg black,24 dllefe_off mevol 1,40 mevol 2,40 bg G2F_R1aN,4 ;　…秀吉の持論である、能書きは味を二倍高めるは、どうやら正しかったらしい。\ `...Hideyoshi's claim that advertising doubled the taste was apparently right.`\ ;　ゲストハウスに追い出された子どもたちと南條は、いとこ部屋に集まり、@熊沢が運んできてくれたデザートのケーキを食べているところだった。@ `The kids and Nanjo, who had been chased out to the guesthouse, had gathered in the cousins' room,`@` and were eating the cake that Kumasawa had brought there for dessert.`@ br ;　それはクリームをふんだんに使い、果物で美しく飾った高級感溢れる素晴らしいものだったが、@美味であるにもかかわらず、なぜか一味落ちているように感じるのだった…。\ `It was both wonderful and high-class, with lavish amounts of cream and decorated deliciously with fruits, `@`but even though it was delicious, for some reason it didn't taste quite as good...`\ ld r,$JES_atyaA1,24 ;「はは、郷田さんの能書きがないと、味ってずいぶん落ちるんだな。」@ ;＜朱志香 `"Haha, without Gohda-san's advertising, it doesn't taste nearly as good."`@ ld l,$BUT_futekiA1,23 ;「能書きを求めようにも、熊沢の婆ちゃんに聞いた日にゃ、このケーキの原料も鯖ってことになっちまうぜ。」@ ;＜戦人 `"Even if we wanted advertising, Kumasawa-san'd just say that it's made out of mackerel."`@ ld c,$MAR_Odorokia1,24 ;「うー？！@　本当？！@　鯖からケーキってできる？！」\ ;＜真里亞 `"Uu-?!`@` Really?!`@` You can make cake from mackerel?!"`\ bg G2F_R1bN,0 ld r,$KUM_WaraiA2,24 ;「ほっほっほっほ。@えぇえぇ、このケーキも、鯖の搾り汁に小麦粉と卵を混ぜて焼き上げると、ふっくら焼きあがるのでございますよ。@ほっほっほっほ。」@ ;＜熊沢 `"Hoh-hoh-hoh-ho.`@` Yes, yes, this cake too, if you cook with the squeezed juice of mackerel mixed in with flour and eggs, it comes out all fluffy.`@` Hoh-hoh-hoh-ho."`@ ld l,$GEO_WaraiA2,23 ;「それが本当ならすごいね。@お父さんの店の新メニューに、鯖ケーキとか登場するかもしれないよ。」\ ;＜譲治 `"That would be incredible if true.`@` Maybe mackerel cake will show up on the new menu at Father's store."`\ bg G2F_R1aN,0 ld r,$BUT_WaraiA1,24 ;「わっはっはっは！@　鯖って栄養満点でヘルシーっぽいイメージがあるしよ。@女性とかお年寄りに人気が出たりしてな！@　俺は食わねぇけどよ！」\ ;＜戦人 `"Wahahaha!`@` Because mackerel is full of nutrients and has a healthy image.`@` It'll be really popular with women and old people!`@` But I'm not gonna get anywhere near it!"`\ ld c,$JES_AtyaA2,24 ;「女はそんなゲテモノは食わねぇぜ。」@ ;＜朱志香 `"Girls won't eat something that weird."`@ ld l,$NAN_fumuA1,23 ;「年寄りも遠慮したいところですな。」@ ;＜南條 `"Even old people would wish to decline."`@ cl r,23 ld r,$KUM_WaraiA1,24 ;「ほっほっほっほ！@　おいしいんですけどねぇ？」\ ;＜南條 `"Hoh-hoh-hoh-ho!`@` But it's delicious?"`\ bg black,22 ;　熊沢は十八番の鯖ネタでよく場の雰囲気を盛り上げてくれた。@ ;　…しかし降りしきる雨の音は、どうしても彼らの関心を、謎の来客に向けてしまうのだった。@ `Kumasawa was really raising the mood with the mackerel jokes that were her specialty.`@ `...But no matter what happened, the sound of the downpouring rain focused their concern on the mystery guest.`@ br ;　結局、この中で唯一ベアトリーチェに会ったという真里亞は再び質問攻めになるのだった。\ `In the end, they ended up showering Maria with questions again, since she was the only person here to have met Beatrice.`\ bgm1v 6,0 cross2 4000,70 bg G2F_R1cN,22 ld r,$GEO_MajimeA2,24 ;「………まさか、…あの話が本当だったとはね。」@ ;＜譲治 `".........I can't believe, ...that story was true."`@ ld l,$BUT_KomaruA2,23 ;「その口ぶりだと、真里亞が魔女に会ってたって話は、信じてなかったまでにも初耳じゃねぇってことらしいな。」@ ;＜戦人 `"From the way you say that you didn't believe, `@`it sounds like this isn't the first time you've heard of this witch Maria says she met."`@ ld c,$JES_atyaA1,24 ;「…あぁ。@夢見がちなお年頃の、よくあるおとぎ話くらいに思ってたぜ。」\ ;＜朱志香 `"...Yeah.`@` I thought it was a pretty common fairy tale for people of that imaginative age."`\ bg G2F_R1aN,0 ld l,$MAR_fukigenA2,23 ;「いるー！！@　ベアトリーチェは“い”るー！@　毎年、親族会議に来る度に、真里亞は会って、一緒に遊んでた！」@ `"Exi-sts!!`@` Beatrice 'exi-sts'!`@` Every year, when we come to the family conference, she meets with Maria, and we play together!"`@ ld r,$KUM_waraiA2,24 ;「そうですねぇ。@ベアトリーチェさまは、普段は姿をお見せになりませんけど、@心が綺麗で素直な方の前には、ひょっこり姿を現してイタズラをすることもあるそうですからねぇ。@ほっほっほ。」\ ;＜熊沢 `"That's right.`@` Although Beatrice-sama doesn't usually show herself, `@`I hear that she sometimes unexpectedly does so before honest people with clean hearts.`@` Hoh-hoh-ho."`\ bg black,22 bg portrait2,8 ;　ベアトリーチェは、六軒島の魔女というおとぎ話の中の存在を指し示す名前だ。@ `Beatrice was a name which referred to the being in that fairy tale about the Rokkenjima witch.`@ br ;　金蔵がずっと妄想してきた魔女像は、家人や使用人たちが金蔵のご機嫌取りをするために、肯定し吹聴していったため、@六軒島のおとぎ話、あるいは怪談として確立していった…。\ `Because the family and the servants publicly accepted the image of the witch of Kinzo's delusions to keep him in a good mood, `@`the Rokkenjima fairy tale, or maybe ghost story, was formed...`\ ;　そういう経緯を知る家人たちにとっては、黄金の魔女のおとぎ話は希薄なものでしかない。@ ;　…しかし、金蔵の手前、彼らはそれを口にできなかった。\ `To the family members who knew those details, the fairy tale of the Golden Witch was only a vague thing.`@ `...However, in front of Kinzo, they hadn't been able to say that.`\ bg black,22 ;　だから、経緯を知らない人間にとっては、@…例えば幼い真里亞にとっては、それは断じて希薄なものではなく、…本物の魔女伝説なのだ。\ `So those who didn't know the details`@`...like young Maria, for example, it definitely wasn't vague, ...but a real legend of the witch.`\ ;　だから、真里亞は魔女伝説を信じた。@ ;　鵜呑みにした。@ `So Maria believed in the legend of the witch.`@ `She swallowed the story.`@ br ;　…それは、魔女を信じる夢見がちな少女にとって当然のことだった。\ `...That was natural for an imaginative girl who believed in witches.`\ ;　だから誰も彼女の夢を裏切るようなことを口にしなかった。@ ;　…むしろ、彼女の夢を盛り上げるように口裏を合わせた。\ `So no one said anything to betray her dream.`@ `...On the contrary, they had arranged things beforehand to get her excited about her dreams.`\ bg G2F_R1cN,0 ld c,$GEO_majimeA2,26 ;「…だから、真里亞ちゃんがベアトリーチェにもらったお菓子、といって僕らに見せびらかすことがあっても、@…多分、誰かがそういうことにして真里亞ちゃんの手提げの中にこっそり飴玉でも忍ばせたのだろうって思ってた。」\ `"...So even though Maria-chan was showing off to us that candy which she said the witch gave her,`@` ...I thought that somebody had probably slipped a candy into Maria-can's handbag."`\ bg black,23 bg G2F_R1aN,0 ld l,$NAN_fumuA1,23 ;「…………私も、昔に二度か三度、そういうフリをして、@こっそりお菓子を置いてあげたことがあります。@/ `".........I have also acted in such a way two or three times, long ago, `@`secretly placing sweets somewhere. `@/ ld l,$NAN_MajimeA1,80 ;…おそらく、熊沢さんにも、いや、使用人の皆さんや、右代宮家の皆さんも一度や二度はあるんじゃないでしょうか。」\ ;＜南條 `...Probably, Kumasawa-san too, no, all of the servants and all of the Ushiromiya family have done it once or twice."`\ ld r,$BUT_futekiA1,24 ;「……無邪気な小さい子が喜ぶなら、口裏を合わせてお菓子を置いてくこともあるか。@/ `"......So, if it will make a small, innocent kid happy, you sometimes plan it beforehand and place some sweets somewhere. `@/ ld r,$BUT_DefA1,80 ;……ってことは、譲治の兄貴なんか、だいぶやってそうだな？」@ ;＜戦人 `......Come to think of it, I'll bet you do that kind of thing all the time, right, George-aniki?"`@ cl l,23 ld l,$GEO_WaraiA1k,23 ;「…………まぁね。」@ ;＜譲治 `"............Who knows."`@ br ;　それを認めることは多分、無粋なことなのだろう。@ `Admitting that would probably be unrefined.`@ br ;　譲治は決して真里亞に悟られぬよう気をつけながらそれを認める。\ `George admitted it while being extremely wary that Maria didn't find out.`\ ld r,$BUT_komaruA2,80 ;「つまり、……サンタクロースみたいなもんか。@子どもの夢を守るために、両親がグルで嘘をついて、寝静まった子の枕元にプレゼントを置いていたと。」\ ;＜戦人 `"In other words, ......it's kinda like Santa Claus.`@` To protect a kid's dreams, the parents plot together and lie, setting presents at the bedside of a child fast asleep."`\ bg G2F_R1bN,0 ld r,$JES_majimeA1,24 ;「……子どもの夢って、守ってあげたいし。@…私は当然、サンタなんていないってとっくに知ってるわけだけど。@……もし、醒めなくてもいい夢だったなら、一生信じていたかったぜ。」\ ;＜朱志香 `"......I want to protect a kid's dreams.`@` ...Although I knew that Santa obviously didn't exist a long time ago.`@` ......If it's a dream you don't need to be disillusioned of, I wanted to believe it my whole life."`\ ld l,$NAN_DefA1,23 ;「…世の中は世知辛いばかりだと知ってしまうからこそ、@…大人はせめて子どもの、綺麗な夢を守ってやりたいと思うものです。」\ ;＜南條 `"...Because they know that the world is tough,`@` ...adults want to at least protect a child's clean dreams.`\ ld c,$MAR_KomaruA1,24 ;「うー！！@　ベアトリーチェはいるの！@　“い”るぅうー！！！」@ ;＜真里亞 `"Uu-!!`@` Beatrice exists!`@` 'Exiiiists'!!!"`@ cl l,24 ld l,$KUM_DefA2,23 ;「えぇ、いますとも。@ベアトリーチェさまはおりますよぅ？@/ `"Yes, she does.`@` Beatrice-sama does exist, right? `@/ ld l,$KUM_WaraiA2,80 ;　この前もですね、鯖を干して紅茶のダシに使おうとしておりましたら、そこへひょっこり、」\ ;＜熊沢 `Some time ago, when I was drying mackerel to make some black tea, unexpectedly..."`\ bg black,23 wait 1000 bg G2F_R1cN,24 ld r,$GEO_komaruA2k,24 ;「……まぁつまり、こういう調子。@…だったはずなんだけどね。」@ ;＜譲治 `"......Well, it's something like this.`@` ...Supposedly, at least."`@ ld l,$BUT_DefA2,23 ;「つまり。@……真里亞を除けば、誰も信じてなかったはずの魔女ってわけだ。」@ ;＜戦人 `"In short, `@`......except for Maria, it's a witch that supposedly no one believed in."`@ ld r,$GEO_Defa1,80 ;「少し言葉が足りないね。@……信じてなかったんじゃない。@…信じさせてあげようとしたんだ。」\ ;＜譲治 `"Those words don't quite explain it.`@` ......It's not that we didn't believe.`@` Everyone was trying to make her believe."`\ bg black,22 ;　子どもの純情は裏切れない、ってことか。@ `So this was about not betraying a child's innocence.`@ br ;　でも、現実にサンタはいない。@ ;　それを知りがっかりするのが嫌だというなら、最初からそんな夢を見せなければいい。\ `But Santa doesn't exist in reality.`@ `If you don't want them to be all disappointed when they learn that, you should just not show them that dream in the first place.`\ ;　…そう考えてしまうのは、まだまだ自分が大人になりきれていないからなのだろうか。@ `...Did I think like that because I was still a long way from becoming a full adult?`@ br ;　戦人は、六軒島の魔女の正体について、ようやく一定の理解を得るのだった。@ `Battler was finally getting an idea about the true form of the Rokkenjima witch.`@ br ;　………だが、現在の状況は、その理解のさらに上に立ち、@しかもその前提を全てひっくり返すものだ…。\ `.........But in the current situation, that understanding had been revised,`@` and that premise had been turned upside down...`\ bg G2F_R1cN,23 ld l,$BUT_komaruA3,23 ;「……という認識だったはずの、魔女のベアトリーチェさまが、実際に現れちまったと。@そういうことか。」\ `"......That's what we thought we knew, but the witch Beatrice-sama actually appeared.`@` Is that what this is?"`\ ld l,$BUT_nayamuA1,80 ;「しかもだ、伯父さんたちの騒ぎようを見る限り、どうも招かれた客でもないらしい。@……こりゃあ面白そうな話だぜ。」\ ;＜戦人 `"Furthermore, judging from our parents' uproar, it looks like she wasn't an invited guest.`@` ......That sounds kinda interesting."`\ ld r,$GEO_MajimeA2,24 ;「ベアトリーチェという女性が実在しない、という前提は実は存在しない。@……留弗夫叔父さんも言っていた悪魔の証明そのものだよ。@……ベアトリーチェと名乗る女性の存在を僕たちは誰も知らなかった。」\ `"There actually is no basis to say that a woman called Beatrice doesn't exist.`@` ......It's what Rudolf oji-san called a Devil's Proof.`@` ......None of us knew that a woman calling herself Beatrice existed."`\ ld r,$GEO_MajimeA1k,80 ;「…でも、だからといってそれが、ベアトリーチェが実在する可能性を否定できるわけじゃない。」\ ;＜譲治 `"...But that doesn't necessarily mean we can deny the possibility that Beatrice exists."`\ bg black,22 fede 0,2000 bg G2F_R1aN,23 ld r,$JES_DefA1,23 me1v 12,40 ;「……南條先生は祖父さまとの付き合いが長いですよね？」@ ;＜朱志香 `"......Doctor Nanjo, you've been friends with Grandfather for a long time, right?"`@ ld l,$NAN_fumuA1,23 ;「…………………。@…一時期、親族会議で蔵臼さんたちにずいぶんと聞かれた話ですな。@……その昔、金蔵さんにベアトリーチェという愛人がいて、その隠し子がいるのではないかという話です。」\ ;＜南條 `"...............`@`...At one point, I heard a lot about it at the family conference from Krauss-san and the others.`@` ......A story that, long before that time, perhaps Kinzo-san had a mistress, and a hidden child with her."`\ cl r,23 ld r,$BUT_DefA1,24 ;「なるほどな。@親父たちは遺産分配で頭がいっぱいだ。@そこに愛人の娘なんてのが現れれば、面倒なことになるのは火を見るより明らか、ってわけだ。」\ ;＜戦人 `"I see.`@` Our parents' heads are full with the distribution of the inheritance.`@` So it's obvious that if the daughter of a mistress showed up, it'd be troublesome for them."`\ ld l,$NAN_MajimeA1,80 ;「蔵臼さんたちも、最初は源次さんに聞かれたのでしょう。@しかし、源次さんは金蔵さんに忠誠を誓う側近で、…多分、私よりも金蔵さんが心を許す親友です。@……源次さんは多分、何も語らなかったのでしょう。@……それで次に古い友人である私の方に話を聞こうということになったのでしょうな…。」\ ;＜南條 `"Krauss-san and the rest probably asked Genji-san about it first.`@` However, Genji-san has sworn loyalty to Kinzo-san as his right-hand man, ...and is probably a more trusted friend to Kinzo-san than myself.`@` ......Genji-san probably didn't say anything.`@` ......So next, they went to ask me as his old friend..."`\ ld r,$BUT_MajimeA1,80 ;「んで。@……結論として南條先生。@……祖父さまに、ベアトリーチェという愛人はいたんすか。」\ ;＜戦人 `"And?`@` ......So, ......did Grandfather have a mistress called Beatice, Doctor Nanjo?"`\ textoff bgm1v 17,0 cross2 3000,70 ld l,$NAN_fumuA1,80 ;「……………おりました。@…いえ、私は会ったことはありませんぞ。@…ですが、そういう女性と交際があったと金蔵さんから聞かされたことはありました。@………相当昔にお亡くなりになられたそうで。」\ ;＜南條 `"............He did.`@` ...No, I have never met her.`@` ...However, I have heard from Kinzo-san that he had a relationship with a woman like that.`@` .........He said that she passed away a very long time ago."`\ bg black,22 bg portrait2,2 ;「……死んだ。@……その間に子どもがいたとか？」@ ;＜戦人 `"......She's dead.`@` ......And did she have a child with him?"`@ ;「それはわかりません。@……ただ金蔵さんは、ベアトリーチェを蘇らせるために研究をしていると常々言っておりました。@…普通は、愛人を失い忘れ形見がいたならば、そちらにその分の愛情を注ぐものです。@……ですから、金蔵さんとベアトリーチェの間に子どもはいなかったろうと私たちは自然に考えました…。」\ ;＜南條 `"That, I do not know.`@` ......But Kinzo-san always says that he is researching how to revive Beatrice.`@` ...Usually, if one loses a mistress and has a child left from them. they pour all of that love on that child.`@` ......Therefore, we naturally thought that there wasn't a child between Kinzo-san and Beatrice..."`\ textoff se1 27 bg white,1 wait 1000 bg portrait3,42 bg black,42 bg G2F_R1bN,0 ld r,$BUT_majimeA1,26 ld r,$BUT_oyaA1,80 ;「…………うん？@　…ってことは、それも悪魔の証明になっちまうな。」@ ;＜戦人 `"............Yeah?`@` ....In other words, that also makes for a Devil's Proof."`@ ld l,$JES_OdorokiA1,23 ;「……なるぜ。@……愛人との間に子どもが“いなかった”ことは証明不能。@……現にこうして現れた以上、“いた”ってことになっちまうわけか。」\ ;＜朱志香 `"......It does.`@` ......It's impossible to prove that a child between him and a mistress 'didn't exist'.`@` ......So now that she's actually appeared, we have to assume that she does 'exist'."`\ bg G2F_R1cN,0 ld r,$GEO_KomaruA1,24 ;「少し暴力的な理論だね。@……右代宮家の遺産問題でトラブルが生じていることを聞きつけ、@何者かがお祖父さまの大昔の愛人関係を知り、@それを装って遺産問題に食い込もうとしているとかの方が現実的だよ。」\ ;＜譲治 `"That's a bit of a rushed argument.`@` ......It's more realistic that someone caught wind of the trouble with the Ushiromiya family inheritance problem,`@` knew about Grandfather's relationship with a mistress long ago, `@`and impersonated her, trying to get something out of the inheritance problem."`\ ld l,$BUT_nayamuA2,23 ;「……現実的ではある。@…しかし、本当に彼女が隠し子で、@しかもその上、祖父さまに顧みられなくて孤独に生き、復讐に帰ってきたって設定も、否定はできねぇよな…？」@ ;＜戦人 `"......It is realistic.`@` ...However, we can't deny the possibility that she really is a hidden child, `@`who lived in isolation, forgotten by Grandfather, and who's returned for revenge, right...?"`@ ld r,$JES_atyaA2,24 ;「復讐ぅ？！@　何だよそれぇ！」\ ;＜朱志香 `"Revenge?!`@` What do you mean?!"`\ ld l,$BUT_defA2,80 ;「あぁ、スマンスマン…。@/ `"Aaah, sorry, sorry... `@/ ld l,$BUT_aseruA1,80 ;男なんでよ、ついつい面白そうな方に脚色しちまうぜ。@妙なドラマの見過ぎだな。@いっひっひっひ！」\ ;＜戦人 `Guys just like to embellish things to make them sound interesting.`@` I've seen too many weird dramas.`@` Ihihihi!"`\ ;　本来なら、それは軽薄な冗談のはず。@ ;　……しかし、誰も招いていなかったという謎の来客はベアトリーチェを名乗り、@親族同士でも血生臭い議題となろう遺産分配を話し合う親族会議の日に、乗り込んでくる。\ `Normally, that should have been a light joke.`@ `......But it had come when a mystery guest calling herself Beatrice, who no one had invited,`@` had marched in on the day of the family conference, when the bloody argument which the inheritance distribution had become was being discussed.`\ ;　………戦人の冗談が、笑いをもって迎えられようはずもなかった。@ `.........There was no way that Battler's joke would be welcomed with laughter.`@ br ;　だから、南條が場を和ますために快活に笑い出してくれたのはとても助かることだった。\ `So it was a really big help when Nanjo laughed energetically to calm everyone down.`\ bg black,22 bg G2F_R1bN,0 ld r,$NAN_fumuA1,23 me1v 12,40 ;「はっはっはっは…。@なるほどなるほど、それはなかなか面白そうですな。@そんな筋書きの小説をぜひ読んでみたいものです。」\ ;＜南條 `"Hah-hah-hah-ha...`@` I see, I see, that does sound quite interesting.`@` I should love to read a novel with a plot like that."`\ ld l,$BUT_DefA2,23 ;「まぁ、現実にはそんなことはできねぇと思う。@……何しろよ、今、この島には、ひぃふぅみぃ…、１８人もいるんだぜ？@/ `"Well, I don't think that could actually work.`@` ......After all, right now, on this island, there's one, two, three..., 18 people, right? `@/ ld l,$BUT_WaraiA2,80 ;　妙なことをすればすぐにでも取り押さえられちまう。@それに、台風のお陰で島から逃げ出すこともできない。@つまり、とんでもない事件を起こそうにも、どうにもならねぇってことさ。」\ ;＜戦人 `If they did something weird, they'd immediately be caught.`@` And thanks to the typhoon, they can't even leave the island.`@` In other words, it really doesn't look like some crazy crime is gonna happen."`\ ld c,$GEO_DefA1,24 ;「……同感だね。@退路の絶たれた袋小路で、しかも充分怪しまれているような状況下で、@そんな恐ろしい復讐劇なんか、とてもできるとは思わないね。」@ ;＜譲治 `"......I agree.`@` In a dead-end, without any way to escape, and in a situation where everyone is suspicous, `@`I really don't think they could pull off a terrifying revenge drama like that."`@ ld r,$NAN_MajimeA1,80 ;「でしょうなぁ。@…ならば、姿など現さずに暗躍しての復讐の方が現実味があるというものです。@堂々と姿を現して仇討ちなど、時代劇の中でしか考えられませんなぁ。」\ ;＜南條 `"Probably.`@` ...In that case, it would be more realistic if she had come in secret, without showing herself.`@` You do not often hear about people appearing openly for revenge except in historical plays."`\ bg G2F_R1cN,0 ld r,$JES_atyaA1,24 ;「わからねぇぜ？@　復讐ってのは感情でやるもんだ、理屈じゃねぇぜ。@/ `"I don't get it.`@` Revenge is based on emotion, not logic. `@/ ld r,$JES_atyaA2,80 ;それこそ、刺し違えてでもなんて考えたら、別に警察も人数も退路がなくても、何も怖くはないかも知れねぇぜ。」\ ;＜朱志香 `Even if that's misplaced, maybe she isn't really afraid of the police or the number of people or that there's no way out."`\ ld l,$GEO_HohoemiA1,23 ;「大丈夫だよ朱志香ちゃん。@僕たちが想像するような物騒なことは何も起きないよ。」@ ;＜譲治 `"It's alright, Jessica-chan.`@` Nothing as horrible as we imagine will happen."`@ ld c,$BUT_WaraiA1,23 ;「いっひっひ！@　遺産を巡って伯父さんたちがバトルロイヤルってのが、物騒なことじゃねぇってんならなー。」\ ;＜戦人 `"Ihihi!`@` Like the battle royal between our parents over the inheritance isn't horrible."`\ ld r,$JES_atyaA3,80 ;「……そうだよな。@…父さんも留弗夫叔父さんも体格いいし、絵羽叔母さんなんか格闘技習ってんでしょ。@……大丈夫だよね。@うん…。」\ ;＜朱志香 `"......That's right.`@` ...Dad and Rudolf-oji-san are pretty tough, and Eva oba-san's even trained in the martial arts.`@` ......It's alright.`@` Yeah..."`\ ;　朱志香は口に出さないが、自分の父親が遺産を巡り、他の兄弟たち全員と対立していることをうっすらと察していた。@ `Jessica didn't say it, but she had vaguely noticed that her own father opposed all of the other siblings regarding the inheritance.`@ br ;　彼らは子どもの前では仲が良さそうに振舞うが、一度ボロを出せば、さっきの晩餐のように、喧々諤々の大騒動なのだ。\ `They acted like everything was good in front of the children, but when that pretense was lifted away, like it had been at dinner, it would become a tumultuous uproar.`\ ;　それを察する朱志香としては、@父や母が何かのトラブルに巻き込まれて、@…恐ろしいことの犠牲になるのではないかと恐れるのも無理ないことだった…。\ `It was only natural that Jessica, realizing that, `@`would be frightened that her father and mother had gotten into some kind of trouble, `@`...and were about to be sacrificed for something terrifying...`\ ld c,$BUT_DefA2,80 ;「だよな。@譲治の兄貴の言う通りだぜ。@…何も起こらねぇよ。@魔女さまの名前を騙ろうとも、@ `"Seriously.`@` George-aniki's right.`@` ...Nothing's gonna happen.`@` Even if she pretends that she's a witch, `@`what can a` br `single `(`human woman `/・・・・・・)`who can't even use magic do?"`\ ;br ;魔法も使えない(人間の女/・・・・)がひとりで何ができるってんだ。」\ ;＜戦人 ;＜人間の女：点処理 E_A se1 27 bg white,1 wait 1000 bg black,2 wait 2000 ;「きっひひひひひひひひひひひひひひひひひひひ…。」\ `"Kihihihihihihihihihihihihihihihihihihi..."`\ bg G2F_R1bN,22 bgm1 26 ;　唐突に聞こえてきた不気味な笑い声に、全員がぎょっとする。@ ;　……その奇怪な笑い声は、真里亞が発していたものだとわかり、二度驚く。\ `The sudden, creepy laugh made all of us jump.`@ `......And when we realized that this strange laugh was coming from Maria, we were shocked again.`\ ld r,$MAR_AkuwaraiA2,26 ;「………そうなんだ。@…それが戦人の認識なんだね。」@ `".........That's right.`@` ...Battler, that's what you think, isn't it?"`@ ld l,$BUT_komaruA1,23 ;「な、………何がだよ。@気色悪い声で笑うんじゃねぇぜ。」\ `"Wh, .........what is?`@` Don't laugh all creepy like that."`\ ld r,$MAR_NiyariA1,80 ;「戦人は、ベアトリーチェの存在をとりあえずは認めてる。@１９人目の客人程度には認めてる。@…/ `"You accept Beatrice's existence for now.`@` At least you accept her as the 19th person and a guest. `@`...`/ ld r,$MAR_MajimeA1,80 ;………でも、そこまでだね？@　…１９人目のベアトリーチェが、魔女であることは認めてないね…？」\ ;＜真里亞 `.........But that's all, right?`@` ...You don't accept that the 19th person, Beatrice, is a witch, right...?"`\ ld l,$BUT_OyaA1,80 ;「突然、何を言い出すかと思えば。@……そりゃそうだろ。@ `"If I think about what I'm suddenly saying, `@`......that's probably right.`@ br ;(魔女なんているわけがねぇ/・・・・・・・・・・・・)。@それを騙る人間の女しかありえねぇだろうが。」\ ;＜魔女なんているわけがねぇ：点処理 (`Witches couldn't exist`/・・・・・・・・・・)`.`@` It's impossible for it to be anything other than a human woman pretending to be one."`\ ld r,$MAR_AkuwaraiA1,80 ;「……きひひひひひひひひひひひひひひ。@あれぇ…？@　おかしいよ、戦人。@……それは、悪魔の証明だよ？@　……魔女なんているわけがねぇ？@　でもそれは、戦人が魔女に会ったことがないというだけで、@魔女の存在を否定することにはならないねぇ…？」\ `"......Kihihihihihihihihihihihihihihi.`@` Hmmm...?`@` Isn't that odd, Battler?`@` ......That's a Devil's Proof, right?`@` ......Witches couldn't exist?`@` But just because Battler's never met a witch, `@`doesn't mean you can deny that witches exist, right...?"`\ ld l,$BUT_futekiA1,80 ;「……………。@………そうだな。@…確かにそうだ。@魔女がいねぇを証明することはできない。@……しかし、証明はできなくても、主張はできる。@魔女はいねぇという、俺の主張だ。」@ ;＜戦人 `"............`@`.........That's right.`@` ...That really is right.`@` I can't prove that witches don't exist.`@` ......However, even if I can't prove it, I can claim it.`@` I claim that witches don't exist."`@ ld r,$MAR_OdorokiA1,80 ;「どうして…？@　どうして魔女はいないなんて、証明できないくせに主張できるの…？」\ `"Why...?`@` Why can you claim that witches don't exist even though you can't prove it...?"`\ ld l,$BUT_DefA1,80 ;「そんなものはいねぇからだよ。」\ `"Because things like that don't exist."`\ textoff wait 1000 se1 21 ld r,$MAR_AkuwaraiA2,80 ;「きひひひひひひっひひひひひひっひひひ！@　それでＱＥＤ？@　何の証拠も根拠もなく証明終了？@　無知が自分の浅学さを棚上げする時の典型例。@暴力的思考停止だね。@きひひひひひひひ…！」\ `"Kihihihihihihihihihihihihihihihi!`@` So, that's QED?`@` You're finished proving it without any evidence or basis?`@` Setting aside your own superficiality is typical of the ignorant.`@` A reckless suspension of thought.`@` Kihihihihihihihi...!"`\ ld l,$BUT_KomaruA3,80 ;「となりゃ答えはひとつだぜ、真里亞。@……魔女側の反証しかねぇってことだろ。@これまた悪魔の証明だ。@……連れてくりゃ話は早い。」\ `"In that case, I have one answer, Maria.`@` ......The witch's side has to show some proof themselves.`@` This is another Devil's Proof.`@` ......If you bring one, it'll be over quickly."`\ ld l,$BUT_DefA1,80 ;「…この場合は、ベアトリーチェと名乗るご婦人が、@お星様がキラキラ飛び散るような華麗な魔法をステッキででも披露して、@ `"...In that case, this woman calling herself Beatrice would only have to display some wonderful, magnificent magic like the twinkling stars.`@ br ;(ニンゲンには不可能なことをやって見せればいい/・・・・・・・・・・・・・・・・・・・・・) ;ってことだろ？」\ ;＜ニンゲンには不可能なことをやって見せればいい：点処理 (`She would only have to show us something`/・・・・・・・・・・・・・・・・) br (`that's impossible for humans`/・・・・・・・・・・・・)`, right?"`\ ld c,$KUM_DefA1,23 ;「……ほらお二人とも。@落ち着いて下さいな…。」@ ;＜熊沢 `"......Come now, you two.`@` Please settle down..."`@ ;　二人の雰囲気が少し悪くなったことに気付き、熊沢がなだめに入ってくる。@ `Kumasawa noticed that the atmosphere between them was getting worse, and tried to calm them.`@ br ;　…戦人もすぐに、自分が大人げない対応をしていたことに気付いたようだった。@ ;　だが、真里亞は表情を緩めない。@ ;　……気色悪く笑いながら、戦人を相変わらず睨みつけている…。\ `...It seemed as though Battler quickly realized that he wasn't acting like an adult.`@ `But Maria's expression didn't loosen.`@ `......As she laughed creepily, she kept staring at Battler...`\ bg G2F_R1cN,0 ld r,$JES_komaruA1,24 ;「真里亞ももうよせよ。@…機嫌直そうぜ、な？」\ ;＜朱志香 `"You quit it too, Maria.`@` ...Let's get back in a good mood, alright?"`\ bg G2F_R1aN,0 ld l,$MAR_AkuwaraiA1,23 ;「きひひひひひひひひひひ、きひひひひひひひひひひひひひ。」@ `"Kihihihihihihihihihihi, kihihihihihihihihihihihihi."`@ ld r,$BUT_MajimeA1,24 ;「…………………。」\ ;＜戦人 `"..............."`\ ld l,$MAR_AkuwaraiA2,80 ;「……それが望みなら、ベアトリーチェはきっと見せてくれるよ。@ `"......If that's what you want, Beatrice will definitely show you.`@ br ;(ニンゲンには不可能なこと/・・・・・・・・・・・・)。@そしたら、戦人も信じるんだよね？@　ベアトリーチェのこと。」\ ;＜真里亞 ;＜ニンゲンには不可能なこと：点処理 (`Something impossible for humans`/・・・・・・・・・・・・)`.`@` When she does, you will believe too, right?`@` About Beatrice."`\ ld r,$BUT_nayamuA2,80 ;「…………おう。@……そいつを拝ましてくれたら、信じてやろうじゃねぇか。」@ `"............Sure.`@` ......If she lets me have a look, I'll believe."`@ ld l,$MAR_niyariA1,80 se2 21 ;「魔女と戦人の、議論のチェスだね。@………チェックメイトされたら、戦人は魔女を信じる。」\ `"It's a chess argument between the witch and you, Battler.`@` .........If you get checkmate, you will believe in the witch."`\ ld r,$BUT_futekiA1,80 ;「ほぅ、洒落た喩えだぜ。@……魔女が魔法を見せる。@俺のキングにチェックをかける。@/ `"Oh, that's a stylish analogy.`@` ......The witch shows her magic.`@` My king is put into check. `@/ ld r,$BUT_DefA2,80 ;俺は人間でも何らかの手段で再現可能だとイチャモンをつけて、キングを逃す。@…それが出来なきゃチェックメイトってのは、確かにいい喩えだ。」\ `I quibble, saying that it would be possible to reproduce that by measures even a human could take, and my king escapes.`@` ...And since if I couldn't do that, it'd be checkmate, that's a pretty good analogy."`\ bg black,22 bg chess1,22 me1v 16,50 ;「戦人。@……チェスというのは、相手も自分も同じ動きの駒を持ってる。@だから相手の手も読める。@…………でもね？@　相手の駒が、戦人の駒よりさらに不思議な動きができることを、戦人は今、想定していない。@魔女のはずないからと、ベアトリーチェの動かす駒の動きを、自分とどうせ同じだと決め付けている。」@ `"Battler.`@` ......In chess, you and your opponent have pieces which move in the same way.`@` So you can predict your opponent's moves.`@` ............But you know what?`@` You haven't supposed that your opponent's pieces might be able to move in much more strange ways than yours.`@` You've simply assumed that, since witches shouldn't exist, the movements of Beatrice's pieces will obviously be the same as your own."`@ ;「………………………。」\ `"....................."`\ bg G2F_R1bN,0 ld c,$MAR_AkuwaraiA1,22 ;「……でもね？@　………悪いけど、戦人のチェスの相手はニンゲンじゃない。@魔女なの。@……ニンゲンには指せない駒の動きができる。@………戦人は今、そこの認識を間違えているの。@…戦人は霧江伯母さんのチェス盤思考って、好きでしょ？」\ `"......But you know what?`@` .........Sorry Battler, but your chess partner isn't human.`@` She's a witch.`@` ......She can move her pieces in ways that humans can't.`@` .........Right now, your knowledge is wrong.`@` ...Battler, you like Kyrie oba-san's chessboard thinking, right?"`\ bg G2F_R1aN,0 ld l,$BUT_oyaA1,23 ;「………あぁ。@相手の立場に立っての思考術ってやつを、気に入ってるぜ。」\ `".........Yeah.`@` I like that style of thinking where you stand in your opponent's position."`\ ld r,$MAR_IkariA1,24 ;「だからダメなの。@相手は魔女なのに、戦人はそれを認めない。@………だから、魔女の指せる手を理解できず、チェス盤思考が通じない。@相手の認識を間違えている。@チェス盤思考の一番最初の前提が崩れてる。」@ `"And that's useless.`@` Even though your opponent is a witch, you won't accept that.`@` .........So you can't understand the moves a witch can make, and your chessboard thinking won't work.`@` Your knowledge of your opponent is wrong.`@` The very first premise of chessboard thinking is broken down."`@ ld l,$BUT_niramuA3,80 ;「……………………ほぉ。@…そう来るかよ。」\ `"..................Ooh,`@` ...is that what you say?"`\ ld r,$MAR_akuwaraiA2,80 br ;「(そなたは魔女とのチェスに勝てぬ/・・・・・・・・・・・・・・・)…！@　きっひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひ！」\ ;＜そなたは魔女とのチェスに勝てぬ：点処理 `"`(`You cannot win in chess against a witch`/・・・・・・・・・・・・・・・)`...!`@` Kihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihihi!"`\ ;■時間経過〜薔薇庭園東屋 mov %play_scene,71 textoff bg black,5 fede 0,3000 wait 1000 me1v 12,70 dllefe 1,1 bg rose_1aN,2 wait 3000 bg black,22 dllefe_off bgm1v 30,0 cross2 3000,70 bg garden_R1aN,4 ld r,$SHA_fumanA1,24 ;mevol 1,40 ;「…その後のことはわかりません。@私たち使用人は食堂に近付くなと厳命されましたもので…。」\ ;＜紗音 `"...I do not know what happened after that.`@` We servants were ordered not to approach the dining room..."`\ bg garden_R1bN,0 ld l,$GEO_majimeA1,24 ;「………なるほどね。@それで、紗音はその、ベアトリーチェという人物に以前、会ったことはある？」@ `".........I see.`@` So, Shannon, have you ever met this person called Beatrice before?"`@ ld r,$SHA_fumanA1,24 ;「………………………。@……わかりません。」@ `"..................`@`......I don't know."`@ br ;　それは少しだけ不思議な言い方。@ ;　記憶が曖昧だという意味と、少し違うように思った。\ `That was a slightly odd way to say it.`@ `I thought it didn't sound like she meant her memory was vague.`\ ld r,$SHA_MAjimeA1,80 ;「……私たち使用人にとって、ベアトリーチェさまはお屋敷のもうひとりの主です。@……お館様に感化されてそうだと吹聴している、という風に仰る方もおられますが…。@……私がここへ勤め始めた時から、ベアトリーチェさまの話はすでに囁かれておりました。」\ `"......For us servants, Beatrice-sama is another master of this mansion.`@` ......Some say something like we were influenced by the Master and spread that rumor...`@`......but since the time I started working here, the story of Beatrice-sama was already whispered about."`\ ld l,$GEO_MajimeA1k,80 ;「前に聞いたよ。@…敬わないと呪われたりして、実際に事故にあった使用人もいるんでしょ。」\ `"I heard about it before.`@` ...There was a servant who didn't respect her, was cursed, and actually had an accident."`\ ld r,$SHA_KomaruA1,80 ;「えぇ…。@……ただ、信じる信じないに個人差があったのは確かです。@…私はその、…そういうものには敬いを忘れないのが信条ですので、存在を疑ったことはありません。@……黄金の魔女という、/ ;!d800…その、……不確かな存在がきっといると、おぼろげに信じていました。」\ `"Yeah...`@`......but it's true that some people believed more or less than others.`@` ...I, umm, ...believe that respect for that sort of thing shouldn't be forgotten, so I have never doubted that she exists.`@` ......I dimly believed that a, `/ !d800`...umm, ......uncertain being called the Golden Witch surely existed."`\ ld l,$GEO_MajimeA2,80 ;「…それで、実際にその不確かな存在の魔女が、姿を現して堂々と玄関からやって来た…、@ということなのかな。」\ `"...And then that witch whose existence was uncertain actually showed herself and appeared openly from the entrance hall..., `@`is that what happened?"`\ bg black,22 ;「………わかりません。@……………私には、…何も。」@ ;「………………。@…紗音は夕食を運んだ時に何か、話はした？」@ ;「…………………………………。@……いいえ、何も。」\ `".........I don't know.`@` ............I don't know, ...anything."`@ `"............`@`...When you brought her dinner, did you talk about anything?"`@ `"........................`@`......No, nothing."`\ bg garden_R1cN,0 ld r,$GEO_DefA1,26 ;「そっか。@…しかし、ご飯を食べる魔女というんじゃ、何だかリアリティがないね。@やっぱり、この島の魔女伝説を知る何者かが、ベアトリーチェの名を騙っているだけなんだろうね。」\ `"I see.`@` ...Still, a witch that eats food somehow doesn't sound so realistic.`@` Maybe it's just someone who knows about the witch legend on this island taking on Beatrice's name after all."`\ ld r,$GEO_WaraiA2,80 ;「………紗音ちゃんは、ベアトリーチェを多分、お屋敷の守り神みたいに思って敬ってきた気持ちがあると思うんだよ。@だから、それを名乗る人物が現れたので、少し動揺しちゃったんじゃないかな。」\ `".........I think that you've probably come to respect Beatrice and think of her as something like a guardian god of the mansion.`@` So when a person appeared actually calling themselves that, maybe you were a little disturbed."`\ ld l,$SHA_fumanA1,23 ;「………。@………そうですね。@きっとそうなんじゃないかと思います。」\ `".........`@`.........That's right.`@` I'm sure that might be the case."`\ ;　譲治は、紗音の元気のなさそうな様子に少し戸惑っていた。@ `George was slightly at a loss at what to do about Shannon's downcast appearance.`@ br ;　……ひょっとすると、@ベアトリーチェという人物に心当たりがないかと、@源次だけでなく紗音たち若い使用人も厳しい追及を受けたのかもしれない…。@ `......Possibly, `@`not just Genji, but the young servants had also been strictly questioned about whether they had a clue as to who this person called Beatrice was...`@ ;　そう思い、何とか元気付けようとしていた。\ `Thinking that, he tried to somehow cheer her up.`\ bg black,25 ;　真里亞や朱志香のように、紗音もまた、黄金の魔女を名乗る人物の突然の来訪に、きっと動揺を隠し切れないのだろう。@ `Like Maria and Jessica, Shannon also had surely been unable to completely hide her agitation over the sudden visit of a person calling herself the Golden Witch.`@ br ;　そうに違いないと思った。@ ;　…しかし、譲治には紗音の胸中を知る術などないだろう。\ `He thought that must be the case.`@ `...But George probably had no technique of looking into Shannon's heart.`\ ;bgm1v 30,0 ;cross2 3000,70 me1v 12,40 ;　紗音は悔しく、そして悲しかった。@ `Shannon was bitter and sad.`@ br ;　……黄金郷の扉が、開かれる。@ ;　……魔女は確かにそう告げた。\ `......The door to the Golden Land, had been opened.`@ `......The witch had definitely told her that.`\ ;　それが意味するものは、全ての終焉。@ `That meant, the demise of everything.`@ br ;!s0　………譲治に婚約指輪をもらおうとも、/ ;!d1000…………もう、結ばれることはないということ。/ !s0`.........Even if she accepted the ring from George, `/ !d1000`............now, they could never be married.`/ !sd\ ;　いや、………そもそも。@ ;　…家具の自分に、……結ばれる資格はあったのか。@ `No, in the first place...`@ `...Did furniture like her, ......have the right to be married?`@ br ;　魔女が終焉を告げに訪れなくても、……いつかは破綻する運命だったのではないか。@ ;　譲治との楽しい日々だけに目を向け、…わざと目を瞑ってきた、悲しい現実ではないのか。\ `Even if the witch hadn't come to tell of their demise, ......wasn't it fated to fail sometime or another?`@ `Had she turned her gaze towards the fun days with George, ...and purposefully closed her eyes to the sad reality?`\ ;me1v 12,0 ;cross1 3000,40,40,40,40,40 fede 1,3000 bg garden_R1bN,24 ld r,$GEO_komaruA2,24 ;「…………どうしたんだい。@…さっきから本当に元気がない。」@ `"............What's wrong?`@` ...You really haven't looked well for a while now."`@ ld l,$SHA_KomaruA1,23 ;「譲治さん。@……婚約って、…何でしょうか。」\ `"George-san.`@` ......What does it mean, ...to be engaged?"`\ ld r,$GEO_KomaruA3k,80 ;「え？！@　あ、……えっと！@/ `"Huh?!`@` Ah, ......err! `@/ ld r,$GEO_MajimeA1,80 ;　結婚の約束をする、という意味だよ。@…でも僕はその意味において結婚と同じものだと考えてる。@……本当なら、僕は今すぐにでも君を娶って家へ連れ帰りたい。@……でも、僕は今、修行中の身で、まだまだ自らの城を築き上げる力量がない。@だからこそ、一人前になって初めて、胸を張って君を連れ帰りたいんだ。」\ `It means making a promise to marry.`@` ...But I think that means it's the same thing as marriage.`@` ......Honestly, I want to take you as my wife right now, and take you back home.`@` ......But right now, I am in the middle of training, and I'm still a long way from gaining the ability needed to create my own castle.`@` That's why I want to stick out my chest for the first time since becoming an adult and take you home with me."`\ ld r,$GEO_DefA1,80 ;「それは遠い未来の話じゃない。@ほんの３年ほどを待って欲しいというだけの話なんだ。@……でも僕は、だからといって３年間、自分の気持ちを偽っていたくない。」\ `"I'm not talking about the distant future.`@` I just want you to wait a short three years.`@` ......But that doesn't mean I want to lie about our feelings for another three years."`\ ld r,$GEO_MajimeA1k,80 ;「だから、……婚約指輪を贈ろうと決めたんだ。@……それは、男として情けない理由かもしれない。@妻と仕事を両立できないから待って欲しいなんて理由での婚約なんて、情けないものかもしれない。@/ `"So, ......I decided to give you an engagement ring.`@` ......That might be a shameful reason as a man.`@` An engagement because I want you to wait, because I can't balance a wife and a job, might be shameful. `@/ ld r,$GEO_MajimeA1,80 ;……でも僕は決して君を、」\ `......But I will definitely-"`\ ld l,$SHA_majimeA2,80 E_A bgm1 8 ;「………ありがとうございます。@…譲治さんにとって、婚約指輪が、恋人に贈るプレゼントのひとつではないということがわかりました。」@ `".........Thank you very much.`@` ...I understand that to you, George-san, this engagement ring isn't just another present you would give to a lover."`@ ld r,$GEO_MajimeA3k,80 ;「と、当然だよ。@婚約指輪はただのアクセサリーじゃない。@尊い約束を指輪の形で残す、恋人たちの宣誓なんだ。」\ `"Th, that was sudden.`@` An engagement ring isn't a simple accessory.`@` It's an oath between lovers, an honored promise left in the form of a ring."`\ ld l,$SHA_WaraiA3,80 ;「………くすくす。@…だとすると、すぐにも結婚するなら、不要なものということになりますよね？」@ `".........*giggle*.`@` ...In that case, if we get married quickly, it would become unnecessary, right?"`@ ld r,$GEO_komaruA3k,80 ;「そ、その時は婚約指輪じゃない。@結婚指輪として渡すよ。@……どちらにせよ、君に指輪を贈ることに変わりはないのさ。」\ `"Th, then it won't be an engagement ring.`@` I'll give it to you as a wedding ring.`@` ......Either way, it won't change the fact that I'll give you a ring."`\ ld l,$SHA_tokuiA1,80 ;「この女は俺のモノだから、誰も手を出すなよっていう売約札みたいなものですね。」@ `"So it's a sales contract, like saying 'This woman is mine, nobody touch her'."`@ ld r,$GEO_komaruA3,80 ;「ん、……、いやその、……そんな意味じゃ……。@……………こほん。」\ `"Nn, ......, no, umm, ......that's not what I......`@`............*cough*."`\ bg black,22 ;　譲治は自分の情けない性分を知っていた。@ ;　紗音に惹かれ、立派な男になろうと誓った時、情けない自分と決別すると誓ったのだ。@ `George knew about his shameful character.`@ `When he had been captivated by Shannon, and sworn to become an excellent man, he had sworn to throw away the shameful part of himself.`@ br ;　……だから、わざとでもいい、少し乱暴な答えを選ぶ。@ ;　…それが、紗音にとって力強いものになると信じて。\ `......So, even if it was on purpose, he chose to answer a little roughly.`@ `...He believed that that would be reassuring to Shannon.`\ textoff fede 0,2000 bg garden_R1bN,26 ld c,$GEO_MajimeA1k,24 wait 2000 ld c,$GEO_MajimeA1,24 ;「………いや、…その通りかもしれない。@………紗代。@/ `".........No, ...that may be true.`@` .........Sayo. `@/ bgm1 22 ;君を、僕の妻にする。@…他の誰にもやらない。@僕だけのものにする。@…だから誰も手を出すな。@……そういう指輪だよ。@…間違いない。」\ `I'll make you my wife.`@` ...I won't give you to anyone else.`@` I'll make you all mine.`@` ...So no one will lay a hand on you.`@` ......That's what this ring is.`@` ...Without a doubt."`\ bg black,25 ;「ありがとうございます、譲治さん。@…………本当に、嬉しいです。」\ `"Thank you very much, George-san.`@` ............I'm truly, happy."`\ br ;　なら譲治さん。@ `Then, George-san.`@ br ;　……この婚約指輪が、……その約束を果たせないことが運命付けられていたとしても、……私に贈りますか…？@ `......If it was decided by fate that this engagement ring, ......that this promise would not be fulfilled, ......would you still give it to me...?`@ br ;　…紗音はそう聞こうとしたが、…その言葉を飲み込んだ。\ `...Shannon tried to ask that, ...but she swallowed her words.`\ ;　なぜなら、譲治はその質問の答えをもう口にしている。\ `Because George had already spoken the answer.`\ ;　……譲治は言った。@ `......George had said it.`@ ;　彼にとっての婚約指輪は、結婚指輪と限りなく同じものであると言った。@ ;　だから、譲治の指輪を受け取ることは、結婚の約束よりもはるかに神聖な意味を持つ。\ `He had said that to him, an engagement ring was infinitely similar to a wedding ring.`@ `Therefore, accepting George's ring had a far more sacred significance than a promise to marry.`\ bg garden_R1bN,0 ld r,$GEO_MajimeA1k,26 ;「だから。@……僕はあえてこれを婚約指輪と呼ぶのをやめにする。@/ `"Therefore.`@` ......I will stop calling this an engagement ring. `@/ ld r,$GEO_majimeA1,80 ;今からこれは、婚約じゃない。@結婚指輪だ。」@ `From now on, this isn't an engagement.`@` It's a wedding ring."`@ ld l,$SHA_HajiraiA2,23 ;「い、…いいのでしょうか…？@　神さまの祝福もなく、私たちが結ばれたことを、その、勝手に宣言してもいいのでしょうか……？」\ `"I, ...is that alright...?`@` Is it alright to, umm, just proclaim that we're married without God's blessing......?"`\ ld r,$GEO_HohoemiA1,80 ;「うん。@神さまも、父さんも母さんも全て事後報告で充分さ。@僕たちが、二人は結ばれたと一方的に宣言する。@………それは誰にも覆せない。」@ `"Yeah.`@` It's enough to tell God, Father, and Mother about it afterwards.`@` We'll claim that we are married.`@` ..........No one can cover that up."`@ ld l,$SHA_HajiraiA1,80 ;「………譲治さん……。」\ `".........George-san......"`\ ld r,$GEO_MajimeA1k,80 ;「僕は、一時の感情で言ってるんじゃない。@今だけの君を見て言ってるんじゃない。@………明日の君も、明後日の君も。@…それこそ未来の、老後の君すらも見据えて言っている。」@ `"I'm not saying this because of a momentary emotion.`@` I'm not just looking at how you are now.`@` .........I'm looking at the you of tomorrow, of the next day.`@` ...I'm even gazing at you as you'll be in old age, in the future, as I say this."`@ ld l,$SHA_hajiraiA3,80 ;「……いつも譲治さんが話していることですよね。@…元気な子どもや孫たちに囲まれて、ゆっくりとした老後を過ごしたいって。」\ `"......You are always talking George-san.`@` ...About how you want to spend your old age slowly, surrounded by healthy children and grandchildren."`\ ld r,$GEO_majimeA1,80 ;「うん。@その時、僕の隣には年老いた君がいる。@それを僕は予告、いや、予言するよ。@…うん。@必ずその日は訪れるから。」@ `"Yeah.`@` At that time, an older you will be beside me.`@` That is what I say, no, what I foresee.`@` ...Yes.`@` Because that day will surely come."`@ ld l,$SHA_TokuiA1,80 ;「……………………必ず、/ ;!d800…訪れますか。@……………………。」\ `".....................Will it, `/ !d800`...surely come?`@` .................."`\ ld r,$GEO_hohoemiA1,80 ;「うん。@必ず。@絶対。@……それを、言葉でない形で証明するのが、この指輪なんだよ。」@ `"Yes.`@` Surely.`@` Definitely.`@` ......And this ring proves it without words."`@ ld l,$SHA_HajiraiA1,80 ;「……………見せて、/ ;!d600……ください。」@ `"............Please, `/ !d600`......show me."`@ ld r,$GEO_komaruA5,80 ;「え？@/ ;!s0　あ、/ ;!d400あ、/ ;!d400あ、/ ;!d400………こ、こ、これさ…！」/ `"Huh? `@/ !s0`Ah, `/ !d400`ah, `/ !d400`ah, `/ !d400`.........h, h, here it is...!"`/ !sd\ ;　譲治は指輪を見せて欲しいと言われたのだと思い、慌てて指輪の箱を取り出す。@ ;　…あれだけ練習したにもかかわらず、格好良くはできなかった。\ `George, thinking he was being told to show her the ring, hurriedly took out the ring box.`@ `...Even though he had practiced so much, he hadn't been able to look cool.`\ ;　しかし、紗音はそれを見ていない。@ `But Shannon wasn't looking at that.`@ br ;　……すっと、まっすぐな眼差しに、うっすらの涙と笑みを浮かべて。@ ;　………じっと譲治の瞳を、…いや、瞳の向こうに見えるものに目を凝らしていた…。\ `......In her straight and direct gaze were vague tears and a smile.`@ `.........She concentrated her eyes on George's eyes, ...no, on something she could see beyond his eyes...`\ bg black,22 ;!s0「……私に、/ ;!d600…………その未来を、/ ;!d800…………見せてください。」/ !s0`"......Please, `/ !d600`............show me, `/ !d800`............that future."`/ !sd@ ;「あ、……………、あぁ。@……見せるよ。@必ず。@……約束する。@………老後までじゃない。@…死んだ後も。@…僕らは魂になっても、ずっとずっと一緒にいる。」\ `"Y, ............, yeah.`@` ......I'll show you.`@` Surely.`@` ......I promise.`@` .........And not just until old age.`@` ...After we die too.`@` ...Even if we become spirits, we'll always, always be together."`\ bg garden_R1cN,26 ;　紗音は涙を擦り、指輪の箱を手に取る。@ ;　中には、二人を祝福するに充分値するダイヤの指輪が納められていた。@ `Shannon wiped away her tears and took the ring box.`@ `Inside was a diamond ring worthy of blessing the two of them.`@ br ;　譲治は頭の中で何度も反復練習した台詞を口にする。\ `George said the line that he had practiced over and over again inside his head.`\ bg garden_R1aN,0 ld r,$SHA_HajiraiA1,0 ld l,$GEO_komaruA5k,23 ld l,$GEO_komaruA4,80 ;「そ、……その指輪を、好きな指にはめて、それを返事にしてほしいんだ。@/ `"I, ......I want you to put that ring on, whatever finger you like, and have that be your answer. `@/ ld l,$GEO_komaruA3,80 ;えっと、つまり明日の朝までに……、」@ `Umm, so, by tomorrow morning......"`@ ld r,$SHA_tokuiA1,80 ;「……くす。」\ `"......*giggle*."`\ bg black,22 ;　紗音は微笑むと、指輪を取り、/ ;!d900……とても当り前な動作で、それを左手の薬指に通した。@ `Shannon smiled, took the ring, `/ !d900`......and with a completely natural movement, put it on the ring finger of her left hand.`@ br ;　それは本当に、……とてもとても当り前の動作に見えて、@譲治はしばらくの間、呆然としてしまっていた…。\ `It really had looked, ......like a very, very natural movement,`@` and for a while, George was stunned...`\ cross2 2000,100 bg garden_R1aN,22 ld c,$SHA_HajiraiA3,24 ;「これが、私のお返事です。@…譲治さん。」@ `"This, is my answer.`@` George-san."`@ cl a,0 ld r,$SHA_HajiraiA3,0 ld l,$GEO_komaruA4,23 ;「紗音……、@いや、/ ;!d600………紗代……………。」\ `"Shannon......, `@`no, `/ !d600`.........Sayo............"`\ bg black,2 me1v 12,50 ;!s0「……魂になっても、/ ;!d800………ずっと、/ ;!d400…………ずっと……、/ ;!d600一緒です。@………譲治さん。」\ !s0`"......Even if we become spirits, `/ !d800`.........we'll always, `/ !d400`............always......, `/ !d600`be together.`@` .........George-san."`\ !sd bg rose_1bN,2 dllefe 1,1 ;　神の祝福も、牧師の立会いも、何もない。@ ;　でも、結ばれる二人が、宣言した。@ ;　…二人の魂は今日ここに結ばれたのだ………。\ `There was no blessing from God, no pastor to witness, nothing.`@ `But the two who were married, proclaimed it.`@ `...Two souls were joined here today.........`\ textoff wait 2000 fede 1,8000 wait 3000 ;■時間経過のシーン。@屋敷玄関 mov %play_scene,71 textoff bg black,5 mevol 1,70 bg M_o1aN,22 wait 2000 bg black,22 dllefe_off bg Ment_1aN,22 cross1 2000,40,40,40,40,40 ld r,$KAN_MajimeA1,24 bgm1 25 ;「…………………姉さんは、…………馬鹿だ。」@ ;＜嘉音 `"...............Nee-san, ............you're an idiot."`@ ld l,$SHA_TokuiA1,3 ;「……そうかな。」@ ;＜紗音 `"......Is that so?"`@ ld r,$KAN_ikariA1,80 ;「家具のくせに……。@……家具の…くせに……！」\ `"Even though you're furniture...... `@`......Even though...you're furniture......!"`\ ld l,$SHA_majimeA2,80 ;「私、家具じゃないよ。@もう。」\ `"I'm not furniture.`@` Not anymore."`\ cl a,0 ld c,$KAN_IkariA1,24 E_MA ;「……嘘だ！！@　どうして自分を騙すんだよ！@　人間になんか絶対になれないって、知ってるくせに！@　黄金郷へ行かなきゃ人間になれないって、知ってるくせに！！@　……なのに、どうして黄金郷へ行ける約束を自分で反故に…！！」\ `"......Liar!!`@` Why are you fooling yourself?!`@` Even though you know that you can never become human!`@` Even though you know that you can never become human unless you go to the Golden Land!!`@` ......Even so, why did you throw away your promise to go to the Golden Land...?!!"`\ bg Ment_1bN,0 ld r,$SHA_tokuiA1,24 ;「そっか。@指輪を受け取ったら、……ベアトリーチェさまとの約束が、なかったことになっちゃうんだったね。@……くす、ごめんね。」\ `"Oh yeah.`@` By accepting the ring, ......that promise with Beatrice-sama comes to nothing, doesn't it?`@` ......*giggle*, sorry."`\ ld l,$KAN_odorokiA2,23 ;「…………後は、僕も姉さんも、譲治さまもお館様もみんなみんな、条件は同じだ。@１３人が生贄にされる。@５人しか黄金郷に招かれない。@……その１席を、自分で、/ ;!d800……蹴るなんて……。」\ `"............From now on, I, you, George-sama, the Master, everyone, everyone has the same conditions.`@` 13 people will be made sacrifices.`@` Only five people will be invited to the Golden Land.`@` ......And you, `/ !d800`......rejected one of those places yourself......"`\ ld r,$SHA_DefA1,80 ;「おかしいね。@……未練があるのは、嘉音くんの方みたいだね。」@ `"That's odd.`@` ......It looks like you're the one with regrets, Kanon-kun."`@ ld l,$KAN_odorokiA1,80 ;「未練があるのは姉さんの方じゃないか！@　婚約しちゃったんだろ？！@　果たせない運命なのを知りながらッ！！」\ `"You're the one with regrets, aren't you, Nee-san!`@` You got engaged, right?!`@` Even though you knew it was a fate that would never be fulfilled!!"`\ ld r,$SHA_tokuiA1,80 ;「うん。@…ずっとずっと、永遠に一緒だよって、約束した。@/ `"Yes.`@` I promised that we would always, always be together, for eternity. `@/ ld r,$SHA_DefA1,80 ;……だからね？@　その瞬間に、……私たちの永遠は、完成したの。@例え、私たちが生贄になってしまうとしても、もう、完成してるの。@だから、いいの。」\ `......So you know what?`@` ......In that instant, our eternity was completed.`@` Even if we become sacrifices, it's already completed.`@` So, it's alright."`\ ld r,$SHA_fumanA1,80 ;「………未練があるのはむしろ嘉音くんの方。@…私たちは家具なんでしょ？@　私たちはどういう結果になろうとも解放される。@…なら、黄金郷に行けるか行けないかなんて、どうでもいいことじゃない。@……なのに嘉音くんは黄金郷へ行くことに固執してる。@………どうしても人間になりたいんでしょ？@　…どうして？」\ `".........Kanon, you're the one who actually has regrets.`@` ...We're furniture, right?`@` No matter what the result, we will be freed.`@` ...In that case, it doesn't matter whether we go to Golden Land or not.`@` ......And yet you are set on going to the Golden Land.`@` .........You want to become human no matter what, right?`@` ...Why?"`\ ld l,$KAN_ikariA1,80 ;「人間になりたいからだよッ！！@　家具はもう嫌だ！！」@ `"Because I want to become human!!`@` I've had enough of being furniture!!"`@ ld r,$SHA_MajimeA2,80 ;「どうして？」\ `"Why?"`\ bg black,22 ;「僕も、恋がしたかったんだッ…！！！」\ `"I also, wanted to fall in love...!!!"`\ ;　嘉音の両目から涙が零れる。@ ;　…そして吼える。\ `Tears were coming from both of Kanon's eyes.`@ `...And he howled.`\ ;se1 13 ;　そして、泥濘に膝を、右、左とつける…。\ ;「……お嬢様のことが、好きだった…！！@　そしてあの日のお嬢様の姿を見て、もっと好きになった…！@　そしてお嬢様も僕のことが好きだとわかって、すごく嬉しかった…！！@　でも僕は家具で、……お嬢様の気持ちを受け止めることはできなくてッ！！」\ `"......I, liked Milady...!!`@` And after seeing Milady on that day, I started liking her even more...!`@` And when I heard that Milady also liked me, I was really happy...!!`@` But I'm furniture, ......and I can't accept Milady's feelings!!"`\ bg M1F_P1cN,22 ld r,$SHA_defA1,26 ;「…それが勘違いだった。@………私たちは家具かもしれない。@人間以下かもしれない。@…でも、恋をする資格がないわけじゃなかった。」\ `"...You're wrong.`@` .........We may be furniture.`@` We may be less than human.`@` ...But that doesn't mean that we aren't qualified to love."`\ ld l,$KAN_ikariA1,26 ;「添い遂げられぬ思いなら、ない方がましだって思った！！@　いつか自分も消え去る日が来て、それがきっとお嬢様を傷つけるなんて勝手に決め付けて、………違うんだッ！！@　僕が怯えていただけなんだ！！@　僕は、……永遠になれない恋なら、しない方がましだって、怯えてただけなんだッ！！」\ `"I believed that if those thoughts would never be fulfilled, it was better without them!!`@` I just decided that someday, a day would come when I would disappear, and that would definitely hurt her, .........no, that's wrong!!`@` I was just frightened!!`@` I, ......was just afraid, that if the love could not be eternal, it was better without it!!"`\ bg black,25 ;「……蝉は、生涯の内、数週間にも満たないわずかな期間で恋をして、消えていくんだって。@………数週間で終わる恋だからと、恋をしない蝉はいないんじゃないかな。」\ `"......Cicadas, even though their lives last only a few weeks, fall in love and disappear.`@` .........There are no cicadas that don't fall in love because it will be over in a few weeks."`\ ;「ううぅうううぅううぅ！！@　うっうぅうううぅうぅうぅぅ！！」@ `"Uuuuuuuuuuuuuuuuuuu!!`@` Uuuuuuuuuuuuuuuuuuuuuuu!!"`@ br ;　嘉音はまだ未練を口にしていたようだけれど、もう泣き声でごっちゃになってしまっていた…。\ `It seemed that Kanon was still speaking of his regrets, but by now it was all jumbled up in his crying voice...`\ ;bg Ment_1aN,0 ;ld c,$KAN_IkariA1,26 ;「……あの魔女が憎い…！！@　僕に、…どうしてこんな気持ちを植えつけて…！@　あいつさえ、あいつさえ妙な悪戯をしなければ、僕はお嬢様のことなんか、気にならなかったのに…！！！」\ `"......That witch is detestable...!!`@` ...Why did she plant these feelings in me...?!`@` If only, if only she hadn't done that weird prank, I wouldn't have payed Milady any notice...!!!"`\ ;ld r,$SHA_KomaruA1,24 ;「…………ベアトリーチェさまは酷いね。@…嘉音くんに、そうやって悔し泣きをさせるために、運命を悪戯した。@/ `"............Beatrice-sama is detestable.`@` ...To make you cry bitter tears, she played games with your fate. `@/ ;ld r,$SHA_fumanA1,80 ;………でも、魔女の思惑は多分、外れてる。@…だって、」\ `.........But, the witch's expectations are probably off.`@` ...After all-"`\ ;bg black,22 wait 2000 br ;　恋を知ることは生への未練ではなく。@ ;　それこそが私たちの生きる旅の、辿り着くべきところなんだもの…。\ `Knowing love isn't a regret that ties you to life.`@ `It is the place we should reach on our journey through life...`\ fede 0,4000 wait 1000 textoff ;wait 1000 me1 13 dllefe 1,1 bg rose_G1aN,22 wait 2000 bg black,2 bg rose_1aN,2 mevol 1,40 bgm1 49 ;■少しだけ時間経過〜薔薇庭園別の場所 gosub *BEA_isyou1 ld r,$BEA_akuwaraiA1,2 ;　というわけだ、嘉音。@ ;　せっかくの約束はこれで水泡だな。@ ;　くっくくくくくくくくくく！\ `Well now, Kanon.`@ `That promise you worked so hard for has now come to nothing.`@ `*cackle*cackle*cackle*cackle*cackle*!`\ ld r,$BEA_defA2,80 ;　さてさて。@ ;　これにて全ての駒の条件は同じよ。@ `Well now.`@ `With this, the conditions for all of the pieces is the same.`@ ;　駒は１８！@　１３人が生贄に捧げられる！@ ;　生き残る５人は誰か？\ `There are 18 pieces!`@` 13 will be offered as sacrifices!`@ `Who will the five that remain alive be?`\ ld r,$BEA_futekiA1,80 ;　…………それとも。@ ;　誰かがこの儀式を打ち壊してみせるか？@ ;　誰が！！@　どうやって？！@ `............And.`@ `Will someone destroy this ceremony?`@ `Who?!!`@` How?!`@ ld r,$BEA_waraiA2,80 br ;　ふっははははははっはははははははははははは！！\ `Fuhahahahahahahahahahahahahahahahahaha!!`\ bg black,22 dllefe_off ;　これはチェスプロブレムではない。@ ;　対等なゲームだ。@ `This isn't a chess problem.`@ `It's a game on equal footing.`@ ;　妾だけが一方的に詰めるわけではない。@ ;　そなたは妾の詰めから懸命に逃れ続け、引き分け無効試合に持ち込むことができる。@ `I won't be closing in one-sidedly.`@ `You can frantically run from my advances, and make it a tie, an invalid match.`@ br ;　まぁ、せいぜいそなたにできるのはそれを延々と繰り返すのが関の山よ。@ ;　そしておそらく、それはそなたにとってそう難しいことではあるまい。\ `Well, the best you can do is have this repeat on and on.`@ `And it probably won't be that difficult for you.`\ ;　しかし、そなたは永遠に続く無効試合に、やがて精神をすり減らし、やがては精神を殺す。@ `However, this invalid match will continue forever, will eventually wear down your mind, and eventually kill it.`@ br ;　その時にこそ、敗北を受け入れ妾に屈服することになるであろう！！\ `At that time, you will accept your defeat and surrender to me!!`\ bg chess1,22 E_MA ;　対等なゲームと言った理由。@ `The reason I said it was a fair game.`@ br ;　……それは、妾にも敗北の条件を設けてあることだ。@ ;　負けのないゲームほど退屈なものはないのでな？\ `......That is because the rules for my loss have also been established.`@ `There's nothing as boring as a game you can't lose, right?`\ bg black,22 ;　妾を負かす方法。@ ;　それは、妾の肖像画に捧げられたあの碑文よ。\ `A way to defeat me.`@ `That is, the epitaph offered to my portrait.`\ bg portrait2,22 ;　あれこそは黄金郷の扉の開き方にして同時に儀式を打ち破る鍵でもある。@ `That is both the way to open the door to the Golden Land and the key to destroying my ceremony.`@ br ;　妾は碑文に従い儀式を完遂する。@ ;　そなたは碑文の謎を解き、儀式を打ち破り妾を滅ぼす…！@ `I follow the epitaph and complete the ceremony.`@ `You solve the riddle of the epitaph, destroy the ceremony and overthrow me...!`@ br ;　碑文に隠された謎を解き、妾が金蔵に与えし莫大なる黄金の在り処を暴いて見せよ！！\ `Solve the riddle hidden in the epitaph, and expose the location of the vast gold I gave to Kinzo!!`\ bg portrait3,2 gosub *BEA_isyou2 ld r,$BEA_waraiA1,2 ;　此度のゲームはどういう結末を見せるのやら！@ ;　健闘を期待するぞ？@ `What result will this game show us?!`@ `I'm expecting a good fight, alright?`@ ld r,$BEA_akuwaraiA3,80 br ;　妾を楽しませてみせろよ、右代宮戦人あああああぁぁッ！！\ `Entertain me, Ushiromiya Battleeeeeeeeeeeeeer!!`\ se1v 27,90 bg white,1 wait 1000 ;quakey 5,800 bg black,2 ;■時間経過〜礼拝堂 mov %play_scene,71 textoff wait 3000 bg cha_i1a,2 me1v 12,40 wait 2000 bg black,24 bg cha_i1d,0 ld r,$NAT_tukareA1,4 ;「……………………………。」@ ;＜夏妃 `"........................"`@ ld l,$KLA_KomaruA1,23 ;「……………異論はない。@…私と夏妃は認める。」\ ;＜蔵臼 `"............I have no objections.`@` ...Natsuhi and I acknowledge it."`\ ld r,$NAT_OdorokiA2,80 ;「………く……。@…信じられないし、…信じたくないけれど…。@……それが、……現実なのね…。」@ ;＜夏妃 `".........Ggh......`@`...I can't believe it, ...and I don't want to, but...`@`......that is, ......the truth, isn't it..."`@ ld l,$KLA_MajimeA1,80 ;「…夏妃。@言葉を少し選びなさい。@………彼女は当家の最高の賓客なのだ。」\ ;＜蔵臼 `"...Natsuhi.`@` Choose your words more carefully.`@` .........She is this family's most honored guest."`\ bg cha_i1b,0 ld r,$HID_KomaruA1,3 ;「…………わ、わしらも認める。@…ぐぅの音も出ぇへん。」@ ;＜秀吉 `".........I, I also acknowledge it.`@` ...Can't argue back."`@ ld l,$EVA_majimeA1,23 ;「えぇ。@…認めるわ。@………一片の文句もない。@まさか本当に……。@………素直に、あなたに尊敬の念を覚えるわ。」\ ;＜絵羽 `"Yes.`@` ...I acknowledge it.`@` .........I have absolutely no complaints.`@` I can't believe it's really......`@` .........I have to honestly respect you."`\ bg cha_i1c,4 ld r,$ROS_komaruA1,24 ;「私もよ…。@…………すごいわ。@純粋に尊敬する。@……だから認めざるを得ないわ。」@ ;＜楼座 `"Me too...`@` ............Incredible.`@` I genuinely respect you.`@` ......So I have to acknowledge it."`@ ld l,$RUD_MajimeA2,23 ;「俺も認めるぜ…。@………未だに信じられねぇ。@…だが、………どうしようねぇ。@ `"I acknowledge it too...`@` .........I still can't believe it.`@` ...Still, .........what can I do?`@ br ;　(悪魔を証明しちまった/・・・・・・・・・・)！@　あんたの勝ちだ…！」\ ;＜留弗夫 ;＜悪魔を証明しちまった：点処理 (`You've proven devils`/・・・・・・・・・・)`!`@` It's your victory...!"`\ gosub *BEA_isyou2 cl r,23 ld r,$BEA_defA2,24 se1 21 ;「くっくっくっくっく…！@　悪魔の証明は、そなたが好む証明不能への便利な言い訳だったが、……仇になったようだな？」@ ;＜ベアト `"*cackle*cackle*cackle*...!`@` The Devil's Proof was a convenient excuse that you liked using to show that something was impossible to prove, ......but now it's become your mortal enemy, has it not?"`@ ld l,$RUD_AkuwaraiA2,80 ;「……苛めるなよ、魔女さま。@………俺はもうあんたを認めてるぜ。@降参だ。」\ `"......Don't torture me, great witch.`@` .........I've already acknowledged you.`@` I resign."`\ bg cha_i1a,23 ld r,$KIR_majimeA2,80 ;「……………………………。」\ ;＜霧江 `"........................"`\ ld l,$BEA_futekiA2,23 ;「………霧江。@まだ異論があるか…？@/ `".........Kyrie.`@` Do you still have any objections...? `@/ ld l,$BEA_AkuwaraiA1,80 ;　妾は全員一致しか好まぬ。@お前ひとりが妾の存在を認めぬならば…、」@ ;＜ベアト `I must have everyone in agreement.`@` If you alone will not acknowledge my existence..."`@ br ;　魔女が不敵に笑うと、兄弟たちは焦りだす。@ ;　…魔女を不快にさせることに怯えているのだ。@ `As the witch laughed boldly, the siblings started getting frantic.`@ `...They were afraid of displeasing the witch.`@ br ld r,$KIR_NayamuA1,80 ;　霧江はうっすらと目を閉じ、…しばらくの間、沈黙を守ってから口を開いた。\ `Kyrie lightly closed her eyes, ...and after keeping silent for a while, opened her mouth.`\ ld r,$KIR_majimeA1,80 ;「…ごめんなさい。@……降参よ。」\ ;＜霧江 `"...My apologies.`@` ......I resign."`\ ;　霧江だけが、最後まで魔女に厳しい目を向けていた。@ `Only Kyrie had faced the witch with stern eyes until the end.`@ br ;　……だが、それは真実を受け容れるのをほんのわずかな時間、拒否したに過ぎない。@ ;　目の前にある現実は、存在は、何も否定できないのだ。@ `......However, she had only been able to resist acknowledging the truth for a short time.`@ `The truth...the being...that was before her eyes...couldn't be denied.`@ br ;　(もう悪魔は証明されてしまった/・・・・・・・・・・・・・・)…！\ ;＜もう悪魔は証明されてしまった：点処理 (`Devils had already been proven`/・・・・・・・・・・・・・・)`...!`\ ld r,$KIR_nayamuA1,80 ;「………私も、認めるわ。@……あなたはベアトリーチェ。@右代宮家の顧問錬金術師。@…そして、偉大なる魔法の使い手。@………………魔女であることを認めざるを得ない…！」\ ;＜霧江 `".........I also...acknowledge it.`@` ......You are Beatrice.`@` The Ushiromiya family alchemist.`@` ...And a user of great magic.`@` ...............I must acknowledge the fact that you are a witch...!"`\ mevol 1,70 me2 5 se1 27 bg white,1 wait 1000 bg black,2 wait 2000 fede 0,3000 ;※前回のエピソード１の、初日終了時のデモシーン同様の長い時間経過演出。@最後は肖像画でシメ textoff skipoff wait 2000 ;fede 0,5000 se1 23 meplay2 1,13,70 meplay2 2,5,70 dllefe 1,1 bg garden_1cN,2 wait 5000 bg rose_1bN,2 wait 5000 bg garden_1aN,2 wait 5000 bg M_o1aN,2 wait 6000 dllefe_off mevol 1,40 mevol 2,40 bg Ment_1bN,2 wait 6000 bg Mhal_2cN,2 wait 13000 bg portrait2,2 wait 13000 fede 10,2000 ;時計の音 bgmplay 23 bg black,2 bg cha_i1a,0 ld r,$KLA_MajimeA2,2 ld l,$NAT_tukareA1,23 wait 2000 bg cha_i1b,0 ld r,$EVA_majimeA1,0 ld l,$HID_majimeA1,22 wait 2000 bg cha_i1c,0 wait 1000 ld l,$RUD_nayamuA1,24 wait 1000 ld r,$KIR_majimeA2,23 wait 2000 bg cha_i1a,0 ld c,$ROS_komaruA1,24 wait 2000 bg black,3 wait 1000 bg Ment_1bN,0 ld l,$SHA_KomaruA1,0 ld l,$KAN_nayamuA1,23 wait 2000 bg G1F_R1bN,0 ld r,$GOH_omakaseA3,2 wait 2000 bg G1F_R1aN,2 wait 1000 ld r,$GEN_DefA1,4 wait 2000 bg G2F_R1cN,23 ld l,$MAR_niyariA2,22 wait 2000 bg black,3 bg G2F_R1aN,0 ld r,$JES_akuwaraiA1,22 wait 2000 bg G2F_R1bN,0 ld l,$GEO_WaraiA1k,0 ld r,$BUT_waraiA2,24 wait 2000 bg black,5 wait 1000 bg Mlib_1cN,0 ld c,$KIN_fumuA1,2 wait 2000 bg black,2 bg Mvip_1bN,22 wait 1000 gosub *BEA_isyou2 ld c,$BEA_defA1,22 wait 2000 bg black,5 wait 1000 bg Mhal_2cN,2 wait 3000 ;肖像 bg portrait3,2 wait 10000 eye2 0,0,6,0,5,0,510,340,25 ;▲第８アイキャッチ：１０月４日（土）２４時００分　から　０６時００分へ進む ;■１０月５日（日） se1 28 bg oct_5_1986,2 wait 7000 *umi2_9 mov %play_scene,71 bg white,49 bg black,2 me1v 12,40 wait 2000 ;　……いつも耳を満たすのは何の音か。@ ;　雨の音か、滝の音か、それとも無線の砂嵐なのか。@ `......What was the sound that always filled the ears?`@ `The sound of the rain, the sound of a waterfall, or was it radio static?`@ br ;　ならば血潮の音であってほしい。@ ;　……まだこの体に血が巡り、私が生き永らえていることを教えてくれる音であってほしい…。\ `In that case, I want it to be the sound of blood flowing through the body.`@ `......I want it to be the sound of the blood circulating throughout my body, telling me that I am still alive...`\ bg Mlib_1b,22 ld r,$KIN_fukigenA1,6 ;「…………………む…。@……朝、なのか…。」\ ;＜金蔵 `".....................Hmm...`@`......Is it, morning...?"`\ bg white,24 bg Mlib_1c,24 ;　カーテンの隙間から入る光は弱々しいが、夜が明けたことだけは教えてくれた。@ `The light entering through a crack in the curtain was faint, but it at least told him that dawn had broken.`@ br ;　金蔵は、目覚めた時の姿勢のまま、…椅子に座り天上を見上げた姿勢のまま…、全身に血をゆっくりと巡らせて行く…。\ `Kinzo, still acting like one who has just woken up, ...still sitting in a chair and looking up at the ceiling..., felt the blood slowly travel throughout his body...`\ bg Mlib_1e,25 me2 11 ;　…時計を見ると早朝、６時ぴったり。@ ;　……どれだけ疲れていようとも、どれだけ深く眠っていようとも、まるで砂時計で計ったかのようにぴたりとこの時間に目覚める。@ `...Judging by the clock, it was early morning, 6:00 on the dot.`@ `......No matter how tired he was, no matter how deeply he slept, he woke up at exactly this time, as though he had measured it with an hourglass.`@ br ;　こんなことが自慢になるとは思っていないが、その程度のことができる内は、自分はまだまだ強健なのだと自分に言い聞かせていた。\ `He didn't think that something like this would lead him to boast, but he instructed himself that while he could still do something like this, he was still in robust health.`\ bg Mlib_1d,0 ld c,$KIN_WaraiA1,22 ;「………朝を迎えた、ということは…。@……………ふむ。@……どうやら、最初の生贄は逃れたということらしい。@……ルーレットの目が幸運だったのか、…我が努力の賜物なのか、@区別の付かぬところが何とももどかしいが、それは言うまい。」\ `".........Morning has come, which means...`@`............hmmm.`@` ......In any event, it seems that I've escaped being one of the first sacrifices.`@` ......Was the result of the roulette fortunate, ...or is this the fruit of my efforts?`@` It is irritating that I cannot tell the difference, but I will not say that."`\ bg Mlib_1a,23 ;　金蔵は、書斎の扉の外側を見てみたい誘惑に少しだけ駆られた。@ `Kinzo was very slightly driven by a temptation to see the outside of the study door.`@ br ;　ひょっとすると、最初の６人の生贄に自分を選ぼうとして、@この扉を破ろうと悪足掻きした痕跡が見つけられるかもしれないと思ったからだ。\ `Because he thought that maybe, he might find the traces of a vain struggle to break the door, `@`made by something trying to select him as one of the first six sacrifices.`\ bg Mlib_1e,25 ;「…ふ。@………人間とは安っぽい生き物だな。@……人事を尽くして天命を待ちながら、幸運を得られた時には、それが単なる幸運ではなく、己の技量に拠るものだったと自惚れたくもなる。」\ `"...Hmph.`@` .........Humans are cheap creatures.`@` ......While they concern themselves with other's affairs and possess sacred life, they want to love themselves, and when they are given good fortune, they say that it was due to their own ability rather than simple good fortune."`\ ;　だから、扉に惨めな痕跡があることを確かめたい。@…それが人間というものだ。@ `So he wanted to check whether there was a wretched mark on the door.`@` ...That's what humans would do.`@ br ;　だから、金蔵は確かめない。@ ;　人間だからしたくなることを、抑え付ける。@ ;　それによって金蔵は、自分は人間を超えた存在に至ったのだという充足感に浸れるのだ…。\ `Therefore, Kinzo did not check.`@ `He repressed things that he wanted to do because he was human.`@ `By that, Kinzo could be immersed in a feeling of sufficiency, as though he himself had become a being that surpassed humans...`\ bg black,22 E_M2 ;　人の欲を自覚し、戒める。@ ;　人のしたいことに、抗う。@ `He became aware of human desire, and forbade it.`@ `Things that a human wanted to do, he resisted.`@ br ;　……この偏屈かつ捻くれたセンスが、きっと彼に稀な博才を与え、@右代宮家を一代にして復興させるという偉業を成し遂げさせたに違いない…。\ `......This eccentricity and rebellious sense had surely given him a rare genius, `@`which must have allowed him to succeed in his exploits as he revived the Ushiromiya family in one generation...`\ bg portrait3,22 ;「さて、ベアトリーチェ。@お前が取った６つの駒は何なのか。@……そして、次なる手はどうくるのか。@…楽しませてもらうぞ。@………私の守りは完璧だ。@前回のような無様は晒さぬぞ。@……ふ、……っふっふっふっふ。」\ `"Well then, Beatrice.`@` What were the six pieces you took?`@` ......And, what will your next move be?`@` ...Entertain me.`@` .........My defense is perfect.`@` I will not shame myself like last time.`@` ......Heh, ......heheheh."`\ ;■屋敷 mov %play_scene,71 bg black,5 fede 0,2000 bg white,2 bg M1F_P1b,6 me1v 13,40 ;　使用人たちの朝は早い。@ `The servants woke early.`@ ;　カーテンを開け、朝食の準備をし、新しい一日で客人たちを迎えるための様々な準備をしなくてはならない。\ `They had to open the curtains, prepare breakfast, and complete various other tasks to welcome the guests to a new day.`\ bg black,23 bg Mkit_1a,0 ld r,$GOH_hohoemiA2,23 ;　一番、大張り切りなのは郷田だった。@ `Gohda was the most enthusiastic.`@ br ;　親族会議の期間中は、特に料理人としての仕事に集中するように言われており、@本来、使用人がこなさなければならないいくつかの仕事が特別に免除されていた。\ `During the family conference, he had been told to especially concentrate his efforts on cooking,`@` and he had been specially exempted from several tasks that servants normally must do.`\ ;　…見栄っ張りな郷田は、その辺りに優越感を特に感じるらしい。@ ;　館内の準備を源次たちに任せ、厨房で朝食の準備に勤しむのだった。\ `...It seemed that Gohda, who was a show off, had a particular feeling of supremacy about that.`@ `He left the preparations of the inside of the mansion to Genji and the rest, and worked on preparing breakfast in the kitchen.`\ bg white,24 bg M1F_P1a,0 ld c,$GEN_DefA1,24 ;　源次は、紗音と嘉音の三人で手分けして、様々な準備をこなしていく。\ `Genji split the work with Shannon and Kanon, and they carried out various tasks.`\ bg black,23 bg M_door1,0 ld r,$SHA_fumanA1,23 ;　紗音は、食堂へ向かい、ノックした。@ `Shannon headed to the dining hall and knocked.`@ se1 19 ;　…昨年は、親族会議は未明にまで及んだ。@ ;　今年の親族会議は、とうとう早朝にまで及んでも不思議はない。@ `...Last year, the family conference had continued into the early hours of the morning.`@ `It wouldn't have been odd for this year's conference to continue until the early morning.`@ br ;　まだ中で会議が続いている可能性を考え、ノックしたのだった。@ ;　だが反応はなかったので、おはようございますと口にしながら扉を開ける。\ `Considering the possibility that they were still having a discussion inside, she knocked.`@ `But there was no response, so she opened the door and said good morning.`\ se1 17 bg white,10 bg Mdin_1f,2 ld r,$SHA_komaruA1,24 ;「…おはようございます。@……………いらっしゃいませんか。」@ ;＜紗音 `"...Good morning.`@` ............Is anyone there?"`@ ;　部屋の空気は冷たく、だいぶ前に会議は終わっていたようだった。\ `The room was cold, and it seemed that the conference had ended a long time before.`\ bg Mdin_1a,24 ;　机の上には、彼らが飲んだのだろう、お茶の道具が集められ、片付けやすいようになっていた。\ `On top of the table, there was a tea set, from which they had probably been drinking, arranged in a way that would make it easy to clean them up.`\ ;　お茶の片付けは使用人の仕事だ。@ ;　だから、彼らが気を利かせ過ぎて片付けてしまうと、使用人の立つ瀬がなくなる。@ `Cleaning up the tea was a servant's job.`@ `So if the family was too caring and cleaned it up themselves, the servants would lose face.`@ br ;　だから、こうしてもらえるだけでも本当に嬉しい気遣いだった。\ `Therefore, just doing this much for the servants truly was a pleasing act of kindness.`\ ld r,$SHA_majimeA2,24 ;　片付けようとテーブルに近付くと、メモ用紙のようなものが食器と一緒に残されているのに気が付いた。@ `As she approached the table to clean it, she noticed something like a memo that had been left with the utensils.`@ br ;　お茶の道具と一緒に置かれていたので、片付けに来た使用人に対し申し送ったメモだろうと自然に思い、紗音はそれを手に取る。\ `It had been placed together with the tea set, so naturally thinking it was a memo for the servant cleaning up, Shannon took it.`\ ;　そこには、要望でもなく、お茶の準備に対する感謝でもなく、ただ一言だけが書かれていた。@ `Written on it was not a request, nor was it thanks for preparing the tea. `@`There was just a single word.`@ br ;　紗音はきょとんと、それを読み上げる…。\ `Shannon looked at it blankly, and read it out loud...`\ ld r,$SHA_majimeA1,80 ;「…………礼拝堂。@……………？」\ ;＜紗音 `"............Chapel.`@` ............?"`\ bg black,5 fede 0,2000 ;■ゲストハウス。@楼座の部屋 textoff me1 12 dllefe 1,1 bg G_o1b,2 wait 2000 bg black,5 dllefe_off mevol 1,40 ;　何か小さな音がずっと聞こえ続けていた。@ ;　それは本来ならば取るに足らないつまらない音。@ `A small sound kept repeating over and over.`@ `It was a sound that was normally worthless and boring.`@ br ;　早く聞こえなくなればいい、そうすればまどろみに戻れるのにと、ぼんやり考えていた。\ `If only I could stop hearing it soon, then I could quickly return to my doze, someone thought vaguely.`\ ;　…しかしいつまでも音は終わらない。@ ;　ずっとずっと繰り返されている。@ `...But no matter how much time passed, the sound did not end.`@ `It repeated over and over.`@ br ;　あぁ、うるさい。@ ;　誰なの？@　扉をずっと叩き続けているのは。\ `Aaah, shut up.`@ `Who is it?`@` Banging on the door the whole time.`\ bg G2F_R1c,22 se1 19 ;　それに気付いた途端、目が覚めた。@ ;　……誰かがノックしているのだ。@ `As soon as she noticed that, she woke up.`@ `......Someone was knocking.`@ br se1 19 ;　気付けば、それはノックだけでなく声もだった。\ `Then she noticed that there wasn't just a knock, but a voice.`\ bg G2F_R1a,23 ;「………楼座さま、…楼座さま。@……おはようございます。」@ `".........Rosa-sama, ...Rosa-sama.`@` ......Good morning."`@ ;ld r,$ROS_MajimeA1,24 ;「ま、……待って。@今、行きます。」\ ;＜楼座 `"W, ......wait.`@` I'm coming now."`\ ;　それは源次の声だった。@ ;　時計を見ると、まだ７時にもなっていない。\ `It had been Genji's voice.`@ `Looking at the clock, it was still before 7:00.`\ bg black,22 ;　……客人を起こすには明らかに早すぎる時間だった。@…それに値する何か良くないことでもあったのだろうか。@ `......It was clearly too early to wake the guests.`@` ...Did something happen that was bad enough to cause this?`@ br ;　その不吉な予感に、眠気がどんどん醒めてくるのを感じた。\ `She felt her sleepiness increasingly fade thanks to this premonition of misfortune.`\ ;　楼座にとって、源次は子どもの頃から馴染みのある使用人であったため、少し無防備に寝巻き姿のまま、扉を細く開けて応じた。\ `Because Genji had been a familiar servant to Rosa since her childhood days, even though she was slightly defenseless in her pajamas, she opened the door a crack and answered.`\ se1 17 bg white,10 bg G2F_P1b,0 ld c,$GEN_DefA1,22 ;「おはようございます。@早朝から申し訳ございません。」@ `"Good morning.`@` I apologize for waking you this early."`@ ;「……何かあったの？」@ `"......Did something happen?"`@ ld c,$GEN_KomaruA1,80 ;「はい…。@………実は礼拝堂に…………、…………。」\ `"Yes...`@`.........Actually, at the chapel............, ........."`\ bg black,22 ;　源次は楼座の耳元に口を寄せ、小声で何かを伝えた。@ `Genji spoke into Rosa's ear, and told her something in a small voice.`@ br ;　楼座は、一度では何を言われているか理解できなかったらしく、@何度か復唱してからようやく何かおかしなことが起きたらしいことを理解する。\ `For a second, it seemed that Rosa couldn't understand what she had been told, `@`and after having it repeated several times, she realized that apparently, something strange had happened.`\ se1 15 ;　楼座は一度扉を閉め、すぐに着替えると源次を伴い、屋敷へ向かうのだった…。\ `Rosa closed her door for a second, and after changing her clothes, she immediately accompanied Genji and they headed to the mansion...`\ ;■礼拝堂 mov %play_scene,71 textoff bg white,22 mevol 1,70 me2 5 dllefe 1,1 bg G_o1a,22 wait 2000 bg white,24 bg rose_G1c,24 wait 2000 bg white,24 bg forest_P1a,22 ;　礼拝堂について、説明がいる。@ ;　これは屋敷の中にはなく、屋敷の裏からほんの少しだけ歩いた木立の中にあった。@ `The chapel requires some explanation.`@ `It wasn't in the mansion, but in a grove behind the mansion, which could be reached after a short walk.`@ br ;　六軒島に屋敷が建てられたのと同時に建立されたもので、@何度か外壁の補修を行ない、外見だけは新しそうに見えながらも、かなり古い建物であった。\ `It had been built at the same time that the mansion had been constructed on Rokkenjima, `@`so while its outside walls had been repaired many times, making it look new from the outside, it was a very old building.`\ ;　楼座と源次が共に雨の中を駆けていく。@ ;　雨は昨夜から変わらず本格的な降りのままだった。\ `Rosa dashed through the rain along with Genji.`@ `Just like the previous night, the rain was falling in earnest.`\ textoff bg black,24 bg cha_o2b,24 wait 2000 se1 21 bg white,30 bg cha_o1a,2 me3 16 ;　やがて、薄い木立の向こうに礼拝堂が見えてくる…。\ `Eventually, they began to see the chapel beyond a thin grove...`\ ;　外観を見るだけだったなら、若い恋人たちが挙式をしてみたくなるような、美しく清らかなものに感じられただろう。\ `Because they could only see it from the outside, it felt like a place of dazzling beauty, where a pair of young lovers might want to hold a ceremony.`\ ;　だが、この礼拝堂は金蔵にとってとても神聖なものだったらしく、@楼座たち兄弟はみだりに近付くなと厳しく言われてきた。@ `However, it seemed that in Kinzo's eyes, this was a very sacred place, `@`so Rosa and her siblings had been harshly told not to approach it unnecessarily.`@ br ;　だから、この歳になり、どのような理由をつけたにしろ、礼拝堂に近付くことにある種の罪悪感と、@父親に頬を打たれるほどに怒られるに違いないという恐怖感を感じるのだった…。\ `So even though they had grown up, they would feel some guilt if they approached the chapel, no matter what the reason,`@` and felt some fear, as though their Father would get angry and hit them in the face...`\ bg black,22 E_M3 bg cha_o2a,0 ld l,$GOH_majimeA1,0 ld c,$SHA_KomaruA1,0 ld r,$KAN_NayamuA1,26 ;　礼拝堂の入り口の前には、使用人たちの人影があった。@郷田に紗音に嘉音。@ ;　……早番の使用人たちが全て集まっていることになる。\ `The servants' silhouettes could be seen in front of the entrance to the chapel.`@` Gohda, Shannon and Kanon.`@ `......Which meant that all of the servants on the morning shift had gathered.`\ ;　楼座は源次に先ほど、どういう事態になっているのか口頭では聞かされていた。@ ;　しかし、…実際に目にしなければ、とても理解できなかった…。@ `A short while ago, Genji had spoken to Rosa, telling her what the situation was.`@ `However, ...without laying eyes on it directly, she really hadn't been able to understand it...`@ br ;　おそらく、集まっている使用人たちもみんなそうなのだ。@ `Probably, all of the servants gathered there were the same.`@ br ;　……(自分の目で見なければ/・・・・・・・・・・)、何が起こっているのか、理解できないのだ。\ ;＜自分の目で見なければ：点処理 `...`(`Without seeing it with their own eyes`/・・・・・・・・・・・・・・・・・・)`, they couldn't understand what was going on.`\ bg black,25 fede 0,2000 se1 24 bg magicsquare_sun7,2 ;　礼拝堂の入り口の扉に、@……大きく大きく、……血を思わせるネバついた不気味な塗料のようなもので、…不気味な魔法陣のようなものが描かれていたからだ。\ `On the door at the entrance to the chapel, `@`was something very large, ...drawn with a creepy, stringy paint that made one think of blood, ...something like a creepy magic circle.`\ bg black,22 bg cha_o2a,26 ld r,$ROS_aseruA1,24 bgm1 15 ;!s0「な、/ ;!d400………何よ、/ ;!d800……これ…………。@いつ書かれたの？！」/ !s0`"Wh, `/ !d400`.........what is, `/ !d800`......this............?`@` When was it drawn here?!"`/ !sd\ ;　使用人たちは顔を見合わせる。@ ;　最初に口を開いたのは郷田だった。\ `The servants looked at each other.`@ `Gohda was the first one to open his mouth.`\ ld l,$GOH_komaruA1,23 me1 13 ;「…も、…申し訳ございません。@普段はここへは立ち入りませんもので、いつ書かれたのかはわかりません。」@ `"...M, ...my apologies.`@` We do not usually enter here, so we do not know when it was drawn."`@ ld r,$ROS_IkariA1,80 ;「じゃあ、最初に見つけたのは誰？！」\ `"Then, who was the first person to find it?!"`\ ld c,$SHA_OdorokiA1,23 ;「はッ、…はい、私です。@……食堂へお茶の道具の片付けに行きましたら、……礼拝堂と書かれたメモがあったもので…。」@ `"Y, ...yes, it was me.`@` ......When I went to the dining hall to clean up the tea set, ......there was a memo with 'chapel' written on it..."`@ ;　紗音が震える手でメモを差し出す。\ `Shannon held out the memo with a shaking hand.`\ ld r,$ROS_MajimeA1,80 ;「……誰の字？@　兄さんや姉さんの字ではないわね。@…それで、あなたはここへ来て、これを見つけたのね。」@ `"......Whose handwriting?`@` It isn't Nii-san's or Nee-san's handwriting.`@` ...And then, you came here, and found this, right?"`@ ld c,$SHA_komaruA1,80 ;「はい……。」\ `"Yes......"`\ cl a,22 ld l,$KAN_fumanA1,23 ;「…楼座さま、………これを。」\ `"...Rosa-sama, .........look at this."`\ bg black,25 fede 1,2000 bg magicsquare_sun7,22 ;「何？@　……………ハッピーハロウィン、フォー、@/ `"What?`@` ............Happy Halloween, for, `@/ E_A ;……えッ？！」\ `......wha?!"`\ me1 16 ;　嘉音が、不気味な魔法陣の下に書かれた一行の英文を指し示す。@ `Kanon pointed at a single line of English written below the creepy magic circle.`@ br ;　指摘されるまで、魔法陣の図形の一部だと思い込んでしまっていて気付かなかった。\ `Until it had been pointed out to her, she had thought it was just another part of the magic circle, and hadn't noticed it.`\ ;　そしてそこには英語で、@ `There, words were written in English, `@ bgm1 26 br ;“Happy_HALLOWEEN_for_MARIA.”と記されていた。\ `"Happy HALLOWEEN for MARIA."`\ br br ;　――楽しいハロウィンを。@真里亞へ。@ `――Happy Halloween.`@` For Maria.`@ br ;　不気味な魔法陣。@真里亞へ。@ `This creepy magic circle.`@` For Maria.`@ br ;　ハッピーハロウィン。\ `Happy Halloween.`\ bg black,22 dllefe_off me2 13 bg portrait3,2 ;　昨日、真里亞にハッピーハロウィンという言葉を掛けた唯一の人物……。@ ;　記号が合致する。@ `Yesterday, the only person who had said Happy Halloween to Maria......`@ `This symbol matched.`@ br ;　……黄金の魔女、ベアトリーチェ…！\ `......The Golden Witch, Beatrice...!`\ E_M1 se1 27 bg white,1 wait 1000 dllefe 1,1 bg cha_o2a,2 ld r,$ROS_odorokiA1,24 ;「ま、真里亞は？！@　あの子、いとこたちと一緒に寝てるはずよね？@　確認した？！」@ `"Wh, what about Maria?!`@` That kid should be sleeping with her cousins, right?`@` Did you check?!"`@ ld l,$GEN_komaruA1,23 ;「……申し訳ございません。@真里亞さまのお名前が書かれていたことには、今気付きましたもので。@…まだ確認しておりません。@至急、」\ `"......My apologies.`@` We just now realized that Maria-sama's name was written here.`@` ...We still have not checked.`@` Quickly-"`\ ld r,$ROS_IkariA2,80 se2 21 me1 5 ;「何やってんのよッ！！@　私は真里亞の様子を見てきます！@　それから、蔵臼兄さんたちにも知らせて。@以後の対応の指示を受けて！」\ `"What are you doing?!!`@` I'll go check on Maria and come back!`@` Then, I'll tell Krauss nii-san and the rest.`@` After that, we'll follow their instructions!"`\ bg black,22 ;　…楼座はそこまで言ってから、ようやく違和感に気付く。\ `...After saying that much, Rosa finally noticed a feeling of discomfort.`\ ;　この親族会議における自分の序列は、４兄弟の末席だ。@ `Her own rank of this family conference was the lowest of the four siblings.`@ br ;　……このような異常事態が起こって、どうして自分だけが呼び出されて、他の兄弟たちは呼び出されないのか。@ `......Why was she the only one called in an abnormal situation like this, when the other siblings hadn't been called?`@ ;　…仮に真里亞の名があったとしても。\ `...Even if Maria's name had popped up.`\ bg cha_o2a,22 ld r,$ROS_KomaruA4,24 ;「まさか、……え？@　……え？！」\ `"Could it be, ......huh?`@` ......Huh?!"`\ bg cha_o2b,0 ld l,$GOH_komaruA2,24 ;「……は、はい。@旦那様にご連絡申し上げようとしたのですが、/ ;!d800…お姿が見当たらず…。」\ ;＜郷田 `"......Y, yes.`@` We tried to contact Krauss-sama, `/ !d800`...but could not find him..."`\ ld r,$SHA_KomaruA1,24 ;「奥様もお部屋におられません。@…シーツの様子からすると、昨夜はベッドに戻られていないのかもしれません。」@ ;＜紗音 `"And Madam was not in her room.`@` ...Judging by the condition of the sheets, maybe she didn't return to her bed at all last night."`@ me3v 17,90 br ;　楼座は自分の背中を、ざらりざらりと、不気味なものが這い上がってくるのを感じる…。\ `Rosa felt something creepy crawling slowly up her back...`\ bg black,25 bg cha_o1a,22 ;「………れ、…礼拝堂の中は確認した？」@ ;「いえ、まだです。@確認しようとはしたのですが…。」\ ;＜嘉音 `".........D, ...did you try to check inside the chapel?"`@ `"No, not yet.`@` We tried to check inside, but..."`\ ;「……実は、礼拝堂の鍵は特別で、マスターキーに対応しておりません。@一本だけある鍵でしか開けられないのですが、……その鍵がキーボックスから紛失しているのです。」\ ;＜源次 `"......Actually, the lock to the chapel is special, so the master key does not work.`@` There is a single key which can open it, ......but that key is missing from the key box."`\ bg black,22 bg cha_o2a,26 ;　不気味な魔法陣の描かれた扉になど、できるものなら近付きたくない。@ `She didn't want to get closer to the door with the creepy magic circle if she could.`@ br ;　楼座は意を決して近付き、そのノブを押したり引いたりしてみる。@ ;　…頑丈な施錠の手応えを感じるだけだった。\ `Rosa readied herself and approached, and tried pushing and pulling the knob.`@ `...All she felt was the resistance of the sturdy lock.`\ ld r,$KAN_fumanA2,24 ;「入れる窓などがないか、探しては見たのですが…。@もし中を確認するのでしたら、窓を破らなければならないかと思います…。@いかがいたしましょう。」@ `"We search to see whether there was a window through which we could enter, but...`@`I think that, in order to check inside, we would have to break one of the windows...`@` What do you think?"`@ ld l,$ROS_aseruA1,23 ;「…そんな許可、私に出せるわけがないわ。@お父様の大切な礼拝堂なのよ、そんなことできないわよ。@…………………。」\ `"...There's no way I can give you approval to do that.`@` It's Father's precious chapel, I can't do something like that.`@` .................."`\ bg black,25 dllefe_off mono 1 bg rose_1a,2 ;　その時、楼座の脳裏に昨日の出来事が蘇る…。@ `At that time, the events of the previous day swirled around in the back of Rosa's mind...`@ br ;!s0　……そうだ、/ ;!d800……あの魔女は薔薇庭園で出会った時、/ ;!d900…真里亞に、封筒を渡していなかったっけ。/ !s0`......That's right, `/ !d800`......when I met that witch in the rose garden, `/ !d900`...didn't she hand Maria an envelope?`/ !sd\ bg black,22 bg letter1,22 ;　そうだ、間違いない、渡していた。@ `That's right, there's no mistake, she had handed it over.`@ br ;　開けようとする真里亞に、まだ開けるなと言ってから、@ `When Maria tried to open it, that witch told her not to open it yet, then she surely said`@ br ;“(それを開ける時はすぐ訪れる/・・・・・・・・・・・・・)”と、確かに言っていた…。\ ;＜それを開ける時はすぐ訪れる：点処理 `"`(`The time to open that will come soon`/・・・・・・・・・・・・・・・・・)`"...`\ ;　楼座は確信する。@ ;　……間違いない。@ ;　……真里亞に渡された、あの封筒…………。\ `Rosa was sure.`@ `......There could be no mistake.`@ `......That letter which had been handed to Maria............`\ ;■ゲストハウスへ。@いとこ部屋 mov %play_scene,71 textoff bg black,5 mono 0 cross1 2000,70,70,0,0,0 dllefe 1,1 bg forest_P1a,24 wait 1000 bg garden_1b,24 wait 1000 bg black,24 bg G_o1a,24 wait 1000 bg G_o1b,22 se1 16 bg black,10 dllefe_off cross1 3000,40,40,0,0,0 bg G1F_P1d,22 ;　楼座はゲストハウスへ駆けて戻ると、足音を忍ばせながらいとこ部屋に近付き、@そっと扉を開け、中をうかがう…。\ `After dashing back to the guesthouse, Rosa approached the cousins' room while hiding her footsteps, `@`softly opened the door, and peered inside...`\ bg black,24 bg G2F_R1cN,24 ;　中からは、若者らしい元気のいいいびきが聞こえてきた。@ ;　子どもたちは４人いる。@真里亞もいる。@…すやすやと眠っていた。\ `From the inside, she could hear the healthy snores of young people.`@ `There were four children.`@` And Maria was there.`@` ...Sleeping soundly.`\ bg black,22 bg G2F_R1aN,24 ;　ほっと胸を撫で下ろしてから、忍び足で室内に入る。@ ;　……目指すのは、ソファーの上に置かれている真里亞の手提げだった。\ `After feeling relieved, she entered the room with quiet footsteps.`@ `......She was after Maria's handbag, which was resting on the sofa.`\ ;　真里亞は、自分の宝物をいつも持ち歩きたがる。@ ;　…母親が常に化粧道具を肌身離さず持ち歩いていることの模倣だろう。@ `Maria always liked walking around with her treasures.`@ `...She was probably imitating how her mother always carried her makeup with her.`@ br ;　もちろん、単なる物真似だから、その中身はがらくたばかりだ。\ `Of course, she was just copying her, so on the inside, it was full of junk.`\ bg black,25 ;　真里亞の場合は、オカルトを想起させる不気味な小物や、それが記された自由帳などだ。@ `In Maria's case, it was full of small, creepy, occult-like items, and a notebook with things like that written on it.`@ br ;　……こんな女の子らしくないものを、楼座は持ち歩いて欲しいなどと思ったことは一度もない。@ `......Rosa hadn't been happy once to see her daughter walking around with those kinds of things, which were not girlish.`@ br ;　しかし、無理にやめさせようとして、ものすごい大喧嘩をして以来、それには触れないようにしていた。\ `However, after she tried to force Maria to stop, they had gotten into a big fight, and she had decided to let it be.`\ se1 22 bg letter1,8 ;「………………………、…あった。@………これね………。」@ `"....................., ...here.`@` .........This is it........."`@ ;　黄金の鷲の紋章の入った洋形封筒…。@ `A western envelope with the crest of the gold eagle...`@ br ;　取り出してみると、中に重たい棒状の物が入っているのがわかった。@ `When she tried to take it out, she realized that there was a heavy, cylindrical object inside.`@ br ;　…重さと手触りでわかる。@ ;　……間違いない。@ ;　これは、……鍵だ。\ `...She could tell by its feel and its weight.`@ `......There was no doubt.`@ `This was, ......a key.`\ bg black,22 bg G2F_R1cN,24 ;　楼座は、一度振り返り、真里亞が熟睡しているのを確認した後、@一息に封筒を破き、中身を手の平の上に零した。\ `After turning around and checking that Maria was still sound asleep, `@`Rosa tore open the envelope, and the contents spilled out into her palm.`\ bg black,22 se1 31 se2 26 bg key1,22 ;　……それは、古く凝った意匠の施された鍵だった…。@ `......It was a key with an old and intricate design...`@ br ;　楼座はその鍵を握り締め、駆け出していく。\ `Rosa grasped that key, and dashed out.`\ se3 15 bg black,22 ;　…その音に、戦人が気付いたようだが、むにゃむにゃ言いながら寝返りをうつと、再びいびきをかき始めるのだった…。\ `...It seemed that Battler noticed that sound, but after grumbling and turning over in his sleep, he started snoring again...`\ bg black,23 cross1 3000,70,70,0,0,0 dllefe 1,1 bg cha_o2a,23 ld r,$ROS_komaruA1,24 ;■再び礼拝堂へ。@ ;「……源次さん。@……この鍵、……ひょっとして礼拝堂の鍵ということは…？」@ ;＜楼座 `"......Genji-san.`@` ......Could this key, ......be the key to the chapel?"`@ ld l,$GEN_MajimeA1,23 ;「これをどこで……。@…はい、これが礼拝堂の鍵です。」\ ;＜源次 `"Where did you......`@`...Yes, this is the key to the chapel."`\ bg black,25 dllefe_off ;　楼座は再び、不気味な魔法陣に近付き、……鍵穴に鍵を入れる。@ `Rosa approached the creepy magic circle once again, ......and put the key in the keyhole.`@ br ;　……硬い手応え。@ ;　しばらくの間、抵抗した後、…がちゃりという音と共にその抵抗をやめた。\ `......There was a strong resistance.`@ `After it resisted for a short while, ...it stopped resisting with a clunk.`\ ;　そして、耳障りな音で軋みながら、ゆっくりとゆっくりとその扉を開けていく………。\ `Then, squeaking with a noise that hurt one's ears, it slowly, slowly began to open.........`\ se1 17 bg white,10 bg black,2 ;「……………誰か、……いるの…………！」@ ;＜楼座 `"............Is anyone, ......there............!"`@ br ;　その声は広大な室内に反響する。@ ;　…もちろん応えるものなどない。\ `Her voice reverberated throughout the massive room.`@ `...Of course, there was no answer.`\ fede 0,2000 bg cha_i1e,25 me1v 12,40 bgm1 18 ;　礼拝堂は天井が高く、空気が冷え切っている。@ `The chapel had a high ceiling, and the air was cold.`@ br ;　…そして、こんなにも薄気味の悪い雨を降らせる日にあっても、どこか神々しさを感じさせるのだった…。@ `...And even on this rainy, unsettling day, for some reason, it felt sacred...`@ br ;　楼座に続き、使用人たちもおっかなびっくりと後に続いた。\ `The servants timidly followed after Rosa.`\ bg cha_i1d,23 ld r,$KAN_defA2,22 ;「……楼座さま、あれを。」@ ;　嘉音がすぐにそれに気付き、指差す。\ `"......Rosa-sama, look at that."`@ `Kanon noticed it immediately, and pointed.`\ bg cha_i1a,23 ;　……そこは、祭壇。@ `......Over there, was the altar.`@ br ;　本来、牧師が神の愛を説くべき場所に、あってはならないテーブルが置かれていた。\ `In the place where normally a pastor would preach of God's love, there was a table that shouldn't have been there.`\ bg sweet2,22 ;　それの第一印象は、食卓だった。@ ;　…現に、そのテーブルの上には、華やかな皿や器が置かれ、まるで子どものお誕生会か何かを連想させた。\ `At first, it looked like a dining table.`@ `...There actually were gorgeous plates and utensils set on the table, enough to make you think it was a child's birthday party or something.`\ bg Pumpkin1,22 ;　見れば、周りも、カボチャ飾りや、黒や橙のリボンで飾られている。@ ;　多分、それは、……ハロウィンの飾りつけなのだ。\ `Upon closer inspection, the surrounding area had been decorated with pumpkins and black and orange ribbons.`@ `They were probably, ......Halloween decorations.`\ bg cha_i1a,22 ;　そして、そのテーブルには着席者たちがいた。@ ;　３人ずつがそれぞれ向かい合うように椅子に座っている。@ `And there were people seated at the table.`@ `Three people on each side facing each other, seated in chairs.`@ br ;　一目でわかる。@ ;　蔵臼夫婦と絵羽夫婦、そして留弗夫夫婦だった。@ `They could be recognized at a glance.`@ `Krauss and his wife, Eva and her husband, and Rudolf and his wife.`@ br ;　だが、それが間違いなくそうかと言われたら、もっと近付いて確認しなくてはならなかった。\ `But if someone told you that, you'd still have to go even closer and check.`\ bg black,22 me2v 16,40 ;　……なぜなら、まるで人形のような気配だったからだ。@ `......Because they seemed almost like dolls.`@ br ;　扉を開き、どやどやと入り込み、誰かいないかと声を掛けた。@ `Rosa and the rest had opened the door, entered all at once with the sound of many footsteps, and called out, asking if anyone was there.`@ br ;　…にもかかわらず、何の反応も示さない。@ ;　…仮に無視を決め込んでいたとしても、普通なら少しは何かの反応を示す。\ `...And yet, there had been no reaction.`@ `...Even if Rosa and the rest assumed that they were being ignored, normally you'd expect there to be some kind of reaction.`\ ;　……それすらもないのだ。@ `......And there hadn't even been that.`@ br ;　だから第一印象は、彼らによく似た人形が座らせられていると、そう感じたのだ…。\ `So at first, it felt like someone had set down some dolls that looked a lot like them...`\ ;　……今や、楼座だけではない。@ ;　……紗音も嘉音も、そして郷田も。@ ;　…湧き上がる不気味な感情に心臓が鷲掴みにされるような気持ちと必死に戦っていた。\ `......By now, it wasn't just Rosa.`@ `......Shannon and Kanon, and even Gohda.`@ `...They were all fighting frantically with the creepy emotion that grasped their hearts.`\ bg black,24 fede 1,2000 bg cha_i1b,0 ld r,$ROS_KomaruA4,24 ;「……兄さん…？@　………姉さん………？」@ ;　祭壇に歩み寄りながら、なおも声を掛けるが、それでも彼らが反応を返すことはなかった。\ `"......Nii-san...?`@` .........Nee-san.........?"`@ `As she climbed up to the altar, she called out again, but still, the others gave no reaction.`\ bg black,22 me3v 5,50 ;　……あぁ、…もう楼座は自分で認めている。@ `......Yes, ...by now, Rosa had accepted it.`@ br ;　……彼らが人形ではなく、@ `......They were not dolls, `@ br ;(彼らそのものであることを認めている/・・・・・・・・・・・・・・・・・)……！\ ;＜彼らそのものであることを認めている：点処理 (`she accepted that they were`/・・・・・・・・・・・・・) br (`those very people`/・・・・・・・)`......!`\ ;「…………これは………。」@ ;＜紗音 `"............This is........."`@ ;「………………。」\ ;＜嘉音 `"..............."`\ ;＜警戒中 bg cha_i1e,2 ;　テーブルの上の様子がよくわかるくらいにまで距離が近付く。@ `They neared the distance at which they would be able to clearly see what was on the table.`@ br ;　それは、第一印象の通り、子どものお誕生会かパーティを思わせるような、可愛らしい宴に見えた。\ `Just like their first impression, it looked like a lovely banquet, reminiscent of a child's birthday party.`\ bg pumpkin1,22 ;　お皿に盛り付けられたお菓子や、可愛らしい飲み物の器。@ ;　カボチャ型に切り抜いた飾り等々…。@ `Plates piled up with sweets, glasses with lovely drinks.`@ `Several ornaments in the shape of pumpkins...`@ br ;　…それらはハロウィン風に飾られていて、…こんな時に的外れな想像だが…、きっと真里亞が見たら喜ぶに違いないと思った。\ `...They were all decorated in a Halloween style, ...and while it might have been pointless to imagine at a time like this..., she thought that this would surely have made Maria happy if she could see it.`\ bg cha_i1e,2 ;　そんな、テーブルを前に、彼らは着席し、眠っているように見えた……。@ `In front of that table, they were seated, and looked like they were sleeping......`@ br ;　楽しそうなハロウィンの小パーティの最中に、…時間を止めてしまったかのような、不思議な光景…。\ `It was an eerie scene, ...as though a small, fun-looking Halloween party had been stopped in time...`\ bg black,22 ;「……兄さんたち……。@……寝てるの…？@　……………？」\ ;＜楼座 `"......They're all......`@`......sleeping...?`@` ............?"`\ bg sweet2,22 ;　彼らにさらに近付くと、……床にたくさんのお菓子が散らばっているのがわかった。@ `When she approached even closer to them, ......she realized that candies were scattered all over the floor.`@ br ;　それはとてもファンシーな包み紙に包んだ飴玉や、クッキー、ラムネにチョコレート…。\ `They were all candies, cookies, sodas and chocolates, with very fantasy-styled wrappings...`\ ;textoff ;bg blood_2a,1 ;wait 1000 ;bg blood_2b,1 ;wait 1000 ;bg blood_2c,1 ;wait 1000 ;bg blood_2d,1 ;wait 1000 ;bg blood_2e,1 bg black,22 ;　そして、それらはブラックベリーとクランベリーのジャムいっぱいの絨毯の上にばら撒かれていた…。\ `And they were all distributed across the carpet, which was covered with blackberry and cranberry jam...`\ textoff E_A se1 34 bg blood_1aR,1 wait 3000 bg cha_i1e,0 bgm1 50 ;!s0「……わ、うわあああああぁああああああああぁッ？！」/ !s0`"......Wa, uwaaaaaaaaaaaaaaaaaaaaa?!"`/ ;se1 10 quakey 6,1000 !sd@ ;＜郷田 br ;　楼座たちは、………ようやく状況を理解する……。@ `Rosa and the rest, .........finally realized what the situation was......`@ br ;　それは、ハロウィンのパーティ。@ ;　この世ならぬ者たちの宴…！\ `It was, a Halloween party.`@ `A banquet for those not of this world...!`\ bg blood_1a,22 bg pumpkin2,22 ;●ここで、蔵臼、夏妃、絵羽、秀吉、留弗夫、霧江の情報が死亡扱いに。@ mov %play_scene,80 seplay2 9,1061,70 mov %r_hyouji,0 ;　蔵臼、夏妃、絵羽、秀吉、留弗夫、霧江の６人は、椅子に座り、……眠るように死んでいたのだ。@ `Krauss, Natsuhi, Eva, Hideyoshi, Rudolf, and Kyrie, six people in all, were seated in the chairs, ......dead as though they were sleeping.`@ br ;　どうして眠っているのではなく、死んでいると言い切れるのか？@ `How could you tell that they were dead and not simply sleeping?`@ br ;!s0　それは、/ ;!d800………彼らが、/ ;!d500……胸元から腹にかけて、/ ;!d600………た、/ ;!d300…縦に、/ ;!d900………裂かれて………！/ !s0`That was because, `/ !d800`.........they were, `/ !d500`......v, `/ !d300`.........vertically, `/ !d500`......sliced open, `/ !d900`.........from their chests to their stomachs.........!`/ !sd\ textoff se1 38 bg blood_1aR,22 wait 3000 bg cha_i1a,0 ld r,$SHA_OdorokiA1,1 ;「だ、……旦那様…………！！/ ;＜紗音 `"K, ......Krauss-sama............!! `/ quakey 6,1000 @/ ;　ひぃいいぃぃぃぃぃ……！」@ `Hiiiiiiiiiiiiiiiii......!"`@ ld l,$KAN_odorokiA2,23 ;「…………………何て、……惨い…ッ。」\ ;＜嘉音 `"..................How, ......cruel..."`\ bg blood_1a,22 ;　彼ら６人はハロウィンのパーティに着席し、全員が腹を縦に裂かれて、…殺されていた。@ `The six of them were seated at a Halloween party, all of them with their stomachs sliced open, ...all of them had been killed.`@ br ;　床一杯のジャムは、きっと彼らが食べきれなくて…、お腹から溢れ出したもの…？\ `Was the jam that covered the floor, something that they couldn't finish eating..., which had overflowed out of their stomachs...?`\ se1 38 bg blood_1aR,1 ;　……違う！！@ `......No!!`@ ;　床一杯に彼らの腹中の中身がぶちまけられていた！！@　それだけじゃない。\ `The contents of their stomachs had been thrown out across the floor!!`@` And that wasn't all.`\ ;　彼らのそのお腹から、……まるで、……まるで！@　溢れ出すように！！@　お、…お菓子が！\ `From their stomachs, ......almost as though, ...almost as though!`@` As though they had poured out!!`@` S, ...sweets!`\ textoff lsph 13,":c;"+Pumpkin1,0,0 lsph 12,":c;"+sweet2,0,0 lsph 11,":c;"+pumpkin2,0,0 lsph 10,":c;"+blood_1aR,0,0 resettimer vsp 13,1 : print 1 ;bg Pumpkin1,1 se1v 36,70 waittimer 300 resettimer vsp 12,1 : print 1 ;bg sweet2,1 se1v 36,70 waittimer 300 resettimer vsp 11,1 : print 1 ;bg pumpkin2,1 se1v 36,70 waittimer 300 resettimer vsp 10,1 : print 1 ;bg blood_1aR,1 se1v 36,70 waittimer 300 ;mono 2 vsp 10,0 : vsp 11,0 : vsp 12,0 : vsp 13,0 for %ryuu1 = 1to 6 resettimer vsp 10,0 : vsp 11,0 : vsp 12,0 : vsp 13,0 vsp 13,1 : print 1 ;bg Pumpkin1,1 se1v 36,70 waittimer 50 vsp 12,1 : print 1 ;bg sweet2,1 se1v 36,70 waittimer 100 vsp 11,1 : print 1 ;bg pumpkin2,1 se1v 36,70 waittimer 150 vsp 10,1 : print 1 ;bg blood_1aR,1 se1v 36,70 waittimer 200 next csp 10 : csp 11 : csp 12 : csp 13 ;mono 0 ;se1v 36,100 bg black,1 bg blood_1aR,2 ;　飴玉やクッキー、ラムネやチョコレートが、/ ;!d800……溢れ出して、血まみれになって、床にばら撒かれているのだ！！@ `Candies and cookies, soda and chocolates, `/ !d800`......had poured out, stained with blood, and had scattered across the floor!!`@ ;　どんなことをしたらこういうことに？！@ `What could have happened to cause this?!`@ br ;　まるで、お腹の中にお菓子がいっぱいに膨れ上がって、/ ;!d900……お腹を裂いたら溢れ出したみたいじゃないかッ！！\ `It was almost as though the insides of their stomachs had been stuffed full with sweets, `/ !d900`......and when their stomachs had been cut, it had all flowed out?!!`\ textoff bg pumpkin2,22 mono 2 bg pumpkin2,2 wait 1000 monocro #ff0000 bg white,2 me1 17 ;　楼座は子どもの頃、自分の誕生会に出てきた七面鳥のびっくり料理を思い出す。@ `Rosa remembered a shocking meal, a turkey that had been served at her own birthday.`@ br ;　ナイフを入れて裂いたら、……中から大好物の、だけれどもそんなことは全然聞いてなかったから、@…真っ赤な、真っ赤な、…ケチャップのオムライスが血まみれの蛆虫のように溢れ出して、@ぶわあ/ `When it had been cut with a knife, ......from the inside, things she loved, but which she had not heard about at all, `@`...bright-red, bright-red, ...ketchup omelet-rice had poured out like blood-stained maggots, `@`buwaa, `/ se1 38 delay 400 ;ぼろぼろ/ `dripping, `/ se2 38 delay 200 ;びたびた/ `slimy, `/ delay 200 ;ぐちゃぐちゃ/ `pulpy, `/ delay 400 se3 38 ;べしゃりべちゃり！！\ `sticky!!`\ bg black,2 monocro off ;bg cha_i1e,22 bg pumpkin2,22 E_MA ;!s0「うおぉええええぇええええぇえええええッ！！/ !s0`"Uweeeeeeeeeeeeeeeeeeeee!! `/ quakey 4,800 ;@　ぇええぇええああああああぁああああぁ！！」/ @`Eeeeeeaaaaaaaaaaaaaaaaaaaaaa!!"`/ !sd\ ;　幼少期のトラウマが蘇る。@ ;　楼座の胃の中で怪物が暴れ狂い、熱い酸を吹き上げるのを感じた。@ ;　…そして堪らず、床にそれを吐き出す。\ `The trauma of her youth was revived.`@ `Rosa felt a monster raging inside her stomach, as the acid started to rise up.`@ `...Unable to hold back, she threw up on the floor.`\ bg black,22 mono 2 bg Pumpkin2,2 ;　空腹の胃袋は胃液しか吐き出さなかった。@ `Her empty stomach couldn't throw up anything but stomach acid.`@ br ;　もう目の前の光景は楽しいハロウィンパーティなどでは断じてない…！@ `This scene in front of her was no longer a fun Halloween party...!`@ br ;　６人の夫婦が鎮座し、腹を縦に抉じ開けられ、/ `The three couples had been placed there, with their stomachs vertically wrenched open, `/ se1 38 ;ぎゅぃいいぃぐぱああと抉じ開けられて。@ `wrenched open with a gyuiiiiiiigubaaa.`@ ;　そこにお菓子をたくさんたくさん詰め込まれて、/ `Many sweets had been stuffed in there, `/ se2 38 ;ぐちゃぐちゃ/ `pulpy, `/ delay 200 ;ぷぎゅるぶぎゅ。\ `squishy.`\ mono 0 bg blood_1a,22 me1 18 ;　血と内臓とお菓子を床に溢れ出した、@……血まみれで/ `Blood and guts and sweets were overflowing onto the floor, `@`......bloodstained, `/ se3 38 ;べと/ `sticky, `/ delay 400 ;べと/ `sticky, `/ delay 400 se1 38 ;ぐちゃ/ `sloppy, `/ delay 200 ;ぐちゃ、/ `pulpy, `/ delay 200 ;甘いお菓子が指と指に張り付いてねと/ `sweet candy stuck to each finger, `/ se2 38 delay 200 ;ねと/ `gummy, `/ delay 200 ;した、@あぁでも臓物まみれで/ `gummy, `@`aaah, but it's stained with their entrails, `/ se1 38 ;ぐちゃ/ `sloppy, `/ delay 400 ;ぐちゃり！@　今、踏みつけたものは何、飴でもクッキーでもラムネでもチョコレートでもない踏み応え！！\ `pulpy!`@` What was that I stepped on just now, that didn't feel like a candy or a cookie or soda or a chocolate!`\ bg blood_1ar,22 ;　あぁあああぁ私は恐ろしくて何を踏んづけたのか足の裏を見ることもできないッ！！@ ;　あああぁあわあああきぃいやぁああああああああぁあああああッ！！！@ `Aaaaaaaaaaaaaah, I'm scared what did I step on I can't even look at the bottom of my foot!!`@ `Aaaaaawaaaakiiiyaaaaaaaaaaaaaaaaaaaaaaa!!!`@ br ;　…何てッ、何て凄惨なハロウィンパーティ…！！！\ `...What a, what a gruesome Halloween Party...!!!`\ bg cha_i1a,22 ;　それは、遠目に見たならとても美しく幻想的で、楽しそう。@ ;　そして、間近で見たならとても恐ろしくおぞましく、なのにどこか美しくて…！！\ `From far away, it looked really beautiful, fantastical, and fun.`@ `And when you see it up close, it's really terrible, disgusting, and yet somehow beautiful...!!`\ E_MA bg black,1 ;!s0「ぁああああああああああああああぁあああああぁあああああッ！！」/ !s0`"Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhh!!"`/ quakey 4,800 !sd@ br ;　楼座の混乱する思考は、悲鳴とも雄叫びともつかない滅茶苦茶な大声を、喉から懸命にひねり出そうとするのだった…。\ `Rosa's wild thoughts tried as best they could to escape her throat with a loud voice that was neither a scream nor a roar...`\ wait 2000 bg cha_i1c,26 ld r,$GEN_majimeA2,24 me1v 13,60 ;「……………旦那様…………。」@ ;＜源次 `"............Krauss-sama............"`@ ld l,$SHA_odorokiA1,23 ;「……こんなのって、…ひどい……、ひどい………。」@ ;＜紗音 `"......This is...horrible......just horrible........."`@ cl r,23 ld r,$GOH_OdorokiA1,24 ;「……きゅ、救急車…、/ ;!d800……警察………！」\ ;＜郷田 `"......C, call an ambulance..., `/ !d800`......police.........!"`\ bg cha_i1a,0 ld r,$ROS_ikariA2,23 ;「そ、……そうよ、警察…。@警察ッ、警察警察警察警察ッ！！」/ ;＜楼座 `"Th, ......that's right, the police...`@` Police, police police police police!!"`/ quakey 4,800 \ bg black,25 ;　郷田の口から、警察という現実的な単語が出なかったら、楼座たちは未だにこの悪夢のようなパーティから抜け出せなかっただろう。@ `If a word tied to reality, like police, hadn't come out of Gohda's mouth, Rosa and the rest would probably still be unable to escape this nightmarish party.`@ br ;　…しかしそれは、警察なら何とかしてくれるだろうというまでに至る発想ではない。\ `...But that wasn't because they thought that the police might be able to do something.`\ ;　警察警察と、その言葉を口にしなければ、……この悪魔のパーティにもうひとつ席が設けられて自分に与えられそうで…！！\ `If they didn't say police, police out loud, ......it seemed that another seat would be set up at this demon's party and given to them...!!`\ ;　自分のお腹が気持ち悪く内側から膨れていくような気がする！！@　ごろごろ/ `It felt like their own stomachs were getting uncomfortably filled from the inside!!`@` Rumbling, `/ se1 38 delay 200 ;ころころ…、/ `churning..., `/ se2 38 delay 200 ;きっとそれはお腹の中にお菓子が溢れ出そうとしていてッ！！@ `it was surely because candy was starting to overflow from their stomachs!!`@ br ;　楼座は再び嘔吐感に苛まれ胃液を床に吐き出す。@そして探した。@そこに飴玉が混じってないかどうかを！！\ `Rosa was again tortured by a desire to vomit, and threw up her stomach acid on the floor.`@` And then she searched.`@` To see whether there was any candy mixed in!!`\ bg cha_i1e,22 ;「……はぁ、………はぁ、……はぁ……！！@　ぜぇ、……はぁ…。@……と、……とにかく！！@　げほッ、げほ！！」@ ;＜楼座 `"......Haah, .........haah, ......haah......!!`@` Eeeeh, ......haah...`@`......a, ......anyways!!`@` *cough*, *cough*!!"`@ ;　楼座はもう一度咳き込み、喉を焼き続ける胃酸を乱暴に床に吐き捨てた。@ `Rosa coughed violently again, and violently spat up the stomach acid that burned her throat.`@ se3 38 br ;　全身がいつの間にか汚らわしい汗でびっしょりになっているのがわかる…。\ `She realized that by now, her whole body had been covered in filthy sweat...`\ bg cha_i1d,0 ld r,$ROS_ikariA1,26 ;「げ、…源次さんと紗音ちゃんはお父様に連絡して指示を仰いでちょうだい。@郷田さんは嘉音くんと一緒に行って警察に電話を。@…あと、南條先生に来てもらって…。」\ `"G, ...Genji-san, Shannon-chan, please ask Father for instructions.`@` Gohda-san, go together with Kanon-kun and call the police.`@` ...Then, have Doctor Nanjo come here..."`\ bg black,22 ;　南條に来てもらってなんだというのか。@ ;　手当てなどとっくの昔に手遅れだというのに……！\ `Why even bring Doctor Nanjo here?`@ `It's way too late for medical care......!`\ wait 1000 bg cha_i1a,6 ;　使用人たちは指示を受け、表へ駆け出していく。\ `The servants accepted their orders and dashed outside.`\ ;　楼座はそれを見届けてから、……………苦楽を共にしてきた兄弟とその伴侶たちの、@……悲惨この上ないのに、…なぜか美しいと形容してしまいたくなる、幻想的な死を、@もう一度まじまじと目にするのだった………。\ `After watching them leave, ............Rosa once again fixedly cast her eyes upon those fantastical deaths of her siblings and their partners with a mixture of pleasure and pain.`@` Even though there could be nothing more tragic, ...for some reason, she wanted to describe it as beautiful.........`\ mov %play_scene,80 textoff bg black,5 fede 0,5000 wait 2000 bg white,9 me1 12 dllefe 1,1 bg M_O1bR,2 wait 2000 bg black,24 dllefe_off mevol 1,40 bg M1F_S1aR,24 ld r,$BUT_oyaA1,24 ;■屋敷〜客間 ;「…いねぇな。@どこに行っちまったんだろうな。」@ ;＜戦人 `"...They aren't here.`@` Where'd they go?"`@ ld l,$JES_tohohoA1,23 ;「使用人室も厨房も空っぽだぜ。@…一体どうしちまったってんだ？」\ ;＜朱志香 `"The servant room and the kitchen are both empty.`@` ...What in the world happened?"`\ bg M1F_S1cR,0 ld r,$MAR_sakebuA1,24 ;「うーうーうー！！@　ママー！！@　ママーどこー！！@　真里亞のお手紙！@　真里亞がベアトからもらったお手紙！@　返して！@　返してぇえー！！@　わぅあうあうー！！」\ `"Uu-uu-uu-!!`@` Mama-!!`@` Whe-re's Mama-!!`@` Maria's letter!`@` The letter Maria got from Beato!`@` Give it back!`@` Give it baaaack!!`@` Waaauau-!!"`\ ld l,$GEO_KomaruA1,23 ;「弱ったね。@…戦人くん、本当に楼座叔母さんだったのかい？」\ ;＜譲治 `"Perplexing.`@` ...Battler-kun, are you sure it was Rosa oba-san?"`\ bg black,24 bg M1F_P1aR,23 ld c,$BUT_KomaruA1,23 ;「……まぁ、俺も寝惚けてたから自信はねぇんだが。@明け方に楼座叔母さんが入ってきて、真里亞の手提げカバンを漁ってるような気がしたんだよ。」\ `"......Well, I was half-asleep so I'm not too confident, `@`but I get the feeling that, at dawn, Rosa oba-san came in and fished around in Maria's handbag."`\ ld c,$BUT_aseruA1,80 ;「…俺はてっきり、真里亞の手提げに歯磨きのチューブでも入ってるんじゃないかなんて思って寝惚けてて。」\ ;＜戦人 `"...I was half-asleep, sure that there was a tube of toothpaste or something in Maria's handbag."`\ ld r,$JES_atyaA2,24 ;「何で歯磨きのチューブが真里亞の手提げに入ってるんだよ。@寝惚けて夢でも見たに決まってんぜ。」\ ;＜朱志香 `"Why would there be a tube of toothpaste in Maria's handbag?`@` Looks like you were a little more than half-asleep."`\ bg black,25 bg M1F_S1dR,22 ;　戦人は楼座がいとこ部屋に入ってきたのをぼんやり覚えていた。@ ;　そして、一番に起きた真里亞が、大事にしまっていた封筒が破かれていると言って、大騒ぎを始めた。@ `Battler vaguely remembered Rosa entering the cousins' room.`@ `And Maria, who had woken up first, had started rampaging around, saying that someone had opened an envelope that she had been keeping safe.`@ br ;　…それで、楼座がやってきて開封したのではないかということになったのだ。\ `...And then they had decided that Rosa had come and opened the envelope.`\ bg M1F_P2bR,0 ld l,$JES_atyaA1,26 ;「……黄金の魔女さまの封筒か。@中に何が入ってたんだろう。」@ ;＜朱志香 `"......A letter from the Golden Witch...`@` I wonder what was inside."`@ ld r,$GEO_MajimeA2,24 ;「わからないね。@…でも、あの封筒はお祖父さまが親書に使う、右代宮家の家紋の入ったものだった。@………親族会議と無関係なものが入っていたとは考え難いね。」\ ;＜譲治 `"I don't know.`@` ...But that envelope was for Grandfather's personal use, and it had the Ushiromiya family crest on it.`@` ............It's hard to believe that what was in there doesn't have anything to do with the family conference."`\ ;　誰にも触らせなかったが、真里亞は昨日、戦人たちに封筒をさんざん自慢していた。@ ;　…だから彼らはそれをよく記憶していた。\ `She hadn't let anyone touch it, but yesterday, Maria had bragged a lot about the envelope to Battler and the rest.`@ `...So they remembered it well.`\ ld c,$MAR_nakuA1,24 se1 21 ;「うーうーうー！！@　ママ、返してっ！@　ママ、返してっ！！@　うーうーうー！@　わうううううううう！！」\ `"Uu-uu-uu-!!`@` Mama, give it back!`@` Mama, give it back!!`@` Uu-uu-uu-!`@` Waauuuuuuuuuuuuu!!"`\ bg black,24 bg M1F_P1bR,24 ld r,$BUT_majimeA1,24 ;「……譲治の兄貴の言う通りなら、相当重要なものらしいが。@…しかし、そんな大事なものを、どうして魔女さまは真里亞に渡したんだろうな？@　…さっぱりだぜ。」\ ;＜戦人 `"......If you're right, George-aniki, it looks pretty important.`@` ...However, if it was so important, why did the witch give it to Maria?`@` ...I don't have a clue."`\ ;　清々しい朝の雰囲気は、時折聞こえる雷鳴にすっかり打ち払われてしまった。@ `Every once in a while, the refreshing morning atmosphere was completely wiped out by the sound of thunder.`@ br ;　…無理もない。@彼らが目を覚ましてから、自分たち以外の誰とも出会っていない。@ ;　まるで、自分たちを残して屋敷がもぬけの殻になってしまったような気持ちなのだから。\ `...It was only natural.`@` Since the time they had woken up, they hadn't met anyone other than themselves.`@ `It felt like only they were left and the mansion had become an empty husk.`\ bg M1F_P2bR,24 ld c,$JES_OdorokiA1,24 ;「……おーい！@　誰かいないかー！@　返事してくれよー！」@ ;＜朱志香 `"......Heeeeey!`@` Anyone the-re?!`@` Answer me-!"`@ br ;　朱志香が廊下で大声を出すと、ようやく返事が返ってきた。@玄関からだ。\ `After Jessica called out into the hallway, eventually, an answer came back.`@` It was from the entrance hall.`\ bg black,24 bg Ment_1b,24 me1v 13,40 ;「聞こえますともー。@…何かありましたかー。」\ `"I can hear you-.`@` ...Has anything happe-ned?"`\ ld l,$GEO_WaraiA1,24 ;「南條先生だ。@…よかった。@この島から、僕たち以外が消えてしまったわけではないようだよ。」\ ;＜譲治 `"It's Doctor Nanjo.`@` ...Great.`@` It looks like everyone but us hasn't disappeared from this island."`\ bg Ment_1a,0 ld l,$NAN_DefA1,23 ld r,$JES_WaraiA2,24 ;「南條先生、おはようございます。@/ `"Doctor Nanjo, good morning. `@/ ld r,$JES_MajimeA1,80 ;…あの、すみませんが、うちの親たちとかどこに行ったか知りませんか…？」@ ;＜朱志香 `...Umm, sorry, but do you know where our parents went...?"`@ ld l,$NAN_MajimeA1,80 ;「はて。@…私も今、起きてこちらに来たばかりですからな。@わかりかねますが、さて。」\ `"Dear me.`@` ...I have just woken up.`@` I could not know, let me see."`\ ;　無理もない。@南條も自分たちと同じ、客なのだ。@起床し、朝食までの時間を客間で過ごそうとやってきたばかりなのだ。\ `It was only natural.`@` Nanjo was a guest like the rest of them.`@` He had just now come to pass the time in the parlor until breakfast.`\ ld c,$MAR_NakuA1,24 ;「うーうーうー！！@　南條先生、ママが取った、ママが真里亞のお手紙取ったの！！@　返して返して、うーうーうー！！！」@ `"Uu-uu-uu-!!`@` Doctor Nanjo, Mama took it, Mama took Maria's letter!!`@` Give it back, give it back, uu-uu-uu-!!!"`@ ;　真里亞が泣きじゃくりながら南條の恰幅の良いお腹に顔を埋めながら泣く。@ `Maria buried her face in Nanjo's well-built stomach, sobbing and crying.`@ br ld l,$NAN_KomaruA4,80 ;　…南條は、早朝から一体何が起こっているのかと困惑する他なかった。\ `...Nanjo could do nothing but be bewildered at what was going on so early in the morning.`\ bg Ment_1b,0 ld r,$BUT_KOMARUA3,24 ;「………ん。@誰か駆けてくるぜ。@朱志香！@　誰か来るぞ！」\ ;＜戦人 `".........Nn.`@` Someone's running.`@` Jessica!`@` Someone's coming!"`\ bg black,23 bg M1F_P2bR,23 ;　廊下の向こうから、慌しく人が駆けてくる気配を感じた。@ `From down the hall, they could sense people running hurriedly.`@ ld r,$GOH_komaruA1,0 ld l,$KAN_defA2,22 ;　見れば、それは郷田と嘉音だった。\ `When they looked, they saw that it was Gohda and Kanon.`\ ;　……屋敷の中で走るなど、使用人としてははしたないはず。@ ;　しかし、今の戦人たちはそれを疑問には思わなかった。@ `......Running inside the mansion should have been immodest for a servant.`@ `And yet, Battler and the rest didn't even think to question that now.`@ br ;　泣きじゃくる真里亞を持て余していたため、誰にでもいいから楼座の行き先を早く聞きたかったのだ。\ `Maria's sobbing had become so unmanageable, they wanted to ask someone, anyone, where Rosa was.`\ ;　しかし、二人の使用人は手を振る朱志香など眼中にないかのようだった。@ `But the two servants ignored Jessica as she waved her hand.`@ br cl r,23 se1 16 ;　郷田は使用人室に飛び込み、嘉音は南條の姿を認めると、一礼してから早足に近付き、耳元で何かを小声で告げた。\ `Gohda flew into the servant room, and after Kanon noticed that Nanjo was there, he bowed and approached Nanjo at a quick pace, whispering something into his ear.`\ bg black,24 bg Ment_1a,0 ld r,$NAN_DefA1,0 ld l,$KAN_fumanA2,24 ld r,$NAN_majimeA1,80 ;「……………何ですって？@　楼座さんが。」@ `"............What did you say?`@` Rosa-san did?"`@ ld l,$KAN_DefA2,80 ;「はい。@ご案内いたしますので、どうかご同行をお願いいたします。」@ `"Yes.`@` I will guide you, so please accompany me."`@ ld r,$NAN_fumuA1,80 ;「わかりました…。」@ `"Understood..."`@ ld l,$KAN_NayamuA1,80 ;「こちらへ。」\ `"This way."`\ ;　それだけのやり取りをしてから、嘉音はようやく朱志香に気付き、頭を下げるのだった。@ `Without saying anything more than that, Kanon finally noticed Jessica and bowed to her.`@ br ;　…しかし落ち着きはない。\ `...But he wasn't calm.`\ bg black,23 bg M1F_P2bR,23 ;　南條を伴い、やって来た廊下を駆け戻っていく。\ `He dashed back down the corridor by which he had come, followed by Nanjo.`\ ;　その慌しい様子に、戦人たちはやはり何か良くないことが起こっていることを察する。\ `By looking at how hurried they were, Battler and the rest realized that yes, something bad really had happened.`\ ;　使用人室の開け放たれた扉からは、郷田の様子が見えた。\ `They saw Gohda through the door to the servant room, which had been flung open.`\ ;　…受話器を持ちながら、フックをがしゃがしゃと乱暴にいじっている。@ `...He was holding the receiver and violently pressing the hook.`@ br ;　その様子から、病院にしろ警察にしろ、とにかく只ならぬ緊急事態が起きて電話をしようとしていることを理解する。\ `From that, they realized that he was trying to call a hospital or the police.`@` In any event, he was trying to call someone because a serious emergency had occurred.`\ ld r,$BUT_komaruA3,24 ;「行ってみようぜ…！」@ ;＜戦人 `"Let's have a look...!"`@ ld l,$GEO_MajimeA3,23 ;「うん…！」@ ;＜譲治 `"Yeah...!"`@ ld c,$MAR_sakebuA1,24 ;「ママー、返してー！！@　真里亞の手紙返してー！！@ `"Mama-, give it ba-ck!!`@` Give back Maria's le-tter!!`@ br ;　それは(黄金郷への招待状/・・・・・・・・)なのー！！」\ ;＜黄金郷への招待状：点処理 (`It's an invitation to the Golden Land`/・・・・・・・・・・・・・・)`!!"`\ bg black,22 me2 16 ;　何かはわからないが、…何かが起こっている。@ ;　戦人たちは、嘉音と南條の後を追い掛けるのだった…。\ `They didn't know what, but something was happening.`@ `Battler and the rest chased after Kanon and Nanjo...`\ ;　あぁ……、そして俺たちは理解する。@ ;　嘉音くんは南條先生を呼びはしたが、俺たちは呼ばなかった。@ ;　…だから付いていってはいけなかったんだ。@ `Aaah......, then we realized.`@ `Kanon-kun had called Doctor Nanjo, but he hadn't called us.`@ `...So we shouldn't have gone with them.`@ br ;　時計を持ったウサギを追いかけたアリスは、余計な好奇心を後悔したことはなかったのだろうか……。\ `I wonder if Alice didn't regret her excess curiosity when she chased after the rabbit holding a clock......`\ ;■礼拝堂 mov %play_scene,80 me3v 5,0 cross1 3000,70,0,70,0,0 dllefe 1,1 bg M_o1aR,23 wait 2000 bg forest_P1a,23 wait 1000 bg black,23 bg cha_o2b,23 wait 1000 bg cha_o1a,23 wait 2000 bg black,22 dllefe_off ;bg cha_i1a,0 ;ld c,$ROS_IkariA1,1 ;「駄目よ、入っちゃ駄目！！@　見ちゃ駄目！！@　朱志香ちゃん！@　駄目！！」\ `"No, you mustn't go in!!`@` You mustn't look!!`@` Jessica-chan!`@` No!!"`\ E_A se1 27 bg white,1 wait 1000 bg black,2 bgm1 24 bg blood_1b,1 ;!s0「ひ、/ ;!d800………ぃ、/ ;!d400…いやあああああああああああぁあああああぁああぁッ！！！」/ !s0`"Hi, `/ !d800`.........i, `/ !d400`...noooooooooooooooooooooooooooooooooo!!!"`/ quakey 6,800 !sd\ ;＜朱志香 bg cha_i1e,25 ;「母さん、父さんッ！！@　何が、……何があったのッ！！@　うううううううぅうううぅ！！」\ ;＜譲治 `"Mother, Father!!`@` What, ......what happened!!`@` Uuuuuuuuuuuuuuuuuuuuuuu!!"`\ bg pumpkin2,22 ;「……何だよこりゃあ…。@……趣味が悪ぃにも程があるじゃねぇかよ…。@命を奪うならそれで充分事足りただろうがよ…。@/ ;!s0……何だよこりゃあ！！/ `"......What the hell is this...`@`......there's a limit to how bad a hobby can be...`@` Isn't taking someone's life enough...`@/ !s0`......What the hell is this!! `/ quakey 4,600 bg blood_1aR,80 me1v 18,40 ;@　わざわざ殺した後に椅子に座らせて腹ぁ裂いて臓物引っ張り出して！！@　菓子をわざわざ腹ん中に詰め込んだってのかよッ！！@　何だって、……何だってそんな悪趣味なことをしやがるんだよ！！@　畜生ォ畜生ォ！@　やってくれやがるぜ最高だよ最高だよッ！！@　うおおおおおおおおぉおおおぉ！！」/ @`Going to all the trouble after they died of sitting them on chairs, slicing their stomachs and pulling their entrails out!!`@` You went to all the trouble of stuffing their stomachs full of sweets?!!`@` Why, ......why the hell would you do something so gross?!!`@` Damn it, damn it!`@` Nice job, bastard, just great, just great!!`@` Uwoooooooooooooohhh!!"`/ !sd\ bg cha_i1d,0 ld c,$NAN_MajimeA2,22 ;「………皆さんは外へ出られた方がいい…！@　こんな姿を、皆さんに見せたいなどと彼らが思うわけがありません…。」@ ;＜南條 `".........It would be better if everyone went outside...!`@` There is no way they would want everyone to see them this way..."`@ br ;　南條は子どもたちに外へ出るように促すが、誰も耳を貸しはしなかった。\ `Nanjo told the children to go outside, but no one listened.`\ bg cha_i1b,0 ld l,$ROS_KomaruA4,0 ld r,$NAN_KomaruA4,24 ;「楼座さん、皆さんに言って下さい。@こんなもの見続けては…毒になる…！」@ ;＜南條 `"Rosa-san, please tell everyone.`@` If they keep looking at something like this...it will do nothing but harm...!"`@ ;「………………。」\ ;＜楼座 `"..............."`\ ;　楼座は自分の軽率さを後悔する。@ ;　……やがて子どもたちがここへやって来ることは想像できたはず。@ ;　…呆けていないで、さっさと施錠するべきだったのだ。\ `Rosa regretted her own rashness.`@ `......She should have realized that the children would eventually come here.`@ `...She should have quickly locked it instead of standing around.`\ bg black,24 bg blood_1b,24 ;bg cha_i1d,0 ;ld r,$BUT_NakuA1,0 ;ld c,$JES_NakuA1,0 ;ld l,$GEO_NakuA1,24 me2 13 ;　だから子どもたちは来てしまった。@ ;　見てしまった…！@ `So the children had come.`@ `They had seen it...!`@ br ;　彼らはきっと今この瞬間、自分の幼少期に見たあのグロテスクなびっくり料理よりも、@はるかに酷いモノを見て眼に焼き付けてしまっているに違いない…。\ `Surely, in this very moment, they were having a sight burned into their eyes, `@`which was far more grotesque than the shocking meal Rosa had seen in her youth...`\ bg cha_i1d,22 ;　惨状に呆然とし、感情を忘れてしまったかのような真里亞を抱きしめながら、@楼座は彼らとその両親のためにぼろぼろと涙を零すのだった。@ `While she hugged Maria as though she had forgotten her shock at the horrible scene, `@`Rosa cried for them and their parents.`@ br ;　４人の泣き声と呻きが、悲しみが、…神の愛を知るべき場所で、いつまでも木霊し続ける……。\ `The four groaning and crying voices, their sadness, ...continued to echo in a place which should have known God's love......`\ ;メタ E_MA se1 56 bgmvol 40 mset mld r,$BUT_odorokiA1,24 ;■この状況のまま、世界は灰色に。@メタ視世界では、ベアトと戦人のみカラー。@ ;「クソ野郎がッ！！@　またかよ、またこんな殺人をッ！！@　しかも今度もやたらと凝った、最高にふざけた殺し方をしやがってッ！！」\ `"You piece of crap!!`@` Again, another one of these murders!!`@` And this time you made it all elaborate, killing them like it's a perfect joke!!"`\ gosub *BEA_isyou1 mld l,$BEA_AkuwaraiA1,23 ;「くっくくくくくくくく。@妾はそんな嘆きより感謝の言葉が聞きたかったぞ？」\ `"*cackle*cackle*cackle*cackle*.`@` I was hoping I'd hear words of thanks rather than grief from you."`\ mld r,$BUT_KuyasigaruA1,80 ;「感謝ッ！！@　感謝と言ったか、このクソババア？！@　てめぇ、耳がイカレてやがるってんなら、俺が両の耳を引き裂いてよォく聞こえるようにしてやるぜッ！！@　何で俺がこの最高にイカレた殺し方に、ありがとうございますベアトリーチェさまぁなんて言わなければならねぇんだ、ブッ殺してやるッ！！！」/ `"Thanks!!`@` Did you say thanks, you old bitch?!`@` Damn it, if there's something wrong with your ears, I'll cut them both off so you can hear better!!`@` Why should I have to say oh, thank you very much Beatrice-sama, about that insane way of killing, I'll beat you to death!!!"`/ ;quakey 6,1000 \ mld l,$BEA_akuWaraiA2,80 me1v 14,50 ;「前回のゲームで。@お前は自分の親の死に顔が見れないと嘆いたな？@　だから残したぞ。@しっかり残したッ！！@ `"In the last game, `@`you were grieving that you couldn't see your parents faces when they died, right?`@` So I left them.`@` Didn't touch them!!`@ se1v 2,100 br ;　(よく拝んでおけ、間違いなく父親たちが殺/・・・・・・・・・・・・・・・・・・・・) (`Worship me, without a doubt, `/・・・・・・・・・・・・・) br (`your father and the rest have been killed`/・・・・・・・・・・・・・・・・・)`!!"`\ ;br ;(されたことを/・・・・・・)！！」\ ;＜よく拝んでおけ、間違いなく父親たちが殺されたことを：点処理 mld r,$BUT_odorokiA2,80 ;「そ……ぅかよ、そいつぁサービス満点だぜ、気に入った！！@/ `"R......eally, that's a great service, I'm so happy!! `@/ mld r,$BUT_nakuA1,80 ;　俺はてめぇの息の根を止めたら顔面耕してやろうと誓ってたが、そいつは取り消してやるぜ、てめぇのハラワタを引きずり出してやるッ！！！」\ `I swore that if I choked the life out of you, I'd plow your face, but I'll take that back, I'll drag out your guts!!!"`\ mld l,$BEA_akuwaraiA5,80 me2v 16,70 ;「感情に任せて思考を止めるな。@すでに妾のゲームは始まっておるのだぞ？@　くっくっくくくく。@妾は今回は綺麗に死体を残すことに決めた。」\ `"Don't give in to emotion and stop thinking.`@` My game has already begun, right?`@` *cackle*cackle*cackle*.`@` I decided to leave the corpses clean this time."`\ mld l,$BEA_akuwaraiA3,80 ;「なぜだかわかるか？@　前回のゲームでそなたが妾の存在を否定する時、こう考えて否定したであろう。@それは、\ `"Do you know why?`@` When you denied my existence in the last game, you thought in a certain way.`\ se1v 2,100 br ;“(顔面が潰され、遺体の身元が確認できない/・・・・・・・・・・・・・・・・・・・)”@ (`'Their faces were crushed, so the identity`/・・・・・・・・・・・・・・・・・・) br (`of the corpses couldn't be checked`/・・・・・・・・・・・・・・)`'`@ se1v 2,100 br ;“(だから身代わりの死体を用意してアリバイ/・・・・・・・・・・・・・・・・・・) (`'Therefore, the possibility that fake`/・・・・・・・・・・・・・・) br (`corpses had been prepared to create an alibi`/・・・・・・・・・・・・・・・・) br (`cannot be eliminated`/・・・・・・・・)`'`@ ;br ;(を作った可能性が否定できない/・・・・・・・・・・・・・・)”@ se1v 2,100 br ;“(その可能性が排除できない限り、人間犯人/・・・・・・・・・・・・・・・・・・・) (`'As long as that possibility can't be denied`/・・・・・・・・・・・・・・・・・) br (`a human culprit theory could apply`/・・・・・・・・・・・・・・・・・)`!!"`\ ;br ;(説は維持できる/・・・・・・・)”！！」\ ;＜顔面が潰され、遺体の身元が確認できない　　　だから、身代わりの死体を用意した可能性が否定できない　　　その可能性が排除できない限り、人間犯人説は維持できる：この３つの単語を点処理。@“”の記号は点処理不要だよ。@ mld r,$BUT_KuyasigaruA1,80 ;「何だとぉおおぉッ……！！」\ `"What did you saaaaaay......!!"`\ mcl a,0 mld c,$BEA_AkuwaraiA2,23 ;「くっくくくくくくきききききききききききききききききき！！@　さぁ戦人、南條に検死を任せてよいのか？@　ミステリーの古典では検死の医者がグルというのが伝統なのだろう？」\ `"*cackle*cackle*cackle*kikikikikikikikikikikikikikikikikikikiki!!`@` So, Battler, is it alright to leave the autopsy to Nanjo?`@` Isn't it traditional in mystery novels for the doctor who performs the autopsy to be an accomplice?"`\ mld c,$BEA_akuwaraiA5,80 ;「なら南條に検死を任せるな、そなたが自らするが良い。@間違いなく、６人の死体が当人で、死んだふりなどでなく、本当の本当に死んでいることを充分に確認するがいいッ！！」\ `"Then don't leave the autopsy to Nanjo, you should do it yourself.`@` Make completely sure that without a doubt, the six corpses are those six people, that they aren't pretending to be dead, that they really, really are dead!!"`\ mld c,$BEA_akuWaraiA3,80 ;「お前の父親が、母親が、腹を裂かれて臓物を引きずり出されて殺されていることを、@腹に手を入れてその手触りで確認するがいいッ！！！@/ `"To make sure that your Father and Mother really have been killed by having their stomachs cut open and their entrails pulled out, `@`you should stick your hand inside their stomachs and feel around inside!! `@/ mld c,$BEA_akuWaraiA2,80 se1v 37,100 ;　くっはははははははははははははははははははは、きーっはっはっははははははははははははははははッ！！」\ ;■現実世界へ戻る。@ `Kuhahahahahahahahahahahahahahahahahahahaha, ki-hahahahahahahahahahahahahahaha!!"`\ ;メタ解除 textoff E_MA se1 56 bgmvol 70 mend wait 2000 ld r,$BUT_nakuA1,26 ;「泣かねぇッ！！！/ `"I won't cry!!! `/ quakey 3,500 ;@　畜生ォ畜生ォ、…泣かねぇぞ俺は…！！」@ ;　突然、戦人が叫ぶ。\ @`Damn it, damn it, ...I won't cry...!!"`@ `Battler suddenly yelled.`\ ;　彼はまだ涙を零し続けていたが、自らにそれを女々しいと叱り付けるかのように、両手で顔面を力強く何度か叩いた。@ `His tears were still dripping down, but as though scolding himself for being girly, he slapped his face hard several times with both hands.`@ br ;　それでもまだ涙は止まらない。@ ;　……しかし、両の目に熱い炎が点るのがわかった。\ `Even so, the tears still wouldn't stop.`@ `......However, he felt a hot blaze on both his eyes.`\ cl a,0 ld c,$BUT_odorokiA1,24 ;「これだけの上等を決めやがった野郎に、借りはがっちり返させていただくぜッ！！@　なら泣く時じゃねぇ、自分のすべきことを考えろ！！@　あぁ、駄目だぜ、全然駄目だ！！@　涙を流す暇があったら考えろ！@　涙腺なんか弛ませる時じゃねぇッ！！」\ `"That bastard who did this, I'll make him pay back his debt completely!!`@` So this isn't the time to cry, think about what you're gonna do!!`@` Aaaah, it's useless, it's all useless!!`@` If you have enough spare time to cry, then think!`@` This is no time to let yourself cry!!"`\ bg black,22 ;　それは、純粋な怒りというよりは、悲しみを塗り潰すための逃避的な怒りだったかもしれない。@ `Rather than genuine hatred, maybe it was more of an evasive hatred to blot out his sadness.`@ br ;　……しかし、悲しみに押し潰されていた譲治や朱志香に、わずかの勇気を与える。\ `......However, it gave a little courage to George and Jessica, who had been crushed by sadness.`\ bg cha_i1c,23 ld l,$GEO_NakuA2k,23 ;「……そうだね。@…僕たちが泣いても、/ ;!d400……起こってしまった現実は、/ ;!d800…変わらない。」@ ;＜譲治 `"......That's right.`@` ...Even if we cry, `/ !d400`......it won't change the reality, `/ !d800`...that this had occurred."`@ ld r,$JES_NAkuA1,24 ;「くそ…、くそくそくそ、……くそくそくそッ！！@　じゃあどうすりゃいいんだ？！@　私は、…父さんと母さんのために、何をすればいいんだよッ！！」\ ;＜朱志香 `"Damn it..., damn it damn it damn it, ......damn it damn it damn it!!`@` Well, then what should we do?!`@` What should I do, ...for Mom and Dad's sakes?!!"`\ bg black,24 bg cha_i1a,0 ld r,$GOH_komaruA1,24 me1v 13,50 ;「……楼座さま…。@戻りました…。」@ ;＜郷田 `"......Rosa-sama...`@` I have returned..."`@ ld l,$ROS_IkariA1,23 ;「郷田さん、警察はどうでしたか。@対応の指示は？@　いつ頃来られそうだと言っていましたか？」\ `"Gohda-san, what happened with the police?`@` What did they say to do?`@` Did they say when they think they'll be able to get here?"`\ ld r,$GOH_komaruA2,80 se1v 2,100 ;「…それが、……電話が故障のようでして…。@非常用の無線機も試しては見たのですが、…その、天候のせいでしょうか、こちらも通じず…。」\ `"...That is, ......it seems the phones have broken down...`@` I also tried the emergency wireless, but...umm, maybe it's the weather, that isn't working either..."`\ ld l,$ROS_IkariA2,80 ;「何ですって…！@　じゃあ、警察に連絡がつかないということなの？！」@ `"What did you say...!`@` So, we can't contact the police?!"`@ cl r,23 ld r,$JES_IkariA1,24 ;「あいつだッ！@　あいつが電話線とかに細工して、警察に電話ができないようにしたんだ！！」@ ;＜朱志香 `"It's that person!`@` They did something to the phone line, and made it so we can't contact the police!!"`@ br ;　電話の故障を聞き、朱志香はすぐにそれを謎の来客の仕業だと断定する。@ ;　その目は泣き腫らして真っ赤で、そして怒りでさらに真っ赤に血走っていた。\ `When she heard that the phones had broken down, Jessica immediately decided that it was the work of that mysterious guest.`@ `Her eyes were bright-red after so much crying, and they began to grow even more red with rage.`\ ld r,$JES_IkariA2,80 ;「…あぁ、もう議論の余地なんかねぇぜ？！@　全てがわかってる、そうだとわかる！@　父さんと母さんを殺したのは誰だ？！」\ `"...Aaahh, there's no need to talk about it, right?!`@` I understand everything, that's right, I get it!`@` Who killed Dad and Mom?!"`\ textoff se1 27 me2v 5,50 bg white,1 bg portrait3,2 ;「決まっているぜ、あいつだッ！！@　昨日来たとかいう魔女さまに決まってるッ！！！@　襟首、捻り上げてやるぜッ！！@　畜生畜生畜生ォオオオ！！」\ ;＜朱志香 `"It's obvious, it's her!!`@` It has to be that witch or whatever who came yesterday!!!`@` I'll grab her by the collar!!`@` Damn it damn it damn iiiiiiiiiiiit!!"`\ bg cha_i1b,0 ld c,$ROS_odorokiA1,23 ;「朱志香ちゃん…！@　お待ちなさい！@　郷田さん、嘉音くん、行ってッ！」@ ;＜楼座 `"Jessica-chan...!`@` Wait!`@` Gohda-san, Kanon-kun, go!"`@ ld r,$KAN_OdorokiA2,24 ;「は、はい…！」@ ;＜嘉音 `"Y, yes...!"`@ cl r,23 ld l,$GOH_iiwakeA2,23 ;「お嬢様、お待ちを…ッ！！」\ ;＜郷田 `"Milady, wait...!"`\ cl l,24 bg cha_i1e,24 ;　やり場のない悲しみを怒りで塗り潰し、感情を破裂させた朱志香は表へ駆け出していく。@ `Covering her sadness that had nowhere to go with anger, Jessica ran outside, torn apart by emotion.`@ br ;　…短絡的に考えるならば、昨日訪れた謎の来客、ベアトリーチェが怪しいのかもしれない。@ ;　しかし彼女が犯人であるとする証拠は現時点では何もない。\ `...Thinking about it hastily, maybe the mystery guest, Beatrice, who had arrived yesterday, was suspicious.`@ `However, at the current time, there was absolutely no proof that she was the culprit.`\ ;　…この瞬間においては、彼女は単なる客人のひとりでしかないのだ。@ `...At this moment, she was nothing more than a simple guest.`@ br ;　だから楼座は大人の判断から、朱志香の短絡的な暴走を止めさせなければならなかった。@ ;　すぐにそれを郷田も嘉音も理解し、その背中を追った。\ `So Rosa made an adult decision, and had to stop Jessica in her hasty rampage.`@ `Gohda and Kanon realized that immediately, and chased after her.`\ bg cha_i1b,0 ld r,$GEO_KomaruA1,24 E_MA ;「……誰にも招かれなかった客人、ベアトリーチェが犯人なんだろうか…？」\ ;＜譲治 `"......Could the guest that no one invited, Beatrice, be the culprit...?"`\ ld l,$BUT_KuyasigaruA1,23 ;「朱志香の気持ちもわかる。@…そう思い込みたい気持ちは俺にもある。@誰でもいいから、犯人ってことにして横っ面をぶっ飛ばしてやりたい気持ちがある！！@/ `"I understand how Jessica feels.`@` ...I also want to make myself think that.`@` It doesn't matter who, I want to have them be the culprit and bash them right in the face!! `@/ ld l,$BUT_komaruA2,80 ;　……だがその前に、はっきりと理解する必要がある。@…ベアトリーチェってのは何者なんだ。@/ `......But before that, we have to understand things clearly.`@` ...Who is this Beatrice? `@/ ld l,$BUT_ODorokiA1,80 ;俺は顔すら見てねぇぜ！！」\ `I haven't even seen her face!!"`\ cl r,23 ld r,$MAR_AkuwaraiA2,24 ;「……きひひひひひひひひひひひひひひひ。@顔ならお屋敷に大きな肖像画で飾られてたよ。@あれだけ見てまだ覚えられないのかな。@きひひひひひ。」@ `"......Kihihihihihihihihihihihihihihihi.`@` If you're looking for her face, it decorates the big portrait in the mansion.`@` You still don't remember after looking at it for so long?`@` Kihihihihihi."`@ ld l,$BUT_kuyasigaruA1,80 ;「…何だよ真里亞。@…こんな状況で何がおかしいよッ？！」\ `"...Come on, Maria.`@` ...What's so funny in a situation like this?!"`\ ld r,$MAR_AkuwaraiA3,80 ;「ベアトリーチェは魔女なんだよ。@そして、黄金郷の扉を開くための儀式がいよいよ始まったの。@この６人はその生贄なんだよ。@……きひひひひひひひひひひひひひひひ！@　さぁさ始まるよ、魔女の宴が。@今宵はハロウィン、魔女たちが今こそ祝い集う。@きーっひっひっひっひひひひひひひひひひひひひひひひひひひひひひひ！！」\ `"Beatrice is a witch.`@` And the ceremony to open the door to the Golden Land has finally begun.`@` Those six people are sacrifices.`@` ......Kihihihihihihihihihihihihihihihihi!`@` Come, let us begin the witch's banquet.`@` Tonight is Halloween, now the witches will gather to celebrate.`@` Ki-hihihihihihihihihihihihihihihihihihihihihihihihihihihi!!"`\ bg cha_i1e,80 ;!s0「真里亞、その気持ち悪い声で笑うのをやめなさいっていつも言ってるでしょッ！」/ !s0`"Maria, don't I always tell you not to laugh with that creepy voice!"`/ se1 8 quakey 4,500 !sd@ br ;　楼座が真里亞の頬を打ちのめす乾いた音が、天井の高い礼拝堂内に残響するのだった…。\ `The crisp sound of Rosa slapping Maria's cheek echoed through the high-ceilinged chapel...`\ bg black,5 wait 2000 se1 21 me1 12 me2 5 dllefe 1,1 bg M_o1aR,8 ;　何だか、昨日の雨が降り出してから。@ ;　いや、…この島が台風に包まれてから何かがおかしくなってしまった気がする。@ `It kinda felt like, since it had started raining yesterday...`@ `No, ...since the island had been wrapped up in the typhoon, something had gone crazy.`@ br ;　俺は晴れている内に六軒島を訪れ、朝が早かったので眠くなり昼寝をした。\ `I had arrived in Rokkenjima while it was clear, and taken a nap because I had gotten up early.`\ bg black,22 dllefe_off bg M1F_S1cR,26 ;　……起きた時にはもう雨が降り出していた。@ `......When I woke up, it had already started raining.`@ br ;　そして起きた時からだ。@ `And since that time...`@ br ;　いつの間にか、黄金の魔女ベアトリーチェを名乗る謎の客人が来ていて、何だかおかしな世界に少しずつ傾いていた気がする。@ `Suddenly, a mysterious visitor had arrived, calling herself the Golden Witch Beatrice, and it felt like I was sinking bit by bit into an insane world.`@ br ;　俺が昼寝している間に何があったってんだ？@　その間に、この島はこの世の常識の通用しない異世界へ切り取られちまったってのか…？！\ `Had something happened while I was asleep?`@` During that time, had this island been cut off, trapped in a different world where common sense didn't apply...?!`\ bg black,22 bg portrait2,2 ;　ベアトリーチェというのは何者なんだ。@ `Who is this person called Beatrice?`@ ;　昨日の晩餐で親父たちが騒いでいたように、遺産相続問題に絡もうとする未知の人物なのか。@ `Was some unknown person trying to involve themselves with the inheritance problem, like our parents were freaking out about at dinner last night?`@ br ;　……それとも真里亞がのたまうように、黄金伝説の魔女さまが犯人だってのかよ？！\ `......Or was this witch from the Legend of the Gold the culprit, like Maria said?!`\ ;　朱志香が短気を起こすまでもなく、この状況下ではその来客が一番怪しいだろう。@ ;　しかし、それで決め付けちゃ駄目だ。@あぁ駄目だ駄目だ、全然駄目だぜ…！！\ `Even if Jessica hadn't let her short temper get the better of her, in this situation, the visitor was probably the most suspicious.`@ `However, we couldn't decide just like that.`@` Aaah, it's useless, it's useless, it's all useless...!!`\ bg black,22 bg cha_i1a,22 E_MA ;　俺はもう一度顔面を両手でぴしゃりと叩き付け、加熱した脳みそを冷やした。@ ;　焼け石に水かもしれないとしても。\ `I smacked my face with both hands again, cooling off my brains before they got too hot.`@ `Even though it might have been a wasted effort.`\ bg black,24 bg letter1,2 ;「……これは、………お祖父さまの封筒。」@ ;＜譲治 `"......This is, .........Grandfather's envelope."`@ br ;　譲治の兄貴が、テーブル上に飾るように盛り付けられた菓子皿の上に、右代宮家の紋章を箔押しした洋形封筒が置かれているのを見つける。@ `On a tray piled up with sweets that decorated the table, George-aniki found a western envelope which had the Ushiromiya family crest done on it in gold leaf.`@ br ;　そしてそれは未開封だった。\ `And it was unopened.`\ bg cha_i1d,0 ld r,$BUT_NiramuA1,26 ;「ってことは、……それは俺たち宛てってことじゃねぇのか。@親父たちが読んだものだったなら開封されてるはずだぜ。」@ ;＜戦人 `"So, ......doesn't this mean it was sent to us?`@` If it was something Dad and the rest read, it should be open."`@ ld l,$GEO_MajimeA3k,23 ;「……その推理は正解のようだよ。@……書いてある。@“残されし者たちへ”って書いてあるよ。」\ ;＜譲治 `"......It seems your reasoning is correct.`@` ......Look here.`@` Someone wrote 'to those who remain'."`\ ld c,$ROS_MajimeA1,24 ;「それは、犯人が残した手紙なの…？！@　な、中身は…？」@ ;＜楼座 `"Is that...a letter the culprit left...?!`@` Wh, what's inside...?"`@ ld r,$BUT_KomaruA2,80 ;「兄貴、開けようぜ…！」\ ;＜戦人 `"Aniki, let's open it...!"`\ cl a,0 ld c,$GEO_MajimeA3,23 ;　譲治の兄貴は無言で頷いた後、それを開封する。@ ;　……中から折り畳まれた便箋が出てくる。\ `After nodding silently, George-aniki opened it.`@ `......A folded letter came out.`\ bg black,25 ;「………読むよ。@/ `".........I'll read it. `@/ se1 1010 ;………六軒島へようこそ、右代宮家の皆様方。@私は、金蔵さまにお仕えしております、当家顧問錬金術師のベアトリーチェと申します…。」\ ;＜譲治 `.........Welcome to Rokkenjima, members of the Ushiromiya family.`@` I am Beatrice, the alchemist for this family employed by Kinzo-sama himself..."`\ ;■ここで、TIPS「魔女の手紙」@追加 mov %play_scene,90 seplay 9,1062 mov %r_hyouji,1 mov %r_hyouji_tips,2 mov %tips_page,1 bg letter1,22 ;　それは実にふざけた手紙だった。@ `That letter really was a joke.`@ br ;　自分のことを顧問錬金術師と名乗ったベアトリーチェは、祖父さまに貸した黄金を利子付きで回収すると宣言していた。@ `This Beatrice, who called herself the family alchemist, had announced that she was collecting the gold she had lent Grandfather, along with the interest.`@ br ;　その利子とは、祖父さまが生み出したモノ、全て。\ ;＜祖父さまが生み出したモノ：点処理。@ `And that interest was everything that Grandfather had created.`\ bg pumpkin2,25 ;　この惨劇を目の当たりにしてこの一文を読み上げたなら、それは祖父さまが築き上げた財産全てだけを指したりはしない。@ `Since this tragedy was right before our eyes as this paragraph was read aloud, it clearly wasn't referring just to the wealth that Grandfather had built up.`@ br ;　……文字通りのこと。@ ;　祖父さまが生み出したモノ、@……つまり、…祖父さまの子孫たちも全てベアトリーチェの利子に含まれることになる！\ `......It was literal.`@ `Everything that Grandfather had created...`@`...in other words, ...all of Grandfather's descendants were included in the interest!`\ bg cha_i1d,22 ld r,$BUT_ODorokiA1,24 ;「ふざけやがってッ！！/ `"You bastard!! `/ se1 8 quakey 3,500 ;@　何てめちゃくちゃな契約だ！@　黄金の利子は命だってのかよ？！@　そんなのまるで悪魔の契約じゃねぇかよ！@　それで魔女気取りってわけかッ？！@　はッ、笑わせやがるぜ！！」\ ;＜戦人 @`What a screwed up contract!`@` Lives as interest for gold, you say?!`@` That's almost like a contract with the devil, isn't it?!`@` Is that how you pretend to be a witch?!`@` Ha, you make me laugh!!"`\ bg black,22 bg portrait3,26 se1 1010 ;「……特別条項。@………ただし、隠された契約の黄金を暴いた者が現れた時、ベアトリーチェはこの権利を全て永遠に放棄しなければならない。」\ `"......Special clause.`@` .........However, if someone is able to discover the hidden gold of this contract, Beatrice must abandon these rights for all time."`\ se1 1010 ;「………ふむふむ……。@……黄金の隠し場所については、すでに金蔵さまが私の肖像画の下に碑文にて公示されております…。」\ `".........Hmm......`@`......Kinzo-sama has already publicly displayed the location of the hidden gold within the epitaph under my portrait..."`\ bg cha_i1b,0 ld l,$GEO_KomaruA1,22 ;……つまりこういうことだね。@もし、この殺人が利子の回収行為だというなら、@それを止める条件として、お祖父さまに与えた隠し黄金を探し出してみろと、…こう言ってるんだよ。@そして、その秘密は、例の肖像画の碑文に隠されているとも言ってる。」\ ;＜譲治 `"......In other words, it's something like this.`@` If the motive for these murders was collection of the interest, `@`the condition for stopping it, is to try and find the hidden gold she gave to Grandfather, ...that's what it's saying.`@` And it also says that this secret is hidden in the epitaph from that portrait."`\ bg cha_i1d,0 ld r,$BUT_NayamuA2,24 ;「つまり、……こいつぁ魔女さまの挑戦状ってわけか？@　黄金の隠し場所を記した暗号文を解けるものなら解いてみろと！@　そしてそれができなきゃ、利子の回収をこの後も着々と進めていきますとそう言ってやがるわけか。」\ `"In other words, ......this is a letter of challenge from the witch?`@` If anyone thinks they can solve the coded paragraph where the location of the hidden gold is written, then try to do it?!`@` And if we can't, it's saying that the collection of the interest will continue as planned?"`\ ld r,$BUT_KuyasigaruA1,80 ;「ブッ殺してやるッ、上等だぁッ！！！」/ `"I'll beat you to death, no problem!!!"`/ quakey 3,500 \ ld l,$GEO_MajimeA3k,23 ;「…ば、戦人くん！@　これ……、これ！！」\ ;＜譲治 `"...B, Battler-kun!`@` Look......, here!!!"`\ bg black,25 cross2 2000,40 ;　お菓子がいっぱいのテーブルだったから、@…俺たちはそれが堂々とあったにもかかわらず、それをお菓子だと思い込んでいた。@ `The table had been full of sweets,`@` ...so even though it had been right in the open, we had assumed it was a sweet.`@ br ;　……だってほら、こういうのはよくあるじゃないか。\ `......I mean, come on, you find stuff like this a lot, right?`\ br textoff se1v 2,100 bg gold1,1 wait 1000 ;　……ほら、黄金のインゴットを模した箱に入ったチョコレートとか…！\ `......Come on, it might have been a box shaped like a golden ingot, filled with chocolate...!`\ textoff cross2 2000,70 ;「こ、……こりゃあ、お菓子の箱じゃねぇぞ…。@ホンモノだ…！@　……こりゃ、本物の金塊だ…ッ！！」@ `"Th, ......this is, not a box of candy...`@` It's the real thing...!`@` This is a real gold bar...!!"`@ ;＜戦人 ;「…片翼の鷲の紋章が刻印されてる…。@…前に母さんが話してたのを聞いた。@……これはお祖父さまの黄金伝説の金塊だよ…！！」\ ;＜譲治 `"...It's inscribed with the crest of the One-winged Eagle...`@`...I heard Mother talking about it earlier.`@` ......This is a gold bar from Grandfather's Legend of the Gold...!!"`\ ;　ひとつ１０ｋｇも重さがある黄金のインゴットが、…何と三つも、テーブルの真ん中に積み上げられていた！@　そこはお誕生会だったならケーキが置かれているような場所だ。@ `A gold ingot weighing a full 10 kilograms, ...wait, three of them, were piled up in the very center of the table!`@` It was where a cake would be placed if it was a birthday party.`@ br ;　…つまり、紛れもなくこいつは、親族会議って名のお誕生会のバースデーケーキ！\ `...In other words, this was without a doubt the birthday cake of the party known as the family conference!`\ bg cha_i1d,0 ld l,$GEO_KomaruA1,22 ;「これが本当に純度フォーナインのインゴットだったならっ…。@/ `"If these are really four nines quality ingots...`@/ ld l,$GEO_MajimeA3k,80 ;……ん、ごくり。@ろ、６０００万円くらいの価値はある！」@ ;＜譲治 `...nn, *gulp*.`@` I, it's worth about 60 million yen!"`@ ld r,$BUT_KuyasigaruA1,24 ;!s0「馬鹿野郎ぉおおおぉッ！！！/ !s0`"Dumbaaaaaaaaaaasss!!! `/ se1 8 quakey 4,500 ;!sd@　安過ぎるッ！！！@　俺たちの親が６人も殺されて、そこに積まれた黄金がたったの６０００万円だと？！@/ !sd@`That's too cheap!!!`@` Our parents have been killed, and all the gold you've piled up is only worth 60 million yen?! `@/ se1 8 quakey 4,500 ;　馬鹿にするんじゃねぇえええぇええぇッ！！！」\ `Don't take us for fools, damn iiiiiiiiiiiiiiiit!!!"`\ bg black,24 bg cha_i1a,24 ld r,$MAR_AkuwaraiA2,24 me1 16 ;「……きひひひひひひひひひひひひひひひ。@…さぁ始まったね、ベアトリーチェ。@……どうせこの謎は誰にも解けないよ。@だから絶対にベアトの勝ち。」\ `"......Kihihihihihihihihihihihihihihihi.`@` ...So, it has begun, Beatrice.`@` ......It's not like anyone can solve this riddle anyway.`@` So Beato will definitely win."`\ ld r,$MAR_akuWaraiA1,80 ;「……早く黄金郷への扉を開いて。@そして真里亞を連れてって。@…きひひひひひひひひひひひひひ！」\ `"......Quickly, open the door to the Golden Land.`@` Then bring Maria with you.`@` ...Kihihihihihihihihihihihihihi!"`\ textoff wait 2000 ;▲第９アイキャッチ：１０月５日（日）０６時４３分　のまま eye1 6,43,6,43,1,0,510,340,25 ;■屋敷〜廊下〜貴賓室 *umi2_10 mov %play_scene,90 bgm1 33 wait 2000 se1 15 bg Ment_1b,64 ld r,$KAN_OdorokiA1,24 ;「お嬢様、どうか気をお静め下さい…！」@ ;＜嘉音 `"Milady, please, calm yourself...!"`@ ld l,$GOH_iiwakeA2,23 ;「誰が犯人かはまだわかりませんぞ！@　それにベアトリーチェさまは、お館様の大切な賓客です…！」\ ;＜郷田 `"We still don't know who the culprit is!`@` And Beatrice-sama is an important honored guest to the Master...!"`\ bg M1F_P1b,0 ld c,$JES_IkariA1,24 ;「だから何だってんだッ！！@　本人の胸倉、捻り上げてやれば白状するに決まってるぜ！！@　目を見ればわかるんだよッ！！@　私が見破ってやる！！@　何が魔女だベアトリーチェだッ！！@　バケの皮を剥いでやるッ！！」\ ;＜朱志香 `"So what?!!`@` If we grab that person by the collar, they'll definitely confess!!`@` If we can look them in the eye, we'll know.`@` I'll see through her!!`@` A witch?! Beatrice?!!`@` I'll expose her!!"`\ bg M1F_P1c,24 me1v 12,40 ;　朱志香は決して足を止めなかった。@ ;　郷田と嘉音は早足に追いながら懸命に説得を続けるが、朱志香は決して耳を貸そうとはしなかった。\ `Jessica never stopped moving.`@ `Gohda and Kanon chased after her, doing their best to convince her, but Jessica never lent them an ear.`\ bg black,22 bg M1F_P2b,22 ;　やがて、“魔女の貴賓室”が見えてくる。@ ;　この貴賓室は、決して使われることのない開かずの間だった。@ `Eventually, the witch's VIP room came into view.`@ `This VIP room was always sealed and never used.`@ br ;　…どのような来客であっても、金蔵はこの部屋に通さなかったのだ。@ ;　……なのに、使用人たちには常にこの部屋を掃除させ、いつでも使用できるようにさせていた。\ `...No matter what kind of guest came, Kinzo wouldn't let them in this room.`@ `......And yet, the servants were always made to clean this room, so that it could be used at any time.`\ bg black,22 ;　だからこの部屋を使用人たちは、姿なきもうひとりの主の部屋、“魔女の貴賓室”と呼ぶようになっていたのだ。@ `So the servants had started calling this room the witch's VIP room, after their other shapeless master.`@ br ;　それは朱志香も知っていた。@ ;　そして、その貴賓室に泊まることで、自らを魔女と名乗る傲慢が許せなかった。\ `Jessica also knew this.`@ `And she couldn't forgive the arrogance of the one who called herself a witch and stayed in that room.`\ ;bg black,22 bg M_door1,22 ;　……黄金の魔女などおとぎ話だ。@ ;　何が魔女だ！@　自分にとっては、両親を惨たらしく殺した殺人者以上でも以下でもない！@ `......The Golden Witch was just a fairy tale.`@ `Come on, a witch?!`@` To Jessica, she was nothing more or less than the murderer who had brutally killed her parents!`@ br ;　問い詰められ、苦しい言い訳を吐き、苦しい唾を吐いて苦しい息を吐いて。@ `Question them, make them give painful excuses, spit it out painfully, breathe painfully.`@ br ;　…どんなに魔女を装おうとも、汗臭いニオイのするニンゲンであることを教えてやるッ！！\ `...No matter how hard she pretends to be a witch, I'll teach her that she's just a stinking, sweaty human!!`\ ;　朱志香はあらん限りの力と大声をあげながら、貴賓室の扉を叩く。@ `As Jessica yelled with all of her strength, she hit the door to the VIP room.`@ se1 20 wait 800 se1 12 quakey 3,400 se1 12 quakey 3,400 ;　それは断じてノックではない。@ `It definitely wasn't a knock.`@ ;　…開けぬなら打ち破ってやるという怒りの槌の打撲音だった。\ `...That sound was the beating of her anger's hammer, as though she was saying that if they didn't open the door, she'd break it down.`\ ld r,$JES_IkariA2,24 ;「開けろよッ、ベアトリーチェ！！@　出て来い！！@　聞こえてるんだろう？！@　ここを開けろッ！！！」\ `"Open it, Beatrice!!`@` Come out!!`@` You hear me, right?!`@` Open up!!!"`\ ;　返事はない。@ `There was no answer.`@ ;　…朱志香は構わずトアノブを捻るが、施錠の手応えがあった。@ ;　朱志香は使用人の二人に振り返り言い放つ。\ `...Jessica grabbed the doorknob without any reservation, but she felt the resistance of the lock.`@ `Jessica turned around to look at the two servants, and spoke.`\ bg M1F_P2b,0 ld c,$KAN_defA2,0 ld l,$GOH_komaruA2,23 ld r,$JES_ikariA1,24 ;「ここマスターキーで開くんでしょ？！@　開けてッ！！」@ `"The master key opens this, right?!`@` Open it!!"`@ ld l,$GOH_iiwakeA2,80 ;「お嬢様…！@　それは大変な失礼に当たります…！！」\ `"Milady...!`@` That would be horribly rude...!!"`\ ;　郷田はおろおろしながらも、何とか朱志香の怒りを治めようとする。@ `Although Gohda was flustered, he still tried to somehow calm Jessica's anger.`@ ld c,$KAN_nayamuA1,80 se1 31 ;　……嘉音はしばらく無言で俯いていた後、上着のポケットからマスターキーを取り出した。\ `......After hanging his head silently for a while, Kanon pulled a master key from his jacket pocket.`\ ld l,$GOH_IkariA1,80 ;「嘉音さん…！@　いいんですか？！」@ ;＜郷田 `"Kanon-san...!`@` Is that alright?!"`@ ld c,$KAN_fumanA2,80 ;「……もしおられたなら、無礼になるのは承知です。@………それに。@…もし、ベアトリーチェさまが何の関係もないというなら、それを僕たちに釈明して納得させればいい。」@ `"......If she is there, then I agree that it would be rude.`@` .........Still.`@` ...If Beatrice has nothing to do with this, she just has to explain herself so that we can believe her."`@ ld r,$JES_IkariA1,80 ;「そ、……そうだぜ、その通りだ！！@　借りるぜッ！」\ `"Th, ......that's right, exactly!!`@` Give it here!"`\ se1 31 bg M_door2,24 ;　朱志香は嘉音の手からマスターキーを引っ手繰ると、それを乱暴に鍵穴にねじ込む。@ ;　…すぐに軽やかな音がして開錠の手応えがした。@ `Jessica snatched the master key from Kanon's hand, and violently shoved it into the keyhole.`@ `...Immediately, there was a light sound and she felt the lock open.`@ se1 25 br ;　そして断ることなく、その扉を開け放つ。\ `And without excusing herself, she flung open the door.`\ E_MA se2 15 bg black,24 bg white,22 bg Mvip_1a,22 ld r,$JES_IkariA1,24 me1v 13,40 ;「ベアトリーチェッ！！！@　どこだ？！@　出て来い！！」@ `"Beatrice!!`@` Where are you?!`@` Come out!!"`@ ;　朱志香は構わずずかずかと室内に踏み入る。@ ;　…魔女の姿はなかった。\ `Jessica rudely stepped into the room.`@ `...The witch wasn't anywhere to be seen.`\ ld r,$JES_IkariA2,80 ;「…くそったれッ！！@　いねぇぜ！！@　どこに行きやがったッ？！」@ ;＜朱志香 `"...That bitch!!`@` She's not here!!`@` Where the hell did she go?!"`@ ld l,$GOH_komaruA1,23 ;「………お、お姿がありませんね…。」\ ;＜郷田 `".........Sh, she isn't here..."`\ bg black,22 bg Mvip_1e,25 ;　朱志香は室内のどこかに隠れているかもしれないと、カーテンの陰やベッドの下を覗き込んだが、見つけることはできなかった。\ `Jessica, thinking that she might be hiding somewhere inside the room, peeked behind the curtains and under the bed, but she couldn't to find anyone.`\ ;　でも、確かにベッドには使用の痕跡があって、@……曖昧な言い方なのだが、部屋の空気が少しだけ柔らかくなっていた。@ `However, there definitely were signs that the bed had been used,`@` ......it's an odd way to say it, but the atmosphere in the room grew a little softer.`@ br ;　礼拝堂のような、普段は無人の場所の硬い空気ではない。@ ;　確かにこの部屋に人が宿泊していたことをうかがわせる気配がある。@ `It wasn't the hard atmosphere of a place normally devoid of people, like the chapel.`@ `You could definitely tell that someone had spent the night in this room.`@ ;　しかし姿はなかった。\ `But she could not be seen.`\ bg Mvip_1b,0 ld r,$GOH_komaruA1,0 ld l,$JES_odorokiA1,22 ;　実を言うと、朱志香も郷田も、まだベアトリーチェには会っていない。@ `In reality, neither Jessica nor Gohda had met Beatrice.`@ ;　…肖像画に瓜二つの人物だと会った人間たちに聞かされただけだ。@ `...They had only been told by those who had met her that she looked like a double of the character in that portrait.`@ br ;　…だから、実際はどんな顔をしているのだろうと訝しがっていた。\ `...So they were doubtful about what her face really looked like.`\ bg black,22 ;　…しかし、嘉音だけは会っている。@ `...However, Kanon alone had met her.`@ ;　そしてあの魔女がどういう存在で、……どんな性分なのかを理解している。@ `And he understood what kind of being that witch was, ......and what kind of character she had.`@ br ;　だから、自分たちが彼女の姿を求めてここへ押しかけたなら、絶対、思い通りになどさせるわけがないのだ。\ `So he knew that if they were to force their way in here searching for her, she wouldn't let things go as they planned.`\ ;　……空振りさせ、悔しがる自分たちをどこかで見ていて、嘲笑っているに決まっている。@ ;　……あいつはそういうヤツなのだ。@ `......She must be watching us bitterly flail about in vain from somewhere, sneering at us.`@ `......She's that kind of person.`@ br ;　そういう目で見ていたから、嘉音が一番最初に見つけられた。@ ;　…他の二人は人影を探すことに集中していたから気付けなかったのだ。\ `Because he was looking at things that way, Kanon was the first to find it.`@ `...The other two were concentrating on finding the shadow of a person, so they hadn't noticed.`\ bg Mvip_2a,22 ;　サイドテーブルの上の水差しの脇に、便箋が一枚置かれていた。@ ;　短いメッセージと、それを書いたのだろう万年筆が添えられている…。\ `Near a water jug on the side table, there was a single sheet of writing paper.`@ `It was accompanied by a short message and a fountain pen which had probably been used to write it...`\ ;　嘉音は魔女を理解していた。@ ;　６人の死体を見つけて、怒りに駆られてここへ押し掛け、姿を見つけられない自分たちを、必ず魔女は嘲る。@ `Kanon understood the witch.`@ `The witch would definitely scoff at them, as they found the bodies, forced their way in here in rage, and were unable to find her.`@ br ;　……嘲りは、それを伝えなければ成立しない。@ ;　だからつまり、…これはきっと、それ…！\ `......Scorn cannot be fulfilled unless it is communicated.`@ `So in other words, ...this was definitely, that...!`\ ld r,$KAN_DefA2,24 ;「……お嬢様。@………ここに何か書かれています。」@ ;＜嘉音 `"......Milady.`@` .........There's something written here."`@ ld l,$JES_OdorokiA1,23 ;「書かれてるって、何だ？！」@ ;＜朱志香 `"Written, what is it?!"`@ ;　朱志香はズカズカと早足にやって来ると、便箋を乱暴に奪った。\ `After Jessica quickly dashed over, she violently stole the piece of paper.`\ bg black,24 ;　……本人に乱暴なつもりはないのだろう。@ ;　…今は力の加減ができないだけだ。\ `......She probably wasn't trying to be violent.`@ `...She just couldn't control her strength now.`\ bg Mvip_1d,22 ;「………何だとぉ…？！@　な、舐めやがってッ！！！」@ ;　メッセージを読んだ途端、朱志香は激しく怒り狂い、便箋をぐしゃぐしゃに丸めて叩きつける。\ `".........What the...?!`@` D, don't fuck with me!!!"`@ `As soon as she read the message, Jessica went into a wild rage, crumpled the paper up, and threw it.`\ se1 20 wait 700 se1 1020 quakey 4,500 se1 12 quakex 4,600 se1 11 quakey 5,800 ;　そして、ベッドサイドにあったインテリアスタンドを掴むと、それを乱暴に振り回して、それを壁や家具にひたすら叩き付けた。@ `Then, she grabbed an interior stand by the bedside and violently swung it around, mercilessly hitting the walls and furniture with it.`@ br ;　…たちまち電球が破裂しその破片を辺りにばら撒いた。\ `...The lightbulbs all shattered at once, and the fragments were scattered across the room.`\ bg Mvip_1b,0 ld c,$JES_NakuA1,24 ld r,$GOH_odorokiA1,24 ;「お嬢様、気をお静め下さい…！@　お怪我をなさいます！！」@ ;＜郷田 `"Milady, please calm yourself...!`@` You'll hurt yourself!!"`@ ld c,$JES_IkariA1,80 ;!s0「離せよッ！！@　畜生畜生ォ！/ !s0`"Let go!!`@` Damn it, damn it! `/ se1 7 quakey 3,400 se1 8 quakey 2,300 ;@　出て来やがれベアトリーチェッ！！@　よくも父さんと母さんをッ！！@　そんなに私が怖ぇかよッ！！/ @`Come out, Beatrice!!`@` How could you do that to Mom and Dad!!`@` You think you scare me!! `/ se1 1020 quakex 5,600 ;@　殺してやる殺してやる！！@　ブッ殺してやるから姿を現しやがれッ！！！@　だから離せって言ってんだろッ、くっそおおおおおぉおぉお！！」/ @`I'll kill you, I'll kill you!!`@` I'll beat you to death, so show yourself!!!`@` I told you to let go of me, damn iiiiiiiiiiiiiiiiiiit!!"`/ se1 8 quakey 4,500 se1 1020 quakex 7,600 !sd\ bg black,22 ;　便箋にはこう書かれていた…。\ `This was written on the paper...`\ bg letter1,22 ;●TIPS魔女の手紙U mov %play_scene,100 seplay 9,1062 mov %r_hyouji,1 mov %r_hyouji_tips,3 mov %tips_page,1 ;“私がぬくぬくとここで、貴方が飛び込んでくるのを待ち呆けるとでも？@　知的な夜に、粗暴なる貴方は似合わない。@ `'Do you think I'd be that senile, to wait comfortably in this place for you to barge in here?`@` You're too wild to be suitable for this intellectual night.`@ br ;　こんな間抜けに育てた親はどんな顔？@ ;　うん、見たよ、本当にそっくりな間抜け面。@ `What kind of faces did your parents, who raised you to be so stupid, make?`@ `Yeah, I saw them, they had a truly stupid look just like you.`@ se1 21 br ;　今はお菓子の国でお腹いっぱい！”\ `Now, their bellies are full in the land of sweets!'`\ bg black,22 ;　……あの魔女なら書きそうなことだ…。@ `......It sounded like something that witch would write...`@ br ;　……両親を失った子どもの誰かがここへ駆け込んでくるだろうことはお見通しだったというわけだ。\ `......It meant that she had predicted that one of the children who had lost their parents would come running in here.`\ ;　…もし、この部屋のどこかに隠れているのならば、今頃、腹を抱えて転げ回っているに違いない…。@ `...If she was hiding somewhere in this room, she would surely be rolling around with laughter...`@ br ;　あの魔女はそういうヤツ。@ `The witch was that kind of person.`@ ;　…人の不幸を嘲笑い、千年の退屈しのぎをする…！\ `...She sneered at people's misfortune, using it to stave off the boredom of a thousand years...!`\ bg Mvip_1a,0 ld c,$JES_IkariA2,26 ld r,$GOH_IkariA1,24 ;「これはお渡し下さい…！@　お怪我をなさいますと申し上げております…！/ `"Hand it over...!`@` I am saying that you will hurt yourself...!`/ se1 12 quakex 3,500 ;@　………んんん、……んん！！」@ @` .........nnnnn, ......nnnn!!"`@ ld c,$JES_ikariA1,80 ;「離せって言ってんだよ！！@　くそおぉおおくそおおおッ！！@/ `"I told you to let go!!`@` Damn iiiiiit, damn iiiiiiit!! `@/ cl c,25 se1 13 quakey 5,700 ;　……あぅッ！」\ `......au!"`\ ;　郷田は、朱志香の振り回すインテリアスタンドを取り上げる。@ ;　…これ以上、振り回せば、どこかにぶつけて怪我をするかもしれないからだ。@ `Gohda grabbed the interior stand Jessica had been swinging around.`@ `...Because if she kept swinging it around, she might hit something and get injured.`@ br ;　…郷田の目には、朱志香が怒りに狂い、憤怒の炎で己を焦がしているに違いないと映ったのだろう。@ `...To Gohda's eyes, Jessica probably looked mad with rage, burning with the flames of anger.`@ br ;　……しかし、嘉音の目には違って見えた。\ `......But Kanon's eyes saw it differently.`\ bg black,22 mevol 1,70 ;　それは多分、怒りに隠した、悲しみの涙…。@ `Those were probably, tears of sadness, hidden by rage...`@ br ;　だから。@ ;　インテリアスタンドを取り上げられた途端、@朱志香が床に、まるで這いつくばるようにしながら、絨毯を掻き毟って泣き出した時。@ `Therefore...`@ `At the moment the interior stand was taken from her, `@`when Jessica started crying on the floor, scratching at the carpet almost as though she was groveling...`@ ;　……郷田は驚くが、嘉音は驚かなかった。@ `......Gohda was surprised, but Kanon was not.`@ br ;　……怒りを振り回すという泣き方を奪われたのだから、…それは必然なのだ。\ `......Her way of crying by brandishing her anger, had been stolen from her, ...so this was inevitable.`\ bg Mvip_1e,22 me2v 5,70 ;「うううううぅううぅ、わああああああぁああぁあああああ！！@　父さん……、母さん……、うわああぁああああああぁあぁぁうううぅ！！」\ `"Uuuuuuuuuuuuuu, waaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!!`@` Dad......, Mom......, uwaaaaaaaaaaaaaaaaaaaaaaaaaauuuuuuuuu!!"`\ ;　…それは、……右代宮本家の令嬢を思えば、…あまりにみすぼらしい姿。@ ;　……絨毯を爪で掻き毟り、足でもがくように掻く。\ `...Considering that she was a daughter of the Ushiromiya family, ...she was in a very shabby state.`@ `......She scratched at the carpet with her fingernails, and even her feet were scratching.`\ ;　朱志香は強く強く、涙を流す。@ ;　…でないと、再び怒りが込み上げてきて、自分を飲み込んでしまいそうだから。@ `Jessica cried very, very hard.`@ `...Because if she didn't, her rage would start building up again, and swallow her up.`@ br ;　しかし、その度にあの便箋の屈辱のメッセージが蘇るのだ…。@ `But over and over again, she remembered that humiliating message...`@ br ;　……こんな間抜けに育てた親はどんな顔？\ `......What kind of faces did your parents, who raised you to be so stupid, make?`\ bg Mvip_1a,0 ld c,$JES_nakuA1,1 se1 11 quakey 5,500 ;「間抜けなんかじゃないッ！！@　父さんも母さんも、頭が良かった！！@　私なんかとは違う、本当に頭が良かったッ！！@　間抜けなんかじゃないぃ！@　取り消せ、/ `"They aren't stupid!!`@` Both Dad and Mom were smart!!`@` Unlike me, they were really smart!!`@` They aren't stupid!`@` Take it back, `/ se1 8 quakey 3,300 @/ ;取り消せッ！！」/ `take it back!!"`/ se1 8 quakey 3,300 \ br ;　うん、見たよ、本当にそっくりな間抜け面。@ ;　今はお菓子の国でお腹いっぱい！！\ `Yeah, I saw them, they had a truly stupid look just like you.`@ `Now, their bellies are full in the land of sweets!!`\ bg black,1 ;「うおおおぉおおおお、畜ッ生ォオオ！！！/ `"Ooooooooooooooohhh, damn iiiiiit!! `/ se1 11 quakey 5,500 ;@　殺してやる殺してやる、野郎の腹を裂いて同じ目に遭わせてやるッ！！@　ううわぁああああああぁああぁああ、わぁああああああぁああああああぁ……！！！@　ぅっく、ゲホゲホ、ゴホンゴホンゴホンッ！！！」\ @`I'll kill her I'll kill her, I'll slice her stomach and make her meet the same end!!`@` Uuuuaaaaaaaaaaaa, waaaaaaaaaaaaaa......!!!`@` Hic, *cough*cough*, *cough*cough*cough*!!!"`\ ;　泣き喚く朱志香は、喘息の発作を起こしてしまう…。@ ;　見守っていた使用人たちは慌てて駆け寄り、その背中を撫でたが、それは朱志香の逆鱗に触れるだけだった…。\ `As Jessica cried and screamed, she triggered an asthma attack...`@ `The servants watching over her hurriedly ran up to her and rubbed her back, but that only provoked Jessica's wrath...`\ mevol 1,40 mevol 2,40 bg Mvip_1a,22 ld r,$JES_IkariA2,26 ;「ゲホンゴホン！！@　んだよッ！！@　そんなことする暇があったら、あいつを探せよッ！！@　探し出して私のところへ連れて来いッ！！@/ `"*cough*cough*!!`@` 'the hell!!`@` If you have the time to do that, search for that bastard!!`@` Find them and bring them to me!! `@/ ld r,$JES_IkariA1,80 ;　お前らが行かないなら私が探す！！@　そしてこの手で殺してやる、腹を引き裂いてやる！！@/ `If you won't go, then I will!!`@` And I'll kill them with my own hands, I'll slice their stomach!! `@/ ld r,$JES_IkariA2,80 ;　ゲホゲホゴホゴホ！！@　がはッ、げはッ！！@　触るんじゃねぇぜッ！！！@　ちくしょぉ…、ちくしょぉ、ゲホゲホン！！@/ `*cough*cough*cough*cough*!!`@` *cough*, *cough*!!`@` Don't touch me!!!`@` Damn it, damn it, *cough*cough*!! `@/ cl r,23 ;　ゴホゲホンッ！！」\ `*cough*cough*!!"`\ ;　朱志香はよろよろと立ち上がると、喘息を繰り返しながら廊下に出て行く…。\ `Jessica got up unsteadily, and as her asthma continued, she went out into the hallway...`\ bg Mvip_1b,0 ld r,$GOH_OdorokiA1,24 ;「お嬢様、お薬を至急…！@　南條先生をお呼びします！」@ ;＜郷田 `"Milady, your medicine, quickly...!`@` I will call Doctor Nanjo!"`@ ld l,$KAN_majimeA1,23 ;「……………郷田さん。@………僕に、任せてくれませんか。」@ ;＜嘉音 `"............Gohda-san.`@` .........Would you, leave this to me?"`@ br ;　嘉音は察した。@ ;　………歳が大きく離れた郷田には多分、…朱志香の心の涙が感じられない。@ `Kanon had noticed.`@ `.........Gohda, who was much older, ...probably couldn't feel the tears in Jessica's heart.`@ br ;　……それを察した自分が、彼女を支えなければならないのだ。\ `......Kanon, who had noticed that himself, had to support her.`\ ld r,$GOH_iiwakeA1,80 ;「か、嘉音さん。@…………いいのですか…？」@ `"K, Kanon-san.`@` ............Is that alright...?"`@ ld l,$KAN_defA2,80 ;「………今のお嬢さんには、…涙を流す時間も必要なのだと思います。@…………ご両親の、あんな死に方を目の当たりにしては…。」@ `".........I believe that Milady needs some time to cry for now.`@` ............After seeing her parents, when they were killed like that..."`@ ld r,$GOH_komaruA1,80 ;「………………………………。@…そうですね。」\ `"........................`@`...You're right."`\ ;　郷田も理解する。@ `Gohda also understood.`@ ;　……そして、朱志香と嘉音の二人が、ささやかな交流を持っていることも知っていた。@ ;　だから、全てを理解し、任せる。\ `......And he also knew of the vague relationship that Jessica and Kanon shared.`@ `So he understood everything, and left it to Kanon.`\ ld r,$GOH_DefA1,80 ;「………わかりました。@……私は楼座さまのところへ戻ります。@…お嬢様を、くれぐれもよろしくお願いしますよ。」@ `".........Understood.`@` ......I will go back to Rosa-sama.`@` ...Please, take care of Milady."`@ ld l,$KAN_NayamuA1,80 ;「はい。@……お任せを。」@ `"Yes.`@` ......Leave it to me."`@ br ;　嘉音は弱々しい声だったけれど、……力強く頷く。@ ;　その目を見て、郷田も同じように力強く頷いた。\ `Kanon's voice was frail, ......but he nodded forcefully.`@ `After looking at his eyes, Gohda also nodded forcefully.`\ bg black,25 E_MA ;　…郷田も長い年季を持つベテランだ。@ ;　大勢の人間を見てきた。@ `...Gohda was a veteran with many years behind him.`@ `He had seen a great number of people in his life.`@ ;　…だから、克己した人間の目に浮かぶ力強い輝きを知っていた。@ `...So he knew of the vigorous sparkle that could be found in the eyes of those who had self-control.`@ br ;　それが嘉音の目に浮かんだのを確かに見た。@ ;　……だから、嘉音にこの場を任せるのだ。@ `He had surely seen that in Kanon's eyes.`@ `......Therefore, he would leave this to Kanon.`@ ;　…思えば、郷田が嘉音に信頼して仕事を任せた、初めての瞬間だったかもしれない…。\ `...When you think about it, maybe this was the first moment that Gohda had trusted Kanon and relied on him for a job...`\ bg M1F_P1b,22 ;　朱志香は喘息に苦しみながら、…壁にもたれかかりつつも、自分の部屋に向かっているようだった。@ `As Jessica suffered from her asthma, ...it seemed she was heading towards her room, leaning against the wall.`@ ;　……嘉音は無言でその後を追う。\ `......Kanon chased after her wordlessly.`\ ;　手を貸せといわれれば、飛んでいって支える。@ `If she had asked for a hand, he would have jumped over and supported her.`@ ;　…しかし朱志香がそれを求めない限り気配を殺し、いつでも助けられる距離にいて、彼女を見守った。@ `...But as long as Jessica didn't ask for that, he hid himself, watching over her from a distance where he could come to her rescue at any time.`@ br ;　……心が張り裂けそうなほど悲しい時、@誰かがそこにいてくれたらと、百億の人々が振り返る時、居て欲しい場所に嘉音はいながら朱志香の背中を無言で見守った…。\ `......As Kanon remained in that spot where ten billion people would want someone else to be when their hearts felt like they would explode from sadness, `@`he silently watched Jessica's back...`\ bg black,24 bg M_door1,22 ;　そしてとうとう、自分の部屋の扉の前でうずくまってしまう。@ `Then, finally, she was crouching in front of the door to her own room.`@ br ;　……喘息の発作は、全身の体力を奪う。@ ;　そして酸欠になった頭は朦朧とし、もはや立ち上がることもできないのだ。\ `......The asthma attack had stolen all of her strength.`@ `And her thoughts had gotten hazy from the lack of oxygen, so that she could no longer stand up.`\ ;　……でも、今の朱志香は誰かに手を貸されたいとは思っていない。@ ;　なぜなら、怒りの炎にまだ打ち勝てなかったから。@ `......But right now, Jessica wasn't thinking that she wanted someone to lend a hand.`@ `Because she still hadn't been able to overcome the flames of anger.`@ br ;　…もし、差し伸べてくれる手が善意であっても、今の朱志香はその手を掴み引き裂いてしまいたくなるだろうから。\ `...Because even if someone had offered her a hand with good intentions, right now, Jessica would start wanting to tear it off.`\ ;　…そしてそれがあまりに理不尽なことだと理解していたから。@ ;　…怒りの炎に打ち勝てるまで、彼女は決して助けを求めなかった。\ `...And she understood how unreasonable that would be.`@ `...Until she could overcome the flames of her anger, she definitely wouldn't ask for help.`\ bg black,22 ;　朱志香はもはや助けを口にする気力もなかったろう。@ `Probably, Jessica no longer had the willpower to call for help.`@ br ;　……でも、嘉音は聞いた。@ ;　…確かに聞いた。@ `......But Kanon heard it.`@ `...He definitely heard it.`@ br ;　……世界中で悲哀に嘆く人々が、なぜこれほどに叫んでいるのに誰も聞こえてくれないのかと嘆くその声なき助けを、確かに嘉音は聞いた。\ `......Kanon definitely heard that voiceless call for help, which is shared by those from across the world who are grieving, and which cannot be heard by anyone even though they scream and scream.`\ bg M_door1,22 ld l,$KAN_nayamuA1,23 ;　嘉音はそっと朱志香の脇に跪き、無言で肩を貸した。@ `Kanon softly knelt by Jessica's side, and wordlessly offered her a shoulder.`@ br ;　……朱志香は苦しい咳を繰り返しながらも、それを借り、/ ;!d800………自分の部屋の鍵を開け、入る…。\ `......Even though Jessica kept coughing painfully, she accepted it, `/ !d800`.........opened the lock to her room, and entered...`\ bg black,24 bg MJES_1cR,24 ld r,$KAN_majimeA1,24 ;「…………こちらへ。@……………今、お薬をご用意します。」@ `"............This way.`@` ............I'll prepare your medicine right away."`@ ld l,$JES_NayamuA1,23 ;「………………ごほんごほんごほん…！@/ `"...............*cough*cough*cough*...! `@/ ld l,$JES_nakuA1,80 ;………くッ、………ゲヘガハゴホッ…！！」\ `.........*co-, .........*cough*cough*cough*...!!"`\ bg MJES_1e,24 ;　朱志香はよく、喘息をし尽くすと胃袋丸ごとを吐き出しそうになるような苦しみになると口にしていた。@ `Jessica had often said that when her asthma got serious enough, it hurt so bad that it felt like she would vomit her whole stomach.`@ br ;　顔色は蒼白で、目の焦点も定まっていなかった。@ ;　なのに咳だけはまだ繰り返している…。@ `Her face was pale, and her gaze wavered.`@ `And yet, the coughing continued...`@ br ;　……それでも多分、…それよりも悲しみの方が勝っているのだ…。\ `......Even so, ...her sadness was probably even stronger...`\ bg black,22 ;　ベッドに腰掛けさせると、嘉音はベッド脇のサイドテーブルの上にある可愛い篭の中から気管支拡張剤を取り、手渡した。\ `After having her kneel by the bed, Kanon took a bronchodilator from a cute basket on a side table by the bed, and handed it to her.`\ ;　……朱志香は時折、薬を持ち歩くのを忘れる。@ ;　そんな気配のある時には、気を利かせて、使用人室の救急箱にある予備をこっそり持ち歩くのだが、今日はその準備がなかった。@ `......Jessica sometimes forgot to walk around with her medicine.`@ `When it seemed that this was the case, Kanon would take notice and secretly carry around the inhaler from the first-aid kit in the servant room, but he hadn't done so today.`@ br ;　……こんな日に持ち歩かなくて、どうして自分は家具などと言えるのかと自分を責めた。\ `......He scolded himself, as though wondering how he could call himself furniture after failing to bring it with him on a day like this.`\ ;　………そして、それを口にし、朱志香の何かの気持ちを裏切った日を思い出して、…嘉音の心が軋んだが、@……それは今の朱志香の悲しみに比べればはるかに不謹慎な感情だと思い、心の奥底に押し止める…。\ `.........Then he remembered the day when he had said that, and somehow betrayed Jessica's feelings, ...which jarred Kanon's heart, `@`......but he thought that compared to Jessica's sadness now, that would be a very indiscreet emotion, and he suppressed it to the depths of his heart...`\ bg MJES_1e,22 ;「………はぁ、………はぁ…。@……………………はぁ…。」@ `".........Haah, .........haah...`@`.....................haah..."`@ ;　薬を吸引すると、朱志香の荒い呼吸は少しずつ和らぎ、…ようやく落ち着きを取り戻す。@ `When she inhaled her medicine, Jessica's wild breathing calmed down bit by bit, ...and she was finally able to regain her composure.`@ br ;　………しかし、失った気力と体力は、彼女をベッドから起き上がらせるほどではなかった。\ `.........But the strength and willpower she had lost wouldn't allow her to rise up from the bed.`\ bg black,2 me1v 12,40 cross1 3000,40,0,0,0,0 bg MJES_1aR,22 ld l,$KAN_MajimeA1,23 ;「…………………大丈夫ですか。@……お嬢様。」@ `"..................Are you alright?`@` ......Milady."`@ ld r,$JES_nayamuA1,24 ;!s0「…………私は、/ ;!d800………大丈夫だぜ…。@/ !s0`"............I'm, `/ !d800`.........alright...`@/ ld r,$JES_NakuA1,80 ;………父さんと母さんは駄目だけど、/ ;!d900………私は、/ ;!d800……もうちょっと泣きゃ、/ ;!d900………大丈夫だぜ…………。」/ `.........I'm all messed up over Mom and Dad, `/ !d900`.........but, `/ !d800`......after I cry a little longer, `/ !d900`.........I'll be alright............"`/ !sd@ ld l,$KAN_NayamuA1,80 br ;「……………………。」\ `".................."`\ bg black,22 ;　嘉音は失言を悔いる。@ `Kanon regretted misspeaking.`@ br ;　……今の彼女に、「大丈夫か」？@ ;　…何て自分は心の痛みを読めないのか。@ ;　…………だから、所詮は家具。@ ;　だから人間になれない…。\ `......He had said "Are you alright", to her?`@ `...Was he really unable to notice the pain in her heart?`@ `............Therefore, he was furniture after all.`@ `Therefore he couldn't become human...`\ E_A bgm1 51 bg MJES_1bR,0 ld c,$KAN_NayamuA1,23 ;「………………廊下におります。@…御用がありましたら、すぐにお呼び下さい。」@ `"...............I will be in the corridor.`@` ...If you need anything, please call me immediately."`@ br ;　彼女には、ひとりで涙を流す時間がまだ必要であると嘉音は理解する。@ ;　嘉音はいつでも呼べと告げ、一礼してから退室しようとする。\ `Kanon understood that she still needed some time to cry alone.`@ `He told her to call him at any time, bowed, and tried to leave the room.`\ bg black,22 ;「……ぁ、……………。」\ `"......ah, ..............."`\ bg MJES_1aR,0 ld r,$JES_NakuA2,2 ld l,$KAN_DefA2,23 ;「……何か。」@ `"......Is there something?"`@ br ;　朱志香が呼び止めるような声を出したので、嘉音は足を止めた。\ `Jessica had spoken as though she wanted him to stop, so Kanon had stopped.`\ ;　………彼女が求めるならば、どんな助けにもなろうと思った。@ ;　…彼女の心の痛みが癒せるなら、今の僕は杖にも椅子にもなるだろう。@ `.........If she asks it, I'll do anything to help her.`@ `...If it could heal the pain in her heart, right now, I would even become a cane or a chair.`@ br ;　………そうすることで、……あの日に与えた心の痛みの代償となるのなら…。\ `.........If by doing that, ......I can repair the pain in her heart I gave her that day...`\ ld r,$JES_nayamuA1,80 ;「……………………………………。」@ `"........................"`@ br ;　…朱志香はしばらくの間、嘉音の目をじっと見つめていた。@ ;　……呼び止めたものの、何も口にすることがない、という風だった。\ `...For a while, Jessica stared into Kanon's eyes.`@ `......As though she couldn't put into words her reason for stopping him.`\ ld l,$KAN_majimeA1,80 ;「……………………………。」@ ;＜嘉音 `"....................."`@ ld r,$JES_NakuA2,80 ;「………………………。」@ `".................."`@ ;＜朱志香 br ;　しばらくの間、無言。@ ;　…………その沈黙は、朱志香が破った。@ ;　…小声で。\ `For a while, neither spoke.`@ `.........Jessica broke that silence.`@ `...With a small voice.`\ ld r,$JES_nakiwaraiA1,80 ;「………ごめん。@………何でもないぜ。@……………しばらくひとりになりたいって、楼座叔母さんに伝えてくれるかな…。」\ `".........I'm sorry.`@` .........It's nothing.`@` ............Could you tell Rosa oba-san that I want to be alone for a while...?"`\ ld l,$KAN_nayamuA1,80 ;「ひとりには…、しません。」@ `"I won't let you be..., alone."`@ ld r,$JES_nayamuA1,80 ;「……………………え…。」\ `".....................Huh..."`\ ld l,$KAN_fumanA2,80 ;「あなたを、…僕はひとりにしない。@/ `"I won't, ...let you be alone. `@/ ld l,$KAN_DefA2,80 ;………………だから、廊下にいます。@…いつでも、/ ;!d800……呼んで下さい。」@ `.....................So, I will be in the corridor.`@` ...At any time, `/ !d800`......call me."`@ br ;　朱志香は一瞬だけ、確かに瞳に何かの希望を浮かべた。@ `For just an instant, it looked like some kind of hope flew to Jessica's eyes.`@ br ;　…でもそれはとても儚く、初雪が川面に消えるように、すっ…と消える。\ `...But it was very faint, ...and disappeared like the first snow does on the surface of a river.`\ ld r,$JES_nakiwaraiA1,80 ;「……ありがとな。@………………しばらくだけ、ひとりで泣かせてくれ…。」@ `"......Thanks.`@` ...............For just a while, let me cry alone..."`@ ld l,$KAN_nayamuA1,80 ;「…………はい。@……………失礼します。」@ `"............Yes.`@` ............Excuse me."`@ br ;　嘉音は頭をもう一度下げ、扉を閉める…。\ `Kanon bowed once again, and closed the door...`\ bg black,11 me1v 12,40 ;　………彼女を勇気付けるため、言葉をかけたはずだった。@ ;　…………でも、なぜかそれは、かえって傷つけた気がした。\ `.........He should have said something to give her some courage.`@ `............But for some reason, it felt like that would actually hurt her.`\ ;　…なぜ？@　………わからない。@ ;!s0　……それはきっと、/ ;!d900………………自分が、家具だから。/ `...Why?`@` .........He didn't know.`@ !s0`......Surely, that was because, `/ !d900`..................he was furniture.`/ !sd@ br ;　だから未だに、人の悲しみが、…汲み取れない。\ `So even now, ...he couldn't grasp human sadness.`\ fede 1,3000 bg M1F_P1d,2 ;　嘉音は自問を繰り返しながら、廊下を歩く。@ ;　………突き当たりの窓が、涼しげに自分を誘っている気がした。\ `As Kanon repeatedly questioned himself, he walked down the corridor.`@ `.........He felt like the window at the end was cooly calling to him.`\ ;「…………………………。@……僕は、………やっぱり家具でしかないのか……。」@ ;　外は相変わらずの土砂降りで、薄暗い灰色の世界だった。\ `"........................`@`......In the end, .........am I nothing more than furniture after all......?"`@ `It was still pouring outside, a dark, gray world.`\ ;　…今日のような天気の日にも、紗音はきっと海を見て青さを知るのだろう。@ `...Even on days like this, Shannon would surely see the ocean and know it was blue.`@ br ;　……だが僕の目にはきっと、たとえ晴れていても灰色に見えている…。@ `......But to my eyes, even if it cleared up, I would only see gray...`@ br ;　海の青さがわからない限り、/ ;!d800……僕は人の形を似せた、家具でしかない………。\ `As long as I cannot understand the blue of the ocean, `/ !d800`......I am nothing but furniture imitating a person.........`\ bg black,1 E_A ;「…………………本当に女心のわからぬヤツよ。@/ `"...............You really don't understand a woman's heart. `@/ bgm1 40 ;…あぁいう時は、黙って側にいるのが正解だ。@…くっくっくっく、だからゆえに貴様は家具なのよ。」\ ;＜私服ベアト `...In times like that, you should silently remain by her side.`@` ...*cackle*cackle*, that's why you're furniture."`\ bg M1F_P1d,22 ;「き、…………貴様ッ……、」\ `"Y, ............you......"`\ ;　この廊下に人の気配などあったはずもない。@ ;　冷たい空気に満たされた無人の廊下だった。@ `There shouldn't have been a trace of anyone in this corridor.`@ `It had been empty and cold.`@ ;　………しかし嘉音の背中に、その嘲りの言葉は掛けられた。\ `.........But those scoffing words approached Kanon from behind.`\ gosub *BEA_isyou2 ld c,$BEA_AkuwaraiA1,2 ;　振り返れば、……そこにはあの魔女の姿があった。@ ;　朱志香が狂おしいほどの怒りでその姿を求めたのに見せず、嘲笑する手紙を残して弄んだ、その魔女の姿が…！\ `When he turned around, ......he saw that witch.`@ `That witch, who hadn't shown herself when Jessica had searched for her with a rage bordering on madness, who had left that sneering letter to toy with Jessica...!`\ ld c,$BEA_futekiA2,80 ;「女の傷付け方は３つある。@…特別に妾が教えてやろう。@１つは刃物で傷つける。@１つは心で傷つける。@/ `"There are three ways to hurt a woman.`@` ...Let me teach them, just for you.`@` One is to hurt them with a knife.`@` Another is to hurt them in their heart. `@/ ld c,$BEA_WaraiA1,80 ;…そして最後が一番難しく、一番効果的に傷付けられる。@なのに意識せずして傷付けられる。@わかるか…？」@ `...And the last one is the most difficult, and the most effective way of hurting them.`@` And yet it can hurt them without you even realizing it.`@` Do you know what it is...?"`@ ;「わ、……わかるわけもないし、知りたくもないッ！！」\ `"H, ......how could I know, I don't even want to know!!"`\ ld c,$BEA_AkuwaraiA1,80 me1v 13,40 ;「期待を裏切る、だ。@/ `"It's to betray their hopes. `@/ ld c,$BEA_futekiA1,80 ;……女ほど夢見がちな生き物はいない！@　勝手に夢を見、勝手に傷付く。@……お前のような距離の男が一番女を傷付ける！@　わかるまいな、貴様には。@どれほど朱志香を傷付けてきたか、まったく考えが及んでいまい。」\ `......No living being is more of a dreamer than a woman!`@` They see their own dreams, and hurt themselves.`@` ......A distant man like you hurts women the most!`@` You couldn't understand.`@` You don't have a clue how much you have injured Jessica."`\ ld c,$BEA_WaraiA2,80 ;「……家具だからッ！@　くっくくくくくくくくくくく！」\ `"......Because you're furniture!`@` *cackle*cackle*cackle*cackle*cackle*!"`\ bg M1F_P2bR,0 ld r,$KAN_OdorokiA1,24 ;「お、お前の戯言に付き合う気は毛頭ない！@　……僕を嘲笑うためだけに姿を現したというのか！！」\ `"I, I have no intention of going along with your nonsense!`@` ......Did you appear only to sneer at me?!!"`\ ld l,$BEA_AkuwaraiA1,23 se1 21 ;「自惚れるな家具。@貴様如き、嘲笑うにも足りぬわ！@/ `"Don't be so full of yourself, furniture.`@` You aren't worth sneering at! `@/ ld l,$BEA_WaraiA2,80 ;　くっくっくっく！@　しかしそなたもひとりではそれに値しなくても、二人揃えば充分に足りる。@……若々しき男女の悲運を笑う喜びは何度繰り返しても飽きぬのでな。」@ `*cackle*cackle*!`@` Still, even though you may not be worth it alone, if the two of you are gathered, that's more than enough.`@` ......I never get tired of the pleasure that comes from laughing at the fate of a young couple."`@ ld r,$KAN_ikariA1,80 ;!s0「何だと…。@………ま、/ ;!d400…まさか貴様、/ ;!d800……お嬢様を……。」/ !s0`"What did you say...`@`.........c, `/ !d400`...could it be you, `/ !d800`......to Milady......"`/ !sd\ bg M1F_P1d,0 ld c,$BEA_waraiA1,24 se1 27 bg white,1 bg M1F_P1d,0 ld c,$BEA_akuwaraiA5,2 ;「第二の晩の生贄に、“寄り添う二人”が必要なのでな。@…お前たち二人は実に都合が良い…！！」\ `"I need 'two who are close' for the sacrifices of the second twilight.`@` ...The two of you truly are convenient...!!"`\ bg M1F_P2bR,0 ld r,$KAN_OdorokiA1,23 ;「ま、……待て…！@　勘違いするな……！@　僕はお嬢様と、/ ;!d800……そういう関係じゃない…！@　第二の晩の生贄にはならないッ！」\ `"W, ......wait...!`@` Don't misunderstand......!`@` Milady and I, `/ !d800`......don't have that kind of relationship...!`@` We can't become the sacrifices for the second twilight!"`\ ld l,$BEA_akuwaraiA3,23 ;「くっくっくくくくくはっははははははははははははははは！！@　だからお前は朱志香を傷付ける。@だからお前は人間になれぬッ…！！」\ `"*cackle*cackle*cackle*cackle*hahahahahahahahahahahahahahahaha!!`@` That's why you hurt Jessica.`@` That's why you cannot become human!!"`\ ld l,$BEA_futekiA2,80 ;「ならば良いだろう、貴様が朱志香を想い人と認めぬならば、それを受け容れても良い。@/ `"Then there should be no problem, if you won't admit that you have feelings for Jessica, I can accept that. `@/ ld l,$BEA_futekiA1,80 ;……だが朱志香は殺す！！」@ `......But I'll kill Jessica!!"`@ ld r,$KAN_IkariA1,80 ;「なぜッ？！」\ `"Why?!"`\ bg M1F_P2bR,0 ld l,$BEA_akuwaraiA3,80 ;「この馬鹿がッ！！@　決まっておろうがッ！！@/ `"You idiot!!`@` Isn't it obvious?!! `@/ se2v 27,100 bg white,1 bg M1F_P2bR,0 ld c,$BEA_akuwaraiA4,2 me2v 17,50 br (`It'll be fun to kill her and see the pained`/・・・・・・・・・・・・・・・・・) br (`look on your face, why else`/・・・・・・・・・・)`?!!`\ ;　(殺したらそなたが歪めるだろうその表情が楽/・・・・・・・・・・・・・・・・・・・・) ;br ;(しいからの他に何の理由が必要なのか/・・・・・・・・・・・・・・・・・)ッ！！\ ;　儀式に従い、妾は気まぐれに１３人を生贄とする。@だが、それ以上を殺してはならないとの決まりはない。」\ `Following the rules of the ceremony, I will make 13 people into sacrifices on a whim.`@` However, there's no rule saying that I can't kill any more."`\ se1 27 ld c,$BEA_AkuwaraiA2,80 ;「…妾が楽しければ幾人でも殺すッ！！@　だから殺す！！@ `"...If I think it's fun, I can kill any number of people!!`@` So I will kill!!`@ br ;　(妾を思いッ切り笑わせて見せろよ/・・・・・・・・・・・・・・・)、家具ゥゥウッ嘉音ンンンンッ？！？！」\ (`Make me laugh as hard as I can`/・・・・・・・・・・・・・)`, alright furnituuuuuuure, Kanonnnnnnnn?!?!"`\ ;＜殺したらそなたが歪めるだろうその表情が楽しいからの他に何の理由が必要なのか　　　妾を思いッ切り笑わせて見せろよ　　：　この２つを点処理　　　 E_A se2v 27,100 bg black,1 bgm1 46 ;　その時、嘉音は確かに朱志香の悲鳴を聞いた。\ `At that time, Kanon definitely heard Jessica's scream.`\ bg M1F_P1d,22 ;　瞬きをして廊下の向こうを見た瞬間、直前まで当たり前のような顔をしてそこにいたはずの魔女の姿は掻き消えていた。\ `In the instant he looked down the corridor, the witch, who had been making a perfectly ordinary face until a second ago, had disappeared.`\ ;　…自分は今この瞬間、たったひとりで廊下に立ち尽くしているに過ぎない。@ `...Right now, it was just him, standing alone in the corridor.`@ br ;　……そして、守りたい人が助けを求めていて、その人は彼方にいる。\ `......And the person he wanted to protect was asking for help, and was right over there.`\ bg black,22 ;　自分のすべきことは明白だった。@ ;　それは理屈じゃない。@電気的で反射的。@ ;　一切の躊躇も雑念もない。@ `It was obvious what he should do.`@ `It wasn't logical.`@` It was an electric reaction.`@ `Without a trace of hesitation or idle thoughts.`@ br ;　…守りたい人がいて、助けを求めていて。@ ;　………だからその瞬間、そこにいるのが自分でありたいという純粋な気持ち。\ `...The person he wanted to protect was there, and asking for help.`@ `.........Therefore, in that moment, he genuinely felt that he wanted to be the person who was there with her.`\ bg white,10,500 se1 15 bg black,1 wait 1000 se2 22 bg butterfly_3a,2 ;　朱志香の部屋に飛び込んだ時、その目に飛び込んできたのは異様な光景だった。@ `When he flew into Jessica's room, his eyes latched on to a bizarre scene.`@ br ;　部屋は、金色の粉吹雪が舞い、まるでスノーグローブの中で金箔を舞い散らせているような幻想的な世界だった。\ `The room was a fantastical world, where a blizzard of gold-colored specks danced, almost as though gold leaf had been scattered inside a snow globe.`\ ;　………いや違う。@ ;　僕はこの光景を以前にも見ている。@ ;　これは金箔じゃない。@ `.........No, that's not it.`@ `I've seen this spectacle before.`@ `This isn't gold leaf.`@ br ;　……無数の黄金の蝶たち、ベアトリーチェの眷属たちッ！！\ `......It's countless gold butterflies, Beatrice's minions!!`\ bg MJES_1bR,0 ld r,$JES_OdorokiA1,22 se1v 22,100 me1v 21,40 bfly1 22 ;　朱志香は無数の蝶に群がられ、必死にそれを払うように腕を振り回していた。\ `Jessica was surrounded by countless butterflies, and was waving her hands around, trying frantically to swat them.`\ ld l,$KAN_ODorokiA1,24 ;「お嬢様ッ！！！」@ `"Milady!!!"`@ ld r,$JES_ikariA2,80 ;「か、嘉音くん……、/ ;!d700た、助けて……………。@…ゲホンゲホゲホゲホッ！！」@ `"K, Kanon-kun......, `/ !d700`h, help...... `@`...*cough*cough*cough*cough*!!"`@ br ;　嘉音は朱志香に飛びつくと、群がる蝶たちを乱暴に払いのける。@ `Kanon rushed towards Jessica, and violently brushed the group of butterflies away.`@ br ;　…この美しくも汚らわしい蝶たちは、朱志香の顔に群がり、口や鼻から入り込もうとしていたのだ。\ `...The butterflies, which were both beautiful and filthy, surrounded Jessica's face, trying to crawl in through her mouth and nose.`\ ;ld r,$JES_IkariA2,80 se1 13 cl r,25 ;　朱志香が激しく咽込む。@ `Jessica gagged violently.`@ br ;　…まるで、この蝶たちが朱志香の喘息発作を引き起こし、嘲笑っているかのようだった。@ `...Almost as though the butterflies were triggering her asthma attack, sneering at her.`@ br se1v 22,100 bg butterfly_3a,0 ;ld r,$JES_IkariA1,0 ld l,$KAN_OdorokiA1,22 ;　だって、嘉音が駆けつけ朱志香が咽込んだら、蝶たちは襲うのをやめ、今度は二人の周りを優雅に、ロンドのように舞い始めたから。\ `But when Kanon ran towards Jessica as she choked, the butterflies stopped attacking her, and this time, they began to elegantly dance a rondo around the two.`\ ld r,$JES_NakuA1,26 ;「………嘉音くん……、嘉音くん………。」@ `".........Kanon-kun......, Kanon-kun........."`@ cl l,0 ld c,$KAN_OdorokiA2,23 ;「…大丈夫。@…………僕の目の黒い内は、/ ;!d800……あなたに誰の指一本、触れさせたりするものか。@/ `"...It's alright.`@` ............While there's still life in me, `/ !d800`......I won't let anyone lay a finger on you. `@/ ld c,$KAN_IkariA1,80 ;………出て来い、ベアトリーチェ！！@　これで満足かッ！！」@ `.........Come out, Beatrice!!`@` Are you satisfied with this!!"`@ br ;　苦しそうにしながら薬を吸引する朱志香を庇いつつ、嘉音は虚空に叫ぶ。\ `As he guarded Jessica, who was in pain and using her inhaler, Kanon yelled into the empty air.`\ se1v 37,100 bg black,22 bfly2R 22 ;　……すると確かに虚空は満足げに笑い返した。@ `......When he did, the empty air definitely laughed back, satisfied.`@ br textoff se2v 22,100 bg butterfly_1a,2 wait 1500 se3v 22,100 bg butterfly_3a,22 wait 1500 me2 5 se1v 52,100 bg MJES_1aR,0 gosub *BEA_isyou1 ld c,$BEA_akuwaraiA2,99,2000,"whirl.dll/r" ;　…そして姿を現す。@ ;　嘉音の要望に応えたわけじゃない。@ `...Then, she showed herself.`@ `It wasn't in response to Kanon's demand.`@ br ;　姿を現して嘲笑った方が、より屈辱を与えられて楽しいからという理由でに決まってる！\ `It was obviously because appearing and sneering humiliated them even more, and was more fun!`\ ld c,$BEA_akuWaraiA1,80 ;「くっくくくくくははははは！！@　これで全ては筋書き通りよ。@今やそなたは俎上の鯉よの。@/ `"*cackle*cackle*cackle*hahahahaha!!`@` Now everything follows the plot.`@` Now you are carp on the chopping board. `@/ ld c,$BEA_futekiA1,80 ;いや、二人が揃ったのだから鴨と葱と呼ぶべきか？@　はっはははははははははははははは！！」\ `No, since the two of you are together, should I call it duck with green onions?`@` Hahahahahahahahahahahahahahaha!!"`\ bg black,0 bfly1 22 bg MJES_1bR,24 ld r,$JES_IkariA1,80 ;「お、……お前、/ ;!d500……ベ、ベアトリーチェ…！！」@ ;＜朱志香 `"Y, ......you, `/ !d500`......B, Beatrice...!!"`@ ld c,$KAN_KomaruA1,24 ;「お下がりください。@/ `"Please, stand back. `@/ ld c,$KAN_ikariA3,80 ;……お嬢様は、僕が守る…！」\ ;＜嘉音 `......I'll protect you, Milady...!"`\ cbfly 0 bg black,23 bfly1 0 bg MJES_1aR,23 ld l,$BEA_futekiA2,23 ;「姫に騎士が揃わば、魔女が現れるのは必然よ。@……どれ、金蔵の家具がどの程度の力を持つか、見せてもらおうではないか。」\ `"It's essential that when the princess and the knight are together, the witch appears.`@` ......Come now, won't you show me how much power Kinzo's furniture holds?"`\ se3v 2,100 bg black,1 ;　魔女は指を弾いて鋭い音を立てる。\ `She snapped her fingers and there was a piercing sound.`\ textoff se1v 22,100 bg butterfly_1a,22 wait 000 bg butterfly_3a,0 ;cbfly 2 lsp bgsp,butterfly_3x,0,0 print 2 ;　すると部屋に黄金の蝶たちの吹雪が起こり、それらは渦を巻きながら小山を作っていく。@ `When she did, a blizzard of gold butterflies started up, and they began to form a small mountain as they whirled around in a circle.`@ br ;　…まるで、木枯らしが渦を巻いて枯葉の山を作るように。\ `...Just like how a cold, wintry wind swirls and creates a mountain of leaves.`\ textoff mov %ryuu2,80 for %ryuu1 = 40 to 70 wait %ryuu2 mevol 1,%ryuu1 next se1v 38,100 bg MJES_1aR,0 ld c,$GOA_DefA1,8 ;　その黄金の小山から、腕が生え、…まるで、底の世界の住民が這い上がってくるかのように、……現れる。\ `From that mound of gold, a hand sprouted, ...and it appeared, ......as though a resident of the world below was crawling out.`\ ;「な、………何これ……。@何だよこれ……ッ？！」@ ;＜朱志香 `"W, .........what is this......?`@` What's going on......?!"`@ br ;　朱志香は今見ているものが何なのか、理解できず、口をぱくぱくとさせる…。@ ;　それはまさに、理解不能なものをわかろうとする知の咀嚼。\ `Jessica couldn't comprehend what she was seeing right now, and her mouth kept flapping open and closed...`@ `It was the bite of wisdom, which came from trying to understand something incomprehensible.`\ csp bgsp se1v 52,100 lsp bgsp2,butterfly_4sp1R,0,0 print 99,6000,"breakup.dll/urb" ;　這い上がりし者は、……多分、魔女に仕える従者に違いないだろう。@ ;　その身なりは、仕える者たちが身にまとう様式に則る正装に見えた。\ `That thing crawling up, ......was probably an attendant serving the witch.`@ `It appeared to be wearing a uniform following the pattern of those who serve.`\ ;　……しかし顔が違う。@それは、異形…。@ ;　……真っ黒な毛に覆われ、…腐った息を吐き、溶岩と同じ地の底の怪しい輝きを湛える目。@ `......But its face was different.`@` It was, strange-looking...`@ `......It was covered with pitch-black hair, ...breathed rotten breath, and its eyes were filled with the same strange subterranean glow as lava.`@ br ;　…そして、………人ならざる者の象徴である、…二本の角…。@魔女に仕える山羊面の従者の姿だった……。\ `...And, .........as a symbol that is was not human, ...it had two horns...`@` It was the figure of a goat-faced attendant who served the witch......`\ bg black,0 bfly1 22 ;「………………………ッッ！！！」@ ;＜朱志香 `".........................!!!"`@ ;　朱志香はもう、自分が口に出すべき言葉すら決め切れない。@ `Jessica could no longer decide what to say.`@ br ;　…目の前で起こっている、この世の常識で説明できないそれに、ひたすら口をぱくぱくさせるだけだった。\ `...All this happening in front of her couldn't be explained with common sense, and she couldn't do anything except open and close her mouth.`\ bg butterfly_3a,22 ;　……朱志香は気付けなかった。@ ;　…この島がすでに、この世の法則から切り離されていることに。@ `......Jessica hadn't noticed.`@ `...This island had already been cut off from the rules of this world.`@ br ;　しかしそれでも理解はできる。@ ;　……この山羊の従者が魔女の使いで、……自分の命を狙っていることは。\ `But even so, she could understand.`@ `......This goat attendant was the witch's familiar, ......and it was after her life.`\ ;　そして魔女もそれをすでに命じてあるらしい。@ ;　そして嘉音に期待の眼差しを向ける。@ `And it seemed that the witch had already ordered that.`@ `And she faced Kanon with an expectant gaze.`@ br ;　……どのようにして姫君を守るつもりなのかと、期待という名の挑発の眼差しを向ける！\ `......She faced him with a provocative gaze filled with expectation, as though asking him how he planned to protect this maiden!`\ se1v 22,100 ld c,$GOA_DefA1,6 ;　従者は、這い上がる時こそ獣のように見えたが、それの背筋は美しく、@黄金の魔女に仕えるに値する気品を充分に備えているように見えた。@ `The attendant had looked especially like a beast when it had been crawling up, `@`but in its composure, you could see that it had more than enough dignity to be worthy of serving the Golden Witch.`@ br ;　……そして、仕える主の期待に応えたいという家具の喜びに満ち溢れていることもわかる。\ `......And you could tell that it was overflowing with the joy of furniture wanting to meet its master's expectations.`\ ;bg G2F_R1a,23 ld l,$BEA_futekiA1,23 ;「………見せてもらおうではないか。@金蔵の家具の力を！@/ `".........Why don't you show me?`@` Show me the power of Kinzo's furniture! `@/ ld l,$BEA_AkuwaraiA1,80 ;　今度は間違えるな？@　……家具であることを忘れるな？@　この期に及んで人間のフリを続けるのなら、死ぬのはお前だけでは済まぬぞ。@くっきっきききききききききききき！」\ `Don't mess up this time, alright?`@` ......Don't forget that you're furniture, alright?`@` If you continue acting like a human even now, this won't be settled by your death alone.`@` Kukikikikikikikikikikikikiki!"`\ cl l,24 ;　山羊の従者は黙礼するような仕草をする。@ ;　それは、主に応えるためのものだったのか、対峙する嘉音に捧げたものなのか、…わからない。@ `The goat attendant made a gesture as though bowing silently.`@ `Was that in response to its master, ...or was it offered to Kanon, who opposed it?`@ br ;ld c,$GOA_DefA1B,99,1000,"breakup.dll/urb" ;　そして、従者の手に、……邪まなる、悪意の刃が現れる……。\ `Then, on the attendant's hand, ......a blade of wicked malice appeared......`\ textoff se1v 57,1000 ld c,$GOA_DefA1B,23 wait 3000 bfly1R 0 bg G2F_R1c,0 ld c,$JES_NayamuA1,0 ld r,$KAN_OdorokiA2,24 ld c,$JES_OdorokiA1,80 ;!s0「………な、/ ;!d400…………何だよ、/ ;!d400………ソレ…………。」/ !s0`".........Wh, `/ !d400`............what is, `/ !d400`.........that............"`/ !sd@ ;＜朱志香 ;　朱志香にはすでにとっくに、目の前で起こっていることなど理解できない。@ `Jessica had been unable to understand what was happening before her eyes for a while now.`@ br ;　……理解に及ぶのは、……ソレが自分の命を脅かすために閃いているということだけだ。@ ;　そして、今はそれで充分だった。\ `......All she understood, ......was that this thing was being waved around to threaten her own life.`@ `And right now, that was enough.`\ ;　嘉音の背中に隠れる朱志香に、嘉音は静かに言う。\ `Kanon spoke quietly to Jessica, who was hiding behind his back.`\ ld r,$KAN_KomaruA1,80 ;「………お嬢様。@…壁に下がっていて下さい。@…背中は決して壁から離さないように。」@ `"......Milady.`@` ...Please stay back, against the wall.`@` ...Never let your back leave the wall."`@ ld c,$JES_KomaruA1,80 ;「え……？！」\ `"Wha......?!"`\ bg MJES_1aR,0 ld r,$BEA_WaraiA2,24 ;「……くっくっくっくっくっく！@　姫君は大人しく騎士殿の背中に隠れているがいい。@自らの命を男に守らせる醍醐味でも存分に味わえば良い。@/ `"......*cackle*cackle*cackle*!`@` The maiden should obediently hide behind the great knight's back.`@` Enjoy having a man protect your own life to the fullest. `@/ ld r,$BEA_futekiA1,80 ;……さぁ！@　嘉音、お前の刃を見せてみよッ！！」\ `......So!`@` Kanon, try showing me your blade!!"`\ textoff bg black,22 fede 0,2000 bgm1 52 bg MJES_1bR,0 ld l,$KAN_defA2,24 wait 6000 se1v 57,100 ld l,$KAN_defA2B,23 ;ld l,$KAN_DefA2B,99,1000,"breakup.dll/ulb" wait 3000 ;「…………………………………。」\ ;＜嘉音 `"........................"`\ bfly2R 0 bg black,2 bg MJES_1aR,0 ld c,$BEA_DefA1,23 ;「……美しい。@/ `"......Beautiful. `@/ ld c,$BEA_akuWaraiA1,80 ;…金蔵は家具を生み出すことに関してだけは、妾の足元に及ぶやも知れぬ。」\ ;＜ベアト `...At least when it comes to giving birth to furniture, Kinzo might reach up to my feet."`\ bg black,22 ;「…こんなもの、薔薇の手入れにも、……使えない。」@ ;＜嘉音 `"...Something like this, ......can't even be used to trim the roses."`@ ;「……………か、………嘉音くん…。@……………それは、………。」@ ;＜朱志香 `"...............K, .........Kanon-kun... `@`...............what is, ........."`@ ;「………見せたく…、なかった。」\ `".........I didn't want..., to show you."`\ bg MJES_1aR,0 ld r,$BEA_futekiA1,22 ;「よくぞ抜いたぞ。@………想いを寄せる女の前で、己が人間以下の存在であることを晒した気分はどんなものよ。」@ `"So, you've taken it out.`@` .........How does it feel to have the fact that you are a subhuman being exposed in front of the girl you have feelings for?"`@ ld l,$KAN_fumanA1B,23 ;「……………………黙れ。」\ `"..................Be silent."`\ ld r,$BEA_DefA2,80 ;「……ふ。@……憤怒で己を焦がしているくせに冷静を装うか。@…なるほど、真に熱き炎は青く静かだという。@今のそなたがそうだというのか。」\ `"......Hmph.`@` ......So you act composed even though you're really burning with wrath?`@` ...I see, they say that truly hot flames burn a cool blue.`@` Is that how you are now?"`\ bg MJES_1bR,0 ld c,$KAN_KomaruA1B,24 ;「僕の力で、お前を殺すことなどできるわけもない。@……お前は月。@石つぶてを投げたとて月を砕くことなどできるわけもない。@……だが、お前は顕現するために水面にその姿を映す。」\ `"There's no way I can kill you with my powers.`@` ......You are the moon.`@` There's no way I can smash the moon by throwing a rock.`@` ......However, in order to manifest yourself, you had to reflect your image on the surface of the water."`\ ;　水面に石つぶてを投じれば、一時、月を乱すこともできるかもしれない。@ ;　…しかし、月を砕くことなど至らない。\ `If you throw a rock at the surface of the water, you might be able to disturb the moon for some time.`@ `...But that doesn't mean the moon has been smashed.`\ ld c,$KAN_fumanA2B,80 ;「だから僕は。@/ `"So. `@/ ld c,$KAN_fumanA2,2 bgmvol 90 se1v 57,100 ld c,$KAN_ikariA1B,1 ;……この命尽きるまで、/ ;!d800……お前の映る水面を叩き続けてやる……！」\ `......Until this life of mine is over, `/ !d800`......I'll keep on striking your reflection......!"`\ bg MJES_1cR,0 ld r,$BEA_AkuwaraiA1,0 ld l,$GOA_DefA1B,24 ld r,$BEA_futekiA1,80 ;「気に入ったぞ、嘉音ッ！！@　始めろ、家具どもッ！！」\ `"I like it, Kanon!!`@` Begin, furniture!!"`\ textoff cl r,23 wait 1000 cl a,0 ld c,$GOA_defA1,2 se1v 57,100 ld c,$GOA_defA1B,1 wait 2000 ;se1 20 ;bg MJES_1aR,22 ;btndef "bmp\background\mainbuilding\MJES_1aR.jpg" ;mov %free1,0 ;mov %free2,0 ;mov %free3,640 ;mov %free4,480 ;mov %free11,0 ;mov %free12,0 ;mov %free13,0 ;mov %free14,0 ;for %0 = 1 to 6 ;resettimer ;add %free11,4 ;;add %free12,0 ;add %free13,8 ;add %free14,12 ;add %free1,%free11 ;;add %free2,%free12 ;sub %free3,%free13 ;sub %free4,%free14 ;blt 0,0,640,480,%free1,%free2,%free3,%free4 ;waittimer 50 ;next ;for %0 = 1 to 6 ;resettimer ;add %free11,4 ;add %free12,16 ;add %free13,8 ;add %free14,6 ;add %free1,%free11 ;add %free2,%free12 ;sub %free3,%free13 ;sub %free4,%free14 ;blt 0,0,640,480,%free1,%free2,%free3,%free4 ;waittimer 50 ;next ;ofscpy ;bg MJES_1bR,22 ;btndef "" ;＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞ bg MJES_1bR,0 ld l,$KAN_fumanA2,23 ld l,$KAN_ikariA2,2 se1v 57,100 ld l,$KAN_ikariA2B,1 wait 3000 cbfly 0 bg black,42 bg white,1 se1v 58,100 bg blade1p,1 wait 200 se2v 58,100 bg blade2r,1 wait 200 se3v 57,100 bg blade3p,1 wait 200 bg black,22 bg white,1 se1v 58,100 bg blade4r,1 wait 100 se2v 58,100 bg blade5p,1 wait 200 se3v 57,100 bg blade1r,1 wait 200 bg black,22 mov %efe_spd2,160 resettimer bg white,1 se2v 58,100 bg blade2p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade3r,1 bg black,10,50 waittimer %efe_spd2 se1v 58,100 bg blade4p,1 wait 200 bg white,1 resettimer se2v 58,100 bg blade5r,1 bg black,10,50 waittimer %efe_spd2 se3v 58,100 bg blade1p,1 wait 100 bg white,1 resettimer se2v 58,100 bg blade2r,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade3p,1 bg black,10,50 waittimer %efe_spd2 bg white,1 se1v 58,100 bg blade4r,1 wait 100 resettimer se2v 58,100 bg blade5p,1 bg black,10,50 waittimer %efe_spd2 bg white,1 resettimer se3v 57,100 bg blade1r,1 bg black,10,50 waittimer %efe_spd2 resettimer bg white,1 se2v 58,100 bg blade2p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade3r,1 bg black,10,50 waittimer %efe_spd2 se1v 58,100 bg blade4p,1 wait 200 bg white,1 resettimer se2v 58,100 bg blade5r,1 bg black,10,50 waittimer %efe_spd2 se3v 58,100 bg blade1p,1 wait 100 bg white,1 resettimer se2v 58,100 bg blade2r,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade3p,1 bg black,10,50 waittimer %efe_spd2 bg white,1 se1v 58,100 bg blade4r,1 wait 100 resettimer se2v 58,100 bg blade5p,1 bg black,10,50 waittimer %efe_spd2 bg white,1 resettimer se3v 57,100 bg blade1r,1 ;waittimer 300 ;bg black,10,50 ;waittimer %efe_spd2 ;wait 150 bg black,2 ;bg cut_1a,1 ;wait 200 ;bg cut_1b,1 ;wait 200 ;bg cut_2b,1 ;wait 200 ;bg white,1 ;quakey 6,800 ;quakey 6,800 ;quakex 8,1000 wait 2000 bfly1R 0 bg MJES_1aR,0 ld r,$BEA_DefA2,42 ;「…………ほぉ。@……………美しい軌跡だ。」@ ;＜ベアト `"............Hoh.`@` ...............A beautiful #86ef9clocus#ffffff."`/ mov %play_scene,101 mov %r_hyouji_grim,6 ;seplay 9,1062 @ ;tttt br ;　魔女が漏らす感嘆の言葉が、沈黙を解き、朱志香の金縛りを一瞬だけ解く。\ `The witch's words of admiration broke the silence, and for just an instant, broke Jessica's paralysis.`\ bg MJES_1e,0 ld l,$JES_odorokiA1,3 ;!s0「…………………………、/ ;!d300わ、/ ;!d500……私は、/ ;!d600……夢を見てるの………？」/ !s0`"........................, `/ !d300`A, `/ !d500`......am I, `/ !d00`......dreaming.........?"`/ !sd\ ;＜朱志香 bfly1 0 bg black,4 bg butterfly_3a,2 ld r,$KAN_ikariA2,24 ;「…………来い。@魔女の家具め。@………元来た地獄へ叩き落してやる。」@ ;＜嘉音 `"............Come,`@` furniture of the witch.`@` .........I'll beat you down to the hell you came from."`@ ld l,$GOA_DefA1,23 ;「………………………………。」\ ;＜山羊の従者 `"........................"`\ textoff me1v 5,90 se1v 57,100 ld l,$GOA_DefA1B,80 wait 1000 se2v 57,100 ld r,$KAN_ikariA2B,1 textoff wait 1000 cbfly 0 bg black,42 ;bg cut_1a,1 ;quakey 5,300 ;bg cut_2a,1 ;quakex 4,600 ;bg butterfly_1a,0 ;ld l,$KAN_OdorokiA2,0 ;ld r,$GOA_DefA1B,1 ;wait 1000 ;ld l,$KAN_IkariA1B,80 ;wait 200 ;bg G2F_R1c,1 ;se1 20 ;wait 50 ;bg cut_2b,1 ;se1 9 ;剣戟音（仮 ;quakey 3,300 ;bg G2F_R1b,1 ;wait 50 ;bg white,1 ;se1 9 ;剣戟音（仮 ;wait 100 ;bg M2F_R1d,1 ;wait 50 ;bg white,1 ;se1 9 ;剣戟音（仮 ;wait 100 ;bg G2F_R1a,1 ;wait 50 ;bg white,80 ;bg cut_1b,1 ;quakey 5,300 ;se1 20 ;bg cut_1a,1 ;wait 50 ;se1 20 ;bg cut_1c,1 ;wait 500 ;bg G2F_R1a,1 ;quakey 5,500 ;quakex 6,400 ;wait 3000 mov %efe_spd2,160 for %ryuu1 = 1 to 3 bg white,1 resettimer se1v 58,100 bg BLADE1R,1 wait 200 resettimer se2v 58,100 bg BLADE5P,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg BLADE4R,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 58,100 bg BLADE3P,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,100 bg BLADE2R,1 bg black,10,50 waittimer %efe_spd2 next bg white,1 se3v 57,100 bg BLADE3R,1 wait 300 bg black,22 bfly2 0 bg butterfly_3a,0 ld r,$GOA_defA1B,2 wait 2000 cbfly 0 for %ryuu1 = 1 to 3 bg white,1 resettimer se1v 58,100 bg BLADE4P,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,100 bg BLADE3R,1 bg black,10,50 waittimer %efe_spd2 se3v 58,100 bg BLADE2P,1 wait 200 resettimer se1v 58,100 bg BLADE1R,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,100 bg BLADE5P,1 bg black,10,50 waittimer %efe_spd2 next bg white,1 se3v 57,100 bg BLADE1P,1 wait 300 bg black,22 bfly2 0 bg butterfly_3a,0 ld l,$KAN_ikariA2B,2 wait 2000 cbfly 0 bg black,22 se1 35 bg blood_2a,1 wait 1000 se1 35 bg blood_2b,1 wait 500 se1 35 bg blood_2c,1 ;　嘉音の頬に一条の赤い筋が残る。@ ;　…それを見て魔女はにやりと笑う…。\ `A strand of red remained on Kanon's cheek.`@ `...The witch saw this and grinned broadly...`\ ;「くっくくくくくくくくく。@……勘が戻らぬことを、言い訳に呟いても良いぞ？」\ `"*cackle*cackle*cackle*cackle*cackle*.`@` ......Is it alright to mutter excuses for how your senses don't return?"`\ bfly1R 0 bg MJES_1aR,0 ld r,$KAN_odorokiA2,26 ;「……………………。」@ ;＜嘉音 `"........................"`@ ld c,$JES_NakuA3,23 ;「か、……嘉音くん、…………しっかり…！」@ ;＜朱志香 `"K, ......Kanon-kun, ............stay strong...!"`@ ld r,$KAN_fumanA1,24 ;「………大丈夫。@………僕は、…まだ死なない。」\ `".........It's alright.`@` .........I, ...won't die yet."`\ textoff wait 500 se1v 57,100 ld r,$KAN_fumanA1B,80 wait 2000 ;se1 20 ;bg cut_2b,1 ;wait 400 ;bg white,1 ;wait 100 ;bg cut_1a,1 ;bg white,1 ;quakey 5,500 me1v 5,90 se1 20 cbfly 0 bg MJES_1bR,22 btndef "bmp\background\mainbuilding\MJES_1bR.bmp" mov %free1,0 mov %free2,0 mov %free3,640 mov %free4,480 mov %free11,0 mov %free12,0 mov %free13,0 mov %free14,0 for %0 = 1 to 6 resettimer add %free11,5 add %free13,0 add %free12,8 add %free14,12 add %free1,%free11 add %free2,%free13 sub %free3,%free12 sub %free4,%free14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next for %0 = 1 to 6 resettimer add %free11,5 add %free13,16 add %free12,8 add %free14,6 add %free1,%free11 add %free2,%free13 sub %free3,%free12 sub %free4,%free14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ofscpy bg black,1 btndef "" mov %ryuu1,180 bg white,1 resettimer se1v 58,100 bg BLADE1R,1 waittimer %ryuu1 resettimer se2v 58,100 bg BLADE2P,1 waittimer %ryuu1 bg white,1 resettimer se3v 58,100 bg BLADE3R,1 waittimer %ryuu1 resettimer se1v 58,100 bg BLADE4P,1 waittimer %ryuu1 bg white,1 se2v 57,100 bg BLADE5R,1 wait 200 bg black,22 wait 200 mov %ryuu1,140 bg white,1 resettimer se1v 58,100 bg BLADE1P,1 waittimer %ryuu1 resettimer se2v 58,100 bg BLADE2R,1 waittimer %ryuu1 bg white,1 resettimer se3v 58,100 bg BLADE3P,1 waittimer %ryuu1 resettimer se1v 58,100 bg BLADE4R,1 waittimer %ryuu1 bg white,1 se2v 57,100 bg BLADE5P,1 wait 200 bg black,22 wait 200 mov %ryuu1,100 bg white,1 resettimer se1v 58,100 bg BLADE1P,1 waittimer %ryuu1 resettimer se2v 58,100 bg BLADE2R,1 waittimer %ryuu1 bg white,1 resettimer se3v 58,100 bg BLADE3P,1 waittimer %ryuu1 resettimer se1v 58,100 bg BLADE4P,1 waittimer %ryuu1 resettimer se2v 58,100 bg BLADE5P,1 waittimer %ryuu1 bg BLADE6_1p,1 ;wait 100 bg black,2 E_A bg white,1 se3v 36,100 se1v 57,100 bg BLADE6_2p,1 wait 400 bg white,2 ;bg cut_1a,1 ;quakey 5,300 ;bg cut_1b,1 ;quakey 5,300 ;bg cut_2b,1 ;quakex 5,300 ;bg black,1 ;＜＞＜＞＜＞＜＞＜＞＜＞＜＞以下は保険あり。 me1v 13,40 bfly1R 0 bg MJES_1aR,0 lsp 899,":a;Custom\Kanon\1\KAN_utusemiA.bmp",0,0 lsp 898,":a;Custom\Kanon\1\KAN_utusemiB.bmp",0,0 ;ld r,$GOA_DefA1B,1 print 1 wait 1000 ;cl r,0 ;ld c,$GOA_DefA1B,64 ;lsp 897,":c;bmp\background\efe\cut_1a.bmp",0,0 ;print 1 ;wait 2000 ;csp 897 ;print 1 se1 38 for %Free1 = 1 to 30 msp 899,-1,-1,-7 msp 898,0,1,-7 print 1 wait 50 next csp 899 csp 898 wait 200 ld c,$GOA_defA1B,22 wait 2000 ld c,$GOA_defA1,4 ;＜＞＜＞＜＞＜＞＜＞ここまで保険あり。 ;　山羊の従者の刃が描く軌跡は、……大きな弧を虚空に描く。@ `The locus drawn by the goat attendant's blade, ......drew a large arc in empty space.`@ E_A ;　…嘉音の姿は、そこにない。@ `...Kanon, wasn't there.`@ br ;　……その背中にいた。\ `......He was behind it.`\ bgm1 52 textoff ld l,$KAN_nayamuA1,99,2000,"breakup.dll/llp" print 1 ;textoff ;mov %Free2,bgsp ;dec %free2 ;lsp %free2,":a;bmp\data\data1.bmp",0,0 ;print 1 ;lsp bgsp,":a;bmp\TATI\KAN\1\KAN_eye1.bmp",640,50 ;for %Free1 = 0 to 48 ; msp bgsp,-10,0,0 ;print 1 ;wait 10 ;next ld l,$KAN_ikariA3,80 ;「………先に帰りて、主の帰りを待つがいい。@……逝け。」\ `".........Go back and await your master's return.`@` ......Die."`\ textoff se1v 57,100 ld l,$KAN_ikariA3B,1 wait 1000 ;textoff ;csp -1 ;bg black,18,1000,":a;bmp\efe\ware.bmp" ;bg cut_2a,1 ;bg white,1 ;quakey 3,200 ;bg cut_1a,1 ;bg white,1 ;quakey 3,200 ;bg cut_2b,1 ;bg blood_2b,1 ;bg cut_2a,1 ;bg blood_2e,1 ;bg cut_3a,1 ;wait 100 ;bg cut_3b,1 ;wait 100 ;bg cut_3c,1 ;wait 100 ;bg blood_1a,1 ;quakey 5,500 cbfly 0 bg black,22 bg BLADE6_1R,1 wait 100 bg black,2 mov %efe_spd2,160 ; for %ryuu1 = 1 to 3 bg white,1 resettimer se1v 57,100 bg BLADE2R,1 bg black,10,50 waittimer %efe_spd2 ;bg black,22 bg white,1 resettimer se2v 57,100 bg BLADE3R,1 bg black,10,50 waittimer %efe_spd2 bg white,1 resettimer se1v 57,100 bg BLADE4R,1 bg black,10,50 waittimer %efe_spd2 bg white,1 resettimer se2v 57,100 bg BLADE5R,1 bg black,10,50 waittimer %efe_spd2 bg white,1 resettimer se2v 57,100 bg BLADE3R,1 bg black,10,50 waittimer %efe_spd2 bg white,1 resettimer se2v 57,100 bg BLADE5R,1 bg black,10,50 waittimer %efe_spd2 ;bg black,22 ; next bg white,1 wait 300 se1v 36,100 se3v 57,100 bg BLADE6_2R,1 wait 400 bg white,2 ;＜嘉音 bg black,22 ;　輝く軌跡が描くその戦いがチェスだったなら。@ ;　…それは背後より掛けた嘉音のチェック。@ `If this battle of drawing sparkling loci was chess...`@ `...Then Kanon coming from behind was check.`@ br ;　詰める、詰める、詰める、詰める。@ ;　七手を掛けて、メイトする…！\ `And press, and press, and press, and press.`@ `Use seven moves, and make it mate...!`\ bg butterfly_3a,22 ;　……山羊の従者には断末魔を発する資格も与えられていなかったのか。@ `......Had the goat attendant even been given the ability to go into death throes?`@ ;　……それは膝を落として倒れながら、ぶわっと黄金の蝶たちの群に崩れ散っていく…。\ `......As its knees buckled and it fell over, it broke into a bunch of gold butterflies with a pop...`\ bg white,22 bfly1 0 bg MJES_1bR,99,2000,"breakup.dll/urb" ;　だから、床に倒れる音はなかった。@ ;　この戦いを理解できぬ者にも、…嘉音が華麗であったことだけはきっと理解できた。\ `So there was no sound of it hitting the ground.`@ `Even the person who couldn't understand this battle, ...definitely at least realized that Kanon had been magnificent.`\ ld r,$BEA_futekiA1,22 ;「……ふ。@ハンドメイドには勝てぬか。@…そこまで見下げたものではないらしい。」@ ;＜ベアト `"......Hmph.`@` So it couldn't win against a handmade object.`@` ...It seems that you aren't so pathetic."`@ ld l,$KAN_IkariA1B,63 ;「次はお前だ、………ベアトリーチェぇええええええッ！！」\ ;＜嘉音 `"You're next, .........Beatriiiiiiiiiiiiiiice!!"`\ textoff cbfly 0 bg BLADE7_1R,1 ;wait 100 bg black,2 bg white,1 se1v 57,100 bg BLADE7_2R,1 bg white,2 ;bg cut_2a,1 wait 500 ;bg black,22 bg butterfly_3a,99,1000,"breakup.dll/lrb" ;■嘉音の刃が一撃！@　ヴオン！！@ ;　嘉音の刃は、まるで溶けかかったバターを切るように、魔女の姿を斜めに切断した刹那、その姿は黄金色に弾け散る。\ `In the instant that Kanon's blade sliced diagonally through the witch's form like a knife through butter, she turned gold and burst.`\ ;　……何千という黄金の蝶たちが散らばって、室内を一瞬だけ黄昏色の光で満たす。@ `......She scattered into several thousand gold butterflies, and for just an instant, the room was filled with the color of twilight.`@ br ;　…嘉音が自ら口にした通りなのだ。@ ;　ベアトリーチェに斬りつけようとも、水面に映る月を斬るに同じこと。\ `...It was just as Kanon himself had said.`@ `Even slicing Beatrice was just the same as slicing the surface of the water where the moon was reflected.`\ bfly1 0 bg MJES_1aR,22 se1 52 ld r,$BEA_waraiA1,99,1000,"breakup.dll/llp" ;　…魔女の姿は、さっきからずっとそこにいたかのような当り前の表情を浮かべつつ、嘉音の後にあった。\ `...The witch's form was there, with an ordinary expression on her face, as though she had been there the whole time, ...behind Kanon.`\ textoff me3v 13,0 cross1 2000,0,0,40,0,0 se1 27 cbfly 0 bg white,1 ;wait 1000 bfly2 0 bg MJES_1aR,0 ld r,$BEA_akuWaraiA3,22 ;「はっはっはっはっはっはっは…！！@　充分に面白い見世物であったぞ。@それに免じ、見逃してやろうかと思ったが、今の無礼で気が変わった…。」\ `"Hahahahahahaha...!!`@` It was quite an interesting show.`@` I was going to overlook that, and let you get away, but now your rudeness has caused me to change my mind..."`\ cbfly 0 bg black,23 bfly2 0 bg MJES_1aR,0 ld r,$KAN_IkariA1,24 ;「嘘をつくな！@　お前にお嬢様を殺させはしないッ！！@　……たとえそれが無理でも、……僕より先に殺させはしないッ！」\ `"Don't lie!`@` I won't let you kill Milady!!`@` ......Even if that's impossible, ......I won't let you kill her before me!"`\ ld l,$BEA_AkuwaraiA2,23 ;「お前にはそれすら出来ぬわ。@/ `"You can't even do that much. `@/ ld l,$BEA_AkuwaraiA4,80 ;喋るな、家具が。@無口であれ、家具が。@身の程を知れ、家具がッ！！」\ `Do not speak, furniture.`@` Be silent, furniture.`@` Know your place, furniture!!"`\ ld r,$JES_OdorokiA1,24 E_A bgm1 33 ;「か、………嘉音くんは家具なんかじゃない…！」@ ;＜朱志香 `"K, .........Kanon-kun isn't furniture...!"`@ ld l,$BEA_DefA2,80 ;「……ほぅ。@…なぜそう言えるのか。」\ `"......Hoh.`@` ...Why can you say that?"`\ ld r,$JES_ikariA2,80 ;「理由なんかいらない。@……嘉音くんは嘉音くんだよ。@/ `"I don't need a reason.`@` ......Kanon-kun is Kanon-kun. `@/ ld r,$JES_Odorokia1,80 ;うぅん、本当の名前は別にあるけれど、……それでも名前は家具じゃないッ！@　嘉音くんには嘉音くんの生き方がある。@それはとても高潔なもので、自らが決めるもの。」\ `No, his real name is different, ......but a name doesn't make him furniture!`@` Kanon-kun has his own way of living.`@` That's a very noble thing, and it's up to him to decide."`\ ld r,$JES_IkariA2,80 ;「……家具だから意見しちゃいけないとか、家具だから自分の人生を持っちゃいけないとか、……そんなのないよ！！」\ `"......There's no such thing as not being able to have an opinion because he's furniture, or not being able to have his own life because he's furniture!!"`\ bg MJES_1e,24 ld l,$KAN_odorokiA2,23 ;「お嬢様…、あいつを挑発してはいけません。」@ `"Milady..., you mustn't provoke her."`@ ld c,$JES_nayamuA1,24 ;「うぅん、はっきり言っておくぜ。@………嘉音くんは家具じゃない。@人間だよ。@……どうして？@/ `"No, let me say this clearly.`@` .........Kanon-kun isn't furniture.`@` He's human.`@` ......Why? `@/ ld c,$JES_OdorokiA1,80 ;　嘉音くんは自分の意思で、私を助けに駆け付けてくれた。@そして恐ろしい魔女であるあんたの前に立ちはだかってくれた。@私を見捨てることなんていくらでもできただろうに、そうしなかった。」\ `Kanon-kun rushed to save me of his own will.`@` And he stood in the path of a fearsome witch, you.`@` Even though he had many chances to just let me go, he didn't."`\ ld c,$JES_IkariA1,80 ;「………自己犠牲は人間だけが持つ高潔な精神だ！！@　だから、嘉音くんは人間なんだッ！！@　だから訂正しろ！@　嘉音くんを家具だなんて呼ぶな、二度とッ！！」@ `".........Self-sacrifice is part of the noble spirit that only humans have!!`@` Therefore, Kanon-kun is human!!`@` So take it back!`@` Don't call Kanon-kun furniture again!!"`@ ld l,$KAN_majimeA1,80 ;「………お嬢…様………。」\ `".........Mila...dy........."`\ E_A se1 21 cbfly 0 bg black,2 bfly1 0 bg MJES_1aR,23 ld r,$BEA_WaraiA1,24 ;「ふ。@……くっくくくくくくくく。@…くっははははははははははははは。@わっはっはっはっはっはっはっはっは！！」\ `"Hmph.`@` ......*cackle*cackle*cackle*cackle*.`@` ...Kuhahahahahahahahahahahahaha.`@` Wahahahahahahahaha!!"`\ se2 22 bfly2R 0 ld r,$BEA_FutekiA1,80 bgm1 40 ;「語るな人間が！！@　とっとと終わらせよう、何しろまだまだ第二の晩。@互いの尊厳を認め合う“寄り添いし二人”を今こそ生贄に捧げよ。」\ `"Don't speak, human!!`@` Let's end this quickly, after all, this is only the second twilight.`@` Now, I will offer up as sacrifices 'the two who are close', who accept each other's dignity."`\ ld r,$BEA_AkuwaraiA4,80 ;「さぁさ、お出でなさい、罪を赦しなさい、煉獄の七杭が一つ、色欲！！！」@ `"Well then, arise, forgive the sin, one of the seven stakes of Purgatory, lust!!!"`@ br ;　笑いと怒り双方を浮かべたる顔にて、魔女は己が家具を呼び出す。\ `The witch summoned her own furniture with a mixture of laughter and anger on her face.`\ se3 52 ld l,$RG7_DefA1,99,1000,"breakup.dll/lrp" ;「……色欲のアスモデウス。@ここに。」@ `"......Asmodeus of Lust.`@` Right here."`@ ld r,$BEA_defA2,80 ;「茶番は飽きた。@第二の晩を速やかに遂行せよ。@/ `"I've had enough of this farce.`@` Quickly, execute the second twilight. `@/ ld r,$BEA_futekiA1,80 ;……妾に瞬きを三つも許すな？」@ `......Don't keep me waiting, alright?"`@ ld l,$RG7_hohoemiA1,80 ;「……仰せのままに。」\ `"......As you command."`\ bg MJES_1e,0 ld r,$JES_ODorokiA1,24 ;「ま、……また、妙なのが出やがったぜ……。」@ ;＜朱志香 `"A, ......another weirdo's shown up......"`@ ld l,$KAN_OdorokiA2,63 ;「………………………く…。」\ ;＜嘉音 `".....................Ku..."`\ ;　嘉音は瞬時以上の時間を掛けず理解する。@ ;　……先ほどの山羊面など、魔女にとってはポーン程度の駒でしかない。@ `It took Kanon less than an instant to understand.`@ `......That goat-face from a second ago had been nothing more than a pawn to the witch.`@ br ;　しかし、新しく呼び出されたこの家具は、…駒の価値が格段に違う。\ `However, there was a remarkable difference in the value of this piece, of this furniture that had been newly summoned.`\ bg black,23 bg MJES_1bR,0 ld l,$RG7_akuwaraiA1,25 ;「……素敵な獲物に恵まれるなんて、なぁんて幸運なのかしら。@………くすくすくす、怯えてる？@　かぁわいい。@くすくすくすくす！」@ `"......How lucky must I be, to be granted such wonderful prey.`@` .........*giggle*giggle*giggle*, you scared?`@` How cuuute.`@` *giggle*giggle*giggle*giggle*!"`@ ;bg G2F_R1c,0 ld r,$KAN_OdorokiA1,24 ;「………………来い。@魔女の家具…。@お前には殺されない…！」\ `"..................Come,`@` furniture of the witch...`@` I won't be killed by you...!"`\ ld l,$RG7_hohoemiA1,80 ;「くすくす！@　私の姿を追うこともできないのろまのくせに、粋がって。」\ `"*giggle*giggle*!`@` You're acting pretty smart for a dunce who can't even chase me."`\ ld l,$RG7_akuwaraiA1,80 ;「……行くわよ？@　……ねぇねぇ、どこがいい？@　どこを貫いてほしい？@　お答えなさいよ、かわいい子。@あなたの好きなところを、思い切り貫いてあげる…！！@　くすくすくすくす、さぁさお答えなさいよかわいい子…！」\ `"......Here I go, alright?`@` ......Hey hey, where do you want it?`@` Where do you want me to pierce you?`@` Answer me, cute kid.`@` I'll go all out and pierce you wherever you want...!!`@` *giggle*giggle*giggle*giggle*, come on, answer me, cute kid...!"`\ ld r,$KAN_IkariA1,80 ;「ぼ、…僕を可愛いと言うなッ！！！」\ `"D, ...don't call me cute!!!"`\ textoff se2 22 bg butterfly_3a,0 ld r,$KAN_IkariA1,0 ld l,$RG7_akuwaraiA1,22 ld l,$RG7_akuwaraiA2,80 se1 37 ;「きゃっはははははッ！！@　行くわよのろま！！@　さぁ追ってごらん、その節穴で！！@　きゃーっはっはははははははははッ！！」\ `"Kyahahahahaha!!`@` Here I go, you dunce!!`@` Come on, try to chase me, you blind idiot!!`@` Kya-hahahahahahahahahaha!!"`\ textoff se2 57 cl l,99,500,"breakup.dll/urb" cbfly 0 bg black,80 resettimer for %ryuu1 = 1 to 8 waittimer 75 seplay 1,40 waittimer 150 seplay 2,41 waittimer 225 seplay 3,42 waittimer 300 resettimer seplay 2,41 next wait 100 E_A se1v 36,100 bg blood_1a,1 bg black,2 wait 2000 se2v 37,100 wait 1500 se3v 38,100 wait 2000 ;■アスモデウスの姿は瞬時に砕け散り、悪魔の杭となりて室内を飛び交う。@カンキンコンカンキンコン！！@　キャーハハハハ！@　の辺りの一連の演出はEP1参照。@ bg MJES_1e,0 ld c,$KAN_odorokia1,22 ;「…………お、……お嬢様………。」\ `"............M, ......Milady........."`\ textoff se1 35 bg blood_2a,1 wait 1000 se1 35 bg blood_2b,1 wait 300 se1 35 bg blood_2c,1 wait 400 se1 35 bg blood_2d,1 wait 400 se1 35 bg blood_2e,1 wait 1000 ;「へ、………目では追えなかったけどよ…。@読みは、当てたぜ………。@ざまぁ…見やがれ…………。」\ ;＜朱志香 `"Heh, .........I couldn't follow it with my eyes...`@` But my guess, was spot on.........`@` Serves you...right............"`\ se1 13 bg blood_1a,1 quakey 4,500 bgm1 33 ;　狙われたのは嘉音の背中だった。@ ;　…でも朱志香は読みきった。@ `Kanon's back had been the target.`@ `...But Jessica had predicted it.`@ br ;　嘲笑する魔女が狙うのが、正々堂々ともっとも相反する、…背中であることを読みきった。\ `She had predicted that the witch's target would be the complete opposite of fair and honest, ...his back.`\ bg blood_1aR,22 ;　でも、防ぎようがなかった。@ `But she had no way to block it.`@ ;　…自己犠牲を気取るつもりなんかなかった。@　こうする以外に、嘉音の背中を守れないと思った。@ `...She had no intention of sacrificing herself.`@` She thought that there was no way other than this to protect Kanon's back.`@ ;　…………だから、自らの背中で受けるしかなかった。\ `............So, she could do nothing but block it with her own back.`\ ;　悪魔の杭に姿を変えた魔女の家具は、深々と朱志香の背中に突き刺さっている。@ ;　…それが肺にまで至る致命傷であることは明白だった。\ `The furniture of the witch, which had changed its form into a demon's stake, was stuck deep into Jessica's back.`@ `...It was an obviously fatal wound that reached as far as her lungs.`\ bfly1R 0 bg MJES_1cR,0 ld c,$BEA_WaraiA2,26 me1 12 ;　それを見て魔女は邪悪な声で大いに笑う。@ `When she saw this, the witch let out a loud, evil laugh.`@ br ;　なぜなら、“魔女の読み通りの場所に”、命中したから。@…全て全て、読み通りだった！\ `Because it had hit 'where the witch had predicted'.`@` ...Everything, everything, was as the witch had predicted!`\ ld c,$BEA_akuwaraiA5,80 ;「どうした嘉音ンン…？@　朱志香お嬢様はお前より先には殺されなかったンじゃないのかァ？？」\ `"What's wrong Kanonnn...?`@` Hasn't 'Milady Jessica' been killed before you have??"`\ ld c,$BEA_AkuwaraiA2,80 se1v 37,100 ;「くっききききき、そうそうそれそれその顔よ、お前のその顔が見たかったッ！！@　きっきききききっきききききききききッ！！@　楽しんだッ実に充分ッ！！@　もう良い死ね死ね笑わせろッ！！」\ `"Kukikikikiki, yes, yes, that's it, that's it, that face, that look on your face is what I wanted to see!!`@` Kikikikikikikikikikikikikikiki!!`@` How truly enjoyable!!`@` That's enough, die, die, make me laugh!!"`\ ld c,$BEA_akuwaraiA3,80 ;!s0「さぁさお出でなさい罪を赦しなさい、/ ;!d500煉獄の七杭が一つ、/ ;!d900憤怒！！」/ !s0`"Come, arise, forgive the sin, `/ !d500`one of the seven stakes of Purgatory, `/ !d900`wrath!!"`/ !sd\ se1 52 ld r,$RG3_DefA1,99,1000,"breakup.dll/lrp" ;「……憤怒のサタン。@ここに。」\ `"......Satan of Wrath.`@` Right here."`\ ld c,$BEA_defA2,80 ;「その獲物はお前のものだ。@今すぐ食らって、こやつの舞台に幕を下ろしてやれ。」\ `"The prey is yours.`@` Eat him right now, close the curtain on his stage."`\ ld c,$BEA_futekiA1,80 ;「……人ならば降板とも言おうが、家具のお前の場合は、大道具係が舞台裏に運び出すといったところか！」\ `"......If you were a human, I'd say it's time for you to step down, but since you're furniture, maybe I should say it's time for the stage manager to carry you behind the stage!"`\ bg MJES_1e,24 ld c,$KAN_OdorokiA1,26 ;「………………僕はもう、……家具じゃない。@そしてそれを、……二度と疑わない！」\ `"...............I am not, ......furniture anymore.`@` I won't, ......doubt that again!"`\ bg black,23 bg MJES_1aR,23 ld c,$RG3_hohoemiA1,25 ;「……くすくす、なぁに？@　あんた、また私に殺されちゃうの？」\ `"......*giggle*giggle*, wha-t are you talking about?`@` You wanna be killed by me again?"`\ ld c,$RG3_akuwaraiA1,80 ;「あんたの胸、……温かくて本当に貫くと気持ちがいいのよ…？@　さぁ、また味わわせて…？@　あなたの温かい胸の中で、熱い熱い血潮で私を思い切り気持ちよくして…？」\ `"Your chest, ......it's so warm, and it feels so good to pierce it, okay...?`@` Come on, let me have another taste, alright...?`@` Won't you make me feel really good with that hot, hot, fresh blood in that warm chest of yours...?"`\ se1 22 bfly2R 0 ld c,$RG3_akuwaraiA2,80 ;「…きゃっはっははははははははははははははッ！！！」\ `"...Kyahahahahahahahahahahahahahahaha!!!"`\ ;■サタンの姿は瞬時に砕け散り、悪魔の杭となりて室内を飛び交う。@カンキンコンカンキンコン！！@　キャーハハハハ！@　の辺りの一連の演出はEP1参照。@さっきと同じね。@ textoff se2v 57,90 cl c,99,500,"breakup.dll/urb" cbfly 0 bg black,80 resettimer for %ryuu1 = 1 to 8 waittimer 75 seplay 1,40 waittimer 150 seplay 2,41 waittimer 225 seplay 3,42 waittimer 300 resettimer seplay 2,41 next wait 50 se1 36 bg blood_1a,1 bg black,2 wait 2000 seplay 2,37 wait 1500 seplay 3,38 wait 2000 ;　防げるはずもない。@ `There was no way to block it.`@ br ;!s0　部屋中から啄木鳥がノックするような音が溢れ出して、/ ;!d800…あっと思ったら、/ ;!d900……それはもう胸のど真ん中だった…。/ !s0`The sound of a woodpecker filled the entire room, `/ !d800`...and before he could blink, `/ !d900`......it was already right in the center of his chest...`/ !sd\ bg MJES_1e,22 ;　チェスで駒を取る時に、相手の駒がそれを防ぐことなんて、ルール上ありえない。@ ;　だから、それはルールにまで定められた、当然の結果。\ `When you take a piece in chess, according to the rules, it's impossible for your opponent's piece to defend.`@ `So this was an obvious result, following the rules.`\ textoff se1 13 ;quakey 3,200 wait 2000 se1 13 ;quakey 3,200 ;　嘉音は両膝を付く…。@ ;　そして、謝罪した。@ `Kanon landed on his knees...`@ `And, he apologized.`@ br ;　……魔女にじゃない。@ ;　…そして“お嬢様”にでもない。@ `......Not to the witch.`@ `...And not to 'Milady'.`@ br ;　………朱志香に、謝罪した。\ `.........He apologized, to Jessica.`\ textoff se1 35 bg blood_2a,1 wait 500 se1 35 bg blood_2b,1 wait 300 se1 35 bg blood_2c,1 wait 1000 se1 35 bg blood_2d,1 wait 500 se1 35 bg blood_2e,1 wait 1000 me2v 12,40 ;「…ごめん…………。@……守り……切れなかった…………。」@ `"...I'm sorry............`@`......I couldn't......protect you............"`@ br ;「………気にしないで……。@……格好良かった…よ……。」\ `".........Don't worry about it......`@`......You were really...cool......"`\ ;　嘉音はとうとう倒れる。@ `Kanon finally fell over.`@ ;　……そして朱志香と並び、双子座を思わせるように、二人して横たわる。\ `......He landed next to Jessica, and the two lay there like the constellation Gemini.`\ bg blood_1b,2 ;「……嘉音くんはさ、/ ;!d600………もう、家具じゃないよ…。」@ `"......You know, Kanon-kun, `/ !d600`.........you aren't, furniture anymore..."`@ ;「…はい……。@………それに、/ ;!d500……気付くのが、/ ;!d400……遅過ぎた……。」\ `"...Yes......`@`.........I was, `/ !d500`......too late, `/ !d400`......in realizing that......"`\ ;「君の本当の名前、/ ;!d500……………聞きたかった…。」\ `"I wanted to ask you, `/ !d500`............what your real name was..."`\ bg black,1 ;!s0「…僕の、/ ;!d400……本当の名前は、/ ;!d600…………、@/ !s0`"...My, `/ !d400`......real name is, `/ !d600`............, `@/ me1v 5,70 ;!d300……ぁ、/ ;!d300………あああぁぁ…ぁ…。」/ !d300`......ah, `/ !d300`.........aaaaaaaaah...ah..."`/ !sd\ mevol 2,70 ;　嘉音は最期に、自分の本当の名前を教えたかった。@ ;　…だが、…朱志香は、永遠に目覚めぬ眠りに、すでに落ちていた……。@ `In his last moments, Kanon wanted to tell her his real name.`@ `...But, ...Jessica had already fallen into a sleep from which she would never wake......`@ br ;　だから、嘉音が今日まで守ってきた本当の名前は、/ ;!d500………ついに、/ ;!d300…朱志香に、……教えられなかった…。/ `So, Kanon's real name, which he had protected until today...`/ !d500`.........in the end, `/ !d300`...he couldn't, ......tell it to Jessica...`/ !sd\ ;!s0「………僕は…、/ ;!d500…………人間に、/ ;!d600………な…れ…………、」/ !s0`".........I..., `/ !d500`............became, `/ !d600`.........hu...ma........."`/ !sd@ se1 13 quakey 4,1000 br ;　それが、嘉音が残した、…最後の言葉となった。\ `Those were, ...the last words Kanon left behind.`\ cross2 4000,90 bfly1R 0 bg G2F_R1b,22 ld r,$BEA_AkuwaraiA3,24 ;「わっははははははははは、くっきかかかかかかかかかかかかッ！！@　笑わせるな家具がッ！！@/ `"Wahahahahahahahahaha, kukikakakakakakakakakakakakakakakaka!!`@` Don't make me laugh, furniture!! `@/ ld r,$BEA_akuwaraiA5,80 ;　百年を経ようと家具は家具よ！@　捨てる時に家具のために墓穴を掘る馬鹿がどこにいる？@　家具は叩き割って薪にして、後には灰しか残らぬわ！！」\ `Even after a hundred years, furniture is furniture!`@` Have you ever heard of an idiot who'll dig a grave for furniture when they throw it away?`@` You smash furniture to pieces and make firewood, so all that's left is ashes!!"`\ ld r,$BEA_AkuWaraiA2,80 ;「くっくくくく、そういうことよ、家具に刻める墓碑などない！@　……貴様は死ねばこれ以上の屈辱を受けることがないと信じているようだが、それは甘いぞ…？@　死者を辱めるというのがどういうものか、……妾が教えてやろうぞ。@くっくっくっくっく！！！」\ `"*cackle*cackle*cackle, that's how it is, no tombstone can be carved for furniture!`@` ......It seems you believe that when you die, you cannot receive any more humiliation, but that's naive, you see...?`@` I'll tell you what it really means to disgrace the dead.`@` *cackle*cackle*cackle*!!!"`\ cbfly 0 bg black,25 bg blood_1a,22 ;　煙管をひと吸いすると、魔女はその煙を嘉音の死体に吐きかける…。\ `After taking a puff from her pipe, the witch breathed the smoke at Kanon's corpse...`\ se1 52 bg black,99,3000,"whirl.dll/r" bfly1 0 bg MJES_1aR,2 ;　……すると嘉音の体は、すっと宙に浮かび上がり、…虚空の口に食われたかのように掻き消えてしまう。\ `......When she did, Kanon's corpse softly floated up into the air, ...and disappeared as though it had been eaten by a mouth in empty space.`\ ;　魔女は最後まで卑劣だった。@ ;　……最後に通じ合った二人の遺体を、寄り添わせることすら許さなかったのだ…。\ `The witch played dirty until the very end.`@ `......The corpses of the two who had been able to understand each other in the end, were not even permitted to be close to each other...`\ ;　見る者があったなら、死者を辱めるというのはこういうことなのかと嘆くだろう。@ `If someone had been watching, they would probably mourn that this was indeed a disgrace to the dead.`@ br ;　…しかし、ベアトリーチェはもっともっと残酷だった…。@ `...However, Beatrice was much crueler...`@ br ;　……それは、すぐに理解できるものとなる…。\ `......That would become, immediately apparent...`\ ;▲第１０アイキャッチ：１０月５日（日）０７時１５分　から　０６時５０分に戻る eye2 7,15,6,50,1,1,510,340,25 *umi2_11 mov %play_scene,101 textoff me1v 13,40 me2v 5,40 bg M2F_P1cR,6 wait 2000 bg black,24 bg Mlib_1bR,0 ld r,$KIN_fumuA1,24 ld r,$KIN_WaraiA2,80 ;■書斎 ;「…………そうか。@始まったか。」\ ;＜金蔵 `"............I see.`@` So it has begun."`\ bg Mlib_1aR,0 ld r,$GEN_DefA1,0 ld l,$SHA_fumanA1,23 ld r,$GEN_MajimeA1,80 ;「…はい。」@ ;＜源次 `"...Yes."`@ ld l,$SHA_KomaruA1,80 ;「……………………………。」@ ;＜紗音 `"........................"`@ ;　金蔵は６人の死を聞いても、感情に何の揺らめきも起こさなかった。\ `Even though Kinzo had heard of the six deaths, his emotions did not waver.`\ bg black,24 bg Mlib_1dR,24 ;　窓の外を眺めるその表情に浮かぶのは、……まるでチェスで、相手に絶妙な一手を指されてにやりと笑うかのようなもの。@ `The expression on his face as he gazed out the window, ......was a smile, as though his opponent in a chess game had just made a spectacular move.`@ br ;　…それはとても、息子たちを一度に大勢失った父親の表情とは思えない。\ `...It was unimaginable that this expression could appear on a father who had lost many children at once.`\ ld r,$GEN_komaruA1,24 ;「……楼座さまの指示で、郷田と嘉音が警察へ電話しております。@それから、お館様に以後のご指示を仰ぐようにとも仰せつかっておりますが…。@……いかがいたしますか。」@ ;＜源次 `"......Under Rosa-sama's orders, Gohda and Kanon are calling the police.`@` After that, she ordered us to follow your orders, Master...`@`......What shall we do?"`@ ld l,$KIN_WaraiA2,23 ;「……………すでにこの島は現世から切り離されているのだ。@電話など何の役にも立たぬわ。」@ ;＜金蔵 `"............This island has already been cut off from the real world.`@` Phones and the like will be useless."`@ ld r,$GEN_DefA1,80 ;「やめさせますか。」\ ;＜源次 `"Should I have them stop?"`\ ld l,$KIN_waraiA1,80 ;「……ルーレットが終わるまで、何をして過ごすも自由だ。@好きにさせてやれ。」@ `"......Until the roulette is finished, what they do to pass the time is up to them.`@` Let them do as they like."`@ ld r,$GEN_KomaruA1,80 ;「…………はい。」@ ;＜源次 `"............Yes."`@ ld c,$SHA_KomaruA1,80 ;「…その……。@…楼座さまには何とお伝えいたしましょうか。」\ `"...Umm......`@`...is there anything I should tell Rosa-sama?"`\ bg Mlib_1e,1 se1 12 quakey 4,600 ;「何をして過ごすも自由だと言っておるッ！！@　歌おうが踊ろうが！@　首を吊ろうが煮えたぎる大釜に飛び込むも自由ッ！！@　１３人が死ぬまで好きに過ごせば良いのだ。@そんなに退屈ならばなぜに６×９が４２になるかでも考えていればいいッ！！@　それが人と宇宙の神秘の答えだッ！！」@ `"Didn't I say they should pass the time as they like?!!`@` They can sing if they want, dance if they want!`@` They're even free to hang themselves by the neck or jump into a boiling kettle!!`@` Until 13 people die, they can spend their time as they like.`@` If that's too boring, then they can wonder about whether#86ef9c 6x9=42#ffffff, or something!!`@` That's the answer to the mystery of man and the universe!!"`/ mov %play_scene,102 mov %r_hyouji_grim,7 ;seplay 9,1062 @ ;tttt br ;「はッ、はい…！@　も、申し訳ございません……！」\ ;＜紗音 `"Y, yes...!`@` M, my apologies......!"`\ bg black,22 bg Mlib_1a,26 ;　突然の激高に紗音は竦み上がる。@ ;　…源次は、余計なことは言わなくていいというような仕草をする。@ `Shannon cowered in fright at this sudden rage.`@ `...Genji made a gesture as though telling her not to say too much.`@ br ;　紗音は余計な口出しを後悔せざるを得なかった…。\ `Shannon couldn't help but regret saying too much...`\ bg Mlib_1dR,0 ld r,$KIN_DefA1,24 ;「だが。@…自由にしてよいのはお前たちもだ。@/ `"However.`@` ...You are also free to do as you wish. `@/ ld r,$KIN_fumuA1,80 ;……源次。@そして紗音も。@今日までよく私に尽くしてくれた。」@ `......Genji.`@` And Shannon.`@` You have done well serving me until today."`@ ld l,$SHA_OdorokiA2,23 ;「も、…勿体無いお言葉です……。@/ `"Y, ...your words are to good for me......`@/ ld l,$SHA_KomaruA1,80 ;…ですがその………。」\ ;＜紗音 `...but, umm........."`\ ld c,$GEN_defA1,23 ;「……………私どもはお館様にお仕えすることを誓った家具です。@/ `"............We are furniture who have sworn to serve the Master. `@/ ld c,$GEN_Majimea2,80 ;……いついかなる時でも、お側に控えております。@……最後の、その時まで。」\ ;＜源次 `......No matter what the time, we will be waiting by your side.`@` ......Until the very end."`\ bg black,22 fede 0,2000 bg Mlib_1e,25 bgm1 17 ;「………………。@/ ;!s0…………お前たちには、全てを、/ ;!d800………話しておきたい。/ `"............`@/ !s0`............I want to tell you, `/ !d800`.........about everything.`/ ;!sd@……紗音。@遺言を書く。@筆耕を頼む。@…源次はいつもの酒を頼む。」\ !sd@`......Shannon.`@` I am writing a will.`@` Please copy what I say.`@` ...Please Genji, my usual drink."`\ ;「ぇ…。@……………は、…………はい……！」\ `"Huh...`@`............y, ............yes......!"`\ bg black,22 ;　金蔵はよく健康上の理由から南條に遺言状の執筆を勧められることがあったが、その度に怒り狂っていた。@ `Nanjo often recommended that Kinzo write a will because of his health, but each time, Kinzo had gone mad with rage.`@ br ;　……それ以来、遺言状という単語は、金蔵のもっとも忌避する言葉のはず。@ `......Since that time, you would think that 'will' would have been the word Kinzo took most exception at.`@ br ;　その単語を自ら口にしたため、紗音は一瞬、耳を疑わなければならなかった。\ `Because that word had come out of his own mouth, Shannon couldn't help doubting her ears for an instant.`\ bg Mlib_1cR,26 ;　紗音は慌ててサイドテーブルと便箋の用意をする。@ ;　源次も指示された通り、いつものあの緑色の魔酒を作り始める…。\ `Shannon hurriedly prepared the side table and some writing paper.`@ `Genji also began preparing the usual green, evil drink, just as he was ordered...`\ bg black,23 bg Mlib_1bR,0 ld r,$SHA_komaruA1,23 ;「準備が整いました。」\ ;＜紗音 `"I am ready."`\ bg black,25 bg Mlib_1e,22 ;「………うむ。@………何から語るか。@…我が生涯を語るも良いか。@……思い出深い対局を棋譜に残すのは楽しいことだ。@………百年以上も昔の棋譜を読み、…対局者たちの思いを探る思考の旅も、実に楽しい。@………ならば、我が生涯の棋譜も、後世の者によって、我が思いを探る旅への誘いとなるのだろうか。@……ふ。」\ `".........Hmm.`@` .........Where should I start from?`@` ...Should I also speak of my life?`@` ......It would be fun to leave a record of my memorable games.`@` .........It truly is fun to read the records of old games from over a century ago, ...a journey searching for those players thoughts.`@` .........So should the game record of my life also beckon those in the future to go on a journey searching for my thoughts?`@` ......Hmph."`\ bg black,22 bg Mlib_1a,26 me3 11 ;　金蔵はしばらくの間、何から話せばいいのかと思案するように、両手を後で組んで部屋中をぐるぐると闊歩した…。\ `For a while, Kinzo considered where he should start speaking from, strutting all over the room with his hands behind his back...`\ bg Mlib_1d,0 ld l,$GEN_DefA1,24 ;「お館様。@………どうぞ。」\ `"Master.`@` .........Here."`\ ld r,$KIN_WaraiA2,24 ;「うむ。@すまんな、我が友よ。@…………さて。@我が生涯を語るには、あの魔女との出会いから記さねばなるまい。@/ `"Hmm.`@` Thank you, my friend.`@` ............Well then.`@` If I am to speak of my life, I must begin writing from when I met that witch. `@/ cl a,0 ld c,$KIN_defA1,24 ;…紗音、筆記せよ。@……私がベアトリーチェに初めて出会ったのは、だいぶ以前に遡る。@あれは昭和の何年だったか…。@…確か、終戦の……、」\ `...Shannon, copy this.`@` ......My meeting with Beatrice took place a long way back.`@` What year of the Showa era was it...?`@` ...I think, after the war......"`\ textoff bg black,45 fede 0,3000 me1v 12,70 dllefe 1,1 bg cha_o1a,2 wait 2000 bg black,26 dllefe_off bg cha_i1a,22 mevol 1,40 ;■再び礼拝堂 ;　俺たちは、冷静を取り戻せるだけの時間を充分に取り、@………必ず犯人を捕まえてやると各々の両親に誓った。\ `We took enough time to regain our calm, `@`.........and we each swore to our parents that we'd definitely catch the culprit.`\ ;　もう悔しさはないと言えば嘘になる。@ `It would be a lie to say we weren't still bitter.`@ br ;　…今だって、ほんのわずかでも気を許せば、朱志香がそうだったように、激怒に駆られ、何かの暴力に訴えたくなる。\ `...Even now, if we gave in just a little, we'd feel like going on a rampage like Jessica, protesting with some kind of violence.`\ bg cha_i1d,0 ld r,$GOH_DefA1,24 ;　郷田さんが戻ってきて言うには、今は嘉音くんが様子を見てくれているという。@ ;　…まだだいぶ感情が高ぶっているらしかった。\ `According to what Gohda-san said after he got back, right now, Kanon-kun was looking after Jessica.`@ `...Apparently, she was still very emotionally high-strung.`\ bg black,23 bg cha_i1b,23 ld c,$ROS_KomaruA1,24 ;「……そう。@ありがとう。@…若い子の気持ちは、若い子の方が汲み取れるかもしれない。@……今はそっとしておく方がいいんでしょうね。」\ ;＜楼座 `"......I see.`@` Thank you.`@` ...Maybe a young kid would be better at understanding a young kid's feelings.`@` ......It would probably be better if we left them alone for now."`\ ld r,$NAN_defA1,24 ;「楼座さん…。@……私らにこれ以上ここに留まってできることは何もありません。@……電話は不通でしょうが、明日になれば船が来てくれて、それで警察へ連絡できるでしょう。@警察の捜査のためにも、ここはこのまま残すべきです。」\ ;＜南條 `"Rosa-san...`@`......There is nothing more I can accomplish by remaining here.`@` ......The phones may not be working, but tomorrow, the boat will come, and we should probably be able to reach the police.`@` We should leave this place as it is for the police's investigation."`\ ld l,$GOH_MajimeA1,23 ;「…私も南條先生に同感です。@……このようなところにいつまでもおられますと、お体に障ります。@……戻り、紅茶をお淹れしましょう…。」\ ;＜郷田 `"...I agree with Doctor Nanjo.`@` ......If you stay in a place like this for too long, it is bad for your health.`@` ......Let us return and make some black tea..."`\ ld c,$ROS_KomaruA3,80 ;「………そうね。@…私もそれに賛成よ。@……戦人くんも譲治くんも、もういい…？@　ここは閉めましょう。@警察が来た時のためにも、ここはこのまま残しておいた方がいいわ。」\ ;＜楼座 `".........That's right.`@` ...I agree with that.`@` ......Battler-kun, George-kun, are you ready...?`@` Let's close this place up.`@` We should also leave this place as it is for when the police come."`\ bg cha_i1c,0 ld r,$GEO_MajimeA3K,24 ;「そうですね。@………戦人くん、…大丈夫かい…？」@ ;＜譲治 `"You're right.`@` .........Battler-kun, ...are you alright...?"`@ ld l,$BUT_nayamuA1,23 ;「……あぁ。@…流せる涙は流し尽くしたぜ。@………もう大丈夫さ。」\ `"......Yeah.`@` ...I've cried all I can.`@` ......I'm fine now."`\ bg black,25 wait 2000 se1 21 bg cha_i1a,22 ;　警察なら、徹底した捜査できっと何かの痕跡を見つけてくれるだろう。@ ;　…しかし、それを待てるほど、俺たちは大人にはなれなかった。@ `The police would surely find some evidence from a thorough investigation.`@ `...But we hadn't been adult enough to wait for that.`@ br ;　…俺は、警察が来るよりも早く犯人をふん捕まえてやろうと、俺なりに礼拝堂の中を調べたのだ。\ `...I had investigated the chapel in my own way, trying to grab the culprit before the police got here.`\ ;　……そしてわかったことは、…悔しいが収穫ゼロ。@ `......And all I figured out, ...it was frustrating, but I got nothing.`@ br ;　……何の手掛かりも発見できなかった。\ `......I hadn't been able to find a single hint.`\ bg black,24 bg cha_i1b,0 ld r,$ROS_MajimeA1,24 ;「さ、……出ましょう。@…真里亞、行くわよ。@……いつまでもじろじろ見ていないの…！」@ `"Come on, ......let's go out.`@` ...Maria, we're going.`@` ......Don't keep staring at it...!"`@ ld l,$MAR_fukigenA1,23 ;「……うー。」@ `"......Uu-."`@ ld c,$GOH_HohoemiA2,24 ;「さぁさぁ、真里亞さま。@参りましょう…。@ここは肩を冷やします。」\ ;＜郷田 `"Come, come, Maria-sama.`@` Let us return...`@` It is cold here."`\ bg black,24 bg cha_i1c,24 ld c,$GEO_MajimeA3,24 ;「…………父さん、母さん。@……今日までありがとう。@/ `"............Father, Mother.`@` ......Thank you for everything. `@/ ld c,$GEO_ikariA1k,80 ;…僕は、きっと父さんたちの期待を裏切らない男になる…。」@ ;＜譲治 `I will, definitely become a man who doesn't betray your expectations, Father..."`@ br ;　譲治は、最後の別れの言葉を両親に掛けた。@ `George spoke his last words of farewell to his parents.`@ cl c,23 ;　……その様子を見て、戦人もそれに倣う。\ `......After seeing that, Battler imitated him.`\ ld c,$BUT_NayamuA1,24 ;「…親父、霧江さん。」@ `"...Dad, Kyrie-san."`@ br ;　顔だけを見たら、…眠っているようにも見えるのが、……余計に悔しい……。\ `Just looking at their faces, ...it looked like they were sleeping, ......but it was too bitter......`\ ld c,$BUT_KuyasigaruA1,80 ;「………こんな涼しすぎるところに残してくのを、許してくれよな。@………絶対に、仇は取るぜ…。@絶対にな…。」\ `".........At least you were allowed to rest in a cool place like this.`@` .........I'll definitely get who did this...`@` Definitely..."`\ textoff cl c,23 wait 2000 se1 18 bg magicsquare_sun7,11 ;■ぎぃ〜〜〜〜、ばたん〜！@ ;bg black,22 dllefe 1,1 ;bg cha_o2a,0 wait 2000 ld r,$GEO_MajimeA3,23 mevol 1,70 me2 5 ;「……これは、……何？@　気色の悪い落書きだね…。@犯人が書いたのかな。」@ ;＜譲治 `"......What is, ......this?`@` It's a disgusting scribble...`@` Did the culprit draw it?"`@ ld l,$NAN_KomaruA1,23 ;「悪趣味に過ぎますな……。@……これは酷い…。」@ ;＜南條 `"It is worse than vulgar......`@`......This is horrible..."`@ br ;　礼拝堂の扉が閉められて初めて、俺たちはその不気味な落書きを知ったのだった。\ `When the door to the chapel was closed, we learned about that creepy scribble for the first time.`\ bg cha_o2b,0 ld r,$GOH_MajimeA1,24 ;「私たちが見つけた最初からもう書かれておりました。@…おそらく、犯人が書いたものに違いないでしょう…。」@ ;＜郷田 `"When we first found this, it was like this.`@` ...It was probably drawn by the culprit..."`@ ld l,$BUT_nayamuA2,23 ;「…犯人は魔女だから、こりゃ悪魔を呼び出す魔法陣か何かだってのか……？」\ `"...The culprit was a witch, so this is a magic circle to summon a demon or something......?"`\ se2 21 bg cha_o2a,0 ld c,$MAR_AkuwaraiA1,23 ;「きひひひひひひひひひひ…。@これは太陽の７の魔法陣だよ。@そんなのも知らないんだね…。@きひひひひひひひひひひひひひひひ。@/ `"Kihihihihihihihihihihi...`@` This is the seventh magic circle of the sun.`@` Don't you even know that...?`@` Kihihihihihihihihihihihihihihihi. `@/ se1 7 ld c,$MAR_fukigenA2,1 ;あ痛。」/ `Ouch."`/ quakey 3,500 @ ;＜真里亞 ;cl r,23 ld r,$ROS_ikariA1,24 ;「こら！！@　その気持ちの悪い笑いをやめなさいといつも言ってるでしょッ！！」\ `"Hey!!`@` Don't I always tell you not to make that creepy laugh!!"`\ ld l,$BUT_oyaA1,80 ;「真里亞、続けろ。@……何の意味があるんだ。」\ ;＜戦人 `"Maria, go on.`@` ......What does it mean?"`\ bg magicsquare_sun7,22 me3 16 ;「肉体的、あるいは精神的な束縛から逃れるための魔法陣だよ。@……そして円周部に書かれているヘブライ語は、“主は私の枷を解かれました。@私はあなたに感謝の生贄を捧げ、主の御名を呼ぶでしょう”。」\ `"It's a magic circle to escape from physical or mental bonds.`@` ......And the part written around the circumference says, 'The Lord has freed me from my chains.`@` I will offer to you the sacrifice of thanksgiving, and will call on the name of the Lord', in Hebrew."`\ textoff fede 13,2000 bg cha_o2a,22 ld r,$GEO_MajimeA3,24 ;「……感謝の生贄…？@　父さんたちが殺されたのは、この魔法陣のための生贄だっていうのか…？！」@ ;＜譲治 `"......Sacrifice of thanksgiving...?`@` So killing Father and the rest was so that they could be sacrifices for this magic circle...?!"`@ ld c,$ROS_MajimeA1,24 ;「心を落ち着けて、譲治くん…！@　こんなのは犯人の挑発よ。@…どうせ意味なんてないわ。@考えるだけ心に毒よ。」\ ;＜楼座 `"Calm yourself, George-kun...!`@` This is the culprit trying to provoke us.`@` ...It doesn't mean anything.`@` Just thinking about it poisons the heart."`\ bg magicsquare_sun7,25 ;「……そして、英語も書いてあるな。@…ハッピーハロウィンフォー、…マリア。@……なるほどな。@それで、ここを開ける鍵が真里亞に渡されてたと、…そういうわけか。」\ ;＜戦人 `"......And there's some English written.`@` ...'HAPPY HALLOWEEN FOR, ...MARIA'.`@` ......I see.`@` And the key to open this door was handed over to Maria, ...is that what this is?"`\ ;「…ここは礼拝堂だしね。@…真里亞ちゃんのマリアじゃなく、聖母マリアの方の意味かもしれないよ。@……だとすれば、ハロウィンの名を騙った神への冒涜とも受け取れる。@悪魔と契約した魔女たちは、神の名を常に穢し続けることを誓うという。@……そういうセンスから言えば、これは実に魔女的な犯行だね。」\ ;＜譲治 `"...But this is the chapel.`@` Maybe Maria doesn't mean Maria-chan, but the Virgin Mary.`@` ......In that case, you could read this as a blasphemy against God, in the name of Halloween.`@` They say that witches who make contracts with demons swear to always defile God's name.`@` ......In that sense, this really is a witch-like crime."`\ ;「…詳しいのね。@……真里亞の受け売り？」@ ;＜楼座 `"...You sure know a lot.`@` ......Did you hear that from Maria?"`@ ;「……えぇ、そんなとこです。」\ ;＜譲治 `"......Yeah, something like that."`\ bg black,22 bg cha_o1a,26 E_A bgm1 27 ;「礼拝堂か。@……礼拝堂にわざわざ呼んで殺した…。@…………楼座叔母さん。@この礼拝堂には、何か特別な意味とかあったんすか…？」@ `"So, the chapel.`@` ......They went to all the trouble of calling them out to the chapel and killing them...`@`............Rosa oba-san,`@` does this chapel have some special meaning...?"`@ ;「特別な意味って、……どういう意味？」\ `"What do you mean, ......special meaning?"`\ bg black,22 dllefe_off mono 1 bg cha_i1a,22 ;「いやその。@…………人間６人の死体を遥々ここに運び込んで、こんな凝ったデコレーションをした。@…ここに６人を呼んでから殺したのか、６人を殺してからここに運び込んだのかは断定できないが、@…どちらにしても大きな手間が掛かる。@………犯人には、ここで、 `"Well, umm, `@`............they carried six human corpses all the way over here, and made these elaborate decorations.`@` ...We can't tell whether she called the six of them over here before killing them, or whether she killed them before carrying them over here, `@`...but either way, it would take a lot of effort......`@` Why did the culprit` br (`want six people to die here`/・・・・・・・・・・・・・・・・・・・・・)`......?"`\ ;(６人に死んでほしいどんな理由があったってんだ/・・・・・・・・・・・・・・・・・・・・・)……？」\ ;＜ここで６人に死んでほしいどんな理由があったってんだ：点処理 ;＜戦人 bg black,22 mono 0 dllefe 1,1 bg cha_o2a,26 ld r,$NAN_defA1,24 me1 12 ;「……そうですな。@あんな凝ったことをすれば、警察が来た時、不利な証拠を見つけられる可能性が非常に高いでしょう。@/ `"......That is true.`@` In doing something that elaborate, there would be an extremely high chance that when the police came, some disadvantageous evidence would be found. `@/ ld r,$NAN_MajimeA1,80 ;……それを犯人が見越さなかったはずもない。@…なら、犯人はどうしてわざわざ、そんな手間を掛けてまでこんなことをしたのだろう、@ということになりますな…。」\ ;＜南條 `......There is no way the culprit failed to notice that.`@` ...Then, why did the culprit go to all the effort of doing this,`@` is the question we face..."`\ ld l,$BUT_NayamuA1,23 ;「だとしたらここで出てくる疑問はひとつ。@……６人の死体発見場所になるココに、どんな意味があるのかってことだ。」\ ;＜戦人 `"In that case, there's one question that comes out of this place.`@` ......What meaning did this place, where we found the six corpses, have?"`\ cl r,23 ld r,$ROS_MajimeA1,24 ;「……ここは、……お父様の大切な礼拝堂だったの。@……私が子どもの頃から、ここに立ち入ってはいけないと厳しく言われていたわ。」@ ;＜楼座 `"......This chapel, ...was important to Father.`@` ......Since I was a kid, I was strictly told not to enter it."`@ ld c,$MAR_OdorokiA1,24 ;「うー。@…真里亞も前にここに来て、ものすごい怒られた…。@うー…。」\ `"Uu-.`@` ...Maria also came here once, got in lots of trouble...`@` Uu-..."`\ bg cha_o1a,25 se1 21 ;「大切な礼拝堂…？@　……右代宮本家にとって何か縁のある…？」\ ;＜譲治 `"An important chapel...?`@` ......Does it have some relationship to the Ushiromiya head family...?"`\ ;「わからないの。@……お父様はこの礼拝堂をとても神聖視していて、何度か化粧直しの工事をさせるくらい大事にしていたわ。@…でも、みんなも知っての通り、@お父様は黒魔術が大好きなくらいで、敬虔な信者だったわけじゃない。@……ここで神に祈りを捧げてたなんて、聞いたこともない。」\ `"I don't know.`@` ......Father viewed this chapel as very sacred, and he treasured it so much that he had it redecorated several times.`@` ...But as everyone knows, `@`Father wasn't a devout believer, so much so that he loved black magic.`@` ......I've never heard of him coming here to offer his prayers to God."`\ ;＜楼座 bg black,22 bg cha_o2b,26 ld c,$GOH_iiwakeA1,24 ;「……私の知る限りでも、ここにお館様がいらっしゃったことはありません。@私たちも、ここを　“開かずの礼拝堂”と呼んで、…その、@オバケ屋敷のような感じで、薄気味悪く思っておりました。」\ ;＜郷田 `"......As far as I know, the Master has never come here.`@` We even call this the 'forbidden chapel', ...umm,`@` I thought it was eerie, like a haunted house."`\ bg cha_o2a,0 ld l,$ROS_komaruA2,23 ;「お父様自身、まったく近付かなかったのに、なぜか年に何度か使用人たちに大掃除をさせていたわ。@……常に清潔にしていて、まるで、いつ使用する時が来てもいいように、という感じだった。」\ ;＜楼座 `"Even if Father never approached it himself, for some reason, he made the servants clean it several times a year.`@` It felt like he kept it clean all the time so that it could be used at any time."`\ ld r,$BUT_niramuA1,24 ;「にもかかわらず、“開かずの礼拝堂”ってか…。@/ `"And even so, it's called the 'forbidden chapel'...`@/ ld r,$BUT_nayamuA2,80 ;……いっひっひ！@　不謹慎だが、面白ぇ響きじゃねぇか。@南條先生は祖父さまの古い友人なんだって？@　その辺りの経緯を聞いたことは？」\ ;＜戦人 `......Ihihi!`@` It may be indiscreet, but doesn't it have an interesting ring to it?`@` Doctor Nanjo, you're an old friend of Grandfather's, right?`@` Have you heard anything about that?"`\ bg cha_o2b,24 ld r,$NAN_fumuA1,24 ;「…………ずいぶん昔に聞いたことがありますが、何と言ってはぐらかされたか忘れました。@……そうそう、こんなことを言っておりましたっけ。@……いつか、自分もあそこで祝福を受けることもできるかもしれない。@しかしそれは、奇跡でも起きない限り、訪れないと。」\ ;＜南條 `"............I have heard about it long ago, but I forgot what he said to evade the issue.`@` ......That's right, didn't he say something like...`@`......someday, he too might be able to receive a blessing there.`@` But unless a miracle occurred, that day would never come."`\ ld l,$BUT_NiramuA3,23 ;「どういう意味だろうな。@………礼拝堂ですることって何だ？@　まさか自分の葬式ってんじゃねぇだろうな。」@ ;＜戦人 `"What does that mean?`@` .........What would he do in the chapel?`@` He couldn't mean his own funeral, right?"`@ ld r,$NAN_majimeA1,80 ;「金蔵さんに限ってそんなはずは。@…死後のことより、生きている今に一生懸命な方でした。@………しかし、そのせいで遺産問題をこじれさせるタネとしてしまったようですがな。」\ ;＜南條 `"I wouldn't believe that of Kinzo-san.`@` ...He was a man much more focused on the living now rather than things after death.`@` .........However, it does seems that this was the root of all the complexity in the inheritance problem."`\ ld l,$BUT_komaruA3,80 ;「あと、礼拝堂ですることって何だろうな。@………祈り？@　懺悔も礼拝堂だっけ？@　………………何にしろ、胡散臭いな。」\ ;＜戦人 `"Then what would he do in the chapel?`@` .........Pray?`@` Aren't confessions done in the chapel?`@` ...............Anyways, it sounds suspicious."`\ ld c,$GEO_MajimeA1,24 ;「……どういう理由かわからないけれど、@……お祖父さまにとってその、南條先生の言っていた通り、@……奇跡でも起きない限り、祝福を受けられないというのは、この礼拝堂を建てた時から決められていた宿命のようだね。」\ ;＜譲治 `"......I don't know why, `@`......but just as Doctor Nanjo said, in Grandfather's eyes, `@`......it seems that since this chapel was constructed, it was decided by fate that he wouldn't receive a blessing unless a miracle occurred."`\ cl r,23 ld r,$ROS_majimeA1,24 ;「どうしてそんなことがわかるの…？」@ ;＜楼座 `"How do you know that...?"`@ ld c,$GEO_MajimeA2k,80 ;「ほら、…あそこにはっきり記されてます。@……ほら、あそこに。」\ ;＜譲治 `"See, ...it's clearly written over there.`@` ......Look, over there."`\ bg cha_o1a,22 ;　譲治の兄貴が、扉の上のアーチ部分にある錆びた金文字のレリーフを指差す。@ `George-aniki pointed to a relief with rusted gold letters on the arch above the door.`@ br ;　英文で何かのメッセージが書かれているようだった。@ ;　…その錆び具合から、建立当時から記されているメッセージであることがわかる。\ `It looked like some message had been written there in English.`@ `...The rust showed that the message had been written there since construction.`\ bg black,6 me2 5 ;「………英語は弱いぜ。@……何々…？@　……ディスドアイズ、オープンド、オンリーアット、プロバビリティオブ？？@　すまね、英語駄目だ。」@ ;＜戦人 `".........My English sucks.`@` ......What is it...?`@` ......'This door is, opened, only at, probability of'??`@` Sorry, my English sucks."`@ br ;　俺は二行の内の一行目も読みきれずギブアップする。@ ;　…他の連中はちゃんと読めてるようだ。\ `I gave up after I was unable to finish reading the first of the two lines.`@ `...It looked like the others could read it properly.`\ bg cha_o2b,0 ld r,$GEO_KomaruA1,24 ;「…えっと、確かこれは、ｍ、ｂ、ｔ、ｑだから、/ ;!d800…えっとえっと…いくつのことだっけ、確かえっとえっと、/ ;!d900……………。@/ `"...Umm, I think it went 'm', 'b', 't', 'q', so, `/ !d800`...umm, umm...how many did that mean, I think...umm...umm, `/ !d900`............`@/ ld r,$GEO_majimeA2k,80 ;……とにかく、これはすごいよ。@両手の指じゃとても足りない。@確かに、奇跡でも起こらないと駄目だね。」@ ;＜譲治 `......Anyways, this is incredible.`@` You can't even count close to that with all the fingers on both hands.`@` It really would be impossible unless a miracle occurred."`@ ld l,$NAN_fumuA1,23 ;「……ですな。@何事も博打的に例えたがった、昔の金蔵さんらしい言い方です。」\ ;＜南條 `"......Certainly.`@` He wanted to give a spectacular gambling-style example, very much like how Kinzo-san used to talk."`\ bg cha_o2a,0 ld r,$BUT_OdorokiA2,23 ;「何だ何だ、みんなは読めたのかよ。@誰か俺にも意味を教えてくれ。」@ ;＜戦人 `"What is it, what is it, can everyone read it?`@` Someone tell me what it means too."`@ ld l,$MAR_AkuwaraiA2,23 ;「きひひひひひひ。@…英語くらい勉強しなよ。@この程度読めないでよく高校に入れたね？@　きひひひひひひひひひ、/ `"Kihihihihihihi.`@` ...At least learn English.`@` How did you get into high school without even being able to read this much?`@` Kihihihihihihihihihi, `/ se1 7 ld l,$MAR_sakebuA1,1 quakey 3,200 ;あ痛。@/ `ouch. `@/ se1 7 quakey 3,200 ;あ痛/ `Ouch`/ se1 7 quakey 3,200 ;あ痛/ `ouch`/ se1 7 quakey 3,200 ;あ痛。」\ `ouch."`\ ld r,$BUT_aseruA1,80 ;「余計なお世話だぜ。@それで何て書いてあるんだ。」\ `"Mind your own business.`@` So, what's written there?"`\ ld l,$MAR_niyariA1,80 ;「…ざっとこんなところだよ。@“この扉は、奇跡が起きない限り、開かれない。@あなたは、奇跡が起きない限り、祝福されない”。」\ `"...It means something like this.`@` 'This door is opened only when a miracle occurs.`@` You will be blessed only when a miracle occurs'."`\ ld l,$MAR_AkuwaraiA1,80 ;「……お祖父さまの魔術は天文学的低確率を基礎とする。@…つまり、この扉が開かれる奇跡は、……恐らくものすごい膨大な魔力を必要とするに違いないよ。@……きひひひひひひひひひひひひひひひひひ。@/ `"......Grandfather's magic is based on astronomically low probabilities.`@` ...In other words, the miracle that would open this door, ......would probably require an incredibly vast magical power.`@` ......Kihihihihihihihihihihihihihihihihihi. `@/ E_M2 se1 7 ld l,$MAR_fukigenA2,1 quakey 3,300 ;あ痛。」\ `Ouch."`\ ld r,$BUT_futekiA1,80 ;「よぅしご苦労、もう黙っていいぞ。@楼座さん、真里亞を英会話教室に通わせてたんすか？@　やっぱ英語は幼い内からやんないと駄目なんだなぁ。」\ ;＜戦人 `"Ni-ce job, you can shut up now.`@` Rosa-san, will you let me take Maria with me to English class?`@` Looks like it's useless to try and learn English unless you start when you're young after all."`\ bg cha_o2b,0 ld r,$GEO_MajimeA1,24 ;「………開かずの礼拝堂か。@……魔女ベアトリーチェは、本当に魔女だったかはともかく、何十年も前に実在した女性で、@……お祖父さまの愛人だったと囁かれる人だ。」\ ;＜譲治 `".........The forbidden chapel.`@` ......Whether or not the witch Beatrice really was a witch, it is whispered that she actually existed several decades ago, `@`......and was Grandfather's mistress."`\ ld l,$GOH_komaruA2,23 ;「これはその、私の勝手な想像ですが…。@……お館様はベアトリーチェさまを、きっと深く愛しておいでだったのでしょう。@しかし、すでにご結婚されていて、結ばれることはできなかった。」\ ;＜郷田 `"This is, umm, just my imagination, but...`@`......perhaps the Master really did truly love Beatrice-sama.`@` However, he was already married, so they couldn't be united."`\ ld c,$BUT_NayamuA1,24 ;「…なるほどな。@………死んだベアトリーチェが、奇跡の魔法で蘇れたなら、祖母さまが死んでる今、大手を振って結婚できるわけだ。@んで、この礼拝堂で結ばれようと、………そういうメルヘンチックな話だというわけなのか？」\ ;＜戦人 `"...I see.`@` .........If Beatrice was dead, and could be revived with the magic of a miracle, now that Grandmother is dead, he could marry her with his head held high.`@` And if they married in this chapel, .........could it be a fairy-tale story like that?"`\ bg black,25 bg cha_o1a,22 ;「……そう荒唐無稽な話とも思えないわね。@…お父様が今なおベアトリーチェを深く愛しているのは周知の事実。@……あと、気味が悪いとは言ったけれども。@礼拝堂の内装はとても華やかだった気がするの。@………お父様が、死んだ愛人との結婚式を夢見てこの礼拝堂を建てたという想像は、案外、外れていないかもしれない。」\ ;＜楼座 `"......I don't think that story is so preposterous.`@` ...It is a well known fact that Father still loves Beatrice deeply.`@` ......Also, even though I said it was creepy,`@` I get the feeling that the interior of the chapel used to be quite magnificent.`@` .........The thought that Father built this chapel in the hopes of having a wedding with his dead mistress, actually might not be that unlikely."`\ ;「…この礼拝堂を建てたその当時から、お祖父さまはこの教会を使うことは生涯ないことを知っていたのだろうね。@……でも、何かの奇跡で魔女が蘇ることを祈った。@そしてもしもその奇跡が起こったなら、ここで結ばれようと思った…。」\ ;＜譲治 `"...By the time he built this chapel, Grandfather probably knew that he would never use it as a church as long as he lived.`@` ......But, he prayed for the witch to be revived by some miracle.`@` And he thought that if that miracle occurred, they could be married here..."`\ bg cha_o2a,0 ld c,$GOH_komaruA2,22 ;「……なるほど。@…そう考えると、確かにここは、ベアトリーチェさまにとっても、大変意味のある場所ということになりますね…。@決して開かれぬ礼拝堂と知りつつ。@……悲しい恋の話です。」@ ;＜郷田 `"......I see.`@` ...If you think of it that way, this would be a place of utmost significance to Beatrice-sama as well...`@` And he knew it was a chapel never to be opened.`@` ......A story of sad love."`@ ;　郷田さんは、俺以上のでかい図体にもかかわらず、しんみりとしたことを言う。@ `Even though Gohda-san's body was even bigger than mine, his words were touching.`@ br ;　…みんなは無言だったが、その意見に同意したようだった。\ `...Everyone was silent, but it seemed that they agreed with that view.`\ bg cha_o2b,0 ld r,$NAN_fumuA1,24 ;「開かぬ礼拝堂と知りながら。@……それでもなお、奇跡の日を夢見ていたのでしょうな。@………金蔵さんは若い日にはとてもロマンチストな方だった。@…わかる気がします。」\ ;＜南條 `"Even though he knew it was a chapel not to be opened,`@` ......he still probably dreamed of the day that a miracle would occur.`@` .........Kinzo-san was very romantic in his younger days.`@` I feel as though I understand him."`\ ld l,$BUT_futekiA1,23 ;「いっひっひ。@どうだろうな。@……でも、年に４回、みんなで入って掃除してたんだろ？@/ `"Ihihi.`@` I wonder.`@` ......But you all came in four times a year to clean it, right? `@/ ld l,$BUT_waraiA2,80 ;　何が開かずだ。@俺たちだって現にこうして出入りしてる。@それは奇跡なんかじゃねぇ。@鍵を持ってきて、カチャリとやって入った。@ただそれだけの話だぜ、馬鹿馬鹿しい。」\ ;＜戦人 `What do you mean, forbidden?`@` Didn't we just go in ourselves?`@` That wasn't a miracle or anything.`@` We brought the key, clunk, and we're in.`@` That's all that happened, this is ridiculous."`\ E_B se1 21 cl r,23 ld r,$ROS_odorokiA1,24 ;「………………え？@　…………え？！@　……………って、………どういうこと？」@ ;＜楼座 `"...............Huh?`@` ............Wha?!`@` ...............So, .........what does that mean?"`@ ld l,$BUT_OdorokiA2,80 ;「ど、どういうことって、何がっすか…。」\ ;＜戦人 `"Wh, what are you talking about...?"`\ ;　何だかいい話のような雰囲気になったのが気に入らなくて、俺は茶化しただけのはずだった。@ ;　……なのに楼座叔母さんが、急に大真面目な顔で食い掛かってくる。@ `I'd thought I had just been messing around because I hadn't liked the atmosphere of that story.`@ `......But then Rosa oba-san suddenly jumped on me, with a really serious face.`@ me2 5 br ;　楼座叔母さんの顔色がどんどん青ざめていく。@ ;　…そして魔法陣の扉を見て、自分の手元を見てを、何度も何度も繰り返している。\ `Rosa oba-san's face grew increasingly pale.`@ `...She looked at the magic circle on the door, then at her hand, back and forth, back and forth.`\ bg cha_o2a,0 ld r,$GOH_iiwakeA1,24 ;「ど、……どうなさいましたか、楼座さま…。」@ ;＜郷田 `"Wh, ......what has happened, Rosa-sama...?"`@ ld l,$ROS_aserua1,24 E_A ;「ねぇ郷田さん！@　この礼拝堂の鍵！@　これ、源次さん言ってなかった？@ `"Hey, Gohda-san!`@` The key to this chapel!`@` Didn't Genji-san say it?`@ bgm1 34 br ;　(一本しかないって/・・・・・・・・・)！」\ ;＜楼座 ;＜一本しかないって：点処理 (`He said there was only one`/・・・・・・・・・・・・)`!"`\ bg black,22 ;「…………………え？@　…………。」\ ;＜譲治 `"...............Huh?`@` ............"`\ bg cha_o2b,0 ld c,$MAR_akuwaraiA1,22 ld c,$MAR_AkuwaraiA2,80 se1 21 ;「…きひひひひひひひひひひひひひひひひひひ。@…みんな気付くのが遅すぎるんだよ。@きひひひひひひひひひひひひひひひひ…。」\ `"...Kihihihihihihihihihihihihihihihihihihi.`@` ...It took everyone too long to figure it out.`@` Kihihihihihihihihihihihihihihihihi..."`\ ;　…子どもの悪戯は、時に大人に気付かれなくて、仕掛けた子どもをがっかりさせてしまうことがある。@ `...When a kid pulls a prank, it sometimes goes unnoticed by the adults, and the kid who did it loses heart.`@ br ;　……そういう悪戯に、遅れて誰かが引っ掛かってくれると心底嬉しいものだ。@ ;　……今の真里亞の喜び方はそれにとてもよく似ていた…。\ `......If one of those pranks catches someone later on, it makes that kid really happy.`@ `......Maria's celebration just now looked a lot like that...`\ bg cha_o2a,0 ld r,$GOH_komaruA2,24 ;「…え、……えぇ、はい。@/ `"...Y, ......yeah, yes. `@/ ld r,$GOH_komaruA1,80 ;その鍵は一本しかございません。@お館様の大切な礼拝堂の鍵ですので、一本しかなく、複製もありません。@…普段から、使用人室のキーボックスに大切に保管されていますが…。」\ ;＜郷田 `There was only one of those keys.`@` It's the key to the Master's treasured chapel, so there is only one, with no duplicates.`@` ...It is normally kept safe in the key box in the servant room, but..."`\ ld l,$ROS_odorokiA1,23 ;「そうよ。@そしてそれがなくなってたと源次さんは言ったわね。@/ `"That's right.`@` And Genji-san said that it had gone missing. `@/ ld l,$ROS_IkariA1,80 ;……何者かがそれを奪い、……封筒に入れて真里亞に手渡したのよッ？！@　それも昨日！」@ ;＜楼座 `......So someone stole it, ......put it in that envelope and handed it to Maria?!`@` And yesterday!"`@ cl r,23 ld r,$BUT_NiramuA1,24 ;「…………何だって…？@　ってことはつまり、/ ;!d800………おかしいじゃねぇかよ。」@ ;＜戦人 `"............What the...?`@` So in other words, `/ !d800`.........isn't that strange?"`@ ld c,$GEO_KomaruA1k,24 ;「…そんな馬鹿な。@………これは妙な話になってくる。」\ ;＜譲治 `"...That's absurd.`@` .........This story is getting strange."`\ bg cha_o2b,0 ld r,$GOH_komaruA2,24 ;「ど、どういうことでしょうか…？@　私には何が何だかさっぱり…。」@ ;＜郷田 `"Wh, what could this be...?`@` I don't have a clue what you're talking about..."`@ ld c,$NAN_KomaruA4,24 ;「私にもです。@……どなたか説明してはいただけませんかな…。」@ ;＜南條 `"Me too.`@` ......Would you explain it for us...?"`@ br ;　…郷田と南條にわからないのは、決して二人の頭が悪いからではない。\ `...Gohda and Nanjo's failure to understand definitely wasn't because they were stupid.`\ bg black,22 ;　……彼らは知らないのだ。@ `......They didn't know.`@ br ;　…たった一本しかない礼拝堂の鍵が、いつから真里亞の手にあったのかを知らないのだ。\ `...They didn't know how long the only key to the chapel had been in Maria's hand.`\ bg cha_o2a,0 ld c,$ROS_odorokiA1,22 me1 13 ;「間違いない！@　閉まってた！！@　私が開けたのよ！！@　間違いなく！！」@ `"There's no mistake!`@` It was closed!!`@` I opened it!!`@` Definitely!!"`@ br ;　楼座叔母さんは、礼拝堂の扉を閉め、鍵を掛けては引っ張り施錠を確かめたり、それを再び開けたりを何度も繰り返した。@ `Rosa oba-san kept closing the door, locking it, pulling on it to check the lock, and opening it again.`@ br ;　その顔色は再び蒼白になっていく…。\ `Her face was becoming pale again...`\ ld c,$ROS_IkariA1,80 ;「私が真里亞の封筒から鍵を取り出してここを開けるまで！@　確かにこの扉は施錠されていたッ！！@　でもこの鍵は封筒に入れられて真里亞に預けられていたのよ？！@　しかもそれは昨日のお昼前の話なのよッ？！？！」\ `"Until I took the key out of Maria's envelope and opened this door,`@` it was definitely locked!!`@` But this key was in the envelope and in Maria's care, right?!`@` And that happened yesterday before noon?!?!"`\ ld r,$NAN_MajimeA2,24 ;「………何ですと………。」@ ;＜南條 `".........What did you say........."`@ ld l,$GOH_iiwakeA2,23 ;「それでは、……おかしいではありませんか……！」\ ;＜郷田 `"Isn't that, ......strange......?!"`\ cl a,22 ld c,$BUT_komaruA2,24 me2 5 ;「そうなんだ。@………唯一の鍵は、昨日の昼に真里亞が魔女を名乗る女から受け取った。@つまり、昨日の昼から今朝方、楼座さんが開錠するまでこの礼拝堂は密室だったことになる。」\ `"It is.`@` .........Maria received a unique key from a woman calling herself a witch midday yesterday.`@` In other words, from midday yesterday until this morning, when Rosa-san unlocked the door, this chapel was a closed room."`\ ld c,$BUT_odorokiA1,80 ;「………どうやって、親父たち６人はこの中に入って、しかも殺されたんだよ？！」\ ;＜戦人 `".........How did they get those six people in here, and then how did they kill them?!"`\ se1 27 bg white,1 dllefe_off wait 1000 bg MAP05,2 ;　俺たちは６人の死で混乱していた。@ `We had been confused by the deaths of six people.`@ ;　妙な魔法陣や礼拝堂の謂れを聞いて、何かをわかったようなつもりでいた。@ `We'd thought that we had figured something out after seeing that weird magic circle and hearing the history of the chapel.`@ br ;　……そんなのは取るに足らない問題だった！\ `......That had all been a worthless problem!`\ ;　昨日の昼から今朝まで、この礼拝堂は密室なんだ。@ `From midday yesterday until this morning, this chapel was a closed room.`@ br ;　でも、親たちは昨夜まで俺たちと一緒だった。@ `But our parents had been with us until last night.`@ br ;　犯人はどうやってここを開けたんだ？！@ ;　そしてどうやってここを閉めたんだ？！\ `How had the culprit opened this door?!`@ `And how had they closed it?!`\ ;■メタ視世界へ。@ E_B mevol 1,30 mevol 2,30 dllefe_off se1v 56,90 meta_set meta_ld r,$BUT_kuyasigaruA1,24 bgm1 44 ;「……うぜぇ真似だぜ。@…またかよ。@また密室かよ！@　魔法の力で鍵を開けたんだと、そう言いてぇのかッ！！@　馬鹿にするんじゃねぇ！！」\ `"......What are you trying to pull.`@` ...Again?`@` A closed room again?!`@` Are you trying to say that you unlocked it with the power of magic?!!`@` I'm not that stupid!!"`\ gosub *BEA_isyou1 Meta_ld l,$BEA_futekiA2,23 ;「妾の力で鍵を開けるところを見せろというなら見せても良い。@……しかしそれではそなたを屈服させたことにはならぬ。」\ `"If you tell me to show you how I open locks with my power, then I can show you.`@` ......But that will not make you surrender."`\ Meta_ld l,$BEA_AkuwaraiA1,80 ;「そなたが言う“人間での説明”！@　これを尽き果てさせた時こそが妾の勝利の時なのだ！！@　さぁさぁ、どう崩してみせる？@　人間なら、どういうトリックでしてみせるというのかァ、んん〜？」\ `"This 'explanation with humans' you talk about!`@` The time that theory is exhausted will be the time of my victory!!`@` Come now, how will you destroy it?`@` If it was a human, what trick could they have used to defeat it, hmm~?"`\ Meta_ld r,$BUT_odorokiA1,80 ;「前回の密室と同じだ。@…情報不足ッ！！@　こんなのじゃ推理不能だ！@　何の言い訳でもできるぜ、どんな手品だって通じる！！@　推理なんてしようがねぇ！」\ `"It's just like the closed rooms last time.`@` ...Not enough information!!`@` It's impossible to reason like this!`@` Any excuse could be made, any trick could work!!`@` Guessing is useless!"`\ meta_ld l,$BEA_akuWaraiA5,80 ;「はッ！@　またそれか？@　情報が足りないから様子見？@　不確定情報があるから推理不能ォ…？@　はッ、そなたら人間の思考停止の言い訳はいつもそれよ。@人間風情が何を気取るか！」\ `"Ha!`@` That again?`@` There's no proof so you'll wait and see?`@` The information is uncertain so it's impossible to reason...?`@` Ha, this is always the excuse you humans use when you stop thinking.`@` What is this pretense, you lowly human?!"`\ meta_ld l,$BEA_futekiA1,80 ;「ラプラスの悪魔の座に及ばねば、思考を巡らせることひとつできないというのか、この無能がッ！！@　……それに貴様は情報不足がまるで自分の不利になるように言っているが、真実はまったく逆だぞ？」\ `"Are you saying that unless you're like Laplace's demon, you can't even think, you incompetent fool?!!`@` ......And you speak as though a lack of information is disadvantageous to you, when it's actually the complete opposite, you see?"`\ meta_ld l,$BEA_AkuwaraiA3,80 ;「そなたに与えられる情報が増えれば増えるほどに、そなたは苦しむことになる！@　己を締め付ける圧搾機の力を強めていく結果になるだけよ！@　くっくくくくくくくくく！！」\ `"The more information you're given, the more it will pain you!`@` It will only cause the strength of the compressor squeezing you to increase!`@` *cackle*cackle*cackle*cackle*cackle*!!"`\ meta_cl a,0 meta_ld c,$BUT_NayamuA2,24 ;「ほぅ、そうなら言わせてもらうぜ。@これがそもそも“密室”かどうかは検証不能だ！！@　悪魔の話が出てきたんで俺も言わせてもらうぜ。」\ `"Oh, in that case, let me say this.`@` It's impossible to verify that this is a closed room in the first place!!`@` If we're talking about demons, let me say this."`\ meta_ld c,$BUT_oyaA1,80 ;「……密室でないことの説明はできる。@こうやりゃ出入りできるというのを示しゃいいんだからな！」\ `"......It's possible to prove that this isn't a closed room.`@` Just showing that someone can go in or out like this is enough!"`\ meta_ld c,$BUT_OdorokiA1,80 ;「だが密室であることの証明は不能だ！！@　無限の方法の全てを否定はできない。@つまり、悪魔の証明ってヤツだぜ！！@　密室という定義は、実は証明不能なのさ！！」\ `"But it is impossible to prove that this is a closed room!!`@` You can't deny the endless set of methods of getting in.`@` In other words, this is one of those Devil's Proofs!!`@` This definition of a closed room really is impossible to prove!!"`\ Meta_cl c,0 Meta_ld l,$BEA_DefA2,23 ;「情報不足を言い訳にした思考停止の次は、そう来たか。@……まぁ良い。@それがそなたの指し手だというなら認めようぞ。@続けるが良い。」\ `"So, after you stop thinking with a lack of information as an excuse, this is what comes next.`@` ......Oh well.`@` If that is your move, then I will accept it.`@` Continue."`\ Meta_ld r,$BUT_MajimeA1,24 ;「まず、お前は礼拝堂が密室だと言いたいらしい。@…実際、俺もさっき中をぐるっと見させてもらったが、確かに扉以外から出入りする方法は見つけられなかった。\ `"First off, it looks like you're trying to say that the chapel is a closed room.`@` ...Just a short while ago, I really did spend some time looking around in there, and I couldn't find any way in or out except for the door.`\ meta_ld r,$BUT_DefA1,80 ;……だがそれは、(俺が見つけられなかったと/・・・・・・・・・・・・) `......But that's ` br (`just because I couldn't find it`/・・・・・・・・・・・・・)`, it doesn't prove that it wasn't a closed room!!"`\ ;br ;(いうだけで/・・・・・)、密室の証明にはならないわけだ！！」\ meta_ld r,$BUT_futekiA1,80 ;「俺には見つけられなかった“隠し扉”なんかがあったら、全ての前提は吹っ飛ぶぜ！！@　つまり、俺が隠し扉を見つけられようと、見つけられまいと、密室を出入りできる方法Ｘは常に否定できないわけさ！」\ ;＜俺が見つけられなかったというだけで：点処理 `"If there was a 'hidden door' or something that I wasn't able to find, your premise is completely blown away!!`@` In other words, whether I was able to find a hidden door or not, you can never deny that there was some method X by which the closed room could be entered!"`\ meta_ld r,$BUT_nayamuA2,80 ;「そしてその方法Ｘは、魔法でなくても実行可能さ。@何しろ“隠し扉”なんだからよう！@　この礼拝堂だってそうさ、発見不能な隠し扉がどうせあるんだ。@だから推理なんてする必要もなく、魔法なんかありえないってわけさ！！」\ `"And this method X could be carried out without magic.`@` After all, it's a 'hidden door'!`@` I'm sure that in this chapel, there's some hidden door that's impossible to find.`@` So there's no reason for me to guess, because magic is impossible!!"`\ Meta_cl a,0 Meta_ld c,$BEA_WaraiA1,23 ;「………ほほぉ、そういう論法か。@くっくっくっく、甘いな。@/ `".........Hohoh, so you use that reasoning.`@` *cackle*cackle*, how naive. `@/ MEta_ld c,$BEA_DefA2,80 ;想定していた一手だぞ。@ならば妾も受け手を指そう。@……妾は人間風情の推理小説とやらに出てくる“密室”というものを常々馬鹿馬鹿しいと思っている。」\ `An expected move.`@` Let me make my move in response.`@` ......I always thought the idea of 'closed rooms' in worthless human detective novels was ridiculous."`\ Meta_ld c,$BEA_AkuwaraiA1,80 ;「なぜか？@　使い方が間違っているからよ。@……推理小説に登場する密室を、お前は本当に“密室”だと思っているのかぁ？@　思ってなどいまい？！\ `"Why?`@` Because they're used the wrong way.`@` ......When a closed room appears in a detective novel, do you really think that is a closed room?`@` You don't, do you?!`\ Meta_ld c,$BEA_AkuwaraiA5,80 br ;　(どういうトリックを使えば密室に見せ掛けられ/・・・・・・・・・・・・・・・・・・・・) ;br ;(るか/・・)！@　そう思っている。\ (`What trick did they use to make this look`/・・・・・・・・・・・・・・・・) br (`like a closed room`/・・・・・・・・・)`!`@` That's what you think.`\ MEta_ld c,$BEA_futekiA1,80 ;つまり、人間どもが積み重ねた百年の密室殺人など、ただの一度も完成されたことはないのだッ！！」\ ;＜どういうトリックを使えば密室に見せ掛けられるか：点処理 `In other words, there hasn't been a completed one in the century's worth of closed room murders which humans have piled up!!"`\ Meta_cl c,0 Meta_ld r,$BUT_niramuA2,24 mevol 1,50 mevol 2,50 ;「ひゅうッ！！@　言うじゃねぇかよ、推理マニアは怖ぇぞ？！@　クリスティが墓の下で歯軋りしてるぜ！」\ `"Oooh!!`@` Don't say that, mystery fans are pretty scary!`@` Christie is probably grinding her teeth in her grave!"`\ Meta_ld l,$BEA_akuwaraiA3,23 ;「ふッ！！@　だが妾は違う。@妾は本当の密室を生み出している！@　そしてそれを立証できるのだ。@なぜか？@　妾は魔女だからよ！！」\ `"Fu!!`@` But I am different.`@` I have given birth to a true closed room!`@` And I can demonstrate that.`@` Why?`@` Because I am a witch!!"`\ Meta_ld l,$BEA_AkuwaraiA1,80 ;「悪魔の証明は悪魔を連れてくれば証明できるのだったな？@　ならば好都合、魔女にとって悪魔は良き友よ、いくらでも連れてきてやる！！」\ `"For the Devil's Proof, all you had to do was bring someone a demon to prove it, right?`@` Well that's convenient, as a witch, demons are my good friends, I'll bring as many as you like!!"`\ meta_ld r,$BUT_DefA1,24 ;「上等だぜ！！@　“親父たちは隠し扉を使って礼拝堂に入った・あるいは運び込まれた”！@　この一手を、お前はどうかわして見せるってんだよぉッ？！」\ `"Sounds great!!`@` 'Dad and the rest used a hidden door to enter the chapel, or were carried in through it'!`@` How do you plan to beat this move?!"`\ meta_ld l,$BEA_DefA1,80 se1 21 ;「こうだ。@生死は捨て置く。@“６人は確かに扉から入った”！！」@ `"With this.`@` Regardless of whether they were living or dead, `@`'the six people definitely entered through the door'!!"`@ meta_ld r,$BUT_OdorokiA2,80 ;「はぁッ？！？！@/ `"Huh?!?! `@/ meta_ld r,$BUT_odorokiA1,80 ;　馬鹿野郎ォ！！@　鍵が掛かってんだぞ、どうやって！！」\ `Dumbass!!`@` The door was locked, how'd they do it?!!"`\ meta_ld l,$BEA_WaraiA2,80 ;「妾が魔法で開けて、中へ誘った！！」@ `"I opened it with magic, and invited them inside!!"`@ meta_ld r,$BUT_KuyasigaruA1,80 ;「そんなわけねぇだろ！！/ `"That can't be true!! `/ se2 7 quakey 3,500 ;@　魔法なんて認められねぇ以上、そいつを受け容れるわけには行かねぇッ！！@　お前は嘘をついている！！@　あの扉は何かのインチキで開くんだ。@あるいは隠し扉があるんだ、そのどちらかしか認めねぇッ！！」\ @`Since I can't accept magic, there's no way I'll accept that!!`@` You're lying!!`@` That door can open with some trick.`@` Or maybe there's a hidden door, but I won't accept any other way!!"`\ textoff E_A se3v 57,100 mbg white,1 mcbg 0 meta_ld r,$BUT_KuyasigaruA1,0 meta_ld l,$BEA_futekiA1,2 me1v 17,40 wait 2000 ;「……パーペチュアルッ！！@　チェスでは千日手をこう呼ぶ。@互いが相手の根拠を否定しあい議論が進まないのも妾たちのゲームでは千日手に同じ。@……多くのゲームではこれを引き分けに定めるが、これでは興を削がれること甚だしいッ！！@　妾たちに引き分けはない。@曰く、そなたが妾を認め屈服するか否かッ！！」\ `"......Perpetual!!`@` That's what we call an endless repetition of moves in chess.`@` It's the same endless repetition as a discussion that won't advance because both sides deny the basis of each other's claims, like our game.`@` ......In most games, this would be decided as a draw, but that would terribly dampen the interest of this game!!`@` We will have no draws.`@` You will either accept and submit to me, or deny me!!"`\ meta_ld r,$BUT_OdorokiA1,80 ;「それについてだけは同感だぜ！！@　お前のお望み通り、決着はきっちりつける！！」\ `"At least I agree with you there!!`@` We'll settle this without fail, just as you wish!!"`\ meta_ld l,$BEA_WaraiA1,80 ;「くっくっくっく！@　その心意気や良し！@/ `"*cackle*cackle*!`@` That disposition is good! `@/ meta_ld l,$BEA_DefA2,80 E_A ;　………そこで妾は考えた。@/ `.........So I had a thought. `@/ bgm1 40 ;妾とそなたのゲームに新しいルールを追加しようと思う。」@ `I think I'll add a new rule to this game between you and me."`@ Meta_ld r,$BUT_oyaA1,80 ;「新しいルールぅ？！@　…どうせお前が有利になるルールなんだろう？！」\ `"A new rule?!`@` ...I'll bet it's a rule that'll give you an advantage, right?!"`\ Meta_ld l,$BEA_waraiA2,80 ;「まさかまさか。@そなたらが求めて止まなかったものを与えようというのだ。@貴様ら無能どもがいつも嘆いてみせる思考停止の理由、“情報不足”！@　そして、それに対し情報を与えると今度はその情報の真偽を疑う“根拠否定”！」\ `"Of course not.`@` I'll give you the thing that people like you always demand.`@` The reason you always stop thinking and then moan about it is 'lack of information'!`@` If you are then given information, you start doubting whether the information is true or not by 'denying the basis'!"`\ meta_ld l,$BEA_AkuwaraiA1,80 ;「便利よのぅ？@　無能を棚上げする実に小気味良い言葉よ。@この便利な言い訳を妾は取り去ってやろうというのだ。@感謝するが良い、くっくっく！」\ `"Isn't that convenient?`@` What clever little words to hide your own incompetence.`@` I shall eliminate that convenient excuse.`@` You should thank me, *cackle*!"`\ meta_ld r,$BUT_niramuA1,80 ;「扉から入ったというお前に対し、俺はそんなはずはないと否定した。@……その否定が逃げ口上だと言いたいのか。」\ `"You said they entered through the door, and I said that couldn't happen.`@` ......Are you saying that's an evasive answer?"`\ meta_ld l,$BEA_futekiA1,80 ;「そうだ。@だから妾はこれより、/ `"That's right.`@` So from now on, `/ se1 59 ;#ff0000真実を語る時、赤を使うことにする#ffffff。」\ ;＜真実を語る時、赤を使うことにする：点処理 #ff0000`when I speak the truth, I will use red`#ffffff`."`\ MEta_ld r,$BUT_OdorokiA2,80 ;「ど、どういうことだ……？！@　説明を続けろ！」\ `"Wh, what is this......?!`@` Keep explaining!"`\ meta_ld l,$BEA_DefA2,80 ;「妾がどのような魔法の一手を仕掛けようとも、@そなたには常に“情報不足”や“根拠否定”を繰り返すことで延々と逃げ続けることができる。」\ `"No matter what magic move I use, `@`you can always keep running away by repeating 'lack of information' and 'denying the basis."`\ meta_ld l,$BEA_WaraiA1,80 ;「…これでは最終的に妾が勝つことが変わらぬとしても、あまりに退屈を極める。@……その為、妾はそなたが望む“情報”と“根拠”を与えてやろうと思う。」\ `"...Even though I would still win in the end that way, it would be extremely boring.`@` ......Because of that, I think I'll give you that 'information' and 'basis' that you want."`\ meta_ld l,$BEA_AkuwaraiA1,80 ;「しかし、そなたは妾の言葉ひとつひとつを疑って掛かるだろう。@それ自体は悪いことではない。@妾もそなたを屈服させるためにあらゆる手を指す。@互いに最善手を探りあうその姿勢は嫌いではない。」\ `"However, you'll probably doubt each word I say.`@` That isn't bad in itself.`@` I also will use every possible move to make you submit.`@` I don't dislike our posture of searching out the best moves for ourselves."`\ meta_ld l,$BEA_futekiA2,80 ;「……しかしそれではゲームにもならぬ。@だからこのルールを設けた。」\ `"......But that won't make a game.`@` So I set up this rule."`\ meta_ld l,$BEA_akuwaraiA3,80 se1 59 ;「#ff0000妾が赤で語ることは全て真実#ffffff！@　疑う必要が何もない！」\ `"#ff0000Everything I speak in red is the truth#ffffff!`@` There's absolutely no need to doubt it!"`\ meta_ld r,$BUT_odorokiA1,80 ;「それを信じろというのか…！」@ `"Are you telling me to believe that...?!"`@ meta_ld l,$BEA_futekiA1,80 ;「妾はそなたとゲームをしている。@ゲームのルールは神聖！！@　それを軽んじる者に参加の資格はないッ！！」\ `"This is a game between you and me.`@` In a game, the rules are sacred!!`@` Those who take that lightly are not qualified to play!!"`\ meta_ld r,$BUT_kuyasigaruA1,80 ;「ようし乗ったぜ、受けてやるぞそのルールッ！！@　水掛け論や揚げ足取りなんて小学生でもできるぜ。@/ `"Alright, I got it, I'll accept that rule!!`@` Even an elementary school kid can get into an endless argument and find fault with everything. `@/ meta_ld r,$BUT_odorokiA1,80 ;ならさっそく再開しようじゃねぇか、さっきの続きだぜ。@もう一度繰り返す。@“親父たちは隠し扉を使って礼拝堂に入った・あるいは運び込まれた”！」\ `Then let's restart right now, and continue where we left off.`@` I'll repeat it again.`@` 'Dad and the rest used a hidden door to enter the chapel, or were carried in through it'!"`\ meta_ld l,$BEA_defA2,80 ;「ならば妾も繰り返そうぞ。@/ `"Then I shall repeat what I said. `@/ se1 59 ;“#ff0000生死は捨て置く。@/ `'#ff0000Regardless of whether they were living or dead, `@/ se2 59 ;６人は確かに扉から入った#ffffff”！」@ `the six people definitely entered through the door#ffffff'!"`@ meta_ld r,$BUT_odorokiA2,80 ;「………そ、その証拠はあるのかよ？！」\ `".........I, is there any proof?!"`\ se3v 57,100 mbg white,1 mcbg 0 meta_cl a,0 meta_ld c,$BEA_futekiA1,2 ;「ストップ！！@　ルールを補足する。」\ `"Stop!!`@` I will supplement the rule."`\ meta_ld c,$BEA_futekiA2,80 ;「……妾は真実を語る時に赤を使うが、/ `"......When I speak the truth, I will use red, `/ br (`When I do, I do not bear the responsibility`/・・・・・・・・・・・・・・・・・) br ;(それに対し証拠を示して立証する義務を負わな/・・・・・・・・・・・・・・・・・・・・・) ;br ;(い/・)！@　ただ、事実であり真実であるのだ！！」\ (`of establishing that by showing proof`/・・・・・・・・・・・・・・・)`!`@` It is simply a fact and the truth!!"`\ meta_ld c,$BEA_AkuwaraiA1,80 ;「理由は簡単だ。@妾は全ての犯行を魔法で行なう。@だからどんな不可能犯罪も、お前の目の前で魔法の杖を振るって見せれば済んでしまう。」\ `"The reason is simple.`@` I carried out all of the crimes with magic.`@` So for any impossible crime, all I have to do is wave my magic staff before your eyes."`\ se1 27 meta_ld c,$BEA_akuWaraiA3,80 ;「しかしそれではゲームにならない！@　チェスを指しながら、勝敗を無視して相手に殴りかかる蛮行にも等しい！」\ ;＜それを証拠を示して立証する義務を負わない：点処理 `"But that wouldn't make a game!`@` It would be like the barbarism of ignoring victory and defeat in a chess game and punching your opponent!"`\ meta_cl a,0 meta_ld r,$BUT_KuyasigaruA1,24 ;「た、……確かにもっともだ。@…お前が魔女である以上、 `"W, ......well, that is true.`@` ...If you were a witch, ` br ;(証拠を示す必要がない/・・・・・・・・・・)。@……何でも魔法で出来ちまうんだからな、ひでぇ話だぜ…。@何て不利なゲームだ…！」\ ;＜証拠を示す必要がない：点処理 (`There'd be no need for you to show proof`/・・・・・・・・・・・・・・・)`.`@` ......Because you could do anything with magic, it'd be pretty horrible...`@` What an unfair game...!"`\ meta_ld l,$BEA_DefA2,23 ;「それではもう一度再開するぞ？@　６人は確かに扉から入った。@妾が魔法で鍵を開けた。@……この魔法を、密室をどうかわす？！」\ `"So shall we resume once more?`@` Six people definitely entered through the door.`@` I unlocked it with magic.`@` ......How will you defeat this magic, this closed room?!"`\ meta_ld r,$BUT_NiramuA3,80 ;「……か、鍵だ！@　源次さんたちは鍵が一つしかないと言っているが、そんなのは証明不能だ！@　犯人はこっそり合鍵を作っていた…！」\ `"......Th, the key!`@` Genji-san and the others said there was only one key, but that's impossible to prove!`@` The culprit secretly made a duplicate key...!"`\ meta_ld l,$BEA_AkuwaraiA1,80 ;「くっくくくくくく！@/ `"*cackle*cackle*cackle*cackle! `@/ se1 59 ;　#ff0000礼拝堂の鍵は一本しか存在しない#ffffff！」\ `#ff0000Only one key to the chapel exists#ffffff!"`\ meta_ld r,$BUT_KuyasigaruA1,80 ;「っぐ……。@じゃ、じゃあこうだ。@/ `"Arg......`@` Th, then what about this. `@/ meta_ld r,$BUT_KomaruA3,80 ;犯人は正規の鍵以外のものを使って開けたんだ！@　何かはわからないが、例えば針金とか！@　キーピックの道具だ！！」\ `The culprit made something other than a legitimate key and opened it!`@` I don't know what, but maybe a wire!`@` A tool for picking locks!!"`\ meta_ld l,$BEA_AkuwaraiA3,80 ;「何だ何だ、その甘い指し手はァ。@/ `"What is this naive move? `@/ se1 59 ;#ff0000礼拝堂の施錠は礼拝堂の鍵以外では開錠不可能#ffffff！！@　もっとも魔法の力では開けられるがなぁ…？」\ `#ff0000It is impossible to unlock the lock to the chapel without the chapel's key#ffffff!!`@` Although it can be opened with the power of magic, right...?"`\ meta_ld r,$BUT_komaruA1,80 ;「じゃあこうだ！！@　扉自体がおかしかったんだ！@　施錠された状態のままでも、通行できる仕掛けがあった…！@　それが何かはいろいろ考えられる！@　お城の大扉に小さい入り口が付いてるように、さらにもうひとつ扉があったとか！@　蝶番を外して、扉を丸ごと外して入ったなんてのもありえる！！」\ `"Then what about this!!`@` There's something wrong with the door itself!`@` Even while it is locked, there was some way to pass through it...!`@` As to what that is, I can think of a few ways!`@` Maybe like on the big doors to a castle which have a smaller door on them, there was another door here!`@` It's also possible that they removed the hinges, and then removed the whole door before entering!!"`\ meta_ld l,$BEA_AkuwaraiA2,80 se1 37 ;「わっはははははははははは！@　それが人間どもの百年の英知なのか戦人ァアアァ？！@/ `"Wahahahahahahahahahaha!`@` Is this the intelligence of a hundred years of humanity, Battleeeeeeer?! `@/ se2 59 ;　#ff0000礼拝堂の扉は、施錠時には如何なる方法での出入りも拒む#ffffff！！@/ `#ff0000When the door to the chapel is locked, it prevents any and all methods of entry or exit#ffffff!! `@/ meta_ld l,$BEA_WaraiA1,80 ;　魔法が使えない限りな…？@　くっくっく！@　そろそろチェックメイトかぁ？！」\ `As long as you can't use magic, right...?`@` *cackle*!`@` Is it about time for checkmate?!"`\ meta_ld r,$BUT_odorokiA2,80 ;「まだまだぁッ！！@　お前は６人は扉から入ったと言ったが、この正面扉とは言ってない！@　他の隠し扉から入ったのかもしれない！！」\ `"Not even close!!`@` You said that the six people entered through a door, but you didn't say it was the front door!`@` They might have entered through another secret door!!"`\ meta_ld l,$BEA_futekiA1,80 ;「くどいわ、無能が。@ならば先ほどの一手をさらに進めよう。@/ `"You talk too much, you incompetent fool.`@` Then let me advance more on my earlier move. `@/ se1 59 ;#ff0000６人は確かに“この正面扉”から入った#ffffff！！」\ `#ff0000The six people definitely entered through 'this front door'#ffffff!!"`\ meta_ld r,$BUT_KuyasigaruA1,80 ;「滅茶苦茶だ！！@　鍵は閉まってる、そして一本しかない鍵以外では開錠不能で、にもかかわらずこの扉から６人が出入りしたぁッ？！？！@　どうやってだよ！！@　魔法だってか？！@　くそ、くそくそくそくそくそ！！！」\ `"That's screwed up!!`@` The door was locked, it was impossible to unlock without using that single key, and yet six people entered through this door?!?!`@` How did they do it?!!`@` Magic, you say?!`@` Damn it, damn it damn it damn it damn it damn it!!!"`\ meta_ld l,$BEA_AkuwaraiA3,80 se2 37 me1v 5,50 ;「わっはっはっはっはっはっはあぁッ！！@　早くも人間の限界が露呈したか？」\ `"Wahahahahahahaaah!!`@` Have we already exposed a human's limits?"`\ meta_ld l,$BEA_futekiA1,80 ;「ならば叫べ、リザインと！！@　投了者はそう叫びキングを倒すのが慣わしよ。@さぁ、降参か？！@　ならば屈服を宣言せよ、そしてキングを倒すように跪け！！@　そして妾の靴にキスをするがいいッ！@　お前のような男に靴を舐めさせるのに勝る悦びはないわぁッ、くっくくくくくくっかかかかかかかかかかかッ！！」\ `"Then shout that you resign!!`@` When someone gives up and shouts that, it is customary for the king to be defeated.`@` Come on, do you give up?!`@` Then proclaim your submission, and kneel so that your king is defeated!!`@` And then you should kiss my shoes!`@` There's no greater joy than forcing a man like you to lick my shoes, *cackle*cackle*cackle*cackle*kakakakakakakakakakaka!!"`\ lsp bgsp,":c;bmp\background\efe\black.bmp",0,0 print 2 meta_cl a,0 ;　………くそぉおおぉぉ…。@ ;　駄目だ駄目だ駄目だ…。@ ;　俺は魔女には勝てないのか…？！@ `.........Damn iiiiiiiiit...`@ `It's useless, useless, useless...`@ `So I can't win against the witch...?!`@ br ;　これはチェスなんかじゃねぇ、詰め将棋の負け側を受け持たされているだけなんだ…！@　俺にできるのはせいぜい屁理屈をこねて引き分けに持ち込むのが関の山なのか…？\ `This isn't chess at all, I've just been made to take the losing side in a chess problem...!`@` Is quibbling about details and getting a draw the best I can do...?`\ csp bgsp meta_ld c,$BEA_akuwaraiA1,26 ;「それだけは断じてないぞ…！@/ `"That definitely won't happen...! `@/ meta_ld c,$BEA_AkuwaraiA3,80 ;　妾が屈するか、そなたが屈するか！！@　それ以外の決着はないッ！！@　互いを苛む拷問と喩えたあの時の勇ましさはどこに？！」\ `Will I surrender, or will you?!!`@` There will be no resolution other than those!!`@` What happened to that bravery when you said this would be torture for us both?!"`\ meta_ld c,$BEA_AkuwaraiA2,80 ;「おいおいおいぉぃ、ガッカリガッカリ、期待外れだぞォオオォ？@　右代宮戦人ァアアアァアアァァ…？？？？」\ `"Oioioioi, what a let down, isn't that disappointiiiiiiing?`@` Ushiromiya Battleeeeeeeeeeer...????"`\ lsp bgsp,":c;bmp\background\efe\black.bmp",0,0 print 22 meta_cl a,0 me2v 17,40 ;　くっそおぉおおおぉおぉ、どうすりゃいいんだ、どうすりゃ！！@　見えてる、俺が詰んじまうところが見えている…ッ！！@ `Damn iiiiiiiiiiiit, what should I do, what should I do?!!`@` I can see it, I can see the place where I'll face checkmate...!!`@ br ;　あぁあぁあ、駄目だ駄目だ、俺がこんなにも苦しんで打ってる一手は、苦し紛れにキングを一手、チェックから逃しているだけに過ぎない。\ `Aaaaaaaaah, it's useless it's useless, all of my hard fought moves are nothing more than desperately moving my king, running away from check.`\ me3v 19,90 ;　……何手逃れてもチェックから逃げられない。@そしてもう数手を待たずに、それがメイトになっちまう未来が見えるッ！！！@　ああああぁあああぁあぁぁぁぁくっそぉおおおおおぉおぉぉぉ………！！\ `......No matter how many times I move, I can't escape from check.`@` So even without waiting for the next several moves, I can see mate in my future!!`@` Aaaaaaaaaaaaaaaaaaaaahhh, damn iiiiiiiiiiiiiiiiiiiit.........!!`\ fede 1,3000 ;　………もう数手で、……チェックメイトされるところが、……見える……？@ `.........After a few more moves, ......I can see where I'll face, ......checkmate......?`@ br ;　……………………………………。\ `........................`\ ;　……降参するな、右代宮戦人。@ `......Don't give up, Ushiromiya Battler.`@ ;　俺が詰められるところが見えるってことはだ。@ ;　……チェス盤を引っ繰り返せば……、次に指す一手が読めるってことじゃねぇか…。@ `If I can see myself getting closed in upon...`@ `......Then if I turn the chessboard over......, I can anticipate the next move, right...?`@ br ;　霧江さんは言ってたぜ…。@ ;　思考ってのは、最後の最後の詰めに入れば入るほど、……それは読みやすくなると。\ `Kyrie-san told me...`@ `When considering something, the closer you get to the very, very end, ......the easier it becomes to anticipate.`\ ;　引っ繰り返せ。@ ;　……チェス盤を、引っ繰り返す…！！\ `Turn it over.`@ `......Turn over, the chessboard...!!`\ fede 0,2000 csp bgsp print 22 meta_ld r,$BUT_nayamuA1,24 me1v 12,40 ;「………………………………………………。」@ `"................................."`@ meta_ld l,$BEA_AkuwaraiA5,23 ;「……どうしたぁ？@　急に黙り込んだな。@安心しろ。@屈服は一時の恥よ。@後に待つは身を委ねる悦びだけよ…。@/ `"......What happened?`@` You grew silent all of a sudden.`@` Don't worry.`@` Surrender is but a momentary shame.`@` All that's left is the joy of giving in... `@/ meta_ld l,$BEA_WaraiA1,80 ;……くっくくくくくくく！！@　さぁ、投了を叫ぶが良い。@………聞こえんぞ？@　大きい声ではっきりと言えぃ。」\ `......*cackle*cackle*cackle*cackle*!!`@` Come on, cry out in resignation.`@` .........Can you hear me?`@` Say it clearly in a loud voice."`\ textoff fede 0,2000 meta_ld r,$BUT_MajimeA1,80 bgm1 28 ;「…………寝惚けるな。@お前が聞こうとしていないだけだぜ。@…ならもう一度言う。@……投了はない。@……続行だ。@ゲームを再開するぞ。」\ `"............No more sleep-talking.`@` You just aren't listening.`@` ...So I'll say it once more.`@` ......I won't resign.`@` ......Continue.`@` Resume the game."`\ meta_ld l,$BEA_AkuwaraiA1,80 ;「……………ほぅ。@良かろう。@そなたの手番からだぞ。@…くっくっくっく。」\ `"............Hoh.`@` Very well.`@` It is your turn, after all.`@` ...*cackle*cackle*"`\ meta_ld r,$BUT_oyaA1,80 ;「お前の作ったルールを、俺はお前の武器だと勘違いしてた。@……しかし、それは俺にとっても武器になるってことに気付いたぜ。@/ `"I was making the mistake of thinking that this rule you made was your own weapon.`@` ......However, I've realized that it can also become a weapon for me. `@/ meta_ld r,$BUT_nayamuA2,80 ;…………つまりこういうことさ。」@ `............It all comes down to this."`@ meta_ld l,$BEA_DefA2,80 ;「試すが良い。」\ `"Try it."`\ meta_ld r,$BUT_NiramuA1,80 ;「俺はずっと、密室の礼拝堂にどうやったら入れるかで頭が凝り固まってきた…。@………その考え方じゃ駄目だったんだ。@/ `"I've spent the whole time focused on how they entered the closed room of the chapel...`@`.........That way of thinking was useless. `@/ meta_ld r,$BUT_niramuA2,80 ;……あぁ、駄目だぜ、全然駄目だ。@……チェス盤を引っ繰り返す。」\ `......Aaah, it's useless, it's all useless.`@` ......Turn the chessboard over."`\ meta_ld r,$BUT_komaruA3,80 ;「………そうさ。@思考の向きが逆だったんだ。@……本当の考え方はこうさ。@…………元々密室じゃない礼拝堂を、どうやって密室に見せたかだ。」\ `".........That's right.`@` The direction of my thinking was backwards.`@` ......This is how I should think.`@` ............How was the chapel, which wasn't a closed room in the first place, made to look like a closed room?"`\ meta_ld l,$BEA_futekiA2,80 ;「来たな。@……人間どもの生み出した百年の思考術か。@試してみるが良いぞ、くっくっくっく！！」\ `"Here it is.`@` ......The thinking technique that humans have given birth to after a century.`@` Give it a try, *cackle*cackle*!!"`\ meta_ld r,$BUT_oyaA1,80 ;「…赤で語ってもらうぜ。@無理ならば拒否しろ。@…行くぜ。」\ `"...Say this in red for me.`@` If it's impossible, then refuse.`@` ...Here I go."`\ meta_ld l,$BEA_fukigenA1,80 br ;　……この男、……守勢から転じたつもりか。@ ;　小癪な…。\ `......This man, ......does he plan to turn away from his defensive posture?`@ `Impudent...`\ mbg cha_i1a,0 meta_ld l,$BEA_defA1,0 print 22 ;「礼拝堂に入るにはこの扉しかなく、そして鍵はたったひとつってのもわかった。@………だが待ちな。@…その鍵が、本当に昨日の昼前から真里亞の手に渡っていたのかどうかだ。」@ `"I understand that the only way to enter the chapel is through the door, and that there was only one key.`@` .........But wait.`@` ...Was that key really handed over to Maria yesterday before noon?"`@ ;「………長いな。@掻い摘むが良い。」\ `".........That's quite long.`@` Summarize it."`\ csp bgsp meta_ld r,$BUT_niramuA2,26 ;「こういうことさ。@…俺たちは、鍵が昨日の昼から使用不能だと思い込んでいる。@だから、昨日の昼から今朝まで密室だと思い込んでる！」\ `"It's something like this.`@` ...We've been under the impression that since midday yesterday, the key was unusable.`@` Therefore, we've been under the impression that this was a closed room from midday yesterday until this morning!"`\ meta_ld r,$BUT_nayamuA2,80 ;「それを、思い込みじゃあなく、あんたにはっきり事実だと宣言してもらいたいのさ。」@ ;＜鍵が昨日の昼から使用不能だと思い込んでいる：点処理 `"I want you to clearly state that this isn't just an impression, but a fact."`@ meta_ld l,$BEA_WaraiA1,23 ;「面白い。@……扉ではなく、鍵を論点にしたか。」\ `"Interesting.`@` ......So you reason not about the door, but the key."`\ meta_ld r,$BUT_komaruA3,80 ;「真里亞は昨日、お前から封筒をもらってる。@真里亞は開封しなかったが、手触りで鍵が入っていたことを知ったかもしれない。@……だが、間違いなく礼拝堂の鍵だと確認できたわけじゃない。」\ `"Yesterday, Maria received an envelope from you.`@` Maria didn't open it, but she might have felt it and known there was key inside.`@` ......But there's no way she could be sure it was definitely the key to the chapel."`\ meta_ld r,$BUT_oyaA1,80 ;「………つまりこういうことさ。@/ `".........So this is what it means. `@/ se1 2 ;……真里亞に渡した封筒の中身はニセモノだったんだ。」\ `......There was a fake inside the envelope that was handed to Maria."`\ meta_ld l,$BEA_futekiA2,80 ;「…何を言い出すかと思えば馬鹿馬鹿しい。@/ `"...If you think about what you're saying, it's ridiculous. `@/ se2 59 ;#ff0000楼座は今朝、確かに真里亞の手提げの中から封筒を取り出し、@/ `#ff0000This morning, Rosa definitely took an envelope out of Maria's handbag, `@/ se3 59 ;そこから正真正銘の礼拝堂の鍵を手に入れたぞ#ffffff。@…ニセモノなどということはない。」\ `and thereby obtained the genuine key to the chapel#ffffff.`@` ...It wasn't a fake, as you say."`\ meta_ld r,$BUT_niramuA3,80 ;「へへ…。@そんなことはわかってるさ。@続けるぜ。@/ `"Heheh...`@` I know that much.`@` I'll continue. `@/ meta_ld r,$BUT_MajimeA1,80 ;……なら、真里亞が封筒を受け取った時、その中身は間違いなく、同じ礼拝堂の鍵だったのか？」\ `......So, when Maria received the envelope, inside it, was there definitely that same key to the chapel?"`\ ;「……………………………。@/ `".....................`@/ meta_ld l,$BEA_fukigenA1,80 ;………ほぉ。」\ `.........Hoh."`\ meta_ld r,$BUT_komaruA2,80 ;「つまり、こういうことさ。@……お前は昨日の昼、真里亞に鍵入りの封筒を渡した。@決して開くなと言い含めて。@………真里亞は中に鍵があることを悟ったろう。」\ `"In other words, it's something like this.`@` ......Midday yesterday, you gave Maria an envelope with a key inside.`@` And you told her that she must not open it.`@` .........Maria probably realized that there was a key inside."`\ meta_ld r,$BUT_OdorokiA1,80 ;「そして後に楼座叔母さんがその中身で礼拝堂の扉を開けたため、@ `"And because later on, Rosa oba-san used what was inside the envelope to open the door to the chapel, `@ se1 2 br ;(それは礼拝堂の鍵だったということになった/・・・・・・・・・・・・・・・・・・・・)。@ (`we thought that was the key to the chapel`/・・・・・・・・・・・・・・・・・・)`.`@ br ;　疑わしいのはここさ！」\ ;＜それは礼拝堂の鍵だったということになった：点処理 `This is the suspicious part!"`\ meta_ld l,$BEA_futekiA2,80 ;「……………………こう言いたいわけか。@/ `"...............So is this what you are trying to say? `@/ meta_ld l,$BEA_fukigenA1,80 ;私が真里亞に鍵を預けた時点では、その鍵はニセモノだったと。@そして、楼座が鍵を手にするまでの間に本物と摩り替えたと…。」@ `That when I entrusted Maria with a key, that key was a fake?`@` And then, by the time Rosa obtained it, it had been switched with the real thing...?"`@ meta_ld r,$BUT_majimeA1,80 ;「あぁ、そうだ。@……どうした、ベアトリーチェさまよ。@さっきから調子が悪そうだぜ…？」\ `"Yeah, that's it.`@` ......What's wrong, Beatrice-sama?`@` Looks like you haven't been feeling good for a while...?"`\ meta_ld l,$BEA_nayamuA1,80 ;「……親しい者はベアトと呼ぶこともある。@ベアトで良い。」@ `"......Those close to me also call me Beato.`@` Beato is fine."`@ meta_ld r,$BUT_futekiA1,80 ;「ベアトの手番だぜ。@ `"It's your turn, Beato.`@ meta_ld r,$BUT_nayamuA2,80 br ;Ｔｕｒｎ　ｏｆ　ｔｈｅ　ｇｏｌｄｅｎ　ｗｉｔｃｈ！@　……かわして見せろ。」\ `Turn of the golden witch!`@` ......Show me how you defeat that."`\ ;……Turn_of_the_golden_witch！@　……かわして見せろ。」\ ;mov $Free1,"Turn of the golden witch" ;……$Free1！@　……かわして見せろ。」\ meta_ld l,$BEA_futekiA2,80 ;「…………良かろう。@/ `"............Very well. `@/ se1 59 ;…#ff0000妾が真里亞に預けた封筒の中身は、確かに礼拝堂の鍵だった#ffffff。」\ `...#ff0000The key to the chapel truly was the object inside the envelope I gave Maria#ffffff."`\ meta_ld r,$BUT_komaruA2,80 ;「追うぜ。@……赤で復唱できるか？@　……“その封筒は、楼座叔母さんが開封するまで完全に真里亞の監視下に置かれていた”。」@ `"I'll chase you.`@` ......Can you repeat it in red?`@` ......'That envelope was completely under Maria's supervision until Rosa oba-san opened it'."`@ meta_ld l,$BEA_fukigenA1,80 br ;「……………………………………。」\ `"........................"`\ meta_ld r,$BUT_majimeA1,80 ;「…無理なら拒否を宣言してもらうぜ。@チェックだ。」@ `"...If it's impossible, then state that you refuse.`@` Check."`@ meta_ld l,$BEA_aseruA1,80 ;「…………く、……………拒否する。」\ `"............Ku, ...............I refuse."`\ meta_ld r,$BUT_komaruA3,80 ;「これで一手差は引っ繰り返ったぜ。@…今度はお前がキングを逃がす番だな、ベアト。」\ `"Now I've turned it over with just one move.`@` ...Now it's time for your king to run, Beato."`\ meta_ld l,$BEA_fukigenA1,80 ;「……ふ、拒否に理由はある。@それは、そなたのいう監視下という単語の定義についてだ。@…純粋な意味に従うならば、それは四六時中、真里亞によって見張られてなければならない。」\ `"......Fu, I have a reason for refusing.`@` That is regarding the definition of the phrase 'under her supervision'.`@` ...In its purest meaning, Maria would need to have her eyes on it around the clock."`\ meta_ld l,$BEA_DefA2,80 ;「…だが、真里亞はそこまではしていない。@手提げから出していた時は完全に監視下にあっただろうが、手提げに入れた後は視界から消える。@……その意味において、監視下という単語が適当でないため、赤が使えなかっただけだ。@/ `"...But Maria didn't go that far.`@` It was probably completely under her supervision during the time she had it outside of her handbag, but after she put it into her handbag, it disappeared from her field of vision.`@` It's just that the phrase 'under her supervision' is inappropriate in that sense, so I couldn't use red. `@/ meta_ld l,$BEA_fukigenA1,80 ;………………………く…。」\ `........................ku..."`\ meta_ld r,$BUT_nayamuA2,80 ;「……苦しい手なんだろ。@俺の次の手も読めてるって顔だぜ。@/ `"......That was probably a painful move.`@` Your face tells me that you've guessed the next one. `@/ meta_ld r,$BUT_futekiA1,80 ;……………悪ぃな。@俺は女にやさしいんだ。@女を傷付けない。@ `...............Sorry.`@` I'm gentle with women.`@` I don't hurt women.`@ meta_ld r,$BUT_OdorokiA1,80 br ;　(女の期待を裏切らない/・・・・・・・・・・)ッ。@………赤で復唱してもらうぜ、言えるもんなら言ってみやがれ。@“真里亞の手提げは、楼座叔母さんが封筒を取り出すまで、誰も触れることができなかった”。」\ ;＜女の期待は裏切らない：点処理 (`I don't betray a woman's expectations`/・・・・・・・・・・・・・・・)`.`@` .........Repeat it for me in red, if you can say it, try saying it.`@` 'No one was able to touch Maria's handbag until Rosa oba-san took out the envelope'."`\ meta_ld l,$BEA_nayamuA1,80 textoff fede 1,2000 meta_ld l,$BEA_aseruA1,80 me1v 5,40 ;「……………………これも、……拒否する。@…理由は説明しない。」\ `"..................I will also, ......refuse this.`@` ...I won't explain the reason."`\ meta_ld r,$BUT_DefA1,80 ;「違うぜ。@……説明しないんじゃない。@出来ないんだ。@………その手で、チェックメイトなんだろ…？」@ `"That's wrong.`@` ......It's not that you won't explain, `@`it's that you can't explain it.`@` .........With this move, have we reached checkmate...?"`@ textoff fede 0,2000 ;meta_ld l,$BEA_fukigenA2,80 mcl l,24 ;「……………………………く…。」\ `"........................Ku..."`\ meta_cl a,0 meta_ld c,$BUT_odorokiA1,24 bgm1 53 ;「お前にできないなら、俺が説明してやる。@………お前が真里亞に渡した封筒には、確かに礼拝堂の鍵が入っていた。@…そして真里亞はこれを手提げにしまい、翌朝に楼座叔母さんがここから取り出して鍵を開けた。」\ `"If you can't do it, then I'll explain.`@` .........The key to the chapel really was in the envelope that you handed to Maria.`@` ...Then Maria put it in her handbag, and the next morning, Rosa oba-san took it out and opened the lock."`\ meta_ld c,$BUT_nayamuA2,80 ;「…………しかしッ！@　真里亞は手提げを完全な監視下に置けなかった！@　魔法なんか必要ない。@/ `"............However!`@` Maria didn't have the handbag under her complete supervision!`@` There's no need for magic. `@/ se1v 2,100 ;人間に可能な密室トリックだ！」\ `It's a closed room trick that's possible for a human!"`\ meta_ld c,$BUT_futekiA1,80 mbg key1,22 ;「ニンゲンである犯人は、真里亞に鍵を渡し、@翌朝、楼座叔母さんに使わせることで、その間が密室であったかのような幻想を作り上げたんだ。」\ `"The human culprit handed Maria the key, `@`and by making Rosa oba-san use it the next morning, they created the illusion that there was a closed room during that time."`\ meta_ld c,$BUT_OdorokiA1,80 ;「お前はその間、真里亞の手提げの中から、犯人が鍵を取り出し、使用して、@朝までに手提げに戻した可能性を否定できないッ！！」\ `"You can't deny the possibility that during that time, the culprit took the key from Maria's handbag, used it, `@`and returned it by morning!!"`\ mcbg 0 mcl c,0 meta_ld l,$BUT_OdorokiA1,24 ;「赤で言えるか？！@/ `"Can you say it in red?! `@/ se1v 2,100 meta_ld l,$BUT_OdorokiB1,1 ;　復唱要求、言えるもんなら言ってみやがれ！！@　もう一度チェックだッ！！！」\ `Repeat it, if you can say it, then say it!!`@` It's check again!!!"`\ mcl a,23 meta_ld r,$BEA_fukigenA1,24 ;「ま、……まだだ。@チェックを外す…。@…鍵の入った封筒は封蝋で封印されていたはず…！@　楼座は未開封の封筒から…、」\ `"N, ......not yet.`@` I remove the check...`@`...The envelope with the key in it should have been sealed with wax...!`@` Rosa took it from an unopened envelope..."`\ meta_ld l,$BUT_niramuA2,24 ;「そうかい、なら言ってみやがれ！！@/ `"Really, then try saying it!! `@/ se1v 2,100 meta_ld l,$BUT_OdorokiB1,1 ;　復唱要求！！@　“昨日の昼の時点で渡した封筒と、楼座叔母さんが開封した封筒は同一のものである”。」@ `Repeat it!!`@` 'The envelope handed over midday yesterday and the envelope that Rosa oba-san opened are the same thing'."`@ mcl l,23 meta_ld r,$BEA_aseruA1,80 ;「そ、それは復唱できる。@/ `"Th, that I can repeat. `@/ se2 59 ;#ff0000妾が真里亞に渡した封筒と、楼座が開封した封筒は同一のものであるぞ#ffffff！！」\ `#ff0000The envelope that I handed over to Maria and the one Rosa opened are the same thing#ffffff!!"`\ meta_ld l,$BUT_niramuA1,80 ;「……はぁ…！@　…あぁあぁ、駄目だぜ、全然駄目だ。@そんなの、もうどうでもいいことだろうが。@/ `"......Haah...!`@` ...Aaaaah, it's useless, it's all useless.`@` That probably doesn't matter anymore. `@/ meta_ld l,$BUT_NayamuA2,80 ;…俺は期待したぜ。@……ここで降参したなら、少しは読めてるヤツだと思った。@……だからガッカリだ。@ `...I expected that.`@` ......I thought that if you had resigned here, you might be pretty good at reading between the lines.`@` ......So I'm disappointed.`@ br ;…………(あんた、俺の期待を裏切ったぜ/・・・・・・・・・・・・・・)？」\ ;＜あんた、俺の期待を裏切ったぜ：点処理 `.........`(`You've betrayed my expectations`/・・・・・・・・・・・・・・)`."`\ lsp bgsp,":c;bmp\background\efe\black.bmp",0,0 print 22 ;「な、…………に、……おぅ………ッッ！！」\ `"Wh, ............wha, ......aat.........!!"`\ lsp bgsp,letter1,0,0 print 22 ;「封筒が同じものなんて大したことじゃない。@……封蝋なんて何度でも打てるんだしな！@　中身の鍵だろ、大事なのは。」@ `"It isn't important whether the envelopes are the same thing.`@` ......Because envelopes can be sealed with wax over and over!`@` The key inside should be the important thing."`@ br ;「…く、…………………くぅううぅッ………。」\ `"...Ku, ..................kuuuuuuu........."`\ csp bgsp print 26 meta_ld l,$BUT_odorokiA1,80 ;「これで今度こそ仕舞いだぜ、黄金の魔女。@本当のチェックメイトだ。@……もう一度求めるぜ、復唱要求だッ！！@　言えるもんなら言ってみやがれッ！」\ `"This time, it's all over, Golden Witch.`@` It's a real checkmate.`@` ......I'll ask one more time, repeat it!!`@` If you can say it, try saying it!"`\ se1v 2,100 mcl a,0 mbg white,1 mcbg 0 meta_ld l,$BUT_OdorokiB1,2 ;「“真里亞が受け取った封筒の中の礼拝堂の鍵は、楼座叔母さんが開封するまで、一度も使用されていない”ッ！！」\ `"'The key to the chapel inside the envelope Maria received wasn't used even once until Rosa oba-san opened the envelope'!!"`\ meta_cl l,0 meta_ld r,$BEA_aseruA1,24 ;!s0「………………ッ、/ ;!d500…………く、/ ;!d800……………こ、/ ;!d400……ッ……！@　この………、/ ;!d500わ、/ ;!d300……私が………ッッ、/ ;!d600人間風情にィ………！！」\ !s0`"..............., `/ !d500`............Ku, `/ !d800`............how, `/ !d400`............!`@` How........., `/ !d500`c, `/ !d300`......could I........., `/ !d600`to a lowly human.........!!"`\ !sd meta_ld l,$BUT_OdorokiA1,23 ;「何度でも繰り返すぜベアトリーチェッ！！！@/ `"I'll keep on saying it, Beatrice!!! `@/ se1v 2,100 meta_ld l,$BUT_OdorokiB1,80 ;　復唱要求ッッ！！@　“真里亞が受け取った封筒の中の礼拝堂の鍵は、楼座叔母さんが開封するまで、一度も使用されていない”！！」\ `Repeat it!!`@` 'The key to the chapel inside the envelope Maria received wasn't used even once until Rosa oba-san opened the envelope'!!"`\ lsp bgsp,":c;bmp\background\efe\black.bmp",0,0 meta_cl a,0 print 1 ;「……ぅ、く、……おおおおおおおおぉおおおおおおおおッ！！！」\ `"......ooh, ku, ......ooooooooooooooooooooooooooohhh!!!"`\ csp bgsp meta_ld c,$BUT_nayamuA2,22 ;「吼えるならば口にしろ、リザインだったな！@　これで決まりだぜ！！@　これが真相だ。」\ `"If you're gonna yell, then say it, you resign!`@` It's decided!!`@` This is the truth."`\ mcl a,0 mbg MAP05,22 ;「真里亞の鍵は、楼座叔母さんが今朝、手に入れるまでの間に一度、何者かの手に渡ったんだ。」\ `"Before Rosa oba-san obtained Maria's key this morning, at one point, it passed to someone else's hands."`\ se1v 2,100 mbg white,1 mbg MAP06,2 ;「そして鍵を使用して封蝋をし、あたかも未使用であるかのように見せ掛けて真里亞の手提げに戻したんだ！」\ `"Then they used it, resealed it, and returned it to Maria's handbag, making it look like it hadn't been used!"`\ ;「封蝋が解かれていないから鍵が未使用であるという思い込みが盲点の安っぽいトリックだったんだ！！」\ `"This is a trick with a cheap loophole, the assumption that the key wasn't used because the sealing wax wasn't opened!!"`\ se1v 2,100 mbg white,1 mcbg 0 mcl a,0 meta_ld l,$BUT_odorokiB1,22 ;「チェックメイト！！@　魔法なんかじゃない、人間に可能なトリックに過ぎないッ！！」\ `"Checkmate!!`@` There's no magic, it's nothing more than a trick that's possible for humans!!"`\ meta_cl l,0 meta_ld r,$BEA_aseruA1,24 ;「な、ならば…、その鍵を奪ったのは誰だというのか！@　答えて見せろ！@　お前が今度は復唱して見せろ…！！」\ `"I, in that case..., who do you say stole the key?!`@` Try answering!`@` This time, you try repeating it...!!"`\ meta_ld l,$BUT_nayamuA2,23 ;「そうだな、お前にばかり復唱させた。@たまには俺が答えなきゃならないだろうぜ……。\ `"That's right, I'm making you repeat things all the time.`@` I probably have to answer every once in a while......`\ se1v 2,100 br meta_ld l,$BUT_OdorokiB1,1 ;「(だが拒否する/・・・・・・)ッ！！@　俺の勝利条件は魔女の存在を否定することだぜ。@貴様の魔法による不可能犯罪を、人間の手でも可能であることを証明するところまで！！」\ `"`(`But I refuse`/・・・・・・)`!!`@` My condition for victory is denying a witch's existence.`@` I'll prove that this impossible crime with your magic is possible by human hands!!"`\ meta_ld l,$BUT_NayamuA1,80 ;「俺はお前の密室を人間にも可能だと打ち破った。@だが、だから誰が犯人だと具体的に追及はしない。」\ `"I've smashed your closed room with something possible even for humans.`@` However, I won't specifically investigate who the culprit is."`\ meta_ld l,$BUT_OdorokiA1,80 ;「なぜなら、俺は人間を信じてるからだッ！！@　俺たちの中に、真里亞から鍵を奪い、それを使ってあんな酷ぇことをしてのける人間がいるなんて、断じて認めないからだッッ！！」\ ;＜だが拒否する：点処理 `"Because I believe humans!!`@` Because I definitely won't accept that there's a person among us who would steal the key from Maria, use it, and do something so horrible!!"`\ meta_ld r,$BEA_akuWaraiA3,80 se1v 37,100 ;「ふ、ふっふふふふふはっはっはっはっはっはっはっはッ！！！@　降参だ、リザイン！@　この盤面についてだけは一度、降参しよう。@/ `"Heh, hehehehehhahahahahahahaha!!!`@` I give up, I resign!`@` Just once, for this board, I'll give up. `@/ meta_ld r,$BEA_futekiA1,80 ;…だが、やはりお前は甘いな、戦人ぁ。」\ `...But, you really are naive, Battler."`\ meta_ld l,$BUT_niramuA2,80 ;「捨て台詞は敗者の特権だぜ。@好きに楽しめよ。」\ `"Parting remarks are a loser's privilege.`@` Say as many as you want."`\ meta_ld r,$BEA_aseruA1,80 ;「……く…！@　妾の存在を否定し続ける以上、そなたはやがて追い詰められることになるぞ…。」\ `"......Ku...!`@` Since you continue to deny my existence, you will eventually be cornered..."`\ meta_ld r,$BEA_fukigenA1,80 ;「何しろ、妾を否定する以上、そなたの愛して止まない親族たちを疑うことにならざるを得ないのだからな…！@　そなたは、愛しい者を疑わざるを得ない最後の瞬間、妾の存在を必ず認めるだろう…！！」\ `"After all, since you deny me, you will have to suspect those relatives that you can't stop loving...!`@` In the last moment, when you have to suspect one who is beloved to you, then you will definitely accept my existence...!!"`\ meta_ld r,$BEA_akuwaraiA4,80 ;「くっくっくっく、確かにこの盤面だけはそなたに取られた。@……しかし、その指し筋の甘さは必ず身を滅ぼすぞ…。@……お前はやはり私には勝てぬのだ！！@　右代宮戦人ぁあああああぁああああああああああッ！！」\ `"*cackle*cackle*, certainly, you have taken only this board.`@` ......However, that naive logic will definitely destroy you... `@`......You can't win against me after all!!`@` Ushiromiya Battleeeeeeeeeeeeeeeeeeeer!!"`\ textoff meta_ld r,$BEA_akuwaraiA3,80 wait 1000 ;▲第１１アイキャッチ：１０月５日（日）０７時１５分　から　０７時３０分に進む eye1 7,15,7,30,1,0,510,340,30 *umi2_12 ;■屋敷の客間。@ mov %play_scene,102 bg M1F_S1cR,6 me1v 12,40 ;　…楼座たちは礼拝堂から屋敷の客間に戻っていた。@ ;　早朝からあれだけのことがあったのだ。@ ;　神経が参らないわけもない…。\ `...Rosa and the rest returned from the chapel to the parlor in the mansion.`@ `So many things had happened since early in the morning.`@ `Of course they were high-strung...`\ textoff bg black,22 bg M1F_S1dR,22 se1 13 quakey 3,500 me2 11 ;　両親たちの惨たらしい姿を見て、泣いたり激怒したりと感情を破裂させていた戦人と譲治は、@客間に戻りソファーに腰掛けると、それまでが嘘だったように放心するのだった…。\ `Battler and George, who had cried, raged, and let their emotions explode after seeing their parents' tragic bodies,`@` returned to the parlor and sat in the sofas, dazed, as though everything up until then had been a lie...`\ bg black,24 bg M1F_S1aR,0 ld c,$MAR_DefA1,24 ;　真里亞だけはまったく変わらず普段通りに見えた。@ ;　……悪ふざけをしていない時は、基本的に無口でひとりで遊んでいる子だから、@仮に放心していたとしても、そう見えてしまうのかもしれない。\ `Only Maria was completely unchanged, and looked just like normal.`@ `......When she wasn't playing pranks, she was basically a kid who played wordlessly by herself,`@` so even if she was dazed, she would probably look as she did.`\ ;　…でも、テレビをつけてチャンネルをいじるその様子は、普段と何も変わらないように見えた。\ `...But as she turned on the TV and flipped through the channels, it looked as though nothing about her had changed from normal.`\ bg black,22 ;　そんな、明らかに普通の人と違うセンスに、楼座は何か思うところがあるのだろうか。@ ;　……微笑ましいのとは少し違う眼差しで、彼女はじっとその背中を見ているのだった。\ `Did Rosa think anything in particular about this attitude, which was clearly different from normal people?`@ `......She stared at Maria's back with a gaze that wasn't quite pleasant.`\ bg M1F_S1bR,0 ld c,$KUM_DefA1,26 ;　やがて、熊沢がやって来て朝の挨拶をした。@ ;　…その朗らかな様子は明らかに場違いで、彼女は客間の異様な雰囲気に面食らわずにはいられなかった。\ `Eventually, Kumasawa came to say good morning.`@ `...Her cheerful manner was clearly out of place, and she couldn't help but be bewildered at the strange atmosphere in the room.`\ bg black,22 ;　……そして、郷田から経緯を聞き、実に騒がしく驚くのだった。\ `......Then, she heard the details from Gohda, and was really noisy and shocked.`\ E_M2 bg M1F_S1cR,0 ld r,$KUM_komaruA1,24 me2v 5,40 ;「ももも、もちろん警察には連絡したんですよね…？！@　こういう時はどうすればいいんでしょう、おぉ、どうすればいいんでしょう…！」@ ;＜熊沢 `"O o o, of course you've contacted the police, right...?!`@` What should we do in a time like this, oooh, what should we do...?!"`@ ld l,$GOH_MajimeA1,23 ;「………落ち着いて聞いてください。@…どうも昨夜の落雷で何かの機械がやられたようなのです。@それで電話が使えなくなっておりまして…。」\ ;＜郷田 `".........Please calm down and listen.`@` ...It seems that a machine was somehow done in by lightning last night.`@` Because of that, we haven't been able to use the phones..."`\ ld r,$KUM_OdorokiA1,80 ;「えぇえぇッ！！@　じゃ、じゃあ台風が過ぎるまで、警察にも連絡できないんですか？！」@ ;＜熊沢 `"Eeeehhh!!`@` Th, then, until the typhoon passes, we can't even contact the police?!"`@ ;　熊沢の大袈裟な驚き方が少しだけ滑稽だったのかもしれない。@ ;　楼座はこんな状況にもかかわらず、くすりと笑ってしまう。@ `Maybe Kumasawa's exaggerated surprise was a little comical.`@ `Even in this kind of situation, Rosa giggled.`@ br ;　……それによって、少しだけ頭を覆っていた混乱の霧が晴れるのだった。\ `......Because of that, the fog of confusion that had covered her head cleared up a little.`\ bg black,25 ld r,$ROS_komaruA1,0 bg M1F_S1dR,25 ;「………私がしっかりしなきゃ。@……真里亞だけじゃない。@……譲治くんも戦人くんも、今は私が親代わりなんだから、しっかりしなきゃいけない……。」\ `".........I've got to stay strong.`@` ......It's not just Maria.`@` I'm acting as a parent for George-kun and Battler-kun too, so I have to stay strong......"`\ ;　楼座は、他の兄弟から大きく歳の差のある末っ子だった。@ ;　だからいつも子ども扱いだった。\ `Rosa had been the youngest sibling, with a large difference in age between her and the others.`@ `So she was always treated as a child.`\ ;　自分が新しく覚えたことは、いつも兄や姉たちにとって当り前のことで、@自分が無能に違いないとコンプレックスを抱いてきた。@ `Every time she learned something new, it was something obvious to her brothers and sister,`@` and she had grown a complex, thinking that she must be incompetent.`@ br ;　そのため、何かある度に兄や姉たちに指示を乞う受身な体質になってしまっていた…。\ `So she had formed a passive attitude, asking her brothers and sister for advice every time something happened...`\ bg black,22 ;　………しかし、もう兄も姉もいない。@ ;　今や右代宮４兄弟は楼座ひとり。@ `.........But she no longer had any brothers or sisters.`@ `Now, Rosa was the only one of the four Ushiromiya siblings left.`@ br ;　…しかも金蔵がこの非常事態に及んでも、まだ引き篭もりを続けるなら、@……楼座が当主の代行としてこの危機を乗り越えなくてはならないのだ。\ `...Furthermore, if Kinzo continued to shut himself away even in this extraordinary situation,`@` ......Rosa had to surpass this crisis as the representative of the head.`\ bg M1F_S1aR,22 ld c,$ROS_MajimeA1,26 ;「……………私はもう子どもじゃない、子どもじゃない。@……………………………。」@ ;　…楼座は膝を軽く叩くと立ち上がる。@ `"............I'm not a child anymore, not a child.`@` ....................."`@ `...Rosa slapped her knees lightly and stood up.`@ br ;　今は自分が指示待ちではいけない。@ ;　…自分から動かなくてはならないのだ。\ `She must not wait for orders now.`@ `...She had to start moving herself.`\ bg black,24 ;　そしてサイドテーブルの内線電話の受話器を取る。@ ;　……そしてすぐに、電話が故障していることを思い出す。@ `She picked up the receiver to the extension phone on the side table.`@ `......Then she immediately remembered that the phones were down.`@ br ;　金蔵のところへ行かせた源次と紗音がまだ戻らないのだ。\ `Genji and Shannon, who she had sent to see Kinzo, hadn't returned yet.`\ ;　…大方想像はつく。@ ;　また何か支離滅裂なことを怒鳴りだし、収拾が付かなくなっているのだろう。@ `...She had a general guess.`@ `He was probably yelling about something nonsensical again, unable to control himself.`@ br ;　…大事な礼拝堂が血で汚されたのだ。@ ;　それは想像に容易だった。\ `...His important chapel had been defiled with blood.`@ `That was easy to imagine.`\ bg M1F_S1bR,25 ;　内線電話で書斎に電話をしようと思ったのが、電話が故障では仕方がない。@ ;　楼座は自分の足で書斎に直接、赴くことにする。\ `She had planned on using the extension phone to call the study, but unfortunately, the phones were broken.`@ `Rosa decided to go to the study directly, with her own two feet.`\ ;　かつての自分なら、金蔵のところへ行くなんて、恐ろしくてできない。@ ;　…実際、会えば何か難癖を付けられて罵られるだろう。@ `Her old self would be so frightened that she wouldn't have been able go to see Kinzo.`@ `...If she actually met him, she would probably be blamed for something and abused.`@ br ;　しかし今は恐れている場合じゃない。@ `But now wasn't a time to be frightened.`@ ;　………実の娘の自分が、現状を伝え認識させなければならないのだ。\ `.........As his true daughter, she had to make him aware of the current situation.`\ bg M1F_S1cR,22 ld r,$ROS_nayamuA1,24 ;「……熊沢さん。@私はお父様のところへ行ってきます。@…特に譲治くんと戦人くんの二人をお願いします。@……きっとだいぶ神経が参ってると思うの。」\ `"......Kumasawa-san, `@`I'm going to see Father.`@` ...Take special care of George-kun and Battler-kun.`@` ......I believe they are surely on edge right now."`\ ld l,$KUM_MajimeA1,23 ;「えぇえぇ…。@それはそうでございましょうとも…。@…本当にお気の毒なことです…。@何か温かい飲み物でも作ってあげることにいたします。」@ `"Yes, yes...`@` That may be true...`@`...It is truly pitiable....`@` I shall make them something warm to drink."`@ ld r,$ROS_majimeA1,80 ;「ありがとう。」\ `"Thank you."`\ ;se1 16 bg black,23 bg M1F_P2bR,23 ;　楼座は廊下へ出て、金蔵の書斎へ向かう。@ `Rosa went out into the hallway, and headed towards Kinzo's study.`@ br ;　少女時代を過ごし、たくさんの思い出が詰まったはずの屋敷の空気が、どこか違っているような気がした…。\ `The atmosphere in this mansion, which she had spent her younger days in and should have been full of memories, seemed somehow different...`\ bg black,24 bg Mhal_2aR,22 me1v 13,40 ;　そして玄関ホールの階段を登っていく…。@ `Then she began to climb the stairs in the entrance hall...`@ br ;　……その時。@ ;　楼座が背中を向ける階下のホールの薄暗闇で、…何かが光った。\ `......Just then.`@ `In the thin darkness down the stairs behind Rosa's back, ...something glowed.`\ se1 22 bg butterfly_1a,22 ;　それはひらひらと舞う、一匹の黄金の蝶。@ ;　…ひらひらと舞い、ちかちかと輝く。@ `It was a single fluttering gold butterfly.`@ `...It fluttered around and sparkled.`@ ;　その蝶は、音もなく静かに舞う。@ `That butterfly quietly danced without a sound.`@ br ;　……当然だ。@ ;　蝶が羽ばたく音など聞こえるわけもない。@ `......Obviously.`@ `No one can hear the sound of a butterfly's wings beating.`@ se2 26 br ;　………そして階段をゆっくり登っていく楼座の背中に、……止まる。\ `.........And then, ......it stopped on Rosa's back as she slowly climbed the stairs.`\ bg Mhal_2bR,0 ld c,$ROS_komaruA1,22 ;　楼座は気付かない。@ `Rosa didn't notice.`@ ;　そして知らぬ者が見たとしても、蝶の形をした金箔が一枚、張り付いてるくらいにしか見えないだろう。@ `And even if someone who didn't know saw it, they probably wouldn't have seen anything but a single sheet of gold leaf in the shape of a butterfly which had been stuck there.`@ br ;　楼座は気付かず、そのまま金蔵の書斎へ向かっていく……。\ `Without noticing, Rosa continued heading to Kinzo's study......`\ textoff cl c,2 wait 2000 se1 37 wait 1000 se2 52 gosub *BEA_isyou1 ld r,$BEA_akuwaraiA1,99,2000,"breakup.dll/llp" ;「………さぁて次はどう遊ばせてもらおうか。@…まだまだ駒はいくらでもある。@…くっくっくっくっくっくっくっく…！」\ `".........So, how will you entertain me with this next one?`@` ...There are still many, many pieces left.`@` ...*cackle*cackle*cackle*cackle*...!"`\ textoff se3 27 bg white,1 wait 1000 bg black,2 ;＜私服ベアト ;■時間経過シーン〜客間 wait 2000 dllefe 1,1 bg M_o1bR,2 mevol 1,70 mevol 2,70 wait 3000 bg black,5 dllefe_off wait 1000 bg M1F_S1aR,22 me1v 12,40 mevol 2,40 me3 11 ;　シンと静まり返った客間の中は、真里亞がひとりで見ているテレビの音だけ聞こえていた。@ `In the parlor, which had returned to silence, the only sound was that of the TV, which Maria was watching alone.`@ br ;　それ以外に聞こえるものがあったとしたら、それは昨日から延々と降り続けている雨の音だけだった。\ `If there was anything audible other than that, it was the sound of the rain which had continued on and on since last night.`\ ;　この世のものと思えぬ惨状を見てきた者たちは、この今朝の出来事が全て夢であって欲しいと祈るかのように皆、無言を貫いていた。\ `Every one of those who had viewed that unearthly and horrible scene stayed silent, as though praying that the events of this morning were all a dream.`\ bg M1F_S1dR,22 ;　熊沢だけはそれを見ていなかったため、少しだけ雰囲気が違った。@ `Because Kumasawa alone hadn't seen that, she acted slightly differently.`@ br ;　…むしろこの沈黙が居辛く、何とかみんなを励ましてやりたいとそわそわしていた。@ ;　…しかし、余計なことを話し掛けるわけにもいかず、自分が役に立てることは何かと思案しているようだった…。\ `...She thought that this silence was more difficult to bear, and went around trying to encourage everyone.`@ `...However, it seemed that she was planning to be of some use, even though she had to be careful what she talked to them about...`\ ;　本来なら朝食の時間だ。@ ;　……しかし、あんなことがあった為か、郷田はその準備をもう忘れてしまっているようだった。@ `Normally it would be time for breakfast.`@ `......However, maybe it was because something like that had happened, but Gohda seemed to have forgotten to prepare a meal.`@ br ;　…いや、誰もが空腹感を忘れてしまうほどに打ちのめされているのだろう。\ `...No, maybe everyone was so beaten up that they had forgotten their hunger.`\ ;　熊沢は、朝食をどうしようかと切り出そうかと思ったが、そういう空気でもないようで、とても口に出来ない。@ `Kumasawa wanted to bring up the subject of what they would do for breakfast, but it didn't seem like the right atmosphere, so she really couldn't.`@ br ;　しかしお腹は空いて辛かった。@ ;　…その為、さりげなく、こう提案した。\ `But it was difficult being hungry.`@ `...So, she casually made a proposal.`\ bg M1F_S1cR,22 ld r,$KUM_DefA2,24 ;「…皆さんもいろいろあってお疲れでしょう。@……こういう時は温かい紅茶で体を温めるのが一番ですよ。」@ ;＜熊沢 `"...It seems that everyone is tired after all that has happened.`@` ......In times like this, I think the best thing is to heat yourself with some warm black tea."`@ ld l,$NAN_fumuA1,23 ;「……うむ、それは良い提案ですな。@私も賛成です。」\ ;＜南條 `"......Hmm, that is a good plan.`@` I agree as well."`\ ld r,$KUM_WaraiA1,80 ;「ほっほっほ。@おいしい紅茶に、ジャムを塗ったビスケットなどいかがですか。@そうそう、ハロウィンの時期が近いみたいで、カボチャ型のおいしそうなクッキーが棚にありました…。」@ `"Hoh-hoh-ho.`@` How about some delicious black tea with biscuits and jam?`@` Yes, yes, it seems that it is near Halloween, and there are some delicious-looking pumpkin-shaped cookies on the shelf..."`@ ld l,$NAN_KomaruA4,80 ;「……あ、熊沢さん、それは………、」\ ;＜南條 `"......Ah, Kumasawa-san, that's........."`\ E_M3 se1 21 textoff bg white,62 bg cha_i1a,1 wait 300 bg pumpkin2,1 wait 300 bg blood_1a,1 wait 300 bg M1F_S1d,2 ;　それはもちろん失言だった。@ `Of course, she had said the wrong thing.`@ ;　…戦人たちの脳裏にあの礼拝堂の、凄惨なハロウィンパーティを思い起こさせたからだ…。@ `...Because she had reminded Battler and the rest about that horrible and tragic Halloween party in the chapel...`@ br ;　南條が大急ぎで、熊沢の耳にこそこそと囁く。\ `Nanjo hurriedly whispered into Kumasawa's ear.`\ bg M1F_S1aR,0 ld r,$BUT_KuyasigaruA1,26 ;「……………………………………。」@ ;＜戦人 `"........................"`@ ld l,$KUM_KomaruA1,23 ;「……戦人さん、本当にすみません！@　…悪気はなかったんですよ、えぇ…。」@ ;＜熊沢 `"......Battler-san, I am truly sorry!`@` ...I didn't mean anything bad, yes..."`@ ld r,$BUT_NiramuA1,80 ;「いや、気にしてねぇぜ。@………この煮えくり返るような怒りは、絶対ぇ犯人にお返ししてやるぜ。」\ ;＜戦人 `"No, don't worry about it.`@` .........I'll definitely turn this boiling anger back on the culprit."`\ ld c,$GEo_MajimeA1k,23 ;「………その犯人は、まだこの島にいるのかな。」@ ;＜譲治 `".........I wonder if that culprit is still on the island."`@ ld r,$BUT_futekiA1,80 ;「いるだろうな。@何しろ、台風が過ぎるまで船は来ないんだ。」@ ;＜戦人 `"Probably.`@` At least, until the typhoon passes, no boat will come."`@ ld l,$KUM_odorokiA1,80 ;「え、…えぇ、そうですとも！@　船はちょっとの風でも欠航しますからねぇ。@ましてや台風では、絶対に船になんか乗れませんよ、えぇ！」\ ;＜熊沢 `"Y, ...yes, that is true!`@` Because the boats don't come even if there is a little wind.`@` They certainly wouldn't come during a typhoon, yes!"`\ ld c,$GEO_KomaruA1,80 ;「……気持ち悪いな。」@ ;＜譲治 `"......It creeps me out."`@ ld r,$BUT_NayamuA1,80 ;「兄貴もそう思うのか。@俺もだぜ。@………犯人が、例の謎の来客かどうかは捨て置いてもだ。」\ `"You think so too, Aniki?`@` Me too.`@` .........Whether the culprit was that mystery guest or not."`\ ;＜戦人 textoff fede 0,2000 ;bg M1F_S1cR,0 ;ld c,$NAN_MajimeA1,24 bg black,22 bgm1 20 bg portrait3,22 ;「そうですな。@……私たちはついつい、ベアトリーチェを名乗る謎の来客を怪しがってしまいますが、@まだ犯人と決まったわけではありません。@ `"That's right.`@` ......We've just naturally suspected the mysterious guest who calls herself Beatrice, `@`but we still cannot be sure that she is the culprit.`@ ;　…彼女が、(まだ死体の出ていない犠牲者/・・・・・・・・・・・・・)である可能性も残っている。」\ ;＜南條 ;＜まだ死体の出ていない犠牲者：点処理 `...There is still the possibility she's a` br (`victim whose body still hasn't been found`/・・・・・・・・・・・・・・・・・)`."`\ bg black,2 bg M1F_S1bR,23 ld r,$GEO_MajimeA2,24 ;「……それを考えると、どうしても理解できないことがあるんだ。」@ ;＜譲治 `"......When I think of it that way, there's something I just can't understand."`@ ld l,$GOH_komaruA2,23 ;「それは……、どういうことでしょうか……？」\ ;＜郷田 `"What......, do you mean by that......?"`\ cl r,23 ld r,$BUT_KomaruA3,24 ;「簡単さ。@さっき、熊沢の婆ちゃんの言った通りだよ。@この島は今、台風の真っ只中で脱出不能だ。@それは犯人だって同じさ。@………なら、犯人にとって、犯行発覚は可能ならもっとも避けたいことのはずだ。」\ ;＜戦人 `"It's simple.`@` It's just like Kumasawa baa-chan said a short while ago.`@` Right now, this island is right in the midst of the typhoon, and escape is impossible.`@` The same thing goes for the culprit.`@` .........In that case, having the crime come to light should have been the thing that the culprit most wanted to avoid."`\ ld l,$GOH_komaruA1,80 ;「……そうですね。@…礼拝堂の入り口に、あんな不気味な魔法陣を描いて、ここに死体があります等とアピールする必要はありませんね。」\ ;＜郷田 `"......That's right.`@` ...There was no need to draw that creepy magic circle on the entrance to the chapel, and show off the fact that the corpses were there."`\ ld r,$BUT_NayamuA1,80 ;「そうさ、そういうことなんだ。@さらに言えば、あの６人にあんな惨たらしいことをするだけの手間を掛けられたなら、@……６人の死体を発見不能な場所に隠すことだって可能だったはず。」\ ;＜戦人 `"Right, that's what it means.`@` Furthermore, if they were able to take the time and effort to do something so horrible to those six people, `@`it should have been possible for them to hide the six corpses where they would be impossible to find."`\ bg black,22 bg cha_i1a,8 ;「同感だね。あの残酷なハロウィンパーティは多分、死んだ人たちに向けられたものじゃない。@……やがて発見する僕たちへ向けたものなんだよ。@魔法陣は、その為のアピールだと言い切れるだろうね。」\ ;＜譲治 `"I agree. That brutal Halloween party probably wasn't directed at those who died.`@` ......It was directed at the people who would eventually discover it, us.`@` You could probably claim that the magic circle was there to show it to us."`\ bg black,5 dllefe 1,1 bg M_o1aR,22 me2v 12,40 ;「…犯人はこの島からしばらく逃げられないことを知っている。@……にもかかわらず、台風の真っ最中に死体を見つけさせたいような真似をした。@……こりゃ、どういうことなんだ。@…俺が犯人だったなら、死体を見つけさせるような真似は絶対にしないんだが。」\ ;＜戦人 `"...The culprit knew that they wouldn't be able to run away from this island for a while.`@` ......And yet, they acted as though they wanted to make us find the corpses in the middle of this typhoon.`@` ......What, does this mean?`@` ...If I was the culprit, I definitely wouldn't play around and make us find the corpses."`\ bg black,25 dllefe_off wait 100 bg M1F_S1aR,0 ld r,$GOH_iiwakeA1,22 ;「…………ベアトリーチェさまはお部屋におられませんでした。@…特に部屋が荒らされていた様子もありませんし。@……あ、いえ、お嬢様がだいぶ荒らしてしまいましたが…。」\ ;＜郷田 `"............Beatrice-sama was not in her room.`@` ...The room did not seem particularly disturbed.`@` ......Ah, no, Milady did disturb it quite a lot though..."`\ textoff fede 1,2000 ld l,$BUT_OyaA1,23 ;「…そういや、朱志香は？」@ ;＜戦人 `"...Come to think of it, what happened to Jessica?"`@ ld r,$GOH_defA1,80 ;「嘉音さんが様子を見てくれています。@…多分、お嬢様のお部屋におられるでしょう。」@ ;＜郷田 `"Kanon-san is looking after her.`@` ...They are probably in Milady's room."`@ ld c,$GEO_MajimeA3,23 bgm1 6 ;「…………よくないね。@…犯人は間違いなく、まだこの島にいる。@……今の状況下で、少人数で孤立することはそれほどいいことだとは思わない。」\ ;＜譲治 `"............That isn't good.`@` ...The culprit is definitely still on the island.`@` ......In this situation, I don't believe it's a very good idea to isolate ourselves in small numbers."`\ bg M1F_S1cR,0 ld r,$KUM_odorokiA1,24 ;「そ、それはどういう意味ですか…。@ま、ま、まさか、犯人は私たち全員を殺すつもりだと仰るんですか…！@　あわわわわわわわわ…。」@ ;＜熊沢 `"Wh, what do you mean by that...?`@` Y, y, you don't mean to say that the culprit plans to kill all of us...?!`@` Awawawawawawawawa..."`@ ld l,$NAN_komaruA1,23 ;「落ち着きましょう…。@まだそうと決まったわけではありません…。」\ ;＜南條 `"Let us remain calm...`@` That is not yet certain..."`\ cl r,23 ld r,$BUT_nayamuA1,24 ;「ところが悔しいことに、その可能性も否定できねぇんだよなぁ。いっひっひ。@/ `"But even if it's stressful, we can't deny that the possibility exists. Ihihi. `@/ ld r,$BUT_NiramuA1,80 ;……この手紙が礼拝堂にあった。@これによるならば、犯人は魔女さまで、@祖父さまの碑文の謎を解いて黄金を見つけなきゃ、一族郎党皆殺しにする…、みてぇなことを言っている。」\ ;＜戦人 `......This letter was in the chapel.`@` According to this, the culprit is the witch, `@`and if we don't solve the riddle of Grandfather's epitaph and find the gold, they'll massacre the whole family..., something like that."`\ ld c,$GOH_OdorokiA1,23 ;「それは本当ですか…！@　その、私にも読ませていただいてよろしいですか…。」@ ;＜郷田 `"Is that true...!`@` Umm, would you allow me to read it as well...?"`@ cl r,23 ld r,$KUM_OdorokiA1,24 ;「ひ、ひ…、ひ、ひええええぇえええええぇぇえぇ…ぇえぇぇぇぇ…っ…。」@ ;＜熊沢 `"Hi, hi..., hi, hieeeeeeeeeeeeeeeeeeee... eeeeeeeeee...hh..."`@ ld l,$NAN_KomaruA2,80 ;「……うむむむむむむむ……。」\ ;＜南條 `"......Umumumumumumumu......"`\ se1 1010 ;　魔女の手紙を読む、郷田と熊沢、そして南條の顔がそれまで以上に青ざめていく…。@ ;　もう熊沢は震えを隠さなかった。\ `As they read the witch's letter, Gohda, Kumasawa, and Nanjo's faces grew even paler than they had been...`@ `Kumasawa could no longer hide her shaking.`\ bg black,23 bg M1F_S1bR,23 ld l,$BUT_OyaA1,23 ;「………死にたくなかったら、祖父さまの隠し黄金を見つけてみろ、か。@/ `".........If you don't want to die, try finding Grandfather's hidden gold, is it? `@/ ld l,$BUT_KuyasigaruA1,80 ;…ふざけやがって。@てめぇじゃ解けない謎だから、俺たちに解かせようって腹に決まってるぜ…！」\ ;＜戦人 `...Screwing around with us.`@` I'll bet you can't solve the riddle, so you're trying to make us solve it...!"`\ bg black,25 bg M1F_S1dR,22 ;「しかし、…実際のところはどうなんでしょう。@奥様は常々、黄金伝説はお館様が作られた幻想に過ぎないと言い切られておりました。@……本当に実在するものなのかは怪しいところですよ…。」\ ;＜郷田 `"However, ...I wonder what the truth is.`@` Madam always stated that the Legend of the Gold was nothing more than an illusion created by the Master.`@` ......It is doubtful whether that actually existed..."`\ ;「そうですな…。@あったらいいなとは思いつつ半信半疑だったはずです。@……親族の皆さんが黄金伝説を信じ始めたのは、金蔵さんが健康を崩して遺産問題が浮上してからです。@それまでは信じている人はほとんどいなかったと思います。」\ ;＜南條 `"True...`@` Supposedly, they thought it would be nice if it existed, and only somewhat believed it.`@` ......All of the relatives started believing in the Legend of the Gold after Kinzo's health worsened and the inheritance problem came up.`@` I believe there are very few people who believe it very much."`\ bg black,22 bg gold1,22 ;「…そうか、それでかな。@覚えてるかい？@　礼拝堂のテーブルの上。@…黄金のインゴットが３つあったね。@あれだけでも相当の価値があるよ。@あれはまさに、黄金伝説は実在することを証明してるんじゃないかな。」\ ;＜譲治 `"...Really, is that so?`@` Do you remember?`@` On the table in the chapel.`@` ...There were three gold ingots.`@` That alone is worth quite a lot.`@` Couldn't that truly prove that the Legend of the Gold was real?"`\ bg M1F_S1aR,0 ld r,$KUM_KomaruA1,26 E_B ;「あ、…あの、…お待ち下さい。@今、黄金が３つと仰いましたか……？」@ ;＜熊沢 `"E, ...excuse me, ...please wait.`@` Just now, did you say three gold bars......?"`@ ld l,$BUT_majimeA1,23 ;「……あぁ、確かに３つが積み上げてあったぜ。@それが何だってんだ？」\ ;＜戦人 `"......Yeah, there were definitely three of them piled up.`@` So what?"`\ ld r,$KUM_MajimeA1,80 bgm1 34 ;「あのその私、………旦那様がお話しになっているのを聞いたことがあるんです。@……えぇ、聞いただけでございますよ？！@　別にこっそりお話に聞き耳を立てていたわけではございませんとも、えぇ！」@ ;＜熊沢 `"Well, umm, I, .........happened to hear Krauss-sama say something.`@` ......Yes, I just heard it, right?!`@` It's not like I was trying to listen to secret discussions, yes!"`@ ld l,$BUT_nayamuA2,80 ;「今は気にしないぜ。@それで何だってんだ。@あの金塊が３つじゃ何かまずいってのか？」\ ;＜戦人 `"Don't worry about that now.`@` So then what?`@` What's wrong with there being three of those gold bars?"`\ ld r,$KUM_KomaruA1,80 se1 21 ;「…え、えぇ。@旦那様が仰るには、…黄金伝説を裏付ける黄金は、１つしか見付かっていないのだそうです。」\ ;＜熊沢 `"...Y, yes.`@` According to Krauss-sama, ...there was only one bar ever found to support the Legend of the Gold."`\ bg M1F_S1bR,0 ld r,$NAN_fumuA1,24 ;「……そうでしたな。@確か、金蔵さんがマルソーの会長さんに黄金の山を見せて、その一本を持ち帰らせた、というような話だったはずです。」\ ;＜南條 `"......That is correct.`@` I do believe the story goes that Kinzo-san showed the president of Marusoo a mountain of gold, and let him take one bar back with him."`\ ld l,$KUM_MajimeA1,23 ;「その１つをですね、旦那様はお持ちになられていたのです。@そして、こうも仰っておりました。@お館様の黄金伝説を裏付ける黄金はこれ１つしかないとも…。」@ ;＜熊沢 `"And that one came to be in Krauss-sama's possession.`@` And, he also said that there was no gold which supported the Master's Legend of the Gold besides that one..."`@ cl r,0 ld r,$BUT_KomaruA2,24 ;「旦那様って、蔵臼伯父さんの話だよな？@　ってことは何だ？@/ `"You're talking about Krauss oji-san here?`@` So what does that mean? `@/ ld r,$BUT_OdorokiA2,80 ;　……じゃなくて、……３つ？！@　おいおい、どこから出てきたんだよ、多すぎるぜ？！」\ ;＜戦人 `......No wait, ......3?!`@` Wait, wait, where did they come from, that's too many, right?!"`\ bg M1F_S1aR,0 ld r,$NAN_majimeA1,23 ;「こうは考えられませんか。@他の親族の方もそれぞれ見つけておられて、それを１つずつ持ち寄られたとか…。」\ ;＜南條 `"Might you not think of it this way?`@` Maybe the other people in the family each found one, and they each brought one of them there..."`\ ld l,$GOH_MajimeA1,23 ;「いや、私はそうは思えません。@親族の皆さんがお屋敷に来られた時、私は皆さんのお荷物を預からせてもらっています。@その時、不審な重さは感じませんでした。」\ ;＜郷田 `"No, I cannot believe that.`@` When all of the relatives came to the mansion, I was entrusted with their luggage.`@` I did not feel a suspicious weight back then."`\ bg M1F_S1bR,0 ld l,$GEO_MajimeA1k,24 ;「……あれは１０ｋｇくらいはあったと思う。@そんな重さが荷物に入っていたら、僕だって気付くよ。@でもそんな雰囲気はなかった。」@ ;＜譲治 `"......I think those would weigh about 10kg.`@` If that much weight was in their bags, even I would notice.`@` But it didn't seem that way."`@ ld r,$BUT_NayamuA1,24 ;「うちも同じだぜ。@せいぜい着替えと常備薬、霧江さんの化粧道具。@そんなもんだったと思う。@楼座叔母さんの荷物も軽そうに見えたぜ。」\ ;＜戦人 `"Same here.`@` At the most, there were some changes of clothes, medicine, Kyrie-san's makeup.`@` Stuff like that, I think.`@` Rosa oba-san's luggage also looked pretty light."`\ ld l,$GEO_KomaruA1,80 ;「……となると、その３つ積まれた金塊は、彼ら、あるいは僕らに示されたものということになるね。@……黄金伝説は間違いなく存在する。@幻想なんかじゃない。@それを暴いてみろと。」@ ;＜譲治 `"......In that case, those three piled up gold bars were being shown to them...or maybe us.`@` ......The Legend of the Gold is definitely real.`@` It isn't an illusion.`@` They're trying to force us to uncover the gold."`@ cl r,23 ld r,$GOH_komaruA1,23 ;「それの隠し場所を示した、…あの碑文を私たちに解かせて、横取りしようという魂胆でしょうか。」\ ;＜郷田 `"Could there be a scheme, ...to have us solve the epitaph which points to the hidden location, and then try to snatch it away?"`\ bg black,23 bg M1F_s1aR,0 ld c,$BUT_niramuA1,23 ;「…………確かにそれが一番筋が通る。@…しかし腑に落ちない点もいくつかあるぜ。@まず、碑文を一番解けそうな人物である親たちが真っ先に殺されてる。@これはいきなり矛盾があるように思う。」\ `"............That does fit.`@` ...But there are a couple parts that don't make sense.`@` First, our parents, who should have been the most likely to solve the epitaph, were killed first.`@` I think that suddenly creates a contradiction."`\ ld c,$BUT_NayamuA2,80 ;「………そしてここがもっと腑に落ちない。@……黄金伝説は実在するって言って、 `".........And something else makes even less sense.`@` ......If they're trying to say that the Legend of the Gold is actually true,` br ;(どうして黄金が積めるんだ/・・・・・・・・・・・・)。@……まるで犯人はもう、自分だけは黄金を見つけていて、@お前らも見つけてみろって言ってるみたいに見えるじゃないか。」\ ;＜戦人 ;＜どうして黄金が積めるんだ：点処理 (`why would they pile up that gold`/・・・・・・・・・・・・)`?`@` ......It's almost like the culprit has already found the gold...`@`and is telling us to try and find it too."`\ ld r,$GEO_majimeA3k,24 ;「犯人も蔵臼伯父さんのように、その３本を手に入れ黄金伝説を確信し、@残りを僕らに探させようとしている…、と考えるのが一番しっくり来るね。」\ ;＜譲治 `"Maybe the culprit, like Krauss oji-san, obtained those three and is therefore certain about the Legend of the Gold, and is trying to make us search for the rest...`@` I think that way fits the best."`\ ld c,$BUT_KuyasigaruA1,80 ;「…………………………。@……チェス盤に、駒がちっとも並ばねぇ。@…………犯人が何を企んでいて、何をしたいのか、何をさせたいのかがさっぱりだ。@…………無駄なのか？@　何を考えても、今の時点では。@…………………………。」\ ;＜戦人 `"..................`@`......The pieces on the chessboard aren't lined up at all.`@` ............We don't have a clue what the culprit is planning, what they want, what they want to make us do.`@` ............Is it pointless?`@` No matter what we think, at this point in time...`@`..............."`\ bg M1F_S1bR,0 ld l,$MAR_AkuwaraiA2,23 me2v 16,40 ;「……きひひ。@書いてあるよ。@何をさせたいかは。@みんなは文字、読めないのかなぁ、きひひひひひひひひひ。」@ ;　真里亞が急に気味の悪い声で笑い出す。\ `"......Kihihi.`@` It was written down.`@` What she wanted to do.`@` Couldn't anyone read it, kihihihihihihihihihi."`@ `Maria suddenly laughed in a creepy voice.`\ ;　…テレビに集中しているのかと思ったが、こちらにも耳を向けていたらしい。@ `...I'd thought she had been concentrating on the TV, but she was also listening in, apparently.`@ br ;　彼女はテレビの方を向いたまま、…非常にシンプルに、俺たちが失念していたことを教えてくれた。\ `As she remained facing the TV, ...she very simply told us what we were forgetting.`\ ld l,$MAR_ikariA1,80 ;「ベアトリーチェは、黄金が欲しいなんて一言も言ってないよ。@……ベアトリーチェは、碑文の謎をみんなが解けるか解けないか、それしか聞いてないんだよ。@/ `"Beatrice hasn't said once that she wants the gold.`@` ......I haven't heard that she's said anything except talking about whether we can solve the riddle of the epitaph or not. `@/ ld l,$MAR_AkuwaraiA1,80 ;…どうせ無理だろうって思ってるに違いないけどね。@……きひひひひひひひひひひひひひひひひひ。」\ `...Although I think it's just impossible.`@` ......Kihihihihihihihihihihihihihihihihi."`\ ld r,$BUT_MajimeA1,24 ;「……真里亞には、それが解けるってのか？」\ ;＜戦人 `"......So you're saying you can solve it, Maria?"`\ ld l,$MAR_AkuwaraiA3,80 ;「…知ぃらない。@だって、真里亞は黄金郷へ連れてってもらうんだもん。@ベアトリーチェの邪魔なんかしないよ。@/ ;!s0きひひひひひひひひひひ、あ痛。」/ `"...Do-n't know.`@` After all, she'll take Maria to the Golden Land.`@` Won't get in Beatrice's way. `@/ !s0`Kihihihihihihihihihihi, ouch."`/ ld l,$MAR_fukigenA1,1 se1 7 quakey 3,200 !sd\ ld r,$BUT_nayamuA2,80 ;「どうやら、これ以上を知るには、真里亞に話を聞く他ないようだな。@…真里亞、聞かせてもらうぜ。@……………ベアトリーチェってのは何者だ。@何を企んでるんだ。」\ ;＜戦人 `"In any case, it looks like to understand any more than this, there's nothing we can do except ask Maria.`@` ...Maria, tell us.`@` ............Who is this Beatrice?`@` What is she planning?"`\ ld l,$MAR_WaraiA2,80 ;「きっひひひひひひひひひひひひひひひひ！@　ベアトリーチェはね、魔女なの！@　不思議な力で何でもできる。@/ `"Kihihihihihihihihihihihihihihihihi!`@` You know, Beatrice is a witch!`@` She can do anything with her strange power. `@/ ld l,$MAR_AkuwaraiA2,80 ;魔法の力で何でもできる。@黄金も生み出せるしパンも生み出せる。@もちろんお菓子だって生み出せるよ？@　見たでしょ？@　きっひひひひひひひひひひひひひひひひひひひひひひひ！」\ `Anything can be done with the power of magic.`@` You can even create gold, even create bread.`@` And of course, you can create sweets, right?`@` You saw, didn't you?`@` Kihihihihihihihihihihihihi hihihihihihihihihihihi!"`\ E_A se1 16 bg black,62 ;　その時、力強く扉を閉める音がして皆ははっとした。\ `At that time, everyone jumped at the sound of a door being closed forcefully.`\ bg M1F_s1aR,0 ld c,$GEN_DefA1,0 ld r,$ROS_majimeA1,0 ld l,$SHA_fumanA1,64 ;　振り返ると、いつの間にか楼座が、源次と紗音を連れて帰ってきていた。\ `When we turned around, Rosa had suddenly returned, bringing Genji and Shannon.`\ bg M1F_S1bR,0 ld r,$MAR_AkuwaraiA2,24 ld l,$ROS_ikariA3,23 ;　……そして、踵を鳴らしながら早足に真里亞に近付くと、びしゃりとその頬を打った。\ `......Then she rapidly approached Maria, her heels squeaking, and hit her on the cheek.`\ textoff se1 6 quakex 3,300 ld r,$MAR_fukigenA1,80 ld l,$ROS_ikariA4,80 me1v 13,40 ;「……そんな話はやめなさい。@戦人くんたちが気を悪くするでしょう。」@ ;＜楼座 `"......Stop talking about that.`@` Battler-kun and the rest will take it badly."`@ ld r,$MAR_komaruA1,80 ;「………………うー…。」@ `"...............Uu-..."`@ textoff se1 6 ld r,$MAR_sakebuA1,1 quakex 3,300 br ;　問答無用でもう一度その頬を打つ。@ ;　その様子に、一同は呆然とするしかない。\ `Without waiting for a response, she hit Maria's cheek once more.`@ `Everyone could only stand there, shocked.`\ ld l,$ROS_MajimeA1,80 ;「うーではわからないわよ。@はいは？」@ `"I don't know what uu- means.`@` What about yes?"`@ ld r,$MAR_fukigenA1,80 ;「……………うー。」\ `"............Uu-."`\ textoff se1 7 bg black,1 quakex 3,300 br ;　容赦なくもう一度頬を打つ。@ `She mercilessly hit Maria's cheek again.`@ br ;　……二度も頬を打たれては、反抗する気も起きなかったろう。@ ;　真里亞は力なく、ハイと口にする。\ `......Maybe she didn't feel like resisting after being hit twice.`@ `Maria weakly said yes.`\ bg M1F_S1cR,24 ld r,$NAN_MajimeA2,24 ;「ろ、……楼座さん、そこまで酷くすることはない…。」@ ;＜南條 `"R, ......Rosa-san, there was no reason to do something so harsh..."`@ ld l,$ROS_ikariA3,23 ;「…娘に対する教育です。@口は挟まないでいただきます。」\ ;＜楼座 `"...This is my daughter's education.`@` Do not interrupt."`\ ;　源次と紗音を従える楼座の雰囲気は、どこか冷たく、だけれども威厳があり、@…出て行った時とはまるで雰囲気が違った。@ `The atmosphere around Rosa, accompanied by Genji and Shannon, was somehow cold, and yet dignified,`@` ...completely different from how she had seemed before she left.`@ br ;　見れば、楼座叔母さんは銃のようなものを持っている。@ ;　……まさかこの状況で玩具を持ってくるとは考えられない。\ `We saw that Rosa oba-san was holding something that looked like a gun.`@ `......I couldn't imagine that she would be holding a toy in this situation.`\ bg black,23 bg M1F_S1aR,0 ld l,$GEO_KomaruA1,23 ;「楼座叔母さん、それは…？」@ ;＜譲治 `"Rosa oba-san, what is...?"`@ se1 21 ld r,$ROS_MAjimeA1,24 se2 43 ld r,$ROS_MAjimeA1G,26 ;「……お父様のものです。@このような事態ですので、特別に借りてきました。@………みんなだってわかってるはず。@犯人はまだ、近くにいるのですから。@何があるかわからない。」\ ;＜楼座 `"......This is Father's.`@` Because of the current situation, I borrowed it specially.`@` .........Everyone should understand.`@` The culprit is still nearby.`@` We don't know what could be there."`\ ld l,$GEO_MajimeA3k,80 ;「……………同感です。@……犯人が何を企んでいるかを探るよりも、僕たちは身の安全を先に考えた方がいいかもしれない。」@ ;＜譲治 `"............I agree.`@` ......Rather than trying to figure out what the culprit is planning, it might be better to first think about our own safety."`@ ld c,$MAR_fukigenA1,23 me2v 5,40 ;「………………………。」\ ;＜真里亞 `"........................."`\ ld r,$ROS_NayamuA1,80 ;「お父様はご無事でしたが、突然の出来事に多少、取り乱していました。@…幸いにも、部屋からは出ないと言っていますので、安全でしょう。@あと、私たちは極力、同じ場所に集まるべきです。」\ ;＜楼座 `"Father was alright, but he was slightly distracted by these sudden events.`@` ...Fortunately, he said that he won't leave his room, so he's probably safe.`@` Now, we should do all we can to gather in the same place."`\ bg M1F_S1bR,0 ld r,$BUT_oyaA1,24 ;「…同感だぜ。@相手がどこに潜んでいるのかもわからねぇし、……何しろ、ひとりという保証もねぇんだ。@……………っ。」@ ;＜戦人 `"...I agree.`@` We don't even know where the culprit is hiding, so, ......anyways, there's no proof that there's only one of them.`@` ............"`@ me3v 16,40 br ;　自分で口にして、ぞっとする。\ `I said it myself, and shivered.`\ ;　そうだ。@６人を殺し、あれだけの惨たらしい細工をたったひとりでこなせるだろうか。@ ;　……複数犯が犯行を行なったと考えるのが自然じゃないか。\ `That's right.`@` Could a single person kill six people and create such a horrible scene all alone?`@ `......Isn't it natural to assume that this crime was carried out by multiple culprits?`\ bg M1F_S1cR,24 ld l,$NAN_MAjimeA1,23 ;「……楼座さんに同感です。@私たちは一所に集まるのが良いでしょうな。」@ ;＜南條 `"......I agree with Rosa-san.`@` It is probably good for us to gather in one place."`@ ld r,$KUM_komaruA1,24 ;「えぇえぇ、私もそれが良いと思いますよ、えぇえぇ！」\ ;＜熊沢 `"Yes, yes, I also think that is good, yes, yes!"`\ ld c,$GOH_iiwakeA1,23 ;「………お嬢様たちも、もうそろそろこちらへお呼びした方がいいかもしれません。」\ ;＜郷田 `".........Maybe it would be good to call Milady and Kanon-san here by now."`\ bg M1F_S1aR,0 ld r,$GEO_majimeA1,23 ;「そうだね。@……もう降りて来てもらおう。」@ ;＜譲治 `"That's right.`@` ......Let's have them come down."`@ br ;　譲治の兄貴が内線電話を取ろうとすると、郷田さんが首を振る。@ ;　……そうだ、電話は今、使えなくなっているんだっけ。\ `George-aniki tried to grab the extension phone, but Gohda-san shook his head.`@ `......That's right, we couldn't use the phones right now.`\ se1 21 ld l,$BUT_majimeA1,23 ;「……俺と何人かで行ってこよう。@譲治の兄貴に郷田さんも来てくれれば十分だろ。」\ ;＜戦人 `"......I'll go with a couple people.`@` If George-aniki and Gohda-san also come, that should be enough."`\ cl r,23 ld r,$ROS_majimeA1,24 ;「…………いいえ。@みんなで一緒に行きましょう。@/ `"............No.`@` Let's all go together. `@/ se3 26 ;…“狼と羊のパズル”なのよ。@ `...It's a 'Wolves and Sheep Puzzle'.`@ br ;(私たちがここに揃い安定しているなら/・・・・・・・・・・・・・・・・・)、この状態が一番安全。」\ ;＜楼座 ;＜私たちがここに揃い安定しているなら：点処理 (`If we're all gathered together in equilibrium`/・・・・・・・・・・・・・・・・・)`, that situation is the most safe."`\ ld l,$BUT_oyaA1,80 ;「…“狼と羊のパズル”ぅ？」@ ;＜戦人 `"...'Wolves and Sheep Puzzle'?"`@ ld c,$MAR_WaraiA1,24 ;「……うー。@真里亞、持ってるよ。@見せてあげる。」\ ;＜真里亞 `"......Uu-.`@` Maria, has it.`@` Show you."`\ ld r,$ROS_ikariA3,80 E_M3 ;「真里亞、テレビを消しなさい。@……源次さん。@朱志香ちゃんの部屋を教えてください。@みんなで行きましょう。」\ ;＜楼座 `"Maria, turn off the television.`@` ......Genji-san.`@` Please tell me where Jessica-chan's room is.`@` Let's all go together."`\ bg M1F_S1bR,0 ld r,$GEN_DefA1,23 ;「……はい。@ご案内いたします。」@ ;＜源次 `"......Yes.`@` I will guide you."`@ ld l,$ROS_MajimeA1G,23 ;「さぁ、みんな。@一緒に行動するわよ。@私の指示に従って。」\ ;＜楼座 `"Come on, everyone.`@` We'll move together.`@` Follow my instructions."`\ ;　俺たちは腰を上げる。@ `We stood up.`@ ;　真里亞だけはテレビに未練があるようだったが、みんなに合わせて一応、腰を上げた。\ `Maria alone looked like she had some regrets about the TV, but she went along with everyone for now, and got up.`\ bg black,23 bg M1F_S1aR,23 ld r,$GEO_majimeA2,24 ;「…紗音、よかった。@戻りが遅いから少し心配してたよ。」@ ;＜譲治 `"...Shannon, thank goodness.`@` I was worried when you took so long to get back."`@ ld l,$SHA_majimeA2,23 ;「ご心配をお掛けしました。@お館様より筆耕のご命令があったもので…。」@ ;＜紗音 `"I am sorry to have worried you.`@` The Master ordered me to copy down something..."`@ ld r,$GEO_majimeA1k,80 ;「筆耕？」\ ;＜譲治 `"Copy down?"`\ ld c,$GEN_KomaruA1,23 ;「…………紗音。」@ ;＜源次 `"............Shannon."`@ ld l,$SHA_KomaruA1,80 ;「す、………すみません、失礼しました…。」\ ;＜紗音 `"I, .........I am sorry, excuse me..."`\ textoff bg black,22 me3v 12,0 cross1 2000,0,0,40,0,0 bg M1F_P1bR,23 wait 2000 bg black,23 bg Mhal_2aR,23 ;■廊下〜玄関ホール〜二階へ mov %play_scene,102 ;　俺たちは、銃を構えた楼座叔母さんと源次さんを先頭に、朱志香の部屋を目指した。\ `We headed for Jessica's room, with Rosa oba-san, holding the gun, and Genji-san in the lead.`\ ;　朱志香と嘉音くんは歳の近い男女だ。@ ;　お邪魔しちゃ悪いタイミングだったら気の毒だよなー、なんて軽口は普段ならきっと叩いていたと思う。@ `Jessica and Kanon-kun were a boy and a girl of about the same age.`@ `That'd sure be a shame if we walked in on them at a bad ti-me, or at least that's what we would be joking about normally.`@ bgm1 14 br ;　しかし、楼座叔母さんはぴりぴりしていて、緊張感を常に剥き出しにしていた。@ ;　…なので、とてもそんな軽口を叩ける雰囲気ではなかったのだ。\ `However, Rosa oba-san was on edge, constantly overflowing with a sense of tension.`@ `...So it really wasn't the kind of atmosphere where we could joke like that.`\ bg black,24 bg Mhal_2bR,0 ld r,$ROS_ikariA1G,24 ;「ほらっ、遅れないで！！@　みんな一緒に行動するの！@　犯人はいつどこから飛び掛ってくるかわからないのよ？！」\ `"Hey, don't fall behind!!`@` Everyone move together!`@` We don't know when or where the culprit might leap out at us, right?!"`\ ;　…いや、楼座叔母さんの態度の方が正しいのかもしれない。@ `...No, maybe Rosa oba-san's attitude was more appropriate.`@ ;　……祖父さまが降りてこない以上、楼座叔母さんがリーダーなのだ。@ ;　いつものように、微笑んでいればいいような事態ではない。\ `......Since Grandfather hadn't come down, Rosa oba-san was the leader.`@ `This wasn't a situation where she could smile like she always did.`\ ;　……それに、楼座叔母さんだって母親なのだ。@ ;　自分がしっかりしなければ、愛娘に危害が及ぶかもしれないという思いもあるのだろう。\ `......And Rosa oba-san was herself a mother.`@ `She probably also thought that, if she didn't get a hold of herself, some harm might befall her beloved daughter.`\ bg black,25 bg blood_1b,25 ;　犯人は親父たちを６人も一度に殺してる。@ ;　……どうやって殺したのかは不明だが、それだけの大量殺人を瞬時にやってのける恐ろしい相手である可能性は高い。@ `The culprit had killed six of our parents at once.`@ `......The method they had used was unknown, but there was a good chance that this opponent could take down a large number of people in an instant.`@ br ;　武器か、人数か。@ ;　……それとも、魔女なだけに魔法なのか。\ `Was that with weapons, or with numbers?`@ `......Or was it the magic of a witch?`\ ;　いずれにせよ、油断していい要素はまったく見当たらない…。@ ;　楼座叔母さんのように、俺たちももっともっと警戒心を強めていかなくてはならないのだ…。\ `In any case, it definitely didn't look like an element we could get careless about...`@ `The rest of us should also take much, much greater care, like Rosa oba-san...`\ bg M1F_P1bR,0 ld c,$ROS_aseruA1G,22 E_B se1 30 ld c,$ROS_ikariB1G,26 ;「…………みんな、止まって！」@ ;　楼座叔母さんが鋭い声をあげる。@ `"............Everyone, stop!"`@ `Rosa oba-san spoke in a sharp voice.`@ br ;　何事かと思い、前方に目を凝らした時。@ ;　……俺たちはすぐにその理由に気が付いた…。\ `We wondered what it was, and when we peered forwards...`@ `......we immediately noticed the reason...`\ bg black,22 se1v 33,90 bg magicsquare_moon1,1 me1v 16,40 wait 2000 ;「………な、……何ですかこれは……。」@ ;＜熊沢 `".........Wh, ......what is this......"`@ ;「ひッ、……………！」@ ;＜紗音 `"Hee, ............!"`@ ;「皆様、お下がりを…！」\ ;＜郷田 `"Everyone, get back...!"`\ bg black,22 bg M_door1,22 ;　郷田さんと源次さんが、扉に近付いて行く…。@ ;　多分、その扉の向こうが朱志香の部屋なのだろう。\ `Gohda-san and Genji-san approached the door...`@ `Beyond the door, was probably Jessica's room.`\ ld r,$GOH_iiwakeA2,24 ;「これは、……礼拝堂の扉に落書きしていたのと、同じ塗料のようですね。」@ ;＜郷田 `"This, ......seems to be the same paint that was scribbled on the door to the chapel."`@ ld l,$GEN_MajimeA1,23 ;「……そのようです。@書かれて、まだ時間がそう経っていないように見えます。」\ ;＜源次 `"......It appears so.`@` It appears that not much time has passed since it was drawn."`\ bg black,23 bg M1F_P1dR,23 ld r,$BUT_komaruA1,24 ;「何だありゃ……。@……また、…魔法陣かよ？！」@ ;＜戦人 `"What is that......`@`......another, ...magic circle?!"`@ ld l,$MAR_NiyariA1,23 ;「……月の１の魔法陣だね。@…開かぬ扉を開く力があるよ。」\ ;＜真里亞 `"......It's the first magic circle of the moon.`@` ...It has the power to open unopened doors."`\ bg black,25 se1 27 bg white,1 bg magicsquare_moon1,2 me2v 13,40 ;　朱志香の部屋の扉には、……あの礼拝堂の扉に書かれていた不気味な落書きがされていた。@ `The door to Jessica's room, ......had that creepy scribble on it which had been drawn on the door to the chapel.`@ br ;　……怪しげな図形にはきっとオカルト的な意味合いがあるに違いない。@ ;　しかしその意味は今はどうでもいい。@ ;　朱志香たちが無事かどうかが心配だった。\ `......That strange pattern definitely had some meaning related to the occult.`@ `But it didn't matter what that meaning was.`@ `We were worried about whether those two were alright.`\ bg M1F_P1dR,0 ld r,$GEO_ikariA1,26 ;「そ、そんなことはどうでもいいよ！@　朱志香ちゃんと嘉音くんは無事なの？！」@ ;＜譲治 `"Th, that doesn't matter!`@` Are Jessica-chan and Kanon-kun alright?!"`@ ld l,$NAN_KomaruA4,23 ;「…嫌な予感がしますな…。@早く朱志香さんたちを連れて下に降りましょう。」\ ;＜南條 `"...I have a bad premonition...`@` We should quickly take those two downstairs."`\ bg black,24 bg M_door1,24 ld r,$GOH_OdorokiA1,24 se2 19 ;「お嬢様！@/ `"Milady! `@/ se3v 19,80 ;　お嬢様！！@/ `Milady!! `@/ se1v 19,90 ;　おられますか？@/ `Are you there? `@/ se2v 19,100 ;　お返事をお願いします！！」@ ;＜郷田 `Please answer!!"`@ br ;　郷田さんが、荒々しくノックをしながら叫ぶが、…何の返事もなかった。@ ;　がちゃがちゃとドアノブも捻るが、施錠の手応えが返ってくるだけだった。\ `Gohda-san knocked violently and yelled, ...but there was no answer.`@ `He gripped the doorknob with a clatter, but the lock just resisted him.`\ cl l,24 ld l,$GEN_KomaruA1,23 ;「……楼座さま、鍵がかかっているようです。」@ ;＜源次 `"......Rosa-sama, it seems to be locked."`@ ld c,$ROS_ikariA1G,24 ;「仕方ないわ。@開けてください。」@ ;＜楼座 `"There are no other options.`@` Please open it."`@ br ;　源次が頷くと、郷田はすぐにマスターキーで鍵を開ける。\ `Genji nodded, and Gohda quickly unlocked the door with the master key.`\ se1 31 bg black,22 ;　…俺の脳裏に、嫌な想像が次々に浮かんでは消える。@ ;　……礼拝堂の扉に魔法陣が書かれていた。@ ;　そしてその向こうには６人の死体があった。@ `...In the back of my mind, horrible images floated up and disappeared, one after another.`@ `......A magic circle had been drawn on the door to the chapel.`@ `And six corpses had been behind that.`@ br ;　……なら、朱志香の部屋の扉に魔法陣が書かれたなら、……その向こうには…………。\ `......So, if there was a magic circle drawn on the door to Jessica's room, ......then beyond it............`\ E_A se1v 16,90 ;「じぇ、…………朱志香さまッ！！」\ ;＜郷田 `"Je, ............Jessica-sama!!"`\ bg M_door1,0 ld c,$ROS_IkariB2G,22 bgm1 33 ;「ど、どうしたの。@いたの？！」@ ;＜楼座 `"Wh, what happened?`@` Is she there?!"`@ ld l,$BUT_OdorokiA1,24 ;「朱志香！！@　どうした！！」\ ;＜戦人 `"Jessica!!`@` What happened?!!"`\ bg black,22 ;　……本当に無情だった。@ ;　…扉を開き、郷田さんが口にした言葉と表情で、@…俺たちは朱志香の姿を見ずして、どんな過酷な運命が待ち受けているのかを覚悟することができた…。\ `......It was truly heartless.`@ `...The expression on Gohda-san's face and what he said when he opened the door, `@`prepared us for the brutal fate that Jessica might have met, even without seeing her...`\ bg white,22 bg MJES_1aR,2 me1v 13,40 ;　みんなが一度に朱志香の部屋に雪崩れ込む。@ ;　…その光景は、皆がそれぞれにしていた最悪の想像が的中していたことを教えてくれた…。\ `Everyone rushed into Jessica's room at once.`@ `...That scene told everyone that their worst fears were right on...`\ bg blood_1a,22 ;!s0「…朱志香ぁあああぁああぁッ！！！」/ !s0`"...Jessicaaaaaaaaaaaaaaa!!!"`/ quakey 4,500 !sd@ ;＜戦人 bg black,22 bg Mjes_1c,23 ld r,$ROS_aseruA1G,24 ;「………何て……こと……。@/ `".........How......horrible......`@/ ld r,$ROS_IkariA1,80 ;…な、…南條先生！！」\ ;＜楼座 `...D, ...Doctor Nanjo!!"`\ ;●朱志香死亡 mov %play_scene,110 seplay2 9,1061,100 mov %r_hyouji,0 bg black,25 bg blood_1b,22 ;　歳の割りに上品な感じのする室内に、朱志香の倒れた姿があった。@ ;　床には大きな血溜まり。\ `Inside the room, which seemed elegant for her age, Jessica had fallen over.`@ `There was a large pool of blood on the floor.`\ ;　……そしてその背中には、ナイフか何かのようなものが深々と突き刺さっていた……。@ `......And there was a knife or something sticking deep into her back......`@ br ;　…ナイフなんだろうか。@ ;　柄にはまるで悪魔をモチーフにしたとしか思えない意匠が施されている。@ ;　何かオカルト的な意味合いのある武器？に違いなかった。\ `...Was it a knife?`@ `There was a design in the handle that had to have been done in a devil motif.`@ `Was it a weapon with some occult meaning? Definitely.`\ bg black,22 bg MJES_1aR,0 ld r,$NAN_MajimeA2,26 ;「…これは、………酷い。@…お亡くなりになっています。@……これは、多分、肺まで届いてるでしょうな…。@……死んでからそう時間は経っていません。」@ ;＜南條 `"...This is, .........horrible.`@` ...She has passed away.`@` ......This, probably, reached her lungs...`@`......Not much time has passed since she died."`@ cl r,0 ld c,$BUT_NakuA1,24 ;「朱志香ぁあああぁあぁ！！@/ ;!s0　くそ、くそぉおおおおおぉおおおッ！！」/ `"Jessicaaaaaaaaaaaa!! `@/ !s0`Damn it, damn iiiiiiiiiiiiiiiiiit!!"`/ se1 12 quakey 3,200 se1 12 quakey 3,200 !sd@ ;＜戦人 ld l,$SHA_odorokiA1,23 ;「……ば、戦人さま……。」\ ;＜紗音 `"......B, Battler-sama......"`\ bg black,22 ;!s0「甘かった！！/ !s0`"I was naive!! `/ se1 9 quakey 3,200 ;@　わかってた！！/ @`I knew it!! `/ se1 8 quakey 3,200 ;@　島からは逃げられない以上、犯人は必ず近くにいたんだ！@　ならどうしてすぐに警戒しなかったんだ！！@　……甘えてたッ！！/ @`Since they couldn't escape the island, the culprit was definitely close by!`@` Then why didn't I get cautious sooner!!`@` ......I was naive!! `/ se1 12 quakey 3,300 ;@　犯人ってヤツは罪を犯したらこそこそと逃げて隠れてるもんだと思い込んでた！」/ @`I just assumed that the culprit would commit a crime and then sneak away!"`/ !sd\ ;＜戦人 bg MJES_1bR,22 ld l,$GEO_NakuA1k,23 ;「……あの時の僕たちは動転してた。@朱志香ちゃんが怒りに身を任せて駆け出すのも仕方がないことだと思ってた。@……でも、甘かったんだ。@止めるべきだった…！」\ ;＜譲治 `"......We were stunned then.`@` We thought it was just too bad that Jessica-chan gave in to rage and ran off.`@` ......But we were naive.`@` We should have stopped her...!"`\ bg MJES_1cR,0 ld r,$ROS_IkariA1,24 me2v 5,40 ;「…郷田さん、どうして朱志香ちゃんたちを放ってきちゃったの！@　あなたが一緒にいてくれたらこんなことには！！」\ ;＜楼座 `"...Gohda-san, why did you leave those two alone!`@` If only you had been with them, something like this...!!"`\ ld l,$GOH_OdorokiA1,23 ;「いッ、いえ、そ、…それはその！！@　私は危険ですから戻りましょうと言いました！@　ただその、お嬢様はひとりになりたいと申しまして！@　嘉音さんが、自分に任せて欲しいと言いましてそのッ！@/ `"N, no, t, ...that is, umm!!`@` I said it was dangerous so we should return!`@` It's just that, Milady said that she wanted to be alone!`@` Kanon-san told me to leave it to him, and...! `@/ ld l,$GOH_iiwakeA2,80 ;　……それを言ったら、嘉音さんはどこへ…？！」\ ;＜郷田 `......Speaking of which, where is Kanon-san...?!"`\ ;●嘉音行方不明 mov %play_scene,120 seplay2 9,1061,100 mov %r_hyouji,0 bg MJES_1aR,0 ld r,$GEO_ikariA2,23 ;「そうだ！@　嘉音くんは一体？！」@ ;＜譲治 `"That's right!`@` What in the world happened to Kanon-kun?!"`@ ld l,$SHA_odorokiA1,23 ;「か、……嘉音くん…。@どこに………。」@ ;＜紗音 `"K, ......Kanon-kun...`@` Where........."`@ cl r,23 ld r,$GOH_ikariA1,24 ;「嘉音さんはお嬢様と一緒にいたはずです…。@一体どこに…！」@ ;＜郷田 `"Kanon-san should have been with Milady...`@` Where in the world...!"`@ ld c,$BUT_KuyasigaruA1,23 ;「まさか、やられたんじゃないだろうな…？！」\ ;＜戦人 `"You don't think, they got him...?!"`\ bg MJES_1cR,24 ld r,$ROS_MajimeA1G,24 ;「…………………………………。@/ `"........................`@/ ld r,$ROS_ikariA1G,80 ;静かに。@………この部屋に誰か隠れているかもしれない。@ベッドの下やクローゼットなどを探して！」\ ;＜楼座 `Quiet.`@` .........Someone might be hiding in this room.`@` Search under the bed and in the closet."`\ bg black,22 ;　嘉音くんの死体がどこかに押し込まれている可能性もあった。@ ;　楼座さんの指示に、皆は一斉に室内を探す。@ `There was a chance that Kanon-kun's corpse had been pushed away somewhere.`@ `At Rosa-san's order, everyone searched throughout the room together.`@ br ;　……だが、人間一人がどこかに隠されているということはなかった。\ `......But there wasn't a single human hiding anywhere.`\ wait 2000 bg MJES_1aR,22 ld r,$BUT_OdorokiA1,64 ;「……どこにもないぜ！！@　まさか犯人に連れ出されたか？！@　なら早く探し出して助けないと！@　……もたもたしてるとヤバいことになるかもしれねぇぞ！！@　楼座叔母さん、屋敷内を捜索しよう！@　犯人を捜そう！@　嘉音くんを助け出そう！！」\ ;＜戦人 `"......He's nowhere!!`@` Could the culprit have taken him out of the room?!`@` Then we have to search for him quickly and save him!`@` ......If we're slow, something awful might happen!!`@` Rosa oba-san, let's search all over the mansion!`@` Let's search for the culprit!`@` Let's save Kanon-kun!!"`\ bg MJES_1e,22 ;「……………………。@/ `"...............`@/ E_A ;…………静かにッ！！！」/ `............Quiet!!!"`/ quakey 3,500 @ br ;＜楼座 ;　大きな声で楼座叔母さんが叫ぶと、俺たちは反射的に沈黙した。\ `When Rosa oba-san yelled at us with a loud voice, we fell instantly silent.`\ bg MJES_1aR,0 ld c,$ROS_KomaruA4G,26 me1v 12,40 ;　何かを黙考しているのだろう。@ ;　…しかし、一体、何だというのか……。@ `She was probably contemplating something.`@ `...However, what in the world could that be......?`@ br ;　…楼座叔母さんは、何かを探すように、…あるいは思考をまとめるように室内をぐるぐると歩き出す。\ `...Rosa oba-san walked around the room as though looking for something, or as though she was collecting her thoughts.`\ textoff bg black,24 bg MJES_1bR,24 wait 1500 bg black,24 bg MJES_1cR,24 wait 1500 bg black,24 bg MJES_1aR,24 wait 1500 bg black,24 bg Mjes_1dR,24 wait 1000 ;ld r,$ROS_MajimeA1,24 ;　…………すると、ベッド脇のサイドテーブルに何かを見つけ、それを摘み上げた。\ `............Then, she found something on the side table by the bed, and picked it up.`\ ld r,$ROS_majimeA1,26 ;「……………誰かわかる人、教えて。@……これは何の鍵かしら？」@ ;＜楼座 `"............If anyone knows, tell me.`@` ......Which key is this?"`@ se1 31 br ;　楼座叔母さんは、可愛らしいマスコットのついた鍵をみんなに見せた。@ `Rosa oba-san showed everyone a key with a cute mascot attached to it.`@ br ;　…その可愛らしい雰囲気から、朱志香の鍵であることは疑わないが、何の鍵なのかはわかりかねた。\ `...Judging from its cute appearance, I didn't doubt that it was Jessica's key, but I had no way of knowing what key it was.`\ bg Mjes_1cR,0 ld l,$GEN_MajimeA1,23 ;「……恐らく、この部屋の、…お嬢様のお部屋の鍵でしょう。」@ ;＜源次 `"......It is probably the key to this, ...to Milady's room."`@ br ;　その言葉を聞き、楼座叔母さんはわざわざ扉の外に出て、それを確認した。@ `After hearing that, Rosa oba-san made a point of going outside the door and checking.`@ br ;　………間違いなく、この部屋の鍵だった。\ `.........Without a doubt, it was the key to this room.`\ bg black,24 bg MJES_1dR,22 ld c,$ROS_MajimeA1,24 ;「…………どうしてこんなところに置いてあるのかしら。@普通、大事な鍵はポケットとかにしまわないかしら。」\ ;＜楼座 `"............I wonder why it was set in a place like this.`@` Normally, don't you keep an important key in your pocket?"`\ bg MJES_1aR,0 ld r,$SHA_KomaruA1,23 ;「…あの、…………お嬢様はご自分の部屋に施錠される習慣はあまりありませんでした。@ただ、学校に行かれる時だけは、@旦那様などに勝手に部屋を見られたくないと言って施錠されていたようですが…。」\ ;＜紗音 `"...Umm, ............Milady wasn't in the habit of locking her room.`@` It seems she would only do it when she went to school,`@` because she didn't want Krauss-sama to look inside her room..."`\ ld l,$ROS_nayamuA1,23 ;「………なるほど。@登校してるわけじゃないから、朱志香ちゃんがここに鍵を置くのは自然なことということね。@この扉を開けられる鍵はいくつあるの？」@ ;＜楼座 `".........I see.`@` She wasn't at school, so it's natural that Jessica-chan would set the key down here.`@` How many keys can open this door?"`@ ld c,$KUM_MajimeA2,24 me2v 16,40 ;「お、…お嬢様がお持ちのひとつだけですが…。」\ ;＜熊沢 `"J, ...just the one Milady had..."`\ ld l,$ROS_majimeA1,80 ;「あなたたちのマスターキーでは開けられないの？」@ ;＜楼座 `"Can't it be opened with your master keys?"`@ cl r,23 ld r,$GEN_DefA1,64 ;「……開けられます。」\ ;＜源次 `"......They can open it."`\ ld l,$ROS_NAyamuA1,80 ;「マスターキーは何本あるの？@　使用人の人は全員持ってるの？@　余剰分はある？」\ ;＜楼座 `"How many master keys are there?`@` Are all of the servants holding them?`@` Are there extras?"`\ bg MJES_1cR,0 ld r,$GOH_MajimeA1,24 ;「はい。@私たちは全員が持っています。@………余剰分は、…どうでしょう。」\ ;＜郷田 `"Yes.`@` We are all holding them.`@` .........As for extras, ...I wonder."`\ ld l,$SHA_fumanA1,23 ;「以前は何本かありましたが、…奥様に無用心だと強くお叱りを受けまして、対応が取られたはずです。」@ ;＜紗音 `"There used to be several, ...but Madam strongly scolded us that this was careless, so they should have been dealt with."`@ ld c,$GEN_DefA1,24 ;「……そうです。@私たち使用人が一本ずつ持つのみです。@それ以外は存在しません。」\ ;＜源次 `"......That is correct.`@` There is only one held by each servant.`@` There are no more."`\ se1 56 mevol 1,20 mevol 2,20 meta_set ;■メタ視世界 mov %play_scene,120 meta_ld r,$BUT_KomaruA2,24 ;「…ん？@　ちょいと待て。@…確か前回のゲームじゃ、マスターキーには余剰分があるって話じゃなかったのか？」@ ;＜戦人 `"...Nn?`@` Wait a second.`@` ...I think we talked about extra master keys in the last game, right?"`@ meta_ld l,$BEA_DefA1,23 ;「うむ。@それについてだがな。@所在不明のマスターキーが何本もあっては、妾にあまりに不利であることに気付いたのだ。」\ ;＜ベアト `"Hmm.`@` Well, regarding that.`@` I have noticed that having several master keys whose locations are unknown is quite disadvantageous for me."`\ Meta_ld r,$BUT_NayamuA2,80 ;「……そりゃあそうだろうよ。@密室で俺に魔法を信じさせたいお前にとっちゃ、想定外のマスターキーは非常に不利だろうよ。@…何しろ俺は、施錠に関するトリックが登場する度に、@過去に紛失したマスターキーやその複製を犯人が所持していてって論法で対抗していくつもりだったからよ。」\ ;＜戦人 `"......That's probably right.`@` Since you want to make me believe in magic by using closed rooms, it would be really disadvantageous for you if there were more master keys than we supposed.`@` ...In any event, every time a trick related to locks shows up,`@` I planned to resist by arguing that the culprit possessed a master key that someone had lost in the past, or a duplicate."`\ Meta_ld l,$BEA_AkuwaraiA1,80 ;「そうよ、その通り。@だから、そこを崩す一手を打たせてもらうことにした。@……設定を変更する。」\ `"Yes, that's correct.`@` So I've decided to make a move to defeat that.`@` ......I'll alter the setup."`\ se1 59 ;「#ff0000マスターキーは使用人たちがそれぞれ持つ一本のみ#ffffff。@くっくっくっく。」\ `"#ff0000The only master keys are the ones held by the servants, one key each#ffffff.`@` *cackle*cackle*"`\ meta_ld r,$BUT_niramuA3,80 ;「…ふざけやがって。@……それより。@こりゃあ、どういう手なんだ。@……楼座叔母さんは何を言っているんだ。」@ `"...Messing with me.`@` ......More importantly.`@` What is this move?`@` ......What's Rosa oba-san saying."`@ meta_ld l,$BEA_WaraiA2,80 ;「くっくっくっく。@さぁな？@　話に耳を傾けてみるが良かろう。」\ `"*cackle*cackle*.`@` Who knows?`@` You should try listening in."`\ meta_end mevol 1,40 mevol 2,40 ;■元の世界 mov %play_scene,120 bg MJES_1aR,0 ld c,$ROS_nayamuA1G,24 ;「……………ありがとう。@状況が整理できたわ。@/ `"............Thank you.`@` I have the situation sorted out. `@/ textoff fede 0,2000 ld c,$ROS_AkuwaraiA1G,80 bgm1 19 ;……そして朱志香ちゃんを襲った犯人、あるいはその一味のひとりを特定できたわ。」\ ;＜楼座 `......And I've been able to specify the culprit who assaulted Jessica-chan, or maybe one of their accomplices."`\ bg MJES_1cR,0 ld r,$BUT_OdorokiA2,24 ;「な、何だって…！@　それは誰だよ？！」@ ;＜戦人 `"Wh, what did you say...?!`@` Who is that?!"`@ ld l,$GEO_MajimeA3,23 ;「…まさか、楼座叔母さんは嘉音くんのことを言ってるんじゃないでしょうね…。」@ ;＜譲治 `"...Rosa oba-san, you couldn't be talking about Kanon-kun...?"`@ ld c,$SHA_OdorokiA2,24 ;「……え、……えぇッ？！@　か、嘉音くんがどうしてですか！」\ ;＜紗音 `"......Huh, ......eeeeh?!`@` Wh, why Kanon-kun?!"`\ bg black,25 bg MAP07,22 ;「この部屋は施錠されていたわ。@そしてこの部屋に施錠できる鍵は使用人のみんなが持っているマスターキーと、朱志香ちゃんが持っているこの鍵しかない。@……でも朱志香ちゃんの鍵はここに閉じ込められていた。@…ということは、施錠できたのはマスターキーしかありえないの。」@ ;＜楼座 `"This room was locked.`@` And the only keys that can unlock this room are the master keys that each servant is holding, as well as the key Jessica had.`@` ......But Jessica-chan's key was closed up in here.`@` ...Which means it is only possible that one of the master keys locked it."`@ ;「…………仰る通りです。」\ ;＜源次 `".........It is as you say."`\ bg black,22 bg MJES_1cR,0 ld c,$ROS_MAjimeA1,22 ld c,$ROS_IkariA4G,80 me1v 13,40 se1 21 ;「となれば、誰かが朱志香ちゃんを殺し、そして施錠したことになる！@　その人物はマスターキーを持っていたわ。@そしてマスターキーを持っていた人物は５人しかいない！」\ ;＜楼座 `"In that case, someone killed Jessica, then locked the door!`@` That person was holding a master key.`@` And there are only five people who are holding master keys!"`\ bg MJES_1bR,0 ld l,$KUM_OdorokiA1,23 ;「そ、そんな！！@　私ではありませんよ、私では！@　えぇ、そんなことできません！」\ ;＜熊沢 `"O, oh my!!`@` It wasn't me, not me!`@` Yes, I couldn't do something like that!"`\ ld r,$ROS_ikariA3G,24 ;「……熊沢さんは、朝が遅かった。@私たちが礼拝堂から客間に戻ってきて、そこで会ったわけだけど、@それまでの間、あなたがどこで何をしていたかは証明不能。@物陰から私たちをうかがっていて、孤立した朱志香ちゃんたちの後を追い、こっそり襲い掛かった。」\ ;＜楼座 `"......Kumasawa-san got up late.`@` After we returned from the chapel to the parlor, we did meet you there, `@`but it's impossible to prove where you were and what you were doing until that time.`@` You watched us from the shadows, chased after Jessica-chan and Kanon-kun when they were isolated, and stealthily attacked them."`\ ld l,$KUM_komaruA1,80 ;!s0「わ、私がお嬢様のところを訪れて、/ ;!d800こ、こんな惨いことをしたと仰るのですか？！/ ;!sd@　あ、あ、あんまりにございます！@　えぇ、あんまりですとも！！」\ ;＜熊沢 !s0`"A, are you saying that I visited Milady's room, `/ !d800`and did something so horrible?! `/ !sd@`I, I, I did no such thing!`@` Yes, no such thing!!"`\ bg MJES_1aR,0 ld c,$ROS_MajimeA1G,23 ;「郷田さんだってどうです？@　あなたは嘉音くんに朱志香ちゃんを任せて帰ってきたと言ったわ。@/ `"What about Gohda-san?`@` You said that you left Jessica-chan in Kanon-kun's care and returned. `@/ ld c,$ROS_ikariA4G,80 ;…でも本当なのかしら。@……本当は二人を殺して嘉音くんの死体を隠して。@それで何食わぬ顔で戻ってきたんじゃないのかしら？！」\ `...But I wonder if that's true?`@` ......I wonder if you didn't really kill the two of them, hide Kanon-kun's corpse,`@` and then come back with an innocent look on your face?!"`\ ld r,$GOH_odorokiA1,24 ;「そんなことはありません！@　この郷田、誓ってそのようなことはいたしません！！」@ `"Nothing of the sort happened!`@` I, Gohda, swear that I did not do anything like that!!"`@ bg MJES_1dR,0 ld r,$GEN_MajimeA2,0 ld l,$SHA_KomaruA1,24 ld l,$SHA_OdorokiA1,80 ;「……わ、私たちでもありません…！！@　私たちはお館様のご命令で…、」\ ;＜紗音 `"......I, it wasn't us...!!`@` We were following the Master's orders..."`\ bg MJES_1aR,0 ld r,$ROS_nayamuA1G,24 ;「えぇ。@あなたと源次さんについてだけは大丈夫よ。@お父様から聞いた話でそれは裏付けられてる。@二人はお父様の部屋でずっと筆耕と立会いをしていた。@お父様と私が保証するわ。」@ ;＜楼座 `"Yes.`@` At least you and Genji-san are alright.`@` That is backed up by what I heard from Father.`@` The two of you were in Father's room the whole time, copying and witnessing for him.`@` Father and I can guarantee that."`@ ld l,$GEN_KomaruA1,23 ;「………ありがとうございます。」\ ;＜源次 `".........Thank you very much."`\ cl a,0 ld c,$ROS_ikariA3G,24 ;「こうなれば、郷田さんと熊沢さんのどちらかが怪しいという論法になると思うの。@……私もこの部屋に入った最初はそう思った。@………でもね、おかしいと思ったの。@朱志香ちゃんの遺体の様子を見て。@みんなはおかしいと思わない？」@ ;＜楼座 `"In that case, I think the argument becomes who is more suspicious, Gohda-san or Kumasawa-san?`@` ......I even thought that as soon as I entered this room.`@` .........But still, I thought it was strange.`@` Look at the state of Jessica-chan's body.`@` Doesn't everyone think it's strange?"`@ ld l,$NAN_komaruA1,23 ;「……おかしいと、…言われますと…？」\ ;＜南條 `"......Strange, ...you say...?"`\ bg black,26 bg blood_1a,22 ;「朱志香ちゃんは背中を刺されてるの。@………ほら、よく一般的に言うでしょう？@　背中を刺された事件は顔見知りが犯人の可能性が高いって。@部屋に気を許せないような人を招き入れて、背中を無防備に晒したりなんか、絶対にしない。」\ ;＜楼座 `"Jessica-chan was struck in the back.`@` .........Come on, it's often generally said, right?`@` That in crimes where the victim is struck in the back, there's a high likelihood that the culprit was someone whose face was known to the victim.`@` She definitely wouldn't invite a person that she doesn't trust into her room, and defenselessly expose her back."`\ bg black,22 bg MJES_1bR,0 ld r,$SHA_KomaruA1,26 me2v 5,50 ;「ま、……まさか、楼座さまは、/ ;!d800…………それを嘉音くんだと仰るんですか…。」\ ;＜紗音 `"R, ......Rosa-sama, you couldn't mean, `/ !d800`............to say that was Kanon-kun...?"`\ ld l,$ROS_ikariA4G,23 ;「えぇ。@私たちは殺される直前の朱志香ちゃんの様子をよく知ってる。@/ `"Yes.`@` We know well what state Jessica-chan was in right before she was killed. `@/ bg black,25 mono 1 bg cha_i1b,0 ld r,$JES_NakuA1,22 ;……両親の無惨な遺体を見て、朱志香ちゃんはかなりパニックを起こしてたわ。@そしてその後に冷静を取り戻し、酷く落ち込んだだろうことは容易に想像がつく。」\ `......After seeing her parents' tragic bodies, Jessica-chan was very panicked.`@` And it's easy to imagine that after she regained her composure, she would be in a horrible slump."`\ bg black,22 bg M_door1,2 ;「……そんな朱志香ちゃんが、ひとりで部屋に閉じ篭ったという心理は、とても理解できるの。@そしてこの辺りの経緯は、郷田さんの話とも一致するわ。」\ `"......It would be very understandable if Jessica's frame of mind lead her to shut herself up alone in her room.`@` And those particulars would also fit with Gohda-san's story."`\ bg black,23 bg M1F_P2b,0 ld r,$KAN_MajimeA1,23 ;「……ひとりにしてくれと言った朱志香ちゃん。@…そして歳も近く、思春期の関係もあったかもしれない嘉音くんが、自分に任せてほしいと言った気持ち。@本当によくわかるの。」\ `"......Jessica-chan said to leave her alone.`@` ...Then Kanon-kun, who is of a similar age, and may have some adolescent relationship with her, said to leave it to him.`@` That feeling is also very understandable."`\ bg black,22 ;「………そして、だからこそ嘉音くんを朱志香ちゃんは部屋に迎え入れたと思うの。」\ `".........So, for that reason, I think Jessica-chan welcomed Kanon-kun into her room."`\ mono off bg MJES_1aR,0 ld c,$ROS_ikariA4,26 ;「でも、郷田さんや熊沢さんだったらどうかしら。@部屋に入れてもらえたかしら？」\ ;＜楼座 `"But what if it had been Gohda-san or Kumasawa-san?`@` Would she have let them into her room?"`\ bg MJES_1cR,0 ld r,$GOH_iiwakeA2,24 ;「……わ、私はお嬢様に信頼を得ていたと信じています。@ではありますがその…、」\ ;＜郷田 `"......I, I believe that I have gained Milady's trust.`@` But even so, err..."`\ ld l,$ROS_AkuwaraiA1G,23 se1 43 ld l,$ROS_AkuwaraiB1G,26 ;「なら、郷田さんもやはり容疑者のひとりね？@　郷田さんは多分、朱志香ちゃんには好かれてないと思ってたから、ナーバスな朱志香ちゃんは部屋に入れなかったと思う。@/ `"Then you are another suspect after all, right, Gohda-san?`@` I thought that you probably weren't liked by Jessica-chan, so I believed she wouldn't have let you into her room. `@/ ld l,$ROS_ikariB4G,80 ;だから犯人ではありえないって思ったんだけど？」\ ;＜楼座 `So I thought it was impossible that you were the culprit, but...?"`\ ld r,$GOH_komaruA3,80 ;「いえ、その…！@　………残念ながらお嬢様には、お認めいただけていなかったかもしれません。@/ `"No, umm...!`@` .........I am afraid to say that I may not have been accepted by Milady. `@/ ld r,$GOH_odorokiA1,80 ;…く、熊沢さんはどうですか？」\ `...Wh, what about you, Kumasawa-san?"`\ cl l,24 ld l,$KUM_komaruA1,23 ;「ほ、ほほほほほほ！@/ `"Ho, hohohohohoho! `@/ ld l,$KUM_DefA2,80 ;　私ども年長組は、歳が離れ過ぎていて、お嬢様のような若い方の気持ちはなかなか汲み取れません…。@お嬢様も、私たちに心は開かなかったでしょうとも。@ねぇ郷田さん？！」\ ;＜熊沢 `A senior like me is far too separated by age to understand the feelings of a young person like Milady very well...`@` And perhaps Milady did not open her heart up to me.`@` Right, Gohda-san?!"`\ ld r,$GOH_omakaseA2,80 ;「えぇ、そうです！@　私たちではとても心を開かなかったでしょう！@　傷心のお嬢様が私たちを部屋に入れてくれたわけなどありません！」@ `"Yes, that's right!`@` She probably did not open her heart to us to a great degree!`@` It would be inconceivable that Milady would let us into her room when she was heartbroken!"`@ br ;　郷田さんと熊沢の婆ちゃんは、互いに揉み手をしながら、愛想笑いを浮かべて互いを肯定しあっている。@ `Gohda-san and Kumasawa baa-chan each rubbed their hands together, affirming each other with forced smiles on their faces.`@ br ;　とても気持ちの悪いコントだった。\ `It was a really unpleasant rondo.`\ bg black,23 bg MJES_1aR,23 ld r,$ROS_MajimeA1,24 se1 21 ;「傷心の朱志香ちゃんが、部屋に入ることを許した人物。@無防備な背中を許した人物。@そしてその人物はマスターキーを持っていた。@それらが示すのはひとり。@……嘉音くんしかありえないのよ。」@ ;＜楼座 `"Someone who would be permitted to enter Jessica-chan's room when she was heartbroken.`@` Who would have been given access to her defenseless back.`@` And that person had a master key.`@` That only points to one person.`@` ......It was impossible for anyone except Kanon-kun."`@ ld l,$SHA_OdorokiA2,23 ;「ま、……待って下さい…！@　嘉音くんは決してそんなことは…！」\ ;＜紗音 `"P, ......please, wait...!`@` Kanon-kun definitely wouldn't do something like...!"`\ se1 30 ld r,$ROS_ikariA4G,80 ;「あら、じゃあ他に誰が？@　やっぱり郷田さんか熊沢さんが怪しいの？@　紗音ちゃんはどっちが疑わしいと思う…？　ねぇ。」@ ;＜楼座 `"Oh, then is there someone else?`@` Is Gohda-san or Kumasawa-san suspicious after all?`@` Who do you think is more suspicious, Shannon-chan...? Come on."`@ ld l,$SHA_odorokiA1,80 ;「わ…、……私は、…そんな…………。」\ ;＜紗音 `"I..., ......I, ...something like that............"`\ bg black,24 bg MJES_1bR,0 ld r,$KUM_odorokiA1,24 ;「私ではありませんよ、紗音さん！@　えぇ、私ではありませんとも！」@ ;＜熊沢 `"It wasn't me, Shannon-san!`@` Yes, it was not me!"`@ ld l,$GOH_komaruA3,23 ;「もちろん私でもありません！@　お嬢様と仲がよかったのは嘉音さんと、あと紗音さんじゃありませんか！」\ ;＜郷田 `"Of course, it wasn't me either!`@` The people who had close relationships with Milady were Kanon-san, and then you, Shannon-san, right?!"`\ cl r,23 ld r,$ROS_AkuwaraiA1G,24 ;「………あぁ、そうだったわね。@……紗音ちゃんなら、朱志香ちゃんも部屋に入れてくれるかもしれない。@/ `".........Yeah, isn't that right?`@` ......Jessica-chan might also let Shannon-chan into her room. `@/ ld r,$ROS_majimeA1G,80 ;でも、あなたはお父様のところにいたはず。@………でも実は、/ ;!d800……あなたが犯人なの……………？」@ ;＜楼座 `But you should have been with Father.`@` .........But in reality, `/ !d800`......were you the culprit............?"`@ ld c,$GEO_ikariA2,23 ;「しゃ、……紗音が犯人のわけはない！@　お祖父さまのところで大切な用事をしていたとさっき言ったはず！」\ ;＜譲治 `"Sh, ......Shannon couldn't be the culprit!`@` Didn't you just say that she was doing some important work with Grandfather!"`\ ld r,$ROS_ikariA3G,80 ;「えぇ、わかってる。@紗音ちゃんと源次さんは犯人じゃない。@ずっと一緒にいたとお父様も認めてる。@………さて、みんなはどう考えるかしら…？」\ ;＜楼座 `"Yes, I understand.`@` Neither Shannon-chan nor Genji-san is the culprit.`@` Father also admits that they were together the whole time.`@` .........Well then, what do you think, everyone...?"`\ bg black,25 ;　そう言われて、返事のできるものなどいない…。@ ;　仮に反論したなら、代わりに別の疑わしい人物の名前をあげなければならなくなるからだ。@ `After being told that, no one could respond...`@ `Even if someone did argue back, they would then have to offer the name of a different suspicious person.`@ br ;　……そして、その人物の名前が誰であれ、ここにいる。@ ;　…そんなこと、できるものか。\ `......And no matter whose name that was, that person was here.`@ `...No one could do something like that.`\ bg MJES_1e,26 ;　楼座叔母さんはじろりじろりとみんなの顔を見比べながら、銃を玩具のようにいじっている…。@ ;　………普段のやさしい楼座叔母さんからは、その姿はあまりにかけ離れている。\ `Rosa oba-san glanced at everyone in turn, fingering the gun like it was a toy...`@ `.........She seemed so different from the Rosa oba-san who was usually kind.`\ me3v 17,50 ;　…いや、自分の危機感がまだ足りないのだろうか。@ ;　…楼座叔母さんのそれが、当然であると考えるくらいでなければ、自分には危機感が足りないのだろうか…。\ `...No, it's probably because I don't feel the danger we're in.`@ `...Maybe Rosa oba-san's attitude would seem natural if I really felt how much danger we were in...`\ bg MJES_1aR,0 ld c,$ROS_nayamuA1G,26 E_MA ;「意見はないようね。@じゃあ私の意見を言うわ。」\ `"It seems that no one has an opinion.`@` Then I will say mine."`\ ld c,$ROS_majimeA1G,80 me1v 18,40 ;「嘉音くんが死体なき犠牲者である可能性はもちろん否定できない。@でも、死体が見付からない限り、嘉音くんが容疑者である可能性もまったく否定できないわ。@……ひょっとすると嘉音くんは、犯人に襲われてどこかに監禁されていた…、@というような口実で、ひょっこりと現れるかもしれない。」\ `"Of course, I cannot deny that Kanon-kun is a victim without a corpse.`@` But until we find his corpse, I definitely can't deny the possibility that Kanon-kun is a suspect.`@` ......There's a chance that Kanon-kun was attacked by the culprit and confined somewhere..., `@`and with that as an excuse, he may appear unexpectedly."`\ ld c,$ROS_ikariA3,80 ;「でも、用心して。@多分恐らく、いや確実ね。@ `"But take care.`@` Maybe, no, definitely.`@ se1 27 br ;………(嘉音くんが、朱志香ちゃんを殺した/・・・・・・・・・・・・・・・・)。」\ ;＜嘉音くんが、朱志香ちゃんを殺した：点処理 `.........`(`Kanon-kun killed Jessica-chan`/・・・・・・・・・・・・・・)`."`\ bg black,24 bg MJES_1cR,0 ld r,$BUT_KuyasigaruA1,24 ;「…………ば、………………馬鹿な…………。」@ ;＜戦人 `"............N, ...............no way........."`@ ld l,$SHA_OdorokiA1,23 ;「わ、…私には信じられません…。@嘉音くんが、/ ;!d400………お嬢様をなんて、/ ;!d800……あんまりです！！」@ ;＜紗音 `"I, ...I can't believe it...`@` Kanon did, `/ !d400`.........to Milady, `/ !d800`......that's too much!!"`@ ld c,$GEO_KomaruA1k,24 ;「僕も紗音に同じだよ。@嘉音くんが犯人だと決め付けることには反対だ。」\ ;＜譲治 `"I feel the same as Shannon.`@` I oppose labeling Kanon-kun as the culprit."`\ bg MJES_1aR,0 ld c,$ROS_ikariA4G,23 ;「なら、郷田さんと熊沢さん、どっちが犯人なの？@　怪しい方を教えて。」@ ;＜楼座 `"Then is the culprit Gohda-san or Kumasawa-san?`@` Tell me who's more suspicious."`@ ld l,$GOH_OdorokiA1,0 ld r,$KUM_OdorokiA1,1 ;「「わわわ、私たちではありません！！」」/ `""I I I, It wasn't us!!""`/ quakex 3,500 \ ;＜郷田・熊沢 ld c,$ROS_AkuwaraiA1G,80 ;「嘉音くんじゃなくて、この扉を施錠できるのは、誰なの？@　紗音ちゃん。@譲治くん。@……ねぇ？@　ねぇねぇねぇ…？」\ ;＜楼座 `"If it wasn't Kanon-kun, then who could have opened this door?`@` Shannon-chan.`@` George-kun.`@` ......Right?`@` Right right right...?"`\ me2v 13,50 ;　楼座叔母さんは、気持ち悪く笑いながら紗音ちゃんと譲治の兄貴に詰め寄る。@ ;　…もちろん、二人は何も言い返せなかった。@ `Rosa oba-san closed in on Shannon-chan and George-aniki, laughing unpleasantly.`@ `...Of course, they couldn't say anything back.`@ br ;　嘉音くんを信じたい。@ ;　…しかし信じたならば、他の使用人を疑わなければならなくなる。\ `They wanted to believe in Kanon-kun.`@ `...But if they did, they would have to suspect the other servants.`\ bg black,22 bg MAP07,22 ;　一番簡単な犯人は、謎の来客ベアトリーチェだ。@ ;　……しかし彼女は客に過ぎずマスターキーは持っていない。@ `The simplest culprit was the mystery guest Beatrice.`@ `......But she was nothing more than a guest, and didn't have a master key.`@ br ;　………なら、マスターキーもなく、ベアトリーチェが犯人だとするなら。@ ;　…彼女が本当に魔女で、魔法の力で施錠したと、……こういう論法を認めなくちゃならないのか……？\ `.........Then if Beatrice was the culprit without a master key...`@ `...Do we have to accept the argument that she really is a witch, and locked the door with the power of magic......?`\ bgmvol 50 mevol 1,20 mevol 2,20 se1 56 meta_set ;■メタ視世界 mov %play_scene,120 meta_ld l,$BUT_KuyasigaruA1,23 ;「…………汚ぇ論法だ…。@……汚ぇ……、汚ぇ……。」@ ;＜戦人 `"............That's a filthy argument...`@`......filthy......, filthy......"`@ meta_ld r,$BEA_akuwaraiA2,24 ;「何を悩む。@妾のせいにしてしまえぃ。@１９人目の謎の来客のせいにすれば良いではないか。@そうすれば、人間どもの醜い押し付け合いを見ずに済むぞ…？@/ `"What are you worried about?`@` Make it my fault.`@` You can just make it the fault of the 19th person, the mystery guest, right?`@` If you do, you won't have to watch this ugly battle of humans pressing each other, right...? `@/ se1 37 ;　くっくくくくくく！」\ ;＜ベアト `*cackle*cackle*cackle*cackle*!"`\ meta_ld l,$BUT_odorokiA1,80 ;「つまりなんだよ。@犯人は１９人目の来客、ベアトリーチェ。@…こいつは魔女だから、マスターキーがなくても魔法で施錠できたと。@/ `"So then what.`@` The culprit is the 19th person, the guest Beatrice.`@` ...She's a witch, so she could lock the door without a key using magic. `@/ meta_ld l,$BUT_odorokiA2,80 ;そいつを認めろってのかよ？@　ふざけるな…！@　…ふざけるなふざけるな…！！」\ ;＜戦人 `Are you telling me to accept that?`@` Damn it...!`@` ...Damn it, damn it...!!"`\ meta_ld r,$BEA_AkuwaraiA5,80 ;「……くっくくくくくく。@前回のゲームで、お前の弱点は知り尽くしているぞ。@さぁ、どうするどうする…？@　お前は妾を絶対に認めないのだったな？@　なら、………嘉音というちょうどいい生贄を使えば良い。」\ `"......*cackle*cackle*cackle*cackle*.`@` In the last game, I learned all of your weak points.`@` So, what will you do, what will you do...?`@` You definitely weren't going to accept me, right?`@` Then, .........you can use Kanon as a perfect sacrifice."`\ meta_ld r,$BEA_AkuwaraiA3,80 ;「嘉音が朱志香を殺した！@　楼座の説を支持すればこの場は丸く収まるぞ？@　嘉音はもう死んでいるのだ。@死者に気遣う必要などあるまい。@そして、この場にいる誰も疑わずに済む！@/ `"Kanon killed Jessica!`@` If you support Rosa's theory, everything is settled here, right?`@` Kanon is already dead.`@` There should be no need to show concern for the dead.`@` And, you won't have to doubt anyone here! `@/ se1v 37,100 ;　くっくくはっはははははははははは！」\ `*cackle*hahahahahahahahahahaha!"`\ meta_ld l,$BUT_kuyasigaruA1,80 ;「畜生ッ！！@　お前を認めたりはしない！！！@　でも、……嘉音くんが犯人だなんて、……そんなことはありえない！！」\ `"Damn it!!`@` I won't accept you!!!`@` But, ......Kanon-kun being the culprit, ......that's impossible!!"`\ se1 56 E_MA bgmvol 70 meta_end ;■元の世界 mov %play_scene,120 bg MJES_1bR,24 ld r,$NAN_KomaruA2,24 ;「………私は誰も疑いたくありません。@…しかし、疑わしきはクロ、ということもあるにはあります。@……とにかく、用心するに越したことはないでしょうな…。」@ ;＜南條 `"..........I don't want to suspect anyone.`@` ...However, it is sometimes the case that the suspicious are the guilty.`@` ......Anyways, there is probably nothing better than caution..."`@ ld l,$SHA_odorokiA1,23 ;「な、…南條先生…。@それはどういう意味ですか…。」\ ;＜紗音 `"D, ...Doctor Nanjo...`@` What do you mean by that...?"`\ ld r,$NAN_KomaruA4,80 ;「…その、勘違いしないで下さい。@…私は嘉音さんを犯人だと決め付けたいわけじゃない。@……しかし、事情がわかるまで、嘉音さんが犯人の可能性もあると、@そう思っておいた方が安全だというのです。」@ ;＜南條 `"...Umm, please do not misunderstand.`@` ...I do not wish to label Kanon-san as the culprit.`@` ......However, until we understand the situation, there is the possibility that Kanon-san is the culprit,`@` and I believe thinking that way is safer."`@ ld c,$KUM_komaruA1,24 ;「ほ、……ほっほっほ…。@そうですわねぇ…、用心はしてし過ぎることはありませんもの。」\ ;＜熊沢 `"Ho, ......hoh-hoh-ho...`@` Yes, that's right..., you cannot be too cautious."`\ me1v 13,40 ;　場の雰囲気は、決して南條を責めなかった。@ ;　嘉音が犯人だなんて、本当のところ、誰も思っていない。@ `It didn't seem as though anyone blamed Nanjo.`@ `In reality, no one thought that Kanon was the culprit.`@ br ;　…しかし、彼を疑わなければ、今この場にいる使用人の誰かを疑わなければならなくなる。@ `...But if they did not suspect him, they would have to suspect one of the servants here.`@ br ;　……それが嫌だった。@ ;　疑うのが、嫌だった。@ ;　疑われるのが、嫌だった。\ `......We didn't want to do that.`@ `We didn't want to suspect.`@ `We didn't want to be suspected.`\ bg black,24 bg MJES_1cR,24 ld r,$ROS_majimeA1G,24 ;「それで正解よ。@……警戒して、し過ぎるということはない。@それについて異論はないわね？」\ `"That is correct.`@` ......We cannot be too vigilant.`@` Is there anyone who objects to that?"`\ ld r,$ROS_ikariA4,80 ;「いい？@　…この殺人事件にはお父様の黄金伝説が関わっている可能性がとても高い。@だとすれば数百億円の莫大な黄金を独り占めしようと企む何者かの犯行に違いない。@……それだけのお金が手に入れば、どこの国でも生涯遊んで暮らせるわ。@…その為なら、私たちを皆殺しにすることだってあるかもしれない。」\ ;＜楼座 `"Alright?`@` ...There is a very high likelihood that this murder case is related to Father's Legend of the Gold.`@` In that case, it's certainly the crime of someone plotting to keep a vast amount of gold worth several ten billion yen all for themselves.`@` ......With that amount of money, you could play around for the rest of your life in any country.`@` ...It may be possible that they would massacre us for this reason."`\ ld l,$MAR_fukigenA1,23 ;「…………………………。」\ ;＜真里亞 `".................."`\ ld r,$ROS_ikariA3,80 ;「マスターキーを持っていないという理由で、朱志香ちゃん殺しについてだけは１９人目の来客、@ベアトリーチェを容疑者から外した。@でも、事件に関わってないとは言えないわ。@/ `"Because she wasn't holding a master key, the 19th person, `@`the guest Beatrice, is removed from suspicion only for the murder of Jessica-chan.`@` But we cannot say that she is unrelated to the crime. `@/ se1 43 ld r,$ROS_komaruA4G,26 ;……何しろ、莫大な黄金ですもの。@犯人は複数人いる可能性だって否定できない。@……今この瞬間、この中に犯人に買収されている人間が混じっているかもしれない！！」\ ;＜楼座 `......After all, it's a vast amount of gold we're talking about.`@` We can't deny the possibility that there are multiple culprits.`@` ......Right now, one of the people here among us might have been bought by the culprit!!"`\ bg black,22 ;　楼座叔母さんはそう叫びながら、銃を構えたままぐるりと見回す。@ ;　……誰も信じるな、隣人を疑え、…そう言っているのだ。@ `As Rosa oba-san yelled, she looked all around, her gun still raised.`@ `......Don't believe anyone, suspect the person next to you, ...that's what she was saying.`@ br ;　でも誰も疑いたくない。@ ;　…ここにいる誰かを疑いたくない。@ ;　その心の弱さが、ここにいない者へ仮の答えを求めてしまう…。\ `But no one wanted to suspect.`@ `...They didn't want to suspect anyone here.`@ `That weakness in their hearts demanded an answer from those not here...`\ bg MJES_1bR,24 ld c,$ROS_ikariA4,24 ;「容疑者でないと信じることができるのは２つしかない。@………自分自身と、そして死体になった者だけよ。@………それは嘉音くんも同じ。」\ `"There are only two ways you can be sure someone isn't a suspect.`@` .........If it's yourself, or if they're already no more than a corpse.`@` .........The same goes for Kanon-kun."`\ ld c,$ROS_IkariA2,80 ;「死体が見付からない限り、彼は朱志香ちゃん殺しの最有力容疑者なのよ！！@　だから用心して。@もし生きてたとしても、何かの理由を取り繕っても、絶対に信用しちゃ駄目よ！@　いいわね？！」\ `"Until we catch sight of his corpse, he is the most likely suspect in Jessica-chan's murder!!`@` So take care.`@` Even if he's still alive, even if he smoothes things over with some explanation, you definitely must not trust him!`@` Alright?!"`\ textoff E_A se1v 27,100 bg white,1 bg MJES_1e,2 me1v 12,40 wait 1000 ;　積極的に返事をした者はいない。@ ;　……しかし、楼座叔母さんと目が合った者は、頷かざるを得なかった…。\ `No one gave a answer of their own initiative.`@ `......However, those who met Rosa oba-san's eyes had to nod their heads...`\ ;　人間ってのは社会を形成して生きる生き物だ。@ ;　……つまりそれは、生まれながらに信じあうことが遺伝子に刷り込まれてるってことだ。@ `Humans are beings who live by molding themselves to fit society.`@ `......In other words, from the time they are born, trusting each other is genetically imprinted on them.`@ br ;　…それに、逆らわされる不快感。\ `...It is, unpleasant to go against that.`\ ;　誰かを疑いたくなんか、絶対にない。\ `They definitely don't want to suspect someone.`\ ;　…しかし、それでも誰かを疑わなくてはならないなら、@…今この場にいない人間を選ぶのが、一番無難だと思った。@ `...But if they had to suspect someone, `@`...they thought that choosing one of the people not here right now would be the safest.`@ br ;　無難だと、いうだけの理由で、嘉音を生贄にすることを、消極的に、選んだ。\ `For just the reason of safety, they half-heartedly chose Kanon to be the sacrifice.`\ bg black,22 fede 0,2000 bgm1v 51,90 ;　そんな馬鹿な………。@ ;　俺は嘉音くんが犯人だなんて、絶対に信じたくない！@ `That's ridiculous.........`@ `I definitely don't want to believe that Kanon-kun is the culprit!`@ br ;　ついさっき、譲治の兄貴に聞いたが、あの二人は歳が近かったこともあり、@楼座叔母さんの指摘していたような思春期的な関係があったという。\ `I'd heard it from George-aniki just now, but not only were those two close in age, `@`they also had that adolescent relationship Rosa oba-san had mentioned.`\ ;　……今更ながら、なるほど、そんな気配は確かにあったように思う。@ ;　両親の無惨な遺体を見て、心に深い心を負った朱志香が、嘉音くんにだけは心を許した。@ `......It may be a little late now, but yes, they really did have that kind of air about them.`@ `After seeing her parent's tragic corpses, Jessica, bearing deep wounds in her heart, would only have trusted Kanon-kun.`@ br ;　…それはとても考えられる話だ。\ `...That was a very conceivable story.`\ ;　だから、気に入らない…！！@ `So I don't like it...!!`@ br ;　唯一心を許せたのが嘉音くんだった。@ ;　だから、嘉音くんしか部屋に入れなかった。@ `Kanon-kun was the only one she trusted.`@ `So she wouldn't have let anyone but Kanon-kun in.`@ br ;　だから、朱志香を殺せたのは嘉音くんしかいないという論法が、……どうしても納得できない……！！！\ `So, this argument saying Kanon-kun was the only one who could have killed Jessica, ......I just couldn't accept it......!!!`\ bg MJES_1aR,0 ld c,$ROS_IkariA1G,22 me1v 12,40 ;「…わかったッ？！@　嘉音くんがもし現れても油断しないで！@　嘉音くんの無実を証明できない限り、私たちは朱志香ちゃん殺しの犯人を、嘉音くんだと仮定します！！」\ `"...Understand?!`@` Even if Kanon-kun appears, don't get careless!`@` As long as we cannot prove Kanon-kun's innocence, we will suppose that Kanon-kun is the culprit who killed Jessica-chan!!"`\ ;　楼座叔母さんはそう断言した。@ ;　仮定という、ほんの少しだけ曖昧な言い方が、…最終的に全員の背中を押した。@ `Rosa oba-san made that claim.`@ `By using the vague word 'suppose', ...in the end, she encouraged everyone.`@ br ;　一堂は弱々しく頷き、/ ;!d800……………朱志香殺しの犯人は嘉音だと、とりあえず仮定という言い訳の名の下に、/ ;!d900………“断定”した…。\ `Everyone nodded weakly, `/ !d800`............and, under the temporary excuse that they were just supposing it, `/ !d900`.........they 'claimed' that Kanon was the culprit who had killed Jessica...`\ mov %play_scene,120 bg black,2 fede 10,2000 bg MJES_1d,2 ;　………そのやり取りを、もし死んだ朱志香と嘉音が聞いていたらどう思っただろう。\ `.........I wonder what the dead Jessica and Kanon would think if they could hear this exchange.`\ bg MJES_1dN,0 lsp bgsp,":a;bmp\data\data1.bmp",0,0 print 48 lsp 894,$KAN_NayamuA1,120,0,128 lsp 893,$JES_NakuA1,200,0,128 csp bgsp print 99,2000,"breakup.dll/ulb" ;　朱志香は、泣いていた。@ ;　……自分のために命を懸けて戦ってくれた嘉音の胸で、泣いていた。\ `Jessica, was crying.`@ `......She was crying in the chest of the person who had put his life on the line to fight for her, Kanon.`\ ;　悔しかった。@ ;　胸が張り裂けるほどに悔しかった…。@ `It was frustrating.`@ `So frustrating that it felt like her chest would explode...`@ br ;　死者の尊厳が、これほどまでに踏みにじられることを、悲しみ、憤っていた…。\ `She grieved and resented how far the dignity of the dead had been trampled...`\ lsp 893,$JES_nakuA3,200,0,128 print 80 ;「…あいつら、…何で嘉音くんのことを犯人扱いするんだよ…ッ！！」@ `"...Those guys, ...why are they treating Kanon-kun like the culprit!!"`@ lsp 894,$KAN_MajimeA1,120,0,128 print 80 ;「……………………死体が、…ないからです。」\ `".....................Because there's, ...no corpse."`\ lsp 893,$JES_ikariA1,200,0,128 print 80 ;「死体がないと、何で犯人扱いなんだよ？！@　嘉音くんは私のために、命懸けで戦ってくれたんだぜ…？！@/ `"Why are they treating you like the culprit because there's no corpse?!`@` You risked your life to fight for me, right...?! `@/ lsp 893,$JES_NakuA1,200,0,128 print 80 ;　それで、……あの魔女に戯れに死体を消されて……！@　それで犯人は嘉音くんだなんて、ひどいぜ、ひどすぎる！！」\ `Then, ......that witch erased the corpse for fun......!`@` After that, Kanon-kun being the culprit, it's horrible, it's too horrible!!"`\ lsp 894,$KAN_nayamuA1,120,0,128 print 80 ;「………いいんです。@……結局、守りきれなかったけれど…。@………最期に、お嬢様のお役に立てたのですから…。」\ `"......It's alright.`@` ......In the end, I couldn't completely protect you, but...`@`.........I was able to be of use to Milady..."`\ lsp 893,$JES_nakuA3,200,0,128 print 80 ;「それを、……どうしてみんなわかってくれないんだよッ？！@　やめろ楼座叔母さん！！@　そんな滅茶苦茶な推理で嘉音くんを犯人だなんて決め付けるなッ！！」@ `"......Why doesn't everyone understand that?!`@` Stop it, Rosa oba-san!!`@` Don't call Kanon-kun the culprit with that messed up reasoning!!"`@ lsp 894,$KAN_majimeA1,120,0,128 print 80 ;「………犯人だとは言ってません。@…疑わしいと、/ ;!d400……いえ、/ ;!d600……用心しようと、そういう話ですから。」\ `".........She isn't saying that I'm the culprit.`@` ...She's just saying I'm suspicious, `/ !d400`......no, `/ !d600`......she's saying to be careful."`\ lsp 893,$JES_nakuA1,200,0,128 print 80 ;「言ってるよ！！@　こいつらは嘉音くんが犯人だということにして、きっと思考を停止する！@　もう、私を殺した犯人が誰かなんて考えないよ！@　嘉音くんが犯人でない可能性なんて考えないよ！！@　そしてこの後も何かある度に、行方不明の嘉音くんの仕業にして言い訳を繰り返す！！@　……私はッ、そんなの堪えられないよ！！」\ `"She is saying it!!`@` These people are saying you're the culprit, Kanon-kun, so they can stop thinking!`@` They aren't thinking about who the culprit who killed me is anymore!!`@` They aren't thinking of the possibility that you aren't the culprit!!`@` And after this, every time something happens, they'll repeat the excuse that it was the work of Kanon-kun, whose location is unknown!!`@` ......I can't stand that!!"`\ lsp 894,$KAN_NayamuA1,120,0,128 print 80 ;「……………いいんです。@…お嬢様だけは、真実を知っています。」\ `"............It's alright.`@` ...At least Milady knows the truth."`\ lsp 893,$JES_NakuA3,200,0,128 print 80 ;「私だけが知ってたって意味がないんだよ！！@　死んでわかった。@真実ってのは生きてる人間のものだ！！@　真実が残らなかったら、死者は報われない！！@　何のために嘉音くんが命を懸けたのか、わかんなくなっちゃうッ！！」\ `"If only I know the truth, that's pointless!!`@` I know after dying.`@` Truth belongs to living humans!!`@` If the truth doesn't remain, the dead won't be rewarded!!`@` They won't know why Kanon-kun risked his life!!"`\ csp 893 csp 894 bg MJES_1e,24 lsp 892,$BEA_akuwaraiA2,100,0 se1 52 print 99,2000,"breakup.dll/ulb" se2v 37,100 ;「くっくっくくくくくく、はっははははははははははは！@　実に愉快な見物よ。@死者の嘆きほど甘い蜜も珍しい。」\ `"*cackle*cackle*cackle*cackle*, hahahahahahahahahahahaha!`@` Truly a splendid sight.`@` You hardly ever find a sweeter honey than the laments of the dead."`\ lsp 892,$BEA_AkuwaraiA3,100,0 print 80 ;「嘆け嘆け。@そなたがいくら嘆こうとも死者の声は決して生者には届かぬ。」\ ;＜ベアト `"Lament, lament.`@` No matter how much you lament, the voices of the dead never reach the living."`\ csp 892 bg black,22 bg MJES_1aR,0 ld c,$ROS_ikariA1G,24 lsp 893,$JES_nakuA1,350,0,128 print 99,2000,"breakup.dll/lrp" ;「畜生、畜生ォオオォ！！/ `"Damn it, damn iiiiiiit!! `/ textoff se1 8 quakey 3,400 se1 8 quakey 3,400 ;@　誰でもいい！！@　私の声を聞いてくれッ！！@　嘉音くんは犯人なんかじゃない！！@　嘉音くんは死体を消されただけなんだ！@　どうして、どうしてそれがわかんないんだよ！！」\ @`It doesn't matter who!!`@` Hear my voice!!`@` Kanon-kun isn't the culprit!!`@` Kanon-kun's corpse was just erased!`@` Why, why don't you understand that?!!"`\ cl c,23 lsp 894,$KAN_majimeA1,0,0,128 print 99,2000,"breakup.dll/lrp" ;「………お嬢様。」\ `".........Milady."`\ csp 893 csp 894 bg black,25 ;「……こんなの嫌だ！！@　悲しい！@　悔しい！！@　これじゃ、……嘉音くんは殺され損じゃないかッ！！@　死者の名誉は、生者が認めなきゃ得られないんだ！@　誰でもいい！@　気付いて！！@　気付いてくれよ、お願いだよ！！@　嘉音くんは犯人じゃないッ！！@　あぁああぁぁあぁ、行くなよ、行くなよみんなッ！！@　頼むから、そのままで終わりにしないで……！@　行かないで、……行かないでぇえぇぇぇぇ！！！」\ `"......I can't stand that!!`@` It's sad!`@` It's vexing!!`@` Don't, ......you care that Kanon-kun's dead?!!`@` The honor of the dead must be accepted by the living!`@` It doesn't matter who!`@` Notice it!`@` Notice it, I beg you!!`@` Kanon-kun isn't the culprit!!`@` Aaaaaaaaaaaaaahh, don't go, don't go, everyone!!`@` Please, don't let it end like this......!`@` Don't go, ......don't goooooooooooooo!!!"`\ bg MJES_1bR,0 ld r,$ROS_ikariA3,26 ;　楼座は、この部屋を警察が来るまで封印しようと宣言する。\ `Rosa proclaimed that this room should be sealed until the police came.`\ bg MJES_1aR,0 ld r,$GOH_komaruA1,0 ld c,$KUM_komaruA1,0 ld l,$NAN_KomaruA4,3 ;　…誰が犯人か疑い合いをしたくない彼らは、それを喜んで受け入れる。@ `...The rest didn't want to suspect each other, so they happily accepted that.`@ br ;　……嘉音が仮の犯人ということを受け容れる。@ `......For now, they accepted that Kanon was the culprit.`@ br ;　…それがどれほど、死者に屈辱を与えているか、想いも馳せずに、受け容れる。\ `...Without even imagining how much disgrace that gave to the dead, they accepted it.`\ lsp 894,$KAN_MajimeA1,0,0,128 print 99,2000,"breakup.dll/ulp" ;「……お嬢様…、もういいんです…。@……ありがとう……。」@ `"......Milady..., it's alright now...`@`......Thank you......"`@ cl l,3 lsp 893,$JES_nakuA3,150,0,128 print 99,2000,"breakup.dll/lrp" bgmvol 100 ;「行くなよッ！！@　行くなよみんなッ！！@/ `"Don't go!!`@` Don't go everyone!! `@/ cl c,23 lsp 893,$JES_NakuA1,150,0,128 print 80 ;　後生だよ、戻ってくれ！！@　このまま、私たちを残さないでッ！！」\ `For heaven's sake, come back!!`@` Don't leave us like this!!"`\ cl r,23 lsp 893,$JES_NakuA3,150,0,128 print 80 ;「嘉音くんを、……犯人扱いのままに……しないでぇええぇえッ！！@　うわあああぁあぁああああぁぁぁぁあぁ…！！」\ `"Don't leave us, ......still treating Kanon-kun......as the culpriiiiiiiit!!`@` Uwaaaaaaaaaaaaaaaaaaahhh...!!"`\ lsp 892,$BEA_akuwaraiA4,120,0 se1 52 print 99,2000,"breakup.dll/urb" ;「届かぬわッ！！@　死者の嘆きは決して届かぬッ！」\ `"It won't reach!!`@` The laments of the dead never reach!"`\ lsp 892,$BEA_AkuwaraiA2,120,0 print 80 ;「笑わせる、あぁ笑わせるぞお前のその顔ッ！！@　届くと思ってるだろォ？@　届かないんだよ、朱志香ァアアァ？？？@/ `"You make me laugh, yes, that face of yours makes me laugh!!`@` Did you think your voice would reach?`@` It won't reach, will it, Jessicaaaaaaa??? `@/ se2v 37,100 ;　くっくっくくくくく、わっはっはっははははははははははははははははははははッ！！」\ `*cackle*cackle*cackle*cackle*, wahahahahahahahahahahahahahahahahahahahahahahaha!!"`\ ;■元の世界 mov %play_scene,120 csp 892 csp 893 csp 894 E_A bg black,1 wait 1000 ;print 62 ;ld l,$BUT_MajimeA1,23 ;se1v 2,100 ;se2v 57,100 ;「全然駄目だな。」\ ;＜戦人 `"It's all useless."`\ bgm1v 53,90 bg MJES_1aR,0 ld l,$ROS_majimeA1G,23 ;「え？@　………戦人くん、何か言った？」@ ;＜楼座 `"Huh?`@` .........Battler-kun, did you say something?"`@ ld r,$BUT_niramuA1,24 br ;「あぁ、駄目だ。@…(全然駄目/・・・・)だな。」\ ;＜全然駄目だな：点処理 `"Yeah, it's useless.`@ br `...`(`It's all useless`/・・・・・・・・)`."`\ ;　全員が部屋を出て行こうとする時。@ `At the time everyone made to leave the room...`@ br ;　…戦人だけがそれに背を向け、ずっと朱志香の遺体を見下ろしていた。\ `...Only Battler had his back to them, and he was still looking down at Jessica's corpse.`\ ld l,$ROS_ikariA3,23 ;「全然駄目って、…どういうこと？@　何か異論でもあるの…？」@ ;＜楼座 `"What do you mean, ...it's all useless?`@` Do you have some objection...?"`@ ld r,$BUT_nayamuA2,24 ;「警戒しようって話にだけは賛成する。@……だが、嘉音くんが犯人ってことにしようって話は、悪いが拒否させてもらう。」\ ;＜戦人 `"I'll at least agree that we have to be vigilant.`@` ......But this talk about having Kanon-kun be the culprit, sorry, but allow me to refuse."`\ se1v 56,100 meta_set ;■メタ視世界 mov %play_scene,120 meta_ld l,$BEA_futekiA1,23 ;「……ほぉ。@ここで食いついて来るとは。@嘉音が犯人ではなく、しかも妾の仕業でもないならば、この朱志香の部屋の密室をどう説明する…？」\ `"......Hoh.`@` So you're biting into this part.`@` If Kanon wasn't the culprit, and it wasn't my doing, how do you explain this closed room that Jessica's room has become...?"`\ ;＜ベアト meta_ld r,$BUT_niramuA2,24 ;「………実を言うと、それについてはお手上げだ。@…まったく、俺はどうして全然駄目だなんて言っちまったんだ？」\ `".........Honestly, I give up there.`@` ...Seriously, why'd I say it's all useless?"`\ meta_ld r,$BUT_futekiA1,80 ;「…自分の言動には責任を持たねぇとなぁ。@いっひっひっひ…！@/ `"...I don't take any responsibility for my own conduct.`@` Ihihihihi...! `@/ meta_ld r,$BUT_OdorokiA1,80 ;　……………理論武装ゼロの徒手空拳。@/ `............I'm empty-handed with zero weapons to argue with. `@/ se1v 2,100 ;…だがな、俺はこれ以上、指をくわえてないぜ！！　ベアトリーチェ！！」\ `...But you know, I won't hold my finger to my lips anymore!! Beatrice!!"`\ se2 56 meta_end ;■元 mov %play_scene,120 cl l,24 ld l,$SHA_OdorokiA2,23 ;「ば、……戦人さま……。」@ ;＜紗音 `"B, ......Battler-sama......"`@ ld c,$GEO_defA1k,23 ;「……か、嘉音くんが犯人ではないという証拠でもあるのかい……？」\ ;＜譲治 `"......I, is there some proof that Kanon-kun isn't the culprit......?"`\ ;　二人の顔に浮かぶ表情は間違いなく期待。@ ;　……嘉音が犯人だなんて信じたくない。@ ;　本当は嘉音を信じてる。@ `The expression that rose to the faces of those two was definitely expectant.`@ `......They didn't want to believe that Kanon was the culprit.`@ `They really believed Kanon.`@ br ;　だからそれを、もっと強く信じさせてほしいという期待！\ `So this expectation was because they wanted to be made to believe him even more strongly!`\ bg MJES_1aR,23 ld r,$ROS_MajimeA1,24 ;「なら、戦人くんは、他の使用人の誰を疑うの？@　郷田さん？@　それとも熊沢さん？」\ ;＜楼座 `"Then Battler-kun, which of the other servants do you suspect?`@` Gohda-san?`@` Or is it Kumasawa-san?"`\ bg MJES_1cR,0 ld l,$BUT_komaruA2,24 ;「よせよ、楼座叔母さん。@…俺は熊沢の婆ちゃんという人をよく知ってる。@……たまに仕事をサボってたりするが、いつだって人を楽しくさせようとする人だ。@……たとえカネに目が眩んだとしても、殺しだけはする人じゃねぇ。」@ ;＜戦人 `"Quit it, Rosa oba-san.`@` ...I know the person called Kumasawa baa-chan well.`@` ......She'll sometimes slack off on work, but she'll always make things fun for people.`@` ......Even if her eyes were dazzled by money, she is not a person who would kill."`@ ld r,$KUM_komaruA1,24 ;「ば、……戦人さま………。」\ ;＜熊沢 `"B, ......Battler-sama........."`\ bg black,23 bg MJES_1bR,0 ld l,$GOH_komaruA1,23 ld r,$BUT_futekiA1,24 ;「そして郷田さんとは、俺は昨日会ったばかりだ。@……正直、この人のことはまだよく理解していない。@/ `"And I've just met Gohda-san yesterday.`@` ......Honestly, I still don't really understand him. `@/ ld r,$BUT_niramuA1,80 ;……だがわかったことがある。」@ `......But there is something I understand."`@ ld l,$GOH_OdorokiA1,80 ;「……………………わ、私は………、」\ ;＜郷田 `"................I, I........."`\ ld r,$BUT_odorokiA1,80 ;「……こんなに楽しそうにメシを作る人を、俺は見たことがない。@…同じなんだよ。@熊沢の婆ちゃんと同じだ。@……郷田さんは人を喜ばせるのが好きな人なんだ。」\ `"......I've never seen someone who can make food that looks so fun.`@` ...You're the same.`@` The same as Kumasawa baa-chan.`@` ......Gohda-san likes to make people happy."`\ ld r,$BUT_nayamuA2,80 ;「そんな人が、自分のメシをうまいと褒めてくれた人を、…たとえカネを積まれたって殺すもんか！！」\ ;＜戦人 `"As if a person like that could kill those that praised his own food as delicious, ...even if money was piled up in front of him!!"`\ bg MJES_1aR,0 ld r,$ROS_ikariA1,24 ;「…なら、戦人くんは誰が朱志香ちゃんを殺したというの？@　マスターキーでしか施錠できないこの部屋に、誰が朱志香ちゃんを閉じ込めたというの？」\ ;＜楼座 `"...Then, who do you think killed Jessica-chan, Battler-kun?`@` Who do you think shut Jessica up in a room that could only be locked by a master key?"`\ ld l,$BUT_niramuA1,24 ;「待ちな。@……それを論じる前に俺ははっきりさせておく。@/ `"Wait.`@` ......Before I argue about that, there's something I want to make clear. `@/ ld l,$BUT_komaruA3,80 ;誰々が犯人でないなら誰々が犯人、という話がしたいんじゃない。@…俺は単に、嘉音くんが犯人だということは断じてありえない、という話がしてぇだけなんだ。」\ ;＜戦人 `I don't want to talk about, if so-and-so is not the culprit, then so-and-so is the culprit.`@` ...I just want to talk about how it's completely impossible for Kanon-kun to be the culprit."`\ se1v 56,100 meta_set ;■メタ視世界 mov %play_scene,120 meta_ld l,$BEA_AkuwaraiA1,23 ;「犯人が嘉音ではないということを立証できるというのだな？@　くっくっく、どうやって！」@ `"You say that you can establish that Kanon isn't the culprit?`@` *cackle*, how?!"`@ meta_ld r,$BUT_futekiA1,24 ;「実に簡単なことさ。@…危うく見落とすところだったぜ。@……ベアト！」\ `"It's actually simple.`@` ...It's something I dangerously overlooked.`@` ......Beato!"`\ mcl a,24 meta_ld l,$BUT_OdorokiB1,1 se1v 2,100 ;「復唱要求ッ！！@　言えるもんなら言ってみろ、“嘉音くんはマスターキーを持っていた”！！」\ `"Repeat it!!`@` If you can say it, try saying it, 'Kanon-kun was holding a master key'!!"`\ mcl l,0 meta_ld r,$BEA_fukigenA1,24 ;「………………………ほぉ…！」\ ;＜ベアト `"........................Hoh...!"`\ se1 56 meta_end ;■元 mov %play_scene,120 ld r,$ROS_IkariA2,80 ;「……嘉音くんがマスターキーを持っていない？！@　どうしてそんなことがわかるの！」\ ;＜楼座 `"......Kanon-kun wasn't holding a master key?!`@` How could you know that?!"`\ ld l,$BUT_nayamuA1,80 ;「さっき、俺は郷田さんに話を聞いた。@嘉音くんと別れる直前。@…朱志香が貴賓室に殴り込みに行ったって辺りの話だ。」\ `"Just now, I heard what Gohda-san said.`@` Just before he split up with Kanon-kun.`@` ...The part about when Jessica went to raid the VIP room."`\ ld l,$BUT_DefA2,80 ;「………郷田さん、あんたはちゃんと覚えてたよ。@あんたは嘉音くんの名誉を守った。」\ `".........Gohda-san, you did a good job remembering it.`@` You protected Kanon's honor."`\ bg MJES_1aR,0 ld r,$GOH_OdorokiA1,24 ;「……わ、/ ;!d400……私が、/ ;!d600…ですか…？！」\ ;＜郷田 `"......I, `/ !d400`......I, `/ !d600`...did...?!"`\ ld l,$GEO_MajimeA2,23 ;「同じ話は僕も聞いてたよ。@でも、僕にはよくわからなかった！@　説明してくれるかい、戦人くん！」\ ;＜譲治 `"I heard him say the same thing.`@` But I don't really understand!`@` Could you explain it, Battler-kun?!"`\ se1 56 meta_set ;■メタ mov %play_scene,120 meta_ld r,$BUT_NayamuA2,24 ;「……そうさ。@/ `"......That's right. `@/ se2v 2,100 ;朱志香は貴賓室の鍵を開ける時、 `When Jessica unlocked the VIP room, she borrowed the key from Kanon-kun, ` br ;嘉音くんに鍵を借りたが、(返さなかった/・・・・・・)！@　だから嘉音くんはマスターキーを持っていないんだッ！！」\ ;＜返さなかった：点処理 (`but didn't give it back`/・・・・・・・・・)`!`@` So Kanon-kun wasn't holding a master key!!"`\ textoff mcl a,0 mbg MAP07,2 wait 1000 se1v 2,100 mbg white,1 mbg MAP08,2 wait 3000 meta_ld l,$BEA_fukigenA1,23 ;「くっくっくっく！@　それはどうかな？@/ `"*cackle*cackle*!`@` Is that really so? `@/ meta_ld l,$BEA_futekiA1,80 ;　確かに郷田の記憶上ではマスターキーを嘉音に返してはいない。@しかし、郷田が見ていないところで返したかもしれない！@　それが絶対になかったとどう証明する？！@　くっくくくくく、嘉音の死体のポケットを調べればそれは立証できるだろうが、それはできない！！@　証明は不可能だッ！！」\ `Certainly, Gohda has no recollection of the master key being returned to Kanon.`@` However, she might have returned it when Gohda wasn't looking!`@` How does that prove that it definitely didn't happen?!`@` *cackle*cackle*cackle*, if you could just search the pocket of Kanon's corpse, you could establish that, but you can't!!`@` It is impossible to prove!!"`\ meta_ld r,$BUT_DefA1,80 ;「全然駄目だな。@実に簡単なことじゃねぇか。」\ `"It's all useless.`@` Isn't it actually simple?"`\ textoff meta_ld l,$BEA_aseruA1,80 wait 1000 ;■元 mov %play_scene,120 se1 56 meta_end bg MJES_1bR,0 ld r,$ROS_aseruA1,24 ;「……そんな…！@　それじゃ、嘉音くんは鍵を持ってなかったというの？！」\ ;＜楼座 `"......No way...!`@` So, you're saying that Kanon-kun wasn't holding a key?!"`\ ld l,$BUT_MajimeA1,23 ;「あぁ。@そしてその証拠は、朱志香を調べればわかるはずだ。@……朱志香のポケットに、嘉音くんのマスターキーが入ってるはず。@/ `"Yeah.`@` And to prove it, all you have to do is search Jessica.`@` ......Kanon-kun's master key should be in Jessica's pocket. `@/ ld l,$BUT_KomaruA2,80 ;南條先生、調べてくれるか。」\ `Doctor Nanjo, would you check for us?"`\ bg MJES_1aR,23 ld c,$NAN_MajimeA2,24 ;「う、……うむ。」\ `"H, ......hmm."`\ bg black,22 ;　南條が駆け寄り、朱志香の上着のポケットを探る……。@ ;　誰もが、…それを期待する………！\ `Nanjo dashed up to Jessica, and searched in her jacket pocket......`@ `Everyone, ...was expectant.........!`\ wait 3000 ;「……む…。」@ `"......Mu..."`@ br ;　…頼む。@あってくれ…………！！\ `...Please.`@` Be there............!!`\ se1v 2,100 bg white,1 bg MJES_1aR,0 ld c,$NAN_komaruA2,22 ;「……ありましたぞ！@　これですかな？」@ ;＜南條 `"......Here it is!`@` Is this it?"`@ ld r,$GEN_DefA1,24 ;「……………はい。@それがマスターキーです。@間違いありません。」@ ;＜源次 `"............Yes.`@` That is a master key.`@` Without a doubt."`@ br ;　源次の断言に、おおぉ、と小さな歓声があがる。\ `At Genji's statement, there was a small 'oooh' of joyful voices.`\ bg MJES_1bR,24 ld c,$BUT_DefA1,24 ;「それが、嘉音くんのマスターキーだ。@………もう一度言うぜ。」\ `"That is Kanon-kun's master key.`@` .........I'll say it again."`\ cl c,0 ld l,$BUT_OdorokiB1,1 se1v 2,100 ;「“嘉音くんはマスターキーを持っていない”。@だから、施錠できたわけがないんだッ！！」\ ;＜戦人 `"'Kanon-kun isn't holding a master key'.`@` Therefore, there's no way he could have locked the door!!"`\ cl l,0 ld r,$ROS_KomaruA4,24 ;「……確かに、…そのようね。@/ `"......It certainly does, ...appear that way. `@/ ld r,$ROS_ikariA1G,80 ;……でも、嘉音くんが朱志香ちゃんに会った最後の人物なのよ。@疑わしいことに変わりはないわ。」\ `......But Kanon-kun was the last person to meet Jessica-chan.`@` The fact that he's suspicious hasn't changed."`\ ld l,$BUT_NayamuA1,23 ;＜楼座 ;「よそうぜ、……そういうの。」@ ;＜戦人 `"Let's give it a rest, ......enough doing that."`@ ld r,$ROS_komaruA4,80 ;「……え？」\ ;＜楼座 `"......Huh?"`\ ld l,$BUT_MajimeA1,80 ;「人間ってのは本来、信じ合う生き物のはずだ。@…なのに世知辛い世の中を生きるために、疑り深さを覚えちまう。@…だから何でも疑っちまう。@俺たちは悲しい生き物だな。@…そのサガを、俺は否定しねぇ。」\ `"Normally, humans are supposedly creatures that trust each other.`@` ...But because we live in a tough world, we learn the depths of doubt.`@` ...So we'll doubt anything.`@` We are sad creatures.`@` ...I won't deny that's our nature."`\ ld l,$BUT_KuyasigaruA1,80 ;「……………だが、証拠なき断定だけは許さないッ！！@　疑わしきはクロじゃねぇ、シロだ！！@　もちろん世の中は狼だらけさ。@人を無用心に全て信じろとは言わねぇ！」\ `"............But I won't permit statements without proof!!`@` Being suspicious doesn't make you guilty, it makes you innocent!!`@` Of course, the world is filled with wolves.`@` I won't tell you to carelessly believe everyone!"`\ ld l,$BUT_OdorokiA1,80 ;「だが、クロだと断定するならば完全な証拠を用意しろ！@　それができない限り、絶対に憶測で人をクロだなんて言うんじゃねぇッ！！！」\ ;＜戦人 `"But if you're going to say someone's guilty, prepare some perfect evidence!`@` As long as you can't do that, definitely don't say someone is guilty because of speculation!!!"`\ ld r,$ROS_aseruA1,80 ;「……………ぅ……。@それは………。」\ ;＜楼座 `"............u......`@`That is........."`\ bg MJES_1aR,0 ld r,$NAN_DefA1,23 ld r,$NAN_fumuA1,80 ;「……疑わしきはクロ、は…、私の発言ですな。@………軽率でした。@謝ります。」@ ;＜南條 `"......I was the one who said the suspicious were guilty.`@` .........That was careless.`@` I apologize."`@ ld l,$SHA_DefA1,23 ;「…………戦人さま………。」\ ;＜紗音 `"............Battler-sama........."`\ ld c,$GEO_WaraiA1,23 ;「…み、見事な推理だよ、戦人くん！@　郷田さんもありがとう。@あなたが覚えていてくれたから、嘉音くんの疑いが晴らせました！」@ ;＜譲治 `"...W, wonderful reasoning, Battler-kun!`@` Thank you too, Gohda-san.`@` Because of what you remembered, Kanon-kun is cleared from suspicion!"`@ cl r,23 ld r,$GOH_komaruA3,24 ;「い、いや…、はははは…。」\ ;＜郷田 `"N, no I..., hahahaha..."`\ textoff se1 56 bgmvol 40 meta_set ;■メタ mov %play_scene,120 meta_ld c,$BEA_WaraiA1,24 fede 0,2000 wait 1000 bgm1 44 ;　ぱちぱちぱち…と。@…乾いた拍手を魔女がする。\ `Clap clap clap...`@`...It was the dry sound of the witch applauding.`\ meta_ld c,$BEA_DefA1,80 ;「お見事お見事。@……なかなかやるではないか。」@ `"Well done, well done.`@` ......Not a bad job."`@ meta_cl c,0 meta_ld l,$BUT_nayamuA2,0 meta_ld r,$BEA_defA1,23 ;「………やべぇな。@まんまとエサ駒に引っ掛かっちまったか…。」\ `".........Shit.`@` Was I fooled by that bait piece just like you wanted...?"`\ meta_ld r,$BEA_futekiA2,80 ;「そなたは見事、嘉音にだけはこの部屋の扉を施錠できなかったことを証明した。@使用人は全員マスターキーを持つはず。@それが根拠となり、嘉音が犯人扱いとなっていたのだから、少なくともその疑いは見事に晴らせたな。@くっくくくくくく。」\ `"You wonderfully proved that at least Kanon couldn't lock the door to this room.`@` The servants should all have been holding master keys.`@` With that as proof, Kanon was treated as the culprit, so at least you wonderfully cleared away that suspicion.`@` *cackle*cackle*cackle*."`\ meta_ld l,$BUT_futekiA1,80 ;「……となると。@…朱志香を殺した犯人はどうやって扉を施錠したのか。@そういう問題になっちまうわけだな。@/ `"......In that case.`@` ...How did the culprit who killed Jessica lock the door?`@` So that's the problem that we have now. `@/ meta_ld l,$BUT_niramuA3,80 ;ちぇ。@……まんまと思い通りの展開に引き込まれちまったぜ…。」\ `Sheesh.`@` ......I've been drawn into a development that went exactly like you wanted..."`\ meta_ld r,$BEA_AkuwaraiA1,80 ;「掛かったなぁ…？@　しかもそなたは、他の使用人たちを誰も疑わないなどと大それたことを言ってしまった。@さぁて、どう言い繕うのか見物よ…。」\ `"Has it gotten through...?`@` Furthermore, you said something outrageous about not doubting any of the other servants.`@` We-ll then, it'll be worth seeing how you gloss this over..."`\ meta_ld l,$BUT_NayamuA1,80 ;「うるせぇぜ。@…さっそく始めるぞ。@どうせがっつり否定されちまうんだろうが、…先にこの部屋が密室であることの定義を確認させてもらうぜ。」\ `"Shut up.`@` ...Let's start right away.`@` I'll probably deny it as best I can, ...but first let's check the definition of this room as a closed room."`\ meta_ld r,$BEA_DefA2,80 me1v 16,40 ;「よかろう。@/ `"Very well. `@/ se1 59 ;まず、#ff0000隠し扉の類は一切ない#ffffff。@/ `First, #ff0000there are absolutely no types of hidden doors#ffffff. `@/ se2 59 ;#ff0000出入りはこの扉からだけだ#ffffff。@/ `#ff0000This door is the only way in or out#ffffff. `@/ se3 59 ;#ff0000扉の施錠は、朱志香の鍵が一本と使用人たちが一本ずつ持つマスターキーのみ#ffffff。@/ `#ff0000The only way to lock this door is with Jessica's single key or the master keys, only one of which is held by each servant#ffffff. `@/ meta_ld r,$BEA_DefA1,80 ;二階ではあるが、窓から出入りすることも可能だろう。@/ `It is on the second floor, but it is probably possible to enter or leave through the window. `@/ se1 59 ;しかし#ff0000窓は内側から施錠されている#ffffff。」\ `However, #ff0000the window is locked from the inside#ffffff."`\ meta_ld l,$BUT_NayamuA2,80 ;「……いきなりチェス盤を引っ繰り返させてもらうぜ。@…多分、扉がどうこう、施錠がどうこうって論法から入るのはお前の手の平から出ない。」@ `"......Let me suddenly turn the chessboard over.`@` ...If I start by arguing about the door and the lock, I probably won't leave the palm of your hand."`@ meta_ld r,$BEA_futekiA2,80 ;「好きにするが良い。@さてさて、何を復唱すれば良いのやら。」\ `"Do as you like.`@` Well then, well then, what should I repeat?"`\ meta_ld l,$BUT_oyaA1,80 ;「………復唱要求。@“嘉音くんはこの部屋で殺された”。」@ `".........Repeat it.`@` 'Kanon-kun was killed in this room'."`@ meta_ld r,$BEA_DefA1,80 ;「うむ。@/ `"Hmm. `@/ ;●嘉音死亡 mov %play_scene,130 seplay2 9,1061,100 se1 59 mov %r_hyouji,0 ;“#ff0000嘉音はこの部屋で殺された#ffffff”。@/ `'#ff0000Kanon was killed in this room#ffffff'. `@/ meta_ld r,$BEA_AkuwaraiA5,80 ;死体は妾が魔法で消したがな？@　くくくくく！」\ `But I erased his corpse with magic, right?`@` *cackle*cackle*cackle*!"`\ meta_ld l,$BUT_NayamuA1,80 ;「続けて、復唱要求。@“嘉音くんの死体は、この部屋にある”。」@ `"Again, repeat it.`@` 'Kanon-kun's corpse is in this room'."`@ meta_ld r,$BEA_waraiA1,80 ;「くっくくくくくく！@　拒否する。@復唱はできぬ。@…なぜなら、死体は妾が魔法で消したからだ。@くすくすくす！」\ `"*cackle*cackle*cackle*cackle*!`@` I refuse.`@` I can't repeat it.`@` ...Because I erased the corpse with magic.`@` *giggle*giggle*giggle*!"`\ meta_ld l,$BUT_KuyasigaruA1,80 ;「そりゃあ言わねぇよなぁ。@……そこにどうせ秘密があるに決まってるんだ。@……くそ、謎の論点はどこなんだ。@………マスターキーもなく施錠したことなのか？@　それとも、施錠された室内にいる二人をどうやって殺したかなのか？@　それとも、二人を殺し、どうやって脱出したかなのか？」\ `"So you won't say that.`@` ......There's got to be a secret hidden in there somewhere.`@` ......Damn, where's the mysterious point in question?`@` .........Did they lock it without the master key?`@` Or did they somehow kill those two when they were inside the room and it was locked?`@` Or did they kill those two, and then somehow escape?"`\ meta_ld l,$BUT_NiramuA3,80 ;「……悔しいが、外堀から埋めてくしかないぜ。@…復唱要求。@……“最後の施錠は、マスターキーによるものである”。」@ `"......I hate to say it, but I'll have to cover up the moat.`@` ...Repeat it.`@` ......'The last time it was locked was due to the master key'."`@ meta_ld r,$BEA_AkuwaraiA1,80 ;「これも拒否する。@くっくっくっくっく。」\ `"I also refuse that.`@` *cackle*cackle*."`\ meta_ld l,$BUT_KuyasigaruA1,80 ;「……その拒否ってヤツがどうも曖昧だな。@…復唱不能だから拒否なのか、本当は復唱できるのにわざと拒否してるのかがわからねぇ…。」\ `"......This refusing thing is really vague.`@` I don't know if you refuse because it's impossible to repeat, or whether you can repeat it and you're refusing on purpose..."`\ meta_ld r,$BEA_FutekiA1,80 ;「礼拝堂の鍵の時は、そなたにすっかり逆手に取られてしまった。@妾が有利な内は、わざわざリスクのある赤を使って発言する必要がない。@ただそれだけのことよ。」\ `"Back when discussing the lock to the chapel, you completely turned the tables on me.`@` When I have an advantage, there's no need to go out of my way to use red and say things in a risky way.`@` That's all it is."`\ meta_ld l,$BUT_nayamuA2,80 ;「………そうなんだよな。@…本来、赤ってのは、俺の珍説をあんたが封じる時に使うもんだったんだよな。」@ `".........That's right.`@` ...Originally, you used the red when you wanted to stop my strange theories."`@ meta_ld r,$BEA_waraiA2,80 ;「妾が有利になるように使うのは当然のこと。@揚げ足を取られるリスクがわかっている以上、無駄には使わぬ。」\ `"It is natural that I would use it to my advantage.`@` Because of the risk of it being quibbled with, I won't use it uselessly."`\ meta_ld r,$BEA_AkuwaraiA2,80 ;「…くっくっくっく。@さて、次はどういう手で来る？@　郷田や熊沢を疑う手が、おそらく一番使いやすいぞ…？」\ `"...*cackle*cackle*.`@` Well then, what move will come next?`@` A move that puts Gohda or Kumasawa under suspicion would probably be the easiest to use, right...?"`\ meta_ld l,$BUT_KuyasigaruA1,80 ;「……くそ。@誘導されているようでムカつくぜ…。@しばらく黙ってろ、考える…！」\ `"......Damn.`@` It's annoying being provoked...`@` Stay quiet a while, I'm thinking...!"`\ meta_ld r,$BEA_DefA2,80 ;「もちろん、この扉は礼拝堂の時と同じだ。@/ `"Of course, this door is the same as the chapel. `@/ se1 59 ;#ff0000施錠時には如何なる方法をもってしても出入りは出来ぬ#ffffff。@/ `#ff0000When locked, it does not permit any form of entry#ffffff. `@/ meta_ld r,$BEA_AkuwaraiA3,80 se2 59 ;さらに言うと、#ff0000部屋の外から鍵を使わずに施錠するようなカラクリも通用せぬぞ#ffffff。@くっくっくっく…！」\ `I'll say more. #ff0000No trick could have the effect of locking the door from the outside without using a key#ffffff.`@` *cackle*cackle*...!"`\ meta_ld l,$BUT_KomaruA1,80 ;「ちぇ。@頼まれてねぇ時にばかり赤を乱発しやがって…。」\ `"Sheesh.`@` Damn you for always using red when I don't ask for it..."`\ csp -1 bg black,22 ;　…………仕切り直しだ。@ ;　…とにかく考えよう。@ ;　わかってることを整理する。\ `............I have a score to settle.`@ `...Anyways, let me think.`@ `I'll lay out everything I know.`\ ;　まず、犠牲者は２人。@ `First, there are two victims.`@ mono 1 ld r,$JES_MajimeA1,0 ld l,$KAN_DefA1,2 ;　朱志香と嘉音くんだ。@ `Jessica and Kanon-kun.`@ br ;　…嘉音くんの死体はないが、ベアトリーチェは赤で嘉音くんが殺されたことを認めている。@ `...Kanon-kun's corpse isn't here, but Beatrice admitted in red that Kanon-kun was killed.`@ br ;　だから死体はなくとも犠牲者に含まれる。\ `So even without a corpse, he is included as a victim.`\ cl a,22 mono 0 ;　疑問点はいくつかある。@ `There are a few questionable points.`@ ;　そしてどれを主体にするかで考える道筋はだいぶ変わってくる。\ `And depending on which I focus on, my line of thought changes a lot.`\ bg M_door2,6 ;　まずは、この部屋で犯人が殺人を行ない、どうやって施錠したかだ。@ `First, after the culprit committed murder in this room, how did they lock it?`@ bg MAP07,2 br ;　これは、犯人がマスターキーを持った人物だったと仮定すれば非常にシンプルだ。\ `If we assume that the culprit was one of those holding a master key, it's extremely simple.`\ ;　……だが、出来ることならこれを避けたい。@ `......But I want to avoid that if I can.`@ br ;　なぜなら、郷田さんか熊沢さん、…いや、下手をしたら紗音ちゃんや源次さんまで疑うことになるからだ。\ `Because I would have to suspect Gohda-san or Kumasawa-san, ...no, in the worst case, even Shannon-chan and Genji-san.`\ bg black,22 ;　ここで俺は気付く。@ `Here, I noticed something.`@ br ;　……俺は矛盾しているのだ。@ ;　自分で自分の首を絞めている。\ `......I was contradicting myself.`@ `I was restricting my own path.`\ bg MJES_1aR,0 ld l,$SHA_DefA1,0 ld c,$GEO_WaraiA1,0 ld r,$GOH_komaruA3,0 meta_ld c,$BEA_AkuwaraiA2,0 lsp msp_kuro,":c;bmp\r_click\black.bmp",0,0,150 lsp msp_hana_u,":a;bmp\efe\hana_u.bmp",0,0 lsp msp_hana_d,":a;bmp\efe\hana_d.bmp",0,364 print 22 ;　俺は何が何でもベアトリーチェを否定したい。@ ;　こんな残忍で気まぐれでふざけた魔女の存在をブッ消してやりたい！@ `I wanted to deny Beatrice no matter what.`@ `I wanted to erase the existence of that brutal, fickle, ridiculous witch!`@ br ;　その為にあらゆることを魔法でなく、人間で説明しなくてはならない。@ ;　……しかしそれは、人間の誰かを疑うということでもある。\ `Because of that, I had to explain everything with humans, not magic.`@ `......But that also meant suspecting some human.`\ ;　俺は誰かを疑いたくない。@ `I don't want to suspect someone.`@ br ;　……もちろん、明白な証拠があるならば犯人であることを信じざるを得ないが、@…それがない限り、疑いをかけたくない。@ `......Of course, if there was some clear proof, I would have to believe that person was the culprit, but,`@` ...as long as that didn't happen, I didn't want to raise suspicions.`@ br ;　俺が青臭いだけなのだろうか…？@ ;　あの人に限って人殺しのわけがないという気持ちを、裏切られたくないだけのお子様だったのか…？\ `Was I just green...?`@ `Was I just a kid who didn't want to have my feelings, which told me that at least this person or that person couldn't be a murderer, betrayed...?`\ ;　魔女を否定したい、人間も否定したい。@ ;　………これでは何が何だかわからない…。\ `I want to deny that it was a witch, I also want to deny that it was a human.`@ `.........Now I don't know what is what anymore...`\ meta_ld c,$BEA_futekiA1,80 se1 37 ;「くっくっくっく！@　そもそもそなたと妾のゲームは、妾の存在を否定できるかどうかだけが勝利の条件だった。@…それだけでもそなたに不利なゲームなのに、そなたは勝手に勝利条件を増やし、自ら勝利を困難なものとしてしまっている…！」\ `"*cackle*cackle*!`@` In the first place, the only victory condition in our game regarded whether or not you could deny my existence.`@` ...Even though that alone was a game that put you at a disadvantage, you've increased the number of victory conditions all by yourself, and made your own victory difficult...!"`\ ;　……言われる通りだ。@ `......It was just as she said.`@ ;　…マスターキーを持つ誰かが犯人だという論法で展開すれば、この密室は簡単に破れる。@ `...If I started arguing that someone holding a master key was the culprit, this closed room could be easily broken.`@ br ;　……しかし、この扉を開けられる鍵の本数が限定されていて、@しかもそれを持つ人間がはっきりしている以上、@それを口にすることは即ち、俺のよく知る誰かを疑うということだ…。\ `......However, the number of keys that could open this door were limited,`@` and furthermore, since it was clearly known who held those,`@` saying that meant that I was suspecting someone I knew well...`\ csp -1 bg black,25 ;　…いや、……単に俺が目を逸らしていただけなのだろうか。@ `...No, ......am I simply averting my eyes?`@ bg MAP06,22 br ;　爽快に打ち破って見せたと思っている礼拝堂の密室トリックも、@俺の提唱した“誰かが真里亞の手提げから鍵を奪い、戻した”という説が正しいとしたなら、@じゃあ誰が手提げから鍵が奪えたのかという話になる。\ `In that closed room trick with the chapel, which had been exhilarating to destroy,`@` I had proposed that 'someone stole the key from Maria's handbag, and returned it'.`@` If that theory was right, then the question becomes who could have stolen the key from her handbag.`\ ;　…真里亞の手提げがもっとも無防備だったのは、多分、真里亞が寝ている時。@ `...Maria's handbag had probably been the most unguarded when she was sleeping.`@ br ;!s0　……となれば、/ ;!d800………俺も含め、/ ;!d900…譲治の兄貴や朱志香も容疑者ということになる。/ !s0`......In that case, `/ !d800`.........in addition to me, `/ !d900`...George-aniki and Jessica are also suspects.`/ !sd\ ;　譲治の兄貴や朱志香が犯人？@ ;　もしくはその一味？！\ `George-aniki or Jessica was the culprit?`@ `Or maybe an accomplice?!`\ ;　……俺たちはみんな自分の親を殺されてるんだぞ？！@ ;　なのに、……なのに、その内のひとりは、それを承知で犯行に協力したというのか？！\ ;　俺たちは礼拝堂で嘆き、悲しみ、涙を流した。@ ;　…なのに、俺たちの内のひとりのそれは、……嘘だったというのかッ？！\ `......All of our parents had been killed, right?!`@ `And yet, ......and yet, one of us consented to that and assisted with the crime?!`\ `We had lamented, mourned, and shed tears in the chapel.`@ `...And yet, one among us, ......had been lying?!`\ bg MJES_1aR,0 ld l,$SHA_DefA1,0 ld c,$GEO_WaraiA1,0 ld r,$GOH_OmakaseA2,0 meta_ld l,$BEA_AkuwaraiA1,0 lsp msp_kuro,":c;bmp\r_click\black.bmp",0,0,150 lsp msp_hana_u,":a;bmp\efe\hana_u.bmp",0,0 lsp msp_hana_d,":a;bmp\efe\hana_d.bmp",0,364 print 22 meta_ld l,$BEA_AkuwaraiA2,80 se1 37 ;「……くっくっくっく。@そなたの例の、手提げから抜き出し戻したという説は、いとこたちを色濃く疑うものであったのだぞ…？@/ `"......*cackle*cackle*.`@` That theory of yours about taking the key out of the handbag and putting it back cast a pronounced suspicion on the cousins, did it not...? `@/ meta_ld l,$BEA_AkuwaraiA3,80 ;　にもかかわらず、それに気付かないフリをして、@よくもあれだけの説をしゃあしゃあとのたまえたものよ…！@　くすくすくす。」\ `And despite that, how could you act like you didn't notice, `@`and say a theory like that so happily...!`@` *giggle*giggle*giggle*."`\ meta_ld r,$BUT_KuyasigaruA1,24 ;「く、…………くそ…。@だからって、親族や使用人の誰かが犯人だって保証はねぇ！@　お前が、例えばダンボール箱にでも隠れながらコソコソと近付いてきて、@熟睡してる俺たちの部屋に忍び込んで鍵を奪った可能性だって充分あるじゃねぇか！」\ `"D, ............damn it...`@` That doesn't guarantee that one of the family or the servants is the culprit!`@` If you snuck up on us hiding in a cardboard box, for example, `@`there's a good chance you could have slunk into our room when we were fast asleep and stolen the key, right?!"`\ meta_ld l,$BEA_WaraiA1,80 ;「ふむふむ。@それについてはそれでもよかろう。@１９人目の来客である妾を疑うことで、彼らに疑いをかけずに済む。」\ `"Hmmmmmm.`@` That is also acceptable.`@` By suspecting the guest, the 19th person, you won't have to suspect them."`\ meta_ld l,$BEA_FutekiA2,80 ;「………ならば、朱志香の部屋の施錠はどうする？@　妾は魔法で鍵を開けることは造作もないが、さすがにマスターキーは持たぬ。@妾の魔法を否定するならば、妾を疑うことも否定せねばならんぞ…？」\ `".........Then how was Jessica's room locked?`@` It's no trouble at all for me to open the lock with magic, but of course, I don't have a master key.`@` If you deny my magic, you also have to deny that I'm a suspect, right...?"`\ meta_ld l,$BEA_futekiA1,80 ;「そしてそれはつまり、そなたら１８人の中の誰かを疑うことよ…！！」\ `"So, in other words, that means suspecting one of you 18 people...!!"`\ meta_ld r,$BUT_NayamuA2,80 ;「し、……親切にありがとうよ。@…少し整理できたぜ。@/ `"Y, ......you're so nice, thanks.`@` ...I've been able to sort things out a bit. `@/ meta_ld r,$BUT_niramuA3,80 ;……俺にとっての目的は、ニンゲンである１９人目の来客、ベアトリーチェがどうやって犯行に及んだかに迫ることだ。@そうすれば、誰も疑わずに済む！！」\ `......My goal is to pursue how the 19th person, the human guest Beatrice, committed the crimes.`@` If I do that, I won't have to suspect anyone!!"`\ meta_ld l,$BEA_AkuwaraiA3,80 ;「くっくっくっく！@　それが出来ればなァ？@　愚かな男よ。@……こんな部屋、本来は密室でも何でもない。@何しろ、開けることの出来る鍵は、合計で６本もあるのだからな。」\ `"*cackle*cackle*!`@` If you can do that?`@` Foolish man.`@` ......A room like this wasn't a closed room from the beginning.`@` After all, there are a total of six keys that can open it."`\ meta_ld l,$BEA_AkuwaraiA5,80 ;「そしてそれらの所有者は何人もいる！@　誰でも疑える！@　疑い放題よ！！@　なのに、お前はわざわざそれらを全て否定し、自分で密室を作ってしまった。」\ `"And there were several who possessed those keys!`@` You can suspect any of them!`@` Suspect as much as you like!!`@` But you went to all the trouble of denying all of those, and made a closed room yourself."`\ meta_ld l,$BEA_AkuwaraiA3,80 ;「………わかるか？@　これは、お前の思考的矛盾が生み出した密室なのよ。@くっくっくっく！@　他の誰でもない、そなた自身が扉を閉ざしているのだ。」\ `".........Understand?`@` This is a closed room born from your mental contradiction.`@` *cackle*cackle*!`@` There's no one else, you closed that door yourself."`\ meta_ld r,$BUT_odorokiA1,80 ;「……魔女が魔法で開けたことを認めるか、@…俺の知る誰かが犯人であることを認めるかの二択だって言いたいんだな。@くそ、王手飛車取りのつもりかよッ！」\ `"......So you're trying to say that there are two options, `@`...accept that a witch opened it with magic, or accept that someone I know is the culprit.`@` Damn, are you trying to fork the rook!"`\ meta_ld l,$BEA_AkuwaraiA1,80 ;「こういう指し手もあると披露したかったまで。」\ `"So much that I wanted to show you that this move also exists."`\ meta_ld l,$BEA_AkuwaraiA2,80 ;「……くっくっく。@さぁてどうする右代宮戦人ァァアァ？@　実に簡単な話じゃアないか…？@　あの自意識過剰な料理男と、死に損ないのクソババアを、ちょいと生贄に仕立て上げるだけじゃアない。@/ `"......*cackle*.`@` So, what will you do, Ushiromiya Battleeeeeeer?`@` Isn't it actually simple...?`@` Don't you just have to make sacrifices of that overly self-confident cook and that hag who wouldn't be a loss if she died? `@/ se1v 37,100 ;くーっくくくくくくくくくくくく！！」\ `*cackle*cackle*cackle*cackle*cackle* *cackle*cackle*!!"`\ meta_ld r,$BUT_KuyasigaruA1,80 ;!s0「……………くそ！！/ !s0`"............Damn it!! `/ se1 12 quakey 3,500 ;@　郷田さんと熊沢さんを疑えばそれでいいのか？！@　駄目だッ！/ @`If I suspect Gohda-san and Kumasawa-san, everything's fine?!`@` It's useless! `/ se1 8 quakey 2,300 @/ meta_ld r,$BUT_OdorokiA1,80 ;　………俺は郷田さんが犯人だとは思えない！@　熊沢さんが犯人だとは思えない！！@　だがお前は認めないッ！！@　絶対だッ！！」/ `.........I can't think of Gohda-san as the culprit!`@` I can't think of Kumasawa-san as the culprit!!`@` But I won't accept you!!`@` Definitely!!"`/ !sd\ meta_ld l,$BEA_WaraiA1,80 ;「ならば、魔法もマスターキーも使わずにこの部屋に入り、@朱志香と嘉音を殺し、しかも嘉音の死体を魔法を使わずに消失させねばならない。」\ `"In that case, they would have to enter the room without using magic or a master key, `@`kill Jessica and Kanon, and even erase Kanon's corpse without using magic."`\ meta_ld l,$BEA_AkuwaraiA5,80 ;「……どうやって行なう？！@　妾を否定しつつ、誰も疑わずにどうやって行なうのかッ！！@/ `"......How could it be done?!`@` How could it be done so that you can deny me and not suspect anyone at the same time?!! `@/ se1 37 ;　くっくくくくくくくくくく！」\ `*cackle*cackle*cackle*cackle*cackle*!"`\ textoff se2 56 meta_end ;■元 mov %play_scene,130 bg MJES_1bR,0 ld r,$BUT_NayamuA1,24 fede 0,3000 wait 1000 ;「…………リザインだ。」@ ;＜戦人 `"............Resign."`@ ld l,$GEO_MajimeA2,23 me1v 13,40 ;「え？@　戦人くん、今何て？」\ ;＜譲治 `"Huh?`@` Battler-kun, what did you say?"`\ ld r,$BUT_KomaruA2,80 ;「……降参だよ。@俺は嘉音くんにこの扉が施錠できないことは証明できた。@……だが、だからといって、朱志香を誰が殺したのかを特定できたわけじゃない。」\ ;＜戦人 `"......I give up.`@` I was able to prove that Kanon-kun couldn't have locked this door.`@` ......But that doesn't mean I was able to figure out who killed Jessica."`\ cl l,24 ld l,$SHA_majimeA2,23 ;「い、……いえ、…充分です…。@その、……嘉音くんのために、/ ;!d500…ありがとうございます…！」\ ;＜紗音 `"N, ......no, ...that's more than enough...`@` Umm, ......for Kanon-kun's sake, `/ !d500`...thank you very much...!"`\ ld r,$BUT_NayamuA2,80 ;「……礼なんかいらねぇ。@それはつまり、……紗音ちゃんも疑ってるってことなんだからよ。」@ ;＜戦人 `"......No need to thank me.`@` After all, ......that means that Shannon-chan is also under suspicion."`@ ld l,$SHA_KomaruA1,80 ;「…………………。」\ ;＜紗音 `".................."`\ bg MJES_1cR,0 ld l,$ROS_komaruA4,23 ld r,$BUT_MajimeA1,23 ;「…楼座叔母さんもごめんよ。@……別に反抗したかったわけじゃない。@俺も死にたくないし、親父たちの本当の仇を見つけ出したい。@……協調性のないことを言って悪かったぜ。」\ ;＜戦人 `"...And sorry, Rosa oba-san.`@` ......It's not like I wanted to resist you.`@` I just don't want to die, so I wanted to find Dad and the rest's true enemy.`@` ......Sorry for saying something that wasn't cooperative."`\ ld l,$ROS_nayamuA1,80 ;「……うぅん、いいの。@私も、少し軽率だったわ。@仲直りしましょう。@叔母と甥同士、仲良くしないと。@…………ね？」\ ;＜楼座 `"......No, it's alright.`@` I was also a little rash.`@` Let's make up.`@` As an aunt and nephew, we have to be friendly with each other.`@` ............Right?"`\ ;　楼座叔母さんは銃を片手で持ち直すと、空いた手で握手を求めてくる。@ ;　…俺はそれに手を差し出し、とりあえずの握手をする。\ `Rosa oba-san shifted the gun to one hand, and held out her other hand.`@ `...I reached out, and for the time being, we shook hands.`\ bg black,22 ;　叔母さんのその眼光は鋭い。@ `Oba-san's gaze was sharp.`@ ;　……魔女を否定するためなら、誰だって生贄にする。@…目がそう言っている。\ `......In order to deny the witch, she would make anyone a sacrifice.`@` ...That's what her eyes told me.`\ ;　俺は…？@ ;　魔女は否定する。@ ;　……でも、何も失う覚悟がない。@ `And me...?`@ `I denied the witch.`@ `......But I wasn't prepared to lose anything.`@ br ;　多分俺は、一番戦っているようなつもりでいて、……一番真実から遠い場所にいる。\ `I was probably the one most ready to fight, ......and the one most separated from reality.`\ ;▲第１２アイキャッチ：１０月５日（日）８時００分　から　１３時００分に進む wait 2000 eye1 8,0,13,0,3,0,510,340,45 *umi2_13 ;■客間 mov %play_scene,130 bg M1F_S1dR,22 me1v 5,55 me2v 12,40 me3 11 ;　朱志香の死により、犯人は身近に潜んでいて、しかも隙あらば命を狙ってくることが確実となった。\ `With Jessica's death, it became certain that that the culprit was hiding somewhere nearby, and that they would come after our lives if they had a chance.`\ ;　源次さんの話によれば、明日の朝になれば船が来てくれるはずだという。@ `According to Genji-san, when tomorrow morning comes, the boat should arrive.`@ br ;　船には無線もある。@ ;　それで直ちに警察へ連絡できるだろう。\ `The boat had a radio.`@ `We could probably contact the police directly with that.`\ bg black,25 bg M1F_S1aR,22 ;　俺たち全員は客間に集まり、大人しく明日を待とうということになった。@ `All of us gathered in the parlor, and decided to wait quietly until tomorrow.`@ br ;　屋敷内を捜索して犯人の手掛かりを捜すべきだと俺は提案したが、@それによって犯人を追い詰めたり、あるいは挑発することになれば、@第三の殺人を誘発することになるかもしれないとして楼座叔母さんはそれを却下した。\ `I proposed that we should search throughout the mansion for clues about the culprit,`@` but Rosa oba-san rejected that, saying that if we managed to corner the culprit, or maybe provoke them,`@` it might lead to a third murder.`\ bg black,22 ;　…恐らく、それは正しいだろう。@ ;　自分たち素人が何を捜査したって、何も掴めるわけがない。@ `...That was probably the right thing to do.`@ `If a bunch of amateurs like us investigated, there's no way we'd find anything.`@ br ;　余計なことをせず、身の安全を守ることに専念し、明日以降、警察に委ねるのがもっとも賢いことだった。\ `It would be wisest to focus on protecting ourselves without doing anything unnecessary, and leave it to the police after tomorrow.`\ bg M1F_S1cR,22 ;　最初の内はぴりぴりしていたが、楼座叔母さんを除き、@ほとんどの者は午前中いっぱいをテレビを見て過ごしている内にだんだん退屈になり、危機感がだいぶ薄れてしまうのだった。\ `We had been tense in the beginning, but other than Rosa oba-san,`@` most of the people had spent all afternoon watching TV and were getting bored, so our sense of danger had grown much less intense.`\ bg black,22 bg cha_i1b,22 ;　考えてみれば、第一の殺人は確かに６人もの大人が一度に殺されているが、@それゆえに毒殺などの搦め手による殺人を想像させた。\ `When we thought about it, even though there certainly had been six adults killed at once in the first murder,`@` that made us imagine that some back-handed method like poison had been used.`\ bg black,22 bg MJES_1bR,22 ;　そして、第二の殺人は、不幸にも皆から孤立してしまったことによって犠牲となったと思われる。\ `And in the second murder, it was thought that those two had become sacrifices because they were unfortunately isolated from the rest of us.`\ bg black,22 ;　ここから想像できるのは、犯人は決して大人数ではなく、@客間に集まった大勢を一度に殺せてしまうような存在ではないこと、だった。\ `From this, we imagined that the culprit wasn't a large number of adults, `@`and they weren't someone who could kill this large group gathered in the parlor all at once.`\ bg M1F_S1dR,22 ;　この客間には今、俺に譲治の兄貴。@真里亞。@楼座叔母さん。@そして源次さん、郷田さん、紗音ちゃん、熊沢さん、……あと南條先生で９人もの人間がいる。\ `Right now, in this parlor, George-aniki and I.`@` Maria.`@` Rosa oba-san.`@` Genji-san, Gohda-san, Shannon-san, Kumasawa-san, ......and then, Doctor Nanjo, a total of nine people, were here.`\ bg black,25 bg M1F_S1bR,0 ld c,$ROS_MajimeA1G,22 ;　しかも楼座叔母さんは銃で武装までしている。@ `Furthermore, Rosa oba-san was even armed with a gun.`@ br ;　確かにこの人数でこの部屋に留まっている以上、容易に手出しはできないに違いない。@ `Surely, with this many people staying in this room, they wouldn't be able to touch us easily.`@ br ;　その安心感は、時間と共に今朝のショックから少しずつ俺たちを立ち直らせていくのだった…。\ `That feeling of security, along with the passage of time, allowed us to recover from the shock of that morning bit by bit...`\ bg black,24 bg M1F_S1cR,24 ;　ちなみに俺たちはランチタイムを終えたばかりだ。@ ;　もっとも、郷田さんが腕を振るってくれた昨夜のディナーからは程遠い、缶詰のランチだった。\ `By the way, lunchtime had just ended for us.`@ `However, it had been a canned food lunch, a far cry from last night's dinner which Gohda-san had skillfully made for us.`\ ;　…楼座叔母さんもまた、親父たち６人の殺人は毒殺ではないかと疑っていた。\ `...Rosa oba-san had also suspected that poison had been used in the murder of those six people.`\ ;　…ならば、朝の混乱中に犯人が厨房に侵入し、食材に毒物を混入している可能性も否めない、ということなのだろう。@ `...So, we probably couldn't deny the possibility that the culprit had snuck into the kitchen during all that confusion in the morning, and mixed poison in with the ingredients there.`@ br ;　……楼座叔母さんは、警察が来るまで、缶詰などの安全な食品以外は口にしないよう全員に厳命したのだった。\ `......Rosa oba-san ordered all of us that, until the police came, we should not put anything into our mouths except safe foods like canned food.`\ bg black,23 bg M1F_S1aR,0 ld r,$GOH_komaruA1,23 ;　料理人の郷田さんにとって、それはよほど残念なことだったに違いない。@ `As a cook, Gohda-san must have felt very let down.`@ br ;　それでもせめて腕を振るいたかったらしく、郷田さんはお皿を持ってきて、せめて缶詰の盛り付けをしたいと言い出すのだった。\ `As though he wanted to display his skill anyways, Gohda-san said that he at least wanted to bring the plates and pile them up with canned food.`\ ld l,$ROS_nayamuA1,23 ;　最初は楼座叔母さんも渋り、持ってこさせた皿をいちいち点検していたが、文句の付け所が特に見付からず、@郷田さんによる、“シェフの気まぐれ風缶詰の盛り合わせランチ”はこうして実現したのだった。\ `At first, Rosa oba-san had been reluctant, examining each one of the plates that were brought, but she hadn't been able to find anything to complain about,`@` and Gohda's 'Chef's Pick Canned Food Combo Lunch' was born.`\ cl a,0 ld c,$GOH_hohoemiA1,80 ;　郷田さんに言わせると、味は舌だけでなく、目でも味わうものだとか。@ `Gohda-san said something about taste being savored not just with the tongue, but with the eyes too.`@ br ;　…なるほど、同じ缶詰を朝食でも食ったが、まったく別物に感じるのだった…。\ `...I see, it's the same canned food we ate for breakfast, but it feels like something completely different...`\ bg black,25 wait 2000 bg M1F_S1bR,26 ld l,$MAR_WaraiA1,23 me2v 13,40 ;「うー、戦人。@見て見て。@これが“狼と羊のパズル”。@うー。」@ `"Uu-, Battler.`@` Look, look.`@` This is the 'Wolves and Sheep Puzzle'.`@` Uu-."`@ br ;　テレビを見る気にもなれず、ぼんやりとソファーに座っていた俺のところに、@真里亞がやって来て、手提げから取り出した絵本を差し出しながら言った。\ `As I was sitting lazily on the sofa, with no desire to watch TV, `@`Maria came over, pulled a picture book out of her handbag, and held it out to me as she said that.`\ ld r,$BUT_DefA2,24 ;「……何だよ、その本は。@/ `"......What is that book? `@/ ld r,$BUT_defA1,80 ;“狼と羊のパズル”？@　………………どれどれ。」\ `'Wolves and Sheep Puzzle'?`@` ...............Let's see."`\ se1 1010 bg black,64 ;　“狼と羊のパズル”。@ `'Wolves and Sheep Puzzle'.`@ br ;　今朝、朱志香を呼びに行こうとした時、楼座叔母さんが口にした単語だ。@ `It was a phrase that Rosa oba-san had said this morning when we had gone to call on Jessica.`@ br ;　…あの場ではどういう意味かわからず、しかもその後、朱志香の遺体が見付かり大騒ぎになったため、すっかり忘れてしまっていた。\ `...At the time, I hadn't known what it meant, and then after that, there was the uproar when Jessica's corpse was found, so I'd forgotten about it completely.`\ bg M1F_S1dR,26 ;　真里亞が差し出した本は、外国の絵本か何かを翻訳したような感じだった。@ ;　中を開くと、なぞなぞの詰め合わせ本であることがわかる。\ `The book that Maria held out to me looked like a foreign picture book or something that had been translated.`@ `When I opened it, I realized that it was a book stuffed with riddles.`\ ;「うー。@何匹かの狼と羊をね？@　一台のボートを使って対岸まで連れてくパズルなの。」@ ;「……んー？@　そんなルールのゲームを聞いたことあるな。@これはそれの狼と羊バージョンなのか。」\ `"Uu-.`@` So there's several wolves and sheep, right?`@` It's a puzzle to take them to the other side using one boat."`@ `"......Hmmmm?`@` I've heard of a game with rules like this.`@` This is the wolves and sheep puzzle?"`\ bg black,25 fede 0,2000 bgm1 49 ;　昔から伝わるとてもシンプルなパズルだ。@ `It was a very simple puzzle, passed on from long ago.`@ br ;　一問、出題してみよう。\ `Let's try posing a question.`\ ;　右の岸に、狼２匹と羊２匹がいる。@ `On the right bank, there are two wolves and two sheep.`@ br ;　そして、２匹までが乗れるボートがあり、これを使って、４匹全部を、対岸の左の岸に移動させる、というパズルだ。\ `There is a boat that as many as two animals can ride on, and using it, you have to move all four of them to the opposite left bank.`@` That's the puzzle.`\ bg MAP09,22 ;　ルールは２つある。@ `There are two rules.`@ br ;　１つ目はボートについて。@ `The first is regarding the boat.`@ ;　狼でも羊でも、そして１匹でも漕ぐことができる。@ ;　ただし定員は２匹までだ。\ `Even a single wolf or a single sheep can paddle it.`@ `But it can only hold two animals.`\ ;　２つ目は狼について。@ `The second is regarding the wolves.`@ ;　彼らは、その場所において羊よりも数が優位になると、羊に襲い掛かってしまい、ゲームオーバーになる。\ `When they are greater in number than the sheep in that location, they attack the sheep and it's game over.`\ bg black,22 ;　例えば、ゲームスタート時。@ ;　２匹の羊がボートに乗り、対岸に行く。@ `For example, at the start of the game...`@ `The two sheep ride the boat, and go to the other side.`@ ;　そして羊１匹を降ろし、羊１匹が元の岸に戻ってくる。@ `Then one sheep gets off, and the other goes back to the first bank.`@ br ;　……すると、元の岸には、狼２匹。そこに羊が１匹で帰ってきてしまう。@ `......When it does, there are two wolves on the first bank. And a single sheep returns there.`@ ;textoff ;se1 20 ;wait 1000 ;bg blood_2e,1 ;se1 12 ;quakey 5,1000 br ;　そうなると、狼の方が多いので、襲われてゲームオーバーになってしまうわけだ。\ `When that happens, there are more wolves, so the sheep is attacked and it's game over.`\ bg MAP09,22 ;　左右のどちらの岸においても、そしてボートの上においても、常に狼の数が羊を上回ることがあってはいけない。@ `On either bank or even the boat, there must not be more wolves than sheep.`@ br ;　その状況下で、どうやってボートで彼らをピストン運送するかというパズルなのだ。\ `It's a puzzle about how to shuttle them across in the boat under these conditions.`\ bg black,22 ;　ちなみに正解は、第１ターンに狼２匹を対岸に。@ ;　そして狼１匹が戻る。@ `By the way, the right answer is to move both wolves to the opposite bank in the first turn.`@ `Then one wolf comes back.`@ br ;　第２ターンに羊２匹が対岸に。@ ;　そして狼１匹が戻る。@ `On the second turn, you move two sheep to the opposite bank.`@ `Then one wolf comes back.`@ br ;　そして第３ターンに右岸に残った狼１匹をボートに乗せ対岸に行き、見事、輸送成功となる。\ `Then on the third turn, you put that last wolf that was on the right bank on the boat and cross to the opposite bank, and congratulations, transport successful.`\ ;　途中、船や左右の岸で、狼と羊が同数になることがあるが、同数なら問題ない。@ ;　狼の数が上回ってしまった時だけがアウトなのだ。\ `Partway, there may be the same number of wolves and sheep in the boat or on either side, but that isn't a problem.`@ `You only lose when the number of wolves is greater.`\ bg M1F_S1aR,26 me1v 5,55 me2v 12,40 ;　この本では狼と羊に例えてあるが、他の例えで同じゲームを知る者も多いだろう…。@ `This book uses wolves and sheep as an example, but lots of people probably know this game with a different example...`@ br ;　真里亞は、自分が解き方を知っているパズルを、俺も解けるか試したいらしくて、@これを解け、これは難しい等々、様々なページを開いて見せるのだった。\ `It looked like Maria wanted to test whether I too could solve the puzzles she knew how to solve,`@` and she kept showing me different pages, saying 'solve this one' and 'this one's hard'.`\ ;　このパズルの名を、楼座叔母さんはどういう時に口にしたんだっけ…。\ `What had been happening when Rosa oba-san had said the name of this puzzle...`\ bg black,22 fede 1,2000 ;　そうだ。@ `That's right.`@ br ;　…朱志香を呼びにいこうってことになって、男が何人かで行けばいいだろう何て言ったら、@楼座叔母さんが“狼と羊のパズル”と口にして、みんなで一緒に行こうと言い出したのだ……。\ `...When we'd decided to call Jessica, we had been talking about how many men should go, `@`and Rosa oba-san had mentioned 'Wolves and Sheep Puzzle', saying that we should all go together......`\ bg M1F_S1bR,26 ld r,$BUT_nayamuA1,24 ;「……………………………おいおい…。」\ ;＜戦人 `"........................Wait a sec..."`\ bgm1 14 ;　意味するところはひとつしかない。@ ;　…楼座叔母さんは、俺たちの中に「狼」が混じっているというのだ。@ `That could only mean one thing.`@ `...Rosa oba-san was saying that there was a wolf among us.`@ br ;　そして、狼と羊の数が均衡している時は安全だが、それが崩れた環境が現れた時、狼は牙を剥くと、…そう考えている……？\ `And when the number of wolves and sheep was balanced, we were safe, but when a situation came up where that wasn't the case, the wolves bear their fangs, ...is that what she thought......?`\ bg black,22 bg blood_1a,22 ;　楼座叔母さんは、親父たちの死体が見付かった時点で、使用人たちが「狼」である可能性を疑ったのだ。@ `At the time we had found our parents corpses, Rosa oba-san had already suspected that the servants might be 'wolves'.`@ br ;　全員か、それとも一部なのかはわからずとも「狼」が潜んでいる可能性を嗅ぎ取ったのだ。\ `She had sniffed out the possibility that, while she didn't know whether it was all of them or a group, some 'wolves' were hiding among them.`\ bg pumpkin2,22 ;　……そりゃそうだ。@ `......That's no surprise.`@ br ;　あれだけ手の込んだ殺害現場だ。@ ;　複数犯であることを想像するのは容易だった。\ `That murder scene was very elaborate.`@ `It was easy to imagine that there were multiple culprits.`\ ;　そして、この考えに至った上で、朱志香の部屋に行き、@朱志香と使用人の嘉音が二人きりになって朱志香が殺されたとなれば、@………あれだけ使用人を執拗に疑った楼座叔母さんの胸中を察することは、想像に難しくない…。\ `And because she had reached that conclusion, when we went to Jessica's room, `@`where Jessica had been alone with a servant, Kanon, and had been killed, `@`.........it isn't hard to imagine why Rosa oba-san had suspected the servants so persistently...`\ bg black,25 fede 1,3000 bg M1F_S1cR,26 ld c,$ROS_DefA1,26 ;「使用人の皆さん。@郷田さんが食器を洗いに厨房に戻ります。@念の為です、皆さんも同行してください。」\ ;＜楼座 `"All you servants.`@` Gohda-san is going to the kitchen to clean the utensils.`@` Just in case, would you please all go with him?"`\ bg M1F_S1aR,23 ld r,$GOH_OmakaseA3,24 ;「皆さん、申し訳ありません。@団体行動で参りましょう。」@ ;＜郷田 `"My apologies, everyone.`@` Let us go as a group."`@ ld l,$GEN_MajimeA2,23 ;「……紗音、熊沢。@行くぞ。」@ ;＜源次 `"......Shannon, Kumasawa.`@` We are going."`@ ld c,$KUM_DefA2,24 ;「はいはい、ただいま。@ほっほっほ。」\ ;＜熊沢 `"Yes, yes, coming.`@` Hoh-hoh-ho."`\ bg M1F_S1bR,0 ld l,$SHA_WaraiA1,24 ;「それでは譲治さん、一度失礼いたします。」@ ;＜紗音 `"Well then, George-san, excuse me for now."`@ ld c,$GEO_MajimeA1,24 ;「うん。@………気をつけて。@/ `"Yes.`@` .........Take care. `@/ ld c,$GEO_WaraiA1k,80 ;あ、楼座叔母さん、僕も一緒に行っていいかな。」@ ;＜譲治 `Ah, Rosa oba-san, could I go as well?"`@ ld r,$ROS_KomaruA1,24 ;「ごめんなさい、譲治くんは残ってくれるかしら。@ちょっとお話ししたいことがあるの。」\ ;＜楼座 `"I'm sorry, would you remain here, George-kun?`@` There's something I want to talk to you about."`\ ld c,$GEO_DefA1,80 ;「……そうですか？@/ `"......Is that so? `@/ ld c,$GEO_MajimeA1k,80 ;　紗音、ごめん。@とにかく気をつけて。@…ひとりにならないでね。」@ `Sorry, Shannon.`@` Anyways, take care.`@` ...Don't be alone."`@ ld l,$SHA_fumanA1,80 ;「…はい…。」\ ;＜紗音 `"...Yes..."`\ bg black,24 bg M1F_S1aR,22 ld r,$ROS_majimeA1,24 ;「南條先生、すみません。@……ちょっとご相談が。」@ ;＜楼座 `"I'm sorry, Doctor Nanjo.`@` ......I wanted to consult you about something."`@ ld l,$NAN_defA1,26 ;「はい、……何ですかな？@　……………………。」\ ;＜南條 `"Yes, ......what could that be?`@` .................."`\ ;　使用人たちが食器や空き缶を配膳台車に載せて廊下へ出て行こうとする。@ `The servants put the utensils and empty cans on the serving cart and started to head out into the corridor.`@ br ;　その背中で、楼座叔母さんは何かを南條先生に小声で話していた。\ `Behind them, Rosa oba-san was talking to Doctor Nanjo about something in a small voice.`\ bg black,22 bg M1F_S1cR,0 ld c,$NAN_fumuA1,26 ;「…わかりました。@参りましょう。」@ ;＜南條 `"...Understood.`@` I will go."`@ ld r,$ROS_MajimeA1,24 ;「えぇ、よろしくお願いしますね。」@ ;＜楼座 `"Yes, I am counting on you."`@ cl c,23 br ;　南條先生は読んでいた本を閉じるとソファーを立ち、使用人たちの後について行くのだった…。\ `Doctor Nanjo closed the book he had been reading, stood from the sofa, and followed after the servants...`\ bg black,23 ;　楼座叔母さんは廊下に顔を出し、彼らが完全に去ったのを見届けると、扉を閉め、言った。\ `Rosa oba-san stuck her head out into the hallway, and after seeing them leave completely, she closed the door, and spoke.`\ se1 15 wait 1000 bg M1F_S1aR,22 ld r,$ROS_nayamuA1,24 ;「みんな聞いて。@これで今ここにいるのは右代宮の人間だけね。」@ `"Everyone, listen.`@` With this, everyone here is an Ushiromiya person."`@ ld l,$GEO_DefA1,23 ;「……ん？@　確かにそうなりますね…。」\ ;＜譲治 `"......Hmm?`@` Yes, that is true..."`\ se1 21 bg black,22 ;「“狼”を全部追い出した、ってことっすか。@……楼座叔母さん。」@ ;＜戦人 `"So you're saying that you've chased out all of the 'wolves'?`@` ......Rosa oba-san."`@ br ;　俺の一言に、楼座叔母さんは目つきを鋭くする。@…皮肉を理解できたらしい。@ ;　……楼座叔母さんは薄く笑う。\ `With that one sentence, Rosa oba-san's gaze grew sharp.`@` ...Apparently she had picked up on the sarcasm.`@ `......Rosa oba-san laughed lightly.`\ bg M1F_S1bR,0 ld c,$ROS_defA1,22 ;「…戦人くんは頭の回転が速いのね。@/ `"...Your mind sure works fast, Battler-kun. `@/ ld c,$ROS_akuWaraiA1,80 ;賢い子は好きよ。@話が早いわ。」@ `I like clever kids.`@` It means there's less to explain."`@ ld l,$MAR_OdorokiA1,23 ;「うー。@戦人、頭いい…？@/ `"Uu-.`@` Battler, smart...? `@/ ld l,$MAR_WaraiA2,80 ;　これ解ける？@　６４ページの難しいの。@うー！」\ ;＜真里亞 `Can you solve this?`@` Page 64 is hard.`@` Uu-!"`\ ld c,$ROS_NayamuA1,80 ;「真里亞は少しの間、テレビを見ていなさい。@ママは戦人くんたちとお話があるの。」@ `"Maria, watch TV for a while.`@` Mama wants to talk with Battler-kun and George-kun."`@ ld l,$MAR_fukigenA1,80 ;「………………うー。」\ `"...............Uu-."`\ cl l,24 bg M1F_S1aR,0 ld r,$GEO_KomaruA1,23 ;「楼座叔母さん。@…パズルの話は戦人くんに聞いたよ。@…用心深いのは悪いことじゃないと思うけど、さすがに疑り深すぎるのもどうかと思うよ。」\ ;＜譲治 `"Rosa oba-san.`@` ...I heard about the puzzle from Battler-kun.`@` ...I don't think it's bad to be very careful, but I think being too suspicious isn't good either."`\ bg black,25 E_A bgm1 18 ;「真の犯人がベアトリーチェかどうかは別にして。@少なくとも使用人たちがその一味であることを疑うことはできると思うの。@/ `"Whether the real culprit is Beatrice or not, `@`there is reason for us to suspect that the servants are in league with her. `@/ bg pumpkin2,22 ;……兄さんたちが殺されていた最初の殺人。@とても残酷な仕打ちがされていたわよね？@　あれがひとりで出来る真似に見える？」@ `......In the first murder, where Nii-san and the others were killed,`@` they were treated very brutally, right?`@` Did that look like something that could be done alone?"`@ br ;「…………謎の来客、ベアトリーチェさまが夜なべをして、チクチクやったのかもしれねぇぜ。」\ ;＜戦人 `"............Maybe the mystery guest, Beatrice-sama worked all night, and did it all."`\ bg M_door2,22 ;「朱志香ちゃんの部屋の扉を巡るマスターキーの件は？@　使用人の誰かが関わっている証拠じゃない。」@ ;＜楼座 `"And the case with the master key involving the door to Jessica's room?`@` Isn't that proof that one of the servants was involved?"`@ ;「……ん………………。」\ `"......Nn..............."`\ ;　朱志香の部屋の扉を施錠できたのはマスターキーだけだ。@ ;　…となれば、使用人の誰かが閉めたとしか考えられない……。@ `Only the master key could have locked the door to Jessica's room.`@ `...In that case, we can only suppose that one of the servants locked it......`@ br ;　………いや、/ ;!d800……待てよ。\ `.........No, `/ !d800`......wait.`\ bg black,22 bg M1F_s1aR,22 ld r,$BUT_NayamuA1,24 ;「チェス盤を引っ繰り返すぜ。@……おかしいよ、楼座叔母さん。」\ `"Turn the chessboard over.`@` ......That's strange, Rosa oba-san."`\ bg MAP07,22 ;ld r,$BUT_oyaA1,80 ;「何で犯人は朱志香を殺した後、わざわざ施錠したんだ？@　施錠すればマスターキーの持ち主が疑われるのは必然。@……わざわざ施錠する必要がないぜ。」@ ;＜戦人 `"After killing Jessica, why would the culprit go to all the trouble of locking the door?`@` Since it was locked, it became inevitable that the owners of the master keys would be suspected.`@` ......There was no need to go to all the trouble of locking the door."`@ ;ld l,$GEO_MajimeA3k,23 ;「…そ、そうだよ。@戦人くんの言う通りだ！@　わざわざ疑われるようなことをする理由がない。」\ ;＜譲治 `"...Th, that's right.`@` It's just as Battler-kun says!`@` There was no need for them to go to all the trouble of making themselves suspicious."`\ bg black,22 bg M1F_S1cR,0 ld r,$ROS_majimeA1,24 ;「うん。@それは面白い考えよね。@もちろん私もそれは考えた。@/ `"Yes.`@` That's an interesting thought.`@` Of course, I also thought that. `@/ ld r,$ROS_nayamuA1,80 ;……だとしたら施錠した人物は使用人を疑わせたくて、マスターキーなしであの扉を閉めた。@でもそれは不可能。@でしょう？」\ ;＜楼座 `......If that's so, then the person who locked it wanted to cast suspicion on the servants, and locked that door without a master key.`@` But that's impossible.`@` Right?"`\ bg black,25 ;　……そうなのだ。@ ;　マスターキーを使わずに施錠するトリックがあれば、これは使用人を疑うように仕向ける良い偽装になる。@ `......That's right.`@ `If there was a trick that could lock the door without a master key, this would be a good disguise aimed at casting doubt on the servants.`@ br ;　…犯人が俺たちを孤立させて各個に襲おうと考えているなら、このトリックは疑心暗鬼も生み出せる高度なものだ。@ `...If the culprit wanted us to isolate ourselves and attack us one by one, this trick would also be effective at giving rise to paranoia.`@ br ;　しかし、マスターキーを使わずにあの扉を閉める方法はない…。\ `However, there was no way to lock that door without using a master key...`\ bg M1F_S1aR,0 ld l,$ROS_ikariA3,24 me1 11 ;「マスターキーを使わずに閉める方法がない、なんて、どうして言い切れるの？@　留弗夫兄さんの言っていた、悪魔の証明になるんじゃない？@ `"How can you make the claim that there's no way to lock the door without using a master key?`@` Isn't that a Devil's Proof, like Rudolf nii-san was talking about?`@` Maybe it` br ;　(私たちには想像もつかない方法で閉められたの/・・・・・・・・・・・・・・・・・・・・・) (`was locked by a method we can't think of`/・・・・・・・・・・・・・・・・・)`."`\ ;br ;(かもしれない/・・・・・・)。」\ ld l,$ROS_nayamuA1,80 ;「私たちに思いつかないからと言って、未知のトリックがあることを否定することにはならない。」\ ;＜私たちには想像もつかない方法で閉められたのかもしれない：点処理 `"Even if we can't think of it, that doesn't mean we can deny that there was some unknown trick."`\ ld r,$BUT_KomaruA2,24 ;「…………そりゃそうだけどよ。@…つまりあれか。@疑わしきはクロってわけなのか…？」\ ;＜戦人 `"............That's also true.`@` So is that it?`@` The suspicious ones are guilty...?"`\ ld l,$ROS_MajimeA1,80 ;「具体的なトリックはわからないけれど、それでも外郭はわかるの。@申し訳ないけど、嘉音くんを犯人だと仮定すると、非常に簡単に説明できる。@死体がない理由までね。」\ `"I don't know the practical details of the trick, but I have a general idea.`@` My apologies, but if we supposed that Kanon-kun was the culprit, it can be explained extremely easily.`@` Even as to why there was no corpse."`\ bg M1F_S1cR,0 ld r,$GEO_KomaruA1,24 ;「え……。@だって嘉音くんはマスターキーを持ってなかったんですよ？！@/ `"Huh......`@` But Kanon-kun wasn't holding a master key, right?! `@/ ld r,$GEO_MajimeA1k,80 ;　他の使用人ならともかく、嘉音くんにだけは施錠はできなかったはず！」\ ;＜譲治 `Putting aside the other servants, at least Kanon-kun shouldn't have been able to lock the door!"`\ ld l,$BUT_NayamuA2,23 ;「……なるほど。@…それで楼座叔母さんは、朱志香の部屋に入って早々に、俺たちにクローゼットなんかを探せと言い出したわけか。@……楼座叔母さんこそ、…普段の様子から想像できるより頭の回転が速いな。」\ `"......I see.`@` ...So that's why you told us to search in the closet and everywhere else right after we entered Jessica's room.`@` ......Rosa oba-san, ...your mind works faster than I could imagine judging by your normal appearance."`\ cl r,23 ld r,$ROS_nayamuA1,24 ;「妹の頭の回転速度は、常に姉マイナス１よ。@…今は誰にも気を遣う必要がないから、せいせいするわ。」\ ;＜楼座 `"The brain speed of a little sister is always the big sister's minus 1.`@` ...Right now there is no one I need to worry about, so I feel relieved."`\ ;　それが絵羽叔母さんを指しているものだとわかり、@譲治の兄貴はその皮肉をどう受け取っていいか少し困惑しているようだった…。\ `George-aniki realized that she was referring to Eva oba-san, `@`and seemed a little disturbed about how he should take that sarcasm...`\ bg M1F_S1aR,0 ld c,$GEO_komaruA1k,23 ;「……ご、ごめん。@僕にもわかるように説明してほしいな。@/ `"......I, I'm sorry.`@` Could you explain it so that even I can understand? `@/ ld c,$GEO_MajimeA3,80 ;嘉音くんのマスターキーは朱志香ちゃんのポケットに入って、密室に閉じ込められていた。@施錠した後に、部屋の外からポケットに入れるなんて芸当は不可能なはず…！」\ ;＜譲治 `Kanon-kun's master key was in Jessica-chan's pocket, closed up inside a closed room.`@` After the door was locked, it should have been impossible to put it in her pocket from outside the room no matter what trick he used...!"`\ ld r,$BUT_futekiA1,24 me2v 5,40 ;「違うんだよ、兄貴。@……楼座叔母さんの想像しているやり方なら、……このトリックは嘉音くんにしか使えない。@…そして、朱志香のポケットにマスターキーを入れたまま、鍵なしで施錠することができる。@……そして、その結果として、死体もなくなることになる。」\ ;＜戦人 `"That's not it, Aniki.`@` ......If it was done in the way Rosa oba-san imagines, ......this trick could only be used by Kanon-kun.`@` ...And, the door could be locked without a key, while the master key was still in Jessica's pocket.`@` ......And, as a result, his corpse would also disappear."`\ ld c,$GEO_IkariA1,80 ;「ど、……どうやって！@　鍵なしでどうやって施錠するんだい！」\ ;＜譲治 `"H, ......how?!`@` How would he lock the door without a key?!"`\ bg M1F_S1aR,0 ld l,$ROS_akuWaraiA1,23 ;「簡単よ。@譲治くんだって、帰宅したら施錠するでしょう？@　摘みを捻って、カチリとね？」@ ;＜楼座 `"It's simple.`@` George-kun, when you return home, you lock the door, right?`@` You twist the knob, *click*, right?"`@ ld r,$GEO_KomaruA1k,24 ;「え…？！@/ ;!s0　………ま、/ ;!d300…まさかっ、/ ;!d800……いや、でも、/ ;!d600……嘉音くんの姿はどこにも……。」/ `"Huh...?! `@/ !s0`.........C, `/ !d300`...could it be, `/ !d800`......no, but, `/ !d600`......Kanon-kun wasn't anywhere......"`/ !sd\ ;＜譲治 bg M1F_S1cR,0 ld c,$BUT_NiramuA3,64 ;「…兄貴にもピンと来た見てぇだな。@………楼座叔母さんが室内を探したのはそういうことだ。@/ `"...It looks like you've got it, Aniki.`@` .........That's what Rosa oba-san was searching inside the room for. `@/ ld c,$BUT_NayamuA1,80 ;……内側から鍵を閉め、朱志香のポケットに鍵を突っ込んだ嘉音くんが、@どこかに隠れて俺たちをやり過ごそうとしているのを探したんだ。」\ ;＜戦人 `......She was searching for Kanon-kun, who had locked the door from the inside, stuck the key in Jessica's pocket,`@` and was hiding somewhere, waiting for us to walk right past him."`\ bg black,22 ;　もっとも単純な密室トリック。@ ;　…それはつまり、密室内で殺人を行なった後、隠れていることなのだ。@ `That was the simplest closed room trick.`@ `...It meant he had been hiding inside the closed room after the murder had been committed.`@ br ;　…そして発見者たちが出て行った後に抜け出せば、密室殺人の一丁上がり……。\ `...And if he could get out after those who discovered the body left, the closed room murder would work perfectly......`\ bg M1F_S1cR,0 ld l,$ROS_NayamuA1,23 me3v 12,40 ;「私たちはあの部屋を探したけれど、何も見つけられなかった。@…でも、だからといって、あの部屋に使用人たちしか知らない秘密の隠し通路のようなものがないとは言えない。」\ `"We searched that room, but we didn't find anything.`@` ...But, that doesn't mean we know that the room didn't have something like a secret hidden passage that only the servants know about."`\ ld l,$ROS_KomaruA4,80 ;「それがどこに隠されていたかはわからないけれど、@その隠し通路を仮定し推理することで、彼しかありえないと断言できるのよ。」\ ;＜楼座 `"We don't know where that might be hidden, `@`but if we assume that there was a hidden passage, we can make the claim that it was impossible for anyone except him."`\ se1 56 E_MA meta_set meta_ld r,$BUT_NayamuA1,24 ;■メタ ;「………………その推理はよぅ。@…俺も一番最初に考えた。@……一番嫌な推理だから、一番最初にその可能性を潰したかった…。」\ `"...............You know, that line of reasoning, `@`...I also thought that in the very beginning.`@` ......It's the reasoning I hate the most, so I wanted to destroy it in the very beginning..."`\ meta_ld l,$BEA_waraiA1,23 ;「くっくっくっく…。@/ `"*cackle*cackle*... `@/ se1 59 ;“#ff0000嘉音はこの部屋で殺された#ffffff”、であろう？」\ `'#ff0000Kanon was killed in this room#ffffff', right?"`\ meta_ld l,$BEA_AkuwaraiA1,80 ;「そなたは嘉音が犯人であると疑いそうになった為、真っ先にその可能性を潰すために、これを復唱させたのだ。@わかっておるわかっておる。@くっくっく……。」\ `"Because you seemed to suspect Kanon as the culprit, you made me repeat this to destroy that possibility right away.`@` I understand, I understand.`@` *cackle*......"`\ meta_ld r,$BUT_oyaA1,80 ;「…だから、その次に考えたのはこうだった。@あの部屋にいたのは実は３人だったという説だ。@朱志香と嘉音くんは被害者。@そして犯人である来客ベアトリーチェも一緒にいた、という考えだ。」\ `"...So this is what I thought next.`@` A theory that there were actually three people in that room.`@` Jessica and Kanon-kun were victims.`@` And I thought that the culprit, the guest Beatrice, was also there with them."`\ meta_ld l,$BEA_WaraiA1,80 ;「そなたは、“人間である妾”が魔法を使わずに犯行を行なったことにしたいのだったな。@なるほど、そなたにぴったりの珍説であるぞ。@くすくす。」\ `"You wanted to make it 'the human me' who committed the crime without using magic.`@` I see, a strange theory that fits you perfectly.`@` *giggle*giggle*."`\ meta_ld r,$BUT_NiramuA1,80 ;「……お前は二人を殺し、内側から施錠した。@そして、嘉音くんの死体を担いで、普通の人は気付かない秘密の方法、@……つまり、隠し扉を使って部屋から脱出したんだと読んだ。」\ `"......I guessed that you killed those two, then locked the door from the inside.`@` And you carried Kanon-kun's corpse using some secret method that normal people wouldn't notice.`@` ......In other words, you used a secret door to escape."`\ meta_ld r,$BUT_nayamuA1,80 ;「しかしお前に赤で言われちまった。@…あの部屋に隠し扉の類はないってな。」\ `"But you told me it in red.`@` ...You said that there are no types of hidden doors."`\ meta_ld l,$BEA_FutekiA1,80 ;「うむ。@お前たちの知らない秘密の通路は存在せぬぞ。@ノックスだったか、ヴァンダインだったか。@何でもミステリーには秘密の通路があってはいけないらしい。@そのお作法に妾も従ったということよ。」\ `"Hmm.`@` No secret passage exists that you all do not know of.`@` Was it Knox, or was it Van Dine?`@` It seems that in mystery novels, there must not be hidden passages, no matter what.`@` I also follow that etiquette."`\ meta_ld l,$BEA_waraiA1,80 ;「つまり名探偵は、部屋を調べ尽くさずして、隠し通路がないと断言できるわけだ。@………くっくっくっく、人間の推理ごっことは何とお気楽なものよの。」\ `"So even without having to thoroughly search the room, a famous detective could claim that there are no secret passages.`@` .........*cackle*cackle*, playing as human detectives is so easy."`\ meta_ld r,$BUT_KuyasigaruA1,80 ;「くそ、デケェこと言いやがるぜ…。@/ `"Damn you, talking so big... `@/ meta_ld r,$BUT_NayamuA1,80 ;ありがとよ。@魔女さまのお取り計らいのお陰で、俺も部屋を探し尽くさずに、あの部屋に隠し扉がないと断言できるぜ。」\ `Thanks.`@` Thanks to the witch's arrangement, I can claim that the room doesn't have a hidden door without searching the whole thing."`\ meta_ld l,$BEA_DefA1,80 ;「うむ。@/ `"Hmm. `@/ se1 59 ;#ff0000この部屋に隠し扉はない#ffffff。@/ `#ff0000There are no hidden doors in this room#ffffff. `@/ se2 59 ;#ff0000扉と窓以外に出入りする方法はない#ffffff。」\ `#ff0000There is no way to get in or out other than the door and the windows#ffffff."`\ meta_ld r,$BUT_nayamuA2,80 ;「……ってことはよ。@…今、楼座叔母さんがぶってる自信満々の仮説は、/ ;!d800……間違ってるってわけだ。@/ `"......Which means, `@`...that theory Rosa oba-san's so confident in, `/ !d800`......is wrong. `@/ meta_ld r,$BUT_futekiA1,80 ;…しかも悔しいことにこの仮説は反証不能だ。@……魔女のお前は、赤で“/ `...Furthermore, it's annoying, but it's impossible to disprove that theory.`@` If you, the witch, say '`/ se1 59 ;#ff0000隠し扉はない#ffffff”と断言すればそれで決着する。」\ `#ff0000there are no hidden doors#ffffff' in red, then it's settled."`\ meta_ld r,$BUT_nayamuA1,80 ;「……しかし人間の俺は、楼座叔母さんにそれを反論しても受け容れられないだろう。@ `"......However, no matter how much a human like me tries to argue against her, Rosa oba-san probably won't accept it.`@ br ;　(隠し扉がないことを人間は証明できない/・・・・・・・・・・・・・・・・・・)。@ ;　悪魔の証明になっちまう。@……………くそ。@魔女ってのは便利だな…。」\ ;＜隠し扉がないこと人間は証明できない：点処理 (`Humans can't prove there's no hidden door`/・・・・・・・・・・・・・・・・・・)`.`@ `It's a Devil's Proof.`@` ............Damn.`@` It sure is convenient being a witch..."`\ ;■元 se1 56 me1v 5,55 me2v 13,40 meta_end ld r,$GEO_IkariA1k,24 ;「……そんな！@　あるかないかもわからない隠し扉を理由に、嘉音くんを犯人呼ばわりするなんて…。@僕は、…納得できないな。」\ ;＜譲治 `"......No way!`@` You're calling Kanon-kun the culprit because of a hidden door that we don't know exists...`@` I, ...can't accept that."`\ ld l,$ROS_nayamuA1,80 ;「納得できないなら、より納得できる推理を聞かせて？@/ `"You can't accept that, so you'd like to hear some reasoning that is easier to accept? `@/ ld l,$ROS_IkariA1,80 ;　………ないのよ。@私はずっと考えてる。@これしかないのよ！」@ ;＜楼座 `.........There is none.`@` I've been thinking the whole time.`@` There's nothing but this!"`@ ld r,$GEO_KomaruA1,80 ;「…………………………。」\ ;＜譲治 `"........................"`\ cl a,0 ld c,$ROS_ikariA3,23 ;「譲治くんは紗音ちゃんと仲が良かったわね。@だから使用人全員が犯人であることは受け容れがたいと思うの。@/ `"George-kun, you had a good relationship with Shannon-chan, right?`@` So I think it would be hard for you to accept that all of the servants are the culprits. `@/ ld c,$ROS_NayamuA1,80 ;私も、紗音ちゃんが犯人の一味であるなんて信じたくない。@………でも、全員であるか否かはともかく、確実にあの中に犯人もしくは共犯がいるのよ。@それだけは見誤っちゃ駄目！」\ ;＜楼座 `I also don't want to believe that Shannon-chan is one of the culprits.`@` .........But whether it's all of them or not, the culprit, or maybe an accomplice, is definitely in that group.`@` You must not fail to see that!"`\ bg M1F_S1bR,0 ld r,$BUT_NiramuA3,23 se1 21 ;「……嘉音くん以外にも狼がいると見てたんなら。@…朱志香の部屋で犯人は嘉音くんだと大騒ぎしたのは、使用人たちの反応を見るため、だったっていうのか…？」\ ;＜戦人 `"......If you thought that someone other than Kanon-kun was a wolf, `@`...then causing that uproar by saying that Kanon-kun was the culprit in Jessica's room was to see the servants' reactions...?"`\ ld l,$ROS_majimeA1,23 ;「えぇ、そうよ。@そしてその結果、私は一層の疑いを持つに至ったわ。@……確実に使用人の中に狼がいる。@確実にね。@そして、“狼と羊のパズル”のように、普段は大人しくしているけれど、チャンスがあったら襲ってくるに違いないの。」\ `"Yes, that's right.`@` And as a result, I began to suspect them even more.`@` ......There certainly is a wolf among the servants.`@` Certainly.`@` And, just like the 'Wolves and Sheep Puzzle', while they are normally docile, they will surely attack if they get the chance."`\ ld l,$ROS_KomaruA4,80 ;「……朱志香ちゃんは一人で船に乗った羊よ。@……あのパズルでは等数の時は襲ってこないけど、私たちのパズルは違う。@チャンスと人数次第なら等数でも襲ってくる。@朱志香ちゃんが殺されたように！」\ ;＜楼座 `"......Jessica-chan was a lone sheep on the boat.`@` ......In that puzzle, they may not attack when there is a balance between wolves and sheep, but our puzzle is different.`@` Depending on the opportunity and the number of people, they'll attack even if there is a balance.`@` Just like when Jessica-chan was killed!"`\ cl r,23 ld r,$GEO_IkariA1,64 ;「………ぼ、僕は怒りたいことがある！@　じゃあ、厨房へ行かされてる紗音は危険な状態じゃないか！！@　今すぐ僕たちも厨房へ行くべきだ！@　誰が狼だろうと狼でなかろうと！@　僕たち全員が揃っていれば均衡するなら、それを保ち続けるべきだと思う！！」\ `".........Th, there's something I don't like!`@` In that case, Shannon, who you had go to the kitchen, is in a dangerous situation, right?!!`@` We should also go to the kitchen right now!`@` No matter who might or might not be a wolf!`@` If we can form a balance by gathering together, I think we should maintain that!!"`\ bg black,25 mono 1 bg Mlib_1a,0 ld r,$SHA_komaruA1,0 ld l,$GEN_majimeA2,22 ;「……紗音ちゃんは、お父様のところへ源次さんと一緒に行った。@その時に孤立したはずなのに殺されなかった。@/ `"......Shannon-chan went to see Father along with Genji-san.`@` At that time, she was supposedly isolated, but she wasn't killed. `@/ bg black,22 mono off ;源次さんも狼ではないから？」\ `Because Genji-san wasn't a wolf either?"`\ bg M1F_S1aR,0 ld c,$ROS_IkariA3,22 ld c,$ROS_IkariA4,80 ;「……違うわ！@　二人とも狼だったからよ！！」@ `"......That's wrong!`@` Because they were both wolves!!"`@ ld r,$GEO_IkariA1k,64 ;「紗音は悪事の片棒を担ぐような人じゃないッ！！@　いくら楼座叔母さんでもそれは聞き流せません。@今の発言に対し、僕は取り消しを要求します…！」\ ;＜譲治 `"Shannon isn't the kind of person who would take part in a crime!!`@` Even if it's you, Rosa oba-san, I cannot ignore that.`@` I demand that you take back what you just said...!"`\ bg M1F_S1cR,0 ld l,$BUT_NayamuA2,24 ;「…兄貴の前で悪いが、その論法。@……絵羽伯母さんの雰囲気にそっくりだなぁ。@/ `"...I hate to say this in front of Aniki, but that argument, `@`......feels just like something Eva oba-san would say. `@/ ld l,$BUT_NiramuA1,80 ;こっちが反論できなきゃ自動的に自分が正しいみたいな。@……やっぱり血は争えないな、叔母さん。」\ ;＜戦人 `If we can't argue back, then you automatically assume that you're right.`@` ......Looks like you can't fight your blood after all, Oba-san."`\ ld r,$ROS_NayamuA1,24 ;「………私だって、今の自分はあまり褒められたものじゃないとは思ってる。@/ `".........Even I don't think of myself as very praiseworthy right now. `@/ ld r,$ROS_IkariA3,80 ;でもね、私は母なの！@　真里亞の無事を守るためなら鬼にもなるわ。@本当なら、真里亞と二人きりでどこかに閉じ篭っていたいくらいよ。」\ `But guess what? I'm a mother!`@` I would even become a demon to protect Maria's safety.`@` I really wish I could shut myself away somewhere alone with Maria."`\ ld r,$ROS_MAJIMEA1,80 ;「……でも、私は同時にあなたたちの母でもあるつもりなの。@今やあなたたちは私の子どもも同然。@……私は自分の子じゃないからと言って、…あなたたちを見捨てたりしない。@………絶対。」@ ;＜楼座 `"......But I also plan to act as a mother to you two.`@` Right now, you are as good as my children.`@` ......Even if you aren't my own children, ...I won't forsake you.`@` .........Definitely."`@ ld l,$BUT_FutekiA1,80 ;「……そりゃどうも。」\ ;＜戦人 `"......Sure, thanks."`\ ld r,$ROS_komaruA4,80 ;「私は、あなたたちの母として、油断しないでと警告したかっただけなの。@ `"I just wanted to warn you not to be careless, as your mother.`@ br ;(常に私の目に届くところにいて/・・・・・・・・・・・・・)。@私があなたたちを守ってあげる。」\ ;＜常に私の目に届くところにいて：点処理 (`Always remain where I can see you`/・・・・・・・・・・・・・・)`.`@` I will protect you."`\ ld l,$BUT_oyaA1,80 ;「ついでに、俺たちが“狼”でないことも、監視してくれるってわけだ。@/ `"And at the same time, you'll be observing us to make sure we aren't 'wolves'. `@/ ld l,$BUT_nayamuA2,80 ;…そりゃあありがたいぜ。@………そういう叔母さんは自分が“狼”ではないって証明はできるのかよ？」\ ;＜戦人 `...Yeah, thanks a lot for that.`@` Can you, Oba-san, prove that you aren't a 'wolf' yourself?"`\ ld r,$ROS_akuWaraiA1,80 ;「えぇ、できるわ。」@ ;＜楼座 `"Yes, I can."`@ ld l,$BUT_aseruA1,80 ;「即答っすね。@どうやって。」\ ;＜戦人 `"That's a quick answer.`@` How?"`\ se1 43 bg black,1 ;「これよ。@…これが証拠よ。」\ `"With this.`@` ...This is my proof."`\ bg M1F_S1cR,0 ld c,$ROS_akuWaraiB1G,26 ;　楼座叔母さんは銃を構え、その銃口をあろうことか俺に向ける。\ `Rosa oba-san held up the gun, and pointed the barrel at me.`\ ld c,$ROS_WaraiA1G,80 ;　しかし、それは一瞬のことだ。@ `But that was only for an instant.`@ br ;　すぐに悪戯っぽく笑いながら銃を下ろす。@ ;　……しかし俺には、銃口の中が覗けるくらいに長い時間に感じられた。\ `She immediately lowered the gun, laughing impishly.`@ `......But to me, the time I spent staring down the barrel of the gun had felt like an eternity.`\ bg M1F_S1bR,23 ld r,$GEO_MajimeA3,24 ;「…その銃が、どう楼座叔母さんが犯人でないことを証明するというんですか。」\ ;＜譲治 `"...How does that gun prove that you aren't the culprit, Rosa oba-san?"`\ ld l,$ROS_nayamuA1G,23 ;「考えてもみて。@私が犯人だったらどう？@　使用人たちが出て行ったこの千載一遇の機会を逃すと思う？@/ `"Think about it.`@` What if I were the culprit?`@` Did you think I would let the once-in-a-lifetime chance I got when the servants left get away? `@/ ld l,$ROS_AkuwaraiA1G,80 ;　あなたたちをズドンと撃って、後は適当な言い訳をするだけよ。@窓の外にベアトリーチェが現れて銃を撃ってきた、とかね。@私は二発を撃ち返したと称して、二発分の空薬莢を床に捨てればいい。」\ ;＜楼座 `I could just shoot you, *bang*, and think of a fitting excuse later.`@` Something like, Beatrice appeared outside the window and shot you with a gun.`@` I would claim that I fired off a second shot back at her, and throw away two shots worth of empty cartridges."`\ cl r,23 ld r,$BUT_aseruA1,24 ;「そりゃ、すげぇ乱暴な理論だが、確かに一理あるぜー。いっひっひっひ！」\ `"That's a crazy violent argument, but it does make sense. Ihihihi!"`\ cl a,0 ld c,$ROS_NayamuA1G,23 ;「蔵臼兄さんが昔、よく言ってたわ。@力こそ正義ってね。@………これが正にそうなのかしら？」\ `"Long ago, there's something Krauss nii-san often said.`@` Might is right.`@` .........I wonder if that's really true?"`\ ld c,$ROS_WaraiA1,80 ;「………ごめんなさいね、二人とも。@私も今朝からの事件続きでかなり冷静を失ってる。@普段の私を知る二人から見れば、今の私は余裕がなくて少し短気そうに見えるかもしれない。@/ `".........I'm sorry, you two.`@` I've somewhat lost my composure after all these crimes since morning.`@` Since you know how I normally am, right now I must seem inflexible and a little short-tempered. `@/ ld c,$ROS_MajimeA1,80 ;…でもわかって。@私は悪意ある犯人からあなたたちを守りたい。@その為には鬼になる。@それだけのことなの。@……怒らせるようなことを言ってごめんなさいね。@戦人くん。譲治くん。@…仲直りしましょ。」\ ;＜楼座 `...But understand.`@` I want to protect you from the malicious culprit.`@` I will become a demon to do that.`@` That's all there is to it.`@` ......I'm sorry for saying something that's angered you.`@` Battler-kun, George-kun.`@` ...Let's make up."`\ bg M1F_S1aR,0 ld l,$GEO_KomaruA1k,23 ;　譲治の兄貴は釈然としない表情を浮かべている。@ ;　…紗音の名誉を傷付けたことが許せないのだろう。\ `An unsatisfied expression rose to George-aniki's face.`@ `...He probably couldn't forgive the damage done to Shannon's honor.`\ bg black,25 ;　…俺はどうだ…？@ ;　いくつかの状況証拠が、使用人の誰かの関与を濃厚に漂わせている。@ `...What about me...?`@ `Several bits of circumstantial evidence hinted at the servants' participation.`@ br ;　……俺は誰かが犯人、もしくは犯人に内通しているなんて信じたくないが、@…現状では単なる希望的憶測の域を出ない。\ `......I didn't want to believe that one of them was the culprit, or possibly colluding with the culprit,`@` ...but in the current situation, that was nothing but wishful thinking.`\ bg M1F_S1dR,22 me3 11 ;　俺は誰を信じればいいんだ。@ `Who should I believe?`@ br ;　そもそも誰が犯人なんだ。@ ;　共犯はいるのか？@ ;　いるなら何人？！\ `In the first place, who was the culprit?`@ `Were there accomplices?`@ `If so, how many?!`\ ;　……何だか俺は、関係者を疑ってばかりだ。@ ;　…そもそも、昨日やってきて黄金の魔女を大胆にも名乗った、１９人目の来客、@ベアトリーチェさまをすぐ忘れちまう。\ `......It seems that I've only been suspecting the people involved.`@ `...I had quickly forgotten that 19th person, `@`the guest, Beatrice, who had come yesterday and boldly called herself the Golden Witch.`\ bg black,22 bg portrait3,22 ;　実のところ、俺は顔を見ていない。@ `I hadn't actually seen her face.`@ ;　魔女の肖像画に瓜二つだったと話は聞いてるが、@直接見た訳ではないため、どうしてもこの島に１９人がいるという実感がわかない。@ `I'd heard that she was like a double of the witch in that portrait,`@` but because I hadn't seen her directly, no matter how hard I tried, I couldn't really feel like a 19th person was on this island.`@ br ;　…だからつい、１８人の中に犯人がいるような錯覚になっちまう…。\ `...So I had unconsciously been hallucinating that the culprit was one of the 18...`\ bg M1F_S1bR,0 ld c,$BUT_nayamuA1,22 ;　くそ……。@出て来いよベアトリーチェ。@ `Damn it......`@` Come out, Beatrice.`@ ;　悪役なら悪役らしく、甲高い声で大笑いして俺たちを見下して見せろってんだ。@ `If you're the bad guy, then act like the bad guy, and show yourself, laughing in a high-pitched voice and looking down on us.`@ br ;　よくその手のドラマであるみたいに、もう犯人であることはバレてるくせに、@「証拠はおありなの？」、なんて居直る悪役みたいによ。\ `Just like the bad guy in one of those dramas who, even though they are exposed as the culprit, `@`aggressively says 'is there any proof?'`\ se1 56 meta_set meta_ld r,$BEA_WaraiA2,24 ;■メタ ;「くっくくくくくくくくくくくくく。@証拠はおありかの？」@ `"*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*.`@` Is there any proof?"`@ meta_ld l,$BUT_nayamuA1,23 ;「うっせぇ、てめぇはしばらく黙ってろ…。」\ `"Shut up, no more talking..."`\ se1 56 meta_end textoff bg black,5 fede 0,3000 wait 1000 me1v 5,85 me2v 13,70 dllefe 1,1 bg M_o1bR,22 wait 3000 bg black,5 dllefe_off mevol 1,55 mevol 2,40 me3 11 wait 1000 bg Mkit_1bR,26 ;■厨房 ;　厨房には５人もの人間がいたが、雨の音が満たしているだけで、とても静かだった。@ `There were five humans in the kitchen, but it was very quiet, filled only with the sound of the rain.`@ br ;　紗音と熊沢の洗う食器の音だけがアクセントだ。\ `It was only accented by the sound of Shannon and Kumasawa washing the dishes.`\ bg black,24 bg Mkit_1aR,0 ld c,$GOH_omakaseA3,24 ;　郷田は、使われず余った朝食と昼食の材料を使って、賄いのスープを作っているところだった。\ `Gohda was using the leftovers from breakfast and lunch as ingredients for a soup.`\ cl a,23 ;　……楼座から毒が盛られたかもしれないと疑われて、缶詰を食べることになってしまったが、食べた気がするものではなかった。@ `......Rosa had suspected that poison might have been added to the food, so they had decided to eat canned food, but it hadn't really been satisfying.`@ br ;　しかし郷田は、それを気にし過ぎだと思っていた。@ ;　なので、飲みたい人にだけ振舞おうと、自発的にスープを作り出したのだった。\ `But Gohda thought that she was being too careful.`@ `So he was spontaneously creating a soup to be served only to those that wanted to drink it.`\ bg black,24 bg Mkit_1cR,0 ld r,$SHA_TokuiA1,0 ld l,$KUM_DefA1,24 ;　紗音と熊沢は、お昼の盛り付けに使った食器を洗っている。@ `Shannon and Kumasawa were washing the dishes that the food had been arranged on.`@ br ;　二人とも内心は、郷田が皿に盛りたいと言い出したのだから、郷田が洗うべきじゃないんだろうかと思っていたが、@とりあえず不平は言わずにおいた。\ `On the inside, they thought maybe Gohda should be the one to wash them since he had been the one who wanted the food on plates in the first place,`@` but they left their complaints unsaid for the time being.`\ bg black,23 bg Mkit_1bR,0 ld l,$NAN_DefA1,0 ld r,$GEN_MajimeA2,23 ;　源次と南條は、年季の入った粗末なチェスセットで向かい合っている。\ `Genji and Nanjo were facing each other across a crude chess set which had many years of experience.`\ bg black,25 bg chess1,22 ;　…まだまだ始まったばかり。@ `...It had still only just begun.`@ br ;　そして年季の入ったプレイヤーの序盤は限りなく洗練されているため、@互いが決まった順序で決められた駒を動かすだけの儀式のように見えた。\ `And because the opening game of the experienced players had been endlessly refined,`@` it looked like a ceremony where they just moved specified pieces in a specified order.`\ bg black,25 bg Mkit_1cR,22 ld r,$KUM_WaraiA2,24 ;「よい匂いですねぇ…。@やはり缶詰ではこうは行きませんねぇ。」@ ;＜熊沢 `"That's a nice aroma...`@` You wouldn't get this from canned food."`@ ld l,$GOH_HohoemiA1,23 ;「開封した食材だけで作りましたので、毒が混入しているなんてことはありませんよ。@/ `"It was made only from sealed ingredients, so there won't be any poison mixed in. `@/ ld l,$GOH_OmakaseA3,80 ;皆さんの分もお作りしていますので、ぜひ食べましょう。@もちろん、私もお毒見しますよ。@安心して召し上がってください。」\ ;＜郷田 `I am making enough for everybody, so please, eat.`@` Of course, I will also taste for poison.`@` Please feel secure and eat."`\ ld c,$SHA_WaraiA2,24 ;「本当にいい匂いですね。@郷田さんの料理は本当に美味しいです。」@ ;＜紗音 `"That really is a nice aroma.`@` Gohda-san, the food you cook really is delicious."`\ ld l,$GOH_WaraiA1,80 ;「美味しい材料を買ってきて美味しい料理が作れるのは当り前です。@/ `"It's natural that you can create delicious food if you buy delicious ingredients. `@/ ld l,$GOH_HohoemiA1,80 ;……私は師匠に、有り合わせの物で美味しく作る賄い料理を極めてこそ、真の料理人だと習いました。」\ `......My master taught me that perfecting your ability to make delicious food from whatever is at hand is what makes you a true cook."`\ bg Mkit_1bR,0 ld r,$NAN_fumuA1,23 ;「それは良い師匠でしたな。@お陰で私はとても美味しいスープをご馳走になれそうです。」@ ;＜南條 `"That was a good master.`@` Thanks to him, it looks like we can enjoy some truly delicious soup."`@ ld l,$GEN_DefA1,23 ;「……親族の皆さんにお召し上がりいただくための材料で作ることになってしまったのが残念ですが。」\ ;＜源次 `"......Although it is a shame that it was made from ingredients intended for all of the family members to eat."`\ ld r,$NAN_komaruA3,80 ;「楼座さんも、朝からの色々でお疲れなのでしょう。@無理もないことです。」@ ;＜南條 `"I'm sure that Rosa-san is also tired after everything that happened this morning.`@` It is only natural."`@ ld c,$KUM_waraiA1,23 ;「でも、そのお陰で、おいしい食材のスープが飲めるのですからねぇ、ほっほっほ。」\ ;＜熊沢 `"But thanks to that, we get to drink some soup made from delicious ingredients, hoh-hoh-ho."`\ bg black,24 ;　楼座は一同に、危機感が足りない、毒の混入も疑えと熱弁をふるった。@ `Rosa had fervently told everyone that they didn't notice the danger they were in, and that they must suspect that poison was mixed in with the food.`@ br ;　その場の雰囲気でそれに納得してしまったが、@空腹というものはそんな一時の感情で納得してくれるものではなかったということだ。\ `The atmosphere in this place accepted that, `@`but their hunger wouldn't be overcome by that momentary emotion.`\ bg Mkit_1aR,0 ld c,$GOH_OmakaseA2,24 ;「皮肉にも、普段の私たちではとても味わえないスープとなりました。@/ `"Ironically, it has become a soup that we normally wouldn't be able to savor. `@/ ld c,$GOH_DefA1,80 ;できるなら、客間の皆さんにもぜひ振舞いたいところなのですが…？」@ ;＜郷田 `I would like to also serve it to everyone in the parlor, but...?"`@ ld r,$GEN_MajimeA2,24 ;「……楼座さまのご指示に背いている以上、止した方がいいだろう。@……飲みたい者だけ飲むといい。」\ ;＜源次 `"......Seeing that would violate Rosa-sama's instructions, it would be better to give it up.`@` ......It is alright if only those who want to drink it do so."`\ ld l,$KUM_WaraiA1,24 ;「ほっほっほっほ。@見えないところで上手に息抜きをするのも、使用人の心得でございますものねぇ。」@ ;＜熊沢 `"Hoh-hoh-hoh-ho.`@` Skillfully taking a breather when no one is looking is also something a servant knows, isn't it."`@ cl r,23 ld r,$SHA_WaraiA3,0 ld c,$GOH_OmakaseA2,80 ;　熊沢がからからと笑うと、紗音と郷田も一緒に笑う。@ `When Kumasawa cackled, Shannon and Gohda also laughed.`@ br ;　使用人仲間たちだけが集まったこの空間は、彼らにとってとてもリラックスできるもののようだった。\ `It seemed that, in an area where only their fellow servants were gathered, they could be very relaxed.`\ ;　紗音は、郷田がたまに見せるズルさが苦手だったが、@料理を作る時の子どもらしい笑顔と、@自分の料理でみんなに喜んでもらいたいという気持ちに関してだけは偽りがないことを知っていた。@ `Shannon didn't like Gohda's occasional dishonesty,`@` but she knew that there was no falsehood in his childish smile when he cooked food, `@`nor in his desire that people enjoy his food.`@ br ;　だから、こうして皿を洗わせられるのはちょっぴり腹立たしかったけど、@何となく憎めないと思うのだった。\ `So even though it was a little aggravating to be made to wash the dishes, `@`she couldn't really hate him.`\ bg Mkit_1cR,22 ;　しかし、彼らがこうして和やかに過ごすのとまさか同じ頃、楼座が客間で、使用人たちを狼呼ばわりしているなど、夢にも思うまい……。\ `However, they couldn't have dreamed that Rosa was calling them wolves in the parlor at exactly the same moment that they were spending their time peacefully like this......`\ bg black,1 E_A wait 2000 ;　その時、何人かの使用人が、ずるる、どしゃり、という音を聞いた。@ `At that time, several of the servants heard a sound like something was being dragged, and then a *thump*.`@ me1v 5,55 me2v 12,40 br ;　それは雨の日にゴミ袋の山を運んだり、@あるいは雨合羽で作業をして帰ってきた使用人などが、勝手口の辺りにいる時に立てる音や気配そのものだった。\ `It seemed like the sound made by a servant outside the back door when they were carrying a mountain of trash bags on a rainy day,`@` or maybe when a servant was returning from work wearing a raincoat.`\ bg Mkit_1bR,22 ;　だからその音を聞いて、特別に違和感を感じる者は最初、いなかった…。@ `So after hearing that sound, at first, none of them noticed anything out of the ordinary...`@ bgm1 36 br ;　しかしすぐに気付く。@ ;　…………客間と厨房に全ての人間がいるこの状況下で、一体、誰が勝手口に…？！@ `But they quickly realized.`@ `............In a situation where everyone was either in the kitchen or the parlor, who in the world was at the back door...?!`@ br ;　使用人たちは互いの顔を見合いながら、その音の意味するところを互いが理解しているかを確認し合う。\ `As the servants all looked at each other, they checked to make sure that each one of them knew what that sound meant.`\ ld r,$KUM_komaruA1,24 ;「だ、………誰でございましょう……？」@ ;＜熊沢 `"Wh, ..........who could it be......?"`@ br ;　使用人たちは屋敷の構造をよく理解している。@ ;　だから、客間の誰かが、わざわざこの台風の中を表に出て、@ぐるりと回って勝手口までやって来ることが考えられないことを理解していた。\ `The servants knew the mansion's layout well.`@ `So they understood how incomprehensible it would be for someone from the parlor to actually go outside in this typhoon,`@` go all the way around, and come up to this back door.`\ ;　ならば金蔵が？@　…普段だって書斎から出てこない金蔵が、@何を思ったか台風の中に飛び出して、下々の者しか出入りしないような裏手にやって来るなんて、なお考えられなかった。\ `Then was it Kinzo?`@` ...They couldn't imagine that Kinzo, who never left his study, `@`would dash out into the middle of this typhoon and come to the back of the house, where only low class people came in or out.`\ ld l,$SHA_KomaruA1,23 ;!s0「……き、/ ;!d400……気のせい、/ ;!d600じゃないですよね……？」/ !s0`"......Th, `/ !d400`......that wasn't, `/ !d600`our imagination, was it......?"`/ !sd@ ;＜紗音 ld r,$KUM_OdorokiA1,80 ;「…………あわわわわわわわわ…。」@ ;＜熊沢 `".............Awawawawawawawawa..."`@ ;　紗音と熊沢は身を寄せ合いながら、恐ろしそうに勝手口を見る…。\ `Shannon and Kumasawa drew close together, fearfully looking at the back door...`\ bg Mkit_1aR,0 ld r,$GOH_odorokiA1,23 ;「…ど、…どちら様ですか……？」@ ;＜郷田 `"...Wh, ...who is it......?"`@ ;　郷田は恐る恐る勝手口に近付きながら声を掛ける。@ ;　……そして、近くの流しに置いてある肉切り包丁の位置を目で確認する。@ `As Gohda fearfully approached the back door, he called out.`@ `......And he checked with his eyes the location of a butcher's knife set in a nearby sink.`@ br ;　……まだ手には取らない。@ ;　家人の誰かの可能性もあるから。@ ;　しかし、その可能性はありえない…。\ `......He didn't pick it up yet.`@ `Because there was still a possibility that this was a member of the family.`@ `However, that possibility wasn't possible...`\ ;　郷田の最初の問い掛けに、扉の向こうから返事はなかった。@ ;　…声が小さかったから、風雨の表には届かなかったのかもしれない。\ `There was no response from across the door to Gohda's initial question.`@ `...Maybe his voice had been so quiet that it hadn't reached through all the wind and rain outside.`\ ld r,$GOH_IiwakeA2,80 ;「………源次さん。」@ ;＜郷田 `".........Genji-san."`@ ld c,$GEN_MajimeA1,23 ;「……うむ。@………南條先生と女たちは下がって。」@ ;＜源次 `"......Hmm.`@` .........Stand back, Doctor Nanjo and the women."`@ ld l,$NAN_KomaruA4,23 ;「…い、……一体、どなたなんですかな……。」\ ;＜南條 `"...Wh, ......who in the world could it be......"`\ bg black,23 ;　源次はチェスの脇に置かれていた文房具箱の中にあったクラシックなデザインのナイフを取る。@ `Genji took a knife with a classical design from a stationary box placed near the chess set.`@ br ;　…それは、納品書や請求書の封筒を開けるのに、ペーパーナイフ代わりにしていたものだった。@ `...It was something to be used instead of a paper knife to open envelopes for statements of delivery and bills.`@ br ;　しかし本来はナイフ。@ ;　だからそれには人を傷付ける刃が付けられている…。\ `But it was fundamentally a knife.`@ `So the blade on it could injure someone...`\ bg Mkit_1aR,22 ld c,$GEN_MajimeA2,24 ;　源次はそれを、慣れた手つきで袖の内側に隠し持つ。@ ;　そして自らも勝手口に近付き、郷田に無言で頷いて合図を送った。@ `Genji hid it in his sleeve with a well-practiced manner.`@ `Then they both approached the back door, Gohda silently signaling his approval.`@ br ;　郷田は慎重に勝手口に近付き、………ゆっくりと開けて行く……。\ `Gohda cautiously approached the back door, .........and slowly started to open it......`\ bg black,10 cross1 3000,85,70,0,0,0 bg white,1 bg black,22 ;!s0「わッ、わひゃああぁあああああぁっあぁぁぁ…ッ！！！」/ !s0`"Wa, wahyaaaaaaaaaaaaaaaaaaaaaaaaa...!!!"`/ se1 13 quakey 3,1000 !sd@ br ;　突然の人影がずるりと現れ、そして膝を付き、倒れた。@ ;　郷田は腰を抜かすように後に転げ尻餅を付く。@ `The shadow of a person suddenly shuffled into sight, landed on its knees, and fell over.`@ `Gohda fell backwards onto his backside and couldn't get up.`@ br ;　その人影は雨でぐっしょり濡れ、泥まみれの、血塗れだった…。\ `That human shadow was soaked with rain, smeared with mud, and drenched with blood...`\ bg Mkit_1bR,0 ld r,$SHA_OdorokiA2,22 E_A bgm1 15 ;「か、…………嘉音くんッ？！@　嘉音くん！！」@ ;＜紗音 `"K, ............Kanon-kun?!`@` Kanon-kun!!"`@ ld l,$GEN_MajimeA1,23 ;「………嘉音。@大丈夫か…。@南條先生…！」\ ;＜源次 `".........Kanon.`@` Are you alright...?`@` Doctor Nanjo...!"`\ bg black,25 bg blood_1a,22 me1v 5,55 me2v 12,40 ;　それは嘉音だった。@ `It was Kanon.`@ br ;　……息も絶え絶えで、……すぐに彼の作る泥の水溜りは真っ赤に染まっていく。\ `......His breath was feeble, ......and the puddles of mud he left quickly became drenched bright-red.`\ ;　南條が抱きかかえ仰向けにすると、胸の真ん中に、槍か何かで突き刺されたような、深く惨たらしい傷跡があった。@ `When Nanjo held him and turned him face up, there was a deep, gruesome scar right in the center of his chest, as though a spear or something had been stuck there.`@ br ;　そこからは今もどくどくと真っ赤な血が溢れ出している…！\ `Even now, deep-red blood poured out from there...!`\ bg Mkit_1cR,0 ld r,$KUM_KomaruA1,22 ;「こ、ここ…これは酷いですよ…。@ど、どうしましょう、救急箱ですか？　救急箱ですか？！」@ ;＜熊沢 `"Th, th th...this is horrible...`@` Wh, what shall we do, first aid kit? First aid kit?!"`@ ld l,$NAN_KomaruA2,63 ;「嘉音さん、傷口に手を当てて！@　しっかり押さえて下さい！@/ `"Kanon-kun, put your hand against the wound!`@` Please, push firmly! `@/ ld l,$NAN_MajimeA2,80 ;　使用人室のベッドに運びましょう！！@　皆さん、手を貸してください。」\ ;＜南條 `Let's carry him to the bed in the servant room!!`@` Everyone, please, lend a hand."`\ bg Mkit_1aR,0 ld r,$GOH_IkariA1,24 ;「さ、さぁ嘉音さん！@　しばらく我慢してください…！」@ ;＜郷田 `"C, come now, Kanon-san!`@` Please, hang in there a little longer...!"`@ ld l,$SHA_OdorokiA1,23 ;「しっかりしてッ！！@　もう大丈夫よ！！@　だから傷口から手を離さないで…！！」@ ;＜紗音 `"Hang in there!!`@` It's alright now!!`@` So don't take your hand from the wound...!!"`@ ld c,$GEN_DefA1,23 ;「とにかく、使用人室へ運ぼう。@……熊沢は楼座さまに、嘉音が見付かったことの報告を。」\ ;＜源次 `"Anyways, let's carry him to the servant room.`@` ......Kumasawa, inform Rosa-sama that we have found Kanon."`\ bg black,22 se1 38 se2 21 ;「ま、………待って………。@……楼座さまには、/ ;!d800………だめ………。」\ ;＜嘉音 `"W, .........wait.........`@`......not, `/ !d800`.........to Rosa-sama........."`\ bg Mkit_1aR,0 ld c,$GOH_iiwakeA2,66 ;「…待って下さい！@　嘉音さんが、楼座さまには…、だめ、だと言っています…。」@ ;＜郷田 `"...Please wait!`@` Kanon-san said not..., to Rosa-sama..."`@ ld r,$SHA_KomaruA1,64 ;「……ど、どういう意味なの、嘉音くん…！」\ ;＜紗音 `"......Wh, what do you mean, Kanon-kun...!"`\ bg Mkit_1cR,0 ld l,$GEN_KomaruA1,64 ;「…………今はいい。@早く使用人室へ運ぼう。@/ `"............It's alright for now.`@` Let us quickly carry him to the servant room. `@/ ld l,$GEN_majimeA1,80 ;熊沢、楼座さまにはまだお伝えするな。@…嘉音に事情を聞いてからにする。」@ ;＜嘉音 `Kumasawa, do not tell Rosa-sama yet.`@` ...We will do it after we hear the situation from Kanon."`@ ld r,$KUM_KomaruA1,24 ;「は、……はい……。@……ひぃいぃぃぃ…。」\ ;＜熊沢 `"Y, ......yes......`@`......hiiiiiiii..."`\ ;　このような惨い姿で現れ、楼座には伝えるなと言う。@ `After appearing in this horrible state, he had said not to tell Rosa.`@ br ;　……それが意味するところは、あまりに不穏。@ ;　……彼らの表情に不気味な焦りが浮かんでいく…。\ `......That could only mean something very disquieting.`@ `......An eerie impatience rose to their faces...`\ ld c,$NAN_KomaruA4,22 ;「さ、さぁ皆さん！@　急いで運びましょう…！@　早く早く…！」\ ;＜南條 `"C, come now, everyone!`@` Let's hurry and carry him...!`@` Quickly, quickly...!"`\ textoff bg black,24 wait 1000 bg M1F_P1cR,24 wait 2000 bg black,24 bg Mhal_2aR,24 wait 2000 bg black,24 bg G1F_R1bR,24 me3v 16,50 ;■使用人室 ;　嘉音の傷は信じられないほど深く、@…南條の青ざめた様子を見る限り、意識があるのが奇跡的なくらいのようだった…。\ `Kanon's wound was unbelievably deep,`@` ...and judging from Nanjo's pale face, it was almost a miracle that he was still conscious...`\ ld r,$NAN_KomaruA4,24 ;「……これは……酷い…。@何か槍のようなもので刺されたようです。@は、肺まで届いてなければ何とか持つかも……。@とにかく、止血を……！」\ ;＜南條 `"......This is......horrible...`@` It appears that he has been stabbed with something like a spear.`@` I, If it hasn't reached the lungs, I might be able to do something......`@` Anyways, stop the bleeding......!"`\ textoff bg black,22 bg blood_1a,0 se1 38 ;!s0「ぅッ、ぐぉ……、ああぁがッ！！！」/ !s0`"u, guo......, aaaaga!!!"`/ print 1 quakey 3,500 !sd\ ;＜嘉音 ;　南條がいくら拭き取ろうとも、湧き出すように溢れる真っ赤な血を、拭えない拭えない拭いきれない…！@　そしてその度に患部を刺激され、嘉音は苦悶の声を漏らす…。\ `No matter how much Nanjo tried to wipe off that gushing deep-red blood, ...he couldn't wipe it he couldn't wipe it he couldn't wipe it all away...!`@` And each time, the wound was aggravated, causing Kanon to cry in anguish...`\ bg black,22 bg G1F_R1bR,0 ld r,$SHA_OdorokiA1,22 ;「嘉音くんッ、嘉音くん嘉音くんッ！@　しっかりして…、しっかりして…！！」@ ;＜紗音 `"Kanon-kun, Kanon-kun Kanon-kun!`@` Hang in there..., hang in there...!!"`@ ld l,$GOH_IiwakeA2,23 ;「南條先生！@　替えのタオルです…！@/ `"Doctor Nanjo!`@` A new towel...! `@/ ld l,$GOH_OdorokiA1,80 ;　…何て、惨い…！！」\ ;＜郷田 `...How, horrible...!!"`\ bg black,24 bg G1F_R1aR,24 ld r,$GEN_defA1,24 ;「容態はどうですか…。」\ ;＜源次 `"What is his condition...?"`\ ld l,$NAN_MajimeA2,23 ;「………本音を言うと、…生きているのが信じられん深手だ…。@刺され所が幸運だったのかも知れん…。@だが出血が酷すぎる…！@　輸血が必要だが、明日まで無理だ…！」\ ;＜南條 `".........In all honesty, ...it is so severe that I cannot believe he is alive...`@` Maybe the location of the stab was fortunate...`@` But the blood loss is too horrible...!`@` A blood transfusion is necessary, but that's impossible until tomorrow...!"`\ bg black,24 fede 1,2000 bg G1F_R1bR,24 se1 38 ;!s0「……ぅ、/ ;!d500……ごほッごほッ！！@　ろ、/ ;!d300……楼座さまが、/ ;!d600……僕たちを……、/ ;!d400うがあぁあぁッ！！」/ !s0`"......u, `/ !d500`......*cough*cough*!!`@` R, `/ !d300`......Rosa-sama, `/ !d600`......to us......, `/ !d400`ugaaaaaa!!"`/ !sd se1 8 quakey 3,500 @ ;＜嘉音 ld r,$SHA_KomaruA1,64 ;「しゃ、喋らないで嘉音くん！@　傷口が開いちゃう…！」\ ;＜紗音 `"D, don't talk, Kanon-kun!`@` Your wound will open...!"`\ se1 21 ;!s0「……楼座さまが、やって来て、/ ;!d300………お、/ ;!d300……お嬢様と、/ ;!d500……僕を………。」/ !s0`"......Rosa-sama, came, `/ !d300`.........t, `/ !d300`......to Milady, `/ !d300`......and me........."`/ !sd@ ;＜嘉音 ld l,$GOH_iiwakeA2,23 ;「な、……何ですって……。」@ ;＜郷田 `"Wh, ......what did you say......"`@ ld c,$KUM_KomaruA1,64 ;「楼座さまが、……ですか…。@おぉおぉぉ…、そんなことって、そんなことって…。」\ ;＜熊沢 `"Rosa-sama, ......did...?`@` Ooooooh..., could that mean, could that mean..."`\ bg G1F_R1aR,64 ld r,$GEN_majimeA1,64 ;「……間違いないのか。」@ ;＜源次 `"......Are you certain?"`@ ;ld c,$KA2_IkariA2,6 br se2 38 ;「はい………。@……間違いなく、……楼座さまでした………。」\ ;＜嘉音 `"Yes.........`@`......I'm certain, ......it was Rosa-sama........."`\ ld l,$NAN_KomaruA1,63 ;「さぁ、もう喋らないで…！@/ `"Come now, don't speak any more...! `@/ ld l,$NAN_MajimeA1,80 ;　熊沢さん、もうひとつの救急箱を取ってください！」\ ;＜南條 `Kumasawa-san, please grab another first aid kit!"`\ bg black,2 bgm1v 20,0 cross2 3000,70 bg G1F_R1bR,0 ld r,$GOH_KomaruA1,24 ;「………源次さん。@……楼座さまが、……何てことは、ありえるのでしょうか。」@ ;＜郷田 `".........Genji-san.`@` ......Is it possible, Rosa-sama, ......did such a thing?"`@ ld l,$GEN_KomaruA1,23 ;「…………わからん。」@ ;＜源次 `"............I do not know."`@ br ;　止血しようと血塗れになりながら奮闘する南條と熊沢をよそに、源次と郷田は顔を見合わせる…。\ `Disregarding Nanjo and Kumasawa, who were struggling hard and stained with blood as they tried to stop the bleeding, Genji and Gohda faced each other...`\ ;　……嘉音の言うことが真実なら、/ ;!d800……楼座が朱志香を殺した犯人だからだ。\ `......Because if what Kanon had said was the truth, `/ !d800`......Rosa was the culprit who killed Jessica.`\ textoff se1 27 bg white,1 bg blood_2e,2 se2 38 ;「おのれ、楼座め……。@よくもお嬢様を……。@…殺してやる…、殺してやる……、うぐぐぐぐ…ッ！」\ ;＜嘉音 `"Curse you, Rosa......`@` How could you, to Milady......`@`...I'll kill you..., I WILL KILL YOU......, UGUGUGUGU...!"`\ ;　なおも恨めしそうに叫ぶ嘉音…。@ ;　…まるで、自分の眼前で朱志香がその手にかけられるのを見たとでも言うような呪わしい声だった。\ `Kanon screamed even more hatefully...`@ `...His hate-filled voice made it seem like he was seeing Jessica being harmed right before his eyes.`\ bg G1F_R1b,0 ld l,$GEN_MajimeA1,0 ld r,$GOH_komaruA2,22 ld r,$GOH_IiwakeA2,80 ;「……た、確かに楼座さまがお嬢様を殺す理由はあるかもしれない。@右代宮家が全滅すれば遺産は全て楼座さまのもの…。」\ `"......C, certainly, Rosa-sama may have had a reason to kill Milady.`@` If everyone in the Ushiromiya family were destroyed, the inheritance would all go to Rosa-sama..."`\ ld r,$GOH_IkariA1,80 ;「だとしたら、戦人さまや譲治さまも危険なのでは…！@　楼座さまは銃を持っている上に、今、客間には彼らしかいない…！@　源次さん、これはかなりまずいことでは……！」\ ;＜郷田 `"If so, Battler-sama and George-sama are in danger...!`@` Not only is Rosa-sama holding a gun, but right now, they are the only ones in the lounge...!`@` Genji-san, isn't this quite perilous......!"`\ ld l,$GEN_MajimeA2,80 ;「……………………………。」\ ;＜源次 `"........................"`\ textoff bg G1F_R1aR,0 ld c,$SHA_KomaruA1,23 wait 1000 ld c,$SHA_MajimeA3,80 ;「…………………………。」\ ;＜紗音 `"........................"`\ se3 16 cl c,24 ;　紗音は突然、廊下へ駆け出す。@ `Shannon suddenly ran out into the corridor.`@ br ;　…その表情は複雑かつ悲壮で、何を信じればいいかわからないというような感じだった…。\ `...Her expression was complex and tragic, as though she didn't know what to believe...`\ textoff bg black,62 bg M1F_P1dR,22 wait 1000 bg M1F_P2bR,22 wait 1000 bg M1F_P1cR,22 ;　紗音は駆けて行く。@どこへ？@ `Shannon ran.`@` To where?`@ br ;　……屋敷内では掃除が行き届いているから、簡単には見つけられないだろう。@ `......The inside of the mansion had been scrupulously cleaned, so it probably wouldn't be easy to find.`@ br ;　薔薇庭園を探せば見付かるかもしれないが、この風雨の中では全て失われているだろう…。\ `She might find it if she searched the rose garden, but she would probably lose it all in this wind and rain...`\ bg black,22 ;　そうだ、……ボイラー室はあまり清掃されていない。@ ;　…あそこでなら、……見付かるかもしれない…。@ `That's right, ......the boiler room isn't cleaned very often.`@ `...If she went there, ......she might be able to find it...`@ br ;　紗音は(ソレ/・・)を探しに、地下のボイラー室へ階段を駆け下りていくのだった…。\ ;＜ソレ：点処理 `Shannon ran downstairs to find`(` that`/・・・)` in the underground boiler room...`\ me1v 5,0 me2v 12,0 cross1 3000,55,40,0,0,0 bg G1F_R1bR,6 ;　何かの薬が土壇場で効いてくれたのだろうか、@それともとうとう嘉音は痛みを感じることすら失われてしまったのか。@ `Did some medicine take effect at the brink of death, `@`or had Kanon finally stopped even feeling pain?`@ br ;　…嘉音はとりあえず苦痛に喘ぐことだけはなくなった。\ `...For the time being, Kanon had at least gotten over his painful gasping.`\ ld r,$NAN_KomaruA4,24 ;　南條はそれをあまりよい傾向だと思っていないらしく、一時も目を離さなかった。@ `Nanjo apparently didn't think of this as that great of a trend, and didn't let his eyes off Kanon for a second.`@ ld l,$KUM_OdorokiA1,23 br ;　熊沢は嘉音の手を力強く握り、彼の生きる気力が眠ってしまわないよう、励まし続けていた。\ `Kumasawa firmly gripped Kanon's hand, and kept encouraging him so that the willpower keeping him alive didn't fall asleep.`\ bg G1F_R1aR,0 ld c,$GEN_KomaruA1,0 ld r,$GOH_komaruA1,24 ;　源次と郷田は、嘉音が命懸けで伝えた真実を、どう受け取ればいいか困惑しているようだった…。\ `Genji and Gohda seemed bewildered at the truth that Kanon had risked his life to deliver...`\ ld c,$GEN_DefA1,80 ;「………楼座さまの銃は、確か４発か５発の弾が込められたはずだ。」@ ;＜源次 `".........Rosa-sama's gun surely has four or five shots loaded."`@ ld r,$GOH_iiwakeA2,80 ;「決して少ない数ではないですね。@…でも、ウィンチェスター銃は弾の装填に結構な慣れが必要だったはず。@一発目は撃たせてしまうかもしれませんが、みんなで襲い掛かれば、次を撃たせずに銃を奪い取れるかも…。」\ ;＜郷田 `"That is no small number.`@` ...But loading cartridges into a Winchester should require quite a lot of practice.`@` She might be able to get one shot off, but if everyone attacks her at once, we should be able to take the gun from her before she shoots again..."`\ ld c,$GEN_majimeA1,80 ;「………この島には、医者はいても薬はなく、病院もない。@……撃たれ所が悪ければ、…死ぬぞ。」\ ;＜源次 `".........On this island, while there is a doctor, there is no medicine, and no hospital.`@` ......If the location where the shot hits is bad, that person will die."`\ ld r,$GOH_ikariA1,80 ;「それは判っていますが…。@それより、早く行動を起こさないと、また次の事件が起こる可能性も…！@　私たちは楼座さまにうまく追い出された気がします。@今頃、譲治さまや戦人さまが殺されている可能性も…！」@ ;＜郷田 `"I understand that, but...`@` More importantly, if we don't move quickly, there is also the possibility that another crime will occur...!`@` I get the feeling that Rosa-sama skillfully chased us out.`@` There is a possibility that George-sama and Battler-sama are being killed right about now...!"`@ ld c,$GEN_KomaruA1,80 ;「………………………。」\ ;＜源次 `"........................"`\ bg G1F_R1bR,0 ld l,$KUM_KomaruA1,23 ;「……ほ、…ほほほほほ。@そんな危険な相手なら、無理に刺激しない方がいいんじゃありませんか…？」@ ;＜熊沢 `"......Ho, ...hohohohoho.`@` If the opponent is so dangerous, wouldn't it be better if we didn't provoke them too much...?"`@ ld r,$GOH_iiwakeA2,24 ;「しかし、明日までは長い…！@　どんな手を打ってくるか想像もつきませんよ！@/ `"But there is still much time before tomorrow comes...!`@` We can't even imagine what strategy she will use! `@/ ld r,$GOH_IkariA1,80 ;　源次さん、こちらから仕掛けるべきです。@せめて銃さえ理由をこじつけて奪えば、何とかなるかも…！」\ ;＜郷田 `Genji-san, we should wage war from here.`@` If we can at least steal the gun under some pretext, things might work out...!"`\ ld l,$KUM_odorokiA1,23 ;「弾は、４〜５発じゃありませんか。@ということは、私たち全員を殺すには足りないということです…。@うかつに刺激しなければ、きっと楼座さまも無闇には…、」\ ;＜熊沢 `"There are four or five cartridges, are there not?`@` That means there aren't enough to kill all of us...`@` If we don't carelessly provoke her, surely even Rosa-sama wouldn't be unreasonable..."`\ bg black,1 E_A ;「…………うぅん、あいつは言ったよ。@/ `"............No, she said it. `@/ se1 38 ;僕たちを皆殺しにすると言った。」\ ;＜嘉音 `She said she'll massacre all of us."`\ bg G1F_R1bR,22 bgm1 32 ;　それまで、静かに眠っていると思っていた嘉音が、急に朗々と喋る。@ ;　まるでさっきからずっと起きていて、急に口を開いたかのようだった。@ `Kanon, who they thought had been sleeping quietly, suddenly started talking brightly.`@ `Almost like he had been awake the whole time and had suddenly opened his mouth.`@ br ;　その様子がしっかりしていたので、南條は少しだけほっとするが、傷の深さを考えると、どうしてもある不気味さが拭えなかった。\ `He looked firm and steady, and Nanjo was slightly relieved, but thinking of the deepness of that wound, he just couldn't wipe away a certain creepy feeling.`\ bg black,22 ;　……彼は医者だからわかる。\ `......He knew because he was a doctor.`\ bg blood_1a,22 ;　嘉音の出血量なら意識を失って当然だ。@ ;　なのにこんなにもはっきりとした意識を保てるなんて。@ `It wouldn't have been unexpected if Kanon had lost consciousness after losing so much blood.`@ `And yet somehow, he had preserved his awareness so clearly.`@ br ;　……若さ？@　それとも執念？@ ;　…時に人の生命力は常識を超えることもあるし……。\ `......Was it youth?`@` Or was it tenacity?`@ `...Sometimes, the power of human life surpassed common knowledge......`\ bg black,8 ;　止血の時、患部に何か異物があってはいけないと、@血の湧き出す穴をピンセットで少しだけまさぐったが、そのあまりの深さに驚いた。\ `When they had stopped the bleeding, Nanjo had groped around a bit inside the bleeding hole with tweezers, `@`to make sure there were no foreign objects inside the affected area, `@`and the great depth of the wound had surprised him.`\ ;　…傷は確実に肺にすら届いているはずなのだ。@ `...The wound had certainly reached as far as his lungs.`@ br ;　……なのに、…なのに…。@ ;　……いや、でも、生きているのはとにかく幸いなことで…。\ `......And yet, ...and yet...`@ `......No, on the other hand, the fact that he is alive is fortunate...`\ bg G1F_R1bR,26 ;　……しかし嘉音ははっきりと語っている。@ `......But Kanon had spoken clearly.`@ ;　…憎々しく、その傷の主の名を楼座だと語り、怒りと呪いの言葉を繰り返している。\ `...He had hatefully said that the one named Rosa had created this wound, and was repeating curses and enraged words.`\ textoff ld c,$KA2_nayamuA1,6 me1 16 wait 2000 se1v 38,100 ld c,$KA2_ikariA3,80 wait 1000 ;「…あいつはお館様の財産を独り占めするために、台風が過ぎ去るまでに、どんな手を使ってでも皆殺しにする気なんだ。@あいつはそうするとはっきり僕に言ったよ。」\ ;＜嘉音 `"...That person wants to kill everyone by any means necessary before the typhoon passes, so that she can have the Master's wealth all to herself.`@` She told me that clearly."`\ bg G1F_R1aR,0 ld l,$GOH_iiwakeA2,23 ;「………くそ…！@　何て人だ…。@源次さん、どうしましょう！@　私たちにも何か武器がいるのでは…。」\ ;＜郷田 `".........Damn...!`@` What a person...`@` Genji-san, what should we do?!`@` Are there any weapons we can..."`\ ld r,$GEN_MajimeA2,24 ;「……にわかには信じられん。@……楼座さまがそのようなことを……。」@ ;＜源次 `"......I cannot believe it so suddenly.`@` ......That Rosa-sama would do something like......"`@ cl l,24 ld l,$KA2_fumanA2,6 me2v 5,50 ;「源次さま、信じる信じないじゃない。@あいつが僕に、そう言ったんですよ。@この僕が聞いたんです。@/ `"Genji-sama, it isn't a question of whether you believe or not.`@` That person told me.`@` I heard it. `@/ se1v 38,100 ld l,$KA2_fumanA1,80 ;ドウシテ信じてくれないんですか？」\ ;＜嘉音 `WHY won't you believe me?"`\ ld c,$NAN_MajimeA2,24 ;「お、起きないで…。@傷に障ります…。」@ ;＜南條 `"D, don't get up...`@` You'll harm your wound..."`@ br ;　ベッドの嘉音は上体を起こし、話を信じようとしてくれない源次に言う。\ `Kanon sat up on the bed, speaking to Genji, who made no effort to believe Kanon's story.`\ bg black,22 me3v 13,40 ;「あいつは僕たちを必ず全員殺す。@もうきっと客間の方々も殺されているに違いありません。@僕らが先に殺さなければ、必ず僕らが先に殺される。@僕が先に殺されたように、みんなも先に殺される。@殺さなきゃ殺される。@殺さなきゃ殺される殺さなきゃ殺される。」\ `"That person will definitely kill all of us.`@` She's surely killed all of the people in the parlor by now.`@` If we don't kill her first, we'll definitely be killed first.`@` Just like how I was killed first, everyone else will also be killed first.`@` Kill or be killed.`@` Kill or be killed kill or be killed."`\ se1 35 bg blood_2a,1 ;「…か、………嘉音さん、……あんた、@……本当に痛くないのか…。」@ ;＜南條 `"...K, .........Kanon-san, ......you, `@`......does it really not hurt...?"`@ se2 35 bg blood_2b,1 br ;「……あぁ、これですか。@大した傷じゃありません。」@ ;＜嘉音 `"......Oh, this?`@` It isn't a serious wound."`@ se3 35 bg blood_2c,1 br ;「た…、大した傷じゃないどころか、…あんたは……、」\ ;＜南條 `"Wh..., what do you mean, not a serious wound, ...you......"`\ ;「本当に大したことありません。@こんなのもう全然痛くないし、本当に大した傷じゃない。」@ ;＜嘉音 `"It really isn't a big deal.`@` Something like this won't hurt anymore, it really isn't a serious wound."`@ br ;　嘉音はそう言いながら、せっかく巻いた包帯を自ら解き始める…。@ ;　すぐに惨たらしい胸の穴があらわになった…。\ `As Kanon said that, he began to untie the bandages which had been painstakingly wrapped...`@ `The gruesome hole in his chest was immediately exposed...`\ se1 35 bg blood_2d,1 wait 500 se2v 38,100 bg blood_1a,22 ;「か、嘉音さん…！@　そんなことをしては駄目ですよ！@　早く横になって…ッ！」@ ;＜熊沢 `"K, Kanon-san...!`@` You must not do something like that!`@` Quickly, lie down...!"`@ br ;「大丈夫ですって。@……ほら。@/ `"I said it's fine.`@` ......Hey. `@/ se1v 38,100 ;ねぇ…？@　大した傷じゃ、ないでしょう…？」@ ;＜嘉音 `See...?`@` It is, not a serious wound, right...?"`@ br ;　嘉音が、ぼっこりと開き、今もぐずぐずと血のあぶくを吐き出し続ける傷を誇示するように見せる。@ `Kanon showed off his gaping wound, which was still slowly spitting out foamy blood.`@ br ;　…反射的に一同は目を背けてしまう。\ `...Everyone averted their eyes reflexively.`\ se1v 38,100 bg blood_1aR,22 ;「ほら、全然大した傷じゃないですって…。」@ ;「や、……やめなさい…、傷を弄ってはいけません……。」\ ;＜南條 `"Look, I told you that it wasn't a serious wound at all..."`@ `"S, ......stop..., you must not play with your wound......"`\ me4 17 ;「…ほら、見て？@/ `"...Hey, see? `@/ se1v 38,100 ;　……全然、深い傷じゃないんですよ。@/ `......It isn't, a deep wound. `@/ se2v 38,100 ;………ほら。@/ `.........Look. `@/ se3v 38,100 ;………………ほら。」@ `............Look."`@ br ;　嘉音が、立てて見せた二本の指を、ゆっくり、ずぶりと、胸のど真ん中の、惨たらしい傷の中に入れていく…。\ `Kanon held up two fingers, showed them to everyone, and slowly started to stick them into the gruesome wound right in the center of his chest...`\ se1v 38,100 ;　……ずぶり、ぬめり、ごぷり、溢れて。@ ;　指が、深々と、根元まで…。@ `......Plunging, slimy, squishy, wet.`@ `The finger, went in deep, to the base...`@ se2v 38,100 br ;　……ぐぽりゅ、ぶぷり、ぬぶる…。\ `......*squish*, *gloop*, *bloop*...`\ bg G1F_R1bR,0 ld r,$KUM_OdorokiA1,22 ;「ひぃいいいぃいいぃぃぃぃ…！！/ `"Hiiiiiiiiiiiiiiiiiiiii...!! `/ quakey 3,500 ;@　かかか、嘉音さん、やめてッ、やめて…！！」\ ;＜熊沢 @`K K K, Kanon-san, stop it, stop it...!!"`\ se1v 38,100 ;　その指は完全に、……根元まで胸の中に入り込んで、@……それから、差し込まれた時と同じようにゆっくりと引き抜かれ…。@ `That finger was completely sticking into his chest, ......up to its base,`@` ......and then he slowly pulled it out in exactly the same way...`@ br ;　引き抜かれた指は、粘り気のある真っ赤なもので一色に染められていて、糸すら引いていた…。@ ;　…指の、根元まで、ねとりと、……真っ赤に…。\ `The fingers he pulled out, were stained a sticky, solid, deep-red color, and there was even a thread hanging...`@ `...The finger was, up to its base, covered, ......in deep-red...`\ ld l,$NAN_majimeA2,23 ;!s0「……あ、/ ;!d300………あんた、/ ;!d600……い、いい、一体………………。」\ ;＜南條 !s0`"......Y, `/ !d300`.........you, `/ !d600`......wh, wh wh, what in the world..............."`\ !sd bg black,22 for %ryuu1 = 70 to 100 wait 70 bgmvol %ryuu1 next se1v 38,100 bg blood_1aR,1 ;「………ね？@　全然、大した傷じゃ、ないでしょお？@/ `".........See?`@` It is, not a serious wound, at all, right? `@/ se2v 37,100 ;　くっくくくくくくくくくくく！」\ `*cackle*cackle*cackle* *cackle*cackle*cackle*cackle*!"`\ bg black,22 se1v 15,100 bgmvol 70 bg white,64 bg G1F_R1bR,0 ld r,$SHA_MajimeA3,22 ;　その時、威勢よく扉が開き、紗音が現れる。@ `At that time, the door was opened vigorously, and Shannon appeared.`@ br ;　…鮮血に染まった嘉音を見ても、その険しい表情は歪まなかった。\ `...Even after she saw Kanon, stained with fresh blood, her impregnable expression didn't falter.`\ ;bg G1F_R1a,23 se1v 38,100 ;「……やぁ、姉さん。@どこへ行っていたの？@　僕が危篤だというのに、一体どこへ？」\ `"......Hey, Nee-san.`@` Where'd you go?`@` I'm on the verge of death here, where'd you go?"`\ cl r,0 ld c,$SHA_ikariA1,24 ;「うん。@ボイラー室に行ってきたの。@捜し物があって。@………それより、確かめたいの。@/ `"Yes.`@` I went to the boiler room.`@` There was something I had to find.`@` ......More importantly, I want to check. `@/ ld c,$SHA_majimeA3,80 ;あなたは本当に、…嘉音くん？」@ ;＜紗音 `Are you really, ...Kanon-kun?"`@ ld l,$GOH_OdorokiA1,23 ;「……え、……えぇ…？」\ ;＜郷田 `"......Huh, ......eeeh...?"`\ bg black,25 ;　無理もない。@誰もが彼を嘉音だと信じている。@ ;　だから紗音がそう問い掛ける意味が理解できなかった。\ `It was only natural.`@` Everyone believed he was Kanon.`@ `So they couldn't understand the meaning of Shannon's question.`\ ;　見ると、紗音は手にハンカチを持っている。@ `When they looked, they noticed that Shannon was holding a handkerchief in her hand.`@ br ;　汚れていて、ゴミか埃を拭き取ってきたかのようだった。@ ;　そしてそれを持ったまま嘉音に近付き、………足元に寄る。\ `It was filthy, and looked like it had wiped up some trash or dust.`@ `And while holding that, she approached Kanon, .........drew closer to his feet.`\ bg G1F_R1bR,26 ;「何だい、それは……？」@ ;＜嘉音 `"What is that......?"`@ ld c,$SHA_ikariA1,24 ;「クモの巣を拭き取ったハンカチよ。」@ `"It's a handkerchief with a spider's web wiped onto it."`@ ;「…………………。@…何でそんなものを。」\ `"...............`@`...Why something like that?"`\ ld c,$SHA_MajimeA3,80 ;「嘉音くんなら平気だろうけど。@……もしあなた `"If you're Kanon-kun, you should be alright.`@ br `But if `(`spiders are your natural enemy`/・・・・・・・・・・・・・)`, I thought you might hate it."`@ ;にとって、(クモが天敵だったなら/・・・・・・・・・・)、嫌うかなって思って。」@ ;＜クモが天敵だったなら：点処理 me5v 21,40 br ;「………………………。@ははは、やだなぁ。@僕がどうしてクモを嫌うの？」\ ;＜嘉音 `"...............`@`Hahaha, oh no.`@` Why would I hate spiders?"`\ skipoff ld c,$SHA_IkariA1,80 ;「ごめん、試すね。」@ `"Sorry, I'll try it."`@ ld l,$KUM_OdorokiA1,23 ;「……しゃ、…紗音さん。」\ ;＜熊沢 `"......Sh, ...Shannon-san."`\ textoff ;se1 20 ;bg cut_3a,1 ;wait 50 ;se1 20 ;bg cut_3b,1 ;wait 50 ;se1 20 ;bg cut_3c,1 ;wait 50 ;bg black,1 E_A bg BLADE6_1P,1 bg black,22 wait 200 se1v 58,100 bg white,1 bg BLADE2P,1 wait 100 se2v 58,100 bg white,1 bg BLADE3P,1 wait 100 se3v 58,100 bg white,1 bg BLADE6_2P,1 wait 200 bg black,22 wait 1000 ;■ヒュヒュヒュン！！！@　嘉音の三連撃。@打撃音はなくていい。@居合い三連。@ me1 16 ;　紗音がそのハンカチを嘉音の腿に近づけた時、……瞬時に何かが起こった。\ `When Shannon brought that handkerchief close to Kanon's thigh, ......something happened in an instant.`\ ;　一度に起こった。@ ;　人間の目では追いきれなかった。@ `It happened all at once.`@ `The human eye couldn't have followed it.`@ br ;　嘉音が、カモシカのように跳ねて、…紗音のそれから逃れ飛び上がった。@ ;　そして、その腕が紫に閃く何かの残光で軌跡を描いた。\ `Kanon jumped like a wild goat, ...fleeing from the thing Shannon was holding.`@ `Then, from his arm, some kind of afterglow flashed purple and drew a locus.`\ me2v 12,40 ;　それは弧を描く３つの美しい紫の軌跡で、彼を看護していた南條と熊沢の喉をなぞっていた。@ `That arc, which drew three beautiful purple loci, traced across the throats of Nanjo and Kumasawa, who had been tending to him.`@ br ;　そして、南條と熊沢の喉が、……ぱっくりと口を開き、…血がこれからまさに噴出そうという刹那の時間。\ `And, in an instant, Nanjo and Kumasawa's throats, ......opened like gaping mouths, ...and from then on, the blood really started spewing out.`\ me3v 17,50 ;　もう１つの紫の軌跡は、紗音の喉もなぞるはずだった。@ ;　だがそこに紗音はいなかった。@ `The third purple locus should have traced across Shannon's throat.`@ `But Shannon wasn't there.`@ br ;　後にいた源次が、紗音の首を自らの腕で巻き込むように引き寄せたからだ。@ `Because Genji, who had been behind her, had wrapped his own arm around Shannon's neck and pulled her back.`@ br ;　これら全部が一瞬。\ `This all happened in an instant.`\ bg G1F_R1aR,0 ld l,$NAN_MajimeA2,0 ld c,$KUM_OdorokiA1,0 ld r,$GOH_OdorokiA1,1 ;「………………………ッ！！！」@ ;＜郷田 `"..................!!!"`@ br ;　郷田が、その光景を理解しようと脳を回転させようとした瞬間、凍った時間が砕けた。\ `In the instant Gohda tried to think fast in an attempt to understand this scene, the frozen moment in time shattered.`\ textoff E_A bgm1 50 cl l,0 cl c,0 print 1 se1v 13,90 quakey 6,1000 ;monocro #ff0000 ;bg white,18,1000,"bmp\efe\blood_2a_efe.bmp" ;bg black,2 ;se1 13 ;quakey 3,400 ;se1 13 ;quakey 3,400 ;monocro off ;　南條と熊沢の切り裂かれた首から、威勢よく血が噴出す。\ `Blood was spewing forcefully from Nanjo and Kumasawa's necks, which had been torn open.`\ textoff ;bg G1F_R1a,22 ;btndef "bmp\background\guesthouse\G1F_R1ax.jpg" ;mov %free1,0 ;mov %free2,480 ;mov %free3,640 ;mov %free4,480 ;mov %free11,0 ;mov %free12,0 ;mov %free13,0 ;mov %free14,0 ;resettimer ; blt 0,0,640,480,%free1,%free2,%free3,%free4 ;print 1 ; waittimer 10 ; for %Free5 = 1 to 12 ;resettimer ;add %free11,8 ;add %free12,2 ;add %free13,8 ;add %free14,6 ;add %free1,%free11 ;sub %free2,%free12 ;sub %free3,%free13 ;sub %free4,%free14 ; blt 0,0,640,480,%free1,%free2,%free3,%free4 ; print 1 ; waittimer 20 ;next ;resettimer ;se1 20 ; waittimer 50 ;bg cut_3a,1 ;ofscpy ;btndef "" ;quakey 5,1000 ;bg black,1 se1 20 bg black,1 me1v 16,70 ;　飛んだ嘉音は後ろの壁に掛けられていた額縁を蹴り、紗音の喉元を再び狙って、まるで猫のように飛び掛る。@ `Kanon jumped and kicked off a picture frame that had been hanging from the wall behind him, springing forward just like a cat, and aiming for Shannon's throat again.`@ br ;　しかし再び獲物は嘉音の前から消えた。@ ;　源次が再び紗音を引っ張り、二人で伏せるように床に転げたからだ。\ `But Kanon's target once again disappeared from in front of him.`@ `Because Genji had pulled Shannon again, and the two of them had fallen onto the ground as though hiding.`\ se2v 57,100 bg G1F_R1bR,1 ;「いい反射神経だッ、このおいぼれ家具がぁッ！！」@ ;＜嘉音 `"Nice reflexes, you senile old furniture!!"`@ ld r,$GEN_majimeA1,64 E_MA ;「……郷田ッ！」\ ;＜源次 `"......Gohda!"`\ ld l,$GOH_IkariA2,63 ;「う、うおおおおおおおおおぉおおおおおぉおぉッ！！」/ `"O, ooooooooooooooooooooooooooohhh!!"`/ quakex 6,1000 \ ;＜郷田 bg black,1 ;　郷田も馬鹿ではない。@ `Gohda wasn't an idiot either.`@ ;　何が起こっているか理解には及ばなくても、この“嘉音”を取り押さえなければ自分の命も危ういことだけは理解できた。@ `Even if he couldn't fully understand what was going on, he at least realized that if this 'Kanon' wasn't seized, his own life would also be in peril.`@ br ;　その巨体で嘉音に飛び掛り、体重と腕力で壁に叩きつけて押し付ける。\ `He sprung at Kanon with his huge body, pushing him up against the wall with his weight and physical strength.`\ se1 8 wait 500 se2 10 wait 200 se3v 12,90 wait 1000 bg G1F_R1a,0 ld c,$GOH_IkariA2,1 se1 13 quakey 6,900 ;「うぉおおおおおぉおおおおお…！　をおおおおおおおおおお！！」@ `"Ooooooooooooooooooohhh...! Whoaaaaaaaaaaaaaaaaaa!!"`@ ;「は、な…せッ、このデカブツがッ！！」/ `"L, et...go, you fatass!!"`/ quakex 6,900 \ ;＜嘉音 se1v 57,90 bg black,1 ;　嘉音の右手の指先が再び紫の軌跡を描き出す。@ `Another purple locus was drawn from the tips of the fingers on Kanon's right hand.`@ textoff se1 20 wait 200 bg white,1 se1v 36,100 quakex 4,800 bg black,62 br ;　そしてその手刀を郷田の背中目掛けて振り上げた時、ガズンとすごい音がした。@ `And when he raised that hand like a sword, aiming at Gohda's back, there was a loud *thunk*.`@ br ;　嘉音の振り上げた手刀がそのままの形で壁に縫い止められたからだ。@ ;　手の平が壁から引き剥がせない。@ `Because Kanon's raised hand had been pinned in the wall.`@ `He couldn't tear his palm away from the wall.`@ br ;　そこに突き立てられているのは、源次が投げたナイフだった。\ `Sticking out from it, was the knife Genji had thrown.`\ bg G1F_R1aR,0 ld c,$GEN_majimeA1,66 ;　老体の源次がそれだけのナイフの扱いを見せられることは、平時なら驚くべきことだったが、@この異常な空間の中では取るに足らないことだとみんな思った。\ `Under normal circumstances, it should have been surprising to see someone as old as Genji handle a knife so skillfully,`@` but in this abnormal space, no one payed it much mind.`\ ld r,$SHA_MajimeA3,64 ;「源次さま、これを…！」@ ;＜紗音 `"Genji-sama, here...!"`@ ld c,$GEN_defA1,80 ;「……うむ。」@ ;＜源次 `"......Hmm."`@ ;　源次は紗音からクモの巣のついたハンカチを受け取る。@ ;　そして郷田の巨体とナイフによって壁に押し付けられている嘉音に近付いた。\ `Genji took the handkerchief with the spiderweb stuck to it from Shannon.`@ `And he approached Kanon, who was pinned to the wall by Gohda's massive body and the knife.`\ bg black,63 bg G1F_R1bR,63 me1 21 ;「や…めッろ…！！@/ ;!s0　それを、ちか、近付けるな…ッ！！/ `"St...op it...!! `@/ !s0`Don't bri, bring that close...!! `/ !sd/ se1 12 quakey 4,500 ;@　やめろ、やッ、めッ！！@/ @`Stop it, st, op!! `@/ bg black,1 mevol 1,100 se2v 55,100 ;!s0　ぎゃおおおおおおおああああぁぁあああああぁぁッ！！」/ !s0`Gyaooooooooooooaaaaaaaaaaaaaaaahhh!!"`/ quakey 5,600 !sd\ se3v 55,100 wait 2000 se1v 55,80 fede 11,6000 ;　源次がハンカチを、嘉音の顔面に押し付けた時、@…焼けた鉄板に肉を置いた時に聞く音とそっくりな音が聞こえた。\ `When Genji pushed the handkerchief up to Kanon's face, `@`...there was a sound just like the one you hear when you set meat on a red-hot iron plate.`\ ;　もちろん臭いもそっくりだった。@ ;　焼けて爛れて、汚らしい赤と黒に爛れ落ち、断末魔の声と共に嘉音の体は爆ぜ散った。\ `Of course, the smell was the same too.`@ `As he was burned and inflamed, festering in filthy red and black, and cried out in his death throes, Kanon's body burst open and scattered.`\ se1v 36,100 bg white,1 bfly1 0 bg butterfly_3a,99,2000,"breakup.dll/ulb" ;　それはまるで金箔の詰まった風船を破裂させたかのよう。@ ;　使用人室の中は金箔の嵐、……いや、黄金の蝶たちの群で埋め尽くされた…。\ `It was almost as though a balloon filled with gold leaf had popped.`@ `The entire servant room was completely buried under a storm of gold leaf, ......no, a group of gold butterflies...`\ textoff bg butterfly_1a,22 wait 1500 bg black,2 bg G1F_R1bR,2 cbfly 2 ;　その蝶たちは、まるで水に、いや空気中に溶けるかのようにすぅっと虚空に消えて行き、@……後には、血塗れになって尻餅をつく彼らが残されるだけだった。@ `Those butterflies began to softly fade into nothingness, as though water, no, as though the air itself was evaporating,`@` ......and afterwards, all that was left was the three of them sitting on their butts, stained with blood.`@ br ;　しかし、血に塗れた者だけではない。@ ;　自ら血を吐き出して倒れている者もいた。\ `However, not everyone was just stained with blood.`@ `Some of them were lying on the ground, vomiting blood themselves.`\ bg blood_1a,22 ;「…熊沢…！@　……南條先生…！@　…………………。」@ ;＜源次 `"...Kumasawa...!`@` ......Doctor Nanjo...!`@` .................."`@ ;　触れたら指が切れてしまいそうなくらいに鋭利なその切れ口はばっくりと開き、大量の血を未だに溢れ出させている…。\ `A slit so sharp that it looked like it could cut your finger if you touched it opened wide, causing large amounts of blood to keep pouring out...`\ bg black,22 bg G1F_R1bR,26 ld r,$GOH_komaruA3,24 ;「何だったんだ、………い、…今のは…………。」@ ;＜郷田 `"What was that, .........j, ...just now............"`@ ld l,$SHA_KomaruA1,23 ;「………………………。」@ ;＜紗音 `"....................."`@ ld c,$GEN_komaruA1,24 ;「………郷田。@怪我はないか。」\ ;＜源次 `".........Gohda.`@` Have you been injured?"`\ ld r,$GOH_odorokiA1,80 ;「わ、私は大丈夫です…。@/ `"I, I am alright... `@/ ld r,$GOH_KomaruA3,80 ;しかし、………私たちは何を見たんだ！@　何があったんです？！@　わ、わたわた、……私はアレを、確かにこの手でこの壁に押し付けていたのに！@ `But, .........what did we see?!`@` What happened?!`@` E, ev- ev-, ......even though I definitely pushed that against this wall with this hand!`@ br ;　その私が、(何があったのか理解できない/・・・・・・・・・・・・・)…ッ！！」\ ;＜郷田 ;＜何があったのか理解できない：点処理 `I `(`cannot understand what happened`/・・・・・・・・・・・・・)`...!!"`\ bg black,25 ;　郷田は自分の手を見る。@ `Gohda looked at his own hand.`@ bg blood_2b,22 ;　嘉音と揉み合った際にその血で真っ赤に汚したのが、確かに残っている。\ `The bright-red blood left from his scuffle with Kanon, definitely remained.`\ ;　…なのに、その嘉音の姿はもうどこにもない。@ `...And yet, Kanon was nowhere to be seen.`@ br ;　消えたからだ。@ ;　黄金の蝶たちとなって飛び散って。@ `Because he had disappeared.`@ `He had turned into gold butterflies and scattered.`@ br ;　郷田は何が何だかわからないとひとり叫び続ける。\ `Gohda kept screaming alone, without a clue about what was going on.`\ ;●南條・熊沢死亡 mov %play_scene,140 seplay2 9,1061,100 mov %r_hyouji,0 bg G1F_R1aR,26 ;　紗音は南條と熊沢の亡骸の前にしゃがみ込んで涙を流し、@…源次はそれを見下ろしながら、変わらず無言でいるのだった…。\ `Shannon sobbed in front of Nanjo's and Kumasawa's remains,`@` ...as Genji watched over her, silent as always...`\ ;▲第１３アイキャッチ：１０月５日（日）１３時１７分　のまま eye2 13,17,13,17,1,0,60,330,60 *umi2_14 mov %play_scene,140 textoff me1v 13,70 dllefe 1,1 bg M_o1aR,2 wait 3000 bg black,22 dllefe_off bg M1F_S1cR,0 ld r,$ROS_IkariA1G,24 mevol 1,40 bgm1 39 ;■客間 ;「南條先生と熊沢さんが？！@　一体、どういうことなのッ？！」@ ;＜楼座 `"Doctor Nanjo and Kumasawa-san did?!`@` What in the world does this mean?!"`@ ld l,$GEO_ikariA1k,23 ;「あぁ、紗音！@　無事でよかった…！@　君に何かあったら僕は…！」@ ;＜譲治 `"Aaah, Shannon!`@` Thank goodness you're safe...!`@` If something had happened to you, I...!"`@ ld c,$SHA_KomaruA1,24 ;「……譲治さま……。@……ぅううぅ………。」\ ;＜紗音 `"......George-sama......`@`......uuuuu........."`\ ld r,$ROS_ikariA2G,80 ;「譲治くん、少し静かにして！@　あなたたちの目の前で殺人が行なわれたんでしょう？！@　犯人を見たの！@　見ないの！！」\ ;＜楼座 `"George-kun, be quiet for a second!`@` A murder occurred before your very eyes, right?!`@` Did you see the culprit?!`@` Or not?!!"`\ bg M1F_S1aR,0 ld l,$GOH_komaruA2,23 ;「そ、……それがその、/ ;!d800……何と説明すればいいのか…！@　げ、源次さん。」@ ;＜郷田 `"Th, ......that is, umm, `/ !d800`......how should I explain...?!`@` G, Genji-san."`@ ld r,$GEN_komaruA1,24 ;「………………私たちにも、見たものをうまく説明できません。」\ ;＜源次 `"............Even we cannot explain what we saw very well."`\ ld l,$GOH_odorokiA1,80 ;「確かにその、…それは私たちの目の前で起こりました！@　私の目の前にいた！@/ `"It certainly, umm, ...happened right before our eyes!`@` It was right in front of my eyes! `@/ ld l,$GOH_komaruA3,80 ;　だけれど、/ ;!d800……あれはその、/ ;!d400………何だったんだ…。@私にもわからないんですッ！」\ ;＜郷田 `However, `/ !d800`......that, umm, `/ !d400`.........what was it...`@` Even I do not understand!"`\ bg M1F_S1bR,0 ld c,$ROS_ikariA4,24 me2 11 ;「何を言ってるの？！@　あなたが出会ったのは昨夜から所在不明の魔女、ベアトリーチェか、@行方不明になっている嘉音くんかのどちらかしかありえない！@　男か、女か！@　それだけでも答えられるでしょう？！」\ ;＜楼座 `"What are you saying?!`@` It's impossible for you to have met anyone other than the witch, Beatrice, whose location has been unknown since yesterday,`@` or Kanon-kun, who has gone missing!`@` Was it a man or a woman?!`@` You should be able to tell me at least that much, right?!"`\ ld r,$BUT_OdorokiA1,24 ;「楼座叔母さん、少し落ち着けって…！@　目の前で二人やられりゃ誰だって混乱だってする！@/ `"Rosa oba-san, calm down a bit...!`@` Anyone would be confused if two people were taken out right in front of them! `@/ ld r,$BUT_niramuA3,80 ;　郷田さん、源次さん。@焦らなくていいぜ。@何があったのか、順を追って話してくれ。」\ ;＜戦人 `Gohda-san, Genji-san.`@` There's no need to rush.`@` Tell us what happened, one at a time."`\ bg M1F_S1aR,0 ld l,$GOH_komaruA2,23 ;「……………それが、……何を私は言えばいいのか……。」@ ;＜郷田 `"............About that, ......how should I say it......"`@ ld r,$GEO_MajimeA1k,24 ;「…………………………。」\ ;＜譲治 `"........................"`\ bg black,25 bg blood_1a,22 ;　南條先生と熊沢さんが殺された。@ ;　それだけはわかった。@ `Doctor Nanjo and Kumasawa-san had been killed.`@ `We understood that much.`@ br ;　…そしてそれは彼らの眼前で行なわれたらしい。@ ;　にもかかわらず、彼らの歯切れは悪い。\ `...And it seemed that it had occurred in front of these people's eyes.`@ `But even so, they spoke awkwardly.`\ bg black,22 ;　目の前で犯行を確かに見たと認めている。@ ;　なのに、何を見たのか説明を求めると急に口を閉ざしてしまうのだ。@ `They admitted that they had definitely seen the crime with their own eyes.`@ `But when asked to explain what they had seen, their mouths went suddenly shut.`@ br ;　それがもどかしく、楼座叔母さんが短気になるのもわからなくはなかった…。\ `I could understand why Rosa oba-san was irritated and flaring up...`\ bg M1F_S1cR,22 ld r,$GEO_majimeA1,24 ;「…紗音。@君は見たのかい？@　南條先生が襲われるところを。」@ ;＜譲治 `"...Shannon.`@` Did you see it?`@` When Doctor Nanjo was attacked."`@ ld l,$SHA_KomaruA1,23 ;「は、………はい。」@ ;＜紗音 `"Y, .........yes."`@ ld r,$GEO_MajimeA2,80 ;「僕に教えて。@…わかることだけでもいい。@一体何があったの。」@ ;＜譲治 `"Tell me.`@` ...Just what you understand.`@` What in the world happened?"`@ ld l,$SHA_odorokiA1,80 ;「………………勝手口に、…………。@……来たんです。」\ ;＜紗音 `"............Came, .........`@`......to the back door."`\ bg M1F_S1aR,0 ld r,$GOH_IiwakeA2,23 ;「…そ、そうです。@勝手口に誰かがやって来たんです。@そして、誰だろうと、私は扉を開けました…。」@ ;＜郷田 `"...Th, that's right.`@` Someone came up to the back door.`@` Then, wondering who it was, I opened the door..."`@ ld c,$ROS_IkariA4,63 ;「勝手口に誰か？@　それは誰ッ？！」@ ;＜楼座 `"Someone at the back door?`@` Who was it?!"`@ ld l,$BUT_oyaA1,23 ;「最後まで言わせてやれ！@　それから？！」\ ;＜戦人 `"Let them finish!`@` And after that?!"`\ bg M1F_s1dR,22 me3v 5,40 ;「………そいつは、…血塗れで、大怪我をしていました。@…私たちは使用人室に運び、すぐに南條先生が手当てをしました。@……その、とても深い傷でした。」@ ;＜郷田 `".........That person was, ...stained with blood, and had a large wound.`@` ...We carried that person to the servant room, and Doctor Nanjo immediately began first aid.`@` ......It was, a very deep wound."`@ ;「だからそれは誰のことなのッ？！」\ ;＜楼座 `"Like I said, who are you talking about?!"`\ bg black,22 ;「…わからないんですッ！@　確かに、…最初はそうだと思っていました。@いや、今でもそうだと思ってるんです！@　でも、………あれは一体ッ！！@　…わからない…、…わからない！！」\ ;＜郷田 `"...I don't know!`@` Certainly, ...in the beginning, I thought that was it.`@` No, I still think that!`@` But, .........what in the world was that!!`@` ...I don't know..., ...I don't know!!"`\ ;　郷田はその巨体に似合わず頭を抱え掻き毟る…。@ ;　それは思い出せなくて混乱しているのか、@何か恐ろしいものを見て、それが受け容れられなくて混乱しているのか、…見当もつかなかった。\ `In a manner that didn't match his large body, Gohda held his head and scratched at it...`@ `I didn't have a clue whether he was confused because he couldn't remember, `@`or whether he was confused because he had seen something terrifying, and couldn't accept it.`\ bg M1F_S1cR,0 ld r,$SHA_KomaruA1,26 ;　そして、それは紗音も同じに見えた。@ `And Shannon looked the same way.`@ ;　ほんの少し気を許せば、ついさっき見たばかりのことが、すぐに白昼夢と溶け込んでしまって、@自分が何を見たのかも思い出せなくなってしまう。@ `If she let her guard down, what she had seen just a short while ago would quickly melt away like a daydream, `@`and she wouldn't be able to remember what she saw.`@ br ;　……そんな風に見えた。\ `......That's what she looked like.`\ bg M1F_S1aR,0 ld l,$GEN_defA1,23 ;　源次だけはいつも通りに冷静に見えた。@ `Only Genji looked composed as usual.`@ br ;　…だから自然と質問の矛先は源次に向けられる。@ `...So the questions were naturally focused on Genji.`@ br ld l,$GEN_KomaruA1,80 ;　しかし、源次も口を開くのに短くない時間を掛け、その考えを整理しなくてはならなかった。\ `However, even Genji took quite some time before he opened his mouth, and had to gather his thoughts.`\ ld r,$ROS_majimeA1,24 ;「源次さん。@あなたは見たんでしょう？@　勝手口に来たのは誰？！」@ ;＜楼座 `"Genji-san.`@` You saw it, right?`@` Who was the person that came in through the back door?!"`@ ld l,$GEN_majimeA1,80 ;「…………初め、…私たちはその人物が、嘉音であると信じました。」@ ;＜源次 `"............At first, ...I believed that person, was Kanon."`@ ld r,$ROS_IkariA2,80 ;「ほらッ！！@　やっぱり生きていたでしょう！@　私の推理は正しかった！！」\ ;＜楼座 `"You see!!`@` He was alive after all!`@` My reasoning was correct!!"`\ cl l,24 ld l,$GEO_MajimeA1,23 ;「……初めは、ってことは、後にその認識は変わる、ってこと……？」@ ;＜譲治 `"......By 'at first', you mean that your impression changed later, right......?"`@ bg M1F_S1bR,0 ld r,$GEN_defA1,24 ;「はい。@………その後に起こったことは、口では説明できません。@/ `"Yes.`@` .........I cannot explain with words what happened after that. `@/ ld r,$GEN_MajimeA2,80 ;……南條先生と熊沢を殺し、……そして姿を消しました。@その時、彼は間違いなく嘉音ではありませんでした。」\ ;＜源次 `......He killed Doctor Nanjo and Kumasawa, ......then disappeared.`@` At that time, he was definitely not Kanon..."`\ ld l,$GOH_KomaruA3,24 ;「そう！@　そうなんです！@　源次さんの言う通りなんですよ！！@　口ではとても説明できない！」\ ;＜郷田 `"Yes!`@` That's right!`@` It's just as Genji-san says!!`@` You really couldn't explain it with words!"`\ bg M1F_S1aR,0 ld l,$SHA_komaruA1,23 ld r,$GEO_majimeA3,24 ;「……君も同じ意見なのかい。」@ ;＜譲治 `"......Do you have the same opinion?"`@ ld l,$SHA_odorokiA1,80 ;「…はい…………。@私も、……同じことしか申し上げられません……。」@ ;＜紗音 `"...Yes............`@` I also, ......can only say the same thing......"`@ ld c,$BUT_NayamuA1,24 ;「………………………。」\ ;＜戦人 `"........................"`\ bg black,22 ;　…彼らの言っていることを、好意的に解釈すると、@……それは楼座叔母さんが最初に断じているのと同じ意味になる。\ `...If we interpreted what they were saying favorably,`@` ......it meant that Rosa oba-san's conclusion had been correct from the beginning.`\ fede 10,2000 mono 1 bg Mkit_1a,2 ;ld c,$KAN_KomaruA1,6 ;　厨房の勝手口に大怪我をした嘉音くんが現れた。@ ;　そして使用人室に運び手当てした。@ `Kanon had appeared from the back door in the kitchen with a serious injury.`@ `Then he had been taken to the servant room and cared for.`@ br bg black,22 mono off ;　……そして、恐ろしい何かが起こった。\ `......Then, something terrifying had happened.`\ ;　嘉音くんがそんなことをしてのけるとは想像できなくて、あれが本当に嘉音くんだったのか疑わしくなった。@というところなのか。@ `Since these people couldn't imagine that Kanon-kun could have pulled it off, they had started to suspect whether that really had been Kanon-kun.`@` Is that how things are?`@ br ;　つまりそれは、……嘉音くんが現れたということだ。@ ;　彼らがどんなに混乱し、言葉を濁そうとも、つまりはそういうことになる。\ `In other words, this means, ......Kanon-kun had appeared.`@ `No matter how confused they were, no matter how they muddled their words, that's what it meant in the end.`\ ;　やはり嘉音くんがあの部屋を施錠したまま抜け出すトリックがあるということなのか？！@　いや、今そんなことはどうでもいい。@ `So just as Rosa oba-san thought, Kanon-kun had used some trick to escape that room while it was locked?!`@` No, that doesn't matter anymore.`@ br ;　南條先生と熊沢さんが殺されたことの方が重要な問題だ。\ `The real problem is that Doctor Nanjo and Kumasawa-san were killed.`\ bg M1F_S1dR,26 ;　楼座叔母さんは、最初っから嘉音くんの仕業だと断定している。@ ;　彼らがどう混乱してそれを否定しようとしても、…彼らは半ばそうだと言っている。@ `Rosa oba-san had claimed that Kanon-kun was behind this from the very beginning.`@ `No matter how confused they became and no matter how much they tried to deny it, ...they were half-way saying that it was the truth.`@ br ;　……しかしそれでも、なぜか彼らの歯切れの悪さは、混乱だけでは説明ができないような気もした…。\ `......But even so, for some reason, I felt like their awkwardness couldn't be explained just by confusion...`\ ;　……彼らは何を見たんだ？@ `......What had they seen?`@ br ;　彼らが言うように、本当に、 `Like they said, had they really` br ;(口で説明できない何かを見たのか/・・・・・・・・・・・・・・・)…？\ ;＜口で説明できない何かを見たのか：点処理 (`seen something unexplainable with words`/・・・・・・・・・・・・・・・)`...?`\ fede 0,3000 bg black,22 bg M1F_S1cR,0 ld c,$ROS_KomaruA4,26 me1v 5,55 me2v 12,40 ;　これ以上は何を聞いても埒が明かないだろうと判断した楼座叔母さんは、それで切り上げ、@二人の遺体を確認したいと言った。\ `Rosa oba-san, who decided that we wouldn't make any more progress even if we asked any more, concluded her questioning, `@`and said that she wanted to check the two bodies.`\ ;　それは俺も関心のあることだった。@ `I was also interested in that.`@ br ;　混乱した彼らには何が何だかわからなくても、@…その現場に居合わせなかった俺たちは冷静に遺体を見て、何かを気がつけるかもしれない。\ `Even if these people didn't have a clue what was going on in their confusion, `@`...if those of us who hadn't been at the scene calmly looked at the corpses, we might find something.`\ bg black,22 ;　………しかし、楼座叔母さんもまた、俺と同様に遺体が気になるのは少しだけ意外だった。@ `.........But it was a little surprising that Rosa oba-san was also concerned about the bodies, just like I was.`@ br ;　俺はこの期に及んでも、何かの手掛かりがあれば、犯人や真相をこの手で暴いてやりたいと思っている。\ `Even at this point, I still wanted to expose the culprit and the truth myself, if we could find any clues.`\ ;　しかし楼座叔母さんは違ったはずだ。@ ;　……楼座叔母さんは確か、犯人探しよりも身の安全が最優先の方針だったはず。@ `But Rosa oba-san should have been different.`@ `......Hadn't Rosa oba-san's plan given a higher priority to staying safe than to finding the culprit?`@ br ;　その楼座叔母さんが、わざわざ篭城の客間を出てまで遺体を確認したい理由が少し見えなかった。\ `I couldn't really see why Rosa oba-san would go to all the trouble of leaving our barricade in the parlor because she wanted to check the bodies.`\ bg M1F_S1aR,0 ld r,$ROS_MajimeA1G,26 ;「みんなで一緒に使用人室に行きます。@全員一緒に行動すれば安全よ。@/ `"We will all go to the servant room together.`@` If we all move together, it'll be safe. `@/ ld r,$ROS_NayamuA1G,80 ;真里亞、ラクガキ遊びはおしまいになさい！」@ ;＜楼座 `Maria, stop playing with scribbles!"`@ ld l,$MAR_FukigenA1,23 ;「うー。@ラクガキじゃないぃ。@ベアトリーチェの問題を解いてるのー。@うー…。」\ `"Uu-.`@` Not scribble-s.`@` Solving Beatrice's proble-m.`@` Uu-..."`\ cl r,23 ld r,$BUT_defA2,24 ;「ベアトリーチェの問題？@　何のことだよ、俺にも教えてくれよぅ。」@ ;＜戦人 `"Beatrice's problem?`@` What's that, tell me too."`@ ld c,$GEO_MajimeA1k,23 ;「…楼座叔母さん。真里亞ちゃんも、…その、連れて行くんですか。」@ ;＜譲治 `"...Rosa oba-san. Are you, ...umm, bringing Maria-chan too?"`@ br ;　譲治の兄貴は、血生臭い現場に真里亞を連れて行くことに抵抗があるようだった。\ `It seemed that George-aniki was against the idea of bringing Maria to the bloody crime scene.`\ bg black,22 ;　…だが、真里亞だけ残していくことを考えたら、一緒に連れて行く方がはるかに安全に違いない。@ `...But taking into consideration the fact that Maria would be left alone here, it would surely be much safer if we took Maria with us.`@ br ;　……結局、兄貴の無責任なヒューマニズムってことになる。@ ;　俺たちは真里亞も含め、全員で使用人室へ行くことになった。\ `......In the end, it was just Aniki's irresponsible humanism.`@ `We decided that all of us, including Maria, would go to the servant room.`\ textoff bg M1F_P1bR,24 wait 2000 bg black,24 bg Mhal_2a,24 wait 2000 bg black,24 bg Ment_1bR,24 wait 2000 bg black,22 se1 25 wait 1000 se2 17 bg G1F_R1bR,23 me2v 13,40 wait 2000 bg blood_1a,2 wait 1000 ;■廊下〜使用人室 ;　使用人室のベッドは、真っ赤な血で染まっていた。\ `The bed in the servant room was stained with bright-red blood.`\ ;　…いや、ベッドだけじゃない。@ `...No, not just the bed.`@ ;　部屋中がおびただしい血痕で凄惨なペイントを施されていた。@ `The whole room was covered with a gruesome paint from countless blood stains.`@ br ;　その凄まじい光景だけで、彼らが語ろうとした何かのおぞましき輪郭を知るのだった…。\ `That dreadful scene alone was enough to give us an idea of the repulsive sight they had been trying to describe...`\ bg black,22 bg M_door1,22 ld r,$MAR_IkariA1,24 ;「……うー。@真里亞も見るー！」@ `"......Uu-.`@` Maria also loo-k!"`@ ld c,$GEO_WaraiA2,23 ;「真里亞ちゃんは僕と一緒にここで待ってようね。」@ `"Maria-chan, wait here with me."`@ ;　譲治の兄貴は、真里亞の目を塞ぎ、入り口のところで部屋に背を向けていた。@ `George-aniki was standing by the entrance, covering Maria's eyes, with his back to the room.`@ br ;　……この部屋のおぞましき赤で、無垢な少女の網膜を汚したくないのだろう。\ `......He probably didn't want to dirty an innocent girl's retinas with the repulsive blood in this room.`\ bg black,22 ;　きっとそれは正しい判断だ。@ `That was surely the correct decision.`@ br ;　……今の俺は強がっているから気にならないが、@……俺は今後の人生において、赤いペンキが散らばっているのを見る度に、@この部屋を思い出して吐き気を催し続けるのだろう。\ `......I was acting tough right now, so I didn't mind, `@`......but for the rest of my life, whenever I see red paint scattered around, `@`I'll probably remember this room and start to vomit.`\ ;　……もう俺の網膜にこの部屋は焼き付いてしまった。@ `......My retinas already had this room burned into them.`@ br ;　…つまり俺は手遅れだった…。\ `...In other words, it was too late for me...`\ bg G1F_R1bR,0 ld l,$GOH_KomaruA1,0 ld r,$SHA_komaruA1,24 ld r,$SHa_OdorokiA1,80 ;「……………あら……。」@ ;＜紗音 `"............Huh......"`@ ld l,$GOH_OdorokiA1,24 ;「ど、…どこへ…ッ！」@ ;＜郷田 `"Wh, ...where did they...!"`@ bgm1 20 br ;　使用人室に入ってすぐ、郷田さんと紗音ちゃんが動揺する。@ `Right after they entered the servant room, Gohda-san and Shannon-chan trembled.`@ br ;　…俺たちは、彼らが改めて動揺するどんな恐ろしい事態が新たに起こったのかと慄いた。\ `...We shook, wondering what horrible new situation had arisen to make them tremble again.`\ cl a,24 se1 30 ld c,$ROS_IkariB1G,24 ;「どうしたの？@　何事？」@ ;＜楼座 `"What happened?`@` What is it?"`@ ;　楼座叔母さんも戦慄し、銃を高く構えて、彼らが動揺する何かを探した。\ `Rosa oba-san also shuddered, raised her gun high, and searched for whatever it was that had made them shudder.`\ bg black,22 bg G1F_R1aR,26 ;　……しかし見付からない。@ `......But she couldn't find it.`@ br ;　…無理もない。@ ;　…彼らは、見付からないから動揺したのだ。\ `...It was only natural.`@ `...They were trembling because they couldn't find it.`\ ld r,$BUT_OdorokiA1,24 ;「何だ何だ、どうしたってんだ一体…。」@ ;＜戦人 `"Hey, what in the world's going on..."`@ ld l,$GEN_komaruA1,23 ;「………二人の遺体が、ありません。」@ ;＜源次 `".........The two bodies, aren't here."`@ ld c,$ROS_ikariA4G,64 ;「どういうことなの？」@ ;＜楼座 `"What does this mean?"`@ cl r,62 ld r,$SHA_OdorokiA2,64 ;「……そ、そんなはずないんです…！@　確かにお二人は、ここに……！」\ ;＜紗音 `"......Th, that can't be...!`@` Those two were definitely, here......!"`\ bg G1F_R1bR,0 ld r,$BUT_NiramuA3,24 ;「…おいおいおい。@何だよ、死体がどこかへ歩いてったってのか？@　そんなわけはないだろ？@　だって、この使用人室は施錠されてたんだろ？@　それを今、郷田さんが開けて入ったわけじゃないか！」\ `"...Wait wait wait.`@` What the hell, are you saying the corpses just walked off somewhere?`@` That couldn't happen, right?`@` I mean, wasn't the servant room locked?`@` Didn't you unlock the door when you came in just now, Gohda-san?!"`\ ld r,$BUT_OdorokiA1,80 ;「……ってことは何だ。@…朱志香の部屋と同じってことかよ？！@　また密室の中から消えたってのかよ？！@　そんな馬鹿な！！」\ ;＜戦人 `"......What does that mean?`@` ...Isn't this the same as Jessica's room?!`@` They've disappeared from inside a closed room again?!`@` That's ridiculous!!"`\ ld l,$GOH_komaruA3,23 ;「私にも何のことやらさっぱりッ！！@　私たちはこの部屋を出る時、確かに鍵を掛けて、……！！@　私こそ、何が何やら、もうわからないのです…！！」@ ;＜郷田 `"I don't have a clue what happened either!!`@` When we left this room, we definitely locked it, ......!!`@` I don't have a clue what's going on anymore...!!"`@ ;　郷田さんが、普段絶対見せないような、気弱そうな苦々しい笑いを浮かべる。@ ;　それは紗音も同じだった。\ `There was a timid and pitiful smile on Gohda-san's face that he definitely wouldn't have let show normally.`@ `Shannon was the same.`\ ld r,$BUT_KuyasigaruA1,80 ;「二人の死体が消えた！@　しかも鍵を掛けたのに消えた！@　仮に嘉音くんが犯人だとしても、嘉音くんはマスターキーをもう持ってないはず！！」@ ;＜戦人 `"Two corpses disappeared!`@` And furthermore, they disappeared while the door was locked!`@` Even if Kanon-kun was the culprit, he shouldn't be holding a master key anymore!!"`@ cl l,24 ld l,$SHA_odorokiA2,63 ;「違います…！@　嘉音くんは犯人じゃありません…！！」@ ;＜紗音 `"That's wrong...!`@` Kanon-kun is not the culprit...!!"`@ ld c,$GEO_MajimeA3k,64 ;「……紗音…。@僕は紗音を信じるよ。@嘉音くんは犯人なんかじゃない。@きっとこれは、彼によく似た何者かの仕業なんだ。」\ ;＜譲治 `"......Shannon...`@` I believe Shannon.`@` Kanon-kun is not the culprit.`@` This is definitely the work of someone who looks a lot like him."`\ bg G1F_R1aR,0 ld r,$ROS_NayamuA1,64 ;「いえ。@嘉音くんはマスターキーを手に入れられたわよ。@/ `"No.`@` Kanon-kun did not have the master key. `@/ ld r,$ROS_MajimeA1,80 ;……だって、彼のマスターキーは朱志香ちゃんの遺体のポケットから見付かった。@…そして、その鍵は誰が手に入れた？」@ ;＜楼座 `......After all, his master key was found in the pocket of Jessica-chan's corpse.`@` ...And, who took that key?"`@ ld l,$GEO_IkariA2,23 ;「ッ！！@　そ、そうだ！@　南條先生が……！！」\ `"!!`@` Th, that's right!`@` It was Doctor Nanjo......!!"`\ ;　そうだ。@確かにあの時、南條先生が朱志香の服を探り、マスターキーを見つけた…！@ ;　なら、南條先生の死体を物色する機会があったなら、マスターキーを取り返すことは容易…。\ `That's right.`@` Certainly, at that time, Doctor Nanjo had searched Jessica's clothes and found the master key...!`@ `Then, if they'd had the opportunity to search Doctor Nanjo's corpse, it would have been easy to take the master key back...`\ bg black,25 ;　楼座叔母さんはベッドの下や、ロッカーの中などを調べている。@ `Rosa oba-san searched under the bed and in the locker.`@ br ;　…もう、俺にもその意味が理解できた。@ ;　犯人は二人いたと考えると、簡単に説明できる。\ `...By now, I also understood what that meant.`@ `If you assume that there were two culprits, it could be easily explained.`\ mono 1 ld r,$KAN_NayamuA1,8 ;　一人目は、嘉音くん、もしくは彼に酷似した何者かの仕業。@ ;　彼は南條先生を葬り、どこかへ逃げ去った。@ `The first person was Kanon-kun, or maybe an impostor that looked like him.`@ `He had finished off Doctor Nanjo and ran off somewhere.`@ br bg black,22 mono 0 bg portrait3,22 ;　二人目は、……多分、所在不明の１９人目、ベアトリーチェだ。\ `The second person was, ......probably the 19th person, Beatrice, whose location was unknown.`\ ;　ヤツは、予め使用人室のベッドの下に隠れ、ここに南條先生の遺体が安置されたまま、源次さんたちが立ち去るのを待っていた。@ `That person had hidden under the bed in the servant room beforehand, and while Doctor Nanjo's body had been enshrined here, that person had waited for Genji-san and the rest to leave.`@ br ;　そしてその後に這い出て、南條先生のポケットからマスターキーを取り返し、何かの理由で二人の遺体を運び去った。@ `Then later, they had crawled out, taken the master key back from Doctor Nanjo's pocket, and carried the two corpses away for some reason.`@ br ;　そしてマスターキーで施錠すれば、この密室の出来上がりってわけだ。\ `If they had then locked the door with the master key, this closed room would be created.`\ se1 56 E_MA meta_set meta_ld r,$BEA_AkuwaraiA1,4 ;■メタ ;「くっくっくっく。@朱志香の部屋の推理を前提に、なかなか素早く組み立ててきたものよ。@その方法なら、魔法でなくても密室は作り出せよう。@まずは及第点というところか？@　しかし、実に面白いが、……お前はひとつ忘れてはならぬことがあるぞ？」\ `"*cackle*cackle*.`@` You constructed that one pretty fast with your reasoning from Jessica's room as a premise.`@` With that method, you could create a closed room even without magic.`@` Should I give you passing marks?`@` However, interestingly enough, ......there's something you must not forget, right?"`\ meta_ld r,$BEA_futekiA1,80 ;「…お前の言う方法で犯人がマスターキーを取り返したなら、@……その犯人はマスターキーを、 `"...If the culprit had taken the master key back by the method you say,`@` that culprit` br (`would have to know that Nanjo had taken the`/・・・・・・・・・・・・・・・・) br (`master key from Jessica's body`/・・・・・・・・・・・)`."`\ ;br ;(朱志香の遺体から南條が回収したことを知って/・・・・・・・・・・・・・・・・・・・・・) ;br ;(いたことになる/・・・・・・・)。」\ ;＜ベアト ;＜朱志香の遺体から南條が回収したことを知っていた：点処理 meta_ld l,$BUT_nayamuA1,24 ;「……言われなくてもわかってるぜ…。@あの時、あの場にいた人物以外、知り得ない情報だ、って言いてぇんだろ…。」\ `"......You don't have to tell me that...`@` You're probably trying to say that it's information only the people in that place, at that time, could know..."`\ meta_ld l,$BUT_niramuA3,80 ;「……へ！@　この第三の密室があっさり破られちまったもんで、そういう手で俺に嫌味を言うしかねぇんだろ。@同じネタの繰り返しは芸がないぜ…。」\ `"......Heh!`@` This third closed room was crushed so fast that you can't do anything but say that sarcastically.`@` There's no art in repeating the same content..."`\ ;　虚勢は張るものの、魔女のその指し手はずしりと痛む…。@ ;　……俺がもっとも否定したいものに、ひびが入るのがわかる。@ ;　こいつは、二つの方向から俺を締め上げている。\ `Even though I was bluffing, that move of the witch's hurt bad...`@ `......I realized I was cracking under the thing I wanted to deny the most.`@ `This person's trying to close in on me from two directions.`\ ;　一つは、魔女にしかできない密室トリックで、俺に魔女を無理やり信じさせようとする力技のような正攻法。@ `On the one hand, there's the frontal attack, where she tries to force me to believe there's a witch using closed room tricks that only a witch could do.`@ br ;　……そしてもう一つは、身内の疑いを濃厚にすることで、俺に魔女を信じた方がマシだと誘導しようとする搦め手だ。\ `......And on the other hand, there's the rear attack, where she tries to lure me into thinking it would be better if there was a witch by strengthening my suspicions of those close to me.`\ ;　第一の密室、礼拝堂の時には、正攻法で攻めたが俺に通じなかった。@ ;　だから第二の密室、そしてこの第三の密室では、攻め手を変えてきたに違いない…。@ `In the first closed room, the chapel, she had used the frontal attack, but it hadn't worked on me.`@ `So by the second closed room, and now on the third closed room, she was definitely changing the direction of her attack...`@ br ;　しかし、攻め手を変えているということは、俺の抵抗が少しは通用している証拠でもある。\ `However, the fact that she was changing the direction of her attack also proved that my resistance was working a little.`\ ;　…そして正攻法を捨てたのは、正攻法で堂々と勝てない弱さがあるからに違いない…。@ `...And she had surely given up on the frontal attack because she clearly couldn't win with it...`@ br ;　………そう考え、俺は自分を納得させようとした。@ ;　だが、魔女は俺のその考えをとっくに看破していたようだった。\ `.........I tried to force myself to accept my own position by thinking that.`@ `But it seemed that the witch had seen through these thoughts of mine long ago.`\ meta_ld r,$BEA_WaraiA1,80 ;「くっくっくっく。@正攻法は欠かぬ。@/ `"*cackle*cackle*.`@` The frontal attack is not lacking. `@/ meta_ld r,$BEA_FutekiA2,80 ;…搦め手は正攻法と同時に進めてこそ意味がある。@搦め手のみに堕するは、手段が目的となった時に起こる愚策に過ぎぬぞ。」@ `...The rear attack only has meaning because it advances at the same time as the front attack.`@` If I were to degenerate into only using the rear attack, it would be nothing more than a foolish plan occurring when my means became my goal."`@ meta_ld l,$BUT_NayamuA2,80 ;「…いっひっひ、そうですかい。@じゃあ、お得意の赤で“何者かが使用人室に隠れていた”を復唱してもらおうじゃないか。」\ `"...Ihihi, really?`@` Well then, won't you repeat 'someone was hiding in the servant room' in that red you're so proud of?"`\ meta_ld r,$BEA_futekiA1,80 ;「その必要はない。@お前の推理の前提は今から崩れる。」@ `"There is no need.`@` The premise of your reasoning will be destroyed starting now."`@ meta_ld l,$BUT_oyaA1,80 ;「おっおっ？！@　拒否かよ？！@　やっぱり誰かが隠れていたんだな？！」@ `"Oh, oh?!`@` You refuse?!`@` So someone really is hiding?!"`@ meta_ld r,$BEA_AkuwaraiA3,80 ;「楼座が今からお前の前提を崩す。@…くっくっくっく！@　まぁ耳を傾けてみよ。」\ `"Rosa will destroy your premise starting now.`@` ...*cackle*cackle*!`@` Well, let's try listening in."`\ se1 56 meta_end bg black,24 fede 0,2000 me1v 13,40 bg G1F_R1aR,0 ld r,$GOH_KomaruA2,24 se2 21 ;■元 ;「信じてください、楼座さま…！！@　確かにここに二人の遺体を安置したんです！@　この床の真っ赤な血は彼らのものなのです…！！」\ ;＜郷田 `"Please believe us, Rosa-sama...!!`@` The two corpses were certainly lying here!`@` The bright-red blood on the floor is theirs...!!"`\ bg G1F_R1bR,0 ld c,$ROS_MajimeA1G,24 ;　楼座叔母さんは、懇願するように叫ぶ郷田さんに背を向けたまま、色々と室内を物色していた。@ `Rosa oba-san began to search through various objects around the room, her back to Gohda-san as he cried out in supplication.`@ br ld c,$ROS_IkariA3G,80 ;　……やがて、何かを見つけ、しばらくの間、動かなくなる。\ `......Eventually, she found something, and for a while, stopped moving.`\ ld l,$GOH_IiwakeA2,23 ;「楼座さま、私たちは断じて嘘などついていては…！！@　間違いなく二人の遺体はここにあったんです！！」\ ;＜郷田 `"Rosa-sama, we definitely aren't lying...!!`@` The two corpses were definitely here!!"`\ ld c,$ROS_NayamuA1,80 ;「静かに。@………死体を隠した本人が、死体は他所に持ち去ったと告白しているわ。@/ `"Be quiet.`@` .........The person who hid the corpses is confessing that they took the corpses to another place. `@/ ld c,$ROS_KomaruA4,80 E_A ;………これでね。」@ ;＜楼座 `.........With this."`@ bgm1 26 ;　楼座が肩越しに一枚の便箋を見せる。\ `Rosa showed them a single sheet of paper over her shoulder.`\ bg G1F_R1aR,63 ld r,$BUT_komaruA2,64 ;「それは一体？！@　まさか、……礼拝堂にあったのと同じ、紋章入りの封筒の手紙？！」@ ;＜戦人 `"What on Earth is that?!`@` It couldn't be, ......a letter in a sealed envelope, just like in the chapel?!"`@ ld l,$ROS_nayamuA1,23 ;「……えぇ、そうよ。@ここに堂々と置いてあったわ。@読むわね。」\ `"......Yes, that's right.`@` It was set here, out in the open.`@` I'll read it."`\ se1 1010 bg black,22 ;●TIPS魔女の手紙V mov %play_scene,150 seplay 9,1062 mov %r_hyouji,1 mov %r_hyouji_tips,4 mov %tips_page,1 bg letter1,66 ;“右代宮家の皆様。@ ;　黄金の碑文の謎解きはいよいよ佳境に入りましたでしょうか。@ ;　皆さんに私を止めることができる唯一の方法が、碑文の謎を解くことなのです。@ `'Everyone of the Ushiromiya family.`@ `I wonder if you have finally reached a climax solving the epitaph's riddle for the gold.`@ `The only way you all can stop me is by solving the riddle of the epitaph.`@ br ;　それ以外の如何なる方法を以ってしても、私と儀式を止めることはできません。@ ;　くれぐれも皆さんの目的をお間違いなきよう、よろしくお願い申し上げます。\ `No matter which other methods you use, you won't be able to stop the ritual and me.`@ `Take care that you don't mistake everyone's goal. I'm counting on you.`\ br br ;　私を探そうとも、無駄。@ ;　私から逃れようとも、無駄。@ ;　私を否定しようとも、無駄なのです。@ `Even if you try to search for me, it's useless.`@ `Even if you try to escape from me, it's useless.`@ `Even if you try to deny me, that's also useless.`@ br ;　――黄金のベアトリーチェ。”\ `――Beatrice the Golden.'`\ se1 37 bg black,22 bg G1F_R1aR,0 ld c,$ROS_KomaruA4,26 se2 1010 ;「……追伸。@二人の遺体を儀式にお借りします。@後ほどご返却いたしますので、ご容赦をお願い致します。@…あと、この鍵は皆様の物ですのでご返却いたします。」\ ;＜楼座 `"......P.S.`@` I borrowed two corpses for the ritual.`@` I'll return them later, so please forgive me.`@` ...Furthermore, since these keys belong to all of you, I'm returning them."`\ ;　楼座はそれを読み上げると、封筒の中身を手の平の上に晒した。@ `As Rosa read that aloud, the contents of the envelope lay exposed on the palm of her hand.`@ br bg black,22 se1 31 bg key2,23 ;　それは二つのマスターキー。@ `They were two master keys.`@ br ;　朱志香のポケットから南條が見つけた、本来は嘉音が持っていたマスターキーと、熊沢のマスターキーの二つだった。\ `The master key that Nanjo had found in Jessica's pocket, which had originally been Kanon's, and Kumasawa's master key.`\ se1 56 meta_set bgm1 40 meta_ld r,$BUT_KuyasigaruA1,24 ;■メタ ;「何だとぉおおぉ……。@ってことはどういうことだよ…。@ふざけんなよ、またかよ！@　また、マスターキーを持ってる使用人しか疑えないってのかよ？！」\ `"What did she saaaaaaay......`@` So what does that mean...`@` Damn you, again?!`@` You're saying I can only suspect the servants holding keys again?!"`\ meta_ld l,$BEA_DefA2,23 ;「妾は赤では言ってはおらぬぞ…？@/ `"I won't say it in red, alright...? `@/ meta_ld l,$BEA_AkuwaraiA2,80 ;　彼らがこの部屋に施錠をして去った時、この部屋に何者かが隠れていた可能性を否定してはおらぬぞ…？@　くっくくくくくくくく！」\ `I won't deny the possibility that after they locked the door and left, someone was hiding in this room, alright...?`@` *cackle*cackle*cackle*!"`\ meta_ld r,$BUT_NayamuA1,80 ;「……ベッドの下にでも隠れれば、死体をどこかへ運び出すのはできないことじゃない。@しかし、それじゃあ施錠ができない！@　わざわざ手に入れたマスターキーを、ここへ置いてっちまってる！@/ `"......If they were hiding under the bed, that doesn't necessarily mean that they wouldn't be able to carry the bodies away somewhere.`@` But that way they couldn't lock the door!`@` The master key they went to all that trouble to get their hands on was set down right here! `@/ meta_ld r,$BUT_OdorokiA1,80 ;　……そうだ、忘れてた。@この部屋の本来の鍵である“使用人室の鍵”はどうなっている？！」\ `......That's right, I'd forgotten.`@` What about the keys specifically for this room, the 'servant room keys'?!"`\ meta_ld l,$BEA_futekiA1,80 ;「うむ。@/ `"Hmm. `@/ se1 59 ;それなら#ff0000使用人室の奥のキーボックスに収められているぞ#ffffff。@/ `Those are#ff0000 kept in the key box in the center of the servant room#ffffff. `@/ se1 59 ;使用人室の鍵は数本あるが、#ff0000その全てがキーボックスに収められている#ffffff。」\ `There are several servant room keys, but #ff0000all of those are inside the key box#ffffff."`\ meta_ld r,$BUT_kuyasigaruA1,80 ;「ってことは、朱志香の部屋の鍵の時と、状況は何も変わらないってことか…。@使用人も、便利なマスターキーがあれば、不要な鍵はわざわざ持ち歩かないもんな。@キーボックスにしまわれっ放しになってるのも納得だぜ…。」\ `"Which means that the situation hasn't changed at all since the time with the key to Jessica's room...`@` It's not like the servants would walk around with an unnecessary key when they have those convenient master keys.`@` I can accept that they're all kept in the key box..."`\ meta_ld l,$BEA_DefA1,80 ;「その他の条件も何も変わらぬ。@/ `"And nothing has changed in the other conditions. `@/ se1 59 ;#ff0000出入りは唯一の扉と唯一の窓から以外は不可能#ffffff。@ゆえに隠し扉などの不正規な出入り手段は否定される。@喜べ名探偵ども。@くっくっく！」\ `#ff0000Entry or exit is impossible except for the single door and single window#ffffff.`@` Therefore, hidden doors and irregular methods of entry cannot exist.`@` Rejoice, great detectives.`@` *cackle*!"`\ meta_ld l,$BEA_AkuwaraiA1,80 se1 59 ;「#ff0000そしてそれらはいずれも施錠されていた#ffffff。@/ `"#ff0000And those were both locked#ffffff. `@/ se1 59 ;#ff0000扉も窓も、施錠時には如何なる出入りも許さない#ffffff。@つまり、施錠を維持したまま、扉を外す、隙間を作ってすり抜ける等々は通用しないということだ。@/ `#ff0000The door and the window do not permit any kind of entry or exit when they are locked#ffffff.`@` So it wouldn't work to remove the door and make a crack to slide in through or anything like that while the lock is still on. `@/ se1 59 ;当然だが、#ff0000扉の開錠は使用人室の鍵とマスターキー以外は不可能#ffffff。」\ `And obviously, #ff0000it is impossible to unlock the door without a key to the servant room or the master key#ffffff."`\ meta_ld l,$BEA_futekiA2,80 ;「…毎回、これを読み上げるのも面倒だの。@今度これをまとめて一言に略す言葉でも考えよう。」\ `"...It's a pain having to read all these aloud every time.`@` Sooner or later, I should think of a word to put this all together and abbreviate it."`\ meta_ld r,$BUT_nayamuA2,80 ;「だが、この部屋に誰かが隠れていたことは復唱できねぇだろう！@　……しかし、それだけでは密室の扉が破れない…。@あぁ、クソクソ！！/ `"But you can't repeat that someone was hiding in this room!`@` ......However, that alone won't break open the door of a closed room...`@` Aaah, damn it, damn it!! `/ se1 8 quakey 4,400 se1 8 quakey 4,400 ;@　駄目だ駄目だ、全然駄目だ…！」\ @`It's useless, it's useless, it's all useless...!"`\ meta_ld l,$BEA_waraiA2,80 ;「くっくっくっく！@　お得意のチェス盤を引っ繰り返すとやらはどうした…？@　自慢の珍説をぜひ披露してみよ。」\ `"*cackle*cackle*!`@` What happened to that turning over the chessboard thing that you're so proud of...?`@` Please, announce your boastful strange theory."`\ meta_ld r,$BUT_NayamuA1,80 ;「……………チェス盤を、引っ繰り返す。@…………俺が犯人ならどうする。@死体をどこかへ運び出す。@……手紙を残す。@………内側から鍵を閉める。@……ここから何かの方法で部屋を脱出すればいいんだ。@/ `"............Turn over, the chessboard.`@` ............What would I do if I were the culprit?`@` I carry the corpses off somewhere.`@` ......I leave a letter.`@` .........I lock the door from the inside.`@` ......Then I just have to escape this room by some means. `@/ meta_ld r,$BUT_KuyasigaruA1,80 ;………くそッ、そんな方法はあるのか？！@　扉と窓以外からは外に出られないと赤で言われちまってる…！@/ `.........Damn it, is that even possible?!`@` I was told in red that you can't get outside except by the door or the window...! `@/ lsp bgsp,":c;bmp\r_click\black.bmp",0,0 print 1 me1v 16,40 ;　………………あ、」\ `...............ah-"`\ ;　……その時、……閃く。@そうだ。@ ;　……死体を運び、手紙を残し。@ `......At that moment, ......I got it.`@` That's right.`@ `......Carry the corpses, leave the letter.`@ ;　……そして「隠し扉」に頼らず、(つまり脱/・・・・) `......And not relying on a hidden door,` br (`in other words, not even able to escape`/・・・・・・・・・・・・・)`...`@ ;br ;(出もできない/・・・・・・)。@ ;＜脱出もできない：点処理 br ;　…そうだ。@これは疑問なんじゃなく、答えだったんだ……。\ `...That's it.`@` This isn't a question, it's an answer......`\ csp bgsp print 26 meta_ld r,$BUT_KomaruA2,80 ;「ベアト。@……復唱要求の前に、お前の言う `"Beato.`@` ......Before I ask you to repeat anything, I want to check` br ;(隠し扉の定義/・・・・・・)を確認したい。」\ ;＜隠し扉の定義：点処理 (`the definition of these hidden doors`/・・・・・・・・・・・・)` that you're talking about."`\ meta_ld l,$BEA_WaraiA1,80 ;「何を思いついたやら。@良かろう、説明する。@/ `"What have you thought of?`@` Very well, I'll explain. `@/ meta_ld l,$BEA_futekiA1,80 ;隠し扉とは、知らぬ人間が認識できぬ出入り口のことであろうが。@そんなこと子どもでも知っておろう。」\ ;＜ベアト `A hidden door refers to an entrance or exit that cannot be recognized by those who do not know of it.`@` Even children know that."`\ meta_ld r,$BUT_DefA2,80 E_B ;「……つまり、部屋の外に出られなかったら、それは隠し扉じゃないってことだよな？」@ `"......So in other words, if you can't get outside the room with it, it isn't a hidden door?"`@ meta_ld l,$BEA_WaraiA1,80 ;「ほぉ。@………そう来たか。」\ `"Hoh.`@` .........Here it comes."`\ meta_ld r,$BUT_nayamuA1,80 ;「俺は、犯人は密室から抜け出したものだとばかり思っていた。@/ `"I kept thinking that it was something that let the culprit escape the closed room. `@/ meta_ld r,$BUT_oyaA1,80 E_A bgm1 49 ;……違うんだ。@犯人だって密室から、脱出できなかったんだ！@　だから隠れてやり過ごそうとした！」\ `......That's wrong.`@` Even the culprit couldn't escape the closed room!`@` So the culprit decided to hide until we passed by!"`\ ;　俺はこの説を、第二の密室の時、嘉音くんがそうしようとしたかもしれないと推理した。@ ;　……しかし、“嘉音くんは殺された”と赤で言われたのでこの推理を引っ込めた。@ `For the second closed room, I had used this theory to reason that Kanon-kun might have done this.`@ `......But I had given up that reasoning when I had been told 'Kanon-kun was killed' in red.`@ br ;　そして次に、部屋に３人目の人物がいたなら、隠し扉で脱出することも可能だと推理した。@ ;　そしてここで初めて、“隠し扉は存在しない”と赤で断言されたのだ。\ `And next, I had guessed that there had been three people and that it was possible that they had escaped through a hidden door.`@ `And then, for the first time, the claim had been made in red that 'no hidden doors exist'.`\ lsp bgsp,":c;bmp\r_click\black.bmp",0,0 print 22 ;　そして今わかったこと。@ `And what I'd learned just now.`@ ;　魔女の言っている「隠し扉」は、外部に出入りできるものを指す。@ `These 'hidden doors' the witch was talking about referred to things that made it possible to get into or out of the room.`@ br ;　……つまり、外部に出入りできず、しかも知らない人には気付けないものは「隠し扉」の定義に入らないことになっている。\ `......In other words, things that didn't permit entry or exit to the outside, and also wouldn't be noticed by people who didn't know about them, wouldn't fall under the definition of 'hidden door'.`\ ;　つまり、例えば「隠し棚」や「秘密のクローゼット」みたいなものは「隠し扉」に定義されてないわけだ！@ `In other words, if there were, for example, something like a 'hidden shelf' or a 'secret closet', they wouldn't be defined as 'hidden doors'!`@ br ;　つまり、朱志香の部屋の３人目の人物はここに隠れて俺たちをやり過ごしたんだ！\ `In other words, the third person in Jessica's room was hiding here, waiting for us to pass by!`\ ;　へっ、下らねぇぜ、ちょっとした言葉遊びだったんだ！@ ;　この方法なら第三の密室であるこの使用人室も何とかなりそうだ。@ `Heh, how pathetic, just a little playing around with words!`@ `Looks like even this third closed room in the servant room will be handled by this method.`@ br ;　ベッドの下でも隠し棚でも何でもいい。@ ;　どこかに潜み、俺たちが立ち去るのを待っているのだ。\ `If there's a hidden shelf under the bed or anything like that, that would be enough.`@ `The culprit's hiding somewhere, waiting for us to leave.`\ ;　………犯人もまた、密室に閉じ込められたままだったのだッ！！@ ;　ってことは……、今この瞬間！@ `.........The culprit is also trapped in the closed room even now!!`@ `Which means......, this very moment!`@ br ;　この使用人室には未だ犯人が隠れて息を潜めていることになる…！！！\ `The culprit is still hiding in the servant room, holding their breath...!!!`\ ;　ってことは、………何てこった…。@ `Which means, .........what the hell...`@ ;　俺たちは三度密室を与えられて苦しめられたってのに、@……実は今この瞬間、俺たちは犯人を、チェックメイトしているッ！！\ `Even though I was tortured with closed rooms three times, `@`......in this very moment, we've actually gotten the culprit in checkmate!!`\ csp bgsp meta_cl a,0 print 22 meta_ld l,$BUT_NiramuA2,23 ;「ようやく見えてきたぜ。@……食らえベアト！！@/ `"I've finally started to see it.`@` ......Eat this, Beato!! `@/ se1 2 meta_ld l,$BUT_OdorokiB1,1 ;　復唱要求！@“この部屋には俺たち以外の誰もいない”！@　俺たちってのは、俺、譲治の兄貴、真里亞、楼座叔母さん、源次さん、郷田さん、紗音ちゃんのことだぜ？！@　どうだッ！！　言えねぇだろう？！」\ `Repeat it!`@` 'There is no one in this room other than us'!`@` By us, I mean me, George-aniki, Maria, Rosa oba-san, Genji-san, Gohda-san, and Shannon-chan, alright?!`@` What do you think?!! You can't say it, right?!"`\ cl l,24 meta_ld r,$BEA_fukigenA1,24 ;「………ほぉ……。@………ほぉ……！」@ `".........Hoh......`@`.........hoh......!"`@ meta_ld l,$BUT_FutekiA1,80 ;「痛ぇとこを突かれただろう！！@　拒否なら拒否と言いやがれ！！@　次、行くぜ！！@/ `"I'll bet I hit you where it hurts!!`@` If you refuse, then say you refuse, damn it!!`@` Here comes the next one!! `@/ se1 2 ;　復唱要求！！」\ `Repeat it!!"`\ mcl a,0 mbg black,22 ;　この部屋のどこにどうやって隠れているかはわからない。@ `I don't know how they're hiding in this room.`@ br ;　でも、それが事実であるならば、第二の密室、朱志香の部屋のことだって一気に解決できるんだッ！！\ `But if that's a fact, then this also resolves the second closed room, Jessica's room at the same time!!`\ ;　ようやく尻尾を掴んだ！@ ;　これで全てを説明できる！@ ;　魔女なんかいないッ、誰も疑わなくていい！！@ `I've finally caught her by the tail!`@ `With this, I can explain everything!`@ `Witches don't exist, I don't have to doubt anyone!!`@ br ;　よし、ここから引っ繰り返すぞ！@　次に求める復唱は、\ `Alright, starting now, I'll turn it over!`@` The next thing I'll request she repeat is-`\ E_A mcbg 0 meta_ld r,$BEA_FutekiA2,24 se1 59 ;「#ff0000この部屋には、お前たち以外は存在しない。@/ `"#ff0000No one exists in this room except your group. `@/ se1 59 ;お前たちの定義とは、戦人、譲治、真里亞、楼座、源次、郷田、紗音のことを指す#ffffff。」@ `'Your group' refers to Battler, George, Maria, Rosa, Genji, Gohda, and Shannon#ffffff."`@ meta_ld l,$BUT_odorokiA2,80 bgm1 40 ;「……な、……………。」\ `"......Wha, ............"`\ meta_ld r,$BEA_AkuwaraiA1,80 ;「朱志香の部屋に話を戻す。@/ `"Let's go back to Jessica's room. `@/ se1 59 ;#ff0000朱志香の死体発見時、朱志香の部屋にいたのは、@戦人、譲治、真里亞、楼座、源次、郷田、紗音、熊沢、南條のみだった#ffffff。@/ `#ff0000When Jessica's corpse was discovered, `@`only Battler, George, Maria, Rosa, Genji, Gohda, Shannon, Kumasawa, and Nanjo were in Jessica's room#ffffff. `@/ meta_ld r,$BEA_futekiA1,80 se1 59 ;おっと、死体の#ff0000朱志香ももちろん含む#ffffff。@/ `Whoops, the corpse of #ff0000Jessica is also included#ffffff. `@/ se1 59 ;#ff0000よって、朱志香の部屋の件、そしてこの使用人室の件の両方について、そなたが認識していた以外の人間は存在しない#ffffff。@/ `#ff0000Therefore, both in the case of Jessica's room and the case in this servant room, no humans exist that you were not aware of#ffffff. `@/ se1 59 ;#ff0000誰も隠れていない#ffffff。」\ `#ff0000No one is hiding#ffffff."`\ meta_ld r,$BEA_AkuwaraiA3,80 ;「さらに言おう。@/ `"And I'll say more. `@/ se1 59 ;#ff0000扉は鍵を使用せずに外から施錠する方法は存在しない#ffffff。@/ `#ff0000No method exists by which the door can be locked from the outside without using a key#ffffff. `@/ se1 59 ;#ff0000窓については外からは如何なる方法でも施錠する方法は存在しない#ffffff。」\ `#ff0000Regarding the window, no method exists by which it could somehow be locked from the outside#ffffff."`\ meta_ld r,$BEA_futekiA2,80 ;「ついでに言おう。@/ `"And let me also say this. `@/ meta_ld r,$BEA_odorokiA1,80 se1v 59,100 ;#ff0000そなたは無能だ#ffffff！@/ `#ff0000You are incompetent#ffffff! `@/ meta_ld r,$BEA_AkuwaraiA2,80 se2 59 se3v 37,100 ;　くっくくくっくくくくく、#ff0000ひーっひひっひひひひひひひひひひひひ#ffffff！！」\ `*cackle*cackle*cackle*cackle*, #ff0000hi-hhihihhihihihihihihihihihihi#ffffff!!"`\ meta_ld l,$BUT_KuyasigaruA1,80 ;「ば、………馬鹿野郎ぉおぉ……。@それじゃあ、………本当に、……密室じゃねぇかよぉ…………。@せ、…せっかく思いついたのに。@お前が隠れていたんなら…、全て説明が付いたのに。@トリックを打ち破れたと思ったってのに、………くそォ…。」\ `"D, .........dumbaaaaass......`@` So, .........it's really, ......a closed room, isn't it............`@` I, ...it was so hard to think of, too.`@` If you had been hiding..., that explanation would fit everything.`@` Just when I thought I'd broken the trick, .........damn iiit..."`\ meta_ld l,$BUT_NakuA1,80 ;「………ぅ、…………ぅおおぉおおおおおおおおおおおぉおおぉ！！」/ `".........u, .........uooooooooooooooo ooooooohhh!!"`/ quakex 6,1000 \ ;lsp bgsp,":c;bmp\r_click\black.bmp",0,0 mbg black,0 meta_cl a,0 print 65 me1v 17,70 ;　駄目だ駄目だ駄目だ全然駄目だッ！！@　一瞬、閃いたと思った！@　全然駄目だった！！\ `It's useless it's useless it's useless it's all useless!!`@` For a second, I thought I'd had it!`@` It was all useless!!`\ ;　ベアトリーチェのヤツめ、@赤をうまく使った言葉遊びで煙に撒き、/ ;!d800俺をうまく騙せたに違いないと看破したはずだった…！！@ `Beatrice, you bastard, `@`you spoke in riddles by playing around with words and skillfully using the red, `/ !d800`and you probably saw through me, realizing that you could skillfully trick me...!!`@ br ;!s0　……やっと暗闇に光が見えたと思ったのに、/ ;!d800…………消えた、/ ;!d1000………消えちまった………、/ ;!d1000真っ赤な海に、/ ;!d600……飲み込まれちまった………ッ！@ !s0`......Just when I thought I'd seen a light in the darkness, `/ !d800`............it disappeared, `/ !d1000`.........it just disappeared........., `/ !d1000`swallowed up, `/ !d600`......by a blood-red sea.........!`@ mono 2 mbg white,2 br ;　赤い、/ ;!d500…/ ;!d100…/ ;!d100赤い/ ;!d400赤い/ ;!d300赤い/ ;!d200赤いッ！！/ `Red, `/ !d500`...`/ !d100`...`/ !d100`red`/ !d400`red`/ !d300`red`/ !d200`red!!`/ !sd\ ;　誰も隠れていない！@　そして隠し扉もなく、施錠された扉も窓も騙す方法がない！！@ `No one is hiding!`@` And there's no hidden door, and no way to trick the door or the window while they're locked!!`@ br ;　全て不可能だと証明しきっちまったのか？！@ `Have you just proven that it's all impossible?!`@ ;　悪魔の証明を、/ ;!d500……正攻法で、/ ;!d600……成し遂げちまったってのかッ？！@ `Has the Devil's Proof, `/ !d500`......been fulfilled, `/ !d600`......with a frontal attack?!`@ ;　ありえねぇ、/ ;!d800……ありえねぇよ、こんなのッ！！\ `Impossible, `/ !d800`......this is impossible!!`\ mono 0 mcbg 0 ;csp bgsp meta_ld r,$BEA_AkuwaraiA2,24 ;「どうしたのだ右代宮戦人ァ？@　魔女を否定する気で満々だったんじゃアない。@そんなところで這いつくばって悔し涙を搾り出してどうしたんだイ？」\ `"What's wrong, Ushiromiya Battleer?`@` Weren't you so confident you could deny witches?`@` Why are you groveling and wringing out bitter tears in a place like that?"`\ meta_ld r,$BEA_AkuwaraiA5,80 ;「あぁそれはとってもステキな方法。@妾を笑い転げさせて笑い涙の海で溺れ殺してやろうというのは確かにステキ。@実はそうなんだろォ？@　妾を笑って笑って笑い殺してやろうって手なんだろォ、/ `"Yes, that's a really wonderful method.`@` Truly wonderful how you tried to make me fall over laughing and drown in a sea from the tears of my own laughter.`@` That's what you were really trying to do, right?`@` You were trying to make me laugh and laugh and laugh myself to death, right, `/ ;!s0右/ ;!d300代/ ;!d300宮/ ;!d300戦/ ;!d200人/ ;!d100ァ/ ;!d50ア/ ;!d25？？？」/ !s0`U`/ !d300`shiro`/ !d300`miya ` !d300`Batt`/ !d200`le`/ !d100`e`/ !d50`er`/ !d25`???"`/ !sd\ textoff se1v 37,100 wait 1000 for %ryuu1 = 1 to 3 se1v 37,100 wait 500 next wait 2000 meta_ld l,$BUT_KuyasigaruA1,26 ;「何が魔法だ、魔女なんて絶対に否定してやる！！@　お前なんて絶対に信じない！！@　魔法の力で、/ ;!d800……みんなを面白半分に虐め殺してるなんて、/ ;!d900……絶対に認めねえぇええええぇえ！！」\ `"Magic?! I'll definitely deny witches exist!!`@` I definitely won't believe in you!!`@` You used the power of magic, `/ !d800`......and bullied and killed everyone for fun? `/ !d900`......I definitely won't accept thaaaaaaaat!!"`\ meta_ld r,$BEA_AkuwaraiA2,80 ;「なぁ、戦人ァ？@　虐めすぎて悪かった。@妾側から“チェス盤を引っ繰り返してやる”ぞ。@お前に代わって、お前側の最善手を教えてやるよ。@/ `"Hey, Battler?`@` Sorry for bullying you too much.`@` I'll 'turn the chessboard over' from my side.`@` I'll teach your side the best move in your place. `@/ se1 37 ;聞きたいィイイ？？」@ `Want to heeeeeaar??"`@ meta_ld l,$BUT_OdorokiA2,80 ;「ふざけんな、聞きたくねぇ聞きたくねぇッ！！」\ `"Don't screw with me, I don't want to hear, I don't want to hear!!"`\ meta_ld r,$BEA_AkuwaraiA1,80 ;「朱志香の部屋の件。@そなたは実に良いところを突いていたのだぞォ…？@　隠れてやり過ごそうとした。@これは実にいい着眼だった。」\ `"The case in Jessica's room.`@` You really struck on a good spot, right...?`@` Trying to hide and wait for you to pass by.`@` That truly was a good observation."`\ meta_ld r,$BEA_futekiA1,80 me1v 18,50 ;「…だが、なぜそれを嘉音と１９人目の妾にしか考えなかった……？@　そうか、隠れてやり過ごすの、“隠れて”が邪魔だったから考えが至らなかったか。」\ `"...But why did you think that could only be Kanon or me, the 19th person......?`@` I see, the 'hide' part of hide and wait for you to pass must have gotten in the way, so you didn't think that far."`\ meta_ld r,$BEA_AkuwaraiA2,80 ;「…ほぅら、もうわかるだろォ？@　朱志香だよ。@朱ェエ志香アアァア！！」\ `"...Loooook, now do you understand?`@` It's Jessica.`@` Jeeeessicaaaaaa!!"`\ for %meta_tmp1 = 890 to 899 vsp %meta_tmp1,0 next Meta_cl a,0 bg black,25 se1v 21,90 bg MAP08,22 ;　朱志香が犯人だったなら、……こんな茶番は簡単に構築できる！！@ ;　嘉音くんを殺し、どこかへ運び出す！@　そして、殺されたフリをしてやり過ごす！@ `If Jessica were the culprit, ......a farce like this could be easily constructed!!`@ `She killed Kanon-kun, and carried him off somewhere!`@` Then, she played dead and let us walk by!`@ br ;　でも馬鹿な！！@　南條先生が死亡をちゃんと確認してくれた！@　なら南條先生もグルだってのか？！\ `But that's ridiculous!!`@` Doctor Nanjo had definitely checked that she was dead!`@` So was Doctor Nanjo an accomplice too?!`\ bg blood_1a,22 ;　違う！！@　朱志香が本当に死んでいるのは俺も確認した！@　確かに俺は検死なんかしたことないけど、確かに死んでた！@ `That's wrong!!`@` I had also made sure that Jessica was really dead!`@` Of course, I'd never performed an autopsy before, but she was definitely dead!`@ br ;　死んでたと思う！！@　いや多分きっと絶対とは思うけれども必ずいやいや……、/ ;!d800…死んでた！！@　死んでたんだッ！！！\ `I think she was dead!!`@` No, that's probably surely definitely what I thought but certainly wait......, `/ !d800`...she was dead!!`@` She was dead!!!`\ bg blood_1aR,80 me2v 5,70 ;「朱志香もグルなのよ。@そして検死をした南條もグル。@/ `"Jessica was also an accomplice.`@` And Nanjo, who performed the autopsy, was also an accomplice. `@/ se1 37 ;くっくくくくくくくっくくくくく！！@　ならば、第三の密室など茶番だろォがァア。」\ `*cackle*cackle*cackle*cackle* *cackle*cackle*cackle*!!`@` Then the third closed room was a faaaarce."`\ ;　あぁ、なら簡単だ。@ ;　南條先生はグルなんだからつまり、犯人側なんだからつまりつまり、@元々殺されてなんかいない？！@ `Yeah, then it's simple.`@ `Doctor Nanjo was an accomplice so in other words, he was on the culprits' side...in other words...in other words...`@`so he was never killed in the first place?!`@ br ;　殺された上に遺体が消えたということになっているだけで、元から使用人室にはいない？！\ `We only thought the body disappeared because he had been killed, but he wasn't in the servant room in the first place?!`\ bg black,22 mono 2 bg Different_spiral_1a,28 me3v 19,80 ;　じゃあ、一緒に消えた熊沢の婆ちゃんもグル？！@ `Then is Kumasawa baa-chan, who disappeared with him, also an accomplice?!`@ br ;　……それだけじゃないそれだけじゃないッ！@ ;　それと口裏を合わせている源次さんも郷田さんも、そして紗音ちゃんもグル！\ `......That's not all that's not all!`@ `The servants who had prepared this story beforehand, Genji-san and Gohda-san, and even Shannon-chan were accomplices!`\ ;　なら、真里亞の手提げから鍵を盗んだのは朱志香で、/ ;!d800…いやいや譲治の兄貴にだって可能！@ `Then, the one who stole the key from Maria's handbag was Jessica, `/ !d800`...no no, it's also possible it was George-aniki!`@ br ;　だって紗音ちゃんが犯人側なら、譲治の兄貴だって自動的に犯人側だ！！\ `After all, if Shannon-chan was on the culprit's side, then George-aniki would automatically be on the culprit's side!!`\ ;bg black,22 me4v 16,70 ;　ちょっと待てちょっと待ってくれッ、狼だらけ…。@狼だらけッ！！@ `Wait a second just wait a second, they're all wolves...`@` They're all wolves!!`@ br ;　真っ赤な血の海に溺れている上に、@さらに岸には狼がぎっしりひしめいて、俺が這い上がってきたら食い殺してやろうと目を爛々と輝かせているッ！！\ `Not only am I drowning in an ocean of bright-red blood,`@` there are packs of wolves clamoring on the banks, whose blazing eyes tell me that if I crawl out, they'll eat me!!`\ bg white,28 me5v 14,60 ;　俺はどっちで死ねばいい？！@ ;　全てを否定され真っ赤な海に溺れ死ぬのか？！@ ;　真実を知り、狼たちに全身を食い千切られるのか？！@ `Which way should I die?!`@ `Will I deny everything and drown in a bright-red sea?!`@ `Will I know the truth, and have my whole body chewed to bits by the wolves?!`@ br ;　地獄と地獄しかない！！@　選べないッ！@ ;　ひぃいいいいぃいいいいいいいいい！！！\ `It's either one hell or the other!!`@` I can't choose!`@ `Hiiiiiiiiiiiiiiiiiiiiiiiiiiiii!!!`\ textoff se1v 27,100 bgmvol 90 mono 0 bg black,2 se2v 56,100 mset ; for %meta_tmp1 = 890 to 899 ; vsp %meta_tmp1,1 ; next ;print 22 meta_ld r,$BEA_AkuWaraiA3,24 ;「だからこそ妾がいる…！！@/ `"That's why I'm here...!! `@/ se1v 59,100 ;　#ff0000さぁ右代宮戦人、跪け#ffffff。@そして永遠の忠誠を誓って妾の靴を舐めるがいい…ッ！！@/ `#ff0000Come on, Ushiromiya Battler, kneel#ffffff.`@` Then swear your eternal loyalty and lick my shoes...!! `@ meta_ld c,$BEA_futekiA1,23 se2v 59,100 ;　#ff0000妾を認めれば全ての謎に決着がつく#ffffff。@/ `#ff0000If you accept me, all of the riddles will be resolved#ffffff. `@/ se3v 59,100 ;#ff0000妾の力をもってすればどのような密室も生み出せ、そして打ち破れる#ffffff！！」\ `#ff0000With my power, any kind of closed room can be created or destroyed#ffffff!!"`\ meta_ld l,$BEA_AkuwaraiA2,24 ;「戦人ァ、力ある者に屈服する悦びに身を委ねたくはないィィ？？@/ `"Battler, don't you want to abandon yourself to the joy of surrendering to one with poweeeer?? `@/ se1v 59,100 ;#ff0000そなたは妾の一番のお気に入りの家具にしてやるよ#ffffff。@/ `#ff0000I'll make you my favorite furniture#ffffff. `@/ se2v 59,100 ;#ff0000そなたを愛して愛して、灰になるまで妾の玩具にしてやるよ#ffffff…。」\ `#ff0000I'll love you so much and make you my toy until you turn to ashes#ffffff..."`\ se3v 37,100 ;mbg white,1 meta_ld l,$BEA_AkuwaraiA3,0 meta_ld c,$BEA_AkuwaraiA3,0 meta_ld r,$BEA_AkuwaraiA3,1 ;「#ff0000くっくくくくくひっひひひひひひひひひひひゃっひゃひゃっはっははははーっははっはっはっはっはっはっはッ#ffffff！！！」/ `"#ff0000*cackle*cackle*cackle*hihihihihihihihihihihyahyahyahhahhahahaha-hhahahahhahhahhahhahhahhahha#ffffff!!!"`/ se1v 37,100 \ textoff se2v 37,100 meta_ld r,$BEA_futekiA1,0 meta_ld c,$BEA_AkuwaraiA4,0 meta_ld l,$BEA_AkuwaraiA2,1 for %ryuu1 = 1 to 2 se3v 37,100 wait 600 next for %ryuu1 = 1 to 2 se3v 37,100 wait 150 se2v 37,100 wait 150 next se1v 37,100 se2 56 meta_end ;■元・客間 fede 0,5000 wait 2000 me1v 5,55 me2v 12,40 bg G1F_R1aR,0 ld c,$ROS_NayamuA1,6 ;「………これで、はっきりしたわ。@もう疑いようもない。」@ ;＜楼座 `".........Now, it's clear.`@` There's no longer any reason to doubt."`@ ld r,$GOH_komaruA2,24 ;「は…？@　……と、言いますと……？」\ ;＜郷田 `"Wha...?`@` ......What, are you saying......?"`\ ld c,$ROS_majimeA1G,80 ;「あなたたちが死んだ死んだという二人はここにいない。@…そしてベアトリーチェからの手紙があり、親切にも死体は持ち去ったと告白してくれている。」\ `"Those two that you kept saying were dead aren't here.`@` ...And now we have the letter from Beatrice, where she was kind enough to confess that she carried the corpses off."`\ E_A ;「……そういうことよ。@/ `"......That's what it is. `@/ cl r,0 ld c,$ROS_IkariB4G,80 se1v 30,100 bgm1 37 ;もう茶番は飽き飽きしたわ！！」@ ;＜楼座 `I've had enough of this farce!!"`@ br ;　楼座叔母さんはそう叫ぶと、一同を険しい表情でぐるりと見渡す。\ `As Rosa oba-san yelled this, she looked over at everyone with a harsh expression.`\ bg G1F_R1bR,0 ld r,$SHA_OdorokiA1,24 ;!s0「ちゃ、/ ;!d400……茶番って、/ ;!d600……どういう意味ですか…！」/ !s0`"F, `/ !d400`......farce, you say, `/ !d600`......what do you mean...?!"`/ !sd\ ;＜紗音 ld l,$ROS_ikariB3G,24 ;「私は朱志香ちゃんの部屋で言ったわ。@……信用できるのは自分自身と、死体となって見付かった者以外いないってね。@/ `"I said it in Jessica-chan's room.`@` ......You can't trust anyone but yourself and those whose corpses have been found. `@/ ld l,$ROS_IkariB2G,80 ;そして死体が見付からない以上、あの二人が殺されたことを認めるわけにはいかない。」\ ;＜楼座 `And since we cannot find the corpses, there's no reason we should accept that those two were killed."`\ ld c,$GEO_ikariA2k,23 ;「……ま、待って下さい、楼座叔母さん。@それはどういう意味ですか…！」@ ;＜譲治 `"......P, please wait, Rosa oba-san.`@` What do you mean by that...?!"`@ ld l,$ROS_IkariB4G,80 ;「南條先生と熊沢さんは死んでないわ、生きているッ！@　殺されたということにして、この屋敷のどこかに隠れているのよ。@私たちを襲うためにね！！」\ ;＜楼座 `"Doctor Nanjo and Kumasawa-san aren't dead, they're alive!`@` They made it seem like they were killed, and are hiding somewhere in this mansion.`@` So that they can attack us!!"`\ ld c,$GEO_IkariA1,80 ;「何でそんなことがわかるんですか！@　郷田さんたちが嘘をついているというんですか？！」@ ;＜譲治 `"How could you know that?!`@` Are you saying that Gohda-san and the rest are lying?!"`@ cl l,24 ld l,$GOH_IkariA2,63 ;「……楼座さま！！@　この郷田、いえ、右代宮家使用人一同！@　誓ってそのようなことは致しません！！」\ `"......Rosa-sama!!`@` I, Gohda, no, all of the Ushiromiya family servants!`@` We all swear that nothing of the sort happened!!"`\ cl a,0 ld c,$ROS_NayamuB1G,64 ;「あなたたちは、南條先生たちは殺されたという。@でも死体がない以上、それを信じるわけにはいかないわ。@あなたたちが口裏を合わせてそういう嘘をついている可能性があるもの！！」\ `"You all say that those two were killed.`@` But since there are no corpses, there's no reason to believe that.`@` There's a chance that you worked out a story beforehand, and that you're lying about that!!"`\ ld c,$ROS_IkariB1G,80 ;「あなたたちの無実を信じる方法はちゃんとあるわよぅ？@　南條先生と熊沢さんの遺体が見付かることよ！！」\ `"There's a good way to prove your innocence, isn't there?`@` Find Doctor Nanjo's and Kumasawa-san's bodies!!"`\ ld c,$ROS_IkariA3G,80 ;「それが見付かったら、私はあなたたちの話を聞いてみようという話にもなるわ。@でも、見付からない限り、あなたたちは狼であることを否定できないッ！！」\ `"If you can find them, then maybe I'll start listening to your story.`@` But until you do, you cannot deny that you are all wolves!!"`\ se1 30 ld c,$ROS_IkariB2G,80 ;「あんたも！@/ `"You too! `@/ se2 30 ;　あんたも！！@/ `You too!! `@/ se3 30 ;　黄金に目が眩んであの魔女に買収されたんでしょう！！@　そんなにカネが欲しい？！@　そうなんでしょう？！@　一生遊んで暮らしたいの？！@　そんな人生に何の価値があるのよッ！！」\ ;＜楼座 `You were probably bought by that witch, your eyes blinded with gold!!`@` Do you really want money that much?!`@` That's right, isn't it?!`@` You want to play around for the rest of your life?!`@` What is that kind of life worth?!!"`\ bg G1F_R1aR,0 ld r,$SHA_odorokiA2,23 ;「楼座さま…！！@　私たちは、……そんなッ！」@ ;＜紗音 `"Rosa-sama...!!`@` We, ......couldn't have!"`@ ld l,$ROS_IkariB1G,80 ;「黙りなさい！@　そして紗音、それ以上近付かないでッ！！@　１０年も恩を受けながらそれを仇で返すなんて！！@　容赦なく引き金を引くわよ！！」\ ;＜楼座 `"Be silent!`@` And Shannon, don't get any closer!!`@` I can't believe that you would repay a ten-year long debt of gratitude with betrayal!!`@` I'll pull the trigger without mercy!!"`\ bg black,25 se1 13 me1v 5,70 ;!s0「そんな……ッ、/ ;!d600………そんなのって、/ ;!d600………ひどすぎ/ ;!d400……ます……。」@ ;＜紗音 !s0`"How......, `/ !d600`.........how could you, `/ !d600`.........it's too`/ !d400`......cruel......"`@ !sd ;「……ろ、楼座叔母さん！！@　それは暴言だ！！@　この部屋で殺人が起こった！@　そして犯人が死体を持ち去った！@　彼女たちはそれを正直に申告しているだけだッ！！」@ ;＜譲治 `"......R, Rosa oba-san!!`@` That's horrible!!`@` A murder occurred in this room!`@` Then the culprit carried the corpses away!`@` They are only honestly reporting that to us!!"`@ ;「………う、……ううううぅうぅうううぅぅッ！！！」\ `".........Wha, ......Whaaaaaaaaaaaaaaaaaaaa!!!"`\ ;　紗音はとうとう大粒の涙を零し始める…。@ `Shannon had finally broken down in tears...`@ br ;　１０年の月日を右代宮家に捧げた。@ ;　人生でもっとも輝かしい月日の内の１０年を捧げた。@ `She had sacrificed 10 years to the Ushiromiya family.`@ `She had sacrificed 10 of the most brilliant years of her life.`@ br ;　………そして楼座とも友好な関係を築けていると信じていた。@ `.........And she had believed that she had built up a friendly relationship with Rosa.`@ br ;　…その仕打ちが、これッ！！@　人は刃物なんか使わなくたって殺せる…。\ `...And this was how she was treated!!`@` You could kill a person without using a knife...`\ bg G1F_R1aR,26 ;　譲治の兄貴じゃなくたって、@…俺にだって、紗音ちゃんが心を深々と突き刺されて、涙という血を流しているのがわかる…。\ `It wasn't just George-aniki, `@`...even I could recognize that Shannon-chan had been stabbed deep into her heart, as tears of blood flowed out...`\ ld r,$GOH_iiwakeA2,24 ;「紗音さん、下がって…。@……楼座さま、確かにこの郷田はお勤めして日も浅く、信用を勝ち得ていないのはわかります…。」\ `"Shannon-san, stay back...`@`......Rosa-sama, it is true that I, Gohda, have not served for many years, and I understand that I have not earned your trust..."`\ ld r,$GOH_IkariA1,80 ;「…しかしッ、……せめて紗音さんだけでも信じていただくわけには参りませんか…？！@　彼女は、１０年間も右代宮家に奉仕を捧げてまいりました…！@/ `"...However, ......could you not at least believe Shannon-san...?!`@` She has sacrificed a full 10 years of service to the Ushiromiya family...! `@/ ld r,$GOH_KomaruA2,80 ;　この郷田を信じろとは申しません…！@　せめてッ、紗音さんだけでも信じてやっていただくわけには参りませんか…！！」\ `I'm not telling you to believe me...!`@` At the very least, would you at least believe Shannon-san...?!!"`\ me2v 18,60 bg black,1 ;　…しかし、……もう、俺にもわからないッ！！@　わからないんだッ！！@ ;　彼らを疑わずして、答えを求めることができないんだ！！！@ `...But, ......I don't understand anymore!!`@` I don't understand!!`@ `We can't demand an answer from them without suspecting them!!!`@ br ;　あぁあぁ、だんだんわかって来たよ…。@ `That's it, bit by bit I'm starting to understand...`@ br ;　……答えなんか求めるから、…どんどんおかしくなっていっちまうんだ…。\ `......It's because we demanded an answer, ...that's why everything keeps getting stranger...`\ mono 2 bg Different_spiral_1a,22 ;　答えなんか、いらない。@ ;　全ては、１９人目の魔女ベアトリーチェが、不気味な儀式に則り、怪しげな魔法で犯した不思議な殺人。@ `We don't need, an answer.`@ `These are all, strange murders, committed with bizarre magic by the 19th person, the witch Beatrice, as she follows a creepy ceremony.`@ br ;　…………それで、……いいじゃねぇか………。@ `............Isn't that, ......good enough.........`@ br ;　もう俺は、…誰も、…疑いたくねぇ………。\ `I don't, ...want to suspect, ...anyone anymore.........`\ bg black,22 mono 0 fede 10,2000 bg G1F_R1bR,22 ;　紗音ちゃんと郷田さんは、半ば涙目で身の潔白を訴えていた。@ ;　それを源次さんが静かに止める。\ `Shannon-chan and Gohda-san were protesting their innocence, half-crying.`@ `Genji-san quietly stopped that.`\ ld c,$GEN_KomaruA1,23 ;「…………よしなさい。@…楼座さまの言うことはもっともだ。@…死体を見つけない限り、 `"............Stop.`@` ...What Rosa-sama says is quite right.`@` ...Until we find the` br ;(南條先生と熊沢の無実は証明できない/・・・・・・・・・・・・・・・・・)。」\ ;＜源次 ;＜南條先生と熊沢の無実は証明できない：点処理 `corpses, `(`we cannot prove that Doctor`/・・・・・・・・・・・) br (`Nanjo and Kumasawa are innocent`/・・・・・・・・・・・・)`."`\ ;　そうだ。@……楼座さんの論法によるならば、死体が見付かればその人物の無実だけは証明できる。@ `That's right.`@` ......By Rosa-san's argument, if the corpses could be found, then the innocence of only those people could be proved.`@ br ;　でも、死体の人物だけだ。@ ;　彼らが屋敷内を探し回り、死体を見つけたとしても、結局、彼らの無実は証明されない。\ `But only the people who were corpses.`@ `Even if they searched around the mansion and found the corpses, in the end, their own innocence would not be proved.`\ bg black,22 bg M_door2,22 ;　彼らが南條先生たちを拉致して他所で殺し、密室は彼らのマスターキーで施錠した。@ `They had kidnapped Doctor Nanjo and Kumasawa-san, killed them in another place, and locked the closed room with their own master keys.`@ br ;　これ以外の方法で密室を打ち破らない限り、/ ;!d800……彼らの無実は証明できないのだ…。@ `Unless the closed room could be broken by a method other than that one, `/ !d800`......it would be impossible to prove their innocence...`@ br ;　……だが、………それができないッ！！\ `......But, .........that couldn't be done!!`\ bg black,22 ;　彼らが無実を証明できる機会はひとつしかない。@ `They only have one chance to prove their innocence.`@ bg blood_1b,1 ;　……彼らが犯人の手に掛けられ、死体となって楼座叔母さんと再会する時だけだ。@ `......That can only happen when they meet with the culprit, become corpses, and are reunited with Rosa oba-san.`@ br ;　そんなのおかしいだろ！！@　死ねば無罪、生きてる限り有罪なんて、まるで魔女裁判だ！@ `Isn't that strange?!!`@` Innocent if they die, guilty as long as they are alive, almost like a witch's trial!`@ br ;　…あぁ、そっか、敵は魔女だもんな。@ ;　それでもＯＫってわけかよ…。\ `...Oh, right, the enemy's a witch.`@ `So everything's OK...?`\ bg black,2 fede 0,4000 wait 1000 bg G1F_R1aR,0 ld l,$ROS_MajimeB1G,26 ld r,$GEN_DefA1,24 me1v 5,55 me2v 13,40 ;「……楼座さま。@私たちは右代宮家にお仕えする家具です。@……私どもを信用されるもされないもまた、私どもの与り知ることではありません。@たとえ、どのようなご評価をいただこうとも、最後の時までお勤めを続けるのみでございます。」\ ;＜源次 `"......Rosa-sama.`@` We are furniture who work for the Ushiromiya family.`@` ......Whether we are trusted by you or not, that is not our concern.`@` No matter what assessment you give us, we will only continue to serve until our final hour."`\ ld l,$ROS_NayamuB1G,80 ;「あなたは本当に使用人の鑑ね。@…お父様が心を許すのもよくわかるわ。@そんなあなたまで疑わなくてはならないなんて、本当に心苦しいわ。」\ ;＜楼座 `"You really are a model servant.`@` ...I truly understand why Father trusts you.`@` It is truly heartrending that I must suspect even you."`\ ld r,$GEN_MajimeA2,80 ;「……………………。」@ ;＜源次 `"....................."`@ br ;　源次さんはポケットに手を突っ込むと、マスターキーを取り出す。@ `Genji-san stuck his hand into his pocket and pulled out a master key.`@ se1 31 ;　…そしてそれを傍らの机の上に置いた。\ `...Then he set it on a nearby table.`\ ld r,$GEN_DefA1,80 bgm1 51 ;「……私は、信頼の証としてこれを預かっていると信じています。@それを失ったなら、これをお返しするのは当然かと思います。」\ ;＜源次 `"......I believe that I have been entrusted with this as a proof of trust.`@` If that has been lost, I think it is only natural that I return it."`\ textoff fede 10,3000 se1 43 ld l,$ROS_nayamuA1G,25 ;「………………。@……それは良い判断ね。@今日、何度もあなたたちが疑われてきた最大の根拠はこのマスターキーのせい。@それを手放せば疑いが晴らせるのではないかというのは、初歩的ではあるけれど、@まぁ、悪いことじゃないと思うわ。」\ ;＜楼座 `"...............`@`......That's a good judgment.`@` Those master keys are the greatest basis upon which you have been suspected several times today.`@` It may seem elementary that letting go of those might clear away that suspicion, but,`@` sorry, it won't."`\ ld r,$GEN_MajimeA1,80 ;「……………二人とも。」@ ;＜源次 `"............You two."`@ ;　源次さんが郷田さんと紗音ちゃんを見る。\ `Genji-san looked at Gohda-san and Shannon-chan.`\ ld r,$SHA_komaruA1,0 ld l,$GOH_KomaruA1,22 ;　……二人は頷き、それぞれのマスターキーを机の上に置いた。@ `......The two of them nodded, and set their own master keys onto the table.`@ se1 31 br ;　そこへ、楼座叔母さんが封筒から出てきた二つのマスターキーを重ね置く。\ `Rosa oba-san lay the two master keys that had come out of the envelope on top.`\ se2 31 bg black,22 bg KEY2,22 ;　これで五つの、全てのマスターキーがこの場所に集まった。@ `With that, all five master keys were gathered in this place.`@ br ;　それはつまり、使用人全員の、今日までの労を全て否定し、@彼らに許されたはずの最後の名誉までを毟り取った証…。\ `In other words, this was proof that all of the servants' service until today had been negated,`@` and even the final honor that they should have been permitted had been stripped from them...`\ bg black,2 bg G1F_R1bR,24 ld r,$ROS_majimeA1,24 ;「真里亞、その手提げを貸しなさい。」@ ;＜楼座 `"Maria, give me that handbag."`@ ld l,$MAR_KomaruA1,23 ;「……うー！！@　返してー！！」\ `"......Uu-!`@` Give it ba-ck!!"`\ cl r,0 ld c,$ROS_NAyamuA1,24 ;　楼座叔母さんは真里亞の手提げを引っ手繰ると、その中にマスターキーをざらざらと放り込み、その内の一本を掲げて誇示した。@ `Rosa oba-san snatched Maria's handbag, tossed the master keys in there, and pointed at one of them inside.`@ br ;　マスターキーを全て自分が手にしたという、宣言だ。\ `She was announcing that she had all of the master keys.`\ bg G1F_R1aR,0 ld l,$GEO_MajimeA3,23 ;「こ、………これで満足かい、楼座叔母さん。@/ `"A, .........are you satisfied now, Rosa oba-san? `@/ ld l,$GEO_IkariA2,80 ;……これでマスターキーは楼座叔母さんが持つものだけだ。@……これで、満足なんだろッ！！」\ ;＜譲治 `......Now, you are holding all of the master keys.`@` ......Doesn't this satisfy you?!!"`\ ld r,$ROS_Akuwaraia1,80 ;「えぇ、満足よぅ。@たとえ全員が信用できなくても、私は私自身だけを信用することが出来る！」\ `"Yes, I'm satisfied.`@` Even if I can't trust anyone, I can at least trust myself!"`\ se1 43 cl a,0 ld c,$ROS_akuWaraiB1G,24 ;「その私が銃とマスターキーを独占できた！@　これで私はもう、誰も疑わずに済むの。@あなたたちも嬉しいでしょう？@　これでもう疑われずに済む！@/ `"I've been able get the gun and all the master keys for myself!`@` Now, I don't have to suspect anyone.`@` You all are happy too, right?`@` Now you don't have to be suspected anymore! `@/ se1v 37,100 ;　あっははははははははは、はっはっはっはっはっはっは！」\ ;＜楼座 `Ahahahahahahahahaha, hah-hah-hah-hah-hah-hah-ha!"`\ textoff wait 3000 bg black,1 ;「………きひひひひひ。」@ `".........Kiihihihihi."`@ br ;　その時、ひとりだけ傍観しているように見えた真里亞が、母を嘲笑った。@ `At that time, Maria, who had looked like a spectator off by herself, sneered at her mother.`@ br ;　…その笑いに楼座叔母さんは過敏に反応して振り返る。\ `...Rosa oba-san reacted nervously to that laugh, and turned around.`\ bg G1F_R1bR,0 ld l,$MAR_AkuwaraiA2,22 ;「……鍵なんか関係ないよ。@……ベアトリーチェは魔法で扉を開けられる。@鍵なんていらない。@…そんなもの、誰が持っていたって持っていなくたって関係ないんだよ。@きひひひひひひひひひひひひひ…！」\ ;＜真里亞 `"......Keys don't have anything to do with this.`@` ......Beatrice can open doors with magic.`@` She doesn't need keys.`@` ...It doesn't matter who has or doesn't have something like that.`@` Kihihihihihihihihihihihihihi...!"`\ ld r,$ROS_IkariA1,24 ;「その笑い方を止めなさいっていつも言ってるでしょッ！！@/ `"Don't I always tell you to stop laughing like that!! `@/ ld c,$BUT_KuyasigaruA1,63 ld r,$ROS_majimeA1,80 ;　……？@　なぁに、戦人くん。」\ ;＜楼座 `......?`@` Wha-t is it, Battler-kun?"`\ ;　…俺は、つい二人の間に割り込んでしまう。\ `...I had just cut between the two of them.`\ bg black,25 ;　……いや違う。@ `......No, that's not it.`@ br ;　…膝を付いて、真里亞の頭を抱いてしまう。@ ;　……俺は、……泣いていた。\ `...I was on my knees, and hugging Maria's head.`@ `......I was, ......crying.`\ cross2 3000,90 bg G1F_R1bR,0 ld r,$BUT_NakuA2,26 ;「もう、…よしてくれよ楼座叔母さん……。@…真里亞が、正しかったんだ……。」@ `"Just, ...stop it already, Rosa oba-san......`@`...Maria was, right......"`@ ld l,$ROS_aseruA1,23 ;「……な、…何を言っているの……？」\ ;＜楼座 `"......Wh, ...what are you talking about......?"`\ ld r,$BUT_NakuA3,80 ;「………真里亞…。@疑って、/ ;!d600………悪かった。@……信じなくて、/ ;!d700………悪かった。」@ ;＜戦人 `".........Maria...`@` I'm sorry for, `/ !d600`.........doubting.`@` ......I'm sorry for, `/ !d700`.........not believing."`@ cl l,24 ld l,$MAR_fukigenA1,23 ;「……………戦人。」\ ;＜真里亞 `"............Battler."`\ ld r,$BUT_NakuA2,80 ;!s0「全部、/ ;!d500……魔女の仕業だったんだ…。@……魔女の、/ ;!d700……仕業だったんだよ……。@…トリックとか密室とかどうでも良かったんだ…。@………ただ、ただ、/ ;!d800…………ベアトリーチェっていう魔女が実在して、/ ;!d600………本当に魔女だっただけなんだ…。@……それを、俺は信じなかったから、/ ;!d700…………こんなにも苦しくて、/ ;!d600…………悲しくて…………。」/ !s0`"It was all, `/ !d500`......the witch's doing...`@`......The witch's, `/ !d600`......doing......`@`...All that stuff about tricks and closed rooms didn't matter...`@`.........It's just, it's just, `/ !d800`............that the witch Beatrice actually exists, `/ !d600`.........and she's really a witch...`@`......Because, I didn't believe that, `/ !d700`............it was this painful, `/ !d600`.........this sad............"`/ !sd\ bg black,25 ;「………戦人は、……ベアトリーチェを信じてくれる……？」@ `".........Battler, ......believes in Beatrice......?"`@ ;「あぁ…！@　信じる。@…ベアトリーチェは“い”るんだ。@そして不思議な魔法を使う、魔女なんだ…！」@ `"Yes...!`@` I believe.`@` ...Beatrice 'exists'.`@` And she's a witch, who uses strange magic...!"`@ ;＜戦人 br ;「戦人……。」@ `"Battler......"`@ br ;　真里亞は俺の手を解くと、…逆に俺の頭を抱えるように抱いた。\ `Maria let go of my hand, ...and then she was the one holding my head.`\ ;「……それでいいんだよ、戦人。@…………ベアトリーチェは、“い”たの。@……戦人が、なかなかそれを信じられなかったから、見えなかったの。@…………魔女は“い”るの。@“い”る。@もうすぐ“来”る。\ `"......That's enough, Battler.`@` ............Beatrice, 'existed'.`@` ......Battler, really couldn't believe that, so couldn't see her.`@` ............The witch 'exists'.`@` 'Exists'.`@` Will soon 'come'.`\ ;　………戦人はベアトを信じてくれたから、きっと黄金郷へ招かれるよ。@……もうすぐ。@……もうすぐだから。@もう、何も怖くない。@…………怖くないよ？@　真里亞と一緒に、おててを繋いで、…ずっと一緒にいよ…？@　一緒に碑文の謎を考えよ。@ベアトの問題を考えよ。@………ベアトは最初から言ってるよ。@この問題を解いて遊ぼうとしか言ってないよ。」\ `.........Battler believed in Beato, so will surely be invited to the Golden Land.`@` ......Very soon.`@` ......It will be very soon.`@` So there's nothing to be afraid of anymore.`@` ............Not afraid, right?`@` Always be together with Maria, hands joined, alright...?`@` Let's solve the riddle of the epitaph together.`@` Let's think about Beato's problem.`@` .........Beato has been saying it from the beginning.`@` She hasn't said anything other than let's play and solve the problem."`\ bg G1F_R1aR,0 ld r,$BUT_NakuA1,22 ;「あぁ……、そうだったんだ……。@犯人探しなんて、まったくの時間の無駄だったんだ…。@……俺たちは、/ ;!d800……ただ魔女を、/ ;!d600……信じればよかったんだ………。」\ `"Right......, she did......`@` Searching for the culprit was just a waste of time...`@`......If only we had, `/ !d800`......just believed in, `/ !d600`......the witch........."`\ ld l,$MAR_waraiA1,23 ;　涙を零し続ける俺の頬をそっと撫でた後、@……真里亞は羽のような軽さで、俺の額にキスをする。@ `After softly brushing my cheek as my tears kept dripping down, `@`......Maria kissed my forehead, as soft as a feather.`@ br ;　その瞬間だけ、……薄気味悪いとさえ思っていた真里亞の笑顔が、天使に見えた…。\ `For just that instant, ......Maria's smile, which I had once thought was creepy, looked like an angel...`\ bg black,2 cross2 2000,70 bg G1F_R1bR,24 ld r,$GEN_MajimeA2,24 me1v 12,40 ;「マスターキーはお返ししましたが、…私どもの右代宮家への忠誠は変わりません。@………客間へは、以後、お許しがない限り立ち入りません。@どうか楼座さまも、客間を内側より施錠されて下さい。」\ ;＜源次 `"We have returned the master keys, ...but our loyalty to the Ushiromiya family will not change.`@` .........From now on, we will not enter the parlor without permission.`@` Rosa-sama, please lock the parlor from the inside."`\ ld l,$ROS_KomaruA1G,23 ;「……本当に殊勝な人ね。@台風が過ぎ去って、……この島に再び、うみねこの鳴き声が戻ってきたなら、@………私たちは再び互いを信頼し合えるのかしら。」\ ;＜楼座 `"......You truly are an admirable person.`@` When the typhoon passes, ......if the cries of the seagulls return to this island again,`@` .........I wonder if we will be able to trust each other again."`\ ld r,$GEN_DefA1,80 ;「……もし、再びの信頼を賜えるのでしたら、これに勝る喜びはありません。」\ ;＜源次 `"......If you were to grant us your trust once again, there would be no greater pleasure."`\ ld l,$ROS_defA1G,80 ;「そうね。@……私たちは、必ずわかりあえるわ。@……うみねこのなく頃に。」\ ;＜楼座 `"I see.`@` ......We'll definitely be able to understand each other.`@` ......When the seagulls cry."`\ textoff se1 43 ld l,$ROS_defA1,25 wait 1000 ld r,$GEN_komaruA1,80 ;「………この部屋は、警察が来るまでこのままにした方が良いでしょう。@楼座さま。施錠をお願いいたします。@/ `".........It would probably be better if we left this room as it is until the police come.`@` Rosa-sama. If you would please lock it. `@/ ld r,$GEN_majimeA2,80 ;……私たちは厨房へ戻ります。@何かございましたら、いつでもご用命下さい。」\ `......We will return to the kitchen.`@` If you need anything, please command us at any time."`\ ld l,$ROS_KomaruA3,80 ;「ありがとう。@…………あなたが狼だったなら。@何てしゃあしゃあとのたまうのか。@/ `"Thank you.`@` ............If you are a wolf, `@`how shamelessly you speak. `@/ ld l,$ROS_KomaruA1,80 ;……そしてあなたが羊だったなら。@………あなたを狼の檻に放り出してごめんなさい。」\ `......And if you are a sheep,`@` .........I'm sorry for throwing you into the cage of wolves."`\ ld r,$GEN_DefA1,80 ;「……家具は、家に運命を委ねます。@……命を落とすことになろうとも、それによって楼座さまの信頼を再び勝ち取れるならば、@それはとても光栄なことです。」\ `"......Furniture entrusts its fate to the family.`@` ......If it comes to throwing away this life, if by that, Rosa-sama's trust could be regained,`@` it would be a great honor."`\ ld l,$ROS_KomaruA2,80 ;「…………………………。@できることならば、あなたたちが、台風が過ぎ去るまで元気でいることを願っています。@これは全て台風が奏でる暴風と降雨の狂想曲。@……演奏が終われば幕が下り、/ ;!d800……私たちは再び手を取り合えるに違いない。」@ `".....................`@`I hope that you can remain healthy until the typhoon passes, if that is at all possible.`@` This is all a rhapsody of blowing winds and pouring rain performed by the typhoon.`@` ......When the performance ends, the curtain closes, `/ !d800`......and we will surely be able to grasp hands together again."`@ bg black,22 br ;「……うみねこの、なく頃に。」\ ;＜源次 `"......When the seagulls, cry."`\ bg G1F_R1bR,26 ;　楼座叔母さんは頷いて応える…。@ `Rosa oba-san nodded in response...`@ br ;　源次さんは踵を返す。@ ;　使用人室を出て行くのだ。\ `Genji-san turned on his heels.`@ `He left the servant room.`\ ld c,$GOH_komaruA1,24 ;　郷田さんの顔はまだ涙でぐしゃぐしゃだったが、@……源次さんの言葉を聞く内に、心の中の整理がついたのかもしれない。@ `Gohda-san's face was still streaked with tears,`@` ......but as he had listened to Genji-san's words, maybe he had managed to sort out his heart.`@ br ;　……本当にみっともない顔だったが、/ ;!d800……俺たちが良く知る郷田さんの表情に戻っていた。\ `......His face had been truly shameful, `/ !d800`......but it had returned to the face of the Gohda-san we knew well.`\ ld c,$GOH_hohoemiA1,80 ;「………私も、厨房に控えております。@……何かございましたら、いつでもご用命下さい。@/ `".........I will also be waiting in the kitchen.`@` ......If you need anything, please command me at any time. `@/ ld c,$GOH_HohoemiA2,80 ;………温かい食事をお望みでしたら、いつでもこの郷田、最高のお料理を用意させていただきます。」\ ;＜郷田 `.........If you wish for some warm food, I, Gohda, will have the very best prepared for you."`\ bg G1F_R1aR,0 ld r,$ROS_WaraiA1,23 ;「…………ありがとう。@あなたには明日の朝食を頼みたいわ。@/ `"............Thank you.`@` I can't wait for your breakfast tomorrow. `@/ ld r,$ROS_WaraiA2,80 ;……明日の昼前には船も来るでしょう。@…今までありがとう。@六軒島で唯一の楽しみがあなたの食事だったわ。」\ ;＜楼座 `......And the boat will probably come by midday tomorrow.`@` ...Thanks for everything up until now.`@` Your cooking was my only pleasure on Rokkenjima."`\ ld l,$GOH_OmakaseA3,23 ;「…かしこまりました。@この郷田、最高の朝食を用意いたします。@どうか明日の朝を楽しみにして下さい。」@ ;＜郷田 `"...Certainly.`@` I, Gohda, will prepare a supreme breakfast.`@` Please, look forward to tomorrow morning."`@ ld r,$ROS_DefA1,80 ;「ありがとう。@…………紗音ちゃんも。@明日の朝に、…おいしい珈琲を飲みながら、仲直りをしましょう。」\ `"Thank you.`@` ............And Shannon-chan.`@` Tomorrow morning, ...let's make up, drinking some delicious coffee."`\ ;ld r,$ROS_KomaruA3,80 bg black,22 ;「……？@　譲治くん？」\ ;＜楼座 `"......?`@` George-kun?"`\ bg G1F_R1bR,0 ld r,$GEO_MajimeA1,24 ;「……僕も、彼らと一緒に行く。」\ ;＜譲治 `"......I'm also, going with them."`\ ld l,$SHA_KomaruA1,23 ;「…いいんです、譲治さま…。@どうか客間にお戻りになって下さい。@もうマスターキーは他にありません。@だから楼座さまとご一緒に客間にいれば、誰にも脅かされません。」\ ;＜紗音 `"...It's alright, George-sama...`@` Please, return to the parlor.`@` There are no more master keys anymore.`@` So if you are with Rosa-sama in the parlor, you won't be threatened by anyone."`\ bg G1F_R1aR,0 ld r,$ROS_KomaruA1,23 ;「そうね。@…そういうことになってる。@…客間に私と一緒にいるのが客観的に考えて一番安全だと思うわ。」\ `"That's right.`@` ...That's how things are.`@` ...Objectively speaking, I think that being with me in the parlor would be the safest."`\ ld r,$ROS_DefA1,80 ;「……でも、無理に一緒にいろとは言わない。@譲治くんは譲治くんの安全だと思う場所にいればいい。@……譲治くんももう大人だものね。@明日の朝までどこで、誰と過ごそうと自由だもの。」\ `"......But I won't force you to stay with us.`@` George-kun, you may stay in any place you feel is safe.`@` .........You are already an adult.`@` It's up to you where and with whom you spend the time until tomorrow morning."`\ ld l,$GEO_MajimeA1k,23 ;「………そうさ。@僕は、僕の判断で。@誰と夜を過ごすか決める。」@ ;＜譲治 `".........Yes.`@` I will decide...`@`who I'll spend the night with."`@ cl r,23 ld r,$BUT_NayamuA1,24 ;「あ、………兄貴……。」\ ;＜戦人 `"A, .........Aniki......"`\ ld l,$GEO_DefA1,80 ;「戦人くんは楼座叔母さんと客間にいるんだ。@きっとそれが一番安全なんだ。@……客間の外は、それに比べたら安全ではないと思う。@……なら、そんな場所にいる彼女を、僕はひとりにしておけない。」\ ;＜譲治 `"Battler-kun, stay with Rosa oba-san in the parlor.`@` I'm sure that's safest.`@` ......Compared to that, I think being outside the parlor isn't safe.`@` ......So I can't leave her in a place like that alone."`\ ld r,$BUT_KuyasigaruA1,80 ;「……俺は、……決して紗音ちゃんや他の使用人を、@…いや、誰かを疑ってるわけじゃないんだ……。@誰も疑いたくないんだ…。@遺産？@　黄金？@　…そんなの下らねぇじゃねぇかよ…。@…そんなので殺し合いなんて、…あるわけねぇじゃねぇかよ……。」\ ;＜戦人 `"......It's, ......not like I suspect Shannon-chan and the other servants, `@`...no, anyone at all......`@` I don't want to suspect anyone...`@` The inheritance?`@` The gold?`@` ...That's just stupid...`@`...There's no way people are killing each other over that......"`\ ld l,$GEO_HohoemiA1,80 ;「うん。@戦人くんの心が美しいことは、僕が一番知っている。@……誰も君を責めない。@誰も。」@ ;＜譲治 `"Yes.`@` I know better than anyone how pure your heart is, Battler-kun.`@` ......No one will blame you.`@` No one."`@ ;ld r,$BUT_NakuA1,24 bg black,22 ;「………………兄貴ィ…。」\ ;＜戦人 `"..................Anikii..."`\ bg G1F_R1bR,0 ld r,$MAR_waraiA1,80 ;「…大丈夫。@戦人は真里亞が守る。@……真里亞と一緒なら、ベアトリーチェでも手出しできない。@だって真里亞は、ちっちゃくても、魔女だもの。」\ ;＜真里亞 `"...It's alright.`@` Maria will protect Battler.`@` ......If he's with Maria, even Beatrice can't lay a hand on him.`@` Because even though Maria's small, she's a witch."`\ bg G1F_R1aR,0 ld r,$SHA_DefA1,0 ld l,$GEO_DefA1,23 ld l,$GEO_WaraiA1,80 ;「うん。@………真里亞ちゃん。@戦人くんをよろしく。@………さ、紗音。@行こう。」@ ;＜譲治 `"Yes.`@` .........Maria-chan.`@` I'm leaving Battler in your care.`@` .........Alright, Shannon.`@` Let's go."`@ ld r,$SHA_TokuiA1,80 ;「はい……。@……楼座さま、それでは失礼させていただきます。@ご用命がございましたら、いつでもお呼び付け下さい。」\ ;＜紗音 `"Yes......`@`......Rosa-sama, if you would excuse me.`@` If you have an order, please call me at any time."`\ cl l,24 ld l,$ROS_KomaruA1,23 ;「………さっきは酷いことを言ってごめんなさいね。@…………明日の朝まで、許さなくてもいい。@でも、明日の朝になったらもう一度謝らせて。」@ ;＜楼座 `".........I'm sorry for saying something so cruel just now.`@` .........I don't expect you to forgive me until tomorrow morning.`@` But when tomorrow morning comes, let me apologize again."`@ ld r,$SHA_majimeA2,80 ;「はい…。@…………ありがとうございます。」\ `"Yes...`@`............Thank you very much."`\ ;＜紗音 ;cl l,0 cl r,4 ;　譲治の兄貴と紗音ちゃんは、二人で使用人室を出て行く。@ `George-aniki and Shannon-chan left the servant room together.`@ br ;　………これでこの血塗れのおぞましい部屋には、俺と真里亞と、楼座叔母さんだけになった。\ `.........Now, only Maria, Rosa oba-san and I were left in this disgusting, bloodstained room.`\ me2v 5,55 ;　源次さんが消え、郷田さんが消え、譲治の兄貴と紗音ちゃんが消えるまで、俺たちは呆然と立ち尽くしていた…。@ `Until Genji-san disappeared, until Gohda-san disappeared, until George-aniki and Shannon-chan disappeared, we stood there, shocked...`@ br ;　彼らの気配と足音が完全に消えた後、楼座叔母さんは、まるで愉快なことでも思い出したように、くすりと笑い捨てた。\ `After their presence and their footsteps had completely disappeared, Rosa oba-san giggled at them, as though she had just remembered something pleasant.`\ textoff E_B wait 2000 cl l,0 ld c,$ROS_AkuwaraiA1,80 E_A ;「………何も信用できないわよ。@家具どもが。」@ ;＜楼座 `".........You can't trust them at all.`@` That furniture."`@ ;nega 1 br ;　その一言に、/ ;!d800……俺は窒息する。\ `That one sentence, `/ !d800`......made me choke.`\ ;nega 0 bg G1F_R1bR,0 ld r,$BUT_KuyasigaruA1,24 ;!s0「…な、/ ;!d500………何で、/ ;!d600………そんなことを、/ ;!d400…言うんだよ……。」/ !s0`"...Wh, `/ !d500`.........why are you, `/ !d600`.........saying, `/ !d400`...something like that......?"`/ !sd\ ;＜戦人 bgm1v 41,0 cross2 3000,60 ld l,$ROS_IkariA4,23 ;「マスターキーは５つで全部？@　そんなの誰が信じるの？@　どうせ複製の鍵があるに決まってるのよ。@……彼らが懐から鍵を出したくらいで信用なんかできるものか…！！」\ `"There are five master keys in all?`@` Who would believe that?`@` It's obvious that some duplicate keys exists.`@` ......As if we could trust them just because they pulled keys out of their pockets...!!"`\ ld r,$BUT_NakuA3,80 ;「そ、……そりゃあねぇぜ……？@　そ、……その鍵を置いたってのはよ、……単に鍵を手放したってだけじゃねぇ…。@……あんたは、…彼らの今日までの苦労を、……全て台無しにして穢して、踏みつけて、@………その挙句としてその鍵を手放させたんだぜ……。@/ `"Th, ......that's not true, right.........?`@` B, ......by setting down those keys, ......they weren't just letting go of the keys... `@`......You've, ...made all their hard work count for nothing, disgraced it, trampled it, `@`.........And in the end, you made them give up the keys...... `@/ ld r,$BUT_NakuA1,80 ;その捨て台詞は何だよ…。@ここまでして見せて、……なお、まだ信用できないってのかよッ？！@　あんまりだぜ…、あんまりだぜそんなのって……！」\ ;＜戦人 `What's with that parting line...`@` They've shown that they're willing to go this far, and you still can't trust them?!`@` Too much..., that's just too much......!"`\ ld l,$ROS_IkariA2,80 ;「悪魔の証明なのよ！/ `"It's a Devil's Proof! `/ se1v 8,90 quakey 6,500 ;@　マスターキーは全部で５つ？！@　そんなこと、証明不能なのよ！！@　マスターキーが５つあることはここに置けば示せる！@　でも、５つ以上存在しないことは証明できない！！@　そんなことは悪魔か魔女にしか証明できないのよ？！」\ ;＜楼座 @`There are five master keys in all?!`@` It's impossible to prove something like that!!`@` You can show that there are five master keys by placing them here!`@` But you can't prove that no more than five exist!!`@` Only a demon or a witch could prove something like that, right?!"`\ se1 56 bgmvol 70 meta_set meta_ld r,$BUT_NakuA1,1 quakex 8,500 ;■メタ ;「うわああああああぁああぁぁああぁッ！！！@　もうやめてくれもうやめて…ッ！！@/ `"Uwaaaaaaaaaaaaaaaaaaaaaaaaaaaa!!!`@` Stop it already stop it already...!! `@/ meta_ld r,$BUT_NakuA3,80 ;　頼むよベアトリーチェ、今すぐ現れてくれ、@そして楼座叔母さんに赤で“マスターキーは５本しかない”って言ってやってくれ！！@　頼むよ後生だよ、悪魔にしか証明できないんだよ、魔女のお前なら証明できるんだよ！@　頼むからベアト、ここに現れて楼座叔母さんに、@マスターキーはそれで全部だから、もうみんなを疑わなくていいんだって、教えてやってくれ…！！！」\ `Please, Beatrice, show yourself right now,`@` and tell Rosa oba-san in red that 'there are only five master keys'!!`@` Please, for heaven's sake, this can only be proved by devils, a witch like you could prove it!`@` Please, Beato, show yourself here and tell Rosa that those are all of the master keys, `@`and that there's no need to suspect anyone anymore...!!!"`\ ;meta_cl r,0 meta_ld l,$BEA_AkuwaraiA3,23 se1v 59,100 ;「#ff0000マスターキーは５本しかない#ffffff。@/ `"#ff0000There are only five master keys#ffffff. `@/ se1v 59,100 ;#ff0000マスターキーは５本しかない#ffffff。@/ `#ff0000There are only five master keys#ffffff. `@/ meta_ld l,$BEA_AkuwaraiA2,80 se1 37 ;…くっくっく、これはどうしたことか。@妾がいくら口にしても楼座に届かぬ。@どうやら、妾の存在を否定しているヤツがまだイるから聞こえないみたいだなァア？@　右代宮戦人ァアアァ？？？」\ `...*cackle*, how's that?`@` No matter how often I say it, it won't reach Rosa's ears.`@` After all, it seems that there's still someone who denies that I exist, right?`@` Ushiromiya Battleeeeeeeer???"`\ meta_ld r,$BUT_NakuA1,80 ;「認めるッ！！@　認めるよ、お前はいるいる確かにいるッ！@　だから後生だよ、もうこんなのは止めてくれ！！@　もう止めて！もう止めて！！@　ひぃいいいぃいぃいいいいい！！」/ `"I accept it!!`@` I accept it, you exist you exist you definitely exist!`@` So for heaven's sake, stop this already!!`@` Stop it already! Stop it already!!`@` Hiiiiiiiiiiiiiiiiiiiii!!"`/ quakex 6,1000 \ meta_cl a,0 meta_ld c,$BEA_AkuwaraiA5,80 ;「言葉だけでは届かぬぞ、態度で示せ。@妾の家具になると心から誓え。」\ `"Your words alone will not reach me, show it with your actions.`@` Swear from your heart that you will become my furniture."`\ meta_ld c,$BEA_AkuwaraiA2,80 bgmvol 80 ;「出来るかァ？@　服を脱げ、裸になるんだよ、そして両手を付いて地に這え。@着衣は霊長にのみ認められた証だ。@貴様は今から家具になるんだよ、だからその資格を失う、当然のこと！！」\ `"Can you do it?`@` Take off your clothes, be naked, then put your hands together and crawl on the ground.`@` Clothing is proof of one's humanity.`@` From now on, you will become furniture, so it's only natural that you will lose that right!!"`\ meta_ld c,$BEA_futekiA1,80 me1v 5,90 ;「そして跪けよ、妾の靴に舌を這わせろ。@出来るか？@　出来るンだよなアァアア？？@　そうしたら現れてやるよ赤で言ってやる！@/ `"Then kneel, make your tongue crawl on my shoes.`@` Can you do it?`@` You can do it, riiiiiiiight??`@` When you do, I'll appear and say it in red! `@/ se1v 59,100 ;　#ff0000マスターキーは５本しかない#ffffffって、楼座に言ってやるよ！！」\ `I'll tell Rosa that #ff0000there are only five master keys#ffffff!!"`\ meta_ld c,$BEA_AkuwaraiA3,80 me2v 17,90 ;「あぁでもわかってる、誇り高きお前がプライドを捨てられるわけがない。@それでもいいんだよ充分なんだよ、ちょっとグラァって来ただろォ？@　靴を舐めてもいいかって一瞬、思っただろォオ？@　すぐにそれを否定して自分を恥じただろォオオ？？@　その表情が見れるだけで、最ッ高ォオにステキな気分なんだよォ！！\ `"Oh, but I understand, there's no way you would throw away your lordly pride.`@` But that's alright, that's more than enough, you're starting to waver a bit, aren't you?`@` For just an instant, you though maybe it would be alright to lick my shoes, didn't you?`@` And you immediately denied that and felt ashamed, riiiiight??`@` Just looking at that expression makes me feel just wooonderful!!"`\ meta_ld c,$BEA_AkuwaraiA2,80 me3v 18,90 ;「ザマァねぇ顔だよ、鏡で見てみろよ、@裸になって靴を舐めてる最低なお前が映ってるぜェエエ？@　見えるかよ右代宮戦人ァアアァアアァアァアアアァアッ？？？」\ `"That face of yours is so pathetic, go look in a mirror,`@` you'll see how low you are, naked and licking my shoes, riiiiiiiiiight?`@` Can you see it, Ushiromiya Battleeeeeeeeeeeeeeeeeeeeer???"`\ textoff mbg black,1 ;E_MA for %ryuu1 = 1 to 4 se1v 37,100 wait 500 next for %ryuu1 = 1 to 4 se1v 37,100 wait 100 next for %ryuu1 = 1 to 15 wait 20 se1v 37,100 wait 20 se2v 37,100 wait 20 se3v 37,100 next ;▲第１４アイキャッチ：１０月５日（日）１３時３３分　から　１８時００分に進む eye1 13,33,18,00,2,0,50,150,75 *umi2_15 mov %play_scene,150 ;■時間経過〜厨房 textoff me1 12 ;dllefe 1,1 bg M1F_P1dN,6 wait 2000 dllefe_off mevol 1,40 bg Ment_1bN,6 wait 2000 bg black,24 bg M1F_P1bN,24 wait 2000 bg black,24 bg Mkit_1aN,6 ld r,$GEO_MajimeA3k,24 bgm1 38 ;「…………信じられない。@……それが、…真相だと言うのかい。」@ ;＜譲治 `"............I can't believe it.`@` ......Are you, ...saying that's the truth?"`@ ld l,$SHA_komaruA1,23 ;「……はい。@……私たちは、見たままのことをお話しています。」@ ;＜紗音 `"......Yes.`@` ......We described everything as we saw it."`@ ld r,$GEO_KomaruA1,80 br ;　譲治は腕を組み、再び唸りだす。@ ;　…そして厨房は再び長い沈黙に包まれた。\ `George folded his arms and started humming again.`@ `...And the kitchen was once again absorbed by a long silence.`\ bg Mkit_1cN,24 ld r,$GOH_KomaruA1,24 ;「譲治さまがにわかには信じられない気持ちも、私はよくわかります。@…何しろ、…この目で確かに見たはずの私ですら、あれが何だったのかわからなくなる…。@/ `"George-sama, I understand well that you aren't able to believe that so suddenly.`@` ...Anyways, ...even though I should have seen it with my own eyes, I'm still not sure what it was I saw... `@/ ld r,$GOH_komaruA2,80 ;私は確かに見た。@そして取っ組み合いまでしたはずなんです！@　なのに、……あれが全部、幻だったような気すらする…。」\ ;＜郷田 `I'm sure I saw it.`@` And I'm sure I got into a scuffle!`@` And yet, ......I almost feel like it was all an illusion..."`\ ld l,$GEO_MajimeA3,23 ;「…なるほどね。@……あの楼座叔母さんに詳しく話せないわけだ。@/ `"...I see.`@` ......So that's why you couldn't go into the details in front of Rosa oba-san. `@/ ld l,$GEO_MajimeA1k,80 ;……今の話を本当にしてたら、もっと面倒なトラブルになっていただろうね。@…なるほど、源次さんがずいぶん冷静な対応をしていたのがわかりました。」\ ;＜譲治 `......If what you said is true, then we're in even bigger trouble.`@` ...I see, I understand that Genji-san handled the whole thing composedly."`\ ld c,$GEN_MajimeA2,24 ;「……………私に、それを説明するだけの力があればよかったのですが。」\ ;＜源次 `"............If only I had the power to explain it."`\ ;　実際に見たわけではない譲治には、信じて欲しいと念を押されても、どうしても想像が及ばない。@ `George had not actually seen it, and even when pressed to believe, he just couldn't imagine it.`@ br ;　……無理もないのだ。@ ;　実際に見た人間たちですら、あれは何だったのかと自問している始末なのだから…。\ `......It was only natural.`@ `Because even the people who had actually seen it had given up asking themselves what it was...`\ cl a,22 ld c,$GEO_MajimeA2,23 me2v 5,40 ;「…話を少し巻き戻すよ。@……紗音は、嘉音くんが偽者かもしれないと思った時、クモの巣を取ってきたと言ったね？@　どうしてそんなことを？」@ ;＜譲治 `"...Let's rewind the story a bit.`@` ......Shannon, you said that when you thought Kanon-kun was an impostor, you picked up some spider-webs and came back, right?`@` Why did you do that?"`@ ld l,$GOH_IiwakeA1,23 ;「……そうだ、それは私も思っていました。@どうしてクモの巣だったんです？」\ ;＜郷田 `"......That's right, I was thinking about that as well.`@` Why spider-webs?"`\ bg Mkit_1aN,0 ld r,$SHA_fumanA1,24 ;「前に、熊沢さんに聞いたことがあるんです。@……大昔の六軒島には、悪霊が住んでいて、その、クモの巣を恐れたって。@それでクモの巣を魔除けと尊んで大切にしたという昔話があるんだそうです。@/ `"In the past, I happened to hear it from Kumasawa-san.`@` ......A long time ago, evil spirits lived in Rokkenjima and they, umm, feared spider-webs.`@` And they say there's a legend that people treasured spider-webs as amulets. `@/ ld r,$SHA_KomaruA1,80 ;……それでその、……咄嗟に。@わ、私も少し混乱していたんだと思います…。」\ ;＜紗音 `......And, umm, ......right at that moment,`@` I, I think I was also a bit confused..."`\ ld l,$GEN_komaruA1,23 ;「…………そんな話が。@…熊沢はそういう昔話に詳しかったな。」@ ;＜源次 `"............When it came to those old stories,`@` ...Kumasawa was very knowledgeable."`@ cl r,23 ld r,$GEO_defA1,24 ;「クモは益虫ですからね。@……確かに、そういう信仰があってもおかしくないかもしれない。」\ ;＜譲治 `"That's because spiders are useful.`@` ......Certainly, the existence of such a creed isn't strange at all."`\ bg Mkit_1bN,0 ld c,$SHA_KomaruA1,23 ;「…………きっと。@…その悪霊の力を、あの鳥居の祠が封じ込めてたんだと思います。@…そして、霊鏡が割られたのでその力が蘇って…。@……ベアトリーチェさまを蘇らせる力となってしまったに違いないのです…。@/ `"............I'm sure.`@` ...I think that torii shrine was entrapping the power of those evil spirits.`@` ...And, since the spirit mirror was broken, that power revived...`@`......I have no doubt that it became the power to make Beatrice-sama revive...`@/ cl c,25 se1 13 quakey 4,600 ;…………私が、/ ;!d500……心の弱かった私が、/ ;!d800………あんな大それたことをしなければ………。@ううぅうッ…！！」\ ;＜紗音 `............If I, `/ !d500`......as weak-hearted as I am, `/ !d800`.........hadn't done such an outrageous thing.........`@` Whaaaaaaa...!!"`\ ld r,$GEO_MajimeA2,24 ;「…紗音。@その話はもうしなくても大丈夫だよ。@……僕は君を責めたりなんかしない。」\ `"...Shannon.`@` You don't have to worry about that anymore.`@` ......I don't blame you for that."`\ bg black,25 fede 10,2000 ;　紗音が昔から、譲治との出会いについて、ある種のオカルトをほのめかすことは多かった。@ `Since long ago, Shannon had hinted at a certain occult aspect regarding how she had met George.`@ br ;　運命や偶然、あるいは奇跡を恋愛に関連付けたがる女の子らしい話だと、譲治は耳を傾けながら思ってきた。\ `After listening to her, George had come to think that this was typical of a girl, associating love with fate, chance, and miracles.`\ ;　……鳥居の祠に納められていた霊鏡を割ったというのはさすがにやり過ぎだと思ったが、@彼女がそれだけ真剣に僕との交際を望んでいた過程での、ひとつのイタズラに過ぎないと譲治は笑い、それを許した。\ `......George thought that she had gone a little too far when she broke the spirit mirror that was offered at the torii shrine, `@`but he had smiled and forgiven her, thinking that it was only a little prank she had done because she had seriously desired a relationship with him.`\ ;　……古ぼけた祠にある鏡を割ったくらいで、僕たちの出会いの運命は変わらない。@ `......Just breaking a mirror in some musty shrine wouldn't change the fate of our meeting.`@ br ;　そして、それによって何の祟りもあるものか。@ ;　ただの埃に塗れた古ぼけた鏡だったさと元気付けたはずだった。\ `And that would never cause any curse.`@ `I should have cheered her up, saying it was only a musty mirror covered in dust.`\ bg Mkit_1cN,0 ld r,$GOH_MajimeA1,24 me1v 12,40 ;「…ベアトリーチェさまという、霊のような存在がいる、という話は、この島に勤めるようになってからたくさんの同僚に聞かされました。」\ `"...I had heard the story of a spirit called Beatrice from several coworkers ever since I started working on this island."`\ ld r,$GOH_KomaruA1,80 ;「最初は馬鹿馬鹿しいと思っていましたが、@それを批判すると何だか不謹慎そうな空気があったもので、@…私も表向きは信じているように振舞ってきました。@……しかし、まさか本当に、」\ ;＜郷田 `"In the beginning, I thought it was ridiculous, but since it would appear indiscreet to comment on that, `@`...outwardly, I conducted myself as if I also believed it.`@` ......But, could it really-"`\ ld l,$SHA_komaruA1,23 ;「いたんです。@…ベアトリーチェさまはずっとこのお屋敷におられたんです。@……でも、ベアトリーチェさまは力を失っておられて、…私たちの前に姿を現すことができなかったんです。@ずっと“い”た。@…私たちが視えなかっただけなんです。」\ ;＜紗音 `"She existed.`@` ...Beatrice-sama was in this mansion all along.`@` ......But Beatrice had lost her powers, ...and could not appear before us.`@` She did 'exist' all along.`@` It's just that we couldn't see her."`\ bg Mkit_1bN,0 ld r,$GEO_DefA1,23 ;「…………源次さんの意見を、聞きたいです。」@ ;＜譲治 `"............I'd like to hear Genji-san's opinion."`@ br ld l,$GEN_defA1,23 ;「………私には、何も意見はありません。@/ `"......I do not have any opinion. `@/ ld l,$GEN_MajimeA1,80 ;………ひとつだけ申し上げたいのは、……私たちはあの時、ここに５人いた。@……そして、嘉音が勝手口から帰ってきたと思った。@そして、使用人室に運び、@………何かが起こって、南條先生と熊沢が帰らぬ人となってしまった。」\ `.........All that I would like to say is, ......at that time, there were five people there.`@` ......And I thought that Kanon had returned through the back door.`@` Then, we carried him to the servant room, `@`.........something happened, and Doctor Nanjo and Kumasawa became people who will never come back."`\ ld l,$GEN_MajimeA2,80 ;「……それだけです。@……私たちは見たものをすでに全て説明しました。@…それを、見ていない譲治さまに信じろというのはとても無理な話だと理解しています。」\ ;＜源次 `"......That is all.`@` ......We have already explained everything we saw.`@` ...I understand that it would be very unreasonable to try and force you, who didn't see it, to believe it."`\ ld c,$GOH_KomaruA1,23 ;「信じられるわけがない。@………あれは間違いなく嘉音さんだと思った。@でも、あいつがベッドから起き上がって、/ ;!d500…そう、/ ;!d800こんな風にしながら胸の傷を弄り始めた時。@……こいつは嘉音さんじゃない、誰か別の存在なんだと直感しました。」\ `"How could he believe it?`@` .........I thought that it was undoubtedly Kanon-san.`@` ......But that guy got up from the bed, `/ !d500`...and, that's right, `/ !d800`when he started to grope about that wound in his chest in that manner, `@`......I felt that this wasn't Kanon-san, but some different being."`\ ld c,$GOH_OdorokiA1,80 ;「………譲治さまにはわからないでしょう。@…よく知っていると思っていた人物が、実は別人であることを曝け出した瞬間の、恐ろしさというものは…。@………説明できない。@…とても、説明できるわけがない…。」\ ;＜郷田 `".........George-sama probably couldn't understand it.`@` ...The terror of that moment when the person I thought I knew well exposed that he was in fact, a different person...`@`.........I can't explain.`@` ...I can't explain it at all..."`\ ld r,$GEO_MajimeA1,80 ;「わかるよ。@……郷田さんが、それほどまでにショックを受けるどんな恐ろしいことがあったのか、…僕は察するよ。」@ `"I understand.`@` ......I can guess at what kind of a shock such a dreadful thing would cause to Gohda-san."`@ ld c,$GOH_komaruA1,80 ;「……ありがとうございます。@…譲治さま。」\ `"......Thank you very much,`@` ...George-sama."`\ bg black,25 me2v 5,40 ;　そして一同は再び沈黙する。@ `And they all went silent again.`@ br ;　魔女の甘い囁きに乗り、霊鏡を割ってしまったあの日が全ての間違いだったのだと、紗音は何度慰めても泣き続けた…。\ `Shannon kept crying no matter how many times she was consoled, thinking that listening to the witch's sweet whispers and breaking the spirit mirror on that day had all been a mistake...`\ bg Mkit_1aN,22 ld r,$GEO_MajimeA1k,24 ;「………………君に囁いたという魔女は、…その鏡があると力を失うんだね？」@ ;＜譲治 `"............The witch that whispered this to you, ...loses her powers if that mirror exists?"`@ ld l,$SHA_komaruA1,23 ;「…少し説明してくれた気がしますが、よく覚えていません。@……あの鏡があると、力が出せない、というようなことを言っていたと思います。」\ `"...I think she explained it to me a little, but I don't really remember.`@` ......I think she said something about how she couldn't release her power if that mirror existed."`\ ld r,$GEO_MajimeA2,80 ;「……君が割ったというその鏡はどうしたの？」@ `"......What happened to this mirror that you broke?"`@ ld l,$SHA_odorokiA2,80 ;「覚えていません。@…多分、割ったまま立ち去りましたから、…そのままそこに残ってたでしょう。」\ `"I don't remember.`@` ...I probably left when I broke it, ...so it's probably just how I left it."`\ ld r,$GEO_hohoemiA1,80 ;「……ということは、岩礁が雷で打たれて消えたとか言う時に、海の底か…。@まぁ、拾ってボンドで貼り付けたところで、ご利益は戻らないだろうけどね。@ははははは。」\ ;＜譲治 `"......So when, as they say, the reef was struck by lightning and disappeared, the bottom of the ocean...`@` Well, I'll bet picking it up and taping it together won't make it effective again.`@` Hahahahaha."`\ ld l,$SHA_OdorokiA1,80 ;「………私は、………本当に、………何てことを………。」@ ;＜紗音 `"......Truly, .........what, .........have I done........."`@ ld r,$GEO_KomaruA1k,80 ;「……ごめん。@失言したよ。」\ ;＜譲治 `"......Sorry.`@` I shouldn't have said that."`\ bg black,22 mono 1 bg shr_1a,8 ;　紗音が鏡を割ったことが、本当に全ての始まりなのかは、わからない。@ ;　使用人たちは、紗音を責めこそしないが、それこそが発端だと信じているようだった。@ `He didn't know whether the time Shannon had broken the mirror had really been the time that everything had started.`@ `The servants didn't blame Shannon, but it seemed that they believed that had been the beginning.`@ br ;　…しかし譲治は、まだそこまでを信じられるわけではなかった。\ `...But even now, there was no way George could believe that far.`\ bg black,22 mono off ;　……魔女や悪霊の話を聞かされても、どうしても眉唾だと思ってしまう。@ `......Even if he was told a story about witches and evil spirits, it just sounded fake to him.`@ br ;　それでも紗音の話を真剣に聞いたのは、彼女の心の痛みを少しでも和らげるヒントが欲しかったからだ。\ `Even so, he listened seriously to Shannon's story, trying find a hint that might relieve at least a little of the pain in her heart.`\ fede 1,3000 bg Mkit_1cN,0 ld r,$GOH_IiwakeA1,24 ;「そう言えば、………その鳥居にあったものとは違うでしょうが。@…奥様が、お守りとして霊鏡をお持ちになっていると、聞いたことがあります。」@ ;＜郷田 `"Come to think of it, .........I think it is different from the one in that torii, `@`...but I have heard that Madam keeps a spirit mirror as a charm."`@ ld l,$GEO_majimeA2,23 ;「……へぇ？@　夏妃伯母さんが？」\ ;＜譲治 `"......Really?`@` Natsuhi oba-san?"`\ ld r,$GOH_majimeA1,80 ;「はい。@お祖父さまの形見分けか何かでもらったものだそうで、とても強い魔除けの力を持つ、由緒正しい？@　霊鏡だとか何とか…。」\ ;＜郷田 `"Yes.`@` I believe she received it as a memento from her grandfather or something, and that it held a very strong magic repelling power, of high pedigree?`@` A spirit mirror or something..."`\ cl l,24 ld l,$GEN_MajimeA1,23 ;「…………同じ話は私も聞いたことがある。@……鏡は、良くないものを反射して弾き返す力があるのだとか。」\ ;＜源次 `"............I have also heard the same story.`@` ......Something about the mirror having the power to reflect that which is not good and send it back."`\ textoff E_A se1 27 bg white,1 bg Mkit_1aN,0 ld r,$GEO_MajimeA1,2 wait 2000 bgm1 39 ;「その霊鏡があれば、……魔女のベアトリーチェに、対抗できるかな。」@ ;＜譲治 `"If we had that spirit mirror, ......could we resist the witch, Beatrice?"`@ ld l,$SHA_OdorokiA2,23 ;「え……。」@ ;＜紗音 `"Huh......"`@ br ;　譲治の提案に、使用人たちは顔を上げる。\ `When George proposed this, the servants looked up.`\ ld r,$GEO_DefA1,80 ;「……祀っていた鳥居と祠はもうないかもしれないけれど、霊鏡がもう一枚あるのは重要なことだよ。@/ `"......The shrine and the torii where it was enshrined are gone now, but the important thing is that there is still another spirit mirror. `@/ ld r,$GEO_MajimeA2,80 ;………夏妃伯母さんの実家は神職にも通じていると聞いたことがある。@それは本当に、単なる鏡ではないかもしれない。」\ ;＜譲治 `.........I've heard that Natsuhi oba-san's family is descended from Shinto priests.`@` Maybe that isn't just a simple mirror."`\ bg Mkit_1bN,0 ld l,$GOH_komaruA2,24 ;「た、確か奥様は、宝物箱に入れて大事にしまっている…、と仰っていたような気がします。@…そんなに大きいものではないのかもしれません。」@ ;＜郷田 `"I, I am sure that I have heard Madam say that she keeps it safe in a treasure box.`@` ...It might not be very large."`@ ld r,$SHA_komaruA1,24 ;「………大きさの問題ではなかったと思います。@私が割った鏡も、一見、大したことのない小さな鏡に見えました。」\ ;＜紗音 `".........I don't think its size is a problem.`@` Even the mirror I broke didn't look so big at a glance."`\ bg Mkit_1cN,23 ld c,$GEO_MajimeA1k,24 se2 21 ;「…………相手がオカルトなら、こちらもオカルトの手段で対抗するしかない。@…ただこうして座っていても、何も解決しない。@単なる気休めだとしても、やってみる価値はあるよ。」\ `".........If our opponent is occult, then we too must resist by using occult measures.`@` ...If we just sit around here, nothing will be resolved.`@` It's worth trying, if only for some peace of mind."`\ ;　もちろん、譲治が魔女の存在を認めたわけではない。@ ;　……しかし、紗音の心の傷を癒すためには、何かをしてそれを禊ぐという儀式が必要だと考えた。@ `Of course, this didn't mean that George had accepted the witch.`@ `......However, he thought it would be necessary to have some kind of purification ceremony to heal the wounds in Shannon's heart.`@ br ;　…だから夏妃の霊鏡の話はとても都合が良かった。\ `...So this story about Natsuhi's spirit mirror was really convenient.`\ ld c,$GEO_WaraiA1,80 ;「行こう。@…魔女をやっつけようなんて大それたことは言わないよ。@…でも、魔女から身を守る魔除けがあってもいいと思う。」\ `"Let's go.`@` ...I won't say that it will finish off the witch or something so outrageous.`@` ...However, I think it would be nice if we had something that repels magic to protect us from the witch."`\ ld c,$GEO_MajimeA2,80 ;「……前に真里亞ちゃんに聞いたんだけど、お祖父さまの部屋の扉は、強力な魔除けが施されているんでしょ？@　……さすがお祖父さまだね。@オカルトに対する防御も充分だったわけだ。@………行こう。@夏妃伯母さんの部屋へ！」\ ;＜譲治 `"......Maria-chan told me about it earlier, but the door to Grandfather's room was supposed to be able to repel magic, right?`@` ......As expected of Grandfather.`@` This means he was pretty good on defense when it comes to the occult.`@` .........Let's go.`@` To Natsuhi oba-san's room!"`\ bg Mkit_1aN,0 ld l,$GOH_komaruA1,23 ;「し、しかし、奥様の部屋には鍵が掛かっていると思います…！@　マスターキーは楼座さまにお返ししてしまいましたし、@…キーボックスのある使用人室も施錠されてしまいましたし…。」\ ;＜紗音 `"B, but, I think Madam's room is locked...!`@` We returned the master keys to Rosa-sama,`@` ...and even the key box in the servant room is now locked away..."`\ ld r,$GEO_MajimeA1,24 ;「……ならばその鍵は夏妃伯母さんが持ち歩いているはず。@…礼拝堂にはまだ夏妃伯母さんの遺体があるはずだ。@警察が来る前に勝手にいじってしまうのは悪いことだけれど、それについてはちゃんと説明しよう。」\ ;＜譲治 `"......In that case, Natsuhi oba-san should have been walking around with that key.`@` ...Natsuhi oba-san's corpse should still be in the chapel.`@` It would be bad to disturb it ourselves before the police come, but we can fully explain that."`\ ld l,$GOH_KomaruA2,80 ;「しかし…、礼拝堂の入り口も鍵が掛けられております…。」\ ;＜郷田 `"However..., the entrance to the chapel is also locked..."`\ ld r,$GEO_WaraiA1,80 ;「ははは、郷田さんの腕力じゃ、ガラス１枚割れないのかい？@　その辺の石で叩き割ればいい。」@ ;＜譲治 `"Hahaha, Gohda-san, can't you break a single glass window with your physical strength?`@` You could smash it with a rock from around there."`@ cl l,24 ld l,$SHA_KomaruA1,23 ;「た、大切な礼拝堂の窓を破ってしまっても、…その、よろしいのでしょうか…。」\ ;＜紗音 `"W, would it, ...umm, be okay to break the window of that important chapel...?"`\ ld r,$GEO_MajimeA1k,80 ;「お祖父さまに怒られる時は僕が責任を持つよ。@……僕は元々今日、右代宮家の全員と戦うつもりでいた。@/ `"When Grandfather gets mad at us, I'll take responsibility.`@` ......From the beginning, I was planning on fighting with the whole Ushiromiya family today. `@/ ld r,$GEO_HohoemiA1,80 ;君との婚約を許してもらうためにね。@…だから元よりその覚悟はある。」\ `So that they would permit my engagement with you.`@` ...So I'm even more prepared than before."`\ ld r,$GEO_MajimeA2,80 ;「ガラスを割ろう。@そして夏妃伯母さんの遺体から鍵を借りよう。」\ ;＜譲治 `"Let's break the glass.`@` Then, let's borrow the key from Natsuhi oba-san's corpse."`\ ;　譲治の、自分が責任を取るという言葉は、使用人たちに大きな勇気を与えたようだった。@ ;　…紗音と郷田は互いに顔を見合わせ、それからもう一度譲治の顔を見る。\ `It seemed that George's claim that he would take responsibility gave the servants a great amount of courage.`@ `...Shannon and Gohda faced each other, and then looked at George's face again.`\ ld r,$GEO_WaraiA1,80 ;「オカルトに詳しいお祖父さまだもの。@夏妃伯母さんの霊鏡の力だってきっと理解してくれる。@大丈夫、怒られたりなんかしない。」@ ;＜譲治 `"Grandfather knows everything about the occult.`@` I'm sure he'll understand if it's about the power of Natsuhi oba-san's spirit mirror.`@` Don't worry, he won't get mad at you."`@ ld l,$SHA_odorokiA1,80 ;「………奥様の鏡で、/ ;!d600……本当にベアトリーチェさまを、/ ;!d800……もう一度封じることができるでしょうか。」\ ;＜紗音 `".........I wonder if Madam's mirror, `/ !d600`.......can really seal, `/ !d800`......Beatrice-sama once again."`\ cl a,0 ld c,$GEO_MajimeA1,24 ;「わからない。@でも、試す価値はあると思う。@/ `"I don't know.`@` But I think it's worth trying. `@/ ld c,$GEO_WaraiA1,80 ;…なら行こう。@表はどんどん暗くなっちゃうよ。@急ごう！」\ `...So let's go.`@` It's getting darker and darker outside.`@` Quickly!"`\ ld c,$GEO_majimeA2k,80 ;「紗音は懐中電灯を！@　郷田さんはガラスを割れそうな道具を！@　源次さんはすみません、傘の用意をお願いします。」\ `"Shannon, get a flashlight!`@` Gohda-san, find something that looks like it can break the glass!`@` Sorry Genji, but could you get us some umbrellas?"`\ me1v 13,40 me2v 5,40 ;「「「はい！」」」/ `"""Yes!"""`/ quakey 5,500 @ br ;　楼座に拒絶された使用人たちは、再び主を得て、動き出す。@ ;　普段のおっとりとした譲治からは想像のできない貫禄が滲み出ていた。\ `The servants, who had been rejected by Rosa, gained a new master and started to move.`@ `George, who was normally calm and gentle, was now oozing dignity.`\ bg Mkit_1cN,0 ld r,$SHA_MajimeA3,24 ;　紗音は非常用の懐中電灯を確認する。@ ;　念の為、新しい電池に入れ替えた。\ `Shannon checked the emergency flashlight.`@ `Just in case, she changed the batteries.`\ bg black,23 bg Mkit_1bN,0 ld c,$GOH_IkariA1,23 ;　郷田は、いくつかの重そうな調理道具を吟味している。@ ;　…本来なら、誇りある料理人の彼は用途以外に使いたくなどない。@ `Gohda was testing several heavy looking cooking tools.`@ `...Normally, a highly praised chef like himself wouldn't want to use them for something other than their intended purpose.`@ br ;　しかし今は、彼が主だと認めた者の命令に応えようと必死だった。@ ;　彼は少し悩んだ末、大きめの重厚感あるフライパンを手にする。\ `But now he was frantic to fulfill the orders of the one he accepted as his master.`@ `After some worrying, he took a large, thick-feeling frying pan.`\ bg black,23 bg Mkit_1aN,0 ld l,$GEN_DefA1,23 ;　源次が勝手口脇に置かれた傘立てから、数本の傘を抜いてくる。@…それは３本だった。\ `Genji removed several umbrellas from the umbrella stand set in the corner near the kitchen door.`@` ...He took three of them.`\ ld r,$GEO_MajimeA2k,24 ;「源次さん…？」@ ;＜譲治 `"Genji-san...?"`@ ld l,$GEN_MajimeA1,80 ;「………私はご一緒できません。@……ご用命の時に、全員がいないようなことがあっては、右代宮家使用人頭として恥ずかしいことです。」\ ;＜源次 `".........I cannot go with you.`@` ......It would be embarrassing for me, as the head servant of the Ushiromiya family, if we were all gone when an order is given."`\ cl r,23 ld r,$GOH_odorokiA1,24 ;「そ、…そんな、源次さん！@　今のこの屋敷で、ひとりでいることがどれだけ危険か、あなたもわかるでしょう…！」\ ;＜郷田 `"Wh, ...what in the world, Genji-san?!`@` Even you should understand how dangerous it would be to be alone in this mansion now...!"`\ ld l,$GEN_MajimeA2,80 ;「……私は行けぬ。@……お館様からいつお呼び出しがあってもいいように、私はここにいなくてはならぬ。」@ ;＜源次 `"......I cannot go.`@` ......So that the Master can call for me at any time, I must remain here."`@ cl r,23 ld r,$SHA_KomaruA1,24 ;「源次さま……。」\ ;＜紗音 `"Genji-sama......"`\ ld l,$GEN_DefA1,80 ;「……行って、譲治さまにお仕えするように。@くれぐれも粗相のないように。@郷田、手本となるよう、よろしく頼む。」@ ;＜源次 `"......Go, so that you can work for George-sama.`@` Be sincere, so that there are no blunders.`@` Gohda, I am counting on you to be an example."`@ ld c,$GOH_IkariA1,24 ;「は、………はい。@…お任せ下さい。」@ ;＜郷田 `"Y, .........yes.`@` ...Leave it to me."`@ ld r,$SHA_odorokiA1,80 ;「必ずや、お役目を果たします…。」\ ;＜紗音 `"I will surely fulfill my duty..."`\ bg Mkit_1cN,0 ld r,$GEO_majimeA3k,24 ;「本当にいいんですね、…源次さん。」@ ;＜譲治 `"Is this really alright, ...Genji-san?"`@ ld l,$GEN_defA1,23 ;「はい。@………私はもうこの歳です。@今日までの人生は全て、お館様に受けたご恩をお返しするための日々でした。@/ `"Yes.`@` .........I am already at this age.`@` All the days of my life until now have been in repayment for the Master's favor. `@/ ld l,$GEN_KomaruA1,80 ;…このような老いぼれがどうなろうと、全てはルーレットの目次第。@私は、どのような結果が出るのかを、ここに座って見届けたいと思います。」\ `...Whatever happens to a senile old man like myself will be decided by the roulette.`@` I want to sit here and see what the result will be with my own eyes."`\ bg black,25 ;　源次はそう言い、腰を下ろす。@ `As Genji said that, he sat down.`@ br ;　それ以上の問答はする気がないとでも言うように、…かつて南條と対局していたチェスの盤面に目を落とす。@ `As though saying that he didn't intend to discuss this anymore, ...his gaze fell to the chessboard that he had played on with Nanjo.`@ br ;　譲治はそれを見て、源次をここへ残すことを決心する。\ `When George saw this, he decided to leave Genji there.`\ bg Mkit_1bN,0 ld c,$GEO_MajimeA2k,22 ;「行こう、みんな。@今は少し風も大人しいみたいだ！」@ `"Let's go, everyone.`@` It looks like the wind is a little softer right now!"`@ cl c,64 br ;　傘を受け取った譲治が廊下へ駆け出すと、紗音と郷田もそれぞれの道具を持ってその後を追う。\ `When George took an umbrella and dashed down the hallway, Shannon and Gohda chased after him, each holding a tool.`\ textoff fede 1,5000 wait 2000 bg black,22 bg Mkit_1cN,24 ld l,$GEN_MajimeA2,23 ;　……彼らが飛び出していった後、源次は、チェス盤の脇へすっと手を伸ばす。@ ;　………そこにあるものを、そっと引き寄せ、手の平で覆うように隠す。\ `......After they flew out of the room, Genji quietly stretched his hand out to the corner of the room with the chessboard.`@ `.........He softly pulled something that was there towards himself, and hid it by covering it with his palm.`\ cl a,2 ;　源次はなおも息を殺し続ける。@ ;　………すると、………何か黄金色のものが閃いた。\ `Genji killed his breathing even more than before.`@ `.........As he did, .........something flashed gold.`\ bg black,22 se1 22 bg butterfly_1a,8 ;　配膳台の上に置かれたアイスペールの中から、…小さな黄金の蝶が音もなく、ひらりと現れたのだ。@ `From inside an ice pail set on the counter, ...a small gold butterfly appeared, softly and silently.`@ br ;　それはまるで、譲治たちが飛び出していくのを見届け、自らもこっそり後を追うかのようだった……。\ `It was almost as though it had seen George and the rest off, and was trying to secretly chase after them......`\ textoff se1 20 bg white,1 E_MA se2v 36,100 bg Mkit_1cN,62 quakex 3,300 ;■ヒュン、ドカッ！！@　源次がナイフを投げて蝶を撃ち抜いて壁に縫い付けたのだよ〜 me1v 12,0 me2v 5,0 cross1 4000,40,40,0,0,0 ;　一瞬の出来事だった。\ `It happened in an instant.`\ ;　…優雅に羽ばたいていた黄金の蝶は、源次の投げたナイフで昆虫標本の蝶のように壁に縫い止められていた。@ `...The elegant gold butterfly, flapping its wings, was pinned against the wall by the knife Genji threw, just like a butterfly in a bug collection.`@ br ;　黄金の蝶は、苦しそうに何度か羽ばたいた後、抜け出せないことに観念し、細かな黄金の粉と煙になって、水に溶けるように消えてしまう…。\ `After the gold butterfly beat its wings several times, looking like it was in pain, it accepted the fact that it couldn't break free, became fine gold powder and smoke, and disappeared as though it had melted into water...`\ textoff bg white,22 bg Mkit_1cN,99,2000,"breakup.dll/urb" bg black,2 ;　源次は何事もなかったかのように、チェス盤に目を落とし続けている。@ ;　……もうすぐ妙手が思いつくかもしれない。@ `Genji still gazed down at the chessboard as though nothing had happened.`@ `......Maybe he would think up a brilliant move very soon.`@ br ;　しかしどんな手を指そうとも、対局相手はもう永遠に、それを受けてはくれない。\ `But no matter what move he made, his opponent would not be able to respond for all eternity.`\ bg chess1,2 ;　それを知りつつも源次は妙手を探る。@ `Even though he knew that, Genji searched for a brilliant move.`@ br ;　……自分に何かの運命が与えられるまでの長くない時間を潰すには、ちょうどよかったに違いない…。\ `......It must have been the perfect way to kill time, during the short period before some fate would be given to him...`\ bg black,22 ;　……ルーレットがどんな目をもたらすのかはわからない。@ ;　でも、その決着はもうじきつく。@ `......He didn't know what result the roulette would bring about.`@ `But that decision would be made very soon.`@ br ;　………転がしたルーレットの球には、誰も干渉できないのだ…。\ `.........No one could interfere with the tumbling roulette ball...`\ fede 0,2000 textoff me1v 13,40 bg M1F_P1bN,22 wait 2000 bg black,8 bg M1F_S1aN,26 me2 11 ;■客間 ;　客間の扉は、施錠されただけでなく、ソファーなどで作ったバリケードでまで塞がれていた。@ `The door to the parlor was not only locked, but blocked with a barricade made of sofas and the like.`@ br ;　だから、楼座叔母さんは、不審者が現れるなら窓を破ってだろうと睨んでいるようだった。@ `So Rosa scowled, apparently thinking that if a suspicious person appeared, it would be by breaking the window.`@ br ;　扉に背を向ける形で一人掛けのソファーを置き、銃を抱き続けている。\ `Sitting on a one-person sofa, her back to the door, she continued to hold onto her gun.`\ bg black,24 bg M1F_S1bN,24 E_A bgm1 38 ;　もう、何が何だかわからなくて、身も心も疲れ果ててしまった俺は、真里亞に求められるままに、一緒に遊んでいた。@ `I didn't know what was what anymore, and even though my body and mind were worn out, I played with Maria, as she wanted.`@ br ld r,$MAR_WaraiA1,24 ;　真里亞は言う。@…ベアトリーチェは、黄金の碑文が解けるかどうかを試しているのだから、この謎に挑まなければならない、というのだ。\ `Maria had said it.`@` ...Beatrice wanted to see whether the epitaph of the gold could be solved, so we had to challenge this riddle.`\ ;　最初の内は、少し興味を持ち、挑んでみたが、元々、何を言っているのかさっぱりの怪文章だ。@ `In the beginning, I had been a little interested, and had tried to solve it, but I had never had a clue about what that weird paragraph meant.`@ br ;　……何か謎が隠されていることは疑わないが、それがひょっこりと解けるなど、まるで思えなかった。\ `......I didn't doubt that there was some riddle hidden there, but I couldn't imagine that I would solve it by chance.`\ bg black,25 bg portrait2,2 ;　碑文の中盤に、第一の晩から第十の晩までをかけて黄金郷へ旅立て、というような行がある。@ `In the middle part of the epitaph, there were the lines from the first to the tenth twilight, saying to journey to the Golden Land.`@ br ;　第一の晩に、鍵の選びし六人を生贄に捧げよ。@ ;　第二の晩に、残されし者は寄り添う二人を引き裂け。@ `At the first twilight, you shall lift up as sacrifice the six chosen by the key.`@ `At the second twilight, those who remain shall tear apart the two who are close.`@ br ;　これが、すでに起こってしまった礼拝堂での６人の殺人と、朱志香と嘉音くんの殺人を暗示していることは明白だった。\ `It was obvious that this hinted at the first six murders that had already occurred in the chapel, and Jessica and Kanon-kun's murders.`\ ;　これに従うならば、まだあと５人は殺されることを覚悟しなければならない。@ `If this was being followed, we still had to be prepared for five more people to be killed.`@ br ;　第四の晩に、頭をえぐりて殺せ。@ ;　第五の晩に、胸をえぐりて殺せ。@ ;　第六の晩に、腹をえぐりて殺せ。@ ;　第七の晩に、膝をえぐりて殺せ。@ ;　第八の晩に、足をえぐりて殺せ。\ `At the fourth twilight, gouge the head and kill.`@ `At the fifth twilight, gouge the chest and kill.`@ `At the sixth twilight, gouge the stomach and kill.`@ `At the seventh twilight, gouge the knee and kill.`@ `At the eighth twilight, gouge the leg and kill.`\ bg black,22 mono 1 ld r,$KUM_MajimeA1,0 ld l,$NAN_DefA1,26 ;　南條先生と熊沢の婆ちゃんの遺体は、見付かっていない。@ `Doctor Nanjo and Kumasawa baa-chan's corpses hadn't been found.`@ br ;　…しかし、順当に第四の晩と第五の晩の犠牲者だと考えるならば、@……頭と胸をえぐった、気の毒な姿で発見されるに違いない。\ `...However, if we reasonably assumed that they were the sacrifices of the fourth and fifth twilights,`@` ......they would surely be found in a pitiful state, with their head and chest gouged.`\ cl a,22 mono off bg M1F_S1dN,22 me1 11 ;　ということは、さらにあと３人が、腹・膝・足をえぐられて殺されることが予定されているわけか。@ `In which case, could we expect that three more would be gouged in the stomach, knee, and leg and killed?`@ br ;　……それは誰だろう。@ ;　…部屋を見渡し、ここにいるのが３人であることに気付くが、何というのか、感情が麻痺してしまって。@ `......Who would that be?`@ `...I looked around the room, noticing that there were three people here, but, how should I say it, my emotions seemed paralyzed.`@ ;　…不思議と恐ろしいという感情はわかなかった。\ `...I couldn't understand my strange and frightening feelings.`\ bg M1F_s1cN,26 ld r,$MAR_DefA1,24 ;　俺がぼんやりとソファーに上体を預け、天井を見上げていると、真里亞が気付く。@ `As I leaned on the sofa with the top part of my body, gazing up at the ceiling, Maria noticed.`@ br ld r,$MAR_fukigenA2,80 ;　…どうやら謎解きをサボっているように感じるらしい。@ ;　真面目にやらないと駄目だと怒られた。\ `...Somehow, it seemed as though she felt I was slacking off in my riddle-solving.`@ `She was mad at me, like I wasn't being serious enough.`\ ld l,$BUT_nayamuA1,23 me2v 12,40 ;「……なぁ、真里亞。」@ `"......Hey, Maria."`@ ld r,$MAR_NiyariA1,80 ;「うー…？」@ `"Uu-...?"`@ ld l,$BUT_komaruA2,80 br ;「ベアトリーチェは確か、これを解いたら、どうするって言ってたんだっけ。」\ `"What was it again, that Beatrice said she would do if we solved this?"`\ bg black,25 bg letter1,22 ;　確か、魔女の手紙には、利子の回収を諦める、みたいな抽象的なことが書かれていた。@ `I was sure that the witch had written in her letter that she would give up on collecting the debt, or something abstract like that.`@ br ;　…俺はそれをつまり、一族皆殺しを諦めると好意的に読み取っているのだが、@……本当にそういう意味で書かれているのだろうか。\ `...I optimistically took that to mean that she would give up on killing the whole family, `@`......but was it really written with that meaning?`\ ;　この謎を解くことで、本当に自分が助かるのか、実感できない。@ `I didn't really feel like solving this riddle would actually save us.`@ br ;　………仮に解けたとしても、それは犯人の思う壺で、結局は全て無駄な努力なのではないかと思ってしまう…。\ `.........I thought that even if we did solve it, would that be doing just what the culprit wanted us to, and would all be a wasted effort...`\ bg M1F_S1dN,22 ;「うぅん、そんなことはない。@……この碑文が解けたら、ベアトの儀式はおしまいになる。@だからもうそれ以上、誰も死ななくなる。」\ ;＜真里亞 `"No, that's not true.`@` ......If you solve the epitaph, Beato's ceremony will be over.`@` So there won't be any need for more people to die."`\ ;「……本当にか？@　そういうルールをヤツが提示してるだけだろ…？@　この謎を解けば、…多分、祖父さまの隠し黄金の在り処がわかるんだろう。@…ヤツはきっとそれを狙って…、」@ `"......Really?`@` Isn't that rule just something she made up...?`@` If we solve this riddle, ...we'll probably know the location of Grandfather's hidden gold.`@` ...She'll surely go after that..."`@ ;「うー。@狙わないよ。」\ `"Uu-.`@` Won't go after."`\ bg M1F_S1bN,26 ld r,$BUT_MajimeA1,24 ;「…何で、そう断言できるんだよ。」@ `"...Why, ...are you so sure?"`@ ld l,$MAR_MajimeA1,80 ;「黄金は最初からベアトのものだもん。@自分のものを狙ったりなんかしない。」\ `"The gold has been Beatrice's from the beginning.`@` She wouldn't go after something that's hers."`\ ld r,$BUT_KomaruA1,80 ;「……じゃ、…じゃあどうしてベアトは俺たちにこんな大ヒントを授けてくれたんだ？@　……というか、どうしてこんなゲーム染みたことを仕掛けてきたんだ？」@ `"......Then, ...then why is Beatrice giving us all these big hints?`@` ......Not just that, why did she even set up this game-like thing?"`@ ld l,$MAR_NiyariA2,80 ;「魔法には、リスクが必要なの。」@ `"Risk is essential for magic."`@ ld r,$BUT_NayamuA1,80 ;「……リスク。@…よく意味がわかんねぇな。」\ `"......Risk.`@` ...I don't really know what you mean."`\ ld l,$MAR_OdorokiA1,80 ;「例えばマラソン。@……完走すれば誰でももらえるメダルと、一番になった人しかもらえないメダルって、同じ価値だと思う…？」@ `"For example, in a marathon,`@` ......do you think that a medal that anyone can get by running the whole thing is worth the same as the medal given only to the person who gets first...?"`@ ld r,$BUT_nayamuA2,80 ;「思わねぇぜ…。@/ `"No, I don't...`@/ ld r,$BUT_komaruA3,80 ;……つまり何だよ、結局、ヤツは遊んでるってことなのか？@　わざとこっちにチャンスを与えるようなことをして、」\ `......So what does this mean?`@` In the end, she's just playing around?`@` Purposefully giving us a chance-"`\ ld l,$MAR_fukigenA2,80 ;「ちーがーうー。@それがね、魔法というものなの。@どんな大きな魔法にも、絶対にリスクや弱点があるの。@うぅん、ないといけないの。」\ `"W-ro-ng.`@` That's what a witch is.`@` No matter how great the magic, there are definitely risks and weak points.`@` No, there has to be."`\ ld r,$BUT_NayamuA1,80 ;「…魔法って言われるとピンと来ねぇが、…ギャンブルだって考えれば少しは理解できるな。@デカく失う覚悟がなきゃ、デカくは勝てない。@そして勝ち目の薄いギャンブルであればあるほど、配当はデカくなる。」\ `"...I don't get this stuff you call magic, ...but if I think about it as a gamble, I can understand a little.`@` If you aren't prepared to lose big, then you can't win big.`@` And the slimmer the chances of winning, the bigger the payoff."`\ ld l,$MAR_WaraiA1,80 ;「その通りだよ。@だからベアトは、儀式のリスクをちゃんとみんなに説明したの。@だから、この謎を解けばちゃんと儀式は中断される。@だって、それを約束違反したらリスクにならない。」\ `"That is correct.`@` So Beato properly explained the risk of the ceremony to everyone.`@` Therefore, if this riddle is solved, the ceremony will be suspended.`@` After all, if she breaks her promises, then there wouldn't be any risk."`\ ld r,$BUT_oyaA1,80 ;「これを解けば、…ヤツは本当に約束を、守るのか。」\ `"If we solve this, ...will she really keep her promise?"`\ bg black,23 bg M1F_S1aN,23 ld l,$MAR_niyariA1,23 ;「花は枯れるのにどうして美しいの？@　造花は見分けがつかないほど精巧でもどうして美しくないの？@/ `"Why is it beautiful when a flower withers?`@` Why is it that an artificial flower isn't beautiful no matter how elaborate it is, even if you can't tell the difference by looking? `@/ ld l,$MAR_OdorokiA1,80 ;　人間は死を賭すから奇跡が起こせる。@不死の人間がいたとして、その人物に何の奇跡も起こせる道理はない。@………私たちも、人生も、魔女も儀式も。@私たちはリスクを負わなければ、何も成し遂げられないの。」\ `Humans can bring about miracles by gambling their death.`@` If there were an undying human, that person would have no way of bringing about a miracle.`@` .........Us too, life too, the witch and the ceremony too.`@` If we don't bear a risk, we can't succeed in anything."`\ ld r,$BUT_komaruA3,24 ;「……謎が解けたらどうするんだ。@ピンポーンって鳴らして挙手して、解答を魔女に伝えて答えあわせをするのか。」@ `"......What do we do if we solve the riddle?`@` Should we raise our hand and cry 'That's it!', tell the witch our answer and see what she says?"`@ ld l,$MAR_fukigenA1,80 ;「うー。@それは知らない。@でも、解けばきっと、自動的に儀式は終わる。」\ `"Uu-.`@` I don't know about that.`@` But, if we solve it, the ceremony will surely end automatically."`\ ld r,$BUT_MajimeA1,80 ;「……………………。@/ `"..................`@/ ld r,$BUT_defA2,80 ;…真里亞は詳しいな。@…そいつはみんな、……ベアトリーチェに習ったのか。」@ `...You sure know a lot, Maria.`@` ...Did you learn all of that, ......from Beatrice?"`@ ld l,$MAR_WaraiA2,80 ;「うー。」\ `"Uu-."`\ bg black,22 fede 10,2000 bg M1F_S1dN,25 ;　リスクを負わなければ、何も得られない、…か。@ ;　それは間違いなく世の中の真理だが、……俺が好むチェス盤理論の考えとは少し相容れなかった。@ `So, ...if you don't bear a risk, nothing can be gained.`@ `That is doubtlessly the way of the world, ......but it was in conflict with the chessboard theory style of thinking that I liked.`@ br ;　チェスにおける指し手とは、常にリスクのもっとも少なく、有利な展開を期待する最善手の模索だ。\ `At least when making moves in chess, players grope for the best move, always trying to avoid risk and hoping for an advantageous turn of events.`\ bg black,22 ;　ギャンブルのような運否天賦で手は指さない。@ ;　……そう、知的ゲームに博打性の入り込む余地はありえないのだ。@ `They don't trust to chance, like in gambling.`@ `......That's right, there's no room for gambling in an intellectual game.`@ br ;　なのに、ベアトリーチェというヤツは、これほどの大それた犯罪、@…あるいは儀式を執り行いながら、@……自らにわざわざ敗北条件を課し、それを俺たちに公開している。\ `And yet, this person called Beatrice had committed such an outrageous crime,`@` ...or maybe a ceremony, `@`...while purposefully imposing conditions for her own loss and announcing them to us.`\ bg chess1,22 ;　チェスは常に最善手を指すものだ。@ ;　だから相手の立場になって、次の手を読み切れる。@ `In chess, you always play the best move.`@ `So by standing in your opponent's position, you can predict their next move.`@ br ;　…しかし、ベアトリーチェの指し手は、常に最善手だとは言い切れない。\ `...However, you couldn't say for sure that Beatrice's moves were always the best moves.`\ bg black,22 ;　俺は多分、この碑文に注目させることで何かを誤解させて煙に撒かせようとしているんだろうと思っている。@ `I thought she was probably making us focus on the epitaph to trick us in some way, speaking in riddles.`@ br ;　……しかし真里亞は、そんなことだけは絶対にありえないという。@ ;　これは魔女が示した純粋なリスクであり、ゆえに正式な魔法の儀式である証拠だという。\ `......But Maria said only that was impossible.`@ `She said that this was a genuine risk that the witch had taken, and therefore proof that this was a formal ceremony for magic.`\ bg portrait2,22 ;　………俺には、ベアトリーチェという魔女が、わからない。\ `.........I can't understand this witch called Beatrice.`\ ;　ヤツには目的があって、これほどの連続殺人を犯しているはずなのに、@……なぜ、わざわざ自分の敗北条件を晒すのか。@ `Even though she is supposedly committing this chain of murders with some goal in mind,`@` ......why did she go to all the trouble of exposing the conditions by which she would lose?`@ br ;　……どんなにチェス盤を引っ繰り返し、相手の立場になって考えても、……この謎を解いたら降参する理由がわからない。\ `......No matter how I turn the chessboard over and think from my opponent's perspective, ......I can't understand why she would give up if this riddle is solved.`\ bg portrait3,2 ;　まるでベアトリーチェは、勝っても負けても、…どちらでもいいようではないか。@ ;　こんな相手とのチェスでは、チェス盤理論など通用しないのは当然なのだ…。@ `Isn't it almost as though Beatrice doesn't care whether she wins or loses?`@ `It's natural that chessboard reasoning wouldn't work if you played chess against an opponent like this...`@ br ;　…わからない、わからない。@ ;　……ベアトリーチェは、何が狙いでこんな事件を引き起こしているんだ。\ `...I don't understand, I don't understand.`@ `......What is Beatrice after that's making her cause this crime?`\ bg blood_1a,22 ;　俺たちを皆殺しにしたいだけなら、大仕掛けなど打たずに、こっそり密かにやればいい。@ ;　気の利いた予告状も、思わせぶりな密室演出も何も必要ない。\ `If she just wants to massacre us all, she could just do it secretly, without this whole crazy setup.`@ `There was no need for that scrupulous advance notice, this closed room acting or anything.`\ br bg black,22 ;　…全てが過剰演出。@ ;　まったく意味がわからない。\ `...It's all over-acting.`@ `I don't understand at all what it means.`\ ;　俺がベアトリーチェのことを、欲深き人間の犯人であると思い続ける限り、何も理解することなどできないのだろうか。@ `As long as I continue to think of Beatrice as a greedy human culprit, will I be able to understand anything?`@ br ;　…俺は、やはりヤツのことを魔女だと認めなければ、チェス盤理論に駒を並べることすらできないのだろうか……。\ `...If I don't accept her as a witch, will I be unable to even set the pieces on the chessboard after all......?`\ bg black,25 bg M1F_S1dN,22 me1v 12,40 ;　……ヤツが本当に魔女で、真里亞の言うことが全て真実ならば。@ ;　俺たちのすべきことはひとつだった。@ `......If she was really a witch, and everything Maria had said was true,`@ `there would be only one thing for us to do.`@ ;　…推理も仲違いも犯人探しもどうでもよかった。@ `...The reasoning and the discord and searching for the culprit had all been pointless.`@ br ;　みんなで食堂にでも集まって、謎解きに知恵を出し合ってればよかったんだ。@ ;　あれだけの大勢で知恵を出し合えば、ひょっとしたら糸口くらい掴めたかもしれない…。\ `We should have all gathered in the dining hall, combining our knowledge to solve the riddle.`@ `If we had combined the knowledge of that many people, maybe we would be able to at least grasp a thread of the answer...`\ ;　欲深な人間たちが、相手より得をしようと欲をかき、……知恵を集めることなく、次々に生贄に捧げられていく。@ `The greedy humans, desiring to gain something more than their opponent, ......were being offered up as sacrifices one by one, without gathering their knowledge together.`@ br ;　………結局は、人間の自業自得なのか。@ ;　考えている気がして、…実は欲深な自分のことしか、考えていない。\ `.........In the end, did the humans get what they deserved?`@ `They thought they were thinking, ...but they were actually thinking only of their greedy selves.`\ ;　チェス盤理論は結局のところ、相手に自分を投影する思考術。@ ;　……欲深な人間は、相手の中に欲深なる自らの姿を見ることになるのだ…。\ `In the end, chessboard theory is a technique of thinking where you project yourself on your opponent.`@ `......So greedy people see their greedy selves inside their opponents...`\ bg M1F_s1cN,22 ld c,$ROS_komaruA1G,2 me2 11 ;　ぼんやりと楼座叔母さんを見る。@ `I looked vaguely at Rosa oba-san.`@ br ;　ずっと緊張を強いられてきたから疲れが出たのだろう。@ ;　眠ってはいないが、宙の何もない一点をぼんやりとずっと見続けていた。\ `She was probably tired from being under all this tension the whole time.`@ `She couldn't sleep, but she kept staring vaguely at some point off in space.`\ ;　楼座叔母さんは、殺された人間以外は誰も信用できないと公言した。@ `Rosa oba-san had proclaimed that she couldn't trust anyone who had not been killed.`@ br ;　……楼座叔母さんのチェス盤思考は、……相手の中に自分を見た。\ `......Rosa oba-san's chessboard thinking, ......saw herself inside her opponent.`\ bg black,2 ;　…つまり楼座叔母さんは、@……誰も信用できず、気を許すことのできない、孤独な女性だということかもしれない。@ `...In other words, Rosa oba-san, `@`......might have been an isolated woman, unable to trust anyone and unable to let her guard down.`@ br ;　…親父に昔、ちょっとだけ聞いたことがある気がする。\ `...Long ago, I think I heard a bit about it from my dad.`\ ;　楼座叔母さんは、本来はとても素直な子だった。@ `Rosa oba-san had originally been a very obedient child.`@ br ;　……でも、他の兄弟たちと歳が離れ過ぎていて、@しかも、対立しがちな兄弟の双方に同意を求められることが多かったため、@幼い頃から、心理的に辛い思いをしてきたという。@ `......But her age was too far separated from the other siblings, `@`and furthermore, because conflicting demands were often made of her by her confrontational siblings,`@` since she was young, her thoughts had become psychologically harsh.`@ br ;　片方に与したために、もう片方に辛い目にあわせられることも少なくなかったという。\ `Often, when she copied one of her siblings, another sibling would give her a hard time.`\ bg black,0 mono 1 ld c,$ROS_ikariB4G,22 ;　確かに楼座叔母さんは今日、何度か暴言とも取れる発言をした。@ `Certainly Rosa oba-san had said many things today that could be taken as abusive language.`@ ;　………だが、それはつまり、彼女が浴びせられた言葉だから、彼女のボキャブラリーに刻まれているわけだ。@ `.........But, in a sense, those were words that had been showered upon her, and engraved on her vocabulary.`@ br ;　彼女が口にした数々の暴言は、……そのまま、かつての楼座叔母さんが浴びせられてきた暴言でもある…。\ `The many abusive words that she had spoken, ......were also words that Rosa oba-san had been showered with in the past...`\ cl c,0 mono 1 ld r,$KLA_NayamuA1,0 ld l,$EVA_akireA1,8 ;　…言われて見れば、今日の彼女の言葉遣いは、時折、蔵臼伯父さんや絵羽伯母さんが混じっていたような気がする。@ `...Now that I think about it, I've had the feeling that her style of speech sometimes has traces of Krauss oji-san or Eva oba-san in it.`@ br ;　……兄弟だから似るのだろうと納得したが、…そういうことではないのかもしれない…。@ `......I'd accepted that they might be similar because they were siblings, ...but maybe that wasn't the case...`@ br ;　俺は初めて、温和なだけだと思い込んできた楼座叔母さんに心からの同情を寄せるのだった…。\ `I sympathized from my heart with Rosa oba-san, who I had come to think of as being only gentle...`\ cl a,22 mono off bg M1F_S1bN,0 ld c,$MAR_DefA1,22 ;　なら、真里亞は…？@ ;　真里亞はさっきから断言している。@ `Then, what about Maria...?`@ `Maria had been claiming something for a while.`@ br ;　魔女が提示したこの謎を解けば、儀式は中断されて絶対に助かる。@ ;　そして、ベアトリーチェはした約束を絶対に破らないようなことも言っていたように思う。\ `If we could solve the riddle that the witch announced to us, the ceremony would be halted and we would definitely be saved.`@ `And I think she also said that Beatrice would never break that promise.`\ ;　……つまりそれは、真里亞のことなのだ。@ ;　真里亞は約束を絶対に破らない、一番無垢な心の持ち主…。@ `......But this is Maria we're talking about.`@ `She herself would never break a promise, and she had the most innocent heart...`@ ;　だからベアトリーチェも約束を破らないと、信じてる。@信じられる。@ `So she believed that Beatrice also wouldn't break a promise.`@` She could believe that.`@ br ;　でも、それは真里亞の想像するベアトリーチェ像ではないのか…？@　本当のベアトリーチェが約束を絶対守るなんて保証、ないじゃないか…。\ `But wasn't that just an image of Beatrice that Maria imagined...?`@` There's no proof that the real Beatrice definitely keeps her promises, right...?`\ ;■メタ se1 56 E_MA mset mld r,$BEA_nayamuA1,24 se2 59 ;「#ff0000妾は約束は守る#ffffff。@碑文の謎を解けば、黄金郷へ至ることができるだろう。@さすれば、儀式は終わる。@それ以上、誰も死にはせぬ。」\ `"`#ff0000`I will keep my promise`#ffffff`.`@` If you solve the riddle of the epitaph, you should be able to reach the Golden Land.`@` When you have, the ceremony will be over.`@` No more people will die."`\ mld l,$BUT_NayamuA1,23 ;「……お前みたいな鬼畜の極みが、ルールを遵守するってのかよ。」@ `"......So you're saying a complete monster like you follows the rules?"`@ mld r,$BEA_defA1,80 ;「妾が残忍で鬼畜で外道であることを否定はせぬ。@/ `"I won't deny that I am brutal and unjust and a monster. `@/ mld r,$BEA_nayamuA1,80 ;……だが、妾は魔女だ。@魔法を使う。@魔法を使うには守らねばならぬルールがある。@…妾は魔女だからこそ、それを蔑ろにできぬのだ。@それだけは信じるが良い。」\ `......However, I am a witch.`@` I use magic.`@` In order to use magic, there are some rules that must be followed.`@` ...Because I am a witch, I cannot neglect those.`@` You should believe at least that much."`\ mld l,$BUT_kuyasigaruA1,80 ;「…………………。@……これだけ滅茶苦茶やってきて、それでもルールだけは信じろってのかよ。」\ `"...............`@`......Even after everything's gotten so crazy, you're still telling me to believe only those rules?"`\ mld r,$BEA_FutekiA2,80 ;「……妾は誑かしはする。@もちろん人も騙す。@人間と変わらぬ。@……だが約束として口にしたことを反故にしたことは一度もない。@/ `"......I do play tricks.`@` Of course, I also deceive people.`@` That's no different from humans.`@` ......But not once have I disregarded something that I have said as a promise. `@/ mld r,$BEA_nayamuA1,80 ;人間はどうか？@　約束を、必ず守るのか？」\ `What about humans?`@` Do you always keep your promises?"`\ mld l,$BUT_NayamuA2,80 ;「…………“約束を守ろう”なんてキャッチフレーズがある以上、/ ;!d800…ちゃんと履行されてるかどうかは疑わしいな。」\ `".........Since we have catch phrases like 'Keep your promises', `/ !d800`...it's doubtful that we always follow them properly."`\ mld r,$BEA_fukigenA3,80 ;「妾から見れば、人間の方がよっぽど利己的で鬼畜な存在よ。@……人間の約束ほど、疑わしいものはない。@妾も時に人間と契約するが、下らない願いひとつ叶えるのにどれほど厳重に取り決めをするか想像もつくまい。」\ `"From my perspective, humans are much more selfish monsters.`@` ......There's nothing as doubtful as a human's promise.`@` Even I sometimes make contracts with humans, but it's hard to imagine how strict an agreement must be made just to grant a single foolish wish."`\ mld r,$BEA_futekiA2,80 ;「…少しでも隙があると、連中はすぐに“叶える願いの数を百に増やせ”とか“小さな豆粒に変身してみろ”とか言い出す。」\ `"...If there's even a small loophole, they'll immediately say something like 'Increase the number of wishes to one hundred', or 'try changing into a tiny speck'."`\ mcl a,0 mhana2 24 mld r,$BUT_FutekiA1,24 ;「……親父によく言われたぜ。@契約書ほど怖ぇもんはねぇって。@……よく読まずにハンコを押すヤツは、骨の髄までしゃぶられて当然だって言ってたぜ。@…悪徳で荒稼ぎしてやがったんだな。」\ `"......Dad often tells me something.`@` He says that there's nothing as scary as contracts.`@` ......He said it's only natural that people who agree without reading them thoroughly will be chewed to the bone.`@` ...He made a killing through vice."`\ mld l,$BEA_NayamuA1,23 ;「…………察しろ。@人は生まれながらに詐欺を知りはせぬ。@…どこかで被った。@だから覚えた。」@ `"............Imagine it.`@` When people are born, they don't know of fraud.`@` ...They get it from somewhere.`@` And so they learn it."`@ mld r,$BUT_NayamuA1,80 ;「………………………。」\ `".................."`\ mld l,$BEA_waraiA1,80 ;「押し付けあわずにはいられぬ人の世の罪、か。@……はて、どこの魔女に聞いたやら。@/ `"Yes, the crimes of the human world, which must be forced on one another.`@` ......Let me see, I've heard that from a witch somewhere. `@/ mld l,$BEA_defA1,80 ;まぁいい。@……そなたが思っているほど、妾も無慈悲ではないぞ？@　くっくくくっくっく！」\ `Oh well.`@` ......I'm not as heartless as you think, you see?`@` *cackle*cackle*cackle*!"`\ mld r,$BUT_OdorokiA1,80 ;「嘘をつけ！！@　これだけの大勢を、しかもまたッ！！@　こんな残酷な方法で殺しておいて、何が無慈悲ではないだ！！@/ `"Liar!!`@` You killed so many people!!`@` And you did it in such a horrible way too, how could you not be heartless?!! `@/ mld r,$BUT_KuyasigaruA1,80 ;　約束は守るだと？！@　いい加減なことを言うな！！@　俺はお前を認めない。@断じて。@それを譲らないことだけが、お前への抵抗だと俺は信じてるッ！」\ `You say you keep your promises?!`@` Don't say stuff like that!!`@` I won't accept you.`@` Never.`@` I believe that not giving that up is the only way I can resist you!"`\ mcl a,0 ;mhana1 23 mld c,$BEA_WaraiA1,23 ;「…………なるほど。@永遠の拷問であるのは、妾に対しても同じであるというわけか。@………くっくくくくくくく。@/ `".........I see.`@` So you're saying that this eternal torture, will be the same for me.`@` .........*cackle*cackle*cackle*cackle*. `@/ mld c,$BEA_futekiA2,80 ;……かも知れぬな。@千年は長い……。@魔女の強さは魔力より、我慢強さで決まるのかもしれんな。@…なるほど、ベルン卿の恐ろしさも頷ける。」\ `......Maybe.`@` One thousand years is a long time......`@` Maybe a witch's true strength is decided not by their magical power, but by the strength of their determination.`@` ...I see, I can accept how terrifying Lady Bern is."`\ mcl c,0 ;mhana2 0 mld r,$BUT_NayamuA2,24 ;「何をわけのわかんねぇ話をぶつぶつ言ってやがる。@………さっさと永遠の拷問とやらを続けろよ。@俺は千年でも一万年でも付き合う覚悟だぜ。」\ `"Damn you, babbling on and on about this incomprehensible stuff.`@` .........Let's quickly continue this eternal torture.`@` I'm prepared to stick around for one thousand years or even ten thousand years."`\ mld l,$BEA_defA1,23 ;「くっくっくっく！@　よいよい。@少しは戦う気力も戻ってきたようだな。@そうでなければつまらない。」\ `"*cackle*cackle*!`@` Good, good.`@` It looks like you've regained some of your will to fight.`@` It would be boring otherwise."`\ mld l,$BEA_waraiA2,80 ;「ほら、対戦ゲームでもよくあるだろォ？@/ `"Come now, don't you often see it in competitive games? `@/ se1 48 ;　乱入したけど相手があまりに弱くて拍子抜けで、わざと負けて最終ラウンドまで延長させて、@最後に本気でフルボッコにすることとかってあるだろォ？」\ `Sometimes one player intrudes on their opponent's territory, but the opponent is so weak that it's a bit of an anticlimax, so the first player loses on purpose to extend the game until the last round,`@` when they get serious and shower their opponent with blows, right?"`\ mld r,$BUT_futekiA1,80 ;「……例えの意味がわかんねーよ。」\ `"......I don't get what that means."`\ mld l,$BEA_futekiA2,80 ;「ワインと同じよ。@よく熟成させねば輝かぬ。@/ `"It's the same as wine.`@` If you don't let it age well, it won't sparkle. `@/ mld l,$BEA_defA2,80 ;……お前はそれに耐えられるワインだ。@妾がじっくり熟成させてやる。@……そなたを、妾の優雅な時間を彩る最高の美酒に育て上げてやるぞ…。」\ `......You are the same as that wine.`@` I'll carefully make you age.`@` ......I'll raise you to be the best alcohol to color my elegant time..."`\ mld l,$BEA_futekiA1,80 ;「だからこの程度で屈服などするな。@妾を引き続き否定してくれよォ。@何しろ妾はそなたが認めぬ限り、儚き幻想に過ぎぬのだから。@/ `"So don't give up after only this much.`@` Keep on denying me.`@` After all, as long as you don't accept me, I'm nothing more than a fleeting illusion. `@/ se1 37 ;……くっくくくくくくくくくくくくくくくくくくくくくくくく…！」\ `......*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*...!"`\ textoff se2 56 mend bg black,2 fede 0,3000 wait 2000 se3 21 me1v 13,70 wait 2000 se1v 1100,90 wait 2000 bg cha_i1a,2 mevol 1,40 wait 2000 bg black,24 bg cha_i1b,24 ld r,$GEO_majimeA3k,24 ;■礼拝堂内 ;「……………何度見ても、……辛いな。」@ ;＜譲治 `"............No matter how many times I see it, ......it's awful."`@ bg cha_i1c,0 ld l,$GOH_KomaruA1,24 ;「……胸中、お察しします。@/ `"......I sympathize with all my heart. `@/ ld l,$GOH_IiwakeA1,80 ;……紗音さん、鍵を頼みます。@……お亡くなりになられたとは言え、奥様はレディです。@私には触れることができません。」@ ;＜郷田 `......Shannon-san, please get the key.`@` ......Even though she is dead, Madam is a lady.`@` I cannot touch her."`@ ld r,$SHA_MajimeA3,24 ;「………はい。」@ ;＜紗音 `".........Yes."`@ ;　紗音は使命感ある表情で硬く頷く。\ `Shannon nodded sharply, her expression filled with a sense of duty.`\ bg black,25 bg cha_i1e,22 ;　譲治たちは適当な窓を破り、礼拝堂の中にいた。@ ;　…本当は割りたくなかったので、他の場所から入れないか念の為、探した。@ `George, Gohda and Shannon had broken a suitable window, and were inside the chapel.`@ `...Since they really hadn't wanted to break one, they had searched for another way in, just in case.`@ br ;　…しかし、それは結果として、どこからも侵入できないことを改めて証明し、@礼拝堂の密室がより不可解であることを際立たせるしかなかった…。\ `...But in the end, after proving once again that there was nowhere that they could slip in through, `@`it only became more obvious that this chapel was a mysterious closed room...`\ bg cha_i1a,6 ;　礼拝堂の中は、彼らが立ち去った時のまま時間が止まっていた。@ ;　さすがの譲治も、あの惨いハロウィンパーティに再び近寄ることはできなかった。@ `Inside the chapel, time had stopped since they had left it earlier.`@ `Of course, George hadn't been able to approach this horrible Halloween party again.`@ br ;　無理もない。@両親を一度に失った悲しみを、再び思い出してしまったのだから。\ `It was only natural.`@` Because it made him remember again the sadness of losing both of his parents at once.`\ ;　……そして郷田も、すでに半日が経過している彼らの遺体がより惨く変化している可能性を考慮し、譲治を近づけさせたくなかった。@ `......And Gohda, thinking of the possibility that those corpses might have changed in some horrible way now that a half of a day had passed, didn't want to let George approach.`@ br ;　紗音は郷田の指示を受け、パーティのテーブルに近付く…。\ `Shannon followed Gohda's instructions, and approached the party table...`\ bg black,22 ;　…普段の紗音なら、また汚れ仕事を自分に押し付けてと憤慨するところだったかもしれない。@　……でも、今の郷田の心境はとても理解できた。@ `...Normally, Shannon might have resented having another dirty job forced on her.`@` ......But now, she could truly understand Gohda's mental state.`@ br ;　優れた腕を持ちながらも、トラブルに巻き込まれて職を失い、路頭に迷っていた郷田に、夏妃は新しい人生を与えたのだ。\ `Even though Gohda had prodigious skill, he had gotten into trouble, lost his job, and been left out in the streets, when Natsuhi had given him a new life.`\ ;　……夏妃にとって、それが何気ない求人であったとしても、郷田にとっては運命の転機に感じられたに違いない。@ `......Even though it had just been a casual employment for Natsuhi, Gohda must have felt that it was a turning point in his fate.`@ br ;　…郷田は夏妃に特別の忠誠心を感じていたことは周りからも見てわかった。@ ;　……だから、死してなお、その気持ちを失いたくないのだろう。\ `...Those around Gohda could see that he felt a special kind of loyalty to Natsuhi.`@ `......So he probably didn't want to lose that feeling, even though she was dead.`\ textoff bg pumpkin1,22 wait 1000 bg pumpkin2,22 wait 1000 bg blood_1b,22 wait 1000 ;　……夏妃たちの遺体は半日を経て、変わり果てていた。@ ;　死臭を嗅ぎ付けた小さな羽虫たちが群がり始めている。@ ;　…とても正視できるようなものではなかった…。\ `......Now that half a day had passed, the bodies of Natsuhi and the rest had changed completely.`@ `Small bugs that had sniffed out the smell of death had started to gather.`@ `...It really wasn't something you wanted to look at directly...`\ ;「……奥様、…………失礼いたします……。」@ `"......Madam, ............excuse me......"`@ br ;　夏妃が部屋の鍵をどこのポケットにしまうかは、長い使用人経験から想像がついていた。\ `Because of her long experience as a servant, Shannon had an idea of which pocket Natsuhi had kept the key to her room in.`\ ;　………多分、こっちのポケットに…。@ `.........Probably, in this pocket...`@ br ;　想像は裏切られなかった。@ ;　ポケットに上から触れただけで、すぐにその手応えを感じることができた…。\ `Her guess didn't fail her.`@ `Just by touching the outside of the pocket, she was immediately able to feel it...`\ bg cha_i1a,26 ld c,$SHA_DefA1,26 ;「ありました。@/ `"It's here. `@/ se1 31 ;……奥様の部屋の鍵です。」@ `......The key to Madam's room."`@ ;　紗音はその鍵を高く掲げて、彼らに見つけられたことを示す。\ `Shannon held the key up high, showing the others that it had been found.`\ bg black,1 ;　その様子を見た譲治と郷田の目が、丸く見開かれる…。@ ;　それは紗音の期待した表情ではなかったので、ぎょっとした。\ `As George and Gohda watched her, their eyes opened wide...`@ `That wasn't the expression Shannon was expecting, so it startled her.`\ ;lsp bgsp2,butterfly_4sp1,0,0 ;print 8 bg cha_i1a,0 ld c,$SHA_komaruA1,22 textoff E_A se2 22 bfly1 8 wait 2000 bgm1 50 ;　なぜなら、紗音は気付かなかった。@ ;　遠くから見ていた譲治と郷田が先に気がつけた。@ `Because Shannon hadn't noticed.`@ `George and Gohda, watching from afar, had noticed it first.`@ ;　紗音が鍵を高々と掲げた時、……テーブルの周りから、ぶわっと金箔の吹雪が湧き上がったからだ。@ `Because when Shannon had held the key up high, ......a blizzard of gold leaf had seeped up from around the table.`@ br ;　それは、無数の黄金の蝶たち。\ `They were, ...countless gold butterflies.`\ ;　譲治にとっては初めて見るものだから、それは幻想的なものに見えたかもしれない。@ `Because it was the first time George had seen them, it might have looked like some kind of illusion.`@ br ;　……しかし郷田はすでに知っていた。@ ;　…あの黄金の蝶が、美しい存在などとは程遠い、何らかの不吉を司るものだと知っていた。@ `......But Gohda already knew.`@ `...He knew that those gold butterflies were a long way from being beautiful, and that they caused some kind of misfortune.`@ br ;　そして、その黄金が紗音を飲み込もうと、ぶわッと………、\ `And that gold swelled, trying to suck Shannon in.........`\ ld r,$GOH_IkariA2,24 ;「しゃ、紗音さんッ！！/ `"Sh, Shannon-san!! `/ quakey 6,500 ;@　走ってッ！！」@ ;＜郷田 @`Run!!"`@ ld c,$SHA_OdorokiA2,80 ;「えッ？！@　きゃあッ！！！」/ `"Huh?!`@` Kyaa!!!"`/ quakex 6,500 \ ;＜紗音 se1v 22,100 cbfly 0 bg black,24 ;　紗音も自分が黄金の蝶たちに飲み込まれようとしていることを理解した。@ `Shannon also realized that gold butterflies were trying to swallow her up.`@ br ;　驚愕の表情のまま、よろよろと走る。@ ;　その紗音に黄金の蝶たちは一斉に舞い降りる。@ ;　群がる。@飲み込もうとする！\ `She ran unsteadily, her expression still shocked.`@ `As she did, the gold butterflies danced around Shannon at once.`@ `They grouped together.`@` They tried to swallow her up!`\ bg cha_i1b,0 ;lsp bgsp2,butterfly_4sp2R,0,0 ;print 22 bfly1 22 se2 22 bfly1R 22 ld r,$GEO_IkariA2,24 ;「紗音んんんッ！！@　くそッ、何だこれは？！@　これが、君たちの言っていた…、黄金の蝶なのかッ？！」@ ;＜譲治 `"Shannonnnnn!!`@` Damn it, what is this?!`@` Are these..., the gold butterflies you guys were talking about?!"`@ ld r,$GOH_IkariA2,23 ;「早く外へッ！！@　こいつらめッ！@　くそ、くそ！！」/ `"Outside, quickly!!`@` You bastards!`@` Damn it, damn it!!"`/ se1 7 quakex 6,500 se1 8 quakex 6,500 \ ;＜郷田 csp bgsp2 bg black,24 ;　譲治たちは紗音に駆け寄り、群がる蝶たちを払いのける。@ ;　そしてそのまま、破った窓へ走る！@ `George and Gohda rushed up to Shannon, driving off the group of butterflies.`@ `And while the butterflies were scattered, they ran towards the broken window!`@ br ;　しかし、ガラスの破片で鋭い歯を持つ窓を抜けるには充分な足場が必要だった。@ ;　入る時にはそれを用意する時間もあったが、今はない。\ `However, they needed a good footing to get out of the window, which was surrounded with shards of broken glass.`@ `When they had entered, there had been enough time to prepare for that, but now there was none.`\ bg cha_i1e,0 lsp bgsp2,butterfly_4sp1R,0,0 print 22 ;「扉から出よう！！@　足場を探してる時間なんかない！」@ ;＜譲治 `"Let's go out through the door!!`@` There's no time to look for a footing!"`@ ;!s0「……あ、/ ;!d400…開かない…！/ ;!sd@　固い…ッ！」@ !s0`"......I, `/ !d400`...it won't open...!`/ !sd@` It's stuck...!"`@ ;＜紗音 ;「貸して！！@/ ;!s0　くそ、このオンボロが…、/ `"Give it to me!! `@/ !s0`Damn it, this piece of crap..., `/ se1 10 quakey 3,500 ;んんんんんッ！！」/ `nnnnnnnn!!"`/ !sd se1 11 quakex 4,600 se1 11 quakex 4,600 @ ;＜譲治 ;「譲治さま、お早く！！@　くそッ、なめるな、うおおおおおおお！！」/ `"George-sama, quickly!!`@` Damn it, don't take me lightly, uooooooooooooooohhh!!"`/ se1 20 quakey 4,600 se1 20 quakex 5,600 se1 20 quakey 6,600 \ ;＜郷田 ;　郷田は上着を脱ぎ、それを振り回して蝶の群を散らす。@ ;　しかし多勢に無勢どころの騒ぎではない。@ `Gohda took off his jacket, swinging it around and scattering the group of butterflies.`@ `But he was vastly outnumbered.`@ ;　わずかの時間稼ぎになっているかも怪しかった。\ `It was doubtful that it even bought them a short amount of time.`\ ;　譲治は壊れかかった摘みと奮闘する。@ ;　ガタが来てうまく回らなくなっているのだ。@ `George struggled with the broken handle.`@ `Its age showed, and it didn't turn well.`@ ;　力任せじゃ駄目だ、ちょっとした角度とかコツの問題なんだ……。\ `I can't leave it to strength, it needs the right angle or some trick......`\ csp bgsp2 bg cha_i1a,0 lsp bgsp2,butterfly_4sp2,0,0 print 26 ld c,$GOH_IkariA2,64 ;「譲治さまッ！！@　くそぉおおおおおお！！@　このバケモノどもがぁッ！！」/ `"George-sama!!`@` Damn iiiiiiiiiiiit!!`@` You monsteeers!!"`/ se1 20 quakex 6,600 se1 20 quakey 6,600 \ ;＜郷田 cl c,2 ;　……その時、郷田は見た。@ `......At that time, Gohda saw it.`@ br ;　……見られた。@ ;　つまり、目が合った。\ `......He was seen by it.`@ `In other words, their eyes met.`\ ;　パーティーテーブルの上に、@……いや、ステンドグラスを背負うように、浮いて、笑っている、魔女の姿を。@ `On top of the party table, `@`......no, as if it was holding up the stained glass, floating, laughing, the figure of the witch.`@ br ;　黄金の蝶たちをはべらせ、黄金の旋風の中で笑う魔女の姿を見た。\ `As the number of gold butterflies decreased, he saw the figure of the laughing witch in the center of the golden whirlwind.`\ textoff csp bgsp2 bg black,22 se1v 27,100 bg white,1 bg portrait3,2 ;!s0「……………、/ ;!d500ベ、/ ;!d300……ベアトリーチェ………。」/ !s0`"............, `/ !d500`Be, `/ !d300`......Beatrice........."`/ !sd@ br ;　郷田は初対面だったはずだった。@ ;　…でも一目見てわかった。@ `It should have been Gohda's first meeting with her.`@ `...But he knew her at a glance.`@ br ;　それは他の使用人たちが言うように、確かに確かに肖像画の魔女そのものだった…！\ `Just like the other servants had said, this was certainly, certainly, ...the witch of the portrait herself...!`\ textoff bg cha_i1e,0 lsp bgsp2,butterfly_4sp2R,0,0 print 22 se1 52 gosub *BEA_isyou2 ld c,$BEA_akuwaraiA3,99,2000,"breakup.dll/llp" se2v 37,100 ;「くっくくくくくくく、はっははははははははははは！！@　そろそろ晩餐の時間ではないか。@……すでに妾はこの屋敷のホストである。@そなたらを素晴らしきディナーで歓待しなくてはならぬというもの。@……おあつらえ向きに“三人”ではないか。@……これはこれは実に実に好都合ッ！！」@ `"*cackle*cackle*cackle*cackle*, hahahahahahahahahahahaha!!`@` It is almost time for dinner, is it not?`@` ......I am already the host of this mansion.`@` So I must give you a warm reception for your wonderful dinner.`@` ......Aren't you the ideal for the 'three people'.`@` ......My, my, how truly, truly convenient!!"`@ br ;「ぅ、…うわああああああぁああぁッ！！」/ `"U, ...uwaaaaaaaaaaaaaaaaaa!!"`/ quakey 6,500 \ ;＜郷田 se1 25 csp bgsp2 wait 500 se2v 16,100 E_B bg white,1 bg black,22 bg cha_i1a,0 ;lsp bgsp2,butterfly_4sp2R,0,0 ;print 22 bfly2R 22 ld r,$GEO_ikariA2k,64 bgm1v 54,80 ;「あッ、開いた！！」@ ;＜譲治 `"I, it's open!!"`@ ld l,$SHA_OdorokiA1,63 ;「郷田さん、早く…！！@/ ;　…………っ！@　ベアトリーチェ……さま…。」@ ;＜紗音 `"Gohda-san, quickly...!! `@/ `............!`@` Beatrice......sama..."`@ ld r,$GEO_IkariA1,80 ;「えッ？！@　……………ッ？！？！」\ ;＜譲治 `"Huh?!`@` ............?!?!"`\ cl a,22 se1v 52,90 ld c,$BEA_futekiA1,2 ;「足を止めても良いのかァ…？@　ここがそなたらの墓場に相応しいというならそれも良かろうぞ。@くっくっくっく！！@　かつての主の傍らにて死後も仕えたいというその心意気は称えようぞ！」\ `"Are you sure it's good to just stand there...?`@` If you think this place is suitable for your cemetery, then very well.`@` *cackle*cackle*!!`@` I'll praise your spirit for wanting to stay by your former master's side and serve him even after death!"`\ ;lsp bgsp2,butterfly_4sp2,0,0 ;print 49 se1v 57,100 bfly2 0 ld c,$BEA_akuwaraiA3,1 ;　魔女を包んでいた黄金の旋風が弾けた。@ ;　それらはまるで、…文字通りいっぱいに指を広げて襲い掛かろうとする魔手そのもの！@ `The golden whirlwind that wrapped around the witch burst.`@ `It was like an evil hand had literally spread its fingers and was trying to attack them!`@ br ;　黄金の蝶たちの群が、ザァッと音を立てながら襲い来るのだ。\ `The group of gold butterflies made a 'za' sound and attacked.`\ ld c,$GEO_IkariA2,24 ;「急ぐんだ！！@　足を止めちゃいけない！！」\;＜譲治 `"Hurry!!`@` We can't stand here!!"`\ ;　譲治の声に紗音と郷田は我に返る。@ ;　今ここで足を止めることは蛇に睨まれた蛙も同じ。@ `George's voice brought Shannon and Gohda back to themselves.`@ `Standing here now would be the same as a frog being stared down by a snake.`@ br ;　自分たちは抗わなくてはならない。@ ;　……六軒島を包み込んだ、この新しき、そして残酷で恐ろしき秩序の権現と戦わなくてはならない…ッ！\ `They had to resist.`@ `......They had to fight this incarnation of the new, brutal, and frightening order that Rokkenjima had been wrapped in...!`\ ;csp bgsp2 cbfly 2 bg white,31 bg black,22 me1 14 dllefe 1,1 ;　傘など差している暇はない。@ ;　三人は大雨の中に飛び出していく。\ `There was no time to take out their umbrellas.`@ `The three of them dashed out into the pouring rain.`\ bg forest_P1a,64 ;　彼らは振り返らなかったから気付かなかったが、@黄金の蝶たちは雨の中では思い通りにならないらしく、三人をうまく追うことができなかった。@ `The three of them never realized because they didn't turn around, `@` but the gold butterflies apparently couldn't handle the rain too well, `@`and this hampered their ability to chase after the humans.`@ br bg black,64 bg M_o1aN,64 ;　三人は黄金の追っ手を逃れ、屋敷に飛び込んでいく…。\ `The three people ran from their golden pursuers and flew into the mansion...`\ ;lsp bgsp2,butterfly_4sp2R,0,0 ;print 28 se1 22 bfly2 22 se2v 22,100 bfly1R 22 se3v 37,100 ;「…………くっくくくくくくく。@愉快愉快。@こうでなくては、面白くない！」\ ;＜ベアト `".........*cackle*cackle*cackle*cackle*`@` How nice, how nice.`@` If it wasn't like this, it wouldn't be interesting!"`\ csp bgsp2 bg black,25 dllefe_off E_MA ;■屋敷内〜二階へ〜夏妃の部屋前〜夏妃の部屋！@ wait 2000 bg Mhal_2bN,22 wait 1000 bg M2F_P1bN,22 wait 1000 bg black,64 ;　鍵を開け、部屋に飛び込む。\ `They unlocked the door, and flew into the room.`\ se1v 16,100 bg MNAT_2aN,64 ;　夏妃の部屋は、彼女が愛用するやさしい香の匂いがわずかに残っていた。@ ;　…しかし、今はそれに安らぎを感じている暇はない。\ `A bit of the scent from Natsuhi's favorite gentle incense remained in the room.`@ `...However, there was no time to let that calm them now.`\ ld r,$GEO_ikariA1k,64 ;「どこにあるんだ？！@　宝物箱の中って言ったっけ…？！」@ ;＜譲治 `"Where is it?!`@` You said it was in a treasure box, right...?!"`@ ld l,$GOH_IkariA1,63 ;「話に聞いただけです…！@　実際にどこにあるかまでは…！」\ ;＜南條　郷田？ `"It's just something I heard...!`@` I never knew where it actually...!"`\ bg MNAT_2eN,0 ld r,$SHA_OdorokiA2,64 ;「………た、多分、お化粧台か、ベッドの脇にあるんじゃないかと思います！」\ ;＜紗音 `".........I, I think it's probably in her dresser, or in the corner by the bed!"`\ ;　紗音が女性のセンスでそう断言する。@ ;　でも、ベッドの脇には香炉と読みかけの小説と眼鏡が置いてあるだけだった。\ `Shannon claimed that because of her woman's sense.`@ `But in the corner by the bed, there was only an incense burner, a half-read novel, and glasses.`\ bg black,24 bg MNAT_2bN,64 ;　しかし、化粧台は立派で引き出しも多く、彼女が宝物をここにしまっていたとしても納得できるというものだった。\ `But the dresser was elegant and had many drawers, and it would be understandable if she had kept some of her valuables there.`\ ld c,$GEO_MajimeA3,63 ;「夏妃伯母さん、ごめん…！！」@ ;＜譲治 `"Natsuhi oba-san, sorry...!!"`@ ;　次々に引き出しを乱暴に開けていく。@ ;　急がなくてはならない。@ `He began to violently open each one of the drawers.`@ `He had to hurry.`@ br ;　足音が聞こえるわけじゃないが、…あの魔女が近付いてくる気がする…。@ ;　笑い声が、近付いてくる気がする…！！\ `He couldn't actually hear footsteps, ...but he had the feeling that the witch was approaching...`@ `He had the feeling that her laugh was approaching...!!`\ bg black,22 bg MNAT_2cN,22 ;　引き出しを次々に抜き出し中身を改める。@ `He emptied the drawers one by one and examined their contents.`@ br ;　……化粧道具の小箱はどれも宝物箱に見え、/ ;!d800全てを改める手間の多さに軽い眩暈を覚えずにはいられなかった。\ `......Every small box for makeup looked like a treasure box, `/ !d800`and the amount of effort it would take to inspect all of them made him feel a little dizzy.`\ bg black,23 bg MNAT_2dN,0 ld r,$SHA_odorokiA1,63 ;「こ、……この箱かもしれません…。@鍵が掛かってて開きません…！」@ ;＜紗音 `"M, ......maybe it's this box...`@` It's locked, and I can't open it...!"`@ ;　それは一見、一回り大き目のオルゴールボックスに見えた。@ `At a glance, it looked slightly larger than a music box.`@ br ;　振るとガサガサと中に色々な小物が入っている気配がする。@ `When shaken, it rustled, as though various small objects were inside.`@ br ;　しかし鍵が掛かっていて開かない！\ `But it was locked and didn't open!`\ ld r,$SHA_KomaruA1,80 ;「ふ、普通、鍵はすぐ近くに隠しておくものです。@…あるいは常に身に着けている人もいるかも……。@わからない、…わからない…！！」@ ;＜紗音 `"N, normally, you'd hide the key somewhere nearby.`@` ...But maybe some people always take it with them......`@` I don't know, ...I don't know...!!"`@ ld l,$GEO_IkariA1,63 ;「止むを得ない…、壊そう！@　でも乱暴にはできないね、中の鏡を割ってしまうかもしれない。@抉じ開ける道具はないかな…！@　くそ…！！」\ `"There's no choice..., break it!`@` But we can't do it with force, right? We might break the mirror inside.`@` Could there be a tool to pry it open...?!`@` Damn it...!!"`\ bg MNAT_2aN,64 ;　郷田はそれに使える道具がないかと室内をぐるりと見渡す。@ ;　そして、入ってきた時、開け放ったままにしていた扉に気付いた。\ `Gohda looked all over the room, trying to see if there was some tool that they could use.`@ `And he noticed the door, which had been left open ever since they had entered.`\ bg black,64 ;　閉めようと扉に近付き、……廊下の向こうの暗闇からやってくる、忌まわしき人影たちに気付いた…。\ `He approached the door to close it, ......and noticed the abominable shadows of people approaching from beyond the darkness in the hall...`\ br se1v 22,90 bg M2F_P1bN,0 bfly1 22 me1v 21,50 ;　いや、それは人影という言葉は相応しくない。@ ;　なぜなら、人影はニンゲンの影のことだ。@ `No, the phrase 'shadows of people' wasn't right.`@ `Because that referred to human shadows.`@ br ;　……ニンゲンじゃない存在の影は、人影とは表現できない！！\ `......You can't call the shadows of beings that aren't human shadows of people!!`\ ;cbfly 0 ;bg black,1 ld r,$GOH_odorokiA1,24 ;!s0「……………じょ、/ ;!d800……譲治さまッ！！！@　い、/ ;!d400……急いで……。」/ !s0`"............G, `/ !d800`......George-sama!!!`@` H, `/ !d400`......hurry......"`/ !sd@ ;＜郷田 br ;　郷田の語尾が弱々しくなっていく…。@ ;　それはこの世ならぬ者たちの行列を見ての、驚愕。\ `Gohda's voice trailed off...`@ `It was the shock from seeing a procession of those not of this world.`\ cl a,22 ;　彼は使用人だった。@ ;　だから右代宮家に勤める使用人たちを全て知っていた。@ `He was a servant.`@ `So he knew all of the servants that worked for the Ushiromiya family.`@ br ;　…でも彼らの存在は知らなかった。@ ;　しかし、彼らは間違いなく使用人なのだ…！！@ `...But he didn't know about these.`@ `However, they were definitely servants...!!`@ br ;　右代宮金蔵や右代宮蔵臼に仕える使用人ではない。\ `They weren't servants working for Ushiromiya Kinzo or Ushiromiya Krauss.`\ se1v 22,70 mevol 1,60 ld l,$GOA_DefA1,2 wait 300 se2v 22,80 mevol 1,70 ld c,$GOA_DefA1,2 wait 300 se3v 22,90 mevol 1,80 ld r,$GOA_DefA1,2 wait 300 ;　…新しき屋敷の主、黄金の魔女ベアトリーチェに仕える、@山羊の頭を持ち、真っ赤に煮えたぎった溶岩の眼を持つ、新しき使用人たちッ！！\ `...They were new servants, who worked for the new master of the mansion, the Golden Witch Beatrice, `@`who had goat's heads and bright-red, boiled eyes of lava!!`\ se1v 57,100 ld l,$GOA_DefA1B,1 wait 200 se2v 57,100 ld c,$GOA_DefA1B,1 wait 200 se3v 57,100 ld r,$GOA_DefA1B,1 wait 3000 cl c,28 se1v 52,100 ld c,$BEA_futekiA1,99,1000,"breakup.dll/llp" se2v 37,100 ;　新しき主が高笑いしながら、新しき使用人たちを６人も整然と率いながら、@廊下の彼方から暗闇を切り裂きながらやって来るのが見えた。@ `As the new master laughed loudly and trimly directed six of the new servants,`@` he saw them pierce the darkness as they came.`@ br ;　…もちろん、彼女の象徴である黄金の蝶たちをまといながら。\ `...Of course, she was clad in the gold butterflies that were her symbol.`\ se3v 16,100 E_M1 cbfly 0 bg M_door2,1 ;　郷田は慌てて扉を閉め、そして施錠する！/ `Gohda hurriedly closed the door and locked it!`/ quakey 2,200 \ se1v 25,100 ;　ところが施錠した途端、まるでバネか何かで弾き返されるように元に戻ってしまう！@ `However, just as he locked it, it returned to normal, just as though a spring or something had knocked it back!`@ br for %ryuu1 = 1 to 2 wait 500 se2v 25,100 wait 500 se1v 48,90 next wait 500 for %ryuu1 = 1 to 5 wait 100 se1v 25,100 wait 100 se2v 48,90 next ;　まるで、扉の向こうにいるイタズラ者が、閉める度に開けてしまっているような、錯覚。@ `Just as though some prankster on the other side of the door was creating the illusion that it was opening every time he closed it.`@ br ;　……距離的に、彼らはまだ扉の向こうに至っていないはず！！@ ;　じゃあ、誰が、どうやって…？！\ `......They shouldn't have reached the other side of the door yet!!`@ `Then who, how...?!`\ ;　まるで壊れた玩具で遊んでいるような感覚。@ `It felt just like playing with a broken toy.`@ ;　ガチャリ、ビヨン。/ `*click*, *boing*.`/ se1v 25,100 wait 100 se2v 48,100 quakey 2,200 @ ;　ガチャリ、ビヨン！！/ `*click*, *boing*.`/ se1v 25,100 wait 100 se2v 48,100 quakey 2,200 \ bg black,1 ;「う、うわあああぁああああぁあ！！/ `"U, uwaaaaaaaaaaaaaaa!! `/ quakey 6,500 ;@　し、閉まらない！！@　閉めても開いてしまう！@　どうなってんだこりゃ、くそくそくそくそ！！」@ @`I, it won't close!!`@` Even if I close it, it opens!`@` What's going on, damnitdamnitdamnitdamnit!!"`@ se1v 37,100 br ;「くっはっはっはっはっはっはっはっは…！！@　鍵が妾を拒むと思うか？@　その部屋の新しき主を、その部屋の扉が拒むと思うのかッ？！」\ `"Ku-hah-hah-hah-hah-hah-hah-hah-ha...!!`@` Did you think a lock would stop me?`@` Did you think the door to that room would stop the new master of that room?!"`\ skipoff bg M_door1,0 ld l,$GOH_odorokiA1,22 ;　魔女は、郷田の必死の努力が扉越しに見えているかのようだった。@ ;　そうしている間にも彼らの足音は近付いてくる。\ `It was like the witch could see Gohda's frantic effort through the door.`@ `Even as their footsteps were approaching.`\ me1v 21,50 ;　そして、足音だけでなく、息吹までも耳にした時、@郷田は施錠を諦め、肩からどっかりと扉にぶつかり、その巨体で自らを施錠とした。/ `And when not just footsteps, but their breath too could be heard, `@`Gohda gave up on the lock and slammed into the door, locking it himself with his large body.`/ se1v 12,100 quakex 5,500 \ ld l,$GOH_IkariA2,80 ;「……譲治さまッ、早く早く早く！！！」\ ;＜郷田 `"......George-sama, quickly quickly quickly!!!"`\ bg MNAT_2bN,0 ld r,$SHA_OdorokiA2,64 ;「譲治さま、これはどうでしょう！」@ ;＜紗音 `"George-sama, what about this?!"`@ ld l,$GEO_ikariA2,63 ;「レターオープナーか！@　そっちの方がいいね、貸してッ！@　万年筆じゃうまく行かない！」\ ;＜譲治 `"A letter opener?!`@` That's better, let me have it!`@` The fountain pen isn't working!"`\ bg black,22 ;　譲治はそれを受け取り、再び宝物箱の蓋の隙間にねじ込む。@ `George took it, and once again dug into the crack under the lid of the treasure box.`@ br ;　…これならうまく行きそうだ…！\ `...It looks like it's working...!`\ bg M_door1,0 lsp bgsp,":a;bmp\background\mainbuilding\M_door1x.bmp",0,0 ld l,$GOH_odorokiA1,63 ;「早く早くッ！！/ `"Quickly quickly!! `/ quakex 3,500 ;@　ひぃいいぃ、/ @`Hiiiiiii, `/ quakey 3,500 ;うおおおおおおおおおおぁああぁあぁあああぁあ！！」/ `UOOOOOOOOOAAAAAAAAAAAAAAHHH!!"`/ quakex 4,500 @ br ;　扉の向こうからの圧力が一際強くなる。\ `The pressure from across the door grew even stronger.`\ mevol 1,70 ;　……郷田は絶叫する。@ ;　力比べでの雄叫びではない。@ ;　……恐ろしかったのだ。@ `......Gohda screamed.`@ `It wasn't a war cry for this test of strength.`@ `......He was terrified.`@ br ;　木製の扉一枚を挟み、この世ならざる者たちと接していることがただただ恐ろしかったのだ。\ `He was simply terrified that, except for a single wooden door, he would be touching something not of this world.`\ ;　しかし、それでもまだ幸いだった。@ ;　直接触れているわけではない。@ ;　扉越しなのだから。@ `But he was still lucky.`@ `He wasn't touching them directly.`@ `Because they were on the other side of the door.`@ br ;　だから、直接触れたなら、…郷田のその叫びは勇ましいものから、絹を裂くような情けない、@…だけれどもそれこそ本当の、悲鳴に変わるのは当然のことだった。\ `So it was natural that if he touched them directly, `@`...Gohda's cry would turn from something brave into a shameful and very real scream that would make glass shatter.`\ se1v 52,100 ld r,$RG6_hohoemiA1,4 ;　郷田は眼前のそれが信じられなかった。\ `Gohda couldn't believe what was right before his eyes.`\ ;!s0　…扉を抜けて、/ ;!d400…腕が、/ ;!d500……腕が、/ ;!d300……まるで水面を突き抜けるように、@とても当り前なように突き抜けて、擦り抜けて、懸命に扉を押さえつけている郷田の手を、手の甲を撫でるのだ。/ !s0`...Going through the door, `/ !d400`...an arm, `/ !d500`...an arm, `/ !d300`......almost as though it was sticking through water, `@`as though it was perfectly natural, slipped through, `@`and rubbed the back of Gohda's hand as he tried to hold the door closed as though his life depended on it.`/ !sd@ br ;!s0　………それは、/ ;!d600ツツツと腕をなぞり、/ ;!d600…胸へ、/ ;!d400…そして、/ ;!d200………顎へ。/ !s0`.........It, `/ !d600`slid up his arm, `/ !d600`...to his chest, `/ !d400`...and then, `/ !d200`.........his chin.`/ !sd\ ;　もう郷田の悲鳴は、声になってなかった。@ ;　扉の向こうから、甘い囁き声が聞こえる。@ `By now, Gohda's scream didn't sound like his voice.`@ `He could hear a sweet whispering voice from across the door.`@ br ;　……魔女のものではなかったが、声だけを聞くならば若い女に聞こえた。@ ;　…しかしこの世ならざる者の声であることに何の変わりもなかった。\ `......It wasn't coming from the witch, but judging by the sound of the voice, it was a young woman.`@ `...But that didn't change the fact that it was a voice from one not of this world.`\ se1v 52,100 csp bgsp print 3 ld r,$RG6_AkuWaraiA1,80 ;「……くすくす。@かぁわいい。@……ねぇ。見てるの、走馬灯。@……教えてね。終わったら。」\ `"......*giggle*giggle*.`@` Cuuute.`@` ......Hey. You see it right? Your life flashing before your eyes.`@` ......Tell me. When it's over."`\ ld l,$GOH_komaruA3,1 ;「ひぃいいいいいいぃいぃいいィぃいイぃいいいぃいいいいいいぃイィイイィィイイッ！！」/ `"HIIIIIIIIIiiiiiIIIIIIIIIIIiiiiIIIIiii!!"`/ quakey 8,800 \ ld r,$RG6_AkuwaraiA2,80 ;「ありがと。@もう終わってるのねぇ。@……くすくす！」\ `"Thanks.`@` It's over already isn't it?`@` ......*giggle*giggle*!"`\ textoff se1v 36,100 cl r,99,500,"breakup.dll/llb" ;csp bgsp bg black,0 E_MA btndef ":a;bmp\background\mainbuilding\MNAT_2a.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 50 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 40 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 40 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 150 ofscpy se1v 36,100 btndef "" bg blood_1a,1 bg black,2 wait 2000 se2v 37,100 wait 1500 se3v 38,100 wait 2000 ;　その淫らな腕が弾ける。@ ;　そして、物凄い速度で何かが部屋の中を跳ね回る音を聞いた。\ `That obscene arm split open.`@ `And they heard the sound of something jumping around the room at an incredible speed.`\ ;　それが何だったのか、わからない。@ ;　凄く速くて小さくて鋼鉄のようであるいは甲虫のようで…！@ `They didn't know what it was.`@ `Incredibly fast, small, like steel or maybe a beetle...!`@ br ;!s0　それの正体は、/ ;!d800………郷田の胸のど真ん中に打ち込まれて止まり、/ ;!d400…初めて、/ ;!d800……奇妙な意匠の施された杭のようなものであったことがわかる……。/ !s0`When it buried itself right in the center of Gohda's chest and stopped, `/ !d800`.........for the first time, `/ !d400`...they realized that its true form, `/ !d800`......was something like a stake with a strange design on it......`/ !sd\ bg M_door2,25 ;!s0　郷田の巨体が、後へぐらりと……、/ ;!d500仰け反って、/ ;!d800……倒れる。/ !s0`Gohda's large body shook......, `/ !d500`bent backwards, `/ !d800`......and fell over.`/ !sd se1v 13,100 quakey 5,700 @ br ;　すると扉は、誰が押しているわけでもないのに、すぅっと開き、/ ;!d800……この部屋の新しき主たちを迎え入れた。@ `As it did, the door opened softly, even though no one was pushing it, `/ !d800`......and the new master of this room was welcomed in.`@ br ;　まるで扉自身がそれを認めたかのように見えた。\ `It looked almost as though the door itself had accepted her.`\ se1 17 bg white,10 bg MNAT_2aN,26 se2v 22,100 bfly1 28 se3v 22,100 bfly1R 28 se1 52 ld l,$GOA_DefA1,23 se2 52 ld c,$GOA_DefA1,23 se3 52 ld r,$GOA_DefA1,23 wait 1000 se1v 57,100 se2v 57,100 se3v 57,100 ld l,$GOA_DefA1B,0 ld c,$GOA_DefA1B,0 ld r,$GOA_DefA1B,1 WAIT 2000 ;　山羊の従者たちが次々に入ってくる、６人も入ってくる…！！@ ;　そしてあの魔女も入ってくる、黄金の蝶たちも入ってくる！！@ `The goat attendants entered one after another, six of them...!!`@ `Then that witch entered, and the gold butterflies entered!!`@ br ;　部屋は金箔の吹雪に包まれ、降り積もり、次第に黄金の世界に変えていく…！！\ `The room was wrapped in a blizzard of gold leaf, which fell and piled up, turning it into a world of gold...!!`\ textoff ;se1v 37,100 cl a,30 ;se2v 37,100 ld c,$BEA_defA2,22 wait 500 csp -1 bg white,1 bfly1R 0 bg MNAT_2aN,0 se3v 57,100 gosub *BEA_isyou1 ld c,$BEA_akuwaraiA1,99,1000,"breakup.dll/urb" wait 1000 se1v 37,100 ld c,$BEA_AkuwaraiA3,80 ;「………紗音。@ルーレットはそなたと譲治を選んだ。@解放の日に感謝せよ。@未練はあるまい？」\ `".........Shannon.`@` The roulette has chosen you and George.`@` Thank me for your day of release.`@` Do you have any regrets?"`\ ld c,$BEA_AkuwaraiA2,80 ;「なイよなァ？@　惚れた男から婚約指輪をもらって、初夜も共にしない内に殺されてしまっても、未練なんかないよなァアアアァ？？？@　抱かれたかっただろォオォ？@　女の悦びを教えてもらいたかったんだろォオ？@/ `"You don't, do you?`@` Receiving an engagement ring from the man you fell for, and then being killed before spending your first night together, that isn't a regret at all, riiiiiiiiiiiiight???`@` You wanted him to hold you, didn't yooooooooooou?`@` You wanted him to teach you a woman's joy, riiiiight? `@/ se1v 37,100 ;　くっひひひゃひゃひゃひゃひゃひゃひゃ！！@　あぁ紗音ダメダメ、垂れてるぜ？　お前の口元から、未練が。@だらだら垂れてンのが見えるぜェエエェエ、紗音ンンンンンンゥウゥゥ？？？@/ `Kuhihihyahyahyahyahyahyahyahya!!`@` Ahh, no, no, Shannon, it's hanging, isn't it? Your regret is hanging from your mouth.`@` You can see it dribbling from your moooooooouth, right, Shannonnnnnnnnnnnnnnnnn?? `@/ se2v 37,100 ;　ひーッひゃっひゃはっはははははははは/ `Hi-hyahyahahahahahahahahaha`/ se3v 37,100 ;きゃーっきゃっきゃっきゃっきゃっきゃッ！！！」\ `kya-kyakkyakkyakkyakkyakkya!!!"`\ se1v 12,100 cbfly 0 bg black,1 ;　ばきり。@ `*crack*.`@ br ;　それは宝物箱の蓋が壊れて開いた音だった。@ `It was the sound of the lid to the treasure box breaking and opening.`@ br ;　譲治が中身を引っ繰り返すと、アクセサリーやお守りや、/ ;!d500……少女だった頃から大切にしていそうな様々な小物が出てきた。\ `When George turned it over, accessories, charms, `/ !d500`......various small objects that Natsuhi had treasured when she was a girl fell out.`\ ;　…それに混じり、一際目立つ巾着袋があった。@ ;　それを拾い、すぐに確信する。@ `...Mixed in with that, was a pouch that stood out from the rest.`@ `He picked it up, and checked it immediately.`@ br ;　………これだった。\ `.........This was it.`\ bg MNAT_2eN,22 ld r,$GEO_ikariA1,66 ;「見つけた…、これだ………。」@ ;＜譲治 `"I found it..., this is it........."`@ ld l,$BEA_futekiA1,23 ;「一手及ばなかったのぅ。@くっくくくくくくくくく！！@/ `"You can't do anything.`@` *cackle*cackle*cackle*cackle*cackle*!! `@/ se1v 57,100 bg white,1 bg MNAT_2eN,0 ld r,$GEO_ikariA1,0 ld l,$BEA_AkuwaraiA3,22 ;　死ねッ！」\ `Die!"`\ bg black,1 ;「……く、くそッ！！」@ ;＜譲治 `"......D, damn it!!"`@ se2v 22,80 bg butterfly_4a,28 se3v 22,100 br ;　巾着袋から中身を出そうともどかしくする譲治に、黄金の蝶たちが一斉に襲い掛かる。\ `All at once, the gold butterflies attacked George, who was impatiently trying to remove the contents of the pouch.`\ textoff wait 500 ;monocro #ff0000 ;bg cut_3a,1 ;wait 500 ;bg black,1 ;monocro off ;bfly1R 0 E_A wait 500 bg black,0 se1v 57,100 ;lsp bgsp2,":a;bmp\background\efe\barrier.bmp",0,0 bfly1 0 bg white,1 bg black,0 lsp 901,barrier,0,0 print 2 wait 1000 se2v 55,60 cbfly 0 bg MNAT_2eN,99,3000,"breakup.dll/llB" ;print 22 wait 2000 ld r,$SHA_majimeA3,26 ;bg MNAT_2eN,2 bgm1v 45,80 ;　その時、真っ赤な閃光が一瞬だけ室内を照らした気がした…。@ `At that time, it seemed like, for just an instant, a bright red flash lit up the room...`@ br ;　その赤い閃光は、室内に吹き荒ぶ黄金の蝶たちを、……紗音を中心に円を描くように切り抜いた…。@ `That red flash seemed to wipe out the gold butterflies that were raging around the room, ......as though drawing a circle with Shannon at the center...`@ br ;　……だからそれはとても神々しい光景。@ ;　…まるで、黄金の世界に、天上の雲間から一条の明かりが照らしたかのようだった…。\ `......Therefore, it was a very divine scene.`@ `...Almost as though a single streak of light cut through the clouds in the ceiling, in this world of gold...`\ ;　蝶の群から身を守ろうと縮こまっていた譲治は、一体何が起こったのか理解できない。\ `George, who was curled in a ball, trying to protect himself from the group of butterflies, didn't have a clue what was going on.`\ ld r,$SHA_IkariA1,22 ;　……気付けば、紗音がそんな譲治を庇うように立ちはだかり、@これまで一度も見せたことのないような真剣な顔をして、魔女たちを睨みつけていた…。\ `......Then he noticed that Shannon was blocking the way to him, shielding him,`@` as with a face that she had never shown him before, she glared at the witch and the rest...`\ lsp 903,$BEA_futekiA2,-100,0 print 22 ;「………忘れていた。@そなたもまた、金蔵の優れた家具だったな。@それも、嘉音よりだいぶ熟成した、……。」\ ;＜ベアト `".........I'd forgotten.`@` You were also Kinzo's excellent furniture.`@` And you've matured much more than Kanon, ......"`\ ld r,$SHA_majimeA3,80 ;「………………嘉音くんを、…よくも。@………殺したことじゃない。@…よくも、亡骸を消し去り、/ ;!d500…その名誉まで汚そうとしたな……。」\ ;＜紗音 `"............Kanon-kun, ...how could you?`@` .........Not that you killed him.`@` ...How could you, erase his remains, `/ !d500`...and even try to disgrace his honor......"`\ lsp 903,$BEA_AkuwaraiA3,-100,0 print 80 ;「おやおや紗音ンンンゥ、それを怒ってるのかァ？@　嘉音に会えなくて寂しいなら、妾に頼めよォ、いつだって会わせてやるというのにィイィ！！」\ `"Come now, Shannonnnnn, does that make you mad?`@` If you're lonely because you can't meet Kanon, just ask me, I'll bring you together any tiiiiime!!"`\ ;csp 903 ;cbfly 0 ;bg butterfly_3a,0 textoff csp -1 bg black,22 bfly1 0 bg MNAT_2aN,22 se1v 22,100 ld c,$GOA_DefA1,6 wait 1000 se2v 52,100 ld c,$KA2_defA1,99,2000,"breakup.dll/llB" ;　魔女が指を弾くと、……６人いた山羊の従者の１人の姿が、……金色の輝きと共に嘉音に変わる。\ `When the witch snapped her fingers, ......one of the six goat attendants, ......glittered gold and changed into Kanon.`\ ;　それは間違いなく目を疑う光景。@ ;　…間違いなくそれは嘉音の面影。\ `It was definitely a sight to make one doubt their eyes.`@ `...It was definitely Kanon's face.`\ textoff wait 1500 se1v 38,100 ld c,$KA2_DefA2,80 ;　……しかし、その瞳には、嘉音が浮かべていた誠実な輝きはまるでない。@ ;　…魔女の命令に従うだけの家具の、濁った目があるだけだ。\ `......However, in those eyes, there was none of that sincere glint of Kanon's.`@ `...They were only the vague eyes of furniture that only obeyed the orders of the witch.`\ ;　…譲治は目の前の光景を理解できない。@ `...George couldn't understand the scene right before his eyes.`@ br ;　……そしてようやく、郷田たちが使用人室で何を見て、どうして語れなかったのかを理解する。\ `......And he finally understood why Gohda and the rest had been unable to talk about what they had seen in the servant room.`\ textoff csp -1 bg black,22 bg MNAT_2bN,0 ;bfly2 0 lsp 901,barrier,0,0 ld r,$SHA_MajimeA3,0 print 22 ld r,$SHA_ikariA1,24 ;「………楽しいですか。」\ `".........Is it fun?"`\ lsp 903,$BEA_waraiA2,-100,0 print 23 ;「あぁ楽しいぞ。@死が引き裂いた二人を再会させるのはいつだって楽しい。@/ `"Yeah, it's fun.`@` It's always fun to reunite two that have been torn apart by death. `@/ lsp 903,$BEA_futekiA1,-100,0 print 80 ;死で引き裂いて一度、会わせて二度、もう一度引き裂いて三度楽しめるのだからなァ」\/ `Because I get to enjoy tearing the two apart by death, reuniting them, and then tearing them apart again."`\ csp -1 bfly1R 0 bg black,24 bg MNAT_2aN,0 ld l,$KA2_defA1,0 ld r,$BEA_akuwaraiA1,24 ld r,$BEA_akuwaraiA2,80 ;「さぁ、嘉音ォン、姉と遊んでやりなさい。@もし痛めつけられたら、思い切り苦悶の表情を浮かべてやるといい。@/ `"So, Kanonnn, play with your sister.`@` If she knocks you about, show her a face with as much anguish as you can manage. `@/ se1v 37,100 ;くっくっくくくくくくくくくくくくくく！！」\ `*cackle*cackle*cackle*cackle*cackle*cackle*cackle*"`\ textoff cl r,23 wait 1000 se1v 57,100 ld l,$KA2_DefA1B,1 wait 2000 ;　……偽者の嘉音の腕から、…不気味に光る軌跡が伸びる。@ ;　………それで紗音を切り裂くつもりなのだ。@ `......From the impostor Kanon's arm, ...a strangely shining locus extended.`@ `.........It planned to tear Shannon apart with that.`@ br ;　……まだ心の整理がつかない紗音を、一刀で…。\ `......Shannon, who still hadn't prepared her heart, with a single stroke...`\ bg MNAT_2bN,0 bfly2 0 lsp 901,barrier,0,0 print 22 ld r,$SHA_IkariA1,23 ;「……許さない。@……一度ならず、…二度までも死者を穢すなんて、……許せない。」\ `"......I won't forgive you.`@` ......For dishonoring the dead not once, ...but twice, ...I won't forgive you."`\ lsp 903,$BEA_akuwaraiA4,-100,0 print 23 ;ld r,$BEA_AkuwaraiA3,23 ;「ほざくな、弟に殺されろよ、紗音ォンンンゥ、@/ `"Stop babbling, get killed by your brother, Shannonnnnn, `@/ se3v 37,100 ;きっといい夢が見られるぜェエエエェエエエエエエエエェエエエェエッ！！！」/ `I'm sure you'll be able to have a good dreeeeeeeeeeeaaaaaaam!!!"`/ quakey 3,500 \ textoff ;cbfly 0 csp -1 bg black,22 se1v 22,90 bfly1 0 bg MNAT_2bN,0 ld l,$SHA_fumanA1,23 wait 1000 ld r,$KA2_defA1B,24 wait 1500 ld l,$SHA_majimeA3,80 wait 500 cbfly 0 bg black,42 se1v 58,100 bg white,1 bg BLADE5P,1 wait 100 se2v 58,100 bg white,1 bg BLADE4P,1 wait 100 se3v 58,100 bg white,1 bg BLADE3P,1 wait 100 se1v 58,100 bg white,1 bg BLADE2P,1 wait 100 se2v 58,100 bg white,1 bg BLADE1P,1 wait 300 ;bg black,22 ;monocro #ff0000 ;bg cut_3a,1 ;wait 100 ;bg cut_3b,1 ;wait 100 ;bg cut_3c,1 ;wait 300 ;■ヒュヒュヒュヒュヒュン！！@　打撃音なしの嘉音の連撃。@ ;■紗音の完全結界で一撃で消し飛んでしまう。@多分、指定した中心点に半径で結界を張るようだね。@この場合は自分を中心に？@ ;bg black,1 ;monocro off se3v 57,100 se1v 36,100 se2v 58,100 bg white,1 bg black,0 lsp 901,barrier,0,0 print 42 wait 2000 ;bg MNAT_2eN,0 ;bfly2 0 ;ld c,$SHA_MajimeA3,22 ;　偽者の嘉音が紫の軌跡を何条も描きながら、確かに紗音に襲い掛かったはずだった…。@ `As the impostor Kanon drew several purple loci, he should have attacked Shannon...`@ br ;　しかし、紗音に飛び掛った時、……紗音の前に、何か見えない壁が出来たように感じた。\ `But when he flew at Shannon, ......it felt like some kind of invisible wall had been set up in front of her.`\ textoff ;cbfly 0 ;bg white,62 ;monocro #ff0000 ;print 68 ;bg black,1 ;monocro off ;bg MNAT_2bN,0 ;lsp bgsp2,":a;bmp\background\efe\barrier.bmp",0,0 ;ld r,$KAN_NayamuA1B,22 ;wait 500 ;cl r,99,1000,"breakup.dll/llB" se1v 55,70 se2v 57,100 se3v 36,100 mono 2 bg white,2 ;　それは真っ赤な軌跡の波紋を残しながら、……偽者を弾く。@ `The loci left a bright red ripple on the wall, ......and it repelled the impostor.`@ br ;　……違う、弾いたんじゃない、砕いた。@ ;　……黄金の粉にして、欠片にして、ばらばらにして弾き返した…！\ `......No, it didn't repel him, it smashed him.`@ `......It knocked him back, turning him into golden dust, into pieces, scattering him...!`\ ;csp bgsp2 se1v 57,100 se2v 55,100 se3v 36,100 mono off bg MNAT_2aN,99,3000,"breakup.dll/llB" ;　嘉音の姿を模し、嘉音の死後の名誉まで汚した愚かなる家具の姿は無数の黄金の蝶たちになって砕け、@さらにその蝶たちをもバラバラに分解し、その欠片もさらにバラバラに分解され、@それは蝶ではなく、黄金の飛沫となって消えた。\ `The figure of the foolish furniture who had mocked Kanon's form and even disgraced his honor after his death, broke into countless gold butterflies,`@` and then those butterflies themselves broke into pieces, and those pieces were broken into pieces,`@` until they were no longer butterflies, but a golden splash, and disappeared.`\ ld r,$GEO_KomaruA1k,24 ;「……しゃ、……………紗音……………。」@ ;＜譲治 `"......Sh, ...............Shannon..............."`@ ld l,$SHA_majimeA3,23 ;「…………譲治さんはそこから動かないで下さい。@中心軸をずらしたくない。」\ `"............George-san, please don't move from there.`@` I don't want to shift the central axis."`\ ;bg MNAT_2bN,0 textoff cl a,23 csp 901 lsp 903,$BEA_odorokiA1,-100,0 print 2 wait 1300 csp -1 ld c,$BEA_akuWaraiA3,23 se1 37 ;「これは…、……驚いたッ！！@　虫一匹殺せないツラをして、………これだけの力を見せたか！！」\ `"This is..., ......I'm surprised!!`@` Even though you make a face like you wouldn't hurt a fly, .........you can display such power?!!"`\ ld c,$BEA_futekiA2,80 ;「なるほど、霊鏡がそなたに力を貸しているというのか…。@しかしその霊鏡の本当の力を引き出すには、準備も時間も足りないな。」\ `"I see, so the spirit mirror is lending you power...`@` But you don't have the preparations or the time to draw out the true power of that spirit mirror."`\ se1v 57,100 cbfly 0 bg white,1 bfly1R 0 ld c,$BEA_AkuwaraiA2,2 ;「そのどちらも妾は与えはせぬ。@くっくくくっくくくくく！」\ `"I won't give you either of those.`@` *cackle*cackle*cackle*cackle*!"`\ cbfly 0 bg black,22 ;　譲治が握り締める霊鏡は神々しく輝きを放ち、邪悪の力に屈しない力強さを見せていた。@ `The spirit mirror George gripped had let out a divine sparkle, and displayed a strength that wouldn't submit to wicked power.`@ br ;　しかしその輝きは、魔女の禍々しさには遠く及ばない…。\ `But that sparkle was no match for the witch's sinister nature...`\ bfly1R 0 bg MNAT_2bN,22 ld c,$BEA_futekiA1,23 ;「これだから家具は怖い！@　予期せずして箪笥の角にぶつける足の小指のような気持ちよ。@/ `"This is why furniture is frightening!`@` That feeling, like unexpectedly hitting the corner of a cabinet with your little toe. `@/ ld c,$BEA_AkuwaraiA3,80 ;…これだから家具は怖いッ！！@/ `...This is why furniture is frightening!! `@/ se1v 37,100 ;　家具がッ、家具ッ家具ゥウウウウウゥ！！」\ `You furniture, furniture furnituuuuuuuuuuuuuuuuuuuure!!"`\ cl c,0 ld r,$SHA_ikariA1,0 ld l,$BEA_AkuwaraiA3,24 ;「…………私は家具じゃない。@…そして、あなたを今はとても哀れに思う。」\ `"............I am not furniture.`@` ...And, I think you are very pitiful right now."`\ ld l,$BEA_FukigenA1,80 ;「何ぃ…？@　ほぉぅ。@/ `"Whaat...?`@` Hoh. `@/ ld l,$BEA_futekiA2,80 ;……千年の魔女に、百年も至らぬ家具が、今なんと言ったか……？」\ `......I wonder, what did this furniture, who hasn't lived even a hundred years, just say to a witch of one thousand years......?"`\ ld r,$SHA_ikariA2,80 ;「……あなたはとても哀れな人。@………愛し合う二人に未練がないわけがない。@/ `"......You are a very pitiful person.`@` .........Of course there will be regrets between two people who love each other. `@/ ld r,$SHA_MajimeA3,80 ;でも、あなたの期待するような未練は欠片ほどもない。」@ `But there isn't even a scrap of the kind of regrets you're hoping for."`@ ld l,$BEA_AkuwaraiA3,80 ;「語るか、家具の分際で…！！@　譲治と結ばれたくて妾の靴を舐めた日々を忘れて妾にそれを語るかッ！！」\ `"You dare speak, furniture...!!`@` When you say that, have you forgotten the days that you wanted to be tied to George so much that you licked my shoes?!!"`\ csp -1 bg black,24 bfly2R 0 bg MNAT_2eN,0 ld c,$SHA_IkariA1,24 ;「愛に生き、泥濘を這うが人間。@それを嘲笑い見下しているつもりで、あなたはそれに遥かに劣る。@/ `"Living with love, and crawling in muck is what humans do.`@` If you plan to sneer at and look down on that, then you are far inferior to them. `@/ ld c,$SHA_ikariA2,80 ;私は、今こそあなたを哀れに思う。@……愛し合う二人にとって体を重ねることや、初めての夜を添い遂げることにどれほどの意味が？」\ `Especially now, I think you are pitiful.`@` ......How much does it mean to a loving couple when they sleep together and succeed in love on their first night?"`\ ld c,$SHA_majimeA3,80 ;「……意味はある、きっとある。@…でも、それはあなたの言うこととは全然違う。@もっと神聖にしてあなた如き邪悪が口にする資格もないほどの神聖な意味がある。」\ `"......It does mean something, it definitely does.`@` ...But it's completely different from what you're saying.`@` It means something so sacred that one such as you has no right to speak of it wickedly."`\ ld c,$SHA_ikariA2,80 ;「だから私にはすでに何の未練もない。@譲治さんと愛を誓い合った。@その証として指輪を受け取った。@/ `"So I no longer have any regrets.`@` George-san and I have sworn our love to each other.`@` As proof, I accepted the ring. `@/ ld c,$SHA_IkariA1,80 ;……それで、永遠の誓いは完了した！@　あなたがどんな邪悪な魔法や悪意で私たちを苛んだとしても、永遠は穢せないッ！！」\ `......With that, our eternal vows were completed!`@` No matter how you torture us with your wicked magic and your malice, you cannot disgrace that for all eternity!!"`\ E_A cbfly 0 bg black,1 bg MNAT_2aN,0 ld l,$BEA_aseruA1,2 ld l,$BEA_odorokiA1,80 ;「……は！@/ `"......Ha! `@/ bgm1v 51,90 ;　綺麗事を詩人のように語るなッ！！@　愛は肉欲なんだョ体を重ねてしか計れねェんだよ。@男どもはお前の雌の臭いに引かれて群がる蛆蝿どもなんだよォ。@そんなことも、その歳でまだ理解できねェのかよォオオオォ？」\ `Don't speak as a poet like it's so neat and clean!!`@` Love is lust and can't be measured without sleeping together.`@` Men are flies and maggots that get caught in your female scent and gather around you.`@` Do you still not understand that at your aaaaaaaaaaaaaaaaage?"`\ ld l,$BEA_fukigenA1,80 ;「お前は失望するぜ、その後ろの眼鏡男のどす黒い欲望を一度でも覗いちまったら、@がっかり愕然唖然呆然全然駄目だぜェエ紗音ォオオオンンンンンゥウゥウウゥ？？@/ `"You'll despair, after that glasses man behind you gazes at you even once with dark lust, `@`you'll lose heart, be shocked, be dumbfounded, be stupefied, and it's all useless, isn't it, Shannoooooooonnnnnnnnnnnnnnnnnnn?? `@/ se1v 37,100 ;　ひぃいはあああっはははははアっはーーッ！！」/ `Hiiiihaaaaaaahahahahahaaaha--!!"`/ quakey 3,500 \ se2v 22,90 ;bgmvol 100 Bfly2 0 cl l,0 ld c,$BEA_odorokiA1,28 ;「あぁもういいや語るな家具が、この家具家具家具、/ `"That's enough, stop talking furniture, you furniture furniture furniture, `/ se1 20 ;quakex 2,300 ;@何様のつもりだよ語りやがって、愛なんて結局はド汚ぇ汚物をどう綺麗に見せようかって欺瞞なんだよ、/ @`who the hell do you think you are, talking like that, showing off this fraud that love is beautiful when in the end it's filthy filth, `/ se1 20 ;quakex 2,300 ;@そいつに気付いてヒトは大人になるンだろォオオオォ死ねよ屑、家具家具スクラップッ、/ @`don't people become adults when they realize thaaaaaaaaaat, die you trash, furniture furniture scrap, `/ se1 20 ;quakey 2,300 ;@お前を汚らしい蛆虫に変えてやるよそれでもその眼鏡がお前を愛するか試してやるよッ、/ @`I'll turn you into a filthy maggot, then we'll see whether that glasses guy still loves you, `/ se1 20 ;quakey 2,300 ;@そいつはてめぇの肉だけが目当てだったことを教えてやるよォオオオォオオ、/ @`I'll show you that this guy's only had his eyes on your fleeeeeeeeeeeeeeesh, `/ se1 20 ;quakex 3,300 ;@死ねよガラクタがあぁああてめぇが愛を語るんじゃねえええぇェエエエェェエェエエエエエ！！」/ @`die you piece of craaaaaaaaaaaaap, don't you tell me about looooooooooooooooooove!!"`/ se1 20 quakey 3,300 \ ;改造点１　　brakeを950〜955　850〜855で用意 textoff bg black,80 bg CG12,0 lsp 901,barrier,0,0 print 80 mov %Free9,1 ;チャンネル選択 mov %Free11,-150 :mov %Free21,-100 mov %Free12,-30 :mov %Free22,-50 mov %Free13,90 :mov %Free23,0 mov %Free14,210 :mov %Free24,50 mov %Free15,330 :mov %Free25,100 mov %Free16,450 :mov %Free26,150 ;lsp 950,barrierbrake1,-150,-100 ;lsph 951,barrierbrake1,-30,-50 ;lsph 952,barrierbrake1,90,0 ;lsph 953,barrierbrake1,210,50 ;lsph 954,barrierbrake1,330,100 ;lsph 955,barrierbrake1,450,150 lsp 950,barrierbrake1,%Free11,%Free21 lsph 951,barrierbrake1,%Free12,%Free22 lsph 952,barrierbrake1,%Free13,%Free23 lsph 953,barrierbrake1,%Free14,%Free24 lsph 954,barrierbrake1,%Free15,%Free25 lsph 955,barrierbrake1,%Free16,%Free26 mov %Free11,490 :mov %Free21,-100 mov %Free12,370 :mov %Free22,-50 mov %Free13,250 :mov %Free23,0 mov %Free14,130 :mov %Free24,50 mov %Free15,10 :mov %Free25,100 mov %Free16,-110 :mov %Free26,150 lsph 850,barrierbrake1,%Free11,%Free21 lsph 851,barrierbrake1,%Free12,%Free22 lsph 852,barrierbrake1,%Free13,%Free23 lsph 853,barrierbrake1,%Free14,%Free24 lsph 854,barrierbrake1,%Free15,%Free25 lsph 855,barrierbrake1,%Free16,%Free26 ;改造点２−１後ろのbrakeを多段表示させる ; print 1 mov %Free2,848 mov %Free3,944 mov %Free4,840 mov %Free8,100 mov %Free5,2 for %Free1 = 950 to 970 resettimer if %Free1 < 956 vsp %Free1,1 if %Free2 > 849 && %Free2 < 856 vsp %Free2,1 if %Free3 > 949 && %Free3 < 956 vsp %Free3,1 if %Free4 > 849 && %Free4 < 856 vsp %Free4,1 if %Free9 = 1 se1v 57,100 if %Free9 = 2 se2v 57,100 if %Free9 = 3 se3v 57,100 : mov %Free9,0 print 1 vsp %free1,0 if %Free2 > 849 vsp %free2,0 if %Free3 > 949 vsp %free3,0 if %Free4 > 849 vsp %free4,0 notif %Free5 = 3 jumpf mov %Free5,0 lsp 799,white1,0,0 print 1 csp 799 ~ print 10,%Free8 if %Free4 = 855 break sub %Free8,2 inc %Free9 inc %Free2 inc %Free3 inc %Free4 inc %Free5 waittimer 190 next wait 2000 ;　紗音を中心とした見えない円柱の壁が、一斉に真っ赤な波紋を描き始める。@ `The invisible column of light with Shannon at the center, started to have bright red ripples drawn all over it at once.`@ br ;　…目に見えない悪意が全方向から侵食しようとしているのを、壁が懸命に堪えているのだ。\ `...The wall did its best to withstand the malice that eyes couldn't see as it tried to corrode in on them from all directions.`\ csp -1 bg black,22 bg MNAT_2aN,0 bfly1 0 ld r,$BEA_AkuwaraiA4,24 se1v 37,100 ;「何だよそれは抵抗してるつもりかよォオォオォ？！/ `"What is this you think you can resist?! `/ wait 1000 se2v 37,70 ;　安っぽいんだよ薄っぺらいんだよ、お前の綺麗事と同じなんだよ、見せ掛けだけの薄っぺら、/ `You're insignificant you're frail, just like the pretty picture you try to paint, just a frail pretense, `/ wait 1000 se3v 37,70 ;見たくないものをベールで覆って隠してるだけなんだよまァだわかんないのかよだから家具なんだよ家具ゥウウゥ、/ `You're just hiding what you don't want to see by covering it with a veil do you stiiill not understand that's why you're furniture you furniture, `/ wait 1000 ;ld r,$BEA_AkuwaraiA2,80 se1v 37,80 ;ほらほらほらほらほら削られてるぜェエェカリカリコリコリガリガリゴリゴリ何て薄くて情けないんだよ、/ `See see see see see it's being eraaaaaaased crackcrunchsmacksnap how thin how shameful, `/ wait 1000 se2v 37,90 ;お前のその薄っぺらな抵抗に比べたらパルミジャーノレッジアーノの方がまァだ削るのに苦労がいるぜェエエエェエエエエエェ/ `compared to your frail resistance Parmigiano-Reggiano would take muuch more effort to shaaaaaaaaaaaaaave `/ wait 1000 se3v 37,100 ;ヒィヤッハーァッハッハアッ！！」/ `hiiyahhaaahahaah!!"`/ wait 1000 textclear lsp 901,barrier,0,0 bg MNAT_2eN,22 mov %Free9,1 ;チャンネル選択 mov %Free11,-150 :mov %Free21,-100 mov %Free12,-30 :mov %Free22,-50 mov %Free13,90 :mov %Free23,0 mov %Free14,210 :mov %Free24,50 mov %Free15,330 :mov %Free25,100 mov %Free16,450 :mov %Free26,150 ;lsp 950,barrierbrake1,-150,-100 ;lsph 951,barrierbrake1,-30,-50 ;lsph 952,barrierbrake1,90,0 ;lsph 953,barrierbrake1,210,50 ;lsph 954,barrierbrake1,330,100 ;lsph 955,barrierbrake1,450,150 lsp 950,barrierbrake1,%Free11,%Free21 lsph 951,barrierbrake1,%Free12,%Free22 lsph 952,barrierbrake1,%Free13,%Free23 lsph 953,barrierbrake1,%Free14,%Free24 lsph 954,barrierbrake1,%Free15,%Free25 lsph 955,barrierbrake1,%Free16,%Free26 mov %Free11,490 :mov %Free21,-100 mov %Free12,370 :mov %Free22,-50 mov %Free13,250 :mov %Free23,0 mov %Free14,130 :mov %Free24,50 mov %Free15,10 :mov %Free25,100 mov %Free16,-110 :mov %Free26,150 lsph 850,barrierbrake1,%Free11,%Free21 lsph 851,barrierbrake1,%Free12,%Free22 lsph 852,barrierbrake1,%Free13,%Free23 lsph 853,barrierbrake1,%Free14,%Free24 lsph 854,barrierbrake1,%Free15,%Free25 lsph 855,barrierbrake1,%Free16,%Free26 mov %Free2,848 mov %Free3,944 mov %Free4,840 mov %Free6,936 mov %Free7,832 mov %Free8,100 mov %Free5,0 for %Free1 = 950 to 975 resettimer if %Free1 < 956 vsp %Free1,1 if %Free2 > 849 && %Free2 < 856 vsp %Free2,1 if %Free3 > 949 && %Free3 < 956 vsp %Free3,1 if %Free4 > 849 && %Free4 < 856 vsp %Free4,1 if %Free6 > 949 && %Free6 < 956 vsp %Free6,1 if %Free7 > 849 && %Free7 < 856 vsp %Free7,1 if %Free9 = 1 se1v 57,100 if %Free9 = 2 se2v 57,100 if %Free9 = 3 se3v 57,100 : mov %Free9,0 print 1 vsp %free1,0 if %Free2 > 849 vsp %free2,0 if %Free3 > 949 vsp %free3,0 if %Free4 > 849 vsp %free4,0 if %Free6 > 949 vsp %free6,0 if %Free7 > 849 vsp %free7,0 notif %Free5 = 2 jumpf mov %Free5,0 lsp 799,white1,0,0 print 1 csp 799 ~ print 10,%Free8 if %Free7 = 855 break sub %Free8,2 inc %Free9 inc %Free2 inc %Free3 inc %Free4 inc %Free5 inc %Free6 inc %Free7 waittimer 190 next ;　室内を覆う黄金の暴風が徐々に、紗音たちを守る円柱の壁を削っていく。@ `The golden windstorm that covered the room gradually began to shave the walls off the column that protected Shannon and George.`@ br ;　必死に真っ赤な波紋たちが抵抗の模様を描くが、それはむしろ絶望の赤い壁となって二人を包み込もうとしていた…。\ `The bright-red ripples frantically drew a pattern of resistance, but instead, it became a red wall of despair and began to wrap up the two of them...`\ textoff for %ryuu1 = 1 to 3 se3v 57,100 lsp 850,white1,0,0 print 1 csp 850 print 80 se2v 57,100 lsp 850,white1,0,0 print 1 csp 850 print 80 se1v 57,100 lsp 850,white1,0,0 print 1 csp 850 print 80 next bg CG14,0 ;「…………譲治さん、ごめんなさい……。@………やはり、/ ;!d400………私には、/ ;!d500…無理でした………。」@ ;＜紗音 `"............George-san, I'm sorry......`@`.........It was impossible, `/ !d400`.........for me, `/ !d500`...after all........."`@ bg CG15,0 ;「……うん、ありがとう。@…君は僕のために戦ってくれた。@…それだけで嬉しいよ。」\ ;＜譲治 `"......Yes, thank you.`@` ...You fought for my sake.`@` ...That alone makes me happy."`\ textoff csp -1 bg black,22 mono 2 for %ryuu1 = 1 to 3 bg white,1 se3v 57,100 bg black,80 bg white,1 se2v 57,100 bg black,80 bg white,1 se1v 57,100 bg black,80 next mono 0 ;　…かつて二人を守ってくれた円柱の壁は、悲鳴のような真っ赤な波紋の軌跡でいっぱいにしながら迫り、@…むしろ逆に二人を飲み込もうとしている。\ `...As the round wall that had once protected them was assaulted and covered with a locus of bright red ripples as it made something like a scream,`@` ...it began to suck the two of them up instead.`\ textoff mono 2 for %ryuu1 = 1 to 3 bg white,1 se3v 57,100 bg black,80 bg white,1 se2v 57,100 bg black,80 bg white,1 se1v 57,100 bg black,80 next mono 0 lsp 901,barrier,0,0 bg black,22 se3v 57,100 se2v 36,90 se1v 46,80 csp -1 bg white,1 bg MNAT_2b,42 wait 1000 me1v 21,0 mov %ryuu2,50 for %ryuu1 = 1 to 40 mevol 1,%ryuu1 wait %ryuu2 next se1 22 bfly1 2 wait 2000 se2v 22,90 bfly2R 2 mov %ryuu2,50 for %ryuu1 = 40 to 70 mevol 1,%ryuu1 wait %ryuu2 next ld r,$SHA_majimeA1,2 ;「譲治さん、お願いが。」@ `"George-san, can I ask a favor?"`@ br ;　紗音は後ろの譲治の手を握り締める。@ ;　だから譲治も同じくらい力強く、その肩を抱き締める。\ `Shannon grasped George's hand behind her.`@ `So George hugged her shoulders just as strongly.`\ ld l,$GEO_majimeA1,2 ;「何だい。」\ `"What is it?"`\ ld r,$SHA_waraiA3,80 ;「最後に、……愛してるって、聞かせて下さい。」@ `"In the end, ......please let me hear you say I love you."`@ ld l,$GEO_hohoemiA1,80 ;「あぁ。@/ `"Yeah. `@/ !s100/ ;…紗代、僕は君を永遠に/ `...Sayo, I will forever`/ !sd textclear textoff csp -1 mono 2 bg white,1 E_MA mov %ryuu2,25 for %ryuu1 = 1 to 9 bg blood_1b,1 wait %ryuu2 se1v 57,100 bg white,1 wait %ryuu2 se2v 57,100 bg blood_1a,1 wait %ryuu2 se1v 57,100 bg white,1 wait %ryuu2 se2v 57,100 se3v 37,100 next ;bg "bmp\background\efe\ep2_text.jpg",1 ;quakey 5,100 eye1 18,42,21,00,1,0,560,120,100 mono 0 ;▲第１５アイキャッチ：１０月５日（日）１８時４２分　から　２１時００分に進む *umi2_16 mov %play_scene,150 textoff bg black,22 me1v 12,70 dllefe 1,1 bg M_o1bN,2 wait 2000 bg black,5 dllefe_off mevol 1,40 bg Mhal_2cN,2 wait 3000 bg black,22 bg Mkit_1cN,6 wait 3000 bg black,24 bg M1F_P2bN,4 ;ld c,$GEN_DefA1,24 ;■時間経過たっぷりとる。@〜そして廊下 ;　源次は遅めの食事を取り終えた後、屋敷内の夜の見回りに出ていた。@ `After Genji finished taking his late meal, he went out to do the nighttime rounds inside the mansion.`@ br ;　食事は、郷田が作りかけていたスープを温めなおし、冷蔵庫の中にあった残り物を適当に食べた。@ `He ate some reheated soup that Gohda had made, along with some random leftovers from the refrigerator.`@ ;　それらはいずれも郷田の手によるものだったので、やはり美味しかった。\ `They were all things Gohda had made himself, and were, of course, delicious.`\ bg black,25 bg M1F_P1cN,22 ;　楼座たちに、夕食をどうするか一応聞きには行ったが、缶詰を食べるからいいと怒鳴られ、扉も開けてもらえなかった。@ `He had half-heartedly gone to ask Rosa and the others what they would do for dinner, but he had been yelled at by a voice telling him that they had canned food so they were fine, and the door wasn't even opened for him.`@ br ;　……なので皮肉にも、使用人である源次の方が美味しい食事を口に出来たのだった…。\ `......So ironically, the servant Genji was able to eat a more delicious meal...`\ se1 21 bg black,22 bg M1F_P1dN,26 ;　しかし、あれほどの事件が起こり、すでに何人もの人間が無惨な最期を迎えているというのに、@……源次はなぜたったひとりで見回りに出ることが恐ろしくないのか。@ `......But why was it that Genji wasn't afraid to do the rounds all by himself, `@`even though all of those crimes had been committed, and many people had already met a brutal end?`@ br ;　…何の怯えもなく、普段通りの仕事を当り前にこなす彼のその様子を見ていると、@今日の凄惨な出来事全てが、まるで夢か幻だったのではないかと思わされてしまうに違いない。\ `...Judging by his appearance as he carried out his normal tasks without a trace of fear, as though everything was normal, `@`you might think that all of the horrible events that had happened today were just a dream or an illusion.`\ ;　それは、ある種の達観なのか、それとも諦観なのか。@ `Was he taking a philosophic view, or was it simply resignation?`@ br ;　源次にとって、自分を待ち受ける運命が不可避であるならば、@その瞬間まで勤めを整然と果たすことがきっと美徳であったに違いない。@ `Genji must have considered it a virtue to systematically carry out his duty until the last moment, `@`since the fate that awaited him was unavoidable.`@ br ;　彼の心の奥底をうかがい知ることは、彼が自ら語らぬ限り、永遠に不可能だろう……。\ `It would probably be impossible to perceive the depths of his heart for all eternity, unless he told of it himself......`\ bg black,22 ;　楼座にマスターキーを返した為、彼が見回れる場所はかなり限定されていた。@ `Because he had given the master key back to Rosa, the places he could go to were extremely limited.`@ br ;　せいぜい廊下を回り、窓の戸締りを確認するくらいだ。@ ;　だから、普段よりもだいぶ早く順路を回れるのだった。\ `All he could do was walk around the hallways, checking to make sure that the windows were closed.`@ `So he was probably able to go around that route far more quickly than usual.`\ mevol 1,70 me2v 5,70 dllefe 1,1 bg Mcou_1aN,10 ld r,$GEN_MajimeA2,24 ;■中庭 ;「…………………………………。@/ `"........................`@/ ld r,$GEN_majimeA1,80 ;……む。」\ ;＜源次 `......Hmm."`\ textoff se1 27 mevol 1,40 E_M2 bg white,1 dllefe_off bg black,2 wait 2000 bg M1F_S1dN,8 wait 1000 se1 19 wait 300 ;bg M1F_S1aN,0 ;ld r,$ROS_OdorokiA1G,66 ;■客間 ;　コンコンと控えめなノックがあると、@それまでウトウトしていた楼座叔母さんは、はっとして目を覚まし、銃口を扉に向けて叫んだ。\ `After the sound of a moderate knock, `@`Rosa oba-san, who had been falling into a doze shortly before, jumped and woke up, pointing the barrel of the gun at the door as she yelled.`\ se2 30 ld c,$ROS_IkariB1G,26 ;「誰なのッ？！」@ `"Who is it?!"`@ br ;　その声に、ソファーでまどろんでいた俺も現実に引き戻された。\ `I was napping in a sofa, and that voice also brought me back to reality.`\ ;「……楼座さま。@源次でございます。」@ `"......Rosa-sama.`@` It is Genji."`@ ld c,$ROS_IkariA3G,80 ;「何か用なの？@　扉は開けなくて結構よ。@そのままで話して。」\ ;＜楼座 `"Do you have some business?`@` We'll be fine without opening the door.`@` Tell us from there."`\ ;「………はい。@それではこのままで失礼させていただきます。@/ `".........Yes.`@` Well then, forgive me for speaking in this fashion. `@/ E_A ;…南條先生と熊沢の遺体を見つけました。」@ `...I have found Doctor Nanjo and Kumasawa's corpses."`@ ld l,$BUT_OdorokiA2,23 bgm1 14 ;「な、…何だって…！！」\ ;＜戦人 `"Wh, ...what did you say...?!!"`\ ld c,$ROS_KomaruA4,80 ;「…………そう。@わかったわ、確認に行きましょう。@…死体を見ない限り、私は誰も信じない。」@ ;＜楼座 `"............I see.`@` Understood, let's go and check them.`@` ...Until I see the corpses, I won't believe anybody."`@ ld l,$BUT_NayamuA1,80 ;「…………………。」\ ;＜戦人 `"..............."`\ bg M1F_S1cN,0 ld c,$MAR_niyariA1,24 ;「……うー。@大丈夫だよ戦人。@真里亞と居れば、絶対に大丈夫。」@ ;＜真里亞 `"......Uu-.`@` It's alright, Battler.`@` If Maria's there, it'll definitely be alright."`@ br ;　俺の顔が、不安で陰ったように見えたのだろうか。@ ;　…真里亞は小さな手で俺の手を握ると、そっと勇気付けるように言ってくれた。\ `Maybe my face was shadowed with anxiety.`@ `...Maria grasped my hand with her small hand, and spoke softly, trying to give me courage.`\ bg black,25 me1v 13,40 ;　楼座叔母さんは銃を構えて警戒する役だったので、ソファーのバリケードをどかすのは俺の役目だった。@ `Since it was Rosa oba-san's job to ready the gun and stand guard, it fell to me to remove the barricade of sofas.`@ br ;　それを終え、俺の肩越しに銃口を向ける楼座叔母さんを尻目にして、扉を開ける。\ `When I finished, I took a backward glance at Rosa oba-san, who was pointing the barrel of the gun over my shoulder, and opened the door.`\ bg M1F_P1bN,23 ld r,$BUT_nayamuA1,24 ;「源次さん、二人の死体はどこに…。」@ ;＜戦人 `"Genji-san, where are their corpses...?"`@ ld l,$GEN_komaruA1,23 ;「………中庭です。@ご案内いたします。」\ ;＜源次 `".........In the courtyard.`@` I shall guide you."`\ cl l,24 ld l,$ROS_nayamuA1G,23 ;「戦人くん、待って！@　念の為、部屋の戸締りを確認していくわ。@ちょっと待ってね。」\ `"Battler-kun, wait!`@` Just in case, let's check the doors and windows of this room.`@` Wait a second."`\ bg black,24 bg M1F_S1bN,24 ;　楼座叔母さんは、俺だけが先に行かないように呼び止め、それぞれの窓の施錠を入念に確認し始めた。@ `Rosa oba-san called me to a halt to prevent me from going on ahead, and began to carefully check the locks on each of the windows.`@ br ;　……でも、その施錠の確認はすでに一度行なっている。\ `......But those locks had already been checked once.`\ bg M1F_S1cN,24 ;　……まるで、楼座叔母さんの目を盗んで、俺がこっそりと鍵を開けたのではないかと疑われているようで気分が悪い。@ `......It felt kind of unpleasant, as though she suspected that I might have secretly unlocked them when she wasn't looking.`@ br ;　…いや、ここまで警戒する楼座叔母さんの方が正しいのかもしれない…。\ `...No, maybe Rosa oba-san was right for being this cautious...`\ bg black,23 wait 2000 mevol 1,70 me2 5 dllefe 1,1 bg M_o1bN,6 ;■中庭 ;　中庭とは言っても、別に薔薇庭園などのような散策のできる美しい場所というわけではなかった。@ `Even though it was called a courtyard, it wasn't really a pretty place you could take a walk in like the rose garden.`@ br ;　むしろ、四囲を屋敷にぐるりと囲まれているため、@外へ逃れようとも屋敷からは逃れられないと言われているような不気味さもわずかに感じさせた。\ `On the contrary, since it was surrounded by the mansion on all sides, `@`it made you feel a little discomfort, as though it was telling you that even if you tried to escape to the outside, you couldn't escape from the mansion.`\ ;　もっともそのお陰で、暴風の音はするが風だけは遮られていた。@ ;　源次さんが安傘を差し出してくれるが楼座叔母さんは無視する。@ `On the other hand, thanks to that, even though the violent winds could be heard, the wind itself was blocked.`@ `Genji-san held out an umbrella, but Rosa oba-san ignored him.`@ br ;　…銃は両手持ちだから、傘を持つと銃が撃てなくて危険だ、とでも言いたいのだろう。\ `...She probably wanted to say that the gun took two hands, and it would be dangerous if she took the umbrella.`\ bg Mcou_1aN,26 ;　源次さんが指を指さずとも、すぐにわかる。@ `Even without Genji-san pointing his finger, we understood immediately.`@ se1 21 ;　中庭のど真ん中に、……南條先生と熊沢さんが横たわっているのが見えた…。@ `Right in the center of the courtyard, ......we could see where Doctor Nanjo and Kumasawa-san lay...`@ br ;　楼座叔母さんは傘も差さずに中庭へ出る。@ ;　…だから俺も源次さんも傘を差さずに中庭へ出た。@ ;　真里亞だけがちゃんと傘を差していた。\ `Rosa oba-san entered the courtyard without even opening an umbrella.`@ `...So Genji and I also entered the courtyard without opening an umbrella.`@ `Only Maria opened her umbrella.`\ ld r,$BUT_NiramuA3,24 ;「………………、真里亞…。@……これは、…あれだな？」@ ;＜戦人 `"..............., Maria...`@`......Is this, ...that thing?"`@ ld l,$MAR_fukigenA1,23 ;「……うー。@/ `"......Uu-. `@/ ;●熊沢・南條、死亡状態２のフラグ mov %play_scene,160 seplay2 9,1061,100 mov %r_hyouji,0 ;……第七の晩と、第八の晩だね。」\ ;＜真里亞 `......It's the seventh twilight and the eighth twilight."`\ dllefe_off bg blood_1a,22 ;「な、……なるほど。@確かに、源次さんたちが言っていたように、二人の首にはひどい傷があるわね。@……すごく鋭利な。@まるで日本刀か何かで斬ったかのようにすっぱりね…。」\ ;＜楼座 `"I, ......I see.`@` Certainly, just as Genji-san and the others said, there are horrible wounds on their necks.`@` ......Very sharp.`@` Almost as though they've been sliced with a katana or something..."`\ ;　そのばっくりと開いた首の傷は確かに目を背けたくなるものだったが、@礼拝堂のハロウィンパーティを見た俺には、惨いとは思っても、もはや吐き気を催すほどのものではなかった。\ `That gaping wound on their necks definitely made me want to avert my eyes,`@` but after seeing the Halloween party in the chapel, even though I thought it was horrible, it was no longer enough to make me feel sick.`\ bg black,22 ;　それより、俺たちの目線は足元に向けられた。@ ;　南條先生の膝に。@ ;　熊沢さんの足首に。@ `More importantly, my gaze fell to their legs.`@ `On Doctor Nanjo's knee.`@ `On Kumasawa-san's ankle.`@ br ;　……それぞれ、悪魔的な装飾のされたナイフか杭のようなものが刺し込まれているのだ。@ ;　…朱志香の背中を貫いていたものと同じものに違いなかった。\ `......Driven into each of them was something like a knife or a stake with a demonic decoration.`@ `...They must have been the same as the one that had pierced Jessica's back.`\ dllefe 1,1 bg Mcou_1aN,0 ld r,$ROS_KomaruA1G,26 ;「……これは何なの？@　…朱志香ちゃんの時と同じね。@何かオカルトの儀式のつもり、なのかしら？」\ ;＜楼座 `"......What is this?`@` ...It's the same as Jessica-chan.`@` Is this supposed to be some kind of occult ceremony, I wonder?"`\ ld l,$GEN_KomaruA1,23 ;「………わかりません。@彼らの遺体を最後に見た時にはこのようなものはありませんでした。@使用人室から運び出された後に、やられたのでしょう。」\ ;＜源次 `".........I do not know.`@` The last time I saw their bodies, there was nothing like this.`@` Maybe it was done after they were carried out of the servant room."`\ se1v 27,40 dllefe_off bg blood_1b,22 ;　南條先生の膝に刺し込まれたものは、未だに直立しているが、@熊沢さんの足首に差し込まれたものは、少し浅かったのかもしれない。@抜けて倒れていた。@ `The one that had been stuck into Doctor Nanjo's knee was still standing erect, `@`but the one that had been thrust into Kumasawa-san's ankle might have been a little shallower.`@` It had come out and fallen over.`@ br ;　だから、その倒れたものを見て初めて俺は、これがナイフではなく、@杭のようなものであることを理解する。\ `So, by looking that one that had fallen over, for the first time, I realized that it wasn't a knife, `@`but something like a stake.`\ bg black,22 ;　全長は多分、３０ｃｍあるかないか。@ ;　青銅とか鉄とか、そういう類のもので出来ているのだろう。@ `Its full length was probably about 30 centimeters.`@ `It was probably made out of bronze or iron or something of the sort.`@ br ;　手に触れずとも重みのあるものであることがわかる。@ ;　握りと、円錐部分で構成されていて、明らかに刺すための武器として作られたものだとわかる。\ `Even without touching it, I noticed that it had some weight to it.`@ `It was composed of a grip and a cone-shaped part, and it was obviously made to be a piercing weapon.`\ ;　例えるなら、西洋騎士が使う騎乗槍をミニチュアにしたような感じなのか。@ ;　螺旋状に刻まれた溝は、あるいは小さなドリルのようにも見えた。@ `Maybe it seemed like a miniature version of those lances western knights used on horseback.`@ `The ditch that had been inscribed in a spiral shape made it also look like a drill.`@ br ;　……しかし、握りの部分には、オカルト染みた、悪魔か何かの意匠が施されていて、@戦争に使う武器というよりは、@生贄を捧げるのに使う儀式用という感じだった。\ `......However, the grip had an occult-like design of a demon or something,`@` so instead of a weapon used in war, `@`it felt like something that would be used in a ceremony to offer up a sacrifice.`\ dllefe 1,1 bg Mcou_1aN,22 ld r,$BUT_kuyasigaruA1,24 ;「……間違いない。@…生贄の、つもりなんだな。」@ ;＜戦人 `"......There's no mistake.`@` ...They're meant to be, sacrifices."`@ ld l,$MAR_defA1,80 ;「………第七の晩に膝をえぐりて殺せ。@第八の晩に足をえぐりて殺せ。」@ ;＜真里亞 `"......At the seventh twilight, gouge the knee and kill.`@` At the eighth twilight, gouge the leg and kill."`@ ld r,$BUT_odorokiA2,80 se1 21 ;「待てよ。@それじゃ、第四、五、六の晩が抜けちまう。@……ま、……まさか…。」\ ;＜戦人 `"Wait.`@` Then, they've left out the fourth, fifth, and sixth twilights.`@` ......C, ......could it be..."`\ bg M_o1bN,22 ;　そうなんだ。@ ;　なぜ源次さんだけなんだ？！@ `That's right.`@ `Why is Genji-san alone?!`@ ;　こんなことがあれば、譲治の兄貴だって、郷田さんだって紗音ちゃんだって一緒に来るだろうに！@　何で源次さんだけなんだ？！\ `If something like this had happened, why wouldn't George-aniki, Gohda-san, or Shannon-chan be here?!`@` Why was Genji-san alone?!`\ bg Mcou_1aN,25 ld r,$ROS_nayamuA1G,24 ;「どういうこと？@　譲治くんたち３人はどこへ行ったの？！」@ `"What is this?`@` Where did George-kun and the other two go?!"`@ ld l,$GEN_defA1,23 ;「………夏妃奥様のお部屋へ捜し物に行きたいと言われまして、お出掛けになりました。@まだお戻りになりません。」\ ;＜源次 `".........I was told that they wanted to go to Madam Natsuhi's room to search for something, so they left.`@` They have not returned yet."`\ dllefe_off bg black,1 mevol 1,20 mevol 1,20 bgm1 34 ;「何だって…。@その、出掛けたってのはいつ頃の話なんだよ？！」\ ;＜戦人 `"What did you say...?`@` Umm, you say they left, when was that?!"`\ ;「２〜３時間前のことだと思います。」@ ;＜源次 `"Two or three hours ago, I believe."`@ ;「そ、そんな…！！@　何でそんな大事なことを、いや、じゃなくて、…何で不審に思わなかったんだよ？！」@ ;＜戦人 `"N, no way...!!`@` Why didn't something that important, wait, no, ...why didn't you think that was suspicious?!"`@ ;「……常に一人、使用人は待機していなくてはなりません。@彼らが戻るまで待機しているのが、私のお勤めでしたもので。」\ ;＜源次 `"......There must always be one servant awaiting orders.`@` It was my duty to wait for orders until they returned."`\ se1 27 bg white,1 dllefe 1,1 bg M_o1bN,2 ;　源次さんってのはこんなにまでロボットみたいな人だったのか？！@ `Was Genji-san really this much of a robot?!`@ br ;　まずいまずい、本当にまずい…！！@ `This is bad, this is bad, it's really bad...!!`@ br ;　南條先生たちがこの(殺され方をしている/・・・・・・・・・・) `Doctor Nanjo and Kumasawa-san had been` br ;(ということは/・・・・・・)、すでに３人が殺されているということだ…！！\ ;＜この殺され方をしているということは：点処理 (`killed in this way, which meant that`/・・・・・・・・・・・・・・・・・・)` three people had already been killed...!!`\ dllefe_off bg black,22 ;　俺たちは夏妃伯母さんの部屋へ駆けて行く。@ ;　………一抹の不安と、同じくらいの諦めを抱きながら。\ `We ran towards Natsuhi oba-san's room.`@ `.........With a touch of anxiety, and just as much resignation.`\ mevol 1,40 mevol 2,40 bg Mhal_2bN,22 wait 1000 bg M2F_P1cN,22 wait 1000 bg M2F_P1bN,22 fede 1,2000 ;■移動〜夏妃の扉前 ;　夏妃伯母さんの部屋の中を見ない内に、/ ;!d900…俺たちはある諦めに囚われた。\ `Before we even saw the inside of Natsuhi oba-san's room, `/ !d900`...we were imprisoned by a certain resignation.`\ bg black,22 mono 2 bg M_door1,2 ;!s0　その扉に、異様な、/ ;!d400…落書き、/ ;!d700…いや、汚れ…？@ !s0`On that door, a bizarre, `/ !d400`...scribble, `/ !d700`...no, filth...?`@ !sd fede 0,2000 bgm1 39 br ;　とにかく普通じゃない状態にあり、開けずして室内を想像することができたからだ。\ `Anyways, this wasn't a normal situation, and without opening the door, we were able to imagine what was inside that room.`\ ;bg black,1 ;　扉の表面は、……何と言えばいいのか。@ `On the face of the door, ......how should I say it?`@ br ;　……例の魔法陣を書いたのと同じ赤い塗料を手の平いっぱいに塗りたくって、@…ばんばん叩いたり、引っ掻いたり、汚したり。@ `......Hands had been heavily painted with the same red paint that the magic circles from before had been drawn with, `@`...and had banged on the door, scratched it, dirtied it.`@ br ;　……何だか、幼稚園児の泥遊びか何かの後のような汚れ方をしていた。\ `......It was dirtied like the aftermath of a kindergartner playing in the mud.`\ ;　それが何を意味するかなんて、わからない。@ ;　…真っ赤に塗りたくられた塗料はところどころが垂れて、誰が言わずとも血を想起させた。\ `I didn't know what it could mean.`@ `...The bright-red paint that had been slathered on was dripping down, and even though no one said it, it made us think of blood.`\ mono off bg M2F_P1bN,26 ld l,$ROS_IkariA1G,22 se3 21 ;「…げ、…源次さん、開けて下さい。」@ ;＜楼座 `"...G, ...Genji-san, please open it."`@ se1 30 ld l,$ROS_IkariB3G,80 ;　楼座叔母さんは銃を高く構えると、源次さんに開けるように促す。\ `Rosa oba-san held her gun up high and ordered Genji-san to open it.`\ bg M_door1,24 ld c,$GEN_DefA1,23 ;　源次さんは特に扉のそれを嫌がることもなく近付き、ノブを回すが、@すぐに首を横に振りながら振り返った。\ `Genji-san approached the door without being particularly troubled by that stuff on it, and turned the knob, `@`but immediately turned around, shaking his head.`\ bg M2F_P1bN,23 ;　鍵が掛かっているのだ。@ `It was locked.`@ br ;　今、この屋敷内で施錠と開錠を自由にできるのはただ一人、楼座叔母さんだけだ。@ `Right now, there was only one person in this mansion who could lock and unlock doors at will, Rosa oba-san.`@ br ;　今度は逆に、源次さんが楼座叔母さんに開錠を求めることになる。@ ;　楼座叔母さんは少しだけ不愉快な顔をした後、俺にマスターキーを渡し、開けるように言った。\ `This time, Genji-san asked Rosa oba-san to unlock the door, instead of the other way around.`@ `After making a slightly unhappy face, Rosa oba-san handed me a master key, and told me to open the door.`\ ld r,$ROS_MajimeA1,24 se1 31 ;「……戦人くん、これで開けてもらえる？」@ ;＜楼座 `"......Battler-kun, would you open it for me with this?"`@ ld l,$BUT_KomaruA1,23 ;「そのくらいのこと、源次さんを信用しても…。」@ ;＜戦人 `"Just trusting Genji-san with something like that wouldn't..."`@ ld r,$ROS_ikariA3G,80 ;　楼座叔母さんにきつい眼差しで睨みつけられる。@ `Rosa oba-san glared at me with an intense gaze.`@ br ;　……ここで喧嘩をしても空気がさらに悪くなるだけだ。\ `......Getting into a fight here would only make the environment turn even more sour.`\ bg black,22 bg M_door2,22 ;　俺はそれ以上を言い返さず、不気味な扉に近付き、一応、ノブを試す。@……開かない。@ ;　間違いなく施錠の手応えだった。\ `Without talking back any more, I approached that creepy door, and tried the knob.`@` ......It didn't open.`@ `It was definitely the resistance of the lock.`\ ;　鍵穴にマスターキーを差し込む。@ `I stuck the master key into the keyhole.`@ se1 25 ;　カチリ。@軽い手応え。@ `*clunk*.`@` There was a light resistance.`@ br ;　楼座叔母さんが、用心してねというのを聞きながら、俺は特に何の用心もなく扉を開く。\ `While listening to Rosa oba-san as she told me to take care, I opened the door without taking any particular care.`\ se1 17 bg black,10 bg blood_1a,28 me1v 13,40 me2v 5,55 ;　そして、………そこには、俺たちの想像を、まったく裏切らない光景が広がっていた。\ `And then, .........there was a scene laid out before us that didn't betray my expectations at all.`\ bg MNAT_2eN,2 ld c,$ROS_komaruB1G,24 ;「………………………ッ！@　ひ、ひどい……。」@ ;＜楼座 `".....................!`@` H, horrible......"`@ ld l,$MAR_fukigenA1,23 ;「…………………。」\ ;＜真里亞 `"..............."`\ ;●譲治・紗音・郷田、死亡フラグ mov %play_scene,170 seplay2 9,1061,100 mov %r_hyouji,0 bg MNAT_2aN,0 ld r,$BUT_NayamuA1,23 me3v 16,40 ;「やっぱり、……第四、五、六の晩の再現だったな。」@ ;＜戦人 `"As I thought, ......it was a reproduction of the fourth, fifth, and sixth twilights."`@ ld c,$MAR_DefA1,24 ;「………うー。」\ ;＜真里亞 `".........Uu-."`\ bg black,22 bg MNAT_2cN,22 ;　部屋の中は、まるで泥棒が荒らした後のような感じだった。@ `The inside of the room looked as though a robber had just broken in.`@ br ;　引き出しなどが開け放され、引き抜かれてその中身を床にぶちまけたりしていて、@几帳面な夏妃伯母さんの部屋とは思えない荒らされようだった。\ `Drawers were flung open, pulled out, with their contents thrown about, `@`devastated so that it looked nothing like the room of the methodical Natsuhi oba-san.`\ bg black,22 ;　しかし、それより最初に目に入るのは、@………部屋を入ってすぐのところにうつ伏せに倒れている郷田さんの遺体だった…。\ `But the thing that caught the eye before that, `@`.........was Gohda-san's corpse lying facedown right in front of the door...`\ br bg blood_1b,22 ;　胸のど真ん中に、まるで吸血鬼に止めでも刺すみたいに、例の悪魔の杭がぶち込まれていた。@ `Right in the center of his chest, almost as though it had been stuck there to finish off a vampire, one of those demon stakes from before had been rammed in.`@ br ;　……あれだけ深々と胸に刺されたら、一体どこまで至ってしまうのか。@ ;　…想像しただけで自分の胸が痛んだ。\ `......Exactly how far could it have reached after being stuck that deeply into his chest?`@ `...Just imagining it would cause anyone's chest to hurt.`\ bg MNAT_2f,22 ld r,$BUT_kuyasigaruA1,26 ;「…胸をえぐれは、第五の晩だったか。」@ ;＜戦人 `"...Was gouging the chest, the fifth twilight?"`@ ld c,$MAR_majimeA1,23 ;「…………うー。」@ ;＜真里亞 `"............Uu-."`@ br ;　真里亞が俺の手を握ってくる。@ `Maria grabbed my hand.`@ br ;　……表情だけを見るならいつも通りだが、@…やはり３人もの遺体が転がるこの部屋の霊気のようなものに怯えているのかもしれない。\ `......Her expression looked just like normal, `@`...but maybe she really was afraid of the aura in this room where three corpses lay.`\ bg black,24 bg MNAT_2eN,24 ;　そして、部屋の一番奥の壁際に、譲治の兄貴が死んでいた。\ `And, along the wall farthest into the room, George-aniki was dead.`\ bg blood_1a,22 ;　……こっちは例の杭を腹のど真ん中にぶち込まれている。@ ;　…腹をえぐりては、第六の晩だったか。\ `......This time, one of those stakes had been rammed right in the center of his stomach.`@ `...Was gouging the stomach, the sixth twilight?`@ bg black,23 bg MNAT_2dN,22 ;　紗音ちゃんの遺体は、化粧台の前にうつ伏せに、血の海に倒れていた。\ `Shannon-chan's corpse was face down in front of the dresser, lying in a sea of blood.`\ bg black,25 bg blood_1b,22 ;　血の飛沫が飛び散り、醜く割れた鏡で、彼女はこの世で最後の自分の顔を見たのだろうか。\ `Had she seen her own face in the end, in that horribly broken mirror stained with blood?`\ ;　…うつ伏せのため、彼女の顔は見えなかったが、見ずとも想像はついた。@ ;　うつ伏せの血の海に、傍らに転がる悪魔の杭…。@ `...Because she was face down, I couldn't see her face, but I could imagine even without seeing it.`@ `Nearby, in the sea of blood she lay in, a demon's stake had fallen...`@ br ;　……残るのは第四の晩。@ ;　頭をえぐりて殺せ…。\ `......Only the fourth twilight was left.`@ `Gouge the head and kill...`\ bg black,26 ;　俺の心は、すっかり疲れきって死んでいたのかもしれない…。@ ;　こんなことしてはいけないとわかっているのに、…彼女の顔をあげ、それを確認する。@ `Maybe my heart was completely tired out and dead...`@ `Even though I knew what I was doing was wrong, ...I lifted her head, and checked.`@ br ;　……そして、自分の想像が完全に的中していることを、確認した。\ `......And, I made sure that my guess was right on the mark.`\ textoff se2 38 wait 1000 se1 35 bg blood_2a,1 wait 100 se1 35 bg blood_2b,1 wait 100 se1 35 bg blood_2c,1 wait 100 se1 35 bg blood_2d,1 wait 300 se1 35 bg blood_2e,1 wait 1000 ;　紗音ちゃんの額にはぽっかりと穴が空き、そこから中身がどろりと溢れてくる。@ ;　それどころか、…その中身まで、…見えてしまう。@ `There was a gaping hole in Shannon-chan's head, and her insides were dripping out.`@ `Not only that, ...you could even see, ...inside her.`@ br ;　それを見て、俺はようやくしてはいけないことをしたことに気付いた。@ `After seeing that, I finally noticed that what I was doing was wrong.`@ br ;　慌てて目を背けたところで、今さら何の意味もなかっただろうが。\ `I immediately averted my eyes, but by now, it was probably pointless.`\ bg MNAT_2aN,22 ld c,$ROS_ikariA2G,64 ;「こら、戦人くんッ！！@　警察が来るまでそっとしておかないと駄目よ！！@　勝手に触って、どういうつもり？！@　せっかくの現場証拠がおかしくなっちゃったらどうするのよッ！！」@ `"Hey, Battler-kun!!`@` You must leave everything alone until the police come!!`@` What do you think you're doing, touching it?!`@` What will you do if our precious proof on the scene gets disturbed?!!"`@ br ;　楼座叔母さんに激しく怒られ、後ろ襟まで引っ張られる。\ `Rosa oba-san got violently mad at me, and even tugged at the back of my collar.`\ bg black,13,300 bg MNAT_2f,1 se1 13 quakey 5,300 ;　俺は力なくよろよろと尻から転び、……ぼんやりと天井を見上げる…。\ `I tottered limply and fell on my butt, ......and gazed dimly up at the ceiling...`\ bg black,22 me4v 11,90 ;「……真里亞。」@ ;「うー……？」@ `"......Maria."`@ `"Uu-......?"`@ ;「……これで第八の晩まで終わっちまったな。@……第九の晩って、何だったっけ。」@ `"......After this, even the eighth twilight is over.`@` ......What was the ninth twilight again?"`@ br ;「………………………。@…第九の晩に、魔女は蘇り、誰も生き残れはしない。」\ `"..................`@`...At the ninth twilight, the witch shall be revived and none shall be left alive."`\ ;「そっか。@……これで、黄金の魔女ベアトリーチェは、復活するんだな。@……そして何だ。@…最後の第十の晩。」@ `"I see.`@` ......After this, the Golden Witch Beatrice will be revived.`@` ......What then?`@` ...On the final tenth twilight?"`@ ;「…第十の晩に、旅は終わり、黄金の郷に至るだろう。@………黄金郷の扉は、もうすぐ開かれるんだよ。@…もうすぐ。」\ `"...At the tenth twilight, the journey shall end, and you should reach the Golden Land.`@` ......Very soon, the door to the Golden Land will be opened.`@` ...Very soon."`\ bg black,5 ;「………魔女は蘇り、誰も生き残れはしない、か。@………俺たちはこれから死ぬのか？@　それともこれで生贄の儀式は終了で、…俺たちの旅は終わり、黄金郷へ辿り着けるのか…？」@ ;＜戦人 `".........The witch shall be revived and none shall be left alive, you say.`@` .........We're going to die?`@` Or is the ceremony of sacrifices over now, ...our journey shall end, and we should reach the Golden Land...?"`@ ;「………………………………。」\ `"........................"`\ bg MNAT_2bN,22 ld c,$BUT_NakuA1,26 ;!s0「……何が、俺たちの旅だ。@……俺たちは今日一日、犯人を見つけよう、事態を打開しようと散々頭を捻って、/ !s0`"......What is our journey?`@` ......We've spent the whole day trying to find the culprit, spinning our heads as we tried to break out of this situation, `/ ;!d800…何も至れなかった。@馬鹿の考え、休むに似たりってヤツだ。」\ !d800`...and we haven't gotten anywhere.`@` It's like they say, thinking stupid is no better than sleeping."`\ ld c,$BUT_NakuA3,80 ;「そうさ、俺たちは今日一日、ずっと憎悪と疑心暗鬼で自分を焼き焦がした。@……死んだ人間しか信用できないって言って、/ `"That's right, we've spent the whole day burning ourselves up with hatred and paranoia.`@` ......We said we could only trust dead people, `/ ;!d900…わざわざ３人の死に顔をここまで確認に来たんだぜ…。@…こんな俺たちが、/ ;!d600……どうして、/ ;!d600………黄金郷とやらに辿り着けるって言うんだよ……。」/ !d900`...so that we even came all the way here just to check the deaths of these three with our own eyes...`@`...If we're like this, `/ !d600`......why, `/ !d600`.........should we make it to the Golden Land......"`/ !sd\ bg black,22 se1 21 ;　そうさ、……何も解決できないなら、何も考えず、ずっと閉じ篭っている方がマシだったんだ。\ `That's right, ......if nothing could be solved, it would have been much better if we had locked ourselves up the whole time without thinking at all.`\ ;　祖父さまが一番賢かった。@ ;　昨日からずっと部屋に閉じ篭り、誰とも接触しなかった。@ `Grandfather was the wisest of us.`@ `He'd been shut up in his room since yesterday, without any contact with anyone.`@ br ;　……それで良かったんだ。@ ;　祖父さまが一番、正しかった…。\ `......That would have been fine.`@ `Grandfather was the most correct...`\ bg MNAT_2eN,26 ld r,$MAR_niyariA2,24 ;「……大丈夫だよ、戦人。@……真里亞と居れば、大丈夫。@………魔女はとても気まぐれで、時に面白半分に人間を殺すかもしれない恐ろしい存在だけれども。」\ `"......It's alright, Battler.`@` ......If you're with Maria, it's alright.`@` .........The witch is very fickle, and she's a terrifying being who maybe kills humans for fun sometimes."`\ ld r,$MAR_WaraiA1,80 ;「…でも、真里亞と一緒に居れば絶対に大丈夫。@だから、怯えないで。」@ `"...However, if you're together with Maria, it's alright.`@` So, don't be afraid."`@ ld l,$but_nakuA2,26 ;「………ありがとな。@……気休めでも、…嬉しいぜ。」\ `".........Thank you.`@` ......It's soothing, and I'm happy."`\ bg black,2 ;　楼座叔母さんは３人の検死が終わると、この部屋を再び封印すると宣言し、@一方的に俺たちを追い出し、俺に預けたマスターキーを奪い返して、再び施錠した。@ `After Rosa oba-san finished investigating their deaths, she proclaimed that she would seal this room again,`@` chased the rest of us out, stole back the master key she had lent me, and locked the door again.`@ br ;　譲治の兄貴が夏妃伯母さんの部屋の、本来の鍵を持っていたらしい。@それも回収していた。\ `It seemed that George-aniki had been holding the original key to Natsuhi oba-san's room.`@` She had also collected that.`\ bg M_door1,22 me5v 17,90 ;　…………おいおい。@ `............Wait a second.`@ br ;　マスターキーは全て手元にある。@ ;　そして本来の鍵が部屋に閉じ込められていたなら、/ ;!d800……また密室じゃないか。@ `She had all of the master keys in her hand.`@ `And if the original key had been shut up inside that room, `/ !d800`......wasn't this another closed room?`@ br ;　第四の密室ってわけかよ……。\ `Is this the fourth closed room......?`\ bg black,2 cross2 3000,70 bg M2F_P1cN,2 ;　俺たちは、あの３人に対する疑いから解放され、……再び客間へ戻る。\ `Now that we had been released from our suspicion of those three, we once again returned to the parlor.`\ ;　もう、何が何だかわからない。@ `I don't have a clue what's going on anymore.`@ br ;　……死んでいる者だけが正しくて、生きている者が全て狼だと言うなら、@……あとに残るは、俺に楼座叔母さんに真里亞、それに源次さん。@ `......If only the dead were safe, and everyone alive was a wolf, `@`......all that was left was me, Rosa oba-san, Maria, and Genji-san.`@ ;　……そして、祖父さまと、気配すら見せない１９人目の来客、ベアトリーチェだけ。\ `......Only those, Grandfather, and that 19th person, the guest who we hadn't even sensed, Beatrice.`\ ;　１３人死んで、６人が残った。@ ;　……たった６人での、狼と羊のパズルは、どんな最後を迎えるというのか…。@ `13 people had died, and six were left.`@ `......With only six people, how would the wolves and sheep puzzle end...?`@ br ;　かつて１９人もいたパズルが、たったの６人にまで減らされても、/ ;!d800……俺には何の解答も見つけることができない…。\ `Even though the puzzle which had had 19 people in it had been reduced to six people, `/ !d800`......I couldn't find any answer...`\ textoff bg black,2 fede 0,4000 wait 1000 bg M1F_P1bN,4 me1v 5,55 me2v 12,40 ;■客間へ再び移動。@ ;　客間まで戻ってくる。@ `We returned to the parlor.`@ br ;　……ひょっとすると、俺たちがいない間に、@客間の扉にも何か不気味な魔法陣でも描かれるのではないかという不安を持っていたが、/ ;!d800幸いにそれはなかった…。\ `......I felt a little anxious that, while we were gone, `@`a creepy magic circle or something might have been drawn on the door to the parlor, `/ !d800`but thankfully, there was none...`\ bg black,24 bg M_door1,2 ld r,$ROS_majimeA1G,24 ;「ありがとう、源次さん。@ここまでで結構よ。@あなたも今日は休んでください。」\ ;＜楼座 `"Thank you, Genji-san.`@` This is far enough.`@` Please rest for the day."`\ bg M1F_P1bN,0 ld l,$GEN_komaruA1,23 ;「……かしこまりました。@…これで休ませていただきます。」\ ;＜源次 `"......Certainly.`@` ...Then, if you will allow me to rest."`\ ld r,$BUT_odorokiA2,24 ;「お、…おい、楼座叔母さん…。@……この状況下で、源次さんをたったひとりで過ごさせるって言うのかよ…。」\ ;＜戦人 `"H, ...hey, Rosa oba-san...`@`......are you saying that you'll leave Genji-san all alone in a situation like this...?"`\ bg M_door1,0 ld c,$ROS_nayamuA1,24 ;「……そうね。@とても危険なことだと思うわ。@/ `"......That's right.`@` I think it's very dangerous. `@/ ld c,$ROS_majimeA1,80 ;……でも、ならなぜ彼は無事なの？@　彼は３人が夏妃姉さんの部屋へ向かった後、ずっとひとりでいた。@なのに無事だった。」\ `......But, in that case, why is he safe?`@` After those three headed to Natsuhi nee-san's room, he was alone the whole time.`@` And yet he's safe."`\ ld c,$ROS_komaruA4,80 ;「……狼と羊のパズルよ。@もっとも弱い立場となる、孤立した羊が無事な理由は何？」\ `"......It's the wolves and sheep puzzle.`@` Why would an isolated sheep be safe in its weakest position?"`\ bg M1F_P2bN,0 ld r,$BUT_odorokiA2,24 ;「…お、……狼がたまたまいなかったんだろ…。」@ `"...P, ......probably because, by coincidence, there weren't any wolves..."`@ ld l,$ROS_IkariA3,23 ;「違うわ。@それが羊じゃなかったからよ。」@ `"Wrong.`@` Because it wasn't a sheep."`@ ld r,$BUT_KuyasigaruA1,80 ;「源次さんが、…狼だって言うのかよ…。」\ `"Are you saying Genji-san's, ...a wolf...?"`\ ld l,$ROS_MajimeA1,80 ;「彼はひとりで厨房にいたそうだけど、それは証明不能よ。@南條先生たちの死体を運んだり、譲治くんたちを殺したりできたのは彼か、ベアトリーチェだけなのよ？」@ `"He said that he was alone in the kitchen, but that's impossible to prove.`@` The only ones that could have carried Doctor Nanjo and Kumasawa-san's corpses, that could have killed George and the rest, were him and Beatrice, right?"`@ ld r,$BUT_OdorokiA2,80 ;「ま、待てよ、その論法じゃ、誰だって、」\ `"W, wait, with that argument, anyone-"`\ bg black,24 bg M1F_P1bN,0 ld l,$GEN_DefA1,24 ;「……戦人さま。@お気遣いをありがとうございます。」\ `"......Battler-sama.`@` Thank you for your concern."`\ ld l,$GEN_komaruA1,80 ;「…私は、信頼を勝ち得るのは常に、百の言い訳ではなく、!d300一つの誠実であると信じています。@……たとえ信頼をいただけなくても、私は最後まで誠実でありたいと思います。」\ ;＜源次 `"...I believe that trust will be won not with a hundred excuses, `!d300`but with simple faithfulness.`@` ......Even if I am not able to gain your trust, I wish to be faithful until the end."`\ ld r,$BUT_kuyasigaruA1,24 ;「…………………源次さん…。」\ ;＜戦人 `".....................Genji-san..."`\ bg M1F_P2bN,0 ld c,$ROS_komaruA4,24 ld c,$ROS_NayamuA1G,80 ;「……なら、決まりね。@……あなたが本当に無実なら、それは明日やってくる警察が証明してくれるわ。@だから、それまでの間、あなたを疑いから外すわけにはいかない。」\ `"......Then, we're decided.`@` If you are truly innocent, the police will prove that for us when they come tomorrow.`@` So, until then, we cannot remove you from suspicion."`\ ld c,$ROS_majimeA1G,80 ;「………長年、右代宮家に仕えてくれたあなたにこんな仕打ちをするのは本当に心苦しいんだけれど。@…今夜はわかってください。@……そして、明日になったら、もう一度仲直りさせてください。」\ `".........After your long years of service, I find it truly painful to treat you so poorly.`@` ...But please understand about tonight.`@` ...Then, when tomorrow comes, please let us make up again."`\ bg M1F_P1bN,0 ld r,$GEN_MajimeA2,23 ;　源次さんは小さく首を横に振る。\ `Genji-san gave his head a small shake.`\ ld r,$GEN_DefA1,80 ;「……今日も明日も。@私は右代宮家の使用人で在り続けます。@……御用がありましたら、いつでもお申し付け下さい。@……それでは失礼させていただきます。」\ `"......Today and tomorrow,`@` I will continue to be a servant of the Ushiromiya family.`@` ......If you have any business, please say so at any time.`@` Then, if you will excuse me."`\ ld r,$GEN_MajimeA2,80 cl r,2 ;　そこまで言い切られては、何の言葉も返せない。@ ;　源次さんは深々と頭を下げると、廊下を去っていった…。\ `After hearing all that, there was nothing left to say.`@ `Genji-san bowed deeply, and left down the hall...`\ bg black,2 wait 1000 se1 25 wait 1500 se2 17 bg M1F_S1dN,4 wait 1000 ;　そして俺たちも部屋に入る。\ `And we entered the room.`\ bg M1F_S1cN,0 ld r,$ROS_ikariA3,24 ;　…楼座叔母さんは、自分が全てのマスターキーを持っているにもかかわらず、再び念入りに客間内の確認を始めた。@ `...Even though Rosa oba-san still held all of the master keys herself, she thoroughly checked the inside of the parlor again.`@ br ;　カーテンを開け、窓の施錠を再び確認している。@ ;　それを見る俺は、……何というのか、もうどうでもいい気分だった。\ `She opened the curtains, and checked again to make sure the windows were locked.`@ `As I watched, ......how should I say it, I felt like it didn't really matter anymore.`\ bg M1F_S1dN,25 me3 11 ;　余計なことを言えばまた喧嘩になる。@ `If I said anything unnecessary, it would turn into another fight.`@ br ;　俺はしばらくの間、その様子を廊下で眺め、もうそろそろいいかなと思い、それを尻目に勝手に客間に入る。\ `For a while, I gazed at her from the corridor, figured I had waited just about long enough, and entered the parlor behind her.`\ bg black,22 ;　……死者以外は誰も信用できないというなら、その手に持っている銃で、みんなを殺して回ればいいんだ。@ `......If she couldn't trust anyone but the dead, she could just go around killing everyone with the gun she held in her hand.`@ br ;　そしたら最後には自分が狼であることに気付く。@ `And then in the end, she'd realize that she herself was the wolf.`@ br ;　…そして最後の狼の頭を、自分でブチ抜いて、この狂った殺人劇に幕を下ろせばいい…。\ `...And then in the end, she could blast through the head of the final wolf, and the curtain would close on this insane murder theater...`\ bg M1F_S1cN,6 ;　俺はそう毒気付きながら、自分が陣取っていたソファーに戻り、@両足を行儀悪くテーブルの上にどっかり載せる…。\ `As I thought that bitterly, I returned to the sofa where I had been encamped before, `@`and rudely rested both of my feet on the table...`\ bg black,1 E_M3 ;　……それをしようとした時、そこに何かを見つけて足を止めた。\ `......When I tried to do that, I found something there and stopped moving my feet.`\ ;「……………………。@………何だ、これ…。」\ ;＜戦人 `".....................`@`.........What is, this...?"`\ bg letter1,22 ;　そこには、まるで俺宛かのように、…洋形封筒が置かれていた。@ ;　片翼の鷲の紋章の入った、例の封筒だ。@ `Right there, almost as though it was addressed to me, ...was a western envelope.`@ `It was that envelope from before, with the seal of the One-winged Eagle.`@ br ;　…しかもそれは未開封だった。\ `...And it was unopened.`\ E_A bgm1 32 ;　お、/ ;!d900………おいおいおいおい…。@ `W, `/ !d900`.........wait wait wait wait...`@ ;　…何だよ、これ…………。@ `...What is, this............?`@ br ;　誰が、いつの間に、こんなところへ置いたんだよ……。\ `When, who, put it in a place like this......?`\ bg black,22 ;　俺は死体を確認にみんなで行くまで、ずっとここに座ってた。@ ;　そして何もなかった。@ `I had been sitting here the whole time, until I had gone with everyone to check the corpses.`@ `And there hadn't been anything.`@ br ;!s0　…そして戻ってきたら、/ ;!d500ここにこれが、/ ;!d800ある。/ !s0`...And when I returned, `/ !d500`it was, `/ !d800`here.`/ !sd\ bg M1F_s1dN,26 me1 16 ;「……大丈夫。@戸締りに問題はないわ。@この部屋は安全よ。」@ ;　楼座叔母さんがそう呟くのが聞こえる…。\ `"......It's alright.`@` There was no problem with the locks on the windows.`@` This room is safe."`@ `I heard Rosa muttering that...`\ me2v 17,70 ;　……おいおいおいおい。@ ;　…おいおいおいおいおいおいおいおいおい。\ `......Wait wait wait wait.`@ `...Wait wait wait wait wait wait wait wait.`\ bg black,22 me3v 19,70 ;　出る前にこの部屋が安全であることを確認した。@ ;　戸締りが完璧であることを確認した。@ `We had made sure this room was safe when we exited it.`@ `We had checked that the windows were all perfectly locked.`@ ;　…そして施錠して、戻ってきて、やっぱり戸締りが完璧で。@ `...And we had locked it, come back, and the windows were still locked.`@ br ;　……じゃあおい、この手紙は誰がどうやって置いたんだよ……。\ `......Then, wait, who had put this letter here and how......`\ bg letter1,22 se1 1010 ;　封筒を開ける。@ ;　中からは便箋が２枚出てきた。\ `I opened the letter.`@ `Two pieces of stationary came out.`\ se1 1010 bg magicsquare_mars3,23 ;　１枚目には、……血のような赤いもので、魔法陣が書いてある。@ ;　真里亞に聞けば意味はわかるだろう。@ `The first page, ...had a magic circle drawn on it, with something like blood.`@ `If I asked Maria, she'd probably know what it meant.`@ se1 1010 br ;　そしてもう１枚には文字が。\ `And there was writing on the other page.`\ bg black,23 ;●TIPS魔女の手紙W mov %play_scene,180 seplay 9,1062 mov %r_hyouji,1 mov %r_hyouji_tips,5 mov %tips_page,1 ;“碑文の謎解きは進んでおりますか？@ ;　もうじきあっさり時間切れ。@ ;　第九の晩は、もうじき始まります。”@ `'Are you making progress solving the riddle of the epitaph?`@ `Very, very soon, you'll run out of time.`@ `The ninth twilight will start very soon.'`@ br ;　……間違いない。@ ;　…ベアトリーチェからの、…手紙だ…。\ `......There was no mistake.`@ `...It was a letter, ...from Beatrice...`\ bg black,22 bg M1F_S1aN,26 ld r,$MAR_DefA1,24 E_MA ;「…うー？@　……戦人、/ ;!d800……それは？」@ ;＜真里亞 `"...Uu-?`@` ......Battler, `/ !d800`......what is that?"`@ ld l,$BUT_odorokiA2,23 ;「あ、……あぁ。@今ここに来たら、/ ;!d500…お、置いてあった。」\ ;＜戦人 `"Ah, ......aaah, `@`when we came here just now, `/ !d500`...i, it had been set here."`\ bg M1F_S1bN,0 ld r,$ROS_NayamuA1,24 ;「どうしたの真里亞。@/ `"What happened, Maria? `@/ ld r,$ROS_AseruA1,80 ;………え？！@　戦人くん、その手紙は？！」@ ;＜楼座 `.........Huh?!`@` Battler-kun, that letter?!"`@ ld l,$BUT_KomaruA1,23 ;「いッ、いやその！@　ここに置いてあったんだ。@どうしてだよ？！@　この部屋はちゃんと戸締りをしていたのに！！@　どうしてだよ？！@　どうして！！」\ `"W, wait, err!`@` It was set here.`@` Why?!`@` Even though we properly checked to make sure this room was closed!!`@` Why?!`@` Why!!"`\ bg M1F_S1cN,0 ld c,$ROS_komaruA4,24 ;「……………………………………。@……真里亞、いらっしゃい。」\ ;＜楼座 `".................................`@`......Maria, come here."`\ ;　楼座叔母さんは少しだけ目を閉じ、何かを黙考した後、真里亞に来いと言った。@ `Rosa oba-san closed her eyes just a little, and after silently thinking something, told Maria to come.`@ ld l,$MAR_fukigenA1,24 ;　真里亞は母親の言う通りに従う。\ `Maria obeyed her mother's words.`\ ;　すると、信じがたいことが起こった。@ `As she did, something unbelievable happened.`@ ld c,$ROS_IkariB3G,80 E_A se1 30 ;　楼座叔母さんがその銃口を、俺に向けたからだ…。\ `Rosa oba-san pointed the barrel of that gun at me...`\ ld c,$ROS_IkariB4G,80 bgm1 31 ;「戦人くん、あなたを“狼”だと断定するわ。」\ `"Battler-kun, I've concluded that you are the wolf."`\ bg M1F_S1aN,0 ld r,$BUT_OdorokiA2,24 ;「どッ、………どうして？！？！」\ `"W, .........why?!?!"`\ ld l,$ROS_IkariA3G,63 ;「私はこの部屋にたった今帰ってきて、そのテーブルの上に何もないことを見ているわ。@…そして真里亞がそのテーブルに近付いていないことも知っている。@…わずかな時間よ。@でもこのテーブルに近付き、そして手紙を見つけたと主張するのはあなただけ、なのよ。」\ `"When I came into the room just now, I saw that there was nothing at all on the table.`@` ...And I know that Maria did not approach that table.`@` ...It was for a short time.`@` But the only one who claims to have approached the table and found the letter, is you."`\ ld r,$BUT_KuyasigaruA1,80 ;「そんなのって、/ ;!d1000…………いや、め、滅茶苦茶だッ！！@　何で俺がこんなものを置くんだよ？！@　おいおい、俺は不審なものを見つけて報告しただけだぜ？！@　何で俺が疑われるんだよ？！」\ `"How can you, `/ !d1000`............wait, th, that's all screwed up!!`@` Why would I put something like this here?!`@` Wait wait, I just found something suspicious and reported it, right?!`@` Why are you suspecting me?!"`\ cl a,0 se1 30 ld c,$ROS_IkariB4G,80 me1 18 ;「あなたにしか、その手紙をそこへ置けないからよ！！@　そう、これは自作自演ッ！！@　あなたが懐から封筒を取り出し、たった今見つけたかのように振舞った。@密室の中に魔女が入って手紙を置いて行った幻想を作り出すためにねッ！！」\ `"Because only you could set that letter there!!`@` That's right, this is all a charade!!`@` You pulled an envelope from your pocket, and then acted as though you had just found it.`@` To create the illusion that the witch entered a closed room, set down a letter, and left!!"`\ bg M1F_S1bN,0 ld r,$BUT_KuyasigaruA1,24 ;「……………馬鹿野郎ぉ…、/ ;!d800ま、……またそういう考えなのかよ…？@　そんなことで、/ ;!d600……俺まで疑うのかよッ？！@/ `"............Dumbass..., `/ !d800`a, ......are you thinking like that again...?`@` Are you going to doubt me, `/ !d600`......because of something like that?! `@/ ld r,$BUT_OdorokiA1,80 ;　いい加減にしろ！！/ `Cut it out!! `/ se1 7 quakey 4,500 ;@　俺は親父たちを殺されてるんだぞ！！@　そんな俺が、どうして犯人の片棒を担がなけりゃならないんだよッ！！」\ @`My dad and everyone else were killed!!`@` Why would I take part in the culprit's scheme?!!"`\ ld l,$ROS_nayamuB1G,23 ;「そうね。@たとえ莫大なお金がもらえるとしたとしても、そんなことで肉親の命を切り売りできるような悪魔がいるなんて信じたくないわ。」\ `"That's right.`@` Even if you could have received a large amount of money, I don't want to believe that a demon who would sell their own parents exists."`\ ld l,$ROS_KomaruB4G,80 ;「でもね、…いるかもしれない。@うぅん、言い方が悪いわね。@……例えば、戦人くんにとって、留弗夫兄さんたちが親でなかったとしたら？」\ `"But, ...maybe he exists.`@` No, that's a bad way to say it.`@` ......What if, in your eyes, Battler-kun, Rudolf nii-san and Kyrie-san weren't your parents?"`\ ld r,$BUT_OdorokiA2,80 ;「…は、……はぁッ？！？！@　何を言い出すかと思えばッ！！@/ `"...Wh, ......whaaa?!?!`@` Think about what you're saying!! `@/ ld r,$BUT_OdorokiA1,80 ;　親父は親父だろうが！！@　確かに霧江さんと血縁はねぇが、俺の姉貴も同然のお人だ！！@　そこだけは聞き捨てならねぇぞこの野郎ッ！！」@ `Dad is Dad, right?!`@` Of course, I'm not related to Kyrie-san by blood, but she's like a big sister to me!!`@` You can't ignore at least that much, you bastard!!"`@ ld c,$MAR_sakebuA1,24 ;「うーうーうー！！/ `"Uu-uu-uu-!! `/ se1 7 quakex 3,500 ;@　やーめーて！！@　うーうーうー！！」\ ;＜真里亞 @`Sto-p i-t!!`@` Uu-uu-uu-!!"`\ ld l,$ROS_ikariA1G,80 ;「うーうー言うのをやめさないッ！！@/ `"Stop saying uu-uu-!! `@/ ld l,$ROS_ikariA3G,80 ;　……ごめんなさい、言い方がわるかったわね。@確かに右代宮戦人くんは留弗夫兄さんの子どもかもしれない！」\ `......I'm sorry, that was a bad way to say it.`@` Of course, Ushiromiya Battler-kun might be Rudolf nii-san's child!"`\ cl c,0 ld l,$ROS_AkuwaraiB1G,80 se1 30 me2v 5,70 ;「……でも、あなた本当に留弗夫兄さんの息子の戦人くんなのぅ？！」\ `"......But, are you really Battler-kun, Rudolf nii-san's child?!"`\ ld r,$BUT_KuyasigaruA1,80 ;「何をわけのわかんねぇことをッ！！/ `"What the hell are you talking about?!! `/ se1 12 quakey 3,500 ;@　俺が戦人じゃねぇんなら誰に見えるってんだよッ？！」\ @`If I'm not Battler, then who else do I look like?!"`\ cl a,0 ld c,$ROS_IkariB3G,63 ;「留弗夫兄さんも含めて、私たちは６年ぶりにあなたに再会しているわ。@あなたが本当に右代宮戦人かなんて誰も証明できないのよぅ？！」\ `"Including Rudolf nii-san, we've been reunited with you after six years.`@` No one can prove that you really are Ushiromiya Battler, right?!"`\ ld c,$ROS_IkariB2G,80 ;「あなたは本当は右代宮戦人じゃなくて、右代宮家の財産をうまく騙し取ろうと紛れ込んだ何者かかもしれないッ！！@　あなた、自分が右代宮戦人だとはっきり証明できる？！@　今この場でッ！！！」\ `"Maybe you really aren't Battler, but someone who's snuck in, trying to skillfully steal the wealth of the Ushiromiya family!!`@` Can you clearly prove that you are Ushiromiya Battler?!`@` Right here, right now!!!"`\ bg M1F_S1dN,1 me3v 13,60 se1 8 quakey 4,600 ;「いい加減にしやがれッ！！！@　俺は俺だッ！@　右代宮戦人だ！！@　そこまで疑いだしたら、あんただって本当に右代宮楼座なのかよッ？！@　自分は自分だ、他の誰でもねぇッ！！@　あぁそうだな、あんたの言う通りだぜ、死体以外で信用できるのは自分だけってわけだッ！！！\ `"Cut it out, damn it!!`@` I am me!`@` Ushiromiya Battler!!`@` If we're going to doubt even that much, are you really Ushiromiya Rosa?!`@` I'm myself, no one else!!`@` Yeah, that's right, it's just as you say, the only one you can trust other than corpses is yourself!!!`\ bg black,1 ;　そこまで言うなら反論させてもらうぜ！/ `If you're going to say that much, let me make an objection!`/ se1 7 quakey 3,400 @ mono 1 bg M_door2,1 ;　譲治の兄貴たちが死んでいた、夏妃伯母さんの部屋には鍵が掛かってた！@　部屋の鍵は譲治の兄貴が持っていたんだろ？！@　そしてマスターキーを持ってるのは今や楼座叔母さんだけだぜッ？！@　あの部屋に施錠できたのはあんただけじゃねぇかよッ？！？！」\ `George-aniki was dead, and Natsuhi oba-san's room was locked!`@` George-aniki was holding the key to that room, right?!`@` And by now, the only one holding a master key is you, Rosa oba-san, right?!`@` Weren't you the only one who could have unlocked that room?!?!"`\ bg black,1 mono off bg M1F_S1aN,0 ld l,$BUT_OdorokiB1,1 ;「俺の推理じゃこうだ。/ `"My reasoning goes like this. `/ quakex 3,300 ;@あんたは真犯人と通じ合っていて、@俺たちの目を盗み、５つのマスターキーの内の１つをこっそり貸し出したんだ！！」\ @`You're in contact with the real culprit,`@` and while I wasn't looking, you lent them one of the five master keys!!"`\ bg M1F_S1bN,0 ld r,$ROS_ikariA4G,64 ;「そんなことしないわよッ！！@/ `"I didn't do something like that!! `@/ se1 31 ;　ほら、ここに５つあるわよッ？！」@ `See, there are five of them here, right?!"`@ ld l,$BUT_kuyasigaruA1,63 ;「そんなのアテになるもんか！！@　予め取り決めた場所に置かせて、回収したかも知れねぇじゃねえかよッ！！@　それに、マスターキーが５個かどうかは疑わしいと言ってたのはあんただぜ？！」\ `"As if that matters!!`@` You could have had them set it in a pre-arranged spot, and collected it, right?!!`@` And weren't you the one who said it was suspicious whether there were really five master keys?!"`\ ld r,$ROS_IkariA1G,80 ;「じゃああなたはその封筒を、あなた以外の誰が、どうやってそこに置いたというのよッ！！@　 `"So how are you saying that someone other than yourself set that letter there?!!`@ br ;(それが証明できない限り/・・・・・・・・・・・・)、あなたが狼なのよッ！！」\ (`As long as you can't prove that`/・・・・・・・・・・・・)`, you are a wolf!!"`\ ;＜楼座 ;＜それが証明できない限り：点処理 cl r,0 ld l,$BUT_nakuB1,1 ;「うるせえぇえッ！！/ `"Shut uuuuuup!! `/ se1 7 quakey 3,500 ;@　ならあんたこそ証明しろよ、@犯人はどうやって譲治の兄貴たちをあの密室で殺せたというんだよ！@　どうやって施錠したというんだよッ！！」\ @`Then why don't you show me some proof, `@`how do you say the culprit killed George-aniki and the rest in that closed room?!`@` How did they lock it?!!"`\ se1 56 E_MA meta_set mld r,$BEA_futekiA1,24 ;■メタ ;「まったくに持ってその通りッ！@/ `"That's exactly right! `@/ se2 59 ;　#ff0000夏妃の部屋もまったく同じだぞ、いつもの通り#ffffff！@/ #ff0000`Natsuhi's room was exactly the same, just like usual`#ffffff`! `@/ se3 59 ;　#ff0000扉も窓も内側から施錠されていた#ffffff。@/ #ff0000`The door and the windows were locked from the inside`#ffffff`. `@/ mld r,$BEA_akuwaraiA3,80 se1 59 ;#ff0000如何なるイカサマも細工もなく、そして隠された通行手段もなければ隠れる場所もないッ#ffffff！@/ #ff0000`There is no fraud or trick, there is no means of secret passage and no hidden place`#ffffff`! `@/ se2 59 ;　#ff0000夏妃自身の鍵は譲治のポケットに入って、室内に閉じ込められていた#ffffff。@/ #ff0000`Natsuhi's own key was in George's pocket, and the inside of the room was closed off`#ffffff`. `@/ se3 59 ;#ff0000あとは５本のマスターキーしかないが、それは全て“楼座”が持っているッ#ffffff！@/ #ff0000`Only the five master keys were left, and 'Rosa' was holding all of them`#ffffff`! `@/ se1 59 ;#ff0000ついでに言おう、その客間も同じよ#ffffff。@/ #ff0000`And let me say this, the parlor's the same`#ffffff`. `@/ se2 59 ;#ff0000本来の客間の鍵は使用人室に封印されている#ffffff。@/ #ff0000`The original key to the parlor is sealed in the servant room`#ffffff`. `@/ se3 59 ;#ff0000だからマスターキー以外では開錠不能！　部屋の密室定義もいつもに同じよ！#ffffff」\ #ff0000`So unlocking it without the master key is impossible! The definition of a closed room is the same as always!`#ffffff`"`\ mld r,$BEA_akuwaraiA2,80 ;「おいおイ、容疑者はもうひとりしかいねぇぜェエエ、@それでもまだカマトトぶんのかよ、右代宮戦人ぁああああぁああア？！」\ `"Come on, now there's only one suspeeeeect, `@`or are you still playing innocent, Ushiromiya Battleeeeeeeeeeeeeeeeer?!"`\ mld l,$BUT_KuyasigaruA1,63 ;!s0「うるせええええ！！/ !s0`"Shut uuuuuuup!! `/ se1 12 quakex 4,600 ;@　てめえも黙ってろおおおおおおおっぉおおおおおぉッ！！！」/ @`You stay silent tooooooooooooooooooooo!!!"`/ ;quakey 5,800 !sd\ ;■元 se1 56 meta_end cl a,0 ld l,$ROS_IkariB2G,80 ;「黙るのはあなたの方でしょッ、あなた以外にどうやってその手紙を置けたというの？！@　それが証明できない限りあなたは狼なのよッ！！」\ ;＜楼座 `"You're the one who's staying silent, how do you say the letter was set here by someone other than yourself?!`@` As long as you can't prove that, you're a wolf!!"`\ ld r,$BUT_NakuA1,80 ;「俺が疑えるってんなら、あんただって疑えるぜ、あんたこそ証明してみろ、@最初に部屋に入って戸締りの確認だのを始めたのは楼座叔母さんじゃねぇかよッ？！」\ `"If I can be suspected, then you can be suspected, you try showing me some proof, `@`wasn't the first person to enter the room and begin checking the windows you, Rosa oba-san?!"`\ ld r,$BUT_KuyasigaruA1,80 ;「そして俺の座っていた場所に再び俺が戻るだろうことを見越し、手紙をそっと置いたんだ。@これはあんたの罠だって疑うこともできるんだぜッ？！」\ ;＜戦人 `"Then you anticipated that I would return to the place I had been sitting, and secretly placed the letter.`@` I can also suspect that this is your trap, right?!"`\ ld l,$ROS_ikariB1G,80 ;「どうして私がそんな罠を！！@　私が狼ならこの銃で問答無用で撃ってるわよ！！」\ `"Why would I use a trap like that?!!`@` If I was a wolf, I'd shoot you with this gun without question!!"`\ bg M1F_S1cN,0 ld l,$BUT_nakuB1,1 ;「そんなのじゃ理由にならねぇなッ！！/ `"That's no reason!! `/ se1 13 quakey 3,400 ;@　真里亞の目の前で殺人ができねぇから、うまく罠にかけようって回りくどいことしてるかも知れねぇじゃねえかッ！！」/ @`Maybe, because you couldn't commit murder in front of Maria, you chose the roundabout way of setting a clever trap!!"`/ se1 11 quakey 2,200 se1 11 quakey 2,200 \ ld l,$BUT_KuyasigaruB1,80 ;「マスターキーは全てあんたの手にある！@　ならここもさっきも、全部あんたの仕業じゃねぇかよッ！！@　言い逃れできるってんなら言い訳を聞かせてみろよ！！」\ `"All of the master keys are in your hands!`@` So this place and the room just a while ago, are all your doing, aren't they?!!`@` If you can talk your way out of this, then let me hear your excuse!!"`\ ld l,$BUT_NakuB2,80 ;「そうさ、楼座叔母さんは最初っから怪しいんだよ！@　何で親族会議の大人たちが６人殺されたのに、楼座叔母さんだけが例外なんだ？@　何で楼座叔母さんだけがあの礼拝堂にいなかったんだッ？！」\ `"That's right, you've been suspicious from the start, Rosa oba-san!`@` Why is it that even though six adults in the family conference were killed, only you were the exception, Rosa oba-san?`@` Why were you the only one not in that chapel?!"`\ ld l,$BUT_NakuA2,80 ;「ひとつしか理由がねぇよ、楼座叔母さんが親父たちをあそこに招いて殺したんだッ！！@　くそくそ/ `"There can only be one reason, you invited Dad and the rest there and killed them!!`@` Damn it, damn it, `/ !d500/ ;それで全部説明が付くじゃねぇかよ、ふざけんじゃねぇふざけんじゃねぇ、/ `that explains everything, doesn't it, don't fuck with me don't fuck with me, `/ !d1000/ ;わけのわかんねぇことを言うんじゃねぇッうおおおおおおおおおおぉおおおおおぉおおおおお！！」/ `stop saying things that don't make seeeeeeeeeeeeeeeeeeeeeeeeeense!!"`/ se1 12 quakey 3,500 !sd\ se2v 27,100 bg white,1 bg black,2 fede 0,5000 bg M1F_S1bN,0 ld c,$MAR_sakebuA1,2 ;se2 7 ;quakey 5,800 me1v 12,40 ;「うーーーーッ！！@　やーめーーてぇええ！！@　喧嘩しちゃらめええ！！@/ `"Uuuuu----!!`@` Sto-----p iiiiiiiiit!!`@` You mustn't fiiiight!! `@/ ld c,$MAR_nakuA1,80 ;　ママも戦人もやめてぇええぇッ、やぁめぇてぇええぇえぇえ！！！@　誰も悪くないの！@　戦人もママも悪くないの！！@　これは全部、魔女がやったんだもん！@　魔法でやったんだもん！！@　誰も悪くないーー！！@　うーうーーー！！」\ ;＜真里亞 `Mama too, Battler too, stop iiiiiiiiiiit, stop iiiiiiiiiiiiit!!!`@` It's no one's fault!`@` It's not Battler's or Mama's fault!!`@` The witch did all of this!`@` It was done with magic!!`@` It's no one's faaaaaaaaaault!!`@` Uu-uuuu---!!"`\ ;　完全に頭に血の上った俺と楼座叔母さんの間に真里亞が割って入る。@ `Maria thrust herself in between Rosa oba-san and me as the blood started rising to our heads.`@ br ;　真里亞の泣き声に、俺ははっと我に返る。@ ;　…その途端、情けなくなった。@ ;　涙が溢れ出した。\ `I was taken aback by Maria's crying voice and returned to my senses.`@ `...I had acted shamefully just now.`@ `My eyes filled with tears.`\ E_A bg M1F_S1dN,5 bgm1 16 ld c,$BUT_nakuA3,6 ;!s0「……そうなんだよ…。@……全部、/ ;!d800………魔女のせいだったんじゃないかよ……！！@　鍵がどうこうとか、トリックだのアリバイだの……、/ !s0`"......That's right...`@`......It's all, `/ !d800`.........the witch's fault, isn't it......!!`@` All this about keys and tricks and alibis......, `/ ;!d700全部全部馬鹿らしかったんだ！！@　魔女の仕業なのに、俺たちは同じ人間同士を信じあうこともできなくて…！！@　なぁ楼座叔母さん、ニンゲンの犯人なんて最初からいなかったんだ、全部魔女の仕業だったんだ。」\ !d700`all of it, all of it was stupid!!`@` Even though it's the work of the witch, we weren't even able to trust each other as humans...!!`@` Right, Rosa oba-san, from the beginning, there wasn't a human culprit, it was all the work of the witch."`\ ld c,$BUT_nakuA2,80 ;「だから、楼座叔母さんが犯人のわけがないし、@俺や真里亞だって、そして源次さんだって他のみんなだって、犯人のわけがないんだああぁッ！！@　どうしてこんなことにッ！！@　俺はどうして、……大好きだった楼座叔母さんとこんなことの怒鳴りあいをしてるんだよ？！@　やさしくって、大好きだった叔母さんと、/ `"So there's no way you're the culprit,`@` and there's no way Maria, Genji-san or I am the cuplriiiiit!!`@` Why has it come to this?!!`@` Why am I screaming with Rosa oba-san, ...who I loved?!`@` Why am I having this fight, `/ ;!d600……どうしてこんな罵りあいをしてるんだよ？」！\ !d600`......with the kind aunt who I loved?!"`\ ld c,$BUT_nakuA1,80 ;「何で何でみんなで疑いあわなくちゃならねぇんだよッ？！？！@　叔母さんを疑ってなんかいないんだ、誰も疑ってなんかないんだ、@全部魔女の仕業だったんだ、ベアトリーチェの仕業だったんだ、@全部全部ッベアトリーチェが魔法で行なった事件だったんだッ！！」\ `"Why, why does everyone have to suspect each other?!?!`@` I'm not going to doubt my aunt, I'm not going to doubt anyone,`@` it's all the work of the witch, it's all the work of Beatrice, `@`it's all, all a crime that Beatrice committed with magic!!"`\ ld c,$BUT_nakuA3,80 ;「ベアトリーチェぇええぇえぇ、頼むからここに現れてくれよ、@そして自分が全てやったと俺たちに告白してくれよッッ、/ ;!d900もうごめんだ、こんな疑り合いはごめんなんだッ！！」\ `"Beatriiiiiiiice, please, show yourself here, `@`and confess to us that you did everything, `/ !d900`I'm sorry already, I'm sorry for doubting each other like this!!"`\ ld c,$BUT_nakuA1,80 ;「だから俺たちを許してくれ、/ ;!d700解放してくれッ、/ `"So forgive us, `/ !d700`release us, `/ ;!d700互いの死を見届けあうまで疑りあわなきゃならない地獄から解放してくれ！！@　俺にやさしい親戚たちをいとこたちを、返してくれよ！！@　もう嫌だ嫌だ全部嫌だッ！！@　お前は確かに実在する、お前の勝ちだ！！」\ !d700`release us from this hell of suspecting each other until we see each other's deaths!!`@` Give me my kind relatives and cousins back!!`@` I hate it, I hate it, I hate it all!!`@` You definitely exist, it's your victory!!"`\ bg black,1 ;「姿を見せてくれよ、おおおおおぉおおぉ、ベアトリーチェぇええええええええええええぇええええぇええぇッ！/ `"Show yourself, ooooooooooooooooooohhh, Beatriiiiiiiiiiiiiiiiiiiiiiice! `/ quakey 3,500 ;　ベアトリぃいーチェぇええええぇえええええええええええええええええええぇえええええええぇぇえええッ！！！」/ `Beatriiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiceeeeeeeeee!!!"`/ !sd\ fede 0,5000 skipoff textoff wait 3000 me1v 12,40 bg M2F_P1cN,6 wait 2000 bg black,2 wait 1000 bg Mlib_1e,9 ;■金蔵の書斎 ;「………私は、……………まだ、…生きているのか。」@ `".........Am I, ...............still, ...alive?"`@ ;＜金蔵 ;　金蔵はいつの間にかまどろんでしまっていたようだった。@ `Apparently, some time ago, Kinzo had fallen into a doze.`@ br ;　老眼鏡を探し、時計を見る。@ ;　……午後の１０時になっていた。\ `He searched for his spectacles, and looked at the clock.`@ `......It was 10:00 P.M.`\ bg Mlib_1cN,26 ld r,$KIN_fumuA1,26 ;「…あやつの儀式は、はて、どこまで進んだのか。@………時間的には、もうだいぶ進んでいなくてはならぬ頃だ。」@ `"...That person's ceremony, let's see, how far has it progressed?`@` ............It must have progressed quite far by this time."`@ br ;　金蔵は重い体を椅子より起こし、……毎日眺めてきた、魔女の肖像画に近付く。\ `Kinzo lifted his heavy body from the chair, ......and approached the portrait of the witch that he had gazed at every day.`\ bg black,3 fede 0,2000 bg portrait2,22 bgm1 1 ;「………ベアトリーチェ。@もうじき、……お前の微笑みに再会できる。@…………死んでもいい！@　お前の微笑みがもう一度見られるならこの命は惜しくないッ！@　だから、/ `".........Beatrice.`@` Very soon, ......I will be able to be reunited with your smile.`@` ............It doesn't matter if I die!`@` If I can just see your smile one more time, I will not regret this life!`@` So, `/ ;!d600…後生だぁあ、お前に、/ ;!d400……もう一度会わせてくれぇええぇえぇ…。@そして、愛を誓わせておくれ、私の罪を謝らせておくれ、うぅぉおぉぉぉぉぉぉ……。\ !d600`...in the afterliiiife, let me, `/ !d400`......meet with you one more tiiiiiiiiiiiiiiiiime...`@` Then, let me swear my love to you, let me apologize for my crimes, uuuoooooooooooo......`\ ;!s0　……だが逃がさんッ！！/ !s0`......But I won't let you escape!! `/ se1 7 me1v 5,55 quakex 3,300 ;@　お前は私のものだ！！@　髪の毛の一本から爪先まで、爪の垢すらも私のものなのだッ！！/ @`You are mine!!`@` From your hair to your toenails, to the dirt under your toenails, you are mine!! `/ se1 7 quakey 3,300 ;@　お前の肉一片までも全て私のもので、その亡骸の煮汁まで私のものなのだッ！！@　逃がさん、今度こそこの手から零さんッ！！@　お前を永遠に私のものにしてやるぞッ！！！/ @`Every fragment of your flesh is mine, even the broth of your corpse is mine!!`@` I won't let you escape, this time you won't slip from my hands!!`@` I'll make you mine for all eternity!!! `/ se1 11 quakex 3,300 ;@　二度と逃がすものか、/ @`I will never let you escape a second time, `/ se1 11 quakey 3,300 ;二度と逃がすものかッ！！」/ `I will never let you escape a second time!!"`/ se1 11 quakey 4,300 !sd\ fede 10,2000 ;　吼え猛る金蔵は、突然、震えだしながら、…壁を掻き毟りながら膝をつく…。@ ;　…いつの間にか、嗚咽になっていた。\ `Kinzo howled in rage, then suddenly fell to his knees, ...as he shook and scraped at the wall...`@ `...In an instant, he had started sobbing.`\ bg Mlib_1e,26 se1 13 ;!s0「…………ぅうぅ、うっく…、/ ;!d500違う、/ ;!d300私が言いたいのはこんなことじゃないんだぁぁぁ、ベアトリーチェぇえぇえぇ…。@頼む、/ ;!d500……もう一度会わせてくれ…。@謝らせてくれるだけでいい……。@ぅうううぅう、ベアトリーチェぇええぇぇえ、/ ;!d500…ひっく、…うっく…！　うわああああぁああああああぁああぅああぅあぅぁぅ…！！」\ !s0`"............Whaaaa, hic..., `/ !d500`that's wrong, `/ !d300`I didn't want to say something like thiiiiis, Beatriiiiiiiiice...`@` Please, `/ !d500`......let me meet you one more time...`@` Even if you only let me apologize......`@` Whaaaaaaa, Beatriiiiiiiiiice, `/ !d500`...hic, ...hic...! Uwaaaaaaaaaaaaaaaaaauaauauau...!!"`\ !sd bg Mlib_1cN,0 ld l,$KIN_NakuA2,25 ;「お前が愛しい、恋しい…！　私が間違っていた…！@　お前が微笑んでさえくれれば、他には何もいらなかったんだ…。@私が間違えた、私がそれを間違えて、/ ;!d800……取り返しのつかないことをしてしまった…！」\ `"You are beloved, yearned for...! I was mistaken...!`@` If you would just smile, I wouldn't need anything else...`@` I made a mistake, I made a mistake about that, `/ !d800`......I did something that cannot be taken back...!"`\ ld l,$KIN_NakuA1,80 ;!s0「その償いに残りの全ての人生を捧げた…！！@　お前に詫びるために、私の罪を償うために、/ ;!d500………全て、/ ;!d800……捧げたんだ………。@……頼む、私の死の際でもいい…。@ ;　…………せめて、/ ;!d600…………お前に、/ ;!d300一言、…/ ;!d800……謝らせてぇ…ぇ……。@ベアトリーチェぇええぇぇぇぇ……。@ううう、ひっく、うううッ、うううううううう！」/ !s0`"In atonement, I offer all that remains of my life...!!`@` In order to apologize to you, in order to atone for my crimes, `/ !d500`.........I offered, `/ !d800`......everything......... `@`......Please, even if it is as I die...`@ `............At least, `/ !d600`............Let me, `/ !d300`apologize, ...`/ !d800`......just once...e......`@` Beatriiiiiiiiice......`@` Whaaaa, hic, aaaaaaaah, whaaaaaaaaaaaaaa!"`/ !sd\ textoff ;bg butterfly_1a,0 ;ld c,$KIN_NakuA1,2 ;wait 500 ;bg butterfly_3a,0 ;ld c,$KIN_NakuA1,2 ;wait 500 ;bg Mlib_1c,0 ;ld c,$KIN_NakuA1,2 bg black,2 fede 0,3000 se1 22 ;　……震えながら泣く金蔵の小さな背中に、一枚の金箔のような蝶が、どこからともなく現れ、ひらりと舞い降りる…。\ `......As Kinzo shook and cried, behind his small back, a butterfly appeared out of nowhere, like flake of gold leaf, and softly fell down...`\ lsp bgsp2,$BEA_FukigenA3,150,0,128 print 8 bgm1 10 ;　…馬鹿な、金蔵。@ ;　男の涙で落とせる女がいるとでも………？@ `...You fool, Kinzo.`@ `Do you think a woman exists who would fall for a man's tears.........?`@ br ;　まぁでも、……ニンゲンの女は落ちなくても、…ニンゲンじゃない女は落ちるかも知れぬ。\ `Well, ......even if it wouldn't make a human woman fall for you, ...it might for a woman who is not human.`\ lsp bgsp2,$BEA_NayamuA1,150,0,128 print 80 ;　金蔵。@覚えている……？@ ;　私としていた、まだ途中だったチェスの譜面……。\ `Kinzo.`@` Do you remember......?`@ `That musical piece of chess you played with me, which was still ongoing......?`\ csp bgsp2 bg black,22 bg chess1,22 ;　金蔵は、急に何かを思い出したようにチェスセットに近付く。@ ;　そこには昨日まで南條と遊んでいたチェスがそのまま残っていた。@ `Kinzo, as though he had suddenly remembered something, approached the chess set.`@ `It was as it had been during the game he had played with Nanjo until yesterday.`@ br ;　…その駒を、ざぁっとなぎ払うようにチェス盤から退けると、駒を次々と並べ出す。@ ;　…それはゲーム途中の盤面だった。\ `...After removing the chessboard to mow off all the pieces, he began to line the pieces up one by one.`@ `...It was the setup for an ongoing game.`\ bg Mlib_1dN,22 ld r,$KIN_majimeA1,24 ;「………そうだ。こうだ。@…………私はクイーンを進めた。@…とても良い妙手だった。@お前には少々きつすぎるかも知れん一手だった。@………お前は、駒を見捨てるか、見捨てないかに悩み、/ ;!d800……ずっと悩み……………。」\ `".........That's right. Like this.`@` ............I advanced my queen.`@` ...That was a very spectacular move.`@` That move might have been a little too intense for you.`@` .........I worried about whether you would throw away your piece or not, `/ !d800`......I kept worrying............"`\ bg black,25 bg Mlib_1e,22 ;　金蔵は向かいの席を空けて待つ。@ `Kinzo waited, with the opposite seat empty.`@ br ;　……そこにきっともうすぐ、対局の相手が帰ってきてくれて、/ ;!d800……再び、このゲームが再開できるのを…。\ `......Surely, very soon, his opponent would appear there, `/ !d800`......and he would be able to restart this game again...`\ ;lsp bgsp2,$BEA_NayamuA1,150,0,128 ;print 99,3000,"breakup.dll/urb" bg black,2 ;　…馬鹿な、金蔵。@ `...You fool, Kinzo.`@ br ;　謝りたい？@　もう一度顔が見たい？@　微笑を永遠のものにしたい？@ `You want to apologize?`@` You want to see my face again?`@` You want to make my smile an eternal thing?`@ br ;lsp bgsp2,$BEA_fukigenA3,150,0,128 ;print 80 ;　どうして、もっともっとシンプルな一言が口にできないのか。@ ;　それこそが、世界の一なる、元素なのに………。\ `Why can't you say a much, much simpler word?`@ `Even though that is the sole element of the world.........`\ wait 2000 ;　その時、金蔵が呟いた。@ ;　……祈り？@　懇願？@　………ただ、呟いたとだけ表現するのが正しかった。\ `At that time, Kinzo muttered.`@ `......A prayer?`@` An entreaty?`@` .........It was probably best to just call it muttering.`\ bg Mlib_1cN,2 ld r,$KIN_majimeA1,26 wait 2000 ld r,$KIN_nakuA2,25 ;「……お前を、………愛している…。@……ベアトリーチェ……………。」\ `"......I, .........love you... `@`......Beatrice............"`\ ;　それは何の邪心もない、まるで無垢な子どもが口にするような、清らかな言葉だった…。\ `They were pure words, like something an innocent child would say, without any evil intent...`\ bg black,2 se1v 22,40 bg butterfly_3a,2 ;　…本当に馬鹿な、金蔵。@ `...You really are a fool, Kinzo.`@ br ;　もしももう一度人生をやり直す機会があったなら。@ ;　そんな言葉では、絶対に女は落とせないことを知りなさい。\ `If you ever have the chance to do your life over again...`@ `Know that those words could never cause a woman to fall for you.`\ ;　そう、…奇跡でもない限り。@ ;　だからこれは、………。\ `That's right, ...unless there's a miracle.`@ `So this is, .........`\ bg Mlib_1aN,2 ;　その時。@………金蔵は確かに、使用人たちのそれとは違う拍子の、小さなノックを聞いた………。\ `At that time.`@` .........Kinzo definitely heard a small knock, with a different tempo than those of the servants.........`\ ld r,$KIN_fukigenA1,24 ;「………誰だ。」@ `".........Who are you?"`@ br ;　扉の向こうの女は、……答えない。\ `The woman beyond the door, ......didn't answer.`\ ld r,$KIN_IkariA1,80 ;「……誰かと聞いておる！！@　返事をせぬか！！」@ `"......I'm asking who you are!!`@` Will you not answer?!!"`@ br ;　扉の向こうの女は、/ ;!d900……答えない。\ `The woman beyond the door, `/ !d900`......didn't answer.`\ cl r,0 ld c,$KIN_nakuA2,24 ;!s0「まさか、/ ;!d300…………おおおぉ、/ ;!d400……まさか……。@ベ、/ ;!d200……ベアトリーチェなのか？@ !s0`"Could it be, `/ !d300`............oooooh, `/ !d400`......could it be......`@` B, `/ !d200`......Beatrice?`@ cl a,0 se1 7 quakex 3,500 ;　………ベアトリーチェ、/ ;!d600………ベアトリーチェぇええぇええええ！！」/ `.........Beatrice, `/ !d600`.........Beatriiiiiiiiiiiiiiiice!!"`/ !sd\ wait 2000 ;　扉の向こうの女は、……答えた。@ `The woman beyond the door, ......answered.`@ br ;　第九の晩に、魔女は蘇り、誰も生き残れはしない。\ `At the ninth twilight, the witch shall be revived and none shall be left alive.`\ eye2 22,07,23,30,1,0,560,360,120 ;▲第１６アイキャッチ：１０月５日（日）２２時０７分　から　２３時３０分に進む *umi2_17 mov %play_scene,180 bgm1 17 wait 2000 bg Mdin_1fN,6 ;■時間経過〜食堂 ;　戦人の姿は食堂にあった。@ ;　この雨の中、ゲストハウスに戻る気にもなれず、@適当に座れるところを探し屋敷の中を適当に放浪し、…食堂を根城としていた。\ `Battler's figure was in the dining hall.`@ `He didn't feel like going back to the guesthouse in the middle of this rain,`@` and wandered halfheartedly inside the mansion in search for a place where he could sit adequately, ...making the dining hall into his stronghold.`\ ;　別に鍵は掛けていない。@ `It wasn't even locked.`@ br ;姿なき殺人犯、もしくは黄金の魔女が、一人ぼっちになった自分を殺しに来るかもしれないと思ったが、@/ `He thought that maybe the shapeless murderer, or the Golden Witch, would come to kill him now that he was isolated, `@/ ;それに抗おうとはもう思わなかった。\ `but he no longer thought about confronting the culprit.`\ bg black,22 ;むしろ、鍵で拒む気などない。@ `On the contrary, he didn't even feel like using the locks to block the culprit.`@ ;堂々と正面から来て欲しかった。@ `He wanted that person to come at him openly, from the front.`@ br ;…それが殺人犯なら、この素晴らしき密室トリックの数々を、冥土の土産に聞かせてもらおうと思った。@ `...If it was the murderer, he thought he'd ask them to tell about some of those wonderful closed room tricks as a parting souvenir.`@ br ;そして魔女なら、せめて素晴らしき魔法で自分の命を奪ってもらおうと思った。\ `If it was the witch, he thought that she would at least take his life with some wonderful magic.`\ me1v 12,40 ;……しかし皮肉なもので、そのどちらも、戦人を迎えに来てはくれなかった…。\ `......However, ironically, neither of these two came to meet Battler....`\ bg Mdin_1aN,26 ;戦人は酒棚を勝手に開け、存分に飲酒を満喫していた。@ `Battler opened the liquor cabinet on his own and enjoyed the liquor to his heart's content.`@ br ;今や、彼の飲酒を咎める人間などどこにもいないのだ。@ `No longer was there anybody anywhere who would have a problem with him drinking alcohol.`@ ;両足を、贅沢なテーブルクロスの上に大胆に下ろし、気が遠くなるほどの値打ちがあるだろう銘酒を、瓶ごと傾けて味わうのだった…。\ `He boldly set both of his legs on the extravagant table cloth and savored the high quality liquor, which probably had a mind-boggling price, tilting down each one of the bottles....`\ bg Mdin_1gN,22 ;その時、……ノックが鳴った。@ `At that time, ...someone knocked.`@ se1 19 ;戦人はようやく自分のお迎えが来たことを悟る…。\ `Battler realized that someone had finally come to greet him...`\ bg Mdin_1cN,0 ld r,$BUT_futekiA1,24 ;「お〜ぅ、鍵なんか掛かってねぇぜ。@/ `"He-y, it is not locked. `@/ ;誰でも入ってきてくれ。@/ `Whoever you are, please come in. `@/ ;そして自己紹介を頼むぜ。@/ `And please introduce yourself. `@/ ;人間なら名前を名乗ってくれ。@/ `If you are a human being, please, gimme your name. `@/ ;ベアトリーチェだってんならバストのサイズを教えてくれ。」\ `If you are Beatrice, please, tell me your bust size."`\ ld r,$BUT_NayamuA2,80 ;「俺ァこう見えても、ちょいと知られたおっぱいソムリエなんだじぇえ？@/ `"Even though I look like this, I am well know as a breast-sommelier, you see? `@/ ;…ひっく。」\ `... Hic."`\ ;「………源次でございます、戦人さま。」\ `".........It's Genji, Battler-sama."`\ ld r,$BUT_futekiA1,80 ;「…源次さんか。@/ `"...Genji-san, is it.`@/ ;……悪ぃがあんたのバストのサイズに興味はねぇなぁ。@/ `......Sorry, but I have no interest in your bust size. `@/ ;入ってくれよ。開いてるぜ。」\ `Please, come in. It's open."`\ bg M_door1,23 ld c,$GEN_DefA1,24 ;「………失礼いたします。」@ `".........Excuse me."`@ ;源次さんが扉を開け、お辞儀をした。@ `Genji-san opened the door and bowed.`@ br ;………やはり、源次さんが犯人、…あるいは協力者なのだろうか。@ `.........So Genji-san was the criminal after all, ...or maybe an accomplice?`@ ;……その仮定は、多分、ほとんどのトリックを説明してしまうに違いない…。\ `......That theory probably explains most of the tricks...`\ bg Mdin_1cN,0 ld r,$BUT_DefA1,24 ;「あんたが、俺に引導を渡しに来たのかい。」@ `"Did you come to give me my last rites?"`@ ld l,$GEN_KomaruA1,23 ;「………そのようなことはございません。@/ `".........Nothing of the sort. `@/ ;……お邪魔なようでしたら失礼いたします。」\ `......I apologize if I am disturbing you."`\ ld r,$BUT_nayamuA2,80 ;「…おいおい、用件も伝えず失礼しますじゃ、かえって気持ち悪いぜ。@/ `"...Hey, hey, saying I'm sorry without even telling me what you want is actually pretty creepy. `@/ ;…何の用だよ。@/ `...What do you want? `@/ ;……未成年の飲酒は禁じられてるってかぁ？@/ `......Are you gonna tell me that drinking alcohol is forbidden for minors? `@/ ;どうせ死ぬんだ。@/ `I'll just die anyways. `@/ ;…最後くらい好きにさせてくれ。」\ `...Please, let me do as I wish, at least in the very end."`\ ld l,$GEN_defA1,80 ;「………戦人さまは、死せる最後のわずかの時間を、飲酒に捧げるほど、@/ `"......... Battler-sama, do you love alcohol so much, `@/ ;お酒を愛しておいでですか。」@ `that you will spend the little time you have left before you die drinking it?"`@ br ;その一言は、沁みる…。@ `Those words, pierced me....`@ ;……そんなわけもなかった。\ `......That wasn't true.`\ bg Mdin_1gN,26 ;「…………………………。@/ `"...............................`@/ ;飲まなきゃやってられねぇだけさ。@/ `It's just that, if I don't drink it, nobody will. `@/ ;……酒の味なんて、全然わかんねぇよ…。」\ `......I don't know the flavor of alcohol at all..."`\ ;「……お館様と同じですな。@/ `"......You are just like Master. `@/ ;本当にあなたはお館様の血を色濃く受け継がれている…。」@ `Indeed, you inherited Master's blood strongly...."`@ br ;「あの酒豪の祖父さまが、実は全部ヤケ酒だったってのかよ…？@/ `"You mean that Grandfather, the heavy drinker, drank to drown all his cares in alcohol...? `@/ ;それは初耳だぜ。」\ `That's a first."`\ bg black,22 ;!s0「………お館様の人生は、/ !s0`".........After some sad incidents, `/ ;!d500……いくつかの悲しい出来事の末、/ !d500`Master's life, `/ ;!d800……全て、贖罪のためのものと成り果てたのです。」/ !d800`......was completely reduced to atonement."`/ ;!sd\ !sd\ bg Mdin_1bN,26 ld r,$BUT_KomaruA3,24 ;「…あんたは何を知っているんだ。」\ `"...What do you know?"`\ textoff fede 0,3000 ld l,$GEN_DefA1,23 wait 2000 ld l,$GEN_komaruA1,23 ;「…………ベアトリーチェさまの儀式も、第八の晩までを全て終えました。@/ `"............Beatrice's ceremony was completely finished by the eighth twilight. `@/ bgm1 23 ;…もう、全てをお話してもよいかと思います。」\ `...I believe that I can now tell you everything."`\ bg black,22 ;「な、……何だって…？」\ `"Wha-......what did you say...?"`\ ;俺の酔いが全て吹っ飛ぶ。@ `My drunkenness was completely blown away.`@ br ;俺は脚をテーブルから下ろし、源次さんがどんな言葉を続けるのか、注意深く耳を傾けた…。\ `I lowered my feet from the table and listened carefully to hear what kind of words Genji would say next....`\ bg Mdin_1dN,0 ld c,$GEN_MajimeA1,26 ;「戦人さま。@/ `"Battler-sama.`@/ ;……お館様の書斎へご案内申し上げます。@/ `......I shall guide you to the Master's study. `@/ ;……お館様たちに、直接お話を聞かれるのがよろしいでしょう。」@ `......It would probably be better to hear it directly from them."`@ ld l,$BUT_NiramuA3,26 ;「祖父さま、……たち…？@/ `"From, ......them...? `@/ ;お、おい、それは一体どういう…ッ！！」\ `H-hey, what in the world do you mean by that...!!"`\ bg black,24 bg M1F_P1bN,24 ld r,$GEN_majimeA1,24 ;「……さぁ、こちらへ。@/ `"......Come, this way. `@/ ;ご案内申し上げます。@/ `I shall guide you. `@/ ;戦人さま。」@ `Battler-sama."`@ cl r,2 ;源次さんはついてくるように言うと、廊下を歩き始める。@ `After Genji-san told me to follow him, he started to walk down the corridor.`@ br ;俺は酔いを完全に吹き飛ばし、その後を追い掛けた…。\ `I threw my drunkenness off completely and went after him...`\ me1v 12,40 textoff bg black,24 bg Mhal_2aN,24 wait 2000 bg Mhal_2bN,22 ;大階段を登り、………３階へ。@ `We climbed a big staircase, .........towards the third floor.`@ ;その途中で源次さんは足を止める。@ `Genji-san stopped walking halfway.`@ ;そして振り返り、言った。\ `He then turned back and spoke.`\ ld r,$GEN_DefA1,24 ;「………戦人さま。@/ `".........Battler-sama. `@/ ;……これより、戦人さまは、/ `......From here on, `/ ;!d800………理解できぬものを見るでしょう。」@ `..........you will probably see things you will not be able to understand."`@ ld l,$BUT_NayamuA2,23 ;「脅すなよ。@/ `"Don't threaten me. `@/ ;………理解できねぇもんなら、今日、嫌になるほど見てるぜ。」\ `.........Today, I've seen more things I can't understand than I'd have liked to."`\ ld r,$GEN_MajimeA1,80 ;「………見えるものを、見えるがままに。@/ `".........What you see is as it appears. `@/ ;聞こえるものを、聞こえるがままに、受け容れて下さい。」\ `What you hear is as it sounds, so please accept it."`\ ld r,$GEN_MajimeA2,80 ;「なぜ？、も。@/ `"Why? `@/ ;なに？、も。@/ `What? `@/ ;…何も必要ありません。@/ `...There is no need for questions like that. `@/ ;…戦人さまはただ、真実を知ることになるでしょう。@/ `...Battler-sama, you will probably at least know the truth. `@/ ;それをお認めになるか、お信じになるか、@/ `I will leave it completely up to you, Battler-sama, `@/ ;あるいは否定されるかも、全て戦人さまにお任せいたします。」\ `whether to accept it, believe it, or deny it."`\ ld l,$BUT_NiramuA3,80 ;「………………………………。」\ `"....................................."`\ ;源次さんは俺に真実を知る覚悟があるのかと、最後の確認を取る。@ `Genji-san checked one last time to see whether I was prepared to know the truth.`@ br ;第八の晩はもう終わってる。@ `The eighth twilight had already ended.`@ br ;そしたら第九の晩で、魔女は蘇り、……誰も生き残れはしない。\ `And at the ninth twilight, the witch would be revived, ......and nobody would be left alive.`\ ;もうベアトリーチェは、蘇っているというわけだ。@ `It meant that Beatrice was already being revived.`@ ;…そして多分、俺たちは全員生かして帰されはしないだろう。@ `...And probably, none of us would be allowed to live and return.`@ br ;どうせ失う命なら、……その最期に、真実を知りたい。@ `If I was going lose my life anyways, ......I wanted to know the truth in the end.`@ ;…それが、どんなに受け容れがたいものであってもだ。\ `...It didn't matter how hard it might be to accept.`\ textoff wait 2000 ld l,$BUT_FutekiA1,80 ;「………………あぁ。@/ `"..................Yeah.`@/ ;……鬼が出ようと魔女が出ようと、…覚悟はできてるぜ。」\ `......Even if a demon or a witch shows up, ...I'm prepared."`\ ld r,$GEN_DefA1,80 ;「………本当にあなたはお館様の若き頃にそっくりだ。@/ `".........Indeed, you are just like the Master in his youth. `@/ ;……戦人さま、どうかご勉学に励みを。@/ `......Battler-sama, please be diligent in your studies. `@/ ;あなたは将来、必ずや大きな志を持たれるでしょう。@/ `In the future, you will surely have great aspirations. `@/ ;そしてその時、足りぬ学力に一生後悔されることがありませんよう。」\ `And at that time, make sure that there is nothing that you will regret for your entire life due to lack of knowledge."`\ ld l,$BUT_NayamuA2,80 ;「………勉学に勤しめる機会がもらえるなら、ぜひな。」@ `".........If I have chance to work hard in my studies, then no problem."`@ ld r,$GEN_majimeA2,80 ;「…………………………。」@ `"..............................."`@ br ;源次さんのその沈黙は、俺のある種の諦観を、さらに念押すものに感じられるのだった…。\ `It felt like Genji-san's silence forced me to consider that resignation of mine more deeply...`\ bg black,5 fede 1,3000 me2v 5,55 wait 2000 bg M2F_P1dN,22 wait 1000 bg M2F_P1cN,22 ;そして、………甘い臭いを漂わせる祖父さまの書斎の扉が見えてくる。\ `And, .........we could see the door of Grandfather's study, impregnated with a sweet smell.`\ ld c,$GEN_MajimeA2,24 ;源次さんは懐から凝った意匠の、黄金の鍵を取り出す。@ `Genji-san picked a gold key with an elegant design out from his pocket.`@ se1 31 br ;マスターキーは楼座叔母さんに没収されたが、この書斎の鍵だけは持ち続けていたのだ。\ `The master keys had been confiscated by Rosa oba-san, but the key to this study was the only one he had kept with him.`\ ;鍵穴に入れ、………ガチャリと重い音がする。\ `He put it in the keyhole, .........and it made a heavy clunking sound.`\ textoff wait 2000 ld c,$GEN_defA1,80 ;「………お館様。@/ `".........Master. `@/ ;源次です。@/ `It's Genji. `@/ ;戦人さまをお連れいたしました。」@ `I brought Battler-sama with me."`@ br ;それに対する返事はないが、どうやら入室の許可は出ているようだった…。\ `There was no reply, but it seemed that permission to go in had been given....`\ cl c,0 ld l,$GEN_komaruA1,24 ;「さぁ戦人さま。@/ `"Come, Battler-sama. `@/ ;……どうぞ、お入り下さい。」@ `......Please, go in."`@ ld r,$BUT_niramuA3,23 ;「………………あぁ。@/ `"..................Yeah. `@/ ;……入るぜ。」@ `......I'll go in."`@ br ;俺は意を決し、……扉を開け放つ…。\ `I readied myself, ......and threw the door open....`\ bg black,22 fede 0,2000 textoff se1v 17,80 bg white,10 se2 22 bg butterfly_3a,22 wait 2000 se3v 22,90 bfly1 22 ;その瞬間、…俺は眩しき黄金の輝きで目が眩みそうになった………。@ `At that moment, ...I got slightly disoriented by the dazzling golden glow..........`@ br ;それは、………何と、/ `It was, .........somehow, `/ ;!d900……黄金に輝く、蝶の群だった。@ `......a swarm of butterflies, shining gold.`@ ;書斎の中をいっぱいに満たしていた黄金の蝶たちが、一斉に溢れ出して来たのだ……。\ `The golden butterflies that were completely filling the inside of the study poured out all at once.......`\ cbfly 0 bg black,22 bfly2 0 bg Mlib_1aN,22 ld r,$BUT_OdorokiA2,24 bgm1 55 ;!s0「な…………、/ `" Wha-............, `/ ;!d800……何だ、/ `......What is, `/ ;!d600…………こりゃあぁ…………………。」/ `.............this......................"`/ !sd@ br ;それはまるで、金箔の紙吹雪。@ `It was almost like golden leaf confetti.`@ ;祖父さまの書斎の中は黄金の輝きで満たされていた…。\ `The interior of Grandfather's study was filled with a golden glow....`\ cbfly 0 bg black,24 bfly2 0 bg Mlib_1cN,24 ;そして、……書斎机の前にソファーの応接席があり、@/ `And, ...... there was a sofa like a reception chair in front of the study desk, `@/ ;………祖父さまの背中が見えた。@ `.........where I could see Grandfather's back.　`@ br ;祖父さまの向こう側に誰かいる。@ `There was someone on the side opposite from Grandfather.`@ ;…影になってよく見えない…。\ `...It was a shadow, so I couldn't see it well....`\ ld r,$GEN_DefA1,24 ;「……お館様。@/ `"...... Master. `@/ ;戦人さまをお連れしました。」\ `I brought Battler-sama."`\ ld l,$KIN_fumuA1,23 ;「…………戦人か。@/ `"............Battler, is it? `@/ ;今、思考が忙しい…。@/ `I'm busy thinking now... `@/ ;しばし沈黙せよ……。」@ `Be silent for a while......"`@ ;金蔵は背中を向けたままそう不機嫌に言い放つ。\ `Kinzo declared that unhappily, his back still turned.`\ ;どうやら、来客とチェスを楽しんでいるようだった…。@ `It seemed that he was enjoying playing chess with a visitor....`@ br ;対戦相手が絶妙な一手で切り返してきたらしい。@ `Apparently, the opponent had counterattacked with a superb move.`@ ;金蔵は時に笑い、時に呻きながら、熟考を楽しんでいるようだった…。\ `Kinzo seemed to be enjoying himself as he thought deeply, while occasionally laughing and groaning....`\ bfly2 0 bg Mlib_1dN,24 gosub *BEA_isyou2 ld r,$BEA_futekiA2,2 ;「３０年考えた。@/ `"I have thought for 30 years. `@/ ;……この一手をどう切り返すか、３０年考えたぞ…。@/ `......I have thought for 30 years about how to counterattack this move.... `@/ ;楽しめ、３０年を寝かせた我が一手を楽しめ。」\ `Have fun, have fun with the move I have fermented for 30 years."`\ ;＜ベアト ld l,$KIN_WaraiA2,23 ;「……ふっふふふふふふふ。@/ `"......Heheheheheheheh. `@/ ;誠にこの一手は味わい深き熟成された一手よ。@/ `Indeed, this is a deeply matured move. `@/ ld l,$KIN_WaraiA1,80 ;……楽しい楽しい…、くっくくくくくくく、はっはっはっはっはっはっは…！！@/ `......So fun, so fun..., *cackle*cackle*cackle*cackle*, hahahahahahaha...!! `@/ ;敵わぬ敵わぬ。」\ `Unbearable, unbearable."`\ ;＜金蔵 bg Mlib_1aN,23 ld r,$BUT_odorokiA2,24 ;!s0「……こ、/ `"...... Wha-, `/ ;!d500…………これは、/ `............ What is, "`/ ;!d800………何だってんだ………ッ、」/ `.........this.........`/ !sd\ ld l,$BEA_DefA2,23 ;「来たか、戦人。@/ `"So you came, Battler. `@/ ;しばらく待て。@/ `I've been waiting for a while. `@/ ;金蔵のために沈黙を。@/ `Be silent for Kinzo's sake. `@/ ld l,$BEA_futekiA2,80 ;…まだリザインは早いぞ、金蔵？@/ `...Isn't it too early to resign, Kinzo? `@/ ;妾ならもう数手は切り返せる。@/ `I could already counterattack it in several ways. `@/ ;くっくっくっくっく…！」\ `*cackle*cackle*cackle*...!"`\ me1v 5,40 cbfly 0 bg portrait3,42 ;!s0その魔女とは、/ !s0`It should have been, `/ ;!d400……初対面のはずだった。@ !d400`......my first meeting with that witch.`@ br ;しかし、…俺はこの魔女を知っている。@ `However, ...I knew this witch.`@ ;初対面なのに、/ `Even though it was our first meeting, `/ ;!d800…肖像画の中で、/ `...I knew her, `/ ;!d800……知っている……！/ `......from the portrait......!`/ !sd\ bg black,22 bfly1 0 bg Mlib_1cN,0 ld r,$BEA_DefA1,26 ;「源次。@/ `"Genji. `@/ ;戦人のために酒を振舞え。@/ `Serve some alcohol for Battler. `@/ ;この男により相応しき酒は何か…？」@ `What would be an appropriate liquor for this man...?"`@ ld l,$GEN_KomaruA1,23 ;「……若き日よりお館様が愛されている、いつものあのお酒を。」\ `"......That liquor which Master has loved since the days of his youth."`\ ld r,$BEA_WaraiA2,80 ;「それが良いぞ、振舞ってやれ。@/ `"That's good, serve it. `@/ ;……よくぞ来たな右代宮戦人。@/ `......You did well coming here, Ushiromiya Battler. `@/ ;まずは座れ。@/ `First, sit down. `@/ ld r,$BEA_futekiA1,80 ;………そなたは妾の名を何度も呼んだな？@/ `.........You called my name many times, did you not? `@/ ;それに免じ、妾との面会を許した。@/ `In deference to that, I allowed you to meet me. `@/ ;…そしてお前は妾に何を聞く？@/ `...So, what will you ask me? `@/ ;何を尋ねるのか？@/ `What will you inquire? `@/ ;……黄金郷の扉はもうじき開かれる。@/ `......The door of the Golden Land will soon be opened. `@/ ;魔女たちを迎え入れての妾の復活を祝う宴はもうじきだぞ。@/ `Soon, we will have a banquet to celebrate my revival, at which I will be welcoming the witches. `@/ ;…それまでの間、お前の問いにいくらでも答えてやろう。」\ `...In the meantime, I'll be answering your questions, as many as you like."`\ bfly2 0 bg Mlib_1aN,0 ld l,$BUT_odorokiA2,23 ;「き、……聞きてぇことは山ほどあるッ！！@/ `" I, ......I have a bunch of things I want to ask about!! `@/ ;この島で何が起こった！@/ `What happened on this island?! `@/ ;そしてどうしてこんな事件が起こった？！@/ `And why did incidents like these occur?! `@/ ;密室についても聞きたいッ！！@/ `I want to ask about the closed rooms too!! `@/ ;礼拝堂は？！@/ `What about the chapel?! `@/ ;朱志香の部屋は？！@/ `What about Jessica's room?! `@/ ;使用人室は？！@/ `And the servant room?! `@/ ;夏妃叔母さんの部屋は？！@/ `And Natsuhi oba-san's room?! `@/ ;そして客間は？！」\ `And the parlor?!"`\ ld l,$BUT_OdorokiA1,80 ;「聞きたいことはまだまだあるッ！！/ `"There's much more I want to ask about!! `/ se1 7 quakey 3,500 ;@/ @/ ;魔女の正体は！！@/ `About the witch's true nature!! `@/ ;本当にベアトリーチェは魔女なのかッ！！@/ `Is Beatrice really a witch?!! `@/ ;何が目的だ、俺たちに何をさせたい、俺をなぜここへ呼んだんだッ！！@/ `What is your purpose, what do you want to make us do and why did you call me here?!! `@/ ;答えろ全てだッ！！！」/ `Answer me, about everything!!!"`/ se1 12 quakex 3,500 ;\ \ ld c,$KIN_IkariA1,24 E_MA se1v 12,100 ;「えええぇいやかましいッ！！/ `"Eeeeeehhh, be quiet!! `/ quakey 4,500 ;@/ @/ ;問えば答えは返るのかッ？！？！」\ `You think you'll get answers if you ask?!?!"`\ cbfly 0 bg Mlib_1bN,0 ld r,$BEA_DefA2,24 ;「そう言うな金蔵。@/ `"Don't say that, Kinzo. `@/ ;脆く儚いクモの巣も、ヘロデの王から守ってくれることもある。@/ `A fragile and fleeting spider web did protect from King Herod once. `@/ ;……この世に無駄なものなどないように、無駄な質問もまたない。」\ `......Just like there are no useless things in this world, there are also no useless questions."`\ ld r,$BEA_futekiA2,80 ;「良い良い、全ての質問に答えようぞ。@/ `"Veery well, I'll answer all your questions. `@/ ;……ただし、条件がひとつだけある。」@ `......But, there is only one condition."`@ ld l,$BUT_niramuA3,23 ;「何だ。」\ `"What is it?"`\ ld r,$BEA_futekiA1,80 ;「全てを聞き、妾の存在に納得できたなら。@/ `"If you hear everything and are able to accept my existence, `@/ ;…………跪き、妾の靴にキスをせよ。@/ `............kneel and kiss my shoes. `@/ ;お前を屈服させたくて、妾はここへ呼びつけたのだから。」\ `I called you here because I wanted to make you surrender to me."`\ ld r,$BEA_waraiA2,80 ;「…妾と金蔵は賭けをした。@/ `"...Kinzo and I made a bet. `@/ ;金蔵が次の手を閃くのと、妾がそなたを屈服させるのとどちらが早いかだ。@/ `We bet on which would come first, Kinzo thinking of a new move, or me making you surrender. `@/ ;負ける気はせぬぞ。@/ `I don't feel like losing. `@/ ;くっくっくっくっくっくっく…！」\ `*cackle*cackle*cackle*cackle*...!"`\ ld l,$BUT_kuyasigaruA1,80 ;「…で、…………でけぇ口を叩きやがって！！@/ `"...D, ............Damn you, talking so tough!! `@/ ;あぁいいぜ。@/ `Yeah, alright. `@/ ;俺を納得させて見ろよ。@/ `Try to make me admit it. `@/ ;…お前が間違いなく魔女さまで、不思議でステキな大魔法を使えるってことを納得させてみろよ！！」\ `...Try to make me admit that you're a witch and that you can use weird, awesome, and great magic!!"`\ ld l,$BUT_OdorokiA1,80 ;「屈服したなら、キスでも何でもくれてやるッ！！！」\ `"If I surrender, I'll kiss you or do anything else!!!"`\ ld r,$BEA_akuWaraiA2,80 ;魔女はくっくっくと小気味良さそうに笑う。@ `The witch cackled gloatingly.`@ ;そして、男に二言はないなという目で嫌らしく睨みつけてくる…。\ `Then, she glared at him unpleasantly with eyes that said a man can't go back on his word...`\ ld r,$BEA_AkuwaraiA3,80 ;「良くぞ言ったッ！！@/ `"Well said!! `@/ ;さぁて、どの問いから答えようか？！@/ `So, from what question shall I begin?! `@/ ;全て答えるぞッ！！@/ `I'll answer everything!! `@/ ;さぁまずは何からだッ？！？！」\ `Come, what will the first one be?!?!"`\ cbfly 0 bg black,42 ;bgmonce "bgm\UmiNeko C FINALMIX_01.ogg" skipoff !sd btndef "bmp\background\efe\end_2a.jpg" ;スクロール画像を読みこむ skipoff blt 0,0,640,480,0,0,640,480 ;高速描画処理　座標０ bg "bmp\background\efe\end_2b.bmp",0 ;最後の背景を裏側に表示 waittimer 40 ; gosub *ep2_scroll ;スクロール実行本体 resettimer ;bg end_rogo,0 ;print 1 waittimer 8000 print 1 prnumclear ;数値ラベル設定クリア csp -1 ;スプライト全クリア btndef "" ;高速描画用画像の、メモリからの消去 ofscpy bg black,10,5000 fede 0,4000 wait 2000 ;if %UMINEKOEND < 11 mov %UMINEKOEND,11 : mov %UMINEKOEND_FLG,11 ;クリアフラグの変更 bg black,22 E_A eye1 23,59,23,59,1,0,560,480,120 ;▲第１７アイキャッチ：１０月５日（日）２３時５９分 *umi2_18 mov %play_scene,180 bg white,1 bg black,22 bg cha_i1a,62 se1 15 me1v 13,40 quakey 3,600 ld c,$ROS_IkariB2G,24 bgm1 19 ;■時間経過シーン〜礼拝堂 ;「どこなの、ベアトリーチェッ！！@　姿を見せなさいッ！！@　ベアトリーチェぇえぇ！！」\ ;＜楼座 `"Where are you, Beatrice!!`@` Show yourself!!`@` Beatriiiiiice!!"`\ ;　楼座はとうとう礼拝堂までやって来る。@ ;　そして銃を辺りに向けながら魔女の名を叫ぶが、答えが返るはずもなかった。\ `Rosa finally arrived at the chapel.`@ `She pointed her gun around her, screaming the witch's name, but there was no way there would be an answer.`\ bg black,22 bg gold1,22 ;　表情を少しだけ歪めた後、兄弟たちが未だに遺骸を晒すテーブルに踵を鳴らしながら近付き、黄金のインゴットに手を伸ばす。@ `After grimacing slightly, she noisily approached the table where her siblings corpses were still exposed, and stretched out her arm towards the gold ingot.`@ br ;　それはあまりに重かったが、楼座は気にしない。@ブランケットにそのひとつを包み、担ぎ上げる。\ `It was very heavy, but Rosa didn't mind.`@` She wrapped that one up in a blanket, and threw it over her shoulder.`\ bg cha_i1d,22 ld r,$ROS_ikariA4,26 ;「せめて…、この一つだけでも……。@これだけでも、一千万以上の価値があるはず…。」@ `"At least..., with just this one......`@` Just this should be worth more than 10 million..."`@ br ;　楼座は銃も手放さず、その上でさらに黄金も持つ。@ ;　…彼女の肩が悲鳴を上げるが、楼座は構わなかった。\ `Without letting go of her gun, Rosa also carried the gold.`@ `...Her shoulders were screaming. but Rosa didn't mind.`\ ld l,$MAR_AkuwaraiA2,23 ;「……きひひひひひひひひひひひひひひ。@もうすぐだね。@……もうすぐ黄金郷の扉が、開く。」@ `"......Kihihihihihihihihihihihihihihihihi.`@` It will happen very soon.`@` ...Very soon, the door to the Golden Land, ...will open."`@ ld r,$ROS_IkariA1,80 ;「その気持ち悪い声で笑うのを止めなさい！！@　ベアトリーチェはどこにいるの？！@　えぇ、わかっているわ、どこかにいるんでしょう？！@　あなたは知っているんでしょう？！@　どこッ？！」\ `"Stop laughing with that creepy voice!!`@` Where is Beatrice?!`@` Yeah, you know, she's somewhere, right?!`@` You know, right?!`@` Where?!"`\ ld l,$MAR_AkuwaraiA1,80 ;「きひひひひひひひひひひひひひひひひ。@知ぃらない。@探さなくても、黄金郷で会えるよ。@…きひひひひひひひひひひひひひひひひひひひひひひ、あ痛。」/ `"Kihihihihihihihihihihihi.`@` I don't kno-w.`@` Even if you don't search for her, you can meet her in the Golden Land.`@` ...Kihihihihihihihihihihihihihihihihi, ouch."`/ se1 7 ld l,$MAR_FukigenA1,1 quakey 3,300 \ cl a,0 ld c,$ROS_IkariA2,80 ;「その笑いを止めなさいッ！！@　……あぁッ、私が笑いたいくらいよッ！！@　そうね、アレは間違いなく魔女だったわ、間違いなく魔女だったッ！！@　私はわかってなかった、魔女を名乗る人間だと信じてたッ、違うッ！！！」\ `"Stop that laugh!!`@` ......Aaah, it almost makes me want to laugh!!`@` That's right, that was definitely a witch, definitely a witch!!`@` I didn't understand, I thought it was a human calling herself a witch, I was wrong!!!"`\ bg black,1 me2v 5,40 ;「…あれは、本当に魔女だった！！@　私はあんなのに誤魔化されないわよッ！！@　いるんでしょう？！@　出てきなさい、姿を現しなさいッ！！@　ベアトリーチェえええぇえええええええぇえええッ！！！」/ `"...That really was a witch!!`@` I won't be fooled by something like that!!`@` You're there, right?!`@` Come out, show yourself!!`@` Beatriiiiiiiiiiiiiiiiiiiiiiiice!!!"`/ se1 11 quakey 4,300 \ bg cha_i1c,26 ld c,$MAR_AkuwaraiA1,24 se2 37 ;「だからもうすぐ現れるよ。@黄金郷の扉が開かれるよ。@……きひひひひひひひひひひひひ…。」\ `"I told you, she'll appear very soon.`@` The door to the Golden Land will be opened.`@` ......Kihihihihihihihihihihihi..."`\ textoff bg black,2 fede 0,2000 me1 13 dllefe 1,1 bg M_o1aN,26 wait 3000 bg black,22 dllefe_off bg M2F_P1dN,22 mevol 1,40 wait 2000 bg black,22 se1 22 bfly1 0 bg Mlib_1dN,22 ;■金蔵の書斎（この後は戦人視点・戦人立ち絵出ません） ;bfly2 0 ld r,$KIN_WaraiA1,24 bgm1 45 ;「…………そうだ。@それで良かったのだ！@　構わぬ、ルークを捨てるぞ！@　持てるモノ全てを失う覚悟がなければ、至ることもできぬキングがお前という女なのだ。@追い詰めるぞ、ベアトリーチェぇえぇ。@ひっはははははははははは！」\ `"............That's right.`@` Isn't that great!`@` I don't mind, throw away the rook!`@` You, woman, are the king that can't even be reached without the resolve to lose everything one has.`@` I'll corner you, Beatriiiiice.`@` Hihahahahahahahahahaha!"`\ gosub *BEA_isyou2 ld l,$BEA_defA2,23 ;「せめてクィーンと言えぃ。@ほぅ、なかなかに妙手。@諦めの悪さがそなたの、…いや、右代宮の血か。」\ `"At least call me a queen.`@` Hoh, what a brilliant move.`@` So your blood, no, Ushiromiya's blood is bad at giving up."`\ ld l,$BEA_WaraiA2,80 ;「……心地よし！@　実に優雅な夜だ。@くっはっはっはっはっはっはっは…！！」\ `"......How pleasant!`@` Truly an elegant night.`@` Ku-hah-hah-hah-hah-hah-hah-ha...!!"`\ bfly1 0 bg Mlib_1aN,23 ld r,$GEn_DefA1,23 ;「………お館様、ベアトリーチェさま。@そろそろ、宴の時間でございます。」\ ;＜源次 `".........Master, Beatrice-sama.`@` It will soon be time for the banquet."`\ ld l,$KIN_WaraiA2,23 ;「もうか。@……早い。@お前と過ごす夜はいつも早く、@月が林檎のように落ち、川面より跳ねる小魚のように日が昇るのだ。」\ `"Already?`@` ......That's fast.`@` Every night I pass with you goes by fast,`@` the moon falls like an apple, and the sun leaps out of the river like a small fish."`\ cbfly 0 bg black,24 bfly2 0 bg Mlib_1cN,24 se1 22 bfly2R 0 ld c,$BEA_AkuwaraiA1,24 ;「行こうではないか、時間だ。@……立て、戦人。@妾の復活を祝う宴の始まりだ。」\ `"Shall we go, it is time.`@` ......Stand Battler.`@` It is the beginning of the banquet to celebrate my revival."`\ ld c,$BEA_futekiA1,80 ;「妾の新しい家具、…いや、玩具として紹介しようぞ。@御歴々の魔女たちに。」\ `"I'll introduce you as my new furniture, ...no, as my toy.`@` To the dignitaries among witches."`\ ;　魔女はソファーから投げ出した足を足置き椅子に載せ、優雅に寛いでいた。@ `The witch was relaxing elegantly, her feet thrown out from the sofa and sitting on top of a footrest.`@ br ;　…しかし、その足置き椅子はソファーの一部ではなく、……ニンゲンだった。@四つん這いになった…。\ `...However, the footrest wasn't a part of the sofa, ......it was a human.`@` Which was down on all fours......`\ cbfly 0 bg black,2 bfly2 0 bg Mlib_1bN,2 ld l,$GEN_MajimeA2,23 ;「……ベアトリーチェさま、御召替えのドレスでございます。」@ ;＜源次 `"......Beatrice-sama, your silk dress."`@ ld r,$KIN_DefA1,24 ;「主賓はお前だが、ホストは私だ。@私は先に出ていよう。@着付けの手伝いに紗音でも居ればよかったが、生憎、残れなかったようだな。」\ `"You are the guest of honor, but I am the host.`@` I will go out first.`@` It would have been nice if Shannon were here to help dress you, but, unfortunately, it seems that she no longer remains."`\ ld r,$KIN_fumuA1,80 ;「……使いたい時にいつもおらぬ。@つくづく使えんヤツよ。@/ `"......She's never around when I want to use her.`@` A completely useless person. `@/ ld r,$KIN_WaraiA1,80 ;………しかし、お前はよく残ってくれた。@…嬉しいぞ、我が友よ。」\ ;＜金蔵 `.........However, you did well to remain here.`@` ...I'm happy, my friend."`\ ld l,$GEN_defA1,80 ;「……ありがたいお言葉です。」\ ;＜源次 `"......I am grateful for your words."`\ cl a,24 ld c,$BEA_defA1,24 ;「良い。@二人とも先に下で待て。@/ `"Good.`@` Wait downstairs, you two. `@/ ld c,$BEA_WaraiA1,80 ;源次、ご苦労、そのドレスはそこへ置いていけ。」\ `Genji, good work, set the dress down over there."`\ cbfly 0 bg black,23 bfly1 0 bg Mlib_1aN,0 ld r,$GEN_MajimeA1,23 ;「……かしこまりました。@………それではお館さま。」\ `"......Certainly.`@` .........Well then, Master."`\ ld l,$KIN_WaraiA1,24 ;「我らは先に行こう。@…ベアトリーチェ、後ほどな。」@ `"We will go first.`@` ...Beatrice, I will see you later."`@ cl r,23 ld r,$BEA_AkuwaraiA1,24 ;「うむ。」\ `"Hmm."`\ cl l,2 ;　金蔵と源次は書斎を出て行く。@ ;　後には魔女とドレスと家具が残った。\ `Kinzo and Genji left the study.`@ `After that, the witch and the dress and the furniture remained.`\ cbfly 0 bg black,24 bfly1 0 bg Mlib_1cN,2 se1 22 bfly1R 22 ld c,$BEA_defA2,24 ;「………なぜ妾がそなたに肌を見せることを恥じぬかわかるか…？」@ ;＜ベアト `".........Do you know why I am not embarrassed to show myself to you naked...?"`@ br ;「………………………。」\ ;＜戦人 ;＜立ち絵ないからねー `"........................"`\ ld c,$BEA_AkuwaraiA2,80 ;「そなたは家具だからだ。@家具ゥ。@わかるか？@　家具だよ家具ゥ！@/ `"It's because you are furniture.`@` Fu-rniture.`@` Understand?`@` Furniture, just fu-rniture! `@/ ld c,$BEA_waraiA2,80 ;　家具に体を晒して恥じる者がどこにいよう？@　だからお前に妾は恥じる必要がない。@…くっくくくくくくくくくく！」\ `Who would feel shame at exposing their body to furniture?`@` So there is no reason for me to feel shame because of you.`@` ...*cackle*cackle*cackle*cackle*cackle*!"`\ cbfly 0 bg black,2 bg Mlib_1e,25 me1v 5,40 ;　魔女は立ち上がると、上着の肩だけを外す。@ ;　……すると上着はそのまま、すとんと後ろに落ちる。@ `When the witch stood up, her jacket slipped off, just from her shoulders.`@ `......After that, the jacket fell to the ground with a thump.`@ br ;　その衣服を拾おうと家具がうやうやしく近付いた時、魔女は小さく蹴って転がした。/ `When the furniture respectfully approached to pick up those clothes, the witch gave it a small kick and it fell over.`/ ;se1 7 quakex 3,500 @ br ;　…家具は自分に何の不調法があったのかと怯えた…。\ `...The furniture was afraid of what misconduct it had shown...`\ bfly1 0 bg Mlib_1cN,0 ld c,$BEA_FutekiA1,26 ;「そなたは家具の分際で、妾に自らボタンを外させるつもりなのか。@/ `"Do you, as furniture, plan to force me to unbutton myself? `@/ ld c,$BEA_defA2,80 ;……立て。@そしてこのボタンを外せ。@…ひとつずつ、丁寧に。@早く。@美しく。@粗相なく。@客人たちを待たせてしまうぞ、早く妾を着替えさせろ。」\ `......Stand.`@` And undo the buttons.`@` ...One by one, politely.`@` Quickly.`@` Beautifully.`@` With no mistakes.`@` The guests are being kept waiting, change my clothes quickly."`\ cbfly 0 bg black,22 br ;「………………はい…。」\ `"...............Yes..."`\ bg Mlib_1e,22 se1 37 ;「くっくくくくくくくくくっかかかかっはっはっはっはっはっはっはッ！！@　丁寧に外すのだぞ。@そなたの目玉ひとつよりも高価なボタンであるぞ。@…間違って千切るようなことがあったなら、代わりにそなたの目玉を縫い付けてやる…。@/ `"*cackle*cackle*cackle*cackle*cackle*, kakakaka, hah-hah-hah-hah-hah-hah-ha!!`@` Undo them politely.`@` Those buttons are each worth more than one of your eyeballs.`@` ...If you make a mistake and break them, I'll sow your eyeballs in instead...`@/ se2v 37,100 ;くっくくくくくくくくくくくくくくくくくく！！」\ `*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*cackle*!!"`\ bg black,45 fede 0,4000 wait 2000 bg Mhal_1aN,6 bgm1 55 se1 22 bfly2 22 wait 1000 me1v 24,40 ;■時間経過〜玄関ホール ;　玄関ホールは、大勢の人影で賑わっていた。@ ;　そして、飛び交う黄金の蝶たちで金色に輝いていた。@ `The entrance hall was bustling with a large number of people's shadows.`@ `And it was sparkling gold with the gold butterflies flying around.`@ br ;　スーツやタキシードの紳士たち、そしてドレスの淑女たちが大勢談笑しているように見えた。@　それは一見すればまるで華やかなりし中世の舞踏会に見えたかもしれない。\ `The gentlemen in suits and tuxedos and the ladies in dresses looked like they were having a great number of friendly chats.`@` At a glance, it might have looked like a fabulous medieval ball.`\ ;　しかし、彼らは皆、ある一点で共通していて、そしてその点がこの上なく異様だった。@ `But they all had one thing in common, and that thing was exceedingly bizarre.`@ br ;　……なぜなら、彼らは全て、…山羊の頭だったからだ。\ `......Because all of them, ...had goat heads.`\ ;　それが山羊の仮面による仮面舞踏会なのか、/ ;!d800………本当に山羊の頭なのかはわからない。@ `I don't know whether it was a goat mask masquerade, `/ !d800`.........or whether they really had goat heads.`@ br ;　…後者のわけがないのだが、この異様な世界では、どちらかわからないと本気で考えてしまう…。\ `...It probably couldn't be the latter, but in this bizarre world, I really didn't know which was true...`\ bg Mhal_2aN,0 ld c,$KIN_WaraiA1,23 ;　その山羊の貴族たちの中で、金蔵が挨拶を交わしていた。@ `Kinzo was amongst those goat nobles, greeting them.`@ br ;　いずれも賓客ばかりらしく、普段の金蔵から想像もつかぬほど、うやうやしく挨拶をしていた。\ `Kinzo's greetings were more respectful than would have been expected, as though these were all honored guests.`\ ;　その時、ホールに源次の声が響き渡った。@ ;　静粛に、という声だった。@ ;　その声に、談笑の声は止み、一同が源次の方を向く。\ `At that time, Genji's voice rang out through the hall.`@ `It was a voice calling for silence.`@ `That voice stopped the voices of idle chatter, and everyone turned to face Genji.`\ textoff E_MA cbfly 0 bg black,22 bfly2 0 bg Mhal_2bN,0 ld r,$GEN_komaruA1,24 ;「………今宵、復活を遂げましたる我らが黄金の魔女、@ベアトリーチェ卿の御入場でございます。@皆様、拍手をもってどうかお迎え下さい。」@ ;＜源次 `".........Tonight marks the entrance of our Golden Witch, who had achieved her revival, `@`the Lady Beatrice.`@` Everyone, please welcome her with your applause."`@ cl r,23 br ;　源次が拍手を始めると、それはすぐに来客に広がり、万雷の拍手となった。\ `When Genji began to applaud, it quickly spread through the guests, and became thunderous applause.`\ se1 54 gosub *BEA_isyou1 ld c,$BEA_DefA2,6 ;　そして、………大階段の上に、黄金の魔女が姿を現す…。@ ;　それは優雅に手を振りながら、…お気に入りの家具を従え、ゆっくりと階段を降りて来た…。\ `And, .........the Golden Witch appeared from the top of the large staircase...`@ `As she gracefully waved her hand, ...followed by the furniture she liked, she slowly descended the staircase...`\ bg Mhal_1aN,6 me1v 24,50 ;　山羊の貴族たちは、太古の失われた言語で口々に祝いの言葉を掛ける。@ ;　そして親交の深かった者たちは、抱擁を交し合って再会を喜び合った。\ `The goat nobles offered unanimous words of celebration in some long-forgotten language.`@ `And those who were deeply intimate embraced, filled with joy at their reunion.`\ ;　そうした魔女の再会の挨拶に、…魔女の家具はずっと付き従う。@ ;　………首には鎖が。@ ;　そして魔女の手に飼い犬のように握られている。\ `As the witch offered greetings of reunion, ...the witch's furniture followed behind her the whole time.`@ `.........There were chains around its neck.`@ `These were gripped in the witch's hand, like it was a trained dog.`\ ;　拘束のためのものではない。@ ;　…尊厳を傷つけるためだけの、拘束具…。@ `The chains weren't there to restrain it.`@ `...The chains were a restraining device whose only purpose was to injure the furniture's dignity...`@ br ;　それ以外には何も身に着けることが許されていなかった。\ `He wasn't permitted to wear anything else on his body.`\ ld r,$BER_DefA1,24 ;　山羊の貴族の中に混じった、山羊の令嬢のひとりが、@家具が自分の前を通り過ぎる時にそっと山羊の仮面を外し、光を宿さぬ瞳で言った。@ `One of the young woman goats mixed in with the goat nobles,`@` softly removed her goat mask as the furniture passed in front of her, and spoke with eyes that had no light in them.`@ br ;　そこにある顔は、髪の長き幼い少女に見えた…。\ `That face, ...looked like it belonged to a long-haired, young girl...`\ cbfly bg cg40,6 ;「……………哀れね。」@ ;＜ベルン `"............How pitiful."`@ ;「おぉ、ベルンカステル卿。@これはようこそおいでを。@妾の家具を気に入られたか？」\ `"O-h, Lady Bernkastel.`@` Welcome.`@` Do you like my furniture?"`\ ;「………いい趣味ね。」@ `".........That's a nice hobby."`@ cl r,2 br ;　それだけを言い残すと、ベルンカステルと呼ばれた魔女は再び山羊の仮面を被り、@他の背の高い山羊たちの影に飲み込まれてしまう…。\ `After saying only that, the witch called Bernkastel once again put on her goat mask,`@` and was sucked in by the shadows of the other tall goats...`\ ;「あっははははははははは…。@負け惜しみをぅ。@悔しがってるのよぅ。」@ `"Ahahahahahahaha...`@` Sore loser.`@` She's irritated."`@ ;「違いないな。@くっくくくくくくくくくくくくくくく！」@ ;＜ベアト `"You're right.`@` *cackle*cackle*cackle*cackle*cackle*cackle* *cackle*cackle*cackle*cackle*!"`@ se1 37 ;　他の山羊の令嬢がくすくすと笑うと、魔女もまた甲高く笑い出すのだった。\ `The young women goats giggled, and the witch once again let out a high-pitched laugh.`\ cbfly 0 bg black,24 bfly1 0 bg Mhal_2cN,24 ld c,$BEA_defA2,24 E_MA ;「今宵は妾のためによく集まってくれたッ！！@　久々に古今東西の旧友たちが集う“魔女の宴”を存分に楽しもうではないか…！」\ `"Thank you for gathering here for my sake!!`@` Why don't we enjoy to the fullest this 'banquet of the witch', where old friends have gathered from past and present. east and west...!"`\ ld c,$BEA_AkuwaraiA3,80 ;「さぁ、今宵を食い明かし、/ `"Come, we will eat all night, `/ !d400/ ;飲み明かし、/ `drink all night, `/ !d400/ ;啜り明かし、/ `slurp all night, `/ !d400/ ;食い千切り明かしてとことん楽しもうではないかッ！！@　時計を見よ、終わりの時間と始まりの時間が溶け合う時を指すぞ、……さあッ！！@　魔女の宴を始めようッ！！！」\ `and chew to bits all night as we enjoy ourselves!!`@` Look at the clock, it shows the time when the ending hour and the beginning hour melt together, ......come!!`@` Let us begin the banquet of the witch!!!"`\ bg black,22 bg Mhal_1aN,24 se3v 51,90 ;　魔女が宴の始まりを宣言した時、大時計が２４時を指し、大きな鐘の音を鳴らし始める…。\ `When the witch proclaimed the beginning of the banquet, the large clock pointed to 24:00, and the sound of a bell began to ring out...`\ ld c,$BEA_futekiA1,22 ;「さあ……、今こそ！！@　黄金の扉を開こうぞ…………ッ！！！」\ ;＜ベアト `"Come......, now is the time!!`@` Open the golden door............!!!"`\ textoff se1 17 se2v 54,70 bg white,50 me1v 21,0 for %ryuu1 = 1 to 60 wait 50 mevol 1,%ryuu1 next wait 1000 se1v 54,80 bg butterfly_4a,0 print 99,4000,"breakup.dll/llB" se2v 54,90 bg white,0 print 99,4000,"breakup.dll/llB" se1v 54,100 bg Mhal_1aN,0 bfly1 0 print 99,4000,"breakup.dll/llB" ;bg butterfly_1a,0 ;ld c,$BEA_WaraiA2,22 ;wait 1000 ;bg butterfly_3a,0 ;ld c,$BEA_WaraiA2,22 ;wait 1000 ;bfly1 8 ;wait 2000 ;bg white,0 ;cbfly 0 ;print 99,2000,"breakup.dll/llp" ;wait 300 ;bg black,99,2000,"breakup.dll/llp" ;　室内を金箔に染めていた黄金の蝶たちが一斉に飛び交う。@ `All at once, the butterflies leafed in gold flew all around the inside of the room.`@ br ;　黄金の嵐と金色の眩い光の中、この世とこの世ならざる世界の断面が、……斬って開かれる……。\ `Amidst the golden storm and the brilliant gold-colored light, the cross-section of this world and a different world, ......was cut open......`\ se3 56 se2v 54,100 bg butterfly_3a,8 me2v 18,60 ;　山羊たちの歓喜の声の中、人の世の屋敷と、人ならざる者の屋敷が重なり、@……黄金の魔女の復活を称える眷族たちが黄金の蝶の姿を借りて、@……地獄の底より溢れ出す…。@ `Amidst the goats' delighted voices, the mansion of the human world and the mansion of those not human overlapped, `@`......and the members of the household that praised the resurrection of the Golden Witch scattered into gold butterflies, `@`......and poured out of the depths of hell...`@ br ;　それは、黄金の、竜巻。@ ;　…金色の悪魔たちのロンド。\ `It was, ...a golden, ...tornado.`@ `...A rondo of golden demons.`\ ;　さぁさ今宵は無礼講。@ `Come, tonight we will put aside rank.`@ br ;!s0　酒蔵を開け放て、/ ;!d800蛇の頭を落として酒壷に放り込め、/ ;!d900牛も鶏も生きたまま炉に放り込め、/ ;!d800飲めや食えや歌えや踊れや、/ ;!d900嗤えや殺せや冒せや堕とせや！！/ !s0`Throw open the wine cellar, `/ !d800`drop the snake's head into the liquor pot, `/ !d900`throw cows and chickens into the furnace alive, `/ !d800`drink and eat and sing and dance, `/ !d900`sneer and kill and desecrate and degrade!!`/ !sd\ bfly1R 0 bg Mhal_1aN,22 ld c,$KIN_NakuA2,22 ;「ああああぁ、ベアトリーチェ！！@　今こそ私を黄金郷へッ！@　黄金郷へええぇえええぇッ！！！@　ぉおぉおおおおおおおお、ぉああああああああぁああああッ！！！」\ `"Aaaaaahh, Beatrice!!`@` Take me to the Golden Land now!`@` To the Golden Laaaaaaaaaaaaaand!!!`@` Oooooooooohhhhhhhhh, aaaaaaaaaaaaaaaaaaaaaaaaaaahhh!!!"`\ textoff ;cl a,25 quakey 4,600 ;　山羊の貴族たちは、いつの間にか金蔵を揉みくちゃにしていた。@ `The goat nobles were suddenly crushing in around Kinzo.`@ br ;　…まるで、人気のムービースターからサインをねだる子どもたちのように。\ `...Almost like they were kids demanding the signature of some famous movie star.`\ ;　違う点は二つ。@ ;　一つは、彼らが子どもでなく魔女であったこと。@ ;　そしてもう一つは、魔女たちが強請ったのはサインではなかったこと。\ `There were two differences.`@ `First, they were witches, not kids.`@ `And second, what the witches demanded were not signatures.`\ lsp bgsp,butterfly_4sp2R,0,0 print 2 ;　山羊の貴族たちの海に、金蔵が溺れていく。@ ;　金蔵の笑い声だけが辺りに木霊する。\ `The sea of goat nobles began to drown Kinzo.`@ `Only Kinzo's laughing voice echoed throughout the area.`\ textoff E_MA csp -1 bg black,1 mov %ryuu2,90 resettimer for %ryuu1 = 1 to 12 waittimer %ryuu2 resettimer se1v 37,100 bg bite,1 waittimer %ryuu2 ;resettimer se2v 36,100 ;waittimer %ryuu2 resettimer se3v 57,100 bg blood_1aR,1 next mono 2 bg white,1 mono off bg bite,42 ;　それは笑いと断末魔の入り混じる壮絶なものだった。@ ;　そして金蔵はワインとなり肉となりパンとなる。\ `It was a grand mixture of laughter and his death throes.`@ `And Kinzo became wine and meat and bread.`\ ;　啜れば芳香、齧れば芳醇、千切りては愉快！@ ;　断末魔の声は甘く糸を引き、@溶かしたチョコレートに銀のアラザンで飾り立てれば素敵なデザート！@ `An aroma if slurped, a rich taste if gnawed, and pleasant to tear to bits!`@ `The voice of his death throes lingered on sweetly, `@`if you adorn melted chocolate with a golden argent, it would be a wonderful dessert!`@ br ;　骨は持ち帰ればスープの出汁にも使えるし、@残りは子どもが遊ぶ玩具にもなるし、@不吉しか与えぬ占いの良き道具にもなる！\ `If you took the bones home, you could also use them in a soup, `@`and the remains could even become toys for the children to play with, `@`and they could also become good tools for fortune-telling that always gave misfortune!`\ bfly1R 0 bg black,22 bg Mhal_1aN,6 me1 21 ;　その光景を全て、……家具は見ていた。@ ;　全ては幻想的。@…全てが悪魔的。\ `That entire scene, ......was watched by the furniture.`@ `It was all fantastical.`@` ...It was all demonic.`\ ;　…麻痺したはずの心が震えるのは、…未だに恐怖できる感情が残っている証なのか。@ `...Was the quaking of its heart, which should have been paralyzed, ... proof that it could still feel fear?`@ br ;　その時、膝がガクンと抜け、家具の体が絨毯の真ん中に転げた。/ `At that time, its knees buckled, and the furniture's body fell onto the center of the carpet.`/ se1 13 quakey 3,800 @ br ;　魔女が後ろからその膝を蹴り付けたからだ。\ `Because the witch had kicked those knees from behind.`\ ld c,$BEA_defA2,23 ;「跪き敬意を示せ。@額を絨毯に擦り付けて己が身の卑しさを示せ。@両手を後ろで組み、血肉の全てを妾に捧げることを誓え。」\ `"Kneel and show your respect.`@` Rub your forehead against the carpet and show how vulgar you are.`@` Put your hands behind your back and swear that you will offer all your flesh and blood to me."`\ ;「………………ぅ、…………あ………、」\ `"..................u, ............ah........."`\ ;　家具が苦しげな声を漏らす。@ `The furniture let out a painful voice.`@ br ;　…恐怖はニンゲンの持つもっとも原始的な感情。@ ;　…その感情が、彼の殺されたはずの自我を蘇らせようとしているのか。\ `...Fear is the most basic emotion humans have.`@ `...Was that emotion reviving his sense of self, which should already have been killed?`\ ld c,$BEA_futekiA2,80 ;「………ふ。@まだまだ妾の家具には相応しくないか。@/ `".........Hmph.`@` So, you are still far from being appropriate for my furniture. `@/ ld c,$BEA_futekiA1,80 ;良い！@　じっくりそなたを、妾好みの、そして妾にのみ相応しい家具に仕上げてやる。@…今のそなたにできるのはせいぜい、客人の方々を楽しませることくらいか！」\ `Good!`@` I will carefully finish you, to make you the kind of furniture I like, the kind appropriate only for me.`@` ...Is the best you can do now simply entertaining the guests?!"`\ bg butterfly_3a,22 ;　うずくまる家具を、山羊の貴族たちが取り囲んでいる…。@ ;　爛々と真っ赤に光る目は、新しく与えられた若々しき料理に狂喜を隠せないようだった。\ `The goat nobles were surrounding the crouching furniture...`@ `It seemed that their blazing, blood-red eyes couldn't hide their ecstasy at this new young food that they had been given.`\ csp -1 bg bite,22 ;　そして醜い歯をいくつも覗かせる口元は、だらしなく涎を、/ ;!d800…あるいはさっき食らったばかりの肉やワインの残滓を零す…。\ `And from the ugly teeth that stuck out of countless mouths, saliva, `/ !d800`...or maybe the traces of meat and wine that they had just eaten, dribbled down...`\ ;「………ぃ、…………いいぃいいいいいいいいいいいいいッ！！」/ `".........e, .........eeeeeeeeeeeeeeeeeeeeeeeeeek!!"`/ quakey 3,500 @ br ;　家具はだらしない悲鳴をあげながら、尻餅のまま後退りをする。@ `As the furniture let out a wild scream, it retreated, still sitting on its backside.`@ br ;　…しかし山羊の貴族たちの輪は狭まっていく…。\ `...But the circle of goat nobles was closing in...`\ bg black,22 bfly1R 0 bg Mhal_2bN,0 ld r,$BEA_WaraiA1,24 ;　そして家具は魔女の顔を見た。@ `And the furniture looked at the witch's face.`@ ;　…魔女に屈服したのだから、魔女の慈悲があるのだと信じ、最後に魔女の顔を見た。\ `...It had surrendered to the witch, so believing that the witch would have some compassion, it stared at her face in the end.`\ cl a,22 ;　しかし魔女の顔にあるのは嘲りだけで、すでにこちらを向いてすらいなかった。@ `But there was nothing but scorn on the witch's face, and she wasn't even facing the furniture anymore.`@ br ;　魔女は目の合った賓客に挨拶するために去っていく…。\ `The witch went off to greet an honored guest with whom she had crossed gazes...`\ csp -1 ;cbfly 0 bg black,6 bg butterfly_4a,6 mevol 1,90 ;　家具を、山羊の貴族たちが見下ろしている。\ `The goat nobles looked down upon the furniture.`\ ;　彼らは実は待っていた。@ `They had truly been waiting.`@ br ;　シャンパンを飲むためにはまずコルクを抜かなければならないように、@宴に供された贄を口にする前に、ある、たったひとつのソレを待っていた。\ `Just like how one must remove the cork in order to drink champagne, `@`before bringing the offering served at the banquet to their mouths, they were waiting for just one of those.`\ ;　もちろんソレを家具は知らない。@ `Of course, the furniture didn't know about those.`@ br ;　…でも、勝手に口にするのだ。@ ;　コルクを抜けば必ず、ポンと音がするように、彼も必ず口にするのだ。\ `...But it came out of his mouth all by itself.`@ `Just like there is certainly a pop when the cork comes out, it certainly came out of his mouth.`\ ;!s0「…ぎ、/ ;!d600……ゃ、/ ;!d600…ぁひいいいいいいいいっぃいいいいぃぃいいいいいいいっぃいいいいぃいいいいいィイッ！！！」/ !s0`"...G, `/ !d600`......yaa, `/ !d600`...ahiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii!!!"`/ quakey 6,1200 !sd@ br ;　――悲鳴を。@ `――A scream.`@ br ;　それが、彼が供せるささやかな宴の開始の、合図。\ `It was a sign that the modest banquet at which he was to be served, ...had begun.`\ bg black,2 bg bite,1 ;「ぎゃああぁあああああぁああああ/ `"Gyaaaaaaaaaaaaaa`/ se1 20 quakey 3,500 ;げぇぷききゃきゃかッく/ `gebukikyakyakaku`/ se2v 38,100 quakex 4,500 ;ぉおおがあげォえぉ/ `oooogaageoe`/ se3v 37,100 quakey 3,500 ;おおぉおああああぁああああああぁあああぁ/ `ooooaaaaaaaaaaaaaaaaaaaaaaaaa`/ se1v 12,100 quakex 6,600 ;ああああぁああああああぁあああぁああああぁああああああぁ/ `aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa`/ se2v 36,100 quakey 4,500 ;あああぁああああぁああああああぁあああぁああああぁああああああぁあああぁあああ…ッ！！！」 `aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah...!!!"` se3v 36,100 se1v 57,100 quakex 5,500 br ;　がぷぽぎゅぐきぐきぼりゅッ。\ `Gabubogyagukigukiboryu.`\ mov %ryuu2,100 resettimer for %ryuu1 = 1 to 12 waittimer %ryuu2 resettimer se1v 37,100 bg bite,1 waittimer %ryuu2 resettimer se2v 36,100 bg blood_1b,1 waittimer %ryuu2 resettimer se3v 57,100 bg blood_1aR,1 next mono 2 bg white,1 mono off bg bite,42 se2v 38,100 bg blood_1aR,25 bg black,42 fede 0,5000 wait 2000 se1 22 bg garden_1aN,0 bfly1 22 bgm1 54 ;■薔薇庭園 ;　薔薇庭園は今や薔薇と黄金の庭園。@ ;　黄金の蝶たちが、黄金の妖精たちが、黄金の蜥蜴たちが跋扈し乱れ飛ぶ金色の庭園。\ `By now the rose garden was a garden of roses and gold.`@ `A gold-colored garden where gold butterflies, gold fairies, and gold lizards rampaged and flew about wildly.`\ ld r,$ROS_ikariA1,24 ;「真里亞ッ、早く！！@　走ってッ！！@　早く早く早く早くッ！！」@ `"Maria, quickly!!`@` Run!!`@` Quickly quickly quickly quickly!!"`@ br ;　楼座はインゴットを包んだブランケットと銃を抱え、@真里亞に追いつけないような速さで走り、時折止まっては真里亞に速く走れと声を掛けた。\ `Rosa held onto the blanket wrapped around the ingot and the gun,`@` and ran at a speed Maria couldn't catch up with, sometimes pausing to call out at Maria to run faster.`\ se1 22 cbfly 0 bg black,24 ;　だからその度に見てしまう。@ ;　…屋敷より追い来る黄金の追っ手を、見てしまうッ！\ `Therefore, she saw it every time.`@ `...She saw the golden pursuers chasing them from the mansion!`\ bg butterfly_3a,22 ;　黄金の蝶たちの群がまるで這い寄る巨大な手のように追ってくる！！@ ;　そして、山羊の頭を持つ恐ろしき異形の人影が追ってくる…！！@　 `The mass of gold butterflies was chasing after them like a massive crawling hand!!`@ `And strange-looking shadows with goat heads were chasing after them...!!`@ br ;　それに目を凝らす必要は何もなかった。@ ;　捕まればどうなるのか、彼らの爛々と輝く瞳が語っていたからだ。\ `There was no need for her to strain her eyes.`@ `Because those blazing pupils told her what would happen if she was captured.`\ *wtfc ;xxxxttttzzzzyyyy bg garden_1cN,0 ld r,$MAR_OdorokiA1,23 ;!s0「……ママ待って、/ ;!d400ママ待って……、/ ;!d400…うーうー、/ ;!d200……あぅッ！！」/ !s0`"......Mama, wait, `/ !d400`Mama, wait, `/ !d400`...uu-uu-, `/ !d200`......ow!!"`/ cl r,1 if %rroff = 1 jumpf se1 13 ~ ;iiii if %rroff <> 1 jumpf se1 3 ~ quakey 4,500 !sd\ ;　真里亞が転ぶ。@ `Maria fell down.`@ br ;　楼座は一瞬だけ、娘を見捨てて駆け去ることを考えたことを恥じ、大地を蹴り戻して瞬時に逆走する。\ `For just an instant, Rosa was ashamed by her thoughts of abandoning her daughter and running away, and at the instant her feet touched ground, she ran back.`\ if %rroff = 1 jumpf se1v 20,90 ~ if %rroff <> 1 jumpf se1v 4,90 ~ ld c,$GOA_DefA1,99,1000,"breakup.dll/urb" me1v 21,70 ;　起き上がろうとする我が娘の後ろ髪を、@最初のひと齧りにありつこうと疾駆してきた山羊頭が鷲掴みにして引っ張り上げる…！！\ `The goat head that had sprinted over to get the first bite, `@`grabbed hold of the back of Rosa's own child's hair and pulled up...!!`\ ld r,$MAR_NakuA1,26 ;!s0「ママぁああああぁああああああッ、/ !s0`"Mamaaaaaaaaaaaaaaaaaaaa, `/ if %rroff = 1 jumpf se1 20 ~ if %rroff <> 1 jumpf se1 4 ~ quakey 4,500 ;いやぁあああああああああああぁああぁあぁ！！」\ `noooooooooooooooooooooooooooo!!"`\ cl r,1 ;　楼座が山羊頭に肩からぶつかるッ、/ `Rosa rammed into the goat head with her shoulder, `/ if %rroff = 1 jumpf se1v 20,100 ~ if %rroff <> 1 jumpf se1 4 ~ quakex 5,500 if %rroff = 1 jumpf se2v 12,100 ~ if %rroff <> 1 jumpf se2v 70,100 ~ ;bg garden_1cN,0 ;ld c,$GOA_DefA1,1 quakey 5,500 ;回るッ、/ `spun, `/ if %rroff = 1 jumpf se3v 20,100 ~ if %rroff <> 1 jumpf se3v 4,100 ~ quakex 4,500 ;逆肘が山羊の顎を打ち上げ、/ `bashed the back of her elbow into the goat's jaw, `/ if %rroff = 1 jumpf se1v 12,80 ~ if %rroff <> 1 jumpf se1v 70,80 ~ quakey 4,300 ;突き出た腹に膝を打ち込むッ！！/ `and buried her knee into its protruding chest!!`/ if %rroff = 1 jumpf se2v 2,100 ~ if %rroff <> 1 jumpf se2v 1,100 ~ quakex 4,300 if %rroff = 1 jumpf se3v 12,100 ~ if %rroff <> 1 jumpf se3v 70,100 ~ quakey 7,600 @ se1v 30,100 cl a,0 bg garden_1cN,1 br ;　そして内臓の苦痛に身を屈めたその山羊頭の口の中に銃口がねじ込まれるッ！\ `And she thrust the barrel of the gun inside the goat head's mouth as it doubled over from the pain in its gut!`\ !sd bg cg19,22 ;「……私の目の前で真里亞に指一本触れてみろ。@元来た地獄が生温かったことを教えてやるよ。」\ ;＜楼座 `"......Just try laying one finger on Maria in front of me.`@` I'll show you just how lukewarm the hell you came from is."`\ ;■ドゴーン！@ E_MA csp -1 textoff if %rroff = 1 jumpf se1v 46,100 se2v 36,100 ~ if %rroff <> 1 jumpf se3v 48,100 ~ mono 2 bg white,1 mono off bg bullet_1a,80 wait 1000 se3v 38,100 bg blood_1a,80 se1 13 quakey 4,600 ;　ウィンチェスターの４５口径ロングコルト弾による爆炎が喉の中でぶっ放され、@山羊頭の延髄が瞬時に粉砕される。@ `The blast from the Winchester's 45 caliber Long Colt bullet exploded inside the goat head's throat, `@`and its medulla oblongata was instantly pulverized.`@ br ;　山羊頭は理解できなかった。@ `The goat head hadn't understood.`@ ;　女なんて開封済みのワインボトルだと思ってた！@　逆さにすればすぐに真っ赤な中身が出てくるワインボトルだと思ってたッ！\ `It had thought that women were like already opened wine bottles!`@` It had thought that they were wine bottles, and that turning them upside down would immediately cause their deep-red contents to come out!`\ bg garden_1cN,26 ld r,$MAR_NakuA1,24 ;「ママッ！！@　ママぁああぁ！！」@ `"Mama!!`@` Mamaaaaaa!!"`@ br ;　解放された真里亞が楼座に抱きつく。\ `Maria, who had been released, hugged Rosa.`\ se1 22 bfly1 2 ;　だが追っ手はまだ来る！@　薔薇の茂みの向こうから、ニンゲンのふりをするのにも飽きた巨漢の山羊頭が走り来るのが見えた。@ `But the pursuers were still coming!`@` They could see the giant goat heads, who had given up pretending to be human, running towards them from across the rose bushes.`@ br ;　楼座は上着のポケットの中に入っていた予備の銃弾を何発かバラバラと零し、真里亞に拾うように命じる。\ `Rosa spilled several extra bullets, which had been in the pocket of her coat, all over the place, and told Maria to pick them up.`\ ld r,$MAR_KomaruA1,80 ;「う、うん…！@　拾う、拾う…！！」@ ;＜真里亞 `"Y, yes...!`@` Pick up, pick up...!!"`@ ld l,$ROS_ikariA1G,63 ;「真里亞。@ママがもしも倒れたら。@あなたは走りなさい。@海岸へ行くの。@そして泳いで泳いで泳ぎなさい！@　この島のどこにも、生き延びることのできる場所はないッ！！」@ `"Maria.`@` If Mama falls down, `@`run.`@` Go to the shore.`@` And swim, and swim, and swim!`@` There's no place on this island that we can survive on!!"`@ ld r,$MAR_NakuA1,80 ;「や、やだッ！！/ `"N, no!! `/ quakey 3,500 ;@　ママと一緒ッ！！@　うーーッ！！」\ @`Together with Mama!!`@` Uuu--!!"`\ csp -1 mov %ryuu1,500 textoff se1v 46,100 bg white,1 bg bullet_1a,62 se3v 30,100 wait %ryuu1 textoff se2v 46,100 bg white,1 bg bullet_1b,62 se1v 30,100 wait %ryuu1 textoff se3v 46,100 bg white,1 bg bullet_1c,62 se2v 30,100 wait %ryuu1 textoff se1v 46,100 bg white,1 bg bullet_1d,62 se3v 30,100 wait 1000 if %rroff <> 1 jumpf `"Alright already, Maria's going!!`@` Uuuuuu...."`@ `"Don't I always tell you to listen to what Mama says?!`@` Aaaaaaaahhh!!"`\ textoff se1v 46,100 bg white,1 bg bullet_1a,62 se3v 30,100 textoff se2v 46,100 bg white,1 bg bullet_1b,62 se1v 30,100 textoff se3v 46,100 bg white,1 bg bullet_1c,62 se2v 30,100 textoff se1v 46,100 bg white,1 bg bullet_1d,62 se3v 30,100 textoff se1v 46,100 bg white,1 bg bullet_1d,62 se3v 30,100 textoff se1v 46,100 bg white,1 bg bullet_1d,62 se3v 30,100 reset ~ ;■ドゴーン、ガチャリ、と発砲・リロードを４回繰り返す。@ ;　楼座の銃が四度咆哮した。@ ;　迫り来る巨漢の山羊の胸板に確かに四発を着弾させたが、相手はまったくそれに怯んでいない！！@ `Rosa's gun roared four times.`@ `But even though four shots really did hit the massive, approaching goats in the chest, they didn't even flinch!!`@ me1 21 br ;　その巨体で押し潰すつもりかのように猛烈な勢いで駆けてくる！！\ `The goats ran with a violent vigor, as though they planned to crush Rosa and Maria with those massive bodies!!`\ bg cg18,1 ;「弾を入れてッ！！@　早くッ！！」/ `"Put the bullet in!!`@` Quickly!!"`/ se1 13 quakey 3,500 @ ;「う、うー！！」\ `"U, uu-!!"`\ se1 20 bg black,1 ;　楼座はインゴットのブランケットを両手で掴むと、@それを引き摺りながら、自らも疾駆する！！@異形の巨漢に怯えもせずにッ！！@ `Rosa grasped the blanket with the ingot in both hands, `@`and she herself sprinted, pulling it along!!`@` Without even an ounce of fear of those strange-looking giants!!`@ br ;　娘を守るためなら、私は地獄すらも踏み越えてやるッ！！\ `If it's to protect my daughter, I'll overcome even hell!!`\ bg garden_1aN,22 ;「見せてやるよ…。@黄金の夢ってヤツをぉおおおおおおおおおぉおおおッ！！！」/ `"I'll show you...`@` This golden dreeeeeeeeeeam!!!"`/ quakey 6,1000 \ se1v 20,100 btndef "bmp\background\garden\garden_1aN.bmp" mov %free1,0 mov %free2,0 mov %free3,640 mov %free4,480 mov %free11,0 mov %free12,0 mov %free13,0 mov %free14,0 for %0 = 1 to 6 resettimer add %free11,5 add %free13,0 add %free12,8 add %free14,12 add %free1,%free11 add %free2,%free13 sub %free3,%free12 sub %free4,%free14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next for %0 = 1 to 6 resettimer add %free11,5 add %free13,16 add %free12,8 add %free14,6 add %free1,%free11 add %free2,%free13 sub %free3,%free12 sub %free4,%free14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ofscpy bg black,1 btndef "" E_MA ;　楼座の咆哮。@山羊頭の咆哮。@ `Rosa's roar.`@` The goat heads' roar.`@ br se1 20 ;　凄まじき重量のインゴットが、凄まじき遠心力と速度で、山羊頭の頭部に叩き込まれる\ `The terribly heavy ingot, after picking up a terrible centrifugal force and speed, slammed into the head of the goat head.`\ se1v 12,100 se2v 36,100 bg blood_1b,1 quakey 7,1000 ;　楼座は懐より万年筆を抜く。@ ;　でも持ち方が歪だった。@ `Rosa pulled a fountain pen from her pocket.`@ `But she held it crooked.`@ ;　手の平で押さえ込み、@握り拳の中指と薬指の間から突き出す様はまるで拳から生えた毒針。\ `She placed it in her palm, `@`in the gap between her middle finger and her ring finger so that it stuck out when she made a fist, almost like it was a stinger growing out of her fist.`\ textoff se1v 57,100 se2v 58,100 se3v 12,100 monocro #ff0000 bg white,18,300,":c;bmp\efe\blood_2a_efe.bmp" ;　その毒針が、頭部をつんのめらせた山羊頭の左目に突き刺さる。@山羊頭の咆哮は悲鳴か。@ `That stinger sliced into the left eye of the goat head as it fell over.`@` Was the goat head's roar a scream?`@ br ;　しかし楼座の咆哮は違う。@ `But Rosa's roar was different.`@ br ;　続いて繰り出される掌が目に突き刺さったままの万年筆を打ち抜くのだ。@ ;　その先端が頭部の深奥を確かにえぐり破壊する…！\ `She pulled back her fist and slammed it into the fountain pen that was still sticking into the goat head's eye.`@ `The pointed tip was gouged into the depths of its head...!`\ mono off resettimer se1v 12,100 bg bullet_1a,1 quakey 4,300 waittimer 500 resettimer se2v 12,100 bg bullet_1b,1 quakex 4,300 waittimer 500 resettimer se3v 12,100 bg bullet_1c,1 quakey 4,300 waittimer 500 se1v 12,100 se2v 36,100 bg blood_1aR,1 quakex 6,400 wait 1000 bg garden_1aN,1 se3v 30,100 ld r,$MAR_IkariA1,66 ;「ママッ、弾が入った！！」@ `"Mama, put bullet in!!"`@ se1v 20,90 ld l,$ROS_ikariA1G,63 se2v 30,100 ld l,$ROS_IkariB2G,26 ;「上出来！！」@ `"Good job!!"`@ br ;!s0　真里亞が投げる銃を受け取った時、ようやく巨漢が大地に伏せる轟音がする。/ !s0`When Rosa grabbed the gun Maria had thrown, the giant finally tumbled on the ground with a thunderous crash.`/ se3v 13,100 quakey 4,300 !sd\ se1 22 bfly1 2 ;　だが同時に薔薇の茂みのさらに向こうから、山羊頭の追っ手が再び増えるのが見えた。@ ;　距離は稼げた、もう充分！\ `However, at the same time, I saw the goat head pursuers on the other side of the rose bushes increase in number.`@ `I've gained enough distance for now!`\ bg rose_1aN,23 ;　私はインゴットのブランケットと銃を抱え、再び真里亞と走る。@ `I held onto the blanket wrapped around the ingot and the gun, and once again ran with Maria.`@ br ;　…なぜ私は右手に銃を、左手に黄金を持って走っているのか。@ ;　なぜ片方の手を空けて真里亞の手を握らないのか…！！\ `...Why am I running with a gun in my right hand and the gold in my left?`@ `Why don't I let go with one hand and grasp Maria's hand...?!!`\ cbfly 0 bg black,62 ;　身を守る銃を手放せない。@ ;　未来を守る黄金を手放せない。@ `I can't let go of the gun that protects my body.`@ `I can't let go of the gold that protects my future.`@ br ;　なのに私は、自分の未来そのものの娘の手を手放すのか…！\ `But even so, I let go of the hand of my daughter, the person who is my future...?!`\ bfly2 0 bg forest_P1b,23 ;　駆ける。@駆ける。駆ける。@ ;　薔薇庭園を抜け、木立の中の階段を駆け下りていく。@ `Run.`@` Run. Run.`@ `She got out of the rose garden and began to run down a staircase through a grove of trees.`@ br ;　しかし楼座は知っている。@この木立の道は、わざわざ曲がりくねらせて距離感を出しているだけなのだ。@まっすぐ突き抜ける！\ `But Rosa knew.`@` This path through the grove turned and twisted many times, and only seemed long.`@` She tore straight through it!`\ bg forest_P1a,22 ;　子どもの頃からずっと遊んでた。@ ;　だから知っている！\ `She had always played here since she was a kid.`@ `So she knew!`\ ;　海岸へ。海岸へ。@海へ海へ海へ。@ ;　海へ出てそれから？@ `To the beach. To the beach.`@` To the sea, to the sea, to the sea.`@ `And after reaching the sea?`@ br ;　泳ぐしかない泳げ泳げ、真里亞が泳げないなら、担ぎ上げてでも泳いでみせるッ！！@ `Nothing to do but swim, swim, swim, if Maria can't swim, I'll carry her as I swim!!`@ br ;　この島には死しかないッ！\ `There is nothing but death on this island!`\ cbfly 0 bg black,1 ;「きゃッ！！！」/ `"Kya!!!"`/ se1 20 quakey 4,500 @ ;「ママああぁッ？！」\ `"Mamaaaa?!"`\ bfly1R 0 bg beach_S1c,1 se1v 12,100 quakey 6,600 ;　駆け下りる階段を踏み外す。@ ;　左の足首に激痛が走り思考が真っ白く濁った。\ `As she raced down the stairs, she took a bad step.`@ `A violent pain ran up her left ankle and her mind went completely blank.`\ ;希望　無音スタート ;textoff ;se1 20 ;bg white,2 ;bfly1R 0 ;bg beach_S2b,1 ;wait 1000 ;bg beach_S2a,1 ;wait 1000 ;bg beach_S1c,1 ;se1 12 ;quakex 3,500 ;se1 13 ;quakey 3,300 ;se1 13 ;quakey 3,300 ;　楼座は階段を数段転げ落ちて、不自然な角度に折れた足首に愕然とした。@ `Rosa fell down several stairs, shocked by her ankle, which was bent at an odd angle.`@ br ;　…インゴットのブランケットもない。@ ;　転んだ拍子に手放し、暗がりのどこかに消えてしまったのだ。@ `...And the blanket with the ingot wasn't there.`@ `She had let go of it the instant she fell, and it had disappeared somewhere into the darkness.`@ br ;　あるのは銃だけ。\ `Only the gun was left.`\ cbfly 0 bg black,24 bg beach_S2b,0 bfly1R 24 me1v 21,60 ;　地響きが近付いてくる。@ ;　山羊頭どもが殺到するのは時間の問題だ。@ ;　それがどれだけの人数か、そしてどのような異形なのか、想像もしたくない。\ `Tremors in the earth were getting closer.`@ `It was only a matter of time before the goat heads flooded in.`@ `She didn't want to imagine how many there would be, or how strange they would look.`\ cbfly 0 bg black,22 se1v 22,90 bfly1 2 ;　軽やかに舞う黄金の追っ手たちがやって来る。@ `The lightly dancing gold pursuers arrived.`@ br ;　黄金の蝶たちが楼座たちを取り巻き、獲物はここにいるぞここにいるぞと閃いて騒ぎ立てる。@ `The gold butterflies surrounded Rosa and Maria, waving and clamoring as though saying 'the prize is here, the prize is here'.`@ br ;　楼座は立ち上がろうとすることもできない。@ ;　折った足首の激痛はこのような土壇場であっても無視できない程のものだった。\ `Rosa couldn't even try to get up.`@ `The violent pain from her broken ankle was so great that she couldn't ignore it, even in her last moments.`\ cbfly 0 bg black,1 ;　あああぁあぁぁ、私は何をやっているんだ…。@ `Aaaaaaaaaaaaah, what am I doing...`@ br ;　黄金を手に入れた、カネにすれば何千万円かになった。@ `I'd had the gold, which would have been worth several million yen.`@ br ;　それで人生をやり直せたかも！！@　なのに転げてなくし、それどころか自分の命も危なくて、真里亞の命まで危なくてッ？！\ `I might have been able to start over with that!!`@` And yet I fell, lost it, and that's not all, my own life is in danger, even Maria's life is in danger?!`\ ;　……私の人生って、何だったのッ！！！@ `......What has my life been?!!!`@ br ;　わけのわかんない家に生まれて！@ ;　生まれた時からムカつく兄と姉がいて！！\ `I was born in an incomprehensible house!`@ `With an irritating older brother and sister since the day I was born!!`\ ;　私が何をしたの？！@ `What did I do?!`@ br ;　何をしてもしなくてもいっつも怒られて虐められて馬鹿にされてッ！！@ ;　私の人生は何だったの？！？！\ `No matter what I did or didn't do, I was always in trouble and bullied and made fun of!!`@ `What has my life been?!?!`\ bg beach_S1c,0 bfly1R 0 ld l,$MAR_NakuA1,26 ;「ママ…、ママ、ママ…！！」@ `"Mama..., Mama, Mama...!!"`@ ld c,$ROS_komaruA1G,26 ;「……………………。」@ `"..............."`@ br ;　楼座の心の中の咆哮は萎むように消えた。@ ;　…泣きじゃくりながらしがみ付いてくる真里亞の泣き声を聞く内に消えた。\ `The roar inside Rosa's heart shriveled away and disappeared.`@ `...It disappeared when she listened to Maria's crying voice, as she sobbed and clung onto Rosa.`\ ld c,$ROS_defA1G,26 ;「………真里亞。@/ `".........Maria. `@/ se1v 30,100 ld c,$ROS_WaraiB1G,80 ;ママはちょっと用事を思い出したの。@先に行っててちょうだい。」@ `Mama remembered that there's something she has to do.`@` Please go on ahead."`@ ld l,$MAR_SakebuA1,80 ;「やだッ、やだやだやだやだッ！！/ `"No, no no no no!! `/ quakex 3,500 ;@　ママと一緒がいいッ！！@　ママが死んじゃ嫌だッ！！」\ @`Want to be with Mama!!`@` Don't want Mama to die!!"`\ ld c,$ROS_KomaruB4G,80 ;!s0「真里亞は、/ ;!d300…こんな悪いママでも、/ ;!d600……ママと一緒がいいと言ってくれるの？」@ !s0`"Maria, `/ !d300`...even though I'm such a bad Mama, `/ !d600`......you still say you want to be with Mama?"`@ !sd ld l,$MAR_NakuA1,80 ;「うん…！@　……ママと一緒がいい…、/ ;!d400ママと一緒がいい…！」\ `"Yes...!`@` ......Want to be with Mama..., `/ !d400`want to be with Mama...!"`\ cbfly 0 bg black,26 bg moon_1a,2 ;!s0「…あなたのことを一番にしているように見せて、/ ;!d900…いっつもあなたのことを後回しにしてきた。@運動会に行った、/ ;!d800授業参観に行った、/ ;!d900…でもいっつもママは世間体のことばかりであなたが瞳にいなかった。@……こんなママとでも、…あなたは一緒にいたいというの……？@　こんな、/ ;!d1000……悪いママなのに…………ッ！！」/ !s0`"...I made it look like I was putting you first, `/ !d900`...but I was always putting you off.`@` I went to your athletic meet, `/ !d800`I went to parent's day, `/ !d900`...but I was always thinking about how I appeared to the world, and you were never in my eyes.`@` ......Are you saying, ...that you even want to be together with that kind of Mama......?`@` Even though, `/ !d1000`......I've been such a bad Mama............!!"`/ !sd\ ;「ねぇ、ママ。@…知ってる？@　世界にママはひとりしかいないんだよ。@いいママも悪いママもいない。@…ただ、ママがひとりいるだけなの。@だから真里亞は、世界でたったひとり、ママがいてくれればいい。@そして、ママにとって、たったひとりの真里亞になりたいの。」\ `"Hey, Mama.`@` ...Did you know?`@` There is only one Mama in this world.`@` There's no good Mama or bad Mama.`@` ...There's just one Mama.`@` So for Maria, it's alright if there's only one Mama in the world.`@` And Maria wants to become the only Maria for Mama."`\ ld c,$MAR_waraiA1,26 ;「………機嫌が良くて甘やかしたい真里亞と、邪魔だから居て欲しくない真里亞は別人じゃないの。@真里亞も、たったひとりの真里亞なの。@……だから、怖いママもやさしいママも一緒。@/ ;!s0……真里亞には、/ ;!d600…たったひとりの/ ;!d700……ママなの……。」/ `".........The Maria who's in a good mood that you want to spoil, and the Maria who's a nuisance and you don't want to be around, aren't different people.`@` Maria is also just one Maria.`@` ......So both the scary Mama and the nice Mama are together. `@/ !s0`......To Maria, `/ !d600`...there is just one `/ !d700`......Mama......"`/ !sd\ bg black,2 ;!s0「……………私は、/ ;!d600……何て、/ ;!d800…………馬鹿だったの…。@………黄金なんかいらなかった。@ただあなただけの手を引いていればよかった…。@……私は何て、/ ;!d500……馬鹿なママだったの…！！」\ !s0`"...............I was, `/ !d600`......such, `/ !d800`............an idiot...`@`.........I didn't need gold.`@` If only I had just pulled your hand...`@`......I was such, `/ !d500`......a stupid Mama...!!"`\ !sd mevol 1,80 bg moon_1a,26 se1v 22,90 bfly1 2 ;　山羊たちの影が森の木々よりも空を遮る。@ ;　咆哮が世界を恐怖で塗り潰す。@ `The shadows of the goats covered the sky even more than the trees of the forest.`@ `Their roars blotted out the world with fear.`@ br ;　楼座は真里亞を抱き締めたまま、片手で銃を構える。\ `Rosa, still hugging Maria, readied her gun with one hand.`\ bfly2R 0 bg beach_S1c,22 ld r,$ROS_defB1G,26 ;「真里亞、一緒に行こう。@ずっと一緒よ。@/ `"Maria, let's go together.`@` Always together. `@/ ld r,$ROS_ikariA1G,80 ;…ママが迷わないように、ずっと一緒に…！」\ `...So that Mama doesn't get lost, always together...!"`\ ld l,$MAR_WaraiA1,26 ;「うん…！！@　すぐに会えるよ。@ずっと一緒だよ…！！@　…黄金郷で、会えるよ…！！@/ `"Yes...!!`@` Be able to meet soon.`@` Always together...!!`@` ...Be able to meet, in the Golden Land...!! `@/ ld l,$MAR_WaraiA2,80 ;　そうしたら一緒に遊ぶの！@　“狼と羊のパズル”で遊ぶの！！@　ママはまだ一問しか解いてないけど、真里亞は全部解いちゃったんだよ。@だから真里亞が出題してあげる！！」\ `And then we'll play together!`@` Play with the 'Wolves and Sheep Puzzle'!!`@` Mama hasn't solved more than one question, but Maria has solved them all.`@` So Maria will be the questioner!!"`\ cbfly 0 bg black,22 ;　バースデープレゼントに買ってあげて、……その夜にしか遊んであげなくて。\ `She had bought that as a birthday present, ......and then hadn't played it for Maria after that night.`\ ;「うんッ、遊ぼうね、一緒に！！！@　約束するッ！！！」@ `"Yes, let's play, together!!!`@` I promise!!!"`@ ;「ママぁああぁああああああ！！」\ `"Mamaaaaaaaaaaaaaaaaaaaa!!"`\ mevol 1,100 bg moon_1a,22 se1v 22,100 bfly2 8 ;　灼熱の溶岩と同じ輝きを持った眼がまるで蛍の群のよう。@ `Those eyes, sparkling like red-hot lava, looked just like a group of fireflies.`@ ;　舞いて迫りて、襲い来る。\ `They danced, closed in, and attacked.`\ bgmvol 90 ;gggg ;「うおおおおおおお来いよォオオオォ！！/ `"Oooooooooooooohh, come ooooooon!! `/ quakey 3,500 ;@　真里亞が込めてくれた銃弾を食らいたいヤツから前へ出ろよォオオオオ、/ @`Let the one of you that wants to eat this bullet Maria chambered for me come forwaaaaaaard, `/ quakex 3,500 ;@うをおおおおおおおおおおオオオォオオオォオッ！！！」/ @`uwooooooooooooooooooooooooooooohhh!!!"`/ quakey 4,500 \ E_MA textoff resettimer se1v 46,90 se3v 36,90 cbfly 0 bg bite,1 ;bg black,22 waittimer 500 resettimer se2v 46,95 se1v 36,95 bg blood_1a,1 ;bg black,22 waittimer 500 resettimer se3v 46,95 se2v 36,95 bg bullet_1e,1 ;bg black,22 waittimer 500 resettimer se1v 46,100 se3v 36,100 bg "bmp\background\efe\end_2d.bmp",1 ;bg black,22 waittimer 500 resettimer se2v 46,100 se1v 36,100 bg ep2_text,1 wait 3000 se3v 37,100 bg black,10,12000 fede 0,10000 wait 3000 ;クリアフラグの更新 if %UMINEKOEND < 21 mov %UMINEKOEND,21 : mov %UMINEKOEND_FLG,21 ;クリアフラグの変更 se1 22 bg TEXT004,22 delay 10000 bg black,22 reset ;■ドゴーンドゴーンと五連射。@リロード音は不要。@ ;■銃声に会わせて、ブラックアウト、血ベタ、血ベタＢ、タイトルロゴ、ひび割れを表示。@ ;■書き文字で、“うみねこのなく頃に、生き残れた者はなし。@” ;■（＞ｗ＜）ノ　おちまい！@ *umi3_opning if %UMINEKOEND_FLG = 30 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 mov %play_scene,30010 ;シーン変数の入力 mov %grim_scene,300 csp -1 E_A bg black,22 ;wait 3000 bg "bmp\background\efe\grimoire1.png",22 wait 3000 click bg black,2 wait 300 se1 28 bg text001,1 delay 6000 bg black,2 wait 2000 bg white,2 ;me1 15 bgmplay2 9,40 wait 3000 ;Episode3 “Banquet of the golden witch” ;うみねこのなく頃に〜EP3〜「魔女の宴」 ;■プロローグ bg Se_o1a,49 wait 2000 bg black,3 bg garden_Se1a,3 wait 2000 bg black,2 cross2 2000,70 bg Sehal_1b,8 ;e_ 2,1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd br ;　それは、とてもとても美しくて、価値と歴史のある素晴らしい壷でした。@ `The vase was very beautiful, rich with history and value.`@ br ;　幼い私が見ても、その美しさにため息が堪えられないほどに。\ `Even as young as I was, it still forced me to take a deep breath when I witnessed its beauty.`\ ;　もちろんそれは、お祖父さまにとってもっともお気に入りのコレクションのひとつ。@ `Of course, that was a member of Grandfather's favorite collection.`@ br ;　その儚き美しさが、間違って欠けてしまうようなことがないように、@私には絶対触れてはならないと日頃から厳命されていました。\ `So that I didn't make a mistake and destroy its fragile beauty,`@` I was always strictly ordered to never touch it.`\ ;　……でも、だから触れてみたかったのです。@ `......But that just made me want to touch it.`@ br ;　このような透き通るようで、だけれども気品があって、軽やかに見えながら物言わぬ重厚感があり。@ `It was transparent and yet so elegant that just glancing at it gave it an indescribable sense of dignity.`@ br ;　…そんな壷に触れたなら、どんな手触りなのか、試してみたかったのです。\ `...I wanted to see what it felt like to touch a vase like that.`\ ;　しかし、…それはお祖父さまが言われた通り、触れてはならないものだったのです。\ `However, ...just as Grandfather had said, it was something that shouldn't be touched.`\ ;　これほどの美しさは、触れてはならぬものだからこそ。@ `Because something this beautiful shouldn't be touched.`@ br ;　触れれば壊れるほどに儚いものにしか宿らぬ美しさ。\ `It was a beauty that could only dwell in something that could break so easily.`\ ;　だからこそ、私如きの指が触れたなら、それはあっさりと。@ `Because of that, if someone like me touched it with their finger, it would happen quickly.`@ br ;　楽しい朝の夢が、ふぅっと消えて目が覚めてしまうように。@/ `Just like how a fun dream disappears with a 'poof' when you wake up, `@/ ;se1 20 ;bg black,1 ;……消えて、落ちて、砕け散ってしまったのです。\ `......it disappeared, fell, and broke into pieces.`\ ;se2 bg black,2 ;mono off ;　私は、自らの愚かな好奇心が取り返しのつかないことをしてしまったことを悟りました。\ `I realized that, because of my own foolish curiosity, I had done something that couldn't be taken back.`\ ;　いくら後悔しても、いくら謝っても。@ ;　砕けてしまった壷は元の姿に戻ってはくれません…。\ `No matter how much I regretted it, no matter how much I apologized.`@ `The broken vase would not be returned to its original form...`\ ;　私はお祖父さまに叱られるでしょう。@ ;　とても厳しく叱られるでしょう。@ `I would probably be scolded by Grandfather.`@ `Probably very harshly.`@ br ;　それに怯え、私はしくしくと、仕舞いにはわんわんと泣き出すのでした…。\ `Frightened, I ended up breaking into tears and sobbing...`\ se1v 22,40 ;bg butterfly_2a,8 ;!s0　すると、…………美しく、!d800軽やかに舞う黄金の蝶が、!d700ふわりふわりとやって来るのに気付きました。/ !s0`As I did, I noticed something, ............beautiful. `!d800`Lightly dancing golden butterflies, `!d700`were coming towards me.`/ !sd\ bg butterfly_1a,4 ;　黄金の燐粉で幻想的に輝きながら、その美しき蝶が一匹、二匹と集まります。\ `As mysteriously glowing golden dots shone, the beautiful butterflies began to gather, one at a time.`\ ;　あぁ、ベアトリーチェです。@ ;　頼もしき黄金の魔女、ベアトリーチェが来てくれたのです。\ `Oh, it's Beatrice.`@ `That reliable Golden Witch, Beatrice had arrived.`\ textoff ;fede 0,2000 se1v 22,40 bg butterfly_3a,22 fede 0,2000 se2 52 ld c,$WAL_DefA1,99,2000,"whirl.dll/r" wait 1000 bgmplay2 60,40 ;　蝶が次々と集まって群となると、そこには彼女の姿が…。\ `The butterflies gathered one after another and became a group. and there, became the witch's form...`\ bg Sehal_1a,0 ld c,$WAL_DefA1,6 cross2 2000,70 ;　彼女はいつだって私の味方。@ ;　私が困っていると、いつだって現れて助けてくれるのです。\ `She was always my ally.`@ `Whenever I was in trouble, she would always appear and help me.`\ ld c,$WAL_WaraiA1,80 ;「御機嫌よう、お姫様。」\ ;＜先代ベアト `"Good day to you, princess."`\ bg Sehal_1b,23 ;「ベアトリーチェ！@　……ううぅ、ひっく、えっく…！」@ `"Beatrice!`@` ......Waaaah, hic, hic...!"`@ ld r,$WAL_DefA2,24 ;「おやおや…。@このような絶好のお茶会日和に、どうして姫様はそのように涙を零されているのですか…？」\ `"Oh, my...`@` Why are you crying so on a day so perfect for a tea party, my princess...?"`\ ;「…お祖父さまが大切にしていた壷を、壊してしまったの…。@うぅ、お祖父さまに怒られます。@…どうしたらいいかわからなくて…。@ひっく…。」\ `"...I broke Grandfather's precious vase...`@` Waah, Grandfather will get mad at me.`@` ...I don't know what I should do...`@` Hic..."`\ ld r,$WAL_DefA1,80 ;「それは困りましたね。@これはお館様が大層お気に入りになられていた壷のはず。@/ `"I see, that is worrying.`@` I believe the master really treasured this particular vase. `@/ ld r,$WAL_WaraiA2,80 ;……ほほほほ、どのような折檻があるか、このベアトリーチェ、想像するのも恐ろしゅうございます。」\ `......Hohohoho, it's terrifying even for me, Beatrice, to think about what kind of punishment you'll receive."`\ bg black,25 ;　お祖父さまはとても恐ろしい方です。@ `Grandfather was a very frightening person.`@ br ;　そして、一度言い聞かせたことが守られなかった時は、地獄の堕天使も震え上がるほどに怒り狂うのです。@ `And when you failed to follow something he said even once, he would become so mad, with a rage that would make even the fallen angels in hell quiver.`@ br ;　私はそれを骨身に染みてよく知っていましたから、こうして震えながら涙を零すしかないのです…。\ `Since I knew that so well that it pierced me to the bones, I couldn't do anything but shake like this and cry...`\ bg Sehal_1a,26 ;ld c,$WAL_DefA1,26 ;「零してしまった姫様の涙を掬う魔法は持ち合わせておりませんが、@姫様がお館様から折檻を受けなくて済むようにする魔法なら、何とかなるかもしれません。」@ ;「ほ、本当…？」\ `"I hold no magic to scoop up your fallen tears, princess, `@`but if you want magic that will make it possible for you to avoid being scolded by the Master, I might be able to do something."`@ `"R, really...?"`\ ld r,$WAL_DefA1,80 ;「姫様が私の力をお信じ下されば、でございます。@魔法の力の根源は、信じる力。@……奇跡は、それを強く信じる者の前にしか示されません。」\ `"If you will believe in my power, princess.`@` The basis of magic power is the power of belief.`@` ......Miracles will only appear before those who strongly believe."`\ ;「し、…信じる…。@ベアトリーチェの魔法を信じます。@だからこの壷を直してください。@お願いします…！」\ `"I, ...I believe...`@` I believe in your power, Beatrice.`@` So please fix this vase.`@` Please...!"`\ ld r,$WAL_WaraiA1,80 ;「姫様がそれをお望みでしたら。@……それではこのベアトリーチェに、お任せを。」@ `"If that is what you want, princess.`@` ......Then leave it to me, Beatrice."`@ br se3 22 ;　彼女が人差し指を立てると、そこにふわりと黄金の蝶が止まり、彼女が愛用するケーンに姿を変えます。\ `When she extended her index finger, a golden butterfly softly landed there, and changed its form into her favorite cane.`\ ;　ただそれだけのことでも、私はベアトリーチェの素晴らしき、そして偉大なる魔法の力の一端を垣間見るのです。@ `But even that was enough to give me a small glimpse at Beatrice's wonderful and great magic power.`@ br ;　彼女は、砕けた壷にケーンを向け、まるで赤ん坊に子守唄を聞かせるように、魔法の言葉を語りかけます…。\ `She pointed her cane at the broken vase, and, just like a child's lullaby, she began speaking the magic words...`\ bg black,25 ;「さぁさ、目を閉じて御覧なさい。@そして思い出して御覧なさい。@あなたがどんな姿をしていたのか。@それはきっと、とてもとても美しい姿。@どうか私に、あの姿をもう一度見せておくれ…。」\ `"Come, try to close your eyes.`@` And try to remember.`@` What form did you have?`@` It was surely a very, very beautiful form.`@` Please, show me that form one more time..."`\ ;　それは言葉なのか、唄なのか。@ `Were they words, or was it a song?`@ br ;　いや、魔法に違いないのです。\ `No, it was surely magic.`\ textoff se1v 22,40 bg butterfly_2a,22 wait 1000 se2v 22,70 bg butterfly_3a,22 wait 1000 bg white,2 bg black,22 ;　だってほら、みるみると壷の破片が寄り集まり、@…飾られていた場所にふわりふわりと戻っていって、……元の美しい姿に戻ったのですから。\ `After all, can't you see?`@` ...The pieces of the vase are obviously gathering together,`@` and softly returning to the place where they had been displayed, ......returning to their original form.`\ bg Sehal_1b,6 ;「……すごい…。」@ `"......Incredible..."`@ ld r,$WAL_DefA1,4 ;「ほら。@これで元通りですよ。@これでお館様にお叱りを受けずに済みますね。」\ `"See?`@` Now it's back to normal.`@` This way, you will be able to avoid being yelled at by the Master."`\ ;bgmvol 100 cross2 2000,100 ;wait 2000 textoff bg black,2 wait 1000 fede 0,7000 bg white,2 bgmplay 8 bg garden_Se1b,22 wait 2000 ;「ベアトリーチェはすごいね。@壊れた壷を直すなんて、造作もないんだね。」\ `"Beatrice, you sure are incredible.`@` It was no trouble for you to repair a broken vase."`\ ;bg garden_Se1b,0 ld r,$WAL_DefA1,4 ;「そんなことはありませんよ。@壊れてしまったものを、元に戻すのはとてもとても難しいことです。@私の魔法は、一時、それを思い出させるだけに過ぎませんよ。」@ `"That's not true.`@` Returning something broken to its original form is a very, very difficult thing.`@` With my magic, I could do no more than make it remember what it was, for the time being."`@ ;「……？@　でも、壷はちゃんと元通りになったよ…？」\ `"......?`@` But, the vase really turned back to the way it was, right...?"`\ ld r,$WAL_DefA2,80 ;「そうですね。@ですがそれは、壷が壊れたという運命を回避させたわけではありません。@壊れた壷に、一時、壊れる前の姿を思い出させただけに過ぎません。@壊れた運命を、元の姿に修復するほどの魔力は、このベアトリーチェにも未だ至らぬ遥かな高みなのです。」\ `"That's right.`@` But that doesn't mean that the vase avoided its fate of being broken.`@` I did nothing but make the broken vase remember how it was before it broke for the time being.`@` Magic power that can repair a broken fate to its original form is at a very high level that I have yet to reach."`\ bg black,23 bg garden_se1a,22 ;　その時、お屋敷から使用人の甲高い悲鳴が聞こえました。\ `At that time, the high-pitched scream of a servant could be heard from inside the mansion.`\ bg black,22 bg sehal_1a,26 ;　何事かと行ってみると、@……使用人たちが何人か集まり、砕けてしまっている壷の後片付けをしているところでした。@ `When I went to see what had happened,`@` ......I noticed that several of the servants had gathered, and were cleaning up the remains of the broken vase.`@ br ;　使用人たちが言うには、どこからか紛れ込んできた黒猫が、壷によじ登って倒してしまった、と言うのです。\ `From what they said, it seemed that a black cat had sneaked in from somewhere and had climbed up on the vase, causing it to break.`\ bg black,22 ;　私はベアトリーチェが言った意味を理解します。@ `I understood the meaning of what Beatrice had said.`@ br ;　…私が壷を割ってしまった時点で、“壷は割れた”のです。\ `...At the time that I had broken the vase, 'the vase was broken'.`\ ;　ベアトリーチェは、壷を蘇らせて見せたが、それは仮のもの。@“壷は割れた”という運命までも変えたわけではない。\ `Beatrice had shown me that the vase had been restored, but that had been a temporary thing.`@` It didn't mean the fate that 'the vase was broken' had changed.`\ ;　その結果、……壷は、本来の運命を思い出し、“割れた”。@ ;　しかし、割ったのは私ではなく、迷い込んだ猫に代わった…。\ `As a result, ......the vase had remembered its true fate, and 'had broken'.`@ `But I hadn't broken it, instead, it had been a cat which had snuck in...`\ mono 1 bg Sehal_1a,0 ld r,$WAL_DefA1,26 ;　そう。@ベアトリーチェは、壷を直しましょうとは言っていない。@ `That's right.`@` Beatrice hadn't said 'Let's mend the vase'.`@ br ;ld r,$WAL_DefA1,80 ;　私が、折檻を受けずに済むようにしましょうと言ったのです。\ `She had said she would make it so that I didn't have to be punished.`\ bg black,5 mono off ;　壷が割れたという運命までは変えられなかったが、私が割ったという事実だけは、確かに変わった…。@ `The fate of the vase breaking hadn't changed, but the fact that I had broken it certainly had...`@ br ;　ベアトリーチェは、見事にその魔法で私の危機を救ってくれたのでした…。\ `Beatrice had skillfully saved me from danger with that magic...`\ bg white,22 bg garden_se1b,6 ld c,$WAL_DefA2,23 ;「物を壊すことは、とても容易なことです。@姫様が壷を割るのに、魔法を必要としなかったように。」\ `"It is very easy to break something.`@` Just like how you, princess, broke the vase, but you didn't need magic to do it."`\ ;「…直すことは、とても難しいこと…？」@ `"...Fixing something is very hard...?"`@ ld c,$WAL_WaraiA1,80 ;「はい。@姫様が途方に暮れて泣き出してしまうほどに。」\ `"Yes.`@` So much that you were at a loss at what to do and started crying."`\ ;「……魔法というのは、恐ろしいことをする時の方が容易いの？@　壊したり、/ ;!d800……殺したりすることは簡単にできるのに、@直したり、蘇らせたりするのは、とても難しいと言うし…。」\ `"......So it's easier to use magic to do horrible things?`@` To break, `/ !d800`......to kill is very easy, `@`......but fixing and reviving things is very hard, as you say..."`\ cl a,0 ld r,$WAL_DefA1,23 ;「……そうですね。@魔法は、殺めたり、壊したりすることの方がとても簡単です。@ゆえに、誘惑に負ける弱き魔女たちは、安易に身に付けられる力に酔い、本当の魔法の修行を怠ってしまいます。@/ `"......That's right.`@` With magic, it is much easier to do things like breaking and killing.`@` Therefore, weak witches lose to temptation and are intoxicated with gathering easy power to themselves, and neglect their real magic training. `@/ ld r,$WAL_WaraiA1,80 ;……本当の魔法とは、直す力、蘇らせる力。@散ってしまった幸せを呼び戻し、冷めてしまった愛をも呼び戻す。@そして微笑を忘れてしまった姫様の顔に、笑顔を呼び戻せるのですよ。」\ `......Real magic is the power to repair, to revive.`@` To call back happiness which has disappeared, to call back love which has gotten cold.`@` And it can call back a forgotten smile to a princess' face."`\ ;「なら、……壷を直すことができたベアトリーチェは、すごい魔女ということ？」\ `"Then, ......Beatrice, does that mean that since you could fix the vase, you are an incredible witch?"`\ bg white,22 bg sky_1a,26 ;「私など、まだまだ修行の日々ですよ。@壷が割れるという運命を、私の魔法ではほんの一時間も忘れさせることが出来なかったのですから。@私に魔法を教えてくれたお師匠様ならきっと、永遠に。@壷を元の姿に蘇らせることができたでしょうね。」\ `"My days of training are far from over.`@` After all, I couldn't make the vase forget its fate for even an hour.`@` If it were my teacher, who taught me magic, `@`I'm sure that she would be able to restore the vase to its original form forever."`\ ;「壊れても壊れても、何度でも何度でも直せる…？」\ `"If it broke and broke, she could fix it over and over again...?"`\ ;「えぇ。@その境地に達した時、無限の魔力が備わるでしょう。@それこそが、魔女の達するべき無限の境地。@私たちはその魔女を、最大の敬いをもってこう呼びます。」\ `"Yes.`@` When one reaches that level they are considered to be an Endless Witch.`@` That is the endless level that all witches should reach.`@` We respect those witches the most and call them this."`\ ;「無限の魔女…。」\ `"An Endless Witch..."`\ ;「そうです。@……無限に直す力を持つ魔女にとって、壊れるという概念はもはや存在しない。@失うという全ての悲しみから解放され、永遠の至福を約束されるのです。」\ `"That's right.`@` ......To witches holding the power to mend something endlessly, the concept of breaking doesn't even exist.`@` They are released from all of the sadness caused by losing things and are promised eternal bliss."`\ bg black,22 ;　確かに、人の世は離別と喪失の悲しみでいっぱいだ。@ `Certainly, the human world is full of sadness caused by separation and loss.`@ br ;　その悲しみから逃れるために、神に祈り、それを試練だと信じて耐える力を乞う…。@ `To escape that sadness, people pray to god, and ask for the power to withstand the sadness, believing it to be a test...`@ ;　つまり、人の人生とは、悲しみを如何にして堪えるかを探る旅なのだ。\ `In other words, a human's life is a journey, searching for a way to withstand sadness.`\ ;　だとしたら、万物を蘇らせることができる魔女は、この世の悲しみの全てから解き放たれている。@……つまりそれは、永遠の至福…。\ `In that case, a witch who could revive all things would be freed from all sadness in the world.`@` ......In other words, it is eternal bliss...`\ bg garden_se1a,26 ;「私も、……ベアトリーチェみたいな魔女になって、永遠に幸せになれるかな。」@ `"I wonder, ...if I could become a witch like Beatrice, and gain eternal happiness."`@ ld r,$WAL_DefA1,24 ;「姫様が、ですか…？@/ `"You, princess...? `@/ ld r,$WAL_WaraiA1,80 ;　ほっほっほ…、それはそれは長い長い、大変な修行となりますよ？」\ `Hoh-hoh-ho..., that is a long, long, difficult path, you see?"`\ bg garden_se1b,24 ;「私、魔女になりたい。@……幸せになりたい。@ベアトリーチェの弟子になりたい。」\ `"I want to become a witch.`@` ......I want to be happy.`@` Beatrice, I want to become your disciple."`\ ld c,$WAL_DefA1,23 ;「……………。@そのお気持ちに、些かの揺らぎもありませんか？」@ ;「はい。@私も、魔女になりたいです。」\ `"...............`@`Do you have even the slightest doubt in that feeling?"`@ `"No.`@` I also want to become a witch."`\ ld c,$WAL_waraiA1,80 ;「……わかりました。@では、姫様がお飽きになるまで、私の弟子にして差し上げましょう。@…私のことを、お師匠様と呼べますか？」\ `"......I understand.`@` Then, until you get tired of it, princess, I will allow you to be my disciple.`@` ...Will you call me Teacher?"`\ ;「はい、お師匠様。」\ `"Yes, Teacher."`\ ld c,$WAL_defA1,80 ;「良い返事ですね。@ではこれからは私と一緒に、魔法の深淵を学んでいきましょう。@私とて修行の身。@共に魔法を正しく学び、至福の境地を目指して頑張りましょう。」@ ;「はい、お師匠様…！」\ `"That's a good answer.`@` Then from now on, learn the depths of magic along with me.`@` I am also training.`@` Let us both learn magic the right way, and do our best to reach that blissful level."`@ `"Yes, Teacher...!"`\ textoff wait 1000 mono 1 print 42 wait 1000 bg white,10,5000 mono off fede 0,5000 ;wait 2000 bg G1F_S1aP,49 wait 3000 ;■ベアトのお茶会空間・ベアト夢から醒める。・まどろみから醒める時間経過を少々。 mov %play_scene,30020 ;シーン変数の入力 mov %r_hyouji_cha_ma,ma3_bea ld c,$BEA_NayamuA1,6 me1 11 wait 2000 ld c,$BEA_FutekiA2,80 ;「……………………。@…夢、か。@……懐かしい顔だ。」\ ;＜ベアト `"..................`@`...Ah, a dream.`@` ......That face brings me back..."`\ ;　無限の魔女、か。\ `An Endless Witch, was it?`\ ;　かつては憧れた、最高の到達点の称号は今や、妾にとってほんの肩書きのひとつでしかない。@ `A name that I had yearned for in the past as the highest achievement, and was now just another one of my titles.`@ br ;　いや、代名詞とすら言っていいか。\ `No, you can even say it's my calling card.`\ wait 2000 ld c,$BEA_DefA1,80 E_A bgmplay 61 ;「…たまには、その呼び名に充足を感じるのも乙なものかも知れぬな。@長き修行の日々の果てに得たものではないか。@/ `"...Every once in a while, it's nice to feel satisfied by being called that.`@` Isn't it something that I gained as the result of many days of training? `@/ ld c,$BEA_WaraiA1,80 ;…たまには有難味を感じねば、少々勿体無いというものよ。@……くっくくくくく。」\ `...It's a little bit of a waste if I don't feel valued every once in a while.`@` ......*cackle*cackle*cackle*."`\ bg G1F_S1bP,24 ;　緩やかに頭を振る。@ `She shook her head lightly.`@ br ;　最高の到達点とは曰く、それ以上がないということ。@ ;　永遠の行き止まり、永遠の退屈の始まりだ。\ `If it is called the highest level, that means that there is nothing higher.`@ `An eternal dead end, the beginning of eternal boredom.`\ ld r,$BEA_futekiA2,24 ;「お師匠様は言っていたな。@全ての悲しみから解き放たれることが即ち、永遠の至福だと。@/ `"Teacher said it once.`@` That when one is released from all sadness, it is the same as eternal bliss. `@/ ld r,$BEA_AkuwaraiA1,80 ;……だからこそ、故に思う。@ `......Which is why I think,`@ br ;お師匠様は(その域に至れなかった/・・・・・・・・・・)とな。」\ ;＜点処理：その域に至れなかった `Teacher `(`couldn't reach that level`/・・・・・・・・・・)`."`\ bg black,22 me1v 17,50 bg Different_spiral_1a,8 ;　永遠の至福とはつまり、永遠の退屈。@ ;　…これは永遠の拷問の始まりなのだ。\ `Eternal bliss means eternal boredom.`@ `...That's the beginning of eternal torture.`\ ;　しかし、物は考えようか。@ `But let's think about this.`@ br ;　永遠の退屈とはつまり、ページの尽きぬスケッチブックのようなものだ。@ ;　好きに描き、好きに楽しむ努力がいくらでも出来るということだ。\ `Eternal boredom is the same as a sketchbook that doesn't run out of pages.`@ `It means you can draw whatever you want, can try to have as much fun as you want.`\ ;　退屈は全ての魔女を殺す最悪の毒。@ `Boredom is the worst poison that kills all witches.`@ br ;　……卿の称号を持つ大魔女とて恐れるほどの。@ ;　永遠の至福に辿り着いた故に苛む、永遠の毒…。\ `......To the Great Witches who are given the title 'Lady', this is frighteningly true.`@ `It is the eternal poison that tortures them because of the eternal bliss that they have reached...`\ bg black,22 fede 10,2000 bg G1F_S1cP,26 ld r,$BEA_DefA2,24 ;「無限の魔女の名を得た今だからこそ、再びお師匠様と語らいたいものよ。@……我等の修行の果てにあったのは、本当に“幸せ”だったのか。@そして本当の“幸せ”とは何なのか、今こそ語り合いたいものよ。」\ `"Now that I have earned the name of Endless Witch, I truly wish to speak with Teacher again.`@` ......Was the result of our training really 'happiness'?`@` And now I want to talk with her about what true 'happiness' is."`\ ;“修行に終わりはありませんよ。@永遠の境地に辿り着いた、と思った時こそが、その未熟さを悔いる時なのです。”\ `'There is no end in training.`@` When you think you have reached the eternal level, that is the time to regret your immaturity.'`\ ;　……自分の言葉に答えるかのように、そんなことを言っていたのを思い出す。\ `......I remember her saying something like that as though answering herself.`\ ld r,$BEA_WaraiA1,80 ;「くくくく、はっははははははははは…。@/ `"*cackle*cackle*, hahhahahahahahahahaha... `@/ ld r,$BEA_waraiA2,80 ;なるほど、……妾は未熟、か！@　それは良い、それは良い。@くっくっくっくっく…！」\ `I see, ......I am immature, am I?!`@` How nice, how nice.`@` *cackle*cackle* *cackle*cackle*...!"`\ bg black,23 bg G1F_S1aP,23 E_A se1 37 quakey 3,500 ;　黄色い耳障りな哄笑が聞こえてくる。@ `Some painfully shrill laughter could be heard.`@ br ;　妾の家具たちのものだ。@…また玩具を壊したか。\ `It was from my furniture.`@` ...Did they break their toy again?`\ se2 52 ld r,$RG6_komaruA1,99,1500,"breakup.dll/lrp" bgmplay 44 ;「ベアトリーチェさまぁ。@こいつ、また動かなくなっちゃいましたぁ。」@ ;＜ベルゼ `"Beatrice-sama.`@` This guy's stopped moving again."`@ se3 52 ld l,$RG5_Akuwaraia1,99,1000,"breakup.dll/lrp" ;「まだ私、全然遊び足りないのにぃ。@情けない男ぉ。」@ ;＜マモン `"Even though I haven't played enough at all.`@` What a pathetic man."`@ se1 52 ld c,$RG2_nakuA1,99,1000,"breakup.dll/lrp" ;「私なんか全然遊んでないのにぃー！@　私にも遊ばせて遊ばせてぇー！」\ ;＜レヴィア `"Even though I haven't played at all!`@` Let me play, let me pla-y!"`\ bg G1F_S1cP,24 se2 52 ld r,$RG3_odorokiA1,99,1000,"breakup.dll/lrp" ;「お黙りなさい、屑どもが！@/ `"Be silent, you filth! `@/ ld r,$RG3_ikariA1,80 ;　お前たちが飢えた犬みたいにがっつくから、いくらベアトリーチェさまが直しても、すぐ壊しちゃうのよ。」@ ;＜サタン `Since you all devour him like starving dogs, no matter how well Beatrice-sama fixes him, he'll just break right away."`@ se3 52 ld l,$RG4_HohoemiA1,99,1000,"breakup.dll/lrp" ;「サタン姉が一番壊してるよ。@加減を知らないから。」\ ;＜ベルフェ `"Satan-nee broke him the most.`@` 'Cause she doesn't know restraint."`\ bg G1F_S1bP,23 se1 52 ld r,$RG1_fumanA2,99,1000,"breakup.dll/lrp" ;「申し訳ございません、ベアトリーチェさま。@愚妹どもをどうかお許し下さい。」@ ;＜ルシファ `"My apologies, Beatrice-sama.`@` Please forgive my stupid younger sisters."`@ se2 52 ld l,$RG7_komaruA1,99,1000,"breakup.dll/lrp" ;「早くこいつを直してー！@　次は私、次は私ぃー！」\ ;＜アスモ `"Fix him quickly-!`@` I'm next, I'm ne-xt!"`\ textoff se3 37 wait 700 se1v 37,90 wait 2000 ld c,$BEA_komaruA1,1 E_A se2v 27,70 quakey 5,500 ;「静かにせぬか、やかましいッ！！」\ ;＜ベアト `"Couldn't you be silent, shut up!!"`\ se3v 52,70 ;「「「「「「「ひぃッ！！」」」」」」」/ `"""""""Iiiee!!"""""""`/ wait 500 se1v 52,90 cl l,0 cl r,99,1000,"breakup.dll/urb" \ ;＜悲鳴と同時に、全員姿を散らして消す。 me1v 11,50 ;　一括しただけで、騒がしき七杭の姉妹は姿を消して隠れてしまう。@ `Just from that single yell, the noisy Sisters of the Seven Stakes disappeared and hid.`@ br ;　好きなだけ騒いで、遊んで壊して。@ ;　後始末だけは妾に押し付ける。@…まったく退屈させない家具たちだ。\ `They just mess around, having as much fun as they want breaking him.`@ `They only come to me to clean up afterwards.`@` ...Seriously, these furniture don't let me get bored.`\ bg black,22 bg blood_1a,26 E_A bgmplay 36 ;　家具たちが姿を消した後には、…ぐちゃぐちゃに壊れた玩具の残骸が残されている。@ `What remained after the furniture hid themselves, ...was just the sloppy mess that was all that remained of the broken toy.`@ br ;　もはや原型を留めてはいなかった。\ `It had no form anymore.`\ ;bg G1F_S1bP,0 ld r,$BEA_AkuwaraiA1,6 ;「…このザマでは、妾とて元の姿を思い出すのも難しい。@当の本人に思い出させるのが一番か。@……やれやれ。」\ `"...It will be hard for me to make it remember its original form in this state.`@` It's better to make him remember for himself.`@` ......Oh, well."`\ ;　妾は黄金の煙管を振り上げる。@ `I waved my golden pipe.`@ br ;　そして告げる。@詠う。@思い出させる。\ `And I told.`@` I chanted.`@` I made it remember.`\ ld r,$BEA_futekiA2,80 ;「……さぁさ、思い出して御覧なさい。@あなたがどんな姿をしていたのか。@…何しろ妾には、今のそなたは肉の残骸の山にしか見えぬのでな。@/ `"......Come, try to remember.`@` What form did you have?`@` ...After all, right now, all I can see is a huge lump of scrap meat. `@/ ld r,$BEA_futekiA1,80 ;どれが腕やら足やら見当もつかぬ。@そなたが思い出してくれなければ、妾にはそなたの面影も思い出せぬ。@くっくくくく！」\ `I've no idea which part is the arm and which part is the leg.`@` If you don't remember, I won't even be able to remember your face.`@` *cackle*cackle*cackle*!"`\ bg black,22 se1 22 bg blood_2e,22 ;　哀れな肉片が、魔法の力によって、自分たちがどのような姿をしていたのか、思い出し始める。@ `By the power of the magic, the pitiful pieces of meat began to remember what their form had been.`@ br ;　誰が誰と繋がっていたのか。どことどこがどう組みあがっていたのか。\ `Which part should go with which part, and where should join with where?`\ se2 38 bg blood_2d,22 ;　そうそう、その調子。@ `That's right, just like that.`@ se3 38 bg blood_2c,22 ;…違う違う、お前は左手の指だろう。@/ `...No, no, you should be a finger on the left hand. `@/ se1 38 bg blood_2a,22 ;そちらは右手だ。@/ `That's the right hand. `@/ se2 52 bg black,22 ;そうそう、よしよし、くっくっく。\ `That's it, good, good, *cackle*.`\ bg G1F_S1cP,22 ld l,$BEA_futekiA1,26 ;「…おはよう。@目が覚めたか、右代宮戦人ぁ。@もっとも、目が覚めた方が悪夢の中とは実に皮肉な話だがな。」@ `"...Good morning.`@` Have you woken up, Ushiromiya Battler?`@` How truly ironic that being awake is even more like a nightmare."`@ se1 38 ld r,$BUT_KuyasigaruA1,6 ;「………げほ、…げほっ…。@………っく、…痛ててて……。」\ `".........*cough*, ...*cough*... `@`.........eck, ...owowow......"`\ ld l,$BEA_FutekiA2,80 ;「妾を魔女と認めさえすれば、すぐにそなたの悪夢を覚まし、天国へ誘ってやろうぞ。@妾こそは煉獄山の王。@妾の許し無しにこの地獄より抜け出す方法はないのだ。」@ `"If you would just accept that I am a witch, you'll quickly awaken from this nightmare, and I'll send you to heaven.`@` I am the king of Mount Purgatory.`@` There's no way out of this hell without my approval."`@ ld r,$BUT_NayamuA2,80 ;「へ、…へへへへ。@この程度で地獄かよ、駄目だな。@あぁ、全然駄目だぜ。」\ `"Heh, ...hehehehe.`@` You call this hell? That's just useless.`@` Aah, it's all useless."`\ bg G1F_S1aP,23 ld c,$BEA_akuWaraiA1,23 ;「人ならば一度しか味わわずに済む死の苦しみを、@もう両手の指では数え切れぬほど与えられたというのに、よくもそれだけの減らず口を叩けるものよ。@くっくっく！@　だからこそ飽きぬ。@そなたには飽きぬのよ。」\ `"The pain of death, which humans only have to taste once,`@` has been given to you more times than I could count with all of my fingers, and yet, ...how can you keep talking like that?`@` *cackle*`@` That's why I don't get bored.`@` I don't get bored of you."`\ bg G1F_S1bP,0 ld r,$BUT_niramuA2,24 ;「あぁ、全然飽きねぇぜ。@何しろ、太股の眩しいデカ乳姉ちゃんたちが選り取り見取りのハーレム状態なんだからよ。@お陰様でまるで退屈しねぇぜ。」\ `"Yeah, not bored at all.`@` Anyways, I get to pick and choose from those big boob Nee-chan's with dazzling asses in my harem.`@` Thanks to that, I'm not bored at all."`\ ld l,$BEA_waraiA2,23 ;「くくくくく、くっくくくくくく！@　それはよかった。@そうでなくては妾も退屈だ。@/ `"*cackle*cackle*, *cackle*cackle*cackle*!`@` That's great.`@` Otherwise I would be bored too. `@/ ld l,$BEA_AkuwaraiA2,80 ;それ、家具ども。@直してやったぞ、また存分に遊ぶが良い。」\ `So, my furniture.`@` I've fixed him, so you can play as much as you want."`\ me1v 5,50 se1 52 ld c,$RG5_akuwaraiA2,99,1000,"breakup.dll/lrp" ;「ありがとうございますぅ！@　きゃっはッ、私がいただきぃ！」@ ;＜マモン `"Thank you very much!`@` Kyaha, all mine!"`@ cl l,24 se2 52 ld l,$RG2_odorokiA1,99,1000,"breakup.dll/lrp" ;「だからあんたは終わりよ終わり、次は私なのぉ！@/ `"Didn't I say you're done, you're done, I'm next! `@/ ld l,$RG2_nakuA1,80 ;　退きなさいよ、わあん！」\ ;＜レヴィア `Back off, waaah!"`\ bg G1F_S1cP,24 ;ld r,$RG7_Akuwaraia1,99,1500,"breakup.dll/urb" ld r,$RG7_Akuwaraia1,26 ;「うっふふふふ。@素敵よね、戦人くぅん？@　モテモテじゃない。」@ ;＜アスモ `"Ehheheheheh.`@` Wonderful, isn't it Battler-ku-n?`@` You're so popular, aren't you?"`@ ld l,$BUT_nayamuA2,23 ;「モテる男は辛いぜ。@畜生ども、順番に並びやがれってんだ。」\ ;＜戦人 `"It's hard being a popular guy.`@` Get in line, you beasts."`\ bg G1F_S1aP,23 ;ld r,$RG4_HohoemiA1,99,1500,"breakup.dll/urb" ld r,$RG4_HohoemiA1,24 ;「虚勢など張らずに素直になれば、もっと楽になれるのに。」@ ;＜ベルフェ `"If you didn't bluff and stayed obedient, this would be much easier."`@ ;ld l,$RG6_AkuwaraiA1,99,1500,"breakup.dll/ulb" ld l,$RG6_AkuwaraiA1,23 ;「いいのよこれで。@その方が悲鳴が気持ちいいもの。」\ ;＜ベルゼ `"It's alright like this.`@` His screams are more pleasant this way."`\ ;ld c,$RG3_AkuwaraiA2,99,1500,"breakup.dll/urb" cl a,28 ld c,$RG3_AkuwaraiA2,26 ;「さぁ、今度は簡単に壊すんじゃないわよ。@いいわね、返事は？！」\ ;＜サタン `"Alright, let's not break him easily this time.`@` Come on, your answer?!"`\ bg G1F_S1cP,0 ;ld l,$BUT_NiramuA1,24 ;ld r,$RG1_AkuwaraiA1,99,1500,"breakup.dll/urb" ld r,$RG1_odorokiA1,1 quakey 3,500 ;「あんたが仕切るんじゃないわよ！@/ `"You aren't in control! `@/ ld r,$RG1_akuwaraiA1,80 me2v 19,90 ;　さぁ、戦人くん。@さっきの続きよ？@　マスターキーで朱志香ちゃんの部屋を施錠した後、どうやって室内の死体のポケットに鍵を戻したというの？」\ ;＜ルシファ `So, Battler-kun.`@` Let's continue where we left off, alright?`@` After they locked Jessica-chan's room with the master key, how did they return the key to the corpse's pocket, which was inside the room?"`\ ld l,$BUT_komaruA1,26 ;「……例えばよぅ。@…そうさ、釣り糸か何かを使って、鍵だけを扉の隙間から室内に戻して…。」@ ;＜戦人 `"......For example...`@`...that's it, they used a fishing line or something, and just the key went back into the room through the crack of the door..."`@ se1 37 ld c,$RG7_AkuwaraiA2,24 ;「きゃっはははははははッ！！@　ハーズレぇ！」\ ;＜アスモ `"Kyahhahahahahahaha!!`@` Wro-ng!"`\ cl r,23 ld r,$RG4_fumanA2,24 ;「甘いな。@/ `"So naive. `@/ se2 59 ;#ff0000六軒島に存在する全ての扉は、鍵が通り抜けられる隙間などない#ffffff。」\ ;＜赤字＜ベルフェ #ff0000`Of all of the doors that exist on Rokkenjima, none has a crack through which a key can slip`#ffffff`."`\ cl l,24 ld l,$RG2_AkuwaraiA1,23 ;「ハズレたね、ハズレたねぇ？！@　さぁ今度は私よ、私の番なのよ！@　どぉこを貫いちゃおっかなぁ！」\ ;＜レヴィア `"Wrong, wrong?!`@` Right, this time me, my turn!`@` Whe-re should I strike!"`\ ;■以下はセリフと同時にダメージを与えてる感じ。杭に変身はしない。 bg black,22 ;「私、手の甲！」@ ;＜マモン `"Me, back of the hand!"`@ textoff se1 36 bg white,1 bg G1F_S1bP,0 ld l,$RG5_akuwaraiA3,0 lsp bgsp,":a;bmp\background\efe\1a.bmp",0,0 print 22 ld r,$RG6_akuwaraiA3,80 ;「ずるいぃ！@　じゃあ反対の手の甲！」@ ;＜ベルゼ `"That's me-an!`@` Then, the back of the opposite hand!"`@ textoff se2 36 lsp efesp,":a;bmp\background\efe\white1.BMP",0,0 print 1 ld r,$RG6_akuwaraiA3,0 lsp bgsp,":a;bmp\background\efe\1b.bmp",0,0 vsp efesp,0 print 22 ;「私は鼻の頭をもらっちゃおっと！」@ ;＜ルシファ `"I'll take the tip of the nose!"`@ textoff se3 36 vsp efesp,1 print 1 ld c,$RG1_AkuwaraiA1,0 lsp bgsp,":a;bmp\background\efe\1c.bmp",0,0 vsp efesp,0 print 22 wait 1000 cl r,23 ld r,$RG2_odorokiA1,24 ;「何で何で、私にもやらせて、私にも貫かせてぇ！@　わあん！！」\ ;＜レヴィア `"Why, why, let me do it too, let me strike too!`@` Waaah!!"`\ cl l,24 ld l,$RG3_fumanA1,23 ;「レヴィア姉はトロいのよ、いつだって私たちは早い者勝ちでしょうが！@　じゃあ私は足の甲をいただいちゃおっと！」@ ;＜サタン `"Levia-nee sure is slow, we've always done first one wins, right?!`@` Then, I'll take the top of his foot!"`@ textoff se1 36 vsp efesp,1 print 1 lsp bgsp,":a;bmp\background\efe\1d.bmp",0,0 vsp efesp,0 print 22 ld r,$RG2_nakuA1,80 ;「わぁん！！@　私も私もぉー！@　私は肩をもらっちゃうからいいもん！」\ ;＜レヴィア `"Waaah!!`@` Me too, me too-!`@` I'll take his shoulder, alright!"`\ textoff se2 36 vsp efesp,1 print 1 lsp bgsp,":a;bmp\background\efe\1e.bmp",0,0 vsp efesp,0 print 22 wait 2000 cl a,22 se3 38 ;「け…。@姉妹なんだろ、仲良くしやがれってんだ。…@…ぐぅおお、……ぉ、………ッ…。」\ ;＜戦人 `"Keh...`@` You're sisters right? Be nice to each other...`@`...Gwaaa, ......oh, .........hh..."`\ textoff ld c,$RG4_DefA1,23 wait 1500 se1 36 vsp efesp,1 print 1 ld c,$RG4_HohoemiA1,0 lsp bgsp,":a;bmp\background\efe\1f.bmp",0,0 vsp efesp,0 print 22 ;「……よくも堪えるものだな。@お前のその痩せ我慢が、むしろ私たちを楽しませているだけだと、なぜ気付かない？」@ ;＜ベルフェ `"......How can you withstand that?`@` Why haven't you realized that your false courage actually makes us more excited?"`@ ;「生憎だなぁ。@痩せ我慢と意地の張り合いは俺の十八番なんだ。@お前らがどう俺を煙に撒こうとも、俺は絶対に魔女も魔法も認めねぇ…！」\ ;＜戦人 `"Sorry, but...`@`false courage and being stubborn are my specialty.`@` No matter how you all try to speak in riddles, I definitely won't accept witches and magic...!"`\ ld r,$RG3_AkuwaraiA2,24 ;「人間とトリックで何も説明できないくせに？@　馬ッ鹿じゃないの？！@/ `"Even though you can't explain anything with human tricks?`@` Are you a moron?! `@/ se2 36 vsp efesp,1 print 1 vsp efesp,0 print 22 ;　この身の程知らずが！」@ ;＜サタン `Know your place!"`@ ld l,$RG1_akuwaraiA1,23 ;「いいのよ、無理に認めさせなくても。@今に泣きながら認めたくなるわ。@/ `"It's alright, we don't have to force him to accept it.`@` Right now he wants to accept it, crying. `@/ ld l,$RG1_AkuwaraiA2,80 ;今だって、本当は哀れに土下座しながら許しを乞いたいくせにぃ！」\ ;＜ルシファ `Even now, he really wants to kneel down on the ground pitifully and beg our forgiveness!"`\ textoff se3 36 vsp efesp,1 print 1 lsp bgsp,":a;bmp\background\efe\1g.bmp",0,0 vsp efesp,0 print 22 se1v 38,90 csp bgsp csp bgsp2 print 1 bg blood_1a,1 quakex 5,1000 me3 16 ;「うぐぉッ、ぐごげげげがぎゃがッ…！！」\ `"Ugaah, guahgehgehgyahh...!!"`\ se2 13 wait 300 se3v 13,90 quakey 3,500 bg black,2 bg G1F_S1aP,0 ld r,$RG7_fumanA1,23 ;「あーん、もう壊しちゃったぁ！@　ベアトリーチェさまぁー！」\ ;＜アスモ `"Aa-h, he's broken already!`@` Beatrice-sama!"`\ ld l,$BEA_waraiA1,23 ;「……やれやれ。@妾がいくらでも蘇らせられることを知っているから、家具どもも壊すことに躊躇がない。@困ったものよ。」\ `"......Ah, well.`@` Since they know that I can revive him over and over, my furniture don't even hesitate to break him.`@` How troublesome."`\ ;　無限の蘇生は、無限の死をも自在にする。@ `Giving eternal rebirth and eternal death at will.`@ ;　無限の魔女ベアトリーチェの前には、全ての生き死には意味をなさない。@ ;　死すらも、妾の檻から逃れる鍵にはなり得ないのだ。\ `Before the Endless Witch Beatrice, all death and life has no meaning.`@ `Even death can't become the key to escape from my cage.`\ cl a,0 ld c,$BEA_defA2,23 ;「さぁ、戦人。@再び元の姿を思い出すがいい。@何度でも弄んでやるぞ？@/ `"So, Battler.`@` Remember your original form again.`@` I'll toy with you as much as I want, you see? `@/ ld c,$BEA_AkuwaraiA5,80 ;　なるほどなるほど、永久に遊べる玩具とは実に愉快よ。@……なるほどな、これが無限の境地に至った魔女が得る至福の境地とやらなのか。\ `I see, I see, it's truly pleasant to have a toy to play with for all eternity.`@` ......I see, could this be the endless bliss witches gain at the endless level?`\ ld c,$BEA_AkuwaraiA2,80 ;　なるほどなるほど。@これは確かに愉快で至福だ。@くっくくくくくくくく！@　わっははははははははははは！！@　何度でも蘇らせてやる、何度でも殺してやるッ！@　さぁて、次なるゲーム盤ではどのような殺人劇を繰り広げよう？@　さぁ、新しきゲーム盤を持て。次なるゲームを始めようではないか、右代宮戦人ぁ！！」\ `I see, I see.`@` This is surely a pleasant bliss.`@` *cackle*cackle*cackle*cackle*!`@` Wahhahahahahahahahahahaha!!`@` I'll revive you over and over, kill you over and over!`@` Let's see, what kind of murder play will unfold on the next game board?`@` Come, bring the new game board. Why don't we begin the next game, Ushiromiya Battler!!"`\ bg black,1 se1v 37,50 wait 300 se2v 37,70 wait 300 se1v 37,100 se3v 37,100 wait 1000 fede 0,3000 ;■オープニング skipoff textoff E_A ;movie "movie\umineko_op.mpg",click mpegplay "movie\umineko_op.mpg",1 textoff *umi3_1 ;■１０月４日・六軒島への船（甲板） mov %play_scene,30030 ;シーン変数の入力 mov %grim_scene,300 textoff bg black,22 bg white,49 wait 1000 E_A bgmplay 5 bg sea_1a,2 wait 3000 bg Ship_S2b,2 ld r,$RUD_akuwaraiA1,4 ;「やれやれ。@姉貴の煙草嫌いにも参ったもんだな。」@ ;＜留弗夫 `"My, my,`@` what a shame that Aneki hates cigarettes so much."`@ ld l,$HID_WaraiA2,23 ;「すまんなぁ。@昨夜からカリカリしとるんや。@気にせんでやってくれんか。」\ ;＜秀吉 `"Sorry.`@` She's been grumpy since last night.`@` Would you mind ignoring it?"`\ bg Ship_S2a,22 ;　留弗夫と秀吉は甲板に出て、煙草を取り出す。\ `Rudolf and Hideyoshi went out onto the deck, and took out some cigarettes.`\ ;　絵羽が煙草の臭いを嫌うのは昔からのことだが、不機嫌になるとさらにそれが過敏になる。@ `Eva had always hated the smell of cigarettes, but when she was in a bad mood, she got even more oversensitive.`@ br ;　島に着くまでをのんびり喫煙して過ごそうとした二人はそれを咎められ、甲板に追い出されたのだ。\ `When they had decided to spend the time until they reached the island smoking casually, the two of them had been threatened and chased out onto the deck.`\ ;　秀吉はライターを灯すが、甲板の強風でうまく付かない。@ ;　留弗夫は、洒落た仕草でジッポを取り出すと、秀吉に火を貸すのだった。\ `Hideyoshi tried to use his lighter, but it didn't go well with all of the strong winds on the deck.`@ `Rudolf took out a Zippo with a stylish gesture, and let Hideyoshi borrow the flame.`\ ld r,$RUD_DefA2,24 ;「秀吉兄さんはいつ頃から煙草を？」@ ;＜留弗夫 `"When did you start smoking cigarettes, Hideyoshi nii-san?"`@ ld l,$HID_DefA1,23 ;「戦後すぐや。@最初は煙草を転がしとってなぁ。@/ `"Just after the war.`@` In the beginnin', I was rollin' 'em. `@/ ld l,$HID_WaraiA2,80 ;自分の売り物に手を付けてしまったわけや。@わははははははは。」\ ;＜秀吉 `Then I started usin' what I was sellin'.`@` Wahahahahahahaha."`\ ld r,$RUD_waraiA1,80 ;「じゃあ、姉貴と会った時にはもう吸ってたわけだ。@姉貴には、ずいぶん止めろ止めろと言われたでしょう。」@ ;＜留弗夫 `"So you were already smoking when you met Aneki.`@` I'll bet she's always telling you to stop."`@ ld l,$HID_WaraiA1,80 ;「わしが聞く耳持たんもんだから、あれももうすっかり諦めよった。@わはは、やはり男は強情でなくてはあかんな。」\ ;＜秀吉 `"I never listened to her, so she's already completely given up on that.`@` Wahaha, looks like men have got to be stubborn."`\ ld r,$RUD_defA1,80 ;　秀吉は豪快そうに笑って見せるが、留弗夫はくすりと笑う。@ `Hideyoshi laughed heartily, but Rudolf chuckled.`@ br ;　絵羽に表で吸えと叱られて、一緒にすごすごと甲板に逃げ出してきたのだ。@尻に敷かれているに、ほぼ間違いあるまい。\ `After they had been scolded by Eva, they had dejectedly ran out onto the deck together.`@` They had almost certainly been dominated by her.`\ bg white,22 bg sea_1a,2 me1v 4,0 cross1 3000,70,0,0,0,0 ;「…普段はあそこまで短気じゃないんや。@……いいや、普段はもっと温和な、大人しい女なんやで。@毎年毎年、この日になると人が変わりよるんや。」\ `"...She isn't usually so short-tempered.`@` ......Nah, she's usually a more gentle, quiet woman.`@` Every year, she changes when this day comes."`\ ;「そうなんですか？@　俺らがよく知る昔っからの姉貴そのものに見えますがねぇ。」@ `"Is that so?`@` To me, she looks just like the Aneki we've all known for so long."`@ ;「……そうや。@右代宮家の絵羽に戻るんや。@…でも、それはわしと一緒の絵羽とは違うんや。」\ ;＜秀吉 `"......That's right.`@` She's returned to bein' Eva of the Ushiromiya family.`@` ...But, that's different from the Eva who's with me."`\ ;「………………。@まぁ、カリカリする気持ちもわかります。@…今回の親族会議は面倒だ。」\ `"..................`@`Well, I can understand why she's grumpy.`@` ...This family conference is going to be a pain."`\ ;「……そやな。@…あの蔵臼兄さんから、カネを脅し取ろうっちゅう計画や。@親族会議なんて名ばかりの、こりゃただの兄弟喧嘩や。」\ `"......Very true.`@` ...That plan to threaten money out of Krauss nii-san.`@` Even though we call it a family conference, it's really just a fight between the siblings."`\ bg black,22 E_A bgmplay 1 ;　親族会議を前に、蔵臼を除く３人の兄弟は密約を結んでいた。@ `Before the family conference, three of the siblings had made a secret contract without Krauss.`@ br ;　彼らには互いに差し迫った状況があり、取り急ぎ莫大なカネが必要なのだ。@ `The situation that pressed at all of them was an urgent need for a lot of money.`@ br ;　そしてそのアテは、書斎に閉じ篭った金蔵に代わって、右代宮家の当主を代行する蔵臼しかない。\ `And the only one who could help them was Krauss, who spoke for the Ushiromiya head, since Kinzo was shut up in his study.`\ bg sea_1a,22 me1v 4,70 ;　蔵臼が、金蔵が財産に関心を失ったのをいい事に、@それを私物化し摘み食いをしていることは、ずいぶん前から薄々と感付いていた。\ `Since long ago, they had felt that Krauss was taking advantage of Kinzo's loss of interest in his own wealth,`@` and had started embezzling that wealth for his own use.`\ ;　自分たちが軌道に乗っている時は、憎々しく思いながらも、見て見ぬふりをしていたが、@…自分たちにもカネがいる今の状況では、それはとても黙認できるものではない。@ `When everything had been going well for the siblings, even though they had found it detestable, they had pretended not to notice,`@` ...but now that they needed money, they couldn't just quietly accept that.`@ br ;　絵羽は、留弗夫と楼座に連帯を呼び掛け、それを突く事で蔵臼からカネを引き出そうと企んでいる…。\ `Eva had called Rudolf and Rosa into an alliance, and they had schemed to take that money away from Krauss.`\ bg Ship_S2b,26 ld r,$HID_MajimeA1,24 ;「………わしも、そして留弗夫くんも社長や。@社員の生活を背負っとる身や。」@ `".........Rudolf-kun, both you and I are company presidents.`@` We are responsible for the livelihood of our employees."`@ ld l,$RUD_NayamuA1,23 ;「楼座も社長ですよ。@まぁ、道楽ですが。」\ `"Rosa is a president too.`@` Well, as a hobby."`\ ld r,$HID_KomaruA1,80 ;「そうやな、失礼。@/ `"That's right, sorry. `@/ ld r,$HID_MajimeA1,80 ;……つまり、わしらは誰もが、背負うモノを持っとるっちゅうことや。」@ `......In short, all of us are bearin' some burden."`@ ld l,$RUD_MajimeA2,80 ;「…俺も、幹部連中の前で啖呵を切った以上、土下座しても、泥を啜ってでもカネを引っ張ってこなきゃならない。」\ `"...Now that I have thrown the gauntlet down in front of the executive board, I gotta bring in the money, even if it means I have to kneel or even drink mud."`\ ld r,$HID_majimeA2,80 ;「お互い様や。@…わしも、わしを信じて付いて来てくれた社員たちを裏切れん。@……それこそ、蔵臼兄さんの首根っこを引っ掴んででも、カネを引っ張り出さんといかんのや。」\ `"Same here.`@` ...I can't betray those employees who've trusted me and followed me for so long.`@` ......That's why I must get some money out of Krauss nii-san, even if I have to grab him by the neck."`\ bg ship_S2a,23 ld r,$RUD_DefA2,24 ;「姉貴は、昔っから兄貴とは犬猿だ。@…その兄貴と全面対決しなくちゃならねぇんだから。@そりゃあカリカリもするだろうよ。」@ `"Aneki has always been at odds with Aniki.`@` ...And now she must oppose Aniki completely.`@` That's probably enough to make her grumpy."`@ ld l,$HID_fumuA1,23 ;「やっぱり、絵羽は蔵臼兄さんとは昔っから仲が悪かったんか…？」\ `"Just as I thought.`@` So, Eva has always had a bad relationship with Krauss nii-san...?"`\ ld r,$RUD_majimeA1,80 ;「本人、話しませんか？@　そりゃあもう、盛大に。」@ `"Hasn't she talked about it?`@` It was so massive."`@ ld l,$HID_KomaruA1,80 ;「昔の話は、聞いても話してくれんのや。@……思い出したい話がないんやろな。」\ `"She won't tell me about the past even if I ask.`@` She probably doesn't want to remember."`\ textoff cross1 3000,70,0,0,0,0 bg white,25 bg Sea_1a,22 ;「…姉貴は昔っから、要領も良くて頭が良かった。@成績も良かった。@それに比べ、兄貴は凡才だった。@…ただ、側にいるだけでも充分にプレッシャーだったろうに、姉貴はわざわざそれを誇示してして兄貴を追い詰めていた。」\ `"...Aneki has always been smart and to the point.`@` Her grades were good too.`@` Compared to that, Aniki was just average.`@` ...Her just being there beside him should have been enough pressure, but Aneki kept boasting about it and driving Aniki into a corner."`\ ;「……あほやなぁ…。@何でそない敵愾心剥き出しで追い詰めるんや。@そういうのは要領がいいとは言わん。」\ `"......That idiot...`@` Why did she drive him into a corner with that frank hostility?`@` That won't accomplish anythin'."`\ bg Ship_S2a,26 ld c,$RUD_AkuwaraiA1,23 ;「ははは、確かに。@/ `"Hahaha, seriously. `@/ ld c,$RUD_DefA2,80 ;………姉貴は、女に生まれたことを悔やんでた。@…だから、男というだけの理由で、当主を継ぐことが決まっている兄貴が、多分、許せなかったんだ。@…だからことあるごとに自分の方が優秀であると親父に誇示していたっけ。」\ `.........Aneki regrets being born a woman.`@` ...After all, she probably couldn't forgive Aniki, since it was decided that he would succeed the head just because he was a man.`@` ...So she would always boast to Father that she was superior at every little thing."`\ bg Ship_S2c,0 ld r,$HID_fumuA1,24 ;「お父さんは古いタイプのお人や。@男女には差別的な価値観を持っとった。@/ `"Father really is an old-fashioned person.`@` His values discriminate between men and women. `@/ ld r,$HID_KomaruA1,80 ;…自己顕示の強い絵羽は、少々嫌われてたんとちゃうか…。」@ `...You think that Father disliked Eva a bit, since she likes to make herself conspicuous...?"`@ ld l,$RUD_NayamuA1,23 ;「………………………。」\ `"....................."`\ ;■絵羽のまどろみ textoff bg black,5 ;wait 2000 fede 0,2000 bg white,6 mono 1 print 2 wait 1000 bgmplay 10 bg Mdin_1a,48 wait 2000 bg Mdin_1c,2 wait 1000 mono off print 2 ;ld r,$KLA_AkuwaraiA1,24 ;「女の学力は、紅茶の砂糖にも似ていると思わないかね？@　ないのも味気ないが、過ぎれば紅茶の味わいを大いに損なう。」\ `"Don't you think that schooling for women is like sugar in black tea?`@` Without it, there's no taste, but too much of it ruins the tea."`\ ;　…紅茶は、砂糖がなくとも飲めることを思えば、@これはつまり、女に学問は不要だと言っているのとまったく同じだ。@ `...Since you can still drink black tea without sugar,`@` it was almost the same as saying that study was unnecessary for a woman.`@ br ;　この腹立たしい言葉は、私が大学院を希望したが父に拒否され、失意の私に兄が吐いた暴言だ。\ `Those infuriating words were ones that my older brother had abused me with when I had been in despair, when I had wanted to go to college but was rejected by Father.`\ bg black,24 bg Mdin_1b,24 ;　私は、自分が右代宮家の長女として相応しい品格と教養を身につける上で、大学院進学は必要なものだと訴えた。@ `I had protested that, as the oldest daughter in the Ushiromiya family, I needed to gain proper dignity and an education, so advancing to college was essential.`@ br ;　しかし、父と兄の返事はどちらも要約するとまったく同じ。@ `But, if you sum up Father's and brother's answers, they were both the same.`@ br ;“女のクセに生意気だ”、だった。\ `'How conceited for a woman.'`\ ;　私は右代宮の家に生まれたその時から、その名を軽んじたことなど、一度もない。@ ;　そしてそれ以上に、父である右代宮金蔵の名を軽んじたことなど、ただの一度もない。\ `Since the time I was born into the Ushiromiya family, I hadn't taken that name lightly even once.`@ `And furthermore, I also hadn't ever taken Father's name, Ushiromiya Kinzo, lightly even once.`\ bg black,25 bg M_o1a,22 ;　伝統ある旧家ではあるが、関東大震災であらゆる財産や事業を失い、一度は傾きかけた。@ ;　それを父は天才的才能を発揮して、かつて以上に復興させて見せたのだ。@ `It was an old family with many traditions, but in the Great Kanto Earthquake, it had lost its wealth and its business, and had sunk all at once.`@ `Then Father, with his ingenious talent, had taken control, and revived it to be even greater than it had been before.`@ br ;　その、偉大なる右代宮金蔵の娘であることの意味を忘れたことなど、ただの一度もない。\ `I hadn't forgotten that I was the daughter of that great Ushiromiya Kinzo even once.`\ bg Mdin_1e,22 ;　だからこそ、それに相応しくあろうと私は常に努力してきた。@ `Therefore, I had always made every effort to become worthy of that name.`@ br ;　右代宮家に相応しい品格。@学力。@立ち居振る舞い。@そしてリーダーシップ。@ `Dignity worthy of the Ushiromiya family.`@` Schooling.`@` Manners.`@` And leadership.`@ br ;　父には到底及ばなくても、金融や経済に学識を深め、いつでもその手伝いができるよう自分を研磨してきたはずだった。\ `Even if I couldn't quite reach Father's level, I deepened my knowledge in economics and finance, and tried to improve myself so that I could help out with that at any time.`\ bg black,22 ;　……しかし、それが父に認められることはついになかった。@ ;　父にとって、女は男を支えるものでしかなく、それ以上であることを許さなかったからだ。\ `......However, in the end, Father never accepted that.`@ `To Father, a woman was only meant to support a man, and nothing further than that was permissable.`\ ;　それを、私はいつ理解したのだろう。@ ;　……少女時代にはもう、理解していたのかもしれない。@ `I probably understood that.`@ `......I had probably understood that since I was a young girl.`@ br ;　…でも、それを本当の意味で受け容れるには、成人を待たなければならなかった。\ `...But to truly accept that, I had to wait until I had grown up.`\ bg Mdin_1a,26 ;ld c,$KLA_DefA1,26 ;　２つ年上の兄、蔵臼は、私に比べたらまったくと言っていいほど、@右代宮家に相応しくあろうという努力をしているとは言えなかった。\ `You couldn't have said that Krauss, as my older brother by two years, `@`tried at all to become deserving of the Ushiromiya family name, and his effort was pathetic compared to mine.`\ ;　兄は、自分が男に生まれたというだけで、自分が父の後を継ぐのが当然であると、幼少の頃から何度も口にしてきた。@ `Since we were young, my brother kept saying that it was natural that he'd succeed Father, just because he was born a man.`@ br ;　…それが、私との絶対的な差であるとでも言うように、何度も繰り返してきた。\ `...He kept repeating that, as though it were an absolute gap between us.`\ bg black,22 ;　私は悔しかった。@兄よりも常に良い成績を残しているのに、@兄は副会長止まりだった生徒会も、私は会長にまでなったのに、@…それでも右代宮家の跡継ぎには男であるというだけの理由で、兄が相応しいとされていたからだ。\ `I couldn't stand it.`@` Even though I always got better grades than my brother,`@` even though while he was stuck as vice-president of his class, I became class president,`@` ...even so, my brother was considered to be the appropriate person to succeed the Ushiromiya family just because he was a man.`\ ;　確かに、男女差別が罷り通っていた時代だった。@ ;　いや、それが美徳とさえされている時代だった。@ `Of course, you could get away with gender discrimination in those days.`@ `No, it was even considered a virtue in those days.`@ br ;　女は、生まれては親に従い、嫁いでからは夫に従い、老いては子に従えと言われた、蔑まれた時代だった。\ `It was a despicable time. People said that, when a woman is born, they obey their parents, when they get married, they obey their husbands, and when they get old, they obey their children.`\ ;　でも、だからこそ私は、それを覆したかった。@ ;　……純粋に、自らがもっともそれに相応しくあるように努力を重ねたのだ。@ `But because that way of thinking existed, I wanted to overturn it.`@ `......Innocently, I kept trying to prove that I was the most fit.`@ br ;　……しかし、結局、初めから認められない努力だった。\ `......However, eventually, I realized that all of my efforts were doomed from the beginning.`\ bg Mdin_1c,26 ;ld r,$KLA_AkuwaraiA2,26 ;「女の学力は、紅茶の砂糖にも似ていると思わないかね？@　ないのも味気ないが、過ぎれば紅茶の味わいを大いに損なう。」\ ;＜蔵臼 `"Don't you think that schooling for women is like sugar in black tea?`@` Without it, there's no taste, but too much of it ruins the tea."`\ bg Mdin_1b,23 ;ld l,$EVA_IkariA1,23 ;「…それはどういう意味よ、兄さん。」\ `"...What do you mean by that, Nii-san?"`\ ;ld r,$KLA_AkuwaraiA3,24 ;「男には、男にしか勤められないことがあるように、女とて、女にしか勤められないことがあるんじゃないかね？@　子を産み、育て、一家の主を支えるのは、女でなければ出来ぬ勤めだと思うがね。」@ `"Just like how there are things that only men can do, there are things that only women can do, right?`@` I think things like giving birth to children, raising them, and supporting their husband can only be done by women."`@ ;ld l,$EVA_KomaruA1,80 ;「女には、勉強や仕事をする必要がないと言いたいの？」\ `"Are you trying to say that there's no need for a woman to do things like work and study?"`\ bg Mdin_1g,25 ;「そこまでは言わんよ。@無学な女など、話していても疲れるだけだ。@…だが、あまり頭が良過ぎる女はもっと疲れる。@お前のように、自己主張の激しい女では、未来の夫もさぞや苦労すると思うのだがね。」\ `"I wouldn't go that far.`@` It's tiring just talking with an unschooled woman.`@` ...However, women who are too smart are even more tiring.`@` I think that a woman like you, who violently asserts herself, would cause their future husband a lot of trouble."`\ ;「女は結婚して夫の影にいろと、そう言いたいの？@/ ;!s0　余計なお世話よ！」/ `"Are you trying to say that a woman must marry and stay in the shadow of their husband? `@/ !s0`That's none of your business!"`/ se1v 8,70 quakey 4,800 !sd\ bg Mdin_1e,26 ;ld l,$KLA_AkuwaraiA1,26 ;「お前が親父殿を尊敬していて、その娘として相応しくありたいと思う気持ちは、我が妹ながら見上げたものだよ。@私にも尊敬できることだ。」@ `"I admire you as my little sister for feeling that you should respect Father and become a proper daughter for him.`@` Even I can respect that."`@ ;ld r,$EVA_futekiA1,24 ;「気持ち悪い。@何が“私”よ。@この間まで“俺”だったくせに。@もう当主気取りなの？」\ `"That's just disgusting.`@` What is this '#86ef9cwatashi#ffffff'?`@` Even though you always used to use '#86ef9core#ffffff'.`@` Are you already pretending to be the head?"`/ mov %play_scene,30031 mov %grim_scene,301 mov %r_hyouji_grim,2 ;seplay 9,1062 \ ;tttt ;ld l,$KLA_MajimeA1,80 ;「当主は“私”が継ぐことに最初から決まっている。@にもかかわらず、お前は自分も当主になれるかのように錯覚して、無駄かつ暴走した努力をしているに過ぎんのだよ。」\ `"It was decided that 'I (watashi)' would succeed the head from the beginning.`@` Even so, you seem to be laboring under the illusion that you can become the head, and have just been making useless and reckless attempts to do that."`\ ;cl r,0 ;ld c,$EVA_IkariA2,24 ;「暴走した努力ですって…？！@　私が大学院に進みたいと言い出すのが、そんなにもおかしいって言うの？！」\ `"Reckless attempts, you say...?!`@` Is my saying that I want to go to college really that odd?!"`\ bg Mdin_1c,23 ;ld r,$KLA_AkuwaraiA3,23 ;「あぁ、おかしいね。@お前は確かに栄光ある右代宮家の長女だよ。@やがてはその家紋を背負って、父にとってもっとも価値ある相手と婚約することになるだろう。@…だが、そこで求められるのは過剰な学識ではない。@夫を労わるやさしい気持ちと家事能力、そして一家の長を立てる控えめな態度だ。@お前にはそれが完全に欠落している。@それは右代宮家の令嬢として、果たして相応しいことなのかね？」\ `"Yes, it's odd.`@` You are surely the oldest daughter of the glorious Ushiromiya family.`@` Eventually, you will bear the family seal, and be wed to a partner who is most valuable for Father.`@` ...However, what is asked from you is not excess learning.`@` It is gentle feelings to care for your husband and ability in housework, and it is a humble demeanor that will support the master of your household.`@` You are completely lacking in all of those things.`@` In the end, is that really proper for a daughter of the Ushiromiya family?"`\ ;ld l,$EVA_IkariA2,23 ;「私は深窓の令嬢のつもりなんかないわよ！@　お父様の仕事を手伝ってあげられる最高の人間でありたいと思っただけよ！」\ `"I have no intention of being a secluded daughter!`@` I just want to become the best person who can help Father with his work!"`\ ;ld r,$KLA_MajimeA1,80 ;「なら、それは右代宮家令嬢として相応しくあるべきではないのかね…？@　お前と来たら何だね。@いい年をして未だに男勝りで、家事炊事は愚か、男を喜ばせる化粧ひとつ身に付けていないじゃないか。@最近は喧嘩の稽古までしてるというじゃないかね。」\ `"And isn't that improper for a daughter of the Ushiromiya family...?`@` What is it with you?`@` Even at this age, you still act like a man, you are careless with housework and cooking, and you never wear any makeup to please men.`@` I've heard that you've even been training to learn how to brawl."`\ bg Mdin_1g,22 ;!s0「し、失礼なッ！！/ !s0`"Th, that's rude!! `/ !sd se1v 8,100 quakey 4,800 ;@　喧嘩じゃないわよ、武道は心の修練に最適なのよ。@それに、然るべき場に出る時は、充分、女として気を遣ってるわよ！！@　何が言いたいのよ。@女は男に仕える奴隷であれと、しゃしゃり出るなと、そう言いたいわけ？！」\ @`It isn't brawling, the martial arts are the perfect training for the mind.`@` And at the proper time, I can act like a woman well enough!!`@` What are you trying to say?`@` That women are slaves who work for men, so don't come outside uninvited, is that what you're trying to say?!"`\ ;「それを認めるのはエレガントではないが、@お前の勘違いを正すには、少々毒のある言葉も必要かと思うよ。@だから言い切ろう。@女は男に仕えるために存在する。@そして男は女を養うために存在する。@女の仕事は、男の背中を守り、家庭を守って子を育てることだ。\ `"It isn't elegant to accept that,`@` but in order to correct your mistake, I think that a few unpleasant words are necessary.`@` So let me say it plainly.`@` Women exist to serve men.`@` And men exist to cultivate women.`@` A woman's job is to protect a man's back, to protect their house and raise their children.`\ ;　それは本来、言葉で気付かされることではない。@自ずと気付くことだ。@…しかしお前は、いくつになってもそれを自覚しなかったな。@だから社会に出る前に、兄である私がその誤解を解くのだよ。@感謝して欲しいものだね。」\ `Normally, they don't have to be told that to realize it.`@` They realize it by themselves.`@` ...But no matter how old you get, you haven't realized that about yourself.`@` So I will clear away that misunderstanding for you before you exit this house into society.`@` You should thank me."`\ bg Mdin_1a,26 ;ld c,$EVA_IkariA1,26 ;「そ、それは全ての女への侮辱よ…！！@　いや、…いいえ、…わ、私は自分のことを女だと思ったことなどないし、女だからと甘えたことなど一度もない！！@　私のどこが兄さんに劣っているというの？！@　成績も経歴も、何もかも私の方が勝っていて、ただ男である以上の何も持たない兄さんが、私の何を見下せるって言うのよ！！」\ `"A, all of that is an insult to women...!!`@` No, wait, ...I, I have never thought of myself as a woman, I've never depended on anyone because I'm a woman!!`@` How am I inferior to you, Nii-san?!`@` In grades and accomplishments, in everything, I'm better, so how can you look down on me when you don't have anything I don't, except being a man?!!"`\ bg Mdin_1d,24 ;ld r,$KLA_NayamuA1,24 ;「身の程を弁えているか否かだよ。@私は次の当主としての心構えを日々養っている。@それは将来、必ず必要になることだ。@だがお前は違う。@嫁ぎ、右代宮の籍を失うことが決まっているくせに、見る必要のない幻を見ている。\ `"It's about whether or not you know your place.`@` Every day, I have been raised so that I would be prepared to be the next head.`@` In the future, that will definitely be essential.`@` But you are different.`@` Even though you will marry and lose the Ushiromiya family name, you keep seeing this illusion that you don't need to see.`\ ;ld r,$KLA_AkuwaraiA3,80 ;　……何がそんなに不満なんだ。@仮に男に生まれようとも、当主を継ぐのはお前ではないだろうに。@お前は何がそんなにも不満で私に突っかかってくるのか。」\ `......What's so unsatisfying about that?`@` Even if you were born as a man, you still probably couldn't succeed the head.`@` What's so unsatisfying that you keep attacking me?"`\ bg Mdin_1g,25 ;!s0「何が不満か、ですってッ？！？！/ !s0`"What's so unsatisfying, you say?!?!`/ se1v 8,70 quakey 4,800 ;!sd@　兄さんはいつもいつも、/ ;!d800……いつもいつもいつも…ッ！@　自分は当主跡継ぎだからと、私を見下して、/ ;!d600……そのくせ…、/ ;!d700……ううううぅううううううぅッ！！」/ !sd@` Nii-san, you are always, always, `/ !d800`......always always always...!`@` Looking down on me because you will succeed the head, `/ !d600`......and despite that..., `/ !d700`......aaaaaaaaaaaaaaaaaahh!!"`/ se1 7 quakey 2,200 se2 7 quakey 2,200 \ bg black,22 ;　何が不満か、だって…？@ `What's so unsatisfying, you say...?`@ br ;　百億の不満、恨み辛み、忘れえぬ屈辱がいくらでも脳裏を過ぎる。@ `A billion things are. Grudges, hard feelings, humiliations that I'll never forget kept floating through the back of my mind.`@ br ;　そしてそれらが一度にせり上がって来るものだから、喉の奥から出てくるのは情けない呻き声だけだった。\ `And all of them built up at the same time, coming out of my throat as a shameful moan.`\ E_A se1 16 bg Mdin_1f,0 ld c,$KIN_FukigenA1,24 ;「……何事か、騒々しい。@/ `"......What is all this noise. `@/ bgmplay 13 ;沈黙を尊ぶのは神だけではないぞ。」\ ;＜金蔵 `God isn't the only one who values silence."`\ ;!s0「お父さん。」/ ;!d400「お父様！」!sd@ !s0`"Father."`/ !d400`"Father!"`!sd@ br ;　兄弟喧嘩を聞かれたのだろう。@ ;　明らかに不愉快な顔をした父が入ってきた。\ `Our sibling fight was probably overheard.`@ `Father entered with a clearly unhappy face.`\ bg black,23 bg Mdin_1c,23 ;ld l,$KLA_DefA1,23 ld r,$KIN_majimeA1,24 ;「蔵臼。@また兄弟喧嘩か。@お前にはなぜに弟や妹たちを率いる貫禄が宿らぬのか。@/ `"Krauss.`@` Are you fighting with your siblings again?`@` Why don't you have the dignity to lead your brothers and sisters? `@/ ld r,$KIN_IkariA1,80 ;情けない！@　長男が聞いて呆れるぞ！」@ `How shameful!`@` I'm shocked to hear that from my eldest son!"`@ ;ld l,$KLA_KomaruA1,1 se1 7 quakey 3,400 ;　間髪入れずにその頬をびしゃりと打つ。@ `In a flash, he struck Krauss's face.`@ br ;　…私も同じように打たれるだろうと身を固くしたが、私は打たれなかった。\ `...I prepared myself to be struck in the same way, but I wasn't hit.`\ ;ld l,$KLA_MajimeA2,80 ;「も、……申し訳ありません。@お父さん。」\ `"M, ......my apologies, `@`Father."`\ ld r,$KIN_fukigenA1,80 ;「お前に足りぬのは貫禄だけではない。@まだまだ足りぬ。@何もかもが未熟だ！@　にもかかわらず一人前を気取っておる！@　それを語るには百年早いことを肝に銘じ、研鑽に努めよ！@　わしをこれ以上、息子の不出来で嘆かせるでないぞ…！」\ `"Dignity isn't the only thing that you lack.`@` There's much more.`@` You're immature in everything!`@` And even so, you pretend like you're an adult!`@` Realize that it's a hundred years too early for you to talk like that, and devote yourself to your studies!`@` Don't make me lament my son's incompetence any more...!"`\ ;ld l,$KLA_KomaruA1,80 ;「はい。@…お父さんの後を継ぐに相応しい人間になれるよう、さらに努力します…。」@ `"Yes.`@` ...I will continue to strive so that I can become a person worthy to succeed you, Father..."`@ br ;　その言葉は、まるで私に当て付けるかのよう。@ `It was as if those words were directed at me.`@ ;　父に怒られているその時さえ、自分は特別な存在、/ ;!d800……跡継ぎであることを私に誇示しているのだ。\ `Even when he was being yelled at by Father, he was still bragging to me about how he was special, `/ !d800`......about how he was the successor.`\ bg black,22 ;　私は堪らなくなり、とうとう胸の内を吐露してしまう。@ ;　それが、右代宮家の人間として相応しいことではないと理解しつつ。\ `I just couldn't stand it, and finally spoke what was on my mind.`@ `Even though I realized that this was improper for a person of the Ushiromiya family.`\ bg Mdin_1b,23 ;ld c,$EVA_IkariA1,23 ;「お父様…！！@　教えて下さい、私の何が劣っているというのですか！！@　私はお父様の名に恥じない人間になれるよう、今日まであらゆる勉強と努力を重ねてまいりました…！@　どうか私にも、何が劣っているのかお教えください…！@　私はこれ以上、何を身に付けたならお父様に認めていただけるのですか…！！」\ `"Father...!!`@` Please tell me, how am I inferior?!!`@` Until today I've tried so hard, studied so hard to become a person who would not shame Father's name...!`@` Please, tell me, in what way am I inferior...?!`@` How can I improve myself so that Father will accept me...!!"`\ bg MDin_1c,0 ld r,$KIN_IkariA1,24 ;「またその話かッ！！/ `"Are you still talking about that?!! `/ quakey 2,200 ;@　お前には何度言えばわかるのだ。@お前に期待していることなど何もないッ！@　女は女らしく、料理や裁縫を学んでおればいい！！@　貴様には女の心構えがないのだ！@　夫に仕えようとする気心が、男に尽くそうという甲斐甲斐しさがまったく感じられぬ！！\ @`How many times do I have to say it before you'll understand?`@` What you're expecting is nothing at all!`@` A woman should just learn cooking and sewing, like a woman!!`@` You aren't prepared at all as a woman!`@` I can't sense any of the disposition needed to serve a man, the heart to devote yourself to a man!!`\ ld r,$KIN_FukigenA1,80 ;　何の為の女なのか！@　右代宮家の令嬢であることを自覚しておるのか！！@　なのに、学びたがることは男の真似事ばかり！@　お前の役割は蔵臼の真似事ではないのだぞッ！！@　お前には自らの役割がわかっているのか！！」\ `What good are you as a woman!`@` Do you realize that you are a daughter of the Ushiromiya family!!`@` And yet, you only want to learn things so that you can act like a man!`@` Your duty is not to act like Krauss!!`@` Do you even understand your own duty?!!"`\ bg Mdin_1g,22 ;「わ、私は右代宮家の人間として、お父様の名に恥ずかしくない、」/ `"A, as a person of the Ushiromiya family, I won't embarrass Father's na-"`/ !d500 se1 11 quakey 4,800 ;「えぇい、その時点でもう間違っておるわッ！！@　貴様の役割は、家を出て嫁ぎ、わしにとって有益な男を連れてくることだ！@　そして夫に尽くし、子を産み、増やせ！@　夫の一族に褒め称えられる良妻であれ！！\ `"That's it, right there you're already wrong!!`@` Your duty is to marry out of the family, and bring me a man who is profitable to me!`@` And then devote yourself to your husband, give birth to children and increase in number!`@` Be a good wife who brings praise to your husband's family!!`\ ;se1 10 ;quakey 2,100 ;se1 10 ;quakey 2,100 ;　お前に、男を喜ばせる何ができるというのか？@　茶の作法があるというのか。@料理の才能があるというのか。@何もないッ！！@　お前がやっているのはみんな蔵臼の真似事ばかりではないかッ！！@　右代宮家は蔵臼が継ぐ！@　お前がそれに不満を唱えるというのなら、それはこの私に逆らうということだ！！\ `Can't you do anything to please a man?`@` Do you think you can make tea?`@` Do you have any talent in cooking?`@` You have nothing!!`@` All you have done is to try and act like Krauss, right?!!`@` Krauss will succeed the Ushiromiya family!`@` If you are unsatisfied with that, then you are disobeying me!!`\ ;　お前は我が娘でありながら、父の言うことを聞けぬというのかッ！！！@/ `Are you saying that you won't even listen to what I say, even though you're my daughter!!! `@/ se1 20 ;　出て行け！！@　勘当だ！！@　お前に右代宮など語らせぬ！！@　勘当だ勘当だッ！！/ `Get out!!`@` You're disinherited!!`@` I won't let you be called Ushiromiya!!`@` Disinherited disinherited!! `/ se1 11 quakey 3,600 ;@　うーッ、ゲホゲホゲホゲホ！！」/ @`Uu-, *cough*cough*!!"`/ se2 13 quakey 5,1200 \ bg black,22 bg Mdin_1e,26 ;ld c,$KLA_KomaruA1,24 ;「お父さん、しっかり。@落ち着いて下さい。@/ `"Father, hang in there.`@` Please calm down. `@/ ;ld c,$KLA_DefA1,80 ;……源次さん、水を持ってきてもらえますか？」@ `......Genji-san, could you bring some water?"`@ ld l,$GEN_DefA1,23 ;「……はい。@ただいま。」\ ;＜源次 `"......Yes.`@` Immediately."`\ cl l,24 ;ld c,$KLA_MajimeA1,80 ;「絵羽、席を外せ。@本心ではないさ。@私がなだめておく。」\ `"Eva, leave this place.`@` He's not in his right mind.`@` I will calm him down."`\ ld r,$KIN_NakuA1,26 ;「ゲホゲホ、ゴホゴホゴホッ！！/ `"*cough*, *cough*cough*!!`/ quakey 2,200 @ ld r,$KIN_NakuA2,80 ;　勘当だッ、私の言うことが聞けんなら勘当だー！！@/ `Disinherited, if you won't listen to me, you're disinherited!! `@/ ld r,$KIN_NakuA1,80 ;　ゲホゲホゲホ、うーガハゴホガホ！！」/ `*cough**cough*, uu-, *cough**cough*!!"`/ quakey 2,200 \ bg Mdin_1f,24 ;　すっかり咽こんでしまった父の背中を、兄がさすっている。@ `Father was choking pretty bad, and my brother patted his back.`@ br ;　…それが当然の義務であるかのように。@ ;　今の私には、それを独占させることさえ悔しく感じた。\ `...As if that were naturally his duty.`@ `It was so vexing for me then to let him monopolize that duty.`\ ;　今の父に無用心に近付けば、私もまた打たれるかもしれない。@ `If I carelessly approached Father now, I would probably be hit again.`@ br ;　…しかし、私はそれを恐れず、父の背中に近付こうとした。\ `...However, I fearlessly tried to approach Father's back.`\ ld r,$GEN_MajimeA2,24 ;　それを源次が制する…。\ `Genji blocked me...`\ ld r,$GEN_MajimeA1,80 ;「……絵羽さま、今は席をお外しになられた方がよいでしょう。@お館様は今日はご機嫌が良くありません。」@ ;＜源次 `"......Eva-sama, it would probably be better if you stepped outside for now.`@` The Master is not in a good mood today."`@ ;「で、でも……。」\ `"B, but......"`\ bg Mdin_1c,0 ld c,$KIN_NakuA1,23 ;「ゲホゲホゲホン！！/ `"*cough*cough*!! `/ quakey 2,200 @/ ld c,$KIN_NakuA2,80 ;　なぜに私の息子たちはこうも不出来なのかッ？！@　蔵臼は貫禄が足りず、絵羽はいつまで経ってもじゃじゃ馬だ！！@　男らしい男はおらず、女らしい女もいない！@　私の育て方がいつどこでどう間違ったのか？！@　なぜだ源次、私は何をいつどこでどう間違えたというのかッ！！」\ `Why are my children so incompetent?!`@` Krauss is lacking in dignity, Eva is always a stubborn tomboy!!`@` I have no son who's like a man, and not even a daughter who's like a woman!`@` Where did I go wrong raising them?!`@` Why Genji, when and where did I go wrong?!!"`\ ld l,$GEN_DefA1,23 ;「……お館様は何もお間違えになってはおりません。@蔵臼さまは逞しいご子息に、絵羽さまは麗しいご令嬢に成長されました。@何もお間違えにはなっておりません…。」\ `"......Master hasn't done anything wrong.`@` Krauss-sama has grown into a sturdy son, and Eva-sama into a lovely daughter.`@` You haven't made any mistakes..."`\ ld c,$KIN_FukigenA1,80 ;「あれのどこがッ！！/ `"How can you say that?!! `/ quakey 4,500 ;@　どこが麗しいというのか！！@　淑女どころか、男の真似事ばかり！！@　ゲホゲホゴホゴホ！！@/ @`What's so lovely about her?!!`@` Far from a lady, she's always acting like a man!!`@` *cough*cough*cough*!! `@/ ld c,$KIN_nakuA2,80 ;　勘当だッ、勘当だー！！@　ゲホゲホゲホ！！」\ `Disinherited, disinherite-d!!`@` *cough*cough*!!"`\ ;ld r,$KLA_KomaruA1,24 bg black,22 ;「お父さん、それは私からよく絵羽に言い聞かせたところです。@絵羽もこれからは心を入れ替えて、レディとして振舞うと約束してくれました。@どうかもう少しの猶予をいただけませんか。」\ ;＜蔵臼 `"Father, that's just what I'm always telling Eva.`@` Eva has promised that she would have a change of heart and act like a lady.`@` Couldn't you postpone that for just a little longer?"`\ ;ld c,$KIN_MajimeA1,80 ;「何がレディだ！！@　ゲーホゲホゲホ！！@　勘当だ勘当だ…、ゲホゲホゲホ、ウーッガハガハ！」@ `"Who's a lady?!!`@` *cough*cough*!!`@` Disinherited disinherited..., *cough*cough, uu-, *cough*cough*!"`@ br ;ld r,$KLA_MajimeA2,80 ;　早く行け、この場は貸しにしておいてやる。@ `Go quickly and leave this place to me.`@ br ;　蔵臼はそんな目配せを送ってくるのだった…。\ `Krauss gave me a look telling me that...`\ ;■薔薇庭園 textoff bg black,2 fede 0,5000 ;bg Mdin_1f,24 ;wait 1000 ;bg black,24 ;wait 1000 ;bg Mhal_2a,24 ;wait 1000 ;bg M_o1a,24 ;wait 1000 ;bg black,24 ;wait 2000 wait 2000 bg rose_1aR,48 me1v 5,50 ;　……私は、父や兄が言うように、道を間違えていたのだろうか。\ `......Did I take the wrong path, just like Father and my brother had said?`\ ;　確かに私は、淑女になろうと学んだことはない。@ ;　…父の手伝いができる人間になろうとだけ願い、学んできた。\ `Of course, I had never learned how to be a lady.`@ `...Everything I had learned was because I'd hoped that I could help Father someday.`\ bg black,22 bg moon_1a,22 ;　………いや、それは本当にそうだろうか。@ `.........Wait, was that really the case?`@ br ;　幼少の頃から仲の悪かった兄に、ずっと対抗意識を燃やし、@当主跡継ぎの座を奪い取ってやることで鼻を明かしてやりたいと思っていたのではないだろうか。\ `Didn't I always hold a growing sense of rivalry with my brother, with whom I'd had a bad relationship since I was a young girl,`@` and want to take advantage of his weaknesses and steal his position as successor to the head?`\ ;　ことある毎に兄に、男は男らしく、女は女らしくと言われた。@ ;　生まれつきの、どうにもならない性別を理由に、理不尽な差別に苛まれた。\ `Every time, my brother told me that men should be manly and women should be womanly.`@ `I was tormented by this unreasonable discrimination because of one's sex, something one was born with and couldn't do anything about.`\ ;　私はそれに反発して、女であっても、何の遜色もない人間になって証明してやろうと今日まで勉強に励んできたのだ。@ `I had resisted, had endeavored to study until today so that I could prove that I wasn't inferior, even though I was a woman.`@ br ;　…だとしたら、私の向学心の根底は、兄へのつまらぬコンプレックスだけではないか。\ `...In that case, wasn't the basis of my love of learning just a boring complex against my brother?`\ bg rose_1aR,6 ;　父は私に、社交界へ連れて行っても恥ずかしくないレディを期待した。@ `Father had expected me to be a lady with whom he could go out in public and not be embarrassed.`@ br ;　…それを私が裏切って、兄を脅かす成績を当て付け、幼少の頃の恨み辛みを晴らしていただけ…？\ `...Had I betrayed that expectation and earned grades to threaten my brother just to clear away that pent up resentment...?`\ textoff fede 0,3000 ;mld r,$EV2_DefA1,0 ;print 99,2000,"whirl.dll/l" bgmplay 62 ;ここでセーラー服絵羽の立ち絵をゆっくり登場 mset2ef 2 mld r,$EV2_DefA1,42 ;「違うわ。@私が右代宮家の跡継ぎになるんだって、あなたは私に誓ったわ。」\ ;＜魔女絵羽 `"That's not it.`@` You swore to me, saying 'I will become the successor to the Ushiromiya family'."`\ ;「………あんたは………。」@ `".........You........."`@ br ;　囁き掛けてきたのは、………そう誓った日に私の心の中に生まれた、あの少女の日の私だった。\ `The one who came up to me, whispering, .........was the me of my days as a young girl, who had been born inside my heart on the day that I swore that.`\ ;◆魔女絵羽紹介フラグ ;　…そう。@“彼女”は、私の唯一の味方だった。\ `...That's right.`@` 'She' was my only ally.`\ ;　私が辛い時、挫けそうな時、いつもそっと現れて私に味方してくれた。@ `When things got difficult, when I felt broken, she would always quietly appear and become my ally.`@ br ;　難問に躓き、頭を抱えた時には必ず現れて応援してくれた。@ `When I stumbled over difficulties, and was greatly troubled, she would always appear and support me.`@ br ;　私が成長し、少女時代を忘れるに従い、私は“彼女”との対話を次第に忘れていった…。\ `As I had grown and forgotten my time as a girl, I'd also begun to forget my conversations with 'her'...`\ mld r,$EV2_fukigenA1,80 ;「私、右代宮絵羽は、絶対に右代宮家の当主になるの。@そしてあのムカつく高慢ちきな蔵臼を見返してやるの。@…その為に一緒にがんばろうって、あの日、私たちは約束したわ。」\ ;＜魔女絵羽 `"I, Ushiromiya Eva, will definitely become the head of the Ushiromiya family.`@` And I'll triumph over that irritating, arrogant Krauss.`@` ...On that day, we promised to do our best together to achieve that."`\ ;「……そうね。約束したわ。@…私は右代宮家の当主跡継ぎになるって、あの日にね。」@ `"......That's right, we promised.`@` ...On that day, that I would become the successor to the head."`@ br ;　悲しみに沈み、何の為に生きるのかわからなくなったあの日、@…あなたは私の内より現れて、私に力を貸してくれたわ。\ `On that day, when I had been overcome with sadness, wondering why I was even alive,`@` ...you appeared inside me, and lent me your strength.`\ ;「……お父様に認められたかった。@兄さんの鼻を明かしてやりたかった。@そうすれば、惨めな自分に決別ができると信じていたわ。」\ `"......I wasn't accepted by Father.`@` I wanted to take advantage of Nii-san's weakness.`@` I believed that, if I could do that, I could distinguish my wretched self."`\ mcl r,0 bg black,22 ;　私の人生は、兄に見下されるためにあると本気で信じた日々があった。@ `In those days, I had really believed that my life had no purpose other than to be looked down upon by my brother.`@ br ;　…それは思い出すだけで苦々しい日々。@私の心に入った、傷の裂け目…。\ `...It's painful just remembering those days.`@` The fate that went into my heart and tore a hole in me...`\ mld c,$EV2_DefA1,22 ;　その傷の縫い方を、“彼女”は教えてくれた…。@ `'She' had taught me how to sew up that wound...`@ br ;　怒りを、努力に換えて自分を磨き、@……兄よりも当主に相応しい人間になって、@それをお父様に認めさせることで見返そうという、最高の形の復讐。\ `I had changed my anger into effort and improved myself,`@` ......to become a person more worthy to be head than Krauss was,`@` and to triumph over him by making Father accept me. The perfect revenge.`\ ;　女は当主を継げないことは薄々知っていた。@ `I knew more or less that a woman couldn't succeed the head.`@ br ;　でも、それを覆させるほどに自分を優秀にして見せれば、@…きっとお父様も私を跡継ぎに選んでくれるだろう。\ `But maybe, if I tried to become so superior that I could overturn that,`@` ...then surely even Father would select me to be his successor.`\ ;　そうすれば、……当主を受け継ぐのがさも当然であるかのように振舞ってきた兄さんを、@最大最高最善の形で、復讐することができるのだ…。\ `If that happened, ......then I could have the greatest and most perfect revenge against my brother, `@`who always acted like it was completely natural for him to succeed the head...`\ bg rose_1bR,0 mset2ef 22 mld c,$EV2_ikariA1,80 ;「うん。@そうすれば私たちの心の傷は癒えるの。@……その日までがんばろうって、誓い合ったわ。@/ `"Right.`@` If we do that, then the wounds in our heart will be healed.`@` ......We promised each other that we would do our best until that day comes. `@/ mld c,$EV2_FukigenA1,80 ;なのに、あなたはその約束を破るの？@　クズ。@意気地なし。@ヘソ噛んで死んじゃえば…？」\ ;＜魔女絵羽 `And yet, you're breaking this promise?`@` Scum.`@` Coward.`@` Why don't you just #86ef9cgive up and die#ffffff...?"`/ mov %play_scene,30032 mov %grim_scene,302 mov %r_hyouji_grim,3 ;seplay 9,1062 \ ;tttt ;　少女時代の姿をしているとは言え、それはもうひとりの私。@…何しろ、私なのだから口が悪い。\ `Even though she had the form of my young self, she was another me.`@` ...Anyways, since she was me, she had a sharp tongue.`\ ;「…自分に言われても腹が立つわね。@そこまでボロクソに言われる筋合いはないわ。」\ `"...It really makes me mad hearing that from myself.`@` You have no right to speak of me like that."`\ mld c,$EV2_niramuA2,80 ;「ならば、その怒りを勉強に費やしましょうよ。@……怒りを力に換えるのが私の魔法。@この力で、何度もあなたの窮地を救い、あなたは成せないはずのことを成し遂げてきた。@私の魔法がある限り、あなたに出来ないことなど有りはしないわ。」\ `"Then let's use that anger and learn from it.`@` ......Changing anger into power is my magic.`@` I've saved you from several predicaments with that power, and allowed you to succeed where you shouldn't have succeeded.`@` As long as you have my magic, there's nothing you can't do."`\ ;「……そうね。@怒りはいつも私の原動力だったわ。@いつからそれを忘れてしまったのかしら…。」\ `"......That's right.`@` Anger has always been my driving force.`@` I wonder when it was that I forgot that..."`\ mld c,$EV2_waraiA1,80 ;「私を思い出せたなら、あの魔法の力は再び私たちのもの。@さぁ、その怒りを力に換えて、もっともっと勉強に励みましょう？@　きっと、私たちにはまだまだ勉強が足りないのよ。\ `"If you can remember me again, that magic will become ours once more.`@` Come on, let's turn that anger into power, and endeavor in our studies even more, alright?`@` I'm sure that we still need to study a lot more.`\ mld c,$EV2_ikariA1,80 ;　大学院に進んで、もっといっぱい勉強して、優れた成績を出して、蔵臼を追い詰めてやりましょう。@/ `Let's go to college, study more and more, get excellent grades, and drive Krauss into a corner. `@/ mld c,$EV2_niramuA2,80 ;あいつ、何でもなさそうな顔をしてるけど、きっと心は相当追い詰められてるわ。@早く身の程を思い知って死んじゃえばいいのに。@そうすれば、私たちが当主になれる。@留弗夫は辞退してくれるわ。@あの子は私には逆らえないもの。」\ `That guy makes a face as though we're nothing, but I'm sure he feels pretty well cornered in his heart.`@` If only he would just learn his place and die.`@` If he did, we could become the head.`@` Rudolf would just refuse.`@` That kid can't go against us."`\ ;「………よして。@…もう、これ以上、勉強しても、お父様は私を認めてくれないのよ。」\ `".........Stop that.`@` ...Even if I study more, Father still won't accept me."`\ mld c,$EV2_DefA1,80 ;「どうして…？」\ `"Why...?"`\ ;「お父様は、私に女らしくしろと言っているのよ…。@私がどれだけ頑張ろうと、女である限り、例え私が兄さんより先に生まれていたとしても、私に当主を譲ることはないのよ…。@私がどれだけ努力を重ねようとも、……私は女以上の何者にもなれない。@認められない。@何の努力もしない兄さんを、超えられない。@永遠に見下され続ける…。」\ `"Father told me to be womanly...`@` No matter how hard I try, as long as I'm a woman, even if I had been born before Nii-san, Father wouldn't pass on the headship to me...`@` No matter how much effort I put in, ......I can't become anything more than a woman.`@` I won't be accepted.`@` I can't surpass Nii-san, who doesn't try at all.`@` I will always be looked down upon..."`\ mld c,$EV2_FukigenA1,80 ;「…お父様も蔵臼も、最低の男尊主義者だわ。@早く死んじゃえばいいのに。」\ `"...Father and Krauss are the worst kind of male supremacists.`@` If only they'd just die."`\ mcl c,0 bg black,25 ;　……彼女は、私の代わりに悪態を付く。@ `......She cursed them for my sake.`@ br ;　私には滅多なことでは口にできない言葉を、…彼女が私に代わって口にしてくれる。\ `Words that I couldn't say carelessly, ...she said for me.`\ ;　…内なるもうひとりの自分であるとわかっていても、@…私にとっては、唯一同情してくれる味方なのだ。@ `Even though I understood that she was just another part of myself inside of me,`@` ...I felt like she was the only ally I had who could sympathize with me.`@ br ;　だが、同情は心を幾分か楽にしてくれるかもしれないが、現状を何も改善してはくれない。@……結局、現実に落胆し、それを受け容れるのに必要な時間分だけ、心を慰めてくれるだけなのだ。\ `However, while sympathy could calm my heart significantly, it wouldn't do anything to improve my current situation.`@` ......In the end, she could only console me when I was dejected by reality, and when I needed to accept it.`\ bg rose_1bR,26 ;mld r,$EV2_DefA1,26 ;「……ありがとう。@もう結構よ。@…こうとなったら、お父様が驚くような淑女になってやるわ…。@兄さんなんかとは比べ物にならない、立派な男を捜して…、」\ `"......Thank you.`@` That's good enough.`@` ...Now that it's come to this, I'll become such a good lady that I'll surprise Father...`@` I'll find an excellent man that Nii-san can't even be compared with..."`\ mld r,$EV2_ikariA1,24 ;「駄目、そんなの。」@ ;「…………。」\ `"You can't do that."`@ `"............"`\ ;　“彼女”は、私のいじけた考えを一蹴する。@ `'She' rejected my timid thoughts.`@ br ;　…わかっているのだ。@……“彼女”は私だからこそ、わかっているのだ。\ `...I understand.`@` ......Because 'she' is me, I understand.`\ mld r,$EV2_niramuA2,80 ;「お父様は、少なくとも“今”は、女に当主を継がせないと言っている。@でも、それすらも所詮はお父様が決めたルールでしかないの。@お父様が決めた以上、それを破棄出来るのもお父様。\ `"Father said that he won't let a woman succeed the head 'now'.`@` But that's never been anything more than a rule that Father decided on.`@` Since Father decided on it, he can reject it.`\ mld r,$EV2_waraiA1,80 ;　………人の気持ちなど、浜の真砂が尽きるより遥かに早く変わるわ。@蔵臼が愚鈍な男であることは、私たちが立証しなくても、やがてお父様も理解する。@…その時、男女の境の下らない垣根は、それを設けたお父様によって取り払われるの。@その日は必ず来るわ。」\ `.........People's feelings can change many more times than there are grains of sand on a beach.`@` Even if we don't prove that Krauss is a stupid man, Father will eventually realize it.`@` ...At that time, the wall that separates man from woman will be demolished by Father, who set it up in the first place.`@` That day will surely come."`\ ;「……どうして必ずなんて言えるのよ？」\ `"......How can you say surely?"`\ mld r,$EV2_hohoemiA1,80 ;「それが私の、魔法だから。」@ ;「…………………。」\ `"That is my, ...magic."`@ `"..............."`\ mld r,$EV2_hohoemiA2,80 ;「あなたが信じてくれさえすれば、この魔法は必ず奇跡を呼ぶの。@……私の魔法の源は、あなたの信じる心だけ。」@ ;「………………………。」\ `"If you'll just believe, this magic will surely create a miracle.`@` ......The basis of my magic is nothing more than your believing heart."`@ `"....................."`\ mcl r,0 bg black,22 ;　その魔法を使えば、……私はきっと永遠に、死ぬまで、自らがいつか当主になれる日が来ることを疑わずに済むだろう。@ `If I can use that magic, ......then surely, until I die, I won't have to doubt that the day will come when I will become the head.`@ br ;　…しかし、それは右代宮絵羽として、正しいことなのか、わからない…。\ `...But I don't know if that is the right thing for Ushiromiya Eva...`\ ;　お父様の期待するような、社交界に胸を張って出られる淑女を目指すべきなのではないだろうか。\ `Shouldn't I aim to become the kind of woman that Father hoped for, someone he can take out into society and boast about?`\ ;　お父様も、生まれ変わった私を見直してくれるかもしれない。@……兄は兄、私は私で、それぞれの生き方を見つけられるかもしれない。@ `Father might take a better view of me if I were reborn.`@` ......Maybe my brother could find his own lifestyle, and I could find mine.`@ br ;　それに、あの頑固なお父様が、女でも当主を継げるようにして、@しかも兄を飛ばして私を当主に選んでくれるなんて、……いくらなんでも考えられない。\ `No matter what, I can't imagine that my stubborn father would allow a woman to succeed the head,`@` would even push aside my brother to select me.`\ bg moon_1a,22 ;「………信じないの？」\ `".........You don't believe?"`\ ;「あ、…あのね、私、思ったの。@………私には当主は継げないかもしれないけれど、私は女で、子を産むことができるわ。@そして兄さんには未だ縁談もない。@……もし兄さんに子どもができず、私だけが子どもを産めたなら、…兄さんの次の当主は私の子どもということになるでしょう？@　それはつまり、…私が兄さんから当主の座を奪うのと同じ意味にならないかしら…。」\ `"U, ...um, I was just thinking.`@` .........Maybe I can't succeed the head, but, as a woman, I can have a child.`@` And Nii-san still isn't engaged.`@` ......If Nii-san wasn't able to have children, and I could, ...then wouldn't the next head after Nii-san be my child?`@` In other words, ...wouldn't that mean the same thing as stealing the headship from Nii-san...?"`\ ;「…………本気で言ってるの？」\ `"............Are you serious?"`\ ;「え、…えぇ。本気よ。@……少女時代からの決意を捨てるのは、確かにとても悲しいこと。@…私の少女時代そのものであるあなたを裏切るのは、私も心苦しいわ。@……でも、それが一番現実的なのよ…！」\ `"Y, ...yes. I'm serious.`@` ......It will indeed be quite sad to throw away the determination from my years as a young girl.`@` ...It will pain my heart to betray you, my younger self.`@` ......But this way is the most realistic...!"`\ bg black,22 ;「夢を捨てるの？@　……そして、私も捨てるの？」\ `"Are you throwing away your dreams?`@` ......And are you even throwing me away?"`\ ; bg rose_1aR,0 mset2ef 22 ;「捨てるんじゃない。@……私も大人になって、あなたと決別する日が来たということよ。」\ `"I'm not throwing anything away.`@` ......It's just that I've become an adult, and I'm different from you now."`\ mld l,$EV2_DefA1,23 ;「そうね。@絵羽はもう大人になったわ。@魔法の使い方さえ忘れてしまった。@……今は一児の母。@自ら夢を叶える魔法を忘れ去って、その夢を息子に押し付けている。\ `"That's right.`@` Eva's already become an adult.`@` She's even forgotten how to use magic.`@` ......She is now the mother of a single child.`@` She's forgotten the magic that can grant her own dreams, and is now pushing those dreams onto her son.`\ mld l,$EV2_ikariA1,80 ;…自らの人生を、お父様や蔵臼によって滅茶苦茶にされたくせに、あなたも自らの夢を息子に押し付けて、滅茶苦茶にしようとしているの。@……それが大人というものなの？」\ `...Even though Father and Krauss made your own life so chaotic, you're trying to push your dreams onto your son, and make his life chaotic too.`@` ......Is that what you call being an adult?"`\ ;「じょ、譲治はどこに出しても恥ずかしくない自慢の息子よ…！@　私には叶えられなかった夢を、譲治なら叶えられるかもしれない…！@　朱志香なんて成績も品行も不良じゃない。@それに女なのよ！@　朱志香さえ辞退してくれれば、譲治が跡継ぎになることだって…！」\ `"G, George is a confident son who won't embarrass himself no matter where he goes...!`@` The dream that wasn't granted me might be granted to George...!`@` Jessica's grades and behavior aren't good at all.`@` And she's a woman!`@` If only Jessica would step down, George would become the heir...!"`\ mcl l,0 bg black,22 ;　言っていて胸が痛む。\ `It was very painful to say it.`\ ;　私は自らの無念を、譲治に押し付けているだけではないのか。@ `Am I just forcing my own regrets onto George?`@ br ;　朱志香を蔑む資格などありはしないのに。@ ;　そして、自らを苛んだのと同じ言葉を彼女にぶつけるなんて、最低ではないか…。\ `Jessica hasn't done anything to be scorned for.`@ `Wasn't I just horrible for hitting her with the same words that had caused me so much suffering...?`\ ;　…わかっている。@わかっている…。\ `...I understand.`@` I understand...`\ ;　兄を見返してやりたいのは私だけの復讐だ。@ ;　…それに譲治を使ってはいけないのだ…。\ `Wanting to triumph over my brother was nothing more than my revenge.`@ `...I couldn't use George for that...`\ ; bg rose_1aR,26 ;「……だから、私自らが復讐するわ。@留弗夫と楼座を味方に、兄さんからカネをせしめようという計画があるの。@きっと一矢報いることができるわ。@…何しろ、兄さんがお父様の資産を摘み食いしているのは確かなんだから…。」\ ;＜絵羽 `"......So I'll take revenge myself.`@` I have a plan to cheat Nii-san out of some of his money, with Rudolf and Rosa as my allies.`@` I'll surely be able to get back at him.`@` ...In any case, I'm sure that Nii-san is embezzling Father's assets..."`\ mld c,$EV2_fukigenA1,24 ;「…つまんない計画。@そんなのさっさとやめて、泣き寝入りでもしちゃえば…？」@ ;「………………………。」\ `"...What a boring plan.`@` Why don't you just give up and cry yourself to sleep...?"`@ `"....................."`\ mld c,$EV2_niramuA2,80 ;「私たちは、右代宮家の当主になるの。@……その夢を誤魔化さないで。@だから絶対に叶えられると、私を信じて。@私の魔法を、信じて。」@ `"We will become the head of the Ushiromiya family.`@` ......Don't try to confuse that dream.`@` Therefore, believe in me, so that your dream will definitely be realized.`@` Believe in my magic."`@ br ;「…信じたら、魔法は力を持つのかしら。」\ `"...If I believe, I wonder if the magic will have any power."`\ mld c,$EV2_WaraiA1,80 ;「うん。@私の魔法は、どんな願いも必ず叶えるの。」\ `"Yes.`@` My magic can definitely grant any wish."`\ ;「………………。@……信じるわ。@……信じるから、…その魔法で奇跡を起こして…。@……そうでなくちゃ、……私の心の傷は、永久に癒されない……。」\ `"...............`@`......I'll believe.`@` ......I'll believe, ...so create a miracle with that magic...`@`......If you don't, ......the hole in my heart will never heal......"`\ mld c,$EV2_hohoemiA1,80 ;「うん。@……なら、よく聞いて。@私の魔法の言葉。@……そしてそれを理解して。謎が解けたなら、私たちは右代宮家の当主になれるの。@……だから耳を澄ましてよく聞いて…。」\ `"Yes.`@` ......Then listen well.`@` Listen to my magic words.`@` ......And then understand. If we can solve the riddle, we can become the Ushiromiya family head.`@` ......So lend me your ears and listen carefully..."`\ mcl a,0 bg black,2 mend fedexx 100,101,101,101,101,101,3000 ;cross2 3000,90 br ;　懐かしき、故郷を貫く鮎の川。@ ;　黄金郷を目指す者よ、これを下りて鍵を探せ……。\ `My beloved hometown, the bountiful river running through it.`@ `You who seek the Golden Land, follow its path downstream and seek the key......`\ wait 2000 fede 0,5000 ;textoff ;mono 1 ;print 42 ;wait 1500 ;mend ;mcl c,0 ;bg black,42 ;mono off ;■まどろみから醒める。船内。 bg white,8 bg ship_S3a,0 ld c,$KIR_DefA1,1 me1 2 quakey 3,1000 ;「絵羽姉さん。@そろそろ着くみたいですよ。」@ ;＜霧江 `"Eva nee-san.`@` It looks like we're about to arrive."`@ br ;　霧江に肩を叩かれ、絵羽は過敏に反応してまどろみから醒める。\ `When Kyrie shook her shoulders, Eva jumped and awoke from her doze.`\ bg ship_S3b,24 ld r,$EVA_KomaruA1,26 ;「………ッ。@………あ、/ ;!d600……ごめんなさいね。@/ `".........eh.`@` .........Ah, `/ !d600`......I'm sorry. `@/ ld r,$EVA_HohoemiA1,80 ;寝惚けてたわ。」@ ;＜絵羽 `I was half asleep."`@ ld l,$KIR_WaraiA1,23 ;「驚かせてしまってごめんなさいね。」\ ;＜霧江 `"Sorry for surprising you."`\ bg Ship_S3a,0 ld r,$BUT_DefA2,23 ;「絵羽伯母さん、ぐっすりでしたね。@朝はだいぶ早かったんすか？」@ ;＜戦人 `"Eva oba-san, you were out cold.`@` Did you get up early this morning?"`@ ld l,$EVA_DefA1,23 ;「……まぁね。@恥ずかしいところを見せちゃったわ。@ごめんなさい。」\ ;＜絵羽 `"......Ah, well.`@` I showed you all something embarrassing.`@` I'm sorry."`\ ld c,$JES_WaraiA1,24 ;「眠れるくらい余裕があるのは大したもんだぜ？@/ `"Although it's nice that you had enough spare time to be able to sleep, right? `@/ ld c,$JES_AkuwaraiA1,80 ;　戦人なんか、ずっと落ちるーだの沈むーだの！@　まったく退屈しないヤツだぜ。」@ ;＜朱志香 `Battler kept saying 'We're gonna fa-ll, we're gonna dro-wn!'.`@` Can't get bored with this guy around."`@ ld r,$BUT_OdorokiA2,80 ;「う、うるせーな。@人間誰しも苦手のひとつやふたつくらいあるもんだぜ…！」\ ;＜戦人 `"Sh, shut up!`@` All humans have at least one thing that they're bad at...!"`\ bg Ship_S3c,24 ;　戦人と朱志香は、はしゃぎながら出て行く。@ ;　留弗夫も、大丈夫か？　という表情を見せた。\ `Battler and Jessica came in, messing around.`@ `Rudolf also made a face as if asking, 'Are you alright?'.`\ bg Ship_S3a,23 ld r,$RUD_defA1,24 ;「しっかりしろよ。@親父たちの顔を見れば、眠気もすっ飛ぶさ。@せいぜいお互い、頑張ろうぜ？」@ ;＜留弗夫 `"Get a hold of yourself.`@` When you see the faces of Father and the rest, all that sleepiness'll go right out the window.`@` Let's do our best to stay firm, alright?"`@ ld l,$EVA_MajimeA1,23 ;「…そうね。@特に今年は、しっかりしないとね…。」\ ;＜絵羽 `"...That's right.`@` We have to stay firm, especially this year..."`\ ld r,$RUD_MajimeA2,80 ;「だな。@…お互い、ケツの穴を引き締めて掛かろうぜ。」@ ;＜留弗夫 `"That's it.`@` ...Let's all tense up our assholes and go."`@ ;　絵羽にしか聞こえない小声で、留弗夫は厳しめの言葉を掛ける。\ `Rudolf said these strict words in a small voice that only Eva could hear.`\ bg black,22 ;　今回の親族会議では、負けは許されない。@ ;　……自分たちの会社の命運がかかっているのだ。@ `Failure would not be tolerated in this year's family conference.`@ `......All of their companies were hanging in the balance.`@ br ;　留弗夫の顔も、わずかに緊張しているように見えた。@ ;　多分、絵羽の表情も、緊張しているように見えるだろう。\ `Even Rudolf's face looked a little tense.`@ `Eva's expression probably looked tense as well.`\ bg Ship_S3b,26 ld l,$GEO_WaraiA1,23 ;「母さん、荷物を持つよ。@甲板に上がろう。」@ ;＜譲治 `"Mom, I have our luggage.`@` Let's go up onto the deck."`@ ld r,$EVA_WaraiA1,24 ;「…ありがとう。@譲治は本当に気が利くわね。」@ ;＜絵羽 `"...Thank you.`@` You sure are reliable, George."`@ ld l,$GEO_HohoemiA1,80 ;「どうして急にお礼なんか。@母さんらしくもない。」\ ;＜譲治 `"Why are you thanking me so suddenly?`@` It's not like you, Mother."`\ bg black,24 bg Ship_S3c,24 ld c,$HID_DefA1,23 ;「絵羽ぁ、譲治ぃ。@到着やで。@荷物をまとめるんや。」@ ;＜秀吉 `"Eva-, Geo-rge.`@` We've arrived.`@` Gather our luggage."`@ ld l,$MAR_WaraiA1,24 ;「うー！@　到着到着！@　きゃっきゃっきゃ！」@ ;＜真里亞 `"Uu-!`@` Arrived, arrived!`@` Kya kya kya!"`@ ld r,$ROS_NayamuA1,23 ;「こら、真里亞！@　転ぶから走るのをやめなさい！」\ ;＜楼座 `"Hey, Maria!`@` You'll fall, so stop running!"`\ ;　真里亞は早くも興奮気味らしい。@ ;　秀吉の周りを、ぐるぐる回りながら、取り押さえようとする楼座から逃げ回っている。\ `It seemed Maria was already getting excited.`@ `She ran circles around Hideyoshi, escaping from Rosa, who was trying to catch her.`\ bg Ship_S3a,0 ld c,$EVA_KomaruA3,23 ;「…………………………。」\ ;＜絵羽 `"....................."`\ ld r,$GEO_DefA1,24 ;「どうしたの、母さん。@/ `"What is it, Mother? `@/ ld r,$GEO_MajimeA2k,80 ;…具合悪いの…？」\ ;＜譲治 `...Do you feel sick...?"`\ bg Ship_S3c,0 ld r,$HID_fumuA1,24 ;「譲治。@荷物を持って先に行ってなさい。@母さんは貧血だろ、わしが肩を貸すわ。」@ ;＜秀吉 `"George.`@` Take the luggage and go on ahead.`@` Your mother's probably anemic, so I'll lend her a hand."`@ ld l,$GEO_defA1,23 ;「そう…。@わかったよ、先に行ってるよ。」@ ;＜譲治 `"Really...?`@` I understand, I'll go on ahead."`@ cl l,24 br ;　秀吉は絵羽の表情の微妙な様子から、良い寝覚めではないことを察し、譲治を先に行かせた。\ `By looking at the strange appearance of Eva's expression, Hideyoshi realized that it had not been a pleasant awakening, and made George go on ahead.`\ bg black,24 bg Ship_S3b,24 ;ld r,$EVA_KomaruA1,0 ;ld l,$HID_fumuA1,24 ;　留弗夫一家も楼座一家も、甲板に上がっていき、船内には絵羽と秀吉だけが残される。@ `Rudolf's family and Rosa's family also went up onto the deck, leaving only Eva and Hideyoshi inside the boat.`@ br ;　絵羽は、未だに白昼夢から逃れられぬような、ぼんやりとした表情を浮かべているのだった。\ `Eva had a vague expression on her face, as though she still hadn't been able to escape from her daydream.`\ ld r,$EVA_KomaruA3,80 ;「………………………。」@ ;＜絵羽 `"....................."`@ ld l,$HID_DefA1,80 ;「…どないしたんや。@神妙な顔して。」\ `"...What's wrong?`@` Why the meek face?"`\ E_A bgmplay 16 ld r,$EVA_KomaruA1,80 ;「………私、…譲治を自分の復讐の道具にしてたんじゃないかしら…。@…私の兄さんに対する子ども染みた敵対心のせいで、あの子の人生を自分の玩具にしてしまってはいないかしら…。@あぁ、私は何てことを…、何てことを……！」\ `".........I wonder if I'm using George as a tool for my own revenge...`@`...I wonder if my childish hostility towards Nii-san has caused me to treat that child's life like a toy...`@` Aah, what have I done..., what have I......!"`\ cl l,0 ld c,$HID_fumuA1,23 ;「そんなことあらへん。@譲治はどこに出しても恥ずかしゅうない、わしらの自慢の息子や。@仮に、絵羽の思惑が多少混じっとったとしても、結果オーライっちゅうもんやないか！@/ `"That isn't true.`@` George is our wonderful son, and he'll always perform admirably wherever he goes.`@` Eva, even if your expectations were a little mixed, everything's turned out alright in the end, hasn't it?! `@/ ld c,$HID_defA1,80 ;　絵羽はなーんも悪ぅない。@むしろ、譲治は厳しく躾けてくれたと感謝しとるくらいやで？」\ `Eva, you haven't done anything wrong.`@` To the contrary, George should thank you for strictly disciplinin' him, right?"`\ ld r,$EVA_KomaruA2,80 ;cl a,0 ;ld c,$EVA_IkariA1,0 ;ld l,$HID_WaraiA1,24 ;「…本当に？@　ねぇ、本当？！@　譲治は私のこと、嫌な母さんだと思ってないかしら…？！@　ねぇ、ねぇねぇねぇ？！」\ `"...Really?`@` Hey, really?!`@` I wonder, does George think I'm a horrible mother...?!`@` Does he, does he does he does he?!"`\ ld c,$HID_WaraiA2,80 ;「そんなこと、ただの一度も口にしたことはあらへんで。@絵羽の杞憂や。」\ `"He's never said anythin' like that, not even once.`@` That's just your needless anxiety."`\ bg Ship_S3c,24 ld r,$KUM_DefA1,24 ;「秀吉さま。@皆様、下船なさっておりますよ。@/ `"Hideyoshi-sama.`@` Everyone has left the boat. `@/ ld r,$KUM_DefA2,80 ;……おや、何か落し物ですか@？　お手伝いしましょうか？」\ ;＜熊沢 `......Oh, did you drop something?`@` Shall I help you?"`\ ;　二人が甲板に上がってこないので、熊沢が様子を見にやって来た。@ ;　秀吉は、絵羽の表情を見られないようにその背で隠す。\ `Kumasawa had come to check on them when they hadn't gone up to the deck.`@ `Hideyoshi hid Eva behind his back so that her expression couldn't be seen.`\ bg Ship_S3b,0 ld c,$HID_WaraiA2,23 ;「あぁ、すまんなぁ。@ちょいとわしのネクタイピンがイカレてもうてな！@　もう大丈夫や、すぐ行くで。@外で待っててや！」\ `"Yeah, sorry.`@` My necktie pin just got a little crooked!`@` We're alright, and we'll be out in a second.`@` Wait outside for us!"`\ bg Ship_S3c,0 ld r,$KUM_DefA2,24 ld r,$KUM_WaraiA1,80 ;「そうですか？@　……ほっほっほ。@それでは表でお待ちいたしております…。」\ `"Is that so?`@` ......Hoh-hoh-ho.`@` Then I will wait outside..."`\ cl r,23 ;　そのよくわからない言い訳に、熊沢は何か事情があったことを察し、それ以上は構わず姿を消してくれた。@ `Even though she didn't really understand, Kumasawa realized that something had come up, and disappeared so that she didn't trouble them further.`@ br ;　これ以上、ここに留まっていると、他のみんなを心配させてしまうだろう。\ `If they stayed here any longer, they would probably make everyone else worry too.`\ bg Ship_S3a,23 ld l,$HID_DefA1,23 ;「…そろそろ行こか。@譲治たちを心配させてまうで。」@ `"...It's about time to go.`@` We'll make George and the rest worry."`@ ld r,$EVA_KomaruA1,6 ld r,$EVA_KomaruA2,80 ;「……………私、……本当に譲治に恨まれてない……？」\ `"............Am I, ......really not despised by George......?"`\ ld l,$HID_WaraiA2,80 ;「あぁ。@恨まれてなんかあらへん。@むしろ感謝しとるぞ。」@ `"Yeah.`@` Nothin' of the sort.`@` In fact, he's very grateful."`@ ld r,$EVA_KomaruA1,80 ;「…………………………。」\ `"........................"`\ ld l,$HID_defA1,80 ;「…悪い夢でうなされたんか。@また。」\ `"...Did you have a bad nightmare?`@` Again?"`\ bg black,22 ;!s200「………………/ !s200`"...............`/ !d800/ ;!s0うん。」/ !s0`Yes."`/ !sd\ ;　絵羽が悪夢に苛まされるのは、秀吉にとって珍しいことではなかった。@ ;　そしてそれは、親族会議が近付くと、毎年顕著になるのだ…。@ `Hideyoshi knew that it wasn't rare for Eva to be tortured by nightmares.`@ `And they would always become more striking on the days leading up to the family conference...`@ br ;　秀吉は、絵羽が未だに蔵臼に対して、トラウマとも呼べるほどの確執を持っていて、@子ども時代のそれを未だに決別できていないことを知っていた。\ `Hideyoshi knew that Eva's relationship with Krauss was still so full of antagonism that it could even be called trauma,`@` and that she still couldn't separate herself from the feelings she'd had as a child.`\ bg Ship_S3b,0 ld r,$HID_DefA1,24 ;ld l,$EVA_KomaruA3,26 ;cl r,0 ;ld c,$HID_WaraiA2,24 ;「それは夢や。@…わしが一緒にいる。@こうして手をぎゅーっと握っとったら、そんな夢もどっか行ってしまうで。@/ `"That was a dream.`@` ...I'm with you now.`@` If I grasp your hand like this, that dream'll go away. `@/ ld r,$HID_WaraiA2,80 ;な？@　ほら。@ぎゅー。」\ `Right?`@` Look.`@` I'm holding tight."`\ ld l,$EVA_HohoemiA2,80 ;「……くす。@痛いわ。@…ありがとう。@もう平気よ…。@…降りましょ。」@ `"......*giggle*`@` That hurts.`@` ...Thank you.`@` I'm fine now...`@`...Let's get off the boat."`@ ;cl c,0 ld r,$HID_DefA1,23 ;「あぁ。@降りよか。@みんな待たせてるで。」\ `"Yeah.`@` Let's get off the boat.`@` Everyone's waitin' for us."`\ ld l,$EVA_KomaruA2,80 ;「…あの、………………ごめんなさい。」@ `"...Umm, ............I'm sorry."`@ ld r,$HID_FumuA1,80 ;「ん？」\ `"Hmm?"`\ ld l,$EVA_KomaruA1,80 ;「……さっき、/ ;!d500……あなたの煙草の煙のこと、/ ;!d800……怒鳴ってごめんなさい……。」@ `"......I'm sorry, `/ !d500`......that I yelled at you, `/ !d800`......about the smoke from your cigarettes just now......"`@ ld r,$HID_WaraiA2,80 ;「普段ならそんなことで謝らんくせに。@…悪い夢、見た後のお前は気弱でいかん。@…気にするなや。@お前に煙が届いてることを気付かんかったわしが悪いんや。」\ `"Come on, you normally wouldn't apologize for that sort of thing.`@` ...You're all frail after havin' that dream.`@` ...Don't worry about it.`@` I was wrong for not realizin' that the smoke was affectin' you."`\ bg black,22 ;「…………私のこと、嫌いになった…？」@ `"............Have you, ...started to hate me...?"`@ ;bg Ship_S3b,0 ;ld c,$HID_WaraiA2,26 ;「ならんならん。@わっはっはっはっはっは。@この程度で嫌いなんて言うとったら、三日持たんでぇ。@ささ、立った立った。@降りるで降りるで。」\ `"No way, no way.`@` Wahahahahahaha.`@` If I hated you after somethin' like that, we wouldn't have lasted three days.`@` Come on, stand up, stand up.`@` Let's get off the boat."`\ me1v 2,0 cross1 2000,50,0,0,0,0 bg Ship_S3c,24 ld r,$GOH_omakaseA3,24 ;「秀吉さま、絵羽さま。@大丈夫ですか？@　お体が優れませんか？」@ ;＜郷田 `"Hideyoshi-sama, Eva-sama.`@` Is everything alright?`@` Are you not feeling well?"`@ br ;　今度は郷田がやってきた。@さすがに待たせすぎたに違いない。\ `This time, Gohda had come.`@` It looked like they had kept everyone waiting too long after all.`\ bg Ship_S3a,23 ld c,$EVA_DefA1,26 ;　絵羽も、さすがに愚図らず立ち上がる。@ ;　…これ以上、自分の不機嫌に夫を振り回し、迷惑を掛けることはできない。@ `Eva also stood up without grumbling.`@ `...She had to stop forcing her bad mood onto her husband and causing him any more trouble.`@ br ;　……それは“良妻”のすることではないのだから。\ `......Because that was probably what a 'good wife' would do.`\ ld l,$GOH_defA1,23 ;「大丈夫ですか？@　体調が気になられるようでしたら、南條先生をお呼びしましょうか？」@ ;＜郷田 `"Is everything alright?`@` If you are worried about your health, shall I call Doctor Nanjo?"`@ ld c,$EVA_HohoemiA1,80 ;「ありがとう。@ちょっと貧血気味でね。@もう大丈夫よ。」\ `"Thanks.`@` I'm just a little anemic.`@` I'm alright now."`\ bg Ship_S3c,0 ld r,$HID_WaraiA1,24 ;「婦人病っちゅうやっちゃ。@気にせんといてや。@わっはははははは。」@ `"It's a woman's disease.`@` Don't worry about it.`@` Wahhahahahahaha."`@ ld l,$EVA_AkireA1,23 ;「もう…。@そんなの人に言わないでよ、恥ずかしいわ。」@ `"Come on...`@` Don't say stuff like that in front of people, it's embarrassing."`@ ld r,$HID_WaraiA2,80 ;「おう、すまんすまん。」\ `"Oooh, sorry, sorry."`\ ;　絵羽が肘で秀吉の脇腹を小突く。@ ;　その時にはもう、いつもの表情に戻っていたので、秀吉は少し安心するのだった。\ `Eva elbowed Hideyoshi in the gut.`@ `By that time, her normal expression had returned, which allowed Hideyoshi to relax a little.`\ textoff bg black,4 ;wait 2000 fedexx 0,100,0,0,0,0,3000 ;cross1 3000,100,0,0,0,0 bg white,9 wait 1000 bg ship_S1b,22 ;　表の強い日差しに、本当に立ち眩みを覚えそうになる。@ `It looked like the sunlight outside caused her to remember her giddiness.`@ br ;　船着場との間に掛けられた下船用の橋板の前で、郷田が手を貸そうと、にこやかに微笑みながら待っていた。\ `A small plank was lowered to get off the boat, and Gohda was waiting there, smiling and ready to lend them a hand.`\ mevol 1,70 bg Ship_S1c,0 ld r,$GOH_OmakaseA2,24 ;「どうぞ、絵羽さま。@お手を。」@ ;＜郷田 `"Please, Eva-sama.`@` Your hand."`@ ld l,$EVA_WaraiA1,23 ;「ありがとう。」@ `"Thank you."`@ ld r,$GOH_HohoemiA1,80 ;「六軒島へようこそいらっしゃいました。」\ ;＜郷田 `"Welcome to Rokkenjima."`\ E_A bg black,1 locate 0,7 ;!s0　おかえりなさい。/ !s0`Welcome back.`/ !sd\ wait 2000 bgmplay 9 bg Ship_S1b,22 ;「……え？」@ `"......Huh?"`@ br ;　船着場に降り立った時、………絵羽は少女時代の自分の声で、おかえりと言われたような気がした。\ `When she left the boat, .........it seemed to Eva as though she had heard the voice of her young self saying welcome back.`\ ;　気がした、じゃない。@…「おかえりなさい」と“言われた”のだ。@ `No, it hadn't seemed that way.`@` ...Someone 'had told' her "Welcome back".`@ br ;　汚れた大人になってしまったから、/ ;!d800…少女時代の声が、遠いのだ。\ `After becoming a shameless adult, `/ !d800`...the voice of her young self was distant.`\ bg black,5 bg sky_1a,5 ;「…私は何のために生きてるの……？@　……何をどうすれば、…私はこの妄執から解き放たれるというの……。」\ `"What am I living for......?`@` What can I do to release myself from this delusion......?"`\ ;　その独り言は秀吉に聞かれていた。@ `Hideyoshi heard her talking to herself.`@ br ;　秀吉は絵羽の肩をぐっと抱き寄せると、その力強さだけで、それ以上を語る必要はないと伝えるのだった…。\ `When Hideyoshi held on tightly to Eva's shoulders, just by his firmness, he communicated that there was no need to say anything more...`\ ;　台風が近付いているせいだろうか。@ ;　いつもなら賑やかに迎えてくれるはずのうみねこの鳴き声が、まったく聞こえなかった…。\ `Maybe it was because the typhoon was getting closer.`@ `The lively cries of the seagulls, which usually greeted them when they arrived, couldn't be heard at all...`\ ;▲第１アイキャッチ　１０月４日　１０時３０分〜１４時００分に進む。 textoff wait 3000 eye2 10,30,14,0,5,0,510,340,25 *umi3_2 mov %play_scene,30032 ;シーン変数の入力 mov %grim_scene,302 textoff E_A bgmplay 2 bg white,46 wait 1000 lsp bgsp,beach_L1a,0,0,0 for %Free1 = 1 to 128 resettimer msp bgsp,0,-2,2 waittimer 20 print 1 next for %Free1 = 1 to 232 resettimer msp bgsp,0,-2,0 waittimer 20 print 1 next csp bgsp print 2 bg beach_2a,22 ld r,$BUT_DefA2,4 ;「…６年前のことかぁ。@何しろ６年って言ったら、小学校まるまるひとつ分じゃねぇか。@覚えてろってのが酷な話だぜー？」\ ;＜戦人 `"...Six years ago, you say?`@` Anyway, back then I was still in elementary school, right?`@` It's pretty unfair to force me to remember, don't you think?"`\ ld l,$GEO_hohoemiA1,23 ;「そうだね。@特に、若かった僕たちにとっては大きな成長の６年間だったはずだからね。@案外、自己紹介がなかったら思い出せなかったんじゃないかい。」\ ;＜譲治 `"That's right.`@` Especially since we were so young, we've grown a lot in these six years.`@` I was surprised. If I hadn't been introduced, I wouldn't even have remembered you."`\ cl r,23 ld r,$JES_waraiA1,24 ;「そうかな。@私は戦人だって、すぐにわかったぜ？@　口を聞いて、さらに確信できたぜ。」\ ;＜朱志香 `"Really?`@` I knew it was Battler right away.`@` After he opened his mouth, I was sure."`\ bg Beach_2b,0 ld c,$MAR_DefA1,24 ;「うー。@真里亞、初めて会った。@６年前、わかんない。」@ ;＜真里亞 `"Uu-.`@` Maria met him for the first time.`@` Six years ago, didn't know him."`@ ld l,$SHA_WaraiA1,23 ;「そうですよね。@真里亞さまはまだ３つでしたものね。」@ ;＜紗音 `"That's right.`@` Maria-sama was only three years old."`@ ld r,$BUT_WaraiA2,24 ;「それを言われたら俺もだぜ。@３歳の頃しか知らない真里亞が、こんなに大きく成長してるんだから、そりゃあわからねぇわけだぜ。」\ ;＜戦人 `"When you say it like that, I'm the same.`@` I only knew Maria when she was three years old, and since she's grown so big, I didn't recognize her."`\ bg white,25 bg sky_1a,22 ;　俺たちは昼食の後、浜辺へ出て散歩しながらのんびりお喋りを楽しんでいた。@ `After lunch, we had all gone out to the beach to walk around, talk and take it easy enjoying ourselves.`@ br ;　親たちがどうにもキナ臭く、積もる話もあったようなので、席を外すことになったのだ。\ `It had seemed that our parents were having a suspicious, complicated discussion, so we had decided to leave our seats.`\ bg beach_1a,0 ld c,$BUT_waraiA2,26 ;　…まぁ、当初からの予想通り、６年ぶりとなる俺に話題は集中した。\ `...Just as you'd expect, since it had been six years, the conversation focused on me.`\ ld r,$GEO_WaraiA2,24 ;「しかし、本当に背が伸びたね。@僕も低いつもりはないけど、とにかくその身長には驚いたよ。」@ ;＜譲治 `"Still, you've really gotten taller.`@` I won't call myself short, but anyways, your height surprised me."`@ ld l,$SHA_WaraiA3,23 ;「そうですね。６年前の戦人さまをよく覚えておりますが、それでも驚くくらいでした。」\ ;＜紗音 `"That's right. I remember well what Battler-sama was like six years ago, but I was surprised even so."`\ bg beach_1b,0 ld r,$JES_atyaA1,24 ;「だなぁ。@６年前の戦人からは想像がつかないくらいだったぜ。」@ ;＜朱志香 `"Don'tcha think?`@` I couldn't even imagine that this was the same Battler as six years ago."`@ ld l,$BUT_WaraiA1,23 ;「みんな、案外、６年も前のことなんか覚えてるもんだな。@俺なんか、かなり記憶があやふやだってのによ。」\ ;＜戦人 `"I'm surprised at how everyone remembers so much about six years ago.`@` My memory's all hazy."`\ ld r,$JES_tohohoA2,80 ;「だろうな。@私たちのことを思い出すのに、少し時間を掛けてたみたいだもんな。@/ `"No surprise.`@` You'll remember about us, it just might take a little time. `@/ ld r,$JES_komaruA1,80 ;あれはちょっと傷付くぜー？」@ ;＜朱志香 `Should I feel a little hurt?"`@ ld l,$BUT_aseruA1,80 ;「いや、さすがに６年前だぜ？@　覚えてろって方が無理があるぜ…！」\ ;＜戦人 `"Wait, this was six years ago, right?`@` I'm the one who has it bad, being forced to remember...!"`\ bg beach_2b,0 ld c,$SHA_DefA1,23 ;「…６年前のことですと、あまり覚えてはおられないのですか？@/ `"...Are you saying that you can't remember well because it was six years ago? `@/ ld c,$SHA_TokuiA1,80 ;　私は、つい昨日のことのように鮮明に覚えておりますが…。」@ ;＜紗音 `I can remember it as clearly as if it happened yesterday..."`@ ld l,$GEO_HohoemiA1,23 ;「紗音は記憶力がいいからね。@/ `"That's because your memory is good, Shannon. `@/ ld l,$GEO_WaraiA1k,80 ;６年前に、戦人くんがどんなことをしていたとか、言っていたとか、よく覚えてるんじゃないかい？」\ ;＜譲治 `You really do remember what kind of things Battler did and said, don't you?"`\ bg beach_1a,0 ld r,$JES_WaraiA1,23 ;「そういやそうだよな。@紗音って妙なところで記憶力がいいんだよな。」@ ;＜朱志香 `"Come to think of it, that's right.`@` Shannon's memory is surprisingly good."`@ ld l,$MAR_waraiA2,23 ;「うー。@真里亞、覚えるの下手くそ。@楽しいことはすいすい覚えるけど、つまんないのは全然ダメ。@うー。」\ ;＜真里亞 `"Uu-.`@` Maria's horrible at remembering.`@` Remembers fun things well but horrible at boring things.`@` Uu-."`\ bg sky_1a,22 ;　誰だってそうさと、みんなが笑う。\ `We all laughed, saying that everyone was like that.`\ bg beach_2b,26 ld r,$JES_AkuwaraiA1,24 ;「紗音。@ちなみに、６年前の戦人はどんなだったんだ？@/ `"Shannon.`@` By the way, what was Battler like six years ago? `@/ se1v 4,50 ;　何かエピソードを覚えてないのかよ？」\ ;＜朱志香 `Remember any interesting episodes?"`\ ld l,$SHA_tokuiA1,23 ;「そうですね。@/ `"Let's see. `@/ E_A ;……確か、お帰りの際はこう仰っていました。@/ `......I'm sure that he said something like this when he left. `@/ ld l,$SHA_hajiraiA3,80 se1 47 ;“また来るぜ、シーユーアゲイン。@/ `'I'll be back, #86ef9c#ffffff. `/ mov %grim_scene,303 mov %r_hyouji_grim,4 @/ ;>< ;tttt se2 48 ;きっと白馬に跨って迎えに来るぜ。”」\ ;＜紗音 `I'll come to greet you riding on a white horse.'"`\ bg sea_1c,1 ;!s0「ぎゃああああああああぁああぁあぁ、/ !s0`"Gyaaaaaaaaaaaaaaaaaaaahhh, `/ se1v 27,90 bgmplay 3 quakey 5,900 ;らめええぇえぇ、恥ずかすぃいいいいぃいいぃぃぃ！！」/ `Stop iiiiiiiiit, so embarassiiiiiiiiiiing!!"`/ ;se1 quakey 8,1200 !sd\ ;＜戦人 bg beach_1b,26 ld c,$JES_NakiWaraiA1,24 ;「ぎゃーっはっはっはっはっはっは！！@/ `"Gyaaah-hah-hah-hah-hah-ha!! `@/ ld c,$JES_WaraiA1,80 ;　言いそう言いそう！@　確かにそんな感じだった、６年前の戦人はそんな感じのバカっぽいセリフばかり言ってたぜ！@/ `Sounds just like something you would say!`@` I remember, I remember that you always used to be full of those stupid lines, Battler! `@/ ld c,$JES_NakiWaraiA1,80 ;　わーっはっはっはっはっは！！」\ ;＜朱志香 `Waaah-hah-hah-hah-hah-ha!!"`\ bg beach_1a,0 ld r,$GEO_komaruA2k,23 ;「はっはっはっは。@確かに当時の戦人くんがいかにも言いそうだなぁ。」@ ;＜譲治 `"Hah-hah-hah-ha.`@` It really does sound like something Battler-kun would have said back then."`@ ld l,$MAR_OdorokiA1,23 ;「うー。@恥ずかしい？恥ずかしい？」\ ;＜真里亞 `"Uu-.`@` Embarrassing? Embarrassing?"`\ cl r,23 ld r,$BUT_nakuA2,24 ;「……あぁ。@最高に恥ずかしいぜ…。@/ `"......Yeah.`@` Horribly embarrassing... `@/ ld r,$BUT_odorokiA2,80 ;真里亞もきっと、中学くらいになったら、そういう恥ずかしいことが口にしたくなるからな…。@そういう時は、口に出す前にチラシの裏に書いて、三度読み直してから口にすべきかどうか考えるんだぞ。@じゃねぇと、きっと後悔するからな…。\ `Maria, I'm sure that when you are in middle school, you'll want to say embarrassing things like that...`@` When that happens, write it on the back of some leaflet, and read it three times before you say it out loud.`@` If you don't, you'll definitely regret it...`\ bg black,22 ;ld r,$BUT_FutekiA1,80 ;　いや、誰しもがそういう痛々しい時代を潜り抜けていくのだ…。@そうさ、そうして身の程を知り恥を覚えて大人になるんだ。@/ `Still, everyone has to pass through that pitiful period...`@` That's right, that's how you know your place, learn shame, and become an adult. `@/ ;ld r,$BUT_OdorokiA2,80 ;そうさ、これは大人への過渡期なら誰もが犯す青春の甘酸っぱくて恥ずかしい、消し去りたい記憶なんだ…。@うおーぐおー…。」\ `That's right, this is a memory I want to disappear, the bittersweet kind of thing that everyone does in adolescence as they transition to becoming adults...`@` Aaaaarrggh..."`\ ;＜戦人 ;cl r,25 ;se1 13 ;quakey 4,800 bg Sky_1a,22 ;　何しろ俺は、深く考えずにポンポンと喋るものだから、いちいち内容は覚えてない。@ ;　でも、その内容は後で復唱されると非常に恥ずかしいものばかりだ。\ `Anyways, it was just something I'd let slip out without thinking, so I hadn't remembered exactly what I had said.`@ `But when those words were recited to me, it was all so embarrassing.`\ ;　その弱点を近年、ようやく理解し、不用意な発言を慎むように努力してはいるのだが……。@ `Recently, I had finally come to understand this weakness, and had worked hard to refrain from such careless outbursts......`@ br ;　…どうにも軽口は生まれ持った癖らしく、何ともしようがない。\ `...It looked like I was just born with the habit of speaking without thinking, and there was nothing I could do about it.`\ bg beach_2b,0 ld l,$JES_AkuwaraiA1,26 ;「紗音〜、他にも何か恥ずかしいことは覚えてないのかよ？」@ ;＜朱志香 `"Shanno~n, do you remember any other embarrassing things?"`@ ld r,$SHA_KomaruA1,24 ;「えぇ、まぁ…。他にも色々と覚えておりますけれど、その…。@/ `"Yeah, well... I remember various other things, but...`@/ ld r,$SHA_hajiraiA1,80 ;……ご本人もお忘れになりたいことみたいなので、これ以上は遠慮させていただきたいと思います…。」\ ;＜紗音 `......since it looks like the person in question wants to forget them, I think I will refrain from saying any more..."`\ bg beach_1a,23 ld c,$BUT_odorokiA2,24 ;「ぶっちゃけると、俺はもう何も覚えてないんだ〜。@頼むから思い出させないでくれー。」@ ;＜戦人 `"I don't remember anything about what I said off the top of my head.`@` Please, don't make me remembe-r."`@ ld l,$MAR_OdorokiA1,23 ;「…うー。@紗音が戦人をいじめてる…？@/ `"...Uu-.`@` Shannon's bullying Battler...? `@/ ld l,$MAR_fukigenA2,80 ;　うー。@だめー。@いじめはいけないの。」\ ;＜真里亞 `Uu-.`@` You can't.`@` You shouldn't bully people."`\ bg beach_2b,0 ld l,$SHA_majimeA2,24 ld r,$GEO_WaraiA1,24 ;「ははははは。別にいじめてるわけじゃないんだよ。@この話はこれくらいにしようか。@/ `"Hahahahaha. She isn't really bullying him.`@` Let's leave it at that, okay? `@/ ld r,$GEO_Waraia2,80 ;でも紗音、後で戦人くんのいないところでこっそり教えてね。@/ `But Shannon, you'll have tell me all about it sometime Battler isn't around. `@/ se1v 4,50 ld r,$GEO_WaraiA2k,80 ;何だか面白そうだから。」@ ;＜譲治 `It sounds pretty interesting."`@ ld l,$SHA_WaraiA2,80 ;「はい、かしこまりました。」\ ;＜紗音 `"Yes, certainly."`\ bg white,25 bg Sky_1a,22 ;「そ、そりゃーねーぜぇ、紗音ちゃんよぉおおおぉ…！！」/ `"N, no, you can't, Shannon-chaaaaaaaaaan...!!"`/ quakey 4,800 @ ;＜戦人 br ;　しばらくの間、譲治の兄貴は、紗音ちゃんから俺の恥ずかしい失言を聞きだそうとする素振りをして、俺をからかうのだった。\ `For a while, George-aniki laughed at me, as though warming up for when Shannon-chan would tell him about more of my embarrassing misspeaks.`\ bg white,22 wait 1000 fede 1,3000 bg beach_1b,2 bgmplay 11 ld c,$GEO_HohoemiA1,0 ld r,$SHA_WaraiA3,26 ;　譲治の兄貴は、紗音ちゃんとつるむ様にしてふざけているわけだが、@……何というか、とても気さくでフランクな感じだった。\ `George looked like he was flirting with Shannon,`@` ......but he seemed somewhat open and frank.`\ ld c,$GEO_DefA1k,80 ;　彼は、いとこ相手にならフランクだが、使用人たちには節度ある紳士的態度で接していたはずだ。@ `He was always frank with his cousins, but he usually took on a reserved, gentlemanly attitude when he came in contact with the servants.`@ ;　…それを思うと、何だかちょっぴり馴れ馴れしいようにも感じ、わずかの違和感を覚えた。\ `...When I thought about it, I got the feeling that it was a little familiar, which seemed slightly weird.`\ bg white,24 bg beach_2a,24 ;　真里亞が砂浜に棒で落書きを始め、@それに譲治の兄貴と紗音ちゃんが加わるという形になり、俺と朱志香が浮いたので、それをこっそり聞いてみた。\ `Maria started scribbling in the sand with a stick, and George-aniki and Shannon-chan joined in.`@` This left me and Jessica off to the side, so I asked her secretively.`\ ld l,$BUT_oyaA1,23 ;「……よぉ、朱志香。@譲治の兄貴ってさ、……その、紗音ちゃんと付き合ってたりする？」@ ;＜戦人 `"......Hey, Jessica.`@` Is George-aniki, ......umm, going out with Shannon-chan?"`@ ld r,$JES_AisowaraiA1,24 ;「おおお？@　何々、何でわかったんだよ？！@/ `"Ooooh?`@` What the, how did you notice?! `@/ ld r,$JES_atyaA3,80 ;　戦人お前、見掛けより人を見てんなぁ。」\ ;＜朱志香 `Battler, you're really good at seeing through people."`\ ld l,$BUT_OdorokiA2,80 ;「って、…えええぇ？！@/ `"Huh, ...whaaaaaaah?! `@/ ld l,$BUT_KomaruA1,80 ;　俺、冗談で言ったつもりだったんだけど、…本当に付き合ってんのかよ？！」@ ;＜戦人 `I was just kidding, ... but they're actually going out?!"`@ cl r,0 ld c,$JES_odorokiA1,24 ;「シー！@　声が大きいって！@/ `"Shhh!`@` Your voice is too loud! `@/ ld c,$JES_AtyaA2,80 ;　…一応、内緒の付き合いってことらしいぜ？@　特に絵羽伯母さんの耳には入れない方がいいよ。」\ ;＜朱志香 `...It looks like they're keeping it secret for now, alright?`@` It'd be better if nobody, especially Eva oba-san, heard about it."`\ ld l,$BUT_odorokiA2,80 ;「な、なるほど…。@使用人との恋か…。@/ `"I, I see...`@` Love with a servant... `@/ ld l,$BUT_AseruA1,80 ;……い、いやでも、いつの間に？@　はー、６年ってすげぇなぁ……。@でも、確かに兄貴なら人間もできてるし、紗音ちゃんもやさしくて甲斐甲斐しそうだし、/ ;!d900……お似合いかもなぁ。」\ ;＜戦人 `...Y, yeah but, since when?`@` Wo-w, a lot can happen in six years......`@` But still, Aniki really is talented, and Shannon-chan is kind and brave, `/ !d900`......they might be a pretty good match."`\ bg white,25 bg sky_1a,22 ;　実は６年前、ちょっぴり彼女を意識していたことを思い出す。@ `Actually, six years ago, I remember taking notice of her just a little bit.`@ br ;　そっかー、譲治の兄貴とじゃお似合いだよな、仕方ねぇよなぁ。@…さらば、俺の６年前の淡い初恋…。\ `I see, she really fits well with George-aniki, nothing I can do about that.`@` ...Goodbye, my fleeting first love of six years ago...`\ ;　………ってことは、さっき紗音ちゃんが自重してくれた、俺の６年前の恥ずかしいセリフ集は、@……それ関係って可能性が高いな…。@うぉおおおおぉおぉおぉ、ケツが痒くなってきたぜ…。\ `.........Which means that, the collection of my embarrassing lines that Shannon-chan had just held back on,`@` ......probably had something to do with that...`@` Aaaaaaaaaaarrghh, I can't take it...`\ bg beach_1b,0 ld r,$BUT_defA2,26 ;「兄貴たち、付き合って、どのくらいになるんだ？」\ `"How long have they been going out?"`\ ld l,$JES_TohohoA1,23 ;「どの段階から付き合ってると呼ぶのかにもよるだろうけど、確実に１年以上は続いてると思うぜ。@/ `"That depends on what you call going out, but I think it's been at least a year. `@/ ld l,$JES_DefA1,80 ;双方片思い時代を含めると数年になるんじゃねぇのかな。」\ ;＜朱志香 `But if you count the time spent when they both had one-sided feelings, it would probably be several years."`\ bg white,24 bg beach_2a,24 ;　いつの間にか二人っきりモードになって、何かを語り合いながら浜辺を歩く、譲治の兄貴と紗音ちゃん。@ `Before I'd realized it, the two of them had separated themselves from the group, and were walking down the beach, talking about something.`@ br ;　……その様子は落ち着きがあって、@恋仲という軽い関係よりは、婚約を交し合ったような真面目な関係に見えた。\ `......They looked calm, `@`and rather than a light relationship between two lovers, it looked like a more serious relationship, as though they were already engaged.`\ bg beach_1b,0 ld r,$BUT_DefA2,24 ;「……６年か。@でっけぇ月日だなぁ。@/ `"......Six years ago...`@` That's a long time. `@/ ld r,$BUT_futekiA1,80 ;俺にとってのこの６年は何だったんだ？@　図体がデカくなっただけだな。@親父との親子喧嘩で意地を張り合う内に６年も経っちまったってだけの、くだらない時間だったなぁ。」\ ;＜戦人 `What did these six years mean to me?`@` I've just gotten taller.`@` It was just a waste of time, six years I spent obstinately fighting with my dad."`\ ld l,$JES_futekiA1,23 ;「戦人の方こそどうなんだよ。@彼女とか出来たのかよー？」@ ;＜朱志香 `"What about you, Battler?`@` Have you gotten a girlfrie-nd?"`@ ld r,$BUT_WaraiA2,80 ;「さぁてどうだろうな。@一緒に遊ぶ女の子は何人かいるぜ。@だけどオンリーワンって関係はまだねぇな。@/ `"Hmm, I wonder.`@` There's a lot of girls that I play with.`@` But there is no 'only one'. `@/ ;ld r,$BUT_NayamuA2,80 ;……俺がお子様なんだろうよ。@誰かと二人っきりでいるより、みんな大勢でわいわいやってる方が楽しいように思えるんだ。」\ ;＜戦人 `......I'm just like a kid.`@` I think it's more fun to be noisy with a large group of people than being alone with one person."`\ ld l,$JES_WaraiA1,80 ;「あー、そりゃ何とも戦人らしいぜ。@でも、女友達との関係はちゃんとしっかりしておけよ。@/ `"Aah, that's so you, Battler.`@` But take your relationships with your female friends seriously. `@/ ld l,$JES_tohohoA2,80 ;女の思い込みとコミュニティは怖ぇぜ？@　勝手に戦人を巡って暗闘が繰り広げられて、勝手に誰かが泣いたり傷付いたりしているかもしれないぜ？」\ ;＜朱志香 `A community of girls with the wrong impressions can be scary.`@` They could have some secret feud behind your back, and hurt someone or make them cry without you noticing it, right?"`\ bg sky_1a,25 ;「おっかしーな。@同じ忠告をつい先週、クラスの女から受けた気がするぜ。@……何だってんだろうな。@どうしてみんなで楽しく過ごせねぇんだ。@そうまでして、つがいになりたいのかねぇ。」\ ;＜戦人 `"That's so weird.`@` I think I got the same bit of advice from one of the girls in my class just last week.`@` ......What did she say?`@` Why not have fun together with everyone?`@` Did they really want to hook up with me that much?"`\ ;「…戦人がまだ、そういう相手にあったことがねぇからだろうぜ。@まぁ、追々そういう女に出会うこともあるだろうよ。@気長に待つこったな！」\ ;＜朱志香 `"...It's probably because you have never had a partner like that, Battler.`@` Well, you might run into girls like that every once in a while.`@` You just have to wait patiently!"`\ bg beach_2a,26 ld r,$BUT_WaraiA1,24 ;「何だよ。@まるでお前にはもうそういう相手がいるみたいな言い方じゃねぇかよ。@お前はどうなんだよ。@彼氏とか出来たのかよ。」\ ;＜戦人 `"What?`@` It sounds almost like you've already found a partner like that.`@` What about you?`@` Have you gotten a boyfriend?"`\ ld l,$JES_TereruA1,23 ;「え？！@　わ、私かよ？！@　いやその、わははははは……。」\ `"Huh?!`@` M, me?!`@` No, err, wahahahahaha......"`\ ld r,$BUT_aseruA1,80 ;「なんつー、わかりやすい反応だよ…。@見たところ、気になる男はいるけど、まだ告白もできてねーって、そういうところだろう。」@ `"Come on, that reaction's so easy to understand...`@` From the looks of it, there's some boy who you're thinking about, but you haven't been able to confess that to them yet, something like that."`@ ld l,$JES_atyaA2,80 ;「いッ、いやその、そういうわけでは、あのその！@　う、うぜーぜ、私のことなんかどうでもいいだろ…！」\ `"N, no, umm, that's not, umm, uh!`@` Sh, shut up, who cares about that...!"`\ ld r,$BUT_futekiA1,80 ;「話を振ってきたのはそっちのくせに、何で俺が逆ギレされなきゃならねぇんだ。@女って生き物は質問ばかりで、そのくせ、自分が質問に答えることは決してないんだよな。@ズルイ生き物だぜ、まったく。」\ ;＜戦人 `"Even though you're the one who brought up this subject, why do you have to betray me like this?`@` Women are creatures who always ask questions, and yet, they almost never answer them.`@` What cruel creatures, seriously."`\ bg white,25 bg sky_1a,22 ;「……ま、まぁそのよ。@…告白はさ、/ ;!d700…一度はしたんだよ。@まぁその、盛大に空振りでさ。」@ `"......W, well, umm.`@` ...I did try, `/ !d700`...to confess once.`@` Well, umm, I struck out pretty badly."`@ ;「ごめんなさいってか？」\ `"Did they say sorry?"`\ ;「いいやその、……。@…まぁその、私がすごく一方的だったんで面食らわれたというのかな…。@そういう対象だとも思われてなかったという雰囲気。」\ `"No, umm, ......`@`...well, umm, it was really one-sided and I got confused, I guess...`@` It was like they didn't view me that way."`\ ;「そりゃあそうだろうよ。@お前の言葉遣いは男勝りだからな。@もうちょいお淑やかにしないと、男心をくすぐらないぜぇ？」\ `"I can understand that.`@` You talk just like a man.`@` If you don't act a little more elegant, you won't be able to entice a man's heart, right?"`\ bg black,22 ;「やや、やっぱりその、/ ;!d700……私みたいな言葉遣いじゃウケ、/ ;!d700…悪いかな。」\ `"I, i, is it really, `/ !d700`......is the way I speak, `/ !d700`...really that bad?"`\ bg beach_1b,0 ld l,$JES_NayamuA1,0 ld r,$BUT_KomaruA1,26 ld r,$BUT_DefA2,80 ;「…んん？@　まぁその、言葉遣いが全てじゃないだろうが、お前みたいな、普段の言葉遣いが悪いヤツが、@急にまともな言葉で話すように努力し始めたらその、そういう気概みたいなもんでドキっと来ちまう男もいるかもなぁ。」\ `"...Hmm?`@` Well, umm, how you talk isn't everything, but to people like you, who usually talk badly,`@` if you quickly try to start talking seriously, umm, that might start really get some guys' hearts thumping."`\ ld l,$JES_TereruA1,80 ;「そ、そうなんだ…？@　そうか……、/ ;!d800……うん…。」@ `"R, really...?`@` I see......, `/ !d800`......yeah..."`@ br ;　朱志香は、急に神妙な言葉遣いになったかと思うと、ほんのりと頬を染めている。\ `As Jessica thought about suddenly speaking meekly, she blushed faintly.`\ ;　…なるほど、告白は空振りしたが、どうやら諦めちゃいないらしい。@ `...I see, even though her confession didn't go well, it looks like she still hasn't given up.`@ br ;　でもまぁ、わかるなぁ。@ ;　譲治の兄貴と紗音ちゃんの仲が進展するのを目の当たりにしてたら、自分も恋人を作らなくちゃって気持ちになってくるだろうよ。\ `But still, I understood.`@ `After seeing how close George-aniki and Shannon-chan had gotten, I also kinda wanted to find a girlfriend.`\ bg white,22 bg beach_2a,22 ;　６年か。@…青春時代の６年ってのは重く、そして早いもんだ。@ `Six years.`@` ...Six years of puberty are pretty important, and they had gone by pretty fast.`@ br ;　台風が近付いているということで、空は灰色の度合いを強めているが、それでもなぜか、とても爽やかに感じられるのだった。@ `As the typhoon approached, the clouds grew steadily grayer, and yet, even so, I had this really refreshing feeling.`@ br ;　…俺も、たまには異性のことを、おっぱいのデカさ以外で真剣に考えてみることにするか…。\ `...Maybe I'll start thinking about the opposite sex, more than just the size of their boobs...`\ ld c,$BUT_futekiA1,24 ;「ところで。@譲治の兄貴は、使用人の紗音ちゃんと付き合ってるわけだが。@/ `"By the way,`@` I know George-aniki is going out with a servant, Shannon-chan. `@/ ;ld c,$BUT_DefB1,80 ;……まさか、朱志香までってことはないよなぁ？」\ `......Could it be that you are the same, Jessica?"`\ bg beach_2b,0 ld r,$JES_TereruA1,64 ;「え、…ええぇッ？！？！/ `"Huh, ...eeeeeeh?!?! `/ quakex 3,600 ;@　どどどど、どうしてそう思うんだよ…？！」\ @`W, w, w, w, why do you think that...?!"`\ ld l,$BUT_FutekiA1,23 ;「そういや、薔薇庭園で挨拶した嘉音くんって若い子。@/ `"Come to think of it, that young kid Kanon-kun, who greeted us in the rose garden... `@/ se1v 4,50 ld l,$BUT_WaraiA2,80 ;口下手だからって朱志香、やたらと庇ってたよなぁ？」@ `You really covered for him since he's bad at talking, right Jessica?"`@ ld r,$JES_TereruA2,80 ;「い、いやそんなことは…。@わはははは、勘繰り過ぎだって…！！」\ `"N, no, that's not...`@` Wahahahaha, you're too suspicious...!!"`\ cl l,0 ld c,$BUT_DefA1,23 ;「じゃあさ、これだけは教えろよ。@今この瞬間。@朱志香が狙ってる男は、半径１ｋｍ以内にいるか？」@ `"Then tell me just this one thing.`@` Right now,`@` is the boy you're after somewhere within one kilometer?"`@ ld r,$JES_TereruA1,80 ;「い、いやそれはその、…どど、どうだろう…。」\ `"W, well about that, umm, ...I, I, I wonder..."`\ bg sky_1a,25 ;　今、この島にいる男で、俺たちと恋仲になれそうなのは嘉音くんひとりしかいない。@ ;　それでこの反応なんだから、ビンゴなんだろうなぁ。\ `Kanon-kun was the only boy on this island now who could possibly become her boyfriend.`@ `So judging by her reaction, I was right on.`\ ;　右代宮家を高貴な一族だなんて思っちゃいないが、…使用人との恋が二人か。@ ;　ロミオとジュリエットが身近に二組もいるなんて夢にも思わなかったぜ…。\ `I didn't think of the Ushiromiya family as a noble family, ...but love with a servant...`@ `I wouldn't have dreamed that two pairs of Romeo and Juliet would be right next to me...`\ bg black,22 ;　譲治の兄貴と紗音ちゃんの恋路は、……絵羽伯母さんが障害になるだろうな。@ `Eva oba-san would probably become an obstacle to George-aniki and Shannon-chan's love.`@ br ;　あの絵羽伯母さんに限って、眼に入れても痛くないひとり息子のお相手が紗音ちゃんだと知ったら、@この使用人風情がー、泥棒猫ーと絶叫するだろう。\ `If Eva oba-san learned that the partner of her only beloved son was Shannon-chan,`@` she would probably scream at her, as though a servant was the same as a cat who had snuck in.`\ ;　そして朱志香と嘉音くんの恋路も同じく多難だろう。@ ;　夏妃伯母さんも、そういうのにかなり厳しそうだ。@ `And a relationship between Jessica and Kanon-kun would probably be just as full of difficulties.`@ `Natsuhi oba-san was also very strict about that kind of thing.`@ br ;　……何しろ朱志香の旦那は、未来の右代宮家当主になるんだろうからな。@それが、自分たちに仕えてた元使用人ってことになったら、……まぁその、複雑に違いない。\ `......Anyways, Jessica's husband would probably become the head of the Ushiromiya family in the future.`@` If that person had once been a servant working for the family, ......well, things would get complicated.`\ bg beach_1b,26 ld r,$BUT_WaraiA1,24 ;「ま、人の恋路なんてそれぞれさ。@一緒にいて楽しい相手とつがいになりゃいいじゃねぇか。@/ `"Well, who you love depends on the person.`@` Isn't everything fine as long as it's someone who's fun to be with? `@/ ld r,$BUT_DefA2,80 ;つがいってのは、互いが互いを認め合う以外に何の許可も要りやしない。@親がどうこう、家がどうこうなんて気にしたら負けだぜ。@それを忘れるなよ。@半端な気持ちで付き合うんじゃねぇぜ。」\ `Being with someone doesn't require any permission as long as the two people accept each other.`@` If you worry about your parents or your family, then you lose.`@` Don't forget that.`@` You can't go out with someone with incomplete feelings."`\ ld l,$JES_komaruA1,23 ;「…ちぇ…。@恋もしたことねぇくせに、達観したようなことを言いやがって。」\ `"...Heh...`@` I can't believe you're saying something so philosophical-sounding when you haven't even been in love."`\ ld r,$BUT_futekiA1,80 ;「恋は損得勘定でするなよ。@ハートでしろよ。@俺が言いたいことはそんだけさ。@んじゃな、/ `"Don't treat love like a matter of profit and loss.`@` It's about heart.`@` That's all I want to say.`@` Well then, `/ se1v 4,50 ;シーユーアゲイン、ハバナイスディ。」\ `."`\ ;>< bg sky_1a,22 ;「……ぷ。/ ;!d800…わっはっはっははははははははは！！/ `"......Hu, `/ !d800`...wahhahhahahahahahahahahaha!! `/ quakey 5,500 ;@　譲治兄さん、紗音〜、聞いて聞いてー！@　戦人ったらこいつ、また面白いセリフを言い出したぜー！！」@ @`George nii-san, Shanno~n, listen, liste-n!`@` This guy, he's said another one of those lines!!"`@ ;「何も言ってないって、何も言ってないって！！@　わーー、茶化すな茶化すな！！」\ `"I didn't say anything, I didn't say anything!!`@` Waaah, don't make fun of me, don't make fun of me!!"`\ ;「真里亞聞いてた、真里亞聞いてた！@　シーユーアゲイン〜シーユーアゲイン〜！！」\ `"Maria heard it, Maria heard it!`@` , !!"`\ ;　俺たちはしばらくの間、風が強くなってくるのも忘れ、浜辺ではしゃぎ合うのだった。\ `For a while, we forgot that the wind was getting stronger, and played around on the beach.`\ bg black,2 ;　……この６年ですっかり成長し、青春を謳歌しているいとこたちとの出会いは、本当に新鮮。@ `......I had grown a lot these last six years, and being able to celebrate my youth and meet with all of my cousins was truly refreshing.`@ br ;　……俺は、今更だが、もっと早く鞘に収めて、右代宮の家に帰ってきても良かったかな、なんて思っているのだった…。\ `......It was a little late now, but I realized that I should have gotten back together with everyone a lot sooner, and returned to the Ushiromiya family...`\ bg beach_2b,6 ld r,$BUT_WaraiA2,24 ;「いとこ同士ってのも、たまにはいいもんだな…。」@ ;＜戦人 `"It sure is nice to have all the cousins together every once in a while..."`@ ld l,$MAR_WaraiA2,23 ;「うー！@　真里亞もいとこで集まるの楽しくて好きー！」@ ;＜真里亞 `"Uu-!`@` Maria also likes it when the cousins get together, it's fu-n!"`@ ld r,$BUT_DefA1,80 ;「そうだな。@俺たちももういい歳なんだ。@別に親がいなくても会えるだろ。@…たまにはいとこだけで集まって遊ぶのも悪くないかもしれないな。」\ ;＜戦人 `"That's right.`@` We're already old enough.`@` It's not like we couldn't meet each other when our parents aren't around.`@` ...It might not be a bad idea to gather the cousins together and play every once in a while."`\ bg beach_2a,0 ld l,$GEO_HohoemiA1,23 ;「それはいい提案だね。@いつかそういう機会を設けてもいいかもしれないね。」@ ;＜譲治 `"That's a good plan.`@` Maybe we should set up something like that the next time we get a chance."`@ ld r,$JES_WaraiA1,24 ;「同感だね。@私たちいとこは、いつまでもずっと仲良しがいいよ。」@ ;＜朱志香 `"I agree.`@` I'd like to be friendly with my cousins all the time."`@ ld c,$BUT_AseruA1,24 ;「おいおい、そこを強調するとまるで、普段の親戚同士の仲が悪いように聞こえちまうぜ？」\ ;＜戦人 `"Hey, hey, if you stress the point that much, doesn't that make it sound like relatives normally don't get along well?"`\ ld l,$GEO_WaraiA1k,0 ld r,$JES_aisoWaraiA1,80 ;「はははははは。」@ ;＜譲治 `"Hahahahahaha."`@ ;　譲治の兄貴と朱志香は笑ってくれたが、ほんの少しだけ渇いたものを感じた。@ ;　…余計なことを言ってしまったか。\ `George-aniki and Jessica laughed, but it felt just a little strained.`@ `...Did I say too much?`\ ;　空港や船内で、時折、親父たちが見せる神妙な表情や、疲れきった表情に気付いていたなら、それを口にすべきではなかっただろう。\ `Judging by how our parents made quiet expressions and tired faces every once in a while during the boat ride and at the airport, maybe that was something I shouldn't have said.`\ bg beach_2b,24 ld r,$BUT_WaraiA1,24 ;「…そうだな。@朱志香の言う通りだぜ。@俺たちはいつまでも仲良しでいようぜ。」@ `"...That's right.`@` Just like Jessica said.`@` Let's always be friendly to each other."`@ ld l,$MAR_WaraiA2,23 ;「うー！@　真里亞も一緒！@　みんな仲良し！！」\ `"Uu-!`@` Maria too!`@` Everyone friendly!!"`\ ld c,$GEO_WaraiA2,24 ;「そうだね。@うん。@僕たちはいつだってみんな一緒だよ。@みんな仲良しだよ。」@ ;＜譲治 `"That's right.`@` Yeah.`@` We'll always be together.`@` We'll always be friendly."`@ cl l,24 ld l,$JES_TereruA1,23 ;「へへ。@私たち、何、恥ずかしいこと言い合ってんだろうな。@何だか照れちまうぜ。」\ ;＜朱志香 `"Heheh.`@` Man, we've been saying some pretty embarrassing stuff.`@` I feel kinda awkward."`\ cl r,23 ld r,$SHA_tokuiA1,24 ;「でも、とても大切なことだと思いますよ。@人は願わねば、いつまでも一緒にいることどころか、仲良くいることさえ難しい生き物なのですから。」\ `"But I think that is very important.`@` It's very hard for people to always be together, to always be friendly unless they desire it."`\ ld c,$GEO_hohoemiA1,80 ;「そうだね。@みんなが仲良くいられることを、決して当り前なことだと思ってはいけないね。」\ `"That's right.`@` You really can't take everyone being friendly for granted."`\ bg beach_2a,0 ld r,$MAR_WaraiA1,24 ;「うー。@知り合いの魔女が言ってた。@幸せは、みんなが信じなくちゃ叶わないんだって。」@ `"Uu-.`@` A witch that I know said it.`@` Happiness, if everyone doesn't believe in it, won't be granted."`@ ld l,$GEO_WaraiA1,23 ;「確かにね。@信じる力には魔法が宿るかもしれない。@それを全員が信じたなら、きっと幸せを運んできてくれるだろうね。」\ ;＜譲治 `"That's true.`@` Maybe some magic exists in the power of belief.`@` If we all believe in that, I'm sure it will bring us happiness."`\ ld c,$JES_WaraiA1,24 ;「よし。@なら恥ずかしいことのついでだ。@私たちはみんなで信じ合うと誓おうぜ？@　みんないつまでも仲良しで、いつまでも幸せでいようって。」\ ;＜朱志香 `"Alright.`@` Now the next embarrassing thing.`@` Let's all swear to believe together, alright?`@` That we'll all always be friendly, that we'll always be happy."`\ bg white,22 bg sky_1a,26 me1v 5,50 ;　親父たちのようになんか、なるものか。@ `As if we could become like our parents.`@ br ;　祖父さまの遺産を巡って腹の探り合いなんて、絶対にするものか…。\ `As if we'd ever search for each other's weaknesses, going after Grandfather's fortune...`\ ;「おう！@　俺たちはみんないつまでも仲良しで幸せだ。@それをみんなで信じようぜ。」\ ;＜戦人 `"Alright!`@` We'll always be friendly and happy.`@` And let's all believe that."`\ ;　俺たちいとこがどんなに楽しく懐かしく振舞おうと、六軒島には暗雲が近付いている。@ `As all of us cousins were trying nostalgically to have fun, dark clouds approached Rokkenjima.`@ br ;　……俺たちがこの島を去る頃には、台風は通り過ぎ、清々しい空を見せてくれるだろうか。\ `......I wonder if the typhoon will pass and show us the refreshing sky before we leave this island.`\ ;　親たちの思惑なんか知ったことか。@ ;　遺産も旧家とやらの面子も知ったことじゃない。\ `Who cares about what our parents expect?`@ `Who cares about the inheritance and the honor of our old family?`\ ;　俺たちはこんなにも青春し、旧交を温めあっているんだ。@ ;　そして、みんながみんな、幸せになれると信じ合ってる。\ `As youthful as we were, we were renewing our old friendship.`@ `And we all believed together that we could all be happy.`\ ;!s0　だから…、/ ;!d800何もおかしなことは起こらず、/ ;!d400平和に幸せに、/ ;!d500穏やかに、/ ;!d600今日と明日が終わって欲しい…。/ !s0`Therefore..., `/ !d800`I wanted this day to end, `/ !d400`without anything weird occurring, `/ !d500`in peace and happiness, `/ !d500`calmly...`/ !sd@ br ;　いや、…終わって欲しいじゃない。@ ;　……終わってくれ……！\ `No, ...I didn't just want it to end.`@ `......Please, let it end......!`\ mov %play_scene,30022 ;シーン変数の入力 msetef 0,0 mld c,$BEA_AkuwaraiA3,1 ;■メタ視空間に瞬時に。バリーンと。 ;!s0「終わるかよぉぉおおおおぉおッ？/ !s0`"Let it eeeeeeeeeeeeeeeeennd? `/ E_A se1v 1100,100 se2v 37,100 se3 27 quakey 8,1200 !sd@/ bgmplay 40 ;　きっははっはっはっはははははははははははッ！！」\ ;＜ベアト `Kyah-hahah-hah-hah-hahahahahahahahahahaha!!"`\ mcl c,0 mld r,$BUT_KuyasigaruA1,24 ;「畜生ぉおおおぉッ！！@　お前は出るなよ、現れるなよ！！@　クソクソクソぉお！！」\ `"Damn iiiiiiiit!!`@` Don't show up, don't appear!!`@` Damndamndaaamn!!"`\ ;mcl r,0 mld l,$BEA_futekiA1,23 ;「待たせたな。@ようやく新しいゲームの用意が整ったぞ。@/ `"Sorry to keep you waiting.`@` I've finally made preparations for a new game. `@/ mld l,$BEA_AkuwaraiA3,80 ;さぁさ、始めようではないか、惨劇の物語を！@　訪れよ、雨よ風よ台風よ！@　この島を現世より切り離せッ！！@　異界へ魔界へ幻想界へ、六軒島を放り込めッ！」\ `Come, let us begin this tale of tragedy!`@` Come to me, winds, rain, typhoon!`@` Cut this island off from the real world!!`@` Throw Rokkenjima into another world, into the spirit world, into a world of fantasy!"`\ mcl a,0 mend se1 21 se2 56 bg sea_2a,0 print 99,5000,"whirl.dll/r" me1 12 me2 5 me3 3 dllefe 1,1 ;　そして物語は三度繰り返す。@ `And so, the tale repeated for the third time.`@ br ;　もっとも、無限の魔女の前に、@一度二度三度と数えることに何の意味があるのか。\ `However, to an Endless Witch, `@`what did it matter whether it was the first, second, or third time?`\ ;　多分、何の意味も持たない。@ `It probably didn't matter at all.`@ br ;　だってこれは、戦人が屈するか、魔女が屈するかの決着がつくまで永遠に繰り返される幻想の物語なのだから。\ `After all, this was a tale of fantasy, endlessly repeating until the match was settled.`@` Would Battler surrender first, or would the witch?`\ textoff bg black,2 fede 13,2000 mov %play_scene,30032 ;シーン変数の入力 bg rose_G1aR,6 wait 2000 bg rose_1aR,2 ;■薔薇庭園。雨が降り出す。 ;　そして空は暗く曇り、雨と風を呼び寄せて台風となる…。\ `Then the sky grew dark and cloudy, the rain and wind were summoned together and became a typhoon...`\ ;　薔薇庭園には、降り始める雨を気にすることもなく、@目印を付けたはずの一輪の薔薇を探し、うろうろと探し回る真里亞の姿が……。\ `And Maria could be seen in the rose garden, paying no mind to the rain that had started falling,`@` going around in circles, searching for that single rose which should have been marked......`\ bg rose_1bR,24 ld c,$MAR_nakuA1,23 ;「………ない…。@ない……。@目印を付けた、/ ;!d700……真里亞の薔薇がない…。@……うー。@…………うー！！」\ ;＜真里亞 `".........Not here...`@` Not here......`@` We marked it, `/ !d700`......Maria's rose isn't here...`@`......uu-.`@` ............Uu-!!"`\ cl c,22 se1 21 ;　真里亞は確かに記憶していた。@ `Maria definitely remembered it.`@ br ;　その薔薇は、花壇のここのここにあった。@なのにない。\ `That rose had been in the flower bed right here.`@` And yet, it wasn't anymore.`\ ;　あるはずのものが見付からない苛立ちは、どこにもぶつけることができず、@ただ恨めしく唸りながら、うろうろと同じ場所を行ったり来たりするしかない。\ `She didn't know what to do with her irritation at not being able to find something which should have been there,`@` and, moaning bitterly, she couldn't help but keep going back and forth in circles around the same spot.`\ ;　まるで、異なる角度から見れば見付かるかのような振る舞いだが、@そのようなことをしても、ないものが見付かるわけもない…。\ `She was acting almost as though she would be able to see it if she looked at a different angle,`@` but even though she did that, there was no way to find something that wasn't there...`\ ;bg rose_1bR,23 bg black,22 dllefe_off se2 21 me3v 13,0 fedexx 0,0,70,70,0,0,3000 ;　風はますますに強くなり、雨は冷たく大粒になっていく。@ ;　真里亞とて、それが気にならないわけもない。\ `The wind grew increasingly stronger, and the rain turned into cold, large drops.`@ `There was no way Maria could ignore this.`\ ;　しかし、ここで薔薇を見つけることができなかったら、それは永遠に消え去ってしまうに違いない。@ `However, if she couldn't find her rose here, it would surely disappear forever.`@ br ;　…真里亞はそう信じている。@ ;　そんな気持ちが彼女を、見付かるはずもない薔薇探しに駆り立て続けていた…。\ `...Maria believed that.`@ `That feeling spurred her on to keep searching for a rose that she shouldn't be able to find...`\ ;dllefe_off ;bg black,1 ;　その時、真里亞を苛む冷たい雨粒が、ふっと遮られた。\ `Just then, the cold drops of rain that were tormenting Maria were suddenly blocked.`\ mevol 2,50 mevol 3,50 dllefe 1,1 bg rose_1bR,22 ld c,$MAR_fukigenA1,26 ;「………………うー？」@ `"...............Uu-?"`@ br ;　真里亞は頭上を見上げる。@ ;　…すると、開かれた傘が差し伸べられ、彼女を雨粒から守ってくれているのが見えた…。\ `Maria raised her head.`@ `...When she did, she saw that an umbrella was opened there, protecting her from the rain...`\ ;　その傘を差し出しているのは、@/ `And the one holding out that umbrella was, `@/ mov %play_scene,30040 ;シーン変数の入力 bgmplay 17 se1 52 ld r,$BEA_defA1,99,2000,"breakup.dll/ulb" ;………憧れる魔女、ベアトリーチェだった。\ `.........the witch she admired, Beatrice.`\ ld c,$MAR_odorokiA1,80 ;「ベアトリーチェ…！！」\ `"Beatrice...!!"`\ ld r,$BEA_DefA2,80 ;「このような雨の中、何を必死になっているのやら。@体を冷やせば風邪を引くこともあろう。@魔女たるもの、自らの健康も気遣いたいものよの。」@ `"What are you doing so frantically in the middle of all this rain?`@` You could catch a cold like this.`@` Even witches have to care for their own health."`@ ld c,$MAR_KomaruA1,80 ;「真里亞のね、/ ;!d600…薔薇が…、/ ;!d600見付からないの…。@……うー。@何度探してもね、/ ;!d700……ここにあったはずなのに、/ ;!d500…見付からないの…。」\ `"Maria, `/ !d600`...can't find..., `/ !d600`her rose...`@` ......uu-.`@` No matter how many times she searches, `/ !d700`......even though it should have been here, `/ !d500`...can't find it..."`\ bg black,25 ;wait 1000 ;　真里亞はベアトリーチェに、少しだけ元気がなくて気の毒だった薔薇があったことを話し、@それに目印を付けていたはずだと話す。\ `Maria told Beatrice about how there had been a slightly unhealthy, pitiful rose,`@` and that she was sure they had marked it.`\ bg Rose_1bR,2 ld c,$BEA_FutekiA2,26 ;「ほほぅ。@それが見付からぬとな。@/ `"Hoho.`@` So you can't find it. `@/ ld c,$BEA_AkuwaraiA1,80 ;………そなたも魔女の見習いならば、魔法にて薔薇を探してみると良い。@目だけで探そうとする内は、それには遥かに及ばぬであろうがな。」\ `.........If you are a witch's apprentice, you should use magic to search for the rose.`@` I believe that searching with just your eyes won't be nearly enough."`\ cl c,0 ld l,$BEA_AkuwaraiA1,0 ld r,$MAR_KomaruA1,24 ;「……うー。@……見つけられない。@…真里亞もがんばって、魔法で探そうとしてるけど、見つけられない…。」\ `"......Uu-.`@` ......Can't find it.`@` ...Maria's done her best, and tried to search with magic, but can't find it..."`\ ld l,$BEA_WaraiA1,80 ;「魔法の修行にはちょうど良いかとも思うが、この風雨はそなたには少しきつかろう。@/ `"I think that practicing your magic is a very good thing, but it might be a little too much for you with all of this wind and rain. `@/ ld l,$BEA_DefA2,80 ;……妾が特別に力を貸してやろう。@弟子の身を案ずるのも師匠の役割だからな。」@ `......Allow me to lend you some special power.`@` Being concerned for their disciples is also one of the duties of a teacher."`@ ld r,$MAR_WaraiA2,80 ;「あ、…ありがとおぉ。@ベアトリーチェ！！」@ `"Th, ...thank you-.`@` Beatrice!!"`@ br ;　さっきまで悲しみでいっぱいだった真里亞の顔が、ぱあっと破顔する。\ `Maria's face, which had been full of sadness until just now, split open into a grin.`\ bg black,22 ;　真里亞は知っているのだ。@ ;　ベアトリーチェの魔法に、出来ないことはないと知っているのだ。@ `Maria knew.`@ `She knew that there was nothing Beatrice's magic couldn't do.`@ br ;　だから、自分には見付けることのできない薔薇を、簡単に探し出してくれると確信していた…。\ `So she was sure that Beatrice would be able to find the rose easily, even though Maria couldn't...`\ textoff bg rose_1aR,26 ld c,$BEA_DefA1,24 wait 1000 ld c,$BEA_NayamuA1,80 ;　ベアトリーチェは軽く目を閉じ、この風雨の中から何かを聞き取ろうとするような仕草をする。@そしてそれを聞き取り、目を開けて言った。\ `Beatrice closed her eyes lightly, acting as though she was listening for something in all this wind and rain.`@` Then she heard it, opened her eyes, and spoke.`\ ld c,$BEA_FukigenA3,80 ;「…………ふむ。@諸行無常よの。@残念だな、真里亞。@…この風雨に、そなたの薔薇は耐えられなかったらしい。」\ `"............Hmm.`@` All things in this world are transitory.`@` Too bad, Maria.`@` ...It seems that your rose couldn't withstand all of this wind and rain."`\ ld l,$MAR_OdorokiA1,23 ;「うー……。@それじゃ、真里亞の薔薇は………？」\ `"Uu-......`@` Then, Maria's rose.........?"`\ ld c,$BEA_NayamuA1,80 ;「風雨に散り、すでにこの世のものではない。」@ `"It was uprooted by the wind, and is no longer of this world."`@ ld l,$MAR_FukigenA1,80 ;「………………うー……。」\ `"...............Uu-......"`\ ;　ベアトリーチェの言うそれが確かに妥当だった。@ ;　…この強い風に、花が枝ごともぎ取られたとしても、それは何の不思議もない。@ `What Beatrice had said was quite appropriate.`@ `...There was nothing odd about the flower being broken off at the stem in this strong wind.`@ br ;　…しかし、真里亞はそれを受け容れられず、恨めしげに低く唸り続けている…。\ `...However, Maria couldn't accept this, and bitterly gave a low-pitched moan...`\ ld l,$MAR_IkariA1,80 ;「……………やだ。」\ `"............No."`\ ld c,$BEA_akuwaraiA1,80 ;「ほう？」\ `"Hoh?"`\ ld l,$MAR_fukigenA2,80 ;「……やだやだやだ！@　真里亞の薔薇なの！！@　真里亞の薔薇が帰ってこないと嫌だ！@　真里亞の魔法で生き返らせる。@/ `"......No no no!`@` Maria's rose!!`@` Maria's rose won't come back, no!`@` Maria will bring it back to life with her magic. `@/ ld l,$MAR_KomaruA1,80 ;ベアトリーチェ、魔法で薔薇を蘇らせるのを教えて…！！」\ `Beatrice, teach me how to revive a rose with magic...!!"`\ cl c,0 ld r,$BEA_komaruA1,23 se1 21 ;「は！@　無限の魔法の秘術、そなた如き見習いにはまだまだ早いわ。@身の程を知れい。」\ `"Ha!`@` It's much too early for an apprentice like you to learn the hidden art of Endless Magic.`@` Know your place."`\ ld l,$MAR_NakuA1,80 ;「………………うううう。」@ `"...............Uuuuuu."`@ br ;　真里亞は悔しそうに目元の涙を拭う。\ `Maria wiped the tears from her eyes, full of regret.`\ textoff bg black,2 dllefe_off fedexx 0,0,50,50,0,0,3000 ;　その憐れみを誘う表情に、ベアトリーチェは肩を竦めて、ふっと笑った。\ `Beatrice shrugged her shoulders and laughed at the pity that Maria's expression invited.`\ dllefe 1,1 bg rose_1bR,2 ld r,$BEA_NayamuA1,24 ;「良かろう。@薔薇を蘇らせる秘術、…妾が力を貸してやろうぞ。」@ `"Very well.`@` I will lend you power for the hidden art that can revive a rose."`@ ld l,$MAR_OdorokiA1,80 ;「本当ッ？！」\ `"Really?!"`\ ld r,$BEA_DefA2,80 ;「うむ。@……ではそなたの心の力を集中させるがいい。@目を閉じ、雨を忘れ風を忘れ、彷徨する薔薇の魂を心の目で探すのだ。」\ `"Hmm.`@` ......Well then, concentrate the power of your heart.`@` Close your eyes, forget the rain, forget the wind, search for the soul of the wandering rose with the eyes of your heart."`\ bg black,45 dllefe_off fedexx 0,0,70,70,0,0,3000 ;「……うー。」\ `"......Uu-."`\ ;　真里亞は目を閉じる。@ ;　そしてベアトリーチェの詠うような言葉を復唱する…。\ `Maria closed her eyes.`@ `Then, she repeated Beatrice's song-like words...`\ bgm1v 35,50 ;「さぁさ、思い出して御覧なさい。@薔薇よ、そなたがどんな姿をしていたのか。」@ ;「…さぁさ、思い出して御覧なさい。@薔薇よ、そなたがどんな姿をしていたのか…。」\ `"Come, try to remember.`@` Rose, what form did you have?"`@ `"...Come, try to remember.`@` Rose, what form did you have...?"`\ se1v 22,50 bg butterfly_2a,8 ;「見るな。@聞くな。@そして信じよ。@……肉の檻に閉じ込められし魂の力を解放せよ。@………………そうだ。@……良いぞ…。」\ `"Don't look.`@` Don't listen.`@` And believe.`@` ......Release the power of your soul from the cage of flesh that imprisons it.`@` ............That's it.`@` ......Good..."`\ se2 22 bg butterfly_3a,8 ;　瞼を固く閉じて、心の力を集中する真里亞の周りに、小さな黄金の蝶々たちが舞い始める。@……それこそ、真里亞の持つ魔法の力の顕現なのか。\ `Around Maria, who was concentrating her power, her eyes tightly shut, small golden butterflies began to dance.`@` ......Was this the manifestation of the magical power Maria held?`\ ;「彷徨えし薔薇の魂よ。@今一度集い、そしてその姿を思い出すがいい。@……さぁさ、集えよ、思い出せよ…。」@ `"Lost soul of the rose.`@` Gather into one, and remember your form.`@` ......Come, gather, remember..."`@ br ;　黄金の蝶たちは輝きを強め、数を増やし、そしてベアトリーチェが天高く指す、その指先に集まっていく…。\ `The glitter of the gold butterflies began to strengthen, and their numbers increased.`@` Then, Beatrice raised a finger up to the skies, and they began to gather at the tip of that finger...`\ textoff bg white,8 fedexx 90,0,0,0,0,0,5000 ;wait 1000 bg black,22 ;　それこそが、黄金の魔法の奇跡…。@ `This was the miracle of the golden magic...`@ br ;　そして黄金の蝶たちは、眩しく輝く一粒の黄金に凝縮されていく。@……それは金色に輝く一粒の種だった。\ `And the gold butterflies began to condense into a single dazzling grain of gold.`@` ......It was a single seed, glittering gold.`\ bg white,22 fedexx 70,0,0,0,0,0,2000 me1v 12,50 dllefe 1,1 bg rose_1aR,26 ;　それがベアトリーチェの指先に乗り、黄金の芽を芽吹かせ、黄金の葉を開く。@ ;　そしてぽとりと指先から落ち、花壇の泥の中に潜り込み、ぐんぐんと成長していく…。\ `It rode on the tip of Beatrice's finger, budded into a golden sprout, and opened into a golden leaf.`@ `It then slowly fell from that fingertip, sank into the mud of the flower bed, and began to grow steadily...`\ ;　…その幻想的な光景を、魔女と魔法に憧れる真里亞はさぞや見たいだろう。@ `...Maria, who admired magic and the witch, really wanted to see this fantastical sight.`@ br ;　だが、見習いの真里亞にはまだ見る資格がない。\ `However, as an apprentice, Maria was still not qualified to see it.`\ ;　…いや、見る為に目を開けば、心の力の集中力が途切れ、魔法が失われてしまうからだろう。@ `...No, she was probably afraid that, if she opened her eyes to look, the power that she had concentrated in her heart would be interrupted, and the magic would be lost.`@ br ;　だからこそ、その黄金の奇跡を目の当たりにすることが許されているベアトリーチェこそが、@唯一の魔女にして、数多の奇跡の主人なのだ…。\ `Therefore, Beatrice, as the only witch permitted to lay eyes on the golden miracle,`@` was the master of these many miracles...`\ ;　そして延びた薔薇は、大きな黄金の花を一輪、開花させる。@ `Then, the fully grown rose bloomed, creating one golden flower.`@ br ;　それにベアトリーチェが、ちょんと指で突っつくと、@まるで黄金のシャボン玉が割れるかのように金色の輝きは飛び散り、後には美しい一輪の薔薇が残るのだった。\ `And when Beatrice poked it with her finger in just the right way,`@` the gold-colored sparkle scattered, just as if a golden soap bubble had popped, and what remained was a single beautiful rose.`\ dllefe_off bg white,1 wait 500 bg black,2 dllefe 1,1 bg rose_1bR,0 ld r,$BEA_WaraiA1,24 ;「…ふむ。@立派な花を思い出したようだな。@/ `"...Hmm.`@` It looks like you've remembered a splendid rose. `@/ ld r,$BEA_defA2,80 ;……だが、このままでは他の薔薇たちに混じってしまい、区別がつかなくなってしまうというものよ。@もうひとつサービスしておくか。」\ `......However, if we just leave it mixed in with these other roses, you won't be able to tell it apart.`@` Shall I perform one last service?"`\ ;　ベアトリーチェは、なおも唸り続けて集中を続けている可愛い見習い魔女のために、@もうひとつだけ魔法を掛けることにする。\ `Beatrice, for the sake of her cute apprentice witch who was moaning even more now in concentration, `@`decided to use one more bit of magic.`\ textoff bg black,0 ld r,$BEA_defA2,22 wait 1000 se1v 22,50 bg butterfly_2a,0 ld r,$BEA_defA2,22 wait 1000 bg white,22 bg rose_1bR,0 ld r,$BEA_defA2,22 ;　パチンと指を鳴らすと、黄金の蝶が一匹現れ、ひらひらと舞い、蘇ったばかりの花に止まる。@ `When she snapped her fingers, a single gold butterfly appeared, fluttered around, and landed on the flower that had just been revived.`@ br ;　それは再び、パチンと弾けて姿を消すと、金色のモールになって目印となってくれた…。\ `Then it suddenly burst open and disappeared, becoming golden lace and marking the rose...`\ ld r,$BEA_WaraiA1,80 ;「これで良かろう。@……真里亞。@もう目を開けても良いぞ。」\ `"That is sufficient.`@` ......Maria.`@` You may open your eyes now."`\ me2v 5,50 bg rose_1aR,0 ld c,$MAR_DefA1,23 ;「………うー？@　薔薇はどこ？@　ない。@ない。」@ `".........Uu-?`@` Where's the rose?`@` Not here.`@` Not here."`@ ld r,$BEA_DefA2,24 ;「そっちではないぞ、こっちだ。@…ほれ。@金モールで印を付けておいてやったぞ。」\ `"Not over there, over here.`@` ...Look.`@` I've marked it with golden lace."`\ ld c,$MAR_WaraiA2,80 ;「わぁ…、本当だ…！！@　すごいすごいすごいすごい！！@　ベアトありがとう、ベアトありがとうッ！！@　真里亞も早く魔女になりたい、ベアトみたいな大魔女になりたい！！」\ `"Wah..., you did...!!`@` Awesome awesome awesome awesome!!`@` Thank you Beato, thank you Beato!!`@` Maria wants to become a witch quickly, a Great Witch like Beato!!"`\ ld r,$BEA_WaraiA2,80 ;「なれるとも。@かつての妾もまた、そなたのように無邪気にそれを望み、至ったのだから。」\ `"And you can.`@` Long ago, I too wished for that innocently, just as you do, and I have attained that level."`\ cl c,24 ;　真里亞は蘇らせてもらった薔薇に狂喜し、手を打って飛び上がって喜ぶ。@ ;　…それを見て、ベアトリーチェもまんざらでもないというような笑顔を見せるのだった。\ `Maria was ecstatic over the revived rose, clapping her hands and jumping around in joy.`@ `...Watching that, Beatrice also smiled, looking fairly pleased.`\ dllefe_off bg black,5 wait 1000 fedexx 0,70,70,0,0,0,5000 dllefe 1,1 bg rose_G1aR,2 ;　今や、妾の手にかかれば薔薇に限らず、全ての魂は壊すも直すも、殺すも蘇らせるも思いのまま。@ `Now, if I tried, I could break and repair any soul, not just that of a rose, and kill and revive as I pleased.`@ br ;　さぁ、嵐の結界は六軒島を現世より閉ざした。@ `So, the barrier created by the storm had closed Rokkenjima off from the real world.`@ br ;　今こそ、無限の魔女にして黄金の魔女、ベアトリーチェの降臨する時。\ `Now was the time for Golden Witch Beatrice to descend, as an Endless Witch.`\ se1 21 bg black,22 bg rose_1aR,0 ld r,$BEA_Defa1,0 ld l,$MAR_WaraiA1,2 ;cl r,0 ;ld c,$BEA_futekiA2,24 ;　ベアトリーチェは、懐より片翼の鷲の家紋の入った封筒を出し、それを真里亞に託す。@ `Beatrice pulled from her pocket an envelope with the family crest, the One-winged Eagle, and gave it to Maria.`@ br ld l,$MAR_WaraiA2,80 ;　真里亞は、魔女のメッセンジャーに選ばれたことに、はしゃいで喜ぶのだった。\ `Maria frolicked around at being selected to be the witch's messenger.`\ bg black,5 E_A bgmplay 61 ;「さぁて、金蔵。@そなたの遊びに再び付き合いに来たぞ…。@妾の準備はすでに万端よ。@そなたの方はどうなのか？@　今宵のゲームに賭けるコインの用意は充分であろうな…？」\ `"So, Kinzo.`@` I've come to join in on your fun once again...`@` My preparations are already complete.`@` What about you?`@` Have you prepared enough coins to bet in tonight's game...?"`\ ;■金蔵の書斎 textoff me1 5 me2 13 bg M_o1bN,2 wait 2000 bg black,5 dllefe_off E_MA fedexx 100,0,0,0,0,0,3000 bg Mlib_1aR,2 wait 1000 bg Mlib_1cR,0 ld c,$KIN_WaraiA1,24 ;「無論、準備は充分であるぞベアトリーチェ…！！@　駒はふんだんに用意したぞ。@備えも心構えも充分だ！@/ `"Of course. I'm fully prepared, Beatrice...!!`@` I've prepared plenty of pieces.`@` I am ready both physically and mentally! `@/ ld c,$KIN_WaraiA2,80 ;　さぁ、アンティを支払おうではないか。@そなたに授けられ、最後にはそなたに全て返すべきものだ。@/ `So, let us make the ante.`@` All that you have given should be returned to you in the end. `@/ ld c,$KIN_IkariA1,80 ;さぁ、受け取れい！！」\ `Come, take it!!"`\ se1 20 bgmvol 70 bg black,1 ;　金蔵は書斎の窓を開け放つと、指にはめていた大き目の黄金の指輪を抜き取り、@それを荒れ狂う風雨の闇夜に投げ放つ…。\ `After Kinzo flung the window of his study wide open, he took off the valuable golden ring which had been on his finger,`@` and threw it into the darkness of the raging wind and rain...`\ se2v 27,90 bg white,1 wait 1500 bg Mlib_1cR,0 ld r,$KIN_IkariA1,22 ;　その指輪は稲妻に打たれ、金色の瞬きを一瞬だけ見せた後、消え去るのだった。@ `That ring was struck by lightning, and after twinkling gold for an instant, disappeared.`@ br ;　金蔵はそれを見届け、にやりと不敵に笑う。\ `Kinzo watched it go, grinning broadly and fearlessly.`\ me1v 13,50 me2v 5,50 ld r,$KIN_fukigenA1,80 ;「負ける気はせぬぞ。@お前は私のものなのだ。@永遠にッ！！」\ `"I don't feel like losing.`@` You are mine.`@` Forever!!"`\ fedexx 100,40,40,0,0,0,2000 wait 1000 bg black,42 fedexx 70,50,50,0,0,0,5000 se1 22 bg white,28 mevol 1,70 mevol 2,70 dllefe 1,1 bg butterfly_2a,22 ;　金蔵が投げた指輪は、一羽の黄金の蝶となり、ひらりひらりと風雨の中を舞い飛ぶ。\ `The ring that Kinzo had thrown became a single gold butterfly, and fluttered around in the wind and rain.`\ ;　それはまるで導かれるように、薔薇庭園を目指した。@ `It headed for the rose garden, almost as though it was being guided there.`@ br ;　そして、黄金の魔女の姿を見つけ、舞い降りていく……。\ `It then found the figure of the Golden Witch, and fluttered down......`\ bg white,22 fedexx 0,70,70,0,0,0,3000 E_B bg rose_1bR,0 ld r,$BEA_DefA1,22 ;　それがベアトリーチェの前までやって来た時。@それは金色に爆ぜると、元の指輪の姿に戻り宙に跳ねた。\ `When it came down right in front of Beatrice,`@` it burst open, and returned to its original form of a ring, flying through the air.`\ ;　それはそのまま、水溜りに落ちるかと思われたが、虚空でびたりと止まる。@ ;　…まるで、姿の透明な何者かが受け止めたかのようだった。\ `The way it was going, you'd have thought that it would fall into a puddle of water, but it stopped suddenly in midair.`@ `...Almost as if some transparent person had caught it.`\ ld r,$BEA_akuwaraiA1,80 ;　それはどうやら、ベアトリーチェにとっても意外なことだったらしい。@ `Somehow, this seemed unexpected even to Beatrice.`@ br ;ld r,$BEA_AkuwaraiA1,80 ;　しかし、それが何か、誰か、すぐに察しがつき、にやりと笑い返した。\ `However, she realized what, ...who it was, and grinned broadly at it.`\ cl a,22 wait 2000 E_MA se1 21 bgmplay 19 ld c,$RON_waraiA2,42 ;　次第にうっすらと、それを受け止めた人影が姿を現していく…。@ `As she did, the shadow of the person who had caught the ring began to fuzzily appear...`@ br ;　それは片翼の鷲の紋章の刺繍が施された執事服を着た若い男の姿だった…。\ `It was the figure of a young man wearing a butler's uniform embroidered with the One-winged Eagle crest...`\ ;　右代宮家に仕える使用人に、こんな男はいない。@しかしベアトリーチェは懐かしむように笑った。\ `There was no man like this among the servants who served the Ushiromiya family.`@` Even so, Beatrice laughed as though it was someone she remembered fondly.`\ cl a,0 ld l,$RON_waraiA2,0 ld r,$BEA_futekiA1,24 ;「ロノウェか。@……ずいぶん久し振りになるな。@妾のことを覚えておったとは。@そなたはつくづく忠義に厚い男よ。」\ `"Ronove, is it.`@` ......It's been quite some time.`@` It seems that you have remembered me.`@` You were always a man who was serious about loyalty."`\ ld l,$RON_defA1,80 ;「長いご無沙汰を頂戴しておりました…。@このロノウェ、お嬢様にお仕えしていることを忘れた日など、ただの一日もございませんよ。@それよりも、お嬢様にこそ、私をお忘れになられたのではないかと、冷や冷やしておりました。@何しろ、お嬢様は大層忘れっぽくていらっしゃいますので。」\ ;＜ロノウェ `"It has been a very long time since you last corresponded...`@` There hasn't been a single day that I, Ronove, have forgotten that I serve you, Milady.`@` I was more fearful that Milady had forgotten about me.`@` In any event, Milady is quite forgetful."`\ ld r,$BEA_AkuwaraiA2,80 ;「くっくっくっく…！@　なるほど、確かに妾は忘れやすいようだ。@そなたの皮肉を、聞くまで思い出せぬとはな。」\ `"*cackle*cackle*...!`@` I see, yes, I do forget easily.`@` I couldn't even remember your sarcasm until I heard it again."`\ cl a,0 ld c,$RON_waraiA2,23 ;「お嬢様、これを。」@ `"Milady, here."`@ br ;　そして、大袈裟なのに気品を残した仕草で、うやうやしくお辞儀をすると、@先ほど受け止めた当主の指輪をベアトリーチェに差し出した。\ `With an exaggerated yet elegant gesture, he bowed respectfully,`@` and held out to Beatrice the Head's Ring that he had just caught.`\ ld c,$RON_akuwaraiA1,80 ;「右代宮金蔵より返還されました、右代宮家当主の指輪でございます。@指輪は再び主の下に。」@ `"It is the Ushiromiya family Head's Ring, returned to you from Ushiromiya Kinzo.`@` It is now once again in the possession of its Master."`@ ld r,$BEA_defA2,80 ;「うむ。@金蔵によるゲームの開始宣言。@確かに受け取ったぞ。」\ `"Hmm.`@` A proclamation from Kinzo to start the game.`@` Of course I'll receive it."`\ cl c,0 ld l,$RON_WaraiA2,24 ;「さて、今宵はどのようなお遊びになさいましょうか。@さっそくルーレットをご用意いたしましょうか？@　それとも、まずは紅茶をご用意いたしましょうか。」\ `"So, how shall we play tonight?`@` Shall I prepare the roulette immediately?`@` Or shall I prepare some black tea first?"`\ ld r,$BEA_akuwaraiA1,80 ;「どちらにしようか迷うが、とりあえず、そなたの挨拶が必要であろうな。@あやつめ、開いた口が塞がらぬというような顔をしているに違いないぞ。@/ `"I can't decide which, but for now, I need you to greet someone.`@` I'm sure that guy has his mouth hanging open and can't shut it. `@/ ld r,$BEA_AkuwaraiA2,80 ;なぁ、戦人ぁ？」\ `Right, Battler?"`\ ;■メタ視空間 ;◆ロノウェ紹介フラグ mov %play_scene,30035 ;シーン変数の入力 mov %r_hyouji_cha_ma,ma3_ron mov %r_hyouji,0 dllefe_Off bg black,0 se1 56 me1 16 mset mld c,$RON_DefA1,22 ;「初めまして。@自己紹介をいたします。@/ `"Greetings.`@` Allow me to introduce myself. `@/ mld c,$RON_waraiA2,80 mov %play_scene,30050 ;シーン変数の入力 seplay 9,1060 mov %r_hyouji_cha_ma,ma3_ron ;ベアトリーチェお嬢様のお側にてお仕えしております、ロノウェと申します。@どうぞ、よろしくお願い申し上げますよ。」\ `I am called Ronove, and I serve at the side of Milady Beatrice.`@` It is truly a pleasure to meet you."`\ ;mcl c,0 mld r,$BEA_waraiA2,24 ;「ほらな？@　開いた口が塞がらないという顔であろう？@　くーっくっくっく！」\ `"See?`@` His mouth's hanging open and he can't shut it, right?`@` *cackle*cackle*!"`\ ;mcl c,0 mld l,$BUT_KuyasigaruA1,23 ;「当り前だろ、またこんな訳のわかんないヤツが出てきやがった！！/ `"Isn't that obvious, another incomprehensible guy's just appeared!! `/ se1 8 quakey 4,600 ;@　山羊頭が盆踊りを始めるのかとぼやいたら、山羊頭がうようよ現れて、@太もも姉ちゃんたちが７人も出てきてその上、今度は執事まで出てきやがった！！@　わけわかんねぇよ、もういい加減にしやがれよッ！！」\ @`Back when I was grumbling that goat-headed people would start doing the Bon dance, goat-heads started showing up in swarms,`@` and since then, not only have those seven ass nee-sans appeared, but now even a butler has shown up!!`@` It doesn't make sense, cut it out!!"`\ mld r,$BEA_AkuwaraiA5,80 ;「ところで戦人。@気付いていたか？@　こやつとそなたの対面だが、…これが本当の“悪魔の証明”であることを気付いたかな？」@ `"By the way, Battler.`@` Did you notice?`@` Did you realize that meeting him is a true 'Devil's Proof'?"`\ mld l,$BUT_odorokiA2,80 ;「あ、悪魔の証明だとぉ…？！@　どういう意味だよ…。」\ `"Huh, Devil's Proof, you say...?!`@` What do you mean...?"`\ mld r,$BEA_futekiA1,80 ;「こやつは、こう見えても７２柱に名を連ねる、生粋の悪魔でな。@つまり、妾は悪魔を直接連れて来て、まさにその存在を証明して見せたわけだ。@/ `"He may not look like it, but this guy's name is amongst the 72, and he's a genuine demon.`@` In other words, I've brought a demon right in front of you, which truly proves that they exist. `@/ mld r,$BEA_AkuwaraiA2,80 ;くっくくくくくくく！！@　ロノウェは地獄に爵位を持つ、序列２７位の大悪魔よ。@なかなかに使える男でな。@高給で召し上げて、妾の世話をさせておるのだ。」\ `*cackle*cackle*cackle*cackle*!!`@` Ronove holds a noble rank in hell, the 27th highest ranked great demon.`@` He's a pretty useful man.`@` I summoned him at high cost and made him serve me."`\ mcl a,24 mld c,$RON_DefA1,24 ;「ご紹介いただけまして光栄です。@/ `"It is an honor to be introduced to you. `@/ mld c,$RON_WaraiA2,80 ;地獄の貴族に名を連ねど、@今は卑しいニンゲンの分際で、悪魔も裸足で逃げ出すような大魔女であられるベアトリーチェさまの家具頭として仕える身ですよ。」\ `While my name is amongst those of the nobles of hell,`@` I now serve as the head furniture of Beatrice-sama, the Great Witch with the standing of a vulgar human, from whom even demons can escape barefooted."`\ mcl c,0 mld r,$RON_WaraiA2,0 mld l,$BEA_WaraiA2,23 ;「くっくくくくくく。実に使える男なのだが、何しろ口の減らぬヤツでな。@時に主への敬いを忘れるのが玉に瑕よ。」\ `"*cackle*cackle*cackle*cackle*. He's a very useful man, but he is impudent with his words.`@` It's slightly frustrating that he sometimes forgets to respect his Master."`\ mld r,$RON_akuwaraiA1,80 ;「言葉遣いに関しましては、契約書から漏れておりましたもので。@そのように契約を変更いたしますか？」@ `"There is nothing in my contract regarding the way in which I must speak.`@` Would you like to change that contract?"`@ mld l,$BEA_futekiA2,80 ;「妾も退屈せぬからそれでいい。@くっくっくっく！」\ `"It doesn't bore me, so it's fine.`@` *cackle*cackle*!"`\ mcl l,24 ;　ベアトリーチェはけらけらと笑うと背を向ける。@ `Beatrice turned her back to him, cackling.`@ mld r,$RON_defA1,80 br ;　その背中に一礼した後、ロノウェは戦人に向きかえり、無邪気な笑顔を見せながら右腕を突き出した。@普通に解釈するならば、それは握手を求めるものだったからだ。\ `After bowing once to her back, Ronove turned back to Battler and stuck out his right hand, showing off an innocent smile.`@` Normally, this would mean that he was asking for a handshake.`\ mld l,$BUT_niramuA3,23 ;「……な、…何の真似だよ。」\ `"......Wh, ...what is this supposed to be?"`\ mld r,$RON_waraiA2,80 ;「私もお嬢様のわがままに振り回されている身です。@その意味では、私たちは良き友人になれるかと思いますよ。@これは友情の握手です。@/ `"I am also one who has been subjected to Milady's whims.`@` In that sense, I am sure that we could become good friends.`@` This is a handshake of friendship. `@/ mld r,$RON_WaraiA1,80 ;……もちろん、悪魔の契約の締結を意味するものではありませんのでご安心を。」\ `......Of course, it doesn't mean that you will be entered into a demon's contract, so rest assured."`\ textoff wait 1500 mld l,$BUT_NayamuA2,80 ;「悪ぃが、俺はあんたの主と大喧嘩の真っ最中でね。@俺が敵と握手をするのは、雨の校庭でブチのめし合って、互いがボロボロになって交わす青春ドラマみてぇなシチュエーションの時だけさ。@覚えておきな。」\ `"Sorry, but I'm right in the middle of a big fight with your master.`@` I only shake hands with an enemy after we've beaten each other up in a rainy schoolyard and are all worn out, like one of those situations in adolescent dramas.`@` Remember that."`\ mld r,$RON_defA1,80 ;「なるほど。@戦人さまと握手を交わすには、充分な雰囲気作りと相応しい場、@そして心に響く甘い言葉と肉体言語の交わし合いが必要ということですね。@機会を見て、その場を準備いたしましょう。\ `"I see.`@` To shake hands with you, Battler-sama, I must create a fitting atmosphere in a suitable location,`@` and exchange sweet words and physical language with you that rings true to your heart.`@` When the opportunity arrives, I will prepare that location.`\ mcl a,0 mld c,$RON_akuWaraiA1,4 ;　私めも、そういうシチュエーションはだぁい好きでございますよ？@　ぷっくっくっく…！」\ `You know, I also lo-ve those kinds of situations?`@` Pu ku ku ku...!"`\ ;　ロノウェがからかうように笑いながら、鼻先が触れ合うほどまでに顔を近づけてそれを囁く。@ `As Ronove laughed tauntingly, he whispered to Battler, bringing his face so close that their noses were almost touching.`@ br ;mcl c,0 ;mld r,$RON_DefA1,23 ;　戦人は、同性に顔を近づけられることに赤面しながら、ドンと押し返す。\ `Battler, his face turning red after getting so close to another of the same sex, pushed him away.`\ mcl a,0 mld l,$BUT_NiramuA3,23 E_MA ;「き、気色悪ぃ野郎だぜ…。@なるほど、ベアトの執事にぴったりのヤツだ…。」\ `"Y, you're a creepy bastard...`@` I see, just right for Beato's butler..."`\ mld r,$RON_waraiA1,24 ;「お褒めの言葉を賜れまして光栄です。@私は、紅茶には自信がございますので、ティータイムを楽しみにしていらして下さいね。@クッキーを焼くのが趣味でございますので、お茶菓子にも乞うご期待をお願いいたします。」\ `"It is an honor to receive such words of praise.`@` I'm very confident in my tea brewing abilities, so please look forward to tea time.`@` Baking cookies is one of my hobbies, so please feel free to request teacakes and such."`\ mcl a,22 mld r,$BEA_DefA2,24 ;「さすがは同性同士だな。@打ち解けあうのが実に早い。@/ `"Just what I would expect from a pair of the same gender.`@` You've started to get along well very quickly. `@/ mld r,$BEA_AkuwaraiA1,80 ;妬けるぞ。」\ ;＜ベアト `I'm jealous."`\ mld l,$RON_akuwaraiA1,23 ;「これはこれは。@お嬢様に嫉妬させてしまい、申し訳ございませんでした。@お嬢様のお客人をこっそり摘み食いなどいたしませんよ。\ `"My, my.`@` I apologize for making you jealous, Milady.`@` I will not stealthily snatch your guest away from you.`\ mld l,$RON_DefA1,80 ;　それでは、これより他の家具どもに、再び家具頭に着任いたしましたことを挨拶してまいります。@しばしの暇をお許しください。」\ `Well then, I will leave for now to retake my post as head of the furniture and to greet the rest of the furniture.`@` Please forgive my short absence."`\ mld r,$BEA_defA1,80 ;「うむ。@顕現しているのは雑用の山羊どもと儀式役の七姉妹だけだ。@挨拶も楽に終わろう。」@ `"Hmm.`@` Only the common goats and the seven sisters used for the ceremony have manifested themselves.`@` You will be able to finish up greeting them with ease."`@ mld l,$RON_WaraiA2,80 ;「おや。@あの賑やかな七姉妹たちですか。@やんちゃ娘たちも、少しはお淑やかに成長したでしょうか。」\ `"Oh?`@` Those lively seven sisters are here?`@` I wonder whether those naughty girls have grown a little more graceful?"`\ mcl r,23 mld r,$BUT_aseruA1,24 ;「……いっひっひ。@/ `"......Ihihi. `@/ mld r,$BUT_nayamuA2,80 ;あれがお淑やかだってんなら、俺はお淑やかの定義を疑うぜ。」\ ;＜戦人 `If that's graceful, I'd have to doubt the definition of graceful."`\ mld l,$RON_akuwaraiA1,80 ;「そうでございますか。@七姉妹どもとは、もうお遊びになられたようですね。@/ `"Is that so?`@` It seems that those seven sisters are still playing around. `@/ mld l,$RON_waraiA2,80 ;その表情から察するに、どうやら相変わらずのやんちゃぶりのようだ。@ベアトリーチェさまにお仕えするに相応しい振る舞いをするようにと、いつも言っているのに。@困った子たちだ…。」\ `Judging by your expression, it seems that they are just as naughty as they were before.`@` Even though I am always telling them to act more fitting as a group of those who serve Beatrice-sama.`@` What troublesome kids..."`\ mld r,$BUT_niramuA3,80 ;「その意味でなら安心しろよ。@実に主にぴったりな、相応しい振る舞いだぜ…。」\ `"If that's your problem, don't worry.`@` They actually act perfectly fitting for their master..."`\ mcl a,22 mld c,$BEA_waraiA2,24 ;「くっくっくっくっく！@　そなたも言うようになったな！@/ `"*cackle*cackle*cackle*!`@` Even you have begun to say it! `@/ mld c,$BEA_akuwaraiA1,80 ;　しかし、会話は相手を認めるということだ。@妾との雑談に応じるようになったということは、そなたが妾の存在を、徐々に認め始めている証拠。」\ `However, a conversation means that you accept your partner.`@` Now that you have started to respond to my idle chatting, that is proof that you are gradually starting to accept my existence."`\ mld l,$BUT_NiramuA2,23 ;「へっ。@例え、お天道様が西から昇ることがあろうとも、絶対の絶対絶対ッ、お前を魔女だと認定などしねぇからな。@泣いて俺の靴にキスしたら、もうちょい前向きに検討してやってもいいぜ。」@ `"Heh.`@` That's because, even if the sun starts rising from the west, I will definitely, definitely definitely, never accept that you're a witch.`@` You might want to consider a slightly more positive approach, like crying and kissing my shoes."`@ br ;　戦人は、空威張りだったとしても、それでも不敵な表情を浮かべ、威勢よく言い放ってみせる。\ `Even if Battler was bluffing, he still spoke forcefully, a fearless expression on his face.`\ mcl l,24 ;　魔女とその執事は、客人が新しいゲームに臨むための充分な気力を回復していることを理解し、@準備は万端であるとほくそ笑み合った…。@ `The witch and her butler snickered together, realizing that their guest had regained more than enough of his willpower to attend to a new game, `@`and that preparations were complete...`@ br mld r,$RON_waraiA2,24 ;　ロノウェはベアトリーチェといくつか言葉を交わすと、戦人にも黙礼をし、黄金の蝶となって散って姿を消す。\ `After Ronove exchanged a few words with Beatrice, he bowed silently to Battler, scattered into several gold butterflies, and disappeared.`\ textoff se1 52 mcl r,0 print 99,2000,"breakup.dll/llB" fedexx 0,0,0,0,0,0,3000 E_B mcl a,0 mld l,$BEA_waraiA1,24 bgmplay 44 ;「くっくっくっく。@賑やかになるのは、実に嬉しいことだ。@/ `"*cackle*cackle*.`@` It is truly pleasing when everything gets so lively. `@/ mld l,$BEA_futekiA2,80 ;……この島にたったひとり閉じ込められ、己の力を取り戻せず、誰に話しかけることもできなかった日々の何と退屈だったことか。」\ `......How boring were days when I was trapped alone on this island, unable to regain my power and without anyone to talk to..."`\ mld r,$BUT_NiramuA1,24 ;「……あの気持ち悪いヤツが、お前に似合いの執事だってことはよくわかった。@/ `"......I get how that unpleasant guy is really fitting as your butler. `@/ mld r,$BUT_komaruA3,80 ;…だが教えろ。@その執事が、なぜ今頃になって現れた？@　顕現しているのは山羊と七杭の姉ちゃんたち…、とか何とか言ったな。@どういう意味だ…？」\ `...But tell me.`@` Why has that butler only appeared now?`@` You said something about how only the goats and the nee-chans of the seven stakes had manifested themselves.`@` What did that mean...?"`\ mld l,$BEA_DefA1,80 ;「うむ。@そなたは抗っておるが、妾はれっきとした魔女だ。@魔界に通じ、人ならざる数多の存在と交流を持っておる。」\ `"Hmm.`@` You still resist, but I am a fully-fledged witch.`@` I am in contact with several nonhuman entities in the spirit world."`\ mld r,$BUT_NiramuA2,80 ;「だろうな。@お前の関係にはロクな連中がいねぇぜ。@山羊のバケモノに太もも姉ちゃんに、そして今度は悪魔の執事と来たわけだ。@……まさかとは思うが、この調子でまだおかしな連中が増えるってんじゃねぇだろうな…。」\ `"I'm sure.`@` No worthy people would relate with you.`@` First some goat monsters, then those ass nee-chans, and this time a demon butler's showed up.`@` ......I hate to think about it, but the way things are going, I wouldn't be surprised if even more weird people showed up..."`\ mld l,$BEA_WaraiA2,80 ;「はっはっはっは！@　妾の荘厳なる黄金館に仕える家具どもと、そこへ遊びに来る悪魔たちがどれほどいると思っているのか？@　まだまだ訪れるぞ。@いくらでも現れるぞ。\ `"Hah-hah-hah-ha!`@` Among the furniture that work at my great golden mansion, how many demons do you think want to come over and play?`@` They will keep coming.`@` Many of them will appear.`\ mld l,$BEA_AkuwaraiA1,80 ;　黄金郷の扉を開き、全ての家具たちを呼び戻し、妾はこの六軒島に新たなる城を建てるのだ。@そして、懐かしき友人たち全てを招き、三日三晩を飲み明かし、踊り明かしてやるつもりよ。\ `When the door to the Golden Land is opened, I will call back all of my furniture, and build my new castle here on Rokkenjima.`@` Then I plan to invite all of my old friends, and we will drink and dance together for three days and three nights.`\ mld l,$BEA_AkuwaraiA5,80 ;　……無論、金蔵の一族たちも招くつもりでいるぞ？@　望めばそなたもな。@くっくっく…！」\ `......Of course, I also plan to invite Kinzo's family, you see?`@` You too, if you wish.`@` *cackle*cackle*...!"`\ mld r,$BUT_niramuA3,80 ;「……つまりこういうことか。@お前は長いこと力を失っていたため、そいつらを呼び出せなかったと。@/ `"......So is this what you mean?`@` That, since you lost your power for a long time, you couldn't summon them? `@/ mld r,$BUT_niramuA1,80 ;…それで徐々に魔力が回復してきた為、次々バケモノを呼び出せるようになったと、@そう言いたいわけか。」\ `...And then, since your magic power gradually increased, `@`you became able to summon more and more monsters, is that what you're trying to say?"`\ mld l,$BEA_futekiA1,80 ;「そういうことだ。@そなたは最後の一線でこそぎりぎり踏みとどまっているが、@その心はすでにグラつき、妾が魔女であることを否定できずにいる。@その心のグラつきが、妾の魔女としての力を少しずつ蘇らせているのだ。」\ `"It is as you say.`@` You barely stumbled at the very end, `@`but your heart is already wavering, and you are unable to deny that I am a witch.`@` That wavering in your heart has slightly restored my power as a witch."`\ mld r,$BUT_nayamuA1,80 ;「あの気色悪い執事が現れたのは、/ ;!d800……俺が屈しかけているからだと言うのかよ。」\ `"So are you saying that creepy butler appeared, `/ !d800`......because I started to surrender?"`\ mld l,$BEA_AkuwaraiA5,80 ;「そうだ。@そなたは少しずつ少しずつ妾に屈している…！@　前回のゲームでは、あれほどの屈辱を受けてまで妾に屈服したではないか。@/ `"That's right.`@` Bit by bit, you are surrendering to me...!`@` Didn't you submit to me in the last game so much that you received all of that humiliation? `@/ mld l,$BEA_AkuwaraiA2,80 ;そなたの背中は、妾の足を投げ出すには本当に良いものだったぞ？@　くーっくっくっくっくっく！！」\ `Wasn't it great when you had to sacrifice your back for my feet?`@` *cackle*cackle*cackle*cackle*!!"`\ mld r,$BUT_kuyasigaruA1,80 ;「…ち、/ ;!d800……畜生……。@…俺は、お前を認めさえしなければ、現状は維持できると思っていた。@…だがそれはどうやら誤解だったらしいな。」\ `"...D, `/ !d800`......damnit.......`@`...I thought that, as long as I didn't accept you, I'd be able to keep on going.`@` ...But apparently I was mistaken somehow."`\ mld l,$BEA_AkuwaraiA1,80 ;「そうだ。@そなたが屈服に近付けば近付くほど、ゲームは妾に有利に傾いていく。@チェスだってそうであろう？@/ `"That's right.`@` The closer you get to surrendering, the more the game will swing in my favor.`@` Isn't chess the same? `@/ mld l,$BEA_futekiA1,80 ;　互いのキングを詰め合う過程で、妾たちは様々な駒を取り合っている。@確かに妾は未だそなたのキングを追い詰めてはおらぬ。」\ `In the process of cornering each other's kings, we trade several pieces.`@` Of course, I still haven't cornered your king."`\ mld l,$BEA_AkuwaraiA2,80 ;「……しかしそなたは、キングを逃すのに精一杯で、いくつもの大駒を失い、莫大なアドバンテージを失っておるわ。@後の展開が妾に有利に傾くのは当然のことよ。」\ `"......And furthermore, you're giving it everything you've got just to help your king escape, and have lost several pieces to me, as well as a large advantage.`@` It is only natural that further advances will lean in my favor."`\ mld r,$BUT_KuyasigaruB1,80 ;「………………くそ………。」/ `"..................Damn........."`/ se1v 8,50 quakex 3,500 \ mcl a,0 mld c,$BEA_defA2,23 ;「そなたは恐らくこれからも、死に物狂いで妾のチェックメイトだけからは逃れるだろう。@…だが、その間にも妾はそなたの大駒を次々に奪っていく。@やがてはキング以外の全てを失い、どのような形でも逃れることの叶わぬ、本当のチェックメイトを受けることになろう。」\ `From now on, you will probably be frantic as you try to avoid my checkmate.`@` ...However, as you do, I will steal your pieces from you one by one.`@` In the end, you'll have lost everything but your king, and you won't be able to escape no matter how much you try.`@` Then you will receive a true checkmate."`\ mld c,$BEA_AkuwaraiA3,80 ;「……前回そなたは気炎を吐いたな？@　妾を永遠に認めぬ以上、これは妾を苛む永遠の拷問だなどと。@永遠を語るのは無限の域に達した魔女だけよ。@そなたにその資格など初めからないわ。@/ `"......You were talking big last time, weren't you?`@` Something about, since you would never accept me, that you would torment me with eternal torture.`@` Only witches who have reached the endless level can talk about eternity.`@` You haven't been capable of that since the very beginning. `@/ se1 37 ;くっくくくくく、はっはっはっはっはっはっはっはッ！！」\ `*cackle*cackle*cackle*, hah-hah-hah-hah-hah-hah-hah-ha!!"`\ mov %play_scene,30060 ;シーン変数の入力 textoff wait 2000 mcl a,0 mend bg black,5 ;wait 2000 me1v 5,0 me2v 13,0 fedexx 0,70,70,0,0,0,5000 ;■食堂 dllefe 1,1 bg M_o1aN,6 wait 2000 bg black,24 dllefe_off fedexx 0,30,30,0,0,0,2000 bg portrait2,2 bgm1v 61,100 wait 2000 fedexx 70,50,50,0,0,0,2000 ;「黄金の隠し場所については、すでに金蔵さまが私の肖像画の下に碑文にて公示されております。@条件は碑文を読むことができる者すべてに公平に。@黄金を暴けたなら、私は全てをお返しするでしょう。\ `"Kinzo-sama has already publicly displayed the location of the hidden gold within the epitaph under my portrait.`@` The rules apply equally to all who can read the epitaph.`@` If you discover the gold, I shall return everything to you.`\ bg Mdin_1dN,0 ld c,$MAR_akuwaraiA1,2 ;　それではどうか今宵を、金蔵さまとの知恵比べにて存分にお楽しみくださいませ。@今宵が知的かつ優雅な夜になるよう、心よりお祈りいたしております。@――黄金のベアトリーチェ。」\ ;＜真里亞 `Tonight, I ask that you enjoy your battle of wits with Kinzo-sama to the fullest.`@` I sincerely pray that this night will be both intellectual and elegant.`@` ――Beatrice the Golden."`\ bg Mdin_1fN,24 ;　真里亞がベアトリーチェから渡されたという手紙を読み終えると、誰もがしばらくの間、言葉を失った。@ `When Maria finished reading the letter that Beatrice had handed her, everyone was at a loss for words for a while.`@ br ;　そして、その沈黙は一斉に破られる…。\ `And then, they all broke the silence at once...`\ bg Mdin_1aN,23 ld r,$NAT_OdorokiA2,24 ;「ば、馬鹿馬鹿しい。@取るに足らない悪質な悪戯です！」@ ;＜夏妃 `"R, ridiculous.`@` What a worthless, vicious prank!"`@ ld l,$KLA_majimeA1,23 ;「まったくだ。@親父殿が当主の指輪を手放すなど、ありえるわけがないじゃないか。@ベアトリーチェ？@　は！@　その名を語れば右往左往するだろうという、見え透いた悪戯だ。」\ ;＜蔵臼 `"Seriously.`@` There is no way that Father gave up the Head's Ring.`@` Beatrice?`@` Ha!`@` What a transparent prank, hoping to confuse us just by bringing up that name."`\ bg Mdin_1cN,24 ld r,$RUD_akuWaraiA2,24 ;「おいおい、このちょいとパンチの効き過ぎたデザートを仕込んだのは誰なんだ？@　今なら、喝采で褒めてやるから正直に白状しろよ。@楼座か？」\ ;＜留弗夫 `"Hey hey, who was it that filled this dessert up with a little too much punch?`@` I want to applaud and admire you, so come clean, alright?`@` Rosa?"`\ ld l,$ROS_OdorokiA1,23 ;「と、とんでもない…！@　お父様の名を騙る悪戯なんてしません！」@ ;＜楼座 `"O, of course not...!`@` I wouldn't pull a prank assuming Father's name!"`@ ld r,$RUD_komaruA1,80 ;「じゃあ、姉貴か？！@　兄貴か？！」\ `"Then Aneki?!`@` Aniki?!"`\ bg Mdin_1bN,0 ld l,$EVA_IkariA2,23 ;「私？！@　馬鹿言ってんじゃないわよ！@　兄さんでしょう？！@　こういう悪趣味な仕掛けは！！」@ ;＜絵羽 `"Me?!`@` Are you an idiot?!`@` It was Nii-san, right?!`@` He could plan something this vulgar!!"`@ ld r,$KLA_IkariA1,24 ;「愚弄する気か！！@　私こそお前たちに問いたい！/ `"Are you trying to mock me?!!`@` I'm the one who wants to question you! `/ se1v 11,50 quakey 4,600 ;@　この性質の悪い悪戯は誰の仕業なんだ？！」\ ;＜蔵臼 @`Who is behind this ill-natured prank?!"`\ bg Mdin_1fN,22 me3v 16,50 ;　蔵臼はテーブルを叩き、ぎょろりと全員を見渡す。@ ;　…それには子どもたちも含まれていたため、大いに彼らを怯えさせた…。\ `Krauss beat the table and stared at everyone.`@ `...Since that included the children too, he scared most of them...`\ bg Mdin_1dN,0 ld r,$KIR_majimeA2,23 ;「…お父様から財産の全権を任せられたと称する謎の人物からの手紙。@そして今日がそれを話し合うための親族会議であることを考えると、@……悪戯だと決め付けるのも早計だと思うわ。」\ ;＜霧江 `"...A letter from a mysterious person who claims to have been given full rights to Father's assets.`@` And if you think about how this family conference is all about discussing that,`@` ......I think it's too hasty to call this just a prank."`\ ld l,$HID_komaruA1,23 ;「わからんで。@まさにお父さんの、悪趣味な悪戯かも知れへん…。@自分抜きで遺産分配の話をまとめようとしているわしらを、ちょいと驚かせたくて仕組んだことかもしれん…。」\ ;＜秀吉 `"I don't understand.`@` It might really be one of Father's vulgar pranks...`@` He might've planned this to shock us a bit, since we've been discussin' the distribution of his inheritance without him..."`\ ld c,$RUD_KomaruA1,24 ;「こいつを仕組んだのが親父だってんなら、@……今、真里亞ちゃんが読み上げた内容は冗談ってわけにはならねぇぜ…？」\ ;＜留弗夫 `"If Father was the one who planned this,`@` ......then we can't take what Maria-chan just read aloud as a joke, right...?"`\ bg Mdin_1c,0 ld r,$EVA_ikariA1,23 ;「……そうね。@文面通りに解釈するなら、…これはお父様からのテストね。@魔女の碑文は、私たち誰にでも解けるように、ずっと広間に掲示されていた。@告示期間は充分。@最初に解けた人間に、家督と全ての財産を渡すと、そう言っているわけよね…？」\ ;＜絵羽 `"......That's right.`@` If you interpret the contents literally, ...then this is a test from Father.`@` The epitaph of the witch has been displayed in the hall for quite some time now, so that any one of us could solve it.`@` There was plenty of notice.`@` That means he was saying that the first person to solve it would be handed the inheritance along with all of his wealth, right...?"`\ mset2ef 22 E_MA br br br br br ;　……ほら。@私たちの魔法、叶ったわ……。\ `......See?`@` My magic granted your wish......`\ mendef 2 me1v 5,0 me2v 12,0 fedexx 70,50,50,0,0,0,200 ld l,$NAT_IkariA1,23 ;!s0「そんな馬鹿な話はありません！！/ !s0`"It's nothing like that!! `/ se1 11 quakey 4,600 ;!sd@　右代宮家の次期当主が夫であることは、何ら揺るがない事実です！！」\ ;＜夏妃 !sd@`It is an unshakable fact that my husband will become the next head of the Ushiromiya family!!"`\ ld r,$EVA_IkariA2,80 ;「それを揺るがすのがこの手紙じゃない！@　この手紙は、お父様に財産の全てを全権委任された人物からのメッセージなのよ！@/ `"Doesn't this letter shake that!?`@` This letter is a message from the person who was given full rights to all of Father's wealth! `@/ ld r,$EVA_futekiA1,80 me3v 17,70 ;　もはや兄さんの当主継承権は白紙に戻ったわ。@魔女の碑文を解いた者が、/ ;!d900……ベアトリーチェの黄金を見つけた者が、右代宮家の次の当主になるのよッ！！」\ ;＜絵羽 `Nii-san's right to become the head has returned to a blank slate.`@` The person who solves the riddle, `/ !d900`......the person who finds Beatrice's gold will become the next head of the Ushiromiya family!!"`\ bg Mdin_1aN,0 ld r,$KLA_KomaruA1,23 ;「馬鹿馬鹿しい…！@/ `"Ridiculous...! `@/ ld r,$KLA_MajimeA1,80 ;　その手紙の戯言を信用するのかね？@　その封蝋が本物だとでも？@　信用などできるものか！！」\ ;＜蔵臼 `Do you think we can trust the meaningless words in that letter?`@` That the seal was the real thing?`@` There's no way we could trust that!!"`\ ld l,$EVA_futekiA1,23 ;「なら、お父様に直接話を聞いてみましょうよ！@　もう、機嫌が悪いからとか体調が悪いとか、そんな次元じゃないわよ？！@/ `"Then let's try to go and ask Father directly!`@` We aren't at the level where you can get away with saying that his mood's bad or that he's feeling bad, right?! `@/ ld l,$EVA_IkariA1,80 ;　この手紙は、お父様の代理人であることを封蝋でちゃんと示してる！@　それを疑うなら、兄さんが証明しなさいよ。@この手紙が、お父様の意思のものではないってッ！！」\ ;＜絵羽 `The sealed wax clearly shows that it was from Father's representative!`@` If you doubt that, then show some proof, Nii-san.`@` Show that this letter does not contain Father's will!!"`\ ld r,$KLA_KomaruA1,80 ;「よ、良かろう。@お前の言う通りだ。@もう親父の機嫌不機嫌の問題ではない…。@/ `"V, very well.`@` It is just as you say.`@` It no longer matters whether Father's in a good mood or not... `@/ ld r,$KLA_MajimeA2,80 ;上へ行き、直接問い質そうじゃないか。」\ ;＜蔵臼 `Let us go up and ask him directly."`\ ld c,$RUD_akuWaraiA2,24 ;「そうしようぜ。@親父に直接聞こう。@親父も親父だぜ、どうしてこんな回りくどい真似を？@　まぁそこが親父らしいんだがな！」\ ;＜留弗夫 `"Let's do it.`@` We'll ask Father directly.`@` Father is Father, why would he act in such a roundabout way?`@` Well, that is a little like Father!"`\ bg Mdin_1bN,24 ld c,$ROS_KomaruA3,24 ;「お、お父様の手紙だということを前提に話を続けてもいいのかしら…。」\ ;＜楼座 `"I, I wonder if we should continue this discussion assuming that it is Father's letter...?"`\ ld l,$EVA_IkariA2,63 ;「馬鹿楼座ッ！！/ `"Stupid Rosa!! `/ se1v 12,70 quakex 3,500 ;@　お父様の手紙に決まってンでしょおッ？！@　あの手紙はお父様のなのよ！！@　次期当主を、私たち４人の中から選ぶ為の公平なチャンスに決まってるじゃない！！@/ @`Isn't it obviously Father's letter?!`@` That letter was Father's!!`@` Isn't it obvious that he's giving the four of us an even chance to become the next head?!! `@/ se2v 13,70 bg black,1 ;　馬鹿ッ死ねッ知能ゼロッ！！」\ ;＜絵羽 `Die, you brainless idiot!!"`\ br ;　ホント、楼座って頭悪いわ。@ヘソでも噛んで死んじゃえば…？\ `Rosa really is dumb.`@` Why doesn't she just give up and die...?`\ bg Mdin_1bN,0 ld r,$ROS_OdorokiA1,22 ld r,$ROS_aseruA1,80 ;「ご、ごめんなさい…！@　そそ、そうよね…、/ ;!d600ごめんなさい…。」\ ;＜楼座 `"I, I'm sorry...!`@` Th, th, that's right..., `/ !d600`I'm sorry..."`\ bg black,25 fedexx 70,0,0,0,0,0,2000 bg Mdin_1gN,22 ;　当初こそ手紙の信憑性について疑いあった大人たちだったが、@当主継承争いは蔵臼以外の３人にとって無二のチャンスになることを理解した途端に、絵羽は口調を換え、手紙の正当性を主張し出した。@ `In the beginning, the adults had all doubted the credibility of the letter,`@` but after just now realizing that this was a once-in-a-lifetime chance for the three siblings other than Krauss in the struggle for the inheritance, Eva had changed her position, and had claimed that the letter was authentic.`@ br ;　留弗夫と楼座もそれを理解し、同調する。\ `Rudolf and Rosa also realized that, and agreed.`\ bg Mdin_1eN,26 ld r,$NAT_ikariA1,24 ;「まったく！！@　そんな下らない悪戯に、大の大人がこれほどまで真に受けるとは…！@　お父様でなくても呆れたい気持ち、よくわかります！！」@ ;＜夏妃 `"Seriously!!`@` How could adults like you take such a worthless prank this seriously...!`@` Even though I am not Father, I understand his shock!!"`\ ld l,$HID_komaruA2,24 ;「ままままま！@　夏妃さん、それはお父さんに聞けば済む話やないか…！@　お父さんが、その手紙は知らんって一言言ってくれれば済む話やで。」\ ;＜秀吉 `"Whoa whoa whoa!`@` Natsuhi-san, won't everythin' be fine if we just ask Father...?!`@` Won't everything be fine if Father simply mentions that he doesn't know about the letter?"`\ cl r,23 ld r,$EVA_ikariA1,23 ;「兄さん。@責任を持って、その手紙は知らないという一言を引き出すのよ。@機嫌が悪そうだからってビビってる場合じゃないんだからね？！」\ ;＜絵羽 `"Nii-san.`@` Take responsibility, and just get him to say that he doesn't know about the letter.`@` This isn't a time to get scared just because he's in a bad mood, right?!"`\ mset2ef 22 br ;　いい歳してお父様が怖いなんて、馬っ鹿みたい。@ヘソ噛んで死んじゃえば…？\ `He's still scared of Father at his age, that idiot.`@` Why doesn't he just give up and die...?`\ mendef 22 bg Mdin_1aN,23 ld c,$KLA_MajimeA1,23 ;「あ、あぁ！@　はっきり白黒を付けようじゃないか。@今頃は書斎で食事中だろう。@一度、箸を休めてもらおうじゃないか…！」@ ;＜蔵臼 `"Ah, aah!`@` You really are trying to paint things as black and white.`@` He's probably in the middle of eating in his study now.`@` He isn't going to put down his chopsticks for a while to talk to us...!"`@ ld r,$RUD_majimeA2,24 ;「決まりだな。@行こう！@/ `"It's decided.`@` Let's go! `@/ ld r,$RUD_majimeA1,80 ;　霧江はちょっと待っててくれ。@真偽を確かめてすぐ戻る。」\ ;＜留弗夫 `Kyrie, wait here for a while.`@` We'll go to check whether it's true or not and come back quickly."`\ bg Mdin_1cN,0 ld l,$KIR_nayamuA1,24 ;「……ありがと。@郷田さんがデザートを持ってくるのを、のんびり待ってるわ。」\ ;＜霧江 `"......Thank you.`@` I will wait patiently for Gohda-san to bring the dessert."`\ bg Mdin_1fN,24 se1v 15,90 ;　４兄弟と夏妃と秀吉が、威勢よく席を立つと、どたどたと廊下へ飛び出していく。@ `The four siblings, Natsuhi, and Hideyoshi all stood from their seats forcefully and flew out into the hallway with a clatter.`@ br ;　後には、あまりのことに呆然として言葉を失っている子どもたちと、居心地の悪そうな南條。@そして肩を竦める霧江が残されるのだった。\ `Afterwards, only the children, stunned completely speechless, Nanjo, who looked uncomfortable,`@` and Kyrie, who just shrugged, were left.`\ bg black,2 me1v 13,0 fedexx 0,50,0,0,0,0,5000 bg Mdin_1cN,2 ;　全ての渦中の真里亞は、大人たちの豹変に少し怯えているようだった。@ `In the middle of all of this was Maria, who looked a little scared at the adults' sudden change.`@ br ;　…しかしその様子を見る限り、@自分が読み上げた内容が、どれほどのものなのか、理解できているようには見えなかった。\ `...However, judging from her appearance,`@` she didn't look like she realized the full meaning of the contents of what she had just read.`\ ld r,$JES_odorokiA1,24 ;「…一体、……何事だってんだよ…。@わけわかんねぇぜ…。」@ ;＜朱志香 `"...What in the world, ......was that all about...?`@` I don't get it..."`@ ld l,$BUT_KuyasigaruA1,23 ;「……どいつもこいつもクソッタレだ。@そんなに遺産が欲しいかよ…！」\ ;＜戦人 `"......They're all bastards.`@` Do they really want the inheritance that much...?!"`\ bg Mdin_1dN,23 ld c,$GEO_MajimeA2,24 ;「…………みんな。@これは親たちの問題なんだ。@僕たちには関係ない。@だから気にしちゃ駄目だ。」\ `"............Everyone,`@` this is our parents' problem.`@` It has nothing to do with us.`@` So you mustn't worry about it."`\ ;＜譲治 bg Mdin_1eN,0 ld r,$BUT_NayamuA1,24 ;「そうは言ってもよ…。@…ああもあからさまに…。」@ ;＜戦人 `"Even if you say that...`@`...they were so obvious..."`@ ld l,$JES_nayamuA1,23 ;「見損なったぜ…！@　欲の皮が突っ張ってやがる…！」\ ;＜朱志香 `"I misjudged them...!`@` Showing off their greed...!"`\ bg Mdin_1cN,23 ld r,$MAR_fukigenA2,26 ;「うー！@　みんなで幸せになるって信じ合わないと駄目ー！@　うーうー！」@ `"Uu-!`@` Everyone has to believe together that we'll be happy!`@` Uu-uu-!"`@ ld l,$GEO_komaruA2k,23 ;「…そうだね。@僕たちはみんなで約束したもんね。@ほら、戦人くんも朱志香ちゃんも…。」\ ;＜譲治 `"...That's right.`@` We all did promise.`@` Come on, Battler-kun, Jessica-chan, you too..."`\ bg black,25 bg Mdin_1gN,22 ;「…………はぁ。」@ ;＜戦人 ;「……最悪の気分だぜ…。」@ ;＜朱志香 `"............Haah."`@ `"......I feel horrible..."`@ br ;　俺たちは何も納得できないが、とりあえず矛を収める。\ `We couldn't accept it at all, but we laid down our arms for the time being.`\ ;　…今回の親族会議が、どれほど泥臭いものかは薄々知っていた。@…しかし、６年のブランクを思えば、それは衝撃的でないわけもない…。\ `...We had known vaguely how filthy the family conference was going to be this time.`@` ...However, after that six-year blank, I couldn't help being shocked...`\ bg black,5 bg Mdin_1bN,0 ld c,$NAN_KomaruA3,22 ;　子どもたちがすっかり消沈してしまったのを見て、南條先生は居心地悪そうに咳払いをする。\ `When he saw that the children were completely dejected, Doctor Nanjo cleared his throat uncomfortably.`\ ld c,$NAN_fumuA1,80 ;「…大人の話です。@お若い皆さんとは関係のないことですよ。@忘れてしまいましょう。」@ ;＜南條 `"...It's an adult discussion.`@` It has nothing to do with all of you young people.`@` Let us forget about it."`@ ld r,$JES_ikariA1,24 ;「それが出来りゃ、やってるぜ…！」\ ;＜朱志香 `"I would if I could...!"`\ bg Mdin_1eN,0 ld l,$KIR_NayamuA1,24 ;「辛いのはわかるわ。@でも、今は忘れてあげて。@/ `"I know that it's harsh.`@` But forget it for now. `@/ ld l,$KIR_majimeA1,80 ;…あなたたちの将来を少しでも豊かにするため、みんなの両親は必死で戦っているのよ。@そしてやがて傷付き帰って来るお父さんたちを、どうかそんな冷たい目で迎えないであげて。」\ ;＜霧江 `...All of your parents are fighting frantically to make your futures just a little brighter.`@` Please, don't look at your injured parents with those cold eyes when they come back."`\ ld r,$BUT_nayamuA1,24 ;「…………………。@いくら霧江さんの頼みでも、/ ;!d800……それは難しいぜ。」\ ;＜戦人 `"..................`@`No matter how much you ask us, Kyrie-san, `/ !d800`......it's hard."`\ bg Mdin_1bN,24 ld r,$JES_NayamuA1,24 ;「そう割り切れるなら、/ ;!d600……子どもなんてやってねぇぜ……。」@ ;＜朱志香 `"If you explain it that way, `/ !d600`......that's not something us kids can do......"`@ ld l,$MAR_SakebuA1,24 ;「うー！@　みんな幸せー！！@　暗くなるの駄目ー！！@　信じてー！@　みんなで幸せになれるって信じないと、幸せが逃げちゃう！@　みんなで信じないと駄目なの！@　うーうーうー！！」\ `"Uu-!`@` Everyone happy-!!`@` Can't get da-rk!!`@` Belie-ve!`@` If everyone doesn't believe we can be happy, that happiness will get away!`@` Everyone has to believe!`@` Uu-uu-uu-!!"`\ bg Mdin_1eN,0 ld c,$KIR_WaraiA2,24 ;「……いい話ね。@私も信じるわ。@私たちは幸せになれるわよ。」\ ;＜霧江 `"......That sounds good.`@` I'll believe too.`@` That we can be happy."`\ bg Mdin_1c,0 ld r,$MAR_WaraiA1,23 ;「うー！@　霧江伯母さん、ありがとぉ！！@/ `"Uu-!`@` Kyrie oba-san, thank you!! `@/ ld r,$MAR_fukigenA2,80 ;　戦人と朱志香お姉ちゃんも信じて！@　ベアトリーチェも、信じないと魔法が力を持たないっていつも言ってる。@うー！」\ `Battler and Jessica also believe!`@` Beatrice is also always saying that the magic won't have any power if you don't believe.`@` Uu-!"`\ ld l,$KIR_DefA1,23 ;　霧江さんは静かに席を立つと、真里亞のところへ行き、目線を合わせるように屈んだ。\ `Kyrie-san rose from her seat quietly, went over to Maria, and crouched down so that their eyes met.`\ ld r,$MAR_DefA1,80 ;「……うー。@霧江伯母さんが信じてくれた。@あと、戦人と朱志香が信じないと駄目。」@ `"......Uu-.`@` Kyrie oba-san believed.`@` Now, Battler and Jessica have to believe."`@ ld l,$KIR_WaraiA2,80 ;「二人とも強いもの。@すぐに元気になって、そうしてくれるわよ。」@ `"Those two really are strong.`@` They'll feel better soon and do that."`@ ld r,$MAR_WaraiA1,80 ;「うん。」\ ;＜真里亞 `"Yes."`\ ld l,$KIR_defA1,80 ;「それより、/ ;!d800…………教えて欲しいの。」@ `"More importantly, `/ !d800`............I want you to tell me."`@ br ;　霧江さんがそう言うと、朱志香も譲治の兄貴も南條先生も、そして俺も、耳を傾けた。\ `When Kyrie-san said that, Jessica, George-aniki, Doctor Nanjo and I all listened closely.`\ ;　…親たちは遺産問題云々で祖父さまのことで頭がいっぱいだったようだが、@俺たちはそんなことより、もっとシンプルなことを真里亞に聞きたかった。\ `...It looked like our parents were so concerned with the inheritance problem that Grandfather filled their minds,`@` but we wanted to ask Maria about something simpler.`\ ld r,$MAR_OdorokiA1,80 ;「うー？@　何？」@ `"Uu-?`@` What?"`@ bgmplay 20 ld l,$KIR_waraiA2,80 ;「真里亞ちゃんにその手紙を渡したのって、誰…？」@ `"Who was the person that gave Maria-chan that letter...?"`@ ld r,$MAR_WaraiA2,80 ;「ベアトリーチェー！！」\ `"Beatrice!!"`\ ld l,$KIR_WaraiA1,80 ;「肖像画に描かれている魔女の…？」@ `"The witch drawn in that portrait...?"`@ ld r,$MAR_WaraiA1,80 ;「うー！@　傘と一緒にこの手紙もくれたの！@　そしてね、真里亞の薔薇が折れちゃってたのを魔法で直してくれたの！@　ベアトリーチェは何でもできるすごい魔女なの！！」\ `"Uu-!`@` She gave me this letter and an umbrella!`@` And she used magic to fix Maria's rose that was broken!`@` Beatrice is an awesome witch who can do anything!!"`\ cl a,0 ld c,$KIR_waraiA2,23 ;「…………詳しく聞かせてくれるかしら…？」\ `"............Could you tell us about it in a bit more detail...?"`\ wait 2000 ;▲第２アイキャッチ　１０月４日（土）１９時３０分〜２０時００分 eye1 19,30,20,0,1,0,510,340,25 *umi3_3 mov %play_scene,30060 ;シーン変数の入力 mov %grim_scene,303 E_A me1v 12,50 ;■ゲストハウス〜いとこ部屋 bg M1F_P1bN,6 ;　俺たちはデザートを待つことも許されず、食堂を追い出された。\ `Without even being allowed to wait for dessert, we were chased out of the room.`\ ;　結局、祖父さまは親たちに取り合ってくれなかったという。@ `I heard that, in the end, our parents were unable to get Grandfather to respond.`@ br ;　…まぁ、こう言っちゃ何だが、祖父さまグッジョブという気分だ。\ `...Well, it sounds like Grandfather's feeling pretty good about himself.`\ bg M1F_P1cN,25 ;　祖父さまは、自分の存命中から遺産問題に執心している息子兄弟に、怪しげな手紙でひと泡吹かせて、さぞや満足しているだろう。@ `He was probably pretty satisfied with how his strange letter had given his children a good shock, since they had all been so infatuated with the distribution of the inheritance while Grandfather was still alive.`@ br ;　俺も、浅ましい親父たちが右往左往しているのは、ざまぁ見ろという気分だった。\ `I also felt like our despicable parents had gotten what they deserved in all of this confusion.`\ bg black,22 ;　……もっとも爽快な気分とはとても言い難い。@ ;　不貞腐れたい気分だった。@ `......But I couldn't really say that I was feeling great.`@ `I felt all sulky.`@ br ;　祖父さまは構ってくれなかったわけだが、手紙のことを否定することもしなかったらしい。\ `Apparently, Grandfather hadn't seemed concerned with the whole thing, but he also hadn't denied anything about the letter either.`\ bg letter1,2 ;　魔女の手紙には、祖父さまの名が何度も出てくる。@ `When talking about the witch's letter, Grandfather's name kept popping up.`@ br ;　もし祖父さまが自分の名を騙られたと知ったなら、キャラクター的に考えて怒り狂うところだろう。\ `If Grandfather knew that someone was stealing his name, then considering his character, he would probably be mad with rage.`\ bg black,2 ;　しかし祖父さまは、手紙の内容を知ってもなお、涼しげに無視していたという。@ `But even though Grandfather now knew the contents of that letter, he coldly ignored it.`@ br ;　となると、これはもはや無言のイエスも同然ということなのか。\ `In this case, did that count as a silent yes?`\ bg Mdin_1dN,0 ld r,$EVA_futekiA1,0 ld l,$RUD_waraiA2,22 ;　絵羽伯母さんとウチの親父は、この手紙を自分たちに有利に解釈しようと、欲の皮をギチギチに突っ張らせていた。\ `Eva oba-san and Dad were trying to interpret the letter in their favor, their greed clearly visible.`\ bg black,4 wait 1000 bg Mdin_1eN,0 ld c,$MAR_fukigenA1,4 ;　それだけならまだしも、大人たちは今度はその矛先を、手紙を受け取った真里亞に向けた。@誰から受け取ったのかとしつこく何度も詰問した。\ `It wouldn't have mattered so much if that was all, but the adults had now started focusing on Maria, who had received the letter.`@` They kept pounding her with questions about who had given her that letter.`\ ld c,$MAR_sakebuA1,80 ;　真里亞は、ベアトリーチェにもらったと何度も繰り返すのだが、そんな謎の人物がこの島に紛れ込んでいるわけもない。@ `Maria repeated over and over again that she had gotten it from Beatrice, but there was no way that such a mysterious person would sneak onto the island.`@ br ;　…何しろここは、右代宮家以外誰も住まない小さな島なのだから。\ `...In any event, this was a small island where no one lived outside the Ushiromiya family.`\ ld c,$MAR_nakuA1,80 ;　真里亞は何度聞かれてもベアトリーチェにもらったと繰り返すだけ。@ `Maria kept repeating that she had gotten it from Beatrice no matter how many times she was asked.`@ br ;　それを大人たちは、誤魔化していると感じたらしく、彼女が泣き出すまで詰問を決して緩めようとはしなかった…。\ `It seemed that the adults felt that she was trying to trick them, so they didn't hold back and questioned her until she broke out in tears...`\ bg black,22 ;　真里亞は解放された時、泣き疲れてぐったりしていた。@ `When Maria was released, she sobbed, all worn out from crying.`@ br ;　親たちは、真里亞を連れてゲストハウスに行っていろと一方的に命じると、@自分たちは食堂に閉じこもり、ますますに遺産の話で盛り上がるのだった。\ `After our parents ordered us to go to the guesthouse and take Maria with us,`@` they shut themselves up in the dining hall, and started getting louder and louder as they discussed the inheritance.`\ ;bg M1F_S1bN,26 bg black,22 ;　どうやら、おかしな手紙のせいで、蔵臼伯父さんが次の当主になるという話が白紙に戻る可能性が出てきていて、@それを認める見返りに親父たちが蔵臼伯父さんから大金をせしめる…、みたいな感じのようだった。\ `It seemed that, because of that strange letter, the possibility had appeared that Krauss oji-san's ability to become the next head had been reduced to a blank slate,`@` and in exchange for accepting him, my dad and the rest were trying to swindle Krauss oji-san out of a lot of money..., something like that.`\ bg Mhal_2aN,0 ld r,$BUT_NayamuA1,0 ld l,$JES_nayamuA1,24 ;　憮然とした俺と朱志香は、喜んでゲストハウスへ移動することにした。@ `Astonished as we were, Jessica and I were happy to move over to the guesthouse.`@ br ;　カネのことで頭がいっぱいの、汚い大人たちと同じ屋根の屋敷にいたくなかったのだ。\ `We didn't want to be under the same roof as those filthy adults, their heads so filled with thoughts about money.`\ bg Mhal_2cN,0 ld r,$GEO_komaruA1k,24 ;　譲治の兄貴は、そんな親たちを理解してやってほしいと弁護する。\ `George-aniki pleaded on behalf of our parents, saying that he wanted us to understand them.`\ ;　…理屈ではわかる。@ ;　金の話はどんなに汚くとも、目を閉じれば済む問題ではない。@ `...I understood his reasoning.`@ `No matter how filthy this talk of money was, it wouldn't go away if you just closed your eyes to it.`@ br ;　しかしそれでも、ああもあからさまにカネの亡者に成り下がれるものなのか…。\ `But even so, how could they sink so low as to overtly fight over the money of the dead...`\ textoff bg black,4 me2v 14,0 fedexx 0,70,70,0,0,0,3000 dllefe 1,1 wait 2000 bg G_o1aN,2 wait 2000 bg G_o1cN,2 wait 2000 bg black,22 dllefe_off fedexx 0,0,0,0,0,0,5000 E_B bgm1 38 bg G2F_R1cN,2 ;　真里亞は泣きつかれ、今はベッドに潜っている。@ ;　さっきからぴくりとも動かないから、きっと眠ってしまったのだろう…。\ `Maria had cried herself dry, and was hiding in her bed.`@ `She hadn't even twitched for a while, so she was probably sleeping...`\ ld r,$GEO_MajimeA1,24 ;「………真里亞ちゃんは、一体誰にあの手紙をもらったんだろうね。」\ ;＜譲治 `".........Who in the world gave that letter to Maria-chan?"`\ bg G2F_R1aN,0 ld r,$JES_KomaruA1,24 ;「譲治兄さん。@それはもう聞いちゃ駄目だぜ。@真里亞がベアトリーチェにもらったっていうなら、それでいいじゃねぇかよ…。」@ `"George nii-san,`@` you can't ask her that.`@` Isn't it fine to say that Maria got it from Beatrice and leave it at that...?"`@ ;＜朱志香 ld l,$BUT_KomaruA3,23 ;「これ以上、真里亞を泣かせたくないしな。」@ ;＜戦人 `"Because we don't want to make her cry any more than this."`@ br ;　……そうは言ったものの。@俺たちだって、もやもやしたものが晴れない。\ `......Even though we said that,`@` we couldn't clear away our gloomy feeling.`\ bg G2F_R1bN,0 ld r,$GEO_MajimeA2,24 ;「この島には今、１８人しかいないんだよ。@そこに、この雨の中、未知の１９人目が、真里亞ちゃんに手紙を託して、今もどこかに隠れているというのは、@正直、現実的ではないね。」\ ;＜譲治 `"There are only 18 people on this island now.`@` The thought that, somewhere in the rain, a 19th person gave Maria-chan that letter, and is now hiding somewhere,`@` doesn't seem realistic at all."`\ ld l,$JES_atyaA1,23 ;「恐らく…、あの肖像画のドレスを、紗音辺りにでも着てもらって、うまく真里亞と口裏を合わせたってことじゃねぇのかな。\ `"Probably..., Shannon or someone put on the dress from that portrait, and skillfully planned this ahead of time with Maria.`\ ld l,$JES_komaruA1,80 ;　…もっとも真里亞の場合、あのドレスを見たら、それだけでベアトリーチェだと信じちまいそうだけどな。」\ ;＜朱志香 `...Of course, as soon as Maria saw that dress, that might have been enough to convince her that it was Beatrice."`\ bg G2F_R1aN,0 ld c,$BUT_MajimeA1,23 ;「誰が渡したかなんて、どうでもいい問題かもしれないな。@大事なのは差出人だろ。@/ `"Maybe it doesn't really matter who handed her the letter.`@` The important thing is who sent it. `@/ ld c,$BUT_NayamuA2,80 ;…要は、祖父さまが黄金の魔女の名を騙って、ひと波乱起こしたかったってことなんだぜ。@まったく、人騒がせなジジイだぜ。」\ ;＜戦人 `...The point is that Grandfather wanted to cause an uproar by assuming the name of the witch.`@` Seriously, that old geezer's good at riling people up."`\ ;　オカルト被れの祖父さまが、@同じ趣味を持つ真里亞に、芝居染みたやり方で手紙を持たせ、遊んでみたというのが真相だろう。@ `It was probably true that our occult-loving Grandfather was playing around, `@`since he had chosen that dramatic way of handing the letter over to Maria, who shared the same hobby as he did.`@ br ;　……真里亞の迷惑を顧みず、迷惑なことこの上ないが。\ `......Failing to consider how much Maria was troubled would trouble her even more, but...`\ ld c,$BUT_nayamuA1,80 ;「ったく。真里亞の純真な心を弄びやがって…。@手紙を渡したのが誰でもいいさ。@/ `"Seriously. Messing around with Maria's pure heart...`@` It doesn't matter who handed the letter over. `@/ ld c,$BUT_niramuA3,80 ;真里亞がベアトリーチェにもらったって言うんだから、そういうことにしてやろうぜ。」\ ;＜戦人 `Maria says that she got it from Beatrice, so let's treat it that way."`\; cl c,0 ld l,$BUT_niramuA3,0 ld r,$GEO_majimeA3k,24 ;「同感だよ。@そうしよう。@子どもにとってのサンタクロースみたいな存在が、真里亞ちゃんにとってはベアトリーチェなんだろうね。」\ ;＜譲治 `"I agree.`@` Let's do that.`@` To Maria-chan, Beatrice is kinda like what Santa Claus is to most kids."`\ ld l,$BUT_futekiA1,80 ;「いない１９人目もサンタクロースも、@俺たちが認めてやれば、それは少なくとも真里亞の中では“い”るということになるわけだ。@…なるほど、子どもの夢を守るためのウソって大事だなぁ。\ `"As long as we accept that there is some non-existant 19th person or Santa Claus,`@` they will at least 'exist' inside Maria.`@` ...I see, it's important to lie to a child to protect their dreams.`\ ld l,$BUT_KomaruA2,80 ;　…………ん？@　どうしたんだよ朱志香。@まだ腹を立ててるのかよ。」\ ;＜戦人 `............Hmm?`@` What's up, Jessica?`@` Are you still angry?"`\ bg G2F_R1cN,0 ld c,$JES_NayamuA1,24 ;　朱志香は、顎に手を当てて、何か腑に落ちないことでもあるかのようだった。@ ;　俺に声を掛けられ、我に帰る。\ `Jessica had her hand on her chin, as though there was something that she just couldn't understand.`@ `When I called out to her, she came to her senses.`\ ld c,$JES_OdorokiA1,80 ;「あぁ、……ごめん。@いやさ、……実は。@……真里亞が会ったのは、本当にベアトリーチェだったってことがあるんじゃないかな。」\ ;＜朱志香 `"Aah, ......sorry.`@` Well, ......actually,`@` ......I was wondering if it was possible that Maria actually met Beatrice."`\ bg G2F_R1bN,23 ld r,$BUT_aseruA1,24 ;「…そりゃどういう意味だよ。@この島に１９人目の人間がいるって言いたいのか？」@ `"...What do you mean by that?`@` Are you saying that there's a 19th person on this island?"`@ ld l,$GEO_MajimeA1k,23 ;「真里亞ちゃんの言うことを心から信じたなら、そういう答えに行き着くだろうね。」\ ;＜譲治 `"If we take what Maria-chan said to heart, then we do arrive at that answer."`\ ld c,$JES_komaruA1,24 ;「いや、そういうのじゃなくて。@/ `"No, that's not what I mean. `@/ ld c,$JES_nayamuA1,80 ;……昔っからこの島には、俺たちの知らない誰かが住んでるんじゃないかって話はあったんだよな。」\ ;＜朱志香 `......I'm talking about the story that someone we don't know has been living on this island since long ago."`\ bg black,2 se1 21 E_MA me1v 5,0 me2v 13,0 fedexx 0,20,20,0,0,0,3000 ;「住んでるって、どこに。」@ ;＜戦人 `"Living, you say. Where?"`@ br ;「…森の中にさ。」\ ;＜朱志香 `"...In the forest."`\ fedexx 0,100,100,0,0,0,4000 se1v 27,100 bg white,1 wait 500 bg black,42 wait 2000 fedexx 0,50,50,0,0,0,5000 ;■屋敷〜食堂 textoff wait 2000 ;mevol 1,70 ;mevol 2,70 dllefe 1,1 bg M_o1bN,6 wait 2000 bg black,2 dllefe_off print 2 E_B wait 2000 ;fedexx 0,50,50,0,0,0,2000 bg Mdin_1aN,8 se1 21 ;　食堂には、大人たちが集まり、ベアトリーチェの手紙に端を発する議論に延々と明け暮れていた…。\ `The adults were gathered in the dining hall, spending a very long time continuing the discussion that had been started by Beatrice's letter...`\ ld c,$KLA_MajimeA2,24 ;　蔵臼は、手紙はただの悪戯であると強く主張したが、@金蔵が否定しないことこそ答えであるとの主張を覆せなかった。\ `Krauss strongly claimed that the letter was a simple prank,`@` but he couldn't overturn the claim that Kinzo's failure to deny the letter was answer enough.`\ ;　金蔵の性分を考えれば、自分の名を騙る手紙の存在を知れば怒り狂うはずなのだ。@ `Judging by Kinzo's character, if he knew that a letter had been written which faked his name, he would be mad with rage.`@ br ;　それを兄弟の誰もが知るからこそ、もはや蔵臼は自分の主張を収めるしかなかった。\ `Since all of the siblings knew that, Krauss had no choice but to withdraw his claim.`\ bg black,5 bgm1v 14,0 fedexx 70,0,0,0,0,0,2000 bg letter1,2 ;　要約するまでもなく、この手紙の内容はシンプルだ。@ `Without even having to summarize it, the contents of the letter were simple.`@ br ;　魔女の碑文を解いた者が、家督と財産を受け継ぐ。@ `The person who could solve the witch's epitaph would receive the inheritance and assets.`@ br ;　これは、家督を継ぐことが確定していると思われた蔵臼にとっては最大のダメージであり、@元々諦めていた蔵臼以外にとって望外の朗報であった。\ `This did a lot of damage to Krauss, who had been sure that he would receive the inheritance,`@` and was better news than the rest of them, who had already given up, could have hoped for.`\ bg portrait2,2 ;　しかし、気になる点もある。@ `However, there were some points that worried them.`@ br ;　“碑文を解いた者”が、右代宮家に連なる人間に限定されていない点だ。\ `'The person who solved the epitaph' was not limited to a member of the Ushiromiya family.`\ ;　原文通りなら、謎を解いた人間がどこの馬の骨であっても、右代宮家の家督を継承できることになってしまう。@ `Taken literally, anyone, no matter how doubtful their origin, could receive the inheritance of the Ushiromiya family.`@ br ;　いや、それどころか、右代宮家の全ての財産を何者かに奪われてしまう可能性だってあるのだ。\ `And furthermore, this meant there was a chance that all of the Ushiromiya family's assets could be stolen by some unknown person.`\ bg black,22 ;　その意味においては、蔵臼以外の兄弟たちも、気が許せる状況では断じてなかった。@ `In that sense, it was definitely not a situation where even the other siblings could afford to lower their guard.`@ br ;　この手紙はベアトリーチェを名乗る金蔵の刺客からなのか。@…それとも、右代宮家から財産を奪い取ろうとする何者かの謀略なのか。@真相は未だわからない。\ `Had this letter come from an assassin sent by Kinzo who called themselves Beatrice?`@` ...Or was this the scheme of some unknown person trying to steal the Ushiromiya family's wealth?`@` They still didn't know the truth.`\ ;　…しかし、ひとつだけ言えることがある。\ `...But they could say one thing for certain.`\ bg letter1,2 ;!s0　真里亞が問題の手紙を、/ ;!d800今日、/ ;!d1000この島で受け取ったということだ。/ !s0`Maria had, `/ !d800`received this problematic letter, `/ !d1000`today, on this island.`/ !sd@ br ;　つまり、あの手紙について策謀を巡らせた人間が、今日、まだこの島にいるということなのだ。\ `In other words, someone who was planning something related to that letter was on this island today.`\ bg black,22 ;　……仕掛け人は、金蔵なのか、それとも４兄弟の誰かなのか。@あるいは未知の何者かなのか。@ `......Was the person who set it up Kinzo, one of the four siblings,`@` or maybe some unknown person?`@ br ;　互いをいくら疑い合えど、結論など出るわけもない。\ `No matter how much they suspected each other, they couldn't reach a conclusion.`\ bg Mdin_1gN,6 ;　彼らは罵り合いに疲れきり、@ようやく、互いを疑い合うのは時間の無駄であるという、至極当然な結末にたどり着くのだった…。\ `After getting tired of bickering with each other, `@`they finally reached the extremely obvious conclusion that doubting each other was just a waste of time...`\ bg black,2 me1v 13,0 fedexx 0,50,0,0,0,0,3000 bg Mdin_1fN,6 ld r,$KLA_KomaruA1,24 ;「……埒が明かんね。@無駄な時間を費やしたものだよ。」@ ;＜蔵臼 `"......We've made no progress.`@` We've just been wasting time."`@ ld l,$EVA_majimeA1,23 ;「そうね。@兄さんが気付いてくれるだけで、これ以上を浪費しなくて済むわ。」\ ;＜絵羽 `"That's right.`@` Now that you realized it, we won't have to waste so much."`\ cl r,23 ld r,$NAT_MajimeA1,24 ;「手紙の差出人がお父様と確定したわけではありませんよ。@会話の成り立たないあなたに主人が呆れ果てただけです。」\ ;＜夏妃 `"It is not certain that Father is the one who sent the letter.`@` You've done nothing but leave my husband dumbfounded by ending this conversation."`\ ld l,$EVA_akireA2,80 ;「会話が成り立たないのはどっちよ？@　私が何か言う度にあなたは怒鳴ってばかり。@そんな無様で右代宮家に相応しいと本気でお思いなのかしらぁ？」@ ;＜絵羽 `"Who's ending the conversation?`@` You keep yelling at me every time I say something.`@` Do you truly think that such shameful behavior is fitting for a member of the Ushiromiya family?"`@ ld c,$HID_KomaruA2,23 ;「よさんか、絵羽。@夏妃さんも。@一度終わった話やで。」\ ;＜秀吉 `"Would you give it a rest, Eva.`@` You too, Natsuhi-san.`@` That topic's finished for now."`\ bg black,24 bg Mdin_1cN,24 ld c,$ROS_KomaruA1,23 ;「い、一度ここで頭を冷やさない？@　冷たいものでも持ってきてもらいましょうよ。」@ ;＜楼座 `"Sh, shall we all cool our heads off for now?`@` Let's have some cool drinks brought over."`@ ld l,$KIR_komaruA1,23 ;「そうね。@頭を冷やした方が賢明そう。@あなたも、そろそろ一服したくなってきたんじゃない？」\ ;＜霧江 `"That sounds good.`@` It would probably be wiser if we cooled our heads.`@` Don't you want to take a short break too, dear?"`\ bg Mdin_1bN,0 ld r,$RUD_majimeA1,23 ;「…姉貴の機嫌が悪そうだからな。@一服の方は遠慮するぜ。@/ `"...Because Aneki looks like she's in a bad mood,`@` I'll pass on that break. `@/ ld r,$RUD_defA2,80 ;だが冷たい方は賛成だ。@楼座、誰かに水を持って来させてくれ。@水差しごとな。」@ ;＜留弗夫 `But I agree about the cool drinks.`@` Rosa, have someone bring some water.`@` A whole pitcher."`@ ld l,$ROS_WaraiA1,23 ;「うん、わかったわ…。」\ ;＜楼座 `"Yes, understood..."`\ cl l,24 ;　楼座は部屋の隅にある内線電話に向かい、使用人室に電話する。@ ;　そして、今、留弗夫に言われたことを相手に伝えた。\ `Rosa headed over to the extension telephone in a corner of the room and called the servant room.`@ `She then passed on what Rudolf had told her to the person on the other end.`\ bg black,5 me2v 11,0 fedexx 0,40,70,0,0,0,2000 bg Mdin_1dN,2 ;　さっきまでの口汚い罵りあいがまるで嘘のように静まる。@ ;　その静寂は、郷田が配膳を終えて退出するまで続くのだった…。\ `The vicious bickering up until now vanished as though it had been a lie.`@ `That silence continued until Gohda finished setting the table and retreated from the room...`\ bg Mdin_1eN,0 ld r,$GOH_defA1,24 ;「………他に、何かご入用のものはございますでしょうか。」@ ;＜郷田 `".........Is there anything else that you require?"`@ ld l,$NAT_DefA1,23 ;「ありません。@もう下がりなさい。」\ ;＜夏妃 `"No.`@` Please leave us."`\ bg Mdin_1fN,24 ld c,$GOH_omakaseA3,24 ;「はい。@…それでは失礼いたします。@何かございましたら、いつでもお呼び下さい。」\ `"Yes.`@` ...Then if you will excuse me.`@` If you need anything, call me at any time."`\ textoff cl c,3 wait 1000 E_M2 se1 15 wait 2000 ;　郷田の足音が遠ざかっていくのを聞き届けると、誰からともなく、緊張を解くようなため息が漏れた。\ `After listening to the sound of Gohda's footsteps disappear off into the distance, everyone took a deep breath at the same time to break the tension.`\ bg Mdin_1eN,0 ld r,$KIR_WaraiA2,24 ;「…本当にすごい雨ね。@１９人目の魔女は、今頃、薔薇庭園の東屋で雨宿りでもしているのかしら。」@ ;＜霧江 `"...It sure is raining hard.`@` I wonder if this 19th person is taking shelter in the arbor in the rose garden?"`@ ld l,$ROS_komaruA4,23 ;「ど、…どうかしらね。@/ `"I, ...I wonder. `@/ ld l,$ROS_KomaruA1,80 ;……雨は凌げるかもしれないけど、少し肩を冷やしそうね。」\ ;＜楼座 `......They might be able to endure the rain, but it would be quite cold."`\ cl r,23 ld r,$HID_DefA1,24 E_B bgm1 17 ;「………謎の１９人目の来訪者か。@ちょいと推理小説っぽくて面白い話やな。@/ `"......A mysterious 19th person as a visitor.`@` Sounds pretty interestin', just like a mystery novel. `@/ ld r,$HID_WaraiA2,80 ;普通、この手の話は、１８人の中の誰かが騙ってるだけで、実際には存在せんと相場が決まっとるんや。」\ ;＜秀吉 `Normally, in that kind of story, it's a safe bet that the person doesn't exist, that one of us 18 would be fakin' it."`\ bg Mdin_1aN,23 ld r,$NAT_zutuuA1,24 ;「…私は源次たちが怪しいと睨んでいます。@/ `"...I'm going to keep an eye on Genji. I think he's suspicious. `@/ ld r,$NAT_MajimeA1,80 ;やはり、どんな難癖を付けてでも片翼の鷲の使用人たちは全て解雇した方が良かったんです。」@ ;＜夏妃 `Just as I thought, no matter how we try to assign blame, it would have been better if we had dismissed all of the servants of the One-winged Eagle."`@ ld l,$KLA_NayamuA1,23 ;「まぁ、そう言うな。@長く勤めてくれた恩もある。@/ `"Come now, don't say that.`@` We must be grateful for their long years of service. `@/ ld l,$KLA_AkuwaraiA1,80 ;…もちろん、気は許せんがね。」\ ;＜蔵臼 `...Of course, we can't let our guard down."`\ bg Mdin_1cN,0 ld r,$EVA_MajimeA1,24 ;「兄さんも、お父様の仕業かどうかはともかく、@あの手紙を真里亞ちゃんに渡したのは、使用人の誰かだろうという点では同意するのね。」@ ;＜絵羽 `"I'm sure you agree too, Nii-san, that whether or not Father was behind this,`@` the person who handed Maria the letter was a servant."`@ ld l,$KLA_AkuwaraiA2,23 ;「うむ。@何しろ、私たちは夕食までずっと“仲良く”団欒をしていたじゃないか。@兄弟全員にアリバイがある。@真里亞に手紙を渡せたのは使用人の誰かだけだ。」\ ;＜蔵臼 `"Hmm.`@` In any event, we were all being 'friendly' in our big happy circle the whole time until dinner, weren't we?`@` All of the siblings have alibis.`@` Only a servant could have handed Maria that letter."`\ bg Mdin_1bN,0 ld c,$ROS_NayamuA1,23 ;「…でも、使用人の人たちもみんな、@ベッドメイクとかで忙しくて薔薇庭園の真里亞ちゃんのところへ行く余裕なんかなかったって言ってたし…。@/ `"...But all of the servants,`@` ...said that they were too busy with the bed-making to have any spare time during which they could go to Maria-chan in the rose garden...`@/ ld c,$ROS_komaruA2,80 ;…………………。」\ ;＜楼座 `.................."`\ ld r,$RUD_OdorokiA1,24 ;「おいおい、じゃあ何だってんだよ。@まさか、森の魔女、ベアトリーチェさまがお越しになって、本当に真里亞に手紙を渡したって言い出すのかぁ？」\ ;＜留弗夫 `"Hey hey, what are you trying to say then?`@` You aren't saying that the witch of the forest, Beatrice-sama came over and actually handed Maria that letter, are you?"`\ bg Mdin_1aN,0 ld l,$EVA_WaraiA1,23 ;「あっはっはっは。@楼座、昔は信じててすごい怖がってたものねぇ？@/ `"Ah-hah-hah-ha.`@` Rosa, you used to believe so much that it really frightened you, right? `@/ ld l,$EVA_AkireA1,80 ;　あんたまさか、いい歳してまだ信じてるのぉ？@　森の魔女ぉ。」\ ;＜絵羽 `You don't mean to say that you still believe at this age, right?`@` The witch of the forest."`\ mset2ef 22 br ;　……いるならぜひ現れて欲しいものよ。@ ;　でも、どんなに願っても、一度も私の前には現れてくれなかった。@私を苦境から助けてはくれなかった…。\ `......If she did exist I'd love for her to appear.`@ `But no matter how much I wished, she didn't appear before me even once.`@` She didn't save me from my crisis...`\ mendef 22 ld r,$ROS_KomaruA4,24 ;「ま、まさか…。@でも、１８人全員が自分は違うと言っている以上、本当に１９人目がいるのかもって思っただけなの…。」\ ;＜楼座 `"O, of course not...`@` I just thought that since all 18 of us said that we didn't do it, there might really be a 19th person..."`\ cl l,24 ld l,$HID_WaraiA1,23 ;「そんなん、あらへんで。第一、船で来たのはわしらだけや。@謎の乗船者なんぞ、わしらは姿も見とらん。@/ `"That can't be. In the first place, we were the only ones who came on that boat.`@` We didn't see any mysterious stranger ridin' with us. `@/ ld l,$HID_WaraiA2,80 ;まさか、この荒海を泳いで渡ってきたっちゅうんか？@　ちょいと考えられへんな。@わっはっはっはっはっは。」\ ;＜秀吉 `You don't think that they might have swam across this rough sea, right?`@` I can't really imagine it.`@` Wahahahahahaha."`\ ld c,$KIR_WaraiA2,24 ;「……理屈ではそうね。@この隔絶された島に、招かれていない客が１人隠れているというのは、常識的に考え難いんだけれど…。@/ `"......Logically that's true.`@` It is difficult to imagine that there's a single hidden and uninvited guest on this isolated island...`@/ ld c,$KIR_majimeA1,80 ;…でも。@………どうも、その可能性を捨てきれない人たちがいるみたいね？」\ ;＜霧江 `...However,`@` .........it still looks like there are some people who can't entirely throw that possibility away, right?"`\ bg black,22 fedexx 0,50,0,0,0,0,3000 ;　秀吉は１９人目などいるわけがないと笑い飛ばしているが、@霧江は４兄弟たちの微妙な空気を敏感に感じ取っていた。\ `Hideyoshi had laughed it off, saying that there couldn't be a 19th person,`@` but Kyrie had sensitively picked up on the delicate atmosphere among the four siblings.`\ bg Mdin_1gN,22 ;　常識で考えれば、この隔絶された小島に招かれざる来客などいるわけもない。@ `In a normal situation, there shouldn't have been any guest on this small, isolated island who hadn't been invited.`@ br ;　一体どこからどうやってやって来てどこに隠れているのか。@ ;　そしてなぜ手紙で自らを名乗るくせに、その姿を堂々と現さないのか。@…何れの説明もつかない。\ `How had they come here, and from where, and where were they hiding themselves?`@ `And why hadn't they appeared openly, even though they had sent a letter in their name?`@` ...Nothing could explain that.`\ ;　しかし、４兄弟たちが秀吉の笑いに同調しない以上、@１９人目の可能性を、心のどこかで否定しきれずにいるのだ…。\ `But not only had the four siblings not joined in on Hideyoshi's laughing,`@` they also seemed unable to completely deny in their hearts the possibility of a 19th person...`\ bg Mdin_1aN,22 ld r,$KLA_DefA1,24 ;「霧江さん。@誤解しないでいただきたいが、別に私たちはおとぎ話染みた魔女伝説など、これっぱかりも信じちゃいないさ。」@ ;＜蔵臼 `"Kyrie-san,`@` I don't want you to misunderstand, but we don't believe in anything like that fairy tale-like legend of the witch."`@ ld l,$NAT_TukareA1,23 ;「……また、お父様を侮辱する話ですか。@それを口にすること自体が、お父様への裏切りです。」\ ;＜夏妃 `"......Another topic to insult Father, is it?`@` Simply saying that is a betrayal against Father."`\ bg Mdin_1eN,0 ld c,$ROS_KomaruA1,24 ld r,$EVA_WaraiA1,24 ;「くすくす。@まぁねぇ。@/ `"*giggle*giggle*.`@` I wonder. `@/ ld r,$EVA_AkireA2,80 ;……でも、あのお父様ですもの。@あるいは本当に、……ねぇ？」@ `......However, this is Father we're talking about.`@` It could be possible, ......right?"`@ ld c,$ROS_komaruA3,80 ;「……………わ、…私は何も知らないわ……。」\ ;＜楼座 `"............I, ...I don't know anything......"`\ bg Mdin_1cN,23 ld c,$HID_fumuA1,24 ;「何や何や。@何を険悪になっとるんや…。@どういうことや？@/ `"What's this, what's this?`@` Why's everyone gotten so gloomy...?`@` What are you talkin' about? `@/ ld c,$HID_KomaruA1,80 se1 21 ;　…つまり、…魔女伝説は笑い話でも何でもなく、…事実だっちゅうんか？@　そんなアホな！」\ ;＜秀吉 `...In short, the legend of the witch isn't a joke, ...but a fact?`@` That's ridiculous!"`\ ld r,$RUD_WaraiA2,24 ;「はははは。@もちろん、箒に跨って空を飛ぶ魔女なんて誰も信じちゃいないさ。@/ `"Hahahaha.`@` Of course, nobody believes in some witch riding a broom and flying in the sky. `@/ ld r,$RUD_MajimeA2,80 me2 16 ;……だが、あの肖像画の女。@…ベアトリーチェは本当にこの島に存在したかもしれない。」\ ;＜留弗夫 `......But, the woman in that portrait,`@` ...Beatrice, may really exist on this island."`\ ld l,$KIR_majimeA2,23 ;「………秀吉さん。@魔女とかの話じゃなくて、もっとシンプルな話みたいよ。@/ `".........Hideyoshi-san,`@` it looks like we aren't talking about a witch, but something a little simpler. `@/ ld l,$KIR_WaraiA2,80 ;…つまり、こういうことね。\ `...So, it must be something like this.`\ bg black,22 E_A bgm1 15 ;　ベアトリーチェという名の愛人を、お父さんがこの島のどこかに隠れ住まわせていたのではないかとみんなは疑っている。@……そういうことかしら？」\ ;＜霧江 `Everyone suspects that Father has a mistress named Beatrice secretly living somewhere on this island.`@` ......Is it something like that?"`\ bg Mdin_1cN,22 ld r,$NAT_IkariA1,24 me1v 13,50 ;「お父様は自己を厳しく律する模範的な方です！@　そのような汚らわしい存在を島に連れ込むなど、到底考えられません…！」\ ;＜夏妃 `"Father was a man who was exemplary at strictly obeying the rules!`@` It is completely inconceivable that he would bring something so filthy onto this island...!"`\ ;　夏妃がさっそく噛み付くが、その夫の蔵臼も含め、４兄弟たちはそうは思っていないようだった。@ `Natsuhi snapped at them immediately, but it looked like the four siblings, including Krauss, didn't think that way.`@ br ;　…むしろ、あの金蔵だからこそ、それくらいのことはしかねないと思っているようだった。\ `...On the contrary, it appeared that they thought Kinzo wouldn't even have hesitated to do something like that.`\ bg black,25 ;　金蔵を夢中にさせる愛人の存在は、@それこそこの島に屋敷を構えた当初から囁かれていたのだ……。\ `It had been whispered from the beginning that Kinzo had built a mansion on this island because of the existence of an entrancing mistress......`\ bg Mdin_1eN,22 ld c,$RUD_AkuwaraiA1,24 ;「……親父を尊敬してる夏妃さんにゃ悪いが、だいぶ昔からそういう噂はあったんだよな。@親父は自分ひとりでこの六軒島の設備、全てを作り上げた。\ `"......I'm sorry, Natsuhi-san. I know how much you respect Father, but that rumor's been around for a long time.`@` Father prepared this island by himself, and built everything.`\ ld c,$RUD_NayamuA1,80 ;　…屋敷の中には、親父しかわからない仕掛けや、隠し部屋なんかがあるんじゃないかって初めから疑われてたし、@俺たちの知らない秘密の屋敷が、この島のどこかに隠されてるんじゃないかとも、ずっと囁かれてた。」\ ;＜留弗夫 `...It's been suspected from the beginning that Father had some device or secret room in this mansion,`@` and it has always been whispered that a secret mansion that none of us knew about was hidden somewhere on this island."`\ ld r,$KIR_nayamuA1,24 ;「そうね。@地図上は小さな島かも知れないけれど、…右代宮家だけが住むには広大過ぎる島だわ。@/ `"I see.`@` This island might look small on a map, ...but it's quite large for just the Ushiromiya family to live on. `@/ ld r,$KIR_majimeA2,80 ;……そして未開の森のどこかに、愛人を住まわせるための隠し屋敷を作ったかもしれないと、そう思われてたのね？@　ずいぶん、スケールの大きな話ね。」\ ;＜霧江 `......So people have wondered whether he might have built a secret mansion somewhere in the uncivilized forest for his mistress to live in?`@` That's a rather large-scale story."`\ ld c,$RUD_DefA1,80 ;「最初はそれは、この屋敷の中じゃないかと言われてた。@……秘密の地下とかがあったりして、そこに豪華な隠し部屋があり、あの肖像画の魔女が隠れ住んでるんじゃないかとかな。@/ `"In the beginning, we used to say that it might be somewhere inside this mansion.`@` ......That there might be a hidden basement, with a fabulous hidden room, where the witch in that portrait was secretly hiding. `@/ ld c,$RUD_WaraiA1,80 ;…親父の書斎の、凝ったオートロックの仕掛けとかを見てると、それも納得できるだろ？」\ ;＜留弗夫 `...After seeing that intricate auto-lock on Father's study, it isn't too hard to imagine, right?"`\ bg Mdin_1bN,0 ld l,$KLA_AkuwaraiA3,23 ;「……何しろ、莫大な黄金をどこか秘密の場所に、秘密の仕掛けで隠したと吹聴する親父殿だ。@この屋敷とて、未だ我々の知らぬ隠し部屋があったとしても、驚くには足りんね。」\ ;＜蔵臼 `"......In any event, Father did spread the rumor that a large amount of gold was hidden somewhere by some mechanism.`@` I wouldn't be surprised if there existed some hidden room inside this very mansion that none of us knows about yet."`\ ld r,$EVA_majimeA1,24 ;「お母様は存命中、よくお父様の不在をついて屋敷内をしらみ潰しに探し回ってたわね。@……留弗夫が言ったことを、お母様も疑ってたのよ。@どこかに秘密の扉や階段があって、その中に金髪の愛人が隠れていると信じていたわ。」\ ;＜絵羽 `"When Mother was alive, she would often scour the entire mansion searching for Father when he wasn't anywhere to be found.`@` ......Mother also suspected what Rudolf has just said.`@` She believed that there was a hidden door or stairway somewhere, and that his blonde-haired mistress was hidden behind it."`\ bg black,22 ;bg Mdin_1eN,22 ;　信じ難いことだが、浮気相手を数十年に亘って、屋根裏部屋に秘密に住まわせていたという実例が外国にある。@ `It's hard to believe, but there are some actual examples in other countries of people cheating with someone over a period of several decades by making them live in a hidden attic room.`@ br ;　増してや、これほど立派な屋敷を持つ金蔵なのだ。@ ;　……秘密の部屋の存在などいくらでも疑えた…。\ `Furthermore, Kinzo had a mansion this extravagant.`@ `......It was possible to suspect the existence of a hidden room...`\ fedexx 70,0,0,0,0,0,2000 bg Mdin_1cN,0 ld l,$KIR_majimeA1,23 ;「六軒島の魔女伝説って、@…私の聞いてた話では、子どもたちが未開の森に入り込まないようにって言って作った、怖がらせるためのおとぎ話だったんだけど。@…何だか、それだけじゃないって気がしてきたわ。」\ ;＜霧江 `"From what I've heard,`@` ...the legend of the Rokkenjima witch was just a fairy tale made up to prevent children from entering the uncivilized forest by scaring them.`@` ...But it's starting to sound like there's a little more to the story."`\ ld r,$RUD_DefA1,24 ;「まぁな。@何しろ、右代宮の屋敷以外に何もない寂しい島だからな。@/ `"Well,`@` as you know, this is a lonely island without anything but the Ushiromiya mansion on it. `@/ ld r,$RUD_DefA2,80 ;俺や楼座がガキの頃は、そりゃあ、雷雨の夜に森から聞こえてくる木々のざわめきに怯えたもんさ。@その木々の間から、不気味な何かが様子をうかがってるんじゃないかなんて妄想、@ガキだったら誰でも考える自然なものさ。\ `When Rosa and I were little brats, on stormy nights, we were so scared by the sound of trees rustling, which came from the forest.`@` We had this crazy delusion that something weird might be looking out at us from between those trees.`@` It's only natural for any brat to think something like that.`\ ld r,$RUD_MajimeA2,80 ;　…だが、俺や楼座がそう訴えるのを聞いて、ガキの妄想だろでは済まさない連中もいたってことなんだろうな。@…そうだろ、姉貴。」\ ;＜留弗夫 `...But when Rosa and I complained about it, there were some people who couldn't accept it as a mere delusion.`@` ...Isn't that right, Aneki?"`\ bg Mdin_1aN,0 ld l,$EVA_MajimeA1,23 ;「………えぇ。@私や兄さんは、この島に隠れ住んでいる愛人が、人目を忍んで出歩いていたのを、偶然、あんたたちが目撃したのではないかと考えていたわ。@もちろん、お母様もね。」\ ;＜絵羽 `".........Yeah.`@` Nii-san and I thought that you might have, by coincidence, spotted Father's mistress, who had been living in secrecy on this island, as she went out for a walk when no one was looking.`@` Of course, Mother did too."`\ ld r,$KLA_KomaruA1,24 ;「…古い使用人たちの中にも、深夜の屋敷内に肖像画の魔女が徘徊しているというような怪談が語られていた。@私はそれを表向き、怪談として笑い捨てていたが、内心は秘密の愛人の存在を充分に疑っていたよ。」\ ;＜蔵臼 `"...Among the older servants too, you often heard that ghost story about how the witch of the portrait wanders around the mansion at midnight.`@` Outwardly, I laughed that off as just a ghost story, but on the inside, I suspected very much that it referred to the existence of a hidden mistress."`\ ld c,$HID_majimeA1,23 ;「となると、………この島に１９人目の何者かがいるかもしれないってのは、@まったく馬鹿馬鹿しい話でもないっちゅうことなんか。@…いや、むしろどこかにいるかもしれないわけか……？」\ ;＜秀吉 `"In that case, .........you're sayin' that the existence of a 19th person...`@`might not be completely ridiculous?`@` ...That they might actually be somewhere around here......?"`\ bg Mdin_1bN,0 ld r,$KIR_NayamuA1,24 ;「………よく留弗夫さんの言う、“悪魔の証明”というやつになったわね。@/ `".........Sounds like a case of that 'Devil's Proof' Rudolf's always talking about. `@/ ld r,$KIR_futekiA1,80 ;…１９人目がいることは証明可能だけれど、１９人目が存在しないことは証明不能。@……私たちは、ベアトリーチェという名の人物が島のどこかに潜んでいることを前提に議論を進めるべきなの……？」\ ;＜霧江 `...It might be possible to prove that there is a 19th person, but it's impossible to prove that a 19th person doesn't exist.`@` ......Should we continue this discussion assuming that there is a person named Beatrice hiding somewhere on this island......?"`\ ld l,$RUD_NayamuA1,23 ;「危機管理の基本としては正しいな。@/ `"As a basis for handling the worst case scenario, I believe that is appropriate. `@/ ld l,$RUD_MajimeA2,80 ;…いるわけがないと思うよりは、いるかもしれないと用心する方がはるかにマシだろうよ。」\ ;＜留弗夫 `It's probably much more prudent to say she might exist, rather than saying she couldn't exist."`\ cl r,23 ld r,$HID_KomaruA1,24 ;「そ、…そうやな。@すまん、ちょいと無用心が過ぎたわ…。@楼座さん、さっきは笑ってすまんかったな…。」\ ;＜秀吉 `"I, ...I see.`@` Sorry, I was a bit careless...`@` Rosa-san, sorry for laughin' just now..."`\ cl l,24 ld l,$ROS_KomaruA3,23 ;「え、…あ、……別に気にしてないです。」@ ;＜楼座 `"Huh, ...ah, ......it's alright, I don't mind."`@ br ;　秀吉は、仮にも会社社長を名乗りながら、危機意識が薄くて申し訳ないと深々と謝る。\ `Hideyoshi apologized deeply for taking the worst case scenario lightly, despite calling himself the president of a company.`\ bg black,22 me1v 12,0 me2v 5,0 fedexx 0,50,50,0,0,0,3000 bg Mdin_1fN,2 ;　そこで再び一同は沈黙した。\ `Silence fell again.`\ ;　１９人目の存在に備えるということはつまり、@今この島に、未知の人物が隠れ潜んでいることを認めること。@ `By preparing for the existence of a 19th person,`@` they were accepting that some unknown person was hidden on this island.`@ br ;　そしてその人物が、何か良からぬことを企んでいるかもしれないともなれば、@若干の不気味さを伴うのは当然のことだった…。\ `And since this person might have been planning something bad for them, `@`it was only natural that a few uncomfortable things might come up...`\ ld c,$KLA_NayamuA1,24 ;「……親父殿はかつて、不意に所在を知らせずに姿を消すことがあった。@何しろ、静寂を好むお人だからな。@わざと所在を知らせず、どこかの書庫に閉じ篭っているなどということは、別に不思議なことではなかったよ。\ `"......In the past, Father would sometimes suddenly disappear without telling anyone where he went.`@` After all, he is a person who appreciates silence.`@` It wouldn't have been out of the ordinary for him to shut himself up in some archive after purposefully not telling anyone where he was going.`\ ld c,$KLA_KomaruA1,80 ;　……しかし、魔女伝説が愛人説に摩り替わり、やがてそれは、こっそり愛人のもとへ通っているのではないかと囁かれるようになった。」\ ;＜蔵臼 `......However, after the witch theory began to be refined into the theory about his mistress, it was eventually whispered that he was secretly going back and forth to this mistress."`\ ld r,$RUD_MajimeA1,24 ;「末期のお袋は疑心暗鬼の塊だったからな。@突然大騒ぎして使用人たちに、緊急事態だから今すぐ親父を探せなんて騒ぎ始めることがあったっけ。」\ ;＜留弗夫 `"Mom was completely overridden with doubt in her final years.`@` She would sometimes suddenly start making a racket, asking the servants to start looking for Father immediately because of some urgent situation."`\ ld l,$EVA_MajimeA1,23 ;「……あったわね。@晩年のお母様はそんなことばかりだったから、未だにその怖い雰囲気が拭えないわ。@/ `"......Yes, that did happen sometimes.`@` Mother was always doing things like that in her later years, and that frightening atmosphere still hasn't gone away. `@/ ld l,$EVA_KomaruA1,80 ;…今だから言える。@可哀想な人だったわ。」\ ;＜絵羽 `...I can say it for certain now.`@` She was a pitiful person."`\ bg Mdin_1cN,0 ld r,$HID_MajimeA1,23 ;「それで、…その大々的な家捜しの結果、どうだったんや。@何か見付かったんか。」\ ;＜秀吉 `"So then, ...what were the results of those large-scale searches of the house?`@` Did they find anythin'?"`\ ld l,$EVA_MajimeA1,23 ;「いいえ。@隠し部屋は愚か、一度たりともお父様が発見されたことはないわ。@そしていつも、それからだいぶ時間が経ってからひょっこりと、何処からか姿を現すの。@どこかの書庫で昼寝していたとか、風に誘われて浜辺を散歩していたとか何とか言ってね。\ `"No.`@` Father wasn't caught foolishly in a hidden room even once.`@` Every time, after a lot of time had passed, he would suddenly show up somewhere.`@` Then he'd say that he'd taken a nap in some archive or that the wind had called him down for a walk on the beach.`\ ld l,$EVA_ikariA1,80 ;　…でも、それらの場所は何れも使用人たちが必ず探している場所。@……お父様がどこに行っていたのかは、いつもわからなかった。@当時からお父様はオカルトに傾倒していることが有名だったから、@一部の使用人たちは、蝶にでも化けて、薔薇庭園を舞っていたのだろうなんてうそぶいていたっけ。」\ ;＜絵羽 `...But it was always some place where the servants had already looked.`@` ......We never knew where Father had gone.`@` Since that time, Grandfather started to become famous for his adoration of the occult,`@` so some of the servants exaggerated, saying that he might have turned into butterflies and danced around the rose garden."`\ bg Mdin_1dN,0 ld r,$KIR_MajimeA2,24 E_B bgm1 18 ;「つまり、お父さんは、誰も知らないどこかへ姿を消すことが頻繁にあったのね。」\ ;＜霧江 `"So in short, Father frequently disappeared, and no one knew where he went."`\ ld l,$RUD_NayamuA1,23 ;「あぁ。@どんなに屋敷中を探しても見付からないんだから、親父は屋敷の外へ行っているのだろうという見解になった。@だが、屋敷の外ったって、それほど大した場所はない。@……となると残るのは、広大な森だ。\ `"Yeah.`@` Since we couldn't find him no matter how much we looked inside the mansion, we grew increasingly of the opinion that Father might have gone somewhere outside the mansion.`@` But the area outside the mansion isn't large at all.`@` ......Which leaves only the forest.`\ ld l,$RUD_AkuwaraiA1,80 ;　それで森の魔女伝説と融合して、出来た仮説はこうだった。@/ `And if you tie that in with the legend of the witch, you get a theory like this: `@/ se1 21 ;親父は実は、森のどこかに隠し屋敷を作っていて、@そこにベアトリーチェという名の愛人を住まわせていて、時折通っているんじゃないかってわけだ。」\ ;＜留弗夫 `Father actually built a hidden mansion somewhere in the forest,`@` inside of which a mistress by the name of Beatrice lived, and he sometimes went to see her."`\ bg Mdin_1eN,0 ld r,$KLA_KomaruA1,24 ;「…私も当時は若くてね。@親父殿の浮気の現場を押さえてやろうと意気込み、表へ出る親父の後をつけようとしたことがある。\ `"...I was also young at the time.`@` I was so enthusiastic to find where Father was having his affair that, at one time, I followed him when he went outside.`\ ld r,$KLA_NayamuA1,80 ;　…もちろん失敗したよ。@親父は表へ出る時、異様に人目を嫌い、誰かに見られてないか警戒していた。@それこそ異常なくらいにね。@/ `...Of course, it was a failure.`@` Every time Father went outside, he was oddly intent on avoiding places where he was visible, and was extremely cautious to prevent anyone from seeing him.`@` He was like that to a very odd extent. `@/ ld r,$KLA_AkuwaraiA3,80 ;だから逆に確信したよ。@家人に知られてはならぬ理由で出掛けているに違いないとね。」\ ;＜蔵臼 `But that actually made me sure.`@` He must have been going out for some reason that the members of his family couldn't know about."`\ ld l,$HID_fumuA1,23 ;「そら、愛人のところへ出掛けるんや。@/ `"And that would be going to meet his mistress. `@/ ld l,$HID_KomaruA1,80 ;人目も忍ぶやろな。」@ ;＜秀吉 `Probably tryin' to avoid being seen."`@ br ;　秀吉がさも当然のように、ウンウン言いながら頷くのを見て、絵羽がちょっとムッとする。\ `After seeing Hideyoshi nod and say 'yes, yes' as though this was quite obvious, Eva got a little sullen.`\ bg black,23 bg Mdin_1aN,23 ld c,$EVA_IkariA1,24 ;「…まぁとにかく。@西洋被れのお父様が、自分の夢を、まるでスケッチブックに描くみたいに実現したのがこの島なのよ。@……全てがお父様の思い通りの島。@愛人を住まわせる隠し屋敷があっても、何の不思議もない…。」\ ;＜絵羽 `"...Well, anyways.`@` This island was like a sketchbook in which Father, with his western obsession, could draw out all of his dreams.`@` ...Everything about this island was exactly how Father wanted it.`@` It wouldn't be odd at all if there were some hidden mansion for his mistress to live in..."`\ bg black,22 me3 16 ;　絵羽のその言葉は、４兄弟がずっと思ってきたこと全てを代弁したようだった。@ `Eva's words spoke for what all of the siblings had come to think.`@ ;　しばしの間、室内は再び沈黙に支配され、一同は雨と風の音に耳を傾ける…。\ `For a while, the room returned to silence again, and everyone listened to the sound of the wind and rain...`\ ;　……この島には誰も知らない隠し屋敷があり、そこにずっとずっと、金蔵の愛人が隠れ住まっている……？@ `......Was there a hidden mansion on this island, and had Kinzo's mistress been living there in hiding for a long, long time......?`@ br ;　誰もが勘繰り過ぎだと思い、長いこと口にすることをはばかられてきたが…。@……全員が持つ共通の見解であったのだ。\ `Everyone thought that they were being too suspicious, and they hesitated for a long time without speaking, but...`@`......everyone shared a common opinion.`\ ;　その話を、ずっと目を閉じて聞いていた霧江が、誰とはなしに問い掛ける。\ `Kyrie, who had been listening the whole time with her eyes closed, spoke to no one in particular.`\ bg Mdin_1eN,24 ld l,$KIR_majimeA2,23 E_M3 ;「…その、お父様の愛人の噂はいつ頃から？」\ ;＜霧江 `"...How long has this rumor about Father's mistress been around?"`\ ld r,$RUD_majimeA2,24 ;「この島に引っ越してきた当初からだから、かれこれ３０年くらい前だな。@/ `"As soon as we moved to this island, about 30 years ago. `@/ ld r,$RUD_nayamuA1,80 ;何しろ、隠し屋敷の工事なんて、俺たちが島に来ちまったら無理だろ。@人とか機材の出入りがあるもんな。@すぐにバレちまうさ。\ `Anyways, it probably would have been impossible for him to have a hidden mansion constructed while we were here.`@` People and materials would have to be going in and out.`@` It would have been exposed quickly.`\ ld r,$RUD_majimeA2,80 ;　だから、可能だとしたら、俺たちが引っ越してくる以前。@…多分、俺たちがまだ小田原に住んでいた頃に、この屋敷の工事と一緒に済ましていたんだろうよ。」\ ;＜留弗夫 `Therefore, if it was possible, it happened before we moved here.`@` ...It probably could have been built along with this mansion when we were still living in Odawara."`\ cl l,24 ld l,$EVA_akireA2,23 ;「お父様は、家族生活と愛人との生活の２つを両立させようと、最初から想定していたと考えるのが妥当なんでしょうねぇ。@多分、愛人との関係は小田原時代にまで遡るでしょうし。」\ ;＜絵羽 `"Since Father had to set up a double life with his family and his mistress, it's probably appropriate to assume that he had it all planned from the beginning.`@` And his relationship with that mistress probably went back to the days when we lived in Odawara."`\ ld c,$KLA_DefA1,24 ;「だろうな。@親父殿が言うように、右代宮家復興の軍資金となった莫大な黄金が、彼女によってもたらされたとするなら、@小田原時代にはもう親交があったと見るべきだろう。@/ `"Probably.`@` If, as Father says, she is the source of the vast amount of gold that he used to gain the funds which resurrected the Ushiromiya family,`@` we could probably conclude that they had a close relationship since Odawara. `@/ ld c,$KLA_AkuwaraiA2,80 ;……莫大な黄金を貸し付けられるだけの信頼関係だ。@どれほどの古い縁か、想像もつかんね。」\ ;＜蔵臼 `......A relationship trusting enough for her to lend him a vast quantity of gold.`@` I can't even imagine how old that relationship must have been."`\ bg Mdin_1bN,0 ld r,$NAT_ZutuuA1,23 ;「………恐らく、お父様が事業で成功する上で、何か貴重な助言をしてくれたのでしょう。@それに恩を感じ、その人物が黄金を与えてくれたというような言い方をしたと考えるのが自然です。@そうと考えれば、その後も親交があったのは当然でしょう。@それは恐らく、愛人という爛れた関係ではなく、右代宮家の危機を救った恩人としてに違いありません。」\ ;＜夏妃 `".........Possibly, after achieving success in business, Father gave her some kind of valuable advice.`@` It's natural to think that, out of a sense of gratitude for that, this person gave Father the gold.`@` If you think about it that way, it's obvious that they would have a close relationship after that.`@` Rather than a festering relationship with a mistress, it was probably a relationship of gratitude to the person who saved the Ushiromiya family from crisis."`\ ld l,$HID_fumuA1,23 ;「……夏妃さんの言うのも、一理あるかもわからんな。@だが、仮にそうでも、隠し屋敷を作って住まわせるってのは、ちょいと行き過ぎた話やろなぁ。@恩だけでは量れん感情があったんとちゃうか。」\ ;＜秀吉 `"......I don't know whether what Natsuhi-san's saying has a ring of truth to it or not.`@` But, even in that case, isn't building a hidden mansion and havin' her live in it going a little too far?`@` Doesn't that mean that there were some emotions in play beyond gratitude?"`\ bg Mdin_1aN,23 ld r,$RUD_DefA2,24 ;「まぁ、全ては憶測だ。@……第一、その隠し屋敷は誰も見つけたことがねぇ。@/ `"Well, this is all speculation.`@` ......In the first place, no one has ever found that hidden mansion. `@/ ld r,$RUD_WaraiA1,80 ;…兄貴はこの島をリゾート開発する気なんだろ？@　その際にひょっこり見付かるかもしれねぇぜ？@　案外、そこに黄金もあったりするかもな。」\ ;＜留弗夫 `...Aniki was planning on expanding this island into a resort, right?`@` As you were doing that, you didn't manage to stumble on it by chance, did you?`@` Or maybe unexpectedly find some gold there, too?"`\ ld l,$KLA_AkuwaraiA2,23 ;「…はははは。@お前は六軒島を宝島か何かだとでも思っているのかね？」\ ;＜蔵臼 `"...Hahahaha.`@` Do you think Rokkenjima is Treasure Island or something?"`\ cl r,23 ld r,$EVA_futekiA1,24 ;「惚けないでよ。@…兄さんがリゾート開発と称して、島の全域調査を計上しようとしてたのを知ってるのよぅ？@/ `"Don't play dumb.`@` ...We know that, although you say that you are opening a resort, you have really been planning to investigate the entire island, right? `@/ ld r,$EVA_AkireA1,80 ;　例のトラブルのごたごたで出来なくなっちゃったそうだけどね？」\ ;＜絵羽 `Judging by all that trouble and confusion we were talking about earlier, you haven't been very successful, have you?"`\ ld l,$KLA_NayamuA1,80 ;「何だか知らんが、誤解だな。@島の調査はリゾート化の第一段階として、極めて当然のことだ。」@ ;＜蔵臼 `"I don't know what you're talking about, it's a misunderstanding.`@` Isn't it perfectly natural that investigating this island would be the first step in turning it into a resort?"`@ br ;　蔵臼は惚けてみせるが、彼をよく知る兄弟たちにとってそれはとても白々しいものだった。\ `Krauss tried to play dumb, but it was plainly obvious to his siblings, who knew him so well.`\ ;　…蔵臼は間違いなく、隠し屋敷の存在を確信しているのだ。@ `...Krauss was definitely sure of the existence of a hidden mansion.`@ br ;　それで、リゾート開発と称して島を詳しく調べ、黄金の隠し場所の手掛かりを見つけようとしているのだ。\ `And under the pretense of opening a resort, he had been closely investigating the island, searching for a clue as to the location of the hidden gold.`\ ;　その確信は、単なる思い込みなのか、それとも具体的な証拠があってのことなのかはわからない。@ `They couldn't tell whether that conviction was just him over-thinking things, or whether it was based on some physical proof.`@ br ;　……しかし、悪知恵の働く蔵臼がそれを確信している以上、@それに足る根拠があるに違いないと兄弟たちもまた確信していた…。\ `......Still, if Krauss, with all his guile, was sure,`@` that was enough proof for the other siblings to be sure, too...`\ bg Mdin_1bN,26 ld r,$HID_majimeA1,24 ;「……森に魔女が住んでるっちゅうのは、そのまんまおとぎ話やが、@森の中に誰も知らない屋敷があって、金髪の姉ちゃんがひっそり隠れ住んどるっちゅうのも、充分、おとぎ話やな。」\ ;＜秀吉 `"......The story about a witch livin' in a forest is obviously a fairy tale,`@` but the story about some blonde-haired girl livin' secretly in a mansion no one knows about in the middle of the forest...isn't much better."`\ ld l,$EVA_akireA2,23 ;「そうね。@シチュエーションだけだったら、まるで童話か何かみたいねぇ。@/ `"That's right.`@` That situation would sound just like a children's story. `@/ ld l,$EVA_akireA1,80 ;楼座、そういうの好きでしょう。」@ ;＜絵羽 `You like those, don't you Rosa?"`@ cl r,23 ld r,$ROS_AseruA1,24 ld r,$ROS_komaruA4,80 ;「……え、……ま、…まぁね…。」\ ;＜楼座 `"......Huh, ......w, ...well..."`\ bg Mdin_1eN,24 ld c,$KLA_defA1,23 ;「この島に屋敷を建てた頃は、親父殿の特に全盛期だ。@カネに物を言わせて、どんな妄想も実現しただろう。@…森の中にひっそりたたずむ魔女の屋敷。@/ `"When the mansion was built on this island, Father was at the height of his prosperity.`@` With his money, he could probably obtain anything, make any of his delusions real.`@` ...A mansion in the forest where a witch quietly waits...`@/ ld c,$KLA_akuwaraiA1,80 ;……親父の好きそうなシチュエーションだ。」\ ;＜蔵臼 `......It sounds like the kind of situation Father would like."`\ ld l,$RUD_MajimeA1,23 ;「……だな。@オカルトチックというかメルヘンチックというか。@…親父の趣味って気がするぜ。」\ ;＜留弗夫 `"......Doesn't it?`@` Like something from the occult or a fairy tale.`@` ...It feels like Father's hobby."`\ bg black,22 bg sea_1b,2 ;　右代宮家が３０年にもわたって住まってきたこの島に、@誰も知らない隠し屋敷がひっそりと建っていて、肖像画でしか知らない魔女が住んでいる…。@ `On this island, which the Ushiromiya family had lived on for 30 years now,`@` a hidden mansion that no one knew about had been quietly built, with a witch, who was unknown except for a portrait, living in it...`@ br ;　にわかには信じられないこの話も、@…全て金蔵の奇癖と莫大な財産があれば、決して妄想ではないのかもしれない…。\ `Even this hastily thrown together story,`@` ...might not be completely delusional considering all of Kinzo's strange habits and his vast wealth...`\ bg black,5 fedexx 70,0,0,0,0,0,2000 bg Mdin_1fN,0 ld c,$KIR_MajimeA1,22 ld c,$KIR_NayamuA1,80 ;「……お父さんがそういう夢を思い描いて、隠し屋敷を建てることは不可能じゃないかもしれない。@/ `"......It might not have been impossible for Father to build a hidden mansion to satisfy his dreams. `@/ ld c,$KIR_majimeA2,80 ;……でも、現実的な話。@その隠し屋敷に、愛する女性を不自由なく何十年にもわたって住まわせることなんて、可能なのかしら…？」\ ;＜霧江 `......However, let's be realistic.`@` Would it be possible to house his beloved woman in that hidden mansion for decades without it becoming inconvenient...?"`\ ld r,$EVA_defA1,24 ;「……さぁ。@愛さえあれば可能なんじゃない？」@ ;＜絵羽 `"......Well,`@` if there was love, it could have been possible, right?"`@ ld c,$KIR_futekiA1,80 ;「愛する女性が健やかに過ごせるような設備よ。@……それもお父さんなりのね。@それは例え、規模が小さかったとしても、趣向を凝らした快適な邸宅に違いない。\ `"Think about the facilities needed to let his beloved woman live healthily.`@` ...And how Father would do it.`@` For example, even if it was on a small scale, it would have to be an intricate and pleasant residence.`\ ld c,$KIR_NayamuA1,80 ;　そしてそれを維持するには、@/ ;!s0電気、/ ;!d400ガス、/ ;!d400水道。/ `And it would probably need to have `@/ !s0`electricity, `/ !d400`gas, `/ !d400`and running water maintained, `/ ;!sd@あるいは身の回りの世話に人間も必要かもしれない。@食事の世話だって大変でしょうね。@衣服や化粧品、日用品。@…女の身の回りは簡単じゃないわ。@……それだけのものを、家人にも使用人にも悟らせずに維持することって、可能なのかしら。」\ ;＜霧江 !sd@`as well as some people to help her.`@` Cooking would be quite difficult.`@` She would need clothes and makeup, the daily necessities.`@` ...The needs of a woman aren't simple.`@` ......Would it be possible to maintain all of that without any of the family or the servants noticing?"`\ bg Mdin_1cN,0 ld l,$RUD_defA2,23 ;「…………そこまで言われると確かに弱いな。@…だがそれでも、親父ならやってのけるかも知れんという気持ちは残る。@…何しろ、あの親父だからな。」@ ;＜留弗夫 `".........When you say it that way, it sure sounds like a weak point in our theory.`@` ...But that isn't enough to get rid of my feeling that Father might have been able to do it anyways.`@` After all, it's our Father."`@ ld r,$EVA_majimeA1,24 ;「そうね。@…あのお父様だものね。」\ ;＜絵羽 `"That's right.`@` ...It's our Father."`\ bg Mdin_1bN,0 ld c,$NAT_zutuuA1,23 ;「お父様は、やり遂げることは何があってもやり遂げます。@…常人には難しいから無理だろうという理由は、お父様に関してだけは当てはまらないでしょう。」@ ;＜夏妃 `"If Father had something he wanted to succeed in, he would succeed no matter what.`@` ...Saying that it would be difficult for a normal person and is therefore impossible, doesn't apply when it comes to Father."`@ ld r,$KLA_DefA1,24 ;「うむ。@親父殿に関してだけは、見くびらん方がいい。@……親父の狂気は、常人の思考では理解にも及ばん。」\ ;＜蔵臼 `"Hmm.`@` You should never underestimate Father.`@` ......Father's madness can't be understood by normal people."`\ bg black,22 me1v 5,50 ;　“あの”金蔵ならやりかねない。@ `I wouldn't put it past 'that' Kinzo.`@ br ;　…この枕詞が付く限り、どんな荒唐無稽な話にも少なからずの信憑性が宿った。\ `...As long as you stick to this phrase, a considerable amount of credibility can dwell in any absurd story.`\ ;　しかし、それでも霧江の言い分は揺るぐものではない。@ `However, that didn't cause the importance of what Kyrie had said to waver.`@ br ;　こっそりと、親に内緒で段ボール箱に猫を飼うのとはわけが違う。@ `This was different from stealthily raising a kitten in a cardboard box and keeping it a secret from your parents.`@ br ;　人間ひとりを３０年にもわたって秘密に世話するなんて、その手間は計り知れないくらいに膨大だろう…。\ `Taking care of a person in secret over a period of 30 years would be an incalculably massive task...`\ bg Mdin_1dN,6 ld l,$HID_fumuA1,23 ;「……お父さんの黄金伝説は、六軒島を取得する前からや。@となると、その愛人との縁は３０年以上ということになるな…。@/ `"......Because Father's Legend of the Gold started before he gained possession of Rokkenjima.`@` That would mean that his relationship with his mistress was over thirty years long... `@/ ld l,$HID_KomaruA1,80 ;ってことは、今はいくつなんや@？　下手をしたら、わしらと同じかそれ以上の年齢とちゃうか？\ `How old would that make her?`@` In the worst case, she could be as old as us or older, right?`\ ld l,$HID_majimeA1,80 ;　…体にもボロが出る年頃のはずや。@どんな屋敷か知らんが、人目に触れんような、ほとんど軟禁に近い生活は、そう快適とは言えんやろなぁ…。」\ ;＜秀吉 `...By that age, the body starts to break down.`@` I don't care what the mansion's like, I couldn't call livin' in a place where people's eyes can't reach, almost as though she were under house arrest, agreeable..."`\ bg Mdin_1aN,0 ld r,$EVA_IkariA1,23 ;「そうね。@…お父様が語るベアトリーチェについての話が正しいなら、その縁は３０年以上。@/ `"That's right.`@` ...If what Father told us about Beatrice is true, then that relationship has lasted for over 30 years. `@/ ld r,$EVA_AkireA1,80 ;……当時は魅惑的な若い女性だったかもしれないけど、今は私たちと同格の、タフな食えない女と考えるのが妥当でしょうね。@手紙の内容からもそれは容易に想像できるわ。」\ ;＜絵羽 `......She might have been a charming young woman at the time, but it is probably appropriate to think that she's now an old bag like us.`@` I can easily imagine that, given the contents of that letter."`\ ld l,$KLA_AkuwaraiA1,23 ;「お前が言うか。@くっくっく。」\ ;＜蔵臼 `"You should talk.`@` *cackle*cackle*."`\ ;　自分のことを棚に上げて、とでも言うように蔵臼が笑う。@ ;　絵羽はもちろんカチンと来たようだが、買い言葉は返さなかった。\ `Krauss laughed, as though blind to his own shortcomings.`@ `Of course, Eva was offended, but she didn't strike back.`\ ld c,$RUD_NayamuA1,24 ;「よせよ兄貴。@……そして俺たちの想像が本当なら、親父の遺産問題に彼女は胸を張って参加したいはずなんだ。@/ `"Quit it, Aniki.`@` ......So if everything we imagine is true, then she should throw out her chest with pride and join in on Father's inheritance problem. `@/ ld c,$RUD_AkuwaraiA1,80 ;何しろ、…お袋と違い、相思相愛だった可能性が高いからな。@本人には、愛人の自覚と同時に、正妻としての誇りもあるかもしれない。」\ ;＜留弗夫 `Anyways, ...there's a good chance that this love was mutual, unlike with Mother.`@` Father himself might have been aware that she was his mistress, and yet at the same time, he might have been proud of her as though she were his real wife."`\ cl l,24 ld l,$NAT_OdorokiA1,23 ;「………それはお母様への侮辱に当たりますよ。」@ ;＜夏妃 `".........That is an insult to Mother."`@ ld c,$RUD_defA2,80 ;「あぁ、すまん。@/ `"Yeah, sorry. `@/ ld c,$RUD_majimeA2,80 ;…だが、親父とお袋が、親戚の長老たちによる政略結婚だったことは誰もが知ってる。@…だからこそ、親父に愛人がいてもおかしくないと確信できるわけだがな。」\ ;＜留弗夫 `...However, everyone knows that it was a political marriage decided by the elders among his relatives.`@` ...Because of that, we can be sure that it wouldn't be odd for Father to have a mistress."`\ bg black,25 me2v 11,0 fedexx 0,50,50,0,0,0,2000 ;bg Mdin_1gN,22 ;　関東大震災でお家が傾き、金蔵は望まずして右代宮家の当主に担ぎ出された。@ `The family sank after the Great Kanto Earthquake, and Father was set up as the Ushiromiya family head against his will.`@ br ;　しかし、当初の金蔵は、それを傀儡にしようという親戚の長老たちの強い影響下にあり、操り人形も同然だった。@ `However, in the beginning, the elder relatives treated Kinzo like a dummy and had a strong influence on him, almost like he was a puppet.`@ br ;　自分では何も決めることが許されず、婚姻の相手すらも拒めなかった…。\ `He wasn't permitted to decide anything by himself, not even his marriage partner...`\ ;　……金蔵の黄金伝説は、そんな灰色の日々に、@黄金の魔女ベアトリーチェに出会うことにより、急にドラマチックなものに彩られていく。@ `......Since the time he met that Golden Witch Beatrice in those distant days,`@` Kinzo's Legend of the Gold was quickly embellished into something dramatic.`@ br ;!s0　それはつまり、/ ;!d800…金蔵が本当に愛する女性に出会った、/ ;!d900ということなのかもしれない。/ !s0`In other words, `/ !d800`...it could mean, `/ !d900`that Kinzo really did meet with a woman he loved.`/ !sd\ ;bg black,22 ;　その経緯を彼女も知るならば、@婚姻関係にはなくても、心の中では正妻の自覚を持っていたとしても何の不思議もない。@ `If she also knew the whole story, `@`even if they weren't marriage partners, it wouldn't have been odd for her to consider herself his true wife, inside her heart.`@ br ;　…そして、戸籍上の正妻はもう死んでいる…。\ `...And now, the person registered as his true wife was already dead...`\ me3v 12,0 fedexx 0,50,0,50,0,0,3000 bg Mdin_1bN,26 ld r,$HID_KomaruA1,24 ;「…となると、財産権どころか、家督争いにも食い込む気、満々ってことになるで。」@ ;＜秀吉 `"...In which case, she might feel confident encroaching in on not just the rights to his assets, but the battle over the inheritance as well."`@ ld l,$KLA_AkuwaraiA2,23 ;「………なるほどな。@この手紙の趣旨が少しだけ見えてきたよ。@碑文の謎を解く者に家督を…。@そういう意味か。」\ ;＜蔵臼 `".........I see.`@` I'm starting to see the purpose of this letter.`@` The inheritance for the one who solves the riddle of the epitaph...`@` Is that what it means...?"`\ cl r,23 ld r,$EVA_HohoemiA1,24 ;「仮に、その愛人が右代宮家に序列を得ていたとしても、その序列はお父様の血を直接引かない以上、子どもに劣る。@/ `"Even if that mistress was added into the family ranking system, since she is not a direct relative of Father, she would be inferior to even the children. `@/ ld r,$EVA_AkireA2,80 ;…つまり、序列は楼座より１つ下ね。@とても家督争いに加われるようなレベルじゃないわ。」\ ;＜絵羽 `...In other words, she would be right below Rosa in rank.`@` That's not a good position to join the battle for the inheritance."`\ cl l,24 ld l,$RUD_komaruA1,23 ;「そういうことか。@…魔女の碑文を解けば、序列に関係なく家督が継げる。@つまり、まったく可能性のないベアトリーチェにとってもっとも有利な条件ってわけだ。」\ ;＜留弗夫 `"Is that so?`@` ...If someone can solve the witch's riddle, they will receive the inheritance regardless of rank.`@` In other words, it is the most advantageous condition that Beatrice could get, since she has nothing to do with this."`\ bg black,25 bg rose_G1a,22 ;　右代宮家の復興は、ベアトリーチェが黄金を授けたことによって成し遂げられた。@ ;　…つまり、彼女の手柄ということになる。\ `The revival of the Ushiromiya family had been made possible by the gold Beatrice had bestowed.`@ `...That was quite a distinguishing service she had provided.`\ ;　自分と金蔵の二人で築いた財産なのだから、それを引き継ぐのは自分だと考えるのは自然な流れ…。@愛のない妻から生まれた子どもたちに、ビタ一文譲るものかと考えるのも、これもまた自然な流れだろう。\ `She had built that wealth together with Kinzo, so it was natural that she would have thought of herself as the one who should inherit it...`@` It would also be natural for her to despise the thought of giving that up to the children of the wife Kinzo had never loved.`\ bg black,22 bg Mdin_1aN,0 ld r,$NAT_OdorokiA2,22 ;「ず、図々しいにもほどがあります…！@　仮に愛人が実在したとしても、当主継承権を争おうなど、身の程を弁えぬ暴挙です！@　何という身の程知らず…！」@ ;＜夏妃 `"D, don't say something so shameless...!`@` Even if a mistress actually existed, joining in on the battle for the rights to the head's inheritance would be a reckless action far above her place!`@` What disregard for her own place...!"`@ br ;　夏妃は真っ赤になって握り拳を振るわせた。\ `Natsuhi turned red, her fist quivering.`\ bg black,22 ;　…彼女もまた、右代宮家への入籍は複雑な事情がある。@ ;　それを知る人間たちは、亡き金蔵の妻の肩を持つ彼女の気持ちを、何となく理解できるのだった。\ `...She had also come into the Ushiromiya register due to complicated circumstances.`@ `Those who knew that understood more or less why she was so angry for the sake of Kinzo's dead wife.`\ bg Mdin_1bN,0 ld c,$EVA_akireA2,24 se1 21 ;「…まぁ、その暴挙のお陰で私たちにも公平にチャンスがあるわけなんだけど、ねぇ？@/ `"...Well, thanks to her reckless action, we now all have an even chance, right? `@/ ld c,$EVA_futekiA1,80 ;　それに、お父様はこの暴挙を黙認されている。@……右代宮家を継ぐのは愛人ベアトリーチェか、愛はなくとも血を受け継ぐ私たちか。@それを争わせて確かめたいというのでしょうね。」@ ;＜絵羽 `And also, Father has given that reckless action his silent approval.`@` ......Will the person who succeeds the Ushiromiya family be his mistress Beatrice, or one of us, the relatives he doesn't love?`@` Maybe he wants to make us struggle over that to see who is worthy."`@ br ;　絵羽が悪戯っぽくくすりと笑いかけると、蔵臼は肩を竦めて目線を逸らす。\ `As Eva giggled roguishly, Krauss shrugged his shoulders and looked away.`\ bg black,24 bg Mdin_1eN,24 ld r,$KIR_nayamuA1,24 ;「……でも、その条件を向こうが出してきたということは、@向こうは充分な勝算があるということじゃないのかしら。」\ ;＜霧江 `"......However, since it was the other party that brought up this condition, `@`I wonder if that means that the other party has a significant advantage."`\ ld l,$HID_MajimeA1,23 ;「そ、それもそうや。@…第一、ベアトリーチェはあの手紙の文面通りなら、お父さんの顧問錬金術師。@つまり、黄金の管理者や。@その隠し場所を知っていても何の不思議もないやないか！\ `"Th, that's right.`@` ...In the first place, if Beatrice meant that letter literally, then she's Father's alchemist.`@` In other words, she's the manager of his gold.`@` It wouldn't be strange at all if she knew where it was hidden, would it?!`\ ld l,$HID_KomaruA2,80 E_A bgm1 27 ;　こりゃひどい話やで。@答えを知っているなぞなぞを出してきたも同じや！@　これでしゃあしゃあと現れて、これが答えや、家督はいただきやで、なんて言われたら、@わしら、全てを掻っ攫われちまうわ！」\ ;＜秀吉 `Isn't that cruel?`@` It's like she's telling us a riddle that she knows the answer to!`@` She'll probably show up rudely, say 'Hey, here's the answer, I'll take the inheritance now',`@` and snatch everything away from us!"`\ cl r,23 ld r,$EVA_majimeA1,24 ;「……………………。@…そうね。@/ `".....................`@`...That's right. `@/ ld r,$EVA_IkariA1,80 ;なぞなぞの出題者は、常に正解を知っているものよ。@これは、私たちから全てを奪うために作られた罠の可能性が高いわ。」\ ;＜絵羽 `The person who brings up a riddle always knows the answer.`@` There's a good chance that this is all a trap to steal everything from us."`\ cl l,24 ld l,$KLA_NayamuA1,23 ;「…そこまで考えると、そもそも彼女が本当に黄金を持っているかどうかは怪しいと思わんかね？@　なぜ我々にその存在を教える。@黙って着服すれば良いものを。」\ ;＜蔵臼 `"...If you think about it like that, don't you start to doubt whether she really had any gold in the first place?`@` Why would she tell us about it?`@` All she'd have to do would be stay silent and embezzle it."`\ ld c,$RUD_MajimeA1,24 ;「確かに。@…おかしな話だな。」\ ;＜留弗夫 `"It really is,`@` ...a strange story."`\ bg black,22 bg Mdin_1gN,22 ;　確かにその通りだった。@ `That was certainly the case.`@ br ;　碑文が黄金の隠し場所を示しているなら、なぜそれを解いてみろなどと挑発を？@　仮に解かれたら、黄金を奪われてしまうではないか…。\ `If the epitaph showed the way to where the gold was hidden, why would she challenge them to try and solve it?`@` If they actually did solve it, wouldn't the gold all be stolen...?`\ ;　ひょっとして、碑文を解くように焚き付けて、@脇から掻っ攫おうと考えているのでは…。@それは極めて妥当な想像だった。\ `Could it be that this person was trying to stir the siblings up so that they tried to solve the epitaph,`@` and would then snatch it up before they did solve it...?`@` That was a very reasonable guess.`\ bg Mdin_1fN,0 ld c,$KIR_MajimeA1,24 ;「…………いえ。@チェス盤を引っ繰り返して考えれば、黄金を実際に持っている可能性は低くないかもしれない。」\ ;＜霧江 `"............No, `@`if you turn the chessboard over, there might be a pretty good chance that they actually do have the gold."`\ ld l,$EVA_majimeA1,23 ;「どうしてそんなことが断言できるのよぅ？」@ ;＜絵羽 `"Why are you so certain?"`@ ld r,$RUD_KomaruA1,80 ;「…待て姉貴。@/ `"...Wait, Aneki. `@/ ld r,$RUD_majimeA2,80 ;……霧江、続きを話してくれ。@どうしてそう思うんだ？」\ ;＜留弗夫 `......Kyrie, please keep talking.`@` Why do you think that?"`\ bg Mdin_1eN,23 ld r,$KIR_KomaruA1,24 se1 21 ;「だって、私たちは魔女の碑文なんて言うなぞなぞの答えを教えられたくらいで、@本気で右代宮家の家督を明け渡す気？@　なぞなぞの答えに感服して降参を？」\ ;＜霧江 `"After all, do they really think that we would give up the inheritance of the Ushiromiya family, `@`just because someone told us the answer to the riddle in the witch's epitaph?`@` That we'd be so impressed at the answer to the riddle that we'd just give up?"`\ ld l,$HID_KomaruA1,23 ;「……そらまぁ、/ ;!d1500……それもそうやな。@なぞなぞの答えを教えられたくらいで、わしらがあっさり降参して、@家督をハイどうぞと渡すかっちゅうたら、そら甘い話やな。」\ ;＜秀吉 `"......Well, `/ !d1500`......that's true.`@` They wouldn't be so naive to assume that we would give up after being told the answer to the riddle, `@`that we'd just say 'Here you go' and hand it over."`\ cl r,23 ld r,$NAT_HisuA1,24 ;「当然です。@右代宮家の家督を、そんな程度のことで譲ることがあるわけがない！」\ ;＜夏妃 `"Of course.`@` The inheritance of the Ushiromiya family is not something that can be handed over so easily!"`\ bg Mdin_1gN,22 ;「そういうことよ。@いくらベアトリーチェが一方的にこんなゲームを提案しても、そして見事その答えを示して見せたとしても。@私たちは家督を素直に譲るわけもない。@……つまり、私たちがこのゲームに対等な条件で挑まなくてはならないという、強制力がない限り、@このゲームは成立しないのよ。」\ ;＜霧江 `"That's it exactly.`@` No matter how one-sided a game Beatrice proposes, even if she splendidly shows us the answer,`@` there's no way that we'll obediently hand over the inheritance.`@` ......So as long as this game isn't on an even footing, unless they have some kind of compelling force,`@` the game won't succeed."`\ bg black,22 bg Mdin_1aN,0 ld r,$RUD_nayamuA1,22 ;「そうだな。@/ `"That's right. `@/ ld r,$RUD_komaruA1,80 ;……負けた時、家督を譲ることに `......Unless the inheritance is handed over by the losers` br ;(強制力を持たせなきゃ/・・・・・・・・・・)、このゲームは成立しない。」\ ;＜留弗夫＜点処理：強制力を持たせなきゃ (`because of a compelling force`/・・・・・・・・・・・・)`, this game won't succeed."`\ ld l,$KLA_MajimeA2,23 ;「その強制力というのはどういう意味だね？@　我々を鎖で縛って、家督を譲るよう脅迫でもしようというのかね？」\ ;＜蔵臼 `"And what would this compelling force be?`@` Would they bind us in chains and threaten us into handing over the inheritance?"`\ bg Mdin_1cN,24 ld l,$EVA_IkariA1,23 ;「………なるほどね。@わかったわ。@……私たちが、喜んで家督を放棄したくなるようにすればいいわけね。@/ `".........I see.`@` I get it.`@` ......They would just have to do something which would make us willingly give up the inheritance. `@/ ld l,$EVA_akireA2,80 ;なるほど。@…ならば確かに、ベアトリーチェは１０ｔの黄金を持っていなければならない…！」\ ;＜絵羽 `I see.`@` ...To do that, Beatrice would have to own 10 tons of gold...!"`\ ld r,$HID_KomaruA1,24 ;「そ、そうか、わしにもわかったで！@/ `"R, really, I get it too! `@/ ld r,$HID_MajimeA1,80 ;　つまり、…取り引きっちゅうわけやな？！」\ ;＜秀吉 `In other words, ...it's a trade?!"`\ ld c,$NAT_odorokiA2,24 ;「え？@　ど、どういう意味ですか…。@取り引き？@　何を？！」\ ;＜夏妃 `"Huh?`@` Wh, what do you mean...?`@` A trade?`@` Trade what?!"`\ bg black,25 bg Mdin_1gN,22 ;「右代宮家の家督と隠し黄金をよ。@…ベアトリーチェはきっと１０ｔの黄金の所在を明かし、それで右代宮家の家督を買収するつもりなのよ。」\ ;＜霧江 `"The Ushiromiya family inheritance for the hidden gold.`@` ...Beatrice surely plans to tell us the location of the 10 tons of gold, and use that as a bribe to gain the Ushiromiya family inheritance."`\ ;!s0「ばッ、馬鹿馬鹿しい！！」/ !s0`"R, ridiculous!!"`/ se1v 8,50 quakey 4,800 !sd\ bg Mdin_1cN,0 ld r,$NAT_ikariA1,24 ;「栄光ある右代宮家の家督を、…お、お金でやり取りしようというのですか？！@　冒涜です！！@　右代宮家への冒涜ですッ！！」\ ;＜夏妃 `"They want to trade the inheritance of the glorious Ushiromiya family for, ...m, money?!`@` Blasphemy!!`@` Blasphemy against the Ushiromiya family!!"`\ ld l,$KIR_majimeA2,23 ;「……怒らずに聞いて。@…その栄光ある右代宮家には今、どの程度の財産があるの？@　私たちはそんなにも裕福なの？」\ ;＜霧江 `"......Listen without getting mad.`@` ...About how much wealth does this glorious Ushiromiya family have right now?`@` Are we really that affluent?"`\ ld r,$NAT_odorokiA2,80 ;「ゆ、裕福の定義とは財産で決まるのではありません。@心の持ちようで決まります！@　私たちの財産状況が一体何の、」\ ;＜夏妃 `"Th, the definition of affluence is not dependent on property.`@` It is about heart!`@` Our financial situation has nothing to-"`\ bg black,22 ;　感情的にまくし立てる夏妃を、蔵臼が制する。@ `Krauss interrupted Natsuhi as she started to go on and on emotionally.`@ br ;　今の状況では、彼女が感情的にまくし立てればまくし立てるほど、それは逆に聞こえた。\ `In this situation, the more she went on and on emotionally, the worse it would actually sound.`\ ;bg black,25 bg Mdin_1aN,0 ld c,$KLA_AkuwaraiA1,22 me1v 13,50 ;「………私はともかく、お前たちの状況は芳しくないと聞いているよ。」\ ;＜蔵臼 `"......Other than me, I've heard that the rest of you are in pretty unfavorable situations right now."`\ bg Mdin_1cN,0 ld r,$EVA_WaraiA1,24 ;「あぁら、そう？@　兄さんの財政状況だって、相当に芳しくないと聞いているわよぅ？@/ `"Oh, really?`@` I've heard that your financial situation was extremely unfavorable. `@/ ld r,$EVA_AkireA2,80 ;　次々担保に入れて新しい博打の掛け金にして。@負けを認めないために次々新しい博打に手を出して。@…内情の話をしたら、この中で兄さんほど火の車の人間は存在しないわ。\ `Repeatedly exchanging collateral for new money to gamble with.`@` Repeatedly dabbling in new gambles, unable to accept your losses.`@` ...Considering our actual state of affairs, none of us are as impoverished as you, Nii-san.`\ ld r,$EVA_IkariA2,80 ;　どれだけ損失を出してんのよ、兄さんは。@/ ;!s0才能ないのよ！」/ `You've suffered massive losses, Nii-san. `@/ !s0`You have no talent!"`/ se1 8 quakey 3,700 !sd\ ;＜絵羽 ld l,$NAT_ikariA1,23 ;「だ、誰の才能がないというのですかッ！！@　言うに事欠き、火の車とは！！」@ ;＜夏妃 `"W, who are you saying has no talent?!!`@` And impoverished, you say?!!"`@ br ;　再び夏妃が激昂するが、蔵臼もまた再び手を上げてそれを制した。\ `Natsuhi became indignant once again, but Krauss raised his hand again and interrupted her.`\ ld c,$KLA_NayamuA1,63 ;「……多少の誤解があるようだ。@ビジネスは経過で判断できるものではない。@私のような長期的視野でのビジネスともなると、@時に短い単位期間では一見、大きな損失を出しているようにも見えるものだ。」\ ;＜蔵臼 `"......It seems you are making a small mistake.`@` Business is not something that can be judged based simply on progress.`@` For someone with a long-term outlook on business such as myself,`@` it may sometimes appear at a glance that I have suffered some significant short-term losses."`\ bg Mdin_1dN,24 ld r,$RUD_AkuwaraiA2,24 ;「兄貴。@裏は取れてんだぜ。@今は見栄を張ってる場合じゃない。@/ `"Aniki,`@` we've been collecting evidence.`@` Your position right now is not one to be proud of. `@/ ld r,$RUD_majimeA2,80 ;……つまり霧江はこう言いたいのさ。@……俺たちは全員が全員、カネに困ってる。@そしてベアトリーチェは１０ｔの黄金を持っている。」\ ;＜留弗夫 `......So this is what Kyrie is trying to say.`@` ......Every one of us is in trouble with regards to money.`@` And Beatrice has 10 tons of gold."`\ bg portrait2,22 se1 21 ;「……ベアトリーチェは、自分だけが在り処を知る１０ｔの黄金で、私たちに家督を売らせるつもりなのよ。@…１０ｔの黄金の価値はどのくらい？\ `"......As the only person who knows the location of the 10 tons of gold, Beatrice is planning on using it to force us to sell the inheritance.`@` ...About how much is 10 tons of gold worth?`\ bg black,22 bg gold1,22 ;　ざっと見積もって…、２０億？@　………いえ、２００億ね。@これだけを積まれたら、私たちは狂喜して彼女を次期当主に認めるわ。」\ ;＜霧江 `As a rough estimate..., 2 billion yen?`@` .........No, 20 billion yen.`@` With that much piled up, we would be mad with joy and accept her as the next head."`\ bg black,5 me2v 5,0 fedexx 0,0,50,0,0,0,5000 bg Mdin_1fN,2 ;　シンと静まり返る。@ `The scene returned to silence.`@ br ;　いや、むしろ風雨の音が賑やかにさえ感じた。@ ;　…それは多分、彼らの心の中を掻き乱す暴風の音でもあるかもしれない…。\ `Even the rain and the wind sounded louder.`@ `...That was probably the sound of the windstorm that disturbed the insides of their minds...`\ bg Mdin_1dN,23 ld c,$EVA_IkariA2,24 ;「…………じょ、…冗談じゃないわよ。@…多少お金を積まれたくらいで…、@……どこの馬の骨とも知れない女に家督を譲るなんて……。」\ ;＜絵羽 `"............Th, ...this isn't funny.`@` ...The thought that we'd give up the inheritance to some woman of doubtful origin..., `@`......just because they had a little money stored up......"`\ ld l,$HID_KomaruA2,23 ;「アホ抜かせ…！@　元々お前に家督なんぞ行かんやないか…！@　わしらは何も失わずに、カネだけをもらえる話やで。@そら、損得勘定は必要やろが、聞くに値する話や…！」\ ;＜秀吉 `"Don't talk stupid...!`@` This wasn't even your inheritance in the first place, right...?!`@` We have nothin' to lose and money to gain.`@` We'll have to calculate our profit and loss, but it's somethin' worth listenin' to...!"`\ bg black,25 bg Mdin_1eN,22 me1 11 ;　右代宮家の財産は、かなりが蔵臼に食い潰されていることがわかっている。@ `They knew that much of the Ushiromiya family assets had been eaten up by Krauss.`@ br ;　その残り滓の遺産分配と、ベアトリーチェが支払う“家督を認める対価”。@ ;　残念だが、前者より後者の方が期待できるというのが本音だった。\ `The dregs that remained of that inheritance, ...versus the 'compensation for being accepted as the head' that Beatrice would pay.`@ `It was a shame, but honestly, the former was less enticing than the latter.`\ ld r,$RUD_AkuwaraiA2,24 ;「…まぁ、四等分とはならねぇだろうな。@次期当主を降りることになる兄貴に、取り分が多くなるのは止むを得ねぇだろうよ。@…羨ましい話だぜ？」\ ;＜留弗夫 `"...Well, it probably wouldn't end up as four equal portions.`@` Since Aniki would be giving up his position as the next head, his portion would have to be larger.`@` ...Makes me feel kinda jealous, you know?"`\ ld l,$KLA_KomaruA1,23 ;「………………………………。」@ ;＜蔵臼 `"........................"`@ cl r,23 ld r,$NAT_OdorokiA2,24 ;「あなた…！@　金額の問題じゃないでしょう？！@　不甲斐ない弟たちは、お金で右代宮家の栄光を売り払うつもりなのですよ？！@　ここで長男の威厳を示さずして何とするのですッ！」\ ;＜夏妃 `"Dear...!`@` The amount of money isn't the problem, right?!`@` Your cowardly younger siblings are trying to sell the glory of the Ushiromiya family for money, right?!`@` Why aren't you displaying your dignity as the oldest son?!"`\ ld l,$KLA_MajimeA2,80 ;「………夏妃。@しばらく黙っていなさい。」@ ;＜蔵臼 `".........Natsuhi, `@`stay quiet for a while."`@ ld r,$NAT_IkariA1,80 ;「あなたッ？！？！」\ ;＜夏妃 `"Dear?!?!"`\ bg black,23 bg Mdin_1cN,23 ld c,$RUD_komaruA1,23 ;「……こりゃあ、くらっと来る話だぜ。@……俺たちは兄貴から２億半ずつ引っ張ろうと思ってた。@もし魔女さまが俺たちに、１０ｔの内の１割も弾んでくれたなら…、/ ;!d700……えぇと、」@ ;＜留弗夫 `"......This is a dizzying proposal.`@` ......We were each planning on getting 250 million yen out of Aniki.`@` If the witch would treat us with ten percent of those ten tons..., `/ !d700`......ummm-"`@ ld l,$KIR_futekiA1,23 ;「２０億ね。」\ ;＜霧江 `"That's 2 billion."`\ ld c,$RUD_WaraiA2,80 ;「…あぁ。@俺たちは当初の見積もりの１０倍も弾まれちまうことになる。@そんだけあれば俺たちは充分だぜ。@……どうせ、右代宮なんて名前に未練はねぇんだ。@喜んで売っ払ってやらぁ…。」\ ;＜留弗夫 `"...Yeah.`@` That would means she's treating us with ten times our original goal.`@` That alone would be more than enough for us.`@` ......It's not like I have any attachment to the Ushiromiya name.`@` I'd be happy to sell it off..."`\ ;bg Mdin_1gN,25 ld l,$KIR_nayamuA1,80 ;「１０ｔ全てを提供してくれるかは、さすがに皮算用だとしても。@………なるほど、私たちにとって魅力的な話になるわね。@…私たちは、ベアトリーチェなどという余所者を弾き出すために兄弟同盟を組もうとしていた。\ `"Even if 10 tons might be a bit of an optimistic figure,`@` .........I see, it would still be a fascinating prospect for us.`@` ...We were trying to form an alliance among the siblings to kick this outsider called Beatrice out.`\ ld l,$KIR_majimeA1,80 ;　……しかし、彼女の目論みがこうならば、/ ;!d600……私たち兄弟の団結はバラバラにされるわ。@…えぇ、今こそはっきり断言できる。@……ベアトリーチェの手紙の目的は、私たちの結束を掻き乱すことなのよ。」\ ;＜霧江 `......But, if this is her plan, `/ !d600`......it will tear apart the unity between us.`@` ...Yes, by this point we can state it clearly.`@` ......The goal of Beatrice's letter was to disturb our alliance."`\ E_M1 se1 27 bg white,1 wait 500 bg black,2 bgm1v 28,0 fedexx 70,0,0,0,0,0,3000 bg letter1,22 ;　そもそも当主継承権と関係のない蔵臼以外の兄弟は、@納得できるカネが支払われれば、喜んでベアトリーチェの当主継承を認めるだろう。@ `If the three younger siblings, who had never had anything to do with the inheritance,`@` were paid enough money to satisfy them, they would happily accept Beatrice as the next head.`@ br ;　本丸の蔵臼以外の堀は全て埋まるわけだ。\ `A moat had been dug all around Krauss.`\ ;　そうなれば、交渉は彼女と蔵臼の一対一になる。@ `In that case, the negotiations would be one-on-one between her and Krauss.`@ br ;　強気を装ってはいるが、蔵臼の財政状況も非常に悪い。@ ;　…兄弟たちの前では、虚勢を張っているが、内心は、金額次第では交渉に応じても良いと思っているだろう。\ `He tried to look strong, but Krauss's financial and political situation was extremely weak.`@ `...He did bluff in front of his siblings, but on the inside, he was thinking that it might be alright to enter negotiations depending on the sum of money involved.`\ ;bg black,22 bg M_door1,22 ;　蔵臼は損失を埋めるため、金蔵が引き篭もっているのをいい事に、金蔵の個人資産を着服していた。@ `In order to bury his losses, Krauss had taken advantage of the fact that Kinzo had shut himself up in his room, and had embezzled Kinzo's personal assets.`@ ;　だから、金蔵が逝去して遺産分配になれば、その責任を追及されることになるだろう。\ `Therefore, when Kinzo died and the inheritance was distributed, Krauss' own responsibilities would doubtlessly be investigated.`\ bg letter1,26 ;　しかし、ベアトリーチェに当主の座を譲るなら、@同時に財産権も譲ることになり、その結果、兄弟たちに対する遺産分配は行なわれない。@ `But if he gave up his seat as the head to Beatrice, `@`she would also receive rights to the assets, and as a result, the distribution of the inheritance to the siblings would not occur.`@ br ;　……つまり、蔵臼の着服は、兄弟たちに知られずに済むかもしれないのだ…。\ `......In other words, Krauss' embezzlement might not have to be made known to the other siblings...`\ ;　兄弟たちは、金蔵を恐れてこそいるが、父としての尊敬の念を今も持っているかは怪しい。@ ;　今ではそれぞれが自分の家族を持ち、自分の財産も生活も持っている。@ `Of course, the siblings were frightened of Kinzo, but it was doubtful whether they still actually respected him as a father.`@ `By this time, they each had their own families, their own wealth, and their own lives.`@ br ;　金蔵の夢の残骸である六軒島と引き換えに、充分なカネが払われるなら、@……彼らは右代宮家の名を手放す可能性が、充分にあったのだ……。\ `If they were paid enough money in exchange for Rokkenjima, the wreckage of Kinzo's dreams,`@` ......there was a significant possibility that they would relinquish the Ushiromiya family name......`\ bg black,22 bg portrait2,22 me1v 16,50 ;　つまり、この“ゲーム”は、すでにベアトリーチェの勝ちで決まっているのだ。@ `In other words, Beatrice's victory was already guaranteed in this 'game'.`@ br ;　“ベアトリーチェのゲーム”の勝者という意味ではない。@…“金蔵のゲーム”の勝者という意味でだ。\ `Not as the winner of 'Beatrice's game', `@`...but as the winner of 'Kinzo's game'.`\ ;　…金蔵は碑文を掲示した。@そして今日まで誰も解けなかった。@ `...Kinzo once ordered that the epitaph be displayed.`@` And until today, no one has solved it.`@ br ;　だからベアトリーチェが“解いた”。@ `So Beatrice 'solved' it.`@ br ;　ならばつまり、これはゲームというより、ベアトリーチェの勝利宣言のようなものなのか…。\ `In other words, this is less of a game and more like Beatrice's declaration of victory...`\ bg black,22 ;　しかし、霧江はまだ少し引っ掛かると考えていた。\ `However, Kyrie still thought there might be a catch.`\ bg letter1,22 ;　もし勝利宣言ならば、勝者らしく、黄金を堂々と示し、家督を買い取ると宣言すればいいだけの話だ。@ `If this was a declaration of victory, Beatrice would only have to display the gold openly, and state that she would buy the inheritance.`@ br ;　なのに、わざわざこの期に及んで、碑文を解いてみろ、@解けたら家督と黄金を全て引き渡そうと、“新たなゲーム”を仕掛けてくる意味が、どこにあるというのか。\ `And yet, she had gone to all of this trouble, telling the siblings to try and solve the epitaph.`@` And why had she set up this 'new game', where she agreed to hand over the all of the gold and the inheritance to the person who solved the epitaph?`\ bg black,25 ;　霧江は何度かチェス盤を引っ繰り返して考えた。@ ;　…どういう最善手ならば、その思考に至るのかを探った。@ `Kyrie tried turning the chessboard over several times.`@ `...Searching for the best strategy that might have guided Beatrice to this line of thinking.`@ br ;　…その末、…ひとつの結論に辿り着く。\ `...In the end, ...she reached a single conclusion.`\ fedexx 0,70,0,0,0,0,3000 bg Mdin_1eN,0 ld r,$KIR_NayamuA1,26 ld r,$KIR_MAJimeA1,80 ;「……………驕り、/ ;!d500…なのかしら。@あるいは、/ ;!d800……遊び……？」@ ;＜霧江 `"............Could it be, `/ !d500`...arrogance?`@` Or maybe, `/ !d800`......she's playing......?"`@ ld l,$EVA_majimeA1,23 ;「…何の話？」\ ;＜絵羽 `"...What are you talking about?"`\ ld r,$KIR_DefA1,80 ;「魔女は、碑文を解いてみろと私たちに挑戦状を送ったわ。@どうせ解けないだろうと、タカを括ってるでしょうけどね。@……でも、何万分の一かの確率で、私たちが解いてしまう可能性もあるはず。\ `"The witch sent us a letter of challenge, forcing us to try and solve the epitaph.`@` She might be taking us lightly, thinking we could never solve it.`@` ......However, there should be at least an extremely small chance that we will solve it.`\ ld r,$KIR_WaraiA2,80 ;　何しろ、ここにはお父さんの血を引く子どもが４人もいるのよ？　@出題者の血縁者が４人も揃い、財産を奪われまいと死に物狂いで知恵を出し合ったなら、@偶然にも謎が解けてしまうこともあるかもしれない。」\ ;＜霧江 `After all, we have here four of Father's children by blood, right?`@` The questioner called together four blood relatives who, if they tried frantically to work together and avoid having those assets stolen from them,`@` might come across the answer of the riddle by chance."`\ bg black,22 bg letter1,22 ;　魔女が４兄弟に対し交渉で優位に立てるのは、彼女が唯一、黄金の隠し場所を知っているからだ。@ `The reason the witch had a superior position on the negotiations compared to the siblings was that only she knew the location of the hidden gold.`@ br ;　だがもし、その隠し場所を彼女以外の人間が暴けたなら、魔女の優位は崩れる。\ `But if that hiding place was exposed to someone other than her, the witch's superior position would crumble.`\ bg Mdin_1aN,0 ld r,$KIR_MajimeA1,0 ld l,$EVA_majimeA1,26 ld r,$KIR_nayamuA1,80 ;「つまり、魔女の手紙に書かれている挑発文は、ベアトリーチェにとってリスクにしかならないのよ。@/ `"In short, Beatrice gains nothing but risk by writing this witch's letter of challenge. `@/ ld r,$KIR_KomaruA1,80 ;……確かに、兄弟の連帯を分断するという効果はあったけれど、@それを狙うためだけに、わずかとは言えこのようなリスクを……？@　私は無用心だと思う。\ `......Of course, it might have had the effect of splitting apart the siblings' alliance,`@` but if that was her only goal, why would she take this risk, however slight it might be......?`@` I think that's reckless.`\ ld r,$KIR_NayamuA1,80 ;　…でもね、ある種の感情を念頭に置いた時、このリスクは理解可能になるのよ。」\ ;＜霧江 `...But if you keep in mind a certain type of emotion, it becomes possible to understand that risk."`\ ld l,$EVA_futekiA1,80 ;「………………。@/ `"...............`@/ E_A bgm1v 61,90 ;…それが、驕りだというの？」\ ;＜絵羽 `...And you're saying that's arrogance?"`\ ld r,$KIR_majimeA2,80 ;「えぇ、そうよ。@……圧倒的な優位に立つと、人は驕るわ。@すると敗者に対し、その優位性をひけらかすために、微小なリスクをわざと背負うことがある。@…適度なリスクは、勝利の喜びを引き立たせるスパイスだもの。@リスクなき勝利ほど退屈なものはない。」\ ;＜霧江 `"Yes, that's right.`@` ......When people have an overwhelming advantage, they tend to get arrogant.`@` And when they do, they want to show off that advantage to the losers, so they sometimes take on a small risk.`@` ......A moderate amount of risk adds a little spice to the joy of victory.`@` It'd be boring to win without any risk."`\ ld l,$EVA_akireA2,80 ;「……………わかるわ。@私もそういうの、好きだもの。@…よくわかるわ。」\ ;＜絵羽 `"............I understand.`@` I also like that sort of thing.`@` ...I understand well."`\ bg letter1,26 ;「ベアトリーチェの手紙の真意を、もっともらしく色々と解釈してみたけれど、@……実はこれが真実かもしれない。@……あの手紙の裏に潜む感情は、/ ;!d800………驕りなのよ。」@ ;「…………驕り。」\ ;＜絵羽 `"I thought of a few plausible explanations for the true motive behind Beatrice's letter,`@` ......but I think that this really might be the truth.`@` ......The emotion hidden behind that letter was, `/ !d800`.........arrogance."`@ `"............Arrogance."`\ bg Mhal_2cN,22 se1 21 ;「難解な碑文が、お前たちに解けるものかと、私たちを見下して威張り散らしたいのよ。@…案外、ひょっとすると、碑文はお父さんじゃなく、彼女が作ったのかもしれないわね。」\ ;＜霧江 `"She's trying to throw her weight around, looking down on us, as if there's no way we could figure out such a difficult epitaph.`@` ...It might even be possible, if surprising, that the epitaph wasn't written by Father, but by her."`\ bg Mdin_1bN,26 ld c,$EVA_futekiA1,24 ;「……上等じゃないの。@……碑文の謎が解けるか、ですって？」\ `"......Sounds great.`@` ......Solve the riddle of the epitaph, she says?"`\ mset2ef 22 mld r,$EV2_ikariA1,42 mld r,$EV2_niramuA2,80 se2 21 br ;　もしも解いたなら、私を当主にしてくれるのね…？\ ;＜魔女絵羽 `If only I solved it, I would be made the head, right...?`\ mld r,$EV2_ikariA1,80 br ;　…解いてやる…。@魔女の挑戦を受けてやるわ。@ ;　他の間抜けな兄弟たちに解けるものか。@ `...I'll solve it...`@` I'll accept the witch's challenge.`@ `As if those other idiot siblings could solve it.`@ br ;　私ひとりが解いて、私こそが右代宮家を引き継ぐに相応しいということを証明してやるわ……。\ `I'll solve it by myself, and then I'll prove that I am the one who is fit to succeed the Ushiromiya family......`\ mend ld c,$EVA_IkariA2,80 ;「その挑戦、乗ったわ。@……私が、/ ;!d700……謎を解いてやる……。」\ ;＜絵羽 `"I'll take that challenge.`@` ......I will, `/ !d700`......solve the riddle......"`\ wait 2000 ;▲第３アイキャッチ　１０月４日（土）２１時００分　時計動かず eye1 21,00,21,00,1,0,510,340,25 *umi3_4 mov %play_scene,30050 ;シーン変数の入力 mov %grim_scene,303 E_A textoff me1v 17,50 bg Different_spiral_1a,8 wait 4000 bg white,8 fede 0,2000 bg G1F_S1cP,22 ld r,$BUT_NayamuA1,4 bgm1 19 ;■お茶会空間。 ;「…なるほどな…。@魔女じゃなく、ベアトリーチェという名の愛人が島に存在していたわけか…。@/ `"...I see...`@` She's not a witch, Beatrice is the name of his mistress who lived on the island...`@/ ld r,$BUT_komaruA2,80 ;……つまり人間は１８人以上居得る！@　ということは、１８人全員に不可能だから魔法犯罪である、という図式は崩せるわけだ。@……これは大きい情報だぜ。」\ ;＜戦人 `......So there can be more than 18 people!`@` Which means I can defeat that line of reasoning which says that, if it was impossible for all 18 people, it must be a crime involving magic.`@` ......That's some big information."`\ bg G1F_S1aP,23 se1 52 ld l,$RON_akuwaraiA1,99,2000,"breakup.dll/llB" ld l,$RON_WaraiA2,80 ;「失礼いたします。@戦人さま、紅茶とクッキーはいかがですか？」\ ;＜ロノウェ `"Excuse me.`@` Battler-sama, how about some black tea and cookies?"`\ ;　どこからともなく、あのロノウェとか名乗ったベアトの執事が現れる。@ `Beato's butler, who called himself Ronove, appeared out of nowhere.`@ br ;　手に持つ銀のトレーには、美味しそうに湯気を立てる紅茶とクッキーを盛り付けた皿が置かれていた。\ `A plate set on a silver tray that he held was filled with delicious-looking, steaming black tea and cookies.`\ ;　…どうもこいつの笑みは好かないぜ。@ ;　何というのか、客を歓待する笑みじゃない。@ ;　どこか小馬鹿にしたような、そんな笑いなのだ。@ `...I really don't like this guy's smile.`@ `For some reason, it didn't look like a smile used to warmly greet a guest.`@ `It felt like he was making fun of me for some reason.`@ br ;　…それが文字通り馬鹿にしているのか、@それとも冗談程度のレベルなのかわからないのが、何ともイラつくが。\ `...I don't know whether he really takes me for an idiot,`@` or whether it's just a joke or something, but it's really irritating me.`\ bg G1F_S1bP,0 ld r,$BUT_NiramuA3,24 ;「……いらねぇよ。@俺は今、取り込み中なんだ。@放っておいてくれ。」\ ;＜戦人 `"......I don't need it.`@` I'm busy now.`@` Leave me alone."`\ ld l,$RON_waraiA1,23 ;「おやおや。@それはそれは美味しく焼けたクッキーなのに、とても残念です。@ニンゲン如きには勿体無いくらいに素敵に焼きあがった、それはそれは素敵なクッキーなのに。」\ `"Oh, my.`@` Such a shame, the cookies were so delicious too.`@` Cooked so wonderfully it would be a shame to waste them on a simple human, truly wonderful cookies."`\ ld r,$BUT_NayamuA2,80 ;「気が向いたら食ってやるぜ。@その辺に置いて、とっとと失せな。」\ ;＜戦人 `"I'll eat some when I feel like it.`@` Set it down over there and get out of here."`\ ld l,$RON_waraiA2,80 ;「左様でございますか。@それではそのようにいたしますよ。@冷めてからお召し上がりになって、焼きたてを召し上がらなかったことを存分に後悔なされると良いでしょう。」\ `"Will that be acceptable?`@` Then I shall do so.`@` You may eat them when they get cold and stale, and then regret as much as you like that you did not eat them when they were freshly baked."`\ ld r,$BUT_NiramuA2,80 ;「………いちいち、うるさいヤツだな。@…まぁ、耳元で気色悪くケラケラ笑うベアトのヤツよりゃ数段マシだがよ。」\ `".........You really are annoying.`@` ...Well, you're a lot better than that Beato, who keeps doing that creepy cackle right next to my ear."`\ ld l,$RON_akuWaraiA1,80 ;「いえいえまったく。@お嬢様の笑い声は時折、実に品がありません。@それを聞く度に、なぜ私ほどの高貴な悪魔が、@あのような者を主にしなければならないのか、理解に苦しむのでございますよ。@ぷっくっくっく…。」\ `"No, no, that is quite true.`@` There are times when Milady's laughter becomes quite undignified.`@` Every time I hear it, I find it painful to comprehend why such a noble demon like myself must have such a person as his Master.`@` Pu ku ku ku..."`\ ld r,$BUT_nayamuA2,80 ;「……変なヤツだな。@そんなに嫌なら仕えなきゃいいだろうが。」\ `"......Man you're weird.`@` If you don't like it, then couldn't you just not work for her?"`\ ld l,$RON_waraiA2,80 ;「それでも尚お仕えするのが、家具の喜びなのでございますよ。@それでなくては家具は務まりません。\ `"And yet, to continue serving is furniture's joy.`@` If we do not, we would not be working as furniture. `\ ld l,$RON_defA1,80 ;　……それはさておき。@ゲームの方はいかがでございますか？@　先ほど、良い情報を見つけたようなことを言われ、お喜びになられていたようですが。@はてさて、どのような浅知恵が思いついたやら。」\ `......Let us set that aside.`@` How has the game been proceeding?`@` Just now, I believe I heard you say that you had found some good information, and were quite pleased by it.`@` Well now, I wonder what your shallow wit has thought up."`\ ;　ロノウェはくすくすと小馬鹿にするように笑いながら、@俺に言われた通りの文字通りに、適当なその辺に紅茶とクッキーを配膳する。\ `As Ronove made fun of me and giggled,`@` he followed my earlier words literally and half-heartedly set up some black tea and cookies nearby.`\ ld l,$RON_AkuwaraiA1,80 ;「……大方、１９人目の存在に自信を深めたからでございましょう？@　よろしければ、ぜひご高説をお聞かせ願えますか？」\ `"......In any case, it appears that you are now more confident regarding the matter of a 19th person's existence, right?`@` Would you be gracious enough to allow me to hear your opinion?"`\ ld r,$BUT_FutekiA1,80 ;「………………。@……あぁ、いいぜ。@どうせベアトの前で改めて言うしな。@隠す必要もないさ。@/ `"...............`@`......Yeah, sure.`@` I'm just going to say it again in front of Beato anyways.`@` No reason to hide it. `@/ ld r,$BUT_DefA1,80 ;……いいか。@この島に隠し屋敷があって、愛人を住まわせていたらしいんだ。@となりゃ、俺を苦しめてきた１８人なのか１９人なのかって疑問は簡単に決着する。」\ `......Alright.`@` It looks like there's a hidden mansion somewhere on this island, and that Grandfather had his mistress living there.`@` In that case, the question that's been torturing me, about whether there are 18 or 19 people, can be easily resolved."`\ ld l,$RON_waraiA2,80 ;「戦人さまは魔女を否定するくせに、@１８人の中にも犯人を求められないダブルスタンダードの袋小路に、自らを追い込まれました。」\ `"You have driven yourself into a corner because of the dead-end that you yourself have created.`@` Even though you deny the witch, Battler-sama, you hold a double standard, and refuse to accept that the culprit is one of the 18."`\ bg G1F_S1cP,24 ld c,$BUT_KomaruA3,24 ;「…魔女を否定するもっとも簡単な方法は、１８人の誰かを疑うことだ。@……１８人全員のアリバイは、そう簡単には揃わない。@常にひとりくらいはアリバイの脆い人間が生まれる。@……俺はそいつを生贄にすることで、常に魔女を否定し続けることもできるだろう。」\ `"...The easiest way to deny the witch would be to doubt one of the 18.`@` ......It isn't easy to gather alibis for every one of them.`@` You always find at least one person with a fragile alibi.`@` ......I could probably continue to deny the witch forever if I just used that person as a sacrifice."`\ ld c,$BUT_OdorokiA1,80 ;「しかし、それは断固拒否するッ！！@　あぁダメだぜ、全然ダメだ！@　１８人はみんな俺にとって親たちや親戚たちやいとこたち！@　そして真面目だったり面白かったりする頼もしい使用人の人たちだ。@俺はその人たちの誰を生贄にすることも許せないッ！！\ `"However, I refuse to do that!!`@` Aah, it's useless, it's all useless!`@` Every one of those 18 people is either a parent, a relative or a cousin to me!`@` And those reliable servants, who are sometimes serious and sometimes interesting.`@` I won't let myself use any one of them as a sacrifice!!`\ ld c,$BUT_niramuA1,80 ;　かつて俺はその決意があやふやだった。@だからその心の弱さをベアトに突かれたんだ。」\ `In the past, my resolve wavered.`@` That's how Beato hit me where my heart was weak."`\ bg G1F_S1bP,0 ld r,$RON_akuwaraiA1,23 ;「……自らの弱点を認め、理解する。@なかなか出来ることではありません。@戦人さまは１９人目が存在する説を槍にする。@…槍というよりは楯、でしょうかな。\ `"......Accepting and understanding your own weaknesses.`@` That is not something which can often be accomplished.`@` Battler-sama, you are using this theory about a 19th person as a spear.`@` ...Or should I say, a shield?`\ ld r,$RON_DefA1,80 ;　何れにせよ、これまでのゲームでの無策と違い、@戦い方に指針を持たれるのは、劇的飛躍と申せましょう。@これで戦人さまは、敬愛する１８人を疑わずに、@存分に１９人目を疑い、人間犯人説を追求できるわけでございます。」\ `In any event, unlike how unprepared you were in the games up until now,`@` let us call the fact that you now have a compass bearing on how to fight, `@`...a dramatic leap forward.`@` With this, you can suspect a 19th person and can pursue your theory that the culprit is a human,`@` without having to doubt any of the 18 you love and respect."`\ ld l,$BUT_DefA1,23 ;「そういうことさ。@最初のゲームの、嘉音くんが殺されたボイラー室とか、@…他にも他にも、@１９人目が存在していたなら、迷う必要なんかないトリックはいくつもある。」\ `"That's it exactly.`@` Like in the first game, when Kanon-kun was killed in the boiler room,`@` ...there were plenty of tricks I could have mentioned without hesitation, as long as a 19th person existed."`\ bg black,22 bg Mboi_1a,26 ; 一番最初のゲームで、嘉音くんはボイラー室で殺された。@ `In the very first game, Kanon-kun had been killed in the boiler room.`@ br ;　普通に考えたなら、一緒にボイラー室に下りた熊沢さんが襲ったとか、@あるいは死んだように見えた誰かが実は偽装で、@ボイラー室で嘉音くんを待ち伏せたとか、@何れにせよ、１８人の誰かを疑わなければならない指し手だった。\ `One might think that he was attacked by Kumasawa-san, who had gone down into the boiler room with him,`@` or maybe that someone who had appeared to be dead earlier was actually faking and had ambushed him.`@` Either way, it was a move that forced me to suspect one of the 18.`\ ;　しかし、１９人目が存在することをあっさりと仮定するだけで、@このボイラー室の殺人について１８人の誰も疑う必要はない。\ `However, by simply proposing that a 19th person existed,`@` there was no longer any need to suspect one of the 18 for that murder in the boiler room.`\ bg black,22 bg G1F_S1aP,26 ld c,$BUT_FutekiA1,23 ;「つまり！@　１８人の誰にも無理だから＝犯人は魔女、@という図式だけは否定することができるわけさ。」\ `"In short!`@` I can at least deny the line of reasoning which says this:`@` something is impossible for every one of the 18, therefore the culprit is a witch."`\ ;　この論法なら例えば、今回のゲームでもすでに問題提起されている、@“真里亞に手紙を渡したのは誰か？”@という問いも簡単に説明できる。@ `Using this argument, it is easy to explain, for example, that problematic case which has already occurred in this game,`@` 'who gave Maria the letter?'`@ br ;　１８人全員にアリバイがあろうとも、@ゆえに１９人目の人物が訪れて手紙を渡したと、実に簡単に説明できるのだ。\ `Even if all 18 people have alibis,`@` I could easily explain everything by saying that a 19th person must have visited her and given her the letter.`\ bg G1F_S1cP,0 ld r,$RON_akuwaraiA1,24 ;「………ふむふむ。@とても良い一手だと思いますよ。@私だったらどう切り返しましょうか。\ `".........Hmm, hmm.`@` I think that is quite a good move.`@` How shall I strike back?`\ ld r,$RON_WaraiA2,80 ;　……例え戦人さまが理解されたとしても、未だに弱点は健在。@“１８人攻め”は有効は手でしょうね。@戦人さまの守りがどの程度か確かめる意味でも、改めてそこを突くのも面白いかもしれません。」\ `......Battler-sama, you may already understand, but there are still plenty of weak points.`@` Maybe the '18 people attack' will be an effective move.`@` As an attempt to judge how strong your defense is, it may be interesting to challenge that point again."`\ ld l,$BUT_niramuA2,23 ;「ならどう来る。@悪魔の執事…！」\ `"Then how will you do it,`@` demon butler...?!"`\ textoff ld r,$RON_akuwaraiA1,80 fede 0,3000 ld r,$RON_DefA1,80 bgm1 29 ;「……戦人さまが指された、１９人目の駒を迎え撃つのが妥当でございましょう。@/ `"......I believe it would be appropriate to ambush the piece representing this 19th person that you mentioned. `@/ ld r,$RON_majimeA2,80 ;戦人さまは１９人目にお会いしておりませんね？@　１９人目が存在する証拠をお願いできますかな？」\ `Battler-sama, have you ever met this 19th person?`@` Would you please show some proof that this 19th person exists?"`\ ld l,$BUT_FutekiA1,80 ;「甘ぇぜ。@もちろん、その指し手で来るだろうことは読んでいる…！」\ `"How naive.`@` Of course, I knew you'd probably try that move...!"`\ ld r,$RON_AkuwaraiA1,80 ;「それはそれは。@受け手をお願いいたします。」\ `"My, my.`@` Please respond to it."`\ ld l,$BUT_DefA1,80 ;「魔女だの悪魔だの。@お前らにこれほど相応しい一手はないぜ。@……それがこいつっ、@/ `"Witches and demons and the like...`@` That isn't a move appropriate for you to use.`@` ......It's one of those `@/ textoff se1 20 wait 200 se1 20 wait 200 se1 20 wait 200 bg white,1 bg G1F_S1cP,0 ld l,$BUT_OdorokiB1,80 ;!s0“悪魔の証明”さッ！」/ !s0`'Devil's Proofs'!"`/ se1v 2,100 se2v 2,100 quakey 5,1000 \ !sd bg black,22 bg chess1,22 ;　俺たち人間は、何かを示されると、必ず証拠を示せと反論する。@ ;　それが人間の指し手だからだ。\ `When you try to make some claim to humans like us, we always counterattack by telling you to show some proof.`@ `Because that's a human move.`\ ;　だが、俺は魔女と戦っている。@ ;　人ならざる者との戦いに臨んでいる！@ `But I'm fighting with a witch.`@ `I'm taking part in a battle with someone who isn't human!`@ ;　だから、魔女とのゲームでしか使えない手がある。@卑劣な一手がある！@ `And some moves exist which can only be used in a game against a witch.`@` There are cheap moves!`@ br ;　それがこの“悪魔の証明”。@ ;　ゆえに、証拠は不要！\ `And that's what this 'Devil's Proof' is.`@ `Because it's impossible to prove!`\ bg black,22 bg rose_G1a,22 ;　六軒島には、右代宮家の屋敷以外にも秘密の屋敷があり、@そこにベアトリーチェという女性が住んでいるという仮定。\ `Let's assume that there is a hidden mansion on Rokkenjima separate from the Ushiromiya family mansion,`@` and that a woman named Beatrice is living there.`\ ;　これを実証するには、その屋敷を見つけ、ベアトリーチェを実際に連れて来なければならない。@ `In order to prove this, one must find this mansion and actually bring Beatrice out of it.`@ br ;　それが人の世での実証だ。\ `That's called actual proof in the human world.`\ bg black,22 ;　しかし、“悪魔の証明”に則るならば、例え何の証拠もなくとも、彼女の存在を否定できない。@ ;　存在しないことは証明不能だからだ。\ `However, if we follow the rules of the 'Devil's Proof', you can't deny that she exists, even if there's no proof that she does.`@ `Because it's impossible to prove that something doesn't exist.`\ ;　……そう、これまでに、さんざん苛まれてきた“悪魔の証明”を逆手に取ったことになる。@ `......That's right, I'm finally able to turn the tables using this 'Devil's Proof', which tormented me so much before.`@ br ;　ヤツらは常に“悪魔の証明”で魔女の存在を無理やり認めさせようとしてきた。\ `Those guys were always trying to force me to accept the existence of the witch by using the 'Devil's Proof'.`\ ;　魔女はいると自称するベアトに対し、@俺は“魔女はいない”という証拠を示すことが物理的にできない。@ `That was because, with regards to the self-styled witch, Beato, `@`I couldn't offer physical proof that 'witches don't exist'.`@ br ;　だからこそ、魔女は存在するという暴論を反撃不能で突き付けられてきた。\ `I kept getting hit with the reckless argument that this meant witches do exist, and was unable to counterattack.`\ se1 20 wait 150 se1 20 wait 150 se1 20 wait 150 se1v 2,100 bg white,1 bg chess1,22 ;　だからここでチェス盤を引っ繰り返す！@ `And that's why I'll turn the chessboard over right now!`@ br ;　魔女が存在することを否定できないならば、それはつまり、@/ `If I can't disprove that witches exist, then that means, `@/ se2 2 ;１９人目の人間が存在すると俺が言い出しても、それもまた否定できないわけだ。\ `if I suggest that a 19th human exists, you can't deny that either.`\ ;　つまり、問題の謎の愛人は狡猾に隠れているわけだから、どんなに探しても見付からないのは当然。@ `In other words, because this problematic and mysterious mistress is craftily hiding herself, it would be perfectly natural if you never find her no matter how hard you look.`@ br ;　だから、１９人目が見付からないこと＝１９人目はいない、とはならないわけだ。\ `So you can't say that the 19th person can't be found, and that therefore, the 19th person doesn't exist.`\ ;　ゆえに、１９人目の否定は不可能。@ ;　ベアトが自らの存在を否定不能とした“悪魔の証明”が、@今度はそのまま俺の武器になったわけだ。\ `That's because it's impossible to deny the 19th person's existence.`@ `Beato used the 'Devil's Proof' to make denying her existence impossible,`@` but this time it's become my weapon.`\ bg black,22 ;　この論法が罷り通るなら、１９人目どころか、@島には俺らの与り知れない人間が、@それこそ１０人、１００人隠れていたとしても、その存在を否定することはできない。\ `If we can get away with this argument, then forget just a 19th person,`@` this island could be full of people we don't know about,`@` and even if there were 10 or 100 of them, she still couldn't deny that they existed.`\ ;　前回、前々回のゲームで登場した殺害現場の中には、非常に手の掛かる凝った現場がいくつか登場する。@ `In the last game and the one before that, among the murder scenes that showed up, `@`there were several that were extremely intricate and must have taken a lot of effort to set up.`@ br ;　それらは単独の犯人が構築したと考えようとすると、非常に困難になってしまう。\ `It's very difficult to imagine that a single culprit could have set all of those up.`\ ;　しかし、１９人目どころか、１０人も１００人も隠れていたならまったく何の問題もない。@ `However, if not just a 19th person, but 10 or 100 people were hidden somewhere, that wouldn't be any problem at all.`@ br ;　全員で手分けして作業すれば、どんな作業も短時間にこなせてしまうだろう。\ `If they all split up the work, they could handle any job in a short period of time.`\ bg M1F_P2b,22 ;　それだけの大勢の人間が、あの屋敷内に気配もなく潜んでいたのかという疑問は当然、出るだろうが、@これも“悪魔の証明”で決着できる。@ `Of course, doubts will naturally arise at whether a large group of people like that could sneak around the mansion without being noticed,`@` but those are all settled by the 'Devil's Proof'.`@ br ;　気配がなかった・姿を見なかった＝屋敷内に１００人いたことの否定、にはならないからだ。\ `You can't deny that even 100 people were there just because they weren't seen or noticed.`\ bg black,22 ;　自ら口にしておきながら何て暴論だろうな、反吐が出るぜ！@　だが、そんなド汚ぇ一手だからこそ、魔女への一手に相応しいんだ。\ `Even though I'm saying it myself, it's such a stupid argument that it makes me wanna throw up!`@` However, because it's such a dirty move, it's a perfect one to use against a witch.`\ ;　まぁ、想像だけにせよ、@…山羊の仮面被った不審な男たちが、１００人も物陰にササッと隠れてて……、@何てのは、笑えるを超えて、ゴキブリみたいだよな。@ `Well, this is just my imagination,`@` ...but what if about 100 suspicious men wearing goat masks were hiding in the shadows......, `@`something like that's worse than laughable, almost like they're cockroaches.`@ br ;　１匹見たら物陰には１００匹隠れてるってわけだ。\ `If you see one, it means there's 100 hiding in the shadows.`\ bg G1F_S1aP,26 ld r,$BUT_niramuA2,24 ;「……まぁ、屁理屈まみれの暴論だとは思うぜ。@相手が人間だったなら、寝言を言うなと怒鳴られるところだろうよ。@/ `"......Well, I think that this is a ridiculous argument that's horribly twisted.`@` If my opponent was human, I'm sure they'd yell at me like I was out of my mind. `@/ ld r,$BUT_NayamuA2,80 ;……だが、俺の相手は魔女だ。@そして、俺たちがやってるのはそういう勝負なんだろう？@　どんな暴論であろうとも、人間で説明を付け、魔女を否定する！！」\ `......But my opponent is a witch.`@` And after all, that is the kind of competition we're having, isn't it?`@` I'll use any kind of reckless argument to explain it using humans, and deny the witch!!"`\ ld r,$BUT_KuyasigaruA1,80 ;「……とにかく、この一手で俺は二度と親しい１８人のみんなを疑わなくて済む。@俺は二度とッ、前回の失敗は繰り返さないッ…！！」\ `"......Anyways, with this move, I won't have to doubt any of the 18 who are close to me again.`@` I won't repeat a defeat like last time again...!!"`\ ld l,$RON_WaraiA2,23 ;「……なるほど。@前回の失敗を学ばれているのですね。@良いことですよ。@さすがに三度もゲームを重ねると要領がよくなるものです。\ `"......I see.`@` You have learned from your defeat last time.`@` That is good.`@` It is no surprise that by the third game you have become quite devious.`\ ld l,$RON_waraiA1,80 ;　………まずは自陣の守りを固める。@実に堅実な初歩です。@なかなかの妙手と思いますよ。」\ `.........You first strengthen your own defense.`@` That is truly a solid first step.`@` Quite a spectacular move, I think."`\ ld r,$BUT_niramuA3,80 ;「まぁ、１９人目の人物を仮定したとしても、@マスターキーの本数などのように、何人、人間を増やしてもクリアできないトリックも残ってる。@…しかし、とりあえずの初手としては悪くないはずだ。」\ `"Well, even if we do assume that there is a 19th person,`@` there are still a few tricks left that I can't clear, like the actual number of master keys, no matter how many humans I add.`@` ...Still, it isn't bad as a first step, for the time being."`\ bg black,25 bg chess1,22 ;「戦人さまの切り札、１９人目の人物という大駒。@……証拠はあるのかとの私の一手に、戦人さまは“悪魔の証明”で反撃。@……良い攻防です。@お嬢様のおられないところで、勝手に手を進めてしまうのは申し訳ないのですが。@………私も少し、面白くなってきてしまったところです。@…お嬢様に代わり、さらに一手進めさせていただきましょうか。」\ `"Battler-sama, your trump card is the important piece called the 19th person.`@` ......You countered my move of asking where the proof was by using the 'Devil's Proof'.`@` ......A good skirmish.`@` Although I have no excuse for making a move by myself when Milady isn't here,`@` .........I find that I too am becoming slightly interested.`@` ...I wonder if you will allow me to make yet another move on Milady's behalf?"`\ ;「……来いよ。@魔女だろうと悪魔だろうと、相手に不足はねぇ！」\ `"......Come on.`@` I don't care if you're a witch or a demon, it won't be enough!"`\ bg G1F_S1aP,22 ld r,$RON_defA1,24 ;「戦人さまの指された一手“悪魔の証明”。@これは私ども悪魔の十八番でございますが、他にも私どもにはいくつもの手がございます。@……“ヘンペルのカラス”という一手はご存知ですかな？」\ `"This move that you presented called the 'Devil's Proof'.`@` It's a specialty of us demons, but there are also various other moves available to us.`@` ......Do you know of a move called 'Hempel's Raven'?"`\ ld l,$BUT_niramuA3,23 ;「ヘンペルのカラスぅ…？？@　何の話だ？」\ `"Hempel's Raven...??`@` What are you talking about?"`\ E_A bg black,1 se1v 37,100 ;!s0「…くっくっくっく。/ ;!d1000あっははははははははははははっはっは…！」/ !s0`"...*cackle*cackle*. `/ !d1000`Ah-hahahahahahahahah-hahahahah-hah-ha...!"`/ !sd@ bgm1 40 br ;　その時、…あぁ、何度聞いても腹立たしいあの笑い声が木霊してくる。\ `Just then, ...aah, that enraging laugh I'd heard so many times started echoing.`\ textoff ;bg butterfly_2a,22 ;wait 400 se1v 22,50 bg butterfly_1a,24 wait 400 se2 22 bg butterfly_3a,22 wait 1000 bg white,8 se3 52 bg G1F_S1bP,0 bfly1 0 ld c,$BEA_AkuwaraiA2,22 ;　部屋が眩い黄金の蝶たちで満たされ、その金色の旋風の中に、あの黄金の魔女が姿を現す。\ `The room was filled dazzling golden butterflies, and in the center of that whirlwind, the Golden Witch appeared.`\ bg G1F_S1aP,0 ld l,$RON_waraiA2,23 ;「これはこれはお嬢様。@おはようございます。」@ `"If it isn't Milady.`@` Good morning."`@ ld r,$BEA_AkuwaraiA1,24 ;「妾のいないところで、何やら面白そうなことをしていると思えば。@/ `"I thought you might be doing something interesting while I was away. `@/ ld r,$BEA_FutekiA2,80 ;……“ヘンペルのカラス”か。@何とも笑える懐かしい一手よ。@よもや戦人に披露する日が来ようとはな。@それは“悪魔の証明”に並ぶ古典的一手だ。\ `......'Hempel's Raven', was it?`@` That move is so familiar I could almost laugh.`@` I was certain the day would come when it would be introduced to Battler.`@` It's a classic move to use against the 'Devil's Proof'.`\ ld r,$BEA_AkuwaraiA5,80 ;　……ロノウェ、それは妾が指す一手ぞ。@妾の楽しみを減らしてくれるな。」\ ;＜ベアト `......Ronove, I will make this move.`@` Do not get in the way of my fun."`\ cbfly 0 bg G1F_S1cP,0 ld c,$BUT_niramuA3,24 ;「出やがったな、ゲラゲラ魔女め。@相変わらず下品に笑いやがって。@/ `"So you've finally shown up, you guffawing witch.`@` I see that you still have that undignified laugh. `@/ ld c,$BUT_nayamuA2,80 ;……こいつもお前のこと、笑い方に品がねぇって陰口言ってたぜ。@なぁ？」\ `......This guy was talking behind your back just now, telling me about how undignified it is.`@` Right?"`\ bg G1F_S1aP,0 ld r,$BEA_defA2,0 ld l,$RON_waraiA2,23 ld r,$BEA_waraiA1,80 ;「それは心外な。@本当か。」@ `"What a surprise.`@` Really?"`@ ld l,$RON_waraiA1,80 ;「滅相もない。@心より尊敬申し上げているお嬢様に、@この私めがどうしてそのような陰口を申せましょうか。」\ `"Nonsense.`@` Why would I speak such gossip about Milady, `@`of whom I speak most respectably from my heart?"`\ bg G1F_S1cP,0 ld r,$BUT_komaruA1,24 ;「…よくもしゃあしゃあと言えるもんだなぁ。@お前とは仲良くなれそうにないぜ…。」\ `"...I can't believe you'd say something so shameless.`@` Doesn't look like we'll be getting along well together..."`\ ld l,$BEA_WaraiA1,23 ;「くっくっくっくっく。@まぁ良い。@話を戻そう。@“ヘンペルのカラス”は、実証を対偶的に行なってみせる。@/ `"*cackle*cackle*cackle*.`@` Well, that is fine.`@` Let us return to the conversation.`@` 'Hempel's Raven' is used to show actual proof using the contrapositive. `@/ ld l,$BEA_DefA2,80 ;……つまりこういう手だ。@カラスが黒いことを証明するにはどうすればいい？」\ `......In other words, it is a move like this...`@` What must you do to prove that ravens are black?"`\ ld r,$BUT_OdorokiA2,80 ;「は？@　何の話だ？？@　カラスが黒いことを証明って…。@/ `"Huh?`@` What are you talking about??`@` Prove that ravens are black...`@/ ld r,$BUT_DefA1,80 ;…カラスを捕まえてきて、色が黒いことを確認すりゃいいだけの話だろ。」\ `...Wouldn't you just have to catch a raven and check to see if it's black?"`\ ld l,$BEA_WaraiA2,80 ;「その通り。@“カラス＝黒い”、を証明すれば良い。@/ `"That is right.`@` You must simply prove that 'a raven is black'. `@/ ld l,$BEA_FutekiA2,80 ;ということは、“黒くない鳥＝カラスではない”、を証明しても、同じ論法になるのがわかるかな？@　世界中の、カラスでない鳥を全て調べ、それらが黒くないことを証明すれば、@それは結果的に、“ゆえに黒い鳥はカラスである”となるわけだ。@これを対偶論法という。@…そなたには難しいか？」\ `And do you see that, if you also prove that 'birds that aren't black are not ravens', you would reach the same argument?`@` If you go throughout the world and examine all birds that are not ravens, and prove that none of them are black,`@` then as a result, you can claim that 'therefore, black birds are ravens'.`@` This is called an argument by the contrapositive.`@` ...Is that difficult for you?"`\ ld r,$BUT_aseruA1,80 ;「あぁまったく。@…何言ってやがるのかさっぱりだ。」\ `"Yeah, completely.`@` ...I have no idea what you're saying."`\ ld c,$RON_DefA1,23 ;「戦人さま。@こういう例え話はいかがでしょう。@２つの箱があり、片方はアタリでクッキーが入っているといたします。@もちろん、もう片方はハズレで空っぽです。」\ ;＜ロノウェ `"Battler-sama.`@` What about this example?`@` Let us say that you have two boxes, and one of them is the winner, with a cookie inside.`@` Of course, the other one is the loser, and is empty."`\ bg black,5 ;　例えば、ここに２つの箱があり、@片方はアタリで中にクッキーがあり、もう片方はハズレで空っぽだとする。\ `For example, here are two boxes,`@` one is the winner with a cookie inside, and the other is the loser and is empty.`\ br ;　この時、“クッキーが入っている＝アタリ”となり、@同時に“アタリでない＝クッキーが入っていない”ともなるわけだ。@ `At this moment, 'the one that has a cookie is the winner',`@` which means that, at the same time, 'the one that is not the winner does not have a cookie'.`@ br ;　この関係にある時、後者を対偶と呼ぶ…。\ `When such a relationship exists, the latter is called the contrapositive...`\ ;　“ＡであるならＢ”である時、それは同時に“ＢでないならＡではない”でもあるわけだ。\ `When 'if A then B' is true, then 'if not B then not A' is also true.`\ bg G1F_S1bP,0 ld r,$BUT_niramuA3,26 ;「…そりゃ当然だろうよ。@もし選んだ方がハズレだったなら、もう片方は自動的にアタリってことになる。\ `"...Well, that's obvious.`@` If the one you guessed was the loser, then you would automatically know that the other one was the winner.`\ ld r,$BUT_komaruA2,80 ;　…つまり、箱を適当に選び、アタリを引こうとハズレを引こうと、@最初の一手でどっちの箱にクッキーが入っているか、特定できるわけだ。」\ `...In other words, if you choose the box at random, whether it's the winner or the loser,`@` you'll be able to figure out which box has the cookie in it after your first move."`\ ld l,$BEA_defA2,23 ;「その通り。@開けた箱にクッキーが入っていたなら“悪魔の証明”を満たす。@“この箱はアタリ＝この箱にはクッキーが入っている”をまさに実証できるわけだ。\ `"That is correct.`@` If the cookie is in the box you open, then the 'Devil's Proof' is satisfied.`@` You can clearly prove that 'this box was the winner, therefore this box had a cookie in it'.`\ ld l,$BEA_futekiA2,80 ;　しかし、開けた箱が空っぽだったなら、この時は逆に“ヘンペルのカラス”を満たす。@“この箱にクッキーが入っていない＝この箱はアタリではない”となるのだから。\ `However, if the box that you open is empty, then the reverse, Hempel's raven, is satisfied.`@` It means that 'this box does not have a cookie in it, therefore, the other box is the winner'.`\ ld l,$BEA_akuwaraiA1,80 ;　そしてそれは、箱が２つしかないことを前提としている限り、@それはもう片方の箱が自動的にアタリであることを対偶的に示している。」\ ;＜ベアト `That is because, as long as we accept the premise that there are no more than two boxes,`@` the contrapositive shows that the other box is automatically the winner."`\ ld r,$BUT_NiramuA3,80 ;「……まぁ、何となく理屈はわかったぜ。@毒を制するには毒、屁理屈には屁理屈ってわけだ。@/ `"......Well, I think I'm starting to see your reasoning.`@` Only poison can stop poison, and only twisted logic can stop twisted logic. `@/ ld r,$BUT_KomaruA3,80 ;…それで？@　俺の、“島には１９人目の人間が隠れているに違いないから、@１８人全員にアリバイがあっても、@それは魔女を認めることにはならない”をどう切り替えしてくれるってんだ……？」\ `...Then what?`@` How does that overturn my claim that, 'because there is certainly a 19th human hidden on this island,`@` even if all of the 18 people have alibis,`@` I still can't accept witches'......?"`\ ld l,$BEA_futekiA1,80 ;「良かろう。@妾の手は教えよう。@まずそなたは、“１８人の中に犯人はいない＝ならば犯人は１９人目”としている。@くっくっくっく！@　…ならば対偶として、こうなるわけだ。@/ `"Very well.`@` I will teach you about my move.`@` First of all, you are stating that 'if the culprit is not among the 18, then the culprit is a 19th person'.`@` *cackle*cackle*!`@` ...So if you use the contrapositive, it ends up like this. `@/ ld l,$BEA_AkuwaraiA5,80 se1 21 ;つまり、“犯人は１９人目ではない＝ならば１８人の中に犯人がいる”！」\ `In short, 'if the culprit is not a 19th person, then the culprit is one of the 18!"`\ ld r,$BUT_OdorokiA2,80 ;「はぁ？！@　何だと、そりゃどういう意味だッ？！」\ `"Whaah?!`@` What the, what does that mean?!"`\ ld l,$BEA_WaraiA2,80 ;「そなたの指し手を逆手に取っただけだがな。@そう難しい話ではあるまいに。@/ `"Only that I've countered your move.`@` Let's try and keep things simple. `@/ ld l,$BEA_AkuwaraiA1,80 ;ロノウェ、説明せよ。@そなたのさっきのクッキーの箱の例えは戦人にわかりやすいらしい。」\ `Ronove, explain.`@` It seems you've made things easy enough for Battler to understand with your cookie in a box analogy."`\ ;bg black,23 ;bg G1F_S1aP,23 ld c,$RON_waraiA2,24 ;「それでは僭越ながら。@先ほどの例え話でもう一度ご説明させていただきます。」\ `"Then forgive my presumption.`@` Allow me to explain my earlier example once more."`\ bg black,25 ;　先ほどの、２箱の宝箱があり、@どちらかにクッキーが入っているという話をもう一度繰り返させていただきます。\ `Allow me to repeat once more my earlier story about two treasure boxes,`@` one of which had a cookie in it.`\ ;　この場合、片方の箱は“１８人”を示し、もう片方の箱は“１９人目”を示します。@ ;　ならばクッキーはつまり“犯人”を示すわけです。@ `In this situation, there is a single box which represents '18 people', and another single box which represents the '19th person'.`@ `So the cookie would represent the culprit.`@ br ;　戦人さまは、１８人の箱を開けられます。@ ;　そしてクッキーがそこになかった為、@“＝クッキーは１９人目の箱に入っている”と逆説的に証明されたわけでございます。\ `Battler-sama, you open the 18 people box.`@ `Because the cookie is not there, `@`you have paradoxically proven that 'therefore, the cookie is in the 19th person box'.`\ ;　ならばそれはさらに逆説的にこうも申し上げられます。@ `Then, in this situation, we could make this next, even more paradoxical claim.`@ br ;　つまり、１９人目の箱が空っぽであることを先に示したならば、@“１８人の箱の中にクッキーが入っている”ことを同様に実証してしまうわけです。\ `In other words, if it was first shown that the 19th box was empty,`@` it would prove at the same time that 'the cookie is in the 18 people box'.`\ ;　戦人さまが１８人を疑わなくて済むために打たれた一手が、@逆に“１８人攻め”の布石に使われてしまった…！\ `Battler-sama played this move in order to avoid having to doubt any of the 18,`@` but it has now actually been used to prepare the '18 person attack'...!"`\ bg G1F_S1cP,0 ld c,$BUT_odorokiA2,26 ;!s0「……んな、/ ;!d600……何だとぉ………。」/ !s0`"......Huh, `/ !d600`......what did you say......"`/ !sd\ bg G1F_S1aP,0 ld r,$BEA_futekiA1,23 ;「くっくくくくくく！@　妾が１９人目の箱の中身が空っぽであることを先に証明すれば、@そなたは自動的に、@１８人の箱の中にクッキーがあることを認めなければならないということになる。@そなたは、それを逆の言い方で口にしたに過ぎんのだぞ？」\ `"*cackle*cackle*cackle*cackle*!`@` If I go first and prove that the inside of the 19th person box is empty,`@` you will automatically have to accept that the cookie is in the 18 people box.`@` All you have done is say this the other way around, you see?"`\ ld l,$BUT_kuyasigaruA1,23 ;「つまり、……俺の自信満々の一手は、同時に諸刃の剣でもあるってわけか。」\ `"So, ......that move that I was so confident in, ...was actually a double-edged sword?"`\ ld r,$BEA_akuwaraiA3,80 ;「その通りよ。@そなたの１９人目で全てを説明する一手は、それが破られた時、@１８人でしか説明できないことを認めざるを得ないリスクを背負っている。」\ `"That's right.`@` As soon as you played that move to explain everything with a 19th person,`@` you had already taken on a risk that you might be forced to accept that the culprit was one of the 18."`\ bg black,22 fede 0,3000 bgm1 34 ;　なるほどな…。@“ヘンペルのカラス”。@ ;　……つまりは返し技ってことなのか？！@ `I see...`@` 'Hempel's Raven'.`@ `......So this is a countering technique?!`@ br ;　…いや、よくよく考えれば、これは俺にばかりやたらと不利な返し技だ。\ `...Wait, if I really think about it, this counter is really disadvantageous for me.`\ ;　クッキーという言い方がいけない。@ ;　宝箱の中に爆弾というハズレが１つだけ入っていると考え直してみると、さらによくわかる。\ `I couldn't think about it like a cookie.`@ `If I imagined that the 'loser' treasure chest actually had a bomb in it, I could begin to understand it quite well.`\ ;　そして宝箱の数を２つではなく、@１８人分＋１９人目用ということで、@合計１９箱用意して考えれば、さらにわかりやすくなる。\ `And there weren't two treasure chests, `@`but 18 plus 1 more for the 19th person.`@` If you think of it as a total of 19 boxes, it gets even easier to understand.`\ ;　まず、人間犯人説は、必ずどれかの箱に爆弾が入っているという前提を成立させる。\ `First of all, one of the premises established by the human culprit theory was that the bomb would definitely be in one of those boxes.`\ ;　俺は、その爆弾を１８人の誰の箱にも入れたくない為、“悪魔の証明”を使い、@１９人目の箱を生み出して、その中に爆弾を放り込んだわけだ。@……ここまではいい。@ `Because I hadn't wanted to place that bomb in any of the 18's boxes, I had used the 'Devil's Proof',`@` and created the 19th person box so that I could throw the bomb in there.`@` ......That much was alright.`@ br ;　しかし、ベアトはこう返した。\ `But then, Beato had struck back.`\ ;　ならば、１９人目の箱の中身が空っぽだったなら、@その時点で自動的に、１８人の誰かの箱の中に爆弾が入っていることが確定すると。\ `Now, if the contents of the 19th person box were empty, `@`that would automatically mean that the bomb was set in one of the other 18 boxes.`\ ;　俺は１８人の箱の中身全てを調べ、@どの箱にも爆弾が入っていなかったことを証明すれば、@無事に１８人の無実を証明できるだろう。@ `If I could examine the contents of all 18 of those boxes,`@` then as long as I could show that the bomb was not in any one of those boxes,`@` I would be able to safely show that the 18 people were innocent.`@ ;　これが可能ならば、俺は心強い！@ `As long as that was possible, it was all reassuring!`@ br ;　しかし、それは現実には限りなく不可能なのだ。\ `However, in reality, that was infinitely impossible.`\ me1v 12,50 dllefe 1,1 bg rose_G1aN,0 print 22 ;　ここには台風で警察が来られない。@ ;　科学捜査も鑑識も何もない。@ ;　つまり、何も確定的に示せない！@ `The police wouldn't come here in this typhoon.`@ `We couldn't have a scientific investigation, we didn't have any experts on this sort of thing, and we couldn't do anything.`@ `In short, we couldn't show anything decisively!`@ br ;　俺には１８人が口々に主張するアリバイを鵜呑みにする以上の検証が不可能なのだ。\ `It was impossible for me to find any proof other than simply gulping down whatever alibis each of the 18 gave.`\ bg black,5 dllefe_off ;　ならば、俺個人が彼らの無実を完全に確認しきらなければならない。@ `In that case, I personally had to prove their innocence, and perfectly.`@ br ;　例えば、ずっと一緒にいて一秒も漏らさず監視してるとか。@ `Like staying with them the whole time, never letting them out of my sight for a second.`@ br ;　そういうことをすれば、その人物に関してだけは無実を、@箱の中に爆弾がないと確認できたことになるだろう。\ `And by doing that, I could probably be sure of that person's innocence, `@`and that the bomb was not in that box.`\ ;　…しかし、そんなことは現実的に不可能だ！@ `...However, in reality, something like that was impossible!`@ ;　つまり、俺にはたった１箱でも、その中身を確認するには膨大な手間を必要とするわけだ。@ `In other words, I would have to expend an incredible effort just to check the contents of one box.`@ br ;　しかもそれを１８箱分も！@　つまり、１８人全員を鎖で縛って監禁するくらいじゃなきゃ、@全員の完全な空箱証明は不可能だ。\ `And there were 18 of them!`@` In other words, unless I bound all 18 of them in chains and watched over them,`@` it would be impossible to prove that all of them had empty boxes.`\ ;　しかし、ベアトは１９人目の箱を、たった１箱だけ開けて見せ、@それが空っぽだと証明するだけで、１８人の箱に爆弾があることを証明できてしまう。@（しかも、１８人の“どの”箱に入っているかを実証する必要がない！）\ `However, Beato only had to open one box, the 19th person box,`@` and show that it was empty to prove that the bomb was in one of the other 18 boxes.`@` (Furthermore, there would be no need for her to show 'which' of the 18 boxes had the bomb!)`\ ;　俺とベアトでは、持論を説明する手間が１８倍も違うのだ……。\ `I had 18 times more work to do to explain my pet theory than Beatrice did for hers......`\ fede 0,3000 wait 1000 bg G1F_S1cP,22 ld r,$BEA_NayamuA1,24 bgm1 32 ;「世の中には、“悪魔の証明”がそうであるように、@反論に膨大な手間が掛かり、事実上不可能であるケースが少なくない。@/ `"When a 'Devil's Proof' exists in the world,`@` it takes a vast amount of effort to argue against it, and there are many cases where it is impossible to do because of the situation. `@/ ld r,$BEA_defA2,80 ;しかし、“ヘンペルのカラス”はその問題を逆手に取り、容易に実証することを可能とする！」\ ;＜ベアト `However, 'Hempel's Raven' turns that problem around, and makes it possible to prove things easily!"`\ ld l,$RON_DefA1,23 ;「“ヘンペルのカラス”を使えば、様々な暴論が実証可能なのです。@/ `"By using 'Hempel's Raven', various reckless arguments become possible to prove true or false. `@/ ld l,$RON_WaraiA2,80 ;……例えば、“私以外の人間＝愚かである”という命題があったとします。@これを証明するには本来、私を除く全人類を調べ、愚かであることを証明しなければなりません。\ `......For example, let us say that I make the proposition 'All humans except me are foolish'.`@` Normally, I would have to examine all of humanity except myself and show that they are all foolish.`\ ld l,$RON_akuwaraiA1,80 ;　…しかし、何十億人も調べるなど、現実には不可能でしょう。@戦人さまの１８箱を開ける手間とまったく同じです。」\ ;＜ロノウェ `...However, in reality, it would be impossible to investigate billions of people.`@` It is exactly the same kind of effort you would need to open all 18 boxes."`\ ld r,$BEA_AkuwaraiA1,80 ;「くっくっく！@　しかし“ヘンペルのカラス”ならば、その命題は対偶的にこう変換される。@つまり“私以外の人間＝愚かである”を、そなた風に言うならば、@チェス盤を引っ繰り返し、“愚かではない＝私”として証明しても良いということだ。@……つまりどういうことだと思う？」\ `"*cackle*cackle*!`@` However, by using 'Hempel's Raven', the contrapositive of that proposition would change it into this.`@` If you, to use your style of phrase, turn the chessboard over on the claim that 'All humans except me are foolish', `@`you would have to do nothing more than prove 'not foolish=me'.`@` ......And what do you think that means?"`\ ld r,$BEA_AkuwaraiA2,80 ;「くっくっくっく！@/ `"*cackle*cackle*! `@/ se1 37 ;　“妾が聡明である”という事実を知るだけで、@全人類は愚かであることの何十億人分もの証明が直ちに終了してしまうわけだ。@全人類が妾よりも愚かであることを、わずか１秒も掛けずに証明終了できる！！\ `As soon as I know the fact that 'I am wise', `@`I will be able to show in an instant that every one of the billions of people in the human race is foolish.`@` In less than a second, I could finish proving that the entire human race is more foolish than me!!`\ ld r,$BEA_AkuwaraiA4,80 ;　世界最強最速のＱＥＤ。@これぞ/ `It's the strongest and fastest QED in the world,`@` this `/ se2v 2,100 ;“ヘンペルのカラス”ッ！」\ `'Hempel's Raven'!"`\ bg G1F_S1bP,0 ld l,$BUT_kuyasigaruA1,23 ;「なッ、………何つぅ暴論だよ………！！！」\ `"Wha, .........what a ridiculous argument.........!!!"`\ ld r,$RON_waraiA2,24 ;「これはとてもとても便利な一手ですよ。@悪魔どころか、神々も好む一手です。@“幸福である＝神の僕”を命題とする時、@対偶は“神の僕でない人間＝幸福であってはいけない”となります。」\ `"It is a very, very convenient move.`@` Not only demons, but gods also use it.`@` When they propose 'blessed, therefore god's servant',`@` the contrapositive is 'if a human is not a servant of god, then he must not be blessed'."`\ ld r,$RON_majimeA1,80 ;「つまり、神の僕がその加護によって幸福であることを実証する為には、@その加護を受けぬ人々が不幸であることを実証すればいいわけです。\ `"So in order to prove that servants of gods are blessed with divine protection,`@` they only have to bring ill fortune down upon those people who don't receive that divine protection.`\ ld r,$RON_AkuwaraiA1,80 ;　………そして彼らは、@自らの神を信じない人々を不幸に突き落とすことで、自らの幸福を実証する。」\ ;＜ロノウェ `.........So by bringing misfortune down upon those people who don't believe in them,`@` they prove their blessedness."`\ cl l,24 ld l,$BEA_waraiA2,23 ;「人に幸福を与えるには莫大なコストが掛かる。@…しかし、人を不幸にするのに必要なコストははるかに安上がりだ。@/ `"It takes an enormous cost to give humans happiness.`@` ...However, the necessary cost to bring humans misfortune is much cheaper. `@/ ld l,$BEA_akuWaraiA2,80 ;くっくくくくくくくくく。@つまり、“ヘンペルのカラス”を使えば、神々は実に低コストで信者に加護の喜びを与えられるわけよ。」\ ;＜ベアト `*cackle*cackle*cackle*cackle*cackle*.`@` So by using 'Hempel's Raven', gods are actually giving believers the joy of divine protection at the lowest cost."`\ cl r,23 ld r,$BUT_kuyasigaruA1,24 ;「あ、……悪魔だ。@悪魔の理論だ…。@…滅茶苦茶だ…！！！」\ `"Ah, ......you demon.`@` It's a demon's argument...`@`...that's all messed up...!!!"`\ ld l,$BEA_waraiA1,80 ;「話が逸れてしまったようだな。@そろそろ話を戻そうぞ。\ `"It seems that we've gone off-topic.`@` Let us return to it.`\ ld l,$BEA_futekiA1,80 ;　妾の反撃の一手は以上だ。@……そなたの、“１９人目が犯人だから、１８人は無実で魔女も存在しない”への反撃は、@“ならば、１９人目が犯人でないことを証明できたら、@１８人か魔女のどちらかが犯人ということで確定するぞ？”@との確認だ。」\ `The move for my counterattack is complete.`@` ......And now, in response to your claim of 'the 19th person is the culprit, therefore, the 18 are innocent and the witch doesn't exist,' `@`I say 'therefore, if I can prove that the culprit is not some 19th person,`@` we can be sure that the culprit is either one of the 18 or a witch, right?'"`\ bg black,22 me1v 16,0 ;cross1 50,0,0,0,0,3000 fedexx 0,50,0,0,0,0,3000 E_B bg chess1,22 ;　俺はしばらくの間、呆然となり開いた口を閉じることも忘れていた…。@ `For a while, I just stood there, shocked, completely forgetting to close my mouth...`@ br ;　ヤツらの得意手を逆手に取って、してやったりと思ったら、@その反撃は俺の想像をはるかに超えるさらに暴論…！\ `Just when I'd thought that I'd countered one of their strong points,`@` the counter attack to that had been this reckless argument that I could not even have begun to imagine...!`\ ;　やはり、…無理なのか…？！@ ;　１８人しかいないこの島で、魔女を否定しつつ、@にもかかわらず、１８人の無実を信じるなんて、@………そんなのは妄想なのか？！@　現実逃避でしかないのか？！\ `Was it really, ...impossible...?!`@ `To continue denying the witch on an island with no more than 18 people,`@` and still believe in the innocence of those 18 people,`@` .........or was that just a delusion?!`@` Was I just trying to escape reality?!`\ bg black,2 fede 0,5000 wait 1000 me1 11 ;　まだだ…。@……悪足掻きを止めるな。\ `Not yet...`@`......don't give up this useless struggle yet.`\ ;　何が“何たらのカラス”だ。@ ;　おかしな豆知識で煙に撒かれるな…。@ `Who cares about 'Whoever's Raven'?`@ `They're just trying to speak in riddles by bringing up some weird bits of trivia...`@ ;　こっちは“悪魔の証明”で仕掛けた。@ ;　一度仕掛けた手に不安を持つな。@ ;　繰り出した槍を信じろ。@ `I had used the 'Devil's Proof'.`@ `Don't feel uncertain about something you've used once.`@ `Believe in the spear you've drawn.`@ br ;　さらに力強く、……抉り出せ……！\ `And then forcefully, ......gouge it in......!`\ bg G1F_S1bP,0 ld r,$BEA_WaraiA1,26 ld r,$BEA_defA2,80 ;「……まだまだ序盤だぞ。@この程度で長考するつもりか？」\ `"......We are still in the opening part of the game.`@` Do you plan to keep thinking on this level?"`\ ld l,$BUT_KuyasigaruA1,23 E_A ;「……………………。@/ `"...............`@/ bgm1 27 ld l,$BUT_nayamuA1,80 ;あ、/ ;!d800……いや待て、/ ;!d800確認するぞ。@/ `Ah, `/ !d800`......wait a sec, `/ !d800`I want to be sure. `@/ ld l,$BUT_NayamuA2,80 ;確かに俺は、わかりやすく１９人目という言い方をしたが、@“悪魔の証明”によって１８人以上人間を増やせるなら、@それは１０人いるか１００人いるかもわからない、不特定多数ということだ。@ `I'll admit that I talked about a 19th person in a way that was easy to understand,`@` but if we're going to use the 'Devil's Proof' to raise the number of people above 18,`@` then we would have no way of knowing whether there were 10 people, 100 people, or an indeterminate number of people.`@ br ;(お前が想定する人数より常に１人多い/・・・・・・・・・・・・・・・・・)。@ (`There's always one more than you assume`/・・・・・・・・・・・・・・・・・・)`.`@ br ;…わかるか？」\ `...Understand?"`\ ;＜点処理：お前が想定する人数より常に１人多い bg black,25 me1v 17,50 ;　俺の屁理屈に、ヤツも飛び切りの屁理屈で返してきた。@ ;　ならばそれに反撃できるのも、さらにぶっ飛んだ屁理屈だけなんだ…！\ `They had returned my twisted logic with something even more twisted.`@ `So the only thing that could counter that would be even crazier twisted logic...!`\ fede 10,2000 bg chess1,22 ;「ふむ、なるほど。@………妾が１９人目のアリバイを何らかの方法で証明したとしても。@その瞬間にそなたは２０人目を生み出し、犯人だと主張する。@これを無限に繰り返すことによって、妾は永遠に彼らのアリバイの証明が終えられないというわけか。@……なるほどなるほど、くっくっくっく！@　さながら蝗の大群を呼び出す魔王よな。@さすがは金蔵の孫よ。@召喚術の才能には恵まれていると見える。」\ `"Hmm, I see.`@` .........Even if I somehow prove an alibi for the 19th person,`@` as soon as I do, you will think up a 20th person, and claim that they are the culprit.`@` By repeating this endlessly, you would make it so I kept searching for their alibis for all eternity.`@` ......I see, I see, *cackle*cackle*!`@` Just like a demon king summoning a plague of locusts.`@` I wouldn't expect anything less from Kinzo's grandchild.`@` It looks like you have been gifted with a talent in summoning."`\ bg G1F_S1bP,0 ld c,$BUT_OdorokiA1,26 ;「……つまり！@　１８人以外の存在Ｘは、常にアリバイを証明することが不可能なんだ！@　……どうだベアト…！@　屁理屈合戦だとわかれば俺も負けねぇぜ！」\ `"......In short!`@` It is impossible to always prove an alibi for each person X outside of the first 18!`@` ......How do you like that, Beato...?!`@` Now that I know we're having a battle with twisted logic, I won't lose!"`\ bg G1F_S1cP,0 ld r,$BEA_AkuwaraiA3,24 me1v 19,80 ;「くっくくくくくくくくくくくくくく！！@　愚かしいぞ…。@妾を誰と心得る？@　妾こそは無限の魔女！@　その妾に無限にて挑むとは片腹痛いわ。@/ `"*cackle*cackle*cackle*cackle*cackle*cackle*cackle*!!`@` How foolish...`@` Who do you think I am?`@` I am the Endless Witch!`@` The thought that you could challenge me endlessly is just absurd. `@/ ld r,$BEA_AkuwaraiA5,80 ;無限を操ることはつまり、無限を殺すこともできるということ。」\ `Endless control means that I am able to kill endlessly."`\ bg black,22 ;「……妾が１９人目を斬れば、そなたは２０人目を呼び、@２０人目を斬れば２１人目を呼び、@２１人目を斬れば２２人目を斬れば、@２３人目を呼び３４人目を呼び６４３５８２２３５７９６７３２０４人目を呼びッ、@妾を永遠に翻弄できるとでも？！\ `"......When your 19th person folds, you will call a 20th,`@` and when your 20th person folds, you will call a 21st,`@` and when your 21 person folds and your 22nd person folds,`@` you will call 23rd person, a 34th person, a 64358223579673204th person,`@` will you trifle with me for all eternity?!`\ bg G1F_S1cP,0 ld r,$BEA_AkuwaraiA2,24 ;　“無限後退”とは笑わせるッ、@/ `I laugh at 'infinite regress', `@/ E_A se1v 37,100 ;妾に無限は通じぬわ！！」/ `the 'infinite' doesn't affect me!!"`/ quakey 5,1000 \ ld l,$BUT_NiramuA3,23 me1 17 ;「ほぅ、ならばどうやってこの俺の“無限”を殺すんだよ、見せてみろよ！！」\ `"Well then, how will you kill my 'endless' plan? Just try and show me!!"`\ textoff E_A se1 56 bg black,1 wait 200 se2v 57,100 bg BLADE7_2R,1 bg white,22 wait 1000 bg G1F_S1cP,0 ld r,$BEA_waraiA1,42 bgm1 40 ld r,$BEA_AkuwaraiA4,80 ;!s0「#ff0000妾には真実を赤で語る力があろうが#ffffffッ！！！」/ !s0`"#ff0000I have the power to speak the truth in red#ffffff!!!"`/ !sd@ ld l,$BUT_kuyasigaruA1,23 ;「…………………ッ！！@　………来やがったなぁ…………。」\ `"...............!!`@` .........Here it comes........."`\ ld r,$BEA_akuwaraiA1,80 ;「妾が赤で語る時、そこには一切の幻想がない。@妾がこの島には１００人しかいないと一言赤で語れば、@そなたにはもはや１０１人目を生み出すことは叶わぬのだ。\ `"When I speak in red, it will contain absolutely no illusions.`@` If I say once in red that there are no more than 100 people on this island,`@` you will no longer be permitted to create a 101st person.`\ ld r,$BEA_AkuwaraiA2,80 ;　くっくっくっく！@　ほぅら、戦人ぁ。@今度はどんな真実を赤で語ってみせようか？@　どんな拠り所を叩き斬って、そなたを絶望に突き落としてやろうか？@　くっくっくっくっく！@　そら、いつもの怯えた顔を見せてみるがいい……。」\ `*cackle*cackle*!`@` See-, Battle-r.`@` What truth shall I tell in red this time?`@` Where shall I strike for the kill and force you into hopelessness?`@` *cackle*cackle*cackle*!`@` Come, show me your usual frightened face......"`\ bg black,5 fede 0,4000 ;「…………………………。」@ ;「………………何？」\ `".................."`@ `"...............What?"`\ ;「……いっひっひっひっひ。」@ ;「…そなた、…笑うか…。」\ `"......Ihihihihi."`@ `"...Why, ...are you laughing...?"`\ bgm1 32 ;　俺は今、どんな薄気味悪い顔で笑ってるんだろうな。@ ;　赤は怖ぇさ。@…こいつが飛び出す度に、俺は絶望の底へ叩き込まれる。@ `I wonder what kind of creepy look I had on my face as I laughed right then.`@ `That red sure is scary.`@` ...Every time it jumps out, I'm driven into the depths of hopelessness.`@ br ;　しかし、……もう俺は気付いたのさ。@…赤は、不必要に恐れる必要がないんだ。\ `But, ......I had already realized it.`@` ...There was no need to be unnecessarily afraid of the red.`\ bg G1F_S1aP,0 ld c,$BUT_nayamuA2,22 ;「………また抜きやがったな、伝家の宝刀だ。@/ `".........You've brought out your trump card again. `@/ ld c,$BUT_niramuA3,80 ;それで…？@　今度はベアトリーチェさまは、何をどう赤で語って下さるってんだ？」\ `So...?`@` What and how will Beatrice-sama speak in red this time?"`\ bg G1F_S1bP,0 ld r,$BEA_fukigenA1,24 ;「……ほぉ。@それはどういう意味か。@急に余裕を見せおって…。」\ `"......Hoh.`@` What do you mean by that?`@` Suddenly looking so relaxed..."`\ ld l,$BUT_NiramuA1,23 ;「悪ぃが、その真っ赤な宝刀は、俺も抜いてくれるのを待ってたんだ。@……さて、お前は今度は何を赤で宣言してくれるんだ？\ `"Sorry, but I was also waiting for you to take out that blood-red treasured sword.`@` ......Let's see, what will you proclaim in red this time?`\ ld l,$BUT_NiramuA2,80 ;　“犯人は１８人の中にいる”とでも言ってくれるのか？@　言っとくが、そいつは自爆だぜ？@　その時点で、お前は魔女説を自ら捨てたも同然。@まさに投了だ。」\ `You aren't going to say 'the culprit was one of those 18 people', are you?`@` Let me warn you, that would be self-destruction, right?`@` That would be the same as throwing away your own witch theory yourself.`@` A complete resignation."`\ bg black,22 ;　そうさ。@赤は常にベアトの武器になるとは限らない。@それどころか、誤って使えば、自らをも死に至らしかねないほどに危険なのだ。@ `That's right,`@` the red hadn't always been a weapon that only Beato could use.`@` It was the other way around.`@` If she used it the wrong way, it was dangerous enough that she could bring about her own death.`@ br ;　もし迂闊に使い、自らを否定するようなことを言ってしまえば、それはまさに自爆も同然。\ `If she used it carelessly and said something which ended up denying herself, that would be exactly the same thing as self-destructing.`\ bg G1F_S1bP,22 ld l,$BUT_KuyasigaruA1,23 ;「確かに俺にとっても、@１８人の中に犯人がいると赤で言われることは、受け容れたくない悲しい事実さ。@……例え誰が犯人であっても、俺はきっと辛い気持ちになるだろうぜ…。\ `"Of course, it would also be sad and difficult for me to accept if you told me in red that one of the 18 was the culprit.`@` ......No matter who the culprit actually was, it would surely bring me some tough emotions...`\ se1 20 ld l,$BUT_OdorokiB1,80 ;!s0　だが、それはそれ以前にお前の敗北も意味するッ！/ !s0`But before that, it would mean your defeat!`/ se1v 2,100 quakey 5,1200 ;!sd@　人間が犯人だとお前が赤で語ることは、お前の投了宣言にも等しい！！@　お前が、俺と刺し違えても相打ちにしたいってんなら、それも面白い一手だろうぜ。@だが、この勝負は俺の勝ちで終わるッ！！」\ !sd@`Saying in red that the culprit is a human is equivalent to your proclamation of resignation!!`@` If you want us to stab at each other in a simultaneous clash, I think that's a pretty interesting move.`@` However, this battle will end in my victory!!"`\ bg BLADE2R,22 me1 16 ;　ベアトリーチェの赤は、まさに伝家の宝刀。@ `Beatrice's red was her true trump card.`@ ;　ヤツが赤で語ったことは証拠も反論の余地もなく、それが真実となって確定してしまう。@ `When that person spoke in red, it was surely the truth, and no amount of proof or counterarguments could change that.`@ br ;　それらは俺を何度も叩き斬り、わずかな心の拠り所をいつも真っ二つにしてきた。\ `Until now she had used that to severely wound me, and each time a little part of my heart would split in half.`\ ;　だが、迂闊に使えばそれは俺に真相を探る情報とされてしまうこともある。@ `However, if she used it carelessly, then I could also find a little information about the truth.`@ br ;　…俺は前回、特に礼拝堂の密室トリックの時、それを逆手に取り、@一度はぎりぎりまで追い詰めたはずだ。\ `...In the last game, I had countered that, especially during the chapel's closed room trick,`@` and had once closed her in almost completely.`\ bg black,22 ;　だがヤツもなかなかに狡猾。@ ;　それに懲り、以来、慎重に赤を使うタイミングを計るようになった…。@ `But she was also pretty sly.`@ `She had learned from experience, and since then, had started using discretion in the timing of the red...`@ br ;　この緊張感はまるで、文字通りの真剣勝負のようだ。\ `This feeling of tension was almost literally like a battle with real swords.`\ ;　…こいつは高度な知能戦。@ ;　……いや、知能戦じゃない。@ ;　やっぱり屁理屈だ。@ `...This was a battle of high intelligence.`@ `......No, not of intelligence.`@ `It really was twisted logic.`@ br ;　こいつは、世界で最凶最悪の屁理屈合戦だ…！！\ `This was the world's craziest and worst battle of twisted logic...!!`\ fede 10,2000 bg G1F_S1cP,26 ld r,$BUT_niramuA3,24 ;「さぁ、今度はお前の手番だぜ。@……そうさ。@お前の“ヘンペルのカラス”を使うには、@まず、１８人以外に何人の人間がいるのかを、赤で確定させる必要がある。@その上で、それらの人間についてさらに赤で犯人でないことを宣言したならば、@……なるほど、こいつは俺にとって致命傷になるだろうぜ。」\ `"So, this time it's your plan.`@` ......That's right.`@` To use your 'Hempel's Raven', `@`first, you'll have to confirm in red how many humans there are other than the 18.`@` And after that, if you proclaim in red that none of the people in this group are the culprit,`@` ......that's right, that might be a fatal wound to me."`\ ld l,$BEA_aseruA1,23 ;「………あれほど怯えていた赤を、もはや微塵も怯えぬとはな…。@/ `".........I'm surprised that you no longer have even an atom of fear for that red which you feared so much... `@/ ld l,$BEA_fukigenA1,80 ;逞しいヤツよ。」@ `You're quite sturdy."`@ ld r,$BUT_komaruA3,80 ;「抜いてみろよ。@伝家の宝刀。@……バッサリ決まって、今度こそ俺を屈服できるかもしれねぇぜ…？」\ `"Try taking it out.`@` That trump card of yours.`@` This time, you might be able to make me surrender with a single stroke, right...?"`\ cl a,0 ld c,$BEA_fukigenA1,23 ;「……くっくっくっくっくっく。@…面白い。@こうでなくてはな…。」\ `"......*cackle*cackle*cackle*.`@` ...Interesting.`@` I wouldn't have it any other way..."`\ bg black,22 me1v 5,50 ;　煽る。@挑発する。@ ;　ヤツに赤で語らせるよう、追い詰めるんだ…。@ `Agitate her.`@` Challenge her.`@ `Drive her into a corner to make her speak in red...`@ br ;　確かにヤツの赤は、いつも俺の一縷の望みをぶった斬ってきた。@ ;　しかし、……それを恐れるな。\ `Of course her red was always wiping out my only ray of hope.`@ `But, ......don't be afraid of that.`\ bg Different_spiral_1a,22 me2v 16,70 ;　この、虚偽と幻想で侵食された島で、たったひとつ信じることができるのが、@ヤツが語る赤の情報だけなのだ。@ `On this island overcome with falsehoods and illusions, the only thing I can trust is,`@` the information that she speaks in red.`@ br ;　落ちれば奈落という、崖と崖の間に見出す唯一の活路。@たった一本の綱渡り。\ `It was my only way across the chasm of hell.`@` Just a single tightrope.`\ bg BLADE1R,22 ;　ヤツの慈悲無き真っ赤な刃こそが、唯一の生きる道なのだ。@ `Her merciless blood-red blade was the only way I could survive.`@ br ;　…それは文字通り、綱渡りどころか、刃の上を歩くようなもの…。\ `...This wasn't just walking on a tightrope, it was like literally walking on the edge of a blade...`\ ;　もちろん、俺は恐れている。@ ;　俺の勝利条件である魔女否定は、ヤツの言う対偶では、＝犯人は人間、となる。\ `Of course I was afraid.`@ `Because of her contrapositive, my victory condition, the denial of the witch, meant that the culprit was a human.`\ ;　でも俺は、１８人の中に犯人を求めたくない。@ ;　…だからこそ、魔女も１８人も同時に否定しなければならないという弱点を抱え、@にもかかわらずそれを理解できず、そこを突かれて前回はボロボロに負けた。\ `But I didn't want to search for the culprit amid the 18.`@ `...Therefore, I held on to a weak point, since I had to claim that it couldn't be a witch or one of the 18 at the same time.`@` Since I had been unable to understand that last time, that was where she had hit me, leaving me tattered and defeated.`\ bg black,22 ;　……しかし、それでいい。@ ;　突かせろ。@攻めさせろ。@上等だ…。@ `......But that's alright.`@ `Let her hit me.`@` Let her attack.`@` No problem...`@ br ;　古いチャンバラ映画で誰かが言ってたぜ。@ ;「良い城には一箇所だけ、わざと弱い部分がある」ってな。@ `Someone said it once in an old sword-fighting movie.`@ `That 'A good fortress has one, and only one, intentionally weak point'.`@ br ;　敵はそこに群がる。@誘き出される。@ ;　そしてそこが決戦場となる。\ `The enemy would gather there.`@` They would be lured there.`@ `And that would be where the actual battle took place.`\ ;　…俺が弱点を理解し、@ヤツが俺のこの弱点を攻めたいと思う限り、@……それはつまり、そう攻めるよう俺が誘導したのと同じことなんだ…。@ `...As long as I understood my weak points,`@` and as long as that bitch wanted to attack those weak points,`@` ......it was as if I were inducing her to attack there...`@ br ;　間合いを慎重に計りながら、…じりじりと後退するんだ。@向こうに先に抜かせるんだ。\ `Consider that weakness with care, ...and retreat step by step.`@` Make them move forward.`\ textoff se1v 20,40 bg BLADE3R,1 wait 100 se2v 20,40 bg BLADE4R,1 wait 100 se3v 20,40 bg BLADE1R,1 bg black,2 ;　ヤツが闇雲に赤を振り回せば振り回すほど、俺に反撃のチャンスは増える。@ `The more she recklessly flourished that red, the more chances I would get to strike back.`@ br ;　赤に怯えるな。@ ;　むしろ、赤で反論せざるを得ないよう、追い詰めろ……！@ `Don't be afraid of the red.`@ `Keep her cornered, so that she won't be able to refute me with the red......!`@ br ;　ヤツがどんなに高圧に赤を語ろうとも、@……そう、その赤こそは、ヤツの傷口より噴出す血潮も同じなのだ。\ `No matter how oppressively she speaks in red,`@` ......that's right, that red itself is the same as fresh blood leaking from her wound.`\ fede 10,2000 bg G1F_S1bP,0 ld l,$BEA_aseruA1,0 ld r,$BUT_nayamuA1,26 ld r,$BUT_niramuA1,80 ;「さぁ。@…どうしたよ。@……まずはこの島に合計で何人いるのか、赤で語ってもらおうじゃねぇか。@さもないと、お前のカラスは俺に斬り込めないぜ……！」\ `"So.`@` ...What's wrong?`@` ......First of all, why don't you tell me how many people are on this island total?`@` If you don't, your raven can't cut me up......!"`\ ld l,$BEA_fukigenA1,80 ;「…………………ふ。@…破れかぶれが、こうもやり難いとは。@…捨て身というヤツは、いつの時代も侮れんな。@/ `"..................Hmph.`@` ...How surprising that you can be this desperate and yet this difficult.`@` ...One cannot make light of someone putting their life on the line, no matter what the era. `@/ ld l,$BEA_FutekiA2,80 ;……やはり金蔵の孫か。@/ ;!s0追い詰められれば追い詰められるほどに、/ ;!d900…………不敵！」/ `......It's no surprise you're Kinzo's grandchild. `@/ !s0`The more cornered you are, `/ !d900`............the bolder you become!"`/ !sd@ ld r,$BUT_nayamuA2,80 ;「…いっひっひっひ…。」\ `"...Ihihihi..."`\ bg black,23 bg G1F_S1aP,23 ld c,$RON_waraiA2,24 ;　ゴホンとロノウェが咳払いをする。\ `Ronove cleared his throat.`\ ld c,$RON_AkuwaraiA1,80 ;「膠着しましたね。@せっかくの紅茶も冷めてしまいますよ、/ ;!d800お嬢様。」@ `"It appears to be a stalemate.`@` That black tea I worked so hard to make is getting cold, `/ !d800`Milady."`@ ld r,$BEA_fukigenA1,24 ;「………く。」\ `".........Ku."`\ ;　味方のはずのロノウェが、主に悪戯っぽく次の手を急かす。@ `Ronove, who was supposed to be her ally, roguishly rushed her next move.`@ br ;　ベアトは笑いを返し、余裕をアピールしたつもりだったろうが、……額に浮かぶ汗を隠せない。\ `Beato probably planned to smile back and appear relaxed, ......but she couldn't hide the sweat building up on her forehead.`\ ;　格下の相手を鼻であしらってやろうという余裕は、今や完全に失われていた。@ `By now she had completely lost that relaxedness which had allowed her to turn her nose up at her worthless opponent.`@ br ;　もちろん、ヤツもこの程度で追い詰められているわけではないだろう。@ ;　…ただただ、…慎重なだけなのだ。\ `Of course, that bitch probably wouldn't be cornered by something like this.`@ `...She was just being cautious.`\ ;　これまでは俺が不慣れだった。@ ;　戦い方がよくわからず、対戦相手として力量不足だった。@ `Until now, I had been inexperienced.`@ `Without knowing how to fight, I hadn't had enough strength as an opponent.`@ br ;　しかし、俺が三度目のゲームともなり、手練れ始めていることに気付き、@より慎重に、そして一手一手に熟考を始めたのだ……。\ `However, now that we had reached the third game, she realized that I was starting to become skilled,`@` and she had grown more cautious, thinking every move over carefully......`\ ;　あぁ、それでいいぜ、ベアトリーチェ。@ ;　そして待たせたな。@ ;　これで満足だろ…？\ `Sure, that's just fine, Beatrice.`@ `Sorry to keep you waiting.`@ `Are you happy now...?`\ bg black,24 bg G1F_S1cP,24 ld l,$BUT_niramuA3,23 ;「……面白くなってきたぜ……？@　ひっひっひっひ！」@ `"......Now things are starting to get interesting, right......?`@` Hihihihi!"`@ ld r,$BEA_AseruA1,24 ;「くっくっくっくっく！@　…戦人ぁぁぁ……。」\ `"*cackle*cackle*cackle*!`@` ...Battleeeeeeeeer......"`\ textoff me1v 5,0 ;cross1 50,0,0,0,0,3000 fedexx 0,50,0,0,0,0,3000 wait 1500 ld l,$BUT_nayamuA2,80 ;「埒が明かねぇな…。@なら、ズバっと気持ちよく、いつものヤツで行こうじゃねぇか。」@ `"I'm still waiting...`@` Then, should we get to the heart of the matter and go with the usual?"`@ ld r,$BEA_fukigenA1,80 ;「……ほぅ。@いつものヤツとな。@…ならば頼もうではないか。@あれを聞かぬと、やはり始まった気がせぬわ…。」@ `"......Hoh.`@` The usual, you say.`@` ...Then by all means.`@` If I don't hear that, I guess I just won't feel like starting..."`@ br ;　初手は、俺からだ……。\ `The first move was mine...`\ ld l,$BUT_DefA1,80 E_A ;「行くぜベアト。@/ `"Here I go, Beato. `@/ textoff se1 20 wait 200 se2 20 wait 200 se3 20 wait 1000 se1v 2,100 bg white,1 bg G1F_S1cP,0 ;ld r,$BEA_WaraiA1,0 ld l,$BUT_odorokiB1,2 bgm1 53 ;復唱要求。@……“この島には、１８人しかいない”。」\ `Repeat it.`@` ......'On this island, there are no more than 18 people'."`\ ld r,$BEA_aseruA1,80 ;「…………………。」\ `"............"`\ ld l,$BUT_KuyasigaruA1,80 ;「…こいつを赤で言われちまったら、俺は１８人の誰かを疑わざるを得ない。@……１９人目の仕業にはもうできず、八方塞さ。@/ `"...If I hear you say this in red, I will have no choice but to doubt one of the 18.`@` ......Since it could no longer be the work of a 19th person, all doors will be closed to me. `@/ ld l,$BUT_OdorokiA1,80 se1 2 ;………だが、俺は１８人の中に犯人が絶対にいないと信じてる！@　あんな残酷な殺人を、１８人の誰にも起こせるものか…！！」\ `.........However, I believe that the culprit is definitely not one of the 18!`@` There's no way that any of those 18 could commit such brutal murders...!!"`\ ld r,$BEA_FukigenA1,80 ;「…………………。」@ `"..............."`@ ld l,$BUT_DefA1,80 ;「繰り返すぞ。@/ `"I'll say it again. `@/ se1v 2,100 cl a,0 ld l,$BUT_OdorokiB1,80 ;復唱要求！@　“この島には、１８人しかいない”。」@ `Repeat it!`@` 'On this island, there are no more than 18 people'."`@ ld r,$BEA_aseruA1,80 ;「…………………………。@/ `".....................`@/ ld r,$BEA_iiwakeA1,80 ;………拒否する。@理由は明かさない。」\ `.........I refuse.`@` I won't say why."`\ bg black,22 ;　ふぅっ…！@ ;　俺にとって、最悪の赤は回避された。@ `Whew...!`@ `I had avoided what would have been the worse red for me.`@ br ;　もしこれを復唱されていたら、@俺は魔女を認めるか１８人の誰かを疑うのかの、最悪の二択を迫られ、@前回の二の舞となってしまう…。\ `If she had repeated that, `@`I would be faced with those two worst choices of accepting the witch or suspecting one of the 18,`@` like last time all over again...`\ ;　だが、ベアトはこの究極最大の俺の弱点を、赤で宣言しなかった。@ ;　突かない理由のない、よだれが出そうな弱点なのに、復唱を拒否した。@ ;　王手飛車取りにも等しいこの一手を、赤で斬れなかった…！@ `But Beato had not proclaimed my ultimate and greatest weakness in red.`@ `She had rejected repeating it, even though there was no reason why she shouldn't have struck, even though it was a weakness she should have been drooling at.`@ `She hadn't sliced me up with red by using that move, which should have been as good as forking a rook and the king...!`@ br ;　……これは、俺にとってあまりに有利な幸先だ。\ `......This was a big sign of my advantage.`\ bg chess1,22 ;　そうさ。@１８人の中に犯人などいない。@ ;　俺は誰も疑わない…！@ `That's right.`@` The culprit isn't one of the 18 people.`@ `I won't doubt anyone...!`@ br ;　そして犯人は魔女でもないのだから、@………つまりこの島に１９人目が存在するということ。\ `And since the culprit isn't a witch either,`@` .........it means that a 19th person exists on this island.`\ bg black,22 bg portrait2,26 ;　それがお前だ。@ `And that's you.`@ br ;　祖父さまの３０年来の愛人で、@ずっとずっと森の中の隠された屋敷に、ひっそりと隠れ住まっていた人物。\ `A person who, as Grandfather's mistress of 30 years,`@` has been living secretly in a hidden mansion in the forest for a long, long time.`\ se1 2 br ;“人間”の、ベアトリーチェ………！！\ `The 'human' Beatrice.........!!`\ bg G1F_S1aP,22 ld r,$BUT_odorokiA1,24 ;「そうさ。@お前は魔女なんかじゃない。@……この島に何十年も隠れ住んできた、…ただの人間なんだッ…！」\ `"That's right.`@` You aren't a witch or anything like it.`@` ......You're just a human, ...who's been living on this island in hiding for several decades...!"`\ ld l,$BEA_fukigenA1,23 ;「………くくくく。@くっくっくっくっく…。@…千年を経た無限の魔女の妾を、ただの人間呼ばわりしたか。@……くっくくくくくくくくくくく！」@ `".........*cackle*cackle*.`@` *cackle*cackle*cackle... `@`...Did you just call me, the Endless Witch who has lived for over one thousand years, a human?`@` ......*cackle*cackle*cackle*cackle* *cackle*cackle*!"`@ br ;　ベアトリーチェはしばらくの間、小気味よく、あるいは悔し紛れに、気持ち悪く笑い続けた。\ `For a while, Beatrice continued to laugh unpleasantly, gloating or maybe spiteful.`\ bg G1F_S1bP,0 ld c,$BUT_MajimeA1,24 ;「…いいか、続けるぜ。@…続けて復唱要求。@/ `"...Are you ready? I'll keep going.`@` ...Again, repeat it. `@/ se1 2 bg white,1 bg G1F_S1bP,0 ld l,$BUT_odorokiB1,80 ;“この島には、１９人以上がいる”！」\ `'There are at least 19 people on this island'!"`\ bg G1F_S1aP,0 ld r,$BEA_iiwakeA1,24 ;「…………………………。」@ `"....................."`@ br ;　ベアトリーチェは再び沈黙する。@ `Beatrice fell silent once again.`@ br ;　この島に存在する人間の数を確定することが、@場合によっては何かの大きな不利になるかもしれなことを感じ取り、@相当、慎重になっているのだろう。\ `She would probably remain extremely cautious as long as confirming the number of humans on this island might give her some large disadvantage,`@` depending on the situation.`\ bg black,22 ;　もはや、赤は俺にとって反撃の足掛かり。@ ;　そこまでわかっているなら、赤は魔女にとってリスクあるものになる。\ `The red had already become a foothold for my counterattack.`@ `With that in mind, the red had become a risk for the witch.`\ ;　しかし、もしこれを復唱できないなら、ヤツの“ヘンペルのカラス”は有効にならない。@ `But if she couldn't repeat this, her 'Hempel's Raven' wouldn't be effective.`@ br ;　俺の“悪魔の証明”を打ち破るには、@１８人以外の人間の存在と人数を、@事前に赤で確定する必要があるのだから。\ `To break my 'Devil's Proof',`@` she would need to settle the existence and number of people outside the 18 in red.`\ ;　そう。@１９人目の存在は、赤以外では打ち破れない。@ `That's right.`@` She couldn't break the existence of a 19th person unless she used red.`@ br ;　俺はベアトを、赤を使う他ないように `I had `(`closed Beato in`/・・・・・・)`,` se1 2 br ;(追い詰めた/・・・・・)…！\ ;＜点処理：追い詰めた `giving her no choice but to speak in red...!`\ br ;!s0　この魔女とのゲーム…、/ ;!d800………戦い方は、/ ;!d600……確かにあるッ！/ !s0`There really was..., `/ !d800`.........a way to fight, `/ !d600`......in this witch's game!`/ ;se1 5 \ !sd bg G1F_S1cP,26 ld r,$BUT_komaruA2,24 ;「拒否してもいいんだぜ。@…お前が赤で言えないなら、この島の合計人数は１８＋Ｘってことになる。\ `"It's alright to refuse.`@` ...If you can't say it in red, then that means there are a total of 18+X people on this island.`\ ld r,$BUT_niramuA3,80 ;　……このＸは、初手で許すには相当デカい大駒だぜ？@　何しろ、以後、１８人の誰にも不可能だった、という根拠のトリックは、@全て１８人以外の人間Ｘで説明可能になる。@……全員アリバイ系の密室を、全て打ち破れる大駒だ…！」\ `......If that X is allowed in my first move, that's a really enormous hint, right?`@` Anyways, from now on, all of the tricks that were impossible for the 18 people,`@` can be explained with human X outside of the 18 people.`@` ......This is a huge piece that can break open all of the rooms that you called closed because everyone had an alibi...!"`\ ;　それはさながら、@敵陣にわずかの隙間があれば鋭く食い込める、チェスのビショップのようなもの。@ `It was just like how a chess bishop can cut a thin line through enemy forces as long as there's a slight gap.`@ br ;　同じ色のマスにしか効果を発揮しないが、その盤上の支配力は大きい。\ `It could only be effectively used on squares of the same color, but it had a great ability to control the board.`\ ld l,$BEA_AseruA1,23 ;「…………………………。@………………く。」\ `".....................`@`............Ku."`\ ;　ベアトも、現在の窮状をよく理解しているようだった。@ `It looked like Beato also noticed her current plight.`@ br ;　これほどの大駒を、これほどの序盤に見捨てられるわけもない…。@ ;　赤き宝刀を抜けば、それを救うことは難しくないだろう。\ `She couldn't just let such an important piece go, especially this close to the beginning of the game...`@ `If she pulled out her red treasured sword, it wouldn't be that difficult to save her from this.`\ ;　……しかしベアトは、むしろ俺がそれを待ち受けていることも、充分に察している。@ ;　迂闊な赤き真実が、自らの首を絞めることになるかもしれないと怯えている…！@ `......But Beato was completely aware that I was expecting it.`@ `She was afraid that a careless red truth might end up strangling her own neck...!`@ br ;　なぜなら、…本来、魔女は赤で否定されべき存在だからだ。\ `Because, ...in the first place, a witch was something which should be denied in red.`\ bg black,22 ;　信じろ。@疑うな！@　魔女などいない！@ ;　この世にそんなもの、存在するわけもない。@ `Believe.`@` Don't doubt!`@` Witches don't exist!`@ `Something like that couldn't exist in this world.`@ br ;　それが存在できるのは、現実の狭間だけ。@ ;　…その隙間にて、真実の暴風から必死に身を守って縮こまり、@虚偽と幻想で食い繋いでいる時だけ、蜃気楼のように細々と存在できる脆弱な存在なのだ。\ `They could only exist in the valleys between truths.`@ `...They were a fragile existence, curled up in these cracks, frantically trying to protect themselves from the brutal winds of truth,`@` and they could only barely exist like a mirage by surviving on falsehoods and illusions.`\ me1v 17,0 fedexx 50,90,0,0,0,0,2000 bg Different_spiral_1a,22 ;　つまり、魔女だけが使える赤は、自らを否定しかねない現実そのもの。@ `That was the truth by which witches couldn't help but deny themselves, using the red words which only they could use.`@ br ;　……赤を振りかざせば振りかざすほどに。@ ;　魔女はわずかずつだが、自らの凌げる現実の隙間を失っていく。\ `......The more they brandish their red words...`@`...the more they begin to lose bit by bit that crack in truth inside which they can endure.`\ ;　だからこそ、あやふやな情報、@……つまり、幻想の余地ある現実の隙間を、無用心に赤で失いたくないのだ。@ `That was why they didn't want to use the red words and carelessly lose that crack in truth which was based on fuzzy information,`@` ......in other words, illusions.`@ br ;　それが徐々に自分を追い詰めていくと理解しているから。\ `That was because they understood that they were gradually being cornered.`\ bg black,22 ;　もちろん、ヤツはそれを認めないだろう。@ ;　それを認めれば、@自分がこの世に存在してはならない虚数的存在であることを認めたも同然になってしまうのだから。\ `Of course, that bastard would never admit it.`@ `Because, if she did,`@` it would be the same as admitting that she was something that couldn't exist in this world, like an imaginary number.`\ ;　怯えるな。@強気でいろ…！@ ;　ヤツが一番骨身に染みてわかってるんだ。@ `Don't be afraid.`@` Stay strong...!`@ `I know that she is the one who has really been pierced to the bone.`@ br ;　赤き宝刀は、相当の覚悟がなければ容易には使えないのだということを…！\ `Because her red treasured sword couldn't easily be used without a lot of preparation...!`\ fedexx 70,0,0,0,0,0,2000 bg G1F_S1aP,0 ld l,$BUT_NiramuA1,26 ;「…どうしたよ。@繰り返すぜ。@……復唱要求！@/ `"...What's wrong.`@` I'll say it again.`@` ......Repeat it! `@/ ;fedexx 100,0,0,0,0,0,3000 se1 20 wait 200 se1 200 wait 200 se1 200 wait 1000 se1v 2,100 se2v 2,100 ;bgmvol 100 bg white,1 bg G1F_S1aP,0 ld l,$BUT_OdorokiB1,80 ;!s0　“この島には、１９人以上がいる”！」/ !s0`'There are at least 19 people on this island'!"`/ quakey 5,800 !sd\ bg black,24 bg G1F_S1cP,0 ld r,$BEA_iiwakeA1,24 ;「……………………。@/ `"..................`@/ textoff ;fedexx 40,0,0,0,0,0,4000 wait 4000 ld r,$BEA_waraiA1,80 ;……ふ。@…拒否する。」@ `......Hmph.`@` ...I refuse."`@ br ;　ベアトは悩みに悩みぬいた末。@……深いため息をひとつ漏らしながら、静かに拒否を宣言した。\ `In the end, Beato's worries won out.`@` ......Taking a single deep breath, she quietly proclaimed her refusal.`\ ;　……使うと思ってた。@ `......I had thought that she'd use it.`@ ;　だがベアトは、序盤の勝ちを譲ってまで赤を使うことを拒否した。\ `But Beato refused to speak in red even though it would cost her victory in the opening part of the game.`\ ld l,$BUT_OyaA1,23 ;「拒否したな……？@/ `"You refused......? `@/ ld l,$BUT_odorokiA1,80 ;　ということは、今後、@俺は１８人以外の架空人物Ｘを何人でも使い放題ってことになるぜ…？」\ `Which means that, from now on,`@` I can create as many fictional character Xs outside of the 18 as I want...?"`\ ld r,$BEA_iiwakeA1,80 ;「好きにするがよい。@…妾はそなたの復唱を拒否した。@今はそれで充分であろう？@　……拒否の理由は、/ ;!d800………。@…いや、今はまだ明かさぬ。@いずれすぐにわかる。」\ `"Do as you wish.`@` ...I have refused to repeat as you have told me.`@` Isn't that enough for now?`@` ......The reason I refused was, `/ !d800`.........`@`...No, I still won't tell you.`@` Anyways, you'll know soon."`\ ld l,$BUT_niramuA3,80 ;「…いっひっひ。@もったいぶりやがってよ…。」\ `"...Ihihi.`@` Still acting tough, I see..."`\ ld r,$BEA_futekiA2,80 ;「……敢えて使わぬ赤もまた、赤らしい使い方よ。@そなたは赤き宝刀と呼んだな。@愉快な例えよ。@妾も使おう。@……宝刀は抜かぬ内が花よ。@むしろ抜かぬことによって醸せる畏怖というものもある。」\ `"......Red words that I don't have to use are a kind of red words in themselves.`@` You called it my red treasured sword.`@` A pleasant example.`@` I will use it too.`@` ......A treasured sword is at its best when it is sheathed.`@` In fact, there are times it can instill even more fear because it is sheathed."`\ ld l,$BUT_DefA2,80 ;「そうだな。@…俺はお前がいつ赤で引っ繰り返してくるか、常に念頭に置いて戦わなければならない。@こいつは偉ぇプレッシャーだ。\ `"That's right.`@` ...As I fight, I always have to keep in mind whether you might turn everything over with those red words.`@` It's some pretty serious pressure.`\ ld l,$BUT_DefA1,80 ;　……それに、復唱を拒否される方が辛い場合もある。@…何しろ、俺の読みが正しいから拒否できないのか、@ミスリードにはまって泳がされてるのか区別がつかないからな。@/ `......And there are also times when you make things pretty tough by refusing to repeat after me.`@` ...Those times, I can't tell whether you can't repeat because my guess was right, `@`or whether you're just misleading me and letting me think whatever I want. `@/ ld l,$BUT_futekiA1,80 ;…そういう意味では、なるほど。@抜かずの宝刀ってわけだ。」\ `If you think of it that way, I see.`@` A sheathed treasured sword."`\ ld r,$BEA_AkuwaraiA1,80 ;「…………なぁに。@同じ突き落とすなら、少しでも高いところに行かせてからに限る。@…まだ始まったばかりよ。@まだまだな…。\ `".........Wha-t's wrong?`@` If I'm going to push you off a cliff anyway, I might as well let you climb a little higher first.`@` ...We have still barely begun.`@` Much is left to come...`\ ld r,$BEA_futekiA2,80 ;　この勝負は、今は妾がリザインする。@…淡き勝利に今は酔え。@……今はな。」\ `I'll resign from this challenge.`@` ...Go and get drunk on your faint victory for now.`@` ......Only for now."`\ textoff bg white,2 fedexx 100,0,0,0,0,0,3000 ;wait 1500 bg black,42 ;kokomade fede 0,6000 bg G1F_S1aP,6 me1v 5,40 ;　その負け惜しみが、事実上、序盤戦のピリオドとなったらしい。@ ;　にもかかわらず、まったく気は抜けない。@ `Her being a poor loser looked like it would last for the whole early part of the game.`@ `Even so, I couldn't relax my guard at all.`@ br ;　…ロノウェが乾いた拍手の音を聞かせてくれるまで、俺の緊張感は緩まなかった…。\ `...I was unable to relax my feeling of tension until I was greeted by the sound of Ronove's applause...`\ ld l,$RON_defA1,23 ;「……お見事です、戦人さま。@まずは序盤は、戦人さま有利の展開でスタートというところでしょうか？」\ ;＜ロノウェ `"......Spectacular, Battler-sama.`@` I wonder if you have started this game with an advantageous development?"`\ ld r,$BUT_KomaruA2,24 ;「さぁな…。@この駒が、俺の手でもぎ取ったものなのか、@取るよう誘導されたものかはまだわからねぇな。@/ `"Ah, well...`@` I still don't know whether I've taken a piece by my move,`@` or whether she guided me into taking it. `@/ ld r,$BUT_futekiA1,80 ;……どうせお前のことだ。@俺が罠にはまり始めてるのを知ってて、白々しく拍手をしてるんだろ…？」\ `......After all, knowing you...`@` You probably know that I'm being led into a trap, and that clapping is just a barefaced lie, right...?"`\ ld l,$RON_waraiA1,80 ;「まさか。@序盤とは言え、お嬢様より一本を奪った手腕を純粋に祝福いたしております。@/ `"How could you think that?`@` I am innocently celebrating your ability that has enabled you to take one shot at Milady, even though it is only the first round. `@/ ld l,$RON_waraiA2,80 ;…何しろお嬢様はすぐ増長するお方。@たまにはこのような刺激も良い薬かと思いますよ。」\ `...In any event, Milady is a person who is quick to become arrogant.`@` I believe that a little encouragement such as that makes for a good medicine every once in a while."`\ bg G1F_S1bP,0 ld r,$BEA_waraiA1,24 ld l,$BUT_aseruA1,23 ;「…お前んとこの執事、ホント口悪ぃな…。」@ `"...This butler of yours sure has a vicious tongue..."`@ ld r,$BEA_FutekiA2,80 ;「であろぅ？@　たまに妾でもカチンと来るぞ。」\ `"Isn't that so?`@` Sometimes he offends me as well."`\ cl l,24 ld l,$RON_akuwaraiA1,23 ;「それはそれは、大変に失礼いたしました。@/ `"My, my, how incredibly rude of me. `@/ ld l,$RON_WaraiA1,80 ;さぁさ、お嬢様に戦人さま。@紅茶のお替りはいかがですかな？@　まだゲームは始まったばかりでございます。@ゲームを彩るお茶とお菓子は、どうかこの私めにお任せを。@どうぞお気兼ねなく、ゲームをお進めになってください。」\ `Well then, Milady, Battler-sama.`@` How would you like some more black tea?`@` The game has still barely begun.`@` Please leave any tea or pastries that might adorn this game to me.`@` Please, do not feel hesitant and advance further in the game."`\ bg G1F_S1aP,0 ld l,$BUT_MajimeA1,23 ;「そうさせてもらう。@先を進めるぜ。@これからが本番だ。」@ `"I will.`@` Let's move forward.`@` Now is when it really starts."`@ ld r,$BEA_defA2,24 ;「…………ふ。@良かろう。@時計を進めようではないか。@ロノウェ、紅茶を頼む。」\ `".........Hmph.`@` Very well.`@` Let us advance the clock.`@` Ronove, black tea please."`\ bg G1F_S1cP,0 ld r,$RON_DefA1,24 ;「かしこまりました。@クッキーは？」@ `"Certainly.`@` What about a cookie?"`@ ld l,$BEA_futekiA2,23 ;「いらぬ。@ベルゼブブにやれば喜ぼう。@…………しばし沈黙せよ。」\ `"I don't need one.`@` Give it to Beelzebub to keep her happy.`@` ............Remain silent for now."`\ cl r,23 ld l,$BEA_nayamuA1,80 ;　悪魔の執事が紅茶を注ぐ音を聞きながら、魔女は浅く目を瞑り黙り込む。@ `While listening to the sound of the demon butler pouring tea, the witch closed her eyes slightly and fell into silence.`@ br ;　……しばらくの間、沈思黙考したが、やがて悪戯っぽい何かを瞳に浮かべた。\ `......For some time, she was deeply lost in thought, but eventually a roguish glint came into her eyes.`\ textoff fede 0,2000 wait 1000 ld l,$BEA_AkuwaraiA1,80 bgm1 61 ;「よかろう。@…………妾がどうして初手にて赤で語るのを拒否したのか、今よりわからせてやろうぞ。」@ `"Very well.`@` .........Why don't I inform you now why I refused to speak in red for the first move."`@ ld r,$BUT_komaruA3,24 ;「……何ぃ…？@/ `"......What...? `@/ ld r,$BUT_NayamuA2,80 ;　上等じゃねぇかよ。@お手並み拝見と行くぜ。」\ `Bring it on.`@` Show me what you've got."`\ cl a,0 ld c,$BEA_WaraiA1,23 ;「くっくっく…。@やはり、見逃すには惜しい大駒よ。@/ `"*cackle*cackle*...`@` It really is a big piece that you'd hate to miss. `@/ ld c,$BEA_futekiA1,80 ;……拙速かも知れぬが、動かせてもらおう。@赤は使わぬが、今よりそれを妾に代わって楼座が説明する。@聞くが良い。」\ `......It may be hasty, but allow me to move.`@` I won't use red, but from here on, Rosa will explain on my behalf.`@` Listen."`\ bg black,22 me1v 17,0 fedexx 100,100,0,0,0,0,4000 wait 1500 E_A se1v 27,100 se2v 37,100 bg white,1 wait 1000 bg black,42 mov %play_scene,30060 ;シーン変数の入力 textoff me1v 12,70 me2v 6,70 dllefe 1,1 bg M_o1aN,2 wait 2000 bg black,22 dllefe_off E_M2 mevol 1,50 bg Mdin_1gN,22 wait 1500 bg Mdin_1aN,26 ld r,$EVA_MajimeA1,24 ;■食堂 ;「もちろん、私も同意よ。@楼座もそうでしょう？@/ `"Of course, I think the same way.`@` Rosa does too, right? `@/ ld r,$EVA_ikariA1,80 ;　……………楼座？」\ ;＜絵羽 `............Rosa?"`\ ld l,$ROS_aseruA1,23 ;「え、あっ、ごめんなさい…。@/ `"Huh, ah, sorry... `@/ ld l,$ROS_komaruA1,80 ;わ、私も同じよ。@同意するわ。」\ ;＜楼座 `M, me too.`@` I think that too."`\ ld c,$HID_fumuA1,24 ;「………どうしたんや、楼座さん。@…あんたさっきからずいぶん大人しいなぁ。@体調でも悪いんとちゃうか…？」\ ;＜秀吉 `".........What's wrong, Rosa-san.`@` ...You've been really quiet for a while now.`@` Are you feelin' sick...?"`\ ;　楼座は、元々、兄弟喧嘩に進んで口を挟む性分ではない。@ `From the beginning, Rosa had never been one to cut in on the siblings' fights.`@ ;　…しかしそれにしても、ずいぶんと消極的で、@今夜の会議ではまったくといっていいほど、発言していなかった。@ `...But even so, she seemed unmotivated,`@` and had said almost absolutely nothing during this night's conference.`@ br ;　ずっと俯いて、何か他のことを考えているようだった…。\ `The whole time, she had hung her head, and appeared to be thinking of something else...`\ ld r,$EVA_majimeA1,80 ;「あんた、さっきからぼんやりしてるわよ。@そんなので遺産が守れると思ってるの？@　あんたも一児の母なんだから、もっとしっかりなさいよ。」@ ;＜絵羽 `"You've been in a daze for a while now.`@` Do you think you can protect the inheritance like that?`@` You are also the mother of your child, so get a stronger hold on yourself."`@ ld l,$ROS_KomaruA4,80 ;「ご、ごめんなさい……。」\ ;＜楼座 `"I, I'm sorry......"`\ bg Mdin_1cN,24 ld r,$KLA_NayamuA1,24 ;「朝がだいぶ早かったんじゃないかね？@　体調が悪いなら無理をしない方がいいだろう。」@ ;＜蔵臼 `"Did you wake up really early in the morning?`@` If you feel sick, you shouldn't overdo it."`@ ld l,$NAT_zutuuA1,23 ;「……客室にベッドの用意がありますよ。@お休みになってはいかがですか？@　ご案内しますよ」\ ;＜夏妃 `"......A bed has been prepared in the guest room.`@` How about taking a rest?`@` I will guide you."`\ bg Mdin_1bN,0 ld r,$ROS_KomaruA3,23 ;「いえ、…大丈夫です。@ありがとう。」@ `"No, ...I'm fine.`@` Thank you."`@ ld l,$RUD_MajimeA2,23 ;「…どうしたんだ。@何か心配事でもあるのか？」@ ;＜留弗夫 `"...What is it?`@` Is there something you're worrying about?"`@ ld r,$ROS_KomaruA1,80 ;「………いえ、別に………。」\ `".........No, not really........."`\ cl l,24 ld l,$KIR_nayamuA1,23 ;「そう…？@　さっきからずっと、心ここに在らずという感じよ。@/ `"Is that so...?`@` It feels like your mind has been elsewhere this whole time. `@/ ld l,$KIR_MajimeA2,80 ;…そしてそれは、今、私たちがしている議題と、何か関係があるんじゃないかしら…？」\ ;＜霧江 `...I wonder if that has anything to do with what we've been talking about...?"`\ br cl a,0 ld c,$ROS_KomaruA2,22 ;　その言葉に、みんなが一斉に楼座に注目する。\ `At those words, everyone stared at Rosa together.`\ se1 21 ;　それに応えるように、楼座もびくりと肩を震わせた。@ `As if in response, Rosa's shoulders quivered.`@ br ;　霧江の指摘は間違っていないようだった。@ ;　…楼座もまた、それを否定しない…。\ `Apparently Kyrie's guess hadn't been wrong.`@ `...Rosa couldn't deny that either...`\ ld c,$ROS_AseruA1,80 ;「………………いえ、あの…。@/ `"...............No, umm... `@/ ld c,$ROS_KomaruA2,80 ;……………………………。」@ `....................."`@ br ;　何かを口にしようとしたが、それを飲み込み、再び沈黙してしまう。@ `She swallowed whatever it was she had been trying to say, and went silent again.`@ br ;　さすがに他の兄弟たちも、彼女の様子が普段と違うことに気付き始めた…。\ `Of course, the other siblings also began to realize that something about her appearance was different from usual...`\ bg Mdin_1aN,0 ld r,$RUD_odorokiA1,23 ;「どうしたんだ。@…さっきからおかしいぞ。@何か思うことでもあるのか…？」@ ;＜留弗夫 `"What is it?`@` ...You've been weird for a while.`@` Did you think of something...?"`@ ld l,$HID_FumuA1,23 ;「わしら全員で団結しようって誓い合ったばかりやないか。@ひとりで悩むなんて、水臭い話やで。@話したってぇな。」@ ;＜秀吉 `"All of us've just sworn to remain united, haven't we?`@` Don't be reserved, worryin' by yourself.`@` We said we'd talk."`@ ld c,$KLA_DefA1,24 ;「……楼座。@話しなさい。」\ ;＜蔵臼 `"......Rosa.`@` Tell us."`\ bg black,24 bg MDin_1dN,0 ld c,$ROS_KomaruA4,24 ;　男たちに次々と催促され、楼座は観念しおずおずと打ち明ける…。@ `The men pressed her one after the other, and Rosa confessed resignedly and nervously...`@ br ;　それはまるで、@ささやかな悪戯が、重大な事態を招いてしまったことを告白するような、@そんな雰囲気によく似ていた。\ `The atmosphere made it seem as though she was confessing to some modest prank, `@`which had inadvertently brought about a serious situation.`\ ld c,$ROS_KomaruA3,80 me2v 16,50 ;「いえ、その……。@……ベ、ベアトリーチェっていう、お父様の愛人って、@……本当にその、/ ;!d800………生きてるのかしらって思って…。」\ ;＜楼座 `"No, umm......`@`......Th, this mistress of Grandfather's, this Beatrice,`@` ......I was wondering if she is still, `/ !d800`.........alive..."`\ bg Mdin_1bN,0 ld l,$EVA_AkireA1,23 ;「はぁ？@　そりゃ生きてるに決まってるでしょう。@こうして手紙を送ってくるぐらいだもの。」@ ;＜絵羽 `"Huh?`@` Isn't it obvious that she's alive?`@` After all, she was able to send that letter to us."`@ ld r,$RUD_AkuwaraiA1,24 ;「元気かどうかは別の問題だろうけどな。@肖像画の美女も、今じゃきっといいお歳だろうぜ。」\ ;＜留弗夫 `"Whether she's healthy or not is a different story though.`@` The woman in that portrait must be getting up there in age by now."`\ ld c,$HID_defA1,23 ;「元気やと思うでぇ。@カネのことで悪知恵働くヤツは、決まっていくつになっても元気や！@/ `"I'd think she's healthy.`@` People who are crafty when it comes to money are healthy no matter how old they are! `@/ ld c,$HID_WaraiA2,80 ;　案外、悪巧みは最高の回春剤かも知らへんで。@わっはっはっは。」\ ;＜秀吉 `Her evil plan might even be the best rejuvenating agent.`@` Wahahaha."`\ se1 21 bg Mdin_1dN,0 ld r,$ROS_NayamuA1,24 ld r,$ROS_KomaruA4,80 ;「……生きてるはず、/ ;!d800………ないの。」@ ;＜楼座 `"......She shouldn't be, `/ !d800`......alive."`@ ld l,$KIR_MajimeA1,23 ;「え？@　……今、何て？」\ ;＜霧江 `"Huh?`@` ......What did you just say?"`\ textoff E_A se1 27 bg white,1 wait 1000 bg portrait2,2 bgm1 26 ;「ベアトリーチェは、/ ;!d600……死んでるのよ…。@………わ、/ ;!d500…私が殺した…！」\ `"Beatrice is, `/ !d600`......dead...`@`.........I, `/ !d500`...I killed her...!"`\ ;bg Mdin_1gN,22 ;「な、……何だって……？！」@ ;＜留弗夫 `"Wh, ......what did you say......?!"`@ ;「…ど、…どういうことよ、楼座…！」\ ;＜絵羽 `"...Wh, ...what do you mean, Rosa...?!"`\ bg black,2 me1v 13,50 ;「で、でも、私が殺したわけじゃ…。@……で、でも私があんなところに連れ出したから！@　…やっぱり私が殺したのよ…。@あれは夢だと思い込もうとしたのよ！！@　……でも、……やっぱりあれは夢じゃなかったのよ！@　だからこれは、……ベアトリーチェの亡霊からの手紙なのよ！！@　うわああああぁああぁああぁあぁ！！」\ `"B, but, it's not like I killed...`@`......but, but I was the one that brought her to a place like that!`@` ...I really did kill her...`@` I tried to make myself believe it was a dream!!`@` ......But, ......it wasn't really a dream, was it?!`@` Which means this is, ......a letter from Beatrice's ghost!!`@` Uwaaaaaaaaaaaaaaa!!"`\ bg Mdin_1eN,26 me2v 5,50 ;　突然のことに、誰もが言葉を失う。@ ;　楼座は取りとめもないことを口走りながら、髪を振り乱しながら頭を抱えていた…。\ `It was so sudden that everyone was lost for words.`@ `Rosa kept on talking, unable to stop, holding her head as her hair flew all about...`\ bg Mdin_1cN,0 ld r,$NAT_odorokiA2,24 ;「どうか落ち着いて…！@　楼座さん…！」@ ;＜夏妃 `"Calm yourself...!`@` Rosa-san...!"`@ ld l,$HID_KomaruA2,23 ;「わ、わしには何が何やらさっぱりや…！@　もう死んどる？@　どういう意味なんや…！」\ ;＜秀吉 `"I, I have absolutely no clue what's goin' on...!`@` Already dead?`@` What do you mean...?!"`\ cl r,23 ld r,$KIR_majimeA1,24 ;「……２つの意味があると思うわ。@まず１つ目は、…文字通りの意味。@…そしてもう１つは、私たちの想像が正しかったことを裏付けるもの。」\ ;＜霧江 `"......I think it means two things.`@` First, ...its literal meaning.`@` ...And second, it backs up our earlier guess."`\ bg Mdin_1aN,23 ld l,$KLA_majimeA1,23 ;「ということは……。@………楼座は、……ベアトリーチェに、会ったことがあるというのかね。」@ ;＜蔵臼 `"Which means......`@`.........Rosa, ......has met with Beatrice, right?"`@ ld r,$EVA_IkariA2,24 ;「そ、そんな話、楼座の口からは一度も聞いたことがないわ。@…楼座、いつよ？@　あなたは一体、いつベアトリーチェに会ったのよ？！」\ ;＜絵羽 `"I, I've never heard Rosa speak about that once.`@` ...Rosa, when was it?`@` When could you possibly have met Beatrice?!"`\ bg Mdin_1gN,22 me3v 19,80 ;「昔よ！@　ずっとずっと昔よ！！@　まだこの島に引っ越してきたばかりで私は幼かった！！@　私は悪くないの、私が殺したわけじゃ…！！@　うううぅうううぅ！！」\ ;＜楼座 `"Long ago!`@` Long, long, long ago!!`@` We had just moved over to the island and I was young!!`@` It wasn't my fault, it's not like I killed her...!!`@` Whaaaaaaaaaaaaa!!"`\ bg Mdin_1cN,0 ld c,$ROS_komaruA4,0 ld r,$RUD_OdorokiA1,26 ld r,$RUD_KomaruA1,80 ;「…落ち着け！@　誰もお前を責めちゃいねぇぜ？@/ `"...Calm down!`@` Nobody's blaming you for anything, right? `@/ ld r,$RUD_akuwaraiA2,80 ;　まずは水でも飲め。@な？@　夏妃さん、水差しを頼む。」\ ;＜留弗夫 `First, drink some water.`@` Okay?`@` Natsuhi-san, the pitcher please."`\ ld l,$NAT_OdorokiA2,24 ;「は、はい。@/ `"Y, yes. `@/ ld l,$NAT_WaraiA2,80 ;………どうぞ、楼座さん。@どうか落ち着いて……。」@ ;＜夏妃 `.........Here you go, Rosa-san.`@` Please, calm yourself......"`@ ld c,$ROS_KomaruA3,80 ;「……………………………………。」\ `"........................"`\ bg black,2 fede 10,4000 ;　楼座が荒い呼吸の中に落ち着きを取り戻すまで、……誰も一言も発することはできなかった…。\ `Until Rosa was able to regain her calm amidst her ragged breathing, ......no one was able to speak a word...`\ ;▲第４アイキャッチ　？月？日（？）時計なし wait 2000 eye12 *umi3_5 mov %play_scene,30060 ;シーン変数の入力 mov %grim_scene,303 ;■九羽鳥庵（俗に言う隠し屋敷・金蔵とベアト） E_A textoff bg white,2 bgm1 9 wait 1000 bg Se_o1a,9 wait 3000 bg garden_Se1a,2 wait 3000 bg garden_Se1b,2 wait 3000 bg garden_Se2c,2 wait 3000 ld r,$KIN_DefA1,26 ;「……ベアトリーチェ。@先ほどから呼んでおる。@聞こえなんだか…？」@ ;＜金蔵 `"......Beatrice.`@` I have been calling to you for a while.`@` Did you not hear me...?"`@ ld l,$BEA_nayamuA1,3 ;「……む。@そうであったか？@　すまぬ。@ぼんやり考え事をしていた。@許せ。」\ ;＜ベアト `"......Hmm.`@` Were you?`@` My apologies.`@` I was lost in my thoughts.`@` Forgive me."`\ ld r,$KIN_WaraiA2,80 ;「良い天気だな。@…なるほど、陽気に心を奪われるのもわかるというもの。@紅茶はここで飲むか…？」\ ;＜金蔵 `"The weather is pleasant.`@` ...I see, I can understand how the weather has stolen your heart.`@` Will you drink your black tea here...?"`\ textoff wait 2000 ld l,$BEA_fukigenA3,80 ;「……………妾は、何者なのか。」\ ;＜ベアト `"............Who...am I?"`\ ld r,$KIN_defA1,80 ;「……………………………。@/ `"........................`@/ ld r,$KIN_fumuA1,80 ;……今、紅茶を持ってくる。@しばし待て。」@ ;＜金蔵 `......I will bring some black tea now.`@` Wait here for a while."`@ ld l,$BEA_nayamuA1,80 ;「紅茶は良い。@妾の話に付き合え。」\ ;＜ベアト `"Forget about the black tea.`@` Talk with me."`\ textoff ld r,$KIN_defA1,80 wait 2000 ld r,$KIN_fumuA1,80 ;「……良かろう。」\ `"......Very well."`\ bg black,22 bg garden_Se1c,22 ;　金蔵は、紅茶を運ぶことを口実に、一度だけ話を切り上げようとした。@ ;　…しかしそれはあまりに見え透いていた。\ `Kinzo had used the excuse of going to bring some black tea to try and interrupt the conversation for the time being.`@ `...But his attempt had been very transparent.`\ ;　妾はガーデンチェアに腰掛け、金蔵にも座るように勧める。@ ;　金蔵は年齢相応のもったいぶった仕草で深々と腰を下ろした。@ `I sat in the garden chair, and beckoned Kinzo to do the same.`@ `Kinzo sat down heavily, exaggerating his age.`@ br ;　しばらくの間、妾たちは沈黙を尊ぶ…。\ `For a while, we sat, appreciating the silence...`\ bg garden_Se2b,24 ld r,$BEA_fukigenA3,4 ;「……妾は何者なのか。@この問いに、今日まで応えてくれた者はおらぬ。@……なぜか皆、目を逸らし、はぐらかす。」@ `"......Who am I?`@` Until today, no one has answered me this question.`@` ......For some reason, everyone averts their gaze and evades me."`@ ld l,$KIN_fumuA1,23 ;「……………………。」\ `".................."`\ ld r,$BEA_nayamuA1,80 ;「……そなたとは長い仲だ。@妾はそなたを、無二の友であり、そして父ですらあると思っておる。@……だからどうか教えて欲しい。@そなたは知っているはずだ。@…妾が何者であるかを。」\ `"......I have known you for a long time.`@` I think of you as my best friend, even as a father.`@` ......That is why I want so much for you to tell me.`@` You should know.`@` ...Who I am..."`\ ld l,$KIN_DefA1,80 ;「………………。@…………なぜに、そのようなことが気になるのか。@そなたはベアトリーチェ。@この屋敷の主ではないか。@……それ以上の何を知りたいというのか。」@ `"...............`@`.........Why are you worried about something like that?`@` You are Beatrice.`@` The Master of this mansion, is that not so?`@` ......What more could you want to know?"`@ ld r,$BEA_komaruA2,80 ;「…………わからぬ。」\ `"............I do not know."`\ bg black,5 bg garden_Se1c,2 ;「何だ。@……何が知りたいのか、自分でもわからぬというのか。@それは不可解な。@若き日には、出口無き思考の迷路にて遊びたくなることもある。@そなたの悩みもそれであろう…。」@ `"What's this?`@` ......Don't you even understand yourself what it is you want to know?`@` That is baffling.`@` In my younger days, I sometimes wanted to play in the maze of thought that has no exit.`@` Maybe that is what your worries are..."`@ br ;　金蔵は、些細なことだと笑ってみせる。@ ;　…しかし、その仕草もまた、妾にこの疑問をこれ以上、抱かせないためのものにしか感じられない。\ `Kinzo laughed as though it was a trivial matter.`@ `...However, I couldn't help but feel that this behavior was another attempt to force me to stop my further questioning.`\ bg garden_Se2a,26 ld r,$BEA_FukigenA3,24 ;「………………………。@/ `".....................`@/ ld r,$BEA_NayamuA1,80 ;…ふ。@……やはり、…そなたもそれを語ってはくれぬのか。」@ `...Hmph.`@` ......So you won't tell me that, ...after all."`@ ld l,$KIN_WaraiA2,23 ;「語ることなど何もない。@そなたはベアトリーチェだ。@それで充分ではないか。」\ `"There is nothing to tell.`@` You are Beatrice.`@` Isn't that more than enough?"`\ ld r,$BEA_fukigenA3,80 ;「……いいや、違う。@…………妾が知りたいのは名前ではない。@/ ;!s0妾が、/ ;!d400何者なのか、/ ;!d800だ。/ `"......No, that's not it.`@` .........What I wish to know is not my name. `@/ !s0`It is...`/ !d400`who I...`/ !d800`am.`/ !sd@/ ld r,$BEA_NayamuA1,80 ;……妾は誰で、何で。@…いつからここにいて、…そしていつまでここで日々を過ごせば良いのか。」\ `......Who am I, what am I?`@` ...How long have I been here, ...and how long will I be able to continue my days here?"`\ bg white,22 bg sky_1a,22 ;「……………………。@…やはり紅茶を持ってこよう。@せっかくの陽気が勿体無いとは思わぬか。」@ ;「……………………………。」\ `"...............`@`...I really should bring some black tea.`@` Do you not think it a waste of all this fine weather?"`@ `"....................."`\ mov %play_scene,30050 ;シーン変数の入力 msetef 2,2 se1v 56,50 mld r,$BUT_MajimeA1,24 ;■メタ視 ;「………これは何の話だ…？@　どうやらお前の昔話のようだが？」@ ;＜戦人 `".........What is this all about...?`@` Somehow, it looks like the story of your past, right?"`@ mld l,$BEA_NayamuA1,23 ;「そのようだな。@…まさかここまで遡るとは。」\ `"Something like that.`@` ...To think that I would go this far back..."`\ Mld r,$BUT_futekiA1,80 ;「自分は誰なのか、とはまた、@…えらく高尚な悩みをお持ちのようじゃねぇか。」@ `"It looks like you still had some pretty high-minded worries even then, `@`...wondering who you were."`@ mld l,$BEA_FukigenA3,80 ;「……無理もないわ。@当時の妾は、自分が何者なのか。@何の為に生きているのかを理解できなかった。」\ `"......That is to be expected.`@` At the time, I was unable to understand who I was,`@` or why I was alive."`\ mld r,$BUT_DefA2,80 ;「ま、誰でも思春期になると、@自分の生きる意味とは何ぞやみたいな、哲学的な悩みに一度は囚われるものさ。@お前にもそんな微笑ましい時期があっただけという話だろ？」\ `"Well, in puberty,`@` everyone is captured by those philosophical worries, wondering what meaning there is in their life, at least once.`@` Doesn't this just mean that you had this kind of charming period once in your life?"`\ mcl a,0 mbg black,22 mbg garden_Se1a,8 ;「…………………。@…妾は生まれた時からその屋敷におった。@そして屋敷の中だけで生きた。@もちろん、庭には出られたが、敷地はとても高い柵で囲まれており、それを出ることは出来ず、@また出てはならないと厳しく言われておった。\ `"...............`@`...I had been in that mansion since the time I was born.`@` And I lived only inside the mansion.`@` Of course, I went out into the garden, but the area around the mansion was surrounded by a very tall fence.`@` I was unable to leave through it,`@` and I would be told severely that I mustn't leave.`\ ;　……妾はな、屋敷と庭は自由に歩けたが、@その外へは、自らの意思ではたった一歩、出ることさえ叶わなかったのだ。」\ `......I could walk freely throughout the mansion and the garden, `@`but outside of that, my desire to take just one step outside of my own accord was never granted."`\ bg garden_Se1a,0 mld r,$BUT_DefA2,0 mld l,$BEA_FukigenA3,0 mcbg 22 mld r,$BUT_KomaruA2,80 ;「……………そりゃどういう意味だよ。@…物心ついた時から、ずっと篭の鳥だったって言いたいのか。」@ `"............What do you mean by that?`@` ...Are you trying to say that, as long as you can remember, you were always a bird in a cage?"`@ mld l,$BEA_nayamuA1,80 ;「……そういうモノだと思っていた。@何しろ、気付いた時からそういう生活だったからな。@疑問にも思わなかった。」\ `"......I did think of it that way.`@` Anyways, as soon as I became aware, I was living like that.`@` I didn't even think to question it."`\ mld r,$BUT_NayamuA1,80 ;「お前、…………一体、何者なんだ。」@ `"What in the world, ............are you?"`@ mld l,$BEA_defA1,80 ;「それよ。@それこそ、妾もまた望んだものだった。」\ `"That's it.`@` That is what I also hoped to know."`\ mld r,$BUT_nayamuA2,80 ;「…………へ。@どうせ、人間ではなくて、魔女でしたーって言いやがるんだろ？」\ `".........Heh.`@` I'm sure you'll say something like 'I wasn't a human, I was a witch,' right?"`\ mld l,$BEA_nayamuA1,80 br ;「いや、違う。@(まだ/・・)違う。@……いや、(かつて/・・・)そうだったと言うべきか。@/ `"No, that's wrong.`@` That's `(`still`/・・・)` wrong.`@ br `......Or should I say it `(`used to be`/・・・・・・)` wrong. `@/ mld l,$BEA_futekiA2,80 ;……妾は、金蔵によって造られた、人間によって作られた人間だ。@…いや、肉で出来た檻とでもいうべきか。」\ ;＜点字処理：まだ違うの“まだ”・かつてそうだったの“かつて” `......I was constructed by Kinzo, a human built by a human.`@` ...No, maybe I should call it a cage made of flesh."`\ mld r,$BUT_OdorokiA2,80 ;「何だよそりゃ…。@…妙な話を言い出しやがって。」\ `"What's that supposed to be...?`@` ...This is starting to sound weird."`\ mld l,$BEA_defA2,80 ;「……どうせそなたは信じぬだろうがな。@まずは聞け。@………妾は千年を経た偉大なる魔女であった。@/ `"......You probably won't believe it anyway.`@` Listen first.`@` .........I was a great witch who had lived for one thousand years. `@/ ;bg Mlib_1c,22 ;しかしある時、金蔵によって呼び出され、@…その秘術にて永遠の虜となるよう縛られたのだ。」\ `But at some time, I was summoned by Kinzo,`@` ...and by that hidden art I was bound as his prisoner for eternity."`\ mld r,$BUT_OyaA1,80 ;「…………そりゃ、初耳だぜ。@右代宮家で知られてる話では、お前は祖父さまに呼び出されて、@悪魔の契約みたいなのを結んで、黄金を授けたってことになってるぜ。」\ `".........Never heard that before.`@` From what we hear in the Ushiromiya family, you were summoned by Grandfather,`@` made something like a devil's contract with him, and gave him the gold."`\ mld l,$BEA_WaraiA1,80 ;「うむ。@それは正しい。@…そして妾は黄金を授け、契約の終わる時まで姿を消すはずだった。@/ `"Hmm.`@` That is correct.`@` ...Then I was supposed to hide myself until the contract was over. `@/ mld l,$BEA_FutekiA2,80 ;しかし、………まぁ、モテる女の辛いとこよな。@………金蔵は、こともあろうか、妾に恋をした。」\ `But, .........well, it's tough being a popular woman.`@` .........By some turn of events, Kinzo fell in love with me."`\ mld r,$BUT_niramuA3,80 ;「…祖父さまも近眼が進んでたんだろうよ。@ついでに乱視だなぁ、いっひっひ。@よりによってお前に惚れるとはよ。」\ `"...Grandfather's nearsightedness must have gotten pretty bad.`@` With astigmatism too, ihihi.`@` To fall in love with you, of all things."`\ mld l,$BEA_AkuwaraiA1,80 ;「………ふ。@まぁ、妾にとっては迷惑この上ない話よ。@/ `".........Hmph.`@` Well, to me it was annoying at best. `@/ mld l,$BEA_DefA1,80 ;…しかし、ニンゲンの力とは恐ろしいものでな。@あれは恐ろしい力を発揮して、妾をこの地へ釘付けにしたのだ。@…妾が首を縦に振らぬ限り解放せぬと言ってな。@…何とも強引な男よ。」\ `...However, the power of humans is a frightening thing.`@` He displayed that fearsome power and rooted me to this place.`@` ...He said I wouldn't be freed until I nodded my head in agreement.`@` ...Such an overbearing man."`\ bg black,22 mld r,$BUT_WaraiA1,80 ;「すげぇじゃねぇかよ。@祖父さまがオカルト被れなのは誰もが知るところだが…、@…大魔女ベアトリーチェさまを釘付けにするほどの力があったとはな。@/ `"Isn't that awesome.`@` Everyone knew Grandfather was obsessed with the occult, but...`@`...that he would have the power to root down the Great Witch Beatrice... `@/ mld r,$BUT_aseruA1,80 ;……へ、馬鹿馬鹿しい。@そんなおかしな話、信じると思うか？」\ `......Heh, ridiculous.`@` Who'd believe such a weird story?"`\ mld l,$BEA_waraiA1,80 ;「…やはり信じぬか。」@ `"...As I thought, you don't believe."`@ mld r,$BUT_NiramuA1,80 ;「俺が信じるのは、お前が森の中の秘密屋敷に隠居していたって事実だけだ。@お前こそが六軒島の１９人目なんだろう？！」\ `"All I believe is the fact that you lived in this hidden mansion in the middle of the forest.`@` You are the 19th person on Rokkenjima, right?!"`\ bg Se_o1a,0 mend ;mld l,$BEA_DefA2,80 ;「……いかにも。@そなたの想像通り、ここは六軒島の森深く。@外界からは見つけることも叶わぬ隠し屋敷。@その名も九羽鳥庵（くわどりあん）。」\ `"......Indeed.`@` Just as you imagine, this is deep in the forest of Rokkenjima.`@` A hidden mansion not to be found from the outside world.`@` It's name is Kuwadorian (Nine Birds' Retreat)."`\ ;mld r,$BUT_OyaA1,80 ;「……そういや、ゲストハウスの正しい名は、渡来庵だって聞いたな。@…なるほど、ネーミングセンスは近いな。@/ `"......Come to think of it, I heard that the guesthouse's real name was Toraian (Visitor's Retreat).`@` ...I see, the naming sense is similar. `@/ ;mld r,$BUT_DefA1,80 ;……そして、お前はそこに隠居していた祖父さまの愛人。@そうだな？！」\ `......So, you were Grandfather's mistress, who lived here in secret.`@` Isn't that right?!"`\ ;mld l,$BEA_NayamuA1,80 ;「愛人、というのは正しくない。@……金蔵の片思いであったというべきだろう。@先ほども話したであろう？@/ `"Mistress isn't the right way to say it.`@` ......You should probably call it Kinzo's unrequited love.`@` I spoke of it just recently, correct? `@/ ;mld l,$BEA_AkuwaraiA1,80 ;　あれが勝手に妾に惚れた。@そして妾に求愛したが、それを妾は拒んだ。」\ `He fell in love with me of his own accord.`@` He then courted me, but I rejected him."`\ bg Sehal_1a,22 ;mld l,$BEA_futekiA2,80 ;「……そして、妾をこの隠し屋敷へ閉じ込めたのだ。@………いや、屋敷に閉じ込めたというのは正しくないか。@……この体に閉じ込めた、というべきか。」@ `"......Then, I was shut up in this hidden mansion.`@` .........No, I shouldn't say that I was shut up in this mansion.`@` ...It would be more correct to say that I was shut up in this body."`@ ;mld r,$BUT_NiramuA1,80 ;「…………最後が何を言ってるのかわかんねぇぜ。」\ `".........I have no idea what you said at the end there."`\ ;mld l,$BEA_futekiA1,80 ;「どうせそなたは馬鹿にして聞かぬであろう？@　何しろ、魔女も魔法も信じぬという。@語れど聞く耳を持たぬというならば、@それを口にするは愚の骨頂だ。」\ `"You will just make fun of it and not listen, right?`@` After all, you say that you don't believe in witches or magic.`@` If you have no ears to hear what I tell you, `@`saying it would be the pinnacle of foolishness."`\ bg black,22 fede 0,3000 bg garden_Se2b,2 se1v 56,50 mset mld r,$BUT_majimeA1,24 ;「………………………。@/ `".....................`@/ mld r,$BUT_oyaA1,80 ;……信じるかどうかは俺が判断するぜ。@…聞かなきゃ話も進まねぇしな。@話せよ。@…お前の昔話を。」\ `......I'll decide whether I believe or not.`@` ...After all, if I don't ask, the story won't continue.`@` Tell me.`@` ...The story from your past."`\ textoff wait 1000 E_A bgm1 49 wait 2000 mld l,$BEA_NayamuA1,23 ;「うむ。@………金蔵は妾に求愛を拒まれたが、それしきでへこたれる男ではない。@どうあっても妾の首を縦に振らせたかった。@妾をこの屋敷へ閉じ込め、妾を口説き落とそうと永遠の時間を費やしたのだ。」\ `"Hmm.`@` .........I refused Kinzo when he courted me, but he was not a man to lose heart at something like that.`@` He wanted to make me nod my head in agreement no matter what.`@` He shut me up in this mansion, and spent an eternity trying to win my heart."`\ mld r,$BUT_futekiA1,80 ;「…強引なヤツだな。@しつこい男は嫌われるだろ？」\ `"...He really is overbearing.`@` Obstinate men are dislikable, right?"`\ mld l,$BEA_WaraiA1,80 ;「………くっくっくっく。@求愛に応えるかどうかは別にして、@男をそこまで必死にさせるのは、まぁ、女としてそう不愉快ではない。\ `".........*cackle*cackle*`@` Regardless of whether I responded to his courting or not, `@`making him so desperate for me was, ...well, as a woman it wasn't unpleasant.`\ mld l,$BEA_futekiA2,80 ;　……しかし妾は決して首を縦には振らなかった。@何とかその戒めから逃れようとしたが、@あれの結界は強固で破れなかった。」@ `......However, I never nodded my head.`@` I tried to do something to escape his guard, `@`but that barrier was firm, and I couldn't break it."`@ mld r,$BUT_KomaruA2,80 ;「……それで？」\ `"......And then?"`\ mld l,$BEA_NayamuA1,80 ;「様々な抵抗を試みた結果、@金蔵の結界から逃れるには、肉の体を捨てるほかないという結論に至った。@……肉体というものは、魔法を語る上でとても制約の多い器なのだ。」\ `"After trying to resist in various ways,`@` I eventually reached the conclusion that, to escape from Kinzo's barrier, I would have to throw away this body of flesh.`@` ......The physical body is a vessel which can be restricted in many ways through magic."`\ mld r,$BUT_oyaA1,80 ;「肉の体を捨てる……？@　何だよそれ。@幽体離脱みたいなものか？」\ `"Throw away your body of flesh......?`@` What's that?`@` Something like an out-of-body experience?"`\ mld l,$BEA_DefA2,80 ;「まぁ、そんなものと考えれば良い。@しかし、妾は精霊ではない。@魔女ではあっても、元々は肉の体で生れ落ちた人間だ。@その妾にとって肉体を捨てるということは、@死を意味するほどではないにしても、それに準ずる覚悟が必要だった。」\ `"Well, if you want to think of it that way.`@` However, I am not a spirit.`@` Even though I am a witch, in the beginning, I was born with a human's body of flesh.`@` So for me, throwing away that physical body,`@` while it didn't mean the same thing as death, it did require a corresponding level of preparedness."`\ mld r,$BUT_NayamuA1,80 ;「それはつまり、@……自殺することでしか解放されないと決意した、って意味なのか？」\ `"So in other words,`@` ......you had determined that you couldn't be released except by suicide, is that what you mean?"`\ mcl a,0 mld c,$BEA_FutekiA2,23 ;「自殺ではない。@あくまでも、肉の体を捨てるだけのことだ。@……もちろん、魂だけになるのは心もとない。@魂は肉の体を出れば、太陽の強い風に絶えず晒されてしまう。@それによって吹き散らされないように、自らを維持するのは妾とて容易なことではない。」\ `"It wasn't suicide.`@` It was nothing more than throwing away my body of flesh.`@` ......Of course, becoming nothing more than soul is a precarious situation.`@` When the soul leaves its body of flesh, it is constantly exposed to the strong winds of the sun.`@` It was not easy for me to maintain myself and avoid being scattered by them."`\ mld c,$BEA_NayamuA1,80 ;「できることなら避けたい最後の手段だった。@しかし、金蔵の結界から逃れるにはそれしかなかったのだ。@/ `"It was a final measure that I wanted to avoid if I could.`@` However, there was no other way to break through Kinzo's barrier. `@/ mld c,$BEA_defA2,80 ;……くっくく、何しろ妾は自由人。@金蔵の生が果てるまで篭にて飼われるのはごめんというもの。」\ `......*cackle*, anyways, I am an unfettered person.`@` I couldn't stand being kept in a cage until Kinzo's life was over."`\ ;　ベアトが口にする、肉の体を捨てる云々という話は、@どう聞いても自殺以上の意味には聞こえない。@ `I couldn't understand this story Beato kept going on about, about throwing away her body of flesh,`@` as anything more than suicide.`@ br ;　祖父さまにしつこく求愛され、それから逃れるために、/ ;!d800……自ら死を…？\ `Grandfather persistently courted her, and to escape from that, `/ !d800`......she chose her own death...?`\ mcl c,0 mld l,$BUT_komaruA2,23 ;「……………それで、自殺したってのか？@　何を言ってやがる。@当のお前は、そこでのんびりガーデンチェアに腰掛けてるじゃねぇか。」@ `"............So you're saying you committed suicide?`@` What are you saying?`@` Isn't that you, sitting carefree there in the garden chair?"`@ mld r,$BEA_DefA1,24 ;「……そうだ。@それこそが、金蔵によって与えられた新たな檻だったのだ。」\ `"......That's right.`@` That is the new cage I was given by Kinzo."`\ mld l,$BUT_majimeA1,80 ;「…………檻？@　この屋敷のことか？」\ `".........Cage?`@` You mean this mansion?"`\ mld r,$BEA_futekiA2,80 ;「違う。@そこのガーデンチェアにてくつろぐ妾の体のことだ。@………金蔵は、魂となって抜け出そうとした妾を、@それでもなお逃すつもりはなかったのだ。\ `"No.`@` I mean my body, relaxing in the garden chair over there.`@` .........After I became a soul and tried to escape,`@` Kinzo had no desire to allow me to escape any further.`\ mld r,$BEA_AkuwaraiA5,80 ;　…いやいや、恐ろしいヤツ。@普通は、片思いの女が死んで見せれば、百年の恋も醒めるであろうに。@……だからこそあれも魔術師の端くれなのか。@……くっくっく。」\ `...No, he was a frightening person.`@` Normally, when the woman of someone's unrequited love shows that she is willing to die, it should be enough to bring that person to their senses, even if their love was 100 years old.`@` ......I guess he was a petty excuse of a magician after all.`@` ......*cackle*."`\ mld l,$BUT_nayamuA1,80 ;「さっぱりわからねぇ魔女っ子トークで煙に撒くな。@…つまり何だってんだ。」\ `"Don't try to speak in riddles with that incomprehensible witch-girl talk.`@` ...In short, what are you trying to say?"`\ mcl a,0 mbg black,25 mbg butterfly_2a,2 ;「金蔵は、魂となった妾すらも逃さなかったということだ。@……人間の想いというやつは恐ろしい。@これほどまでの魔力を発揮するとは…。@死者の魂を繋ぎ止めるなど、@それを専門に求道する魔術師でも、おいそれと至れぬ境地よ。@妾はそれを知るからこそ、金蔵の恐るべき魔力に、その時初めて驚愕した。」\ `"That Kinzo didn't let me escape even after I became a soul.`@` ......Human emotions are terrifying.`@` That he would be able to exhibit this much power...`@` Tying down a spirit of the dead,`@` is not a situation that occurs readily, even for a magician seeking that as his specialty.`@` Because I knew that, Kinzo's fearful magical power shocked me for the first time."`\ mbg black,22 ;「…………そして金蔵は、妾の魂を捕まえ、連れ戻したのだ。@だが、魂を捕らえておく檻は、鉄でも鉛でも作れない。@……ただひとつを除いて。」\ `".........Then Kinzo seized my body and brought me back.`@` However, a cage to hold a seized soul cannot be made from iron or lead.`@` ......Only one thing remained."`\ mcbg 22 mld r,$BUT_KomaruA3,24 ;「…………何だよ。@魔法の檻だとでも言い出すのかよ。」\ `".........What?`@` You aren't going to say it was a magical cage or something, are you?"`\ mld l,$BEA_WaraiA1,23 ;「違う。@妾やそなたのような、この肉の体だ。@/ `"Wrong.`@` That body of flesh over there, just like yours or mine. `@/ mld l,$BEA_futekiA1,80 ;…肉と血で出来た檻だけが、魂をこの世に繋ぎ止める。@……金蔵は妾の魂を、妾と瓜二つに造り上げた肉の檻に再び閉じ込めたのだ。」\ `...Only a cage made of flesh and blood can tie a spirit down to this world.`@` ......Kinzo shut my soul up in a cage of flesh built to be exactly like me."`\ mld r,$BUT_NiramuA1,80 ;「…………………。@…要約するとこういうことか。@祖父さまがしつこく求愛するんで嫌になり自殺したが、@うまく死に切れなかったってことだろう？@　…回りくどい言い方しやがってからに。」\ `"..................`@`...So in summary, is it something like this?`@` Grandfather persistently courted you, you started to hate it, and you committed suicide,`@` but you weren't clever enough to finish the job?`@` ...Damn, you really took a roundabout way to say something like that."`\ mld l,$BEA_AkuwaraiA1,80 ;「いいや、違う。@妾はホムンクルスの種子に魂を閉じ込められ、@試験管の中より生まれ出でたのだ。」@ `"No, that's wrong.`@` My soul was shut up in the seed of a homunculus,`@` and I was born out of a test tube."`@ mld r,$BUT_OdorokiA2,80 ;「はぁ？！@　馬鹿馬鹿しい…！@　そんなのあるわけねぇだろ？！」\ `"Huh?!`@` Ridiculous...!`@` That isn't even possible, right?!"`\ mld l,$BEA_futekiA2,80 ;「生命を生み出す奇跡すらも、金蔵は成し遂げたのだ。@妾の魂を閉じ込める檻にするためのだけにな。@/ `"Kinzo accomplished even the miracle of creating life.`@` And only to shut my soul up in that cage. `@/ mld l,$BEA_waraiA2,80 ;……己の恋心だけで、これほどの魔力を見せるとは。@つくづく恐ろしいヤツよ。」\ `......That he would show such magical power simply because of his own love...`@` A thoroughly terrifying person."`\ mld r,$BUT_NiramuA1,80 ;「あー、もうさすがに馬鹿馬鹿しくなってきたぜ！@　好きなだけ言ってろってんだ。@俺は何も信じねぇぜ。@勝手にやってやがれってんだ。」\ `"Aah, it's already gotten pretty ridiculous!`@` Say whatever you want.`@` I won't believe anything.`@` Just do what you like."`\ mld l,$BEA_fukigenA3,80 ;「……………む。@…何だ、その不愉快な態度は。」\ `"............Mu.`@` ...What is this unpleasant attitude?"`\ mld r,$BUT_niramuA2,80 ;「へ。@最初は何か重大なヒントが隠されているだろうと、多少の興味を示したが。@聞けば聞くほどおかしな話になっていく。@魔女を否定するゲームのはずなのに、@いつの間にか魔女話を鵜呑みにさせられていく気がするぜ。」\ `"Heh, `@`in the beginning, I showed a little interest, thinking that there might be some huge hint hidden,`@` but the more I ask, the weirder this story starts to get.`@` I get the feeling that even though this is supposed to be a game about denying witches,`@` I'm suddenly being made to just swallow this story about witches."`\ mld r,$BUT_NayamuA2,80 ;「悪いがこれ以上、耳を貸す気はねぇな。@勝手に好きなだけほざいてろよ。@耳クソでもほじってるからよー。」\ `"Sorry, but I don't feel like listening to this any more.`@` Just keep rambling on to yourself as much as you want.`@` I'll just pick my earplugs or something."`\ mld l,$BEA_komaruA2,80 ;「…………………。@/ `"..................`@/ mld l,$BEA_iiwakeA1,80 ;……ふ。」\ `......Hmph."`\ textoff fedexx 50,0,0,0,0,0,2000 ;　俺が素っ気無い態度を見せると、ベアトは珍しく気落ちしたような仕草を見せた。@ `When I started showing a cold attitude, Beato acted unusually discouraged.`@ br ;　もちろん、表情はふてぶてしいままだが…、@自分の身の上話に興味を持ってもらえなかったのが寂しい、@というとてもわかりやすい感情が垣間見えた気がした。\ `Of course, her expression was still shameless...,`@` but I had the feeling that I was able to catch a glimpse of loneliness because I hadn't found the story of her past interesting,`@` in that really easy to understand expression of hers.`\ ;　……そのわずかの仕草が、どういうわけか気の毒に感じ、@俺は投げ遣りな態度を崩さないまま、だけれどもちょっぴりフォローしてやる。@ `......For some reason, that slight reaction made her seem pitiful,`@` so even though I kept my careless attitude, I decided to cover for her slightly.`@ br ;　畜生、ムカつく魔女だってのに、染色体がＸＸだってだけで俺も甘いもんだぜ…。\ `Damn it, even though she's an irritating witch, I'm still weak against her because her chromosomes are XX...`\ textoff me1v 5,0 fedexx 0,40,0,0,0,0,3000 E_B mld r,$BUT_futekiA1,80 ;「……ま、信じる気は毛頭ねぇけどよ。@…………続けろよ。@お茶菓子代わりに聞いてやるぜぇ？」\ `"......Well, I have absolutely no desire to believe you, but,`@` ............keep going.`@` I'll listen instead of eating tea cakes, alright?"`\ mld l,$BEA_AseruA1,80 ;「妾の身の上話が茶菓扱いとはな。@/ `"So you treat the story of my past like tea cakes...`@/ mld l,$BEA_odorokiA1,80 ;……そこまで扱き下ろされてまで、のこのこ語ると思うかぁ…？」\ `......You think that if you abuse me like that, I will just casually tell you...?"`\ ;　俺のちょいと馬鹿にした仕草に、ベアトは敏感に反応する。@ ;　人を馬鹿にするのは大の得意だが、人から馬鹿にされるのはまったく駄目だと見える。@ `After I made fun of her, Beato reacted a little sensitively.`@ `It looked like, even though making fun of people was her specialty, she was horrible at being made fun of by other people.`@ E_A br ;　すると、急に俺の紅茶のカップが音を立て、びっくりした。\ `Just then, my black tea cup suddenly made a sound, surprising me.`\ csp -1 se1v 56,50 mcl a,0 bg G1F_S1aP,0 ld r,$RON_majimeA1,24 mend bgm1 1 ;「……お嬢様の魂は捕らえられ、新しい生命の檻に吹き込まれました。@それはつまり、お嬢様が再び人間として生を受けたということです。」@ ;＜ロノウェ `"......Milady's soul was seized and breathed into a cage of new life.`@` In other words, Milady received life as a human once more."`@ br ;　いつの間に現れたのか、悪魔の執事が俺のカップを取り、紅茶を継ぎ足していた。\ `Before I had realized it, the demon butler had taken my cup, and was adding more black tea to it.`\ ld l,$BEA_aseruA1,23 ;「ロノウェ。@もうその話は良い。@こやつは馬鹿馬鹿しくて聞けんと言うでな。@妾も馬鹿馬鹿しくて話す気にもならぬ。」\ `"Ronove.`@` That is enough of this story.`@` This person said that it was too ridiculous to listen to.`@` I also have no intention of speaking ridiculously."`\ ld r,$RON_WaraiA1,80 ;「新しいクッキーを今、焼かせているところでございます。@/ `"Some new cookies are currently being baked. `@/ ld r,$RON_WaraiA2,80 ;それまで、お茶菓子代わりにお嬢様の昔話がちょうどいいかと思いまして。@ぷっくっく…！」\ `I thought that, until then, the story of Milady's past will be a perfect substitute for tea cakes.`@` Pu ku ku...!"`\ ld l,$BEA_komaruA1,80 ;「も、…もう妾の話は良いというのに！@/ `"E, ...even though I already said that I've had enough of that story! `@/ ld l,$BEA_AseruA1,80 ;　揃って不愉快なヤツらだ。@妾は席を外すぞ！@　ロノウェ、給仕を済ませたらとっとと下がるのだぞ。@戦人と無駄話などするでないぞ。」@ `You are all unpleasant people.`@` I'm leaving!`@` Ronove, leave as soon as you are done serving.`@` Don't talk pointlessly with Battler."`@ ld r,$RON_waraiA1,80 ;「かしこまりました。@努力いたします。」\ `"Certainly.`@` I will make an effort."`\ se1 52 cl l,99,3000,"breakup.dll/llB" ;　ベアトは女特有のよくわからない短気を起こし、体を黄金の蝶にして散らせながら姿を消す。@ `Beato's short temper particular to women, which I didn't really understand, took hold of her, and she turned her body into gold butterflies, scattered, and disappeared.`@ br ;　後にはロノウェと紅茶の香りだけが残った…。\ `After that, only Ronove and the scent of the black tea were left...`\ bg G1F_S1cP,0 ld r,$BUT_niramuA3,24 ;「……何だか、俺が怒らせたみたいで気分が悪いぜ。」@ `"......I feel kind of bad for making her angry."`@ ld l,$RON_waraiA2,23 ;「ご自覚があられるようですので、これ以上申し上げることはございませんよ。」@ `"It appears that you are aware of it, so there is nothing more to be said."`@ ld r,$BUT_aseruA1,80 ;「ちょっと待てよ。@トドメを刺したのはお前だろうが。」\ `"Wait a second.`@` Weren't you the one that finished it?"`\ ld l,$RON_waraiA1,80 ;「ぷっくっくっく。@はて、何のことやら。@お砂糖とミルクはいかがですかな？」@ `"Pu ku ku ku.`@` My, what could you mean?`@` How would you like some sugar and milk?"`@ ld r,$BUT_nayamuA2,80 ;「…ミルクだけでいいぜ。@…………あとお茶菓子も欲しいな。」\ `"...Just milk will be fine.`@` ............And I also want some tea cakes."`\ ld l,$RON_WaraiA2,80 ;「………クッキーが焼けるにはまだ時間が掛かりますよ？」@ `"......You are aware that baking the cookies will take some more time?"`@ ld r,$BUT_futekiA1,80 ;「茶菓の代わりがあるって言ったぜ？」\ `"There's a substitute for tea cakes, you said?"`\ ld l,$RON_defA1,80 ;「……かしこまりました。@ご静聴をいただけるのでしたら、続きをお話いたします。」\ `"......Certainly.`@` If you would listen quietly, I will continue the story."`\ bg black,5 fede 0,2000 bg garden_Se2c,0 ld c,$BEA_NayamuA1,0 se1v 56,50 mset mld r,$BUT_KomaruA2,26 bgm1 17 ;「ホムンクルスが何とかって言ったな。@…一応は知ってるぜ。@あれだろ？@　錬金術だかで作り出す人造人間のことだろ？」\ `"She said something about a homunculus.`@` ...I know a bit about that.`@` It's that thing, right?`@` A manufactured human created with alchemy or something?"`\ mld l,$RON_majimeA1,23 ;「はい。@お嬢様の魂はホムンクルスに閉じ込められ、再び赤子となって生を受けこの世に蘇ったのです。@……しかし、赤子でございますから、@金蔵さまが愛を語ろうとも、それは無駄なことでございます。」\ `"Yes.`@` Milady's soul was shut up in a homunculus, and she was revived into this world, receiving life again as a baby.`@` ......However, because she was a baby,`@` even if Kinzo tried to profess his love to her, it would be useless."`\ mld r,$BUT_KomaruA1,80 ;「……………………。@………まさか。@……祖父さまはその赤ん坊をこの隠し屋敷に、@同じ歳に成長するまで閉じ込めたってのか？！」\ `"..................`@`.........You aren't saying...`@`......Grandfather shut that baby up in this hidden mansion,`@` until it grew to reach the same age?!"`\ mld l,$RON_DefA2,80 ;「はい。@そのまさかでございます。@しかし、魂は同じと言えど、人間の魂はその器に強く影響を受けます。@お嬢様は、かつての記憶を全て失われ、ごく普通の人間の少女として成長されました。」\ `"Yes.`@` That is what I am saying.`@` However, while her soul was the same, a human spirit receives a strong influence from its container.`@` Milady lost all of her memories of the past, and grew up as a very normal human girl."`\ mld r,$BUT_NiramuA3,80 ;「それが、……そこのガーデンチェアに座ってるベアトだってのか？」@ `"And you're saying, ......that was the Beato sitting in the garden chair?"`\ mld l,$RON_majimeA1,80 ;「はい。@その通りでございます。@まさに瓜二つに成長なされました。@しかし魔女としての力は持ち合わせておりません。@……あくまでも人間としてのお嬢様なのです。」\ `"Yes.`@` That is correct.`@` It grew to be completely identical.`@` However, it did not possess her power as a witch.`@` ......Milady was completely like a human."`\ ld c,$BEA_fukigenA3,80 ;「………………………………。」@ `"........................"`@ br ;　ガーデンチェアに座り、空を見上げるベアトは、再び同じ質問を口にしている。\ `Beato, who was sitting in the garden chair, looking up at the sky, said that same question again.`\ ;　自分は何者なのか、と。@ `She asked who she was.`@ br ;　…その言葉の意味がようやく繋がる。@ ;　彼女は、自分がなぜここに閉じ込められて暮らしているのか、理解できないのだ。\ `...The meaning of those words was finally starting to click.`@ `She couldn't understand why she was living here, all locked up.`\ ;　祖父さまは、ベアトリーチェの魂を捕らえ、肉の体に閉じ込め、@さらに隠し屋敷にそれを閉じ込めた。@ `Grandfather had seized Beatrice's soul, shut it up in a body of flesh,`@` and then shut that up in a hidden mansion.`@ br ;　しかし、生まれてからずっとそこで過ごしてきた彼女には、自分が何者なのかも、@どうしてここに閉じ込められて生きているのかも理解できないのだ…。\ `However, since she had lived here since the time she had been born, she couldn't even understand who she was,`@` or why she lived shut up in there...`\ mend bg black,2 ;mcl a,0 ;mbg black,5 ;bg black,22 ;mcbg 1 ;mend ;　……ま、…待て待て。@ ;　そんな馬鹿話を真に受けるヤツがあるか。@ `......W, ...wait, wait.`@ `Who would take such a stupid story seriously?`@ br ;　解釈を変えよう。@ ;　…つまりこういうことなんじゃないか？\ `Why don't I change my interpretation?`@ `...In other words, couldn't it be something like this?`\ ;　祖父さまはベアトリーチェに出会った。@ ;　そして恋をして求愛したが、相手は首を縦に振らなかった。@ ;　それで逆ギレして隠し屋敷に閉じ込めてしまったわけだ。@ `Grandfather met Beatrice.`@ `He then fell in love with her and courted her, but she didn't nod her head in agreement.`@ `And then he betrayed her and shut her up inside this hidden mansion.`@ br ;　ベアトリーチェは逃げ出そうとしたが、どうやっても叶わず、@……それでとうとう自ら死を選んでしまった。\ `Beatrice tried to escape, but no matter what she did, she couldn't succeed,`@` ......so she finally chose her own death.`\ ;　……それで、………うーん。@ `......And then, .........no.`@ br ;　…ベアトリーチェには、生き写しの娘、…いや、赤ん坊がいたとか。\ `...Maybe there was a girl that looked just like Beatrice, ...no, a baby.`\ ld c,$BEA_DefA1,8 ;　それで祖父さまはその子を大事に育てたわけだ。@ `And Grandfather raised this child with care.`@ br ;　しかし祖父さまは、その子を娘としては見ていなかったのではないだろうか。\ `But maybe Grandfather didn't view this child as his daughter.`\ cl c,8 ;“魂を肉の檻に再び閉じ込めた”@ `'The soul was once again shut up in a cage of flesh'`@ br ;　この言葉の意味するところは多分、@……その子を、彼女の子どもではなく、生まれ変わりだと信じた、@という意味ではないだろうか。\ `Those words probably meant that he didn't view this kid as her child, `@`......but as her reincarnation.`@` Maybe that's what it meant.`\ bg G1F_S1bP,6 ;　こう解釈すれば、おかしな話も一応の筋が通るかもしれない…。@ `If you interpret it that way, even a story that weird might make a little sense...`@ br ;　…いやいやいや。@ ;　こんなの、ベアトが俺を煙に撒くために作ったデタラメかもしれない。\ `...No no no.`@ `This might be some bullshit Beato cooked up to confuse me.`\ ;　何も鵜呑みになんかできるものか…！@　そもそも、…九羽鳥庵だっけ？@　隠し屋敷が実在する保証などあるものか。@ `As if I could accept any of this...!`@` In the first place, Kuwadorian was it?`@` There's no proof whatsoever that a hidden mansion actually existed.`@ br ;　ヤツがたった今、適当にでっち上げただけかもしれないじゃないか。\ `Couldn't this be something she had just fabricated on the spot?`\ bg G1F_S1aP,0 ld l,$RON_DefA1,23 E_A se1 59 ;「#ff0000六軒島の森の中には、九羽鳥庵という隠し屋敷が実在します#ffffff。@それが、今、話をしていた場所です。」\ `"`#ff0000`A hidden mansion called Kuwadorian does exist in the forest of Rokkenjima`#ffffff`.`@` That is the place we were just talking about."`\ ld r,$BUT_OdorokiA2,24 bgm1 49 ;「………え？@　あ、…赤？！」@ `".........Huh?`@` R, ...red?!"`@ br ;　ロノウェが、九羽鳥庵が実在することを赤で語る。@ `Ronove used the red to say that Kuwadorian actually existed.`@ br ;　…それはベアトが使う赤と同じ意味なのか？\ `...Did that mean the same thing as the red Beato used?`\ ld l,$RON_akuWaraiA1,80 ;「これでも悪魔の端くれでございますので。@…お嬢様には内緒にしてくださいね？」@ `"Apparently I am lacking as a demon.`@` ...Please keep this a secret from Milady, alright?"`@ ld r,$BUT_komaruA1,80 ;「…あ、……あぁ！」\ `"...Y, ......yeah!"`\ ;　俺が揚げ足を取ることを知っているベアトは、赤を使うのに今や非常に慎重だ。@ ;　その赤を、まさかロノウェも使えたとは…。@ `Beato, who knew I would try to trip her up, had grown extremely cautious when using red.`@ `That Ronove could also use that red was...`@ br ;　もっとも、食えない男の赤だ。@ ;　どこまで鵜呑みにしていいかはわからないが、@とにかく何かのヒントには使えるだろう……。\ `However, it was the red of a crafty man.`@ `I didn't know how far I could accept it, `@`but anyways, I might be able to get some hint out of it......`\ ld r,$BUT_komaruA2,80 ;「この、九羽鳥庵の庭でくつろいでるベアトと、…さっきの祖父さまとの会話は、真実なのか？」\ `"So that Beato relaxing in the garden of Kuwadorian, ...and that conversation she had with Grandfather, were the truth?"`\ ld l,$RON_waraiA2,80 ;「はい。@真実です。@かつて、/ `"Yes.`@` It is the truth.`@` In the past, `/ se1 59 ;#ff0000実際にこの場所で、お二人はこのような会話をなされました#ffffff。」\ #ff0000`those two actually had a conversation like that in this place`#ffffff`."`\ ld r,$BUT_aseruA1,80 ;「た、助かるぜ。@さらに赤で頼む。@あいつ、ホムンクルスから生まれたなんて言いやがったが、@そんな非科学的な魔法的存在、実在するのか？！」\ `"Th, thanks a lot.`@` I'll ask for some more red.`@` You've said that she was born from a homunculus,`@` but does that kind of unscientific, magical thing actually exist?!"`\ ld l,$RON_akuwaraiA1,80 ;「その問い掛けにはお答えできません。@理由は、ステイルメイトになるからでございます。」@ `"I am unable to answer that question.`@` After all, that would cause a stalemate."`@ ld r,$BUT_NiramuA3,80 ;「……ステイルメイト？？@　何だそりゃ。」\ `"......A stalemate??`@` What do you mean?"`\ bg black,22 bg chess1,26 ;「チェスの用語で、千日手のパーペチュアルと同様に、@それ以上のゲーム進行が不可能になる宣言です。@これは、千日手とは正反対で、@指し手がなくなる、ある種の手詰まりの状態を指します。@パーペチュアルに同じで、チェスではこれを引き分けにしております。@…ただし、お嬢様と戦人さまのゲームでは引き分けがございません。@ですので、ステイルメイトになる質問には、赤でお答えすることができないのです。」\ `"Like that chess term, which means a perpetual repetition of moves, `@`saying such a thing would make any further progress in this game impossible.`@` This would be the opposite of an endless repetition of moves, `@`because all moves would disappear, and it would bring about a kind of deadlock.`@` In chess this would lead to a draw, just as if there were a perpetual repetition of moves.`@` ...However, there is no draw in you and Milady's game.`@` Therefore, I am unable to answer a question that would bring about a stalemate."`\ bg G1F_S1cP,22 ld c,$BUT_aseruA1,23 ;「………よくわからねぇこと言って煙に撒いてるが、@つまり、ホムンクルスなんて魔法的存在が実在するって、赤で言えないから誤魔化してるだけなんだろ？」\ `".........You're speaking in riddles by saying something I don't really understand,`@` but in short, you're trying to trick me because you can't say in red that something magical like a homunculus exists, right?"`\ bg G1F_S1bP,0 ld r,$RON_DefA1,23 ;「仮に私が、赤で“魔女は実在する”と言ったら、戦人さまはどういたしますか？」\ `"If I were to say in red that 'a witch exists', what would you do, Battler-sama?"`\ ld l,$BUT_NayamuA1,23 ;「……………む。@……それを信じるか信じないかで俺たちは大喧嘩してるんじゃねぇかよ。@/ `"............Mu.`@` ......That's what we're having this big fight over whether or not to believe, right? `@/ ld l,$BUT_futekiA1,80 ;それを言われちまったら身も蓋もないぜ。@ゲームオーバーだ。」\ `If I was told that point blank,`@` it'd be game over."`\ ld r,$RON_WaraiA2,80 ;「“魔女は存在する”と赤で申し上げたなら、戦人さまには反論の余地がありません。@しかし戦人さまは、その理由が示されない以上、それを受け容れないでしょう。@しかし赤で語られる以上、反論の余地もなく証拠も示されない。」\ `"If I said 'a witch exists' in red, you would have no room for argument.`@` However, since the reason would never have been made clear to you, Battler-sama, you probably wouldn't accept it.`@` However, after being told that in red, you would have no room for argument and would not have been shown any proof."`\ ld r,$RON_akuwaraiA1,80 ;「この場合、戦人さまは、@敗北を認められないにもかかわらず、反論の手がなく、手詰まりとなってしまいます。@チェックメイトされていないにもかかわらず、次なる指し手が存在しない。」\ `"In this situation, Battler-sama,`@` even though you wouldn't be able to admit defeat, you would have no way to make a counterargument, and it would become a deadlock.`@` Even though checkmate would not have been reached, there would be no existing moves left."`\ ld r,$RON_DefA1,80 ;「戦人さまが次の一手を打てない以上、お嬢様に手番が回ってくることはなく、@ゲームはそこで永遠に止まってしまう。@その結果、お嬢様があなたを屈服させることもできない。@……これが手詰まりの状態です。@それを回避する為、@このような形になるご質問には、赤でお答えすることができないのです。」\ `"Since you would not be able to play your next hand, it would never become Milady's turn, `@`and the game would stop there for all eternity.`@` As a result, Milady would be unable to force you to submit.`@` ......That would be a deadlock situation.`@` In order to avoid that, `@`I am unable to answer questions of this form in red."`\ ld l,$BUT_nayamuA2,80 ;「……早い話が、身も蓋もない質問は禁止だと、そう言いたいわけだな？@/ `"......So, to say it quickly, you mean that point blank questions are prohibited? `@/ ld l,$BUT_aseruA1,80 ;　まー、そりゃそうだよな。@赤で、“魔女は実在する”って言われちまったら、俺はハナからお手上げだぜ。」\ `Well, that's true, I guess.`@` If I were told 'a witch exists', I'd have to give up from the start."`\ ld r,$RON_WaraiA2,80 ;「ご理解いただけて助かります。@他の形の質問でしたら、ご協力できるかと思いますよ。」@ `"I am pleased that you understand.`@` I believe we might be able to work together if you ask a question of a different form."`@ ld l,$BUT_komaruA3,80 ;「……ヤツがはぐらかした復唱要求には応えられるか？@　この島の人数だ。」\ `"......Can you help me with that line Beatrice dodged when I told her to repeat it?`@` About the number of people on this island?"`\ ld r,$RON_akuwaraiA1,80 ;「お嬢様が保留されている復唱要求にも、もちろん応えられませんよ。@お嬢様の家具でございますので、出過ぎた真似は出来かねます。」@ `"If Milady held back on repeating it, then of course I cannot respond.`@` As Milady's furniture, I am unable to act too forward."`@ br ;　ロノウェはキザったらしい仕草で、忠臣ぶりをアピールする。@実に白々しいヤツだ。\ `Ronove made an exaggerated gesture, trying to act like a loyal retainer.`@` This guy's so shameless.`\ ld l,$BUT_niramuA3,80 ;「ちぇ。@一瞬でも、使えるヤツと思ったのによ。@/ `"Heh.`@` Just when I thought you might be useful. `@/ ld l,$BUT_MajimeA1,80 ;……諦めて他の質問を探すか。@…そうだ。@大事なことを確認するのを忘れてた。@………これはベアトの思い出話なんだろ？@　いつの話なんだ。@まさか現在ってことはないだろ？」\ `......I'll give up on that and search for a different question.`@` ...That's right.`@` I was forgetting to check something important.`@` .........This is a story about Beato's memories, right?`@` When did it happen?`@` It couldn't be happening right now, right?"`\ ld r,$RON_DefA1,80 ;「はい。@/ `"Correct. `@/ se1 59 ;#ff0000ここは１９６７年の世界#ffffff。@１９年前の世界でございます。」@ #ff0000`This is the world of 1967`#ffffff`.`@` It is the world of 19 years ago."`@ ld l,$BUT_NayamuA1,80 ;「…………ふーむ…。」\ `"............Hmmmmm..."`\ bg black,5 ;　もう一度、話を整理してみよう。@ ;　多分、こういうことじゃないだろうか。\ `Let's try rearranging this story again.`@ `I wonder if it couldn't be something like this...`\ bg garden_se1a,8 ;　祖父さまには、ベアトリーチェという片思いの愛人がいた。@ ;　そして、この隠し屋敷へ監禁し求愛を続けていた。@ ;　しかし彼女は頑として首を縦に振らなかった。\ `Grandfather had a person with whom he fell in unrequited love with, called Beatrice.`@ `Then, he confined her in this hidden mansion and continued to court her.`@ `But she was stubborn and didn't nod her head in agreement.`\ bg black,22 ;　やがて彼女はここから逃げられないことに悲観して…、@多分、自殺してしまう。\ `Eventually, she grew pessimistic about being able to escape from here...,`@` and probably, committed suicide.`\ me1 17 bg Different_spiral_1a,22 ;!s0　……それで、/ ;!d800……ホムンクルスに魂を……。/ !s0`......And then, `/ !d800`......her soul was put in a homunculus and......`/ !sd@ br ;　駄目だ駄目だ、こいつを受け容れちまったら、魔女を認めたも同然だぜ。\ `No, no, if I accept that, it's the same as accepting the witch.`\ bg black,22 fedexx 70,0,0,0,0,0,2000 ;　そこはこう解釈するんだ。@ ;　死んだ彼女には多分、……忘れ形見の娘がいたんだろう。@ `I can interpret that part like this.`@ `She probably had, ......a posthumous daughter.`@ br ;　魂を新しい肉体に込めた…、みたいな話は多分、@その子をベアトリーチェの生まれ変わりだと信じて育てた、という意味に違いない…。\ `Grandfather must have believed that her soul was put into a new physical body..., `@`and maybe that the child was the reincarnation of Beatrice...`\ ;　…だとしたらつまり、少なくとも１９年前からベアトは１９人目としてこの島に存在してて、@……えぇと……。\ `...In that case, Beato had existed on this island for at least the last 19 years as the 19th person,`@` ......umm......`\ wait 1000 fede 0,4000 wait 1000 me1 11 bg G1F_S1aP,0 ld r,$BUT_futekiA1,0 ld l,$RON_DefA1,26 ld r,$BUT_NayamuA1,80 ;「……混乱してきたぜ。@…いずれにせよ、憶測の域を出ない。@確実に赤で言えることは、@１９６７年の六軒島の隠し屋敷に、人間としてのベアトリーチェが存在した。@それだけだ。」\ `"......I'm starting to get confused.`@` ...In any event, I can't get out of this fortress of guesswork.`@` Something that you can certainly say in red,`@` is that in 1967, in a hidden mansion on Rokkenjima, Beatrice-sama existed as a human.`@` That's all."`\ ld l,$RON_DefA2,80 ;「その通りでございます。@/ `"That is correct. `@/ se1 59 ;#ff0000１９６７年の六軒島の隠し屋敷に、人間としてのベアトリーチェさまが存在した#ffffff。」@ #ff0000`In 1967, in a hidden mansion on Rokkenjima, Beatrice-sama existed as a human`#ffffff`."`@ ld r,$BUT_DefA2,80 ;「おう、サンキュ。@助かるぜ。」\ `"Oh, thank you.`@` That really helps."`\ ld l,$RON_defA1,80 ;「おめでとうございます。@これで戦人さまの１９人目の駒は、その存在がはっきりしました。@戦人さまが熱望された、１８人以外に罪をなすりつけられる１９人目の人間。\ `"Congratulations.`@` With this, you have made clear the existence of the piece known as the 19th person.`@` The 19th human outside of the 18 who you can blame, just as you longed for.`\ ld l,$RON_waraiA2,80 ;　……如何なる罪をも擦り付けることのできる生贄の羊。@それがお嬢様とは実に愉快。@ぷっくっくっく。」\ `......A sacrificial sheep that you can shift the blame of any crime onto.`@` And you must be so glad that it is Milady.`@` Pu ku ku ku."`\ ;　ロノウェが不謹慎そうに笑う。@ `Ronove laughed indiscreetly.`@ br ;　何となく言い回しが気に入らなくて、俺は一緒に笑う気がしなかった。\ `Somehow, I didn't like his phrasing, so I didn't feel like laughing along with him.`\ bg black,23 me2v 16,40 bg G1F_S1cP,23 ld r,$BUT_KomaruA2,24 ;「……そうだ。@楼座叔母さんは言った。@……ベアトリーチェは死んだ？@　私が殺した？@　どういう意味なんだ…？」\ `"......That's right.`@` Rosa oba-san said it.`@` ......Beatrice is dead?`@` 'I killed her'?`@` What did that mean...?"`\ bg G1F_S1aP,0 ld l,$RON_DefA1,23 ;「それは私の口から語るよりも、実際に顛末をご覧になった方が早いでしょう。@少々、時計を進めましょう。」\ `"As for that, it may be faster to see the actual circumstances rather than listen to me tell you.`@` Let us advance the clock a little more."`\ ;　ロノウェはポケットより、洒落た懐中時計を取り出し、その竜頭を弄ろうとする。@ `Ronove pulled a stylish pocket watch from his pocket, and made to touch the watch stem.`@ br ;　するとその時、ロノウェの背後に黄金の蝶が集まり、人の姿を形作るのが見えた。\ `As soon as he did, I saw gold butterflies gather behind Ronove's back and take the form of a person.`\ textoff E_A ;bg butterfly_2a,0 ;ld l,$RON_DefA2,22 ;wait 400 se1v 22,50 bg butterfly_1a,0 ld l,$RON_DefA1,22 wait 400 se2 22 bg butterfly_3a,0 ld l,$RON_DefA1,22 wait 600 ;　…ベアトか？！@　すぐに別の人物であるとわかった。\ `...Was it Beato?`@` I quickly realized that it was someone else.`\ bg G1F_S1aP,0 ld l,$RON_DefA1,28 se3 52 ld r,$RG1_defA1,99,2000,"breakup.dll/llB" bgm1 19 ;　あいつだ。@俺を甚振るのが三度のメシより大好きな、あの七杭の姉ちゃんたちの長女だった。@ `It was her.`@` That oldest sister of the seven stakes, who loved tormenting me more than three meals a day.`@ br ;　……エロい太ももが拝めてラッキーだとでも思わなきゃ、連中の拷問ごっこには付き合いきれねぇぜ…。\ `......If I don't think myself lucky to see that sexy ass, I won't be able to play along with their torture game...`\ ld r,$RG1_fumanA2,80 ;「ロノウェさま。@まだこちらにおられましたか。@ベアトリーチェさまが、至急お呼びです。」\ ;＜ルシファ `"Ronove-sama.`@` So, you were still here.`@` This is an urgent call from Beatrice-sama."`\ ld l,$RON_waraiA2,80 ;「はて。@至急のどのような御用やら。@……少々、戦人さまとのお喋りが過ぎたようですね。\ `"My, my,`@` what kind of urgent business could it be?`@` ......It does seem to be slightly more important than chatting with Battler-sama.`\ ld l,$RON_defA1,80 ;　それでは戦人さま、私めはこれで失礼させていただきます。@どうか引き続き、お嬢様とのゲームをお楽しみ下さい。」\ `Well then, Battler-sama, if you will excuse me.`@` Please continue to enjoy your game with Milady."`\ bg G1F_S1cP,0 ld r,$BUT_nayamuA2,24 ;「へいへい。@せいぜい楽しむぜ。@…あんたはベアトよりゃ話が弾むからな。@赤も気前よく使ってくれるしよ。@ぜひまたお喋りに来いよな。」\ `"Yeah, yeah.`@` I'll enjoy it as best as I can.`@` ...'Cause the conversations are more lively with you than with Beato.`@` And because you use the red more graciously.`@` Come and talk again any time."`\ ld l,$RON_waraiA2,23 ;「…………戦人さま。@私めも、こう見えてもお嬢様の家具。@…お嬢様が望まぬことは出来ませんよ。@私が語った赤は、本来ならお嬢様が自らの口で語るべきもの。@…ヘソを曲げてしまわれたお嬢様に代わって赤き真実を披露したに過ぎません。」\ `"............Battler-sama.`@` Despite how I look, I am Milady's furniture.`@` ...I cannot do something that Milady does not wish.`@` What I said in red was something that normally should have come from Milady's mouth.`@` ...I did nothing more than announce the red truth in Milady's place as she sulked."`\ ld r,$BUT_WaraiA2,80 ;「やっぱあれ、ヘソを曲げてたよなぁ？@　いっひっひっひ！」@ `"So she really was sulking then?`@` Ihihihi!"`@ ld l,$RON_waraiA1,80 ;「ぷっくっくく。」@ `"Pu ku kuku."`@ br ;　俺とロノウェが訳のわからない意気投合をしているのを見て、七杭の姉ちゃんは首を傾げる。\ `After looking at me and Ronove incomprehensibly hitting it off, that Seven Stakes nee-chan cocked her head slightly.`\ bg G1F_S1aP,0 ld l,$RG1_fumanA1,23 ;「ロノウェさま。@ベアトリーチェさまをお待たせしております。@お急ぎをっ。」\ `"Ronove-sama.`@` We are keeping Beatrice-sama waiting.`@` Let us hurry."`\ ld r,$RON_WaraiA2,24 ;「えぇ、直ちに参ります。@それでは戦人さま、後ほど。@……ようやく仲良くなれてきましたね。@やはり、よい友人になれる気がします。」@ `"Yes, I will go immediately.`@` Well, Battler-sama, in a while, then.`@` ......It appears that we have finally started getting along.`@` As I thought, I have the feeling that we can become good friends."`@ cl l,24 ld l,$BUT_FutekiA1,23 ;「ベアトの陰口仲間ってことならなー。」\ `"If by that you mean partners at gossiping behind Beato's back."`\ ld c,$RG1_fumanA2,23 ;「ロノウェさまっ！」/ `"Ronove-sama!"`/ quakex 3,500 @ ld r,$RON_AkuwaraiA1,80 ;「はいはい。@それでは失礼いたします。」\ `"Yes, yes.`@` If you will excuse me."`\ se1 52 cl r,99,2000,"breakup.dll/llB" ;　俺と仲良くしてるのがよほど気に入らなかったのか、それともよほど急ぐように言われたのか。@ ;　七杭の姉ちゃんが鋭く一括すると、ロノウェはへらへら笑いながら、逃げるように消えていった…。\ `Maybe it was because she really didn't like seeing him act friendly with me, or maybe it was because she had really been told to hurry.`@ `When the Seven Stakes nee-chan let out a thunderous cry, Ronove laughed foolishly and disappeared, as if running away...`\ bg black,2 fede 0,3000 bg G1F_S1bp,24 ld r,$RG1_DefA1,24 me1 11 ;「……ふん。@煉獄の七杭が長女のこの私が、この程度の用事で呼び付けられるなんて！@　…ベアトさまも、この程度なら他の暇そうな妹たちに言い付ければいいのに。もう…！」\ ;＜ルシファ `"......Humm.`@` How could I, the oldest sister of the Seven Stakes of Purgatory, be called on for this level of work!`@` ...Even though Beato-sama could have told one of the younger sisters, who look like they have so much free time, for something like this. Sheesh...!"`\ ld l,$BUT_futekiA1,23 ;「何をカリカリしてんだよ姉ちゃん。@腹減ってんなら、クッキーでも食えよ。@/ `"Why so grumpy, nee-chan.`@` If you're hungry, eat a cookie or something. `@/ ld l,$BUT_nayamuA2,80 ;最後の一枚をくれてやるぜ？@　いっひっひ！」\ `Why don't I give you the last one?`@` Ihihi!"`\ ld r,$RG1_HohoemiA1,80 ;「……ふーん？@　気が利くじゃない。@なら、ひとついただこうかしら？」@ `"......Hummmmm?`@` How thoughtful.`@` Then, shall I take one?"`@ br ;　最後の一枚のクッキーが残った菓子皿を、姉ちゃんの方にすいっと押し出してやる。\ `I lightly pushed the snack plate with the last remaining cookie on it over to her.`\ ld r,$RG1_AkuwaraiA2,80 ;「ありがと。」\ `"Thank you."`\ textoff E_A se1v 57,90 se2v 57,100 bg nails1,1 quakey 4,400 wait 2000 me1v 16,70 wait 2000 bgm1 40 wait 1000 ;　その言葉のピリオド代わりとでも言うかのように、鋭い音がテーブルを貫いた…。@ `As though coming as a period at the end of the sentence, a sharp sound pierced the table...`@ br ;　彼女の、三本の指から爪が鋭く伸び、菓子皿を押した俺の…、/ ;!d800各指の間に紙一重で突き刺さっていたのだ。@ `The nails on three of her fingers had extended and gotten sharp..., `/ !d800`and had stuck sharply between my fingers on the hand that was pushing the plate.`@ br ;　……あまりに一瞬の出来事で、…爪が伸びたのだということもしばらく理解できなかった。\ `......It had happened in an instant, ...so for a while, I didn't even realize that her fingernails had grown.`\ bg G1F_S1bP,22 ;　その鋭い爪の先端は、赤いマニキュアで彩られた刀身のよう。@ ;　……指と指の付け根の間が、チリリと痛む。@ `The tips of those sharp nails were like blades with a red manicure.`@ `......The spaces between the bases of my fingers hurt sharply.`@ br ;　……そのカミソリのような刃が、俺の手の甲と、指と指の間に紙一重で打ち込まれているのだ…。@ `......That razor-like blade was sticking sharply into the back of my hand between my fingers...`@ br ;　その三本の刃に、迂闊な俺の右手は震わせることもできず、今頃になって、冷たい汗を一筋零すしかない。\ `By now, those three blades didn't even cause that right hand which I had carelessly outstretched to shake, and only resulted in a single line of cold sweat dripping down.`\ ld r,$BUT_NiramuA3,4 ;「…………ひゅう。@…姉ちゃん、そろそろ爪を切った方がいいぜ。」\ `".........Whoa.`@` ...Nee-chan, isn't it about time you cut your nails?"`\ ld l,$RG1_hohoemiA1,23 ;「ルシファーよ。@……それが誇り高き私の名。@ベアトリーチェさまにお仕えする名誉ある家具、煉獄の七杭が長女。\ `"Lucifer.`@` ......That is my glorious name.`@` The honored furniture who serves Beatrice-sama, and the oldest sister of the Seven Stakes of Purgatory.`\ ld l,$RG1_fumanA1,80 ;　………他の面汚しな愚妹どもとは訳が違うの。@それに見合った敬意を示さないと、後悔することになるわよ。」\ `.........I'm not like those other disgraceful younger sisters.`@` If you don't show the proper respect, you will regret it."`\ ld r,$BUT_aseruA1,80 ;「…どう後悔するんだか。@俺には見当もつかねぇぜ。」\ `"...How would I regret it?`@` I don't have a clue."`\ ld l,$RG1_AkuwaraiA1,80 ;「………ふっふっふっふっふ。@馬鹿な子ね。@…そんなに遊んでほしいの？@　そんなに忘れられないの？@　私の杭を、思いっきり奥の奥までねじ込んで、たっぷり抉って楽しませてあげるわよ……？@　うっふふふふふふふふふふふふふふふ……！」\ `".........Heheheheheh.`@` Stupid kid.`@` ...Do you really want me to play that much?`@` You really can't forget that much?`@` I'll thrust my stake deep, deep into you and have you enjoy being gouged to the fullest, alright......?`@` Heheheheheheheheehehehhh......!"`\ ld r,$BUT_nayamuA2,80 ;「………クソッタレ。@いつか押し倒して同じセリフを言ってやるぜ。」@ `"......You bitch.`@` No matter when you knock me down, I'll keep saying the same line."`@ ld l,$RG1_akuwaraiA2,80 ;「あらそう？@　楽しみにしてるわね？@　うっふふふふふふ……。@…あっははははははははははははははははは…！！！」\ `"Oh, really?`@` I can't wait, you see?`@` Ehheheheheheheh...... `@`...Ahahahahahahahahahahahahahahahahaha...!!!"`\ textoff bg black,1 E_A mov %ryuu2,40 for %ryuu1 = 1 to 4 se1 20 wait %ryuu2 se2 20 wait %ryuu2 se3 20 wait %ryuu2 next wait 500 se2 36 wait 200 bg blood_1a,1 quakey 5,500 wait 500 bg black,2 wait 2000 se1v 37,100 wait 2000 ;■食堂（回想時、子ども楼座の立ち絵はありません） mov %play_scene,30060 ;シーン変数の入力 bg Mdin_1cN,6 me1v 12,0 fedexx 0,50,0,0,0,0,5000 ;　楼座はようやく落ち着きを取り戻す。@ `Rosa eventually regained her calm.`@ br ;　男たちは早く話すよう急かしたかったが、それを霧江が制した。\ `The men wanted to hurry her into talking faster, but Kyrie intervened.`\ ;　…本当に彼女が口にするような話なら、……それは思い出したくない忌まわしい過去だ。@ `...If something like she had just mentioned really had happened, ......it was an abominable past that she wouldn't want to remember.`@ br ;　彼女は自らの胸に手を当てて何度か深呼吸をすると、何とか話す覚悟を決めたようだった…。\ `After taking several deep breaths with her hand over her chest, it seemed that she had more or less resolved herself to talk...`\ bg black,4 fede 0,2000 bg Mdin_1dN,4 ld c,$ROS_KomaruA1,3 bgm1 1 ;「……あれはいくつの時だったのかしら…。@…多分、中学生か、……よく覚えてない。@とにかくそのくらいの頃だったと思うわ…。」@ ;＜楼座 `"......How old was I then, I wonder...`@`...Probably, middle school, ......I don't remember well.`@` Anyways, I think I was about that old..."`@ ld r,$RUD_majimeA1,24 ;「ってことは、…大体、２０年位前ってとこか。」\ ;＜留弗夫 `"Which means, ...maybe, about 20 years ago?"`\ ld c,$ROS_komaruA2,80 ;「あの頃の私は、あまり成績が良くなくて、いつもお母様に怒られてばかりだった。@……私なりに努力していたつもりだったんだけど、@お母様の期待には全然応えられなくて…。」\ ;＜楼座 `"Back then, my grades weren't very good, and Mother was always angry at me.`@` ......I had tried to do my best in my own way, `@`but I couldn't respond to Mother's expectations at all..."`\ ld l,$KLA_NayamuA1,23 ;「……母上は楼座にもずいぶん厳しかったな。@当時は同情していたよ。」\ ;＜蔵臼 `"......Mother was always very strict with Rosa.`@` I sympathized with her at the time."`\ bg Mdin_1bN,0 ld r,$EVA_AkireA2,23 ;「ふん。@陰口ばっかだったくせによく言うわねぇ。」@ ;＜絵羽 `"Hmm.`@` You say that even though you were always talking behind her back."`@ ld l,$HID_KomaruA1,23 ;「よさんか絵羽。@/ `"Would you give it a rest, Eva. `@/ ld l,$HID_majimeA1,80 ;それで？@　楼座さんはどこでベアトリーチェに会ったんや！」\ ;＜秀吉 `And then?`@` Where did you meet Beatrice, Rosa-san?!"`\ cl r,23 ld r,$KIR_MajimeA2,24 ;「秀吉さん、今は急かしては駄目よ。@/ `"Hideyoshi-san, you mustn't rush her now. `@/ ld r,$KIR_waraiA2,80 ;……いいのよ、楼座さん。@楽に話して。」\ ;＜霧江 `......It's alright, Rosa-san.`@` Tell us at your leisure."`\ cl l,24 ld l,$ROS_komaruA2,23 ;「………ありがとう。@/ `".........Thank you. `@/ ld l,$ROS_KomaruA1,80 ;…あれは、お母様に特にひどく叱られた日よ。」\ `...It was a day that I had been harshly scolded by Mother."`\ bg black,46 ;　家庭教師が、内緒よと約束したはずなのに、@…私が漏らした泣き言を、全てお母様に話してしまったらしい。\ `Even though my tutor had promised to keep it a secret, `@`...apparently, they told Mother all about how I had complained.`\ bg M_o1b,22 ;　お母様は、右代宮家に名を連ねる者が情けないと、私をひどく叱ったわ。@ ;　……私も、もちろん自分なりには努力していた。@ `Mother scolded me horribly, saying that my name was a disgrace to the Ushiromiya family.`@ `......Of course, I was doing the best I could.`@ br ;　でも、蔵臼兄さんのような貫禄は全然なかったし、@絵羽姉さんのような立派な成績はとても取れなかったし、@留弗夫兄さんのようなリーダーシップがあったわけでもない。\ `But I had none of Krauss-san's dignity,`@` I couldn't get excellent grades like Eva nee-san,`@` and I had no leadership like Rudolf nii-san.`\ ;　…いつも目立たず、特に秀でることもなく、@何の為に右代宮家に生まれてきたのか、私自身が聞いてみたいくらいだった。@ `...I never stood out, didn't particularly excel at anything,`@` and it was almost like I was asking myself why I had been born into the Ushiromiya family.`@ br ;　何の為に生まれてきたのかわからなくなって。@ ;　…初めて頭の中が真っ白になるのを経験した、あの日のこと……。\ `I didn't know why I had been born.`@ `...On that day, I had the experience of my mind going blank for the first time......`\ bg black,22 ;　私は生まれて初めて、@…物事には、立ち向かうことと屈することの他に、@逃げ出すという選択肢があることを知ったの。\ `For the first time since I was born, `@`...I realized that in addition to facing or surrendering to my problems,`@` I had the third choice of running away.`\ ;　逃げ出すと言っても、六軒島を出てどこかへ行けるはずもない。@ ;　でも、とにかくお屋敷と今の自分から逃げ出したかった。@ `Even though I say run away, there was no way I could have left Rokkenjima and gone somewhere else.`@ `But, anyways, I wanted to run away from the mansion and the way I was at the time.`@ br ;　……ある意味それは、家出でもあり、消極的な自殺でもあった…。\ `......In a way, it was like running away from home, or maybe a half-hearted suicide...`\ me1v 12,50 bg Mdin_1gN,2 ;「……いなくなりたかったの。@…あるいは、いなくなることによって親を心配させたいという、子どもなりの反抗だったのかも…。@………私は、森のはるか奥に行けば、右代宮の家から逃れられる、@あるいは迷子になって心配させることで仕返しができると、子どもながらに思ったの。」\ `"......I wanted to disappear.`@` Or maybe it was that child-like form of resistance where I tried to make my parents worry by disappearing...`@`.........I thought childishly that if I went into the center of the forest, escaped from the Ushiromiya house,`@` and maybe became lost, then I would make them worry and be able to get back at them."`\ ;「それで、……行ってはいけないと言われていた森に？」\ ;＜霧江 `"So then, ......you went into the forest that you were told not to go in?"`\ ;「……えぇ。@浜辺へ出てから、海に沿うように。@……特に理由があったわけじゃないけれど、@……島をぐるりを回れば、その反対側には誰も知らない場所があって、@私だけの隠れ家になるような気がしたの。」\ `"......Yes.`@` After reaching the beach, I followed alongside the ocean.`@` ......I didn't have any particular reason,`@` ......but I felt that, if I went around to the opposite side of the island, there might be a place there that no one knew about, `@`which might become a hidden house just for me."`\ bg Mdin_1eN,0 ld r,$RUD_MajimeA2,26 ;「浜辺からぐるっと、ってのは無理だな。@途中で崖になっちまうだろ？@　あんなとこ、通れるわけがねぇぜ。」\ ;＜留弗夫 `"If you go around by the beach, that'd be impossible.`@` It becomes a cliff partway, right?`@` There's no way you could pass that way."`\ ld l,$ROS_komaruA2,23 ;「…もちろんよ。@だから、通れる方へ通れる方へ、とにかく奥へ奥へ進んだわ。@……道なんかないひどい森だったけど、あの時の私にはそれが心地よかったの。@…それほどの険しい森を抜けたなら、その分、右代宮家から逃れられるって、@…そんな気持ちだったの。」\ `"...Of course.`@` So, I kept going wherever I could, and kept going deeper and deeper in.`@` ......It's a horrible forest without any paths, but that was comforting to me then.`@` ...If I could make it through such a dangerous forest, then being that much further away from the Ushiromiya family,`@` ...made me feel good."`\ bg Mdin_1aN,0 ld r,$EVA_akireA2,23 ;「………情けないわねぇ。@成績で叱られたなら、その分、努力すればいいのに。」@ ;＜絵羽 `".........How shameful.`@` If you were scolded because of your grades, all you had to do was work harder."`@ ld l,$KLA_KomaruA1,23 ;「それを言ってはいかんね。@/ `"You mustn't say that. `@/ ld l,$KLA_AkuwaraiA1,80 ;その代わり、楼座にはデザイナーとしての才能があったじゃないか。」@ ;＜蔵臼 `Doesn't Rosa have her talent as a designer instead?"`@ br ;　言葉通りならこれはフォローになるが、@楼座の会社がまったく儲かっていないことは誰もが知っている。\ `Literally this could be taken as him covering for Rosa,`@` but everyone knew that Rosa's company had not been profitable.`\ ld c,$RUD_majimeA1,24 ;「よせよ。@今は嫌味を言ってる場合じゃねぇぜ。@/ `"Quit it.`@` Now isn't a time for sarcasm. `@/ ld c,$RUD_majimeA2,80 ;……そして、偶然辿り着いちまったんだな…？@　…ベアトリーチェの、/ ;!d800…隠し屋敷に。」@ ;＜留弗夫 `......So then you dragged yourself there by coincidence...?`@` Beatrice's, `/ !d800`...hidden mansion."`@ br ;　楼座は弱々しく頷いた……。\ `Rosa nodded weakly......`\ bg Mdin_1bN,0 ld r,$HID_majimeA2,80 ;「どのくらい歩いたんや。@地図で場所が示せるんか…？@　夏妃さん、この島の地図はあるかいな。」@ ;＜秀吉 `"About how far did you walk.`@` Could you show it to us on a map...?`@` Natsuhi-san, is there a map of this island?"`@ ld c,$NAT_zutuuA1,23 ;「いえ、今ここにはありませんが…。」\ ;＜夏妃 `"No, there is not one here now..."`\ cl c,23 ld l,$ROS_NayamuA1,23 ;「無理よ。@適当に歩いただけだもの。@地図を見せられたってわからないわ。@/ `"That would be impossible.`@` I was just walking randomly.`@` Even if you showed me a map, I wouldn't know. `@/ ld l,$ROS_KomaruA3,80 ;……それに、あれから２０年も経ってる。@多分、森へ行っても二度と辿り着けないわ…。」@ ;＜楼座 `......And 20 years have passed since then.`@` I probably couldn't reach it again if I went into the forest..."`@ ld r,$HID_MajimeA1,80 ;「………ふーむ…。」@ ;＜秀吉 `".........Hmmmmmm..."`@ br ;　何人かが落胆のため息をつく。\ `Several people let out dejected sighs.`\ bg black,25 fede 10,2000 bg Mdin_1eN,22 ;　その隠し屋敷に、魔女の碑文に纏わるヒント、@もしくは隠された黄金そのものが眠っているのではないかと、短絡的に考えていたのがありありとわかった。\ `It was vividly clear that in their haste, they had thought some hint related to the witch's epitaph,`@` or maybe even the gold itself might be resting there.`\ ld r,$RUD_MajimeA1,24 ;「六軒島は、この屋敷の周りが整地されているだけに過ぎねぇ。@…他は完全に未開で、全島測量は、相当の手間が掛かるだろうな。」\ ;＜留弗夫 `"On Rokkenjima, only the land around the mansion has been prepared to be developed.`@` ...The rest is completely uncultivated, and it would probably take a considerable effort to survey the entire island."`\ ld l,$KIR_majimeA2,23 ;「でも、確かに存在するとわかっただけでも収穫よ。@/ `"But just knowing that it actually exists is helpful. `@/ ld l,$KIR_nayamuA1,80 ;お金は掛かるだろうけど、例えば航空写真の会社に調査を頼むとか、@このお屋敷を建設した業者に当時のことを聞くとか、@調べる方法はあるかもしれないわね。」\ ;＜霧江 `It would take some money, but if we enlisted an aerial photography company to investigate,`@` or asked the businessman who constructed this mansion about what happened at the time,`@` we could probably find some way to search for it."`\ cl r,23 ld r,$EVA_majimeA1,24 ;「そうね。@…あるかないかもわからないものを探すよりは、まだ方法があるはずよ。」@ ;＜絵羽 `"That's right.`@` ...There should still be some ways to do it now that it isn't a question about whether it exists or not."`@ cl l,24 ld l,$KLA_DefA1,23 ;「……うむ。@さっそく調べる価値があるだろう。」\ ;＜蔵臼 `"......Hmm.`@` It may be worth investigating right away."`\ ld r,$EVA_futekiA1,80 ;「その調査は兄弟合同でやるわよ。@兄さんひとりではさせないわ。」@ ;＜絵羽 `"The siblings will do that investigation together.`@` We won't let you be alone, Nii-san."`@ br ;　その隠し屋敷に黄金が隠されていると決まったわけではないが、@蔵臼と絵羽はさっそく火花を散らしあっているようだった。\ `It wasn't certain that the gold was hidden in that secret mansion,`@` but it seemed that the fireworks between Krauss and Eva had already begun.`\ ld c,$RUD_MajimeA2,24 ;「兄貴たち、今はよせよ。@…楼座、続きを話してくれ。」\ ;＜留弗夫 `"Give it a rest for now you two.`@` Rosa, please continue."`\ bg Mdin_1cN,0 ld c,$ROS_KomaruA2,24 ;「………………うん。」\ `"............Yes."`\ bg black,5 fede 0,3000 wait 2000 bgm1v 63,1 wait 2000 fedexx 70,0,0,0,0,0,7000 bg forest_P2a,8 ;　闇雲に、でたらめに、どこまでも歩き続けたわ。@ `Blindly, randomly, I kept running, on and on.`@ br ;　突然、獣道のようなものに出た気がしたの。\ `Suddenly, it felt like I had come across something like an animal trail.`\ ;　どれだけ歩いたかわからず、とても疲れていたから、@その頃には自然と歩きやすい方へ向かうようになっていたわ。\ `I was very tired, and had no idea how far I had walked,`@` so at that time, I naturally took the easiest path to walk on.`\ bg black,2 wait 2000 bg fence_1a,6 ;　すると、………突然、目の前に、とてもとても高い柵が現れたの。@ ;　それはゴシック調の素敵な装飾のされた柵。@ `As I did, .........suddenly, right before my eyes, a very, very tall fence appeared.`@ `It was a fence wonderfully adorned in a gothic style.`@ br ;　私は一瞬、ぐるりと回って、元のお屋敷に戻ってきてしまったのではないかと思ったわ。\ `For an instant, I spun around, thinking that I might have returned to the original mansion.`\ ;　確かに、私たちが森へ入らないように、お屋敷でも柵はあった。@ ;　でも、それとは装飾が違う柵だったし、……何より、とても高かったの。@ ;　多分、２階までたっぷり覆うくらい。@ `Of course, there were fences around the mansion to stop us from entering the forest.`@ `But this fence was decorated differently, ......and moreover, it was very tall.`@ `It probably reached a full two stories up.`@ br ;　それが蔦に塗れていて、とても不思議な、荘厳な雰囲気を醸していたっけ…。\ `It was covered with ivy, and created a mysterious, solemn atmosphere...`\ bg black,6 ;　私ね、……当時は森の魔女、ベアトリーチェの伝説を信じてたの。@ `At the time, ......I believed the legend of the witch of the forest, Beatrice.`@ br ;　恐ろしい存在だと聞かされてはいたけれど、@使用人の人は、敬いを持っていれば助けてくれることもあるって教えてくれて。@ `I had been told that she was frightening,`@` but some of the servants told me that she would sometimes help you if you respected her.`@ br ;　……日々に自信を失いかけていた私には、@彼女に助けてもらうことだけが、唯一の救いだと信じてたの。\ `......Since I had lost my confidence in those days,`@` I believed that the only way I could be saved was by receiving her help.`\ bg fence_1a,6 ;　だから思ったわ。@ ;　……これが、森の魔女、ベアトリーチェの館の柵だと信じた。@ `So I thought.`@ `......I believed that this was the fence of the mansion of Beatrice, the witch of the forest.`@ br ;　ベアトリーチェに会えば、きっと私を救ってくれると思ったの。@ ;　だから、中に入ってみようと思ったわ。\ `I thought that if I could meet with Beatrice, she would definitely save me.`@ `So I thought I would try to go in.`\ ;　でも、その柵はとてもとても高くて、越えられそうにはなかった。@ ;　だから、柵にそってぐるりと回ることにしたわ。@ ;　そうすればきっと門に辿り着けると思って。\ `But that fence was very, very tall, and it didn't look like I could go over it.`@ `So I decided to walk around it.`@ `I thought that if I did, I would eventually reach a gate.`\ ;　でも、そう簡単には行かなかった。@ ;　その柵は高さに負けないくらい、とてもとても長くて、いつまで経っても角を迎えなかった。@ `But it wasn't that easy.`@ `The fence had a length to match its height, and no matter how far I went, I didn't reach a corner.`@ br ;　相当広大な範囲を囲んでいたのかもしれないし、@…あるいは子どもの足だし、森は歩きにくかったからそういう印象を持ったのかもしれないわ。\ `It probably gave me the impression that it encircled a very massive area,`@` ...or maybe it was because my child's legs made it difficult to walk in the forest.`\ ;　とにかく、なかなか門を見つけられなかったので、@私は魔女に拒まれたような気持ちになり、悲しくなっていた…。\ `Anyways, because I couldn't find a gate for a while, `@`I started to feel sad, as though the witch had rejected me...`\ bg black,4 ;　するとやがて、大木が歪な根を大きく張り出し、柵を歪ませているのを見つけたの。@ `As I did, I eventually came upon a large tree, whose twisted root had bent the fence.`@ br ;　お洋服を汚してしまうかもしれないけど、這えば潜り抜けられそうだった…。\ `It might have gotten my western-style clothes dirty, but if I crawled, it looked like I would be able to sneak in...`\ me1v 12,50 bg Mdin_1aN,0 ld r,$EVA_MajimeA1,6 ;「………そこが、隠し屋敷だったの？」@ ;＜絵羽 `".........And that was the hidden mansion?"`@ ld l,$ROS_KomaruA1,23 ;「あれが私たちの言う隠し屋敷なのかはわからない…。@でも少なくとも、私たちの知る場所ではなかったわ。」\ ;＜楼座 `"I don't know whether it was the hidden mansion we have been talking about...`@` Still, at the very least, it wasn't a place that we know of."`\ bg black,5 fede 10,2000 bg forest_P2b,22 ;　柵を越えたらすぐに庭というわけではなかった。@ ;　その後もずいぶんと未開の森を進まなければならなかった。\ `It wasn't as though I came out into a garden as soon as I passed the fence.`@ `I had to continue through a lot more uncultivated forest after that.`\ bg black,5 ;wait 2000 fedexx 90,0,0,0,0,0,4000 wait 1000 bg white,42 bg Se_o1a,2 ;　すると、……急に森が開けたわ。@ ;　そこに現れたのは信じられないくらいに…、/ ;!d800………幻想的な光景だった。\ `As I did, ......the forest suddenly opened up.`@ `And what appeared there..., `/ !d800`.........was an unbelievably fantastical scene.`\ ;　私たちしか住んでいないと信じていた六軒島に、/ ;!d1000…こんな素敵なお屋敷が隠されていたなんて…。\ `On Rokkenjima, where I had believed no one other than us lived, `/ !d1000`...that there could be such a wonderful mansion hidden somewhere...`\ bg white,22 bg garden_Se3a,2 ;　お屋敷の前には、美しいお花畑が広がっていた。@ ;　私たちのよく知る薔薇庭園とは、まったく装いの違うお花畑で、それはとても可愛らしかったわ。\ `A beautiful flower garden spanned the front of the mansion.`@ `It was a flower garden of a completely different design from the rose garden we know so well, and was very lovely.`\ ;　もちろん、お屋敷も素敵だった。@ `Of course, the mansion was also wonderful.`@ br ;　…私たちのお屋敷に比べると一回りも二回りも小さいけれど、@とても上品で、なのに可愛らしいお屋敷だった。\ `...It was one or two sizes smaller than our mansion,`@` but it was a very elegant, and yet lovely mansion.`\ bg white,22 bg garden_Se2a,22 me1v 16,80 ;　そして、……………私は、彼女の姿を見た。@ ;　お花畑を一望できるガーデンチェアに、優雅なドレス姿で腰掛ける彼女の姿を見たわ。@ `Then, ............I saw her figure.`@ `I saw her sitting in a garden chair positioned to give a view of the flower garden, wearing an elegant dress.`@ br ;　それは、後に私たちが肖像画で知ることになる、あの黒い金刺繍のドレスよ。\ `It was that black dress embroidered in gold that we would later know from that portrait.`\ bg garden_Se2b,22 ;ld r,$BEA_DefA1,22 ;　……あんな上品なドレス姿なんて、おとぎ話かミュージカルの舞台でしか知らなかった。@ ;　…それを普段着として着る人がいるなんて、それだけでもとても幻想的だったわ。\ `......I hadn't seen an elegant dress like that except in fairy tales and on the stage of a musical.`@ `...That a person would be wearing it as their normal clothes, ...that in itself seemed quite fantastical.`\ ;　その不思議な景色は、私の現実感を失わせるほどのものだった。@ ;　それが夢だったと一言、言われたなら、@私は素直に頷いて、朝のベッドで目を覚ますのを待ったかもしれないくらいに…。\ `That mysterious scene was enough to make me lose my sense of reality.`@ `If someone had told me then that it was a dream,`@` I might have nodded obediently, and waited to wake up in my bed...`\ ;bg garden_Se3a,23 bg black,22 ;　呆然として、姿を隠すことも忘れてしまった私を、やがて彼女は見つけるの。@ `Since, in my shock, I had forgotten to hide myself, she eventually noticed me.`@ br ;　その表情は初め、とても気だるそうなものだったけれど、@私の姿を認めると、それは大きく見開かれた。\ `At first, her expression was quite listless,`@` but when she noticed me, her eyes opened very wide.`\ ;　…無理もないわね、突然の見知らぬ来客なのだから。@ `...It was only natural, a guest that she didn't know had suddenly appeared.`@ br ;　私は挨拶し、そして勝手に入ってきたことを謝るべきだと思い、思わず頭を下げたわ…。\ `I lowered my head automatically, planning to greet her and apologize for entering without permission...`\ fede 0,3000 wait 1000 bgm1 8 bg garden_Se2b,22 ld c,$BEA_nayamuA1,24 ;「…………そなたは誰か。@新しい庭師なのか。」\ `".........Who are you?`@` The new gardener?"`\ ;　それが彼女が私に掛けた最初の言葉。@ ;　…ちょっぴり安心したわ。@ ;　言葉が通じることがわかったから。@ `Those were the first words she said to me.`@ `...I grew slightly calmer.`@ `Because I realized that we could talk to each other.`@ br ;　おとぎ話の恐ろしい魔女のように、目が合っただけでカエルにされてしまわなかったから。\ `Because I hadn't been turned into a frog just by meeting her eyes, like the terrifying witch in that fairy tale.`\ ;「……ご、/ ;!d500……ごめんなさい。@…勝手にお庭に立ち入ってすみません…。」\ `"......I, `/ !d500`......I'm sorry.`@` ...I shouldn't have entered the garden without permission..."`\ ld c,$BEA_FukigenA3,80 ;「……………………。@……そなたは誰か。@名乗るが良い。」@ `"..................`@`......Who are you?`@` Name yourself."`@ ;「う、…右代宮楼座と言います。」\ `"I, ...I am Ushiromiya Rosa."`\ ld c,$BEA_NayamuA1,80 ;「……右代宮。@/ `"......Ushiromiya. `@/ ld c,$BEA_WaraiA1,80 ;…………………ほぅ。@…金蔵の一族の人間なのか。」@ ;「え？@　あ、…はい！@　金蔵の娘です。@こ、こんにちは…！」\ `...............Hoh.`@` ...One of Kinzo's family?"`@ `"Huh?`@` Ah, yes!`@` I'm Kinzo's daughter.`@` G, good afternoon...!"`\ ;　ちょっぴりだけ驚いたわ。@ ;　…だって、お父様は誰にも恐れられる偉大な方。@ `I was only a little surprised.`@ `...After all, Father was a great man feared by everyone.`@ br ;　そのお父様を、呼びつけにしたのだから。@ ;　だから急に恐ろしくなってしまったの。@ `And she had addressed to him without using honorifics.`@ `So she quickly became frightening.`@ br ;　…だって、@あの恐ろしいお父様を呼びつけにできるほど、彼女はすごい力を持った魔女に違いないのだから。\ `...After all, `@`if she could refer to my fearsome father that way, she must have been a witch with incredible power.`\ bg garden_Se2b,24 ;　彼女は私をじろじろと物珍しそうに見ると、こちらへ来るようにと手招きした。@ `After staring at me curiously, she beckoned me to come over with her.`@ br ;　私は今更のように怯えながら、それに従ったわ。@ ;　……だって、やっぱりカエルにされるんじゃないかと思ったから。@ ;　…そして近付けば近付くほどに、その怯えは強まった。\ `Frightened as I was, I obeyed.`@ `......After all, I thought I might be turned into a frog anyways.`@ `...And the closer I got, the stronger that fear became.`\ ;　だって、…さっきから何度も口にしているけれど、@…………彼女とドレスとお花畑とお屋敷と、@……全ての調和があまりに現実離れしてるくらいに幻想的で美しかったから。@ `After all, ...I said it several times already, but,`@` .........that woman and her dress and the flower garden and the mansion, `@`......that entire harmony was so fantastical and beautiful that it seemed separate from reality.`@ br ;　彼女が本当に魔女であっても、私は何も驚かないに違いなかった…。\ `It surely wouldn't have surprised me even if she was actually a witch...`\ bg black,24 bg garden_Se2c,24 ;　そして本当に幸運だった。@ ;　彼女は私をカエルにはしなかった。@ `And I was truly lucky.`@ `She hadn't turned me into a frog.`@ br ;　ぎこちなく立ち尽くしている私に、空いている椅子を示し、着席を勧めてくれたの。\ `As I awkwardly stood there stock still, she motioned to an open chair, and urged me to sit down.`\ ld r,$BEA_waraiA2,24 ;「座るが良い。@初めて訪れた者を庭へ招き、語らうのが妾の唯一の楽しみよ。@………他に、何の楽しみもないがな。」@ `"Sit.`@` Welcoming and speaking to those who visit this garden for the first time is my only pleasure.`@` .........I have no pleasure other than that."`@ br ;　そう言って、彼女は一瞬だけ悲しそうな笑顔を見せる。@ `As she said that, she showed an unhappy smile for just an instant.`@ br ;　私は緊張と興奮の入り混じったおかしな気持ちだったので、不躾にも唐突な質問をしてしまった。\ `Because I was full of a strange mix of tension and excitement, I rudely asked her a question suddenly.`\ ;!sd「…あの、/ ;!d800…………森の魔女、/ ;!d500…ベアトリーチェですか……？」/ !sd`"...Umm, `/ !d800`.........Are you the witch of the forest, `/ !d500`...Beatrice......?"`/ !sd@ ld r,$BEA_defA1,80 ;「如何にも。@妾がベアトリーチェである。」\ `"Indeed.`@` I am Beatrice."`\ bg black,25 wait 1000 me1v 12,0 fedexx 0,50,0,0,0,0,3000 bg Mdin_1cN,0 ld r,$RUD_majimeA2,26 ;■食堂 ;「やはりな。@ベアトリーチェは実在したんだ…。」@ ;＜留弗夫 `"As I thought.`@` Beatrice actually existed..."`@ ld l,$KLA_MajimeA2,23 ;「…その姿は、まさに肖像画の？」@ ;＜蔵臼 `"...Did she really look like the portrait?"`@ ld c,$ROS_komaruA1,24 ;「……えぇ。@まさにあの肖像画の通りよ。」\ `"......Yes.`@` Really, just like the portrait."`\ bg Mdin_1eN,0 ld r,$HID_komaruA1,24 ;「お父さんの想像の中の魔女じゃ、/ ;!d800……なかったんやな…。」@ ;＜秀吉 `"So...`/ !d800`...she wasn't just a witch from Father's imagination..."`@ ld l,$EVA_MajimeA1,23 ;「それで、あなたは彼女と何を話したの？」\ ;＜絵羽 `"And then, what did you talk with her about?"`\ bg black,22 bg portrait2,2 ;「…彼女はお茶を淹れながら、私のことを色々と聞いたわ。@……まず、森を抜けてやってきたことを驚かれた。@彼女は、柵の外には危険な狼がたくさんいると信じていたみたいだった。\ `"...As she prepared some tea, she asked me various things about myself.`@` ......First, she was surprised that I had come through the forest.`@` It seems she believed that many dangerous wolves lived outside the fence.`\ ;　…だから私が森を抜けて辿り着いたと言ったら、とても驚いていたわ。@どうやって、狼から逃れたのか、ビスケットを渡して許してもらったのか、@それとも魔法の外套を被って…、@なんて感じのことを言ってたっけ。」\ ;＜楼座 `...So when I told her I had reached this place by going through the forest, she was very surprised.`@` She asked how I had managed to escape from the wolves.`@` Did I give them a biscuit and they let me go?`@` Or did I cover myself in a magic cloak, that kind of thing."`\ bg Mdin_1aN,26 ld l,$HID_WaraiA2,23 ;「わっはっはっは。@…そりゃあ、確かに魔女っぽいわなぁ。@面白いお人や。」@ `"Wahahaha.`@` ...That sure sounds like a witch.`@` What an interesting person."`@ ld r,$EVA_IkariA1,24 ;「あなた、黙って。@…………ずいぶん昔だけど、@お父様は、森には狼が住んでいるから近寄ってはならないって、私たちを脅さなかった？」\ ;＜絵羽 `"Quiet, dear.`@` .........It was a long time ago, `@`but didn't Father threaten us, saying that wolves lived in the forest, so we shouldn't get close to there?"`\ cl l,24 ld l,$KLA_AkuwaraiA2,23 ;「あぁ、そんなこともあったな。@馬鹿らしいね。@日本の狼はとっくの昔に絶滅しているというのに。@まさに子供騙しだな。」\ ;＜蔵臼 `"Yeah, something like that did happen.`@` Ridiculous.`@` Even though Japanese wolves went extinct long ago.`@` What a childish trick."`\ cl r,23 ld r,$RUD_nayamuA1,24 ;「記憶にねぇなぁ？@　そんな話、親父に聞かされたっけ…？@　森には魔女だろ？@　狼なんて話、聞いたことないぜ？」\ ;＜留弗夫 `"I don't remember though.`@` Were we really told something like that by Father...?`@` It was the witch of the forest, right?`@` I don't think I've ever heard about wolves."`\ bg Mdin_1bN,0 ld c,$EVA_majimeA1,24 ;「あんたがまだ小学校だった頃よ。@覚えてない？@/ `"You were still in elementary school.`@` Don't you remember? `@/ ld c,$EVA_akireA2,80 ;　そしたらあんた、むしろ狼を撫でてみたいなんて言い出すもんだから。@お父様はすぐに狼の話を引っ込めて、魔女の話に切り替えたのよ。@もうそのウソっぽいことと言ったら、あっははははは。」\ ;＜絵羽 `Back then, you actually said that you'd want to try petting the wolves.`@` Father immediately gave up the wolf story and changed it to the story about the witch.`@` He was already saying such obvious lies, ahahahahaha."`\ ld r,$KLA_AkuwaraiA3,24 ;「はっはっはっは。@当時の留弗夫には、狼よりも魔女の話の方が覿面だったね。@よく覚えているよ。@私の背中にしがみ付いた夜があったことを覚えているかね？」\ ;＜蔵臼 `"Hah-hah-hah-ha.`@` At the time, the witch story had a much more immediate effect on you, Rudolf, than the wolves.`@` I remember it well.`@` Don't you remember those nights when you clung to my back?"`\ bg Mdin_1bN,23 ld l,$KIR_WaraiA1,23 ;「…くす。@留弗夫さんにも、そんな可愛らしい時代があったのね。」@ ;＜霧江 `"...*giggle*.`@` I see, even Rudolf-san used to have that cute period."`@ ld r,$RUD_OdorokiA1,24 ;「うるせーなぁ。@子どもの頃の話だぜぃ。」\ ;＜留弗夫 `"Shut u-p.`@` I was just a kid."`\ cl a,0 ld c,$KIR_WaraiA2,23 ;「……ま、とにかく。@ベアトリーチェを閉じ込めていたのがお父さんなら、同じ狼の話をするのは道理ね。@彼にとって六軒島の広大な森は、右代宮家と愛人の屋敷という、@相容れない二つの異世界を分断する、越えてはならない壁だったのだから。」\ ;＜霧江 `"......Well, anyways.`@` If Father was the one who shut Beatrice up in there, it makes sense that he would use the same wolf story.`@` To him, the vast forest of Rokkenjima was a wall that shouldn't be crossed, dividing his two incompatible worlds: `@`the Ushiromiya family and his mistress's mansion."`\ bg Mdin_1dN,0 ld r,$KLA_DefA1,24 ;「柵の高さを考えると、どうやら親父殿は、庭ごと丸々を座敷牢にしたようだな。@……さながら、二つの世界を分ける国境も同然だったのだろう。」\ ;＜蔵臼 `"If you think about the height of that fence, it does seem that Father had turned the whole area, garden and all, into a giant jail cell.`@` ......Just like a national border dividing his two separate worlds."`\ ld l,$NAT_defA1,23 ;「…狼はともかく、野犬の類でもいたのではありませんか？@　その為の柵だったかも知れません。」\ ;＜夏妃 `"...Forget the wolves, were there any kinds of stray dogs there at the time?`@` It could have been a fence to protect against those."`\ cl r,23 ld r,$EVA_IkariA1,24 ;「六軒島に狼も野犬もいないわ。@その柵は兄さんや霧江さんの言うように、@ベアトリーチェと私たちの間の国境だったんでしょうね。」\ ;＜絵羽 `"There are no wolves or stray dogs on Rokkenjima.`@` That fence was probably, `@`a border between us and Beatrice."`\ cl l,24 ld l,$HID_fumuA1,23 ;「しかし、狼の話を素直に信じるなんて、何ちゅうか、純朴やなぁ。@わしの想像していた魔女とはずいぶん違う感じやで。」\ ;＜秀吉 `"However, if she innocently believed the story about the wolves, that's pretty...naive.`@` That's nothin' like the way I'd imagine a witch."`\ bg Mdin_1eN,0 ld r,$ROS_komaruA1,24 ;「……そうね。@それは私も感じたわ。@…とても尊大で、確かに魔女のイメージ通りの人だったんだけど。@…どこかとても子どもっぽくて、@……何て言うのか、素直過ぎるというか、@……世間知らずな印象を受けたわ。\ `"......That's right.`@` I also sensed that.`@` ...She was very pompous, just like my image of a witch,`@` ...but she was somehow very childish,`@` how should I say it, too honest?`@` ......She gave me the impression that she didn't know anything about the world.`\ ld r,$ROS_komaruA2,80 ;　例えるなら、…本当におとぎの国の人みたいというか。@……本当に不思議な人だったわ。」\ ;＜楼座 `For example, ...it was almost as though she had come from a fairy-tale land.`@` ......She was a truly odd person."`\ ld l,$RUD_DefA1,23 ;「……それからどうしたんだ。@…親父の話とかは出たのか？」\ ;＜留弗夫 `"......What happened after that?`@` ...Did you end up talking about Father at all?"`\ ld r,$ROS_DefA1,80 ;「えぇ。@何日かに一度、約束されている日もあれば、突然の日もあったそうだけど、@ふらりとお父様が訪れては、一緒にお茶を飲んだり、散歩したりしたんですって。@私が訪れたその日は、たまたま彼女ひとりだったと言っていたわ。」\ `"Yes.`@` Once every few days, usually on an arranged day but sometimes suddenly, `@`Father would appear casually, and they would drink together, or take a walk together or something.`@` She said that, by coincidence, she was by herself on the day I visited."`\ bg Mdin_1cN,23 ld c,$KLA_AkuwaraiA2,24 ;「なるほどな。@まさに愛人、といったところだ。@…やれやれ。@いくつ年下か知らんが、親父殿もやるね。」@ ;＜蔵臼 `"I see.`@` Truly a mistress, or so you could say.`@` ...My, my.`@` I don't know how much younger she was, but good for Father."`@ ld l,$NAT_zutuuA1,23 ;「……如何わしい意味での交流はなかったと確信しています。」\ ;＜夏妃 `"......We can be sure that it was not an indecent relationship."`\ ld r,$EVA_FutekiA1,24 ;「馬鹿ね、男と女の逢瀬に色気がないはずないじゃなぁい。@/ `"Idiot, there's no way a lover's meeting between a man and a woman wouldn't have some sensuality. `@/ ld r,$EVA_akireA2,80 ;それでどうしたの。@それから何の話を？」\ ;＜絵羽 `What happened next?`@` What did you talk about after that?"`\ bg Mdin_1eN,0 ld r,$ROS_komaruA3,24 ;「………私の自己紹介をしたので、逆に彼女のことを質問したわ。@/ `".........Because I had introduced myself, I then asked her about herself. `@/ ld r,$ROS_KomaruA1,80 ;…そうしたら、急に雰囲気が落ち込んでしまったの。@……何て言うのか、とても気だるそうな、寂しそうな。@…私が初めて彼女の顔を見た時に浮かべていたのと同じ表情だった。」\ `...When I did, the atmosphere quickly grew depressing.`@` ......How should I say it, she seemed very listless and lonely.`@` ...It was the same expression as the one I had first seen on her face."`\ ld l,$RUD_DefA2,23 ;「まぁ、秘密の愛人だからな。@好き勝手に歩かれてお袋に見付かっちまったらコトだ。@……きっと軟禁に近い状態だったろう。\ `"Well, that's because she was his hidden mistress.`@` If she just walked around wherever she liked, she might have been discovered by mother.`@` ......I'm sure the situation was almost like house arrest.`\ ld l,$RUD_WaraiA1,80 ;　綺麗なドレスに綺麗な屋敷や庭があっても、さぞや窮屈な思いをしてたんだろうぜ。@そりゃ苦労もあったろうさ。@………それで？」\ ;＜留弗夫 `Even though she had beautiful clothes, a beautiful mansion, and a garden, she must have felt very constrained.`@` It might even have troubled her.`@` .........And then?"`\ cl a,0 ld c,$ROS_komaruA2,24 ;「彼女はきっと何か悩みがあった。@……それを私に話したところで何の解決にもならない、というような雰囲気が読み取れて、@私もとても悲しかったのを覚えてる。\ `"There was definitely something she was worried about.`@` ......I remember that when I noticed that it didn't seem like something I could resolve just by talking to her, I was also really sad.`\ ld c,$ROS_KomaruA4,80 ;　………私と一緒にいることさえ忘れてしまったかのようで。@…遠くをぼんやり見ながら、ずっとずっと無言でいたわ。@…私はきっと失言してしまったに違いないと思ったんだけど、@……謝罪の言葉すらも口にしていいような雰囲気じゃなくて…。@……だから私も、彼女が私と一緒にいることを思い出してくれるまで、ずっとずっと黙ってた…。」\ ;■九羽鳥庵 `.........She seemed to forget that I was even there.`@` ...She gazed vaguely off into the distance, and was silent for a long, long time.`@` ...I thought that I must have said something wrong,`@` ......but it didn't seem to be the type of atmosphere where I could offer words of apology...`@`......so I too remained silent for a long, long time, until she remembered that I was there..."`\ bg black,22 fede 0,3000 ;　そしたら、……ふと彼女が呟いたの。\ `When she did, ......she muttered unexpectedly.`\ bgm1 64 wait 3000 bg CG06,6 ;「………柵の向こうには、本当に狼などおらぬのか。」@ ;「…え？@　は、はい。@狼なんて、動物園でも見たことないです。」\ `".........Are there really no wolves beyond the fence?"`@ `"...Hmm?`@` Y, yes.`@` I've never seen wolves even in a zoo."`\ ;「動物園とは何か。」@ ;「あ、…色んな動物が飼われているところです。@ゾウとかキリンとかパンダとか、珍しい動物がいっぱいいますよ。」\ `"What is a zoo?"`@ `"Ah, ...it's a place where they keep all kinds of animals.`@` They're full of rare animals like elephants and giraffes and pandas."`\ bg CG04,6 ;「…………………………。@…動物園に、狼はいないのか。@/ `".....................`@`...Are there, no wolves in a zoo? `@/ ;ならその、…怖くないかもしれんな。」@ `Then, umm, ...that might not be scary."`@ ;「狼がいたとしても、動物はみんな檻に入ってますから安全です。@だから安心して見学できるんですよ。」\ `"Even if there were wolves, all of the animals are put in cages, so it's safe.`@` So you can feel safe as you look at and study them."`\ ;　森の魔女ともあろうものが、どういうわけか狼は怖くて苦手みたいだった。@ ;　それが、何だかとても滑稽に見えたっけ。\ `This person who might have been a witch, was for some reason scared of and didn't like wolves.`@ `I remember it looked pretty comical.`\ bg black,22 ;「………………。/ ;!d800…それは妾とどう違うのか？」@ ;「…………え？」\ `"............`/ !d800`...How is that any different from me?"`@ `".........Huh?"`\ ;　彼女は動物園のことも知らなかった。@ `She didn't know about zoos.`@ br ;　私は動物園が、如何に楽しいところかを説明するのだが、@一度も行ったことのない彼女にそれを理解してもらうのはとても難しいことだった…。\ `I explained how fun zoos could be, `@`but it was very difficult for a person like her, who had never been to one, to understand...`\ bg CG03,6 ;　それどころか、それを説明する内に、彼女の表情はどんどん灰色になっていく。@ `Quite the opposite, as I explained it to her, her expression grew increasingly dismal.`@ br ;　…彼女には区別が付かなかったのだ。@ ;　高い柵に囲まれたこのお屋敷で、一見不自由なく優雅に過ごしながらも、@檻に閉じ込められた動物たちとどう違うのか、区別がつかないようだった…。\ `...She couldn't see the difference.`@ `It seemed that even though she lived in an elegant mansion that didn't seem inconvenient at first glance, surrounded by a high fence,`@` she couldn't see how she was different from the animals shut up in cages...`\ bg CG06,0 ;「妾は何者なのか。@……皆は私のことをベアトリーチェと呼ぶ。@…それは確かに、そなたの言うように、偉大な魔女の名前らしい。\ `"Who am I?`@` ......Everyone calls me Beatrice.`@` ...And that does indeed seem to be the name of a great witch, as you say.`\ bg CG05,0 ;　……しかし、それは妾ではないのだ。@妾には魔法など何も使えぬ。@……妾はその魔女の魂をこの身に封じられているだけなのだ。」\ `......But that isn't me.`@` I cannot use any magic.`@` ......I simply have the soul of that witch sealed inside my body."`\ ;「………………？」@ `"............?"`@ br ;　彼女はやっぱりどこか不思議な人だった。@ ;　どこか世間ズレしているだけじゃなく、@本当に魔法というものが実在すると信じているようだった。\ `There was definitely something odd about her.`@ `It wasn't just that she was somehow cut off from the world,`@` but it seemed that she truly believed magic exists.`\ bg black,22 bg garden_Se3a,22 ;　色々と不思議な話を聞かされた気がするけれど、細かくは覚えていないわ。@ `I think she talked about various weird things, but I don't remember the details.`@ br ;　ただ私が思ったのは、/ ;!d700……この人は、可哀想な人かもしれないということ。\ `All I thought was, `/ !d700`......this might be a pitiful person.`\ ;　彼女はこのお屋敷の中から自分の意思で出ることもできない、自覚なき囚人だった。@ `She was unable to leave this mansion of her own will, a prisoner without even realizing it.`@ br ;　……そして外の世界について何も知らず、自分が何者かであるさえ理解できていなかった。\ `......And she didn't know anything about the outside world, didn't even understand who she was.`\ ;　……多分、彼女も自分が不憫であることを、薄っすらと理解している。@ `......She probably vaguely understood herself that she was pitiful.`@ br ;　でも、あまりに何も知らなくて、それが不幸であることにも気付けていないようだった。\ `But since she didn't know anything, it seemed that she couldn't realize that this was unhappiness.`\ bg black,22 ;　昔、篭の中の小鳥を可哀想だと姉さんに言ったら、こう言ったわよね。@ `Long ago, when I told Nee-san that I felt sorry for a bird in a cage, she said this.`@ br ;“篭の中しか知らない鳥は、外に憧れたりしない”って。\ `'A bird that only knows about the inside of the cage doesn't long for the outside'.`\ ;　でも、彼女は鳥じゃない。@ ;　やっぱり、人間だった。@ ;　篭の中にしかいなくても、それが世界の全てじゃないって、理解していた。@ `But she wasn't a bird.`@ `She really was a person.`@ `Even if she had never been outside the cage, she understood that it wasn't the whole world.`@ br ;　だから、/ ;!d800………私は誘ったの。\ `So, `/ !d800`.........I invited her.`\ bg garden_Se2a,22 ;「柵の外へ、/ ;!d500……出てみますか？」\ `"Do you want to try, `/ !d500`......going outside the gate?"`\ ;「………ほ、本当に狼はいないのか。」@ ;「いないですよ。@絶対平気ですから。」\ `".........Th, there really aren't any wolves?"`@ `"There aren't.`@` You'll definitely be safe."`\ ;「…………………………。@……出たいぞ。@/ `".....................`@`......I want to leave. `@/ ;だが、いつも門は閉まっている。」@ `But the gate is always closed."`@ ;「私が入ってきたところがあります。@潜り抜けられる隙間があるんです。」\ `"There's the place I came in through.`@` There's a crack you can escape through."`\ ;「……そこを抜ければ、外の世界があるのか。」@ ;「はい。」\ `"......If we go through there, is there a world outside?"`@ `"Yes."`\ ;「……………………狼は本当にいない？」@ ;「くす。@はい、いませんよ。」\ `"...............There really aren't any wolves?"`@ `"*giggle*.`@` Right, there aren't any."`\ bg CG05,0 ;「…………………………。」\ `"....................."`\ bg black,22 bg Se_o1a,22 ;　私は、ちょっとした散歩に誘うくらいのつもりでいたけど。@…彼女は何度かお屋敷に振り返り、真剣に迷っているようだった。@ `I had only planned to invite her for a short walk,`@` ...but she kept looking over her shoulder at the mansion, as though she were seriously unable to decide.`@ br ;　そして、その覚悟の意味を知る。\ `Then I learned what she was preparing herself for.`\ bg black,22 ;「……………妾は、もうここは嫌だ。@……外へ、出たい。@そして妾が何者で、この世界はどうなっていて。@…妾は何のために生まれてきたのかを、知りたい。」\ `"............I, have had enough of this place.`@` ......I want to go, outside.`@` And I want to know...who I am, what's happening in this world,`@` ...and why I was born."`\ bg Se_o1a,22 ;　彼女がここでどんな生活を送ってきたかはわからない。@ ;　そして、それは彼女にとって、一言では言い表せないものだったのだろう。@ `I didn't know what her life had been like until then.`@ `It was probably something that she couldn't express easily.`@ br ;　辛いものだったなら、ここを逃げたいと一言、言えばいい。@ ;　甘いものだったなら、ここにまだ居ると一言、言えばいい。\ `If it was harsh, she just had to say that she wanted to escape.`@ `If it was sweet, she just had to say that she would stay.`\ ;　それは例えるなら、@冬の日の暖かな暖炉が、少しずつ空気を澱ませて頭痛を感じさせるようなもの…？@ `For example, `@`was it something like how a hot fireplace on a winter day makes the air get thicker and thicker, giving you a headache...?`@ br ;　このままここに居続けてはいけないと知りつつも、窓を開け寒風に身を苛むには、なお勇気が必要なのだ…。\ `Even though you know that you shouldn't keep things the way they are, you still need the courage to open the window and be tormented by the cold wind...`\ bg black,22 ;　彼女は、いつまでもここにいてはいけないと気付き始めていた。@ ;　いつかは外へ出なくてはならないと気付き始めていた。@ `She was starting to realize that she couldn't stay there forever.`@ `She was starting to realize that she had to go outside sometime.`@ br ;　でも、外の世界のことを知らない彼女にとって、@外へ踏み出す第一歩は想像を絶する勇気が必要だったに違いない…。\ `But, since she didn't know about the outside world,`@` she must have needed the courage to take that unspeakable first step outside...`\ bg garden_Se2c,0 ld c,$BEA_fukigenA3,22 ;　その上で、彼女は決意した。@ ;　外へ出たいと、きっと生まれて初めてに違いない決意を、口にしたのだ。\ `And she had therefore resolved herself.`@ `She put that resolution to go outside into words, that resolution which she had surely been born with.`\ ;　…私は少しだけ戸惑った。@ ;　彼女は、お父様によってここに住まうよう決められている。@ ;　例えるなら、彼女はお父様が愛でる篭の中の小鳥。@ `...I was slightly bewildered.`@ `It had been decided that she would live here by Father.`@ `It was as if she were Father's beloved bird in a cage.`@ br ;　私が勝手に逃がしてしまったら、@……私はお父様にひどく叱られるのではないか…。\ `If I just let her escape,`@` ......wouldn't I be harshly scolded by Father...?`\ ld c,$BEA_nayamuA1,80 ;「見たい。」@ ;「………え？@　何を？」\ `"I want to see."`@ `".........Hmm?`@` What?"`\ ld c,$BEA_WaraiA3,80 ;「動物園が、見たいのだ。」@ ;「…………………ぁ。」\ `"I want to see, a zoo."`@ `"...............ah."`\ ;　彼女が、ようやく、とてもやわらかい笑顔を見せてくれたので、ちょっぴりだけ驚いてしまった。@ `I was just a little surprised when she finally showed me a very soft smile.`@ br ;　それはひょっとすると、@…篭より旅立つ覚悟ができたからこその、達観なのか。@ ;　それまでの暗い顔からは想像もつかないくらい、やわらかい笑顔だった…。\ `Could that have been, `@`...a farsightedness caused by her determination to venture out from her cage?`@ `That soft smile which I wouldn't have imagined could have come out of that dark face...`\ ld c,$BEA_DefA2,80 ;「……そなたと話すと、知らないことばかり出てくる。@…妾は、学校なるものもわからぬし、動物園も知らぬ。@映画館も知らぬ。@遊園地も知らぬ。@\ `"......When I speak with you, I keep hearing about things I don't know.`@` ...I don't even know about this thing called school, not even about zoos.`@` I don't know about movie theaters.`@` I don't know about amusement parks. `@/ ld c,$BEA_WaraiA2,80 ;　………そしてそれを知りたいと、心の底から思う。@…そなたは、妾をそこへ連れて行ってくれるのか？」@ `.........And I think, from the bottom of my heart, that I want to know about that.`@` ...Will you take me there?"`@ ;「え、……う、うん。」\ `"Huh, ......y, yes."`\ ;　…お父様に内緒でどうやって、という疑問は沸いたけど、@…彼女があまりに嬉しそうに笑うものだから、私は調子を合わせて頷いてしまう。@ `...I was nervous about how I would do it and keep it a secret from Father,`@` ...but her face looked so happy, so I went along with her and nodded.`@ br ;　でも、彼女には私のそんな曖昧な笑顔の意味は伝わらないようだった。@ ;　ここを出れば、私が本当にそれらへ連れてってくれると、信じたようだった。\ `But it seemed that the meaning behind my vague expression was not communicated to her.`@ `It seemed that she believed that I would really take her to all of those places.`\ ;　無垢で、純粋だった。@ ;　……多分、誰からも騙されたことがないのだ。@ ;　いや、……疑うことを教えられなかったとでも言うべきなのか。@ `She was pure and genuine.`@ `......She had probably never been tricked by anyone.`@ `No, ......maybe it should be said that she hadn't been taught how to doubt.`@ br ;　そんな笑顔が何だか眩しくて、だけれども痛々しくて。@ ;　…私は何とか彼女のささやかな願いを叶えてあげたいと思った。\ `Her face was somewhat radiant, and yet pathetic.`@ `...I wanted to somehow grant her modest wish.`\ ld c,$BEA_waraiA3,80 ;「妾は、…もうベアトリーチェは嫌だ。@妾が何者なのか、知りたい。@ベアトリーチェではない、新しい人間を始めたい。@/ `"I, ...have had enough of Beatrice.`@` I want to know who I am.`@` I want to start out as a new human, not Beatrice. `@/ ld c,$BEA_defA2,80 ;だから、ここから連れ出して欲しい。@………もう、紅茶もいらぬ。@ドレスもいらぬ。@金蔵とも二度と会わぬ。@……ここより妾を連れ出してくれ。@楼座。」\ `So, I want you to take me from here.`@` .........I don't need tea anymore.`@` I don't need this dress.`@` I won't meet with Kinzo again.`@` ......Please, take me from here.`@` Rosa."`\ ;　でもそれは、まだまだ子どもの私には到底背負いきれぬ責任。@ `However, that responsibility was one that a child such as me couldn't possibly bear fully.`@ br ;　だけど、彼女の真剣な眼差しと、@…まるで憑き物が落ちたような晴れ晴れしい笑顔を見ていると、@……私の中にも小さな勇気が沸いて来るのを感じた。\ `But her serious gaze and her brilliant smile, `@`almost as though an evil spirit had fallen away,`@` ......made me feel a little courage start to rise up inside myself.`\ ;　きっとこれは、とても怒られることに違いない。@……でも、きっとこれは正しいことに違いなかった。@ `This was definitely something that would get me in a lot of trouble.`@` ......But, it was definitely the right thing to do.`@ br ;!s0　どうなるかはわからないけれど……、/ ;!d1200……彼女を連れ出そう。/ !s0`I don't know how it will turn out, but......, `/ !d1200`......I'll take her out.`/ !sd\ bg black,22 ;　お父様はもちろん、お母様にも相談できないだろう。\ `Of course, I won't be able to talk to Father, and not Mother either.`\ ;　………お兄様かお姉様に相談を？@ ;　うぅん、頼りになる源次さんか、@…そうだ、困った時はいつも相談に乗ってくれる熊沢さんはどうだろう。@ `.........Should I talk to Onii-sama or Onee-sama?`@ `No, what about that reliable Genji-san,`@` that's right, what about Kumasawa-san, to whom I can always talk when I'm in trouble.`@ br ;　きっと何とかしてくれるに違いない。\ `I'm sure they'll be able to do something.`\ bg Se_o1a,6 ;　今はとにかく、ここから連れ出してあげよう。@ ;　彼女にとって、もはやここは望まざる場所なのだから。\ `Anyways, for now I'll take her out of here.`@ `This was already a place where she didn't wish to be.`\ br bg black,6 ;　……そして、私は柵の隙間から彼女を外へ連れ出したの。\ `......Then I took her to the crack in the fence and led her outside.`\ bg forest_P2a,6 ;　彼女は狼がいないかとびくびくしていたけど、@その怯えがなくなってからは、@うっそうとした森の中をただ歩くだけでも、どこか楽しそうだった。\ `She was all nervous, checking to make sure there were no wolves around,`@` but after that fear disappeared,`@` even just walking around this dense forest seemed to be fun somehow.`\ ;　彼女は何かを見つける度に私にそれを尋ねたわ。@ ;　それは本当にささやかな何かばかりだった。\ `Every time she found something, she would ask me about it.`@ `And they were always really meager things.`\ ld r,$BEA_WaraiA3,80 ;　……あの花は何？@ `......What's that flower?`@ cl r,0 ld l,$BEA_waraiA1,80 ;　あの葉っぱは何？@ `What's that leaf?`@ cl l,0 ld c,$BEA_WaraiA2,80 ;　あの音は？@　あの匂いは？@ `And that sound?`@` And that smell?`@ br ;　彼女にとって、…本当にあの柵の内側だけが唯一の世界だったのよ。@ `It was really like the inside of that fence had been her entire world.`@ br ;　だから、世界の外側に出た彼女にとっては、…………。\ `Therefore, she found the world on the outside, .........`\ ;　……おかしなものね。@ ;　私は最初、彼女のことを見た時、魔女の館でくつろぐ魔女そのものだと思っていた。@ `......Strange.`@ `In the beginning, when I first saw her, I had thought that she was actually a witch relaxing by a witch's mansion.`@ br ;　でも、今は違った。@むしろ正反対。@ ;　……有限だと信じていた世界の外に出て、初めて世界が無限だと知った喜びでいっぱい。\ `But now it was different.`@` Or actually, the complete opposite.`@ `......She had gone out of a world she had believed to be finite, and was full of joy at realizing for the first time that the world was endless.`\ bg white,22 bg sky_1a,22 ;　だから目に入るもの全てが新しい。@ ;　……まるで、彼女の方がおとぎの国に迷い込んだかのよう。@ `So everything she saw was new.`@ `......It was almost as though she was the one who had been thrown into a fairy tale.`@ br ;　彼女がアリスなら、私はまるで時計を持ったウサギのような気分だったっけ……。\ `If she was Alice, then I felt almost like a rabbit holding a watch......`\ bg black,22 ;　彼女にとっては、そんなとても楽しい、刺激に満ち溢れた散歩だったろうけれど。@ ;　…私は実は途方に暮れていた。@ `To her, it was probably a really fun walk, filled to the brim with excitement.`@ `...But I was truly lost.`@ br ;　……なぜなら、ここへはでたらめに歩いてやってきたから。@ ;　だから、お屋敷への帰り道などわかるはずもなかった。\ `......After all, I had walked randomly to get there.`@ `So there was no way I could have known the way back to the mansion.`\ bg forest_P2b,26 ;　森の中には灯りはないし、懐中電灯だって持っていない。@ ;　このまま暗くなったら大変なことになるだろうと気付き、焦ったわ。@ `There were no lights in the forest, and I hadn't brought a flashlight.`@ `I realized that it would be terrible if it got dark while we were still like this, and grew impatient.`@ br ;　彼女は無邪気すぎて、@森の中で夜を迎えてしまうことがどれほど恐ろしいか、まったく理解できていないようだった。\ `She was too innocent,`@` and apparently, she couldn't understand at all how frightening it would be to face the night inside the forest.`\ ;　でも、外へ連れ出したのは私。@ ;　…何とか責任を持って、この事態を解決しなくちゃ。@ `But I was the one who had brought her outside.`@ `...Somehow, I had responsibility, and I had to resolve this situation.`@ br ;　だから考えたの。@……とにかく海へ出ようって。@ ;　そして海岸に沿って回れば、いつか必ず屋敷に戻れるはず。\ `So I thought.`@` ......Let's go out to the sea for now.`@ `If we then follow the beach around, eventually we should definitely return to the mansion.`\ bg black,22 ;　しかし、それは想像するより大変なことだったわ。@ ;　…何しろ、私には地図もコンパスもない。@ `However, that was much more of a problem than I had imagined.`@ `...I didn't have a map or a compass.`@ br ;　未開の森はまっすぐ歩けるはずなどなく、方向感覚などすぐに失ってしまった。\ `There was no way I could walk in a straight line through an uncultivated forest, and I had immediately lost my sense of direction.`\ bg forest_P2a,22 ;　自分の来た道がどれだったか、もうさっぱりわからず、完全に迷ってしまっていたの…。@ ;　このままでは、どこを歩いているかもわからないまま、夜を迎えてしまうに違いなかったわ。\ `I already had no clue which trail I had come by, and was completely lost...`@ `At this rate, without even knowing where to walk, night would definitely fall.`\ ;　でも、泣き言なんて言っていられない。@ ;　だって、後についてくる彼女はこんなにも無邪気で楽しそう。@…だからこそ、私は彼女の笑顔のためにも、@絶対にこの森の外へ案内してあげなければならないのだ。@ `But there was no reason to complain.`@ `Because that woman following behind me was so innocent and having so much fun.`@` ...Therefore, I definitely had to guide the way through this forest, `@`for her smile as well.`@ br ;　辛い顔を彼女に見せまいと歯を食いしばり、@私は林を掻き分けながら道なき道を進んだわ。\ `Gritting my teeth so that I didn't show her a troubled face,`@` I pushed my way through the woods, advancing down the path that wasn't a path.`\ bg white,2 me1v 2,50 bg sea_3a,6 ;　そして、色々と苦労したけれど、幸いにも海に出ることができた…。@ `Then, I had various troubles, but fortunately, I was able to reach the sea...`@ br ;　今、島のどこにいるのかは、相変わらず見当もつかなかったけれど、@とにかく、こちら回りに進めば、必ずお屋敷へ帰れるとわかって、ちょっとだけ安心したわ。\ `At that time, I still didn't even have a clue where I was on the island,`@` but for the time being, I was just a little reassured, `@`realizing that if I just went around this way, I would surely be able to return to the mansion.`\ bg black,22 ;　もっとも、海に出たといっても、私たちは岩壁の上にいた。@海岸はずっと下だったわ。@ `However, although I said that I reached the sea, we were on the top of a rock cliff.`@` The beach was far below us.`@ br ;　私はずっと森の中を歩いていて疲れていたから、@たとえ岩浜であっても、開けた場所の方がずっと歩きやすいだろうと考えた。\ `I was tired from walking around the forest for so long,`@` so I thought that even though it was a rocky beach, an open area would probably be much easier to walk in.`\ ;　だから、何とかして岩壁を降りようと提案したの。@ ;　…一応、危なそうだったし、他に案はないかと思って。\ `So I planned to somehow go down the rocky cliff.`@ `...It looked pretty dangerous, but I thought there was no other way.`\ ;　でも、ベアトリーチェは私の提案に何の疑いもなく頷いた。@ `However, Beatrice agreed with my plan without any doubts.`@ br ;　……歳は向こうの方が上だろうに、@…まるで私を親鳥だと信じるアヒルか何かの雛のように、本当に素直に従ったわ。\ `......Even though she was probably older than me,`@` ...she meekly obeyed me, almost as though she were some kind of chick who believed I was a mother bird.`\ bg cliff_1a,22 ;　私は岩壁を降りられる場所がないか探した。@ ;　…そして、崖が崩れて斜面を作っているところを見つけたの。@ `I searched to see if there wasn't some place where I could go down the cliff.`@ `...Then I found a place where the cliff had fallen over and made a slope.`@ br ;　……ちょっと危なそうだけど、@両手両足でしっかり這うようにして降りれば、多分大丈夫だと思った。\ `.......It looked a little dangerous,`@` but if I went down on both hands and both legs, like I was crawling, I thought it would probably be okay.`\ bg cliff_1b,24 ;「……ここを降りましょう。@気をつけないと危ないけど、@とにかく海岸に下りて、あとは沿って歩けば、もう迷わずに済むと思うの。」\ `"......Let's go down here.`@` If you aren't careful, it will be dangerous.`@` But for now, if we go down to the beach and walk along it, I think we won't have to stay lost any more."`\ ld r,$BEA_WaraiA1,24 ;「うむ。@楼座がそうするのならそうしようぞ。@妾は迷うとやらも楽しいぞ。@とても愉快だ。」\ `"Hmm.`@` If you will do that, then let's go.`@` I'm still having fun even though we're lost.`@` I'm very happy."`\ ;　………彼女には本当に危機感というものがなかった。@ ;　何不自由ない生活をしてきたのは間違いないだろう。@ `.........She really had no sense of danger.`@ `There was probably no mistake that she had lived a life without discomfort.`@ br ;　夜になったら暗くなるのはわかっていても、@灯りのない森の中がどれだけ危険か、想像が及んでいないのだ。\ `Even though she knew it would get dark when night fell,`@` she couldn't imagine how dangerous the inside of a forest could be without a light.`\ ;　ついでに、崖から転げ落ちたらどれだけ危ないかも、想像がまったく及んでいないようだった。@ `Furthermore, it seemed that she couldn't grasp at all how dangerous it might be if she fell from the cliff.`@ br ;　私は重ねて注意を促す。\ `I warned her once more to be careful.`\ bg black,25 me2v 5,50 bg cliff_1a,22 ;　私は慎重に降りられる場所を窺った。@ ;　…高さは、……相当高く見えたわ。@ ;　多分１０ｍくらいはあったんじゃないかと思う。\ `I cautiously examined the place where we could go down.`@ `...It looked, ......pretty high up.`@ `I think it might have been about 10 meters down.`\ ;　下から見ればきっと、お屋敷の屋根よりも低かったのかもしれないわね。@ ;　でも、上から見たら、まるで東京タワーの展望室から眼下を見下ろすような気分だった。\ `If you looked at it from the bottom up, it would probably have looked shorter than the roof of the mansion.`@ `But looking from the top, it felt almost like staring down from the observation room on Tokyo Tower.`\ ;　でも、ベアトリーチェは相変わらず、全然怖がっている様子がなかったわ。@ ;　…まるで、高いところは危ないということすら教えられていなかったような感じ。@ `But Beatrice still appeared to be completely without fear.`@ `...It felt as though she had never even been taught that high places were dangerous.`@ br ;　……いえ、彼女は自分が魔女だと信じていて、@空が飛べるから危なくないと本当に信じていたのかもしれない。\ `......No, maybe she believed that she was a witch,`@` and that she could fly, so there wasn't anything dangerous.`\ bg black,24 fede 12,2000 bg cliff_1b,24 ;「気をつけてくださいね。@…結構、高いから。」@ `"Please be careful.`@` ...It's pretty, high."`@ ld c,$BEA_DefA1,24 ;「うむ。@気をつけるぞ。@下へ降りたら、海があるな。@そこに水族館があるのか。」@ ;「いえ、この島には水族館はないですよ。@でも海にはたくさんの魚がいると思います。」\ `"Hmm.`@` I will be careful.`@` If we go down, there's a beach.`@` Is there an aquarium there?"`@ `"No, there are no aquariums on this island.`@` But I think there are lots of fish in the sea."`\ ld c,$BEA_WaraiA2,80 ;「そうか。@魚はいるのか。@そなたが話してくれた、…えぇと、クジラとかイルカとかペンギンとかはいるのか。」@ ;「いえ、そういうのは水族館に行かないといないです。@……水族館は島を出ないとないですよ。」\ `"I see.`@` So there are fish.`@` Are there, ...umm, whales and dolphins and penguins, like you talked about?"`@ `"No, you would have to go to an aquarium for those.`@` ......And you would have to leave this island to go to an aquarium."`\ ld c,$BEA_DefA2,80 ;「そうなのか。@……だが楽しみだ。@クジラとはどんな魚なのか。」@ ;「えっと、…すっごく大きな魚で、あれ、哺乳類かな？@　それで潮を吹いたりします。」\ `"Is that so?`@` ......But I'm looking forward to it.`@` What kind of fish are whales?"`@ `"Umm, ...they're really big fish, huh, aren't they mammals?`@` And they spit out seawater."`\ ld c,$BEA_waraiA1,80 ;「ほう。@ならばイルカは。」@ ;「えっと、頭のいい魚で、あれ…、これも哺乳類だっけ？@　とても頭が良くて芸とかを覚えられるんですよ。」\ `"Hoh.`@` Then the dolphins?"`@ `"Umm, they're really smart fish, huh..., weren't they also mammals?`@` They're really smart and they can be taught tricks and stuff."`\ ld c,$BEA_waraiA2,80 ;「ほほぅ。@ならばペンギンはどうなのか。」@ ;「えっと、…あれ、これは鳥類だっけ…。」\ `"Hohhoh.`@` Then what about penguins?"`@ `"Umm, ...huh, weren't they birds...?"`\ ld c,$BEA_fukigenA2,80 ;「何だ。@水族館なのに、さっきから魚が出てこんぞ？」@ `"What's this?`@` Didn't you just say that there were fish in aquariums?"`@ ;「えーとえーと…。@ま、その、魚だけでなく、色々な海の生き物がいっぱいいるんですよ。」\ `"Ummm, ummm...`@` Well, um, there isn't only fish, they're full of various things that live in the ocean."`\ ld c,$BEA_WaraiA3,80 ;「ほほぅ。@それはとても楽しみだっ。@/ `"Hohhoh.`@` I am really looking forward to that...`@/ ld c,$BEA_nayamuA1,80 ;………ん、」\ `.........nn-"`\ ld c,$BEA_OdorokiA2,80 bg black,1 E_A ;!s0　わ、ひゃっ。\ !s0`Wa, hyaa.`\ br !sd ;se1 20 ;　彼女が聞きようによっては滑稽な、/ ;!d800…慌てた短い声、/ ;!d1000…いえ、多分それは悲鳴だったのかも。@ `As she tried to ask me, she spoke in a funny, `/ !d800`...rushed and short voice, `/ !d1000`...no, it was probably a scream.`@ br ;　そんな声を唐突にあげた。\ `That voice rose suddenly.`\ me1v 16,50 ;　……彼女の体が岩壁から離れて、すぅっと落ちていった。\ `......Her body separated from the cliff, and gently fell down.`\ ;　私はすぐに言おうと思ったわ。@ ;　だからあれほど注意して下さいって言ったのに！って。\ `I immediately wanted to say something to her.`@ `I wanted to say 'Didn't I tell you to please be careful!'`\ ;　……子どもの考えよね。@ ;　何かが起こった時、真っ先にそれを怒ることで、自分に過失がないことを示そうとする言い逃れ。@ `......It was the thought of a child.`@ `It was how a child immediately gets mad when something happens, trying to find an excuse to show that they are not at fault.`@ br ;　もちろん私も口にしたわ。@ ;　大丈夫？@　だからあれほど注意しなさいって……。\ `Of course, I also spoke.`@ `Are you alright?`@` Didn't I warn you so strongly......?`\ textoff fedexx 0,90,0,0,0,0,3000 bg white,22 monocro #ff0000 print 18,2000,"bmp\efe\blood_2a_efe.bmp" wait 2000 bg black,2 monocro off wait 1000 ;■食堂 me2v 13,50 bg Mdin_1cN,0 ld r,$RUD_komaruA1,26 ;「…………………それで。@…崖から落ちて、/ ;!d700…どうなったんだ。」\ ;＜留弗夫 `"...............Then,`@` ...after she fell from the cliff, `/ !d700`...what happened?"`\ bg Mdin_1eN,24 ld c,$ROS_KomaruA2,23 ;「………………………。」\ ;＜楼座 `".................."`\ ld l,$KLA_majimeA1,23 ;「……彼女はどうしたんだ。@…楼座。」\ ;＜蔵臼 `"......What happened to her?`@` ...Rosa."`\ bg Mdin_1gN,25 ;　楼座は沈黙する。@ ;　…足元に目線を落とし、…床の向こうに、何かおぞましい記憶を透かし見ているようだった…。\ `Rosa fell silent.`@ `...Her gaze fell to her feet, ...as though she were seeing through the floor to some disgusting memory...`\ ;「死んだ、のね……？」@ ;＜絵羽 `"She died, right......?"`@ br ;　絵羽のあまりに残酷なその一言は、楼座がもっとも避けたい一言だった。@ ;　そしてそれを突きつけられ、……観念したように叫ぶ。\ `Eva's brutal words were the ones that Rosa had most wanted to avoid.`@ `And when she was hit with them, she screamed in resignation.`\ E_A bgm1v 61,80 bg blood_1a,1 ;「えぇ、死んだわッ！！@　岩浜だったもの、尖った危険な岩がたくさんむき出しになっていた！！@　目を見開いたまま、すごい血が溢れ出して…たちまち真っ赤な絨毯を広げていった…！\ `"Yes, she died!!`@` It was a rocky beach, many sharp and dangerous rocks lay exposed!!`@` Her eyes were still open, the blood kept pouring out...suddenly a red carpet was spreading out...!`\ ;bg Mdin_1gN,22 ;　声を掛けたわ、揺さぶったわ！！@　でも、彼女は返事は愚か、瞬きすらも、……いえ、瞼を閉じることさえしてくれなかった！！@　私が悪いのよ！@　彼女はドレス姿だったのよ？！@　あんな動きにくい格好なのを知っていたのに、私が岩壁を降りようなんて言ってしまったから！！@　彼女はすごい素直だったから、私の言うことに何の疑いもせずに従って…！！」\ `I spoke to her, shook her!!`@` But she refused to respond, not even a blink, ......no, she wouldn't even close her eyelids!!`@` It was my fault!`@` She was wearing a dress, remember?!`@` Even though I knew that her outfit was difficult to move in, I said that we should go down the cliff!!`@` She was incredibly innocent, so she obeyed what I said without any doubts...!!"`\ mov %play_scene,30050 ;シーン変数の入力 se1v 56,50 mset mld r,$BEA_AkuwaraiA1,24 ;■メタ視 ;「……いつまで死んでいるつもりか。@いい加減に目を覚ませ。@まったく、妾の与り知れぬところで勝手に肉塊に姿を変えおって。」\ ;＜ベアト `"......How long do you plan on remaining dead?`@` Open your eyes already.`@` Seriously, just turning into a lump of meat without me."`\ textoff se2 38 wait 2000 mld l,$BUT_kuyasigaruA1,6 mld l,$BUT_nayamuA2,22 ;「お前ぇのとこの太もも姉ちゃんとイチャついてただけだぜ。@/ `"I was just flirting with your friend the ass nee-chan. `@/ mld l,$BUT_niramuA3,80 ;……それより、こりゃどういうことだ。」\ `......More importantly, what is all this?"`\ mld r,$BEA_DefA1,80 ;「うむ。@見たままよ。@/ `"Hmm.`@` As you see. `@/ me1v 5,50 ;……妾は足を踏み外して転落し、/ ;!d800!s0“死んだ”。」/ `......I missed my footing, fell down, `/ !d800!s0`'and died'."`/ !sd\ mld l,$BUT_KuyasigaruA1,80 ;「何だとぉ…。@………１９人目として登場しておきながら、/ ;!d600……死んだだと……？\ `"What did you say...`@`.........even though you appeared as the 19th person, `/ !d600`......you say you died......?`\ mld l,$BUT_OdorokiB1,80 ;　ふざけるな、そんなわけはない…！@　楼座叔母さんは子どもだったし焦ってた。@医者がいたわけでもない。@多分、死んだと誤解しただけで、お前は多分その、……仮死状態か何かで生きていたんだ。@そうだろッ？！」\ `Don't mess with me, that can't be...!`@` Rosa oba-san was a kid, so she was rushed.`@` It's not like there was a doctor.`@` She probably made a mistake, thinking you were dead, and you probably, umm, ......were alive and pretending to be dead or something.`@` Isn't that right?!"`\ mcl a,22 ;　そんなはずはないんだ。@ ;　どうせ生きてるんだ。@ ;　じゃなきゃこいつがここにいるわけがないじゃないか…！\ `It couldn't be.`@ `She's obviously alive.`@ `If she isn't, then she couldn't be here, right...?!`\ bg beach_1b,2 mend me2v 2,50 ;　…子ども時代の楼座叔母さんが、泣きながらベアトリーチェの体を揺さぶっている。\ `...The kid-aged Rosa oba-san shook Beatrice's body, crying.`\ ;　俺もその顔を覗き込むが、/ ;!d700……………目は見開かれたままで、本当に死体そのもの。@ `I stared into that face, `/ !d700`............but her eyes were still open, and it really was a corpse.`@ br ;　…仮死状態に違いないなんて曖昧なことで誤魔化したいが、@……どう見ても、仮どころか、…本当に死んでいるようにしか見えない…。\ `...I wanted to trick her, saying something vague like she must be pretending to be dead,`@` ......but no matter how I looked at it, it didn't look fake at all, ...I couldn't help but notice that she really was dead...`\ bg cliff_1a,26 ;　ベアトリーチェは、岩壁のあの高さから真っ逆さまに落ち、@……あの尖った岩の先端で頭部を強打した。@ `Beatrice had fallen upside down from a cliff of that height,`@` ......and her head had smashed against the pointed tip of those sharp rocks.`@ br ;!s0　…………死ぬだろ、/ ;!d500……あの高さで、/ ;!d700……こんな岩じゃ……。/ !s0`.........You would probably die, `/ !d500`......from that height, `/ !d700`......on those rocks......`/ !sd\ ;　だが、認めるわけにはいかない…。@ ;　どんなに死んでるように見えても、……こいつは生きているはずなんだ…！@　そしてムカつくこのクソ魔女になった！@　それで全てのつじつまが合うんだ。\ `But I couldn't accept it...`@ `No matter how dead she looked, ......she had to be alive...!`@` And she had become this damn irritating witch!`@` That way, all of the inconsistencies fit.`\ bg beach_1b,26 ;　こいつは祖父さまによって、ずっと隠し屋敷に軟禁されていたんだ。@ `She had been confined by Grandfather in a hidden mansion the whole time.`@ br ;　そしてその恨みを晴らすために復讐を画策し、@……数々の残忍な殺人を引き起こすんだ！\ `And then to avenge herself, she had planned her revenge,`@` ......and had committed several atrocious murders!`\ ;　楼座叔母さんは死んだと思い込んでるだろう。@ ;　だが本当は生きてて、楼座叔母さんが立ち去った後に奇跡的に息を吹き返したんだ。@ `Rosa oba-san probably just mistakenly thought that she was dead.`@ `But she was really alive, and as soon as Rosa oba-san left, would miraculously breathe again.`@ br ;　……そしてどうにかして今日まで生き延び、復讐劇の幕を開けるんだ。@ ;　そうじゃなきゃつじつまが合わねぇ！！\ `......And then she had somehow lived until today, and opened the curtain on the scene of her revenge.`@ `Otherwise, the facts wouldn't fit together!!`\ E_MA se1 56 mset mld r,$BUT_NiramuA1,80 ;「……そう簡単には騙されねぇぞ。@赤で復唱できるか？！@　確かに死んだと！！@　どうせ生きてるんだろ？！@　見え見えだぜ！！」\ `"......I won't let you trick me so easily.`@` Can you repeat it in red?!`@` That she is certainly dead!!`@` She has to be alive, right?!`@` It's obvious!!"`\ mld l,$BEA_FutekiA2,23 ;「それのどこが生きているように見えるというのか。@/ `"How does that look alive to you? `@/ mld l,$BEA_futekiA1,80 se1 59 ;#ff0000間違いなく死んでいる#ffffff！」@ #ff0000`It's definitely dead`#ffffff`!"`@ mld r,$BUT_kuyasigaruA1,80 ;「……………………………むぅぅぅ…。」\ `".....................Muuuu..."`\ me1 17 ;　１９人目は祖父さまの愛人であり、そして人間であるベアトリーチェだ、という俺の仮説が、倒れる。@ `My theory that the 19th person was Grandfather's mistress, who was a human Beatrice, had been defeated.`@ br ;　…守勢から反撃に転じたつもりだったのだが……。\ `...I had planned to strike back from a defensive position, but......`\ mld r,$BUT_odorokiA1,80 ;「……なら、……お前は何者だってんだ。@お前はたった今、死んだんだろうが！@　まさか魔法で蘇ったとか言い出すんじゃねぇだろうなぁ？！」\ `"......Then, ......who are you?`@` You just died, right?!`@` You aren't going to say that you revived yourself with magic, are you?!"`\ mld l,$BEA_WaraiA2,80 ;「くっくっくっく。@すでに説明したと思うがな。@/ `"*cackle*cackle*.`@` I think that I've already explained it though. `@/ mld l,$BEA_FutekiA1,80 ;……そこに倒れている妾は、確かに魂は妾だが、@その体は妾を現世へ繋ぎ止めておく肉の檻に過ぎなかったと。@そしてその肉の檻が、こうして壊れた。@……それがどういうことかわかるか？」\ `......The me that is lying over there, definitely has my soul,`@` but that body was nothing more than a cage of flesh tying me to the physical world.`@` And that cage of flesh was broken like this.`@` ......Do you understand what that means?"`\ E_MA mld r,$BUT_kuyasigaruA1,80 ;「……………もう、さっぱりだぜ。@……好きなだけ魔女っ子トークに興じろよ。@/ `"............I don't have a clue anymore.`@` ......Keep having fun with your witch girl tricks. `@/ mld r,$BUT_odorokiA1,80 ;茶菓の代わりに聞いてやらぁ！@　何だ、空っぽか。@おい、紅茶のお代わりを頼むぜ。」\ `I'll listen instead of eating tea cakes!`@` What the, it's empty.`@` Hey, could I get some more black tea?"`\ mld l,$BEA_AkuwaraiA2,80 ;「くっくっくっく！@　ロノウェ。@客人が紅茶をお望みだ。」\ `"*cackle*cackle*!`@` Ronove,`@` the guest wants some black tea."`\ mcl l,23 se1 52 mld l,$RON_waraiA2,0 print 99,1500,"breakup.dll/urP" ;　ベアトが手をパンと叩くと、ロノウェが姿を現す。@ `When Beato clapped her hands, Ronove appeared.`@ br ;　……執事ってのは便利なこった。\ `......Butlers sure are convenient.`\ mld l,$RON_waraia1,80 ;「お代わりですね。@かしこまりました。@どの程度お注ぎしましょうか？」@ `"A refill, you say.`@` Certainly.`@` How much shall I pour you?"`@ mld r,$BUT_NayamuA2,80 ;「どうせ茶菓がボリューム満点だろうからよ。@半分でいいぜ。」@ `"Well, I've got more than enough tea cakes.`@` Half will be fine."`@ mld l,$RON_WaraiA2,80 ;「それでもなみなみとお淹れするのが英国式でございますよ。」\ `"Even so, filling it to the brim is the English custom."`\ ;　喉を湿らす程度で良かったのに、たっぷりと紅茶を注がれてしまう。@ `Even though just enough to wet my throat would have been fine, he filled it to the top with tea.`@ br ;　俺はベアトに背を向け、それを啜りながら沈黙した…。\ `I turned my back to Beato, sipping it in silence...`\ mov %play_scene,30060 ;シーン変数の入力 textoff mend me1v 3,0 fedexx 0,70,0,0,0,0,3000 E_B ;■海岸 ;「ちょっと…、目を覚ましてよ…！！@　ベアトリーチェ…！！」@ `"Wait..., open your eyes...!!`@` Beatrice...!!"`@ br ;　楼座が妾、@…………いや、かつて妾だったものの骸を揺さぶっている。@ ;　それを、私は少し離れて見守っていた。\ `Rosa shook me, `@`.........no, shook the corpse that had once been me.`@ `I watched over her from a short distance away.`\ bg beach_1a,0 lsp 893,$BEA_fukigenA3,150,0,128 print 4 ;　あぁ、…私はあそこから転落して死んだんだな………。@ `Ah, ...so I fell from there and died......`@ br ;　私はしばらくの間、そうだと信じた。@ ;　…そして楼座が長い時間を骸の傍らで過ごし、駆け出していくのを見届けてから。@ `I believed that was true for a while.`@ `...After that, I saw Rosa spend a long time beside my corpse, then watched her as she ran away.`@ br ;　……ようやく自分は、そこの骸とは別の存在の人格であることを理解する…。\ `......Eventually, I realized that I was a different individual from that corpse...`\ textoff lsp 893,$BEA_NayamuA1,150,0,128 print 80 bgm1v 62,0 fedexx 70,0,0,0,0,0,3000 ;「…………………そうか。@妾は、……妾か。@…ようやく、金蔵の戒めから逃れられたのか…。」\ `"...............That's right.`@` I am, ......me.`@` ...So, I have finally been able to escape from Kinzo's restrictions..."`\ ;　ようやく記憶が戻ってくるのを感じる…。@ ;　自分が千年を経た無限の魔女であること。@ ;　そして金蔵によって呼び出され、長い時間、囚われの身であったことを思い出す…。\ `Eventually, I felt the memory returning...`@ `The fact that I was an Endless Witch who had lived for one thousand years.`@ `And then I remembered that I had been summoned by Kinzo, and for a long time, had been imprisoned by him...`\ ;　肉の檻に囚われている間、妾の魔女としての記憶は完全に失われていた。@ `While I had been imprisoned in a cage of flesh, I had completely lost my memory as a witch.`@ br ;　しかし、楼座のお陰で、とでも言うべきか。@ ;　事故で死ねたお陰で、妾は今、ようやく自らを取り戻したのだ……。\ `However, thanks to Rosa, if you could say that...`@ `Thanks to my accidental death, I had now finally brought myself together......`\ lsp 893,$BEA_defA1,150,0,128 print 80 ;「……楼座。@そなたは妾を死なせてしまったと後悔しているだろうが。@妾にとっては感謝したいくらいよ。@くっくっくっく…！」@ `"......Rosa.`@` You are probably regretting that you brought about my death.`@` But I could almost thank you.`@` *cackle*cackle*...!"`@ br ;　楼座の姿はもう見えない。@ ;　医者を呼びに行ったのか、恐ろしくなってこの場を逃げたくなったのか。\ `I already couldn't see Rosa.`@ `Had she gone to call a doctor, or had she escaped from a scene which had become frightening?`\ lsp 893,$BEA_waraiA1,150,0,128 print 80 ;　…今更どうでもいいことだ。@ ;　魂の抜け殻に、今更何の価値もないのだ。@ `...That no longer matters.`@ `That soulless shell is no longer worth anything.`@ br ;　しかしそれにしても、……今の自分の何と脆弱なことか。@ ;　このうららかな昼間の太陽ですら、今の自分には苦痛だ。\ `And yet even so, ......how frail I am now.`@ `Even this glorious midday sun is agony to me now.`\ csp 893 se1 52 print 99,4000,"breakup.dll/llB" ;　私は人の姿を崩す。@ ;　そして数匹の黄金の蝶に姿を変えた。@ `I destroyed my human form.`@ `Then I changed it to several gold butterflies.`@ br ;　……うむ、今の私の弱々しい魔力では、この程度の姿の方が楽でいい。\ `......Hmm, with my magic power as frail as it is now, this form is easier.`\ me1v 16,50 bg cliff_1a,5 ;　そして日の光を少しでも逃れるため、私は風に乗ってふわりと岩壁を越える。@ ;　森の中なら多少は涼しいだろう。@ `And to escape even a little from the light of the sun, I rode the wind and lightly passed over the cliff.`@ `It would probably be somewhat cool in the forest.`@ br ;　とにかく、ゆっくり時間を掛けて養生し、元の力を取り戻そう。@ ;　……これまでの借りを、金蔵にどう返してやるかを思案しながら。\ `Anyways, I'll take some time to recuperate, and regain my original power.`@ `......As I think of how Kinzo will repay all that he has borrowed.`\ bg white,22 bg sea_3a,26 ;　ひらりと宙を舞いながら、もう一度だけ海岸を見下ろす。@ `Dancing alone through the air, I looked down at the shore one more time.`@ br ;　岩浜に、かつての妾が、……そして、やがて妾が取り戻そうとしている姿が、横たわっている。\ `On the rocky shore, lay the figure of what had once been me, ......and that I would eventually regain.`\ ;　肉体を捨てた妾が、あの姿を取り戻すには、/ ;!d700…多分、百日、二百日では及ぶまい。@ ;　…それこそ千日、あるいはさらにを必要とするだろう。\ `To regain the form of that physical body I had thrown away, `/ !d700`...it would probably take more than one hundred, two hundred days.`@ `...And it might require one thousand days, or maybe even more.`\ bg black,22 fede 10,2000 ;　だが、妾は無限の魔女。@ ;　千年を経し黄金の魔女。@ ;　数えることのできる月日を待つなど、造作もないこと。\ `However, I am the Endless Witch.`@ `The Golden Witch who has lived for one thousand years.`@ `Waiting any countable number of days would be no problem.`\ ;　くっくっく、金蔵よ。@ ;　今この場にいないことを悔やむがいい。@ ;　もう妾を捕らえることはできぬぞ。@ ;　…くっくっくっく！\ `*cackle*cackle*. Oh, Kinzo.`@ `You may regret that you are not here now.`@ `No longer will you be able to capture me.`@ `...*cackle*cackle*!`\ textoff bg forest_P2a,22 se1 22 bfly1 11 wait 500 cbfly 11 wait 500 bg black,45 wait 2000 se2v 37,40 fede 0,5000 mov %play_scene,30050 ;シーン変数の入力 wait 2000 me1 11 bg G1F_S1bP,22 ld r,$BUT_nayamuA1,24 ;■メタ視 ;「………それで、お前は黄金の蝶に姿を変え、森の中に潜んで魔力が回復するのを待った、ってのか？」\ ;＜戦人 `".........And then, you changed into gold butterflies, hid in the forest, and waited for your magic power to be restored? Is that what you're saying?"`\ ld l,$BEA_DefA1,23 ;「そういうことだ。@そなたを嘲笑するためにこの姿を取るが、本来は蝶たちの姿でいた方が魔力的には楽なのだ。」\ `"That is correct.`@` I take this form to sneer at you, but normally, it is easier magically for me to keep my form as gold butterflies."`\ ld r,$BUT_nayamuA2,80 ;「無理しねぇで楽な格好でいやがれよ。@ムカつく笑い声を聞かずに済むぜ。」\ `"Don't stress yourself and stay in an easy form.`@` I wouldn't mind not hearing your irritating laugh."`\ ld l,$BEA_AkuwaraiA1,80 E_A bgm1 38 ;「くっくっくっく。@蝶に姿を変え、森に紛れた妾を探し出すことなど、もはや金蔵には不可能なこと。@/ `"*cackle*cackle*.`@` When I turned into butterflies and slipped into the forest, it was already no longer possible for Kinzo to find me. `@/ ld l,$BEA_DefA1,80 ;……だが、金蔵も指をくわえているわけではなかった。@しかし、妾を捕らえる方法はすぐに用意は出来ぬ。\ `......However, Kinzo was not dismayed.`@` Still, he was unable to immediately prepare a way to catch me.`\ ld l,$BEA_waraiA1,80 ;　その為、まずは妾をこの島から逃がさぬ方法、@そして、妾が力を取り戻すことがないよう、即座に手を打ったのだ。@/ `Therefore, he first moved immediately to prevent me from leaving this island,`@` and to keep me from regaining my power. `@/ ld l,$BEA_AkuwaraiA1,80 ;………やれやれ、とにかく金蔵の執念深いことと言ったら、想像を絶する。@…あれに惚れられるのも、なかなかに辛いものだぞ。@くっくっく！」\ `.........My, my, anyways, Kinzo's spitefulness was unimaginable.`@` ...It was pretty tough to be loved by someone like that.`@` *cackle*cackle*!"`\ ld r,$BUT_niramuA1,80 ;「蝶になったお前を逃がさない方法？@　何だよ、森全体に蚊帳でも張ったってのか？」@ `"A way to keep you from leaving after you became butterflies?`@` What, did he put a bug net around the entire forest?"`@ ld l,$BEA_DefA1,80 ;「うむ。@それを魔法的に行なったのだ。@………そなたは知っておるか？@　船着場の先の洋上に岩礁が浮かび、そこに小さな東洋魔術の祠があることを。」\ `"Hmm.`@` It was done magically.`@` .........Did you know?`@` On the sea in front of the harbor floats a reef, on which sits a small shrine of Eastern magic."`\ ld r,$BUT_komaruA2,80 ;「……あぁ、あれか。@今年はなくなってたけどな。@昔、修験者が作ってったとかいう祠なんだろ？」\ `"......Ah, that.`@` It was gone this year, though.`@` It was a small shrine built long ago by a mountaineering ascetic, right?"`\ bg G1F_S1cP,0 ld r,$RON_akuwaraiA1,24 ;「六軒島は元来、歪みのある島でございます。@魔力的な存在や、それに類した存在を引きつけます。@……お嬢様も、そんな内のおひとりでございましょうね。@/ `"This island was originally an island of a distortion.`@` Things magical and those things that are related to magic were attracted to it.`@` ......Milady herself is one of them. `@/ ld r,$RON_WaraiA2,80 ;紅茶のお代わりはいかがですか？」\ `How about some more tea?"`\ ld l,$BEA_WaraiA1,23 ;「くっくっく、いただこうぞ。@/ `"*cackle*cackle*, please. `@/ ld l,$BEA_futekiA1,80 ;……それらは人間たちに害をなし、恐らく数々の不気味なる伝承を残してきたであろう。@それを聞きつけた東洋魔術師が、古代に設けたのがあの祠なのだ。@長い時間を経て、その力は失われておった。@金蔵はそれを修復することで、島の結界を蘇らせ、妾を再び島に縛り付けたのだ。」\ `......They did harm to humans, and probably left several eerie legends behind them.`@` That small shrine was built in ancient times by an Eastern magician who heard of them.`@` A long time passed, and that power was lost.`@` By repairing it, Kinzo restored this island's barrier, and once again tied me to this island."`\ bg G1F_S1aP,0 ld r,$BUT_OyaA1,23 ;「……西洋魔女のお前に、東洋の魔法なんて通じるのかよ。」\ `"......Can Eastern magic work on a Western witch like you?"`\ ld l,$BEA_NayamuA1,23 ;「本来は相性が悪い。@しかし、妾を封じたいという目的においては、ある意味、都合が良かっただろうな。\ `"Normally the affinity is poor.`@` However, for the purpose of sealing me there, in a way, the conditions might have been good. `\ ld l,$BEA_futekiA2,80 ;　妾も、西洋魔術であれば心得がある。@どのような結界であっても、何かの手が打てたであろう。@しかし東洋魔術は専門外よ。@妾が飲まんとするスープに対し、スプーンではなく箸を与えられたようなものだ。」\ `If it was Western magic, I would have some knowledge.`@` For any barrier, there would have been some measures I could have taken.`@` But Eastern magic is outside my area of expertise.`@` It was as if I had been given chopsticks instead of a spoon for some soup that I couldn't drink."`\ bg G1F_S1bP,0 ld r,$RON_MajimeA1,24 ;「東洋魔術が強く支配する空間では、西洋魔術はひどく力を失います。@ただでさえ千日は掛けたであろう力を取り戻す時間を、@さらにさらに長く掛けねばならなかったのです。」\ ;＜ロノウェ `In a space strongly controlled by Eastern magic, Western magic loses much of its power.`@` Even if she had one thousand days to regain her power,`@` she would have to wait many, many more."`\ ld l,$BUT_majimeA1,23 ;「……それで、約２０年掛けて魔力を取り戻し、今こうして蘇ったって言いたいのか。」\ `"......So you're trying to say that it took you 20 years to regain your power, and now you are revived, like this?"`\ bg black,22 wait 1000 me1v 16,50 bg butterfly_2a,8 ;「辛く長い年月であった…。@妾は黄金の蝶の姿のまま長く日々を送り、金蔵の屋敷を見つけ、やつの日常を見守った。@どのように仕返しをしてやろうか、それを思案することだけを日々の楽しみに生きてきた。\ `"Those were horribly long years...`@` I spent many days in the form of gold butterflies, found Kinzo's mansion, and watched over him every day.`@` I lived through those days with no means to enjoy myself except to ponder how I would get back at him.`\ bg black,22 bg Mlib_1c,2 ;　……妾にとって幸運だったのは、その間の２０年間。@金蔵は妾を探し出し捕らえるあらゆる秘術にことごとく失敗した点だったか。@人間に起こせる奇跡の数などたかが知れている。@妾をあれだけ長く捕らえていただけでも、充分に身に過ぎた奇跡だ。@そう何度も捕らえられては堪らぬわ。」\ `......That period of 20 years was fortunate for me.`@` Kinzo tried to use every magic to find and capture me, and failed in them all.`@` A human cannot bring about miracles very many times.`@` Even simply holding me captive for that long had been a miracle far above his place.`@` It would be unthinkable for me to be captured like that multiple times."`\ bg black,22 fede 10,2000 bg G1F_S1cP,26 ld r,$BUT_NayamuA1,24 ;「………祖父さまが、前のゲームだかで言ってたな。@魔法は確率的奇跡に宿る、みたいなことをよ。」\ `".........Grandfather said something in the previous game.`@` It was something like, magic lies in a miracle related to probability."`\ ld l,$BEA_WaraiA1,23 ;「うむ。@金蔵は妾を再び捕らえる秘術を探る内に、そこに行き着いたのだ。@/ `"Hmm.`@` While Kinzo searched for a hidden art to capture me again, he ended up at that. `@/ ld l,$BEA_FutekiA2,80 ;……………そして、１３人の生贄を捧げることで妾を再び蘇らせる儀式を、ついに編み出したのだ。」\ `............Then, he finally worked out the ceremony involving the offering of 13 people as sacrifices to revive me again."`\ bg black,22 ;「１３人の、……生贄…。」\ `"13 people as, ......sacrifices..."`\ bg portrait2,22 ld r,$RON_majimeA1,80 ;「それが、魔女の碑文。@生贄の唄でございます。@……第一の晩に６人。@第二の晩に２人。@そして第四の晩から第八の晩にかけて５人。@合計１３人の生贄を捧げる、禁じられた儀式…。@その生贄はランダムに決められ、儀式を執り行う金蔵自身も例外にはなりません。」\ `"That was the witch's epitaph.`@` It is a song of sacrifices.`@` ......Six people at the first twilight.`@` Two people at the second twilight.`@` And then five more people on the fourth through eight twilights.`@` A forbidden ceremony, involving the offering of a total of 13 people as sacrifices...`@` Those sacrifices were to be chosen randomly, and the one who held the ceremony, Kinzo himself, was not an exception."`\ bg G1F_S1cP,0 ld r,$BUT_KuyasigaruA1,26 ;「馬鹿野郎ぉ…。@この島で起こったあの凄惨な殺人が、全部、おかしな儀式だって言うのかよ！！」@ `"Dumbass...`@` Are you saying that all of the gruesome murders that occurred on this island were a weird ceremony?!!"`@ br ;　薄々はその可能性もあるかもしれないとは思っていた…。@ ;　でも、魔女と悪魔にそれが真相だなんて言われて、はいそうですかで鵜呑みになんかできるものか！\ `I had vaguely thought that this might be a possibility...`@ `But I couldn't just hear that this was the truth from a witch and a demon and say 'Oh, really?' and accept it!`\ bg G1F_S1aP,0 ld c,$BEA_DefA1,23 ;「六軒島には１８人いる。@１３人が生贄に捧げられ、５人だけが生き残る。@そして妾は蘇る。@/ `"There are 18 people on Rokkenjima.`@` 13 are offered as sacrifices, five are left alive.`@` Then I revive. `@/ ld c,$BEA_WaraiA1,80 ;……つまり、金蔵が妾に再び会える確率は大体、三分の一と言ったところか。@その確率に自らの命を賭し、@残りわずかな寿命の最後の一瞬に、妾との再会を望んだのだ。」\ `......In other words, the odds that Kinzo will be able to meet me again are probably around one third.`@` He bet his own life on those odds,`@` wishing for a reunion with me for the last bit of his remaining life."`\ cl c,0 ld r,$BEA_WaraiA1,0 ld l,$BUT_OdorokiA1,23 ;「………そのふざけた儀式のために、俺たち親族が集められたってのかよ？！@　ふざけやがってッ！！@　いい加減なことを抜かすんじゃねぇッ！！」\ `".........You're saying he gathered our family for the sake of that joke of a ceremony?!`@` Don't fuck with me!!`@` Don't say stuff like that, damn it!!"`\ ld r,$BEA_defA2,80 ;「元より契約の通りだ。@金蔵の生を終える時、@貸し与えた黄金と、そして金蔵が生み出した財産の全てを妾が貰い受けることになっておる。@/ `"It was according to the contract from the beginning.`@` When Kinzo's life ended,`@` all of the gold I had lent him, and all of the assets that Kinzo had created, would be received by me. `@/ ld r,$BEA_futekiA2,80 ;……金蔵にはさんざん煮え湯を飲まされたが、@今となってはこの千年でも稀な時間だった。@何しろ、魔女の天敵は退屈よ。@それから逃れることのできる数十年間を提供した金蔵には、@なるほど、それも含めて借りがあるやも知れぬ。\ `......I had been horribly stabbed in the back by Kinzo, `@`but it was an exceptional time, even amid the thousand years that have passed until now.`@` After all, boredom is my natural enemy.`@` To Kinzo, who offered me a chance to run away from that for several decades,`@` yes, if you include that, it might settle the debt.`\ ld r,$BEA_DefA1,80 ;　妾は金蔵のゲームに乗ることにした。@そしてまず、金蔵は右代宮家当主の指輪を妾に返却する。@妾の黄金で復興させた家だからな。@ `I decided to go along with Kinzo's game.`@` Then, first off, Kinzo returned to me the Ushiromiya family Head's Ring.`@` It was the house that had been revived by my gold, you see.`@ ld r,$BEA_AkuwaraiA1,80 ;　………そして１３人の生贄を気まぐれに決めるのだ。@そしてその過程で、お前たちが右往左往し、@妾に立ち向かおうと様々な人間模様を見せてくれることは、妾にとって非常に愉快なことだ。@妾はこの金蔵のゲームを、実に気に入っている！@　くっくっくっく。」\ `.........Then the 13 people were chosen randomly as sacrifices.`@` And by just doing that, you were all so confused,`@` and when you showed me various aspects of the fabric of human relationships as you stood against me, it gave me great pleasure.`@` I really like this game of Kinzo's!`@` *cackle*cackle*."`\ bg black,22 fede 0,3000 wait 1000 me1v 5,50 wait 2000 bg G1F_S1aP,0 ld l,$BUT_KuyasigaruA1,80 ;!s0「ああああぁあ！！/ !s0`"Aaaaaaaaaahh!! `/ se1v 11,50 quakey 4,800 ;!sd@　そんな魔法話は絶対ぇ信じねぇぞ！@　……じゃあお前は誰なんだ！@　お前は崖から転落して死んだんだろうが！@　魂が抜け出して蝶になって森へ？@　そんなのあるわけねぇだろうが！！\ !sd@`I definitely won't believe in that kind of magic story!`@` ......Then who are you?!`@` You fell off a cliff and died, right?!`@` Your soul slipped out, became butterflies, and went to the forest?`@` That isn't possible!!`\ cl r,0 ld l,$BUT_OdorokiB1,80 ;　だがお前はここにいる！@　誰だってんだ！！@　お前こそが１９人目じゃねぇのかよッ？！」\ `But you are here!`@` Who are you?!!`@` Aren't you the 19th person?!"`\ bg G1F_S1bP,0 ld r,$BEA_AkuwaraiA1,23 ;「そうであるな、妾こそが１９人目であろうな。@/ `"That is true, I am the 19th person. `@/ ld r,$BEA_AkuwaraiA2,80 ;くっくっくっく！@　だが駄目だぜ？@　全然駄目だぁ！！」\ `*cackle*cackle*!`@` But it's useless, right?`@` It's all useless!!"`\ textoff ;bg white,10,10 E_A se1v 57,100 bg BLADE6_2R,1 wait 1000 bgm1 55 ;wait 2000 bg G1F_S1aP,0 ld r,$BEA_AkuwaraiA1,42 ;ld l,$BUT_OdorokiB1,2 ld r,$BEA_AkuwaraiA3,80 ;「#ff0000この六軒島に１９人以上の人間は存在しない#ffffff！」\ `"#ff0000There are no more than 18 humans on this Rokkenjima#ffffff!"`\ ld l,$BUT_OdorokiA2,26 ;「んなッ、……………何だとぉおおぉ……。@ってことは１８人＋Ｘの、……Ｘは存在しないってのかよ？！@/ `"Wha, ............what did you saaaaaaay......`@` So you're saying, ......that X of the 18+X doesn't exist?! `@/ ld l,$BUT_KuyasigaruA1,80 ;　俺が取った駒、Ｘは、…存在しないってのかよぉおおおぉ？！」\ `Are you saying the piece that I took...the X...doesn't exist?!"`\ bg G1F_S1bP,0 ld r,$RON_waraiA2,24 ;「ぷっくっくっく…。@そういうことになります。@実にご愁傷様ですよ。@…しかしお嬢様も手がお早いですな。@もう少し泳がせて、最後に引っ繰り返すものとばかり思っておりました。@/ `"Pu ku ku ku...`@` That is what it means.`@` It is truly sorrowful.`@` ...However, Milady truly is a fast worker.`@` Just when I thought you would let him flounder around before turning everything over at the end. `@/ ld r,$RON_WaraiA1,80 ;さて戦人さま、紅茶のお代わりはもう結構ですか？」\ `Well then, Battler-sama, would some more tea be agreeable to you?"`\ bg G1F_S1cP,0 ld l,$BUT_KuyasigaruA1,23 ;「いッ、いらねぇよ畜生！！@　俺は信じないぞ！@　１８人の中に犯人がいるわけねぇ！@/ `"I, I don't need it, damn it!!`@` I don't believe!`@` The culprit couldn't be one of the 18 people! `@/ ld l,$BUT_OdorokiA2,80 ;　じゃあお前は何なんだよ、どうしてここにいるんだよ！！@　１９人目が存在しないってんなら、お前は１８人の誰かの変装だって言うのかよ？！」\ `Then, what are you, why are you here?!!`@` If the 19th person doesn't exist, then are you saying you're one of the 18 in disguise?!"`\ ld r,$BEA_AkuwaraiA1,24 ;「くっくっく！@　そなたにとって、渋々とではあっても、@１８人の誰かを疑うことが最後の逃げ道、キャスリングとなるであろうな。@/ `"*cackle*cackle*!`@` Perhaps you are castling.`@` Though reluctantly, you are doubting one of the 18 people as your last way out. `@/ ld r,$BEA_AkuwaraiA2,80 ;………しかし、妾はここからが難しいのだ。@そなたは形振りさえ捨てれば、@１８人もの人間を自在に犯人に仕立てあげられる！@　その１８人の駒を潜り抜け、@妾を認めさせチェックメイトに至るのは、/ ;!d800………実に難しいことよ。」\ `..........However, it will be difficult for me from here on.`@` If you throw away appearances, `@`you could prepare a culprit freely amid 18 people!`@` Making you reach checkmate by evading those 18 pieces, `/ !d800`.........will be truly difficult."`\ bg G1F_S1aP,23 ld r,$BUT_kuyasigaruA1,24 ;「そんなことするもんか！！@　１８人の誰も疑わない！@　疑いたくない！！@　またここに追い込まれちまったのか…？！@　畜生ぉ、畜生畜生ぉ！！」\ `"As if I would do that!!`@` I won't doubt any of the 18!`@` I don't want to doubt!!`@` Have I really been cornered here again...?!`@` Damn it, damn it damn it!!"`\ ld l,$BEA_AkuwaraiA5,23 ;「三度に及んだそなたとのゲームも、いよいよ終盤戦のようではないか。@もう逃げ場はないぞ？@　くっくっく！@　お前の大好きな１８人を疑いたくないだろぉ？　妾がそれを被ってやるぞ？@　なのになぜ妾を拒むのか？\ `"It looks like you have finally reached the end of your battle with this third game, doesn't it?`@` There's nowhere to run anymore, right?`@` *cackle*cackle*!`@` You don't want to doubt any of those beloved people in the 18, do you? Were you trying to hide that from me?`@` And yet, why do you refuse me?`\ ld l,$BEA_AkuwaraiA2,80 ;　序盤は本のように、中盤は魔術師のように。@そして終盤は機械の様に指せとな。@これより詰めるぞ。@ゆっくりじっくり、…確実にな。@いいやそれとも、そなたに相応しく一気に畳み掛けるのが良いのか？\ `They say you should play the opening like a book, the middle game like a magician, and the endgame like a machine.`@` I'll corner you from here on.`@` Slowly, carefully, ...surely.`@` Or, on the other hand, would it be better if I pressed you all at once, as would be fitting for you?`\ ld l,$BEA_AkuwaraiA3,80 ;　そなたにはそれが似合うだろう、そうしよう。@すでにそなたの苦手とする攻め方も知り抜いておるわ！@　くっくくくくくっひひひひひひひひひひ！！」\ `That should suit you, let's do that.`@` I now thoroughly know of your unskillful method of attack!`@` *cackle*cackle*cackle* hihihihihihihihihihi!!"`\ textoff skipoff mevol 1,70 me2 5 se1 27 wait 500 bg white,1 wait 1000 bg black,2 wait 2000 fede 0,3000 wait 2000 ;・−・−・−・−・−・−・ここで初日終了イベント mov %play_scene,30060 ;シーン変数の入力 meplay2 1,13,70 meplay2 2,5,70 dllefe 1,1 bg rose_G1aN,2 wait 5000 se1 23 bg G_o1aN,2 wait 2000 bg black,22 dllefe_off bg black,80 fedexx 0,40,40,0,0,0,3000 bg G2F_R1aN,0 ld l,$BUT_defA1,0 ld r,$JES_defA1,24 wait 3000 bg G1F_P1bN,24 wait 2000 bg G1F_R1bN,0 ld r,$KAN_MajimeA1,23 wait 3000 bg G1F_R1aR,0 ld l,$GEN_komaruA1,24 wait 3000 bg black,22 fedexx 0,70,70,0,0,0,3000 bg garden_R1bN,0 ld l,$SHA_hajiraiA1,0 ld r,$GEO_komaruA5k,26 wait 3000 bg black,22 dllefe 1,1 bg M_o1aN,2 wait 3000 bg M_o1bN,2 wait 10000 se2 27 se3 21 wait 500 mevol 1,40 mevol 2,40 bg white,1 dllefe_off bg portrait2,42 wait 10000 ;時計の音 bgmplay 23 bg Mdin_1fN,2 wait 4000 bg Mdin_1aN,0 ld c,$KLA_DefA1,23 wait 2000 bg Mdin_1cN,0 ld r,$RUD_MajimeA1,24 wait 2000 ld l,$KIR_MajimeA1,23 wait 2000 bg Mdin_1bN,0 ld r,$EVA_WaraiA1,24 wait 2000 ld l,$NAT_ZutuuA1,23 wait 2000 bg Mdin_1dN,0 ld r,$HID_fumuA1,0 ld l,$ROS_NayamuA1,24 wait 2000 bg black,5 wait 2000 bg Mkit_1bN,0 ld l,$GOH_HohoemiA1,2 wait 2000 bg M1F_P1cN,2 wait 2000 bg black,2 wait 3000 bg Mlib_1bN,0 ld c,$KIN_FumuA1,2 wait 1000 ld c,$KIN_MajimeA1,80 wait 3000 bg black,5 bg Ment_1bN,2 wait 4000 bg Mhal_2cN,2 wait 8000 bg portrait2,2 wait 8000 ld r,$BEA_akuwaraiA1,99,3000,"breakup.dll/lrp" ;▲第５アイキャッチ　１０月４日（土）２３時５９分〜２４時００分 eye2 23,59,24,00,1,0,320,480,120 *umi3_6 mov %play_scene,30060 ;シーン変数の入力 mov %grim_scene,303 E_A ;■金蔵の書斎 me1 13 me2 14 textoff bg black,22 dllefe 1,1 bg M_o1aN,26 wait 4000 bg black,2 dllefe_off bg black,80 fedexx 0,40,0,0,0,0,4000 bg Mlib_1aN,22 wait 2000 bg Mlib_1cN,0 ld c,$KIN_fumuA1,24 ;「………………………さて。@この度のゲームはどう転ぶのか。@…委ねるもよし、抗うもよし。@……いずれにせよ、わしに残されたわずかの命を賭すに値する、実に楽しい宴よ。」\ ;＜金蔵 `".....................Well then.`@` How will this game be resolved?`@` ...You may submit, and you may resist.`@` ......Either way, it will truly be an entertaining banquet worth betting my short remaining life on."`\ se1 21 ;　金蔵は薄暗い書斎で、時折、稲光に照らされながら、@ぶつぶつと独り言を口走っては、それにひとり、笑う。\ `In his dimly lit study, which was occasionally brightened by lightning,`@` Kinzo kept mumbling to himself, laughed by himself.`\ bg Mlib_1e,25 ;　机の上に置かれた、凝った意匠の施されたアンティークの時計は、@重なっていた２本の針を右に傾かせ、ずらし始めている。@ `On the antique clock with the intricate design that had been sitting on his desk,`@` the two overlapping hands tilted to the right, and began to slide.`@ br ;　２４を数えた時の刻みが０に戻り、再びそれを数え直していた…。\ `The measure of time that counted to 24 had returned to 0, and had begun to count back again...`\ textoff bgm1v 13,0 fedexx 70,0,0,0,0,0,3000 ;「……時の刻みとは残酷なものよ。@２４を数えるために一日を掛けて辿り着き、そして再び０に戻る。@……２３時５９分までは確かに数えただろう。@しかし、２４時に辿り着くことはできたのだろうか？@　……辿り着けず、再び０時に戻ったと考えれば、それは何とも虚しいことよ。」\ `"......Measuring time is a brutal thing.`@` It drags itself all the way to 24 over the course of a day, and then returns back to 0.`@` ......It surely counts to 23:59.`@` However, is it ever able to reach 24:00?`@` ......If you believe that it returns to 0:00 again without reaching it, how futile it seems."`\ bg black,22 ;　いや、それこそが人の生涯か。@ ;　完全な２４を目指して生き、そこに辿り着いた刹那、０に戻る。@ `No, is that the same as a person's life?`@ `You live, aiming for a perfect 24, and in the instant you reach it, you return to 0.`@ br ;　故人は２４に辿り着けたと人々は讃えるだろうが、それは断じて２４ではない。@ `People will probably praise the departed, saying that he did reach 24, but that surely is not 24.`@ br ;　………所詮は、０なのだ。\ `.........After all, that is 0.`\ ;「わしは違うぞ。@……わしは生きて２４に辿り着く。@そここそが黄金郷。@…ベアトリーチェの住処なのだから。」\ `"I am different.`@` ......I will live and reach 24.`@` That itself is the Golden Land.`@` ...Because that is Beatrice's dwelling."`\ bg Mlib_1dN,22 ;　金蔵は先ほどからずっと、タロットカードを弄っていた。@ `Kinzo had been fumbling around with some tarot cards for some time.`@ br ;　そして己の勝負運を占っては、その結果が気に入らない度にやり直しているように見えた。\ `It looked as though he was trying to divine his own luck in the contest, and doing it over every time he didn't like the result.`\ ;　タロット占いでもっとも禁じられている行為は、同じことを二度占うことである。@ `The most forbidden action in tarot reading was to try predicting the same thing twice.`@ br ;　それは占いの結果に対する冒涜であり、@タロットを通じて神託を与えてくれる、人より上位の存在への冒涜ともなるのである。\ `That was a desecration to the result of the fortune telling,`@` and also desecrated the existence higher than humans which became an oracle through the tarot cards.`\ ;　しかし、金蔵は知っている。@ `However, Kinzo knew.`@ br ;　タロットが二度占ってはならないのは、これが単なる乱数発生器でしかないため、@二度占えば異なる結果が出るのは当然だからだ。@ `The reason the tarot cards shouldn't be used twice was that, since it was nothing more than a random number generator,`@` it was natural that if you read them twice, a different result could appear.`@ br ;　……だから、タロットの結果に神秘性を持たせるために、二度の占いを禁じているに過ぎないのだ。\ `......Therefore, reading twice was only forbidden to preserve the mystique of the tarot cards' results.`\ bg black,22 ;　…しかし、だからといって金蔵がタロット占いを馬鹿にしているわけではない。@ ;　金蔵の解釈によるタロット占いは、まったく別のやり方だった。@ `...However, that didn't mean that Kinzo didn't take tarot reading seriously.`@ `Kinzo's interpretation of tarot reading was done in a completely different way.`@ br ;　それは、自分の得たい最高の結果が出るまで、一切の妥協なく、@何度も何度もタロットを繰り返すことだ。\ `That was to repeat the reading, over and over,`@` without giving up in the slightest, until he reached the result most favorable to him.`\ ;　最高の結果がどの程度のものかの定義にもよるが、@厳密な意味での最高の結果を求めたなら、@それは単なる算数的奇跡を求める運のルーレットと同じになる。@ `What the best result was depended on the definition,`@` but if he demanded the best result in a strict sense,`@` it was the same as a simple roulette of luck, where he seeked an arithmetic miracle.`@ br ;　……しかし、数字の奇跡こそを魔力の根源とする金蔵にとって、それは充分、魔法の儀式となり得た。\ `......However, to Kinzo, who made miracles of numbers the basis of his magical power, this could become very much like a magic ritual.`\ bg Mlib_1bN,22 ;　つまり、@自分の望む結果が完全に出るまで、延々とタロットを繰り返すその手間と信念、心の気持ちが祈祷に通じ、@それが天に届いた時、結果となって昇華されるという、金蔵独自の魔法解釈だ。@ `In other words,`@` until the result he desired appeared perfectly, he would strive to repeat the tarot readings over and over, with conviction, turning the feelings of his heart into a prayer,`@` so that when it reached heaven, the result would be sublimated.`@` This was Kinzo's personal magical interpretation.`@ br ;　だから、金蔵が扱っているタロットは、世間一般のタロットとまったく同じものだったが、@そのやり方がまったく異なっていたのだ…。\ `Therefore, even though the tarot cards Kinzo used were exactly the same as generally used tarot cards,`@` the way they were used was completely different...`\ textoff se1v 27,40 wait 500 bg white,1 bg Mlib_1bN,2 ld r,$KIN_FumuA1,24 ;「……………………………。@…今宵は、……思い通りにならぬな。」@ `"..................`@`...Tonight, ......will not go as I thought."`@ br ;　金蔵は一度手を止める。\ `Kinzo stopped his hands for a second.`\ ;　…なかなか思い通りの結果が出ないようだった。@ `...It seemed the result he expected wasn't showing up.`@ br ;　それどころか、そうそう出るはずのない悪いカードが繰り返し現れ、@金蔵の求める奇跡を妨害し続けていた。\ `On the contrary, many bad cards that shouldn't appear appeared repeatedly,`@` and continued to interfere with the miracle Kinzo wished for.`\ ld r,$KIN_fukigenA1,80 ;「………………ふ。@…そういうことなのか。」@ `"...............Hmph.`@` ...Is that how it is?"`@ br ;　普段とは違う流れに、金蔵は何かの神託を得たらしい。@ `It seemed that Kinzo had received some oracle that that was different from normal.`@ br ;　しかし、不吉なカードたちが机の上に散らばる様を見る限り、その神託が良き報せであるとは考え難かった…。\ `But judging by the unlucky cards scattered over the desk, it was difficult to imagine that the oracle had been a good sign...`\ ld r,$KIN_fumuA1,80 ;　金蔵はしばらくの間、固く目を閉じ、何かを思案した。\ `For a while, Kinzo closed his eyes tightly, pondering something.`\ bg black,22 se1 21 ;bg white,1 ;bg black,22 bg Mlib_1e,2 se2v 53,50 ;　そして雷鳴に何かを決断し、受話器を取りダイヤルする。@ `Then as the thunder roared, he made up his mind about something, took the telephone receiver, and dialed.`@ br ;「…………わしだ。@源次はおるか。至急だ。」\ `".........It is I.`@` Is Genji there? It is urgent."`\ textoff bg black,5 fede 0,3000 wait 1000 me1 13 me2 14 dllefe 1,1 bg garden_1cN,26 wait 2000 bg black,26 bg M_o1aN,22 ld c,$SHA_HajiraiA1,4 ;■お屋敷の玄関前（外） ;「………………はぁ。」@ `"............Haah."`@ br ;　紗音は玄関前で、冷えた空気に火照った顔を冷ましていた。\ `In front of the entrance hall, Shannon's previously burning face had been cooled off by the frigid air.`\ ;　…譲治からの求婚は、/ ;!d700……きっといつかあるだろうと思っていた。\ `...She had thought, `/ !d700`......that George's proposal would surely come sometime.`\ bg M_o1bN,25 ;　心の準備はなかったわけではない。@ ;　そして、応える形で頷いてしまった。@ `It wasn't that her heart was not prepared.`@ `And she had nodded as if in answer.`@ br ;　若さゆえの無謀だったのだろうか？@ ;　もっと将来のことは真剣に考えた方が？@ `Had she been reckless because of her youth?`@ `Should she have thought about her future more seriously?`@ br ;　即答したせいで、むしろ安っぽい女だなんて思われはしなかったろうか。\ `I wonder if he doesn't think of me as a cheap girl because of my immediate reply.`\ ;　…せめて明日の朝まで保留したほうが、真剣に考えてる雰囲気をアピールできただろうか。@ `...Would I have been able to look like I was thinking more seriously if I had at least held off until tomorrow morning?`@ br ;　譲治に、もう指輪をもらった後の今になって、@ああすれば良かったこうすれば良かったと、紗音はひとりもじもじと照れ隠しを続けているのだった。\ `Now that she had already received the ring from George, Shannon kept fidgeting in embarrassment.`@` I should have done this, I should have done that.`\ bg black,26 bg M_o1aN,22 ;　そこへ、ばたばたと水溜りを踏み散らしながら駆けてくる足音を聞く。@ `As she did. she heard the sound of footsteps splashing through puddles.`@ br ;　紗音はすぐに浮かれた気持ちを追い出した。\ `Shannon immediately chased away the emotions welling up inside her.`\ ld r,$SHA_OdorokiA2,24 ;「……源次さま？@　嘉音くんも…！@　す、すみません、すぐに戻らなくてその…、」@ `"......Genji-sama?`@` Kanon-kun too...!`@` I, I'm sorry, I have to go back soon, umm..."`@ br ;　譲治との逢瀬に時間を割きすぎたことを叱られるに違いないと、身を固くした。\ `She grew stiff, thinking that she would surely be scolded for spending too much time in her secret lover's meeting with George.`\ ld l,$GEN_majimeA1,23 ;「紗音。@お館様が至急、書斎へ来るようにとの仰せだ。@急ぐぞ。」@ `"Shannon.`@` The Master told us to come to the study, saying it was urgent.`@` Let us hurry."`@ ld r,$SHA_KomaruA1,80 ;「……え？@　は、はい、かしこまりました…！@　一体、何事なの…？」\ `"......Huh?`@` Y, yes, certainly...!`@` What in the world...?"`\ ld c,$KAN_FumanA1,23 ;「不吉な予感がするってさ。@……自分で儀式を起こしておいて、都合のいい話さ。」\ ;＜嘉音 `"He said he had a premonition of misfortune.`@` ......It would be convenient if he could carry out the ceremony by himself."`\ ld l,$GEN_DefA1,24 ;「郷田に気取られぬよう、裏から入る。@/ `"We will enter from the back, so that Gohda doesn't notice us. `@/ ;se1 20 cl l,64 ;足音に気をつけろ。」@ ;＜源次 `Hide your footsteps."`@ ld c,$KAN_DefA2,23 ;「はい。@………姉さん、注意して。@姉さんは賑やかだから。」\ ;＜嘉音 `"Yes.`@` .........Nee-san, take care.`@` You're so noisy."`\ ;se1 20 cl c,64 ;　嘉音は特に、気配を殺せるように出来ている。@ `Kanon was especially good at hiding his footsteps.`@ br ;　…例えるならば猫。@ ;　誰にも気取られることなく、いつの間にかそこにいて、いつの間にか立ち去ることができる。@ `...Like he was a cat.`@ `He was able to suddenly be there without anyone noticing, and leave in the same way.`@ br ;　だから例え、水溜りを踏むことになろうとも、@その音は水溜りを叩く雨音よりも遥かに小さい…。\ `For example, even though he stepped in the puddles, `@`the sound he made was far smaller than that of the rain hitting the puddles...`\ bg black,24 ;　源次もまた、そういう力を持ち合わせていた。@ ;　…いや、本来、家具とまで呼ばれる使用人はそうあるべきなのだ。@ `Genji also had that ability.`@ `...Well, originally, those servants called furniture were supposed to be like that.`@ br ;　家人が机や戸棚に対して何の気配も感じないように、使用人もそうであり、@彼らが必要とする時にさりげなく現れるのが最大の美徳なのだ。\ `Just like how desks and closets went unnoticed by members of the family, `@`the servants also treated being able to appear unconcernedly when they needed to as a great virtue.`\ ;se1 20 se1 21 ;　そこへ行くと、紗音の足音はまだ自己主張が強い。@ `In that sense, Shannon's footsteps still strongly asserted themselves.`@ br ;　…彼女なりに足音を潜めているつもりだが、@嘉音たちのそれに比べれば、なるほど、賑やかとは言い得ていた…。\ `...She was also trying to hide her footsteps, `@`but compared to Kanon and Genji, well, you could say she was a little more lively...`\ ;　やがて裏口に辿り着き、３人は屋敷の中に入った。\ `Eventually they reached the back door, and the three of them entered the mansion.`\ se1 17 dllefe_off bg black,80 me3v 12,0 fedexx 0,0,0,40,0,0,4000 bg M1F_P1bN,4 ;　すぐに、………何かを感じた気がした。@ `Immediately, .........they thought they felt something.`@ br ;　嗅覚とは違うけれど、…鼻の奥底で感じるような、@……勘とでも言えばいいのか、形容し難い感覚が、いつもと違う何かを知覚した。\ `It was different from a sense of smell, ...it was as though they felt it from the depths of their noses, `@`......and this hard to describe sensation, which you might call a sixth sense, allowed them to perceive that something was different than usual.`\ ld r,$KAN_OdorokiA1,24 ;「…………源次さま。」@ ;＜嘉音 `"............Genji-sama."`@ ld l,$GEN_MajimeA1,23 ;「…うむ。急ぐぞ。」\ ;＜源次 `"...Hmm. Hurry."`\ se1 21 bg black,64 bg Mhal_2aN,64 ;　その知覚は、緊迫した何かが迫っていることを感じさせる。@ `That perception made it feel as though some kind of tension was pressing on them.`@ br ;　３人はそれを理解し、足音を殺したまま、階段を駆け上がり金蔵の書斎を目指した。\ `Realizing that, the three of them dashed up the stairs, aiming for Kinzo's study, still hiding their footsteps.`\ textoff bg Mhal_2bN,65 wait 1000 bg M2F_P1cN,22 ;　階段を駆け上がると、…金蔵の書斎特有の甘い毒の臭いが鼻を突く。\ `When they dashed up the stairs, ...that smell of sweet poison particular to Kinzo's study reached their noses.`\ ld c,$GEN_OdorokiA1,24 ;「…………………む。」@ ;＜源次 `"..................Mu."`@ ld l,$SHA_odorokiA2,23 ;「いかがなさいましたか、源次さま…。」@ ;＜紗音 `"What is it, Genji-sama...?"`@ ld r,$KAN_IkariA2,64 se2 26 ;「……結界が、死んでいる。」@ ;＜嘉音 `"......The barrier is, ...dead."`@ ld l,$SHA_OdorokiA1,80 ;「え？@　……………あ。」\ ;＜紗音 `"Huh?`@` ...............Ah."`\ bg black,24 bg M_door2,22 ;　嘉音に言われて、書斎の扉を見る。@ ;　そのドアノブには、サソリの紋様が刻まれている。@ `After hearing Kanon, she looked at the door to the study.`@ `A scorpion pattern was engraved on the doorknob.`@ br ;　強力な魔除けだ。@ ;　金蔵の身を守る、最後の結界。@ `A powerful magic-repellent.`@ `The final barrier, which protected Kinzo himself.`@ ;se1 24 se1v 27,40 ;　それが破られていた。\ `It had been broken.`\ bg M_door1,22 ;　もちろん、見た目にはそのドアノブに何の変化もない。@ ;　しかし、人には知覚できぬものを理解できる彼らには、その劇的変化が理解できた…。\ `Of course, there was no change to the doorknob that the eye could see.`@ `However, they who could understand things that people couldn't perceive, `@`were able to recognize that there was a dramatic change...`\ ld r,$GEN_OdorokiA1,24 se1 19 ;「……お館様。@お館様…！@/ `"......Master.`@` Master...! `@/ se1 19 ;　源次でございます。@ここをお開け下さい。」@ `It is Genji.`@` Please open this door."`@ br ;　源次が数度ノックしてそう声を掛けるが、書斎から返事はなかった。\ `Genji called in this way after knocking several times, but there was no answer from the study.`\ bg M2F_P1cN,24 ld r,$GEN_DefA1,22 ;「紗音、背中を守れ。@嘉音、室内を探れ。」@ `"Shannon, protect our backs.`@` Kanon, search inside the room."`@ ld c,$KAN_OdorokiA2,0 ld l,$SHA_MajimeA3,24 ;「「はい…！」」\ `""Yes...!""`\ bg black,22 me1v 16,0 fedexx 0,50,0,0,0,0,3000 bg M_door1,22 ld r,$KAN_IkariA2,24 ;　嘉音は扉に耳を当て、書斎の中の気配を探る。@ `Kanon put his ear against the door, searching for a presence inside the study.`@ br ;　紗音は扉に注視する二人の背中を守るため、背を合わせるように逆を向き、不測の事態に備えた。\ `To protect the backs of the other two, who were watching the door, Shannon faced the other way, with her back to them, prepared for the unexpected.`\ ld r,$KAN_KomaruA1,80 ;「…………お館様はいらっしゃられるはずです。@…ですが、静か過ぎます。」\ `"............The Master should be here.`@` ...However, it's too quiet."`\ ld l,$GEN_MajimeA1,23 ;「ご無事だということか。」@ `"Are you saying he is safe?"`@ br ld r,$KAN_odorokiA2,80 ;「いいえ。@(静かが過ぎます/・・・・・・・)。」@ ;＜点処理：静かが過ぎます `"No.`@` `(`It's too quiet`/・・・・・・・)`."`@ cl l,24 ld l,$SHA_komaruA1,23 br ;「…まさか、…………そんな。」\ ;＜紗音 `"...Could it, ............possibly be..."`\ cl a,24 ld c,$GEN_OdorokiA1,24 ;「お館様。@扉を失礼させていただきます。」@ `"Master.`@` Excuse us about the door."`@ br se1 31 ;　源次は懐より、黄金の鍵を取り出す。@ ;　金蔵が持つ以外に、唯一存在する書斎の鍵だ。\ `Genji pulled a gold key out of his pocket.`@ `It was the only key to the study that existed, other than the one Kinzo held.`\ bg M_door2,22 se1 25 ;　鍵穴にそれを刺し、重い手応えで捻る。@ ;　……一見、それは確かに厳重な施錠を示した。\ `He stuck it in the key hole, and turned it heavily.`@ `......At first glance, it looked like that meant that is really was a strong lock.`\ ;　しかし、結界が破られているということは、@魔力ある者にとって、この扉はすでに開きっぱなしと同じ意味だ…。@ `However, now that the barrier had been destroyed, `@`this door was as good as open for anyone with magical power...`@ ;　ゴトリと重い音がして、(人間にとっても/・・・・・・・)、扉が開かれたことを示す。\ ;＜点処理：人間にとっても `The heavy sound meant that the door could be` br `opened `(`even by humans`/・・・・・・・)`.`\ ;「……失礼いたします。」@ ;＜源次 `"......Excuse me."`@ se1 17 bg white,10 bg black,22 br ;　源次はうやうやしく頭を下げながら、@そして嘉音は緊張感を張り巡らせながら、@そして紗音はおろおろとしながら書斎へ入る…。\ `As Genji respectfully bowed his head,`@` and Kanon's sense of tension grew tighter,`@` and Shannon acted nervous, they entered the study...`\ bg Mlib_1cN,0 ld c,$KIN_fumuA1,26 E_A ;　金蔵の姿はすぐに見つけられた。@ `They immediately discovered Kinzo's figure.`@ me1 11 ;　……応接ソファーに背を向けるようにして座っていた。\ `......He was sitting in the reception sofa so that his back faced them.`\ bg Mlib_1aN,0 ld l,$GEN_MajimeA1,23 ld l,$GEN_KomaruA1,80 ;　源次はその向かいに座る人物に気付き、再び頭を深々と下げる。\ `Genji noticed the person sitting across from him, and again bowed deeply.`\ ld r,$KAN_OdorokiA1,24 ;　嘉音もその人物に気付き、@/ `Kanon also noticed that person, `@/ ld r,$KAN_odorokiA2,80 ;……彼は頭を下げなかった。@ `......and he didn't bow his head.`@ ;　両手を広げて紗音の前に出て、その背で庇った。@ `He went in front of Shannon and spread both arms, blocking the way to her.`@ br ;　だから紗音はもう、その人物の顔を見なくてもおおよその想像がついた…。\ `So without even seeing that person's face, Shannon already had a good idea who it was...`\ bg black,24 E_A bg Mlib_1cN,24 ld r,$GEn_DefA1,24 ;「…お越しでございましたか。@/ `"...So you have come. `@/ bgm1 61 ;ベアトリーチェさま。」@ ;＜源次 `Beatrice-sama."`@ ld l,$BEA_DefA2,3 ;「源次か。@なかなかに早いな。@/ `"Genji is it?`@` You came very quickly. `@/ ld l,$BEA_WaraiA1,80 ;やはり家具は、主の呼び掛けに素早く応える方が良い。@こやつとは大違いだ。」\ ;＜ベアト `Yes, it is better when furniture answers their master's call quickly.`@` Very different from this person."`\ ld r,$GEN_MajimeA2,80 ;「……………………。@……ロノウェさまもお越しでしたか。」@ `"............`@`......So Ronove-sama has come as well."`@ br ;　ベアトリーチェの右後ろの何もないはずの薄暗闇に、源次が会釈する。\ `Genji directed his greeting towards the thin darkness behind and to the right of Beatrice, where there shouldn't have been anything.`\ ;　そこに誰かがいるようには、嘉音にも紗音にも、思えなかった。@ `Even Kanon and Shannon couldn't have imagined that someone would be there.`@ br ;　……しかし、暗闇はすぐに答え、源次の眼力を讃えた…。\ `......However, the darkness answered immediately, and praised Genji's eyesight...`\ bg Mlib_1bN,23 se1 52 ld r,$RON_akuWaraiA1,99,2000,"breakup.dll/llp" ;「相変わらず、さすがです。@だいぶの久し振りになりますね。@………それにしても老けましたね。@それだけの齢を重ねましたか。」\ ;＜ロノウェ `"As usual, you don't disappoint.`@` It has been quite some time.`@` .........Even so, you have gotten old, haven't you?`@` Have you really reached that age?"`\ ld l,$GEN_DefA1,23 ;「充実した日々を過ごしております。@…ロノウェさまにおかれましても、ますます充実されておりますよう、お見受けいたします。」\ ;＜源次 `"I have lived a full life.`@` ...It appears that your life has grown to be even more full, Ronove-sama."`\ ld r,$RON_DefA1,80 ;「えぇ。@お陰様です。@/ `"Yes.`@` Thank you. `@/ ld r,$RON_WaraiA2,80 ;………そして紗音も久し振りですね。@君はずいぶんと美しくなった。@そして、ずいぶんと強くなったようですね。@良いことです。」\ `.........And Shannon, it has been a long time since I last saw you, as well.`@` You have grown quite beautiful.`@` And, it seems that you have grown quite strong.`@` That is fortunate."`\ bg Mlib_1aN,0 ld l,$SHA_MajimeA3,23 ;「…………ありがとうございます。」@ ;＜紗音 `"............Thank you very much."`@ ld r,$KAN_OdorokiA1,24 ;「……姉さん、あいつは一体…。」\ ;＜嘉音 `"......Nee-san, who in the world..."`\ cl l,24 ld l,$RON_akuwaraiA1,23 ;「嘉音くんとは、会うのは初めてになりますね。@……私は、ベアトリーチェさまの家具頭を任されております、ロノウェと申します。@……源次さんの古い馴染みですよ。@あなたと同じに、私も家具です。@仕える主は異なりますが。」\ ;＜ロノウェ `"This will be the first time I have met you, Kanon-kun.`@` ......I, Ronove, have been entrusted with the position of Beatrice-sama's head furniture.`@` ......I am an old friend of Genji-san's.`@` I am also furniture, just like you.`@` Although the master I serve is different."`\ ld r,$KAN_odorokiA2,80 ;　嘉音の表情からは決して緊張の色は消えない。@ ;　……家具は仕える主が違えば、やさしくも残酷にも如何様にでもなる。@ `The color of tension didn't disappear from Kanon's expression in the slightest.`@ `......If furniture served a different master, they could be kind or brutal or a fraud.`@ br ;　…彼が嫌悪するベアトリーチェに仕える家具だと名乗ったならば、@彼もまた嫌悪すべき存在に違いないのだ…。\ `...If he called himself furniture serving the hated Beatrice, `@`then surely he was a despicable being as well...`\ bg black,24 bg Mlib_1dN,24 ld c,$BEA_AkuwaraiA1,23 ;「くっくっくっく！@　妾もすっかり嫌われたものだ。@坊主憎ければ袈裟まで何とかとはよく言ったものよ。」@ `"*cackle*cackle*!`@` It seems that I'm completely despised.`@` It's as though you hate everything to do with me."`@ br ;　ベアトリーチェは、嘉音の嫌悪感に満ちたその顔を露骨に嘲笑う…。\ `Beatrice openly sneered at Kanon's hate-filled face...`\ bg black,22 ;　そして嘉音はようやく知った。@ `Then, Kanon finally knew.`@ bg chess1,22 ;　ベアトリーチェと金蔵は応接ソファーに向かい合い、チェスを興じていたのだ。\ `Beatrice and Kinzo were enjoying a chess game across the reception table.`\ ;　しかし、金蔵は微動だにしない。@ ;　両手で自らの頭を抱え、固く目を瞑り…、次の手を黙考しているのだ。@ `But Kinzo hadn't even quivered.`@ `He was holding his head with both hands, his eyes closed tight..., as he contemplated his next move.`@ br ;　……いや、苦悩しているのか…。\ `......No, was he in anguish...?`\ bg black,22 bg Mlib_1cN,26 ld l,$SHA_KomaruA1,23 ;「………お館様………。」\ ;＜紗音 `".........Master........."`\ ld r,$BEA_akuwaraiA1,24 ;「妾が金蔵に伝えたのは２つ。@良い報せと悪い報せだった。@/ `"I have told Kinzo two things.`@` There was good news and bad news. `@/ ld r,$BEA_futekiA2,80 ;……良い報せは、儀式を終えずして妾と再会できる幸運を得たこと。@悪い報せは、金蔵が儀式の一番最初の生贄に選ばれてしまったことだ。\ `......The good news was that he would have the fortune of being reunited with me before the ceremony ends.`@` The bad news was that Kinzo had been selected for the very first sacrifice of the ceremony.`\ ld r,$BEA_AkuwaraiA2,80 ;　くっくっくっく！@　こればかりは妾にもどうしようもない。@実に気まぐれにルーレットにて決めたのだから。」\ ;＜ベアト `*cackle*cackle*!`@` There's absolutely nothing I can do about it.`@` Because it truly was decided by the fickle roulette."`\ cl l,24 ld l,$KAN_IkariA1,23 ;「…う、嘘を吐け。@ただの快楽殺人者のくせに……。」@ ;＜嘉音 `"...L, liar.`@` You just take pleasure in killing people......"`@ ld c,$SHA_komaruA1,24 ;「よして、嘉音くん……。」\ ;＜紗音 `"Stop it, Kanon-kun......"`\ bg Mlib_1dN,22 ;ld r,$KIN_fukigenA1,24 ld l,$BEA_futekiA1,3 ;「……さて、金蔵。@そろそろ負けを認める気になったのか？@　……くっくっく、これにて、妾との長きに亘る勝負は決着だな？」@ `"......So, Kinzo.`@` Isn't it about time you decided to accept your loss?`@` ......*cackle*, by this, our long lasting contest is resolved, right?"`@ ld r,$KIN_fukigenA1,80 ;「……………………………。」\ ;＜金蔵 `"........................"`\ ;　ぱっと見る限り、混迷したチェス盤を一望しただけでは戦局は見えない。@ `At a glance, you couldn't tell the current situation on that chaotic chessboard.`@ br ;　…しかし、金蔵の苦悩とベアトリーチェの悪意ある余裕を見る限り、@すでにそれは決しているように見えた…。\ `...However, judging from Kinzo's anguish and Beatrice's malicious relaxedness, `@`it looked as though it was already decided...`\ ld r,$KIN_WaraiA2,80 ;「…………是非もなし…。@…これもまた一興か。」@ ;＜金蔵 `"............It is unavoidable...`@`...Is this also entertainment?"`@ ld l,$BEA_WaraiA1,80 ;「妾もだ。@……そなたとの勝負に決着がつくことは、万感の思いあれど、もはや恩讐を越える。@/ `"It is to me too.`@` ......Resolving my contest with you may bring a flood of emotions, but it has already surpassed love and hate. `@/ ld l,$BEA_DefA1,80 ;…楽しかったぞ。@退屈しない数十年であった…！」\ `...It was fun.`@` Several decades that were not boring...!"`\ bg black,25 ;　ベアトリーチェがクイーンを進め、最後の一手を指す。@ `Beatrice advanced her queen, and made her final move.`@ br ;　……それで、/ ;!d700決まりだった。\ `......It was then, `/ !d700`decided.`\ bg Mlib_1e,22 ;「チェックメイト。@………これが妾からそなたへの手向けだ。@心置きなく、/ ;!d1000…眠れ。」\ `"Checkmate.`@` .........This is a final tribute from me to you.`@` Without reserve, `/ !d1000`...sleep."`\ se1 21 ;!s0「ふっふっふ、/ ;!d800……ふっはっはっは、/ ;!d1000はぁっ/ ;!d200はっ/ ;!d200はっ/ ;!d200はっ/ ;!d200はっ/ ;!d200はっ/ ;!d200はッ！！」/ !s0`"Heheheh, `/ !d800`......fuhahaha, `/ !d1000`haah`/ !d200`hah`/ !d200`hah`/ !d200`hah`/ !d200`hah`/ !d200`hah`/ !d200`hah!!"`/ !sd@ br ;　金蔵はがばっと立ち上がると、満場の客座に向かって両手を広げるオペラ歌手のように振る舞い、@…まるで百年の計を成し遂げたかのように笑う。\ `Kinzo suddenly stood up and laughed, like an opera singer facing a full crowd and spreading his arms, `@`...as though he had succeeded in a century-long plan.`\ mono 2 print 6 fedexx 100,0,0,0,0,0,3000 ;　その笑いが、/ ;!d600……紅蓮を吹く。@ `That laugh, `/ !d600`......spat crimson.`@ se2v 2,100 se3 55 br ;　紅蓮の炎が内より溢れ出し、@口、耳、鼻を問わずに吹き出して、たちまちの内にその身を業火で包んだ…。\ `Crimson flames poured out from inside him, `@`spitting even out of his mouth, ears, and nose, and all at once, his body was wrapped in hellfire...`\ se2v 21,100 ;　しかし金蔵は笑い続ける。@ `But Kinzo kept laughing.`@ se2v 2,100 se3v 55,70 wait 1000 se2v 2,100 se1v 55,100 ;　笑えば笑うほどに、全身から業火が噴出し、その身を焼き焦がしていく…。@ `The more he laughed, the more the hellfire spewed from his entire body, and began to char him...`@ br ;　その炎は眩しい灯りとなり、@室内の様々な魔法具を煌々と照らして、その歪な影絵を壁に踊らせて見せた。\ `Those flames became a brilliant light, `@`which dazzlingly shone on the various magic tools throughout the room, and made their distorted shadows dance across the walls.`\ ;　…その影絵はまるで、燃え盛る金蔵に狂喜する地獄の亡者たちにも見えた…。@ `...Those shadows looked like the dead in hell, in ecstasy over Kinzo as he burned...`@ br ;!s0　そしてそれは、/ ;!d400魔女と契約を交わし、/ ;!d600その契約を終えた者が辿る、/ ;!d500…極めて正当な末路だった…。/ !s0`And, `/ !d400`after making a contract with the witch, `/ !d600`it was an extremely fitting end, `/ !d500`...in accordance with that contract...`/ !sd\ bg black,25 mono off ;　しばらくの間、猛火の中で吼えるように笑い続けた後、@まるで糸の切れた操り人形のように、金蔵はばたりと倒れる。/ `After laughing and howling in the roaring flames for a some time, `@`Kinzo flopped to the ground, as though he was a puppet whose strings had been cut.`/ se1v 39,90 quakey 5,1000 \ ;　あれほど燃え盛っていた炎は、まるでもう全てを焼き尽くしたかのように消え、@後には焼け爛れ、目を背けたくなるような遺体が残されただけだった…。\ `Those incredible blazing flames disappeared as though he had been completely burned up, `@`and afterwards, all that was left was a festering and burnt corpse that would make you want to avert your eyes...`\ me1v 5,0 fedexx 0,40,0,0,0,0,5000 wait 2000 bg Mlib_1bN,26 ld l,$KAN_odorokiA2,3 ;「…………………惨い…。」@ ;＜嘉音 `"...............Horrible..."`@ ld r,$BEA_AkuwaraiA2,24 ;「ふ。@お前が言うか。@相応しい死に方だと思っているくせに…。」\ ;＜ベアト `"Hmph.`@` You should talk.`@` Even though you think that was a fitting way for him to die..."`\ ld l,$KAN_ikariA1,80 ;「……なぜお前が姿を現している…？@　僕たちに何か用だとでも言うのか…。」@ ;＜嘉音 `"......Why have you shown yourself...?`@` Do you have some business with us...?"`@ ld c,$SHA_majimeA3,23 ;「よして嘉音くん。@……ベアトリーチェさまを挑発しては駄目。」\ ;＜紗音 `"Stop it, Kanon-kun.`@` ......You must not provoke Beatrice-sama."`\ bg Mlib_1dN,0 ld r,$RON_AkuwaraiA1,24 ;「すっかり怯えさせてしまいましたね。@ぷっくっくっく。」@ ;＜ロノウェ `"It appears that you have completely terrified them.`@` Pu ku ku ku."`@ ld l,$BEA_AkuwaraiA1,23 ;「妾はつくづく、嘉音とは仲良くなれぬようだ。@そう嫌いでもないというのにな…？」\ ;＜ベアト `"It seems I just can't get along with Kanon.`@` It's not as though you hate me that much, right...?"`\ ;　ベアトリーチェはニコリと、あるいはニヤリと微笑む。@ `Beatrice grinned.`@ br ;　嘉音は乱暴に視線を逸らし、あからさまな不快感を示した。@ `Kanon violently averted his gaze, obviously unhappy.`@ br ;　…その仕草は、彼の思惑とは異なり、魔女とその執事を笑わせた。\ `...His reaction was so different from what he had anticipated that it made the witch and her butler laugh.`\ cl r,24 ld r,$GEN_DefA1,23 ;「嘉音。@……ベアトリーチェさまの御前であるぞ。@言葉遣いに気をつけなさい。」@ ;＜源次 `"Kanon.`@` ......You stand in the presence of Beatrice-sama.`@` Carefully consider your manner of speech."`@ ld l,$BEA_futekiA2,80 ;「あぁ、構わぬぞ源次。@好きに言わせてやれ。@妾は寛大である。」\ ;＜ベアト `"Oh, there is no problem, Genji.`@` Let him say as he likes.`@` I am gracious."`\ cl r,23 ld r,$KAN_odorokiA1,24 ;「……何が寛大だ…！」@ ;＜嘉音 `"......How are you gracious...!"`@ ld l,$BEA_futekiA1,80 ;「妾は死に行く者には、いつだって寛大である。@くっくっくっく…！」\ ;＜ベアト `"I am always gracious to those who are about to die.`@` *cackle*cackle*...!"`\ bg black,22 me2v 12,40 ;　その薄気味悪い笑いに、嘉音ははっとする…。@ ;　ベアトリーチェがここにいるのは、金蔵の命を奪うだけではないのだ。@ `Kanon was taken aback by that creepy laughter...`@ `Beatrice's reason for being here was not just to take Kinzo's life.`@ br ;　第一の晩に必要な生贄は６人。@ ;　金蔵だけではまだまだ足りないのだ。@ ;　…そしてそこへ、自分たちがのこのこと訪れている…。\ `The first twilight required six sacrifices.`@ `Kinzo alone wasn't nearly enough.`@ `...And they had just nonchalantly came to this place...`\ bg Mlib_1cN,0 ld r,$BEA_waraiA1,22 ;「くっくくくくく！@　安心せよ、嘉音。@……そなたらがここに訪れたから生贄に選ばれるのではない。@/ `"*cackle*cackle*cackle*!`@` Don't worry, Kanon.`@` ......You won't be selected as sacrifices just because you came here. `@/ ld r,$BEA_AkuwaraiA5,80 E_A ;……生贄に選ばれているからこそ、ここに呼ばれているんじゃあないか…！」\ `......It was because you were selected as sacrifices that you were called here...!"`\ ld l,$KAN_IkariA1,23 bgm1 40 ;「………何だと………！」\ ;＜嘉音 `".........What the.........!"`\ ;　勘のいい彼らはすぐに察した…。@ `He instinctively figured it out immediately...`@ br ;　第一の晩に必要な生贄は６人。@ ;　金蔵の１人に、あといくつを加えたら６人になるのか。@ `Six sacrifices were required for the first twilight.`@ `After Kinzo, how many more would you need to add up to six?`@ br ;　……この屋敷で５人という数字は、彼らにとって真っ先に使用人の人数を想起させた…。\ `......In this mansion, the number 5 instantly made them think of the number of servants here...`\ bg black,23 bg Mlib_1aN,23 ld r,$GEN_defA1,24 ;「……………それが、お望みですか。」@ ;＜源次 `"............Is that, what you desire?"`@ ld l,$BEA_defA1,23 ;「うむ。@…感謝せよ、家具どもよ。@/ `"Hmm.`@` ...Thank me, furniture. `@/ ld l,$BEA_futekiA1,80 ;そなたたちの苦難の日々は今宵、ようやく終わりを迎えた。@それを告げに訪れた妾に感謝せよ。」\ ;＜ベアト `Tonight, your days of suffering will finally be at an end.`@` You should thank me, as I have come to tell you this."`\ ld r,$GEN_KomaruA1,80 ;「………かしこまりました。@それをお望みでしたら。」@ `".........Certainly.`@` If that is your desire."`@ cl l,24 ld l,$KAN_OdorokiA1,23 ;「…げ、/ ;!d400……源次さま…。」@ ;＜嘉音 `"...G, `/ !d400`......Genji-sama..."`@ br ;　魔女の伝える無情の宣告にも、源次は眉一つ動かさず、いつもの仕草で頷く。\ `Genji had agreed to the witch's heartless announcement in his usual manner, without raising an eyebrow.`\ ld r,$GEN_majimeA1,80 ;「お館様亡き後は、ベアトリーチェさまが我等の主。@その求めに応じるのが、我等の最後の務めだ。\ `"After the Master's death, Beatrice-sama is our master.`@` Answering her demand is our final duty.`\ ld r,$GEN_DefA1,80 ;　……紗音。@嘉音。@今日までよく仕えた。@その労苦もこれにて終わりだ。」\ `......Shannon.`@` Kanon.`@` You have done well serving until today.`@` That hard work is now over."`\ bg Mlib_1dN,0 ld l,$RON_akuwaraiA1,24 ;「……源次はさすがですね。@同じ家具として、あなたを誇りに思いますよ。」\ ;＜ロノウェ `"......As I expected of you, Genji.`@` As furniture like you, I think honorably of you."`\ bg Mlib_1cN,0 ld r,$SHA_majimeA3,22 ld l,$GEN_MajimeA2,23 ;「紗音。@……異論はないか。」@ ;＜源次 `"Shannon.`@` ......Do you have any objections?"`@ ld r,$SHA_fumanA1,80 ;「……はい。」\ ;＜紗音 `"......No."`\ ld l,$GEN_DefA1,80 ;「………譲治さまに指輪を贈られたそうだな。@それでもなお、未練はないか。」@ `".........I heard that George-sama gave you a ring.`@` Is that still, a regret?"`@ ld r,$SHA_ikariA1,80 ;「はい。@……家具の身に過ぎた幸福でした。@…指輪を頂戴しただけで、私の想いはすでに達せられております。」\ `"No.`@` ......That blessing was more than furniture deserves.`@` ...Just receiving the ring has already fulfilled my feelings."`\ bg black,25 bg Mlib_1e,22 ;　紗音は、源次に比べるとまだ達観の境地には達していなかった。@ `Compared to Genji, Shannon had not yet reached as high of a philosophical viewpoint.`@ br ;　本当はまだ心の中に未練があっただろう。@ ;　…想い人の譲治と、もう少し温かな時間を過ごしたかっただろう。\ `There probably really were regrets left in her heart.`@ `....She probably wanted to spend a little more warm time with the person of her thoughts, George.`\ bg black,22 ;　……でも、それから自分を、解き放つ。@ ;　深く静かな吐息をひとつ零した後には、淡白な表情を浮かべた彼女がいた。@ `......But she released herself from that.`@ `After she took a single deep breath, a blank expression rose to her face.`@ br ;「……………それで良い。」\ ;＜源次 `"............That is fine."`\ bg Mlib_1dN,0 ld l,$BEA_DefA1,0 ld r,$RON_DefA2,6 ld r,$RON_majimeA1,80 ;「紗音がそこまでの落ち着きを得るとは、少し驚きでした。@あなたも家具として達観したようですね。」@ ;＜ロノウェ `"I am a little surprised that you have been able to calm yourself this much, Shannon.`@` It seems that you have also taken a philosophical view as furniture."`@ ld l,$BEA_akuwaraiA1,80 ;「惚れた男と夜も共にできず、少しは悔し涙を零さんのか。@退屈な女よ。」\ ;＜ベアト `"Won't you at least shed some bitter tears for not being able to spend a night with the man you love?`@` What a boring woman."`\ bg Mlib_1bN,0 ld r,$SHA_fumanA1,23 ld r,$SHA_MajimeA3,80 ;「…………。@………ベアトリーチェさま如きに、この気持ちはわかりません。@……私たちの命をご所望でしたら、どうぞお受け取り下さい。@私たちは謹んでそのお勤めを全うします。」\ ;＜紗音 `"............`@`This feeling cannot be understood by the likes of you, Beatrice-sama.`@` ......If you desire our lives, please accept them.`@` We will solemnly carry out that duty."`\ ld l,$GEN_DefA1,23 ;「……それでいい。@よくぞ言ったな…。」\ ;＜源次 `"......That is fine.`@` Well said..."`\ bg Mlib_1dN,0 ld r,$RON_waraiA2,24 ;「ぷっくっくっく。@ベアトリーチェさまの苦手なタイプのようで。」\ ;＜ロノウェ `"Pu ku ku ku.`@` Just the type of person Beatrice-sama is bad with."`\ ld l,$BEA_fukigena1,23 ;「最近、こやつめはだいぶ達観しよった。@…どうも前回、苛め過ぎたようだ。@それを言ったら戦人もか？@/ `"Recently, this person has taken quite a philosophical view of things.`@` In any case, it seems that I tortured her too much last time.`@` Speaking of which, didn't I do the same to Battler? `@/ ld l,$BEA_futekiA2,80 ;　…ふーむ。@妾はまだぬるいのか？@　それとも追い詰め方が下手なのか？@　何れにせよ、面白みのないヤツよ。\ `...Hmmm.`@` Am I still soft?`@` Or is my style of cornering them lacking?`@` In any case, she's just no fun.`\ ld l,$BEA_AkuwaraiA2,80 se1 21 ;　………しかし、お前はまだ妾を楽しませてくれそうだよなぁ？@　嘉音ぉぉん？」\ ;＜ベアト `.........However, it seems that you will still entertain me, right?`@` Kanooon?"`\ bg Mlib_1bN,0 ld l,$KAN_fumanA1,63 ld r,$SHA_OdorokiA1,24 ;「…………嘉音くん…。」@ ;＜紗音 `"............Kanon-kun..."`@ ld l,$KAN_ikariA2,80 ;「………………。」\ ;＜嘉音 `"..............."`\ ;　達観の境地に達した二人に比べ、…嘉音の表情には苦々しい苦悶が浮かぶ。@ `Compared to the two who had taken a philosophical view of things, ...there was a painful anguish on Kanon's face.`@ br ;　唐突に現れた魔女に、終焉を告げられて、何の未練もなく受け容れるには、@嘉音はまだまだ若かった…。\ `Kanon was still far too young to accept his demise after being told of it by a suddenly appearing witch...`\ bg Mlib_1cN,24 ld r,$BEA_futekiA2,24 ;「……嘉音。@妾は退屈を何より嫌う。@そして、お前を除く二人が素直に死を受け容れるもので、面白くない。@……だからそなたには、妾の期待を裏切らないでもらいたいものだ。」@ `"......Kanon.`@` I hate boredom more than anything.`@` And it isn't interesting that those other two have obediently accepted their deaths.`@` ......So I don't want you to betray my expectations."`@ ld l,$KAN_IkariA3,23 ;「…………僕を慰み者にしようというのか…。」\ `"............Are you trying to make me your plaything...?"`\ ;　嘉音は、自らが挑発されていることを自覚する。@ ;　…だが、どのような怒りに駆られたところで、相手は魔女。@自分は家具。@勝ち目など元よりない。@ `Kanon realized that he was being provoked.`@ `...However, no matter how much anger spurred him on, his opponent was a witch.`@` He was furniture.`@` He hadn't had a chance of victory from the beginning.`@ br ;　それでも魔女は、自分が悪足掻きをして、のた打ち回ることに期待し、@それを楽しもうとしている…。\ `But the witch was expecting that he would struggle in vain and writhe around, `@`and was looking forward to it...`\ ;　……それを思えば、腸が煮えくり返るほど悔しい。@ ;　姉たちのように、敢えて抵抗しないことによって、魔女を拍子抜けさせるのも、@唯一魔女に報いることができる一矢なのか…。\ `......Just thinking about that was frustrating enough to get his blood boiling.`@ `Was disappointing the witch by refusing to resist, like the other two, `@`the only way he could strike back at her...?`\ bg black,24 fede 0,2000 bg Mlib_1dN,24 ld r,$BEA_akuwaraiA1,24 ;「煉獄の七姉妹が長女、ルシファー。@出でよ。」\ ;＜ベアト `"Eldest of the seven sisters of Purgatory, Lucifer.`@` Arise."`\ se1 52 ld l,$RG1_DefA1,99,1500,"breakup.dll/lrp" ;「……傲慢のルシファー、ここに。」\ `"......Lucifer of Pride, right here."`\ ld r,$BEA_WaraiA1,80 me1v 16,40 ;「嘉音。@家具に魔女と戦えというのも酷な話よ。@そなたがいくら怒りに駆られようとも、勝算のない戦いでは希望も持てまい。@無論、勝ち目のない戦いでは妾も退屈というもの。\ `"Kanon.`@` It would be too cruel to force furniture to fight a witch.`@` No matter how much anger spurs you on, you could have no hope in a battle without a chance of success.`@` Of course, a battle without a chance of success would be boring for me as well.`\ ld r,$BEA_FutekiA1,80 se2v 27,40 ;　……ならば家具は家具。@家具同士で決着をつけてはどうか？@　それならば勝てる希望も持てるであろう…？」\ `......So, furniture against furniture.`@` Why not resolve it with a battle between furniture?`@` That should be enough to allow you some hope for victory, right...?"`\ ld l,$RG1_fumanA1,80 ;「………………。@…恐れながらベアトリーチェさま。@私がそのような出来損ないの家具に劣るようなことがありましょうか？@/ `"...............`@`...Please, Beatrice-sama.`@` Is there any way in which I am inferior to this good-for-nothing furniture? `@/ ld l,$RG1_AkuwaraiA2,80 ;　こんな可愛い子に、私が万一にも負けるようなことなど…。@うっふふふふふふふふふふふ。」\ ;＜ルシファー `As if this cute kid would have any chance against me...`@` Eheheheheheheheheheheheh."`\ bg Mlib_1aN,0 ld r,$KAN_odorokiA2,23 ;「……………………………く。」\ `"........................Ku."`\ ld l,$BEA_AkuwaraiA1,23 ;「我が家具、煉獄の七杭を打ち破って見せよ。@見事打ち破って見せたなら、/ ;!d1200………そうだな。@/ `"Show me that you can defeat my furniture, the Seven Stakes of Purgatory.`@` If you superbly defeat them, `/ !d1200`.........let us see. `@/ ld l,$BEA_futekiA1,80 ;１３人の生贄を逃れることのできる５人をそなたに自由に決めさせてやろう。@そなたの推薦する５人を、妾は無条件にて黄金郷に迎え入れる。@…それならばどうか。」\ `I will let you choose the five people who will escape becoming one of the 13 sacrifices.`@` I will welcome the five people you recommend into the Golden Land without conditions.`@` ...How about that?"`\ me2v 17,70 ;　嘉音は、自分が挑発されていることを理解している。@ ;　……しかし、魔女の出す条件はあまりに誘惑的だった。\ `Kanon understood that he was being provoked.`@ `......However, the witch's condition was very tempting.`\ ;　嘉音にとって、魔女たちが執り行おうとしている邪悪な儀式は、@それ自体が今更どうこうというものではない。@ `By this point, Kanon couldn't care less about this evil ceremony the witch and the rest were trying to carry out.`@ br ;　……むしろ、生き残って黄金郷へ招かれ、@…そこでベアトリーチェによって願いを叶えてもらえることの方が重要な意味を持っていた…。\ `......On the contrary, it was much more important that he remain alive so that he could be invited to the Golden Land,`@` ...and have his wish granted by Beatrice there...`\ bg Mlib_1e,25 se1 21 ;「そなたは家具は嫌だと泣いたなぁ…？@　そなたの望み、叶えてやろうぞ。@枕を濡らしてまで望んだ、人間の体を与えてやろうぞ。@どうだぁ…？@　そうすれば朱志香とも結ばれるぞ？@　おぉ、丁度良い。@黄金郷へ招ける５人に朱志香とそなたを推薦すれば良い。\ `"You cried that you'd had enough of being furniture, right...?`@` I shall grant your desire.`@` I shall give you that human body which you wanted so much that you cried yourself to sleep.`@` What do you say...?`@` Then you could be together with Jessica, right?`@` Ooh, just perfect.`@` You may recommend that Jessica and yourself be invited to the Golden Land.`\ ;　……自分だけが幸せになることに抵抗があるならば、@さらに紗音と、その想い人である譲治を加えれば良い。@義理があるならばさらに源次も加えれば良い。@ほぅ！@　これで５人だ。@充分ではないか、嘉音。@………これだけのご褒美があれば、……くっくくくくく！@　そなたは妾を退屈させはしないよなぁぁ…？」\ `......If you resist because only you will be happy, `@`then you can add Shannon and the person of her thoughts, George, as well...`@` If you're worried about duty, then you can also add Genji.`@` Hoh!`@` That's five people.`@` Isn't that enough, Kanon?`@` .........With this much of a reward, ......*cackle*cackle*cackle*!`@` You won't let me get bored, will you...?"`\ bg black,22 bg Mlib_1bN,0 ld r,$KAN_FumanA1,26 ld l,$SHA_IkariA1,23 ;「……どうせ戯れよ。@耳を貸す必要はない。」@ ;＜紗音 `"......She's just playing with you.`@` There is no need to listen to her."`@ ld r,$KAN_OdorokiA1,80 E_MA E_B ;「ぼ、……僕は嫌だ。@/ `"I, ......I don't like it. `@/ bgm1 51 ;姉さんはそれでいいの？！」@ `Are you alright with that, Nee-san?!"`@ br ;　その言葉に、ベアトリーチェは邪悪な笑みを隠せない。\ `Beatrice couldn't hide her evil smile at those words.`\ ld r,$KAN_IkariA1,80 ;「僕は嫌だ。@幸せになりたい！@　家具なんてもう嫌だ。@人間になって、……普通の恋がしたい…！@　僕も姉さんのように、…海が青いってことを知りたいんだ！」\ `"I don't like it.`@` I want to be happy!`@` I've had enough of being furniture.`@` I want to become human, ......and have normal love...!`@` I want to know that, ...the ocean is blue, like you!"`\ bg Mlib_1dN,0 ld c,$RG1_DefA1,0 ld l,$RON_akuwaraiA1,24 ld l,$RON_waraiA2,80 ;「…………若いですね。@羨ましい。」\ ;＜ロノウェ `"............How young.`@` I'm jealous."`\ ld r,$BEA_WaraiA2,23 ;「だから若者は好きなのだ。@/ `"That's why I like the young ones. `@/ ld r,$BEA_futekiA1,80 E_A ;……源次、紗音は下がれ。@嘉音、ルシファーは前へ。」@ ;＜ベアト `......Genji, Shannon, stay back.`@` Kanon, Lucifer, forward."`@ ld c,$RG1_hohoemiA1,80 ;「仰せのままに。」\ ;＜ルシファ `"As you command."`\ se1 52 cl c,99,1500,"breakup.dll/urb" bg black,23 bg Mlib_1cN,0 ld l,$KAN_NayamuA1,23 se2 52 ld r,$RG1_DefA1,99,1500,"breakup.dll/lrp" ld l,$KAN_FumanA1,80 ;「…………………………。」@ ;＜嘉音 `"........................"`@ ld r,$RG1_hohoemiA1,80 bgm1v 52,20 ;「…うふふふふふふふふふふ。@/ `"...Hehheheheheheheheheheheh. `@/ ld r,$RG1_fumanA2,80 ;気に入らないわぁ。@…ベアトリーチェさまは無理でも、@私にだったら勝てるかもしれないという見下しが、/ ;!d800……最高に気に入らないわぁ。」\ ;＜ルシファ `I don't like it.`@` ...That way you look down on me, `@`as though even though it would be impossible against Beatrice-sama, you might be able to win against me, `/ !d800`......I really don't like it."`\ ;　ルシファーにとって、それは恐らく屈辱的なことなのだろう。@ `That was probably humiliating to Lucifer.`@ br ;　…しかし同時に、この可愛らしい獲物を独り占めできる幸運にも喜びを感じていた…。\ `...But at the same time, she was also happy that she was so lucky, and had this lovely prey all to herself...`\ ld l,$KAN_IkariA3,80 ;「………来い、魔女の家具。@………いつまでも僕を見くびることができると思うな…！」\ ;※嘉音・ルシファー、ブレードをびよん！@ `".........Come, furniture of the witch.`@` .........Don't think that you can look down on me forever...!"`\ textoff ld l,$KAN_ikariA2,0 ld r,$RG1_hohoemiA1,80 fedexx 80,0,0,0,0,0,4000 se1v 6,20 cl l,1 wait 100 se2v 6,20 cl r,1 wait 100 mov %ryuu2,200 bg Mlib_1aN,66 se3v 6,20 wait %ryuu2 se1v 6,20 ld l,$KAN_fumanA2,1 wait %ryuu2 bg Mlib_1bN,66 se3v 6,20 wait %ryuu2 se2v 6,20 ld r,$RG1_defA1,1 wait %ryuu2 bg Mlib_1aN,0 ld l,$KAN_ikariA2,64 wait %ryuu2 se1v 57,100 ld l,$KAN_ikariA2B,1 wait %ryuu2 bg Mlib_1bN,0 ld r,$RG1_hohoemiA1,63 wait %ryuu2 se2v 57,100 Bld r,$RG1_hohoemiA1,1 wait %ryuu2 wait 800 Bld r,$RG1_akuwaraiA2,2 wait 2000 bcl r,0 ld r,$RG1_akuwaraiA2,80 se1v 57,100 Bld r,$RG1_akuwaraiA2,1 bcl r,0 ld r,$RG1_akuwaraiA2,80 se2v 57,100 Bld r,$RG1_akuwaraiA2,1 bcl r,0 ld r,$RG1_akuwaraiA2,80 se1v 57,100 se3v 57,100 Bld r,$RG1_akuwaraiA2,1 wait 2000 bg black,42 bcl a,0 mov %efe_spd2,160 resettimer se1v 58,100 bg white,1 bg blade5p,80 waittimer 400 resettimer se2v 58,100 ;bg white,1 bg blade4p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 ;bg white,1 bg blade3p,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 58,100 ;bg white,1 bg blade2p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 se2v 58,100 ;bg white,1 bg blade1p,1 bg black,10,50 waittimer %efe_spd2 se1v 57,100 se2v 57,100 bg white,1 bg blade7_2r,22 bg Mlib_1cN,0 bld r,$RG1_odorokiA2,2 wait 1000 Bld r,$RG1_ikariA1,22 wait 1000 bcl r,0 ;bg black,22 bg Mlib_1aN,0 ld l,$KAN_fumanA2B,22 wait 1000 ld l,$KAN_fumanA2,80 se1v 57,100 ld l,$KAN_ikariA2B,1 ld l,$KAN_ikariA2,80 se2v 57,100 ld l,$KAN_ikariA2B,1 ld l,$KAN_ikariA2,80 se3v 57,100 se1v 57,100 ld l,$KAN_ikariA2B,1 wait 1000 bg Mlib_1cN,0 bld r,$RG1_ikariA1,23 ;wait 1000 bld r,$RG1_odorokiA1,80 quakex 5,500 wait 500 bcl r,0 bg white,1 resettimer se1v 58,100 bg blade1p,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,80 bg blade2R,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade2p,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,90 bg blade3R,1 wait 200 resettimer se1v 58,100 bg blade5p,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,80 bg blade1R,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade4p,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 57,100 se2v 57,100 bg white,1 bg blade6_2R,22 wait 100 mov %play_scene,30050 ;シーン変数の入力 mset mld r,$BEA_akuWaraiA5,24 ;■メタ視 ;「さぁさ、戦人ぁ。@楽しい見世物の時間であるぞ？@　くっくっくっく！」@ ;＜ベアト `"So, Battler.`@` Isn't this a fun show?`@` *cackle*cackle*!"`@ mld l,$BUT_odorokiA2,23 ;「………くそ。@また、おかしなことになりやがった…。@魔法バトルなんて認めてたまるかよ…！」\ ;＜戦人 `".........Damn.`@` Another weird thing's happening...`@` Like I'd ever accept that it's a magic battle...!"`\ mov %efe_spd2,160 for %ryuu1 = 1 to 2 wait 100 resettimer se1v 58,100 bg blade1p,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,80 bg blade2R,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade2p,1 bg black,10,50 waittimer %efe_spd2 se2v 58,90 bg blade3R,1 ; bg black,10,50 wait 200 resettimer se1v 58,100 bg blade5p,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,80 bg blade1R,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade4p,1 bg black,10,50 waittimer %efe_spd2 se1v 57,100 se2v 57,100 bg white,1 bg blade6_2R,22 next se3v 57,100 se2v 57,100 bg white,1 bg blade6_2P,22 wait 100 mld r,$BEA_futekiA1,80 ;「ほらほら、目を瞑らずにちゃんと見ろよォ。@ほらほら、ほらほら！@　魔法だよォ家具だよォ、@そなたがどんなに妾や魔法の存在を否定しようとも、/ ;!d800ほらほら、ほらほらほらほらァ！\ `"Look, look, don't turn your eyes away, look at it.`@` Look look, look look!`@` It's magic, it's furniture,`@` no matter how much you try to deny me and magic, `/ !d800`look look, look look look look!`\ mld r,$BEA_AkuwaraiA2,80 ;　こうして目の前でブォンブォンカキンカキンやられちゃあ、台無しだよなぁああぁ？@　ほらほらほらほら、/ ;!d800もう思考なんて止めちまえよォ、@魔法はあるんだって！@　これはファンタジーなんだッて！@/ `If everything happens like this right in front of your eyes, that's all worthless, right?`@` Look look look look, `/ !d800`Stop thinking already,`@` I told you magic exists!`@` I told you this is fantasy! `@/ ;!s0　目を閉じるなよ、/ ;!d500しっかり見ろよ、/ ;!d900ほらほらほらほらほらァ！！」/ !s0`Don't close your eyes, `/ !d500`look closely, `/ !d900`look look look look look!!"`/ !sd\ mld l,$BUT_kuyasigaruA1,80 ;「畜生、畜生畜生畜生…。@魔女を認めない、魔法を認めない…！@　でも、こんなにあからさまにやられちまったら、何だって言やぁいいんだ？！@　……………くそ、くそくそくそ！」\ `"Damn it, damn it damn it damn it...`@` I won't accept witches, I won't accept magic...!`@` But, if it's so obvious like that, what should I say?!`@` ............Damn, damndamndamn!"`\ mld r,$BEA_AkuwaraiA4,80 ;「ほらぁ、目を背けるなよ、しっかり見ろよォオオォ？？@　魔法はあるんだよ、ファンタジーなんだよ、推理ごっことか止めちまえよ。@/ `"Come now, don't turn away, look closely, alright??`@` Magic exists, it's fantasy, stop playing detective. `@/ mld r,$BEA_AkuwaraiA5,80 ;知ってんだよ、モノを考えンの本当は苦手なんだろォ？？@　止めちまえ止めちまえェエ、くっくっくっく！@　ほらほらどうせファンタジーどうせファンタジー、くっひひひゃひゃっひゃっひゃっひゃっひゃっひゃあぁああぁ！！」\ `I know, you really are awful at not thinking about things, right??`@` Stop, stoooop, *cackle*cackle*!`@` Look look, obviously fantasy, obviously fantasy, kihhihihyahyahhyahhyahhyahhyahhyaaaaaahhh!!"`\ ;mld l,$BUT_OdorokiA1,80 mcl a,0 mbg black,1 ;「うるせえうるせえぇうるせええぇえええぇ…！！！/ `"Shut up shut up shut uuuuuuuuuuup...!!! `/ quakey 8,600 ;@　俺に話し掛けるんじゃねええぇええぇ…！！」\ @`Don't talk to meeeeeeee...!!"`\ mov %efe_spd2,200 bg white,0 mcbg 0 mendef 1 resettimer se2v 58,100 bg blade3r,22 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade6_2p,1 waittimer 100 resettimer bg black,10,50 waittimer %efe_spd2 resettimer se1v 58,100 bg blade6_2r,1 waittimer 100 resettimer bg black,10,50 waittimer %efe_spd2 bg white,1 se1v 57,100 bg Mlib_1dN,22 ;■書斎に戻る。@バトルシーン。@カンカンカキンカキン。@ ;se1 52 ;ld r,$RG1_AkuwaraiA1,99,1500,"breakup.dll/lrp" mov %play_scene,30060 ;シーン変数の入力 bld r,$RG1_ikariA1,26 bcl r,0 ld r,$RG1_ikariA1,2 ;「………こいつ、意地になっちゃってぇ。@…私になら勝てるなんて思いあがりをしたことを、今すぐ床に這いつくばって謝ってごらんなさい…？@　そうしたら、特別に許してあげてもいいわよぅ…？\ `".........This guy's gotten obstinate.`@` ...Won't you apologize and crawl on the ground right now for being so conceited that you think you could beat me...?`@` If you do, I'll forgive you, alright...?`\ ld r,$RG1_akuwaraiA1,80 ;　生きながら生皮を剥がして、@絶命するまで全身を鞭打ってのた打ち回らすのを、特別に許してあげてもいいわよぅ。@ふっふふふふふふふふふふ！\ `I could spare you from having your skin ripped off while you're still alive, `@`and being lashed all over your body as you squirm until you die.`@` Hehheheheheheheheh!`\ textoff ;bg Mlib_1dN,0 ld r,$RG1_AkuwaraiA2,80 ;se1v 57,100 ;bld r,$RG1_AkuwaraiA2,1 ;wait 1000 ;　可愛い子なんだから、謝っちゃいなさいよ…。@　そうしたら、あなただけは、最高にステキな気分の中で、やさしくやさしく逝かせてアゲル……。」\ ;＜ルシファ `You're a cute kid, so apologize...`@` If you do, I'll let you die gently, gently, while I'm still in a wonderful mood......"`\ bg Mlib_1bN,0 ld l,$KAN_fumanA1B,23 ;「黙れ、魔女の家具。@…お前と問答するつもりはない。」\ ;＜嘉音 `"Be silent, furniture of the witch.`@` ...I have no intention of speaking with you."`\ ld r,$RG1_ikariA1,24 ;「わっ、……私なんか眼中にないと言うのね…？@/ `"S, ......so you say that you think nothing of me, right...? `@/ se1v 57,100 mbg white,1 bld r,$RG1_odorokiA2,0 mcbg 80 ;　ふっふふふふふふふふふッ、気に入らないわぁ、畏怖を感じないその眼っ、@/ `Hehhheheheheheheheheh, that disrespectful gaze of yours...`@/ bld r,$RG1_odorokiA1,80 ;本当に気に入らないわぁああッ！！」\ ;■カンカンキンキン！@ `...is really ticking me oooffff!!"`\ mov %efe_spd2,160 bcl r,0 bg white,1 resettimer se2v 58,100 bg blade2p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade3r,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 58,100 bg blade4r,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,100 bg blade1r,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 57,100 bg blade6_2p,1 wait 200 bg white,1 resettimer se1v 58,100 bg blade1r,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,100 bg blade3p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade2r,1 bg black,10,50 waittimer %efe_spd2 bg white,1 resettimer se1v 58,100 bg blade4p,1 bg black,10,50 waittimer %efe_spd2 se2v 20,100 bg blade6_1r,1 wait 100 se3v 57,100 bg white,1 bg blade6_2r,2 wait 200 bg Mlib_1aN,0 ld r,$SHA_odorokiA2,0 ld l,$GEN_DefA1,22 ld r,$SHA_KomaruA1,80 ;「…………嘉音くん……………。」@ ;＜紗音 `"............Kanon-kun..............."`@ ld l,$GEn_MajimeA2,80 ;「………………………。」\ ;＜源次 `"........................"`\ bg black,24 bg Mlib_1dN,0 ld l,$RON_DefA1,0 ld r,$BEA_WaraiA1,24 ld r,$BEA_AkuwaraiA1,80 ;「……あやつ、サタンの時よりも筋がいいではないか。」@ ;＜ベアト `"......Isn't he stronger than he was against Satan?"`@ ld l,$RON_AkuwaraiA1,80 ;「だから人間は恐ろしいのです。@たまに魔女にまでなり、悪魔を執事扱いにしたりいたしますよ。」@ ;＜ロノウェ `"That is why furniture is so frightening.`@` Sometimes they even become witches, and treat demons as butlers."`@ ld r,$BEA_AkuwaraiA2,80 ;「ぷっくっくっくっく！@　妾はどちらを応援すれば良いというのか。」\ ;＜ベアト `"Pu ku ku ku ku!`@` So, which should I cheer on?"`\ mov %efe_spd2,160 bg black,63 bg Mlib_1bN,0 resettimer se2v 58,100 bg blade1r,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade2p,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 58,100 bg blade3r,1 bg black,10,50 waittimer %efe_spd2 se2v 58,100 bg blade4p,1 wait 200 bg white,1 resettimer se3v 57,100 bg blade5r,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 20,100 bg blade6_1p,1 waittimer 500 resettimer se2v 57,100 bg blade6_2p,1 waittimer 400 bg white,1 bg Mlib_1cN,22 bld c,$RG1_odorokiA1,24 bcl c,0 ld c,$RG1_odorokiA1,22 ;■カンカンキンキン！@ ;「…こいつっ、/ ;!d800………私と互角に渡り合うと言うの…！」@ ;＜ルシファ `"...Are you, `/ !d800`.........saying that this guy's on par with me...!"`@ bg Mlib_1aN,0 ld l,$KAN_DefA2B,23 ;「………僕を見くびるな。@お前にその驕りがある限り、僕には決して勝てない。」\ ;＜嘉音 `".........Don't look down on me.`@` As long as you have that pride, you definitely cannot win against me."`\ bg Mlib_1dN,0 ld c,$RG1_OdorokiA1,24 se1v 57,100 bld c,$RG1_OdorokiA1,1 ;「わ、私が、/ ;!d800…この、煉獄の七姉妹が長女、ルシファーを指して、決して勝てないと？！@/ `"Y, y, `/ !d800`...you speak of Lucifer, the eldest of the seven sisters of Purgatory, and say that I cannot win?! `@/ bld c,$RG1_IkariA1,80 ;　こ、この、思いあがりがっ！！」\ `H, how conceited!!"`\ textoff for %ryuu1 = 1 to 4 se1v 57,100 mbg white,1 mcbg 80 next bcl c,0 wait 500 mov %efe_spd2,160 resettimer se1v 58,100 bg blade1p,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,100 bg blade2r,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade3p,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 58,100 bg blade4r,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 58,100 bg blade5p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 20,100 bg blade6_1r,1 waittimer 500 resettimer se1v 57,100 bg blade6_2r,1 waittimer 400 bg white,1 bg Mlib_1aN,0 lsp bgsp,$KAN_FumanA2,120,0 print 22 wait 200 bg white,1 se1v 57,100 bg Mlib_1aN,0 lsp bgsp,$KAN_IkariA2B,-208,0 print 1 wait 200 se1 20 csp bgsp print 1 wait 200 bg white,10,10 resettimer se1v 58,100 bg blade1r,1 bg black,10,50 waittimer %efe_spd2 resettimer se2v 57,100 bg blade2p,1 wait 100 resettimer bg white,1 se3v 58,100 bg blade3r,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 57,100 bg blade4r,1 wait 100 resettimer bg white,1 se2v 58,100 bg blade5p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade3r,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 57,100 bg blade2r,1 wait 100 resettimer bg white,1 se2v 58,100 bg blade1p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade5r,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 57,100 bg blade4r,1 bg black,10,50 waittimer %efe_spd2 resettimer bg white,1 se2v 58,100 bg blade3p,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade2r,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 57,100 bg blade6_1p,1 wait 200 resettimer bg white,1 se2v 58,100 bg blade3r,1 bg black,10,50 waittimer %efe_spd2 resettimer se3v 58,100 bg blade4r,1 bg black,10,50 waittimer %efe_spd2 resettimer se1v 57,100 bg blade6_2r,1 waittimer 400 bg white,1 bg Mlib_1cN,0 bld r,$RG1_IkariA1,22 ;wait 500 resettimer se3v 57,100 bcl r,0 bg blade7_2R,1 waittimer 400 bg Mlib_1cN,0 bld r,$RG1_IkariA1,80 E_A se1v 57,100 se2v 1100,100 se3v 1100,100 bcl r,0 ld r,$RG1_IkariA1,99,1000,"breakup.dll/lrB" se1v 57,100 bg white,1 bg Mlib_1cN,0 ld l,$KAN_IkariA2B,0 ld r,$RG1_OdorokiA1,80 ;■カンカンキンキンガキーン！@（嘉音が決めた！@って感じ） ;「…なッ………………、」\ ;＜ルシファ `"...Wha..............."`\ me1v 5,40 ;　嘉音には、死に物狂いでも生き残り、人間になりたいという強い願いがあった。@ ;　でもルシファーには、軽く遊んでやろうという気持ち以上に強いものは、何もなかった。\ `Kanon was desperately trying to stay alive, and he had a strong desire to become human.`@ `But Lucifer didn't feel anything stronger than a slight desire to play.`\ ;　……だから、それが必然の結果になって現れる。@その結果を示せるのが、人の力。@…心の力。\ `......So, that reached its inevitable result.`@` That result could be expressed by the power of humans.`@` ...The power of the heart.`\ ld l,$KAN_FumanA1,80 ;「……………これまでだ。@お前は僕に、決して勝てない。」@ `"............That's as far as you go.`@` You definitely cannot win against me."`@ se1v 57,100 bg white,1 bg Mlib_1cN,0 ld r,$RG1_OdorokiA1,0 cl l,0 mld l,$KAN_IkariA2B,80 br ;　嘉音の腕より閃く赤き軌跡が真っ直ぐに伸び、@……ルシファーの喉元を指し、顎の先端をぴったりと捉えていた…。\ `The glowing red locus extended straight out from Kanon's arm,`@` ......pointing at Lucifer's throat, just beneath the tip of her chin...`\ ld r,$RG1_IkariA1,80 ;「な、/ ;!d600……何よこれぇ…？！@　この私が、/ ;!d700……こんなの、何かの間違いよっ…。」@ `"Wh, `/ !d600`......what is this...?!`@` How could I, `/ !d700`......there, must be some mistake..."`@ br ;　歯軋りをしながら悔しがりながら、目の前の現実を拒否しようとする。@ ;　…しかし、どんなに彼女が自らを優位であると信じようとも、目の前の事実は変わらない。\ `As she ground her teeth in irritation, she tried to deny the truth right before her eyes.`@ `...But no matter how much she believed in her own superiority, it didn't change the facts right before her eyes.`\ ;br ;textoff ;se1v 58,100 ;bg blade6_1r,1 ;wait 800 ;se1v 57,100 ;bg blade6_2r,1 ;wait 600 ;bg black,22 ;　嘉音が次の一手でルシファーを詰める。@ ;　紛れもなきチェック。\ mcl a,0 bg black,22 E_A bgm1 40 bg Mlib_1cN,0 ld r,$BEA_DefA1,24 ld r,$BEA_defA2,80 ;「ほぉ。@…やるな、嘉音。@見事だ、妾を退屈させなかった。@/ `"Hoh.`@` ...Well done, Kanon.`@` Wonderful, you haven't made me bored. `@/ ld r,$BEA_AkuwaraiA1,80 ;……それに比べ、妾の家具の何と情けないことか。@くっくっくっく！」@ ;＜ベアト `......How pitiful my furniture is compared to that.`@` *cackle*cackle*!"`@ ld l,$RON_akuwaraiA1,23 ;「……ルシファー。@お嬢様を退屈させていますよ？@　やはりあなたには荷が勝ちすぎた相手でしたか…？」\ `"......Lucifer.`@` You are boring Milady.`@` Was this opponent really too much for you to handle...?"`\ ld r,$BEA_AkuwaraiA2,80 ;「失望するぞ、七杭の長女ォ？@　くっひひひひひひひひひひひ…！」\ `"I'm disappointed, eldest of the seven staaakes.`@` Ku hihihihihihihihihihihi...!"`\ bg Mlib_1bN,0 ld c,$RG1_odorokiA1,23 ;　それはわからぬ者には単なる詰りでしかない。@ ;　しかし、魔女に仕える家具には、その詰りの裏側にどれほどの辛辣な仕打ちが約束され、@そして語ることを端折っているのか理解できる…。\ `That would have seemed like nothing more than a simple rebuke to an outsider.`@ `However, furniture serving the witch knew what kind of severe treatment was promised by that rebuke, `@`and understood what had been left unsaid...`\ ld c,$RG1_IkariA1,80 ;「ぅうぅぅぅぅぅぅぅぅっ！！@　この、……出来損ない家具があああああぁあぁッ！！！」\ `"Whaaaaaaaaaaaaa!!`@` You, ......good for nothing furnituuuuuuuuuuuuure!!!"`\ se1 52 cl c,99,1000,"breakup.dll/urb" ;　彼女は吼えた。@…最後のプライドを投げ出し、自らの人の姿を弾かせ、真の姿を曝け出す。@ `She howled.`@` ...Abandoning her last bit of pride, she made her body explode, exposing her true form.`@ br ;　それは、部屋中の壁に乱反射して飛び交う、悪魔の杭の姿…。\ `That form was a demon stake, which bounced off the walls surrounding the room...`\ se2v 21,70 se3v 27,70 bg white,1 bg Mlib_1e,22 ;「よくも私にここまで恥をかかせたなっ！！@　殺すっ殺す殺す殺す！！@　このノロマが！@　私の姿をもはや追うこともできないくせにっ！！@　もう遊ばないよ、本気で怒ったわよっ、お前の心臓を一撃で貫いてやるよっ！！@　ぶっすりざっくり貫いて、真っ赤な血の噴水を天井にまで届かせてやるよっ！！@　死ねぇええええええええええぇええええぇえぇッ！！」\ `"How could you shame me so much!!`@` Kill, kill kill kill!!`@` You blockhead!`@` Even though you can't even follow my movements anymore!!`@` I won't play around anymore, I'm seriously mad, I'll pierce your heart in one blow!!`@` I'll plow right through you, and make a fountain of bright-red blood reach the ceiling!!`@` Diiiiiiiiiiiiiiiiiiiiiiiiiiiiieeee!!"`\ bg Mlib_1aN,0 ld l,$GEN_OdorokiA1,0 ld c,$SHA_OdorokiA1,1 ;「か、嘉音くん………ッ！！」\ ;＜紗音 `"Ka, Kanon-kun.........!!"`\ E_B E_MA bg black,0 btndef ":a;bmp\background\mainbuilding\Mlib_1cN.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 50 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 40 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 40 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 150 ofscpy se1v 36,100 btndef "" ;bg blood_1a,1 bg black,1 wait 2000 se2v 37,100 wait 1500 se3v 38,100 wait 2000 ;■カキコキカキコキズギューン！@ ;　人の目では捉えることの出来ない領域にまで踏み込んだ速度で、@ルシファーは存分に撹乱した後に、嘉音のその心臓に喰らい付く…。\ `After Lucifer was completely deranged, with a speed approaching the limits that a human eye could follow,`@` she flew at Kanon's heart...`\ me1v 12,40 ;se1 38 ;　ルシファーは確かに感じたその甘い舌触りに、嘉音の血を確信した。@ `Lucifer confirmed that the sweet taste she could feel was definitely Kanon's blood.`@ br ;　…しかし、すぐに気付く。@ ;　…彼女は嘉音の心臓を貫けたわけではないのだ…。\ `...But she quickly noticed.`@ `...She hadn't pierced Kanon's heart...`\ bg Mlib_1dN,26 ld c,$BEA_futekiA2,24 ;「…………ほぉ。@くっくっくっく！」@ ;＜ベアト `"............Hoh.`@` *cackle*cackle*!"`@ ld l,$RON_WaraiA2,23 ;「これだから人間は恐ろしい。@…紅茶はいかがですかな？」@ ;＜ロノウェ `"This is why humans are frightening.`@` ...Would you like some black tea?"`@ ld c,$BEA_AkuwaraiA3,80 ;「今は良い。@紅茶もいらぬほどに、面白い…！」\ ;＜ベアト `"I am fine for now.`@` This is so interesting I don't need black tea...!"`\ se3 21 bg Mlib_1bN,0 ld r,$SHA_OdorokiA1,23 ;「……か、/ ;!d700…………嘉音くん…………。」\ ;＜紗音 `"......K, `/ !d700`............Kanon-kun............"`\ bg black,1 textoff se1 35 bg blood_2a,1 wait 800 se1v 35,100 bg blood_2b,1 wait 800 se2v 35,60 bg blood_2c,1 wait 800 se3 35 bg blood_2d,1 wait 400 se1 35 bg blood_2e,1 wait 2000 ;「驕ったな……。@……だから、お前は僕に勝てないんだ……。」\ ;＜嘉音 `"So arrogant......`@`......That's why you can't win against me......"`\ ;　床をボタボタと溢れる血が汚す。@ `The floor was stained with dripping blood.`@ br ;　…その血は確かに嘉音の血だが、/ ;!d800……胸からは流れていなかった。@ `...It really was Kanon's blood, `/ !d800`......but it wasn't flowing out of his chest.`@ br ;　嘉音は心臓を守る代わりに、自らの左手を捧げたのだ…。\ `Kanon had sacrificed his own left hand to protect his heart...`\ textoff wait 1000 bgm1v 55,0 fedexx 70,0,0,0,0,0,4000 bg black,22 bg Mlib_1e,22 ;　ルシファーは傲慢だった。@ `Lucifer was arrogant.`@ br ;　自らを追い詰めるほどの相手であることを理解する時間が与えられていたはずなのに、@それでもなお、取るに足らない相手だと驕った。@油断した。@ `Even though she had been given enough time to realize that this was an opponent capable of cornering her, `@`even so, in her pride, she had believed that he was a worthless opponent.`@` She had gotten careless.`@ br ;　……だから予告通りに心臓を貫こうとその胸を狙ってしまった。\ `......So just as she had announced, she had aimed for his chest, trying to pierce his heart.`\ bg black,22 ;　彼女が傲慢だったからこそ、予告した以外の部位を狙おうなどと思わなかった。@ `Because she was arrogant, she hadn't even thought of aiming for somewhere other than the place she had announced.`@ br ;　…いや、少しは思ったかもしれない。@ ;　…しかし、他を狙うことは彼女のプライドが許さなかった。@ `...No, maybe she had thought about it a little.`@ `...However, her pride would not allow her to aim for a different spot.`@ br ;　なぜなら彼女は、/ ;!d800………傲慢のルシファーだったから。\ `Because she was, `/ !d800`.........Lucifer of Pride.`\ bg Mlib_1aN,22 ;　嘉音は苦痛に堪えながら、@左手に深々と突き刺さり貫いている悪魔の杭を、右手でしっかりと握り締め、@…引き抜く……。@ `Kanon, withstanding the pain,`@` grasped the demon stake sticking deep into his left hand strongly with his right hand, `@`...and pulled it out......`@ br se1 38 bg blood_1b,25 ;　骨を抉る音と、さらに血が零れる音が聞こえた。@紗音は思わず目を背ける。@ `When she heard the sound of breaking bones and even more blood dripping down,`@` Shannon looked away without thinking.`@ br ;　抜いた手の甲には、はっきりと向こうを覗くことが出来るほどの無惨な風穴が残されていた…。\ `There was an air hole in the back of the pierced hand so big that you could clearly see through to the other side...`\ bg Mlib_1cN,22 ld c,$KAN_IkariA2,6 ;　苦痛に満ちた表情を浮かべる嘉音だが、/ ;!d600……今この瞬間。@彼は間違いなく、勝利していた。\ `Kanon's face was filled with pain, `/ !d600`......but right now, `@`he had won, without a doubt.`\ se1v 1100,100 ld r,$RG1_nakuA1,99,1000,"breakup.dll/llB" se2v 27,40 ld r,$RG1_ikariA1,2 ;　右腕で握り締めた悪魔の杭が、再びルシファーの姿に戻る…。@ `The demon stake he was gripping with his right hand turned back into Lucifer again...`@ br ;　それはちょうど、嘉音が彼女の喉を握り締めている形になった。\ `...So that Kanon was now gripping exactly where her neck was.`\ ld r,$RG1_odorokiA2,80 ;!s0「………が、/ !s0`".........Ga, `/ quakex 3,300 ;!d500…………ぐ、/ !d500`............gu, `/ quakey 3,300 ;!d400………………っ…、」/ !d400`....................."`/ !sd wait 1000 ld r,$RG1_nakuA1,1 quakey 2,400 @ ld c,$KAN_ikariA3,80 ;「…僕の勝ちだ。@………ベアトリーチェ。」\ `"...It's my victory.`@` .........Beatrice."`\ ;　嘉音は喉を握り締める力を、決して手加減はしなかった。@ `Kanon didn't hold back at all with the hand gripping Lucifer's throat.`@ br ;　……一度はついた勝負を、彼女が重ねて挑んだのだ。@ ;　嘉音に手心を加える義理はない。\ `......She had challenged him again after their fight had already been decided.`@ `Kanon had no obligation to be considerate.`\ cl r,65 se1 13 quakey 4,800 ;　しかしそれでも、嘉音は魔女の家具を解放した。@ ;　……彼の甘いヒューマニズムか、家具同士の憐れみか、@それとも魔女への最後の敬意かはわからない。@ `But even so, Kanon released the witch's furniture.`@ `......Was it his naive humanism, his pity for another furniture,`@` or a final bit of respect to the witch?`@ br ;　何れにせよ、解放されたルシファーは床に突っ伏し、@嘔吐するような仕草をしながら、喉の苦しみに呻いていた…。\ `In any case, when she was released, Lucifer fell face-down on the ground,`@` acting like she was vomiting and moaning over the pain in her throat...`\ bg Mlib_1dN,0 ld r,$RON_DefA1,24 ld r,$RON_waraiA2,80 ;「お見事ですよ、嘉音。@……あなたの奮闘により、金蔵の研究の正しさがひとつ、実証されました。」\ ;＜ロノウェ `"Spectacular, Kanon.`@` ......Your great efforts have proved that some of Kinzo's research was correct."`\ ;　ロノウェがパチパチと手を叩く。@ `Ronove was clapping his hands.`@ br ;　…左手に、塞ぐこともできぬほどの傷を負って、辛い勝利を収めた嘉音にとっては、白々しくしか感じられない。\ `...To Kanon, who had a wound on his left hand that couldn't be closed after achieving a painful victory, Ronove's true intention seemed pretty obvious.`\ ld l,$BEA_futekiA2,23 ;「……人の心はあらゆる可能性を秘める、か。@………いやはや、これだから人間は恐ろしい！@/ `"......All possibilities are hidden in the human heart, was it?`@` .........My, my, this is why humans are frightening! `@/ ld l,$BEA_AkuWaraiA3,80 ;　天晴れであるぞ嘉音。@そなたは勝利した。@見事だ！」\ `Well done, Kanon.`@` It is your victory.`@` Spectacular!"`\ me1v 5,90 bg blood_2d,22 ;「……はぁ、/ ;!d500……はぁ、/ ;!d500……はぁ……。」\ ;＜嘉音 `"......Haah, `/ !d500`......haah, `/ !d500`......haah......"`\ ;「大丈夫？！@　嘉音くん……。」@ ;＜紗音 `"Are you okay?!`@` Kanon-kun......"`@ br ;　紗音が駆け寄り、ハンカチで鮮血を迸らせ続けている左手を包む。\ `Shannon ran up to him and wrapped a handkerchief around his left hand, which was still spraying blood.`\ bg Mlib_1cN,26 ld r,$BEA_futekiA1,24 ;「見事であるぞ、嘉音！@　実に見事である。@妾も少しは番狂わせを期待した。@それを裏切らぬとは、そなたは誠に素晴らしき家具であるぞ。@くっくっくっく！@　見直した。@正直、見直したぞ！」\ ;＜ベアト `"That was spectacular, Kanon!`@` Truly spectacular.`@` I was also slightly expecting an upset.`@` How truly wonderful you are as furniture not to let me down.`@` *cackle*cackle*!`@` I think better of you now.`@` I honestly think better of you!"`\ ld l,$KAN_odorokiA2,6 ;「や、……約束を忘れてはいないだろうな…、/ ;!d700ベアトリーチェ…。」\ ;＜嘉音 `"Y, ......you haven't forgotten our promise, right..., `/ !d700`Beatrice..."`\ ld r,$BEA_DefA2,80 ;「うむ。@もちろん忘れてはおらぬぞ。@魔女も悪魔も非道ではある。@だがしかし契約に限っては人間など及ばぬほどに高潔だ。\ `"Hmm.`@` Of course I haven't forgotten.`@` Witches and demons are unjust.`@` However, we are much more noble than humans when it comes to keeping promises.`\ ld r,$BEA_futekiA2,80 ;　妾は反故にはせぬ。@そなたが勝利したなら、@１３人の生贄を逃れることができる５人を自由に決める権利を保証した。」\ ;＜ベアト `I will not go back on my word.`@` I guaranteed that if you won, `@`I would give you the right to decide the five people who will escape becoming the 13 sacrifices."`\ cl a,24 E_MA ld c,$RG1_OdorokiA1,26 ;「……ベ、ベアトリーチェさまっ。@私はまだ、敗れたわけではっ…、/ ;!d800ひぎッ！！」/ `"......B, Beatrice-sama.`@` It's not like I've, lo.... `/ !d800`higi!!"`/ se1 20 bg black,14,200 se2 12 se3 13 bg Mlib_1e,1 quakey 5,500 @ br ;　ベアトリーチェが煙管をくるりと回すと、ルシファーにだけ天地が逆転する。@ ;　……だからひどく当然の結果として、彼女は天井に“墜落”した。\ `When Beatrice waved her pipe, heaven and earth turned over just for Lucifer.`@ `......So as a horribly natural result, she 'fell' onto the ceiling.`\ ;　床に立つ者にとって、天井はそう高くは感じない。@ ;　…しかし、真っ逆さまに頭から墜ちる者は、そうは感じまい…。\ `The ceiling doesn't seem that high to people standing on the floor.`@ `...However, people who fall on it upside-down and head-first don't feel the same way...`\ ld r,$RON_waraiA2,26 ;「お嬢様。@さすがにやり過ぎでは。」@ ;＜ロノウェ `"Milady.`@` Isn't this a little much?"`@ ld l,$BEA_waraiA2,26 ;「くっくくくく！@　それもそうであるな。@許してやるか。」\ ;＜ベアト `"*cackle*cackle*!`@` That may be so.`@` Shall I forgive you?"`\ se3v 22,50 ;　もう一度ベアトリーチェは煙管を回す。@ ;　すると彼女に掛けられた魔法は解かれた。@ `Beatrice waved her pipe again.`@ `When she did, the magic that had been effecting Lucifer was released.`@ br ;　……だからひどく当然の結果として、彼女は床に、再び極めて正当に“墜落”した。\ `......So as a horribly natural result, this time she properly 'fell' back onto the floor.`\ bg black,13,200 lsp2 1,":c;bmp\background\mainbuilding\Mlib_1bN.bmp",320,240,512,386,0,255 bg black,0 print 1 dwaveload 1,"SE\A5_10315.WAV" dwaveplay 1 for %Free2 = 1 to 80 resettimer msp2 1,0,-3,12,8,12 print 1 waittimer 10 next csp2 1 ;wait 100 e_ 2,1 ;wait 300 bg Mlib_1e,1 se1v 13,100 se2v 12,100 quakey 8,800 bg black,2 bg Mlib_1cN,6 ld c,$RG1_nakuA1,6 ;!s0「…………く、/ ;!d400…………ぅ、/ ;!d600…ベアトリーチェさま、/ ;!d500…お、…お許しを…………。」/ !s0`"............Ku, `/ !d400`............u, `/ !d600`...Beatrice-sama, `/ !d500`...f, ...forgive me.........."`/ !sd\ ;＜ルシファ bg Mlib_1dN,24 ld r,$BEA_defA2,24 ;「何を怯えておるか。@妾はもはや許したぞ？@　くっくっく！@/ `"What are you afraid of?`@` I have already forgiven you, haven't I?`@` *cackle*! `@/ ld r,$BEA_AkuwaraiA5,80 ;　さて嘉音。@続けようではないか。」@ `So, Kanon.`@` Shall we continue?"`@ ld l,$KAN_odorokiA1,23 ;「………何をだ。@…まさか彼女に止めを刺せとでも言うつもりなのか…！」\ `".........Continue what?`@` ...You aren't saying that you want me to finish her, are you...?!"`\ ld r,$BEA_AkuwaraiA2,80 ;「あぁ、違う違うゥ。@まだ終わっちゃいないだろがァ？」@ `"Ah, no, no.`@` It isn't over yet, right?"`@ ld l,$KAN_ikariA1,80 ;「………何をだ。@…はぐらかすな…！！」\ `".........What isn't?`@` ...Stop dodging the question...!!"`\ cl a,0 ld c,$BEA_waraiA2,22 E_A ;「妾は確かにそなたと約束したぞ？@ `"I did promise you, didn't I?`@` If you could defeat my furniture,` bgm1 31 br ;　妾の家具、(煉獄の七杭/・・・・・)を打ち破ったなら、となぁああぁ？\ (`the Seven Stakes of Purgatory`/・・・・・・・・・・・)`, riiiiiiight?`\ ld c,$BEA_AkuwaraiA2,80 ;　さぁさお出でなさい、煉獄の七杭。@不甲斐なき長女の６人の妹たち！」\ ;＜点処理：煉獄の七杭 `Come, arise, Seven Stakes of Purgatory.`@` The six younger sisters of the worthless elder sister!"`\ bg black,1 ;「「「「「「きゃっははははははははははははははッ！！」」」」」」/ `""""""Kyahhahahahahahahahahahahaha!!""""""`/ se1 37 wait 500 se2v 37,100 wait 200 se3v 37,100 se1 37 wait 500 se2v 37,100 wait 200 se1v 37,100 se3v 37,100 \ bg Mlib_1bN,24 lsp 899,$RG7_hohoemiA1,-160,0 se2 52 print 99,500,"breakup.dll/lrp" lsp 898,$RG6_akuwaraiA1,-64,0 se1 52 print 99,500,"breakup.dll/lrp" lsp 897,$RG5_akuwaraiA2,32,23 se3 52 print 99,500,"breakup.dll/lrp" lsp 896,$RG4_defA1,128,23 se2 52 print 99,500,"breakup.dll/lrp" lsp 895,$RG3_fumanA1,224,23 se1 52 print 99,500,"breakup.dll/lrp" lsp 894,$RG2_hohoemiA1,320,23 se3 52 print 99,500,"breakup.dll/lrp" ;se1 52 ;lsp 898,$RG6_HohoemiA1,0,180 ;lsp 899,$RG7_AkuwaraiA1,226,180 ;ld l,$RG4_HohoemiA1,0 ;ld r,$RG5_AkuwaraiA2,0 ;lsp 901,$RG2_AkuwaraiA1,0,-120 ;lsp 902,$RG3_AkuwaraiA2,226,-120 ;print 99,2000,"breakup.dll/urb" ;　空間が黄色い笑い声と共に爆ぜ、@黄金の飛沫を飛び散らせながら、煉獄の七姉妹の残り６人が姿を現す…。\ `With shrill laughing voices, the air split,`@` and as a golden splash scattered around, the remaining six of the Seven Stakes of Purgatory showed themselves...`\ ;　左腕を捧げてようやく１人を倒せた七杭の姉妹が、全員揃う…。@ `All of the Seven Sisters of Purgatory, only one of which Kanon had been able to defeat by sacrificing his left arm, were gathered...`@ br ;　嘉音は今になって、魔女の勝負に乗った浅はかさを悔いる。@ ;　…魔女のゲームが対等であるなどと思いこんだ自分が、愚かだった……！\ `By now, Kanon regretted his thoughtlessness in accepting the witch's challenge.`@ `...He had been foolish to assume that a game with a witch would be on an even footing......!`\ csp -1 bg Mlib_1cN,23 ld r,$RG7_AkuwaraiA1,24 ;「…………ダッサぁ。@お姉様、どうして床に這いつくばってるのぉ？」@ ;＜アスモ `"............Laaame.`@` Onee-sama, why are you crawling on the floor?"`@ ld c,$RG1_komaruA1,6 ;「お、…お前たち……………、@/ ;!d500ぐ……。」/ ;＜ルシファ `"Y, ...you guys...............`@/ !d500`gu......"`/ ld c,$RG1_ikariA1,80 \ ld l,$RG5_fumanA2,24 ;「だからお姉様は駄目なのよ。@/ `"I told you, Onee-sama's useless. `@/ ld l,$RG5_akuwaraiA2,80 ;長女を偉そうに名乗るくせに、上っ面だけなのよ。」\ ;＜マモン `Even though she acts like she's so great as the oldest sister, that's just on the outside."`\ bg black,23 bg Mlib_1bN,0 ld r,$RG3_fumanA1,23 ;「えぇ、まったく！@　ルシファーお姉様一人の醜態が私たちへの評価を下げるのよ！@　恥を知りなさいな！@　この未熟者が！」@ ;＜サタン `"Yeah, seriously!`@` Lucifer onee-sama, your disgraceful behavior will damage others' opinions about all of us!`@` Know your shame!`@` You novice!"`@ ld l,$RG1_odorokiA2,22 ;「……………く、………ぐ……。」\ ;＜ルシファ `"............Ku, .........gu......"`\ bg Mlib_1aN,0 ld r,$KAN_OdorokiA2,24 ld l,$RG6_fumanA2,23 ;「嘉音くぅん、すごいすごい。@/ `"Kanon-ku~n, awesome awesome. `@/ ld l,$RG6_akuwaraiA2,80 ;でも、いい気にならないことよ？@　ルシファーお姉様なんて、威張ってるだけで、姉妹の中じゃ大したことないんだからぁ。」\ ;＜ベルゼ `But don't get cocky, okay?`@` Lucifer onee-sama just brags all the time, she's no big deal compared to the rest of us sisters."`\ bg Mlib_1bN,0 ld r,$RG4_defA1,24 ;「…だからルシファー姉は何もしなくていいといつも言っている。@お姉様は威張ってだけいればいい。@/ `"...That's why I'm always saying Lucifer-nee shouldn't do anything.`@` It's alright if she just brags all the time. `@/ ld r,$RG4_hohoemiA1,80 ;荒事は全て、優秀な私たちで片付けるのだから。」\ ;＜ベルフェ `Because those of us who are superior always have to clean up the fighting scenes."`\ ld l,$RG2_AkuwaraiA1,26 ;「お姉様、どうするぅ？@　私たちはお姉様のプライドを尊重して、@そのボロボロの体で再び挑むのを期待して、手出しをしないつもりなんだけれど…。\ `"What are you gonna do, Onee-sama?`@` We respect your pride, `@`and we'd planned on letting you challenge him again in that beaten-up body without getting in the way...`\ ld l,$RG2_AkuwaraiA2,80 ;　……でも、嘉音くんは強いわよねぇ？@　今のお姉様じゃ、もうどう足掻いても勝ち目はないわよねぇ…？」\ ;＜レヴィア `......But Kanon-kun sure is strong, right?`@` Right now, no matter how much you struggle, there's no way you could win, right...?"`\ bg Mlib_1e,22 ;「……お、/ ;!d800………お前たちぃ…………、」/ `"......Y, `/ !d800`.........you guys............"`/ quakex 3,300 \ ;＜ルシファ bg black,24 bg Mlib_1dN,0 ld c,$BEA_WaraiA1,24 ld c,$BEA_defA2,80 ;「くっくっくっく！@　やれやれ、いつも賑やかな姉妹たちであるな。@今は仲違いをしている場合か。@/ `"*cackle*cackle*!`@` My, my, you sisters are always so lively.`@` Is now really a time for discord? `@/ ld c,$BEA_FutekiA1,80 ;そなたらは７人揃ってこその煉獄の七姉妹であろうが。@仲良くして妾の仕事を遂行せよ。@迅速にな？」\ `Now that you are all gathered here, you are the Seven Stakes of Purgatory, right?`@` Be nice and execute the task I give you.`@` Swiftly, right?"`\ bg Mlib_1cN,23 ld r,$RG2_akuwaraiA1,24 ;「ねぇ、ルシファーお姉様ぁ。@私たち妹の力が借りたいならぁ。@言ってよ？@　お姉様の口から助けを求める言葉が聞きたいの。」\ ;＜レヴィア `"Hey, Lucifer onee-sama.`@` If you want to borrow the power of your little sisters...`@` Say it, okay?`@` We want to hear you ask us for help from your own mouth."`\ ;ld l,$RG1_IkariA1,23 ;「く、…………私を、これ以上愚弄する気かぁ………！」\ ;＜ルシファ `"Ku, ............you plan to mock me even more.........?!"`\ ld r,$RG2_akuwaraiA2,80 ;!s0「“愚かで。/ ;!d500ひ弱で。/ ;!d500見苦しくて。/ ;!d500情けなァい！/ !s0`"'Foolish. `/ !d500`Weak. `/ !d500`Ugly. `/ !d500`Shameful! `/ se1v 37,100 quakey 3,300 ;!d500　この長女のルシファーを、どうか妹の皆様、お助け下さぁい”って。/ ;!sd@……ねぇ、聞かせてよぅ。@それを聞かせてくれたら助けてあげる。@それでいいわよねぇ？@　みんなぁ？！」\ ;＜レヴィア !d500`I, the eldest sister Lucifer, ask my younger sisters to save me'. `/ !sd@`......C'mon, let's hear it.`@` If you let us hear that, we'll save you.`@` Alright?`@` Everyone?!"`\ ld l,$RG1_odorokiA2,80 ;「……お前たちっ………、/ ;!d500………お、/ ;!d400……おのれぇえぇ……。」\ `"......You........., `/ !d500`.........b, `/ !d400`......bitch......"`\ ;　煉獄の七姉妹たちは、口々に不甲斐ないと姉を詰る。@罵る。@ `The seven sisters of Purgatory unanimously closed in on their worthless sister.`@` Abusing her.`@ br ;　…それは、ついさっきまで命をやり取りしていた嘉音にとってすら、正視に耐えない…。\ `...Even Kanon, who had been fighting for his life until a second ago, couldn't bear to look straight at it...`\ ld l,$RG1_IkariA1,80 ld l,$RG1_odorokiA1,80 ;「わ、わたっ、/ ;!d400……私が、/ ;!d600……そのようなことを、/ ;!d800……口にできるものかぁ……っ。」\ `"A, as i-, `/ !d400`......as if I, `/ !d600`......could say, `/ !d800`......something like that......"`\ bg Mlib_1dN,0 ld r,$BEA_AkuwaraiA1,24 ;「早くせよ。@どうせお前一人では埒が明かぬわ。@早く七姉妹にて嘉音を討て。」@ ;＜ベアト `"Quickly.`@` Obviously we won't get anywhere with you alone.`@` Quickly, let the seven sisters strike Kanon."`@ ld l,$RON_akuwaraiA1,23 ;「ぷっくっくっく…。@そら、どうしましたか、ルシファー？@　お嬢様の命令ですよ？」\ ;＜ロノウェ `"Pu ku ku ku...`@` Oh, what could be wrong, Lucifer?`@` It is an order from Milady, correct?"`\ cl a,23 ld c,$KAN_odorokiA2,23 ;「…………ひどい。」\ ;＜紗音 `"............How cruel."`\ bg black,23 bg Mlib_1bN,23 ;ld c,$RG1_IkariA1,23 ;　ルシファーは何度も歯軋りを繰り返し、妹たちに呪いの言葉を投げ掛けた後、@……………わなわなと震えながら、/ ;!d800……妹たちの要望に応じる…。\ `After grinding her teeth over and over, after hearing her sisters' curses,`@` ............as she trembled all over, `/ !d800`......Lucifer answered her sisters' request...`\ ld c,$RG1_odorokiA2,6 ;「…お、…………愚かで、@……ひ弱で、@………見苦しくて…。@…ぅうッ…！」@ ;＜ルシファー `"...F, ............foolish, `@`......weak, `@`.........ugly...`@`...whaa...!"`@ ld l,$RG5_AkuwaraiA2,23 ;「情けなぁい！！」/ `"Shaaaameful!!"`/ quakex 3,300 \ ;＜マモン ;bg black,22 ;bg Mlib_1e,22 cl l,22 ld c,$RG1_fumanA2,80 ;!s0「な、…情けない、/ ;!d600……この長女ルシファーを、/ ;!d300……どうか、@/ !s0`"Sh, ...shameful, `/ !d600`......I, the eldest sister Lucifer, `/ !d300`......ask, `@/ ld c,$RG1_odorokiA2,80 ;!d800………ううううぅうううぅッ！！@/ !d800`.........whaaaaaaaaaaaaaa!! `@/ ld c,$RG1_nakuA1,80 ;　うわああぁあああぁぁあぁぁぁ…！！」/ `Uwaaaaaaaaaaaaaaaaa...!!"`/ wait 1000 bg Mlib_1e,25 se1 13 quakey 4,700 !sd \ se2 37 wait 200 se3v 37,100 wait 50 se1 37 wait 200 se2v 37,100 ;　屈辱の言葉を口にすることに、とうとう耐え切れなくなり、@…傲慢の名を持つ彼女は泣き崩れる。@ `She was finally unable to endure saying those words, `@`...and the girl called Pride broke down crying.`@ br ;　しかし６人の妹たちは、冷酷にくすくす笑い続けるのだった。\ `However, the six younger sisters kept giggling coldheartedly.`\ bg black,2 fede 0,3000 bg Mlib_1cN,26 ld r,$RG7_fumanA1,24 me1v 16,50 ;「ちょっとー！@　泣いて誤魔化さないでー！@　まだ言い切ってないぃー！」@ ;＜アスモ `"Wait a sec!`@` Don't try to trick us by crying!`@` You haven't finished saying i-t!"`@ ld l,$RG4_akuwaraiA1,23 ;「もう充分だろう。@/ `"That should be enough. `@/ ld l,$RG4_hohoemiA1,80 ;さぁ姉妹たち、我等の力を見せてやろう。」\ ;＜ベルフェ `Come, sisters, let us display our power."`\ ld c,$RG5_AkuwaraiA2,24 ;「私は全部聞かなきゃ満足しないわよぅ？！@　ほらほらお姉様、続けてよぉ！」\ ;＜マモン `"I won't be satisfied until I hear the whole thing, okay?!`@` C'mon, c'mon, Onee-sama, keep going!"`\ cl a,0 ld r,$RG3_odorokiA1,24 E_A bgm1 46 ;「もう充分よ！@　さぁ、この屈辱は姉妹全員の屈辱！@　生かして帰しはしないわよッ！」\ ;＜サタン `"That's enough!`@` Come on, this shame effects all the sisters!`@` We won't let them return alive!"`\ bg Mlib_1bN,0 ld l,$RG2_akuwaraiA1,23 ;「さぁて、哀れな家具をどのように遊んでやろうかしら。@素敵な提案はあるぅ？」@ ;＜レヴィア `"A-lright, how should we play with this pitiful furniture?`@` Any wonderful plans?"`@ ld r,$RG6_hohoemiA1,24 ;「はぁい、はい！@　ベルゼはぁ、仲良く七人でぇ、嘉音くんをわけっこしたらいいと思いまーす！」\ ;＜ベルゼ `"Ye-s, yes!`@` Beelze thi-nks, the seven of us sho-uld, get along and split Kanon up between us!"`\ cl l,24 ld l,$RG4_hohoemiA1,23 ;「良い提案だな。@……それでなら、姉妹でみんな仲良しだ。」@ ;＜ベルフェ `"Good plan.`@` ......That way all of the sisters can get along."`@ cl r,23 ld r,$RG5_AkuwaraiA2,24 ;「なら私、頭部ね！@　手足や内臓はあんたらにあげるわー！」\ ;＜マモン `"Then I'll take the head!`@` I'll leave the limbs and guts to you all!!"`\ ld c,$RG2_nakuA1,23 ;「やだやだ、駄目ぇえええぇ！！@　私が頭なのぉー！！」@ ;＜レヴィア `"No no, noooooooooooo!!`@` I get the he-ad!!"`@ cl l,23 ld l,$RG3_fumanA2,23 ;「そんな約束、意味があるわけないでしょ？！@　早い者勝ちに決まってるわ！」\ ;＜サタン `"There's no way that promise'll mean anything, right?!`@` First one there wins!"`\ cl r,23 ld r,$RG7_AkuwaraiA1,24 ;「くひひひひ！！@　どんな殺され方がいいか、嘉音くんも提案があったら教えてね？@　七姉妹で飛びっきりの殺し方をしてあげる！」\ ;＜アスモ `"Kuhihihihi!!`@` Kanon-kun, if you have a plan for how we should kill you, just tell us, okay?`@` The seven sisters will kill you in an a-wesome way!"`\ me1v 5,50 bg Mlib_1aN,0 ld c,$KAN_IkariA1,23 ;「………………………くそ……。」\ ;＜嘉音 `"........................Damn......"`\ bg Mlib_1dN,24 ld c,$RG1_IkariA1,23 ;「……くぅうううぅっ！！/ `"......Aaarrrrrrgggh!! `/ quakey 3,300 ;@　ここまで恥をかかせたんだものっ！！@　八つ裂きでも足りない！！@　百裂きにしてくれるッ！！@/ @`You've shamed me so much!!`@` Slicing you into eight pieces won't be enough!!`@` I'll slice you into a hundred pieces!! `@/ ld c,$RG1_odorokiA1,80 ;　行くよ、お前たちッ！！」\ ;＜ルシファ `Here we go, you guys!!"`\ ;se1 52 ;lsp 898,$RG6_HohoemiA1,0,180 ;lsp 899,$RG7_AkuwaraiA1,226,180 ;ld r,$RG4_HohoemiA1,0 ;ld l,$RG5_AkuwaraiA2,0 ;lsp 901,$RG2_AkuwaraiA1,0,-120 ;lsp 902,$RG3_AkuwaraiA2,226,-120 ;print 99,2000,"breakup.dll/urb" lsp 899,$RG7_hohoemiA1,-160,0 lsp 898,$RG6_akuwaraiA1,-64,0 lsp 897,$RG5_akuwaraiA2,32,0 lsp 896,$RG4_defA1,128,0 lsp 895,$RG3_fumanA1,224,0 lsp 894,$RG2_hohoemiA1,320,0 ld c,$RG1_odorokiA1,0 se1v 57,100 se2v 57,100 print 99,1000,"breakup.dll/llB" ;wait 1000 se1 37 wait 500 se2v 37,100 wait 200 se3v 37,100 se1 37 wait 500 se2v 37,100 wait 200 se1v 37,100 se3v 37,100 ;「「「「「「はぁい、お姉様ぁッ！@　きゃっはははははははッ！！」」」」」」\ `""""""Ye-s, Onee-sama!`@` Kyahhahahahahahaha!!""""""`\ csp -1 se1v 57,100 se2v 57,100 cl a,99,1000,"breakup.dll/lrb" ;　７人の姿が一斉に爆ぜる。@ ;　遊ぶ気も驕る気も何もない。@ ;　今度こそ主の命令に純粋に従う。@ `The seven of them burst at once.`@ `They had no desire to play or boast.`@ `This time, they would genuinely follow their master's order.`@ br ;　…嘉音を討て。迅速に！\ `...Hit Kanon. Swiftly!`\ E_MA bg black,0 btndef ":a;bmp\background\mainbuilding\Mlib_1bN.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 50 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 40 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 40 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 150 ofscpy btndef "" ;bg blood_1a,1 bg black,1 ;　七姉妹たちは目にも留まらぬ速度で室内を跳ね回り、嘉音をどう殺そうかと吟味する。@ `The seven sisters jumped around the room faster than the eye could see, deciding how they would kill Kanon.`@ br ;　残酷なくすくす笑いと、ちょっかいを出すように時折かする彼女らが嘉音を苛む。\ `They tortured Kanon with their cruel giggles, sometimes making a close pass at him.`\ se1 35 bg blood_2a,1 wait 800 se2 35 bg blood_2b,1 wait 800 se3 35 bg blood_2c,1 ;　…腕、肩、頬などが、チリチリとかすられ、削られ、@彼の体は次第に赤い一文字の模様が次々刻まれていく…。\ `...They kept scraping his arms, shoulders, and cheeks, `@`carving a red character into his body...`\ ;bg Mlib_1bN,22 ;ld r,$SHA_IkariA1,24 bg black,1 ;　その時、紗音が彼の背中に駆け寄り、その身を少しでも庇おうと抱きついた。\ `At that time, Shannon dashed up behind him, holding on to him so that she blocked the way to his body at least a little.`\ E_A se3v 57,70 se1v 36,70 se2v 58,70 bg white,1 bg black,0 lsp 901,barrier,0,0 print 42 wait 2000 se1v 57,100 se2v 55,100 se3v 36,100 mono off bg Mlib_1bN,99,3000,"breakup.dll/llB" ;　それと同時に、天より射した一条の光のような、赤き円筒が二人を包む。@ ;　その円筒は、嘉音を苛む邪悪たちを弾き返した…。\ `At the same time, a red cylinder wrapped around the two of them, like a beam of light sent from heaven.`@ `That cylinder repelled the evil ones who tormented Kanon...`\ csp -1 bg Mlib_1cN,24 bgm1 45 ld r,$RG2_OdorokiA1,24 ;「何ぃー！！@　ずーるいー！@　あんたは関係ないでしょぉー！」@ ;＜レヴィア `"Whaaaat!!`@` You're me-an!`@` This has nothing to do with yo-u!"`@ ld l,$RG7_AkuwaraiA1,23 ;「きっとこれはアレよ。@私たちと一緒に遊びたいのよぅ。」@ ;＜アスモ `"Ah, I see.`@` You must want to play with us."`@ cl r,23 ld r,$RG5_hohoemiA1,24 ;「きゃっは！@　なら私がもらうわー！@　いぃただきぃ！！」\ ;＜マモン `"Kyahha!`@` Then I'll take i-t!`@` All mine!!"`\ bg Mlib_1dN,0 ld r,$BEA_DefA2,24 ld l,$RG1_fumanA1,23 ;「ベアトリーチェさまっ。@紗音を私たちの獲物にしても…？」@ ;＜ルシファ `"Beatrice-sama.`@` Is it alright for us to have Shannon as our prey...?"`@ ld r,$BEA_FutekiA2,80 ;「ん？@　あー、構わんぞ好きにしろ。@お前たちの悪食には嘉音ひとりでは足らなかろうしな。」\ ;＜ベアト `"Hm?`@` Aah, I don't mind, do as you like.`@` It seems Kanon alone won't be enough to satisfy your gluttony."`\ bg Mlib_1cN,23 ld l,$RG4_fumanA2,23 ;「ありがたき幸せ。@/ `"Wow, I'm so happy. `@/ ld l,$RG4_akuwaraiA1,80 ;さぁ、しゃしゃり出てきたことを後悔させてやろう！」@ ;＜ベルフェ `Come on, I'll make you regret coming out uninvited!"`@ ld r,$RG6_AkuwaraiA3,24 ;「どっちがどっちか、わからないくらいの肉片にして、@混ぜて混ぜてミンチにしてハンバーグにしてあげるぅ！」\ ;＜ベルゼ `"Which one, which one, I'll turn you to unrecognizable scraps of meat,`@` mix you and mix you and mince you into hamburgers!"`\ ld c,$RG3_ikariA1,24 ;「馬鹿ね、それよりあの結界を破る方が先でしょうが！@　食い意地より先に仕事しなさいッ！」@ ;＜サタン `"Idiot, breaking that barrier should come first, right!?`@` Do your job before you start worrying about food!"`@ ld l,$RG4_AkuwaraiA2,0 ld r,$RG6_AkuwaraiA2,80 se1v 37,100 ;「「「「はぁい、お姉様ぁッ！！」」」」\ `""""Yees, Onee-sama!!""""`\ textoff cl a,0 se1 52 print 99,1000,"breakup.dll/lrb" ;wait 1000 bg black,22 lsp 901,barrier,0,0 bg Mlib_1aN,0 ld c,$SHA_majimeA3,22 ;　七姉妹は、ひどく当然の最初の作業として、紗音が生み出した結界を破り始める。@ `As a horribly natural first action, the Seven Sisters began to destroy the barrier Shannon had created.`@ br ;　…確かに紗音の結界は非常に強力だ。@ ;　ベアトリーチェが、一目置くほどの力はある。@ `...Shannon's barrier certainly was strong.`@ `It was enough power to impress even Beatrice.`@ br ;　…脆弱な家具ならば、触れただけで塵にされてしまうほどに強力で、@深々と根を下ろす大樹のように磐石だ。\ `...It was strong enough that frail furniture would turn to dust just by touching it,`@` and it was firm, like a tree with deep roots.`\ ;　しかし、どんな大樹も、いつかは斧と鋸に屈する。@ ;　七姉妹たちにとって紗音の結界を“切り倒す”のは、面倒ではあっても不可能なことではないのだ。\ `But no matter how big a tree gets, it will eventually surrender to a saw or an hatchet.`@ `For the seven sisters, 'chopping down' Shannon's barrier, while it was a pain, was not impossible.`\ fedexx 100,0,0,0,0,0,2000 mov %Free9,1 ;チャンネル選択 mov %Free11,-150 :mov %Free21,-100 mov %Free12,-30 :mov %Free22,-50 mov %Free13,90 :mov %Free23,0 mov %Free14,210 :mov %Free24,50 mov %Free15,330 :mov %Free25,100 mov %Free16,450 :mov %Free26,150 ;lsp 950,barrierbrake1,-150,-100 ;lsph 951,barrierbrake1,-30,-50 ;lsph 952,barrierbrake1,90,0 ;lsph 953,barrierbrake1,210,50 ;lsph 954,barrierbrake1,330,100 ;lsph 955,barrierbrake1,450,150 lsp 950,barrierbrake1,%Free11,%Free21 lsph 951,barrierbrake1,%Free12,%Free22 lsph 952,barrierbrake1,%Free13,%Free23 lsph 953,barrierbrake1,%Free14,%Free24 lsph 954,barrierbrake1,%Free15,%Free25 lsph 955,barrierbrake1,%Free16,%Free26 mov %Free11,490 :mov %Free21,-100 mov %Free12,370 :mov %Free22,-50 mov %Free13,250 :mov %Free23,0 mov %Free14,130 :mov %Free24,50 mov %Free15,10 :mov %Free25,100 mov %Free16,-110 :mov %Free26,150 lsph 850,barrierbrake1,%Free11,%Free21 lsph 851,barrierbrake1,%Free12,%Free22 lsph 852,barrierbrake1,%Free13,%Free23 lsph 853,barrierbrake1,%Free14,%Free24 lsph 854,barrierbrake1,%Free15,%Free25 lsph 855,barrierbrake1,%Free16,%Free26 ;改造点２−１後ろのbrakeを多段表示させる ; print 1 mov %Free2,848 mov %Free3,944 mov %Free4,840 mov %Free8,100 mov %Free5,2 for %Free1 = 950 to 970 resettimer if %Free1 < 956 vsp %Free1,1 if %Free2 > 849 && %Free2 < 856 vsp %Free2,1 if %Free3 > 949 && %Free3 < 956 vsp %Free3,1 if %Free4 > 849 && %Free4 < 856 vsp %Free4,1 if %Free9 = 1 se1v 57,100 if %Free9 = 2 se2v 57,100 if %Free9 = 3 se3v 57,100 : mov %Free9,0 print 1 vsp %free1,0 if %Free2 > 849 vsp %free2,0 if %Free3 > 949 vsp %free3,0 if %Free4 > 849 vsp %free4,0 notif %Free5 = 3 jumpf mov %Free5,0 lsp 799,white1,0,0 print 1 csp 799 ~ print 10,%Free8 if %Free4 = 855 break sub %Free8,2 inc %Free9 inc %Free2 inc %Free3 inc %Free4 inc %Free5 waittimer 190 next wait 2000 ;　甲虫が跳ね回って飛び回るような音が、さらに激しくなって部屋を満たす。@ `The sound like beetles jumping around grew even more fierce and filled the room.`@ br ;　赤い結界を斧で鋸で、いや、今やチェーンソーのように切り刻み、侵食していく…。\ `The red barrier started to get cut up and eroded away as though with an hatchet, a saw, no, a chainsaw by now...`\ mov %Free9,1 ;チャンネル選択 mov %Free11,-150 :mov %Free21,50 mov %Free12,-30 :mov %Free22,48 mov %Free13,90 :mov %Free23,46 mov %Free14,210 :mov %Free24,46 mov %Free15,330 :mov %Free25,48 mov %Free16,450 :mov %Free26,50 lsp 950,barrierbrake1,%Free11,%Free21 lsph 951,barrierbrake1,%Free12,%Free22 lsph 952,barrierbrake1,%Free13,%Free23 lsph 953,barrierbrake1,%Free14,%Free24 lsph 954,barrierbrake1,%Free15,%Free25 lsph 955,barrierbrake1,%Free16,%Free26 mov %Free11,490 :mov %Free21,100 mov %Free12,370 :mov %Free22,50 mov %Free13,250 :mov %Free23,0 mov %Free14,130 :mov %Free24,-50 mov %Free15,10 :mov %Free25,-100 mov %Free16,-110 :mov %Free26,-150 lsph 850,barrierbrake1,%Free11,%Free21 lsph 851,barrierbrake1,%Free12,%Free22 lsph 852,barrierbrake1,%Free13,%Free23 lsph 853,barrierbrake1,%Free14,%Free24 lsph 854,barrierbrake1,%Free15,%Free25 lsph 855,barrierbrake1,%Free16,%Free26 mov %Free2,848 mov %Free3,944 mov %Free4,840 mov %Free6,936 mov %Free7,832 mov %Free8,100 mov %Free5,0 for %Free1 = 950 to 975 resettimer if %Free1 < 956 vsp %Free1,1 if %Free2 > 849 && %Free2 < 856 vsp %Free2,1 if %Free3 > 949 && %Free3 < 956 vsp %Free3,1 if %Free4 > 849 && %Free4 < 856 vsp %Free4,1 if %Free6 > 949 && %Free6 < 956 vsp %Free6,1 if %Free7 > 849 && %Free7 < 856 vsp %Free7,1 if %Free9 = 1 se1v 57,100 if %Free9 = 2 se2v 57,100 if %Free9 = 3 se3v 57,100 : mov %Free9,0 print 1 vsp %free1,0 if %Free2 > 849 vsp %free2,0 if %Free3 > 949 vsp %free3,0 if %Free4 > 849 vsp %free4,0 if %Free6 > 949 vsp %free6,0 if %Free7 > 849 vsp %free7,0 notif %Free5 = 2 jumpf mov %Free5,0 lsp 799,white1,0,0 print 1 csp 799 ~ print 10,%Free8 if %Free7 = 855 break sub %Free8,2 inc %Free9 inc %Free2 inc %Free3 inc %Free4 inc %Free5 inc %Free6 inc %Free7 waittimer 190 next ;wait 2000 fedexx 70,0,0,0,0,0,2000 lsp 902,$RON_DefA2,-100,0 print 23 ;「…………愚かな。@君の結界ではその子たちを防ぎきれないことは知っていたでしょうに。@なぜ…。」@ ;＜ロノウェ `"............How foolish.`@` Even though you probably know that your barrier can't fully protect you from these girls.`@` Why...?"`@ ld c,$SHA_ikariA1,80 ;「………見過ごせないからです。」@ ;＜紗音 `".........Because I couldn't overlook it."`@ br ;　紗音は、もう精根が尽き果ててすっかり床に崩れ落ちてしまった嘉音を庇いながら、毅然と言い返す。\ `As Shannon covered Kanon, who was already at his limits, sprawled on the floor, she spoke back resolutely.`\ csp 902 print 24 lsp 903,$BEA_AkuwaraiA2,180,0 print 24 ;「しゃしゃり出なければ、眠るような死を与えてやったのに。@なぜわざわざ七姉妹の前に身を晒すのか。@/ `"If you hadn't barged in uninvited, I would have given you a death like sleep.`@` Why have you gone to all the trouble of exposing yourself before the seven sisters? `@/ lsp 903,$BEA_AkuwaraiA5,180,0 print 80 ;……死は同じではないぞ？@　苛烈な死は、死して尚、苛むぞ？@/ `......Isn't death the same?`@` An intense death would torture you even more than dying, right? `@/ se1v 37,100 ;　くっくくくくくくく！」\ `*cackle*cackle*cackle*!"`\ ld c,$SHA_fumanA1,80 ;「…………どうぞ、お好きなように。@あなたがしたいことを好きにするように、私もしたいことを好きにしたまでです。」\ ;＜紗音 `"............Go ahead, do as you like.`@` Just like you do as you want, I will do as I want."`\ lsp 903,$BEA_FukigenA1,180,0 print 80 ;「……………………。@……ふぅむ。@どうにもそなたはこのところ面白みに欠けるな？@　恋というヤツは、達するかどうかの辺りが一番面白い。\ `"..................`@`......Hmmmm.`@` In any case, this part of you isn't amusing.`@` Whether or not you would achieve love was the most interesting part.`\ lsp 903,$BEA_futekiA2,180,0 print 80 ;　達してしまった後の女は、さながら産卵を終えたシャケの如しか？@　そなたにはもう飽きた。」\ `After achieving it, a woman is like salmon who has finished laying its eggs.`@` I have already tired of you."`\ ld c,$SHA_IkariA1,80 ;「ありがとう。@魔女から聞ける言葉で、もっとも嬉しい言葉です。」\ `"Thank you.`@` No words I could hear from a witch would make me happier."`\ csp -1 bg Mlib_1cN,0 ld r,$BEA_futekiA2,24 ld r,$BEA_AkuwaraiA2,80 ;「……ふっふふふふひひははは。@なら、せめて最後に、妾を思いっきり喜ばせる死に方をして見せろよ。@/ `"......Hehehehhihihahaha.`@` Then, at least in the end, show me a way of dying that will please me greatly. `@/ ld r,$BEA_AkuwaraiA3,80 ;七姉妹よ、聞こえたな？！@　紗音の殺し方、お前たちの残虐の限りを見せてみよ！！」\ `Seven sisters, can you hear me?!`@` Show me the limits of brutality in the way you kill Shannon!!"`\ bg black,23 lsp 901,barrier,0,0 bg Mlib_1aN,23 lsp 902,$GEN_DefA1,180,0 print 24 ;「……………紗音…。」@ ;＜源次 `"...............Shannon..."`@ ld l,$SHA_fumanA1,23 ;「……申し訳ございません。@やはり私には、源次さまの高みには至れませんでした。」\ ;＜紗音 `"......My apologies.`@` In the end, I wasn't able to match up to your greatness, Genji."`\ csp 902 ld r,$KAN_fumanA1,24 ;「………姉さんは馬鹿だ…。@僕なんか放っておけば、…姉さんまでひどい目に遭うことは…。」@ ;＜嘉音 `".........You're an idiot, Nee-san...`@` If you just leave me be, ...then you might not meet a horrible..."`@ ld l,$SHA_majimeA3,80 ;「うぅん、いいの。@…譲治さまに指輪をもらって、女として生きられた。@あなたを庇って、姉として生きられた。@私の生は、全てこれで未練なく全うした。」\ ;＜紗音 `"No, it's alright.`@` ...I received the ring from George-sama and lived as a woman.`@` I have protected you, and lived as a sister.`@` With this, my life is settled with no regrets."`\ cl r,23 lsp 902,$BEA_odorokiA1,150,0 print 23 ;「……んんんんぁあああぁあああぁあぁ、イライラするぜェ。@その達観が本当にイラつくぜぇえぇ？！@　だから家具なんだよ、お前からは人間の臭いがしねぇえんだよぉおおお！！\ `"......Nnnnnnnaaaaaaaaaaahhhh, you're pissing me off.`@` That philosophic view is really irritating!!`@` Like I said, you're furniture, you don't even smell like a humaaaaaan!!`\ lsp 902,$BEA_AkuwaraiA4,150,0 print 80 ;　妾を見ろよ、妾こそ人間だろぉが？！@　家具のくせに、妾よりも完成されたかのような、達観したかのようなことを言うんじゃねええええぇえええぇッ！！」\ `Look at me, I am a human!!`@` Don't spout off philosophical stuff like you're more complete than I am, you furnituuuuuuuuuuure!!"`\ ld l,$SHA_IkariA1,80 ;「…………醜い。@その未練が、あなたの正体なの？」\ ;＜紗音 `"............How ugly.`@` Is that regret your true form?"`\ lsp 902,$BEA_odorokiA1,150,0 ;「未練じゃねぇえええぇえ、それが生きるってもんだッ！！/ `"It's not a regreeeeeet, this is called living!! `/ quakey 5,500 ;@　指輪もらったから死んでもいいとかッ！@　あああぁ理解できねぇ、さっぱりがっかり愕然呆然ッ、全然駄目だぜええええぇえ！！」@ @`What's this about receiving a ring, so it's alright if you die?!`@` Aaaaah, I can't understand it, not a clue, dejected, astonished, shocked, it's all useleeeeeeeesss!!"`@ lsp 903,$RON_DefA1,-100,0 print 23 ;「……お嬢様、少し品がないかと。」\ ;＜ロノウェ `"......Milady, aren't you acting a little undignified?"`\ csp 903 print 24 lsp 902,$BEA_aseruA1,100,0 print 80 ;「うるさいわ家具がッ！！@/ `"Shut up, furniture!! `@/ lsp 902,$BEA_AkuwaraiA2,100,0 print 80 ;　紗音ぉおおおんん、楽に死なせてもらえると思うなよぉおおおおぉ？！@　舌を噛むなら今の内だぁあああッ！！」\ `Shannooooonn, do you think I'll let you die easilyyyyyyyyyyy?!`@` Now's the time to bite your tooooooongue!!"`\ ld l,$SHA_MajimeA3,80 ;「…………憐れね。@もしも私の眼にあなたのその姿が映って、それが見えるなら。@己が醜さに慄くといい。」\ `"............How pitiful.`@` If you can see yourself reflected in my eyes,`@` then shudder at your own ugliness."`\ lsp 902,$BEA_odorokiA1,100,0 print 80 ;「安心しろよ、@てめェはそれよりさらに滅茶苦茶グチャグチャに生きながら醜く潰してやるからよぉおおおおおおおッ！！！」\ `"Don't worry, `@`I'll crush you up so that you're much more ugly while you're still aliiiiiiiiiive!!!"`\ csp 902 ld r,$GEN_majimeA2,4 ;　その時、………赤き結界に、源次がすっと入った。@ `At that time, .........Genji softly entered the red barrier.`@ ;　その結界は敵意を持たない者には障壁とならないのだろうか。@ `Maybe that barrier didn't block those without ill intent.`@ br ;　そして源次は、…そっと紗音を後から抱き締め、/ ;!d800……右手で彼女の目を覆う。\ `Then Genji, ...softly held her from behind, `/ !d800`......and covered her eyes with his right hand.`\ ld l,$SHA_fumanA1,80 ;「…………源次さま…。」@ `"............Genji-sama..."`@ ld r,$GEN_KomaruA1,80 ;「もう充分だ…。@………先に休みなさい。」@ `"That is already enough...`@`.........Go to sleep before me."`@ ld l,$SHA_WaraiA3,80 ;「…………はい。@………ありがとうございます、源次さま…。」@ `"............Yes.`@` .........Thank you very much, Genji-sama..."`@ ld r,$GEN_defA1,80 ;「………うむ。」\ `".........Hmm."`\ csp -1 bg black,5 ;　それから源次は、左手を、彼女の鎖骨の辺りにやさしく押し当てる…。@ ;　……すると、その左手を押し当てたところから、/ ;!d800……真紅の染みがやさしく広がる。\ `After that, Genji softly pressed his left hand against the area around her collarbone...`@ `......As he did, from the area where that left hand pressed, `/ !d800`......a crimson stain gently spread out.`\ fede 0,3000 textoff bg white,2 mono 2 print 18,3000,"bmp\efe\blood_2a_efe.bmp" wait 500 bg black,2 mono off br ;　源次がその手を離すと、/ ;!d500………そこには真っ赤な鮮血が湧き出していた。@ `When Genji removed his hand, `/ !d500`.........bright-red fresh blood oozed out of there.`@ ;　それは最初の一瞬だけ、真紅の薔薇模様にも見えた…。\ `That only happened for the first instant, and it was shaped like a crimson rose...`\ bg black,1 textoff se1 35 bg blood_2a,1 wait 800 se1v 35,100 bg blood_2b,1 wait 800 se2v 35,60 bg blood_2c,1 wait 800 se3 35 bg blood_2d,1 wait 800 se1 35 bg blood_2e,1 wait 2000 ;　そして紗音の目を覆っていた右手を離すと、/ ;!d800………紗音は眠るような安らかな表情を浮かべていて。@ `And when he removed his left hand covering her face, `/ !d800`.........There was a peaceful expression on Shannon's face, as though she was sleeping.`@ br ;!s0　……そして、ふわりと、/ ;!d600…音もなく倒れて、/ ;!d700………眠った。/ !s0`......And she fell softly, `/ !d600`...silently, `/ !d700`.........and slept.`/ !sd\ bg black,2 bgm1v 57,50 ;　もう、悪意ある魔女やその家具たちが、どれほどの邪悪で彼女を苛もうとも、@決して届かない世界へ、彼女の魂は送られていた…。\ `Her soul had already been sent to a world where the malicious witch and her furniture could not reach her, `@`no matter how evilly they tortured her...`\ bg Mlib_1e,22 ;　ベアトリーチェと七姉妹たちはその光景に呆然とする。@ `Beatrice and the seven sisters were shocked by this scene.`@ ;　…ロノウェだけが笑みの中に神妙なものを浮かべていた。@ `...Only Ronove had a mysterious expression along with his smile.`@ br ;　そして源次は床にうずくまる嘉音に屈み込む。\ `Then Genji leaned over Kanon, who was crouching on the floor.`\ ;lsp 901,barrier,0,0 bg Mlib_1aN,0 ld r,$GEN_MajimeA2,26 ld r,$GEN_defA1,80 ;「………よく頑張った。@お前ももう休むといい。」@ `".........You did well.`@` You should also sleep now."`@ ld l,$KAN_NayamuA1,23 ;「……………………………。@/ `"........................`@/ ld l,$KAN_majimeA1,80 ;…………はい。@ありがとうございます、源次さま。」\ `............Yes.`@` Thank you very much, Genji-sama."`\ csp -1 bg black,5 ;　源次は紗音にそうしたように、嘉音の目を手でやさしく覆った後、@もう片方の手で、同じように鎖骨の辺りをやさしく覆う。@ `Just as he had done with Shannon, after gently covering Kanon's eyes with his hand, `@`Genji gently covered the area around Kanon's collarbone with his other hand.`@ br ;　……そしてその手を、まるで羽を思わせる軽さで取り払うと、/ ;!d800…そこには真紅の薔薇模様が。\ `......And when that was removed with the lightness of a feather, `/ !d800`...there was a crimson rose shape.`\ textoff bg white,2 mono 2 print 18,2000,"bmp\efe\blood_2a_efe.bmp" wait 400 bg black,2 mono off ;　でもその薔薇模様はすぐに真っ赤な溢れ出す血の染みと化す…。\ `But that rose shape quickly turned into the stain of bright-red blood pouring out...`\ bg Mlib_1cN,24 ld r,$RG1_ikariA1,24 ;「な、/ ;!d800…………何よ、それぇ……。」@ ;＜ルシファ `"Wh, `/ !d800`............what is, that......"`@ ld l,$BEA_fukigenA1,23 ;「……つまらぬヤツ。@…生命の風船は、針にて突き、威勢よく割るから面白いのだろうが。」\ ;＜ベアト `"......What a boring person.`@` ...Even though it's fun to poke the balloon of life with a needle so that it forcefully explodes."`\ bg black,24 bg Mlib_1dN,0 ld r,$RON_waraiA2,24 ld r,$RON_akuWaraiA1,80 ;「見事です、源次。@…………それでこそ、家具です。」@ ;＜ロノウェ `"Spectacular, Genji.`@` ............You truly are furniture."`@ ld l,$GEN_DefA1,23 ;「……ありがとうございます。@/ `"......Thank you very much. `@/ ld l,$GEN_komaruA1,80 ;…それではベアトリーチェさま、ロノウェさま。@これを以って私の最後のお勤めとし、お暇をさせていただきます。」\ `...Well then, Beatrice-sama, Ronove-sama.`@` With this as my final task, allow me to rest."`\ bg Mlib_1cN,23 ld c,$BEA_komaruA1,24 ;「…………ち。@妾の楽しみを勝手に奪いおって。@/ `"............Grr.`@` You took what I was playing with. `@/ ld c,$BEA_AseruA1,80 ;この二人をギッタギタのグッチャグチャにしたかった分、@そなたがそれを代わるのであろうなぁ？？」@ ;＜ベアト `Why don't I take all of that thrashing and mashing I wanted to do to them, `@`and give it to you instead??"`@ br ;　ベアトリーチェは不満の表情を向けるが、@ロノウェは安らぎを感じさせる笑顔で、静かに源次に告げた。\ `Beatrice faced him with an unsatisfied expression, `@`but Ronove spoke quietly to Genji with a soothing smile.`\ ld r,$RON_waraiA2,24 ;「ご苦労でした。@あなたは私の最高の僕です。@……これまでの労をねぎらうに値する安らかな眠りを、あなたへの最後の褒美として取らせましょう。」@ `"You have worked hard.`@` You are my greatest servant.`@` ......I shall bestow as a final gift to you a peaceful sleep worthy of all your labors until now."`@ ld c,$BEA_OdorokiA1,80 ;「ちょっ？！@　おいッ勝手な真似を…！」\ ;＜ベアト `"Wha?!`@` Wait, what are you...!"`\ bg white,1 bg black,22 se1 2 ;　ロノウェがパチリと指を鳴らすと、@……源次がもしも操り人形だったなら、その糸が切れて崩れ落ちたと錯覚するくらいに、@…あっさりと、だけれどもやさしく。@ `When Ronove snapped his fingers, `@`......Genji looked like a puppet whose strings had been cut and which fell sprawled on the floor,`@` ...suddenly, and yet gently.`@ br ;　彼は床に、崩れ落ちて、魔女たちには呼び戻せない眠りに落ちた…。\ `He fell, sprawled on the floor, into a sleep that witches couldn't call him back from...`\ bg Mlib_1e,22 se1 13 quakey 3,500 br ;　それは、彼が紗音たちに与えた眠りと同じくらいに、やさしさに溢れたものであった…。\ `That was as filled with kindness as the sleep he had given Shannon and Kanon...`\ bg black,22 fede 0,3000 bg Mlib_1aN,26 ld r,$BEA_komaruA1,24 me1v 12,40 ;「……何だよォ、ロノウェぇ。@……拍子抜けでつまらぬぞ。」@ `"......What was that, Ronove?`@` ......What a boring anticlimax."`@ ld l,$RON_WaraiA2,23 ;「お嬢様は偉大なる大魔女ではございませんか。@この程度、気に留めるほどにもございませんよ。@/ `"Are you not a powerful Great Witch, Milady?`@` Something such as this is not enough to pay attention to. `@/ ld l,$RON_akuwaraiA1,80 ;　……紗音ごときの挑発で頭に血を上らせるなど、らしくもない。」\ `......Having the blood rush to your head because of provocation from someone like Shannon, isn't like you."`\ ld r,$BEA_AseruA1,80 ;「………………………。@…ふん。」\ `"........................`@`...Hmm."`\ se1 52 cl r,99,2000,"breakup.dll/ulb" ;　ベアトリーチェは何が気に入らないのだろうか。@ ;　…紗音の言葉の棘が、今もなお抜けないというのか。\ `Was there something that Beatrice didn't like?`@ `...Was she still unable to remove the thorn of Shannon's words?`\ ld l,$RON_waraiA2,80 ;　ロノウェは、人間と女の心の複雑さを嘆くように薄く笑うと、七姉妹たちに行けと命じる。@ `Ronove laughed lightly, as though lamenting the complexity of humans and a woman's heart, and ordered the seven sisters to go.`@ br ;　……何しろ、第一の晩の生贄はまだ２人残っているのだから。@ `......After all, there were still two sacrifices left for the first twilight.`@ br ;　七姉妹たちは狂喜して姿を消すのだった…。\ `The seven sisters disappeared in ecstasy...`\ wait 2000 ;▲第６アイキャッチ　１０月５日（日）０時１７分〜０時２１分 eye1 0,17,0,21,1,0,510,340,25 *umi3_7 mov %play_scene,30060 ;シーン変数の入力 mov %grim_scene,303 E_A ;■屋敷。夜の見回りをしている郷田。 me1v 13,50 me2v 5,50 textoff bg M1F_P1cN,6 wait 2000 bg black,5 wait 1000 bg M1F_P1dN,0 ld c,$GOH_majimeA1,4 ;　郷田は、夜の見回りをしていた。@ `Gohda was doing the nighttime rounds.`@ br ;　そもそも、六軒島には右代宮家以外は存在しない。@ ;　だから戸締りやその確認には、それほど意味があるわけではない。\ `There had never been anything on Rokkenjima outside the Ushiromiya family.`@ `So checking that the doors and windows were all closed had no real purpose.`\ bg black,25 ;　しかし、夏妃がそれを無用心だと咎めて以来、夜回りは使用人たちの日課に組み込まれた。@ `However, since Natsuhi had scolded that this was careless, the nighttime rounds had become part of the servants' daily routine.`@ br ;　……そもそも、夏妃が夜回りを命じたのは、時折起こった、魔女騒動のせいだった。\ `......The reason that Natsuhi had ordered this was the occasional disturbances of the witch.`\ bg portrait2,8 ;　この島に出入りする者なら誰もが知る、森の魔女ベアトリーチェの伝説。@ ;　それはこの島独自の怪談として根付いていた。@ `Everyone who came and left this island knew about the legend of Beatrice, the witch of the forest.`@ `This had become established as this island's characteristic ghost story.`@ se1v 27,40 br ;　だから時折、誰もいないはずの屋敷内に、不気味な音や人影が…、@というような話は、自然と起こったものだった。\ `Because of that, it was only natural that some people would say that, when they thought they were alone in the mansion..., `@`they would hear a strange sound or see the shadow of a person.`\ bg black,5 ;　しかし、それが少々騒ぎを大きくし過ぎて夏妃の耳にも届き、@不審者が出入りしているのではないかと騒がれたのだ。@ `However, when that had created a little too big of a disturbance and reached Natsuhi's ears, `@`she had made a fuss, thinking that some suspicious person might have been entering and leaving.`@ br ;　何でも、使用人全員を叩き起こして、屋敷中を確認させるという大騒ぎもあったという。\ `Anyways, it was said that she had roused all of the servants and had them check throughout the mansion.`\ bg Mhal_2cN,4 ;　これらの魔女騒ぎについては、何れも郷田がやって来る前のことなので、@郷田は古参の使用人たちから聞かされただけだ。@ `Because all of this uproar over the witch had happened before Gohda had come, `@`he had only heard about it from the more senior servants.`@ br ;　この手の怪談はどこの職場にもある。@ ;　かつて郷田が勤めていたホテルにだって、レストランにだって、@その手の怪談は事欠かなかったものだ。\ `Ghost stories like that could be found in any workplace.`@ `They hadn't even been lacking at the hotel or the restaurant Gohda had worked at.`\ ;　だから、この島でその話を聞かされた時、@あぁここにもやっぱりそういうものがあるんだなと苦笑したものだ。@ `So when he had heard that story on this island,`@` he had smiled bitterly, thinking 'ah, so they have that kind of thing here after all'.`@ br ;　苦笑はするが、それを蔑ろにしないのが、郷に入りては郷に従えというもの。@ ;　郷田も上辺は合わせたが、内心は子供だましだと思っていたものだ。@……最初は。\ `He had smiled bitterly, but he had thought when in Rome, do as the Romans do, and had not slighted that.`@ `Gohda went along with it on the outside, but in his heart he had thought it was a childish trick.`@` ......At first.`\ ld r,$GOH_IiwakeA1,24 ;「…………これは確かに不気味ですね。@なるほど、過去の使用人たちが、色々と騒ぎたくなる気持ちもわかるものです。」\ ;＜郷田 `"............This certainly is eerie.`@` I see, I understand why servants got in an uproar over this in the past."`\ ;　こんな不気味な夜の夜回りで、@もしも閉め忘れた窓から入るそよ風がレースのカーテンを揺らしたなら、@幽霊を見たと信じたくなる気持ちを充分に理解できた。\ `He could understand how someone doing the rounds on an eerie night like this `@`might believe they had seen a ghost if they saw a lace curtain waving in the breeze from a window which hadn't been closed.`\ bg black,5 bg portrait2,22 ;「肖像画の魔女を馬鹿にすると、祟りがあるか。@……大怪我をして辞めた使用人もいるらしいし。@…怪我は勘弁だなぁ。@俺もこの歳だ。@二度とこんな厚遇の職場にゃ恵まれねぇだろうよ…。@あー。@肖像画の魔女さま。@真面目に働きますんで、ひとつ穏便に頼みます。」\ `"So, if you make fun of the witch of the portrait, there is a curse.`@` ......It seems that there was even a servant who received a serious injury and quit.`@` ...I'd hate to be injured.`@` I am already this old.`@` I probably wouldn't be granted a workplace this hospitable again...`@` Aaah.`@` Witch of the portrait.`@` I'm working sincerely, so please give me some peace."`\ bg Mhal_2cN,2 ;　郷田は神社でそうするように、肖像画に向かって手を合わせて拝む仕草をする…。\ `Gohda prayed to the portrait, his hands together, as though he was at a Shinto shrine...`\ bg black,1 E_A se1v 39,40 wait 5000 me1v 16,50 ;　その時、…何か音が聞こえた気がした。@ `At that time, ...he thought he heard a sound.`@ br ;　厨房？@　金物か何かが床に落ちる音だったろうか。\ `The kitchen?`@` Was that the sound of something metal falling on the floor?`\ bg M1F_P2bN,22 ;　まさかネズミかゴキブリでも出て、食器を落としたのだろうか。@いやいやまさか。@普段から清潔は徹底している！@ `Maybe a mouse or a cockroach had come out, and knocked over some of the dishes.`@` No, no, how could that be.`@` It was normally thoroughly cleaned!`@ br ;　郷田はとにかく音の正体を確かめようと厨房へ入った。\ `Gohda thought he would check what that noise really had been and entered the kitchen.`\ bg black,24 E_A se1 15 bg white,1 bg Mkit_1cN,26 ;　厨房の明かりをつける。@ ;　……すると不思議な音が聞こえた。\ `He turned on the kitchen light.`@ `When he did, he heard a strange sound.`\ ;　カタカタカタカタカタカタ。@ `*clank*clank*clank*clank*clank*clank*.`@ br ;　……料理人である郷田は、その音が圧力鍋か何かが蓋を震わせる音のように感じた。\ `......To a cook like Gohda, that sound seemed like the lid on the pressure cooker or something was shaking.`\ me1 11 ;　まさか、人のいない厨房で鍋をかけているわけもない。@ ;　仮にガスを使っていたとして、その側を離れるなど、何と物騒な。@ `Of course, it couldn't be in use when no one was in the kitchen.`@ `If someone was using the gas, walking away from it would be quite dangerous.`@ br ;　…郷田は念のため、ガス台の回りを点検することにする…。\ `...Just in case, Gohda decided to inspect the area around the gas range...`\ bg black,3 wait 2000 bg Mkit_1aN,2 ld l,$GOH_komaruA1,23 ;「……………何ですか、これは…。」\ `"............What is this...?"`\ ;　すると、ガス台の脇に、/ ;!d800…確かに想像の通りに圧力鍋が置かれていた。@ `When he did, in the corner by the gas range, `/ !d800`...the pressure cooker really had been set, just as he had thought.`@ br ;　しかしそれは火をかけられてはいない。@ ;　…にもかかわらず、蓋をカタカタ言わせている…。\ `But the flame wasn't on.`@ `...And yet, the lid was clanking...`\ ld l,$GOH_KomaruA2,80 ;　何かが発酵してガスでも出している？@ ;　…まさか。@……じゃあネズミでも入ってるとか？@ ;　…まさか、馬鹿馬鹿しい…。\ `Was something fermenting and leaking gas?`@ `...How could it be?`@` ......Then is there a mouse or something inside?`@ `...How could there be, ridiculous...`\ ;　郷田は、人前では体格どおりの豪胆そうな性格を装っているが、@……実際は、案外臆病な一面も持っていた。@ `In front of people, Gohda acted as though he had a bold personality fitting for his build,`@` ......but he actually had an unexpectedly timid side to him.`@ br ;　その中に何が入っているのか、恐ろしくて、迂闊に確かめられない…。\ `He was frightened that there might be something inside, and he couldn't check it carelessly...`\ bg black,24 ;　彼は臆病にも、…近くのすりこぎを取り、@それで圧力鍋の側面を、コン！/ ;!d800と少し強く叩いてみた。\ `In his cowardice, ...he grabbed a nearby wooden pestle,`@` and with a *clunk!* `/ !d800`he tapped it a little strongly against the side of the pressure cooker.`\ ;　すると、カタカタ言わせていた音はぴたりと止まる。@ `When he did, the clanking sound suddenly stopped.`@ br ;　…止まって安心のはずなのだが、@…叩いたら止めた、という点がかえって不気味で、その中身の正体をさらに疑わせた…。\ `...He should have been relieved now that it had stopped,`@` ...but the fact that it had stopped when he had hit it was even more eerie, and made him even more suspicious about what was inside...`\ bg Mkit_1bN,0 ld c,$GOH_KomaruA1,23 ;「…………ん、…ごくり。@………この世に、怪奇現象なんて存在しませんとも。@えぇ、そんな魔女も魔法も、そんなもの存在するわけがない。@全ての現象は科学的に説明できるんです。@……オバケも魔女もいてたまるもんですか…！」\ `"............Hmm, ...*gulp*.`@` .........Strange phenomena do not exist in this world.`@` Yes, witches and magic, things like that couldn't exist.`@` All phenomena can be explained with science.`@` ......As though monsters and witches could exist...!"`\ ;　自分を勇気付けるように何度もそれを繰り返す。@ ;　…その言葉の意味するところと逆に見えるのが、何とも滑稽だった。\ `He repeated that many times, trying to build up his own confidence.`@ `...It was quite comical how he looked completely different from what he was saying.`\ ld c,$GOH_IkariA1,80 ;「何が魔女だ、何が魔法だ祟りだ…。@……そら、/ ;!d700……正体を見せてみろ…！@/ `"Who would believe in a witch, who would believe in magic or curses...`@`......Come on, `/ !d700`......show me what you really are...! `@/ bg black,1 E_A ;　っそりゃ！」@ `Take that!"`@ br ;　圧力鍋の蓋を、……取り払う。\ `...He removed the lid of the pressure cooker.`\ ;!s0　そこに晒されるのは、/ ;!d1000…ピカピカに磨かれた銀色の鍋底。/ !s0`And lying exposed there, `/ !d1000`...was the sparkling clean silver bottom of the pot.`/ !sd@ br ;　……彼が想像した、恐ろしい何かはまったく存在しなかった。\ `......There was absolutely nothing frightening like he had imagined.`\ bg Mkit_1bN,26 me1v 12,50 ld r,$GOH_KomaruA1,26 ;「……………ふぅ。@/ `"............Whew. `@/ ld r,$GOH_IiwakeA2,80 ;…はははは、そりゃ当然です。@…中に何も、いるわけがない。」@ `...Hahahaha, it's only natural.`@` ...There's no way there could have been anything inside."`@ br ;　郷田は今頃になって、自分が小心者であったことを自覚する。\ `By now, Gohda had realized that he had been a coward.`\ ;　……ならばなぜ、蓋が鳴っていたのかという疑問ももちろん湧いたが、@…ちょっとした角度とかの問題、などと抽象的に考え、深くは悩まないことにした。\ `......So while he still had some doubts about what had caused the lid to make that sound, `@`...he thought it wasn't a big problem, and decided not to worry about it too much.`\ cl r,0 ld c,$GOH_omakaseA3,24 ;　そして手に取った蓋を、……そうっと元通りに置いてみる。@ `Then he took the lid he had grabbed, ......and softly set it back down where it had been.`@ br ;　……大丈夫、音は鳴らない。@……当然だ。@ ;　魔女も魔法もあるもんか…！\ `......It's alright, there won't be a sound.`@` ......Obviously.`@ `As if witches or magic could exist...!`\ bg black,1 E_A ;　カタ。@ ;　カタカタカタカタ。\ `*clank*.`@ `*clank*clank*clank*clank*.`\ ;「……………え…？」\ `"............Huh...?"`\ se1 33 ;　カタカタカタカタカタカタカタカタ。@ `*clank*clank*clank*clank*clank*clank*clank*clank*.`@ bgm1 50 br ;　カタカタカタカタカタカタカタカタカタカタカタカタカタカタカタカタ！\ `*clank*clank*clank*clank*clank*clank*clank*clank*clank*clank*clank*clank*clank*clank*clank*clank*!`\ bg Mkit_1aN,0 ld c,$GOH_OdorokiA1,22 ;「ひッ、……ひっぃいいいいぃ！！」/ `"Hii, ......HIIIIIIIIIII!!"`/ quakey 5,500 @ br ;　厨房中の鍋が、食器が、一斉にカタカタと音を鳴らし始める。@ `All of the pots and utensils in the kitchen started clanking at once.`@ br ;　それはさらに一層強くなり、とうとう一部の鍋は蓋を落としてしまうほどにまでなる…！\ `It grew even stronger, so that finally, the lid to one of the pots fell off...!`\ ;　そして、……蓋を落とした鍋の中からは、………ぬぅぅっと、白く細い腕が、伸びだす。@ `And, ......from inside that pot, .........a slender white arm reached out.`@ br ;　次々に他の鍋も蓋を落とし、ぬぅぅ。@ぬぅぅ。@ぬぅぅぅ…。\ `The lids fell off other pots one after another, `@`and another, `@`and another...`\ bg black,1 ;ld c,$GOH_KomaruA3,80 ;「ひいいいいい！！！@　魔女なんかッ、魔女なんかいるもんかぁああぁあ！！@　信じるもんかああああぁああああ！！」@ `"Hiiiiiiiii!!!`@` As if, as if witches could exiiiist!!`@` As if I would believe iiiiiiiiiit!!"`@ br ;　その腕の数は７本を数えた時、黄色い哄笑が空間を叩き割る。\ `When the number of arms grew to seven, a loud, shrill laughter split the air.`\ se1 37 wait 500 se2v 37,100 wait 200 se3v 37,100 se1 37 wait 500 se2v 37,100 wait 200 se1v 37,100 se3v 37,100 wait 1000 se1v 1100,100 se2v 57,100 bg white,1 bg Mkit_1cN,0 bfly1 0 ld c,$RG6_AkuwaraiA3,80 ;「がっかりぃ！@　これほどのオイシイお料理が作れる人が、こんな小物なんて本当ォにがっかりぃ！！」@ ;＜ベルゼ `"What a letdown!`@` It's a real letdown that a person who can make such delicious food is such a lightweight!!"`@ ld r,$RG5_AkuwaraiA2,23 ;「あんた、いんないなら私がもらうわぁッ、いっただきィ！！」@ ;＜マモン `"If you don't need him, I'll take him, he's all mine!!"`@ ld l,$RG2_odorokiA2,24 ;「ちょっとォ、駄目だってばぁあああぁ！！@/ `"Wait, I said nooooooooooo!! `@/ ld l,$RG2_odorokiA1,80 ;　私がもらうんだからぁッ！！」\ ;＜レヴィア `I'll take him!!"`\ ;ld c,$GOH_OdorokiA1,80 br ;「えッ？！@　えッえッ？！？！@　ひゃああああああああああぁああぁああぁ！！」/ `"Huh?!`@` Wha, whaa?!?!`@` HYAAAAAAAAAAAAAAAAAAAAAAAHHH!!"`/ quakex 5,500 \ ;＜郷田 se1v 37,100 se2v 37,100 ;「「「「きゃっははははははは！！！」」」」\ `""""Kyahahahahahahaha!!!""""`\ textoff se1v 36,100 csp -1 cl l,0 cl r,99,500,"breakup.dll/llb" se2v 36,100 cl c,99,500,"breakup.dll/lrb" ;csp bgsp wait 300 bg black,1 ;■カキコキズギューン！@ E_MA btndef ":a;bmp\background\mainbuilding\Mkit_1aN.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 50 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 40 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 40 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 150 ofscpy se1v 36,100 btndef "" bg blood_1a,1 bg black,2 wait 2000 se2v 37,100 wait 1500 se3v 38,100 wait 2000 se1 22 bg M1F_P2bN,0 bfly2 8 ;　さぁ、探そう、あとは１人だ。@ ;　おいぼれのババアだ！@ ;　どこにいるの？@ ;　屋敷じゃないよ、ゲストハウスかな？@ `Come on, let's search, there's only one more.`@ `That old hag!`@ `Where is she?`@ `She isn't in the mansion, what about the guesthouse?`@ br ;　くっひひひひ、早い者勝ちだよね、早い者勝ちだよね？！\ `Kuhihihihi, first one wins, first one wins, right?!`\ csp -1 se2 22 bg black,28 ;　さぁ、探せ探せ、見つけろ見つけろ…！@ `Come on, search search, find her find her...!`@ se3 22 ;bg Mdin_1fN,22 br ;　食堂の親族たちには気付かれるな？@ `Don't be noticed by the relatives in the dining hall, right?`@ se1 22 ;bg G2F_R1aN,22 br ;　ゲストハウスの子どもたちには気付かれるな？\ `And don't get noticed by the kids in the guesthouse, right?`\ bg black,22 ;　静かに探せ、静かに殺せ！@ ;　何たってまだまだ第一の晩！\ `Search in silence, kill in silence!`@ `After all, it's still just the first twilight!`\ dllefe 1,1 se2 22 bg G_o1aN,0 bfly1 8 ;　ゲストハウスにはいない。@ ;　でも屋敷にもいなかったよ？\ `She isn't in the guesthouse.`@ `But she isn't in the mansion either?`\ csp -1 bg black,28 wait 1000 dllefe 1,1 se3 22 bg rose_1aN,0 bfly2 0 ld c,$KUM_defA1,2 ;　おいおい、見つけた見つけた、薔薇庭園だよ。@ ;　こいつ、傘も差さずに何をぼんやり？\ `Hey hey, I found her, I found her, she's in the rose garden.`@ `Why's she standing around there without an umbrella?`\ ;　観念したんだよ、いただきいただき、いっただきぃ！@　ノロマなあんたたちはぼんやり見てればいいのよ！@ `I'm ready, all mine all mine all mi-ne!`@` You blockheads can just sit there and watch!`@ br ;　だから駄目ぇえええぇ、今度は私がもらうのぉおおおおぉおお！！@ `I told you, nooooooo, this one's miiiiiiiiiiiiine!!`@ br ;　さぁ、これ以上時間を掛けたらベアトリーチェさまに折檻されるよ！@　一気に片付けてやる！\ `Come on, if we take any longer we'll be scolded by Beatrice-sama!`@` Let's take care of it all at once!`\ ld c,$KUM_odorokiA1,80 ;「…………………………………。」\ ;＜熊沢 `"........................"`\ ;　さぁ、見つけた取り囲んだ！@　さぁ仲良く一度に行くよ？！@　死ねえええええええええええぇえええッ！！！\ `Come on, found her, surrounded her!`@` Come on, let's get along and do it all at once, okay?!`@` Diiiiiiiiiiiiiiiiiiiiiiiie!!!`\ ;■ガキーン！@（紗音とは違うバリアで弾かれた感じ？？？@　鯖バリアー？！@ｗｗ） dllefe_off cbfly 0 E_A se1v 57,100 bg white,1 bg rose_1aN,0 lsp 901,barrierbrake2p1,0,0,180 lsph 899,barrierbrake2p2,0,0,180 lsph 902,barrierbrake2p3,0,0,180 lsph 898,barrierbrake2p4,0,0,180 lsph 897,barrierbrake2p5,0,0,180 ld c,$KUM_MajimeA1,0 print 22 wait 800 csp 901 se1v 57,100 bg white,1 vsp 899,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 22 wait 400 csp 899 se1v 57,100 bg white,1 vsp 902,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 80 ; wait 200 vsp 902,0 se2v 57,100 bg white,1 vsp 902,1 vsp 898,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 22 ; wait 200 vsp 902,0 vsp 898,0 se1v 57,100 bg white,1 vsp 902,1 vsp 898,1 vsp 897,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 22 ; wait 200 csp -1 se2 52 print 99,2000,"breakup.dll/lrB" ; wait 200 wait 2000 cbfly 0 bg black,24 bfly2 0 bg rose_1bN,24 se1 52 ld r,$RG7_OdorokiA1,99,2000,"breakup.dll/lrp" ;「………えぇ…？@　………あれぇ？」@ ;＜アスモ `".........Eeeh...?`@` .........Huh?"`@ me1v 13,70 dllefe 1,1 se2 52 ld l,$RG1_ikariA1,99,1000,"breakup.dll/llp" ;!s0「なっ、/ ;!d400……何よ、/ ;!d600…これぇ…。」/ !s0`"Wh, `/ !d400`......what is, `/ !d600`...this..."`/ !sd\ ;＜ルシファ cbfly 0 bg rose_1aN,23 ld c,$KUM_defA1,6 ;「…………ほっほっほっほ。@やんちゃなお嬢さんたちだこと。@/ `"............Hoh-hoh-hoh-ho.`@` What naughty girls. `@/ ld c,$KUM_waraiA2,80 ;…あの子のお友達かしら…？」\ ;＜熊沢 `...Could you be friends of that child...?"`\ bg rose_1bN,24 se1 52 ld r,$RG2_odorokiA1,99,1000,"breakup.dll/llp" ;「…何こいつ、…………バ、ババアのくせに…！」@ ;＜レヴィア `"...What is this, .........you old hag...!"`@ se2 52 ld l,$RG3_ikariA1,99,1000,"breakup.dll/llp" ;「何かの間違いよ！！@/ `"There's got to be some mistake!! `@/ ;ブレード装備 se1v 57,100 bld l,$RG3_IkariA1,80 ;　もう一度ッ！！」\ ;＜サタン ;■ガキーン！！@（やっぱ弾かれる） `One more time!!"`\ bcl l,0 lsph 901,barrierbrake1p1,0,0 lsph 902,barrierbrake1p2,0,0 lsp 903,barrierbrake1p3,0,0 lsph 899,barrierbrake1p4,0,0 lsph 898,barrierbrake1p6,0,0 lsph 897,":c;bmp\background\efe\BLADE6_1P.bmp",0,0 se1v 57,100 bg white,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 22 wait 400 vsp 903,0 se1v 57,100 bg white,1 vsp 901,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 1 wait 200 se2v 57,100 bg white,1 vsp 901,0 vsp 902,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 1 wait 200 se3v 57,100 bg white,1 vsp 902,0 vsp 903,1 vsp 899,1 bg rose_1aN,0 ld c,$KUM_MajimeA1,0 print 1 wait 200 se1 20 vsp 897,1 print 1 wait 400 vsp 897,0 vsp 903,0 vsp 899,0 vsp 898,1 print 1 se3v 57,100 quakey 5,1200 se2 52 csp -1 vsp 989,0 print 99,3000,"breakup.dll/lrB" ld c,$KUM_WARAIA2,80 dllefe 1,1 wait 2000 csp -1 bg black,24 ;fede 0,3000 E_A bgm1v 63,70 dllefe 1,1 bg rose_1bN,24 se1 52 bld r,$RG7_OdorokiA1,0 print 99,1000,"breakup.dll/lrp" bcl r,0 ld r,$RG7_OdorokiA1,22 ;「……こいつ、どうして私たちを防げるの？！」@ ;＜ベルゼ `"......Why can she defend against us?!"`@ se1 52 ld l,$RG5_IkariA1,99,1000,"breakup.dll/urp" se2v 57,80 bld l,$RG5_IkariA1,1 ;「どいてッ！@　もう一度よッ！！！」@ ;＜マモン `"Move aside!`@` One more time!!!"`@ cl r,23 ld r,$RG4_fumanA1,24 ;「…………何度やっても無駄だ。@/ `"............No matter how often you try, it's useless. `@/ ld r,$RG4_komaruA1,80 ;この御仁、…出来る。」\ ;＜ベルフェ `This person, ...is good."`\ bcl l,0 bg rose_1aN,0 ld r,$KUM_DefA1,24 ;「……………私はあの子を待っているのです。@どうか呼んできてはくれませんか？」@ ;＜熊沢 `"............I am waiting for that child.`@` Would you mind calling for her?"`@ ld l,$RG1_odorokiA2,23 ;「そ、そのような丁稚奉公、私たちがすると思うッ？！」\ ;＜ルシファ `"D, do you think we'd be apprenticed to you like that?!"`\ se1v 57,100 bld l,$RG1_odorokiA2,1 wait 1000 bcl l,0 bg black,24 bg rose_G1aN,24 se1 52 ld c,$BEA_DefA2,99,2000,"breakup.dll/lrp" me1v 12,40 ;「その必要はない。」@ ;＜ベアト `"There's no need."`@ ld l,$RG1_OdorokiA1,23 ;「ベアトリーチェさま…！」\ ;＜ルシファ `"Beatrice-sama...!"`\ bg rose_1bN,24 se1 52 ld r,$RON_akuwaraiA1,99,1500,"breakup.dll/llp" ;「…………私が顕現するほどでございます。@…zお目覚めと思いました。」@ ;＜ロノウェ `"............It's enough to make me manifest myself.`@` ...I was sure that you had awakened."`@ ld l,$KUM_majimeA1,3 ;「ロノウェ。@久し振りですね。@……えぇ、本当に久し振りです。」\ ;＜熊沢 `"Ronove.`@` It has been a long time.`@` ......Yes, it truly has been a long time."`\ ld c,$RG7_OdorokiA1,24 ;「こいつぅ、ロノウェさまを呼びつけに……！」/ `"This person's talking to Ronove-sama without using 'sama'......!"`/ quakex 3,300 \ ;＜アスモ bg black,24 dllefe_off E_MA se1 22 bg moon_1a,28 ;「………………そして。@あなたもお久し振りですね。@…ベアトリーチェ。」\ ;＜熊沢 `"...............And.`@` It has been a long time for you too.`@` ...Beatrice."`\ ;「こ、こいつ、ベアトリーチェさままでもを呼びつけにぃ…。」\ ;＜レヴィア `"Sh, she's not even using 'sama' for Beatrice-sama..."`\ bg rose_1aN,0 ld r,$BEA_WaraiA1,26 ;「良い。@/ `"Good. `@/ ld r,$BEA_futekiA1,80 ;そのお方をどなたと心得るか。@……ベアトリーチェとはそもそもそのお方の名。@妾はそれを受け継いだに過ぎぬ。@……そのお方こそは妾の師匠。@先代ベアトリーチェ卿だ。」@ ;＜ベアト `Do you know who this person is?`@` ......Beatrice was originally this person's name.`@` I only inherited that name from her.`@` ......This person is my teacher.`@` The Predecessor, Lady Beatrice."`@ ld l,$RG1_komaruA1,24 ;「先代、/ ;!d400……ベアトリーチェ卿……。」\ ;＜ルシファ `"The Predecessor, `/ !d400`......Lady Beatrice......"`\ textoff bg black,24 bg rose_1bN,0 ld c,$KUM_MajimeA1,24 wait 400 se1 52 bfly1 10 se2v 52,100 lsp bgsp,butterfly_4sp2R,0,0 print 11 ;　薔薇の園から一匹二匹と現れた黄金の蝶たちが、次第に熊沢の周りに集まり始める…。@ `Gold butterflies appeared in ones and twos from the garden of roses and began to gather around Kumasawa...`@ br ;　そして黄金の輝きとなって彼女を包んだ後、弾けて消えると、そこには熊沢の姿はなかった。\ `Then, after she was wrapped in a golden sparkle, she burst and disappeared, and Kumasawa's form was no longer there.`\ textoff se3v 22,100 bg white,2 wait 1000 csp bgsp se1v 52,100 bg Rose_1bN,0 ld c,$WAL_DefA1,99,4000,"breakup.dll/lrb" se2 2 bgmvol 100 wait 2000 ;fedexx 100,0,0,0,0,0,5000 ;　…代わりにそこにあったのは、………ベアトリーチェにかつて、無限の魔女の道を説き、@生涯でただひとり、師匠と呼んだ、もう一人の黄金の魔女の姿だった。\ `...Instead, there was another Golden Witch, .........the one who had, in the past, explained to Beatrice the path of an Endless Witch,`@` the only person Beatrice had called Teacher in her entire life.`\ ;　髪は長く美しく、瑞々しいほどに若々しく、@そして優雅なドレスをまとう姿からは、老女の姿はまったく想像できない…。@ ;　いや、まったく熊沢と別人の姿だった。\ `Her hair was long, beautiful, and vividly youthful,`@` and her figure in that elegant dress was unrecognizable as an old lady...`@ `No, this looked like a completely different person than Kumasawa.`\ cbfly 0 bg black,23 ;fedexx 70,0,0,0,0,0,3000 bfly2 0 bg rose_G1aN,0 ld r,$BEA_defA2,23 me1v 16,70 ;「………これはこれはお師匠様。@再びお会いできる日が訪れるとは、夢にも思いませんでした。」@ ;＜ベアト `".........Well, well, Teacher.`@` I never even dreamed the day would come that we would meet each other again."`@ ld l,$WAL_DefA1,23 ;「えぇ、私もですよ。@…よもやまた、眠りを妨げられるとは夢にも思いませんでした。」\ ;＜先代 `"Yes, me too.`@` ...Certainly, I never even dreamed that my sleep would be disturbed."`\ ld r,$BEA_futekiA2,80 ;「まったく厄介なところでお目覚めになられる。@……いつもの通り、お休みであられたなら、第一の晩を何もてこずることなく終えられるのに。@/ `"Such a troublesome time for you to awaken.`@` ......If you remained sleeping as usual, the first twilight could be finished without much trouble. `@/ ld r,$BEA_AkuwaraiA1,80 ;…いいや、むしろ歓迎すべきですかな。@…………少々、退屈しておりましたところで。」\ ;＜ベアト `...Or should I welcome you?`@` ............I was just a little bored."`\ ld l,$WAL_defA2,80 ;「……相変わらず、悪趣味な遊びで、罪もない人々を弄んでいるようですね。@……無限の魔女の力は、決して人に迷惑を掛けることに使ってはならないと、何度も教えたはずですよ。」\ ;＜先代 `"......Just as usual, it seems you are toying with sinless people in a vulgar game.`@` ......I believe I have taught you several times that the power of the Endless Witch must not be used to cause people trouble."`\ cbfly 0 bg rose_1bN,24 ld c,$BEA_AkuwaraiA2,23 ;「そういうなよォ、お師匠様。@退屈は私たちの天敵じゃありませんか。@それから逃れる為の、ちょっとしたスパイスに過ぎませんよ。\ `"Don't say that, Teacher.`@` Isn't boredom our natural enemy?`@` This is just a little spice to escape from that.`\ ld c,$BEA_fukigenA1,80 ;　………ち。@侵食が進めば進むほどに、妾の力は強くなり、妾の眷属は呼び出しやすくなる。@…しかし、それは同時にお師匠様の封印を解くことにもつながったとはなぁ…。」\ ;＜ベアト `.........Chi.`@` The more the corrosion advances, the stronger my power becomes, and the easier it becomes to call my minions.`@` ...But who would have thought it would release the seal on you, Teacher, at the same time..."`\ bg rose_1aN,0 ld r,$WAL_DefA1,23 ;「それを予見していたからこそ。@私はこうして、あなたのすぐ近くで眠りについたのですよ。@……願わくば、二度と起こされぬことを夢見ながら。\ `"It was because I predicted that,`@` that I slept very close to you like this.`@` ......As I prayed in my sleep that I would not be woken again.`\ ld r,$WAL_ikariA1,80 ;　…こうしてあなたと再会してしまったのは、私にとってはとても悲しいことです。」\ ;＜先代 `...Being reunited with you like this is a very sad thing for me."`\ ld l,$BEA_futekiA1,23 ;「………………相変わらず、お師匠様は食えないなァ…。@くっくっく…。」\ ;＜ベアト `"..................You're as cunning as always, Teacher...`@` *cackle*..."`\ ld r,$WAL_defA2,80 ;「ロノウェ。@家具の子たちを下げなさい。@家具は主に仕えるだけです。@全ての罪は主が背負います。」@ ;＜先代 `"Ronove.`@` Have the furniture children step back.`@` Furniture only serves its master.`@` The master is responsible for all of her crimes."`@ cl l,24 ld l,$RON_DefA2,23 ;「………かしこまりました。@マダム・ベアトリーチェ。」\ ;＜ロノウェ `".........Certainly.`@` Madam Beatrice."`\ ld r,$WAL_fumanA1,80 ;「その名はもう、その子に譲りました。@……さぁ、下がりなさい。@家具の娘たち。@……私は一度聞かぬとしても、二度言います。@しかし、三度目は口にしませんよ…？」\ ;＜先代 `"I have already surrendered that name to this child.`@` ......Come now, step back.`@` Furniture girls.`@` ......If you didn't listen the first time, I am saying it again.`@` However, I will not say it a third time, alright...?"`\ bg black,25 me2v 5,0 fedexx 0,70,70,0,0,0,3000 bg Moon_1a,22 ;「……下がりなさい、煉獄の七姉妹。@巻き添えになれば塵と化しますよ…。」@ ;＜ロノウェ `"......Step back, Seven Sisters of Purgatory.`@` If you get involved, you will be turned to dust..."`@ ;「さ、……下がれみんな…。」@ ;＜ルシファ `"B, ......back, everyone..."`@ br ;　ロノウェと煉獄の七姉妹は退く。\ `Ronove and the Seven Sisters of Purgatory retreated.`\ bg black,22 bg rose_1aN,0 ld l,$WAL_defA1,0 ld r,$BEA_futekiA2,6 ;　後には、不敵な表情を崩さないベアトリーチェと、@悠然と笑顔を湛えた、名前を譲った師匠のベアトリーチェがいる…。\ `After that, there was the Beatrice whose bold expression didn't falter, `@`and the teacher Beatrice, who had given up that name, and wore a composed smile...`\ se1 22 bfly1 10 ld r,$BEA_AkuwaraiA3,80 me3 17 ;「さぁって。@……お師匠様。@久し振りの再会にはどんなお茶のご用意が良いかなぁ？」\ ;＜ベアト `"Well then.`@` ......Teacher.`@` What tea shall I prepare for our long awaited reunion?"`\ ld l,$WAL_waraiA1,80 ;「そうですね。@箒星の訪れよりも久しい再会です。@持て成してもらいましょうか。@/ `"Let's see.`@` This reunion was longer in coming than the visit of a comet.`@` Shall I accept your hospitality? `@/ ld l,$WAL_defA2,80 ;………粗相があるようならば、我が名と無限の魔女の称号。@……返してもらいますよ？」\ ;＜先代 `.........It seems there has been a mistake, `@`......so will you give back my name and the title of Endless Witch?"`\ ld r,$BEA_waraiA1,80 ;「くっくっくっく！@　無限の魔女にも、免許更新制度があったとはなァ。@/ `"*cackle*cackle*!`@` So there's even a license renewal policy for the title of Endless Witch? `@/ ld r,$BEA_futekiA1,80 ;……仰せのままに、お師匠様。@あなたの弟子が、どれほど立派になったか。@そして、とっくの昔にどれほどあなたを凌駕したか、とくとご覧に入れましょう…！」\ ;＜ベアト `......As you say, Teacher.`@` See how splendid your disciple has become, `@`and see how far she has surpassed what you were long ago...!"`\ textoff bfly2 0 bg Moon_1a,22 cbfly 0 E_A ;lsp bgsp,":c;bmp\r_click\white.bmp",0,0,125 ;print 99,500,"breakup.dll/llp" se1v 57,100 ;print 1 bg white,1 wait 500 ;csp bgsp se2v 52,100 bg Moon_1a,0 print 99,1000,"breakup.dll/ulb" ;　二人のベアトリーチェを中心に、空中を火花が爆ぜたように見えた。@ `It looked like the air between the two Beatrices exploded in fireworks.`@ me1v 18,40 ;　ただ二人がにらみ合っただけで、空間の霊的存在が一掃される。@ `Just by glaring at each other, they purged all spirits from that space.`@ br ;　…それを見て、七姉妹は戦慄する。@ `...As they watched, the seven sisters shivered.`@ ;　…もう三歩も、二人の側を遠退かなかったら、それだけで塵になっていたに違いないからだ。\ `...Because if they had retreated just three steps less than they had, they would already have been turned to dust by now.`\ bg cg10,0 ;「さぁ、いらっしゃい。@ベアトリーチェ。@/ `"So, come.`@` Beatrice. `@/ ld r,$WAL_ikariA1,80 me2v 16,70 ;…あなたにその名を譲ったことが、私の生涯でただ一度の後悔です。@その過ちを、今、自らの手で修正しましょう！」\ ;＜先代 `...Surrendering my name to you is the only regret I have in my life.`@` I will now correct that error with my own hands!"`\ ;「くっくっくっくっく…。@…ちっちっち。@/ `"*cackle*cackle*cackle*...`@`...Chichichi. `@/ ld c,$BEA_AkuwaraiA5,80 ;……そりゃあ違うぜ、お師匠様ァ。@私のただ一度の過ちは、@この程度の力を学ぶのに、あんたに弟子入りしちまったことだぜぇええぇ？\ `......That's wrong, Teacheer.`@` My only error,`@` was becoming your disciple to learn this level of power, riiiiiiiiiiiiight?`\ ld c,$BEA_AkuwaraiA4,80 se1 27 se2 21 ;　何が魔法だ。@何が無限の魔女だ。@……こんなの、気付くだけの力じゃねぇえかよォ。@それをもったいぶって偉そうによぅ。@お前の出番はとっくに終わってんだよ、お師匠様よぉおおおおおおおおおおぉ！！」\ `What is magic?`@` What is the Endless Witch?`@` ......Isn't this just the power to notice?`@` You act as though you're so great.`@` Your turn is long over, Teacheeeeeeeeeeeeer!!"`\ ;■ズドドドドガシャーンって、感じで派手に連撃音を〜 bg black,22 fedexx 0,100,100,0,0,0,3000 textoff ;se1 22 bg white,18,200,":c;bmp\efe\M1.bmp" ;bg black,22 E_A bgm1v 65,90 *wtfa ;xxxxttttyyyyzzzz bg rose_G1aN,0 ld c,$WAL_MajimeA1,1 ld c,$WAL_MajimeA1,1 lsp 899,barrierbrake1p1,0,0 lsph 898,barrierbrake1p2,0,0 lsph 897,barrierbrake1p3,0,0 lsph 896,barrierbrake1p4,0,0 lsph 895,barrierbrake1p6,0,0 wait 400 se2v 57,100 print 1 quakey 2,200 se3v 57,100 vsp 898,1 print 1 quakey 2,200 se1v 57,100 vsp 897,1 print 1 quakex 2,200 se1v 57,100 vsp 896,1 print 1 quakey 2,200 se3v 57,100 se2v 57,100 vsp 895,1 print 1 quakey 6,1000 csp -1 se1v 1100,100 se3v 1100,100 se2v 2,100 bg white,1 bg rose_G1aN,0 ld c,$WAL_ikariA1,22 se2 52 cl c,99,1000,"breakup.dll/llB" bg Moon_1a,62 wait 500 se1v 57,100 bg white,1 bg moon_1a,80 ;ld c,$WAL_DefA1,99,1000,"breakup.dll/llp" se2v 52,100 ld c,$WAL_DefA1,68 wait 500 se3 22 bfly2 30 se1 22 lsp bgsp,butterfly_4sp2R,0,0 print 31 cbfly 0 bg white,2 wait 200 csp -1 se2v 27,100 se1v 2,100 se3v 27,100 print 68 quakey 8,1000 bg rose_1bN,0 ld c,$BEA_OdorokiA1,22 wait 400 se3v 2,100 se1v 2,100 cl c,68 ;se3 13 quakey 3,300 se1 52 ld r,$BEA_AkuwaraiA5,99,500,"breakup.dll/lrB" se3v 37,100 se2 52 ld l,$BEA_AkuwaraiA4,99,500,"breakup.dll/llB" se1v 37,100 se3 52 ld c,$BEA_AkuwaraiA3,99,500,"breakup.dll/lrB" se2v 37,100 wait 500 ld c,$BEA_akuwaraiA2,80 se3v 52,100 wait 100 se1v 52,100 cl l,0 cl r,99,1000,"breakup.dll/urb" se2v 20,100 wait 500 btndef ":a;bmp\background\garden\rose_1aN.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 50 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 40 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 40 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 150 ofscpy se1v 36,100 btndef "" wait 200 se3v 58,100 se2v 58,100 bg white,1 bg black,0 lsp 901,barrier1p,0,0 print 2 wait 1000 se2v 55,100 cbfly 0 bg rose_G1aN,0 ld c,$WAL_DefA1,99,3000,"breakup.dll/llB" ;print 22 ;wait 2000 fedexx 70,0,0,0,0,0,2000 mov %play_scene,30050 ;シーン変数の入力 mset mld l,$BUT_KuyasigaruA1,23 ;■メタ視 ;「………も、/ ;!d800……も、もう訳がわからねぇ……！@　一体、目の前で何が起こってんだ…！」\ ;＜戦人 `".........I, `/ !d800`......I, I don't have a clue what's going on anymore......!`@` What in the world is happening right in front of my eyes...!"`\ ;ld c,$WAL_KomaruA2,80 mld r,$WAL_defA2,24 ;「……可哀想に。@私の弟子が迷惑を掛けていますね。@謝ります。」\ ;＜先代 `"......Poor thing.`@` It seems my disciple is causing you trouble.`@/ if %rroff <> 1 jumpf mld r,$WAL_AkuwaraiA1,0 ` LOL."`\ ~ if %rroff = 1 jumpf ` I apologize."`\ mld l,$BUT_OdorokiA2,80 ;「あ、…あんた…、何者なんだ。@熊沢のばあちゃんが、どうしてこんな姉ちゃんに化けるんだ？！@　つーか、あんた誰だよッ？！@　訳がわからねぇ？！@　これは何の特撮なんだ？！@　俺は頭がどうにかなっちまいそうだッ！！」\ `"Y, ...you..., who are you?`@` Why did Kumasawa baa-chan turn into a nee-chan like this?!`@` I mean, who are you?!`@` I don't get it?!`@` What kind of special effects are these?!`@` My head feels like it's gonna explode!!"`\ mld r,$WAL_fumanA1,80 ;「私は、あの子の魔女の師匠です。@かつての名はベアトリーチェ。@あの子が私を継ぐ時に、その名を贈った為、今は名を持ちません。」\ `"I am the witch teacher of that child.`@` My old name was Beatrice.`@` When that child succeeded me, I gave her that name, so I do not have a name."`\ mld l,$BUT_odorokiA1,80 ;「あんたがすでに言い切っちまってるが、俺はあんたの弟子のせいで大いに迷惑しているぜ！@　頼むから責任取って何とかしてくれッ！@　じゃなくてッ！！\ `"You already said it, but your disciple's been a real pain to me!`@` Please, take responsibility and do something!`@` No, wait!!`\ mld l,$BUT_kuyasigaruA1,80 ;　俺はこんなの信じねぇぞ！！/ `I don't believe in stuff like this!! `/ quakey 5,500 ;@　魔女も魔法もあるもんか！！@　こんな滅茶苦茶バトル、俺は認めねぇぞ！@　くそったれ、俺は何を信じりゃいいんだ！！」\ @`As if witches and magic could exist!!`@` I won't accept this messed up battle!`@` You bastard, what should I believe!!"`\ ~ ;se1 52 ;ld c,$WAL_MajimeA1,0 ;mcl c,0 ;print 99,2000,"breakup.dll/llp" bgmvol 70 mend mov %play_scene,30060 ;シーン変数の入力 ld c,$WAL_majimeA1,1 mov %Free9,1 ;チャンネル選択 mov %Free11,-150 :mov %Free21,-100 mov %Free12,-30 :mov %Free22,-50 mov %Free13,90 :mov %Free23,0 mov %Free14,210 :mov %Free24,50 mov %Free15,330 :mov %Free25,100 mov %Free16,450 :mov %Free26,150 ;lsp 950,barrierbrake1,-150,-100 ;lsph 951,barrierbrake1,-30,-50 ;lsph 952,barrierbrake1,90,0 ;lsph 953,barrierbrake1,210,50 ;lsph 954,barrierbrake1,330,100 ;lsph 955,barrierbrake1,450,150 lsp 950,barrierbrake1,%Free11,%Free21 lsph 951,barrierbrake1,%Free12,%Free22 lsph 952,barrierbrake1,%Free13,%Free23 lsph 953,barrierbrake1,%Free14,%Free24 lsph 954,barrierbrake1,%Free15,%Free25 lsph 955,barrierbrake1,%Free16,%Free26 mov %Free11,490 :mov %Free21,-100 mov %Free12,370 :mov %Free22,-50 mov %Free13,250 :mov %Free23,0 mov %Free14,130 :mov %Free24,50 mov %Free15,10 :mov %Free25,100 mov %Free16,-110 :mov %Free26,150 lsph 850,barrierbrake1,%Free11,%Free21 lsph 851,barrierbrake1,%Free12,%Free22 lsph 852,barrierbrake1,%Free13,%Free23 lsph 853,barrierbrake1,%Free14,%Free24 lsph 854,barrierbrake1,%Free15,%Free25 lsph 855,barrierbrake1,%Free16,%Free26 ;改造点２−１後ろのbrakeを多段表示させる ; print 1 mov %Free2,848 mov %Free3,944 mov %Free4,840 mov %Free8,100 mov %Free5,2 for %Free1 = 950 to 970 resettimer if %Free1 < 956 vsp %Free1,1 if %Free2 > 849 && %Free2 < 856 vsp %Free2,1 if %Free3 > 949 && %Free3 < 956 vsp %Free3,1 if %Free4 > 849 && %Free4 < 856 vsp %Free4,1 if %Free9 = 1 se1v 57,100 if %Free9 = 2 se2v 57,100 if %Free9 = 3 se3v 57,100 : mov %Free9,0 print 1 vsp %free1,0 if %Free2 > 849 vsp %free2,0 if %Free3 > 949 vsp %free3,0 if %Free4 > 849 vsp %free4,0 notif %Free5 = 3 jumpf mov %Free5,0 lsp 799,white1,0,0 print 1 csp 799 ~ print 10,%Free8 if %Free4 = 855 break sub %Free8,2 inc %Free9 inc %Free2 inc %Free3 inc %Free4 inc %Free5 waittimer 190 next wait 2000 csp -1 se1 20 bg black,25 bg moon_1a,22 ld c,$WAL_defA1,66 ld c,$WAL_WaraiA1,80 se1v 2,100 if %rroff = 1 jumpf ;「ほっほっほ…。@あなたらしい、とても短気な持て成しですね。」\ ;＜先代 `"Hoh-hoh-ho...`@` Just like you, hospitality with a very quick temper."`\ ;bg black,22 ~ bg garden_1bN,0 ld r,$BEA_AkuwaraiA1,26 if %rroff = 1 jumpf ;「…くっくっくっく。@さすがお師匠様。@この程度じゃ、馬鹿馬鹿しくて瞼を開く気にもならないらしい…！@/ `"...*cackle*cackle*.`@` I'd expect nothing less from you, Teacher.`@` It looks like you ridiculously don't feel like opening your eyes even at this level...! `@/ ld r,$BEA_AkuwaraiA3,80 ;　島ごとぶっ壊す気でなきゃ、無理らしいぜぇええぇ？@　さぁさお出でなさい、双肩の戦塔！！」\ `If you don't want to wreck the whole island, it looks like that'll be impossible, riiiiiight?`@` Come, arise, Shoulder War Towers!!"`\ ~ textoff ;要加工 bg black,22 se1v 60,100 lsp bgsp,tower1,0,-800 print 1 quakey 6,600 se2v 61,100 lsp bgsp,tower1,0,-480 print 1 quakey 6,600 se3v 62,100 lsp bgsp,tower1,0,0 print 1 quakey 6,600 csp bgsp bg black,2 se1v 62,100 se2v 62,100 se3v 2,100 bg tower2,1 quakey 4,400 if %rroff = 1 jumpf ;　ベアトリーチェの呼びかけに応え、凄まじい地響きと共に薔薇庭園が裂ける。@ `In response to Beatrice's summons, a terrific earth tremor split the rose garden.`@ br ;　そして彼女の双肩を挟むように、天を突く二基の巨大な戦塔が生える。@ ;　その高さは１００メルテにも及び、銃眼の数は片方だけで３６０を越える。@ `And on either side of her shoulders, two massive War Towers sprouted and stabbed into the heavens.`@ ;tttt merute `They stretched up to 100 #86ef9cmerute#ffffff tall, and each one had over 360 ports.`/ mov %grim_scene,304 mov %r_hyouji_grim,5 @ br ;　それこそが、古代英雄たちが束になっても神域を侵すことを許さなかった、神々の兵団の戦塔。\ `They were War Towers of the gods' army corps, which hadn't allowed even groups of ancient heroes to invade their precincts.`\ ;bg black,25 ;bg moon_1a,22 ;　ベアトリーチェはその巨大な双頭の塔の狭間に優雅に浮かびながら、師匠を見下ろし、絶対の優位に嘲笑う。@ `As Beatrice elegantly floated in the gap between the massive two-headed towers, she looked down on her teacher, sneering with an absolute superiority.`@ br ;　巨大なる塔を双肩に並べる魔女はあまりに小さく見え、@まるで大樹の間を舞う蝶のように見えた。\ `With the two massive towers lined up behind her shoulders, the witch looked very small,`@` like a butterfly dancing through a large tree.`\ ~ se2v 22,100 ld c,$BEA_AkuwaraiA2,5 se1v 37,100 if %rroff = 1 jumpf ;「ひっひゃっひゃっひゃあああぁ！！@　蝶に化ければかわせるとか思うなよぉ？@　双子塔の弾幕密度じゃあんた、虫ピンの昆虫標本どころか、滅多刺しの針刺し人形だぜェ…？」@ `"Hihhyahhyahhyaaaaaa!!`@` Don't think you can dodge it by turning into butterflies, alright?`@` The density of the twin towers' barrage wouldn't just make you a pinned bug collection, it'd make you a madly stabbed pincushion, right...?"`@ br ;　双肩の塔の７２０を越える銃眼が開き、神兵たちが連装式バリスタを構える。\ `Over 720 ports opened on the towers, and godly soldiers readied their multi-shot ballistas.`\ ~ cl a,22 for %ryuu1=1 to 5 wait 100 se1v 56,70 wait 100 se2v 56,85 wait 100 se3v 56,100 next ;bg black,22 ;lsp bgsp,tower1a,0,-400 ;print 22 ;se1v 63,100 ;lsp bgsp,tower1b,0,-400 ;print 1 ;quakex 6,1000 bg tower2R,66 se1v 2,100 quakey 3,300 se2v 2,100 se3v 56,100 se1v 56,100 wait 2000 bg rose_1aN,0 ld r,$WAL_majimeA1,22 ld r,$WAL_ikariA1,80 if %rroff = 1 jumpf ;「それであなたの手番は終了ですか？」\ `"Is your turn over with this?"`\ ~ bg tower2R,0 ld c,$BEA_fukigenA1,22 if %rroff = 1 jumpf ;「ちっ、それが遺言かよッ！！@/ `"Heh, are those your last words?!! `@/ ld c,$BEA_akuwaraiA4,80 ;　ぶっ放せええええええぇええええぇッ！！！」\ `Blast awaaaaaaaaaaaaaaaaaaaaaay!!!"`\ ~ ;csp -1 lsph 15,bullet1a,0,0 lsph 14,bullet1b,0,0 lsph 13,white1,0,0 bg black,1 se1v 66,100 se2v 66,100 se3v 66,100 bg bullet1a,2 se1v 46,100 bg white,1 bg bullet1b,80 for %ryuu1=1 to 13 resettimer se2v 46,100 se3v 46,100 vsp 15,0 : vsp 14,0 : vsp 13,1 : print 1 ;bg white,1 waittimer 90 se1v 46,100 vsp 15,0 : vsp 14,1 : vsp 13,0 : print 1 ;bg bullet1b,1 waittimer 180 se2v 46,100 vsp 15,1 : vsp 14,0 : vsp 13,0 : print 1 ;bg bullet1a,1 waittimer 270 next csp 13 : csp 14 : csp 15 ;wait 80 bg white,1 se1v 46,100 se2v 27,100 se3v 46,100 ;wait 300 ;se1v 27,100 ;se3v 27,100 ;bg white,1 ;se2 20 ;wait 100 ;bg bullet1a,1 ;se3 20 ;wait 400 ;se1 20 ;bg white,1 ;se2 20 ;wait 100 ;bg bullet1b,1 ;se3 20 ;wait 100 ;se1 20 ;bg white,1 ;se2 20 ;wait 100 ;bg bullet1c,1 ;se3 20 if %rroff = 1 jumpf ;　一斉に放たれる軽く千を超えるバリスタ弾が、美しい幾何学模様で死のカーテンを描く。@ `The ballista shots that numbered a little over a thousand were all fired at once, drawing a beautiful geometric curtain of death.`@ br ;　それらの弦が奏でる無骨な音は、多分、死神が鎌を振るうその音よりも、重い。\ `The boorish sound as the bowstrings were played was probably even deeper than the sound of a death god swinging its sickle.`\ ~ bg black,1 bg rose_G1aN,0 ld r,$WAL_defA2,64 if %rroff = 1 jumpf ;「さぁさお出でなさい、墜落せし塔よ。@一なる言語を爆ぜ、その罪を知らしめよ。」\ ;＜先代 `"Come, arise, Fallen Tower.`@` Split the single language, and make known the sin."`\ ~ bg black,1 se3v 65,100 se1v 27,100 wait 500 bg tower3,13,300 se2v 27,100 quakey 5,700 ;bg moon_1a,22 ;mono 2 ;bg black,13,200 ;lsp2 1,":c;bmp\background\forest\moon_1a.jpg",320,240,512,386,0,255 ;bg black,0 ;print 1 ;se2v 65,100 ; dwaveload 1,"SE\B_long.wav" ; dwaveplay 1 ; chvol 1,100 ;for %Free2 = 1 to 80 ; resettimer ; msp2 1,0,-3,12,8,12 ; print 1 ; waittimer 10 ;next ;csp2 1 ;wait 100 ;e_ 2,1 ;wait 300 ;bg white,1 ;;爆発音 ;se1v 64,100 ;quakey 8,800 ;bg black,2 ;mono off if %rroff = 1 jumpf ;　空は灼熱の赤に染まり、雲間から燃え盛る巨大な塔が真っ逆さまにり落ちる。@ `The sky was stained an incandescent red, and from between the clouds, a blazing, massive tower fell upside down.`@ br ;　その墜落する巨大塔とその瓦礫は、@数千にも至るバリスタ弾を飲み込み、呼び出した魔女の身にたった一本も近づけない。@ `That massive falling tower and its rubble, `@`sucked in the thousands of ballista shots, so that not one of them approached the body of the witch who had summoned it.`@ br ;　そう、天の神秘には何人たりとも近づけないのだ。@それこそが墜落せし塔の真実。\ `That's right, no one could approach the mysteries of heaven.`@` That was the reality of the fallen tower.`\ ~ bg tower2R,0 ld l,$BEA_AkuwaraiA3,26 if %rroff = 1 jumpf ;「さすがお師匠様ァ！/ `"As I would expect from you, Teacher! `/ quakey 3,300 ;@　いちいちやることがデケェや！！@/ @`If you do something, you always do it big!! `@/ se1v 37,100 ;　くっひひひひひゃっひゃっひゃ！！」\ `Kuhhuhuhuhuhyahyahya!!"`\ ~ bg moon_1a,0 ld c,$WAL_IkariA1,22 if %rroff = 1 jumpf ;「私の手番は終わりませんよ。@さぁさお出でなさい、イヴァルディの息子たち。@我に相応しき槍を与え給えっ。」\ `"My turn isn't over.`@` Come, arise, Sons of Ivaldi.`@` Bestow upon me a worthy spear."`\ ~ textoff se1v 65,100 bg tower3,2 se2v 27,100 se3v 27,100 wait 500 bg white,1 bg javelin1,2 wait 500 bg white,1 bg black,22 ;bg black,22 ;se1v 22,100 ;bg javelin1a,63 ;wait 400 ;bg white,1 ;se2v 57,100 ;bg javelin1b,22 ;wait 200 ;bg white,1 ;se3v 57,100 ;bg javelin1c,22 ;wait 200 ;bg white,1 ;se1v 57,100 ;bg javelin1d,22 if %rroff = 1 jumpf ;　墜落する紅蓮の巨大塔は黄金色の凄まじい爆発を起こすと、@その爆炎の中より、塔のように見上げなければならぬほどの巨大な槍が姿を現す。\ `As the massive crimson tower that had fallen made a terrible gold-colored explosion, `@`from inside those flames, a massive spear showed itself, so tall, like a tower, that you had to look up to see all of it.`\ ;　…その大きさは巨人の手にもまだ余る。@ `...It was even too large for a giant's hand.`@ br ;　先ほどの墜落する塔がそのまま槍になったかと錯覚するほどに巨大な、そして神々しく美しい神の槍。@如何なる者も逃がさぬ必勝の槍。\ `It was a divinely beautiful Spear of the Gods, so massive that it gave the illusion that the tower which had fallen had turned into a spear of the same size.`@` A spear of certain victory that no one could escape.`\ ~ bg white,22 bg Sky_2b,0 ld r,$WAL_ikariA1,22 if %rroff = 1 jumpf ;「無用の双子塔ですね。@/ `"Looks like your twin towers are useless. `@/ ld r,$WAL_ikariA2,80 ;自ら左右の退路を絶つとは愚かしいっ。@一本の槍をもお前は防げない！」\ `How foolish that you blocked off your means of escape on both sides.`@` You can't defend against even a single spear!"`\ ~ textoff se1v 27,100 se2v 27,100 se3v 21,100 wait 500 bg white,1 if %rroff = 1 jumpf ;　彼女が指を鳴らして命じると、@塔の如き巨大槍は、一条の稲妻のように、ベアトリーチェを目指す。@ `When she snapped her fingers in command,`@` the massive tower-like spear shot at Beatrice like a lightning bolt.`@ br ;　左右の塔の狭間にて蝶のように舞う黄金の魔女の、@心臓のど真ん中の中心のさらにさらに中央を、@超が七つ付く精密さで狙い、稲光のようにまっすぐ宙を駆け抜ける。\ `It aimed right for the middle of the center of the Golden Witch's heart with extreme precision,`@` as she danced in the gap between the towers like a butterfly,`@` slicing straight through the air like a flash of lightning.`\ ~ bg tower2R,0 ld r,$BEA_AkuwaraiA4,22 if %rroff = 1 jumpf ;「はッ！！@　こんなところでグングニルが引けるとはッ！！@　やっぱりお師匠様はすげェなああぁあ！！\ `"Hah!!`@` So, you use Gungnir in a place like this!!`@` You really are incredible, Teacheeeeeer!!`\ ld r,$BEA_akuwaraiA3,80 ;　爆ぜろ、役立たずの塔！@　出でよ、巨人兵の戦列よ。@その楯と胸で、神なる槍を防ぎきれ！！」\ `Explode, useless towers!`@` Arise, Giant Soldier Battle Line.`@` Fully block that divine spear with your shields and chests!!"`\ ~ textoff se1v 60,100 se2v 60,100 se3v 61,100 bg white,1 bfly1 0 bg moon_1a,99,2000,"breakup.dll/rlb" if %rroff = 1 jumpf ;　双肩の戦塔は黄金色の大爆発を起こす。@ ;　それは何億もの黄金の蝶たち。\ `The Shoulder War Towers exploded in gold.`@ `They became several billion gold butterflies.`\ ~ se1v 22,100 se2v 22,100 bfly2 0 bg black,22 if %rroff = 1 jumpf ;　その蝶たちが７人の巨人装甲兵を模る。@ `Those butterflies took the shape of seven massive armored soldiers.`@ br ;　それぞれが５０メルテもの見上げるばかりの身長を持ち、@そびえ立つ風車のような大きさの巨大楯をかざしてベアトリーチェの前に並んで主を守る。\ `Each stretched a full 50 merute into the sky, `@`and they lined up in front of Beatrice, protecting their master and holding massive shields which towered like windmills.`\ ~ textoff se2v 22,100 se3v 65,100 cbfly 0 bg armor0,22 bg armor1,25 se1v 2,100 quakey 3,300 wait 1500 bg armor2,25 se2v 2,100 quakey 3,300 bg armor3,25 se3v 2,100 quakey 3,300 bg armor4,25 se1v 2,100 quakey 3,300 bg armor5,25 se2v 2,100 quakey 3,300 bg armor6,25 se3v 2,100 se1v 2,100 quakey 3,300 bg armor7,25 se1v 2,100 se2v 2,100 se3v 2,100 quakey 4,500 wait 1000 se1v 27,100 se2v 27,100 wait 500 ;cbfly 0 bg white,1 bg armor7,2 if %rroff = 1 jumpf ;　その巨大さは山脈さえも連想させる。@ ;　その向こうに隠れる魔女は、さながら山の向こうに隠れる小さな月のようだった。\ `They were as massive as a mountain range.`@ `The witch hiding behind them was like a small moon hiding behind the mountains.`\ ;　巨人たちが構える巨大楯は、かつて巨人連隊全員が連なって構えた時、@ヴィルヘルム王の居城を矢だけでなく、風雨からすら守り、@天に向けてかざした時には雨粒の一滴すらも許さなかったという。\ `Once in the past, when the massive shields these giants held had been readied by the whole giants regiment, `@`they had protected King Whilhelm's castle not only from arrows, but from the wind and the rain,`@` and when they had faced upwards and held their shields to the heavens, not a single raindrop had gotten through.`\ ~ bg black,23 bg rose_1an,0 ld l,$WAL_fumanA1,23 if %rroff = 1 jumpf ;「愚かな。@神聖への敬いを忘れた魔女の憐れなことです。@神の槍を巨人如きで防げるとお思いですか！」\ ;＜先代 `"Foolish.`@` The misery of a witch who has forgotten to respect things sacred.`@` Did you think that giants could defend against a Spear of the Gods?!"`\ ~ bg garden_1bN,24 ld r,$RON_majimeA2,24 if %rroff = 1 jumpf ;「……道理ですね。@人間の金属でいくら武装しようとも、神の槍は防げません。@マダムの見事なエポレットメイトです。」@ ;＜ロノウェ `"......Indeed.`@` No matter how much human metal you are armed with, you cannot block a Spear of the Gods.`@` A wonderful Epaulette Mate by Madam."`@ ~ ld l,$RG1_OdorokiA1,23 if %rroff = 1 jumpf ;「そんなっ？！@　ベアトリーチェさまッ！！」\ ;＜ルシファ `"No way?!`@` Beatrice-sama!!"`\ ~ ;bg black,22 bg moon_1a,0 ld c,$BEA_AkuwaraiA5,22 if %rroff = 1 jumpf ;「もちろん忘れませんとも、お師匠様ァ！@/ `"Of course I haven't forgotten, Teacher! `@/ ld c,$BEA_futekiA1,80 ;　さぁさお出でなさい、ヘパイストスと弟子たち。@我に相応しき楯を与え給えぇえ！！」\ `Come arise, disciples of Hephaestus.`@` Bestow upon me a worthy shield!!"`\ ~ textoff se1v 57,100 se2v 57,100 se3v 57,100 bg white,1 bg armor7b,42 bg armor7,2 ;monocro #ffff00 ;print 99,1000,"breakup.dll/rlP" ;bg black,22 ;monocro off ;bg Armor1c,22 ;wait 400 ;se2v 52,100 ;bg white,1 ;bg Armor1d,22 if %rroff = 1 jumpf ;　巨人兵たちの足元より黄金の旋風が巻き起こる。@それは無数の黄金蝶たちの群。@ `A golden whirlwind arose at the feet of the Giant Soldiers.`@` It was a group of countless butterflies.`@ br ;　…それらが金箔のように巨大楯に張り付くと、まるで黄金の鏡のようにぎらぎらと光る。\ `...They attached themselves to the massive shields like gold leaf, sparkling like they were a gold mirror.`\ ;　それこそは主神が女神に与えた絶対の防御壁。@ ;　アイギスの楯。\ `That was the absolute defensive wall given to the chief god by the goddess.`@ `The Aegis Shield.`\ ;　彗星の如く威厳ある尾を引いた神なる槍がその黄金楯の山脈に激突した時。@凄まじい轟音が鳴り響いた。@それは天空を支える柱たちが一斉に軋む音。\ `When the holy spear, which left a dignified tail behind it like a comet, crashed into the mountain range of that gold shield,`@` there was a terrible thunderous roar.`@` It was the creaking of the pillars that held up the heavens.`\ ~ textoff bg black,22 se1v 57,100 se2v 57,100 se3v 57,100 bg armor7b,1 quakey 8,1000 bg black,22 textoff se1v 20,100 wait 150 se2v 20,90 wait 150 se3v 20,80 wait 150 se1v 20,70 wait 150 se2v 20,60 wait 150 se3v 20,50 wait 150 bg moon_1a,26 if %rroff = 1 jumpf ;　神槍はぐるぐると回りながら日の沈む方角へ弾き飛ばされる。\ `The Divine Spear spun around and around, and was sent flying in the direction of the sinking sun.`\ ~ bg garden_1bN,26 ld r,$RG4_ikariA1,24 ld r,$RG4_OdorokiA1,80 if %rroff = 1 jumpf ;「ありえない…。/ `"Impossible... `/ quakex 3,300 ;@し、神槍を防いだ…！！」@ ;＜ベルフェ @` She defended against the Divine Spear...!!"`@ ~ ld l,$RON_odorokiA1,23 if %rroff = 1 jumpf ;「いいえ違います。@神なる槍がよけたのです。@絶対の槍と絶対の楯は争ってはいけないのが神々の掟。@/ `"No, that is not correct.`@` She avoided the holy spear.`@` It is the law of the gods that an absolute spear and an absolute shield must not fight each other. `@/ ld l,$RON_majimeA2,80 ;それはつまり、防いだのと同じことですがね。」\ ;＜ロノウェ `Although in the end, it means the same thing as defending against it."`\ ~ bg white,22 ;fedexx 70,0,0,0,0,0,2000 bg rose_G1aN,2 se1 52 ld r,$WAL_FumanA1,99,2000,"breakup.dll/lrp" if %rroff = 1 jumpf ;「………………このような荒事ばかり腕をあげましたね。」\ ;＜先代 `"..................Your skills have improved from engaging in these fights all the time."`\ ~ bg armor7,0 ld c,$BEA_AkuwaraiA1,24 if %rroff = 1 jumpf ;「むしろお師匠様はこういうお遊びが相変わらず苦手なようで。@/ `"Or rather, it seems that you are still as bad as ever at this kind of game, Teacher. `@/ ld c,$BEA_futekiA1,80 ;妾からのお返しだ。@法典に則り槍には槍でお返ししましょうぞ。」\ ;＜ベアト `It's my turn to strike back.`@` I shall follow the code and counter a spear with a spear."`\ cl a,26 ;　神槍を防ぎきった巨人兵の戦列は、神なる黄金の楯を手放す。@ ;　楯は大地に倒れ、地響きを上げた。\ `The Giant Soldier Battle Line, which had fully blocked the Divine Spear, released their holy gold shields.`@ `The shields fell to the earth, making the ground shake.`\ ~ textoff se1v 64,100 se2v 2,100 se3v 21,100 quakey 5,1000 se1v 22,100 ;monocro #ffff00 ;print 99,1000,"breakup.dll/rlP" bfly1 10 se2v 57,100 se3v 57,100 cbfly 0 bg armor7b,1 bg armor7,42 ;monocro off if %rroff = 1 jumpf ;　すると再び黄金の旋風が巻き起こり、@７つの黄金の楯を、７つの大地に横たわる巨大な稲妻槍に姿を変える。\ `When they did, another gold whirlwind arose,`@` and the seven gold shields changed their form into seven massive spears of lightning lying on the ground.`\ ;　巨人たちは一斉に片足を大きく振り上げると、その柄の先端を強く踏みつける。\ `At once, each of the giants lifted one of their legs high, and firmly stomped on the tips of the handles.`\ ~ se1v 2,100 se2v 2,100 quakey 8,1000 bg black,13,200 textoff se1v 20,100 wait 150 se2v 20,90 wait 150 se3v 20,80 wait 150 se1v 20,70 wait 150 se2v 20,60 wait 150 se3v 20,50 wait 150 bg moon_1a,26 if %rroff = 1 jumpf ;　轟音と地響きが鳴り響き、７つの稲妻槍が美しく回転しながら巨人兵たちの頭上に飛び上がった。@ `As the earth shook with a thunderous sound, the seven lightning spears spun beautifully and flew up above the Giant Soldiers' heads.`@ br ;　…それが黄金の飛沫を撒き散らしながら彼らの前に落ちてくる。@ ;　身構えた巨人たちは、それを渾身の脚力で蹴り砕く。\ `...They scattered into a golden splash and began to fall before the giants.`@ `Each of the giants squared off, and with the force of their whole body, they kicked and smashed them.`\ ~ textoff se1v 20,50 wait 150 se2v 20,60 wait 150 se3v 20,70 wait 150 se1v 20,80 wait 150 se2v 20,90 wait 150 se3v 20,100 wait 150 se1v 57,100 se2v 2,100 se3v 2,100 bg white,1 bg bullet1a,2 if %rroff = 1 jumpf ;　砕けた破片はそれぞれきっかり３０を数え、原型とまったく同じ大きさの稲妻槍となり、@ `The broken pieces numbered exactly 30, and became lightning spears of exactly the same size as the original, `@ ~ se1v 57,100 wait 10 se2v 2,100 wait 10 se3v 2,100 bg white,1 ;wait 200 bg bullet1b,2 if %rroff = 1 jumpf br ;　それが７人で２１０本となり、それらは一斉に爆ぜて、/ `which made 210 for all 7 of them, and all of those burst at once, `/ se1v 57,100 ;さらに各々が３０本の棘に分裂して６３００本となり。@ `and each of those split into 30 thorns, so that there were 6300.`@ se2v 57,100 br ;　美しい幾何学模様を描いた弾幕の雷雲となり、@/ `They became a barrage of thunderclouds drawing a beautiful geometric pattern, `@/ se1v 57,100 se2v 57,100 se3v 2,100 ;さらにそれが全て三叉の稲妻に姿を変え１８９００本の雷撃となって先代のベアトリーチェを撃つ。\ `and then each of those changed into three bolts of lightning, so that 18,900 thunderbolts shot at Beatrice the Predecessor.`\ ~ lsph 15,bullet1a,0,0 lsph 14,bullet1b,0,0 lsph 13,white1,0,0 for %ryuu1=1 to 5 resettimer se1v 2,100 se2v 2,100 vsp 15,0 : vsp 14,0 : vsp 13,1 : print 1 ;bg white,1 waittimer 90 se2v 2,100 se3v 2,100 vsp 15,1 : vsp 14,0 : vsp 13,0 : print 1 ;bg bullet1a,1 waittimer 180 se3v 2,100 se1v 2,100 vsp 15,0 : vsp 14,1 : vsp 13,0 : print 1 ;bg bullet1b,1 waittimer 270 next csp 13 : csp 14 : csp 15 bg white,1 se1v 57,100 se2v 27,100 se3v 2,100 bg bullet1b,42 wait 1000 se3v 21,100 bg black,2 bg garden_1bN,0 ld c,$RG5_akuwaraiA2,0 ld l,$RG7_akuwaraiA2,1 if %rroff = 1 jumpf ;「決ったぁああぁ！！/ `"It's oveeeeer!! `/ quakey 3,300 ;@　ベアトリーチェさまぁッ！！」\ ;＜アスモ @`Beatrice-samaaa!!"`\ ~ ld r,$RON_WaraiA2,23 if %rroff = 1 jumpf ;「さすが、やりますね。@/ `"I would expect nothing less. `@/ ~ ld r,$RON_majimeA2,1 if %rroff = 1 jumpf ;……マダムは。」\ ;＜ロノウェ `......From Madam."`\ ~ bg bullet1b,22 if %rroff = 1 jumpf ;　２万にも届きかねない稲妻の束は確かに師匠の体を塵に変えたはずだった。@ ;　しかし手応えがない。@ `Certainly, a bundle of almost 20,000 thunderbolts should have reduced the teacher's body to dust.`@ `But there was no impact.`@ br ;　ベアトリーチェは一杯食わされたとすぐに直感する。\ `Beatrice knew immediately that she had been fooled.`\ ~ textoff bg armor7,22 se1v 22,100 bg armor7b,2 ;bg black,22 ;se1v 22,100 ;bg javelin1a,63 ;wait 400 ;bg white,1 ;se2v 57,100 ;bg javelin1b,22 ;wait 200 ;bg white,1 ;se3v 57,100 ;bg javelin1c,22 ;wait 200 ;bg white,1 ;se1v 57,100 ;bg javelin1d,22 ;wait 500 ;bg white,22 ;bg black,22 if %rroff = 1 jumpf ;　その時、日が沈むはずの方角より、ありえない日の出の光を感じた。@ ;　眩しき一条の光が彼女の横顔を照らす。@ `At that time, from the direction that the sun had supposedly sunk, she felt the impossible rays of sunlight.`@ `A brilliant ray of light shone on her profile.`@ br ;　それはさっき弾かれたはずの神の槍を掲げる師匠の姿。@ ;　…太陽の如き輝きを背負い、暗黒の化身を一条に照らす。\ `It was the figure of the teacher, holding aloft the Spear of the Gods that had supposedly been repelled a short while ago.`@ `...She bore a sparkle like the sun on her back, and made it shine on the incarnation of darkness.`\ ~ ;bg moon_1a,22 ld c,$BEA_odorokiA1,2 if %rroff = 1 jumpf ;　…そこより見たベアトリーチェは、@巨人兵の戦列で出来た縦の袋小路に自らを追い込んだ袋の鼠。@ `...As Beatrice watched, `@`she was trapped like a mouse in a cage, cornered in a dead-end formed by the Giant Soldier Battle Line.`@ ;　今、先代ベアトリーチェは巨人兵の戦列を真横から捕らえていた。\ `By now, the Predecessor Beatrice had seized a position directly alongside the Giant Soldier Battle Line.`\ ~ ;カットインのほうが良いかな？ bg white,1 ;bg rose_G1aN,0 ld c,$WAL_IkariA1,2 ld c,$WAL_IkariA2,80 if %rroff = 1 jumpf ;「これでお遊戯の時間はおしまいですよ、ベアトリーチェ…！」\ ;＜先代 `"Now we are done playing, Beatrice...!"`\ ~ ;se1v 22,100 me1v 16,90 bg white,28 ;bg rose_1bN,0 ld r,$BEA_OdorokiA1,2 ld r,$BEA_akuwaraiA2,22 if %rroff = 1 jumpf ;「………こ、こンの私が、/ ;!d600…側面を許しただとぉおぉッ……？！」@ ;＜ベアト `".........Have I, `/ !d600`...exposed my flaaaaank......?!"`@ br ;　終始不敵な表情を崩さなかった彼女が始めて表情を歪ませる。\ `Her bold expression hadn't faltered once before now, but now it twisted for the first time.`\ ~ ld r,$BEA_aseruA1,80 se1v 27,100 bg black,22 bg white,1 if %rroff = 1 jumpf ;　そしてベアトリーチェが舌打ちするより早く、先代ベアトリーチェは神なる槍を放つ。@ `And faster than Beatrice could click her tongue, the Predecessor Beatrice released the holy spear.`@ br ;　それは空間で一度跳ねて飛び上がると、再びその姿を変えた。\ `As it jumped through the air, it changed its form once more.`\ ~ textoff se2v 52,100 se3v 56,100 bg black,2 se1 20 wait 50 se2v 20,85 wait 50 se3v 20,100 wait 400 se1v 56,100 se2v 56,100 if %rroff = 1 jumpf lsp2 4,$WAL_ikariA1,130,420,-200,200,0 ;lsp2 4,$WAL_ikariA1r,130,420,200,200,0 ~ if %rroff <> 1 jumpf lsp2 4,$KUM_WaraiA1,130,420,-200,200,0 ~ print 63 se1v 2,100 se3v 2,100 bgcopy csp2 -1 if %rroff = 1 jumpf ;「さぁさお出でなさい、ドヴェルグの兄弟たち。@ `"Come, arise, Dvergar brothers.`@ lsp2 4,$WAL_IKariA2,130,420,-200,200,0 ~ ;lsp2 4,$WAL_IKariA2r,130,420,200,200,0 if %rroff <> 1 jumpf wait 500 lsp2 4,$KUM_WaraiA2,130,420,-200,200,0 ~ print 80 se2v 2,100 se3v 2,100 bgcopy csp2 -1 if %rroff = 1 jumpf ;我に巨人を砕きし天の鉄槌を与え給え！」@ `Bestow upon me the giant-smashing Iron Hammer of heaven!"`@ ~ textoff csp -1 bg black,0 if %rroff = 1 jumpf lsp2 4,$WAL_IKariA2,130,420,-200,200,0 lsp2 3,$BEA_komaruA1,500,450,200,200,0 ~ ;lsp2 4,$WAL_IKariA2r,130,420,200,200,0 if %rroff <> 1 jumpf wait 500 lsp2 4,$KUM_WaraiA2,130,420,-200,200,0 lsp2 3,$BEA_iiwakea2,500,450,200,200,0 ~ print 64 se1v 2,100 se3v 2,100 csp2 -1 bgcopy if %rroff = 1 jumpf ;「巨人兵どもッ、妾を守れッ！！！@ `"Giant soldiers, protect me!!!`@ ~ bg black,0 if %rroff = 1 jumpf lsp2 4,$WAL_IKariA2,130,420,-200,200,0 lsp2 3,$BEA_komaruA1,500,450,200,200,0 ~ ;lsp2 4,$WAL_IKariA2r,130,420,200,200,0 if %rroff <> 1 jumpf wait 500 lsp2 4,$KUM_WaraiA2,130,420,-200,200,0 lsp2 3,$BEA_nakua1,500,450,200,200,0 ~ print 80 se2v 2,100 se3v 2,100 if %rroff = 1 jumpf ;　何をしているかノロマどもッ！！！」 `What are you doing, you blockheads!!!"` ~ quakex 3,300 delay 3000 textoff csp2 -1 bg black,1 for %ryuu1=1 to 5 se1v 20,70 wait 50 se2v 20,85 wait 50 se3v 20,100 next if %rroff <> 1 jumpf reset ~ br ;　それはもはや槍でなく、暴風のような音を立てながら飛んでくる巨大なる鎚の旋風。\ `By now it was no longer a spear, but the whirlwind of a massive hammer that raised a sound like a windstorm as it flew through the air.`\ ;　それは霜の巨人の王を震え上がらせた伝説の鎚。@ ;　ゆえに巨人兵たちはその恐怖から逃れられない。@ `It was the legendary hammer that had shaken the King of the Frost Giants.`@ `So the Giant Soldiers couldn't escape from that fear.`@ br ;　だからいくら主が命じようとも、その鎚の進路を遮ることができない。\ `So no matter how much their master ordered them, they couldn't block the path of that hammer.`\ bg armor7,0 ld r,$WAL_ikariA2,63 ;「バックランクメイト！/ `"Back Rank Mate! `/ quakex 3,300 ;@　安らかに眠りなさい。」\ ;＜先代 @`Sleep in peace."`\ ;bg rose_1bN,0 bg white,0 ld c,$BEA_OdorokiA1,22 ld c,$BEA_AseruA1,1 ;「…ちッくしょおおぉおおおぉ………！！！」/ `"...Damn iiiiiiiiiiiiiiiit......!!!"`/ quakey 5,500 \ ;＜ベアト ;se1v 59,100 ;bg white,0 ;ld c,$BEA_AseruA1,22 ;bg black,1 ;　巨大な鉄塊の旋風の前に、ベアトリーチェなど一粒の豆に過ぎない。@ `Before the whirlwind of this massive chunk of metal, Beatrice was nothing more than a mere speck.`@ br ;　その旋風がベアトリーチェを飲み込もうとした瞬間、ベアトリーチェの姿が巨大な戦塔に変わる。\ `The instant the whirlwind started to suck Beatrice in, Beatrice's form turned into a massive War Tower.`\ E_MA se1v 52,100 bg tower4,0 ;lsp bgsp,tower1b,0,-400 print 99,700,"whirl.dll/r" ;csp -1 se3v 62,100 se2v 61,100 se1v 64,100 bg white,1 quakey 8,1200 se1v 65,100 bg black,22 ;　鉄槌は戦塔を砕き、凄まじい瓦礫を撒き散らすが、その後へと逃れていた彼女には届かなかった。\ `The Iron Hammer smashed the War Tower, scattered tremendous amounts of rubble, but it did not reach she who had escaped behind it.`\ bg tower4,26 ;　しかも噴煙が収まってみると、戦塔は巨大鉄槌を飲み込んだまま崩れず立ちはだかっている。@ ;　巨人を砕く鉄槌でも、魔女を守る最後の塔は打ち砕けなかったのだ。\ `Furthermore, when the smoke started to settle, the War Tower had sucked in the massive Iron Hammer without crumbling, and blocked the way.`@ `Even the giant-smashing Iron Hammer couldn't break through the final tower protecting the witch.`\ ;　しかし、この戦塔は実は魔女の最後の切り札だった。@ ;　危機をたった一度だけ救ってくれる変わり身の戦塔だったのだ。@ `However, this War Tower truly was the witch's last trump card.`@ `It was a War Tower for dodging that could only save her from danger once.`@ br ;　でも、この塔は鉄壁。@如何なる武器でも打ち砕けない。\ `But this tower was impregnable.`@` No weapon could break through it.`\ bg black,25 ;　その時、月が消えた。@ `At that time, the moon disappeared.`@ ;　ベアトリーチェは、巨人兵たちの戦列と戦塔の影に潜みながら、空を見上げる。\ `As Beatrice hid in the shadows of the Giant Soldier Battle Line and the War Tower, she looked up at the sky.`\ bg moon_1a,28 ;　すると月の中に、巨大な馬とそれにまたがる戦と死の神の姿が。@ ;　彼と共に馬上にある先代ベアトリーチェの姿が。\ `When she did, inside the moon was the figure of a massive horse ridden by the god of war and death.`@ `The Predecessor Beatrice rode the horse with him.`\ bg black,24 ;　彼のマントは月を遮り不気味な影で月を食んでいた。@ ;　そしてその手には再び神の槍が…。@ `His cloak had blocked the moon and swallowed it in an eerie shadow.`@ `And the Spear of the Gods was in his hand once more...`@ br ;　それはつまり、巨人兵の城壁と戦塔を飛び越えて、天空より襲い来る神の騎兵。\ `In other words, it was a godly knight who had jumped over the ramparts formed by the Giant Soldiers and the War Tower, attacking from the heavens.`\ textoff bg black,22 se1v 56,100 bg javelin1a,63 wait 400 bg white,1 se2v 57,100 bg javelin1b,22 wait 200 bg white,1 se3v 57,100 bg javelin1c,22 wait 200 bg white,1 se1v 57,100 se2v 57,100 se3v 2,100 bg white,1 bg javelin1d,2 ;wait 500 ;bg white,22 ;bg black,22 bg armor7,0 ld c,$BEA_fukigenA1,63 ;「……くっくっく…。@ぃやられたァァ…。」\ ;＜ベアト `"......*cackle*...`@` You got meee..."`\ bg Moon_1a,26 lsp2 4,$WAL_odorokiA1,130,420,-200,200,0 ;lsp2 4,$WAL_odorokiA1r,130,420,200,200,0 print 63 se1v 2,100 se2v 2,100 ;「スマザードメイト。/ `"Smothered Mate. `/ delay 3000 se1v 2,100 se2v 2,100 se3v 2,100 ;楽しかったですよ、ベアトリーチェ！」 `It was fun, Beatrice!"` delay 3000 csp -1 lsp2 3,$BEA_komaruA1,500,450,200,200,0 print 64 bgmvol 90 ;「うッをおおおおおおぉおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおぉおおおぉッ！！！」/ `"Uuuooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo!!!"`/ quakey 5,500 delay 3000 ;＜ベアト csp2 -1 bg black,1 br br ;　同じ名を名乗った魔女たちの死闘に、決着がつく。\ `The struggle to the death between the two witches with the same name, was resolved.`\ E_A wait 1500 ;se1v 20,100 ;wait 1000 bg white,1 se1v 2,100 se2v 57,100 se3v 57,100 quakey 12,2000 bg garden_1cN,22 se2v 57,100 quakey 8,1200 se1 22 bg black,25 se2v 27,100 bg white,1 bg black,22 me1v 13,70 dllefe 1,1 bg rose_1aN,6 ;　天空より放たれた槍が大地を貫く。@ `The spear that had been launched from the heavens pierced the ground.`@ br ;　巨人兵の戦列と戦塔が無数の黄金蝶に分解され、辺りを金色の嵐で包んだ。\ `The Giant Soldier Battle Line and the War Tower split up into countless gold butterflies, wrapping the area in a gold-colored storm.`\ se1v 21,90 ;　そして稲妻の音。@ ;　……そして降りしきる雨と風の音。\ `Then, the sound of thunder.`@ `And the sound of the falling rain and wind.`\ ;　気付けばそこは、何事もない薔薇庭園。@ ;　…二人の魔女が対峙し、その執事たちが見届けている。@ `If you looked around, there was nothing in the rose garden.`@ `...The butler and the rest were watching the two witches confronting each other.`@ br ;　………しかし、ベアトリーチェだけが違った。\ `.........But only Beatrice was different.`\ bg black,22 dllefe_off ;se2v 27,40 bgm1v 55,0 fedexx 70,0,0,0,0,0,3000 ;　彼女は一本の槍に、右肩と首の根元から左の臀部までをまっすぐに貫かれ、@地に足を付けることもできぬまま、@…虫ピンで止められた憐れな蝶のように、風雨に苛まれて無様を晒されている…。\ `She had been pierced straight through by the spear, from the base of her neck and her right shoulder, to her left buttocks,`@` unable to even reach the ground with her feet, `@`...horribly exposed like a pitiful pinned butterfly, tormented by the wind and rain...`\ me1v 12,50 dllefe 1,1 bg rose_G1aN,22 ld r,$RG1_OdorokiA1,24 ;「………ベ、ベアトリーチェさま…。」@ ;＜ルシファ `".........B, Beatrice-sama..."`@ ld l,$RON_OdorokiA1,23 ;「…………………。@さすが、/ ;!d700…恐ろしいお方です。」\ ;＜ロノウェ `"...............`@`As expected, `/ !d700`...a fearsome person."`\ bg black,24 bg rose_1bN,24 ld r,$WAL_IkariA1,24 ;「これで決着です。@ベアトリーチェ。」\ ;＜先代 `"It is decided.`@` Beatrice."`\ ;ld l,$BEA_AkuwaraiA4,6 ;ld l,$BEA_FukigenA1,80 bg black,22 dllefe_off ;!s0「……く、/ ;!d500……ひひひひ、/ ;!d400……痛ェ…ぇ…。」/ !s0`"......Ku, `/ !d500`......hihihihi, `/ !d400`......ouch...h..."`/ !sd\ ;＜ベアト textoff bg black,1 textoff se1 35 bg blood_2a,1 wait 500 se1v 35,100 bg blood_2b,1 wait 500 se2v 35,60 bg blood_2c,1 wait 500 se3 35 bg blood_2d,1 wait 800 se1 35 bg blood_2e,1 wait 2000 ;　ベアトリーチェは痩せ我慢のように苦笑いを浮かべるが、@口元からは血の泡が浮き、その憐れさを引き立たせた。\ `Beatrice wore a bitter smile of false courage,`@` but a strand of blood dangled from her mouth, making her look even more pitiful.`\ ;「無限の魔女の称号と力。@そしてベアトリーチェの名を、今こそ返してもらいましょう。@…無限の魔女を語るには、お前は未熟が過ぎます。」@ ;＜先代 `"The title and power of the Endless Witch.`@` Will you now return that to me as well as the name Beatrice.`@` ...You are too immature to be called the Endless Witch."`@ ;「…………止めてェ…。@許しておくれよ、お師匠様ァ…。@ちょっとふざけただけじゃねぇかよぉ……。」\ ;＜ベアト `"............Stop...`@` Forgive me, Teacher...`@` I was just fooling around, okay......?"`\ bg black,22 dllefe 1,1 bg rose_1aN,26 ld c,$WAL_majimeA1,22 ;「あなたから我が名を奪います。@元の姿に戻してあげましょう。@過ぎたる力を手放し、己に相応しい生を全うするが良いでしょう。\ `"I will take my name back from you.`@` You should return to your original form.`@` Perhaps you should relinquish this power which is beyond you, and live a life suitable for yourself.`\ se1 22 bfly1 10 ;　………さぁさ、思い出して御覧なさい。@あなたがどんな姿をしていたのか。」\ `.........Come, try to remember.`@` What form did you have?"`\ ;　先代ベアトリーチェが力ある言葉を詠い始める。@ ;　すると串刺しのベアトリーチェの周りに、小さな黄金蝶たちが集まり、そして彼女に群がり始める。\ `The Predecessor Beatrice began to recite the words of power.`@ `When she did, small gold butterflies gathered around the skewered Beatrice, and began to swarm about her.`\ textoff cbfly 0 bfly1 0 bg rose_1bN,0 ld c,$BEA_AseruA1,26 se2 22 bfly2R 11 ;　蝶たちは花の蜜を舐め取るように。@ ;　…ベアトリーチェの魔力を舐め取り始める。@ `Like butterflies sucking the nectar out of flowers...`@ `...They began to suck the magical power out of Beatrice.`@ br ;　そしてそれは、彼女に辛い苦痛を与えているようだった。@ ;　ベアトリーチェの口から苦痛の声が漏れる。@ `And it seemed that it caused her intense pain.`@ `A cry of pain issued from Beatrice's mouth.`@ br ;　彼女にはそれに抵抗する力はもはやない…。\ `She no longer had any power to resist it...`\ ;lsp efesp,$WAL_MajimeA1,100,0 ;print 23 ld r,$WAL_majimeA1,23 ;「さぁさ、目を閉じて御覧なさい。@思い出して御覧なさい。@あなたがどんな姿をしていたのか。\ `"Come, try closing your eyes.`@` Try to remember.`@` What form did you have?`\ ;lsp efesp,$WAL_defA1,100,0 ;print 80 ld r,$WAL_defA1,80 ;　………さぁ、ベアトリーチェ？@　あなたも私と一緒に復唱なさい。@一緒にお唄を歌いましょう。@そうすればすぐに終わりますよ。@あなたの苦痛が、少しでも早く終わります。」\ `.........Come, Beatrice?`@` Repeat it with me.`@` Let us sing a song together.`@` Then it will be over soon.`@` Let us end your pain as fast as possible."`\ ;csp -1 se1 22 bg white,2 bfly1r 0 bg rose_1aN,22 ld r,$BEA_iiwakeA2,24 ;!s0「…くひひひ、/ ;!d400……は、/ ;!d400…はは…。@……そうだなぁ…。@お師匠様と一緒にお唄を歌うなんて、/ ;!d800………どれくらいぶりかなァ……。」/ !s0`"...Kuhihihi, `/ !d400`......ha, `/ !d400`...haha...`@`......You're right...`@` How long has it been, `/ !d800`.........since I have sung a song with you, Teacher......?"`/ !sd\ ld l,$WAL_waraiA1,23 ;「さぁ、一緒に。@………さぁさ、思い出して御覧なさい。@あなたがどんな姿をしていたのか。」@ ;「……さぁさ、思い出して御覧なさい。@あなたがどんな姿をしていたのか…。」\ `"Come, together.`@` .........Come, try to remember.`@` What form did you have?"`@ `"......Come, try to remember.`@` What form did you have...?"`\ cbfly 0 bg black,25 bg garden_1cN,22 se1 22 bfly2 26 ;　二人が同じ唄を詠い始めると、@黄金の蝶たちはますますに舞い上がり、ベアトリーチェに群がっていく…。\ `When the two of them began to recite the same song, `@`more and more gold butterflies danced around, swarming around Beatrice...`\ cbfly 0 bg rose_1bn,0 bfly1 0 ld r,$WAL_DefA1,22 ;「………大丈夫ですよ、お嬢様。@あなたは私の弟子であることを失いますが、@私の仕えるお嬢様であることに変わりはありません。\ `".........It's alright, Milady.`@` You will lose the fact that you are my disciple, `@`but that will not change the fact that you are the lady I serve.`\ ld r,$WAL_WaraiA2,80 ;　…そうしたら、また一緒にご本を読んで差し上げましょう。@リンゴのパイを焼いて差し上げましょう。@昔のように。@……さぁさ、思い出して御覧なさい。」\ ;＜先代 `...After that, I shall read a book for you again.`@` I shall bake you apple pies again.`@` Just like it was long ago.`@` ......Come, try to remember."`\ ld l,$BEA_IiwakeA2,6 ;「……はははははは…。@あぁ、思い出して御覧なさい。@…そろそろ思い出せてきたかなぁ…。@…………なぁ、お師匠様。\ `"......Hahahahahaha...`@` Yes, try to remember.`@` ...Are you finally starting to remember...?`@` .........Hey, Teacher.`\ ld l,$BEA_futekiA2,80 ;!s0　あんたの後にあるそれ、/ ;!d500……思い出したかなァ…？」/ !s0`Did you remember, `/ !d500`......that thing behind yooou...?"`/ !sd\ bg black,24 E_B bg rose_1aN,0 lsp bgsp,":a;bmp\background\efe\1g.bmp",0,0 print 22 lsp 899,$WAL_MajimeA1,-150,0 print 23 ;「…何ですか…？@/ `"...What is this...? `@/ lsp 899,$WAL_KomaruA1,-150,0 print 80 me2v 16,70 ;　…………………………………これは。」\ `..............................This is..."`\ ;　先代ベアトリーチェが後を振り返ると、/ ;!d500…………そこには不気味な針鼠がうずくまっていた。\ `When the Predecessor Beatrice looked behind her, `/ !d500`............there was a creepy hedgehog crouching there.`\ csp bgsp print 65 E_MA se1v 27,50 se2 2 quakey 5,800 ;　違う。@/ `That's not it. `@/ bgm1 66 ;…それは、/ ;!d600……彼女自身だった。@ `...It was, `/ !d600`......herself.`@ br ;　先代ベアトリーチェがもうひとりいて、全身にバリスタ弾をびっしりと喰らって、@……まるで、針刺し人形のようになって横たわっているのだ…。\ `There was another Predecessor Beatrice, whose whole body was packed with ballista shots,`@` ......lying there like a pincushion doll...`\ me1v 12,50 ld r,$BEA_AkuwaraiA1,24 ;「……さぁさ、思い出して御覧なさい。@あなたがどんな姿をしていたのか。@……違うか。\ `"......Come, try to remember.`@` What form did you have?`@` ......Is that wrong?`\ ld r,$BEA_AkuwaraiA2,80 ;　……さぁさ、思い出して御覧なさい。@あなたがどうやって殺されたのか。@/ `......Come, try to remember.`@` How were you killed? `@/ se1v 37,70 ;……くっひひひい、くっひゃっひゃっひゃっはあああぁああぁ！！」\ ;＜ベアト `......Kuhihihii, kuhyahhyahhyahhaaaaaaahh!!"`\ ;　呆然とする先代ベアトリーチェ。@ `The Predecessor Beatrice was shocked.`@ br ;　…次第にその姿が薄くなっていく…。\ `...Instantly, her form began to grow faint...`\ textoff ;msp 899,0,0,-50 ;print 80 for %Free1 = 1 to 20 msp 899,0,0,-5 print 1 wait 100 next lsp 899,$WAL_OdorokiA1,-150,0,140 print 80 ;「これは……、/ ;!d600……いつの間…に…………。」\ `"This......, `/ !d600`......when...did you............"`\ ld r,$BEA_futekiA2,80 ;「最初に呼んだのは双肩の塔ではない。@四つ子の塔だったのよ。@お師匠様の左右遥かに潜んだ隠し塔が描く、セブンスランクルークの死の境界線を、@お師匠様はのこのこと踏み越えてきてくれた。\ `"In the beginning, I did not summon Shoulder Towers.`@` It was four towers.`@` Teacher, you nonchalantly stepped across the Seventh Rank Rook boundary of death created by the two hidden towers, `@`which were lurking in the distance on either side of you.`\ ld r,$BEA_waraiA1,80 ;　……チェックの発声が遅れてしまったことだけはマナー違反。@率直に謝ろうぞ。@…くっくっくっくっくっく！」\ `......It was bad manners for me to say check so late.`@` Let me openly apologize.`@` ...*cackle*cackle*cackle*!"`\ csp -1 bg black,25 dllefe_off mono 1 bg tower2,22 ;　戦いは、一番最初に決していたのだ。@ ;　双肩の塔に挟まれたベアトリーチェを討つために、先代が身を乗り出し神なる槍を構えた時。@ `The battle had been decided at the very beginning.`@ `It had been over since the time the Predecessor had leaned forward, readying her holy spear to attack Beatrice, who had been wedged between her Shoulder Towers.`@ br se1 20 bg white,1 se2 20 wait 100 bg bullet1b,1 se3 20 wait 400 se1 20 bg white,1 se2 20 wait 100 bg bullet1a,1 se3 20 wait 100 se1 20 bg white,1 se2 20 wait 100 bg bullet1b,1 se3 20 ;　…左右に潜んでいた隠し塔は、左右から７２０の銃眼にてバリスタ弾の暴風を浴びせ、@彼女をすで挟み殺していたのだ。\ `...The hidden towers lurking on either side had bathed her in a windstorm of ballista shots from 720 ports on both sides,`@` pinning and killing her.`\ bg Moon_1a,0 ld c,$BEA_futekiA2,22 ;　しかし、ベアトリーチェはそれで決したくなかった。@ ;　師匠の次の手を続けさせて、ゲームのリレーを続けたかったのだ。@ `However, Beatrice hadn't wanted it to be resolved with that.`@ `She had wanted to make her teacher take her next move, and had continued acting as though the game was still on.`@ br ;　即座に彼女を無限の力によって蘇らせ、/ ;!d800…さも当然のようにゲームを続けさせていた…。\ `She had immediately revived her with the Endless power, `/ !d800`...and had made her continue the game as though nothing had happened...`\ bg black,22 mono off dllefe 1,1 bg rose_1bN,0 lsp 899,$WAL_OdorokiA1,-200,0,130 print 22 ;　そして彼女は自らがすでに殺されていたことを徐々に思い出し、/ ;!d500……姿を完全に消していく。@ `Then the Predecessor had slowly remembered that she had already been killed, `/ !d500`......and had begun to completely erase her form.`@ br ;　するとベアトリーチェを貫いていた槍も姿を消した。\ `When she did, the spear which had pierced Beatrice also erased itself.`\ for %free1 = 1 to 10 msp 899,0,0,-15 print 1 wait 100 next csp 899 se1 27 bg white,1 bg rose_1bN,2 se2 52 ld r,$BEA_nayamuA1,99,2000,"breakup.dll/ulP" ;　ベアトリーチェはようやく大地に降り立つ。@ ;　…傷跡など、わずかほども残っていなかった。\ `Beatrice finally fell and landed on her feet.`@ `...There wasn't even a trace of a scar.`\ ld r,$BEA_futekiA2,80 ;「………楽しかったぞ、/ ;!d500お師匠様。@また遊びたくなったら、いつでも蘇らせてやるよ。@それで適当に遊んだら、死体だったことをまた思い出させてやるからさぁ。\ `".........It was fun, `/ !d500`Teacher.`@` If you want to play again, I'll revive you any time.`@` Because once we've had some fun, I'll make you remember that you were a corpse again.`\ ld r,$BEA_AkuwaraiA2,80 ;　な？@　ちゃんとあんたの言いつけは守ってるぜ…？@　玩具は、遊び終わったらちゃんと玩具箱にしまいましょうってなぁ？@/ `Okay?`@` I fully obeyed your instructions, right...?`@` Didn't you say to always put a toy back in its box when you are done playing with it? `@/ se3 37 ;　くっくっくっく、はっはははははははははははははははははははッ！！」\ `*cackle*cackle*, hahhahahahahahahahahahahahahahahahahahahahahaha!!"`\ ld l,$RON_akuwaraiA1,24 ;「……楽勝、でございますかな？」@ ;＜ロノウェ `"......Was it, an easy victory?"`@ ld r,$BEA_KomaruA1,80 ;「愚かなッ、辛勝だッ！！/ `"You fool, it was a difficult victory!! `/ quakey 3,300 @/ ld r,$BEA_aseruA1,80 ;　…………四つ子塔で騙せてなかったら死んでおったのは妾の方よッ！@　……さすがはお師匠様。@………だがこれで胸が張れるというもの。\ `............If I hadn't tricked her with the four towers, I would have been the one to die!`@` ......As I would expect from Teacher.`@` .........But this is heartrending.`\ ld r,$BEA_fukigenA1,80 ;　…妾は今こそ、お師匠様を完全に超えたとな。@ロノウェ。@お師匠様の亡骸をもう少しマシにしておけ。@……妾もそこまで敬意を失ってはおらぬでな。」\ `...Now, I have completely surpassed Teacher.`@` Ronove.`@` Make Teacher's remains a little better.`@` ......I haven't lost my respect for her that much."`\ me2v 5,50 bg rose_1aN,0 ld c,$RON_WaraiA2,24 ;「かしこまりました。@今宵の第一の晩は、少々派手に暴れすぎました。@少しは片付けも必要でしょう。@すぐに取り掛かります。\ `"Certainly.`@` Tonight's first twilight became a little too riotous.`@` It will require some cleaning up.`@` It shall be handled immediately.`\ ;ld c,$RON_DefA1,80 cl c,23 ;　山羊たちよ、お片づけの時間ですよ。」\ `Goats, it is time to clean up."`\ ld l,$GOA_DefA1,0 se1 52 print 22 ;print 99,1000,"breakup.dll/llp" ld c,$GOA_DefA1,0 se2 52 print 22 ;print 99,1000,"breakup.dll/llp" ld r,$GOA_DefA1,0 se3 52 print 22 ;print 99,1000,"breakup.dll/llp" ;　ロノウェが指を鳴らすと、闇や影に爛々と輝く眼がぱちくりぱちくりと現れ、/ ;!d800山羊頭の従者となって、次々ぬぅっと現れる。@ `When Ronove snapped his fingers, blazing, sparkling eyes began to blink open in the shadows and darkness, `/ `becoming goat-headed attendants, which appeared one after another.`@ br ;　それらは無言で畏まりながらロノウェの背後に次々並んだ。\ `One by one, they wordlessly stood at attention in a line behind Ronove's back.`\ ;csp -1 bg rose_1bN,0 ld r,$BEA_NayamuA1,24 ld l,$RON_waraiA2,23 ;「この度は、６人の遺体をどのようにいたしますか？@　また密室形式に？」\ ;＜ロノウェ `"This time, what shall be done about the six corpses?`@` Another closed room pattern?"`\ ld r,$BEA_fukigenA3,80 ;「……妾は今、それを考える気分にない。@ロノウェに任す。@…戦人を悩ませるような、飛び切りの密室を頼むぞ。」\ `"......I am not in a mood to think now.`@` I will leave it to you Ronove.`@` ...An extraordinary closed room to torment Battler, if you would."`\ se1 52 cl r,99,2000,"breakup.dll/ulb" ld l,$RON_akuWaraiA1,80 ;「かしこまりました。@それでは飛び切りのを。」\ `"Certainly.`@` It shall be extraordinary."`\ ;■メタ視 mov %play_scene,30050 ;シーン変数の入力 E_MA cl a,0 se1 56 mset dllefe_off mld r,$BEA_AkuwaraiA3,24 se1v 37,90 ;「くっくくくくく、はっははははははははは…！！/ `"*cackle*cackle*cackle*, hahhhahahahahahahahaha...!! `/ quakex 3,300 ;@　そぅれ、戦人はどこだぁ？@　戦人ぁああぁ、妾の大活躍、見ィたぁあぁあああぁぁ？？」\ ;＜ベアト @`A-lright, where is Battler?`@` Battleeeeer, did you watch my big momeeeeeeeeent??"`\ mld l,$BUT_OdorokiA2,23 ;「………畜生ぉおおぉおぉ…。@今の滅茶苦茶な魔法の嵐を見せ付けられて、俺は何を否定すればいいんだ？！\ `".........Damn iiiiiiiiit...`@` After being shown that screwed up magical storm, what can I deny?!`\ mld l,$BUT_KuyasigaruA1,80 ;　魔女はいるも何も！@　あんなどっかんどっかん、@凄まじいファンタジーを見せ付けられて、今の俺は何を否定すりゃいいんだよ！！@　もうわかんねぇッ！@　前回もそうだが、このイカス素敵なマジカルバトルをどう否定すりゃいいんだよッ？！」\ ;＜戦人 `Witches existing and everything!`@` After being shown that tremendous fantasy, `@`what can I deny now?!!`@` I don't get it anymore!`@` It was like that last time too, but how can I deny that awesome, wonderful magical battle?!"`\ mld r,$BEA_AkuwaraiA2,80 ;「だぁ〜よなぁ〜？！@　こんなの見ちまったらもう言い逃れは出来ねェもんなぁああぁ？？？@　さぁ戦人ぁ、トンデモ推理を聞かせてくれよォ、くっひひゃっひゃっひゃっひゃッ！@　うっひぇっひぇっひぇっひゃああぁあぁッ！！」\ ;＜ベアト `"I~sn't that ri~ght?!`@` After watching this, you can't talk your way out of it, riiiiiiiight???`@` Alright, Battler, let me hear some ridiculous reasoning, kuhhihhyahhyahhya!`@` Uhhiehhiehhyaaahhh!!"`\ mcl l,24 mld l,$RON_akuwaraiA1,23 ;「お嬢様、笑いに品がございませんよ。」@ ;＜ロノウェ `"Milady, your laugh is undignified."`@ mld r,$BEA_WaraiA2,80 ;「おお、これは済まぬ。@しかし妾の責任ではないぞ。@/ `"Oh, my apologies.`@` But that isn't my fault. `@/ mld r,$BEA_AkuwaraiA2,80 ;何しろ戦人に、キュゥっと両目を硬く閉じてキリキリギリギリ歯軋りする、なぁんとも悔しそうなその表情を見せられると、@自然と妾の口から零れてしまうものでなぁああぁ…。@/ `After all, if Battler tightly closes his eyes, grinds his teeth and shows me that ever so bitter expression,`@` it just automatically slips out of my mouth, you seeee... `@/ se1v 37,100 ;くっひひっひゃっひゃっはァ！！」\ `Kuhhihihhyahhyahaah!!"`\ mld l,$RON_defA1,80 ;「さぁ、戦人さま。@挫けずにテーブルへお戻りを。@お嬢様は戦人さまの反撃を期待されておりますよ…？」\ `"So, Battler-sama.`@` Why don't you return to the table without losing heart?`@` Milady is expecting your counterattack, you see...?"`\ mcl a,23 mld r,$BUT_OdorokiA1,24 ;「ふざけるなッ！！@　何をどう反論すりゃいいってんだッ？！\ `"Quit messing with me!!`@` How the hell can I make a counterargument?!`\ mld r,$BUT_KuyasigaruA1,80 ;　まず、あの塔が地面から生えてきた辺りからもう滅茶苦茶だろうがッ！！@　実は六軒島の地下に、超合金の合体ロボの秘密研究所でもあって、@ボタンひとつでおかしな塔が生えてくるってのか？！@　あぁそれならあのデケェ巨人どもはきっとロボットだぜ、@あるいは悪の秘密結社のメカ怪獣かもな？！\ `In the first place, since about the time that the tower sprouted up out of the earth, everything was already screwed up!!`@` Should I say that, actually, underground on Rokkenjima, there's a secret laboratory for super-alloy combining robots or something,`@` and that by pushing a button, a strange tower sprouts up?!`@` Right, and then those huge giants must be the robots,`@` or maybe an evil secret association's mecha-monsters?!`\ mld r,$BUT_NakuA1,80 ;　わけわかんねぇえよ！！　/ `I don't get it!! `/ quakey 3,300 ;@俺に話し掛けるんじゃねええええぇええぇ、うおおおおぉおおおおおおおぉおッ！！！」\ @`Don't talk to meeeeeeeeeee, uuoooooooooooooooooohhh!!!"`\ me1v 17,60 mld l,$BEA_AkuwaraiA5,23 ;「ほらほらほらほら、泣くなよォ？？@　魔法でどっかんどっかんッ！！@　そなたが望むなら、月だって砕くし、彗星を雨のようにだって降らすさぁ！@/ `"Look look look look, don't cry, alright??`@` Bang bang, it's magic!!`@` If you want, I'll crush the moon and make comets fall like rain! `@/ mld l,$BEA_akuwaraiA4,80 ;　お前好みの巨乳姉ちゃんで島を埋め尽くしてやってもいいんだぜぇええぇ？？@　ひっひっひっひ！！\ `I can even bury the whole island in those massive-breasted nee-chans you like so much, seeeeeeeeee??`@` Hihhihhihhihhi!!`\ mcl a,23 mld c,$BEA_AkuwaraiA2,23 ;　さぁさぁ、ほらほらほら、妾の手番は終わったぜえええぇえ？！@　受け手を指せよ、反撃しろよ！！@　出来ねぇだろォオオォ？@　出来ねぇのは千兆も承知よォ！！@　お前、こういうのダメだもんなぁあぁあぁ？@　こういうファンタジー、本当は大好きなんだもんなああぁ？？\ `Come come, look look look, my turn is over, seeeeeeeeee?!`@` Show me your response, counterattack!!`@` You can't, can yoooooouuu?`@` Accept that there's a quadrillion things you can't do!!`@` You're useless against this, riiiiiiiiiight?`@` You actually like this kind of fantasy, don't yooooouuu??`\ mld c,$BEA_AkuwaraiA3,80 se1 37 ;　知ってんダヨ、今時こんなの巷にいくらでも溢れてるじゃねぇかァ？！@　漫画に小説、アニメに映画ッ！@　１０代くらいのガキンチョたちがおかしな特殊能力いっぱい持ってて、世界の命運かけてドッカンバッカンやるやつぅ！\ `I get it, that's been going around on the streets lately hasn't it?!`@` In manga and light novels, in anime and movies!`@` Some teenage brat gets a whole bunch of some strange special ability, and they go all out with the fate of the world at risk!`\ mld c,$BEA_AkuwaraiA4,80 ;　お前も大好きだもんなァッ？！@　知ってんだよ隠すなよ、大好きじゃねぇえかよぉ、ひーひゃっひゃっひゃッ！！@　その、お前の大好きなヤツがちょいと目の前で披露されただけじゃねぇえかよォ？\ `You love that too, don't you?!`@` I know, don't hide it, you love it, right, hi-hyahhyahhyah!!`@` Hasn't that thing that you love just displayed itself before your eyes?`\ mld c,$BEA_AkuwaraiA5,80 ;　どうして漫画やアニメのそれは信じてくれるのに、妾のだけ信じてくれねぇんだよぉおお？？@　信じろよ信じろよ、信じちまえよ！@　反論なんかできねぇさ、こうして見せられちまったんだからなぁあああ？\ `Why do you believe it in manga and anime, but you won't believe in meeeeeeeeee??`@` Believe, believe, believe it!`@` You can't argue back, not after you've been shown something like this, riiiiiiiiiiiiight?`\ mld c,$BEA_AkuwaraiA2,80 ;　ほらほらほらほら、返事をしろよ、@思考はいらねぇ、素直にごめんなさいベアトリーチェさまって言やぁいいんだよ！@　ほらほら言ってみろごめんなさいベアトリーチェさまって言ってみろ言えよ言えよ恥ずかしがるなよ、@/ `Look look look look, answer,`@` you don't need to think, you can just obediently say 'sorry, Beatrice-sama'!`@` Look look, try saying it, 'sorry, Beatrice-sama', try saying it, say it say it, don't be embarrassed, `@/ se1v 37,100 ;くっききききかっかかかかっひゃっひゃああっはっはっはっはっはっひゃああぁッ！！」@ `kukikikikakkakakahhyahhyaaaah hahhahhahahhhahahhyaaahh!!"`@ wait 2000 ;▲第７アイキャッチ　１０月５日（日）０１時００分〜０６時００分 eye1 1,0,6,0,4,0,510,340,25 *umi3_8 mov %play_scene,30060 ;シーン変数の入力 mov %grim_scene,304 me1v 12,70 me2v 5,70 textoff bg white,9 wait 2000 dllefe 1,1 bg M_o1bR,6 wait 3000 bg black,25 dllefe_off mevol 1,50 mevol 2,50 bg Mdin_1fR,22 wait 1000 bg Mdin_1dR,22 ;■早朝・屋敷 ;　朝の訪れを知るには、カーテンを開けてわずかに明るくなった曇天を見上げるほかなかった。@ `There was no way to notice the coming of morning without opening a window and looking at the cloudy sky, which had become a tiny bit lighter.`@ br ;　清々しい朝ではない。@昨夜からずっと降り続く雨と、唸る風の音が聞こえるだけだった…。\ `It wasn't a refreshing morning.`@` All that could be heard was the sound of the rain, which had kept falling since last night, and the howl of the wind...`\ ld r,$KIR_KomaruA1,4 ;「……とても朝とは思えないわね。@私たちの心をそのまま示した、ひどい天気よ。」@ ;＜霧江 `"......It's hard to imagine that it's morning.`@` This horrible weather reflects our hearts."`@ ld l,$RUD_AkuwaraiA1,23 ;「ならずいぶん穏やかじゃねぇか。@雨は降れど、槍が降らねぇだけマシだぜ。」\ ;＜留弗夫 `"Then isn't that pretty gentle?`@` At least falling rain is better than falling spears."`\ bg Mdin_1cR,23 ld r,$HID_WaraiA2,24 ;「わっはっは。@雨が降ろうと、槍が降ろうと、どんと来いっちゅうとこやな。@/ `"Wahhaha.`@` Whether it's rain or spears, it's comin' down with a bang. `@/ ld r,$HID_fumuA1,80 ;………もう６時かいな。@ふぁぁあぁ…。@これで充分とちゃうか。@あとは、謎の１９人目、ベアトリーチェが動いて来んことには、手を打ちようもないわ。」\ ;＜秀吉 `.........Is it already 6:00?`@` Fuaaaaaa...`@` Isn't this enough?`@` After this, we've got no measures we can take until the mystery 19th person, Beatrice, takes action."`\ bg Mdin_1eR,0 ld l,$KLA_DefA1,24 ;「そういうことだ。@……だが、向こうが打って来るだろうほとんどの手は想定できたはずだ。」@ ;＜蔵臼 `"That is correct.`@` ......However, I believe we have thought of every trick they could use against us."`@ ld r,$EVA_akireA1,24 ;「そうね。@兄弟の中に裏切り者さえ現れなければ、私たちは大抵の事態に対応できるはずよ。」\ ;＜絵羽 `"That's right.`@` As long as a traitor doesn't appear amid the siblings, we should be able to deal with most situations."`\ ld c,$ROS_komaruA3,23 ;「……もうこの話は終わりにしましょ？@　結局、徹夜しちゃったわね。@…眠いわ。」\ ;＜楼座 `"......Haven't we talked about this enough?`@` We've stayed up all night.`@` ...I'm tired."`\ bg Mdin_1aR,0 ld r,$NAT_tukareA2,23 ;「そうですね。@朝食を取ったら、一度お休みになられてはいかがですか？」@ ;＜夏妃 `"You're right.`@` How about taking a little rest after eating breakfast?"`@ ld l,$KLA_AkuwaraiA2,23 ;「…良い提案だ。@この歳に徹夜は堪えるよ。」\ ;＜蔵臼 `"...A good plan.`@` Staying up all night is trying at our age."`\ ;　彼らはめいめいに伸びをすると、清々しくない朝を満喫するのだった。\ `As they all stretched, they enjoyed this unrefreshing morning as best they could.`\ cl r,23 ld r,$RUD_WaraiA1,24 ;「顔でも洗ってこようぜ。@きっとひでぇツラさ。」\ ;＜留弗夫 `"I'll go wash my face or something.`@` We probably look horrible."`\ bg black,24 E_A se1 17 wait 2000 bg M1F_P1bR,24 ld c,$KIR_NayamuA1,23 ;「………………？@　何、このひどい臭い。」@ ;＜霧江 `"...............?`@` What is that horrible stench?"`@ bgm1 6 br ;　廊下へ出た途端、霧江が露骨に嫌な顔をした。\ `As soon as they exited into the corridor, Kyrie openly made a disgusted expression.`\ ld r,$NAT_DefA1,24 ;「…どうしましたか？」@ ;＜夏妃 `"...What happened?"`@ ld c,$KIR_majimeA1,80 ;「ねぇ、何かひどい臭いがしない…？」@ ;＜霧江 `"Hey, don't you smell something awful...?"`@ ld l,$HID_KomaruA1,23 ;「………ん。@…何やこの臭いは。@こら堪らんで…。」\ ;＜秀吉 `".........Hm.`@` ...What is this stench?`@` I can't stand it..."`\ bg M1F_P1cR,24 ;　そう騒ぐので、何事かとみんなが廊下に顔を出した。@ ;　…それは薄っすらとした臭いだったが、臭う臭うと騒がれれば、はっきりとわかるものだった。@ `Because of that disturbance, everyone stuck their heads out into the corridor.`@ `...It was a faint stench, but after Kyrie had started complaining about the stink, they clearly noticed it.`@ br ;　彼らはその奇怪な臭いがどこから漂ってくるのか、それぞれの嗅覚を頼りに廊下に出る…。\ `Each of them went into the corridor, relying on their own sense of smell to tell them where this strange odor was coming from...`\ ld r,$NAT_OdorokiA2,24 ;「一体、何事でしょう。@源次に対応させましょう。@きっと、もう使用人室に来ていて朝の準備をしているはずです。」@ ;＜夏妃 `"What in the world could it be?`@` Let us have Genji deal with it.`@` I believe he should already have arrived in the servant room to begin the morning preparations."`@ ld l,$KLA_KomaruA1,23 ;「うむ、頼む。@まさかあの郷田に限って、@こんな臭いをさせる朝食を作っているとは思い難いのだがね…。」\ ;＜蔵臼 `"Hmm, please.`@` It is at least difficult to imagine that Gohda would make a breakfast that would cause this kind of stench..."`\ bg black,22 bg Mboi_1d,25 me1v 13,50 ;　留弗夫たちは臭いの元がどこかを探り、それが地下から、@ボイラー室からすることを突き止めた。@ `Rudolf and the others searched for the source of the smell, and determined that it was coming from underground,`@` from the boiler room.`@ br se1 32 wait 1000 ;　しかし鍵が掛かっていて、中を確かめることはできなかった。\ `But the door was locked, and they couldn't check inside.`\ bg black,25 bg M1F_P2bR,22 ;　一方、夏妃たちは使用人室へ誰かを探しに行く途中、客間の異変に気付く。\ `On the other side of things, as Natsuhi and the rest were on their way to search for someone in the servant room, they noticed something strange about the parlor.`\ ld l,$NAT_odorokiA2,23 E_B ;「……何ですか、これは…！」@ ;＜夏妃 `"......What is this...?!"`@ ld r,$ROS_aseruA1,24 ;「ひ、ひどい悪戯だわ…。@誰がこんなことを…。」\ ;＜楼座 `"I, it's a horrible prank...`@` Who would do something like..."`\ bg black,22 E_A se1 24 bg magicsquare_sun7,22 ;　客間の扉には、血を想起させる不気味な赤い塗料で、奇怪な…、@魔法陣のようなものが描かれていた。\ `On the door to the parlor, in a paint that reminded one of blood, there was a strange...,`@` thing like a magic circle drawn.`\ me1v 13,50 bg M1F_P2bR,0 ld c,$EVA_majimeA1,26 ;「厨房にはまだ誰も来てないわ。@/ `"No one has come to the kitchen yet. `@/ ld c,$EVA_IkariA2,80 ;……な、何よ、それ。」@ ;＜絵羽 `......Wh, what is, that?"`@ br ;　臭いの元が厨房だと思った絵羽たちは、@誰もおらず、朝食の準備も始まっていないことを確認した上で、戻ってきた。@ `Eva's group, who had thought the smell had been coming from the kitchen, `@`had returned after checking that no one was there and that preparations for breakfast had not yet begun.`@ br ;　……そして客間の異変に気付く。\ `......And they had noticed something unusual about the parlor.`\ cl c,22 ld r,$RUD_KomaruA1,24 ;「駄目だな、ボイラー室は鍵が掛かってる。@ボイラーの故障とかそういうのだとまずいんじゃないのか？@　使用人は誰かいたかぁ？」@ ;＜留弗夫 `"It's useless, the boiler room is locked.`@` Wouldn't it be bad if something's broken down in the boiler room?`@` Is there a servant anywhere around here?"`@ ld l,$KIR_MajimeA1,23 ;「………！@　その悪趣味な落書き、ここにもあるの？@　ボイラー室の扉にもあったのよ。」\ ;＜霧江 `".........!`@` Is that vulgar scribble here too?`@` There was also one on the door to the boiler room."`\ bg M1F_P1bR,0 ld r,$HID_KomaruA1,23 ;「何やて？！@　この薄気味悪い落書きが、ここだけじゃなく、他にもあるっちゅうんか？！@/ `"What's that?!`@` This creepy scribble isn't just here, but it's in other places as well?! `@/ ld r,$HID_komaruA2,80 ;　はは、まさか、森の魔女ベアトリーチェの宣戦布告っちゅうわけやないやろな。」\ ;＜秀吉 `Haha, you don't think that this is the witch of the forest Beatrice's declaration of war, right?"`\ bg magicsquare_sun7,22 ;　秀吉はそう茶化すが、風雨の音を聞きながら眺める不気味な魔法陣は、まさに魔女からのメッセージを思わせる。@ `Hideyoshi tried to make fun of it, `@`but staring at this creepy magic circle while listening to the wind and rain really made it seem like it was a message from a witch.`@ br ;　…滴る真っ赤な塗料は容易に血を連想させ、ますますにその不気味さを引き立たせた。\ `...The dripping bright-red paint made one think of blood, and it made things even more creepy.`\ bg black,22 bg M_door1,22 se1 32 ;　秀吉が試しに扉を開けようとするが、施錠されていた。@ `Hideyoshi tried to open the door, but it had been locked.`@ br ;　…客間は、原則、施錠することはない。@ ;　わざわざ誰かが閉めたのだ。\ `...As a general rule, the parlor wasn't locked.`@ `Someone had gone out of their way to lock it.`\ ld r,$ROS_KomaruA4,24 ;「……これはどういうこと…？@　私たちが食堂で話し合いをしている最中に、誰かがこっそりとこの落書きを残したというの？@　客間とボイラー室の扉に？」\ ;＜楼座 `"......What does this mean...?`@` Could it be that, while we were talking in the dining hall, someone secretly left this scribble?`@` On the doors to the parlor and the boiler room?"`\ ld l,$EVA_akireA1,23 ;「…どうせ使用人の仕業よ。@私たちはずっと一緒だったのよ。@全員にアリバイがある。@……恐らく、お父様に何かおかしな指示を受けて、こんな悪戯をしたのよ。」\ ;＜絵羽 `"...I'm sure the servants are behind this.`@` We were together the whole time.`@` We all have alibis.`@` ......They probably received some strange order from Father, and did this prank."`\ bg M1F_P1bR,0 ld r,$RUD_majimeA1,24 me2v 5,50 ;「………昨日の真里亞ちゃんの手紙の件も含めて。@使用人連中が親父の手先になって何かを企んでる可能性は充分、疑えるからな。@/ `".........Including the case yesterday with Maria-chan's letter.`@` It is very easy to suspect that the servants are acting on Father's orders and planning something. `@/ ld r,$RUD_OdorokiA1,80 ;……とにかく、みんなどこに居やがるんだ？@　まさか隠れん坊ってわけでもねぇだろうに。@探そうぜ。」\ ;＜留弗夫 `......Anyways, where is everyone?`@` They can't be playing hide and seek.`@` Let's look for them."`\ ld l,$ROS_AseruA1,23 ;「そ、…それより私は子どもたちが気になるわ。@無事よね？@　私、確かめてくるついでに、ゲストハウスに使用人の人がいないか見てくるわ。」\ ;＜楼座 `"B, ...before that, I'm worried about the children.`@` They're alright, aren't they?`@` I'll go and check, and while I'm there, I'll see if there aren't any servants there."`\ ld r,$RUD_DefA1,80 ;「なら手分けだな。@ゲストハウスにガキどもの様子を見に行く間、俺たちは屋敷の中を調べてみよう。\ `"Then let's split up.`@` While you go to the guesthouse to see how the brats are doing, we'll investigate inside the mansion.`\ ld r,$RUD_MajimeA2,80 ;　………考えたくはねぇが、@こんな薄気味悪ぃ落書きが、ここだけってことはねぇかもしれねぇ。」\ ;＜留弗夫 `.........I don't want to think about it, `@`but maybe these creepy magic circles aren't just where we've found them."`\ cl l,24 ld l,$KLA_MajimeA2,23 ;「……親父殿の、おかしなゲームに巻き込まれているのかもしれんな。@…私は親父殿のところへ行って、事情を聞いてみよう。@/ `"......We might be wrapped up in Father's bizarre game.`@` ...I will go to him and hear the situation. `@/ ld l,$KLA_NayamuA1,80 ;……まぁ、素直に話を聞いてくれるとは思えんがね。」\ ;＜蔵臼 `......Well, I don't think he will obediently listen to me though."`\ bg black,22 ;bg M1F_P1cR,22 fede 0,2000 bgm1 27 ;　大人たちは手分けする。@ `The adults split up.`@ br ;　その結果、ゲストハウスの２階の、通称、いとこ部屋に子どもたち４人が無事なのが確認された。\ `As a result, they made sure that four children were safe in what they were calling the cousins room, on the second floor of the guesthouse.`\ ;bg black,22 ;se1 15 bg G2F_R1cR,24 ;　どうも昨夜、かなり夜更かしして遊んでいたらしい。@ ;　４人とも高いびきだったので、楼座は起こさないようにする。\ `It appeared that they had stayed up late last night playing.`@ `All of them were snoring loudly, so Rosa decided not to wake them.`\ bg black,22 bg G2F_P1a,0 ld r,$NAN_DefA1,26 ;　また、昨晩は早々に戻って休んでいた南條も無事だった。@ ;　早寝早起きが信条らしく、爽やかな朝を迎えていたようだった。\ `Furthermore, Nanjo, who had returned early the previous night to rest, was also alright.`@ `It seemed he believed in the phrase 'early to bed, early to rise', and had awoken refreshed.`\ bg black,22 ;se1 15 bg G1F_R1aR,26 ;　その間に、霧江と秀吉が使用人の姿を探す。@ ;　だが見付からない。@ `During that time, Kyrie and Hideyoshi searched for the servants.`@ `But they didn't find them.`@ br ;　…ゲストハウスの使用人室も空っぽだった。\ `...The servant room in the guesthouse was also empty.`\ textoff bg black,25 wait 1000 bg G1F_P1bR,22 ld r,$ROS_MajimeA1,24 me1v 12,50 ;「……子どもたちは無事よ。@みんな夜更かしのし過ぎね。」\ ;＜楼座 `"......The children are alright.`@` All of them stayed up too late last night."`\ ;se1 16 ld l,$HID_MajimeA1,23 ;「使用人室は空っぽや。@…勤務表を見ても、早番は６時からってことになっとる。@もうお勤めをしてなきゃならん頃や…。」@ ;＜秀吉 `"The servant room is empty.`@` I looked at the shift chart, and the mornin' shift begins at 6:00.`@` They should have started workin' by now..."`@ ld r,$KIR_MajimeA2,24 ;「仮眠室も空っぽよ。@布団を抜け出した跡はあるけど、温かくはなかったわ。」\ ;＜霧江 `"The nap room is also empty.`@` There were signs that a futon had been taken out, but it wasn't warm."`\ ld l,$HID_KomaruA1,80 ;「こらぁ、…蔵臼兄さんたちの想像が当たったんとちゃうか。@……多分、お父さんの指示で仕組んだゲームなんや。@あの不気味な落書きを残して、どこかに姿を隠して、@わしらに何かをさせたいに違いないんや。」\ ;＜秀吉 `"Hey, ...isn't your reasonin' right on this?`@` ......This is probably a game planned on Father's orders.`@` Surely, he left those creepy scribbles and hid himself somewhere,`@` trying to make us do somethin'."`\ ld r,$KIR_KomaruA1,80 ;「……遺産や家督を誰が引き継ぐに相応しいか、確かめようって言うことですか？@　…いくら何でも、それは…。」\ ;＜霧江 `"......Are you saying that he's trying to see who is fit to succeed his wealth and inheritance?`@` ...Isn't that a bit..."`\ ld c,$ROS_KomaruA3,24 ;「いいえ…。@…お父様だったら、そういうことをしてもおかしくないかもしれない。」@ ;＜楼座 `"No...`@`...It might not be strange if Father was behind something like that."`@ ld l,$HID_MajimeA2,80 ;「何しろ、お父さんは大仕掛けが大好きや。@……例の碑文を大広間に掲げた時から、練りに練った計画だったのかも知れへんで。」\ ;＜秀吉 `"After all, Father loves big tricks.`@` ......This might have been a polished plan since that epitaph was hung in the hall."`\ ld r,$KIR_nayamuA1,80 ;「…なら、ゲームの開始宣言、もしくはゲームの説明などがあったりはしないのかしら。@……真里亞ちゃんに渡したような、紋章入りの封筒が出てきても良さそうだけど。」\ ;＜霧江 `"...In that case, I wonder whether they will make an announcement of the game or an explanation for it.`@` ......Although it would be nice if an envelope with the crest, like the one handed to Maria-chan, were to appear."`\ ld c,$ROS_KomaruA4,80 ;「…………そうね。@ひょっとすると、屋敷で兄さんたちがそれを見つけたかもしれないわね。」\ ;＜楼座 `"............That's right.`@` Maybe Nii-san and the rest have found that in the mansion."`\ bg G1F_P1aR,0 ld l,$NAN_DefA1,23 ld r,$HID_fumuA1,24 ;「南條先生。@あんた、何か聞いてませんか。」@ ;＜秀吉 `"Doctor Nanjo.`@` Have you heard anythin'?"`@ ld l,$NAN_KomaruA3,80 ;「……も、申し訳ありませんが、私にも何が何だかさっぱりです。@/ `"......M, my apologies, I do not have any idea what is going on. `@/ ld l,$NAN_fumuA1,80 ;ただ、……なるほど、@金蔵さんが何かを企んで大仕掛けを打つことは、私にも容易に想像できます。」\ ;＜南條 `And yet, ......yes, I see,`@` I could easily imagine that Kinzo-san is planning something big."`\ ld r,$HID_MajimeA2,80 ;「…一度、屋敷に戻らんか。@何か向こうで見つけたかも知れんで。」@ ;＜秀吉 `"...Shouldn't we go back to the mansion for now?`@` Maybe they found somethin' over there."`@ ld l,$NAN_MajimeA1,80 ;「お邪魔でなければ私もご一緒いたしましょう。」\ ;＜南條 `"If I will not be in the way, I will go too."`\ bg G1F_P1bR,0 ld r,$ROS_komaruA4,24 ;「わ、私はここに残るわ。@…上に真里亞たちが寝てる。@何が起こってるかわからないんだもの。@子どもたちを放っては行けないわ。」\ ;＜楼座 `"I, I'll stay here.`@` ...The children are sleeping upstairs.`@` We don't know what is happening.`@` We cannot leave them alone."`\ ld l,$KIR_waraiA2,23 ;「……そうね。@私も楼座さんとここで留守番してるわ。@うちの人に、そう伝えていただけませんか。」\ ;＜霧江 `"......That's right.`@` I'll stay with Rosa-san and watch over the place.`@` Would you tell that to my husband?"`\ bg black,22 se1 16 mevol 1,70 me2v 5,70 bg G1F_P1e,22 ;　楼座と霧江はゲストハウスに残る。@ ;　秀吉は南條を連れ、再び屋敷に戻るのだった。\ `Rosa and Kyrie remained in the guesthouse.`@ `Hideyoshi went with Nanjo, and returned again to the mansion.`\ textoff bg black,22 dllefe 1,1 wait 1000 bg M_o1bR,22 wait 2000 bg black,22 dllefe_off ;　一方、屋敷では…。\ `On the other side, in the mansion...`\ ;　信じ難いことに、…あるいは嫌な想像は当たると言うべきなのか…。@ ;　留弗夫の予感は的中していた。@ `In a way that was hard to believe, ...or maybe we should say in a way that gave him a bad feeling...`@ `Rudolf's prediction was right on.`@ br ;　…客間の扉とボイラー室の扉に書かれていたのと同じ魔法陣の落書きが、屋敷内から他にも複数、見付かったからだ。\ `...Because the same magic circle scribble that had been drawn on the doors to the boiler room and the parlor had been found in multiple places throughout the mansion.`\ bg Mhal_2aR,26 mevol 1,50 mevol 2,50 se1 15 ld r,$RUD_KomaruA1,24 ;「兄貴…！@　親父の方はどうだ？」\ ;＜留弗夫 `"Aniki...!`@` How's Father?"`\ bg Mhal_2bR,0 ld l,$KLA_MajimeA1,23 ;「いや、駄目だ。@何の反応もない。@一応、扉に耳も当ててみたのだが、何の気配も感じなかった。」\ ;＜蔵臼 `"No, it was useless.`@` There was no response.`@` I tried putting my ear against the door, but I couldn't sense anyone."`\ bg Mhal_2cR,0 ld r,$NAT_TukareA1,24 ;「…使用人の姿はどこにもありません。@…一体、どこへ姿を消したのやら…。」@ ;＜夏妃 `"...I cannot find the servants anywhere.`@` ...Where in the world did they disappear off to..."`@ ld l,$EVA_IkariA2,23 ;「冗談じゃないわ。@お父様も使用人も姿を消し、屋敷中のあちこちにおかしな魔法陣だらけ。@……一体、何が起こってるっていうのよ…！」\ ;＜絵羽 `"This isn't funny.`@` Father and the servants are hiding, and there are strange magic circles all over the mansion.`@` ......What in the world is happening...?!"`\ bg black,22 me3 17 bg magicsquare_sun7,22 ;　魔法陣はボイラー室の扉と客間の扉だけではなかった。@ ;　２階の扉に２つ。@３階の扉に１つで合計５つ。@ `There weren't only magic circles on the door to the boiler room and the door to the parlor.`@ `There were two on the second floor, `@`and one on the third floor, for a total of five.`@ br ;　何れも同じ魔法陣で、皆、施錠されていて中を確かめることができなかった。\ `They were all the same magic circle, and all of the doors were locked, so they couldn't check inside.`\ bg black,2 E_M3 bg Mhal_2aR,0 ld c,$RUD_MajimeA1,26 ;「…とにかく、まずはボイラー室を何とかしよう。@何かの故障で、火事になったりとか爆発したりとかしたら大変だ。@…となりゃ鍵だな。」@ ;＜留弗夫 `"...Anyways, let's do something about the boiler room first.`@` It would be bad if something broke down and caught fire or exploded.`@` ...So we need the key."`@ ld r,$NAT_MajimeA1,24 ;「使用人室にキーボックスがあったはずです。」\ ;＜夏妃 `"It should be in the key box in the servant room."`\ bg black,22 fedexx 0,50,50,0,0,0,2000 E_B bg G1F_R1bR,22 se1v 31,50 ;　彼らは使用人室でキーボックスを漁る。@ `They fished through the key box in the servant room.`@ br ;　マスターキーは使用人たちが個々に持っているため、収められてはいない。@ ;　しかし、個別の鍵なら全て収められているはず。\ `Because each of the servants carried their master keys around, those weren't kept here.`@ `However, all of the individual keys should have been kept here.`\ ld c,$KLA_DefA1,26 ;「…………よくもこれだけぎっしりと鍵があるものだよ。」@ ;＜蔵臼 `"............It's so packed with keys."`@ ld l,$EVA_MajimeA1,23 ;「…ないわ。@何度探してもボイラー室の鍵が見付からないわ。」\ ;＜絵羽 `"...It isn't here.`@` No matter how much we look, we won't find the key to the boiler room."`\ cl a,22 ld r,$RUD_MajimeA2,24 ;「見ろよ、姉貴。@……例の、魔法陣の書かれた部屋の鍵だけが、/ `"Look, Aneki.`@` ......Only the keys to the rooms with those magic circles drawn on them, `/ se2 26 ;綺麗にぽっかりと抜けてるぜ。」@ ;＜留弗夫 `aren't here at all."`@ ld l,$NAT_defA1,23 ;「……本当ですね。@…これは困りました……。」\ ;＜夏妃 `"......It's true.`@` ...How troublesome......"`\ ld c,$EVA_majimeA1,24 ;「まるで、魔法陣の部屋に入ってほしくないかのようね。@/ `"It's as though someone didn't want us to go in the rooms with the magic circles. `@/ ld c,$EVA_akireA2,80 ;……いいえ、わざわざ魔法陣でアピールしてるんだから、入ってほしいのかしら…？」\ ;＜絵羽 `......No, they went to all the trouble of making those magic circles obvious, so they wanted us to enter...?"`\ ld r,$RUD_DefA1,80 ;「俺は後者だと思うぜ。@…扉をブチ破るのは、映画じゃあるまいし無理だろう。@窓を破れば何とかなるかもな。」@ ;＜留弗夫 `"I think it's the latter.`@` ...This isn't a movie, so breaking down the door is probably impossible.`@` It might work if we smash a window."`@ br ;　窓を破るほどの事態なのかどうか、蔵臼はしばらく判断に困った。\ `Krauss had a little trouble deciding whether this was a situation that called for smashing a window.`\ bg black,24 bg Mhal_2aR,0 ld r,$HID_DefA1,0 ld l,$NAN_DefA1,24 ;　そこへ秀吉と南條が戻ってくる。@ ;　ゲストハウスに異常はなく、子どもたちは無事。@ ;　楼座と霧江は留守番に残ったことを伝えた。\ `At that time, Hideyoshi and Nanjo returned.`@ `There was nothing strange in the guesthouse, and the children were safe.`@ `They told the others that Rosa and Kyrie had stayed to watch over the place.`\ ld l,$NAN_fumuA1,80 ;「おはようございます。@…何やらおかしなことになったそうですな。」@ ;＜南條 `"Good morning.`@` ...I heard that something strange has happened."`@ cl r,23 ld r,$KLA_DefA1,24 ;「おはようございます、南條先生。@…早朝から起こしてしまったようで申し訳ありませんな。」\ ;＜蔵臼 `"Good morning, Doctor Nanjo.`@` ...I apologize for waking you so early in the morning."`\ bg Mhal_2cR,0 ld r,$HID_fumuA1,24 ;「何や。@手紙の類は見付からんのか？@　わしはてっきり、そういうのが見付かったとばかり思っとったんや…。」\ ;＜秀吉 `"What is it?`@` Did you find a letter or somethin'?`@` I was sure you would have found somethin' like that by now..."`\ ld l,$EVA_KomaruA3,23 ;「……そうね。@私もこれは、お父様の壮大な冗談か、何かのゲームだと信じてる…。@/ `"......You're right.`@` I also believe that this is a massive joke or game of Father's... `@/ ld l,$EVA_IkariA1,80 ;でもそうなら、必ずそれを伝える手紙があるはずよね。@真里亞ちゃんに手紙を与えたように。」\ ;＜絵羽 `But if that was the case, there should be some letter telling us about that.`@` Like the letter that was given to Maria-chan."`\ bg black,22 bg letter1,22 ;「ゲーム開始宣言は、まさにあの真里亞ちゃんの手紙だったのかもしれねぇぜ？@　碑文の謎を解いてみろと、すでにゲームの内容は示されてるさ。」\ ;＜留弗夫 `"What if the announcement of the game actually was Maria-chan's letter?`@` The details of the game, 'try solving the riddle of the epitaph', have already been shown."`\ bg black,25 bg magicsquare_sun7,22 ;「なら、屋敷から５つも見付かった魔法陣にはどんな意味があるというのかね。@…姿の見えない使用人もだ。」\ ;＜蔵臼 `"Then, what could the five magic circles we found in the mansion mean?`@` ...And the missing servants."`\ bg black,22 bg Mhal_2cR,26 ld r,$EVA_majimeA1,24 ;「……夏妃姉さん。@使用人って、今日は全部で何人いたかしら…？」@ ;＜絵羽 `"......Natsuhi nee-san.`@` How many servants were there total today...?"`@ ld l,$NAT_defA1,23 ;「え？@/ `"Huh? `@/ ld l,$NAT_zutuuA1,80 ;　………源次に郷田に、/ ;!d800……５人ですが何か？」\ ;＜夏妃 `.........Genji, Gohda, `/ !d800`......five of them, but why?"`\ bg Mhal_2aR,0 ld r,$RUD_NayamuA1,23 E_A bgm1 34 ;「……使用人が５人。@魔法陣も５つか。@……偶然だろうが、気になるな。」@ ;＜留弗夫 `"......So, there are five servants.`@` There are also five magic circles.`@` ......It may be a coincidence, but it worries me."`@ ld l,$EVA_MajimeA1,23 ;「…兄さん。@窓を破りましょう。@中を確認するべきだわ。」\ ;＜絵羽 `"...Nii-san.`@` Let's break a window.`@` We should check and see what's inside."`\ ld c,$KLA_NayamuA1,24 ;「…………仕方ないな。@綺麗に頼むよ。」@ ;＜蔵臼 `"............We have no choice.`@` Do it neatly."`@ br ;　蔵臼は決断し、窓を破る許可を与える。@ ;　そして最初に破る部屋は、容易に窓に回れる１階の客間に決まった。\ `Krauss made his decision, and gave permission to smash a window.`@ `And he decided that the first room they would break into would be the parlor on the first floor, where the windows would be easiest to reach.`\ bg black,24 wait 2000 me1v 13,70 me2v 5,70 dllefe 1,1 bg rose_G1c,26 ;　窓から中が覗けるかと期待したが、@カーテンが掛かっているため、うかがい知ることはできなかった。\ `They had hoped to peek in through the window, `@`but the curtains were down, so they couldn't see inside.`\ ;　留弗夫は、庭をうろつき、ガラスを破れる適当な何かがないかを探した。@ `Rudolf wandered around the garden, trying to find something that would be good for smashing the window.`@ br ld l,$RUD_DefA1,23 ;　やがて、握り拳よりも大きい石を見つけ、戻ってきた。\ `Eventually, he found a rock bigger than a fist, and came back.`\ ld r,$EVA_HohoemiA1,24 ;「全部割ることはないわよ。@鍵が回せる程度に開けてくれれば充分。」@ ;＜絵羽 `"You don't have to smash the whole thing.`@` Just open it enough so that you can reach the lock."`@ ld l,$RUD_AkuwaraiA1,80 ;「あまり期待には添えないかもしれないぜ？」@ ;＜留弗夫 `"Don't get your hopes up, alright?"`@ br ;　留弗夫は石を振り上げ、ガラスに何度も叩き付けた。\ `Rudolf raised the rock, and hit the glass with it several times.`\ textoff bg black,22 se1 20 wait 300 se2 6 wait 500 se3 6 wait 500 se1 6 wait 500 E_B se2v 1006,100 bg white,1 quakey 4,700 bg rose_G1c,22 ;　やがて、外から鍵を開けることのできる程度に、上手に穴を開けるのに成功した。@ `Eventually, he succeeded in opening a hole big enough that he could unlock it from the outside.`@ br ;　…留弗夫はハンカチで手を庇いながら、その穴に手を突っ込み、慎重に鍵を開ける。\ `...Covering his hand with a handkerchief, he stuck his hand through that hole, and cautiously unlocked it.`\ ld r,$RUD_WaraiA1,24 ;「あとでガムテープで塞いだ方がいいだろうな。@雨が吹き込んじまうぜ。」\ ;＜留弗夫 `"We should probably cover it with packing tape later.`@` The rain'll get blown in."`\ br bg black,64 dllefe_off mevol 1,40 mevol 2,40 me3 16 bg M1F_S1bR,22 ;　窓をがらりと開けると、風雨にカーテンが乱暴に舞い踊った。@ ;　カーテンを横へ薙ぐ。@ `When he suddenly opened the window, the wind and rain made the curtain dance around violently.`@ `The curtain was blown to the side.`@ br ;　…そこには彼らのよく知る客間があった。\ `...They could see the parlor they knew well.`\ bg M1F_S1aR,23 ;　少しだけほっとする。@ ;　……ひょっとしたら、室内も怪しげな魔法陣や、@もしくは不気味な儀式の痕跡でいっぱいではないかと思ったからだ。@ `They were a little relieved.`@ `......Because they had thought that maybe, there would be another bizarre magic circle inside the room,`@` or possibly the traces of some creepy ceremony.`@ br bg M1F_S1cR,23 ;　とりあえず、雨の中にいつまでもいたくないので、@蔵臼、夏妃、絵羽、秀吉、留弗夫、南條の６人はぞろぞろと客間の中に入る。\ `In any event, they didn't want to hang around out in the rain,`@` so six people: Krauss, Natsuhi, Eva, Hideyoshi, Rudolf, and Nanjo, entered the parlor as a group.`\ bg black,22 bg M1F_S1dR,22 ld c,$NAN_DefA1,24 ;「……特に、…変わったところはないようですな…。」\ ;＜南條 `"......It seems, ...that nothing in particular has changed..."`\ bg M1F_S1aR,0 ld r,$KLA_KomaruA1,23 E_A ;「………むっ、」@ ;＜蔵臼 `".........Mu-"`@ ld c,$NAT_OdorokiA2,24 se1 45 ;「ど、どうしましたか、紗音…？！」@ ;＜夏妃 `"Wh, what has happened, Shannon...?!"`@ ld l,$EVA_IkariA2,24 ;「ちょっとちょっと、大丈夫なの？！@　どうしたのよ、あんた？！」\ ;＜絵羽 `"Wait, wait, are you alright?!`@` What happened to you?!"`\ bg blood_2e,22 bgm1 24 ;「血や、血や！！@　なな、南條先生、見たってや！！」@ ;＜秀吉 `"Blood, blood!!`@` D, D, Doctor Nanjo, take a look at this!!"`@ ;「おい、紗音ちゃん！@　大丈夫か？！@　返事をしろぃ！」@ ;＜留弗夫 `"Hey, Shannon-chan!`@` Are you okay?!`@` Answer me!"`@ ;「ゆ、揺さぶってはいけません…。@今、容態を診ます…。」\ ;＜南條 `"Y, you mustn't shake her...`@` I will examine her condition now..."`\ ;　ソファーの影だったので、部屋に入るまで気付かなかったのだ。@ ;　そこには、胸元を血で真っ赤に染めた紗音が横たわっていた……。\ `She had been in the shadow of the sofa, so they hadn't noticed her until they had entered the room.`@ `Shannon was lying on the floor, her chest stained bright-red with blood......`\ mov %play_scene,30050 ;シーン変数の入力 se1 56 mset mld c,$BEA_futekiA1,24 ;■メタ視 ;「お〜〜いぃ。@戦人ぁ、どーこだぁあぁ？@/ `"He~~y,`@` Battleeer, where are yoooou? `@/ mld c,$BEA_AkuwaraiA3,80 ;　ほらほら、紗音の死体が出てきたぞ〜〜〜？@　もうイジメねぇから出て来いよぉ。\ `Look, look, Shannon's corpse has turned up, see~~~?`@` I won't bully you anymore, so come out.`\ mld c,$BEA_WaraiA2,80 ;　……んん？@　おぉ、いたいた。@そんなところで頭抱えて、なぁにしてんだよォ。」\ ;＜ベアト `......Hmmmm?`@` Oh, there you are.`@` What are you doing, holding your head in a place like that?"`\ mcl c,0 mendef 0 bg G1F_S1aP,22 ld l,$BUT_KuyasigaruA1,23 ;「…………………………。」@ ;＜戦人 `"........................"`@ br ;　戦人は頭を抱えてテーブルに伏していた…。@何も見たくない、何も聞きたくないという意思が露骨に伝わる痛々しい姿だった…。\ `Battler was crouching under the table, holding his head...`@` His pitiful figure made it plainly clear that he didn't want to see anything, didn't want to hear anything...`\ ;　ベアトリーチェの嘲るような声は聞こえているのだろうか。@ `Had he heard Beatrice's sneering voice?`@ br ;　…聞こえないのか、あるいは聞こえないフリをしているのかは、わからない。@ ;　しかし、心を貝のように閉ざしてしまっているのは間違いなかった…。\ `...Could he not hear, or was he pretending that he couldn't hear?`@ `In any event, it was clear that he had closed up his heart like a shell...`\ bg G1F_S1cP,24 se1 52 ld r,$RON_WaraiA2,99,1500,"breakup.dll/llp" ;「ぷっくっくっく…。@……少しお嬢様が苛めすぎたのではないでしょうか。@あれだけのものを見せ付けて反論を迫っては、@塞ぎこみたくなる気持ちもわかろうというものですよ。」\ ;＜ロノウェ `"Pu ku ku ku...`@`......I wonder if you have tormented him too much, Milady.`@` After showing him that much and demanding a counterargument,`@` I can understand why he wants to mope around."`\ ld l,$BEA_futekiA2,23 ;「なぁ、戦人ぁ。@反論がないんならリザインを頼むぜェ？@/ `"Hey, Battleer.`@` If you can't argue back, resign, alright? `@/ ld l,$BEA_akuwaraiA5,80 ;　お前の手番なんだ。@何か指すとかパスするとか、@さもなきゃ降参するとかしてくれねぇと話が前に進まねぇよォ。」\ ;＜ベアト `It's your turn.`@` If you don't make some move or pass,`@` or else give up, we won't get anywhere."`\ bg black,23 bg G1F_S1aP,0 ;ld l,$BUT_KuyasigaruA1,23 ;「…………………………れ。」@ ;＜戦人 `"........................et."`@ ld r,$BEA_WaraiA1,24 ;「……え？@　何々ぃ？@　聞こえないぞォ？」\ ;＜ベアト `"......Huh?`@` What's that?`@` I can't hear you?"`\ ld l,$BUT_kuyasigaruA1,1 ;!s0「黙れッっつってんだッ！！/ !s0`"I said be quiet!! `/ ;se1 12 quakey 5,800 !sd ;@　あああぁうるせぇうるせえうるせぇええぇええ！！@　何が魔女だ何が魔法だ！@　好き勝手にやればいいじゃねぇかよ、俺は信じねぇ何も信じねぇ、@くそくそくそくそッ！！\ @`Aaaah, shut up shut uuuuuuuuuup!!`@` A witch? Magic?!`@` Can't you just do what you want, I don't believe, I don't believe any of it, `@`damn it damn it damn it damn it damn it!!`\ ld l,$BUT_NakuA1,80 ;　俺に話し掛けるな、何も見せるな、消えろ消えろ消えちまえッ！！@　俺にそのムカつく顔を近付けるなあああああぁああああぁッ！！！」/ `Don't talk to me, don't show me anything, disappear, disappear, just disappear!!`@` Don't get that annoying face near meeeeeeeeeeeeeeeeee!!!"`/ quakey 5,500 \ ld r,$BEA_OdorokiA1,80 ;「……………………ッッッ！」@ ;＜ベアトびっくり `"..................!"`@ br ;　戦人の突然の激昂に、ベアトリーチェは思わずたじろぐ。\ `Without thinking, Beatrice winced at Battler's sudden rage.`\ ld r,$BEA_fukigenA2,80 ;「……そ、そうは言うがな？@　お前の手番が終わらんと妾の手番も来ぬ。@あまり妾を退屈させるなと言いたいのだが…、」\ `"......E, even if you say that...`@` If you don't finish your turn, then my turn won't come.`@` I'm trying to say that I don't want you to bore me but..."`\ cl a,0 ld c,$BUT_NakuA1,23 ;「知るかよ黙れよッうるせええんだよッ！！/ `"Who cares, be quiet, shut uuup!! `/ quakey 5,500 ;@　お前のゲームなんか知るかよ、@付き合ってらんねぇえんだよぉおおぉ！！@　俺の番が終わらねぇと手前ェの番が来ねぇってんなら、永遠に待ってやがりゃあいいだろうがッ！！@　あぁ知らねぇ知らねぇわからねぇええ！！@　魔女も魔法も認めねぇ、あんな滅茶苦茶も認めねぇ！！@　うおおおおおおおおおお、俺に話し掛けるなっつってんだぁああああああああああぁああぁッ！！！」/ @`Who cares about your game,`@` I won't go along with iiiiit!!`@` If your turn won't come until mine is finished, then just wait for all eternity!!`@` Aaaah, I don't know I don't know I don't get it!!`@` I won't accept witches or magic, I won't accept something that screwed up!!`@` Uuooooooooooohhh, I said don't talk to meeeeeeeeeeeeeeeeeeee!!!"`/ quakey 3,300 \ ;■バキーン！@　紗音フィールドで全てが吹き飛び暗闇に…。@ mendef 0 bg black,1 E_A se1v 57,100 se2v 57,100 ;bg barrier,1 ;bg white,0 lsp 901,barrier,0,0 print 1 wait 1000 csp -1 bg black,2 ;se2v 1020,100 ;cbfly 0 ;bg white,1 ;bg black,0 ;;lsp 901,barrier,0,0 ;print 22 ;wait 1000 ;mendef 0 wait 3000 me1v 12,0 fedexx 0,40,0,0,0,0,4000 wait 1000 dllefe 1,1 bg rose_G1aN,0 msetef 0,22 ;mld c,$BUT_NakuA3,28 ;　……もう、何が何だかわからねぇ。@ ;　あんな滅茶苦茶を見せられて、なおどう抗えってんだ…。\ `......I don't know what's what anymore.`@ `After being shown something that screwed up, how could I resist...`\ mendef 0 bg black,4 wait 1000 bg rose_1aR,0 msetef 0,4 ;print 4 bgm1 38 ;　俺はぼんやりと薔薇庭園を歩く。@ `I wandered aimlessly through the rose garden.`@ br ;　……雨は降っていて風は苛むのだが、俺の体が濡れるわけじゃない。@ ;　…でも、傘も指さず風雨の真っ只中にいるという、荒涼感だけはあった。\ `......It was raining and windy, but that didn't mean my body got wet.`@ `...There was just a feeling of isolation as I wandered amidst the wind and rain without an umbrella.`\ mld r,$BUT_nayamuA1,4 ;「………………俺はひょっとすると、@…あいつのゲームにとっくの昔に負けているのかもしれねぇな。」\ ;＜戦人 `"...............Maybe, `@`...I lost to that person's game a long time ago."`\ ;　…実は前回のゲームで、もうはっきり決着はついてしまっていたのではないだろうか。@ `...Actually, in the last game, I wonder whether we hadn't reached a clear resolution.`@ br ;　何しろ俺は、一度は屈服したのだから。@ ;　だから世界は魔女と魔法で染まったのだ。\ `After all, I had surrendered for a time.`@ `So the world had been tinted with witches and magic.`\ ;　……今や六軒島では、魔女が堂々と闊歩し、おかしな魔法をバンバンぶっ放す異世界だ。@ `......Right now, Rokkenjima is a different world, where witches stride around openly and fire off strange magic.`@ br ;　…認めるとか否定するとかそういう域ですらない。\ `...It isn't a matter of accepting it or denying it.`\ ;　俺はベアトと互角なゲームをしていると誤解していたのかもしれない。@ `Maybe I had mistakenly assumed that I was playing a game on an even footing with Beato.`@ br ;　すでに前回敗北して、…これはその、降伏の調印式なだけなのかもしれない。\ `I had already been defeated in the last game, ...and this may just be the signing ceremony of my surrender.`\ mcl r,0 bg rose_1bR,2 ;　さっき、この薔薇庭園で凄まじい戦いが繰り広げられた。@ ;　俺はそれを目の当たりにした。\ `Just now, a terrible battle had unfolded in this rose garden.`@ `I had seen it with my own eyes.`\ mendef 0 bg black,22 dllefe_off ;　地面を蹴る。@……当然だが硬い。@ ;　そして水溜りがばしゃりと跳ねる。@ ;　この地面を割って、高層ビルのような塔が何本もにょきにょきと生えだしたのだ。\ `I kicked the ground.`@` ......Obviously, the ground was hard.`@ `And a puddle splashed.`@ `Several towers had split this ground, sprouting like high-rise buildings.`\ mono 1 bg tower2,22 ;　……こうして地面を蹴れば蹴るほどに、/ ;!d800………そんなことがありえるわけがないと実感できる。@ `......The more I kicked this ground, `/ !d800`.........the more it felt like that really couldn't be possible.`@ br ;　だが、だからこそ、もう魔法だとしか説明できないのだ……。\ `But, because of that, I couldn't explain it with anything other than magic anymore......`\ bg black,22 mono 0 dllefe 1,1 bg rose_1bR,0 msetef 0,26 mld c,$BUT_NayamuA1,4 ;「……密室に鍵が閉じ込められて、とかってヤツなら、@よくある推理小説の延長だろってことはわかるさ。\ `"......A closed room with the key shut up inside. That one again.`@` I know that that's often used to prolong detective novels.`\ mld c,$BUT_KuyasigaruA1,80 ;　……でも、……あれはなぁ…。@あのどっかんどっかんってのはなぁ……。@くそぉおぉぉ………。」\ `......But, ......still...`@` That big flashy thing.......`@` Damn it........."`\ mendef 0 bg black,2 ;「……………私の弟子が、ずいぶんと迷惑をかけているようですね。」@ `"............It seems that my disciple has caused you much trouble."`@ ;mld c,$BUT_oyaA1,80 ;「…え？@　………あんたは…。」\ `"...Huh?`@` .........It's you..."`\ ;　不意に話しかけられたので、振り返ると、@…薔薇庭園の東屋に、/ ;!d800……ついさっき、ベアトリーチェに倒されたはずの、先代ベアトリーチェの姿があった。\ `I was suddenly spoken to, so I turned around, `@`...and in the rose garden arbor, `/ !d800`......was the Predecessor Beatrice, who Beatrice had supposedly defeated a short while ago.`\ fede 1,2000 textoff bg garden_1cR,0 mld r,$WAL_DefA1,0 msetef 0,4 ;wait 2000 fede 0,2000 mld l,$BUT_majimeA1,23 ;「………てっきり死んだと思ったぜ。@生きてたのか。」@ `".........I was sure you'd died.`@` So, you were alive."`@ mld r,$WAL_WaraiA1,80 bgm1 66 ;「いいえ、死にましたよ。@…今の私は、取られた駒がチェス盤の外でくつろいでいるだけに過ぎません。」\ `"No, I died.`@` ...Now, I am nothing more than a defeated chess piece loitering outside the chessboard."`\ mld l,$BUT_NayamuA2,80 ;「あんたはベアトの師匠なんだろ。@ってことはつまり、あんたも魔女ってわけか。」@ `"You're Beato's teacher, right?`@` So, in other words, you're a witch too."`@ mld r,$WAL_defA1,80 ;「……えぇ、そうですよ。」\ `"......Yes, that is correct."`\ mld l,$BUT_NiramuA1,80 ;「ちぇ。@ってことはつまり。@……やっぱり魔女はいるってことで決まりなわけだろ？@　そしてあいつを倒せるのは俺じゃない。@スゲエ魔法を使えるあんたの方じゃねぇか。@…俺はもうお役御免さ。@俺に出来ることなんてもう何もねぇ…。」\ `"Heh.`@` So, in other words,`@` ......that means witches really do exist?`@` And I'm not the one who can defeat her.`@` That'd be you, since you can use awesome magic, wouldn't it?`@` ...I'm just useless now.`@` There's nothing I can do anymore..."`\ mld r,$WAL_defA2,80 ;「…………おやおや。@すっかり屈服してしまいましたか？」\ `"............Oh, my.`@` Have you surrendered completely?"`\ mld l,$BUT_OdorokiA2,80 ;「屈服も何も！@　あれをどう説明すりゃいいんだよッ？！@　塔が生えたり落ちてきたり！！@　でっけえ巨人が楯を構えたり槍を投げたり！\ `"What do you mean, surrender?!`@` How should I explain that?!`@` Towers sprouting and falling!!`@` Huge giants holding shields and throwing spears!`\ mld l,$BUT_KuyasigaruA1,80 ;　ああぁ思い出すだけでも気が変になりそうだぜッ、もう推理もヘチマもあったもんじゃねぇ！！/ `Aaah, just remembering it makes me feel weird, now even reasoning's useless, isn't it?!! `/ quakey 3,300 ;@　トリックとか人間犯人説とか、そんな領域をとっくに超えてるだろ！！@　ああああぁあぁ、畜生畜生畜生畜生！！」\ @`We've left the level of tricks and explanations with human culprits!!`@` Aaaaaaaaaaahh, damn it damn it damn it damn it!!"`\ mld r,$WAL_waraiA1,80 ;「落ち着いて。@……私はあの子のゲーム盤の駒に過ぎない。@こうして盤外へ取り除かれてしまえば、もはや何もできない存在。@/ `"Calm yourself.`@` ......I am nothing more than a piece on that child's game board.`@` After being removed from that board, I am no longer a being who can do anything. `@/ mld r,$WAL_DefA1,80 ;しかしあなたはあの子の対戦相手。@あなたが自ら投げ出さない限り、あなたには常にあの子に一矢報いる力があるのだから。」\ `But you are that child's opponent.`@` Because as long as you do not give up by yourself, you will always have the power to strike back at that child."`\ mld l,$BUT_OdorokiA1,80 ;「うるせえ！@　あんただっておかしな呪文を唱えて、塔だの槍だのを呼び出してたじゃねぇかよ！！@/ `"Shut up!`@` Weren't you also reciting strange spells and summoning towers and spears?!! `@/ mld l,$BUT_KuyasigaruA1,80 ;　何を一矢報いるってんだよ！@　俺にも魔法を教えてくれて、あいつとあの大魔法バトルを繰り広げろって言うのかよッ！！」\ `What do you mean, strike back?!`@` Are you saying you'll teach me magic too, and make me take part in that massive magic battle?!!"`\ mld r,$WAL_WaraiA1,80 ;「……あなたが望むなら。@あなたに魔法の一端を教えてあげてもいいですよ。」\ `"......If you wish,`@` I could teach you a bit about magic."`\ mld l,$BUT_odorokiA1,80 ;「そりゃあ願ったり叶ったりだぜ！@　あいつの胸板にズドンと打ち込んでやれるような、すっげぇ魔法を一発頼むぜ…！！@　はッ、舐めんなってんだ！」\ `"Oh, just what I wanted!`@` Please, give me some awesome magic to smash her chest in one blow...!!`@` Hah, don't screw with me!"`\ ;csp -1 mendef 0 bg black,25 fede 0,3000 ;bg sky_1a,22 ;「日本の魔法に、雨乞いの儀式というものがあるそうですね。@ご存知ですか？」\ `"I hear that in Japanese magic, there is a ceremony to pray for rain.`@` Do you know of it?"`\ ;bg black,22 dllefe 1,1 bg rose_1aR,0 msetef 0,26 mld l,$BUT_komaruA3,23 bgm1 63 ;「雨乞いぃ？@　バンバン火をくべて、演舞を奉納して雨を祈るっていうあれか？@　……あれは魔法じゃねぇだろ。@火で上昇気流が出来て、その結果、雨雲が集まるって言う、@れっきとした科学現象のはずだぜ。」\ `"Rain ceremony?`@` That thing where you throw stuff into the fire and offer a dance?`@` ......That's not magic.`@` They say that the fire causes an updraft, and as a result, rain clouds gather.`@` That's supposed to be an accepted scientific phenomenon."`\ ;mcl l,0 ;bg rose_1bR,24 mld r,$WAL_DefA1,24 ;「おや。@…私は東洋魔法のひとつだと信じていましたが。@魔法ではないのですか。@天に聖なる火を捧げ、敬いの演舞を捧げることで、@神々の心に雨乞いの嘆願が届くものと信じておりましたよ。」\ `"Oh?`@` ...I had believed that it was a form of eastern magic,`@` but it isn't magic?`@` I had believed that people offered sacred fire to the heavens, as well as a dance of respect,`@` so that your entreaty for rain would reach the hearts of the gods."`\ mld l,$BUT_futekiA1,23 ;「大昔の連中はそうだったろうよ。@でも、その手のオカルトは大抵科学的に説明がつくもんだ。」\ `"Maybe people did that long ago.`@` But most occult things like that have a scientific explanation."`\ mld r,$WAL_majimeA1,80 ;「物が燃えるのはどうしてですか？@　物質にフロギストンが含まれているからでは？」@ `"Why do things burn?`@` Isn't that because phlogiston is contained in the material?"`@ mld l,$BUT_oyaA1,80 ;「……いいや、物が燃えるのは酸化反応だ。@フロギストン説はラヴォアジェが否定したはずだぜ。」\ `"......No, things burn because of a chemical reaction.`@` Lavoisier abolished the phlogiston theory."`\ mld r,$WAL_defA2,80 ;「物に熱が伝わるのはどうしてですか？@　物質にカロリックが含まれているからでは？」@ `"Why does heat transfer through objects?`@` Isn't that because caloric is contained in the material?"`@ mld l,$BUT_komaruA3,80 ;「……そいつは確か、ジュールが否定したはずだ。@熱はエネルギーであって物質じゃない。」\ `"...I'm pretty sure that was abolished by Joule.`@` Heat is energy, not a substance."`\ mld r,$WAL_WaraiA1,80 ;「よくお勉強していますね。@正しい知識ですよ。」@ `"You have studied well.`@` Your knowledge is correct."`@ mld l,$BUT_futekiA1,80 ;「…ちょいとした雑学レベルだがな。」\ `"...It's just some random facts."`\ mcl a,0 ;bg rose_G1aR,0 mld c,$WAL_DefA1,24 ;「フロギストンもカロリックも、果てはエーテルも神の愛さえも。@……科学的な説明の前には無力ですね。@/ `"Phlogiston, caloric, and eventually ether and god's love.`@` ......All are powerless before a scientific explanation. `@/ mld c,$WAL_WaraiA2,80 ;私はかつて、木からリンゴが落ちるのは、@人に食を与える為の、神の愛のお陰だ、と聞かされましたよ。」\ `In the past, I was told that an apple falling from a tree was thanks to god's love, so that humans would be given food."`\ ;bg rose_1aR,0 mcl a,0 mld r,$BUT_nayamuA2,24 ;「重力すらも神の愛なのか？@　…まぁ、科学より宗教が万物を説明した時代の名残だろうぜ。」\ `"The love of god instead of gravity?`@` ...Well, that's probably the remnants from the period when religion rather than science was used to explain everything."`\ mld l,$WAL_DefA2,23 ;「その通りです。@人類はかつて、自らの知識の限界を、/ ;!d900……いいえ、無知そのものを“魔法”と呼んだのです。@…先ほどの雨乞いの話はまさにそれでしょう。\ `"That is correct.`@` In the past, humans called the limits of their knowledge, `/ !d900`......no, ignorance itself, magic.`@` ...Just like the rain ceremony we were just talking about.`\ mld l,$WAL_defA1,80 ;　太古の人々が、@火が熱を生み上昇気流を生み出して雲を呼ぶことを科学的に理解していたでしょうか？@　理解せずとも、そういう結果になることだけは知っていた。」\ `Did the people of ancient times realize that there was a scientific explanation, `@`that fire gave rise to heat to cause updrafts which called clouds?`@` Even without understanding, they at least knew of the result."`\ mld r,$BUT_DefA2,80 ;「……そういうのは結構あるかもな。@先人たちの知恵ってヤツさ。@理由はわからずとも、長い経験で、そういう結果が得られることを知っていた。@…原理を理解できない現象は、多分、彼らにとっては魔法も同然だったろうなぁ。」\ `"......That probably happened a lot.`@` That thing called knowledge of the ancestors.`@` Even without understanding the reason, through long experience, they knew that they would achieve a result.`@` ...Phenomena whose principles they didn't understand were probably the same as magic to them."`\ ;　さっきこいつが言ったように、原理が理解できない太古の人々は、@雨乞いによって、天に願いが届き雨を降らせたと信じていただろう。@ `Just like this person had just said, ancient people who didn't understand the principles had probably believed that, `@`through the rain ceremony, their wish would reach the heavens and make rain fall.`@ br ;　それは彼らにとって紛れもなく魔法なのだ。@上昇気流というものを理解しない限り…。\ `To them, that was certainly magic.`@` As long as they didn't understand updrafts...`\ ;mcl r,0 bg Mdin_1g,0 mendef 22 dllefe_off ;「電気のスイッチを押せば灯りがつく。@……子どもは電球がなぜ発光するのか、その科学的原理を知らず、@結果だけを知っていてスイッチを押す。@原理を知らずとも結果を得られるならば、それは彼らにとって“魔法”なのではありませんか？」\ `"If you push an electrical switch, a light turns on.`@` ......Children do not know the scientific principles behind why a lightbulb lights up,`@` they only know the result when they push the switch.`@` If they obtain a result without knowing the principles, isn't that magic to them?"`\ ;「……………面白ぇ話だな。@…まぁ、理屈から言やぁそうだ。@…例えば俺たちはテレビのブラウン管にどうして画像が映るのか、理屈はさっぱりわかってない。@でも、テレビに物が映るのは当り前だと思ってる。@ブラウン管の原理を知らなくても、“スイッチを押せばテレビが見られる”ことだけは知っている。@…上昇気流を理解せずに雨乞いをするのとまったく同じだ。@……つまり、原理を知らないならば、テレビだって“魔法”も同然、@いや、魔法そのものだろうってわけか。」\ `"............That's pretty interesting.`@` ...Well, logically, that's true.`@` ...For example, I don't have a clue why the Braun tubes in a TV show a picture.`@` However, I think it's completely normal to see things shown on a TV.`@` Even if I don't understand the principles behind Braun tubes, I at least know that 'if I push the switch I can watch TV'.`@` ...It's exactly the same as having a rain ceremony without understanding updrafts.`@` ......In other words, if I don't know the principles, even TV is the same as magic,`@` no, could you say it is magic?"`\ bg black,22 me1v 12,50 dllefe 1,1 bg garden_1cR,0 mld r,$WAL_majimeA1,0 msetef 0,26 mld r,$WAL_DefA2,80 ;「あなたは、ブラウン管の構造がどうなっているか知っていますか？@　分解してその中身を見たことは？」\ `"Do you know how Braun tubes are constructed?`@` Have you ever taken one apart and looked inside?"`\ ;bg garden_1bR,0 mld l,$BUT_futekiA1,23 ;「……ねぇよ。@本か何かで構造を読んだ気もするが、難しくてさっぱりだったな。@確か、電子が蛍光物質にぶつかる時、発光してどうたらこうたら…。」\ `"......Nope.`@` I think I read about it in a book or something once, but it was complicated and I didn't have a clue.`@` I think that when electrons hit a fluorescent material, it creates luminescence or something like that..."`\ mld r,$WAL_waraiA1,24 ;「それは偽書です。@真実は、ブラウン管の中に、グレムリンという小人が閉じ込められていて、@魔法で仕事をしてくれているからなのですよ。」@ `"That book was a fake.`@` Actually, there are small people called gremlins shut up inside the Braun tubes, `@`and they do their job with magic."`@ mld l,$BUT_OdorokiA2,80 ;「はぁッ？！@　馬鹿なこと言うなよ、そんなわけねぇだろ…！」\ `"Huh?!`@` That's stupid, there's no way...!"`\ mld r,$WAL_waraiA2,80 ;「ブラウン管の中を覗いたこともないのにどうして否定を？」@ `"How can you deny it if you have never looked inside a Braun tube?"`@ mld l,$BUT_aseruA1,80 ;「……覗いたことはねぇが、絶対にそんな小人はいないと断言できるさ！」\ `"......I've never looked inside, but I can state that small people like that definitely don't exist!"`\ mld r,$WAL_DefA1,80 ;「ここにブラウン管がない以上、実証は不能ですよ。」@ `"Since there is no Braun tube here, that is impossible to prove."`@ mld l,$BUT_komaruA1,80 ;「た、確かに今この瞬間は実証不能だが、@…後でどこかのテレビをバラして見せればすぐに論破できるさ！」\ `"Y, yeah, it is impossible to prove right now,`@` ...but later I can take apart a TV somewhere and show you, and instantly win the argument!"`\ mcl a,0 ;bg rose_1bR,0 mld c,$WAL_WaraiA1,24 E_MA ;「ということは。@ブラウン管の中にグレムリンが閉じ込められていて、その魔法で映像を映し出しているという私の“魔法説”は、@ブラウン管の中身を検証するまで否定不能ということになりますね？」\ `"So, in other words,`@` my 'magic theory', that gremlins are shut up inside the Braun tubes and display the picture with magic,`@` is impossible to disprove until we can verify the contents of a Braun tube, right?"`\ mcl a,0 bg rose_G1aR,0 mld r,$BUT_NayamuA1,23 me1v 12,50 ;「………む、/ ;!d500………何だよ、アレか？@　“悪魔の証明”だって言いてぇのか？@　お前たち魔女の十八番だぜ。」\ `".........Erk, `/ !d500`.........what the hell, one of those?`@` Are you trying to say it's a 'Devil's Proof'?`@` That's your favorite trick, you witches."`\ mld l,$WAL_fumanA1,23 ;「“悪魔の証明”は消極的事実の証明が不可能であることを逆手に取った詭弁です。@しかし、今のブラウン管の話は違う。@テレビをたった１台分解すれば済むだけの話ですよ。」@ `"A 'Devil's Proof' is a form of underhanded sophistry formed by claiming that it is impossible to prove a negative fact.`@` However, it is different from what I am talking about with Braun tubes.`@` That could be resolved just by taking apart a single television."`@ mld r,$BUT_majimeA1,80 ;「……そうだな。@確かに“悪魔の証明”とは異なるな。」\ `"......You're right.`@` It really isn't a 'Devil's Proof'."`\ mld l,$WAL_DefA2,80 ;「あなたの提唱する科学的説明と、私の提唱する魔法的説明。@…そのどちらかが真実です。@そしてそれはブラウン管の中を覗いた時に確定する。@しかし、それを確かめる瞬間の直前まで、私たちは互いの説を否定できないのです。\ `"The scientific theory you propose, and the magical theory I propose.`@` ...One of those is the truth.`@` And which one it is can be ascertained as soon as you look inside the Braun tube.`@` However, until the instant that happens, we cannot deny each other's theories.`\ mld l,$WAL_majimeA1,80 ;　つまり、真実は１つであるにもかかわらず、@ブラウン管の中を覗く直前までは、相反する真実が同時に２つ存在することができる。@……１つしか存在してはいけない真実が、２つ同時に存在できる異空間。」\ `So while there is only one truth,`@` until you look into the Braun tube, you can make two conflicting truths exist at the same time.`@` ......A different universe where, in a case that only one truth must exist, two can exist at the same time."`\ csp -1 bg black,25 fedexx 90,0,0,0,0,0,2000 ;　箱の中の猫は、生きているのか死んでいるのか。@ ;　箱を開ければ答えがわかる。@真実がわかる。@ `Is the cat in the box alive or dead?`@ `If you open the box, you will know the answer.`@` You will know the truth.`@ br ;　しかし、箱を開けるまでは、猫は生きているとも死んでいるとも主張できる。\ `However, until you open the box, you can claim that the cat is alive, and you can also claim it is dead.`\ ;　そのどちらもが主張する彼らによるならば、それぞれ“正しい”真実であり、@双方は相反するにもかかわらず、箱を開けない限り相手を論破できない。\ `Each of the two parties make a claim that is the 'correct' truth,`@` and even though the two sides are conflicting, neither can win the argument as long as the box remains unopened.`\ se1v 2,70 br ;　つまり、真実が２つ同時に存在できるのだ。@ `In other words, two truths exist at the same time.`@ br ;　猫が１匹しか入れない箱なのに、@生きた猫と死んだ猫の２匹を詰め込めてしまう、奇妙な異世界。\ `Even though there can only be one cat in the box,`@` it is packed with a living cat and a dead cat, in a strange parallel world.`\ me1v 5,0 fedexx 90,60,0,0,0,0,3000 bg sea_3a,26 ;　これこそが、今の六軒島。@ `That is what Rokkenjima is now.`@ br ;　……今のこの島は、科学説と魔法説が同時に存在できる異世界なのです。@ ;　…科学の世界の住人であるあなたには、@一見、この島は魔法の世界に飲み込まれてしまったように感じるでしょう。\ `......This island is now a different world where a science theory and a magic theory exist at the same time.`@ `...To a resident of the world of science such as yourself, `@`at a glance, it may feel as though this island had been sucked into a world of magic.`\ se1v 22,40 bfly1R 11 E_MA ;　それは正しくもありますが正確ではない。@ `While that may be correct, it is not accurate.`@ br ;　厳密には、科学の世界から、科学と魔法の世界の中間に移ったのです。@ ;　だから、あなたには一見、世界が魔法側に傾いたように見える。@ `Strictly speaking, it has been moved from the world of science to the gap between that world and the world of magic.`@ `So at a glance, it appears to you as though the world is tilted towards the magic side.`@ br ;　……しかし実は、２つの相反する世界にとって限りなく公平な位置に、今のこの島はあるのです。\ `......But actually, this island is now in a perfectly impartial position with relation to the two opposing worlds.`\ cbfly 0 bg black,2 fede 0,3000 dllefe 1,1 bg garden_1cR,0 mld r,$BUT_oyaA1,0 msetef 0,26 bgm1 62 ;「……よくわからねぇ…。@現実と魔法の中間？@　限りなく公平な世界？@/ `"......I don't really get it...`@` The gap between reality and magic?`@` A perfectly impartial world? `@/ mld r,$BUT_nayamuA1,80 ;　どこがだよ。@俺に圧倒的に不利な展開ばっかりじゃねぇかよ…！」\ `How's that?`@` Hasn't everything been going really bad for me the whole time...?!"`\ mcl r,0 ;bg garden_1bR,0 mld l,$WAL_defA2,23 ;「ならばこう考えるといいでしょう。@これは裁判です。@あなたとベアトリーチェが、相反する主張を繰り広げている法廷だと考えるのです。@ブラウン管裁判でもいいでしょう。\ `"Then perhaps you could think of it this way.`@` This is a trial.`@` Think of it as a court where you and Beatrice are laying out opposing claims.`@` It's like a Braun tube trial.`\ mld l,$WAL_DefA1,80 ;　あの子は、ブラウン管の中には小人が入っていると主張している。@そして、中に入っている小人がどのような生態で、どのような姿なのか、@どのような魔力を持っているのかを次々に説明する。@……そしてあなたは？」\ `That child claims that there are tiny people inside the Braun tubes.`@` And she explains one thing after another, `@`talking about the lives of the tiny people, what they look like, what type of magical power they have.`@` ......And you?"`\ mld r,$BUT_NiramuA3,24 ;「……まぁ、図書館で勉強して、ブラウン管の構造を説明して反論するだろうよ。」\ `"......Well, I study in a library, and argue back by explaining how Braun tubes are constructed."`\ mld l,$WAL_IkariA1,80 ;「この瞬間、法廷には、あなたの主張とあの子の主張が同時に存在する。@……もしも、あの子の主張に耳を傾けたならば、@それはあたかも真実に聞こえてしまうかもしれない。見えてしまうかもしれない。@ `"At that moment, both your claim and that child's claim exist in the court at the same time.`@` ......If you listen to that child's claim, `@`you may hear it as though it were the truth. See it as though it were the truth.`@ br se1 2 ;(あなたはまさにそれを見せつけられた/・・・・・・・・・・・・・・・・・)。」\ ;＜点字処理：あなたはまさにそれを見せつけられた (`You truly were shown that`/・・・・・・・・・・・)`."`\ mld r,$BUT_nayamuA1,80 ;「………………………。」\ `"........................"`\ csp -1 bg black,25 E_MA bg sea_3a,22 ;「今この瞬間の六軒島には、確かに魔女も魔法も真実として存在するかもしれない。@…しかしそれは、猫の箱が開かれる瞬間までの不確定な波動関数の世界。@全ての状態が同時に説明できる。@しかし、真実はひとつです。\ `"At this moment, on Rokkenjima, witches and magic certainly might exist as truth.`@` ...However, until the moment that the cat's box is opened, that world is an uncertain wave function.`@` The entire situation can be explained by both sides at the same time.`@` However, there is one truth.`\ me1v 17,60 bg Different_spiral_1a,8 ;　それは観測されることによって収縮し、@無数の真実が淘汰されてたったひとつの真実になる。@法廷で例えるならば、@これは裁判長による判決行為にも似ているでしょう。@検察側、弁護側がそれぞれに主張する２つの真実は、@判決によって収縮し、１つとなるのです。」\ `That truth is contracted by observation,`@` and countless truths are weeded out to become one truth.`@` It is like when, in court,`@` the judge makes his judgement.`@` The two truths from the prosecutor's and the defense's claims,`@` are contracted by the judgement, and become one."`\ bg black,22 dllefe 1,1 bg garden_1aR,0 mld r,$BUT_komaruA3,0 msetef 0,22 E_MA ;「………あんたの言葉を借りるとつまり、@……今のこの島は、ブラウン管の中を覗く直前の世界ってわけなんだな…？@　だからこそ、科学説も魔法説もどちらも否定できない。@…否定できないってことはつまり、」\ `".........To say it in your words, `@`......this island right now is the world right before looking into the Braun tube, right...?`@` Therefore, the science theory and the magic theory cannot be denied.`@` And since they cannot be denied, "`\ mld c,$WAL_defA2,23 se1v 2,100 ;「どちらも真実として存在できる。@だから魔女も魔法も存在し得る。@…しかし同時に、それを否定するあなたの意見もまた真実として同時に存在できる。\ `"Both can exist as truth.`@` Therefore, both witches and magic can exist.`@` ...However, at the same time, your opinion which denies that also exists as truth.`\ mcl c,0 mld l,$WAL_ikariA1,24 ;　………相反する２つが同時に存在できる世界。@そして相反する真実が、互いを否定する理由にできない世界。@………理解できてきましたか…？」\ `.........It is a world where two conflicting things can exist at the same time.`@` And, it is a world where the conflicting truths cannot disprove each other.`@` .........Have you been able to understand...?"`\ mld r,$BUT_majimeA1,80 ;「………………つまり。@……ベアトがどんなすげぇ魔法を俺に見せようとも。@…それは“魔法説”の主張でしかなく、俺を否定することには当たらない。\ `"..................In other words, `@`......no matter how much awesome magic Beato shows me, `@`...that is only a claim from the 'magic theory', and it doesn't disprove mine.`\ mld r,$BUT_komaruA3,80 ;“ベアトがどんな魔法を俺に見せようとも、@この世界ではそれを以って魔法が存在する証拠にはなり得ない”ってことか。」\ ;＜点処理：この世界では `So, 'no matter what kind of magic Beato shows me,`@` in this world, that cannot become proof that magic exists'."`\ mld l,$WAL_defA1,80 ;「そうです。@あの子は木からリンゴが落ちることすらも、魔法で説明しようとするでしょう。@あの子は一見、杖を振るって魔法にてリンゴをもぎ取り、@大地に落としたかのように“主張”するかもしれない。\ `"That's right.`@` That child will probably even try to explain an apple falling from a tree with magic.`@` That child might shake her staff and pluck the apple with magic,`@` and claim that she dropped it to the earth.`\ mld l,$WAL_ikariA1,80 ;　しかしそれは、あの子の主張のひとつに過ぎないのです。@あの子の如何なる主張も、あなたの主張する機会を拒むことはできない。@……その意味において、この世界は双方にあまりに“公平”なのです。」\ `However, that would be nothing more than another one of her claims.`@` None of her claims can block your opportunity to make a claim.`@` ......In that sense, this world is quite 'impartial' to both sides."`\ mld r,$BUT_oyaA1,80 ;「………なるほど、な…。@……だがよ。@その論法で言ったなら、たとえ俺が“科学説”で正論を示したところで、@ヤツの“魔法説”と正面衝突を起こすだけで、俺もまたヤツを論破出来ない。@しかも、そのファイナルジャッジは、ブラウン管を覗かない限りつかない。\ `".........I, get it...`@`......Still.`@` By that argument, if I show a sound argument with my 'science theory',`@` and it collides head on with her 'magic theory', I also cannot win against her.`@` Furthermore, the final judgement won't come until we peek into the Braun tube.`\ mld r,$BUT_NayamuA1,80 ;　………この世界のブラウン管はどこにあるんだ。@…俺たちに議論なんて必要ないってことになる。@……俺たちは仲良くブラウン管の中身を覗けばいいだけの話じゃねぇのか？\ `.........Where is the Braun tube in this world?`@` ...It means there's no reason for us to argue.`@` ......Wouldn't it be alright if we just got along and peeked into the Braun tube?`\ mld r,$BUT_majimeA1,80 ;　中に小人が本当にいたら俺の全面敗北だ。@いなかったら逆に俺の勝ち。@……俺たちはブラウン管を覗かずに、どうして論争を繰り広げなくちゃならないんだ？」\ `If there really is a tiny person in there, it's my complete loss.`@` Otherwise, it's my victory.`@` ......Why do we have to hold this debate without looking into the Braun tube?"`\ mld l,$WAL_fumanA1,80 ;「それこそが、あの子があなたに挑んだ“ゲーム”なのです。@裁判ではなく、チェスと例えるべきでしょう。@勝敗は裁判官が決めるのではない。@戦っているあなたたち自身が決めるのです。」\ `"That itself is the 'game' which that child has challenged you to.`@` Maybe, instead of a court, I should use chess as an example.`@` Victory and loss is not determined by a judge.`@` You who are fighting will decide it yourselves."`\ mld r,$BUT_oyaA1,80 ;「……真実が同時に存在できる滅茶苦茶な世界で、相手を論破なんてできるのかよ？」@ `"......Can you win an argument with an opponent in a screwed up world where multiple truths can exist at the same time?"`@ mld l,$WAL_waraiA1,80 ;「現に、あなたは論破されて、今こうして屈服していますよ…？」@ `"In actuality, did you lose the argument, and surrender like this...?"`@ mld r,$BUT_nayamuA2,80 ;「……………へ。@…へっへっへ。」\ `"...............Heh.`@` ...Heheheh."`\ dllefe_off mendef 0 bg black,2 fede 0,3000 dllefe 1,1 bg rose_G1aR,0 msetef 0,26 bgm1 67 mld r,$WAL_DefA1,24 ;「今、私に助言できるのはここまでです。@もしもあなたが望むなら、時折助言を与えましょう。」\ `"That is all the advice I can give you now.`@` If you wish, I can occasionally give you advice."`\ mld l,$BUT_DefA2,23 ;「……あぁ。@ありがとう、助かるぜ。@……あんたの仇も、俺が取ってやる。」@ `"......Sure.`@` Thanks, that really helps.`@` ......I'll avenge you."`@ mld r,$WAL_WaraiA1,80 ;「ほっほっほ、ありがとう。@期待していますよ。」\ `"Hoh-hoh-ho, thank you.`@` I am looking forward to it."`\ mld l,$BUT_DefA1,80 ;「あんた、名前は？」\ `"What's your name?"`\ mcl a,0 bg rose_1aR,0 mld c,$WAL_majimeA1,24 ;「…ベアトリーチェはかつて私の名でしたが、譲ってしまった今、私は名前を持ちません。@/ `"...Beatrice used to be my name, but now that I have surrendered it, I do not have a name. `@/ mld c,$WAL_defA1,80 ;………ならば仮の名でも名乗りましょう。@……ワルギリアス。@…いえ、/ `.........So, I shall take a temporary name.`@` ......Virgilius.`@` ...No, `/ ;◆ワルギリア紹介文追加：魔法サイド mov %play_scene,30070 ;シーン変数の入力 seplay 9,1060 mov %r_hyouji_cha_ma,ma3_wal mov %r_hyouji,0 ;ワルギリアではいかがです？」\ `what about Virgilia?"`\ mcl a,0 bg rose_1bR,0 mld r,$BUT_DefA2,24 mld r,$BUT_futekiA1,80 ;「ワルギリア。@ワルキュリア？@　神話の女神の名前だっけか。」@ `"Virgilia.`@` #86ef9cValkyria#ffffff?`@` Wasn't that the name of a legendary goddess?"`/ mov %grim_scene,305 mov %r_hyouji_grim,6 mov %play_scene,30071 ;seplay 9,1062 @ ;tttt mld l,$WAL_waraiA1,23 ;「いいえ。@ベアトリーチェの元へ導く者、という意味です。@……煉獄山の頂上にて待つあの子の元へあなたを導く。@その案内人に相応しい名前でしょう。」\ `"No.`@` It means the one who is a guide to Beatrice.`@` ......I will guide you to that child who waits at the summit of the Mount Purgatory.`@` It should be a fitting name for that kind of guide."`\ mld r,$BUT_nayamuA2,80 ;「魔女を否定する俺が、魔女の助けを借りるとはな。@……なるほど。@/ `"To think that I'd accept help from a witch when I'm trying to deny witches.`@` ......I see. `@/ mld r,$BUT_defA1,80 ;異なる主張が同時に存在できるこの矛盾した世界なら、それもアリってわけだ。@…いっひっひっひ、笑える話だぜ。」\ `If this is a contradictory world where different claims can exist at the same time, that also works.`@` ...Ihihi, it's almost funny."`\ mld l,$WAL_defA1,80 ;「あの子の言葉を借りるけど、本当にあなたは不死鳥のような人ね。@……戦う気力がもう蘇ってきた。@…さぁ、心の準備がいいなら、あの子の元へ、@……あの子の座するチェス盤の正面へお戻りなさい。@……私の弟子とどこまで戦えるか、楽しみにしていますよ。」\ `"I am borrowing that child's words, but you truly are like a phoenix.`@` ......Your will to fight has already been revived.`@` ...Come, if your heart is prepared, return to that child,`@` ......return to the chessboard that child is sitting at.`@` ......I look forward to seeing how far you can fight my disciple."`\ mld r,$BUT_nayamuA2,80 ;「あぁ、見てろよ。@…………もうあいつの寝言には耳を貸さねぇ。@とことん冷静に俺の戦いを貫いてやる。@もうあいつの挑発には絶対に乗らねぇ。」@ `"Yeah, watch it.`@` ............I won't listen to her babbling anymore.`@` I'll cooly fight to the end.`@` I definitely won't get provoked by her anymore."`@ mld l,$WAL_waraiA1,80 ;「では戻りましょう。@戦いの席へ。」\ `"Then let us return.`@` To the seat of the battle."`\ textoff bg white,0 mendef 2 dllefe_off wait 1000 se1 52 bg G1F_S1aP,99,2000,"breakup.dll/lrb" ld l,$BEA_fukigenA2,23 ld l,$BEA_AkuwaraiA3,80 ;■元のメタ視空間・お茶会空間へ。@ ;「…お、……おお、戦人…！@　そなた、どこへ姿を消しておったのか。@くっくっく！@　負け犬は二度と姿を現さないかと思ったぞ？」\ ;＜ベアト `"...Oh, ......oooh, Battler...!`@` Where did you hide yourself?`@` *cackle*!`@` I thought the sore loser wouldn't show himself again, you see?"`\ bg G1F_S1cP,0 ld r,$BUT_majimeA1,24 ;「……待たせたな。@頭を冷やしてきたぜ。」\ ;＜戦人 `"......Sorry to keep you waiting.`@` I've cooled my head a little."`\ ld l,$BEA_AkuwaraiA2,23 ;「それでェ？@　妾とお師匠様の愉快痛快爽快大喝采のステキファンタジーバトルへの回答は出たのかぃいいぃ？@　あんなの、ファンタジー以外じゃ説明不能だろぉ？@/ `"And?`@` Did you think of a response to that pleasant, thrilling, refreshing, highly acclaimed, wonderful fantasy battle between Teacher and meeeeeeee?`@` Isn't that impossible to explain without fantasy? `@/ se1 37 ;　ひっひゃっはははははははははははぁ？！」\ `Hihhyahhahahahahahahahahahahahaah?!"`\ cl r,23 ld r,$RON_waraiA2,24 ;「…お嬢様。@さっき親切で上品にするとお誓いになられたばかりですよ？」\ `"...Milady.`@` Didn't you just promise to be kind and act refined?"`\ ld l,$BEA_AkuwaraiA5,80 ;「あっひゃははははは、いけねぇいけねェ。@戦人の顔を見てるとついつい上機嫌になってしまうものでなぁ？@　ほれほれほれ、それで戦人、さっきの戦いだが、どういう反応を示して見せるよ？@　んんん？」\ `"Ahhyahahahahaha, oh no, oh no.`@` I just got in such a good mood when I saw Battler's face, you see?`@` Look look look, so Battler, that battle just now, how will you respond to it?`@` Hmmmmmm?"`\ bg G1F_s1bp,0 ld r,$BUT_NayamuA1,23 ;「……………………………………。@/ `".........................`@/ ld r,$BUT_defA2,80 ;…バトルぅ？@　何があったって？」\ `...Battle?`@` Did something happen?"`\ ld l,$BEA_odorokiA1,23 ;「……何ぃ？」@ `"......Whaat?"`@ se1 56 cl a,0 bg rose_1aR,0 mld r,$BUT_defA2,0 mld l,$BEA_odorokiA1,0 msetef 0,22 mld r,$BUT_futekiA1,80 ;「この薔薇庭園のどこに。@お前らがにょきにょき生やした塔が、槍が。@どこに転がってんだ。@/ `"Where in this rose garden?`@` Where did those spears and towers that you grew fall to? `@/ mld r,$BUT_defA1,80 ;…………ねぇじゃないか。@……つまり、こいつがブラウン管の中身ってわけさ。」\ `............Nowhere, right?`@` ......In other words, it's just like the insides of a Braun tube."`\ mld l,$BEA_futekiA1,80 ;「……ブラウン管の中身、とな？？@　くっくっく、一体、何の話を始めるやら…。」\ `"......The insides of a Braun tube, you say??`@` *cackle*, what in the world are you talking about now...?"`\ mcl a,22 bg black,22 bg rose_G1aR,22 mld l,$BUT_komaruA3,23 ;「今この瞬間。@薔薇庭園には何もない。@…さっきまでは魔法で塔が生えていたかもしれねぇさ。@だが、それはブラウン管の中を知るまでだ。@……魔法バトルはお前の解釈、主張に過ぎない。@今この場に何もないのがその証拠だ。\ `"In this very moment,`@` there is nothing at all in the rose garden.`@` Towers may have sprouted with magic until a short while ago.`@` However, that's just because we don't know what's inside the Braun tube.`@` ......It is your interpretation that it was a magical battle, and that's nothing more than a claim.`@` Right here, right now, there is nothing at all to prove that.`\ ;se1 20 ;wait 200 ;se1 20 ;wait 200 mld l,$BUT_niramuA1,80 ;　俺はさっきの魔女の戦いにこう反論する。@今、この場に何もないのは、何事もなかったことの証明だとな…！」/ `This is how I argue back about that witch's battle just now.`@` Right now, there isn't anything here, which proves that nothing happened...!"`/ se1v 2,70 \ mld r,$BEA_odorokiA1,24 ;「………………。@/ `"..................`@/ mld r,$BEA_iiwakeA1,80 ;……ははは、はっはっはっはっは！@　あのなぁ、さすがに第一の晩から大暴れは出来ぬし、妾もこの薔薇庭園は気に入っているのでな？@　被害を及ぼさないため、結界の中で戦っておったのだ。@だから現実には何の影響も与えていないのは当然のことよ。」\ `......Hahaha, hah-hah-hah-hah-ha!`@` You know, obviously I can't make a huge mess when it's only the second twilight, and I do like that rose garden, you see?`@` To prevent any damage, I fought inside a barrier.`@` So it's only natural that it wouldn't have any influence on reality."`\ mld l,$BUT_futekiA1,80 ;「……それがお前の“主張”だな？@　あぁ、それもありだろうな。\ `"......That is your claim?`@` Well, I guess that works.`\ mcl l,22 mcl a,0 mld l,$BUT_OdorokiB1,1 se1v 2,100 ;　だがッ！@　今この瞬間の薔薇庭園に何もない。@だから魔法などなかったという俺の主張を何ら妨げるものではないんだ！！」\ `However!`@` At this point in time, there is nothing in the rose garden.`@` So my claim that there was no magic hasn't been blocked!!"`\ mcl l,0 mld r,$BEA_fukigenA1,24 ;「お、おいおい、そんな滅茶苦茶で妾の魔法を否定できるのかァ？！@　魔法が“ない”は証明不能！@　“悪魔の証明”であるぞ！！」\ `"W, wait, wait, can you deny my magic with that mess?!`@` It is impossible to prove that magic 'does not exist'!`@` It's a 'Devil's Proof'!!"`\ mld l,$BUT_komaruA2,23 ;「今この瞬間の、この薔薇庭園が真実だ！@　覗いた瞬間にブラウン管の中の小人は蒸発する。@そしてここには何の魔法の痕跡もない！@　だからお前らの魔女の戦いは“行なわれなかった”ッ！！」\ `"At this point in time, this garden is the truth!`@` The instant you look inside, the tiny people inside the Braun tube will vanish.`@` And there are no traces of magic here at all!`@` So that battle between you witches 'did not take place'!!"`\ mld r,$BEA_aseruA1,80 ;「な、/ ;!d400……何だ、/ ;!d600そ、その返し手は……？！@　その力は、/ ;!d500…も、もしや…？！」\ `"Wh, `/ !d400`......what the, `/ !d600`th, that counter......?!`@` That power, `/ !d500`...c, could it be...?!"`\ mcl l,24 mld l,$RON_odorokiA1,23 ;「…お忘れですか、お嬢様。@多層世界収縮術です。@無限の魔女の力と対になる、有限の魔女の力。@無限の魔女にしか悟ることができず、そして無限の魔女にとってもっとも強力な効果を発揮します。」\ ;＜ロノウェ `"...Have you forgotten, Milady?`@` It is the Multi-layered Worlds Contraction Technique.`@` The power of a finite witch in contrast with the power of an Endless Witch.`@` Only an Endless Witch would be able to understand it, and it causes the strongest effect for an Endless Witch."`\ mld r,$BEA_odorokiA1,80 se1 2 ;「シュ、“シュレディンガーの猫箱”かッ？！/ `"Sch, 'Schrodinger's cat box'?! `/ quakey 3,300 @/ mld r,$BEA_aseruA1,80 ;　………あ、……あの老いぼれ魔女め…、余計な入れ知恵をッ！！」\ `.........Th, ......that old hag of a witch..., what an uncalled for hint!!"`\ mcl a,22 mld c,$BUT_komaruA3,24 ;「時間をロスった。@使用人５人と祖父さまで６人の死体！@　状況を確認させてもらうぜ。@俺がモタモタしてて時間を無駄にしちまった。@ここからはサクサク行くぜ？\ `"We've lost time.`@` With the five servants and Grandfather, there are six corpses!`@` Let me check the scene.`@` I've been trudging along wasting time.`@` From now on, I'll speed things up, okay?`\ mcl a,22 mld l,$BUT_OdorokiB1,1 se1v 2,100 ;　席に着け、ベアトリーチェ！！/ `Take a seat, Beatrice!! `/ quakey 3,300 ;@　ようやく第一の晩じゃねぇか、本番スタートだぜ。@ドンと来やがれッ！！！」\ @`It's finally the first twilight, isn't it, let's start the real thing.`@` Show me what you've got!!!"`\ ;▲第８アイキャッチ　１０月５日（日）０６時２６分〜０７時００分 eye2 6,26,7,0,1,0,510,340,30 *umi3_9 mov %play_scene,30080 ;シーン変数の入力 mov %grim_scene,305 textoff me1v 13,70 me2v 5,70 dllefe 1,1 bg rose_G1aR,6 wait 2000 bg G_o1bR,4 wait 2000 bg black,22 dllefe_off mevol 1,50 mevol 2,40 bg G1F_P1bR,4 wait 2000 bg black,22 ;bg Glob_1a,26 ;■ゲストハウス・１Ｆロビー fede 0,3000 bgm1 38 ;　……親たちの思惑はともかく。@ `......Forget what the adults expected.`@ ;　少なくとも俺たち子どもにとっては、@いとこたちと親睦を深め合うだけの、楽しい二日間のはずだった。@ `At least for us kids, `@`these were supposed to be a fun couple of days where the cousins deepened their friendship.`@ br ;　しかし、目が覚めてみれば、待ち受けていたのは信じ難いほどに残酷な現実だった…。\ `However, when we woke up, there was an unbelievably cruel reality waiting for us...`\ ;bg black,24 ;bg Glob_1d,0 ;ld r,$JES_NakuA2,24 ;「…………ひっく、……えっく……！」@ ;＜朱志香 `"............hic, ......hic......!"`@ ;ld l,$GEO_NakuA2,23 ;「………………………………。」@ ;＜譲治 `"........................"`@ br ;　譲治の兄貴と朱志香は、それぞれ紗音ちゃんと嘉音くんの死に涙を零していた。\ `George-aniki and Jessica were crying over Shannon-chan and Kanon-kun's deaths.`\ me1v 13,50 bg Glob_1aR,2 ;　……ゲストハウスの１階ロビーには、今、生きている全員が集まっていた。@ ;　その人数は、１２人。@ `......Right now, everyone who was alive was gathered in the lobby on the first floor of the guesthouse.`@ `And there were 12 of us.`@ br ;　…信じられるだろうか？@ ;　昨日まで１８人いたんだ。@ ;　…その三分の一が、一夜にして、命を失った…。\ `...Unbelievable, right?`@ `There were 18 until yesterday.`@ `...And in one night, a third of that number had lost their lives...`\ bg black,22 ;　俺は、ようやく興奮が醒めて、早朝に起こされた寝不足感が入り混じってきて、@ほんの少し現実感を失いかけているところだった。@ `I eventually sobered up from my agitation, and, along with my lack of sleep because of what had happened so early in the morning, `@`I was beginning to feel like this was a little unreal.`@ br ;　……何かの悪い夢だと思いたい…。@ `......I want to think this is some kind of bad dream...`@ ;　俺のチープな現実逃避は、さっきからそうであると延々と主張し続けている。\ `My cheap escapism keeps telling me that over and over.`\ bg Glob_1dR,4 ;　真里亞は楼座叔母さんの座るソファーで、再び寝直してしまった。@ ;　…肝が据わっているというよりは、純粋に寝足りなかったのだろう。\ `Maria had gone back to sleep in the sofa Rosa was sitting in.`@ `...Rather than her having nerves of steel, she probably genuinely hadn't had enough sleep.`\ bg Glob_1aR,0 ld r,$RUD_nayamuA1G,23 ;　大人たちは祖父さまのコレクションとかいう、@ショートバレルのウィンチェスター銃をいじっていた。@ `The adults were grasping members of Grandfather's collection,`@` short-barrel Winchester rifles.`@ br ;　…西部劇被れだった時代の名残らしく、そっくりな銃が４丁もあった。\ `...Apparently a remnant from a western-obsessed time, there were four guns altogether.`\ ;　それを蔵臼伯父さん、絵羽伯母さん、ウチの親父、楼座叔母さんの４兄弟で分ける。@ `Those had been split up between the four siblings: Krauss oji-san, Eva oba-san, my dad, and Rosa oba-san.`@ br ;　机の上には弾丸の詰まった紙箱が置かれ、４兄弟たちは黙々と弾丸を装填していた。\ `Paper boxes filled with bullets lay on the table, and the siblings were silently loading them.`\ se1v 43,40 ld r,$RUD_AkuwaraiA1,25 ;「………何だか怖ぇや。@こいつに触ってると、今でも親父に、@触るな！って怒鳴られてぶん殴られるような気がするぜ。」@ ;＜留弗夫 `".........It's a little scary.`@` Even now, if I touched one of these, `@`I get the feeling that Father would yell 'Don't touch that!' and hit me."`@ ld l,$KLA_akuwaraiA2G,23 ;「なら良かったな。@…いくら触っても、もう殴られることはない。」\ ;＜蔵臼 `"Well, isn't that great.`@` ...No matter how much you touch them, you won't be hit again."`\ bg Glob_1dR,24 ld r,$ROS_KomaruA3G,24 ;「…………信じられないわ。@…あのお父様が、/ ;!d800…………こんな最期を迎えるなんて…。」@ ;＜楼座 `"............I can't believe it.`@` ...That Father, `/ !d800`............would meet this kind of end..."`@ ld l,$NAN_KomaruA3,23 ;「金蔵さんに限って、普通に床で亡くなるようなことはないだろうと思っていましたが、@……それにしても、……惨すぎる…。」\ ;＜南條 `"I did think that when it came to Kinzo-san, he would probably not die normally in his bed, `@`......but even so, ......it is too horrible..."`\ bg Glob_1cR,23 ld r,$EVA_IkariA1,24 ;「ねぇ。@あれは本当にお父様なのかしら…？@　私は、別人の死体で誤魔化した替え玉を疑ってるんだけど…。」@ ;＜絵羽 `"Hey.`@` I wonder if that really is Father...?`@` I think it might be a different person's corpse as a substitute to trick us..."`@ ld l,$NAT_zutuuA1,23 ;「……いいえ、あれは間違いなくお父様です。@足の指をご覧になったでしょう？@　世間広しと言えど、両足の指が６本の人間はそうはいませんよ。」\ ;＜夏妃 `"......No, without a doubt, that is Father.`@` You saw his toes, right?`@` In general society, there aren't many humans with six toes on both feet."`\ ld c,$KIR_NayamuA1,24 ;「でも、…………いないとも言えない。@多指症は珍しくない病気だと聞いたわ。@大仕掛けの大好きな方なんでしょう？@　……どこかで両足の指の数が自分と同じな遺体を手配したかもしれないわ。」\ ;＜霧江 `"But, ............we can't say that there are none.`@` I've heard that polydactyly isn't a rare disease.`@` He was a man who liked big tricks, right?`@` ......He might have prepared a corpse from somewhere that had the same number of toes on both feet."`\ ld l,$NAT_OdorokiA2,80 ;「馬鹿馬鹿しい。@そんなこと、何のためにするというのですか…！」@ ;＜夏妃 `"Ridiculous.`@` Why would he do something like that...?!"`@ cl r,23 ld r,$HID_MajimeA1,24 ;「……普通の人にならわしもそう言うわ。@…しかしあのお父さんや。@霧江さんの話も、まったくの荒唐無稽とは言い切れんのやないか。」\ ;＜秀吉 `"......I'd agree if it was a normal person.`@` ...But this is Father we're talkin' about.`@` You can't say for sure that what Kyrie-san says is nonsense."`\ bg Glob_1bR,23 ld r,$RUD_NayamuA1,24 ;「…………焼死体は身元の確認が難しいという。@/ `"............Because it's hard to tell whose body it is when the corpse is burnt. `@/ ld r,$RUD_DefA1,80 ;だが、歯形とか骨格とか、色々調べる方法はあるはずさ。@警察が調べれば、一発で身元なんかわかるに決まってる。」\ ;＜留弗夫 `However, there should be various ways to examine him from his teeth and his bone structure.`@` If the police investigated, of course they'd be able to know whose body it was all at once."`\ ld l,$KLA_KomaruA1,23 ;「問題は、警察より先に電話技師が必要だという点だがね。」@ ;＜蔵臼 `"The problem is that we need a telephone engineer more than the police right now."`@ ld r,$ROS_komaruA1,24 ;「……この台風じゃ、船は来られないでしょうね。@…なら、明日になるのかしら。」\ ;＜楼座 `"......The boats probably won't come in this typhoon.`@` ...So, will they come tomorrow?"`\ bg black,25 bg Glob_1eR,22 ;「恐らく、明日の９時にもう一度船が来てくれるでしょう。@そこで警察に連絡できると思います。」@ ;＜夏妃 `"Most likely, the boat will come again at 9:00 tomorrow.`@` Then, I believe we will be able to contact the police."`@ ;「……私たちも。@そして犯人も。@…つまりは台風が通り過ぎるまで、この島に閉じ込められたってわけね。」\ ;＜絵羽 `"......Both us, `@`and the culprit.`@` ...So until the typhoon passes, this island is closed off."`\ bg black,22 fede 0,3000 bgm1 39 ;　………親たちの会話だけで、おおよその流れは理解できるだろうが、一応、状況を説明する。\ `.........Just from the parents' conversation, you could probably figure out the general gist, but let's explain the situation anyways.`\ ;　まず早朝。@ `First, early that morning.`@ ;◆使用人５人と金蔵の死亡フラグ mov %play_scene,30090 ;シーン変数の入力 seplay2 9,1061,70 mov %r_hyouji,0 br ;　祖父さまと使用人全員の合計６人の死体が、屋敷中の各所から相次いで見付かった。\ `In various places throughout the mansion, a total of six corpses, of Grandfather and all the servants, had been found one after another.`\ bg Mboi_1a,6 ;　まず、祖父さまはボイラー室で火にくべられ丸焼けに。\ `First, Grandfather had been in the boiler room, completely burnt.`\ bg black,25 bg magicsquare_sun7,8 ;　使用人たちは屋敷内のそれぞれの場所で、魔法陣の描かれた部屋に閉じ込められて死んでいた。@ `The servants had died, shut up in the various rooms throughout the mansion which had had magic circles drawn on them.`@ br bg blood_1b,22 ;　使用人たちの死因は正確には不明だが、@南條先生の見立てでは、槍のようなもので突かれたか、@……もしくは銃で撃たれた可能性が高いという。@ `The cause of death for the servants was uncertain, `@`but according to Doctor Nanjo's diagnosis, there was a high likelihood that they had been stabbed by something like a spear, `@`......or possibly shot by a gun.`@ br ;　大人たちがウィンチェスター銃で武装を始めたのはその為だ。\ `That was why the adults had started arming themselves with the Winchesters.`\ bg black,22 ;　さらに事態を混迷に追い込んだのは、電話が使用不能になっていたことだった。@ ;　落雷で故障したのか、犯人が破壊したのかはわからない。@ `And what made the situation even more chaotic was that the telephones had become unusable.`@ `It was unknown whether lightning had caused them to break down or whether the culprit had destroyed it.`@ br ;　とにかく外部に連絡がつかず、警察へ連絡が取れなかった。\ `Anyways, since contact with the outside was broken off, we couldn't contact the police.`\ me1v 13,50 dllefe 1,1 bg G_o1aR,22 ;　つまり、台風が通り過ぎ、外から船が来てくれる明日の朝まで、@自分たちで自衛をしなくてはならないのだ。@ `So until the typhoon passes and a boat comes tomorrow morning, `@`we will have to protect ourselves.`@ br ;　何しろ、今の六軒島は台風で隔絶されている。@ ;　俺たちが島に閉じ込められているように、犯人だって閉じ込められているのだから。\ `After all, Rokkenjima is now isolated by the typhoon.`@ `And just like how we are stuck on the island, so is the culprit.`\ bg black,25 dllefe_off E_MA bg Mdin_1fN,26 ;　大人たちは、昨夜まるまる徹夜して、屋敷の食堂で親族会議に明け暮れていたらしい。@ ;　そして事件は、にもかかわらず屋敷内で起こっている。@ `It seemed that the adults had stayed up the whole night, spending the whole time holding the family conference in the mansion's dining hall.`@ `And even so, this crime had occurred in the mansion.`@ br ;　……つまり、大人たちがカネの話で大いに盛り上がっている真っ最中に、@殺人犯は同じ屋根の下で殺人を犯していたわけだ…。\ `......So right when the adults had been in an uproar over money, `@`the murderer had been killing under the same roof...`\ bg black,22 bg M1F_P2bN,26 ;　夏妃伯母さんは夜間の戸締りを厳重にさせていたという。@ ;　にもかかわらず、屋敷の中を不審者が出入りした。@ `They say that Natsuhi oba-san has been strict on locking the doors and windows for the night.`@ `And yet, some suspicious person had entered the mansion.`@ br ;　…大人たちは、屋敷内は広すぎて安全ではないと判断し、@銃を引っ張り出して、俺たちのいるゲストハウスへ移動してきたのだ。\ `...The adults had decided that the inside of the mansion was too large, `@`so they had pulled out the guns and moved to the guesthouse, where we had been.`\ bg black,22 bg Glob_1cR,22 me1v 5,50 ;　………そして現在に至る。@ `.........Which brings us to the present.`@ ld c,$GEO_NakuA2,0 ld l,$JES_NakuA1,23 ;　譲治の兄貴たちは、紗音ちゃんの遺体を一目みたいと懇願するが、@大人たちは警察が来るまで駄目だと突っぱねる。@ `George-aniki begged that he wanted to see Shannon-chan's corpse,`@` but the adults had refused, saying that he must not until the police arrived.`@ br ;　それは現場保全のために全ての部屋を封印したというだけの意味ではない。\ `That wasn't just because they wanted to seal all the rooms to preserve the scene.`\ bg black,22 ;　…何しろ、６人も殺した犯人が徘徊した屋敷なのだ。@ `...After all, the culprit who had killed six people was wandering about the mansion.`@ br ;　今の右代宮家にとって、本宅であるはずの屋敷は、@未知の殺人犯が出入りしている危険地帯も同然なのだ…。@ `To the Ushiromiya family right now, the mansion which should have been their home, `@`was like a danger zone that an unknown murderer had entered...`@ br ;　何しろ屋敷は広い。@ ;　死角や暗がりも多く、完全な安全を保証するには人数に対し広大過ぎた。\ `After all, the mansion is vast.`@ `There are plenty of blind spots and dark places, and it is too vast to guarantee absolute safety with this number of people.`\ E_MA me1v 13,50 dllefe 1,1 bg G_o1bR,26 ;　そこへ行くと、ゲストハウスは屋敷に比べればはるかに小さい建物だ。@ `In that sense, the guesthouse was a much smaller building than the mansion.`@ br ;　地上２階建て。@部屋数は１０ちょっとくらい？@ ;　……元々、この島のリゾート化を見越して、ペンションにするために建てたらしい。@ `It was two stories above ground.`@` Were there about 10 rooms?`@ `......Apparently, it had originally been constructed to serve as a boarding house when the island was to be turned into a resort.`@ br ;　だから全体の把握がしやすく、安全も確保しやすい。@篭城に向くというわけだ。\ `So it was easy to control, and easy to guarantee safety.`@` It was a good place to hole up in.`\ bg black,25 dllefe_off ;　……そして。@ ;　この６人もの大量殺人が、“ゲーム”である可能性が極めて高い。@ `......And.`@ `There was an extremely high likelihood that this mass murder of six people was a 'game'.`@ br ;　犯人がそれを、手紙にて宣言してきたからだ。\ `Because the culprit had proclaimed that in a letter.`\ me2v 16,50 bg letter1,6 ;　真里亞が昨日、ベアトリーチェにもらったと自称したのと同じ、紋章入りの洋形封筒が、@祖父さまの死体が発見されたボイラー室内で見付かったという。@ `I heard that a western-style envelope with the family crest, just like the one Maria claimed to have received from Beatrice yesterday,`@` had been found in the boiler room where Grandfather's corpse had been discovered.`@ br ;　その手紙の中身はこうだった。\ `This was what the letter said.`\ ;◆魔女の手紙：ＴＩＰＳに追加 mov %play_scene,30100 ;シーン変数の入力 seplay2 9,1062,70 mov %r_hyouji,1 mov %r_hyouji_tips,2 mov %tips_page,1 ;　誤解なきように。@ ;　私が求めるゲームは、皆さんが碑文の謎を解けるかどうかであって、@私を捕まえられるかどうかではありません。@ `So that there will be no misunderstandings.`@ `The game I seek is for everyone to try and solve the riddle of the epitaph, `@`not for you to try and catch me.`@ br ;　碑文の謎を解かなければ、哀れな生贄はさらに増えるでしょう。@ ;　時間は、私の姿を探すより、碑文の謎解きに割いた方が賢明です。@ `If you don't solve the riddle of the epitaph, the pitiful sacrifices will further increase in number.`@ `It would be more wise to spend your time solving the epitaph than searching for me.`@ br ;　碑文の謎が誰にも解けないならば、誰も生き残れない。\ `If no one can solve the riddle of the epitaph, no one will survive.`\ ;　見事、碑文の謎を解けた人間が現れたなら、黄金郷の全ての黄金を与え、@右代宮家の家督と、我が力の全てを与えるでしょう。@ `If a person appears who can miraculously solve the riddle of the epitaph, I will give them all the gold of the Golden Land,`@` the Ushiromiya family inheritance, and all of my power.`@ br ;　金蔵さまより右代宮家の家督を引き継いだのは、私。@ ;　そして、私より家督を引き継ぐのは誰なのか、楽しみにしています。@ `I was the one who succeeded the Ushiromiya family inheritance from Kinzo-sama.`@ `And, I look forward to seeing who will receive the inheritance from me.`@ br ;――黄金の魔女　ベアトリーチェ。\ `――The Golden Witch, Beatrice.`\ bg black,22 ;　…碑文の謎ってのは、例のアレだ。@ `...This riddle of the epitaph was, that thing.`@ bg Mhal_2cR,22 se1 21 ;　屋敷の大広間に掲げられた魔女の肖像画のところに書いてある怪しげな碑文。@ `That strange epitaph written on the portrait of the witch that was displayed in the hall of the mansion.`@ br ;　祖父さまが書かせたもので、@それを解いた者に家督を譲るとか、隠された黄金を譲るとか騒がせた例のアレだ。\ `Grandfather was the one who ordered that it be written, `@`and the person who solved it would, supposedly, be given the inheritance or the hidden gold or something like that.`\ ;　何年か前に掲げられて以来、親族たちは口では馬鹿にしながらも、@影ではこっそりその謎に挑戦していたという。@ `After it had been displayed there several years ago, even though the relatives had said it was stupid, `@`they had secretly challenged that riddle in the shadows.`@ br ;　しかし、誰も解けずに今日に至っている。@ ;　その難解な謎を、解いてみろと再び突きつけ、しかも解けなければ皆殺しだと脅迫している。@ `However, up until today, no one had solved it.`@ `We had once again been told to solve that unintelligible riddle, and this time, we had been threatened that if we didn't solve it, we would all be killed.`@ br ;　……これを“ゲーム”と言わずして何というのか…。\ `......If this wasn't a game, what would you call it...`\ bg black,25 ;bg Glob_1eR,22 me2v 14,50 dllefe 1,1 bg rose_G1aR,22 ;　敷地内を捜索して犯人を探し出そうという勇ましい意見も、一度は出た。@ `The bold opinion that we should search the premises for the culprit did come up once.`@ br ;　しかし、向こうは武装している可能性が高い上、しかもひとりとは限らない。@ `However, there was a good chance they were armed, and there wasn't necessarily only one of them.`@ br ;　また、…彼らは６人以上を殺せたかもしれない `And, ...while they might have been able to kill more than six people, they had` br (`stopped at 6`/・・・・・・)`.`\ ;br ;のに、それを(６人に留めた/・・・・・・)。\ ;＜天助処理：６人に留めた ;　犯人を迂闊に刺激せず、@大人しく警察の到着を待って安全地帯で篭城すべきだという意見が、最終的には支配したのだった…。\ `In the end, the opinion that we should avoid carelessly antagonizing the culprit, `@`and hole up in a safe place while we waited for the police to arrive won out...`\ bg black,24 dllefe_off bg black,80 me3v 16,0 me4v 11,0 fedexx 0,0,0,50,70,0,5000 wait 1000 bg Glob_1aR,4 ;　大人たちは、ゲストハウス内の戸締りを厳重に確認した後、このロビーを砦に見立てる。@ `After the adults had carefully checked that the doors and windows in the guesthouse were locked, they had set up camp in the lobby.`@ br ;　そして銃を弄って緊張を紛らわしながら、@まだまだ始まったばかりの長い一日に、早くも疲労の表情を見せるのだった…。\ `And as they fingered their guns to distract themselves from the tension, `@`their expressions showed that they were already fatigued from this long day, which had still barely begun...`\ bg Glob_1dR,0 ld c,$BUT_nayamuA1,24 ;　俺には、何もできることはない。@ `There was nothing that I could do.`@ ;　もし万が一、…(銃が余るようなこと/・・・・・・・・・)が起こった際に備え、@銃の使い方を教えてもらうことくらいしか、今はできない……。\ ;＜点字処理：銃が余るようなこと `Now, all I could do was be taught how to use a gun,`@` to prepare for the off-chance that something would happen which` br (`led to an excess of guns`/・・・・・・・・・・)`......`\ bg black,25 bg Glob_1bR,22 ;　……それでいい。@ `......That's alright.`@ ;　そこで大人しくしててくれよ、(俺たち/・・・)。\ ;＜点処理：俺たち `Just obediently stay there, ` br (`me and the rest of you`/・・・・・・・・)`.`\ mov %play_scene,30110 ;シーン変数の入力 bg black,22 E_A se1 56 mset mld r,$BUT_komaruA3,24 bgm1 52 ;■メタ視：屋敷の大広間 ;「……………また、最初は６人か。@しかも今回は祖父さまと使用人が全部まとめてと来たもんだ。」@ ;＜戦人 `"............6 people in the beginning again.`@` And this time it's Grandfather and all of the servants put together."`@ mld l,$WAL_FumanA1,23 ;「恐らく。@あの子は前回のゲームでのあなたの指し手を慎重に研究したのでしょう。@そしてあなたが最初に疑うと高い確率で推定される駒を、最優先で奪ったに違いありませんよ。」\ ;＜ワルギリ `"Most likely, `@`that child has carefully studied your moves from the last game.`@` And she surely made the best move by first taking the pieces she guessed that you were most likely to suspect."`\ mld r,$BUT_oyaA1,80 ;「……筋だな。@…前回も前々回も。@屋敷に精通し、マスターキーを持ち歩く使用人たち全員は、常に最高順位で疑わしい人物だった。\ `"......That makes sense.`@` ...Both this time and the time before that.`@` The servants who know everything about the mansion and who walk around with keys are all the most suspicious people.`\ mld r,$BUT_NayamuA1,80 ;　……前回のゲームの、例えば朱志香の密室がいい例だ。@使用人が犯人であることを認めさえすれば、あんなのは密室でも何でもない。」\ `......A good example in the last game is Jessica's closed room.`@` If I had only accepted that a servant was the culprit, that wouldn't even have been a closed room."`\ mld l,$WAL_ikariA1,80 ;「故に。@……あの子はそこを真っ先に切りに来た。@あなたがやがて逃げ込むであろう退路を、真っ先に塞ぎに来たのでしょう。」\ `"Therefore,`@` ......that child went straight for them.`@` She probably blocked the only way of escape that you are finally running towards."`\ mld r,$BUT_NiramuA3,80 ;「ベアトはすでに赤で、この島には１９人以上いないと宣言している。@ `"Beato already proclaimed in red that there are no more than 18 people on this island.`@ br ;…それはつまり、/ ;!d800………(諦めろってことだ/・・・・・・・・)。@ `...Like, `/ !d800`...`(`she's saying 'Give up'`/・・・・・・・・・・)`.`@ br ;　……もう俺は、１８人の誰かを疑わざるを得ない。」\ ;＜点処理：諦めろってことだ `......Now I have to suspect one of the 18."`\ mld l,$WAL_FumanA1,80 ;「……あの子は、その１８人の駒を全て奪いきった上で、存在しないはずの１９人目として降臨し、@あなたに自らが魔女であることを認めさせる手で来るでしょう。@……魔法を見せ付けることで強引に屈服させる、恫喝的手法がもはや通じない以上、@あの子に指せるのは正攻法だけなのですから。」\ `"......That child will probably come at you by stealing the pieces for the 18, and descending as a 19th person who shouldn't exist,`@` thereby making you accept that she is a witch.`@` ......That is because now that her intimidation strategy of trying to force you to surrender by showing you magic has failed,`@` she can only make a frontal attack."`\ mld r,$BUT_niramuA1,80 ;「……上等だ。@もうハッタリは通用しねぇぜ。」\ `"......Perfect.`@` Bluffing won't work anymore."`\ mld l,$WAL_ikariA1,80 ;「気をつけて。@まやかしは魔女のもっとも得意とするところ。@…あの子が何を言おうと何を見せようと。@あなたが信じる真実を、決して脅かすことなどできないのです。@それを忘れないで。」\ `"Be careful.`@` Deception is a witch's strongest point.`@` ...No matter what that child says or shows you, `@`it definitely won't threaten the truth that you believe in.`@` Don't forget that."`\ mld r,$BUT_DefA1,80 ;「………おう。@そう何度も同じ手が通用して堪るかってんだ。@/ `".........Sure.`@` I'd hate it if the same moves worked over and over. `@/ E_A ;………出て来いよ、ベアトリーチェ。@おッ始めようぜッ！！！」\ `.........Come out, Beatrice.`@` Let's get started!!!"`\ se1v 1100,100 se2 2 bgm1 47 bg white,0 mendef 1 bg G1F_s1bP,0 ld r,$BEA_akuwaraiA1,2 ld r,$BEA_futekiA1,80 ;「すでに勝負のテーブルに着席しておるわ。@妾の手番もすでに終了しておる。」@ `"I am already seated at the table of the contest.`@` My turn is already complete."`@ ld l,$RON_waraiA2,23 ;「……マダムを敵に回すことになるとは。@厄介ですね、お嬢様。@…手の内をだいぶ読まれますよ。」\ ;＜ロノウェ `"......Imagine that Madam would turn out to be our enemy.`@` How unfortunate, Milady.`@` ...Our moves will be read thoroughly."`\ ld r,$BEA_futekiA2,80 ;「構わん。@お師匠様の指し手など、すでに時代遅れの古典よ。@恐れるに足りぬわ。」@ `"That is no problem.`@` Teacher's moves are all old-fashioned classics.`@` There is nothing to fear."`@ cl l,24 ld l,$WAL_WaraiA1,23 ;「…あなたが、私の教えた古典以上の何を指せるのか。@期待していますよ、ベアトリーチェ？」\ ;＜ワルギリ `"...What moves can you make beyond the classics I taught you?`@` I am looking forward to seeing, Beatrice."`\ ld r,$BEA_AkuwaraiA5,80 ;「……くっくくくくくく。@いいのか、戦人ぁ？@　魔女を否定するそなたが魔女を軍師につけても…。」@ `"......*cackle*cackle*cackle*cackle*.`@` Is that alright, Battleer?`@` If a person who denies witches such as yourself accepts a witch as a strategist..."`@ cl l,23 ld l,$BUT_oyaA1,24 ;「下らねぇ挑発は無用だ。@こいつは俺の相談役、いや、セコンドだ。@/ `"That stupid provocation is useless.`@` This person is my advisor, no, my second. `@/ ld l,$BUT_odorokiA1,80 ;ガチンコで殴りあうのは、俺とお前だってことには何の変化もない。」\ ;＜戦人 `That doesn't change one bit that this is a fistfight between you and me."`\ bg G1F_S1aP,0 ld c,$BEA_WaraiA1,23 ;「わかっておる。@……ヨチヨチのお前には自転車にも補助輪が必要だろう。@好きにするが良い。@/ `"I understand.`@` ......You're so wobbly that you probably need training wheels on your bicycle.`@` Do as you like. `@/ ld c,$BEA_AkuwaraiA3,80 ;さぁ、始めろ！！@　お前の手番だッ！」\ `Come, begin!!`@` It is your turn!"`\ se1v 2,100 bgm1 68 bg black,1 se2 56 mset mld r,$BUT_niramuA1,24 ;「事件現場の再構築から始める。@……ワルギリア、さっそく頼む！」\ `"Let's begin with the reconstruction of the crime scene.`@` ......Virgilia, quickly please!"`\ mcl r,23 mld l,$WAL_DefA1,23 se1 52 bg M1F_S1aR,28 ;「最初の遺体発見は紗音から。@屋敷内の１階客間より発見されました。@扉と窓は施錠され、密室を構成していました。」\ `"The first corpse discovered was Shannon's.`@` She was found in the parlor on the first floor of the mansion.`@` The door and windows were locked, and a closed room was established."`\ mld r,$BUT_MajimeA1,24 ;「……ベアトに説明要求。@密室の定義を再確認。」\ `"......Beato, give me an explanation.`@` Reconfirm the definition of a closed room."`\ mcl l,24 mld l,$BEA_DefA1,23 ;「ふむ。@密室の定義は、内外の出入りが一切隔絶された室内を指す。@当然、内外からの一切の侵入・脱出は愚か、干渉もできない。@それは包括的に、隠し扉の否定、外部干渉の余地一切の否定を含む。@ `"Hmm.`@` The term closed room refers to a room where the inside and the outside of the room are completely separated.`@` Obviously, for any form of intrusion or escape, no intervention is possible.`@` That comprehensively includes a denial of hidden doors, as well as all margin for intervention from the outside.`@ mld l,$BEA_futekiA1,80 br ;　……以後、この定義を/ `......Henceforth, this definition will be referred to as `/ se1v 2,100 ;“ベアトリーチェの密室定義”と呼称する！」\ `'Beatrice's closed room definition!"`\ mld r,$BUT_KomaruA2,80 ;「細部確認。@……外部干渉の余地の定義とは。」@ `"Let me check the details.`@` ......What is your definition of 'margin for intervention from the outside'?"`@ mld l,$BEA_AkuwaraiA5,80 ;「外部から、釣り糸やら長くて細い棒やら等を使って直接的に干渉するあらゆる余地だ。@つまり、扉や窓にはそのような小細工を混ぜる隙間すらもないと判断せよ。」\ `"It refers to all types of direct intervention from the outside, such as using a fishing line or a long, thin rod.`@` In conclusion, there is no gap in the doors and windows where those tricks will work."`\ mld r,$BUT_futekiA1,80 ;「どうかな？@　仮に隙間がなくても、リモコンなどの電波は干渉できるはずだぜ？」@ `"I wonder.`@` Even if there wasn't a gap, you should be able to interfere with radio waves, like with a remote control, right?"`@ mld l,$BEA_WaraiA1,80 ;「良かろう。@電波など、それに類する遠隔操作技術も干渉不可能であると定義に追加する。」\ `"Very well.`@` I add to this definition that it is impossible for radio waves and related methods of remote control to interfere."`\ mld r,$BUT_niramuA1,80 ;「客間には内線電話もあるぜ。@それと連動した仕掛けは遠隔操作にはならねぇのか？！」@ `"There's also an extension telephone in the parlor.`@` A device linked with that wouldn't count as remote control, right?!"`@ mld l,$BEA_futekiA2,80 ;「電話はすでに使用不能だろうが。@…あぁ、もう面倒だ。@それも含めようぞ。@直接、間接のあらゆる方法で、室外よりの密室内への干渉は不可能だ。」\ `"Although the phones are already unusable.`@` ...Oh, that's a pain.`@` I'll include that too.`@` All direct and indirect methods of interfering from the outside of the room to the inside of the closed room are impossible."`\ mcl a,0 bg M_door2,22 ;「声やノックは？@　密室に入らずに外部から干渉できるはずだぜ？」@ ;「………密室であっても、声を掛けることやノックは不可能ではなかろう。@意思疎通の可否は密室の定義に反しない。」\ `"What about a voice or a knock?`@` Those should be able to interfere from the outside without entering the room, right?"`@ `".........Even though it is a closed room, it probably isn't impossible for someone to knock or call out.`@` Whether the room allows for a mutual understanding with the outside or not, it does not go against the definition of a closed room."`\ mendef 0 bg G1F_S1aP,26 ld l,$BUT_NiramuA1,23 ;「つまり、外部との伝達方法までは途絶していると定義できないんだな？」@ `"In other words, you can't define it so that even methods of communication are interrupted?"`@ ld r,$RON_waraiA2,24 ;「そうなります。」\ ;＜ロノウェ `"That is the case."`\ ld l,$BUT_komaruA3,80 ;「了解したぜ。@………紗音ちゃんの客間はその“ベアトリーチェの密室定義”を満たすってんだな？」@ `"Understood.`@` .........So, Shannon-chan's parlor satisfies 'Beatrice's closed room definition'?"`@ cl r,23 ld r,$BEA_DefA2,24 ;「その通りだ。」\ `"That is correct."`\ ld l,$BUT_DefA2,80 ;「………密室定義、了解した。@ワルギリア、続けてくれ。」\ `".........Closed room definition, understood.`@` Continue, Virgilia."`\ bg black,23 se1 52 msetef 0,0 mld r,$WAL_DefA1,0 bg blood_1b,24 ;「はい。@/ `"Yes. `@/ bg key2,22 ;………紗音の遺体はマスターキー１本を所持。@発見した親族がこれを回収。」\ `.........Shannon's corpse was in possession of one master key.`@` The relatives who discovered her collected this."`\ mld l,$BUT_oyaA1,23 ;「ベアトに復唱要求。@今回のマスターキーの本数は？」@ ;＜戦人 `"Beato, repeat it.`@` How many master keys this time?"`@ mcl r,23 mld r,$BEA_akuwaraiA1,24 ;「…ふ。前回と同じ。@/ `"...Hmph. The same as last time. `@/ se1 59 ;#ff0000各使用人が１本ずつで５本だ。#ffffff」\ `#ff0000There are five, one for each servant.#ffffff"`\ mld l,$BUT_KomaruA2,80 ;「ってことは、密室にはまだならねぇってわけさ。@マスターキーはまだ４本余ってる。@紗音ちゃんを殺害後、４本の鍵の何れかで施錠するだけの話だ。」@ `"Which means this still isn't a closed room.`@` There are still four master keys left.`@` It just means that after Shannon-chan was murdered, one of the other four keys locked it."`@ mcl r,23 mld r,$RON_DefA1,24 ;「その通りでございます。@………そして、見付かったのはマスターキーだけではありませんよ。」\ ;＜ロノウェ `"That is correct.`@` .........And, it wasn't only a master key that was found."`\ mcl a,22 mld r,$WAL_DefA2,24 ;「はい。@/ `"Yes. `@/ bg letter1,22 ;……遺体のすぐ傍らに、紋章入りの洋形封筒が。@中に手紙はなく、２階客室の鍵が入っていました。」@ ;＜ワルギリ `......Alongside the corpse, there was a western envelope with the family crest.`@` Instead of a letter, the key to the guest room on the second floor was inside it."`@ mld l,$BUT_majimeA1,23 ;「……２階客室の鍵…。@それは、２階客室の扉を、マスターキー以外に唯一開けることができる鍵だ、という定義でいいのか？」\ `"......The key to the second floor guest room...`@` The only key other than the master key that can open the door to the second floor guest room.`@` Is that definition alright?"`\ mendef 0 bg G1F_S1bP,0 ld r,$BEA_DefA2,24 ;「うむ。問題ないぞ。@そして、マスターキーと違い、その１本しかない。」@ `"Hmm. There is no problem.`@` And, unlike the master keys, there is only one."`@ ld l,$RON_akuwaraiA1,23 ;「つまり、ある特定の部屋を開けるには、マスターキー５本に加え、@その１本しかないというわけです。」\ ;＜ロノウェ `"In other words, in order to unlock that specific room, in addition to the five master keys,`@` this is the only one."`\ msetef 0,0 bg black,24 mld r,$BUT_NiramuA1,24 ;「……これはつまり、次は２階客室へ行け、というメッセージなのか？@　となると、大人たちは２階客室へ移動したな？」\ `"......In other words, this is a message telling them to go to the second floor guest room next?`@` So the adults moved to the second floor guest room?"`\ mcl a,0 mld l,$WAL_majimeA1,23 ;「はい。@/ `"Yes. `@/ bg M_door2,28 ;２階客室の扉もまた施錠され、魔法陣が描かれていました。@……親族は紗音の遺体脇より入手したその鍵によって開錠。@/ `The door to the second floor guest room was locked, and a magic circle was drawn on it.`@` ......The relatives unlocked it with the key they had found near Shannon's corpse. `@/ bg M2F_R2b,22 ;室内にて熊沢の遺体を発見。@室内は密室。@定義は“ベアトリーチェの密室定義”に準拠。\ `Inside the room, Kumasawa's corpse was discovered.`@` The room was a closed room.`@` That definition is based upon 'Beatrice's closed room definition'.`\ bg key2,22 ;　熊沢はマスターキー１本を所持。@これを親族が回収。@/ `.........Kumasawa was in possession of one master key.`@` The relatives collected this. `@/ bg letter1,22 ;そして紗音同様に遺体の傍らに洋形封筒を発見。@中には３階控え室の鍵が。@親族は３階控え室へ移動。」\ `And like Shannon, there was a western envelope discovered alongside her.`@` Inside was the key to the third floor waiting room.`@` The relatives moved to the third floor waiting room."`\ bg M_door1,23 mld r,$BUT_OyaA1,24 ;「そして３階控え室の扉にも魔法陣で、さらに施錠されていて？」@ `"So there was a magic circle on the door to the third floor waiting room, and that door was locked?"`@ ;mcl r,23 mld l,$WAL_defA2,80 ;「はい。@/ `"Yes. `@/ bg blood_1b,22 ;室内にて郷田の遺体を発見。@室内は密室。@“ベアトリーチェの密室定義”に準拠。@/ `Inside the room, Gohda's corpse was discovered.`@` The room was a closed room.`@` Based on 'Beatrice's closed room definition'.`\ bg key2,22 ;郷田はマスターキー１本を所持。@これを親族が回収。@/ `.........Gohda was in possession of one master key.`@` The relatives collected this. `@/ bg letter1,22 ;そしてこれまで同様に紋章入りの洋形封筒を発見。@中より２階貴賓室の鍵が。@親族は２階貴賓室へ移動。」\ `And like up until now, a western envelope with a family seal was discovered.`@` Inside was the key to the second floor VIP room.`@` The relatives moved to the second floor VIP room."`\ mendef 0 bg G1F_S1bP,0 ld r,$BUT_NiramuA3,24 ;「………何なんだこいつは…？@　てめぇ、何を企んでやがる…？」@ `".........What is all of this...?`@` What are you planning...?"`@ ld l,$BEA_AkuwaraiA1,23 ;「くっくっくっく。@そう睨むほどのものでもあるまい？@　密室ではあるが、それを開けるマスターキーはまだ何本もあるではないか。@律儀にマスターキー以外の固有の鍵も進呈している。」\ ;＜ベアト `"*cackle*cackle*.`@` It isn't something worth glaring at me over, is it?`@` It is a closed room, but there are still several master keys that can open it, correct?`@` And in addition to the master keys, keys particular to each room have been presented."`\ ld r,$BUT_NayamuA1,80 ;「……気に入らねぇ展開だぜ。@/ `"......I don't like how this is going. `@/ ld r,$BUT_niramuA3,80 ;……だが展開は読めてきた。@この調子で６人、続いてくってわけか？」\ `......But I'm starting to see how things will turn out.`@` So it continues like this for all six people?"`\ ;bg black,24 msetef 0,0 mld r,$WAL_majimeA1,24 bg Mvip_1a,22 mld r,$WAL_fumanA1,80 ;「はい、その通りです。@２階貴賓室にて源次の遺体を発見。@/ `"Yes, that is correct.`@` Inside the second floor VIP room, Genji's corpse was discovered. `@/ bg key2,22 ;マスターキー１本を回収。@地下ボイラー室の鍵を発見。@/ `One master key was collected.`@` The key to the underground boiler room was discovered. `@/ bg black,22 bg Mboi_1c,22 ;地下ボイラー室へ移動。@地下ボイラー室にて金蔵の遺体を発見。@/ `They moved to the underground boiler room.`@` Inside the underground boiler room, Kinzo's corpse was discovered. `@/ bg key1,22 ;礼拝堂の鍵を発見。@/ `The key to the chapel was discovered. `@/ bg black,24 bg cha_o1a,24 ;礼拝堂に移動。@/ `They moved to the chapel. `@/ bg cha_i1a,22 ;礼拝堂にて嘉音の遺体を発見。@マスターキー１本を回収。@１階客間の鍵を発見。@……以上で６名の遺体発見の再構築を終了します。」\ `Inside the chapel, Kanon's corpse was discovered.`@` One master key was collected.`@` The key to the first floor parlor was discovered.`@` ......With this, our reconstruction of how all six corpses were discovered is complete."`\ mld l,$RON_waraiA2,23 ;「追記です。@金蔵の遺体の傍らで発見された洋形封筒には、礼拝堂の鍵と一緒に手紙が同封されておりました。@手紙の内容はすでにご確認の通り。@碑文の謎を解くよう改めて催促する内容です。」\ ;＜ロノウェ `"A supplement.`@` Along with the key to the chapel, a letter was enclosed in the western envelope found near Kinzo's corpse.`@` The contents of the letter were as you saw.`@` It further urged the relatives to solve the riddle of the epitaph."`\ mendef 0 bg G1F_S1cP,0 ld r,$BUT_niramuA3,24 ;「………ってことは。@……何だよこれ。@最後の嘉音くんのところに、一番最初の紗音ちゃんの客間の鍵があったってことは…。@密室が６つ、数珠繋ぎになってるってことなのか？」\ `".........In that case...`@`...what's going on?`@` If the last place, where Kanon was, had the key to the very first room, the parlor, where Shannon was...`@` That makes six closed rooms, all tied together, right?"`\ ;bg G1F_S1aP,0 ;ld l,$BEA_WaraiA2,23 se1 2 bg map10,1 ;「その通り！@　６つの密室が数珠繋ぎになっておる。@それぞれを開錠する鍵は、それぞれ隣り合う密室によって閉じ込められている。\ `"That is correct!`@` The six closed rooms are all tied together.`@` The keys to unlock each are all shut up inside the next room.`\ ;ld l,$BEA_futekiA1,80 ;　つまり、６つの密室が１つの巨大密室を形成し、@その中に全てのマスターキーと、固有鍵全てを閉じ込めてしまっているのだ…！\ `In other words, the six closed rooms form one massive closed room,`@` and all of the master keys as well as the individual room keys are shut up inside it...!`\ ld l,$BEA_AkuwaraiA2,23 se2 59 ;　#ff0000ちなみに、６つの部屋の扉や窓はいずれも普通。@オートロックのような、鍵を使用せず施錠できるような仕掛けは存在しない。#ffffff@くっくっくっく、どうだよォ、綺麗なモンだろおぉおおおぉ？？？　うっひゃっひゃっひゃああ！」/ `#ff0000Furthermore, all of the doors and windows in the six rooms are normal.`@` No device exists which can lock them without a key, such as an auto-lock.#ffffff`@` *cackle*cackle*, what do you think, it's beautiful, isn't iiiiiiiiiiiit??? Uhhyahhyahhyaaahh!"`/ se1 37 \ ld r,$RON_WaraiA2,24 ;「ですからお嬢様、その辺りに品がございません。」@ ;＜ロノウェ `"As I said, Milady, that is not dignified."`@ br ;　ロノウェがたしなめると、ベアトは悪びれた様子もなくペロリと舌を出す。\ `When Ronove rebuked her, Beato stuck her tongue at him shamelessly.`\ ld l,$BEA_waraiA2,80 ;「うっひっひっひ、悪ぃ悪ぃ。@ついつい戦人と遊んでると上機嫌になってしまうのでなァ。@/ `"Uhihihi, sorry, sorry.`@` I just got in such a good mood playing with Battler. `@/ ld l,$BEA_AkuwaraiA5,80 ;くっくっく、それで戦人ぁ？@　お前の指し手はどうなんだよぅ？@　特に思いつかないんなら、妾が山羊たちに遺体を運ばせて、@魔法にて全ての扉を封じるところを特別に見せてやってもいいんだぜぇえぇ？」\ `*cackle*, so, Battleer?`@` What do you think of my move?`@` If you can't think of anything in particular, I can show you how I made the goats carry the corpses, `@`and seal all of the rooms with magiiic?"`\ bg G1F_S1bP,0 ld c,$BUT_KomaruA2,24 ;「好きにしろ。@お前の主張する“魔法説”として拝聴しとく。@だが、俺はお前の主張とはまったく異なる“人間説”を、@お前の主張に一切干渉されることなく主張することができる。\ `"Do what you want.`@` I'll listen respectfully to this 'magic theory' that you assert.`@` However, I can assert my 'human theory',`@` which is completely different from your claim, without any interference from your claim.`\ ld c,$BUT_OdorokiB1,1 se1 2 ;　それはつまり！@　お前の戯言に耳を貸す必要は何もないってことさッ！！@　好きに魔法の杖でも振るって七色の魔法で扉を閉めるところでも実演してろってんだ。@隣でその内、ガマの油と万能包丁の実演も始まるぜ！\ `So, in other words!`@` There's no need for me to listen to your bullshit!!`@` Act out how you lock the door with your seven-colored magic by waving your magic staff or something as much as you like.`@` And while you're doing that, you can act out your toad oil and all-purpose kitchen knife!`\ ld c,$BUT_NayamuA2,80 me1v 17,60 ;　ワルギリア、事件現場を再構築！@　粗を探すぜ！！@　全員は間違いなく死亡してるのか？@　誰かが死んだふりしてんならこんなの密室でも何でもねぇ！」\ `Virgilia, let's reconstruct the crime scene!`@` Search for a weakness!!`@` Were they all definitely dead?`@` If one of them is just playing dead, this isn't a closed room at all!"`\ ;bg black,24 mld r,$WAl_majimeA1,0 bg M1F_s1bR,0 ld c,$NAN_KomaruA1,0 msetef 0,22 mld r,$WAl_DefA2,80 ;「南條は全員の死亡を確認。@ただし誤診率の否定は“悪魔の証明”により不可能。@……つまり、誰かが生きているのを南條が見逃した可能性をゼロにすることはできません。」@ `"Nanjo checked that all of them were dead.`@` However, due to the 'Devil's Proof', it is impossible to deny the possibility of a wrong diagnosis.`@` ......In other words, she cannot make the likelihood that Nanjo overlooked the fact that they were alive equal to zero."`@ mld l,$BUT_DefA1,23 ;「来たな、“悪魔の証明”か。@だが、そいつをぶった切る剣は存在する…！」\ `"Here it is, that 'Devil's Proof'.`@` But there exists a sword which can carve that up...!"`\ mendef 0 bg G1F_S1aP,0 ld r,$BEA_fukigenA2,24 E_MA ;「な、何だよォ、あいつら。@……妾を除け者にして楽しそうだなぁ。@妾は対戦者であるぞ…？@　少しは構えと言うのに…。」\ ;＜ベアト `"Wh, what are those people doing?`@` ......Looks like they're having a good time leaving me out of the discussion.`@` I am their opponent, right...?`@` Even though I told him to prepare himself..."`\ ld l,$RON_waraiA2,23 ;「本来、チェスを対戦するのに当たり、相手とのコミュニケーションは不要です。@/ `"Originally, as when competing in chess, communication with the opponent is not necessary. `@/ ld l,$RON_DefA1,80 ;……お嬢様は指し手以外のコミュニケーションによって煙に撒いていた。@…それに惑わされないということはつまり、こういうことなのでしょう。」\ `......You spoke in riddles when you communicated and weren't making your moves, Milady.`@` ...Perhaps it has come to this because he does not want to be led astray."`\ ld r,$BEA_NayamuA2,80 ;「……………むぅ。@……なぜだか納得が行かぬ。」@ `"............Muu.`@` ......For some reason, I can't accept it."`@ ld l,$RON_AkuwaraiA1,80 ;「お嬢様はチェスを挑んでいるはずではないのですか？」\ `"You are challenging him to a chess match, are you not, Milady?"`\ ld r,$BEA_fukigenA2,80 ;「それもそうだが。@……むぅ！」@ `"That's true, but...`@`...muu!"`@ br ;　ベアトリーチェは、理由もなく面白くない！という表情で頬を膨らます。\ `Beatrice puffed out her cheeks, as though saying 'I don't know why, but I don't like it!'`\ bg black,24 bg M1F_S1bR,0 msetef 0,0 mld r,$WAL_DefA2,24 ;「警察未介入の現場につき、人間側からの検証は限界があります。@厳密な死亡確認の為、復唱要求することを推奨します。」\ `"Because the police have not yet arrived at the scene, the human side's ability to prove things is limited.`@` For a strict confirmation of death, I recommend that you have her repeat it."`\ mld l,$BUT_komaruA3,23 ;「よっしゃ、ここで叩くぜ、復唱要求だッ！！@/ `"Alright, that's where I'll strike, repeat it!! `@/ mcl a,22 se1 2 mld l,$BUT_DefB1,1 ;br ;!s0　“被害者６人は全員死亡している”！！」/ !s0`'The six victims are all dead'!!"`/ ;se1 12 ;quakey 4,800 !sd\ mendef 0 bg G1F_S1bP,0 ld r,$BEA_NayamuA2,23 ld l,$RON_WaraiA1,23 ;「……お嬢様、復唱要求が出ておりますよ？」@ `"......Milady, he has told you to repeat something, has he not?"`@ cl l,24 ld l,$BUT_OdorokiA1,23 ;「おいッ、ぼんやりするな！！@　復唱拒否か？！@　ここからが戦闘開始だッ！！」\ ;＜戦人 `"Hey, enough lazing around!!`@` Do you refuse to repeat it?!`@` This is where our battle starts!!"`\ se1 48 ld r,$BEA_OdorokiA1,80 ;bgmvol 50 ;「ふぇッ？！@　おわったったったぁ！！/ `"Wha?!`@` Owowowowoow!! `/ quakey 3,300 @/ ld r,$BEA_fukigenA2,80 ;　くっくくく、済まぬ済まぬ、いいぞ応じるぞ。\ `*cackle*cackle*, sorry, sorry, that's fine, I'll answer.`\ textoff se1 56 bg black,22 se2v 57,100 bg white,1 bg BLADE2R,22 wait 1000 bg G1F_S1bP,0 ld l,$BUT_OdorokiA1,0 ld r,$BEA_iiwakeA1,22 bgm1v 69,80 ;　#ff0000金蔵、源次、紗音、嘉音、郷田、熊沢の６人は死亡している！#ffffff」\ `#ff00006 people: Kinzo, Genji, Shannon, Kanon, Gohda, and Kumasawa are dead!#ffffff"`\ ld l,$BUT_aseruA1,80 ;「何をぼんやりしてるんだか。@/ `"Why are you so out of it? `@/ ld l,$BUT_nayamuA2,80 ;…よし。@まずはひとつ引き出したぞ。@死んだフリって王道はまず否定されたな。」@ `...Alright.`@` So the first one has been removed.`@` That shortcut that they're pretending to be dead has been denied from the beginning."`@ ld r,$BEA_futekiA1,80 ;「くっくっく！@　もはや手加減などせぬぞ、好きなだけ来るが良い。@次々斜め切りにしてくれるわ！」\ ;＜ベアト `"*cackle*!`@` I won't go easy on you anymore, come at me how you like.`@` I'll slice them slantwise one after another!"`\ bg G1F_S1aP,0 ld c,$BUT_FutekiA1,23 ;「続けて復唱要求！@/ `"Then repeat this! `@/ se1v 2,100 ;　６つの部屋には誰も隠れていない！@　俺たちが認識していない人物の存在を否定してみせろ！」\ `No one is hiding in any of the six rooms!`@` Show me that you can deny the existence of people we aren't aware of!"`\ bg G1F_S1cP,0 ld r,$BEA_DefA2,24 ;「応ずる。@/ `"I'll answer. `@/ textoff se1 56 bg black,1 wait 200 se2v 57,100 bg white,1 bg BLADE6_2R,22 bg G1F_S1cP,0 ld r,$BEA_futekiA1,22 ;#ff0000６つの部屋には誰も隠れていない！」#ffffff\ `#ff0000There is no one hiding in the six rooms!#ffffff"`\ ld l,$BUT_DefA1,80 ;「よし。@これで６人だけの缶詰は確定だな。@そして死んだフリもない。」@ `"Alright.`@` Now I'm sure that it's only the six of them in the can.`@` And they aren't pretending to be dead."`@ ld r,$BEA_AkuwaraiA5,80 ;「……どうするどうするゥ？@　人間にはもはやどうしようもないであろうがぁ。@大人しく妾がステキな魔法で鍵を自由自在にするところを跪いて拝見しろよぉおぉ？」\ `"......What will you do, what will you dooo?`@` Even though there's already nothing a human could do.`@` Obediently kneel to the fact that I can control locks at will with my wonderful magic, alriiiiiiight?"`\ ld l,$BUT_NiramuA2,80 ;「寝言言ってろ。@さらに復唱要求だ。@/ `"Quit babbling.`@` Repeat this too. `@/ se1v 2,100 ;“６人の死亡は即死である”！」@ `'The six deaths were instant deaths'!"`@ ld r,$BEA_akuwaraiA2,80 ;「即死ぃ？@　ほぅ、どういう意味だ、それは？」\ ;＜ベアト `"Instant death?`@` Hoh, what do you mean by that?"`\ bg blood_2e,0 mld l,$WAL_majimeA1,0 msetef 0,24 mld l,$WAL_ikariA1,80 ;「……犠牲者の１人が瀕死の状態で部屋まで逃げ延び、@内側から施錠して密室を作った後、息絶えた可能性もある、ということですよ。」\ ;＜ワルギリ `"......It means there is a possibility that a single victim on the verge of death managed to escape into the room, `@`and after locking it from the inside to create a closed room, they passed away."`\ mld r,$RON_AkuwaraiA1,24 ;「…ふ。@密室殺人の古典ですか。@致命傷を与え、しばらく後に死ぬことを確実とした場合。@犠牲者が殺人者から逃れるために部屋に篭り、@施錠後に死亡したなら、予期せずして密室が構成されることはありえます。」\ ;＜ロノウェ `"...Hmph.`@` A classic closed room murder.`@` In the case where it is determined that the victim received the wound, and then died sometime after that.`@` It is possible that a closed room could be constructed unexpectedly if the victim holed up inside the room to escape the murderer,`@` and then died after locking it."`\ mld l,$WAL_fumanA1,80 ;「その可能性を否定するには、@赤き真実にて“６人は即死であった”ことを宣言する必要がありますよ。」\ ;＜ワルギリ `"In order to deny that possibility, `@`you will need to proclaim that 'the six people died instantly' with the red truth."`\ mendef 0 bg G1F_S1cP,0 ld c,$BEA_WaraiA1,23 ;「くっくっくっく！@　良かろう良かろう、赤き宝刀にて切り伏せよう！@/ `"*cackle*cackle*!`@` Very well, very well, I'll slay you with my red treasured sword! `@/ textoff se1 56 bg black,1 wait 200 se2v 57,100 bg white,1 bg BLADE3R,22 bg G1F_S1cP,0 ld c,$BEA_futekiA1,22 ;#ff0000　６人は即死であった！#ffffff@　即死とはつまり、攻撃を受けて即座に行動不能になったという意味だ。\ `#ff0000The six people died instantly!#ffffff`@` By instant death, I mean that as soon as they were attacked, they became incapable of action.`\ ld c,$BEA_futekiA2,80 ;　まぁ、完全な意味での死亡には数秒、もしくは数分をかけたかもしれん。@だが何れにせよ、自らの意思で何かの行動を取ることは完全に不可能であった。@その意味において、即死と断言できる！」\ `Well, in its full meaning, it could take several seconds or even minutes for them to die.`@` But no matter what, it would be completely impossible for them to take any action of their own will.`@` In that sense, I can state that they died instantly!"`\ bg G1F_S1bP,23 ld r,$BUT_FutekiA1,24 ;「…ここまでは古典の確認だ。@お前との密室対決はここからだぜ…？@/ `"...Everything up until now has just been checking for a classic closed room.`@` My showdown with you over the closed rooms starts now, alright...? `@/ ld r,$BUT_DefA1,80 ;　犯人は内側にいないなら、外にいる。@そして外からどうにかして彼らを殺したんだ。」@ `If the culprit isn't on the inside, they are on the outside.`@` So they somehow killed them from outside the rooms."`@ ld l,$BEA_AkuwaraiA1,80 ;gggg ;「くっくっくっく！@　何を血迷うか。@“密室＝外部からの殺害は不可能”であろうが！@　ゆえに魔法殺人しかありえない！」\ `"*cackle*cackle*!`@` Have you lost your mind?`@` Doesn't 'a closed room=murder is impossible from the outside'?!`@` Therefore, it's impossible for it to be anything other than a magical murder!"`\ ld r,$BUT_futekiA1,80 ;「いいや違うね。@/ `"No, that's wrong. `@/ ld r,$BUT_OdorokiA1,80 ;“殺人は現に起こった＝密室ではない”が正しいのさ！@　お前がどう煙に撒こうと、これは断じて密室じゃない！@/ `The right thing to say is 'a murder really happened=it isn't a closed room'!`@` No matter how much you speak in riddles, this definitely isn't a closed room! `@/ se1v 2,100 ;　密室に見えるだけの、紛い物だッ！」\ `It's a sham that only looks like a closed room!"`\ bg G1F_S1cP,24 ld r,$RON_waraiA2,24 ;「しかし戦人さま。@/ `"However, Battler-sama. `@/ se2 59 ;#ff0000室内には犠牲者しかおらず、@それ以外の人物は室内には存在しておりません。#ffffff@/ `#ff0000Only the victims are inside the rooms, `@`and no other people exist inside the rooms.#ffffff `@/ ld r,$RON_defA1,80 ;そしてお嬢様の密室定義により、@外部からの遠隔殺人も明確に否定されておりますよ？」\ ;＜ロノウェ `And by Milady's closed room definition,`@` remote murders from outside the room have been clearly denied, have they not?"`\ ld l,$BUT_komaruA3,23 ;「待ちな。@遠隔殺人の定義は広大だぜ？@/ `"Wait.`@` The definition of remote murders is vast, right? `@/ ld l,$BUT_futekiA1,80 ;　何も、部屋の外から釣り糸を引っ張って、室内の犠牲者を絞め殺したとか、@そんなのばかりじゃねぇ。@/ `It's not just about pulling a fishing line from outside the room and strangling the victim inside the room. `@/ ld l,$BUT_OdorokiA1,80 ;例えば、……/ `For example, ......`/ se1v 2,100 ;トラップだって立派な遠隔殺人だ！」\ `a trap would make for an excellent remote murder!"`\ cl r,23 ld r,$BEA_akuwaraiA5,24 ;「トラップぅ？@　ほぅ、それは何か！」\ ;＜ベアト `"A traap?`@` Hoh, what is that?!"`\ ;ld l,$BUT_DefA2,80 bg black,24 bg M_door1,22 ;「一例だが、彼らに予め決められた部屋に入り、@内側から施錠して自ら密室を作り出すように指示を出す。@そして室内には、彼らがそれとは知らないトラップが仕掛けられており、@それによって彼らは殺された。@/ `"Just as an example, let's say they were instructed to enter previously decided rooms, `@`and lock the doors from the inside to create a closed room themselves.`@` A trap is set up in those rooms that they don't know about, `@`and they are killed by that. `@/ ;予め被害者には ;ld l,$BUT_DefB1,80 se1v 2,100 ;……どうだッ？！　これなら矛盾は生じない！」\ `......How's that?! Now your contradiction doesn't work!"`\ ;bg black,23 bg G1F_S1aP,23 ld r,$WAL_defA1,24 ;「……問題ありません。@現状と整合します。」@ ;＜ワルギリ `"......There is no problem.`@` It corresponds to the existing state."`@ ld l,$RON_WaraiA2,23 ;「…当方も問題ありませんよ。@お嬢様の密室定義にも抵触しません。」\ ;＜ロノウェ `"...There is no problem on our side either.`@` It does not conflict with Milady's closed room definition."`\ bg G1F_S1cP,24 ld r,$BEA_AkuwaraiA2,24 se1 37 ;「くっはっははははははははは？！@　何だそのマヌケな推理はァ？！@　何れの室内にも不審なものは発見されなかったぞ？@/ `"Kuhhahhahahahahahahahaha?!`@` What's with that stupid reasoning?!`@` Nothing suspicious was found in any of the rooms, right? `@/ ld r,$BEA_AkuwaraiA3,80 ;　そのトラップはどのような形状なのか？！@　どこに隠してあってどう作動したというのか？！@　それを６人分、客間、客室、控え室、貴賓室、ボイラー室、礼拝堂の６つで説明してみせよ、@どうだぁ？　出来まいッ？！？！」\ `What form did that trap have?!`@` Where was it hidden and how did it operate?!`@` Explain that for all six people, in the parlor, the guest room, the waiting room, the VIP room, the boiler room, and the chapel.`@` Well? You can't, can you?!?!"`\ cl a,22 ld l,$BUT_OdorokiB1,1 se1v 2,100 ;!s0「反論拒否ッ！！/ !s0`"I refuse to counter that!! `/ quakey 4,700 ;!sd@　それを説明する必要はねぇ！！@　にもかかわらず俺の主張は揺るがない！！」\ !sd@`There is no need for me to explain that!!`@` And even so, it doesn't damage my claim!!"`\ ld r,$BEA_fukigenA1,80 ;「なッ、何だとぉおおおぉおぉ…？！？！」@ `"Wh, what did you saaaaaaaaayy...?!?!"`@ cl l,24 ld l,$WAL_ikariA1,23 ;「ベアトリーチェ、“悪魔の証明”ですよ。@/ `"Beatrice, it is a 'Devil's Proof'. `@/ ld l,$WAl_FumanA1,80 ;そのトラップの形状を説明できないことが即ち、@/ `The fact that he cannot explain the form of the trap, `@/ se1v 2,100 ;トラップ否定の理由にはなり得ない！」\ ;＜ワルギリ `does not in itself deny that there was a trap!"`\ bg G1F_S1aP,0 ld r,$RON_odorokiA1,23 ;「…………うまい。@強引ながら見事な一手です。」@ ;＜ロノウェ `"............Well done.`@` While overbearing, a wonderful move."`@ ld l,$BEA_AseruA1,23 ;「…くッ！！！@　こいつ、すっかり手馴れおって……！！」\ `"...Ku!!!`@` This guy is getting completely used to this......!!"`\ bg G1F_S1bP,0 ld r,$BUT_DefA1,24 se1v 57,100 ;「チェック。@発見できていない殺人トラップＸにより、この密室殺人は成立可能だ。」@ `"Check.`@` Due to murder trap X that they couldn't find, it is possible to establish this closed room murder."`@ ld l,$BEA_fukigenA1,23 ;「……あ、赤き真実にてそのチェックを斬る！！@/ `"......Ah, I'll kill that check with the red truth!! `@/ textoff se1 56 bg black,1 wait 200 se2v 57,100 bg white,1 bg BLADE7_2R,22 bg G1F_S1bP,0 ld r,$BUT_DefA1,0 ld l,$BEA_fukigenA1,22 ;#ff0000　６人はトラップで殺されてはいない#ffffff！」\ `#ff0000The six people were not killed by traps#ffffff!"`\ ld r,$BUT_komaruA3,80 ;「トラップの定義は？！」\ `"The definition of trap?!"`\ ld l,$BEA_OdorokiA1,80 ;「う、/ ;!d600…えっと、/ ;!d400…あれだ！@　犠牲者が勝手に引っ掛かって発動するヤツとかだ。@/ `"Oh, `/ !d600`...umm, `/ !d400`...that's it!`@` Something invoked when a victim gets caught in it by their own actions. `@/ ld l,$BEA_IiwakeA1,80 ;あー…、それだけじゃない！@　リモコンで発動するとか、タイマーで発動するとか、@……そういうの諸々全部含めたヤツだ！」\ ;＜ベアト `Aaah..., that's not all!`@` Things invoked by remote control or by a timer,`@` ......everything like that is also included!"`\ cl r,23 ld r,$RON_AkuwaraiA1,24 ;「ぷっくっく…。@仕掛け人が直接関与することなしに殺人を遂行できる全ての仕掛け、@という定義でよろしいかと思いますよ。」\ ;＜ロノウェ `"Pu ku ku...`@` All devices that can succeed in murder without the direct participation of the person who set it up.`@` I believe that definition may be appropriate."`\ cl a,0 ld c,$BEA_aseruA1,63 se1v 2,100 ;「どッ、どうだ？！@　切り返したぞッ！！@/ `"H, how's that?!`@` I've struck back!! `@/ ld c,$BEA_komaruA1,80 ;　人間にこの密室が破れて堪るか！！」\ ;＜ベアト `As though I could let a human defeat this closed room!!"`\ bg G1F_S1aP,0 ld l,$BUT_majimeA1,23 ;「………………。@/ `"............`@/ ld l,$BUT_defA2,80 ;…………お前も、勝つ為に必死だな。」@ ;＜戦人 `............You are also frantic, trying to win."`@ ld r,$BEA_aseruA1,24 ;「…何ぃ…？！@　どういう意味だ…？」\ `"...Whaat...?!`@` What do you mean...?"`\ ld l,$BUT_oyaA1,80 ;「……お前は自分の存在を俺に認めさせようと必死に戦ってる。@今まで俺は、一方的にお前に弄られてるだけだと思ってた。\ `"......You are also frantically fighting to make me accept that you exist.`@` Until now, I've thought that I was just being toyed around with by you one-sidedly.`\ ld l,$BUT_nayamuA1,80 ;　…しかし実際は違った。@お前もまた、俺の切り替えしに必死に抗い、自分の存在を示そうと戦っ;ている…！@　俺はよ、/ ;!d500…今ようやく実感してるぜ。」@ `...But that was actually wrong.`@` You are also frantically resisting my comeback, fighting to show that you exist...!`@` Now, `/ !d500`...I finally really feel that's true."`@ br ;　これは、俺が屈服するか否かを問う、俺に科せられた拷問じゃない。\ `This isn't torture inflicted on me about whether I'll surrender or not.`\ cl a,22 ld l,$BUT_OdorokiB1,1 se1v 2,100 ;!s0「俺とお前の、対等な戦いなんだ！！/ !s0`"This is a fight between you and me on an even footing!! `/ quakey 4,700 !sd@/ ld l,$BUT_defA1,80 ;　……さぁて面白くなって来たぜ？@　６人は密室で死に、部外者は中に誰もいない。@そして外部からはちょっかいは一切出せず、トラップもないと来た。@これまでの俺だったら、これはもう魔法の仕業しかありえねぇだろうと思うだろうよ。\ `......Alright, it's starting to get interesting, isn't it?`@` Six people died in closed rooms, and no outsiders were inside.`@` And there was no meddling from the outside, and also no traps.`@` If I were to continue in the same way I have been up until now, I would probably think this had to be the work of magic.`\ ld l,$BUT_nayamuA2,80 ;　……このタイミングで、お前におかしな魔法を実演されたら、そりゃあ屈服もしてただろうさ。@………これがお前の得意戦術だ。@…俺の指し手を全て迎撃し切り、俺が万策尽きたと膝を付く、@心の防御力が弱るその瞬間に、これ見よがしにおかしな魔法を見せ付けて一気に勝負を持っていく！！」\ `......And if you had acted out some strange magic, I'd probably even surrender.`@` .........It's that favorite strategy of yours.`@` ...You completely intercept all of my moves, and in the moment that I've tried everything and fallen to my knees, `@`when my heart's defensive power is at its weakest, you show off some strange magic and take the game all at once!!"`\ bg black,24 bg G1F_S1cP,0 ld l,$RON_waraiA2,0 ld r,$WAL_DefA1,24 ld r,$WAL_WaraiA1,80 ;「………昔から短気な性分で。@勝ちの目が見えると焦る悪い癖は相変わらずです。」@ ;＜ワルギリ `".........She has always had a short temper.`@` She still has that bad habit of rushing things when victory is in sight."`@ ld l,$RON_WaraiA1,80 ;「ぷっくっく。@お嬢様はお預けができない性分ですから。」\ `"Pu ku ku.`@` Because Milady cannot stand putting off a match."`\ cl a,0 ld c,$BEA_komaruA1,1 se1v 1100,100 ;「えぇいうるさいうるさいぞ！！/ `"Heeey, shut up, shut up!! `/ quakex 3,300 @/ ld c,$BEA_aseruA1,80 ;　戦人の手番であるぞ？！@　そなたが進めたトラップの駒は妾が赤にて斬り捨てた！@　次は何を繰り出すのか？@　存分に来るが良いッ！！」\ `It's Battler's turn, right?!`@` I have finished off the 'trap piece' that you have advanced!`@` What should I repeat next?`@` Show me what you've got!!"`\ bg G1F_S1bP,0 ld l,$BUT_odorokiA1,63 ;「おうッ！！/ `"Right!! `/ se1v 2,100 quakey 3,300 ;@　トラップまで潰され、一見、こいつは完全な密室犯罪に見える。@……だからこそここで、チェス盤を引っ繰り返すぜッ！！」@ @`Now that even a trap has been defeated, at a glance, this looks like a perfect closed room murder.`@` ......And that's why this is where I'll turn the chessboard over!!"`@ ld r,$BEA_fukigenA1,80 ;「…来たな、そなたの得意技よ！@　何をどう引っ繰り返せるというのか？！@　見せてみろぉおおおお！！」\ `"...Here it is, your special technique!`@` What and how are you going to turn things over?!`@` Try showing meeeeeeeeeeee!!"`\ ld l,$BUT_nayamuA2,80 ;「あぁ、見せてやる！！@　如何にして密室の中の６人を外から殺すかを考えるんじゃない！@/ `"Yeah, I'll show you!!`@` It's not about thinking how to kill six people inside closed rooms from the outside! `@/ ld l,$BUT_kuyasigaruA1,80 ;　あぁ、駄目だ駄目だ、全然駄目だッ！@　そうさ、どうやって外から殺すかじゃない。@どうやって中で死んで密室にするかなんだ！\ `Aaah, it's useless, it's useless, it's all useless!`@` That's right, it's not about how to kill from the outside.`@` It's about how they died inside the room and created a closed room!`\ cl a,80 mbg white,1 mcbg 0 ld l,$BUT_OdorokiB1,22 se1v 2,100 se2 21 ;　……そうさ、これが答えなのさッ！！@　犠牲者６人の中に犯人が含まれていたと考えれば、@この密室は極めて容易に説明できる！」\ `......That's it, this is the answer!!`@` If you assume that one of the six victims was the culprit, `@`this closed room can be explained extremely easily!"`\ ld r,$BEA_OdorokiA1,80 ;「なッ、何ぃいぃ？！@/ `"Wh, whaaaaaaat?! `@/ ld r,$BEA_komaruA1,80 ;　馬鹿な！@　その６人は死んだとはっきり妾は赤で言ったはず……！！」@ `No way!`@` I believe I clearly said in red that the six people were dead......!!"`@ ld l,$BUT_NiramuB2,80 ;「死んだのは６人。@犠牲者は殺された５人。@もう１人は、自殺だったと仮定すればこの密室は打ち破れるッ！！」\ `"6 people did die.`@` Five were victims who were killed.`@` If you assume that the other person committed suicide, you can destroy this closed room!!"`\ bg G1F_S1cP,24 ld r,$RON_defA1,24 ;「……確かに。@犯人が最後の密室に自ら入って施錠し、@自らの命を絶てば、この連鎖密室は成立します。」\ ;＜ロノウェ `"......Certainly.`@` If the culprit locked themselves in the final closed room, `@`and threw away their own life, this closed room chain would be established."`\ ld l,$WAL_fumanA1,23 se1 2 ;「犯人の自殺。@…普通では考えられない一手ですが、/ ;!d500考えられないから存在しない、/ ;!d800は存在しない。@……そしてその動機を立証する義務は彼にない。@魔女とのチェスでしか使えない、実に力強い一手…！」\ ;＜ワルギリ `"The culprit's suicide.`@` ...Normally, it is an unthinkable move, `/ !d500`but the argument that it doesn't exist because it is unthinkable, `/ !d800`doesn't exist.`@` ......And he has no responsibility to demonstrate a motive.`@` A truly powerful move, which can only be used in a chess match against a witch...!"`\ ld r,$RON_waraiA2,80 ;「……まぁ、動機がないとは言い切れませんね。@…例えば、金蔵は余命があとわずかと宣告されています。@残りわずかの生を惜しまず、自らの死をメッセージとした、@…という動機付けも不可能ではないかもしれません。@/ `"......Well, you cannot say for certain that there is no motive.`@` ...For example, it has been announced that Kinzo only had a short time left to live.`@` He did not regret losing his short remaining life, and he used his own death as a message.`@` ...It may not be impossible to attach that motive. `@/ ld r,$RON_defA1,80 ;………お嬢様。@こちらの手番ですよ。」\ ;＜ロノウェ `.........Milady.`@` It is our turn."`\ bg G1F_S1bP,0 ld l,$BEA_fukigenA1,23 me1v 17,60 ;「う、…うむ！@　まさか、死者の尊厳を踏み躙ってまで犯人を生み出してくるとはな…！@　こやつ、血も涙もない男よ…！」\ `"U, ...urg!`@` Imagine that you would even trample on the dignity of the dead to create a culprit...!`@` What a heartless, cold-blooded man...!"`\ ld r,$BUT_nayamuA1,24 ;「死者を犯人に仕立て上げる。@…この畜生にも劣る一手は、前回のゲームでお前が嘉音くんを陥れた一手だ。@/ `"Setting up the dead as the culprit.`@` ...This move is worse than inhuman, and it's one you used to attack Kanon-kun in the last game. `@/ ld r,$BUT_NiramuA1,80 ;……この手でお前に一矢報いることが、@ゲームは異なるが、あの時の嘉音くんへの手向けだ。\ `......Even though the games are different, I'm taking a shot back at you with this move,`@` as a tribute to Kanon-kun for that time.`\ ld r,$BUT_OdorokiA1,80 se1v 2,100 se2 27 ;　今ッ、俺はあの時の嘉音くんの無念を晴らしたッ！！」@ `Just now, I have freed that Kanon-kun from his regrets!!"`@ ld l,$BEA_AseruA1,80 ;「く……、くぅううぅぅ……ッ！！」/ `"Ku......, kuuuuuuu......!!"`/ quakey 3,300 \ bg black,23 bg G1F_S1aP,23 ld r,$WAL_DefA2,24 ;「ここで手を休める義理はありませんよ。@/ `"You have no duty to hold back here. `@/ ld r,$WAL_ikariA1,80 ;全員の死因が自殺でないことを確認すべきです。@復唱の要求を推奨します。」\ ;＜ワルギリ `You should check whether suicide was not the cause of death for any of them.`@` I recommend that you have her repeat it."`\ ld l,$BUT_DefA1,23 ;「あぁ！！@　だが、自殺なんて甘い言い方じゃ追い詰められねぇぜ！！@　ベアト、こいつで詰めだ！！@/ `"Right!!`@` But suicide is a naive word that won't corner her!!`@` Beato, this is the end!! `@/ textoff E_MA se1v 2,100 bg white,1 bg G1F_S1aP,0 ld l,$BUT_OdorokiB1,22 ;!s0　復唱要求ッ！！/ !s0`Repeat it!! `/ quakey 5,900 ;!sd@　“６人は全員他殺である”！！」\ !sd@`'The six were all killed by other people'!!"`\ bg G1F_s1cP,0 ld r,$BEA_OdorokiA1,0 ld l,$RON_akuwaraiA1,24 ld l,$RON_waraiA2,80 ;「…………………これは痛いですね。」@ ;＜ロノウェ `"...............That is painful."`@ ld r,$BEA_AseruA1,80 ;「うぐッ…！！@　……………………く、ぉぉ…！」\ ;＜ベアト `"Uguu...!!`@` .....................Ku, ooohh...!"`\ cl l,24 ld l,$BUT_NiramuA2,23 ;「あぁん？@　どうしたよ、６人が殺されたんだろ？！@/ `"Hmmmm?`@` What's wrong, six people were killed, right?! `@/ ld l,$BUT_nayamuA2,80 ;　もっとも単純な一番最初の前提の確認でしかないぜ？@　復唱できねぇのか？！」\ ;＜戦人 `I'm just checking the simplest premise from the very beginning, right?`@` Can't you repeat it?!"`\ textoff wait 1500 ld r,$BEA_iiwakeA1,80 ;「ふ、……復唱を拒否する。@…り、理由は特にない。」\ `"Fu, ......I refuse to repeat it.`@` ...Th, there's no reason in particular."`\ ld l,$BUT_NiramuA1,80 ;「ここでの復唱拒否はリザインと同じ意味だぜ？！\ `"Refusing to repeat this part is the same as resigning, right?!`\ textoff se1v 2,100 se2v 2,100 bg white,1 bg G1F_S1cP,0 cl r,0 ;ld r,$BEA_OdorokiA2,0 ld l,$BUT_OdorokiB1,22 ;　チェックメイト！！@　６人の中に犯人がいて、密室構築後に自殺を図った！@　以上だッ！！」\ `Checkmate!!`@` One of the six was the culprit, and they decided on suicide after constructing the closed room!`@` That's all!!"`\ ld r,$BEA_AseruA1,80 ;「…ま、待て！@　いやその、……言う言う！@　望み通り赤を行使するぞ！@/ `"...W, wait!`@` No, umm, ......I'll say it, I'll say it!`@` I'll use the red like you want! `@/ se3 59 ;#ff0000　６人は誰も自殺していない！#ffffff@/ `#ff0000None of the six people committed suicide!#ffffff `@/ ld r,$BEA_fukigenA1,80 ;　どうだ？！@　これで満足かッ…？！@　くっくくくかっかかかかか！@　切り返したぞ、切り返したッ！！！」\ `How's that?!`@` Are you satisfied...?!`@` *cackle*cackle*, kakkakakakaka!`@` I've struck back, I've struck back!!!"`\ ld l,$BUT_NiramuA3,80 ;「ちッ、/ ;!d600……何だよ、言えるじゃねぇかよ…。@…だがおかしいな。@何であんなに狼狽してるんだ…？」@ `"Heh, `/ !d600`......what the hell, so you can say it...`@`...But isn't that weird?`@` Why are you so panicked...?"`@ ld r,$BEA_iiwakeA1,80 ;「……きき、気のせいよ。@妾も今回は必死でな？@　そうそう心にゆとりもないのだ。@深く気にするでない…。」\ ;＜ベアト `"......I, i, it's your imagination.`@` I am also frantic this time, right?`@` That's right, I don't have any leeway.`@` Don't pay it any mind..."`\ cl l,24 ld l,$WAL_defA1,23 ;「……要求した復唱が改ざんされていますよ。@誤魔化されないように。」\ `"......That which you demanded she repeat has been falsified.`@` Do not be fooled."`\ ld r,$BEA_AseruA1,80 ;「………………くぅぅぅぅぅうぅう…。」@ ;＜ベアト `"..................Kuuuuuuuuuuuuuuuuuu..."`@ cl l,24 ld l,$RON_WaraiA2,23 ;「ぷっくっくっく…。@駄目みたいですよ、お嬢様。」\ ;＜ロノウェ `"Pu ku ku ku...`@` It seems it was useless, Milady."`\ bg G1F_s1aP,0 ld c,$BUT_OdorokiA2,23 ;「そ、そうか！/ `"Th, that's right! `/ quakex 3,300 ;@　“６人全員他殺”とは言ってない。@“６人全員自殺に非ず”とこいつは言い換えた！@　ということは、他殺でも自殺でもない人間が混じっているということだ。@/ @`She didn't say 'the six were all killed by other people'.`@` She changed it to 'none of the six committed suicide'!`@` Which means that one of the people was not killed by someone else and didn't commit suicide. `@/ ld c,$BUT_KuyasigaruA1,80 ;………ああぁあぁあ、/ ;!d900わかったぜわかったわかったッ！！@/ `.........Aaaaaaaahhh, `/ !d900`I've got it, I've got it!! `@/ ld c,$BUT_OdorokiA1,80 se1v 2,100 ;　これが真相だ！」\ `This is the truth!"`\ ;ld c,$BUT_futekiA1,80 bg black,22 ;説明画面？ bg MAP10b,22 ;「６人の中に潜む犯人Ｘは５人を殺害後、密室を構築した。@……そしてそこから何かの方法で逃れるか、隠れるかするつもりだったんだ。\ `"After culprit X, who was hiding among the 6, committed murder, they constructed a closed room.`@` ......Then they planned to escape from or hide in that room by some method.`\ ;ld c,$BUT_OdorokiB1,80 ;説明画面２？ se1v 2,100 se2v 1100,100 se3 27 bg white,1 bg MAP10c,2 ;　ところが、(事故った/・・・・)ッ！！@　本人すらも想定しない理由により事故死し、自ら望まない密室殺人を構築したんだ！！@/ `However, `(`there was an accident`/・・・・・・・・)`!!`@` The culprit died from an accident that even they hadn't expected, and constructed a closed room that even they hadn't desired!! `@/ se1v 2,100 ;　これで決まりだぜベアトリーチェ！！@　チェックメイトだ！！！」\ ;＜点処理：事故った `Now it's over, Beatrice!!`@` Checkmate!!!"`\ ;合流 ;bg black,24 bg black,24 bg G1F_S1bP,0 ld r,$BEA_OdorokiA1,24 ld r,$BEA_KomaruA1,80 ;「く、……くそぉおおッ！！/ `"D, ......damn iiiit!! `/ quakey 5,500 ;@　その程度で妾が追い詰められると思うか！！@　この程度でリザインを叫ぶものかッ！！@/ @`Did you think I would be cornered by something like that!!`@` I would never scream my resignation over something like that!! `@/ ld r,$BEA_AseruA1,80 ;　その愚かなチェックメイト、妾の赤き宝刀にて何度でも叩き斬ってくれようぞ！！@　６人の中に事故死は、\ `I'll slice up that foolish checkmate with my red treasured sword over and over again!!`@` An accidental death among the six people was, `\ ld c,$RON_waraiA2,0 ld r,$BEA_OdorokiA1,63 se3 48 quakex 3,300 ;　むがッ？！@　ふががが、はにをふるッ、ふがふが！」\ ;＜ベアト `Muga?!`@` Fugagaga, what are you doing, fugafuga!"`\ ld c,$RON_defA1,80 ;「失礼。@当方、ここで作戦タイムを所望いたします。@しばしのご猶予をお許しください。」\ ;＜ロノウェ `"My apologies.`@` Our side requests some time to strategize.`@` Please allow us a brief postponement."`\ bg G1F_S1aP,0 ld r,$WAL_defA1,23 ;「……正当な要求です。@問題ないかと。」@ ;＜ワルギリ `"......It is a just request.`@` Is there any problem?"`@ ld l,$BUT_DefA2,23 ;「おう！！　許可するぜ！@　俺も今までさんざんそいつをもらってる。@今度はお前がそれを使う番だぜ…！！」\ `"Nope!! I approve!`@` I've been given those a lot lately.`@` This time it's your turn to use it...!!"`\ bg G1F_S1cP,0 ;lsp 901,$RON_DefA1,50,0 ;lsp 902,$BEA_OdorokiA1,85,0 ;print 24 ;lsp 901,$RON_WaraiA2,50,0 ;print 80 ld c,$RON_waraiA2,26 ;「ありがとうございます。@さぁ、お嬢様、……こちらへ。@そして心の中で静かに数字を百数えましょう。」\ ;＜ロノウェ `"Thank you very much.`@` Come, Milady, ......this way.`@` And let us quietly count to one hundred inside our heads."`\ cl a,23 ; for %Free1 = 1 to 100 ; msp 901,5,0 ; msp 902,5,0 ; print 1 ; wait 10 ; next ;「ふがふがふが！！/ `"Fugafugafuga!! `/ se1 47 quakex 4,600 ;　ふのへへ、ふのふぇー！！/ `Funohehe, funofe-!! `/ se2 48 quakey 3,600 ;　ふがー！」/ `Fuga-!"`/ se3 47 quakex 5,800 @ br ;　狼狽し、興奮しきったベアトの口を、ロノウェは急に手で覆い、勝負を中断させた。@ ;　そして作戦会議と称してベアトを奥へ引き摺っていく…。\ `Ronove quickly covered Beato's mouth with his hand as she grew thoroughly panicked and agitated, and suspended the game.`@ `He then called for a strategy conference and pulled Beato away...`\ bg black,2 me1v 5,0 fedexx 0,40,0,0,0,0,4000 E_B bg G1F_S1aP,23 ld r,$BUT_NiramuA3,24 ;「……くそ。@あの悪魔の執事め。@ベアトが熱くなってる今が追い込む絶好のチャンスだったんだが…。」@ `"......Damn.`@` That demon butler.`@` When Beato got all hot, that was an ideal chance to corner her..."`@ br ;　ベアトは普段、優雅そうに振舞ってるヤツだが、実際は、案外と短気で怒りっぽい。@ ;　……普段の知性は、興奮し出すと鳴りを潜める。\ `Beato normally behaved elegantly, but she actually had a really short temper and got mad easily.`@ `......Common sense is hidden once a person becomes agitated.`\ ld l,$WAL_majimeA1,23 ;「ロノウェは冷静ですね。@…おそらくあの子に頭を冷やす時間を与えたのでしょう。@……あの子はあなたのチェックを外すことに意地になり、@いくつかの大駒を易々と見捨てようとしていた。@…第一の晩など、所詮は前哨戦。@……あの子は引き際を誤り掛けた。」\ ;＜ワルギリ `"Ronove is composed.`@` ...He probably gave that child some time to cool her head.`@` ......That child was stubbornly trying to remove your check, `@`and was going to easily let several large pieces go.`@` ...After all, the first twilight is only a skirmish.`@` ......That child mistook her timing."`\ ld r,$BUT_oyaA1,80 ;「……つまりどういうことだよ。@俺のチェックメイトは成立したのか、しないのか。」@ `"......So, what does it mean?`@` Did I create a checkmate, or didn't I?"`@ ld l,$WAL_defA2,80 ;「あの子は赤を宣言し掛けていました。@チェックメイトにはまだならないでしょう。@……しかしおそらく。@頭を冷やしたあの子は、リザインを宣言するに違いありません。」\ `"That child was going to proclaim it in red.`@` It probably wouldn't have become checkmate yet.`@` ......But, probably, `@`that child will proclaim her resignation once she has cooled her head."`\ ld r,$BUT_futekiA1,80 ;「…まさか。@あの負けず嫌いがか…？」@ `"...Imagine that.`@` Even though she hates losing...?"`@ ld l,$WAL_majimeA1,80 ;「えぇ。@負け戦は一秒でも早く兵を引き上げ、如何に損失を減らすかが肝要です。@……難しいのは、それが負け戦であるかどうかを計ること。@…あの子の執事は、それを冷静に判断したようです。」\ `"Yes.`@` In a losing battle, it is essential to withdraw your troops as soon as possible to try and minimize your losses.`@` ......The difficult part is measuring whether it is a losing battle or not.`@` ...It seems that that child's butler calmly made that decision."`\ ld r,$BUT_NayamuA2,80 ;「……やれやれ。@つまり、あと一息のところで逃げられたってわけだな。@……びし！っと、@俺がチェックメイトを決めてトドメを刺すって流れには、簡単にはならねぇんだな。」\ `"......Oh well.`@` In other words, in another second, she would have gotten away.`@` ......It's not like I can get checkmate and deliver the final blow so easily."`\ ld l,$WAL_WaraiA1,80 ;「でも、これはあなたの勝ちだと判断して良いでしょう。@向こうはぎりぎりで大きな損失を踏み止まったようですが、@それでもかなりのダメージを与えたに違いありません。@……その傷の深さは、あの子の狼狽ぶりから充分理解できたはずですよ。」\ `"However, you should measure this as your victory.`@` It seems that they barely prevented a large loss, `@`but without a doubt, they received a large amount of damage.`@` ......You should be able to understand well the depths of that wound by watching her panic."`\ ld r,$BUT_defA1,80 ;「だな。@いっひっひっひ、これ以上いじめたら泣き出しちまいそうだぜ。」\ `"Seriously.`@` Ihihihi, it feels like she'd start crying if I bullied her any more than this."`\ bg black,2 wait 2000 bg G1F_S1cP,0 ld r,$BEA_fukigenA3,0 ld l,$RON_DefA2,4 ;　そんな話をしていると、神妙な顔をしたベアトとロノウェが戻ってきた。@ `As we talked, Ronove returned with Beato, who wore a mysterious expression.`@ br ;　…いつもの不敵そうな笑みはないが、もう頭に血は上ってないようだった。\ `...She didn't have the same bold smile as usual, but it looked like the blood wasn't rushing to her head anymore.`\ cl l,24 ld l,$BUT_defA2,23 ;「………よう。@お前の手番だぜ。@次の一手は決まったかよ？」@ `".........Hey.`@` It's your turn.`@` Did you decide your next move?"`@ ld r,$BEA_nayamuA1,80 E_A bgm1 66 ;「リザインだ。@……この場はお前に勝ちを譲る。」\ `"I resign.`@` ......For now, I will let you have your victory."`\ ;　ベアトは淡白にそう告げる。@ ;　笑いたくば笑えというような達観も感じられた。@ `Beato told me that frankly.`@ `It seemed as though she had taken a far-sighted view, as though saying 'if you want to laugh, then laugh'.`@ br ;　……何となく興醒めして、追い討ちをする気も薄れた。\ `......It was a bit of a kill-joy, and I lost my desire to deliver the final blow.`\ ld l,$BUT_futekiA1,80 ;「ま、お前がリザインしたってのは、結局のところ、@俺の説もお前の説も、互いが相手を否定できないイーブンって意味だからな。@負けってよりは引き分けって意味で受け取っとくぜ。」\ `"Well, now that you've resigned, in the end, `@`all that means is that we're even, since my theory and yours can't deny each other.`@` You should treat it more like a tie than a loss."`\ ld r,$BEA_KomaruA1,80 ;「……気持ち悪い同情などいらぬわ。@この場は妾の負けだと言っておる。@…そなたには雨に濡れた犬を、さらに棒で叩く趣味があるというのか。」@ `"......I don't need your disgusting compassion.`@` I say that this time, it is my loss.`@` ...When you find a dog drenched with rain, do you have the habit of whacking it with a stick or something?"`@ ld l,$BUT_nayamuA2,80 ;「ねぇよ。@お前と違ってな。」@ `"Nope.`@` Unlike you."`@ ld r,$BEA_fukigenA2,80 ;「…………………………。」\ `"........................"`\ ;　俺が敗色濃厚な時はさんざん嘲りまくってくれたくせに、自分が逆になるとこのザマと来た。@ `Even though she ridiculed me horribly when I showed signs of defeat, she was so pathetic when it was her turn.`@ br ;　何だか卑怯なヤツだなとは思うが、そこは勝者の貫禄で飲み込んでおくことにする。\ `I think she's a pretty unfair person, but I decided to act with dignity as a winner and accepted it.`\ bg black,5 ;　……ベアトがリザイン。@ ;　それだけが第一の晩の結果だ。\ `......Beato had resigned.`@ `That was the only result of the first twilight.`\ bg MAP10c,5 ;　俺の、“６人の中に犯人がいて、@その人物は事故死した”という一手に対し、ベアトリーチェはそれを受け切れなかった。\ `Beatrice couldn't counter my move of 'one of the six was the culprit, `@`and that person died in an accident'.`\ ;　…いや、多分、受けられたのだろうが、何らかの戦略的判断により、そこで投了したわけだ。@ `...No, she probably could have countered it, but because of some strategic decision, she had given up.`@ br ;　勝ったというよりは、あと一歩のところで逃げられた、という気持ちの方が強い…。\ `Stronger than my feelings of victory was the sense that I had just escaped for one more step...`\ bg black,2 me1v 16,0 fedexx 0,50,0,0,0,0,3000 wait 1000 bg chess1,2 ;　魔女とのチェスは、説明不要のＸという駒だけで戦いを進められる。@ `In my chess match with the witch, I had only been able to fight by advancing a piece X which didn't require explanation.`@ br ;　“悪魔の証明”のお陰で、俺はいくつでもおかしな架空を生み出し、議論を戦わせることができるわけだ。\ `Thanks to the 'Devil's Proof', I could create as many strange fictions as I wanted, and use them to fight in the argument.`\ ;　…しかしそれは、魔女とのチェスにおいてだけの話だ。@ ;　……俺たち人間の世界では、そんな抽象的な話では物事は説明できない。\ `...But that only mattered for the chess match with the witch.`@ `......In our human world, such an abstract story can't explain anything.`\ bg black,5 bg MAP10,2 ;　今回の第一の晩の６つの連鎖密室。@ ;　…確かに人間には可能かもしれない。@ `The first twilight today was a chain of six closed rooms.`@ `...It certainly may be possible for a human.`@ br ;　ベアトはそれを全て否定はしきれなかった。\ `Beato hadn't been able to completely deny everything.`\ ;　しかし、誰が、何の為に、そして実際にはどうやって犯行に及んだのか、@さっぱり見当も付かない…。@ `However, I don't have a clue who committed the crime,`@` why, and how they actually did it...`@ br ;　勝っておいて何だが。@ ;　……いっそ、人間には不可能だと、@ベアトリーチェに言い切られた方がなぜかすっきりしたような気がした。\ `Even if I won...`@ `......I get the feeling that things would have been clearer if Beatrice had been able to state that it was completely impossible for a human.`\ ;bg chess1,22 bg black,42 ;　俺はＸなどという抽象的な駒で誤魔化すが。@ ;　…………何か、知ってはならない不気味な意思が、@…確かにこの屋敷の中には満ちていることを否定できないのだ…。\ `I had fooled her with an abstract piece called X.`@ `............But I couldn't deny that some kind of unthinkable,`@` creepy intention was filling up this mansion...`\ wait 2000 ;▲第９アイキャッチ　１０月５日（日）９時００分　時計動かず eye2 9,0,9,0,1,0,510,340,40 *umi3_10 mov %play_scene,30100 ;シーン変数の入力 mov %grim_scene,305 me1v 12,70 me2v 5,70 dllefe 1,1 bg G_o1aR,6 wait 3000 bg Glob_1bR,6 dllefe_off mevol 1,50 mevol 2,50 ;■ゲストハウス・ロビー ;　篭城の真の敵は、姿の見えぬ犯人への恐怖より、@それを延々と持続させることができるかどうかの方かもしれない。\ `The true enemy of a siege isn't the fear of unseen enemies.`@` It's probably about whether you can keep that going over a long period of time.`\ bg black,22 me3v 11,80 bg Glob_1dR,22 ld c,$MAR_fukigenA1,26 ;　真里亞は退屈なのでテレビを見たいと騒ぎ出す。@ ;　テレビはロビーにないため、２階のいとこ部屋へ戻ることにした。\ `Maria had gotten bored and had started making a ruckus because she wanted to watch TV.`@ `Since there was no TV in the lobby, we decided to return to the cousins' room on the second floor.`\ bg black,23 bg Glob_1aR,23 ;　真里亞だけをひとりぼっちにしたくない思惑もあるのだろう。@ ;　大人たちは、子どもは全員、２階のいとこ部屋にいるようにと言い渡した。\ `They probably expected that we wouldn't want to leave Maria all alone.`@ `The adults told all the children to go to the second floor cousins' room.`\ bg black,25 ;　婚約者を失い傷心した譲治は、それに抗う気力もなく、いとこたちを率いて２階に上がった。\ `George, whose heart was wounded by the loss of the person he was engaged to, led the cousins up to the second floor without any resistance.`\ bg Glob_1cR,0 ld r,$NAN_DefA1,26 ;　南條は初め、ロビーで本を読んでいたが、@親族たちが内々にキナ臭い話をしたがっているらしい様子を察知すると、@「お邪魔なようですな…」と言い残し、２階の自分の部屋へ戻っていった。\ `At first, Nanjo had been reading a book in the lobby,`@` but when he noticed that the relatives looked like they wanted to talk about something sinister, `@`he said 'it seems I am in the way' and returned to his room on the second floor.`\ cl r,23 bg black,22 fede 0,3000 bgm1 30 bg Glob_1aR,26 ld r,$RUD_nayamuA1,24 ;「………腹ぁ、減ったな。@ぼんやりしてると、それ以上に眠気が来るぜ。」@ ;＜留弗夫 `"............I'm starving.`@` If we just sit around, we'll get even sleepier."`@ ld l,$ROS_komaruA2,23 ;「無理もないわよ。@私たちは昨夜、寝てないんだから。」\ ;＜楼座 `"It's only natural.`@` Because we didn't sleep last night."`\ bg Glob_1cR,24 ld r,$KLA_DefA1,24 ;「…きっちり２４時間をここで篭城することになるだろう。@無理をせず交代で仮眠する方が賢明かもしれんね。」@ ;＜蔵臼 `"...We will probably end up barricaded here for a full 24 hours.`@` It may be wiser to take naps in turn instead of over-stressing ourselves."`@ ld l,$NAT_MajimeA1,23 ;「そうですね。@私と主人がここにおりますので、辛い方は無理せずお休みになって下さい。」\ ;＜夏妃 `"That's right.`@` My husband and I will be here, so anyone who finds this difficult should rest without overdoing it."`\ cl r,23 ld r,$EVA_MajimeA1,24 ;「相手はそれを期待してるかもしれないわよ？@　この人数では崩せなくても、いくらか減ったら、その隙を突いて来るつもりかも。」@ ;＜絵羽 `"Our opponent might be expecting that, right?`@` While they couldn't defeat this many people, if that number was reduced by a certain amount, they may plan to use it to their advantage."`@ ld c,$KIR_DefA1,23 ;「ここには７人いるわ。@２人ずつ交代で３時間くらい休むとか。@……明日の朝は遠いわよ。@今はまだ体力があるからいいけど、今夜は辛そうね。」\ ;＜霧江 `"There are seven of us here.`@` We could take three hour shifts in pairs.`@` ......It's a long time until tomorrow.`@` We still have some energy now, but tonight's going to be tough."`\ bg Glob_1bR,0 ld l,$HID_majimeA2,23 ;「そやな。@眠いもんはおるか？@　無理せんと休んでや。」@ ;＜秀吉 `"Sure will.`@` Anyone sleepy?`@` Don't overdo it, and rest."`@ br ;　秀吉が、先に寝たいのは誰かと一同を見回すが、立候補者はいなかった。\ `Hideyoshi looked around at everyone to see who wanted to sleep first, but no one volunteered.`\ ;　…皆、眠いのは同じだが、今すぐ寝られるほどの豪胆さはない。@ ;　……眠いのと同じくらいに、未知の犯人への恐れがあるのだ。\ `...Everyone was just as tired, but no one was bold enough to be able to sleep now.`@ `......Their fear of the unknown culprit was just as strong as their sleepiness.`\ ld l,$HID_fumuA1,80 ;「……おらんかいな。@ま、みんな、無理はせんでな。」@ ;＜秀吉 `"......Nobody?`@` Well, don't overdo it, everyone."`@ ld r,$EVA_MajimeA1,24 ;「眠くなったらその時に考えるわ。@……確かに眠いけど、今はそういう気分じゃないの。」@ ;＜絵羽 `"If we get tired, then we can think about it.`@` ......I certainly am tired, but I'm not in the mood now."`@ br ;　絵羽はそう鋭く言うと、ボイラー室で見付かったベアトリーチェからの２通目の手紙を読み返した。\ `As Eva spoke sharply, she reminded everyone of the second letter from Beatrice, which had been found in the boiler room.`\ bg black,22 bg letter1,2 ;　ベアトリーチェは２通もの手紙を送りつけ、繰り返し、碑文の謎を解いてみろと催促している。@ `Beatrice had sent them two letters, and had repeatedly told them to solve the riddle of the epitaph.`@ br ;　そして、解ければ財産も家督も全て譲るとまで挑発している…。@ `And she had even provoked them by saying she would give up her assets and the inheritance if it could be solved...`@ br ;　絵羽は、手帳を取り出すと、碑文を写したページを開いた。\ `Eva took out a notebook and opened it to a page with the epitaph copied onto it.`\ bg black,64 bg Glob_1dR,22 ld r,$KIR_WaraiA2,24 ;「…………例の碑文、ですか？」@ ;＜霧江 `"............Is that the epitaph?"`@ ld l,$EVA_HohoemiA1,23 ;「えぇ。@……犯人の言いなりになるのは癪だけど。@どうせ時間は腐るほどあるわ。@退屈凌ぎには丁度いいと思って。」@ ;＜絵羽 `"Yes.`@` ......Although it's annoying to do as the culprit says.`@` After all, we do have time to waste.`@` I think it's the perfect way to stave off boredom."`@ cl r,23 ld r,$KLA_AkuwaraiA1,24 ;「…悪くない時間潰しだ。@兄弟で仲良く挑戦してみようじゃないか。」\ ;＜蔵臼 `"...Not a bad way to kill time.`@` Why don't we challenge it together as siblings?"`\ bg Glob_1aR,0 ld l,$KIR_WaraiA1,23 ;「……借りてもいいかしら？@　もう少し大きく書き直すわ。@/ `"......Can I borrow that?`@` I'll rewrite it just a little larger. `@/ ld l,$KIR_DefA1,80 ;夏妃さん、もう少し大きな紙はないですか？」@ ;＜霧江 `Natsuhi-san, do you have a slightly larger piece of paper?"`@ ld r,$NAT_DefA1,24 ;「使用人室に紙くらいあるでしょう。@取ってきます。」\ ;＜夏妃 `"There should be paper in the servant room.`@` I will bring some."`\ bg black,24 ;　すぐに夏妃は、使用人室からＢ４ほどの無地の紙を持ってきた。\ `Natsuhi immediately brought a B4 blank sheet of paper from the servant room.`\ ;bg Glob_1eR,26 ;　霧江は絵羽の手帳を借りると、そこに碑文を書き出し、テーブルの上に置いた。@ `Kyrie borrowed Eva's notebook, wrote out the epitaph on the paper, and laid it out on the table.`@ br ;　それを一同はさっそく覗き込む。@ ;　…自然と人垣が出来た。\ `Then, everyone quickly peered down at it.`@ `...They automatically crowded around.`\ me1v 12,50 bg Glob_1dR,0 ld r,$HID_komaruA1,26 ;「話には聞いとったが。@…こらぁ、難儀な謎やなぁ。@何を言っとるのか、さっぱりや。」@ ;＜秀吉 `"I've heard about it, but...`@`...really, this is a tough riddle.`@` I don't have a clue what it's talking about."`@ ld l,$ROS_KomaruA1,23 ;「私も一時、がんばって挑戦したんだけれど、同じくさっぱりだったわ。」\ ;＜楼座 `"At one point, I also did my best to challenge it, but I was just as clueless."`\ bg Glob_1cR,23 ld r,$RUD_defA1,24 ;「わかってたら、のこのこと金策には来ねぇさ。@何しろ１０ｔの黄金だからな。」@ ;＜留弗夫 `"If you did know, you wouldn't have come all the way out here with a plan to make money.`@` After all, it's 10 tons of gold."`@ ld l,$KIR_majimeA2,23 ;「…………真面目に読むのは初めてなんだけど。@……大雑把に言って、３部分に分かれてるのかしら？」\ ;＜霧江 `"............This is the first time I've read it seriously, but...`@`...roughly speaking, couldn't it be split into three parts?"`\ bg Glob_1dR,24 ld r,$KLA_majimeA2,24 ;「…昨夜から思っているが、霧江さんはだいぶ頭が切れるようだ。@ひょっとすると、私らでは解けなかった謎を、いとも簡単に解いてしまうかもしれんね。」@ ;＜蔵臼 `"...I've been thinking this since last night, but you really are a good thinker, Kyrie-san.`@` It's possible that you could easily solve this riddle that we couldn't."`@ ld l,$RUD_majimeA2,23 ;「あぁ。@霧江は鋭いぜ。@……変な先入観を与えない方が、面白い捉え方を出来るかもしれないな。」\ ;＜留弗夫 `"Yeah.`@` Kyrie's sharp.`@` ......She might be able to tackle it in an interesting way without any strange preconceptions."`\ cl r,23 ld r,$EVA_akireA2,24 ;「………そうね。@霧江さん。@率直に、この碑文を読んだ感想を聞かせてくれないかしら。」\ ;＜絵羽 `".........That's right.`@` Kyrie-san.`@` Will you openly tell us about your thoughts after reading the epitaph?"`\ bg Glob_1bR,0 ld r,$KIR_KomaruA1,23 ;「多分、皆さんのお役には立てないと思うわ。@みんな買い被りすぎよ。」\ ;＜霧江 `"I think it probably won't be very useful to all of you.`@` You all give me too much credit."`\ ld l,$RUD_DefA1,23 ;「いやいや、思いつきや適当でいいんだ。@お前の話を聞かせてくれ。@/ `"No way, anything that comes to mind would be helpful.`@` Let us hear what you have to say. `@/ ld l,$RUD_waraiA1,80 ;……俺が悩んだ時は、いつだってお前のヒントが助けてくれたんだからな。」@ ;＜留弗夫 `......Because your hints always help me when I'm worried."`@ ld r,$KIR_WaraiA2,80 ;「あら、役に立ってたのね。@今更だけど嬉しいわ。」\ ;＜霧江 `"Oh, so they were helpful?`@` It's nice to finally hear about this now."`\ ld l,$RUD_WaraiA2,80 ;「よせやぃ、いつも感謝してるぜ？」@ ;＜留弗夫 `"Come ooon, don't I always thank you?"`@ ld c,$ROS_WaraiA2,22 ;「仲がいいのね。@羨ましいわ。」@ ;＜楼座 `"You two sure are close.`@` I'm jealous."`@ cl r,23 ld r,$EVA_WaraiA1,24 ;「ぜひ私たちにもヒントを授けてほしいわ。@いいのよ、どうせ時間潰しなんだから、リラックスして？」\ ;＜絵羽 `"And the rest of us would also love to accept your hints.`@` It's alright, we're just killing time anyways, so why not relax?"`\ bg black,22 ;　霧江は、妙なところで祭り上げられてしまったと困惑する。@ `Kyrie was disturbed at being praised for something so strange.`@ br ;　…だが、時間はいくらでもあるのだ。@ ;　これがある種の暇潰しであることを理解し、その役を買って出ることにする…。\ `...But they had plenty of time.`@ `She realized that this was just a way to waste time, and she decided to accept that role...`\ fede 0,2000 me1 11 bg Glob_1cR,0 ld c,$KIR_waraiA2,80 ;「……きっと見当外れなことを言っちゃうと思うけど、@…じゃあ、私の考えで進めてみるわね。」\ ;＜霧江 `"......I'm sure I'll say something off the mark, but...`@`well, I'll put forward my ideas."`\ bg Glob_1dR,0 ld r,$KLA_DefA1,24 ;「うむ。@……最初に言った、大雑把に言って３部分に分かれる、とはどういう意味かね？」\ ;＜蔵臼 `"Hmm.`@` ......What did you mean in the beginning, about how, speaking roughly, it could be divided into three parts?"`\ E_A bgm1 63 ;ld l,$KIR_DefA1,23 bg black,22 bg text010,2 ;　えっと、…そのままの意味よ。@ ;　碑文は大体、３つのパーツに分けることができると思うの。\ `Well, ...I just mean what I said.`@ `I think that overall, the epitaph can be divided into three parts.`\ ;　まず最初の“そこに黄金の鍵が眠る”までの５行。@ ;　ここまでが鍵の在り処を示した最初の部分。\ `First, there are the five lines up until 'There sleeps the key to the gold'.`@ `Up until this point is the first part, which points to the location of the key.`\ textoff se1v 2,40 bg text010a,22 ;　そして第十の晩までの１１行が、黄金郷そのものの場所を示した部分。\ `And then there's the part formed by the 11 lines up until the tenth twilight, which refer to the location of the Golden Land itself.`\ textoff se1v 2,40 bg text010b,22 ;　そして残りの６行は、黄金郷に辿り着いてからの部分ね。\ ;＜霧江 `And the remaining six lines make up the part after the Golden Land has been reached.`\ textoff se1v 2,40 bg text010c,22 wait 3000 mov %r_hyouji,1 mov %r_hyouji_tips,1 mov %tips_page,1 bg text007,2 wait 3000 bg black,2 bg Glob_1cR,0 ld r,$NAT_WaraiA1,23 ;「そうですね。@鍵と、黄金郷。@そして黄金郷の宝の話の３つに区分けできますね。」@ ;＜夏妃 `"I see.`@` It can be divided into three parts about the key, the Golden Land, `@`and the Golden Land's treasure."`@ ld l,$KLA_NayamuA1,23 ;「その程度なら、我々だって把握しているさ。@鍵と扉、そして宝を示す３つの区分だ。」\ ;＜蔵臼 `"Even we have been able to grasp that much.`@` The three sections that refer to the key, the door, and the treasure."`\ ld c,$EVA_IkariA2,24 ;「…兄さん、余計な口を挟まないで！@　霧江さんに自由な発想で発言してもらうのよ。」@ ;＜絵羽 `"...Nii-san, don't butt in any more than you have to!`@` Let Kyrie-san speak her ideas freely."`@ cl r,23 ld r,$RUD_DefA1,24 ;「霧江。@続けてくれ。@……俺たちもそれについては同じ認識だ。@それで？」\ ;＜留弗夫 `"Kyrie.`@` Please continue.`@` ......We recognize the same thing regarding what you said.`@` So then?"`\ bg black,25 bg text011,2 ;「……最初に出てくる“懐かしき故郷”というのはどういう意味なのかしら。@普通に考えたら、お祖父さまの故郷を指すのかしら？@　懐かしきとわざわざ断るところを見ると、とても思い入れのある故郷のように思えるわね。@……お父さんは小田原の出身だったかしら？」\ `"......I wonder what that thing in the beginning, the 'beloved hometown', means.`@` Thinking about it normally, would it refer to Grandfather's hometown?`@` Since he went to all the trouble of telling us that it's beloved, I can imagine that it's a hometown he thought about very deeply.`@` ......Didn't Father come from Odawara?"`\ ;bg Glob_1eR,22 ;「………生まれは確かに小田原だけど、@お父様が懐かしむ故郷は、多分、小田原のことじゃないわ。@それについては、多分、兄弟たちは全員、同じ場所で認識してるわね。」@ ;＜絵羽 `"............Odawara is definitely where he was born, `@`but I don't think this hometown Father loved was Odawara.`@` I believe all of us siblings are thinking of the same place."`@ ;「…そうね。@多分、小田原じゃないわね。@聞いた話では、とても楽しい少年時代だったそうよ。」\ ;＜楼座 `"...Right.`@` This probably isn't Odawara.`@` From what I've heard, he had a very fun time as a youth."`\ ;「はっはは。@…親父の人生で最大の不幸は多分、右代宮家の当主にさせられたことだろうよ。」@ ;＜留弗夫 `"Hahhaha.`@` ...Father's greatest misfortune in his life was probably being made the Ushiromiya family head."`@ ;「……恐らくな。@親父殿は右代宮家の当主になど、本当はなりたくなかったのだ。」\ ;＜蔵臼 `"......Probably.`@` Father really hadn't wanted to become the Ushiromiya family head."`\ ;placehold me1v 13,50 bg Glob_1dR,0 ld c,$KIR_majimeA2,26 ;「それはどこなのかしら？@　そしてそこに鮎の泳ぐ川は？」@ ;＜霧江 `"So where is it?`@` And is there a river where sweetfish swim?"`@ ld r,$EVA_majimeA1,23 ;「……当時はあったんじゃないかしら。@今はだいぶ開発が進んだでしょうから、鮎はいなくなってるかもしれない。@お祖父さまが少年時代の当時に鮎がいた、と言われると非常に調べるのは困難ね。」\ ;＜絵羽 `"......Maybe they were there at the time.`@` By now, there has been a lot of development there, and the sweetfish might have disappeared.`@` It would be extremely difficult to investigate whether there were sweetfish there during the time Grandfather was a boy."`\ bg Glob_1cR,0 ld l,$KLA_KomaruA1,23 ;「川も一本ではないだろう。@地理的な意味では我々もそれぞれにかなり調べたつもりだ。@/ `"There is no single river, right?`@` I believe we all investigated thoroughly in a geographical sense. `@/ ld l,$KLA_AkuwaraiA1,80 ;……絵羽に至っては、現地まで直接調べに行ったんじゃないかね？」\ ;＜蔵臼 `......You even went to the actual place to investigate directly, right Eva?"`\ ld r,$EVA_futekiA1,24 ;「あくまでも旅行としてよ。@……でも、町並みは当時と完全に変わってる。@何しろ戦争を挟んでるのよ？@　お父様がどこに住んでいたのかさえ、正確な場所の把握は不可能よ。@…多分、お父様が自ら現地へ足を運んでも、@今となっては、どこに住んでいたか特定できないでしょうね。」\ ;＜絵羽 `"That was only as a vacation.`@` ......But the townscape had changed completely from Father's time.`@` After all, it was caught up in the war, wasn't it?`@` It was impossible to even figure out where Father actually lived.`@` ...Probably, even if Father dragged himself to the actual location, `@`by now, even he wouldn't be able to determine where it was that he lived."`\ bg Glob_1aR,0 ld l,$RUD_WaraiA1,23 ;「あちらさんもずいぶん目覚しく復興したって話だからな…。」@ ;＜留弗夫 `"Because that place has had a remarkable revival..."`@ ld r,$KIR_NayamuA1,24 ;「…………鮎の川、と言われて、はっきりとした地名は出ないの？」\ `"............After hearing about a sweetfish river, does any place name come clearly to mind?"`\ ld l,$RUD_AkuwaraiA1,80 ;「そりゃあなぁ。@何しろ、鮎だぜ？@　水が綺麗な川に住むってんだから、それこそ心当たりの川は無数だったろうさ。@親父が無邪気に鮎釣りをした小川も、その後の開発で埋められたりもしただろう。@戦前の地図、もしくは戦前の現地に詳しい人でもいりゃあ話は別だが…。」\ ;＜留弗夫 `"Well, I wonder.`@` After all, they're sweetfish, right?`@` People say they live in rivers with clean water, so there are countless rivers we could guess at.`@` Any stream that Father innocently went sweetfish-fishing in was probably buried by the development later.`@` It would be different if we had a map from before the war, or a person who knew a lot about how the area was before the war, but..."`\ ld r,$KIR_majimeA2,80 ;「……多分、そういう話ではないわ。」@ ;＜霧江 `"......It probably isn't something like that."`@ ld c,$KLA_MajimeA2,24 ;「どういうことだね…？」\ ;＜蔵臼 `"What do you mean...?"`\ bg black,25 bg text011,2 E_MA ;「………懐かしき、故郷を貫く鮎の川。@黄金郷を目指す者よ、これを下りて鍵を探せ。@…ここまでの２行で、一度改行してるのよね。@…この２行だけで、何かの提示が成立するのよ。@その何かに基づいて次の３行が続くんじゃないかしら。」@ ;＜霧江 `".........My beloved hometown, the sweetfish river running through it.`@` You who seek the Golden Land, follow its path downstream and seek the key.`@` ...After these two lines, there is a single blank line.`@` ...Something is being presented with just these two lines.`@` What if the next three lines continue based upon that something?"`@ ;「何かの提示って何やろな…？」\ ;＜秀吉 `"What do you mean, something is being presented...?"`\ ;bg Glob_1dR,0 ;ld r,$KIR_MajimeA2,26 ;「……わからないわ。@とにかくその２行だけで、どの川かわからないとか、そんなあやふやじゃなくて。@はっきりとこの“川”という特定ができるのよ。\ `"......I don't know.`@` Anyways, these two lines aren't vague about the river, like they don't know which river it is.`@` It clearly specifies this 'river'.`\ ;　……ひょっとすると、水の流れる“川”ではないかもしれないわね。@…“鮎の川”は何かの比喩かもしれない。@……鮎という言葉にはどんなイメージがあるのかしら。」\ `......It may be that this isn't a 'river' with water flowing down it.`@` ...The 'sweetfish river' might be some kind of metaphor.`@` ......What kind of image does the word sweetfish have?"`\ me1v 12,50 bg Glob_1aR,0 ld c,$HID_MajimeA1,23 ;「………鮎はシャケみたいなモンや。@淡水魚だが、生まれてすぐは海に出るんや。@そして大きくなると川に戻ってきて生活し、@そこに産卵して生涯を終えるんや。@/ `".........Sweetfish are like salmon.`@` They're freshwater fish, but they go out into the ocean right after they're born.`@` And when they get big, they return to the river to live there, `@`and then they spawn there and end their lives there. `@/ ld c,$HID_WaraiA2,80 ;ま、一度は家を出るが、大きくなって戻ってきて卵を産むってな辺りは、@一族繁栄的なイメージがあるかもしれんな。」\ ;＜秀吉 `Well, they leave their home at one point, but when they get big and return to lay eggs,`@` that might have a family prosperity type of image."`\ bg Glob_1cR,23 ld r,$RUD_WaraiA1,24 ;「へー。@淡水魚なのに海水でも生きられるのかよ。@知らなかったぜ。@川魚だから海には出られないと思ってたぜ。」@ ;＜留弗夫 `"Hmm.`@` They're freshwater fish, but they can live in the ocean?`@` I didn't know that.`@` I thought they were river fish, so they couldn't go out into the sea."`@ ld l,$NAT_WaraiA1,23 ;「鮎は香りが良いことから香魚とも呼ばれるとか。@私は食べたことがありませんが、塩焼きにするととてもおいしいそうですよ。」\ ;＜夏妃 `"And they are called sweetfish because they have a pleasant aroma.`@` I have never eaten one, but I have heard that they are very delicious when grilled with salt."`\ cl r,23 ld r,$HID_WaraiA1,24 ;「なんや、夏妃さん！@　鮎の塩焼き、食ったことあらへんのか！@　うまいでぇ！@　今度、ご馳走したるわ！」@ ;＜秀吉 `"Whoa, Natsuhi-san!`@` You've never eaten salt-grilled sweetfish?!`@` They're delicious!`@` You should try it sometime soon!"`@ ld c,$KLA_akuwaraiA2,23 ;「庶民の料理だ。@君の口には相応しくない。」\ `"It is a food for commoners.`@` It isn't appropriate for your mouth."`\ bg Glob_1aR,23 ld c,$ROS_komaruA4,23 ;「……これは私の妄想なんだけど。@…実は私、鮎の川のイメージから、家系図を疑ったことがあるの。@鮎は一度海へ出るけど、また生まれた川に帰ってきて産卵するんでしょう？@　………まるで私のことみたいだなって思って。」\ ;＜楼座 `"......This is just my wild idea, `@`...but the image I get from a sweetfish river makes me suspect a family tree.`@` The sweetfish go out into the ocean for a time, but they return to the river where they were born to spawn, right?`@` .........It makes me think about myself."`\ ld r,$EVA_akireA2,24 ;「……そうね。@今だから白状するけど、@私もあなたと真里亞ちゃんのことを指してるんじゃないかって疑ったことがあるわ。」@ ;＜絵羽 `"You're right.`@` By this point,`@` I can confess that I have sometimes suspected that it refers to you and Maria-chan."`@ ld l,$KLA_komaruA1,23 ;「なるほど。@……川を下れば、やがて里あり。@家系図を下ってくと見付かる“里”は、真里亞の名に含まれる“里”の字だけだ。」\ ;＜蔵臼 `"I see.`@` ......If you follow the river downstream, you will find a village.`@` If you go down the family tree looking for a village, all you find is Maria's name [真里亞], which has a '里' [village] character in it."`\ ld c,$ROS_NayamuA1,80 ;「でしょう？！@　……でも、みんなも知っての通り、お父様は真里亞のことを毛嫌いしてて、@ほとんど言葉を交わしたこともない。@/ `"Isn't that right?!`@` ......But as you all know, Father doesn't like Maria, `@`and he has almost never spoken with her. `@/ ld c,$ROS_KomaruA1,80 ;それに、お父様はかつて真里亞に全然違う名前をつけるように言っていたの。@それを私が勝手に真里亞にした。@お父様はそれをとても怒っていたわ。@……その経緯を考えると、@財産や家督を引き継ごうという大切な碑文に、真里亞の名を引用するとはとても思えなくて。」\ ;＜楼座 `And, in the past, Father told me to give Maria a completely different name.`@` I just changed it to Maria on my own.`@` Father was very mad about that.`@` ......If you think about the details there, `@`it's very hard to imagine that he would reference Maria's name in his precious epitaph about who would succeed his wealth and inheritance."`\ bg Glob_1cR,0 ld r,$KIR_DefA1,24 ;「真里亞ちゃんに碑文を読ませたことは？」@ ;＜霧江 `"Have you ever let Maria-chan read the epitaph?"`@ ld l,$ROS_komaruA4,23 ;「え、えぇ。もちろんあるわ。@でも、さっぱりみたいだった。@……魔女の復活の儀式、みたいな相変わらずのオカルト話ばかりで、さっぱりだったわ。」\ ;＜楼座 `"Uh, yes, of course.`@` But it looked as though she didn't have a clue.`@` ......She didn't have a clue, and she kept going on about that same occult stuff, about how it was a resurrection ceremony for the witch."`\ cl r,23 ld r,$KLA_majimeA2,24 ;「…………親父殿と真里亞の接点。@…確かに両者にオカルト趣味はあるが、まったく交流はなかった。@…私も、真里亞のことを指しているとは思えんね。」\ ;＜蔵臼 `"............A connection between Father and Maria.`@` ...Certainly, they do share that occult hobby, but they never interacted.`@` ...I can't imagine it refers to Maria either."`\ bg black,23 E_MA bg text011,2 ;「……懐かしき、とわざわざ冒頭に付けているのが私は気になるわ。@……さっきみんなが言っていたように、@お父さんにとって右代宮家の当主となることが不本意だったとしたなら。@それを懐かしんだりするかしら。@…それは右代宮本家を示す小田原ではないと思うの。\ `"......What worries me is the fact that he went to all the trouble of adding the word beloved at the beginning.`@` ......Like you all said just now, `@`if Father was reluctant about becoming the Ushiromiya family head, `@`would he yearn for that?`@` ...I don't think it is Odawara, which points back to the Ushiromiya head family.`\ ;　……私には、この“懐かしき”という冒頭の一語が、@お父様にとってとても大切な思い出深い場所を示しているに違いないと信じているんだけれど。」\ ;＜霧江 `......I believe that this word 'beloved' here at the beginning `@`refers to a place full of very important memories to Father."`\ me1v 12,50 bg Glob_1aR,23 ld r,$RUD_DefA2,24 ;「……………ふーむ。@…まぁいいさ。@当時の地図もさっぱりだから特定は困難だが、@とにかく、親父の少年時代の故郷に鮎が泳げる川は何本かあったろうさ。」@ ;＜留弗夫 `"............Hmmmmmm.`@` ...Well, that's fine.`@` It would be hard to pinpoint since we don't have a clue about a map from that time,`@` but anyways, there were probably several rivers with sweetfish swimming in them near Father's hometown during his youth."`@ ld c,$EVA_AkireA1,23 ;「水の流れる川なら、ね？@/ `"That's if it's a river with water flowing down it, right? `@/ ld c,$EVA_WaraiA1,80 ;　それから？@　続けてよ霧江さん。」\ ;＜絵羽 `And then?`@` Go on, Kyrie-san."`\ bg black,25 E_MA bg text011,22 ;「……川を下ればやがて里あり、からの３行はちょっとよくわからないわ。@…これは多分、鮎の川の２行に連結してる。@鮎の川の正体がわかれば、多分、自然と意味が繋がるものなのよ。@…それがわからない限り、この３行を先に解こうとしても無駄でしょうね。」\ ;＜霧江 `"......I don't really understand the three lines starting with 'If you follow the river downstream, you will find a village'.`@` ...That is probably coupled with the two lines about the sweetfish river.`@` It's probably something that we would automatically understand if we knew what the sweetfish river really was.`@` ...As long as we don't understand that, it's probably useless to try and solve those three lines any further."`\ me1v 12,50 bg Glob_1dR,0 ld r,$RUD_OdorokiA1,26 ;「“鮎の川”の正体がわからねぇとお手上げか…。@しかも文字通り、河川を指した保証もねぇと来た。@/ `"So we give up unless we know what the 'sweetfish river' really is...`@` And there's no guarantee that it even means a literal river. `@/ ld r,$RUD_NayamuA1,80 ;…ったく。@鮎ってのは何なんだ？@　親父の好物か？@　それとも何か特別な意味があるのか？@　深読みしても仕方ねぇのか？」\ ;＜留弗夫 `...Seriously.`@` What does it mean, sweetfish?`@` Did Father like to eat them?`@` Or is there some special meaning?`@` Is it pointless to read too deeply into it?"`\ ld l,$EVA_ikariA1,23 ;「…ミクロとマクロの２つの視点を持たないと、視野が狭まるわね。@……深く考えすぎないで、魚が泳いでる川、あるいは流れ、/ ;!d800…下るもの、上るもの、@そのくらいの抽象的なイメージにしておいた方が発想が柔軟になっていいかもしれないわ。」\ ;＜絵羽 `"...If you don't have both a micro and a macro perspective, your field of vision grows narrow.`@` ......It might be better if you don't think too deeply and be flexible, `@`holding an abstract image of a river where fish swim, or something flowing, `/ !d800`...up or down."`\ bg Glob_1aR,23 ld r,$ROS_NayamuA1,24 ;「そして、“鮎の川”の答えが、続く３行を経て“黄金郷の鍵”に辿り着く…。」@ ;＜楼座 `"And the answer for the 'sweetfish river' passes through the next three lines and makes its way to the 'key to the Golden Land'..."`@ ld l,$KIR_WaraiA1,23 ;「こうして考えると３つの区分、というのは間違いかしら。@正確には４つの区分ね。@……“鮎の川を下り”、@“黄金郷の鍵を見つけ”、@“黄金郷へ旅立つ”、@“そして黄金郷の宝”。」\ ;＜霧江 `"If you think about it this way, I wonder if it was a mistake to split it into three parts.`@` There's actually four parts.`@` ......'Go down the sweetfish river', `@`'find the key to the Golden Land', `@`'journey to the Golden Land', `@`'and the treasure of the Golden Land'."`\ cl r,23 ld r,$KLA_AkuwaraiA1,24 ;「ふぅむ…。……実に面白い。@せっかくだ。@続けて、碑文のもっとも中心的な部分である、@黄金郷に辿り着く第十の晩までの見解を聞かせてくれんかね？」@ ;＜蔵臼 `"Hmmm.........Truly interesting.`@` Good work.`@` After that, would you tell us your opinion about the most central portion of the epitaph, `@`getting to the Golden Land, up until the tenth twilight?"`@ cl l,24 ld l,$ROS_KomaruA1,23 ;「……この碑文の中でもっとも象徴的で、…そして物騒な部分ね。」\ ;＜楼座 `"......That's the most symbolic, ...and also the most disturbing part."`\ cl r,23 ld r,$EVA_akireA1,24 ;「生贄なんて単語が連発するから、@ついついお父様のオカルト儀式と関係があるんじゃないかと思ってしまうけど…。@………霧江さんならどう見るかしら？」\ ;＜絵羽 `"Since it keeps mentioning the word sacrifices, `@`I can't help but think it has something to do with Father's occult ceremonies...`@`.........How do you see it, Kyrie-san?"`\ bg black,25 E_MA bg text012,2 ;　霧江は、何度か腕の組み方を変えると、@碑文を書き写した紙のさらに奥を透かし見るような遠い目をする…。\ `Kyrie recrossed her arms several times,`@` peering into the paper with the epitaph copied onto it as though she was looking through it...`\ ;bg Glob_1eR,22 ;「………………………。@………これは、とても難しいわね。@…“鍵を手にせし者は”から始まるということは多分、@鍵を理解していないと話が進まない。@…お手上げではあるけれど、一応、挑戦してみるわね。」\ ;＜霧江 `"..................`@`.........This is...very difficult.`@` ...By starting with 'He who lays hand upon the key', `@`it probably means that you won't be able to continue without understanding the key.`@` ...I'll have to give up, but I'll take a shot at trying to solve it anyways."`\ ;「……“鮎の川”が水の流れる川とは限らないように、@その“鍵”もまた、本当に鍵の形状をしたものなのか、疑わしいわね。」\ ;＜絵羽 `"......Just like how the 'sweetfish river' isn't necessarily a river with water flowing down it, `@`it is also doubtful that this 'key' is actually something shaped like a key."`\ ;「そうね。@暗号とかキーワードの可能性もあるわ。@……だってこの鍵は、鍵穴に差すものじゃない。@第一の晩に６人の生贄を選ぶためにあるんだもの。@その意味においては、この鍵は黄金郷の扉を開くものじゃないと言い切れるわね。」\ ;＜霧江 `"Right.`@` There's also the possibility that it's a code or a keyword.`@` ......After all, this key isn't something to be stuck into a keyhole.`@` It's something that selects the six people to be sacrifices for the first twilight.`@` In that sense, we can state that this key isn't something to open the door to the Golden Land."`\ ;bg black,22 me1v 12,50 bg Glob_1aR,0 ld r,$NAT_OdorokiA2,26 ;「……しかし物騒な鍵です。@/ `"......But it is a disturbing key. `@/ se1v 21,50 ;６人もの生贄を選ぶ鍵なんて…。」@ ;＜夏妃 `A key that can select six people to be sacrifices..."`@ ld l,$HID_fumuA1,23 ;「鍵がどうやって選ぶんや。@…ルーレットみたいに、くるくる回すんかいな…？」\ ;＜秀吉 `"How would a key select anything?`@` ...Does it spin around like a roulette...?"`\ bg Glob_1dR,0 ld r,$KIR_majimeA2,24 ;「この鍵が、ある特定の６人を指し示す。@……いえ、ある特定の６つを指し示す、というべきね。@……もしこれが、文字通りに生贄を捧げろという意味でないならば。@…例えば、アナグラムかもしれないわ。」\ ;＜霧江 `"This key points towards a certain group of six people.`@` ......No, we should say it points to a certain group of six things,`@` ......if this doesn't mean a literal command to offer sacrifices.`@` For example, it could be an anagram."`\ ld l,$KLA_MajimeA1,23 ;「アナグラム？@　文字遊びのことかね…？」\ ;＜蔵臼 `"An anagram?`@` Do you mean playing with letters...?"`\ ld r,$KIR_DefA1,80 ;「えぇ。@さっき楼座さんが家系図の話で、真里亞ちゃんの名前に里が含まれて、@という話をしていた時からずっと考えてるの。\ `"Yes.`@` I've kept thinking about it since Rosa started talking about the family tree,`@` and about how village was a part of Maria-chan's name.`\ ld r,$KIR_WaraiA2,80 ;　……例えば留弗夫さんは、懐かしき故郷という単語からずっと、@地形的・座標的なものを想定しているようだけど、そうじゃないかもしれない。@これはある種のなぞなぞ、…あるいは文字遊びかもしれないって。」\ ;＜霧江 `......It seems as though Rudolf-san, for example, has assumed that this has been talking about something related to geography or coordinates since the words 'beloved hometown', but that might not be true.`@` This could be some kind of puzzle, ...or maybe playing with letters."`\ bg Glob_1cR,0 ld l,$NAT_zutuuA1,23 ;「……ごめんなさい。@文字遊びとは何ですか？」@ ;＜夏妃 `"......I'm sorry.`@` What is playing with letters?"`@ ld r,$RUD_waraiA2,24 ;「あぁ、カモメカモメカチンカチン、みたいなヤツさ。@“カ”を抜いたらなぁに？/ ;!d800　みたいな。@夏妃さんは育ちがいいから知らねぇだろ。」\ ;＜留弗夫 ;`"Oh yeah, it's like 'WitchHunt'.`@` What happens when you take out the 'H's? `/ ;!d800`Like that.`@` Well, you were raised well, Natsuhi-san, so you probably don't know."`\ `"Oh yeah, it's like 'sucker merry barrels'.`@` Wha-t do you get when you take out the e's and r's? `/ !d800`Like that.`@` Well, you were raised well, Natsuhi-san, so you probably don't know."`\ ld l,$NAT_OdorokiA2,80 ;「…カモメカモメ？？@　“カ”を抜くと、え？@　？？？」@ ;＜夏妃 `"...Merry??`@` Take out the e's and r's, huh?`@` ???"`@ ld c,$KLA_KomaruA1,24 ;「よしなさい。@君には相応しくない品のない遊びだ。」\ ;＜蔵臼 `"Stop it.`@` It is an undignified game, inappropriate for you."`\ ;　夏妃だけがついていけず、きょとんとしている。@ `Only Natsuhi didn't get it and had a blank look on her face.`@ br ;　ただ、留弗夫や絵羽の失笑の雰囲気から、@とりあえず答えが品のないものに違いないということだけは察したようだった。\ `It seemed that she had only guessed the answer had to be something undignified, `@`after hearing Rudolf and Eva's sniggers.`\ cl r,24 ld r,$ROS_aseruA1,23 ;「あ、…夏妃姉さん、こういうことです。@真里亞のなぞなぞブックにあったんですけどね？@　タヌキの手紙っていうのがあるんです。\ `"Ah, ...Natsuhi nee-san, it's something like this.`@` This is just something from Maria's book of riddles, okay?`@` There's this thing called the Tanuki Notebook.`\ ld r,$ROS_nayamuA1,80 ;　タの文字がいっぱい混じった暗号みたいな手紙があるんだけど、@“タ”の文字を“抜く”と、そこに正しい文章が浮かび上がる、みたいな、@そんな遊びがあるんですよ。」\ ;＜楼座 `It's a notebook written like a code, with a lot of 'ta's mixed in,`@` and if you 'remove' all of the 'ta's, then the true paragraph pops up.`@` It's a game like that."`\ ld l,$NAT_zutuuA1,80 ;「あ、……あぁ、なるほど。@………？？」@ `"Ah, ......oh, I see.`@` .........??"`@ ld l,$NAT_odorokiA2,80 ;＜夏妃 br ;　夏妃は今頃になって、留弗夫の出した品のないなぞなぞの答えを知り、赤くなりながら俯く。\ `Natsuhi finally realized the answer to the undignified riddle Rudolf had posed, and her face grew red as she hung her head in embarrassment.`\ bg black,25 me2v 5,50 bg Glob_1eR,22 ;「……………その“抜く”、というのが、案外、“殺す”というのに転じるかもね…？」@ ;<絵羽 `"............So maybe that 'remove' part is actually represented by 'kill'...?"`@ ;「えぇ。@私もそれを思ったところなの。@黄金郷の鍵とはひょっとすると、６文字の単語かもしれない。」\ ;＜霧江 `"Yes.`@` I also thought that.`@` It's possible that the key to the Golden Land is a word with six characters."`\ ;「つまり、…タヌキの手紙の“タ”が、６文字あるっちゅうわけか…？@　ふぅむ、…これはややこしいこっちゃなぁ…。」@ ;＜秀吉 `"In other words, ...the 'ta' from the Tanuki Notebook...is actually six characters here...?`@` Hmmm, ...this is getting complicated..."`@ ;「文字遊びか…。@……ふむ。@日本では子どもの遊びという印象が強いが、特に英語圏では知識人の小洒落たユーモアでもあるらしい。@…親父殿が関心を示すことは、充分に考えられるね。」\ ;＜蔵臼 `"Playing with letters, is it...`@`......hmmm.`@` In Japan, it really feels like a child's game, but it seems that it a stylish form of humor among intellectuals in English speaking circles.`@` ...It is easy to imagine that Father showed interest in it."`\ bg black,22 E_MA bg text012,22 ;「……ただ、ここで急にわからなくなるの。@ここまでの流れは、謎に満ちていながらも非常に順番的だった。\ `"......But by this point, I quickly lose my ability to understand it.`@` Until this part, while it did flow like a riddle, it was extremely sequential.`\ ;“鮎の川”、“それを下れ”、“そして鍵を見つけろ”と、非常に順番的。@そしてその結果、６文字の鍵を手に入れたと仮定するんだけど、@……そうすると、“何から”６文字を殺すのか、わからなくなるの。」\ ;＜霧江 `'Sweetfish river', 'go down it', 'then find the key', is all extremely sequential.`@` And as a result, we can guess that we gain a six character key,`@` ......but in that case, we now don't know 'what' we kill the six characters from."`\ ;ld l,$RUD_WaraiA2,23 ;「そういやそうだな。@６文字を、何から引くんだ？@　その提示がないな。」\ ;＜留弗夫 `"That's right.`@` Where do we pull the six characters from?`@` It doesn't tell us."`\ ld r,$KIR_MajimeA2,80 ;「…第二の晩に、“残されし者は”とある。@……ということは、少なくともその“何か”は有限の文字数なのよ。@そこから６文字を抜いて残った文字で話を進めろと読み解けるわ。\ `"...At the second twilight, there are 'those who remain'.`@` ......Which means that, at the very least, that 'something' has a limited number of characters.`@` You could read it like it's telling you to continue with the remaining characters after the six characters are removed.`\ ;　………なのに、最初に提示があるべき“何か”がわからないの。@…やっぱり文字遊びという仮定が間違っているのかしら…？」\ ;＜霧江 `.........And yet, we don't know what this 'something' is, even though it should have been shown to us at the beginning.`@` ...Were we wrong even to assume that this is playing with letters...?"`\ bg black,22 ;「…………………うーむ…。」\ ;＜秀吉 `"..................Hmmmmm..."`\ me1v 13,50 bg Glob_1aR,5 ;　そこでみんな腕組みをして黙り込んでしまう。@ `Everyone crossed their arms and fell into silence.`@ br ;　これまでに至れなかった斬新な見解に辿り着けそうなのだが…、あと一歩のところで躓いてしまう。\ `It felt like they were about to reach a novel understanding that they hadn't been able to before..., but they stumbled just one step before it.`\ textoff me2v 5,0 fedexx 0,50,50,0,0,0,3000 E_B se1 47 bg black,1 ;　その時、秀吉が豪快にお腹を鳴らした。@ `At that time, Hideyoshi's stomach rumbled heartily.`@ br ;　それまでの沈黙が笑いによって打ち破られる。\ `The silence up until then was broken by laughter.`\ bg Glob_1aR,22 ld c,$HID_WaraiA2,26 ;「すまんすまん。@珍しく、普段使わん頭を回したもんで、すっかり空腹になってしもうた。@やはり朝食抜きは堪えるわ…、なははははは。」\ ;＜秀吉 `"Sorry, sorry.`@` Strangely enough, by spinnin' the gears in my head for a change, my stomach's gone completely empty.`@` Looks like I can't stand missin' breakfast..., wahahahahaha."`\ bg Glob_1bR,24 ld r,$KLA_DefA1,24 ;「夏妃。@ここには何かないのかね？」@ ;＜蔵臼 `"Natsuhi.`@` Isn't there anything here?"`@ ld l,$NAT_waraiA2,23 ;「軽食の備え程度があったはずです。@用意しますね。」\ ;＜夏妃 `"There should at least be enough set aside for breakfast.`@` I will prepare it."`\ bg Glob_1dR,0 ld r,$RUD_WaraiA2,24 ;「俺も腹ペコだ。@上のガキどもも腹ペコだろうよ。@…しかし１８人分も、そして３食もここに備蓄があるのかは、ちょいと疑問だなぁ？」@ ;＜留弗夫 `"I'm also starving.`@` I'll bet those brats above us are starving too.`@` ...But I doubt that there's enough for 18 people here, and for three meals, right?"`@ ld l,$HID_DefA1,23 ;「そうやな。@明日まで長丁場や。@一度、屋敷に戻って、厨房で缶詰の類でも漁った方がええかも;しれんな。」\ ;＜秀吉 `"That's right.`@` It'll be a long journey until tomorrow.`@` It might be better if we took a trip back to the mansion and fished around for some canned food or something in the kitchen."`\ bg Glob_1aR,23 ld r,$NAT_defA1,24 ;「クラッカーとおつまみくらいしかありませんが、それで良ければ準備できます。@でも、この人数ではお昼の分も残らないかも…。」@ ;＜夏妃 `"There's nothing more than crackers and snacks, but if that is alright, I can prepare them.`@` But with this many people, there might not be any left for lunch..."`@ ld l,$KLA_defA1,23 ;「今はそれでいい。@すまんが準備してくれんかね。」\ ;＜蔵臼 `"That will be fine for now.`@` Would you prepare it for us?"`\ bg black,5 me3 11 bg Glob_1eR,6 ;　男たちはすっかり思考を食い意地に奪われてしまったようだった。@ ;　場の空気は和み、碑文検討会はそれで一度解散となった。@ `It looked like the men had been taken over with an appetite that stopped all thought.`@ `The atmosphere grew more peaceful, and the epitaph investigation team split up for the time being.`@ br ;　だが、絵羽は穴が空くほどに碑文が書かれた紙を睨み続けている…。\ `But Eva kept staring at the paper the epitaph was written on like she was going to burn a hole through it...`\ bg Glob_1cR,0 ld r,$KIR_DefA1,26 ;「…………文字遊びはあくまでも私の仮説。@それが間違ってる可能性もあるわ。@絵羽さん、あまり根詰めないで…？」@ ;＜霧江 `"............Playing around with letters was nothing more than my theory.`@` There is a chance that it's mistaken.`@` Eva-san, don't take it too seriously, okay...?"`@ ld l,$EVA_MajimeA1,23 ;「………ありがとう。@私の勝手でやってるの。@放っておいてくれないかしら。」@ ;＜絵羽 `".........Thank you.`@` This is something I've decided to do.`@` Would you mind leaving me alone?"`@ br ;　絵羽は素っ気無くそう言い放つ。\ `Eva spoke coldly.`\ cl r,23 ;　…霧江はそれ以上を構わず、夏妃の朝食準備を手伝いに行くのだった。\ `...Kyrie didn't bother her any more, and went to help Natsuhi prepare breakfast.`\ ld r,$ROS_waraiA1,24 ;「姉さん。@私たちも朝食の準備、手伝った方が良くない？」@ ;＜楼座 `"Nee-san.`@` Shouldn't we also help prepare breakfast?"`@ ld l,$EVA_ikariA1,80 ;「じゃあ、あんたが手伝いなさいよ。@私はこれを解くので忙しいの！」\ ;＜絵羽 `"Then you go help.`@` I'm busy solving this!"`\ se1v 21,50 ld r,$ROS_KomaruA3,80 ;「ご、ごめんなさい…。@じゃ、じゃあ私、手伝ってくるわね…。」@ ;＜楼座 `"S, sorry...`@` Th, then I'll help..."`@ ld l,$EVA_majimeA1,80 E_M3 ;「………まったく。@何であなたはそんななの？」@ `".........Come on.`@` Why are you like that?"`@ ld r,$ROS_komaruA1,80 ;「……え？」\ `"......Huh?"`\ ld l,$EVA_ikariA1,23 ;「この碑文を解いた人間が右代宮家の家督を譲られるのよ。@あなたは関係ないと初めから諦めているようだけど、@もしも解ければ楼座にだって家督を引き継げるチャンスがある。\ `"The Ushiromiya family inheritance will be given to the person who solves this epitaph.`@` It seems as though you've given up from the beginning, as though it has nothing to do with you, `@`but if you could solve it, there's a chance even you could receive the inheritance.`\ se2 21 ld l,$EVA_IkariA2,80 ;　……あの兄さんから全てを奪うチャンスなのよ。@どうしてその千載一遇のチャンスを、あなたは真剣になって挑めないの？」\ ;＜絵羽 `"......This is a chance to steal everything from Nii-san.`@` Why aren't you seriously trying to solve it it for that once-in-a-lifetime chance?"`\ ld r,$ROS_KomaruA4,80 ;「…え、………えっと、……それは……。」@ ;＜楼座 `"...Um, .........umm, ......I......"`@ br ;　楼座は何と答えればいいかわからず、困って俯いた。@ ;　…不機嫌な姉に無用心に話しかけてしまったことを久々に後悔する。\ `Rosa hung her head, troubled over how she should answer.`@ `...Too late, she regretted that she had carelessly spoken to her sister when she was in a bad mood.`\ ld l,$EVA_MajimeA1,80 ;「あんたも、何か気付いたことがあるんなら言いなさいよ。@私や霧江さんは真剣に推理してたのに、あんたは相槌ばかりだったじゃない。@ほら。@何か気付いた点はないの？@　ほら！」\ ;＜絵羽 `"If you've noticed anything, say so.`@` Even though Kyrie-san and I were seriously reasoning, you just kept nodding your head, didn't you?`@` Come on.`@` Isn't there anything you've noticed?`@` Come on!"`\ bg black,5 bg Glob_1eR,22 ;「………え、/ ;!d600………えっと、/ ;!d400………。@……これ、…不思議よね。」@ `"............Uh, `/ !d600`.........umm, `/ !d400`.........`@`......Isn't, ...this strange?"`@ ;「…不思議？@　何が？」\ `"...Strange?`@` What is?"`\ ;「えっと、……黄金郷っていう単語よ。@何度も出てくるわよね、黄金郷って単語。」@ ;「それが何よ。@黄金郷を文字分解すると何かキーワードにでもなるの？」\ `"Umm, ......this word, Golden Land.`@` The word Golden Land comes up several times."`@ `"So what?`@` Do you get some keywords by splitting up the characters in 'Golden Land'?"`\ bg black,22 bg text012,22 ;「え、えっとそうじゃなくて。@……ほら、この第十の晩だけおかしいでしょ？」@ ;「……………え？@　……ぁ。」\ `"Um, umm, that's not it.`@` ......Look, isn't just the tenth twilight strange?"`@ `"............Huh?`@` ......ah."`\ ;bg Glob_1dR,0 ;ld l,$EVA_futekiA1,0 ;ld r,$ROS_WaraiA1,26 E_A bgm1 18 ;「みんな“黄金郷”なのに、なぜかここだけ“黄金の郷”なの。@わざわざ“の”が一文字混じるのよね。@どうしてここだけ言い方が違うのか、漠然と気になってて…。@………ぁ、その、…別に意味なんてないわよね。@お父様のことだもの。@ちょっとした言葉のあやでたまたま言い方を変えただけかもしれないしね。」\ `"Even though they're all written the 'Golden Land' (黄金郷), for some reason, only this place has the 'village of gold' #86ef9c(黄金の郷)#ffffff.`/ ;tttt mov %grim_scene,306 mov %r_hyouji_grim,7 @` He went to all the trouble of mixing in the character 'の'.`@` It vaguely bugged me that it's only said differently here... `@`.........ah, umm, ...it's not like it means anything.`@` This is Father we're talking about.`@` It could just be a coincidental change in how he said the word."`\ ;ld l,$EVA_MajimeA1,80 ;「……………………………………。」\ ;＜絵羽 `"........................"`\ bg black,42 fede 0,3000 wait 2000 ;■お茶会空間 mov %play_scene,30110 ;シーン変数の入力 textoff se1 52 bg Different_spiral_1a,22 wait 2000 bg white,8 bg G1F_S1ap,2 ld r,$BEA_FukigenA2,24 bgm1 70 ;「………つまらん。」@ ;＜ベアト `".........Boring."`@ se1 52 ld l,$WAL_DefA1,99,2000,"breakup.dll/lrp" ;「おや、何がつまらないのですか…？」@ ;＜ワルギリ `"Oh, what is boring...?"`@ ld r,$BEA_NayamuA2,80 ;「………つまらん、つまらん。」\ `".........Boring, boring."`\ bg G1F_S1cP,23 ld c,$WAL_waraiA1,24 ;「はてさて。@この子が何をぼやいているのかさっぱりですよ。」\ ;＜ワルギリ `"My, my.`@` I don't have a clue what this child is grumbling about."`\ se1 52 ld r,$RON_waraiA2,99,1500,"breakup.dll/llp" ;「恐らく、マダムが戦人さまに色々と入れ知恵をしたのが不満なのでしょう。」\ ;＜ロノウェ `"She is probably dissatisfied that you gave Battler-sama various hints, Madam."`\ bg G1F_S1bP,0 ld c,$BEA_NayamuA2,23 ld c,$BEA_fukigenA2,80 ;「……べーつにぃ。@そんなの不満ではないぞ。@不甲斐ない戦人がようやく妾に釣りあうレベルになったのでむしろ満足してるくらいだぞー。」\ ;＜ベアト `"......No-t really.`@` That's not unsatisfying.`@` I'm actually more satisfied now that that worthless Battler has finally reached the level where he can go along with me."`\ bg G1F_S1cP,0 ld r,$RON_defA1,0 ld l,$WAL_defA2,24 ld l,$WAL_WaraiA1,80 ;「ほっほっほ…。@少し、戦人くんと仲良くし過ぎましたか？@　若い子同士に任せて、老人は退散した方がいいのかしら。」@ ;＜ワルギリ `"Hoh-hoh-ho...`@` Were you a little too friendly with Battler-kun?`@` Maybe it would be better if the old people went away and left everything to the young kids."`@ ld r,$RON_WaraiA2,80 ;「ぷっくっくっくっく…。」@ ;＜ロノウェ `"Pu ku ku ku ku..."`@ br ;　ワリギリアとロノウェがくすくすけらけらと笑うと、@たちまちベアトリーチェのイライラメーターは限界を振り切る。\ `When Virgilia and Ronove giggled and cackled, `@`Beatrice's irritation meter finally reached its limit.`\ cl l,24 se1 1100 ld l,$BEA_AseruA1,1 ;「えぇい、揃いも揃って妾を笑い者にしおって！/ `"Heeey, you're all laughing at me! `/ quakey 3,300 @/ ld l,$BEA_KomaruA1,80 ;　ロノウェ、しばし姿を消せ！@　消えろ消えろー！」@ `Ronove, hide yourself for a while!`@` Disappear, disappe-ar!"`@ ld r,$RON_defA1,80 ;「かしこまりました。@それではしばしのお暇をいただきます。@/ `"Certainly.`@` Then, I will rest for a while. `@/ se1 52 cl r,99,1500,"breakup.dll/ulb" ;ぷっくくくく…。」\ ;＜ロノウェ `Pu kukukuku..."`\ ;　ロノウェは、笑いを混じらせたまま頭を下げ、姿を消す。@ `Ronove bowed his head, still laughing, and hid himself.`@ br ;　あとにはカリカリとイラついているベアトリーチェと、@涼しげに紅茶を嗜むワルギリアの姿が残った。\ `After that, all that remained was the figure of Beatrice, who was grumpy and irritated, `@`and Virgilia, who was cooly enjoying her tea.`\ bg G1F_S1aP,23 ld r,$WAL_DefA1,24 ;「……………“#ff0000この島に１９人以上いない#ffffff”と言った、あの赤が、むしろあなたを追い詰めました。」@ `"............When you said '#ff0000There are no more than 18 people on this island#ffffff', you actually cornered yourself."`@ ld l,$BEA_fukigenA2,23 ;「………やっぱりなぁ…。@…………ちょっと早いかなぁとは思ったんだが…。@……やっぱ早かったかなぁ……。」\ `".........I thought so...`@`.........I thought it might have been a little too early, but...`@`......was it really too early after all......?"`\ ld r,$WAL_waraiA1,80 ;「彼をもっと迷走させてからならともかく。@まったくにもって無駄な切り札でしたよ。@むしろ彼を奮起させてしまいました。」\ `"If you had led him further astray beforehand, things might have been different,`@` but it really was a futile trump card.`@` You stirred him up instead."`\ bg black,25 mono 1 bg G1F_S1bP,0 ld c,$BUT_nayamuA1,26 ;　戦人は魔女を否定するという本来の勝利目的に加え、@１８人の誰も疑わずに解決したいという異なる勝利目的も持っていた。@ `In addition to his victory condition of denying the witch, `@`Battler had held onto a different victory condition, since he had wanted to explain things without suspecting someone of the 18.`@ br ld c,$BUT_KuyasigaruA1,80 ;　その相対する２つの目的に翻弄されている時こそが、彼のもっとも弱い瞬間だったはず。\ `Hadn't he been weakest when he had been tossed about by two opposing goals?`\ ;textoff bg G1F_S1cP,0 ld r,$BEA_akuwaraiA2,24 ;　しかし、ベアトリーチェが軽々しく赤を使い、１９人以上いないと宣言してしまった。\ `However, Beatrice had used the red carelessly, and had proclaimed that there were no more than 18 people.`\ textoff bg G1F_S1aP,0 ld c,$BUT_KuyasigaruA1,23 ;　…その為、戦人は１８人を疑わざるを得なくなり、@/ `...Because of that, Battler had been forced to suspect one of the 18, `@/ ld c,$BUT_NayamuA1,80 ;………それを受け容れる覚悟が、徐々に出来始めている。\ `.........and he had finally begun to build up the readiness that he needed to accept that.`\ bg black,22 mono off ;　戦人は頑固だが、@だからこそ脆い部分を突いた時、まるで壊れかけた瀬戸物のように、一気に亀裂を走らせてしまう。@ `Battler was stubborn, `@`but because of that, when he was struck where he was fragile, fissures would crack all over him, like breaking china.`@ br ;　そここそが最高のウィークポイントだったはずなのだが…。\ `That itself should have been his greatest weak point, but...`\ bg G1F_S1bP,26 ld r,$BEA_nayamuA2,24 ;「………くぅぅぅ。@……前回、圧勝だったんで、ちょいと油断が過ぎたかなぁ……。」@ ;＜ベアト `".........Kuuuuuu.`@` ......Did I get a little too careless after my complete victory last time......?"`@ ld l,$WAL_DefA1,23 ;「えぇ、油断が過ぎましたね。@…前回は戦人くんにとって難易度の高いゲームでしたが、@どうやら今回は、(あなたにとって/・・・・・・・)難易度の高いゲームになりそうですよ。」\ ;＜点処理：あなたにとって `"Yes, you were too careless.`@` ...The last game was a difficult one for Battler-kun, `@`but it seems that this game will become` br `a difficult one `(`for you`/・・・・)`."`\ ld r,$BEA_iiwakeA1,80 ;「……割れた壷は決して元に戻ることはない。@…未練がましく欠片を拾うより、他の手を考えた方が建設的というもの。\ `"......A broken vase will definitely never return to its original form.`@` ...So it would be more constructive to think of the next move, rather than regretfully picking up the pieces.`\ ld r,$BEA_nayamuA2,80 ;　………しかし、すっかり知恵を付けた戦人にどう仕掛ければ良いというのか…。」\ `.........However, now that Battler has been instigated this much, how should I plot against him...?"`\ ld l,$WAL_WaraiA1,80 ;「ほっほっほ。@ロノウェのクッキーより、あなたが困っている顔の方がお茶菓子にぴったりですよ。」@ `"Hoh-hoh-ho.`@` Your troubled face is an even better snack than Ronove's cookies."`@ ;ld r,$BEA_HanbesoA1,80 cl r,25 ;「……うー。@戦人もお師匠様もロノウェまでも妾を茶菓扱いだ。@…妾は決して甘くはないというのにィ。」\ `"......Uu-.`@` You and Battler and even Ronove are making fun of me.`@` ...Even though I'm not naive at a-ll."`\ se1 47 ;　ベアトリーチェは、決して戦人の前では見せないような子ども染みた情けない顔で、@テーブルの上にごろごろと頭を転がす。\ `With a shameful, childlike face that she would never have shown in front of Battler, `@`Beatrice rolled her head around on top of the table.`\ ld r,$BEA_nayamuA2,26 ;「…………お師匠様ぁ。@………せめてヒントをー。」@ `"............Teacheeer.`@` .........At least a hi-nt."`@ ld l,$WAL_majimeA1,80 ;「おや。@何のヒントですか？」\ `"Oh.`@` What kind of hint?"`\ ld r,$BEA_WaraiA2,80 ;「戦人をぎゃふんと言わせて、妾を認めたくなるような上手い指し手を、@/ `"If you know a skillful move that will make Battler speechless, and make him accept me, `@/ ld r,$BEA_NayamuA2,80 ;ズバリ教えろとは言わないからその、/ ;!d800…せめてヒントだけでもぉ。」\ ;＜ベアト `I won't ask you to say it outright, so, umm, `/ !d800`...even if it's just a hint."`\ ld l,$WAL_fumanA1,80 ;「ほっほっほ、駄目ですよ。@私は今、戦人くんの味方をしていますから、@あなたに利することは教えられません。」\ ;＜ワルギリ `"Hoh-hoh-ho, I can't.`@` I am acting as Battler-kun's ally, `@`so I cannot teach you something that would give you an advantage."`\ ld r,$BEA_iiwakeA2,80 ;「…そんな固いこと言わずにさぁ…。@弟子が困ってるというのにぃ…。」@ `"...You don't have to say it so stiffly...`@` Even though your disciple's in trouble..."`@ ld l,$WAL_KomaruA2,80 ;「師匠を超えたと散々豪語していた気がしますが？」\ `"I believe you harshly boasted that you had surpassed your teacher, correct?"`\ ld r,$BEA_fukigenA2,80 ;「………うー…。@年寄りらしく、老獪な知恵を一発、授けてくれよぉ…。@頼むよぉ…。@戦人にばっかりずるいってよぉぉ…。」@ `".........Uu-...`@` Please act like an old person and give me just a bit of your cunning wisdom...`@` Pleease...`@` It's mean if you only help Battleeer..."`@ ld l,$WAL_fumanA1,80 E_A ;「もう。@相変わらずの駄々っ子ですねぇ。\ `"My, my.`@` You're still a spoiled child.`\ me1 11 ld l,$WAL_majimeA1,80 ;　……でも、確かにちょっと戦人くんにヒントを与えすぎたかもしれませんね。@あなたのお灸にはなったけど、@フェアなゲームとしては少し肩入れをし過ぎたかもしれない。」\ `......But, it's true that I may have given Battler-kun a few too many hints.`@` It did serve as a scolding to you, `@`but perhaps it was a little too much support for a fair game."`\ ld r,$BEA_IiwakeA2,80 ;「そうであろう、そうであろう…？@　頼むよお師匠様ぁ、せめて今後のヒントだけでもぉ…。」@ `"Isn't that right, isn't that right...?`@` Please, Teacheeer, at least just a hint now..."`@ ld l,$WAL_FumanA1,80 ;「………………ヒントだけですよ。@意味は自分で考えるのですよ？」\ `"...............This is just a hint.`@` Think about what it means by yourself, alright?"`\ ld r,$BEA_WaraiA2,80 se1 47 ;「うんうん！@/ `"Yeah, yeah! `@/ se2 48 ;　自分で考えるからさぁ、頼むよぉ！@　戦人をけちょんけちょんに出来るヤツを頼むよ、お師匠様ぁ。」\ `I'll think about it myself, so please!`@` Please, give me one that'll leave Battler down in the dumps."`\ bg black,22 ;　戦人の前ではさんざん大魔女ぶっているくせに、その戦人の姿がないと実に情けない。@ `It was truly shameful how she behaved when Battler wasn't around, even though she acted utterly like a Great Witch in front of him.`@ br ;　ワルギリアは、いつまで経っても子どもなんだからと小声でため息を漏らす。\ `Virgilia took a deep breath at how Beato was still a child no matter how much time passed.`\ E_A bgm1 59 bg G1F_S1aP,26 ld r,$WAL_WaraiA1,24 ;「ではヒントだけ。@……イソップ寓話の、北風と太陽というお話を知っていますか？」@ `"Then just a hint.`@` ......Do you know of Aesop's fable, The North Wind and the Sun?"`@ ld l,$BEA_fukigenA2,23 ;「もちろん。@旅人のマントを奪う為に、北風と太陽が勝負する話であろう？」\ `"Of course.`@` It's a story about how the north wind and the sun challenge each other to steal the cloak of a traveler, right?"`\ ld r,$WAL_defA2,80 ;「そうです。@乱暴かつ性急な方法が、常に最善の選択肢とは限らないということです。」@ `"That's right.`@` Violent or impatient methods aren't always necessarily the best decisions."`@ ld l,$BEA_iiwakeA1,80 ;「……言われなくてもわかっておるわ。@妾が勝ちを焦りすぎたことはすでに反省しておる。」\ `"......You don't have to tell me that.`@` I have already reflected on the fact that I rushed too fast towards victory."`\ ld r,$WAL_DefA1,80 ;「……………。@意味はよく考えることですよ。@それから。@……戦人くんも少々誤解があったようですが、あなたにも誤解があるようです。\ `"............`@`Think well about what this means.`@` And furthermore,`@` ......it seems Battler-kun had a slight misunderstanding, but it also seems that you are misunderstanding something.`\ ld r,$WAL_waraiA1,80 ;　あなたは、このゲームの勝利条件を理解していますか？」\ `Do you understand the victory conditions of this game?"`\ ld l,$BEA_fukigenA2,80 ;「…戦人を屈服させることの他に、何があるというのか。」@ `"...What else is there, other than making Battler surrender?"`@ ld r,$WAL_defA2,80 ;「………ほぅら。@その時点でもう間違っていますよ。」\ `".........See?`@` At that point, you are already mistaken."`\ ld l,$BEA_fukigenA3,80 ;「妾が何を間違えたというのか。」@ `"How am I mistaken?"`@ ld r,$WAL_defA1,80 ;「あなたの勝利は、戦人くんを屈服させることではありませんよ。@……戦人くんに、あなたという存在を認めてもらうことではありませんか。」\ `"Your victory isn't making Battler-kun surrender.`@` ......Isn't it making Battler-kun accept your existence?"`\ ld l,$BEA_AseruA1,80 ;「……何と。@戦人にゴマをすって、妾を魔女と認めて下さい、お願いしますぅと頼み込めというのか！@　愚かなっ！@　そこまで妾は落ちぶれてはおらぬ！」@ `"......What's this?`@` You want me to butter up Battler, asking 'Accept me as a witch, pleease?'!`@` How foolish!`@` I will not sink so low!"`@ br ;　がるるるるる…と、まるで機嫌の悪い犬のように、ベアトは唸る。\ `Grrrrrrrrrrr..., Beato growled like a dog in a bad mood.`\ bg black,24 bg G1F_S1cP,0 ld c,$WAL_WaraiA1,24 ;　ワルギリアは肩をすくめ、相変わらず短気な弟子に失笑した…。\ `Virgilia shrugged her shoulders, snickering at her disciple, who was as short-tempered as always...`\ ld c,$WAL_DefA1,80 ;「ヒントは出しました。@あとはあなたがよく考えることですよ。@………何れにせよ、戦人くんにこれまでの手は通用しません。@相当の戦略転換が必要になるでしょう。」\ `"That is my hint.`@` Now you should think deeply.`@` .........In any event, your moves up until now will not work on Battler-kun.`@` A significant tactical conversion will probably be required."`\ bg G1F_S1aP,0 ld l,$BEA_komaruA1,23 ;「…言われずともわかっておる。@……北風と太陽の話は、何が言いたいのかさっぱりだが、@とにかく、方針を変えねばならぬことはわかった。@……お師匠様もあっと驚くような奇策を披露して見せるぞ…！」\ `"...I'd understand even without you telling me.`@` ......I don't have a clue what you mean by the North Wind and the Sun, `@`but anyways, I understand that I will have to change my objective.`@` ......I'll introduce a clever scheme that will surprise even you, Teacher...!"`\ ld r,$WAL_WaraiA1,24 ;「ほっほっほ…。@それは楽しみですね。@戦人くんはそれにどう挑むのかしら。@……あなたの健闘も祈っていますよ。」@ `"Hoh-ho-ho...`@` I look forward to it.`@` I wonder how Battler-kun will tackle that.`@` ......I am wishing you good luck as well."`@ ld l,$BEA_fukigenA2,80 ;「戦人のついでに、であろう？@　ふん…。」\ `"And Battler too, right?`@` Hmm..."`\ bg black,2 fede 0,3000 mov %play_scene,30100 ;シーン変数の入力 textoff wait 2000 me1v 13,70 me2v 5,70 dllefe 1,1 bg rose_G1aR,22 wait 3000 bg black,22 dllefe_off mevol 1,40 mevol 2,40 bg Glob_1dR,22 wait 3000 E_A se1v 56,40 bgm1 62 mset2 mld r,$EV2_defA1,24 ;■ゲストハウス・ロビー ;「………もう投げ出して降参？@　そんなに眠いなら、お布団かぶって眠っちゃえば…？」@ `".........Are you going to give up and resign already?`@` If you're that tired, why not just go into a futon and sleep...?"`@ br ;　…意識を朦朧とさせ、睡魔と戦うと称しながら、ソファーに少しずつ沈んでいく自分を、@“私”が詰る。\ `...As my consciousness grew vague and I pretended to fight my drowsiness, sinking deeper and deeper into the sofa,`@` 'I' scolded myself.`\ mld r,$EV2_ikariA1,80 ;「……あんなにも、蔵臼から当主の座を奪ってやりたいって、夢見てきたんでしょう…？@/ `"......You also dreamed about stealing the position of family head from Krauss, right...? `@/ mld r,$EV2_NiramuA2,80 ;　そのチャンスを私の魔法が与えたのに、あなたはもう放り投げちゃうの…？」\ `Even though I gave you that chance with my magic, you're already throwing it away...?"`\ ;　そうは言うけれど…。@ ;　…………この謎は本当に難解よ。@ ;　知恵の輪の方がまだマシだわ。@ ;　…解けるってことが絶対に約束されているもの。@ `You could say that, but...`@ `............This riddle is really difficult.`@ `Even a wire puzzle would be better.`@ `...At least in that case, you are assured that it definitely is solvable.`@ br ;　でもこの碑文の謎は、それすらも約束されているかわからない。@ ;　……私は、挑むだけ無駄な勝負を挑んでるのかもしれない。\ `But I don't know if there's any assurance whether this riddle of the epitaph is solvable.`@ `......I might just be fighting a useless battle.`\ bg black,0 mendef 5 ;　…私は朦朧としたまま、ずっと持ち続けている手帳を見る。@ `...Still hazy, I looked at the notebook which I had been holding the whole time.`@ br ;　そこには、幾百の夜、穴が開くほど見たかわからない、碑文のページが開かれている。\ `It was opened to the page with the epitaph, which I had looked at so many nights that I might have burned a hole through it.`\ ;　……それこそ、まさに扉。@ `......That, is truly a door.`@ br ;　その向こうに、私が子どもの頃から辿り着きたいと願い、どんな努力も惜しまず、@…そして辿り着けなかった“黄金郷”がある。\ `On the other side, there is the 'Golden Land', which I had wished I could drag myself to since I was a child no matter what the effort,`@` ...and which I hadn't been able to drag myself to.`\ ;　私は、その扉にこうして両手を掛け、@ページ、…いや、扉を開いているというのに、その向こうへ未だ至れないと言うのか。\ `Am I touching the door with both hands,`@` ...and even though the book, no, the door is open, can I still not reach the other side?`\ bg Glob_1cR,0 mset2ef 26 mld r,$EV2_ikariA1,22 ;「…そうよ。@あなたは扉に手を掛けている。@さぁ、それを力いっぱい開くの。@そして、その扉に書かれた文字を読むのよ。」@ `"...That's right.`@` You have already touched the door with your hands.`@` Come, open it with all of your strength.`@` And read the characters written on the door."`@ ;＜魔女絵羽 ;「………力いっぱい、/ ;!d600開く。@…扉に書かれた文字を、/ ;!d700読む…。」\ `".........Open it, `/ !d600`with all my strength.`@` ...Read, `/ !d700`the characters written on the door..."`\ ;　目を凝らす。@ ;　……手帳に書いた碑文の、もっと向こうにあるものを透かし見る…。\ `Strain your eyes.`@ `......See through to the thing beyond the epitaph written in the notebook...`\ bg text011,0 ld r,$EV2_ikariA1,0 se1v 22,50 mendef 2 ld r,$EV2_defA1,80 ;「…“懐かしき故郷”は、私たちの想像をきっと裏切らないわ。@……お父様が唯一懐かしむ過去は少年時代だけだもの。」\ `"...The 'beloved hometown' definitely won't betray our expectations.`@` ......The only past that Father held dear was his years as a boy."`\ ;　そうね……。@なら、“鮎の川”は？@ ;　それが泳ぐ川は複数あるし、お父様が住んでいた場所のすぐ近くにあったかは怪しい。@ `That's right......`@` Then what about the 'sweetfish river'?`@ `There are several rivers where they swim, but it is suspicious whether there was one very near the place that Father lived.`@ br ;　…鮎の生息するどの川が地図上、距離的に近いか…、@何て話になると急に曖昧になって特定ができなくなる…。\ `...If we start wondering whether there was a nearby river on a map where sweetfish lived..., `@`things will quickly get vague and we won't be able to get specific...`\ ld r,$EV2_waraiA1,80 ;「……自分で言ったじゃない。@水の流れる川かどうか、わからないって。@……鮎という言葉がそんなにもややこしいなら忘れてしまえば…？\ `"Didn't you say it yourself?`@` You said it didn't have to be a river with water flowing down it.`@` ......If the word sweetfish is too complicated, why not forget it...?`\ mld r,$EV2_ikariA1,80 ;　川で考えるの。@川で。@“家系図”という連想は悪くないわ。@その要領で川から連想するものを、他にも考えてみて……。」\ `Think of a river.`@` A river.`@` Linking it with a 'family tree' wasn't a bad idea.`@` Try thinking about how to link a river with something else along those lines......"`\ textoff me1v 5,0 fedexx 0,50,0,0,0,0,5000 ;mendef 0 ;bg black,5 ;　……川じゃなくて？@　川じゃなかったら鮎は泳げないのに？@ `......Not a river?`@` Even though the sweetfish can't swim in it if it isn't a river?`@ br ;　あぁ、でも、鮎が泳げるってことは海まで繋がってるのかしら……。@ `Oh, but maybe if sweetfish could swim, that means it's tied to the ocean......`@ br ;　川魚だけど、海に出るってうちの人も言ってたし…。@……………。\ `Didn't my husband even say that, while they are river fish, they can go out into the ocean...`@`.........`\ textoff fede 0,2000 bgm1 71 ;　…………………………………。@ ;　……………海まで。@ ;　……………………いえ、/ ;!d700…でも、/ ;!d500………。@ ;　……え…？\ `....................................`@ `............To the ocean.`@ `.....................No, `/ !d700`...but, `/ !d500`.........`@ `......Huh...?`\ bg Glob_1dR,0 mld r,$EV2_niramuA2,0 mset2ef 22 ;「……気付いた？@　でもうろ覚えなの。@ここには書庫があったはず。@調べれば確認できるわ。」@ `"......Did you notice?`@` But that's just a faint memory.`@` There should be a book archive somewhere around here.`@` If you investigate, you can make sure."`@ br ;　……それが“鮎の川”なら、………。@ ;　………そして鍵は６文字の単語かもしれないなら。@ `......If that was the 'sweetfish river', .........`@ `.........And if the key might be a six character word...`@ br ;　…………………鍵が本当にその川に眠ってるというの？\ `..................Was the key really resting in that river?`\ ;　わ、わからないわからない。@ ;　…とにかく地図帳を調べなければ…。@ ;　でも、それがわかったとしても、“何から”６文字を間引くかがわかってないじゃない…。\ `I, I don't know, I don't know.`@ `...Anyways, I have to search in an atlas...`@ `But, even if I know that, I don't know 'from what' I should take the six characters...`\ mld r,$EV2_ikariA1,80 ;「……本当にわからないの？@　よく考えて。@………私たちは下手に頭がいいから発想が硬いのよ。\ `"......You really don't know?`@` Think deeply.`@` .........We're pretty smart, so our ideas are solid.`\ mld r,$EV2_niramuA1,80 ;　碑文の謎なんて大層に考えないで、子どものなぞなぞだと思って。@……男なんて、いくつになったって子どもなの。@お父様が老境に差し掛かったとしても、@心の中の本質的な部分は子どもと何も変わらない。\ `Don't think of it like it's something as massive as the riddle of the epitaph, but like it's a child's riddle.`@` ......Men are always children, no matter how old they get.`@` Even if Father has advanced into old age, `@`that doesn't change the fact that he is essentially a child inside his heart.`\ mld r,$EV2_niramuA2,80 ;　………お父様への畏怖を捨てるの。@…真里亞が船の中で突然出してくるような、下らなくて低脳ななぞなぞ遊びだと思って。」@ `.........Throw away your awe of Father.`@` ...Think of this like it's a worthless, infantile game with riddles, like the one Maria suddenly brought up on the boat."`@ br ;　……なぞなぞ。@……下らない、低脳な。\ `......Riddles.`@` ......Worthless, infantile.`\ mendef 0 bg black,22 ;　……………………。@ ;　…………………え、………ぁ。@ `........................`@ `..................Huh, .........ah.`@ br ;　………あれは確か、…何だっけ、……えっとえっと……。\ `.......I'm sure that was, ...what was it, ......umm, umm......`\ ;　…確か、私の記憶が違っていないなら、……多分あれはえっと…。@ `...I'm sure, if my memory isn't wrong, ......that's probably, umm...`@ br ;　ううん、あやふやな記憶で確かめなくていい。@ ;　それもきっと書庫で調べればすぐにわかる。\ `No, I don't have to rely on my vague memory.`@ `I should be able to figure that out immediately by searching in an archive.`\ bg Glob_1dR,0 mset2ef 0 mld c,$EV2_DefA1,22 ;「………私たちは多分、もう答えに気付いてるわ。@…後はそれが正しいか調べるだけよ。\ `".........We've probably already noticed the answer.`@` ...All that's left is to research whether that's correct or not.`\ mld c,$EV2_ikariA1,80 ;　さぁ、絵羽。@誰にも気付かれないように、書庫へ。@……あそこには、お父様の書斎から溢れ出した硬い本が山積みよ。@…きっと、私たちの疑問に答えてくれる本が見付かるわ。@………急いで。@これが生涯で最初で最後の、私たちの夢の叶うチャンス。」\ `Come, Eva.`@` Let's go to the archive and make sure no one notices.`@` ......There, we should find a mountain of thick books that didn't fit in Father's study.`@` ...I'm sure that we'll find a book that answers our question.`@` .........Quickly.`@` This is our first and last chance in our life to have our dreams made true."`\ mendef 0 bg white,99,4000,"breakup.dll/llB" bg Glob_1bR,0 ld r,$NAT_TukareA2,22 ;ld l,$EVA_IkariA2,26 bgmvol 80 me1v 13,50 quakey 5,500 ;　夏妃がブランケットをそっと掛けようとすると、絵羽はがばっと飛び起きた。\ `When Natsuhi tried to lay a blanket over her, Eva suddenly jumped up.`\ ld r,$NAT_hisuA1,80 ;「…ごめんなさい。@起こしてしまいましたね。」@ ;＜夏妃 `"...I'm sorry.`@` It looks like I woke you."`@ ld l,$KLA_KomaruA1,23 ;「……絵羽。@眠いなら無理をしなくていいぞ。@お前から休みなさい。」\ ;＜蔵臼 `"......Eva.`@` If you're sleepy, don't overdo it.`@` You rest first."`\ bg Glob_1cR,0 ld l,$EVA_futekiA1,23 ;「あ、……ありがとう。@ちょっとお化粧室に行って顔を洗ってくるわね。」\ ;＜絵羽 `"Th, ......thank you.`@` I'm just going to the lavatory for a bit to wash my face."`\ ld r,$HID_MajimeA1,24 ;「無理をせんと休んだ方がええで。@…また体に障るで？」@ ;＜秀吉 `"You should take it easy and rest.`@` ...Is your body troubling you again?"`@ ld l,$EVA_ikariA2,80 ;「本当に大丈夫だってば！/ `"I said I'm really fine! `/ quakey 3,300 ;@　すぐ戻るわね。」\ @`I'll be right back."`\ br bg black,23 se1 16 bg G1F_P1aR,23 ;　私はそれだけを言い残し、足早にロビーを出る。@ `After leaving only those words behind, I rapidly left the lobby.`@ br ;　扉で仕切られたロビーだから、廊下に出れば私の姿は彼らから見えなくなる。\ `The lobby was partitioned off by a door, so as soon as I went into the corridor, they could no longer see me.`\ bg black,23 se2 15 bg Glib_1a,22 ;　……書庫は使用人室の隣にある。@ `......The archive was next to the servant room.`@ br ;　お父様は元々、大量の蔵書を持っていたが、@オカルト趣味に傾倒するようになってからは、さらにその手の蔵書が増え、@一般的な書斎に相応しい真っ当な蔵書を圧迫し書斎から溢れ出させてしまった。\ `Father always owned a vast book collection,`@` but ever since he started to become engrossed with his occult hobby, that collection grew even larger,`@` so that the normal books suitable for a normal study had been forced out as his study overflowed.`\ ;　そういう、まともな本を保管しているのがこの書庫なのだ。@ `This archive was where those normal books were stored.`@ br ;　知識人ぶった百科事典全巻みたいな硬いものばかりだが、@調べ物がしたい今の私にはとても好都合だった。\ `They were all thick, like complete encyclopedias for intellectuals,`@` but that was very convenient for me now that I was investigating something.`\ ld r,$EVA_MajimeA1,24 se3 30 ld r,$EVA_MajimeA1G,26 ;　そっと中に入り、……念の為、銃を構えたまま室内を確認し、不審者がいないことを確認する。\ `I entered softly, ......and just in case, I checked the room with my gun readied, making sure that there were no suspicious people there.`\ bg black,22 se1 25 ;　そして内側から鍵を閉めた。@ `Then I locked it from the inside.`@ br ;　殺人犯が潜んでいるかもしれないなんて、実はそんなに思ってはいない。@ `I actually wasn't thinking that the murderer might be hiding somewhere.`@ br ;　…私が恐れたのは、これからする調べ物を、兄弟の誰かに聞かれはしないかという怯えだった。\ `...What scared me was my fear that one of the siblings might hear what I was investigating.`\ bg Glib_1c,22 me2v 17,80 ;　心臓が、いつの間にかバクバクと飛び跳ねている……。@ ;　…私はさっきまで寝惚けていたから、自分がどれほどのことに気付けたかを理解できていなかった。@ `My heart had started jumping......`@ `...I had been half-asleep until a short time ago, so I hadn't been able to realize how significant this thing I had noticed was.`@ br ;　しかし、覚醒してくるに従い、……その心臓はもはや爆発寸前となった。\ `But as I had become aware, ......my heart had started to feel like it was about to explode.`\ bg Glib_1b,0 mld r,$EVA_IkariA2G,26 ;「………これ、…他の兄弟たちは誰も気付いてないのかしら……。」\ ;＜絵羽 `".........I, ...wonder if any of the other siblings have noticed this......"`\ se1 56 mld l,$EV2_IkariA1,0 mset2 ;　蔵臼と留弗夫は気付かないと思うわ。@ ;　……でも、霧江はわからない。@ ;　あいつ、おかしな勘が鋭いわ。@ `I don't think Krauss and Rudolf will notice.`@ `......But I don't know about Kyrie.`@ `She has extraordinarily good intuition.`@ br ;　………あとは楼座もわからない。\ `.........And I don't know about Rosa either.`\ mld r,$EVA_AkireA2G,80 ;「楼座も愚鈍よ。@昔っから呆れるくらいにね。」@ `"Rosa is also stupid.`@` She always has been, and surprisingly so."`@ mld l,$EV2_niramuA1,80 br ;　そう…？@　あなたに愚鈍と思い込ませて、不必要な恨みを買わない程度には賢いと思ってる。\ `Really...?`@` I think she was wise enough to make you think she was stupid, so that she didn't earn herself unnecessary malice.`\ bg black,0 mendef 22 bg Glib_1c,25 me3v 16,70 ;「………あった。@…これになら載ってるかしら。」@ `".........Here it is.`@` ...I wonder if we'll find it in this one."`@ br ;　私はその本を抜き出すと、ばらばらとページを捲る……。\ `I pulled the book out, and flipped through the pages......`\ bg black,22 ;「……………う。@………これ、/ ;!d700………/ `"............Uu.`@` .........This is, `/ !d700`.........`/ se1v 2,100 ;“鮎の川”…？」@ `a 'sweetfish river'...?"`@ br ;　なるほど…。@ ;　鮎の川とはそういう意味なのね。@ `I see...`@ `This is what the sweetfish river means.`@ br ;　……もたもたしないで、さらに調べて。\ `......Don't dawdle around, research further.`\ bg Glib_1c,22 me4v 18,60 ;「え、えぇ、わかってる…。@川を下ればやがて里あり…。@里って町や村って意味？@　人口密集地だもの、そんなのいくらでもあるわよ…。」\ `"Y, yes, I understand...`@` If you follow the river downstream, you will find a village...`@` By village, does it mean a town or something?`@` That's an area of dense population, so there could be many of those..."`\ ld r,$EV2_IkariA1,22 ld r,$EV2_IkariA2,80 ;　どうして思考を停止するの！/ `Why have you stopped thinking?!`/ quakex 3,300 @ ;　嫌ならやめちゃえば…？@ ;　右代宮家の当主は霧江に譲っちゃえばぁ？！\ `If you don't like it, why not quit...?`@ `Why not just hand over the Ushiromiya headship to Kyrie?!`\ ;「い、…嫌よ…。@私が当主になるの。@…これがその、最初で最後のチャンスなのよ…。@……里って何？@　里ってどういう意味？！@　この“川”を下ると里なんてあるの……？！@　…………ぁ、………/ ;ぁあぁぁぁ……！！」/ `"I, ...I don't want to...`@` I will become the head.`@` ...This is, umm, my first and last chance...`@`......What is '里' (village)?`@` What does it mean?!`@` If you go down the 'river', there's a 里......?!`@` ............ah, .........`/ `aaaaaaaahhh......!!"`/ se1v 2,100 quakey 3,300 \ ld r,$EV2_IkariA1,80 ;　……その里にて、二人が口にし岸を探れ。@ ;　……“岸”よ。@わかってる？\ `......In the village, look for the shore the two will tell you of.`@ `......It's 'shore' (岸).`@` Understand?`\ ;「う、…ごくり…。@わわ、わかってる…！@　岸、……岸………！」@ `"Uu, ...*gulp*...`@` I, I, I understand...!`@` 'Shore', ......'shore'.........!"`@ br ;!s0　全然意味のわからなかったピースが、/ ;!d800……目の前で勝手に、/ ;!d700……ぱちり、/ ;!d800ぱちりと組み合わさっていく……。/ !s0`Right before my eyes, `/ !d800`......the pieces that I hadn't been able to understand at all, `/ !d700`......began to *snap*, `/ !d700`......*snap*, `/ !d800`into place, all by themselves......`/ !sd\ bg black,26 ;　開いた口を閉じることも思い出せない。@ ;　…喉がからからに渇いていく…。@ `I couldn't even remember to close my open mouth.`@ `...My throat grew completely dry...`@ br ;　これ、……本当にこれが答えでいいの？@ ;　ほ、本当に？@　本当になのッ…？！\ `Is it, ......really alright for this to be the answer?`@ `R, really?`@` Really...?!`\ bg Glib_1b,26 mld r,$EVA_IkariA2,26 ;「…でも、これは全然６文字じゃないわ。@……これが答えに間違いないって断言できるけど、これは全然６文字に満たない…！」\ `"...But this isn't six characters at all.`@` ...I'm absolutely sure that this is the answer, but this doesn't reach six characters at all...!"`\ se2 27 se1 56 mld l,$EV2_ikariA1,0 mset2 mld l,$EV2_ikariA2,80 ;　また思考停止？@　なら、それを６文字で読める方法を考えなさい。@ ;　思いつかないなら調べなさい。@ ;　……きっと答えはある。@それを疑っては駄目。@ `Did you stop thinking again?`@` In that case, think of a way you could read it with six characters.`@ `If you can't think of one, then research it.`@ `......There has to be an answer.`@` You must not doubt that.`@ br ;　それが信じられないなら、とっとと泣き寝入りでもして、ヘソでも噛んで死んじゃえば…？\ `If you can't believe that, why don't you cry yourself to sleep, and then just give up and die...?`\ bg black,0 mendef 26 ;!s0「…………１、/ ;!d500２、/ ;!d400３、/ ;!d200４、/ ;!d800５、/ ;!d300６…。@……うぅ、/ ;!d400…ろ、/ ;!d200……/ ;６文字…。/ !s0`"............1, `/ !d500`2, `/ !d400`3, `/ !d200`4, `/ !d800`5, `/ !d300`6...`@`......Oooh, `/ !d400`...s, `/ !d200`......`/ `six characters...`/ se1v 2,100 quakey 5,300 ;@……み、/ ;!d800……見つけた。@…これが、/ ;!d400………黄金郷への、/ ;!d300か、/ @`......I, `/ !d800`......I found it.`@` ...This, `/ !d400`.........is, `/ !d300`th, `/ se2 27 ;!d900……鍵………ッ！！」/ !d900`......the key to the Golden Land.........!!"`/ !sd\ bg Glib_1b,0 se1 56 mld c,$EV2_niramuA2,0 mset2 ;　えぇ。@それが、黄金郷への。@……私たちの子どもの頃からの夢への、鍵。\ `Yes.`@` This is, the key to the Golden Land.`@` ......The key, to our childhood dreams.`\ mld c,$EV2_ikariA1,80 ;　……その鍵を挿す鍵穴は、あそこしかない。@ ;　生贄に捧げるのは、きっと、あれ。@ ;　もう、わかるよね……………？\ `......The only keyhole to stick that key in, is that place.`@ `That, is definitely what offers the sacrifices.`@ `Now, do you understand............?`\ se3v 27,100 ;「う、…………うううううぅううぅッ…！！！」\ `"Whaa, ..........whaaaaaaaaaaaaaa...!!!"`\ wait 2000 eye1 9,37,10,0,1,0,510,340,45 ;▲第１０アイキャッチ　１０月５日（日）９時３７分〜１０時００分 *umi3_11 mov %play_scene,30100 ;シーン変数の入力 mov %grim_scene,306 textoff me1v 13,70 me2v 14,70 dllefe 1,1 bg black,22 wait 3000 se1 27 bg white,1 bg black,2 ;「………こっち？@　……こっちへ回れってことよね…………？@　こいつらが、……私をこっちへ回れと、誘ってるもの………。」\ ;＜絵羽 `".........This way?`@` ......Go this way............?`@` They are, ......inviting me to go this way........."`\ dllefe_off E_A se2v 33,90 ;　……ッ！！！@ `......!!!`@ br ;　心臓が飛び上がる。@ `My heart leapt.`@ ;　…そこには、…………ぽっかりと、……不気味な暗黒が口を開けていたからだ。\ `...Because there, ............gaping wide, ...was an opened mouth in the eerie darkness.`\ me1v 16,70 ;「な、………何よこれ…。@何なのよこれ……？！」\ `"Wh, .........what's this...`@` What is this......?!"`\ se3v 21,70 ;　暗がりに目を凝らすと、灯りのスイッチを思わせるものがあった。@ ;　……他にも、開閉と書かれたスイッチもある。\ `When I strained my eyes, peering into the darkness, I saw something that looked like a light switch.`@ `......In addition, there was a switch with open and close written on it.`\ se1v 22,50 bg sub_sta1a,8 ;　迷わず、灯りのスイッチを入れると、/ ;!d800まるで炭鉱か何かを思わせるようなな灯りが点々とつき、@地下へ伸びる階段をぼんやりと浮かび上がらせる…。@ `When I resolutely pushed the switch, `/ !d800`rough lights, like you'd find in a coal mine, turned on sporadically, `@`making a staircase that stretched underground come hazily into vision...`@ br ;　灯りがついたはずなのに、むしろその薄暗さを引き立てているようで不気味だった。\ `It was creepy how it now looked even more gloomy with the lights turned on.`\ ;　灯りのスイッチ以外にも、開閉と書かれたスイッチもあった。@ `Other than the light switch, there was also a switch with open and close written on it.`@ br ;　…これで、多分、開け閉めができるのだろうが、もし万が一、開けるの方が壊れていたら、@私はこの不気味な地下に、永遠に閉じ込められてしまうかもしれない…。\ `...It would probably open or close this, but on the slight chance that the open part might be broken, `@`I might be closed up in this creepy underground area for all eternity...`\ ;　だから私は、とりあえず、開閉のスイッチには触れず、@……銃を構え直して、ゆっくりと階段を下りていく。\ `So for the time being, I didn't touch the open/close switch, `@`......and as I readied my gun again, I slowly went down the stairs.`\ bg black,5 me2v 26,0 fedexx 0,0,80,0,0,0,3000 E_M1 ;　天井の高さはたっぷりあったため、息苦しさはない。@ ;　むしろ、冷たい風が吹き上げてくるような気がして、その不気味さに霊気さえ感じた…。@ `Because the ceiling was very high, it didn't feel cramped.`@ `On the contrary, it felt as though a cool breeze was blowing upwards, and that creepiness even felt like an aura...`@ br ;　銃を構え、慎重に先をうかがいながら、……私は階段を下りていく……。\ `As I readied my gun, and carefully stared forwards, ......I went down the stairs......`\ me1v 27,80 bg sub_sta1a,6 ;　壁や階段、灯りは皆、かなり古臭い。@ ;　…この島に屋敷が建てられた当時に作られたものなのは、疑いようもないかもしれない。@ `The walls, the stairs, the lights, ...all of them were very old-fashioned.`@ `...It's easy to suspect that this had been made at the same time that the mansion had been constructed on this island.`@ br ;　天井にはひびが入り、雨水が壁を伝って、さらさらと流れ落ちている。\ `There were cracks in the ceiling, and water clung to the walls, constantly dripping down.`\ ;　その水は階段脇に設けられた側溝に落ちて、地下の闇へ静かに早く流れていく。@ ;　早く先へ進めと私を急かすかのようだった…。\ `That water fell into a gutter that had been set up alongside the stairs, then quickly and silently flowed into the underground darkness.`@ `As though it was telling me to go faster...`\ ;bg black,22 ;bg sub_P1a,6 ;　階段は何度か折り返した。@ ;　どの程度を降りたかわからないが、地下１階よりはもっと深く降りたと思う。\ `The staircase kept turning back on itself.`@ `I don't know how far down I've gone, but I think it's much deeper than one floor.`\ bg black,22 bg sub_D1a,2 ;　するとやがて、…………無骨な金属製の扉が姿を現した。@ `And eventually, ............a rough, metal door showed itself.`@ br ;　そしてそこには赤黒い塗料で文字が書かれていた。@…書かれたのはだいぶ以前だろう。\ `And there, characters had been written in a dark red paint.`@` ...They had probably been written a long time ago.`\ bg black,22 se1v 67,100 br ;!s0“#ff0000第十の晩に、旅は終わり、黄金の郷に至るだろう。#ffffff”/ !s0`'#ff0000At the tenth twilight, the journey shall end, and you should reach the village of gold.#ffffff'`/ !sd@ br ;　爆発寸前の心臓が、その真っ赤な文字を認めた途端、さらにどきりと跳ねる…。\ `My heart, which was already about to explode, jumped about even more as soon as I recognized those deep-red characters...`\ ;fedexx 0,80,0,0,0,0,3000 me3v 16,50 ;　間違いない…。@こここそが終点。@ ;　………お父様の、……黄金郷…！！\ `There's no mistake...`@` This is the last stop.`@ `.........Father's, ......Golden Land...!!`\ bg sub_D1a,26 ;　高鳴る心臓を落ち着かせ、何とか冷静さを取り戻し、再び銃を構える。@ `I calmed my throbbing heart, somehow regained my composure, and readied the gun again.`@ br ;　…でも、両手で銃を構えていては、結局、扉が開けられないので…。@ ;　……私は銃を下ろし、慎重に息を殺しながら、その扉を開く……。\ `...But since, in the end, I couldn't open the door with my gun held in both hands...`@ `......I lowered the gun, carefully erased my breath, and opened the door......`\ se1 18 bg white,10 E_A bg sub_R1b,2 bgm1 56 ;「………………こ、……ここ、……は……？！」@ `"..................Th, ......this place, ......is......?!"`@ br ;　その部屋を見た第一印象は、@……屋敷のどれかの部屋に繋がっていたのではないかというものだった。\ `My first impression when I saw the room, `@`......was that it might be related to one of the rooms in the mansion.`\ ;bg sub_R1b,5 ;　そう、これは２階にある開かずの貴賓室の雰囲気にそっくりだった。@ `That's right, it had exactly the same atmosphere about it as the sealed VIP room on the second floor.`@ ;　でもここは地下だから窓はない。@ ;　あるのは、荘厳なシャンデリアの厳かな灯りだけ。@ `But this was underground, so there were no windows.`@ `There was only the solemn light of a grand chandelier.`@ br ;　しかし、そのわずかな灯りによって照らし出されるインテリアの気品は、@息を飲ませて余りあるほどのものだった。\ `But even though it was dimly lit by the faint light, `@`the quality of the interior was more than enough to take your breath away.`\ bg sub_R1c,6 ;　天蓋付きのベッドに、ゆったりと座れそうなロッキングチェア。@贅沢なソファーに絨毯。@ ;　女の子なら誰もが一度は憧れる夢のような部屋…。\ `A bed with a canopy, and a rocking chair that looked like it would be comfortable to sit in.`@` An extravagant sofa and carpet.`@ `The room was like a dream every girl yearns for at least once...`\ ;　にもかかわらず、窓がなく、地下にある秘密の部屋というイメージは、@どちらかというと、魔女の隠れ家とでもいうような雰囲気だった。\ `And yet, since it was an underground hidden room with no windows, `@`how could you say it, it felt like it could be the hidden house of a witch.`\ ;　森の魔女ベアトリーチェの伝説を鵜呑みにしたことは一度もない。@ `I had never swallowed the legend of Beatrice, witch of the forest.`@ br ;　しかし、……この部屋を見せられたなら、@……彼女は実在し、そしてこの部屋に住んでいたことを、@…何も疑うことが出来なくなってしまうに違いない。\ `However, ......after being shown this room, `@`......it certainly became hard to doubt that she actually had existed,`@` and had lived in this room.`\ bg black,5 bg sub_R1b,2 ld r,$EVA_komaruA1G,24 ;「………誰か、/ ;!d800………………いる…？」@ `".........Is someone, `/ !d800`..................there...?"`@ br ;　私はそんな部屋に度肝を抜かれながらも、慎重に、@…いや、臆病に銃を構えながら室内を探るのだった。\ `Even though I was completely shocked by this room, I carefully, `@`...no, timidly searched the interior with my gun raised.`\ bg black,22 ;　そして、……部屋の奥に、それを見つける。\ `And, ......in the center of the room, I found it.`\ E_A se1v 45,90 bg gold2,42 ;「……………ひッ、……………。」@ `"............Eeek, ............"`@ br ;　私の息を呑む音は、まるで子ウサギが窒息するような変な声。@ `My gasp came out strangely, as though a bunny was being choked.`@ bgm1 72 br ;　…だって、……これを見てしまったら、@…誰だって、そんな間抜けな声しか出せないに決まってるのだ…。\ `...Because, ......after finding something like this,`@` ...no one would be able to stop that kind of stupid voice from leaking out...`\ ;「あった……。@……ほ、……本当にあった……ッ…。@……お父様の、……黄金……ッ！！」@ `"It's here......`@`......I, it's really here.........`@`......Father's, ......gold......!!"`@ br ;　天蓋ベッドの向こう側に、それはうず高く積み上げられていた…。@ ;　山と成す、黄金のインゴットの山ッ！！\ `On the opposite side of the canopy bed, it was piled up in a massive heap...`@ `It was a mountain, a mountain of gold ingots!!`\ ;　もちろんそれは部屋の気品を損ねるような無様な積み方はされていない。@ `Of course, they weren't piled up carelessly in a way that would damage the dignity of this room.`@ br ;　その黄金の山には緋色の美しい繻子織りの織物が掛けられ、@赤と黄金、そして深き闇の黒の美しき三色で彩られていた…。\ `A beautiful scarlet satin weave was laid on the mountain of gold, `@`creating a beautiful three-colored mix between the red, the gold and the black of the deep darkness...`\ bg gold3,22 ;　それはまるで、魔女がこのベッドで眠る時、@さながら黄金はその側にうやうやしく控える侍従か何かのように。@ `It was as though, when the witch slept on this bed,`@` the gold would be a respectful chamberlain waiting on her.`@ br ;　気高く、高貴に、優雅に、美しく。@ `Nobly, refinedly, gracefully, beautifully.`@ ;　威風堂々としていながら、それでいて畏まったように積み上げられているのだ…。\ `It was attentively piled there with an imposing air...`\ ;　黄金のインゴットをひとつ取ろうとし、その重さに驚く。@ ;　……多分、１０ｋｇくらいはあるだろう。@ ;　……このインゴット１つで多分、一千万以上の価値が余裕であるに違いない。\ `When I tried to grab a single gold ingot, I was surprised at its weight.`@ `......It was probably about 10 kilograms.`@ `......Just this ingot would probably be worth more than 10 million.`\ ;　そこには、右代宮家の紋章である片翼の鷲が薄っすらと刻印されていた。@ ;　磨耗しているのか、そもそもの刻印がいい加減なのか、@鮮明とは言い難いが、紛れもなく片翼の鷲の紋章だった。\ `The Ushiromiya family crest, the One-winged Eagle, was lightly imprinted on it.`@ `It was hard to tell whether it had worn away, or whether the impression had been made carelessly in the first place, `@`but it was certainly the crest of the One-winged Eagle.`\ bg gold2,6 ;　そのインゴットが一体、ここに何本積み上げられているというのか？@ ;　でたらめに辺と辺を掛けて、それに高さを掛けただけでも、きっと数百を超えるだろう。@ `Just how many ingots were piled up here?`@ `By just going from one part to another randomly and judging by the height, there was surely more than several hundred.`@ br ;　もう頭が真っ白でまともな計算も出来ない。@ ;　……控えめに数えても、十億円を余裕で上回るだろう。\ `My mind is already blank, so I can't do a good calculation.`@ `......Even a moderate guess would put it above several billion yen.`\ bg black,25 me1v 16,0 fedexx 90,60,0,0,0,0,3000 bg sub_R1a,26 ;「そりゃそうよ…、そうに決まってるわよ…。@…だって、１０ｔの黄金よ…？@　時価にして２００億円の黄金よ…？@　み、…見つけたわ、……誰よりも早く、………私が見つけたわッ！！@　あはは、わははははははは、あっはっはっはっははははははははははははは！！」/ `"That's right..., of course...`@`...After all, there's 10 tons of gold, right...?`@` At the current value, that's more than 20 billion yen of gold, right...?`@` I, ...I found it, ......before anyone else, .........I found it!!`@` Ahaha, wahahahahahahaha, ahahahahahahahahahahahahahahahaha!!"`/ quakey 5,500 \ bg sub_R1b,2 ;　私は黄金の山を前に、両手を広げて天井を見上げる。@ ;　品の欠片もない笑い声が、全身から溢れ出してくる。@ `In front of the mountain of gold, I spread my arms and looked up at the ceiling.`@ `A laugh without a trace of dignity flowed out from my entire body.`@ br ;　こんなおかしな笑いなんかするつもりは毛頭ないのに、@…でもでも、全身が泡立つほど嬉しい気持ちを抑えられない。\ `I had no intention of laughing in a weird way, `@`...but, but, I couldn't hold back the happy feeling that flowed throughout my entire body.`\ ;　……この黄金の山を見つけたからと言って、すんなりあの兄が負けを認めたりはしないだろう。@ ;　…しかし、私が一番最初に見つけたという事実は、今や動かしようがない…！\ `......My older brother probably wouldn't accept his loss just because I had found this gold.`@ `...But from now on, there would be no changing the fact that I had been the one to find the gold...!`\ ;　私が右代宮家の当主を奪うには、まだいくつかの繊細な駆け引きが必要になるだろう。@ ;　でも、それはこれまでの日々を考えればまったくにもって些細な問題。@ `To steal the headship of the family, I would still probably need some subtle tactics.`@ `But after everything I've gone through until now, that's a completely trivial problem.`@ br ;　仮に右代宮家の家督云々の話を抜きにしたって。@ ;　…今や、２００億円の黄金は私ひとりのものなのだからッ！！\ `Even if I lost out on the inheritance of the Ushiromiya family and everything...`@ `...I already have 20 billion yen worth of gold!!`\ se1v 2,100 me2v 5,70 bg white,1 bg gold2,2 ;「はははは、あっはっはっはっはっは！！@　お金なんて、何て下らないものだろうって思ったことがあるわ。@世の中にはお金で買えないものなんていくらでもあると思ってた。@…でも、そんなのは嘘っぱちだって、今、理解したわ！@　そんなのは持たざる者の自分への言い訳だったのよ！！\ `"Hahahaha, a-hah-hah-hah-hah-ha!!`@` I did think that money was such a worthless thing.`@` I'd thought that there are many things in this world that you can't buy with money.`@` ...But now I understand that that's just a lie!`@` That's just an excuse that those who don't have it make for themselves!!`\ se1v 2,100 bg white,1 bg gold3,2 ;　この黄金の山を前にして、私はやっとそんな当り前を理解したわ…！！@　この世の全ての幸せは、この黄金を溶かすことで生み出すことができる！@　このお金があれば、夫の会社はもう大丈夫。@私たち家族はずっと幸せ。@そして譲治にも莫大なお金を遺してあげることができる…！！\ `In front of this mountain of gold, I've finally realized something so obvious...!!`@` By using this money, I can give birth to all the happiness in this world!`@` With this money, my husband's company is already fine.`@` We will always be happy as a family.`@` And I can even leave a vast amount of money to George...!!`\ bg black,22 ;　他の親戚たちなどやがては没落して消えるわ。@その時、譲治はこの黄金を使って、失われた右代宮家の威光を、@まるでお父様がそうしたように復興させてみせるのよ…！！@　その時、誰も異論を挟めないわ。@……譲治こそが、右代宮家の本当の跡継ぎなのよッ！！」\ `The rest of the relatives will eventually be ruined and disappear.`@` At that time, George will use this gold, `@`and just like Grandfather did,`@` he will revive the Ushiromiya family's lost honor.`@` ......George is the true successor of the Ushiromiya family!!"`\ se1 27 bg white,1 bg sub_R1a,2 ;　成ったッ！！！@　叶ったッ！！@ `It happened!!!`@` My wish was granted!!`@ br ;　右代宮絵羽としてこの世に生まれ、願った夢は今この瞬間、全てが叶った…！！@ `That dream I have wished for ever since I was born into this world as Ushiromiya Eva, has been granted completely in this very moment...!!`@ br ;　私も夫も、永遠に幸せになれて。@ ;　そして一人息子の譲治にも永遠の幸せを贈ることができる！！\ `My husband and I will be happy for all eternity.`@ `And I can also give my only son, George, eternal happiness!!`\ ;　下らない快楽になんか浪費するものか！！@ ;　兄が食い潰し傾かせた右代宮家は、私と譲治が復興させるのよ！@ `There's no way I'll waste it on foolish pleasures!!`@ `My older brother has chewed up the Ushiromiya family, but George and I will revive it!`@ br ;　それこそが、右代宮家の当主を、本当の意味で私たちが継承したという意味なのよッ！！\ `And that means that I truly have succeeded the headship of the Ushiromiya family!!`\ bg gold2,6 ;「成し遂げたわ…。@やったわ、…あなた…、譲治…。@……私は、……母さんは、……ついに成し遂げたわよ…。@……もうこれで、誰にも脅かされない…。@ううぅう、ううううううぅううううぅッ！！」@ `"I was successful...`@` I did it, ...dear..., George...`@`......I, ......finally succeeded, ......as a mother...`@`......After this, we won't be threatened by anyone...`@` Whaaaaaa, whaaaaaaaaaaaaaaaaaa!!"`@ br ;　そうよ、これでもう私たちは、二度と悲しい夜に咽ぶことはない。\ `That's right, after this, never again will we be smothered by sad nights.`\ se1 56 mld r,$EV2_HohoemiA1,0 mset2 mld r,$EV2_HohoemiA2,80 ;　おめでとう、私。@ ;　おめでとう、右代宮絵羽。@ `Congratulations, me.`@ `Congratulations, Ushiromiya Eva.`@ br ;　…私たちの悲しい半生は、今ここに全ての念願が叶って昇華されたわ。\ `......Right here, right now, the sad half of our life will have its heart's desire granted.`\ ;bg sub_R1b,26 ;「あなたのお陰よ…。@あなたの魔法があったから、このチャンスに恵まれた。@このチャンスがあったから、私はここに辿り着くことができた…！」\ `"It's all thanks to you...`@` I was given this chance because of your magic.`@` Because of that chance, I was able to make it here...!"`\ mld r,$EV2_HohoemiA1,80 ;　…ありがとう。@ ;　でも私の魔法は、私たちが互いに信じあわなくちゃ叶えることができなかった。\ `...Thank you.`@ `But my magic couldn't have been granted if we both didn't believe in each other.`\ mld r,$EV2_WaraiA1,80 ;　だから、私の魔法の力だけじゃない。@ ;　私たちの勝利よ。@ `So it isn't just the power of my magic.`@ `This is our victory.`@ mld r,$EV2_WaraiA2,80 br ;　だからこそ、おめでとう。@“私たち”。\ `Because of that, congratulations,`@` 'us'.`\ bg gold3,0 mendef 42 ;「ありがとう、私…。@ありがとう、右代宮絵羽…。@……今日まで挫けなくて良かった。@悲しみに溺れ、足掻くことを忘れなくて良かった…。@………いいえ、これは私の魔法。@私たちの魔法！@　あなたの魔法は本物だったわ。@森の魔女ベアトリーチェなんてすでに幻想。@あなたこそが本当の魔法が使える本当の魔女。@……そうよ。@あなたこそが今や、黄金の魔女、ベアトリーチェなのよッ！！」\ `"Thank you, me...`@` Thank you, Ushiromiya Eva...`@`......I'm glad I didn't give in before now.`@` I'm glad that I didn't drown in sorrow and forget to keep struggling...`@`.........No, this is my magic.`@` Our magic!`@` Your magic was the real thing.`@` Beatrice, the witch of the forest, is nothing more than an illusion.`@` You are the real witch, who can use real magic.`@` ......That's right.`@` Right now, you are the Golden Witch, Beatrice!!"`\ textoff fedexx 100,90,90,0,0,0,1000 wait 5000 bg black,42 fede 0,8000 wait 5000 me1v 27,70 wait 2000 ;　絵羽は一度、そこを立ち去ることにした。@ ;　そして再び階段を登り、この秘密の場所を出ようとした時。@ `Eva decided to leave that place for the time being.`@ `When she climbed the stairs again, trying to leave this secret place...`@ se3 67 br ;　……不気味な人影がゆらりと立ちはだかったのが見えて、夢見心地が吹き飛ぶ。\ `......She saw a creepy, swaying human shadow blocking her path, and her dreamlike state was blown away.`\ bg sub_sta1a,0 ld c,$EVA_IkariA2G,1 se1 30 ld c,$EVA_IkariB2G,26 ;「…………………誰ッ？！」/ `"..................Who is it?!"`/ quakey 3,300 \ ;　この部屋の真の主、…本当のベアトリーチェが現れたのだと、一瞬信じた。\ `For an instant, ...she believed that the true master of this room, the real Beatrice, had appeared.`\ se1 26 ;　向こうも銃を持っていたらしい。@ ;　二人は銃を構えあう。@ `It seemed that the other person was also holding a gun.`@ `The two of them were pointing guns at each other.`@ br ;　そしてようやく、お互いは相手が誰かを知る…。\ `And eventually, they each realized who the other was...`\ cl a,0 ld r,$EVA_IkariB1G,23 ;「………楼座………？」@ ;＜絵羽 `".........Rosa.........?"`@ ld l,$ROS_majimeB1G,23 ;「…姉さん…。@………こんなところで何をしているの…？」@ ;＜楼座 `"...Nee-san...`@`.........What are you doing in a place like this...?"`@ se2 43 ld r,$EVA_FutekiB1G,80 ;「お互い様よ。@あなたこそこんなところへ何の御用？」\ ;＜絵羽 `"That's my line.`@` What business do you have in a place such as this?"`\ bgm1v 55,70 ld l,$ROS_akuwaraiB1G,80 ;「……姉さんにヒントをあげるんじゃなかったわ。@そうだったなら、ここに辿り着いたのは、きっと私が一番だった。@………残念よ。」@ `"......I shouldn't have given you that hint, Nee-san.`@` If I hadn't, I definitely would have been the first to reach this place.`@` .........Too bad."`@ br ;　楼座には、この階段がどこに続き、@そしてその先に何が待ち構えているのか、理解できているようだった。\ `It seemed that Rosa knew where this staircase went, `@`and what was waiting ahead of her.`\ ld r,$EVA_AkireB2G,80 ;「言うわね。@………私より遅く辿り着いたくせに。」@ `"So you say.`@` .........Even though I reached this place before you."`@ ld l,$ROS_komaruB4G,23 ;「………鮎の川に悩みすぎたわ。@鮎なんて大した意味、ないじゃない。」\ `".........I worried too much about the sweetfish river.`@` The sweetfish part didn't really matter that much at all, did it?"`\ ld r,$EVA_waraiB1G,80 ;「そんなことないわよ。@立派なヒントだったじゃない。@/ `"That isn't true.`@` It was an excellent hint, wasn't it? `@/ ld r,$EVA_AkireB1G,80 ;まぁ確かに、鮎である必要はなかったかもね。@…でも、鮎が海に出る魚だと聞いて、私はそれで気付いたの。」\ `Well, of course, maybe there was no need for it to be sweetfish.`@` ...But when I heard that sweetfish are fish that go out into the sea, I was able to figure it out."`\ ld l,$ROS_majimeB1G,80 ;「……この奥には何が？」@ `"......What is inside?"`@ ld r,$EVA_futekiB1G,80 ;「自分の目で確かめたら？@　あなたの想像をきっと裏切らないわ。」\ `"Why not see with your own eyes?`@` It definitely won't betray your expectations."`\ bg black,25 ;bg moon_1a,22 me3v 5,60 ;「……………………。@……怯えないで、姉さん。@私は元々、当主が誰になるかなんて興味ない。@右代宮の籍だって興味ないしね。@……本音を言うと、自分が当主になるんだってずっと威張り散らしてた蔵臼兄さんから、@姉さんがその座を奪うなら、かえって小気味がいいくらいよ。」\ `"............`@`......Don't be afraid, Nee-san.`@` I never had any interest in who became the head.`@` I don't even care about the Ushiromiya family name.`@` ......Honestly, I actually feel good about you stealing the position of head from Krauss,`@` who was always swaggering around because of it."`\ ;「…………本気で言ってるの？」\ `"............Are you serious?"`\ ;「もちろんよ。@私は右代宮兄弟のはぐれ者。@……仮に私が当主跡継ぎだとお父様に指名されたとしても、@それを兄さんたちが認めてくれるわけもない。@そこまで甘い夢は見てないつもりよ。」@ ;「……………………。」\ `"Of course.`@` I am the outsider of the Ushiromiya siblings.`@` ......Even if Father had named me as the next head,`@` there's no way Nii-san would accept that.`@` I try not to have such naive dreams."`@ `"........................"`\ bg sub_sta1a,22 E_M3 ld r,$ROS_akuWaraiB1G,24 ;「私にも見せてよ。@姉さんの勝利の証を。@……私は、兄弟で取り決めした正当な取り分さえもらえれば、@むしろ姉さんがこの“ゲーム”の正当な勝利者だと積極的に認めるつもりよ。」\ `"Let me see too.`@` The proof of your victory, Nee-san.`@` ......As long as I receive the proper portion that the siblings agreed upon,`@` I plan to actively accept you as the true victor in this 'game'."`\ ld l,$EVA_AkireB2G,23 ;「…………私を撃っちゃえば、この黄金は楼座の独り占めになっちゃうわね？」\ `"............If you shoot me, then you would have this gold all to yourself, right?"`\ ld r,$ROS_waraiB2G,80 ;「それは同じよ。@姉さんが私を撃てば、この黄金は姉さんの独り占め。」@ `"It's the same for you.`@` If you shoot me, this gold would all be yours."`@ ld l,$EVA_futekiB1G,80 ;「…………………………………。」\ ;＜絵羽 `"........................"`\ bg black,2 ;　姉妹は互いに銃を向けあったまま、緊迫の時間を過ごした。@ ;　やがて、互いの眼光を充分に値踏みしながら、二人は銃を下ろす。\ `For a tense moment, the sisters pointed their guns at each other.`@ `Eventually, after they sized up the glint in the other's eyes, they lowered their guns.`\ se1 43 ;　…絵羽が、引き金から指を外し、銃を逆さに持つ仕草をする。@ `...Eva removed her finger from the trigger, and held the gun upside-down.`@ br ;　すぐには撃てない持ち方だ。@ ;　それを見て、楼座も同じ持ち方に従う。\ `It was a position that she couldn't quickly shoot from.`@ `When she saw that, Rosa held hers the same way.`\ E_MA se1 43 wait 2000 bg sub_sta1a,0 ld r,$EVA_HohoemiA1G,26 ;「……そうね。@相手を撃って、黄金を独り占めにしようという提案は、お互いにとって魅力的ね。@/ `"......That's right.`@` That plan of shooting the other and having all the gold to ourselves is fascinating for both of us. `@/ ld r,$EVA_akireA2G,80 ;…でも、台風で隔絶したこの島から、突然、失踪すれば、絶対に大騒ぎになる。@……ここに死体を隠せば、簡単には見付からないだろうけど、それも絶対ではない。」\ ;＜絵羽 `...But if one of us suddenly disappeared on this island while it's isolated by the typhoon, there would be a huge uproar.`@` ......If we hid the corpse here, it probably wouldn't be found easily, but that isn't for certain."`\ ld l,$ROS_NayamuA1G,23 ;「………何百億円の黄金があろうとも。@殺人の罪を犯すリスクには、割が合わないわ。@むしろ、それをダシにされて、蔵臼兄さんたちに搾り取られるのがオチね。」\ ;＜楼座 `".........No matter how many billion yen worth of gold is on the line,`@` it isn't worth the risk of committing murder.`@` In the end, that would become an excuse for Krauss nii-san and the others to take advantage of us."`\ ld r,$EVA_futekiA1G,80 ;「同感よ。@……ここに現れたのが、兄さんや留弗夫であるくらいなら、@……あんたであったことは不幸中の幸いかもしれない。@…私は兄弟で、あんたを一番信用してるもの。」\ `"I agree.`@` ......It may have been a blessing in disguise that you were the one to show up, `@`......instead of Nii-san or Rudolf.`@` ...I trust you the most of all the siblings."`\ ld l,$ROS_akuWaraiA1G,80 ;「…………ありがとう。@私も姉さんのこと、兄弟で一番信用してるわよ？」@ `"............Thank you.`@` I also trust you the most of the siblings, Nee-san."`@ se3 21 ld r,$EVA_akireA2G,80 ;「………………………………。」\ `"........................"`\ textoff wait 2000 ld l,$ROS_majimeA1G,80 ;「…………私も黄金が見たいわ。」@ `"............I want to see the gold too."`@ ld r,$EVA_WaraiA1G,80 ;「見る？@　私ももう一度見たくなったわ。@この目で見たにもかかわらず、まだ現実感が湧かないの。@…あなたと一緒に見て、確かに存在することをもう一度確かめないと、@霧になって黄金が消えてしまいそうな気がするわ。」\ `"Do you?`@` Now I also want to see it again.`@` Even though I saw it with my own eyes, it still doesn't feel real.`@` ...Unless I see it together with you and check once more that it actually exists,`@` it feels like the gold will turn to fog and disappear."`\ ;bg sub_sta1a,2 bg black,2 ;　絵羽は再び階段を降り出す。@ ;　……しかし、無用心に楼座に背中を晒したりはしない。@ `Eva started descending the staircase once more.`@ `......However, she didn't carelessly expose her back to Rosa.`@ br ;　楼座も、一見は警戒心を解いているように見えるが、決して油断は見せなかった。\ `Even though, at a glance, it looked like Rosa had lowered her guard, she definitely didn't show any signs of carelessness.`\ textoff se1 17 bg white,10 bg sub_R1b,22 wait 2000 se2 21 bg white,80 bg gold2,42 ;　……そして、再びあの魔女の部屋へ至る。@ ;　楼座もまた、息を呑み、莫大な黄金に絶句するのだった…。\ `......And they reached that room of the witch once again.`@ `Rosa also gasped, made speechless by the vast amount of gold...`\ bg black,42 fede 0,4000 wait 2000 me1v 12,70 me2v 5,70 dllefe 1,1 bg garden_1cR,6 ;　……絵羽たちは薔薇庭園を、放心しながら歩いている。@ `......Rosa and Eva walked absentmindedly through the rose garden.`@ br ;　ゲストハウスをこっそりと出てきたのだから、戻る時にも細心の注意が要る。@ ;　そろそろ緊張感を取り戻さなくてはいけない。\ `They had left the guesthouse secretly, so they had to be careful when they returned.`@ `They had to regain their sense of tension soon.`\ bg rose_1bR,24 ld r,$ROS_WaraiA1,24 ;「……おめでとう、姉さん。」@ `"......Congratulations, Nee-san."`@ ld l,$EVA_HohoemiA1,23 ;「ありがと。」\ `"Thank you."`\ ld r,$ROS_AkuwaraiA1,80 ;「姉さんが決めたのよね？@　右代宮家当主跡継ぎの肩書きに５割って。@……ここで効いて来るとはね。@今やそれは蔵臼兄さんのことではない。@…だから姉さんの取り分が５割とその四分の一で１２５億。\ `"You decided it, didn't you Nee-san?`@` 50% goes to the title of the successor to the head.`@` ......It sure did work out well for you.`@` Now, that portion isn't Krauss nii-san's.`@` ...So your share is now 50% along with a quarter of the rest, for a total of 12.5 billion yen.`\ ld r,$ROS_WaraiA2,80 ;　すごい取り分じゃない。@…私は２５億で満足よ。@留弗夫兄さんだって文句は言わないわ。@文句を言うのは蔵臼兄さんだけでしょうね。」\ `Isn't that an incredible share?`@` ...I'm satisfied with 2.5 billion.`@` Rudolf nii-san won't complain either.`@` Krauss nii-san will probably be the only one to complain."`\ ld l,$EVA_MajimeA1,80 ;「……えぇ、そうね。@…何しろ、六軒島の実質的管理者は兄さんだもの。@そしてその敷地内に黄金があった以上、@第一発見者が私でも、うまく事を運ばないと、ややこしいことになりそうよ。」@ `"......Yeah, you're right.`@` ...After all, Nii-san is the practical manager of Rokkenjima.`@` And since the gold was on these premises, `@`even though I was the first to discover it, things might get complicated if I don't handle it skillfully."`@ ld r,$ROS_WaraiA1,80 ;「ならないわよ。@そこまでをも想定して、私たちは昨夜、さんざん議論を尽くしたんじゃない。」\ `"It won't get complicated.`@` Didn't we give it our all in that discussion last night with that in mind?"`\ ld l,$EVA_ikariA1,80 ;「…………果たしてそううまく行くかしらね。@私はもう、すっかり興奮は醒めてるわよ。@ここからの調整の方が、むしろ問題ね。」@ `"............I wonder if it will really go that smoothly.`@` I've already completely gotten over my excitement.`@` How we regulate everything from here on is the real problem."`@ ld r,$ROS_akuwaraiA1,80 ;「…それは、新しき右代宮家当主の問題ね。@姉さんが楽しむべき問題よ。@私には関係ないわ。」\ `"...That is a problem for the new head of the Ushiromiya family.`@` You should enjoy that problem, Nee-san.`@` It has nothing to do with me."`\ ld l,$EVA_AkireA2,80 ;「ふん、言うわね…。」@ `"Hmm, so you say..."`@ ld r,$ROS_DefA1,80 ;「……第二発見者として、姉さんに協力するから。@どうか例の前払い分。@私の１億５千万だけは３月までにお願い。」\ `"......I'll support you as the second person to find it.`@` If you would at least give me the early payment we decided on.`@` I'd like 150 million yen by March."`\ ld l,$EVA_WaraiA1,80 ;「えぇ、いいわ。@……私に協力するなら、それくらい気前良く払うわ。@私は兄さんじゃないもの。」@ `"Yes, that's fine.`@` ......If you support me, I can graciously pay you that much.`@` I am not Nii-san."`@ ld r,$ROS_akuWaraiA1,80 ;「とりあえずは兄さんたちを驚かせましょ？@　実際の場所は伏せるにしても、早く蔵臼兄さんの驚く顔が見たいわ。」\ `"Anyways, why don't we go and shock Nii-san and the others?`@` Even if we cover up the actual location, I want to see Krauss nii-san's shocked face as soon as I can."`\ bg black,22 dllefe_off se1 21 ;「……………。@…………ちょっと待ってよ、楼座。@それをみんなに伝えるのはまだ待って。」@ ;「………………え？@　…どうして？」\ `"............`@`............Wait a second, Rosa.`@` Wait a while before telling everyone about it."`@ `"...............HuhHuh?`@` ...Why?"`\ dllefe 1,1 bg Rose_1br,0 ld r,$EVA_majimeA1,26 ;「…馬鹿ね、決まってるでしょう。@…相手はあの尊大な蔵臼兄さんに、狡賢い留弗夫なのよ。@やがては発表するにしても、今はまだ早いわ。\ `"...You idiot, isn't it obvious?`@` ...This is that haughty Krauss nii-san and that sly Rudolf we're talking about.`@` Even if we announce it eventually, it's still too early now.`\ ld r,$EVA_IkariA1,80 ;　どうやって話を進めるか、慎重に検討してからじゃないと、@せっかく見つけた黄金を全て兄さんに掠め取られることもありえるわよ。」\ `Unless we carefully investigate how we should move things along first, `@`it's possible that all of the gold we've finally found will be snatched away by Nii-san."`\ ;　絵羽は、至極当然のことを言ったつもりだった。@ `Eva had tried to say it as though it was completely obvious.`@ bg rose_1aR,0 ld l,$ROS_ikariA3G,23 ;　…なのに、急に楼座が不機嫌そうに表情を曇らせるのを見て、少しだけ驚く。\ `...So when she saw Rosa's expression suddenly cloud over, she was a little surprised.`\ ld r,$EVA_hohoemiA1,24 ;「……何か不満なの？@　蔵臼兄さんたちの性分は、あんただってよく知っているでしょうが。」\ `"......What are you unsatisfied about?`@` You should also know what kind of a person Krauss nii-san is."`\ textoff fede 0,2000 bgm1 6 ld l,$ROS_NayamuA1G,80 ;「……………。@姉さん、それはルール違反よ。」@ `"............`@`Nee-san, that's against the rules."`@ ld r,$EVA_majimeA1,80 ;「何の話よ。」\ `"What do you mean?"`\ ld l,$ROS_ikariA3G,80 ;「……私たちは、誰が黄金を見つけてもすぐに報告するというルールになっていたはずよ？@　それを渋れば、ルールの根底が崩れて、@後で何かの火種になるかもしれないわ。@…蔵臼兄さんが狡猾であるならばあるほどに。@そのルール違反は後で拗れるわ。」\ `"......Didn't we make a rule that whoever found the gold would announce it immediately?`@` If you hesitate, the foundation of the rules will be destroyed, `@`and that could lead to something worse in the future.`@` ...With Krauss nii-san as crafty as he is, `@`that violation of the rules will grow worse with time."`\ ld r,$EVA_futekiA1,80 ;「馬鹿言わないで。@ここは兄さんの島なのよ。@そしてさっきの黄金はキャッシュじゃない。@１０ｔもの莫大な換金物の山なのよ？\ `"That's stupid.`@` This is Nii-san's island.`@` And that gold just now wasn't cash.`@` We're talking about the liquidation of a vast 10 ton mountain, right?`\ ld r,$EVA_ikariA2,80 ;　運び出して現金化するには相当の手間を掛けるわ。@そしてそれは、この島を実効支配している兄さんに、あらゆる面で有利に働くわ。@そんなこともわからないの、あんたは！」\ `It will take a significant amount of time to carry it off and turn it into cash.`@` And that will only work in Nii-san's favor, since he has practical control over this island.`@` Don't you even realize that?!"`\ ld l,$ROS_NayamuA1G,80 ;「…………………そういう腹の探りあい、私は好きじゃないの。@私は自分の取り分の２５億をはっきり確定させたいだけ。\ `"..................I don't like it when you search each other for weaknesses like that.`@` I just want to clearly specify my 2.5 billion portion.`\ ld l,$ROS_ikariA3G,80 ;　もちろん、姉さんが私に現金２５億を今すぐ渡してくれるなら、@後は姉さんがどう交渉しようと勝手よ。@でも、私の取り分が手元に入るまでは、私は兄弟のルールを遵守するわ。」\ `Of course, if you were to give me 2.5 billion in cash right now, `@`whatever you did next would be up to you.`@` But until I have my share in my own pocket, I will follow the siblings' rules."`\ ld r,$EVA_futekiA1,80 ;「何を甘いことを…。@あんた、兄さんの狡賢さを何もわかってない！」\ `"You're so naive...`@` You don't understand Nii-san's craftiness at all!"`\ bg black,25 ;　……楼座とて、兄たちの狡猾さを理解していないわけではない。@ `......It wasn't that Rosa didn't understand the craftiness of her older siblings.`@ br ;　その意味においては、実際のところ、楼座は絵羽の慎重さに一定の理解を示してはいた。\ `In that sense, Rosa more or less understood Eva's caution.`\ ;bg Different_spiral_1a,28 dllefe_off E_MA ;　しかし、楼座は内心、それ以上に、@絵羽が黄金を自分だけの独り占めにしてしまうのではないかという疑いが晴らせなかった。@ `But in her heart, `@`she couldn't clear away her suspicion that Eva wanted to keep all of the gold to herself.`@ br ;　……蔵臼たちが狡猾である以上に、絵羽もまた狡猾であることを知っていたからだ。@ `......Because she knew that Eva was at least as crafty as her other siblings.`@ br ;　つまり楼座は、早く黄金発見の報を兄弟に知らせることで、@絵羽が独り占めする可能性に対し、楔を打ちたいと思っている…。\ `In other words, Rosa wanted to put a stop to any chance Eva had to keep the gold all to herself, `@`by quickly informing the siblings of the gold's discovery...`\ bg black,22 me1v 13,0 fedexx 0,70,0,0,0,0,4000 dllefe 1,1 bg rose_1aR,0 ld r,$EVA_IkariA1,26 ;「………………。@……楼座。@悪いけど、今だけは私の言うことを聞きなさい。」@ `"............`@`......Rosa.`@` Sorry, but at least listen to me this once."`@ ld l,$ROS_NayamuA1G,23 ;「………言うことを聞かないと、１億５千万は用意できないってこと？」\ `".........Are you saying that if I don't listen to what you say, you won't be able to prepare the 150 million?"`\ ld r,$EVA_majimeA1,80 ;「……………………。@…そういう言い方をしているつもりはないわ。@…でも、あなたが本当にそのお金を必要としているなら、私に協力した方が現実的よ。@……兄さんたちに話せば、その当然の取り分すらも、なくなってしまうかもしれない。@それは嫌でしょう？」\ `"............`@`...That isn't the way I wanted to say it.`@` ...But if you really need that money, it's more realistic to support me.`@` ......If you talk to Nii-san and Rudolf, even that natural portion of yours might disappear.`@` You don't want that, do you?"`\ textoff wait 2000 se1 43 ld l,$ROS_IkariA3,25 ;「……………………。」\ `"....................."`\ ;　楼座はしばらくの間、姉に一度も見せたことのないような、シビアな表情を浮かべた。\ `For a while, a severe expression that she had never shown to her sister before rose to Rosa's face.`\ ;　そこには妹としての遠慮は微塵ほどもない。@ ;　……ただただ、莫大な財産をやり取りする、ひとりの人間としての冷酷さ、@いや、真剣さがあるだけだった。@ `There wasn't even a trace of her restraint as a younger sister.`@ `......There was just the ruthlessness, `@`no, the seriousness of a single human arguing about a vast sum of wealth.`@ br ;　絵羽は、ふっと笑いながら茶化す。\ `Eva made light of it, chuckling.`\ ld r,$EVA_WaraiA1,80 ;「……やれやれ。@物騒な殺人事件が起こったばかりで、その犯人がまだ島の中にいるかもしれないってのに、@こんなところで立ち話なんて、私たちもつくづく無用心ね。」\ `"......My, my.`@` How careless we must be to stand around here talking like this,`@` even though a frightful murder case has just taken place, and the culprit still may be on this island."`\ ld l,$ROS_majimeA1,80 me2v 16,70 ;「どうせ使用人たちの茶番でしょ。@この島で殺人事件なんて、元々起こってないのよ。」@ `"I'm sure it's just the servants' farce.`@` No murder case ever occurred on this island."`@ ld r,$EVA_AkireA1,80 ;「……あら。@やっぱりそう思う？」\ `"......Oh.`@` So you really do think that?"`\ ;ld l,$ROS_WaraiA2,80 dllefe_off mbg MAP10,5 ;「６人の死亡状況ではっきり説明がつくわ。@あの６人の密室は、外部犯行では絶対に作れない。\ `"It can be clearly explained by the manner of the six deaths.`@` The closed room with those six people definitely couldn't be created by a crime from the outside.`\ ;ld l,$ROS_MajimeA1,80 ;……南條先生は、全員死んでるって言ったけど、あれもウソね。@これは全て、お父様が仕組んだ手の込んだお芝居よ。@使用人たちはみんな、死んだフリをしているだけよ。@…元々殺人なんか起こってない。@殺人犯なんかうろついてるわけがないのよ。」\ `......Doctor Nanjo said that they were all dead, but that was also a lie.`@` This is all a complicated act that Father plotted.`@` All of the servants are just pretending to be dead.`@` ...A murder never occurred in the first place.`@` There's no way that there's a murderer prowling around."`\ dllefe 1,1 mcbg 22 ld r,$EVA_WaraiA1,80 ;「…へぇ。@あんたがそれに気付くとは意外ね。@割と怯えてるように見えたから、そこまでは気付いてないと思ったのに。」@ `"...Aha.`@` I'm surprised that you would notice that.`@` You looked fairly frightened, so I hadn't thought that you realized that much."`@ ld l,$ROS_nayamuA1,80 ;「……私、そういう場の空気は読む方なの。@お陰様で鍛えられたから。」\ `"......I'm a person who can read between the lines in that kind of situation.`@` Thanks to that, I've been well trained."`\ bg black,25 ;　そう。@気付けば、使用人たちは“死んで”、この島には今、右代宮家の人間しかいないことになっている。@ `That's right.`@` Come to think of it, now that the servants are 'dead', everyone on this island is a member of the Ushiromiya family.`@ br ;　そして南條は、使用人たちの“死亡”を宣告した後、@親族たちが碑文の謎を議論し始めたら、邪魔をしないとでも言う風に２階へ姿を消した…。\ `And after Nanjo had proclaimed the 'deaths' of the servants,`@` when the relatives had begun to discuss the riddle of the epitaph, he had disappeared off to the second floor as though he was in the way...`\ E_M2 bg rose_1bR,0 ld r,$ROS_majimeA1,26 ;「全て。@私たちに碑文を挑戦してもらおうというお芝居よ。@……だからこそ。@姉さんが勝利者であるという宣言が必要なのよ。\ `"Everything...`@`is an act to get us to challenge that epitaph.`@` ......Therefore,`@` you need to proclaim that you are the victor, Nee-san.`\ ;　あの焼死体が本当のお父様のわけがない。@……足の指の数が同じ死体をどこかで調達して、わざわざ悪趣味に焼いて見せたのよ。」\ `There's no way that burnt corpse is really Father.`@` ......He prepared a corpse with the right number of toes from somewhere, and went to all the trouble of burning it for his nasty hobby."`\ ld r,$ROS_NayamuA1,80 ;「……きっとどこかに隠れて、私たちがどう振舞うかを監視してるわ。@…姉さんが黄金郷に至ったこともきっと、すでに知るところよ。\ `"......I'm sure he's hiding somewhere, watching to see how we'll behave.`@` ...I'm sure he already knows that you have reached the Golden Land, Nee-san.`\ ld r,$ROS_MajimeA1,80 ;　……だからこそ、早く姉さんが勝利者であると宣言すべき。@きっとお父様がどこからともなく現れて、手を叩きながら姉さんこそが跡継ぎだと宣言してくれるわ。」\ `......Therefore, you should proclaim that you are the winner soon.`@` I'm sure Father will appear out of nowhere and proclaim that you are his successor while clapping his hands."`\ ld l,$EVA_majimeA1,23 ;「…………………………。@……………………。」@ `"........................`@`....................."`@ ld r,$ROS_akuWaraiA1,80 ;「…まぁ、でも。@……私は姉さんから１億５千万を無心しなくてはならない以上、@何も逆らうことなんかできないわね。」\ `"...Well, still.`@` ......I have to pester you for 150 million, `@`so I can't work against you in anything."`\ ld l,$EVA_ikariA1,80 se1 21 ;「………私の言うことを聞いて、兄さんたちには黙っている、ということね…？」@ `".........So you'll listen to what I say, and be quiet about this to Nii-san and the rest...?"`@ ld r,$ROS_majimeA1,80 ;「………………………………。」\ `"........................"`\ ld l,$EVA_futekiA1,80 ;「……そこをはっきりさせなさい。@…楼座。」\ `"......Make your position clear.`@` ...Rosa."`\ ld r,$ROS_ikariA3,80 ;「……………私は話したいわ。@ルールを定めたのはつい昨夜よ。@それを反故にすべきではないわ。」\ `"............I want to tell them.`@` We just made that rule last night.`@` We shouldn't just throw that away."`\ ld l,$EVA_ikariA1,80 ;「もちろん、必ず兄弟の前で発表はするわ。@…でも、その前によく状況を確認したいのよ。@１０ｔの黄金の運び出し、そして換金。@公平な分配。\ `"Of course, I will announce it in front of the siblings.`@` ...However, I want to closely inspect the situation first.`@` Carrying out 10 tons of gold, converting it into money,`@` and a fair distribution.`\ ld l,$EVA_MajimeA1,80 ;　……それを兄さんに出し抜かれずに行なえる裏付けが取れるまで、しばらく考える時間が欲しい。@それまで発表を待ちたいというだけの話よ。@………決して、独り占めしたくて内緒にするわけじゃないわ。」\ `......Until I have proof that I can carry that out without Nii-san getting in the way, I want some time to think.`@` I only want to hold off my announcement until then.`@` .........I'm definitely not keeping it secret because I want it all for myself."`\ ld r,$ROS_MajimeA1,80 ;「………………。@…やがてはきっとみんなに発表するのね？」@ `"............`@`...You'll definitely announce it to everyone sooner or later, right?"`@ ld l,$EVA_HohoemiA1,80 ;「…えぇ、もちろんよ。@私だって、早く兄さんの鼻を明かしてやりたいもの。」\ `"...Yes, of course.`@` I also want to rub it in Nii-san's face as soon as I can."`\ ld r,$ROS_NayamuA1,80 ;「………姉さんの言う、考える時間というのはどの程度のものなの？」@ `".........About how much time will you need to think?"`@ ld l,$EVA_akireA1,80 ;「そんなの、考えてみなくちゃわからないわ。」\ `"I won't know that until I've thought about it."`\ ld r,$ROS_IkariA3,80 ;「…………一晩あれば、それは充分？」@ `"............Would one night be enough?"`@ ld l,$EVA_IkariA2,80 se2v 27,50 ;「一晩って、そんなの約束できないわよ…！」\ `"I can't promise you that it will take only one night...!"`\ bg rose_1aR,23 ld c,$ROS_majimeA1G,23 ;「次期当主の姉さんに敬意を表して、一晩は姉さんに協力するわ。@……今年の親族会議は、台風が通り過ぎて船が迎えに来る明日の朝まで。@…そうね、うみねこのなく頃には、お開きになる。@……そこまでは私も黙ってることにする。\ `"Out of respect for the next head, I will support you for one night.`@` ......This year's family conference will end tomorrow morning, when the typhoon passes and a boat comes to get us.`@` ...That's right, when the seagulls cry.`@` ......I will remain silent until then.`\ ld c,$ROS_AkuwaraiA1G,80 ;　それ以上の考える時間が必要だというのなら、…その時に改めて相談しましょう？@ `If you think that you need more time to think after that, ...let's talk about it again at that time, alright?`@ br ;　………私は姉さんの立場を、 `.........I will support your position` br ;　(最大限汲み取って/・・・・・・・・)協力するわ。」\ ;＜点処理：最大限汲み取って (`as much as possible`/・・・・・・・・)`."`\ bg rose_1bR,0 ld r,$EVA_MajimeA1,24 ;「………………………。@/ `".....................`@/ ld r,$EVA_futekiA1,80 ;……あんた、……食えないわね。@…びっくりよ。@それだけの逞しさがあったなんて。」@ `......You, ......really are cunning, aren't you?`@` ...I'm surprised.`@` Were you always this sturdy?"`@ ld l,$ROS_nayamuA1,23 ;「……女は子を持つと強くなるって本当ね。@真里亞を産んで、私はそれを強く自覚したわ。」\ `"......It's true that women become stronger when they have a child.`@` I realized that in myself when I had Maria."`\ ld r,$EVA_ikariA1,80 ;「……………。@わかったわ。@とりあえずはあんたの協力に感謝するわ。@…明日の話は明日すればいいことよ。」\ `"............`@`Understood.`@` I thank you for your cooperation for the time being.`@` ...We can talk about tomorrow when it comes."`\ ld l,$ROS_akuwaraiA1,80 ;「えぇ、そうね。@……姉さんが黄金を独り占めにするなんて考えない、公平な当主跡継ぎだと信じてるわ。」\ `"Yes, that's right.`@` ......I believe that you will be a fair-minded successor to the head, who wouldn't even think of taking all of the gold for herself."`\ ld r,$EVA_ikariA2,80 ;「…もちろんでしょ！@……ちゃんと黄金は兄弟で山分けするわよ。」\ `"...Isn't that obvious!`@` ......I will split the gold evenly among the siblings."`\ mov %play_scene,30110 ;シーン変数の入力 textoff dllefe_off E_A bg white,1 se1v 2,100 se2v 2,100 bg gold2,0 ld c,$EV2_ikariA2,42 bgm1v 61,90 ;　嫌よ。@これは私が見つけた。@ `No way.`@` I found this.`@ se1v 2,100 ;　私が、私たちが碑文の謎を解いたんだから！@ `Because I, we solved the riddle of the epitaph!`@ se2v 2,100 br ;　だからこの黄金は全て私のモノだってば…！！\ `So this gold is all mine...!!`\ me1v 17,70 ld c,$EV2_odorokiA2,80 se3v 2,100 ;「誰にも譲らないわ！@/ `"I won't give it up to anyone! `@/ se1v 2,100 ;　私が右代宮家の当主なのよ！@/ `I am the head of the Ushiromiya family! `@/ se2v 2,100 se3v 2,100 ;　私が、“私”がッ！！」@ `I am, "I" am!!"`@ ;＜魔女絵羽 br ;　絵羽の中の魔女が、声高らかに全ての占有を宣言する。@ ;　…もちろんそれは楼座の耳には遥かに届かないし、絵羽の耳にすら届かないだろう。\ `The witch inside Eva claimed exclusive possession in a loud voice.`@ `...Of course, that didn't reach even close to Rosa's ears, and it probably didn't reach Eva's either.`\ bg black,46 ;「……うむ。@妾がそれを認めようぞ。@そなたこそ、魔女の碑文に選ばれし、正当なる右代宮家の当主よ。@今こそそれを、我が名において認めようぞ。」\ `"......Hmm.`@` I shall acknowledge that.`@` You are the true head of the Ushiromiya family, chosen by the witch's epitaph.`@` Now, I shall acknowledge that upon my name."`\ textoff bg sub_R1b,23 ;se1 22 ;bfly1 10 se2 52 ld r,$BEA_defA1,99,2000,"breakup.dll/llp" wait 1000 ld l,$EV2_OdorokiA1,23 ;!s0「…あ、/ ;!d600………あんたは………？@　その格好、/ ;!d400まさか、/ ;!d300……本当に、/ ;!d600…ベアトリーチェ……？」/ !s0`"...Y, `/ !d600`.........you are.........?`@` That outfit, `/ !d400`you couldn't be, `/ !d300`......really, `/ !d600`...Beatrice......?"`/ !sd\ ld r,$BEA_WaraiA2,80 se1 37 ;　ベアトリーチェは、絵羽が自分の名を呼んでくれたことが嬉しかったのかもしれない。@ ;　小気味良くからからと笑う。\ `Maybe Beatrice was happy that Eva had called her by her own name.`@ `She cackled pleasantly.`\ se1v 22,90 bfly1 10 ;　その笑いに呼応して、室内に金粉の嵐が巻き起こるように、黄金の蝶たちが湧き上がり、@室内を黄金色で照らし出した…。\ `In concert with that laugh, gold butterflies crept up as though a storm of gold dust was spinning around the room, `@`and the room shone the color of gold...`\ ld r,$BEA_futekiA1,80 ;「如何にも。@妾が黄金の魔女、ベアトリーチェである。@/ `"Indeed.`@` I am the Golden Witch, Beatrice. `@/ ld r,$BEA_waraiA1,80 ;……くっくっくく、そう怯えることはないぞ。@妾はそなたの偉業を讃えておる。@…本当に素晴らしい。@あの碑文の謎を、見事解いて見せたとは…。@妾を感嘆させるに値する…！」\ `......*cackle*cackle*, there is nothing that should frighten you so.`@` I am praising your exploits.`@` ...Truly excellent.`@` Imagine that you would spectacularly solve that riddle of the epitaph...`@` It is worthy of my admiration...!"`\ ld l,$EV2_ikariA1,80 ;「…あの手紙の差出人はあなた？@　なら私は全ての黄金と右代宮家の家督を引き継げるのよね…？@　あなたはそう、あの手紙に記したわ。@そして私はその挑戦に打ち勝った…！」\ `"...You were the one who sent that letter?`@` So I'll succeed all of the gold and the Ushiromiya family inheritance, right...?`@` You wrote that in your letter.`@` And I overcame that challenge...!"`\ ld r,$BEA_defA2,80 ;「うむ。@妾はそれを認めようぞ。@今やこの積み上げられた黄金の全て、右代宮家の全てをどうしようもそなたの自由ぞ。@何しろ、今この瞬間より、そなたはもう右代宮家の当主なのだから。」\ `"Hmmm.`@` I shall acknowledge it.`@` Now, all of this piled up gold, everything of the Ushiromiya family, is for you to do with as you please.`@` After all, from this moment on, you are already the Ushiromiya family head."`\ ld l,$EV2_odorokiA1,80 ;「ほ、……本当に？@　本当よね？@　本当よね？！」@ `"R, ......really?`@` It's true, right?`@` Right?!"`@ ld r,$BEA_WaraiA2,80 ;「興奮するでない。@妾はそなたを率直に褒めておる。@その証に、そなたにこれを授けよう。」\ `"Do not be agitated.`@` I am openly praising you.`@` As proof, I shall grant you this."`\ cbfly 0 bg black,22 fede 0,2000 me1v 5,50 ;　ベアトリーチェは自らの指にはめていた指輪を抜き取ると、@それを絵羽に突き出す。@ `Beatrice took a ring off of her own finger, `@`and held it out to Eva.`@ br ;　恐る恐るそれを受け取ると、/ ;!d900……それが指輪であることがわかった。\ `She fearfully accepted it, `/ !d900`......and realized that it was a ring.`\ bg sub_R1a,26 ;!s0「……こ、/ ;!d400……これ………、/ ;!d500まさか…………。」\ !s0`"......C, `/ !d400`......could........., `/ !d500`this be............"`\ !sd bg sub_R1b,26 ld c,$BEA_waraiA1,24 me2v 17,60 ;「うむ。@金蔵より返還された、右代宮家当主の証である黄金の指輪だ。@/ `"Hmm.`@` It is the proof of the Ushiromiya family headship, returned to me from Kinzo, the Golden Ring. `@/ ld c,$BEA_defA2,80 ;今よりそれはそなたのもの。@それを指にはめ、兄弟たちの前で高々と掲げるが良い。@そなたが今や右代宮家の家督を継いだことに、誰も疑いを挟めぬであろうぞ。」\ `From now on, it is yours.`@` You may put it on your finger and display it high before your siblings.`@` No one should doubt that you have now succeeded the Ushiromiya family inheritance."`\ ;　絵羽はその指輪をしげしげと見つめる。@ `Eva stared closely at the ring.`@ br ;　…断じて贋作などではない。@ ;　…紛れもなく本物。@ `...It certainly wasn't a fake.`@ `...Without a doubt, it was the real thing.`@ br ;　その指輪をいつの日にか受け継ぐことを夢見て、/ ;!d900何度も何度も凝視してきた自分だからこそ、間違いなく断定できた。\ `She had dreamed of receiving this ring someday, `/ !d900`focused on this day over and over again, and it was now finally a certainty.`\ ;!s0　その指輪が、/ ;!d500今や新しい主として自分を指名し、/ ;!d800……手渡されている……。/ !s0`This ring, `/ !d500`had now designated her as the head, `/ !d800`......and had been handed over to her......`/ !sd@ br ;!s0　それを、/ ;!d400恐る恐る、!d900…自分の左手の中指に通す…。/ !s0`And `/ !d400`timidly, `!d900`...she put it on the middle finger of her left hand...`/ !sd\ E_A bgm1v 73,90 ;bg white,99,3000,"breakup.dll/lrp" bg white,42 ;　その瞬間、……背中を、それまでに体験したことのない感動が込み上げるのを感じた。@ `In that instant, ......she felt a deep emotion piling up inside her that she had never felt before.`@ br ;　頭が真っ白になる。@ ;　両目が見開かれる。@ `Her mind grew blank.`@ `Both eyes were opened.`@ ;　自分の指に、…あの指輪がはめられている。@ ;　夢ではなく、現実として…………！\ `That ring, ...was on her own finger.`@ `Not in a dream, in reality............!`\ ;bg sub_R1c,0 ;ld l,$EV2_OdorokiA1,0 ;ld r,$BEA_WaraiA1,24 ;「その指輪も喜んでおろう。@それほどまでに、指に通すことを夢見ていたそなたの元へ行くことができたのだから。」@ `"That ring is also pleased.`@` Because it was able to come to you and fit itself on your finger as it dreamed of doing."`@ ;ld l,$EV2_AkuwaraiA5,80 ;「……指輪…。@……お父様の/ ;!d700……指輪……………！」\ `"......The ring...`@`......Father's`/ !d700`......ring............!"`\ ;ld r,$BEA_AkuwaraiA3,80 ;「そなたはそれを、そのようにして自らの指に通すことを、どれほどの夜に夢見てきたのか。@……その想いの強さがそなたの魔法に通じ、それを実現させたのだ。@そなたは今や、立派な魔女を名乗る資格があろうぞ。」\ `"How many nights have you dreamed of putting that on your own finger as you have done now?`@` ......The strength of those feelings became your magic and materialized itself.`@` Now, you are worthy of calling yourself a great witch."`\ ;ld l,$EV2_KomaruA1,80 ;「…………あ、…あなたは何者なの。@…本当に、……ベアトリーチェなの……。」\ `"............W, ...who are you?`@` ...Are you really, ......Beatrice......"`\ ;bg white,1 ;bg sub_R1c,0 ld c,$BEA_waraiA1,2 ;「くっくっくっく。@/ `"*cackle*cackle*. `@/ ld c,$BEA_FutekiA1,80 ;我こそは黄金の魔女ベアトリーチェ！@　右代宮家顧問錬金術師！@/ `I am the Golden Witch Beatrice!`@` The Ushiromiya family alchemist! `@/ ld c,$BEA_akuWaraiA3,80 se1v 2,100 ;　金蔵との契約に従い、そなたに今こそ全てを受け継ごうぞ。@…金蔵に託した全ての黄金。@そしてそれにより築き上げた全ての財産。@そして右代宮家の家督と名誉。@そして、我が力と無限の魔女の称号をそなたに引き継ごう。」\ `Following my contract with Kinzo, I will now pass everything on to you.`@` ...All of the gold I entrusted Kinzo with.`@` And all of the wealth he built up through that.`@` And the honor and inheritance of the Ushiromiya family.`@` And, I will pass on my power and the title of the Endless Witch."`\ ;bg sub_R1b,0 ;ld l,$EV2_OdorokiA1,23 textoff se1v 2,100 bg portrait2,42 ;「……魔女の、/ ;!d700……称号……。」\ `"......The title, `/ !d700`......of the witch......"`\ ;ld r,$BEA_DefA2,24 ;「妾の全ての魔力と、無限の魔女にして黄金の魔女の称号をそなたに引き継ぐ。@……先代に従い、称号と共に妾の名、ベアトリーチェもそなたに譲り渡す。@/ `"I will pass on all of my magical power, and the title of the Golden Witch, the Endless Witch.`@` ......Following my Predecessor, I will hand over my name, Beatrice, along with that title. `@/ ;ld r,$BEA_WaraiA2,80 ;……今こそそなたが名乗るが良かろう！」@ `......You may now call yourself by that name!"`@ br ;　絵羽はごくりと喉を鳴らす。@ ;　薄暗いと思っていたシャンデリアの灯りが、今はむしろ眩しすぎるくらい。\ `Eva gulped.`@ `The chandelier light, which had seemed dim, now felt too bright.`\ ;bg black,24 ;bg sub_R1a,24 ;ld c,$BEA_futekiA1,24 ;「我が名において、これより黄金の魔女の継承を執り行おうぞ…！」\ `"By my name, I shall now carry out the succession of the Golden Witch...!"`\ textoff E_MA se1 22wait 500 cbfly 0 bg white,42 se1v 22,100 bg Mhal_ta1a,0 print 99,3000,"breakup.dll/llB" ;　ベアトリーチェがそう宣言した瞬間、黄金の輝きは全てを埋め尽くし、@……謁見の間を思わせる荘厳な空間に様変わりさせていた。@ `The instant that Beatrice made that proclamation, everything was buried by a golden sparkle,`@` ......and changed into a majestic place that looked like an audience hall.`@ br ;　謁見の間には、千年ぶりの継承式を祝福しようと、無数の黄金蝶たちと、@ベアトリーチェの眷属たち、同胞たちが人垣を成していた。\ `In the audience hall, there was a crowd of Beatrice's minions and brethren, `@`as well as countless gold butterflies celebrating this first succession ceremony in a thousand years.`\ me1v 24,80 ;　見ればベアトリーチェは無限の魔女のみが座すことを許される玉座にて、黄金の杖を持ち、@眩しささえ感じさせる貫禄で君臨していた。@ `When she looked, she saw Beatrice in the throne that only the Endless Witch was permitted to sit in, holding a golden staff, `@`reigning with a dazzling dignity.`@ br ;　絵羽は誰に命じられるわけでもなく、自然に跪き、頭を垂れた…。\ `Without being ordered by anyone, Eva automatically kneeled, hanging her head...`\ ;bg Different_space_1b,22 se1 22 ld l,$GOA_DefA1,6 ;　山羊の従者がうやうやしく、片翼の鷲を模った黄金の杖をベアトリーチェに差し出す。\ `A goat attendant respectfully handed Beatrice a golden staff in the shape of the One-winged Eagle.`\ ld c,$BEA_DefA1,6 ;　ベアトリーチェは立ち上がってその杖を受け取ると、@その先端を絵羽の肩に載せるようにして宣言する。@それは千年ぶりの宣言。\ `After Beatrice stood up and received that staff, `@`she lay the tip of it on Eva's shoulder and spoke.`@` It was a proclamation one thousand years in coming.`\ cl l,0 ld c,$BEA_defA2,80 ;「右代宮絵羽。@そなたは魔女の碑文の謎を見事解き、この黄金郷へ辿り着いた。@……その偉業を讃え、@そなたに無限の魔法の全てと、無限と黄金の両魔女の称号を引き継ぐ。\ `"Ushiromiya Eva.`@` You have spectacularly solved the riddle of the witch's epitaph, and reached the Golden Land.`@` ......I praise that accomplishment, `@`and hand over all of the Endless Magic as well as the titles of the Golden and Endless Witch.`\ ld c,$BEA_AkuwaraiA1,80 ;　そなたはこれより、我が名、/ `From this point on, you may take my name, `/ ;◆エヴァ・ベアトリーチェ紹介フラグ：※新生ベアトリーチェのことね。魔法サイドに追加。 mov %play_scene,30120 ;シーン変数の入力 se1v 1060,100 mov %r_hyouji_cha_ma,ma3_ev2 mov %r_hyouji,0 ;ベアトリーチェを名乗るが良かろう…！@　さぁ、面を上げよ。@そして立ちてこの杖を受け取れ…！」\ `Beatrice...!`@` Come, raise your face.`@` Then stand and accept this staff...!"`\ ;ld l,$EV2_OdorokiA1,23 ;「あ、……有り難き幸せ…。」@ `"I, ......I am most grateful..."`@ br ;　絵羽は立ち眩みのようにふらふらと立ち上がり、ベアトリーチェの手より黄金の杖を受け取る。@その手はかすかに震えていた。\ `Eva stood up dizzily and took the magic staff from Beatrice's hand.`@` Her hand was trembling slightly.`\ textoff se1v 22,100 bg white,2 wait 1000 me1v 17,90 bg Different_spiral_1a,2 ;　その杖を握った途端。@ ;　……彼女は眩き黄金の輝きに包まれた。@ ;　自らの内より黄金の蝶が湧き出すかのよう。\ `As soon as she grasped that staff.`@ `......She was wrapped up in the brilliant sparkle of gold.`@ `As though gold butterflies were flowing out from inside of her.`\ ;　黄金の魔女を継承した瞬間に、絵羽は自らの魂の奥底から何かが生まれ変わるのを感じた。@ `In the instant she succeeded the Golden Witch, Eva felt something in the depths of her soul be reborn.`@ br ;　それは一言で例えるならば、エネルギー。@ ;　黄金色をしたエネルギー。\ `To describe it in a word, it was energy.`@ `Energy with a gold color.`\ ;　まるで、それまでの自分が生まれた時からずっと寝惚けていて、@……生まれて初めて目を覚ましたかのような覚醒感。@ `It felt like she was waking up, `@`......as though she had been half asleep since she had been born and was opening her eyes for the first time.`@ br ;　瞳の奥にある本当の瞳が、生まれて初めて目を覚ますのを感じた。\ `It felt as though her true eyes inside her eyes were opened for the first time in her life.`\ textoff se1v 22,100 se2v 22,100 bg white,8 E_MA bg Mhal_1b,0 ld c,$EV2_HohoemiA2,42 gosub *EV2_Isyou2 se1v 52,100 ld c,$EV2_HohoemiA2,99,4000,"breakup.dll/llB" se1v 27,100 wait 500 mbg white,1 mcbg 2 se2v 54,100 se3v 54,100 wait 2000 me1v 24,80 ld l,$BEA_defA1,2 ;「………うむ。@黄金の魔女に相応しき美しき装いよ。@/ `".........Hmm.`@` A fitting and beautiful outfit for the Golden Witch. `@/ ld l,$BEA_defA2,80 ;さぁ、一堂の者たちにそなたの姿を見せてやるが良い。@そなたこそが今や新しき魔女であることを知らしめてやるが良い…！」\ `Come, you may show yourself to all of these people.`@` You may show them that you are now the new witch...!"`\ ;bg Different_space_1c,2 cl l,2 ld c,$EV2_HohoemiA1,22 ;　絵羽は、……いや、新しきベアトリーチェは恐る恐る振り返る。@ `Eva, ......no, the new Beatrice turned around timidly.`@ se1v 54,100 br ;　すると、広大な謁見の間を埋めていた魔女の眷属たちが、@まるで潮騒のようにさえ聞こえる、盛大な拍手で讃えた……。\ `When she did, the witch's minions, which filled the vast audience hall,`@` honored her with an applause that sounded like the roaring of the sea......`\ bg cg08,6 ;「さぁ、皆の者。@ベアトリーチェの肖像画を、全て新しきベアトリーチェに差し替えよ！@　新しきベアトリーチェに祝いの言葉を奉げよ…！！」\ `"Come, everyone.`@` Replace all of the portraits of Beatrice with the new Beatrice!`@` Lift up words of celebration for the new Beatrice...!!"`\ textoff se1v 54,100 se2v 54,100 wait 3000 se2v 27,100 wait 500 bg white,1 bg cg09,42 wait 3000 se3v 21,100 bg white,1 bfly1 0 bg Mhal_1b,2 ld r,$WAL_DefA1,24 ;「新しきベアトリーチェよ。@黄金の魔女の継承、おめでとう。@…あなたが一日も早く、誇り高き黄金の魔女として、そして無限の魔女として一人前になることを願っていますよ。」\ ;＜ワルギリ `"New Beatrice.`@` Congratulations on the succession of the Golden Witch.`@` ...I hope that you will become able to stand on your own as a proud Golden Witch, and as the Endless Witch."`\ ld l,$EV2_waraiA1,23 ;「は、………はい、…がんばります…。」\ ;＜絵羽 `"Y, .........yes, ...I will do my best..."`\ ld r,$WAL_WaraiA1,80 ;「やんちゃな先代と違い、あなたには無限の魔女に相応しい落ち着きを期待していますよ。@ほっほほほほほ。」@ ;＜ワルギリ `"I expect a composure fitting for the Endless Witch from you, unlike your naughty predecessor.`@` Hoh-hohohohoho."`@ ld c,$BEA_fukigenA2,23 ;「お師匠様ぁ、今は真面目な儀式中なんだから、そういうのはナシで頼むよぉ。」\ ;＜ベアト `"Teacheer, we're in the middle of a serious ceremony, so please, enough of that."`\ bg Mhal_1a,0 ld r,$EV2_hohoemiA2,23 ld l,$RON_WaraiA2,23 ;「黄金の魔女の継承、おめでとうございます。@新しきベアトリーチェさま。@/ `"Congratulations on the succession of the Golden Witch.`@` New Beatrice-sama. `@/ ld l,$RON_DefA1,80 ;……私はロノウェと申します。@黄金の魔女さまにお仕えを許されている七十二柱の悪魔でございます。\ `......I am called Ronove.`@` I am one of the 72 demons permitted to serve the Golden Witch.`\ ;　これより、常にお側に控えております。@何か不自由がございましたら、いつでもお申し付けください。」\ `If you are ever inconvenienced in the slightest, `@`please let me know at once."`\ ld r,$EV2_HohoemiA1,80 ;「……あ、……ありがとう……。」\ ;＜絵羽 `"......Th, ......thank you......"`\ ld c,$BEA_futekiA2,24 ;「ロノウェは口は悪いが頼れる男だ。@魔女としての新しき日々への戸惑いは、その男に相談すれば晴れるであろうぞ。」\ ;＜ベアト `"Ronove is rude but reliable.`@` If you speak to this man of anything that confuses you in your new days as a witch, he should be able to help you."`\ ld l,$RON_WaraiA2,80 ;「………そして、先代ベアトリーチェさま。@ようやくこうしてお会いできたのに、これ以上のお仕えを許されずとても残念です。@/ `".........And, predecessor Beatrice-sama,`@` it is a shame that I was not permitted to serve you further, even though we have finally been reunited like this. `@/ ld l,$RON_DefA1,80 ;……この千年間、とても楽しく過ごさせていただきました。@深く感謝いたします。」\ ;＜ロノウェ `......These last thousand years have been very entertaining for me.`@` I deeply thank you."`\ ld c,$BEA_DefA2,80 ;「うむ。@……そなたとの千年、退屈はなかったぞ。@…新しき魔女の世話、どうかよろしく頼むぞ。」@ `"Hmm.`@` ......One thousand years with you wasn't boring.`@` ...Please, take care of the new witch."`@ ld l,$RON_WaraiA1,80 ;「はい。@先代ベアトリーチェさまの最後のご命令、/ ;!d800…このロノウェ、/ ;!d600しかと聞き届けました。」\ `"Yes.`@` I, Ronove, `/ !d800`...will certainly listen to the predecessor Beatrice's final order."`\ mov %play_scene,30130 ;シーン変数の入力 bg black,25 se1v 57,100 bg white,1 bg Mhal_1b,0 ld c,$LAM_AkuwaraiA4,22 ;「感謝しなさいよ？@　あんたの魔女継承の推薦人にサインしてあげたんだからね？@　つまり、私がサインしなかったらあんたは魔女になれなかったってわけぇ。@だから少しは感謝なさいよねぇ？！」\ ;＜ラムダ `"Thank me, alright?`@` I signed to recommend you for the succession of the witch, alright?`@` In other words, if I hadn't signed, you wouldn't have been able to become the witch.`@` So thank me a little, alright?!"`\ ;ld r,$BEA_DefA1,99,2000,"breakup.dll/llp" ld r,$BEA_DefA1,24 ;「こちらは絶対の魔女、ラムダデルタ卿。@そなたの無限の魔女継承には元老院の魔女の推薦が必要なのだ。@ラムダデルタ卿はそなたを推薦され、後見人となって下された。」\ ;＜ベアト `"This is the Witch of Certainty, Lady Lambdadelta.`@` The recommendation of a witch from the senate was required for your succession as an Endless Witch.`@` Lady Lambdadelta recommended you, and became your guardian."`\ ;E_A bg Mhal_1a,26 ld r,$EV2_OdorokiA1,24 ;「ど、……どうも……。」\ `"Th, ......thank you......"`\ se1v 57,100 bg white,1 bg Mhal_1a,0 ld r,$EV2_OdorokiA1,0 ld l,$LAM_odorokiA1,22 ;「……ちょっとー、ベアトー！@　この子、感謝が足りないわー！@　やっぱ推薦やめるー！」@ ;＜ラムダ `"......He-y, Beato-!`@` This kid isn't grateful enough!`@` I'll stop recommending her!"`@ mov %play_scene,30140 ;シーン変数の入力 cl r,22 se1 52 ld r,$BER_DefA1,99,1500,"breakup.dll/llB" ;「推薦人は子どもの使いじゃないでしょ。@サインしたなら、きっちり責任取りなさいよ。」\ ;＜ベルン `"The person who recommended her shouldn't act like a child, right?`@` If you've signed, then just take responsibility."`\ ;ld c,$BEA_futekiA1,9,2000,"breakup..dll/urp" ld c,$BEA_futekiA1,22 ;「ラムダデルタ卿は、絶対の魔女でもあられる。@……絶対の魔女は、運命を強固にする絶対の運命を好まれる。@そなたの今日までの努力を、とても気に入り高く評価して下されたのだ。」\ ;＜ベアト `"Lady Lambdadelta is also the Witch of Certainty.`@` ......The Witch of Certainty prefers to make fate firm, to create a fate of Certainty.`@` She really liked and highly valued your efforts until today."`\ ld l,$LAM_AkuwaraiA3,80 ;「まぁ、不遇の少女時代と、報われない努力にね、ちょーっとだけ同情しただけなんだから。@別に可哀想だからとか思ったわけじゃないわよ、自惚れないでよねー！@　ツーンだ！」\ ;＜ラムダ `"Well, a misfortunate childhood, unrewarded effort...I can sympathize ju-st a bit with that.`@` It's not like I felt sorry for you or anything, don't be so full of yourself!`@` Tsu-n!"`\ ld r,$BER_DefA2,80 ;「……私から見ればあなたの継承は、まぁ、奇跡というよりは偶然ね。@私が推薦するには値しない。」\ ;＜ベルン `"......From my point of view, your succession, well, it's more of a coincidence than a miracle.`@` It isn't worthy of my recommendation."`\ ld c,$BEA_WaraiA2,80 ;「くっくっく。@こちらはベルンカステル卿。@とても気難しい御仁でな。@だが、こうして参列し、祝福してくれただけでも僥倖というものよ。」@ ;＜ベアト `"*cackle*.`@` This is Lady Bernkastel.`@` She's a very hard-to-please person.`@` Still, you could say that just having her participate and celebrate is very fortunate."`@ ;ld r,$BER_DefA1,80 cl r,23 ;「………千年ぶりの珍しいイベントだから来ただけよ。@おいしいお酒も出るそうだし。」\ `".........I only came because this is a rare event after one thousand years.`@` And I heard that there would be some delicious sake."`\ bg Mhal_1b,24 se1 6 ld l,$Rg3_defA1,24 se2 6 ld c,$Rg2_komaruA1,24 se3 6 ld r,$Rg1_HohoemiA1,24 ;「新しきベアトリーチェさま。@ぜひ私たちにもご挨拶させてくださいっ。」@ ;＜ルシファ `"New Beatrice-sama.`@` Please, greet us as well."`@ cl l,0 cl c,0 ld l,$EV2_odorokiA1,23 ;「え、…あ、…どうも初めまして…。」@ `"Huh, ...ah, ...I'm pleased to meet you..."`@ br ;　煉獄の七姉妹たちが揃って並ぶ。@ ;　長女のルシファーが一歩、歩み出て跪く。\ `The Seven Sisters of Purgatory were gathered in a line.`@ `The eldest sister, Lucifer, took a step forward and kneeled.`\ bg Mhal_1a,0 ld r,$BEA_futekiA2,23 ;「こやつらは、妾に仕えし家具たち。@継承祝いに、そなたに遣わそう。@/ `"These are furniture who serve me.`@` As a gift in celebration of your inheritance, I will send them to you. `@/ ld r,$BEA_AkuwaraiA1,80 ;……そなたには、黄金の魔女を継承した後、自らの復活の儀式を執り行ってもらわねばならぬ。@その儀式において、煉獄の七姉妹たちは欠かせぬ役割を果たす。@……曲者揃いだが役には立つぞ。@手足とするが良い。」\ `......After you succeed the Golden Witch, you will also need to perform the resurrection ceremony for yourself.`@` The Seven Sisters of Purgatory perform an essential role in that ceremony.`@` ......They're a villainous group, but they serve their purpose.`@` Have them do whatever you wish."`\ ld l,$RG1_fumanA2,24 ;「常にベアトリーチェさまのお側にっ。@何事もお命じください。@必ずや遂行してご覧に入れます…！」\ ;＜ルシファ `"We will always be by Beatrice-sama's side.`@` Please order us to do anything you wish.`@` We will certainly show that we can accomplish our task...!"`\ bg black,2 fedexx 60,0,0,0,0,0,4000 wait 2000 ;bg Different_space_1c,2 ;　その後も、様々な貴人や眷属たちが訪れては新しき魔女に祝いの言葉を述べた。@ `Even after that, various nobles and minions visited and offered words of congratulation for the new witch.`@ br ;　それらに、しどろもどりになりながらも返事を返す彼女は、@頭の中が酸欠で希薄になってしまったような気持ちだった。\ `As she responded to them confusedly,`@` she felt as though she was getting light-headed due to lack of oxygen.`\ me1v 17,50 bg Different_spiral_1a,8 ;　……これが現実のものか、非現実のものなのか、区別もつかない。@ `......She couldn't tell if this was something real or unreal.`@ br ;　でもひとつだけわかることがある。@ ;　今や自分が、黄金の魔女を名乗ることが許されたという達成感。@ ;　…これだけは絶対に理解できる真実だった…。\ `But there was just one thing she could understand.`@ `A feeling of achievement at being permitted to call herself the Golden Witch.`@ `...That alone was a truth she could definitely understand...`\ textoff se1v 22,70 cbfly 0 bg portrait4,42 wait 3000 mov %play_scene,30150 ;シーン変数の入力 E_MA se1 56 mset mld r,$BUT_OdorokiA2,24 ;■メタ視世界 ;「…………これは、……どういうことなんだ。@もちろん鵜呑みにするつもりはねぇが、…一体、どういう意味なんだ？！@/ `"............What, ......is all this?`@` Of course, I'm not going to swallow this story, ...but what in the world does it mean?! `@/ mld r,$BUT_KuyasigaruA1,80 ;　絵羽伯母さんが新しいベアトリーチェに？@　魔女になっちまったっていうのか？@　……そんな馬鹿な…！！」\ ;＜戦人 `Eva oba-san is the new Beatrice?`@` Are you saying she's become a witch?`@` ......What the hell...!!"`\ mld l,$BEA_fukigenA3,23 ;「妾も驚いておる。@まさかあの碑文を解く者が現れるとはな。@/ `"I was also surprised.`@` Imagine that someone would be able to solve that riddle. `@/ mld l,$BEA_defA2,80 ;……しかし、そういうルールだ。@妾はそれに則り、黄金の魔女の座と我が名を引き継がねばならぬ。」\ ;＜ベアト `......However, that is the rule.`@` I must follow it, and pass on the position of Golden Witch and my name."`\ mcl r,23 mld r,$RON_waraiA2,24 ;「驚かれるには値しますまい。@お嬢様は元より、そういうルールを手紙に記されて公示されております。@/ `"It is hardly something to be surprised about.`@` From the beginning, Milady wrote that rule in a letter and announced it. `@/ mld r,$RON_DefA1,80 ;……絵羽さまがそれを最初に成し遂げた。@それだけのことでございます。」\ ;＜ロノウェ `......Eva-sama was the first to be successful.`@` That is all there is to say."`\ mendef 0 bg G1F_S1aP,0 ld l,$BUT_odorokiA2,23 ;「……ワルギリア、いるか？！」@ `"......Virgilia, are you there?!"`@ se1 52 ld r,$WAL_DefA1,99,1500,"breakup.dll/lrp" ;「はい、おりますとも…。」\ `"Yes, here I am..."`\ ld l,$BUT_KomaruA1,80 ;「この茶番が意味するところは何だ？！@　おかしな魔女たちが次々と現れる描写はあいつの戯言だとしても…！@　……これじゃあまるで、絵羽伯母さんが魔女になっちまったみたいじゃないか！」\ `"What does this farce mean?!`@` Even if this depiction of strange witches showing up one after another is some of her bullshit...!`@` ......Isn't this like Eva oba-san has become a witch?!"`\ ld r,$WAL_ikariA1,80 ;「落ち着いて。@“黄金の魔女”という称号が継承され、あるいは以後、自称するだけに過ぎません。@……この継承式はそれをあの子の“解釈”で演出したものに過ぎないに違いない。@同じ手に何度も掛からないで。」\ `"Calm yourself.`@` She has simply received the title of 'Endless Witch', and might call herself that in the future.`@` ......This succession ceremony is certainly nothing more than an act to promote that child's 'explanation'.`@` Don't fall for the same move again."`\ ld l,$BUT_NiramuA3,80 ;「そ、…そうだな…。@この盛大な式典は全てまやかしだ。@だが、絵羽伯母さんが碑文の謎を解いたことまでは事実。@……そしてそれは同時に、右代宮家の家督を受け継いだことも指す。\ `"Th, ...that's right...`@` That whole grand ceremony was all phony.`@` But it's at least a fact that Eva oba-san solved the riddle of the epitaph.`@` ......And at the same time, that means that she succeeded the Ushiromiya family inheritance.`\ ld l,$BUT_odorokiA2,80 ;　……そして１０ｔの黄金を得たということは、@……絵羽伯母さんが“黄金の魔女”を自称してもいい…、ということなのか…？@　くそ、相変わらずややこしいことをしやがって…！！」\ `......And by obtaining 10 tons of gold, `@`......it means that Eva oba-san might as well call herself the 'Golden Witch'..., is that it...?`@` Damn, it's as complicated as ever...!!"`\ bg G1F_S1cP,0 ld r,$BEA_NayamuA1,24 ;「…やれやれ。@無粋なるニンゲンには式典の荘厳さを解することもできぬか。@……まぁ良い。@空気を読めぬのがニンゲンというもの。@そなたを憐れには思うが責めはせぬぞ。」\ `"...My, my.`@` Is a boorish human unable to comprehend the grandeur of this ceremony?`@` ......Oh, well.`@` Being unable to read between the lines is what makes you human.`@` I pity you, but I do not blame you."`\ ld l,$BUT_komaruA1,23 ;「くそ…。@可哀想な人を見るような目で見やがって…。@………だが、とりあえず確認をする必要はある。\ `"Damn it...`@` Don't look at me like you feel sorry for me...`@`.........Still, for the time being, there's something I need to check.`\ ld l,$BUT_niramuA3,80 ;　それはあの、若返った絵羽伯母さんみたいな分身、@…つまり、新しいベアトリーチェとかいうやつの定義についてだ。@……あれは何なんだ？！」\ `And that's regarding this younger version of Eva oba-san,`@` ...in other words, the definition of this new Beatrice.`@` ......What is that?!"`\ ld r,$BEA_fukigenA3,80 ;「妾がそれを語ろうとも、どうせそなたは、魔法は信じぬ、魔女は信じぬの一点張りであろう？@　だから妾から説明することは特にない。@そなたが思う通りに信じれば良い。」\ `"Even if I tell of it, you will just persist in your disbelief in magic and witches, right?`@` So there's nothing in particular for me to explain.`@` You may believe that things are as you think they are."`\ ld l,$BUT_OdorokiA2,80 ;「……俺が思う通りだとぉ…？！@　じゃ、じゃあどう解釈すりゃいいんだ…？！」\ `"......The way I think things are...?!`@` Then, then how should I interpret this...?!"`\ bg G1f_S1bP,23 ld r,$RON_akuwaraiA1,24 ;「右代宮絵羽の内面的別存在の視覚化、と今は捉えていただき、差し支えないかと思いますよ。」@ ;＜ロノウェ `"For now, grasping it as a visualization of a different being inside Ushiromiya Eva may not be a hinderance, I believe."`@ ld l,$WAL_defA2,23 ;「…もちろん、鵜呑みにはできませんが、今はそう理解するのが妥当でしょう。」\ ;＜ワルギリ `"...Of course, you cannot blindly accept it, but it is probably appropriate for you to think that way now."`\ bg G1F_S1cP,0 ld r,$BUT_NayamuA1,24 ;「…………つ、つまり、絵羽伯母さんも彼女も、同じ人物だと理解すべきなんだな？@　……くそ、…何だか気持ち悪い展開になったぜ…。」\ `"............I, in other words, I should think that Eva oba-san and her are the same person?`@` ......Damn, ...this is starting to feel bad..."`\ ld l,$BEA_futekiA2,23 ;「そういうわけで、これよりベアトリーチェは妾の名ではないぞ。@右代宮絵羽に引き継いだからな。@/ `"In that case, from now on, my name is not Beatrice.`@` Because I have passed it on to Ushiromiya Eva. `@/ ld l,$BEA_WaraiA2,80 se2 48 ;……というわけで妾は名無しだ！@　戦人ぁ、何か妾に適当な相応しき名はないものか。@そなたの推薦を受けるぞ！@　何か上品で気品溢れて、できればちょっぴりキュートな名前はないものか…！」\ `......Which means that I am nameless!`@` Battleer, isn't there some name that is fitting for me?`@` I shall take your recommendation!`@` Isn't there a name that's refined, full of elegance, and make it a little cute if you can...!"`\ ld r,$BUT_niramuA1,80 se1 47 ;「…お前なんかベアトのまんまで充分だぜ。@ベアトとベアトリーチェで充分区別付くだろ。」@ `"...Just 'Beato' is good enoguh for you.`@` There's probably enough of a difference between Beato and Beatrice."`@ ld l,$BEA_fukigenA2,80 ;「む、…むぅ。@ベアトのままか…。@違和感はないが、なぜだかつまらぬ。@むぅ。」\ `"M, ...muu.`@` Stay as Beato, is it...`@` It doesn't feel odd, but it's boring for some reason.`@` Muu."`\ bg G1F_S1aP,0 ld r,$WAL_DefA1,0 ld l,$RON_DefA2,23 ld l,$RON_WaraiA1,80 ;「ぷっくっくっくっく…。@紅茶の温度と女心はいつの時代も難しゅうございます。」\ `"Pu ku ku ku ku...`@` They say the temperature of black tea and a woman's heart are difficult in any time period."`\ ld r,$WAL_FumanA1,80 ;「………戦人くん。@とにかく、以後は冷静に。@この子がベアトリーチェだった時に比べれば、@現在の彼女は、右代宮絵羽と判別が付くだけ、私たちに状況は有利です。」\ `".........Battler-kun.`@` Anyways, be calm after this.`@` Compared to when this child was Beatrice, `@`now that we can tell her apart from Ushiromiya Eva, the situation is advantageous to us."`\ bg black,24 bg Mhal_1a,0 bfly1 0 msetef 0,0 mld r,$BUT_NayamuA1,24 ;「……だからこそ、/ ;!d800…かえって気に入らねぇんだがな。@……何を考えてるんだ？@　ベアトのヤツめ………。」\ `"......And it's exactly because of that, `/ !d800`...that I like it even less.`@` ......What is she thinking of?`@` That Beato........."`\ textoff mend fedexx 80,0,0,0,0,0,2000 ;　向こうでは魔女たちが、@今やベアトリーチェの名を持つ若き日の姿をした絵羽伯母さんを祝福し続け、長い行列を作っている。\ `Over there, the witches formed a long line to bless Eva oba-san,`@` who had the figure of her younger days and who now possessed the name Beatrice.`\ ;　それはさながら、魔女の戴冠式。@ `It was like a witch's coronation.`@ br ;　黄金の蝶が無数に羽ばたき、黄金色に輝く幻想的な空間を演出している。@ ;　それら全てが彼女を讃えていた。\ `The countless gold butterflies flapped their wings, directing this fantastical, gold-sparkling space.`@ `They were all praising her.`\ ;　俺はそれを遠目に見ながら、@少しだけ照れたような表情で笑みを浮かべている新生ベアトリーチェを見る。@ `As I stared from the distance, `@`I looked at the reborn Beatrice, who had a slightly embarrassed smile on her face.`@ br ;　……初めは戸惑っていた彼女の表情には、@ようやく自覚できてきた喜びが溢れているようだった。\ `......Her expression, which had been confused at first,`@` seemed to be full of a happiness that she had finally become aware of.`\ ;bg Mhal_1b,22 cbfly 0 bg portrait4,6 ;　その表情には、黄金を前に狂った笑い声を上げたような狂気は一切ない。@ ;　ただただ、喜びを噛み締める初々しさがあるだけだった。\ `In that expression, there wasn't a trace of the insane laugh from standing before the gold.`@ `There was just an innocence which reflected upon her own joy.`\ ;　魔女を否定する俺には、魔女の継承式で喜びの表情を見せる彼女を受け容れることはできない…。@ `Since I denied witches, I couldn't put on a joyful expression at this witch succession ceremony and accept her...`@ br ;　……しかし、あの無邪気な笑顔を見ていると、@…今だけは祝福したいような、そんな気持ちにさせられる。\ `......However, when I looked at that innocent smile, `@`it made me feel like I wanted to bless that, just for now.`\ bg black,6 ;　どんなものであれ、努力が達せられて報われた瞬間は美しい。@ `The moment when a strong effort is successful and rewarded is always beautiful.`@ br ;　ずっとずっと当主跡継ぎに憧れ、小さい頃から報われない努力を重ねてきた絵羽伯母さんは、@……碑文の謎というチャンスを見事に掴み、…そしてその座をとうとう手に入れた。\ `Eva oba-san, who had always yearned to succeed the head, and had worked hard since she was young without being rewarded,`@` ......had spectacularly taken hold of the chance given to her by the riddle of the epitaph, ...and had finally gained that position.`\ bfly1 0 bg Mhal_1a,0 ld c,$EV2_WaraiA2,22 ;　少女時代からの夢をついに叶えた人間の笑顔の、何と神々しいことか。\ `How divine is the smile of a person whose childhood dreams have been granted?`\ ;　俺は魔女を絶対に認めない。@ ;　でも、……戦人は両手を合わせ、少しだけ音を立てる。\ `I definitely won't accept witches.`@ `But, ......Battler put his hands together, making a small sound.`\ ;　ぱちり。ぱちり。@ `*clap*. *clap*.`@ br ;　……それは彼女の耳には届かないけれど、…祝福するものだった。\ `......It didn't reach her ears, ...but it did bless her.`\ mset ;mld l,$BEA_DefA1,0 mld r,$BUT_majimeA1,24 mld r,$BUT_futekiA1,80 ;「………おめでとうよ、絵羽伯母さん。」@ `".........Congratulations, Eva oba-san."`@ br ;　あんたは見事、一番乗りで碑文の謎を解いたな。@文句なしにあんたの勝ちだ。@ `You spectacularly solved the riddle of the epitaph before anyone else.`@` It's your victory without any complaints.`@ br ;　…………黄金の魔女云々は認めないが、右代宮家の新しい当主ってのは、俺も認めて素直に祝うぜ。\ `.........I won't accept all that about the Golden Witch and so on, but I will accept you as the new head of the Ushiromiya family and I will celebrate honestly.`\ mld l,$BEA_defA1,23 ;「……………ふ。」@ ;＜ベアト `"............Hmph."`@ br ;　戦人の拍手に釣られるように、ベアトも手を叩く。\ `As though dragged along by Battler's applause, Beato also clapped.`\ ;　…ちょっぴりだけ不思議な光景。@ ;　敵対している戦人とベアトが並んで、同じ相手に拍手を送っているのだから。\ `...It was a slightly odd scene.`@ `Because Battler and Beato, who opposed each other, were standing next to each other, applauding for the same person.`\ mld r,$BUT_niramuA2,80 ;「魔女に拍手してるわけじゃねぇぞ。@…絵羽伯母さんのこれまでの努力に拍手してんだぞ。」@ ;＜戦人 `"I'm not applauding for a witch.`@` ...I'm applauding for all of Eva oba-san's efforts up until now."`@ mld l,$BEA_WaraiA1,80 ;「妾もだぞ。@あの碑文を見事に解いた絵羽に対し、率直に祝福の拍手を送っておる。」\ `"I am too.`@` I am honestly applauding as a blessing to Eva, who spectacularly solved that epitaph."`\ mld r,$BUT_futekiA1,80 ;「………ふむ。@…お前と一緒に拍手してるってのが気に入らねぇが。@/ `".........Hmm.`@` ...I don't like applauding with you. `@/ mld r,$BUT_WaraiA2,80 ;…ま、今は気にしねぇことにするぜ。@…たまにゃ、お前と一緒に拍手してもバチは当たらねぇか。」\ `...But, well, I've decided that I won't worry about it now.`@` ...Divine punishment won't fall on me just because I applaud with you every once in a while."`\ mld l,$BEA_defA2,80 ;「ふむ。@たまにはオツであるな。@/ `"Hmm.`@` It isn't bad once in a while. `@/ mld l,$BEA_WaraiA2,80 ;……しかし、拍手って楽しいなァ。@成し遂げたのは妾ではなく絵羽であるというのに、なぜかこっちまで嬉しくなってきおるわ。」\ `......Still, it is fun to applaud.`@` Even though it was Eva who was successful and not me, for some reason, I'm starting to feel happy too."`\ mld r,$BUT_defA2,80 ;「祝福するってことは、その喜びを共感する、共有するって意味だからな。」@ `"That's because blessing someone means the same thing as sympathizing and sharing with them."`@ mld l,$BEA_futekiA2,80 ;「なるほど。@では、このわけもなく嬉しい気持ちは、そなたとも共有できているというわけか。@……互いを屈服させようとする敵同士でありながら、これは奇異な体験よ。」\ `"I see.`@` Then, I have even shared this irrational happy feeling with you.`@` ......Since we are a pair of enemies trying to make each other surrender, it is an odd experience."`\ mld r,$BUT_futekiA1,80 ;「まぁ、……今だけは休戦で手を叩こうじゃねぇか。」\ `"Well, ......just for now, let's have a truce and clap, alright?"`\ mld l,$BEA_waraiA2,80 ;　ベアトは悪戯っぽく笑うと、拍手の音で戦人に負けまいと張り切ったのか、@より大きな音が出るようはしゃぎながら手を打った。@ `Beato laughed impishly, playing around and applauding even louder,`@` as though eagerly trying not to lose to Battler as she clapped.`@ mld r,$BUT_waraiA1,80 br ;　戦人も付き合い、より大きく手を打つ。\ `Battler went along with her, and clapped even louder.`\ mend se1v 54,100 se3v 54,100 ;　すると何かの儀式を終えたのか、そこで一堂は大きな拍手で新生ベアトリーチェを大きく讃えた。@ `When he did, as though some ceremony had ended, everyone applauded and highly praised the reborn Beatrice.`@ se2v 54,100 br ;　それはまるで戦人たちの拍手が、彼女の承認に必要な最後のものであったかのようだった……。\ `It was just as though Battler's and Beato's applause had been the final thing needed for her succession......`\ textoff fedexx 100,0,0,0,0,0,3000 cbfly 0 bg black,42 wait 2000 fede 0,7000 ;wait 2000 ;▲第１１アイキャッチ　１０月５日（日）１０時３０分　時計動かず eye2 10,30,10,30,1,0,510,340,45 *umi3_12 mov %play_scene,30160 mov %grim_scene,306 gosub *EV2_Isyou2 ;■ゲストハウスロビー me1v 13,70 textoff dllefe 1,1 bg G_o1bR,2 wait 2000 bg black,22 dllefe_off mevol 1,50 bg Glob_1aR,0 ld c,$ROS_KomaruA1,26 ;　ロビーに楼座が戻ってくる。@ `Rosa returned to the lobby.`@ br ;　彼女はまだ休んでいい事になっていたが、@その表情の雰囲気から、緊張して熟睡できないという風に見えた。\ `It was still her time to rest,`@` but her expression made it look as though she couldn't sleep deeply with all this tension.`\ bg Glob_1dR,0 ld r,$RUD_odorokiA1,24 ;「……無理してでも横になってろよ。@後で堪えるぜ？」@ ;＜留弗夫 `"......Take it easy and lie down.`@` It'll get tough later on at this rate."`@ ld l,$ROS_komaruA1,23 ;「ありがとう。@どうしても寝付けなくて。@/ `"Thanks for your concern.`@` I just can't sleep. `@/ ld l,$ROS_waraiA1,80 ;……シャワーだけ浴びさせてもらったから、私はもう充分よ。@次の人、休んでもいいわ。」\ ;＜楼座 `......If you just let me take a shower, that will be enough.`@` The next person can rest."`\ bg black,23 bg Glob_1bR,0 ld r,$NAT_WaraiA1,23 ;「霧江さんたちはいかがですか？」@ ;＜夏妃 `"What about you two, Kyrie-san? Rudolf-san?"`@ ld l,$KIR_DefA1,23 ;「……どうする、留弗夫さん？@　休ませてもらう？」\ ;＜霧江 `"......What will we do, Rudolf-san?`@` Will we rest?"`\ bg Glob_1cR,24 ld r,$RUD_DefA1G,24 ;「霧江は休んでいいぜ。@俺は起きてる。@それくらいしか男らしいことが出来ねぇ。」@ ;＜留弗夫 `"You can rest.`@` I'll stay awake.`@` That's the only manly thing I can do right now."`@ ld l,$KIR_WaraiA2,23 ;「じゃあ起きてるわ。@夫と一緒に起きてるくらいしか、女らしいことが出来ないから。」\ ;＜霧江 `"Then I'll stay awake.`@` Staying awake with my husband is the only womanly thing I can do right now."`\ ld c,$NAT_WaraiA2,23 ;「……くす。@本当に仲のおよろしいことで。」@ ;＜夏妃 `"......*giggle*.`@` You two truly are close."`@ ld l,$KIR_WaraiA1,80 ;「夏妃さんこそね。@くす。」\ ;＜霧江 `"You should talk.`@` *giggle*."`\ cl a,23 ld r,$KLA_akuwaraiA2,24 ;「絵羽と秀吉さんはぐっすりみたいじゃないか。@やはり楼座と違い、歳には勝てんね。」\ ;＜蔵臼 `"It seems that Eva and Hideyoshi-san are out cold.`@` It appears as though unlike Rosa, they can't fight against their age."`\ bg black,23 ;　その言葉に呼応したかのように、ガチャリと廊下の扉が開いた。@ `As though in response to those words, the door to the hall clunked open.`@ bg Glob_1aR,0 ld r,$EVA_majimeA1G,0 ld l,$HID_majimeA2,23 ;　絵羽と秀吉が客室から戻ってくる。\ `Eva and Hideyoshi returned from the guest room.`\ ld r,$EVA_ikariA1,80 ;「余計なお世話よ。@/ `"That's none of your business. `@/ se1 21 ld r,$EVA_waraiA1,80 ;…あら楼座、もう休んでなくていいの？」@ ;＜絵羽 `...Oh, Rosa, are you still alright without sleeping?"`@ cl l,24 ld l,$ROS_WaraiA2,23 ;「姉さんこそ。@無理しないで休んでたら？」\ ;＜楼座 `"You should talk, Nee-san.`@` Why not take it easy and rest?"`\ textoff wait 2000 ld r,$EVA_hohoemiA2,80 ;rrrr ;「…………何だか寝付けなくてね。@シャワーを浴びたら眠気が醒めちゃったわ。@留弗夫たち、良かったら休んでいいわよ。」\ ;＜絵羽 `"............I just can't get to sleep.`@` After taking a shower, my drowsiness faded away.`@` Rudolf, Kyrie-san, you can rest if you want."`\ bg Glob_1dR,24 ld l,$RUD_WaraiA1G,23 ;「おう、サンキュ。@今は気持ちだけでいいぜ。@/ `"Sure, thanks.`@` Well, I appreciate the sentiment. `@/ ld l,$RUD_DefA1G,80 ;兄貴たち、先に休んだらどうだ？」\ ;＜留弗夫 `Why don't you go first, Aniki?"`\ ld r,$KLA_DefA1,24 ;「ありがたいね。@だが先に休むわけにはいかん。@それくらいしか長男らしいことが出来ないのでね。」@ ;＜蔵臼 `"How kind of you.`@` But I cannot rest first.`@` That is the most I can do as the oldest brother."`@ ld c,$NAT_waraiA1,24 ;「私たちは最後まで起きていますのでご心配なく。」\ ;＜夏妃 `"Do not worry, the two of us will be awake until the very end."`\ bg Glob_1aR,0 ld c,$EVA_KomaruA3,23 ld r,$KIR_WaraiA1,24 ;「……くす。@/ `"......*giggle*. `@/ ld r,$KIR_nayamuA1,80 ;………それより絵羽姉さん。@大丈夫？@　少し顔色が悪いわ。」@ ;＜霧江 `.........More importantly, Eva nee-san,`@` are you alright?`@` You look a little pale."`@ ld l,$HID_fumuA1,23 ;「……そういやそうやな。@/ `"......Come to think of it, you're right. `@/ ld l,$HID_KomaruA1,80 ;……んん？@　ちょいと熱っぽいで？」@ ;＜秀吉 `......Hmmm?`@` Could it be a bit of a fever?"`@ br ;　秀吉が絵羽の額に手を当てる。@ ;　…どうも体調を崩しているようだった。\ `Hideyoshi put his hand up against Eva's forehead.`@ `...It seemed that Eva wasn't feeling her best.`\ bg Glob_1dR,0 ld r,$RUD_AkuwaraiA1,24 ;「言わんこっちゃねぇ。@…歳のくせに生活リズムを崩すからだぜ。@……風邪か？」@ ;＜留弗夫 `"That goes without saying.`@` ...It's because you broke your daily cycle at your age.`@` ......Is it a cold?"`@ ld l,$KLA_MajimeA1,23 ;「…夏妃。@上の南條先生を呼んできてくれんかね。」@ ;＜蔵臼 `"...Natsuhi.`@` Could you call Doctor Nanjo down?"`@ ld c,$NAT_MajimeA1,24 ;「は、はい。」\ `"Y, yes."`\ bg Glob_1aR,0 ld l,$EVA_akireA1,23 ;「…いいわ、そこまで大袈裟じゃない。@常備薬は持ってるから大丈夫よ。@/ `"...I'm fine, you don't have to make such a big deal out of it.`@` I have some medicine, so I'll be fine. `@/ ld l,$EVA_komaruA3,80 ;……疲れるとすぐ熱に出るの。@心配しないで。」@ ;＜絵羽 `......I tend to get a fever when I'm tired.`@` Don't worry."`@ ld r,$ROS_KomaruA1,24 ;「……姉さん、無理しないで？」\ ;＜楼座 `"......Nee-san, take it easy, okay?"`\ ld l,$EVA_akireA1,80 bgm1 18 ;「………ありがと。@…私抜きで兄弟が集まってると、私の陰口でも言われてるような気がしちゃってね。@/ `".........Thank you.`@` ...If the siblings were gathered without me around, I get the feeling everyone would start talking behind my back. `@/ ld l,$EVA_akireA2,80 ;…昔からの被害妄想なの。@ごめんね？」\ ;＜絵羽 `...It's a persecution complex from long ago.`@` Sorry, okay?"`\ se2 21 ld r,$ROS_majimeA1,80 me2v 5,50 ;「……………私は何も言わないわよ。@姉さんのいないところで姉さんの嫌な話なんて。」@ `"............I won't say anything.`@` To think that I would say something bad about you when you're away, Nee-san."`@ ld l,$EVA_MajimeA1,80 ;「…………………………………。」\ `"........................"`\ ld r,$ROS_nayamuA1,80 ;「……どうしたの？@　姉さん、さっきから変よ？@　もう少し休んだら？」@ ;＜楼座 `"......What is it?`@` Nee-san, you've been acting strange for a while?`@` Shouldn't you get a little rest now?"`@ br ld l,$EVA_hohoemiA2,80 se3v 27,50 ;「…………そうね。@(３月までの金策/・・・・・・・)を考えたら頭痛が酷くなって来ちゃったわ。」\ ;＜絵羽：点処理：３月までの金策 `"............You're right.`@` Just thinking` br `about `(`raising money by March`/・・・・・・・・・・)` makes my headache hurt even worse."`\ ld r,$ROS_KomaruA4,80 ;「それは良くないわね。@休んでて。@/ `"That isn't good.`@` Rest. `@/ ld r,$ROS_nayamuA1,80 ;…姉さんの頭痛が酷くならないよう、私も自重してるわ。@私だって頭痛、さっきから辛いし。」\ ;＜楼座 `...I'll restrain myself so that your headache doesn't get worse.`@` I've had a bad headache myself for a while now."`\ ld l,$EVA_akireA1,80 ;「………ありがと。@……じゃあ私、お言葉に甘えてもう少し休ませてもらうわね。」\ ;＜絵羽 `".........Thank you.`@` ......Well then, I'll count on what you've said and rest for a while."`\ cl l,4 ld c,$HID_fumuA1,24 ;「どうしたんや、絵羽。@急にヘソ曲げて。@/ `"What is it, Eva?`@` Why so angry all of a sudden? `@/ ld c,$HID_majimeA2,80 ;……すまんな、わしらもうちょい休ませてもらうわ。@すまんな、すまんな…。」@ ;＜秀吉 `......Sorry, please let us rest a bit longer.`@` My apologies..."`@ br ;　秀吉は何度も拝んで謝るような仕草を見せてから、@絵羽の後を追い、ロビーを出て行った。\ `After apologizing several times as though praying, `@`Hideyoshi went after Eva, and left the lobby.`\ bg black,24 fedexx 0,50,0,0,0,0,2000 me2 11 wait 1000 bg Glob_1aR,26 ld r,$KLA_DefA1,24 ;「…………空気が悪いな。@どうにもギスギスしている。」@ ;＜蔵臼 `"............I don't like this atmosphere.`@` Everything's so strained."`@ ld l,$KIR_NayamuA1,23 ;「無理もない。@……早朝に殺人事件。@それからずっと、ここで銃を抱きながら缶詰ですもの。@…ストレスが溜まって当然ね。」\ ;＜霧江 `"That's no surprise.`@` ......There was a murder early this morning.`@` And since then, we've been eating canned food and holding guns.`@` ...It's natural that we would start to build up stress."`\ ld c,$ROS_KomaruA1,23 ;「上の子たちも、だいぶストレスが溜まってるんじゃないかしら。@……真里亞が心配だわ。@こういう時は癇癪を起こしやすいの。」\ ;＜楼座 `"I wonder if the kids up there are also building up stress.`@` ......I'm worried about Maria.`@` She tends to get irritable in times like this."`\ textoff E_M2 se1v 16,50 bg Glob_1eR,1 quakey 5,500 ;　するとその時、２階で、どたどたどたっという慌しい足音が聞こえた。@ ;　ゲストハウスは安っぽい建物ではないので、普通の足音なら聞こえるわけもない。\ `At that time, they heard the sound of wild footsteps from the second floor.`@ `The guesthouse wasn't a cheap building, so they wouldn't normally have heard the sound of footsteps.`\ ;　踵で地団太を踏むような、そんな音だった。@ `It was like the sound of someone stamping their feet in frustration.`@ br ;　すると間髪入れずに、２階廊下へ走り出たらしい音と、@真里亞のうーうーうーと連呼する不機嫌そうな声が聞こえてきた。\ `And in a flash, in addition to the sound which seemed to be caused by her running around the second floor,`@` they could hear Maria calling uu-uu-uu- over and over again, sounding displeased.`\ bg black,25 ;　楼座は髪を振り乱しながら頭を抱え、声なき声で苦悶の唸りをあげる…。@ `Rosa grabbed her head, her hair flying, and she voicelessly moaned in anguish...`@ br ;　大人たちはその仕草にさりげなく背を向け、気付かぬフリをしてやるのだった。\ `The adults conscientiously turned their backs to her, pretending not to notice.`\ bg G1F_P1aR,22 ;　ドタドタドタと賑やかな音が２階から降りてきてロビーに飛び込んでくる。\ `The noisy clamor came down from the second floor and flew into the lobby.`\ bg black,64 se1 16 bgm1 28 bg Glob_1aR,0 ld r,$MAR_NakuA1,0 ld l,$JES_KomaruA1,0 ld c,$GEO_KomaruA1k,24 ;　泣きじゃくる真里亞と、それに付いてきた子どもたち、そして南條だった。@ ;　…つまり、真里亞の大騒ぎのせいで、２階の全員が降りてきてしまったというわけだ。\ `It was Maria, who was sobbing, along with the other children and Nanjo.`@ `...In other words, they had all come downstairs because of Maria's tantrum.`\ ;　楼座は自分の娘が掛けている迷惑の規模に、再び眩暈が起こるのを隠せずにいた…。\ `Rosa couldn't hide her dizziness at this new annoyance her daughter was bringing to everyone...`\ ld l,$JES_odorokiA1,80 ;「ご、ごめん楼座叔母さん…。@私たちもなだめたんだけど、どうしても聞いてくれなくて…。」\ ;＜朱志香 `"S, sorry, Rosa oba-san...`@` We tried to calm her, but she just wouldn't listen..."`\ bg Glob_1cR,24 ld l,$MAR_SakebuA1,23 ;「うーうーうー！！/ `"Uu-uu-uu-!! `/ quakex 3,300 ;@　うーうーうー！！/ @`Uu-uu-uu-!! `/ quakey 3,300 ;@　うわあああぁあぁああぁん！！」/ @`Waaaaaaaaaaaaaaaaahhh!!"`/ quakex 5,500 @ ;＜真里亞 ld r,$ROS_KomaruA4,24 ;「…どうしたの、真里亞。@少し静かにしなさい？@　みんな見てるわよ？」\ ;＜楼座 `"...What is it, Maria?`@` Could you be a little more quiet?`@` Everyone's looking."`\ bg Glob_1aR,0 ld r,$BUT_aseruA1,23 ;「例の薔薇庭園の真里亞の薔薇…。@あれが急に心配だと言い出して。」@ ;＜戦人 `"It's that rose of hers from the rose garden...`@` She suddenly started saying that she was worried about it."`@ ld l,$GEO_komaruA2,23 ;「……寝惚けたみたいなんです。@急にがばっと起き出して、薔薇が心配だ薔薇が心配だって言い出して。@/ `"......It looks like she's half asleep.`@` She suddenly woke up, and started going on about how worried she was for that rose. `@/ ld l,$GEO_HohoemiA1,80 ;………真里亞ちゃん、落ち着いて。@それは夢なんだよ…。」\ ;＜譲治 `.........Maria-chan, calm down.`@` That was just a dream..."`\ bg Glob_1eR,25 ;「うーうーうーうー！！@　あれはベアトリーチェと真里亞の薔薇なのー！！/ `"Uu-uu-uu-uu-!!`@` That was Beatrice's and Maria's ro-se!! `/ ;se1 9 quakey 4,800 ;@　だから大切にしないとベアトリーチェに怒られちゃうのー！！@　また折れちゃってるかもしれない！@　うーうーうー！@　うーうーうーうー！！」/ @`So if Maria doesn't take care of it, Beatrice will get ma-d!!`@` It might be broken again!`@` Uu-uu-uu-!`@` Uu-uu-uu-uu-!!"`/ quakey 3,300 \ se1 27 E_B ;!s0「……はぁッ。@…だから少し静かにしなさいッて言ってるでしょおおおッ？！？！」/ !s0`"......Aaah, `@`...I'm telling you to quiet down a bit, alright?!?!"`/ quakey 5,900 !sd@ br ;　楼座が急に声のトーンを上げたので子どもたちは仰け反るくらいに驚く。@ `The sudden rise in the tone of Rosa's voice surprised the children.`@ ;　しかし真里亞はますますに泣き声を大きくして、癇癪を激しくするだけだった。\ `But Maria's crying just grew louder, and her tantrum just grew fiercer.`\ me2v 5,50 bg Glob_1dR,0 ld r,$NAN_KomaruA3,26 ;「ろ、…楼座さん。@子どもを頭ごなしに叱ってはいけませんぞ…。@…こういう時は、温かい牛乳などを与えると良いものです。」\ ;＜南條 `"R, ...Rosa-san.`@` You mustn't scold a child unsparingly...`@`...In times like this, it is good to give them some warm milk or something."`\ ld l,$KLA_KomaruA1,23 ;「……ここにあるかね？」@ ;＜蔵臼 `"......Is there any here?"`@ ld c,$NAT_odorokiA2,23 ;「さっき、朝食代わりに出した牛乳で空っぽです…。」\ ;＜夏妃 `"After taking the milk out for breakfast earlier, it is now empty..."`\ bg Glob_1cR,26 ld r,$RUD_odorokiA1,24 ;「誰か子ども用の鎮静剤とか持ってるか…？@　ほら、あの銀の粒みてぇなヤツとか。」@ ;＜留弗夫 `"Doesn't anyone have a sedative to use on kids...?`@` You know, those silver pill things?"`@ ld l,$ROS_ikariA2,23 ;!s0「持ってるわよッ！！/ !s0`"I have them!! `/ se2 12 se3v 21,80 quakey 5,800 ;!sd@　あぁ、今探して飲ませるからッ！！」\ ;＜楼座 !sd@`Yes, I'll search for them now and give them to her!!"`\ ;　楼座は不機嫌を隠すことなく、ソファーに置いてあったハンドバッグを取り、中の常備薬を漁る。@……真里亞の癇癪用に、小児用の鎮静剤を持ってきているようだった。\ `Without hiding her displeasure, Rosa grabbed the handbag that had been set on the sofa and fished around for some medicine.`@` ......It seemed that she had brought some child-use sedatives for Maria's tantrums.`\ bg black,22 ;　それを見つけ瓶を傾けるが、どうも空っぽらしい。@ ;　楼座はイライラしながら瓶を何度も振るが、空である事実は変わらなかった。@ `She found it and opened the bottle, but it must have been empty.`@ `Irritated, Rosa shook the bottle several times, but that didn't change the fact that nothing was in there.`@ br ;　…その間にも、真里亞はますますに泣き声を強めていく…。\ `...As she did that, Maria's crying grew even more intense...`\ textoff fedexx 0,70,70,0,0,0,2000 dllefe 1,1 bg G_o1aR,6 wait 2000 bg black,22 me3v 12,0 fedexx 0,0,0,50,0,0,2000 dllefe_off bg G1F_P1aR,6 wait 2000 bg black,23 bg G1F_R2aR,23 ;■ゲストハウス・１階客室（絵羽と秀吉の部屋） ;　その頃、絵羽はベッドに横になり、布団を被っていた。@ `At that time, Eva was lying on the bed, covered by the bedding.`@ br ;　水で濡らしたハンカチを畳みながら、秀吉が洗面所から戻ってくる。\ `Hideyoshi returned from the washroom, folding a handkerchief soaked in water.`\ bg G1F_R2cR,0 ld r,$HID_KomaruA1,24 ;「……こら、ずいぶんひどい熱や…。@……きっと、親族会議の毒気にやられてもうたんやな…。@/ `"......My, this is one nasty fever...`@`......I'm sure it's the poisonous air at this family conference that got you...`@/ ld r,$HID_defA1,80 ;……今はもう、他の親族たちのことは全部忘れるんや。@…な？」\ ;＜秀吉 `......For now, you can forget all about the other relatives.`@` ...Alright?"`\ ;　秀吉はやさしい言葉を掛けながら、火照った絵羽の額に濡れハンカチをそっと置いた。@ `As Hideyoshi spoke to her kindly, he set the soaked handkerchief on Eva's burning forehead.`@ br ;　その手に、絵羽は自らの手を重ねる。\ `Eva rested her own hand on top of his.`\ bg black,22 E_A bgm1 25 bg M2F_R1dR,22 ;「………あなたの手。@…ひんやりして気持ちいい。」@ `".........Your hand, `@`...feels pleasantly cool."`@ ;「わしの手が気持ちいいようじゃ、だいぶ熱が出とるな…。@安心せい、すぐに薬が効いてくるわ。@それにな、わしの手は魔法の手なんや。@こうして絵羽の額に手を当てとるとな？@　どんな熱もたちどころに治ってしまうんや。」\ `"If my hand feels pleasant, your fever must be pretty bad.`@` Don't worry, the medicine will start workin' soon.`@` Plus, my hand is a magic hand.`@` If I just put my hand up against your forehead like this, `@`any fever will melt right away."`\ ;「そうね。@……あなたの手で、私の熱が引かなかったことは、一度もないものね…。」@ ;「そうや。@わしの手があれば医者要らずやで。@安心して目を瞑るんや。@……すぐにわしの魔法でグングン熱が下がるからな…。」\ `"You're right.`@` ......Your hand always makes my fevers fade..."`@ `"Yep.`@` No need for a doctor when you've got my hand.`@` Don't worry and close your eyes.`@` ......The fever will fade away thanks to my magic..."`\ ;「うん、知ってる…。@……あなたの魔法、感じるもの。」@ `"Yes, I know...`@`......I can feel your magic."`@ br ;　秀吉は、そういうのをプラシーボ効果と言うんやで、と口にしようと思ったが止めた。@ ;　……絵羽が自分の手から魔法を感じると言ってくれるなら、今はそれでいいのだ…。\ `Hideyoshi was about to call that the placebo effect, but he stopped.`@ `......If Eva said that she could feel magic from his hand, then that was alright for now...`\ me1v 12,50 bg black,22 ;「…………魔法って、本当にあるのかしら。」@ ;「あぁ。@あるでぇ。@信じる者にしかわからへんけどな。@…そういう魔法は、案外世の中にたくさんあるもんや。」\ `"............I wonder if magic really exists."`@ `"Yeah.`@` It does.`@` Only those who believe can understand, though.`@` ...There's actually a lot of magic like that out there in the world."`\ ;「…魔法が実在するなら、……やっぱり魔女も実在するのかしら。」@ ;「うん？@　森の魔女ベアトリーチェのことかいな？@　信じる者にはおるやろな。@神様と同じや。@信心深い人の前にしか姿を現さんのや。」\ `"...If magic actually exists, ......then I wonder if witches actually exist too."`@ `"Oh?`@` You mean that witch of the forest, Beatrice?`@` She probably does exist for those who believe.`@` Just like God.`@` Won't show itself except in front of those who strongly believe."`\ bg G1F_R2cR,22 ;「……………私もね？@　…昔、魔法が使えたの。」@ `"............It's the same with me.`@` ...Long ago, I was able to use magic."`@ ld r,$HID_waraiA2,24 ;「ほぅ。@ほんまかいな。@じゃあお前も魔女やったんやな。」\ `"Oh.`@` Really?`@` Then you were also a witch."`\ ;「……私がね、絶対に叶えたい夢があって。@それを強く願って努力すると、それは必ず叶ったの。@……私はその魔法で、いつも成績は一番だったし、生徒会長にだってなったし、入りたい大学にも実力で入れたし。@……いつだってどんな願いだって叶えてきたわ。」\ `"......You know, I had a dream that I wanted to come true no matter what.`@` After wishing strongly and trying hard, it came true without fail.`@` ......With my magic, my grades were always the best, and I even became the student council president, and worked hard to get into the university I wanted.`@` ......Everything I wished for was granted."`\ ld r,$HID_defA1,80 ;「そうやな。@お前の魔法はいつだって大したもんや…。@お前は確かに魔女や。@…そして誰にも負けん努力家や。@……わしはよーぅ知っとるで。」\ `"That's right.`@` Your magic was always a thing to be reckoned with...`@` You're definitely a witch.`@` ...And you work harder than anyone.`@` ......I know a-ll about it."`\ bg black,22 ;「……………私ね。@子どもの頃から、ずっとずっと心の中に、もうひとりの自分がいて、いつも私を励ましてくれたの。@…そしてその自分は魔女だったわ。\ `"............You know, `@`when I was a kid, the whole time, there was another me inside myself, who always supported me.`@` ...And that other self was a witch.`\ ;　………森の魔女ベアトリーチェなんて信じなかった。@もし六軒島に魔女がいるとしたら、それは私の心の中の魔女のことだってずっと信じてきた。@………その魔女の自分に、私はすごい感謝してる。@…あなたに出会わせてくれて良かったなぁって、……いつも感謝してる…。」\ `.........I didn't believe in Beatrice, the witch of the forest.`@` I always believed that if a witch of Rokkenjima did exist, it was the witch inside my heart.`@` .........I was so grateful to that witch inside myself.`@` ...I was always grateful, ......that she let me meet up with you..."`\ bg G1F_R2bR,0 ld c,$HID_fumuA1,26 ;「…………病気の時のお前はいつも気弱過ぎや。@/ `"............You're always too timid when you get sick. `@/ ld c,$HID_WaraiA2,80 ;…今は何も言わんでええ。@……熱が下がるまで、ずーっとこうしてるからな。」\ `...Don't say anythin' for now.`@` ......I'll stay like this the whole time, until your fever has gone down."`\ me2v 5,50 ;「……うん。@/ ;!s0……絶対に手を、/ ;!d900……離さないでね。@………何だか私、/ ;!d900……自分が自分でなくなるような気がして、/ ;!d700……さっきから怖いの。@…私の中の魔女が、/ ;!d400……ベアトリーチェに触発されて、どんどん強くなるような気がして。@…何だか私を飲み込んでしまいそうな気がするの。」/ `"......Yes. `@/ !s0`......No matter what, `/ !d900`......don't take your hand away.`@` .........Somehow, `/ !d900`......I feel like I'm becoming something that isn't myself, `/ !d700`......and I've been scared for a while now.`@` ...I get the feeling that the witch inside of me, `/ !d400`was provoked by Beatrice, and is growing stronger and stronger.`@` ...Somehow, it feels like she's going to swallow me up."`/ !sd\ ld c,$HID_WaraiA1,80 E_M2 ;「大丈夫や。@わしが一緒にいる限り、なぁんも恐れることなんてあらへん！@　ほら、ちょいとヤバめな国に旅行に行った時、バスごと強盗にあったことあったやろ？@　わしが撃退したんやで！」\ `"It's alright.`@` As long as I'm with you, there's no-thing to be afraid of!`@` Remember the time we went to that dangerous country and the whole bus was robbed?`@` I repelled 'em!"`\ ;「…あなた、金時計を渡して拝み倒しただけだったじゃない。@……格好悪いけど、…格好良かったわ…。\ `"...Didn't you just hand over your gold watch and beg them to go away?`@` ......It was pretty lame, ...but it was cool...`\ ;　…………この手。@…絶対に離さないでね…。@……眠っても、絶対に離さないでね。@……そして何か不気味なものが忍び込んできても、/ ;!d1000…私を守ってね…。」\ `............No matter what,`@` ...don't move your hand away...`@`......Not even if I fall asleep.`@` ......And even if something creepy sneaks inside, `/ !d1000`...protect me..."`\ ld c,$HID_WaraiA2,80 ;「おう、任せとかんかい。@……だから今は安心して眠るんやで。@すぐに薬と、わしの魔法が効いてくるからな…。」@ `"Yep, leave it to me.`@` ......That's why I'm tellin' you to stop worryin' and get to sleep.`@` Because the medicine and my magic will start workin' real soon..."`@ br ;　絵羽はようやく心を安らかにして目を瞑る。\ `Eva finally calmed her heart and closed her eyes.`\ bg black,2 fede 1,3000 wait 1000 bg G1F_R2cR,1 se1 15 ;　……その時、ロビーの方で、荒々しく扉が開く音がした。@ `......At that time, there was the sound of a door being opened violently from the direction of the lobby.`@ me2v 5,50 br ;　そして、真里亞が癇癪を起こしているらしい、うーうーという叫び声と、@それを叱責する楼座の怒鳴り声が聞こえてきた。\ `It seemed that Maria was having a tantrum, `@`and screams of uu-uu- could be heard, along with Rosa's rebuking yells.`\ ;　…それがよほど耳障りなのだろう。@ ;　あるいは頭痛に堪えるのかもしれない。@ ;　絵羽は苦しそうに呻き、布団を被った。\ `...That probably hurt Eva's ears.`@ `Or maybe she was holding back a headache.`@ `Eva moaned as though in pain, and buried herself in the covers.`\ ;　おおよその想像はつく。@ ;　真里亞が何かの理由で癇癪を起こし、下のロビーに降りてきて、@それを叱る楼座と口論になったのだろう。@ `It was easy to guess what was happening.`@ `Maria had probably had a tantrum for some reason, gone down to the lobby,`@` and started arguing with Rosa as she scolded her daughter.`@ br ;　…そして他の親族たちの目が痛々しかったので、廊下へ真里亞を連れ出した、というところなのか。\ `...And then, perhaps, that was too pitiful to be shown in front of the other relatives, so Rosa had taken Maria out into the corridor.`\ bg G1F_R2aR,0 ld r,$HID_komaruA1,23 ;　……楼座と真里亞の問題に干渉する気は、秀吉にはまったくない。@ ;　…でも、絵羽が体調を悪くしている今だけは、その騒ぎは他所でやってほしいと思った。\ `......Hideyoshi had no desire to interfere with Rosa and Maria's problem.`@ `...But just for now, since Eva's condition was so bad, he wanted them to take their ruckus somewhere else.`\ ld r,$HID_defA1,80 ;「…ちょいと待っとれや。@静かにするよう、お願いしてくるわ。」@ ;「………は、早く戻ってきて…。」@ `"...Wait just a second.`@` I'll ask them to keep it down."`@ `".........C, come back quickly..."`@ ld r,$HID_WaraiA2,80 ;「大丈夫や、この部屋から出んて。」\ `"Don't worry, I won't leave this room."`\ cl r,23 bg black,23 me3v 13,0 fedexx 0,0,0,50,0,0,2000 se1v 16,50 bg G1F_P1e,4 ;　秀吉はチェーンを外すと扉を開け、廊下に顔を覗かせた。@すぐに楼座と目が合う。\ `Hideyoshi removed the chain, opened the door, and stuck his face out into the corridor.`@` He immediately met Rosa's gaze.`\ ;「…大丈夫かいな、楼座さん。」@ ;＜秀吉 `"...Everythin' alright, Rosa-san?"`@ ;「ごめんなさい、うるさくして起こしちゃったかしら…。」@ ;!s0「うーうー！/ `"I'm sorry, did all this noise wake you up...?"`@ !s0`"Uu-uu-! `/ se1 12 quakey 3,300 ;@　うーうーうーうー！！！」/ @`Uu-uu-uu-uu-!!!"`/ se2 12 quakey 3,400 se3 12 quakey 3,400 !sd \ bg black,22 ;「…真里亞ちゃん、ごめんなぁ。@絵羽伯母さんな、具合が悪くて寝とるんや。@すまんが、ちょいと静かにしてもらえるか…？」\ ;＜秀吉 `"...Maria-chan, sorry.`@` Eva oba-san isn't feelin' well, and she's tryin' to sleep.`@` Could you quiet down a bit...?"`\ bg G1F_P1bR,0 ld r,$MAR_sakebuA1,26 ;　秀吉が頼んだところで、真里亞が声のトーンを下げるわけもない。@ ;　繰り返し、うーうーと叫び、真里亞の薔薇、真里亞の薔薇と連呼した。\ `Maria's tone didn't change after being asked by Hideyoshi.`@ `She kept crying uu-uu- and repeating 'Maria's rose, Maria's rose'.\ textoff ld l,$ROS_IkariA1,23 ;ld r,$MAR_SakebuA1,80 se1 10 quakey 4,400 ;　楼座はその頬をぴしゃりと叩いた後、真里亞の口を塞ぎながら抱え上げ、@せめて秀吉たちの部屋から遠ざかるよう、玄関の方へ真里亞を連れて行った。\ `Rosa slapped Maria's cheek, lifted her up while covering her mouth,`@` and dragged her towards the entrance, trying to at least put some distance between her and Hideyoshi's room.`\ cl a,24 ;　…まだしばらくは賑やかだろうが、一応の釘は刺した。@ ;　秀吉は楼座の母親ぶりに期待しつつ扉を閉める。\ `...She would still probably be lively for a while, but he had warned Rosa for the time being.`@ `Relying on Rosa's actions as a mother, Hideyoshi closed the door.`\ bg black,24 bg G1F_R2bR,24 ld l,$EVA_komaruA1,24 ;「………また真里亞ちゃんの癇癪なの？」@ `".........Is Maria-chan having a tantrum again?"`@ ld r,$HID_fumuA1,24 ;「そうみたいやな。@…楼座さんも大変や。@/ `"Looks like it.`@` ...It's tough for Rosa-san too. `@/ ld r,$HID_WaraiA2,80 ;……それを思えば、うちの譲治は出来過ぎや。@親が感謝したいくらいやで。」\ `......Come to think of it, our George is almost too good to be true.`@` We should be grateful."`\ bg Glob_1eR,25 ;「……………そうね。@………ん。@……手。」@ ;「おぉ、すまんすまん。@……ほら、魔法の手やで。」@ `"............You're right.`@` .........Nn, `@`......hand."`@ `"Oh, sorry, sorry.`@` ......Look, it's the magic hand."`@ br ;　再び絵羽の額に手を載せる。\ `He put his hand on Eva's forehead again.`\ ;　……その手には本当に魔法の力が宿っているのかもしれない。@ ;　絵羽は、本当に安らいだ表情を浮かべると、少しずつ眠りの世界へ入っていく。@ `......Maybe there really was magical power in that hand.`@ `A truly peaceful look rose to Eva's face, and bit by bit, she began to drift off into the land of sleep.`@ br ;　秀吉は約束通り、ずっと手を額に当て続けているのだった……。\ `As he had promised, Hideyoshi kept his hand on her forehead......`\ mov %play_scene,30160 textoff bg black,42 wait 3000 ;dllefe 1,1 ;bg G_o1bR,22 ;wait 2000 ;bg G_o1cR,5 me1v 12,0 me2v 5,0 fedexx 0,50,50,0,0,0,3000 bg G1F_P1aR,2 bgm1 16 ;■ゲストハウス玄関前 ;　玄関では、真里亞の口を押さえたまま、楼座は途方に暮れていた。@ `By the entrance, with her hand still against Maria's mouth, Rosa was at a loss at what to do next.`@ br ;　ロビーでみんなの視線に耐え切れず、@子どもたちには２階へ上がれと怒鳴りつけ、ロビーを飛び出してしまった。\ `She hadn't been able to withstand everyone's gazes in the lobby,`@` and had yelled at the children to go upstairs, dashing out of the lobby.`\ ;　そして廊下に出れば、秀吉たちにうるさいと言われてしまった。@ `Then she had gone out into the corridor, only to have Hideyoshi say that she was too noisy.`@ br ;　私はどこへ行けばいいというのか。@ ;　……この癇癪持ちの娘を連れて、どこへ行けばいいというのか。\ `Where should I go now?`@ `......Where should I take this child who's having a tantrum?`\ ;　悔し涙が溢れそうになった…。@ `She felt as though tears of frustration were about to come out...`@ br ;　未だ、叫ぼうともがき続ける真里亞の耳元に口を寄せ、@楼座はなるべく落ち着いた声で諭すように言う。\ `As Maria kept struggling in an attempt to scream, Rosa put her mouth up to Maria's ear,`@` and tried to persuade Maria in a properly calm voice.`\ ;bg G_o1bR,26 ld r,$ROS_majimeA1,24 ;「………真里亞は、そんなにも薔薇が見たいのね…？」@ `".........Maria, do you really want to see the rose that much...?"`@ br ld l,$MAR_KomaruA1,26 ;　真里亞は、うーうー唸りながら、何度も首を縦に振る。\ `Maria nodded her head several times, moaning uu-uu-.`\ ld r,$ROS_ikariA3,80 ;「…どうしてそんなに薔薇が見たいの？@　お母さんが聞いてあげるから、静かに話して？@　叫んだら殴るわよ。」@ `"...Why do you want to see the rose that much?`@` I'll listen as your mother, so will you tell me quietly?`@` I'll hit you if you scream."`@ ld l,$MAR_fukigenA1,80 ;「…………真里亞の薔薇…。@ベアトリーチェに蘇らせてもらったの。@……また折れちゃってるかも…。@…真里亞はそれが心配…。@確かめないと眠れない…。」\ `"............Maria's rose...`@` Beatrice revived it.`@` ......It might have broken again...`@`...Maria's worried about that...`@` Can't sleep until she makes sure..."`\ ld r,$ROS_NayamuA1,80 ;　どうやら、昨日、目印をつけた薔薇についてまだ騒いでるらしい。@ `In any event, it seemed that she was still upset about that marked rose from yesterday.`@ br ;　楼座は再び頭痛が疼くのを感じたが、@とりあえず真里亞が叫ぶのだけはやめてくれたので、一安心する。\ `Rosa felt her headache throbbing again,`@` but she was at least a little relieved that Maria had now stopped her screaming.`\ ld r,$ROS_KomaruA4,80 ;「とにかく、今はみんな大変なの。@だからママたちに迷惑を掛けないで。@……薔薇の話は、明日、雨が上がったら好きにしていいから。@だから今は聞き分けなさい…！」@ `"Anyways, everyone is having a hard time right now.`@` So don't bother Mama and everyone else.`@` ......You can worry about that rose all you want tomorrow, when it stops raining.`@` So for now, listen to me...!"`@ ld l,$MAR_SakebuA1,80 ;「やだ。@…やだやだやだやだ。@真里亞のベアトリーチェの薔薇…。@…ううぅ…、うーうー。@うわあああぁあああああぁあッ！！」\ `"No.`@` ...No no no no.`@` Maria's Beatrice's rose...`@`...uuuu..., uu-uu-.`@` Waaaaaaaaaaahh!!"`\ ;cl r,0 ;ld c,$ROS_IkariA1,24 bg black,1 ;　楼座は反射的にその口を塞ぐ。@ ;　口調を少し厳しくし過ぎたので、また興奮してしまったのだ…。@ `Rosa reflexively covered Maria's mouth.`@ `She had spoken a little too harshly, and had gotten her agitated again...`@ br ;　それが半ば自分のせいであることを自覚し、楼座は自己嫌悪の意味で舌打ちをする。@ `Rosa realized that it was partly her own fault and clicked her tongue in self-hatred.`@ br ;　しかし真里亞はそれが自分に対してのものだと思い、ますますに泣き声を荒げた…。\ `But Maria thought that was directed at her, and her crying grew even fiercer...`\ bg G1F_P1aR,22 ld c,$ROS_komaruA4,26 ;「…お願いだから静かにして…。@どうしたらあなたは泣き止むの？@　どうしたらあなたはママの言うことを聞いてくれるの？」\ `"...I'm begging you, be quiet...`@` What can I do to make you stop crying?`@` What should I do to make you listen to what your Mama says?"`\ ld l,$MAR_fukigenA1,80 E_B ;「………。」@ `"......"`@ br ;　ぴたりと。@真里亞が不自然なくらいに泣き止んだ。@ ;　……すると振り返り、ぽつりと言った。\ `Suddenly.`@` Maria stopped crying so fast that it seemed unnatural.`@ `......Then she turned around, and muttered.`\ ld l,$MAR_akuwaraiA1,80 ;「…………/ `"............`/ se1 26 ;真里亞の薔薇を見たら、ちゃんと明日まで静かにしてるよ。」@ `If Maria can see her rose, Maria will be quiet until tomorrow."`@ ld c,$ROS_ikariA3,80 ;「本当？」\ `"Really?"`\ ld l,$MAR_niyariA1,80 me3v 16,60 ;「うん。@…薔薇庭園に行って、真里亞の薔薇を見たら、もう大人しくする。」@ `"Yes.`@` ...If we go to the rose garden and see Maria's rose, Maria will be obedient."`@ cl c,0 ld r,$ROS_KomaruA4,23 ;「………………。」\ `"..............."`\ ld l,$MAR_WaraiA2,80 ;「本当だよ、ママ。」@ `"Really, Mama."`@ ld r,$ROS_NayamuA1,80 ;「………………………………。」\ `"........................"`\ bg black,22 fedexx 0,70,70,0,0,0,3000 dllefe 1,1 bg G_o1cR,26 ;　楼座は、この風雨の中に出掛けることさえ、@とりあえず真里亞が静かにしてくれるなら、お安い御用だと思った。\ `If it would keep Maria quiet for the time being, Rosa thought that even going out into this wind and rain would be a small price to pay.`\ bg black,22 dllefe_off ;　一応、少しだけ無用心ではないかと考えてみる。@ ;　…………しかし結局、殺人事件など何も起こっていない。\ `She thought it might be a bit reckless.`@ `............But in the end, no murder or anything of the sort had actually occurred.`\ ;　朝から起きているどたばたは全て、金蔵たちが仕組んだ茶番なのだ。@ ;　あの連鎖密室をよく考えれば、彼らの自作自演であることをこれ以上なく物語っている…。\ `All of that clamor since this morning had been a farce set up by Kinzo.`@ `If you carefully thought about that chain of closed rooms, it clearly had to all be an act...`\ mevol 1,50 mevol 2,50 bg G1F_P1aR,26 ld r,$ROS_komaruA4,24 ;「……本当に、薔薇を見たらもう大人しくする？」@ `"......Will you really listen if you get to see the rose?"`@ ld l,$MAR_DefA1,23 ;「うん。@本当だよママ。@/ `"Yes.`@` Really, Mama. `@/ ld l,$MAR_akuwaraiA2,80 ;……きひひ。」@ `......Kihihi."`@ ld r,$ROS_NayamuA1,80 ;「……………………………。」@ `"........................"`@ ld l,$MAR_fukigenA1,80 se1 6 quakey 4,400 ;「あ痛。」@ `"Ouch."`@ br ;　気持ち悪い笑い声を見逃さず、軽いゲンコツを落とす。@ ;　そして降参するかのように肩をすくめた。\ `Rosa didn't overlook that creepy laugh, and lightly hit Maria with her fist.`@ `And she shrugged, as though giving up.`\ se1 43 ld r,$ROS_komaruA4G,26 ;「……わかったわ。@一目見たら納得するのよ。@いいわね？」@ `"......Understood.`@` If it's just one look, then I'll agree.`@` Is that alright?"`@ ld l,$MAR_AkuwaraiA2,80 ;「うん、ママ。@約束する。@……きひひひひひひひひひひひひひひ。」\ `"Yes, Mama.`@` I promise.`@` ......Kihihihihihihihihihihihihihihi."`\ bg black,22 mevol 1,70 mevol 2,70 dllefe 1,1 bg G_o1cR,25 ;　楼座は銃の重みをもう一度確かめる。@ `Once again, Rosa tested the weight of her gun.`@ br ;　……大丈夫。@どうせ茶番。@ ;　殺人犯など元からこの島にはいたりしない…。\ `......It's alright.`@` It's only a farce.`@ `There was never a murderer on this island in the first place...`\ se1 56 mevol 1,50 mevol 2,50 mld r,$BUT_OdorokiA2,0 mset bgm1 40 ;■メタ視 mov %play_scene,30150 ;「くそッ、待てよ楼座叔母さん…！！@　楼座叔母さんと真里亞が……、第二の晩の犠牲者なのか？！@　くそくそくそッ、誰か気付けよ、呼び止めろ！！@　居間の親父たちや俺たちは何をしてるんだ！！」\ ;＜戦人 `"Damn it, wait, Rosa oba-san...!!`@` Are Rosa oba-san and Maria......, the sacrifices for the second twilight?!`@` Damn it damn it damn it, someone, notice them, tell them to stop!!`@` What are those guys in the living room and us kids doing?!!"`\ mld l,$BEA_DefA2,23 ;「うむ。@楼座親子の痛々しい関係に気を遣って、わざわざ話題を変えておるぞ。@そなたらも２階へ上がり、テレビを見ながら話題を変えておる。」\ `"Hmm.`@` They are being considerate of Rosa's pitiful relationship with her daughter, and are forcibly changing the subject.`@` The group you are in went up to the second floor, and are talking about something else while watching TV."`\ mld r,$BUT_KuyasigaruA1,80 ;「くそったれぇ！！/ `"You bastards!! `/ quakey 3,300 ;@　誰か気付けよ！@　一番近くにいるのは誰だよ、秀吉伯父さんか？！@　頼むよ、玄関から二人が出て行くのを気付いてくれよ、うおおおおおおおぉおおお！！」\ @`Someone, notice them!`@` Who's the closest, is it Hideyoshi oji-san?!`@` Please, notice that those two are leaving through the front door, aaaaaaaaaaaaaahhh!!"`\ mld l,$BEA_AkuwaraiA1,80 ;「届かん届かん、くっくっく！@　二人のささやかな時間を邪魔してくれるな。@ふっははははははは…！」\ `"It won't reach, it won't reach, *cackle*!`@` Don't disturb their precious time together.`@` Fuhahahahahahaha...!"`\ mcl a,0 bg G1F_R2aR,22 dllefe_off ;　秀吉は絵羽の額に手を当てながら、ずっとやさしく語りかけている。@ ;　玄関から表へ出る楼座たちの気配になど、気付きもしない。\ `Hideyoshi kept talking kindly, his hand on Eva's forehead.`@ `He didn't notice that Rosa and Maria were going outside through the front door at all.`\ bg Glob_1dR,22 ;　ならばさらに離れたロビーにいる人間たちにだって気付けるわけもない。@ ;　２階のいとこ部屋ではとてもとても…！\ `In that case, there was no way that the others in the lobby, which was even further away, would notice.`@ `And the cousins' room on the second story was even worse...!`\ mld r,$BEA_futekiA2,24 ;「そなたは何を慌てておるのか。@第一の晩にて、犯人は事故死したとの大胆な指し手にて妾を打ち破ったではないか。\ `"Why are you so panicked?`@` Didn't you defeat me with that bold move, saying that the culprit died in an accident at the first twilight?`\ mld r,$BEA_AkuwaraiA1,80 ;　…ならばもうこの島に犯人はおらぬことになるぞ…？@　くっくくくくく、何を心配する必要があるというのか…。」\ `...Doesn't that mean that there is no longer a culprit on this island...?`@` *cackle*cackle*cackle*, what is there to be so worried about...?"`\ mld l,$BUT_OdorokiA1,63 se1 27 quakex 4,400 ;「うるせえよ、白々しいんだよッ！！@/ `"Shut up, I can see right through you!! `@/ mld l,$BUT_KuyasigaruA1,80 ;　誰か引き止めろ、二人が殺されるんだッ！！@　誰か止めろォおおおおおおぉおおおおおぉ、うっをおおおおおおおおぉおおおッ！！」\ `Someone stop them, those two'll be killed!!`@` Someone, stop theeeeeeeeeeeeeeem, aaaaaaaaaaaaaahhh!!"`\ mov %play_scene,30160 textoff mendef 0 bg black,22 fedexx 0,70,70,0,0,0,4000 wait 1000 dllefe 1,1 bg rose_G1aR,2 ;■薔薇庭園 ;　……戦人の声無き叫びが、楼座たちに届くわけもない。@ `......There was no way that Battler's voiceless scream would reach Rosa or Maria.`@ br ;　二人の姿は薔薇庭園にあった。\ `The two of them could be seen in the rose garden.`\ ;　雨は相変わらずひどいが、風は少しだけ収まっているのが幸いだった。@ `The rain was still awful, but fortunately, the wind had died down a little.`@ br ;　……いや、幸いだったかはわからない。@ ;　もしも、もっとひどい風だったなら、楼座は表へ出ることを躊躇ったに違いないのだから…。\ `...No, maybe that wasn't fortunate.`@ `Because maybe, if the wind had been a little fiercer, Rosa might have hesitated to go outside...`\ bg black,4 bg rose_1aR,4 ld c,$MAR_OdorokiA1,6 ;「……うー、うー、うー…。@/ `"......Uu-, uu-, uu-...`@/ ld c,$MAR_WaraiA2,80 ;…………あった…！」\ `............Here it is...!"`\ ;　真里亞は金モールのついた自分の薔薇を見つけ、愛おしそうに眺める。@ `Maria found her own rose with the gold lace and stared at it lovingly.`@ br ;　一目見たら納得するという約束ではあったが、@下手にケチって後でまた愚図られては堪らないと、@楼座は真里亞が満足するまで、付き合うことにするのだった。\ `Rosa had accepted with the promise that Maria would only have one look at it, `@`but she didn't want Maria to complain that it hadn't been enough later on, `@`so she decided to go along with Maria until she was satisfied.`\ dllefe_off bg black,22 ;　……犯人などいないと信じているが、@もしもそれが勘違いだとしたら、自分たちは今、非常に危険な場所にいる。@ `......She believed that there wasn't a culprit,`@` but on the offchance that she was mistaken, they were now in an extremely dangerous position.`@ br ;　楼座はそれをわずかながらに自覚する。\ `Rosa realized that faintly herself.`\ ;　いざという時は、傘を放り出して銃を構える。@ ;　…楼座は無邪気に喜ぶ真里亞を尻目に、四方を用心深くうかがうのだった。\ `If things got bad, she would throw away her umbrella and ready her gun.`@ `...After glancing at Maria's innocent happiness, Rosa gazed warily in all directions.`\ se1v 22,50 bg butterfly_1a,24 wait 700 bg black,24 dllefe 1,1 bg rose_1bR,22 ;　………………………………？@ ;　……目が疲れているのだろうか。@ `.................................?`@ `......Were her eyes just tired?`@ br ;　誰もいるはずのない風雨の、そして暗黒の薔薇庭園で、何かが煌いたような気がした。\ `Even though no one should have been there, she thought she saw something glitter in the dark rose garden.`\ ;　…黄金色……？@ ;　気のせいに決まっている。@ `...Gold-colored......?`@ `It had to be her imagination.`@ br ;　楼座にはそれが、黄金の蝶が薔薇の茂みの間を舞ったように感じられたからだ…。\ `Because, to Rosa, it seemed as though gold butterflies were dancing through the rose bushes...`\ textoff bg black,5 me3v 13,0 fedexx 0,0,0,70,0,0,2000 bg G_o1cR,6 wait 2000 bg black,5 mevol 3,50 dllefe_off bg G1F_R2aR,0 ld c,$HID_KomaruA1,22 ;■絵羽たちの客室 ;「……大丈夫か、絵羽…。@…無理せんで、やっぱり南條先生を呼んで来んか…？！」\ ;＜秀吉 `"......Are you alright, Eva...?`@` ...Just take it easy...and should I call Doctor Nanjo after all...?!"`\ bg black,25 se1 21 me1v 17,60 ;「だ……、……大丈夫だから…。@……この手を離さないで……。@…お願いだから、……離さないで……。」@ ;＜絵羽 `"I......, ......I'm alright...`@`......Don't take your hand away......`@`...I'm begging you, ......don't take your hand away......"`@ br ;　絵羽の息は荒い。@ ;　額にも汗の玉が浮いている。\ `Eva was breathing wildly.`@ `Beads of sweat were appearing on her forehead.`\ ;　確かに昨夜は徹夜だし、今朝も早朝から慌しい。@体が参ってしまったとしてもおかしくない。@ `It certainly was true that she had stayed up all night last night, and that things had been rough since early this morning.`@` It wasn't odd that her body wasn't keeping up.`@ br ;　……そう理屈ではわかっていても、@この絵羽の急な発熱は、何か良くない病気の発症ではないかと疑ってしまう。\ `......Even though he understood that,`@` Hideyoshi suspected that this sudden fever was the sign of some serious illness.`\ bg G1F_R2c,0 ld r,$HID_MajimeA1,26 ;　秀吉は何度か南條を呼ぼうと提案したが、絵羽はそれを頑なに拒み、@…それより、自分の手を離さないでほしいと懇願する…。\ `Several times, Hideyoshi decided to call Doctor Nanjo, but Eva resisted firmly, `@`...pleading with him and saying that it was even more important that he didn't take his hand away...`\ ld r,$HID_komaruA1,80 ;「わかった…。@でもな、お昼になったら必ず南條先生に診てもらうんやで。@それを約束できるなら、ずっとここにいて、お前の手を握ったるからな。@こうして、ぎゅっとな。」\ `"I understand...`@` But you must have Doctor Nanjo look at you by lunchtime.`@` If you can promise me that, I'll stay here the whole time, grippin' your hand.`@` Tightly, like this."`\ ;「……ありがとう…。@……大丈夫よ…。@あなたの手の魔法で、……必ずこんな熱なんか下がっちゃうから……。」@ `"......Thank you...`@`......I'm fine...`@` The magic of your hand will definitely make this fever subside......"`@ br ;　そうは言いつつも、絵羽の呼吸は荒いままで一向に収まらない。\ `Even as she said that, Eva's harsh breathing didn't improve in the slightest.`\ bg black,25 fedexx 0,90,0,90,0,0,3000 ;!s0「……はぁ、/ ;!d400……はぁ、/ ;!d400……はぁッ…。@……離さないで、/ ;!d600…離さないで……、/ ;!d300はぁ、/ ;!d300……はあッ、@…………ぅああああああああああぁああああああッ！！」/ !s0`"......Haah, `/ !d400`......haah, `/ !d400`......haahh...`@`......Don't let go, `/ !d600`...don't let go......, `/ !d300`haah, `/ !d300`......haahh, `@`............aaaaaaaaaaaaaaaaaaaaaahhhh!!"`/ !sd\ se1v 27,100 wait 200 E_MA bg white,1 quakey 6,1200 me1v 12,70 me2v 5,70 dllefe 1,1 bg black,22 ;■ドドーン落雷。@ごろごろじゃないよ注意。@薔薇庭園 ;「だ、…………誰…？！」\ ;＜楼座 `"Wh, ............who is it...?!"`\ bg rose_1bR,0 ld r,$ROS_IkariA1G,22 ;　薔薇の茂みの向こうに、傘が動くのが見えた。@ `She saw an umbrella moving from beyond the rose bush.`@ se2 30 ld r,$ROS_ikariB2G,26 ;　楼座は傘を投げ出して銃を乱暴に構える…。@ `Rosa threw away her umbrella and wildly lifted her gun...`@ br ;　すると茂みの向こうの人影が、……姿を現した。\ `When she did, the shadow of a person beyond the bush, ......showed itself.`\ ld l,$MAR_OdorokiA1,23 ;「………うー？@　……絵羽伯母さん…………。@………？」\ ;＜真里亞 `".........Uu-?`@` ......Eva oba-san............`@`.........?"`\ bg black,23 ;ld r,$ROS_NayamuB1G,80 ;「…びっくりしたわ。@姉さんなの？@/ `"...You scared me.`@` It's you, Nee-san? `@/ ;ld r,$ROS_MajimeA1G,80 ;　…………何か御用？@　…さっきの話の続きなの？」\ `............Do you have some business?`@` ...Do you want to continue our earlier discussion?"`\ bg rose_1aR,23 ld l,$EVA_DefA1,23 ;「…………………………。@/ `"........................`@/ ld l,$EVA_akireA1,80 E_B bgm1 15 ;…えぇ、そうよぅ。@お父様の黄金の話よ。」\ ;＜絵羽 `...Yes, that's right.`@` Our discussion about Father's gold."`\ ld r,$ROS_ikariA3G,24 ;「……お願いだから真里亞の前では遠慮して。@ちゃんと約束は守ってるわよ？@　姉さんの悪巧みの邪魔はしないわ。」@ `"......Please, restrain yourself in front of Maria.`@` I will keep my promise, alright?`@` I won't get in the way of your conspiracy."`@ ld l,$EVA_AkireA2,80 ;「……………悪巧み？@　何それ。」\ `"............Conspiracy?`@` What's that?"`\ ld r,$ROS_ikariA4G,80 ;「………姉さんが何を考えていても勝手よ。@私は邪魔する気なんてない。@だから真里亞の前では許して。@私は分け前さえもらえれば充分なの。」@ `".........Whatever you're thinking, that's up to you.`@` I have no desire to get in the way.`@` So please, not in front of Maria.`@` As long as I get my share, that will be enough."`@ ld l,$EVA_WaraiA1,80 ;「分け前？@/ `"Your share? `@/ se1v 37,100 ;　ふふふふふふふ、あっはははははははははははははははは。」\ `Heheheheh, ahahahahahahahahahahahahahahahaha."`\ ;　絵羽が気色悪い声で笑い始める…。@ ;　楼座はぎょっとするが、真里亞はきょとんとしている。\ `Eva started laughing in a creepy voice...`@ `Rosa was startled, but Maria stared blankly.`\ bg black,22 dllefe_off bg black,80 ;　………そして真里亞は一言、言った。\ `.........Then Maria said just one thing.`\ fede 1,2000 dllefe 1,1 bg rose_1bR,24 ld c,$MAR_fukigenA1,23 ;「………うー……？@　…………おばさん、/ ;!d800…………誰…？」\ ;＜真里亞 `".........Uu-......?`@` ............Oba-san, `/ !d800`............who are you...?"`\ bg black,22 E_MA se1 37 ;「はははははは、あっはっははははははははははははははははッ！！/ `"Hahahahahaha, ahhahhahahahahahahahahahahahahahahaha!! `/ se2v 37,100 quakey 3,300 ;@　分け前ぇ？！@　誰がお前にやるものか…！@　あれは全て私のもの！@　この黄金の魔女、ベアトリーチェのものよッ…！！！」\ @`Your share?!`@` Who would give that to you...?!`@` All of that is mine!`@` It all belongs to me, the Golden Witch, Beatrice...!!!"`\ se1v 27,100 wait 200 bg white,1 quakey 6,1200 me1v 17,100 bg black,22 dllefe_off bg G1F_R2bR,22 ;■絵羽たちの客室 ;「うあああああああぁあああああぁッぁぁぁぁっ…ッ！」/ `"Waaaaaaaaaaaaaaaaaaaaaaa-...!"`/ quakex 3,300 @ ld c,$HID_KomaruA2,24 ;「絵羽、大丈夫か絵羽！/ `"Eva! Are you alright, Eva?! `/ quakey 3,300 ;@　絵羽っ！@　絵羽！！」@ @`Eva!`@` Eva!!"`@ ;「握っていて…！！@　離さないでッ！！@　私が私じゃない誰かに連れ去られないように…！！@　私の手を握っていて…。@離さないでぇええええぇ…ッ！！！」\ `"Hold on...!!`@` Don't let go!!`@` It's like I'm being taken away by someone who isn't me...!!`@` Hold on to my hand...`@` Don't let goooooooooooooo...!!!"`\ se1v 27,100 wait 200 bg white,1 quakey 6,1200 ;bg black,22 dllefe 1,1 bg rose_1aR,0 ld c,$EV2_odorokiA2,2 ;ld c,$EV2_FukigenA2,99,2000,"breakup.dll/llp" ;mov %play_scene,30150 E_A bgm1v 61,100 ;■ドドーン落雷。@薔薇庭園。@稲光が終わると…魔女絵羽の姿が…。@ ;「お前が何を努力したの？！@　何も努力してない！@　いつも私たちの影に隠れてのらりくらり！@　いつも戦わずに影から影へと逃げ回っていたお前に、@右代宮家の黄金を無心する資格など本当にあると思っているの…？！\ `"When did you ever work hard?!`@` You never worked hard for anything!`@` You were always hiding in our shadows!`@` You always escaped from shadow to shadow without fighting, `@`and yet, you really think yourself qualified to ask me for the Ushiromiya family gold...?!`\ ld c,$EV2_ikariA2,80 ;　あれは全て私のもの！@　右代宮家当主にして新しき黄金の魔女、ベアトリーチェの名を継承した私だけのものッ！！」\ `All of that is mine!`@` It's all only mine, as the head of the Ushiromiya family and the new Golden Witch, successor to the name of Beatrice!!"`\ me1v 13,50 bg rose_1bR,0 ld r,$MAR_OdorokiA1,24 ;「………ベアトリーチェ。@/ `".........Beatrice. `@/ ld r,$MAR_WaraiA2,80 ;……………ベアトリーチェだ！！/ `............It's Beatrice!! `/ quakey 3,300 ;@　ママっ、ベアトリーチェ！」@ ;＜真里亞 @`Mama, Beatrice!"`@ br ;　真里亞が狂喜しながら母親に飛びつく。@ ;　…楼座はそれを邪険にしながら銃を高々と構えた。\ `Maria jumped at her mother in ecstasy.`@ `...Rosa treated Maria coldheartedly and raised her gun high.`\ bg rose_1aR,0 ld l,$ROS_AseruB1G,23 ;「……ね、……姉さんよね……？@　……姉さんなのよね……？」@ `"......Hey, you're Nee-san, right......?`@` ......You are Nee-san, right......?"`@ ld r,$EV2_ikariA1,24 ;「違うわ。@…私はもはや、あなたの姉であった存在ではないの。」\ `"That's wrong.`@` ...I am no longer the one who was your sister."`\ se1 30 ld l,$ROS_IkariB1G,80 ;「じゃああんた、誰なのよッ！！@　ベアトリーチェだとでも言うのッ？！@　そんなはずはない！@　あんたは１９年前に死んだのよッ！！！\ `"Then who are you?!!`@` Are you going to say that you're Beatrice?!`@` That's impossible!`@` You died 19 years ago!!!`\ me2v 5,70 ld l,$ROS_IkariB2G,80 ;　えぇ、確かに死んでいたわ、だって私、あなたの頭が割れているところをはっきり見たもの。@その中身が溢れ出しているのを、昨日のことのように思い出せる！@/ `Yes, you were definitely dead, after all, I clearly saw that your head was smashed.`@` I can remember your insides flowing out like it was yesterday! `@/ se2 27 ;　そのあんたがどうして生きててここに居るのよぉおおおおッ？！？！」/ `How could you be alive and right here noooooooooow?!?!"`/ quakey 3,300 \ ld r,$EV2_fukigenA1,80 ;「黄金の魔女に死の概念などないの。@黄金の魔女とベアトリーチェの名は永遠に受け継がれてゆくわ。\ `"The concept of death does not exist to a Golden Witch.`@` The Golden Witch and the name of Beatrice will be handed down for all eternity.`\ ld r,$EV2_niramuA2,80 ;　お前が知っていたベアトリーチェは死を迎えたかもしれないが、今やそれは私の名である…！@　ゆえに無限！@/ `Maybe the Beatrice you knew met with death, but that name is mine now...!`@` Because it is eternal! `@/ se3 27 ;　ベアトリーチェに死の概念はないのッ！！」/ `The concept of death does not exist for Beatrice!!"`/ quakey 5,400 \ ld l,$ROS_ikariB4G,80 ;「………あの黄金に、気が触れたとしか思えない。@……憐れね、姉さん…！」\ `".........All I see is that you've gone mad because of that gold.`@` ......How pitiful, Nee-san...!"`\ bg rose_1bR,0 ld c,$EV2_fukigenA1,24 ;「もはや私はお前の姉ではないというのに。@……さて、新しきベアトリーチェとして、自らの復活の儀式を引き継ぐわ。\ `"You know I'm not your sister anymore.`@` ......Well then, as the new Beatrice, I have been tasked with my own resurrection ceremony.`\ ld c,$EV2_ikariA1,80 ;　………ロノウェ！@　私はどうすればいいの？！」\ `.........Ronove!`@` What should I do?!"`\ se1 52 ld l,$RON_akuwaraiA1,99,1500,"breakup.dll/lrp" ;「ご随意のままに。@もはやベアトリーチェさまには、どのような思い通りをも実現できる力がおありです。@少し扱えば慣れるでしょう。」\ ;＜ロノウェ `"That is up to you.`@` Beatrice-sama already has the power to make whatever she thinks reality.`@` You should grow used to it if you use it a little."`\ ld c,$Ev2_fukigenA2,80 ;「……不甲斐なき元妹よ。@私が魔女として初めて奉げる最初の生贄に選ばれたことを、光栄に思うがいい。@第二の晩に、寄り添う二人を、私がこの手で引き裂く…！！」\ `"......You worthless former sister.`@` You should consider it an honor to have been selected as the first sacrifice I offer as a witch.`@` At the second twilight, I'll tear the two who are close apart with my own hands...!!"`\ ;dllefe_off ;bg white,22 ;bg black,0 ;lsp 901,rose_1aR,0,0 ;mld r,$ROS_IkariB1G,0 ;mld l,$EV2_AkuwaraiA3,22 textoff E_A se1v 27,100 wait 800 bgm1 74 bg white,1 bg black,42 ;　新しきベアトリーチェが、最初に願った、@……いや、最初に使おうと思った魔法は、人として制約を超えることだった。@ `The first thing the new Beatrice wished,`@` ......no, the first magic she tried to use, was to surpass the limitations given to humans.`@ br ;　…それは重力。@ `...In particular, gravity.`@ br ;　その束縛から解放されることで、自らが魔女になった自覚を得たいと思ったのだ。\ `She wanted to become fully aware of her transformation into a witch by being released from those shackles.`\ ;mld r,$ROS_AseruA1G,80 ;for %Free1 = 1 to 50 ;resettimer ;msp 901,0,2 ;print 1 ;waittimer 20 ;next ;for %Free1 = 1 to 30 ;resettimer ;msp 901,0,5 ;print 1 ;waittimer 20 ;next ;for %Free1 = 1 to 10 ;resettimer ;msp 901,0,8 ;print 1 ;waittimer 10 ;next ;csp -1 ;bg white,2 ;bg sky_3a,0 ;ld r,$ROS_AseruA1,0 ;ld l,$EV2_AkuwaraiA3,22 ld r,$ROS_odorokiA1G,0 ld l,$EV2_fukigenA2,22 ;　魔女と楼座の二人をそのままに。@ `As the witch and Rosa stayed as they were...`@ br ;　……大地だけが眼下に遠退いていく。@ ;　今や二人の足は大地に付いてはいない。\ `......The ground retreated all by itself, into the distance below them.`@ `By now, their feet were no longer attached to the ground.`\ se1v 22,90 cl a,0 bg white,22 bg sky_3a,0 ld r,$ROS_aseruA1G,0 ld l,$EV2_fukigenA2,42 me1v 16,70 ;　楼座はようやく、大地が眼下に遠退いたのではなく、@自らと魔女が雨天の空へ吸い上げられたのだと知る。\ `Rosa finally realized that the ground wasn't retreating into the distance below them, `@`but that she and the witch were being sucked up into the rainy sky.`\ ld r,$ROS_OdorokiA1,25 se2 39 ;「…………ぇ…？@　……………ひッ…？！」@ ;＜楼座 `"............huh...?`@` ...............Eeeek...?!"`@ ld l,$EV2_AkuwaraiA4,80 ;「お、………おおおおおおおおぉ……。すごい……！」\ ;＜魔女絵羽 `"Wh, .........whoooooooooaaaa...... Awesome......!"`\ textoff se1v 22,100 bfly1 10 ;　重力によって束縛された人間にとって、足が大地に付かないことは、この上なく不安なこと。@ `For a human shackled to the ground by gravity, there is nothing more unnerving that having their feet stop sticking to the ground.`@ br ;　……しかし、新しき魔女として重力から解放される喜びを知ったベアトリーチェは、@歓喜に全身を震わせる。\ `......However, to Beatrice, who knew the joy of being released from gravity as the new witch,`@` it was enough to cause her whole body to shake with delight.`\ ld l,$EV2_waraiA1,80 me2v 5,90 ;「……ねぇ、楼座。@昔、小さい頃、魔女になって空が飛べたらなって話したことあるの、覚えてる？@/ `"......Hey, Rosa.`@` Do you remember, long ago, when we were small, when we used to talk about what it'd be like to become witches and fly around the sky? `@/ ld l,$EV2_AkuwaraiA5,80 se3v 27,100 se1v 37,100 ;　……叶ったよ？@　私が本当の魔女になって叶えてあげたわ。」\ `......That dream has been granted, right?`@` I became a real witch and granted it for you."`\ ld r,$ROS_aseruA1,80 ;「や、…………やめてよ、………夢なら醒めて……。」@ `"S, ............stop it, .........wake me from this dream......"`@ ld l,$EV2_WaraiA1,80 ;「あなた言ったわ。@夢の中で空を飛んだって。@そして醒めたくなかったとも言ったわ。@起こした私を恨んだともね？@/ `"You said it.`@` You said that you flew through the sky in your dream.`@` And you also said that you hadn't wanted to wake up.`@` You were even mad at me since I had woken you up, right? `@/ ld l,$EV2_AkuwaraiA4,80 ;……安心して。@今度は醒めないわよ？@/ `......Don't worry.`@` This time, you won't wake up, alright? `@/ se2v 37,100 ;　ふっふふふふふふふふふふふふ！！」\ `Heheheheheheheheheheheheh!!"`\ textoff se1v 27,100 wait 500 bgmvol 90 me3v 14,80 bg white,1 dllefe 1,1 bg sky_3a,22 ;　さぁ、私と雨天の大空を踊ろう。@ `Come, dance with me in the vast, rainy sky.`@ br ;　狭くて退屈な六軒島から、うみねこのように飛び立って空に逃れたいと、@私たちは共に願ったんじゃなかったっけ…？\ `Didn't we both wish we could fly like seagulls in the sky,`@` and escape the narrow and boring island of Rokkenjima...?`\ ;　その夢を、今、私が叶えてあげるの。@ `Now, I'll make that dream a reality for you.`@ br ;　だからこの喜びを、他の誰でもない、あなたと共有したい…！\ `Because I only want to share this joy with you, and no one else...!`\ se2 22 ld c,$EV2_AkuwaraiA5,28 se3v 37,100 ;「あっはははッあっはははははッ！！/ `"Ahhahaha ahhahahahaha!! `/ quakex 3,300 ;@　楽しいね楼座、楽しいねッ！！/ @`It's so fun, Rosa, it's so fun!! `/ se1v 37,100 quakey 3,300 @/ ld c,$EV2_akuwaraiA2,80 ;　見てご覧、眼下を！@　私たちのお屋敷ってあんなにも小さいわ。@あんな小さな場所で、私たちはどれほどの長い時を過ごしたのかしら。@…その狭さとちっぽけさに、今こそ本当に呆れるわ。\ `Take a look, below you!`@` Look at how small our mansion is.`@` I wonder how much time we spent in a place that small.`@` ...Now I'm especially shocked at how narrow and tiny it is.`\ textoff se2v 27,100 wait 500 mbg white,1 ld c,$EV2_akuwaraiA2,0 mcbg 2 ld c,$EV2_AkuwaraiA5,80 ;　だからこそ感じて。@楽しんで。@喜んで…！@　私たちが憧れた、大空を自由にする力を！@　さぁ踊ろうよ楼座！@　雨の中を、風の中を！@　私たちは踊るように飛び回ろう！@/ `So feel.`@` Enjoy.`@` Rejoice...!`@` That power we yearned for, the power to move through the sky at will!`@` Come on, let's dance, Rosa!`@` Through the rain, through the wind!`@` Let's fly around like we're dancing! `@/ se1 27 ;　稲光が私たちを照らして祝福してくれるわ！！@/ `The lightning will shine on us and bless us!! `@/ se2v 37,100 ;　あっははははははははははははははははははッ！！」\ `Ahhahahahahahahahahahahahahahahahahahaha!!"`\ me4v 13,90 me5v 18,90 cbfly 0 bg black,22 dllefe_off ;　魔女と楼座は、まるで旋風の中を舞う木の葉のよう。@ ;　雨粒の拍手を全身に受けながら、時に稲光に照らされ、大地から解放された喜びに打ち震える。@ `The witch and Rosa were like leaves fluttering around in a whirlwind.`@ `As the rain pounded upon every part of their bodies, as the lightning occasionally shone upon them, they shook with the joy of being released from the ground.`@ br ;　…もっともそれは魔女だけの話。@ ;　楼座は自らの頭を抱え込み、声無き叫びを上げ続けていた。\ `...However, it was only that way for the witch.`@ `Rosa was holding onto her head, voicelessly screaming over and over.`\ dllefe 1,1 bfly1 0 bg sky_3a,22 ;「やめてぇえええぇぇえぇ！！/ `"Stop iiiiiiiiiiiiiitt!! `/ se3 27 quakex 3,300 ;@　許してぇええぇ、私を下へ下ろしてええぇ！！」/ @`Forgive meeeeee, let me doooooooown!!"`/ quakey 3,300 \ se1 22 ld r,$EV2_fukigenA1,25 ;「……そうね、ニンゲンは大地を這うのがお似合いね。@なら地上にお帰りなさい？」\ `"......You're right, it's more fitting for humans to crawl on the ground.`@` Then why not go back there?"`\ ;　自分と同じ喜びを共有してくれないことに、魔女は少しだけ不愉快の表情を浮かべる。@ ;　そして、元妹の願いを聞いてやることにした。\ `A slightly displeased expression rose to the witch's face when she realized that her own joy was not being shared.`@ `Then, she decided to listen to her former sister's request.`\ cbfly 0 bg black,14,200 ;「…………ッ？！@/ `"............?! `@/ se2 27 ;　………ぁあぁぁぁぁぁぁぁぁあああああああああ！！」@ `.........Aaaaaaaaaaaaaaaaaaaaaahhhhh!!"`@ br ;　楼座を舞わせていた旋風が弱まり、そして止む。\ `The whirlwind that had been making Rosa dance around grew weaker, then stopped.`\ ;　それはつまり、楼座がニンゲンとしての重力の制約に再び縛られたということ。@ `In other words, Rosa was once again bound by the restrictions of gravity, as a human.`@ br ;　……本来の正しい法則に従い、楼座は真っ逆さまに大地へ降りていく。@いや、落ちていく。\ `......Following the laws that were originally correct, Rosa began to descend towards the ground upside-down.`@` No, she began to fall.`\ bg sky_3a,0 ld c,$EV2_akuwaraiA1,26 ;「いけない…。@/ `"Oops... `@/ ld c,$EV2_akuWaraiA5,80 se3v 37,100 ;そうか、ちゃんと下ろしてあげないと、こういうことになるのね！」@ `That's right, if I don't take her down the right way, this is what happens!"`@ br ;　魔女は楼座を墜落させるつもりなどなかった。@ ;　しかし、まだ魔法の使い方に慣れていなかったのだ。\ `The witch hadn't intended to send Rosa plummeting.`@ `But she still wasn't used to using magic.`\ textoff bg black,2 dllefe_off bg black,80 E_MA ;monocro #ff0000 ;bg white,18,1000,"bmp\efe\blood_2a_efe.bmp" ;monocro off se1v 2,100 se2v 27,100 se3v 1100,100 bg blood_1a,1 quakey 5,1000 ;　薔薇の茂みに１００ｍ近くから墜落した楼座は、@とてもとても当然の結果として、即座に絶命した。\ `After plummeting about 100 meters into a rose bush,`@` as a very, very natural result, Rosa died instantly.`\ me1v 13,70 dllefe 1,1 bg rose_1aR,22 ;　しかし魔女に殺すつもりはなかった。@ ;　だから死ぬなと念じた。@ `But the witch hadn't intended to kill her.`@ `So she wished that Rosa didn't die.`@ se1v 22,100 bfly1 10 br ;　すると楼座の体に黄金蝶たちが纏わり付いて、その命を望んだ通りに蘇らせる。\ `When she did, gold butterflies coiled about Rosa's body, reviving that life just as the witch had wished.`\ cbfly 0 bg white,22 bg blood_2e,22 ;　放射状に鮮血の絨毯を敷いたはずの楼座の体が、みるみる元に戻っていく。@ `Rosa's body, which should have been spread out like a carpet of fresh blood, rapidly returned to normal.`@ se2v 38,80 bg blood_2c,22 br ;　折れたりひしゃげたりした骨が元に戻っていく。@ `The broken and crushed bones returned to normal.`@ se3v 38,90 bg blood_2a,22 ;　裂けたり潰れたりした肉が元に戻っていく。\ `The torn and smashed flesh returned to normal.`\ se1v 38,100 bg black,22 ;　……世の中、壊すことがどれほど簡単で、直すことがどれほど困難なことか。@ `......How easy it is to break things in this world, and how difficult it is to fix them...`@ br ;　命を奪うことなんて、誰にでもできる。\ `Anyone can take a life.`\ ;　でも、失った命をよみがえらせることなんて、ニンゲンには誰にもできない！@　その不可逆を超えたことは即ち、ニンゲンを超えたことの証明。@ `But no human can revive a lost life!`@` By surpassing the irreversable, one proves that they have surpassed humans.`@ br ;　……それはきっと、空を飛べたことよりもはるかにはるかに、自身が魔女になったことを彼女に実感させるのだ。\ `......This surely gave her a much, much greater realization that she was a witch than flying through the sky had.`\ me2v 5,90 dllefe 1,1 bg sky_3a,22 ld r,$EV2_AkuwaraiA4,25 ;「………すごい…。@/ `".........Awesome... `@/ se1v 37,100 ;死んだ命をも、……私は蘇らせられるの……！」\ `I can even revive, ......an ended life......!"`\ se2 52 ld l,$RON_WaraiA2,99,1500,"breakup.dll/lrp" ;「もちろんですとも。@ベアトリーチェさまはすでに無限の魔女であらせられますよ。@/ `"Of course.`@` Beatrice-sama is the Endless Witch. `@/ ld l,$RON_DefA1,80 ;……生きることも死すことも。@生かすことも殺すことも、全ては無限に繰り返される。@その輪廻を支配する女王こそが、無限の魔女であられるベアトリーチェさまなのです。」\ ;＜ロノウェ `......To live and to die.`@` To bring to life and to kill, all of it repeated endlessly.`@` Beatrice-sama, the Endless Witch, is the queen who controls the cycle of life and death."`\ ld r,$EV2_AkuwaraiA2,80 ;「あはは、あは。@金魚鉢を落としたことがあるわ。@涼しげな美しい鉢が割れてしまって、二度と元に戻らなかった。@床に叩き付けられた可愛い出目金は二度と泳ぐ姿を見せてくれなかった。\ `"Ahaha, aha.`@` One time, I dropped a fishbowl.`@` The fragile and beautiful bowl broke, and I couldn't put it back together again.`@` I would never see that cute pop-eyed goldfish swim again after it landed on the floor.`\ ld r,$EV2_HohoemiA2,80 ;　………私がいくら泣いても使用人たちは、壊れたものと死んだものは蘇らせないと首を横に振ったっけ。\ `.........No matter how much I cried, the servants shook their heads, saying that broken things and dead things could never be revived.`\ ld r,$EV2_tokuiA1,80 ;　…あの時、学んだのよね。@モノは壊しちゃいけない、ヒトは殺しちゃいけないって。@/ `...At that time, I learned something.`@` You must not break things, you must not kill people. `@/ se1v 37,100 ;だって、直せないんだもん！！」\ `After all, you can't fix them!!"`\ me3v 16,80 bg black,22 mono off ;「じゃあ、直せるなら、/ ;!d900……壊しても怒られないということでしょ…？@　はは、あはははは、………すごい…。@すごいすごいすごい…！！@/ `"So, if you can fix them, `/ !d900`......then you won't get in trouble for breaking them, right...?`@` Haha, ahahahaha, .........awesome...`@` Awesome, awesome, awesome...!! `@/ se2v 37,100 ;　あっはははははははあははははははあっははっはっはっははッ！！」\ `Ahhahahahahahahaahahahahahahaahhahahhahhahhahhaha!!"`\ se3v 27,100 wait 500 bg white,1 bg sky_3a,2 ;　魔女はしばらくの間、自らが受け継いだ力の恐ろしさと素晴らしさに酔いしれた。@ `For a while, the witch became intoxicated with how terrible and wonderful the power she had succeeded was.`@ br ;　その笑いは無垢で無邪気で、そして残酷。\ `Her laugh was pure, innocent, and also cruel.`\ bg black,25 fede 10,2000 bg rose_1bR,25 me1v 12,70 ;「………うううぅ、……ぁぅ……。」@ ;＜楼座 `".........Uuuuuu, ......au......"`@ br ;　楼座は蘇ったとは言え、墜落の痛みに苦悶の声をあげていた。@ ;　そこへ魔女は降り立ち手を差し出す。\ `Even though Rosa had been revived, she let out a cry of anguish at the pain from her fall.`@ `At that point, the witch landed and held out her hand.`\ ld c,$EV2_AkuwaraiA5,25 ;「ははははははは、済まないわね楼座。@空を飛ぶのがこんなに楽しいとは思わなかったわ。@ごめんなさい、本当にごめんなさい。\ `"Hahahahahahaha, sorry about that, Rosa.`@` I didn't think flying in the sky would be so much fun.`@` Sorry, I'm really sorry.`\ ld c,$EV2_AkuwaraiA4,80 ;　そしてニンゲンがこんなに脆く死ぬとも知らなかったの。@でも生き返らせてあげたからもう平気。@だから起きて？@　私ともっと遊びましょう？@/ `And I didn't know that humans could die so easily.`@` But I've brought you back to life, so we're even.`@` So get up, okay?`@` Play with me some more, okay? `@/ se1v 37,100 ;　くすくす、うふふあははははははははははははははははは！！」/ `*giggle*giggle*, ehehehaahahahahahahahahahahahahahahahaha!!"`/ quakey 3,300 \ bg black,22 dllefe_off ;　あなたは子どもの頃、どんな夢を私に語ってくれたっけ…？@　遠慮せずにその全てを教えて御覧なさい。@ `What were those dreams you told me about when you were a kid...?`@` Go ahead and tell me about all of them without holding back.`@ br ;　今の私には、それがどんなに荒唐無稽なことであっても叶えてあげられる…！\ `As I am now, I can make anything come true, no matter how absurd...!`\ ;　あなたをゼリーの海で溺れさせてあげることも！@　ケーキの山で飲み込んであげることも！@　蝶の羽を生やしてお庭を散歩させてあげることさえね？！@ `Even making you fall into a sea of jelly!`@` Even having you get sucked into a mountain of cake!`@` I can even even make you sprout butterfly wings and let you walk around the garden, okay?!`@ br ;　順番に叶えてあげるわ、まずはゼリーの海からね…？！\ `I'll do them one after another. Let's start with the ocean of jelly, okay...?!`\ ;「や、やめて、/ `"S, stop it, `/ se1 27 ;!d800……………ふぐッ！！！」\ ;＜楼座 !d800`............urgg!!"`\ se2 20 me2v 16,80 bg white,22 monocro #ffcc88 dllefe 1,1 bg sky_3a,22 ;　楼座は再び雨天の空へ高く放り上げられる。@ ;　しかし雨天の空は雨粒ではなく、オレンジジュースの雫で満たされていた。\ `Rosa was once again thrown high into the rainy sky.`@ `However, the sky wasn't filled with raindrops, but with drops of orange juice.`\ ;　眼下を見て、楼座は目を疑う。@ ;　薔薇庭園は消え去り、パステルカラーのジグソーパズルのような大地が広がっていた。\ `When she looked down, Rosa had to doubt her eyes.`@ `The rose garden had disappeared, and the ground spread out beneath her was like a pastel-colored jigsaw puzzle.`\ bg black,25 E_MA se1v 2,100 se2v 2,100 mono 0 bg white,1 me1v 18,60 me2v 17,60 bg sea_3b,0 print 22 ;　……それは彼女が小さな頃に夢見て話した、ゼリーの海。@ `......It was from the dream she had talked about when she was young, an ocean of jelly.`@ monocro#888888 print 80 br ;　黒はコーヒーゼリー。@/ `The black part was coffee jelly. `@/ monocro #ff8888 print 80 ;　赤はイチゴ、@/ `The red was strawberry, `@/ monocro #ffff88 print 80 ;黄色はパイン、@/ `the yellow was pineapple, `@/ monocro #88ff88 print 80 ;緑はメロン。@ `the green was melon.`@ monocro #ffffff print 80 ;　白は何だろう、リンゴかしら…？\ `What was the white part, apple...?`\ ;　………そんなこと、楼座に思考する余地があったのかどうか。@ `.........Did Rosa even have the time to think something like that?`@ br ;　楼座はその色とりどりの海に目掛けて墜落していく。\ `Rosa fell towards that multi-colored ocean.`\ bg black,22 dllefe_off me3v 16,0 me4v 17,0 mevol 1,1 mevol 2,1 fedexx 30,100,100,100,100,0,5000 ;　……そして紫色のグレープ味の海に深々と沈んだ。\ `......And sunk deep into the purple grape-flavored ocean.`\ E_MA bgmvol 90 se1v 27,100 se2v 2,100 se3v 2,100 mono 0 bg white,1 monocro #ff88ff bg aqu_i2b,2 ;　それは本当にゼリーの海。@底などない。@ `It really was an ocean of jelly.`@` It had no bottom.`@ br ;　楼座は沈みながら、グレープゼリーの海の中を泳ぐ透明な魚の群を呆然と見ていた。@ ;　それは多分、葡萄の果肉で出来ているに違いない。\ `As Rosa sank, she was shocked to see a school of transparent fish swimming through the grape jelly ocean.`@ `They were probably made of grape skin.`\ bg black,22 mono 0 ;　そしてどこまでもどこまでも深く深く沈んで行き、マリアナ海溝くらい沈んで行き、@……ゼリーの海の水圧でぎゅうぎゅうに押し潰されて、/ `Then she sunk on and on, deeper and deeper, as deep as the Marianas Trench,`@` ......crushed by the water pressure of the jelly ocean, `/ se1v 38,100 ;肋骨がぱきぽき、背骨がばきぼき。@ `as her ribs snapped, as her spine snapped.`@ br bg blood_1b,22 ;　…最後は小ちゃなぐずぐずの肉団子になってしまった。\ `...In the end, she had become a small, frail meatball.`\ textoff se1v 37,100 se2v 37,100 wait 2000 dllefe 1,1 bg rose_1bR,0 ld c,$EV2_AkuwaraiA5,1 se3v 37,100 ;「あっはははははははははッ！/ `"Ahhahahahahahahahaha! `/ quakey 3,300 @/ ld c,$EV2_AkuwaraiA4,80 ;　ゼリーの海で溺れ死ねるなんて、本当に素敵な体験よね…！！@　誰にも真似できない夢！@　私が叶えてあげたッ、あっひゃひゃひゃひゃ！！」\ `What a truly wonderful experience, to drown to death in an ocean of jelly...!!`@` It's a dream no one else can imitate!!`@` I have made it come true for you, ahhyahyahyahya!!"`\ bg black,25 bg sky_3a,22 se1 47 ;　楼座だった肉団子は、私が指を鳴らすと瞬時に大空へ打ち上げられる。\ `The instant I snapped my fingers, the meatball that had been Rosa was launched up into the sky.`\ textoff se2v 22,100 bfly2 30 bfly1r 31 cbfly 0 bg white,28 bg sky_3a,2 ;ld c,$ROS_IkariA1,22 ;　そして黄金色の輝きに包まれた後は、再び元の姿に戻っていた。@ `And after being wrapped up in a golden sparkle, she returned to her original form.`@ br ;　乾燥ワカメを元の姿に戻すのと同じくらいに簡単お手軽、誰でもできる。@魔女になら！\ ;　放心する楼座のその表情は多分、@子どもの頃に見た、叶わぬと諦めていた夢が現実となったことへの喜びによるものに違いない。@きっと。多分。\ `It was as simple and easy as returning dried seaweed to its original form, and anyone could do it.`@` If they were a witch!`\ `That absent-minded look on Rosa's face has to be because of the joy from having that dream she had given up on as a child made into reality.`@` Definitely. Probably.`\ me1v 17,70 bg black,25 ;　次はケーキの山。@ ;　空が瞬時に覆われ、白と黒のチェス模様になった。@ `Next is the mountain of cake.`@ `In an instant, the sky was covered, and became black and white in the shape of a chessboard.`@ br ;　透き通るような白は、大好きなレアチーズケーキ。@ ;　上品な黒は、ほんのりビターなガトーショコラ。\ `That almost transparent white part was her favorite rare cheesecake.`@ `The elegant black part was a slightly bitter Gateau au chocolat.`\ ;　それが天井となって、山となって、……数億個のケーキが楼座目掛けて振り落ちてくる。@ `That became the ceiling, became a mountain, ......several billion cakes were thrown down towards Rosa.`@ br ;　そのケーキの山はきっと、積み上げればエベレストより高い。@ `If you piled those cakes up, they would surely be taller than Mount Everest.`@ br ;　だから重さは多分、@………よくわからないけど、日本中のケーキを全部合わせたよりは重いと思う。\ `So they probably weighed,`@` .........I'm not too sure, but it was probably heavier than all the cakes across Japan put together.`\ mevol 1,1 me2v 16,0 me3v 14,0 me4v 17,0 fedexx 30,100,100,100,100,0,5000 wait 2000 E_MA bgmvol 90 se1v 36,100 se2v 2,100 se3v 27,100 bg white,1 bg blood_1a,42 ;　それが落ち来る天井として楼座を飲み込んだのだから、/ ;!d900……とてもとても当然の結果として、楼座は圧死した。@ `It fell down like a ceiling and swallowed Rosa up, `/ !d900`......so as a very, very natural result, Rosa was crushed to death.`@ br ;　１秒にも満たないわずかの時間で、@全身の骨が砕けて内臓が全て潰れてはみ出して、/ `In less than a second, `@`her bones broke throughout her body and her insides were all smashed and forced out, `/ se2v 38,100 ;ぷちゃぐちゃぶちゃあ。\ `*squish*pop*slop*.`\ se1v 2,100 se3v 36,70 bg blood_1aR,1 quakey 6,1000 ;　それでもなおすごい数のケーキが積み上がるので、@…楼座はケーキの間に挟まれたジャムの地層と成り果ててしまった。@ `Even so, an even greater number of cakes piled up on top,`@` ...and Rosa ended up as a layer of jam wedged between the cakes.`@ br ;　髪の毛程度の厚みになって、多分、テニスコートくらいの広さに潰れて広がっただろう。\ `She became as thick as a single hair, and was probably smashed out into the area of a tennis court.`\ se1v 22,100 bfly2R 31 ;　そのケーキに飲み込まれた世界が再び黄金色の輝きに飲み込まれる。\ `That world swallowed up by cake was once again absorbed by a gold flash.`\ se2v 27,100 cbfly 0 wait 500 bg white,1 me1v 13,70 dllefe 1,1 bg rose_1aR,2 ;ld r,$ROS_KomaruA2,28 ;　するとそれが夢であったとでも言うように、楼座は再び蘇っていた。\ `Then, as though it had all been a dream, Rosa was revived once again.`\ ;　……もちろん夢では断じてない。@ ;　死んだ後、再び蘇ったのだ。@ `......Of course, it definitely wasn't a dream.`@ `She had been revived after dying.`@ br ;　この時点で楼座は、ニンゲンに生まれたなら一度だけしか味わわなくていい死の経験を、@すでに二度も味わったわけだ。@ `By that point, death, which most humans only have to experience once after they are born,`@` had already been experienced repeatedly by Rosa.`@ br ;　つまり、ニンゲンには味わうこのとできない、二度の死という貴重な経験を味わったのだ。\ `In other words, she gone through that which humans cannot, the precious experience of dying more than once.`\ se1v 21,100 bg sky_3a,22 se2v 37,100 ;「あっはははははははは、きゃっはっはははははははははははははは！！/ `"Ahhahahahahahahaha, kyahhahhahahahahahahahahahahahahahaha!! `/ quakex 5,500 ;@　楽しいね楼座、楽しいねッ！@　次は蝶々だよ、ほら…！！」@ ;「も、もう許して……ッ、………ああああぁあぁッ！！」\ @`Isn't this fun, Rosa, isn't this fun?!`@` Next is the butterflies, look...!!"`@ `"P, please, have mercy......, .........aaaaaaaaaaaaaaaaahhh!!"`\ se3v 2,100 bg black,1 ;「駄目ぇ！@　もっと遊ぼうよ、もっと遊ぼう…！！@/ `"No wa-y!`@` Let's play more, let's play more...!! `@/ ;textoff se1 20 wait 800 se2 22 se3v 37,100 ;　きゃひひひはははははははははははッ！！」\ `Kyahihihihahahahahahahahahaha!!"`\ bg rose_1bR,0 ld c,$ROS_aseruA1,22 ;　許しを懇願する楼座に、無邪気に笑いながらその黄金の杖を向ける。@ ;　すると楼座は黄金色に輝きながら見る見る縮んでいく。\ `Laughing innocently, she pointed her gold staff at Rosa as she begged for mercy.`@ `When she did, Rosa glittered gold and rapidly began to shrink.`\ se1v 22,100 bg butterfly_2a,99,2000,"whirl.dll/r" ;　本当の蝶々くらいの大きさにまで縮んでいく。@ ;　そして背中には黄金の羽が生え…、黄金蝶たちの仲間に加わった。\ `She shrank down to the size of a real butterfly.`@ `Then, gold wings sprouted from her back..., and she joined her fellow gold butterflies.`\ se2v 22,100 bfly1 28 me2v 5,90 me3v 17,90 bg sky_3a,22 ;　でも、人の身には耐えられる風でも、蝶の身には辛いもの。@ `However, while a human body could withstand that wind, it was a different matter for a butterfly's body.`@ br ;　黄金蝶となった楼座は、暴風たちに次々とダンスを申し込まれては、薔薇庭園をくるくると舞い踊った。\ `The gold butterfly Rosa was invited to dance by each gale of wind, and she spun in circles around the rose garden.`\ ;「もう嫌、…嫌ぁあああああぁああああぁ！！@/ `"No, ...nooooooooooooooooooooooooooo!! `@/ se1 13 quakex 4,1000 ;　………ぁッ…、」@ `.........ah..."`@ br ;　ダンスに疲れた彼女を、やさしいベッドが受け止めてくれた。@ ;　それは東屋の屋根の影に編まれた天空の柔らかなハンモック。\ `As her dance wore her out, she was caught by a gentle bed.`@ `It was the soft, knit hammock in the shadows beneath the roof of the arbor.`\ me4v 21,70 dllefe_off cbfly 0 bg black,1 ;　…そのハンモックの主が、のっそりと姿を現し、嵐の晩に迷い込んだ珍客を出迎えた…。@ `...The owner of that hammock lumbered into view, welcoming its rare guest who had wandered in on the night of the storm...`\ br ;　手の平で握り潰せるほどの大きさのはずのその主は、@今の楼座から見れば、天蓋ベッドの屋根より大きい。\ `That owner, which should have been small enough to crush in the palm of your hand,`@` now looked as big as the top of a canopy bed to Rosa.`\ E_MA se1v 36,100 se2v 45,100 se3v 2,100 mono 2 bg white,1 ;「ぎやああああああああああああああああああぁああああああああああああああああああああああああああああぁあああああッ！！！」/ `"Gyaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!!!"`/ quakex 5,500 \ bg black,80 mono 0 me1v 13,70 dllefe 1,1 bg rose_1aR,22 ld c,$EV2_AkuwaraiA5,24 se1v 37,100 ;「きゃっはははきゃっはははははは！/ `"Kyahhahahakyahhahahahahaha! `/ quakey 3,300 ;@　ドジね、蜘蛛の巣に引っ掛かってる！@　あっははは、あっはははははは！！\ @`What a klutz, you got caught in a spider's web!`@` Ahhahaha, ahhahahahahaha!!`\ se2 27 ld c,$EV2_AkuwaraiA4,80 ;　今度は蜘蛛とダンスなのね。@懐かしいわね、蜘蛛の巣を見つけては石粒を投げつけて遊んでたの、覚えてる？@　蜘蛛って獲物をかじるんじゃなくて、@毒液を挿して、中身をどろどろのスープに溶かしてから啜るんだって聞いたことがあるわ。\ `This time, it's a dance with a spider.`@` That takes me back. Remember the times we'd find a spider's web and play around by throwing pebbles at it?`@` I've heard that spiders don't chew their prey, `@`but insert their venom, and when the insides melt into a sticky soup, they suck it out.`\ ld c,$EV2_AkuwaraiA2,80 ;　……ねぇ楼座、覚えてる？@　わざと蝶々を蜘蛛の巣に放って、どう蜘蛛が襲うか眺めて遊んでた時のこと、覚えてる？\ `......Hey, Rosa, remember?`@` Remember how we'd throw butterflies into the spider's web on purpose, and play around by seeing how the spider would attack?`\ ld c,$EV2_AkuwaraiA4,80 se1v 37,100 ;　きゃっははははははは、/ `Kyahhahahahahahaha, `/ quakex 3,300 ;覚えてないわね、あなた小学校に上がる前だったと思うもの…！！@　今度はよく見れるわよ？@　しげしげとね。@/ `you don't remember, do you? This happened before you got into grade school...!!`@` Make sure you watch closely this time, okay?`@` Very closely. `@/ se2v 37,100 ;きゃひひははははははきゃーははははははははははははははははッ！！」/ `Kyahihihahahahahahakya-hahahahahahahahahahahahahaha!!"`/ quakey 3,300 \ dllefe_off bg black,1 ;!s0「嫌ぁああああああああああああああぁあああぁあああぁ、/ ;!d800許して姉さん、/ ;!d600助けて姉さんッ！！/ !s0`"Noooooooooooooooooooooooooooooooooooooooo, `/ !d800`have mercy, Nee-san, `/ !d600`help me, Nee-san!! `/ !sd@/ me2v 21,0 se1v 34,100 fedexx 90,70,100,0,0,0,2000 wait 1000 ;　ひぃいいいいいいいい/ `Eeeeeeeeeeeeeeeekk`/ se1v 38,100 quakey 3,300 ;があああああああ/ `gaaaaaaaaaaaaaahhh`/ se2 38 quakex 3,300 ;ぎげえええ/ `errrrrrrrrkkk`/ se3v 38,90 quakey 5,300 ;ぐぽぎゃ/ `bwaagh`/ se1 38 quakex 1,100 ;わがあ/ `ahggggg`/ quakey 2,100 ;チぺるトぴヤわがぎゅギげガが・が、/ `ergorblahgehmolgeeaaarg ga, `/ ;!d800がッ…、/ ;!d600がッ……、/ ;!d1000ぎゅぼッ！！」/ !d800`ga..., `/ !d600`ga......, `/ !d1000`gyuuboh!!"`/ E_MA se1v 36,100 se2v 37,100 se3v 38,100 bg blood_1aR,1 quakex 7,1000 \ ;bg black,22 mov %play_scene,30150 textoff ;■メタ視 se1 56 bgmvol 70 mset mld r,$BEA_AkuwaraiA3,24 ;「あいつ、やるなぁ、実に自由に魔法を使いこなす！@/ `"This girl's not bad. She truly can use magic at will! `@/ se1v 37,70 ;　ひぃっひゃっはははははッくひひぇひぇひゃひゃひゃッ！！@/ `Hiihyahhahahahahakkuhihiehiehyahyahya!! `@/ mld r,$BEA_AkuwaraiA2,80 ;　面白い面白い、面白い面白いッ！@　戦人も笑えるだろぉおおぉ？！」\ ;＜ベアト `Interesting interesting, interesting interesting!`@` You feel like laughing too, right, Battleeeeeeer?!"`\ mld l,$BUT_NakuA1,23 ;「ふざけんなッ！！！/ `"Don't fuck with me!!! `/ se1v 2,100 quakey 5,500 ;@　もう止めろぉおおおおおおおぉ！！@　何が楽しいんだよ、狂ってるッ、狂ってやがるッ！！！@　こんなことをして何が楽しいってんだッ？！？！」\ ;＜戦人 @`Stop it alreadyyyyyyyyyy!!`@` What's so fun, you're insane, you're insane!!!`@` What's so fun about doing something like this?!?!"`\ mcl a,0 mld c,$BEA_futekiA1,24 ;「あんなに楽しそうじゃなぃかよォ。@無理もない、魔法は楽しいもんなぁ！！@　思い出すよ、私も魔法が使えるようになった時はすっごくはしゃいだもんさ！@　…あぁ、わかるぜわかるぜ、あのはしゃぎっぷりが心の底からわかるさ！\ `"Doesn't that just look so fun?`@` What do you expect, magic is fun!!`@` I remember, when I first became able to use magic, I played around a lot!`@` ...Aaah, I understand, I understand, I understand that play from the bottom of my heart!`\ mld c,$BEA_AkuwaraiA3,80 ;　……この喜びや感動、戦人には共感できないんだろうなァ、あぁ残念残念！！@　戦人だって、妾を認めればいつだって魔法を教えてやるぞ？！@　ニンゲンの束縛を逃れた瞬間の喜びは筆舌に尽くし難い！\ `......Looks like I won't be able to share this joy and passion with you, Battler. Aah, what a shame, what a shame!!`@` If you accept me, I'll teach you magic anytime you want, see?!`@` It's hard to describe the joy you receive in the instant you are freed from the shackles of humanity!`\ mld c,$BEA_waraiA2,80 ;　そなたに教えてやりたいよ、あの喜び、あの感動ッ！@　そなたの生み出す魔法の世界も、ぜひ一度見てみたいものだ！@/ `I want to teach you about it, that joy, that passion!`@` I de-finitely would like to see the world of magic you would give birth to, just once! `@/ se1v 37,100 ;　きっひひひっひっひ、ひゃっひゃっはははははははははは！！\ `Kihhihihihhihhi, hyahhyahhahahahahahahahahaha!!`\ mld c,$BEA_WaraiA1,80 ;　楽しくなってきただろ？@　魔法が使いたくなってきただろ？！@　魔女もなかなかに楽しいものであるぞ？！@　そなたには特別に教えてやる！@　一緒に空を飛ぶ喜びとか、一緒に海を潜る喜びとか！\ `Isn't this starting to get fun?`@` You've started wanting to use magic, haven't you?!`@` It's pretty fun to be a witch, isn't it?!`@` Just for you, I'll teach everything!`@` About the joy of flying together in the sky, about the joy of diving together through the sea!`\ mld c,$BEA_WaraiA2,80 ;　ニンゲンの制約を超えた瞬間に知る、@世界がどれほどに広かったのかという感動をそなたにも教えてやる！@　そしたら楽しいだろうなぁ、/ `I want to teach you of the passion that starts the instant you surpass the bounds of humans and see how wide your world stretches!`@` Wouldn't that be fun, `/ se2v 37,100 ;わっひゃっひゃはっはははははははははははッ！！」\ `wahhyahhyahahhahahahahahahahahahaha!!"`\ ;　ベアトの表情に邪気はなかった。@ `There was no malice in Beato's expression.`@ br ;　…信じられないことだが、この残酷なショーを、彼女は純粋に楽しんでいるのだ。@ `...It was hard to believe, but she was genuinely enjoying this cruel show.`@ br ;　そしてそれを、戦人と一緒に鑑賞しているつもりなのだ。@ ;　……その異常に、@絶望的なまでの価値観の違いに、戦人は驚愕する。\ `And she wanted to share that appreciation with Battler.`@ `......Battler was shocked by that hopelessly different measure of value.`\ dllefe_off mendef 0 bg G1F_S1aP,0 ld l,$BUT_nakuA1,23 me1v 16,60 ;「狂ってやがるッ！！@　もう止めろ畜生ォオオオォ！！@　ワルギリアッ、この狂った茶番を止めさせるんだ！！@　どうすりゃいいんだ！！」\ `"You're insane!!`@` Stop it already, damn iiiiiiiiit!!`@` Virgilia, let me stop this insane farce!!`@` What should I do!!"`\ ld r,$WAL_KomaruA1,24 ;「………私たちは盤外の存在です。@盤上には触れられません。」@ ;＜ワルギリ `".........We exist outside the board.`@` We cannot touch the board itself."`@ br ;　ワルギリアは申し訳なさそうに首を振る。@ ;　…彼女はすでに“殺された”身だ。@ ;　何の干渉もできないということなのか…。\ `Virgilia shook her head apologetically.`@ `...Her body had already been 'killed'.`@ `Did that mean she couldn't interfere in any way...?`\ bg G1F_S1cP,0 ld r,$BEA_WaraiA1,24 ;ld l,$BUT_KuyasigaruA1,23 ;　戦人は、狂ったように面白がり続けるベアトの胸倉を掴みあげて吼えた。\ `As Beatrice continued to look interested in an insane sort of way, Battler lifted her up by the collar and yelled at her.`\ ld l,$BUT_nakuA1,1 se1 13 quakex 3,300 ;「止めろ止めろ止めろぉおおおおおおぉおぉッ！！！/ `"Stop it stop it stop iiiiiiiiiiiiiiiiit!!! `/ quakey 3,300 ;@　いい加減にしろ魔女めッ！！@　あれが絵羽伯母さんだってのか？！@/ @`Quit messing around, you witch!!`@` Are you trying to tell me that's Eva oba-san?! `@/ ld l,$BUT_NakuA2,80 ;　有り得ないッ！！/ `That's impossible!! `/ quakex 3,300 ;@　俺の知ってる絵羽伯母さんは、確かに意地悪なとこも少しはあったけど、@こんな残酷なことをする人じゃ、断じてありえないッ！！\ @`While the Eva oba-san I know may be a bit mean at times,`@` it's completely impossible that she's the kind of person that would do something this cruel!!`\ ld l,$BUT_NakuA1,80 ;　全てお前のまやかしだ！！@　楼座叔母さんを弄ぶな！！@　絵羽伯母さんを弄ぶな！！@　今すぐこの茶番を止めさせろぉおおおおおおおおぉ！！」\ `This is all part of your deception!!`@` Don't toy with Rosa oba-san!!`@` Don't toy with Eva oba-san!!`@` Stop this farce right nooooooooooooooooow!!"`\ ld r,$BEA_akuwaraiA1,80 ;「だから楼座と遊んでいるのはもう妾ではないと言うに。@新しきベアトリーチェだと言うにぃ。\ `"I told you, I'm not the one playing with Rosa anymore.`@` I told you, that's the new Beatrice.`\ ld r,$BEA_waraiA2,80 ;　そんなにぎゃあぎゃあ喚くほどに残酷かぁ？@　そなたもこういうの、実は結構好きだろうが！@　実はちょっぴり魔法に興味を持ってきて、/ `Is it really so cruel that you have to squeal like that?`@` You're also pretty fond of stuff like this, aren't you?!`@` You actually have just a bit of interest in magic and, `/ wait 1200 !d900/ ld r,$BEA_odorokiA2,1 E_B se1 12 ;!s0………あ痛っ！/ !s0`.........ouch! `/ quakey 4,800 !sd ;@　な、何をする…、」\ @`Wh, what are you doing..."`\ ;　戦人は初めてベアトの頬を叩いた。\ `For the first time, Battler slapped Beato's cheek.`\ ld r,$BEA_fukigenA2,80 ;　…なぜそんなことをされるのかわからず、ベアトはきょとんとした表情を浮かべる。@ `...Beatrice didn't know why he had done something like that to her, and a surprised expression rose to her face.`@ br ;　その表情がなお許せなくて、戦人は吼え猛った。\ `Battler especially couldn't forgive that expression, and he roared.`\ E_A bgm1v 55,80 cl a,0 ld l,$BUT_NakuB1,23 ;「あああああぁ？！/ `"Aaaaaaaaaaaaaahh?! `/ se1 2 quakey 3,300 ;@　これが面白いだああッ？！@　お前の頭はどうなってんだ！！@　死ねッ！/ @`This is interesting?!`@` What's wrong with your head?!!`@` Die! `/ quakex 3,300 ;　頭を輪切りにしててめえで覗いてみろ、絶対ぇに中身がごっそり抜けてるぜッ！！！@　今すぐ止めさせろ、この悪趣味な茶番を止めさせるんだ！！@　俺はお前を許さないッ！！@　よくもこんな残酷なことをッ！！@　お前のこと、少しでも笑えるヤツだと思ったこともあったが、俺はもう二度と勘違いしないッ！@　お前はただ残酷なだけの怪物だッ！！！@　俺の前に現れるなッ！！@　二度とだ！！@　お前を認めない、お前と話さない、お前の顔など見たくもないッ！！@　聞こえたかッ！！@　俺の前に現れるな！！@　お前なんか消えてしまえええええええええぇえええええぇッ！！！」\ `Try and slice your head up into pieces and look inside, you'll definitely find that the insides have been completely removed!!!`@` Stop it right now, stop this disgusting farce!!`@` I won't forgive you!!`@` How could you do something so cruel!!`@` I've sometimes thought that you were a bit of a funny person, but I'll never make that mistake again!`@` You're just a monster who's always cruel!!!`@` Don't show yourself in front of me!!`@` Never again!!`@` I won't accept you, I won't talk with you, I don't even want to look at your face!!`@` Did you hear me?!!`@` Don't show yourself in front of me.`\ `DISAPPEEEEEEEEEEEEEEEAAARRR!!!"`\ ;■紗音シールドでバシャーンとベアトは弾き飛ばされる。@そして戦人はフェードアウトで消え去る…。@ se1v 57,100 se2v 36,100 csp -1 bg white,1 bg black,0 lsp 901,barrier,0,0 print 42 ;wait 1000 E_MA se1v 57,80 se2v 55,80 se3v 36,80 bg G1F_S1cP,0 ;mld l,$BUT_NakuB3,0 ld r,$BEA_OdorokiA1,99,3000,"breakup.dll/llB" ;mcl l,24 csp 901 print 22 ;　戦人が叫んだ刹那、魔女を拒否する力が赤い壁となってベアトを弾き飛ばし、尻餅をつかせた。\ `The instant Battler screamed, the power that resisted the witch became a red wall and knocked Beato back onto her butt.`\ ld r,$BEA_nayamuA2,80 ;「……痛ててて…。@…何だと言うのだ、面白い見物ではないかよぉ…。」\ `"......Owowowow...`@`...What are you talking about, isn't it an interesting show...?"`\ ;　言い訳めいた言葉を口にするが、その言葉の相手である戦人の姿はない。@ ;　いつの間にか、戦人の姿は闇の中に消えていた…。@ `She spoke as though making an excuse, but the person those words were directed at, Battler, was no longer there.`@ `His figure had suddenly disappeared into the darkness...`@ br ;　…だがベアトは口を尖らせながら、なおも言い訳するような言葉を続ける。\ `...But Beatrice looked displeased, and continued trying to explain herself.`\ ld r,$BEA_odorokiA2,80 ;「……そ、そりゃあ、確かにちょっとアレかなとは思うが、@…こんなの無邪気な悪戯程度であろう…？@　どう殺そうが、結局は生き返らせておるではないか。@…ニンゲンは終わりさえ良ければ何でも良い生き物ではなかったのか……？！\ `"......I, it's not like I completely don't see where you're coming from,`@` ...but this is nothing more than an innocent prank, right...?`@` No matter how she kills, that person will be brought back to life in the end, right?`@` ...Aren't humans creatures that are fine with anything as long as it ends well......?!`\ ld r,$BEA_iiwakeA2,80 ;　の、のぅ、お師匠様。@そこまでヘソを曲げられるものでもあるまいに…！」\ `H, hey, Teacher.`@` It's nothing to get so angry about, is it...?!"`\ bg black,23 bg G1F_S1bP,0 ld c,$WAL_MajimeA1,23 ;　同意を求めるが、ワルギリアは淡白な表情を向けるだけ。@ ;　…むしろ呆れ顔の方が、今のベアトにとっては幾分、マシだったかもしれない。\ `She was hoping for approval, but Virgilia simply faced her with an indifferent expression.`@ `...To Beato, at that moment, even a surprised face would probably have seemed better.`\ ld c,$WAL_ikariA1,80 ;「…………私から特に言うことはありません。@あなたが楽しいと思うなら、いつまでも見続けていると良いでしょう。@…終わったら呼びなさい。@それまで私も姿を消します。」\ ;＜ワルギリ `"............I have nothing in particular to say.`@` If you think it is fun, you can keep watching as long as you want.`@` ...Call me when it's finished.`@` I will erase my form until then."`\ se1 52 cl c,99,1500,"breakup.dll/urb" ;　戦人に続きワルギリアも闇に姿を消す…。@ `Following Battler's lead, Virgilia hid herself in the darkness...`@ br ;　ぽつんと残されたベアトは、何が何だかわからず、自分が悪者にされたような気分だった。\ `Beato, who was now completely isolated, didn't have a clue what was going on, feeling that they were making her out to be the bad guy.`\ bg black,22 bg rose_1aR,0 mld r,$BEA_NayamuA2,0 me1v 12,50 msetef 0,23 dllefe 1,1 ;「…………………………。@……何だよォ。@面白いショーじゃないかよぅ…！@　ちょ、ちょっとは悪趣味かもしれないけど、……割と面白いじゃないかよう…！！@　なぁロノウェ…？！@　あそこまで怒るほどじゃないよなぁ…？！」\ `".....................`@`......What's wro-ng?`@` Isn't it an interesting show...?!`@` I, it might be a little vulgar, ......but it's fairly interesting, isn't it...?!!`@` He-y, Ronove...?!`@` It's nothing to get so mad about, right...?!`\ mld l,$RON_waraiA2,23 ;「ぷっくっくっく。@……お嬢様の面白いが、戦人さまにも面白いとは限りませんよ。」\ `"Pu ku ku ku.`@` ......Something interesting for you, Milady, is not necessarily interesting for Battler-sama."`\ mld r,$BEA_hanbesoA1,80 ;「妾は、…そんなにも嫌われておるか？@/ `"Does he really, ...hate me that much? `@/ mld r,$BEA_odorokiA2,80 ;　……そりゃあ確かに、対戦相手だから敵同士ではあるが、@…座興を笑い合えぬほど、妾たちは不仲だというのかぁ…？！@　………戦人と一緒に拍手できたように、一緒にげらげら笑い合えると思ったのに…。@……その程度のことすら、妾は拒絶されるというのかよぉ…。\ `......Well, certainly, we are enemies and opponents in this competition, `@`...but is our relationship really so bad that we can't laugh together at this entertainment...?!`@` .........Since I applauded together with Battler, I thought I could at least laugh together with him...`@`......Does he really reject me so much that we can't even do that...?`\ mld r,$BEA_nayamuA2,80 ;　…魔女だと認めぬのはいいさ。@それを競い合うゲームなんだから。@/ `...He doesn't have to accept that I'm a witch.`@` Because we're challenging each other in this game. `@/ mld r,$BEA_HanbesoA2,80 ;でもよぉ、顔も見ない、話もしないって、@……無視はいくらなんでもないだろぉ…。@妾はそんなにも嫌われ者なのかよぉおおぉ……！」\ `But still, saying he won't look at my face, that he won't talk to me,`@` ......he'll probably do all he can to ignore me...`@` Am I really hated that muuuuuch......!"`\ mld l,$RON_akuwaraiA1,80 ;「これまで、お嬢様は充分に嫌われるだけの指し手を致しました。@悪魔の私でさえ、戦人さまの気持ちが、少しはわかろうというもの。\ `"Up until this point, you have advanced several moves that would make you hated, Milady.`@` Even a demon such as myself can slightly understand Battler-sama's feelings.`\ mld l,$RON_WaraiA2,80 ;　……それが理解できぬのは、お嬢様が特に鈍感が過ぎるのではないかと。@ぷっくくくくく。」\ `......I wonder if you cannot understand that because you are especially thickheaded, Milady?`@` Pu kukukukuku."`\ mld r,$BEA_AseruA1,80 ;「う、うるさいうるさいうるさいうるさいッ！！@　お前も消えてしまえ！！」@ `"Sh, shut up shut up shut up shut up!!`@` Why don't you disappear too?!!"`@ mld l,$RON_DefA1,80 ;「はい、畏まりました。@……それでは失礼いたします。」\ `"Yes, certainly.`@` ......Then, if you would excuse me."`\ mcl l,0 se1 52 print 99,2000,"breakup.dll/urb" ;　ロノウェまでもが闇に姿を消し、後にはベアトがたったひとり。@ `Even Ronove hid himself in the darkness, and Beatrice was left alone.`@ br ;　雨天の薔薇庭園にたったひとり。\ `The only one in the rainy rose garden.`\ ;　ひとりぼっちの魔女は、誰も遊んでくれない。@ `A lonely witch who no one would play with.`@ br ;　誰も遊んでくれないからこそ、ひとりぼっちの魔女。\ `Because no one would play with her, she was a lonely witch.`\ mld r,$BEA_nayamuA2,80 ;「…………………。@……何だよぉ。@…何で妾と誰も遊んでくれないんだよぉ…。@/ `"............`@`......What's going on?`@` ...Why won't anyone play with me...? `@/ mld r,$BEA_HanbesoA2,80 ;………そんなに妾は変かよぉ、残酷かよぉ…。@…………誰か返事しろよぉおおォ！！」\ `.........Am I really that weird, that cruel...?`@` ............Someone, answer meeeeeeeeee!!"`\ ;■薔薇庭園 me2v 5,50 mend mov %play_scene,30160 bg rose_1bR,0 ld c,$EV2_AkuwaraiA5,24 se1v 37,100 ;「きゃっははははははは、楽しいね楼座、楽しいねッ！@/ `"Kyahhahahahahahaha, isn't this fun, Rosa, isn't this fun! `@/ ld c,$EV2_AkuwaraiA2,80 ;　さぁ、次は何をして遊ぶ？@　もちろん、真里亞も一緒に遊んであげるわ？@/ `Hey, how should we play next?`@` Of course, we should play with Maria too, right? `@/ ld c,$EV2_TokuiA1,80 ;　みんなで仲良くお散歩しよう？@　煮えたぎるチョコレートの鍋を泳いで、ケーキ膨らむオーブンの中をピクニックしよう！@/ `Let's all have a friendly walk together, okay?`@` Let's swim in a pot of boiling chocolate, let's have a picnic in a cake-rising oven! `@/ se2v 37,100 ;　あははは、あきゃきゃきゃきゃきゃきゃッ！！」\ `Ahahaha, akyakyakyakyakyakya!!"`\ bg rose_G1aR,23 se1 52 ld l,$BEA_OdorokiA2,99,2000,"breakup.dll/llp" ;「………の、のう、新しきベアトリーチェ。」@ ;＜ベアト `".........H, hey, new Beatrice."`@ br ;　狂乱の宴を続ける魔女の後に、ベアトは姿を現す。\ `Behind the witch that was continuing her mad banquet, Beato showed herself.`\ ;　…その表情はとても珍しい。@ ;　何だか、遠慮するような、何とも頼りない、情けないものだった。\ `...That expression was very rare for her.`@ `It was kind of restrained, unreliable, miserable.`\ ld r,$EV2_WaraiA2,23 ;「あら、これは先代ベアトリーチェさま。@ご覧下さりましたか？@/ `"Oh, it's the predecessor Beatrice-sama.`@` Were you watching? `@/ ld r,$EV2_akuWaraiA4,80 ;　魔法の力は本当に素晴らしい！@　魔女に生まれ変わることができたことを、今ほど楽しいと思ったことはありません。@まるでいつまでも終わらぬお遊戯の時間のよう…！@　さぁ、先代さまもご一緒に遊びましょう…！！\ `The power of magic is truly wonderful!`@` Until now, I had never thought it would be so fun to be reborn as a witch.`@` It's like playtime that never ends...!`@` Come on, let's play together, Predecessor-sama...!!`\ ld r,$EV2_AkuwaraiA2,80 ;　その前にちょっとお待ちになってくださいね！@　二人はオーブンの中で焼け焦げて死んでしまったから、また蘇らさないと！@/ `But first, wait for a second, okay?!`@` The two of them were cooked to death in the oven, so I have to revive them again! `@/ ld r,$EV2_AkuwaraiA5,80 ;　まるでイーストで膨れるパンみたいに！@　オーブンの中で膨れるクッキーみたいに！@/ ;　きゃっきゃっきゃっきゃッ！！」/ `They're like bread rising because of yeast!`@` Like cookies expanding in an oven! `@/ `Kyakkyakkyakkya!!"`/ se1v 37,100 quakey 3,300 \ ld l,$BEA_fukigenA2,80 ;「は、話を聞けというのに…。@/ `"L, listen to what I'm saying...`@/ ld l,$BEA_iiwakeA1,80 ;……そのだな。@第二の晩の生贄には、もう充分であろう？@　…確かに殺し方については指定がないが、@その、@……それ以上を弄ぶことはあるまいに…。」\ ;＜ベアト `......Umm, well, `@`isn't that enough for the sacrifice of the second twilight?`@` ...Of course, it isn't specified how you kill them, but,`@` umm, `@`......maybe you shouldn't toy with them any more than that..."`\ ld r,$EV2_waraiA1,80 ;「何を仰います先代さま。@さっきロノウェから聞きましたよ？@　先代さまの魔法はもっともっと素敵で残酷で狂っていたってッ！\ `"What are you saying, Predecessor-sama?`@` I heard from Ronove a short while ago.`@` Wasn't your magic much, much more wonderful, cruel, and insane!`\ ld r,$EV2_tokuiA1,80 ;　６人のお腹からお菓子が溢れ出すハロウィンパーティなんて本当に素敵ッ！@　ならば私はアリスのお茶会を演出しようかしら…！@　何でもない日を祝うお茶会にみんなを招待して、私が魔法で次々お持て成しするの！\ `That Halloween party where candies poured out of six people's stomachs was truly wonderful!`@` So maybe I'll act out Alice's tea party...!`@` I'll invite everyone to a tea party in celebration of a completely pointless day, and entertain them one by one with my magic!`\ ld r,$EV2_AkuwaraiA2,80 ;　先代さまみたいに素敵にできるかしら？@/ `I wonder if I can do it as wonderfully as you? `@/ ld r,$EV2_AkuwaraiA6,80 ;　個性的に残酷にポップにキュートにできるかしら？！@/ `I wonder if I can be cruel in my own pop, cute style?! `@/ ld r,$EV2_AkuwaraiA7,80 ;　今思うとおとぎ話とかってどれも残酷でしたよね？@　そのおとぎ話の魔女に自らがなってみて、ようやく理解しました。@/ `Now that I think about it, all fairy tales are cruel, aren't they?`@` Now that I'm a witch inside one of those fairy tales, I finally understand. `@/ se1v 37,100 ;きゃっははははくきゃひゃふひゃはははははッ！！」\ `Kyahhahahahakukyahyafuhyahahahahaha!!"`\ ld l,$BEA_iiwakeA2,80 ;「……………わ、妾もその、/ ;!d800…以前までのは少しやり過ぎたかなァと、/ ;!d600…少しは思っておるのだ。@/ `"............I have also, umm, `/ !d800`...sometimes thought that, in the past, `/ !d600`...I might have gone a little too far. `@/ ld l,$BEA_IiwakeA1,80 ;……まぁ、黄金の魔女たる者、少しは気品があっても良いかと思うてな…。」\ `......Well, I think that as the Golden Witch, it's a good idea to have a little elegance..."`\ ld r,$EV2_defA1,80 ;「………………？？？@　先代さまが何を仰ってるのかわかりません。@/ `"............???`@` I don't get what you're saying, Predecessor-sama. `@/ ld r,$EV2_tokuiA1,80 ;でも、ひとつだけわかります。@今の私がどれほどを尽くしても、先代さまの残酷さには到底及びません。@もっともっとがんばらなくちゃ。@もっと残酷になって、立派な黄金の魔女にならなくちゃ…！」\ `But there's one thing I do understand.`@` No matter how hard I try now, I'm no match for how cruel you are.`@` I've gotta try much, much harder.`@` I've gotta become more cruel, and become an excellent Golden Witch...!"`\ ld l,$BEA_odorokiA2,80 ;「だ、だからそれはもう充分だと言うに…！@　と、とにかく妾の、先代としての命令だ。@第二の晩はもう充分だ。@/ `"L, like I said, you've already done enough here...!`@` A, anyways, this is my, your predecessor's order.`@` That's enough for the second twilight. `@/ ld l,$BEA_iiwakeA1,80 ;妾が少し手本を見せる。@下がって見ておれ…。」@ `I'll show you how it's done.`@` Stand back and watch..."`@ ld r,$EV2_WaraiA2,80 ;「はい、先代さま。@どんな無惨で残酷でおぞましい殺し方を見せてくれるのか楽しみです。」\ `"Yes, Predecessor-sama.`@` I can't wait to see what brutal, cruel, and disgusting method of killing you use."`\ cl r,23 ;　新しき魔女は、スカートの両脇を摘んで優雅にお辞儀をすると、@期待の眼差しを浮かべながら後ろへ下がる。@ `The new witch grasped the sides of her skirt and gave a graceful bow,`@` stepping back as an expectant gaze rose to her face.`@ br ;　……自らを超える、より残酷な魔法を期待しているのだ。\ `......She was expecting an even more cruel magic that surpassed even herself.`\ cl l,0 ld c,$BEA_iiwakeA1,24 ;「…………まぁそのだな…。@そういう殺し方しかできない内は半人前なのだ。@…妾が上品な、黄金の魔女らしい殺し方を見せようぞ…。」\ `"............Well, speaking of that...`@` You're only half a witch if you can only kill with methods like that.`@` ...I shall show you an elegant way to kill, worthy of the Golden Witch..."`\ se1 22 bfly2 10 cbfly 0 se2 52 bg white,80 bg rose_1bR,2 ;　ベアトが煙管を振るうと、七色の煙が噴出し、楼座と真里亞を蘇らせる。@ `When Beato waved her pipe, seven colors of smoke poured out, reviving Rosa and Maria.`@ br ;　……先ほどまでの新しきベアトリーチェのそれに比べると、少しだけやさしかった。@ ;　…あるいは、それまでの自らのそれと比べても。\ `......Compared to how the new Beatrice had done it a short while ago, it was slightly gentler.`@ `...It was probably gentler that how Beato had done it herself up until now.`\ ;　楼座は幾度も繰り返された死の痛みに、すでに意識を朦朧とさせていた。@ ;　…そしてそれでも、娘のために許しを哀願する…。\ `Rosa's consciousness had already grown dim from the pain of so many repeated deaths.`@ `...But even so, she pleaded that her daughter be spared...`\ bg black,25 ;「……もう……許して……。@…せめて、……真里亞だけでも……許して……。」@ ;「わぁあああぁああぁん、ママ、ママぁあぁ！！」\ `"......Please......have mercy......`@`...Even, ......if it's just Maria......have mercy......"`@ `"Waaaaaaaaaaaaaaahhh, Mama, Mamaaaaaa!!"`\ bg rose_1bR,0 ld r,$BEA_iiwakeA1,26 ;「………すまぬ。@我が弟子がその、…少しハメを外しすぎたようだ。@/ `".........Sorry.`@` My disciple just, umm, ...acted without restraint for a bit. `@/ ld r,$BEA_nayamuA2,80 ;…その、/ ;!d800………許せ。」@ ;＜ベアト `...Umm, `/ !d800`.........forgive me."`@ ld c,$MAR_nakuA1,23 ;!s0「ベ、ベアトリーチェぇえええぇええぇ！！/ !s0`"B, Beatriiiiiiiiiiiiiiiiice!! `/ quakex 4,600 ;!sd@　わあああああああぁ、わぁああああぁああぁあん！！」@ ;＜真里亞 !sd@`Waaaaaaaaaahh, waaaaaaaaaaaaaaaaaaaaaaaaahh!!"`@ br ;　真里亞が、本当のベアトリーチェの姿を認めて飛びつく。\ `When Maria realized it was the real Beatrice, she jumped onto her.`\ ld c,$MAR_KomaruA1,80 ;「…ベアトは約束したよね？！@　真里亞を黄金郷へ連れてってくれるって約束したよね？！@　そこではママとも仲良しになれて、みんなずっと笑い合えるの…！@　そこへ連れて行ってくれるって、約束してくれたよねッ？！」\ `"...You promised, right, Beato?!`@` You promised that you would take Maria to the Golden Land, right?!`@` There, would be friendly with Mama, and everyone would laugh together...!`@` You promised that you would take us there, right?!"`\ ld r,$BEA_OdorokiA2,80 ;!s0「………そ、/ ;!d300…そのだな。@…その約束はもう、/ ;!d400…守れぬ。@………碑文の謎を解く者が現れたから、/ ;!d500……妾はもう、黄金の魔女ベアトリーチェではないのだ。@/ !s0`".........A, `/ !d300`...about that.`@` ...I can no longer, `/ !d400`...keep that promise.`@` .........Because someone appeared who could solve the riddle, `/ !d500`......I am no longer the Golden Witch, Beatrice. `@/ ld r,$BEA_komaruA2,80 ;……だからすまぬ。@…そなたとの約束はもう守れぬ……。」/ `......So, sorry.`@` ...I can no longer keep my promise with you......"`/ !sd\ ld c,$MAR_NakuA1,80 ;「なんで…？@　どうして…？@　ベアトは約束してくれた…。」@ `"Why...?`@` Why...?`@` Beato promised..."`@ ld r,$BEA_nayamuA2,80 ;「……すまぬ。@…本当にすまぬ…。@………だからせめて、約束を守れなかった詫びに…。」\ `"......I'm sorry.`@` ...I'm truly sorry...`@`.........So at least, in apology for not being able to keep my promise..."`\ bg black,22 dllefe_off ;　…………本当に静かな。@ `............It truly is quiet.`@ ;　そしてもう乱されぬ眠りを与えてやるから…。@ `And I'll give you a sleep that will never be troubled again...`@ br ;　真里亞を、ベアトは慈しみの表情で抱き締める…。\ `Maria was embraced by the loving expression on Beato's face...`\ br bg blood_2a,42 ;　すると、………すぅっと、赤い痣が真里亞の首に浮いた。@ ;　それはとてもやさしい痣。\ `Then, .........softly, a red bruise appeared on Maria's neck.`@ `It was a very gentle bruise.`\ textoff monocro #ff0000 me3v 17,60 bg white,18,5000,"bmp\efe\blood_2a_efe.bmp" bg black,22 mono 0 ;　…それが少しずつ赤みを増し、…くっきりと手の形を浮かび上がらせた時。@ `...It's redness grew bit by bit, ...and when it distinctly formed itself into the shape of a hand...`@ br ;　……真里亞はコテンと首を傾ぐ。@ ;　…眠ってしまったように、安らかに。\ `......Maria's neck tilted suddenly.`@ `...Peacefully, as though she had fallen asleep.`\ E_M3 dllefe 1,1 bg rose_1aR,0 ld r,$ROS_odorokiA1,26 ;「ま、真里亞……。@/ `"M, Maria......`@/ ld r,$ROS_ikariA2,80 ;…真里亞ぁああああぁああぁッ！！」/ `...Mariaaaaaaaaaaaaaaa!!"`/ quakex 3,300 \ ;＜楼座 ld l,$BEA_fukigenA3,23 ;「……すまぬ。@……そなたが第二の晩の生贄であることは謝らぬ。@そういう運命なのだから。@/ `"......Sorry.`@` ......I won't apologize that you were the sacrifices for the second twilight.`@` That is simply your fate. `@/ ld l,$BEA_komaruA2,80 ;しかし、その奉げ方が悪趣味であったことは謝らねばならぬ…。@……これが最後の眠りだ。@…もう二度と妨げられることはない…。」\ `However, I must apologize for the vulgar way in which you were offered as sacrifices...`@`...This is your final sleep.`@` ...Never again will it be disturbed..."`\ se1 22 bfly1 10 ;　ベアトが、すっと指をやさしく立てて、虚空の鼻先を触れるような仕草をする。@ `Beato softly, gently lifted her finger, as though touching the empty air in front of her nose.`@ br ;　…すると、ふわっとした風が湧き上がって、楼座の体を羽毛のようにやさしく舞わせた。\ `...When she did, a light breeze lifted up, making Rosa's body dance lightly like a feather.`\ bg black,25 ;　すると楼座の体はふわっと浮いて、/ ;!d800……そこには先端を槍状にしている庭園の柵が。\ `Then, Rosa's body floated lightly, `/ !d800`......and there was the garden fence, with its spear-shaped prongs.`\ ;monocro #ff0000 ;bg white,18,3000,"bmp\efe\blood_2a_efe.bmp" ;bg black,22 ;monocro off textoff dllefe_off cbfly 42 se1v 36,100 bg blood_1a,1 quakey 5,500 wait 2000 dllefe 1,1 wait 2000 se1 38 bg blood_1aR,22 ;　その柵の槍が、楼座の延髄を貫いた。@ `The spear of the fence pierced Rosa's medulla oblongata.`@ br ;　……慈悲深く、弄ぶことなく、一撃で。@ ;　ぷっつりと楼座の生を奪い去る。\ `......Benevolently, without toying with her, in a single blow.`@ `Rosa's life was snapped out.`\ ;　それまでの無邪気かつ残酷なそれに比べたら、その最期はあまりに呆気ない。@ `Compared to the earlier innocent yet cruel events, it seemed to be over much too fast in the end.`@ br ;　…楼座の姿をした人形が柵にもたれかかっているだけにしか見えない。@ ;　…でも、絶命していた。\ `...It just looked like a doll shaped like Rosa was leaning against the fence.`@ `...But, she had passed away.`\ fede 1,3000 wait 2000 bg rose_1bR,2 ld r,$BEA_IiwakeA1,26 ;「………ま、…まぁ、ざっとこんなものよ。」@ `".........W, ...well, something like that."`@ br ;　ベアトは得意げ風に装うが、新しき魔女の表情は淡白で、拍子抜けとでも言う風だった。@ ;　そしてそれを、率直に口にする。\ `Beato acted proud, but the new witch wore a blank expression, almost as though this was an anticlimax.`@ `Then, she said it out loud.`\ ld l,$EV2_FukigenA1,23 ;「何だか地味です…。@……ロノウェに聞いていた先代さまのそれとはずいぶん違います。」@ `"It's kinda plain...`@`......Very different from the Predecessor-sama Ronove told me about."`@ ld r,$BEA_iiwakeA2,80 ;「…そのだな、…魔法は上品に使わねばな…？@　あまりその、…品がないのはエレガントではないのだ…。」\ `"...Well, ...you must use magic with dignity, right...?`@` If it's too, umm, ...undignified, that isn't very elegant..."`\ ld l,$EV2_defA1,80 ;「………………………………………。@……せっかく素敵なことが無限にできる魔法なのに。@……つまらない。」@ `"........................`@`......Even though you're lucky enough to have the magic to do wonderful things endlessly...`@`...Boring."`@ ld r,$BEA_odorokiA2,80 ;「これ、愚痴るでない…！@　黄金の魔女の道は一日にしてならずだ。@そなたとて、第十の晩を終えるまでは半人前よ…。@今は黙って妾の指導に従うのだ。@…良いな……？！」\ `"Don't complain...!`@` The path of the Golden Witch cannot be completed in a day.`@` You are still incomplete until you finish the tenth twilight...`@` For now, stay quiet and follow my instructions.`@` ...Alright......?!"`\ ;ld l,$EV2_FukigenA2,80 ;「…………………………………。」@ `"........................"`@ ld r,$BEA_komaruA1,80 ;「へ、返事はどうした。@返事は…！」@ `"W, what happened to your answer?`@` Your answer...!"`@ ;「………………………。@/ `".....................`@/ ld l,$EV2_fukigenA1,80 ;……………はァい。」\ `............Su-re."`\ ld r,$BEA_iiwakeA1,80 ;「…それで良い、それで。@……まぁ、まだ復活の儀式の先は長いぞ。@あと５人も殺さねばならないからな…。@あまり弄ばずに、綺麗に上品に、/ ;!d700…少しあっさり目でいいからな…？@　ロノウェがそなたに教えた妾のやり方はその、……悪い例だ。@模範にしてはならぬ。@よく心に刻んでおけぃ。」\ `"...That is good, that is.`@` ......Well, there is still much to do for the resurrection ceremony.`@` You still have to kill five people...`@` You should do it without toying with them too much, with beauty and dignity, `/ !d700`...and with at least a little restraint, right...?`@` What Ronove told you about how I did it, ......that was a bad example.`@` You mustn't use that as a model.`@` Engrave that into your heart."`\ ld l,$EV2_defA1,80 ;「…………はい、先代さま。」\ `"............Yes, Predecessor-sama."`\ bg rose_1aR,23 mld c,$BEA_nayamuA1,24 ;「良い返事だ。@……ロノウェ、煉獄の七姉妹よ、出でよ…！」@ `"A good answer.`@` ......Ronove, the Seven Stakes of Purgatory, arise...!"`@ se1 52 ld r,$RON_waraiA2,99,1000,"breakup.dll/llp" ld r,$RON_akuWaraiA1,80 ;「……はい、お嬢様。@ロノウェ、ここに。」@ `"......Yes, Milady.`@` I, Ronove, am here."`@ se2 52 ld l,$RG1_DefA1,99,1000,"breakup.dll/llp" ld l,$RG1_hohoemiA1,80 ;「傲慢のルシファー、ここにっ。」\ `"Lucifer of Pride, right here."`\ mld c,$BEA_IiwakeA2,80 ;「…これまではだな、その、妾も色々派手にやってきたわけだが。@……その、/ ;!d600……まぁ、黄金の魔女としての威厳も大事であり、/ ;!d500まぁ、そのだな…、」\ `"...Up until this point, umm, I've done things a little flashy, but,`@` ......umm, `/ !d600`......well, the dignity of the Golden Witch is also important, `/ !d500`well, about that..."`\ ld r,$RON_WaraiA2,80 ;　ベアトが、らしくもなくしどろもどろしながら言うのを、@ロノウェはぷっくっくと笑いながら聞き、それを要約した。\ `As Ronove laughed at Beato's uncharacteristically flustered speech, he summed it up for her.`\ ld r,$RON_defA1,80 ;「畏まりました。@以後は黄金の魔女の名に相応しい、気品に気をつけるように致します。@……煉獄の七姉妹も、これまでのような悪ふざけは改め、@以後は最短の手順で任務を遂行するように。@……ということで、よろしいですか？　お嬢様？」\ `"Certainly.`@` From now on, we will be careful to perform in a graceful manner, suitable for the name of the Golden Witch.`@` ......Even the Seven Sisters of Purgatory will reform their bad behavior up until now,`@` and we shall espouse to perform our task in the quickest possible manner.`@` ......Would that be acceptable? Milady?"`\ mld c,$BEA_iiwakeA1,80 ;「う、うむ。@つまりはそういうことだ。@皆、肝に銘じよ！@　良いな…！」@ `"H, hmm.`@` That's it, more or less.`@` Everyone, take it to heart!`@` Alright...?!"`@ ld l,$RG1_defA1,80 ;「はいっ。@畏まりましたっ。」\ ;＜ルシファ `"Yes.`@` Certainly."`\ mld c,$BEA_nayamuA1,80 ;「妾が言いたいのは以上だ。@……もう引き上げて良いぞ。」@ `"That is all I wish to say.`@` ......You may leave now."`@ ld r,$RON_waraiA2,80 ;「畏まりました。@それでは失礼いたします。」@ `"Certainly.`@` If you would excuse me."`@ se1 52 cl r,99,1500,"breakup.dll/urb" ld l,$RG1_hohoemiA1,80 ;「失礼いたしますっ。」\ `"Excuse us."`\ se1 52 cl l,99,1500,"breakup.dll/urb" mcl c,0 bg black,24 bg rose_G1aR,24 ld r,$EV2_defA1,80 ;「……………………………………。」@ ;＜魔女絵羽 `"........................"`@ ld l,$BEA_iiwakeA1,23 ;「ま、…妾が言いたいのはそれだけだ。@それでは引き続きしっかりな？@　黄金の魔女らしく、貫禄を持って、…その、自重気味にな？@　……頑張るが良いぞ。@そなたを見守っておる。」\ `"Well, ...that's all I want to say.`@` So, take care as you continue, alright?`@` Go with dignity, and, ...umm, prudence, alright?`@` ......You should do your best.`@` I will be watching over you."`\ se1 52 cl l,99,2000,"breakup.dll/urb" ;　ベアトは最後まで要領悪そうにしながらそれだけを伝え、@黄金の蝶の群となって、虚空に姿を消す。@ `Acting unsure until the very end, Beato communicated only that,`@` became a group of gold butterflies, and hid her form in the empty air.`@ br ;　間が持たないので、そそくさと消えたという方が相応しいかもしれない。\ `She didn't have any business there, so it might be fitting to say that she disappeared in a hurry.`\ ;　後には、雨に打たれながら横たわる真里亞の遺体と、@柵にもたれかかりながら空を見上げている楼座の遺体。@ ;　……そして魔女の姿が残るだけだった。\ `After that, all that remained was Maria's corpse, lying down and pounded by the rain,`@` Rosa's corpse, propped up by the fence and staring up at the sky...`@ `......And the figure of the witch.`\ ld r,$EV2_fukigenA1,80 ;「…………………自重しろ……、………か。」@ `"..................Have prudence......, ......you say..."`@ br ;　その表情は、少しだけ退屈そうだった。@ `Her expression looked just a little bored.`@ se1v 21,50 ;　爆ぜるような音がする。@ ;　…それは多分、彼女の舌打ち。\ `There was a popping sound.`@ `...That was probably her clicking her tongue.`\ ld r,$EV2_defA1,80 ;「…………………………………………。@/ `".................................`@/ ld r,$EV2_akuwaraiA2,80 ;………………………つまんないヤツぅ。」\ `........................What a boring person."`\ se1 52 cl a,99,3000,"breakup.dll/ulb" ;　その捨て台詞を残し、彼女もまた、虚空に姿を消すのだった……。\ `Leaving that last sentence behind, she once again hid her form in the empty air......`\ ;▲第１２アイキャッチ　１０月５日（日）１０時４５分〜１１時００分 wait 2000 eye1 10,45,11,0,1,0,560,330,60 *umi3_13 mov %play_scene,30160 mov %grim_scene,306 gosub *EV2_Isyou2 me1v 13,50 wait 3000 ;「…………………………すぅ…。」\ ;＜絵羽・寝息・立ち絵不要かと `"..................zzzzz..."`\ bg G1F_R2aR,22 ld r,$HID_KomaruA1,26 ;「………………ふぅ。@…ようやく落ち着いてくれたようやな…。」@ `"...............Whew.`@` ...Looks like she's finally calmed down..."`@ br ;　秀吉は自身の額を拭う。@ ;　…一時期、絵羽はだいぶ辛くうなされていたが、ようやく寝付いたようだった。\ `Hideyoshi wiped his own forehead.`@ `...For a time, Eva had seemed to be having a very painful nightmare, but it appeared that she had finally fallen asleep.`\ ;　約束どおり、絵羽と手は握ったままだ。@ ;　…そろそろ離してもいいかと思ったが、彼は律儀に手を握り続ける。@ `As promised, he still gripped Eva's hand.`@ `...He had thought it might be alright to let go pretty soon, but he faithfully continued to hold her hand.`@ br ;　時折、手が疲れ、右手と左手を入れ替えたりはしたが、@それでも約束通り、彼女の手を離しはしなかった…。\ `Every once in a while, his hand would get tired, and he would switch between his right and his left,`@` but even so, as promised, he didn't let go of her hand...`\ bg black,22 se1 19 ;　その時、ドンドンとノック。@ ;　やっと絵羽が寝付いてくれたのにと、秀吉は一瞬だけ眉をしかめた。\ `At that time, there was a heavy knock.`@ `Eva had finally been able to fall asleep, so Hideyoshi grimaced for just an instant.`\ bg G1F_R2cR,24 ;「……姉貴、秀吉さん、すまねぇ。@楼座はそこにいるか…？」@ ;＜留弗夫 `"......Aneki, Hideyoshi-san, sorry.`@` Is Rosa there...?"`@ br ;　留弗夫の声だった。@…何事だろう？\ `It was Rudolf's voice.`@` ...What could it be?`\ ;　秀吉は絵羽を起こさぬよう、そっと足音を殺しながら扉へ向かった。@ `Hideyoshi headed for the door, hiding his footsteps so that he wouldn't wake Eva.`@ se1v 17,50 br ;　……留弗夫の声であることは間違いないが、念の為、チェーンをしたまま扉を開ける。\ `......It was definitely Rudolf's voice, but just in case, he opened the door without removing the chain.`\ bg G1F_P1d,0 ld r,$RUD_majimeA1,23 ld l,$HID_FumuA1,23 ;■廊下 ;「何や。@楼座さんがどないかしたんか。」@ `"What is it?`@` Somethin' happen to Rosa?"`@ ld r,$RUD_majimeA2,80 ;「楼座と真里亞ちゃんの姿が見えないんだ。@一緒にいるかと思って。」\ ;＜留弗夫 `"We can't find Rosa or Maria-chan.`@` I thought they might be with you."`\ bg G1F_P1e,25 ;「…廊下で叱っとったのは聞こえたで。@その後、静かになったから、ロビーに戻ったと思うとったんだが、……ちゃうのか…？」@ `"...I heard her scolding Maria-chan in the corridor.`@` They got quiet after that, so I thought they had returned to the lobby, ......but did they...?"`@ se1 21 ;「…………あの馬鹿…。」@ ;＜留弗夫 `".........That idiot..."`@ br ;　留弗夫は舌打ちをする。\ `Rudolf clicked his tongue.`\ bg G1F_P1bR,0 ld r,$KLA_MajimeA2G,0 ld l,$KIR_MajimeA2,22 ;　廊下には他の人間たちの姿もあった。@ ;　楼座が廊下に出てからずいぶん戻らないので、心配になったのだ。@ `Other people could be seen in the corridor.`@ `Rosa hadn't returned for a while after going out into the corridor, so they had begun to worry.`@ br ;　玄関の扉前では、夏妃が外れたチェーンを指差している。\ `Near the front door, Natsuhi pointed at the removed chain.`\ bg G1F_P1aR,0 ld r,$NAT_OdorokiA2,24 E_A bgm1 34 ;「……チェーンは開いてますし。@やっぱり薔薇を見に、表へ行ったのでしょう。」@ ;＜夏妃 `"......The chain isn't set.`@` They must have gone outside to see the rose after all."`@ ld l,$KLA_KomaruA1G,23 ;「鍵を開けっ放して出て行くなど、無用心が過ぎるな。@困ったやつだ。」\ ;＜蔵臼 `"Going out and leaving the door unlocked, that's just too careless.`@` What a troublesome person."`\ cl r,23 ld r,$KIR_MajimeA1,24 ;「…それより、今は楼座さんと真里亞ちゃんの身が心配よ。」@ ;＜霧江 `"...More importantly, now I'm worried about Rosa-san and Maria-chan themselves."`@ ld c,$RUD_KomaruA1G,24 ;「だな。@……おいガキども。@真里亞ちゃんの薔薇ってのは、どこにあったんだ？！」\ ;＜留弗夫 `"Right.`@` ......Hey, brats.`@` Where was this rose of Maria's?!"`\ bg G1F_P1aR,23 ld r,$JES_OdorokiA1,24 ;「確かあれは…、薔薇庭園の真ん中の花壇だったと思います…。」@ ;＜朱志香 `"I'm pretty sure..., it was in the flower bed right in the middle of the rose garden..."`@ ld l,$GEO_komaruA1,23 ;「あの二人がそこにいるなら、行けばすぐにわかるはずです。」\ ;＜譲治 `"If those two are there, we should be able to tell quickly if we go."`\ cl r,23 ld r,$BUT_NiramuA3,24 ;「……親父、すぐに連れ戻した方がいいだろうぜ…？」@ ;＜戦人 `"......Dad, shouldn't we bring them back as soon as we can...?"`@ cl l,24 ld l,$RUD_odorokiA1G,23 ;「当り前だ。@二人とも連れ戻してお尻ペンペンしてやるぜ。@俺が一っ走り行って来る。@俺が出たらすぐに鍵をしろよ。」\ ;＜留弗夫 `"Of course.`@` We'll bring them back and spank them on the butt.`@` I'll dash out there and come back.`@` Lock the door as soon as I go out."`\ ld r,$BUT_komaruA2,80 ;「…親父、俺も付き合うぜ。」@ ;＜戦人 `"...Dad, I'll go with you."`@ ld l,$RUD_waraiA2G,80 ;「馬鹿抜かせ。@ガキはママとお留守番って相場が決まってらぁ。」\ ;＜留弗夫 `"Don't talk stupid.`@` It's obviously the brats' job to watch the house with Mama."`\ ;■絵羽たちの部屋 bg black,24 wait 2000 me1v 13,50 bg G1F_R2cR,24 ld l,$EVA_KomaruA1,23 ;「…………どうしたの…。@何かあったの……？」@ ;＜絵羽 `"............What is it...?`@` Did something happen......?"`@ ;bg G1F_R2aR,0 ld r,$HID_fumuA1,24 ;「すまんな、起こしてしまったか…。@…楼座さんが、真里亞ちゃんを連れて表へ出たらしい。@…何とも無用心なこっちゃ。」\ ;＜秀吉 `"Sorry, did I wake you up...?`@` ...It seems that Rosa-san took Maria-chan outside.`@` ...How reckless of her."`\ ld l,$EVA_IkariA2,80 ;「楼座と真里亞ちゃんが、/ ;!d400……表へ…？@　薔薇庭園へ……？！」@ `"Rosa and Maria-chan are, `/ !d400`......outside...?`@` In the rose garden......?!"`@ ld r,$HID_DefA1,80 ;「そうや。@…あぁ、聞こえとったか？@　真里亞ちゃんは薔薇が見たいと騒いどったからな。」\ `"That's right.`@` ...Oh, did you hear?`@` Maria-chan was causin' a ruckus because she wanted to see this rose."`\ ;cl l,0 ;ld c,$EVA_IkariA2,23 bg black,1 me2v 17,50 ;「……だ、……駄目よ、/ ;!d600……薔薇庭園に行っちゃだめ…！@　楼座を呼び止めて…！」@ ;「よ、呼び止めるも何も、もうずいぶん前に出て行っとるようや。@……まったく、無用心な話やで。」\ `"......Th, ......they mustn't, `/ !d600`......they mustn't go to the rose garden...!`@` Tell Rosa to stop...!"`@ `"Th, there's no tellin' her to stop now, it looks like they left a while ago.`@` ......Seriously, how reckless of them."`\ se1v 27,50 ;「………違うの…。@…薔薇庭園は駄目…。@…あそこには魔女がいる…、/ ;!d500……そして生贄を待ってる…！@　楼座、行っちゃ駄目…、/ ;!d700……ううぅううぅぅ…。」@ `".........That's not it...`@`...Not the rose garden...`@`...There's a witch there..., `/ !d500`......and she's waiting for a sacrifice...!`@` Rosa, you mustn't go..., `/ !d700`......ooooooooooohhh..."`@ br ;　…絵羽は頭を抱えながら再びうずくまる。@ ;　……見れば顔色がひどく悪い。\ `...Eva cowered again, holding her head.`@ `......Her complexion looked very bad.`\ bg G1F_R2cR,0 ld r,$HID_komaruA1,26 E_M2 ;「どうしたんや。@熱にうなされて、何か悪い夢でも見たんか。」@ `"What is it?`@` Did the fever make you dream somethin' bad?"`@ ;ld r,$EVA_KomaruA1,6 ;「…………夢、/ ;!d800……よね…。@…………薔薇庭園で魔女が、楼座たちを……。@………そうよね。@…夢、/ ;!d900……よね…。」\ `"............It's a dream, `/ !d800`......yes...`@`............In the rose garden, the witch, doing that to Rosa...... `@`.........That's right.`@` ...It's a dream, `/ !d900`......yes..."`\ ld r,$HID_WaraiA2,80 ;「落ち着くんや。@この部屋にはわしもおる。@チェーンも掛かっとる。@窓かて鎧戸が下ろしてあるし、銃まであるんや。@この部屋はさながら要塞やで。@なーんも恐れることなんかあらへん。」\ `"Calm down.`@` I'm also in this room.`@` The chain is also set.`@` The shutter is closed on the window, and there's even a gun.`@` This room is just like a fort.`@` There's no-thin' to be afraid of."`\ ;　秀吉は安心しろと胸を叩くが、絵羽の不安そうな表情は消えない。@ `Hideyoshi beat his chest, trying to calm her, but Eva's insecure expression didn't change.`@ br ;　…絵羽はさっきまでのグロテスクな悪夢がただの夢であってほしいと、@布団の中でただただ祈り続けていた…。\ `...Under the covers, Eva kept praying that the grotesque nightmare she had just had was only a dream...`\ bg black,5 me2v 16,0 me3v 17,0 fedexx 100,70,100,100,0,0,5000 wait 3000 se1 27 wait 500 E_B E_MA bg white,1 ;■メタ視世界・薔薇庭園 me1v 13,50 dllefe 1,1 bg rose_1aR,42 se1 56 mset bgm1 38 mld r,$WAL_FumanA1,24 ;◆楼座・真里亞死亡フラグ mov %play_scene,30170 seplay2 9,1061,70 mov %r_hyouji,0 ;「留弗夫が薔薇庭園中央にて、楼座、真里亞の遺体を確認。@その後、ゲストハウスに戻って応援を呼び、両名をゲストハウスに運び込みました。\ `"In the center of the rose garden, Rudolf confirmed the corpses of Rosa and Maria.`@` After that, he returned to the guesthouse, called for help, and carried both of them into the guesthouse.`\ mld r,$WAL_majimeA1,80 ;placehold ;　南條の検死を信頼できるならば、楼座の死因は延髄部への柵の先端部分による刺突。@真里亞については素手による絞殺と考えられます。@ただし“悪魔の証明”により誤診率は否定できません。」\ ;＜ワルギリ `If we can trust Nanjo's autopsy, the cause of Rosa's death was a stab to the medulla oblongata with the pointed gate of the fence.`@` It is thought that Maria's death was due to strangling with bare hands.`@` However, due to the 'Devil's Proof', we cannot discount a misdiagnosis."`\ ;mcl r,23 mld l,$BEA_nayamuA1,23 ;「……妾が赤にて語る。@/ `"......I will say it in red. `@/ se1 59 ;#ff0000楼座と真里亞は死亡した#ffffff。@/ `#ff0000Rosa and Maria died#ffffff. `@/ se2 59 ;#ff0000死因は南條の見立て通りだ#ffffff。@/ `#ff0000The cause of death was as Nanjo diagnosed#ffffff. `@/ mld l,$BEA_iiwakeA2,80 ;……蜘蛛にも食われておらんし、ケーキの山に潰されたわけでもない。@安心せよ。」\ ;＜ベアト `......She wasn't eaten by a spider, nor was she crushed by a mountain of cake.`@` Don't worry."`\ mcl r,23 mld r,$BUT_NiramuA1,24 ;「…………あれだけ死を弄び、死体が綺麗だからいいだろうって論法かよ…。@俺は絶対に許さねぇぞ。\ `".........So you argue that even though you toyed with their death so much, it's all okay because the corpse is clean...`@` I definitely won't forgive you.`\ mld r,$BUT_KuyasigaruA1,80 ;　…あの、楼座叔母さんに対する無惨な仕打ちの数々、@絶対に忘れねぇし許さねぇからな…。」\ ;＜戦人 `...I definitely won't forget all of that brutal treatment you gave Rosa oba-san,`@` so I won't forgive you..."`\ mld l,$BEA_nayamuA2,80 ;「…だ、だからあれは妾ではないと言うに……。@…あやつの仕打ちに比べたら、はるかに安らかな死を与えたはず…。」\ ;＜ベアト `"...L, like I said, that wasn't me......`@`...I think I gave them a much more peaceful death than the way she treated them..."`\ mld r,$BUT_NayamuA1,80 ;「うるさい黙れ。@お前とは口を聞かない。\ `"Shut the hell up.`@` I don't want to listen to you.`\ mld r,$BUT_oyaA1,80 ;　………１８人しか島にいないと言い切られ、すでに８人が死んでいる以上、@容疑者は１０人に絞られる。@その中の誰かが殺したってんだろ。\ `.........It was stated that there are no more than 18 people on this island, and now that eight people are already dead,`@` there are 10 people to press as suspects.`@` One of them probably killed those two.`\ mld r,$BUT_komaruA3,80 ;　…あるいは事故死かもな？@　真里亞が癇癪を起こし、@それを泣き止まそうとした楼座叔母さんは力の加減を誤ってつい殺してしまったとか。@それで動転して、滑って転んで、柵に倒れて運悪く死んでしまった。\ `...Or could it also be an accidental death?`@` Like Maria was having a tantrum,`@` and when Rosa oba-san tried to stop her crying, she misjudged how much power she was using and accidentally killed her.`@` Then she was so upset that she slipped and fell, landed on the fence, and unluckily, died.`\ mld r,$BUT_NiramuA1,80 ;　……どうだよ。@これで魔女も魔法も出番なしだ。」\ `......How's that?`@` That way there's no need for a witch or magic."`\ mld l,$BEA_iiwakeA2,80 ;「……あー、そういうわけではないぞ。@実はだな、楼座と真里亞は…、」@ ;＜ベアト `"......Well, that's not true.`@` Actually, Rosa and Maria..."`@ mld r,$BUT_komaruA2,80 me2v 16,50 ;「うるさい。@お前とは口を聞かないと言っている。@目障りだから消えろ。@バケモノめ。」@ `"Shut up.`@` Didn't I say that I didn't want to listen to you?`@` You're an eyesore, so disappear.`@` You monster."`@ br ;　戦人は激昂せず、…だけれどもひどく冷たい声でそう言い放った。\ `Battler said that without rage, ...but with a horribly cold voice.`\ ;　…その違和感を、ベアトも最初から感じていた。@ ;　喧嘩ならばどちらも遠慮なくできる。@ `...Beato had also felt something out of place since the beginning.`@ `In a fight, both of them could go at each other without restraint.`@ br ;　しかし、喧嘩の土俵にすら乗ってくれていない。@そんな冷たさを感じていた。\ `However, he wouldn't even step into the ring.`@` She could feel that coldness.`\ mld l,$BEA_KomaruA2,80 ;　ベアトはそれが面白くない。@ ;　…それを食って掛かろうかとも思ったが、堪えた。@ `Beato didn't find that interesting.`@ `...She thought about flaring up, but she held back.`@ br ;　無邪気なる彼女の幼稚の中にも、@喧嘩すべきでないことを悟る程度の理性はあったのかもしれない。\ `Maybe even though she was innocent and childish,`@` she had enough sense to realize that she shouldn't fight.`\ mld l,$BEA_NayamuA2,80 ;「……………………。@………………そうかよ。@なら姿を消すさ。@…ロノウェ、続きを引き継げ。」@ `"............`@`............Is that so?`@` Then I will hide myself.`@` ...Ronove, continue for me."`@ mld c,$RON_DefA2,23 ;「畏まりました。@…よろしいですか、戦人さま。」\ `"Certainly.`@` ...Will that be satisfactory, Battler-sama?"`\ mendef 0 bg black,23 dllefe_off bg G1F_S1aP,0 ld r,$WAL_MajimeA1,24 ;「………問題のない申し出です。@戦人くんがベアトの顔を見たくないと言うなら、それもありかと。」@ `".........There are no problems with that proposal.`@` If Battler-kun says that he doesn't want to see Beato's face, that is alright."`@ ld l,$BUT_NiramuA1,23 ;「好きにしろよ。@…そのバケモノの顔を見なくて済むなら何だって構わないぜ。」\ ;＜戦人 `"Do what you like.`@` ...If I can live without seeing that monstrous face, I don't care about anything else."`\ msetef 0,0 bg rose_1aR,23 dllefe 1,1 mld r,$BEA_AseruA1,24 E_M2 ;「……なぁ、ちょっと待てよォ。@…さっきからバケモノバケモノと、妾は酷い言われようではないか。@/ `"......Hey, wait a second.`@` ...You keep saying monster, monster, but isn't that a mean way to speak of me? `@/ mld r,$BEA_KomaruA1,80 ;……なぜに妾はそこまで戦人に毛嫌いされねばならぬというのか。@あれらは全て妾ではなく、妾の弟子の仕業であろうが…。」\ `......Why do you instinctively hate me so much, Battler?`@` Even though none of that was me, even though it was all the work of my disciple..."`\ mld l,$BUT_majimeA1,23 ;「………別に俺は、さっきのことだけで腹を立ててるわけじゃねぇぜ。@一番最初からだ。」@ `".........It's not like I'm only mad about what happened just now.`@` It's from the very beginning."`@ mld r,$BEA_iiwakeA2,80 ;「なぁ、戦人ぁ。@誤解するなよ…？@　妾とそなたはゲームを通して対峙し合うプレイヤー同士なだけではないか。@…互いに相手を苦しめるために指し手を探るが…、」\ `"Hey, Battleer.`@` Don't misunderstand, alright...?`@` Aren't we just a pair of players confronting each other through a game?`@` ...We look for moves to make things painful for each other, but..."`\ mld l,$BUT_OyaA1,80 ;「勘違いするな。@俺はお前が、魔女を認める認めないのおかしなゲームのライバルだから嫌ってるんじゃない。@……お前の無意味に残酷なところが、 どうしても許せないだけなんだ。」\ `"Don't get the wrong idea.`@` I don't hate you because you're my rival in this strange game about whether I accept you as a witch or not.`@` ......No matter what happens, I won't forgive how senselessly cruel you are."`\ mld r,$BEA_iiwakeA1,80 ;「そりゃあ、連続殺人を通してのゲームだからな…。@多少は残酷になるのは止むを得まいだろうに…。」\ `"That's because a serial murder is part of the game...`@` It's probably impossible to avoid a little cruelty..."`\ mld l,$BUT_nayamuA1,80 ;「さっきのことだけじゃない。@前回だって、前々回だって。@……みんなの腹を裂いてお菓子を詰め込んだり、顔面を耕したり。@それに何の意味があったってんだ。」@ `"I'm not just talking about what just happened.`@` The last time, and the time before that too.`@` ......Tearing everyone's stomachs and stuffing them with sweets, plowing their faces,`@` what was the point of all that?"`@ mld r,$BEA_OdorokiA2,80 ;「………………それは、/ ;!d400…まぁ…、」\ `"............That's, `/ !d400`...well..."`\ mld l,$BUT_MajimeA1,80 ;「密室殺人だのトリックだのアリバイだの。@そこまでは百歩譲ってやる。@お前は魔法殺人だと主張したいんだから、@そういう手の込んだ事件を起こさざるを得ないことを、百歩譲って理解してやってもいい。\ `"All this stuff about closed room murders and tricks and alibis,`@` I'm willing to give you a pass on all that.`@` You want to claim that this is a murder done by magic,`@` so I'll grudgingly accept that those complicated crimes have to occur.`\ mld l,$BUT_komaruA3,80 ;　……しかし、あれらのグロテスクな殺人に、一体どれほどの意味があるというのか。」@ `......But what exactly are all those grotesque murders supposed to mean?"`@ mld r,$BEA_fukigenA2,80 ;「…………それはその、/ ;!d800……………別に…。」\ `"............Well, umm, `/ !d800`............nothing much..."`\ se1v 21,50 mcl a,0 mld c,$BUT_niramuA1,23 ;「そうさ。@何の意味もない。@お前はただ悪ふざけで死者を切り刻んで面白がっているだけだ。@それは魔女だからとか、魔法じゃなきゃできないからとか、そういうのじゃない。\ `"That's right.`@` They don't mean anything.`@` You're just fooling around by mangling the corpses for fun.`@` That has nothing to do with whether you're a witch, or whether it could or couldn't be done with magic.`\ mld c,$BUT_komaruA3,80 ;　ただお前が面白半分に残酷の限りを尽くしているだけなんだ。@それはお前が魔女だからとか、そういうことじゃない。@ただただ、人として許せないものがあるからだ。」\ `You're just exploring the depths of cruelty for fun.`@` That's not because you're a witch, or anything like that.`@` There's just some things I cannot forgive as a human."`\ mcl c,23 mld l,$BEA_AseruA1,23 ;「………な、/ ;!d700……何だよ、その人としてってヤツは…。」\ `".........Wh, `/ !d700`......what do you mean, as a human...?"`\ dllefe_off E_MA mendef 0 bg blood_1b,22 ;「例えば。@……今回のゲームの第一の晩の６人。@…まぁ、祖父さまの黒焦げはともかく、@他の５人の死体は、不要に死者を辱めない普通の殺し方だった。@…凶器が槍だか銃だかははっきりしないが、とにかく、殺しの中じゃ、まだ許容できるマシなものだった。@前回、前々回の第一の晩での非常識なグロテスクさ、残酷さに比べれば、はるかにマシだった。」\ `"For example,`@` ......the six people of the first twilight for this game.`@` ...Well, other than Grandfather being burned black,`@` the other corpses were killed in a normal way, without any unnecessary shaming of the dead.`@` ...It wasn't clear whether the weapon was a spear or a gun, but anyways, as far as killing goes, that was permissibly better.`@` It was much better than the nonsensical grotesqueness and cruelty from the first twilight last time, or the time before that."`\ bg black,22 mono 1 msetef 0,0 bg MAP10,26 ;「そして今回の６つの密室をつなげた連鎖密室。@……まぁまぁ面白かったぜ。\ `"And this time, there were six closed rooms tied together to make a closed room chain.`@` ......That was sort of interesting.`\ mld r,$BEA_futekiA1,4 ;　あれをお前とやり取りしてる時は、今だから白状するが、少しだけ楽しいと思った。\ `When we were going back and forth with each other that time, to be perfectly honest, I thought it was just a little fun.`\ mld r,$BEA_AkuwaraiA4,80 mld l,$BUT_OdorokiB1,23 ;　…自分の存在を認めさせようと必死になるお前と、それを否定しようと必死になる俺。@……どっちも必死で全力だ。」\ `...You were frantic to make me accept your existence, and I was frantic trying to deny it.`@` ...We were both frantically doing all we could."`\ mendef 0 bg black,25 mono off bg G1F_S1bP,0 ld c,$BUT_futekiA1,26 ;「おかしな話だが、俺はお前との間にささやかなスポーツマンシップさえ感じたものさ。@/ `"This may sound weird, but I've felt a faint sense of sportsmanship between the two of us. `@/ ld c,$BUT_defA2,80 ;…俺とお前は相容れない存在だが、@まったく理解できない存在でもないかもしれないとわずかに思えた。\ `...We exist in conflict, `@`but I faintly thought that we might not be completely unable to understand each other's existence.`\ ld c,$BUT_KuyasigaruA1,80 me1v 5,50 ;　………だが、その気持ちは、ついさっき、微塵も残らずに吹き飛んだ。」\ `.........But just now, that feeling has been blown away without a trace."`\ bg G1F_S1cP,0 ld r,$BEA_komaruA1,24 ;「だっ、だからそなたは誤解しておる…！@　あれは妾ではなくっ、」@ `"Th, that's where you're misunderstanding...!`@` That wasn't me-"`@ ld l,$BUT_OdorokiA1,23 ;「違う。@俺はそういう話をしてるんじゃない！@/ `"That's not it.`@` That's not what I'm talking about! `@/ ld l,$BUT_NiramuA1,80 ;　……お前は楼座叔母さんが酷い殺し方を何度も何度も繰り返されるのを見て、@面白い見世物だと嘲笑った。」\ `......You watched Rosa oba-san being killed horribly over and over, `@`and you sneered at it like it was an interesting show."`\ bg black,25 bg blood_1a,22 ;　………それを見て、俺は深く失望した。@ `......When I saw that, I was deeply disappointed.`@ br ;　お前が今回、少しはマシな殺し方を選んだのは、何かのちょっとした気紛れなんであって、@…本来の残酷な性分には何の変わりもないんだとわかって、深く失望した。\ `When I realized that your decision to kill them in a slightly better way this time was nothing more than a little whim,`@` ...and that nothing had changed in your cruel character, I was deeply disappointed.`\ bg blood_1aR,22 ;　それどころか、お前は残酷な死を純粋に楽しんでさえいる。@ ;　俺に意地悪をするためだけに残酷を尽くしてるんじゃない。@ `And that's not all, you were even genuinely enjoying a brutal death.`@ `You weren't just acting as cruel as you could to bully me.`@ br ;　…お前は本当に純粋に、残酷を楽しんでいる。@ ;　楽しめる性分なんだ。\ `...You truly, genuinely enjoy cruelty.`@ `Your character lets you enjoy it.`\ bg black,22 mono 1 msetef 0,0 bg rose_1b,0 mld c,$BEA_AkuwaraiA2,22 ;　お前は楼座叔母さんが何度も惨たらしく殺されているのを俺に、楽しいだろうと言った。@ `You said that I'd probably think Rosa oba-san being brutally killed over and over was fun.`@ br ;　嫌味で言ったんじゃない、心底から楽しくて、@それを俺にも共感してほしくて楽しいだろうと言ったんだ。\ `That wasn't sarcasm.`@` You enjoyed it from the bottom of your heart, wanted me to sympathize, and said that I'd probably think it was fun.`\ csp -1 bg black,2 mono off ;　……その瞬間、俺は失望し、悟った。\ `......In that instant, I was disappointed, and I realized the truth.`\ bg G1F_S1cP,0 ld c,$BUT_majimeA1,26 ;「お前が魔女だとかそうでないとか、そういうことが問題なんじゃない。@……俺は、お前のその残酷さが許せない。@そして理解できない！@　許すこともできない！@　だが、魔女を認めるか否定するかというゲームは続ける。@自ら降りて敗北を認めたりはしないさ。」\ `"The problem isn't whether you're a witch or not.`@` ......I will not forgive that cruelty of yours.`@` And I can't understand it!`@` I can't forgive it, either!`@` Still, I'll continue this game of whether to accept or deny witches.`@` I won't step down and accept my own defeat."`\ ld c,$BUT_komaruA2,80 ;「だが、そのゲームにお前の無意味な残酷さは何の必要もない。@だから俺は、お前を対戦相手として認めないことにする。@ロノウェの方が百倍マシだ。@お前のような残酷趣味はない。@あったとしても、俺の前でそれをひけらかす悪趣味はない。\ `"However, your pointless cruelty is absolutely not needed for that game.`@` So I've decided that I won't accept you as my opponent.`@` Ronove is a hundred times better.`@` He doesn't have the same cruel hobby you do.`@` Even if he does, he doesn't have the awful taste to show it off in front of me.`\ ld c,$BUT_NayamuA1,80 ;　……そうさ、お前は悪趣味だ。@残酷で心がなく、だから理解することができない。@相手として不快だ。@だから俺はお前の顔を、二度と見たくない。」\ `......That's right, you have awful taste.`@` You're heartless and cruel, so you can't understand.`@` That's unpleasant in an opponent.`@` So I don't want to see your face again."`\ bg black,23 bg G1F_S1aP,0 ld r,$BEA_komaruA2,23 ;　一方的に戦人に捲くし立てられ、ベアトはしばらくの間、呆然としていた。@ `As Battler went on and on by himself, Beato was shocked into silence for a long time.`@ br ;　何を言われているのか理解できなかったのかもしれないし、@懸命に理解しようとする努力の表れだったのかもしれない。\ `Maybe she couldn't understand what she was being told,`@` and this was a sign that she was doing all she could in an effort to understand.`\ textoff ld r,$BEA_KomaruA1,80 wait 300 ld r,$BEA_AseruA1,80 wait 300 ld r,$BEA_fukigenA3,80 wait 300 ld r,$BEA_fukigenA1,80 ;　しばらくの間、怒るような表情や悔しがる表情、不敵な表情をいくつも繰り返し、@……自分がどのような態度を取るべきかなのかさえ、わかりかねているようだった。\ `For a while, she kept switching between angry expressions, frustrated expressions, bold expressions,`@` ......as though she didn't even know herself what attitude she should take.`\ ld r,$BEA_NayamuA1,80 ;　その末、何だか憑き物の落ちたような淡白な表情を作り、@疲れたとでも言いたげに肩をすくめた。\ `In the end, she made her face into a candid expression, as though she had come to her senses, `@`and shrugged her shoulders as though she was tired.`\ textoff fede 10,2000 ld r,$BEA_fukigenA3,80 ;「……………………。@………なら、好きにすれば良い。@妾は以後、ロノウェを通してゲームを続けることにする。@……妾が姿を見せないのであれば、文句ないであろう？」\ `"..................`@`.........In that case, do as you like.`@` From now on, I will continue this game through Ronove.`@` ......You have no complaints as long as I don't show myself, right?"`\ ld l,$BUT_oyaA1,23 ;「……取り合えずはな。@だが、お前の重ねてきた残酷な行為の数々を、俺は絶対に許さない。@だから絶対にお前を認めない。@その為にも、お前に売られた喧嘩を俺から降りない。@そして絶対に負けない。@…それだけだ。」\ `"......For the time being.`@` But I definitely won't forgive all of your cruel actions up until now.`@` So I definitely won't accept you.`@` For that reason as well, I won't back down from this fight you've picked.`@` And I definitely won't lose.`@` ...That's all there is to it."`\ bg G1F_S1bP,24 ld r,$WAL_FumanA1,24 ;「……………ベアト。@これ以上、言い訳を重ねても彼の心証は変わりませんよ。@/ `"............Beato.`@` No matter how many more excuses you give, his impression will not waver. `@/ ld r,$WAL_ikariA1,80 ;…後で話があります。@それまで下がっていなさい。」\ `...I have something to talk about later.`@` Until then, stay back."`\ ld l,$BEA_OdorokiA2,23 ;「…………………う、…うむ…。@…わかった。@/ `"...............H, ...hmm...`@`...Understood. `@/ ld l,$BEA_komaruA2,80 ;…それでは呼ばれるまで姿を消している…。」\ `...Then I'll hide myself until you call..."`\ se1 52 cl l,99,3000,"breakup.dll/urB" ;　ベアトは寂しそうな背中を向けると、姿を消す。\ `Looking lonely, Beato turned her back to them, and hid herself.`\ bg G1F_S1aP,0 ld r,$BUT_komaruA2,23 ;　…戦人はそれを見て、少し面白くなさそうな表情を浮かべる。@ `...Battler watched, a slightly displeased expression on his face.`@ br ;　正論を言ったつもりなのに、なぜか気分は晴れなかった。\ `He thought his argument had been valid, but for some reason, his mood didn't clear up.`\ ld r,$BUT_NayamuA1,80 ;「……あいつは、/ ;!d700…馬鹿だろ。」@ ;＜戦人 `"......She's, `/ !d700`...an idiot."`@ ld l,$WAL_majimeA1,23 ;「………そうですね。@馬鹿で、素直です。」\ ;＜ワルギリ `".........That's true.`@` An idiot, and honest."`\ ld r,$BUT_komaruA3,80 ;「あの馬鹿は、楼座叔母さんが残酷に殺されるところを俺と見て、@満面の笑みで振り返りやがった。@/ `"That idiot watched Rosa oba-san be killed horribly with me,`@` and turned around with a huge smile on her face. `@/ ld r,$BUT_KuyasigaruA1,80 ;……あの残酷ショーを、本気で俺と笑い合えると信じてやがったんだ。@…俺とその感情を共有できると、本気で信じてやがった…。\ `......She really believed that she could laugh with me at that cruel show.`@` ...She really believed that I could sympathize with that emotion...`\ ld r,$BUT_NayamuA1,80 ;　あの無邪気な笑顔を見て、俺は最低な気持ちになったぜ。@……むしろこれまでのように、意地悪な面で言われた方がずっとマシだった…。@…畜生…。」\ ;＜戦人 `Looking at that innocent smile, I felt just horrible.`@` ......It would have been much better if she had said it with her normal bullying face...`@`...Damn it..."`\ cl l,24 ld l,$RON_DefA2,23 ;「お嬢様は、友達というものを持った試しのない方です。@……それどころか、あれほど強く物を言われたことさえなかったでしょう。\ `"Milady has never had the experience of having a friend.`@` ......In addition, she has probably never had something spoken to her that strongly.`\ ld l,$RON_akuwaraiA1,80 ;　私もマダムも共に付き人。@何を申し上げても、お耳には届きません。@お嬢様にはこれも、」\ ;＜ロノウェ `Madam and I are her attendants.`@` No matter what we say, it will not reach her ears.`@` For Milady, this is also-"`\ ld r,$BUT_komaruA2,80 ;「ふざけるな。@俺はあいつの友達になった覚えはないぞ。」@ `"Don't screw with me.`@` I don't remember ever becoming her friend."`@ ld l,$RON_WaraiA2,80 ;「……そうでございますね。@失礼いたしました。」\ `"......That is true.`@` My apologies."`\ ld c,$WAL_majimeA1,23 ;「…………………。@/ `"..................`@/ ld c,$WAL_defA1,80 ;……ひとつだけあなたに感謝を。@…あの子のゲームを降りないでくれて、ありがとう。」\ ;＜ワルギリ `......There is one thing I would like to thank you for.`@` ...Thank you for not backing down from that child's game."`\ bg G1F_S1cP,24 ld l,$BUT_NayamuA1,23 ;　その言葉は感謝を述べてはいたが、なぜか戦人は不愉快そうな顔をする。@ ;　それから、そんな自分に嫌悪するように、ふっと笑った。\ `She spoke words of gratitude, but for some reason, Battler made a displeased face.`@ `Then as though hating himself, he chuckled.`\ ld l,$BUT_futekiA1,80 ;「魔女やら悪魔やらに礼を言われるようになっちゃ、俺もお仕舞いだな。@/ `"Now that I've even got witches and demons thanking me, I'm screwed. `@/ ld l,$BUT_nayamuA2,80 me1v 12,50 ;……ゲームを再開しようぜ。@もちろん手心を加えるつもりはないからな。」@ `......Let's resume the game.`@` Of course, I don't intend to go easy on you."`@ ld r,$RON_WaraiA2,24 ;「望むところです。@お嬢様と違い、私は熱くはなりませんよ。」\ ;＜ロノウェ `"I wouldn't have it any other way.`@` Unlike Milady, I do not get agitated."`\ ld l,$BUT_futekiA1,80 ;「……俺の手はすでに指したぜ。@楼座叔母さんが犯人で事故死と仮定すれば魔女は否定できる。@……楼座叔母さんを疑いたくはないが、ベアトをぶっ潰すために、今は敢えてそうだと仮定する。」\ `"......I've already made my move.`@` If we suppose that Rosa oba-san is the culprit and died in an accident, I can deny the witch.`@` ......I don't want to suspect Rosa oba-san, but I think I can withstand that premise if it will beat the hell out of Beato."`\ ld r,$RON_DefA1,80 ;「赤で否定を行います。@/ `"I will deny it with red. `@/ se1 59 ;#ff0000楼座と真里亞の二人は他殺です#ffffff。」@ `#ff0000Rosa and Maria were killed by other people#ffffff."`@ ld l,$BUT_majimeA1,80 ;「よし。@…そこから始めようじゃねぇか。@/ `"Alright.`@` ...Why don't we start from there. `@/ ld l,$BUT_NiramuA1,80 ;……………クソ、盛り上がらねぇぜ。」\ `............Damn, I'm just not getting fired up."`\ mov %play_scene,30180 bg black,5 fede 0,2000 me1v 13,70 wait 2000 dllefe 1,1 bg G_o1bR,22 wait 2000 bg black,25 mevol 1,50 me2v 16,50 dllefe_off bg Glob_1cR,26 ;■ゲストハウス ;　楼座と真里亞が殺されたことにより、殺人犯が今もどこかに潜んでいて、@さらに連続殺人を重ねようとしていることが明白となった。@ `Since Rosa and Maria had been killed, it had become clear that the culprit was still hiding somewhere,`@` trying to add even more murders to this chain.`@ br ;　留弗夫は涙を零しながら、何度も楼座の遺体に無用心だと罵り続けたが、@楼座がそれに応えることは二度とない。\ `As he shed tears, Rudolf scolded Rosa's corpse for being reckless several times,`@` but Rosa would never respond to that again.`\ bg black,25 ;　二人の遺体は客室の一室に安置され、警察が来るまで封印されることになった…。@ `They had decided to place the two corpses in one of the guest rooms, and to seal it until the police arrived...`@ br ;　この第二の殺人、…いや、第二の晩の殺人は、一同に強い衝撃を与えた。@ `The second murder, ...no, the murder of the second twilight, had delivered a heavy blow to everyone.`@ br ;　それは一部の人間の楽観であるところの、@“実は事件は起こっておらず、全ては金蔵と使用人たちの茶番でゲーム”という想像を吹き飛ばしたからだ。\ `Because it had blown away the optimism that some of them had held,`@` the thought that 'actually, a crime didn't occur, and it was all a game or a farce by Kinzo and the servants'.`\ bg Glob_1eR,22 ;　譲治と朱志香は、互いの想い人を失った悲しみを紛らわせようと、@朝からずっと、あらゆる可能性を話し合ってきた。\ `Trying to distract themselves from the loss of the people they liked, `@`George and Jessica had spent the whole time since morning talking about every possibility.`\ bg blood_1a,22 ;　……そして、実はこの殺人は全て芝居なのではないか。@紗音も嘉音も死んだフリをしているだけではないのか、@と仮定することで、心を紛れさせていたのだ。\ `......And, they had distracted their hearts by supposing that these murders might actually have all been an act,`@` and that Shannon and Kanon were only pretending to be dead.`\ bg blood_1aR,22 ;　それを、再び起こった殺人は打ち砕き、@……二人の想い人は間違いなく殺されたのだということを、もう一度突きつけることとなった…。@ `When the next murder occurred, it destroyed that thought,`@` ......and they were once again struck by the fact that the person they liked had most definitely been killed...`@ br ;　一度は枯れ切ったはずの涙を再び零す二人に、戦人は掛ける言葉を思いつくこともできなかった…。\ `The tears that they'd thought had died away began to drip down once more, and Battler couldn't think of anything to say to them...`\ bg black,25 fede 0,2000 bgm1 39 bg G1F_P1aR,22 ;　その後、念には念を入れて、大人たち全員が全部屋の安全確認と戸締りの確認を行なった。@ `After that, all of the adults checked that all of the rooms were safe and locked, just in case.`@ br ;　窓は全て鎧戸が下り施錠されていることを確認し、不審者が潜んでいないことを確認する。\ `They made certain that shutters on all of the windows were down and locked, and they checked that no one suspicious was hiding anywhere.`\ ;　その上で改めて武装を再確認し、@不審な人影を見掛けた場合、先制射撃を行なうことも辞さないとする心構えを確認し合った。\ `On top of that, they checked their weapons once again,`@` and made sure that each other's hearts were prepared, so that they wouldn't hesitate to fire off a preemptive shot if they saw the shadow of a mysterious person.`\ bg black,22 ;　また、現場には楼座が持っていた銃が残されていた。\ `Furthermore, the gun Rosa had been holding had been left near the place she had been found.`\ bg Glob_1cR,22 ;　わざわざ残されていたのだから、何かの罠ではないかとみんな疑ったが、@秀吉が火掻き棒を器用に使って空撃ちを試してみたところ、問題なく発砲できた。\ `Someone had gone out of their way to leave it there, so everyone suspected that it was some kind of trap,`@` but when Hideyoshi skillfully used a fire iron to fire off a test shot, it was definitely able to discharge.`\ se1 46 bg white,1 bg black,22 wait 500 se2 46 bg white,1 bg black,22 wait 500 se3 46 bg white,1 bg black,22 wait 500 se1 46 bg white,1 bg black,22 wait 500 se2 46 bg white,1 bg black,22 wait 500 ;　その結果、装填されている５発全てが問題なく発砲できた為、@それには再び弾丸が装填され、成人男性で唯一武装していなかった秀吉に渡されることとなった。\ `As a result, since all five shots that had been loaded had discharged without any problems,`@` they reloaded it with bullets and handed it over to the only adult male who wasn't armed, Hideyoshi.`\ me1v 17,60 bg Different_spiral_1a,22 ;　しかし、５発を発砲できてしまったことは、ある疑心暗鬼を生み出すことになった。\ `However, the fact that it had been able to fire off five shots gave rise to a certain paranoia.`\ ;　このショートバレルのウィンチェスター銃の装弾数は５発。@ ;　つまり楼座は、１発も発砲しなかったのだ。@ `This short barrel Winchester could load five shots.`@ `In other words, Rosa hadn't fired even once.`@ br ;　にもかかわらず、彼女らの死因はおそらくは素手によるもの。@ `And yet, the two had probably been killed by someone with their bare hands.`@ br ;　これが意味するところは、顔見知りによる犯行の可能性である…。\ `This meant there was a possibility that the crime had been committed by someone whose face they knew...`\ E_MA me1v 12,50 bg Glob_1cR,26 ld r,$KIR_MajimeA1,24 ;「……最初の殺人が起きた時。@私は内心、これが全て芝居である可能性を考えたの。@/ `"......When the first murder occurred,`@` I privately thought of the possibility that it was all an act. `@/ ld r,$KIR_KomaruA1,80 ;…南條先生には悪いけど、実は南條先生もグルで、/ ;!d800使用人たちが死んだ、ということにして、@何かお父様が凝りに凝った大芝居を打った可能性もあると思った。\ `...My apologies to Doctor Nanjo, but if he had actually been an accomplice, `/ !d800`I thought that there was a chance that the deaths of all the servants could have been some massive, elaborate act by Father.`\ bg MAP10,0 ld r,$KIR_NayamuA1,80 ;　……だって、彼らの密室状況は彼らの自作自演を想定しない限り、生み出せないのだもの。」\ ;＜霧江 `......After all, unless we assume that the closed room situation they were in was all a charade, it couldn't have been created in the first place."`\ ld l,$GEO_MajimeA3k,23 ;「…僕たちも、/ ;!d500……それを疑いました。@…いえ、/ ;!d400…今もそうであって欲しいと信じてます。」\ ;＜譲治 `"...We also, `/ !d500`......suspected that.`@` ...No, `/ !d400`...I still want to believe that's the case."`\ cl r,23 ld r,$NAN_KomaruA2,24 ;「……………申し訳ないが、……それはありません。@…私も老いぼれです。@誤診もあるかもしれない。@/ `"............My apologies, ......but that is not so.`@` ...I am quite old.`@` There may be a chance that I made a misdiagnosis. `@/ ld r,$NAN_MajimeA2,80 ;……しかし、生き死にを間違えるようなことは絶対にない…。」\ ;＜南條 `......However, I would never mistake whether they were alive or dead..."`\ ld c,$JES_NakuA3,63 ;!s0「わかってるよッ！/ !s0`"I get it! `/ se1 13 quakex 4,600 !sd@/ ;　わざわざそれを口に出すなよ、南條先生…！」@ ;＜朱志香 `Don't go out of your way to say it out loud, Doctor Nanjo...!"`@ ld r,$NAN_KomaruA4,80 ;「……すみません…。」\ ;＜南條 `"......My apologies..."`\ monocro #888888 print 22 ;　彼らには与り知れないことだが、@ベアトは赤で、彼ら６人の、@…いや、今回、すでに出ている犠牲者全員の死亡を宣言している。@ `They couldn't know about it,`@` but Beato had already proclaimed the deaths of the six,`@` ...no, this time the deaths of all victims so far, in red.`@ br ;　全てが茶番で、犠牲者たちは実は生きているという淡い夢は、@……気の毒だが、ありえないのだ…。\ `That faint dream that it was all a farce, and that the victims were actually alive,`@` ......it's a shame, but that's impossible...`\ bg black,22 mono 0 bg Glob_1dR,0 ld c,$RUD_MajimeA2,24 ;「……となりゃこの島に、屋敷に精通した何者かが潜んでいて、@練りに練った犯行を実行したと考える方が自然だろうよ。@つまり、この島には台風が来て外界と途絶された時点で、１８人以上の人間がいたんだ。」\ ;＜留弗夫 `"......In that case, it's more natural to think that there's someone hiding around who's acquainted with the mansion,`@` carrying out a well-polished crime.`@` In other words, from the time that the typhoon came to this island and sealed it off from the outside world, there were more than 18 people on this island."`\ monocro #888888 print 22 ;　そしてこれももちろん与り知れないこと。@ `Of course, there was no way for them to know that.`@ br ;　留弗夫のこの主張もまた、赤で否定されている。@ ;　この島には１８人を超えた人間は存在しない…。\ `That claim of Rudolf's had also been denied in red.`@ `There are no more than 18 humans on this island...`\ bg black,23 mono 0 bg Glob_1aR,0 ld l,$KIR_majimeA1,23 ;「こう考えると少しは辻褄が合うのかしら。@……つまり隠れ潜んでいる何者かは、本来は今、島にいるはずのない人物。@にもかかわらず、楼座さんが油断するような顔見知りの人物である可能性よ。」\ ;＜霧江 `"Maybe it's fairly consistent if you think of it that way.`@` ......In other words, this person who's hiding is actually someone who shouldn't be on this island right now.`@` And yet, there's the possibility that it was someone whose face was known by Rosa-san, and with whom she would let her guard down."`\ ld r,$NAT_OdorokiA2,24 ;!s0「……そ、/ ;!d200それは例えば、/ ;!d300この二日間のシフトに当たっていない使用人など、ですか…？」/ !s0`"......S, `/ !d200`so, for example, `/ !d300`could it be, a servant whose shift doesn't lie on these two days...?"`/ !sd\ ;＜夏妃 ld c,$KLA_MajimeA1,23 ;「ふむ……。@…それを言われると弱いな。@我々は勤務を終えた彼らが離島するのを、切符切りのように確認しているわけではない。@数日前のシフトの使用人が、離島したフリをして島内に留まっていたかもしれないと仮定したら、@否定するのは難しいね…。」\ ;＜蔵臼 `"Hmm......`@`...It's hard to argue with that one.`@` When they finished their service and left the island, it isn't as though we made sure by punching their ticket or anything.`@` If we suppose that a servant on a shift from a few days ago only pretended to leave the island, and actually stayed here,`@` that would be hard to deny..."`\ bg Glob_1dR,24 ld r,$HID_komaruA1,24 ;「……楼座さんもアホちゃうと思うで。@いるはずのない使用人がひょっこり姿を現したら、普通は警戒バリバリや…。」\ ;＜秀吉 `"......I don't think Rosa-san is such a fool.`@` If a servant who was supposed to be dead popped up in front of you, any normal person'd be at their most cautious..."`\ ld l,$EVA_IkariA1,23 ;「……………顔見知りの犯行と決め付けるのもどうかと思うわ。@…暗がりから突然楼座が襲われて、銃を奪われそうになった。@そしたら楼座が転んで柵に頭を打ち、動かなくなった。@ゲストハウスが近かったので、銃声を嫌い、素手で真里亞ちゃんを殺した…、とか。」\ ;＜絵羽 `"............I have a problem with even labeling this as a crime by an acquaintance.`@` ...They suddenly attacked Rosa from the darkness, and were about to steal her gun.`@` Then Rosa fell, hit her head against the fence, and stopped moving.`@` The guesthouse was nearby, so they wanted to avoid the sound of a gunshot, and they killed Maria-chan with their bare hands..., perhaps."`\ cl r,23 ld r,$RUD_nayamuA1,24 ;「……そういう可能性もあるな。@…ただ、そうだとしてもだ。@/ `"......There's also that possibility.`@` ...Still, even if that is the case. `@/ se1 43 ld r,$RUD_KomaruA1G,26 ;現場にわざわざ楼座の銃を残していくだろうか。@犯人が何を武装しているか知らねぇが、こちらの銃は不安要素のはずだ。@…その一丁を間引けるチャンスだったはずだぜ？@　なぜわざわざ現場に残したんだ。」\ ;＜留弗夫 `Would they intentionally leave Rosa's gun at the scene of the crime?`@` We don't know what the culprit is armed with, but they must feel an element of uncertainty about our guns.`@` ...Wasn't that a perfect chance for them to thin out our supply?`@` Why would they intentionally leave it at the scene of the crime?"`\ cl l,24 ld l,$KIR_majimeA2,23 ;「私は初め、その銃を罠だと思ったの。@……チェス盤思考だとそうなる。@わざわざ残した以上、私たちの誰かに手に取らせたい。@そして引き金を引かせたいに違いない。@…てっきり暴発して大怪我を負わせるような、危険な仕掛けがされてるに違いないと思ってたわ。」\ ;＜霧江 `"At first, I thought that gun was a trap.`@` ......That's what chessboard thinking says it would be.`@` By purposefully leaving it, they wanted to make one of us touch it.`@` And they must have wanted to make us pull the trigger.`@` ...I was sure that it would have some dangerous device to make it explode and cause massive injuries."`\ bg Glob_1cR,23 ld r,$HID_defA1,24 ;「でも、現に大丈夫や。@/ `"But, it's actually alright. `@/ se1 43 ld r,$HID_waraiA2G,26 ;……恐らく、犯人も焦っとったんとちゃうか。@今頃、銃を奪うチャンスを逃したことを後悔しとるに決まっとるで…！」\ ;＜秀吉 `......The culprit was probably in a hurry.`@` I'll bet that right now, they're regretting that they missed their chance to steal a gun...!"`\ ld l,$BUT_NiramuA3,23 ;「………何だか不愉快だな。@銃なんか怖くもないって言う、魔女のメッセージみたいでムカつくぜ。」\ ;＜戦人 `".........I don't like it.`@` It ticks me off, 'cause it's like a message from the witch, saying that she isn't even scared of guns."`\ bg black,23 bg Glob_1aR,23 ld l,$NAT_TukareA1,23 ;「…しかし、いずれにせよ恐ろしい相手ですね。@楼座さんが銃を持っていることは傍目にもわかったはず。@/ `"...However, in any event, this is a fearsome opponent.`@` Even from the outside, they should have realized that Rosa was holding a gun. `@/ ld l,$NAT_HisuA1,80 ;にもかかわらず、襲い掛かるとは。@……銃を恐れないという点を、私たちは軽視するべきではありません。」\ ;＜夏妃 `To think that they attacked her despite that.`@` ......We should not neglect the fact that they are unafraid of guns."`\ ld r,$KLA_DefA1G,24 ;「うむ…。@夏妃の言う通りだ。@……これまで以上に用心すべきだろう。」\ ;＜蔵臼 `"Hmm...`@` It's as Natsuhi says.`@` ......We should probably be even more cautious than we have been."`\ cl l,24 ld l,$KIR_DefA1,23 me2v 16,50 ;「念の為なんだけど…。@………楼座さんたちが外に出たと思われる頃。@みんなはどこにいたのかしら…？」@ ;＜霧江 `"This is just for peace of mind, but... `@`.........at the time we think Rosa-san was attacked outside,`@` where was everyone...?"`@ ld r,$KLA_NayamuA1,80 ;「私と夏妃、そして留弗夫と霧江さんはここで一緒だった。@私がアリバイを保証する。」\ ;＜蔵臼 `"Natsuhi and I were here, along with Rudolf and Kyrie-san.`@` I can guarantee their alibis."`\ bg black,24 bg Glob_1dR,0 ld r,$HID_MajimeA1G,24 ;「わしと絵羽も一緒だったで。@わしが保証するわ。」@ ;＜秀吉 `"Eva and I were together.`@` I can guarantee that."`@ ld l,$BUT_oyaA1,23 ;「俺と譲治の兄貴、朱志香も一緒だったぜ。@……楼座叔母さんに、２階へ戻ってろと怒鳴られ、@すごすごといとこ部屋へ引き返したさ。」\ ;＜戦人 `"George-aniki, Jessica, and I were together.`@` ......When Rosa oba-san yelled at us to return to the second floor, `@`we retraced our steps back to the cousins' room, all dejected."`\ cl r,23 ld r,$JES_NayamuA1,24 ;「……あの時、/ ;!d500…真里亞を行かせなければ…。」@ ;＜朱志香 `"......That time, `/ !d500`...if we hadn't let Maria go..."`@ ld c,$GEO_KomaruA1k,23 ;「それを言っても、もうどうしようもないよ…。」\ ;＜譲治 `"Saying that isn't going to change anything..."`\ bg Glob_1aR,0 ld l,$EVA_majimeA1,23 ;「…………南條先生は？」@ ;＜絵羽 `"............Doctor Nanjo?"`@ ld r,$NAN_KomaruA1,24 ;「わ、私は２階の部屋で本を読んでおりました。@/ `"I, I was reading a book in a room on the second floor. `@/ ld r,$NAN_MajimeA2,80 ;……ひとりでおりましたので、誰にもアリバイは証明できませんが、@子どもたちと一緒に２階へ戻ったのは、皆さんも見ているはずです。」\ ;＜南條 `......I was by myself, so no one can verify my alibi, `@`but I believe everyone saw me return to the second floor with the children."`\ ld c,$RUD_MajimeA1,23 ;「…これを言い出したら切りがないが、@窓から飛び降りて楼座を襲って、@雨どいでもよじ登ってまた戻ってきたとかな…？」@ ;＜留弗夫 `"...Once I say this, it'll never end, `@`but what if you jumped out the window, attacked Rosa,`@` then climbed back up using the rain gutter or something...?"`@ ld r,$NAN_KomaruA4,80 ;「めめ、滅相もない…。@この老体に、２階から飛び降りたり、よじ登ったり等という芸当、できるわけもありません…。」\ ;＜南條 `"D, d, don't be absurd...`@` How could I perform a feat such as jumping down from the second story or climbing up with this old body..."`\ bg Glob_1bR,0 ld r,$NAT_zutuuA1,24 E_M2 ;「……やめましょう。@互いを疑うのは…。@/ `"......Let us stop...`@`suspecting each other...`@/ ld r,$NAT_MajimeA1,80 ;それよりも、互いを信頼し合って、子どもたちの為にも、ここの安全を死守することの方が先決です。」\ ;＜夏妃 `It's more important that we trust each other, and, for the children's sakes as well, defend this place until the very end."`\ ld l,$RUD_NayamuA1,23 ;「そうだな…。@…夏妃さんの言う通りだ。@………今は、内部を疑い合うのを止めよう。」\ ;＜留弗夫 `"You're right...`@`...It's like Natsuhi-san says.`@` .........For now, let's stop doubting each other."`\ ld c,$KIR_DefA1,24 ;「そうね。@…犯人探しなんて、私たちには無用かもしれないわ。@/ `"That's right.`@` We may be useless as far as searching for the culprit is concerned. `@/ ld c,$KIR_WaraiA2,80 ;……ただ明日まで生き残り、警察に通報してその指示に従うだけ。@犯人が誰かなんて、警察が必ず暴き出してくれるのだから。」\ ;＜霧江 `......We can only stay alive until tomorrow, inform the police, and follow their instructions.`@` Because the police will definitely expose who the culprit is."`\ bg black,2 fedexx 0,50,0,0,0,0,3000 E_B bg Glob_1dR,24 ld r,$HID_fumuA1,24 ;「………どうしたんや、絵羽。@…まだ体調が悪いんとちゃうか…？」@ ;＜秀吉 `".........What is it, Eva?`@` ...Is your body still feelin' bad...?"`@ ld l,$GEO_MajimeA2,23 ;「か、母さん、どうしたの。@大丈夫…？」\ ;＜譲治 `"M, Mother, what's wrong?`@` Are you alright...?"`\ ld c,$EVA_KomaruA1,26 ;「…ごめんなさい。@…まだ熱が高いみたいなの。@大丈夫だから放っておいて…。」\ ;＜絵羽 `"...Sorry.`@` ...It looks like my fever is still strong.`@` I'll be fine, so leave me alone..."`\ ;　見れば、絵羽が再び呼吸を荒くして俯いていた。@ ;　…緊急事態ということで一時的に気丈に振舞えたようだが、@やはり体の具合は芳しくないらしい…。\ `When they looked, they saw Eva staring at the floor, her breathing harsh again.`@ `...She had been able to act firm for a time, due to the urgency of their situation, `@`but it seemed her body wasn't at its best after all...`\ ;■メタ視 mov %play_scene,30180 se1 56 mset2 mld r,$EV2_TokuiA1,22 E_A bgm1 55 ;placeholder ;「えぇ。@あの二人は私が殺した。@これで黄金のことを知っているのは、私たちだけ。@他の兄弟たちには、カケラひとつだって譲りはしないの。」@ ;＜魔女絵羽 `"Yeah.`@` I killed those two.`@` Now, the only ones who know about the gold are us.`@` I won't give up even a scrap to the other siblings."`@ ;mld l,$EVA_IkariA2,23 ;「…………何てことを……！@　あれだけの莫大な黄金なのよ？！@　楼座たちに分け前をあげたって、まったく問題はなかったでしょうに…！」\ ;＜絵羽 `"............What have you......!`@` There was so much of that gold, right?!`@` Giving Rosa and the others their share wouldn't have been a problem at all, right...?!"`\ mld r,$EV2_AkuwaraiA1,80 ;「あるわよ。@…あれは右代宮家の当主だけが引き継げる黄金なの。@だからこそそれは、全て丸ごと当主の栄誉そのものなの。\ `"It would.`@` ...That gold is to be passed on only to the head of the Ushiromiya family.`@` That is because the whole of it is itself the honor of the head.`\ mld r,$EV2_niramuA1,80 ;　……それにわずかほどでも傷をつけることは、@この私、新しき黄金の魔女、ベアトリーチェが絶対に許さないわ。@/ `......To injure that even a tiny bit,`@` will definitely not be permitted by me, the new Golden Witch, Beatrice. `@/ se1 37 ;……くすくすくすくすくす！」\ `......*giggle*giggle*giggle*giggle*giggle*!"`\ ;mld l,$EVA_KomaruA1,80 ;「…あなたは魔女の碑文通りに殺人を続けるつもりなの…？@　まさか、あと５人も人殺しを続けるつもりなの…？」\ `"...Do you plan to continue these murders according to the witch's epitaph...?`@` Do you actually plan to become a murderer for five more people...?"`\ mld r,$EV2_WaraiA1,80 ;「えぇ。@その面倒な儀式を終えないと、私の魔女としての力は完全なものにならないらしいの。\ `"Yeah.`@` If I don't finish that annoying ceremony, it seems that my power as a witch won't become complete.`\ mld r,$EV2_AkuwaraiA3,80 ;　……ねぇ“私”。@/ `......Hey, 'me'. `@/ mld r,$EV2_AkuwaraiA4,80 ;…この魔女の力は本当にすごいわ。@私たちが妄想してきた全てが、本当に実現できる。@夢が夢でなくなる力なの…！@　この力を知ってしまったら、もう魔女はやめられない。@儀式を完全に終えて私の力が完全なものになれば、きっとそれをあなたにも教えてあげられるわ。@/ `...The power of the witch is really awesome.`@` It really can make all of our delusions become reality.`@` The power to make dreams more than just dreams...!`@` Now that I've learned of this power, I can no longer stop being a witch.`@` If I can complete the ceremony and make my power complete, I'm sure I'll be able to teach you that feeling too. `@/ se1 37 ;くすくすくす、くっくくくくくくくくく！」\ `*giggle*giggle*giggle*, *cackle*cackle*cackle*cackle*cackle*!"`\ ;「馬鹿なことは止めて…！@　魔女ごっこはもう充分でしょう？@　私たちは黄金を見つけたわ。@そして次期当主の座だって約束されてるわ。@ほんの少しの綱渡りは必要だろうけど、もうそれは絶対に叶う夢。@……なのにこれ以上、あなたは何を望むというの…？！」\ `"Stop acting like an idiot...!`@` Haven't you played witch enough?`@` We found the gold.`@` And we've even been promised the position of the next family head.`@` We'll probably need to tightrope walk just a bit, but by now, that's a dream that will definitely come true.`@` ......Beyond that, what more could you wish for...?!"`\ mld r,$EV2_WaraiA1,80 ;「私は魔女になりたかったわ。」@ ;「私、そんな夢なんか知らないわよ…！」\ `"I wanted to become a witch."`@ `"I don't know anything about that dream...!"`\ mld r,$EV2_AkuwaraiA2,80 ;「そうよ。@その夢を持ち続けてるから、私はこの歳のままで生き永らえているの。@……あなたはその夢を、大人になることで捨てたわ。\ `"That's it.`@` Because I kept holding on to that dream, I've lived at this age forever.`@` ......When you became an adult, you threw that dream away.`\ mld r,$EV2_FukigenA1,80 ;　……いくら待てども、時計を持ったウサギなど訪れないし、@ハンプティダンプティにも会えはしない。@もちろんトランプの国に招かれたりも絶対にない。@あなたはそう、諦めてしまったから、大人になったのよ。\ `......No matter how long you wait, the rabbit holding a clock won't visit you,`@` and you won't be able to meet Humpty Dumpty.`@` Of course, you definitely won't be invited to the land of cards.`@` Because you gave up like that, you became an adult.`\ mld r,$EV2_niramuA1,80 ;　だからもう、魔女になりたいなんて思わない。@…それが本当の自分の夢であったことも忘れてしまったの。」\ `So you don't want to become a witch or anything like that anymore.`@` ...You've even forgotten that it truly was your own dream at one point."`\ ;「……とにかくやめて！@　私はもう、２つの夢を手に入れている！@　黄金と当主の座。@それでもう充分なの！@　だからお願い、あんたの夢なんて知ったことじゃない！@　大人しくしてて…ッ！！」\ `"......Anyways, stop it!`@` I've already gotten my hands on two dreams!`@` The gold and the position of head.`@` That's more than enough!`@` So please, your dream has nothing to do with me!`@` Be obedient...!!"`\ mld r,$EV2_IkariA1,80 me1v 5,60 ;「………嫌ぁよ。@魔法、面白いもの。@/ `".........No wa-y.`@` Magic's too interesting. `@/ mld r,$EV2_FukigenA2,80 ;………それに、あなたの２つの夢は、私の魔法のお陰で叶ったのよ。@なのに私の夢は叶えてはいけないなんて不公平よ。」\ `......Also, those two dreams of yours both came true because of my magic.`@` It's not fair if my dream doesn't come true too."`\ ;「あなたの魔法には感謝してるし、あなたこそが本当の魔女だと私は認めてるわ。@……だからもう、大人しく私の胸の中に帰って！@　そして二度と現れないでッ！！」\ `"I am grateful for your magic, and I accept that you are a real witch.`@` ......So from now on, be obedient and return to the inside of my heart!`@` And never appear again!!"`\ mld r,$Ev2_NiramuA1,80 ;「嫌ぁ。@……私たち、お互いに勘違いしてるわね。@そうよ、私はもう、あんたじゃないの。@あんたは右代宮絵羽。@私は黄金の魔女ベアトリーチェ。@/ `"No wa-y.`@` ......We're both misunderstanding each other, aren't we?`@` That's right, I am not you anymore.`@` You are Ushiromiya Eva.`@` I am the Golden Witch Beatrice. `@/ mld r,$EV2_AkuwaraiA2,80 ;だから、あんたの胸の中に帰る義理はないの。@……さながら、あなたという殻を脱皮して蝶になったような気分かしらぁ。」\ `So it's not my responsibility to go back to the inside of your heart.`@` ......I guess I feel like a butterfly who has broken out of her cocoon, which is you."`\ me2v 17,60 ;!s0「…………はぁ、/ ;!d800……はぁ……。@…く、/ ;!d400……熱で、/ ;!d400…意識が朦朧とする……。」\ !s0`"............Haah, `/ !d800`......haah......`@`...urg, `/ !d400`......the fever, `/ !d400`...is making my mind cloudy......"`\ !sd mld r,$EV2_AkuwaraiA1,80 ;「私の魔力が未熟な分を、あなたの生気で補ってるの。@私が儀式を終えて完全な魔女になるまで、あなたに負担を掛けるかもね。@それくらいは、２つの夢を叶えてあげた対価ってことにしてもらうわよ。\ `"My inexperience with my magic power is making me support it with your vitality.`@` Until I finish the ceremony and become a full witch, you might have to bear the burden.`@` I'll take that in exchange for making two of your dreams come true.`\ mld r,$EV2_tokuiA1,80 ;　……大丈夫、安心して？@　残る５人の生贄については、あんたの家族は外してあげるわ。\ `......It's alright, don't worry, okay?`@` For the remaining five sacrifices, I'll avoid your family.`\ mld r,$EV2_AkuwaraiA6,80 ;　そうね、留弗夫、霧江、蔵臼、夏妃。/ `Let's see, Rudolf, Kyrie, Krauss, Natsuhi. `/ se1 2 ;@…あとは老いぼれの南條なんかどう？@　ちょうどいいわ、この５人を殺すわね。@くすくす、あなただけに明かす殺害予告ってところかしらぁ。@くすくすくすくす！！」\ @`...After that, what about that old geezer Nanjo?`@` Perfect, I'll kill those five people.`@` *giggle*giggle*, could you call this a murder announcement revealed only to yoouu?`@` *giggle*giggle*giggle*giggle*!!"`\ ;■メタ視解除 mend mov %play_scene,30180 cl c,65 se1 13 E_MA quakey 4,800 ;　とうとう絵羽はしゃがみ込んでしまう。@慌てて秀吉が駆け寄り、肩を貸す…。\ `Eva finally crouched down.`@` Hideyoshi rushed up to her, and lent her his shoulder...`\ ld r,$HID_KomaruA2,80 ;「……大丈夫か。@…無理せんと休もう！」@ ;＜秀吉 `"......Are you alright?`@` ...Let's take it easy and rest!"`@ cl l,24 ld l,$KLA_KomaruA1,23 ;「大丈夫かね…。@南條先生、絵羽を…！」@ ;＜蔵臼 `"Are you alright...?`@` Doctor Nanjo, take a look at Eva...!"`@ br ;　南條と譲治が近寄ろうとすると、絵羽はそれを制するような仕草をする。\ `When Nanjo and George tried to approach, Eva made a gesture to stop them.`\ bg Glob_1bR,24 ld r,$EVA_KomaruA3,26 ld r,$EVA_komaruA1,80 ;「…ありがとう。@大丈夫よ、南條先生。@薬なら飲んでるの。@……こんな非常事態で申し訳ないけど、@…もう少しだけ休ませてもらうわ…。」\ ;＜絵羽 `"...Thank you.`@` I'm fine, Doctor Nanjo.`@` I'm taking medicine.`@` ......I apologize for saying this in such an extreme situation, `@`...but let me rest a little longer..."`\ ld l,$GEO_KomaruA1k,23 ;「母さん…、僕も肩を貸すよ…。」\ ;＜譲治 `"Mom..., I'll lend a hand too..."`\ bg black,25 bg Glob_1eR,22 ;「ありがとう。@お父さんが見ててくれるから平気よ。@……あなたは２階のいとこ部屋に戻って、決して出てこないように。@…いいわね…。@何があってもゲストハウスを出ちゃ駄目よ……。@/ `"Thank you,`@` but I'll be fine as long as your father watches over me.`@` ......Go back to the second story cousins' room, and don't come out no matter what.`@` ...Understood...?`@` No matter what happens, you must not leave the guesthouse......`@/ me1v 17,70 bg black,25 ;…外には、/ ;!d400……あの、魔女が……、/ ;!d800ううぅ…。」\ ;＜絵羽 `...Outside, `/ !d400`......that, witch is......, `/ !d800`uuuu..."`\ bg Glob_1cR,0 ld r,$HID_KomaruA1,26 ;「もう喋るなや…！@/ `"Don't talk anymore...! `@/ ld r,$HID_komaruA2,80 ;　みんなすまんな、わしは絵羽を部屋で看病しとる。@何かあったら呼んでや。」\ ;＜秀吉 `Sorry, everyone, but I'll be watching over Eva in the room.`@` Call if something happens."`\ E_MA bg black,23 me1v 12,50 ;　秀吉と絵羽はロビーを退出する。\ `Hideyoshi and Eva retreated from the lobby.`\ ;　…もっとも、体調が悪いのは絵羽だけではない。@ ;　昨夜から一睡もしておらず、朝からずっと緊張を強いられている。@ `...However, Eva wasn't the only one who wasn't feeling good.`@ `They hadn't gotten a wink of sleep since the previous night, and had been pressed by tension since that morning.`@ br ;　…家族を守るために気力を振り絞っているが、@わずかでも気を緩めれば、きっと誰もがダウンしてしまうに違いなかった…。\ `...They were mustering their energy to protect the family,`@` but if they relaxed even a little, surely everyone would be down and out...`\ fede 1,3000 E_B bg G1F_P1aR,0 se1 56 mov %play_scene,30170 mset mld r,$BEA_nayamuA1,24 bgm1 44 ;■メタ視 ;「……ここまでは順調であるが、ここからが難しいぞ？」@ ;＜ベアト `"......Everything has gone as planned until now, but from here on out, it will become difficult, you see?"`@ mld l,$EV2_defA1,23 ;「難しい、とは…？」\ ;＜魔女 `"Difficult, you say...?"`\ mld r,$BEA_futekiA2,80 ;「うむ。@大抵の場合、儀式が進行するにつれ犠牲者が増えると、彼らは守りを固めるようになり、@多くの場合、一所に固まって動かなくなるのだ。@それは我らにとって非常に都合が悪い。」\ `"Hmm.`@` In the average situation, as the ceremony progresses and the victims increase, they begin to tighten their guard,`@` and in most cases, they hold up in one place and stop moving.`@` That is extremely inconvenient for us."`\ mld l,$EV2_fukigenA1,80 ;「…それは、私たち魔女が群れたニンゲンに劣るということですか…？」\ `"...Are you saying that we witches are inferior to a bunch of humans in a group...?"`\ mld r,$BEA_NayamuA1,80 ;「魔女がニンゲンに劣ることはない…。@ただ、時代が変わり、ニンゲンが毒を持つようになったというべきか…。@/ `"Witches are not inferior to humans...`@` However, perhaps you could say that times change, and that humans have gotten their hands on a poison...`@/ mld r,$BEA_fukigenA3,80 ;……大昔の、魔法が信じられていた時代は問題なかったのだが、@現代人はあの小憎たらしい戦人がそうであるように、基本的に魔法を否定する。\ `......This wasn't a problem long ago, during the period that witches were believed in,`@` but just like that annoyance Battler, people in the current era fundamentally deny magic.`\ mld r,$BEA_nayamuA1,80 ;　つまり、存在自体が反魔法的なのだ。@その結果、彼らはいつの間にか体内に、魔法を否定する毒素を有するようになった。」\ `In other words, their existence itself is anti-magical.`@` As a result, at some point, they grew to possess a toxin inside their bodies that denies magic."`\ mld l,$EV2_defA1,80 ;「つまり、ニンゲンの数が多ければ多いほど、@その反魔法の毒素が強くなって、私たち魔女には不利だと仰られるのですか。」@ `"In other words, you're saying that the more humans there are, `@`the stronger that magic-resisting toxin gets, and the greater the disadvantage is for us witches?"`@ mld r,$BEA_fukigenA3,80 ;「……彼らの魔法を否定する心の力、即ち対魔法抵抗力の合計値が、そのまま魔法力の分母となるわけだ…。@わかるか？@　そなたにはちと難しいか…？」\ `"......The combined amount of power in their hearts that denies magic, in other words, their magic resistance power, becomes the denominator in the power of the magic...`@` Understand?`@` Is that a bit too difficult for you...?"`\ mld l,$EV2_waraiA2,80 ;「ご冗談を。@実に簡単にわかります。@…つまり、魔法を信じない人間が多ければ多いほど。@そしてその意思が強ければ強いほど、魔法は効果を劇的に除算されると仰っておられるのですね。@……なるほど、そのような計算式ならば、攻め方を考え直さなければなりません。」\ `"You're joking.`@` Actually, I understand it easily.`@` ...In other words, you're saying that the more people there are that don't believe in magic,`@` and the stronger their will is, the greater the dramatic division in the effect of the magic is.`@` ......I see, if it's so formulaic, I'll have to rethink my method of attack."`\ csp -1 bg black,22 me1v 17,60 bg Different_spiral_1a,22 ;　魔法は本来、絶大な力を持つ。@ `Fundamentally, magic possesses a vast power.`@ br ;　天上より火の雨を降らすこともできれば、海を割ることも、失われた命を蘇らせることさえ不可能ではない。\ `It can even make a rain of fire fall from the heavens, divide a sea, and reviving a lost life isn't impossible either.`\ ;　しかし、その力を拒絶する毒素に極めて弱いのだ。@ `However, that power is extremely weak against the toxin that rejects it.`@ br ;　そしてその毒素は、ニンゲンたちが神聖なるものへの敬いを忘れた頃から体内に蓄えられるようになり、@…ついにはこの大地を、魔法の奇跡が示せぬほどの毒素で覆い尽くしてしまった。\ `And that toxin started piling up in humans since the time they forgot to respect things sacred,`@` ...until finally, this earth was covered with enough toxin that the miracles of magic could not be displayed.`\ bg black,22 ;　その為、世界中の魔女たちは住処を追われた。@ `Thus, witches from across the world were chased from their dwellings.`@ br ;　…魔法を捨て、ニンゲンとして生きるか、ニンゲンの毒素の及ばない僻地に隠居するかを選ばなければならなかった。\ `...They had been forced to choose whether to throw away their magic and live as humans, or live in hiding in remote areas where the toxin of humans didn't reach.`\ bg sea_1c,22 ;　その意味においては、魔女たちにとって人口が十数人程度しかいない六軒島は非常に好都合だった。@ `In that sense, Rokkenjima, with its population of only a few dozen humans, was extremely favorable for witches.`@ br ;　そしてそれ以上に好都合なのは、六軒島の森には魔女が住まうという怪談の存在。\ `And even more favorable was the existence of the ghost story, about the witch who lived in the Rokkenjima forest.`\ ;bg Different_spiral_1a,22 bg portrait4,22 ;　…つまり、魔女が存在するかもしれないという恐れがある程度浸透しており、@ニンゲンたちの反魔法の毒素が弱まっていたことだ。\ `...In other words, by permeating the island with the fear that a witch might exist,`@` the magic-resisting toxin from the humans was weakened.`\ ;　少ない人口と、魔法的存在を認めうる余地。@ ;　即ち、低い反魔法的精神。@ `A small population, and a margin which made it possible to accept a magical being.`@ `In other words, minds that were only weakly anti-magical.`@ br ;　…この２つの狭間だけが、現代の魔女が生きていける場所なのだ…。\ `...Only in the valley where those two converged, could a witch live in modern times...`\ bg black,2 fede 10,2000 bg G1F_P1c,0 msetef 0,0 me1v 12,50 mld c,$EV2_defA1,26 ;「なるほど…。@……つまりその計算式によるならば、魔女が効率よく力を振るうにはいくつかのルールがあることになりますね。\ `"I see...`@`......So by this formula, we can make several rules about how a witch can use her power efficiently.`\ mld c,$EV2_akuWaraiA1,80 ;　１つは演出。@ニンゲンの仕業とは思えない殺人を演出し、オカルト的な装飾を施して、@彼らに魔女の存在を強くアピールし、浸透させることによって、彼らは魔女の存在を信じるようになり、@その結果、反魔法力が減少して魔法力の分母の減少も図られる。@……なるほど、第一の晩の不気味な魔法陣の演出などは、これに当たるわけですか。」\ `The first one is creating a scene.`@` Create a murder scene that you couldn't imagine was done by humans, decorate it with occult ornaments, `@`make it look very much like a witch exists, and by permeating the people with fear, make them believe that witches exist,`@` and as a result, the anti-magic power and the denominator for the power of the magic will be decreased.`@` ......I see, so this is why the creepy magic circles of the first twilight were created?"`\ mcl c,0 mld r,$EV2_WaraiA2,0 mld l,$BEA_fukigenA1,23 ;「そ、そうよ、その通り…！@　毎回の第一の晩のドギツイ演出は全て、その為のものなのだ。@/ `"Th, that's right, exactly...!`@` The gaudy scenes for the first twilight each game are all for that reason. `@/ mld l,$BEA_IiwakeA1,80 ;別に決して、妾が残酷なのが好きで面白半分でやっていたわけではないのだぞ…。」\ `It's definitely not as though I like cruel things or am doing it for fun..."`\ mld r,$EV2_waraiA2,80 ;「…だとしたら先代さま。@今回のは失敗ですね。@殺し方が非常に地味でした。@ただのミステリーにしか見えません。\ `"...In that case, Predecessor-sama,`@` this time was a failure.`@` You killed them in a very plain way.`@` It doesn't look like anything more than a simple mystery.`\ mld r,$EV2_akuwaraiA1,80 ;　………ロノウェに聞いていますが、前回や前々回のように、遺体をもっとグロテスクに損壊して、@ファンタジーに見せ掛け、彼らに恐怖心を植え付けるべきでしたね。」\ `.........I heard about last time and the time before that from Ronove.`@` You should have damaged the corpses more grotesquely, like you did then, making it look like a fantasy and instilling fear in those people."`\ mld l,$BEA_iiwakeA2,80 ;「………ま、…まぁそのだな。@…毎回それでは芸がないと思ってな…？@　深く考えるでない、気紛れだ…！」\ `".........W, ...well, about that.`@` ...I thought it wouldn't be artful to do that every time, see...?`@` Don't think too deeply on it, it's just a whim...!"`\ ;　実際、それは本当に彼女の気紛れだ。@ ;　戦人にあのようなことを言われた後ではもはや口にはできないが、@ほんの気紛れで決めた殺し方に過ぎない。\ `Actually, it really had been her whim.`@ `After hearing that from Battler, she couldn't say it out loud anymore,`@` but she had decided her method of killing based only on a whim.`\ ;　いや、適当にロノウェに決めさせたと言った方が正しいか。@ ;　今回の第一の晩の密室は、彼に一任させたのだから。@ `No, would it be better to say that she had halfheartedly let Ronove decide?`@ `Because she had left the closed room of this game's first twilight to him.`@ br ;　しかしもしも、ベアトに残酷なアイデアがあったなら、前回をはるかに超えた残虐非道を尽くしていたに違いない…。\ `But if Beato had gotten a cruel idea, then she surely would have explored the limits of atrocity even worse than the last game...`\ mld r,$EV2_AkuwaraiA3,80 ;「………………………。@楼座と真里亞の殺し方についても、先代さまは自重するように仰られましたが、@それも私たち魔女に利する行為ではありませんね？\ `".....................`@`For the methods of Rosa and Maria's deaths too, you told me to be prudent,`@` but that wasn't a course of action beneficial to us witches either, was it?`\ mld r,$EV2_NiramuA1,80 ;　実際、彼らは現時点では、魔女が実在するなんて、これっぽっちも信じてません。@ファンタジーでなく、完全にミステリーだと確信しています。@私たち魔女にとって失敗した展開です。@……先代さまが、どういうわけかヌルいやり方を繰り返したせいです。」\ `In actuality, by now, none of them believe one bit that a witch actually exists.`@` They're sure that it isn't a fantasy, but completely in the mystery genre.`@` This turn of events is a failure for us witches.`@` ......For some reason, you keep doing things in a kinda lukewarm way, Predecessor-sama."`\ mld l,$BEA_KomaruA1,80 ;「あー…、そ、そのだな、若い内の苦労は買ってでもしろというではないか…！@　先代からそなたへの、これは試練である。@謹んで挑むが良いぞ。@わっはっはっは…！」@ `"Aah..., l, like they say, things you learn when you're young will definitely help you out in the future...!`@` This is a test passed on from my predecessor to you.`@` Challenge it with respect.`@` Wahahaha...!"`@ br ;　ベアトは豪快そうに笑ったつもりだが、@何かを誤魔化すための空笑いであることはとっくにバレバレで、@新しき魔女はため息混じりに肩を竦める。\ `Beato tried to laugh heartily,`@` but it was obviously a fake laugh trying to cover something up,`@` and the new witch shrugged, sighing.`\ mld r,$EV2_defA1,80 ;「……………………。@…この段階から、演出によって反魔法力を減ずるのは、多分、手遅れでしょうね。@…となれば、もう１つの手。@ニンゲンの分散が良いでしょう。」\ `".....................`@`...At this stage, it's probably too late to reduce the anti-magic power by creating a scene.`@` ...In that case, there's another move.`@` Having the humans split up should work."`\ mld l,$BEA_iiwakeA1,80 ;「うむ、それがもっとも効果的であろうぞ。@ニンゲンの人数が少なければ少ないほど、分母の数は減るわけだ。@その結果、魔法力は覿面となる。@…つまり、この篭城状態を如何に崩して、少人数に分散させるかがここからのポイントとなるわけだな。\ `"Hmm, that is probably the most effective way.`@` The smaller the number of humans, the more the denominator shrinks.`@` As a result, the magic power becomes instantaneous.`@` In other words, it all begins from one point: how to destroy this barricade situation and have them split up into small groups.`\ mld l,$BEA_fukigenA1,80 ;　しかし、彼らはもはや用心深い。@容易には篭城を崩せぬぞ…？@　前々回の金蔵の書斎での篭城、前回の客間での篭城、何れも手強かった。@増してや今回は、老獪な大人勢がほとんど残った状態での篭城となっておる。\ `However, they are already very cautious.`@` The barricade won't be destroyed easily, right...?`@` Both the barricade in Kinzo's study two games ago and the barricade in the parlor last time were very stubborn.`@` Furthermore, most of the cunning adults have been left this time.`\ mld l,$BEA_iiwakeA1,80 ;　状況はこれまで以上に困難であるぞ？@　……そなたが望むなら、特別に助言を与えてやっても良いのだがな…。」\ `The situation is more difficult than all the ones before it, correct?`@` ......If you wish, I could give you some special advice..."`\ ;　クローズドサークルで最初の殺人事件が起これば、必ず生存者たちは一堂に集まり、@安全確保と相互監視のために篭城する。@ `If the first murder case occurred in a closed circle, the survivors would definitely hole up, `@`gathering together to observe each other and ensure their safety.`@ br ;　……それを崩すのが殺人犯とミステリー作家の悩みなのだろうが、@それの対極に位置するはずの魔女が、まったく同じ悩みを共有しているというのは、何とも滑稽な話だった。\ `......It's almost laughable that not only do mystery authors and murder culprits probably worry about how to break that situation apart, `@`but witches, who supposedly exist at the other end of the spectrum, share in that exact same worry.`\ ;　新しき魔女は、しばらくの間、立てた人差し指を頬に当て、思案するような仕草をした後、言った。\ `For a while, the new witch poked her cheek with her pointer finger, `@`and after acting as though she was planning something, she spoke.`\ mld r,$EV2_AkuwaraiA1,80 ;「………………………。@……いいえ、結構です。@試練ですから。@……先代さまの手は借りません。」@ `"...............`@`......No, I'm fine.`@` After all, it is a test.`@` ......I won't borrow your moves."`@ mld l,$BEA_fukigenA2,80 ;「む、…そうか…？@　…しかしだな、篭城を崩すのはなかなかに難しいぞ…？」\ `"Mu, ...really...?`@` ...Still, it will be pretty hard to defeat this barricade, right...?"`\ mld r,$EV2_fukigenA2,80 ;「すでに手は打ってあります。@きっと引っ掛かるはずです。@頭のいいヤツなら、むしろ必ず。」@ `"I've already made my move.`@` I'm pretty sure it will work.`@` If that person's smart, then it definitely will."`@ mld l,$BEA_iiwakeA2,80 ;「そ、そうか……。@そなたは優秀であるな…。@手の掛からぬ弟子で、妾は嬉しいぞ。」\ `"I, is that so......`@` You really are excellent...`@` I am pleased that my disciple isn't hard to deal with."`\ mld r,$EV2_fukigenA1,80 ;「私、人に聞く前に自分で勉強するがモットーなので。@……それでは失礼します。@獲物がのこのこと誘い出されるのを、待たねばなりませんので。」@ `"My motto is to study things myself before asking other people.`@` ......Then, if you would excuse me.`@` I have to wait for my prey to get nonchalantly lured out."`@ mld l,$BEA_iiwakeA1,80 ;「うむ。@…それではしっかりな。」\ `"Hmm.`@` ...Well then, handle it with care."`\ textoff ;mcl a,0 ;bg G1F_P1c,0 ;ld r,$EV2_fukigenA1,0 ;ld l,$BEA_iiwakeA1,0 ;mendef 22 mcl r,0 se1 52 print 99,2000,"breakup.dll/urb" ;　新しき魔女は淡白に頭を下げると、黄金の蝶になって姿を消した。@ `As the new witch lowered her head, her face blank, she turned into gold butterflies and hid herself.`@ br ;　……ベアトはどうもちょっぴり面白くない様子。@ ;　自分がまったく頼られないのが寂しいようだった。\ `......Beato looked as though she didn't find this interesting at all.`@ `It seemed she was lonely since she hadn't been relied on at all.`\ textoff fede 1,2000 mcl l,0 mld c,$BEA_AseruA1,23 ;「……………どいつもこいつも、妾のことなど構いもせぬわ。@/ `"............Every one of them, they don't bother themselves with me. `@/ mld c,$BEA_fukigenA1,80 ;………ふん。@魔女見習いめ、天狗になりおって。@…今に手痛いミスをして泣き言を言うに違いないぞ。\ `.........Hmm.`@` You witch apprentice, acting so smart...`@`...I'll bet she makes some painful mistake and starts crying.`\ mld c,$BEA_iiwakeA1,80 ;　その時こそ、ようやく妾の偉大さを理解し、教えを乞おうとするに違いないのだ！@　くっくっく、それまで妾は高みの見物よ。」\ `Then, without a doubt, she'll finally realize my greatness and follow my teachings!`@` *cackle*, until then, I shall watch from above."`\ ;　高笑いを装うが、聞く者のない笑いなど、掘った穴にロバの耳を叫ぶより意味のないことだ。@ `She laughed loudly on the outside, but a laugh no one can hear is completely pointless.`@ mld c,$BEA_KomaruA2,80 ;　ベアトは虚しくなり、すぐに笑うのを止める。@ `Beato gave up, and quickly stopped laughing.`@ br ;　…それを見計らった頃に、ロノウェが姿を現した。\ `...Ronove chose that time to show himself.`\ mcl c,23 bg G1F_P1aR,23 E_MA se1 52 mld l,$RON_DefA1,0 print 99,2000,"breakup.dll/lrp" bgm1 70 ;「失礼いたします、お嬢様。@……戦人さまとの第二の晩のゲームが終了いたしました。」@ `"Excuse me, Milady.`@` ......The game of the second twilight with Battler-sama has ended."`@ mld r,$BEA_fukigenA2,24 ;「……む、…そうか。@ご苦労であった。@首尾はどうであったか。」\ `"......Mu, I see.`@` Good work.`@` What was the result?"`\ mld l,$RON_waraiA2,23 ;「申し訳ございません。@リザインさせていただきました。@……戦人さまの、“楼座が真里亞を絞殺、その後に事故死”は、@赤にて“両名他殺”で切り替えしたのですが。@…絵羽を主犯に据えられた一連の指し手を切り返せませんでした。」\ `"My sincere apologies.`@` I was forced to resign.`@` ......By saying in red that 'both of them were killed by others', `@`I made Battler-sama revise his claim of 'Rosa strangled Maria to death, then died in an accident',`@` ...but I could not repel his chain of moves placing Eva as the principal offender."`\ se1 52 bg G1F_S1aP,0 ld r,$BEA_fukigenA2,0 ld l,$RON_waraiA2,0 mendef 28 ld r,$BEA_fukigenA3,80 ;「絵羽は秀吉にずっと看病されて部屋で寝ていたであろうが。」@ `"Wasn't Eva sleeping in her room the whole time as Hideyoshi cared for her?"`@ ld l,$RON_defA1,80 ;「…秀吉も共犯で、両名でアリバイを作った可能性を提示されました。」\ `"...He put forth the possibility that Hideyoshi was an accomplice, and that the two worked together to create an alibi."`\ ld r,$BEA_fukigenA2,80 ;「秀吉まで疑うか…！@　殺害時には客室にいたと赤にて叩き斬ってやれば良いではないか。」\ `"He even suspects Hideyoshi...?!`@` Couldn't you have struck back by saying in red that he was in the guest room at the time of the murder?"`\ ;bg black,22 ld l,$RON_akuwaraiA1,80 ;「……それも考えましたが、何れにせよ、数手先でいくつかの大駒を奪われてしまうかもしれません。@…それに、この手が新しきベアトリーチェさまが打たれた布石の可能性もありますので、@それを尊重することと致しました。@…申し訳ありません。」\ `"......I also thought of that, but, in any event, several important pieces might have been taken several moves later.`@` ...And, because there is a possibility that this move was part of the preparations made by the new Beatrice,`@` I acted out of respect to her.`@` ...My apologies."`\ ld r,$BEA_fukigenA3,80 ;「布石か。@………あやつ、頭が切れるようだからのぅ。@/ `"Preparations, you say.`@` .........Her mind does seem to be sharp. `@/ ld r,$BEA_fukigenA2,80 ;…ふん、好きにさせておくが良い。@どこまでやれるか見物だ。」\ `...Hmm, we can let her do as she likes.`@` It will be quite a show to see how far she can go."`\ ld l,$RON_WaraiA1,80 ;「ぷっくくくく。@そう仰ると思いました。@……弟子が可愛くないので、ご機嫌斜めとお見受けしますよ。」\ `"Pu kukukuku.`@` I thought you would say that.`@` ......Your disciple isn't cute, so I can understand your mood."`\ ld r,$BEA_KomaruA1,80 ;「余計なお世話だ。@あやつめ、ここからの篭城をどう崩していくつもりなのか。@妾もじっくり拝見させてもらうとするぞ。@/ `"That's none of your business.`@` I wonder how that one plans on destroying this barricade from here on out.`@` I shall keep a close eye on her. `@/ ld r,$BEA_OdorokiA2,80 ;……………あー、それで…。@…ば、…戦人の機嫌の方はどうなのか。」\ `............Oh, and...`@`...h, ...how was Battler's mood?"`\ ld l,$RON_waraiA2,80 ;「落ち着いておられるように見えました。@やはりお嬢様が相手でないと盛り上がらないと仰っておいででしたよ。」@ `"It appeared as though he had calmed himself down.`@` He did say that he couldn't get fired up without you as his opponent after all."`@ ld r,$BEA_WaraiA2,80 ;「そ、そうか、そうであろうそうであろう！@　第四の晩以降は、やはり妾が復帰しないと戦人も寂しかろうな…！」\ `"R, really, that's no surprise, no surprise at all!`@` If I don't return for the fourth twilight and after, Battler will probably be lonely himself...!"`\ ld l,$RON_defA1,80 ;「ぷっくっくっく…。@それでは私はこれで失礼させていただきます。@…美味しいクッキーを焼かねばなりません。@せめてお嬢様と戦人さまのお話が弾みますように。」@ `"Pu ku ku ku...`@` And with that, if you would excuse me.`@` ...I must bake some delicious cookies.`@` I must at least enliven the discussion between you and Battler-sama, Milady."`@ ld r,$BEA_WaraiA3,80 ;「うむ！@　あいつ、お前のクッキー、ぼりぼり食ってたなぁ。@やはり男の子だからお腹が空くのであろう。@多めに焼いてやれ…！」\ `"Hmm!`@` That guy really was munching your cookies, wasn't he?`@` It's no surprise that a boy can eat so much.`@` Make a lot of them...!"`\ ld l,$RON_waraiA2,80 ;「畏まりました。@クッキーでテーブルを埋めてご覧に入れましょう。」@ `"Certainly.`@` I shall make enough cookies to bury the table."`@ ld r,$BEA_WaraiA2,80 ;「それが良いぞ…！」\ `"That sounds good...!"`\ textoff bg black,2 fede 0,3000 wait 1000 me1v 13,50 wait 2000 ;mend mov %play_scene,30180 bg G1F_P1aR,26 se1 15 wait 1000 ld r,$RUD_MajimeA1,0 ld l,$KIR_NayamuA1,24 wait 500 ld r,$RUD_OdorokiA1,80 ;■ゲストハウス廊下 ;「……何だよ、どうした。@話って何だ…？」@ ;＜留弗夫 `"......What's going on?`@` What did you want to talk about...?"`@ br ;　霧江が留弗夫を廊下へ呼び出す。@ ;　他の人間たちに聞かれたくない話をしようとしているのは明白だった。\ `Kyrie called Rudolf out into the corridor.`@ `It was obvious that she wanted to talk about something that she didn't want the others to hear.`\ ld l,$KIR_MajimeA2,80 ;「あのね、私。」@ ;＜霧江 `"Umm, I..."`@ ld r,$RUD_WaraiA1,80 ;「おう。」\ `"Yeah?"`\ me2v 16,50 ld l,$KIR_waraiA2,80 se1v 27,50 ;「………表へ出たいの。」\ `".........want to go outside."`\ wait 2000 ;▲第１３アイキャッチ　１０月５日（日）１３時００分　時計動かず eye1 1,0,1,0,1,0,510,340,70 *umi3_14 mov %play_scene,30180 mov %grim_scene,306 gosub *EV2_Isyou2 ;■ゲストハウスロビー textoff se1 21 me1v 12,70 dllefe 1,1 bg G_o1aR,22 wait 3000 bg black,5 dllefe_off mevol 1,50 wait 1000 bg Glob_1aR,6 ld r,$KLA_MajimeA2,24 ;「……確かに、わずかばかりの朝食では体が持たないが、しかし…。」@ ;＜蔵臼 `"......Certainly, the body cannot last with nothing more than a small breakfast, but..."`@ ld l,$RUD_WaraiA1,23 ;「もちろんわかってるさ。@/ `"Of course, we understand. `@/ bgm1 18 ;だがな、時間を置けばどんどん暗くなってくる。@多分、今が一番明るい。@今が一番都合がいいんだ。」\ ;＜留弗夫 `Still, as time passes, it'll get darker and darker.`@` Now is probably the lightest.`@` Now is the most convenient time."`\ cl r,23 ld r,$NAT_MajimeA1,24 ;「楼座さんたちが襲われてから、まだ１時間も経ったかどうかですよ。@いくら何でも無用心です…！」\ ;＜夏妃 `"Only about an hour has passed since Rosa-san was attacked.`@` This is simply too reckless...!"`\ ;　夏妃が無用心だと叫ぶのも無理はない。@ ;　…留弗夫が、屋敷に食料を取りに行くと言い出したからだ。@ `It was only natural that Natsuhi was yelling about it being reckless.`@ `...Because Rudolf had said that he was going to the mansion to get food.`@ br ;　確かに彼らは疲労に加え、空腹感にも苛まれていた。\ `Certainly, thanks to their fatigue, their hunger was tormenting them.`\ ;　初めの内こそ、ほどよい空腹感は眠気と戦えてちょうど良かったが、@今は逆に意識を朦朧とさせ、まだ昼だと言うのに、もう体力の限界を感じさせている。@ `In the beginning, they could fight their hunger just fine because of their drowsiness.`@` However, now it just made their minds hazy, since it was still only midday and their bodies felt like they were reaching their limits.`@ br ;　屋敷の厨房へ行き、何か食料を持ってこようという話は、確かに魅力的だった。\ `The thought of going to the kitchen in the mansion and bringing back some food certainly was attractive.`\ ld r,$NAT_TukareA1,80 ;「私は反対です。@多少は辛いでしょうが、断じてここを出るべきではありません。」@ ;＜夏妃 `"I am opposed to this.`@` It may be a little tough, but we definitely shouldn't leave this place."`@ cl l,23 ld l,$KLA_KomaruA1,23 ;「……私たちはいい。@だが子どもたちにひもじい思いをさせるのは心が痛む…。@親として責任を負わねばなるまい。」\ ;＜蔵臼 `"......We are fine.`@` But it would pain my heart to keep the children hungry...`@` I must bear my responsibility as a parent."`\ ld r,$NAT_OdorokiA2,80 ;「あ、あなた…！@　お父様が亡くなられた今、右代宮家の当主はあなたです。@そのような危険を冒すことは許されません…！」\ ;＜夏妃 `"D, dear...!`@` Now that Father is dead, you are the Ushiromiya family head.`@` It is not permissible for you to take on such a danger...!"`\ bg Glob_1bR,0 ld c,$KIR_DefA1,24 me2v 5,50 ;「………そうね。@夏妃さんの言う通りよ。@蔵臼さんはリーダーとしてここに残るべきね。」\ ;＜霧江 `".........You're right.`@` It's like Natsuhi-san says.`@` Krauss-san, you should remain here as the leader."`\ bg Glob_1aR,0 ld r,$KLA_majimeA1,23 ;「……なら、誰が屋敷へ行くんだね？」@ ;＜蔵臼 `"......Then, who will go to the mansion?"`@ ld l,$RUD_defA1,23 ;「俺と霧江、あと秀吉兄さんの３人で行こうと思う。@/ `"I think Kyrie and I, and Hideyoshi-san as well, should go. `@/ se1 43 ld l,$RUD_waraiA1G,26 ;俺と秀吉兄さんは銃を持ってる。@そう簡単に向こうも手出しはできないはずだ。」\ ;＜留弗夫 `Hideyoshi-san and I are holding guns.`@` They shouldn't be able to lay a hand on us that easily."`\ ld c,$NAT_zutuuA1,24 ;「楼座さんも銃を持っていましたが襲われました。@…危険ではありませんか？」@ ;＜夏妃 `"Rosa-san was also holding a gun, but she was attacked.`@` ...Isn't it dangerous?"`@ ld l,$RUD_MajimeA1G,80 ;「…楼座たちの様子を確かめに出た時、銃を持っていたが俺はひとりだった。@だが襲われなかった。@……男が相手なら、向こうも慎重なのかもしれないぜ。」\ ;＜留弗夫 `"...When I went out to check on Rosa and Maria-chan, I was the only one holding a gun.`@` But I wasn't attacked.`@` ......Maybe they'll be cautious if their opponent is a man."`\ bg Glob_1cR,24 ld r,$KIR_WaraiA1,24 ;「男性が二人。@そしてさらに銃も２丁。@二人には護衛役に徹してもらって、荷物は台車で私が運ぶわ。@楼座さんの時とは状況が明らかに異なるはずよ。」\ ;＜霧江 `"Two men.`@` And even two guns.`@` Those two will act as guards, and I'll push the cart with the luggage.`@` I believe the situation will be clearly different from Rosa-san's."`\ ld l,$HID_WaraiA2G,23 ;「わしを男と見込んでの話なら、喜んで協力させてもらうで。@/ `"If you're countin' me as a man, I'd be pleased to help. `@/ ld l,$HID_WaraiA1G,80 ;こう見えても、屋台を引いて鍛えた体や。@力仕事は任せてな！」\ ;＜秀吉 `I don't look it, but my body's in pretty good shape for pushin' a cart.`@` Leave the heavy lifting to me!"`\ ld r,$KIR_WaraiA2,80 ;「男性は護衛役に徹してくれていいの。@使用人室に折り畳み式の台車があったから、それを使えば私ひとりでも充分に食料が運べるわ。@/ `"It'll be alright if the men devote themselves to guarding.`@` There's a folding cart in the servant room, so using that, I should be able to handle carrying the food. `@/ ld r,$KIR_MajimeA2,80 ;……もちろん用心はする。@そして、この冒険を一度だけ成功させれば、もう二度と、@私たちはここを出る危険を冒す必要はないの。」\ ;＜霧江 `......Of course, we'll be careful.`@` And if we can succeed in this adventure just once, `@`there won't be any need for us to take risks again."`\ cl l,24 ld l,$NAT_OdorokiA2,23 ;「…………何とか考え直せませんか。@皆さんに空腹を強いるのは心苦しいですが、…ですがしかし、今の外は何が起こるかわかりません…。」\ ;＜夏妃 `"............Is there any way I can get you to rethink that?`@` It may be painful for everyone to deal with an empty stomach, ...but even so, we do not know what is happening outside now..."`\ bg Glob_1bR,0 ld r,$HID_MajimeA1G,23 ;「用心するで。@……それに絵羽はだいぶ体調が悪いんや。@空腹には出来ん。@胃袋が空っぽじゃ、飲める薬も飲めんわ。@絵羽の為にも、わしは出掛けにゃならんのや。」\ ;＜秀吉 `"We'll take care.`@` ......And Eva's feelin' pretty darn bad right now.`@` We can't let her stay hungry.`@` If her stomach's empty, she can't take her medicine.`@` I have to go out for Eva's sake as well."`\ ld l,$KLA_MajimeA2,23 ;「絵羽の具合はどうなんだね。」@ ;＜蔵臼 `"How is Eva?"`@ ld r,$HID_KomaruA1G,80 ;「ようやく寝入ってくれたとこや。@…熱も高い。@しばらくそっとしたってや…。」\ `"Looks like she's finally gotten to sleep.`@` ...She has a high fever.`@` If we just leave her be for a while..."`\ ld l,$KLA_KomaruA1,80 ;「……妻の体調があっては、座してもいられんか…。@/ `"......You can't just stand still when it comes to your wife's health...`@/ ld l,$KLA_MajimeA2,80 ;………わかった。@外出を許可しよう。」\ ;＜蔵臼 `.........Understood.`@` I'll give you permission to go outside."`\ bg black,24 bg Glob_1cR,0 ld r,$RUD_DefA1G,24 ;「じゃあ、俺たちはさっくりと行って来るぜ。@スピード勝負だ。@/ `"Then, we'll take a little trip there and back.`@` A speed contest. `@/ ld r,$RUD_WaraiA1,80 ;缶詰はＯＫだよな？@　缶切りくれぇこっちにあるよな？」@ `Canned food is OK, right?`@` You at least have a can opener here, right?"`@ ld l,$NAT_OdorokiA2,23 ;「は、はい。@缶切りと栓抜きはあります…。」\ ;＜夏妃 `"Y, yes.`@` We have a can opener and a bottle opener..."`\ bg Glob_1bR,23 ld c,$KIR_WaraiA1,24 ;「ゲストハウスに水道があるから、飲み物は不要よね。@１０人分もあるんだから、好き嫌いは言わせないわ。」@ ;＜霧江 `"There's running water in the guesthouse, so we won't need anything to drink.`@` There's ten people's worth, so no complaining."`@ ld l,$HID_WaraiA1G,23 ;「よっしゃ。@ダダッと走ってって、さっさと持って来ようやないか。@傘なんて差してる暇、あらへんで…！」\ ;＜秀吉 `"Alright!`@` Why don't we dash out and bring it back quickly?`@` There's no time to open umbrellas...!"`\ ld r,$RUD_DefA1G,80 ;「じゃ、兄貴。@留守番を頼むぜ。」\ ;＜留弗夫 `"So, Aniki.`@` I'll trust you to look after this place."`\ bg Glob_1aR,0 ld c,$KLA_MajimeA2,23 ;「……気をつけてな。@…本当ならば自分も行きたい。@/ `"......Take care.`@` ...Under normal circumstances, I would want to go too. `@/ ld c,$KLA_KomaruA1,80 ;…男に生まれながら、このような急場で力を貸せぬ長男の肩書きが恨めしい。」\ ;＜蔵臼 `...Being a man, I despise this title of oldest brother that prevents me from lending a hand in an emergency like this."`\ bg Glob_1bR,0 ld r,$RUD_akuWaraiA1G,24 ;「こういう時くらいしか俺らには見せ場がないのさ。@たまには譲って兄貴はのんびりしてろい。@/ `"This is about the only time we get to show off.`@` Sit back and take it easy every once in a while, Aniki. `@/ ld r,$RUD_DefA2G,80 ;じゃな、夏妃さん。@タオルの準備でもして待っててくれ。@傘はささねぇから濡れ鼠で帰ってくるぜ。」@ ;＜留弗夫 `Alright, Natsuhi-san.`@` Wait here and get some towels ready or something.`@` We aren't using umbrellas, so we'll be soaked to the bone when we get back."`@ ld l,$NAT_odorokiA2,23 ;「わ、わかりました。@…お気をつけて。」\ ;＜夏妃 `"U, understood.`@` ...Take care."`\ se1 16 bg Glob_1eR,24 ;　留弗夫と霧江、そして秀吉の３人は、@それぞれに勇ましい言葉を残し、ロビーを出て行くのだった…。\ `Rudolf, Kyrie, and Hideyoshi, `@`each leaving their own brave words behind, left the lobby...`\ bg black,2 fede 0,3000 gosub *EV2_Isyou2 mov %play_scene,30180 ;■ゲストハウスを出る〜薔薇庭園 textoff bg black,22 se1v 21,90 me1v 13,70 me2v 5,70 dllefe 1,1 ;bg G_o1cR,22 wait 2000 bg G_o1aR,22 ;　楼座たちが表に出た時に比べると、再び風は強くなっていた。@ `Compared to the time Rosa and Maria had gone outside, the winds had picked up once again.`@ br ;　留弗夫たち３人は、傘をささず、銃や折り畳んだ台車を抱え、小走りに薔薇庭園を駆け抜けていく。\ `Rudolf's group of three people jogged through the rose garden without umbrellas, holding their guns and a folded cart.`\ ;bg sky_3a,22 bg black,22 ;　もしも雨も風の音もしない静寂だったなら、３人は耳を澄まし慎重に行動したかもしれない。@ ;　しかしこの雨では、近くに不審者が潜んでいたとしても、その気配を気取ることは困難だ。@ `If everything had been still and quiet, without the wind and the rain, they would probably have kept their ears open and moved with caution.`@ `But in this rain, even if some suspicious person was hiding nearby, it would be difficult to notice them.`@ br ;　それならばむしろ、危険地帯を駆け抜けた方が良いだろうという留弗夫の提案だった。\ `Because of that, it had been Rudolf's plan to instead dash through the dangerous area.`\ ;　……相手が銃で武装している可能性があるならば、@固まってゆっくり歩くのは的にしてくれと言っているようなものだ。@ ;　迅速な行動はおそらく正しい判断だろう。\ `......If there was a chance that their opponent was equipped with a gun, `@`then walking slowly with their guard up would only make them a target.`@ `It was probably correct to decide on swift action.`\ bg black,25 bg garden_1aR,22 ld l,$HID_KomaruA2G,24 ;「………薔薇庭園や。@鴨がネギ背負って来たと思うとるかもしれんで…！」@ ;＜秀吉 `".........The rose garden.`@` It feels like we're just askin' to be attacked...!"`@ se1 30 ld c,$RUD_defB1G,24 ;「頼むぜ、誰も出てきてくれるなよ…。」@ ;＜留弗夫 `"Please, let nobody come out of there..."`@ br ;　留弗夫と秀吉は、走り続けながらも、神経質にきょろきょろしては辺りを警戒した。\ `Even as Rudolf and Hideyoshi continued to run, they looked around restlessly, vigilant of their surroundings.`\ bg black,24 bg rose_1aR,24 se2v 21,50 ;　楼座と真里亞の死因は飛び道具ではない。@ ;　……しかし、使用人たちの死因はそれを疑えるものだった。\ `Rosa and Maria's deaths had not been caused by a projectile.`@ `......However, it was easy to suspect that the servants had been killed in such a manner.`\ bg black,24 ;　暗がりから飛び掛って来るか。@ ;　それとも狙いを済まして闇から狙撃してくるか。@ `Will they come flying out of the dark?`@ `Or will they take careful aim and snipe from the shadows?`@ br ;　……いずれにせよ、緊張感を解くことは一瞬たりともできない。\ `......Either way, they couldn't relax their tension for even an instant.`\ bg M_o1aR,24 ;　しかしそうではあっても、屋敷の玄関の軒下に辿り着き、雨粒から逃れられると、@ほーっと安堵の息が漏れるのを感じるのだった。\ `But even so, when they reached the overhang in front of the entrance to the mansion and escaped the reach of the raindrops,`@` they felt themselves breathing a sigh of relief.`\ ld l,$HID_MajimeA1G,23 ;「まずは問題なしやな。@……楼座さんの時とは違う。@迂闊に手は出せんやろ。」@ ;＜秀吉 `"No problems for the first part.`@` ......Unlike how it was for Rosa-san.`@` Maybe they can't get their hands on us easily."`@ ld r,$RUD_waraiA1G,24 ;「そう信じたいね。@霧江、俺たちが見張ってる間に鍵を開けてくれ。」@ ;＜留弗夫 `"I'd like to believe that.`@` Kyrie, unlock the door while we keep a lookout."`@ ld c,$KIR_WaraiA2,23 ;「えぇ。@ＳＰが二人もついてお屋敷に帰宅だなんて、実にエグゼクティブな気分よ。」\ ;＜霧江 `"Sure.`@` Returning home to the mansion with a pair of SP's makes me feel just like an executive."`\ ld l,$HID_WaraiA2G,80 ;「わっはっはっは。@赤絨毯で召使のお出迎えがあれば完璧や。」@ ;＜秀吉 `"Wahahahaha.`@` If we had a welcoming party of servants on a red carpet, it'd be perfect."`@ ld r,$RUD_DefA2G,80 ;「お出迎えか。@/ `"A welcoming party, you say...`@/ se1 30 ld r,$RUD_majimeB2G,26 ;…あるかもな。@用心しようぜ。」@ ;＜留弗夫 `...You never know.`@` Be careful."`@ br cl c,24 ;　二人が用心深く辺りを警戒する中、/ `As the two cautiously surveyed their surroundings, `/ se2 31 ;霧江は預かったマスターキーで玄関を開錠する。\ `Kyrie unlocked the entrance with the master key she had been given.`\ textoff se1 25 wait 800 cl l,24 ld l,$KIR_futekiA1,23 ;「開いたわ。」@ ;＜霧江 `"It's open."`@ ld r,$RUD_WaraiA1G,80 ;「秀吉兄さん。@先頭を頼めるか。@俺は背後を警戒するぜ。」@ ;＜留弗夫 `"Hideyoshi-san.`@` Could you take the front?`@` I'll keep an eye on the rear."`@ ld c,$HID_DefA1G,80 ;「了解や。@霧江さん、わしの影から出ないようにな。@/ `"Understood.`@` Kyrie-san, try not to move from my shadow. `@/ ld c,$HID_majimeA1G,80 ;……ほな、突入するで！」@ ;＜秀吉 `......Alright, let's break in!"`@ ;cl c,22 se1 30 ld r,$RUD_WaraiB2G,26 ;「後方了解、援護するぜ…！」\ ;＜留弗夫 `"Rear guard, understood. Covering...!"`\ se2 17 bg black,30 dllefe_off mevol 1,50 mevol 2,50 bg Ment_1aR,22 ld r,$KIR_KomaruA1,24 ;「……男の人って嫌ぁね。@この状況をちょっぴり楽しんでるでしょ。」@ ;＜霧江 `"......Men.`@` You're just playing around in a situation like this, aren't you?"`@ ld l,$RUD_AkuwaraiA1G,23 ;「諦めろよ、それが男ってモンだぜ。@/ `"Give it up, that's how men are. `@/ ld l,$RUD_majimeA2G,80 ;……しかし、相変わらず酷ぇ臭いだな。」\ ;＜留弗夫 `......But man, there's still that awful stench."`\ bg Ment_1bR,22 bgm1 14 ;　…屋敷内の空気は、重苦しい静寂で澱んでいるように感じられた。@ `...It felt like the air in the mansion was stagnant with a gloomy silence.`@ br ;　そしてそれ以上に、ボイラー室からの金蔵の焼死体の異臭は未だに濃厚で、@頼まれなくても屋敷を出たい気持ちに駆られた。\ `And on top of that, it was still thick with the stench from Kinzo's burnt corpse in the boiler room, `@`and they were struck with an uncontrollable desire to leave the mansion.`\ bg Mhal_2aR,0 ld r,$HID_MajimeA2G,24 ;「前方、問題ないで。@厨房まで一っ走りや。」@ ;＜秀吉 `"No problems in the front.`@` Just a short dash to the kitchen."`@ ld l,$RUD_WaraiA1G,23 ;「とっとと済ませて引き揚げよう。@スーツが親父の臭いで燻蒸されちまうぜ。」\ ;＜留弗夫 `"Let's finish this quickly and head home.`@` This suit'll get fumigated with Dad's stench."`\ cl a,24 ;　３人は厨房へ向かって駆けて行く…。\ `The three of them dashed towards the kitchen...`\ mov %play_scene,30170 textoff fede 1,2000 se1 22 bfly2 10 se2v 52,100 ld c,$EV2_NiramuA1,99,2000,"breakup.dll/llp" E_A se2 2 bgm1v 61,90 ;　そして彼らが姿を消した後の玄関に、……新しき魔女が姿を現す。\ `And after they disappeared from the entrance hall, ......the new witch showed herself there.`\ ld c,$EV2_AkuwaraiA3,80 ;「まんまと誘い出されたわね。@……私の罠に、まんまと引っ掛かってくれた。」@ `"They were lured out just as planned.`@` ......Just as planned, they got caught in my trap."`@ br ;　魔女はにやりと笑う。\ `The witch grinned.`\ ;　……今にして考えれば、いくら耐え難い空腹感があったとはいえ、@楼座たちが襲われて命を落としてから数時間も経っていない。\ `......Thinking about it now, no matter how unbearable their hunger had grown,`@` barely a few hours had passed since Rosa and Maria had been attacked and had lost their lives.`\ ;　にもかかわらず、なぜ彼らは無用心にもゲストハウスを出なければならなかったのだろう…。@ `In that case, why had they needed to recklessly leave the guesthouse...?`@ br ;　その疑問が埋められない内は、魔女の魔法の力で呼び出されたということにする他ない…。\ `Until that question could be dealt with, the only answer was that they had been called out by the witch's magic...`\ ld c,$EV2_AkuwaraiA2,80 ;「無用心なヤツら。@……もう生きてこの屋敷から出しはしないわ。@/ `"What reckless people.`@` ......They will never leave this mansion alive. `@/ ld c,$EV2_TokuiA1,80 ;閉じよ、鍵よ。屋敷よ！」@ `Close yourself, lock. Mansion!"`@ br ;　そう宣言した瞬間。@ `The instant she proclaimed that...`@ se1 52 se2v 21,90 bfly2R 10 ;　屋敷は異空間に切り取られた。@ `The mansion was sealed off in a separate world.`@ br ;　……もう、彼女が結界を解かない限り、誰も屋敷からは出られない、入れない。\ `......Unless her barrier were to be broken, no longer could anyone exit this mansion, or enter it.`\ bfly1 0 bg Mhal_2cR,24 se1 52 ld r,$RON_waraiA2,99,2000,"breakup.dll/llp" ;「……お見事です。@無限の魔女を継承してから、まだ半日も経たないのに、それほどまでに魔法を使いこなされるとは。@/ `"......Spectacular.`@` To think that even though barely half a day has passed since you succeeded the Endless Witch, you can use magic this well. `@/ ld r,$RON_akuwaraiA1,80 ;……その才能に驚きます。@まるであなたは、生まれながらにしての魔女のようだ。」\ ;＜ロノウェ `......That talent surprises me.`@` It is almost as though you were born a witch."`\ ld l,$EV2_WaraiA1,23 ;「だって私、生まれた時から魔女だもの。@/ `"Well, I was a witch since the time I was born. `@/ ld l,$EV2_WaraiA2,80 ;……あなたは瞬きの仕方を誰かに習うの？@　私が魔法を使えるのは、そういうことよ。」@ ;＜魔女 `......Who taught you how to blink?`@` That's what using magic is like for me."`@ ld r,$RON_OdorokiA1,80 ;「…………………。@…恐ろしいお方だ。」@ ;＜ロノウェ `"..................`@`...A fearsome person."`@ br ;　魔女の顔が残忍に歪む。@ ;　……再び命が弄べるのが楽しみで仕方ないのだ。\ `The witch's face twisted with brutality.`@ `......She just couldn't help looking forward to toying with someone's life again.`\ cbfly 0 bg Mhal_2aR,0 ld c,$EV2_AkuwaraiA3,23 ;「さてさて。@/ `"Well then...`@/ ld c,$EV2_AkuwaraiA4,80 se1 37 ;……くふふふふふふひっひひひひひひゃひゃ！@　まずは留弗夫と霧江なわけだけど、どんな残酷な殺し方をしてやろうかしら…！」\ ;＜魔女 `......Gehehehehhihhihihihihihihyahya!`@` First is Rudolf and Kyrie, but what cruel way should I kill them...?!"`\ cl c,0 ld l,$EV2_AkuwaraiA4,0 ld r,$RON_akuwaraiA1,24 ;「……失礼ながら。@先代さまより、不必要な残酷なる殺害は控えるようご指示を賜っております。@そして、第四の晩以降は、生贄の捧げ方に作法がございます。@それには煉獄の七姉妹の力を借りねばなりません。」\ ;＜ロノウェ `"......If you would excuse me,`@` but Predecessor-sama has left instructions that you are to restrain yourself from committing murders of unnecessary cruelty.`@` And, there is an etiquette for offering the sacrifices from the fourth twilight onwards.`@` For that, you must borrow the power of the Seven Sisters of Purgatory."`\ ld l,$EV2_FukigenA1,80 ;「……あら、そうだったの？@　そういえばそうだったわね。@好き勝手に遊べるのはさっきの第二の晩までなのね。@………………つまんないわ。@また楼座の時みたいに思い切り遊べると思ったのに。\ `"......Oh, really?`@` Now that you mention it, that's right.`@` I could only play as I like with that second twilight.`@` ...............Boring.`@` Just when I thought I could play to my heart's content like I did with Rosa.`\ ld l,$EV2_NiramuA1,80 ;　……でも、それは最後の殺し方、という意味でしょう？」@ `......But, that refers to the way they're killed in the end, right?"`@ ld r,$RON_defA2,80 ;「と、申しますと…。」\ `"Yes, as you say..."`\ ld l,$EV2_AkuwaraiA3,80 ;「私が何度、どれほどの殺し方をしようとも、生き返らせて、@最後に碑文の殺し方に沿えばいい訳でしょ？\ `"So I can just kill them however I want over and over again, revive them,`@` and follow the epitaph the last time I kill them, right?`\ ld l,$EV2_AkuwaraiA4,80 ;　……つまり、私がどう遊ぼうと、結局は問題ないってことになるわ。@……こんなに面白い力、誰が大人しくなんかするもんか…！@/ `......So, in the end, no matter how I play, it isn't a problem.`@` ......Who'd act well-behaved with an interesting power like this...?! `@/ se1 37 ;　くっひひひひひひひひ！」\ `Kuhhihihihihihihi!"`\ ;　彼女の暴論は、無限の魔女としては極めて正論。@ ;　第四の晩以降の生贄は、“頭を抉れ”に代表されるように殺し方の作法が決まっている。@ `Her ranting was, for an Endless Witch, an extremely valid argument.`@ `The etiquette deciding the style of killing for the sacrifices of the fourth twilight and onward were represented by things like 'gouge the head'.`@ br ;　しかし、それは最終的な死に方を示したものだ。\ `However, that referred to the way they died in the end.`\ me1v 17,60 bg black,22 ;　つまり、……それまでの過程でどう甚振り、どう殺そうとも、自由。@ ;　何度でも蘇らし、最後の殺し方だけルールに従えばいいのだろうという話なのだ。@ `In other words, ......in the process leading up to that, she was free to tease and kill them however she wanted.`@ `She just had to keep on reviving them, and follow the rules only when she killed them the final time.`@ br ;　その無邪気な残酷さに、ロノウェは魔女の才能の一端を感じつつも、@彼女の生来の残忍な一面に気付き始めるのだった。\ `Even while Ronove felt that her innocent cruelty was a fragment of her talent as a witch,`@` he was beginning to notice a naturally brutal side of her.`\ bg Mhal_2cR,24 E_MA ld l,$RON_akuwaraiA1,23 ;「……魔女は見習いがもっとも残忍と申しますが、本当のようですね。@/ `"......They do say that apprentices are the most brutal of witches, and now I see that may be true. `@/ ld l,$RON_MajimeA2,80 ;………ご随意に、と申し上げたいところですが、@ここはやはり自重なさった方が賢明でしょう。@彼らは銃を持っています。@銃のような反魔法力の高い武器は、魔女や悪魔の天敵です。」\ `.........Do as you wish, ...is what I would like to say, `@`but here, it may actually be wiser to have prudence.`@` They are holding guns.`@` Weapons with a high anti-magic power, such as guns, are the natural enemies of witches and demons."`\ ;　意外にも銃を恐れる悪魔の執事に、魔女はきょとんとした表情を浮かべる。\ `The witch stared blankly at this demon butler, who was unexpectedly afraid of guns.`\ ld r,$EV2_fukigenA1,24 ;「………話が違うわ。@魔女は弾丸なんか射掛けられても、へっちゃらじゃないのかしら？」@ `".........That can't be right.`@` Shouldn't witches be able to get by with being shot by a bullet without any trouble?"`@ ld l,$RON_DefA1,80 ;「いいえ。@普通のニンゲンとまったく同じように致命傷となります。@…その弱点を気取らせない為に、@多くの魔女は厳重に防御結界や家具の守備によって身辺を固めるのです。」\ `"No.`@` It would become a fatal wound, exactly the same as it would for a normal human.`@` ...To prevent that weak point from being noticed, `@`most witches rigorously strengthen their guard with a defense of protective barriers and furniture."`\ ld r,$EV2_DefA1,80 ;「私に、その防御結界というのはあるの？」@ `"Do I have any of those protective barrier things?"`@ ld l,$RON_waraiA2,80 ;「……銃弾をも無効にする結界の構築には、充分な準備と儀式が必要です。@残念ながら、今のベアトリーチェさまにはございません。@また、銃弾を防げるほどの家具の召喚も、現在はその準備がありません。」\ `"......Constructing a barrier to make even gun bullets ineffective requires much in preparation and ceremonies.`@` I am afraid to say that Beatrice-sama currently has none of those.`@` Furthermore, you are currently ill prepared to summon furniture strong enough to block a bullet."`\ ld r,$EV2_IkariA1,80 ;「これほどの魔力を持つ大魔女になりながら、それでもやはり鉛弾に怯えなければならないのね。@/ `"So even though I've become a Great Witch with this much magical power, I really do have to be afraid of lead bullets. `@/ ld r,$EV2_niramuA2,80 ;………不愉快だけど、仕方がないわ。@となれば、家具を呼び出して私の手足とすればいいわけね？」\ `.........It's annoying, but I don't have a choice.`@` So, in that case, should I call some furniture to act as my arms and legs?"`\ ld l,$RON_defA1,80 ;「はい。@危険に身を晒さず、家具に全てを任すのもまた、魔女の優雅なる嗜みでございます。@ここは家具に任せ、ベアトリーチェさまは安全なところへお隠れを。」\ `"Yes.`@` Leaving everything to your servants while not exposing yourself to danger is also a part of a witch's elegant taste.`@` Beatrice-sama, leave this to the furniture and hide in a safe place."`\ ld r,$EV2_NiramuA1,80 ;「……………わかったわ。@/ `"............I get it. `@/ se1 22 bfly2 10 ;…煉獄の七姉妹。@誰でもいいわ、適当に２人…！」@ `...Seven Sisters of Purgatory.`@` I don't care who, any two of you...!"`@ br ;　その呼び出しに、レヴィアタンとベルフェゴールが応じる。\ `Leviathan and Belphegor responded to that call.`\ bfly1 0 bg Mhal_2aR,23 se1 52 ld l,$RG2_HohoemiA1,99,1000,"breakup.dll/lrp" se2 52 ld r,$RG4_DefA1,99,1000,"breakup.dll/lrp" ;「嫉妬のレヴィアタン、ここに。」@ ;「怠惰のベルフェゴール、ここに。」\ `"Leviathan of Envy, right here."`@ `"Belphegor of Sloth, right here."`\ bfly2 0 bg Mhal_2cR,0 ld r,$EV2_TokuiA1,24 ;「あんたたちの力を見せてもらうわ。@標的は留弗夫と霧江。@秀吉はダメよ。@……さぁ、あなたたちがどれだけ残酷な家具なのか、私に見せてみて。」\ `"Show me your power.`@` Your targets are Rudolf and Kyrie.`@` Not Hideyoshi.`@` ......Come on, show me just how cruel you can be, furniture."`\ ld l,$RG4_komaruA1,23 ;「……恐れながら。@先代さまより、不要なる残酷行為は控えるようご命令を賜っております。」@ ;＜ベルフェ `"......My apologies,`@` but we have received an order from the Predecessor-sama to restrain ourselves from unnecessarily cruel actions."`@ ld c,$RG2_AkuwaraiA1,23 ;「でもぉ、先代さまのご命令の範囲内で、甚振ることはできると思います。@それでもよろしいですか？」\ ;＜レヴィア `"Bu-t, I think the Predecessor-sama's order gives us some leeway to tease them.`@` Is that appropriate?"`\ bg Mhal_2aR,0 ld c,$EV2_FukigenA1,23 ;「ふん。@わかった、それで妥協するわ。@/ `"Hmm.`@` I get it, I'll compromise. `@/ ld c,$EV2_AkuwaraiA3,80 ;……簡単に殺しては駄目よ。@徹底的に追い詰めて、死の恐怖を味わわせてから殺すのよ。@……それでいいのかしら、ロノウェ？」@ `......You can't kill them easily.`@` Thoroughly corner them and let them taste the fear of death before killing them.`@` ......Will that be alright, Ronove?"`@ ld l,$RON_DefA2,23 ;「はい。程度をお考え頂ければ問題ないかと思います。」\ ;＜ロノウェ `"Yes. Considering that level, I do not believe there will be a problem."`\ ld c,$EV2_NiramuA1,80 ;「……………なら、お行きなさい！」\ `"............Then, go!"`\ bg Mhal_2cR,0 ld r,$RG2_hohoemiA1,0 ld c,$RG4_DefA1,24 ld r,$RG2_AkuwaraiA1,0 ld c,$RG4_fumanA1,80 ;「「はいっ、お任せを…！」」\ `""Yes, leave it to us...!""`\ ld l,$RON_MajimeA2,23 ;「相手は銃で武装しています。@…あなたたちほどの者ならば、かわすことは容易いでしょうが、/ ;!d800…もしも当たれば致命傷ですよ。@くれぐれも用心を。」@ `"Your opponents are armed with guns.`@` ...For those such as yourselves, dodging them should be easy, `/ !d800`...but if you are hit, it will be a fatal wound.`@` Go with an appropriate level of caution."`@ ld c,$RG4_HohoemiA1,80 ;「ご心配なく。@そのような無様は晒しません。」\ ;＜ベルフェ `"Do not worry.`@` We won't expose such a level of incompetence."`\ se1 52 cl r,99,1000,"breakup.dll/urb" se2 52 cl c,99,1000,"breakup.dll/urb" ;　煉獄の七姉妹の二人は姿を消す。@ `The two sisters of the Seven Sisters of Purgatory hid themselves.`@ ;　ロノウェも一礼してから姿を消す。\ `After bowing, Ronove also hid himself.`\ se3 52 cl c,99,1000,"breakup.dll/lrB" cbfly 0 bg black,25 bg portrait2,22 ;「………殺し方にまでルールがね。@………何で私が先代さまに気兼ねしなくちゃならないの？@　…………窮屈でつまらない。」\ `".........There's even rules on how to kill them.`@` .........Why do I have to be constrained by my Predecessor-sama?`@` ............It's so rigid and boring."`\ textoff E_MA se1 1100 se2 1100 bg white,1 bg portrait4,42 se3v 37,90 wait 3000 ;　魔女はホールに掲げられた先代ベアトリーチェの肖像画を見上げながら、悪態をつくのだった…。\ `As the witch looked up at the portrait of the Predecessor Beatrice hung in the hall, she cursed...`\ bg black,2 me1v 12,0 fedexx 0,50,0,0,0,0,3000 bg Mkit_1aR,26 se1v 21,40 ;　３人はすでに厨房に到着し、食料を集めていた。@ ;　毒が混ぜられているかもしれない可能性も考え、魅力的な野菜や果物の類を諦め、@安全な缶詰だけをダンボールまるまる一箱分集めた。@ `The three people had already arrived at the kitchen, and were gathering food supplies.`@ `Thinking of the possibility that poison had been mixed in, they gave up on the alluring fruits and vegetables,`@` and gathered a whole cardboard box full of only the safe canned foods.`@ br ;　かなりの重量だが、台車に積めば何とか運べる。\ `It was very heavy, but by piling it on the cart, they could carry it well enough.`\ bg black,22 bg Mkit_1cR,22 ;　これだけあれば、１０人なら明日の朝食まで余裕が持てる。@船を待つにはそれで充分だ。@ `With all of that, there would be plenty for 10 people to hold out until tomorrow's breakfast.`@` That would be enough while they waited for the boat.`@ br ;　男２人は護衛役に専念のはずだったが、この重さの荷物では台車であっても霧江には辛い。@ ;　力自慢を自称する秀吉が台車役を代わり、護衛役は留弗夫夫妻が勤めた。\ `The two men were supposed to be devoted to guard duty, but the weight of the load was tough on Kyrie even with the cart.`@ `Hideyoshi, who wanted to show off his power, switched to be the cart-pusher, and Rudolf and his wife took up the task of guard duty.`\ ld c,$HID_WaraiA2,24 ;「これだけあれば、譲治たちも満腹やろ。@/ `"With all this, even George and the kids will be full. `@/ ld c,$HID_MajimeA1,80 ;帰るまでが遠足や、行くで…！」@ ;＜秀吉 `It'll be a picnic until we get back, let's go...!"`@ br ld l,$KIR_MajimeA2,23 ;　秀吉が威勢よく出発を宣言した時、霧江が表情をしかめ、遠くを見るような目をした。\ `When Hideyoshi vigorously proclaimed their departure, Kyrie frowned, looking as though she was gazing into the distance.`\ ;　……その方向には壁がある。@ ;　…いや、視線が貫けるならば、その向こうにはホールがある…。\ `......There was a wall in that direction.`@ `...No, if her gaze could go through that, the hall was beyond it...`\ bg Mkit_1aR,0 ld r,$RUD_majimeA2G,23 ;「………どうした、霧江。」@ ;＜留弗夫 `".........What is it, Kyrie?"`@ me2v 16,50 ld l,$KIR_MajimeA2,23 bgm1 28 ;「…チリチリするの。@………嫌な予感がするわ。」@ `"...It's vague,`@` .........but I have a bad feeling about this."`@ br ;　霧江は足を止め、なおも目を細めるような仕草をする。\ `Kyrie stopped, narrowing her eyes even further.`\ ld r,$RUD_komaruA1G,80 ;「………女の勘か？」@ `".........Women's intuition?"`@ br ;　こういう時の霧江の勘は、理屈抜きに当たる。@ ;　…留弗夫はその勘を信じた。\ `In times like this, Kyrie's intuition surpassed reason.`@ `...Rudolf believed that intuition.`\ se3v 21,40 ld l,$KIR_NayamuA1,80 ;「えぇ。@多分、私たちは待ち伏せされてる。@……さっきまではその気配はなかったの。@…でも、たった今、感じたわ。@/ `"Yes.`@` Someone's probably waiting to ambush us.`@` ......I didn't sense them until a short while ago.`@` ...But just now, I felt it. `@/ se2v 27,40 ;……たった今、私たちは、 `......Just now someone,` br ;(待ち伏せられた/・・・・・・・)。」\ ;＜点処理：待ち伏せられた (`set up an ambush for us`/・・・・・・・・・)`."`\ ld r,$RUD_WaraiA2G,80 ;「……なら、来た道を戻る義理はねぇな。@/ `"......Then, there's no reason we should return the way we came. `@/ ld r,$RUD_waraiB1G,80 ;そこに勝手口があるじゃねぇか。@そっちから出よう。」\ ;＜留弗夫 `There's a back door over there, right?`@` Let's leave that way."`\ bg black,23 ;　留弗夫は勝手口の扉の鍵を開けようとする。@ `Rudolf made to unlock the back door.`@ br ;　厨房への荷物の運び込みは、家人たちが出入りする屋敷内を決して通りはしない。@ `When luggage was carried into the kitchen, it never passed through the part of the mansion that the family came and went from.`@ br ;　だから、勝手口の外には搬入用のスロープもあるだろう。@きっと台車はここから出られる。\ `So outside the back door, there was probably a slope to carry things in.`@` Surely, they would be able to leave through there with the cart.`\ ;se1v 1005,100 ;wait 500 ;se2v 1005,100 ;wait 500 ;se3v 1005,100 ;wait 1000 se1 32 wait 500 se2 32 wait 1000 bg Mkit_1bR,0 ld c,$RUD_OdorokiA1G,26 se3v 21,50 ;「……何だこりゃ。@…固ぇ。@…クソ、どうなってんだ。」@ ;＜留弗夫 `"......What is this?`@` ...It's stuck.`@` ...Damn, what's going on?"`@ ld r,$KIR_MajimeA1,24 ;「開かないの？」@ ;＜霧江 `"Can't you open it?"`@ ld c,$RUD_komaruA1,80 ;「あぁ。@壊れてんのかな。@びくともしねぇぜ…。」@ ;＜留弗夫 `"Nope.`@` Is it broken?`@` It isn't giving an inch..."`@ br textoff se1 8 quakex 3,500 se2 8 quakey 3,500 se1 7 quakex 3,500 se2 12 quakey 4,800 ;　留弗夫は、力任せにしたり、あるいは宥めすかしたり、色々と試すのだが、@鍵は岩のように固まり、びくともしなかった。\ `Rudolf tried various things, using force, then coaxing it,`@` but the lock was as hard as stone, and didn't even budge.`\ bg Mkit_1aR,0 ld l,$HID_MajimeA1G,23 ;「…無理せんと、玄関から出ようや。@モタモタ時間を潰す方が、今は惜しいで。」@ ;＜秀吉 `"...Don't stress over it. Let's leave through the front entrance.`@` Right now, it'll be even worse if we stand around wasting time."`@ ld r,$KIR_NayamuA1,24 ;「…………………………。」\ ;＜霧江 `"........................"`\ cl l,24 ld l,$RUD_majimeA2G,23 ;「……これが罠だってのか？」@ ;＜留弗夫 `"......Are you saying this is a trap?"`@ ld r,$KIR_MajimeA2,80 ;「…わからない。@用心して。」\ ;＜霧江 `"...I don't know.`@` Be careful."`\ bg black,25 bg M1F_P1bR,22 ;　３人は緊迫の面持ちで、再びホールへ戻り、玄関を目指す…。\ `With strained expressions, the three of them returned to the hall again, and headed for the entrance...`\ bg black,22 E_A se1 30 bg Mhal_2aR,64 ld c,$RUD_komaruB1G,63 ;「だ、……誰だッ！！」@ ;＜留弗夫 `"Wh, ......who is it?!!"`@ br ;　ホールに出た途端に、留弗夫が真っ先に不審な人影を認めて叫んだ…。@ `The instant they exited into the hall, Rudolf noticed a suspicious shadow right in front of them and yelled...`@ br ;　その瞬間、金箔の嵐が巻き起こり、黄金の蝶たちが空間を黄金色に染めた。\ `In that instant, a storm of gold leaf started blowing, and gold butterflies covered the area with a gold color.`\ textoff se1v 22,100 bgm1 74 bfly2 31 bg butterfly_3a,22 se2 52 wait 500 se3 52 bg Mhal_2cR,0 ld l,$RG2_IkariA1,0 ld r,$RG4_defA1,99,1000,"breakup.dll/lrp" ld r,$RG4_AkuwaraiA2,80 se1v 37,100 ;「…………信じられん。@ニンゲン如きが、我らの待ち伏せを予見したか。」@ ;＜ベルフェ `"............I can't believe it.`@` A lowly human predicted our ambush?"`@ ld l,$RG2_OdorokiA1,80 ;「わ、私のせいじゃないわよ。@気配は消してたもん…！」\ ;＜レヴィア `"I, it isn't my fault.`@` I was hiding my presence...!"`\ cbfly 0 ;bg Mhal_2aR,0 ;ld r,$KIR_MajimeB1G,63 bg black,1 ;「躊躇しないでッ！！　撃ってッ！！！」\ ;＜霧江 `"Don't hesitate!! Shoot!!!"`\ textoff bg black,1 se1v 46,100 bg white,1 bg bullet_1a,22 se2v 46,100 bg white,1 bg bullet_1b,22 bg Mhal_2cR,22 ;ld r,$RG2_IkariA1,0 ;ld l,$RG4_DefA1,22 ;se1 52 ;cl a,99,500,"breakup.dll/llP" ;　二人の銃が火を噴く。@ `The two guns spouted fire.`@ br ;　鉛の弾丸は二人が持つ魔法防御を、濡れた障子紙のようにあっさり撃ち抜きながら迫るが、@……そこにあったはずの二人の姿は掻き消える。\ `The lead bullets blasted right through the magic defense the two had as easily as though it were a wet paper wall,`@` ......but the figures of those two, which should have been there, had disappeared.`\ ;　確かに銃は彼女らにとっても恐れるものかもしれない。@ `Certainly, guns were frightening objects for them.`@ br ;　…しかし当たらなければ怯える必要はない。@ ;　彼女らにはそれをかわせるだけの素早さがあった。\ `...But there was no need to fear as long as they weren't hit.`@ `They at least had enough speed to dodge those.`\ bg Mhal_2bR,63 se1 52 ld c,$RG2_nakuA1,99,1000,"breakup.dll/ulp" ;「ちょっとぉ！@　名乗りも上げさせないつもりぃ？！@/ `"Wait a sec!`@` You won't even let us say our names?! `@/ ld c,$RG2_odorokiA1,80 ;　これだからニンゲンは嫌なのよぅ！」@ ;＜レヴィ `This is why I hate humans!"`@ br ;　レヴィアタンは、本来いたはずの場所から１０ｍ以上も離れた、階段の影の柱からひょっこりと顔をのぞかせて抗議する。\ `Leviathan was a full 10 meters from where she had supposedly been, popping her head out from behind the pillars in the shadow of the staircase and protesting.`\ bg Mhal_2d,22 ;「ベアトリーチェさまのご命令により、貴様らを討つ！@　時間を掛けて甚振れとのご命令だ。@抵抗は自由、されど無駄と知れ…！」\ `"Following Beatrice-sama's orders, we are to attack you!`@` Our orders tell us to make it take some time and to tease you.`@` You are free to resist, but know that it is useless...!"`\ ;bg black,25 ld l,$RG4_akuwaraiA1,25 ;　その声は頭上から。@ ;　ベルフェゴールの姿はホールのシャンデリアの上にあった。@ ;　優雅に見下ろしながら、残酷な笑みで処刑を宣告する。\ `That voice came from overhead.`@ `Belphegor could be seen on top of the hall chandelier.`@ `Elegantly looking down upon them, she proclaimed their execution with a cruel smile.`\ bg Mhal_2aR,0 ld r,$HID_KomaruA2,22 ;「……な、/ ;!d500……何なんや、この姉ちゃんたちは…？！」@ ;＜秀吉 `"......Wh, `/ !d500`......what are these girls...?!"`@ ld l,$KIR_MajimeA1,63 ;「台車は忘れてッ！！@　相手は二人よ、散開すれば全員を追うことはできないわ！」\ `"Forget the cart!!`@` We have two opponents, so if we split up, they can't chase all of us!"`\ ;　３人は全員、屋敷内には精通している。@ ;　それぞれに逃げて、窓を破るなり勝手口を出るなりしてゲストハウスへ逃げ帰ることで、緊急時の打ち合わせは済んでいる。@ `All three of them were well acquainted with the inside of the mansion.`@ `In the case of a crisis, they had planned to run off in separate directions,`@` returning to the guesthouse by breaking windows or leaving through a back door.`@ br ;　戦いは厳禁。@……逃げ切れる限り。\ `Fighting was forbidden.`@` ......As long as they could fully escape.`\ ld c,$RUD_waraiA2G,64 ;「はっははッ、三十六計、逃げるが勝ちだぜ…！！」@ ;＜留弗夫 `"Hah-hah-ha, in a tight spot, escaping is victory...!"`@ br me1v 16,70 bg black,64 ;　３人は屋敷の奥へ一目散に逃げ出す。@ ;家具の二人は悠然とその背中を見送る。\ `The three of them escaped into the depths of the mansion at full tilt.`@ `The two furniture calmly watched them go.`\ fede 1,2000 bg Mhal_2cR,63 ld l,$RG2_AkuwaraiA2,80 bgm1 54 ;「……私は女の方を殺るわ。@あんたは男を！」@ ;＜レヴィ `"......I'll kill the woman.`@` You take the man!"`@ ld r,$RG4_hohoemiA1,80 ;「了解した。」\ ;＜ベルフェ `"Understood."`\ E_MA se1 52 cl r,99,700,"breakup.dll/ulb" se2 52 cl l,99,700,"breakup.dll/urb" ;　柱の影とシャンデリア上の２人の家具は、人の姿を弾けさせ、@飛び跳ねる甲虫が壁にぶつかるような音だけを残しながら、各々の標的を追跡する。@ `The two furniture in the shadows of the pillars and on the chandelier made their figures explode,`@` and, leaving behind only the sound of a hopping beetle knocking against the wall, they pursued their respective targets.`@ br ;　その速度は圧倒的で、容易に彼らの退路を断ってしまうのだ。\ `Their speed was overwhelming, and they easily blocked the others' path of retreat.`\ se3 52 ld c,$EV2_AkuwaraiA1,99,1500,"breakup.dll/lrp" ;「…………家具のお手並み、拝見させてもらうわ。@楽しませてくれるといいのだけど。」@ ;＜魔女絵羽 `"............Why don't I watch the skill of this furniture.`@` It'd be nice if they entertained me..."`@ ld r,$RON_akuwaraiA1,24 ;「ベアトリーチェさま、濫りに姿を現されない方がよろしいかと…。」\ ;＜ロノウェ `"Beatrice-sama, I wonder if it is appropriate for you to show yourself unnecessarily..."`\ ld c,$EV2_TokuiA1,80 ;「キングは濫りに中央を動かないものよ。@それが王者の、/ ;!d800…魔女の貫禄よ！」\ ;＜魔女絵羽 `"You don't unnecessarily move the king into the center.`@` That's part of a king's, `/ !d800`...a witch's dignity!"`\ mov %play_scene,30170 bg black,65 se1v 22,100 wait 1000 se2v 20,100 wait 800 bg M2F_P1aR,62 se1 52 ld c,$RG4_DefA1,99,1000,"breakup.dll/lrb" se2v 2,100 ;■２階廊下 ;　大胆にも２階へ逃れようとした留弗夫の前には、もうベルフェゴールが立ち塞がっていた。\ `In front of Rudolf, who had boldly tried to escape to the second floor, Belphegor was already standing in the way.`\ ld c,$RG4_hohoemiA1,80 ;「抵抗も、そして逃走も無駄だ。@……お前は何も考えなくていい。@/ `"It's useless to try and resist or escape.`@` ......You don't need to think about anything. `@/ ld c,$RG4_AkuwaraiA1,80 ;ただ目を閉じているだけでいい。@私が全て、やさしく終わらせてやる。」\ `Just close your eyes.`@` I'll gently end everything."`\ bg M2F_P1bR,0 ld r,$RUD_AkuWaraiA1G,24 ;「あんた、いい嫁さんになれるな。@疲れて帰ってくる旦那はそういうの喜ぶぜ。」@ `"You might become a good wife.`@` Your husband would be pleased to hear that kind of thing when he comes home tired."`@ ld l,$RG4_FumanA1,23 ;「この期に及んで不埒な話をする余裕があるとは…！@/ `"To think that you're still relaxed enough to speak with such insolence at a time like this...! `@/ se1v 57,100 bg white,1 bg M2F_P1bR,0 ld r,$RUD_AkuwaraiA1G,0 bld l,$RG4_ikariA1,22 ;　良き獲物っ、ベアトリーチェさま、感謝します！@　死ねッ！！！」\ `Beatrice-sama, thank you for such good prey!`@` Die!!!"`\ bcl l,0 se1v 46,100 bg white,1 bg M2F_P1aR,0 mld c,$RUD_MajimeB1G,24 ;　先制射撃は留弗夫。@ `Rudolf fired first.`@ se1v 57,100 ;ld r,$RG4_IkariA1,99,1000,"breakup.dll/urB" mbg white,1 ld r,$RG4_hohoemiA1,1 mcbg 22 ;　しかし、その銃弾が着弾するより、ベルフェゴールが留弗夫の背後を取る方が早い。@ `But even before that bullet could hit her, Belphegor had already moved behind Rudolf's back.`@ br ;　そこには腕より伸びる紫色の奇跡を振り上げる姿が。\ `She then raised a purple locus springing out from her arm...`\ mcl a,0 se1v 57,100 se2v 57,100 bg BLADE4P,1 bg black,80 wait 500 se1v 2,100 se2v 30,100 mcl c,0 bg white,1 bg M2F_P1aR,0 ld c,$RUD_defB2G,0 Bld r,$RG4_OdorokiA1,80 me1v 17,90 ;　しかし、その腕が留弗夫の首を撥ねるより、信じられないことに、留弗夫が背後に銃を振る方が早い。@ `However, even before that arm could decapitate Rudolf, unbelievably, Rudolf had swung his gun behind him.`@ br ;　ソードオフ銃を片手でリロードするアクションからそのまま、銃口が背後へ伸びていた。@ `The barrel remained pointing behind his back, from the same motion with which he had reloaded the sawed-off gun one-handedly.`@ br ;　それはぴったりとベルフェゴールの胸元に突きつけられている…。\ `It was pointing right at Belphegor's chest...`\ ;　チン、カランコロン…！@ ;　それはリロードで排莢された空薬莢が今更壁を叩く音だった。@ `*click*, *cha-clunk*...!`@ `It was the sound of the ejected empty cartridge finally hitting the wall after the reload.`@ br ;　つまりそれはすでに次弾装填が終了しているということ。\ `In other words, it meant that the next shot was already fully loaded.`\ se1v 43,100 ld c,$RUD_DefB1G,80 ;　振り返りもせず、ベルフェゴールの胸元に完全に銃を突きつけている留弗夫はニヤリと笑う。\ `Without turning around, his gun pointing right at Belphegor's chest, Rudolf grinned.`\ Bld r,$RG4_AkuwaraiA2,80 ;「………やるな………。@…中年男の分際で…ッ！！」@ `".........Not bad.........`@`...For a middle-aged man...!!"`@ ld c,$RUD_waraiB2G,80 ;「西部劇世代を舐めるんじゃねぇぜ？@　ガキどもにレバーアクションの渋みは語らせねぇ。」\ `"Don't look down on the generation that loves western films, right?`@` Brats don't know anything about the refinement of a lever-action."`\ Bld r,$RG4_AkuwaraiA3,80 bcl a,0 mcl a,0 E_MA se1v 46,100 se2v 46,100 bg bullet_1a,1 bg black,2 fedexx 100,0,0,0,0,0,3000 ;■ズドーン！@　場面転換・１階廊下 ;　留弗夫と同じように霧江もまた、１階廊下にて悪魔の杭と対峙していた。\ `Just like Rudolf, Kyrie was also confronting a demon stake in the first floor corridor.`\ bg M1F_P1dR,0 ld c,$RG2_AkuwaraiA1,64 se2v 2,100 se3v 2,100 wait 100 bgmvol 70 ;「間抜けなヤツね。@夫と一緒に逃げればよかったのに。@さっきのが今生の別れになったわよ…？@/ `"What a moron.`@` You could have just escaped with your husband.`@` You do know that that was your final farewell just now, right...? `@/ se1v 37,100 ;　くすくすくす！」\ ;＜レヴィア `*giggle*giggle*giggle*!"`\ bg M1F_P1bR,0 ld r,$KIR_KomaruA1,64 ;「大丈夫よ。@ウチの人、こういうのとても得意なの。@すぐに白馬で迎えに来てくれるわ。@/ `"Don't worry.`@` This kind of thing is my husband's specialty.`@` I'm sure he'll come for me on a white horse soon. `@/ ld r,$KIR_WaraiA2,80 ;私が困った時、彼が助けに来てくれなかったことはないんだから。@……明日夢さんがいた頃であってもね？@　ふふ。」\ ;＜霧江 `Because he's never failed to come and save me when I'm in trouble.`@` ......Not even when when Asumu-san was around, you see?`@` Heheh."`\ ld l,$RG2_akuwaraiA2,63 ;「ふっふふふふふふ！@　本当に仲の良い夫婦ね。@嫉妬するわ。@………私は嫉妬のレヴィアタン…！@　嫉妬こそ我が力。@我が怒り、我が源泉！」\ `"Heheheheheheheh!`@` What a happy couple.`@` I'm jealous.`@` .........I am Leviathan of Envy...!`@` Envy is itself my power.`@` My anger, my origin!"`\ ld r,$KIR_futekiA1,80 ;「同感ね。@嫉妬は女の力の原点よ。@…それが力だと言うなら、あなた如きお嬢ちゃんになんか負けないんだから。」\ `"I agree.`@` Envy is the source of a woman's power.`@` ...And if you call something like that power, I won't lose to a girl like you."`\ ld l,$RG2_AkuwaraiA3,80 se1v 37,100 ;「はっははははははははは！@　嫉妬を司る私によくも言えたわね！@　お前たち夫婦を再会などさせるものか…！！@/ `"Hahhahahahahahahahaha!`@` Imagine saying that to the one who governs envy!`@` You actually think I'd let you two be reunited...?!! `@/ se1v 57,100 bg white,1 bg M1F_P1bR,0 ld r,$KIR_futekiA1,0 bld l,$RG2_AkuwaraiA3,80 ;　あっははははは、悲劇的な別れを与えてやるわッ！！」\ `Ahhahahahaha, I'll give you a tragic farewell!!"`\ se1v 57,100 bcl l,0 bg BLADE1P,1 ;　レヴィアタンの振る腕は紫色の軌跡を引く。@ ;　それは悪意で切断する魔法の刃。@ `The arm Leviathan swung was trailed by a purple locus.`@ `It was a magic blade that cut by the power of malice.`@ se2v 2,100 bg white,1 bg black,22 ;bg M1F_P1aR,0 ;ld c,$KIR_Majimeb2G,22 br ;　霧江はそれを銃で庇い防ぐ。\ `Kyrie guarded herself against that with her gun.`\ ;　……魔法抵抗力の極めて高い「銃」は、鉄であってもバターのように切断するはずの魔法の刃を、@まるで丸めた新聞紙のチャンバラを受け止めるように防ぐことができる。@ `......Even though the magic blade should have cut through the metal like butter, the 'gun', with its extremely high magic resistance power, `@`was able to block the blade as easily as if it were a rolled up newspaper.`@ br ;　素早く二度三度。@それを全て防ぎ切る。\ `Rapidly, two times, three times.`@` It blocked all of them.`\ textoff se3v 20,100 wait 200 se2v 57,100 bg BLADE3P,1 wait 100 se1v 2,100 bg white,1 bg black,22 se2v 20,100 bg BLADE4P,1 wait 100 se3v 57,100 bg white,1 bg black,22 se3v 20,100 wait 200 se2v 57,100 bg BLADE5P,1 wait 100 se1v 2,100 bg white,1 bg black,22 ;textoff ;se3v 20,100 ;bg BLADE5P,1 ;wait 100 ;se1v 58,100 ;bg white,1 ;bg black,22 ;se2v 20,100 ;bg BLADE1P,1 ;wait 100 ;se3v 58,100 ;bg white,1 ;bg black,22 ;textoff ;se3v 20,100 ;bg BLADE3P,1 ;wait 100 ;se1v 58,100 ;bg white,1 ;bg black,22 ;se2v 20,100 ;bg BLADE6_1P,1 ;wait 500 ;se3v 12,100 ;se1v 11,100 ;bg M1F_P1cR,1 ;quakey 4,600 ;bg black,1 ;se1v 20,100 ;wait 300 ;se2v 20,70 ;wait 300 ;se3v 20,40 ;wait 1000 ;se1v 43,100 wait 1000 se1v 2,100 se2v 12,90 wait 1500 se3v 43,100 ;■カキーン、カキカキーンと三連撃を防ぐ。@ブォンと蹴って、ジャキリと構える音。@ me1v 17,90 bg M1F_P1cR,22 ;　そしてその紫の軌跡が、大振りに振りあがった隙を逃さず、@霧江の踵がレヴィアタンの下腹を蹴り押す。@ `And, without missing the opening created when that purple locus took a swing upward,`@` Kyrie kicked Leviathan in the stomach with her heel.`@ br ;　レヴィアタンはまるで羽のように軽く、舞うように吹き飛ぶ。\ `Almost like she was a lightly dancing feather, Leviathan was knocked away.`\ ;　…悪魔の杭の足が、再び地に着ける前に。@ `...Before the demon stake's feet touched ground again...`@ se1v 43,100 se2v 43,100 se3v 2,100 ;　もう霧江の銃口は空中にてレヴィアタンを完全に捕らえていた。@ `Kyrie had already perfectly captured Leviathan, who was in midair, down the barrel of her gun.`@ br ;　その中空で、嫉妬は力だと言葉を交し合った二人の女の目線が交差する。\ `From midair, the two women who had spoken to each other of envy as a form of power met each other's gaze.`\ ;ld c,$RG2_OdorokiA2,80 bg black,0 lsp2 4,$RG2_ikariA1,110,380,-200,200,0 print 63 se1v 2,100 mov %rmordflg,on ;停止 ;「……う、撃てるぅ？@　その引き金…！！」\ `"......C, can you pull it?`@` That trigger...!!"`\ csp2 -1 bg black,0 ;ld c,$KIR_KomaruB1G,80 ;lsp2 3,$KIR_futekiA1,480,490,200,200,0 lsp2 3,$KIR_futekiA1,280,490,270,270,0 print 64 se2v 2,100 ;「私、夫のいないところでは残酷よ？」\ `"You know, I can be pretty brutal when my husband isn't around."`\ E_MA se1v 46,100 se2v 46,100 csp2 -1 bg white,1 bg black,2 mov %rmordflg,off ;再開 ;■ズドーン！@　場面転換・１階階段ホール wait 800 bg Mhal_2bR,1 se1v 12,100 quakey 4,800 se2v 11,60 quakey 2,500 se3v 11,80 quakey 2,500 se1v 11,100 quakey 2,500 se2v 13,100 quakey 5,800 ld r,$RUD_KomaruA1G,26 ;「うわったたたたたッ！！」@ `"Owowowowowowow!!"`@ br ;　階段をごろごろと留弗夫が転げ落ちてくる。@ ;　ベルフェゴールに徐々に追い詰められ、元のホールへ再び押し戻されたのだ。\ `Rudolf tumbled down the staircase.`@ `He had been gradually chased down by Belphegor, and had been pushed back into the original hall.`\ bg black,24 bg Mhal_2cR,0 ld c,$EV2_AkuwaraiA2,24 ;「………先代さまの家具もなかなかやるわね。@派手さに欠けるけど！」@ ;＜魔女絵羽 `".........Predecessor-sama's furniture is pretty good.`@` She's lacking in style, though!"`@ se1v 57,100 ;ld r,$RG4_KomaruA1,99,2000,"breakup.dll/ulb" mbg white,1 mcbg 0 ld r,$RG4_fumanA1,22 ;「ベアトリーチェさま…！@　まだ終わっていませんっ、姿を現されては危険です…！」\ ;＜ベルフェ `"Beatrice-sama...!`@` It isn't over yet, and it's dangerous to show yourself...!"`\ bg Mhal_2bR,0 ld l,$RUD_komaruA1G,23 ;「……………………お前、/ ;!d800……まさか、絵羽なのか。」@ `"..................Could you, `/ !d800`......possibly be, Eva?"`@ ld r,$EV2_AkuwaraiA1,24 ;「それはかつて私の名だった。@でも今は違うわよ、留弗夫。」\ `"That used to be my name.`@` But it's different now, Rudolf."`\ se1v 43,90 ld l,$RUD_MajimeB2G,80 ;「言わなくてもわかってるさ。@黄金の魔女、ベアトリーチェだって言うんだろ？」\ `"You don't have to tell me.`@` You're going to say you're the Golden Witch, Beatrice, right?"`\ ld r,$EV2_AkuwaraiA4,80 se2v 37,100 ;「ふっふふふふふふ、あっははははは！@　どうしてわかったの？」@ `"Ehheheheheh, ahhahahahaha!`@` How did you know?"`@ ld l,$RUD_NayamuB1G,80 ;「……楼座が殺された時から、想像はついてたさ。@/ `"......Since the time Rosa was killed, I had a general idea. `@/ ld l,$RUD_MajimeB1G,80 ;………楼座、許しな。@お前の地獄に、お前の大嫌いな姉を送っちまうことをよ…！！」\ `.........Rosa, forgive me.`@` Forgive me for sending the sister you hated down to your hell...!!"`\ textoff se1v 57,100 bg white,1 bg BLADE4P,22 wait 200 bg white,1 bg Mhal_2aR,0 ld r,$EV2_TokuiA1,0 bld c,$RG4_OdorokiA1,22 ;「ベアトリーチェさまッ、危ない！！！」@ `"Beatrice-sama, look out!!!"`@ br ;　留弗夫が容赦なき銃口をかつての姉を名乗る魔女に向ける。@ ;　しかしベルフェゴールはそれを許すまじと猛然と襲い掛かる。\ `Rudolf mercilessly pointed the barrel of his gun at the witch who claimed to have once been his sister.`@ `But Belphegor could not permit that, and savagely attacked.`\ textoff bcl c,0 se1 20 bg BLADE2P,1 wait 200 se2v 57,100 bg white,1 bg Mhal_2aR,0 mld c,$RUD_OdorokiA1G,0 bld r,$RG4_IkariA1,22 ;　飛び掛れば消えて留弗夫の背後に。@ `She dashed, disappeared, and headed for Rudolf's back...`@ textoff se1 20 ;bcl r,0 ;print 99,500,"breakup.dll/llb" mcl c,0 bcl a,0 se1 20 bg BLADE3P,1 wait 200 se2v 57,100 bg white,1 bg Mhal_2aR,0 ld c,$RUD_OdorokiB1G,0 bld l,$RG4_akuwaraiA2,22 ;　その一撃をかわせば再び留弗夫の背後に。@ `...Dodged that shot and again headed for Rudolf's back...`@ se3v 57,100 bcl l,0 mbg white,1 ;print 99,500,"breakup.dll/llb" mcbg 22 ;　次々に姿を消しては留弗夫の死角に瞬間移動する。\ `...And hid herself over and over, instantly moving into Rudolf's blind spot.`\ textoff bg Mhal_2bR,22 se2v 57,100 ;ld c,$RG4_KomaruA1,99,500,"breakup.dll/llb" ld c,$RG4_fumanA2,80 se3v 57,100 bg white,1 bg Mhal_2bR,0 bld c,$RG4_AkuwaraiA2,80 wait 100 csp -1 se1 20 bg BLADE6_1P,1 wait 200 se2v 57,100 bg BLADE6_2P,1 wait 500 se3v 57,100 bg white,1 bg Mhal_2d,22 ;　それはまるで妖精のよう。@ ;　瞬くように姿を消しながら、ベルフェゴールは間断なく留弗夫を攻め立てるのだ。\ `It was almost like she was a fairy.`@ `As she blinked in and out of vision, Belphegor incessantly drove towards Rudolf.`\ bg Mhal_2cR,0 ld c,$EV2_akuwaraiA5,24 ld c,$EV2_akuwaraiA7,80 ;「これはこれで楽しいかもしれない。@留弗夫、あなたの健闘がどこまで続くか、ゆっくり見物させてもらうわぁ。@/ `"Maybe this is kinda fun.`@` Rudolf, let me leisurely watch and see how long your brave efforts last you. `@/ se3v 37,100 ;くっくくくくくくくくくくくくく！」\ `*cackle*cackle*cackle*cackle*cackle*cackle* *cackle*cackle*!"`\ se1 20 bg black,22 se1v 58,100 se2v 38,100 se3v 38,100 ;　その時、鈍い引き裂く音と留弗夫の苦悶の声が混じった。@ `At that time, a dull tearing sound was mixed in with Rudolf's cry of anguish.`@ br ;　襲い来る紫の軌跡とのダンスに、ついに留弗夫の反応が遅れ、@脇腹を薄く裂かせることを許してしまったのだ。\ `Rudolf's reaction to the dance of the purple locus which pressed upon him had finally been too slow,`@` and he had let it lightly cut his flank.`\ se3 35 bg blood_2a,1 ;　ひとつの傷はひとつの行動を遅らせる。@ `A single wound slowed his actions a little.`@ se1v 58,100 se2v 12,100 quakey 4,800 se3v 57,100 se1v 58,100 bg blood_2b,1 se2v 57,100 quakex 4,600 se1v 57,100 se3v 58,100 bg blood_2c,1 ;　それは新しい傷を呼び、新しい行動を遅らせる。\ `That caused a new wound, which slowed his actions again.`\ textoff bg Mhal_2aR,0 ld c,$RG4_hohoemiA1,22 se2v 57,100 bld c,$RG4_AkuwaraiA2,80 bcl c,0 se3 52 print 99,1000,"breakup.dll/lrb" se1v 57,100 bg BLADE1P,1 bg black,80 ;wait 200 se2v 57,100 bg BLADE2P,1 bg black,80 ;wait 200 se3v 57,100 bg BLADE3P,1 bg black,80 ;wait 200 se1v 57,100 bg BLADE4P,1 bg black,80 ;wait 200 se2v 57,100 bg BLADE5P,1 bg black,80 ;wait 200 se3 20 bg BLADE6_1P,1 bg black,80 wait 300 se2v 57,100 se1v 57,100 bg white,1 bg BLADE6_2P,22 se3v 2,100 bg white,1 bg Mhal_2cR,22 ;　ベルフェゴールのダンスが、留弗夫を飲み込み始める…。@ `Belphegor's dance began to swallow Rudolf whole...`@ br ;　次第に体を切り刻まれていく留弗夫を見て、かつての姉は高らかに笑うのだった。\ `Watching Rudolf's body gradually get carved up, his former sister let out a shrill laugh.`\ textoff se1v 37,100 bg black,42 wait 3000 bg M1F_P1bR,22 wait 1000 bg M1F_P1dR,0 ld l,$RG2_ikariA1,22 ;■場面転換・１階廊下 ;　レヴィアタンは、一向に致命傷を許そうとしない霧江に苛立ちを隠せなくなっていた。\ `Leviathan could no longer hide her irritation that Kyrie hadn't suffered a single fatal wound.`\ ld l,$RG2_odorokiA2,80 ;「………私は本当に愚鈍よね。@…七姉妹の中で、いつも一番成長が遅かったわ。@いつも私が遅くて、弱くて、間抜けだったわ。\ `".........I really am a moron.`@` ...Among the Seven Sisters, I was always the slowest to grow.`@` I was always slow, always weak, always stupid.`\ ld l,$RG2_AkuwaraiA2,80 ;　……その劣等感が嫉妬となり、@それを力として変換した時、私は姉妹の誰にも負けない力を得たのよ。」\ ;＜レヴィ `......That inferiority complex became envy, `@`and when I convert that into power, I gain a strength greater than that of any of the sisters."`\ bg M1F_P1bR,0 ld r,$KIR_WaraiA2,23 ;「少女時代の程よい劣等感は大事よ。@女に化粧と努力を教えてくれるわ。」\ ;＜霧江 `"It's important to have a moderate inferiority complex when you're a girl.`@` It teaches women about cosmetics and hard work."`\ bg M1F_P1dR,0 ld c,$RG2_FumanA2,24 ;「ニンゲン如きに、その力の限りを尽くすのは気に入らないけれど。@……夫に全幅の信頼を寄せるあなたへの嫉妬を、私は力に変える。\ `"But I don't like using the limits of my power against mere humans.`@` ......My envy that you are able to completely trust your husband will turn into power.`\ ld c,$RG2_OdorokiA2,80 se1v 57,100 bld c,$RG2_OdorokiA2,1 ;　……気に入らないのよ。@何で命のやり取りをしてるのに、あんたはそんなに余裕なの？」\ `......I don't like it.`@` Why are you so relaxed when you're fighting for your life?"`\ bcl a,0 bg M1F_P2bR,0 ld r,$KIR_WaraiA2,23 ;「……くす。@どうしてかしらね？」@ `"......*giggle*.`@` I wonder?"`@ bld l,$RG2_FumanA1,63 ;「…………わかってるのよ。@必ず夫が助けに来てくれて自分を助けてくれるって、信じきってるのよ。@/ `"............I get it.`@` You fully believe that your husband will definitely come to rescue you and will save you. `@/ bld l,$RG2_AkuwaraiA1,80 ;………すごいじゃない、その信頼。@嫉妬に値するわ。」\ `.........Isn't it incredible, that trust of yours.`@` It's enough to make me jealous."`\ me1v 16,80 bcl a,0 bg black,22 ;　私たち姉妹にどんな信頼が？@ `What kind of trust did we sisters have for each other?`@ br ;　弱り目に祟り目を徹底的に扱き下ろしてやろうと、いつも姉妹たちは互いを見下げあっている…！\ `The sisters are always looking down on each other, trying to thoroughly lambast each other when things already look bad...!`\ bg M1F_P2bR,0 ld c,$RG2_IkariA1,22 ;「いつも姉妹たちに虐められてきたわ。@誰かひとりだけでも味方になってほしいとずっと思ってたわ。@/ `"I've always been bullied by my sisters.`@` I've always wanted just one of them to become my ally. `@/ ld c,$RG2_AkuwaraiA2,80 ;……だから、そのひとりだけの味方がいて、@全幅の信頼を寄せることができるあなたに、私は最上の嫉妬を感じるの…。\ `......So since you have that single ally who is completely trustworthy, `@`I feel the strongest envy...`\ ld c,$RG2_AkuwaraiA3,80 ;…………あぁ、その夫を信じきった余裕ある表情…！@　嫉妬が力を与えてくれるのを感じるわ…！！@　;………これは超えちゃうかもね。@/ `............Aaah, that expression that fully believes in your husband...!`@` I can feel it giving me power...!!`@` .........I might even surpass that. `@/ se1v 2,100 ;音速ッ！！！」\ `The speed of sound!!!"`\ E_MA se1v 57,100 se2v 2,100 ;cl c,99,100,"breakup.dll/urb" mbg white,1 cl a,0 mcbg 22 ;　レヴィアタンが杭に姿を変え、襲い掛かる時の飛翔速度は、その嫉妬の力に比例する。\ `Leviathan turned herself into a stake, and the speed of her flight as she attacked was proportional to the strength of her envy.`\ E_MA bg M1F_P1cR,0 btndef ":a;bmp\background\mainbuilding\M1F_P1bR.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 ofscpy se1v 36,100 btndef "" me1v 17,100 mono 2 ;「姉妹たちに見下されたあの日。@私は成長の早い他の６人を心の底から嫉妬した！@　七日七晩をかけて嫉妬したわ！！@　その末に得た私の力と速度を見るがいい…！！@　死ねッ、右代宮霧江ええええぇッ！！！」\ `"Since the day that my sisters looked down on me.`@` I was jealous from the bottom of my heart of the other six, who grew quickly!`@` I was jealous for seven days and seven nights!!`@` You can see the power I gained as a result from my speed...!!`@` Die, Ushiromiya Kyrieeeeeeeeeeee!!!"`\ mono 0 bg black,0 btndef ":a;bmp\background\mainbuilding\M1F_P2bR.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 27 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 24 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 21 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 18 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 15 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 12 ofscpy se1v 36,100 btndef "" ;　悪魔の杭がその本来の姿を晒し、凄まじい速度にて跳ね回る。@ ;　壁を打ち反射する音はまるで機関銃の音にも聞こえた。@ `The demon stake exposed her true form, leaping about at a terrible speed.`@ `The noise from her bouncing off the walls sounded like a machine gun.`@ br ;　霧江の目にはもはや、それが１本の杭なのか、群れ飛び弾け回る甲虫の群なのか、識別が付かないだろう。@ `By now, Kyrie probably couldn't tell whether it was a single stake or a swarm of beetles flying and bouncing around.`@ br ;　レヴィアタンは１００％を超えた絶対の勝利を心より確信する…！\ `Leviathan was certain of a greater than 100% chance of victory from the bottom of her heart...!`\ E_MA bgmvol 40 ;　すると霧江が、信じられないくらいに落ち着いた声で言った。\ `Then, Kyrie spoke with an unbelievably calm voice.`\ bg M1F_P2bR,0 ld c,$KIR_NayamuA1,22 me1v 16,70 ;「………留弗夫さんと、最初から付き合っていたのは私だったのよ。@……明日夢さんが、白々しく間に入り込んできて、@…ちゃっかりと懐妊したのよ。\ `".........I was the one who had been going out with Rudolf-san from the very beginning.`@` ......Asumu-san blatantly cut in between us, `@`...and shrewdly got pregnant.`\ ld c,$KIR_MajimeA1,80 ;　……留弗夫さんは悪くないわ。@あの女が、体を武器にして誑し込んで、さらに嫌らしく立ち回って、@留弗夫さんに婚約せざるを得ないよう追い詰めたのよ。」\ `......I don't blame Rudolf-san.`@` That woman used her body as a weapon to seduce him, and then acted even more repulsively,`@` and cornered Rudolf-san so that he was forced to engage her."`\ bg black,22 ;　明日夢さんは戦人くんを身篭ってたわ。@ `Asumu-san had been carrying Battler-kun.`@ br ;　そして同じ頃、私もまた男の子を身篭ってた。@ `And at the same time, I was also carrying a boy.`@ br ;　…運命的なことに、私たちの出産日は共に同じ日だったわ。\ `...As fate would have it, our delivery dates were on the same day.`\ me2v 16,80 bg Different_spiral_1a,22 ;「そして明日夢さんは戦人くんを出産したわ。@…だけれど私は流産したの。@………思ったことがあるわ。@もし流産したのが明日夢さんで、出産したのが私だったなら。@……留弗夫さんは婚約を解消して、私と結婚してくれたかしら？@　……でも私は子どもを産めなかった。@だから明日夢さんが死ぬまで。@そして縁寿を懐妊するまで、私は明日夢さんを呪ったわ、嫉妬したわ。」\ `"Then, Asumu-san gave birth to Battler-kun.`@` ...But I had a miscarriage.`@` .........There's something I've thought about.`@` What if Asumu-san had been the one to have a miscarriage, and I had been the one to give birth?`@` ......Would Rudolf-san have broken off his engagement and married me?`@` ......But I couldn't give birth to a child.`@` So until Asumu-san died, `@`and until I got pregnant with Ange, I cursed Asumu-san, and was jealous of her."`\ se1v 21,70 bg black,22 ;　明日夢さんなんか死んでしまえ。@ `Asumu-san should just die.`@ br ;　そして私と再婚してほしいって、ずっとずっと嫉妬して呪って、そしてやっと明日夢さんが死んだ。\ `And then I want him to remarry, with me.`@` In my envy, I kept cursing like that, over and over, until Asumu-san finally died.`\ ;　私は確信したわ。@ `I was certain.`@ br ;　私には魔法の力があって、それが呪いとなって明日夢さんを殺したんだって確信したわ。\ `I was certain that I had possessed the power of magic, which had become a curse and killed Asumu-san.`\ ;　でも、私の嫉妬の炎は治まらない。@ `But that did not quell the flames of my envy.`@ br ;　内緒よ？@ `Don't tell anyone, alright?`@ br se2v 21,100 ;　戦人くんを見る度にね、あの女を思い出しちゃうの。@ `Every time I look at Battler-kun, I remember that woman.`@ br ;　そして戦人くんを見る度にね。@…もし私の子が生まれていたら、同じ歳だっただろうなって思ってしまうの。@ `And every time I look at Battler-kun,`@` ...I think that if only my child had been born, he would be the same age.`@ br ;　私は今でも彼女を嫉妬し、苛まれてる。@ ;　今も、これからも。@未来、永劫にね。\ `I am still jealous of her, tormented by her.`@ `Even now, and from now on.`@` In the future, for all eternity.`\ ;ld c,$KIR_KomaruA1,80 lsp2 3,$KIR_KomaruA1,480,420,200,200,0 print 64 bgcopy csp2 -1 ;「七日七晩、姉妹を嫉妬したですって…？」@ `"You say that you were jealous of your sisters for seven days and seven nights...?"`@ lsp2 4,$RG2_OdorokiA2,110,450,-200,200,0 print 63 ;ld c,$RG2_KomaruA1,80 ;「そ、……そうよ…。」@ `"Th, ......that's right..."`@ csp2 -1 fedexx 100,-1,-1,-1,-1,-1,3000 wait 2000 se1v 37,100 se2v 37,100 wait 100 se3v 37,100 bg black,1 br ;　笑わせるなよ小娘が。\ `Don't make me laugh, girl.`\ ;ld c,$KIR_MajimeA1,80 ;bg black,80 mono 2 se1v 2,100 bg white,1 ;bg Different_spiral_1a,28 ;locate 0,5 ;!s0「………てめぇに男を寝取られて、 ;!d700１８年間嫉妬し続ける女の狂気がわかるかよ…ッ！！」/ !s0`".........How could you understand the madness of a woman whose man was stolen from her, `/ !d700`and who has burned with envy for 18 years...!!"`/ se1v 27,100 se2v 2,100 !sd\ ;se1v 1100,100 ;se2v 1100,100 se3v 1020,100 bg black,1 mono 0 ;ld c,$RG2_OdorokiA1,80 ;!s0「ぅ、……うぉあわああああああぁあああああああああぁああぁッ！！！！」/ !s0`"u, ......uuowaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaahhh!!!!"`/ quakey 9,800 !sd \ me3v 5,100 me4v 17,100 bgmvol 70 mono 1 bg M1F_P2bR,22 ;　レヴィアタンの力が、２４時間×７日で１８８時間分の速度を持つならば。@ `If Leviathan's power had 24 hours x 7 days, or 168 hours of speed...`@ br ;!s0　霧江の積み重ねた力は、/ ;!d400１日が２４時間で、/ ;!d600それが３６５日で１年で、/ ;!d800それがさらに１８年で……。/ !s0`Then the power that Kyrie had piled up, `/ !d400`was 24 hours in 1 day, `/ !d600`365 days in 1 year, `/ !d800`and for 18 whole years......`/ !sd\ ;　閏年をカウントしなくても、/ `Even without counting leap years, `/ se1v 2,100 ;１５７６８０時間。@ `it was 157680 hours.`@ ;　…それはレヴィアタンの力と速度の、/ `...Compared to Leviathan's power and speed, `/ se2v 2,100 ;８４５倍を超える。@ `it was more than 938 times greater.`@ br ;　つまり、レヴィアタンが仮に音速１２２５ｋｍで飛翔していたとしても、@……霧江の目にはその/ `So then, even if Leviathan could soar at the speed of sound, 1225 km/h,`@` ......to Kyrie's eyes, it only looked like `/ se3v 2,100 ;８４５分の１にしか見えない。\ `1/938 of that.`\ bg black,22 ;!s0　つまりつまり、１２２５÷８４５は、@/ ;!d400…………時速、/ !s0`So then, so then, 1225÷938 is, `@/ !d400`............a speed of, `/ !d700/ se1v 2,100 ;１．４６ｋｍ。/ `1.30 km/h.`/ !sd@ br ;　…人の歩行速度が時速４ｋｍと言われるのだから、その半分すらも下回る。@ ;　これは赤ん坊が床を這うのとほぼ同じ速度。@ `...They say that a human's walking speed is 4 km/h, so it was even less than half of that.`@ `This is almost the same speed as a baby crawling on the floor.`@ br ;　つまりつまりつまり…！\ `So then, so then, so then...!`\ fedexx 20,100,100,100,100,0,2000 wait 1000 mono 1 bg M1F_P1bR,0 ld l,$KIR_NayamuA1,2 ;　宙を舞う埃の数を、完全に数え切れるくらいに鈍りきった鈍足の単位時間の中で、@霧江は憐れむように悪魔の杭を見る。\ `In the time it took the demon stake to move at a pace so slow that you could count all the bits of dust floating through the air, `@`Kyrie looked at it with pity.`\ ld l,$KIR_futekiA1,2 ;　自分に向かってくる、その遅さを憐れむ。\ `She pitied the slowness at which it came towards her.`\ se1v 43,100 se2v 43,100 mbg BLADE4P,80 ld l,$KIR_KomaruB1G,0 mcbg 42 ;　そして面倒臭そうに銃口を向けた。@ ;　まるで、銃口で悪魔の杭を飲み込もうとするかのように。\ `Then, she lazily raised the barrel of her gun.`@ `Almost as though she was trying to swallow the demon stake up with the gun barrel.`\ fedexx 100,-1,-1,-1,-1,-1,1500 ;!s0「恋も嫉妬も、あなた全然足りないわ。@ !s0`"You're completely lacking in both love and envy.`@ mono off fedexx 0,1,1,1,1,1,100 ;print 1 se1 30 ;!s0「恋も嫉妬も、あなた全然足りないわ。/ ;!d800……出直してらっしゃい、お嬢ちゃん。」 ;wait 1200 ;　……出直してらっしゃい、お嬢ちゃん。」\ `......Better luck next time, girl."`\ !sd ;■ズドーン textoff se1v 1100,100 se2v 46,100 se3v 46,100 bg bullet_1a,1 E_MA bgmvol 100 bg white,42 wait 3000 fedexx 70,0,0,0,0,0,3000 bg black,2 se3 20 wait 500 se1v 58,100 bg BLADE3P,1 bg black,80 ;wait 200 bg white,80 se2v 58,100 bg BLADE2P,1 wait 200 bg white,80 se3v 57,100 bg BLADE1P,1 bg white,80 se1v 35,100 bg blood_2e,22 wait 500 bg Mhal_2bR,0 ld c,$EV2_AkuwaraiA2,26 ;「留弗夫、先ほどまでの威勢はどこへぇ？@　生き造りは魚が跳ねてる内がいいわ。@死んだら面白みも何もない。@/ `"Rudolf, what happened to all that vigor from a couple seconds ago?`@` You're supposed to slice up a fish while it's still jumping.`@` After it dies, it isn't interesting anymore. `@/ ld c,$EV2_akuwaraiA5,80 ;もう充分よ。@殺しちゃえばぁ？！」\ ;＜魔女絵羽 `That's enough.`@` Why not kill you now?!"`\ bg Mhal_2aR,0 ld l,$RUD_KomaruB1G,6 ;「………く、……畜生……。」@ ;＜留弗夫 `".........urk, ......damn it......"`@ ;se1 52 ;ld r,$RG4_FumanA1,99,2000,"breakup.dll/ulb" ld r,$RG4_FumanA1,24 ;「そこまで刻まれて、よくぞここまで堪えた。@/ `"I'm surprised you managed to endure this long after being carved up. `@/ se2v 57,100 bg white,1 bg Mhal_2aR,0 ld l,$RUD_KomaruB1G,0 bld r,$RG4_akuwaraiA2,22 ;……もう充分だ。@後は何も考えなくて良い。@痛みなく生を奪い去ってやる…！」\ ;＜ベルフェ `......That's enough.`@` From now on, you don't need to think about anything.`@` I'll steal away your life painlessly...!"`\ ld l,$RUD_akuwaraiA2G,80 ;「待ってくれ…、頼みがある。@最後にアレがやってみてぇ…。」@ `"Wait..., there's a favor I want to ask.`@` In the very end, I want to do one of those..."`@ bcl r,0 ld r,$RG4_defA1,80 ;「……アレとは何か。」\ `"......What do you mean, one of those?"`\ ld l,$RUD_akuwaraiA1G,80 ;「西部劇名物のアレだよ。@背中を向け合ってから三歩歩いてズドンってヤツ。」@ `"One of those things that westerns made famous.`@` That thing where we put our backs together, walk three steps, and then *bang*."`@ ld r,$RG4_FumanA2,80 ;「…………決闘か。@/ `"............Ah, a duel. `@/ ld r,$RG4_HohoemiA1,80 ;良かろう。@それにて今生の未練が尽きるならば受けてやる。」\ `Very well.`@` If that will satisfy your regrets in this world, I'll accept."`\ bg black,22 ;bg Mhal_2bR,0 lsp2 3,$RUD_MajimeA1,200,480,200,200,0 print 26 bgcopy csp2 -1 ;　留弗夫は傷だらけの体を起こし、背中を向ける。@ `Rudolf moved his wound-covered body, and turned his back to her.`@ bg black,0 lsp2 3,$RUD_MajimeA1,200,480,200,200,0 lsp2 4,$RG4_DefA1,400,480,-200,200,0 print 64 bgcopy csp2 -1 ;　ベルフェゴールもそれを受け、背中を向かい合わせる。@ `Belphegor responded, and faced her back to his.`@ br ;　…ベルフェゴールには魔女の家具らしくない律儀さがあった。\ `...Belphegor had a sense of honesty that was uncommon in a witch's furniture.`\ bg black,0 lsp2 3,$RUD_MajimeA1,200,480,200,200,0 lsp2 4,$RG4_FumanA2,400,480,-200,200,0 print 80 bgcopy csp2 -1 ;「言っておく。@例え、私の眉間に銃口を付きつけたとしても。@私はお前が引き金を引き、私の頭蓋骨に弾丸が至るよりも早く、瞬間移動することができる。」@ `"Let me warn you.`@` Even if you press the barrel of your gun between my eyebrows,`@` then even faster than you could pull the trigger and have the bullet reach my skull, I can move instantaneously."`@ bg black,0 lsp2 3,$RUD_WaraiB1G,200,480,200,200,0 lsp2 4,$RG4_FumanA2,400,480,-200,200,0 print 80 bgcopy csp2 -1 ;「……あぁ、そいつはもう骨身に染みてるぜ。@…お前は銃弾より速い。」\ `"......I can already feel that throughout my body.`@` ...You are faster than a bullet."`\ bg black,0 lsp2 3,$RUD_WaraiB1G,200,480,200,200,0 lsp2 4,$RG4_HohoemiA1,400,480,-200,200,0 print 80 bgcopy csp2 -1 ;「それを知りつつ決闘を挑むお前の度胸に敬意を表し、付き合うのだ。@感謝せよ。」@ `"I have agreed to this out of respect for your courage in challenging me to a duel despite that knowledge.`@` Thank me."`@ bg black,0 lsp2 3,$RUD_AkuwaraiA1G,200,470,200,200,0 lsp2 4,$RG4_HohoemiA1,400,480,-200,200,0 print 80 bgcopy csp2 -1 ;「……お前は律儀なヤツだな。@いい女だ。@惚れそうだぜ。」\ `"......You are an honest person.`@` And a good woman.`@` You might just steal my heart away."`\ bg black,0 lsp2 3,$RUD_AkuwaraiA1G,200,470,200,200,0 lsp2 4,$RG4_DefA1,400,480,-200,200,0 print 80 bgcopy csp2 -1 ;「始めるぞ。@３歩で良いのだな？@/ `"Let's begin.`@` Three steps is alright, correct? `@/ bg black,0 lsp2 3,$RUD_AkuwaraiA1G,200,470,200,200,0 lsp2 4,$RG4_DefA1,400,480,-200,200,0 print 1 msp2 4,40,0,0,0,0 msp2 3,-30,0,0,0,0 print 22 bgcopy csp2 -1 ;　………まずは１歩。」@ `.........First, one step."`@ ;delay 5000 bg black,0 lsp2 3,$RUD_MajimeA1G,140,480,200,200,0 lsp2 4,$RG4_DefA1,430,480,-200,200,0 msp2 4,40,0,0,0,0 print 22 bgcopy csp2 -1 ;「……そして２歩。」@ ;＜留弗夫 `"......Two steps."`@ bg black,0 lsp2 3,$RUD_MajimeA1G,140,480,200,200,0 lsp2 4,$RG4_HohoemiA1,520,480,-200,200,0 msp2 3,-30,0,0,0,0 print 22 bgcopy csp2 -1 ;「……３歩だ。@これでいいのか？」\ `"......Three steps.`@` Is that alright?"`\ bg black,0 lsp2 4,$RG4_HohoemiA1,520,480,-200,200,0 lsp2 3,$RUD_NayamuB1G,110,480,200,200,0 print 80 bgcopy csp2 -1 ;「あぁ。@……そして、３歩も歩いてまだ気付かねぇなら。@……俺の勝ちだな、お嬢ちゃん。」@ `"Yep.`@` ......And, since you still haven't noticed after walking three whole steps,`@` ......it's my victory, girl."`@ bg black,0 lsp2 3,$RUD_NayamuB1G,110,480,200,200,0 lsp2 4,$RG4_fumanA1,490,480,-200,200,0 print 80 bgcopy csp2 -1 ;「何ぃ……ッ？@/ `"Whaaat......? `@/ bg black,0 lsp2 3,$RUD_NayamuB1G,110,480,200,200,0 lsp2 4,$RG4_OdorokiA1,490,480,-200,200,0 se1v 2,100 print 1 bgcopy csp2 -1 ;　………………………あ…ッ…！」\ `........................Ah......!"`\ se1v 46,100 se2v 2,100 se3v 46,100 csp -1 csp2 -1 bg white,1 bg black,2 ;　留弗夫が振り返り、銃弾を放つ。@ `Rudolf turned around and fired a bullet.`@ br ;　……もっとも、ベルフェゴールにとって、そんな弾丸など、速度も軌道も全て見切れている。@ `......However, Belphegor could easily see through the speed and trajectory of a bullet like that.`@ br ;　かわすことなんて造作もないはずだった。\ `It should have been no problem at all to dodge it.`\ textoff se1 35 bg blood_2a,1 wait 800 se1v 35,100 bg blood_2b,1 wait 800 se2v 35,60 bg blood_2c,1 wait 800 se3 35 bg blood_2d,1 wait 400 se1 35 bg blood_2e,1 wait 2000 se1v 39,100 ;　しかし鮮血の飛沫が飛び散る。@ `But a spray of fresh blood flew about.`@ br ;　……ベルフェゴールにも充分な魔法的防御結界が張られている。@ `......Belphegor had set up an adequate magical defensive barrier.`@ br ;　しかし反魔法力の結晶である銃弾の前には何の意味もなかった。\ `But before an incarnation of anti-magic power such as that bullet, it was completely meaningless.`\ bg Mhal_2cR,22 ld c,$EV2_OdorokiA1,80 ;「………何やってんのよ。@何、当たっちゃってんの…！」@ ;＜魔女絵羽 `".........What are you doing?`@` Why'd you get hit...?!"`@ ld r,$RG4_odorokiA2,6 br ;　ベルフェゴールの胸部に、弾丸は命中していた。@ ;　…その鉛の痛みと、魔法を否定する痛みに、彼女は顔を歪める…。\ `The bullet had hit Belphegor right in the chest.`@ `...The pain from the lead caused her to grimace, as did as the pain from the denial of magic...`\ bg Mhal_2bR,23 ld l,$RUD_komaruB1G,23 ;「……許せ。@俺は卑怯な男だ。」@ ;＜留弗夫 `"......Forgive me.`@` I'm a coward of a man."`@ ;ld c,$RG4_IkariA1,80 bg blood_1a,22 ;!s0「………………く、/ ;!d800……………ぅ…。」/ !s0`"............Ku, `/ !d800`............u..."`/ se1 13 quakey 4,1000 !sd\ bg Mhal_2cR,0 ld c,$EV2_FukigenA2,22 ;「きょ、…興醒めだわ。@魔女の家具ともあろう者が、ニンゲンに敗れるなんて…！@/ `"Wh, ...what a killjoy.`@` To think that someone who is furniture to a witch could be defeated by a human...! `@/ ld c,$EV2_ikariA2,80 ;　恥を知りなさいよ。@情けない、見っとも無い…！@　勝手に這いつくばって死んじゃえばぁ？！」\ `Know your shame.`@` Worthless, indecent...!`@` Why don't you just grovel and die?!"`\ bg Mhal_2aR,0 ld l,$RUD_majimeB1G,63 ;「………やめな、姉貴。@…こいつはかわせたんだ。@だがかわさなかった。\ `".........Quit it, Aneki.`@` ...This girl could have dodged it.`@` But she didn't.`\ ld l,$RUD_majimeB2G,80 se1v 2,100 ;　……射線上に姉貴がいることに気付いたのさ。@だから律儀なこいつは、かわさずに受けて、姉貴を庇ったんだ。@王手飛車取りに、最後に気付いたんだ。」\ ;＜留弗夫 `......She realized that you were in the line of fire, Aneki.`@` So this honest girl took it without dodging, and guarded you.`@` In the very end, she noticed that I was #86ef9cpinning#ffffff the rook and the king."`/ mov %play_scene,30181 mov %grim_scene,307 mov %r_hyouji_grim,8 ;seplay 9,1062 \ ;tttt bg blood_1b,0 ld l,$RUD_majimeB2G,22 ld r,$RG4_ikariA1,6 ;「み、………見事…………。」@ `"S, .........spectacular............"`@ ;se1 43 ld l,$RUD_nayamuA1G,25 ;「悪く思うな。@…お前が３歩歩く間にそれに気付けたら、俺は観念するつもりだったんだ。」\ `"Don't take it badly.`@` ...I'd planned to resign if you had noticed it while you were taking those three steps."`\ ld r,$RG4_odorokiA2,80 ;!s0「…………あの３歩は、/ ;!d400…私への、/ ;!d600…手心だったか…。@/ !s0`"............Those three steps, `/ !d400`...were out of consideration, `/ !d600`...for me, were they...? `@/ ld r,$RG4_nakuA1,80 ;………考えようともしなかった。@……私は、/ ;!d800……怠惰だ、/ ;!d700…った………。」/ `.........I didn't even try to think about it.`@` ......I, `/ !d800`......was, `/ !d700`...lazy........."`/ !sd\ textoff cl r,65 se1 13 quakey 4,1000 bg Mhal_2aR,0 ld l,$RUD_nayamuA1G,22 ld l,$RUD_majimeA1,80 ;「……お前はいい女だったぜ。@先に天国で化粧して待ってろ。@きっと口説きに行くからな。」\ `"......You were a good woman.`@` Go to heaven before me and do your makeup.`@` I'll definitely come and talk you up."`\ wait 800 se2v 22,100 bg white,42 se3v 52,100 se1v 55,90 bg Mhal_2bR,99,3000,"breakup.dll/lrB" ;　ベルフェゴールはゆっくりと倒れると、…人型を形作る力をも失い、@砂金のように細かくなって、宙に溶けていく…。\ `As Belphegor slowly fell over, ...she lost even the power that kept her in a human form,`@` and she grew small, like gold dust, and melted into thin air...`\ ld r,$KIR_MajimeA2,64 ;　そこへ霧江が駆け込んでくる。@ ;　どうやら、自身の追っ手を自らの手で倒したらしい。@ `At that point, Kyrie dashed in.`@ `It seemed that she had somehow defeated her pursuer with her own hands.`@ br ;　銃口を真っ直ぐに魔女に向けながら、傷だらけの留弗夫の元へ駆け寄った。\ `As she pointed the barrel of her gun straight at the witch, she ran up to the wound-covered Rudolf.`\ bg Mhal_2aR,0 ld c,$RUD_MajimeA1G,63 mld l,$KIR_WaraiB2G,63 ;「……大丈夫？　@今、誰か口説いてなかった？」\ `"......Are you alright?`@` Were you talking someone up just now?"`\ ld c,$RUD_DefA2G,80 ;「あぁ、いい女だったぜ。@…もちろんお前の次程度にさ。@/ `"Yep, a good woman.`@` ...No match for you of course. `@/ se1v 30,100 ld c,$RUD_WaraiB2G,26 ;…………悪いな、姉貴。@/ `............Sorry, Aneki. `@/ mld l,$KIR_futekiB1G,1 se2v 2,100 ;チェックメイトだぜ。」@ `It's checkmate."`@ br ;　二人の銃口が魔女を捉える。\ `The two of them pinned the witch down the barrels of their guns.`\ mcl l,0 bg Mhal_2cR,0 ld r,$EV2_FukigenA2,64 ;「…………情けない家具たちね。@…ニンゲン相手に遅れを取るなんて。@…情けない。@下らない。@…つまらない…！」@ `"............Worthless furniture.`@` ...To think that they would be beaten by human opponents.`@` ...Worthless.`@` Stupid.`@` ...Boring...!"`@ se1 52 ld l,$RON_MajimeA2,99,1500,"breakup.dll/lrp" ;「ベアトリーチェさま、ここは退くべきです。@……銃弾を防ぐ結界も家具もここにはありませんよ。」\ ;＜ロノウェ `"Beatrice-sama, we should retreat from this place.`@` ......There is no furniture or barrier to guard against bullets here."`\ textoff fede 0,2000 ld r,$EV2_akuwaraiA8,80 se1 37 ;「ふっふふふ、/ ;!d500……くっくくくくっくっくっく！」@ ;＜魔女 `"Eheheheh, `/ !d500`......*cackle*cackle*cackle*cackle*!"`@ me1v 16,50 br ;　魔女はくぐもった笑い声を漏らし始める。\ `The witch began to let out a muffled laugh.`\ bg black,25 ;　…それは留弗夫や霧江だけでなく、ロノウェをも驚かすものだった。@ `...It surprised not only Rudolf and Kyrie, but Ronove as well.`@ br ;　………２丁の銃を向けられた今の状況は、@例え魔女であっても断じて笑い飛ばせるものではないからだ。@ `.........Because a situation like this, with two guns pointed at her, `@`was not one that even a witch could just laugh off.`@ br ;　しかし魔女は愉快だと笑う。\ `But the witch laughed with pleasure.`\ bg Mhal_2cR,0 ld c,$EV2_WaraiA2,22 ;「………そりゃあ、先代さまの使い古しの家具じゃ無理で当然ね。@/ `".........Well, it's only natural that it'd be impossible for Predecessor-sama's worn out furniture. `@/ ld c,$EV2_tokuiA1,80 ;……私には私に相応しい、新しい家具じゃないと駄目よ。@私、義理で使ったけど。@……元々、お古は嫌いなの。」@ `......There's no point unless I have new furniture, suitable for me.`@` I acted out of obligation,`@` ......but I've hated old things from the very beginning."`@ br ;　そう言い放ちながら、もはや砂金の山と成り果ててしまったベルフェゴールの遺骸を汚らわしく見下ろす。\ `As she said that, she looked down at Belphegor's remains, which had already finished turning into a pile of gold dust, with disgust.`\ bg Mhal_2bR,0 mld l,$KIR_MajimeB2G,0 ld c,$RUD_MajimeB1G,63 ld c,$RUD_defB1G,80 ;「何の話をしてるかわからねぇぜ。@大人しく両手を上げやがれってんだ。」\ ;＜留弗夫 `"I don't know what you're talking about.`@` Be a good girl and put your hands up."`\ mcl a,0 bg black,26 ;　…すると魔女は素直に手を上げた。@ `...Then, the witch obediently raised her hands.`@ br ;　しかしそれは銃を突きつけられて両手を挙げるという仕草よりは、@まるで指揮者がオーケストラボックスに向けて指揮棒を振り上げる時の仕草によく似ていた。\ `But instead of raising her hands because a gun was being pointed a her,`@` it looked more like she was a conductor facing an orchestra, waving her conductor's baton.`\ bg Mhal_2cR,0 ld c,$EV2_AkuwaraiA5,22 E_A bgm1 74 ;「さぁさお出でなさい、私に相応しき家具たち…！！@　あんな安っぽい家具じゃなくて、もっともっと強力な！@　残酷なッ！！@/ `"Come, arise, furniture suitable for me...!!`@` Not that cheap furniture, much stronger ones!`@` Cruel ones!! `@/ se1v 37,100 ;　あっはははははははははひゃっひゃっっひゃッ！！！」\ ;＜魔女絵羽 `Ahhahahahahahahahahahahyahhyahhya!!!"`\ bg Mhal_2aR,0 ld l,$KIR_MajimeB2G,63 se2 30 ;「妙な真似は止めて…！@　引き金を引くわ…！」\ ;＜霧江 `"Stop this bizarre act...!`@` I'll pull the trigger..."`\ ;bg black,22 bg Mhal_2cR,22 se1v 22,100 bfly1 11 se2v 22,100 bg butterfly_3a,10 ;　魔女の呼びかけに応じ、再びホールが金色で埋め尽くされる。@ `In response to the witch's call, the hall was once again buried with the color of gold.`@ br ;　それはあまりにも眩しい黄金蝶たちの乱舞で、@…まるで金箔の海に飲み込まれたようにさえ感じた。\ `As the brilliantly radiant gold butterflies danced,`@` ...it felt as though they were being sucked into an ocean of gold leaf.`\ ;　その魔力の高まりに、ロノウェは呆然とする…。@それはかつての主さえも遥かに超えるからだ。@ `Ronove was shocked at that upsurge in magic power...`@` That was because it far surpassed that of his former master.`@ br se3v 46,100 ;　その目も眩む黄金の輝きの中、銃声が聞こえた。@留弗夫か霧江のどちらかが発砲したのだ。\ `As their eyes were dazzled amidst the golden flash, a gunshot could be heard.`@` Either Rudolf or Kyrie had fired a round.`\ se1 22 bg white,1 bg Mhal_2cR,0 ld c,$EV2_akuwaraiA1,2 ;　……そして、その黄金の輝きが収まった後には、少なくとも平然とした魔女の姿があった。@ `......Then, after the golden flash had subsided, the witch, who was at least cool and composed, could be seen.`@ br ;　弾は？@　霧江は確かに撃ち込んだはず。@ `The bullet?`@` Hadn't Kyrie fired it into her?`@ br ;　しかしそれは魔女の体のどこにも撃ち込まれてはいない。\ `But the witch had not been hit anywhere on her body.`\ cbfly 0 bg black,1 ;　あった。@…弾は魔女の胸の直前で虚空に縫い止められていた。\ `There it is.`@` ...The bullet had been fastened in midair right in front of the witch's chest.`\ bg Mhal_2bR,0 ld c,$RON_OdorokiA1,26 ;「ぼ、……防弾結界ッ………。」@ ;＜ロノウェ `"A, ......a bullet-proof barrier........."`@ br ;　先代ですら充分な準備を必要とした結界を、瞬時に…。@ロノウェの顔は今や驚愕に歪む。@ ;　そして、その驚きはそれだけに留まらない……。\ `A barrier which took even the predecessor a significant amount of preparation had, in an instant...`@` Ronove's face was still twisted in shock.`@ `And, the surprise did not stop there......`\ textoff se1v 22,100 bg white,22 bg butterfly_3a,22 se2v 22,100 bfly2 10 ;　黄金の蝶たちの群が、２つの人型を生み出す。@ `The group of gold butterflies had created two humanoid forms.`@ br se2 56 lsp bgsp,butterfly_3x,0,0 bg Mhal_2cR,0 ld l,$S45_DefA1,0 ld r,$S41_DefA1,22 ;　……それは家具の召喚。\ `......It was a furniture summoning.`\ se1v 52,100 csp bgsp print 99,2000,"breakup.dll/llb" ;　蝶たちが剥がれ飛び、その下より、少女たちを模した家具が姿を現す。\ `The butterflies peeled off and flew away, and beneath them, furniture in the shape of girls showed themselves.`\ bg Mhal_2aR,24 ld c,$RON_odorokiA2,23 ;「………………シエスタの姉妹兵…。@………先代さまでも、/ ;!d800……おいそれと呼び出せなかった、ペンドラゴンの記念兵を、いとも容易く…！」\ ;＜ロノウェ `"...............The Siesta Sisters Corps...`@`.........Even the predecessor, `/ !d800`......wasn't able to summon them on a moment's notice, Pendragon's Memorial Troops, and so easily...!"`\ ;◆シエスタ４１０紹介フラグ：魔女サイド ;◆シエスタ４５紹介フラグ：魔女サイド mov %play_scene,30190 seplay2 9,1060,70 mov %r_hyouji_cha_ma,ma3_s mov %r_hyouji,0 bg Mhal_2cR,24 ld r,$S41_akuwaraiA1,26 ;「シエスタ４１０。ここにぃ。」@ ;＜４１０ `"Siesta 410. Right he-re."`@ ld l,$S45_DefA1,26 ;「シエスタ４５。ここに。」\ ;＜４５ `"Siesta 45. Right here."`\ ld c,$EV2_waraiA1,24 ;「…私に相応しい家具なんでしょうね、あんたたちは？」\ ;＜魔女絵羽 `"...You two are suitable furniture for me, right?"`\ ld r,$S41_defA1,80 ;「絵本の朗読から同伴デートに隕石撃墜まで、@幅広くお応えしますよ。にひひ。」@ ;＜４１０ `"From reading a picture book out loud, to going on a date, to shooting down meteorites,`@` we'll take care of anything. Nihihi."`@ ld l,$S45_KomaruA1,80 ;「おっ、お応えしないと竜王さまに怒られます…！@　何卒ご命令を、大ベアトリーチェ卿！」\ ;＜４５ `"I, if we don't take care of it, Pendragon-sama will get mad at us...!`@` Please, your orders, great Lady Beatrice!"`\ cbfly 0 bg black,64 ;bg Mhal_2aR,63 ;ld c,$KIR_NayamuA1,63 ;「………留弗夫さん。@逃げましょう。@こいつらは駄目だわ……！」@ ;＜霧江 `".........Rudolf-san.`@` Let's escape.`@` These guys are no good......!"`@ ;cl c,64 ;ld r,$RUD_OdorokiA1G,64 ;「お、………おうッ！」@ `"S, .........sure!"`@ ;cl r,64 ;＜留弗夫 br ;　煉獄の七姉妹の待ち伏せを予見したのと同じ直感が、@悲鳴にも似た警鐘を鳴らすのを霧江は確かに聞いた。@ `Kyrie definitely heard warning sirens going off in her head, `@`thanks to the same feeling that had alerted her to the ambush by the Seven Sisters of Purgatory.`@ br ;　霧江たちは躊躇することなく逃げ出す。\ `Without hesitation, they escaped.`\ ;bg black,64 bg Mhal_2cR,0 ld c,$EV2_akuwaraiA3,64 ;　魔女はその背中を優雅に見送りながら、新しき家具たちに命ずる。\ `As the witch elegantly watched them leave, she ordered her new furniture.`\ ld c,$EV2_NiramuA1,80 ;「…命令よ。@逃げた２人を殺して。@/ `"...This is an order.`@` Kill the two who ran away. `@/ ld c,$EV2_akuwaraiA6,80 ;そして死体をここへ持ち帰りなさい。@そしたら生き返らせて、何度も遊ぶのよ。@/ `Then bring the corpses back here.`@` Then I'll bring them back to life, and play with them over and over. `@/ se1v 37,100 ;…くっくくくくくくくくく！！」\ ;＜魔女 `...*cackle*cackle*cackle*cackle*cackle*!!"`\ ;　魔女の表情が邪悪な笑みで歪む。@ `The witch's expression was twisted with an evil smile.`@ br ;　その表情を恐れながらも、ルシファーが現れて進言する。\ `Even though she feared that expression, Lucifer appeared and spoke.`\ se2 52 ld l,$RG1_FumanA1,99,1000,"breakup.dll/lrp" ;「お、…恐れながらっ。@…先代さまよりそのような残酷行為は慎むようにと…、」@ ;＜ルシファ `"M, ...my apologies.`@` ...The Predecessor-sama said to avoid brutal actions of that type..."`@ br ld c,$EV2_NiramuA3,80 ;ld l,$RG1_FumanA2,80 ;　魔女がぎょろりと恐ろしい目で睨みつけると、ルシファーは閉口する。\ `When the witch stared at her with those terrifying eyes, Lucifer was struck dumb.`\ ;　…不満なのだ。@ ;　自らの持つ力と、自らの持つ残酷さを存分に解放できないことが退屈なのだ。@ `...It was unsatisfying.`@ `It was so boring, not being able to let her own power and her own cruelty run wild.`@ br ;　……それを自重しろという先代の家具は鬱陶しく、彼女の不満は頂点だった。\ `......And this furniture of the predecessor, who was telling her to act with prudence, gloomily bore the brunt of her dissatisfaction.`\ ld r,$S41_defA1,64 ;「傲慢のルシファーちゃんじゃない。@お久し振りにぇ、元気ぃ？@　また今度一緒に遊びましょうね。@にっひひひひひひ！」@ ;＜４１０ `"Oh, it's Lucifer of Pride.`@` Long time no see nyeh, how ya doin'?`@` Let's play together again sometime.`@` Nihhihihihihihi!"`@ cl c,24 ld c,$S45_OdorokiA1,63 ;「よ、４１０、私語は駄目です、怒られます…！@　大ベアトリーチェ卿のご命令を迅速に遂行を…！」\ ;＜４５ `"F, 410, you mustn't whisper, you'll get in trouble...!`@` Let us carry out the great Lady Beatrice's order at once...!"`\ ld r,$S41_akuwaraiA2,80 ;「にひ。@お仕事の時間だにぇ。@/ `"Nihi.`@` Well, we are on the job right now nyeh. `@/ se1 57 mbg white,1 mbg system1,80 ;……４１０了解。@追撃狙撃戦準備。」@ ;＜４１０ `......410, roger.`@` Sniping Pursuit Combat Setup."`@ ;ld c,$S45_MajimeA1,80 se1 57 mbg white,1 mbg system2,80 ;「地形データ収集、射撃用データ収集。@４１０へデータリンク。」\ ;＜４５ `"Terrain Data Accumulation, Firing Use Data Accumulation.`@` Data Link with 410."`\ ;ld r,$S41_DefA1,80 se1 57 mbg white,1 mbg system3,80 ;「４１０データ受領。@標的を捕捉。@地形誤差修正。@射撃曲線形成、制御点補正完了。@４５へデータリンク。」@ `"410, Data Received.`@` Target Lock Acquired.`@` Terrain Calculation Error Correction.`@` Firing Curve Formation, Control Point Capture Completed.`@` Data Link to 45."`@ ;ld c,$S45_MajimeA1,80 se1 57 mbg white,1 mbg system5,80 ;「４５データ受領。@危険区域確認、……あ、そこはダメです！」\ `"45, Data Received.`@` Checking Danger Area, ......ah, that's no good!"`\ mcbg 22 ld r,$S41_defA1,80 ;「後ろ邪魔だよルシファーちゃん、@バックファイアで焼けるよ？　にひ！」\ ;＜４１０ `"You're in the way behind us, Lucifer-chan,`@` you'll get roasted in the backfire, right? Nihi!"`\ ld l,$RG1_komaruA1,80 ;「………う…、」\ ;＜ルシファー `".........Ooh..."`\ se1 52 cl l,99,1500,"breakup.dll/urb" ;　シエスタの姉妹は相互測量により、@瞬時に屋敷内の地形と標的の座標、そしてそこへ至る射撃曲線を計算する。\ `The Siesta sisters, through their mutual measurements, `@`were able to instantly calculate the terrain inside the mansion and the coordinates of their targets,`@` as well as a firing curve to reach them.`\ ;　…そう、彼女らの射撃は曲線を描き誘導できる。@ ;　如何なる者も逃れることはできない。@ `...Yes, their shots could be guided to draw a curved line.`@ `No one would be able to escape it.`@ br ;　煉獄の七姉妹の精密誘導能力は、彼女たちの能力の廉価版でしかないのだ。\ `The precision guidance ability of the Seven Sisters of Purgatory was nothing more than a cheap version of the ability these two held.`\ ld c,$S45_majimeA1,80 ;「４５、射撃準備完了。@弾種選定、装填。」@ ;＜４５ `"45, Firing Preparations Concluded.`@` Ammo Type Selection, Loading."`@ br ;　彼女たち二人が向かい合うように。@そしてまるで、ひとつの弓を互いに引き合うように。@ `As the two of them faced each other.`@` And as though they were both pulling back a bowstring together.`@ br ;　…そこに眩い黄金の矢が構えられる。\ `...There, a dazzling gold arrow was readied.`\ ld r,$S41_akuWaraiA2,80 ;「４１０、にひ。@射撃。」@ ;＜４１０ `"410, nihi.`@` Firing."`@ br ;　彼女たちが射撃を宣言すると、二人で一本の矢が放たれる。\ `After they proclaimed that they were firing, together, they released a single arrow.`\ me1v 16,70 textoff csp -1 se2v 57,100 bg white,1 wait 100 bg M1F_P1bR,2 ;　黄金色に輝く光の蛇が美しい曲線の軌跡を描きながら、@それは留弗夫たちが逃げた方へ高速で追跡していく。@ `As the curve taken by the gold-sparkling snake of light drew a locus,`@` it followed the direction that Rudolf and Kyrie had escaped to in rapid pursuit.`@ br ;　廊下を曲がり、床を這い、美しい曲線を描きながら追って行く。\ `It turned through the corridors, crawled over the floor, chasing them as it drew a beautiful curve.`\ textoff bg black,22 se1v 57,100 bg white,1 bg homing1,80 ;wait 200 se2v 57,100 bg white,1 bg homing2,80 ;wait 200 se3v 57,100 bg white,1 bg homing3,80 ;wait 200 se1v 57,100 bg white,1 bg homing4,80 ;wait 200 se2v 57,100 bg white,1 bg homing5,80 ;wait 200 se3v 57,100 bg white,1 bg homing6,80 ;wait 200 ;se1v 57,100 ;bg white,1 ;bg homing7,80 ;wait 200 ;se2v 36,100 ;bg white,1 ;bg black,2 ;　シエスタ姉妹の誘導弾は誰も防げない。@ ;　逃れられない。@ ;　そして物理的魔法的なあらゆる防御を強力に貫通できる。@ `No one could block the guided shots of the Siesta Sisters.`@ `No one could escape them.`@ `And their strength could pierce all physical and magical defenses.`@ br ;　……それはあまりに無慈悲な必殺の誘導兵器。\ `......It was quite a merciless guided weapon of certain death.`\ ;　しかし、神話級の兵士ならば、誰もが割りと持つ武器なのだ。@ ;　彼女らにとってはあまりに平凡で、…そして俗世にある者にとってあまりに非凡。\ `However, among mythical-class soldiers, it was a weapon used by pretty much everyone.`@ `It was very commonplace for them, ...and very extraordinary for those of the everyday world.`\ bg M1F_P2a,0 ld c,$RUD_komaruA1,26 ;「な、何だ…！？」@ ;＜留弗夫 `"Wh, what the...!?"`@ br ;　何かが高速で追ってくることに気付き、振り返った時。\ `When he noticed something rapidly chasing them, and turned around...`\ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 se2v 36,100 bg white,1 bg blood_1b,1 quakey 6,1200 ;　その黄金の蛇によって、留弗夫は心臓の位置を正確に撃ち抜かれた。@一瞬の出来事だった。\ `Rudolf was shot straight through where his heart was located by the gold snake.`@` It all happened in an instant.`\ ;bg M1F_P2bR,0 ;ld l,$KIR_MajimeB1G,64 ;「る、留弗夫さん……？！」@ ;＜霧江 `"R, Rudolf-san......?!"`@ br ;　黄金の蛇は留弗夫を貫いた後、@美しい螺旋を描きながら床に舞い降りて、霧江の足に絡みつくようにして胸まで這い登る。\ `After the gold snake pierced Rudolf, `@`it swooped down to the floor, drawing a beautiful spiral, coiled itself around Kyrie's legs, and crawled up to her chest.`\ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3R,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6R,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7R,10,600 ;wait 50 se2v 36,100 bg white,1 bg blood_1a,1 quakey 6,1200 ;　そして留弗夫と同じく心臓の位置を正確に撃ち抜いた。@ `And just like Rudolf, it shot straight through the location of her heart.`@ br ;　…それは何れも一瞬の出来事。@ ;　留弗夫を貫き、霧江を貫く。@ `...And all of that happened in an instant.`@ `It pierced Rudolf, and pierced Kyrie.`@ br ;　だから二人はほぼ同時に絶命し、同時に膝を落として同時に倒れた。/ `So they died at almost the same time, dropped to their knees at the same time, and fell over at the same time.`/ se1 13 quakey 3,500 se2 13 quakey 3,500 \ E_MA bg Mhal_2cR,0 ld c,$EV2_AkuwaraiA8,2 ld c,$EV2_AkuwaraiA5,80 se3v 37,100 ;「……何これぇ？@　圧倒的じゃない、あっははははははははははは！@　馬鹿馬鹿しいくらいにあっさりね。@/ `"......What's thiiis?`@` So overwhelming, ahhahahahahahahahahahahaha!`@` Ridiculously easy, isn't it. `@/ se1v 37,100 ;くっひひひゃひゃひゃひゃひゃ！@　私にはこういう家具が向いてるわ。@先代さまの中古家具とは大違い！\ `Kuhhihihyahyahyahyahya!`@` This is the kind of furniture I need.`@` Way different from Predecessor-sama's second-hand furniture!`\ ld c,$EV2_AkuwaraiA4,80 ;　さぁ、二人の死体をここへ。@飽きるまで何度でも蘇らせて、思いつく限りの残虐な殺し方を試してやるの。@あぁ、魔女がこんなにも楽しいなんてッ、@命を奪うことがこんなにも楽しいなんてッ、あっははははははははははは！」\ ;＜魔女絵羽 `Come on, bring their corpses here.`@` I'll keep reviving them until I'm bored, and try killing them in as brutal a way as I can think of.`@` Aaah, to think that being a witch could be so much fun, `@`that taking a life could be so much fun, ahhahahahahahahahahahaha!"`\ bg black,22 ;　……人間として生まれたならもっとも疎まれるべき行為が、人間殺し。@ ;　その禁忌を破ることに、どんな悦楽があるかなど、人の身に理解できなくて当然だ。\ `......From the time they are born, the most shunned action for humans to take is murder of another human.`@ `It's only natural that a human couldn't understand how pleasurable it was to break this taboo.`\ bg portrait4,22 ;　……しかし彼女はもはやニンゲンではない。@ ;　魔女なのだ。@ `......But she was no longer a human.`@ `She was a witch.`@ br ;　…だから魔女にしか理解できない悦楽がある。\ `...And there were some pleasures that only witches could understand.`\ ;　彼女は今やそれを知り、どっぷりと浸りきっていた。@ `By now, she had tasted those pleasures, and was totally immersed in them.`@ br ;　…禁断の壷の中身が蜜であることを知ってしまったら、もうそれなしには生きていけないのだ。@ `...After learning that the contents of the forbidden pot were honey, she could no longer live without it.`@ br ;　……いや、禁断とされるからこそ中身は蜜となるのか。\ `......No, maybe the contents were honey because they were forbidden.`\ ;　とにかく彼女は、ニンゲンを惨たらしく、@そして何度も殺すことに、今や麻薬的な悦びを感じている。\ `Anyways, by killing humans gruesomely, `@`and doing it over and over, she could feel the drug-like pleasure even now.`\ ;　魔女が笑い転げている間に、@先ほど放った黄金の蛇がずるずると手繰り寄せられるように戻ってくる。@ `As the witch rolled over laughing, `@`the gold snake which had just been shot returned as though being pulled back.`@ br ;　その先端には、二人が縫い止められていて引き摺られていた。\ `At the tips, two people were pinned and dragged along.`\ bg black,22 me1v 5,0 fedexx 0,50,0,0,0,0,2000 ;　魔女の命令は遂行された。@ `The witch's order had been fulfilled.`@ br ;　…留弗夫と霧江は即座に殺され、その遺体は運ばれた。\ `...Rudolf and Kyrie had been killed instantly, and their corpses had been carried back.`\ bg Mhal_2bR,0 ld r,$S45_DefA1,26 ;「シエスタ４５、４１０、命令遂行を完了しました。@大ベアトリーチェ卿の次の命令を待ちます。@どうかご命令を…！」@ ;＜４５ `"Siesta 45, 410, execution of orders completed.`@` We await your next order, great Lady Beatrice.`@` Please, your order...!"`@ ld l,$S41_defA1,23 ;「赤ん坊のお守りからネトゲのお相手、@スペースシャトル撃墜まで何でもお応えしますよ。@にひひ！」\ ;＜４１０ `"From babysitting, to being your opponent in an online game, `@`to shooting down a space shuttle, we'll take care of everything.`@` Nihihi!"`\ bg Mhal_2cR,24 ld r,$EV2_AkuwaraiA1,24 ;「…………こいつらは第四の晩と第五の晩の生贄らしいの。@だから最後には、役立たずの七姉妹、/ ;!d500…あぁ、もう五姉妹か。@こいつらを額と胸に刺して抉らなくちゃならない。\ `".........It looks like these two are the sacrifices from the fourth twilight and the fifth twilight.`@` So in the end, I need those worthless Seven Sisters, `/ !d500`...oh, aren't they the Five Sisters now?`@` I need those guys to pierce and gouge the forehead and the chest.`\ se1v 21,50 ld r,$EV2_NiramuA3,80 ;　……でも、それを最後にすればいいんであって、それまでを私がどう遊ぼうと勝手よねぇ？@/ `......But I can do that at the very end, and I'm free to play in any way until then, right? `@/ se2 37 ;　うっふふふふふふふふふふ！」\ `Eheheheheheheheheh!"`\ bg Mhal_2aR,23 E_A se3 52 ld l,$BEA_AseruA1,99,2000,"breakup.dll/lrp" bgm1 70 ;「待て待て待て待てぃ。@…そなたは妾の言っていたことをもう忘れたのか！」\ ;＜ベアト `"Wait wait wait waait.`@` ...Have you already forgotten what I've told you?!"`\ ld r,$EV2_WaraiA1,24 ;「おや、これは先代さま。@何か文句でもおありですか？」@ ;＜魔女 `"Oh, it's you, Predecessor-sama.`@` Do you have any complaints?"`@ ld l,$BEA_KomaruA1,80 ;「あるに決まっておろうが…！@　そなたはやりたい放題ではないか！@　なぜに妾の言い付けが聞けぬのか！」\ `"Of course I do...!`@` You are doing as you please, are you not?!`@` Why can't you follow my directions?!"`\ bg Mhal_2bR,24 ld c,$EV2_hohoemiA1,24 ;「やりたい放題で何の問題があるのですか、先代さま？@　それに私は、儀式のルールを逸脱しようなんて気持ちはこれっぽちもありません。\ `"What's wrong with doing as I please, Predecessor-sama?`@` And I don't feel like deviating from the rules of the ceremony in the slightest.`\ ld c,$EV2_WaraiA2,80 ;　ちゃんとこの二人の死体はあとで綺麗にして、額と胸に杭を打ち込んでおきますから。」\ `I'll definitely clean these two corpses up later, and drive stakes into their forehead and chest."`\ bg Mhal_2aR,0 ld r,$BEA_OdorokiA2,23 ;「そ、そういう問題ではないというに…！@　あまりに品がなかったり残酷だったりするとだな、@/ `"I'm telling you, that is not the problem...!`@` If you act so undignified and cruel, `@/ ld r,$BEA_NayamuA2,80 ;…その、気を悪くする者もおるかもしれぬし…。」@ `...umm, some people might take it badly..."`@ ld l,$EV2_FukigenA1,23 ;「…………………………。@……先代さまがどこかで戦っているとかいう、ゲームの相手、ですか？@　ロノウェに聞きました。」\ `"........................`@`......You mean, your opponent in that game, who I heard you were fighting with somewhere?`@` Ronove told me."`\ ld r,$BEA_AseruA1,80 ;「……あ、あのお喋りめ。@/ `"......D, damn that blabbermouth. `@/ ld r,$BEA_iiwakeA1,80 ;………まぁ、正直に言うとそういうわけだ。@ちょっと目に余るとその、/ ;!d800…抗議を受けてな？」@ `.........Well, to be perfectly honest, that's how it is.`@` If you go a little too far, umm, `/ !d800`...that person will object, you see?"`@ ld l,$EV2_AkuwaraiA2,80 ;「先代さまにわざわざ伝言などさせず、直接抗議にいらっしゃればいいのに。@…臆病な方です。」\ `"It's not like there's any need for them to tell you to pass it on instead of objecting directly.`@` ...That coward."`\ ld r,$BEA_IiwakeA2,80 ;「………こことはその、異なる世界の住人だからの。@私を介さねばならぬのだ。@まぁとにかくだな、」\ `".........Well, that person is a resident of a different world from this one.`@` There's no choice but to use me as an intermediary.`@` Well, that's beside the point but-"`\ ld l,$EV2_HohoemiA1,80 ;「……………………。@/ `"..................`@/ ld l,$EV2_waraiA1,80 ;……ということは、その方は私に何か干渉したくても出来ない。@そして私も干渉したくても出来ない。@それくらいに遠い世界の、無縁な方との認識でよろしいですか？」\ `......Which means that this person can't interact with me even if they want to.`@` And I can't interact with them even if I want to either.`@` Should I view this as an unrelated person from a world so far away?"`\ ld r,$BEA_iiwakeA1,80 ;「う、うむ。@……例えるならとても近い２本の平行線の世界とでも言おうか。@とても身近な世界なのだが、平行線ゆえに２本の線が交わることは決してない。@そんな世界と、とりあえずは認識してくれれば良い。」\ `"H, hmm.`@` ......For example, perhaps you could say these worlds are like very close parallel lines.`@` The worlds are very nearby, but because they are parallel lines, they will never cross.`@` For the time being, you may view that world in such a manner."`\ ld l,$EV2_defA1,80 ;「交わらない。@ということは、/ ;!d800…………私とは関係ない世界のこと、ということです。@/ `"They never cross.`@` Which means, `/ !d800`............that world has nothing to do with me. `@/ ld l,$EV2_hohoemiA2,80 ;…もしその方の代弁で私に自重しろと仰られてるのでしたら、その方にこうご伝言をお願いします。」\ `...If you're telling me to be prudent because you are speaking for that person, please pass this message on to them."`\ ld r,$BEA_fukigenA2,80 ;「あやつにか？@　何と伝える…。」\ `"Tell that person?`@` What should I say...?"`\ ld l,$EV2_waraiA2,80 E_A ;「余計なお世話だよ、消えろよババア。@/ `"It's none of your business, so disappear, granny. `@/ ld l,$EV2_akuwaraiA8,80 ;ヘソでも噛んで死んじゃえばぁ…？」@ `Why don't you just give up and die...?"`@ ld r,$BEA_OdorokiA1,80 bgm1 44 ;「………………んな…、」\ `"...............Whaa..."`\ ld l,$EV2_AkuwaraiA4,80 se1 37 ;「…あぁ、失礼しました。@先代のお友達でしょうから、多分、女性だろうと想像しただけです。@/ `"...Oh, I'm sorry.`@` Since it was a friend of yours, I just imagined that she'd be a woman. `@/ ld l,$EV2_AkuwaraiA5,80 ;ババアと言っても、決して先代さまのことではありませんからぁ、どうかご容赦ください。@/ `By 'granny', I'm definitely not talking about you, Predecessor-sama, so please forgive me. `@/ se1v 37,100 ;くっくくくくくくく…！」\ `*cackle*cackle*cackle*cackle*...!"`\ ;　明らかに魔女は、ベアトの目を見ながら言い放っていた。@ ;　…それはその場に居合わせた誰が見てもわかることだった。\ `When she spoke, the witch was looking straight into Beato's eyes.`@ `...Anyone in that place would be able to figure it out just by looking.`\ bg black,25 bg portrait2,22 me1v 16,50 ;「…………先代さま。@とても不思議に思うことがあります。@…どうして先代さまは、その別世界の方とゲームをして、@魔女だと認めてもらわなければならないのですか？」\ `"............Predecessor-sama.`@` There is something I find very strange.`@` ...Why do you have to play a game with someone from another world, `@`and have him accept that you are a witch?"`\ ;「それはだな、@…全ての人間に魔女の存在を認めさせることが、完全なる支配に繋がるからである。@ひとり頑固者がおってな、どうあっても妾を魔女とは認めんのだ。」\ `"Well, about that,`@` ...that is because making all humans accept the existence of witches is related to perfect control.`@` There was a single holdout, and he just won't accept me as a witch."`\ bg black,22 ;「………どうして、そのニンゲンの認可が必要なのですか？@　魔女が魔女であり、魔法を振るうことに、どうしてニンゲンに認められる必要があるのですか？」@ ;「…む、………だからな、前にも話した通り、魔法というのは…、」\ `".........Why is it that you need the approval of a human?`@` Witches are witches, and can use magic, so why do we need to be accepted by humans?"`@ `"...Mu, .........well, like I said earlier, that which is called magic is..."`\ bg Mhal_2cR,0 ld c,$EV2_defA1,26 ;「私は魔女です。@別に誰の認可がなくとも魔法が使えますが、何か……？」\ `"I am a witch.`@` I can use magic without anyone's approval in particular, so what's your point......?"`\ bg Mhal_2aR,0 ld r,$BEA_komaruA4,23 ;「この世界ではな？@　しかしだな、それをあやつが認めない以上はその、/ ;!d800…うむむ、何と説明すれば良いのか…。」\ `"In this world, right?`@` However, since that person will not accept it, umm, `/ !d800`...umumu, how should I explain it..."`\ ld l,$EV2_AkuwaraiA2,23 ;「……説明、いりません。@だって、決して交わることのない別世界の話じゃありませんか。@それはつまり、無い世界も同じということです。\ `"......I don't need an explanation.`@` After all, isn't this all about a different world that never crosses this one?`@` In other words, it's just as though that world doesn't exist.`\ ld l,$EV2_AkuwaraiA8,80 ;　……………別世界でゲームで戦っていると、先代さまが妄想を語っていることと、なぁんにも変わりません。@……重ねて言います。@私と関係ない話です。@そして、私はもう魔女です。」\ `............Whether you're fighting in a game in another world, or talking about your delusions, that doesn't change a-nything.`@` ......I'll say it again.`@` It has nothing to do with me.`@` And, I am already a witch."`\ bg portrait4,22 ;「先代さまは、どうやらその何者かに認めてもらえないと魔女になれないようですが、私は違います。@誰に認められずとも、もう立派な魔女です。@………先代ということで、あなたに形式的な敬意は奉げますが、@それは私の好意であって義務ではありません。\ `"Predecessor-sama, somehow or another, it seems that you can't become a witch as long as this person doesn't accept you, but I'm different.`@` Even though no one has accepted me, I am already an excellent witch.`@` .........Since you are my predecessor, I will formally pay you respect,`@` but that is out of good will, not out of duty.`\ ;　……もう私は、あなたの助言など求めていないし、@これからどうすればいいか、どう遊べばいいかはっきりわかってます。\ `......I won't ask for your advice anymore,`@` because I clearly know what I should do and how I should play from now on.`\ ;　………だから１３人殺しの儀式までは、あなたへの最後の敬意だと割り切って行ないます。@しかし、そのやり方や、@その後のことについては、あなたに口出しされる謂れはまったくありません。@………………そういうことでひとつ、よろしくお願いします。」\ `.........So I will carry out the murder of 13 people as a final act of respect for you.`@` However, there is absolutely no reason for you to interfere with the methods I use,`@` and what I do after that.`@` ...............Therefore, I'll be counting on you in that regard."`\ me2v 12,50 bg Mhal_2cR,26 ;　言葉は一見大人しいが、それにははっきりとした決別が含まれている。@ `At a glance, those words seemed obedient, but they contained within them a clear distinction.`@ br ;　…もう世話になることは何もない。@ ;　だから遊びの邪魔をするなと、これ以上なくはっきり言っている。@ `...She was no longer under Beato's care for anything.`@ `So she was clearly saying nothing more than 'Don't get in the way of my fun'.`@ br ;　ベアトはそれを理解し、/ ;!d800…これ以上、何を説明しても理解を得られぬだろうと落胆する。\ `Beato understood that, `/ !d800`...and was dejected, realizing that no matter how she explained it, she wouldn't be able to make the witch understand.`\ bg Mhal_2aR,0 ld l,$BEA_aseruA1,23 ld l,$BEA_KomaruA1,80 ;「…そ、…………そうか…。@ならば妾はもう知らぬぞ…。@魔法は敬いの気持ちなくして存在できぬことを、身をもって知るがいい。」\ `"...I, ............I see...`@` Then it is no longer my problem...`@` Go and learn with your own body how magic ceases to exist when you lose your feelings of respect for it."`\ ld r,$EV2_AkuwaraiA2,24 ;「……あなたがこれまでに縦横無尽に暴れてきたそれが、@どう敬いがあったのか教えて欲しいものです。」@ `"......I wish you would tell me how that carefree rampage of yours up until now can be called respect."`@ br ;　それを言われるとベアトも言い返せない。@ ;　……師匠に、まったく同じことを言われた覚えがあるのだから。\ `After hearing that, Beato could not respond.`@ `......Because she remembered hearing exactly the same thing from her teacher.`\ ld r,$EV2_niramuA1,80 ;「さ。@シエスタの姉妹？@　先代がお帰りよ、お見送りを。」\ `"So.`@` Siesta Sisters?`@` See off my predecessor on her way back."`\ bg Mhal_2cR,24 ld r,$S41_akuWaraiA1,24 ;「にひひひひ。@先代さま、どうぞこの場はお引取りを。」@ ;＜４１０ `"Nihihihihi.`@` Predecessor-sama, please retire from this place."`@ ld l,$S45_odorokiA1,24 ;「で、でないと私たちが叱られます…！」\ ;＜４５ `"I, if you don't, we'll be scolded...!"`\ bg system5,0 ld r,$S41_akuWaraiA1,0 ld l,$S45_odorokiA1,22 ;　ベアトは全身に、シエスタの姉妹たちの目に見えぬ何か、形容するなら圧迫感を感じる。@ `Throughout her body, Beato felt something that couldn't be seen by the Siesta Sisters' eyes, which could only be described as an oppressive feeling.`@ br ;　……恐らく、射撃測量を開始しているのだ。@ ;　それは銃を抜き、撃鉄を起こす行為にかなり近い。\ `......Most likely, they were initiating firing calculations.`@ `It was an action much like taking out a gun and cocking it.`\ ;　たとえベアトといえども、何の準備もなくシエスタの姉妹の攻撃からは逃れられない。@ `Even Beato could not escape from the Siesta Sisters' attack without any preparation.`@ br ;　…かつて、最高の信頼を置いていたからこそ、身に染みてその恐ろしさがわかっている。\ `...In the past, she had placed her greatest trust in them, so she knew how terrifying they were down to her very soul.`\ bg Mhal_2bR,23 ld l,$RON_odorokiA1,23 ;「………先代さま、お引取りを。@………これ以上、ベアトリーチェさまのご機嫌を損ねられるのはお勧めできません。」@ ;＜ロノウェ `".........Predecessor-sama, if you would retire.`@` .........I would not recommend damaging Beatrice-sama's mood any further."`@ ld r,$RG1_komaruA1,24 ;「……先代さま…。」\ ;＜ルシファ `"......Predecessor-sama..."`\ bg Mhal_2aR,0 ld c,$BEA_AseruA1,23 ;「わ、………わかった。@…妾はこれにて退場する。@/ `"I, .........I understand.`@` ...I shall leave for now. `@/ ld c,$BEA_komaruA1,80 ;……そなたがどのような顛末を辿るか、ゆっくり鑑賞させてもらおうぞ！」\ `......I shall slowly appreciate the circumstances you will put yourself in!"`\ se1 52 cl c,99,2000,"breakup.dll/urb" ;　それは限りなく捨て台詞に近い。@ `That was almost a sharp parting remark.`@ bg Mhal_2cR,0 ld c,$EV2_AkuwaraiA5,24 br ;　…だからベアトが姿を消した後、魔女とその家具は笑い転げた…。\ `...So after Beato hid herself, the witch and her furniture fell over laughing...`\ textoff se1v 37,100 fede 0,2000 ;■メタ視 mov %play_scene,30190 se1 56 mset mld r,$BEA_komaruA4,24 bgm1 66 ;「…………まぁ、わかる。@無限の力は楽しい。@…有限の極みである命を、自在に弄ぶ快楽は、味わったことのない者には説明できぬ。@……その麻薬にも似た快楽に取り憑かれる気持ち、わかろうというものよ。」\ ;＜ベアト `"............Well, I understand.`@` Endless power is fun.`@` ...The joy of freely toying with an extremely limited life cannot be explained to those who have not tasted it.`@` ......I can understand the feeling of being possessed with a pleasure similar to drugs."`\ mld l,$WAL_DefA2,23 ;「……さぞや楽しかったでしょうね。@かつてのあなたのはしゃぎぶりを見る限り。」@ ;＜ワルギリ `"......It must have been quite fun.`@` Judging from your antics in the past."`@ mld r,$BEA_OdorokiA2,80 ;「あれが、かつて何度も諭そうとしたお師匠様と、それに耳を貸さぬ妾の姿だというのか…。」\ `"Are you saying it is like how you used to admonish me in the past, Teacher, and I did not listen...?"`\ mld l,$WAL_fumanA1,80 ;「………なぜ、あの子の行為を咎める気になったのですか？」@ `".........Why is it that you have started trying to scold that child's actions?"`@ mld r,$Bea_nayamuA2,80 ;「む、……それはその。@……………………。」\ `"Mu, ......umm, well. `@`.................."`\ mld l,$WAL_defA1,80 ;「…あなたには、あの子と大きな違いがひとつあります。@あの子はすでに魔女かもしれない。@もちろんあなたも魔女です。@ゲーム盤の上の世界では。\ `"...This is a single large difference between you and that child.`@` That child may already be a witch.`@` Of course, you are also a witch.`@` In the world on top of the game board.`\ mld l,$WAL_DefA2,80 ;　……しかし、ゲーム盤の外の世界で魔女だと認められるには、@ゲームの対戦者である戦人くんに認めてもらわなくてはならない。@……あなたはそれを理解してゲームを始めたはずです。」\ `......However, to be accepted as a witch outside the game board,`@` you need to have your opponent in this game, Battler-kun, accept you.`@` ......You must have understood that when you started the game."`\ mld r,$BEA_AseruA1,80 ;「……魔女である証拠を暴風のように見せつけ、@妾を拒否する気持ちを吹き飛ばし屈服させれば、/ ;!d800………妾を魔女と認めると思った。@…前回、うまく行き掛けたので、もう一息だと思ったのだ…。」\ `"......I thought that if I could show off a whirlwind of proof that I am a witch,`@` blow away his feelings that made him deny me, and make him surrender, `/ !d800`.........he would accept me as a witch.`@` ...It all went my way last time, so I thought I was just a breath away..."`\ ;mld l,$WAL_KomaruA2,80 mendef 0 bg black,25 mono 1 bg G1F_S1aP,0 ld c,$BUT_KuyasigaruA1,22 ;「実際は逆です。@戦人くんはあなたの残忍さに呆れ果てていました。@そしてゲームの対戦者として登壇したのは、あなたを対等な対戦相手だと認めたからではない。@残忍な魔女の存在を一切認めないという強い敵意に基づいてです。」\ `"It's actually the opposite.`@` Battler-kun was shocked by your brutality.`@` And he did not step up to the plate as a game opponent simply because he accepted you as an equal opponent.`@` It was based on a strong animosity, as he tried to completely deny the existence of a brutal witch."`\ ;battlerくんがゲームの対戦者になったのはあなたを認めたかったでもない bg G1F_S1cP,0 ld r,$BEA_AkuwaraiA2,24 ;「………愚かなあなたは、戦人くんが対戦者の自覚を持ってくれたことを、@自分を魔女だと認めさせる第一歩のように感じていたのでしょう。@でも、実際はまったくの逆。」\ `".........In your foolishness, you probably felt that Battler-kun's self-awareness as your opponent was a first step towards making him accept that you are a witch.`@` However, it was actually the opposite."`\ ld l,$BUT_OdorokiA1,63 ;「戦人くんは、あなたを魔女だと絶対に認めないために、あなたのゲームに挑んだのです。@……浅はかな北風がいくら吹きつけようと、旅人はマントをより深く着込むだけ。@あなたは大きな間違いを最初から犯しているのです。」\ `"Battler-kun challenged you in this game because he definitely wouldn't accept you as a witch.`@` ......No matter how much the thoughtless north wind blew, the traveler only wore his cloak even tighter.`@` You were committing a huge error from the very beginning."`\ bg black,22 mono off bg Mhal_2cR,0 msetef 0,0 mld r,$BEA_FukigenA3,0 mld l,$WAL_MajimeA1,26 mld l,$WAL_defA2,80 ;「…………このゲームは、戦人くんを屈服させる拷問などではない。@あなたが戦人くんに認めてもらうために努力する、試練なのです。」\ `"............This game is not torture to make Battler-kun surrender.`@` It is a test, in which you must try to make Battler-kun accept you."`\ mld r,$BEA_KomaruA2,80 ;「…………………。@…う、/ ;!d400……薄々はよゥ、/ ;!d500…気付いてたさ…。」@ `"............`@`...Uu, `/ !d400`......I've vaguely, `/ !d500`...noticed that..."`@ mld l,$WAL_majimeA1,80 ;「前回は戦人くんにとって辛いゲームでした。@/ `"Last time, it was a tough game for Battler-kun. `@/ mld l,$WAl_FumanA1,80 ;しかし、もう気付いたようですね。@……今回は、あなたにとって辛いゲームです。」\ `But it seems that you've already noticed.`@` ......This time, the game is tough for you."`\ mld r,$BEA_hanbesoA1,80 ;「わ、…妾は、これからどうすればいいのだ。」@ `"Wh, ...what should I do from now on?"`@ mld l,$WAL_ikariA1,80 ;「あなたが自分で考えるのです。@……幸いにも、あなたはもうゲーム盤の駒を降りて、新しき魔女に委ねました。@じっくりと自らについて思案する時間があるでしょう。」\ `"Think about it yourself.`@` ......Fortunately, you have already given up your pieces on the game board to the new witch.`@` You should have time to deliberately ponder upon yourself."`\ mld r,$BEA_HanbesoA2,80 ;「…………戦人はもう敵意の塊じゃねぇかよぅ。@魔女は認めない、そして妾も認めない。@……それで、どうやって戦人に認めてもらうんだよゥ…。@北風で駄目なら、…今からのこのこ太陽で照らせって言うのか…？@　この妾が、今更……。」\ `"............Isn't Battler's soul already hostile towards me?`@` He won't accept witches, so he won't accept me.`@` ......In that case, what can I do so that Battler will accept me...?`@` Are you saying that if the north wind doesn't work, ...then I should shine on him as the sun from now on...?`@` I should, after all this time......?"`\ mendef 0 bg G1F_S1bP,23 ld c,$WAL_WaraiA1,23 ;「今は１０月。@ハロウィンの季節ですね。@………太陽が死に、再び蘇る再生の月です。@蘇ったばかりの弱々しい太陽は冬の木枯らしに遠く及ばないでしょう。\ `"It is October now.`@` The Halloween season.`@` .........It is the month of rebirth, when the sun dies and is revived again.`@` When the sun is weak right after reviving, it may not reach far through the cold winter winds.`\ ld c,$WAL_defA1,80 ;　しかし、じっくりと成長し、やがては春の訪れを告げることができる。@…その時、旅人はマントを畳むこともあるかもしれない。」\ `However, it slowly grows, and is eventually able to hail the coming of spring.`@` ...At that time, the traveler may even fold up his cloak."`\ ;ld r,$BEA_nayamuA1,80 bg black,22 ;「………妾は、/ ;!d500……間違っているというのか………。」\ `".........Are you saying, `/ !d500`......that I am mistaken.........?"`\ cl a,1 fede 0,5000 wait 1000 bfly1 0 bg Mhal_2bR,26 bgm1 15 ;■ホール ;　…右代宮家の屋敷の美しきホールは、金箔のような黄金の輝きと、@…べったりとした返り血で真っ赤に染まっていた。\ `...The beautiful hall of the Ushiromiya mansion was covered with a golden sparkle like gold leaf,`@` ...and stained deep red with thick spurts of blood.`\ cbfly 0 bg blood_1b,22 ;　留弗夫と霧江に与えた死の数は、とっくに足の指を含めても数えられなくなっている。@ `The number of deaths given to Rudolf and Kyrie had long surpassed anything you could count on both your fingers and your toes.`@ br bg black,22 ;　魔女が肩で息をしているのは疲れたからではない。@ ;　…まだ醒めぬ興奮に、荒い呼吸を隠せないだけだ。\ `The witch was breathing so hard her shoulders shook, but it wasn't because she was tired.`@ `...She just couldn't hide her ragged breaths caused by her still uncontainable excitement.`\ me1v 5,50 ;ld c,$EV2_AkuwaraiA5,80 bg portrait4,22 se1v 37,100 ;「あっはははははははははははははッ！！@　人の生き死にを自由にすることの何と楽しいことか！@　無限の魔女の力の前には、私が思い描く無限の全てが実現するわ！@　どんなにぐちゃぐちゃに磨り潰してやったってッ、@私は指をひとつ鳴らすだけで元通りにして蘇らせることができる。@そして最後に、申し訳程度に碑文に沿った死体に戻せばいいんだからね。@/ `"Ahhahahahahahahahahahhahahahaha!!`@` How fun it is to do as I will with the life and death of people!`@` Before the power of the Endless Witch, the endless everything I paint with my mind becomes reality!`@` No matter how sloppily I mash them, `@`I can revive them, returning them to normal with just a snap of my fingers.`@` Because in the end, I just have to return the corpses to normal and follow the epitaph like it's an excuse. `@/ se2v 37,100 ;あっははははははははははははははははは！！\ `Ahhahahahahahahahahahahahahahahahaha!!`\ ;ld c,$EV2_NiramuA1,80 bg black,22 ;　……ねぇ、あんたたち、@ぬいぐるみのお腹を裂いたことって、ある？」\ `......Hey, you guys,`@` have you ever sliced a stuffed animal's stomach open?"`\ me2v 13,50 bg Mhal_2cR,26 ld r,$S41_majimeA1,24 ;「ないです、にひ。@４５は？」@ ;＜４１０ `"Never, nihi.`@` What about you, 45?"`@ ld l,$S45_komaruA1,80 ;「い、いえ…！@　やったことありません、申し訳ありません…！」\ ;＜４５ `"N, no...!`@` I have never done it, my apologies...!"`\ bg Mhal_2aR,23 ld c,$EV2_WaraiA1,24 ;「当然よ。@普通ないわ。@……増してや、お気に入りのぬいぐるみだったら尚更よね。@でも、ずっと思ってた。\ `"That's understandable.`@` Normally, you wouldn't.`@` Especially not if it was a stuffed animal you liked.`@` But I've always thought about it.`\ ld c,$EV2_WaraiA2,80 ;　こんなにも大好きでふかふかのぬいぐるみの中には何が詰まってるんだろう、@いつか覗いてみたいって、ずっと思ってたわ。」\ `I always thought about peeking in, `@`and seeing what was packed inside this fluffy stuffed animal that I loved."`\ ;bg black,22 ;se1v 36,100 bg blood_1aR,22 ;　裂いて中身を見たら、その好奇心は収まるかもしれないけど、ぬいぐるみは壊れてしまう。@ `If you cut it and looked inside, your curiosity might be quelled, but the stuffed animal would be broken.`@ br ;　……だから見たいけれど見られない。@ ;　そんな気持ちって、わかるでしょう？\ `......So even though you want to see, you can't.`@ `You understand that feeling, right?`\ bg Mhal_2cR,0 ld r,$EV2_akuWaraiA1,26 ;「……無限の魔女の力は、まさにそれを叶えてくれる力なの。@…今の私は、好きなだけぬいぐるみを裂くことができる。\ `"......The power of the Endless Witch can truly grant that wish.`@` ...As I am now, I can slice the stuffed animal all I want.`\ ld r,$EV2_TokuiA1,80 ;　……なのに、魔法ひとつでそれを元通りに蘇らせることができるわ。@…それはつまり、この世のあらゆる制約を打ち破ったということ。@……今の私には躊躇することも思い止まることも何もないの。\ `......And yet, with a bit of magic, I can return it to normal and revive it.`@` ...In other words, it means that I have broken all limitations in this world.`@` ......As I am now, I don't have to hesitate or give up an idea or anything.`\ ld r,$EV2_AkuwaraiA4,80 ;　その悦び、……あぁ、誰にもわからないでしょうね。@無限の魔女の私以外、誰にもわからない！！」\ `That joy, ......aah, there's probably no one who can understand it.`@` No one other than me, the Golden Witch!!"`\ ;　魔女は狂ったように雄叫びをあげながら、再び留弗夫と霧江を蘇らせ、@それを自覚させるより早く、直ちに殺して見せた。@ `As the witch let out a mad war cry, she revived Rudolf and Kyrie again,`@` and faster than they could realize it, she killed them right away.`@ br ;　……二人の中には綿でないものが詰まっていることを知らしめながら。\ `......As she made it known that something other than cotton was stuffed inside those two.`\ bg black,22 se1v 36,60 bg blood_1a,1 bg blood_1ar,22 bg black,22 se3v 36,60 bg blood_1a,1 bg blood_1ar,22 se2v 37,70 bg black,22 wait 1000 bg Mhal_2aR,24 ld l,$HID_majimeA1G,63 E_MA E_B me1v 13,50 ;「…よ、/ ;!d400…………よさんか、絵羽……！」@ ;＜秀吉 `"...Q, `/ !d400`............quit it, Eva......!"`@ ld r,$EV2_fukigenA1,24 ;「え？@/ `"Huh? `@/ ld r,$EV2_fukigenA2,80 ;　……あぁ、あんた。@いたの。」@ `......Ah, you.`@` You're here."`@ br ;　惨劇のホールに、銃を構えた秀吉が姿を現す。\ `In the tragic hall, Hideyoshi showed himself, his gun readied.`\ ;　魔女が屋敷を結界にて閉ざしたのだから、秀吉には逃げ場などどこにもないのだ。@ `The witch had sealed the mansion with a barrier, so Hideyoshi had nowhere to run.`@ br ;　…留弗夫か霧江の銃を拾い、戻ってきたのだろう。\ `...He had probably picked up Rudolf's or Kyrie's gun, and come back.`\ ;　本来は恐れるべきその銃も、魔力に満ち溢れた彼女にとっては、もはや取るにも足らないものらしい。@ `It seemed that the gun, which should have been something to be feared, was no longer an object she took seriously now that she was overflowing with magic power.`@ br ;　不敵な表情はわずかほども歪まなかった。\ `Her bold expression didn't flinch in the slightest.`\ ld l,$HID_KomaruA2G,80 E_A bgm1 13 ;「………何で、楼座さんや真里亞ちゃんや、/ ;!d800……留弗夫くんや霧江さんまで殺さにゃならんのや……！」\ `".........Why did you have to kill Rosa-san and Maria-chan, `/ !d800`......and Rudolf-kun and Kyrie-san......?!"`\ ld r,$EV2_AkuwaraiA2,80 ;「はぁ？@　私は右代宮家の当主にして六軒島の魔女よ。@この島では何を起こそうと全ては自由自在。@…今だけの一瞬を切り取って、その生き死にを問うなど、私には無意味なこと。」\ `"Huh?`@` I am the head of the Ushiromiya family, the witch of Rokkenjima.`@` Everything that occurs on this island is all up to me.`@` ...Just isolating this one instant and asking about their life and death is meaningless to me."`\ bg black,22 mono 1 bg gold3,22 ;「……お父さんの黄金を見つけて、………お前は気が触れてしまったんや…！@　どんだけ高く積まれた黄金やったやろな。@わしには想像もつかん。@お前の正気を失わせるほどのものだったんやろ…。\ `"......After findin' Father's gold, .........you went mad...!`@` Just how high was that gold piled?`@` I can't even guess.`@` It must have been enough to make you lose your sanity...`\ ;　……だがな、そんなにもたくさんの黄金やったなら、@……なして気前よく分けっこしたろって思わんかったんや…！！」\ `......Still, if there was that much gold,`@` ......why didn't you think of graciously splittin' it up...?!!"`\ ;「誤解してるわ。@…………あれは全て黄金の魔女のものよ。@私以外の誰にも触れる資格はない。@くすくすくす、あっははははははははははははははは…！！」\ `"You misunderstand.`@` ............All of that belongs to the Golden Witch.`@` No one is qualified to touch it except for me.`@` *giggle*giggle*giggle*, ahhahahahahahahahahahahahahahahaha...!!"`\ bg black,22 mono 0 ;「……お前は何や。@…昔聞かせてくれた、……少女時代の、魔女だった絵羽だとでも言うんか。」\ `"......What are you?`@` Are you trying to say that you're that thing Eva told me about long ago......the witch Eva from when she was young?"`\ bg Mhal_2cR,0 ld c,$EV2_TokuiA1,26 ;「そうよ。@あなたの妻の右代宮絵羽の胸の中にずっと住んでいた、少女時代の私。@…そして魔女なの。@/ `"That's right.`@` I am the youth me, who was always living in the heart of your wife, Ushiromiya Eva.`@` ...And I'm a witch. `@/ ld c,$EV2_akuwaraiA1,80 ;………絵羽は私を忘れることによって大人になったわ。@だから魔法が使えない。」\ `.........Eva became an adult by forgetting me.`@` So she can't use magic."`\ bg Mhal_2aR,0 ld r,$HID_MajimeA1G,24 ;「…誰だって子どもの頃には、無邪気だけれど残酷な妄想に頭を膨らませることはある。@わしかて小さい頃、蟻を踏んで回ったり、トンボの羽を毟ったりして遊んだことがあるわ。@………しかし、命の大切さを学んで、そんな残酷な幼年時代から卒業するんや。\ `"...When they're children, anyone's head might be filled with innocent yet cruel delusions sometimes.`@` When I was young, I'd sometimes go around steppin' on ants and pullin' the wings off dragonflies.`@` .........However, I learned the importance of life, and graduated from that cruel childhood age.`\ ld r,$HID_KomaruA2G,80 ;　……今のお前は、まさに幼年時代そのものやで！@　…絵羽が卒業したはずの人格なんや！@　それは絵羽やない。@別の人間や！！」\ `"......Right now, you really are a child!`@` ...A personality that Eva should have graduated from!`@` That isn't Eva.`@` It's a different human!!"`\ ld l,$EV2_WaraiA1,23 ;「そうよ。@私、右代宮絵羽じゃない。@黄金の魔女、ベアトリーチェだもの。@/ `"That's right.`@` I am not Ushiromiya Eva.`@` I'm the Golden Witch, Beatrice. `@/ ld l,$EV2_akuWaraiA7,80 ;楽しいわよ、何の制約もしがらみもなく、生き死にを自由にできるこの悦楽は本当に素敵…！@　割った金魚鉢を謝らなくていい、@そして好きなだけぬいぐるみを裂いていい！@　私は、」\ `It's so fun, not being bounded by any limitations, and the pleasure of being able to do as I will with life and death is truly wonderful...!`@` I don't have to apologize for breaking the goldfish bowl,`@` and I can tear the stuffed animal as much as I want!`@` I-"`\ E_A se1 6 bg white,1 bg black,22 ;　乾いた音。@ `There was a dry sound.`@ bgm1 25 br ;　…それは秀吉が魔女の頬を打った音だった。\ `...It was the sound of Hideyoshi slapping the witch's face.`\ bg Mhal_2cR,22 ;　この真っ赤に返り血で染まった鮮血のホールを見れば、魔女の恐ろしさは想像がついたはずだ。@ `By looking at the hall stained deep red with fresh blood, he should have been able to imagine how terrible the witch was.`@ br ;　でも秀吉は恐れず、躊躇もせず、つかつかと早足に歩み寄って、その頬を打ったのだ。\ `But without fear, without even hesitating, Hideyoshi had walked determinedly up to her, and hit her on the cheek.`\ ld c,$EV2_OdorokiA1,23 ;「…………………っ。」@ ;＜魔女 `"....................."`@ ld r,$HID_KomaruA2,23 ;!s0「アホぅ！！/ !s0`"You fool!! `/ se1 9 quakey 3,400 ;@　残酷ぶるなや、ほんまは臆病者の弱虫のくせにッ！/ @`Don't act like you're cruel, not when you're really a coward and a weakling! `/ se2 6 quakey 3,400 se3 6 quakey 3,400 ;@　わしがまた更正させたるわ、この性悪が！！@　このアホ！/ @`I'll have to correct it again, that evil nature of yours!!`@` You fool! `/ se1 9 quakey 3,400 ;　アホッ！！」/ `Fool!!"`/ se2 9 quakey 3,400 !sd\ ld c,$EV2_FukigenA3,80 ;!s0「痛、/ !s0`"Ow, `/ se3 6 quake 3,400 ;……痛い、/ `......ouch, `/ se1 9 quakey 3,400 ;…ちょっと…！」/ `...hey...!"`/ !sd\ ;ld c,$HID_MajimeA2,80 bg portrait4,5 ;「命の大切さとか、儚さとか、そういうのがわかる女やったろが！@　わしが思い出させたる…！！@　何が魔女や、アホぬかせ！！/ `"Weren't you a woman who understood how important, how fragile a life is?!`@` I'll make you remember...!!`@` What do you mean by 'witch', you stupid fool!! `/ se2 9 quakey 3,400 ;@　お前はわしの女房の右代宮絵羽や！/ @`You're my wife, Ushiromiya Eva! `/ se3 11 quakey 4,500 ;@　冷蔵庫の残り物でチョイチョイと、気の利いたつまみを作れる台所の魔女が関の山や！！@　目を覚まさんかい、このアホンダラが…ッ！！」/ @`A witch of the kitchen, who can considerately make snacks out of leftovers in the refrigerator every once in a while, is as much as I can handle!!`@` Won't you open your eyes, you fool...?!!"`/ se1 11 quakey 4,500 \ bg Mhal_2cR,22 ld r,$EV2_OdorokiA2,24 ;「だから右代宮絵羽じゃないって、/ ;!d800…言ってるでしょうが……！」@ `"Didn't I just say, `/ !d800`...that I'm not Ushiromiya Eva......?!"`@ ld l,$HID_KomaruA2,23 ;「アホぬかせ！！@　この！/ `"You stupid fool!!`@` You! `/ se1 9 quakey 3,400 ;　このっ！！」/ `You!!"`/ se2 6 quakey 3,400 @ br ;　秀吉は涙をぼろぼろと零しながら魔女の頭を叩き続ける。\ `As tears dripped down his face, Hideyoshi kept hitting the witch's head.`\ ;　銃など、もう突きつけてもいなかった。@ `He wasn't even pointing the gun at her anymore.`@ br ;　だから。@ ;　その銃声は秀吉の持つ銃のわけもない。\ `Therefore.`@ `That sound of gunfire couldn't have come from the gun Hideyoshi was holding.`\ se3v 46,50 bg white,1 bg black,2 wait 1000 ;　……留弗夫の遺体の脇に落ちていた銃が宙に浮いていて、@…その銃口から紫煙をたなびかせている。\ `......The gun, which had fallen in the corner near Rudolf's corpse, floated into the air,`@` ...and smoke lingered near the barrel.`\ se1 35 bg blood_2a,1 wait 200 se2 35 bg blood_2b,1 ;　銃弾は？@ ;　………秀吉のベストの胸部が、じわりと赤い染みを広げる。@ `And the bullet?`@ `.........A red stain was slowly spreading across the chest of Hideyoshi's vest.`@ br ;　銃口に対し背を向けていたのに、…銃弾は秀吉の胸部に打ち込まれていた。\ `Even though his back was facing the barrel of the gun, ...the bullet had been driven into Hideyoshi's chest.`\ bg Mhal_2bR,0 ;lsp 901,$HID_KomaruA1,0,0 ;print 26 ld l,$HID_komaruA1,26 ;!s0「………絵、/ ;!d500…羽…………。@…………ぅぅ…。」/ !s0`".........E, `/ !d500`...va............`@`............uu..."`/ !sd\ ld r,$EV2_IkariA2,80 ;「…だから私は絵羽じゃないと言ってるのに。@馬鹿でウザイ男ね。@/ `"...Like I said, I'm not Eva.`@` What a stupid, annoying man. `@/ ld r,$EV2_odorokiA2,80 ;……あんたしつこいから、第六の晩の生贄に変更してあげるわ。@…どこかのベッドの下に隠れて震えてでもいたなら、見逃してやるつもりだったのに。@……わざわざ戻ってきて。@本当に馬鹿な男だわ。」\ `......You're a pain, so I'll switch the sacrifice of the sixth twilight to you.`@` ...And if you had just hidden under a bed shaking or something, I had planned to let you go.`@` ......You went to all the trouble of coming back.`@` You really are a stupid man."`\ textoff ;for %Free1 = 1 to 25 ;msp 901,0,10 ;print 1 ;wait 20 ;next ;csp 901 ;print 65 cl l,5 se1v 13,70 quakey 4,600 ;　どすんと…。@秀吉が床に倒れる鈍い音がした。\ `*thunk*...`@` There was a dull sound as Hideyoshi fell to the floor.`\ ;　死ねばその苦痛から逃れられるのに、最後の一秒までそれを拒み、@魔女の目をじっと見つめ、…息絶えた。@ `Even though he would have been able to escape that pain when he died, he resisted until the last second,`@` and staring straight into the witch's eyes, ...he passed away.`@ br ;　目を閉じずに死んだ為、しばらくの間、魔女は絶命したことに気付けずにいて、@その眼差しに射抜かれたままでいるのだった。\ `Because he had died without closing his eyes, the witch didn't realize that he was dead for a short while,`@` and remained pinned down by that gaze.`\ bg Mhal_2aR,23 ld l,$S41_defA1,23 ;「こいつも新しい玩具にして遊びます？@　にひ。」@ ;＜４１０ `"Will we make this one a new toy and play?`@` Nihi."`@ br ;　その言葉で、ようやく魔女は秀吉が死んでいることを察する。\ `At those words, the witch finally realized that Hideyoshi was dead.`\ ld r,$EV2_KomaruA1,24 ;「………ん、…あぁ。@…そうね、どうしようかしら。」\ ;＜魔女 `".........Nn, ...yeah.`@` ...Right, what'll we do..."`\ ;　シエスタの姉妹たちが指示を待つ。@ ;　内心は、主のより残忍な命令を想像していた。@ `The Siesta Sisters waited for instructions.`@ `On the inside, they imagined an order even more brutal than before from their master.`@ br ld r,$EV2_FukigenA2,80 ;　しかし魔女は興が醒めたというような表情を浮かべる。@ ;　見下ろす秀吉の死に顔は、涙にまだ濡れていた…。\ `But the expression that rose to the witch's face looked as though she had gotten over her excitement.`@ `She looked down at Hideyoshi's face, which still had tears dripping down it...`\ ld r,$EV2_FukigenA1,80 ;「……この男のせいですっかり興醒めだわ。@もう止ぁめた。@………ロノウェ、いる？」\ `"......It's such a killjoy, and it's all this guy's fault.`@` I'm a-ll done.`@` .........Ronove, are you there?"`\ bg Mhal_2bR,23 se1 52 ld c,$RON_DefA2,99,1500,"breakup.dll/lrp" ;「はい、ここに。」\ `"Yes, right here."`\ ld r,$EV2_fukigenA2,24 ;「後片付けをお願い。@…先代さまもうるさいしね。@あのババアが納得する程度に綺麗にしておいてちょうだい。……一応、先代さまへの義理で儀式のルールには従うわ。@この３人の死体を第四の晩から第六の晩ってことでお願いね。@/ `"Clean up the rest please.`@` ...The Predecessor-sama will be annoying.`@` Please make it clean enough so that that granny will accept it. ......I'll follow the rules of the ceremony more or less, out of responsibility to my Predecessor-sama.`@` Please make these three corpses the fourth twilight through the sixth twilight. `@/ ld r,$EV2_niramuA2,80 ;ルシファー、出番よ。」\ `Lucifer, it's your turn."`\ bg Mhal_2aR,23 E_A me1v 12,50 se1 52 ld l,$RG1_defA1,99,1500,"breakup.dll/lrp" ;「傲慢のルシファー、ここに。」\ `"Lucifer of Pride, right here."`\ ld r,$EV2_AkuwaraiA1,24 ;「その３人の死体、ほじくって抉っといて。」@ `"Dig into these three corpses and gouge them."`@ ld l,$RG1_fumanA1,80 ;「し、…死体をですか。」@ `"I, ...in the corpses?"`@ ld r,$EV2_fukigenA1,80 ;「そうよ。@何か不満？」@ `"That's right.`@` You have a problem with that?"`@ ld l,$RG1_komaruA1,80 ;「い、…いえ…。」\ `"N, ...no..."`\ ;　煉獄の七姉妹にはささやかなプライドがある。@ ;　それは、自らの仕留めた獲物を抉るという、狩猟者としてのプライドだった。@ `The Seven Sisters of Purgatory had a modest sense of pride.`@ `It was the pride of a hunter, the pride of gouging prey that they had brought down themselves.`@ br ;　…しかし、他者が仕留めた死体を抉れというのはそれに反する。@ ;　もちろん魔女にその意図はなかったが、七姉妹たちにとっては酷く屈辱的なことだった。\ `...However, being told to gouge a corpse that someone else had brought down ran contrary to that feeling.`@ `Of course, that was not the witch's intention, but for the Seven Sisters, it was horribly humiliating.`\ ;　…しかし、姉妹の２人が敗れるという失態をすでに犯しており、それを言い返す資格はなかった。@ `...However, they had already messed up, with two of the sisters defeated, so they had no right to question her.`@ br ;　ロノウェだけがそれを汲み取り、察するように肩に手を載せる。\ `Only Ronove appreciated that, and he rested his hand on her shoulder in understanding.`\ bg Mhal_2cR,0 ld l,$RON_MajimeA1,24 ;「……ベアトリーチェさまのご命令ですよ。@ルシファーは３人を選び、儀式の作法に従い処理をするように。@あと、できましたら私のお片付けにも手を貸してください。」@ ;＜ロノウェ `"......It is Beatrice-sama's order.`@` Lucifer, carry the three, and deal with them according to the etiquette of the ceremony.`@` Then, when you are done, lend me a hand with the cleanup."`@ ld r,$RG1_komaruA1,24 ;「畏まりました……。」\ ;＜ルシファ `"Certainly......"`\ bg black,22 ;　魔女は、何となく微妙になった空気は、全て秀吉のせいだとでも言いたげにその死体を見下ろす。\ `The witch looked down upon Hideyoshi's corpse, as though implying that the now delicate atmosphere was all Hideyoshi's fault.`\ ;ld c,$EV2_FukigenA1,80 ;「………馬鹿な男ね。@死なずに済んだのに。」\ `".........Stupid man.`@` And you didn't even have to die."`\ wait 2000 se1 27 wait 500 E_B E_MA bg white,1 bg G1F_R2cR,22 ;■落雷・場面転換・絵羽の部屋 mov %play_scene,30200 ld c,$EVA_nakuA2,80 me1v 5,50 me2v 17,70 ;「あなた……ッ！！！/ `"Dear......!!! `/ se2 12 quakey 3,500 ;@　あああぁあああぁああぁあぁ！！@　あなた、どこ？！@　いるわよね？@　返事をしてッ！！」\ ;＜絵羽 @`Aaaaaaaaaaaaaaaaaaaahhh!!`@` Dear, where are you?!`@` You're there, right?`@` Answer me!!"`\ ;　大きな落雷の音が、絵羽の悪夢を覚ます。@ `The sound of a loud thunderbolt woke Eva from her nightmare.`@ br ;　もしもその時、秀吉が手を握っていてくれたなら、彼女の怯えた心は直ちに癒されただろう。@ `If Hideyoshi had been gripping her hand at that time, her fearful heart would probably have been instantly healed.`@ br ;　しかし、片時も離れないと誓ってくれたはずの秀吉の姿は室内になかった。\ `However, Hideyoshi, who had supposedly sworn that he wouldn't leave even for a moment, was nowhere to be seen in the room.`\ bg M2F_R1dR,25 me3v 13,50 se1v 21,70 ;「あなた、/ ;!d400…返事をして…、/ ;!d500………あなた…！！@　ううぅうううううぅう！！」\ `"Dear, `/ !d400`...answer me..., `/ !d500`.........dear...!!`@` Whaaaaaaaaaaaaaaahhhhh!!"`\ wait 2000 ;▲第１４アイキャッチ　１０月５日（日）１３時１７分〜１３時３０分 eye1 13,17,13,30,1,0,50,220,75 *umi3_15 mov %play_scene,30200 mov %grim_scene,307 gosub *EV2_Isyou2 me1v 13,70 dllefe 1,1 bg G_o1bR,6 wait 3000 bg black,22 dllefe_off mevol 1,50 bg G1F_P1aR,26 ;　…留弗夫たちがゲストハウスを出てから、すでに３０分は経過していた。@ `...30 minutes had already passed since Rudolf's group had left the guesthouse.`@ br ;　いくらなんでも、戻りが遅すぎる。@ ;　…玄関で待ち続ける蔵臼と夏妃の焦燥も限界に来ていた。\ `By any measure, their return was too late.`@ `...And Krauss and Natsuhi, who were waiting by the entrance, were reaching the limits of their patience.`\ ;　扉にはチェーンが掛けてある。@ ;　それは、留弗夫たちが万一襲われ、マスターキーを奪われた場合に備えたものだ。@ `The chain was set on the door.`@ `That was a precaution in the event that Rudolf's group was attacked, and the master key stolen from them.`@ br ;　その為、彼らの帰りをこうして玄関で待つ必要があった…。\ `For that reason, they needed to wait by the entrance like this for the others to return...`\ ld l,$NAT_TukareA1,23 ;「……さすがに遅すぎます。@彼らの身に何かあったのでは…。」@ ;＜夏妃 `"......They really are too late.`@` You don't think something happened to them...?"`@ ld r,$KLA_MajimeA1G,24 ;「……………うむ…。」@ ;＜蔵臼 `"............Hmm..."`@ br ;　蔵臼は時計と扉を見比べながら、冷静さを装うことに徹していた。\ `Krauss glanced between his watch and the door, struggling to keep his composure.`\ bg G1F_P1e,25 ;ld l,$NAT_zutuuA1,80 ;「もし、…彼らが戻らないようなことがあるならば……。」@ ;＜夏妃 `"If, ...something happened to prevent them from returning......"`@ ;ld r,$KLA_KomaruA1,80 ;「…辛い想像だが、その覚悟を始めた方が良さそうだ。@……やはり、無用心だったのだ。」\ `"...A terrible thought, but it looks as though we should ready ourselves for that possibility.`@` ......It really was reckless, after all."`\ ;ld l,$NAT_OdorokiA1,80 ;「わ、私はそうだと申し上げました…！@　なぜ彼らはこれほどの危険を承知で外に…！@　愚かなことです！@　楼座さんが襲われたばかりだというのに、なぜに外へ…！！」@ `"Th, that is what I said...!`@` Why did they go outside when they knew it was this dangerous...!`@` How foolish!`@` Why go outside, even though Rosa-san had just been attacked...?!!"`@ ;ld r,$KLA_MajimeA2,80 ;「………それを言っても始まらん。@…とにかく、これでゲストハウスに大人は３人。@私と夏妃、/ ;!d800……そして高熱で寝込んでいる絵羽だけだ。」\ `".........Nothing will come from saying that now.`@` ...Anyways, this way, there are three adults in the guesthouse.`@` Me, you, `/ !d800`......and Eva, who's asleep with a high fever."`\ ;cl a,80 se1 16 bg G1F_P1aR,63 ;　その時、廊下から勢い良く開く扉の音と、絵羽の金切り声が聞こえてきた。@ `At that time, there was the forceful sound from the hallway of a door being opened, and they heard Eva's panicked voice.`@ se2 21 br ;　…その声は秀吉の名を呼び続けている。@ ;　……高熱にうなされた彼女が、何か悪い夢でも見て夫の名を呼んでいるように見えた。\ `...That voice kept calling Hideyoshi's name.`@ `......It seemed as though, while down with a high fever, she had had a bad dream or something and was calling her husband's name.`\ ;bg black,23 ;se1 15 ;bg G1F_R2aR,23 ld r,$NAT_OdorokiA2,24 ;「絵羽さん…、/ ;!d400どうしましたか、大丈夫ですか…？」\ ;＜夏妃 `"Eva-san..., `/ !d400`what is it, are you alright...?"`\ ld l,$EVA_nakuA2,63 ;「う、…うちの人はどこ？！@　うちの人がいないのッ！！@　ずっと一緒にいるって約束してくれたのに！@　ずっと手を握ってくれてるって約束したのにッ！！」@ `"Wh, ...where is my husband?!`@` My husband isn't here!!`@` Even though he promised that he'd stay with me the whole time!`@` Even though he promised that he'd grasp my hand the whole time!!"`@ br ;　…蔵臼の前で絶対に見せることのないその姿に、蔵臼は呆然としたが、夏妃はその気持ちを理解した。\ `...Krauss was struck dumb by this attitude of hers, which she had never shown in front of him before, but Natsuhi understood her feelings.`\ ld r,$NAT_TukareA1,80 ;「……お、落ち着いて…。@秀吉さんは留弗夫さんたちと一緒に、今、表へ出ています。」\ `"......C, calm down...`@` Hideyoshi-san is with Rudolf-san and Kyrie-san, and they're outside right now."`\ bg G1F_P1e,25 E_A bgm1 34 ;「表へッ？！？！@　どど、どうしてよ、/ `"Outside?!?!`@` Wh, wh, why, `/ se1 7 quakey 4,600 ;私とずっと一緒にいてくれるって約束したのに、@どうして表になんか行ってるの？！/ `why did he go outside, `@`after he promised that he'd stay with me the whole time?! `/ se1 7 quakey 4,600 ;@　表へ出ては駄目、表には魔女がいるわ、行っては駄目、殺されてしまうッ！！@　わあああああぁあああぁあぁ…！！」/ @`You mustn't go outside, the witch is outside, you mustn't go, you'll be killed!!`@` Waaaaaaaaaaaaaaaaaaaahhh...!!"`/ se1 9 quakey 2,400 se1 9 quakey 2,400 \ bg G1F_P1aR,0 ld r,$KLA_majimeA1G,26 ;「…絵羽、落ち着きなさい。@……秀吉さんは、留弗夫たちと一緒に屋敷へ戻っているのだ。」@ `"...Eva, calm yourself.`@` ......Hideyoshi-san returned to the mansion with Rudolf and Kyrie-san."`@ ;bg G1F_R2cR,0 ld l,$EVA_IkariA2,24 ;「どうして屋敷に行かなくちゃいけないのよ！！@　ここなら安全なのに、どうして表になんか出したのよ！！@　どうして屋敷なんかに戻ったのよッ！！」\ `"Why did he have to go to the mansion?!!`@` Why did he go outside, even though it's safe here?!!`@` Why did he go back to the mansion?!!"`\ ld r,$KLA_KomaruA1,80 ;「………………。@……明日までの食料を取りに行くことになったのだ。@…秀吉さんは、お前の体調が悪いことを気にしてて、その為にもと言って…。」\ ;＜蔵臼 `"............`@`......They went to get enough food to last until tomorrow.`@` ...Hideyoshi-san was worried about your health, and he told us so..."`\ ld l,$EVA_odorokiA2,80 ;「いつ戻ってくるの？！@　いつ戻ってくるのよ？！@　表は駄目よ、薔薇庭園は駄目、屋敷は駄目！！@　魔女がいる、黄金の魔女が歩き回ってる！@　見つかったら殺されてしまう、絶対に殺されてしまうッ！！@　うちの人はいつ戻ってくるのッ？！」\ `"When will they come back?!`@` When will they come back?!`@` Don't go outside, don't go to the rose garden, don't go to the mansion!!`@` The witch is there, the Golden Witch is walking around!`@` If she finds you, you'll be killed, you'll definitely be killed!!`@` When will my husband come back?!"`\ ld c,$NAT_zutuuA1,24 ;「………３０分前にここを出ました。@私たちは帰りを待っています。」\ ;＜夏妃 `".........They left here thirty minutes ago.`@` We are waiting for their return."`\ bg G1f_P1e,22 me1v 5,50 se1 13 quakey 4,800 ;「さ、３０分ッ？！@　そんなのおかしいじゃないッ、屋敷に行って食料を取って帰ってくるのに、どうしてそんなに時間が掛かるのよ？！@　それであんたたちは何でここでぼんやりしてるのよ？！@　迎えに行かなきゃ！！@　早くあの人のところへ行かなきゃッ！！@　ひぃいいいいぃいいいいいいぃ！！」\ ;＜絵羽 `"Th, thirty minutes?!`@` Isn't that strange? Why would it take so much time for them to go to the mansion to get food and come back?!`@` And why are you two just standing around here?!`@` We have to get them!!`@` We have to quickly go to where they are!!`@` Hiiiiiiiiiiiiiiiiiiiiiiiiiiii!!"`\ bg black,22 ;　絵羽は余程の悪夢を見たのだろう。@ ;　…そして目が覚めてもまだそれが続いていることに、とうとう錯乱を隠せなくなってしまう。@ `Eva probably had quite a nightmare.`@ `...And because it had continued even after she had woken up, she could no longer hide her confusion.`@ br ;　夏妃は落ち着かせようと試みるが、むしろ絵羽の感情をますますに弾けさせるだけだった。\ `Natsuhi tried calming her down, but all it did was make Eva's emotions explode even more.`\ ;　……その騒ぎが聞こえたのだろうか。@ ;　ロビーの扉が細く開き、２階に行っているはずの戦人たちが顔を覗かせる。\ `...Maybe it was because they heard that disturbance.`@ `Battler and the kids, who should have gone up to the second floor, were peeking their faces through the slightly open lobby door.`\ bg G1F_P1aR,0 ld r,$BUT_majimeA1,0 ld l,$GEO_MajimeA3,0 ld c,$JES_KomaruA1,23 ;　蔵臼、夏妃、絵羽。@そして戦人、譲治、朱志香、南條。@ ;　…ゲストハウスの全ての人間が、玄関に集い、現状を把握した。\ `Krauss, Natsuhi, Eva.`@` And Battler, George, Jessica, Nanjo.`@ `...Everyone in the guesthouse was gathered by the entrance, and understood the current situation.`\ ld l,$GEO_komaruA1k,80 ;「母さんの意見に同感だよ。@父さんたちの様子を確かめに行くべきだ。」@ ;＜譲治 `"I agree with Mother.`@` We should go to check on Father and the rest."`@ ld r,$BUT_komaruA2,80 ;「あぁ、そうだな。@荷物が大きくなって手間取ってる可能性だってあるぜ。@人手は歓迎のはずさ。」\ ;＜戦人 `"Yeah, that's right.`@` There's also the chance that their load is too heavy and they're having trouble carrying it.`@` They should welcome some extra hands."`\ cl c,23 ld c,$NAN_MajimeA2,24 ;「……ろ、楼座さんが襲われてすぐですぞ。@…二次遭難の可能性もあります。@ここはひとつ慎重に…、」\ ;＜南條 `"......R, Rosa-san was attacked not long ago.`@` ...There's a possibility that this is a second disaster.`@` We should act with caution here and..."`\ ;bg G1F_P1aR,0 cl a,24 ld r,$EVA_IkariA2,24 ;「馬鹿を言わないでッ！！@　慎重に何よ？！@　助けを求めてるかもしれない主人を見殺しにしろと言うのッ？！@　私が様子を見に行くわ、臆病者はここで待っていなさい！！」\ ;＜絵羽 `"Don't be a fool!!`@` What do you mean, caution?!`@` Are you saying we should watch my husband die, even though he might be begging for help?!`@` I'm going to look, and the cowards can stay here!!"`\ se1 30 ld r,$EVA_odorokiA2G,80 ;　絵羽は興奮した様子で、銃を構える。@ ;　その形相を見る限り、もはや誰が引き止めても無駄だろう。@ `Looking agitated, Eva raised her gun.`@ `Judging by her features, it would be useless for anyone to try and stop her.`@ br ;　…それを最初に察した譲治が顔を上げる。\ `...George, who realized that first, raised his head.`\ ld l,$GEO_ikariA2,23 ;「僕も行こう。@戦人くんも来るだろう？@　人数が多い方がいい…！」@ ;＜譲治 `"I'll go too.`@` You will too, right, Battler-kun?`@` The more people, the better...!"`@ cl r,23 ld r,$BUT_odorokiA1,24 ;「お、おう！！@　絵羽伯母さん、来るなって言ったって付いてくぜ。」\ ;＜戦人 `"S, sure!!`@` Eva oba-san, we're coming even if you tell us not to."`\ ld c,$JES_IkariA1,23 ;「…わ、私も行くよ…！@　私だけ安全なところに隠れてなんかいられないぜ…！」@ ;＜朱志香 `"...I, I'm coming too...!`@` I can't be the only one to hide in a safe place...!"`@ cl l,24 ld l,$NAT_OdorokiA1,63 ;「朱志香は出てはなりません！！@　ここに私と居るのです。@良いですね？！」\ ;＜夏妃 `"Jessica, you must not go outside!!`@` Stay here with me.`@` Alright?!"`\ ;　それは暗に、彼らはどうせもう殺されているから、表に出るのは無意味だと言っているようなもの。@ `It was like they were implying that those three had already been killed anyways, so it was pointless to go outside.`@ br ;　絵羽の心を大きく抉ったことを夏妃も察するが、朱志香の母としてその言葉を強く言い切った。\ `Natsuhi also realized that Eva felt like her heart had been gouged out, but she said that strongly as Jessica's mother.`\ ;bg G1F_P1aR,0 cl a,23 ld c,$EVA_komaruA4G,23 ;「………………そうね。@それがいいでしょうね。@兄さんたち一家はゲストハウスで留守番してて。@/ `"..................You're right.`@` That should be fine.`@` Let's have Nii-san's family keep an eye on the guesthouse. `@/ ld c,$EVA_IkariA2,80 ;これはうちの家族と、戦人くんの家族の問題よ。@あと南條先生も来てもらえるかしら。@万が一のこともあるかもしれないから。」\ ;＜絵羽 `This is my family's and Battler-kun's family's problem.`@` And I wonder if Doctor Nanjo would come too.`@` Just in case."`\ ;■メタ視：ゲストハウス〜薔薇庭園〜屋敷〜ホール ;◆留弗夫、霧江、秀吉の３人は死亡フラグ mov %play_scene,30190 textoff bg black,25 me2v 12,0 fedexx 0,70,70,0,0,0,2000 dllefe 1,1 bg G_o1aR,22 wait 2000 bg garden_1cR,22 wait 2000 bg black,22 bg M_o1aR,22 wait 2000 bg black,25 dllefe_off bg black,80 fedexx 0,50,50,0,0,0,2000 E_B bg Mhal_2cR,26 se1 56 mset mld r,$WAL_majimeA1,24 E_MA bgm1 38 ;「………戦人、絵羽、譲治、南條の４人は屋敷のホールにて、@/ `".........In the hall of the mansion, Battler, Eva, George, and Nanjo `@/ mov %play_scene,30210 seplay2 9,1061,70 mov %r_hyouji,0 ;留弗夫、霧江、秀吉の３人の遺体を発見。」@ ;＜ワルギリ `found the corpses of Rudolf, Kyrie, and Hideyoshi."`@ mld l,$BUT_NiramuA1,23 ;「………第四から第六の晩ってことか？@　なら死体には、額、胸、腹にそれぞれ、例の悪魔の杭が？」\ ;＜戦人 `".........The fourth twilight through the sixth twilight?`@` Then, the corpses were pierced through the forehead, chest, and stomach with those demon stakes?"`\ ;mcl l,23 mld r,$WAL_defA2,80 ;「はい。@/ `"Yes. `@/ ;se1 59 bg blood_1b,22 ;……留弗夫の額に一本。@秀吉の胸に一本。@そして霧江の腹部に一本、悪魔の杭が打ち込まれています。\ `......The demon stakes were buried into them, one in Rudolf's forehead,`@` one in Hideyoshi's chest,`@` and one in Kyrie's stomach.`\ mld r,$WAL_fumanA1,80 ;　３人には争ったか、あるいは逃げ回るかしたと思われる着衣の乱れがあります。@３人の遺体は寄り添ってはおらず、犯人と遭遇後、ある程度の抵抗を試みたと推定されます。」\ ;＜ワルギリ `The clothing on all three was disordered, and because of this, it is thought that they had been fighting or running away.`@` Since the three corpses were not found right next to each other, it is hypothesized that after coming into contact with the culprit, they attempted some form of resistance."`\ ;mcl r,23 mld l,$BUT_NayamuA1,23 ;「………杭で、額と胸と、腹をとか。@……相変わらず、惨ぇ…。」\ ;＜戦人 `".........With stakes, in the forehead, chest, and stomach.`@` ......Horrible, just like usual..."`\ csp -1 bg G1F_S1cP,23 ld c,$RON_MajimeA1,24 ;「……………………………。」@ ;＜ロノウェ `"........................"`@ br ;　ロノウェは蛇足と知りつつ、戦人に伝えるべきかと思った。\ `Even though Ronove knew it would be superfluous, he thought that maybe he should tell Battler.`@ bg black,22 bg blood_1a,22 ;　…本当は魔女は、彼らをもっともっと惨たらしく殺したのだ。@ ;　……ベアトがそれを控えるようにと魔女に進言したから、この程度の死体で済む。@ `...In actuality, the witch had killed them in a much more horrible way.`@ `......Beato had advised the witch to restrain herself, which was why the corpses had been left in this manner.`@ br bg blood_1ar,22 ;　あの新しき残忍な魔女は、杭で抉るというのさえ合っていればいいのだろうと、@……ニンゲンの形さえ留めない肉塊に杭を立てることさえやったかもしれない。\ `The new witch, thinking that it would fit as long as she gouged with a stake,`@` ......would probably have just stuck a stake into a lump of meat that wasn't even shaped like a human.`\ ;　特に楼座と真里亞の死体が顕著だろう。@ ;　…黄金の魔女が望んだ通りに殺したならば、どれほどに死体は凄惨な姿を曝したことか。@ `Rosa's and Maria's corpses were probably especially striking.`@ `...If they had been killed as the Golden Witch had wished, just how gruesome would the exposed corpse have been?`@ br ;　それをベアトが戦人の言うところの“まだマシな”殺し方に改めた。\ `Beato had changed that into the 'still better' kind of killing Battler had spoken of.`\ bg G1F_S1bP,0 ld r,$RON_DefA2,26 ;　そのベアトのささやかな気遣いを評価してもらいたくて、戦人にそれを伝えようかとも思った。@ `And wanting to have Beato's small bit of thoughtfulness appreciated, he thought of telling Battler about that.`@ br ;　…しかし、そんなのは戦人にとっては五十歩百歩でしかないだろう。@ ;　人間にとっては、生か死かの隔たりはあまりにも大きい。\ `...But in Battler's eyes, that might do more harm than good.`@ `To humans, the gap between being alive and being dead is very large.`\ ;　マシな死に方に改めたから、お嬢様の気持ちを汲み取ってほしいなど、@悪魔には酌量の余地があっても、……ニンゲンにはその余地など、あるわけもない。@ `While saying that she had changed it to a better way of dying, and that he wanted Battler to understand Beato's feelings, might have made it possible for a demon to pardon her, `@`......there was no way it would work the same way for a human.`@ br ;ld r,$RON_DefA2,80 ;　そこまでを理解し、ベアトのささやかな努力を知りつつ、敢えてロノウェは沈黙する…。\ `Understanding this, Ronove remained silent even though he knew of Beato's modest effort...`\ ld l,$BUT_komaruA3,23 ;「いつも通り、死体の死亡確認からさせてもらうぜ。@……ロノウェ、赤で宣言を頼む。」@ ;＜戦人 `"Just like usual, let's start by checking whether the corpses are dead.`@` ......Ronove, please, declare it in red."`@ ld r,$RON_MajimeA1,80 ;「………………………………。」\ `"........................"`\ ld l,$BUT_oyaA1,80 ;「おい、聞こえないのか？@　…赤で宣言を頼む。@復唱要求だ。@“留弗夫、霧江、秀吉の３名は死亡している”。」@ `"Hey, can't you hear me?`@` ...Please, declare it in red.`@` Repeat it.`@` 'Rudolf, Kyrie, and Hideyoshi are dead'."`@ ld r,$RON_defA2,80 ;「……………申し訳ございません。@復唱を、拒否させていただきます。」\ `"............My apologies.`@` Allow me to decline from repeating that."`\ ld l,$BUT_niramuA3,80 ;「何だと…？@　いきなり、どういうつもりだ…。」\ `"What's that...?`@` That's so sudden...what are you planning...?"`\ bg Different_spiral_1a,22 ;　もはや、犠牲者の死亡を赤き真実で宣言するのは、彼らの戦いの前提でさえある。@ ;　それを拒否するというのは、まるで不戦敗にも近い行為だ。@ `By now, proclaiming that the victims were dead in red was almost a given in this battle.`@ `Refusing to do that was almost like losing by default.`@ br ;　…だから戦人はこの初手からのロノウェの拒否に、少し唖然とする。\ `...So when Ronove refused as part of his first move, Battler was dumbfounded.`\ bg G1F_S1aP,26 ld c,$RON_majimeA1,24 ;「申し訳ございません。@私めの、お嬢様の代行者である資格を、これを以って返上させていただきます。@…よって、“私には”、それを赤で復唱することができません。@……それを復唱する資格があるのは、…お嬢様ただ一人だけでございます。」\ `"My apologies.`@` Someone speaking in Milady's place such as myself must relinquish his turn at this point.`@` ...Accordingly, 'I' cannot repeat that in red.`@` ......The only one qualified to repeat that, ...is Milady."`\ bg G1F_S1cP,0 ld r,$BUT_majimeA3,24 ;「……………………。」@ ;＜戦人 `"..............."`@ ld c,$WAL_majimeA1,23 ;「…正しい言い分です。@ロノウェはベアト側の代行者でしかありません。@……ロノウェが代行の役を降り、かつ戦人くんがベアトを相手として認めないならば。@…新しい代行者を立てる必要があります。」\ ;＜ワルギリ `"...It is a correct point.`@` Ronove is but an agent for Beato's side.`@` ......If Ronove steps down from the position of agent, and Battler-kun will not accept Beato as an opponent,`@` ...a new agent must be created."`\ bg G1F_S1bP,23 ld r,$RON_defA2,24 ;「……新しき代行者はおりません。@……どうか戦人さま。@お嬢様を再び対局の相手とお認め下さい。」\ ;＜ロノウェ `"......There is no new agent.`@` ......Please, Battler-sama.`@` Please accept Milady as your game partner once more."`\ ld l,$BUT_NayamuA1,23 ;「…………悪ぃが。@そいつは聞けねぇ相談だぜ。@……あの不愉快な残酷野郎を、俺は絶対に対局者だなどと認めない。@…それを認めないために、俺はこのゲームを降りないんだ。」\ ;＜戦人 `"............Sorry, `@`but that's advice I can't listen to.`@` ......I definitely won't accept that unpleasant, cruel bastard as my opponent.`@` ...I won't give up in this game because I don't accept her."`\ ld r,$RON_majimeA1,80 ;「不愉快な点につきましてはお嬢様に代わりまして謝罪します。@また、お嬢様には二度と不愉快な言動を取らぬよう誓約させます。」\ ;＜ロノウェ `"Regarding your point about her being unpleasant, I apologize in Milady's stead.`@` Allow me to pledge that Milady will not take unpleasant actions again."`\ ld l,$BUT_komaruA2,80 ;「…………………………。@……どうだかな。」\ ;＜戦人 `"...................`@`......I wonder about that."`\ cl r,23 ld r,$WAL_fumanA1,24 ;「…戦人くん。@…あの子の師匠として私も謝罪します。@よく言って聞かせますので、どうか一度だけ許してやってはくれませんか。」\ ;＜ワルギリ `"...Battler-kun.`@` I also apologize as that child's teacher.`@` She has listened well, so would you please forgive her just this once?"`\ ld l,$BUT_niramuA3,80 ;「……おいおい、よしてくれよ。@まるで俺が悪者みてぇだぜ。@/ `"......Hey, hey, quit it please.`@` You're making it sound like I'm the bad guy. `@/ ld l,$BUT_NayamuA1,80 ;…それにあんたらにいくら謝罪の言葉を聞かされても、俺の耳には届かない。@……そいつを、ベアトが自分の口で言えるってんなら。@…………まぁ、耳を貸さねぇこともないぜ。」\ ;＜戦人 `...And no matter how much you guys apologize, it won't reach my ears.`@` ......If Beato can say that from her own mouth, `@`............well, it's not like I won't listen to her."`\ ld r,$WAL_defA2,80 ;「…………わかりました。@それがあの子を再び認めてもらう唯一の条件ならば、あの子に謝罪をさせましょう。@/ `"............Understood.`@` If that is your only condition for accepting that child again, let us have that child apologize. `@/ ld r,$WAL_fumanA1,80 ;………ロノウェ。@あの子を呼びなさい。@よろしいですね、戦人くん…？」\ ;＜ワルギリ `.........Ronove.`@` Call for that child.`@` Is that alright, Battler-kun...?"`\ bg G1F_S1cP,24 ld r,$BUT_NayamuA1,24 ;「……………ちぇ。@…好きにしろよ。@だが、俺が許すと期待するな。@……呼べよ、あのムカつく魔女を。」\ `"............Sheesh.`@` ...Do whatever you want.`@` Still, don't expect that I'll forgive her.`@` ......Call for that irritating witch."`\ ld l,$RON_defA2,23 ;「…ありがとうございます、戦人さま。@………ただいま、お呼び致します。@/ `"...You have my thanks, Battler-sama.`@` ......I will now call her. `@/ ld l,$RON_DefA1,80 ;……お嬢様、戦人さまがお呼びでございます。」\ ;＜ロノウェ `......Milady, Battler-sama is calling for you."`\ textoff bg G1F_S1aP,23 se1 52 ld c,$BEA_fukigenA3,99,3500,"breakup.dll/lrp" ;　数心拍を置いてから、虚空に黄金の蝶が群れ集まり、ベアトの姿を形作る。@ `After a few heartbeats, gold butterflies gathered together in midair and created Beato's form.`@ br ;　…それまでの彼女の登場に比べると、幾分、大人しげなものだった。\ `...It was much more docile than the way she had appeared before now.`\ ld c,$BEA_NayamuA1,80 ;「…………呼んだか、ロノウェ。」\ ;＜ベアト `"............Did you call, Ronove?"`\ bg G1F_S1bP,23 ld r,$WAL_DefA2,24 ;「…話は聞いていたはずですよ。@……あなたの口から、何か言うことはありますか…？」\ ;＜ワルギリ `"...I believe you heard.`@` ......Is there something you have to say, from your own mouth...?"`\ ld l,$BUT_majimeA3,23 ;「………………………………。」@ ;＜戦人 `"........................"`@ cl r,23 ld r,$BEA_KomaruA2,24 ;「…………………………。」@ ;＜ベアト `"....................."`@ br ;　戦人の冷たい目つきに、あのベアトが少しだけ萎縮しているように見えた。\ `It looked as though Beato shrunk slightly under Battler's cold gaze.`\ ld r,$BEA_KomaruA1,80 ;　ベアトは何度か言葉を口から発そうと努力したが、それはなかなか叶わず、@……まるで凍てつく冬に、凍えた指でマッチを擦るかのような不器用さがあった…。\ `Several times, Beato made an effort to get the words out of her mouth, but that didn't work so well,`@` ......and she was just as awkward as someone trying to light a match during a freezing winter with frozen hands...`\ ;　そうしている間にもゲーム盤は進行する…。@ `Even as she did that, the game board was proceeding...`@ br ;　ホールでは、発見された新しい犠牲者の遺体に、彼らが泣き崩れているところだった…。\ `In the hall, they had just found the corpses of the new victims, and had broken down crying...`\ mov %play_scene,30220 bg black,5 me1v 13,0 fedexx 0,70,0,0,0,0,3000 E_B dllefe 1,1 bg M_o1bR,26 wait 3000 bg black,25 dllefe_off bg black,80 mevol 1,50 bg Mhal_2cR,26 ;■ホール ld r,$BUT_NakuA1,24 ;!s0「……親父、/ ;!d400……霧江さん…、/ ;!d500…うぉおおおおぉおおぉ…、/ ;!d800うおおおぉおおおぉぉぉ…。」/ !s0`"......Dad, `/ !d400`......Kyrie-san..., `/ !d500`...oooooooooooooooooohhhh..., `/ !d800`oooooooooooooooooooooooohhhhh..."`/ !sd@ ;＜戦人 bg blood_1a,25 ;「あなた、…あなたぁぁ…、うううううぅううううぅぅうぅぅぅ…！！」@ ;＜絵羽 `"Dear, ...deeeaar..., whaaaaaaaaaaaaaaaaaaaaaaaahhhhh...!!"`@ ;ld l,$GEO_MajimeA3,80 ;「…母さん、/ ;!d800……しっかりして……。@……僕だって、/ ;!d400……悔しい、/ ;!d300……悲しい……！！」\ `"...Mother, `/ !d800`......get a hold of yourself......`@`......I'm also, `/ !d400`......crushed, `/ !d300`......and sad......!"`\ ;＜譲治 bg Mhal_2bR,0 ld l,$NAN_KomaruA4,26 ;「……………………恐らく、即死だったでしょう。@…例え、彼らが倒れた直後に我々がここに訪れたとしてもきっと、手遅れだったに違いありません…。」\ ;＜南條 `"...............They probably died instantly.`@` ...I'm sure that, even if we had arrived immediately after they fell, it would have been too late..."`\ ld r,$EVA_nakuA2G,24 ;「いいえ、違うわッ！！@　きっと生きてたわよ！！@　胸にこんなものを刺されて…！@　うちの人はもがき苦しみながら死んでいったに違いないのよ…！！@/ `"No, that's wrong!!`@` They were definitely alive!!`@` His chest was stabbed with something like this...!`@` My husband must have died in extreme pain...!! `@/ ld r,$EVA_nakuA1G,80 ;　もっと早く来ていれば、…きっと助かった！@　きっと助かったのよッ！！@/ `If we had come faster, ...surely they would have been saved!`@` They would surely have been saved!! `@/ cl r,65 se1 13 quakey 3,400 ;　ううううわぁああぁああぁぁぁぁ…。」\ ;＜絵羽 `Uuuuuwaaaaaaaaaaaaaaaahhh..."`\ bg Mhal_2aR,0 ld r,$BUT_NakuA2,23 ld l,$GEO_KomaruA1k,23 ;「……戦人くんも…、辛いだろうけど、………しっかり……。」@ ;＜譲治 `"......It must be tough..., for you too, Battler-kun, .........so stay strong......"`@ ld r,$BUT_NakuA1,80 ;「……………大丈夫だよ、…大丈夫だぜ、兄貴…。@…もうちょっとだけ泣かせてくれ…。@……俺が一番マシなんだ…。@俺が一番悲しくないはずなんだ…！@　だからもうちょっとだけ泣いたら、……大丈夫だから…。」\ ;＜戦人 `"............I'm alright, ...it's alright, Aniki...`@` Let me cry just a little bit longer...`@`......I've got it the best...`@` I should be the least sad...!`@` So if you let me cry just a little longer, ......I'll be fine..."`\ ld l,$GEO_komaruA2k,80 ;「そんなことないよ…。@……両親を失った心の痛みはよくわかる…。@…僕には母さんがまだいる。@…戦人くんよりはるかにマシだ…。」\ ;＜譲治 `"That isn't true...`@`......I can understand how much it must hurt your heart to have lost both parents...`@`...I still have Mother.`@` ...That's much better than it is for you, Battler-kun..."`\ ld r,$BUT_NakuA3,80 E_A bgm1v 51,80 ;「いいや、違うぜッ！！@　譲治の兄貴が一番辛いはずなんだ…。@……わかってんだよ兄貴…。@/ `"No, that's wrong!!`@` It's got to be toughest for you, George-aniki...`@`......I understand, Aniki... `@/ ld r,$BUT_NakuA2,80 ;…譲治の兄貴が、…俺たちの中で一番悲しくて辛いんだッ！！@　俺はそれをわかってる…、@だからこれ以上、めそめそなんて泣いちゃいけねぇんだ…！！@　ううううぅうううぅ！！」\ `...In this group, ...you are the saddest, and the one who has it toughest!!`@` I understand that..., `@`so I can't keep on sobbing like this...!!`@` Oooooooooooooooooohhh!!"`\ ld l,$GEO_komaruA3,80 ;「……どうして、……僕の方が辛いなんて……。」\ `"......Why, ......do you say it is toughest for me......?"`\ ld r,$BUT_NakuA1,80 ;「俺にとっちゃ親父も霧江さんも、……成人して独り立ちしたら、いつかは別れる人間さ。@親である以上、子どもより先に死ぬのは宿命だ。@…それが少し早くなっちまっただけの話だぜ…！\ `"To me, Dad and Kyrie-san, ......were people I would eventually split up with when I grew up and became independent.`@` Since they're parents, it is fated that they would die before their children.`@` ...It's just that it happened a little early...!`\ ld r,$BUT_NakuA3,80 ;　………だが兄貴は違うぜ。@いつか別れる親だけじゃない。@………これからの人生をずっと一緒に生きていくはずの、@…………紗音ちゃんまで失ったんじゃないかよ…！！」\ `.........But it's different for you, Aniki.`@` You wouldn't have split up with your parents someday.`@` .........You should have lived your whole lives together,`@` .........and you've even lost Shannon-chan too, right...?!!"`\ ld l,$GEO_komaruA3k,80 ;「…………………………………。」\ ;＜譲治 `"........................"`\ bg black,25 bg blood_1a,22 ;「人の命に重さなんかねぇさ。@赤ん坊の命だって年寄りの命だって、同じくらいに尊いだろうよ…！@　……だがよ、それからの人生が長ければ長いほど。@…一緒に築いてく未来が長ければ長いほど、…………その死ってのは悲しいものなんじゃねぇのかよ……！！\ `"It's not like human lives have different weights.`@` Whether it's a baby or an old person, they should all be respected the same...!`@` ......But still, the longer the life of a person afterwards,`@` ...the longer the future you've built together, ............the sadder the fact of death is......!!`\ bg blood_1aR,22 ;　兄貴は紗音ちゃんと婚約したんだろ？@　これからの人生と家庭を、一緒に築いていこうって約束したんだろ？！@　………その未来のデカさが、…幸せのデカさがよ、@……俺の痛みなんかとは比べ物にならねぇ…ッ！！\ `"Aniki, you were engaged to Shannon-chan, right?`@` You promised that you'd build a life and a home together in the future, right?!`@` .........Compared to how huge that future was, ...compared to how huge that happiness was,`@` ......stuff like my pain doesn't even come close...!!`\ bg black,22 ;　………だから兄貴はもっともっと泣いても許されるはずなんだ…！！@　なのに、…俺たちいとこの兄貴格だからって、@………無理に冷静を装って……！！」\ `.........So you should be forgiven for crying much, much more, Aniki...!!`@` And yet, ...just because you act like a big brother for us cousins, `@`.........you forcibly act like you're composed......!"`\ bg Mhal_2bR,0 ld c,$GEO_KomaruA2k,26 ;「………………やめてよ、…戦人くん。」@ ;＜譲治 `"............Stop it, ...Battler-kun."`@ br ;　譲治は落ち着いた笑顔を浮かべているつもりだった。@ `George was trying to make a calm smile.`@ ld c,$GEO_nakuA2k,80 ;　……しかし、もう、………熱い雫が一筋、尾を引くのを止められなくて。\ `......But already, .........he couldn't stop a single hot tear from leaving a streak down his face.`\ ld c,$GEO_NakuA2,80 ;「……悲しくないわけが、/ ;!d700………ないじゃないか…。@………僕は紗音と一緒に、たくさんの未来を思い描き合ったさ。@きっと百年の人生では叶え切れないくらいの夢を語り合ったさ。@……その夢の、/ ;!d400一番最初の、/ ;!d900…………籍を入れることさえ叶えられなくて、@………悲しくないわけが、/ ;!d800…………ないじゃないか………。」\ `"......There's no way I wouldn't, `/ !d700`.........be sad, right...?`@` .........Together with Shannon, I painted a picture of many futures in my mind.`@` We talked of dreams that couldn't all come true even in a thousand lifetimes.`@` ......Of those dreams, `/ !d400`even the very first one, `/ !d900`............having her move into my family register, could not be granted, `@`.........so there's no way I wouldn't, `/ !d800`............be sad, right.........?"`\ ;＜譲治 bg Mhal_2aR,0 ld r,$BUT_NakuA1,23 ;「それに比べたら俺なんか、……俺なんか…ッ！！@　だから俺にはこれ以上、泣く資格なんかねぇんだ！@　兄貴だって堪えてるのに、俺にこれ以上の涙を流す資格なんてッ！！」\ ;＜戦人 `"Compared to that, I, ......I...!!`@` Like I said, I have no right to cry any more!`@` When even you're holding back, Aniki, I have no right to shed any more tears!!"`\ ld l,$GEO_nakuA1,24 ;「……同じだよ。@…親しい人を失えば悲しいのは僕も戦人くんも同じだよ。@………だから戦人くんが僕より涙を流してはいけないなんてルールはない。\ `"......We're the same.`@` ...We both feel the same sadness from losing those close to us.`@` .........so there's no rule that you can't shed any more tears than me, Battler-kun.`\ ld l,$GEO_NakuA1K,80 ;　………そして。@……僕だって、…もうこれ以上、涙を堪えなければならないなんてルールも、…ないんだもんね。」\ `.........And,`@` ......for me too, ...there's no rule, ...that says I have to hold back my tears any longer."`\ bg black,22 ;「…兄貴、……兄貴ぃ…！！！@　うおおおおおぉおおおおおぉおぉ！！」@ `"...Aniki, ......Anikii...!!!`@` Ooooooooooooooooooooohhhh!!"`@ ;「未来を語りあった紗音が死んだ。@父さんも死んだ。@………悲しいなぁ、……悲しいなぁ…。@……ううううぅうううううううぅううう！！」@ `"Shannon, with whom I talked of the future, died.`@` Father is dead too.`@` .........How sad, ......how sad...`@`......Oooooooooooohhhhhhh!!"`@ br ;　戦人と譲治は固く抱き合いながら、互いの肩越しに、それぞれの大切な人への涙を滝のように零した…。\ `As Battler and George tightly hugged each other, they cried a waterfall of tears over each other's shoulders for those people important to them...`\ ;■メタ視 fede 0,3000 mov %play_scene,30210 bg Mhal_2cR,0 se1 56 mset mld r,$BUT_NiramuA1,24 bgm1 75 ;「…………どうして俺が、譲治の兄貴が一番辛いって言ったか、わかるか…？」@ ;＜戦人 `"............Do you understand why I'm saying that George-aniki has it the toughest...?"`@ mld l,$BEA_KomaruA2,23 ;「き、……聞いていたからわかる。@……その後の人生を共にする時間の長さに悲しみは比例するとな…。」\ ;＜ベアト `"I, ......I was listening, so I understand.`@` ......The sadness is proportional to the length of time that would have been spent together in their lives after that..."`\ mld r,$BUT_NayamuA1,80 ;「……もちろん、それだけじゃ量れねぇけどな。@………俺たちニンゲンは、お前ら魔女とは違う。@……生きてから死ぬまでという、有限の時間を、その力の限り生きている。\/ `"......Of course, you can't calculate it just like that though.`@` .........We humans aren't like you witches.`@` ......From the time we're alive to the moment we die, we live in that limited period with our utmost strength.`\ mld r,$BUT_majimeA4,80 ;　………それを蔑ろにするヤツは許せない。@……増してや、嘲笑い弄ぶようなヤツは、絶対に許せない。@…お前のような、死の概念も滅茶苦茶なヤツには理解もできねぇだろうがよ。」\ `.........I can't forgive anyone who makes light of that.`@` ......Furthermore, I definitely can't forgive anyone who sneers at people and toys with them.`@` ...A person like you, whose very concept of death is all screwed up, probably can't understand that."`\ mld l,$BEA_AseruA1,80 ;「…………………………………。」\ ;＜ベアト `"........................"`\ mld r,$BUT_majimeA2,80 ;「……これから生きる時間の長さだけじゃない。@……一生懸命に生きているヤツの人生を嘲笑うこと。@これが一番、…俺には許せねぇんだ。\ `"......It isn't just the time we would live afterwards.`@` ......Sneering at the lives of people living with all their strength...`@` That's what I can't forgive the most.`\ mld r,$BUT_NiramuA1,80 ;　譲治の兄貴は、がむしゃらに頑張って人生を生きてた。@…紗音ちゃんと結婚するために、悲壮な覚悟をしてこの日に臨んでいたはずなんだ。@……俺みたいに、久しぶりにいとこと会えるなんて浮かれてたヤツとは訳が違う。」\ `George-aniki lived his life by recklessly doing his best.`@` ...He must have shown up today heroically prepared to marry Shannon-chan.`@` ......It's completely different from me, since I was happy just to be able to meet my cousins after a long while."`\ mld l,$BEA_komaruA1,80 ;「…し、………しかしだな…、」@ `"...B, .........but still..."`@ mcl r,23 mld r,$WAL_IkariA2,24 ;「ベアト。@今は黙って聞きなさい。」@ ;＜ワルギリ `"Beato.`@` For now, stay silent and listen."`@ mld l,$BEA_hanbesoA1,80 ;「…………う、…うむ。」\ `"............H, ...hmm."`\ mcl a,22 mld c,$BUT_KomaruA2,23 ;「………お前の言い分にも、一定の理解はする。@…お前には、自分の復活の為に、おかしな碑文に沿った殺人を続ける必要があるってんだろ。\ `".........In a way, I understand your excuse.`@` ...You say that you need to continue murdering according to the epitaph for your own resurrection.`\ mld c,$BUT_majimeA3,80 ;　……だから、その範囲内でのお前の殺人は、@……お前の立場の事情を汲み取る限り、ぎりぎりの理解は出来る。@……それがお前にとっては必要な行為だからだ。@……なら、それ以上の不要な行為は全て、お前の無意味な残酷趣味ということになる。\ `......So judging by the circumstances of your position, `@`......I can just barely understand your murders.`@` ......Because to you, that is a necessary action.`@` ......In that case, all further unnecessary actions are because of your meaningless brutal hobby.`\ mld c,$BUT_majimea4,80 ;　……つまり、第一の晩に６人を殺すことまでがお前にとっての“必要な行為”ならば、@…顔を砕くとか、腹を割いてお菓子を詰め込むなんて真似は全て、まったく不必要な、@お前の残酷趣味だってことになる。@………俺はお前のこの点について、断じて許すことができないんだ。」\ `......In other words, if killing the six people for the first twilight was a 'necessary action' for you, `@`...then all that show of crushing their faces and splitting their stomachs and stuffing them full of sweets was completely unnecessary,`@` and just your brutal hobby.`@` .........I definitely cannot forgive this aspect of you."`\ mendef 0 bg G1F_S1aP,0 ld r,$BEA_HanbesoA1,24 ;「……………………う、…む……。」\ `"............H, ...mm......"`\ ld l,$BUT_NiramuA1,23 ;「お前は楼座叔母さんがひどい殺され方を繰り返された時。@……結局は最後には生き返らせるのだから、どう殺したっていいじゃないか、@…みたいなことを言ったそうだな。@ワルギリアに聞いてるぜ。」\ `"When you repeatedly killed Rosa oba-san in that horrible way,`@` ......I heard that you were saying something like `@`'in the very end, I will bring them back to life, so it doesn't matter how I kill them, right?'`@` I heard from Virgilia."`\ ld r,$BEA_OdorokiA2,80 ;!s0「………それは、/ ;!d400……まぁ、/ ;!d400…その………、」/ !s0`".........Well, that, `/ !d400`......well, `/ !d400`...umm........."`/ !sd\ ld l,$BUT_komaruA3,80 ;「最後には生き返るなら何度殺してもいいという考えは、@命を弄ぶだけのまったく不必要な行為ではないのか。\ `"That idea that you can kill them as many times as you want, as long as you bring them back to life in the end,`@` is a completely unnecessary action of toying with a life, isn't it?`\ ld l,$BUT_OdorokiA1,80 ;　………殺すなら一思いに殺せ！@　弄ぶな！！@　殺さないなら甚振るな！！@　お前は人の命を自在に操れるのをいいことに、命の尊厳を忘れてしまった。@だから俺は認められないんだ…！@　命の重みを、そして失った時の悲しみを知らないヤツを、俺は対戦相手だと断じて認められないッ！」\ `.........If you're going to kill, do it instantly!`@` Don't toy with them!!`@` If you won't kill them, then don't tease them!!`@` You're taking advantage of the fact that you can do as you will with people's lives, and you've forgotten the sanctity of life.`@` So I can't accept you...!`@` I definitely can't accept as my opponent a person who doesn't know the weight of a life, and the sadness when that life is lost!"`\ textoff se1 2 wait 2000 bg G1F_S1bP,0 ld c,$WAL_MajimeA1,24 ;「……………無限の魔法が邪法と言われる所以です。@…無限の魔女に有限の概念はない。@……壊す・殺すという、有限と終焉の概念がないのです。\ `"............That is why the Endless Magic is known as a black art.`@` ...The Endless Witch has no concept of limitations.`@` ......She has no concept of the limitations and losses caused by breaking and killing.`\ ld c,$WAL_fumanA1,80 ;　…それゆえに、無限の魔女は時に、生と死の狭間をゴム跳びで遊ぶかのように、@その行き来を遊びだすようになります。@………それはとてもとても恐ろしいことです。@だから私は無限の魔女として自ら望み、 `...For that reason, Endless Witches sometimes start playing by jumping over the gap between life and death like it's a game.`@` .........That is a very, very frightening thing.`@` So as an Endless Witch, and out of my own desire, ` br ;(あなたの域まで達しなかった/・・・・・・・・・・・・・)のです。」\ (`I never reached your level`/・・・・・・・・・・・・・)`."`\ ;＜ワルギリ：点処理：あなたの域まで達しなかった ;　ワルギリアはそれをベアトにずっと伝えてきたつもりだった。@ `Virgilia had wanted to tell Beato that for a long time.`@ br ;　しかし、それに大人しく耳を傾けるには、ベアトは若すぎた。@奔放すぎた。@ ;　…その、忌むべき快楽に取り付かれてしまった。\ `But Beato had been too young to obediently listen to those words.`@` She had been too wild.`@ `...She had been possessed by that detestable pleasure.`\ bg G1F_S1cP,0 ld r,$BEA_iiwakeA1,24 ;「……壷を割ってはならぬと言われてきた。@……でも、だからこそいつか割ってみたいと思っていた。@/ `"......I have been told not to break vases.`@` ...But that's why I wanted to break them. `@/ ld r,$BEA_IiwakeA2,80 ;………そして無限の魔法を得て。@…いくら壊しても好きなだけ元に直せると知った時。@……妾は壷を壊すことがこれほどまでに楽しかったのかと驚いたものだ…。」\ ;＜ベアト `.........Then I gained the Endless Magic.`@` ...When I knew that I could fix it back to normal no matter how badly I broke it, `@`......I was surprised at how fun it was to break a vase..."`\ ld l,$WAL_MajimeA1,23 ;「それを禁忌の蜜と呼びます。@人はその中身に惹かれるのではない。@それを封ずる錠前に惹かれるのです。@………実に嘆かわしいことです。」\ ;＜ワルギリ `"That is called the forbidden honey.`@` People are not captivated by what's inside.`@` They are captivated by the sealed lock.`@` .........It truly is deplorable."`\ bg G1F_S1aP,0 ld r,$BUT_MajimeA1,23 ;「………ワルギリアに聞きたい。@無限の魔法なんてものが、どうしてあるんだ。@…それは何の為にこの世にあるんだ。」\ ;＜戦人 `".........I want to ask you, Virgilia.`@` Why does this thing called the Endless Magic exist?`@` ...And for what purpose does it exist in this world?"`\ ld l,$WAL_DefA2,23 ;「無限の魔法に限らず。@…魔法は全て、人の世に幸福をもたらすために存在するのです。@/ `"It is not limited to the Endless Magic.`@` ...All magic exists to bring happiness to the human world. `@/ ld l,$WAL_fumanA1,80 ;……今更戦人くんには信じ難いでしょうが、……私たち魔女は、人の世に恵みを与えるために、@人と人ならざる者たちとの架け橋になるべく、修行を重ねているのです。」\ ;＜ワルギリ `......After everything that has happened, it may be difficult for you to believe, Battler-kun, ......but in order to bring blessings to the human world, `@`we witches are supposed to become a bridge between humans and those who are not human, and continue to study."`\ ld r,$BUT_niramuA1,80 ;「……死者を繰り返し蘇らし、何度も虐め殺すことで、どう人の世に役立つってんだ。」@ `"......How does reviving the dead and torturing them to death over and over again help the human world?"`@ ld l,$WAL_WaraiA1,80 ;「大切な形見の壷が割れてしまった時。@それを直すことで、誰もが笑顔を取り戻すならば、私は何度でも魔法にて直すでしょう。@しかしそれは、壊すために直すのではありません。@……人に幸福を与えるために、蘇らすのです。」\ ;＜ワルギリ `"When a vase that is an important memento is broken, `@`if by fixing it, everyone will regain their smiles, I would repair it with magic as many times as necessary.`@` However, I would not be fixing it in order to break it again.`@` ......I would be reviving it to give humans happiness."`\ bg G1F_S1bP,0 ld r,$BEA_komaruA2,24 ld l,$BUT_majimeA1,23 ;「だとしたら。@…………ベアト。@お前は無限の魔女、失格だな。」@ `"In that case, `@`............Beato.`@` You fail as an Endless Witch."`@ ;ld r,$BEA_HanbesoA1,80 ;「…………………………う、……む…。」\ `"........................H, ......mmm..."`\ ld l,$BUT_KomaruA3,80 ;「……今、俺は漠然と思ったことがある。@………どうして俺がお前と、こんなおかしなゲームを延々と続けてるのかだ。\ `"......By now, I have, at times, vaguely thought about something.`@` .........Why do I keep going on with this strange game against you?`\ ld l,$BUT_oyaA1,80 ;　……これは俺を屈服させるためのゲームじゃない。@ `......This isn't a game to make me surrender.`@ br ;……お前が、(本当の意味で/・・・・・・)、無限の魔女に認められるための試験ではないのか、ってな。」\ ;＜戦人 `......Couldn't it be a test for you to be accepted as an Endless Witch, ` br (`in its true meaning`/・・・・・・・・)`?"`\ ;＜点処理：本当の意味で ld r,$BEA_komaruA2,80 ;「…し、………知らぬわ。@…妾がそなたにゲームを申し込んでいるのはその、……単なる暇潰しだ…。@誰の思惑でもないわ。」\ ;＜ベアト `"...I, .........I don't know about that.`@` ...The reason I proposed this game to you was, umm, ......simply as a way to kill time...`@` No one was anticipating it."`\ ld l,$BUT_nayamuA1,80 ;「俺は今、ワルギリアから魔女の定義を聞いた。@それによるならばベアト。@お前は魔女ですらない。@その修行の途中で、自らの力を誤解した見習いってことになる。\ `"Just now, I heard the definition of a witch from Virgilia.`@` By that definition, you, Beato, `@`are not even a witch.`@` You'd be an apprentice who's in the middle of her training, and who misunderstands her own power.`\ ld l,$BUT_majimeA1,80 ;　……これは魔女と人間の戦いのはず。@ならば魔女でないお前に、俺の相手としての資格はない。@………わかるな？」\ `......This was supposedly a fight between a witch and a human.`@` In that case, someone like you, who isn't a witch, is not qualified to be my opponent.`@` .........Understand?"`\ ld r,$BEA_HanbesoA1,80 ;「……妾がまだ、/ ;!d500…………見習い風情だと、/ ;!d400……申すか……。@/ `"......You say, `/ !d500`......I am still, `/ !d400`............only an apprentice...... `@/ ld r,$BEA_HanbesoA2,80 ;ならば、妾はいつ、そなたの対戦相手だと再び認められるのか。@……いつ、このゲームを再開できるというのか。」\ `Then, when will I be accepted as your opponent once again?`@` ......When can we resume this game?"`\ ld l,$BUT_komaruA3,80 ;「………………さぁな。@…それは少なくとも、今じゃない。@/ `"............Who knows.`@` ...At the very least, it isn't now. `@/ ld l,$BUT_oyaA1,80 ;……お前が俺の言った話をちゃんと理解出来て、本当の魔女になった時。@…俺はお前を再び、ゲームの対戦相手だと認めるだろうよ。」\ `......When you fully understand what I've said, and become a real witch,`@` ...I will probably accept you as my opponent in this game once more."`\ ld r,$BEA_hanbesoA1,80 ;「そ、そのような抽象的な言い方ではわからぬ…。@どうすればお前の許しを乞えるのか、はっきりと聞かせよ…。」\ `"I, I can't understand if you say it so abstractly like that...`@` Clearly tell me what I should do to earn your forgiveness..."`\ ld l,$BUT_majimeA1,80 ;「いいや、これで十分だ。@あとはお前が考えろ。@………俺が言いたいのは以上だ。@…理解ができないなら、ワルギリアやロノウェに相談してみろ。@…お前みたいなガキンチョは、まず大人の言葉に耳を傾けるところから始めやがれ。\ `"No, I've said enough.`@` You think about the rest.`@` .........That's all I want to say.`@` ...If you can't understand it, try talking with Virgilia and Ronove.`@` ...A brat like you should start off by listening to what the adults say.`\ ld l,$BUT_komaruA2,80 ;　………ワルギリア。@ゲームは一度中断する。@ロノウェが代行を降りた以上、@あとはベアトが対局者として相応しい資格を持つのを待つしかない。」\ `............Virgilia.`@` Suspend the game for now.`@` Now that Ronove has stepped down as representative, `@`all we can do is wait for Beato to gain the qualifications of a proper opponent."`\ cl r,23 ld r,$WAL_majimeA1,24 ;「……了解しました。@……ベアトが、その資格を得たと認められるまで、ゲームを対局者不在のまま進行させます。@ベアトもそれでよろしいですね？」\ ;＜ワルギリ `"......Understood.`@` ......Until Beato has been accepted as having gained those qualifications, the game will proceed without an opponent.`@` Is that alright with you too, Beato?"`\ bg G1F_S1cp,24 ld l,$BEA_komaruA2,23 ;「…い、……異論はない。@/ `"...I, ......I have no objections. `@/ ld l,$BEA_HanbesoA1,80 ;………妾は時間と、ゆっくり考えられる場所が欲しい。@…これにて席を外しても良いか。」@ ;＜ベアト `.........I want time, and a place where I can think at a leisurely pace.`@` ...May I leave my seat for that?"`@ ld r,$BUT_oyaA1,24 ;「………あぁ、いいぜ。」\ `".........Yeah, that's fine."`\ ld l,$BEA_komaruA2,80 ;「…それでは、また、な。」@ `"...Well then, see you, later."`@ ld r,$BUT_majimeA1,80 ;「待てよ。@……そうショボくれた顔をすんな。」\ `"Wait.`@` ......Don't make that dejected face."`\ ld l,$BEA_hanbesoA1,80 ;「……………………それは済まぬな。@妾は胸の内が全て顔に出る性分。@偽れぬ。」\ `".....................Sorry about that.`@` Letting everything inside my heart show up on my face is part of my personality.`@` I cannot deceive."`\ ld r,$BUT_defA2,80 ;「なら、まだ更正の余地はあるってことだぜ。@………ひとつだけ約束する。@俺はお前とのゲームに、勝つかもしれないし負けるかもしれない。@…お前が戻って来なけりゃ不戦勝ってこともあるだろうよ。」@ `"In that case, there's still room for improvement.`@` .........Let me promise you one thing.`@` In this game with you, I might win, and I might lose.`@` ......If you don't come back, it'll probably be a victory by default for me."`@ br ;　そこで戦人は一度言葉を切る。@ ;　…そして、力強く言った。\ `At that point, Battler stopped talking for a second.`@ `...Then he spoke forcefully.`\ ld r,$BUT_majimea2,80 ;「………しかし、絶対に俺からは降りない。@お前を不戦勝にだけは、絶対にしない。@……お前が再び、俺の好敵手としてそこに座るのを、俺はずっとここで待っているぞ。」\ `".........However, I definitely won't be the one to step down.`@` I definitely won't give you a victory by default.`@` ......I will keep on waiting here for you to sit there again as my worthy opponent."`\ bg G1F_S1bP,0 ld r,$RON_akuwaraiA1,23 ;「……戦人さま…。」\ ;＜ロノウェ `"......Battler-sama..."`\ ld l,$BEA_IiwakeA1,23 ;「……………ありがとうな。@戦人。@/ `"............Thank you, `@`Battler. `@/ ld l,$BEA_gamanA4,80 ;…妾はきっと、そなたに認められて戻ってくるぞ。」\ ;＜ベアト `...I will definitely, come back and be accepted by you."`\ se1 52 cl l,99,2000,"breakup.dll/urb" ;　ほんの少しだけ望みのある笑顔を見せ、ベアトは姿を消す。@ `After showing a hopeful smile for a very short while, Beato hid herself.`@ br ;　…その表情を見て、彼女は自らの表情にウソをつけぬことを、戦人は固く信じるのだった…。\ `...Looking at that expression, Battler strongly believed that her face wasn't lying...`\ bg black,5 me1v 13,0 fedexx 0,70,0,0,0,0,3000 E_B mov %play_scene,30220 dllefe 1,1 bg G_o1cR,26 wait 3000 bg black,22 dllefe_off mevol 1,50 ;se1 15 bg Glob_1aR,24 bgm1 14 ;■時間経過〜ゲストハウスへ ;　７人の生存者たちは、再びゲストハウスに戻る。@ ;　表へ出た者が生きては帰れないことは、今や明白だった。\ `The seven survivors returned to the guesthouse once again.`@ `By now, it was clear that those who had gone outside would not be able to return alive.`\ bg black,22 ;　留弗夫たちは２丁の銃と１つのマスターキーを持って出掛けた。@ ;　しかしそれらは紛失していた。@ `Rudolf's group had gone out holding two guns and one master key.`@ `But those had been lost.`@ br ;　犯人にこれらが奪われたことは、もはや明白だった。\ `It was already clear that those had been stolen by the culprit.`\ bg G1F_P1c,22 ;　窓は鎧戸で閉ざしている為、例えマスターキーがあったとしても開けはしない。@ `Because the shutters were closed on the windows, they wouldn't open even if the culprit had the master key.`@ br ;　玄関や勝手口などの外へ通じる扉は全てチェーンで閉ざし、@さらにはソファーやテーブルなどの什器で塞ぐ。@ `The front and back doors that led to the outside were all sealed by chains,`@` and they were further blocked with sofas and tables.`@ br ;　万が一、乱暴な方法で突破しようとしても、簡単には行くまい。\ `Even if the culprit decided to break in through violent means, it wouldn't be easy for them.`\ ld l,$KLA_KomaruA1G,23 ;「……台風が、今となってはむしろ幸いかもしれんな。@もしも晴れていたなら、ゲストハウスに放火するという手もありえたかもしれん。」@ ;＜蔵臼 `"......At this point, the typhoon may actually be fortunate.`@` If it were clear outside, it might have been possible for them to set fire to the guesthouse."`@ ld r,$EVA_KomaruA4G,24 ;「そもそも台風でなかったなら、午前中に船が来てたわ。@それを不幸中の幸いと言えるかは微妙ね。」\ ;＜絵羽 `"If there wasn't a typhoon in the first place, the boat would have arrived before noon.`@` I'm not sure you can call that a cloud's silver lining."`\ cl l,24 ld l,$NAT_TukareA1,23 ;「……絵羽さん、体の具合はいかがですか？@　無理をされないようにしてください。」@ ;＜夏妃 `"......Eva-san, how do you feel?`@` Please, try to take it easy."`@ ld r,$EVA_majimeA1G,80 ;「ありがとう。@…熱はまだ感じるけど、そんなことを言ってる場合じゃないわ。@……子どもの為にも、今は寝込んでる場合じゃない。」\ ;＜絵羽 `"Thank you.`@` ...I still feel a fever, but now isn't the time to talk about that.`@` ......Now is not the time to fall asleep, for the children's sake as well."`\ ;　あれほどに秀吉の遺体の前で涙を流した絵羽は、@今では母の強い自覚を持ち、強い意志を感じさせる表情を浮かべていた。\ `After crying so much in front of Hideyoshi's corpse,`@` Eva had felt a strong self-awareness that she was a mother, and her expression conveyed a strong will.`\ ;　…実際には、彼女の熱はまだ引いてはいない。@ `...Actually, her fever still hadn't gone down.`@ br ;　それは彼女も自覚している。@ ;　自らを奮い立たせなければ、熱で再び朦朧としてくるのを感じていた。\ `And she was aware of that.`@ `If she didn't keep a strong hold on herself, she felt as though the fever would make her mind hazy again.`\ bg black,24 me2v 16,50 bg G1F_P1aR,24 ;　１階はもはや、蔵臼と夏妃と絵羽による最終防衛線だった。@ ;　子どもたちと客人の南條には、迂闊に１階に降りてきてはいけないと強く言ってある。\ `By this point, the first floor was a final line of defense made by Krauss, Natsuhi, and Eva.`@ `The children and the guest, Nanjo, had been strongly warned not to carelessly go downstairs.`\ ;　梯子などを用いれば、２階から襲うことは不可能ではないだろう。@ `If the culprit used a ladder or something, it probably wouldn't be impossible for them to attack from the second floor.`@ br ;　しかし、厳重な鎧戸をその不安定な足場から打ち破ることは、容易なことではない。@ ;　２階は１階に比べて安全なのだ。\ `But it wouldn't be easy for them to break those sturdy shutters from such an insecure position.`@ `The second floor was safe compared to the first.`\ bg black,22 ;　戦人や譲治は、自分たちも１階にいて、万一の際には戦いたいと希望したが、絵羽が一蹴した。\ `Battler and George had hoped they could also remain on the first floor, to fight in the worst case scenario, but Eva had rejected that.`\ ;　彼女にとって、譲治はもはや唯一の家族。@ ;　１階に下りるという危険さえ冒させたくないらしい。@ `In her mind, George was now the only member of her family.`@ `It seemed that she didn't even want to expose him to the danger of coming downstairs to the first floor.`@ br ;　その気持ちは、蔵臼夫妻にとっても理解できるものだった。\ `Krauss and Natsuhi could also understand that feeling.`\ textoff fedexx 0,70,0,0,0,0,3000 E_B dllefe 1,1 bg G_o1cR,26 wait 3000 bg black,22 dllefe_off bg black,80 mevol 1,50 me2v 11,70 bg G2F_R1aR,26 ;　……そして、その篭城から、短くない時間が経過した。@ `......Since this siege began, a great deal of time had passed.`@ br ;　２階のいとこ部屋では、戦人と譲治と朱志香の３人が、付けっ放したテレビに耳も傾けず、@ぼんやりと放心していた。\ `In the second floor cousins' room, Battler, George, and Jessica were dazed, `@`and didn't even listen to the TV that had been left on.`\ ;　しばらくの間、南條も一緒にいてくれて、彼らを励ますような言葉を掛けてくれたのだが、@それはむしろ逆効果かもしれないと気付き、同じ２階の自室に姿を消していた。\ `For a while, Nanjo had been with them, and had tried to send them words of encouragement,`@` but when he realized that he might actually be having the opposite effect, he had hid himself in his own room on the same second floor.`\ bg M2f_R1dR,25 ;　譲治は手帳に挟んでいた写真を、ずっとぼんやりと見続けている。@ `George kept looking dazedly at the photographs inserted in his notebook.`@ br ;　……それは以前、紗音と一緒に行った、沖縄旅行の時のもの。@ ;　紗音の楽しそうな笑顔が写真に収められている。\ `......It was from that time he had taken a vacation to Okinawa with Shannon.`@ `Shannon's happy smile was contained in those photographs.`\ ;bg white,16,3000 bg white,2 fede 0,2000 bg o_sky_1a,2 bgm1 16 ;　……譲治には、それらの写真を撮った時の、気温や湿度、風の温かさや強さ、@そしてどんな会話を彼女としていたかさえ、昨日のことのようにはっきりと思い出せた。@ `......George could remember the temperature and the humidity, the warmth and strength of the wind, `@`and even what he had been talking about with her at the time those photos had been taken as clearly as though it had been yesterday.`@ br ;　だからそれは、単なる写真ではなく、@譲治にとって、温かな記憶を蘇らせるための入り口でもある…。\ `So to George, they weren't simply photos,`@` but a door to bring back warm memories...`\ bg G2F_R1cR,2 ;　譲治は確かに今、この部屋で台風の音とテレビの音を耳にしているはずなのに、@……彼女と過ごした沖縄の風景と彼女の笑い声を、目にし耳にしている…。\ `In this room, even though the sound of the typhoon and the TV should have entered George's hearing,`@` ......it was the scenery of Okinawa he had seen with her and her laughing voice that reached his eyes and his ears...`\ bg black,22 ;　譲治は、紗音と出会ったことで、生まれ変わろうと決意した。\ `George had strived to be reborn after meeting Shannon.`\ ;　雰囲気に押し流されやすくて、頼まれると断れず、@都合よく周りに使われてしまう気弱な自分と決別しようと誓った。@ `He had sworn to separate himself from the timid person he had once been, `@`easily caught up in the atmosphere, unable to refuse a request, `@`and easily used by those around him.`@ br ;　……彼女の人生を、より幸福にするために、強い男になろうと決心したのだ。\ `......He had resolved himself to become a strong man who would make her life even more joyous.`\ ;　だから。@…もしも紗音との出会いがなかったなら、@……右代宮譲治という男は、もっと別の、異なった人生を送っていただろう。@ `Therefore.`@` ...If he hadn't met Shannon, `@`......the man called Ushiromiya George would probably have lived a very different life.`@ br ;　そしてその人生における彼は、今の彼ほど立派な男ではなかったに違いない。\ `And the George of that different life surely wouldn't have been as excellent a man as he is now.`\ ;bg Different_spiral_1a,22 mono 1 gosub *SHA_isyou2 gosub *GEO_isyou2 bg aqu_i1c,0 ld l,$SHA_defA1,0 ld r,$GEO_waraiA1k,2 ;　紗音のために、今の自分がいるのに。@ ;　……なのに、その紗音がいなくなったなら、/ ;!d800…自分はなぜいるのか。@ `Even though I now exist for Shannon's sake.`@ `......Even so, now that Shannon is gone, `/ !d800`...why do I exist?`@ ;　何の意味もないのではないか。@ `It's completely meaningless, isn't it?`@ br ;　…自分自身が空虚になってしまうような、深い深い悲しみ。\ `...A deep, deep sadness, as though he himself had become empty.`\ ;　その気持ちは、ずっと彼を苛んでいたはずだ。@　……しかし、戦人にさっき言われるまで、自覚できずにいた。@ `That feeling should have tormented him the whole time.`@` ......However, until Battler had told him, he hadn't been aware of the feeling himself.`@ br ;　……自分は、もっともっと泣いても良かったんだって、…やっと思い出せたのだ。\ `......He finally remembered, ...that he should have cried much, much more.`\ bg black,2 mono 0 gosub *SHA_isyou1 gosub *GEO_isyou1 ;　だから泣いた。@ ;　彼がそうするように、自分も枯れるまで涙を流した。@ `So he cried.`@ `Just like Battler had, he had cried himself dry.`@ br ;　……今はもう、目が真っ赤に腫れ上がり、それ以上の涙は零せない。@ ;　だから譲治はがんばって思考を変えようと思った。\ `......By now, his eyes were bright red and swollen, and he could not cry any more.`@ `So George did his best to change his way of thinking.`\ ;　今の自分は無意味なのではなく、…紗音にこんな自分を与えてくれたことに感謝しようと思った。\ `He was not meaningless now, ...and he should be grateful that Shannon had given him such a character.`\ bg blood_1a,22 ;　死んだ命は蘇らない。@ ;　最愛の人との別れを、彼は乗り越えなくてはならない。\ `Dead lives are not revived.`@ `He would have to get over being separated from his most beloved person.`\ ;　自分が紗音の後を追って自殺するようなことがあったなら、彼女はきっと深く落胆するだろう。@ `If he were to chase after Shannon and kill himself, she would surely be deeply dejected.`@ br ;　……逆だって同じだ。@ ;　自分が死に、それを追って紗音が自ら命を捨てるようなことがあったなら、自分で自分が許せなくなってしまう。\ `......It worked the other way around, too.`@ `If he had died, and Shannon had chased after him, throwing away her own life, he wouldn't have been able to forgive it himself.`\ bg black,22 fede 0,3000 bgm1 64 ;　……だから彼は、悲しんだり、怒ったりする感情をはるかに超越して、@………感謝することにしたのだ。@ `......So he had chosen to surpass his emotions of sadness and anger,`@` .........and had decided to thank her.`@ br ;　紗音と出会え、豊かな日々を与えてくれて、@…そして自分に、人のために努力することの意味を教えてくれた。\ `He had met with Shannon, who had made his days rich and full,`@` ...and who had taught him the meaning of working hard for other people's sakes.`\ ;bg Different_spiral_1a,22 ;　その結果、自分の憧れた姿の自分を与えてくれた。@ ;　…それに感謝しようと思った。@ `As a result, she had shaped him into the person he had admired.`@ `...He thought he should thank her for that.`@ br ;　そうすることで、悲しみを和らげようとしたのだ。@でもその度に、彼女の笑顔が蘇ってしまう…。\ `By doing that, he tried to quell his sadness.`@` But each time he did, he remembered Shannon's face...`\ bg black,22 ;　………理屈ではわかってる。@ `.........He understood the reasoning.`@ br ;　これ以上、悲しむことは、むしろ天国の彼女を悲しませてしまうだけだと理解しているのに、@……悲しみを止められないのだ…。\ `Even though he understood that grieving any more than this would only make her grieve in heaven, `@`......he couldn't stop his sadness...`\ textoff mono 1 gosub *SHA_isyou2 gosub *GEO_isyou2 bg o_beach_1a,0 ld r,$SHA_waraiA2,0 ld l,$GEO_hohoemiA1,42 me1 2 wait 3000 monocro off mov %monoflg,off print 42 wait 3000 bg o_Sky_1a,42 wait 3000 bg Sky_2b,42 wait 3000 ld r,$GEO_waraiA2,4 ld l,$SHA_hajiraiA1,3 wait 3000 ld r,$GEO_waraiA1k,0 ld l,$SHA_hajiraiA3,80 wait 3000 mono 1 print 42 wait 3000 bg black,42 mono 0 wait 3000 fede 0,5000 wait 1000 ;ld r,$BUT_KuyasigaruA1,80 me1v 12,50 wait 2000 gosub *SHA_isyou1 gosub *GEO_isyou1 bg M2F_R1dR,22 ;「何で、/ ;!d400………人が死ぬってのはよ、/ ;!d600……こんなに悲しいんだろうな…。」\ ;＜戦人 `"Why is it, `/ !d400`.........that when people die, `/ !d600`......it's so sad like this..."`\ ;　戦人がぽつりと呟く。@ ;　…それは、全ての人間を代弁するかのようだった。@ `Battler muttered.`@ `...It was as though he was speaking on behalf of all humans.`@ br ;　それは誰に問い掛けたものでもなかったろうが、朱志香が答えた。\ `He probably hadn't been asking anyone, but Jessica answered.`\ bg G2F_R1aR,0 ld l,$JES_NayamuA1,26 ;「……別れはどんな形でも、いつも悲しいさ。@/ `"......No matter how you say your farewell, it's always sad. `@/ ld l,$JES_OdorokiA1,80 ;…でもそれが、例えば老いであるとか、何かの時間であるとか、@…予め約束されていて、いつか訪れる別れであるとわかっているものは、@…その悲しみを、長い時間を掛けて予め薄めておくことができる。@……それを許されないから、…突然の不幸は、悲しいんだろうよ…。」\ ;＜朱志香 `...But, when, for example, the person is old, or there's some time,`@` ...when it's expected in advance, and you know it's a farewell that must come sooner or later, `@`that sadness can grow fainter over a long period of time.`@` ......Sudden misfortune is probably sad, ...because you aren't allowed even that..."`\ ld r,$BUT_NayamuA1,24 ;「……………なるほどな。@…そりゃ、病気にでも掛かって、病院で寝たきりになってりゃ、少しずつ心の整理もついてくだろうけど、@…ある日突然じゃ、その暇もねぇもんな。」\ ;＜戦人 `"............I see.`@` So, if they get sick or something, and end up bedridden in a hospital, you might be able to ready yourself for it bit by bit, `@`...but when it happens suddenly on some day, you don't have that much free time."`\ ld l,$JES_MajimeA1,80 ;「…本来なら、数年を掛けて薄めるべき悲しみが、一度に押し寄せる。@………そりゃあ辛いわけさ。@……時には、人の生涯に傷を残すほど、深い悲しみを与えることも、あるかもしれない…。」\ ;＜朱志香 `"...The sadness which normally should grow weaker over a period of several years closes in on you all at once.`@` .........That's pretty tough.`@` ......Sometimes, it might even cause a great sadness that leaves a scar for life..."`\ ;ld r,$BUT_nayamuA2,80 bg black,22 ;「……生涯に傷を残すほど、…か。」\ ;＜戦人 `"......Enough to leave a scar for life, ...you say."`\ fede 0,2000 bgm1v 35,0 wait 1000 fedexx 40,0,0,0,0,0,4000 bg M2F_R1dR,5 ;「……祖父さまのオカルト趣味もさ。@そう囁かれてたんだよな。@……例のベアトリーチェって愛人を大昔に亡くして、それが悲しくて悲しくて立ち直れなくて。@……それで死者を蘇らせるためのオカルトの研究に残りの人生を全て捧げるようになったのではないかって。@……そう囁かれてた。」\ ;＜朱志香 `"......It's like Grandfather's occult hobby.`@` People whisper about it.`@` ......That Beatrice was his mistress, who died a long time ago, and he was so sad that he couldn't pull himself together.`@` ......Some people whisper, `@`......that this is why he started sacrificing the rest of his life to research of the occult, in order to revive the dead."`\ bg portrait3,22 ;「だとしたら、祖父さまは最後の土壇場でその奇跡を成し遂げたな。@……犯人は蘇ったベアトリーチェで、祖父さまは殺される瞬間に再会できたってことになるぜ。@……自分で蘇らせて、それに殺されるとは皮肉な話さ。」\ ;＜戦人 `"In that case, Grandfather succeeded in that miracle in his last moments.`@` ......The culprit is the revived Beatrice, and Grandfather was reunited with her at the moment he was killed.`@` Pretty ironic that he revived her, and was then killed by her."`\ ;ld c,$GEO_MajimeA1,80 bg G2F_R1aR,26 ld r,$GEO_MajimeA1k,26 ;「…………それでも、お祖父さまは、会えたんだろうね。@…人生の半分を賭して、もう一度会いたいと願った女性に、@わずかなひと時とはいえ、再会できたんだろうね。」\ ;＜譲治 `".........Even so, Grandfather was probably able to meet her.`@` ...He gambled half of his life and, even though it was only for a short time, `@`he was reunited with the woman he wished to see once again."`\ ld l,$BUT_nayamuA2,23 ;「…丸焼きにされちまったけどな。@人生の半分を掛けた研究にしては、ちょいと割りの合わない成果だろうぜ。」\ ;＜戦人 `"...Although he was completely roasted.`@` Feels like that result doesn't quite add up to the cost of researching for half of his life."`\ ld r,$GEO_majimea2k,80 ;「そんなことはないよ。@………たとえほんのひと時であったとしても。@……愛した女性に再会できたお祖父さまは幸せだったはずさ。\ `"That's not true.`@` .........Even if it was only for an instant,`@` ......Grandfather should have been happy to be reunited with the woman he loved.`\ ld r,$GEO_NakuA2k,80 ;　………仮に、生命の摂理に逆らった罪を神に咎められて、@その身を焼かれ、地獄に落とされたとしても。@…その見返りの再会が、ほんのわずかな時間だったとしても、ね…。」\ ;＜譲治 `.........Even if his crime of going against divine providence was punished by God,`@` and his body was burnt and sent down to hell, `@`...even if that reunion only lasted a very short time, right...?"`\ ld c,$JES_NakuA2,23 ;「譲治兄さん……。」\ ;＜朱志香 `"George nii-san......"`\ ;ld c,$GEO_MajimeA3,80 bg black,22 ;「……神の怒りに触れて、この身を焼かれようとも構わない。@………わずかな時間でもいいから、/ ;!d400……紗音を再び蘇らせてくれるなら。@………………僕は残りの人生全てを、お祖父さまと同じ研究に捧げるよ。@……５分でいいから、/ ;!d400……紗音ともう一度言葉を交わしたい…。@……１分でもいいから……。@……それと引き換えに、…全ての人生を捧げても、……僕は構わない……！」\ ;＜譲治 `"......It doesn't matter if I meet with the wrath of God and have my body burned.`@` .........Even if it's just a short amount of time, `/ !d400`......if I could revive Shannon again,`@` ...............I would sacrifice the rest of my life to the same research as Grandfather.`@` ......Five minutes would be enough, `/ !d400`......because I want to talk with Shannon again...`@`......Even one minute would be fine......`@`......In exchange, ...I wouldn't mind, ......sacrificing the rest of my life......!"`\ ;ld r,$BUT_NayamuA1,80 bg M2F_R1dR,22 ;「………兄貴……。」@ ;＜戦人 `".........Aniki......"`@ br ;　戦人と朱志香は、自分たちの下らない話が、譲治に辛い思いをさせてしまったことを悟り、口をつぐむ他なかった…。\ `When Battler and Jessica realized that their pointless discussion was giving George painful feelings, they could do nothing more than shut their mouths...`\ bg black,22 ;　……譲治は、金蔵の生涯に思いを馳せる。@ `......George directed his thoughts at Kinzo's life.`@ br ;　彼は誰の理解も得られない研究に半生を捧げた。@ `He had sacrificed half of his life to research that no one could understand.`@ br ;　……そして、その人生の最後の日に最愛の人を蘇らせ、@……恐らく最後の瞬間に、再会を果たすことができただろう。\ `......And, on the last day of his life, he had revived the person he loved most, `@`......and probably succeeded in his reunion in his final moments.`\ ;　どれだけの時間を共に過ごせたかはわからない。@ ;　…１時間を許されたのか、…それともたったの５分だったのか、…わからない。@ `George didn't know how much time they had spent together.`@ `...He didn't know whether they had been given an hour, ...or just five minutes.`@ br ;　しかし、……その瞬間に彼が研究に捧げた月日は、全て報われたはずだ。@ ;　…数十年の月日を掛けて得た、そのわずかな時間で、十分に彼の心は報われたはずだ。\ `However, ......in that moment, all of that time he had sacrificed for his research should have been rewarded.`\ `...Even though he spent dozens of years to gain it, that small amount of time was probably enough to reward him.`\ bg Different_spiral_1a,22 ;　僕は今日まで、オカルトも魔法も、何も信じなかった。@ ;　お祖父さまの研究だって、/ ;!d400…道楽だと心のどこかで馬鹿にしていた。@ `Until today, I never believed in the occult or magic or anything.`@ `Somewhere in my heart, `/ !d400`...I even made fun of Grandfather's research as nothing more than a pastime.`@ br ;　しかし、/ ;!d500……もう馬鹿にしない。@ ;　…いや、それどころかその存在を強く信じる。\ `However, `/ !d500`......I won't make fun of it anymore.`@ `...No, to the contrary, I strongly believe that it does exist.`\ bg black,22 ;　…その信じる力が奇跡に通じるならば、@僕は今日まで習ってきた全ての学問を投げ出し、@今日より残り全ての人生を掛けて、魔法を学ぶだろう。\ `...If the power of belief can become miracles, `@`I'll probably throw away all of my studies up until today, `@`and spend the rest of my life from today onwards studying magic.`\ ;　………僕に魔法の力を。@ `.........Give me the power of magic.`@ br ;　…そして、紗音に再び出会える奇跡を…。\ `...And, a miracle which lets me meet Shannon again...`\ bg M2F_R1dR,22 ;ld c,$GEO_KomaruA2,80 me1v 12,50 ;「………………………………。@……はは、…は。@…ごめんよみんな。@僕もどうかしてる。@……魔法で死者が蘇るくらいだったら、/ ;!d400……世界中の人々が魔法を学ぶだろうね。@…でも、現実にはそんなことはない。@誰も学ばない。@………死者が魔法では蘇らないって、…知っているから。@…………ごめんよ、妙なことを言い出して。@僕のせいで、おかしな空気になっちゃったね。@…みんなだって辛いだろうに、気を遣わせてごめん。」\ ;＜譲治 `"........................`@`......Haha, ...ha.`@` ...Sorry, you two.`@` What am I talking about?`@` ......If you could revive the dead with magic, `/ !d400`......people would probably be studying it everywhere around the world.`@` ...But things like that don't exist in reality.`@` No one studies it.`@` .........That's because, ...they know that the dead can't be revived with magic.`@` ............Sorry for saying something so weird.`@` It's my fault that the atmosphere here has gotten so strange.`@` ...Sorry for making you worry, even though this is tough for everybody."`\ bg black,22 ;　…悲しさを紛らわすためとは言え、おかしなことを言ってしまったかもしれない。@ `...Even though I did it to divert myself from my sadness, maybe I did say something strange.`@ br ;　僕がこれ以上おかしな話を続けることは、彼らの悲しみを癒すことに、きっとならないのだから…。@ `If I keep talking about something so weird, I'm sure it won't heal their sadness...`@ br ;　でも、だからといって、…僕はこの沈黙には耐えられそうもない。\ `But, just because of that, ...it doesn't mean that I can withstand this silence.`\ fede 1,3000 bg G2F_R1bR,0 ld c,$GEO_KomaruA3k,26 ;「……僕は下に行って、もう一杯、コーヒーをもらってくる。@/ `"......I'll go downstairs, and get another cup of coffee. `@/ ld c,$GEO_WaraiA1,80 ;……うちの母さん、コーヒーの淹れ方にはこだわりがあるんだよ。@みんなもお代わりはいるかい？」\ ;＜譲治 `......My mother is obsessed with making coffee.`@` Does anyone want a refill?"`\ ;　戦人くんと朱志香ちゃんは、軽く首を横に振る。@ ;　僕はそれ以上をしつこくせず、マグカップを持って部屋を出た。\ `Battler-kun and Jessica-chan lightly shook their heads.`@ `Without being any more persistent than that, I took my mug and left the room.`\ bg black,4 ;se1 15 me2v 5,50 bg G2F_P1bN,4 ;　廊下の窓にまで全て鎧戸が下ろされている為、廊下はとても薄暗い。\ `Because the shutters were all closed in the hallway, the corridor was very dim.`\ ;　一応、南條先生の部屋も訪れ、コーヒーのお代わりはいるかと聞いたが、@こちらもいらないと言われてしまった。@ `I tried visiting Doctor Nanjo's room and asking whether he needed more coffee,`@` but he said that he didn't need any more either.`@ ;　……母さんの本格的な淹れ方のコーヒーは、どうも一般受けしないらしい。\ `......It seemed as though my mother's orthodox method of making coffee wasn't universally appreciated.`\ ;　一度、紗音にその淹れ方で飲ませてあげたことがあったが、@……おいしいけど、少し濃いですね。@と言われたことがあったような…。\ `One time, I had Shannon drink it, `@`...but she told me that while it was delicious, it was a little strong...`\ bg black,22 ;　…………紗音………。\ `............Shannon.........`\ ;　駄目だ…。@……気分を変えるために部屋を出たのに、@…僕の頭の中をいっぱいに満たす紗音の面影は、わずかほども薄れない…。@ `That's no good...`@`......even though I left the room to change my mood, `@`...that image of Shannon's face that's filling my head hasn't faded in the slightest...`@ br ;　彼女との楽しかった日々が、繰り返し鮮明になり、@…………未だ、彼女の死に顔すら見させてもらえないことが、悲しかった。\ `The fun days with her are repeating vividly, `@`............and it's saddening that I haven't even been able to see her dead face.`\ bg blood_2e,22 E_A bgm1 51 ;　親たちの話によれば、銃か槍のようなもので殺されたらしいという。@ `According to our parents, it seems as though she was killed with something like a gun or spear.`@ br ;　…もちろん慰めだろうが、……とても綺麗で安らかな死に顔だと言っていた。\ `...I'm sure they were just trying to console me, ......but they had said that her dead face had been very beautiful and peaceful.`\ ;　彼女はその指に、…僕が昨夜贈った、あの婚約指輪をしてくれているだろうか。@ `I wonder if she put the engagement ring I gave her last night, ...on her finger?`@ br ;　……僕の婚約を受けてくれたなら、左手の薬指にしているはず…。\ `......If she had accepted my engagement, she should have put it on the ring finger of her left hand...`\ ;　昨夜は僕たちものぼせ上がっていて冷静じゃなかった。@ `Last night, we were both on the edge of losing it, and not calm at all.`@ br ;　紗音は半ば勇ましく婚約を受けてはくれたけど、@頭を冷やしたらそれが勇み足だったと後悔しているかもしれない。@指輪を外しているかもしれない。\ `Shannon had accepted the engagement courageously, `@`but she might have regretted that as a rash action once she cooled her head.`@` She might have taken the ring off.`\ ;　……彼女は今、指輪をしてくれているだろうか。@ `......I wonder if she has the ring on now.`@ br ;　……せめて、それだけでも確かめたい。@ ;　紗音の最後の気持ちが、知りたい……。@ `......I at least want to be sure of that much.`@ `I want to know...her final feelings......`@ br ;　しかし、……それを確かめたからと言って、…彼女が蘇るわけでもない。\ `However, ......even if I do check that, ...she won't be revived.`\ bg black,22 me1v 12,50 ;　……………彼女の遺体は、どうなるのだろう。@ ;　多分、検死などを経て、……迅速に火葬されるだろう。@ `............I wonder what will happen to her body.`@ `After the autopsy, ......it will probably be immediately cremated.`@ br ;　もう、彼女の顔を、…死に顔さえも、永遠に見ることができなくなるのだ…。\ `Then, I'll never be able to see her face, ...even her dead face, for all eternity...`\ ;ld c,$GEO_DefA1,80 bg G2F_P1bN,22 ;「………………。@………はは、…僕は、紗音を失ったショックで、/ ;!d400……少しおかしくなってるのかな…。」@ ;＜譲治 `"............`@`.........Haha, ...because of the shock of losing Shannon, `/ !d400`......am I going a little crazy...?"`@ br ;　紗音の遺体を、……焼かれたくない。@ ;　焼かれれば灰になって、……彼女は二度と、 `I don't want, ......to burn Shannon's body.`@ `If she is burned, she'll turn to ash, ......and never again br ;(蘇れない/・・・・)。\ ;＜点字処理：蘇れない (`will it be possible for her to revive`/・・・・・・・・・・・・・)`.`\ ;　西洋の習慣では火葬は嫌われているという。@ ;　……復活の日に、蘇るべき体がなくなってしまうからだ。@ `They say that cremation is disliked in western tradition.`@ `......Because on the day of resurrection, there would be no body to revive.`@ br ;　だから、西洋の歴史的な大罪人は、多くの場合、懲罰的な意味で処刑後に火葬されて、@川などに散骨されることが多いらしい…。\ `Because of that, it seems that great criminals in western history were often cremated after execution as a punishment,`@` and their ashes were sometimes scattered in rivers and such...`\ ;　つまり、西洋人にとって、死は復活までの間の眠りでしかない。@ ;　死後にも体を残しておくことが重要なのだ。\ `In other words, to western people, death is nothing more than a sleep until the resurrection.`@ `It is essential that the corpse is left after death.`\ bg G1F_P1e,25 ;ld c,$GEO_DefA1,80 ;!s0「つまりそれは、/ ;!d400……西洋人は、/ ;!d600……死者が蘇る奇跡の存在を、/ ;!d600…知っていたからなんだ。/ ;!sd@………でも日本にはその奇跡がなかったから、焼いてしまうんだ。」\ ;＜譲治 !s0`"In other words, `/ !d400`that's because, `/ !d400`......western people, `/ !d600`......knew of the existence of a miracle to revive the dead. `/ !sd@`.........But because that miracle doesn't exist in Japan, we burn them."`\ ;　今こそわかる。@…なぜお祖父さまが西洋のオカルトに傾倒したのか。@ `Now I understand.`@` ...I understand why Grandfather idolized the western occult.`@ br ;　最初から全て、その為だけなのだ。@ ;　…愛しい人を蘇らせるためだけに、…お祖父さまは生涯の残り全てを西洋オカルトの研究に費やした。\ `From the beginning, it had all been only for that reason.`@ `...Just to revive the person dear to him, ...Grandfather spent the rest of his remaining life researching the western occult.`\ ;　………今、僕たちを取り巻く状況は異常だ。@ `.........Now, the situation surrounding us is abnormal.`@ br ;　お祖父さまは愛しいベアトリーチェを蘇らせた。@ `Grandfather revived his beloved Beatrice.`@ br ;　…そして、そのベアトリーチェは恐ろしい連続殺人事件を、@魔法でも使わなければ考えられない連鎖密室にて行なった。\ `...And, that Beatrice has carried out a terrible serial murder, `@`with linked closed rooms which forced us to think that magic had been used.`\ bg portrait2,22 ;　……黄金の魔女、ベアトリーチェ。@ ;　西洋オカルトの奇跡を具現した存在。@ ;　………そして、紗音を殺した犯人でもある……。@ `......The Golden Witch, Beatrice.`@ `The incarnation of the miracle of the western occult.`@ `.........And also, the culprit who killed Shannon......`@ br ;　憎い存在のはずなのに、…………なのになぜか、彼女にすがりたい気持ちがある。\ `I should hate that being, ............and yet, for some reason, I want to cling to her.`\ ;　お祖父さまが、生涯讃え続けたその奇跡の魔法で、…紗音を蘇らせてはくれないだろうか…。@ `I wonder, ...if Shannon could be revived with the magic of miracles, which Grandfather bet his life on...`@ br ;　右代宮家の伝説によるならば、お祖父さまは昔、彼女に出会い、莫大な黄金を授けられたという。\ `According to the legend of the Ushiromiya family, Grandfather met with her long ago, and was given a vast quantity of gold.`\ bg black,22 ;　…ならば僕も彼女に出会い、@……黄金ではなく、紗音の命を授けてはくれないだろうか。@ `...Then if I also meet her, `@`......instead of gold, would she give me Shannon's life?`@ br ;　その見返りに、どのような悪魔の契約を課せられてもいい。@ ;　その為に、残りの生涯の全てを奉げることになってもいい…。\ `As collateral, she could impose any kind of devil's contract.`@ `For that, I could sacrifice all of my remaining life...`\ bg G1F_P1e,6 ;　その譲治の、…声無き願いを、……彼のすぐ後で、@…その当人の魔女が聞いていたなんて、彼には信じることも気付くこともできないだろう。\ `George probably couldn't believe or notice that his voiceless wish, `@`...was heard by the witch herself, standing right behind him.`\ bg G2F_P1bN,0 ;msetef 0,0 lsp bgsp,$BEA_nayamuA1,100,0,150 print 6 E_MA ;　ベアトリーチェは、譲治たちの話を、さっきのいとこ部屋からずっと聞いていたのだ。@ `Beatrice had been listening to the children's discussion just now in the cousins' room the whole time.`@ br ;　……戦人に、人の命の重みを知らないと言われ、@……彼女なりにそれを理解したくて、こっそりとここへ訪れ、彼らの話に耳を傾けていたのだ。\ `......Battler had told her that she didn't know the value of a human's life,`@` ......and wanting to understand that in her own way, she had stealthily visited, and listened to their discussion.`\ lsp bgsp,$BEA_FukigenA3,100,0,150 print 80 ;「……………………。@……それが、願いだというのか…？@　それを叶えれば、妾は魔女だと、認められるのか…？」@ ;＜ベアト `"..................`@`......That is your wish, you say...?`@` If I could grant that, would I be accepted as a witch...?"`@ br ;　ベアトは自分の両手の手の平を見る。\ `Beato looked at the palms of both of her hands.`\ csp -1 bg black,25 ;　…かつての迸るような魔力は、無限の魔女の名を新しき魔女に継承した時に、ほとんどを受け渡してしまった。@ `...She had handed over most of her previously surging magic power when the new witch had succeeded the name of Endless Witch.`@ br ;　もちろん、今だって魔女の名に相応しい魔力を持ってはいるが、@…それはだいぶ見劣るものだった。\ `Of course, her current magic power still made her worthy of being called a witch, `@`...but it did not even compare to her previous strength.`\ bg G1F_P1e,0 lsp bgsp,$BEA_NayamuA1,-15,0,150 print 26 lsp bgsp,$BEA_iiwakeA1,-15,0,150 print 80 ;「……ふん。@無限の魔法などなくとも、妾は千年に名を轟かす大魔女であるぞ。@死者を蘇らすなど、造作もないことよ。」@ `"......Hmm.`@` Even without the Endless Magic, I am a Great Witch whose name has been thundered for a thousand years.`@` Reviving the dead is no trouble at all."`@ br ;　頭の中で、死者を蘇らすいくつかの魔法的手段を思案する。\ `Inside her head, she thought about several magical steps she could take to revive the dead.`\ ;　……かつては容易に出来たはずの魔法も、今の魔力では難しくなっている。@ `......Even magic that should have been easy in the past would be difficult with her current magic power.`@ br ;　思いついては舌を打つ、を数度繰り返す。\ `She thought of something, then clicked her tongue, and repeated this several times.`\ ;　その末、……ようやく、ひとつの魔法を思いつく。@ `In the end, ......she finally thought of a single magic.`@ br ;　しかしそれは、彼女ひとりでは使えない魔法。@ ;　力の弱い魔女が使う、他者の助けを借りる魔法だ。\ `But that was a magic that she couldn't use by herself.`@ `It was a magic that witches with weak power used, that relied on the aid of others.`\ lsp bgsp,$BEA_FukigenA3,-15,0,150 print 80 ;　…かつて、ベアトはそういう類の魔法を見下していた。@ `...In the past, Beato had looked down upon that type of magic.`@ br ;　なので、それ以外に可能な魔法はないのかと、必死に思案してみたのだが、@………結局、思いつかず、肩を落として自嘲する。@ `Therefore, she frantically tried to think if there wasn't any other possible magic, `@`.........but in the end, she couldn't think of one, and slumped over in self-derision.`@ br ;　そして、……なるべく驚かさないように、そっと声を掛けた。@譲治の心に、そっと…。\ `And then, ......careful not to surprise him, she softly called out.`@` Softly, to George's heart...`\ textoff fede 0,3000 se1v 56,50 csp bgsp msetef 0,0 mld c,$BEA_fukigenA3,10 mld c,$BEA_nayamuA1,80 bgm1 62 ;■メタ視 ;「………右代宮譲治よ。@…妾の声が聞こえるか…？」\ `".........Ushiromiya George.`@` ...Can you hear my voice...?"`\ mcl c,0 mld l,$BEA_nayamuA1,0 mld r,$GEO_nakuA2,24 ;「……聞こえるとも。@……あなたは誰だい…？@　本当に魔女のベアトリーチェ…？@　…それとも、僕の悲しみが生んだ幻想なのか…。\ `"......I can hear.`@` ......Who are you...?`@` Are you really the witch, Beatrice...?`@` ...Or else, are you an illusion created by my sadness...?`\ mld r,$GEO_NakuA1k,80 ;　………もしも前者だったなら、僕の願いを聞いて欲しい。@…そして後者なら、僕をそっとしておいてほしい…。」\ `.........If it's the former, I want you to hear my wish.`@` ...And if it's the latter, just leave me alone..."`\ ;　精神的な世界での会話は、夢の中でのそれによく似ている。@ `Their conversation in a mental world was a lot like having one in a dream.`@ br ;　現実に存在したら荒唐無稽なものでも、@夢で見ている時には、さも当り前であるように受け入れているという経験はないだろうか？\ `When you dream, haven't you ever had the experience...`@`of casually accepting something that would have been absurd in the real world?`\ ;　……この世界での会話は、それに似る。@ `......The conversation in this world was like that.`@ br ;　だから、魔女が現れて譲治に話し掛けてきたとしても、彼はそれを驚きはしないのだ…。\ `So even though a witch appeared and started talking to George, he was not surprised...`\ mld l,$BEA_majimeA1,80 ;「うむ。@……妾が、黄金の魔女、ベアトリーチェである。@………本来、妾とそなたはこうして会話を交わすことなど出来ぬ。@…しかし、そなたが妾のことを強く意識し、会話を望むから、@…こうして互いのチャンネルを合わせることができる。」\ `"Hmm.`@` ......I am...the Golden Witch, Beatrice.`@` .........Normally, you and I would not be able to talk together like this.`@` ...However, you are strongly conscious of me, and wish to have a discussion, `@`...so both of our channels are able to match like this."`\ mld r,$GEO_MajimeA1k,80 ;「……………紗音を殺したのが、/ ;!d800あなたなのか、あなたを名乗る何者かの仕業なのか、……僕はどうでもいい。@……ただあなたが本当の魔女として存在しているならば。\ `"............I don't care whether the person who killed Shannon was...`/ !d800`you, or someone else taking on your name.`@` ......As long as you exist as a real witch...`\ mld r,$GEO_ikariA1,80 ;　…………どんな対価にも応じる。@…僕の命を望むなら、今すぐに奉げてもいい。@……どうか紗音を、生き返らせて欲しい…。@………それが無理ならせめて、わずかの間、話をさせてくれるだけでもいい……。@……お願いだ………。」\ `............I would pay any compensation.`@` If you desire my life, you can take it right now.`@` ......Please, I want you to bring Shannon back to life...`@`.........If that's impossible, I don't mind if you just let me talk to her for a short while......`@`......Please........."`\ mld l,$BEA_nayamuA1,80 ;「………対価は要らぬ。@その願い、叶えて遣わそう。」@ `".........I require no compensation.`@` I shall grant that wish."`@ mld r,$GEO_ikariA2k,80 ;「…本当に……？@　本当に紗音を………？」\ `"...Really......?`@` Really, for Shannon.........?"`\ mld l,$BEA_majimeA1,80 ;「うむ。@……だが、反魂の魔法を扱うには、今の妾には魔力が足りぬ。@…だから、そなたの手を借りねばならぬ。」@ `"Hmm.`@` ......However, my current magic power is not sufficient to use resurrection magic.`@` ...Therefore, I must rely on your help."`@ mld r,$GEO_IkariA1,80 ;「………僕に出来ることならどんなことでも。@…それが、僕の心臓を今すぐこの場で取り出すことであったとしても、僕は躊躇しない…。」\ `".........If there's something I can do, I'll do anything.`@` ...Even if that means taking my heart out right here and now, I will not hesitate..."`\ mld l,$BEA_nayamuA1,80 ;「…そんなもの要らぬというのに。@…………妾は魔法を唱える。@さすれば冥府の扉に隙間が出来よう。\ `"...I'm telling you that I don't require something like that.`@` ............I will chant the magic.`@` Then, a gap will open in the door to Hades.`\ mld l,$BEA_majimeA4,80 ;　…だが、今の妾にはその隙間より紗音の魂を連れ出せるほどの力はない。@………しかし、紗音のことを強く想うそなたなら、@その想いを魔力に変えて、彼女の魂を必ずや連れ戻せるだろう。\ `...But as I am now, I do not have the power to bring Shannon's soul up through that gap.`@` .........However, if it were you, who has strong feelings for Shannon, `@`those feelings should change into magic and bring her soul out without fail.`\ mld l,$BEA_majimeA3,80 ;　……どうだ。@妾を手伝うか…？」\ `......What do you say?`@` Will you help me...?"`\ mld r,$GEO_IkariA2,80 ;「…手伝うとも。@………紗音の命が蘇るなら、/ ;!d500……僕は何を失うことも恐れない……！」@ `"...I will help.`@` .........If Shannon's life will be revived, `/ !d500`......I am not afraid to lose everything......!"`@ br ;　譲治は静かに両の手を握り締め拳を振るわせた。\ `George's fists shook in silence.`\ csp -1 bg white,22 bg G1F_P1e,42 me1v 16,50 ;　…そして意識がゆっくりと覚醒する。@ `...Then he slowly regained consciousness.`@ br ;　彼は廊下の窓辺でマグカップを持ったまま、ずっと放心していたのだ…。\ `He had been absent-mindedly standing near the window in the hall the whole time, his mug still in his hand...`\ bg G2F_P1bN,0 ld c,$BEA_nayamuA1,22 ;　すると……、/ ;!d500…………その夢の中の魔女は、……まだ、そこにいた。\ `And......, `/ !d500`............the witch from his dream, ......was still there.`\ cl c,0 ld l,$BEA_nayamuA1,0 ld r,$GEO_MajimeA3k,24 ;「そ、……そんな、………ゆ、夢じゃ、……ない………。」@ ;＜譲治 `"Wh, ......what the, .........i, it isn't, ......a dream........."`@ ld l,$BEA_majimeA1,80 ;「……静かにせよ。@今の妾はとても脆い。@この上、さらに他のニンゲンまで現れたら姿を保ち切れぬ。@…そなたの願いは叶えるから、今は沈黙せよ。@…良いか？」\ `"......Be quiet.`@` I am very fragile now.`@` If any more humans appear now, I will not be able to preserve this form.`@` ...I shall grant your wish, so stay silent for now.`@` ...Is that alright?"`\ ld r,$GEO_komarua1k,80 ;　譲治は自らの口を両手で押さえ、何度も力強く頷いた。@ `George covered his mouth with both hands, forcefully nodding several times.`@ br ;　その拍子に、手に持っていたマグカップを落としそうになる。@ `In that instant, it looked as though the mug he was holding was about to fall.`@ br ;　譲治は慌ててそれをお手玉しながらキャッチする。\ `George frantically juggled it around and caught it.`\ bg black,22 ;　…もし、それを床に落として大きな音を立てたなら、@シャボン玉が弾けるように魔女の姿も消えてしまうかもしれないと恐れたのだ。\ `...He was afraid that if it fell to the floor and made a loud sound,`@` the witch's form might disappear like a bubble popping.`\ bg G2F_P1bN,0 ld c,$BEA_nayamuA1,6 ;　床にそっとマグカップを置き、…正面の魔女をもう一度凝視する。@ `He softly set the mug on the floor, ...and stared at the witch in front of him again.`@ br ;　………姿は消えない。@夢ではないのだ……。\ `.........Her form didn't disappear.`@` It wasn't a dream......`\ ld c,$BEA_majimeA4,80 ;「さぁ、紗音が眠る客室へ行くぞ。@そなたの想いの力にて、彼女の魂を連れ戻すのだ。」@ `"Come, let us go to the parlor where Shannon sleeps.`@` With the power of your feelings, we will bring back her soul."`@ cl c,0 ld r,$BEA_majimea4,0 ld l,$GEO_KomaruA1,23 ;「い、行くって、どうやって…。@下には母さんたちがいる。@表へ出るのを許してくれるわけがない。@……それに、あなたはさっき、他のニンゲンが現れたら姿を保てないと言わなかったかい？」\ `"Y, you say go, but how...?`@` My mother and the rest are downstairs.`@` There's no way they'd let us go outside.`@` ......And, didn't you just say that you wouldn't be able to preserve your form if another human appeared?"`\ ld r,$BEA_fukigenA3,80 ;「……そう言えばそうだったな。@下には蔵臼たちがおったか。@…それでは確かに下へ降りられぬな。@/ `"......Come to think of it, that is true.`@` So, Krauss and the rest are downstairs.`@` ...In that case, we definitely cannot go down. `@/ ld r,$BEA_defA1,80 ;……ならば、１階へ降りずに、屋敷へ行けばいいではないか。@簡単な話よ。」@ `......Well then, we just need to go to the mansion without going down to the first floor, right?`@` It's simple."`@ br ;　まるで、愉快な悪戯でも思いついたかのようにベアトは笑う。\ `Beato laughed, as though she had thought of a pleasant prank.`\ bg G1F_P1e,22 ;　……そして黄金の煙管で、鎧戸が閉ざす窓を軽く叩いた。@ `......And with her golden pipe, she lightly tapped a window with its shutter closed.`@ br ;　すると、煙管から３匹の黄金の蝶が現れ、窓の鍵を、溶かすように開けてしまう。\ `When she did, three gold butterflies appeared from the pipe and opened the lock on the window as though melting it.`\ textoff se1 22 bg butterfly_1a,22 wait 1000 se2 52 bg black,99,3000,"whirl.dll/r" ;　そして音もなく窓をすうっと開いた。@ `Then the window opened without a sound.`@ br ;　その向こうの鎧戸もまったく同じ。@ ;　留め金が、同じく音もなく外れて、すぅっと静かに開いた。\ `The shutter beyond it was exactly the same.`@ `The clasp unset itself, also without making a sound, and it quietly opened.`\ me1v 13,50 me2v 5,50 se1 22 se2v 17,50 bg white,10 dllefe 1,1 bg G_o1cR,22 ;　窓が開き、風雨の屋外が晒される。@ ;　…そこは向きや建物の構造上の関係なのか、風が吹き込まなかった。@ `The window opened, exposing the wind and rain outside the mansion.`@ `...Perhaps because of the direction or something related to the construction of the building, the wind did not blow inside.`@ br ;　そのせいで譲治は、しばらくの間、@外への入り口が開かれたことを夢か幻のように感じてしまい、実感することができなかった。\ `Because of that, for a while, `@`George felt as though this entrance opening to the outside was a dream or illusion, and he couldn't accept it as real.`\ ld r,$BEA_DefA2,24 ;「さぁ、行くぞ。@ついてまいれ。」\ `"Come, let us go.`@` Come with me."`\ ;　ベアトはふわりと浮き上がる。@ ;　それはまるで、ダイバーが水中散歩を楽しむような自然な仕草。\ `Beato gently floated upwards.`@ `It was a natural action, like that of a diver enjoying an underwater stroll.`\ ;　……彼女のように振舞ったなら、@空中を、まるで水中のように泳ぎ、浮かぶことができるのではないかと信じてしまいそうだった。\ `......It made it easy to believe that if you acted like she did, `@`you too might be able to float in the sky just as though you were swimming in the water.`\ ;　…いや、譲治は信じた。@ `...No, George did believe that.`@ br ;　……だから思わず、彼女がそうしたように、自分も…、/ ;!d400…ふわりと、/ ;!d400……水の中を泳ぐように、足を……。\ `......So without thinking, just as she had done, he also..., `/ !d400`...gently, `/ !d400`......as though swimming in the water, his feet......`\ ;ld r,$GEO_IkariA1k,80 dllefe_off ;placeholdx se1 22 bg white,22 dllefe 1,1 mevol 1,70 mevol 2,70 bg sky_3a,22 ;ld l,$GEO_KomaruA1,26 ;「……ぁ、…………ああぁ………っ。」@ `"......ah, ............aaaaaaahh........."`@ se2 22 ld r,$BEA_WaraiA2,25 ;「ほお。@…やるではないか。@妾が説明するよりも早く、空を舞うことを覚えたか。」@ `"Hoh.`@` ...Not bad.`@` So you learned how to dance in the sky faster than I could explain it."`@ br ;　譲治は自らが宙を、泳ぐように浮かべることに驚愕する。@ `George was shocked to find himself floating in midair like he was swimming.`@ br ;　…もちろんベアトも、魔法に通じぬはずの譲治が、直感だけでそれを身につけたことに驚いていた。\ `...Of course, Beato was also shocked that George, who shouldn't have been able to use magic, had learned how to do that just by instinct.`\ se3 22 ld l,$GEO_IkariA2k,25 ;「………空が、/ ;!d400……飛べるなんて、/ ;!d500……泳げるなんて……。」@ `".........To be able to, `/ !d400`......fly in the air, `/ !d500`......swim in the air......"`@ ld r,$BEA_futekiA2,80 ;「…理屈を考えてはならぬ。@それが自然なことであると受け入れよ。@……ニュートンとかアインシュタインとか、ニンゲンたちの教義を思い出してはならぬぞ。\ `"...You must not think of the reason.`@` Accept it as a natural thing.`@` ......You must not think back upon the human doctrines, such as those from Newton and Einstein.`\ ld r,$BEA_akuwaraiA1,80 ;　特に、高き空を飛んでいる時はな。@…墜落する未熟な魔女も時におる。」\ `Especially when flying high in the sky.`@` ...Inexperienced witches sometimes fall."`\ ld l,$GEO_MajimeA3k,80 ;「…あ、…あるがままを、受け入れる…。@あるがままを、受け入れる……。」@ `"...I, I accept it as true...`@` I accept it as true......"`@ br ;　譲治はその言葉を何度か繰り返した。@ ;　……魔法を断じて否定してはならないのだ。\ `George repeated those words over and over.`@ `......He must not deny magic, no matter what.`\ bg black,22 dllefe_off ;　それを否定することは、紗音を蘇らせる最初で最後かもしれないこのチャンスを、@自ら捨てることと同じなのだから。\ `Denying that would be like throwing away what might be his first and last chance to revive Shannon.`\ me3v 16,70 ;　しかし、煙のように優雅に漂うベアトのそれに比べると、譲治のそれは明らかに水中での動きに似ていた。@ `However, compared to Beato, who was elegantly drifting like smoke, George's movements were clearly similar to someone underwater.`@ br ;　…だから、足で水を蹴るような仕草を時折しないと、少しずつ重力に引かれてしまう。\ `...Therefore, if he didn't act like he was kicking his feet in water every once in a while, he would be caught by the force of gravity bit by bit.`\ dllefe 1,1 bg G_o1cR,22 ld l,$BEA_WaraiA1,26 ;「妾が初めて空を舞った時よりは、上出来であると褒めておこう。@/ `"I shall praise this as being a better performance than the first time I danced in the sky. `@/ ld l,$BEA_defA2,80 ;……行くぞ。@ついてまいれ。」@ `......Here we go.`@` Come with me."`@ br ;　ベアトは譲治を誘うと、ふわりと風雨の空へ飛び立つ。\ `When Beato beckoned to George, she gently flew into the stormy sky.`\ dllefe_off se1 22 bg white,25 dllefe 1,1 bg sky_3a,22 ;　……それはまるで、おとぎ話の一幕のよう。@ `......It was just like a scene from a fairy tale.`@ br ;　その光景に、譲治は目の前の光景は全て夢の延長のように感じられた。\ `The scene unfolding before George's eyes felt entirely like an extension of his dream.`\ se1 22 bfly1 11 ;ld r,$GEO_KomaruA1,80 ;「……空を飛べるのは、……すごいけど、……すごい風と雨だ…。」@ `"......Being able to fly is, ......incredible, ......but so is the wind and the rain..."`@ ;ld l,$BEA_DefA1,80 ;「何だ、雨と風に苛まれるのか…？@　……それを防ぐ魔法を教えても良いが、@今のそなたには早いし、今はそれを習う時間を割くのも惜しかろう。」\ `"What's this? Are the wind and rain tormenting you...?`@` ......I could teach you magic to block against that, `@`but it may be too early for you, and it may be a misuse of time right now."`\ ;ld r,$GEO_MajimeA1,80 ;「……………………えぇ。@…僕が必要としている魔法は、それじゃない。」@ `"..................Yes.`@` ...The magic I need...isn't that."`@ br ;　譲治は風雨に負けず、強い意志を持った眼差しを見せた。\ `Without losing to the wind and rain, George wore a strong-willed gaze.`\ se1 22 cbfly 11 ;ld l,$BEA_DefA2,80 bg black,22 E_M3 bg M_o1bR,22 ;「見えてきたぞ、屋敷だ。@…もう少し頑張れよ。@今、落ちれば薔薇の茂みだぞ。」\ `"The mansion is coming into sight.`@` ...Hold out just a little longer.`@` If you fall now, you'll hit the bushes in the rose garden."`\ bg garden_1cR,26 ;　魔女と譲治の眼下には、風雨に波打つ薔薇庭園が広がっている。@ ;　その幻想のような光景に、もはや譲治は驚かない。@ `The undulating rose garden was spread beneath the witch and George's gazes.`@ `This illusion-like scene no longer surprised George.`@ br ;　その目には、次第に近付きつつある屋敷だけが映っている。\ `Only the gradually approaching mansion was reflected in his eyes.`\ ;ld c,$GEO_MajimeA2,80 bg M_o1bR,25 se1 22 bfly2 11 ;「紗音、………待ってて…。@……必ず君を、蘇らせて見せる……！」\ `"Shannon, .........wait for me...`@`......I will definitely...revive you......!"`\ se2 22 cbfly 11 bg black,22 fedexx 90,0,0,0,0,0,3000 wait 1000 fede 0,5000 mov %play_scene,30210 se1 27 wait 500 E_MA E_B bg white,1 bg rose_G1aR,0 ld c,$EV2_akuwaraiA1,42 me1v 13,70 bgm1 20 ;　その頃。@……新しき残酷な魔女の姿は、それとは別の場所にあり、ゲストハウスを凝視していた。\ `At that time.`@` ......The cruel new witch could be seen staring at the guesthouse from a different location.`\ ld c,$EV2_akuwaraiA2,80 ;「……………後、残すは第七、第八の晩だけね。@あと２人で、先代のババアの義理はおしまいだわ。@………蔵臼と夏妃を殺す。@夫婦仲良くね。」\ ;＜魔女絵羽 `"............Now, all that's left is the seventh and eighth twilights.`@` Just two more, and my obligation to that predecessor granny is finished.`@` .........I'll kill Krauss and Natsuhi.`@` A close couple."`\ bg black,24 dllefe_off bg Glob_1cR,0 lsp 901,barrier,0,0 se1 56 me2v 19,90 ld l,$S45_defA1,15,300,":c;Bmp\Efe\1.bmp" se2 52 ld r,$S41_DefA1,99,1500,"breakup.dll/llb" ;「にひ。@標的はどうかにぇ？」@ ;＜４１０ `"Nihi.`@` Whe-re is the target nyeh?"`@ ;cl c,0 ;se2 52 ld l,$S45_DefA2,80 ;「……ゲストハウス１階ロビーにて、標的２名と右代宮絵羽を補足。@反魔法力測定。@４１０へデータリンク。」\ ;＜４５ `"......In the lobby on the first floor of the guesthouse, both targets and Ushiromiya Eva aquired.`@` Anti-Magic Power Measurement.`@` Data Link to 410."`\ ld r,$S41_akuWaraiA2,80 ;笑い２ ;「４１０データ受領。@反魔法力は極めて小。@絵羽さえ席を外せば、まな板の上のマグロにアワビです。@にひひひひ…！」\ ;＜４１０ `"410 Data Received.`@` Anti-magic power is extremely small.`@` If Eva just goes outside, they're tuna and abalone on a chopping board.`@` Nihihihihi...!"`\ bg rose_G1aR,0 ;se1 59 csp 1 dllefe 1,1 print 18,300,":c;Bmp\Efe\2.bmp" ld r,$S45_MAjimeA1,23 ;真面目１ ;「いかがしますか、大ベアトリーチェ卿。@ご命令を頂ければ、すぐにも狙撃いたします…！@　どうかご命令を…！」\ ;＜４５ `"What do you think, great Lady Beatrice?`@` If you give the order, we will snipe right away...!`@` Please, your orders...!"`\ E_M2 csp -1 bg black,22 dllefe 1,1 bg rose_G1aR,0 ld r,$RG1_DefA1,0 ld l,$EV2_AkuwaraiA2,23 ld l,$EV2_tokuiA1,80 ;「…ほぉんとにあんたたちは便利な家具ね。@/ `"...You guys re-ally are convenient furniture. `@/ ld l,$EV2_akuwaraiA3,80 ;死体をほじるしか能のない、中古家具どもとは大違いだわ。@ねぇ？」@ `Very different from old, second-hand furniture, which only has enough talent to gouge corpses.`@` Right?"`@ ld r,$RG1_komaruA1,80 ;「…………………………く…。」\ ;＜ルシファ `"........................Ku..."`\ ld l,$EV2_AkuwaraiA7,80 ;「シエスタ姉妹、またあなたたちの手際を見せて頂戴。@…攻撃準備よ！@　くすくすくすくすくす！@　死体はまた運び出してね。@たっぷり遊んであげるんだから。@/ `"Siesta Sisters, please show me your skill again.`@` ...Firing Preparations!`@` *giggle*giggle*giggle*giggle*giggle*!`@` Carry the corpses out again, alright?`@` 'Cause I'll play with them a lot. `@/ ld l,$EV2_akuwaraiA8,80 ;文句はなしよ、ロノウェ？」\ `No complaints, right Ronove?"`\ cl r,23 ld r,$RON_odorokiA1,24 ;「……はい。@畏まりました。」\ ;＜ロノウェ `"......Correct.`@` Certainly."`\ bg Sky_3a,25 E_A se1 26 ;「ん……。」@ `"Nn......"`@ me1v 13,50 me2v 16,70 br ;　その時、魔女は何かに気付く。@ ;　……何かの気配が去っていったかのような、@……気のせい……？\ `At that time, the witch noticed something.`@ `......As though some presence had disappeared...`@`...was it her imagination......?`\ bg rose_1bR,26 ld r,$EV2_FukigenA2,24 ;「………今、何か気配を感じなかった？@　誰か感じた人いる？」\ `".........Did you feel some kind of presence just now?`@` Did anyone feel it?"`\ ld l,$S45_komaruA1,26 ;「もッ、…申し訳ありません、私は何も気付きませんでした…、お許しを……！！」\ ;＜４５ `"M, ...my apologies, I haven't noticed anything..., please forgive me......!!"`\ ld c,$S41_MajimeA1,80 ;真面目 ;「私たち、ゲストハウスを観測中でしたから、周辺監視はオフにしてます。にひ。@/ `"We were in the middle of observing the guesthouse, so our peripheral surveillance was set to off. Nihi. `@/ ld c,$S41_akuWaraiA2,80 ;…ルシファーちゃんはぁ？@　何か気配感じた？」\ ;＜４１０ `...What about you, Lucifer-chaaan?`@` Did you feel a presence?"`\ bg rose_G1aR,0 ld r,$RG1_KomaruA1,23 ;「………ん、」\ ;＜ルシファ `".........Nn-"`\ ;　ルシファーは一瞬だけ目線をロノウェに送り、正直に答えるべきかどうかを問う。@ `For just an instant, Lucifer sent a glance at Ronove, asking whether she should answer honestly or not.`@ ld l,$RON_majimeA1,23 ;　それにロノウェは、小さく頷いて応えた。\ `Ronove gave a small nod in response.`\ bg rose_1bR,0 ld l,$Ev2_AkuwaraiA1,24 ld r,$RON_DefA1,24 ;「いいえ。@…申し訳ございません、ベアトリーチェさま。@私たちは何も。@/ `"No.`@` ...My apologies, Beatrice-sama.`@` Nothing from us. `@/ ld r,$RON_akuwaraiA1,80 ;………中古家具ゆえ、愚鈍なことをお許しください。」@ ;＜ロノウェ `.........Forgive us for this stupidity, as we are only second-hand furniture."`@ ld l,$EV2_AkuwaraiA3,80 ;「………………………。」@ ;＜魔女 `"........................"`@ ;ld r,$RON_DefA2,80 ;「………………………。」\ ;＜ロノウェ `"........................"`\ ld l,$EV2_akuwaraiA1,80 ;「………………………。@……そう。@大悪魔のあなたがそう言うなら、きっと私の気のせいなんでしょうね。」@ `"........................`@`......I see.`@` If a great demon like you says that, then it must have been my imagination."`@ br ;　魔女は、気配の消え去った方角を執念深く凝視する。\ `The witch persistently stared in the direction the presence had disappeared to.`\ bg black,24 bg garden_1cR,24 ;　……それは薔薇庭園の方角。@ ;　そしてその向こうには、雷光に黒いシルエットを浮かび上がらせる屋敷が見える。@ `......That was the direction of the rose garden.`@ `And beyond that, she could see the mansion's dark silhouette creating by lightning.`@ br ;　……釈然としない気持ちを押さえ、再びゲストハウスに向き直るまで、@彼女は短くない時間を掛けるのだった。\ `......It took her quite some time before she pushed her unsatisfied feelings aside, `@`and once again faced the guesthouse.`\ wait 2000 eye1 17,44,17,44,1,0,590,50,85 ;▲第１５アイキャッチ　１０月５日（日）１７時４４分　時計動かず ;▲第１５アイキャッチ　１０月５日（日）１７時４４分　時計動かず *umi3_16 mov %play_scene,30220 mov %grim_scene,307 gosub *EV2_Isyou2 textoff me1v 5,50 ;bg Glob_1eR,22 wait 3000 bg Glob_1aR,6 ;　ゲストハウスのロビーは静寂に包まれていた。@ `The guesthouse lobby was wrapped in silence.`@ br ;　蔵臼、夏妃、絵羽の３人はもはや緊張感の糸も弛み、疲れきって、意識を朦朧とさせている。@ `The strings of tension which bound Krauss, Natsuhi, and Eva had already loosened, they were completely tired, and their consciousness was beginning to waver.`@ br ;　彼らは時折、席を立ち、無意味に歩き回ったりすることで眠気と戦っているようだった。\ `Every once in a while, they would stand up and walk around pointlessly, as though fighting their drowsiness.`\ bg Glob_1cR,24 ld r,$NAT_tukareA2,24 ;「………大丈夫ですか、絵羽さん。@…やはり無理をせず、休んでいてください。」@ ;＜夏妃 `".........Are you alright, Eva-san?`@` ...Please, do take it easy and rest."`@ ld l,$EVA_komaruA4G,23 ;「大丈夫だって言ってるわ……。@…もう、大人は私たち３人しかいないのよ…。@休んでる暇なんかないわ…。@石にかじりついてでも、ここを死守するわよ……。@……はぁ、……はぁ……。」\ ;＜絵羽 `"I told you, I'm fine......`@`...The three of us are now the only adults...`@` There's no time to rest...`@` No matter what the cost, we must guard this place until the end......`@`......Haah, ......haah......"`\ ;　勇ましい台詞を口にするが、荒い息は隠せていない。@ ;　…一度は薬で落ち着いた熱だったが、再びぶり返してきたらしい。@ `She spoke a brave line, but she couldn't hide her rough breathing.`@ `...It seemed that the fever, which had been calmed with medicine for a time, had returned.`@ br ;　絵羽の体調が悪いのは一目瞭然だった。\ `It was very obvious that Eva's health was not good.`\ ld c,$KLA_MajimeA1G,24 ;「無理はするな。@せめて目を閉じていたまえ。@もし、起こさねばならぬ時は必ず起こしてやるから。」@ ;＜蔵臼 `"Take it easy.`@` At least close your eyes.`@` Because if we have to wake you, we definitely will."`@ ld l,$EVA_odorokiA2G,80 ;「だから平気だって言ってるわ…！@　放っておいて……！！」@ `"I'm telling you that I'm fine...!`@` Leave me alone......!!"`@ ld r,$NAT_TukareA1,80 ;「…………………………。」\ ;＜夏妃 `"........................"`\ bg Glob_1er,25 ;　もはや意地になっているようだった。@ ;　……今の彼女には、これ以上、何を言っても耳に届かないだろうことを、蔵臼たちも悟る。@ `It seemed that she had already become obstinate.`@ `......Krauss and Natsuhi realized that even if they talked to her any more when she was like this, it wouldn't reach her ears.`@ br ;　だからそれ以上は何も言わず、そっとしておくことにした。\ `So without saying anything more, they decided to let her be.`\ ;　今の絵羽には、そんな口論すらも負担になっている。@ ;　口を閉ざし、ただ静かに座っているだけの方が、まだ体に楽だろう。@ `To Eva right now, even an argument like that became a burden.`@ `It would probably be better if she just sat there with her mouth closed.`@ br ;　実際、絵羽はもう眠気に挫けようとしている。@ ;　…短気に言い返すのは、自らを鼓舞して眠気を飛ばすためなのかもしれない。\ `Actually, Eva was already being beaten down by drowsiness.`@ `...She might have talked back with a temper because she was trying to encourage herself and throw off her sleepiness.`\ bg Glob_1dR,26 me2v 11,70 ;　時計は、もうじき午後の６時を指そうとしている。@ `The clock would be pointing to 6:00 in the afternoon very soon.`@ br ;　眠気を誤魔化すために、何度も間食を取ったせいで空腹感はなく、@むしろ寝不足のせいで、午後どころか明け方の６時のようにさえ感じられた。\ `Because she had been snacking over and over again to fool her drowsiness, she didn't feel hungry, `@`but instead, her lack of sleep made it feel like it was 6:00 in the morning, not the afternoon.`\ ;　……明日の朝の９時にぴったりに船が来てくれると仮定しても、@……まだ１２時間以上たっぷりある。@ `......Even if they supposed that the boat came at precisely 9:00 in the morning tomorrow, `@`......there was still more than 12 full hours to go.`@ br ;　…気の遠くなるような時間だった。\ `...That was an overwhelmingly long stretch of time.`\ ;■メタ視 bg black,25 se1 56 mevol 2,100 mset ;　…………長い。@ ;　………辛い……。@ ;　……熱い…。@ `............Long.`@ `.........Painful......`@ `......Hot...`@ br ;　時計の音さえ、今はこの身を苛む。\ `Even the sound of the clock torments my body now.`\ ;　こんな時はいつだって、……あの人が私の額に手を当ててくれれば、たちどころに熱が引いたのに。@ `In times like this, ......when that person puts his hand on my forehead, the fever fades at once.`@ br ;　…でももう、あの人はいない………。\ `...But that person no longer exists.........`\ ;　絵羽は朦朧とした意識の中で、再び深い悲しみに囚われていた…。@ `As Eva's mind grew foggy, she was once again gripped by a deep sadness...`@ br ;　もう涙は枯れ果てた。@ ;　それでも最愛の夫を失った悲しみが、尽き果てない…。\ `She had already cried herself dry.`@ `Even so, the sadness from losing her beloved husband had not been exhausted...`\ ;ld c,$EVA_DefA1,80 ;「……………私は、/ ;!d500……間違っていたんだわ…。」@ ;＜絵羽 `"............I, `/ !d500`......made a mistake..."`@ E_MA se1 52 mld c,$EV2_defA1,0 print 99,2000,"breakup.dll/lrp" bgm1 49 ;「…どうして？」\ ;＜魔女絵羽 `"...Why?"`\ ;　元々、新しき魔女は絵羽と一なる存在。@ ;　…絵羽が話しかければ、いつだって返事を返す…。\ `From the start, the new witch had been the same being as Eva.`@ `...If Eva talked to her, she would always respond...`\ ;「……私は右代宮家の当主の座さえ得られれば、…それで満足のはずだった。@……それが、あの黄金の山を見た途端に、欲が増えたの。@…………あの黄金の山を、独り占めしたい気持ちに駆られた……。」\ `"......If I could only gain the position of family head, ...that should have been enough.`@` ......But then, as soon as I saw that mountain of gold, my greed grew.`@` ............I was struck with a desire to have that mountain of gold all to myself......"`\ mld c,$EV2_WaraiA1,80 ;「それは恥じることでも何でもないわ。@/ `"That's nothing to be embarrassed about. `@/ mld c,$EV2_TokuiA1,80 ;だって、右代宮家の当主として、当然の権利じゃない。@他の誰にも、黄金の一欠けらだって譲るものかってのよ。」\ `After all, it's your natural right as the Ushiromiya family head.`@` How could you give up even a bit of it to anyone else?"`\ ;「…………私がその誘惑に囚われたから、…あなたが生まれてしまったんだわ。@……あなたは私の少女時代の心であると同時に、@……自分勝手でしかない、私の邪まな心でもあった。@……そのあなたが、あの黄金の山によって芽生えた、私の愚かな欲望のせいで、@……私の胸という卵の殻を破り、…この世に生まれ出てしまった…。@………あなたを生んだのは私の責任……！」\ `"............I was gripped by that temptation, ...which is why you were born.`@` ......While you are a young girl version of me, `@`......at the same time, you are also my self-centered evil heart.`@` ......You sprouted because of that mountain of gold, and because of my foolish greed,`@` ......the shell of that egg which is my heart split, ...and you were born into this world...`@`.........It's my responsibility that you were born......!"`\ mld c,$EV2_AkuwaraiA1,80 ;「なら、私が殺した楼座と真里亞も。@そして留弗夫と霧江と秀吉も、あなたの責任ってことになるわ。」\ `"In that case, when I killed Rosa and Maria, `@`and then Rudolf, Kyrie and Hideyoshi, that was your responsibility too."`\ ;「どうしてうちの人まで殺したのよ…！@　どうして……！！@　うううぅううぅううぅ！！」\ `"Why did you kill my husband too...?!`@` Why......?!!`@` Whaaaaaaaaaaaaahhhhh!!"`\ mld c,$EV2_FukigenA1,80 ;「…秀吉を殺す気はなかったわ。@だってうるさくてしつこかったんだもの。@/ `"...I didn't want to kill Hideyoshi.`@` He was just so annoying and persistent.`@/ mld c,$EV2_niramuA1,80 ;…その意味では私たちの、いえ、あなたの責任ね。@あんなのを旦那に選んだあなたの責任だわ。」\ `...And that's our, no, your fault.`@` It's your fault for choosing a husband like that."`\ ;「あなたみたいな子どもに、あの人の良さはわからないわよッ！！@　ううぅううぅぅぅうう…、あなた………、うううぅぅ！」\ `"A child like you cannot understand how good that person was!!`@` Oooooooooooooooohhhh..., dear........., oooooooooohhhh!"`\ Mld c,$EV2_IkariA2,80 ;「………何よ。@私たちは魔法で夢を叶えたのよ？@　碑文の謎を解いたわ。@そして黄金を見つけ、当主の指輪を手にしたわ。@全ての夢を叶えきったわ？@　それが何で不満なの…？」\ `".........Come on.`@` Our dreams were made real with magic, right?`@` We solved the riddle of the epitaph.`@` Then we found the gold and got the Head's Ring.`@` All of our dreams came fully true, right?`@` What more could you want...?"`\ ;「それだけが全ての夢なんかじゃないわ…！！@　あの人と素敵な人生を歩んで、譲治に素晴らしい人生を託す…！@　妻として、母として、…私にはまだ叶えなければならない夢がたくさんあるのよ…！！@　それなのに、……それなのに……！」\ `"Just that wasn't all of my dreams...!!`@` Living a wonderful life with that person, and entrusting George with an excellent life...!`@` There are still many dreams that still haven't been granted for me, ...as a wife, as a mother...!!`@` And yet, ......and yet......!"`\ mld c,$EV2_fukigenA2,80 ;「…それは、あなたが大人になってから、勝手に増やした夢だわ。@私たちの夢じゃない。」@ `"...Those are just extra dreams you gained after becoming an adult.`@` They aren't my dreams."`@ ;「だからあなたは子どもなのよ…！！@　自分さえよければいいの？！@　……そうよ、全て私が悪いのよ…！！@　あの時、楼座の言うことにどうして私は反抗したの？@　どうして兄弟みんなに、黄金を見つけたと発表できなかったの…？@　……全て私が醜いから！！@　黄金を独り占めしたくて芽生えさせた邪まな心が、……あなたを孵化させてしまった！！」\ `"That's because you are a child...!!`@` As long as it's good for you, you're happy?!`@` ......That's right, everything is my fault...!!`@` Back then, why did I resist doing what Rosa told me to?`@` Why couldn't I announce to all of the siblings that I had found the gold...?`@` ......It's all because I'm ugly!!`@` My evil heart, which sprouted when I wanted to have all of the gold all to myself, ......caused you to hatch!!"`\ mld c,$EV2_NiramuA2,80 ;「………ひどい嫌われようだわ。@私たちは二人で右代宮絵羽なのに。」@ `".........Looks like you really hate me.`@` Even though both of us are Ushiromiya Eva."`@ ;「いいえ、もう違うわ。@そしてそれはあなたが言ったのよ。@私は右代宮絵羽。@そしてあなたは黄金の魔女、ベアトリーチェよ…！！@　だからもう消えて！@　魔女なんておとぎ話の中にしか存在できない妄想よ、幻想よ…！！@　あなたなんか消えてしまえッ！@　二度と私の前に現れないでッ！！」\ `"No, that isn't true anymore.`@` And it was you who said it.`@` I am Ushiromiya Eva.`@` And you are the Golden Witch, Beatrice...!!`@` So just disappear!`@` Witches are a delusion, an illusion that only exists in fairy tales...!!`@` Things like you should just disappear!`@` Never appear in front of me again!!"`\ mld c,$EV2_ikariA1,80 ;「…あぁ、……そう。@…わかったわ。@あなたの前から消えてあげるわ。@/ `"...Yeah, ......you're right.`@` ...I understand.`@` I'll disappear from in front of you. `@/ mld c,$EV2_fukigenA2,80 ;…そして私はもう右代宮絵羽じゃない。@これからは黄金の魔女ベアトリーチェよ。@…もう好き勝手に遊んでやるんだから。\ `...And I am no longer Ushiromiya Eva.`@` From now on, I'm the Golden Witch Beatrice.`@` ...So now I can play however I want.`\ mld c,$EV2_ikariA2,80 ;　あんたなんて知らないわ。@ヘソでも噛んで、勝手に死んじゃえばぁ？！」\ `I don't even know you.`@` Why don't you just give up and die?!"`\ se1 52 mcl c,0 print 99,2000,"breakup.dll/llB" mend ;　如何にも子どもらしい癇癪を起こして、かつてもうひとりの自分だった魔女は姿を消した。@ `After having a very childlike tantrum, the witch who had once been another Eva hid herself.`@ br ;　……闇の中には絵羽だけが取り残される。@ ;　そして自らに問う…。\ `......Only Eva was left behind in the darkness.`@ `And she questioned herself...`\ ;「私なの……？@　私が、……彼らを殺したの……？@　あの人を、殺してしまったの……？@　……私が、……殺して…しまったの…………？」@ `"Me......?`@` I, ......killed them......?`@` Did I kill...that person......?`@` ......Did I, ......kill...him............?"`@ br ;　その問い掛けに、もはや自らが答えることはなかった……。\ `She could no longer answer that question herself......`\ fede 0,3000 mov %play_scene,30220 wait 2000 me1v 13,50 bg white,1 bg Glob_1eR,22 ;!s0「…っ、ごほごほごほッ！！/ !s0`"..., *cough*cough*cough*!! `/ quakey 4,900 ;　ごほっごほごほッ！！」/ `*cough*cough*cough*!!"`/ quakey 3,500 quakey 3,500 !sd@ ;＜絵羽 br ;　半分眠りこけて、舟を漕いだ拍子に唾が気管に入ってしまったらしい。@ ;　…唐突に絵羽は咽こんだ。\ `It seemed that, half-asleep, she had gotten some saliva caught in her windpipe just as she was dozing off.`@ `...Eva suddenly started coughing.`\ bg Glob_1dR,0 ld l,$KLA_KomaruA1G,26 ;「大丈夫か、絵羽。@/ `"Are you alright, Eva? `@/ ld l,$KLA_DefA1G,80 ;…夏妃、水を頼む。」@ ;＜蔵臼 `...Please Natsuhi, some water."`@ ld r,$NAT_OdorokiA2,24 ;「は、はい…。」\ ;＜夏妃 `"Y, yes..."`\ ;bg Glob_1eR,22 bg black,22 ;「だ、……大丈夫だってば…。@げほげほげほ！/ `"I, ......I'm alright, okay...`@` *cough*cough*cough*! `/ quakey 3,500 ;@　げーっほげほッ！！/ @` *co-ugh*cough*!! `/ quakey 4,600 ;@　ちょっと、…咽ちゃっただけなんだから……！@　げほげほげほんッ！」/ @`I just, ...choked a bit......!`@` *cough*cough*cough*!"`/ quakey 3,500 @ br ;　絵羽は、背中を擦ろうとする夏妃の手を払い除け、よろよろと立ち上がる。\ `Eva pushed away Natsuhi's hand as she tried to rub her back, and unsteadily rose to her feet.`\ ;bg black,26 bg Glob_1bR,22 ld c,$EVA_KomaruA1G,26 ;「………顔を洗ってくるわ。@…ごめんなさいね、寝ちゃってたわ。@……戻ってきたら、またコーヒーを入れるわね。@/ `".........I'm going to wash my face.`@` ...Sorry, I fell asleep.`@` ......When I get back, I'll make some more coffee. `@/ ld c,$EVA_WaraiA1,80 ;………特に濃い、明日の朝まで眠気が来なくなるようなやつを。」\ ;＜絵羽 `.........Extra strong, so that I don't get drowsy until tomorrow morning."`\ ld r,$KLA_defA1,24 ;「うむ、頼む。@……郷田の淹れるコーヒーより、お前が淹れるコーヒーの方が私の好みに合うからな。」@ ;＜蔵臼 `"Hmm, please.`@` ......Because the coffee you make fits my tastes more than the coffee Gohda makes."`@ cl c,0 ld l,$EVA_HohoemiA2G,24 ;「お世辞でも嬉しいわ…。@/ `"Even though you're flattering me, I'm pleased... `@/ ld l,$EVA_KomaruA1G,1 ;!s0ごほごほッ！/ !s0`*cough*cough*! `/ quakey 4,700 ;!sd@　………すぐ戻るわ。」\ !sd@`.........I'll be back soon."`\ bg black,24 bg Glob_1aR,24 ;　絵羽はロビーを出て、化粧室へ向かった。@ ;　その弱々しい背中を、蔵臼と夏妃が見守る…。\ `Eva exited the lobby, heading for the lavatory.`@ `Krauss and Natsuhi watched over her frail back...`\ ;ld r,$NAT_WaraiA2,24 bg Glob_1cR,24 ld l,$NAT_zutuuA1,23 ;「……あなたも、あれだけ犬猿の仲だった絵羽さんに気を遣うこともあるのですね。」\ `"......So you do sometimes care for Eva-san, even though you have always been so much at odds with her."`\ ld r,$KLA_komaruA1,24 ;「……………………。@…本来、兄とはこういうものではないのかね…？」@ `"...............`@`...Fundamentally, isn't this what an older brother should do...?"`@ ld l,$NAT_tukareA2,80 ;「……えぇ。@それで正しいと思います。」\ `"......Yes.`@` I believe that is correct."`\ ld r,$KLA_majimeA2,80 E_A bgm1 16 ;「絵羽に限らん。@……留弗夫にも、楼座にも。@…私がした兄らしいことと言えば、それを横柄に語り、彼らを苛めただけだ。\ `"Not just Eva.`@` ......Rudolf, and Rosa too.`@` ...Instead of acting like an older brother to them, I have only ever spoken arrogantly and bullied them.`\ bg black,22 ;　………父のようになりたくて、私なりに必死だった。@…だが、いつもそれは及ばず、そのはけ口を彼らに向けてしまった…。@しかし、それは言い訳にならん。@…絵羽にも、未だ傷が癒えぬほどに、深い心の傷を負わせてしまっただろう。@……悔いているが、今更それを詫びたところで、その傷が癒えるわけもない…。」\ `.........In my own way, I was frantic in my desire to be like my father.`@` ...But I could never match up, and I always vented my feelings on them...`@` However, that is no excuse.`@` ...I probably gave Eva scars so deep that they still have not healed.`@` ......I regret it, but if I apologized after all this time, that would not heal those wounds..."`\ bg Glob_1cR,0 ld r,$NAT_defA1,26 ;「………あなたがその気持ちを、今だけでなく、持ち続けることで。@…その気持ちはきっと、他の兄弟たちにも伝わりますよ。」\ `".........If you hold on to that emotion, and not just for right now,`@` ...I'm sure that feeling will be transmitted to your siblings."`\ bg Glob_1bR,0 ld l,$KLA_KomaruA1G,23 ;「……今となっては、他の兄弟も絵羽を残すのみだがね。」@ `"......By now, my only sibling left is Eva."`@ ld r,$NAT_tukareA1,24 ;「……………もし、あなたとあなたのご兄弟が生まれた家が、右代宮家でさえなかったなら……。@……もっともっと普通な、楽しい兄弟の関係であったでしょうに…。」\ `"............If only, the family you and your siblings were born into had not been the Ushiromiya family......`@`......you might have had a more normal, a more fun sibling relationship..."`\ ld l,$KLA_MajimeA2G,80 ;「…それを言ってはならん…。@………絵羽は生涯、私を憎み続けるだろう。@そしてその資格がある。@/ `"...You mustn't say that...`@`.........Eva will probably continue to hate me for her whole life.`@` And she has a right to. `@/ ld l,$KLA_KomaruA1G,80 ;…私は、それを甘んじて受け止めるつもりだ。」@ `...I intend to resign myself to that and accept it."`@ ld r,$NAT_zutuuA1,80 ;「…………………あなた……。」\ `"..................Dear......"`\ bg black,5 ;「……絵羽、/ ;!d400………すまん。@……もちろん、許さなくていい…。」\ `"......Eva, `/ !d400`.........I am sorry.`@` ......Of course, you don't have to forgive me..."`\ wait 1000 ;bg sky_3a,0 ;ld c,$EV2_FukigenA2,22 E_A mov %play_scene,30210 ;　もちろん許さないわ、何を今更。\ `Of course I won't forgive you. What are you talking about, after all this time?`\ dllefe 1,1 se1v 27,100 wait 200 me1v 13,70 me2v 5,70 bg white,1 bg sky_3a,0 ld c,$EV2_NiramuA3,22 bgm1 74 ;「悪いと思ったなら、今すぐヘソでも噛んで死んじゃえばぁ？！@/ `"If you don't like it, why don't you just give up and die right now?! `@/ ld c,$EV2_AkuwaraiA7,80 ;　やっちゃえ、シエスタ姉妹！！」\ ;＜魔女 `Do it, Siesta Sisters!!"`\ bg black,26 dllefe_off textoff se1 57 bg white,1 bg system1,80 wait 200 se2 57 bg white,1 bg system2,80 wait 200 se3 57 bg white,1 bg system3,80 wait 200 se1 57 bg white,1 bg system4,80 wait 200 se2v 57,100 bg white,1 bg system5,80 wait 1000 bg black,22 dllefe 1,1 bg rose_G1aR,22 ld l,$S45_majimeA1,63 ;「４５、射撃許可受領。@射撃曲線再確認、気候誤差修正。@４１０へデータリンク。」@ ;＜４５ `"45, Firing Permission Received.`@` Firing Arc Reconfirmation, Weather Error Correction.`@` Data Link to 410."`@ ld r,$S41_DefA1,64 ;「４１０データ受領、射撃許可確認。@/ `"410, Data Received, Firing Permission Confirmed. `@/ ld r,$S41_akuWaraiA1,80 ;にひひひひ、射撃！」\ ;＜４１０ `Nihihihihi, Firing!"`\ textoff dllefe_off E_MA me1v 16,70 se1v 27,100 se2v 2,100 ;bg chain2aS,1 bg white,1 bg black,2 ;　姉妹が二人で引く魔法の弦を放つ。@ ;　黄金の矢が美しい尾を引き、美しい曲線を描きながら飛んでいく。@ `Together, the sisters released the readied magic bowstring.`@ `A beautiful tail trailed the gold arrow, and it drew a beautiful curve as it flew.`@ br ;　それはさながら、黄金の蛇。\ `It was just like a gold snake.`\ textoff bg black,22 se1v 57,100 bg white,1 bg homing1,80 ;wait 200 se2v 57,100 bg white,1 bg homing2,80 ;wait 200 se3v 57,100 bg white,1 bg homing3,80 ;wait 200 se1v 57,100 bg white,1 bg homing4,80 ;wait 200 se2v 57,100 bg white,1 bg homing5,80 ;wait 200 se3v 57,100 bg white,1 bg homing6,80 bg black,22 dllefe 1,1 bg G_o1bR,62 ;　それは器用に木立を避けて飛び、ゲストハウスの玄関を目指す。@ `It skillfully avoided a grove of trees and flew towards the front door of the guesthouse.`@ dllefe_off se1v 57,100 bg white,1 bg black,62 ;　そして扉の鍵穴に飛び込むと、何の問題もないかのようにゲストハウス内に侵入した。\ `Then it flew into the keyhole of the door and snuck into the guesthouse without any problem at all.`\ se3v 57,100 bg white,1 bg G1F_P1aR,62 ;　廊下をするすると、だけれども矢の如き素早さで黄金の蛇が疾駆する。@ `The gold snake raced down the hall smoothly, yet as fast as an arrow.`@ se2v 57,100 bg white,1 bg M_door1,62 ;　その正面にはロビーの扉。@ `Right before it was the door to the lobby.`@ br se1v 57,100 bg white,1 bg black,62 ;　その鍵穴に飛び込んだなら、そこにはもう蔵臼と夏妃が…。\ `When it flew into the key hole, Krauss and Natsuhi were already...`\ se1v 57,100 bg white,1 bg Glob_1aR,22 ;　蔵臼は、扉の鍵穴が一瞬、金色に輝いたような気がした。@ `For an instant, Krauss thought he saw a gold-colored sparkle in the keyhole on the door.`@ br ;　しかし、それが何かと目を細めるのと同時に、その輝きが鞭のようにしなって襲い掛かり、@蔵臼の首にぐるぐるっと巻きつく。\ `However, at the same time he strained his eyes to see what it was, that sparkle bent like a whip and attacked, `@`wrapping itself around Krauss's neck.`\ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7,10,600 ;wait 50 se2v 36,100 bg white,1 bg blood_1b,1 quakey 6,1200 ;「……………がッ、………ッ、ッ、」@ `"............Ack, .........ah, uh,"`@ br ;　見ただけなら、黄金の蛇はとてもしなやかそう。@ ;　しかし、蔵臼の首はまるで、針金で締め上げられるかのようだった。\ `Just looking at it, the gold snake looked very supple.`@ `However, it was as though a wire had tightened around Krauss's neck.`\ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3R,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6R,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7R,10,600 ;wait 50 se2v 36,100 bg white,1 bg blood_1a,1 quakey 6,1200 ;　そしてその蛇は蔵臼を締め上げたまま、さらに伸び、夏妃の首をも締め上げる。@ `And while that snake choked Krauss, it extended even more, and also tightened around Natsuhi's neck.`@ br se1 13 quakey 3,500 se2 13 quakey 3,500 ;　二人は悲鳴すらあげられず、白目を剥いて痙攣し、がくりと脱力する。\ `Without even the chance to scream, their eyes bulged as they went into convulsions and then collapsed.`\ se1 27 wait 500 E_B E_MA bg white,1 me1v 13,70 dllefe 1,1 bg rose_G1aR,0 ld r,$S45_defA1,26 ;「４５、命中及び死亡確認。@牽引曲線形成、補正点修正。@４１０へデータリンク。」@ `"45, Hit and Kill Confirmed.`@` Towing Curve Formation, Capture Point Revision.`@` Data Link to 410."`@ ld l,$S41_DefA1,80 ;「４１０データ受領。@死体牽引開始。@/ `"410, Data Received.`@` Initiating Corpse Towing. `@/ ld l,$S41_akuWaraiA1,80 ;二匹も釣れたにぇ、にひ！」\ `We got both of 'em nyeh, nihi!"`\ bg black,22 mevol 1,50 dllefe_off bg black,80 bg Glob_1cR,22 ;　黄金の蛇は、蔵臼と夏妃の二人の死体をずるずると引き摺り始める。@ `The gold snake began to drag Krauss and Natsuhi's bodies back.`@ br bg G1F_P1c,22 ;　……廊下への扉をすり抜けて死体を引き摺り、次第に速度を上げて、@/ `......They slipped through the door to the corridor, dragging the bodies, gradually increasing in speed, `@/ se1 20 bg black,1 dllefe 1,1 bg G_o1bR,22 se2 13 quakey 3,500 ;あっという間にゲストハウスの外へ引っ張り出していく。\ `and rapidly pulled them outside the guesthouse.`\ bg black,22 dllefe_off ;　だからロビーは、まるで何事もなかったかのように静寂だった。\ `So the lobby was still, as though nothing had happened.`\ me2v 5,50 bg Glob_1aR,26 ;　…初めから蔵臼も夏妃もいなかったかのよう。@ `...As though Krauss and Natsuhi had not been there since the beginning.`@ br ;　雨と風の音だけが、ここには自分たちだけしかいなかったと、素知らぬ顔をして居座っていた……。\ `Only the sound of the wind and the rain remained, as though feigning ignorance and pretending that they were the only ones there......`\ fedexx 0,0,50,0,0,0,3000 E_B mov %play_scene,30220 se1 15 ld c,$EVA_hohoemiA2G,24 ;「……ごめんなさい、もう大丈夫よ。@…今、コーヒーを淹れるわね。」@ ;＜絵羽 `"......Sorry, I'm fine now.`@` ...Now, I'll go make some coffee."`@ br ;　化粧室より絵羽が戻ってくる。@ ;　しかし、ロビーには誰もいない。\ `Eva returned from the lavatory.`@ `But no one was in the lobby.`\ me3v 11,90 bg Glob_1dR,24 ;　咽込んで化粧室に行ったその瞬間まで、彼らはそこのソファーにいたはずなのに、@まるでそれが幻であったかのようにいなくなっていた。\ `Even though they had supposedly been in that sofa until the moment she had choked and gone to the lavatory, `@`they had gone, as if they had been an illusion from the beginning.`\ bg Glob_1cR,0 ld c,$EVA_odorokiA1,23 ;「…無用心ね…。@……二人揃ってどこに行っちゃったの？」@ `"...How careless...`@`......Where did those two go off together?"`@ br ld c,$EVA_AkireA1,80 ;　探偵小説の真似事っぽく、絵羽はソファーに手を当てる。\ `Like she was pretending to be in a detective novel, Eva put her hand on the sofa.`\ bg Glob_1dR,25 ;　……ついさっきまで彼らが座っていたことを示す温もりが感じられた。@ `......She felt a warmth which meant that they had been sitting there until a short while ago.`@ br ;　見回りにでも行っているのかもしれない。@ `Maybe they had gone to do the rounds or something.`@ br ;　絵羽はとりあえず腰を下ろし、彼らの戻りを待つのだった…。\ `For the time being, Eva sat down and waited for their return...`\ ;■屋敷〜客室 mov %play_scene,30220 bg black,5 wait 3000 me1v 12,70 mevol 2,70 dllefe 1,1 bg garden_1aR,22 wait 3000 bg M_o1aR,22 wait 3000 bg black,22 dllefe_off bg black,80 fede 0,2000 bg M1F_S1aR,0 ld l,$GEO_MajimeA3k,0 ld r,$BEA_NayamuA1,22 bgm1 39 ;　屋敷の客室には、ベアトと譲治の姿があった。@ ;　譲治は紗音の遺体の脇に、祈るように跪いている…。@ ;　その表情は真剣そのもので、額には汗さえ浮いていた。\ `Beato and George could be seen in the parlor of the mansion.`@ `George was kneeling near Shannon's body as though praying...`@ `His face was serious, and there was even sweat on his forehead.`\ bg M1F_S1cR,0 ld c,$BEA_komaruA4,24 ;　しかし、それはベアトも同じだった。@ ;　自らの名を譲り渡した彼女には、かつての魔力のほとんどが失われている。@ `However, Beato was the same.`@ `Now that she had handed her name over, most of her previous power had been lost.`@ br ;　…もちろん、それでも充分に魔女と呼べる魔力はあるが、かつてを思えば、あまりにささやかなものだ。\ `...Of course, she still had more than enough power to be called a witch, but compared to the past, it was a very faint thing.`\ ld c,$BEA_komarua3,80 ;「……いいぞ。@声を掛けるな、手で触れるな。@…心の声で呼べよ、心の手で求めよ。@…そなたの強き想いだけが、紗音の失われた魂に妾の魔法を届かせる。」\ `"......Fine.`@` Don't talk to her, don't touch her with your hand.`@` ...Call to her with the voice of your heart, and seek her with the hand of your heart.`@` ...Only your strong feelings can make my magic reach Shannon's lost soul."`\ me1v 5,50 bg black,22 ;「……………………………っ。」\ `"........................ha."`\ ;　譲治はひたすらに念じ続ける。@ ;　愛しき人の魂を呼び戻そうと、心の中で必死に叫び続ける。@ `George kept praying earnestly and silently.`@ `He kept frantically yelling inside his heart, trying to call back the soul of the person he loved.`@ br ;　…自らの肉体より魂だけが抜け出して、冥府に迷い込んだ彼女を探すところを強くイメージした。\ `...He strongly envisioned his soul leaving his body, and searching for her as she wandered through hell.`\ me2v 16,50 bg Different_spiral_1a,28 ;　……その強い力を、ベアトは魔力に変換し、自らの魔法に加える。@ ;　かつては誰の助けも借りずに、片手間で出来た魔法だ。@ `......Beato turned that strong force into magical power, supplementing her own magic.`@ `It was magic that, in the past, she could have performed easily, without anyone's help.`@ br ;　…しかし今は、助けを借りなければ、成功は愚か、詠唱を終えるには至らない。\ `...But now, if she didn't rely on someone's help, she wouldn't be able to finish the chant, much less succeed.`\ bg M1F_S1bR,0 ld r,$BEA_iiwakea1,26 ;「………数百年近くも忘れておったわ…。@/ `".........I have forgotten after several hundred years...`@/ ld r,$BEA_iiwakea3,80 ;………魔法とは、/ ;!d600……反魂とは、/ ;!d800…こんなにも辛い魔法であったか……。」@ `.........Was magic, `/ !d600`......was resurrection, `/ !d800`...always this difficult of a magic......?"`@ br ;　ベアトは、譲治以上に辛い表情を浮かべている。\ `An even more strained expression rose to Beato's face than George's.`\ ;　…彼女はまだ失念しているが、本来、命を蘇らせる魔法は究極の秘術だ。@ ;　それを指を鳴らすだけで何度でも扱えたかつての魔力の方が逸脱しているのだ。@ `...It had slipped her mind, but originally, the magic to revive a life was the ultimate hidden art.`@ `It was her previous magical power that could be used over and over with a snap of her fingers that was abnormal.`@ br ;　だから、彼女が感じる肉体と精神への強い負担は、本来、極めて正当なもの…。\ `Therefore, the heavy burden to her body and mind was, fundamentally, extremely fitting...`\ ld r,$BEA_gamana4,80 ;「……しかし、………こやつめの力、/ ;!d800…魔法を知らぬと言うのに、かなりのもの。@……なるほど、さすがは金蔵の孫といったところか…。」@ `"......However, .........this person's power, `/ !d800`...even though he doesn't know magic, it's nothing to be laughed at.`@` ......I see, so he truly is Kinzo's grandchild..."`@ br ;　譲治より注がれる強い力は、魔力としても通じるほどの大きなもの。\ `The strong power pouring from George was large enough to act as magical power.`\ bg black,22 ;　…ベアトは初め、それは魔術師であった金蔵の血によるものだろうと思った。@ `...At first, Beato thought it was due to the blood of the magician Kinzo.`@ br ;　……しかし、多分、それは違う。@ ;　…戦人に、それを教えられたような気がする。\ `......However, that was probably wrong.`@ `...She had a feeling that Battler had taught her that.`\ ;　譲治の、想い人の死を悲しむ力は、……それまでの彼の一生懸命だった人生と、@紗音との温かな時間、そして将来を誓い合った夢の大きさから生まれるのだ。\ `It had been born from the power of George's sadness at the death of the person he loved, ......and from the way he had tried his hardest throughout his life, `@`from the warm time spent together with Shannon, and the size of the dream they swore to protect in the future.`\ me3v 17,70 bg Different_spiral_1a,22 ;　人は、たったひとつの命に、ここまでも真剣に生きるものなのか。\ `Are humans able to live this seriously during only one single life?`\ ;　……当然だ。@ ;　自分にとって命というものは、オセロの表と裏程度の意味しかない。@ `......Of course they could.`@ `To her, a life didn't mean anything more than the difference between the top and bottom of an Othello piece.`@ br ;　黒が死を示すなら、また裏返して白にすればいいだけのものとしか思わなかった。\ `If the black represented death, then she thought all you had to do was flip it over again and make it white.`\ bg black,22 ;　しかし、あの割れた壷と同じ。@ `However, it was just like that broken vase.`@ br ;　……二度と元の姿に戻せない、魔法のない世界の人間ならば、@……そのたったひとつの命に、全身全霊を賭けるのは、とてもとても当り前なことなのだ。\ `......To humans in a world without magic, where they cannot return it to its original form,`@` ......it is very, very natural for them to bet their life and soul.`\ ;ld r,$BEA_NayamuA1,80 bg M1F_S1dR,0 ld r,$BEA_komarua4,6 ;「………生死すら自在にする無限の魔女が、@……死の山さえ越えられぬ有限のニンゲンに、劣ることもあるというのか……。」\ `".........Is an Endless Witch, who can do as she wants even with life and death, `@`......inferior to a limited human who can't even surpass the mountain of death......?"`\ ;　魔女は、今こそ認める。@ `This time, the witch acknowledged it.`@ br ;　命の価値を理解できない魔女には宿せない魔力を、彼は持ち得ている。\ `He was able to hold a magical power that could not reside in witches who didn't understand the value of a life.`\ ;　……無限の魔法とは、何のためにあるんだったか。@ `......Why does this thing called the Endless Magic exist?`@ br ;　…妾は、無限の魔女を名乗りながら、@無限の魔法の意味を、…千年間も忘れていたのではないのか………。\ `...Even though I called myself the Endless Witch,`@` did I forget what the Endless Magic means for one thousand years.........?`\ bg M1F_S1bR,0 ld c,$GEO_komaruA1k,26 ;　譲治の表情を改めて見る。@ ;　………迸る真剣さは稲妻のよう。@ `She looked at George's expression again.`@ `.........His surging earnestness was like a lightning bolt.`@ br ;　…今の譲治なら、たとえその身を焼かれようとも、滝に打たれようとも、@気にもせず、気付きもせず、愛する者への祈りを続けるだろう。\ `...Right now, even if George's body was burned or smashed by a waterfall, `@`he would probably continue to pray for his beloved without minding it, without noticing it.`\ ;　魔女は初めて、…その力に敬意を表した。@ `For the first time, ...she showed respect for that power.`@ br ;　だからその瞬間、全ての魔法抵抗が失われ、譲治の膨大な想いの力が完全な形で魔力に変換される……。\ `So in that instant, all magical resistance was lost, and the enormous power of George's feelings turned into magical power in its perfect form......`\ textoff E_A se1v 22,100 ;bg white,0 ;ld c,$GEO_MajimeA1k,28 ;bg M1F_S1bR,0 ;ld c,$GEO_MajimeA1,22 bg white,2 bg black,22 bgm1v 57,50 mono 1 bg Sehal_1b,8 ;　それは、とてもとても美しくて、価値と歴史のある素晴らしい壷でした。@ `The vase was very beautiful, rich with history and value.`@ br ;　幼い私が見ても、その美しさにため息が堪えられないほどに。@ ;　……でも、だから触れてみたかったのです。\ `Even as young as I was, it still forced me to take a deep breath when I witnessed its beauty.`@ `......But that just made me want to touch it.`\ bg black,1 mono off bg blood_1a,22 ;　しかし、壷はあっさりと落ちて割れて粉々に。@ `But the vase easily fell and smashed into pieces.`@ br ;　…割れてしまったシャボン玉がそうであるように、@形あった時のそれがまるで幻であったかのように感じてしまう。@ `...Like it was a bubble that had popped,`@` it felt as though the time when it had possessed a form was just an illusion.`@ br ;　それくらいにあっさりと儚く、……失われてしまった、命。\ `Lives are that fragile, that easily, ......lost.`\ bg blood_1aR,22 ;　私は、自らの愚かな好奇心が取り返しのつかないことをしてしまったことを悟りました。@ `I realized that my foolish curiosity had caused something that couldn't be taken back.`@ br ;　いくら後悔しても、いくら謝っても。@ ;　砕けてしまった壷は元の姿に戻ってはくれません…。@ ;　失われた命は、どのようなことがあっても、元に戻らない。\ `No matter how much I regretted it, no matter how much I apologized.`@ `The smashed vase wouldn't return back to its original form...`@ `A lost life will not return to normal no matter what happens.`\ ;　私は自らの軽率な行為が、軽率であるにもかかわらず、@…二度と蘇れない形で命を奪ってしまうことに恐怖しました。@ `I was frightened that even though my careless actions had been thoughtless, `@`...they had stolen a life that would never be revived again.`@ br ;　そして、失われた命を哀れんで、泣きました。@ ;　失わせた自らに恐怖して、さらに泣きました。\ `Then, I pitied the lost life, and cried.`@ `I was frightened of myself, who had made it become lost, and cried even more.`\ ;　お祖父さまも、大切な壷が失われたことを、きっと泣くでしょう。@ ;　それを見て、お祖父さまを大切に思う人たちもみんな、きっと泣くでしょう。@ `I'm sure that Grandfather also cried at the loss of his precious vase.`@ `I'm sure that all of the people who valued Grandfather and saw him like that cried.`@ br ;　たったひとつの命が失われただけで、世界中はこんなにも悲しみに染まるのです。@ ;　……その恐ろしさに、私はさらに泣きました。\ `By just the loss of a single life, the whole world would be filled with so much sadness.`@ `......I cried even more at how terrible that would be.`\ ;mono 1 se1v 22,40 bg butterfly_3a,22 wait 1000 se2 52 ld c,$WAL_DefA1,99,2000,"whirl.dll/r" ;　ベアトリーチェが現れて、言いました。\ `Beatrice appeared, and spoke.`\ ld c,$WAL_WaraiA1,80 ;「ならばお嬢様。@この壷を、魔法で蘇らせましょう。@それで皆が幸せになれるなら、壷も魔法も精霊たちも、@喜んでその為に力を貸し、元の姿を取り戻すでしょう。@/ `"Then, Milady.`@` Let us revive that vase with magic.`@` If that will make everyone happy, the vase and the magic and the spirits`@` should be happy to lend you their power, and return it to its original form. `@/ ld c,$WAL_defa1,80 ;さぁさ、お嬢様。@目を閉じて、私と一緒にお唄を詠いましょう…。」\ ;＜ワルギリ `Come, Milady.`@` Close your eyes, and say the chant with me..."`\ ;■客室 bg M1F_S1aR,0 ld c,$BEA_NayamuA1,42 ;「さぁさ、目を閉じて御覧なさい。@そして思い出して御覧なさい。@あなたがどんな姿をしていたのか。@それはきっと、とてもとても美しい姿。@どうか私に、あの姿をもう一度見せておくれ…。」\ ;＜ベアト `"Come, try to close your eyes.`@` And try to remember.`@` What form did you have?`@` It was surely a very, very beautiful form.`@` Please, show me that form one more time..."`\ textoff bg black,2 bg Different_spiral_1a,28 se1 22 bfly2 11 wait 800 se2 22 cbfly 11 bg black,22 fede 0,3000 ;se1v 2,50 ;wait 1000 ;se2v 2,60 ;wait 1000 ;se3v 2,70 wait 2000 bgm1 76 ;　力ある言葉が、冥府の扉を力強く叩く。\ ;　かつての彼女の魔法も、同じように冥府の扉を力強く叩いた。@ `Those words of power forcefully knocked on the door to Hades.`\ `Her previous magic forcefully knocked on the door to Hades in the same way.`@ br ;　……しかし、それはひどく乱暴で、…安らかに眠る死者たちのひんしゅくを買うものだった…。\ `......However, that way was horribly violent, ...and earned the displeasure of the peacefully sleeping dead...`\ ;　しかし、今は違う。@ ;　…とても力強いのに、…とてもやさしくて慈しみのあるもの。\ `However, this time was different.`@ `...It was very forceful, ...but it was very gentle and loving.`\ me1v 16,50 ;mono 1 bg Different_garden1b,6 ;　扉の近くの死者たちが目を覚まし、@……戻ってくることを呼び掛ける声があることを、他の死者たちに呼び掛ける。\ `The dead near the door opened their eyes,`@` ......and called out to the other dead that there was a voice calling for someone to come back.`\ bg black,4 bg Different_garden1a,4 ;　…死者たちは、外より呼び掛けるその声の悲しさに胸を打たれ、@一刻も早く応えてやろうと、紗音の失われた魂を探す…。\ `...The sadness of that voice calling from the outside touched the hearts of the dead, `@`and trying to respond as quickly as possible, they searched for Shannon's lost soul...`\ bg black,5 wait 2000 bg Different_garden1b,0 ;lsp bgsp,rose_1a,0,0,128 print 2 ;　そして、/ ;!d800………見つける。@ `And then, `/ !d800`.........they found it.`@ ;　安らかに眠る紗音の棺を見つける。@ `They found the casket in which Shannon was peacefully sleeping.`@ br ;　それはまさに、死者の国に眠る紗音の魂そのもの。@ ;　……霜と凍った薔薇の花で埋められた棺の中で、安らかに眠っている…。\ `It truly was Shannon's soul, sleeping in the land of the dead.`@ `......Inside the casket that was covered with rose flowers frozen with frost, she was sleeping in peace...`\ ;csp bgsp bg black,2 ;　死者たちはその棺を静かに担ぎ上げる。@ `The dead silently lifted that casket up.`@ br ;　…それは一見、葬送行列に似ていながら、意味はまったく異なるもの。\ `...While at a glance, it looked like a funeral march, it had the complete opposite meaning.`\ bg Different_garden1a,2 ;　厳かだけれど、喜びに満ちていて。@ `It was solemn, but filled with joy.`@ br ;　…忘れ去られて久しい死者たちに、@自分たちは死してなお、愛され続けていることを思い出させてくれて、@……彼ら全てに温かな安寧を与えるのだ……。\ `...The long-forgotten dead were made to remember that they were loved after their deaths,`@` ......and they were all given a warm sense of peace......`\ ;　そして…、天上よりの温かな光に招かれるように、…棺より紗音の体が、浮かび上がる…。@ `Then..., as though guided by a warm light from the heavens, ...Shannon's body floated up out of the casket...`@ br ;　死者たちはそれを見送る。@ ;　……その温かな光に目を細め、@死者への愛を変わらず持ち続けてくれる、見知らぬ生者に敬意を送るのだった…。\ `The dead watched her go.`@ `......They squinted at that warm light, `@`giving their respect to this unknown member of the living who had continued to hold onto his love for a person even after death...`\ textoff ;se1 22 bg white,48 bg butterfly_2a,2 wait 2000 se1v 22,50 bg white,22 bg black,2 ;　紗音の体が、天上の光の中に、飲み込まれて消えていく…。@ `Shannon's body was sucked into the light in the heavens and began to disappear...`@ br ;　死者の国の漆黒の闇の中に、わずかに黄金の蝶が瞬いたのが見えた。@ ;　…それは、彼らが忘れて久しい、やさしい夜空の星を思い出させた…。\ `In the jet-black darkness of the land of the dead, the faint flickering of gold butterflies could be seen.`@ `...It reminded them of the gentle stars in the night sky, which they had long forgotten...`\ ;wait 3000 fedexx 90,0,0,0,0,0,3000 se1 22 bg white,42 bg black,22 ;「……………………っ！」\ ;＜譲治 `".....................ah!"`\ ;　譲治は、声を出してはならないと言われていることを思い出し、慌てて自らの口を塞ぐ。@ `George remembered being told that he must not say anything, and he hurriedly covered his mouth.`@ br ;　しかし、喉から心臓が飛び出そうだった。@ ;　……紗音の瞼が、わずかに震えたのを見たからだ。\ `However, it felt like his heart was trying to jump into his throat.`@ `......Because he had seen Shannon's eyelids shake slightly.`\ ;bg M1F_S1dR,17,2000 ;print 1 bg M1F_S1dR,42 ;　そして、…ゆっくりとその瞼が開く。@ ;　そこには紗音の瞳があったが、まだ死者の国の霜が降りたままだった。\ `Then, ...those eyelids slowly opened.`@ `Shannon's eyes were there, but they were still wrapped in the fog of the land of the dead.`\ ;　しかし、……人の世の、…いや。@ ;　……彼女の魂を呼び戻した想い人の温かさで、ゆっくりと溶かされていき、@………次第に、輝きを取り戻していく。@ `However, ......the human world's, ...no.`@ `......The lover's warmth which had called her soul back slowly dissolved that fog,`@` .........and her eyes gradually regained their sparkle.`@ br ;　そして、………その瞳が動き、…譲治の姿を認める。\ `Then, .........her eyes moved, ...and recognized George.`\ bg black,22 ;「……譲治……さん……………。」\ `"......George......san............"`\ bg M1F_S1dR,26 ;　紗音が、弱々しく唇を震わせ、/ ;!d500……確かにそう言った。@ `As her lips shook weakly, `/ !d500`......Shannon definitely said that.`@ br ;　それは言葉としてはあまりに弱々しい。@ ;　普通なら耳にも届かないほどに。@ `The words were very faint.`@ `So much so that they normally wouldn't have reached his ears.`@ br ;　……しかし、譲治にははっきりと聞き取れた。\ `......However, George clearly heard them.`\ ;　………死んだはずの想い人が、婚約者が、もっとも愛しい人が、@再び自分の名を呼んでくれたのを聞いた…。\ `.........He had heard the person of his thoughts, his fiance, the one he loved most who should have been dead,`@` call his name once again...`\ ld c,$GEO_NakuA2,24 ;!s0「紗音、/ ;!d400………紗音…………、/ ;!d500僕が、/ ;!d400……わかるかい………？」/ !s0`"Shannon, `/ !d400`.........Shannon............, `/ !d500`do you, `/ !d400`......know who I am.........?"`/ !sd@ ;＜譲治 ;ld r,$SHA_HajiraiA2,26 ;「……譲治さ…ん……。@……………これは、……夢なの………？」\ ;＜紗音 `"......George-sa...n......`@`............Is this, ......a dream.........?"`\ ld c,$GEO_nakuA1k,80 ;「いいや。@これは夢じゃないよ。@……だからほら、……抓っても、醒めないよ。」@ `"No.`@` This isn't a dream.`@` ......C'mon, look, ......even if I pinch, you don't wake up."`@ br ;　譲治はそう言い、紗音の頬をやさしく抓るような仕草をする。\ `As George said that, he softly pinched Shannon's cheek.`\ bg black,25 ;　……それはかつて、紗音が何かを驚き、夢かと問う時に必ず譲治が返した仕草。@ `......It was how George had always responded in the past, when Shannon had been surprised by something and had asked if she was dreaming.`@ br ;　紗音は、自分の頬に触れた譲治の指の温かな感触に。@ ;　……そして譲治は、愛しい人の頬に、すでに生きる者の温もりが戻っていることに。@ ;　……二人は涙する。\ `When Shannon felt the warm touch of George's finger on her cheek...`@ `......And when George realized that the warmth of a living person had already returned to his beloved person's cheek...`@ `......They both cried.`\ bg M1F_S1aR,26 ;　…死別した愛し合う二人は、その再会をどんな言葉で祝しあうのだろう。@ ;　……それを祝いあう言葉は、人の世の狭き言葉では足りない。@ `...What words should a pair of lovers separated by death celebrate with when they are reunited?`@ `......The words of the human world are not enough to celebrate that.`@ br ;　つまり、人の世の言葉など、二人には何の必要もない…。\ `In short, they had no need of the words of this world...`\ bg M1F_S1cR,0 lsp 902,$GEO_nakuA2k,29,0 lsp 901,$SHA_tokuiA1,163,0 print 22 ;　譲治は、上体を起こした紗音と、ただ言葉もなく抱き締め合った。@ `George simply hugged Shannon, who was sitting up, without talking.`@ br ;　紗音の力はまだ弱々しくて、譲治の背中に手を回すのが精一杯だったから、@……譲治はその分、きつく抱き締めた。\ `Shannon's strength was still feeble, and putting her arms around George's back took all she had, `@`......so George hugged her tightly to make up for that.`\ ;　彼女が二度と自分の手の届かないところに行ってしまわないように、@きつくきつく、だけれどもやさしくやさしく、抱き締めた……。\ `To stop each other from going once more to a place the other's hand couldn't reach,`@` they hugged each other very tightly, and yet very gently......`\ ;vsp 901,0 ;vsp 902,0 ;bg white,1 ;vsp 901,1 ;vsp 902,1 ;bg M1F_S1cR,22 ;　譲治の背中に回す紗音の指には、@……その薬指に、譲治が贈った婚約指輪が確かに光っていた。@ `On Shannon's fingers, which curled around George's back,`@` ......on her ring finger, the engagement ring George had given her definitely shone.`@ br ;　その強い輝きは、決してダイヤの輝きだけではない。@ ;　……愛する二人にしか感じ得ない魔力が、確かにあった。@ `That strong sparkle definitely wasn't only the sparkle of diamond.`@ `......There definitely was a magical power that only the two lovers could possibly feel.`@ br ;　その強い輝きがあったからこそ、…死者の国で、彼女の棺は見つけてもらえたのだ。\ `It was because that strong light existed, ...that they had been able to find her casket in the land of the dead.`\ csp -1 bg M1F_S1aR,0 ld r,$BEA_fukigenA3,24 ;　ベアトは理解する。@ `Beato understood.`@ br ;　……その指輪が、……いや。@ `......That ring, ......no.`@ br ;　…………指輪の形をした、二人の想いが、この奇跡を実現させたのだ。\ `............The feelings of the pair, embodied in that ring, were a miracle made real.`\ bg black,22 ;　譲治はあの瞬間、確かに魔法を使った。@ ;　ベアトはその手助けをしたに過ぎない。@ ;　その魔法には、命の大切さと一生懸命を知る者にしか宿しえない魔力があった。@ `In that moment, George had definitely used magic.`@ `Beato had done nothing more than help him along.`@ `That magic had a magical power that could only reside in those who knew of the importance of life and trying their hardest.`@ br ;　無限の魔女には知ることのできない、……有限の力にしか起こせない、奇跡の力。\ `It was the power of a miracle, which the Endless Witch could not know, ......and that only limited power could give rise to.`\ ;　今こそ認めざるを得ない。@ ;　……本当の魔法とは、魔力とは。@ `By now, she had no choice but to accept it.`@ `......She had to accept that true magic, true magical power...`@ br ;　…大魔女を名乗った彼女と、もっとも遠く離れたところにあったことを、認めなければならない。\ `...exists in the place farthest away from she who called herself a Great Witch.`\ bg M1F_S1aR,26 ld c,$SHA_KomaruA1,23 ;「………ベアトリーチェ…さま……。」@ ;＜紗音 `".........Beatrice...sama......"`@ ld l,$GEO_majimeA1,23 ;「……彼女が君を生き返らせてくれたんだ…。@/ `"......She brought you back to life... `@/ ld l,$GEO_nakuA2,80 ;ありがとう、ベアトリーチェ…！」\ ;＜譲治 `Thank you, Beatrice...!"`\ bg M1F_S1bR,0 ld r,$BEA_iiwakeA1,24 ;「いいや。@妾は何もできなかった。@/ `"No.`@` I did not do anything. `@/ ld r,$BEA_gamanA4,80 ;……紗音を蘇らせたのは、そなたの魔力。@そなたの魔法。@…………奇跡を成し遂げる右代宮の血、…確かに見届けさせてもらったぞ。」\ ;＜ベアト `......The thing that revived Shannon...was your magical power.`@` It was your magic.`@` ............The Ushiromiya blood, which succeeds in miracles, ...definitely saw you through."`\ ld l,$SHA_OdorokiA2,23 ;「………譲治さんが、……私を……？」\ ;＜紗音 `".........George-san did, ......for me......?"`\ ld r,$BEA_iiwakeA1,80 ;「…うむ。@………妾など足元にも及ばぬほどの、凄まじき魔力であったぞ。@/ `"...Hmm.`@` .........He had an incredible magical power, so much so that I could not reach up to his feet. `@/ ld r,$BEA_gamanA3,80 ;……妾など、まだまだ見習いの域を出ぬか。@…今こそ身の程を知ろうぞ。」\ `......So I still have not left the level of apprentice.`@` ...Now I finally know my place."`\ bg black,22 bg M1F_S1dR,22 ;　ベアトはふらりと後へよろめく。@ ;　…明らかに体力を消耗しきっていた。@ `Beato staggered backwards.`@ `...Her physical strength was clearly exhausted.`@ br ;　譲治の力だけで蘇らせたと謙遜しているが、ベアトも全身の魔力と体力を使い切っていた。\ `She had humbly said that George's power alone had revived Shannon, but Beato had also used all of her magical and physical strength.`\ ;　…そして、かつて、自由自在に弄んでいた命を、たったひとつ蘇らせるだけで、@これほどの重みがあるのかと、…それを噛み締めている。\ `...And she reflected upon how difficult it was to revive a single life, which she had been able to play with however she wanted in the past.`\ ;　二人はいつまでも、力強く抱擁を交し合う。@ ;　…百億の言葉でも伝えられない気持ちを、そうして伝え合っていた…。\ `The couple kept on embracing each other tightly.`@ `...By doing that, their feelings that couldn't be communicated with a billion words, were communicated...`\ bg M1F_S1cr,0 ld c,$SHA_HajiraiA3,0 ld l,$GEO_komaruA3k,26 ld l,$GEO_komaruA3,80 ;「ありがとう、ベアトリーチェ。@…君は僕たちの恩人だ…。」@ ;＜譲治 `"Thank you, Beatrice.`@` ...We are in your debt..."`@ ld c,$SHA_HajiraiA1,80 ;「…ありがとうございます、ベアトリーチェさま。@……再び譲治さまに会わせて下さったこのご恩を、…決して忘れません。」\ ;＜紗音 `"...Thank you very much, Beatrice-sama.`@` ......I definitely will not forget that it was you who let me meet with George again."`\ bg M1F_S1bR,0 ld r,$BEA_gamanA4,23 ;「……よせよせ。@愛し合う二人に感謝されては、外道の極みと恐れられた妾にはくすぐった過ぎるというものよ。@/ `"......Stop that, stop that.`@` Being thanked by a pair of lovers is far too embarrassing for one who has been feared as an extreme heretic. `@/ ld r,$BEA_gamanA3,80 ;……妾のことは、…気にするな。@…存分に、………再会を、祝い合え………。」\ `......Don't worry, ...about me.`@` ...Celebrate your reunion together, .........as much as you can........."`\ cl a,0 bg black,25 bg M1F_S1dR,22 ;　壁に背中をもたれ掛けるベアトは、そのままずるりと壁を背負ったまま、座り込む。@ ;　こんなにも魔法で疲労したのは何百年ぶりなのか。\ `Beato, who was leaning on her back against the wall, slid down with the wall still on her back, and sat.`@ `How many centuries had it been since she had last grown this tired from using magic?`\ ;　……多分、初めて魔法を成し遂げた時以来。@ `......I probably haven't been this tired since the time I first succeeded in magic.`@ br ;　………その時は、お師匠さまが褒めてくれたっけなぁ。\ `.........Didn't Teacher praise me that time?`\ ;　あぁ、でも、褒めてくれるお師匠様は、自分で殺しちまったんだっけ。@ `Oh, but didn't I kill that Teacher who praised me myself?`@ br ;　……甘えんなよ、ベアトリーチェ。@ `......Don't be naive, Beatrice.`@ br ;　…モノを殺すってのはつまり、そういうことじゃねぇかよォ…。\ `...In the end, killing something isn't like that, right...?`\ ;■メタ視 mov %play_scene,30210 se1v 56,50 mset mld l,$WAL_DefA1,22 ;「……ようやく。@…魔法の使い方を、思い出したようですね。」\ ;＜ワルギリ `"......Finally.`@` ...It seems you've remembered how to use magic."`\ mld r,$BEA_gamanA2,24 ;「……………頭ン中、酸欠でカラカラで、……思い出すもヘチマもねェぜ…。@/ `"............My head...feels parched and suffocated, ......and I can't even remember...`@/ mld r,$BEA_iiwakeA3,80 ;…それよりアンタ、…殺したじゃねぇかよ。@現れるんじゃねぇよ…。」\ ;＜ベアト `...More importantly, ...didn't I kill you?`@` You shouldn't be appearing..."`\ mld l,$WAL_WaraiA1,80 ;「あなたが未だに私を生かしていますよ。@だからこうして現れられます。@……もっとも、あなたの頭を撫でに来たわけでもありませんが。」\ ;＜ワルギリ `"You have let me live until now.`@` That is why I can appear like this.`@` ......However, I did not come just to pat your head."`\ mld r,$BEA_iiwakeA1,80 ;「……無様な妾を、わざわざ嘲笑いに来たかよ。@/ `"......Did you come to sneer at how pathetic I am? `@/ mld r,$BEA_gamanA4,80 ;……それに、隠居までした魔女が、…今更頭なんか撫でられちゃ、他の魔女の笑い者だぜ……。」\ `......And after all this time, ...if I have my head patted by a retired witch, the other witches will laugh at me......"`\ mld l,$WAL_DefA1,80 ;「そうですね。@……一人前どころか、現役を退いたと豪語するあなたなのに、@今頃になって魔法の使い方を覚えたなど、恥ずかしくて誰にも言えませんね。」\ `"That's right.`@` ......Not only are you not a full adult, but you boast about avoiding your duty,`@` and the fact that you only learned how to use magic now is so embarrassing that you can't tell anybody."`\ mld r,$BEA_gamanA2,80 ;「…………だなァ。@……内緒にしてくれよォ、お師匠様…。」@ `"............That's right.`@` ......Keep it a secret, Teacheer..."`@ br ;　ベアトは心地よい虚脱感の中、抱き合う二人を見つめるのだった。\ `Beato gazed at the couple hugging each other with a sense of pleasant despondency.`\ mend bg M1F_S1aR,0 ld c,$BEA_iiwakeA1,6 ;「愛、かァ。@/ `"Love, is it. `@/ ld c,$BEA_iiwakeA3,80 ;……………勝てねぇなァ…。」\ `............I'm no match..."`\ ;cl a,22 ;ld l,$S45_DefA1,80 bg black,1 E_A wait 500 bgm1 31 ;「４５データ受領。@射撃準備完了。@弾種選定、装填。」\ ;＜４５ `"45 Data Received.`@` Firing Preparations Concluded.`@` Ammo Type Selection, Loading."`\ ;ld r,$S41_DefA1,80 textoff se1 57 bg white,1 bg system1,80 se1 57 bg white,1 bg system2,80 se1 57 bg white,1 bg system3,80 se1 57 bg white,1 bg system4,80 se1 57 bg white,1 bg system5,80 wait 1000 ;「４１０、射撃。@にひ！」\ ;＜４１０ `"410, Firing.`@` Nihi!"`\ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3R,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6R,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7R,10,600 ;wait 50 ;se2v 36,100 ;bg white,1 ;bg blood_1a,1 ;quakey 6,1200 ;　シエスタ姉妹の放つ、黄金の蛇の矢が、@/ `The gold snake arrow fired by the Siestas, `@/ se1v 57,100 bg white,1 bg rose_1bR,22 ;!s0薔薇庭園の茂みを縫い、!d800/ !s0`weaved its way through the bushes in the rose garden, `!d800/ se1v 57,100 bg white,1 bg rose_G1aR,22 ;垣根を縫い、!d800/ `weaved its way through the hedge, `!d800/ se1v 57,100 bg white,1 bg M_o1bR,22 ;石段を登って屋敷の玄関を、!d1000/ `and climbed the stone steps towards the mansion's entrance, `!d1000/ se1v 57,100 bg white,1 bg black,22 ;その鍵穴を目指す。@ `aiming for the keyhole.`@ br se1v 57,100 bg white,1 bg M1F_P1bR,22 ;　それは廊下を縫い、!d900/ `It weaved through the corridors, `!d900/ se1v 57,100 bg white,1 bg black,22 ;客間の扉の鍵穴に飛び込む…！/ `and flew into the keyhole on the door to the parlor...!`/ !sd\ se1v 57,100 bg white,1 bg M1F_S1bR,0 ld r,$BEA_OdorokiA1,22 ;「……ああああああぁああぁッ？！？！」@ ;＜ベアト `"......Aaaaaaaaaaaaaaaaaaaaaaahhhh?!?!"`@ br ;　一瞬の出来事だった。@ `It had happened in an instant.`@ ;　…疲労しきったベアトに、それを事前に気付けというのは困難な話だった。\ `...It would have been difficult for Beato, who was completely worn out, to notice it beforehand.`\ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7,10,600 ;wait 50 se2v 36,100 bg white,1 bg blood_1a,1 quakex 6,1200 ;　ベアトの眼前で、鍵穴より飛び込んできた黄金の蛇が、@愛し合う二人をぐるぐるっと取り囲んで、/ ;!d800二人の心臓を瞬時に貫通した。@ `Right before Beato's eyes, the gold snake that flew in through the key hole...`@`surrounded the two lovers, `/ !d800`and pierced the two hearts in a blink of an eye.`@ br ;　……しかも律儀に、紗音の胸の穴にもう一度、黄金の蛇を貫かせた…。\ `......Furthermore, the gold snake faithfully pierced the hole in Shannon's chest once more...`\ bg black,22 ;　二人は黄金の蛇に、@…いや、新しき残忍な魔女の家具の、黄金の縫い糸によって、心臓を打ち抜かれて、@………蘇らせるのに掛けた手間と、あまりに見合わないほどの一瞬で…！\ `The two hearts were pierced with the gold snake, `@`...no, with the gold sewing thread used by the new brutal witch's furniture,`@` .........and in an instant, so unfitting for the amount of effort it had taken to revive Shannon...!`\ bg black,1 textoff se1 35 bg blood_2a,1 wait 800 se1v 35,100 bg blood_2b,1 wait 800 se2v 35,60 bg blood_2c,1 wait 800 se3 35 bg blood_2d,1 wait 400 se1 35 bg blood_2e,1 wait 2000 bg M1F_S1bR,26 se2v 13,100 wait 100 se3 13 quakey 4,800 ;　呆然とするベアトの目の前で、二人は倒れ、床に横たわる…。\ `In front of Beato's shocked eyes, the two fell over and landed on the floor...`\ ld r,$BEA_OdorokiA1,24 ;!s0「………じょ、/ ;!d400……譲治……、/ ;!d500………紗音……………。」/ !s0`".........G, `/ !d400`......George......, `/ !d500`.........Shannon............"`/ !sd\ ;＜ベアト bg M1F_S1dR,25 ;!s0「……ありがとう、/ ;!d500…ベアトリーチェ……。@…わずかの間でも、/ ;!d400…会わせてくれて、/ ;!d600……ありがとう………。」/ !s0`"......Thank you, `/ !d500`...Beatrice......`@`...For letting us meet, `/ !d400`...even just for a short while, `/ !d600`......thank you........."`/ !sd@ br ;　譲治は最後の息を、ベアトに感謝することに費やし、愛しき人と肩を並べて絶命する。\ `George spent his last breath thanking Beato, and died side by side with the one he loved.`\ bg M1F_S1cR,22 ;　その二人を今尚縫い止めたままの黄金の蛇は、大きく渦を巻くように、ぐるぐるっと客間内を旋回する。@ `The gold snake, which still sewed the two in place, spun like a large cyclone, revolving around the inside of the parlor.`@ br ;　………さらなる室内の獲物を探っているのだ。\ `.........It was searching for further prey in that room.`\ textoff bg black,22 se1v 57,100 bg white,1 bg homing1,80 ;wait 200 se2v 57,100 bg white,1 bg homing2,80 ;wait 200 se3v 57,100 bg white,1 bg homing3,80 ;wait 200 se1v 57,100 bg white,1 bg homing4,80 ;wait 200 se2v 57,100 bg white,1 bg homing5,80 ;wait 200 se3v 57,100 bg white,1 bg homing6,80 me1v 17,70 ;bg black,1 ;　そしてその蛇の先端とベアトの目が合う…。@ ;　ベアトはその瞬間、死を覚悟した。\ `Then, the tip of the snake met Beato's gaze...`@ `In that instant, Beato was prepared to die.`\ E_MA se1v 57,100 bg white,1 bg M1F_S1aR,0 ld c,$WAL_IkariA1,0 ld l,$BEA_OdorokiA1,22 ;　その時、ワルギリアがその前に立ちはだかり、両手の指で印を描く。@ `At that time, Virgilia stood in front of her, the fingers of both her hands drawing a mark.`@ br se3v 2,100 se2v 52,100 bg white,1 bg M1F_S1aR,99,1000,"breakup.dll/llb" ;　その瞬間、黄金色の金箔が客間の中を埋め尽くした。@ ;　それはさながら黄金の吹雪…。\ `In that instant, gold-colored gold leaf buried the inside of the parlor.`@ `It was like a blizzard of gold...`\ ld r,$WAL_KomaruA1,64 ;「ベアト、今の内に逃げてッ！！@　シエスタの黄 `"Beato, escape while you can!!`@ br (`No one can escape`/・・・・・・・・)` from the Siestas' golden bow!!!"`\ ;br ;金弓からは(誰も逃れられない/・・・・・・・・)ッ！！！」\ ;＜ワルギリ ;＜点字処理：誰も逃れられない ;bg black,22 bg black,22 me1v 13,70 dllefe 1,1 bg rose_1aR,0 ld l,$S41_odorokiA1,65 ;「４１０、標的失探！！@　にひゃっ、魔法欺瞞紙ッ！！」@ `"410, Target Lost!!`@` Nihyah, magical chaff!!"`@ ld r,$S45_odorokiA1,80 ;「４５了解…！@/ `"45, Understood...! `@/ ld r,$S45_MajimeA1,80 ;　索敵変更、対人画像追尾方式。@標的再補足、４１０へデータリンク。」\ `Enemy Search Modification, Personal Image Pursuit Method.`@` Target Lock Reacquired, Data Link to 410."`\ ld l,$S41_akuwaraiA1,80 ;「４１０データ受領。@すっトロいにぇ、先代さまぁッ！！@/ `"410, Data Received.`@` Too slo-w nyeh, Predecessor-samaa!! `@/ ld l,$S41_akuWaraiA2,80 ;　来た来た来たぁ、/ ;!d500…着弾ッ！！」\ `Coming coming coming, `/ !d500`...impact!!"`\ textoff ;bg black,22 E_MA dllefe_off se1v 36,100 bg white,1 bg homing7SR,42 ;　シエスタ姉妹の黄金弓は、狙った獲物を逃さない。@防がせない。@ `Prey that the Siesta Sisters' golden bow aimed at did not escape.`@` It could not be blocked.`@ br ;　…魔法的なあらゆる障壁も、多層でなければ防ぐことを夢見ることさえ許さない。\ `...No magical barrier could even dream of blocking it without being multilayered.`\ bg black,22 mono 1 bg M1F_S1bR,0 ld r,$BEA_AseruA1,0 ld l,$WAL_KomaruA1,22 ;　ワルギリアが放った欺瞞魔法により、一瞬だけ混乱したその隙だけが、ベアトが逃げ去るチャンス。@ `The weak point during the instant of confusion caused by Virgilia's deception magic was Beato's only chance to escape.`@ br ;　そして、姉妹がワルギリアをベアトと誤解する唯一のチャンス。\ `And, it was the only chance to make the sisters confuse Virgilia for Beato.`\ se1v 20,100 bg white,1 bg M1F_S1bR,0 ld c,$WAL_IkariA2,22 ;　両手を広げて愛弟子を庇うワルギリアの心臓の位置を正確に、黄金の蛇が打ち抜く…。\ `As Virgilia spread her arms wide, blocking the way to her beloved disciple, the gold snake pierced straight through her heart...`\ se1v 36,100 bg white,1 mono off bg blood_1a,2 ;　鍵穴より侵入し、譲治と紗音の二人を撃ち抜き、さらにワルギリアまでも撃ち抜いた黄金の蛇は、@その瞬間に逃げ去ったベアトについては完全に気付けなかった…。\ `The snake, which had snuck in through the keyhole, had shot through George and Shannon, and had then shot through Virgilia in an instant, `@`completely failed to notice as Beato escaped...`\ textoff se1 35 bg blood_2a,1 wait 800 se1v 35,100 bg blood_2b,1 wait 800 se2v 35,60 bg blood_2c,1 wait 800 se3 35 bg blood_2d,1 wait 400 se1 35 bg blood_2e,1 wait 2000 se2v 13,100 bg blood_1b,1 quakey 5,800 ;　ワルギリアは、ベアトが逃げ切れたことを見届けると、事切れる。@ `As soon as Virgilia saw that Beato had gotten away, she expired.`@ br se3v 22,100 bg white,22 se1v 52,100 se2v 55,90 bg M1F_S1bR,99,3000,"breakup.dll/urb" ;　……がくりと脱力し、その姿をさらさらと風に飛ぶ砂金のようにして、姿を消していった…。\ `......The strength left her body, and like gold dust drifting with the wind, her form was erased...`\ textoff bg black,22 me1v 13,70 dllefe 1,1 se1 22 bg M_o1bR,22 ;　ベアトは魔力の痕跡を完全に消し去り、@黄金の蝶になって、壁をすり抜けて風雨の戸外へ逃げ去る……。\ `Beato completely erased all traces of her magical power,`@` became gold butterflies, and passed through the wall, escaping to the wind and rain outside......`\ ;「………………くそ、/ ;!d400………くそくそ…。@……おのれ、/ ;!d500……おのれぇええぇぇぇッ…！！」\ `"...............Damn it, `/ !d400`.........damn it, damn it...`@`......You bitch, `/ !d500`......you biiiiiiiiiiiiiiiiiiiitch...!!"`\ bg black,22 dllefe_off ;　ベアトは心の底から悔しがる。@ `Beato felt regret from the bottom of her heart.`@ br ;　何に？@ ;　新しき魔女に襲われたから？\ `Why?`@ `Because she had been attacked by the new witch?`\ ;　多分、違う。@ `Probably not.`@ br ;　師匠を失ったことももちろん悔しい。@ `Of course losing her teacher was also regrettable.`@ br ;　そしてそれ以上に、再会できた愛し合う二人の逢瀬を無粋に奪った蛮行に、ベアトは憤った。\ `And even more, Beato was enraged at the barbarism which had boorishly stolen the union between the two reunited lovers.`\ me2v 5,80 dllefe 1,1 ;bg sky_3a,22 ;　……二人を再会させるために、ベアトは魔力のほとんどを注ぎ込んだ。@ ;　…その末に至った奇跡なのに、/ ;!d600……それを奪い去る時間はあまりに一瞬…！@ `......Beato had poured out almost all of her magical power to reunite them.`@ `...Even though the result had been a miracle, `/ !d600`......it had been such a short time before that gift had been stolen...!`@ br ;　その呆気ないまでの蛮行の残酷さに、ベアトは打ち震える。\ `Beato trembled at the barbarous cruelty which had ended it too fast.`\ ;　……そしてそれは、自らが犯してきた行為の正体でもあるのだ…。@ ;　だからベアトは、新しき魔女を憎むのと同じだけ、かつての自らを嫌悪した。\ `......And it was also the true form of the actions she had committed up until that point...`@ `So just as strongly as Beato hated the new witch, she looked at her previous self with disgust.`\ textoff se1 22 bfly2 11 wait 800 cbfly 11 ;　だが、今は逃げなければ…。@ ;　……次に狙われれば命を落とすだろう。@ `But now she had to escape...`@ `......If she was targeted next, she would probably lose her life.`@ br ;　チェスのプレイヤーが、神様気取りで降臨し、駒に討ち取られたなんて、@笑い話にもならないのだから。\ `It wasn't even funny that the chess player had descended like a god, and had been attacked by the pieces.`\ dllefe_off fedexx 0,70,70,0,0,0,3000 wait 1000 dllefe 1,1 bg rose_1aR,26 ld r,$S45_OdorokiA1,24 ;「４５、着弾確認、標的四散。@……ま、間違いなく、先代さまを撃破しました…！」@ `"45, Impact Confirmed, Target Scattered.`@` ......W, without a doubt, we crushed the Predecessor-sama...!"`@ ld l,$S41_akuWaraiA1,23 ;「まぁた私たちの撃墜記章が増えちまうにぇ。@にひ！」\ `"Our pile of kill medals is gonna get bigger o-nce again nyeh.`@` Nihi!"`\ bg rose_1bR,0 ld c,$EV2_AkuwaraiA4,24 ld c,$EV2_AkuwaraiA5,80 bgm1v 61,90 ;「愛し合う二人、……何だっけ？@　引き裂いて一度、会わせて二度、もう一度引き裂いて三度楽しめる、だっけ？@/ `"What was that about loving couples?`@` You get to enjoy tearing the two apart by death, reuniting them, and then tearing them apart again, right? `@/ se1 37 ;　くっくくひひひひひっひひ！\ `*cackle*hihihihihihhihi!`\ ld c,$EV2_NiramuA3,80 ;　そのついでにあのクソ五月蝿いババアまでさよならできて、最高にご機嫌よ。@……ロノウェ、文句ないわよね？」\ `Along with that, I feel great about getting to say goodbye to that damn fussy granny.`@` ......Ronove, you don't have any complaints, right?"`\ ld l,$RON_DefA2,23 ;「……ございませんとも。@ベアトリーチェさま。」\ ;＜ロノウェ `"......I do not, `@`Beatrice-sama."`\ ld c,$EV2_FukigenA2,80 ;「あいつは、魔女の碑文の儀式を妨害したのよ？@　第一の晩の生贄を勝手に蘇らせて、私の儀式を妨害したわ。@文句言われる筋合いなんか、なぁんにもないわよ。\ `"That person interfered with the ceremony of the witch's epitaph, you see?`@` She revived a sacrifice from the first twilight without permission, and interfered with my ceremony.`@` No one has any right at all to complain.`\ ld c,$EV2_AkuwaraiA7,80 se1v 37,100 ;　くっひひひっひゃひゃひゃひゃ…！@　しかしズルイなぁ、あいつは死体を残さないのね。@……あのババァも、思いっきり何度も無限に虐め殺して遊んでやろうと思ったのに。@くっひひひゃひゃひゃ…！！」\ `Kuhhihihihhyahyahyahya...!`@` But it sucks that she didn't leave a corpse behind.`@` ......And I thought I'd be able to torture that granny to death over and over again endlessly.`@` Kuhhihihyahyahya...!!"`\ ld l,$RON_MajimeA1,80 ;「……………………。」\ ;＜ロノウェ `"........................"`\ ;■そしてゲストハウスへ舞台変更。@余韻をよろしく〜 textoff bg black,2 dllefe_off fede 0,5000 wait 1000 mov %play_scene,30220 me1v 12,70 dllefe 1,1 bg garden_1bN,22 wait 3000 bg black,2 bg G_o1bR,22 wait 3000 bg black,25 dllefe_off mevol 1,50 bg Glob_1cR,22 ld r,$EVA_odorokiA2G,24 bgm1 71 ;「じょ、譲治が…？！@　来てないわよ、いつ降りたのよ？！」\ ;＜絵羽 `"G, George did...?!`@` He didn't show up, when did he go down?!"`\ bg Glob_1bR,0 ld r,$BUT_OdorokiA2,23 ;「……い、いつって…。@あれは何時位だったっけ…？」@ ;＜戦人 `"......Wh, when, you say...`@` What time was that, again...?"`@ ld l,$JES_odorokiA1,23 ;「確か、…４時か５時くらいだったかなぁ。@…最低でも１時間以上は前だよ…。」\ ;＜朱志香 `"I think, ...it was probably around 4:00 or 5:00.`@` ...At the very least, it was more than an hour ago..."`\ ld r,$BUT_NayamuA1,80 ;「俺たち、眠くなってその後は多分、居眠りしてたし…。@/ `"We got sleepy, and probably dozed off after that... `@/ ld r,$BUT_NiramuA3,80 ;でも多分、朱志香の言う通りだと思うぜ。@１時間か２時間くらい前だった。」\ ;＜戦人 `But I think it's probably like Jessica says.`@` About one or two hours ago."`\ ld c,$NAN_KomaruA4,23 ;「わ、私もそのくらいの頃だと記憶しています。@コーヒーのお代わりはいるかと聞かれましたからな…。」\ ;＜南條 `"I, I also remember something from around that time.`@` Because I was asked whether I wanted more coffee..."`\ bg Glob_1eR,25 ;　信じ難いことが起きた…。@ `Something hard to believe had happened...`@ br ;　絵羽伯母さんが、ちょっとお手洗いに行っている間に、@蔵臼伯父さんと夏妃伯母さんがいなくなってしまったというのだ。\ `Apparently, when Eva oba-san had left for a second to wash her hands, `@`Krauss oji-san and Natsuhi oba-san had disappeared.`\ bg black,22 E_MA bg G1F_P1aR,22 ;　どこかに隠れているわけもない。@ ;　もちろん、戸締りは全て厳重で、内側から鍵が掛けられている。@破られているものはひとつもない。@ `There's no way they went hiding somewhere.`@ `Of course, the doors and windows had all been rigorously checked, and all were locked from the inside.`@` Not one of them was broken.`@ br ;　それは１階だけじゃない、２階も同様だ。@ ;　また、全ての扉や窓について、その構造上、外からは掛けられない形の鍵を有している。\ `And that wasn't just the first floor. The second floor was the same.`@ `Again, all of the doors and windows possessed locks which had been designed so that they couldn't be set from the outside.`\ bg black,22 ;　…つまり、蔵臼伯父さんたちが外へ出たわけもないのだ。@ ;　……にもかかわらず、その姿がない。@ `...In other words, there was no way that Krauss oji-san and Natsuhi oba-san had gone outside.`@ `......And yet, they couldn't be found.`@ br ;　そして、姿を消したのは二人だけではなく、……何と譲治の兄貴もだった。\ `Furthermore, they weren't the only ones who had disappeared. ......Even George-aniki had.`\ mono 1 bg G2F_R1aR,0 ld c,$GEO_WaraiA1,26 ;　譲治の兄貴は、コーヒーのお代わりを取りに行くと言い残し、@/ `George-aniki had left saying that he was going to get more coffee, `@/ cl c,24 ;１時間以上は前に、下へ降りていったきりだ。@ `and had gone downstairs more than an hour earlier.`@ br bg black,25 mono 0 ;　きっと、絵羽伯母さんたちと会話が弾んでいるのだろうと思い込んでいたのだが、@……ずっとロビーにいた絵羽伯母さんは、誰も降りてこなかったと話す。\ `We had been under the impression that he was having a conversation with Eva oba-san and the rest, `@`......but Eva oba-san, who had been in the lobby the whole time, said that no one had come down.`\ ;　全ての扉と窓が内側から施錠されている以上、@…彼らが外へ出て行ったとは考えられない。@ `Since all of the doors and windows were locked from the inside,`@` ...it was unthinkable that they had gone outside.`@ br ;　……しかし、この完全な密室と化した篭城のゲストハウスから、人間が３人も蒸発したのだ……。\ `......However, three humans had evaporated from this barricaded guesthouse, which had become a perfect closed room......`\ ;　このような状況下で、驚かすなんて悪戯のために、彼らが隠れん坊をする理由など考えられない。@ `In a situation like this, we couldn't imagine that this was because they were playing hide-and-seek and trying to scare us with a prank.`@ br ;　……事件に巻き込まれたと考えるのが妥当だろう…。\ `......It was probably appropriate to think that they had been caught up in this crime...`\ bg G2F_P1bN,22 ;　絵羽伯母さんは、一人息子が失踪していたことを知り、@半狂乱になって、部屋から部屋へ大声でその名を呼びながら駆け回っている。@ `When Eva oba-san had learned that her only son was missing,`@` she had gone half insane, running from room to room and yelling his name loudly.`@ br ;　…そして、唐突に両親を失った朱志香も後に続く。\ `...And Jessica, who had suddenly lost both of her parents, had chased after her.`\ bg G1F_P1e,25 ;　ゲストハウスの中には、譲治譲治という声と、父さん母さんという声が、いつまでも木霊し続けている…。\ `Cries of 'George, George' and 'Mom, Dad' continued to echo through the guesthouse for some time...`\ bg black,22 ;　譲治の兄貴は、紗音ちゃんの死に顔を見たい、というようなことを口にしていたと思う。@ `I think George said something about wanting to see Shannon's dead face.`@ br ;　……こっそりとゲストハウスを抜け出して、屋敷へ行ったと考えるのが妥当だった。\ `......It would be reasonable to imagine that he had snuck out of the guesthouse and gone to the mansion.`\ ;　…だが、蔵臼伯父さんたちについてはわからない。@ ;　…それを察して、屋敷へ探しに行ったのだろうか…？@ `...However, I don't know about Krauss oji-san and Natsuhi oba-san.`@ `...Did they notice that, and go to the mansion to search for him...?`@ br ;　絵羽伯母さんに声も掛けずに…？\ `Without even telling Eva oba-san...?`\ ;　このままでは、ゲストハウスを出て彼らを探しに行こうという話になるのも、時間の問題だろう。@ `At this rate, it's only a matter of time before we start talking about leaving the guesthouse to search for them.`@ br ;　………この期に及んでは、俺もそれに賛成だ。\ `.........When that time comes, I'll agree.`\ me1v 12,50 bg G1F_P1aN,22 ;　ゲストハウスに閉じ篭ってれば安全だと言って、@俺たちは今朝、１２人もの大所帯でここに閉じ篭ったはずなんだ。@ `Since shutting ourselves up inside the guesthouse should have been safe, `@`we should have been a big, happy family of 12 people and stayed shut in since this morning.`@ br ;　なのにそれが、今やここには４人しかいない。@ ;　……つまり、ここにいることが安全を意味したりはしないのだ…。\ `And yet, now there were only four people here.`@ `......In other words, it means that being here is not safe...`\ bg black,22 ;　だが、…その前に忘れてはならないことがある。@ ;　全ての扉と窓が内側から閉ざされているということだ。@ `However, ...before that, there was something that we must not forget.`@ `That was the fact that all of the doors and windows were locked from the inside.`@ br ;　……ここは密室なのだ。@ `......This is a closed room.`@ br ;　どうやって彼らはここから姿を消したというのか。\ `How had they hid themselves away from this place?`\ me2v 5,0 fedexx 0,70,70,0,0,0,3000 E_B wait 1000 dllefe 1,1 bg G_o1cR,22 ;　俺たちは徹底的に探し回った。@ ;　しかし、誰かが隠れている痕跡は見つけられなかった。@ `We searched around thoroughly.`@ `However, we couldn't find any traces of someone hiding.`@ br ;　…ほぼ間違いなく、彼ら３人はゲストハウスの外へは連れ出されている。\ `...The three of them had almost certainly been taken outside the guesthouse.`\ dllefe_off bg G2F_P1bN,26 ld l,$NAN_KomaruA2,23 ;「………どうやってでしょう…。@まさか、……隠し扉とかがあるとか。」@ ;＜南條 `".........I wonder how they did it...`@` You don't think, ......there might be something like a hidden door?"`@ ld r,$BUT_niramuA1,24 ;「隠し扉…？」\ ;＜戦人 `"A hidden door...?"`\ ld l,$NAN_MajimeA1,80 ;「…扉も窓も、外から閉めることは構造上、不可能です。@釣り糸の類を使っても、この構造では無理でしょうな。@/ `"...The doors and the windows were constructed so that it is impossible for them to be locked from the outside.`@` Even using a fish line, it would probably be impossible with the way it is constructed. `@/ ld l,$NAN_fumuA1,80 ;となれば、扉や窓以外から出たと考えるのが妥当でしょう…。」\ `In that case, it may be appropriate to think that they left through somewhere other than the door or a window..."`\ ld r,$BUT_komaruA3,80 ;「………確かに。@そういう論法にもなるだろうよ。@……隠し扉が存在しないなんて断言は誰にもできない。\ `".........You're right.`@` That does make logical sense.`@` ......No one can be sure that no hidden doors exist.`\ ld r,$BUT_majimeA1,80 ;　…しかし、そういう発想に飛躍する前に、俺はもっとシンプルな可能性も疑ってる。」@ `...However, before leaping to that conclusion, I suspect a much simpler possibility."`@ ld l,$NAN_KomaruA3,80 ;「と、…申しますと……？」\ `"And, ...what would that be......?"`\ bg black,22 ;　戦人はさっきから、窓を開け、鎧戸を開けては外を確かめる仕草をして、@それを次々に繰り返していた。\ `For some time, Battler had been opening windows, opening the shutters, and checking outside,`@` and repeating this for each window.`\ bg G1F_P1aN,26 ld r,$BUT_DefA2,24 ;「………ん。@…この窓は静かだな。@/ `".........Hmm.`@` ...This window sure is quiet. `@/ ld r,$BUT_oyaA1,80 ;…なるほど、この窓は他と違って建物の構造上、風が吹き込まないわけか。」@ `...I see, unlike the other windows, the building was constructed so that the wind doesn't blow into this one."`@ ld l,$NAN_fumuA1,23 ;「そのようですな…。@こんなにも外は風雨なのに、雨も風も入ってこないとは不思議な気持ちです。」\ `"It appears that way...`@` It feels strange that no wind or rain comes in, even though there is so much of it outside."`\ ld r,$BUT_MajimeA1,80 bgm1 32 ;「南條先生。@…今、窓を開けた時、音を感じたかい？」@ `"Doctor Nanjo.`@` ...When I opened the window just now, did you hear a sound?"`@ ld l,$NAN_MajimeA1,80 ;「え？@　……いえ、気にはなりませんでしたな…。@よく油が効いてると思います。」\ `"Huh?`@` ......No, I did not notice it...`@` I believe it is well oiled."`\ ld r,$BUT_futekiA1,80 ;「つまり。@誰も見ていない廊下の窓から、ひょろっと抜け出すことは可能なわけだ。@しかも、この窓なら風も吹き込まないから、@風圧でカーテンや扉が音を立てることもない。@……静かなもんさ。」\ `"In other words, `@`it is possible to slink through a window in the hall when no one is looking.`@` Furthermore, the wind doesn't blow in through this window, `@`so the air pressure wouldn't cause the curtains or a door to make a sound.`@` It'd be quiet."`\ bg black,30 dllefe 1,1 bg G_o1cR,22 ;　戦人は身を乗り出し、下の地面を見る。@ ;　…譲治が飛び降りたかもしれない跡を探しているのだ。@ `Battler leaned forward and looked at the ground below.`@ `...He was searching for some sign that George had jumped down.`@ br ;　……しかし、降りしきる雨の中の芝生には、一見、そういう痕跡は残っていないように思えた。\ `......But at a glance, he didn't see any mark like that on the grass in the middle of the pouring rain.`\ bg black,22 dllefe_off bg G2F_P1bN,0 ld l,$BUT_KomaruA2,26 ;「……こういう窓が、１階にもあるのかもしれない。@誰にも気付かれずに表へ出ることは可能だぜ。」@ `"......There might also be a window like this on the first floor.`@` It is possible to go outside without anyone noticing."`@ ld r,$NAN_komaruA1,24 ;「しかし扉は愚か、窓は全て施錠されて鎧戸まで閉まっていましたぞ…？@　出ることは可能でも、閉めることは不可能だ…。」\ `"However, not only the doors, but the windows too are all locked, and the shutters are even down as well, correct...?`@` It is possible to go out, but closing them is impossible..."`\ ld l,$BUT_futekiA3,80 ;「閉められるぜ？@　こうやって、カチャンとな。」@ `"They can be closed, right?`@` Just like this, *click*"`@ br se1 25 ;　戦人は、何を当り前なことをという仕草で、開いた窓を閉め、施錠する。\ `Battler closed the window and locked it, as though this was perfectly obvious.`\ ld r,$NAN_MajimeA2,80 ;「…………ま、……まさか、戦人さんは……………。」\ `"............B, ......Battler-san, you aren't saying..............."`\ bg black,22 ;「最後に、中の人間が鍵を閉めれば、こんな密室は朝飯前だ。」\ `"If someone inside locked it in the end, this closed room is as easy as pie."`\ fede 10,2000 bg G1F_P1e,26 ;「し、しかしそれでは、@………それでは、@……おおおぉぉ……。」@ `"B, but that means, `@`.........that means, `@`......ooooooohhhh......"`@ br ;　南條は青ざめながら首を何度も横に振る。@ ;　…戦人が口にしたそれは、想像するのも恐ろしいある事実を突きつけているからだ…。\ `Nanjo turned pale and shook his head several times.`@ `...Because the thing that Battler said had hit him as a fact that was frightening even to imagine...`\ bg G2F_P1bN,0 ld c,$BUT_futekiA2,26 ;「……俺の想像したトリックならな？@/ `"......It's just a trick I thought of, right? `@/ ld c,$BUT_komaruA2,80 ;　しかし、こんなトリックを使えば、怪しまれる人物は極めて限定される。」@ `However, with this trick, only a very limited number of people can be suspected."`@ br ;　南條の前でそれを口にしたくないが、…戦人とずっと一緒にいた朱志香を除けば、@…それが出来るのは南條と、…絵羽しかいない。\ `He didn't want to say it in front of Nanjo, ...but after eliminating Jessica, who had been with him the whole time, `@`only Nanjo, ...and Eva could have done it.`\ cl c,0 ld r,$BUT_komaruA2,0 ld l,$NAN_MajimeA2,23 ;「わ、…私はそんなことをしませんぞ…！@　え、えぇ、誓ってもいい…！！」\ `"I, ...I did not do anything of the sort...!`@` Y, yes, I can swear it...!!"`\ ld r,$BUT_futekiA1,80 ;「……となると、絵羽伯母さんと南條先生のアリバイ合戦ってことになる。@…俺たちは、二人とも怪しんで、@それぞれを別々に監禁すればいいだけの話。\ `"......In this case, it becomes a battle between Eva oba-san and Doctor Nanjo for an alibi.`@` ...We just have to suspect both of you, `@`and confine the two of you separately.`\ ld r,$BUT_NayamuA1,80 ;　………逆に言えば、このトリックは、もっと生存者が多ければ有効かもしれないが、@これだけ人数が減った状況下では、大して有効ではないんだ。」\ `.........To say it the other way around, the more survivors there are, the more effective this trick might be, `@`but since our numbers have shrunk so much, it isn't effective at all."`\ ;　…いや、それどころか、自分の首を絞める可能性だってある。@ `...No, to the contrary, there would be a chance of having your own neck strangled.`@ br ;　……むしろ、外に犯人がいるように見せ掛けるため、@わざと鍵を開け放したり、窓を破ったりした方が好都合なはずなのだ…。\ `......It should have been more expedient to make it look like the culprit was outside,`@` and to intentionally leave a door unlocked, or break a window...`\ ld r,$BUT_majimeA4,80 ;「…………もしこの失踪劇が、今日の昼にでも起これば、@俺は自信満々にこの説を発表しただろうよ。@…だが、この段階に至っては全然自信が持てないぜ。@…………何なんだ、こいつは。@…一体何を意味してやがるんだ。@………この“密室”はよ……。」\ `"............If this disappearance theater had taken place midday today,`@` I'd have probably announced this theory with full confidence.`@` ...However, at this stage, I'm not confident at all.`@` ............What's going on here?`@` ...What in the world does it mean?`@` .........This 'closed room'......"`\ ld l,$NAN_KomaruA2,80 ;「や、……やはりその………。」@ `"Y, ......you don't think, umm........."`@ ld r,$BUT_OyaA1,80 ;「ん？@　何だい、南條先生。@/ `"Hmm?`@` What is it, Doctor Nanjo? `@/ ld r,$BUT_KomaruA3,80 ;…思いつきでもいいから言ってくれよ。」\ `...Even if it's just a thought, please say it."`\ ;　何かを思いついたようなのに、その言葉を飲み込んだように見えた為、俺はそれを促す。@ `Because Nanjo looked like he was trying to swallow his words, even though it seemed that he had thought of something, I urged him on.`@ br ;　南條先生は、いえいえ下らない話ですと何度か断った挙句、ようやく口にした。\ `After Doctor Nanjo refused several times, saying that it was just a foolish idea, he finally said it out loud.`\ ld l,$NAN_KomaruA4,80 me1v 16,70 ;「……いえその。@…………やはりこれは本当に、/ ;!d700……魔女の仕業ではないのか、と…。」@ `"......No, umm,`@` ............you don't think this actually might be, `/ !d700`......the work of the witch...?"`@ ld r,$BUT_OdorokiA2,80 ;「ば、…馬鹿馬鹿しい。@/ `"R, ...ridiculous. `@/ ld r,$BUT_NayamuA3,80 ;魔女なんているわけがねぇぜ。」\ `There's no way witches exist."`\ bg black,25 bg portrait2,2 ;「……魔女は、私たちに訴えたいのです。@…人間には出来ないことをやってのけるからこそ、@…自分を魔女だと認めさせたいに違いないのです。@…私はこのゲストハウス全体の密室からの失踪は、……そういう、魔女からのメッセージだと感じています……。@…………考えてはならないのです。@意味なんてきっとないのです。@…おぉ、……わ、…私は恐ろしい……。」\ `"......The witch is trying to make her case to us.`@` ...And because she is doing things that humans cannot do, `@`...she must be trying to make us accept her as a witch.`@` ...To me, this disappearance from the closed room of this entire guesthouse, ......feels like that kind of message from the witch......`@`............I must not think of it.`@` Surely, it cannot mean anything.`@` ...Oooh, ......I, ...I am frightened......"`\ bg G2F_P1bN,0 ld c,$NAN_KomaruA2,6 ;　南條先生はわなわなと震えながら、沸き起こる恐ろしい想像を次々に掻き消しているようだった。\ `As Doctor Nanjo shook with fear, it looked like he was he was trying to erase the fearsome thoughts that he kept imagining one after the other.`\ textoff bg black,26 bg Gsta_1b,22 wait 2000 bg black,22 bg G1F_P1aN,0 ld r,$EVA_odorokiA2G,0 ld l,$JES_IkariA1,26 me1v 13,50 ;　……下へ降りると、絵羽伯母さんと朱志香は憤り、@それぞれの家族を探すためにここを出ようと気炎を上げていた。\ `......When we went down the stairs, Eva oba-san and Jessica were enraged, `@`and were each persistent in their desire to leave this place and search for their respective families.`\ ;　家族の姿が見えなくなれば、駆られて当然の欲求だ。@ `It was a desire that naturally hits those who can no longer see their family.`@ br ;　絵羽伯母さんは、俺と南條先生にここに残るように言うが、俺は首を横に振り、歩み出た。\ `Eva oba-san told Doctor Nanjo and me to stay here, but I shook my head and started walking.`\ bg G1F_P1c,0 ld l,$BUT_NayamuA2,24 ;「………もう、引き篭もりはたくさんだぜ。@…俺も外の空気を吸いたくなってきた。」\ `".........I've been shut up inside for a long time already.`@` ...I've started wanting to breathe some outside air."`\ ld r,$JES_IkariA1,24 ;「あぁ、行くならさっさと行こうぜ…！！@　もうこんなところに閉じこもってるのは真っ平さ…！！@　早く父さんや母さんや、譲治兄さんを探しに行こう…！！」\ ;＜朱志香 `"Sure, if you're going, let's go quickly...!!`@` There's no way I'm gonna keep myself shut up in a place like this any more...!!`@` Let's go and find Mom, Dad, and George nii-san quickly...!!"`\ ;　朱志香はすっかり頭に血が上ってしまっている。@ ;　…喘息の発作にならなければいいのだが。\ `The blood had all risen to Jessica's head.`@ `...I hope it doesn't set off her asthma.`\ bg G1F_P1aN,0 ld r,$EVA_IkariA2G,23 ;「残りたい人は勝手に残ってればいいわ。@とにかく私たちは表を探してくるわ…！」\ ;＜絵羽 `"Anyone who wants to stay can just stay.`@` Anyways, we're searching outside...!"`\ ld l,$BUT_MajimeA1,23 ;「南條先生はどうする…？@　ひとりで留守番してるかい…？」@ ;＜戦人 `"What about you, Doctor Nanjo...?`@` Will you watch the place by yourself...?"`@ ld c,$NAN_MajimeA2,24 ;「い、いえ…。@私もご一緒させてください…。」\ `"N, no...`@` Allow me to join you..."`\ ;　安全がまったく保証されていないゲストハウスにひとりで篭るくらいなら、@危険地帯ではあっても４人一緒の方がまだマシだろう。@ `Rather than holing up alone in a guesthouse whose security was by no means guaranteed, `@`it would be better to be in a danger zone as a group of four people.`@ br ;　絵羽伯母さんは銃を持っている。@ ;　彼女と行動を別にするのは、自分を次の犠牲者にしてくれと名乗り出るようなものだ。\ `Eva oba-san was holding a gun.`@ `Moving separately from her was almost like asking to be made into the next victim.`\ bg black,22 ;bg G1F_P1c,22 fede 10,2000 ;　こうして俺たち４人はゲストハウスを出ることになった。\ `In this way, the four of us decided to leave the guesthouse.`\ ;　……ここに篭城すれば安全と言って俺たちは篭り、……そして８人を失った。@ `......Even though it should have been safe to barricade ourselves here, we did that, ......and then lost eight people.`@ br ;　それはまるで、生贄を順番に殺すための控え室でしかなかったかのようだ。\ `It was almost as though it was a holding room so that the sacrifices could be killed one after another.`\ se1 16 bg G1F_P1bN,2 me1v 5,50 ;　チェーンを外し、鍵を開けて玄関の扉を開く。@ `We removed the chain, unlocked the front door and opened it.`@ br ;　もう辺りは真っ暗だ。@ ;　表には、一応、外灯があり、足元をそこそこには照らしてくれるが、@……不審者が潜んでいそうな暗闇を照らし出すほどの力はない。\ `It was already pitch black.`@ `While there were some lights outside which dimly lit the pathway, `@`......they didn't have enough power to shine into the darkness that some suspicious person might be hiding in.`\ ld l,$EVA_odorokiA1G,63 ;「行くわよ…！@　遅れても知らないんだからね…？！」\ ;＜絵羽 `"I'm going...!`@` If you fall behind, you're on your own, okay...?!"`\ cl l,63 ;　絵羽伯母さんが、銃を構えたまま、傘も差さずに飛び出していく。@ `Still holding her gun, Eva oba-san dashed out without an umbrella.`@ ld r,$JES_KomaruA1,64 ;　朱志香もその後に続く。@ `Jessica followed after her.`@ cl r,64 br ;　俺と南條先生は顔を見合わせてから、二人のあとに続き、駆け出すのだった。\ `After looking at each other, Doctor Nanjo and I chased after them.`\ bg black,65 wait 1000 me2v 13,70 mevol 1,70 dllefe 1,1 bg G_o1bN,22 ;　…一体、この屋敷では、この島では、何が起こってるっていうんだ。@ `...What in the world is happening in this mansion, on this island?`@ br ;　俺はいとこみんなで、昨日からずっとゲストハウスのいとこ部屋に篭っているだけだ。@ ;　だからその外のことは何もわからない。\ `I've just been shut up in the guesthouse with the rest of the cousins since yesterday.`@ `So I don't know anything about what's going on outside.`\ bg black,64 bg garden_1cN,64 ;　一体、俺の知らない、部屋の外では、屋敷では、@そしてこの島では何が起こっているっていうんだ。@ `Just what is happening that I don't know about...`@`outside this room, in the mansion, on this island?`@ br ;　……俺に与り知れないうちに全てが起こり、全てが進み、@…そして、全てが終わろうとしている。\ `......Everything is happening, everything is proceeding, `@`...and everything is ending without my knowing it.`\ bg black,22 ;　俺は心のどこかで、すでに諦め始めていた。@ `Somewhere in my heart, I have already begun to give up.`@ br ;　…俺たちはおそらく、……誰一人、明日の朝を迎えられはしないだろう。@ `...Most likely, ......not one of us will see tomorrow morning.`@ br ;　うみねこのなく頃に、誰も生き残れはしない…。\ `When the seagulls cry, nobody will be left alive...`\ wait 2000 ;▲第１６アイキャッチ　１０月５日（日）１８時０３分　時計動かず eye1 18,3,18,3,1,0,320,270,90 *umi3_17 mov %play_scene,30220 mov %grim_scene,307 gosub *EV2_Isyou2 textoff me1v 12,70 me2v 5,70 dllefe 1,1 bg rose_G1aN,22 wait 2000 bg black,22 bg rose_1aN,22 wait 2000 bg black,22 dllefe_off bg garden_R1aN,26 ld c,$JES_NakuA1,24 ;「父さん…、……母さん……！！@　誰がこんなことを…！！@　ううあああああぁああぁあぁあ…！！」@ `"Dad..., ......Mom......!!`@` Who would do something like this...?!!`@` Waaaaaaaaaaaaaaaahhh...!!"`@ br ;　朱志香の悲しい声が、薔薇庭園に木霊した…。\ `Jessica's woeful voice echoed throughout the rose garden...`\ bg black,25 dllefe 1,1 bg rose_1bN,22 ;　やはり、この島に住んでいる人間の勘なのだろう。@ `Perhaps it was the intuition of a person who lived on this island.`@　 br ; …朱志香は薔薇庭園の、楼座叔母さんたちが倒れていた場所を見て、@何もないことを確かめると、次に東屋を見に行った。\ `...After Jessica had looked in the rose garden where Rosa oba-san and Maria had fallen and seen nothing, `@`she had gone to look in the arbor next.`\ dllefe_off bg garden_R1bN,22 ;　東屋は、本来なら天気の良い日に薔薇を愛でながらお茶をするのに最高のロケーションだろう。@ `Normally, the arbor was probably a wonderful location to enjoy tea peacefully while appreciating the roses on a good sunny day.`@ br ;　……案外、あの蔵臼伯父さんと夏妃伯母さんにも、@そこで二人でお茶を飲んでくつろぐ日もあったのかもしれない。\ `......Unexpectedly, even Krauss oji-san and Natsuhi oba-san, `@`had their days where they relaxed and enjoyed their tea together there.`\ bgm1 15 bg blood_1a,22 ;◆蔵臼・夏妃死亡フラグ mov %play_scene,30230 seplay2 9,1061,70 mov %r_hyouji,0 ;　……その東屋に、蔵臼伯父さんと夏妃伯母さんの遺体が横たわっていた。@ `......In that arbor lay the corpses of Krauss oji-san and Natsuhi oba-san.`@ br ;　楼座叔母さんたちの時と違い、せめて雨曝しになっていないのだけが幸いだろうが、@そんなこと、今の朱志香に口にできるわけもない…。\ `At least they aren't drenched in the rain like Rosa oba-san and Maria had been, `@`but there was no way I could say that out loud to Jessica at the moment...`\ bg garden_R1cN,0 ld r,$BUT_NayamuA1,26 ;「……どうなんだ、南條先生。」@ ;＜戦人 `"......What do you think, Doctor Nanjo?"`@ ld l,$NAN_MajimeA2,26 ;「こ、…絞殺ですな。@/ `"Str, ...strangulation, I believe. `@/ ld l,$NAN_KomaruA2,80 ;…ほら、御覧なさい。@首に、くっきりと何か細いもので絞めた跡が残っている。」\ ;＜南條 `...Come, take a look at this.`@` On their necks, there are distinct markings that something thin was used to strangle them."`\ ld r,$BUT_NiramuA1,80 ;「だな。@……まさかこっちが、主たる死因のわけはねぇだろうよ。」\ ;＜戦人 `"Right. `@`......I doubt that these things were the primary cause for their deaths. "`\ bg blood_1a,26 ;　…そこに転がる２本のオカルト意匠の施された杭状の凶器は、@発見時には、蔵臼伯父さんの太股付近に、@夏妃伯母さんのふくらはぎ付近に、それぞれ打ち込まれていた。@ `...There lay two stake-like weapons decorated with an occult design, `@`which had been found driven into Krauss oji-san's thigh area, `@`and near Natsuhi oba-san's calf.`@ br ;　親父たちの額やら胸やらに突き刺さっていた時は、@警察が来るまでの現場保全のためにと、抜くことさえ許されなかったが、@……もはや朱志香はそんなことは構わず、痛々しい姿の二人のために、すぐに抜き取った。\ `When we had found these sticking out of my parents' forehead and chest, `@`we had decided to leave them for the police and to preserve the crime scene, `@`......but Jessica didn't care about such matters and had immediately pulled the stakes out of her parents' forsaken bodies.`\ bg garden_R1bN,26 ld r,$EVA_komaruA4G,24 ;「……これで、頭、胸、腹、膝、足の５つを抉られた死体が出たわけね。」@ ;＜絵羽 `"......By now, bodies gouged in the head, chest, stomach, knee, and leg have been found."`@ ld l,$JES_NakuA1,26 ;「ううぅううぅうぅ、くそくそくそ！！@　犯人め、殺してやるッ、殺してやるッ！！@　うわああぁあぁぁぁぁ…！！」\ ;＜朱志香 `"Oooooooohhhhh, damn it damn it damn it!!`@` I'll kill that murderer, kill him!!`@` Uwaaaaaaaaaahhh...!!"`\ ld r,$EVA_odorokiA1G,80 ;「……第八の晩まではこれで終わったわ。@…続くは第九の晩なの？@　……魔女は蘇り、誰も生き残れはしない。」\ ;＜絵羽 `"......With this, the eighth twilight has been completed.`@` ...Is this going to continue onto the ninth twilight?`@` ......The witch shall be revived, and none shall be left alive."`\ ld l,$JES_IkariA1,80 ;「上等だぜ…。@……魔女が蘇るってことは、/ ;!d600…犯人が堂々と姿を現してくれるってことなんだろ？！@/ `"Bring it on...`@`......If the witch revives, `/ !d600`...that means the culprit is going to make his grand appearance, right?! `@/ ld l,$JES_IkariA2,80 ;　何が誰も生き残れないだ…。@……私が殺してやる…！@　父さんと母さんを殺した犯人を、この手で絶対に殺してやる…！！」@ ;＜朱志香 `No one's going to be left alive? Bullshit...`@`......I'll kill him...!`@` I'll make sure I kill the culprit who killed Dad and Mom with my own hands...!!"`@ br ;　朱志香は感情をむき出しにして吼え猛る。@ ;　……悲しみに押し潰されないためには、怒りでそれに抗う他がないのだ。\ `Jessica let her emotions flow out as she howled furiously.`@ `......To avoid being crushed by her grief, she could do nothing but resist it with anger.`\ ld r,$EVA_komaruA4,80 ;「………まだ、…譲治が見つかってないわ。@…朱志香ちゃんたちは、ここにいたければいるといい。@私は屋敷へ行くわ。」\ ;＜絵羽 `"......We still, ...haven't found George.`@` ...Jessica, you children better stay here.`@` I'll go in the mansion."`\ bg garden_R1cN,24 ld r,$NAN_MajimeA2,24 ;「え、絵羽さん、バラバラに行動してはいけない…！！@　みんなで一緒に行動しなくては危険です…！」\ ;＜南條 `"E, Eva-san, we mustn't split up...!! `@`It is dangerous if we do not all stick together...!"`\ ld l,$EVA_ikariA1G,23 ;「兄さんたちはもうどうしようもないわ。@/ `"There's nothing we can do for Nii-san or his wife. `@/ ld l,$EVA_IkariA2G,80 ;でも譲治はまだどこかで生きてるかも知れない…！@　ここで時間を潰してる暇はないのよ…！！」@ ;＜絵羽 `But George may be still alive somewhere...!`@` I have no time to waste here...!!"`@ br ;　絵羽伯母さんがそう叫ぶと、朱志香はぎょろりと睨みつける。\ `As Eva oba-san screamed this, Jessica glared at her.`\ ;　…彼女にはもはや、死者にこれ以上構う暇はないのだ。@ ;　まだ姿の見えない一人息子の安否の方が気がかりなのだ。\ `...Eva had no more time to bother about the dead.`@ `She was more concerned for the safety of her only son, who had yet to be seen.`\ cl a,0 ld c,$EVA_IkariA1G,23 ;「朱志香ちゃんはここでお父さんとお母さんの傍にいるといい。@私はちょっと屋敷に行ってくるわ。@戦人くんも南條先生もここにいてくれていい。」@ `"Jessica-chan, you should stay by your father and mother's side.`@` I'll make a short trip to the mansion.`@` Battler-kun and Doctor Nanjo, you two can stay here as well."`@ br cl c,63 ;　絵羽伯母さんは、それだけを一方的に言うと、東屋を飛び出していく。\ `After arbitrarily saying this, Eva oba-san rushed out of the arbor.`\ bg black,25 fedexx 0,70,70,0,0,0,2000 ;　俺が、待てよと声を掛けるが、足を止めるわけもなかった。@ `I called out to stop her, but there was no way she would listen.`@ br ;　…しかし、この状況下でひとり孤立することは、今や死を意味する。\ `...However, being alone in this situation meant nothing short of death.`\ ;　黙って行かせれば、それは見殺しを意味するのだ。@ ;　絵羽伯母さんが足を止めない以上、俺たちは彼女を追うしかない。@ `If we silently watched her leave, it would be the same as letting her die.`@ `Since Eva oba-san was unwilling to stop, we had no choice but to follow her.`@ br ;　……それに、残酷ではあるが、@蔵臼伯父さんたちはすでに死んでいて、@これ以上できることは何もない…。\ `......And, while it may be cruel to say so, `@`Krauss oji-san and Natsuhi oba-san were already dead, `@`so there was nothing more we could do for them...`\ bg garden_R1aN,26 ;　結局、俺たちは、朱志香を慰めて、全員で屋敷に行く他なかった。@ `In the end, we had no choice but to console Jessica and head for the mansion together.`@ ld c,$JES_NakuA2,6 ;　…幸い、朱志香は立ち上がってくれた。@ `...Fortunately, Jessica stood up.`@ br ;　悲しみに一区切りがついたのだろう。@ ;　……しかし、代わりに浮かべている形相はまるで鬼のそれだ。\ `Perhaps she had been able to break free from her grief.`@ `......But, what had surfaced in its place was an expression like a demon.`\ ld c,$JES_IkariA2,80 ;「…私がこの手でぶっ殺して、……必ず仇を取ってやる………。@/ `"...I'll kill that person with my hands, ......I'll make sure I avenge them.........`@/ ld c,$JES_IkariA1,80 ;……行こうぜ、戦人。@犯人を見つけたら邪魔をするなよ。@私が絶対に殺す…！！」\ ;＜朱志香 `......Let's go, Battler.`@` If we find the culprit, don't get in my way.`@` I'm definitely going to kill them...!!"`\ bg garden_R1cN,0 ld r,$BUT_NiramuA1,24 ;「………俺も親父たちの仇があるんだ。@悪ぃが早い者勝ちだぜ。」@ ;＜戦人 `".........I also have my parents to avenge.`@` Sorry, but this is first come, first serve."`@ ld l,$JES_OdorokiA1,23 ;「…あぁ、…そうだな…。@/ `"...Yeah, ...that's right...`@/ ld l,$JES_IkariA2,80 ;……ぶっ殺してやろうぜッ！」\ ;＜朱志香 `......Let's kill them!"`\ ;　俺の言葉に、ようやく朱志香は自らの気持ちを共感してもらえたことを感じたのだろう。@ ;　物騒な表情ではあるが、少しだけ朱志香が正気に戻るのを感じた。\ `At my words, Jessica finally seemed to feel like we sympathized with her emotions.`@ `She still had that dark expression, but I felt that Jessica had regained some of her sanity.`\ bg black,64 dllefe 1,1 bg rose_1bN,64 ;　俺たちは駆け出す。@ ;　絵羽伯母さんの後を追う。@ `We took off.`@ `Chasing after Eva oba-san.`@ br bg garden_1cN,64 ;　薔薇庭園を駆け抜け、@石段を駆け上がり、@……稲光にその大きな黒い影で威圧するような、屋敷をまっしぐらに目指す。\ `Through the rose garden, `@`up the stone steps, `@`running at full speed towards the mansion......whose large, intimidating shadow flashed in the lightning.`\ se1 27 wait 500 dllefe_off bg white,1 bg black,2 ;　……これで、碑文の殺人は第八の晩を終えた。@ `......With this, the murders of the epitaph have reached the eighth twilight.`@ br ;　そして続く第九の晩に、魔女は蘇る。@ `And then, at the ninth twilight, the witch will revive.`@ br ;　…誰も生き残れはしない。\ `...None shall be left alive.`\ ;　俺は命を、恐らく失うだろう。@ `I will most likely lose my life.`@ br ;　……だがせめて、真相をこの目に焼き付けたい。@ ;　それだけが、今の自分を動かす原動力だった。\ `......But at the very least, I want to burn the truth into my eyes.`@ `That is the only thing motivating me to move at the moment.`\ textoff dllefe 1,1 bg M_o1aN,0 ld c,$EVA_odorokiA1,26 ;　俺たちは、玄関で鍵開けに苦闘している絵羽伯母さんに何とか合流できた。@ `We were able to reunite with Eva oba-san, who was having trouble with the lock to the front door.`@ br ;　絵羽伯母さんは相当頭に血が上っているようだ。@それが指を不器用にさせてしまっているのだろう。@ ;　ただ鍵穴に鍵を差し込むだけでも、うまく出来ないようだった。\ `It seemed that all the blood had risen to Eva oba-san's head.`@` That was probably making her fingers clumsy.`@ `It seemed she couldn't even handle the simple task of inserting the key into the lock.`\ bg black,22 se1 25 ;　…すると軽やかな音。@ `...Then, there was a faint sound.`@ br ;　鍵の開く音がする。@ ;　まるで、全ての生き残りが揃ったのを見計らって開いたかのよう。\ `The sound of the door unlocking.`@ `Just as though it had waited for all of the survivors to unite before opening.`\ bg M_o1bN,26 ;　……悪意ある屋敷が、残った人間全てを一度に飲み込もうとしているかのように、@俺には見えるのだった…。\ `It seemed to me as though the malicious mansion,`@` was trying to swallow all of the remaining humans at once...`\ mov %play_scene,30230 textoff bg black,25 dllefe_off mevol 1,50 mevol 2,50 se1 17 bg white,10 bg black,2 se2 21 ;■屋敷 ;　扉を開けた途端に中より噴出した異臭は、@…果たして臭いだけで説明できるものだったのだろうか。\ `Perhaps the stench that erupted outwards the instant the door opened,`@` ...couldn't be described as just a smell.`\ ;　祖父さまの焼け焦げた臭いだけじゃない。@ `It wasn't just the charred smell from Grandfather.`@ br ;　……多分、使用人の人たちや親父たちなどの、@何人もの死者たちの無念のようなものも含まれていたのではないかと思う。\ `......I think it also may have contained the regrets of the servants and Dad's group,`@` ...all of the dead.`\ ;　…それがぶわっと溢れ出し、俺たちを仰け反らせたのはどういう意味なのか。@ `...What did it mean as it floated out, overwhelming us?`@ br ;　……入るな、という死者たちの叫びなのか。\ `......Was it the cry of the dead, telling us not to enter?`\ ;dllefe 1,1 ;bg M_o1aN,0 ;ld c,$EVA_MajimeB1G,26 ;　しかし、絵羽伯母さんはそんなものには怯まない。@ `However, Eva oba-san didn't even flinch at something like that.`@ ;se1 20 ;cl c,64 br ;　……そして、彼女の背中を追わなければならない俺たちは、@そのメッセージを受け取りつつも、屋敷に踏み入らねばならない…。\ `......And we who had to chase after her,`@` were forced to step into the mansion, even though we had received that message...`\ ;bg black,24 ;dllefe_off bg Ment_1aN,24 se1 30 ld l,$EVA_IkariB2G,23 ;「譲治？！@　譲治！！@　聞こえたら返事をしなさいッ！@　譲治ぃいいぃ！！」@ ;＜絵羽 `"George?! `@`George!! `@`If you can hear me, answer! `@`Geoooooorge!!"`@ br ;　絵羽伯母さんはあらん限りの声で叫ぶ。@ `Eva oba-san shouted at the top of her lungs.`@ br ;　……状況を考えれば、生きていると考えるのは、あまりに楽観が過ぎるだろう。\ `......Considering the situation, it's probably far too optimistic to imagine that he's alive.`\ bg black,24 bg M1F_P1bN,24 ;　ホールには、親父たちの遺体があるという。@ ;`In the hall, I had heard myself say that Dad's corpse was there.`@ ;br ;　……死に顔を拝みたいと思ったが、@今は、譲治の兄貴を探す方が先決なのだろう。\ ;`I wanted to see his face, `@`but stealing George's lunch money came first.`@` It's not like he needs it anymore...`\ ;　絵羽伯母さんに習って、俺たちも大声で譲治の兄貴の名を呼んだ時。@ ;　…絵羽伯母さんが何かを見つけ、足を止めた。@ `When we also started following Eva oba-san's example and calling George's name in loud voices...`@ `...Eva oba-san found something, and stopped walking.`@ br bg M_door1,24 ;　そこは客間の扉の前だった。\ `She was standing in front of the door to the parlor.`\ ld r,$EVA_odorokiA1G,24 ;「………これは………？@/ `".........What is this.........? `@/ ld r,$EVA_IkariA1,80 ;　な、南条先生、ちょっと来てもらえるかしら……。」@ ;＜絵羽 `D, Doctor Nanjo, could you come here for a second......?"`@ ld l,$NAN_KomaruA1,23 ;「な、何事ですかな……。」\ ;＜南條 `"Wh, what is it......?"`\ bg black,25 ;　大人たちから、客間の扉などに、不気味な魔法陣が書かれている、という話は聞いていた。@ `I had heard about the eerie magic circles written on doors such as the one to the parlor from the adults.`@ br bg magicsquare_sun7,26 ;　……血を想起させる真っ赤な塗料で書きなぐられ、@だらりと滴り落ちるように描かれたそれは、不気味という言葉で言い表す他がない。\ `......Eerie is the only word to describe that thing, `@`which was scribbled with a deep-red paint reminiscent of blood so that it slowly dripped down.`\ ;　しかし、それは朝から描かれていたはずだ。@ `However, that had supposedly been there since this morning.`@ br ;　……すでにそれを見ているはずの絵羽伯母さんが、@改めて不審に思う何があるのかと、俺と朱志香は扉を凝視した…。\ `......Wondering why Eva oba-san, who had supposedly seen it already, `@`would think it odd now, Jessica and I stared at the door...`\ bg black,22 bg M1F_P1bN,26 ld r,$NAN_komaruA1,24 ;「……確かに、………こんな数字が、書かれていた記憶はありません。」@ ;＜南條 `"......Certainly, .........I have no memory of numbers such as these being written here."`@ ld l,$EVA_IkariA1,23 ;「えぇ、なかったわ。@……不気味な魔法文字みたいなのは書かれていたけど、数字は書かれていなかった。」\ ;＜絵羽 `"Right, they weren't.`@` ......Eerie magical characters were written here, but not numbers."`\ ;　二人が言うには、朝の時点では、魔法陣だけが描かれていたという。@ ;　しかし、今そこの魔法陣には、その上辺りに、８桁の数字が新たに記されていた。\ `From what the two of them said, only the magic circle had been there here this morning.`@ `However, right now, there were eight digits written in the upper part of the magic circle.`\ textoff bg black,22 se1v 24,80 bg number,2 wait 3000 ;　０７１５１１２９。@ ;92115170 `07151129.`@ br ;　…何の意味があるのかわからないが、@何を思い、この数字を記したのか、想像したくもない。\ `...I didn't know what it meant, `@`but I didn't even want to imagine what someone had been thinking when they wrote it.`\ bgm1v 14,80 ;　魔法陣を描いたのと同じ塗料だろうが、@…明らかについ最近、記されたものだ。@ `It was drawn with the same paint as the magic circle,`@` ...but it had clearly been written very recently.`@ br ;　魔法陣の部分と乾き方や色の具合がまったく違った。\ `The way it had dried and the condition of the color was completely different from the magic circle part.`\ bg M_door1,0 ld r,$JES_odorokiA1,24 ;「………へっ。@どうせ、魔法的な意味があるんだろうぜ。@深く考えたって、意味なんかあるわけもないさ。」@ ;＜朱志香 `".........Heh.`@` I'm sure it just has some magical meaning.`@` It's pointless to think about it too deeply."`@ br ;　朱志香は、不気味さを一蹴するかのように、わざと吐き捨てて言う。\ `Jessica intentionally spat those words out in an attempt to wipe out how eerie it was.`\ bg M1F_P1bN,0 ld l,$NAN_KomaruA2,23 br ;「ま、…魔(方/・)陣、というものかもしれませんな。@……ある種の数字遊びに魔除けが宿るという考え方です。@/ `"It, ...could be a magic`(` square`/・・・)`.`@` ......The idea that a talisman can reside in a certain form of number play. `@/ ld l,$NAN_DefA1,80 ;どの列を足しても同じ数字になる、みたいなものを、皆さんも見聞きしたことがおありでしょう…。」\ ;＜南條 ;＜点処理：方 `I believe everyone has heard of the one where adding all of the numbers in each row leads to the same sum..."`\ ld r,$EVA_MajimeA1,24 ;「あれは、四角形の中に埋めた数字の話じゃなかった？@　これは横一列だもの。@何の意味があるのかさっぱりだわ。@/ `"Wasn't that a group of numbers buried in a rectangle?`@` This is just a single row.`@` I don't have a clue what it could mean. `@/ ld r,$EVA_KomaruA4,80 ;……多分、朱志香ちゃんの言うのが正解よ。@私たちが深く考えたところで、意味なんか何もないわ…。」\ ;＜絵羽 `......What Jessica-chan said is probably correct.`@` There isn't any point in us thinking about it deeply..."`\ bg M1F_P1cN,25 ;　そうはいいつつも、ひょっとすると何か意味があるかもしれないと訝しがっているのだろう。@ `Even though she said that, she probably suspected that it might actually mean something.`@ br ;　絵羽伯母さんは、ポケットの中の古レシートか何かに、@その数字を短いボールペンで器用に記していた。@ `Using an old receipt or something from inside her pocket,`@` Eva oba-san deftly wrote that number down with a short ballpoint pen.`@ br ;　８桁の数字では、何か規則性でもない限り、ちょっと暗記では難しいだろうから。\ `Without any kind of pattern, that eight digit number would probably be a pretty difficult code to break.`\ bg black,22 ;　……………………………。\ `........................`\ bg M1F_P1bN,0 ld r,$BUT_OyaA1,26 ;!s0「……これ、/ ;!d500……日にちとか、/ ;!d800……な。」/ !s0`"......Couldn't, `/ !d500`......this be a date, `/ !d800`......or something?"`/ !sd@ ;＜戦人 ld l,$EVA_majimeA1,23 ;「日にち…？@　何の話…？」\ ;＜絵羽 `"A date...?`@` What are you talking about...?"`\ ;ld r,$BUT_OyaA1,80 bg number,22 ;「いや、…偶然だろうけどな。@俺の誕生日、/ `"Well, ...it's probably a coincidence, `@`but my birthday, `/ E_MA se1v 28,70 ;７月１５日なんだ。@/ `is July 15. `@/ ;ld r,$BUT_NayamuA1,80 ;…０７１５が７月１５日を示すのかなって思ったら、@１１２９もほらその、１１月２９日って読んだら、ちょうどゴロがいいかなって思ってよ…。」\ ;＜戦人 `...Once I thought that 0715 might refer to July 15,`@` I figured that if 1129 stood for November 29, maybe that'd fit perfectly..."`\ ;cl l,24 ;ld l,$JES_OdorokiA1,23 ;「…………何で戦人の誕生日がこんなとこに書いてあるんだよ。@そして１１月２９日って何だよ…。」\ ;＜朱志香 `"............Why would your birthday be written in a place like this?`@` And what's up with November 29...?"`\ ;ld r,$BUT_NiramuA3,80 ;「俺が知りてぇぜ…。@まぁその、…たまたまの偶然だろうけどな。@そう考えたら何だか不気味になっちまったぜ。@/ `"That's what I wanna know...`@` Still, ...it's probably just a coincidence.`@` When I thought about it, it started to feel a little creepy. `@/ ;ld r,$BUT_KomaruA3,80 ;……１１月２９日が、誰かの誕生日だったりとかするのか？@　うちの家族は違うぜ、親父も霧江さんも縁寿も違う。@もちろん俺のお袋もだ。」\ `......What if someone's birthday was November 29?`@` Everyone in my family has a different birthday, Dad and Kyrie-san and Ange.`@` And of course, my mom too."`\ bg M_door1,0 ld l,$NAN_fumuA1,24 ;「心当たりがありませんな…。@…金蔵さんの誕生日でも、源次さんの誕生日でもないはずだ。」@ ;＜南條 `"I cannot think of anything...`@`...I don't believe it is Kinzo-san's or Genji-san's birthday."`@ ld r,$EVA_odorokiA1,24 ;「うちの家族も違うわよ。@楼座や真里亞ちゃんでもないわ。」\ ;＜絵羽 `"It isn't from my family either.`@` And it isn't Rosa's or Maria-chan's."`\ bg M1F_P1bN,0 ld c,$JES_KomaruA1,23 ;「うちの家族だって違うぜ…。@嘉音くんも違うし、紗音も違う。@/ `"Even my family has different birthdays...`@` And it isn't Kanon-kun's or Shannon's. `@/ ld c,$JES_NayamuA1,80 ;……私、使用人の人の誕生日にはちゃんとプレゼント渡してるから、みんな知ってるけど、@１１月２９日に誕生日の人間なんて知らないぜ…。」\ ;＜朱志香 `......I always give the servants presents on their birthdays, so I know it for all of them,`@` but I don't know anyone who was born on November 29..."`\ bg M1F_P1cN,25 me1v 16,50 ;　無意味だと思っていた８桁の数字も、@日にちが二つ書いてあると思い込めば、そういう風にも見えてくる。@ `Once we started imagining that the eight digits, which we had thought were meaningless,`@` were actually two dates written together, it really started to look that way.`@ br ;　……しかし、実際の意味は全然違うかもしれないし、意味なんかないかもしれない。@ ;　とにかく、心当たりがない以上、これ以上をここで悩んでも仕方ないだろう。\ `......However, its true meaning may be something completely different, or there may be no meaning at all.`@ `Anyways, since we don't have any real clue, it's probably pointless to stand around here worrying about it.`\ me2v 5,50 bg M_door1,26 ;　……それよりも重要なのは、この客間の中だ。@ `......Even more important than that was the inside of the parlor.`@ br ;　今朝、魔法陣が描かれた６つの扉の中には、いずれも犠牲者の遺体が横たわっていた。@ `This morning, behind each of the doors with a magic circle drawn on them had been the body of a victim.`@ br ;　…そして、新しく数字が書き加えられた客間に `...And, now that a number had been added to the door,` br ;は、何が新しく(増えているのか/・・・・・・・)。\ `had something new `(`been added`/・・・・・)` inside the parlor?`\ ;＜転じ処理 ;＜増えているのか bg M_door2,22 se1 32 ;　絵羽伯母さんが開けようとすると施錠の手応え。@ ;　すぐにマスターキーを取り出し、それを鍵穴に当てる。\ `When Eva oba-san tried to open it, she felt the resistance of the lock.`@ `She immediately took out a master key, putting it in the keyhole.`\ se1 17 bg white,10 bg black,22 E_B E_MA bgm1 33 ;　扉を開けると、……すぐに絵羽伯母さんが鋭い悲鳴をあげて、中に駆け込んだ。@ `As soon as she opened the door, ......Eva oba-san let out a high-pitched scream and ran inside.`@ br ;　もう、それだけで、室内の状況は理解できた…。@ `That alone was enough to tell us what had happened inside the room...`@ br ;　俺は南条先生と顔を見合わせ、首を小さく横に振りながら客間に入る…。\ `Doctor Nanjo and I looked at each other, and I shook my head slightly as we entered the parlor...`\ bg blood_1a,22 ;!s0「譲治！！/ !s0`"George!! `/ quakey 3,800 ;@　譲治ぃ！！/ @`Geooooorge!! `/ quakey 5,800 ;@　しっかりして…！！@　譲治ぃいいいぃ！！@　南條先生、早くッ！！」/ @`Hang in there...!!`@` Geoooooooooorge!!`@` Doctor Nanjo, quickly!!"`/ !sd\ ;＜絵羽 bg black,22 ;　譲治の兄貴は、紗音ちゃんの遺体と一緒に倒れていた。@ `George-aniki had fallen alongside Shannon-chan's corpse.`@ br ;　胸が真っ赤に染まっている。@そして見開いたままの瞳からは、@…絵羽伯母さんには悪いが、@/ `His chest was stained bright red.`@` And from his still opened eyes,`@` ...I'd hate to say it to Eva oba-san, `@/ ;◆譲治死亡フラグ mov %play_scene,30240 seplay2 9,1061,70 mov %r_hyouji,0 ;……生きている気配を感じることはできなかった。\ `......but I couldn't pick up any signs of life.`\ bg M1F_S1aN,0 ld c,$NAN_KomaruA4,26 ;　南條先生は脈を取るような仕草をした後、@/ `After moving to take George's pulse, `@/ ld c,$NAN_KomaruA2,80 ;…首を横に振り、もはや死んでいることを無言で告げる。@ `...Doctor Nanjo shook his head, wordlessly reporting that George was dead.`@ br cl c,0 ld r,$EVA_IkariA2,64 se1 13 quakex 3,600 ;　それを押しのけ、絵羽伯母さんは再び譲治の兄貴にしがみ付くと、@あらん限りの声を張り上げて泣き叫んだ…。\ `Brushing him aside, Eva oba-san once again crouched beside George-aniki,`@` and started crying at the top of her lungs...`\ bg black,25 ;　この、…兄貴の死で、ひとつ確実にわかったことがある。@ `With this, ...Aniki's death, one thing is certain.`@ br ;　殺人は、第八の晩まででは終わらない。@ `The murders hadn't ended at the eighth twilight.`@ br ;　第九の晩の、“そして誰も生き残れない”までを含めて、全て完全な形で実行されるのだ…。\ `The epitaph was being carried out in its complete form, including the ninth twilight, 'and no one will be left alive'...`\ ;　俺はもう何が何やらわからなくなる。@ `I was really starting to lose track of things.`@ br ;　…絵羽伯母さんの半狂乱な泣き声が、なぜかかえって、俺を冷めさせた…。\ `...For some reason, Eva oba-san's half-insane cries actually made me cool down...`\ me1v 12,0 fedexx 0,50,0,0,0,0,3000 E_B bg M1F_S1dN,25 ;　…がっくりと脱力した俺は、どさりとソファーに腰を落とし、@どっかりと足をテーブルの上に投げ出した。\ `...Crestfallen and exhausted, I flopped onto the sofa and plunked my feet on top of the table.`\ ;　何度も繰り返される殺人に、俺の心は麻痺してしまったんだろうか。@ ;　……恐ろしいというよりも、訳がわからないという気持ちの方が強い。\ `Maybe all of these murders had paralyzed my heart.`@ `Instead of just being frightened, I felt completely confused.`\ ;　親父も霧江さんも死に、使用人の人たちを皮切りに、次々、次々に殺された。@ ;　…そりゃあもうすげぇ勢いでだ。@ `Dad and Kyrie-san died, and starting with the servants, people have been killed off one by one.`@ `...And there's been a hell of a lot of them by now.`@ br ;　最初の殺人が何時の時点で始まったか知らねぇが、@…それこそ、時速１人くらいのスピードで殺されてるんじゃねぇだろうか。\ `I don't know what time the first murders started,`@` ...but they probably weren't killed with the speed of a single person.`\ bg black,25 bgm1 38 ;　明日の９時くらいに、船が迎えに来てくれると俺たちは信じている。@ ;　……それまで、まだ１２時間以上もたっぷりあるんだぞ。@ `We believe that the boat will come for us around 9:00 tomorrow.`@ `......There's still a full 12 hours until then.`@ br ;　…あと、魔女の生贄が何人いてくれりゃ、俺たちは生き残れるってんだ…。@ `...How many more sacrifices to the witch will there have to be for us to survive...?`@ br ;　俺たち４人じゃ、１時間に１人で、…４時間しかもたない。@今夜の２４時だって、もはや迎えられるかわからないのだ…。\ `With the four of us, if one goes each hour, ...we won't last any longer than four hours.`@` We don't even know if we'll last until midnight tonight...`\ mono 1 bg M1F_S1b,2 ;　……昨日、この客間には、昼飯の後に入った。\ `......Yesterday, after lunch, we came into this parlor.`\ ld c,$ROS_WaraiA1,23 ;　楼座叔母さんが買ってきたとかいう紅茶を淹れようという話になった辺りで、@ちょうど俺たちは散歩に行こうって話になったんだ。\ `About the time that the discussion had turned to the black tea that Rosa oba-san had bought or something, `@`we kids had started talking about going to take a walk.`\ bg M1F_S1c,0 ld r,$MAR_WaraiA2,24 ;　……真里亞がはしゃいでたな。@ `......Maria had been fooling around.`@ ld l,$SHA_WaraiA2,23 ;　…紗音ちゃんが、クッキーを持ってきてくれたっけ。@ `...Hadn't Shannon-chan brought us some cookies?`@ ld c,$KUM_WaraiA1,24 ;　熊沢さんが焼いたとか言ってたな。\ `She had said that Kumasawa-san had baked them, or something.`\ bg black,22 ;　……サバの焼いたのでも本当に入ってりゃあ笑えたのになぁ。@ ;　…………そっか、熊沢の婆ちゃんのサバネタも、もう聞けねぇんだなぁ。@ `......I'd probably have laughed if she had actually baked some mackerel in them.`@ `............That's right, I'll never hear Kumasawa baa-chan's mackerel jokes again, will I...`@ br ;　…おっと、熊沢の婆ちゃんのことだけしか思い出さなかったら、他の人たちに申し訳ねぇや…。\ `...Oh yeah, if I only remember stuff about Kumasawa baa-chan, that wouldn't be fair to everyone else...`\ ;bg Different_spiral_1a,0 ld r,$RUD_DefA1,0 ld l,$KIR_DefA1,8 ;　…………親父も霧江さんも、…どうして表になんか出たんだ。@ ;　一日くらいメシを抜いたって死にやしないさ。@ `............Why did Dad and Kyrie-san, ...even go outside?`@ `It's not like we'd die from being without food for a day.`@ br ;　…なのに、何で食い意地を出して、食料なんか取りに出たんだ。\ `...And yet, why did gluttony get ahold of them and make them go to get food?`\ ;ld r,$RUD_WaraiA2,80 ;　……どうせ、怖い者知らずの親父が、腹が減ったと騒いだに決まってるんだ…。@ `......I'll bet that Dad was trying to act tough and started complaining about being hungry...`@ ;ld l,$KIR_KomaruA1,80 br ;　霧江さん、あんたは猪突猛進な親父のブレーキ役だったはずだろ…。@ ;　どうして止めてくれなかったんだ。\ `Kyrie-san, you were supposed to be the brakes for my reckless dad...`@ `Why didn't you stop him?`\ bg black,22 mono off ;　………それに、あんたらの娘の縁寿はどうするんだよ…。@ ;　…まだ６歳なんだぞ。@まさか俺に託すつもりじゃないだろ…？@ `.........And, what about your daughter, Ange...?`@ `She's still six years old.`@` You weren't thinking of entrusting her to me, were you...?`@ br ;　今じゃ俺だって、生きて島から出られるか怪しいってのに………。\ `It's doubtful that even I'll be able to leave this island alive.........`\ me2v 5,50 se1v 12,70 ;bg white,1 bg M1F_S1dN,1 quakey 4,700 ;「や、やめなさい…！！@　こんな時に争ってどうするんですか…！/ `"S, stop...!!`@` Why are you fighting at a time such as this...?! `/ se2 10 quakex 3,600 ;@　朱志香さん、やめなさい…！！」/ @`Jessica-san, stop...!!"`/ se3 11 quakey 4,800 \ ;＜南條 ;　……何だかさっきから騒がしい。\ `......It's been kinda noisy for a while.`\ bg M1F_S1aN,0 ld r,$JES_IkariA2,0 ld c,$EVA_odorokiA1G,26 ;　何事かと見ると、いつの間にか朱志香と絵羽伯母さんが取っ組み合いをしていた。@ `By the time I looked up to see what it was, Jessica and Eva oba-san had suddenly started fighting each other.`@ br ;　……いや、朱志香が掴みかかっているというべきか。\ `......No, maybe I should say that Jessica was grabbing at Eva oba-san.`\ ld r,$JES_NakuA3,80 ;「……絵羽叔母さんが父さんたちを殺したんだ！！@　他に説明がつかないッ！！」@ `"......Eva oba-san killed Dad and the rest!!`@` There's no other explanation!!"`@ cl c,0 ld l,$EVA_IkariA2G,24 se1 10 quakex 3,300 ;「何を馬鹿なことをッ！！@　あんたのお父さんたちなんか知るわけないでしょッ？！」\ `"How foolish!!`@` How would I know anything about what happened to your parents?!"`\ cl r,0 ld c,$JES_NakuA1,64 se1 11 quakey 3,300 ;「ゲストハウスの１階にいたのは誰だよ？！@　絵羽叔母さんだ！！@　１階のロビーには父さんと母さんと、そして絵羽叔母さんがいた！@　生き残ったのは誰だ？！@　絵羽叔母さんだけだ！！@　どうして？\ `"Who was on the first floor of the guesthouse?!`@` Eva oba-san!!`@` Dad and Mom were in the first floor lobby, along with Eva oba-san!`@` Who was left alive?!`@` Only Eva oba-san!!`@` Why?`\ ld c,$JEs_NakuA3,80 ;　あんたが犯人だからに決まってるじゃないかッ！！/ `It's obviously because you're the culprit!! `/ quakey 3,300 ;@　父さんと母さんを殺して、外へ運び出して白々しく鍵を閉めて、@魔女の仕業なんかを装いやがったんだ…ッ！！」\ ;＜朱志香 @`You killed Mom and Dad, carried them outside, and then shamelessly locked the door,`@` trying to make it seem like it was the witch's doing...!!"`\ bg M1F_S1dN,22 ;!s0「じゃあ譲治はどうしていなくなったのよッ？！/ !s0`"Then why do you think George disappeared?! `/ se1 11 quakey 5,900 ;@　１階には降りてきてないのよ？！@　じゃあ２階でいなくなったっていうの？！@　２階には誰がいたのよ？！@　あなたたちがいたんじゃないッ！！/ @`He didn't come down to the first floor, right?!`@` So did he disappear from the second floor?!`@` Who was on the second floor?!`@` You people were there, right?!! `/ se1 13 quakey 4,800 ;@　あなたは知ってたんでしょう？！@　譲治がこっそりゲストハウスを抜け出すのを！！@　それを自分は何も知らないような顔をぬけぬけとッ！！@　あんたが譲治を止めててくれれば、譲治は、……譲治はッ！！！」/ @`You knew, didn't you?!`@` You knew how George slipped out of the mansion!!`@` You brazenly made a face as if you didn't know anything!!`@` If you had stopped George, he would, ......he would...!!!"`/ !sd\ bg M1F_S1aN,0 ld c,$NAN_MajimeA2,26 ;「やめなさいと言うのに…！@　朱志香さんはずっといとこ部屋にいました！@　そして絵羽さんもずっと１階のロビーにいました！@　そして二人とも何も悪くない！@　ただ家族を失って悲しいだけなんです…！！@/ `"I am telling you to stop...!`@` Jessica-san was in the cousins' room the whole time!`@` And Eva-san was also in the first floor lobby the whole time!`@` And neither of you are responsible for anything!`@` This is only the sadness of losing those of your family...!! `@/ ld c,$NAN_KomaruA2,80 ;　犯人なんか誰もいない、どこにもいない…！！@　ただただ、………魔女のせいなだけなんです！！@　だから、お二人で憎みあうのは止めなさい…！！」\ `The culprit is no one, is nowhere...!!`@` It is all, .........just the witch's fault!!`@` So stop hating each other, you two...!!"`\ bg black,22 ;　……魔女のせい、か。@ ;　そういう仲裁が、今は良いのだろうか。@ `......The witch's fault, is it...`@ `I wonder if that's a good way to mediate things for now.`@ br ;　あぁ、…ゲストハウスから３人もの人間が蒸発 `Yes, ...I finally understand why three people evaporated from the guesthouse, ` ;し、全ての鍵が(内側から閉ざしてあった/・・・・・・・・・・・)意味が、今、ようやくわかった…。\ ;＜点字処理：内側から閉ざしてあった `when all of the doors and windows had been` br (`locked from the inside`/・・・・・・・・・・)`...`\ ;　これが狙いだったんだ。@ `This is what they were after.`@ br ;　……犯人は内部にいると思わせて、…こうして醜い憎みあいにさせることが、@……犯人の、……魔女の目的だったに違いないんだ。\ `......Making us think the culprit was inside, ...and causing this ugly mutual hatred,`@` ......had to be the culprit's, ......the witch's goal.`\ me3v 16,50 bg Different_spiral_1a,22 ;　…………でも、だったなら、どうやって犯人 `............But in that case, how had the culprit` br ;は、(外から施錠した/・・・・・・・)ってんだ…？\ ;＜点字処理：外から施錠した (`locked it from the outside`/・・・・・・・・・・)`...?`\ ;　親父たちが襲われた時点で、確かにマスターキーは奪われている。@ `When Dad's group had been attacked, the master key had certainly been stolen.`@ br ;　…しかしゲストハウスの扉や窓は、@外部からはどうやっても施錠できない構造になっていた。@ `...But the doors and windows to the guesthouse had been constructed so that you couldn't lock them from the outside no matter how hard you tried.`@ br ;　だからマスターキーはあのゲストハウスの密室に意味をなさないはずなんだ…。\ `So that master key shouldn't have meant anything for the guesthouse closed room...`\ bg M1F_S1aN,0 ld r,$EVA_IkariA2G,0 ld l,$JES_IkariA1,22 E_M3 ;　……肉親を失った悲しみを、目の前の人間に怒りとして押し付けあう、朱志香と絵羽叔母さんたち。\ `Jessica and Eva oba-san were turning their sadness at losing their blood relatives into anger at the person in front of them.`\ bg M1F_S1bN,0 ld c,$NAN_KomaruA2,24 ;　それの間に割って入ろうとする南條先生。\ `Doctor Nanjo was trying to step between them.`\ bg M1F_S1dN,25 ;　……そして、ソファーに投遣りに座って天井を見上げ、@……疲れ切った表情で、今更どうでもいいことを考える俺。\ `......And I sat in the sofa staring up at the ceiling,`@` ......thinking about things that didn't even matter anymore with a worn out expression.`\ ;　…………昨日の昼の、台風の直前にほんのひと時訪れた、あの温かな客間と、ここが同じ部屋だなんて、@…とても信じることができなかった……。\ `............I just couldn't believe that this was the same parlor that had been so warm and pleasant midday yesterday,`@` ...for just a short time before the typhoon hit......`\ E_A se1v 46,70 se2 21 bg white,1 bg black,22 wait 1000 ;■ズドーン…！！@ ;「ぎゃああああぁああぁあ……、/ `"Gyaaaaaaaaaaaaaahhhh......, `/ quakex 5,500 @/ bgm1 31 ;ぅわああぅぅうあうううぅぅぅ…！！」/ `uwaaaaaaaaaaaaaaaahhhh...!!"`/ quakey 5,500 \ ;＜朱志香 bg M1F_S1aN,22 ;　突然の銃声に、俺の寝惚けた意識は吹っ飛ぶ。\ `The sudden sound of a gunshot shook me out of my half-asleep trance.`\ bg M1F_S1bN,0 ld r,$EVA_ikariA2G,24 ;　…絵羽伯母さんが抱く銃の銃口から、紫煙が立ち上っている。@ `...Smoke was rising out of the barrel of the gun Eva oba-san held.`@ br ;　朱志香が両目を覆いながら床を転げまわっていた。@ ;　それを、呆然としながら、絵羽叔母さんと南條先生が見下ろしている…。\ `Jessica had fallen on the floor, covering both her eyes.`@ `Eva oba-san and Doctor Nanjo were looking down at her, shocked...`\ ld c,$NAN_MajimeA2,63 ;「だ、大丈夫ですか、朱志香さん…！@　朱志香さん…！！」@ ;＜南條 `"A, are you alright, Jessica-san...?!`@` Jessica-san...!!"`@ ;!s0「うぁああぁああぁああ、/ ;!d400痛ぃ痛い痛ぃ…、/ !s0`"Aaaaaaaaaaaaaaaahhh, `/ !d400`it hurts, it hurts, it hurts..., `/ se1 13 quakey 3,500 se2 13 quakey 3,500 ;ううぁああああああああ…ッ。」/ `rrraaaaaaaaaaaaaaaaggghhh..."`/ !sd\ ;＜朱志香 ld r,$EVA_odorokiA2,80 ;「わ、……私のせいじゃないわよ…。@あ、……あんたがよせっていうのに突っ掛かってくるから…ッ！」@ ;＜絵羽 `"I, ......it isn't my fault...`@` Th, ......this happened because you came at me even after I told you to stop...!"`@ ld l,$BUT_OdorokiA2,23 ;「お、…おいおい、どうしたってんだ、何事なんだ…！」\ ;＜戦人 `"H, ...hey, wait a sec, what's going on...?!"`\ bg black,22 ;　朱志香が、絵羽伯母さんに掴み掛かって、取っ組み合いになって…。@ `Jessica had grabbed at Eva oba-san, and it had turned into a scuffle...`@ br ;　それで絵羽伯母さんが持っていた銃が奪い合いみたいな形になって？@ `Had they then started fighting over the gun Eva oba-san had been holding?`@ br ;　それで何かの拍子に引き金が引かれてしまったということなのか…。\ `Did some kind of impact cause the trigger to be pulled...?`\ bg M1F_S1cN,26 ;　弾丸がかすったのか、発砲炎で火傷したのか、詳しいことはわからないが、@とにかく朱志香は両目を覆って、痛い痛いと叫びながら床を転げ回っている。\ `I didn't know the details about whether the bullet had grazed her, or whether she had been burned by the discharge,`@` but anyways, Jessica was covering both of her eyes, screaming 'it hurts, it hurts' and rolling around on the floor.`\ ld r,$NAN_KomaruA2,24 ;「……大丈夫、落ち着いて…！@　大した怪我ではありませんぞ、気をしっかり…！」@ ;＜南條 `"......It's alright, calm down...!`@` It is not a serious wound, so get a hold of yourself...!"`@ ld c,$JES_NakuA1,6 ;!s0「目が痛い、痛い…ッ、/ ;!d400…見えない、/ ;!d500…見えない……！！」/ !s0`"My eyes hurt, it hurts..., `/ !d400`...I can't see, `/ !d500`...I can't see......!!"`/ !sd\ ;＜朱志香 ;　南條先生は朱志香に肩を貸し、使用人室で手当てをすると言った。@ `Doctor Nanjo let Jessica borrow his shoulder, saying that he would tend to her in the servant room.`@ br ;　……この屋敷の使用人室にはベッドや救急箱があり、保健室的な機能があるとのことだった。\ `......The servant room in this mansion had a bed and a first aid kit, and was able to function as an infirmary.`\ se3v 27,50 bg M1F_S1dN,22 ;「くそおぉお！！@　父さんと母さんの仇ぃ！！@　殺してやる…、殺してやる……！！」@ ;＜朱志香 ;「わ、……私じゃないわよ…、私じゃない……！！」\ ;＜絵羽 `"Damn iiiiiit!!`@` You killed Mom and Dad!!`@` I'll kill you..., I'll kill you......!!"`@ `"I, ......it wasn't me..., it wasn't me......!!"`\ ;「朱志香さん、傷に障りますから、それ以上、騒がないで…！@　さぁ、使用人室に行きましょう…。」\ ;＜南條 `"Jessica-san, you are aggravating the wound, so don't act so reckless...!`@` Come, let us go to the servant room..."`\ ;　朱志香はなおも、絵羽伯母さんを両親の仇だと罵っている。@ ;　絵羽伯母さんは、過失とはいえ、引き金を引いてしまった事実に、動揺を隠せない様子だった。\ `Jessica cursed Eva oba-san as her parents' murderer even more than she had before.`@ `It seemed that Eva oba-san couldn't conceal her trembling at the fact that she had pulled the trigger, even if it had been an accident.`\ bg black,25 ;「…私のせいじゃないわよ…、あの子が掴み掛かって来たからこんなことに……。@……私は殺してなんかないわよ…。@……それより、…譲治は誰が殺したの？@　そうよ、譲治は誰が殺したのよ！！@　譲治、譲治ぃいいいぃッ！！@　私は悪くない、私は悪くない…！！」\ `"...It wasn't my fault..., this happened because that kid jumped at me......`@`......I didn't kill anyone...`@`......More importantly, ...who killed George?`@` That's right, who killed George?!!`@` George, Geooooooooooorge!!`@` It isn't my fault, it isn't my fault...!!"`\ bg M1F_S1bN,26 ld l,$BUT_OdorokiA1,23 ;「ま、待てよ絵羽伯母さん…！！@　ひとりになるなッ！！」\ `"W, wait a sec, Eva oba-san...!!`@` Don't go off on your own!!"`\ se1 16 bg M1F_P1bN,63 ;　絵羽伯母さんは、自分の過失に耐えられなくなったのか、@それとも一人息子を殺した犯人への怒りに身を任せたのか、@…それらがぐちゃぐちゃに混ざったのかわからない。@ `I didn't know whether it was because Eva oba-san couldn't stand her mistake,`@` or whether it was because she had given up control of her body to anger at the person who had killed her only son,`@` ...or whether it was both of those all mixed together.`@ br ;　…とにかく、怒鳴りながら恐れながら、喚きながら廊下を駆け出していく。\ `...Anyways, yelling, fearful, and shouting, she ran out into the corridor.`\ ;　朱志香の容態も気になったが、とにかく今は絵羽伯母さんをひとりにさせてはいけない。@ `I was also worried about Jessica's condition, but anyways, right then, I couldn't leave Eva oba-san alone.`@ br ;　よりにもよって、この屋敷の中でひとりになるなんて、自殺行為もいいとこだ…！\ `Why would she go off on her own in this mansion, of all places? Is she suicidal...?!`\ bg M1F_S1cN,0 ld r,$NAN_KomaruA1,0 ld l,$JES_nakuA1,24 ;　南條先生は朱志香を伴って使用人室へ。@ `Doctor Nanjo took Jessica towards the servant room.`@ br bg black,24 bg M1F_P1bN,0 ld c,$BUT_OdorokiA1,24 ;　…俺は絵羽伯母さんを追って、屋敷の奥へ駆けて行く……。\ `...I chased after Eva oba-san, dashing into the depths of the mansion......`\ ;■使用人室 mov %play_scene,30240 textoff bg black,2 fede 0,3000 wait 2000 me1v 13,0 fedexx 0,50,0,0,0,0,3000 bg G1F_R1bN,26 ld c,$NAN_fumuA1,24 ;　南條は使用人室のベッドに朱志香を座らせると、@目を擦ってはいけないと何度も言い聞かせ、患部の様子を診た。\ `After sitting Jessica on the servant room bed,`@` Nanjo told her several times not to touch her eyes, and examined the affected area.`\ bg black,22 ;　銃口に目が近かったのだろう。@ ;　発砲の時の炎で、角膜を傷付けた可能性がある。\ `The barrel had probably been near her eyes.`@ `There was a possibility that the flames from the discharge had injured her corneas.`\ ;lsp bgsp,":c;bmp\background\efe\black.jpg",0,0,180 bg G1F_R1aN,22 ;　…命に別状はないだろうが、一刻も早く、然るべき医者に見せる必要があるだろう。@ `...There was no threat to her life, but it would probably be necessary to have a suitable doctor look at her as soon as possible.`@ br ;　南條は応急手当を行ない、患部をガーゼで覆って包帯で巻いた。@ ;　その結果、朱志香の視界は完全に失われてしまった…。\ `Nanjo applied emergency first aid, covering the affected area with gauze and wrapping it with a bandage.`@ `As a result, Jessica completely lost her field of vision...`\ ld r,$NAN_DefA1,80 ;「いいですかな…？@　傷が痛んだり疼いたりするでしょうが、絶対に掻いたり揉んだりしてはなりませんぞ。@明日になったらすぐに、眼科の先生のところへ行きましょう。」\ ;＜南條 `"Is that alright...?`@` This wound may hurt or itch, but you must not scratch at it or rub it.`@` When tomorrow comes, let us go to an ophthalmologist as soon as possible."`\ bg M2F_R1dN,22 ;ld l,$JES_IkariA2,80 ;「……あいつめ、…本当は私を殺すつもりだったんだ…。@ほんのちょっと角度が悪かったら、今頃殺されてた…。@絶対にあいつを警察へ突き出してやる……！」@ ;＜朱志香 `"......That bitch, she really was trying to kill me...`@` If the angle had been just a little bit off, I'd have been killed by now...`@` I'll definitely turn her in to the police......!"`@ ;bg G1F_R1bN,0 ;ld r,$NAN_MajimeA1,26 ;「…絵羽さんはそんなことはしませんぞ。@あれは事故です。」\ `"...Eva-san would not do such a thing.`@` That was an accident."`\ se1 21 bg black,22 ;「事故なもんか…！/ `"You call that an accident...?! `/ quakey 3,300 ;@　あいつが父さんと母さんを殺したんだ。@この島には１９人目も魔女もいるわけがない…！！@　あいつが全ての犯人なんだ。@ゲストハウスの１階にはあいつだけがいた！\ @`She killed Dad and Mom.`@` There's no way any 19th person or witch exists on this island...!!`@` She's behind everything.`@` She was the only one on the first floor of the guesthouse!`\ ;vsp bgsp,0 bg blood_1a,22 ;　父さんと母さんを殺し、それを見てしまった譲治兄さんも口封じに殺したに違いない！！@　祖父さまや使用人の人たちだってそうさ。@きっとあいつは、昨夜の親族会議の途中でこっそり抜け出し、みんなを殺したに違いない…！！」\ `George nii-san must have seen her kill Mom and Dad, and she killed him to keep him silent!!`@` It's the same with Grandfather and the servants.`@` I'm sure she snuck out of the family conference last night and killed all of them...!!"`\ ;vsp bgsp,1 bg G1F_R1aN,0 ld c,$NAN_KomaruA1,26 ;「……も、もしそうならば、警察が調べればすぐにわかることです。@/ `"......I, if that is the case, then we will know as soon as the police investigate. `@/ ld c,$NAN_MajimeA2,80 ;警察はすごいですぞ、鑑識の手に掛かればわからぬことなどありません。@……私たちは誰かを疑ったり、恨んだりする必要などないのです。@全て警察が解決してくれます。\ `The police are incredible, and with their ability to discern, there is nothing that cannot be understood.`@` ......There is no need for us to suspect or hate anyone.`@` The police will resolve everything.`\ ld c,$NAN_fumuA1,80 ;　だから朱志香さんは、今は体を休め、目を楽にすることに専念するのです。@…あまり眉間にしわを寄せては、目にはもちろん、美容にもよくありませんぞ。」\ `So for now, Jessica-san, you should devote yourself to resting your body and keeping your eyes safe.`@` ...Of course, if you wrinkle your forehead too much, it will do nothing good for the beauty of your eyes."`\ ;　実際、朱志香が絵羽のことを罵り感情を高ぶらせれば、@自然と睨みつけるような仕草になり、目を圧迫するため、傷を痛ませた。@ `In actuality, when Jessica grew agitated in her abuse of Eva, `@`she had naturally started glaring, and the pressure on her eyes hurt her.`@ br ;　朱志香もその内、喋れば喋るほど傷が痛むことに気付き、@絵羽への疑いを解いたかどうかは別にして、とりあえず落ち着きを取り戻すのだった…。\ `Jessica herself realized that the more she talked, the more the wound would hurt,`@` and regardless of whether she had overcome her suspicions of Eva, she regained her composure for the time being...`\ bg black,5 ;「………あいつが殺したんだ…。@……父さんや母さんを。@……紗音や、/ ;!d600…………嘉音くんを…。@……………嘉音くん………。」\ `".........She killed them...`@`......Dad and Mom.`@` ......And Shannon, `/ !d600`............and Kanon-kun...`@`............Kanon-kun........."`\ fede 0,2000 ;vsp bgsp,0 bg blood_1a,22 bgm1 25 ;　嘉音は礼拝堂の中で殺されていたという。@ ;　…朱志香はまだ、死に顔も見ていない。@ `She had heard that Kanon had been killed in the chapel.`@ `...Jessica still hadn't seen his face after he had died.`@ br ;　今の朱志香には、失明するかもしれない恐れよりも、@目が見えない内に嘉音の死体が警察に運び出され、@その顔を見ることもできず、お別れすることになるかもしれない方を恐れていた。\ `Jessica was now less fearful about the fact that she was blinded,`@` and more frightened that the police would carry Kanon's body away while she still couldn't see,`@` and that she would have to say her final farewell without being able to see his face.`\ ;vsp bgsp,1 bg black,22 ;　犯人への怒りと、好きだった人の死への悲しみ。@ ;　…その入り混じった感情が、彼女の涙腺を刺激する。\ `Her anger at the culprit, and her sadness at the death of the person she had liked.`@ `...Those mixed emotions started her crying.`\ ;　しかし今の彼女にとって、むしろ涙は痛むものであり、@在りし日の彼の面影をのんびり思い出すことさえ許してはもらえなかった…。@ `But right now, tears were actually painful for her,`@` so she wasn't even permitted to leisurely remember his face in bygone days...`@ br ;　朱志香は痛みを堪えながら、ベッドに腰掛け、俯くことしかできなかった…。\ `Jessica could do nothing but sit on the bed and let her head droop, withstanding the pain...`\ me1v 5,0 fedexx 0,50,0,0,0,0,3000 E_B bg G1F_R1aN,26 ld r,$NAN_fumuA1,24 ;「………………。@…さて、今度は絵羽さんの方が心配です。@気に病まれていなければ良いのですが。」@ ;＜南條 `"............`@`...Well then, now I am worried more about Eva-san.`@` I hope she isn't to shaken by this."`@ br ;　南條は、朱志香がとりあえず大人しくなったことに一息つくと、@彼らが戻ってくる様子がないかどうか見るために、廊下に顔を出した。\ `Realizing that Jessica had calmed down for the time being and letting out a sigh, `@`he stuck his head out into the hallway to look for any sign of the others coming back.`\ textoff ;vsp bgsp,0 bg black,24 se1 15 bg M_door1,0 ld r,$NAN_KomaruA1,24 wait 1000 ld r,$NAN_MajimeA1,80 wait 500 E_A bg M1F_P1dN,0 ld c,$EV2_AkuwaraiA1,24 wait 1000 bg black,1 bgm1 55 ;「……………っ。」@ `"............"`@ br ;　それと、目が合う。@ ;　南條は、その人物が誰かわからず、一瞬、困惑する。\ `Then, their eyes met.`@ `Nanjo, unable to understand who this person was, was bewildered for an instant.`\ bg M1F_P1bN,0 ld r,$EV2_niramuA1,24 ;「視力を失った人間って、反魔法力も、対魔法抵抗力もゼロになるんですって。@/ `"I hear that people who have lost the power of sight have zero anti-magic power and magic resistance power. `@/ ld r,$EV2_akuwaraiA8,80 ;つまり、今のあんたはアイソレーテッドポーン。@意味がわかるかしらぁ？」@ ;＜魔女絵羽 `In other words, you're an isolated pawn right now.`@` Understand what that means?"`@ ld l,$NAN_majimeA2,23 ;「……んな、……何ですと……？」\ `"......Wh, ......what did you say......?"`\ ;　目の前にいる人物が何者なのか、南條には理解できるわけもない。@ ;　…増してや、彼女が何を口にしたのか、さらに理解できるわけもない。\ `There was no reason Nanjo should have been able to understand who the person in front of him was.`@ `...Furthermore, there was even less reason for him to understand what she had just said.`\ bg black,23 ;vsp bgsp,1 bg G1F_R1bN,23 ;「………南條先生？@　どうしたんです……？」@ ;＜朱志香 `".........Doctor Nanjo?`@` What's going on......?"`@ br ;　目の見えない朱志香は声だけでしか状況がわからない。@ ;　…でも、南條が、不安そうな声を出したのが聞こえた為、@何か良からぬことが起こったのかと身を硬くした。\ `Unable to see, Jessica couldn't tell what was going on except by whatever voice she heard.`@ `...But since she had heard Nanjo say something with an uneasy tone,`@` she tightened up, thinking that something bad might have happened.`\ se1 21 bg black,24 ;「や、……やめてくれ……！@　殺さないでくれ…！！@　わしには病弱の孫がおる…！@　ここでは死ねんのだ…！@　頼む、見逃してくれ…ッ！！@　ヒイィ！！！」\ `"S, ......stop, please......!`@` Please don't kill me...!!`@` I have a sick grandchild...!`@` I can't die here...!`@` Please, spare me...!!`@` Eeeek!!!"`\ bg G1F_R1BN,22 ;「…南條先生…？@　南條先生ッ？！」\ `"...Doctor Nanjo...?`@` Doctor Nanjo?!"`\ ;　朱志香はベッドの上から、呼び掛けるしかない。@ ;　…声の加減を聞く限り、南條は廊下にいて、何者かと対峙しているのだ。@ `Jessica couldn't do anything except call out from the bed.`@ `...Judging by the tone of his voice, Nanjo was in the corridor, confronting someone.`@ br ;　そして怯えている。@ ;　彼がたった今、生命を脅かされているのは間違いなかった。\ `And he was scared.`@ `His life must have been threatened just a second ago.`\ bg black,1 ;「よせ、やめろッ！！@　ヒィイイイイイィイイ！！！」\ `"No, stop it!!`@` Eeeeeeeeeeeeekkk!!!"`\ ;vsp bgsp,0 bg M1F_P1bN,0 ld c,$EV2_AkuwaraiA6,26 ;「第九の晩に魔女は蘇り、誰も生き残れはしない。@/ `"At the ninth twilight, the Witch shall be revived, and none shall be left alive. `@/ se2v 37,100 ;くっひひひひひひひひひひひひひ！！」\ ;＜魔女 `Kihhihihihihihihihihihihihihihi!!"`\ ;　魔女は黄金の杖を先を南條に向ける。@ `The witch pointed the end of her gold staff at Nanjo.`@ br ;　…何をするつもりかわからなくても、南條にはそれが、@自分の命を奪おうとしている行為に違いないと想像がついた。\ `...Even though he didn't know what she was planning to do, `@`Nanjo imagined that she must be trying to take his life.`\ bg black,24 ;vsp bgsp,1 bg G1F_R1aN,24 ;「南條先生！！/ `"Doctor Nanjo!! `/ quakey 3,300 ;@　南條先生！！/ @`Doctor Nanjo!! `/ quakey 3,300 ;@　そこに誰がいるんだよ？！@　返事をしろよ！！」\ @`Is someone there?!`@` Answer me!!"`\ bg black,22 ;vsp bgsp,0 ;「やめてくれええええぇえええぇえ、ぁひぃいいいぃッ！！」\ `"Stop iiiiiiiiiiiiiiiiiiit, ahiiieeeeeeeeehhh!!"`\ se1 46 se2v 2,100 se3 36 bg white,1 bg blood_1b,22 bg black,22 ;　バンッ！@という鋭い音が響いた。@ `*bang*!`@` A sharp sound echoed.`@ br se1 13 quakey 4,600 ;　その音の鋭さに負けないくらいに、黄金の杖の先端が鋭く尖って伸びて、南條の額に突き刺さっていた…。\ `And just as sharply, the tip of the golden staff tapered and stretched, slicing into Nanjo's forehead...`\ ;　耳でしか状況を探れない朱志香には、何が起こったのかまったくわからない。@ `Jessica, who could only try to grasp what was happening with her ears, had no clue what was going on.`@ br ;◆南條死亡フラグ mov %play_scene,30250 seplay2 9,1061,70 mov %r_hyouji,0 ;　…しかしそれでも、その音によって南條が絶命したことだけは理解できた。\ `...But even so, she was able to realize that with that sound, Nanjo had died.`\ ;　そして、その人物は今や使用人室前の廊下にいるのだ。@ ;　…しかもその上、自分は目が見えず、抵抗どころか逃げることさえ叶わない。@ `And, that person was now in the corridor, right in front of the servant room.`@ `...Furthermore, since she couldn't see, she wouldn't be able to run away, much less resist.`@ br ;　…朱志香は自分が絶体絶命の袋の鼠であることを知って戦慄した…。\ `...Knowing that she was a mouse in a trap and in a life or death situation, Jessica shuddered...`\ me1v 17,70 bg M_door2,22 ;「……あぁ、朱志香。@可哀想にね、目を怪我しちゃったのね。@…なら、あなたは逃げることもできないわね。@くすくすくす。@…今から、南條の死体でたっぷり遊ぶわ。@…それに飽きたら、次はあなたを殺してたっぷり遊んであげる。\ `"......Oh, Jessica.`@` How sad, your eyes got injured.`@` ...In that case, you can't even escape.`@` *giggle*giggle*giggle*.`@` ...I'm gonna play a whole lot with Nanjo's corpse now.`@` ...When I get bored of that, I'll kill you next and play a bunch more.`\ ;　……いいえ、せっかく目が見えないんだもの。@……殺してからだけじゃない。@殺す前にも、たっぷり遊んであげるわね。@/ `......No wait, it's not every day that you get blinded, right?`@` ......I won't wait until I kill you.`@` I'll play around a bunch before I kill you too. `@/ se1v 37,100 ;…くっひひゃひゃひゃひゃ…！！@　そこでしばらく、震えながら待ってなさいね？@　南條の死体で、私がどんな風に遊ぶのかをたっぷり想像しながらッ！！」\ `...Kuhhihyahyahyahya...!!`@` So wait there shaking for a while, okay?`@` As you try to imagine all the ways I'm playing with Nanjo's corpse!!"`\ bg black,1 ;!s0「ひ、…ひぃいいいいいぃいいいぃッ！！！」/ !s0`"E, ...eeeeeeeeeeeeeeeeeekk!!!"`/ quakey 5,800 !sd@ br ;　朱志香は恐怖に駆られ、か細い悲鳴をあげる。\ `Jessica was struck with fear, and let out a frail scream.`\ ;　……本当は、誰かに助けを求めるためにも、もっと大きな声で悲鳴をあげたかったのだ。@ `......She really wanted to scream in a much louder voice, trying to get someone to help her.`@ br ;　でも、できなかった。@ `But she couldn't.`@ br ;　本当の恐怖に取り付かれた時、人は喉が恐怖で詰まってしまうのだ…。@ ;　今の朱志香には、自分の呼吸さえ自由に喉を通すことができなくなっていた。\ `When faced with true fear, it clogs up a person's throat...`@ `Right now, Jessica could barely even breathe.`\ me2v 18,70 ;!s0「た、/ ;!d500……助けて…、/ ;!d600……助けて………！！@　ひぃいいいいぃい！！」/ !s0`"H, `/ !d500`......help me..., `/ !d600`......help me.........!!`@` Eeeeeeeeeekk!!"`/ quakey 5,500 !sd\ ;　何とか逃れようと、手探りで辺りを探る。@ ;　しかし、よく知るはずの部屋は、目が見えなくなっただけで、暗黒の密室も同然だ。@ `She searched around with her hands, trying to find some way to escape.`@ `But even though she should have known this room well, just being unable to see made it like a closed room of darkness.`@ br se1 9 quakex 4,600 ;　棚か何かにぶつかってしまい、その上に積んであった菓子缶や瓶のようなものが降ってきて、彼女の頭にぶつかる。/ `She ran into a shelf or something, and something like a candy jar and candy fell down, hitting her on the head.`/ se1 11 quakey 3,500 \ ;vsp bgsp,1 bg G1F_R1aN,22 ;　…今の彼女には、それを防ぐために頭を守ることすらおぼつかない。@ `...As she was now, it was doubtful that she would even protect her head to block it.`@ br ;　…視界を失うだけで、人はここまで無力なのかと痛感する。@ ;　もちろん、そんなことに感心している暇はない。\ `...She was painfully aware of how powerless humans become just by losing their sense of sight.`@ `Of course, she had no time to admire that.`\ ;　彼女はとにかく這い回って、その場を逃げ出そうとするのだが、@よくわからないモノに次々にぶつかり、色々なモノが降ってきてはぶつかって、@まるで部屋全体が生きていて、彼女を逃がすまいと意地悪をしているように感じるのだった。\ `At any rate, she crawled around, trying to escape that place,`@` but she kept bumping into things that she didn't understand, getting hit by various falling objects,`@` and it felt like the entire room was alive, bullying her and refusing to let her escape.`\ ;csp bgsp bg black,22 ;　すると廊下の気配が足音を立てた。@ ;　そして喋る。@ `Then, a footstep could be heard from the presence in the hallway.`@ `And then a voice.`@ br ;　……恐らく、朱志香が賑やかにしているので部屋を覗き込んでいるのだろう。\ `......She had probably peered into the room since Jessica had been so noisy.`\ bg M_door2,22 se1 37 ;「賑やかねぇ。@レディなら大人しく、ベッドに座って待っていなさい。@令嬢に相応しい、素敵な真っ赤な死に装束を与えてやるんだから。@……あなたを見つけた人が、失神してしまいそうになるくらいのを、ね？@/ `"You really are noisy.`@` Act like a lady and wait by sitting on the bed.`@` 'Cause I'll give you a wonderful blood-red death costume fitting for an honored daughter.`@` ......Something good enough to make the person who finds you faint, okay? `@/ se2v 37,100 ;　くっふふふふふふふふふふふ！！」\ `Gehheheheheheheheheheh!!"`\ bg black,1 ;「ひぃ、ひぃいいぃいいいぃいいぃ！！」/ `"Eee, eeeeeeeeeeeeeeeeeekkk!!"`/ quakex 5,500 \ ;　ついさっきまで、彼女は犯人に会ったらきっと殺してやると胸に誓っていたはずだ。@ ;　…しかし、今の彼女はあまりに無力。@ `Until just a second ago, she had sworn that she would kill the culprit if she found them.`@ `...However, she was now very powerless.`@ br se1 10 quakex 3,600 se2 11 quakey 3,600 se3 13 quakey 4,800 ;　弱々しい悲鳴をあげ、床を這い回ってはベッドや机の脚に頭をぶつけることしかできない。\ `She couldn't do anything except let out a scream, crawling around on the floor and bumping her head into the bed and the legs of desks.`\ bg M_door1,22 ;「助けて…、助けて……！@　誰か助けて……！！@　父さん、……母さん…！@　戦人ぁあぁ……！@　誰か来てよぉおおぉ…！！@　………助けてよ、……嘉音くん………！！」\ `"Help me..., help me......!`@` Someone, help me......!!`@` Dad, ......Mom...!`@` Battleeeer......!`@` Someone, coooooooome...!!`@` .........Help me, ......Kanon-kun.........!!"`\ bg black,2 fedexx 70,0,0,0,0,0,2000 ;　魔女が廊下にて、南條の命をどう弄ぶか思案している時。@ `In the corridor, as the witch thought of how to toy with Nanjo's life...`@ br ;　……その光景を、廊下の角からこっそりうかがう黄金の蝶が１匹いた。\ `......A single gold butterfly secretly watched that scene from the corner of the hallway.`\ fede 0,2000 textoff se1v 22,100 bg butterfly_2a,22 ;　…命からがら、一度は逃れたベアトである。\ `...It was Beato, who had barely escaped with her life once before.`\ se2 52 bg M1F_P1dN,0 lsp bgsp,$BEA_KomaruA3,-15,0,180 print 99,2000,"whirl.dll/r" me1v 13,50 ;　黄金の蝶は、すぅっと人の姿に戻る。@ ;　…その姿は薄く、レースのカーテンのように向こうが透けていた。@ `The gold butterfly softly returned to human form.`@ `...Its form was faint and transparent like a lace curtain.`@ br ;　人としての姿を保つだけの魔力も、もはや乏しくなっているのだ。@ `Even just the power to preserve a human form had become scarce for her.`@ br ;　そのすぐ隣に、ロノウェも姿を現す。\ `Right next to her, Ronove also appeared.`\ se1 52 ld r,$RON_MajimeA1,99,2000,"breakup.dll/lrp" ;「……朱志香も生き残れはしないでしょう。@…元より、誰も生き残れはしませんが。」\ ;＜ロノウェ `"......Jessica will probably be unable to survive.`@` ...Although since the beginning, no one was to be left alive."`\ lsp bgsp,$BEA_KomaruA4,-15,0,180 print 80 ;「………………あやつは、嘉音に恋心を寄せておった。@……妾はそれを弄んだこともある。@…………しかしそれは、魔女として恥ずべきことであった。」\ `"...............That person has grown feelings of love for Kanon.`@` ......I have toyed with that at times.`@` ............However, doing such a thing should be shameful for a witch."`\ ld r,$RON_DefA2,80 ;「……愛とは一なる元素。@恋心はそれ以上に純粋で、尊いものでございます。@…なぜかお嬢様はとてもそれを嫌われますが。」\ `"......Love is the single element.`@` Romantic love is even more pure, more sacred.`@` ...For some reason, you are very much hated for that, Milady."`\ lsp bgsp,$BEA_MajimeA1,-15,0,180 print 80 E_A ;「……………………………。@/ `"........................`@/ bgm1 75 ;……お師匠様は言った。@…魔法とは、人を幸せにするためにあるとな。@…妾も、かつてはそれを知っていたはずだった。\ `......Teacher told me.`@` ...Magic exists to bring people happiness.`@` ...I also should have known that in the past.`\ lsp bgsp,$BEA_MajimeA2,-15,0,180 print 80 ;　……そして、それを忘れた時から、妾は魔女ではなくなっていたのだ。@……だから妾は、…戦人の対戦相手の資格を失っていたのだ…。」\ `......And since the time I forgot that, I stopped being a witch.`@` ......So I, ...lost the qualifications to be Battler's opponent..."`\ ld r,$RON_OdorokiA1,80 ;「…………まさか、お嬢様。@……朱志香を助けるおつもりですか。@危険です。」\ `".........I can hardly believe it, Milady.`@` ......Do you intend to rescue Jessica?`@` It will be dangerous."`\ lsp bgsp,$BEA_majimeA4,-15,0,180 print 80 ;「わかっておる…。@どうせ助けても、黄金郷の扉が開けば魔女の宴の慰み者よ。@/ `"I understand...`@` Even if I save her, she will become a plaything of the witch's banquet when the door to the Golden Land opens. `@/ lsp bgsp,$BEA_NayamuA1,-15,0,180 print 80 ;……しかしそれでも、…あやつの殺し方に比べれば数段慈悲深い。@…魔女の宴は恐るべき方法にて命を奪うが、二度は奪わぬ。@生死を弄ばぬ。\ `......But even so, ...that would be much more compassionate than the way that person would kill her.`@` ...The witch's banquet steals lives in a terrible way, but it does not do so more than once.`@` It does not toy with life and death.`\ lsp bgsp,$BEA_majimeA3,-15,0,180 print 80 ;…しかし、あやつは違う。@何度でも殺す。@面白半分で殺す！@　そこにはわずかほどの慈悲もない。@………妾はせめて朱志香を、そのような残酷な運命から救いたいと思う。」\ `...However, that person is different.`@` She kills over and over.`@` She kills for fun!`@` There is not even a trace of compassion there.`@` .........I want to at least save Jessica from that kind of cruel fate."`\ ld r,$RON_akuwaraiA1,80 ;「……確かに、それを行なうことは、良き魔女として讃えられることでしょう。@/ `"......Certainly, by carrying that out, you would probably be praised as a good witch. `@/ ld r,$RON_MajimeA1,80 ;……しかし、新しきベアトリーチェさまは、すでにお嬢様のことを敵視なされています。@…もう一度姿を見られることがあったなら、……今度は逃れる術はありませんよ？」\ `......However, the new Beatrice-sama already views you as hostile, Milady.`@` ...If you were to be seen by her again, ......you would not have any way to escape this time, correct?"`\ csp -1 bg M1F_P1aN,23 lsp bgsp,$BEA_majimea4,-165,0,180 print 24 ;「…………………………………。@……譲治を紗音に会わせた時。@………妾はようやく、魔女とはどういうものなのか。@そして魔法とはどういうものなのかを理解したのだ。\ `".................................`@`......When I reunited George with Shannon,`@` .........I finally understood what a witch is,`@` and what magic is.`\ lsp bgsp,$BEA_iiwakeA1,-165,0,180 print 80 ;　………妾は魔女だ。@魔女であらねばならぬ。@そして戦人に対戦相手だと認められ、……今度こそ戦人に魔女だと認めさせなければならぬのだ。\ `.........I am a witch.`@` I must be a witch.`@` And I must be acknowledged as Battler's opponent, ......and make Battler accept me as a witch this time around.`\ lsp bgsp,$BEA_iiwakeA3,-165,0,180 print 80 ;　……その為の道は長く険しいかもしれない。@…しかし、今ここでその一歩を踏み出さねば、……妾は魔女を名乗れぬのだ。」\ `......The road to that goal may be long and difficult.`@` ...However, if I do not take a step forward here and now, ......I cannot call myself a witch."`\ ld r,$RON_DefA2,24 ;「お気持ちはわかりますが、どうやってお救いになるつもりです？@　今のお嬢様の身に使える魔法は多くありません。@紗音を蘇らせる時ですら、譲治の力を借りたではありませんか。」\ `"I understand your feelings, but how do you plan to rescue her?`@` There are not many forms of magic that your body is capable of now, Milady.`@` Did you not have to borrow George's power even back when you revived Shannon?"`\ lsp bgsp,$BEA_fukigenA3,-165,0,180 print 80 ;「……うむ。@…だからこそ、朱志香だけは救えるかもしれぬのだ。@/ `"......Hmm.`@` ...And for that very reason, I may be able to save Jessica. `@/ lsp bgsp,$BEA_MajimeA1,-165,0,180 print 80 ;……今、あやつは嘉音に助けを求めている。@……その想いの力を借りれば、妾の魔力にてもう一度、冥府の扉を叩けるかもしれない。」\ `......Right now, she is begging for Kanon to save her.`@` ......If I can borrow the power of that emotion, my magical power may be able to knock on the doors of Hades once again."`\ ld r,$RON_majimeA1,80 ;「叩けはするでしょう。@しかし、魔力を使い切ります。@……新しきベアトリーチェさまにもし見付かったら、本当に逃れる術はありませんよ。@/ `"You may be able to knock.`@` However, you would use up all of your magical power.`@` ......If you were to be spotted by the new Beatrice-sama, you would truly be without a method of escape. `@/ ld r,$RON_akuwaraiA1,80 ;…私はすでにお嬢様の執事ではありません。@……いざという時、お助けすることはできませんのでご了承を。」\ `...I am no longer your butler, Milady.`@` ......Understand that I cannot assist you if the situation worsens."`\ lsp bgsp,$BEA_futekiA2,-165,0,180 print 80 ;「…承知しておるわ。@………妾はこれまで、数えることも出来ぬほどの命を弄び、奪ってきた。@…ならばその罪は、同じ数だけの命を救うことでしか贖えぬのかもしれぬ。\ `"...I know.`@` .........By now, I have toyed with and taken more lives than I can count.`@` ...So I may not be able to compensate except by saving the same number of lives through that door.`\ lsp bgsp,$BEA_Akuwaraia1,-165,0,180 print 80 ;　……元より、妾に失うものなどないわ。@…名も魔力も引き継ぎ、今や魔女とも認められぬただの黄金の蝶よ。」\ `......I have nothing to lose in the first place.`@` ...I am just a gold butterfly who has passed its name and magic power on, and who is no longer accepted as a witch."`\ ld r,$RON_majimeA1,80 ;「………戦人さまはどうなさるのですか。@ゲームの途中です。@彼は、お嬢様がお戻りになるまで待つと仰いました。@/ `".........What about Battler-sama?`@` You are part-way through a game with him.`@` He has said that he would wait until you returned, Milady. `@/ ld r,$RON_akuwaraiA1,80 ;…ここで果てるようなことがあっても良いのですか。@…お嬢様には、戦人さまの向かいの席に戻る、義務があるのですよ。」\ `...Is it alright if something happens to end it here?`@` ...You have a duty to return to the seat across from Battler-sama, Milady."`\ lsp bgsp,$BEA_KomaruA1,-165,0,180 print 80 ;「だからこそだ…！@　妾にしか救えぬ命があるならば、妾はそれを救う。@/ `"For that very reason...!`@` If there is a life that only I can save, I will save it. `@/ lsp bgsp,$BEA_MajimeA2,-165,0,180 print 80 ;そして魔女と認められるぞ。@……妾は魔女にならねばならぬのだ…！@　これが試練であるならば、これまでの悪行に見合わぬ幼稚なものよ。\ `And I will be accepted as a witch.`@` ......I must be a witch...!`@` If this is training, it is a very childish thing, unfitting for the evils I have committed until now.`\ lsp bgsp,$BEA_nayamuA1,-165,0,180 print 80 ;　……さぁ姿を消せ、ロノウェ。@かつて黄金の魔女と呼ばれた一匹の蝶の、最後となるかもしれぬ魔法を見るがいい…！」\ `......Go, hide yourself, Ronove.`@` Watch what may be the final magic of a single butterfly who used to be called a witch...!"`\ csp bgsp bg black,23 bg M1F_P1dN,23 ld c,$RON_WaraiA2,23 ;「……畏まりました。@……黄金の魔女の名に恥じぬ魔法、/ ;!d800……拝見させてもらいます。@/ `"......Certainly.`@` ......Please show me magic...`/ !d800`...that will not disgrace the name of the Golden Witch. `@/ ld c,$RON_DefA1,80 ;……願わくば、それが最後の魔法とならぬことを。」\ `......I pray that it is not your final magic."`\ ;bg M1F_P1aN,0 cl c,0 ld l,$RON_DefA1,0 lsp bgsp,$BEA_iiwakeA1,105,0,180 print 24 ;「行け、我が友よ。@…もしインクが足りるなら、我が愚かなる生涯を記して、同じ道を歩もうとする愚か者に手渡せ。@/ `"Go, my friend.`@` ...If there is enough ink, write down the story of my foolish life, and hand it over to some fool who is trying to walk down the same path. `@/ lsp bgsp,$BEA_iiwakeA3,105,0,180 print 80 ;さらばだ、ロノウェ…！」\ `Goodbye, Ronove...!"`\ textoff ld l,$RON_DefA2,80 wait 400 se1v 52,70 cl l,99,3000,"breakup.dll/urb" wait 2000 se2v 22,100 ;lsp bgsp,$BEA_DefA2,45,0,180 bg white,42 wait 600 se3v 52,100 bg cha_i1a,99,2000,"breakup.dll/lrb" wait 400 bg white,2 bg Different_spiral_1a,28 wait 500 csp bgsp se1v 52,100 print 99,2000,"breakup.dll/llb" se2v 22,100 bfly1 11 wait 1000 se3v 22,100 cbfly 11 wait 800 bg white,48 wait 1000 bg black,22 me1v 16,0 fedexx 0,70,0,0,0,0,3000 E_B wait 1000 mov %play_scene,30250 ;■余韻たっぷりに。@ベアトの魔法が染みていき、嘉音の魂が蘇る…。@ ;ld c,$JES_DefA1,80 bg g1F_R1bN,0 ;lsp bgsp2,":c;bmp\background\efe\black.jpg",0,0,180 print 26 ;!s0「嘉音くん、/ ;!d400……どこにいるの…、/ ;!d800どこにいるの……。@…助けて、/ ;!d500……助けてよ…、/ ;!d500…うううぅううぅぅ…。」/ !s0`"Kanon-kun, `/ !d400`......where are you..., `/ !d800`where are you......`@`...Help me, `/ !d500`......help me..., `/ !d500`...ooooooooohhhh..."`/ !sd\ ;＜朱志香 bg black,1 E_A ;　………お嬢様。@僕はいつだって、お嬢様のすぐ側に控えております。\ `.........Milady.`@` I am always...waiting by your side.`\ bg G1F_R1aN,22 bgm1 76 ;「か、……嘉音くん……？@　嘉音くん……？！」\ `"K, ......Kanon-kun......?`@` Kanon-kun......?!"`\ ;　朱志香は今、嘉音の声を聞いたような気がした。@ ;　そして見えぬ目で周りを見回すが、もちろん何も見えるわけがない。@ ;　…それどころか、その拍子にまた頭を机にぶつける。\ `Jessica thought that she had just heard Kanon's voice.`@ `She looked around with unseeing eyes, but of course, there was no way for her to see anything.`@ `...On the contrary, that action caused her head to hit the desk again.`\ bg black,22 ;「……嘉音くん、………嘉音くん……。@……助けて、………助けて………。」@ `"......Kanon-kun, .........Kanon-kun......`@`...Help me, .........help me........."`@ br ;　はい、お嬢様。@…僕が、お助けします。\ `Yes, Milady.`@` ...I will...help you.`\ bg G1F_R1aN,22 ;「か、……嘉音くん…？！@　い、生きてたの…？！」@ `"K, ......Kanon-kun...?!`@` Y, you were alive...?!"`@ br ;　今度ははっきりと彼の声を聞いた気がした。@ ;　朱志香は飛び上がって驚き、再び机に頭をぶつけた。/ `This time, she thought that she had heard his voice clearly.`@ `Jessica jumped up in surprise, banging her head against the desk once again.`/ se1 13 quakey 4,500 \ bg black,22 ;　……お嬢様、どうか心を落ち着けてお聞きください。@ ;　…残念ながら、僕は生きてはいません。\ `......Milady, please calm your heart and listen.`@ `...Unfortunately, I am not alive.`\ ;「………え……、」@ `".........Huh......?"`@ br ;　僕はすでに、死んでしまっています。@ ;　……ですが、…あの魔女が、お嬢様の危機を僕に知らせに来ました。\ `I have already...died.`@ `......However, ...that witch came to me to tell me of your peril.`\ ;　…そして、わずかの間だけ、お嬢様に手助けできる時間をくれました。@ `...Then, she gave me only a short period of time to help you, Milady.`@ br ;　どうか、心をもっと落ち着けて。@ ;　そうすれば、……お嬢様にも僕の姿が見えるようになります…。\ `Please, calm your heart even more.`@ `If you do, ......my form will become visible even to you, Milady...`\ ;　朱志香はその言葉に従う。@ ;　頭から雑念を全て追い出し、呼吸を落ち着けた。@ `Jessica obeyed those words.`@ `She chased all idle thoughts from her head, and relaxed her breathing.`@ br ;　……本当は、死んだと思っていた想い人の声に心臓が爆発しそうだった。@ ;　それを懸命に抑えた。\ `......Her heart actually felt like it was going to explode after hearing the voice of the person she had liked and thought was dead.`@ `She resisted that with all of her strength.`\ se1v 22,50 lsp bgsp,$KAN_NayamuA1,-73,0,160 print 99,2000,"trvswave.dll/h" bg G1F_R1aN,22 ;　……すると、……自分の正面に嘉音くんが確かにいてくれるのを感じた。@ ;　……目が見えないはずなのに、……はっきりとそれを感じることができた。\ `......When she did, ......she felt as though Kanon-kun really was right in front of her.`@ `......Even though she shouldn't have been able to see him with her eyes, ......she was able to sense him clearly.`\ lsp bgsp,$KAN_defA2,-73,0,160 print 80 ;「……僕が、見えますか。@お嬢様…。」@ ;「あぁ…。@見えるぜ、……確かに嘉音くんが見えるよ…。」\ `"......Can you...see me?`@` Milady..."`@ `"Yeah...`@` I can see, ......I can definitely see you, Kanon-kun..."`\ lsp bgsp,$KAN_MajimeA1,-73,0,160 print 80 ;「………僕は魂だけの存在です。@だから、お嬢様に触れることはできません。@こうして言葉を掛けることしかできない。@……それだけしかできないか弱い存在ですが、…それでもお嬢様の力になれるはずです。」\ `".........I exist only as spirit.`@` So I cannot touch you, Milady.`@` I cannot do anything except talk to you like this.`@` ......I am a weak existence which can do nothing more than that, ...but I should be able to be of some aid to you, Milady."`\ csp bgsp bg black,22 ;「……言葉だけ、……なの……？@　嘉音くんに、……触ることはできないの……？」\ `"......Just words, ......is it......?`@` I can't, ......touch you, Kanon-kun......?"`\ ;lsp bgsp,$KAN_KomaruA1,-73,0,160 ;print 80 ;「僕は今、蝋燭の煙よりも儚い存在です。@…生者であるお嬢様に触れられれば、たちまち掻き消えてしまうほどに。@/ `"I am now even more fragile than smoke from a candle.`@` ...So much so that if one of the living such as you were to touch me, I would be wiped away instantly. `@/ ;lsp bgsp,$KAN_MajimeA1,-73,0,160 ;print 80 ;……だからどうか、触れようとしないでください。@…僕も、……お嬢様に触れたい気持ちを、……抑えているのですから。」\ `......So please, don't try to touch me.`@` ...Because I am also, ......holding back my desire, ......to touch you, Milady."`\ ;「あ、………う、…うん…。」\ `"Ah, .........y, ...yeah..."`\ ;lsp bgsp,$KAN_OdorokiA1,-73,0,160 ;print 80 ;「それよりお嬢様。@……よく聞いて下さい。@………新しい黄金の魔女は、残酷な心の持ち主です。@…必ずやお嬢様を酷い目に遭わせようとするでしょう。@……この部屋から逃げ出し、隠れなければなりません。」\ `"More importantly, Milady.`@` ......Please listen well.`@` .........The new witch has a cruel heart.`@` ...She will surely make you meet with a horrible end.`@` ......You must escape from this room and hide."`\ ;「ど、…どうやって…。@私は、目が見えない……！」@ `"H, ...how...?`@` I can't...see anything......!"`@ ;lsp bgsp,$KAN_DefA2,-73,0,160 ;print 80 ;「静かに…。@……僕がお嬢様の目になります。@僕が掛ける言葉に従って動いて下さい。@……まず、そのまま３歩を這い出て、それから立ち上がって下さい。@今、お嬢様がいるのは机の下です。@そのまま立てば頭をぶつけます。」\ `"Quiet...`@`......I will be your eyes, Milady.`@` Please move in accordance with my instructions.`@` ......First, please crawl three steps from there, and then stand up.`@` You are now under the desk, Milady.`@` If you stand there, you'll hit your head."`\ ;「…つ、机の下だったのか…。@わかったよ…、１、２、３…。@…立つぜ…。」\ `"...Th, that was under the desk...?`@` I got it..., 1, 2, 3...`@`...I'm standing..."`\ ;csp bgsp bg G1F_R1aN,26 quakey 2,300 fedexx 90,0,0,0,0,0,1000 lsp bgsp,$KAN_NayamuA1,284,0,160 print 24 ;「お上手です……。@次は時計で言う、９時の方向を向いて下さい。@………はい、お上手です。」\ `"Well done......`@` Next, please turn to face towards 9 o'clock.`@` .........Yes, well done."`\ ;「は、……はは…。@何だか、…恥ずかしいぜ…。@……あ、…つつつ、…痛ててて…。」\ `"Ha, ......haha...`@` This is pretty, ...embarrassing...`@`......Ah, ...ack, ...owowow..."`\ lsp bgsp,$KAN_komaruA1,124,0,160 print 24 ;「大丈夫ですか、傷が痛みますか…？」@ ;「い、いや、…平気だぜ…。@次は……？」\ `"Are you alright? Does your wound hurt...?"`@ `"N, no, ...I'm fine...`@` What next......?"`\ csp bgsp bg black,25 ;　朱志香は、これが夢なら醒めないでほしいと思った。@ ;　…そして、もし許されるなら、目を塞いでいる包帯を取ってその姿を見たいと思った。@ `Jessica thought that if this was a dream, she didn't want to wake up.`@ `...And, if she were allowed to, she would have wanted to take off the bandage covering her eyes and see him.`@ br ;　…しかし、それをしたら、嘉音はきっと本人が自称する通り、蝋燭の煙のように儚く消え去ってしまうだろう…。@……それに怯えた。\ `...However, if she did that, maybe Kanon would vanish like frail candle smoke, just like he himself had said...`@`......She was afraid of that.`\ ;　だから、彼の言葉を再び聞けたというだけで満足し、@彼を抱き締めたいとか、その姿を見たいという気持ちをぐっと抑えた。\ `So she satisfied herself with just listening to his words once more, `@`repressing her desire to see him, to hold him.`\ ;　だから、今、彼女の目を痛ませているのは、感涙の涙。@ ;　……この、奇跡のような時間を与えてくれた神様か、…はたまた魔女への、感謝の涙。\ `Therefore, what hurt her eyes now were tears of gratitude.`@ `......Tears of gratitude for the god, ...or else witch, who had given her this miraculous moment.`\ bg G1F_R1bN,26 ;「…大丈夫なの…？@　こんなにしゃべって、あいつに気付かれない？@　声を聞かれない…？」\ `"...Is it alright...?`@` If we keep talking like this, won't we be noticed by her?`@` Won't our voices be heard...?"`\ lsp bgsp,$KAN_DefA1,-73,0,160 print 23 ;「……隠密の結界を張っています。@大きな音や声を出さなければ、誰も気付きません。@……だから誰も、僕の気配には気付けない。」\ `"......I have erected a barrier for privacy.`@` If you don't make any loud noises or speak noisily, no one will notice.`@` ......So no one can notice my presence."`\ ;「…な、…何だかわからないけど、…とにかく静かにしてれば大丈夫ってことなんだな…。@……つ、次はどうするんだ…？」@ `"...I, ...I don't really get it, ...but anyways, we'll be fine as long as we stay quiet, right...?`@` ......Wh, what should I do next...?"`@ lsp bgsp,$KAN_NayamuA1,-73,0,160 print 80 ;「そのままゆっくり１０歩ほどを歩いて下さい。@ソファーに触ります。@それに沿って進んでください。@……ゆっくりと。@……落ち着いて。@僕の言葉を信じて。」\ `"Please walk 10 steps in that direction.`@` You will touch the sofa.`@` Please continue along that.`@` ......Do it slowly.`@` ......Stay calm.`@` Believe my words."`\ csp bgsp bg black,22 ;「あ、……あぁ。@…………へへ、…不思議だぜ…。@……目が見えないってのはあんなにも怖いものだったのに、………嘉音くんと一緒だと、全然怖くないよ…。」\ `"S, ......sure.`@` ............Heheh, ...it's weird...`@`......Even though it's so scary not being able to see, .........if you're with me, Kanon-kun, it isn't scary at all..."`\ ;「………そう、それがソファーです。@左になぞりながらゆっくり進んで…。@すぐ左にテーブルがあります。@脛をぶつけないように気をつけて…。」\ `".........Yes, that is the sofa.`@` Trace it to the left while advancing slowly...`@` There is a table just to the left.`@` Be careful not to bump into it with your shins..."`\ bg G1F_R1bN,26 ;　……それは、とてもとても奇妙で不思議な共同作業。@ `......It was a very, very strange and odd team effort.`@ br ;　恐ろしい魔女に気取られたなら、たちまちのうちに殺されてしまうのに、@……今の朱志香の心に恐れはない。\ `Even though she would have been killed in an instant if she had been noticed by the terrible witch, `@`......Jessica's heart was not fearful.`\ lsp bgsp,$KAN_nayamuA1,284,0,160 print 24 ;　二度と会えないと思っていた嘉音が、自分を守ってくれて、先導してくれる。@ `She was being protected and guided by Kanon, who she had thought she would never be able to meet with again.`@ br ;　…それは多分、今だけの奇跡に違いないけれど。@ ;　……それでも朱志香は、その奇跡に深く感謝した。\ `...Although it was probably only a momentary miracle.`@ `......Even so, Jessica was deeply grateful for this miracle.`\ ;　多くを望めば、きっと消えてしまうに違いない、この儚い奇跡を壊さないように。@ `If she hoped for too much, she was sure that he would disappear, so she tried not to break this faint miracle.`@ br ;　そして、今を永遠に心に刻むように、ゆっくりと、ゆっくりと、…嘉音の声に従って足を進める…。\ `And, trying to engrave this moment into her heart for all eternity, she slowly, slowly, ...continued to walk, obeying Kanon's voice...`\ csp bgsp bg black,24 ;「……さぁ、さらに１０歩を歩けば、使用人室から出ます。@そしたら９時の方向を向いて、ゆっくりとずっと歩いて下さい。@右の壁に手を置き、それに沿って、ずっとずっと。@…僕が、安全な部屋までお連れします。」\ `"......Alright, if you walk 10 more steps, you will exit the servant room.`@` Then, please turn to face 9 o'clock, and keep walking very slowly.`@` Put your hand on the wall to your right, and keep on following that.`@` ...I will take you to a safe room."`\ ;!s0「…………そこに行ったら、/ ;!d500…嘉音くんは、/ ;!d600………帰っちゃうの……？」/ !s0`"............If I go there, `/ !d500`...will you, `/ !d600`...come back, Kanon-kun......?"`/ !sd@ bg M_door2,26 ;「………………………。」@ `"........................"`@ br ;　嘉音は答えなかった。@ ;　…しかし、答えずとも、それが事実であることを教えた。\ `Kanon didn't answer.`@ `...But his lack of an answer was enough to tell her the truth.`\ bg black,22 ;「……なら、……嫌だ。@………行きたくないよ…。」@ `"......Then, ......no way.`@` .........I don't want to go..."`@ ;「ここにいれば、魔女に殺されます。」@ `"If you stay here, you will be killed by the witch."`@ ;「いいよ…。@殺されれば嘉音くんのいる世界へ行けるもん…。」\ `"That's alright...`@` If I'm killed, I can go to the world where you are, Kanon-kun..."`\ lsp bgsp,$KAN_nayamuA1,126,0,160 ;print 99,2000,"trvswave.dll/h" ;print 1 print 2 ;「……お嬢様。@どうか聞き分けてください。@……死者である僕には、人の世は眩しくて辛過ぎる…。@だから長くは留まれません。\ `"......Milady,`@` please be reasonable.`@` ......For the dead such as myself, the human world is too bright and painful...`@` So I cannot stay for long.`\ lsp bgsp,$KAN_MajimeA1,126,0,160 print 80 ;　だからお嬢様、……僕に許された時間で、……お嬢様を安全な場所まで導くことを、どうか許してください。@…………そしたら、………時間が尽きるまで、ずっとお嬢様と一緒にいますから。」\ `So Milady, ......with the time I am allowed, ......please permit me to guide you to a safe place.`@` ............Because after that, .........I will stay with you until my time runs out."`\ ;「………それが、嘉音くんにできる精一杯なの……？」@ `".........Is that...the best you can do, Kanon-kun......?"`@ lsp bgsp,$KAN_KomaruA1,126,0,160 print 80 ;「…はい。@………その代わり、一秒でも長くお嬢様の側にいるようにします。@……ずっと、お嬢様といて、……お話をします。」\ `"...Yes.`@` .........And in exchange, I will stay by your side as long as possible, Milady.`@` ......The whole time, ......I will talk with you, Milady."`\ ;「どんな、…お話…？」@ `"Talk, ...about what...?"`@ lsp bgsp,$KAN_DefA1,126,0,160 print 80 ;「………………どんなお話がいいですか…？」@ ;「…嘉音くんが聞かせてくれるなら、どんな話でもいいよ…。」\ `"............What do you want to talk about...?"`@ `"...Anything that you could tell me about, Kanon-kun..."`\ lsp bgsp,$KAN_majimeA1,126,0,160 print 80 ;「……では…。@…………勇気のない、臆病な使用人の少年の話を。@………太陽のように眩しいお嬢様に恋心を抱き、…同じ気持ちを打ち明けられながらも、@……臆病さに負け、ついに生ある内に、自分に素直になれなかった、愚かで憐れな少年の話を。」\ `"......Well then...`@`.........I will tell you the story of a cowardly servant boy without courage.`@` .........The story of a foolish and pitiful boy who felt love for a Lady as radiant as the sun, ...and even though those same feelings were confessed to him,`@` ......he lost to his cowardice, and in the end, was not able to be honest with his feelings while he still lived."`\ ;「……………うん…。@なら、…私もしたいよ。@………大好きな男の子にね、……もっともっと大好きだよって、@……勇気を振り絞れなかった臆病な女の子の話を。@……そして、……その男の子に再会できる奇跡を神様が下さって、@…………その勇気を振り絞る機会を、もう一度与えてもらった女の子が、………勇気を振り絞る話を。」\ `"............Yes...`@` Then, ...me too.`@` .........The story of a cowardly girl, ......who couldn't muster the courage,`@` ......to tell the boy she loved that she did love him, much, much more often.`@` ......And, ......the story of how that girl, after being given a miracle by god to be reunited with that boy,`@` .........used that chance to muster up her courage."`\ lsp bgsp,$KAN_nayamuA1,126,0,160 print 80 ;「………僕も、……その話を聞きたいです。@……だから、その為にも行きましょう。@……安全な場所まで。」@ `".........I also, ......want to hear that.`@` ......So, for that reason, let us go.`@` ......To a safe place."`@ ;「……うん…。@嘉音くんと一緒なら、いつまでだって、どこまでだって歩くよ…。@もう目なんていらない。@嘉音くんが踏み出せというなら、崖の先へだって一歩を踏み出すよ。」\ `"......Yeah...`@` If I could be with you, Kanon-kun, I would walk however long, however far...`@` I don't need eyes anymore.`@` If you tell me to step forward, I would even take a step off a cliff."`\ csp bgsp bg G1F_R1aN,2 ;「ありがとう。@…さ、お嬢様。@参りますよ。@最初の１０歩を。」@ ;「ううん、嫌だ。@…………朱志香って呼んでくれなきゃ、…嫌だ。」\ `"Thank you.`@` ...Well then, Milady.`@` Let us go.`@` The first 10 steps."`@ `"No, I don't like it.`@` ............I won't do it, ...unless you call me Jessica."`\ me1v 12,50 wait 2000 ;「……わかりました。@…………………では、朱志香。@…最初の１０歩を踏み出して。」@ ;「うん。@嘉音くん……。」\ `"......Understood.`@` ..................Well then, Jessica.`@` ...Take the first 10 steps."`@ `"Yes.`@` Kanon-kun......"`\ textoff bg black,4 bg M_door1,4 wait 1000 bg black,4 bg M1F_P1bN,4 ;　朱志香と嘉音が、静かに静かに、ゆっくりと使用人室を抜け出す。\ `Very quietly, Jessica and Kanon slowly snuck out of the servant room.`\ bg M1F_P1dN,0 ld l,$RON_DefA2,0 ld c,$EV2_akuwaraiA5,4 ;　そのすぐ脇では、南條の死体を残酷に見下ろす魔女の姿があったが、@魔女はその気配に気付きもしない。\ `Just around the corner, the witch could be seen cruelly looking down at Nanjo's corpse, `@`but the witch did not even notice their presence.`\ ld l,$RON_akuwaraiA1,80 ;　しかし、その後に控えるロノウェは、嘉音と目が合った。@ `However, Ronove, who was waiting at her side, met Kanon's eyes.`@ br ;　…嘉音は、しまったと思い、表情を歪めその背中に朱志香を庇う。\ `...Kanon thought 'oh no', grimacing and blocking Jessica with his back.`\ ld l,$RON_WaraiA2,80 ;「……………………。」@ ;＜ロノウェ `"........................"`@ br ;　しかし、ロノウェはそれを主に知らせない。\ `However, Ronove did not inform his master.`\ ;　彼の姿を見咎めたこと自体が気のせいであったかのように、素知らぬふりをする。@ ;　……いや、ふっと笑ったように見えたかもしれない。\ `As though he hadn't even found fault with Kanon being there in the first place, he pretended not to recognize him.`@ `......No, maybe he did appear to chuckle.`\ se1 22 bg butterfly_2a,2 ;　そのロノウェが後ろ手に組む指から、１匹の小さな黄金蝶が現れ、@嘉音の前を先導するように飛んでいく。@ `From a finger on Ronove's hands, which were joined behind his back, a single small gold butterfly appeared,`@` flying in front of Kanon as though guiding him.`@ br ;　それは、彼の仕える主に気付かれぬものだった。\ `That went unnoticed by the master he served.`\ ;　嘉音は、その蝶の持つ魔法に驚く。@ `Kanon was surprised at the magic that butterfly held.`@ br ;　それは、嘉音が持つ隠密結界よりも、遥かに強力なそれだったからだ。\ `Because it was far more powerful than the privacy barrier Kanon had.`\ ;　…彼は知らないかもしれないが、もともとこの力はロノウェのものなのだ。@ `...He may not have known, but that power had originally been Ronove's.`@ br ;　…それを、金蔵が模倣して与えたものが、嘉音の持つそれなのだから。\ `...An imitation of that had been given to Kanon by Kinzo, and this is what Kanon was using now.`\ ;　その、隠密の魔法の蝶は、金の鱗粉を散らしながら、少しずつ小さくなっている。@ ;　…多分、しばらくしか持たないだろう。@ `As that butterfly of privacy magic scattered gold scales, it grew smaller bit by bit.`@ `...It probably wouldn't last long.`@ br ;　……しかしそれでも、残酷な魔女から遠ざかるだけの時間を充分に与えてくれるに違いない。\ `......But without a doubt, even that would buy them enough time to get far away from the cruel witch.`\ bg butterfly_3a,2 ;bg black,2 ;bg M1F_P1bN,22 ;lsp bgsp,$KAN_OdorokiA2,-73,0,160 ;print 3 ;「さぁ、お嬢様…。@その壁に沿い、ずっと歩いていきましょう。@…ずっと。@ずっと。」@ ;「あぁ。@……嘉音くんと一緒なら、……どこまでも、ずっと、ずっと…。」\ `"Alright, Milady...`@` Let's follow that wall and keep walking.`@` ...Keep going.`@` Keep going."`@ `"Yeah.`@` ......If I can be with you Kanon-kun, ......I'll keep on going, keep on going anywhere..."`\ bg M1F_P1bN,8 ;　小さな黄金蝶に導かれ、守られ、@…生と死の壁を挟みあう二人が、ゆっくりと廊下の向こうへ歩み去っていく…。@ `Led and protected by the small gold butterfly,`@` ...the two who were separated by the wall between life and death slowly walked away towards the end of the corridor...`@ br ;　……その二人の逃避行に、邪悪なる魔女が気付ける魔法など、あるわけもない。\ `......There was no way that the evil witch would have magic to notice their flight.`\ bg black,2 ;　二人の姿が廊下の向こうに消え去るまで、魔女は朱志香が姿を消したことに気付かないのだった…。\ `Until they disappeared at the other end of the corridor, the witch did not notice that Jessica had vanished...`\ fedexx 90,0,0,0,0,0,3000 se1 15 wait 1000 bg M1F_S1aN,4 ;　ロノウェが飛ばした黄金蝶が完全に消え去ってしまった頃、…朱志香は客間に辿り着いた。@ `By the time the gold butterfly Ronove had sent flying evaporated completely, ...Jessica had reached the parlor.`@ br ;　目が見えていればすぐに辿り着けたはずの場所でも、今の朱志香にとっては、長い長い冒険だった。\ `Even though she would have been able to make it this far quickly if she had been able to see, as she was now, it had been a very long adventure.`\ lsp bgsp,$KAN_NayamuA1,284,0,160 print 4 ;「……さぁ、お嬢様。@客間に辿り着きました。@これからお嬢様を、窓際のカーテンの束のところまでお連れします。@…その中に隠れれば、きっと安全です。」@ ;「カーテンの中か…。@うまいな。@私も昔、よくそこに隠れたもんだぜ。」\ `"......Come on, Milady.`@` We've reached the parlor.`@` I will now take you to the bundle of curtains by the window.`@` If you hide in there, you'll surely be safe."`@ `"Inside the curtains...`@` Not bad.`@` I used to hide in there a lot, long ago."`\ ;lsp bgsp,$KAN_OdorokiA2,284,0,160 ;print 80 csp bgsp bg black,22 ;「………ベアトリーチェさま…。」@ ;＜嘉音 ;「…え？」@ `".........Beatrice-sama..."`@ `"...Huh?"`@ br ;　嘉音が魔女の名を呼ぶ。@ ;　朱志香は驚いて辺りを見回すが、目の見えない彼女にその姿を見つけることは、当然できない…。\ `Kanon called the witch's name.`@ `Jessica looked around in surprise, but she obviously couldn't find the witch when she couldn't see...`\ csp bgsp bg M1F_S1cN,0 lsp bgsp2,$BEA_majimeA1,145,0,160 print 24 ;　ベアトは、再び薄っすらとした姿を現していた。@ ;　嘉音は邪悪なる魔女の姿に身構えるが、ベアトの表情は穏やかで、…むしろ憐れみのあるものだった。\ `Beato had appeared once again with a faint form.`@ `Kanon squared off against the evil witch, but Beato's expression was soft, ...and actually pitying.`\ lsp bgsp,$KAN_FumanA1,-73,0,160 print 23 ;「…………どういう気紛れで僕を蘇らせてくれたのか、…僕にはあなたの気持ちがわからない。」@ ;＜嘉音 `"............I don't understand what you felt when you decided to revive me on some kind of whim."`@ lsp bgsp2,$BEA_NayamuA1,145,0,160 print 80 ;「……気紛れに過ぎぬ。@……いや、……魔女とは、こうあるべきなのだ。@…妾がそれを気付くのに千年を掛けた。@…それだけの、愚かしい話だ。」\ `"......It was nothing more than a whim.`@` ......No, ......this is how witches should be.`@` ...It took me one thousand years to notice that.`@` ...That is how...foolish it is."`\ csp -1 bg black,22 ;「だ、……誰？！@　誰がいるの…？！」@ `"Wh, ...who?!`@` Who's there...?!"`@ bg M1F_S1bN,0 lsp bgsp,$KAN_DefA2,126,0,160 print 22 ;「…お嬢様、お静かに。@……彼女は魔女、…ベアトリーチェ…。@………僕をお嬢様にもう一度会わせてくれた、……恩人です。」@ ;「…………魔女…、……ベアトリーチェ……。」\ `"...Milady, be quiet.`@` ......She is the witch, ...Beatrice...`@`.........I am in her debt, ......because she let me be with you one more time."`@ `"............The witch..., ......Beatrice......"`\ csp bgsp bg M1F_S1aN,0 lsp bgsp2,$BEA_MajimeA2,-15,0,160 print 23 ;「…妾のことなどどうでも良い。@それより、早くその女をカーテンの陰に隠すが良い。@/ `"...Forget about me.`@` More importantly, you should quickly hide that girl in the shadows of the curtains. `@/ lsp bgsp2,$BEA_fukigenA3,-15,0,160 print 80 ;………そなたに残された時間も長くないであろう。@朱志香と最後の語らいに費やすがいい。\ `.........You probably do not have much time left.`@` You may spend it in a final conversation with Jessica.`\ lsp bgsp2,$BEA_iiwakeA1,-15,0,160 print 80 ;　…カーテンの束の中で密会とは、…そなたらもなかなか味な真似をする。@くっくっくっく…。」\ `...A secret meeting inside a bunch of curtains, ...what a clever idea, you two.`@` *cackle*cackle*..."`\ ;「あ、あの、…………ありがとう、ベアトリーチェ…！！@　嘉音くんに会わせてくれて、ありがとう……！！」@ `"Uh, umm, ............thank you, Beatrice...!!`@` Thank you for letting be with Kanon-kun......!!"`@ br ;　朱志香はベアトがどこにいるのかわからないので、見当違いの方向を向いて言った。@ ;　それが滑稽だったのか、ベアトはわずかに失笑する。\ `Jessica didn't know where Beato was, so she said that while facing in the wrong direction.`@ `Perhaps because she found that funny, Beato sniggered.`\ lsp bgsp2,$BEA_DefA2,-15,0,160 print 80 ;「あとは愛し合う二人にこの部屋を譲る。@邪悪なる魔女に恋話は不要でな。@退出させてもらおう。」@ `"I will now leave this room to the pair of lovers.`@` Evil witches have no need for tales of love.`@` Allow me to retreat."`@ lsp bgsp,$KAN_fumanA2,284,0,160 print 24 ;「……ベアトリーチェさま…。@…ありがとうございます。」\ ;＜嘉音 `"......Beatrice-sama...`@`...Thank you very much."`\ lsp bgsp2,$BEA_futekiA2,-15,0,160 print 80 ;vvvv ;「ふ…。@………礼など要らぬ。@こんなのでは償い切れぬほど、悪行を重ねておることは、そなたがよく知っておろうに。」\ `"Hmph...`@`.........No need to thank me.`@` You know that something like this isn't enough to compensate for all of the evil I have done."`\ lsp bgsp,$KAN_NayamuA1,284,0,160 print 80 ;「良き魔女には感謝を餞別とします。@…今までがどうであったか、そしてこれからがどうであるかは知らない。@……しかし、今この瞬間。@…あなたは間違いなく、良き魔女だ。」\ `"I give my gratitude to a good witch as a parting gift.`@` ...I don't care about what had happened before now, or what will happen in the future.`@` ......However, in this very moment,`@` ...you are without a doubt...a good witch."`\ lsp bgsp2,$BEA_waraiA1,-15,0,160 print 80 ;「……おべっかが過ぎるぞ、家具めが。@次に会う時は、期待を裏切らぬ悪しき魔女であるかもしれぬぞ。@/ `"......You flatter me, furniture.`@` The next time we meet, I may be an evil witch who doesn't betray your expectations. `@/ lsp bgsp2,$BEA_defA2,-15,0,160 print 80 ;……それではさらばだ。」\ `......And with that, farewell."`\ csp bgsp2 print 4 csp bgsp bg black,24 ;se1 15 bg M_door1,2 mov %play_scene,30260 ;　ベアトは客間を出て、その扉を閉める。@ `Beato left the parlor and closed the door.`@ br ;　そして、残った最後の魔力の全てを振り絞って、その扉を封印する。\ `And mustering the last of her remaining magical power, she sealed the door.`\ se1v 57,50 bg white,1 bg M_door1,22 ;　いずれ二人がここに逃げ込んだことは気付かれる。@ `The fact that those two had escaped into here would eventually be noticed.`@ br ;　…それに、第九の晩を迎えた以上、どう足掻こうとも逃れられぬ運命はもう決まっている。@ `...And now that the ninth twilight had been reached, no matter how much they struggled, their inescapable fate had already been decided.`@ br ;　しかし、その最後の瞬間まで、二人には恋を語り合う時間が許されるべきなのだ。\ `However, until that final moment, they should be given the chance to speak with each other of their love.`\ textoff se1v 57,50 bg white,1 bg M_door1,22 se2v 57,50 bg white,1 bg M_door1,22 se3v 57,50 bg white,1 bg M_door1,22 ;　魔女は、その時間を守るために全ての魔力を注ぎ込む。@ `The witch poured out all of her magical power to protect their time together.`@ textoff se1v 57,50 bg white,1 bg M_door1,22 se2v 57,50 bg white,1 bg M_door1,22 se3v 57,50 bg white,1 bg M_door1,22 ;　……最後の瞬間まで、二人きりの時間を誰にも穢せぬよう。\ `......So that no one would be able to defile their time alone together until the final moment.`\ me1v 16,70 bg black,22 ;　その時、…ベアトは知覚した。@ `At that time, ...Beato noticed something.`@ br ;　……自分の体を魔法的な探索術が探知したことを。@ `......Her body had been detected by a magical searching technique.`@ E_B se3v 21,50 br ;　…残酷な魔女の家具が、ここを嗅ぎつけたのだ。\ `...The evil witch's furniture had sniffed this place out.`\ bg M_door1,0 ;lsp bgsp,$BEA_IiwakeA3,145,0,160 ld r,$BEA_IiwakeA3,0 print 26 ;「…………無粋なるは魔女の所以か。@若き二人に恋を語らせる気もなしとは…。@……くっくくくくくくくくくく…！！」\ `"............So, boorishness is the witch's way of doing things...`@` To think that she doesn't even intend to allow the two young ones to speak to each other of their love...`@`......*cackle*cackle*cackle*cackle*...!!"`\ E_A bgm1 74 textoff csp -1 se1 57 bg white,1 bg system1,80 se1 57 bg white,1 bg system2,80 se1 57 bg white,1 bg system3,80 ;「４５データ受領。@標的照合、先代ベアトリーチェ卿と確認。@客間防御壁を解析。@多層防御壁７２層、攻性防壁及び魔法反応装甲。@客間への狙撃は不可能。@４１０へデータリンク。」\ `"45, Data Received.`@` Target Comparison, Confirmed as the Predecessor Lady Beatrice.`@` Parlor Defensive Wall Analysis.`@` 72-Layered Multilayered Defensive Wall, Attack-Proof Barrier and Anti-Magic Armor.`@` Sniping into the parlor is impossible.`@` Data Link to 410."`\ bg Mhal_2cN,0 ld r,$S41_AkuwaraiA1,24 ;「４１０データ受領。にひ！@/ `"410, Data Received. Nihi! `@/ ld r,$S41_AkuwaraiA2,80 ;　じゃあ先代さまを先に＊しちゃえばいいだけの話だにぇ。@大ベアトリーチェ卿、攻撃許可を！」\ `Then we've just gotta **** the Predecessor-sama first nyeh.`@` Great Lady Beatrice, your Firing Permission!"`\ ld l,$EV2_akuwaraiA2,23 ;「撃ってちょうだい。@…あぁ、急所は外してね。@ババァに聞きたいことがあるの。」\ `"Go ahead and shoot.`@` ...Oh, and avoid her vital areas.`@` There's something I want to ask that granny."`\ se1 57 bg white,1 bg system1,80 se2 57 bg white,1 bg system2,80 se3 57 bg white,1 bg system3,80 se1 57 bg white,1 bg system4,80 se2v 57,100 bg white,1 bg system5,80 wait 1000 ;bg black,22 ;ld r,$S41_DefA1,80 ;「４１０、射撃。@にひ！」\ `"410, Firing.`@` Nihi!"`\ textoff ;bg black,22 se1v 57,100 se2v 2,100 bg homing7S,1 bg white,22 bg black,1 ;　シエスタ姉妹の黄金弓が、黄金の蛇を放つ。@ `The Siesta Sisters' gold bow released a gold snake.`@ br bg M1F_P1BN,22 ;　……それは使用人室前から廊下を這って、蛇のような柔らかい曲線の軌道を描きながら客間を目指し、@/ `......It crawled down the corridor starting from the front of the servant room, aiming for the parlor as it drew a soft, snake-like curved line trajectory, `@/ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing7,80 waittimer 1000 E_MA E_B se2v 36,100 bg blood_1b,1 quakex 6,1200 ;wait 50 ;…ベアトの胸を貫いた。\ `...and pierced Beato's chest.`\ ;「………………ぐはッ……！！！」/ `"..................Gwaah......!!!"`/ se1 13 quakey 4,800 \ ;＜ベアト bg M1F_P1dN,26 bgm1v 78,90 se1 22 bfly2 11 ;　そこに黄金の蝶たちが集まり、残酷なる魔女とその家具たちが姿を現す。\ `Gold butterflies gathered, and the cruel witch showed herself along with her furniture.`\ ;cbfly 0 se1 52 ld l,$RON_majimeA1,99,2000,"breakup.dll/urP" ;「……先代さま。@二度もの妨害、もはや許されませんぞ。」@ ;＜ロノウェ `"......Predecessor-sama.`@` Obstructions will not be permitted anymore."`@ ;lsp bgsp,$BEA_GamanA1,145,0,120 ld r,$BEA_GamanA3,0 print 6 ;「……ぐ……ぅ………、許されようとも思わぬわ…。@……しかしシエスタ姉妹も腕が落ちたものよ。@妾を仕留め損なうとはな。@…それも二度も…！」\ `"......Ugh......uu........., I didn't think they would be permitted...`@`......Still, the Siesta Sisters really have gotten rusty.`@` To think that they failed to bring me down.`@` ...And twice, at that...!"`\ ;　ロノウェは、魔女の執事として相応しい口上を述べる。@ ;　ベアトは苦痛を押し隠しながらニヤリと笑って言い返した。\ `Ronove spoke in a manner fitting for the witch's butler.`@ `As she pushed her pain aside, Beato grinned and spoke back.`\ cl l,24 ld l,$S45_defA1,23 ;「も、申し訳ありません、先代さま…！@　急所を外せとのご命令です…！」@ ;＜４５ `"My, my apologies, Predecessor-sama...!`@` We were ordered to avoid vital areas...!"`@ ld c,$S41_DefA1,80 ;「ご指示があれば、すぐにでも貫きますとも。@ピアスの穴でもおへその穴でも、お好きな穴を。@　にひ！」\ ;＜４１０ `"As soon as there's an order, we can pierce you at any time.`@` We can pierce a hole in your ears, a hole in your belly button, any hole you like.`@` Nihi!"`\ csp bgsp bfly2 0 se1v 22,100 bg homing5,2 ;　ベアトを貫いた黄金の蛇は、そのまま伸びて朝顔の蔦が描くような螺旋を描き、次の命令を待っていた。@ `The gold snake that had pierced Beatrice grew even longer, drawing a funnel-shaped helix and awaiting its next order.`@ br ;　…残酷なる魔女が命じれば、すぐにでも急所を貫く用意があるということだ。\ `...It was prepared to pierce a vital spot as soon as the evil witch told it to.`\ cbfly 0 bg cg54,0 ;lsp bgsp,$BEA_GamanA3,145,0,120 print 26 ;「………残忍にかけては妾も一歩劣るそなたが、急所を外させるとは、@どういう風の吹き回しか。@新しきベアトリーチェ…！！」\ ;＜ベアト `".........For what reason would someone like you, who is no less brutal than I, `@`make them avoid my vital areas?`@` New Beatrice...!!"`\ ;「聞きたかったのよ。@…どういう術で逃れたのか知らないけど、私たちはあんたを仕留めたつもりでいたのよ？@　そのまま隠れていれば逃れられたものを、どうして危険を冒してまた現れたの？@　……まさか若い二人を庇うためだけに戻ってきたわけぇ？」\ `"I wanted to ask you.`@` ...I don't know what trick you used to escape, but we thought we took you out, right?`@` Why is it that even though you could have escaped by hiding, you took the risk of appearing again?`@` ......It can't be that you came back just to protect those two young people, riight?"`\ bg cg55,0 ;「……さぁて、…な。@……くっくっくっく…！」\ `"......Well, ...who knows?`@` ......*cackle*cackle*...!"`\ ;「さっきだってそうよ。@どうして恋人たちを蘇らせて再会なんて、甘い真似を？@　…聞けば聞くほどに、あなたは私なんて足元にも及ばない邪悪の権化。@そのあなたが、どうして急にそんな生温いことを始めたのかって。@……それを聞きたかったのよ。」\ `"And just a second ago.`@` Why'd you do something as soft as reviving the lovers and reuniting them?`@` ...The more I hear, the more I learn that I don't even reach up to your feet as an incarnation of evil.`@` If you're like that, why did you suddenly start acting so mildly?`@` ......That's what I wanted to ask."`\ ;lsp bgsp,$BEA_AkuwaraiA5,145,0,120 print 80 ;「………くっくっくっく！@　残忍ゆえに妾は気紛れなのよ。@それを問うことに意味などあろうか。」\ `".........*cackle*cackle*!`@` Because I am brutal, I am fickle.`@` How could there be any meaning in asking that?"`\ ;「シエスタ姉妹。縫え。」\ `"Siesta Sisters. Sew."`\ csp bgsp se1v 22,100 bg homing5R,25 ;　それを命じると、螺旋を巻いて宙に留まっていた黄金の蛇が、@文字通り獲物を狙う蛇のように素早く動き、@ベアトの体を何度か前後から貫いて、その黄金の尾で×字を描く。\ `When she ordered that, the gold snake that was curled in a helix and suspended in space,`@` moved as fast as a real snake going after its prey,`@` and pierced Beato's body multiple times from both sides, its gold tail drawing a x shape.`\ textoff ;bg black,22 ;;mov %Free11, ;homing1R　ｘ座標 ;;mov %free12, ;homing1R　ｙ座標 ;lsph bgsp,"BMP\background\efe\homing5S.bmp",0,0 ;lsph bgsp2,"BMP\background\efe\homing5SR.bmp",0,0 ;print 1 ; bg white,0 ; for %Free21 = 1 to 10 ; se1v 57,100 ; vsp bgsp2,0 ;bg white,1 ; vsp bgsp,1 ; bg black,0 ; print 10,100 ;; wait 10 ; se2v 57,100 ; vsp bgsp,0 ;bg white,1 ; vsp bgsp2,1 ; bg black,0 ; print 10,100 ;; wait 10 ;; vsp bgsp2,0 ;; print 1 ;; bg black,80 ; next ;csp -1 ;se1v 36,100 ;bg blood_2e,1 ;quakey 5,800 se2v 36,70 bg white,1 bg homing5S,80 se3v 36,100 ;bg white,1 bg homing5SR,1 bg blood_2e,2 me1v 5,70 ;　残酷なる魔女の命じたそのままに、ベアトの胸にクロスステッチを描く。@ ;　黄金の縫い糸は、ぎしぎしと音を立ててベアトを苦しめた…。@ `As the cruel witch had ordered, it drew a cross-stitch through Beato's chest.`@ `The gold thread made a squeaking sound and tormented Beato...`@ br ;　黄金の蛇は、獲物を狙うそれではなく、@まるでベアトを縫う縫い針であるかのように、空中に待機する。\ `Rather than a gold snake searching for its prey,`@` it waited for orders like a sewing needle ready to sew Beato.`\ bg M1F_P1bN,26 ld r,$EV2_fukigenA2,24 E_MA ;「あんたに限って、気紛れなんてあるわけがない。@……あんたのことを聞いたわ。@そして知ったわ。@あんたは、私ですら足元にも及ばない邪悪の権化よ。@私は、そんなあなたに実に相応しい後継者だと思ったの。\ `"When it comes to you, there's no way it was a whim.`@` ......I've heard about you.`@` And I've learned.`@` You are such an incarnation of evil that I don't even rise up to your feet.`@` I thought I was truly a fitting successor to you.`\ ld r,$EV2_niramuA2,80 ;　……なのにあなたは邪魔ばかり。@温いことばかり言って私を呆れさせる。@……何があなたを変えたの？@　千年間、邪悪の限りを尽くしたあなたに、@その千年を翻すような何が起こったのか、それだけを知りたくて生かしたのよ。」\ `......But you've always been in the way.`@` You always say warm, pleasant things that shock me.`@` ......What changed you?`@` You explored the depths of evil for one thousand years,`@` and I let you live to learn what happened to make you change so much."`\ bg cg54,0 ;「……知りたくば、そなたも千年を費やすが良いぞ。@くっくくくくく！」@ `"......If you want to know, then you should waste one thousand years.`@` *cackle*cackle*cackle*!"`@ br ;bg black,1 ;「縫え。」\ `"Sew."`\ textoff bg black,22 ;mov %Free11, ;homing1R　ｘ座標 ;mov %free12, ;homing1R　ｙ座標 lsph bgsp,"BMP\background\efe\homing5S.bmp",0,0 lsph bgsp2,"BMP\background\efe\homing5SR.bmp",0,0 ;print 1 ; bg white,0 for %Free21 = 1 to 1 se1v 57,100 vsp bgsp2,0 bg white,1 vsp bgsp,1 bg black,0 print 10,100 ; wait 10 se2v 57,100 vsp bgsp,0 bg white,1 vsp bgsp2,1 bg black,0 print 10,100 next csp -1 me1v 5,80 se1v 36,100 bg cg55,1 quakex 5,800 ;「ぐおッッ！！！@　っくっか、……がッ！！」\ `"Gwaahhhh!!!`@` Ackkah, ......gah!!"`\ ;　再び、ベアトの胸に黄金のクロスステッチが縫われる。@ `Beato's chest was once again sewn with a golden cross-stitch.`@ br ;　それは再び引き締められ、ベアトの胸から鮮血を搾り出させた。@ ;　それは見た目の美しさと相容れぬほどの激痛を強いる。\ `It tightened once again, squeezing fresh blood from Beato's chest.`@ `The intense pain it caused ran in conflict with its beauty to the eye.`\ bg M1F_P1dN,26 ld l,$EV2_niramuA3,23 ;「………あんたもひょっとすると、死ぬと消えちゃって死体が残らないタイプかもしれないわね。@だから、あなたをゆっくりと殺すわ。@/ `".........You might actually be the type that disappears when they die and doesn't leave a corpse.`@` So I'll kill you slowly. `@/ ld l,$EV2_AkuwaraiA3,80 ;でも、私の質問に正直に答えられたら、楽に殺してあげる。@先代さまにぴったりの華麗で豪華でやさしい死を与えてあげる。@水を張り、薔薇で埋めた棺桶に沈めてあげるわ。@素敵でしょう？@　…それでも話せないの？@　あなたの心変わりの理由。」\ `But if you answer my questions honestly, I'll kill you gently.`@` I'll give you a splendid, gorgeous death perfect for my Predecessor-sama.`@` I'll sink you in a coffin filled with water and roses.`@` Isn't that wonderful?`@` ...And you still won't talk?`@` About the reason for your change of heart."`\ ;lsp bgsp,$BEA_GamanA2,145,0,120 ld r,$BEA_GamanA4,0 print 6 ;「くっくっくっく…！！@　聞かれたことを答えぬもまた、邪悪なる魔女の愉悦よ。」\ `"*cackle*cackle*...!!`@` Not answering what she is asked is also one of the pleasures of an evil witch."`\ ld l,$EV2_NiramuA3,80 ;「縫え。二つ。」\ `"Sew. Twice."`\ textoff csp bgsp bg black,1 ;mov %Free11, ;homing1R　ｘ座標 ;mov %free12, ;homing1R　ｙ座標 lsph bgsp,"BMP\background\efe\homing5S.bmp",0,0 lsph bgsp2,"BMP\background\efe\homing5SR.bmp",0,0 ;print 1 ; bg white,0 for %Free21 = 1 to 2 se1v 57,100 vsp bgsp2,0 bg white,1 vsp bgsp,1 bg black,0 print 10,100 ; wait 10 se2v 57,100 vsp bgsp,0 bg white,1 vsp bgsp2,1 bg black,0 print 10,100 ; wait 10 ; vsp bgsp2,0 ; print 1 ; bg black,80 next csp -1 me2v 17,80 se1v 36,100 bg blood_1b,1 quakey 5,800 ;「ぎゅおッ、ぐはッッ………！！」\ `"Gyoah, gwuaahh.........!!"`\ bg M1F_P1bN,0 ld c,$EV2_AkuwaraiA8,26 ;「もちろん答えてくれなくていいの。@だって、そうやって虐めてるんだもの。@/ `"Of course, you don't have to answer.`@` After all, that way I get to torture you. `@/ se3v 37,100 ;くっくひひひひひひひひひひ！！\ `Kuukuhihihihihihihihihihi!!`\ ld c,$EV2_AkuwaraiA7,80 ;　無限の魔法は本当に素晴らしいわ。@…思えばこの世はすべからく有限。@人の世に無限などありはしない。@それは神が無限であるがゆえに、人の世を見下すため、全ての無限を取り上げたからよ。\ `The Endless Magic truly is wonderful.`@` ...When you think about it, this world is limited in every way.`@` The endless cannot exist in the human world.`@` Because God is without limits, the human world is deprived of all limitlessness so that it can be looked down upon.`\ ld c,$EV2_AkuwaraiA6,80 ;　…なればつまり、無限の力とは神の力！@　遊べば遊ぶほどにさらに楽しい遊び方を見つけられる素敵な力！@　その力を千年も思うがままに使い、暴れまわったあなたが！@　なぜ今頃になって心変わりをしたの？@　まさか、私に譲ったから惜しくなって、とかじゃないわよねぇ？」\ `...So, in other words, the endless power is the power of God!`@` A wonderful power where the more you play with it, the more fun ways of playing you find!`@` You used that power as you pleased for one thousand years and went on a rampage!`@` Why are you having a change of heart only now?`@` You aren't gonna say that you regret it because you handed it over to me, right?"`\ bg black,2 fede 1,3000 wait 2000 E_A wait 1000 bg cg55,0 ;lsp bgsp,$BEA_MajimeA1,-175,0,140 print 6 bgm1 79 ;「惜しいものか。@そなたがそうだと信じている無限の魔法など魔法にあらず。@/ `"How could I regret it.`@` The Endless Magic is not magic as you believe it to be. `@/ ;lsp bgsp,$BEA_MajimeA2,-175,0,140 print 80 ;…真の魔法の力とは、そなたなどでは到底至れぬ深淵にあるのだ。」\ `...True magic is in a deep abyss that you most certainly cannot reach."`\ ;「それに気付いたから……？@　それは、…何？」@ `"And you noticed that......?`@` What, ...is it?"`@ ;lsp bgsp,$BEA_AkuwaraiA4,-175,0,140 print 80 ;「くっくくくくく！@　それに気付けず千年を彷徨え、愚かな魔女よ。」\ `"*cackle*cackle*cackle*!`@` Wander around for a thousand years without noticing that, you foolish witch."`\ ;「縫え。今度は三つ。」@ `"Sew. Three times this time."`@ textoff csp bgsp bg black,1 bgmvol 90 ;mov %Free11, ;homing1R　ｘ座標 ;mov %free12, ;homing1R　ｙ座標 lsph bgsp,"BMP\background\efe\homing5S.bmp",0,0 lsph bgsp2,"BMP\background\efe\homing5SR.bmp",0,0 ;print 1 ; bg white,0 for %Free21 = 1 to 3 se1v 57,100 vsp bgsp2,0 bg white,1 vsp bgsp,1 bg black,0 print 10,100 ; wait 10 se2v 57,100 vsp bgsp,0 bg white,1 vsp bgsp2,1 bg black,0 print 10,100 ; wait 10 ; vsp bgsp2,0 ; print 1 ; bg black,80 next csp -1 me1v 5,70 se1v 36,100 bg blood_1a,1 quakey 5,800 ;「ぐおッ、ぎゅおぉ、…ぐッ…！！！」\ `"Gwoah, gyuooh, ...gu...!!!"`\ ;　ベアトの胸に黄金の糸で刺繍が刻まれていく。@ ;　それらはさらにぎちぎちと締め付け、ベアトをさらにさらに痛めつける…。\ `Beato's chest had been embroidered with the gold thread.`@ `It tightened even more, causing Beato more and more pain...`\ bg M1F_P1bN,0 ld c,$EV2_AkuwaraiA1,26 ld c,$EV2_AkuwaraiA2,80 ;「……ま、いいわ。@死に損ないのババァが何を達観したかなんて、もう興味も何もない。@もう飽きたから、あっさり殺してあげるわ。@あんたを殺せば、客間の結界は解ける。\ `"......Well, that's fine.`@` It's no longer interesting whether or not some good-as-dead granny reached some deep understanding.`@` I'm bored now, so I'll kill you quickly.`@` If I kill you, the barrier to the parlor will dissolve.`\ ld c,$EV2_AkuwaraiA4,80 ;　……そしたら嘉音と朱志香もたっぷり虐め殺してあげるわね。@……愛し合う二人を同時に玩具にできるなんて、……これは楽しそうよねぇ？@　くっひひっひっひひひっひひひひひ！！\ `......Then I'll torture Kanon and Jessica to death a whole bunch of times.`@` ......Being able to have two lovers as my toys at the same time, ......sounds fun right?`@` Kuhhihihhihhihihihhihihihihi!!`\ ld c,$EV2_NiramuA3,80 ;　殺せ…！！！」\ `Kill her...!!!"`\ mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing7,80 wait 400 me2v 16,70 se2v 36,100 bg blood_1aR,1 quakex 6,1200 ;wait 50 ;　黄金の縫い糸が、寸分違わずベアトの心臓を打ち抜く…。@ ;　その激痛は、それまでの激痛を全部合わせても足りないほど。@ `Without missing by a millimeter, the gold sewing thread shot through Beato's heart...`@ `That intense pain was worse than all of the pain before that put together.`@ br ;　ベアトは千年もの間、忘れていた、死ぬという実感をようやく思い出す…。\ `Beato finally remembered the actual feeling of dying, which she had forgotten over one thousand years...`\ se1 38 bg blood_1a,22 ;　しかし、………死ねない。@死んではならない。@ ;　死ねば、客間の二人を残酷なる魔女に差し出すことになる。@ `But, .........she couldn't die.`@` She must not die.`@ `If she died, the two in the parlor would be handed over to the cruel witch.`@ br ;　だから断じて死ねない。@ ;　死ぬことを…断固として拒否する…！\ `So she definitely couldn't die.`@ `She resolutely...refused to die...!`\ bg cg56,25 ;「………新しきベアトリーチェよ…。@…頼みがある。@………客間の二人の逢瀬は、短い時間のものだ。@………砂時計で計れる程度の時間で、…嘉音は冥府へ消えるだろう。@…その程度の時間を、どうか許してはくれぬか…。」\ `".........New Beatrice...`@`...I have a request.`@` .........The lover's meeting between the two in the parlor is to be short.`@` .........In the amount of time an hourglass can measure, Kanon will probably disappear to Hades.`@` ...Would you please allow them that much time...?"`\ bg M1F_P1cN,22 ;「いやぁよ。@愛し合う二人を引き裂くのって、楽しいんでしょう？@　あなたが言ったわ。@だから私、やってみたいの！」\ `"No waay.`@` Isn't tearing apart two who love each other fun?`@` You said it.`@` So I want to try it!"`\ ;「……くっくくくく…。@ならばその快楽、貴様に味わわせるわけにはいかぬ…。@くっくっくっく、楽しいぞぉ、恋人たちを引き裂くのは。」\ `"......*cackle*cackle*...`@` In that case, I cannot allow you to enjoy that pleasure...`@` *cackle*cackle*, it is fun, tearing apart lovers."`\ bg M1F_P1dN,0 ld c,$EV2_AkuWaraiA1,26 ld c,$EV2_akuWaraiA5,80 ;「そうよね？@　きっと楽しいわよね？@/ `"Really?`@` I'm sure it's fun, right? `@/ ld c,$EV2_AkuwaraiA7,80 ;　だから邪魔しないで！！@/ `So don't get in my way!! `@/ ld c,$EV2_niramuA3,80 ;　もっと縫え！@　縫え縫え縫えッ！！」\ `Sew more!`@` Sew, sew, sew!!"`\ ld r,$S41_AkuwaraiA2,64 ;「にひ！@　４１０了解ぃ！！」\ `"Nihi!`@` 410, Understoo-d!!"`\ textoff csp bgsp bg black,22 ;mov %Free11, ;homing1R　ｘ座標 ;mov %free12, ;homing1R　ｙ座標 mov %efe_spd1,160 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7,80 wait 800 lsph bgsp,"BMP\background\efe\homing5S.bmp",0,0 lsph bgsp2,"BMP\background\efe\homing5SR.bmp",0,0 for %Free21 = 1 to 5 se1v 57,100 vsp bgsp2,0 bg white,1 vsp bgsp,1 bg black,0 print 10,100 se2v 57,100 vsp bgsp,0 bg white,1 vsp bgsp2,1 bg black,0 print 10,100 next csp -1 me3v 17,70 bgmvol 100 se1v 36,100 bg blood_1a,1 quakex 5,800 ;　無慈悲なる黄金の縫い針が、何度も何度もベアトの心臓に黄金の糸を縫い通す。@ `The merciless gold sewing needle sewed the gold thread through Beato's heart over and over again.`@ br ;　……しかし、いくら縛り上げようとも、その心臓は止まろうとしない…。\ `......However, no matter how much it tightened, that heart did not stop...`\ ;bg M1F_P1cN,22 ld r,$BEA_iiwakea3,6 ;「く、……ぉおお…、まだまだこの程度では足りぬな…。@この程度では死んではやれぬ…！！」\ `"Ku, ......ooooohh..., this isn't nearly enough...`@` I won't die by something like this...!!"`\ bg M1F_P1bN,0 ld l,$EV2_IkariA2,23 ;「何をしてるの。@このババァのお喋りを止めなさい。@早く殺すのよ！」@ `"What are you doing?`@` Make this granny stop talking.`@` Kill her quickly!"`@ ld r,$S45_MajimeA1,24 ;「こ、…殺してます…！！@　何度も心臓を縫い止めてるのに、@……こいつの心臓、…と、止まらないんですぅ…！！」\ ;＜４５ `"W, ...we're killing her...!!`@` Even though we've sewn her heart in place several times,`@` ......this person's heart, ...w, won't stop...!!"`\ ld l,$EV2_fukigenA2,80 ;「……あんた、不死身なの？」\ `"......Are you...immortal?"`\ textoff se1 35 bg blood_2a,1 wait 800 se1v 35,100 bg blood_2b,1 wait 800 se2v 35,60 bg blood_2c,1 wait 800 se3 35 bg blood_2d,1 wait 400 se1 35 bg blood_2e,1 wait 1000 bg M1F_P1dN,0 ;lsp bgsp,$BEA_GamanA3,145,0,140 ld r,$BEA_GamanA3,0 print 26 ;lsp bgsp,$BEA_GamanA1,145,0,140 ld r,$BEA_GamanA1,0 print 80 ;「まさか。@……そなたに無限は譲り渡したわ。@鼓動を刻める数など、残すところもたかが知れている。\ `"Of course not.`@` ......I've handed the endless over to you.`@` My heart will not beat many more times.`\ ;lsp bgsp,$BEA_IiwakeA3,145,0,140 ld r,$BEA_iiwakeA3,0 print 80 ;　…だが、それをひとつ余計に刻むことで、この部屋の二人にわずかでも長い時間を与えられるなら、@……その程度の抵抗を、永遠に続けようぞッ！！」\ `...However, if by making it beat just once more, I can give the two in this room a longer period of time, `@`......I'll continue that resistance for all eternity!!"`\ ld l,$EV2_OdorokiA2,63 ;「縫え！！/ `"Sew!! `/ quakex 3,300 ;@　こいつの心臓が動きを止めるまで縫い続けよッ！！」@ @`Keep sewing until this person's heart stops moving!!"`@ textoff csp bgsp bg black,1 ;mov %Free11, ;homing1R　ｘ座標 ;mov %free12, ;homing1R　ｙ座標 mov %efe_spd1,160 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing7,80 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing1R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3R,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6R,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing7R,80 waittimer 300 lsph bgsp,"BMP\background\efe\homing5S.bmp",0,0 lsph bgsp2,"BMP\background\efe\homing5SR.bmp",0,0 for %Free21 = 1 to 7 se1v 57,100 vsp bgsp2,0 bg white,1 vsp bgsp,1 bg black,0 print 10,100 se2v 57,100 vsp bgsp,0 bg white,1 vsp bgsp2,1 bg black,0 print 10,100 next csp -1 se1v 36,100 bg blood_1a,1 quakey 5,800 ;「ぐうッ、ぐおおおッ、ぐああああぁあああああぁッ！！」\ `"Guuh, guooooh, gwaaaaaaaaaaaaaaaaahhhh!!"`\ se3v 21,90 bg M1F_P1bN,22 ld r,$S41_OdorokiA1,64 ;「…な、……何でこいつ、死なないの！@　ありえない…！！」@ ;＜４１０ `"...Wh, ......why doesn't she die?!`@` This is impossible...!!"`@ ld l,$S45_odorokiA1,63 ;「心臓を、……縫い縛ってるのに…、@……何で、止まらないの？！」\ ;＜４５ `"Even though her heart is, ......sewn in place..., `@`......why doesn't it stop?!"`\ ld r,$S41_majimeA1,80 ;「ならいいや、心臓を内側から爆破してやるにぇ…！@/ `"Then there's no problem, we'll make the heart explode from the inside nyeh...! `@/ ld r,$S41_akuwaraiA2,80 ;　可哀想に、逆らわなければ綺麗に死ねたのにぃ！！」\ ;＜４１０ `How pitiful, and you could have died cleanly if you hadn't resisted us!!"`\ textoff csp bgsp bg black,22 ;mov %Free11, ;homing1R　ｘ座標 ;mov %free12, ;homing1R　ｙ座標 lsph bgsp,"BMP\background\efe\homing5SR.bmp",0,0 lsph bgsp2,"BMP\background\efe\homing5S.bmp",0,0 for %Free21 = 1 to 4 se1v 57,100 vsp bgsp2,0 bg white,1 vsp bgsp,1 bg black,0 print 10,100 se2v 57,100 vsp bgsp,0 bg white,1 vsp bgsp2,1 bg black,0 print 10,100 next csp -1 mov %efe_spd1,160 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7,80 wait 800 me4v 13,70 se1v 36,100 bg M1F_P1dN,22 ;　そう言いながら、何度も何度も黄金の針と糸が往復するのに、ベアトはまだ息絶えない…。@ `As they said that, even though the gold needle and thread made round trips over and over again, Beato still didn't die...`@ br ;　その異常さに、ようやく残酷なる魔女は表情を青ざめる。\ `The cruel witch eventually grew pale at how bizarre that was.`\ ld r,$EV2_OdorokiA1,26 ;「…………お前、……一体、何者なの…。」\ ;＜魔女 `"............What in the world, ......are you...?"`\ textoff se1 35 bg blood_2c,1 wait 800 se3v 35,100 bg blood_2d,1 wait 400 se1 35 bg blood_2e,1 wait 1000 ld l,$BEA_gamanA3,26 ;「……くっくくくくく。@……そなたにはわからぬだろうなぁ。@……妾にもわからなかったさ。@……だがな。@…どうやら、これが本当の魔法というものらしいぞ。@/ ;!s0………つまり、/ ;!d400……妾は今こそ、/ ;!d700……成った。@…本当の魔女に、/ ;!d800……成ったッ！！」/ `"......*cackle*cackle*cackle*.`@` ......You probably cannot understand.`@` ......Even I didn't understand.`@` ......But still.`@` ...Somehow or another, it seems that this is true magic. `@/ !s0`.........In other words, `/ !d400`......I have now, `/ !d700`......become it.`@` ...I have become, `/ !d800`......a true witch!!"`/ !sd\ bg M1F_P1dN,1 ld r,$S45_MajimeA1,64 ;「心臓内部で爆心固定。@信管準備良し！」@ ;＜４５ `"Fixing Explosion Center in Heart Interior.`@` Fuse Preparations Ready!"`@ ld l,$S41_AkuwaraiA2,64 ;「爆破ッ！！！」\ ;＜４１０ `"Explosion!!!"`\ se1v 64,100 se2v 63,100 se3v 62,100 bg white,1 monocro #ff0000 print 18,500,"bmp\efe\blood_2a_efe.bmp" monocro off se2v 55,90 print 99,4000,"breakup.dll/lrb" bg black,2 fede 10,3000 bfly1 2 ;　凄まじい音がして、………黄金の蝶たちの群と、金箔が辺りに撒き散らされた。@ `There was a terrible sound, .........and gold leaf was scattered around the area, along with a group of gold butterflies.`@ bg blood_1aR,22 br ;　ベアトの胸が、…ばっくりと内側から開き、@……そこから、黄金の蝶と金箔が噴出して、辺りを金色に染めているのだ…。\ `Beato's chest had opened wide from the inside, `@`......and from that, gold butterflies and gold leaf poured out, staining the surrounding area gold...`\ ;bg M1F_P1cN,22 ;　そして、ベアトの肉体が崩れ落ちる。/ `Then, Beato's flesh crumpled.`/ se1 13 quakey 4,800 @ ;　操り人形の糸が千切れて、…くたりとしゃがみ込むように、崩れ落ちる。@ `Like a puppet whose strings had been cut, ...crouching down, she crumpled.`@ br ;　……しかし、宙には、黄金の縫い糸に縛られた黄金の心臓が浮き、なおも鼓動を続けている…。\ `......However, in the air, a gold heart tied by gold threads floated, and continued to beat...`\ bg M1F_P1bN,0 ld r,$S45_OdorokiA1,23 ;「………そ、………そんなッ、………ひぃいぃ…。」@ ;＜４５ `".........Wh, .........what the, .........eeeeeek..."`@ ld l,$S41_OdorokiA1,80 ;「バ、……バケモノだ…、…ひいいいぃいぃ…！」@ ;＜４１０ `"M, ......monster..., ...eeeeeeeeek...!"`@ br ;　シエスタ姉妹はそれを見て、驚愕しながら尻餅をつく。\ `When the Siesta Sisters saw that, they fell on their butts in shock.`\ bg black,22 ;monocro #ff0000 ;se1v 64,100 ;bg white,1 ;bg black,22 ;se2v 64,100 ;bg white,1 ;bg black,22 ;se3v 64,100 ;bg white,1 ;bg black,22 ;monocro off me1v 17,70 bg blood_1aR,2 ;　……何とベアトは、……心臓だけになっても、まだ鼓動を続けて、@客間の結界を守り続けているのだ。@ `......Somehow, ......even though Beato had become nothing more than a heart, it still kept beating,`@` continuing to protect the barrier to the parlor.`@ br ;　…それは計りきれないほどの莫大な魔力。@ `...It was an immeasurably immense magical power.`@ br ;　…測定不能。@即ち、無限。\ `...Impossible to measure.`@` In other words, endless.`\ bg M1F_P1bN,0 ld c,$EV2_odorokiA1,26 ld c,$EV2_ikariA2,80 ;「………む、無限の魔女は私でしょう…？@　………何でこのババァ、……こんなになっても、……生きてんのよ……！！@/ `".........I, I'm the Endless Witch, right...?`@` .........Why is this granny, ......still alive, ......after all of this......?!! `@/ ld c,$EV2_odorokiA2,80 ;　シエスタ姉妹！！@　あの心臓を砕くのよ！！@　早く！！」\ `Siesta Sisters!!`@` Smash that heart!!`@` Quickly!!"`\ bg M1F_P1dN,24 ld l,$S45_odorokiA1,23 ;「む、無理です、申し訳ありませんッ！@　私たちには出来ません！！」\ ;＜４５ `"I, it's impossible, my apologies!`@` We cannot do it!!"`\ ld r,$RON_waraiA2,24 ;「…………無理でしょう。@何人たりとも、あの心臓を打ち砕けはしません。@…竜王陛下の兵士風情ではとてもとても。」\ ;＜ロノウェ `"............It is probably impossible.`@` No amount of people could crush that heart.`@` ...Much less the likes of the soldiers who serve under His Highness the Dragon King."`\ cl l,24 ld l,$EV2_odorokiA2,23 ;「なら。@無限の魔女である私になら打ち砕けるということでしょう？@　私の力は、神の力だものッ！！」\ `"In that case,`@` an Endless Witch like me should be able to crush it, right?`@` My power is a god's power!!"`\ ld r,$RON_akuwaraiA1,80 ;「恐れながら。@あなた様の力では、 `"I am afraid to say, `@`that your power cannot` br ;(ベアトリーチェさま/・・・・・・・・・)の無限には、傷一つ付けられません。」\ ;＜点字処理：ベアトリーチェさま `leave a single wound on `(`Beatrice-sama's`/・・・・・・・)` endless nature."`\ ld l,$EV2_ikariA2,80 ;「……それは、…どういう意味よ……。」\ `"......Just what, ...do you mean by that......?"`\ ld r,$RON_waraiA2,80 ;「影を知らずして光がないように。@……有限を知らずして無限もまたなし。@………ベアトリーチェお嬢様の、真の無限の力の前に、あなた様の脆弱な魔力ではとてもとても及びません。」\ `"In the same way that there is no light without knowledge of shadows,`@` ......there is also no endless without knowledge of the limited.`@` .........Before Milady Beatrice's true endless power, your frail magical power is very, very lacking."`\ ld l,$EV2_odorokiA2,80 ;「何よ、………それ……。@/ `"What is, .........that......`@/ ;ld l,$EV2_OdorokiA1,80 cbfly 0 bg black,1 ;…うッ、」@ `...aah-"`@ br ;　残酷なる魔女は驚き、後退る。\ `The cruel witch was surprised and stepped back.`\ bg black,23 fede 10,2000 bfly2 0 bg M_door1,2 ;　レースのカーテンよりも薄い姿だけれど…。@ `It was thinner than a lace curtain...`@ br ;　……ベアトの姿が、 `......But Beato's form, br ;…いや、(ベアトリーチェ/・・・・・・・)の姿が、まだそこに立ちはだかっていた。\ ;＜点字処理：ベアトリーチェ `...no, `(`Beatrice'`/・・・・・)`s form was still standing there.`\ lsp bgsp2,$BEA_GamanA3,-15,0,100 print 42 ;　このような無惨な姿を晒してなおも、……邪悪にこの扉を譲ろうとしないのだ。@ `Even after being exposed so tragically like this, ......she didn't allow evil through that door.`@ br ;　その時、……そのベアトリーチェの後に、同じくらいに薄い人影が立つ。@ `At that time, ...a shadow just as thin as Beatrice stood behind her.`@ br ;　嘉音だった。\ `It was Kanon.`\ lsp bgsp,$KAN_DefA2,284,0,100 print 44 ;「………ベアトリーチェさま。@/ `".........Beatrice-sama. `@/ lsp bgsp,$KAN_NayamuA1,284,0,100 print 80 ;…ありがとうございました。@…このご恩は、忘れません。」\ `...Thank you very much.`@` ...I will not forget this favor you have done for me."`\ lsp bgsp2,$BEA_GamanA4,-15,0,100 print 80 ;「……ふ。@…恩の数が、恨みの数を超えたらその言葉をもう一度聞こうぞ。@……もう良いのか。」\ `"......Hmph.`@` ...I shall listen to those words again when the number of my favors surpasses the number of grievances I have caused.`@` ......Is that enough?"`\ lsp bgsp,$KAN_DefA1,284,0,100 print 80 ;「はい。@………本当にありがとうございました。@/ `"Yes.`@` .........Truly, thank you very much. `@/ lsp bgsp,$KAN_nayamuA1,284,0,100 print 80 ;……そしてベアトリーチェさまも、/ ;!d500……もう、…大丈夫です。@……どうか、/ ;!d600……お楽になさってください…。」\ `......And Beatrice-sama, `/ !d500`......you have also done enough.`@` ......Please, `/ !d600`......be at peace..."`\ lsp bgsp2,$BEA_gamanA3,-15,0,100 print 80 ;「……そうか。@……もう、…良いのか……。@………く、……くっくくくくくく…。」\ `"......Is that so?`@` ......Is this, ...enough......?`@` .........ha, ......*cackle*cackle*cackle*..."`\ ld l,$EV2_odorokia2,23 ;「何よ…。@……何であんたたちは、先代のババァをベアトリーチェと呼ぶのよ！@/ `"What's going on...?`@` ...Why are you guys calling that predecessor granny Beatrice?! `@/ ld l,$EV2_IkariA2,80 ;　ベアトリーチェは私の名前でしょう？！@　新しき黄金の魔女、そして無限の魔女である私の名前のはずよ？！」\ `Beatrice is my name, right?!`@` It should be my name, as the new Golden Witch and Endless Witch, right?!"`\ lsp bgsp,$KAN_defA2,284,0,100 print 80 ;「…………無礼な。@ベアトリーチェさまの名を騙るな。」\ ;＜嘉音 `"............How rude.`@` Do not fake Beatrice-sama's name."`\ csp -1 bg M1F_P1dN,0 ld l,$RON_akuwaraiA1,23 ;「恐れながら。@……ベアトリーチェさまの名は、無限の魔女を冠せられるお方が名乗られるべきもの。@今や、先代はあなた様を指すものでございますよ。@…ぷっくくくくく。」@ `"I am afraid to say,`@` ......that the name of Beatrice-sama should be taken by the person who can be crowned as the Endless Witch.`@` By now, the term predecessor refers to you.`@` ...Pukkukukukuku."`@ ld r,$EV2_OdorokiA2,24 ;「な、……んだと……。」\ ;＜魔女 `"What, ......did you say......?"`\ bg black,24 bg M_door1,0 lsp bgsp,$BEA_gamanA4,145,0,100 lsp bgsp2,$KAN_DefA2,-36,0,100 print 24 ;lsp bgsp,$BEA_gamanA1,145,0,100 ;print 80 ;「………さらばだ、嘉音。@/ `".........Farewell, Kanon. `@/ lsp bgsp,$BEA_iiwakea3,145,0,100 print 80 ;……どうせすぐに出会うさ。@新しき悪夢でな。」@ `......I'll meet you soon anyways.`@` In a new nightmare."`@ lsp bgsp2,$KAN_fumanA1,-36,0,100 print 80 ;「………新しい夜の悪夢にて、再びベアトリーチェさまのお供を…。@/ `".........In the nightmare of a new night, I will once again be your companion, Beatrice-sama...`@/ lsp bgsp2,$KAN_nayamuA1,-36,0,100 print 80 ;……これで、…失礼いたします……。」\ `......With that, ...if you would excuse me......"`\ csp bgsp2 print 42 ;　嘉音の姿が薄れていき、……虚空に消え去った。@ `Kanon's form grew faint, ......and he disappeared into thin air.`@ br lsp bgsp,$BEA_gamana3,145,0,100 print 80 csp bgsp print 42 ;　それを見届けてから、…ベアトリーチェの姿も薄れていき、……消え去る前に、床に崩れて倒れる。\ `After watching him go, ...Beatrice's form also grew thin, ......and before disappearing, it slumped over onto the floor.`\ se1 13 bg black,1 ;　すると、……ぼたりと音がした。@ `Then, ......there was a *splat*.`@ br ;　宙に浮いていた黄金の心臓は、…輝きを失い、血塗れの肉塊となって床を転がっている。\ `The golden heart which had been floating in midair, ...lost its sparkle, became bloodstained flesh, and fell to the ground.`\ ;bg black,22 ;monocro #990000 ;se1v 64,50 ;bg white,1 ;bg black,22 ;se2v 64,50 ;bg white,1 ;bg black,22 ;se3v 64,50 ;bg white,1 ;bg black,22 ;monocro off me1v 16,70 bg blood_1b,42 ;　…それの、何と弱々しきことか。@ ;　ずたずたにされて穴だらけにされている。@ `...How frail it was.`@ `It was ragged and full of holes.`@ br ;　…でも、さっきまで、あんなにも輝いて、力強く鼓動を繰り返していたのだ。\ `...But until just now, it had sparkled so much, and had continued to beat forcefully.`\ ;　その心臓は、まだ辛うじて鼓動を続けている。@ `That heart still barely managed to beat.`@ br ;　……しかし、止まるのは時間の問題だった。\ `......However, it was only a matter of time before it stopped.`\ ;　線香の煙のように儚く薄い姿となったベアトリーチェは床に倒れ、@……自らの心臓をぼんやりと見ている…。@ `Beatrice, whose form had become fragile and faint like incense smoke, lay on the floor,`@` ......steadily watching her own heart...`@ br ;　そこへ、残酷なる魔女の姿が…。\ `There, the cruel witch could be seen...`\ me2v 5,90 bg M1F_P1dN,0 ld c,$EV2_OdorokiA2,26 ;「…な、…何が無限よ…。@現にこうしてぶっ倒れてるじゃない？！@/ `"...Wh, ...what do you mean, endless...?`@` Aren't you actually collapsed in a heap like this?! `@/ ld c,$EV2_akuwaraiA7,80 ;　有限のある無限なんて、そんな矛盾、存在するわけもない！@　これがあんたの魔法の限界なのよ！@　有限は無限に劣る！！」\ `The endless that is limited...that's a contradiction, it couldn't exist!`@` That is the limit of your magic!`@` The endless is better than the limited!!"`\ bg black,22 bg blood_1aR,2 ;「………………………………。」@ `"........................"`@ br ;　ベアトリーチェには、すでに言い返す気力も無い。@ ;　…いや、それどころか、残酷なる魔女の言葉が耳に届いているかも怪しかった…。\ `Beatrice no longer had the will even to respond.`@ `...No, on the contrary, it was doubtful that the words of the cruel witch even reached her ears...`\ ;bg M1F_P1dN,0 ld r,$EV2_niramuA3,26 ;「あんたが本当に無限の魔女なら立ち上がってみなさいよ！！@　どう？@　立てないでしょう？！@/ `"If you're a real Endless Witch, try standing up!!`@` How's it going?`@` You can't stand, can you?! `@/ ld r,$EV2_akuwaraiA7,80 ;　どうして立てないと思う？！@　あんたが無限の魔女じゃないからよッ！！」\ `Why do you think you can't stand?!`@` It's because you aren't the Endless Witch!!"`\ ;　残酷なる魔女は、爪先でベアトリーチェの心臓を小突く。@ `The cruel witch poked Beatrice's heart with her fingernail.`@ br ;　ベアトリーチェはその挑発に返す言葉など何もない。\ `Beatrice had no words with which to respond to that provocation.`\ ;bg M1F_P1cN,25 ;　……だが、…言葉の代わりに、表情をひとつ返した。@ ;　……それは、残酷なる魔女にとってのみ屈辱的に見えた。\ `......However, ...instead of words, she returned a single expression.`@ `......It looked humiliating only to the cruel witch.`\ bg black,2 ;　口を緩やかに曲げて、……笑っていたからだ。\ `Because she had gently curved her mouth, ......and smiled.`\ ;■メタ視 mov %play_scene,30260 textoff ;se1v 14,100 fedexx 70,0,0,0,0,0,3000 se2 56 mset ;　……そこへ、近付いてくる足音があった。@ `......Footsteps were approaching that place.`@ br ;　聞き違えるわけもない。@…この荒々しく踵を鳴らす音は、戦人の足音だ…。\ `There was no way she had misheard it.`@` ...That rough squeaking of the heels was the sound of Battler's footsteps...`\ e_ 3,1 mld r,$BEA_GamanA3,6 ;「………戦人か………。@………く、……くくくくくく…。@…偉そうなことを言っても、…妾はこのザマよ……。」\ `".........Battler, is it......... `@`.........Ha, ......*cackle*cackle*cackle*...`@`...After saying something so proud, ...I end up like this......"`\ mld l,$BUT_majimeA1,23 ;「………………………………………。」\ `"................................."`\ mld r,$BEA_GamanA1,80 ;「…………そなたの言う、/ ;!d500……本当の魔女というのを、/ ;!d600………妾なりにがんばってみたぞ……。」\ `"............I've been trying to become, `/ !d500`......the true witch you talked about, `/ !d600`.........in my own way......"`\ mld l,$BUT_komaruA2,80 ;「…あぁ。@……見てたぜ。」\ `"...Yeah.`@` ......I was watching."`\ mld r,$BEA_gamanA2,80 ;!s0「……なァ、/ ;!d600……これで私は、/ ;!d800………魔女に、/ ;!d500……なれたかなぁ……。@……そなたの対戦相手の資格、/ ;!d800……できたかなぁ……。」/ !s0`"......Hey, `/ !d600`......have I now, `/ !d800`.........been able to become, `/ !d500`......a witch......?`@` ......Have I earned, `/ !d800`......the qualifications to become your opponent......?"`/ !sd\ mld l,$BUT_majimeA1,80 wait 2000 mld l,$BUT_komaruA3,80 ;「駄目だな。」\ `"It's useless."`\ ;　戦人は信じられないくらい淡白に言い放つ。@ `Battler said that unbelievably bluntly.`@ br ;　ベアトリーチェは、苦しい息の中、それを見て、それも当然だと自嘲する。\ `Taking a painful breath, Beatrice saw that, and sneered at herself as though she should have expected it.`\ mld r,$BEA_GamanA4,80 ;「…………く、…くっくっく…。@…そうか。@……本当の魔女への道は、まだまだ険しいなぁ…。\ `"............Ha, ...*cackle*...`@`...Is that so.`@` ......The road to becoming a true witch will still be much more difficult...`\ ;fedexx 100,0,0,0,0,0,2000 mld r,$BEA_GamanA2,80 ;　……だが、…妾は屈しぬぞ…。@……そなたが、妾の拷問に決して屈しなかったように…。@………必ず、……本当の魔女になって、@……そなたの対戦相手に、…認められて……やる……。」\ `......However, ...I will not surrender...`@`......Just like you never surrendered to my torture...`@`.........I will definitely, ......become a true witch,`@` ......and be......accepted as your opponent......"`\ mld l,$BUT_komaruA2,80 ;「あぁ、駄目だな。@全然駄目だ。@お前は俺の対戦相手じゃない。」\ `"Yeah, it's useless.`@` It's all useless.`@` You aren't my opponent."`\ mend fedexx 100,0,0,0,0,0,2000 wait 2000 me1v 16,70 me2v 17,70 se1 20 bg white,1 ;bg M1F_P1bN,0 bg blood_1aR,0 mld r,$EV2_niramuA3,22 ;　残酷なる魔女が高々と足を振り上げる…。@ ;　…その下にはベアトリーチェの弱々しい心臓が。\ `The cruel witch raised her foot high...`@ `...Below it was Beatrice's frail heart.`\ mld r,$EV2_AkuwaraiA8,80 ;「死ねよババァ！！@　ぐちゃっと潰れて、それでも無限が示せるってんなら示してごらんなさいよ！！@　魔女は私よ！@　黄金の魔女ベアトリーチェは私なのよッ！！！@　死ねぇえええええええええぇッ！！」\ `"Die, granny!!`@` See if you can show how endless you are after you've been crushed to bits!!`@` I am a witch!`@` I am the Golden Witch, Beatrice!!!`@` Diiiiiiiiiiiiiiiiiiiiiiieee!!"`\ mendef 0 bg black,22 me3v 18,0 fedexx 100,100,100,100,0,0,5000 wait 2000 ;■メタ視・バシャーン！！@　眩い光と共に、メタ視世界へ魔女絵羽、飲み込まれる。@ E_A bg black,1 ;!s0「あああぁ駄目だッ全然駄目だああああああぁああああッ！！！」/ !s0`"Aaaaaaaah, it's useless, it's all useleeeeeeeeeeeeeeeessss!!!"`/ !sd\ se1v 57,100 se2v 2,100 se3v 57,100 bg white,1 me1v 5,50 msetef 0,0 ;mld l,$BUT_OdorokiB1,63 ;se1v 27,100 ;se2v 27,100 ;se3v 63,100 bg M1F_P1bN,42 ;＜戦人 textoff mendef 0 ;se1v 22,100 bg white,2 se2v 56,70 bg G1F_S1aP,99,2000,"breakup.dll/lrb" ld r,$EV2_OdorokiA2,24 ;「んな、………何だ、/ ;!d500……これは……。@…こ、………ここは……。」\ ;＜魔女 `"Wha, .........what, `/ !d500`......is this......?`@` ...Wh, .........where is this......?"`\ E_A bg black,22 bgm1v 80,100 wait 3000 bg G1F_S1cP,0 ld l,$BUT_nayamuA1,4 ;「席に着け。@俺の対戦相手はベアトじゃない。@/ `"Get in your seat.`@` My opponent isn't Beato. `@/ ;se1v 2,100 ;mbg white,1 ld l,$BUT_majimeA4,80 ;………てめえだ。」/ `.........It's you."`/ se1v 2,100 \ ld r,$EV2_OdorokiA1,24 ;「……ば、…戦人…？！@　これは何の魔法なの？！@/ `"......B, ...Battler...?!`@` What kind of magic is this?! `@/ ld r,$EV2_IkariA2,80 ;　どうでもいいわ、知ったことじゃない！！@　シエスタ姉妹ッ！！」\ ;＜魔女絵羽 `Who cares, it doesn't matter!!`@` Siesta Sisters!!"`\ bg G1F_S1bP,0 ld r,$S45_majimeA1,64 ;「４５了解、各個射撃！！」@ `"45, understood, attacking everywhere!!"`@ ld l,$S41_akuwaraiA2,63 ;「４１０了解、死ね戦人ッ！！」\ `"410, understood, die Battler!!"`\ textoff se1v 57,100 bg white,1 bg homing7S,80 wait 50 se2v 57,100 bg white,1 bg homing7SR,80 wait 50 se3v 57,100 se1v 2,100 bg white,1 bg homing7R,22 ;　シエスタ姉妹がそれぞれバラバラに黄金の弓を構え、黄金の矢を放つ。\ `The Siesta Sisters each readied their own golden bows, and fired golden arrows.`\ ;　二人で同時に弓を引くのは精密に誘導する時だけだ。@ ;　目の前の敵が相手なら、二人は同時に弓を放てる。@ `The two only pulled the bowstring together when using precision guidance.`@ `If they were fighting against an enemy before their eyes, they fired their bows at the same time.`@ br ;　そして威力は普段のそれと変わらないのだ。\ `And their might did not change from what it normally was.`\ textoff mov %efe_spd1,160 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 se1v 57,100 bg white,1 bg homing7,80 wait 800 se1v 36,100 se2v 57,100 bg white,1 wait 2000 me1v 16,70 bg G1F_S1aP,0 ld c,$BUT_MajimeA3,42 ld c,$BUT_nayamuA3,80 wait 2000 ;se2v 58,100 ;bg white,1 ;bg G1F_S1aP,0 ;ld c,$BUT_MajimeA2,22 ;se2v 58,100 ;bg white,1 ;bg G1F_S1aP,0 ;ld c,$BUT_MajimeA3,22 ;wait 400 ;ld c,$BUT_OyaA1,80 ;wait 500 ;wait 50 ;■紗音シールド、バシーン！！@ bg G1F_S1bP,0 ld r,$S41_OdorokiA1,24 ;「なッ、………はは、弾かれたッ？！？！@　結界はないよ、抵抗だけで弾いた…。@よ、４５、標的測定！！」\ ;＜４１０ `"Wha, .........i, i, it was deflected?!?!`@` There's no barrier, it was deflected with resistance alone...`@` F, 45, Target Measurement!!"`\ ld c,$S45_majimeA1,64 ;「４５了解…。@/ `"45, understood...`@/ ld c,$S45_OdorokiA1,80 ;…………ぇ、……ええぇ…？！@　こ、これは、……私が故障しているの？@　狂っているの……？@　/ `............huh, ......whaaaa...?!`@` Th, this is, ......am I broken?`@` Am I insane......? `@/ ld c,$S45_KomaruA1,80 ;た、対魔法抵抗力、エンドレスナイン…。@ひょ、標的は神話級魔法攻撃でも通用しませんッ！！」\ ;＜４５ `A, Anti-Magic Resistance Power, Endless Nine...`@` E, even mythical-class magical attacks won't be effective on the target!!"`\ bg black,22 ;　黄金弓の弾頭は、相互浸食によって如何なる魔法装甲をも貫通する。@ ;　対魔法抵抗力でそれを防ごうとした場合、８桁あっても貫通は免れない。\ `The warheads for the golden bows could penetrate any magical armor with their mutual corrosion.`@ `When that was blocked by anti-magic resistance power, even something with eight digits wouldn't escape penetration.`\ ;　…ちなみに、神話に出てくる著名な神々の抵抗力でも、９桁に達する者はそう多くない。@ ;　その為、それを計るには９桁あれば常識的に考えほとんどの数値は表示できる。@ `...Furthermore, even among the resistance power of famous gods that appear in myths, there are not many who reach nine digits.`@ `For that reason, nine digits were enough to measure almost all sensible values.`@ br ;　…その９桁を、戦人は全て９で埋めてしまう……。\ `...Battler had buried all 9 of those digits with nines......`\ bg G1F_S1cP,0 ld r,$RON_AkuwaraiA1,24 ;「……愚かな。@本気の戦人さまの前に、魔法の矢など、髪の毛を揺らすことさえ及ばぬのに。」\ ;＜ロノウェ `"......How foolish.`@` When Battler-sama is serious, magical arrows and the like aren't even enough to make his hair tremble."`\ ;ld c,$S41_MajimeA1,0 ;ld r,$S45_MajimeA1,80 se1v 39,80 wait 500 se2v 39,100 ;　シエスタ姉妹が呆然としながら黄金の弓を落とす…。@ `The Siesta Sisters dropped their golden bow in shock...`@ br ;　…当の戦人は、トンボが２匹、自分の脇を通り過ぎて行った程度にも思っていない。\ `...To this Battler, it was as though a pair of dragonflies had flown past his shoulder.`\ bg G1F_S1bP,0 ld c,$BUT_nayamuA3,2 ;「…………何やってんだ、てめえら。@遊んでるのかよ。」\ `"............What the hell are you guys doing?`@` Are you playing or something?"`\ bg G1F_S1aP,0 ld r,$S41_OdorokiA1,0 ld l,$S45_majimeA1,64 ;「…ひぃいいぃ…、/ ;!d500…バ、……バケモノ……。」\ ;＜４１０ `"...Eeeeeeek..., `/ !d500`...m, ......monster......"`\ se1v 2,100 mbg white,1 mcbg 0 cl a,0 ld l,$BUT_OdorokiB1,80 ;「雑魚は下がっていろッ！！@　席に着け、この似非魔女めッ！！@　てめえのバケの皮は俺が剥ぐッ！！！」\ `"Stay back, small fries!!`@` Get in your seat, you fake witch!!`@` I'll tear that mask of yours off!!!"`\ ;bg G1F_S1cP,0 ld r,$S41_OdorokiA1,0 ld c,$S45_KomaruA1,1 ;「「ひ、…ひいいいいぃいいい！！」」/ `""E, ...eeeeeeeeeeeeeek!!""`/ quakex 3,300 \ ;＜シエスタ姉妹 se3v 55,90 cl c,0 cl r,99,1500,"breakup.dll/llb" ;　戦人の凄みに、シエスタ姉妹は恐怖を隠せず、弾かれるように後へ下がる。@ `The Siesta Sisters couldn't hide their fear at Battler's ferocity, and they backed up as though they had been struck.`@ br ;　その光景を、ベアトリーチェは呆然と見ていた……。\ `Beatrice watched this scene in shock......`\ bg G1F_S1cP,23 ld r,$BEA_OdorokiA2,24 ;「こ、……これは戦人、/ ;!d500……何の、……真似なのか……。」\ ;＜ベアト `"B, ......Battler, `/ !d500`......what, ......is this supposed to be......?"`\ ;bg G1F_S1bP,0 ld l,$BUT_niramuA1,24 ;「見ての通りさ。@俺の対戦相手は、お前じゃない。@/ `"Just like you see.`@` My opponent isn't you. `@/ se1v 2,100 mbg white,1 mcbg 0 ld l,$BUT_futekiA2,80 ;そいつだッ！！@　そこにいる、お前の名前を騙る偽者さッ！！！」@ ;＜戦人 `It's her!!`@` The impostor over there, who's faking your name!!!"`@ se2v 2,100 bg white,1 bg G1F_S1bP,0 ld l,$BUT_MajimeB4,22 fedexx 100,70,0,0,0,0,1000 se1v 2,100 mbg white,1 mcbg 0 ld r,$EV2_OdorokiA2,22 ;ld r,$EV2_OdorokiA2,99,1000,"breakup.dll/urB" ;「ぐ…ッ！」\ ;＜魔女 `"Ack...!"`\ ld l,$BUT_nayamuA3,80 ;「……俺は魔女と戦っている。@…そして対戦相手に魔女を名乗る者を据え、そいつを打ち破ることで魔女を否定する。@……てめえの傍若無人はたっぷり見させてもらったぜ。」@ ;＜戦人 `"......I'm fighting with a witch.`@` ...An opponent who calls themselves a witch is set up, and I deny witches by crushing them.`@` ......I've had more than enough of your arrogance."`@ br ;　そこで戦人は刃物のように鋭い目つきに変わり、残酷なる魔女を見据える。\ `Then, Battler's eyes grew as sharp as blades as he stared at the cruel witch.`\ me2v 5,70 ld l,$BUT_majimeA4,80 ;「……何が魔法だ。@何が魔女だ。@てめえは魔女じゃないッ！！@　俺がバケの皮を剥いでバラバラにしてやるぜッ！！@　ワルギリア、戦闘準備だッ！！」\ `"......What do you mean, magic?`@` What do you mean, witches!?`@` You aren't a witch!!`@` I'll take that mask off and tear it to shreds!!`@` Virgilia, get ready to fight!!"`\ se1 56 bg black,0 mset mld r,$WAL_IkariA1,24 ;「了解しました。@準備よし、いつでもどうぞ。@/ `"Understood.`@` Preparations are complete, so go whenever you're ready. `@/ mld r,$WAl_majimeA1,80 ;……ベアトリーチェ。@あなたは下がって休みなさい。」\ `......Beatrice.`@` Stay back and rest."`\ mendef 0 bg G1F_S1cP,0 ld l,$BEA_odorokiA2,23 ;「う、…うむ……。」@ `"H, ...hmm......"`@ br ;　ベアトは恐る恐る戦人を見る。@ ;　…自分はまだ対戦相手だと認められていない。@ ;　ゲーム盤を観戦する資格があるのかどうか…。\ `Beato looked at Battler timidly.`@ `...She still hadn't been acknowledged as his opponent.`@ `Was she qualified to watch the game board from the sidelines...?`\ ld r,$BUT_majimeA4,64 ;「ベアト、下がって見てろ！！@　俺が剥ぐッ！！@　この似非魔女を徹底的に分解してやるッ！！@/ `"Beato, stay back and look!!`@` I'll tear it off!!`@` I'll thoroughly dismantle this fake witch!! `@/ ld r,$BUT_odorokiA1,80 ;　こんなヤツを魔女とは名乗らせられねぇ！！@　お前は本当の魔女の名誉を守ったッ！」\ `I won't let someone like this call themselves a witch!!`@` You protected the honor of true witches!"`\ ld l,$BEA_komaruA2,80 ;「わ、…妾は、その……、」@ `"Uh, ...I, umm......"`@ ld r,$BUT_oyaA1,80 ;「何も言う必要はない。@/ `"You don't need to say anything. `@/ se1v 2,100 mbg white,1 mcbg 0 ld r,$BUT_futekiA2,80 ;黄金の魔女の名は決して安っぽくないってことを、お前に代わって教えてやらあッ！！」@ `On your behalf, I'll teach her that the name of the Golden Witch definitely isn't that cheap!!"`@ ld l,$BEA_KomaruA1,80 br ;「………ば、………戦人…。」\ ;＜ベアト `".........B, .........Battler..."`\ bg black,23 bg G1F_S1aP,0 ld r,$EV2_niramuA1,0 ld l,$RON_DefA2,23 ld l,$RON_DefA1,80 ;「大まかなルールは以上でございます。」@ ;＜ロノウェ `"Those are the general rules."`@ ld r,$EV2_AkuwaraiA1,80 ;「…………ありがと、ロノウェ。@大体のルールはわかったわ。@/ `".........Thank you, Ronove.`@` I get most of the rules now. `@/ ld r,$EV2_AkuwaraiA3,80 ;…なるほどね。@魔法では勝てないから、魔法以外で決着できる世界で、私に一騎討ちを挑んで来たわけね。\ `...I see.`@` You can't win with magic, so you came to face off with me in a world where victory is decided by something other than magic.`\ ld r,$EV2_AkuwaraiA4,80 ;　……愚かな連中。@屁理屈で私に勝てると本気で思ってるのねぇ？！」\ `......Foolish people.`@` Do you really think you can win against me with twisted logic?!"`\ cl l,24 ld l,$BUT_MajimeA4,23 ;「あぁ思ってる。@てめえの屁理屈を、俺が全て叩き潰してやるぜ、絵羽伯母さんよぉッ！！」@ `"Yeah, I do think so.`@` I'll crush all of your twisted logic, Eva oba-san!!"`@ ld r,$EV2_odorokiA2,80 ;「わ、私は絵羽ではないわ…！！@　それは私の古い抜け殻の名よ。@私は彼女の内に生まれた本当の魔女…！！」\ `"I, I am not Eva...!!`@` That is the name of the old shell that I shed.`@` I am a true witch, born inside of her...!!"`\ ld l,$BUT_OdorokiA1,80 ;「誤魔化すなッ、てめえの正体は魔女でも何でもない、生身の人間だ。@人間の犯人だ、右代宮絵羽だ！！！@　ワルギリア、第二の晩を再構築ッ！！」\ `"Don't try to trick me! Your true form isn't a witch or anything like it, but a flesh and blood human.`@` The human culprit, Ushiromiya Eva!!!`@` Virgilia, reconstruct the second twilight!!"`\ E_A bg black,24 se1 56 bgm1v 81,100 mset mld c,$WAL_defA2,24 ;「了解。@/ `"Understood. `@/ se2 56 bg rose_1b,22 ;第二の晩は、薔薇庭園にて楼座と真里亞が殺されました。@当方はそれを絵羽犯人説にて初手。」\ ;＜ワルギリア `At the second twilight, Rosa and Maria were killed in the rose garden.`@` We begin by applying the 'Eva culprit theory' for that case."`\ mendef 0 bg G1F_S1aP,0 ld r,$EV2_AkuwaraiA2,23 ;「はぁ？@　ばっかばかしい！@　さぁさ、お出でなさい、思い出して御覧なさい！@　右代宮秀吉がどんな姿をしていたのかッ！！」\ ;＜魔女 `"Huuh?`@` Ridi-culous!`@` Come, arise, try to remember!`@` What kind of form did Ushiromiya Hideyoshi have?!!"`\ bg G1F_S1cP,0 ld l,$BUT_NiramuA1,24 ;「何ぃ？@　何の真似をしやがった。」@ ;＜戦人 `"Whaat?`@` What's this supposed to be?"`@ ld r,$BEA_odorokiA2,24 ;「……死者の召還だ。@魔女は証言台に、死者を立たせることも容易い…。」\ ;＜ベアト `"......It's summoning of the dead.`@` It is easy for a witch to bring even the dead to the stand for testimony..."`\ bg G1F_S1bP,23 mld c,$HID_DefA1,0 msp msp_c,0,0,-100 se1 22 print 99,3000,"trvswave.dll/h" ;　向こう側の透けて見える秀吉伯父さんが呼び出される。\ `On the opposing side, a transparent Hideyoshi oji-san was summoned.`\ ;　…まったく魔法っての便利なもんだぜ。@ ;　ただ、こちらの状況は見えていないようで、まるでテレビの向こうの人物のようだった。\ `...Magic sure is convenient.`@ `He looked as though he couldn't see what was going on here, almost like a person on the other side of the TV.`\ ld l,$EV2_AkuwaraiA3,23 ;「証人喚問。@右代宮秀吉の証言よ。@さぁさ秀吉、お話なさいな…！」\ ;＜魔女 `"Witness summons.`@` Ushiromiya Hideyoshi's testimony.`@` Come, Hideyoshi, speak...!"`\ mld c,$HID_fumuA1,0 msp msp_c,0,0,-100 print 80 ;「……わしは部屋でずっと絵羽の看病をしとったんや。@もちろん、絵羽が部屋を出るわけもあらへん。」\ ;＜秀吉 `"......I was taking care of Eva in the room the whole time.`@` Of course, Eva didn't leave the room."`\ ld r,$BUT_nayamuA3,64 ;「絵羽伯母さん。@ここじゃ、赤くねぇ証言は屁の役にも立たねぇぜ。@/ `"Eva oba-san.`@` Around here, testimony that isn't red isn't worth crap. `@/ se1v 2,100 mbg white,1 mcbg 0 ld r,$BUT_futekiA2,80 ;赤で再度の復唱を要求するッ！！」\ `I demand that he repeats it again in red!!"`\ ld l,$EV2_AkuwaraiA4,80 ;「あぁ、そうだったわね。@いいわよ、赤で言ってあげなさい！」\ ;＜魔女 `"Oh yeah, that's right.`@` Sure, say it in red!"`\ mld c,$HID_MajimeA2,0 msp msp_c,0,0,-100 print 80 se1 59 ;「#ff0000わしはずっと部屋におったで#ffffff。@/ `"#ff0000I was in the room the whole time#ffffff. `@/ se2 59 ;#ff0000事件の前後の時間帯は全てや#ffffff。」\ ;＜秀吉 `#ff0000Both before and after the time period of the crime#ffffff."`\ ld l,$EV2_NiramuA1,80 ;「さぁほら。@これで絵羽が犯人ってことはありえなくなったわよぅ？！@　どう返してくれるのかしら？」\ `"See, look.`@` This makes it impossible for Eva to be the culprit, right?!`@` How will you counter this?"`\ csp -1 bg G1F_S1aP,23 ld c,$BUT_NAYAMUA1,63 ;「馬鹿馬鹿しい。@下らなさ過ぎて、欠伸が出る一手だ。@/ `"Ridiculous.`@` That move's so lame, I could yawn. `@/ ld c,$BUT_MajimeA4,80 ;……ベアトは一度たりとも、こんな子ども騙しな一手を打ったことはない。」@ `......Beato never used such childish tricks, not even once."`@ ld l,$BEA_komaruA2,24 ;「………戦人…。」\ ;＜ベアト `".........Battler..."`\ se1v 2,100 mbg white,1 mcbg 0 cl a,0 ld l,$BUT_OdorokiB1,80 ;「復唱要求ッ！！@　“絵羽伯母さんも、事件前後の時間帯は全て部屋にいた”！！@/ `"Repeat it!!`@` 'Eva oba-san was also in the room for the entire time before and after the crime'!! `@/ ld l,$BUT_futekiB3,80 ;　秀吉伯父さんはただのアリバイ工作員だ。@あんたは伯父さんに留守番をさせて、こっそり部屋を抜け出していたんだ。@……そうでないなら、こいつが赤で言えるはずだぜッ！！！」\ `Hideyoshi oji-san was just there to create an alibi.`@` You made Oji-san stay in the room and stealthily snuck out.`@` ......If that isn't true, this guy should be able to say so in red!!!"`\ bg G1F_S1bP,0 ld c,$EV2_ikariA1,64 ;「ふ、復唱拒否…！@/ `"I, I refuse to repeat it...! `@/ ld c,$EV2_OdorokiA2,80 ;　秀吉の証言だけで充分よ！！@　それを復唱する必要はないでしょう？！」\ `Hideyoshi's evidence is sufficient!!`@` There's no need to repeat that, right?!"`\ bg G1F_S1aP,0 ld r,$WAL_majimeA1,23 ;「……降りてきましたね。@容赦は無用です。@これでチェック。」\ ;＜ワルギリ `"......So you have stepped down.`@` Mercy is unnecessary.`@` This is check."`\ cl r,23 ld l,$BUT_futekiA2,63 ;「あぁ、いただきだぜ、チョロイ相手だッ！！@/ `"Yeah, I'll take it. This opponent is slow!! `@/ se1v 2,100 bg white,1 bg G1F_S1aP,0 ld l,$BUT_odorokiB1,80 ;　チェック！！@　秀吉伯父さんは終始部屋を出なかったろうさ。@しかしあんたを看病していたというのは、真っ赤な嘘だ！\ `Check!!`@` Maybe Hideyoshi oji-san didn't leave the room the whole time.`@` But saying that he was taking care of you the whole time...is a bright-red lie!`\ ld l,$BUT_MajimeB4,80 ;　よって、あんたのアリバイは存在しない！！@　あんたには部屋を抜け出して楼座叔母さんたちを殺すチャンスがあった！@　かわせるってんなら、赤で“絵羽伯母さんは部屋から一歩も出ていない”と宣言してみろッ！！@　出来ねぇだろ？@!s0　チェックメイトだッ！！！」/ `Therefore, no alibi exists for you!!`@` You had a chance to slip out of the room and kill Rosa oba-san and Maria!`@` If you think you can dodge that, try proclaiming in red that 'Eva oba-san didn't take a step outside of the room'!!`@` You can't right?`@!s0` Checkmate!!!"`/ se1v 2,100 !sd\ bg G1F_S1cP,0 ld r,$EV2_OdorokiA2,64 ;「な、………何よそれ……！@　わ、……わけがわかんない…！！」\ `"Wh, .........what is that......?!`@` I, ......I don't get it...!!"`\ ld c,$BUT_FutekiA3,24 se3v 21,90 ;「悪いな伯母さん。@……例えルールに不慣れであっても、全力で叩き潰すのがこのゲームの流儀だぜ。@/ `"Sorry, Oba-san.`@` ......Even if you aren't used to the rules, beating your opponent down with all your strength is how this game is played. `@/ ld c,$BUT_majimeA2,80 ;……なぁ、ベアト？！」@ `......Right, Beato?!"`@ ld l,$BEA_OdorokiA2,64 ;「う、…うむ…。」\ `"H, ...hmm..."`\ bg black,23 bg G1F_S1bP,23 ld c,$RON_akuwaraiA1,24 ;「魔女側、リザインでございます。@次のゲームに進みましょう。@/ `"The witch side resigns.`@` Let us continue on to the next game. `@/ ld c,$RON_DefA1,80 ;続きますは、第四から第六の晩でございます。」\ ;＜ロノウェ `Next is the fourth twilight through the sixth twilight."`\ bg black,25 ;　魔女は勝手がまだわからないらしく、イライラと落ち着きなくしている。@ ;　訳がわからない内に一本取られたことにも、腹を立てているのだろう。@ `It seemed that the witch still didn't understand how to make a winning move, and she lost her composure in irritation.`@ `She was probably also angry that a shot had been taken at her while she still didn't get what was going on.`@ br ;　…だが、俺は一切の手加減をしない。@ `...However, I won't go easy on her at all.`@ br ;　ヤツが、犠牲者たちに一切の手加減をしなかったように、俺も一切の手加減をしない…！！/ `Just like she didn't go easy on the victims at all, I won't go easy on her...!!`/ se1v 2,100 \ bg G1F_S1aP,0 mld r,$WAL_MajimeA1,24 mld l,$BUT_MajimeA4,64 ;「ワルギリア、次の事件だ！@　親父たちの事件を再構築！！」@ `"Virgilia, next crime!`@` Let's reconstruct the case with Dad and the rest!!"`@ mld r,$WAL_defA2,80 ;「了解。@/ `"Understood. `@/ se1 56 msetef 0,0 bg Mhal_2b,30 ;留弗夫、霧江、秀吉の３人は、屋敷へ向かい、そこで殺されました。」\ `three people: Rudolf, Kyrie, and Hideyoshi, went to the mansion, and were killed there."`\ mld l,$BUT_futekiA3,80 ;「俺からの指し手は変わらない。@絵羽伯母さん、あんたが犯人だッ！！@/ `"My move won't change.`@` Eva oba-san, you are the culprit!! `@/ mld l,$BUT_MajimeA2,80 ;　今度は秀吉伯父さんのアリバイすらねぇぞ！！@　あんたはたったひとりで部屋で寝ていたと主張している。@しかしそれは虚偽だッ！！！@　赤で宣言できるものならしてみやがれッ！！」\ `This time, you don't even have an alibi from Hideyoshi oji-san!!`@` You claim that you were sleeping in that room all by yourself.`@` But that's not true!!`@` If you can proclaim it in red, just try it!!"`\ csp -1 bg G1F_S1bP,0 ld r,$EV2_IkariA2,64 ;「……拒否するわッ。@…なら教えてよ！@　絵羽はただの女よ。@そして殺されたのは、銃を２丁も持つ大人が３人よ？@　彼女がたった１人でどうやって殺したというの？@　凶器の杭でどうやって？@　話によく出る、杭の射出機ってどんな構造をしているのよ？！\ `"......I refuse.`@` ...So tell me!`@` Eva is just a woman.`@` And the people who were killed were three adults holding two guns, right?`@` How did she kill them all by herself?`@` How did she do it with those stakes as weapons?`@` Like everyone keeps talking about, how is this stake-shooting device constructed?!`\ ld r,$EV2_OdorokiA2,80 ;　それを説明してよ！！@　それが説明できない限り、絵羽にアリバイがないとしても、@絵羽に殺人が可能だったことにはならないわよ！」\ `Explain that!!`@` As long as you can't explain it, even if Eva doesn't have an alibi, `@`it doesn't mean that it was possible for Eva to commit murder!"`\ se1v 2,100 se2v 57,100 mbg white,1 mcbg 0 cl a,0 ld l,$BUT_futekiA2,22 ;!s0「説明拒否ッ！！/ !s0`"I refuse to explain!! `/ !sd@/ ld l,$BUT_majimeA4,80 ;　“悪魔の証明”だ！@　説明不能だからといって、未知の殺害方法、もしくは未知の凶器の存在を否定できない！！\ `It's a 'Devil's Proof'!`@` Just because it's impossible to explain, that doesn't deny the existence of an unknown murder technique, or maybe an unknown weapon!!`\ ld l,$BUT_OdorokiB1,80 ;　つまりッ！！@　俺が杭の射出機の構造を説明できなくても、その存在を否定することにはならない！！」/ `In short!!`@` Even if I can't explain how the stake-shooting device is constructed, that doesn't deny that it exists!!"`/ se1v 2,100 \ ld r,$EV2_FukigenA3,80 ;「なッ、何よそれぇ！！/ `"Wh, what is that?!! `/ quakey 3,300 ;@　そんな滅茶苦茶って通るの？！」\ @`Could something that ridiculous work?!"`\ bg G1F_S1aP,63 ld l,$RON_AkuwaraiA1,63 ;「……“悪魔の証明”、有効です。」@ ;＜ロノウェ `"......A 'Devil's Proof' is effective."`@ ld r,$WAL_DefA2,64 ;「同じく。@“悪魔の証明”、有効です。@/ `"Agreed.`@` A 'Devil's Proof' is effective. `@/ ld r,$WAL_FumanA1,80 ;……戦人くんは、その射出機の構造を説明する義務を負わずに、その存在を主張できます。@魔女側はこの手を反論できません。」\ ;＜ワルギリ `......Battler-kun can claim that a stake-shooting device exists without bearing the responsibility of explaining how it is constructed.`@` The witch side cannot object to this move."`\ bg G1F_S1cP,0 ld l,$BEA_gamanA1,64 ;「……や、やるではないか…。@何と強引な…。」\ ;＜ベアト `"......N, not bad...`@` How pushy..."`\ ld r,$BUT_FutekiA1,80 ;「へ！@　どこぞの性悪魔女に、たっぷり鍛えられたからな。@/ `"Heh!`@` Well, there's this ill-natured witch who trained me well. `@/ ld r,$BUT_futekiA2,80 ;これでチェックだぜ？！/ `This is check, okay?! `/ se1v 2,100 ;@　絵羽伯母さんが、部屋から一歩も出てないと赤で言ってみろ！！\ @`Try saying in red that Eva oba-san didn't take a step out of that room!!`\ ld r,$BUT_majimeA4,80 ;　そうさ、言えるはずはないのさ！@　言えないならば決まりだぜ、チェックメイトだッ！！」\ `That's right, you shouldn't be able to say it!`@` If you can't say it, it's over, checkmate!!"`\ se1v 2,100 se2v 2,100 mbg white,1 mcbg 0 bg G1F_S1bP,0 ld r,$EV2_OdorokiA1,2 ;「……な、……何て暴論………！@　こんなの、…滅茶苦茶よ…！」\ ;＜魔女 `"......Th, ......that's so irrational.........!`@` This is, ...messed up...!"`\ ld l,$RON_akuWaraiA1,23 ;「そういうルールのゲームでございますので。@/ `"Those are the rules of this game. `@/ ld l,$RON_waraiA2,80 ;…まずは紅茶でもいかがですかな？@　おいしいクッキーもございますよ。」\ ;＜ロノウェ `...How about some black tea first?`@` And some delicious cookies as well."`\ cl a,0 ld c,$EV2_FukigenA3,24 ;「いらないわよそんなの！！/ `"I don't need all that!! `/ se1 12 quakex 3,300 @/ ld c,$EV2_ikariA2,80 ;　あぁ、イライラするわぁ…！@　魔法で勝てないからって、こんな卑怯な戦いで…！！」\ `Oh, that pisses me off...!`@` So you fight like a coward just because you can't win with magic...!!"`\ bg G1F_S1cP,0 ld l,$BUT_FutekiA3,24 ;「イラつくなよ。@紅茶でも飲めよ。@俺はストレートでもらうぜ。@/ `"Don't get irritated.`@` Drink some black tea or something.`@` I'll take mine straight. `@/ ld l,$BUT_futekiA1,80 ;ベアトは？」@ `What about you, Beato?"`@ ld r,$BEA_odorokiA2,80 ;「わ、…妾は良い…。@/ `"I, ...I am fine...`@/ ld r,$BEA_KomaruA4,80 ;………それより戦人、油断するな。@向こうがルールに不慣れなだけだ。@…向こうが要領を掴んでからが本番だぞ…。」\ `.........More importantly, Battler, don't let your guard down.`@` Your opponent is only unfamiliar with the rules.`@` ...It will only really start once your opponent gets the gist of it..."`\ ld l,$BUT_FutekiA3,80 ;「だが潰す。/ `"But I'll crush her. `/ se1v 2,100 @/ ld l,$BUT_FutekiA2,80 ;徹底的に潰す。/ `I'll thoroughly crush her. `/ se2v 2,100 ;@なぜならヤツは魔女ではないからだ。\ @`That's because she isn't a witch.`\ ld l,$BUT_majimeA4,80 ;　あいつを魔女だと認めたら、……お前の通した意地が通らない！@　如何なる暴論であろうと屁理屈であろうと、@俺が全身全霊で叩き潰すッ！！」/ `If I accept her as a witch, ......all of your stubbornness counts for nothing!`@` I don't care what kind of irrational argument or twisted logic I have to use, `@`'cause I'll crush her with all of my heart and soul!!"`/ se3v 2,100 \ bg black,25 ;　続けて戦人側は、蔵臼と夏妃の、@第七〜第八の晩についても、まったく同様に絵羽犯人説で貫き通す。\ `Battler's side then stuck with the 'Eva culprit theory' to explain Krauss and Natsuhi, `@`the seventh and eighth twilights, in the exact same way.`\ me1v 16,70 msetef 0,0 bg Glob_1bN,22 ;　当時、ゲストハウスの１階には絵羽と犠牲者しかいなかった。@ ;　…例によって、絵羽のアリバイを証言できる人間はいない。@ `At the time, there had been no one on the first floor except for Eva and the victims.`@ `...As before, no one could establish an alibi for Eva.`@ br ;　当時の絵羽は、化粧室に行っている間に彼らが失踪したと主張するが、@それを裏付けられるものは何もなく、魔女側も赤でそれを復唱できない。\ `At the time, Eva had claimed that they had disappeared while she went to the lavatory, `@`but nothing supported that, and the witch side couldn't repeat that in red either.`\ mendef 0 bg G1F_S1bP,0 ld r,$EV2_OdorokiA2,24 ;　魔女側は、射出機の構造を聞いてきたのと同じ論法で、@単独の絵羽が、如何にして二人を同時に絞殺できたのかとその方法を問い返すが、@/ `With the same argument as it had used to ask about the construction of the shooting machine, `@`the witch side asked once more how Eva could have strangled both of them at the same time all by herself, `@/ ;bg G1F_S1aP,0 ;ld l,$BUT_MajimeA3,23 bg white,1 bg G1F_S1aP,0 ld l,$BUT_FutekiB2,80 ;戦人はもちろんこれを“悪魔の証明”にて豪快に説明拒否で切り返す。\ `but of course, Battler splendidly counterattacked by refusing to explain because of the 'Devil's Proof'.`\ bg black,22 ;　戦人の疾風怒濤の勢いの前に、魔女側は完全に飲み込まれ、@ルールを把握しようとするわずかの間に、三度ものリザインを喫してしまう…。\ `Under the storm and stress of Battler's spirit, the witch side was completely swallowed up,`@` having to resign three times during the short period of time she had to grasp the rules...`\ fede 0,3000 wait 1000 bg G1F_S1cP,0 ld c,$EV2_NiramuA3,22 se1 37 ;「………くっひひひひひゃっひゃっひゃ…。@/ `".........Kuhhihihihihyahhyahhhya... `@/ bgm1 77 ;ふん、なるほどねぇ！@　ようやくコツがわかってきたわ。@もうあんたの思い通りにことは運ばせないわよ！@/ `Hah, I see!`@` I'm finally starting to get the knack of it.`@` I won't let you have things carry on as you wish any more! `@/ ld c,$EV2_AkuwaraiA8,80 ;　今度は私から仕掛けさせてもらうわ。@ロノウェ、第四〜第六の晩を再構築！@　右代宮霧江をピックアップ！@　……ここで一度、第四〜第六の晩の、留弗夫、霧江、秀吉の殺人に話を戻させてもらう。」\ ;＜魔女 `This time, let me take the initiative.`@` Ronove, reconstruct the fourth through the sixth twilights!`@` Pick out Ushiromiya Kyrie!`@` ......For now, let me return to the murders of Rudolf, Kyrie and Hideyoshi for the fourth through sixth twilights."`\ bg G1F_S1aP,0 ld l,$BEA_KomaruA3,23 ;「……あ、…あやつめ。@一度はリザインした局面をなぜもう一度。」@ ;＜ベアト `"......Wh, ...what is she thinking?`@` Why would she return once more to a situation she has lost?"`@ ld r,$WAL_ikariA1,64 ;「なるほど…。@…あなたが指さない、珍しい攻め手です。@注意して。」\ ;＜ワルギリ `"I see...`@`...This is a rare attack, which you do not use.`@` Be careful."`\ se3 57 bg black,24 mset se1 56 bg Glob_1c,22 mld l,$EV2_NiramuA1,80 ;「当時、生存者たちはゲストハウスへ篭城していたわ。@食料がなかったけれど、彼らは安全を考え、翌日まで食事を抜く覚悟さえあった。@/ `"At the time, the survivors were barricaded in the guesthouse.`@` They didn't have food, but out of concern for their safety, they were at least prepared to go without eating until the next day. `@/ mld l,$EV2_NiramuA2,80 ;……けれど、結局、３人は食料を求めて外へ出るわ。」\ `......However, in the end, three of them went out for food."`\ mld r,$BUT_komaruA3,24 ;「………そうだな。@結局、３人は食料を取りに表へ出る。」\ `".........That's right.`@` In the end, three people went outside to get food."`\ mcl a,0 mld c,$EV2_AkuwaraiA7,23 ;「面倒だから赤を交えて語るわよ。@/ `"It's a pain, so I'll add in some red and say it. `@/ se1 59 ;#ff0000霧江は食料はいらないと考えてた#ffffff。@一日くらい食事を抜いても死なないのだからと、/ `#ff0000Kyrie was thinking that food was unnecessary#ffffff.`@` Since going without food for about a day wouldn't kill them, `/ se2 59 ;#ff0000ゲストハウスを出ないべきだと主張していた#ffffff。@にもかかわらず彼女は自ら、/ `#ff0000she claimed that they should not leave the guesthouse#ffffff.`@` And yet, she herself `/ se3 59 ;#ff0000食料を取りにゲストハウスを出ようと提案する#ffffff。@………これは矛盾しない？」\ `#ff0000suggested that they leave the guesthouse to get food#ffffff.`@` .........Isn't this a contradiction?"`\ csp -1 bg G1F_S1bP,23 ld c,$RON_odorokiA1,23 ;「はい、見事に矛盾します。@霧江の行動式に矛盾します。」\ ;＜ロノウェ `"Yes, a spectacular contradiction.`@` There is a contradiction in Kyrie's pattern of behavior."`\ cl c,23 ld r,$EV2_AkuwaraiA6,64 ;「その矛盾は、/ `"That contradiction `/ se1v 2,100 ;“私が魔法で作り出したの”！@　つまり、私が魔法で霧江を操って、そう言い出させて生贄たちが外出するように誘導した！！」@ `'was created by me, using magic'!`@` In other words, I controlled Kyrie using magic, and made her say that to lure the sacrifices outside!!"`@ ld l,$BUT_OdorokiA1,63 ;「ば、馬鹿馬鹿しいッ！@　そんな魔法、あるわけがねぇ！！」\ `"R, ridiculous!`@` There's no way that kind of magic exists!!"`\ ld r,$EV2_AkuwaraiA4,80 se1v 2,100 se2v 37,100 ;「“悪魔の証明”よぅ？！@　戦人くんが知らない魔法だからと言って、存在を否定することにはならない！@　そしてその魔法を、私は実演する義務も負わない。@それでいて、さらにあなたには反論の余地もない！！@/ `"It's a 'Devil's Proof', right?!`@` Just because you don't know about that magic doesn't deny its existence!`@` And I don't bear the responsibility of acting out that magic for you.`@` And yet, you have even less room to counter this argument!! `@/ ld r,$EV2_TokuiA1,80 se3v 37,100 ;　………くすくすくす！@　こういう戦い方でよろしいのかしらぁ。」\ `.........*giggle*giggle*!`@` I wonder if it's alright to fight this way."\ cl r,23 ld r,$RON_odorokiA1,24 ;「はい。@実にお見事な一手です。@/ `"Yes.`@` It is truly a spectacular move. `@/ ld r,$RON_majimeA2,80 ;……戦人さま、受け手をお願いいたします。」\ ;＜ロノウェ `......Battler-sama, your response, if you please."`\ bg G1F_S1aP,23 ld l,$BUT_NiramuA3,23 ;「おかしな論法に持ち込んで来やがったぜ。@…つまりどういうことだ。」\ ;＜戦人 `"You sure have brought in a weird argument.`@` ...So just what is it?"`\ ld r,$WAL_DefA2,64 ;「右代宮霧江の行動式に対して駒を打って来ました。@…すでに説明がある通り、@霧江は食料を屋敷に取りに外へ出るべきではないという行動式を持っていました。@/ `"She has attacked your piece through Ushiromiya Kyrie's pattern of behavior.`@` ...As has already been explained,`@` Kyrie's pattern of behavior had her saying that they should not go outside and head to the mansion in order to get food. `@/ ld r,$WAL_FumanA1,80 ;にも、かかわらず、彼女は率先して、@食料を取りに行こうという矛盾した行動を取ります。@この矛盾が説明できない限り、それを魔法であると主張する暴力的な手です。」\ ;＜ワルギリ `And, even so, she took the initiative, `@`and took the contradictory action of going to get food.`@` As long as you cannot explain this contradiction, this violent move claims that it was due to magic."`\ ld l,$BUT_KomaruA3,80 ;「…そりゃ、最初は霧江さんもそう考えてたんだろうよ。@/ `"...Well, Kyrie-san probably thought that too in the beginning. `@/ ld l,$BUT_NiramuA3,80 ;しかし多分その、…途中で色々と考えて、@やっぱり食料は必要だろうと心変わりしたってことなんだろ…。@いざという時、空腹で力が出ないってんじゃ意味ないだろうし、…まぁその…。」\ `But she probably, uh, ...thought about various things midway, `@`and changed her mind, deciding that food really was necessary...`@` It would be a problem if, when things got tough, we had no energy due to hunger, ...and, well..."`\ ld r,$WAL_ikariA1,80 ;「……その心変わりが魔法によるものだと主張しているのです。@つまり、…非常に困難なことですが、霧江が心変わりした理由を説明しなければならないのです。」\ ;＜ワルギリ `"......She is claiming that this change of heart is due to magic.`@` In short, ...while it might be extremely difficult, you must explain the reason for Kyrie's change of heart."`\ ld l,$BUT_odorokiA2,80 ;「な、……何だって…。@…そんなの、霧江さんの頭の中の話だろ…。@/ `"Wh, ......what are you saying...?`@` ...You're talking about the inside of Kyrie-san's head, right...? `@/ ld l,$BUT_komaruA1,80 ;こっちにも、霧江さんの霊を召還して質問するとか出来ないのかよ？！@　ベアト！@　お前、霧江さんを呼び出したりできないのかよ？！」\ `Can I also summon Kyrie-san's ghost and question her?!`@` Beato!`@` Can't you call Kyrie-san here or something?!"`\ ld r,$WAL_KomaruA1,80 ;「出来ません。@それは魔女側のみに許されている手です。」\ ;＜ワルギリ `"She cannot.`@` That is a move permitted only to the witch side."`\ ld c,$BEA_komaruA3,24 ;「す、……すまぬ…。」\ ;＜ベアト `"S, ......sorry..."`\ bg black,24 se1 56 mset mld r,$BUT_KuyasigaruA1,24 ;「……ああぁぁ、クソ！！@/ `"......Aaaaaaahhh, fuck!! `@/ mld r,$BUT_NiramuA3,80 ;　多分だな、その、……俺たち子どものことを考えてその、…やっぱり食料は必要だろうと総合的に考えて…。」\ ;＜戦人 `She was probably, umm, ......thinking of us kids and, umm, ...on the whole, thought that food was necessary and..."`\ mld l,$WAL_FumanA1,23 ;「それを客観的に主張しなければなりません。@…霧江が、ある理由により食料がやはり必要であると心変わりした具体的な証拠が必要です。@……例えば、そう証言したのを誰かが聞いたとか、何かに書き残したとか。」\ ;＜ワルギリ `"You must make that claim objectively.`@` ...You require concrete proof that Kyrie changed her mind and decided that food really was necessary for some specific reason.`@` ......For example, if someone heard her say that, or if it was written down somewhere."`\ csp -1 bg black,23 bg G1F_S1aP,0 ld l,$EV2_AkuwaraiA6,63 se1v 37,100 ;「残念だけど、/ `"Too bad, `/ se2 59 ;#ff0000その心変わりの理由は、誰にも語られておらず、また記されてもいない#ffffff！@　よって、霧江の頭の中で何があったのか、あんたには憶測することしかできないの！@/ `#ff0000the reason she changed her mind was not told to anyone, nor was it written down#ffffff!`@` Therefore, you can only speculate as to what was inside Kyrie's mind! `@/ me1v 16,80 ld l,$EV2_AkuwaraiA7,80 se3v 2,100 ;　つまり証明は不能ッ！！@　私の手に対し、あなたは一切の反撃の一手を持たない！@　今度はあんたがリザインする番なのよぅ、戦人くぅん…？！？！」\ `So it is impossible to explain!!`@` You don't have a single counter to my move!`@` Isn't it your turn to resign now, Battler-kuuun...?!?!"`\ ld r,$WAL_KomaruA1,24 ;「……心変わりの理由など、無限に想定できる。@そして、その無限の可能性を全て潰しきることは不可能。」\ ;＜ワルギリ `"......It is possible to hypothesize endlessly as to the reason behind her change of heart.`@` And, it is impossible to crush all of those endless possibilities."`\ bg G1F_S1cP,24 ld l,$RON_OdorokiA1,23 ;「憎々しいほどに、見事な一手でございます。@………戦人さまにこれを切り返す方法があるとすれば、…多分、あの手だけかと。」@ `"A detestably spectacular move.`@` .........If Battler-sama were to have a method of countering, ...it could probably only be that move."`@ ;＜ロノウェ ld r,$BEA_odorokiA2,24 ;「そ、……その手とは何なのか…？」\ ;＜ベアト `"Wh, ......what move is that...?"`\ ld l,$RON_waraiA2,80 ;「……さて。@どのような手でございましょうね。@お嬢様の得意な手だったような気もしますが、私は思い出せません。」@ ;＜ロノウェ `"......Well,`@` I wonder what kind of move it could be.`@` I have the feeling that it was Milady's specialty, but I cannot remember."`@ ld r,$BEA_aseruA1,80 ;「………………く…。@ケチケチしないで話せ…！」\ ;＜ベアト `"...............Ku...`@` Quit being stingy and tell me...!"`\ ld c,$WAL_FumanA1,23 ;「ベアトリーチェ。@自らの思考を停止させる者に与えられる答えはありませんよ。@…考えなさい。@あなたなりの考えで！」\ ;＜ワルギリ `"Beatrice.`@` There is no answer that will be given to those who stop thinking themselves.`@` ...Think.`@` Think in your own way!"`\ bg G1F_S1bP,0 ld l,$EV2_AkuwaraiA2,63 ;「とっととリザインしたらぁ？@/ `"Why don't you resign right now? `@/ ld l,$EV2_AkuwaraiA6,80 ;　ついでにさらに赤で追い詰めてあげるわ。@/ `And I'll corner you even more with red. `@/ se1 59 ;#ff0000霧江はね、死ぬ最後の瞬間まで“食料を取りに行かない＝屋敷に行かない”という行動式を維持していたわ#ffffff！@/ `#ff0000Until the last instant before she died, Kyrie preserved her pattern of behavior which states 'not going to get food=not going to the mansion'#ffffff! `@/ ld l,$EV2_NiramuA1,80 ;　にもかかわらず、率先して屋敷へ向かったわ。@台車を押して食料を運ぼうとしたわ。@その矛盾はなぜ？\ `And yet, she took the initiative and headed for the mansion.`@` She was pushing a cart, trying to carry food.`@` Why that contradiction?`\ ld l,$EV2_AkuwaraiA4,80 ;　……/ `......`/ se1v 2,100 ;私が魔法で操ったからッ！！！@　これこそが私の魔法が実在し、私が魔女である証拠なの！！」\ `Because I controlled her with magic!!!`@` This is proof that my magic exists, and that I am a witch!!"`\ ld r,$BUT_odorokiA2,24 ;「……………うるせえ黙れ…！！@/ `"............Shut the hell up...!! `@/ ld r,$BUT_KuyasigaruA1,80 ;　こ、…心変わりでさえないって言うのか？！@　……霧江さんは、死ぬまでずっと、食料はいらない、屋敷には行かないと思ってた？@　なら、何で自分から進んで食料を取りに行こう、屋敷に行こうなんて言い出すんだ…！！\ `A, ...are you saying that she never even changed her mind?!`@` ......The whole time until she died, Kyrie-san thought 'we don't need food', 'don't go to the mansion'?`@` Then why did she step forward herself and say that they should go to get food, and go to the mansion...?!!`\ me2v 17,80 ld r,$BUT_OdorokiA2,80 ;　魔法で霧江さんが操られていたって言うのか？！@　そんな馬鹿な…！！@　どうやって、…どうやってこの魔法を打ち破ればいいんだッ？！\ `Are you saying that Kyrie-san was being controlled with magic?!`@` That's stupid...!!`@` How, ...how should I break through this magic?!`\ ld r,$BUT_kuyasigaruA1,80 ;　…霧江さんがここにいてくれて、一言、心変わりの理由を言ってくれれば…。@いや、心変わりすらしてないと、ヤツに赤で言われちまった…！@　どうすりゃいいんだ…！！@　人間側には反撃できる一手がねぇ！！」\ `...If only Kyrie were here, and just told us the reason behind her change of heart...`@` No, I've already been told in red that she never even changed her mind...!`@` What should I do...?!!`@` There's no move that the human side can counter with!!"`\ bg G1F_S1cP,24 ld c,$EV2_TokuiA1,24 ;「このゲームって、知れば知るほどに魔女に有利なルールよねぇ？@　たとえ、いくつの局面で負けたとしても、たったひとつだけ勝てれば、それだけで魔女は存在を誇示できる。」\ `"The more I learn about this game, the more advantageous the rules seem for the witch, right?`@` Even if I lose in a lot of areas, if I can win in just one, that alone can display the existence of a witch."`\ ld c,$EV2_AkuwaraiA1,80 ;「……つまり、戦人くんには完全勝利以外に魔女を否定する方法はないの！@　ここまで私のことをさんざん絵羽呼ばわりして追い詰めてきたつもりのようだけど、@あなたの尊敬する霧江さんひとりの頭の中の話だけで、全てが引っ繰り返っちゃうなんて、実に滑稽よねぇ？！\ `"......In other words, Battler-kun has no way of denying witches other than a complete victory!`@` How truly funny that even though you thought you could corner me and call me Eva, `@`it's all been turned over by nothing more than the inside of your respected Kyrie-san's head, right?!`\ me3v 5,80 ld c,$EV2_AkuwaraiA5,80 se1v 37,100 ;　くっくくくくくくくく、あっはははははははははは！！@　しちゃいなさいよぅ、リザイン！！@　認めちゃえば？@　負けちゃえばぁ？！」\ `*cackle*cackle*cackle*cackle*, ahhahahahahahahahahaha!!`@` Just do it, resign!!`@` Why don't you accept it?`@` Why don't you lose?!"`\ bg G1F_S1aP,0 ld l,$BUT_KuyasigaruA1,63 ;「………くそぉおおおぉおぉぉ…。/ `".........Damn iiiiiiiiiiiiiit... `/ quakey 3,300 ;@人間には証明不能だ…。@死者が何を思って行動したのか、なんて推測の域を出ない。@しかも、推測程度じゃ魔法を否定できない。@…魔法を打ち破るためには、霧江さんがどうして心変わりしたのか客観的な証拠を…。\ @`It's impossible for a human to show...`@` I can't do anything but guess what the dead were thinking when they acted.`@` Furthermore, I can't deny magic just by conjecture.`@` ...To break through magic, I need objective proof as to why Kyrie-san had a change of heart...`\ ld l,$BUT_OdorokiA2,80 ;　……でも畜生、@どうして食料が欲しいと心変わりしたのか、その証拠は存在しないと赤で言われちまってる…。@……どうすりゃいいんだ、畜生畜生…！！！」\ `......But damn it, `@`it's been said in red that no proof exists as to why she wanted food...`@`......What should I do, damn it, damn it...!!!"`\ ld r,$RON_majimeA1,64 ;「………戦人さま。@リザインで、よろしいですか？」\ ;＜ロノウェ `".........Battler-sama.`@` Is this...your resignation?"`\ ld l,$BUT_KuyasigaruA1,80 ;「………………………く………ッ。@“食料を取りに行かない＝屋敷に行かない”。@でも実際には矛盾したこの霧江さんの考えを、どう理解すればいいんだ……！」\ `".....................Ku.........`@` 'Not going to get food=not going to the mansion'.`@` But how should I understand Kyrie-san's thoughts, which actually do contradict......?!"`\ bg G1F_S1bP,0 ld c,$EV2_AkuwaraiA4,64 ;「理解なんかできないわよ！！@　理解不能、解釈不能！！@　その闇は全て魔女のものだもの！@/ `"You can't understand!!`@` It's impossible to understand, and impossible to interpret!!`@` That darkness is all of the witch! `@/ ld c,$EV2_AkuwaraiA5,80 ;　さぁさ、考えても無駄よ、おやめなさい？！@　あなたに魔女を否定することなんて出来やしない！@　だって私はこうして存在するんだもの。\ `Come on, it's useless to think, so quit, alright?!`@` You just can't deny witches!`@` After all, I exist like this.`\ ld c,$EV2_akuwaraiA7,80 se1v 37,100 ;　私こそは黄金の魔女！！@　そこにいる元の魔女から、名前を奪い取った！！@　あなたに私がベアトリーチェであることを否定など出来ないのよッ！！！」\ `I am the Golden Witch!!`@` I stole that name from the witch that used to be here!!`@` You can't deny that I am Beatrice!!!"`\ bg G1F_S1aP,0 ld r,$BUT_OdorokiA1,63 ;「くそっぉおおおおおおおぉおぉぉぉ…！！！@　その名を語る資格は貴様にねぇ…！@/ `"Damn iiiiiiiiiiiiiiiiiiiiiiit...!!!`@` You have no right to say that name...! `@/ ld r,$BUT_KuyasigaruA1,80 ;　……なのに、……それを否定する手が思いつかねぇ………！！！」\ `......And yet, ......I can't think of a move to deny that.........!!!"`\ ;　勝ち誇ったような、狂った笑い声をあげる魔女に、もはや戦人は反撃が出来ない…。@ ;　諦めたくないが、手が出ないのだ。@ `Battler could no longer counter this witch who was laughing insanely in triumph...`@ `He didn't want to give up, but no move appeared.`@ br ;　ばりばりと歯軋りしながら、両の拳を握り締める。@ ;　……だが、それでもなお反撃の妙案は出ない…！\ `He ground his teeth, making fists with both hands.`@ `......But even so, he couldn't think of a brilliant counterattack...!`\ ld l,$RON_DefA2,23 ;「戦人さま。@……制限時間を切りますが、リザインでよろしいですか……？」@ `"Battler-sama.`@` The time limit is over, so will you resign......?"`@ bg black,1 ;!s0「くっ、……うおおおおおおぉおおおおぉぉぉ……！！！」/ !s0`"Ku, ......aaaaaaaaaaaaaaaaaahhhhh......!!!"`/ quakey 3,300 !sd\ fede 1,4000 wait 1000 bg G1F_S1bP,22 ld r,$WAL_IkariA1,24 ;「………人間側、受け手がありません。@リザインをしま/ `".........The human side has no move in response.`@` It will res`/ !d1000 textclear ;＜ワルギリ E_A se1v 57,100 bg white,1 bg G1F_S1aP,0 ld c,$BEA_KomaruA1,80 ;「待て！@/ `"Wait! `@/ ld c,$BEA_KomaruA3,80 bgm1v 78,90 ;　……は、反撃の手は、……ある。」@ ;＜ベアト `......Th, there is, ......a counterattack."`@ ld r,$BUT_komaruA1,64 ;「な、……何だって…。」\ ;＜戦人 `"Wh, ......what did you say...?"`\ bg G1F_S1cP,0 ld l,$EV2_AkuwaraiA4,64 ;「へぇ？！@　どんな手があるっていうのよ、先代さまぁ？！@　このベアトリーチェの魔法を、どんな手で否定できるのか、教えてくださるぅ？@/ `"Huh?!`@` What kind of move are you talking about, Predecessor-sama?!`@` Won't you tell me what kind of move can deny Beatrice's magic? `@/ ld l,$EV2_NiramuA3,80 ;　できないわ、そんなこと不可能よ！！」\ ;＜魔女 `You can't, it's impossible!!"`\ ld r,$BEA_MajimeA3,64 ;「……“食料を取りに行かない＝屋敷に行かない”という命題を、それ単体で説明できないなら、@……妾はそれを対偶で説明する。/ `"......If the proposition that 'not going to get food=not going to the mansion' cannot be explained by itself, `@`......I will explain it with the contrapositive. `/ se1v 2,100 ;@つまり、“それでも屋敷に行った＝食料以外の目的で”とも説明できるのではないか。/ @`In short, you can also explain it with 'she went to the mansion=there was a goal other than food'.`/ se2v 2,100 \ ld r,$BEA_GamanA4,80 ;　……こ、これは妾の得意手の“ヘンペルのカラス”というよりは、……戦人の得意手の“チェス盤思考術”よ。@……霧江が食料を目的に屋敷に行くことがありえないなら、@それでもなお霧江が外へ出る、他の目的があったと説明するしかない。@つまり、その目的が証明できれば、魔法は否定できる…！」\ ;＜ベアト `......R, rather than my specialty 'Hempel's Raven', ......this is Battler's specialty, 'chessboard thinking'.`@` ......If it is impossible for Kyrie to have gone to the mansion with food as a goal, `@`we can only explain it with another goal which caused Kyrie to go outside anyways.`@` In other words, if we can establish that goal, we can defeat magic...!"`\ bg G1F_S1aP,0 ld l,$BUT_majimeA2,63 ;「な、なるほど…。@食料を目的に屋敷には行かないが、他の目的があって、@それを偽るために、食料を取りに行こうと言い出したわけか…。\ `"I, I see...`@` So if she didn't go to the mansion with food as a goal, she had a different goal,`@` and said that she wanted to go and get food in order to disguise her real goal...`\ ld l,$BUT_NiramuA3,80 ;　……た、…確かにそれなら説明がまだ可能かもしれない。@……しかし、……どうやって？！」\ ;＜戦人 `......C, ...certainly, it still may be possible to explain it that way.`@` ......But, ......how?!"`\ ld r,$BEA_komaruA3,64 ;「お師匠様、霧江の死亡現場の再構築を…！@　霊の召還は出来ぬが、死体の検証は人間側の権利のはず…。」\ ;＜ベアト `"Teacher, reconstruct the scene where Kyrie died...!`@` We cannot summon a ghost, but inspecting the corpse should be the human side's right..."`\ cl l,64 mld l,$WAL_DefA2,63 ;「えぇ、問題ありませんよ。@右代宮霧江の死亡現場を再構築します。@/ `"Yes, there is no problem.`@` I will construct the scene where Ushiromiya Kyrie died. `@/ se1 56 bg Mhal_2cR,0 msetef 0,10 mld l,$WAL_FumanA1,80 ;私たちは霧江の霊を呼び出すことはできないけれど、@霧江が何を残したかを知ることで、それを武器にできるかもしれない。」\ ;＜ワルギリ `We cannot call Kyrie's ghost here, `@`but by learning what Kyrie left behind, we may be able to use that as a weapon."`\ mld r,$EV2_AkuwaraiA5,64 se1v 37,100 ;「は、ははははははははは！！@　いいわよぅ、好きなだけお調べなさいよ！！@/ `"Ha, hahahahahahahahaha!!`@` Fine, search as much as you want!! `@/ mld r,$EV2_niramuA3,80 ;　何もわかるわけがない！@　さっきも赤で言ったわよ。@/ `There's no way you'll learn anything!`@` I just said it in red a short while ago. `@/ se2 59 ;#ff0000霧江は何も書き残してはいない#ffffff！@　何を見つけたところで、何もわかるものか！！」\ ;＜魔女 `#ff0000Kyrie did not leave anything written down#ffffff!`@` No matter what you find, how could you understand anything!!"`\ mcl l,24 mld l,$BEA_komaruA4,63 ;「………何も見付からないかもしれない…。@/ `".........We may find nothing...`@/ mld l,$BEA_KomaruA3,80 ;……でも、……戦人は歯を食いしばって、そなたを打ち破る一手を思いつこうと戦っておる。@………妾に出来ることは、こんな程度しかない……。」\ `......But, ......Battler is grinding his teeth, fighting to think of a move to break through you.`@` .........This is all that I can do......"`\ mcl l,0 se3 52 ld l,$BEA_KomaruA3,99,3000,"breakup.dll/urb" mend ;　ベアトは再構築されたホールに降り立ち、@倒れている霧江の遺体に近付き、うろうろと観察する。\ `Beatrice landed on her feet in the reconstructed hall,`@` approached Kyrie's corpse, and wandered around observing.`\ bg Mhal_2aR,23 ld r,$BEA_komaruA4,64 ;「ニ、ニンゲン側の戦い方は今ひとつ勝手がわからぬ…。@………確か、物証が必要だったか…。@……なれば、何を探せばいいのか。」\ ;＜ベアト `"R, right now, I don't know a single winning move using the human side's style of fighting...`@`.........Evidence was required, right...?`@` ......Then what should I search for?"`\ mld l,$EV2_AkuwaraiA7,0 msp msp_l,0,0,-100 se1 52 print 80 ;「大ベアトリーチェ卿ともあろうお方が、床に膝を付けて、這い回って！@　みっともなく死体漁りとはねぇ？@/ `"Someone who was also the great Lady Beatrice is getting down on her knees and crawling around!`@` And she's even indecently searching a corpse? `@/ se2v 37,100 ;　くっくくくくくお似合いな姿だこと…！！」\ ;＜魔女 `*cackle*cackle*cackle*, that look suits you...!!"`\ ld r,$BEA_KomaruA3,80 ;「…何とでも言うが良い…。@……妾にはこれくらいしか出来ぬ…。@……何を蔑まれようと構わぬ…。@/ `"...Say whatever you wish...`@`......I cannot do any more than this...`@`......I do not care how I am despised...`@/ ld r,$BEA_AseruA1,80 ;………だが、妾の名誉のために戦うと言った戦人を、妾は捨て置けぬ…。@……地を這い、死肉を漁ることになろうとも、@……その義理に応えねばならぬのだ…。」\ `.........However, I cannot throw Battler away, as he is fighting for my honor...`@`......Even if I must crawl on the ground and search through dead flesh, `@`......I must answer to that responsibility..."`\ csp -1 bg black,25 me1v 5,80 bg blood_1a,22 ;　ベアトは魔女の嘲笑を浴びながら、霧江の屍を漁る。@ ;　……ポケットを漁り、中の物を取り出して床に並べていく…。@ `While Beato was bathed in the witch's sneers, she searched through Kyrie's corpse.`@ `......She fished through the pockets, taking what was inside out and laying it on the floor...`@ br ;　床に並んだのは、@……ハンカチ。@化粧紙。@自宅の鍵。@航空券の半券。@ライター。@煙草の吸殻。@百円玉が１枚…。\ `Laid on the floor,`@` ......was a handkerchief,`@` tissue,`@` a key to her house,`@` the stub of a boat ticket,`@` a lighter,`@` a cigarette butt,`@` and a single hundred yen coin...`\ ;　特別、不審なものはない…。@ ;　ベアトが四つん這いになって、嘲笑われながら見つけたものはそれで全てだった。\ `There was no special, suspicious object...`@ `Although Beato was down on all fours and being sneered at, that was all she could find.`\ bg black,2 fede 1,3000 bg Mhal_2cR,2 mld r,$EV2_AkuwaraiA4,0 msp msp_r,0,0,-100 print 24 se1v 37,100 ;「あっはははははははははははは！！@　なぁにその貧相なガラクタはぁ？！@　それでどうやって私の魔法を打ち破るって言うの？！@/ `"Ahhahahahahahahahahahahaha!!`@` What's with that seedy looking trash?!`@` How do you think you can break my magic with that stuff?! `@/ mld r,$EV2_AkuwaraiA7,0 msp msp_r,0,0,-100 print 80 ;　下らない下らない馬ッ鹿みたぁい！！@　勇ましいことを言って割り込んでおきながら、その体たらくは何なのぉ？！@　あぁ情けない恥ずかしい！！@　ヘソ噛んで死んじゃえばぁ？！」\ `Worthless, worthless, are you a moron?!!`@` What's with this predicament, even though you stepped between us saying something brave?!`@` Aaah, how pathetic, how embarrassing!!`@` Why don't you just give up and die?!"`\ ;　魔女はげらげらと笑い転げてベアトを詰る。@ ;　…ベアトは屈辱に耐えるように俯く。\ `The witch fell over laughing, closing in on Beato.`@ `...Beato hung her head, trying to withstand this shame.`\ csp -1 bg Mhal_2bR,23 mld l,$RON_majimeA1,0 msp msp_l,0,0,-100 print 23 ;「…お嬢様。@検証は充分ですか？」@ ;＜ロノウェ `"...Milady,`@` are you satisfied with your inspection?"`@ ld r,$BEA_aseruA1,64 ;「………う、……うむ…。@…これ以上、……何も見付からぬ…。」\ `".........H, ......hmm...`@`...I will not find any more than this..."`\ mld c,$WAL_DefA2,0 msp msp_c,0,0,-100 print 23 ;「以上の物証から、何か反論の一手は出ますか？@　出なければ、人間側、リザインせざるを得ません。」@ ;＜ワルギリ `"From this evidence, can some move be made to counter?`@` If not, then the human side must resign."`@ ld r,$BEA_gamanA3,80 ;「……………………くぅ………。」\ ;＜ベアト `".....................Kuu........."`\ mcl a,0 bg Mhal_2cR,0 mld c,$EV2_AkuwaraiA6,0 msp msp_c,0,0,-100 print 24 ;「当り前でしょ、何も反論の余地なんてないのよ！！@　私は魔女だもの。@私の魔法は打ち破れない！！@/ `"Obviously, you don't have any room to argue back!!`@` I am a witch.`@` You cannot break through my magic!! `@/ mld c,$EV2_AkuwaraiA8,0 msp msp_c,0,0,-100 print 80 ;　あんたはもはや元魔女でしかないのよ。@ベアトリーチェを名乗ることも許されなくなったただの負け犬なのよ！！@　さぁ、そのゴミやガラクタを好きに積み重ねて、私の魔法を打ち破って御覧なさい！！\ `You're no longer anything but a former witch.`@` A loser who isn't even allowed to take the name Beatrice anymore!!`@` Come on, pile up as much trash and rubbish as you like, just try to break my magic!!`\ mld c,$EV2_NiramuA3,0 msp msp_c,0,0,-100 print 80 ;　…出来ないでしょう？@　出来ないわよねぇ？@　くっひひひひひッ、それはなぜ？@　私が魔女だからよ。@…あんたは名前さえ持たない負け犬だからよ！！@/ `...You can't, right?`@` You can't, can you?`@` Kuhhihihihihi, and why's that?`@` It's because I'm a witch.`@` ...Because you're just a loser without a name!! `@/ se1v 37,100 ;　くっひっひゃっひゃっひゃっひゃっひゃッ！！！」\ ;＜魔女 `Kuhhihhyahhyahhyahhyahhyah!!!"`\ csp -1 bg black,22 fede 0,2000 wait 1000 csp -1 bg Mhal_2br,0 ld l,$BEA_KomaruA1,23 bgm1v 79,90 ;「………何か、…………何かあるはずなのだ……。@/ `".........Something, ............something should be here......`@/ ld l,$BEA_GamanA4,80 ;………挫けぬ…。@……挫けぬぞ……。@どれほど嘲笑われようとも……、妾の名誉のために戦う戦人の、@……戦人の名誉のために、…挫けるものか………。」\ `.........I won't lose heart...`@`......I will not lose heart......`@` No matter how much I am sneered at......, Battler is fighting for my honor, `@`......so for the sake of his honor, ...I must not lose heart........."`\ bg blood_1b,26 ;　ベアトは浴びせ掛けられる屈辱の言葉に、涙を堪えながら、@他にも何か霧江が持っていないか、……戦人の窮地が救える何かが見付からないか、@……懸命に探す。@ `As Beato held back tears at the words of humiliation she was being showered with,`@` she tried to find if Kyrie was holding something else, ......to find something that could save Battler from his plight, `@`......searching earnestly.`@ br ;　…しかし、もう何も出てこない……。\ `...However, nothing more came up......`\ ;ld c,$BEA_HanbesoA1,80 ;「……………くそぉ……。@……頼む、……右代宮霧江……。@そなたの息子の窮地を、そなたが救わぬわけがない……。@………頼む、……死してなお、あやつのために力を貸してくれ……。」\ `"............Damn it......`@`......Please, ......Ushiromiya Kyrie......`@` You must save your son from his plight...... `@`.........Please, ....after death, lend me power for his sake......"`\ bg black,22 ;　だが、霧江の遺体がそれに応えることはない。@ ;　……死体が黙して語らぬのは当り前。@ `However, Kyrie's body did not answer.`@ `......It was only natural that a corpse would remain silent.`@ br ;　無限の魔法を失ったベアトに答える死者など存在したりはしないのだ…。\ `No dead person existed that would answer Beato, who had lost the Endless Magic...`\ bg Mhal_2aR,0 mld r,$EV2_AkuwaraiA2,0 msp msp_r,0,0,-100 print 26 ;「無駄よ、無駄無駄あぁ〜。@　死者を弄べるのは魔女だけの特権よ。@魔女でもなく、そしてニンゲンですらないあんたに、力を貸してくれる者なんて、どこにも存在しないッ！！\ `"It's pointless, pointless pointle~ss.`@` Toying with the dead is a privilege only for witches.`@` For you, who is neither a witch nor even a human, no one exists who will lend a hand!!`\ mld r,$EV2_AkuwaraiA4,0 msp msp_r,0,0,-100 print 80 ;　あんたは永遠にひとりぼっち！！@　魔女にもニンゲンにも味方はなく、誰もあんたを助けてなんてくれないの！@　悔しければ泣いちゃえばぁ？！@　役に立てなくてごめんなさいって、詫びちゃえばぁ？！@/ `You will be alone for all eternity!!`@` You have no witch or human allies, and no one will save you!!`@` If that's frustrating, why don't you cry?!`@` Why don't you apologize, say 'I'm sorry I was useless'?! `@/ se1v 37,100 ;　あっはははははははははははッ！！」\ `Ahhahahahahahahahahahaha!!"`\ csp -1 bg black,22 ;「……………すまぬ、…戦人………。@…妾では、……何もそなたの力に、…なれぬ……。」\ `"............Sorry, ...Battler.........`@`...I, ......couldn't help you, ...in any way......"`\ bg Mhal_2bR,26 ld c,$BUT_nayamuA1,6 ;「…………………………。@/ `"........................`@/ ld c,$BUT_majimeA1,80 ;……いいや、充分だ。@……ありがとうベアト。@お前の努力を、俺は無駄にしない…。」\ ;＜戦人 `......No, that's enough.`@` ......Thanks, Beato.`@` I won't waste your efforts..."`\ ld r,$BEA_HanbesoA2,24 ;「な、慰めなどいらぬわ…！@　このガラクタの山で一体、何を反論できるというのか…！！@/ `"I, I don't need consoling...!`@` Just how could you argue back with this pile of rubbish...?!! `@/ ld r,$BEA_hanbesoA1,80 ;　あやつに嘲笑われてまで掻き集めたこのガラクタが、どうやって一矢報いれるというのか…！」\ `Just how could you strike back with this rubbish I scraped together until she sneered at me...?!"`\ bg black,26 bg blood_1b,22 ;　戦人は床に四つん這いになったまま、霧江の遺品の山を握り拳で叩き付けるベアトの前に、自らも屈む。@ `In front of Beato, who was still crawling on all fours and hitting the pile of objects Kyrie had left behind with her fist, Battler also crouched.`@ br ;　そして、……労うようにその肩を叩いた後、@……その手を、床に向け、煙草の吸殻を摘み、空にかざすように突き上げる。\ `And, ......after patting her on the shoulder in thanks, `@`......he moved that hand to the ground, picked up the cigarette butt, and held it up over his head.`\ bg black,22 fede 0,2000 me1v 16,50 bg Mhal_2cR,0 ld l,$BEA_hanbesoA1,26 ;「………その、ゴミが何だと言うのか…。」@ ;＜ベアト `".........What are you trying to say with that trash...?"`@ ld r,$BUT_NayamuA1,26 se1v 21,70 ;「霧江さんは煙草を吸わない。」\ ;＜戦人 `"Kyrie-san doesn't smoke."`\ ;　しかし霧江はライターまでも持っている。@ `But Kyrie was also holding a lighter.`@ br ;　確かに煙草の箱自体を持ってはいないが、@それはとても自然で、一見すれば霧江に喫煙の習慣があるように見える…。\ `Certainly, she wasn't holding a box of cigarettes itself, `@`but at a glance, it naturally looked as though Kyrie had a smoking habit...`\ ld r,$BUT_MajimeA1,80 ;「…親父は吸ったが、霧江さんは吸わなかった。@…でも、親父の煙草に火をつけるために、ライターだけは持ち歩いてたんだ。」\ `"...Dad smoked, but Kyrie didn't.`@` ...But she did walk around with just a lighter to light Dad's cigarettes."`\ bg Mhal_2bR,0 mld c,$EV2_akuwaraiA2,0 msp msp_c,0,0,-100 print 23 ;「はッ！@　だから何だと言うのぉ？@　夫が煙草を吸うんなら、たとえ吸わなくても妻が煙草を持ってたとしても不思議はないわぁ。@/ `"Ha!`@` So what?`@` If the husband smoked, then even if the wife didn't, it isn't strange for her to be holding a cigarette. `@/ mld c,$EV2_TokuiA1,0 msp msp_c,0,0,-100 print 80 ;あるいは、喫煙マナーの悪い夫の捨てた吸殻を拾っただけかもねぇ？@　それが何だって言うの？@　私の魔法とどう関係があるっていうの？@　何もありゃしないッ！！！」\ `Maybe she just picked up the cigarette butt of her husband who had bad smoking manners?`@` What are you trying to say?`@` What does this have to do with my magic?`@` Nothing at all!!!"`\ me2v 5,50 csp -1 bg Mhal_2aR,0 ld l,$BUT_niramuA1,23 ;「さらに言おう。@…こいつは、親父の吸ってる煙草の銘柄と異なる。@……すまないがベアト。@親父の遺体の懐を見てくれるか。」\ `"I'll say more.`@` ...This is a different brand of cigarette than Dad smokes.`@` ......Sorry, Beato.`@` Could you look in the pockets of Dad's corpse too?"`\ ld r,$BEA_komaruA4,24 ;「………………う、…うむ。@……これか…？」\ `"............H, ...hmm.`@` ......This...?"`\ se1 56 mset mld l,$WAL_MajimeA1,23 ;「……銘柄を確認。@吸殻と銘柄が異なります。@…霧江が持っていた吸殻は、留弗夫の吸う煙草の銘柄ではありません。」\ ;＜ワルギリ `"......Checking the brand.`@` The brand is different from the cigarette butt.`@` ...The cigarette butt Kyrie is holding is not of the same brand of the cigarettes that Rudolf smokes."`\ mld r,$EV2_akuwaraiA3,64 ;「だからどうしたというの？@　霧江は綺麗好きのいい子だから、落ちてる吸殻を許せず拾っただけかもしれないじゃないぃ？@　私は嫌だけど！！」\ `"And so what?`@` Maybe Kyrie is just a good girl who likes things to be clean, so she couldn't leave a fallen cigarette butt alone and picked it up?`@` I wouldn't though!!"`\ mcl l,24 mld l,$BUT_komaruA2,23 ;「……ベアト、すまんがもう一人頼む。@…秀吉伯父さんの懐だ。@………親族で煙草を吸うのは親父と秀吉伯父さんだけなんだ。」\ `"......Beato, sorry, but one more time please.`@` ...Hideyoshi oji-san's pockets.`@` .........In this family, only Dad and Hideyoshi smoke cigarettes."`\ mendef 0 bg Mhal_2cR,24 ld c,$BEA_IiwakeA3,26 ;「あ、……あったぞ…！@　これか……？」@ `"I, ......it's here...!`@` Is this it......?`@ br ;　ベアトが秀吉の懐より煙草の箱を見つけ、その中身の一本を抜いて差し出す。\ `Beato found a cigarette box in Hideyoshi's pocket, took a single one out, and held it out.`\ mld r,$WAL_DefA2,0 se1 56 mset ;「……銘柄を確認。@吸殻は秀吉の吸う煙草の銘柄と認めます。」\ ;＜ワルギリ `"......Checking the brand.`@` We acknowledge that the cigarette butt is of the same brand that Hideyoshi smokes."`\ mld l,$EV2_OdorokiA2,63 ;「だッ、だから何だと言うの！！@　秀吉の吸殻が霧江のポケットから見付かると、私の魔法がどう破られるっていうのよぉおおおおおぉお！！」\ `"A, and so what?!!`@` How can you break my magic because you found Hideyoshi's cigarette butt in Kyrie's pocket?!!"`\ csp -1 bg G1F_S1aP,23 ld r,$BUT_nayamuA1,24 ;「……………そうさ。@この吸殻が霧江さんのメッセージだ。@いや、……この吸殻こそが、霧江さんがゲストハウスを離れた理由なんだ。@/ `"............That's right.`@` This cigarette butt is a message from Kyrie-san.`@` No, ......this cigarette butt itself is the reason that Kyrie-san left the guesthouse. `@/ ld r,$BUT_majimeA1,80 ;ベアト、ありがとう。@……お前がこいつを見つけてくれなかったら、俺はここで屈していた。\ `Beato, thank you.`@` ......If you hadn't found this, I would have given up here.`\ textoff fedexx 0,100,100,0,0,0,4000 wait 1000 E_A cl r,0 ld c,$BUT_MajimeA4,24 bgm1v 69,90 se1v 2,100 ;　…………ワルギリア！！@　状況を再構築！@　第二の晩、楼座叔母さんたちが殺されたことが発覚した後のゲストハウスだ！！」\ `............Virgilia!!`@` Reconstruct the situation!`@` The guesthouse after it came to light that Rosa oba-san and Maria had been killed at the second twilight!!"`\ bg G1F_S1bP,24 mld l,$WAL_DefA2,23 ;「了解。@/ `"Understood. `@/ se1 56 msetef 0,30 bg Glob_1c,22 ;再構築します。@……楼座、真里亞の死亡後、残った生存者はゲストハウス内全ての戸締りを再確認。@バリケードを構築。@篭城の結束を再確認。」\ ;＜ワルギリ `I will reconstruct it.`@` ......After Rosa and Maria's deaths, the remaining survivors rechecked all of the doors and windows in the mansion.`@` They constructed a barricade.`@` They rechecked that their defenses were solid."`\ mld r,$EV2_ikariA2,24 ;「何も不審なところなんかないじゃなぁい。@何が言いたいの。@第四の晩以降の話をしているのに、何で第二の晩の直後を蒸し返すのよ…！」\ ;＜魔女 `"There's nothing suspicious about that at all.`@` What are you trying to say?`@` Why are you bringing back the second twilight when we're talking about the fourth twilight and after...?!"`\ mcl l,24 mld l,$BUT_majimeA4,23 ;「親父は携帯吸殻入れを持ち歩いてる。/ `"Dad carried a portable cigarette butt holder with him. `/ se1v 2,100 ;@霧江さんが、わざわざ自分のポケットに吸殻を入れる理由が、ようやく見えてきた。\ @`I can finally see why Kyrie-san went to all the trouble of putting a cigarette butt in her own pocket.`\ mld l,$BUT_futekiA2,80 ;　…………その吸殻に意味があるからさ。@その吸殻こそが、霧江さんが俺たちに残したメッセージだ…！！」\ `............It was because that cigarette butt meant something.`@` That cigarette butt was itself a message left by Kyrie-san for us...!!"`\ mld r,$EV2_odorokiA2,80 ;「き、聞こうじゃない！！@　その吸殻１本で！@　どうやって私を否定してみせるというの！！」\ `"I, I'll ask you this!!`@` How do you plan to deny me with that single cigarette butt?!!"`\ me1v 5,70 mld l,$BUT_futekiB3,80 ;「……聞いての通りだ。@第二の晩以降、ゲストハウスでは全ての部屋の点検が行なわれた。@………この時、霧江さんは、あってはいけない場所に、あってはいけないものを見つけたんだ。」\ `"......As I've heard,`@` after the second twilight, an inspection was done for all the rooms in the guesthouse.`@` .........At that time, Kyrie-san found something that shouldn't exist, in a place where it shouldn't be."`\ csp -1 bg G1F_S1aP,0 ld r,$BEA_OdorokiA2,24 ;「あ、……あってはいけないもの…？@　……とは、何なのか。」\ ;＜ベアト `"S, ......something that shouldn't exist...?`@` ......What do you mean by that?"`\ ld l,$BUT_futekiA3,23 ;「こいつさ。@この吸殻さ。/ `"It's this.`@` This cigarette butt. `/ se1v 2,100 ;@こいつが、秀吉伯父さんのいた客室の灰皿に置かれていたんだ。」\ @`This had been set in the ashtray of the guest room where Hideyoshi oji-san had been."`\ cl r,23 ld r,$EV2_ikariA2,64 ;「はぁッ？！？！@　灰皿に吸殻があって、どうおかしいってのよぅ！！@　おかしいのはあんたの頭の方じゃないのぅ？！」\ `"Whaah?!?!`@` What's wrong with there being a cigarette butt in an ashtray?!!`@` Are you sure there isn't something wrong with your head?!"`\ se1v 2,100 mbg white,1 mcbg 0 cl r,0 ld l,$BUT_OdorokiB1,22 ;!s0「絵羽伯母さんは大の煙草嫌いだッ！！/ ;!sd@　その伯母さんが体調を崩して寝込んでるのに、吸殻があるわけがないんだッ！！！\ !s0`"Eva oba-san hated smoking!! `/ !sd@`There's no way that there would be a cigarette butt there when Oba-san was sick and sleeping!!!`\ ld l,$BUT_FutekiB3,80 ;　しかし、灰皿には吸殻があった。@それを見た霧江さんはすぐに気付いたんだ。@……秀吉伯父さんは嘘をついている。@本当は絵羽伯母さんは寝込んでなんかいなかった、@…部屋を抜け出していたんだと気付いたんだッ！！\ `However, there was a cigarette butt in the ashtray.`@` When she saw that, Kyrie-san noticed immediately.`@` ......Hideyoshi oji-san was lying.`@` She noticed that Eva oba-san hadn't really been sleeping,`@` ...and that she had snuck out of the room!!`\ ld l,$BUT_OdorokiB1,80 ;　復唱要求ッ！！/ `Repeat it!! `/ se1v 2,100 ;@　“この吸殻は絵羽伯母さんたちが休んだ部屋の灰皿で揉み消された！”」\ @`'This cigarette butt was crushed up in the ashtray of the room where Eva oba-san and Hideyoshi oji-san were resting!'"`\ ld r,$EV2_fukigenA3,80 ;「………きょ、……拒否するわ…！」\ `".........I, ......I refuse...!"`\ ld l,$BUT_majimeA4,80 ;「ようやく掴んだぜ………。@ありがとうよ、ベアト。」\ `"I've finally got it.........`@` Thank you, Beato."`\ bg G1F_S1bP,24 ld c,$BEA_iiwakeA3,23 ;!s0「わ、/ ;!d400……妾は、/ ;!d500……役に、/ ;!d600…立てたのか…？」/ !s0`"W, `/ !d400`......was I, `/ !d500`......of some, `/ !d600`...use...?"`/ !sd@ ld r,$BUT_majimeA2,80 ;「ああ、そうさッ！！@/ `"Yeah, you were!! `@/ ld r,$BUT_FutekiA2,80 ;　剥ぐぞッ、俺たちで似非魔女のバケの皮を剥いでやるッ！！！」\ `Peel it, we'll peel the mask off of the fake witch!!!"`\ bg black,25 mono 1 bg G1F_R2cR,0 ld l,$KIR_majimeA2,2 ;　霧江はその吸殻から、秀吉が絵羽の偽のアリバイを作っていることに気付いた。@ `From that cigarette butt, Kyrie realized that Hideyoshi was creating an alibi for Eva's sake.`@ br ;　秀吉はアリバイ作りを頼まれて留守番をし、@…その間、その緊張感に耐えかねて、煙草を吸ったのだ。\ `Hideyoshi had been tasked with watching over the room to create an alibi,`@` ...and during that time, he had been unable to withstand the tension and had smoked.`\ textoff bg black,24 bg G1F_P1aR,0 ld l,$RUD_DefA1G,24 wait 500 ld r,$KIR_MajimeA1,24 wait 500 ld l,$RUD_OdorokiA1G,80 ;　そして霧江はそれを留弗夫に打ち明けた。@ ;　絵羽が犯人で、秀吉がその片棒を担いでる可能性が高いと打ち明けた。\ `Then Kyrie had confessed that to Rudolf.`@ `She had confessed that there was a good chance that Eva was the culprit, and Hideyoshi was an accomplice.`\ bg black,25 mono off bg G1F_S1cP,0 ld c,$BUT_NayamuA3,22 ;「………そして霧江さんは、食料を取りに行こうと提案する。@/ `".........Next, Kyrie-san proposed that they go to get food. `@/ ld c,$BUT_OdorokiA1,80 ;そして秀吉伯父さんにその手助けを頼むッ！！@　これが意味するところはただひとつだ。\ `And then she asked Hideyoshi oji-san to lend a hand!!`@` This could only mean one thing.`\ se1v 2,100 mbg white,1 mcbg 0 ld c,$BUT_majimeB4,80 ;　霧江さんは、秀吉伯父さんを隔離して、真相を問い詰めるつもりだったんだッ！！」\ `Kyrie-san planned to isolate Hideyoshi oji-san and question him about the truth!!"`\ bg G1F_S1aP,0 ld l,$RON_waraiA2,63 ;「“ヘンペルのカラス”、有効です。@魔女側は、この一手を迎え撃てない限り、霧江を操ったと称する魔法の存在が否定されます。」\ ;＜ロノウェ `"'Hempel's Raven' is effective.`@` Unless the witch side assaults this move, the existence of the magic which claims to have controlled Kyrie is denied."`\ ld r,$EV2_OdorokiA2,64 ;「なッ、何ですってぇえええぇええぇ？！？！/ `"Wh, what did you saaaaaaaaaaaayy?!?! `/ quakey 3,300 @/ ld r,$EV2_FukigenA3,80 ;　ひ、否定するわよ、とにかく否定するわよ…！！@　私じゃないわ、ううぅん！@　右代宮絵羽じゃないわ、絵羽は部屋で寝てたのよぅッ！！！」\ `I, I deny it, anyways, I deny it...!!`@` It wasn't me, noooo!`@` It wasn't Ushiromiya Eva, Eva was sleeping in the room!!!"`\ bg G1F_S1bP,0 ld l,$BUT_FutekiA3,64 ;「ならば言ってみろ。@あぁ言えやしないさ！@　今度だって言えやしないさッ！！@/ `"Then try saying it.`@` Yeah, you can't say it!`@` This time, you can't say it!! `@/ se1v 2,100 bg white,1 bg G1F_S1bP,0 ld l,$BUT_MajimeB4,80 ;!s0　復唱要求ッ！！@　“右代宮絵羽は、その時、部屋から一歩も出ていない”！！」/ !s0`Repeat it!!`@` 'At that time, Ushiromiya Eva did not take a step outside the room'!!"`/ !sd se1v 64,100 se2v 27,100 se3v 2,100 quakex 5,500 \ ld r,$EV2_OdorokiA2,64 ;!s0「何なのよこれぇえぇ？！/ !s0`"What the hell is thaaaaaaaat?! `/ !sd se1 11 quakey 2,300 se1 11 quakey 2,300 ;@　攻めていたのは私でしょう？！@　何で私が攻められる側になってるの？！@　いつの間に攻守が逆転してるのよ？！@/ @`I'm the one who was attacking, right?!`@` Why did I get on the side that's being attacked?!`@` When did offense and defense get reversed?! `@/ ld r,$EV2_FukigenA3,80 ;　問い詰めてるのは私なのよッ？！@　この魔女である私が、なぜにぃいいいいぃッ！！！」\ `I'm the one questioning you, right?!`@` The witch, me, whyyyyyyyyyy!!!"`\ ld l,$BUT_futekiA2,80 ;「繰り返すッ！！！！@　復唱要求ッ！！@/ `"Again!!!!`@` Repeat it!! `@/ ld l,$BUT_OdorokiB1,80 ;　“右代宮絵羽は、部屋を出ていない”！！@/ ;!s0　言えるわけがねぇんだ、/ ;!d800チェックメイトだああああぁあああぁあッ！！」/ `'Ushiromiya Eva did not leave the room'!! `@/ !s0`There's no way you can say it, `/ !d800`it's checkmaaaaaaaaaaaaaaaaate!!"`/ !sd se1v 2,100 se2v 64,100 se3v 36,100 cl r,1 quakey 6,800 \ bg black,23 bg G1F_S1aP,0 ld c,$RON_AkuwaraiA1,23 ;「魔女側、受け手、ありませんか？」@ ;＜ロノウェ `"Does the witch side have a move in response?"`@ ld r,$WAL_IkariA2,64 ;「……あるわけがない。@虚実にて着飾った偽の魔女に、受けられる真実など、ありはしない。」\ ;＜ワルギリ `"......There cannot be one.`@` There is no truth that can be accepted from a false witch dressed up with truths and falsehoods."`\ bg G1F_S1cP,64 ld l,$BUT_MajimeA4,63 ;!s0「本当の魔女を、貴様に名乗る資格はないッ！！/ !s0`"You aren't qualified to call yourself a real witch!! `/ se1v 2,100 se2v 57,100 quakex 5,700 ;@　貴様は黄金の魔女じゃない！/ @`You aren't the Golden Witch! `/ se1v 2,100 se2v 36,100 quakey 5,800 ;@　貴様は人間！/ @`You are a human! `/ ;se1v 2,100 ;se2v 2,100 ;se3v 46,100 ;quakey 6,900 @/ ld l,$BUT_OdorokiB1,80 ;　右代宮絵羽だぁああああああぁあああ！！」/ `Ushiromiya Evaaaaaaaaaaaaaaa!!"`/ !sd\ se1v 2,100 se2v 27,100 se3v 36,100 bg white,1 quakey 8,1200 bg black,1 wait 2000 bg G1F_S1cP,0 ld c,$EV2_FukigenA3,22 ;!s0「ううおおおおおおおおおおおおぉおおおおぉおおぉぉぉぉ！！」/ !s0`"Oooooooooooooooooooooooooooooohhhhhhhh!!"`/ se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_odorokiA2,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EVA_ikariA2,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_FukigenA3,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EVA_odorokiA2,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_FukigenA3,80 !sd@ br ;　魔女は咆哮する。@ ;　己の魔術と存在を否定する凄まじき熱量に全身を焼かれ、竜の如き咆哮で吼え猛った…。\ `The witch howled.`@ `Her entire body was burned with the tremendous heat that denied her own magic and existence, and she let out a howl like a dragon...`\ textoff se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_ikariA2,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EVA_IkariA2,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_odorokiA2,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_fukigenA3,80 ;　その体は明滅を繰り返し、@時折、絵羽の姿と魔女の姿を重なるようにちらつかせた。@ `Her body flickered repeatedly, `@`flashing as though Eva's figure and the witch's figure overlapped.`@ textoff se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_odorokiA2,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EVA_odorokiA1,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EV2_FukigenA3,80 se1v 57,100 bg white,1 bg G1F_S1cP,0 ld c,$EVA_odorokiA2,80 se2v 22,100 se3v 21,90 bg white,48 bg portrait4,2 wait 2000 mbg white,1 mcbg 80 wait 500 mbg white,1 mcbg 80 wait 500 se1v 1100,100 se2v 1100,100 se3v 57,100 bg white,1 ;wait 2000 ;se3v 52,100 bg Different_space_1a,0 ;ld c,$EV2_IkariA2,99,4000,"breakup.dll/llb" ld c,$EV2_fukigenA3,42 br ;　しかし、咆哮はその明滅を飲み込み、…再び元の、残酷なる魔女の姿を取り戻させる。\ `However, that yell was sucked into the flicker, ...making it return to the original form of the cruel witch.`\ me5v 16,0 fedexx 0,0,0,0,0,50,5000 wait 2000 ld c,$EV2_AkuwaraiA8,80 se1v 37,100 ;「……くっくくくく、…くっひっはっははははは…。@…いいわぁ。@…私のことを、右代宮絵羽と呼びたければ呼べばいいのよぅ…。\ `"......*cackle*cackle*cackle*, ...kuhhihhahhahahahaha...`@`...Alright.`@` ...If you want to call me Ushiromiya Eva, then you can do that...`\ ld c,$EV2_AkuwaraiA2,80 ;　……そうよ、確かに私は右代宮絵羽が犯人であることに対する指し手の全てを、撃退することができない。@……私は黄金の魔女を引き摺り下ろされ、@…今や、右代宮絵羽と呼ばれているかもしれない…。\ `......That's right, I really can't repulse all moves related to Ushiromiya Eva being the culprit.`@` ......I may have been dragged down from the position of Golden Witch, `@`...and maybe I can now be called Ushiromiya Eva...`\ ld c,$EV2_NiramuA3,80 ;　……でもね、だからって魔法と魔女の存在が否定されたわけじゃない！！@　…私が今から教えてやるわ…。@私が右代宮絵羽などではなく、ニンゲンなどではなく、@/ `......But you know what?`@` That by itself doesn't mean that witches and magic are denied!!`@` ...I'll teach you starting now...`@` I'll teach you that I am not Ushiromiya Eva, nor a human, `@/ ld c,$EV2_akuwaraiA7,80 ;……本当の魔女であることを、今から教えてやるわ…！！！/ `......but a real witch...!!! `/ se1v 2,100 ;@　見なさい、この赤き事実を！！」\ @`Look and see this red truth!!"`\ se1v 59,100 bg M1F_S1aN,0 msetef 0,0 print 30 ;　魔女が手を打つと、ゲーム盤の世界の時が進行する。\ `When the witch clapped her hands, time advanced in the world of the game board.`\ mend me1v 12,0 me2v 5,0 fedexx 0,50,50,0,0,0,3000 ;　朱志香の名前を呼びながら、戦人と絵羽が客間の前に駆けてくる。@ `As they called Jessica's name, Battler and Eva ran to the front of the parlor.`@ br ;　…彼らは使用人室へ行き、南條の死体を見つけたため、姿の見えなくなった朱志香を探していたのだ。\ `...They were searching for Jessica because they had gone to the servant room, found Nanjo's corpse, and didn't know where Jessica was.`\ bg black,23 bg Different_space_1b,0 ld r,$BUT_majimeA3,23 ;「………それが、どうしたってんだ。@……何が言いたい。」@ ;＜戦人 `".........So, what's your point?`@` ......What are you trying to say?"`@ ld l,$BEA_komaruA3,23 ;「ま、………まさか…。@……まずい……。」\ ;＜ベアト `"Y, .........you couldn't be...`@`......Oh no......"`\ ;　ベアトが青ざめる。@ ;　…邪悪なる魔女が打とうとしている一手が、ベアトをして青ざめるほどのものであることを物語る…。\ `Beato went pale.`@ `...That made it clear that the move the evil witch was trying to make was bad enough to make Beato go pale...`\ bg black,24 me3v 17,70 bg Different_space_1a,0 ld c,$EV2_akuwaraiA1,24 ;「今度こそ。@……言い逃れの出来ぬ、致命的な一手をあなたに。@…いえ、あなたを応援する全てのニンゲンどもにくれてやるわ。@心して聞きなさい、私の一手を。」\ `"This time, `@`......I'll give you a fatal move that you won't be able to talk yourself out of.`@` ...No, I'll make this move against all humans who support you.`@` Listen carefully to my move."`\ ld r,$BEA_KomaruA1,24 ;「や、……やめよ…、その一手は………！」@ ;＜ベアト `"S, ......stop it..., that move is.........!"`@ bg Different_space_1b,0 ld l,$BUT_odorokiA1,24 ;「ベアト、下がれ…！！@　俺は受けるぞ！@　来い、似非魔女めッ！！」\ `"Beato, stay back...!!`@` I'll take it!`@` Come on, you fake witch!!"`\ bg black,23 fede 0,2000 wait 1000 bgm1v 72,80 bg Different_space_1a,22 se1 52 ld c,$EV2_NiramuA1,99,2000,"breakup.dll/llp" se2 59 ;「#ff0000朱志香負傷後。@絵羽は常に戦人の監視下にあった。@戦人は犯人でもなく共犯者でもない。@よって、絵羽の完全なアリバイを証明できる#ffffff。」@ `"#ff0000After Jessica was injured, `@`Eva was always under Battler's supervision.`@` Battler is neither the culprit nor an accomplice.`@` By this, we can establish a perfect alibi for Eva#ffffff."`@ bg black,22 ;「な、……何ぃ……………。」\ `"Wh, ......whaat............?"`\ bg Different_space_1a,0 ld c,$EV2_AkuwaraiA1,22 ;「あんたを。@ニンゲンを。@……絶対に逃れられぬ赤き結界にて封じて殺す。@さらばだニンゲンどもよ。@出口なき絶対の魔法密室にて、永遠に眠るがいいわ。@……さぁ、心して聞きなさい。@赤き真実を。」\ `"I'll seal you,`@` and humans as well, `@`......in a red barrier that most certainly cannot be escaped from.`@` Farewell, lowly humans.`@` Sleep for all eternity in a absolute closed room of magic with no exits.`@` ......Come on, listen carefully.`@` Listen to the red truth."`\ se2 59 ;　#ff0000この島には１９人以上の人間はいない#ffffff。/ `#ff0000There are no more than 18 humans on this island#ffffff.`/ bg white,1 ;赤で画面が埋まっていく感じで lsp 901,":a;bmp\efe\chain1R_sp.bmp",0,0 bg black,1 se1v 2,100 quakey 3,400 @ br ;　謎の怪人物が隠れていて犯行を、等という愚かしい考えは捨てなさい。\ `Throw away your foolish thoughts of mysterious people hiding and committing crimes.`\ ;　…でも、こういう言い方をすると、動物の犯人も疑えるわね。@ ;　殺人を仕込んだオランウータンは人間にはカウントされてないなんて屁理屈を言われちゃ敵わない。@ `...But if I say it this way, you could also suspect animal culprits.`@ `It would be unbearable to hear an irrational theory about how an orangutan trained to commit murder wouldn't count as a human.`@ br ;　なら、こう言い換えるわ。\ `So, I'll change it like this.`\ se2 59 ;　#ff0000人間以外の生命は一切、このゲームに関係がない#ffffff。/ `#ff0000No life forms other than humans have any connection to this game#ffffff.`/ vsp 901,0 bg white,1 vsp 901,1 ;赤で画面が埋まっていく感じで lsp 902,":a;bmp\efe\chain2R_sp.bmp",0,0 bg black,1 se1v 2,100 quakey 3,400 @ br ;　というわけで。@次に、この島に存在する１８人の状況を全て説明するわ。\ `That's how it is.`@` Next, I'll explain the situation for all 18 people who exist on this island.`\ vsp 901,0 vsp 902,0 bg white,1 vsp 901,1 vsp 902,1 ;赤で画面が埋まっていく感じで lsp 903,":a;bmp\efe\chain3R_sp.bmp",0,0 bg black,1 se1v 2,100 quakey 3,400 se1 59 ;　#ff0000金蔵は死亡している#ffffff。@ `#ff0000Kinzo is dead#ffffff.`@ se2 59 ;　#ff0000蔵臼は死亡している#ffffff。@ `#ff0000Krauss is dead#ffffff.`@ se3 59 ;　#ff0000夏妃は死亡している#ffffff。@ `#ff0000Natsuhi is dead#ffffff.`@ se1 59 ;　#ff0000秀吉は死亡している#ffffff。@ `#ff0000Hideyoshi is dead#ffffff.`@ se2 59 ;　#ff0000譲治は死亡している#ffffff。@ `#ff0000George is dead#ffffff.`@ se3 59 ;　#ff0000留弗夫は死亡している#ffffff。@ `#ff0000Rudolf is dead#ffffff.`@ se1 59 ;　#ff0000霧江は死亡している#ffffff。@ `#ff0000Kyrie is dead#ffffff.`@ se2 59 ;　#ff0000楼座は死亡している#ffffff。@ `#ff0000Rosa is dead#ffffff.`@ se3 59 ;　#ff0000真里亞は死亡している#ffffff。@ `#ff0000Maria is dead#ffffff.`@ se1 59 ;　#ff0000源次は死亡している#ffffff。@ `#ff0000Genji is dead#ffffff.`@ se2 59 ;　#ff0000紗音は死亡している#ffffff。@ `#ff0000Shannon is dead#ffffff.`@ se3 59 ;　#ff0000嘉音は死亡している#ffffff。@ `#ff0000Kanon is dead#ffffff.`@ se1 59 ;　#ff0000郷田は死亡している#ffffff。@ `#ff0000Gohda is dead#ffffff.`@ se2 59 ;　#ff0000熊沢は死亡している#ffffff。@ `#ff0000Kumasawa is dead#ffffff.`@ se3 59 ;　#ff0000南條は死亡している#ffffff。@ `#ff0000Nanjo is dead#ffffff.`@ se1 59 ;　#ff0000以上、１５人は死亡#ffffff。\ `#ff0000The 15 people mentioned are dead#ffffff.`\ ;　そして。@ `And.`@ br vsp 901,0 vsp 902,0 vsp 903,0 bg white,1 vsp 901,1 vsp 902,1 vsp 903,1 ;赤で画面が埋まっていく感じで lsp 904,":a;bmp\efe\chain4R_sp.bmp",0,0 bg black,1 se1v 2,100 quakey 3,400 se2 59 ;　#ff0000戦人は生存している#ffffff。@ `#ff0000Battler is alive#ffffff.`@ se3 59 ;　#ff0000絵羽は生存している#ffffff。@ `#ff0000Eva is alive#ffffff.`@ se1 59 ;　#ff0000朱志香は生存している#ffffff。@ `#ff0000Jessica is alive#ffffff.`@ br ;　これで１８人全員！\ `This is all 18 people!`\ me1v 16,70 csp -1 bg Different_space_1c,2 ld c,$EV2_AkuwaraiA7,26 ;「よって、最後の犠牲者である南條の死亡時、@戦人と絵羽と朱志香の３人だけが生きていたことはわかるわよね？」\ ;＜魔女 `"So you understand that accordingly, when the last victim, Nanjo, died, `@`only three people, Battler, Eva, and Jessica, were alive, right?"`\ bg Different_space_1b,0 ld l,$BUT_OdorokiA2,23 ;「………な、……何だと…。@……き、……貴様、…まさか…………。」\ ;＜戦人 `".........Wh, ......what did you say...?`@` ......Y, ......you bitch, ...you couldn't mean............"`\ bg black,22 bg Different_space_1c,0 ld c,$EV2_AkuwaraiA8,80 bg white,1 ;赤で画面が埋まっていく感じで lsp 901,":a;bmp\efe\chain7R_sp.bmp",0,0 bg Different_space_1c,0 ld c,$EV2_AkuwaraiA8,80 se1v 2,100 quakey 3,400 se2 59 ;「#ff0000絵羽はあなたとずっと一緒にいたわ。@/ `"#ff0000Eva was with you the whole time. `@/ se3 59 ;だから犯行は不可能。@/ `So committing a crime was impossible for her. `@/ se1 59 ;もちろん戦人くんは犯人じゃないわ。@/ `Of course, Battler-kun isn't the culprit. `@/ se2 59 ;アリバイ偽装なんてしてないし、彼女が犯人の可能性も考慮していたから、その行動は用心深く見張ってた。@/ `He wasn't forging an alibi for her, and he took the possibility that she was the culprit into account, watching over her actions carefully. `@/ se3 59 ;彼女には、不審なことをできるあらゆる可能性が存在しなかった！@/ `No chance existed for her to do anything suspicious! `@/ se1 59 ;　つまり、犯行時の使用人室には、南條と朱志香しかいなかったのよ#ffffff。」\ `In short, at the time of the crime, only Nanjo and Jessica were in the servant room#ffffff."`\ ld c,$EV2_akuwaraiA1,80 ;「……となると、読めてるわよ。@あなたの一手はこうよね？@/ `"......And I know what you're thinking.`@` Your next move will be this, right? `@/ ld c,$EV2_NiramuA3,80 ;　朱志香が犯人の可能性もあると！@　しかし残念ねぇ、先に赤で叩き斬ってあげるわよぅ！！」\ `There's also a chance that Jessica is the culprit!`@` But too bad, I'll slice it up in red before you try!!"`\ ld c,$EV2_AkuwaraiA4,80 vsp 901,0 bg white,1 vsp 901,1 ;赤で画面が埋まっていく感じで lsp 899,":a;bmp\efe\chain6R_sp.bmp",0,0 bg Different_space_1c,0 ld c,$EV2_AkuwaraiA4,1 se1v 2,100 quakey 3,400 se2 59 ;「#ff0000右代宮朱志香は殺人を犯していない#ffffff！@/ `"#ff0000Ushiromiya Jessica has not committed murder#ffffff! `@/ se3 59 ;　#ff0000南條殺しにかかわっていない#ffffff！！@/ `#ff0000She was not involved with Nanjo's murder#ffffff!! `@/ se1 59 ;　#ff0000彼女の目は完全に塞がれている。@/ `#ff0000Her eyes were completely blocked. `@/ se2 59 ;その彼女に殺人を行なうことは不可能よ#ffffff！@　さらにオマケしてあげるわ。@/ `It's impossible for her to carry out a murder like that#ffffff!`@` And here's an extra. `@/ se3 59 ;#ff0000絵羽と戦人も南條を殺していないし、かかわってもいない#ffffffッ！！」\ #ff0000`Neither Eva nor Battler killed Nanjo, nor were they involved#ffffff!!"`\ bg Different_space_1b,0 ld r,$BUT_OdorokiA1,64 ;「ちょ、ちょっと待ちやがれ！！@　それじゃあおかしいじゃねぇか！！@　３人しか人間がいなくて、それで殺人が起こって、……その３人がかかわってないなんて、そんなのおかしいッ！！」\ `"W, wait a second!!`@` Isn't that weird?!!`@` There are only three humans, then a murder occurs, ......and none of those three were involved?`@` That's insane!!"`\ se3 52 ld l,$EV2_NiramuA3,99,1500,"breakup.dll/lrp" vsp 901,0 vsp 899,0 bg white,1 vsp 901,1 vsp 899,1 ;赤で画面が埋まっていく感じで lsp 902,":a;bmp\efe\chain5R_sp.bmp",0,0 bg Different_space_1a,0 ld r,$BUT_OdorokiA1,0 ld l,$EV2_AkuwaraiA7,80 se1v 2,100 quakey 3,400 ;「はっきり断言してあげるわぁ。@/ `"I'll state it clearly. `@/ se2 59 ;#ff0000南條を殺した犯人は、戦人でも絵羽でも朱志香でもない#ffffff！！@　つまり、生存者の中にはいないということよね。@おわかりぃ？」\ `#ff0000The culprit who killed Nanjo was neither Battler nor Eva nor Jessica#ffffff!!`@` In other words, it wasn't one of the survivors.`@` Get iiit?"`\ ld r,$BUT_komaruA1,80 ;「いやその、………そ、そうだ！@　二重人格とかはどうだ…！@　元々お前が絵羽伯母さんのもうひとつの人格であったように、@……例えば、朱志香にもうひとつの、魔女的人格があって、@それが“朱志香以外”を名乗って南條先生を殺したとか…！！」\ `"No, umm, .........th, that's right!`@` What about multiple personalities...?!`@` Just like you were originally another personality of Eva oba-san's, `@`......let's say Jessica had another, witch-like personality,`@` which took the name of 'someone other than Jessica' and killed Doctor Nanjo...!!"`\ bg Different_space_1a,23 ;se1 52 ;ld c,$EV2_NiramuA1,99,2000,"breakup.dll/llp" ld c,$EV2_NiramuA1,23 vsp 901,0 vsp 902,0 vsp 899,0 bg white,1 vsp 901,1 vsp 902,1 vsp 899,1 ;赤で画面が埋まっていく感じで lsp 898,":a;bmp\efe\chain4R_sp.bmp",0,0 bg Different_space_1c,0 ld c,$EV2_NiramuA1,80 se1v 2,100 quakey 3,400 ;「愚かね。@すでに赤で語っているわ。@/ `"Moron.`@` I've already said it in red. `@/ se2 59 ;#ff0000朱志香の目は完全に塞がれていて、彼女に殺人は不可能#ffffff！@/ `#ff0000Jessica's eyes were completely blocked, and murder was impossible for her#ffffff! `@/ ld c,$EV2_TokuiA1,80 ;　彼女にどんな人格が憑依しようとも、彼女の肉体では殺人を行なえないの！@　それともこう言えば満足するかしら？@/ `No matter what kind of personality she was possessed by, murder could not be carried out with her body!`@` I wonder if you'll be satisfied if I say it this way? `@/ vsp 901,0 vsp 902,0 vsp 899,0 vsp 898,0 bg white,1 vsp 901,1 vsp 902,1 vsp 899,1 vsp 898,1 ;赤で画面が埋まっていく感じで lsp 897,":a;bmp\efe\chain3R_sp.bmp",0,0 bg Different_space_1a,0 ld c,$EV2_AkuwaraiA4,80 se1v 2,100 quakey 3,400 se2 59 ;　#ff0000朱志香の身体が起こした如何なる動作も、南條の殺人には関係・影響しない#ffffff！@/ `#ff0000No actions caused by Jessica's body had any relation to or influence on the murder of Nanjo#ffffff! `@/ se3 59 ;　#ff0000この適用を戦人と絵羽にも広げるわ#ffffff。@つまり、どう足掻こうが解釈しようが！@/ `#ff0000This also applies to Battler and Eva#ffffff.`@` In other words, no matter how much you try to struggle and interpret it, `@/ se1 59 ;　#ff0000朱志香と戦人と絵羽は、南條を殺した犯人ではない#ffffff！」\ `#ff0000neither Jessica nor Battler nor Eva is the culprit who killed Nanjo#ffffff!"`\ cl c,0 ld r,$EV2_AkuwaraiA4,0 ld l,$BUT_odorokiA2,23 ;「ふ、…ふざけるなッ！！！@　だって、他はもう全員、確実に死んでるじゃねぇかよ！！@　/ `"Y, ...you've got to be kidding me!!!`@` I mean, everyone else is certainly dead, right?!! `@/ ld l,$BUT_KuyasigaruA1,80 ;なら……あとは残るのは、……南條先生の自殺説だけじゃねぇか！@　あとトラップ説！@　犯人はすでに死亡しているが、過去に仕掛けておいたトラップが発動して…。」\ `Then......all that's left, ......is the 'Doctor Nanjo suicide theory', right?!`@` And the trap theory!`@` The culprit was already dead, but a trap that they had already prepared went off..."`\ ld r,$EV2_AkuwaraiA2,80 vsp 901,0 vsp 902,0 vsp 899,0 vsp 898,0 vsp 897,0 bg white,1 vsp 901,1 vsp 902,1 vsp 899,1 vsp 898,1 vsp 897,1 ;赤で画面が埋まっていく感じで lsp 903,":a;bmp\efe\chain2R_sp.bmp",0,0 bg Different_space_1a,0 ld r,$EV2_AkuwaraiA2,0 ld l,$BUT_Kuyasigarua1,80 se1v 2,100 quakey 3,400 me2v 17,70 se2 59 ;「#ff0000南條は他殺よ#ffffff。@/ `"#ff0000Nanjo was killed by another person#ffffff. `@/ se3 59 ;…#ff0000もちろん、トラップではなく、直接的な殺害方法よ#ffffff。@/ `...#ff0000Of course, it was with a direct method of murder, not a trap#ffffff. `@/ se2 59 ;#ff0000凶器を構え、それにて真正面の至近距離から殺した！@/ `#ff0000A weapon was readied, and he was killed with it from point-blank range in front of him! `@/ se3 59 ;　犯人は、南條の目の前に堂々と現れ、そして互いに顔を見合わせながら、殺害したのだ#ffffff…！！」\ `The culprit appeared openly before Nanjo's eyes, and as they both looked at each other's faces, the culprit killed him#ffffff...!!"`\ bg Different_space_1b,0 ld c,$BUT_OdorokiB1,23 ;「だから待てよッ！！/ `"But wait!! `/ quakey 3,300 ;@　生存者は３人しかいない！@　それ以外は全員死んでることはお前が赤で語ってる！@　つまり、１８人全員の生死が確定してる。@しかも１９人目は存在しないと予め赤で否定済みだ…！！」\ @`There are only three survivors!`@` You said in red that everyone else is dead!`@` You basically confirmed the life or death status of all 18 people.`@` Furthermore, the existence of a 19th person has already been denied in red...!!"`\ ld c,$BUT_KuyasigaruB1,80 ;「つまり、生存者３人以外には存在できないッ！！@　なのに、その３人以外の４人目が、南條先生の前に現れてる！！@　１９人目は存在しないのに、どうして俺たち以外の人間が現れて、南條先生を殺害できるんだッ？！？！@　おかしい！！@　お前は嘘をついている！！@　赤字で嘘をついているッ！！！」\ `"In other words, no one can exist except the three survivors!!`@` And yet, a fourth person other than those three appeared before Doctor Nanjo!!`@` Why could a person other than us appear and murder Doctor Nanjo when no 19th person exists?!?!`@` Insane!!`@` You're lying!!`@` You're lying with the red letters!!!"`\ bg Different_space_1a,0 ld r,$EV2_AkuwaraiA4,64 vsp 901,0 vsp 902,0 vsp 903,0 vsp 899,0 vsp 898,0 vsp 897,0 bg white,1 vsp 901,1 vsp 902,1 vsp 899,1 vsp 898,1 vsp 897,1 vsp 903,1 ;赤で画面が埋まっていく感じで lsp 896,":a;bmp\efe\chain2R_sp.bmp",0,0 bg Different_space_1a,0 ld r,$EV2_AkuwaraiA4,80 se1v 2,100 quakey 3,400 se2 59 ;「#ff0000赤は真実のみを語る#ffffffッ！！！@　それを疑うことは即ち、貴様の後で妾に怯え萎縮しその背に隠れる、その魔女の名誉を裏切ることになるわよぅ？！」@ `"#ff0000The red only tells the truth#ffffff!!!`@` Isn't doubting that the same as betraying the honor of that witch who's behind you, shriveling up in fear of me and hiding behind your back?!"`@ ld l,$BUT_KuyasigaruA1,63 ;「く、………くそ…………！！！」\ `"D, .........damn it............!!!"`\ ld r,$EV2_waraiA2,80 ;「はっきりと。@今こそ、言い切るわ。@……南條の前に現れし私こそ。@魔女なのよ。@/ `"Right now, `@`I'll state it clearly.`@` ......The one who appeared in front of Nanjo was me.`@` A witch. `@/ ld r,$EV2_AkuwaraiA7,80 se3v 37,100 ;……１８人の人間では説明できない、黄金の魔女なのよッ！！」\ `......The Golden Witch, who can't be explained by the 18 humans!!"`\ ld l,$BUT_OdorokiA2,80 ;「ワ、ワルギリア！@　ロノウェ…！！@　状況は矛盾していないのか？！@　やつは本当に赤で真実を語っているのかッ？！」\ `"V, Virgilia!`@` Ronove...!!`@` Isn't there a contradiction in this situation?!`@` Is she really telling the truth with red?!"`\ vsp 901,0 vsp 902,0 vsp 903,0 vsp 899,0 vsp 898,0 vsp 897,0 vsp 896,0 bg Different_space_1b,0 ld l,$RON_OdorokiA2,24 ;「……はい。@“赤き真実”、有効です。」@ ;＜ロノウェ `"......Yes.`@` The 'red truth' is effective."`@ ld r,$WAL_KomaruA2,24 ;「…………何という、……緻密かつ精密な詰め……。」\ ;＜ワルギリ `"............What an, ......elaborate and precise cornering......"`\ cl l,24 ld l,$BUT_kuyasigaruA1,80 ;「こ、……こいつを、どう手を打ちゃいいんだ…。@ワルギリア…！@　何か手はないのか……？！」@ `"H, ......how should I make a move against her...?`@` Virgilia...!`@` Isn't there any move......?!"`@ ld r,$WAL_KomaruA1,80 ;「………………私には、…何も思いつきません…。」\ ;＜ワルギリ `"..................I, ...cannot think of anything..."`\ ld l,$BUT_odorokiA2,80 ;「…ロノウェは？！」@ `"...And you, Ronove?!"`@ ld c,$RON_OdorokiA1,24 ;「……………………。@………申し訳ありません。@……しかし、この千年。@…これほどまでに、……精密なる美しい盤面を見たのは、…初めてです。」\ ;＜ロノウェ `"........................`@`.........My apologies.`@` ......However, in these last thousand years,`@` ...I have never seen, ......such an elaborately beautiful game board layout."`\ ld r,$WAL_KomaruA2,80 ;!s0「…………悔しいですが、/ ;!d600……………美しい………。@……何て、/ ;!d500……美しい赤による、/ ;!d700……チェックメイト……………。」/ !s0`"............It is vexing, `/ !d600`...............but it is also beautiful.........`@`......What a, `/ !d500`......beautiful, `/ !d700`......checkmate made in red............"`/ !sd@ ;＜ワルギリ br ;　魔女の師匠と悪魔の執事は、ともに呆然とした、…それでいてどこか恍惚とした表情を浮かべる…。\ `The witch's teacher and the demon butler were both stunned, ...and an expression of ecstasy rose to their faces...`\ bg black,25 fede 1,2000 vsp 901,1 vsp 902,1 vsp 899,1 vsp 898,1 vsp 897,1 vsp 903,1 vsp 896,1 bgm1v 73,90 print 2 ;　………降参どころか、/ ;!d800…感服する他ない、完璧なチェックメイトだと、/ ;!d800…感嘆しているのだ…。@ `.........Forget surrendering, `/ !d800`...they were impressed at this perfect checkmate, `/ !d800`...which simply had to be admired...`@ br ;　人は、心の底から敗北を認める時…。@ ;　そこには未練も屈辱も生まれない。@ ;　……ただただ尊敬の念しか生まれない…。\ `When people accept defeat from the bottom of their heart...`@ `It gives rise to neither regrets nor humiliation.`@ `......Nothing is born except feelings of respect...`\ ;　俺には、………もう、何が何だか、……わからない。@ `I, .........no longer knew, ......what was what anymore.`@ br ;　ヤツの赤には、一切の隙がない。\ `There were absolutely no weak points in her red.`\ ;　１５人全員の死亡を赤で語った。@ ;　１８人以外に存在しないと赤で語った。@ `She had said in red that all of 15 people had died.`@ `She had said in red that no people existed other than the 18.`@ br ;　つまり、俺と朱志香と絵羽伯母さんの３人しか、存在しない。\ `In other words, no more than three people: me, Jessica, and Eva oba-san, existed.`\ ;　そしてその３人全員が犯人ではないのに、南條先生が殺された。@ `And even though none of those three people were the culprit, Doctor Nanjo was killed.`@ br ;　そして南條先生は間違いなく他殺で、真正面から堂々と“そいつ”に殺害された…！@ `And without a doubt, Doctor Nanjo had been killed by another, murdered by 'that person' openly from in front of him...!`@ br ;　そして“そいつ”が、魔女だと、……言うのか………！！\ `And she's saying that 'that person', ......is a witch.........?!!`\ vsp 901,0 vsp 902,0 vsp 899,0 vsp 898,0 vsp 897,0 vsp 903,0 vsp 896,0 ;csp -1 bg Different_space_1c,0 ld c,$EV2_AkuwaraiA4,28 ;!s0「南條を殺した犯人は、動物などの類ではないわよ。@それはすでに赤で宣言済みよ？@　人間以外は一切、考慮から外しなさい。@ロボットなんかも駄目よ。\ !s0`"The culprit that killed Nanjo was not an animal or anything of the sort.`@` That has already been dealt with in red, right?`@` Everything other than humans are completely removed from consideration.`@` Even things like robots don't work.`\ se1v 57,100 bg white,1 ;lsp 896,":a;bmp\efe\chain4R_sp.bmp",0,0 vsp 896,1 bg Different_space_1c,0 ld c,$EV2_NiramuA3,80 se2 59 ;　#ff0000人間以外の一切の要素は、このゲーム盤に関与しない#ffffff！@/ `#ff0000Absolutely no factors other than humans participate in this game board#ffffff! `@/ ld c,$EV2_AkuwaraiA7,80 ;　ゆえにこうも言えるわね。@/ `Therefore, I can also say this. `@/ se2v 57,100 bg white,1 ;lsp 901,":a;bmp\efe\chain7R_sp.bmp",0,0 vsp 901,1 bg Different_space_1c,0 ld c,$EV2_AkuwaraiA7,80 se3 59 ;#ff0000南條を殺したのは、確かに人間である#ffffff！\ `#ff0000The one who killed Nanjo was definitely a human#ffffff!`\ se3v 57,100 bg white,1 ;lsp 897,":a;bmp\efe\chain2R_sp.bmp",0,0 vsp 897,1 bg Different_space_1c,0 ld c,$EV2_AkuwaraiA8,80 se2 59 ;　#ff0000地に足の付いた人間が、凶器をかざし、それにて殺した！@　眼前にて！@#ffffff　ただし、その人間は魔法が使えたかもしれないわ。@……それは即ち、魔女だったということ。\ `#ff0000A human, with their feet on the ground, held up a weapon and killed with it!`@` Right before his eyes!`@`#ffffff However, the human may have been able to use magic.`@` ......Which means, it was a witch.`\ ld c,$EV2_AkuwaraiA5,80 ;……それがつまり、この私。@黄金の魔女、ベアトリーチェ！！」/ `......That is, in other words, me.`@` The Golden Witch, Beatrice!!"`/ se1v 2,100 se2v 37,100 se3v 37,100 quakey 5,800 !sd\ vsp 901,0 vsp 902,0 vsp 903,0 vsp 899,0 vsp 898,0 vsp 897,0 vsp 896,0 ;csp -1 bg black,26 vsp 901,1 vsp 902,1 vsp 899,1 vsp 898,1 vsp 897,1 vsp 903,1 vsp 896,1 me1v 5,70 print 26 ;!s0　……戦人は、/ ;!d800…歯軋りをしながらも、/ ;!d900………がくりと、膝をつく。/ !s0`......Even as Battler, `/ !d800`...ground his teeth, `/ !d900`.........his knees hit the floor with a thunk.`/ se1 13 quakey 4,800 !sd@ br ;　魂はまだ屈服を拒否している…。@ `His soul still refused to surrender...`@ br ;　……しかし、…膝はもう、/ ;!d900……屈服を受け入れ始めているのだ……。\ `......However, ...his knees had already, `/ !d900`...started to accept surrender......`\ bg Different_space_1a,22 me2v 16,70 ld c,$EV2_AkuwaraiA8,26 ;「くっひっひひひひひひひひひ！@　跪いたわね…？@/ `"Kuhhihhihihihihihihihihi!`@` Oh, did you kneel...? `@/ ld c,$EV2_niramuA3,80 ;　そうよ、あなたはもう理解し始めている。@……黄金の魔女が存在することを。@………そして、その黄金の魔女、ベアトリーチェが、私であることを…！！\ `That's right, you're already starting to understand.`@` ......The Golden Witch does exist.`@` .........And that Golden Witch, Beatrice, is me...!!`\ ld c,$EV2_akuwaraiA7,80 ;　さぁ、讃えなさい。@本当の魔女の復活を、今こそ讃えなさい。@黄金の魔女、ベアトリーチェの復活を、今こそ讃えなさいッ！！@　第九の晩に魔女は蘇り、誰も生き残れはしない……！！！」\ `"Come on, praise me.`@` Now, praise the resurrection of a true witch.`@` Now, praise the resurrection of the Golden Witch, Beatrice!!`@` At the ninth twilight, the Witch shall be revived and none shall be left alive......!!!"`\ vsp 901,0 vsp 902,0 vsp 899,0 vsp 898,0 vsp 897,0 vsp 903,0 vsp 896,0 ;csp -1 textoff bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,24 se1v 57,100 bg white,1 ;lsp 903,":a;bmp\efe\chain4R_sp.bmp",0,0 vsp 903,1 bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,80 se1v 57,100 bg white,1 ;lsp 902,":a;bmp\efe\chain3R_sp.bmp",0,0 vsp 902,1 bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,80 se1v 57,100 bg white,1 ;lsp 901,":a;bmp\efe\chain5R_sp.bmp",0,0 vsp 901,1 bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,80 se1v 57,100 bg white,1 ;lsp 899,":a;bmp\efe\chain2R_sp.bmp",0,0 vsp 899,1 bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,80 se1v 57,100 bg white,1 ;lsp 898,":a;bmp\efe\chain6R_sp.bmp",0,0 vsp 898,1 bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,80 se1v 57,100 bg white,1 ;lsp 897,":a;bmp\efe\chain1R_sp.bmp",0,0 vsp 897,1 bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,80 se1v 57,100 bg white,1 ;lsp 896,":a;bmp\efe\chain7R_sp.bmp",0,0 vsp 896,1 bg Different_space_1b,0 ld r,$BUT_KuyasigaruA1,80 fedexx 0,70,70,0,0,0,4000 wait 1000 se2v 38,100 ;「くっそぉおおぉぉぉ………。@……俺には、……わからねぇ……！@/ `"Daaamn iiiiiiiitt.........`@`......I don't, ......understand......! `@/ ld r,$BUT_NakuA1,80 ;　ここまで、…徹底的に赤でがんじがらめにされたら、@……俺にはもう、……さっぱりだ……！」\ `After, ...being so thoroughly immobilized by the red,`@` ......I don't, ......have a clue anymore......!"`\ ld l,$BEA_KomaruA3,23 ;「ば、……戦人……。@く、挫けるな……。@…妾とそなたは、再び戦いあう約束を交わしたではないか……。@ここで、そなたは屈服するのか…？！@　妾と再び戦う前に、このようなところで消え去るのか……？！」\ ;＜ベアト `"B, ......Battler......`@` D, don't lose heart......`@`...You and I...promised that we would fight each other again, right......?`@` Will you surrender here...?!`@` Will you disappear in a place like this before fighting with me again......?!"`\ ld r,$BUT_NakuA2,80 ;「その約束を破りたくはねぇ……。@…………しかし、……俺には、ヤツを否定する手が、まったく思いつかねぇ…！！@/ `"I don't want to break that promise......`@`............However, ......I can't think of any move to deny her...!! `@/ ld r,$BUT_NakuA1,80 ;　これはそもそも、…問題にさえなってない！@　容疑者以外は存在せず、その容疑者は全員シロ！@　赤でシロだって言われてんだぜ？！@　それでいて、しっかり他殺で、犯人は人間で、ちゃんと目の前に現れて南條先生を殺したという！@　もうお手上げだ、どうにもならねぇ…ッ！！！」\ `In the first place, ...this isn't even a problem!`@` Nothing exists outside the suspects, and all of the suspects are innocent!`@` I was told that they were innocent in red, right?!`@` And also that it was a real homicide, and that the culprit was human, and that they did appear in front of Doctor Nanjo's eyes and kill him!`@` I give up...there's nothing I can do...!!!"`\ cl l,0 ld c,$BEA_aseruA1,23 ;「頼む戦人、諦めるな挫けるな……！@　……思考を止めれば自動的にそなたの負けとなる。@…頼むから挫けるな…。@……妾も応援しておる、……負けたりするな……！」\ ;＜ベアト `"Please, Battler, don't give up, don't lose heart......!`@` ......If you stop thinking, it automatically becomes your loss.`@` ...I'm begging you, don't lose heart...`@` ......I'm also cheering you on, ......so don't lose......!"`\ ld r,$BUT_NakuA3,80 ;「もう、何も思い付かねぇんだ…！！@　どうせあいつは魔女だから、魔法とかでやったに違いない、考えるだけ無駄だぜって思っちまう…！@/ `"I can't think of anything anymore...!!`@` I think that she's just a witch anyways, and must have done it with magic, so just thinking is pointless...! `@/ ld r,$BUT_NakuA2,80 ;　駄目だ、頭が痛い、脳が疲れる…。@考えたって無駄だから止めちまえって、考えちまう…！！」\ `It's useless, my head hurts, my brain's tired...`@` I'm thinking that thinking's pointless, so I should just stop...!!"`\ textoff csp -1 ;ld c,$BEA_AseruA1,80 ;se1v 9,100 ;se2v 9,100 ;bg white,1 ;bg black,62 ;wait 1000 bg black,22 ;「戦人、聞け…。@………チェスというゲームは、相手を負かそうと互いが尽くすから、一回のゲームに長い時間を掛ける。@……しかし、どちらかが最初から勝ちを捨て、自分に損な手を進んで指せば、あっという間にゲームを終えるのだ。@……これを、フールズメイトという。」\ `"Battler, listen...`@`.........In the game of chess, both sides do all they can to make the other lose, so a single game takes a long period of time.`@` ......However, if one side throws away victory from the beginning, and advances with moves harmful to themselves, the game will end in the blink of an eye.`@` ......That is called a fool's mate."`\ bg chess1,22 ;　フールズメイトは、つまり、如何に早く負けるかということを念頭に置いた、おかしなチェスの指し方。\ `A fool's mate is, simply put, a strange way of playing chess, where losing as soon as possible is considered.`\ ;　…自らのキングの前を開け、相手のクイーンを誘い受ける。@ `...Opening the area in front of your own king and inviting the opponent's queen in.`@ br ;　一回の平均対戦時間が数時間にも及ぶチェスが、わずか４手で決着してしまうのだ。\ `Chess, in which the average playing time may stretch for several hours, can be resolved in a scant four moves.`\ bg black,22 ;　……つまり、戦いとは、互いが勝とうとすれば苦しく、長い時間を強いられるが、@…片方が負けようと思ったなら、いつでも、呆気ないくらい簡単にゲームを終えられるのだ…。\ `......In other words, if both sides try to win in a fight, they are compelled to take a painfully long period of time,`@` ...but if one side decides to lose, the game can be ended far too easily, at any time...`\ bg Different_space_1b,0 ld c,$BEA_majimeA1,22 ;「……人間側は、思考を停止させることによって、目の前の問題を魔女に譲り渡し、@木からリンゴが落ちることさえ、直ちに魔法の仕業ということで決着できてしまう。\ `"......When the human side stops thinking, it hands the problem before its eyes over to the witch, `@`and even an apple falling from a tree can be immediately resolved as the work of magic.`\ ld c,$BEA_majimeA3,80 ;………そしてそれは魔女側も同じことだ。@…魔女は赤き真実を使う。@……それにて、魔法の正体が人間で説明できてしまうことを示せば、直ちに敗北することができる。」\ `.........And it is the same way for the witch's side.`@` ...Witches use the red truth.`@` ......By using that, they can explain the true form of magic with humans, and immediately lose."`\ ;ld c,$BUT_NayamuA1,80 bg black,25 ;「…………言われなくてもわかってるさ…。@……考えを止めるなって言うんだろ…？@　しかし、/ ;!d600………あいつのあの完璧な真っ赤な手に、どうやって反撃すればいいんだ…。@俺には、/ ;!d500……人間には、/ ;!d500………もう無理だ…………。」\ `"............You don't have to tell me that...`@`......You're telling me to not stop thinking, right...?`@` However, `/ !d600`.........how should I counterattack that person's perfect bright-red move...?`@` For me, `/ !d500`......for humans, `/ !d500`.........it's no longer possible............"`\ ;ld c,$BEA_IiwakeA2,80 ;!s0「………無理、/ ;!d800………か…？@　……戦人には、/ ;!d700……無理なのか……？@　……頼む…、挫けるな………。」/ !s0`".........Is it, `/ !d800`.........impossible...?`@` ......Is it, `/ !d700`......impossible for you, Battler......?`@` ......Please..., don't lose heart........."`/ !sd\ ;ld c,$BUT_NakuA2,80 delay 3000 ;「………………すまん………。@…俺にはもう、/ ;!d800………無理だ………。」@ `"..................Sorry.........`@`...It's no longer, `/ !d800`.........possible for me........."`@ br ;se1 35 ;wait 1000 ;se2 35 ;wait 300 ;se3 35 ;wait 800 ;se1 35 ;　戦人は床を掻き毟りながらぼたぼたと涙を零す。\ `Battler scratched at the floor, crying heavily.`@ bg Different_space_1a,26 ;　……ベアトはそれを苦渋の面持ちで見つめる…。@ `......Beato watched that with a distressed face...`@ br ld c,$BEA_majimeA1,6 ;　そして立ち上がり、魔女に言った。\ `Then she stood up, and spoke to the witch.`\ ld c,$BEA_MajimeA2,80 E_A ;「…………妾が、そなたの手に、反撃の一手を指そうぞ。」\ `"............I will make a move as a counterattack to yours."`\ bgm1v 79,90 bg black,25 bg Different_space_1c,0 ld c,$EV2_NiramuA1,22 ;「へぇ？@　この完璧なるチェックメイトに、あなたはどう切り込んでくれるというのかしらぁ？@/ `"Huh?`@` I wonder how you can cut up this perfect checkmate? `@/ ld c,$EV2_AkuwaraiA7,80 ;　ニンゲンには決して破ることのできないこのチェックメイトを、@あなた如きがどう破るというのぅ？！」\ `How can this checkmate, which is completely impossible for humans to break,`@` be broken by the likes of you?!"`\ bg black,22 bg Different_space_1b,26 ld l,$WAL_KomaruA1,23 ;「………ベ、ベアトリーチェ、あなたまさか…。」\ ;＜ワルギリ `".........B, Beatrice, you couldn't be..."`\ ld r,$BEA_MajimeA4,24 ;「うむ。@…ニンゲンに指せぬ一手なら。@……妾が、魔女であるがゆえに指せる一手で、そなたを迎え撃ってやる…。」\ `"Hmm.`@` ...If a human cannot make a move, `@`......I will assault you with a move I can use because I am a witch..."`\ bg Different_space_1a,23 ld l,$BUT_NiramuA3,23 ;「魔女であるがゆえに指せる一手……？@/ `"A move you can use because you are a witch......? `@/ ld l,$BUT_odorokiA2,80 ;　……お、…お前、何をする気だ…。」\ ;＜戦人 `......Wh, ...what are you planning to do...?"`\ me1v 16,70 bg black,1 br ;!s0「妾が、赤にて。/ ;!d1000魔女を否定する。」/ !s0`"I will use the red, `/ !d1000`to deny witches."`/ !sd\ bg Different_space_1b,0 ld r,$RON_MajimeA2,0 ld l,$WAL_KomaruA2,22 ld r,$RON_OdorokiA2,0 se1v 2,100 ld l,$WAL_OdorokiA1,80 ;!s0「ベアトリーチェ…！！」「お、お嬢様…！！」/ !s0`"Beatrice...!!" "M, Milady...!!"`/ !sd@ br ;　師匠と執事が、ともにぎょっとする。\ `The teacher and the butler were both startled.`\ ;　……すぐにその意味は俺にもわかる。@ `......I also immediately understood what it meant.`@ br ;　魔女だけが使える赤で。@ `To use the red that only witches could use.`@ br ;　…(赤で魔女を否定する/・・・・・・・・・)。@ ;＜点字：赤で魔女を否定する `...`(`To use the red to deny witches`/・・・・・・・・・・・)`.`@ br ;　それは、自らの剣で、自らの喉を掻き切るも同じことだ。\ `It was like using her own sword to slit her own throat.`\ bg Different_space_1c,0 ld c,$EV2_OdorokiA1,22 ;「は、…………はぁ…？！@　あ、……あんた、何を言ってるの？@　赤で魔女を否定…？@/ `"Wh, ............whaaat...?!`@` H, ......hey, what are you saying?`@` Deny witches with red...? `@/ ld c,$EV2_OdorokiA2,80 ;　………ば、…馬鹿言ってんじゃないわよ。@そんなことしたら、…あんたも無事じゃ済まないわよ……！！」\ `.........Q, ...quit talking like an idiot.`@` If you do that, ...you won't get away unscathed either......!!"`\ bg Different_space_1a,0 ld r,$BEA_MajimeA1,26 ld r,$BEA_iiwakeA1,80 ;「………そなたは魔女にあらず。@そして妾もまた魔女ではない。@…真の魔女への道は険しく、まだまだ長い…。\ `".........You are not a witch.`@` And I am not a witch either.`@` ...The road to becoming a true witch is difficult, and I have much, much farther to go...`\ ld r,$BEA_iiwakeA3,80 ;　………なれば好都合。@今この場に、元より魔女など存在はしないのだ。@妾が自ら、そのまやかしを剥ぎ取ってやろうぞ。」\ `.........Then that is convenient.`@` In this place now, witches did not exist from the beginning.`@` I will strip this deception away myself."`\ se1v 57,80 bg white,1 bg Different_space_1a,0 ld r,$BEA_iiwakeA3,0 ld l,$EV2_fukigenA3,22 ;「私もあんたも、しっかり堂々とした魔女でしょうがッ！！@　赤が使えることこそ魔女の証！@/ `"Aren't both of us real, obvious witches?!!`@` Being able to use red is itself proof of witches! `@/ ld l,$EV2_IkariA2,80 ;　あんたにとって魔女の定義がどういうものか知らないけど、@あんただけは無傷で済むなんて勘違いをしているなら今すぐ、」\ `I don't know what the definition of a witch is to you, `@`but if you mistakenly think that you alone will be able to get away unscathed, then right now-"`\ ld r,$BEA_gamanA4,80 ;「勘違いなどしているものか。@それで良いのだ。」@ `"How could I be mistaken.`@` That is enough."`@ ld l,$EV2_OdorokiA1,80 ;「な、………んですってぇ……。」\ `"Wh, .........what did you say......?"`\ ld r,$BEA_iiwakeA3,80 ;「妾は元より魔女になどなれていなかった。@……真の魔女になるために、ようやくその道のりを歩き始めたに過ぎん。@/ `"From the beginning, I was not able to become a witch.`@` ......I have done nothing more than finally begin walking on the road to becoming a true witch. `@/ ld r,$BEA_iiwakeA1,80 ;…もし今の妾が魔女だというのなら。@…それは力に溺れただけの、そなたに同じ、偽りの魔女に過ぎぬ。\ `...If you were to say that I am a witch now, `@`...I would be nothing more than a false witch addicted to power, like you are.`\ ld r,$BEA_gamanA4,80 ;　……そのようなみすぼらしい姿なら。@未練などない。@そなた諸共、妾のこの姿も消し去ってくれようぞ…！」\ `......Rather than existing in that shabby form,`@` I shall erase this form of mine along with you, `@`without any regrets...!"`\ ld l,$EV2_IkariA2,80 ;「しょッ、…正気ッ？！？！@　や、やめなさい…！@　私はまだ魔女でいたいのよ、ニンゲンは嫌なのよ…！！」\ `"A, ...are you insane?!?!`@` S, stop it...!`@` I still want to be a witch! I hate humans...!!"`\ ld c,$RON_waraiA2,64 ;「………魔女様、どうかご着席を。@人間側の受け手を、どうかご着席の上、お受けください。」@ ;＜ロノウェ `".........Witch, please return to your seat.`@` Please, receive the human side's response from your seat."`@ ld l,$EV2_fukigenA3,80 ;「なッ、何をするの？！/ `"Wh, what are you doing?! `/ quakex 3,300 ;@　は、離してッ！！@/ @`L, let go of me!! `@/ ;cl c,0 ;cl l,64 ;!s0　その女に赤を使わせないでッ！！/ !s0`Don't let that woman use red!! `/ quakey 3,300 ;@　止めさせて！！@　離せぇええええええぇえええぇッ！！」/ @`Make her stop!!`@` Let gooooooooooooooooooo!!"`/ quakex 5,500 \ !sd bg Different_space_1c,24 ;　席を立ち上がり、ベアトに飛び掛ろうとした魔女を、ロノウェは両肩を押さえつけて無理やり着席させる。@ `As the witch stood from her seat and tried to spring upon Beato, Ronove pressed down on both of her shoulders, forcing her back into her seat.`@ br ;　そして、それでもなお、その両肩から手を離さなかった。\ `And, even after that, he didn't remove his hands from those shoulders.`\ bg black,22 ;　魔女を否定することは即ち魔法を否定するということ。@ `Denying witches was the same thing as denying magic.`@ br ;　……それは悪魔であるロノウェも含む。@ `......That included demons such as Ronove.`@ br ;　しかしロノウェは逃げず、ただゲームの進行役として、@…そして、主のためにその責務を全うすることを選んだ。\ `However, instead of running away, Ronove chose to act as the facilitator for the game,`@` ...and to carry out that duty for his master's sake.`\ bg Different_space_1a,0 ld r,$WAL_majimeA1,64 ;「……ベアトリーチェ。@………後悔は、ないのですね。」\ `"......Beatrice.`@` .........You have...no regrets, do you..."`\ ld l,$BEA_IiwakeA3,80 ;「お師匠様こそ。@/ `"That's my line. `@/ ld l,$BEA_GamanA2,80 ;……ごめん。@……いっぱい楽しい魔法や、幸せな魔法を教えてもらったのに、/ ;!d900………全然、上手に使えなかった。@………だから、ゼロから修行、/ ;!d800…やり直してくる。@…その馬鹿弟子の不始末に巻き込んで、………本当にすまなかった。」\ `......Sorry.`@` ......Even though you taught me a lot of fun magic and magic of happiness, `/ !d900`.........I couldn't use it well at all.`@` ............So I'll study from zero, `/ !d800`...and start over again.`@` ...I am truly sorry, .........that you had to get caught up in your stupid disciple's misconduct."`\ ld r,$WAL_defA1,80 ;「……良き弟子を最後に持てました。@……あなたの信じるままに、お行きなさい。」\ ;＜ワルギリ `"......I had a good disciple in the very end.`@` ......Go, while you still believe."`\ ;cl l,64 bg Different_space_1a,22 ld l,$BUT_odorokiA2,23 ;「………お、お前らが何の話をしてるのか、俺にはさっぱりだ…。@/ `".........I, I don't have a clue what you guys are talking about...`@/ ld l,$BUT_kuyasigaruA1,80 ;…だが、これだけはわかる。@そして言える…。@……ベアト、何をしようとしてるのか知らねぇが、@…これからやろうとしてることを止めろ…！」\ `...But I do understand one thing.`@` And I can say this...`@`......Beato, I don't know what you're trying to do, `@`...but stop trying to do it...!"`\ ;cl r,63 ld r,$BEA_iiwakeA1,24 E_MA ;「そなたに手はない。@しかし妾に手はある。@/ `"You have no moves.`@` But I have one. `@/ ld r,$BEA_iiwakeA3,80 ;……この一手、逃せばあやつは魔女として真の意味で復活し、今度こそこの島の全てを支配する。@…全ての悪夢はあの女の自由自在となり、@この島は永遠に、邪悪なる魔女の妄想を繰り返す無間地獄に落ちるだろう。\ `......If we let that move get away, she will be revived as a witch in the true sense, and this time, she will control this whole island.`@` ...All nightmares will be hers to do with as she pleases,`@` and this island will fall into the deepest hell of the evil witch's repeating delusions, for all eternity.`\ ld r,$BEA_gamanA4,80 ;　………そなたは、それを許せるというのか。@…親しい家族たちが、永遠にあの魔女の悪夢に弄ばれても良いと、そういうのか。」\ `.........Can you permit that?`@` ...Is it alright for your dear relatives to be toyed with for all eternity in that witch's nightmare?"`\ ld l,$BUT_odorokiA2,80 ;「だ、だが、……お前が犠牲になることなんてないだろ…。@こ、これは俺とやつのゲームだ。@/ `"S, still, ......you shouldn't have to sacrifice yourself...`@` Th, this is a game between me and her. `@/ ld l,$BUT_OdorokiA1,80 ;お前が身を犠牲にして手を指すことなんてないッ！@　お、俺が考える！@　起死回生の一手を必ず考えるから…！！\ `You shouldn't have to make your move and sacrifice yourself!`@` I, I'll think of something!`@` I'll surely think of a miracle move...!!`\ ld l,$BUT_KuyasigaruA1,80 ;　だから早まるなッ！！@/ `So don't rush into it!! `@/ ld l,$BUT_NakuA1,80 ;　うおぉおおおおおおお、畜生ぉおおおおおおおおお、@絶対に思いつくから、……だから早まるんじゃねぇええええぇえぇえ！！」\ `Ooooooooooooooohhhh, damn iiiiiiiiiiiiiiiiiit,`@` I'll definitely think of one, ......so don't rush into iiiiiiiiiiiiiiiiiiiit!!"`\ ld r,$BEA_FutekiA2,80 ;「………このゲームは残酷であるぞ。@すでにそなたの長考に制限時間を使い切っておるわ。@………もはや妾しかおらぬ。@/ `".........This game is cruel.`@` The time limit for your consideration has already run out.`@` .........I am now the only one who can do it. `@/ ld r,$BEA_iiwakeA1,80 ;…安心せよ、戦人。@………妾が討つ。@/ `...Calm yourself, Battler.`@` ............I'll defeat her. `@/ ld r,$BEA_gamanA3,80 ;……あの残酷なる魔女を、妾が自らの手で討つ…。」\ `......I'll defeat that cruel witch with my own hands..."`\ bg black,24 ;ld l,$BUT_NakuA2,80 ;「ま、待て、ベアト！！@　やめろッ、よせ！！@　お前が自分を犠牲にする必要なんて、何もない！！」@ `"W, wait, Beato!!`@` Stop it, quit it!!`@` There's absolutely no need for you to sacrifice yourself!!"`@ ;ld r,$BEA_WaraiA4,80 ;「妾を否定するために、そなたは戦っていたのだろうが。@……おかしなヤツだ。@はははははははは。」\ `"Weren't you fighting to deny me?`@` ...What a strange person.`@` Hahahahahahahaha."`\ bg Different_space_1b,24 ld l,$WAL_MajimeA1,24 ;「……あの子の好きに、させてあげて下さい。@そしてどうか、見届けてやって下さい。」@ ;＜ワルギリ `"......Let that child do as she likes.`@` And please, see her through."`@ ld r,$BUT_NakuA2,24 ;「し、…しかし……、」\ ;＜戦人 `"B, ...but......"`\ cl l,24 ld l,$BEA_fukigenA3,23 ;「戦人。@……ひとつだけ、頼みがある。@/ `"Battler.`@` ......There's only one thing I ask. `@/ ld l,$BEA_NayamuA1,80 ;……耳を、塞いでくれぬか。」@ `......Would you, cover your ears?"`@ ld r,$BUT_NakuA3,80 ;「耳を……？@　どうして…？」\ `"My ears......?`@` Why...?"`\ cl a,0 ld c,$BEA_majimeA4,23 ;「………妾はこれより、赤にて魔女を否定する。@あやつの赤で敷き詰めた盤面を切り裂いて見せる。@/ `".........Starting now, I will deny witches in red.`@` I will slice up the game board that she has laid out with her red. `@/ ld c,$BEA_iiwakeA1,80 ;……さすれば、/ ;!d600………妾もまた魔女の姿を失うだろう。@……そなたも妾が語る赤き真実を聞けば、妾の正体を、理解することになる。\ `......By doing that, `/ !d600`.........I will probably lose my form as a witch as well.`@` ......If you also hear the red truth I will tell, you will understand my true form.`\ ld c,$BEA_gamanA2,80 ;　………そなたひとりが耳を塞いだところで、真実は何も変わらぬ。@……だが、/ ;!d900…それでもそなたにだけは、耳を塞いでほしい。@………………そなたの前だけでは、…魔女で、いたいのだ。@……頼む。」\ `.........If you alone cover your ears, the truth will not change at all.`@` ......However, `/ !d900`...even so, I want you alone to cover your ears.`@` ..................I at least want to be a witch, ...in your eyes.`@` ......Please."`\ bg Different_space_1a,23 ld c,$RON_waraiA2,23 ;「……ベアトリーチェさま。@…魔女側、問題ありません。@どうぞ、指し手を。」\ ;＜ロノウェ `"......Beatrice-sama.`@` ...There is no problem on the witch side.`@` Please, your move."`\ ld r,$EV2_FukigenA3,64 ;!s0「離せぇええええええぇえぇえッ！！/ !s0`"Let gooooooooooooooooooo!! `/ se1v 12,70 ;se2 2 quakex 5,900 ;!sd@　あんたもただじゃ済まないのよ？！@/ !sd@`I won't let you get away with this either, okay?! `@/ ld r,$EV2_OdorokiA2,80 ;　あいつは狂ってる！！@　私たちを巻き込んで自分も死ぬ気よ？！@　やめて、否定しないで！！@/ `She's insane!!`@` Do you plan on dying and taking us with you?!`@` Stop it, don't deny it!! `@/ ld r,$EV2_FukigenA3,80 ;　やめてぇえええええぇえええええぇッ！！！」/ `Stop iiiiiiiiiiiiiiiiiiiiiit!!!"`/ quakey 3,300 \ bg Different_space_1c,22 se1 52 ld c,$BEA_gamanA4,99,2000,"breakup.dll/lrp" ;「……仮にも黄金の魔女が見苦しいぞ。@…………さぁ良いか。@/ `"......How unsightly for a Golden Witch.`@` ............Alright, are you ready? `@/ ld c,$BEA_iiwakeA3,80 ;…戦人に代わり、そなたのチェックメイトを外す。@１５人が死に、３人しか残らぬチェス盤にて、何が起こったのか。@…妾がこれより赤にて暴く。@その赤き真実にて、……偽りの魔女二人を、共に貫いて殺す！」/ `...I will remove your check in Battler's stead.`@` What happened on the chessboard where 15 people died, and only three remained?`@` ...Starting now, I will expose it in red.`@` With that red truth, ......I will pierce and kill both fake witches!"`/ se1v 2,100 \ bg black,22 ;ld c,$BEA_WaraiA4,80 ;　ベアトが振り返り、戦人に笑みを見せる。@ `Beato turned around and smiled at Battler.`@ br ;　……あれだけ残酷の限りを尽くした魔女が、@最後に戦人に見せて残そうとした表情が笑顔だったなんて、誰も信じないだろう。\ `......Most likely, no one would believe that the witch who had gone to the limits of cruelty,`@` would try to leave a smile as the last expression she showed Battler.`\ ;　そしてその笑みは、耳を塞いでほしいという最後の願い…。@ `And that smile signified her last wish, that she wanted him to cover his ears...`@ br ;　赤で魔女を否定することは即ち、……彼女のみすぼらしい姿を知ることになるということ。\ `Denying witches in red, ......was the same as knowing her shabby form.`\ ;　戦人は、両の手を自分の耳に当てる…。@ `Battler put both of his hands against his ears...`@ br ;　……彼女の最後の、@…魔女としての名誉を守るため、自らの耳に手を当て、…真実を拒否する。\ `......To protect her final, `@`...honor as a witch, he put his hands against his ears, ...rejecting the truth.`\ bg white,2 ;bg black,1 ;　そして、吼えた。@ ;　彼女が語ろうとすることが、わずかほども耳に染み込まぬように。\ `And he howled.`@ `So that not even a bit of what she was saying would slip into his ears.`\ textoff fedexx 100,0,0,0,0,0,2000 me1v 17,70 bg Different_space_1a,0 ld c,$BEA_gamanA1,2 ;　あとは、戦人にとっては何も聞こえぬ世界。@ ;　ベアトが赤にて、何かを語っている。@ `After that, was a world where Battler could not hear anything.`@ `Beato was saying something with red.`@ br ;　その辛辣な内容に、邪悪なる魔女までもが耳を塞ごうとする。\ `Even the evil witch covered her ears at those bitter contents.`\ ;　……それは、赤き真実。@力ある言葉。@ ;　……自らの存在を否定する言葉。@ `......That was...the red truth.`@` Words of power.`@ `......Words that denied her own existence.`@ br ;　魔女にしか使えぬ、魔女を否定する唯一の言葉。\ `Unique words that only witches could use, which denied witches.`\ bg black,0 lsp 901,":a;bmp\efe\chain1R_sp.bmp",0,0 lsp 902,":a;bmp\efe\chain2R_sp.bmp",0,0 lsp 903,":a;bmp\efe\chain3R_sp.bmp",0,0 lsp 904,":a;bmp\efe\chain4R_sp.bmp",0,0 lsp 905,":a;bmp\efe\chain5R_sp.bmp",0,0 lsp 906,":a;bmp\efe\chain6R_sp.bmp",0,0 lsp 907,":a;bmp\efe\chain7R_sp.bmp",0,0 print 22 ;　ベアトは語る。@ ;　赤き真実にて、魔女が放った真っ赤な盤面を切り裂く。@ `Beato spoke.`@ `With the red truth, she cut up the bright-red game board that the witch had released.`@ br textoff mov %Free2,907 for %Free3 = 1 to 5 for %Free1 = 901 to %Free2 vsp %Free1,0 next dec %Free2 se1v 57,70 bg white,1 for %Free1 = 901 to %free2 vsp %Free1,1 next bg black,80 wait 400 next se2 20 bg BLADE7_1R,1 wait 1000 csp -1 se3v 36,100 bg white,1 bg BLADE7_2R,42 bg black,2 ;　人間には解けぬ難題を、魔女にしか解けぬ一手で、説明し、追い詰めていく。\ `She explained difficult problems that could not be solved by humans, with moves that could only be solved by witches, and began cornering the witch.`\ ;　戦人には聞くことを許されない“真実”。@ `The 'truth' that Battler was not permitted to hear.`@ br ;　もしも戦人が約束を破り、それをこっそり盗み聞いたなら。@ ;　……たちまちの内に戦人は、ベアトとのゲームの勝者となり得るだろう。\ `If Battler had broken his promise, and sneakily eavesdropped...`@ `......In an instant, Battler would probably have been able to become the victor in his game with Beato.`\ bg portrait2,22 ;　……この島の全ての謎を理解し、全ての魔法とトリックと、密室と呪いと祟りと伝説と、@…怒りと悲しみの物語を全て理解するだろう。@ `......She probably explained all the riddles on the island, all of the magic and tricks, closed rooms, spells, curses, legends,`@` ...and the entire tale of anger and sadness.`@ br ;　しかし、……それを知るのは、戦人が自らの手で真相に至った時だけなのだ。\ `However, ......Battler would only learn what that was when he reached the truth by himself.`\ bg black,22 ;　そう。@…ベアトリーチェは、……その真相に、戦人が自ら至ってくれることを、最初から願っている。@ `Yes.`@` ...From the beginning, ......Beatrice had wished that Battler would reach that truth by himself.`@ br ;　それは、教えられて至るのではない。@ ;　戦人が自らの力で、辿り着かなくてはならない、真実。\ `It was something that shouldn't be reached by being told it.`@ `It was a truth that Battler would have to drag himself to with his own power.`\ me2v 16,70 bg Different_space_1a,0 ld r,$BEA_iiwakea3,0 ld l,$EV2_OdorokiA1,22 ;bg white,0 ;lsp bgsp,Different_space_1a,0,0 ;ld r,$BEA_futekiA2,0 ;ld l,$EV2_OdorokiA1,22 ;for %Free1 = 1 to 50 ; msp bgsp,0,0,-2 ;print 1 ;wait 200 ;next ;　ベアトと邪悪な魔女の中央に、眩い光が集まり、どんどんと強くなっていく…。@ `A brilliant light gathered with Beato and the evil witch at the center, and grew gradually stronger...`@ br ;　それは…、真実の力。\ `It was..., the power of truth.`\ ;for %Free1 = 1 to 15 ; msp bgsp,0,0,-10 ;print 1 ;wait 10 ;next ;csp bgsp ;print 1 me3v 5,70 bg white,48 ;　………太陽のような眩しさと熱が、@闇に隠れて誤魔化そうとするまやかしを、全て照らし出して、……焼き尽くす。\ `.........Its heat and brilliance like the sun,`@` shone on all of the falsehoods that hid in the darkness, trying to deceive, ...and burnt them to nothing.`\ ld l,$EV2_FukigenA3,22 se1v 55,90 se2v 2,100 ;「ぐぉおおおおあああああぁああぁあああぁあああッ！！/ `"Gwoooooooooooooaaaaaaaaaaaaaaaaaaahhhh!! `/ quakex 3,300 ;@　なぜッ？！@　なぜあんたは死ねるの？！@　こんなすごい力を持ちえながら、…どうして命を捨てられるの？！@　黄金も、魔法も、全てを自在に操れる力を持つあんたが、@……どうしてそれをあっさりと投げ出せるの？！」\ @`Why?!`@` Why can you die?!`@` Why can you throw away your life, ...when you have such incredible power?!`@` You who hold the power to control gold, magic, and everything at will, `@`why can you so readily throw that away?!"`\ ld r,$BEA_GamanA1,22 ;「……山を成す黄金であろうと。@海を割く魔法であろうと。@手に入らぬものがあることを知れ。@/ `"......Learn that even with a mountain of gold, `@`even with magic to split the sea, `@`there are some things you can never obtain. `@/ ld r,$BEA_komaruA1,80 ;………さぁ、姿を現すがいいぞ。@その正体を現せ、……右代宮絵羽ッ！！！」\ `.........Come, show yourself.`@` Show your true form, ......Ushiromiya Eva!!!"`\ bg white,8 fedexx 100,100,100,100,0,0,3000 se1v 2,100 se2v 36,100 se3v 1100,100 bg CG57,2 fedexx 70,0,0,0,0,0,1000 mov %play_scene,30250 ;　太陽が破裂し、全てが吹き飛ばされた時…。@ ;　……そこには銃を持った絵羽の姿があった。\ `When the sun exploded and blew everything away...`@ `......Eva could be seen there, holding a gun.`\ mov %play_scene,30250 ;「あ、………あんたが犯人なんだ…。@絵羽伯母さん……ッ！！！」\ ;＜戦人 `"Y, .........you are the culprit...`@` Eva oba-san......!!!"`\ bg CG58,0 ;ld c,$EVA_AkireA1,24 ;ld c,$EVA_AkuwaraiA1G,80 se1v 37,100 ;「くっくくくくくく……、あっははははははははははッ！！@/ `"*cackle*cackle*cackle*......, ahhahahahahahahahaha!! `@/ ;ld c,$EVA_WaraiB1G,80 ;　気付くのが遅いわよぅ、戦人くぅんッ！！」\ ;＜絵羽 `Took you long enough to notice, Battler-kuun!!"`\ textoff se2 30 wait 1500 se1v 46,100 bg black,1 fedexx 90,0,0,0,0,0,3000 ;　絵羽は何の容赦も躊躇もなく、銃を構えるとその引き金を引く。@ ;　…破裂した音が聞こえ、戦人は心臓を撃ち抜かれて、床に倒れる。/ `Without any hesitation or mercy, Eva raised the gun and pulled the trigger.`@ `...An explosion could be heard, Battler's heart had been shot through, and he fell to the floor.`/ se2 13 bg blood_1a,1 quakey 4,300 \ ;◆戦人死亡フラグ mov %play_scene,30270 seplay2 9,1061,70 mov %r_hyouji,0 ;!s0　少しの間だけ痙攣し、/ ;!d500…口から血を垂らして、/ ;!d800…戦人は絶命した…。/ !s0`After going into convulsions for a short time, `/ !d500`...with blood dripping from his mouth, `/ !d800`...Battler died...`/ !sd@ br ;　でも、最後の瞬間に、…紛れもなく彼女が殺人犯であることを理解した。@自分を殺したことだけでなく…。\ `But in his last moments, he realized without a doubt that she was a murderer.`@` And not just for killing him...`\ bg black,22 ;　………一体、どうやって行なったのかわからぬ殺人も、いくつかはある。@ `.........There have been many murders, and I don't have a clue how they were carried out.`@ br ;　しかし、……それらの全てを、俺が耳を塞いでいる間に、@……ベアトが赤で暴き、全ての魔法を打ち破って見せた。\ `However, ......while my ears were covered, `@`......Beato exposed all of them with the red, blasting away all magic.`\ ;　…それはつまり、………俺にはわからなくとも、@……魔法は全て人間で説明できるという証拠に他ならないのか。\ `...In other words, .........even though I didn't understand it,`@` ......had that been nothing more or less than proof that magic can all be explained with humans?`\ ;　………ベアトは俺に耳を塞がせた。@ ;　…だから、俺自体は全ての真相を、一応は知らない。\ `.........Beato made me cover my ears.`@ `...So I myself don't know the whole truth.`\ ;　…しかし、………赤で否定できた以上、@“全ての魔法は否定可能である”という、あまりに俺たちにとって、アンフェアな事実を、……知ってしまう。@ `...However, .........now that it has been denied in red, `@`I know that one fact which is extremely unfair for us, ......that 'it is possible to deny all magic'.`@ br ;　それはつまり、…………………。\ `So, in other words, ..................`\ ;　……いや、@……それを考えてはいけない。@ `......No, `@`......I must not think of that.`@ br ;　………それを考えたら、…俺は耳を塞いだことにならないのだ。\ `.........If I do, ...then the time I covered my ears would be made pointless.`\ ;　悔やむなら、自分を悔やむしかない。@ ;　…もし俺があの時、魔女の最後の一手に、何か逆転の一手を思いついていたなら、@ベアトは自らを犠牲にする必要など、なかったのだ。@ `If I'm going to regret, I can only regret my own actions.`@ `...If, at that time, I had thought of some turnabout move to counter the witch's final move, `@`there would have been no need for Beato to sacrifice herself.`@ br ;　俺が、……不甲斐なかったから、……招いた結末…。\ `I, ......brought about this conclusion, ......because I was worthless...`\ wait 3000 fede 0,6000 wait 1000 *umi3_18 mov %play_scene,30280 mov %grim_scene,307 mov %r_hyouji_cha,bea mov %r_hyouji,0 ;　…真っ暗で、何も見えない世界なのに、@……なぜかすぐ近くに、ベアトがいるような気配を感じた。\ `...Even though it was a pitch-black world where nothing could be seen,`@` ......for some reason, I felt Beato's presence right next to me.`\ ;　……だから呼び掛けてみる。@ ;　…言葉を交わすことは、魔女でも人間でもできる。@ `......So I tried calling out to her.`@ `...You can exchange words with someone whether they're a human or a witch.`@ br ;　……だから、魔女が否定された世界でも、……言葉をかけることは許されるはずなんだ…。\ `......So even in a world where witches have been denied, ......I should be allowed to talk to her...`\ bgm1 76 wait 1000 ;「……………ベアト……。」@ ;「……戦人か…。@……………やったぞ。@……妾は、…やった。」\ `"............Beato......"`@ `"......Battler, is it...`@`...............It is done.`@` ......I, ...did it."`\ ;「…あぁ。@……聞こえはしなかったが、/ ;!d800………俺はお前の姿を、…最後まで見ていたぜ…。@お前が、邪悪な魔女に毅然と立ち向かうところを、……ちゃんと見てたぜ…。」\ `"Yeah.`@` ......I didn't hear it, `/ !d800`.........but I watched you until the very end...`@` I definitely saw you, ......boldly stand up to that evil witch..."`\ ;「…………これでもう、…妾は魔女ではない。@……………だが、必ず、妾は再び魔女になるぞ…。@……そして、/ ;!d800……再び黄金の魔女と呼ばれるに至って、@………再び、/ ;!d900……そなたの対戦相手だと認められに、/ ;!d800…………帰ってくるから………。」\ `"............With this, ...I am no longer a witch.`@` ...............So, I will definitely...become a witch again...`@`......And then, `/ !d800`......I will make it so that I can be called the Golden Witch again,`@` .........and once again, `/ !d800`............return, `/ !d900`......so that I can be accepted as your opponent........."`\ ;「いや。@………お前は、魔女だったぜ。」\ `"No.`@` .........You...were a witch."`\ me1v 16,60 wait 1000 ;「……………え……。」\ `"............Huh......?"`\ ;「…俺は、見てたぜ。@………お前が、あの邪悪な魔女を、@……すっげえ魔法で吹き飛ばして、その正体を暴き出すところを、/ ;!d900…俺はちゃんとこの目で見ていたぜ…。」@ ;「あ、…あれは魔法ではなく、/ ;!d800……赤き、」\ `"...I...saw it.`@` .........When you took that evil witch,`@` ......and blew her away with that awesome magic, exposing her true form, `/ !d900`...I saw it with my own eyes..."`@ `"Th, ...that wasn't magic, `/ !d800`......but the red-"`\ ;「いいや、魔法だったぜ。@………お前は確かに、黄金の魔女だった。@………お前自らが否定しようとも。@………俺が認めてやるよ。@/ ;!s0…/ ;!d200…/ ;!d200…/ ;!d200…/ ;!d800“お前は確かに、/ ;!d1000…黄金の魔女だ”。」/ `"No, it was magic.`@` .........You were definitely...the Golden Witch.`@` .........You even denied yourself.`@` .........I'll accept it. `@/ !s0`...`/ !d200`...`/ !d200`...`/ !d200`...`/ !d800`'You are definitely, `/ !d1000`...the Golden Witch'."`/ !sd\ ;　………戦人がその言葉を口にした時。@ `......When Battler said those words...`@ me1v 5,60 bg white,1 bg black,22 ;　真っ暗だった世界に、…ぽっと一粒。@ `In the world that had been dark, there was suddenly a single grain.`@ br ;　…小麦の種のように小さな黄金の一粒が眩く光った。@ ;　それは…小さいけれど力強く黄金色に輝く。\ `...A small grain of gold, like a wheat seed, shone brightly.`@ `And...even though it was small, it had a strong, gold-colored sparkle.`\ textoff bg white,8 bg black,22 wait 1000 ld r,$BUT_nayamuA1,0 ld l,$BEA_komaruA2,42 ;　そして、……背中を寄せ合って座っていた二人を照らし出す…。@ ;　だから、二人は互いに自分の姿を自覚する。\ `Then, ......it shone on the two of them, sitting with their backs together...`@ `So they each became aware of their own form.`\ ;　…自分たちは、意識だけの存在ではない。@ `...They did not exist only as consciousness.`@ br ;　……体を持った、ちゃんとした存在であることを自覚する。@ `......They became aware that they had bodies, and definitely existed.`@ br ;　…いや、体という存在が、与えられたというべきか。\ `...No, maybe we should say that they each had been given an existence called a body.`\ ld r,$BUT_majimeA1,80 ;　戦人は自分の姿を見ても、そう驚かなかった。@ `When Battler looked at his own form, he wasn't that surprised.`@ ld l,$BEA_gamanA1,80 ;　…しかしベアトは、自分の姿を見て、少し驚く。@ `...But when Beato looked at her own form, she was a little startled.`@ br ;　……戦人が見ても、いつもの彼女の姿だと思うのだが、@……彼女はその姿をしばらくの間、驚いていた…。\ `......From Battler's perspective, she looked just like normal,`@` ......but for a short while, she was surprised by that form...`\ ld l,$BEA_odorokiA2,80 ;「………これは…………。@……どういうことなのか………。」@ ;＜ベアト `".........What............`@`......is going on.........?"`@ ld r,$BUT_komaruA3,80 ;「あの光粒の輝きが、……どんどん強くなる…。」@ ;＜戦人 `"The sparkle from that grain of light, ......is slowly getting stronger..."`@ br ;　その麦粒はもう黄金色どころか、太陽の光のよう。\ `That grain of wheat was no longer simply gold-colored, but was like the light of the sun.`\ bg white,8 bg black,22 ;　そして、それがすぅっと、………ベアトの胸に近付いていく。\ `Then, it softly, .........began to approach Beato's chest.`\ ;　その太陽の粒が、……その胸の中に飲み込まれた時。@ `When that grain of the sun, ......was sucked inside her chest...`@ br bg white,1 E_A se1v 55,90 wait 3000 bgm1 73 se2 22 bg sky_1a,2 se3 22 bg sea_3b,2 ;　……世界は真っ青な大空に包まれ、次に眼下は真っ青な海で敷き詰められた。\ `......The world was wrapped in a deep blue sky, then a deep blue ocean was spread out below them.`\ textoff se2v 22,100 bg white,1 bg sea_1c,2 wait 1000 se3v 22,100 bg white,1 bg forest_P2b,2 ;　島が隆起し、木々が生えて森を成し、塀が俺たちを囲んで屋根が俺たちを飲み込んだ。@ `An island rose up, trees sprouted and created a forest, walls surrounded us and a ceiling swallowed us.`@ br se1v 22,100 bg white,1 bfly1 0 bg Mhal_1a,2 ;　それはどんどんと装飾されていき、/ ;!d600……右代宮家の屋敷の、…ホールであることを気付かせる。\ `And was adorned with more and more things, `/ !d600`......made to be like the hall in the Ushiromiya mansion.`\ bg Mhal_1b,4 ;　黄金の蝶たちがたくさん羽ばたく幻想的なホールの中、@…パーティー会場のように、白いクロスを掛けたテーブルがたくさん並び、@美しい料理や果物が飾られた。@ `In the middle of the fantastical hall where many gold butterflies beat their wings, `@`...many tables were set up with white tablecloths, like it was a party,`@` and beautiful cooking and fruits were set out.`@ br ;　…そしてそこには、……大勢の姿が。@笑顔で談笑するみんなの姿が。\ `...And over there, ......were a great many shapes.`@` It was everyone talking together and smiling.`\ ld c,$BUT_NakuA3,6 ;「み、…………みんな………。」\ ;＜戦人 `"E, ............everyone........."`\ cbfly 0 bg white,4 bfly2 0 bg Mhal_1c,4 ;　それは、親父に霧江さんに、蔵臼伯父さんたちに楼座叔母さんに、もちろん絵羽伯母さんたちまで。@ `There was Dad and Kyrie-san, Krauss oji-san, Natsuhi oba-san and Rosa-oba-san, and of course, even Eva oba-san and Hideyoshi oji-san.`@ br ;　……譲治の兄貴に朱志香に真里亞に、…いやいや、紗音ちゃんに嘉音くんに、郷田さんも熊沢さんもいる。\ `......George-aniki, Jessica, Maria, ...wait, wait, even Shannon-chan, Kanon-kun, Gohda-san and Kumasawa-san are here.`\ ;　みんなみんなパーティー会場にいて、手を叩きながら、俺たちが帰ってきたのを祝福してくれた…。\ `Everyone, everyone was in the party, clapping their hands and celebrating our return...`\ se1 54 bg Mhal_1a,0 ld l,$GEN_defA1,0 ld c,$NAT_waraiA1,0 ld r,$KLA_defA1,24 wait 2000 se2 54 bg Mhal_1b,0 ld l,$NAN_defA1,0 ld c,$HID_waraiA2,0 ld r,$EVA_waraiA1,24 wait 2000 se3 54 bg Mhal_1c,0 ld l,$GOH_omakaseA2,0 ld c,$KIR_defA1,0 ld r,$RUD_waraiA1,24 wait 2000 se1 54 bg Mhal_1a,0 ld l,$KUM_waraiA2,0 ld c,$MAR_waraiA2,0 ld r,$ROS_waraiA2,24 wait 2000 se2 54 bg Mhal_1a,0 ld c,$KAN_nayamuA1,0 ld r,$JES_waraiA1,24 wait 2000 se3 54 bg Mhal_1a,0 ld c,$GEO_waraiA2,0 ld l,$SHA_waraiA1,24 wait 2000 bg Mhal_1a,2 ld r,$BUT_komaruA1,24 ;「ど、…どうしてだ…。@みんな死んだのに…！@　どうして生きてるんだ…？！」\ ;＜戦人 `"Wh, ...why...?`@` Even though everyone was dead...!`@` Why are they alive...?!"`\ ld l,$WAL_WaraiA1,23 ;「……黄金郷では、全ての死者の魂を蘇らせることができるのです。@……お帰りなさい、ベアトリーチェ。@/ `"......In the Golden Land, the souls of all the dead can be revived.`@` ......Welcome back, Beatrice. `@/ ld l,$WAl_defA1,80 ;そしてようこそ、戦人くん。@黄金郷へようこそ。」\ ;＜ワルギリ `And welcome, Battler-kun.`@` Welcome to the Golden Land."`\ bfly1 0 bg Mhal_1a,0 ld c,$BEA_OdorokiA2,23 ;「…………妾は、…至ったのか。@…黄金郷への扉に、/ ;!d800…至ったのか。」@ ;＜ベアト `"............I, ...made it?`@` ...I made it, `/ !d800`...to the door of the Golden Land?"`@ ld r,$RON_WaraiA1,24 ;「はい。@……お嬢様はついに、全員を黄金郷へお招きできたのです。@…ようこそ戦人さま、黄金郷へ。」\ ;＜ロノウェ `"Yes.`@` ......Milady, you have finally been able to invite everyone to the Golden Land.`@` Welcome, Battler-sama, to the Golden Land."`\ cbfly 0 bg Mhal_2a,0 ld r,$KIN_WaraiA1,24 ;「戦人。@………ようやくここへ辿り着いたか。」@ ;＜金蔵 `"Battler.`@` .........So, you have finally made it this far."`@ ld l,$BUT_odorokiA2,3 ;「じ、祖父さま…。@………俺は、…一体…。」\ `"G, Grandfather...`@`.........Where in the world, ...am I..."`\ ld r,$KIN_fumuA1,80 ;＜戦人 ;「…お前はわしの、…魔法と相容れぬ血を、もっとも濃く受け継いでしまったのだ。@…ゆえに、この黄金郷にお前だけが辿り着けず、ずっとベアトリーチェはそなたを探していたのだ。@…そなたをここへ連れて来るために、あらゆる手を尽くしておった。」@ ;＜金蔵 `"My, ...blood, which is incompatible with magic, runs most deeply in your veins.`@` ...Therefore, you were the only one who could not reach the Golden Land, and Beatrice has been searching for you the whole time.`@` ...She tried everything to bring you here."`@ ld l,$BUT_KomaruA1,80 ;「…………何だって……。」\ ;＜戦人 `"............What did you say......?"`\ me1 24 bfly2 0 bg Mhal_1a,0 ld c,$GOH_hohoemiA1,24 ;「さぁ、戦人さまもお席へ。@今宵の料理はこの郷田めの最高傑作を尽くしました。@どうかぜひご賞味ください。」@ ;＜郷田 `"Battler-sama, if you would take your seat.`@` Tonight's dinner is my very best work.`@` If you would, please relish it."`@ ld l,$RG6_nakuA1,23 ;「あんた光栄に思いなさいよね！！@　本当は私が全部食べるところを、お情けであんたらの分も残してあげてるんだからね！」\ ;＜ベルゼ `"You should be honored!!`@` Normally, I would have eaten all of it, but I left you some out of gratitude!"`\ bfly1 0 bg Mhal_1b,0 ld r,$BUT_komaruA1,24 ;「……七杭の、姉ちゃんたち…。」@ ;＜戦人 `"......The Nee-chans of the Seven Stakes..."`@ ld l,$RG3_hohoemiA1,0 ld c,$RG1_hohoemiA1,23 ld c,$RG1_fumanA2,80 ;「黄金郷では、意思ある者全てが公平だ。@……ここで我ら家具とて、ニンゲンとて魔女とて区別はない。」\ ;＜ルシファ `"In the Golden Land, all of those with minds are equal.`@` ......Here, there is no distinction between us furniture, humans, and witches."`\ cbfly 0 bg white,24 bfly2 0 bg Mhal_1c,0 ld r,$GEO_HohoemiA1,0 ld c,$SHA_WaraiA1,24 ;「…戦人さま。@お待ちしておりました。@/ `"...Battler-sama.`@` We were waiting for you. `@/ ld c,$SHA_TokuiA1,80 ;そしてようこそ、黄金郷へ…。」@ ;＜紗音 `And welcome to the Golden Land..."`@ ld l,$BUT_nakuA1,23 ;「紗音ちゃん、……譲治の兄貴…！！」\ ;＜戦人 `"Shannon-chan, ......George-aniki...!!"`\ ld r,$GEO_komaruA2,80 ;「……僕もまだ、これが夢じゃないかと疑ってるよ…。@僕たちは死んだはず。@/ `"......I'm still suspecting that this might be a dream...`@` We should have died. `@/ ld r,$GEO_WaraiA1,80 ;……でも、…生きてる。@そして全員が全員、ここにいて、……幸せなんだ。@…信じられない。」\ ;＜譲治 `......But, ...I'm alive.`@` And everyone, everyone is here, ......and happy.`@` ...I can't believe it."`\ bfly2 0 bg Mhal_1b,23 ld c,$EVA_NakuA2,24 ;「そうよ、どうせここは夢の中の世界なのよー！@　だから譲治がメイドの女と仲良くしてたって、どうせ夢なんだからぁ！@/ `"That's right, this place must be a dream wo-rld!`@` So it must be a dream that George is so friendly with a maid girl! `@/ se1 48 ;　うわぁん！」@ ;＜絵羽 `Whaaaaaah!"`@ ld l,$HID_defA1,80 ;「よさんか絵羽。@今は黙って若い二人を祝福せなあかん。@/ `"Could you give it a rest, Eva?`@` For now, you gotta stay quiet and bless the two young 'uns. `@/ ld l,$HID_WaraiA2,80 ;黄金郷は至福の都や。@ここではいがみ合いは一切なしやで…！」\ ;＜秀吉 `The Golden Land is a city of bliss.`@` We should never quarrel here...!"`\ ld r,$RG5_HohoemiA1,24 ;「ここでは、愛し合う者たちは全てが自由。@…誰にもはばかられることはない。」\ ;＜マモン `"Here, any people are free to love each other.`@` ...No one needs to hesitate over it."`\ bfly1 0 bg Mhal_1a,0 ld l,$RG7_HohoemiA1,23 ;「朱志香ちゃん、嘉音くん、素敵ぃ！@　妬けちゃうわー！」\ ;＜アスモ `"Jessica-chan, Kanon-kun, so wonderfuul!`@` I'm jealo-us!"`\ ;cl l,24 ld c,$KAN_nayamuA1,0 ld r,$JES_TereruA2,24 ld r,$JES_TereruA1,80 ;「……い、いよう、戦人…。@何だかその、わははははは…。」@ ;＜朱志香 `"......H, hey, Battler...`@` I'm a little, umm, wahahahaha..."`@ ld c,$KAN_fumanA2,80 ;「戦人さま、ようこそ。@そしてお帰りなさいませ…。」\ ;＜嘉音 `"Battler-sama, welcome.`@` And welcome home..."`\ ;　朱志香は多分、嘉音くんと手をつないでいることを恥ずかしがっているのだろう。@ `Jessica was probably embarrassed because she was holding hands with Kanon-kun.`@ br ;　そして嘉音くんは使用人らしく畏まって頭を下げたいのだが、@二人は互いに手を離さないので、うまく頭が下げられず、何だかちょっぴり滑稽な光景だ。\ `And Kanon-kun wanted to act humbly like a servant and bow, `@`but since neither of them could let go of the other's hand, he couldn't do it so well, and the whole scene looked fairly comical.`\ bg Mhal_1b,0 ld c,$NAT_ikariA1,24 ;「使用人の子となんて…！！@　駄目です、うちの朱志香がやれるわけありません…！！」@ ;＜夏妃 `"With a servant child...?!!`@` You can't, our Jessica cannot do such a thing...!!"`@ ld l,$KLA_AkuwaraiA2,23 ;「いいじゃないかね。@好きな相手くらい、自由に選ばせてやるといい。」\ ;＜蔵臼 `"It isn't really a problem, is it?`@` Let her at least choose the person she likes."`\ ld c,$NAT_OdorokiA2,80 ;「駄目です駄目です、あああぁあぁ、朱志香ぁああぁあぁ！」@ ;＜夏妃 `"She can't, she can't, aaaaaaaaaahhh, Jessicaaaaaaaaa!"`@ ld r,$EVA_NakuA1,64 ;「うちも駄目なのよぉおおぉ、譲治ぃいいいぃいぃ！」/ `"You can't eitheeeeeer, Geooooooooorge!"`/ se1 12 quakex 4,800 \ ;＜絵羽 ;　…夏妃伯母さんと絵羽伯母さんが抱き合いながら、可愛い子どもに未練の涙を流し合っている。@ `...As Natsuhi oba-san and Eva oba-san hugged each other, they cried tears of regret for their cute children.`@ br ;　……犬猿の仲の二人がだ。@ ;　…何とも不思議な光景。\ `......Even though they had always been at odds.`@ `...It was a very bizarre scene.`\ bfly2 0 bg Mhal_1a,0 ld r,$ROS_WaraiA2,24 ;「……いいじゃないですか。@誰が誰を好きになったって。」@ ;＜楼座 `"......It isn't really a problem, right?`@` It doesn't matter who likes who."`@ ld l,$KIR_komaruA1,23 ;「そうよ。@親が子離れしてない証拠ね。」\ ;＜霧江 `"That's right.`@` It's proof that a parent can let go of their children."`\ ld c,$RUD_AkuwaraiA1,24 ;「戦人ぁ。@俺はお前が、どんな女を連れ帰っても、生温かぁく受け入れてやるからな？」@ ;＜留弗夫 `"Battleer, `@`no matter what kind of woman you bring home, I'll accept her waaarmly, alright?"`@ ld l,$KIR_futekiA1,80 ;「この人に紹介しちゃ駄目よ？@　すぐ手を出すから。@とっとと駆け落ちしちゃうのよ。」\ ;＜霧江 `"You can't introduce her to this guy, alright?`@` He'll get his hands on her immediately.`@` He'll elope right away."`\ cbfly 0 bg white,23 bfly2 0 bg Mhal_2a,0 ld r,$MAR_AkuwaraiA1,23 ;「…………戦人。@やっとここへ来た。@きっひひひひひひひひ。」@ ;＜真里亞 `"............Battler.`@` You finally came here.`@` Kihhihihihihihihihi."`@ ld l,$BUT_OdorokiA2,23 ;「真里亞…。@………お前は最初から、/ ;!d800………ここへ来ることになると、…知っていたのか……？」\ ;＜戦人 `"Maria...`@`.........From the beginning, `/ !d800`......you knew that we would be coming here......?"`\ ld r,$MAR_WaraiA2,80 ;「うー！@　だから真里亞は何も怖くなかった。@みんなは臆病でびくびく。@面白かった！」@ ;＜真里亞 `"Uu-!`@` That's why Maria wasn't scared at all.`@` Everyone was a coward and trembling.`@` It was funny!"`@ ld l,$BUT_KuyasigaruA1,80 ;「……何てこった。@…一番ズレてると思ってたお前が、/ ;!d800…実は最初から真相を知ってたなんてな。」\ ;＜戦人 `"......What the hell.`@` ...Even though I thought you were the most screwed up, `/ !d800`...you actually knew the truth from the beginning."`\ ;bg Mhal_2b,0 cl a,0 ld c,$MAR_WaraiA2,0 ld r,$S45_majimeA1,24 ;「ぶっ、無礼です…！/ `"H, how rude...! `/ quakex 3,300 ;@　マリア卿に対してそのような口の聞き方、とても許せません！」@ ;＜４５ @`I really won't forgive you for speaking of Lady MARIA in that way!"`@ ld l,$S41_DefA1,23 ;「射撃曲線形成、攻撃準備よし。@/ `"Firing Curve Formation, Attack Preparations Ready. `@/ ld l,$S41_AkuwaraiA1,80 ;マリア卿、いつでも攻撃できます。@にひ！」\ ;＜４１０ `Lady MARIA, we can attack at any time.`@` Nihi!"`\ cl c,0 mld c,$MAR_AkuwaraiA2,23 ;「きっひひひひひひひひひひひひひひひひひひ…！@/ `"Kihhihihihihihihihihihihihihihihihihihihihihihi...! `@/ mld c,$MAR_fukigenA2,1 ;!s0　あ痛！」/ !s0`Ouch!"`/ se1v 6,90 quakey 3,300 !sd\ csp -1 bfly2 0 bg Mhal_2c,0 ld r,$GEN_MajimeA1,24 ;「…お静かに。@ベアトリーチェさまの御前です。」\ ;＜源次 `"...Be quiet.`@` You are in the presence of Beatrice-sama."`\ ld l,$RON_WaraiA2,23 ;「まぁ、硬いことを言わずに。@今ははしゃいで喜び合いたい気持ちを察しましょう。@/ `"Well now, don't be so cold.`@` Let us take notice that now, everyone feels like fooling around and playing together. `@/ ld l,$RON_DefA1,80 ;それより、乾杯の準備を始めようではありませんか。」\ ;＜ロノウェ `More importantly, why don't we begin preparing for the toast?"`\ cbfly 0 bg white,24 bfly1 0 bg Mhal_1a,0 ld c,$KUM_WaraiA1,24 ;「さぁさ、自慢の鯖料理の準備は充分ですよ。@いつでも配膳できますよ。」\ ;＜熊沢 `"Yes, preparations for my excellent mackerel cooking are complete.`@` I can serve it at any time."`\ cbfly 0 bg white,24 bfly2 0 bg Mhal_1c,0 ld r,$RG3_odorokiA1,24 ;「ほら！！　みんな！@　少しは家具らしく働きなさいよ！！」@ ;＜サタン `"Hey!! You guys!`@` Work a little more like furniture!!"`@ ld l,$RG2_nakuA1,23 ;「やーだー！！@　もっとつまみ食いするのー！@　うーあー！」\ ;＜レヴィア `"Nooooo!!`@` I'm gonna stuff myself some mo-re!`@` Uu-aaah!"`\ ;cl c,23 ld c,$RG4_hohoemiA1,24 ;「さぁ働こう。@お客人方を待たせるな。@私たちはあくせく働き、奉仕をしよう。@/ `"Come on, let's work.`@` Don't keep the guests waiting.`@` Let's work studiously and attend to them. `@/ ld c,$RG4_AkuwaraiA1,80 ;お客人たちに何もさせるな。@不精にさせて怠惰にさせて、ころころと豚のように肥えさせろ。@/ `Don't let the guests do anything.`@` Make them lazy, make them slothful, fatten them like pigs. `@/ se1v 37,100 ;あっははは！」\ ;＜ベルフェ `Ahhahaha!"`\ cbfly 0 bg white,23 bg Mhal_2b,23 ld r,$WAL_DefA1,4 E_MA ;「……ベアトリーチェ。@戦人くん。@こちらへ。」@ ;＜ワルギリ `"......Beatrice.`@` Battler-kun.`@` This way."`@ br ;　階段の踊り場の上に、祖父さまとワルギリアがいて、手招きをしている。\ `Grandfather and Virgilia were standing on the landing at the top of the staircase, beckoning us.`\ ;　俺とベアトは何事かと顔を見合わせてから、二人で階段を登った。\ `After Beato and I turned our heads to see what was going on, we climbed the stairs together.`\ bg M2F_P1c,22 ;　そこは、ホールから見るとまるで、とても高いステージの上のようだった。@ `From the hall, it looked like a very high stage.`@ br ;　そこには小さなテーブルが用意され、そこに羊皮紙と、古風な羽ペンが用意されていた。\ `A small table had been set up there, as well as a piece of parchment and an old-fashioned quill pen.`\ bg black,25 ;　見れば、怪しげな魔法文字と日本語が併記されている。@ ;　…そしてその下には、大勢の名前が書かれている。\ `I saw that strange magical characters and Japanese were written side by side.`@ `...And below it, many names were written.`\ ;　その数は１７。@ ;　……筆頭は祖父さまで、みんなの名前がそれぞれにぞろりと自署されている。@ `There were 17 of them.`@ `......Grandfather was the first, and everyone's names had been signed all over it.`@ br ;　多分、黄金郷に辿り着いた人間たちが、順々にそれをサインしていったのだろう。\ `The people who arrived at the Golden Land probably signed this one after another.`\ bg M2F_P1d,0 ld l,$KIN_DefA1,26 ;「戦人。@お前で全てが揃う。@心して聞くが良い。」@ ;＜金蔵 `"Battler.`@` Now that you are here, everyone is gathered.`@` Listen carefully."`@ ld r,$WAL_DefA2,24 ;「黄金郷は、魔女の力だけで保たれている世界ではありません。@そこで幸福を享受する全ての人間による協力と承認が必要なのです。@その為に、ここには全員のサインが揃わねばならないのです。」\ ;＜ワルギリ `"The Golden Land is not a world supported by the power of magic alone.`@` The cooperation and approval of all humans who receive happiness here is required.`@` For that sake, we must gather the signatures of everyone here."`\ ld l,$KIN_fumuA1,80 ;「前回。@黄金郷の扉がようやく開いたが、お前はサインを拒んだ。@……記憶にはないだろうがな。@お前がサインを拒んだ為、この世界を再び闇に閉ざしてしまったのだ。」\ ;＜金蔵 `"Last time, `@`the door to the Golden Land was finally opened, but you refused to sign.`@` ......Although you probably don't remember it.`@` Because you refused to sign, this world was once again sealed in darkness."`\ bg M2F_P1c,23 ld r,$BEA_defA1,0 ld l,$BUT_futekiA1,23 ld l,$BUT_AseruA1,80 ;「……それだけを聞いてると、…何だか俺ひとりが頑固で、@みんなに色々と迷惑を掛けたように聞こえるな…。」\ ;＜戦人 `"......Just hearing it like that, ...it kinda sounds like I'm the only stubborn one, `@`and that I've been a bother to everyone in various ways..."`\ ;bg M2F_P1d,0 ld r,$BEA_WaraiA4,24 ;「そなたの頑固は折り紙つきであるからな。@金蔵から受け継いでいるのは血だけではないらしいぞ。」@ ;＜ベアト `"That is because your stubbornness is authentic.`@` It seems that you received more than just blood from Kinzo."`@ br ;　ベアトが人懐っこそうに笑う。@ ;　一応、俺が馬鹿にされているはずなのだが、思わず釣られて笑ってしまうような笑顔だった。\ `Beato laughed amiably.`@ `I should have felt like she was making fun of me, but without thinking, I went along with her, laughing and smiling.`\ ld r,$BEA_DefA1,80 ;「魔法とは即ち、奇跡。@……奇跡は全員が信じあわねば完成せぬ。@……そして、最後のそなたが信じてくれることで、この奇跡は、…黄金郷は完成するのだ。」\ ;＜ベアト `"Magic is a miracle.`@` ......Miracles cannot be completed unless everyone believes.`@` ......And, when you believed in the end, this miracle, ...the Golden Land was completed."`\ ld l,$BUT_niramuA3,80 ;「………………何だか、色々迷惑を掛けちまったみたいだなぁ。@/ `"...............It looks like I've been a real pain. `@/ ld l,$BUT_DefA2,80 ;…それで、俺はどうすりゃいいんだ…？」\ ;＜戦人 `...So, what should I do...?"`\ bg M2F_P1c,23 ld c,$WAL_WaraiA1,4 ;「まず、ここにあなたのサインを。@次に、ベアトリーチェはここにサインを。」\ ;＜ワルギリ `"First, sign here.`@` Then, Beatrice, sign here."`\ bg Mhal_2d,25 ;ld c,$BUT_OdorokiA2,80 ;「……羽ペンって使い辛いな。@/ `"......It's hard to use a quill pen. `@/ se1 47 ;…うわ、弾いた。」@ `...Whoa, it shot."`@ ;ld c,$BEA_AkuwaraiA1,80 ;「下手くそめ。@インク弾きは縁起が悪いのだぞ。@自分の名前くらいとっとと書け。@ミミズがのたくるようにな。@くっくくくくくくくくく…！」\ `"You klutz.`@` Shooting ink is a bad omen.`@` Can't you at least write your name quickly?`@` You are wriggling like a worm.`@` *cackle*cackle*cackle*cackle*cackle*...!"`\ ;ld c,$BUT_NiramuA2,80 ;「お前こそ、何だよ…！@　カタカナで書くなよ！@　ベアトリーチェなんて洒落た名前なんだから、ちゃんと筆記体で書けよ！@　羽ペンと名前が泣いてるぜー！」@ `"You should talk...!`@` Don't write it in #86ef9ckatakana#ffffff!`/ mov %play_scene,30281 mov %grim_scene,308 mov %r_hyouji_grim,9 ;seplay 9,1062 @` Beatrice is a stylish name, so write it in cursive!`@` You're making the quill and your name cry!"`@ ;tttt ;ld c,$BEA_FukigenA2,80 ;「う、うるさいな、筆記体はテストの時は使うなと、授業で言われなかったか。」\ `"Sh, shut up, in school, didn't they tell you not to use cursive on tests?"`\ bg M2F_P1d,0 ld r,$KIN_waraiA2,26 ;「これ、厳かな儀式であるぞ、沈黙せよ。」\ ;＜金蔵 `"This is a solemn ceremony. Be silent."`\ ;cl c,23 ld l,$WAL_MajimeA1,23 ;「結構。@二人のサインが揃い、誓約書の書式が揃いました。@……二人には宣誓を。@まずはベアトリーチェから。@誓約書に手を添え、誓約を。\ `"Very well.`@` We have gathered the two signatures, as well as the form for the covenant.`@` ......Both of you, your oath please.`@` We'll start with Beatrice.`@` Put your hand on the covenant, and take the oath.`\ ld l,$WAL_WaraiA1,80 ;　……“ベアトリーチェは良き魔女として、人々の幸福のために今後も修行を続けることを誓います”。@…さぁ。」\ `......'As a good witch, Beatrice swears to continue her studies from now on to bring happiness to the people'.`@` ...Say it."`\ cl r,23 ld r,$BEA_fukigenA2,4 ;「……う、……うむ…。@……な、何だか恥ずかしいぞ。@/ `"......H, ......hmm...`@`......I, it's a little embarrassing. `@/ ld r,$BEA_iiwakeA1,80 ;……ベ、ベアトリーチェは良き魔女として、/ ;!d1000人々の幸福のために今後も修行を続けることを誓います。@……これで良いか。」\ `......As a good witch, `/ !d1000`Beatrice swears to continue her studies from now on to bring happiness to the people.`@` ......Is that alright?"`\ ld c,$KIN_WaraiA1,80 ;「よろしい。@次は戦人だ。」@ ;＜金蔵 `"Acceptable.`@` Battler is next."`@ ld l,$WAL_DefA2,80 ;「戦人くんも同様に。@誓約書に手を添え、誓約を。@……“右代宮戦人は黄金郷の一員として、自身と隣人の幸福のために奉仕することを誓います”。」\ `"In the same way, Battler-kun.`@` Put your hand on the covenant, and take the oath.`@` ......'As a member of the Golden Land, Battler swears to serve for the sake of his own happiness and that of his neighbor'."`\ bg M2F_P1c,23 ld c,$BUT_AseruA1,24 ;「うー、/ ;!d800…右代宮戦人は、/ ;!d1000黄金郷の一員として、自身と隣人の幸福のために奉仕することを誓います。@/ `"Ah, `/ !d800`...as a member of the Golden Land, `/ !d1000`Battler swears to serve for the sake of his own happiness and that of his neighbor. `@/ ld c,$BUT_WaraiA1,80 ;……俺も恥ずかしいぜ…。」\ `......I'm embarrassed too..."`\ ;ld c,$KIN_IkariA1,80 bg white,24 me1v 24,80 bg Mhal_2d,22 ;「聞け、皆の者…！！@　今ここに、黄金郷を認める、１８人の人間全員の誓約が揃った…！！」\ ;＜金蔵 `"Listen, everyone...!!`@` Here and now, we have gathered the oaths of all 18 humans accepting the Golden Land...!!"`\ se1v 54,100 ;　金蔵がそう宣言すると、一堂は一斉に拍手で俺たちを讃えた。@ `When Kinzo proclaimed that, everyone applauded at once, praising us.`@ br ;　……俺ひとりが頑固なだけで迷惑を掛けたのに、一番祝福されてるようでむしろ申し訳ない。\ `......Since I had been the only stubborn one and had just been a pain, I felt a little bad about being the most celebrated one.`\ bg white,2 bg M2F_P1c,0 ld c,$WAL_MajimeA1,26 ld c,$WAL_DefA2,80 ;「それでは、古式に則り、最後に誓約した戦人くんに、黄金郷への招待状のサインを求めます。@……これは、黄金の魔女、ベアトリーチェを黄金郷へ招くためのもの。@黄金郷は、それを認めた人間たちの総意によって黄金の魔女を招き、そして完成するのです。」\ ;＜ワルギリ `"And with that, in accordance with the ancient rites, we ask Battler-kun, the last to make the oath, to sign the invitation to the Golden Land.`@` ......This is something that invites the Golden Witch, Beatrice, to the Golden Land.`@` The Golden Land invites the Golden Witch through a consensus of those who have accepted it, and becomes complete."`\ ld r,$KIN_DefA1,24 ;「戦人、読み上げるぞ。@しっかり聞け。@…………“我々１８人は、黄金の魔女をベアトリーチェと認め、黄金郷へ招きます”。」\ ;＜金蔵 `"Battler, I will read it out loud.`@` Listen carefully.`@` ............'The 18 of us accept Beatrice as the Golden Witch, and welcome her to the Golden Land'."`\ bg M2F_P1d,0 ld l,$BUT_DefA2,24 ;「何だよお前、俺が招待状を送らないと招かれないのかよ。」@ ;＜戦人 `"What's going on with you? You won't be invited unless I send an invitation?"`@ ld r,$BEA_fukigenA2,24 ;「そういう儀式らしい。@妾とて肩が凝るぞ。@/ `"It seems that is the ceremony.`@` It makes me uncomfortable. `@/ ld r,$BEA_WaraiA2,80 ;さっさと終わらせようではないか。@妾はさっきから腹が減ってかなわぬのだ。」\ `Why don't we end it quickly?`@` I've been so hungry for a while now."`\ ld l,$BUT_WaraiA1,80 ;「……そういや俺も、缶詰をちょいと突っついただけでロクなもんを食ってないぜ。@さっさとサインを済ませちまおう。\ `"......Come to think of it, I've only been pecking at canned food and haven't eaten anything good.`@` Let's quickly resolve this signature.`\ cl a,0 ld c,$BUT_defA1,23 ;　何々？@　“あなたを魔女と認めます”。@/ `What's this?`@` 'I accept you as a witch'. `@/ ld c,$BUT_waraiA2,80 ;………あれ？@　ずいぶんシンプルだな。@祖父さまめ、誇張して読みやがったな。」\ `.........Huh?`@` That's pretty simple.`@` Damn you Grandfather, exaggerating it so much."`\ ;■音楽急停止。@ベアトとワルギリ、顔面真っ黒の立ち絵。@ E_A ld r,$BEA_WaraiA2,0 ld l,$WAL_WaraiA2,26 ld r,$BEA_AkuwaraiA5,80 ;「ほらほら早く。」/ `"Come on, come on, quickly."`/ ld l,$WAL_AkuwaraiA2,80 ;「そこに、サインを。」@ `"Sign, right here."`@ ;＜ベアト ;＜ワルギリ me1v 16,50 ld c,$BUT_OdorokiA2,80 ;「…………ぇ…？」@ `"............Huh...?"`@ me2v 18,50 ld r,$BEA_AkuwaraiA2,0 ld l,$WAL_AkuwaraiA1,80 ;「早く。」「サインを。」@ `"Quickly." "Sign."`@ ;＜ベアト ;＜ワルギリ br ;　……何だか二人が、妙に気持ち悪い笑顔で、俺にサインを強請って来て…。\ `......With slightly weird and uncomfortable smiles, the two of them started demanding that I sign...`\ E_A bg cg11.png",23 se1v 1006,100 se2v 1006,100 se3v 2,100 bg white,1 bg black,2 bg cg11,0 ;■ガシャーン！！@　ガラスを破って現れるような登場音。@縁寿が登場。@ ;　その時、ホールにガラス窓をぶち割ったようなものすごい音が響き渡り、@賑やかな喧騒がシンと静まり返った。\ `At that time, an incredible sound like that of a glass window breaking reverberated through the hall, `@`and the bustling tumult melted back into complete silence.`\ me1v 16,50 bg Mhal_2d,22 ;　何事かと、俺は羽ペンを落とし振り返る。\ `I dropped the quill pen and turned around, trying to see what had happened.`\ bg Mhal_2c,46 ld c,$ENJ_defA1,42 ;　すると、/ ;!d1000……………どこから現れたのだろう。@ `When I did, `/ !d1000`............where had she come from?`@ br ;　…さっきまで、明らかにいなかった人間が、ホールの真ん中にいて、…俺たちを見上げていた。\ `...A human who clearly hadn't been there a short while ago was in the very center of the hall, ...looking up at us.`\ ;　誰だ……。@……女？@ ;　俺や朱志香と同じくらいの年頃だろう。@ `Who's that......?`@` ......A girl?`@ `She's probably about the same age as Jessica and me.`@ br ;　……しかし、知らない顔だった。@ ;　俺以外の全員にとっても知らない顔だった。\ `......But I didn't know that face.`@ `None of the other people here knew that face either.`\ bg M2F_P1c,0 ld c,$BEA_OdorokiA1,23 ;「……なッ、……何だ貴様は？！@　何者だ？！@　どこから現れた？！@/ `"......Wh, ......who are you?!`@` Who is this?!`@` Where did you come from?! `@/ ld c,$BEA_akuwaraiA4,80 ;　妾のパーティーに招待状なき客は必要ない。@家具ども、摘み出せッ！！」\ ;＜ベアト `Those without invitations are not needed in my party.`@` Servants, get her!!"`\ se1 57 mbg white,1 mcbg 0 bg Mhal_2a,0 ld c,$RG1_IkariA1,22 ;「仰せのままにっ！！@/ `"As you command!! `@/ ;se2v 57,100 ;bg white,1 ;bg Mhal_2a,0 ;bld c,$RG1_IkariA1,80 ;　囲め！！」\ ;＜ルシファ `Surround her!!"`\ textoff cl c,0 se1 57 mbg white,1 mcbg 0 ld l,$RG7_IkariA1,80 se2 57 mbg white,1 mcbg 0 ld c,$RG6_akuwaraiA3,80 se3 57 mbg white,1 mcbg 0 ld r,$RG5_akuwaraiA1,80 wait 300 se1v 57,100 se2v 57,100 mbg white,1 mcbg 0 bld l,$RG7_IkariA1,0 bld c,$RG6_akuwaraiA3,0 bld r,$RG5_akuwaraiA1,22 wait 500 cl a,0 bcl a,0 se1 57 mbg white,1 mcbg 0 ld r,$RG4_ikariA1,80 se2 57 mbg white,1 mcbg 0 ld c,$RG3_odorokiA1,80 se3 57 mbg white,1 mcbg 0 ld l,$RG2_akuwaraiA2,80 wait 300 se1v 57,100 se2v 57,100 mbg white,1 mcbg 0 bld r,$RG4_ikariA1,0 bld c,$RG3_odorokiA1,0 bld l,$RG2_akuwaraiA2,22 wait 500 ;se3 52 ;;ld l,$RG2_FumanA1,99,1500,"breakup.dll/llb" ;se2 52 ;ld l,$RG2_FumanA1,0 ;ld r,$RG3_OdorokiA1,99,1500,"breakup.dll/llb" ;se1v 57,100 ;csp -1 ;bg white,1 ;bg Mhal_2a,0 ;bld c,$RG1_IkariA1,0 ;bld l,$RG2_AkuwaraiA3,0 ;ld r,$RG3_OdorokiA1,80 ;se3v 57,100 ;csp -1 ;bg white,1 ;bg Mhal_2a,0 ;bld c,$RG1_IkariA1,0 ;bld l,$RG2_AkuwaraiA3,0 ;bld r,$RG3_IkariA1,80 ;　煉獄の七姉妹は七方向から取り囲み、紫色の軌跡を描く魔法の刃を出して牽制する。\ `The Seven Sisters of Purgatory surrounded her from seven directions, taking out magic blades that drew purple loci and blocking her.`\ me5v 17,50 textoff csp -1 bg Mhal_2b,23 ld c,$GOA_DefA1,26 ld l,$GOA_DefA1,26 ld r,$GOA_DefA1,26 se1v 57,100 se2v 57,100 bg white,1 bg Mhal_2b,0 ld c,$GOA_DefA1b,0 ld l,$GOA_DefA1b,0 ld r,$GOA_DefA1b,80 ;　さらにどこからともなく、わらわらと山羊頭の使用人たちが大挙して現れ、その女を取り囲んでしまう。\ `And from out of nowhere, shuffling goat-head servants appeared in great numbers, surrounding that girl.`\ ;lsp 899,$S41_MajimeA1,-40,0 ;print 63 ;lsp 898,$S45_MajimeA1,176,0 ;print 64 cl a,26 ld c,$BEA_futekiA1,26 se1v 57,100 bg white,1 bg Mhal_2b,0 ld c,$BEA_futekiA1,0 mld r,$S45_defA2,80 se2v 57,100 mcl r,0 bg white,1 bg Mhal_2b,0 ld c,$BEA_futekiA1,0 mld r,$S45_defA2,0 mld l,$S41_akuwaraiA2,22 ;　その上、シエスタ姉妹はベアトの前に壁のように立ち、黄金弓を構え、弦を引き絞る…。\ `On top of that, the Siesta Sisters stood in front of Beato like a wall, readying a golden bow and pulling back the bowstring...`\ csp -1 bg black,2 fede 0,2000 bgm1v 80,90 ;csp -1 bg Mhal_2c,0 ;ld c,$GOA_DefA1b,0 ;ld l,$GOA_DefA1b,0 ;ld r,$GOA_DefA1b,0 mld c,$ENJ_DefA1,24 ;「…………………………………。」\ ;＜縁寿 `"........................"`\ ;　しかし女はまったく動じない。@ `But the girl didn't move at all.`@ br ;　…それどころか、まったく気にもせず、相変わらず踊り場の俺たちを凝視している。\ `...On the contrary, she was still staring at us on the landing, as though she didn't mind at all.`\ ;bg black,25 ;　……誰を見ているんだ…？@　ベアト？@　祖父さま？@ `......Who is she looking at...?`@` Beato?`@` Grandfather?`@ br ;　…………まさか、……俺………？\ `............It couldn't be, ......me.........?`\ ;bg Mhal_2c,0 ;ld c,$GOA_DefA1b,0 ;ld l,$GOA_DefA1b,0 ;ld r,$GOA_DefA1b,0 mld c,$ENJ_fumanA2,22 ;　そうだ。@…女は、俺の目をじっと見つめ、…睨んでいる。@ ;　そして、俺と目が完全に合ってから、叫んだ。\ `Yes.`@` ...The girl was staring straight into my eyes, ...glaring.`@ `Then, after our eyes met perfectly, she yelled.`\ ;mld c,$ENJ_FumanA1,80 se1 27 wait 500 csp -1 bg black,1 ;「それにサインしては駄目ッ！！！@　自ら敗北を認めるの？！@　魔女に騙されないで！！！」\ ;＜縁寿 `"You must not sign that!!!`@` Are you going to accept your own defeat?!`@` Don't be tricked by the witch!!!"`\ ;ld c,$BUT_OdorokiA2,80 csp -1 bg M2F_P1d,0 ld l,$BUT_OdorokiA2,23 ;「……え？@　魔女に、/ ;!d800……え？！」@ ;＜戦人 `"......Huh?`@` By the witch, `/ !d800`......huh?!"`@ br ;me1v 21,50 me1v 5,70 bg black,1 ;　その時、俺の襟首がものすごい力で掴みあげられる。\ `At that time, something incredibly strong lifted me by the nape of my neck.`\ ;　…な、何事…？！\ `...Wh, what's going on...?!`\ bg M2F_P1c,0 ld r,$WAL_AkuwaraiA2,0 ld l,$GOA_DefA1,0 ld c,$GOA_DefA1,24 ;　そして後に振り返させられると、@……そこに、不気味な笑顔を浮かべたワルギリアと、そして屈強な山羊のバケモノたちの姿が…。@ `And after being made to turn around behind me,`@` ......I saw Virgilia, with an eerie smile on her face, and the muscular forms of goat monsters...`@ br ;　俺は、身長が２ｍはありそうな山羊のバケモノの、丸太のように太い腕で掴み上げられている…！\ `A goat monster that looked like it was 2 meters tall was grabbing me with an arm as thick as a log...!`\ cl c,0 ld r,$GOA_DefA1,0 mld c,$WAL_AkuwaraiA2,24 se1v 37,70 ;「ほっほほほほほほほほほほほ…。@招かれざる来客に耳を貸す必要などありませんよ。@さぁ、あなたはサインをするのです。@この宣誓書に。@“右代宮戦人は、魔女の存在を認める”と。@/ `"Hohhohohohohohohohohohoho...`@` There is no need to listen to an uninvited guest.`@` Come, give your signature as well.`@` On this written oath.`@` 'Ushiromiya Battler accepts the existence of witches'. `@/ se2v 37,100 ;さぁ、この宣誓書にサインを…！！」\ `Come now, sign the written oath...!!"`\ mcl c,0 bg Mhal_2d,1 ;!s0「い、…いでででででででででででッ！！/ !s0`"Ow, ...owowowowowowowowowowowow!! `/ se1 13 quakey 5,1000 ;!sd@　ち、畜生、離せッ！！！」/ !sd@`D, damn it, let go!!!"`/ quakex 5,500 \ ;　山羊のバケモノたちが、万力のような力で俺を締め上げながら、無理やり俺に羽ペンを握らせる。@ ;　…俺は抵抗は愚か、床に足を付けることさえ出来やしない…！\ `As the goat monsters constricted me with the power of a vise, they forced me to grab the quill pen.`@ `...I couldn't even touch the floor with my feet, much less resist...!`\ bg M2F_P1d,0 ld c,$BEA_AkuwaraiA5,26 ld c,$BEA_AkuwaraiA2,80 se3v 37,100 ;「戦人ぁ、何で抵抗するんだよぉ？@　さっきは、ころっとサインしてくれそうだったじゃないかよォおぉ…？@　今更心変わりなんてするなよォおおぉ。@魔女を認めてもいいかなァ…って、一瞬思っただろ？@　思ったんだろォおおおぉ？@/ `"Battleer, why are you resisting?`@` Weren't you just about to sign willingly...?`@` Don't change your mind now, after all that, alriiiight?`@` Didn't you think for an instant, ...that it might be alright to accept witches?`@` You thought that, riiiiiight? `@/ se1v 37,100 ;　くっきききっかっかかかかかかかかかかッ！！」\ `Kukkikikikkakkakakakakakakakakaka!!"`\ ;ld c,$BEA_KomaruA1,80 ;!s0「…………お、/ ;!d500……俺は、/ ;!d600……だ、/ ;!d400……騙されてたっての…か……？@　そんな馬鹿な………、/ ;!d800ベアトは、そんなヤツじゃ…、」/ !s0`"............I, `/ !d500`......I was, `/ !d600`......t, `/ !d400`......tricked......?`@` That's insane........., `/ !d800`Beato, isn't that kind of..."`/ !sd\ ld c,$BEA_AkuwaraiA5,80 ;ld c,$BEA_gamanA1,80 ;「…………………………。」\ `"....................."`\ ld c,$BEA_iiwakeA1,22 fedexx 50,10,10,0,0,0,1000 ;wait 1000 ld c,$BEA_gamanA3,80 wait 1500 ld c,$BEA_gamanA2,80 wait 2500 ;ld c,$BEA_akuwaraiA3,80 mbg black,1 se2v 37,100 bgmvol 90 mevol 1,70 mevol 2,70 ;「……ひ、……ひっひはっはっははぁあああぁあァア！！@/ `"......Hi, ......hihhihahhahhahaaaaaaaaah!! `@/ ;fedexx 90,70,70,0,0,0,1000 mcbg 0 mbg white,1 mcbg 0 se1v 2,100 ld c,$BEA_akuwaraiA4,80 ;　悪ィなぁ戦人ァ、こんなヤツでよぉおおおおぉ！！@　あぁもう駄目だ、甘ったるい浪花節はやっぱ妾の肌にゃ合わねぇやああぁあぁ！！@　お師匠様ァ、力尽くで頼むぜぇ！！@　地味ィな役回りだったんで、すっかり退屈してたんだッ！\ `Sorry, Battleer, I am that kind of persooooooooooon!!`@` Aah, it's useless now, it looks like sentimental #86ef9cnaniwa-bushi#ffffffs don't match well with meeeeeeeeeee!!`/ mov %play_scene,30282 mov %grim_scene,309 mov %r_hyouji_grim,10 ;seplay 9,1062 @` Teacher, I'm counting on you to use all your strength!!`@` That was such a plain role to play, and I got so bored!`\ ;tttt ld c,$BEA_AkuwaraiA2,80 ;　何者か知らねぇが、女ァ！！@　たっぷりグチャグチャのネチャネチャに、糸が引くほどぶっ殺してやるぜぇえええぇええ？！@　女に生まれてきたことを後悔させてやるよォオオォ、/ `I don't know who you are, girl!!`@` But I'll beat you to death, mash you and crush you until threads start trailing, alriiiiiiiiiiiiiiiiight?!`@` I'll make you regret being born a womaaaaaaaaaaaan, `/ se3v 37,100 ;ひゃっはあああああぁああぁああぁッ！！」\ `hyahhaaaaaaaaaaaaaaaaaaahh!!"`\ se1v 22,100 bfly1 30 cbfly 0 bg white,22 bg Mhal_2d,26 ;　ベアトが黄金の煙管を振り上げると、@ホールの天上の巨大なシャンデリアがバリバリと帯電して、そこから凄まじい紫の落雷が落ちる…！@ `As Beato waved her gold pipe, `@`the massive chandelier hanging in the hall was electrocuted, and from that, a terrible purple thunderbolt fell...!`@ bg white,1 bg Mhal_2d,22 bg white,1 bg Mhal_2d,22 bg white,1 se1v 27,100 se2v 27,100 se3v 27,100 bg Mhal_2d,22 bg white,1 quakey 6,1200 bg black,22 E_MA br ;　それは、真下の女に直撃し、消し炭にしてしまうはずだった。@ `It should have been a direct hit on the girl right below it, turning her to ash.`@ br ;　しかし、……髪の毛一本、焦がせていない。\ `However, ......not a single hair was singed.`\ textoff me1v 16,70 bg Mhal_2a,0 ld c,$ENJ_defA1,25 wait 3000 ld c,$ENJ_majimeA1,22 bfly1 0 bg M2F_P1d,0 ld c,$BEA_akuwaraiA1,6 ld c,$BEA_FutekiA1,80 ;「ほぉ…！！@　飛び入りするだけのことはある…！！@　聞こう！　名を名乗れ！！」\ ;＜ベアト `"Hoh...!!`@` So it was worth having you show up uninvited...!!`@` Tell me! Say your name!!"`\ bfly2 0 bg Mhal_2a,0 ld c,$ENJ_defA1,25 ld c,$ENJ_nayamuA1,80 ;「あんたに名乗る名前なんてないわ。@………それより。@/ `"I don't have any name to tell you.`@` .........More importantly, `@/ ld c,$ENJ_FumanA1,80 ;……馬鹿ッ！！！/ `......you idiot!!! `/ se2v 2,100 quakey 3,300 ;@　いつまで騙されてるのよ！！@　このお人好し！！@　早く気付いて！！@　これが全て全て魔女の罠であることに！！」\ ;＜縁寿 @`How long are you going to be tricked?!!`@` You softy!!`@` Figure it out quickly!!`@` This is all the witch's trap!!"`\ ;　その言葉は俺に掛けられているものだ。@ `Those words were aimed at me.`@ br ;　……これらが全て、/ ;!d800…魔女の罠だって…？@ `......This is all, `/ !d800`...the witch's trap, she says...?`@ br ;　そんなはずはない…。@ ;　ベアトは、改心して良い魔女になろうと誓って……。\ `That can't be...`@ `Beato reformed and swore to become a good witch......`\ cbfly 0 bg black,22 E_MA bg M2F_P1c,0 ld l,$BUT_KuyasigaruA1,26 ;「…………………ベアト……………。@…罠なんて、/ ;!d1000……嘘だよな……？@　嘘だと………、言ってくれ……。」\ `"............Beato...............`@`...Calling it a trap, `/ !d1000`......is a lie, right......?`@` Please........., tell me it's a lie......"`\ me1v 5,70 ld r,$BEA_iiwakeA1,2 wait 1000 ld r,$BEA_iiwakeA3,80 ;「……悪いなァ、戦人ァ。@結構面白かったぜぇ。@/ `"......Sorry, Battleer.`@` It was pretty interesting. `@/ ld r,$BEA_gamanA4,80 ;…しかしお師匠様の言う通りにしてみたんだが、本当に結構、いいとこまでイケたなぁ！\ `...Still, I was just trying to do what Teacher told me, but it really did work very well!`\ ld r,$BEA_futekiA2,80 ;　何でも、ツンツンと残虐を尽くした後に程よくヘタれてデレて見せると、好感度ってヤツが大幅アップするんだろー？\ `No matter what, after acting bad-tempered and exploring the depths of cruelty, by acting properly incompetent and soft, you get a massive rise on that goodwill meter thing, ri-ght?`\ me2v 17,70 ld r,$BEA_AkuwaraiA2,80 ;　デレてヤンでる悪役が最近はイケてるって聞いたぜええぇ？@　これでもよォ、最近流行りの漫画とかアニメとかギャルゲーで結構、勉強したんだぜー？\ `I've heard that villains who go soft and then crazy are pretty popular these daaaays, right?`@` Even sooo, I've studied a lot of manga, anime, and #86ef9cgalge#ffffff that have been popular recently, you seeee?`/ mov %play_scene,30283 mov %grim_scene,310 mov %r_hyouji_grim,11 ;seplay 9,1062 \ ;tttt ld r,$BEA_WaraiA2,80 ;　そうしたらお前、案の定、お涙頂戴でコロリだよ！！@/ `And for you, just as expected, it was 'tears please', and you're down!! `@/ ld r,$BEA_AkuwaraiA2,80 se3v 37,100 ;　ひっひゃっはっははははははははははははは、バーカ、本当に単純なヤツぅ！！@　これぞ名付けて“北風と太陽作戦”というわけよ。@くーっくっくっくっく！！」\ `Hihhyahhahhahahahahahahahahahahahaha, i-diot, what a truly simple person!!`@` I'll call this 'the North Wind and the Sun Strategy'.`@` *cackle*cackle*cackle*!!"`\ ld l,$BUT_odorokiA2,80 ;「……そんな、…………。@/ `"......How could, ............`@/ ld l,$BUT_Kuyasigarua1,80 ;!s0…………く、/ ;!d600…………くそ……、/ ;!d800てめぇ……。@/ !s0`............D, `/ !d600`............damn you......, `/ !d800`you bastard...... `@/ ld l,$BUT_nakuA1,80 ;!sdよくも騙しやがったな…！！」\ !sd`How could you trick me...!!"`\ E_MA textoff ld r,$BEA_iiwakeA1,2 ;wait 1000 ;ld r,$BEA_gamanA3,80 ;wait 500 ;「………………………………。@/ `"..............................`@/ ld r,$BEA_iiwakeA3,80 ;……あぁ、その表情が一番お前には似合ってるさ。@お前の気遣うようなあの表情な、妾にはやはり合わぬわ。@背中が痒くなって、それを堪えるので必死であったぞ。@/ `......Yes, that expression fits you the most.`@` That caring expression of yours really doesn't match me after all.`@` My back was itching, and I was frantically trying to withstand it. `@/ se2v 37,100 ;くーっくっくっくっくっくっく！！\ `*cackle*cackle*cackle*cackle*!!`\ ld r,$BEA_gamanA3,2 wait 1000 se1v 2,100 mbg white,1 mcbg 0 ld r,$BEA_AkuwaraiA2,22 ;　残念でしたァ、魔女はァ、改心なんてしませェん☆@/ `Too bad, witches don't refo-rm☆ `@/ ;ld r,$BEA_AkuwaraiA3,80 se3v 37,100 bg black,1 ;　ひゃあっはっはっはっはぁああぁあああああああ！！！@　サインを頼むぜお師匠様！@　飛び入り客は妾の獲物よッ！！」\ `Hyaahhahhahhahhaaaaaaaaaaaaaaahh!!!`@` You take care of the signature, Teacher!`@` This uninvited guest is my prey!!"`\ bg M2F_P1d,24 ld l,$GOA_defA1,0 ld c,$GOA_defA1,0 ld r,$WAL_AkuwaraiA2,24 ;「さぁ、あなたはもう、このサインを拒めませんよ。@……さぁ、ほら。@サインをして、身も心も魂も、奉げてしまいなさい…！！」\ ;＜ワルギリ `"Come, you can no longer refuse to sign.`@` ......Come on, look.`@` Sign it and offer your body, your mind, and your soul...!!"`\ ;se1 52 ;ld l,$GOA_DefA1,99,1500,"breakup.dll/ulB" ;　ワルギリアが顎を上げて合図すると、山羊のバケモノがさらに万力のような力で、@俺の腕を無理やり羊皮紙に近付けようとする……！@ `When Virgilia lifted her chin as a signal, the goat monsters, with an even more vise-like power,`@` forced my arm to approach the parchment......!`@ br ;　痛ててて…、こいつら、俺の腕をへし折ってでも、無理やりサインさせる気だ……。\ `Owowowow..., these guys are trying to make me sign, even if it breaks my arm......`\ ;■バシャーン！！！@ se1v 57,100 se3v 57,100 bg white,1 lsp bgsp,barrier,0,0 bg black,2 wait 500 se2v 55,100 bg M2F_P1d,99,3000,"breakup.dll/llB" csp bgsp print 22 me1v 16,70 ;　その時、真っ赤な光が俺を中心に弾けて、魔女たちと山羊のバケモノを弾き飛ばす。@ `At that time, a bright red light burst open with me at the center, knocking the witches and the goat monsters away.`@ br ;　あの女が、俺を助けたのか……？！@　し、しかし一体誰なんだ、心当たりがない！\ `Did that girl save me......?!`@` B, but who in the world is that? I don't have a clue!`\ bg black,24 bg Mhal_2b,24 ld r,$ENJ_nayamuA1,23 ;「こんなところで、いつまで遊んでいるつもりなの…？@　いい加減にして。@あなたが羨ましいわ、私は。」\ ;＜縁寿 `"How long do you plan to keep playing in a place like this...?`@` Give it a rest.`@` I'm jealous of you."`\ ld l,$BUT_KomaruA1,23 ;「…………た、助けてもらって何だが、酷ぇ言われ様だぜ。@/ `"............I'm glad you saved me, but that's a pretty cruel way to say it. `@/ ld l,$BUT_aseruA1,80 ;…すまねぇがあんた、どちらさんだ…？」\ ;＜戦人 `...Sorry, but who are you...?"`\ ;bg M2F_P1c,24 ld r,$ENJ_fumanA2,80 ;「…………………。@/ `"..................`@/ ld r,$ENJ_ikariA1,80 ;……………六軒島の魔女ッ！！@　彼は返してもらうわよ！！」\ `............Witch of Rokkenjima!!`@` Give him back!!"`\ me2v 5,70 bg M2F_P1d,0 ld r,$BEA_AkuwaraiA4,24 se3v 37,100 ;「くっははははははははッ！！@　誰が返すか愚か者ッ！！@　戦人は妾の玩具だ。@妾のお気に入りの、世界で一番の玩具だ…！！@/ `"Kuhhahahahahahahahah!!`@` Who would do that, you fool!!`@` Battler is my toy.`@` My most favorite toy in the world...!! `@/ ld r,$BEA_akuwaraiA3,80 ;　飽きぬぞ捨てぬぞ、誰にも渡さぬぞ！！@　戦人とて、今を精一杯楽しんでおる。@妾と一緒に、こんなにも楽しく遊んでおるのだ。@そなたが何者であろうとも、それを邪魔立てはさせぬ…！！」\ `I won't get tired of him, I won't throw him away, and I won't hand him over to anyone!!`@` Even Battler is enjoying this to the fullest.`@` Together with me, he is having so much fun playing.`@` No matter who you are, I won't let you become a hindrance...!!"`\ ;bg M2F_P1c,0 ld l,$ENJ_fumanA1,23 ;「ええ、本当に楽しそうね、腹立たしいくらいに羨ましいわッ！！@　こんな素敵なところで、みんなでわいわい楽しく賑やかにげらげらと！\ `"Yeah, it looks like you're having a lot of fun. It makes me so jealous, it's irritating!!`@` In a place like this, guffawing and having a loud, noisy time with everyone!`\ ld l,$ENJ_ikariA1,80 ;　たくさんの美人の魔女たちに囲まれてちやほやされて、@さぞや楽しくて帰りたくないでしょうよ！！」\ `Since you're surrounded by all these beautiful witches and being pampered,`@` it must be so fun that you don't want to go back!!"`\ cl r,23 ld r,$BUT_odorokiA2,24 ;「……お、…俺に言ってるのか…？@　おいおい、そりゃ誤解だ…！@　俺だって迷惑してる！@　何が楽しいもんか、俺の苦労を知りやがれってんだ…！」\ `"......A, ...are you talking to me...?`@` Wait wait, you've got the wrong idea...!`@` This is a pain for me too!`@` What do you mean, fun? Don't you know about my troubles...!"`\ bg Mhal_2d,1 ;!s0「何が苦労よッ！！！/ !s0`"What do you mean, troubles!!! `/ se1v 2,80 ;quakey 4,800 ;!sd@　お父さんお母さんと楽しく過ごして、いとこみんなできゃっきゃと遊んで。@愉快な魔女たちといつまでも永遠に遊んで過ごせる！@　なんてあなたは幸せなの？！@　あなたたちが羨ましいわよ、わかってる？！@　私も混ぜてほしいくらいッ！！」\ !sd@`You had fun living with Father and Mother, you played around with all of the cousins,`@` and you get to play with pleasant witches for all eternity!`@` Don't you realize the happiness you have?!`@` Don't you know that I'm jealous of all of you?!`@` So much that I want to join in too!!"`\ bg M2F_P1d,0 ld c,$BEA_futekiA2,22 ld c,$BEA_akuwaraiA2,80 se1v 37,100 ;「くっくくくくくく！！@　生憎だがそれは断るぞ。@妾は手持ちの玩具で満足しておる。@そなたのような粗野な玩具は、妾の玩具箱に相応しくない！」\ `"*cackle*cackle*cackle*!!`@` I'm sorry, but I'll have to reject that.`@` I am satisfied with the toy I have.`@` A rude toy like you is not fitting for my toy box!"`\ bg M2F_P1c,0 ld r,$ENJ_FumanA2,23 ;「えぇ、わかってるわ。@誰があんたなんかと遊ぶものですか。@/ `"Yes, I understand.`@` Who would ever play with someone like you? `@/ ld r,$ENJ_nayamuA1,80 ;……でも少しだけ感謝するわ。@……こうして、みんなに会わせてくれて。」\ ;＜縁寿 `......But I will thank you a bit.`@` ......For bringing everyone together like this."`\ ld l,$BUT_NiramuA3,80 ;「……お前、/ ;!d700………誰なんだ…。@…………………まさか…、」\ ;＜戦人 `"......Who, `/ !d700`.........are you...`@`.....................You couldn't be..."`\ bg M2F_P1d,0 ld c,$BEA_AkuwaraiA1,24 ;「なるほどそうか…。@………あぁ、わかったぞ、そなたの正体が！@/ `"I see, is that it...?`@` .........Yes, I understand, I know who you are! `@/ ld c,$BEA_akuWaraiA3,80 ;　…なるほどな、/ `...I see, `/ ;!d700ベルンカステル卿の送り込んだ駒とはそなたなのか。@気に入ったッ！！ !d700`so you are the piece Lady Bernkastel threw in.`@` I like it!!` se1v 2,100 \ se1 22 bg white,22 se2v 52,100 bg Mhal_2c,0 ld c,$BEA_futekiA1,99,1500,"breakup.dll/lrB" ;　改めてそなたを妾のパーティーに招こうではないか！！@　たっぷり歓迎してやるぞ…！！@　戦人共々、仲良く遊んで、壊して殺して潰して灰にしてパン生地に混ぜてふっくらと焼き上げてくれるわッ！！@/ `Why don't I formally invite you to my party!!`@` I'll welcome you fully...!!`@` Along with Battler, I'll play nicely, break you, kill you, crush you, turn you to ash, mix you with bread dough and bake you until you're fluffy!! `@/ se2v 37,100 ;　ふっはははははははははははっぁああああぁ！！」\ `Fuhhahahahahahahahahahahaaaaaaaaaaahh!!"`\ cl c,0 ld l,$BEA_futekiA1,0 ld r,$ENJ_nayamuA1,24 E_A se1v 2,100 se2v 2,100 bgm1v 84,80 ;「………あぁ、駄目ね、全然駄目だわ！@　あんたにそれは出来やしない！@　１９８６年の六軒島で。@…何があったのか、私が全て白日の下に晒してやるわ！\ `".........Aaah, it's useless, it's all useless!`@` You can't do that!`@` On Rokkenjima in the year 1986.`@` ...I will expose everything that happened to the light of day!`\ ld r,$ENJ_ikariA1,80 ;　あんたなんて、真実という春に怯える霜柱でしかないことを教えてやるッ！@　覚悟なさい、黄金の魔女ッ！@　ベアトリーチェ！！！」\ `I'll teach you that you're no more than an ice needle scared of the spring of the truth!`@` Prepare yourself, Golden Witch!`@` Beatrice!!!"`\ textoff se1v 2,100 ;seplay 1,43 ;bg MAP10,1 ;bg black,62 ;seplay 2,25 ;bg number,1 ;bg black,62 ;seplay 3,30 ;bg gold2,1 ;bg black,62 ;;＜戦人 ;bg white,1 ;;bg black,22 ;bgmvol 90 ;seplay2 2,46,100 ;■キャストロール textoff bg white,1 bg black,22 fedexx 100,0,0,0,0,0,1000 mov %Free1,1 ;スクロールの現在値 mov %Free2,1 ;スクロールの増加値 btndef "bmp\background\efe\end_3a.jpg" ;スクロール画像を読みこむ skipoff gosub *teatime_ep3_scroll ;スクロール実行本体 resettimer ;bg end_rogo,0 ;print 1 waittimer 8000 prnumclear ;数値ラベル設定クリア ; csp -1 ;スプライト全クリア ; btndef "" ;高速描画用画像の、メモリからの消去 ;ofscpy ;lsp 510,":c;bmp\background\efe\end_2b.bmp",0,0 ;print 1 bgcopy csp 500 csp 510 bg black,10,8000 fede 0,7000 wait 1000 ;bg "bmp\background\efe\end_2d.bmp",22 ;wait 5000 ;bg black,42 ;クリアフラグの更新 if %UMINEKOEND < 31 mov %UMINEKOEND,31 : mov %UMINEKOEND_FLG,31 ;クリアフラグの変更 se1 22 bg TEXT004,22 delay 10000 bg black,22 reset ;■EP4開幕。新島空港 *Umi4_opning if %UMINEKOEND_FLG = 40 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 mov %play_scene,40000 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,but mov %grim_scene,400 texton csp -1 bg black,2 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd mono 0 E_A textoff bg "bmp\background\efe\grimoire1.png",22 wait 3000 click bg black,2 wait 300 se1 28 bg text001,1 delay 6000 bg black,2 me2v 5,0 fedexx 0,0,70,0,0,0,3000 wait 3000 bgm1v 4,0 me1v 1,0 fedexx 0,70,40,0,0,0,4000 wait 3000 se1v 28,100 bg oct_4_1986,80 wait 3000 bg white,42 fedexx 70,0,0,0,0,0,7000 bg airp_w1e,22 wait 3000 bg white,2 bg airp_w1j,22 wait 1500 se1 4 wait 300 se2 20 quakey 4,300 se3 20 quakex 4,300 se1 12 se2 3 E_B E_MA bg white,1 quakey 6,700 wait 1000 bgm1 2 bg air_i2a,0 ld r,$HID_WaraiA1,5 ld r,$HID_WaraiA2,80 ;「わっはっはっは、大丈夫か、戦人くん…！@　もう地上やで、これ以上は落ちへんでぇ、わっはっはっは…！」\ ;＜秀吉 `"Wahahahaha, you alright, Battler-kun...?!`@` We're already on the ground, and you can't fall any further than that, wahahahaha...!"`\ bg air_i2b,0 ld c,$MAR_WaraiA2,24 ;「うーっきゃっきゃっきゃ！@/ `"Uu-, hahahahahaha! `@/ cl c,63 ;　落ちるー落ちるー、きゃっきゃっきゃ！」/ `Faaall, faaall, hahahahaha!"`/ se1 3 quakex 3,800 se2 4 quakey 2,500 se3 4 quakex 4,700 @ ;＜真里亞 br ;　新島空港のロビーを、興奮した真里亞が駆け回る。@ ;　機内での戦人の騒ぎがよっぽど面白かったのだろう。\ `In the lobby of the Niijima airport, Maria dashed around in excitement.`@ `Battler's uproar in the plane must have been very interesting.`\ ld r,$ROS_ikariA1,24 ;「こら、真里亞！@　いい加減にしなさい！@/ `"Hey, Maria!`@` Give it a rest! `@/ ld r,$ROS_aseruA1,80 ;　…ごめんね、戦人くん。@気を悪くしないでね。」\ ;＜楼座 `...Sorry, Battler-kun.`@` Don't take it badly."`\ ld l,$RUD_AkuwaraiA1,23 ;「なっさけねぇ男だなぁ、お前はぁ。@でけぇ図体して、相変わらず乗り物はダメなのかよ？」@ ;＜留弗夫 `"What a pa-thetic guy, you are.`@` Even with that hu-ge body, you still can't handle vehicles?"`@ cl r,23 ld r,$BUT_odorokiA2,24 ;「うるへー…。@人間誰しも苦手なモンの一つや二つ、あるもんだぜ…。」\ ;＜戦人 `"Ah, shut up...`@` All humans have one or two things they can't handle..."`\ bg air_i2a,0 ld l,$EVA_WaraiA1,23 ;「戦人くん、今度伯母さんと一緒に海外旅行に行きましょうよ。@ヨーロッパとか行かない？@　半日も飛行機に乗ってればきっと克服できるわよぅ。@くすくすくす！」\ ;＜絵羽 `"Battler-kun, why don't you come with your aunt on an overseas trip sometime soon?`@` What about Europe?`@` I'm sure you could manage a half-day trip on a plane.`@` *giggle*giggle*giggle*!"`\ ld r,$GEO_komaruA3,24 ;「…お母さんもよしなよ。@戦人くんの乗り物嫌いはきっと遺伝だよ。」@ ;＜譲治 `"...Stop it, Mother.`@` I'm sure Battler-kun's dislike for vehicles is inherited."`@ cl l,24 ld l,$KIR_WaraiA2,23 ;「あぁ、明日夢さんの？」\ ;＜霧江 `"Oh, from Asumu-san?"`\ cl r,23 ld r,$RUD_DefA2,24 ;「……あいつ、どーいうわけか乗り物系がダメでなぁ。@自転車と車以外はほぼダメだったぜ。@/ `"......For some reason, she just couldn't handle vehicles and the like.`@` Pretty much anything other than a bicycle or a car. `@/ ld r,$RUD_WaraiA1,80 ;どこか遠出しようとすると、アレはダメだコレはダメだ、@怖い怖い落ちる落ちるぎゃーぎゃーとうるせぇ女だったさ。」\ ;＜留弗夫 `Whenever we tried to go far away, that woman was so annoying with the 'no not this, no not that, `@`I'm scared I'm scared, fall fall, gyaah gyaah'."`\ ld c,$GEO_DefA1k,24 ;「子どもは、親が苦手がるモノを危険だと学ぶものです。@/ `"Children are taught that things which their parents can't seem to handle are dangerous. `@/ ld c,$GEO_HohoemiA1,80 ;きっと戦人くんは、明日夢さんのそういうところを見て、乗り物は怖いものだと覚えてしまったんでしょうね。」\ ;＜譲治 `I'm sure Battler-kun saw Asumu-san doing something like that and learned that vehicles are scary."`\ ld l,$KIR_futekiA1,80 ;「くすくす。@明日夢さんの遺伝子ってわけかしら？」\ ;＜霧江 `"*giggle*giggle*.`@` Could it be Asumu-san's genes, I wonder?"`\ cl c,0 cl r,0 ld c,$RUD_defA2,24 ;「さぁな。@だとしたら迷惑な遺伝子だな。@/ `"Who knows.`@` Those would be some pretty annoying genes. `@/ ld c,$RUD_majimeA1,80 ;………明日夢の話はよせ。@今、ここにいるのはお前だ。@そうだろ？」@ ;＜留弗夫 `.........Stop talking about Asumu.`@` Right now, the one who's here is you.`@` Right?"`@ ld l,$KIR_nayamuA1,80 ;「…そうね、ごめんなさい。」\ ;＜霧江 `"...You're right, sorry."`\ bg black,24 bg air_i2b,0 ld r,$HID_WaraiA2,24 ;「おーい、ハイヤーが来たでぇ！@　ちょうど３台や。@乗るで乗るで！」\ ;＜秀吉 `"He-y, the cars are here!`@` Exactly three of them.`@` Get on, get on!"`\ cl r,23 ld l,$MAR_WaraiA2,23 ;「落ちる落ちるー！！@　パラシュートどこーパラシュートどこー！！@/ `"Fall, faaall!!`@` Where's the parachu-te, where's the parachu-te!! `@/ cl l,23 ;　うーうーきゃっきゃっ！！」/ `Uu-uu-, hahahaha!!"`/ se1 3 quakex 4,1000 \ ;＜真里亞 ld c,$BUT_OdorokiA2,24 ;「こんにゃろ〜！！@　待て待て待ちやがれー！@/ `"You rasca~l!!`@` Wait wait wait u-p! `@/ cl c,23 ;　幼女くすぐりの刑に処してやる〜！！」/ `I'll sentence you to the little girl tickle punishme~nt!!"`/ se1 3 quakex 4,1000 se2 5 quakey 3,600 se3 4 quakey 3,600 \ ;＜戦人 bg air_i2a,0 ld r,$EVA_defA1,23 ;「うっふふふふ。@元気でいいわ。@戦人くんと真里亞ちゃんがいてくれなかったら、機内の空気はさぞや硬かったでしょうねぇ。」@ ;＜絵羽 `"Ehheheheheh.`@` It's good that they're in high spirits.`@` If Battler-kun and Maria-chan weren't there, the atmosphere in that plane would have been very stiff."`@ ld l,$RUD_DefA2,23 ;「ありがとよ。@言葉通りの意味で受け取っとくぜ。@/ `"Thanks.`@` I'll take that literally. `@/ ld l,$RUD_WaraiA2,80 ;……おら、ガキども！@　タクシー来てるぞ！@　お遊びは後にしろぃ。」\ ;＜留弗夫 `......Hey, brats!`@` The taxis are here!`@` You can play around later."`\ bg white,24 me1v 5,40 bg air_o2b,0 ld c,$MAR_WaraiA2,24 ;「うーうー！！@　タクシータクシー！！@　真里亞一番乗りー！@　きゃっきゃ！！」@ `"Uu-uu-!!`@` Taxiii, taxiii!!`@` Mariaaa gets on fiiirst!`@` Kyakkya!!"`@ ld r,$ROS_nayamuA1,24 ;「コラ！@　真里亞も戦人くんも、もうはしゃがない！@　人にぶつかるわよ！」@ ;＜楼座 `"Hey!`@` Maria, and you too, Battler-kun, stop fooling around!`@` You'll bump into someone!"`@ br ;　楼座叔母さんの声色が、ちょっぴり怖くなる。@ `The tone of Rosa oba-san's voice grew a little frightened.`@ br ;　戦人も、さすがにはしゃぎ過ぎたかなと思ったら、案の定、人に肩をぶつけた。\ `And Battler, as soon as he realized that they really were fooling around too much...just as expected, bumped into someone.`\ se1 13 bg white,1 quakey 5,800 bg air_o2b,0 ld l,$BUT_odorokiA2,22 ;「あ、すんません…。」@ ;＜戦人 `"Oh, sorry..."`@ ;bg car_i1a,26 ld r,$GEO_waraiA1k,24 ;「戦人くんたちはあっちの車だよ。@待たせちゃってるよー。」@ ;＜譲治 `"Battler-kun, you guys are going in that car.`@` You're keeping them waiting."`@ br ;　譲治に急かされ、戦人はぶつかった人に拝む仕草を送りながら、早く来いと呼ぶ両親のもとへ駆けていく。\ `After George urged him to hurry on, Battler apologized to the person he had bumped into and ran up to his parents, who were telling him to come quickly.`\ bg black,2 ;bg air_o2b,26 ;　３台のタクシーは、次々にバンバンっと扉を閉め、港へ向けて出発していった……。\ `With a clunking sound, the doors on the three taxis were shut one after another, and they departed, heading for the harbor......`\ fedexx 0,70,0,0,0,0,4000 wait 1000 bg air_o2b,2 ;　……彼らのタクシーが走り去ると。@ `......As their taxis dashed away...`@ br ;　世界の全てが急に鈍りだし、/ ;!d900……緩やかに停止した。\ `The entire world grew suddenly dull, `/ !d900`......and slowed to a halt.`\ textoff fede 0,3000 wait 1000 bgm1 49 mov %play_scene,40001 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_enj ;se1 56 bg air_o2bR,48 ;　声も風も、音も。@……何もかもが止み、動き動こうとする者すべてが、写真に撮られた瞬間でそのまま凍りついたかのように、@……停止する。\ `Voices, the wind, and even sound, `@`......everything stopped, and as if they had been frozen in the instant a photo was taken, everyone trying to move,`@` ......stopped.`\ ;　人も機械も時計の針も、風に舞う砂埃も、凍り付いている。@ `People and machines and clock hands, even the dust dancing in the wind, were frozen.`@ br ;　歩いてる途中の人が、片足を上げたまま、凍り付いている。@ `With one foot still raised, the people who were walking were frozen.`@ br ;　風に舞う紙くずが、空中に縫い止められ、凍り付いている。\ `Scraps of paper dancing in the wind were pinned in midair, frozen.`\ ;　……その、止まってしまった世界に立ち尽くすはずの人影がひとつ、動く。\ `......And among the shadows standing still in this world that had stopped, a single one moved.`\ textoff wait 2000 ld r,$ENJ_komaruA1,42 ;　それは女。@ `It was a girl.`@ br ;　さっき、戦人が肩をぶつけた女だった…。\ `The girl Battler had just bumped into...`\ ;　動いたといっても、それは本当にわずか。@ `While she had moved, it had truly been a subtle thing.`@ br ;　目線を落とし、ほんの少し肩を下げてため息をつく。@…それだけ。\ `Her gaze dropped, her shoulders lowered a miniscule amount, and she sighed.`@` ...That was all.`\ ;　普通の世界でだったら、動いた内にも入らないだろうそれも、@この静寂の世界では大いなる違和感を見せた。\ `In a normal world, that probably wouldn't even be taken as movement,`@` but in this still world, it looked very out of place.`\ ;　…すると、今度は別のものが動く。@ `...After that, something else moved.`@ br ;　タクシー乗り場の近くの影でまどろんでいた黒猫だった。\ `It was a black cat wandering around the shadows near the taxi rank.`\ ;　それは女のすぐ後までやってくると、@……ゆるりと、ニンゲンの姿を模して形を変えた。\ `It came up right behind the girl,`@` ......and leisurely...changed its form into that of a human.`\ se1v 52,40 ld l,$BER_DefA1,99,3000,"breakup.dll/urb" ;ld l,$BER_DefA1,99,3000,"whirl.dll/l" ;　猫ではない。@魔女だった。@ ;　もちろん、女の方だって、魔女なのだ。@ `It wasn't a cat.`@` It was a witch.`@ `Of course, the girl was also a witch.`@ br ;　立ち尽くす魔女は、目線を落としたまま、呟く…。\ `As the witch stood still, her gaze still downwards, she muttered...`\ ld r,$ENJ_komaruA3,80 ;「………みんなが六軒島へ行くのを、/ ;!d900……私は、止められないのね。」\ ;＜縁寿 `".........I can't, `/ !d900`......stop everyone from going to Rokkenjima, can I..."`\ ld l,$BER_DefA2,80 ;「止められないわ。@１９８６年１０月４日に、あなたはここにいない。」\ ;＜ベルン `"You cannot.`@` On October 4, 1986, you are not here."`\ ld r,$ENJ_komaruA2,80 ;「……私がここにいたなら、みんなを止めることも、不可能ではなかったの…？」@ `"......If I were, even stopping everyone wouldn't have been impossible...?"`@ ld l,$BER_DefA1,80 ;「６歳の女の子が、どう立ち回れば彼らを引き返させることが出来るのか、@私には想像もつかないけれど。@……そうね。@もしこの場に居たなら、確率はゼロではなかったわ。@ゼロでない確率ならば、私は奇跡を探し出せる。」\ `"Although I cannot imagine how a six year old girl could act to make them turn back.`@` ......That's right.`@` If you were in this place, the probability wouldn't have been zero.`@` If there is a probability other than zero, I can find a miracle."`\ bg black,22 ;「………私が体調を崩して、/ ;!d800…置いて行かれなければ………。」@ `".........If I hadn't been sick, `/ !d800`...and they hadn't left me behind........."`@ br ;　俯いた魔女は、両手の握り拳を固くする…。@ ;　…それは少しだけ震えていた。\ `With her head facing downwards, the witch tightened her fists...`@ `...They were trembling very slightly.`\ me1v 16,50 bg Different_spiral_1a,8 ;「あなたが寝込んだのは１９８６年１０月３日。@そしてベアトのゲーム盤は１０月４日から切り取られている。@……あなたには体調を崩さない可能性が与えられていない。@…つまり、あなたは本来、絶対にゲーム盤に上がれない存在なのよ。」\ `"You were sick in bed starting October 3, 1986.`@` And Beato's game board is cut off starting October 4.`@` ......You are not given a chance to avoid getting sick.`@` ...In other words, you are fundamentally an existence which certainly cannot rise to the game board."`\ bg black,22 mono 1 bg sky_1a,22 ;「恩着せがましくてありがとう。@……わかってるわ。@……こうして、お父さんやお母さんや、/ ;!d800………お兄ちゃんの元気そうな姿を、/ ;!d700……見られただけでも、@……これはとても素敵な奇跡なんだって、/ ;!d900………わかってるもの…。」\ `"Thanks for being patronizing.`@` ......I understand.`@` ......I know that just seeing Father, Mother, `/ !d800`.........and Onii-chan healthy like this, `/ !d700`......that alone, `@`......is a very wonderful miracle..."`\ ;　縁寿は、家族の前に立ち塞がり、空港の外へ、……六軒島へ行かせまいとしたはずだった。@ `Ange had supposedly been standing in the way of her family, trying to prevent them from going outside the airport, ......towards Rokkenjima.`@ br ;　…しかし、１９８６年１０月４日に存在し得ない彼女に、それは出来ないこと。\ `...However, it was impossible for her to exist in October 4, 1986, and she could not do it.`\ ;　兄に肩をぶつけられ、謝罪の言葉をもらえただけでも。@ `Just getting bumped into by her brother and being apologized to...`@ br ;!s0　…そして自分が妹だとわかってもらえなくても、/ ;!d900……涙が溢れるほどの、/ ;!d800……奇跡……。/ !s0`...Even though he hadn't known that she was his own little sister, `/ !d900`...it had been such a miracle, `/ !d800`......that she could cry......`/ !sd\ bg black,5 mono off fede 1,3000 wait 1000 bg air_o2bR,25 ;bgm1 47 ld r,$ENJ_fumana2,24 ;「…………嫌味を言ってごめんなさい。@私はあなたにもらった奇跡を、無駄になんかしないわ。」\ `"............I'm sorry for the sarcasm.`@` I won't waste the miracle you've given me."`\ ld l,$BER_DefA2,23 ;「頼もしいわね。@……さぁ、彼らと一緒に行きましょう。@六軒島へ。@駒たちがもうすぐ全て揃う。@……第４のゲームが幕を開けるわ。@ベアトも戦人も、もう席についてる頃よ。」\ `"How reliable.`@` ......Come, let us go with them.`@` To Rokkenjima.`@` All of the pieces are already gathered.`@` ......The curtain will open on the fourth game.`@` By this time, Beato and Battler are already seated."`\ se1v 21,50 bg black,2 ;「……六軒島へ……。@/ ;!s0…………私の、/ ;!d600…いや、/ ;!d500……みんなの運命を変えた、１９８６年１０月４日の、/ ;!d1000…六軒島へ………。」/ `"......To Rokkenjima......@/ !s0`............To where my, `/ !d600`...no, `/ !d500`......everyone's fates changed...October 4, 1986, `/ !d1000`...on Rokkenjima........."`/ !sd\ ;bg air_o2bR,0 ;　…あの日に、何があったというの？@ `...What happened on that day?`@ br ;　私はそれを暴く。@知る。@そして取り戻す…！\ `I will expose that.`@` Learn that.`@` And I'll take it back...!`\ me2 5 bg white,22 mono 1 bg sky_1a,26 ;　縁寿は両拳を握り締めたまま、きっと天を仰ぐ。@ ;　瞳の淵に溜まった涙の雫が一粒、宙に零れ落ちる。\ `As she stood there with her fists still clenched, she surely turned her face up to the heavens.`@ `A single teardrop from the depths of her eyes dripped down into the air.`\ textoff ;wait 2000 ;se1 1031 ;bg white,22 mono off ;print 1 ;bg air_o2bR,1 ;ld r,$ENJ_DefA1,0 ;ld l,$BER_DefA1,1 se1v 52,50 ;bg air_o2b,99,2000,"breakup.dll/lrb" bg black,99,2000,"breakup.dll/lrb" ;　そして二人の魔女の姿は、時が動き出す時に吹く暴風に飲み込まれて瞬時に消え去った。\ `And when time started moving again, the two witches' figures were sucked into a blowing gale and erased in an instant.`\ ;wait 2000 ;bg black,22 me3v 17,0 me4v 14,0 me5v 13,0 fedexx 0,100,100,100,100,100,6000 wait 1000 E_A ;■オープニング skipoff textoff ;E_A movie "movie\umineko_op3.mpg",click textoff wait 2000 ;■メタ世界（いつもの部屋じゃない場所？） *umi4_1 saveoff textoff mov %play_scene,40005 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_bea mov %grim_scene,400 mov %Free1,240 mov %Free2,0 se1 52 ;bgm1 40 bg Different_spiral_1a,2 wait 2000 bg white,8 bgm1v 42,1 wait 1000 bg sub_R1a,2 wait 2000 bg sub_R1b,6 fedexx 70,0,0,0,0,0,3000 se1 52 ld c,$RON_DefA1,99,2000,"breakup.dll/llp" saveon ;「おはようございます、お嬢様。@/ `"Good morning, Milady. `@/ ld c,$RON_WaraiA1,80 ;Start of craziness ;これはこれは、上機嫌なご様子。@快適なお目覚めのようですな。」\ ;＜ロノウェ `My, my, you do appear to be in a good mood.`@` What a pleasant awakening you seem to have had."`\ ;ld c,$RON_MajimeA1,0 ;E_A ;gosub *bea_Isyou2 ;!s50`end this translation...`\ ;!s0/ ;!s0/ ;!s0/ ;!s0/ ;bg black,0 ;se2v 37,100 ;;!s0#ff0000`Hahahahahahahahahahahahahahahahahahahaha`/ ;!s0#ff0000きひひひひひひひひひひひひひひひひひひひひひひひひひひひひひひ/ ;!d800くすくすくすくすくすくすくすくすくすくすくすくすくすくすくすくす、/ ;!d900「くっくっくっくっくっく、くっくっくっくっくっく、/ ;!d1000あっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっは！！」」/ ;se1 36 ;bg white,0 ;/ ;wait 50 ;bg blood_1a,0 ;se2v 37,100 ;!s0くすくすくすくすくすくすくすくすくすくすくすくすくすくすくすくす/ ;se1 36 ;bg white,0 ;/ ;wait 50 ;bg blood_2a,0 ;se2v 37,100 ;!s0くっくっくっくっくっく、くっくっくっくっくっく/ ;se1 36 ;bg white,0 ;/ ;wait 50 ;bg blood_1b,0 ;se2v 37,100 ;!s0あっはっはっはっはっはっはっはっはっはっはっはっ/ ;se1 36 ;bg white,0 ;/ ;wait 50 ;bg blood_1a,0 ;se2v 37,100 ;!s0はっはっはっはっはっはっはっは！！/#ff0000 ;E_A ;seplay 9,1022 ;bg white,0 ;ld r,$BEA_GamanA7,0 ;/ ;wait 50 ;bg "bmp\background\efe\end_2d.bmp",1 ;wait 600 ;reset ;End of craziness cl c,0 ld l,$RON_WaraiA1,0 ld r,$BEA_WaraiA2,24 se1 37 ;「快適な目覚めどころか…！@　ワクワクして一睡も出来なかったぞ。@/ `"What do you mean, pleasant awakening...!`@` I was so excited, I couldn't sleep a wink. `@/ ld r,$BEA_AkuwaraiA2,80 ;何しろ、楽しい楽しい第４のゲームの幕開けだからな…！」\ `After all, the curtain is rising on the fun, fun fourth game...!"`\ ;　興奮して一睡も出来なかったのは、どうやら本当らしい。@ `It seemed that she truly had been so excited that she hadn't gotten any sleep.`@ br ;　にもかかわらず寝不足そうな様子もないのは、若さゆえにか、精神年齢が幼いゆえにか。@ `Was the fact that she showed absolutely no signs of lacking sleep because she was young, or because her mental age was young?`@ br ld l,$RON_AkuwaraiA1,80 ;　ロノウェはそれを口には出さず、かわりに、ぷっくっくと笑う。\ `Ronove chose not to say that aloud, and laughed 'pu ku ku' instead.`\ ld r,$BEA_AkuwaraiA3,80 ;「前回は戦人のヤツを徹底的にケチョンケチョンにしてやった！@　あの、まんまとダマサレターという、戦人の顔！@　実にザマぁなかったぞ！@/ `"I really ran that Battler into the ground last time!`@` Ah, the look on his face when he was like 'you tricked me'!`@` That was so pathe-tic! `@/ ld r,$BEA_futekiA1,80 ;　それにしてもあやつめ、まだヘコんでるのではあるまいなぁ？」\ `Even so, is that guy still feeling down?"`\ ld l,$RON_waraiA1,80 ;「ヘコんでいる、と申しますと…？」\ `"Feeling down, you say...?"`\ ld r,$BEA_IiwakeA1,80 ;「ん、まぁ、そのだな。@…あやつめ、いい年してちょっと素直過ぎるトコとかあるだろう？」@ `"Hm, well, that's right.`@` ...That person is a bit too trusting for his age, right?"`@ ld l,$RON_AkuWaraiA1,80 ;「ございますな。@そこが魅力とも申しますが。@ぷっくっく…。」\ `"That is true.`@` Although you could call that his charm.`@` Pu ku ku..."`\ ld r,$BEA_WaraiA2,80 ;「くっくくくくく！@　そうであろう、そうであろう？@/ `"*cackle*cackle*cackle*!`@` Isn't that true, isn't that true? `@/ ld r,$BEA_fukigenA2,80 ;　まぁ、それでだ。@前回のアレ、あやつめ、コロっと引っ掛かってくれたであろう？」\ `Well, speaking of which.`@` Didn't he completely fall for that one last time?"`\ ld l,$RON_WaraiA1,80 ;「えぇ、コロっと豪快に。@…生まれてから、ただの一度も人に騙されたことのない無垢な、薔薇の蕾にも似た純粋さを、お嬢様が存分に蹂躙を。@…………冬の朝、美しき新雪の平原を存分に駆け回って、踏みにじり尽くす喜びにも換えがたいでしょうな。\ `"Yes, completely and splendidly.`@` ...You violated the purity caused by never being tricked by a person once since birth, as well as his rosebud-like innocence, all to your heart's content.`@` ............Even the joy of running around a field covered with beautiful new snow on a winter morning and trampling it completely wouldn't even begin to compare.`\ ld l,$RON_majimeA2,80 ;　お嬢様は戦人さまの純粋な心を、@実に痛快に、豪快に、無残に無慈悲に無教養に実はちょっぴりやり過ぎちゃったんじゃないかなァ…？@　なあんて不安になってしまうくらいに、陵辱の限りを尽くされましたとも。@普通ならヘコむでしょうなぁ。@ぷっくくくく、それはもう、二度とお嬢様の顔も見たくないくらいに。」\ `Didn't you take Battler-sama's innocent heart,`@` and quite thrillingly, splendidly, atrociously, mercilessly, and unculturedly go just a little too far...?`@` And you insulted him in the highest degree, enough to make one uneasy.`@` Most people would start to feel down.`@` Pu kukukuku, so much so that they wouldn't want to see your face again."`\ ld r,$BEA_fukigenA1,80 ;「わ、わかっておるではないか…！@/ `"S, so, you understand...! `@/ ld r,$BEA_iiwakeA1,80 ;　妾はそのだな、いよいよ第４のゲームが始まるというのに、@もしもあやつが意気消沈していて卓に着かないというようなことがあったら、また面倒だなァと思い、@そうならば先に対策を準備した方が良いかと思い、お前に先にそれを問うたわけだ…！」\ `I also, umm, thought that if he was so disheartened that he wouldn't join us at the table, `@`even though the fourth game is finally starting, that would be such a pain,`@` and thinking that it would be better to prepare a counter-measure for that case beforehand, I asked you first...!"`\ textoff fede 0,3000 bg sub_R1a,25 ;「ふぅむ…。@でしたらやはり、対策をご用意された方がよろしいでしょうな。@/ `"Hmmmm...`@` In that case, perhaps it would be best to prepare a counter-measure. `@/ me1v 5,50 ;残念ながら、戦人さまはお嬢様の例の『北風と太陽作戦』でかなりショックをお受けになったようです。」\ `Most unfortunately, due to your 'North Wind and the Sun Strategy', Battler-sama has received quite a shock."`\ ;「ほ、ほぅ…。@……ショックというと、どのくらい…？」@ `"H, hoh...`@`......A shock, you say...how badly...?"`@ br ;　ベアトは声を少し潜め、恐る恐る聞く。@ ;　ロノウェもそれに調子を合わせ、同じように声を潜めた。\ `Beato lowered her voice slightly, asking timidly.`@ `Ronove went along with that, and lowered his voice in the same way.`\ bg black,22 E_A bgm1 51 ;「……実は、膝を抱いてうずくまられて、もうだいぶになります。@何度かお声をお掛けしたのですが、お返事をされません。@お食事もお運びしたのですが、手を触れた様子もありません。」\ `"......In truth, he has been crouching and clutching at his knees for some time now.`@` I spoke to him several times, but he did not answer.`@` I also carried him food, but he made no effort to touch it."`\ bg sub_R1b,26 ld r,$BEA_odorokiA2,24 ;「…そ、それは…難儀だな……。@あやつ、そこまでヘコんでおったか……。」\ `"...Th, that is...troublesome......`@` Is he really feeling that down......?"`\ ld l,$RON_akuWaraiA1,24 ;「ぷっくくくく。@無理もありますまい。@…何しろお嬢様が、/ `"Pu kukukuku.`@` It is only natural.`@` ...After all, you did it `/ ;!s0徹・/ !s0`tho・`/ se1v 10,70 quakey 3,600 ;底・/ `rough・`/ se2v 11,70 quakey 3,600 ;的ッ/ `ly `/ se3v 12,80 quakey 6,900 ;!sdにおやりになられましたからな。@普通なら人間不信になりましょうな。」\ !sd`, Milady.`@` That would make most people start to distrust humans."`\ me1v 17,50 ld r,$BEA_iiwakeA2,80 ;「ほぉ、ニンゲン不信なら好都合！@　ニンゲンなど見限って魔女を信じると良いぞ、わっはっはっは……。@/ `"Hoh, distrust of humans? How convenient!`@` Let him give up on humans and trust witches, wahahaha...`@/ ld r,$BEA_nayamuA2,80 ;……………あ、…あぁ、/ ;!d800コホン。@済まぬ、ふざけが過ぎた。」@ `............O, ...oh, `/ !d800`*cough*.`@` Sorry, I shouldn't fool around too much."`@ br ;　ベアトは茶化したつもりだったが、どうやら状況はかなり深刻らしく、さすがに空気を読んで笑いを潜める。\ `Beato had tried to joke about it, but it seemed that the situation was quite serious, and she hid her laughter, reading between the lines.`\ textoff fede 1,2000 cl r,0 ld c,$BEA_odorokiA2,24 ;「……そんなにも深刻なのか…？@　だ、第４のゲームの開始はもう少し待ってやった方が良いか…？」\ `"......Is it really that serious...?`@` Sh, should we wait just a little longer before beginning the fourth game...?"`\ ld l,$RON_DefA2,80 ;「ベルンカステル卿のお客人もお出でになっておりますので、@第４のゲームは速やかに開始された方がよろしいでしょう。@/ `"Because Lady Bernkastel's guest will be coming,`@` it may be more appropriate to open the fourth game quickly. `@/ ld l,$RON_MajimeA1,80 ;ただ、お嬢様は戦人さまに多少、気を遣われても良いかもしれませんな。」\ `However, it might be useful if you were to show a little consideration, Milady."`\ cl c,0 ld r,$BEA_OdorokiA1,23 E_A se1 4 ;「気！@　気とな？！@　どう遣えば良いのか…！@/ `"Consideration!`@` Consideration, you say?!`@` How should I show that...?! `@/ bgm1v 89,10 ld r,$BEA_waraiA3,80 ;　あやつは落ち込んでいるのだから、/ ;!d900…そ、そうだな、元気付けてやるとか？！」\ `He is feeling down, so`/ !d900`...th, that's right, shall I cheer him up?!"`\ ld l,$RON_DefA1,80 ;「心を暗く閉ざした者に、暗く接しても無駄なこと。@その暗闇に負けないほどの明るさで照らし出す他ないでしょうな。」\ `"When a person's heart is dark and closed off, it is useless to interact with them darkly.`@` You can do nothing but shine with a brightness stronger than the dark."`\ bg black,25 ;fede 0,2000 se1 52 bg Different_spiral_1a,22 ;wait 1000 ;se1 22 ;bfly1 11 ;wait 1000 ;se2 22 ;cbfly 11 ;wait 1000 bg white,8 ;bgm1 42 bg black,22 se1 20 wait 1000 bgmvol 50 se2 13 bg G1F_S1aP,1 quakey 4,800 ld c,$BUT_aseruA1,26 ld c,$BUT_odorokiA2,80 ;「ちっくしょおおおおおお、いい加減にしやがれぇえええぇ…！！！」\ ;＜戦人 `"Damn iiiiiiiiiiiiiit, quit messing arooooooooouund...!!!"`\ bg G1F_S1bP,24 se1 52 ld r,$RG6_AkuwaraiA2,99,1000,"breakup.dll/urp" ;「きゃーっはっはっは！！@　戦人くぅん、こ〜ちらー！@　あんた如きにロノウェさまが焼いてくれたクロワッサンなんて勿体無いもーん！@/ `"Kya-hhahaha!!`@` Battler-ku-n, over he~re!`@` A croissant baked by Ronove-sama would be wasted on the likes of yo-u! `@/ ld r,$RG6_akuwaraiA1,80 ;　私が美味しく食べちゃおっかなぁ？」\ ;＜ベルゼ `Why don't I enjoy it myself?"`\ bg G1F_S1aP,23 ;ld l,$BUT_KuyasigaruA1,23 se1 11 quakex 5,400 se2 12 quakey 5,400 se3 4 wait 200 se1 12 quakex 6,500 se2 37 ;　香ばしいクロワッサンの香りに思わず空腹の音を鳴らせてしまう戦人。@ `Battler's stomach involuntarily growled at the fragrant smell of the croissant.`@ br ;　朝食の皿は空っぽだが、戦人が平らげたわけではない。@ ;　…煉獄の七姉妹で一番の食いしん坊、@ベルゼブブがロノウェが立ち去るのを待って、食事を摘み食いしに来ていたのだ。\ `His breakfast plate was empty, but Battler hadn't eaten any of it.`@ `...The biggest glutton of the Seven Sisters of Purgatory,`@` Beelzebub, had waited for Ronove to leave, and had then come to snatch the food away.`\ ;　戦人にそれを見つかってしまい、さっきからドタバタと実に賑やかだった。@ `Battler had noticed, and they had been really noisy ever since.`@ br ;　ベルゼブブも、さっさと返すか、さもなくば自分の口に放り込んでしまうかすればいいのに、@わざと戦人をからかってクルクルと逃げ回っている。\ `Even though Beelzebub only had to give it back immediately, or else throw it into her own mouth right away,`@` she intentionally ran around in circles, making fun of Battler.`\ se1 12 se2 2 ld l,$BUT_OdorokiB2,1 quakey 5,1000 ;「俺の朝飯、返しやがれぇええぇ！！@　今返したらデコピン１発で許してやる。@もしも食ったりしてみろぉ！！」\ `"Give me my breakfast back, damn iiiiiiit!!`@` If you give it back now, I'll let you off with a single flick to the forehead.`@` But just you try eating it!!"`\ bg G1F_S1cP,0 ld r,$RG6_akuwaraiA2,24 se2 47 ;「代わりにオマエを食べてやるぞ〜って？！@/ `"So are you gonna eat me inste~ad?! `@/ se1 37 ld r,$RG6_AkuwaraiA3,80 ;　きゃっはァ！@　私が食べられるものなら食べてごらんなさいよ、きっとパンケーキのハチミツのように甘いから。@/ `Kyaha!`@` If you can eat me, just try it! I'll bet I'd be as sweet as honey pancakes. `@/ ld r,$RG6_NakuA1,0 ld l,$BUT_MajimeB4,1 se1 10 quakex 4,800 ;!s0ッきゃ！」/ !s0`Kya!"`/ !sd\ ld l,$BUT_FutekiB2,80 ;「捕まえたぁ！！@　今はてめえの太腿よりそのパンが食いてぇんだ。@大人しくそいつを返しやがれぇええええ、@/ `"Gotcha!!`@` Right now, I want to eat that bread even more than your thighs.`@` Be a good girl and give it heeeeeeeeere, `@/ se1 6 quakey 3,300 se2 7 quakex 3,300 se3 8 quakey 3,300 ld l,$BUT_aseruB1,80 ;フガギギギギ…！！@　こいつ、最後まで抵抗をおおおお…！！」@ `fugagigigigi...!!`@` So, you resist until the eeeeeeeeeend...!!"`@ ld r,$RG6_OdorokiA2,80 ;「うぐぐぐぐ！！@/ `"Ugugugugu!! `@/ ld r,$RG6_FumanA2,80 ;　ダメよダメよあげないもん〜！！@　クロワッサンも、私に食べて欲しいって思ってるもん〜〜！！！」\ `No way, no way, I won't give it to yo~u!!`@` Even the croissant wants me to eat i~~t!!!"`\ textoff se1v 2,100 bg white,1 ;se1v 15,100 ;wait 1000 bg G1F_S1aP,0 ld c,$BEA_WaraiA2,0 se2v 54,100 se3 54 print 99,1000,"breakup.dll/urb" ;■扉がバンと開き、能天気に元気なベアト登場 ;「イ、イェ〜イ、やっほおおおおはよおおお戦人あああ〜っ！！@　こいつ、朝っぱらからまだクヨクヨしてるのかあ〜？！？！@　新しい一日とゲームの始まりであるぞォ、元気出してイってみよおおぉおおおぉぉぉおぉ！！」\ `"Y, yaa~y, yahooooooooo, g'moooooorning, Battleeee~r!!`@` Are you still moping so early in the morni~ng?!?!`@` It's the beginning of a new day, and a new game, so let's get our spirits uuuuuuuuuuuuuuup!!"`\ me1v 5,0 fedexx 20,70,0,0,0,0,3000 ;　…威勢良く扉が開き。@ `...She opened the door forcefully.`@ br ;　某キャラメルの箱に書かれたマラソンの人みたいに、両手を高々と上げて、@馬鹿みたいに明るそうに振る舞いながら、/ ;!d800……ベアトが登場する。@ `Like a marathon runner drawn on a certain caramel box, `@`with her hands held high and with an idiotic cheeriness, `/ !d800`......Beato appeared.`@ ;tttt br ;　なぜだか、万国旗やら紅白の紙吹雪が舞い散り、実におめでたい雰囲気満点だった。\ `For some reason, flags from around the world and confetti scattered about, looking completely stupid and out of place.`\ me2v 11,100 bg G1F_S1cP,0 ld r,$BUT_odorokia2,0 ld l,$RG6_OdorokiA3,24 ;　……クロワッサンを取り合って床で取っ組み合いをしていた戦人たちは、争いも忘れて絶句してしまう。\ `......Battler and Beelzebub, who had been fighting over the croissant, completely forgot about their argument, speechless.`\ ld l,$RG6_waraiA2,80 ;「きゃ、…きゃはははは！@　おはようございます、ベアトリーチェさまぁ！@　それでは私はこれで！@/ `"Ky, ...kyahahahaha!`@` Good morning, Beatrice-sama!`@` That's all for me! `@/ cl l,0 ld c,$RG6_AkuwaraiA1,23 ;　ハイ、戦人くん、あ〜んしてぇ！」\ ;＜ベルゼ `Here, Battler-kun, say aa~h!"`\ ld r,$BUT_komaruA1,80 ;!s0「むがッ！！/ !s0`"Mmmm!! `/ se1 10 quakex 4,800 !sd@/ se2 52 cl c,99,1000,"breakup.dll/urb" ld r,$BUT_KuyasigaruA1,80 ;　ふがふが、もぐもぐ、…ごくん。@…………………。@/ `Mmm mmm, *chomp*, ...*gulp*.`@` ...............`@/ ld r,$BUT_komaruA1,80 ;……い、いよお、おはようベアト…。@……朝から絶好調なようで何よりだ。」\ `......H, hey, morning, Beato...`@`......Glad to see you're in perfect form this morning."`\ me3 17 ;　………………………………。@ `........................`@ br ;　ベアトと戦人の目が合う。@ ;　…互いに相手の状況が理解できていないようだ。\ `Beato and Battler looked at each other.`@ `...It seemed that neither had a clue what was going on with the other.`\ ld l,$BEA_gamanA2,63 ;「ば、……戦人ぁ……？@/ ;!s0　どど、どういうことだロノウェぇええぇ、/ `"B, ......Battleer......? `@/ !s0`Wh, wh, what is this, Ronoveeeee, `/ cl l,64 se1v 2,100 E_MA bgmvol 50 quakex 5,600 ;元気そうじゃねェかよォおおおおぉおぉ！！/ `doesn't he look like he's in high spiriiiiiiits?!! `/ se2v 1006,100 quakey 6,1000 ;@　膝抱いてないしッ！/ @`He isn't clutching his knees! `/ se1 7 quakex 3,500 ;　返事してるしッ！/ `And he's answering! `/ se2 6 quakey 3,500 ;　というか食事中だったしッ！！」/ `Wait a sec, he was even in the middle of eating!!"`/ se3 8 quakex 5,800 !sd\ ;bgm1 19 bg G1F_S1bP,23 se1 52 ld c,$RON_AkuWaraiA1,99,1000,"breakup.dll/ulp" ld c,$RON_WaraiA1,80 ;「ぷっくくくくく！！@　いえいえ、毛布の中で、膝を抱くようにぐっすりお休みでございまして。@お目覚めの時間をお知らせしたのですが、まるでお起きになられず。@食事をしようにも、悪戯猫が迷い込んでそれどころではなかったようで。@ぷっくっく、ぷーっくっくっくっく！」\ `"Pu kukukukuku!!`@` No, no, he was sleeping like a baby in his futon, clutching his knees.`@` I informed him that it was time to wake up, but he just wouldn't get up.`@` I tried to feed him, but it seems that a naughty cat wandered in and prevented that.`@` Pu ku ku, pu- ku ku ku ku!"`\ ld l,$BEA_KomaruA1,23 ;!s0「ふ、/ ;!d700………ふがあああああぁああぁぁ…！！！@　騙されたああぁあぁあぁ…！！」/ !s0`"G, `/ !d700`.........gwaaaaaaaaaaaaaaahhh...!!!`@` You tricked meeeeeeeeeee...!!"`/ se1 12 quakey 3,600 se2 12 quakex 3,600 !sd\ ld r,$BUT_aseruA1,24 ;「ちぇ、よく言うぜ。@てめぇこそ、前回はでっかく騙してくれやがったじゃねぇか。@事情はさっぱりだが、朝からいい気味だぜ。\ `"Heh, you should talk.`@` Weren't you the one who played that massive trick last time?`@` I don't have a clue what's going on, `@`but you got what you deserved.`\ ld r,$BUT_futekiA1,80 ;　…とりあえずロノウェ、朝からナイス。」@ `...By the way, Ronove, nice one."`@ ld c,$RON_waraiA2,80 ;「ぷっくくく、恐れ入ります戦人さま。」\ `"Pu kukuku, thank you very much, Battler-sama."`\ ;　男同士で勝手に何かが通じ合ったみたいに親指を立て合い、二人はくすくすげらげらと笑う。@ `The two men stuck up their thumbs as though they understood each other, chuckling together.`@ br ld l,$BEA_AseruA1,80 ;　ベアトはしばらくの間、恥ずかしさを誤魔化すために大層賑やかに騒ぎ立てているのだった……。\ `For a while, Beato acted very energetically, trying to hide her embarrassment......`\ bg black,2 fede 0,2000 bg G1F_S1aP,23 ld l,$BUT_DefA1,23 bgm1 70 ;「へっ。@俺をあんまり舐めるんじゃねぇ。@まさか俺が膝を抱いて、まぁだいじけてるとでも思ってたのかよ？」@ ;＜戦人 `"Heh.`@` Don't take me so lightly.`@` Did you really think I'd still be hiding in a corner, holding my knees?"`@ ld r,$BEA_iiwakeA1,23 ;「くっくっく。@前回、あれだけ悔し涙を流しておったのはどこの誰だと言うのか。@あの涙をたっぷりと小瓶にでも集め、化粧水にすれば良かったわ。」\ `"*cackle*.`@` Then who was that person crying their eyes out in frustration last time?`@` You could've gathered your tears in a jar and called it face lotion."`\ ld l,$BUT_aseruA1,80 ;「う、うるせぇや。@あれはその、てめぇの下手くそな芝居の超展開にちょいと驚かされちまっただけだ。@見っとも無えトコを見せちまったが、二度と同じ手が通用すると思うなってんだ。」\ `"Sh, shut up.`@` That was, um, just because I was a little surprised by your crappy act.`@` I might have looked a little lame, but don't think that the same move'll work twice."`\ ld r,$BEA_waraiA2,80 ;「無論よ。@同じ手に何度も引っ掛かって妾を失望させるなぁ？@　くっくっくっく！」\ `"Of course.`@` And don't disappoint me by falling for the same move over and over again, alright?`@` *cackle*cackle*!"`\ ld l,$BUT_FutekiA1,80 ;「いっひっひ、あぁ、見てろよ。@俺は挫ける度に強くなる男だってことを教えてやるぜ。\ `"Ihihi, yeah, just you watch.`@` I'll teach you that I'm a guy who gets stronger every time he's beaten down.`\ ;me1 11 ld l,$BUT_nayamuA1,80 fede 0,2000 ;　…………だがな、ベアト。」@ `............But Beato."`@ ld r,$BEA_DefA1,80 ;「うむ、何だ？」\ `"Hmm, what?"`\ ;fede 1,1000 textoff wait 2000 me1v 16,50 ld l,$BUT_MajimeA1,80 ;「二度とするな。」\ `"Don't do it again."`\ ;＜ここで一心拍とめてセリフの空気感を変える ld r,$BEA_waraiA2,80 ;「ほぉ？@　何でだぁ？@　やはり搦め手は苦手かぁ？」\ `"Hoh?`@` Why's that?`@` So you really are weak against the rear attack?"`\ ld l,$BUT_NayamuA1,80 ;「…………俺とお前は敵同士で、@絶対に手を取り合うことはないってことを、/ ;!d800…俺はもう、はっきりと理解した。@/ `"............You and I are enemies,`@` and we'll certainly never join forces...`/ !d800`I now understand that clearly. `@/ ld l,$BUT_MajimeA4,80 ;……だからもう二度と、それを勘違いさせるような、不愉快な真似をするな。」\ `......So never again do something as unpleasant as trying to make me confused about that fact."`\ ld r,$BEA_akuwaraiA5,80 ;「くっくくく！@　そうは言うがな、そなたの弱点と知って、………。」@ `"*cackle*cackle*!`@` You say that, but I know your weaknesses, ........."`@ br ;　ベアトはまだ茶化しているつもりだったが、…戦人の表情からはそういうものはいつの間にか消え去っていた。@ `Beato thought they were still joking around, ...but that had disappeared from Battler's expression some time ago.`@ br ;　その瞳は、冷めてしまった紅茶の液面にも似ているとベアトは感じる…。\ `Beato felt as though his eyes were like the surface of black tea which had cooled down...`\ ld l,$BUT_oyaA1,80 ;「いいな。@二度とするな。」@ `"You hear me?`@` Don't do it again."`@ ld r,$BEA_FukigenA1,80 ;「………………。@……わからんぞォ？@　忘れた頃にまたやるかもなァ…？」\ `"............`@`......I don't get it.`@` I might do it again when you've forgotten, right...?"`\ ;ld l,$BUT_MajimeA3,80 cl l,24 ;「二度とするな。」@ `"Don't do it again."`@ ld r,$BEA_iiwakeA1,80 ;「…………ん、……………。」@ `"............nn, ..............."`@ br ;　有無を言わせない強い眼光に射抜かれ、ベアトは軽口を噤む。\ `Pierced by his strong and forceful gaze, Beato held her tongue.`\ ;　しばしの沈黙を、きっと戦人が笑って破ってくれると彼女は思っていたかもしれない。@ ;　…でも、戦人の真面目な表情はわずかほども変わらない。@ `She may have thought that Battler would surely break that silence with laughter.`@ `...However, Battler's serious expression didn't change in the slightest.`@ br ;　だから、その沈黙を破るために、ベアトは自ら笑い出さなければならなかった。\ `So to break that silence, Beato had no choice but to start laughing herself.`\ bg G1F_S1bP,0 ld c,$BEA_KomaruA4,24 ld c,$BEA_AkuwaraiA3,80 se1v 37,90 bgm1 61 E_MA ;「くっくっく、はっはははははははははははははは…！！@　それで良い。@そなたと妾は好敵手。@どのように良好な関係になろうとも、敵同士であることの一線を越えることはない。@そなたがそれを勘違いしなかったなら、妾はそれで十分だ。」\ `"*cackle*cackle*, hahhahahahahahahahahahahahahaha...!!`@` Very well.`@` You and I are worthy opponents.`@` No matter how good our relationship, we are never anything more than a pair of enemies.`@` If you have not mistaken this, that is enough for me."`\ bg G1F_S1cP,0 ld r,$BUT_futekiA1,24 ;「…そうだな。@お前が敵であることを、一瞬だけ忘れかけた。@/ `"...That's right.`@` I forgot that you were my enemy for just a second. `@/ ld r,$BUT_majimeA4,80 ;二度と同じ醜態は晒さない。@……お前の搦め手に掛かることは二度とない。@二度と…！」\ `I won't show such a disgraceful display again.`@` ......I won't fall for your rear attack again.`@` Not again...!"`\ ld l,$BEA_waraiA1,23 ;「………………………。@/ `"........................`@/ ld l,$BEA_akuWaraiA2,80 ;…ふっ！@　はっははひゃっはっは！！@　第４のゲームが待ちきれないのは、どうやら妾だけではなかったらしい。@嬉しいぞ、戦人。@さあ席に着け。」\ `...Fu!`@` Hahhahahyahhahha!!`@` It seems that I am not the only one who cannot wait for the fourth game.`@` I am pleased, Battler.`@` Come, take your seat."`\ ld r,$BUT_nayamuA2,80 ;「…おう。@望むところだぜ。@……もう小手先の騙しは効かねえぞ。」@ `"...Yep.`@` Just how I like it.`@` ......Clever little tricks won't work anymore."`@ ld l,$BEA_futekiA1,80 ;「粋がるな。@前回のゲームの最後の謎、南條殺しの謎も降参したままのくせに…！」\ `"Stop acting so tough.`@` You remain in a state of surrender for the last mystery in the previous game, the mystery of Nanjo's murder...!"`\ ld r,$BUT_niramuA3,80 ;「………今はまだ答えを保留するさ。@だがな、挫けたわけじゃねぇぞ。@必ずお前の“真っ赤な真実”を破り、魔女を否定して見せる…！」\ `".........I'm still waiting for an answer on that one.`@` But that doesn't mean that I've lost heart.`@` I will definitely break your 'red truth', and show that I can deny witches...!"`\ ld l,$BEA_akuwaraiA5,80 ;「ふ。@良い心意気だ。@やはりそなたは不死鳥の如き男よ。@妾の見込みを裏切らぬ！@　それでは第４のゲームの幕を開けよう。@/ `"Hmph.`@` A good disposition.`@` You truly are a man like a phoenix.`@` Don't betray my expectations!`@` With that, let us raise the curtains on the fourth game. `@/ ld l,$BEA_DefA2,80 ;だが、その前に。@我らは新しい客人を迎えなければならないようだ。」@ `But before that, `@`it seems that we must welcome a new guest."`@ ld r,$BUT_majimeA1,80 ;「客人……。」\ `"A guest......"`\ ;;fede 0,2000 me1v 5,50 bg black,22 mono 1 bg Mhal_1a,0 bfly2 0 ld c,$ENJ_DefA1,28 ;「そなたも覚えておろう？@　前回のゲームの最後で、招待状もなく現れ、余興を台無しにした謎の女よ。」@ ;「……あいつか………。」\ `"You remember as well, right?`@` That mystery girl, who appeared at the very end of the last game without an invitation, ruining my fun."`@ `"......That person........."`\ cbfly 0 bg black,25 fede 1,2000 mono off bg G1F_S1bP,0 ld c,$BEA_DefA1,22 ;「妾たちのゲームに加わりたいというのでな。@正式に招待状を送り、この席へ招かせていただいた。@/ `"She says that she wants to join our game.`@` I sent her an official invitation, inviting her to join this match. `@/ ld c,$BEA_WaraiA2,80 ;ロノウェ、客人を呼べ。」\ `Ronove, call the guest."`\ ;＜■音楽変化ポイント候補 E_A bg black,1 ;fede 0,1000 ;bgm1 47 wait 1000 bgm1 67 mov %play_scene,40005 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_enj ;「……その必要はないわ。@もういるわよ。」@ ;＜縁寿 `"......There's no need.`@` I'm already here."`@ br bg G1F_S1cP,22 ;　ベアトの呼び掛けに応える声が、部屋の隅の暗がりからする。\ `The voice that answered Beato's call came from the darkness in a corner of the room.`\ bg G1F_S1aP,0 ld c,$ENJ_nayamuA1,3 ;　戦人が驚き振り返ると、いつの間にかそこに謎の女の姿があった。\ `When Battler turned around in surprise, he could now see that mystery girl there.`\ cl c,0 ld l,$ENJ_nayamuA1,0 ld r,$BEA_AkuwaraiA1,24 ;「おやおや。@そなたも人が悪い。@来ていたならば挨拶のひとつもすれば良いものを。」\ ;＜ベアト `"My, my.`@` How rude.`@` Once you came, all you had to do was greet us."`\ ld l,$ENJ_defA1,80 ;「私、殴る前に挨拶する習慣ないの。@でも殴り終わったならするわ。」\ ;＜縁寿 `"I don't make a habit of greeting people before punching them.`@` But I'll say it after I punch."`\ ld r,$BEA_waraiA1,80 ;「ほお、何とする？」@ ;＜ベアト `"Hoh, and what is that?"`@ ld l,$ENJ_FumanA2,80 ;「グンナイト、/ ;!d800ハバナイスドリーム。」\ ;＜縁寿 `"#86ef9c#ffffff."`/ mov %grim_scene,401 mov %r_hyouji_grim,2 \ ;tttt ;>< ld r,$BEA_AkuwaraiA3,80 ;「くっくくくはっはっははははははは！@　笑える、実に笑える…！」@ ;　ベアトは手を打ちながらゲラゲラと笑う。@ `"*cackle*cackle*, hahhahhahahahahahaha!`@` I could laugh, I truly could laugh...!"`@ `Beato cackled and clapped her hands.`@ br ;　だが、それはベアトだけで、戦人の表情には苦笑いしか浮かばなかった。\ `But that was only Beato, and nothing rose to Battler's face except a bitter smile.`\ bg G1F_S1cP,24 ld l,$BUT_niramuA3,23 ;「……ひゅう。@あんた、武闘派だな。」@ ;＜戦人 `"......Whew.`@` You sure are a fighter."`@ ld r,$ENJ_DefA1,24 ;「…………………………。」\ ;＜縁寿 `"........................"`\ ;　戦人は女と目が合い、肩を竦めながらそう言う。@ ;　だが、女の返事はなく、代わりに冷めた眼差しを与えられるだけだった。\ `Battler and the girl's eyes met, and he said that as he shrugged his shoulders.`@ `But the girl didn't answer, giving only a cold stare in return.`\ ld l,$BUT_aseruA1,80 ;「……前回は土壇場で世話になったな。@礼を言うぜ。」@ ;＜戦人 `"......You helped me out in the last moments of the previous game.`@` I'm grateful."`@ ld r,$ENJ_FumanA2,80 ;「礼なんていらない。@あなたがブッ弛んでただけよ。@私は目を覚ませと言っただけ。」\ ;＜縁寿 `"I don't need gratitude.`@` You were just slacking off.`@` I only told you to open your eyes."`\ cl l,24 ld l,$BEA_waraiA2,23 ;「くっひゃっひゃっひゃ！@　そうだなァ、戦人はブッ弛んでるなァ、ひゃっひゃっは！」\ ;＜ベアト `"Kuhhyahhyahhya!`@` That's so true, stop slacking off Battler, hyahhyahha!"`\ ;　ベアトは同調するように笑うが、女の耳には届いていない。@ `Beato tried to laugh along with her, but it didn't reach the girl's ears.`@ br ;　ただただ、冷め切った瞳で戦人を凝視するのみだった。\ `She did absolutely nothing except stare at Battler with ice-cold eyes.`\ bg black,23 bg G1F_S1bP,0 ld r,$BUT_nayamuA2,23 ;「……………どうやら、俺は嫌われてるみてぇだな。」@ `"............Well, it looks like someone hates me."`@ ld l,$ENJ_defA1,23 ;「あなたが本気で戦ってないからイラついてるだけよ。」@ `"I'm just annoyed that you aren't fighting seriously."`@ ld r,$BUT_majimeA2,80 ;「俺が本気じゃないだと……？」\ `"You say I'm not serious......?"`\ ld l,$ENJ_NayamuA1,80 ;「まさか、あの体たらくが本気だったとでも？@/ `"You can't possibly mean that your predicament earlier happened because you've been serious, can you? `@/ ld l,$ENJ_IkariA1,80 ;　……馬鹿にしないで。@いつまで、こんな魔女の茶番に付き合ってるつもりなの。」@ `......Don't be a fool.`@` How long do you intend to go along with the witch's farce like this?"`@ ld r,$BUT_NiramuA1,80 ;「…俺は俺なりにベアトと戦ってる。@もちろん本気でだ。」\ `"...I'm fighting Beato in my own way.`@` And seriously, of course."`\ ld l,$ENJ_FumanA2,80 ;「本気で？@　………笑わせないで。@魔女といつまでも永遠にお茶を飲んで談笑しているだけのあなたが、本気で戦っている？@　冗談は髪型だけにして。」\ `"Seriously?`@` .........Don't make me laugh.`@` You keep on drinking tea and chatting with a witch for all eternity and call that fighting seriously?`@` Keep the jokes to just your hairdo."`\ ld r,$BUT_odorokiA2,80 ;「……そりゃあ、俺も最初はこの魔女のゲームに不慣れで、散々な目に遭わされてきたさ。@だがな、ようやく戦い方やそのコツが見えてきたところだ。@…俺のこれまでの無様さが、あんたには本気でないように見えたのなら、それは誤りだぜ。」\ `"......Well, that's because I wasn't used to this witch's game in the beginning, and I've been through a lot of harsh stuff.`@` Still, I'm finally starting to see how to fight and the knack to doing it.`@` ...If the pathetic way I've been acting makes it look like I haven't been serious to you, you're mistaken."`\ ld l,$ENJ_NayamuA1,80 ;「………そう？」\ `".........Is that so?"`\ cl a,0 ld c,$BUT_niramuA3,24 ;「確かに、俺がベアトの胸倉を掴みあげるのに必要な距離は、まだかなりあるだろうと思う。@/ `"Of course, I know I've gotta close in a lot more before I can grab Beato by the collar. `@/ ld c,$BUT_MajimeA2,80 ;しかしその距離はどれほど長大であろうとも有限だ。@そして俺はゲームを重ねる毎に、一歩一歩確実にその距離を詰めている！\ `But no matter how long that distance is, it is finite.`@` And in each game that passes, I am steadily closing that distance step by step!`\ ld c,$BUT_FutekiA3,80 ;　時間は掛かろうとも、あの魔女を追い詰め、必ずチェックメイトする。@……それにはヤツがよく口にするように、千年をかけるかも知れねぇ。@…だが、それでもいつか必ず打ち勝つ。@/ `No matter how long it takes, I will close in on that witch, and I'll definitely checkmate her.`@` ......It might take one thousand years like she always says.`@` ...But even so, eventually, I will certainly win. `@/ ;ld c,$BUT_FutekiA2,80 ;なぜか？@　俺が絶対に負けを認めないからだ。@絶対に立ち止まらない、追い詰め続ける！@　だからつまり、言えることはただひとつ。\ `Why?`@` Because I definitely won't accept losing.`@` I definitely won't stop walking, and I'll keep closing in on her!`@` So in other words, there's just one thing I can say for sure.`\ textoff se1 20 wait 400 se2 20 wait 200 se3 20 wait 400 bg white,1 bg G1F_S1bP,0 ld c,$BUT_OdorokiB1,1 ;!s0　……俺はいつか必ず、あの魔女に勝つ！/ !s0`......I will definitely win against that witch someday! `/ se1v 2,80 quakey 4,800 ;ってことだ。」/ `That's how it is."`/ !sd\ bg G1F_S1aP,0 ld l,$ENJ_DefA1,23 ;「気の長い話ね。@あなた勝つ気あるの？@　有限も、その扱いを間違えれば無限と化す。@今のあなたはすでに、亀すら追い越せないアキレスなのよ。@/ `"You sure talk a lot.`@` Are you even trying to win?`@` Even the finite can become endless if it's treated the wrong way.`@` By now, you've become an Achilles who can't even outstrip a turtle. `@/ ld l,$ENJ_NayamuA1,80 ;………なるほどね、私が必要なわけだわ。@こんなザマじゃ、何億年を掛けようとも、無限の魔女に勝てるわけがない。」\ `.........I get it. So this is why I'm needed.`@` At this rate, there's no way you could win against the Endless Witch even after a billion years."`\ ld r,$BUT_KomaruA2,24 ;「……お前は何者なんだ。@名前くらい聞かせてくれたってバチは当たらねぇだろ。」@ `"......Who are you?`@` It's not like you'll be struck by lightning if you just tell me your name."`@ ld l,$ENJ_komaruA1,80 ;「……………………………。」\ `"........................"`\ textoff fede 0,2000 ;＜■音楽変化ポイント候補 wait 1000 me1 16 ;　女はそこで沈黙し、戦人の目を真正面から見据える。@ `At that point, the girl fell silent, gazing straight into Battler's eyes.`@ br ;ld r,$BUT_NiramuA3,80 ;ld r,$BUT_KomaruA1,80 ;　戦人は初め、その眼力に負け少しだけ目線を泳がせたが、なおも自分の目を見つめ続けるその瞳に次第に飲み込まれる。@ `At first, Battler faltered under the firmness of that look and his gaze wavered slightly, but then his eyes gradually began to be sucked into the pupils that were staring at him.`@ br ;　……そしてその奥に、いつか見た輝きを見る…。\ `......Then, he saw a light that he had seen sometime before inside them...`\ bgm1 75 ;　戦人は、この場に決しているはずがない少女のそれにとてもよく似ていると直感したが、@……それは断じてありえないことだった。\ `Battler was struck with how they strongly resembled the eyes of a girl who definitely couldn't be here, `@`......but that was completely impossible.`\ ld r,$BUT_komaruA1,80 ;「…そんな馬鹿なとは思うんだが、/ ;!d800……なぜかそんな気がするんだ。@/ `"...I know it's stupid, `/ !d800`......but for some reason, I'm getting that feeling. `@/ ld r,$BUT_odorokiA2,80 ;でも、そんなことあるわけがない。@……まだ、あいつは６歳のはずだ。@/ ;!s0…………お前、まさか、/ ;!d900…………縁寿、なのか…………？」/ `But that can't be right.`@` ......That person's supposed to still be six years old. `@/ !s0`............You couldn't possibly be, `/ !d900`............Ange, could you............?"`/ !sd\ textoff fede 0,3000 wait 1000 ld l,$ENJ_DefA1,80 ;「……………………。@/ `"..................`@/ me1v 5,50 ld l,$ENJ_NayamuA1,80 ;そうだ、…と言ったら、あなたは信じるの？」\ `If I were to say 'that's right', ...would you believe me?"`\ ld r,$BUT_NiramuA3,80 ;「ん……………。」\ `"Nn............"`\ ld l,$ENJ_DefA1,80 ;「言い方を変えるわ。@“私はあなたの味方よ、だから信用して”、と言ったら。@あなたは信じるの？@　初対面の正体不明の女が、自分の知人に何となく似ているからという理由だけで、あなたは無条件に信用してしまうの？\ `"I'll say it differently.`@` If I said 'I am your ally, so trust me', `@`would you believe it?`@` Would you unconditionally trust some unknown girl you're meeting for the first time just because she looks a little like someone you know?`\ ld l,$ENJ_FumanA1,80 ;　……そんなお人好しだから、前回のゲームであっさり騙されて、悔し涙をぼろぼろ零すことになるのよ。@……あなた、自分で言ったわ。@その子は６歳なんでしょ？@　私が６歳に見える？@　にもかかわらず、私がその子だと自称したなら、それを鵜呑みにするの？」\ `......It's because you're such a softy that you were tricked so easily in the last game and cried so bitterly.`@` ......You said it yourself.`@` That kid is 6, right?`@` Do I look like I'm 6?`@` And despite that, if I were to claim that I am that kid, would you just swallow that story?"`\ ld r,$BUT_aseruA1,80 ;「……それを言われると、/ ;!d800…弱ぇな。@/ `"......If you say it like that, `/ !d800`...there's no way I can argue back. `@/ ld r,$BUT_NayamuA1,80 ;…すまん。@そうだな、俺はお人好しだ。@そいつを、前回のゲームで思い知らされたはずなのにな。@……お前が言う、俺が本気じゃないってのは、そういう意味か？」\ `...Sorry.`@` That's right, I am a softy.`@` And that should have been made clear after the last game.`@` ......Is this what you meant when you said I wasn't serious?"`\ ld l,$ENJ_NayamuA1,80 ;「そうよ。@あなたは魔女と戦っているつもりでしょうけど、ただ馴れ合って遊んでいるだけ。@……チェスで仲良く戦って遊んでいるだけなのよ。\ `"Yes.`@` You may think you're fighting with a witch, but you're just getting along with her and playing.`@` ......You're just playing by fighting in a friendly game of chess.`\ ld l,$ENJ_MajimeA1,80 ;　あなたたちにとってそれは真剣勝負でしょうけれど、@それを離れて見ている私には、仲良くルールに守られて、ただ遊んでいるようにしか見えない。」\ `That may be a serious contest for you two,`@` but looking at it from far away, I only see you playing around and following the rules like you're good friends."`\ ld r,$BUT_NayamuA2,80 ;「…………………。@……いっひっひっひ。@キツイな。」\ `"............`@`......Ihihihi.`@` That's harsh."`\ ld l,$ENJ_FumanA2,80 ;「でも、そのお遊びに勝てない限り、あなたはここから解放されない。@……だから私が来たのよ。@このゲームに決着をつけるためにね。@/ `"But as long as you can't win this game, you won't be released from this place.`@` ......That's why I came.`@` I came to bring this game to its conclusion. `@/ ;ld l,$ENJ_DefA1,80 ;……今のあなたは、魔女を追い詰めていると称しながら、車輪の中を延々と走り続けるハムスターみたいなもの。」\ `......You claim that you're closing in on the witch, but you're just like a hamster running around in a wheel."`\ cl r,23 ld r,$BEA_WaraiA1,24 ;「くっくっくっく！@　アレか、夜な夜なくるくると車輪の中を走り続けるアレか。」\ ;＜ベアト `"*cackle*cackle*!`@` Oh, that? That thing that runs around and around on a wheel night after night?"`\ ld l,$ENJ_defA1,80 ;「車輪の中を走り続けることは一見、無限のように思えるかもしれない。@……無限の魔女ベアトリーチェ。@まるであなたのことね。@そして、その車輪の中で、戦ってるつもりで滑稽にいつまでも走り続けているのが彼。\ `"At a glance, you might think that running around in a wheel is endless.`@` ......The Endless Witch Beatrice.`@` It's just like you.`@` And although he thinks he's fighting, he's actually just running around in the wheel making a fool of himself.`\ ld l,$ENJ_FumanA1,80 ;　……これはゲームじゃない。@彼を永遠に閉じ込めているだけの籠でしかない。」\ `......This isn't a game.`@` This is nothing more than a cage to shut him up for all eternity."`\ ld r,$BEA_AkuwaraiA1,80 ;「ほう。@……妾の無限を、ネズミが遊ぶ車輪風情に呼ばわるか。@面白い面白い、くっくっく…。」\ `"Hoh.`@` ......You liken my Endless to something like a wheel that a mouse plays in?`@` Interesting, interesting, *cackle*..."`\ ld l,$ENJ_nayamuA1,80 ;「ある次元における無限は、より高次元において無限を成さないものよ。@メンガーのスポンジが無限の表面積を持つのは三次元未満の世界での話。@/ `"Something that's endless in one dimension can be less than endless in a higher one.`@` The fact that a Menger sponge has infinite surface area only matters in a world of less than three dimensions. `@/ ;ld l,$ENJ_NayamuA1,80 ;三次元の現実においては、質量ゼロ。@無限どころか、存在さえ出来ない。」\ `In the three-dimensional world of reality, it has zero mass.`@` Not only is it not endless, it doesn't even exist."`\ ld r,$BEA_AkuwaraiA2,80 ;「くっくくくく…！@　威勢のいい女よ。@妾の敵を名乗る程度の資格はあるらしい。」\ `"*cackle*cackle*cackle*...!`@` What an assertive woman.`@` It seems you are worthy of being called my enemy."`\ cl l,24 ld l,$BUT_oyaA1,23 ;「…………あんた、何者なんだ。」\ ;＜戦人 `"............Who...are you?"`\ textoff fede 0,2000 bgm1 62 bg G1F_S1cP,0 ld c,$ENJ_DefA1,24 ;「私はあなたの味方。@そして魔女の敵よ。@………もちろん、信じなくていい。@/ `"I am your ally.`@` And an enemy of witches.`@` .........Of course, you don't have to believe it. `@/ ld c,$ENJ_NayamuA1,80 ;私が本当にあなたの味方であるかなんて、誰にも証明できない。@むしろ、私のことを胡散臭いと思うくらいの警戒心の方が望ましいわ。」\ `No one can prove that I really am your ally.`@` On the contrary, it is more desirable that you stay on your guard strongly enough to find me very suspicious."`\ bg G1F_S1bP,0 ld r,$BEA_WaraiA1,0 ld l,$BUT_oyaA1,23 ld l,$BUT_DefA2,80 ;「………そうだな。@前回、酷ぇ目に遭わされたんだ。@そのくらいの用心深さは必要だな。@/ `".........That's right.`@` Last time ended up pretty bad.`@` I've got to be at least that careful. `@/ ;ld l,$BUT_DefA2,80 ;…俺も、もう二度と騙されるのはごめんだぜ。」\ `...I don't intend to get tricked twice."`\ ld r,$BEA_AkuwaraiA2,80 ;「くっくくくくくくくくくくくく……！」@ ;＜ベアト `"*cackle*cackle*cackle*cackle*......!"`@ br ;　ベアトは実に小気味よく、そして戦人にとってのみ屈辱的であるように笑う。\ `Beato laughed in a truly pleasant way which was humiliating only to Battler.`\ bg G1F_S1aP,0 ld c,$ENJ_nayamuA1,23 ;「人はいきなり騙されたりはしない。@自らの確認を怠り、それを他人に委ねた時、騙される。@……他の人が渡り始めたからもう信号は青になったと思った、じゃ、事故の言い訳にはならないってこと。@わかる…？」\ `"People don't just get tricked out of the blue.`@` They get lazy from their own certainty, and when they entrust things to other people, that's when they get tricked.`@` ......Saying that you thought the light had turned green just because you saw other people start crossing doesn't count as an excuse for getting into an accident.`@` Get it...?"`\ cl c,0 ld l,$ENJ_nayamuA1,0 ld r,$BUT_niramuA1,24 ;「あぁ…、わかるぜ。@……与えられた情報を鵜呑みにするんじゃなく、自分の頭で考えろ、ってことだろ。@/ `"Yeah..., I get it.`@` ......You're telling me not to swallow information given to me by others, but to think for myself. `@/ ;ld r,$BUT_NiramuA1,80 ;………俺はベアトに見せられた魔法を鵜呑みにしていた。@ `.........I'd swallowed the magic that Beato showed me.`@ br ;(考えることを止めていた/・・・・・・・・・・・)。@だから、駄目だったんだ。」\ ;＜点処理：考えることを止めていた (`I'd stopped thinking`/・・・・・・・・・・)`.`@` So I was useless."`\ ;　戦人は自分の苦々しい敗北の数々を思い出して表情を歪める。@ ;　…それを見て不敵そうに魔女は再び笑う。\ `Battler grimaced as he remembered his many painful losses.`@ `...The witch watched and laughed again, putting on a bold appearance.`\ ld l,$ENJ_defA1,80 ;「私はあなたが有利になるように助言する。@もちろん、あなたは私のそれを鵜呑みにすべきではない。@私が味方であることの絶対の保証なんて、誰にも出来ないのだから。」\ `"I will advise you in a way that will be to your advantage.`@` Of course, you shouldn't swallow everything I say.`@` Because no one can provide certain proof that I am your ally."`\ bg black,25 mono 1 ld c,$WAL_DefA1,2 ;　前回、味方だと信じたワルギリアは、やはり魔女の仲間だった。@ `In the last game, Virgilia, who I'd thought was an ally, really had been on the witch's side.`@ br ;　……頼もしいとさえ思った彼女が最後に見せた、不気味な笑い顔が今も戦人の脳裏を離れない。\ `......Battler couldn't get that eerie smile worn by Virgilia, who he had even thought of as trustworthy, out of his head.`\ ;textoff ;ld c,$WAL_akuwaraiA1,1 bg black,2 mono off bg G1F_S1cP,0 ld c,$ENJ_FumanA2,22 ;「だから私を無条件で信用なんてしなくていい。@ゆえに私の助言も参考意見程度に留めてもらって大いに結構。@/ `"So you don't have to unconditionally trust me.`@` Therefore, taking my advice as nothing more than an opinion to be considered is just fine. `@/ ;ld c,$ENJ_IkariA1,80 ;だって、……魔女とのゲームを戦っ `After all, ......the player who's fighting in a game against the witch` br (`is you`/・・・)."`\ ;br ;ているプレイヤーは、(あなたなんだから/・・・・・・・・)。」\ ;＜点処理：あなたなんだから bg G1F_S1aP,0 ld r,$BUT_DefA1,24 ;「…そうだな。@外野の指し手に従って打ったから負けた、なんて情けねぇ言い訳だもんな。」\ `"...That's right.`@` Saying I lost because I followed the moves of an outsider would be just too pathetic of an excuse."`\ ld l,$BEA_waraiA2,23 ;「そうとも！@　妾の相手は戦人よ。@そなたなど外野に過ぎぬわ。@それを弁えているとは良いことだ。@くっくっく！」\ ;＜ベアト `"Oh yes!`@` My opponent is Battler.`@` You are nothing more than an outsider.`@` You should bear that in mind.`@` *cackle*!"`\ cl r,23 ld r,$ENJ_FumanA1,24 ;「いいえ、外野じゃないわ。@ベアトリーチェと右代宮戦人。@…そしてそれを俯瞰する私が、まるで三角形のような形になって戦うのよ。@一見、これは共闘ではないけれど、一緒に戦うばかりが共闘ではない。」\ `"No, I'm not an outsider.`@` With Beatrice and Ushiromiya Battler, `@`...and I who gaze down from above, it's almost like a fight in the shape of a triangle.`@` At a glance it might not be a united front, but just fighting together doesn't make a united front."`\ ld l,$BEA_futekiA2,80 ;「ほぅ。@珍妙なことを言い出す。」\ ;＜ベアト `"Hoh.`@` What an odd thing to say."`\ ld r,$ENJ_FumanA2,80 ;「さっき彼は戦うことを、あなたとの距離を詰めると表現した。@でも、ひとつの目では距離は測れない。@ふたつの目があって初めて物事は立体的に見え、その距離も測れる。@……そして二つの視点があっても、同じ場所からでは意味がない。@離れている方が、魔女を正確に測ることが出来る。」\ `"Just now, he described fighting with you as closing the distance.`@` But you can't measure distance with a single eye.`@` Only with two eyes are things visible in three dimensions, and only then can distance be measured.`@` ......And even if there are two fields of vision, it's pointless if they're in the same place.`@` The one further away can accurately gauge the witch."`\ bg G1F_S1bP,0 ld l,$BUT_DefA2,24 ;「……異なる立場から異なる角度で討つ。@/ `"......Shooting from different positions and different angles. `@/ ;ld l,$BUT_WaraiA1,80 ;…十字砲火ってことだな。@へへ、面白いぜ。」\ `...So this is what they call crossfire.`@` Heheh, interesting."`\ ld r,$ENJ_fumanA2,24 ;「異なる立場から、異なる角度で、討つ。@……だから私は誰とも馴れ合わない。@自分の立ち位置をずらし、魔女を挟み撃ちにするために。」\ `"Shooting...from different positions and different angles.`@` ......So I won't get along with anybody.`@` In order to separate my own position and catch the witch in a pincer attack."`\ cl r,23 ld r,$BEA_AkuwaraiA5,24 ;「………いいのか、戦人ぁ？@　その女は実は、妾が差し向けた伏兵かも知れぬぞ？@　もっともらしいことを言って、そなたを信用させようとしているだけかも知れぬぞ…？」\ ;＜ベアト `".........Is that alright, Battleer?`@` This girl may actually be an ambush I set up, right?`@` She might just be saying something plausible to gain your trust, right...?"`\ ld l,$BUT_FutekiA1,80 ;「……かもな。@こいつは、さっきからそれをずっと重ねて言っている。@…だからこいつの助言は、もちろん鵜呑みになんか出来ないだろうさ。@/ `"......Maybe.`@` She's been saying that over and over again herself.`@` ...So of course, I can't blindly accept her advice. `@/ ld l,$BUT_FutekiA3,80 ;だが、それが信用に値するものか否か、俺は自ら考えて、取捨することが出来る。@俺が自ら考えることを止めない限り、俺はもう誰にも騙されない…！」\ `But whether she's worthy of trust or not, I can think for myself and decide.`@` As long as I don't stop thinking for myself, I won't be tricked by anyone again...!"`\ ld r,$BEA_AkuwaraiA2,80 ;「くっくくくくく！！@　大した自信だぞ、右代宮戦人ァ！@　そこまで言い切ったそなたを、コロリと！@　また騙してみたいぞ…？@　そして再び騙されたことを知った時のそなたがどんな顔を浮かべるのか、妾は見てみたい！@　気に入った、くっははははははは！！」\ `"*cackle*cackle*cackle*!!`@` What confidence, Ushiromiya Battleer!`@` After you've said so much, `@`it makes me want to trick you all over again, you see...?`@` And I want to see what kind of face you'll make when you realize that you've been tricked again!`@` I like it, kuhhahahahahahahaha!!"`\ cl l,24 bg G1F_S1aP,0 ld l,$ENJ_DefA1,23 ld r,$BUT_DefA2,24 ;「…………あんたは俺の名を知ってるようだが、俺はあんたの名を知らない。@…名前を聞かせてくれ。」\ `"............It looks like you know my name, but I don't know yours.`@` ...Tell me your name."`\ ld l,$ENJ_komaruA1,80 ;「……………………………………。」\ `"........................"`\ ;　女はしばらくの間、表情ひとつ変えずに沈黙する。@ `For a while, the girl remained silent without changing her expression even once.`@ br ;　…まるで、名乗るべきかどうか迷っているような、あるいは、名乗る名前をこの場で決めているかのように見えた。\ `...She looked as though she couldn't decide whether to say her name or not, or possibly, as though she was deciding the name she would say on the spot.`\ textoff fede 0,2000 ld l,$ENJ_komaruA2,80 ;「……グレーテル。」@ `"......Gretel."`@ bgm1 49 ld r,$BUT_komaruA1,80 ;「グレてる？@　お前がか？」\ `"Ghetto?`@` You are?"`\ ld l,$ENJ_FumanA2,80 ;「馬鹿ね、名前よ。@私のことはグレーテルと呼んで。」@ `"That's my name, dumbass.`@` Call me Gretel."`@ ld r,$BUT_WaraiA2,80 ;「じゃあ、俺はヘンゼルとでも名乗った方がいいか？@/ `"Then should I call myself Hansel? `@/ cl r,0 ld c,$BUT_WaraiA1,24 ;　いっひひひ、冗談さ、俺は右代宮戦人！@　戦人と呼んでくれ。」\ `Ihihihi, just kidding, I'm Ushiromiya Battler!`@` Call me Battler."`\ ld l,$ENJ_NayamuA1,80 ;「…………よろしく。@…握手は嫌い。@気を悪くしないでね。」\ `".........Nice to meet you.`@` ...I hate handshakes.`@` Don't take it personally."`\ cl c,0 ld r,$BUT_aseruA1,23 ;「…そうだな、悪い。@お前が味方と決まったわけじゃないしな。@……警戒心を持てって言われたばかりなのにな。」@ `"...Ah, really? Sorry.`@` After all, it isn't certain that you're my ally.`@` ......And you just told me to keep my guard up too."`@ br ;　戦人は差し伸べた右腕を引っ込める。\ `Battler drew back his right hand, which he had stuck out.`\ ld r,$BUT_MajimeA1,80 ;　苦笑いはすぐに消え、四度目を数える新たなゲームへの強い決意を表情に浮かべた。\ `His bitter smile disappeared, and was replaced with a strong resolution for the new fourth game.`\ ld l,$ENJ_fumana2,80 ;「戦人。@……あなたはどうして魔女に勝たなければならないのか、よく考えて。@……気に入らないからやっつけるなんて、抽象的なものでは駄目。@……絶対に魔女を打ち倒してこの世界から抜け出すという、強い信念を持って。\ `"Battler.`@` ......Think deeply about why you must win against this witch.`@` ......You can't stop with something abstract, like 'I'll get her because I don't like it'.`@` ......Have a deep conviction that you'll definitely defeat the witch and escape from this world.`\ ld l,$ENJ_komaruA3,80 ;　………あなたの帰りを待っている人が、/ ;!d800………必ずいるから。@……その子のためにも、/ ;!d900…………………………。」\ `.........Because there is definitely, `/ !d800`.........someone waiting for you to come back.`@` ......For that kid's sake as well, `/ !d900`........................"`\ ;　何か思うことでもあるのだろうか。@ ;　グレーテルは胸元に握り拳を作ると俯き、しばらくの間、言葉を失い沈黙した。\ `Maybe she was thinking about something.`@ `Gretel clenched her fists in front of her chest and hung her head in silence, at a loss for words for a short while.`\ bg G1F_S1cP,0 ld c,$BEA_AkuwaraiA5,64 E_A bgm1 61 se1 37 ;　その沈黙を打ち破るように、ベアトが威勢のいい声で宣言する。\ `As though smashing through that silence, Beato spoke up in a forceful voice.`\ ld c,$BEA_AkuwaraiA2,80 ;「よし、これにてグレーテルとやらの自己紹介も十分であろう！@　さぁさ思い出して御覧なさい、１０月４日に何があったのか！@/ `"Good, that should be enough of an introduction for Gretel or whoever!`@` Come, try to remember, what happened on October 4! `@/ ;ld c,$BEA_AkuwaraiA2,80 ;　くっひひひひひひひ、第４のゲームの幕開けであるぞ！！」\ ;＜ベアト `Kuhhihihihihihihi, the curtain opens on the fourth game!!"`\ ;＜■音楽変化ポイント候補：停止、無音？ ;me1 14 ;fede 1,2000 ;　その声と同時に、１９８６年１０月４日に巻き戻された時計が、どっと吹く突然の暴風のように、……動き出す。\ `At the same time, as though it had been blown by a sudden gust of wind, the clock which had been turned back to October 4, 1986, ......started to move.`\ mov %play_scene,40005 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 me1v 5,90 textoff se3 22 bg Different_spiral_1a,99,3000,"whirl.dll/r" ;fede 0,2000 ;wait 1500 se1 52 bg white,2 bg sky_3a,22 ;　魔女のお茶室にいながら、私たちは眼下に青く灰色な海と、緑色の六軒島、@……そして航跡を引きながらそこへ向かう船を見る。@ `While we remained in the witch's tea room, the blue-gray sea and the green Rokkenjima spread out beneath us, `@`......and we could see a boat heading there, its wake trailing behind it.`@ br se2 21 ;　大空はすでに曇り、台風の結界がもうじき島を閉ざそうとしている。\ `The sky was already cloudy, and it seemed that the barrier of the typhoon would soon shut the island away.`\ textoff fede 0,3000 wait 2000 ;＜■音楽変化ポイント候補：wngless？ bgm1 82 bg white,22 bg Ship_S1b,0 ld r,$GOH_DefA1,2 ;　船が船着場に接岸し、/ ;!d1000………待っていた郷田が、下船の介添えをしているのが見える。\ `The boat docked in the harbor, `/ !d1000`.........and Gohda could be seen, helping unload it.`\ bg black,22 ;bg Ship_S2a,26 ;　そして、/ ;!d800……船は全ての客を降ろし、/ ;!d800………島を離れていく。@ `Then, `/ !d800`......the boat dropped off all of the passengers, `/ !d800`.........and began to separate from the island.`@ br ;　島に、親族たちが飲み込まれていく。\ `The relatives started to get swallowed up by the island.`\ ;bg black,22 bg beach_1a,0 ld c,$JES_WaraiA1,22 ;「あっはははは！@　真里亞は相変わらず元気だなぁ。」@ ;＜朱志香 `"Ahhahahaha!`@` You're as spirited as ever, Maria."`@ cl c,23 ld r,$GEO_HohoemiA1,24 ;「真里亞ちゃん、気をつけないと転ぶよ。@気をつけて…！」@ ;＜譲治 `"Maria-chan, you'll trip if you aren't careful.`@` Look out...!"`@ cl r,23 ld l,$MAR_WaraiA1,23 ;「うーうーうー！！@　落ちるー落ちるー沈むー沈むー、きゃっきゃ！」\ ;＜真里亞 `"Uu-uu-uu-!!`@` Fa-ll fa-ll, si-nk si-nk, kyakkya!"`\ cl l,24 ;　…懐かしく、そして大好きだったいとこたちが、浜辺を駆け抜け、@……屋敷へと続く森の小道に飲み込まれて消えていく。@ `...The long-missed cousins I had loved dashed across the beach,`@` ......getting swallowed by the forest path that led to the mansion, and disappeared.`@ br ;　そしてその中には無論、お兄ちゃんの姿も。\ `And of course, Onii-chan could be seen among them too.`\ ld r,$BUT_odorokiA2,24 ;「……くっそ〜！！@　待て待て真里亞ぁあぁ！！@　こンの、すばしっこいヤツめ！」@ ;＜戦人 `"......Daa~mn it!!`@` Wait, wait, Maria!!`@` You nimble little brat!"`@ ld l,$MAR_WaraiA2,63 ;「きゃっきゃ！　うーうーうー！@/ `"Kyakkya! Uu-uu-uu-! `@/ cl l,64 ;　きゃっきゃっきゃ！」\ ;＜真里亞 `Kyakkyakkya!"`\ cl r,23 ;　大好きだった真里亞お姉ちゃんが駆け抜け、その後をお兄ちゃんが追っていく。@ `Maria onee-chan, who I had loved, started dashing, and Onii-chan chased after her.`@ br ;　森の中に飲み込まれていく。\ `They were swallowed up by the forest.`\ bg black,23 bg beach_1b,0 ld r,$RUD_DefA1,0 ld l,$KIR_DefA1,23 ;　その後を追って、お父さんもお母さんも飲み込まれていく。\ `Following them, Father and Mother were also swallowed up.`\ cl a,23 textoff bg beach_1a,0 ld c,$EVA_HohoemiA1,0 ld r,$ROS_WaraiA1,0 ld l,$HID_WaraiA1,23 wait 1000 cl l,23 wait 800 cl c,23 wait 800 cl r,23 ;　親族のみんなも飲み込まれていく…。@ `The rest of the parents were swallowed up...`@ br ;　……私だけを置いて、飲み込まれていく…。\ `......They were swallowed up, leaving only me behind...`\ me1 16 bg black,2 ;　馬鹿……。@ `Dumbass......`@ br ;　いつまでこんなところで魔女と戯れて遊んでいるのよ……。@ `How long are you going to joke around and play with a witch in a place like this......`@ br ;　早く帰ってきてよ、……お兄ちゃん……！@ ;　私をひとりぼっちにしないで…！\ `Come back quickly, ......Onii-chan......!`@ `Don't leave me all alone...!`\ ;　そして気がついて。@ `And realize.`@ br ;　残された私がどれだけ辛く寂しい世界で孤独を強いられるかを…。\ `Realize how cruel and lonely the world I'm isolated in is...`\ ;▲第１アイキャッチ　時計なし。 wait 2000 eye12 *Umi4_2 mov %play_scene,40005 : mov %r_hyouji_side,0 mov %grim_scene,401 ;■聖ルチーア学園〜ゆっくりした音楽で心情シーン的に展開してく。間をゆったりと取る。 gosub *ENJ_Isyou2 textoff se1 69 bg ENJ_mirai01,80 wait 5000 bg white,9 bg sky_1a,2 wait 1000 ;se1 ;朝のチャイム？ wait 1000 bg schR_o1a,6 ;ルチーア学園門前？ wait 2000 bgm1 10 bg white,2 bg schR_P1a,22 ;ルチーア学園廊下 ;「御機嫌よう。」@ `"Good day to you."`@ ld c,$ENJ_komaruA3,24 br ;「………ご、…御機嫌よう。」\ ;＜縁寿 `".........G, ...good day to you."`\ ;　“御機嫌よう”は、ここでは標準的な挨拶言葉。@ `'Good day to you' is the standard greeting used here.`@ br ;　何年をこの挨拶で過ごしても、未だに強い違和感を覚える…。\ `No matter how many years pass by, this style of greeting still feels very awkward...`\ ;　そんな違和感を噛み殺して返した挨拶なのに、@挨拶してきたクラスメートは、きょとんとしたような表情を見せる。\ `Even though I had responded to the greeting in order to stifle that awkward feeling, `@`the classmate who had spoken looked at me blankly.`\ bg black,24 ;「……え？@　くすくすくすくす。」@ ;「えー、何なにぃ？@　違うわよねぇ、くすくす…。」\ `"......Huh?`@` *giggle*giggle*giggle*"`@ `"Hu-h, what's that?`@` It seems you're mistaken, *giggle*giggle*..."`\ bg schR_P1a,22;ルチーア学園廊下 ;　彼女らの言葉遣いや振る舞いなどは、確かにお嬢様学校らしいものだが、@本質的な部分はみんな歳相応に無邪気で残酷だ。@ `Their choice of words and manner were certainly what you would expect of a school for rich girls,`@` but the actual meaning was as innocent and cruel as you would expect from kids of that age.`@ br ;　……私が、自分に掛けられた挨拶だと誤解したことが面白かったらしい。@いや、その逆かもしれない。\ `......It seems they found it funny that I'd mistakenly thought the greeting was directed at me.`@` No, it might be the opposite.`\ ;　…私みたいな根暗な子に突然挨拶をされて、対応に困った、というべきか。@ `...Maybe I should say that they didn't know what to do after being greeted by an introverted kid like me.`@ ;　いや、クラスメートたちが肩越しにこちらをうかがいながらヒソヒソと囁きあう眼差しを見る限り、@爽やかな朝が台無しになったとでも言わんばかりの子もいる。\ `No, judging by the gazes of my classmates, who were looking this way over their shoulders and whispering to each other,`@` it was as though some of them considered this refreshing morning ruined.`\ bg black,22 ;　……私は、暗い。@嫌われてるから。@ `......I was...dark.`@` Because I was disliked.`@ br ;　だからこれ以上、クラスメートたちの朝の爽やかさに迷惑を掛けないよう、身を屈めて教室に入った。@ `So, trying not to get in the way of everyone's refreshing morning any more, I stooped lower and entered the classroom.`@ br ;　……まるで、上映中の映画館で通路を横切る時みたいに。\ `......Almost like I was cutting through the aisle in a movie theater while the movie was running.`\ bg white,24 ;se1 15 bg schR_R1a,24;ルチーア学園教室１ ;　ここは、全寮制の学園、聖ルチーア学園。@ `This is an all-dorm academy, Saint Lucia Academy.`@ br ;　試験を受ければ誰でも入れるという学校ではない。@ ;　…知る人ぞ知る、各界の著名人の一部の間だけでその存在が知られる、隠れたお嬢様学校だ。\ `It's not a school that anyone can get into by taking a test.`@ `...It's a hidden rich girl's school, known of only by a select group of celebrities from various fields.`\ bg schR_R1b,24;ルチーア学園教室２ ;　それは、自分の娘を聖女のように育てたいと本気で願う、@雲上の貴人たちにとって、世俗の穢れから娘を守れる理想的な学園だろう。\ `For lofty nobles who truly wish their daughters could be raised like saints,`@` this is probably the ideal school in which to protect their daughters from the impurities of the common world.`\ ;　……しかしそれは同時に、貴人にとって表沙汰にしたくない娘を幽閉するにも都合がよかっただろう。@ `......But at the same time, it was probably also convenient for nobles to confine daughters who they didn't want out in public.`@ br ;　世俗の穢れから隔離するこの学園は同時に、監獄学校としても優秀な機能を持っていたのだから。\ `As well as an academy isolated from the impurities of the common world, it also held excellent potential as a prison school.`\ ;　私はまさにその後者として、聖ルチーア学園に幽閉され、@………気の遠くなるような月日を経ることになる。\ `I was truly among the latter, and was confined in Saint Lucia Academy,`@` ......forced to live my life in dreariness.`\ ;bg schR_R1c,24 ;ルチーア学園教室３ ;　もちろん、私のような生徒はそう多くないし、それは一見しただけでは区別できない。\ `Of course, there weren't that many students like me, and you couldn't tell us apart at a glance.`\ ;　でも、そうだと名乗らなくても、大抵はその様子で想像がついた。@ `However, even if one of these kids didn't talk about it, you could usually guess from their appearance.`@ br ;　…彼女らは決まって、いつも俯き、この世の全てに見捨てられたような表情を浮かべていたから。\ `...Because they were always hanging their heads all the time, with an expression on their faces as though the whole world had abandoned them.`\ ;　そして、そういう子はどのクラスにも１人か２人はいて、彼女らが打ち明けなくても、そうであることが想像できた。\ `And every class had one or two kids like that, so even if they didn't speak up about it, you could guess who they were.`\ bg black,22 ;　だから。@ `Therefore.`@ br ;　私がそうであることは、私が打ち明けずとも、いつの間にかクラスの誰もが知っていた……。\ `Even though I didn't confess that I was one of those kids, at some point, everyone in the class had found out......`\ bg schR_o1a,22 ;　病室では自分の掛かった病の重さがステータスになるように、ここでは生まれの高潔さがステータスとなる。@ `Just like how the seriousness of an injury becomes a sign of status in a hospital room, how noble a birth one had became a sign of status here.`@ br ;　公の場に出ることが許されない存在など、汚らわしいものでしかないのだろう。@ ;　そういう生徒にかかわると、自分までもが穢れてしまうとでも思っているに違いない。\ `Those who aren't permitted to go out in public places are probably nothing more than filthy people to them.`@ `They must think that getting involved with students like that would dirty them as well.`\ ;　ある生徒についてそういう噂が立つと、@潔癖な彼女らは手の平を返したようによそよそしくなり、あらゆるコミュニティから追放した。@ `When a rumor sprang up about a particular student,`@` those fastidious girls would grow cold and distant, chasing that student out of all social groups.`@ br ;　お陰で私は、こうしてひとりで静かに学園生活を送れている…。\ `Thanks to that, I led a quiet school life like this, all by myself...`\ bg black,22 ;　もっとも、ひそひそと聞こえる陰口や、私の私物がいつの間にかなくなっていたり、壊されていたりしても、@誰もが知らん振りをする日常を、静かな学園生活だと呼べるならの話だが。\ `Well, that's only if hearing people whisper behind my back, finding my things lost or broken all the time, and having everyone pretend like they didn't know anything...`@`can be called a quiet school life.`\ bg schR_R1c,26 ;　朝から私は疲れ切った表情を浮かべているに違いない。@ ;　……清々しい朝を迎えた他のクラスメートがそんな私の顔を見て舌打ちのひとつもしたくなる気分もわかろうというもの。@ `Even in the morning, I must be wearing a worn out expression.`@ `......I can almost understand how my other classmates, who had had a refreshing morning, looked at my face and wanted to click their tongues.`@ br ;　私はなるべく、クラスメートのそんな朝を汚さないように意識しながら、そっと着席する。\ `Consciously trying to do as I should and avoid tainting my classmates' morning, I quietly took my seat.`\ bg schR_R1a,23 ;　……すると珍しく誰かが話し掛けてきた。@クラスリーダーの子だった。\ `......Then, unusually, someone came to talk to me.`@` It was the class leader.`\ ;ld l, ;「御機嫌よう、右代宮さん。@……朝からご機嫌斜めなご様子ね。@ちゃんと睡眠は取られてる？」\ `"Good day to you, Ushiromiya-san.`@` ......You seem to be in a bad mood this morning.`@` Were you able to get enough sleep?"`\ ld r,$ENJ_komaruA1,24 ;「…………何か御用ですか。」\ ;＜縁寿 `"............Is there some business you have with me?"`\ ;「学年発表会のアンケート、まだ提出してないの、右代宮さんだけよ？@　昨日までが提出日だったの、お忘れ？」\ `"You're the only one who has not submitted her questionnaire for the class presentation, Ushiromiya-san.`@` Did you forget that the deadline was yesterday?"`\ ;　…確かそんなものがあるという話は先週辺りに聞いた気がする。@ `...I'm pretty sure I heard something about that last week.`@ br ;　でも、そのアンケート用紙の配布はまだだった気がする。@ ;　詳細はそれに記されているから、配られてから思い出せば充分な程度の話だったはず…。\ `But I'd thought that the questionnaire hadn't been passed out yet.`@ `The details would be written there, so it should have been no problem to remember about it once they were passed out...`\ ld r,$ENJ_komaruA2,80 ;「……アンケート用紙、もらってないですけど…。」@ ;＜縁寿 `"......I wasn't given a questionnaire..."`@ ;ld l, ;「そんなはずありませんよ。@寮長から全員にちゃんと配布されてるはずです。@なくしてしまったならそうと素直に仰ればいいのに。」\ `"That can't be.`@` I believe that the dormitory leader handed them out to everyone.`@` If you lost it, all you have to do is honestly say so."`\ bg black,25 ;「…………なくしました。@今すぐ書きますから、用紙をいただけますか。」@ `"............I lost it.`@` I'll fill it in right now, so could you give me a paper?"`@ br ;　まただ。@……誰かが私の分を紛失したか、わざと私に知らせなかったかのどちらかだ。\ `Again.`@` ......Either someone lost my paper, or they intentionally didn't tell me about it.`\ ;　でも、それが誰の仕業なのかなんて、わかりようもない。@ `But I have no way of knowing who was behind that.`@ br ;　結局のところ、私がぼんやりしていたことにしてしまう方が、丸く収まるし話も早い…。\ `In the end, treating it as though it was my own carelessness would settle everything more quickly...`\ bg schR_R1a,26 ;ld c, ;「書いたらご自身で生徒会室のアンケートポストに投函されるように。@うちのクラスだけですよ、昨夜までに全員のが揃わなかったのは。」\ `"Once you've filled it out, drop it in the questionnaire box in the student council room yourself.`@` Our class is the only one that didn't get everyone's in by yesterday."`\ ;　クラスリーダーの小言に頭を垂れていると、@その様子を見てくすくすという笑い声と陰口の囁きがどこからともなく聞こえる…。\ `As I hung my head at the class leader's scolding,`@` I could hear the giggles and whispers of people watching, coming from no direction in particular...`\ bg black,25 bg schR_R1d,22 ;　また右代宮さんが。@ ;　あの人、ぼんやりしているから。@ ;　この学校に相応しくない人。@ ;　品格がない、マナーもなっていない。\ `Ushiromiya-san did it again.`@ `It's because that person is too careless.`@ `She isn't suitable for this school.`@ `She has no dignity, and she has no manners either.`\ me1v 5,40 bg black,22 fede 1,2000 ;　……人格への理不尽な攻撃に対しては、彼女らには悪いけど鍛えが違う。@ `......Sorry girls, but I've dealt with much worse when it comes to unfair personal attacks.`@ br ;　私は心を凍らせて、そんな嘲りの矢をやり過ごしながら、急ぎアンケートを記すのだった…。\ `As I froze my heart and let those arrows of ridicule pass by, I quickly filled out the questionnaire...`\ fede 0,3000 mono 1 bg Different_spiral_1a,8 bgm1 85 ;　お父さんとお母さんとお兄ちゃんと、@そして親族たちがみんな死んでしまったとの報せを、私は当時、預けられていた母方のお祖父ちゃんの家で知った。\ `When I learned that Father and Mother and Onii-chan, and all the rest of my family had died...`@`I had been in the house of my Grandpa on my mother's side.`\ ld r,$EVA_DefA1,22 ;　事故の唯一の生存者は、右代宮絵羽。@……絵羽伯母さんだけだった。\ `The only survivor of the accident was...Ushiromiya Eva.`@` ......Only Eva oba-san.`\ ;　当時から、絵羽伯母さんのことはあまり好きではなかった。@ `Even at the time, I hadn't really liked Eva oba-san.`@ br ld r,$EVA_WaraiA1,80 ;　一見、やさしくしてくれるけど、@お父さんたちのことをどこか馬鹿にしてるような雰囲気が幼い私にも透けて見えていて、それが苦手だった。\ `At a glance, she would act kindly, `@`but even as young as I was, I could see that she was somehow making fun of Father and the rest, and I hadn't liked it.`\ bg black,22 ;　だから、絵羽伯母さんが私を引き取ることになると決まった時、何となく嫌だった。@ `So when it was decided that Eva oba-san would take care of me, I was pretty miserable.`@ br ;　やさしかった秀吉伯父さんや譲治お兄ちゃんも一緒ならともかく、@絵羽伯母さんと二人きりで暮らすことになるなんて、嫌だった。\ `Maybe it wouldn't have mattered if that gentle Hideyoshi oji-san and George onii-chan had been with me,`@` but I had hated the thought of living all alone with Eva oba-san.`\ ;　私はお祖父ちゃんに率直にそれを話し、祖父宅に身を寄せることを望んだ。\ `I had frankly said that to Grandpa, hoping to live together in his house.`\ bg Different_spiral_1a,8 ;ld c,$EVA_AkireA1,8 ;　しかし、絵羽伯母さんは私を引き取ることに強く固執した。@ `However, Eva oba-san had been very insistent that she should be the one to look after me.`@ br ;　絵羽伯母さんには再婚の意思はなく、右代宮家存続のためには跡継ぎの私が不可欠だというのだ。\ `Eva oba-san had no desire to marry, so I was essential as a successor to the Ushiromiya family.`\ ;　絵羽伯母さんは、右代宮の家をとても重んじる人。@ `Eva oba-san felt very strongly about the Ushiromiya family.`@ br ;　私に、跡継ぎに相応しい教育と生活を与えるためにも、直ちに引き取りたいと強く要求してきたそうだ。\ `She fervently claimed that she wanted to take charge of me right away so that she could give me an education and lifestyle fitting for a successor.`\ bg black,22 ;　弁護士を立てての難しい交渉も行なわれたようだった。@ ;　…でも結局、私は絵羽伯母さんのところへ行かなくてはならなくなった。\ `It seems that confusing negotiations with lawyers took place.`@ `...But in the end, I was forced to go live with Eva oba-san.`\ bg G1F_S2b,8 ld r,$EVA_majimeA1,4 ;　私を引き取った絵羽伯母さんは言った。\ `After doing that, Eva oba-san told me something.`\ ld r,$EVA_akireA2,80 ;　あなたは右代宮家の栄光と歴史の全てを背負わなければならない。@ `You must bear all of the glory and history of the Ushiromiya family.`@ br ;　そしてそれを背負うに相応しい次期当主となるために、死に物狂いで勉強に励むのがこれからの人生となる。@右代宮家のために、残り全ての人生を捧げなさい。@ `And in order to make you a fitting successor to bear that, the rest of your life will be dedicated to frantic studying.`@` Sacrifice the rest of your life for the Ushiromiya family.`@ br ;　……そう言い切った。\ `......That's what she said.`\ ;　初めの内、私はそれを言葉通りの意味だろうと思った。@ `At first, I thought she meant that literally.`@ br ;　しかし、すぐにそれは違うと気がついた。\ `But I quickly realized that wasn't the case.`\ bg black,22 ;　絵羽伯母さんにとって今なお。@もっとも次期当主に相応しいのは、亡くなった譲治お兄ちゃんだったからだ。\ `Because even now, in Eva oba-san's eyes,`@` the one most fitting to be successor was the late George onii-chan.`\ me1v 5,40 mono off bg Different_spiral_1a,8 ;　私は初めての食事でテーブルマナーについて、厳しい指導と詰問を受け、@その躾を怠ったとしてお父さんとお母さんへの悪口まで聞かされなければならなかった。\ `At my first meal, I had received strict instruction and questioning about table manners,`@` and had been forced to listen to her abuse Mom and Dad as though they had been neglectful in their discipline.`\ ;　初めてのパーティでのマナーについても、同じように厳しい指導を受け、@その無様さを公衆の面前で罵倒され、お父さんとお母さんへの侮辱にも耐えなければならなかった。\ `I had also received the same strict instructions regarding manners at my first party,`@` and my clumsiness had been disparaged in front of everybody, forcing me to endure insults to Mom and Dad as well.`\ bg black,22 ;　そういうことが何度か繰り返されて、私はようやく理解した。@ ;　絵羽伯母さんは私を次期当主にしたいのではない。@ `After that repeated over and over, I eventually began to understand.`@ `Eva oba-san didn't really want to make me the next head.`@ br ;　本当に次期当主に相応しいのは譲治お兄ちゃんであり、@……にもかかわらず、私が次期当主に決まっていることが、許せないのだ。\ `She thought that the one who was truly fitting to be the next head was George onii-chan,`@` ......and she couldn't forgive the fact that I was to be the next head.`\ ;　だから、大勢の前で私を罵倒する。@辱める。@ `So I was disparaged in front of a lot of people.`@` I was humiliated.`@ br ;　そして、私が如何に譲治お兄ちゃんに劣っているかを、内外に知らしめて、@……亡き息子のことを供養、@いや、…未だに亡くなったことを悔やみ続けているに違いない。\ `And she made it known exactly how I was inferior to George onii-chan,`@` ......surely holding a memorial service for her dead son, `@`no, ...she must still have been mourning the fact that he was dead.`\ fede 10,2000 bg Different_spiral_1a,22 ;　……しかし、それは私にとってはたまったものではない。@ ;　私は絵羽伯母さんとは到底一緒に生活をすることは出来ない。\ `......However, that wasn't something I could endure.`@ `I couldn't possibly live together with Eva oba-san.`\ ;　……私は生涯を亡き息子に当てつけられながら、飼い殺される。@ `......As my life was continually compared with her dead son's, I was kept like a pet.`@ br ;　それを、まだ小学生の私ですら、理解した。\ `I understood that even when I was in elementary school.`\ ;　私は右代宮の家を逃げ出し、母方のお祖父ちゃんの家へ行こうとした。\ `I tried to escape the Ushiromiya house and go to the house of my Grandpa on my mother's side.`\ ;　しかし、それはとっくに絵羽伯母さんに見透かされていた。@ `However, Eva oba-san had already foreseen that.`@ br ;　…いや、今になって思えば、私が逃げ出すよう、誘導されていたのかもしれない。\ `...No, thinking back on it, she might have been luring me into escaping.`\ bg black,22 ;　私は護衛たちに捕らえられて連れ戻され、@………右代宮の家紋に泥を塗り、その名を捨て去ろうとした卑怯者として、@………思い出すだけでも未だに全身が震えて悪寒が走るほどの、/ ;!d1000………罰を受けた。\ `I was caught by the guards and brought back,`@` .........and for being a coward who had smeared the Ushiromiya family crest with mud and tried to throw it away,`@` .........in a way that makes my whole body shake and shiver just remembering it, `/ !d1000`.........I was punished.`\ ;　私を罰する絵羽伯母さんを何という言葉で例えればいいだろう。@ `How should I describe what Eva oba-san was like when she punished me?`@ br ;　狂乱？@　嬉々として？@ `In a frenzy?`@` Gleeful?`@ br ;　……最愛の息子を失った怒りと悲しみと、息子が継ぐはずだった家督を私に奪われることになる恨み辛み。@そしてそんな感情を私にぶつけて発散できる黒い喜び。@ `......The anger and sadness of losing her beloved son, and well as the hatred and pain that I had stolen the inheritance from the son who should have succeeded it.`@` And the dark pleasure at being able to let those feelings out on me.`@ br ;　……そんな、負の感情のありったけをぶつけられた。\ `......I was hit with all of those negative emotions at once.`\ wait 1000 me1v 16,0 me2v 11,0 fedexx 0,50,70,0,0,0,3000 ;　そして私は自由な行動と時間の全てを奪われ、四六時中を監視下に置かれた。@ `Then, all of my free time and freedom to act was stolen, and I was put under surveillance around the clock.`@ br ;　豪華な屋敷に住み、高価な衣服に身を纏っていたかもしれないけれど、@…私は心と尊厳を踏み躙られる、右代宮家の奴隷、/ ;!d800…家畜だった。\ `I may have lived in a gorgeous mansion, dressed in expensive clothes,`@` ...but my heart and my dignity had been trampled upon, and I was the Ushiromiya family's slave, `/ !d800`...its cattle.`\ ;　そんな生活に比べれば、ここでのクラスメートの冷笑など涼やかなもの。@……私の心に、堪えるわけもない…。\ `Compared to that lifestyle, the derisive laughter of my classmates here was calm and pleasant.`@` ......It was no match for my heart...`\ fede 0,3000 bg schR_R1d,6 bgm1 91 ;　私はアンケートのほとんどの欄を、特になしと書いて埋めると、折り畳んで自分のポケットに入れた。@ `After burying almost all of the fields of the questionnaire with 'nothing in particular', I folded it and put it in my pocket.`@ br ;　……机の中だと、また“紛失”するかもしれないから。\ `......Because if I left it in the desk, it might 'disappear' again.`\ bg black,5 wait 2000 ;se1 69 bg sky_1a,22 wait 2000 bg white,9 bg schR_P1a,22 ;　昼休みにそれを生徒会室のポストに投函すると、@いつものように一人で昼食を済ませ、ひと気のない校舎裏に向かった。\ `During lunch break, after dropping it off at the postbox in the student council room, `@`I finished lunch by myself, as usual, and headed behind the school building, where no one could be seen.`\ bg black,24 ;　……ひとりきりの時間だけが、私を冷笑と陰口から守ってくれる。@ `......Only my time by myself could protect me from the derisive laughter and gossip.`@ br ;　嫌われていて、友達などただの一人もいない私には、ひとりきりの時間が、一番自分にやさしい。\ `Since I was hated and didn't have a single friend, my time alone was the most kind to me.`\ bg schR_o2a,6 ;　私は周囲の茂みに、陰湿なクラスメートが潜んでいて、私の静かな時間を脅かすことがないかどうか調べて回り、@本当の静寂を手に入れたことを知ってようやく全身の緊張を弛緩させた。\ `After checking the surrounding bushes to see whether some malicious classmates were hiding and threatening my time of quiet, `@`I finally relaxed the tension from my entire body, knowing that I had gained some true peace.`\ ;　そして、はぁ…っと零れるため息。@ ;　…まるで、今日初めて吐き出す息であるかのように澱み、重かった。@ `Then...I let out a sigh.`@ `...It faltered, heavy, as though it was the first time I had breathed out today.`@ br ;　前にお気に入りの場所だった菜園倉庫の裏は、@クラスメートにバレて悪戯されるようになってしまったので、ここが新しい私の昼休みの隠れ場所だった…。\ `My old favorite place behind the vegetable garden storehouse...`@`had been found out by my classmates and I had been teased, so this was my new lunchtime hideaway...`\ bg black,25 ;　校舎裏には座れるところなどない。@ `There was nowhere to sit behind the school building.`@ br ;　私は茂みの影の壁に寄りかかるようにしてしゃがみ込みながら、鞄を開き、一冊の凝った古めかしい装丁の本を取り出す…。\ `As I crouched near the wall in the shadow of the bushes, I opened my bag and took out a book with an elaborate, old-fashioned binding...`\ bg Book1,2 ;　一見したならそれは、まるで中世頃に書かれた宗教書か何かにでも見えるだろう。\ `Just glancing at it, you would probably think it was a religious book or something written in the Middle Ages.`\ ;　しかしこれは本ではない。@日記だ。@ `But this isn't a book.`@` It's a diary.`@ br ;　もちろん、私の日記ではない。@ ;　………私の日常に、記すべき特別なことなど何もない。\ `Of course, it isn't my diary.`@ `.........There aren't any special things worth writing about in my daily life.`\ ;　ただただ毎日が灰色で、…冷たく乾いているだけ。@ ;　何も変わらない日々に、記すべき変化など何もない。@ `Every single day is just gray, ...cold and dry.`@ `In these completely unchanging days, there aren't any changes worth writing down.`@ br ;　これは、……大の仲良しだった真里亞お姉ちゃんの日記。\ `This is, ......the diary of Maria onee-chan, who I had been very good friends with.`\ ;　３つ年上の、ちょっぴり不思議な人だけど、とても温かい、素敵ないとこのお姉ちゃんだった。@ `She had been a bit strange and three years older than me, but Onee-chan was always a warm, wonderful cousin.`@ br ;　いつも私の手を引っ張って楽しい遊びに加えてくれた。@ `She would always grab my hand and let me join in on some fun game.`@ br ;　……親族の集まりで一番楽しいのは彼女に会えることだったことを思い出す…。\ `......I remember that meeting her had been the most fun thing when the family gathered...`\ ;se1 1010 ;bg white,64 bg black,24 ;　日記を開けばそこには、小学生にしてはという前置きをすれば、なかなか達筆な文字が、@一行飛ばしではありながらもびっしりと書かれている。@ `When I opened the diary, the characters, which were made fairly skillfully considering that this was an elementary schooler,`@` were packed close together even though it was written on every other line.`@ br ;　彼女はメモ魔ならぬ日記魔だったのだろうか。@……多分、違う。\ `Was she just hopelessly obsessed with jotting everything down in her diary?`@` ......Probably not.`\ ;　日々を日記にして書き記すことが、彼女にとってはもうひとりの自分との対話みたいなものだったのだろう。@ `To her, writing her daily life down in a diary was probably like having a conversation with another part of herself.`@ br ;　だから真里亞お姉ちゃんの日記は、日々の出来事を書き残したというよりは、@もうひとりの自分に今日の出来事を手紙で伝えるような、そんな文体で記されている。\ `So rather than an object on which the events of her day were written down,`@` Maria onee-chan's diary was written like a letter to another part of herself, telling of the events of that day.`\ bg book1,2 ;　この日記帳は、彼女の遺品の中から見つけて私が密かに持ち帰ったもの。@ `I had found this diary among her belongings after her death and had secretly taken it home.`@ br ;　最初は人の日記を読むなんて無粋だろうと思い、ただ身近に置いておくだけで満足していたが、@……ついついページをめくり、少しずつ読み進めてしまった。\ `At first, I had felt that reading someone else's diary might be boorish, and had been satisfied to just keep it by my side,`@` ......but I couldn't help flipping through the pages and reading through it bit by bit.`\ ;　そして、………彼女は今や、 `And, .........she had now` br ;(私の唯一の友達となった/・・・・・・・・・・・)。\ ;＜私の唯一の友達となった：点処理 (`become my only friend`/・・・・・・・・・)`.`\ se1v 1010,40 ;bg white,64 bg black,24 ;　私はしおりを挟んだページをやさしく開く。\ `I gently opened to the page with the bookmark.`\ fede 0,2000 ;「……真里亞お姉ちゃん、お待たせ。@……また、お姉ちゃんのお話を聞かせて…？」\ ;＜縁寿 `"......Sorry to keep you waiting, Maria onee-chan.`@` ......Could you let me hear your story again, Onee-chan...?"`\ bg white,2 bgm1 90 bg sky_1a,2 ;　するとその時、/ ;!d800……とてもとてもやさしいそよ風が吹いて、ページをくすぐった。\ `At the same time, `/ !d800`......a very, very soft breeze blew, tickling the paper.`\ ;　そして、開かれた日記帳が、ほのかに輝いた気がする。@ `And I thought the open diary might have sparkled faintly.`@ br ;　……今日は天気がいい。@ ;　真里亞お姉ちゃんは素敵な日差しが大好きだ。@ `......The weather is good today.`@ `Maria onee-chan loves wonderful rays of sunlight.`@ br ;　だからきっと、機嫌がいいのだろう。\ `So I'm sure she's in a good mood.`\ ;　開かれた日記の上に、…いや、日記の世界に、真里亞お姉ちゃんが姿を現す…。\ `On the open diary, ...no, in the world of the diary, Maria onee-chan showed herself...`\ bg schR_o2a,0 se1 56 mset2ef 10 mld c,$MAR_niyariA2,6 ;print 99,2000,"breakup.dll/ulB" ;mov %play_sene,40020 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_mar ;　彼女の享年は確か９歳。@……だからその姿はすでに私よりも幼い。@ `She had certainly been nine when she died.`@` ......So her form was already younger than me.`@ br ;　でも、私は彼女をお姉ちゃんと呼ぶし、彼女も私を縁寿と親しみを込めて呼んでくれる。\ `But I call her Onee-chan, so she also affectionately calls me Ange.`\ mld c,$MAR_fukigenA1,80 ;「うー。@縁寿、今日は来るのが遅かった。@お昼、混んでた……？」\ ;＜真里亞 `"Uu-.`@` Ange, you were slow getting here today.`@` Was it packed at lunch......?"`\ mcl a,0 mld r,$MAR_fukigenA1,0 mld l,$ENJ_komaruA1,23 ;「……うん。@いつも混んでるわ。@仲良しグループたちが席を陣取ってる上に、食事を終えた後も席を塞ぎ続けてるから。@食堂に行くのが遅くなると致命的ね。@……今日は片付けの当番だったから。」\ `"......Yes.`@` It's always packed.`@` Since friendly groups set up camp in the seats, they stay there even after they've finished eating.`@` It's pretty fatal if you go to the dining hall late.`@` ......I was on cleanup duty today."`\ mld r,$MAR_WaraiA2,80 ;「……うー！@　真里亞、ご飯食べるの速い！@　早く食べ終わるとその分、いっぱい遊べるの！@　うー！」\ `"......Uu-!`@` Maria eats fast!`@` The faster you eat, the more you can play!`@` Uu-!"`\ ;　押し付けられた当番のせいで、昼休みが少し短くなってしまったことを、私が根に持っているのを察してくれたのだろう。@ `Maybe she noticed that I was holding a grudge because that duty had been forced upon me and shortened my lunch break by a bit.`@ br ;　真里亞お姉ちゃんは、話を明るくはぐらかしてくれる。\ `Maria onee-chan brightly changed the subject.`\ mendef 0 bg sky_1a,25 ;　私はその気遣いに感謝しながら、自分は食べるのは遅い方だと返事する。@ `Grateful for that consideration, I responded by saying that I ate slowly.`@ br ;　真里亞お姉ちゃんは、早食いのコツを伝授する、みたいなことを言って私を和ませてくれた。\ `Maria said something about teaching me the trick to eating fast, and calmed me down.`\ bg Book1,22 ;　日記で読んだ。@いや、真里亞お姉ちゃんに聞いた。@ `I read it in the diary.`@` No, I heard it from Maria onee-chan.`@ br ;　学級新聞の早食いランキングで女子で一番だったことがあるらしいのだ。@ `It seemed that she had been ranked number 1 among the girls in the speed-eating ranking of her grade's newspaper.`@ br ;　彼女はそれを誇らしく思ったが、それを母親の楼座叔母さんはあまり褒めてくれなかったのがちょっぴり残念だったらしい。\ `It seems that she had been very proud of that, but had been a little disappointed that her mother, Rosa oba-san, hadn't praised her very much for it.`\ mset2ef 0 bg schR_o2a,0 mld r,$MAR_waraiA1,26 ;「うー！@　じゃあ、今日のお話を始めるね。@/ `"Uu-!`@` Then, let's start our story for today. `@/ ;mld c,$MAR_NiyariA1,80 ;昨日はどこまでお話をしたかな？@　うー？」\ `How far did we get yesterday?`@` Uu-?"`\ textoff se1 1010 wait 1000 se2 1010 wait 1000 se3 1010 mld l,$ENJ_waraiA2,23 ;「えっと……。@ここまでよ。@真里亞お姉ちゃんが、さくたろをプレゼントしてもらったところまで。@……さくたろの話を聞かせてくれる約束になってたわ。」\ `"Umm......`@` This far.`@` Until you got Sakutaro as a present, Maria onee-chan.`@` ......You promised that you would tell me about Sakutaro."`\ mld r,$MAR_WaraiA2,80 ;「うー！@　さくたろのこと話すよ！@　さくたろはね、とっても可愛いぬいぐるみなの！@　縁寿もきっと気に入るよ！@　うー！」\ `"Uu-!`@` Talk about Sakutaro!`@` You know, Sakutaro is a re-ally cute stuffed animal!`@` I'm sure you would like him too, Ange!`@` Uu-!"`\ mld l,$ENJ_waraiA1,80 ;「うん。@そのお話を聞かせて。@……真里亞お姉ちゃんにお話を聞かせてもらえる昼休みだけが、学校で一番心を許せる時間だもの。」\ `"Yes.`@` Tell me that story.`@` ......The time I spend listening to your stories is the only time I can be relaxed at school."`\ mendef 0 bg white,2 bg sky_1a,2 ;「うー！@　真里亞、話す！@　さくたろはね、えーっとえーっと！」\ `"Uu-!`@` Maria, talk!`@` So you know, Sakutaro was, umm, umm!"`\ ;　いつも上機嫌な真里亞お姉ちゃんを見ていると、こっちまで心が温かくなってくる。@ `When I looked at Maria onee-chan, who was always in a good mood, it made my heart feel warm as well.`@ br ;　私は彼女の物語に耳を傾けながら、彼女の世界に没入していくのだった……。\ `As I listened to her tale, I began to get absorbed into her world......`\ ;■ゆっくりと真里亞編へ以降…。 textoff ;bg white,16,10000 ;bg black,22 me1v 5,0 fedexx 70,100,0,0,0,0,4000 wait 1000 E_A wait 2000 ;■深夜のファミレス。真里亞の誕生日パーティー mov %play_scene,40005 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar gosub *ENJ_Isyou2 bgm1 64 ;bg res_o1a,16,3000 bg res_o1a,46 wait 2000 bg black,24 gosub *MAR_Isyou1 bg res_i3a,24 ld c,$ROS_WaraiA2,24 ;「ハッピーバースデー、真里亞。@ごめんね、帰りが遅くなって。」\ ;＜楼座 `"Happy Birthday, Maria.`@` Sorry I got back so late."`\ bg res_i3b,0 ld l,$MAR_WaraiA2,23 ;「うー！@　ママもお仕事お疲れ様ー！@　真里亞、ママが忙しいの知ってるから、遅くなっても泣かないで待ってた。@大人しくテレビ見て待ってた！」\ ;＜真里亞 `"Uu-!`@` Good job with your work Mama!`@` Maria knows that Mama's busy, so even though Mama was late, Maria waited without crying.`@` Maria was good and waited, watching TV!"`\ ld r,$ROS_WaraiA1,24 ;「うん、真里亞は偉いわね。@お行儀良く待ってたご褒美に、今日は何でも好きなものを注文していいわよ。@もちろん、食べきれる分だけだけどね？」@ `"Yes, you are such a good girl, Maria.`@` As a present for waiting politely, you can order anything you want today.`@` Of course, only as much as you can eat, okay?"`@ ld l,$MAR_WaraiA1,80 ;「うーうー！@　今日はコーンスープをオニオングラタンスープに変えてもいい？！」\ `"Uu-uu-!`@` Today, can I change my corn soup to onion gratin soup?!"`\ ld r,$ROS_WaraiA2,80 ;「えぇ、いいわよ。」\ `"Yes, that's fine."`\ bg res_i3d,25 ;「うーうー！@　２００円高くなるけど、プロシュートピッツァに変えてもいい？！」@ ;「えぇ、いいわよ。@本当に食べられるならね。@……でもいっか。@誕生日だしね。@ちゃんとお行儀良く待ってたいい子の真里亞にご褒美もないとね。」\ `"Uu-uu-!`@` It's 200 yen more expensive, but can I change it to prosciutto pizza?!"`@ `"Yes, that's fine.`@` If you really can eat it.`@` ......But that's alright.`@` It's your birthday, after all.`@` There must be a reward for the good girl who waited so patiently."`\ ;「うーうーうー！@　じゃあじゃあデザートにエンチェラーダチーズケーキも付けていい！？@　あとねあとね、シェフの気まぐれフルーツサラダにキッズフライドポテト！@　メロンソーダも飲みたい！@　うーうーうー！@　真里亞はいい子、真里亞はいい子！@　ママに褒められた、うーうーうー♪」\ `"Uu-uu-uu-!`@` Then, then, can I have enchilada cheesecake for dessert?!`@` And then, and then, the chef's choice fruit salad and kids' french fries!`@` I want to drink melon soda too!`@` Uu-uu-uu-!`@` Maria's a good girl, Maria's a good girl!`@` Praised by Mama, uu-uu-uu-♪"`\ bg res_i3a,0 ld c,$ROS_DefA1,22 ld c,$ROS_WaraiA2,80 ;「くす。@ちょっとはしゃぎ過ぎよ。@もう少し静かにしないと他のお客さんに迷惑よ。」\ `"*giggle*.`@` You're getting a little too excited.`@` If you don't quiet down a bit, you'll disturb the other customers."`\ ;　楼座がやさしく諭すと、真里亞はぺろりと舌を出してテンションを少し抑える。@…でも、久しぶりの母との外食で興奮はなかなか抑えられないようだった。\ `When Rosa gently admonished her, Maria stuck her tongue out and eased up a little.`@` ...But it seemed that she was having a hard time repressing her excitement at being able to eat out with her mother after such a long time.`\ bg black,22 ;　今日は真里亞の誕生日。@ `Today was Maria's birthday.`@ br ;　楼座は彼女の誕生日を、必ず素敵なレストランで過ごすようにしていた。\ `Rosa had wanted to let Maria spend her birthday at a wonderful restaurant no matter what.`\ ;　真里亞がまだ幼稚園の頃は、近所のお友達を招いてホームパーティーをしたこともある。@ `When Maria had been in kindergarten, they had sometimes invited other kids from the neighborhood over and had a party at home.`@ br ;　楼座が腕によりを掛けた、手作りの素敵なケーキやお菓子、室内のレイアウトなどをして、とても盛大に祝ったものだ。\ `Rosa would make a wonderful cake and snacks and decorate the house herself, making it a huge celebration.`\ ;　ただ、引越しの関係で、近所に友人を持たなくなってからは奮発した高級レストランがそれに変わるようになった。\ `But when they had moved and Maria had stopped having friends in the neighborhood, Rosa had started splurging at expensive restaurants instead.`\ bg res_i3c,26 ;　しかし、今日、彼女らがいるのは普通のファミリーレストランだった。@ ;　時間も、真里亞のような子どもが訪れるには親と同伴だとしても少し遅い。\ `However, today, they were in a normal family restaurant.`@ `It was also a little late in the day for a kid like Maria to eat there, even with a parent.`\ ;　本当は、真里亞もきっと喜んだに違いない、ファンタジックなお店が予約してあった。@もちろん、真里亞の名前が書かれた素敵なケーキの準備もあった。@ `Actually, she had gotten reservations at a fantastic place that would surely have pleased Maria.`@` Of course, she had also prepared a wonderful cake with Maria's name written on it.`@ br ;　……でも、楼座の仕事がどうしても片付かず、キャンセルせざるを得なくなってしまったのだ。\ `......But Rosa just hadn't been able to finish up her business, and had been forced to cancel.`\ bg res_i3b,0 ld r,$ROS_DefA1,23 ;　それで近所のファミレスということになったので、楼座はちょっぴりの負い目を持っていた。@ `Since that had turned into a local family restaurant, Rosa felt a little indebted to Maria.`@ br ;　なので、何を頼んでも許そうと今夜は少し甘いのだ…。\ `So she was prepared to spoil Maria a bit and let her have whatever she wanted tonight...`\ ;mov %play_sene,40020 : mov %r_hyouji_side,2 se1 56 msetef 0,22 mld r,$ENJ_waraiA2,24 ;「……真里亞お姉ちゃんってあんまり食べないんじゃなかった？@　こんなに頼んで大丈夫なの？」\ ;＜縁寿 `"......You never used to eat much, did you Maria onee-chan?`@` Is it really alright to ask for this much?"`\ ;;gosub *MAR_Isyou2 mld l,$MAR_WaraiA1,23 ;「うー。@あんまり食べられないけど、いっぱい並ぶのが好きなの。@お誕生日のテーブルはね？@　赤、青、緑に黄色、いっぱい色とりどりだと幸せになれるの！」\ ;＜魔女真里亞 `"Uu-.`@` Maria can't eat very much, but likes to have a lot lined up.`@` You know, on a birthday table?`@` If it's fully colored with red and blue and green and yellow, it makes you really happy!"`\ mld r,$ENJ_waraiA1,80 ;「…そうね。@お誕生日のテーブルって、カラフルだと幸せな気持ちになれるわね。@……うちの誕生日は真里亞お姉ちゃんのところにはだいぶ負けるけど、駅前の不三家で買ってくるケーキがいつもとても華やかだったっけ…。」@ `"...You're right.`@` If a birthday table is colorful, you can start to feel happy.`@` ......Birthdays at my place were no match for yours, Maria onee-chan, but the cakes we bought at the Fumiya store in front of the station were always gorgeous, weren't they..."`@ ;tttt br ;　縁寿は自分の誕生日を思い出し、懐かしむ。\ `Ange thought back to her own birthday nostalgically.`\ mendef 0 bg black,2 ;mono 1 bg Gdin_1c,0 ld c,$RUD_WaraiA1,4 ;　お父さんは多忙なのに、私の誕生会のためだけに帰宅してくれて、そのまま会社にとんぼ返りすることもあった。@ `Even though Dad was busy, he sometimes came home just to show up at my birthday party, and then went right back to his company.`@ br ;　その当時は悲しかったけれど、お父さんは私のことを大切に思ってくれていたんだなと、今ならわかる。\ `At the time, I was sad, but now I understand how important I was to Dad.`\ ld l,$KIR_WaraiA1,3 ;　もちろん、お母さんも私をすごく大切にしてくれたっけ。@ `Of course, Mom also took very good care of me.`@ br ;　特に誕生日のプレゼントにはいつもすごくセンスを使ってくれていて、@私のために何ヶ月も前から手配してくれているようなこともあった。\ `Her birthday presents in particular always had very good taste,`@` and she sometimes arranged for them several months in advance.`\ bg Gdin_1b,23 ;　戦人お兄ちゃんにはいつも招待状を送るのに、お父さんが苦手とかでいつも来てくれない。@ `Even though we always sent an invitation to Battler onii-chan, he didn't get along with Dad or something, so he didn't always come.`@ br ld c,$BUT_DefA2,23 ld c,$BUT_WaraiA1,80 ;　……だから来てくれた時はすごい嬉しかったっけ。@ `......So when he did come, I was really happy...`@ ld r,$KIR_WaraiA2,0 ld l,$RUD_WaraiA1,22 ;　…四人家族が全員揃った時のお誕生会は生涯忘れられない楽しい思い出だ…。\ `...The birthday parties when the whole four-person family gathered made for fun memories that I will never forget...`\ mset mld r,$MAR_WaraiA1,24 ;「う〜。@縁寿のお誕生日もとても楽しそうだね。@戦人と留弗夫伯父さんがすごく賑やか。@/ `"Uu~.`@` Ange's birthday sounds like a lot of fun too.`@` Battler and Rudolf oji-san are really lively. `@/ mld r,$MAR_WaraiA2,80 ;わいわい、きゃっきゃ。@/ `Yay yay, kyakkya. `@/ ld c,$BUT_odorokiA2,80 ;戦人、コーラ掛けられてる、あはははは。」\ ;＜真里亞 `Battler got covered in cola, ahahahaha."`\ ;　真里亞お姉ちゃんに、私の幸せな記憶を覗かれる。@ `Maria onee-chan peeked into my happy memory.`@ br ;　お父さんが余興で折ってくれた折り紙の兜を被ってちょこんと座る私が、何だか恥ずかしい。@ ;　手には、戦人お兄ちゃんが折ってくれた紙鉄砲。@ ;　…そしてそれを記念撮影してくれるお母さん。@私の一番幸せだった瞬間だ。\ `As I sat quietly, wearing the origami helmet that Dad had made for fun, I was a little embarrassed.`@ `In my hand was a paper gun that Battler onii-chan had folded for me.`@ `...And Mom was taking a commemorative photo.`@` It was the happiest moment of my life.`\ textoff ;se1 56 bg res_i3c,42 mld l,$ENJ_WaraiA3,23 ;「でも、真里亞お姉ちゃんの誕生日だって負けてないよ。@それで、今日もらえるんでしょう？@　さくたろは。」@ `"But your birthday's no worse, Maria onee-chan.`@` And, you get him today, right?`@` Sakutaro."`@ mld r,$MAR_WaraiA1,80 ;「うー！@　すっごく楽しみだった。@ママの鞄の脇にあるプレゼントの包みを、早く見せてもらえないかなと、ずっとわくわくしてた。」\ `"Uu-!`@` Was re-ally looking forward to it.`@` Was so excited, wondering if Mama would show Maria the wrapped present in the corner of her bag right away."`\ mendef 0 bg black,22 ;　“さくたろ”とは、真里亞お姉ちゃんが今日プレゼントしてもらえることになっているぬいぐるみ;の名前。@ `'Sakutaro' is the name of a stuffed animal that Maria was to receive today.`@ br ;　楼座叔母さんは、今日の誕生日のプレゼントに、ずいぶん前からぬいぐるみを作っているとのことだった。\ `Starting a long time ago, Rosa oba-san had been making a stuffed animal for a birthday present today.`\ ;　それは可愛らしいライオンのぬいぐるみだそうで、@真里亞お姉ちゃんは、まだもらってもいないにもかかわらず、もう、さくたろという名前を付けていたのだ。@ `Hearing that it was a cute lion stuffed animal, `@`Maria onee-chan had already given it the name Sakutaro even though she hadn't received it yet.`@ br ;　彼女にとって今日の誕生日は、自分の誕生日よりもさくたろと会えることの方が楽しみだった。\ `Today, she was looking forward to meeting Sakutaro even more than her own birthday.`\ ;　楼座叔母さんは洋服のデザイン会社をやっている。@ `Rosa oba-san ran a clothing design company.`@ br ;　一応、ブランド名もあるらしい。@……何だっけ、アンチローザだったっけ…？@ `It seemed to be some kind of brand name.`@` ......What was it, Anti-Rosa...?`@ br ;“昨日までの自分が、許せない”、がキャッチコピーらしい。\ `It seems that their catch phrase was 'I can't forgive the way I was before today'.`\ ;　…残念ながら、そのブランド名を知っている人間には会った事がない。@ ;　あまり有名ではないのだろう。\ `...Unfortunately, I've never met someone who knew of that brand name.`@ `Maybe it wasn't that famous.`\ bg res_i3a,0 ld c,$ROS_DefA1,26 ;　だから叔母さんはかなり手先が器用。@ ;　彼女の着る洋服の中には、自ら作ったものもあるそうだ。@ `So Oba-san was pretty skilled with her hands.`@ `I heard that she made some of the clothing she wore herself.`@ br ;　だからぬいぐるみを作るくらい、きっとお手の物だったに違いない。\ `So making a stuffed animal had to be well within her capabilities.`\ ;gosub *MAR_Isyou2 mset mld r,$ENJ_waraiA1,24 ;「……手作りのぬいぐるみなんて、ちょっと素敵。@ところで、さくたろって名前、どういう意味で付けたの？」\ ;＜縁寿 `"......A hand-made stuffed animal...that's pretty amazing.`@` By the way, why did you call it Sakutaro?"`\ mld l,$MAR_FukigenA1,23 ;「うー。@本当は“さくら”って付けたかった。@でもオスライオンのぬいぐるみだから、男の子の名前にしなさいって言われたの。@/ `"Uu-.`@` Actually wanted to call it 'Sakura'.`@` But it's a male lion, so Maria was told to give it a boy's name. `@/ mld l,$MAR_WaraiA1,80 ;だから、男の子っぽく太郎を加えて“さくたろう”。@最後の“う”は、いつの間にかなくなっちゃった！」\ `So Maria added a boy-like 'tarou' and called him 'Sakutarou'.`@` Eventually, the last 'u' disappeared!"`\ ;tttt mld r,$ENJ_WaraiA2,80 ;「何で“さくら”なの？」@ `"Why 'Sakura'?"`@ mld l,$MAR_WaraiA2,80 ;「うー！@　カードマスターさくらの主人公〜！」\ `"Uu-!`@` Main character in Card Master Sakura~!"`\ ;　当時、テレビで大人気だったアニメの主人公の名前だ。@ `It was the name of the main character in a TV anime which was popular at the time.`@ br ;　……好きなキャラクターの名前をそのまま拝借する辺りが、何と言うか、歳相応に素直で可愛らしい。\ `......The fact that she'd simply borrowed the name of a character she had liked was, how should I say it, as innocent and cute as you'd expect from that age.`\ gosub *MAR_Isyou1 mend ;mov %play_sene,40020 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar ld r,$MAR_WaraiA1,24 ;「うー！@　ママ、ママ！@　さくたろまだ？@　さくたろも一緒にお誕生日混ぜてあげたい。」@ `"Uu-!`@` Mama, Mama!`@` Still no Sakutaro?`@` Want to let Sakutaro join in on birthday too."`@ cl c,0 ld l,$ROS_NayamuA1,24 ;「プレゼントはいつも最後でしょう？@　今広げると汚しちゃうわよ。@食事が終わるまで我慢しなさい。」@ `"Presents always come at the end, right?`@` If you open it now, it will get dirty.`@` Hold on until the meal is over."`@ ld r,$MAR_WaraiA2,80 ;「じゃあ早く食事を終わらす！@　うーうーうー！」\ `"Then Maria will finish eating quickly!`@` Uu-uu-uu-!"`\ ;　そう宣言すると、がっつくように食事を急ぎ始める。@ `As soon as she proclaimed that, she started tearing into her meal.`@ br cl a,0 ld c,$ROS_OdorokiA1,23 ;　みっともない真似をしないようにと楼座叔母さんが怒る。@ ;　すぐに想定できた事態らしい。@ `Rosa oba-san got mad at her, saying that was rude.`@ `It seemed that she had expected this would happen right away.`@ br ;　私も、真里亞お姉ちゃんの単純さなら、きっとそうするだろうと思ったので、@予想を裏切られなくて何だか微笑ましくなった。\ `I had also thought that, if I were as naive as Maria onee-chan, I would probably do the same thing,`@` so it was kind of pleasant when my expectations weren't betrayed.`\ bg black,22 ;　結局、期待できらきらさせている娘の瞳に負けて、@楼座叔母さんは、机の上を片付けさせて、お待ちかねのプレゼントの包みを出してくれた。\ `In the end, Rosa oba-san lost to her daughter's eyes, which were sparkling with anticipation,`@` cleaned up the table, and took out the long-awaited wrapped present.`\ bg res_i3b,26 ld r,$ROS_WaraiA1,24 ;「ハッピーバースデー、真里亞。@……なかなか時間が取れなくて、あまり上手に作れなかったんだけど…。」@ `"Happy birthday, Maria.`@` ......I couldn't spend much time on it, so I couldn't make it very well..."`@ ld l,$MAR_WaraiA2,23 ;「うー！@　ママの手作りなら何でも嬉しい！@　うーうーうー！@　さくたろ〜、さくたろ〜うーうー！」\ `"Uu-!`@` If Mama made it, Maria is happy with anything!`@` Uu-uu-uu-!`@` Sakutaro~, Sakutaro~uu-uu-!"`\ ;　楼座叔母さんはちょっぴり謙虚そうにそう言うが、真里亞お姉ちゃんは包装を開ける前から大喜びだった。@ `Rosa oba-san spoke slightly humbly, but Maria onee-san was happy even before opening the wrapping.`@ br ;　……その気持ち、よくわかる。@ ;　出来の問題じゃない。@ ;　手作りのプレゼントというのは、それだけで何よりも嬉しいのだ。\ `......I could really understand that feeling.`@ `It's not a problem of quality.`@ `Just the fact that it was a handmade present was more pleasing than anything.`\ cl l,0 ld c,$MAR_WaraiA1,23 ;「開けてもいい？@　開けてもいい？！」\ `"Can I open it?`@` Can I open it?!"`\ ld r,$ROS_WaraiA2,80 ;「本当はお家に帰ってからにしてほしいんだけど、/ ;!d800……ちょっとだけよ？@　ちょっと見て挨拶したら、一度しまうのよ？@　ちゃんと挨拶するのはお家に帰ってからにするのよ？@　ここはお外なんだからはしゃいじゃ駄目よ？@　約束できる？」\ `"I really wanted to do it after going back home, `/ !d800`......but, just for a bit, okay?`@` We'll just take a look and say hello, then put it back, okay?`@` You can give him a proper greeting once we get home, alright?`@` We're in public, so you can't fool around, right?`@` Can you promise?"`\ ld c,$MAR_WaraiA2,80 ;「うー！@　約束するする！/ `"Uu-!`@` Promise promise! `/ se1 47 quakey 2,500 se2 47 quakey 2,500 @/ ld c,$MAR_NiyariA2,80 ;　だから開けてもいい？@　開けてもい〜い？@　ママぁ。」@ `So can I open it?`@` Ca~n I open it?`@` Mamaaa."`@ ld r,$ROS_DefA1,80 ;「はいはい、ちょっとだけよ？」@ `"Yes, yes, just for a bit, okay?"`@ cl c,0 ld l,$MAR_WaraiA2,24 ;「わああああぁぁぁぁ…☆」/ `"Yaaaaaaaaaaayy...☆"`/ se1 3 quakex 3,400 @ br ;　楼座叔母さんが言い終わらない内に、さっそく包装を開き始める。\ `Before Rosa oba-san finished talking, Maria started unwrapping it.`\ textoff bg white,2 fede 0,2000 wait 1000 se2 3 se3 47 bg Sakutaro1a,1 quakey 4,1000 wait 1000 bgm1v 92,85 wait 2000 ;　するとすぐに、……黄色と橙色がのぞく。@ `As soon as she did, ......yellow and orange peeked out.`@ br ;　そこに現れたのは、つぶらな瞳と白いお腹が可愛らしい、@ちょっとのっぺりとしたライオンのぬいぐるみだった。\ `What appeared was a slightly blank-looking lion stuffed animal, `@`with cute round eyes and a white chest.`\ textoff fedexx 90,0,0,0,0,0,1000 bg Sakutaro1b,22 ;　大きさは小さな枕くらい。@ ;　背の低い真里亞お姉ちゃんが持つとそこそこの大きさに見えるけど、多分、そう大きくはないだろう。\ `It was about the size of a small pillow.`@ `It looked pretty big next to a short person like Maria onee-chan, but it probably wasn't that large.`\ ;　何も知らない人が見れば、百貨店か何かで売っている安物だと思うだろう。@ `From the perspective of someone who didn't know better, it would probably look like something cheap bought from a department store or something.`@ br ;　でも、真里亞お姉ちゃんにとっては、世界でただひとつの、何物にも変えられない母親の手作りのぬいぐるみなのだ。\ `But to Maria onee-chan, it was her mother's handmade stuffed animal, the only one of its kind in the world and irreplaceable.`\ bg res_i3c,0 ld c,$MAR_WaraiA2,26 ;「さくたろ〜、さくたろ〜！！@　きゃっきゃっきゃ！！@　可愛い可愛い、すっごく可愛い…！@/ `"Sakutaro~, Sakutaro~!!`@` Kyakkyakkya!!`@` Cute cute, re~ally cute...! `@/ ;ld c,$MAR_WaraiA2,80 ;　ママありがとう、ママありがとう、お仕事で忙しいのに、こんなに可愛いぬいぐるみを作ってくれて本当にありがとう…！！」\ `Thank you Mama, thank you Mama, thank you so much for making such a cute stuffed animal even though you're so busy with your work...!"`\ bg res_i3a,0 ld l,$ROS_komaruA1,23 ;「…そんなに褒められるとかえって恥ずかしいわ。@/ `"...If you praise me that much, it's actually embarrassing. `@/ ld l,$ROS_KomaruA2,80 ;全然時間が取れなくて、大したものを作れなかったの。@本当は、抱えきれないくらい大きなのを作るつもりだったのにね…。」\ `I couldn't take much time, so I couldn't make anything that good.`@` I actually wanted to make one so big that you couldn't wrap your arms around it..."`\ ld r,$MAR_WaraiA1,24 ;「うぅん、これでいい！@　このくらいの大きさなら、いつも一緒にいられるもん。@一緒にお出掛けできるもん。@/ `"No, this is good!`@` With this size, we can always be together.`@` We can go out together. `@/ ld r,$MAR_WaraiA2,80 ;さくたろ〜、お姉ちゃんだよ〜、うりゅ〜☆」\ `Sakutaro~, it's your Onee-cha~n, uryu~☆"`\ ;■メタ視空間 ;gosub *MAR_Isyou2 mset ;mov %play_sene,40020 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_mar mld r,$ENJ_WaraiA2,24 ;「本当に可愛らしいぬいぐるみね。@この子が、真里亞お姉ちゃんの一番のお友達のさくたろなのね。」\ `"It really is a cute stuffed animal.`@` So this kid is your best friend Sakutaro."`\ mld l,$MAR_niyariA1,23 ;「うー！@　学校には一緒に行けないけど、お家ではいつもいつも一緒にいる一番のお友達なの。@/ `"Uu-!`@` Can't go to school together, but always, always together at home and Maria's best friend. `@/ mld l,$MAR_WaraiA2,80 ;さくたろはね、とっても無垢で可愛らしくて、そしていつも真里亞にやさしくしてくれるの。@真里亞に元気がない時には励ましてくれて、真里亞が元気な時は一緒にいっぱい遊んでくれるの！\ `You know, Sakutaro is ve-ry innocent and cute, and is always nice to Maria.`@` Supports Maria when Maria is feeling down, and plays a lot with Maria when Maria is feeling good!`\ mld l,$MAR_WAraiA1,80 ;　だから真里亞はもう寂しくなんかない。@ママが仕事で忙しくてひとりぼっちでも寂しくないし、学校で誰も遊んでくれなくても全然寂しくないの。@ねー、さくたろ〜、うりゅ〜☆」\ `So Maria isn't lonely anymore.`@` Not lonely when Mama is busy with work and Maria is all alone, and even if no one plays with Maria at school, not lonely at all.`@` He-y, Sakutaro~, uryu~☆"`\ mendef 0 mbg black,2 fede 0,3000 ;　……学校における真里亞お姉ちゃんは、今の私と同じような境遇だった。@ `......At school, Maria onee-chan had lived in the same kind of environment as I did.`@ bgm1 91 br ;　真里亞お姉ちゃんは、クラスの子たちと比べて、いつもテンポがひとつ遅かった。@ `Compared to the other kids in her class, Maria onee-chan's tempo was always a little slow.`@ br ;　感受性も、ものの考え方も少し特徴的で、……彼らに溶け込むには、少し個性的過ぎた。\ `Her sensitivity and way of thinking about things was a little peculiar, ......and was a little too idiosyncratic for her to blend in with them.`\ ;　成績もかなり低く、それでいて得意とするオカルト分野には饒舌だったものだから、クラス中から奇人扱いを受けていた。@ `Her grades were low as well, and since she was talkative about everything related to the occult, which was her specialty, she was treated like a weirdo by everyone else in the class.`@ br ;　真里亞お姉ちゃんに触られると呪われる、みたいな話になって。@ ;　クラスのみんなが彼女を気持ち悪がったり、馬鹿にしたりして避けているらしかった。\ `If you were touched by Maria onee-chan, you would be cursed...stuff like that.`@ `Everyone in the class acted like she was disgusting, made fun of her, and avoided her, it seems.`\ ;　真里亞お姉ちゃんと肩をぶつけた男子は、@その部分を他の男子に擦り付け合ったりして、穢れ扱いしたり。@ `If a boy bumped into Maria onee-chan, `@`he would start rubbing that part against the other boys, as if he'd gotten some scum on him.`@ br ;　彼女の私物をまるで汚物みたいに摘み上げて、それを避けようとする男子を追い掛け回してみたり。\ `They would pick up her stuff like it was something filthy and chase the other boys around with it.`\ ;　女子は彼女と口を利くのも嫌だという雰囲気らしく、@徹底的に無視をしては、彼女が何かをミスする度にくすくすと嘲笑するという有様だった。\ `It seems that the girls acted as though even speaking to her was unpleasant, `@`so they ignored her completely, giggling and sneering at her whenever she made a mistake.`\ msetef 0,0 mcbg 0 mld r,$ENJ_fumanA2,80 ;「…………いじめって、いつの時代も似たようなものなのね。@人間って本当、進化しないの。@滅べばいいのに。」\ ;＜縁寿 `"............It looks like bullying is the same in all eras.`@` Humans really don't advance, do they.`@` Why don't they just get wiped out."`\ mld l,$MAR_fukigenA1,80 ;「……真里亞はいじめられて悲しいけど、でも仕方ないと思うの。」@ `"......Maria is sad to be bullied, but thinks that it can't be helped."`@ mld r,$ENJ_komaruA3,80 ;「仕方ない…？@　どうして…？」\ `"It can't be helped...?`@` Why...?"`\ mld l,$MAR_defA1,80 ;「だって、クラスにはひとり、いじめられっこがいないといけないって、ルールなんだもん。」\ `"After all, there's a rule that says every class has to have a single bullied kid."`\ mld r,$ENJ_FumanA2,80 ;「……最低なルールね。@それを作ったヤツの後頭部を煉瓦で殴ってやりたいわ。@もちろん角で。」\ `"......That's a horrible rule.`@` I want to find the person who made that and hit them over the head with a brick.`@` Using the corner, of course."`\ mld l,$MAR_fukigenA1,80 ;「もしも真里亞がいなくなったら、きっと真里亞のかわりに、新しい誰かが新しいいじめられっこに選ばれる。@/ `"If Maria wasn't there, then there'd surely be a new bullied kid chosen in Maria's place. `@/ mld l,$MAR_WaraiA1,80 ;真里亞が我慢することで、真里亞はその子を庇ってあげられるの。」\ `By staying strong, Maria can protect that kid."`\ ;　そう言って、薄っすらと微笑んで見せた。@ `As she said that, she smiled faintly.`@ br ;　…………真里亞お姉ちゃんの考え方は、本当に変わっている。\ `............Maria onee-chan's way of thinking really is unusual.`\ mendef 0 bg black,5 bg schR_o1a,22 ;　彼女が言うには、学校という場所には元々、魔女が住み着いているのだという。@ ;　いや、人が集う場所には必ず魔女がひとり住み着いているのだという。\ `According to her, from the beginning, a witch had resided in that place called a school.`@ `No, she says that anywhere that a lot of people gather will most certainly have a witch residing there.`\ bg black,22 ;　魔女は生徒たちの魂を、病死や事故死の形で奪い取ろうとする。@ ;　あるいは魂を堕落させたり、悪の道に引き込んだりするという。@ `The witch tries to steal the students' souls through death by disease or accidents.`@ `Apparently, she sometimes also corrupts the souls, leading them down that path of evil.`@ br ;　それを見過ごせず、天使様がやって来たという。\ `She says that an angel came, not content to let that happen.`\ bg schR_o2a,0 msetef 0,0 mld c,$MAR_DefA1,26 ;「……天使様はね、魔女をやっつけようとした。@でも魔女は強大で、戦いは七日七晩に及んだけど、それでも決着しなかった。@疲れきった魔女は休戦しようと言って、こう提案したの。」\ `"......And the angel, she tried to finish off that witch.`@` But the witch was powerful, and the fight took seven days and seven nights, but even then, it still wasn't finished.`@` The tired out witch asked for a truce, and proposed this."`\ mcl c,0 mld r,$ENJ_NayamuA1,24 ;「前に聞いたわ。@……“私はこれまで、クラスの生徒の半分を、病気にしたり怪我をさせたりしてきました。@でも、その代わりに、残りの半分の生徒は病気と怪我から守ってきました。@だから、もしもクラスの１人を私への生贄に、『いじめられっこ』にしてくれるなら、@その他全員の生徒を、病気や怪我から守りましょう”、/ ;!d1000………だったっけ。」\ `"I've heard this before.`@` ......'Until now, I have made half of the students in the class become sick or injured.`@` But in exchange, I have protected the remaining half of the students from sickness and injury.`@` Therefore, if one member of the class becomes a sacrifice to me and is made into the 'bullied kid',`@` I shall protect all of the other students from sickness and injury', `/ !d1000`.........wasn't it?"`\ mld l,$MAR_niyariA2,23 ;「うー。@天使様は考えたの。@クラスの半分が不幸になることに比べたら、クラスの１人だけが不幸になることの方がずっと良い。@それに、魔女はその強力な力で他全員の生徒の安全を守ってくれると言う。」\ `"Uu-.`@` The angel thought about it.`@` Compared to half the class meeting with misfortune, having only one person be unfortunate would be much better.`@` Then, the witch said that she would protect the safety of all the other students, using her powerful magic."`\ mld r,$ENJ_DefA1,80 ;「クラスに４０人の生徒がいるとして。@……２０人の犠牲者が１人に減って、１９人が助かるというわけね。@……実に合理的な提案。」@ `"If there are 40 students in a class,`@` ......and the 20 victims are shrunk down to 1, then 19 people are saved.`@` ......It actually is a reasonable proposition."`@ br ;　このおとぎ話は、何かモチーフでもあるのだろうか。@ ;　９歳の少女に過ぎない真里亞お姉ちゃんの創作だとしたら、なかなかの出来だった。\ `I wonder if this fairy tale has some kind of motif.`@ `If it's a creation of Maria onee-chan, a nine year old girl, that would be pretty impressive.`\ mld l,$MAR_DefA1,80 ;「天使様はその提案を飲むことにした。@だから、１人の生贄によって、１９人は救われた。@/ `"The angel decided to accept that proposal.`@` So, through the single sacrifice, 19 people were saved. `@/ mld l,$MAR_niyariA2,80 ;……だから真里亞の役割は大切なの。@魔女は１９人を、守ってる。」@ `......So Maria's role is important.`@` The witch is protecting 19 people."`@ mld r,$ENJ_FumanA2,80 ;「……私たちが生贄になることによって？@　………その１９人に、感謝された覚えはないけれど。」\ `"......Because we become sacrifices?`@` .........Well, I don't remember ever being thanked by those 19 people."`\ ;　…真里亞お姉ちゃんの考えは、慈悲深過ぎる。@ `...Maria onee-chan's idea was too compassionate.`@ br ;　私と彼女の境遇の不幸さはとても近い。@……にもかかわらず、ものの考え方ひとつで、心の安らぎは違うというのだろうか。\ `The misfortune of my and her situations are very similar.`@` ......And yet, maybe you could say that because of a small difference in our way of thinking, there's a difference in how peaceful our hearts are.`\ mld r,$ENJ_NayamuA1,80 ;「それで、真里亞お姉ちゃんは悲しくないの…？」\ `"And so, aren't you sad, Maria onee-chan...?"`\ mcl a,0 mld c,$MAR_WaraiA1,23 ;「うー。@悲しくなんかないよ。@/ `"Uu-.`@` Not sad at all. `@/ mld c,$MAR_WaraiA2,80 ;だって、これからはさくたろが一緒だもん。@ね？@　さくたろ？」@ ;『うりゅー！　真里亞と一緒ならボクも元気〜！』@ `After all, will be together with Sakutaro from now on.`@` Right?`@` Sakutaro?"`@ `『Uryu-! If I can be with Maria, I'm happy too~!』`@ mld c,$MAR_WaraiA1,80 ;「ほら、さくたろも元気って言ってるよ。@うー☆」@ `"Look, Sakutaro is saying he's happy too.`@` Uu-☆"`@ br ;　真里亞お姉ちゃんは、さくたろのぬいぐるみを抱え上げ、一人二役でそう会話してみせる。\ `Maria onee-chan hugged the Sakutaro stuffed animal, playing both sides of the conversation herself.`\ ;　私にはわからない。@ ;　……でも、だからこそ、真里亞お姉ちゃんの境地に達したいと思う。@ `I don't understand.`@ `......But that's exactly why I want to reach Maria onee-chan's level.`@ br ;　…だから、彼女の物語と言葉に、私は強い関心を持ってしまうのだ。\ `...So I held a strong interest towards her tale and her words.`\ textoff fede 0,3000 mld c,$MAR_niyariA2,80 ;「縁寿は、ひとりぼっちだから辛い……？」\ `"Ange, is it tough because you're all alone......?"`\ me1v 5,50 mendef 0 bg black,25 ;「……辛いわ。@でも、真里亞お姉ちゃんとこうしていられる時間だけは別。@ひとりぼっちじゃ、ないから。」\ `"......It is tough.`@` But, just the time when I can be like this with you is different.`@` Because I'm not...all alone."`\ ;bg white,22 ;msetef 0,0 ;mld r,$MAR_waraiA1,22 ;「なら、さくたろもお友達になれば、もっと楽しくなるよ。@/ `"Then, if Sakutaro also becomes your friend, it'll be even more fun. `@/ ;mld r,$MAR_WaraiA2,80 ;うー！@　じゃあ今日から、さくたろも縁寿の新しいお友達だよ！@　ね、さくたろ〜？」\ `Uu-!`@` Then starting today, Sakutaro is Ange's new friend!`@` Right, Sakutaro~"`\ fede 0,2000 mendef 0 bg sakutaro1b,46 bgm1 90 ;『うりゅ？@　ボク、縁寿のお友達…？@　うりゅー、縁寿〜！』@ `『Uryu?`@` I am...Ange's friend...?`@` Uryu-, Ange~!』`@ br ;　真里亞お姉ちゃんは、まるでパペットのようにぬいぐるみを器用に動かし、さくたろの感情表現をしてみせる。\ `Skillfully moving the stuffed animal like it was a puppet, Maria onee-chan changed Sakutaro's facial expressions.`\ bg sakutaro1a,22 ;　彼女が操っているわけだが、愛くるしく短い手を振ったり小首を捻ったりする仕草は、@確かにそこにさくたろという新しい友達の存在を感じさせた。@ `She was controlling him, but the charming way he waved his short hand and cocked his head to the side,`@` made it feel like he really was a new friend called Sakutaro.`@ br ;　もちろん、冷めた目で見ればそれは、@ぐずる私を真里亞お姉ちゃんが、ぬいぐるみであやしているだけの光景だ。\ `Of course, looking at it with cold eyes,`@` it would only appear that Maria onee-chan was comforting me when I was grumpy.`\ ;　……でも、そのぬいぐるみには、確かに魂が吹き込まれている。@ `......But a soul had definitely been blown into that stuffed animal.`@ br ;　真里亞お姉ちゃんの、愛という魂が。@ `The soul of Maria onee-chan's love.`@ br ;　だから私はそのぬいぐるみの中に、さくたろという存在を認める。\ `So I accepted the existence of a being called Sakutaro inside that stuffed animal.`\ ;「ほら、縁寿もさくたろに挨拶して。@ほら、さくたろもご挨拶〜☆」\ `"Come on, say hi to Sakutaro too, Ange.`@` Come on, you say hi too, Sakutaro~☆"`\ bg sakutaro1b,80 ;『うりゅ……？@　縁寿、/ ;!d800……怖い人……？』@ `『Uryu......?`@` Is Ange, `/ !d800`......a scary person......?』`@ br ;　さくたろは、私をおずおずと見るような仕草をしながら、@私と不意に目が合い、驚いて真里亞お姉ちゃんの背中に隠れるような仕草をする。@ `As Sakutaro timidly looked at me, `@`he unexpectedly met my gaze, and hid behind Maria onee-chan's back in surprise.`@ br ;　……真里亞お姉ちゃんって、本当にぬいぐるみ遊びが上手だ。\ `......Maria onee-chan really is good at playing with stuffed animals.`\ bg sakutaro1a,22 ;「大丈夫だよ、さくたろ。@縁寿は怖くないよ、とってもやさしい女の子だよ〜。@うー☆」@ ;『…ど、どうも。@さくたろうです…。@……うりゅ……。』\ `"It's okay, Sakutaro.`@` Ange isn't scary, she's a very nice gi~rl.`@` Uu-☆"`@ `『...H, hello.`@` I'm Sakutarou...`@`......Uryu......』`\ ;「くす。@……初めまして、さくたろう。@縁寿よ。@新しいお友達になれて嬉しいわ。」\ `"*giggle*.`@` ......Pleased to meet you, Sakutarou.`@` I'm Ange.`@` I'm glad to have a new friend."`\ ;bg sakutaro1b,22 ;　私が握手を求めるように右腕を出すと、@さくたろの短い手がこちらに出され、私の人差し指にちょこんと触れる。@ `I held out my hand as though asking for a handshake, `@`and Sakutaro's short hand was stuck out towards me, lightly touching my index finger.`@ br ;　何しろ人間とぬいぐるみの握手だからサイズが違う。@ ;　この、指で触れ合うような挨拶が、私たちの握手なのだ。\ `After all, the size is all wrong for a handshake between a human and a stuffed animal.`@ `This greeting by touching each other's fingers was our handshake.`\ msetef 0,0 mld l,$ENJ_WaraiA1,22 mld r,$MAR_WaraiA2,24 ;「うー☆　@これでもう、縁寿とさくたろはお友達だよ！@　一人よりは二人、二人よりは三人の方がもっと楽しいよ。@うー！」 ;『うりゅ〜！』\ `"Uu-☆`@` Now, Ange and Sakutaro are already friends!`@` Two people are more fun than one, and three people are more fun than two.`@` Uu-!"` `『Uryu~!』`\ ;　真里亞お姉ちゃんは、誕生日にもらえることになっていたこのぬいぐるみに「さくたろう」という名前を与え、@ずっとずっと心の中でその存在を温めて膨らませてきたのだ。@ `Maria onee-chan had given the name 'Sakutarou' to the stuffed animal she was to receive on her birthday,`@` and had warmed and expanded his existence in her heart for a long, long time.`@ br ;　だから、出会う前からその存在は人格にまで昇華されていた。@ ;　出会ったその時からもう、彼女と彼はお友達だった。\ `Therefore, even before she had met him, a personality had been sublimated into his existence.`@ `Even at the first moment they had met, he and she had been friends.`\ mendef 0 bg black,22 ;　確かに、さくたろうほどにまで人格化されて愛された存在はないだろうが、@真里亞お姉ちゃんにとってそれは特別なことではない。@ `Of course, I don't think anything could be as personified and loved as Sakutarou was,`@` but that wasn't anything extraordinary in Maria onee-chan's eyes.`@ br ;　彼女は自分の持ち物をとてもよく愛し、まるで友人やよく懐いたペットのように扱った。\ `She loved the things she owned very much, treating them just like friends or beloved pets.`\ ;　楼座叔母さんにペットを飼うことを許してもらえなかったこともあるかもしれないし、@物を大切にするという気持ちもあったかもしれない。@ `Maybe Rosa oba-san hadn't let her keep a pet at some point in time,`@` so she treated objects as though they were precious.`@ br ;　……身近に友人を見つけなければならないほど、彼女が孤立していたこともあったかもしれない。@ `......Maybe she was so isolated that she had been forced to find a friend nearby.`@ br ;　そんな様々な事情から、彼女にとってこのようなことは特別なことではなかったのだ。\ `Because of those various conditions, this wasn't anything extraordinary from her perspective.`\ bg sakutaro1a,22 ;　それでも、さくたろうは、……いや、真里亞お姉ちゃん風にさくたろと呼ぶべきか。@ `And even so, Sakutarou, ......no, maybe I should call it Sakutaro like Maria onee-chan.`@ br ;　さくたろは何よりも、いや、誰よりも愛されたぬいぐるみ、@…いや、友達であったことは確かだ。\ `It was certain that Sakutaro was a stuffed animal, `@`...no, a friend who was more loved than anything, no, anyone.`\ bg black,25 wait 1000 me1v 23,40 wait 2000 bg TEL1a,26 wait 2000 E_M1 bg black,22 ;mov %play_sene,40020 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar ;「もしもし…、ママよ。@上機嫌ね、お友達が来てるの？」@ ;「うー！@　さくたろと遊んでるの！@　さくたろったらね、きゃっきゃっきゃ！」\ `"Hello..., it's Mama.`@` You're in a good mood. Is a friend over?"`@ `"Uu-!`@` Playing with Sakutaro!`@` Sakutaro, knock it off, kyakkyakkya!"`\ ;　もう夜の９時を回っている。@ `It was already about 9:00 at night.`@ br ;　お友達がいてもいい時間ではないので驚いて聞いたのだが、@考えてみれば、遊びに来てくれるような友達なんていなかったっけ…。\ `Rosa had asked since this wasn't a good time to have a friend over and she had been a little surprised,`@` but when she thought about it, Maria didn't have any friends who would come over to play, did she...`\ ;　それにしても、ぬいぐるみとここまで楽しそうに遊んでくれるなんて。@ ;　楼座は、誕生日プレゼントがとても気に入ってもらえてよかったと思うのだった。\ `Even so, to think that she would have so much fun playing with that stuffed animal.`@ `Rosa was very pleased that Maria had liked her birthday present so much.`\ ;「ごめんね。@ママ、どうしても仕事が片付かなくて…。@来期のラインナップが難航してるの。@ようやく少しずつ注目され始めたみたいで、何とかここで期待に応えられるインパクトを与えたいのよ…。」@ `"Sorry.`@` Mama just can't get her work finished...`@` The next season's lineup is having a tough time.`@` It looks like we're finally starting to get orders bit by bit, and I want to somehow give an impact here that can answer their expectations..."`@ ;「今夜もお泊まり？@　うん、いいよ。@頑張って、ママ！」\ `"Staying over tonight?`@` Yeah, okay.`@` Do your best, Mama!"`\ ;「そ、そう？@　ありがとうね、真里亞…。@ママのお仕事のことをわかってくれてありがとう…。」@ `"R, really?`@` Thank you, Maria...`@` Thanks for understanding about Mama's work..."`@ br ;　あまりにあっけらかんと、家に帰れないことを納得してくれたので、楼座はとても驚く。\ `Rosa was very surprised that Maria had accepted that she couldn't come home from work so indifferently.`\ ;bg black,22 ;　楼座にとって、帰宅が遅くなったり、泊まりになったりすることを真里亞に伝えるのは大きな負担だった。@ `Rosa had viewed telling Maria that she would be coming home late or staying overnight as a large burden.`@ br ;　真里亞が電話先で寂しい寂しいと泣き出し、なだめるのに大きな時間と労力を払うことになるからだ。\ `Maria would start crying about how lonely she was on the other end of the phone, and it took a lot of time and effort to calm her down.`\ ;　その真里亞が、こんなにも上機嫌に納得してくれるなんて…。@ ;　これも、さくたろうのお陰だろうか。@ `To think that Maria would accept it in such high spirits...`@ `Is this also thanks to Sakutarou?`@ br ;　…楼座は重ねて、良いプレゼントをしたと喜ぶ。\ `...Rosa was once again pleased that she had given such a good present.`\ bg TEL1a,22 ;「明日のこの時間には帰れるようにするわ。@明日は一緒に夕食を取りましょう。@真里亞は夕食はまだよね？@　コンビニでお弁当を買ってきて食べてね。@お菓子は駄目よ、ジュースも駄目よ。@お釣りと一緒にレシートも入れておくのよ、わかった？」\ `"I'll make sure that I can come back this time tomorrow.`@` Let's eat dinner together tomorrow.`@` You haven't eaten dinner yet, have you Maria?`@` Buy a bento at the convenience store and eat it.`@` No sweets, and no soda.`@` I'll check the receipt and the change, understand?"`\ ;「うー！@　さくたろとお買い物、さくたろとお買い物…！」@ ;「こ、こら！@　さくたろは駄目よ、お留守番させなさい！」\ `"Uu-!`@` Shopping with Sakutaro, shopping with Sakutaro...!"`@ `"H, hey!`@` Not Sakutaro, have him watch over the house!"`\ bg black,22 ;　真里亞の口調から、自分の与り知れない内に、あのぬいぐるみと一緒に買い物に出たことでもありそうな気配を察する。@ `From Maria's manner of speech, Rosa got the feeling that Maria would go shopping with that stuffed animal without her knowing about it.`@ br ;　楼座は眉間にしわをよせながら、それだけは絶対駄目だと口をすっぱくして伝え、電話を切るのだった。\ `Rosa's forehead creased, and after sourly saying that Maria definitely must not do that, she hung up.`\ textoff ;bg TEL1a,26 ;wait 1000 bg ROS_M1aN,0 ld r,$MAR_fukigenA1,26 ;「うー…。@さくたろとお買い物、駄目だってママに言われた…。」@ ;『うりゅー…。@真里亞とお買い物にいけない…。@ひとりでお留守番、寂しい…。』\ `"Uu-...`@` Mama said must not go shopping with Sakutaro..."`@ `『Uryu-...`@` Can't go shopping with Maria...`@` Staying home alone...will be lonely...』`\ ld r,$MAR_odorokiA1,80 ;「何でママ、さくたろとお買い物行っちゃ駄目なんて言うんだろ…。@うー…。」\ `"Why did Mama say not to go shopping with Sakutaro...`@` Uu-..."`\ bg black,25 bg sakutaro1b,22 ;『うりゅ…。@……きっと、ボクが真里亞と一緒にいるのを見られると、恥ずかしいんだよ…。』@ ;「……恥ずかしい？@　何で？」\ `『Uryu...`@`......I'm sure that if Maria was seen with me, it would be embarrassing...』`@ `"......Embarrassing?`@` Why?"`\ ;『ママはよく、ボクをお外に連れて行っちゃいけないって言うし。@真里亞のことをよく、もう何歳になったんだから駄目とか、そういう言い方をするし…。』@ ;「うー？@　真里亞はさくたろと一緒で全然恥ずかしくないよ？」\ `『Mama says not to take me outside a lot.`@` And she usually says Maria can't do it because she's too old...』`@ `"Uu-?`@` But Maria isn't embarrassed at all to be with Sakutaro, right?"`\ ;『ボクはライオンだけど、…ぬいぐるみだし。』@ `『I am a lion, ...but I'm a stuffed animal.』`@ ;「ライオンでぬいぐるみだけど、真里亞のお友達だよ。@だから一緒にお出掛けしよ☆@　ママがいない時だけ内緒で。@うー？@　ひょっとしてさくたろも恥ずかしい？」\ `"You're a lion and a stuffed animal, but you're Maria's friend.`@` So let's go out together☆`@` Just when Mama isn't around, as a secret.`@` Uu-?`@` You aren't saying that you're embarrassed, are you?"`\ ;『ボクは恥ずかしくないけど……。@…うりゅ、…ちょっとお外の人が怖い…。』\ `『I'm not embarrassed, but......`@`...uryu, ...the people outside are a little scary...』`\ bg ROS_M1cN,0 ld c,$MAR_odorokiA1,26 ld c,$MAR_waraiA2,80 ;「そっか！@　じゃあさくたろが怖くなくて一緒にお出掛けできるようにする！@　真里亞に任せて、便利なのあるの…！」\ `"Is that it!`@` Then, Maria will make it so that Sakutaro can go outside without being scared!`@` Leave it to Maria, Maria has something convenient...!"`\ cl c,24 bg ROS_M1bN,23 ;　真里亞はごちゃごちゃの部屋の中を漁り始める。@ `Maria started fishing around her messy room.`@ br fede 0,2000 textoff se1 20 wait 700 se2 3 quakey 3,500 se3 13 quakex 4,400 se1 4 quakey 4,600 ;　楼座によく片付けるようにと言われるのだが、どうにもお部屋の片付けは苦手だ。\ `Rosa often told her to clean it up, but she was just bad at cleaning up her room.`\ ;　でも、真里亞自身には何がどこにあるのか大よそわかっている。@ `However, Maria herself knew more or less where everything was.`@ br ;　むしろ、勝手に片付けられてしまうと、所在がわからなくなってしまうので困るくらいだ。\ `So much so that if it were to be cleaned up, she would have trouble finding where anything was.`\ bg black,24 bg ROS_M1aN,24 ld r,$MAR_WaraiA2,26 bgm1v 92,80 ;「あった！/ `"Here it is! `/ se1 4 ;@　ほら見て、さくたろ。@/ @`Hey, look, Sakutaro. `@/ se2 3 ;ナップザック〜！」@ `A knapsa~ck!"`@ ;　真里亞は、それを高々と威張るように掲げる。@ `Maria proudly held it up high.`@ br ;　さくたろは、ぱっくりと開かれたナップザックを見て、まさか…と身じろぎする。\ `Sakutaro looked at the knapsack, which was gaping open, squirming as though saying 'are you serious...'`\ ;『うりゅ……、真里亞、もしかして……、』@ `『Uryu......, Maria, you aren't saying......』`@ ld r,$MAR_niyariA1,80 ;「うー！@　これなら一緒にお買い物に行けるし、さくたろも怖くないよ！」\ `"Uu-!`@` This way, we can go shopping together, and Sakutaro won't be scared!"`\ bg black,26 ;　真里亞はさくたろを抱え上げると、ぎゅうぎゅうとナップザックに詰め込み始める。@ `Maria held Sakutaro up, and started stuffing him into the knapsack.`@ br ;　最初は頭から突っ込もうとしたが、それでは逆さまで窒息してしまう。@ ;　なので引っ繰り返して足からもう一度押し込む。\ `At first, she tried to stick him in head-first, but then he'd be upside-down and suffocate.`@ `So she pulled him out and tried pushing him in again, feet-first.`\ ;『うりゅー…！@　きついー、狭いー、暗いー。@うりゅー！@　もがっ。』@ `『Uryu-...!`@` Ti-ght, cra-mped, da-rk.`@` Uryu-!`@` Urk.』`@ bg ROS_M1cN,0 ld c,$MAR_waraiA2,26 ;「ほら、大丈夫だよ。@頭を出せば、狭くないし、暗くないから怖くないよ。@景色もいいよ。@うー！」\ `"Look, it's alright.`@` If you stick your head out, it isn't cramped, it isn't dark, and it isn't scary.`@` And it's a good view.`@` Uu-!"`\ ;『うりゅ、本当だ。@……これなら、真里亞と一緒にお買い物に行っても大丈夫…？』@ `『Uryu, you're right.`@` ......Is it alright if I go shopping with Maria like this...?』`@ ld c,$MAR_WaraiA1,80 ;「うん、大丈夫だよ！@　今日のお夕食は何がいいかな！@　さぁさ、お出掛けしよう、さくたろ！@　うー！」\ `"Yeah, it's alright!`@` What should we get for dinner tonight?!`@` Come on, let's go out, Sakutaro!`@` Uu-!"`\ ;■メタ視世界 mset ;mov %play_sene,40020 : mov %r_hyouji_side,2 mld r,$ENJ_WaraiA2,24 ;「くす。@真里亞お姉ちゃん、楽しそう。」\ `"*giggle*.`@` Looks like you're having fun, Maria onee-chan."`\; mld l,$MAR_WaraiA2,23 ;「うん、とっても楽しい。@ひとりだったら寂しくてつまらないことでも、さくたろが一緒なら何でも楽しい。@どんなニンゲンのお友達だって、夕方になったらお家へ帰らなきゃならない。\ `"Yes, it's a lot of fun.`@` Even things that would be lonely and boring alone all become fun with Sakutaro.`@` Any human friend would have to go home when it gets late.`\ mld l,$MAR_niyariA1,80 ;　でも、さくたろは帰らないし、いつまでも一緒にいてくれる。@一緒にテレビも見るし、@お布団の中だって一緒だし、@雷が怖い夜には手だって握っていてくれる。@/ `But Sakutaro doesn't go home, so we can be together all the time.`@` He'll watch TV with Maria,`@` be together even in the futon,`@` and even hold Maria's hand on scary nights with thunder. `@/ mld l,$MAR_WaraiA1,80 ;クローゼットやベッドの下のオバケだって追っ払ってくれるんだよ。@さくたろ、頼もしい！」\ `He'll chase away the monsters in the closet and under the bed.`@` Sakutaro is reliable!"`\ mendef 0 bg sakutaro1b,22 ;『うりゅ。@真里亞を怖がらせるオバケは、ボク、ライオンだから勇気を出して追い払っちゃうよ。@うりゅー、がおー。』@ `『Uryu.`@` Since I'm a lion, I'll show my courage and chase away any monsters that scare Maria.`@` Uryu-, gao-.』`@ ;tttt br ;　それは、ちょっと嫉妬するくらいの仲の良さ。\ `They were so close that it made me a little envious.`\ ;　年齢的には、私は真里亞お姉ちゃんよりも上になったつもりでいる。@ `I'm supposedly older than Maria onee-chan.`@ br ;　でも、やっぱり真里亞お姉ちゃんはお姉ちゃんで、私は未だにお姉ちゃんの境地には辿り着いていない。@ `But Maria onee-chan really is my onee-chan, and I still haven't reached her level.`@ br ;　…私にも、さくたろのような身近な友達がいればいいのに。\ `...If only I had a friend close by like Sakutaro.`\ mset2ef 0 mld l,$MAR_NiyariA2,80 ;「真里亞もさくたろも、縁寿の身近なお友達だよ？@　いっつも真里亞たちは縁寿のすぐ側にいる。@/ `"Maria and Sakutaro are close friends to Ange, right?`@` We'll a-lways be by your side, Ange. `@/ mld l,$MAR_waraiA1,80 ;でも、縁寿の魔法が弱いから、こうして真里亞の日記を開かないと知覚できないだけ。」@ `It's just that your magic is weak, so you cannot perceive it unless you open Maria's diary like this."`@ mld r,$ENJ_waraiA1,80 ;「……知覚？@　真里亞お姉ちゃんは難しい言葉を知ってるね。」\ `"......Perceive?`@` You know some pretty difficult words, Maria onee-chan."`\ ;　彼女に言わせれば、この世は魔法や霊でいっぱいらしい。@ `According to her, this world is full of witches and spirits.`@ br ;　たとえばそれは、ちょっとしたそよ風くらいに自然で身近なものだとか。\ `As if they were as natural and nearby as a light breeze.`\ mld l,$MAR_niyariA2,80 ;「風って、普段は気にもしないし見えもしないけれど、@お線香の煙とかが棚引くと、それを見ることが出来るんじゃない？」@ `"You don't normally notice or see the wind,`@` but when incense smoke or something draws trails, you can see it, right?"`@ mld r,$ENJ_waraiA2,80 ;「……そうね。@そしてそれは、見えなくても普段から私たちの身近にあるものだわ。」\ `"......Right.`@` And even if you can't see it, it is always nearby."`\ mld l,$MAR_WaraiA2,80 ;「そういうこと。@真里亞もさくたろも、いつだって縁寿のすぐ近くで一緒なんだよ。@神様や精霊、守護霊も、私たちのすぐ身近にいるの。@/ `"That's it.`@` Maria and Sakutaro are always really close by to you, Ange.`@` Gods and spirits, and guardian spirits, are always right next to us. `@/ ;mld l,$MAR_MajimeA1,80 ;でも、意識しないと存在を感じられない。@目では見えない風のように。@でも、それは確実に私たちの身近にあって、魔力という煙が棚引けば、誰にだって見えるものなの。」\ `But if you aren't conscious of them, you can't feel their existence.`@` Like wind that can't be seen with the eyes.`@` But they are certainly near us, and if they draw trails in the smoke called magic, anyone can see them."`\ mendef 0 bg Book1,8 ;　私は、この日記を開いた時にだけ真里亞お姉ちゃんに会えると思っている。@ `I had thought that I could only meet Maria onee-chan when this diary was open.`@ br ;　しかし、彼女が言うにはいつも一緒にいて、私が真に望むならいつだって会えるというのだ。\ `But from what she said, she was always with me, and I could meet her at any time if I truly desired to.`\ ;「真里亞は自分の日記に、日々の記録と一緒に、自分の魂のカケラを残しておいたの。@だからこの日記には、真里亞の魔法の力が宿ってるの。@でもそれはとても微弱なもので、縁寿以外の人には誰も感じ取れない。」\ `"Along with a record of her life, Maria left a fragment of her own soul in her diary.`@` So the power of Maria's magic resides in this diary.`@` But it is very faint, so no one other than Ange can feel it."`\ bg ROS_M1aN,0 msetef 0,0 mld r,$ENJ_waraiA2,22 ;「……私にだけは、わかるの？」\ `"......Only I...understand?"`\ mld l,$MAR_WaraiA1,23 ;「うん。@だって、縁寿は真里亞と同じで、魔女の力を宿しているもの！@　縁寿だって、ちゃんとお勉強すれば、きっと将来、立派な魔女になれるんだよ。」\ `"Yes.`@` After all, just like Maria, the power of a witch resides in Ange!`@` If you study hard, even you could definitely become a great witch in the future."`\ mld r,$ENJ_waraiA1,80 ;「………魔女。@それは楽しいのかしら。」\ `".........A witch.`@` I wonder if that's fun."`\ mld l,$MAR_waraiA2,80 ;「うー！@　楽しいよ。@そうすれば、日記を開かなくても、真里亞やさくたろが、いつも身近にいるのがわかるようになるよ。@そしたら毎日がとっても楽しくなる！@　そしたら縁寿に、真里亞は他にもたくさんのお友達を紹介できるよ。@そしたら毎日が忙しくて、とっても賑やかになるよ。」\ `"Uu-!`@` It is fun.`@` If you do that, you will be able to know that Maria and Sakutaro are always by your side, even without opening the diary.`@` If you do that, every day will become fun!`@` If you do that, Maria will introduce you to many other friends.`@` If you do that, every day will get busy, and very lively."`\ mld r,$ENJ_waraiA2,80 ;「それは楽しいかもしれない。@……真里亞お姉ちゃんが残した魔導書も持ってるわ。@今度、真面目に読んでみるわね。@……そしたら、私もひとりぼっちじゃなくなる、/ ;!d1000かな。」@ `"That might be fun.`@` ......I do have the grimoire you left behind, Maria onee-chan.`@` I'll try reading it seriously sometime soon.`@` ......If I do that, I won't be all alone anymore, `/ !d1000`will I?"`@ mld l,$MAR_WaraiA1,80 ;「うー！」『うりゅー！』@ `"Uu-!" 『Uryu-!』`@ br ;　真里亞お姉ちゃんとさくたろは同時にそう言って、私が魔女の世界に関心を持ってくれたことを喜んだ。\ `Maria onee-chan and Sakutaro said that at the same time, happy that I had developed an interest in the world of witches.`\ ;■メタ視世界解除 textoff mend ;mov %play_sene,40020 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar bg black,5 ;wait 2000 fede 0,2000 bg moon_2a,22 wait 1000 bgm1 43 wait 2000 bg black,2 bg cit_3a,2 ;　真里亞は、さくたろが半分顔をのぞかせたナップザックを背負って、@深夜の商店街を意気揚々と歩いている。\ `With her knapsack on her back, half of Sakutaro's face peeking out,`@` she triumphantly walked through the late night shopping district.`\ ;　何しろこの時間だ。@商店街には、シャッターを下ろすお店の店主や、家路を急いだり、あるいは千鳥足だったりする会社員ばかりだ。\ `Anyways, it was this time of day.`@` Everyone in the shopping district was either a shop owner lowering the shutters on their shops, or employees rushing, or else staggering, on their way home.`\ ld c,$MAR_WaraiA2,23 ;　そんな中、まるでハイキングのように上機嫌な真里亞はとても浮いて見えただろう。@ `Amidst all that, Maria, who was in a good mood as though she was hiking, probably looked quite merry.`@ br ;　時折すれ違う会社員が、場違いなものを見たような目で彼女の後姿をちらりと見る。@ ;　ＯＬは、ナップザックから顔をのぞかせる可愛いぬいぐるみにくすりと笑っていた。\ `Every once in a while, passing employees would glance at her back with the eyes of someone seeing something out of place.`@ `Office ladies giggled at the cute stuffed animal poking its head out of the knapsack.`\ bg moon_2a,25 ;　この時間にはスーパーはとっくに閉まっている。@ ;　しかし、最近、流行のコンビニエンスストアは深夜まで営業している。@ `The supermarket had been closed for a while by this time.`@ `However, the recently popular convenience stores stayed open until midnight.`@ br ;　母の帰宅が深夜を越えることも多い真里亞にとってはとても便利だった。\ `It was very convenient for Maria, whose mother's return was often late.`\ bg black,25 bg con_i1a,22 ;　真里亞はナップザックを背中から降ろし、抱っこで抱えるようにしながら、菓子パンのコーナーにいる。@ `Maria lowered the knapsack from her back, and carrying it like a child in her arms, she headed over to the sweet buns corner.`@ br ;　彼女が食べたことのある菓子パンを指しては、さくたろに、これが美味しかった、@これもなかなかと説明している。@さくたろはとても楽しそうだった。\ `She pointed to a sweet bun she had eaten before, explaining to Sakutaro that this one was delicious, that one was pretty good too.`@` Sakutaro seemed to be enjoying it a lot.`\ ld r,$MAR_WaraiA1,24 ;「真里亞は三色パンにするー！@　これひとつでね、餡子とクリームとイチゴジャムが食べられるの！@　でも、たまにうぐいす餡だったり白餡だったりするの。@餡子は一種類でいいー。」@ ;『うりゅー！@　色々入ってて面白そう。@うりゅ〜！』\ `"Maria will ha-ve the three-colored one!`@` With just this one, you can eat bean jam and cream and strawberry jam!`@` But there's sometimes greenish-brown bean jam or white bean jam.`@` There should be one kind of bean ja-m."`@ `『Uryu-!`@` Looks like having different things inside makes them interesting.`@` Uryu~!』`\ ld r,$MAR_WaraiA2,80 ;「あとは真里亞はフルーツヨーグルトにするー！@　フルーツ入ってるけど、お菓子じゃないよね？@　うん、きっとママも大丈夫。@さくたろもどれかほしい？」@ ;『うりゅ？@　いいの……？@　お金は大丈夫？』\ `"Next, Maria will ha-ve fruit yogurt!`@` There's fruit in it, but it isn't a sweet, right?`@` Yeah, surely Mama will be fine with it.`@` Do you want one too, Sakutaro?"`@ `『Uryu?`@` Is that alright......?`@` What about the money?』`\ ld r,$MAR_WaraiA1,80 ;「うー、全然平気〜！@　ほら、聖徳太子なのー、うー！@　だからさくたろにも好きなものを買ってあげられるよ。@一緒に食べよう！@/ `"Uu-, no proble~m!`@` Look, it's #86ef9cShotoku Taishi-#ffffff, uu-!`/ ;learn about this dude when 12 years old mov %grim_scene,402 mov %r_hyouji_grim,3 @` So Maria can buy you whatever you want too, Sakutaro.`@` Let's eat together! `@/ ;10,000 yen is the da〇go dude ;tttt ;ld r,$MAR_NiyariA1,80 ;　さくたろもヨーグルト食べる？」@ `Will you eat yogurt too, Sakutaro?"`@ br ;　真里亞が同じフルーツヨーグルトをもう１つ取ろうとすると、さくたろはちょっぴりだけ困ったように小首を傾げる。\ `When Maria made to grab another one of the same fruit yogurt, Sakutaro bent his head slightly, worried.`\ ;『うりゅ…。@でも、ボク、大きいのは食べられないから小さいのでいい。』@ `『Uryu...`@` But, I can't eat a big one, so a small one is fine.』`@ ld r,$MAR_niyariA1,80 ;「うー。@じゃあ、この小さいお菓子ヨーグルトは？@　３０円だね。@安い。」\ `"Uu-.`@` Then, how about a small yogurt?`@` It's 30 yen.`@` That's cheap."`\ ;『うりゅ！@　ボクはそれでいい。@真里亞と一緒にヨーグルト！』@ `『Uryu!`@` That's good enough for me.`@` Yogurt with Maria!』`@ ld r,$MAR_WaraiA2,80 ;「さくたろと一緒にヨーグルト！@　うー！」\ `"Yogurt with Sakutaro!`@` Uu-!"`\ bg black,24 ;　真里亞は、買い物籠に三色パンと大小のヨーグルトを入れてレジに持っていく。@ ;　昨年までこの場所にあったタバコ屋のおじさんが、レジを打ってくれる。\ `Maria put the three-colored bread and the two yogurts into a shopping basket, and brought them to the register.`@ `The man running the register had been in charge of the tobacco shop, which had been here until last year.`\ ;bg schR_R1d,22 ;「お嬢ちゃん、この時間によく見掛けるね？@　偉いけど、今度からこの時間のお買い物にはお母さんと一緒においでね？」@ `"I seem to be seeing you a lot at this time of day, little lady.`@` You're a good girl, but why not come with your mother if you're going to go shopping at this time in the future, alright?"`@ ;「ママがいいって言ったから大丈夫！@　ママはいつもお仕事で帰りが遅いけど、真里亞たちは寂しくなんかないの。@ね、さくたろ？」@ ;『うりゅー！』\ `"Mama said it's okay, so it's alright!`@` Mama always comes home late because of her work, but we aren't lonely.`@` Right, Sakutaro?"`@ `『Uryu-!』`\ ;「そっか、そりゃ大変だね。@ほら、ジュースを一本、オマケしてあげるよ。」@ `"Really? That sounds tough.`@` Here, I'll give you some free soda."`@ br ;　お店のおじさんは、売れ残りか何かのジュースを一本、レジ裏から持ってくると、一緒に袋に詰めてくれた。\ `The man working at the store took a can of leftover soda or something from behind the register and packed it into the bag with everything else.`\ bg black,5 me1v 30,50 bg cit_3a,22 ld l,$MAR_WaraiA1,23 ;「おじさん、ありがとー！@　うー！@　よかったね、さくたろ！」@『うりゅー！』@ `"Thank you mister!`@` Uu-!`@` Isn't that great, Sakutaro!?"`@` 『Uryu-!』`@ br ;　ジュースを買っては駄目だと言われているので、家に持っては帰れない。@ ;　だから飲みながら帰って、空き缶を持ち帰らないことにする。\ `Since she had been told not to buy soda, she couldn't take it back home.`@ `So she decided to drink it on her way back, and not bring the empty can back home.`\ ;bg black,24 bg moon_2a,2 ;　菓子パンの入ったビニール袋を肘に掛け、@その腕でさくたろの入ったナップザックを抱きながら、ジュースを飲みながらの家路を歩く二人…。\ `With the vinyl bag with the sweet bun in it around her elbow,`@` holding the knapsack with Sakutaro in it with that same arm, and drinking her soda, the two of them walked home...`\ ;「……うー。@柚子胡椒ソーダって微妙…。@さくたろも飲んでみる…？」\ `"......Uu-.`@` Yuzukoshou soda sounds pretty weird...`@` You want to try too, Sakutaro...?"`\ ;『うりゅ？@　………うりゅうりゅうりゅ、うりゅー！！@　ぷあっ。@…うりゅぅぅ、真里亞ひどいぃ…。@まじゅい……。』@ ;「だよねぇ、うーうー。」\ `『Uryu?`@` .........Uryuuryuuryu, uryu-!!`@` Gaah.`@` ...Uryuuuu, you're mean, Maria...`@` Nasssty......』`@ `"It sure is, uu-uu-."`\ ;　もちろん、本当にぬいぐるみにジュースを飲ませたわけもない。@ ;　さくたろの口に缶を付け、ちょっと傾けた真似をしただけだ。@ `Of course, it's not like she could actually make a stuffed animal drink soda.`@ `She just put the can to Sakutaro's mouth and pretended to tilt it.`@ br ;　でも、真里亞はタダでもらえたけど微妙なジュースだったその味をさくたろと共有できてとても楽しかった…。\ `But it was fun for Maria to share the taste of this weird drink that she had gotten for free with Sakutaro...`\ ;　空には大きなお月様。@ `There was a huge moon in the sky.`@ br ;　時にはその月を、楼座が会社に泊まることに駄々をこね、@母親に叱られた涙に曇らせたこともあったはず。@ `At times, that moon had been clouded by the tears from when she had acted unmanageable when Rosa had stayed over at work,`@` and when she had been scolded by her mother.`@ br ;　でも、その月はとても温かで、二人きりの楽しい家路をそっと見守るかのようだった…。\ `But that moon was very warm, and it seemed to watch over the two of them as they enjoyed their trip home by themselves...`\ ;　真里亞とさくたろ。@……縁寿は二人の後姿を見送る。\ `Maria and Sakutaro.`@` ......Ange watched the two of them go from behind.`\ ;bg black,22 msetef 0,0 mld r,$ENJ_komaruA1,22 ;「……………………。」@ `"....................."`@ br ;　何て、…温かい後姿だろう。\ `She looked so, ...warm from behind.`\ ;　真里亞お姉ちゃんとさくたろの二人の背中からは、@母が帰ってきてくれなくて涙を零す長い夜が何度もあったことを思い出すのは、とても難しい…。\ `After looking at the backs of Maria onee-chan and Sakutaro together,`@` it became very hard to remember all of those long nights when she had cried because her mother hadn't come home...`\ ;　……真里亞お姉ちゃんには言えないけれど、@…私が同じ立場だったなら、ぬいぐるみにさくたろうという名前を与えたとしても、@…それはぬいぐるみ以上でも以下でもないだろう。\ `......I couldn't tell Maria onee-chan,`@` ...but if I had been in the same position, and even if I had given a stuffed animal the name Sakutarou, `@`...it wouldn't have been anything more or less than a stuffed animal.`\ ;bg Moon_2a,22 mcl a,0 mendef 22 ;　寂しさを紛らわすだけの関係なら、誰だって出来る。@ `Anyone can make a relationship which only distracts you from your loneliness.`@ br ;　でも真里亞お姉ちゃんのそれは違う。@ ;　さくたろうはぬいぐるみという玩具なんかじゃない。@ `But Maria onee-chan was different.`@ `Sakutaro isn't a stuffed animal or a toy.`@ br ;　……ちゃんとした友達で、寂しさを紛らわせるどころか、@母の帰らぬ夜を、むしろ二人きりでいつまでも遊んでいられる楽しい時間に変えてしまった…。\ `......He was a real friend, and far from just distracting Maria from her loneliness,`@` he changed the nights without her mother into a fun time where they could play all by themselves...`\ bg sakutaro1a,2 ;　さくたろうが特別なぬいぐるみだから？@ ;　母の手作りだから？@ ;　それともとても可愛らしいから？\ `Was it because Sakutarou was a special stuffed animal?`@ `Because her mother had made it herself?`@ `Because it was very, very cute?`\ ;　……多分、違う。\ `......Probably not.`\ ;　もしも秘密があるのなら、それはさくたろうの方ではない。@ ;　…多分、真里亞お姉ちゃんの方にその秘密があるのだと思う。\ `If there is a secret here, it doesn't lie within Sakutarou.`@ `...I think it probably lies within Maria onee-chan.`\ ;■メタ視世界 bg black,2 ;mov %play_sene,40020 : mov %r_hyouji_side,2 fede 0,3000 bg schR_o2a,0 msetef 0,0 mld r,$ENJ_komaruA1,24 bgm1 90 ;「………これが、真里亞お姉ちゃんの言う、魔法の力、なの…？」\ `".........This is the power of magic you were talking about, Maria onee-chan...?"`\ mld l,$MAR_WaraiA1,23 ;「うー。@魔法を知るということは、今まですぐ側にいたのに気付けなかった、たくさんの友達に気付けるということ。@まるで、新しい玩具屋さんが近所にたくさん出来るみたいに楽しいことー！」\ `"Uu-.`@` Knowing magic means that you notice a lot of friends right beside you that you didn't notice before.`@` It's as fun as having a bunch of new toy shops pop up all over the neighborhood!"`\ ;mld r,$ENJ_NayamuA1,80 ;　……誰も友達がいない学園に閉じ込められた私にも、@…真里亞お姉ちゃんのような力があれば、日々にわずかでも潤いを与えることが出来るだろうか。@ `......If even I, locked up in an academy without a single friend,`@` ...had power like Maria onee-chan, I wonder if I could make my days just a bit richer.`@ br ;　泣きたい夜に素直に涙を零し、灰色の夜に笑みを浮かべることも出来るようになるだろうか。\ `I wonder if I'll be able to honestly shed tears on nights I feel like crying, to smile on gray nights.`\ mld l,$MAR_waraiA2,80 ;「うん。@出来るよ。@縁寿は出来る。@だって、縁寿にだって魔女になれる資格があるもん。」@ `"Yes.`@` You can.`@` Ange can do it.`@` After all, Ange also has the qualifications to become a witch."`@ mld r,$ENJ_defA2,80 ;「………魔女になる、資格。」\ `".........The qualifications...to become a witch."`\ mld l,$MAR_niyariA1,80 ;「真里亞も魔女になれる資格、あるんだよ。@だからまだまだ勉強中の修行中なの。@/ `"Maria also has the qualifications to become a witch.`@` So Maria still has a lot more studying and training to do. `@/ mld l,$MAR_WaraiA1,80 ;きっと素敵な魔女になって、箒でお空を駆けて、ケーンで虹を描いて飴玉を空から降らせるの。@真里亞はきっと出来るよ。@そしたら縁寿にも見せてあげるね。@きっとそれは素敵な夢の中のような光景だから。」\ `Maria will definitely become a wonderful witch, fly in the sky on a broom, and draw a rainbow with her cane, making candy fall from the sky.`@` Maria can definitely do it.`@` Then, Maria will show Ange too.`@` It'll definitely be like a scene from a wonderful dream."`\ ;　真里亞お姉ちゃんはそう言い、その笑顔で絶対だよと約束してくれる。\ `Maria onee-chan said that, making an absolute promise with her smile.`\ ;　……魔女になんか、なれるわけがない。@ ;　なのに、真里亞お姉ちゃんがそう言うと、本当に魔女になっちゃうかもしれないと、信じられる。@ `......There's no way I can become a witch.`@ `But if Maria onee-chan says that, I can believe that maybe, I really can become a witch.`@ br ;　だって現に、……笑顔の花なんて一輪も咲きようのない荒んだこの夜に、彼女の魔法は確かに笑顔を生み出して見せた。\ `Because in reality, ......on this troubled night, when not a single flower of a smile could bloom, her magic had surely given birth to a smile.`\ mld r,$ENJ_komaruA2,80 ;「……魔女に、/ ;!d800…………なれるかな。」\ `"......I wonder if, `/ !d800`............I can become a witch."`\ mld l,$MAR_OdorokiA1,80 ;「なれるよ。@……縁寿は少し年齢を重ねちゃったから、魂が少し重力に引かれちゃってる。@だから真里亞よりも修行は大変かもしれないけど。@/ `"You can.`@` ......Ange is a bit older, so her soul is slightly bound by gravity.`@` So training might be tougher than for Maria. `@/ mld l,$MAR_WaraiA1,80 ;でも、きっとなれるよ。@だってもう、縁寿は魔法の一端に触れてるもの。」@ `But you definitely can.`@` After all, you're already touching a fragment of magic."`@ mld r,$ENJ_FumanA2,80 ;「私が？@　……魔法を…？」\ `"I am?`@` ......Magic...?"`\ mld l,$MAR_WaraiA2,80 ;「うん。@だってほら、もうこの世にはいない私をこうして呼び出して、語らっているよ。」@ `"Yeah.`@` Come on, look. In a world where I don't exist, you have summoned me and are talking with me."`@ mld r,$ENJ_komaruA3,80 ;「………これは、魔法なの…？」\ `".........This is...magic...?"`\ mld l,$MAR_WaraiA1,80 ;「うん。@私が日記に残した魂のカケラを、縁寿は魔法で膨らませて私を蘇らせてる。@さっきも言ったよね？@　こうして私と再会して会話が出来て、時に笑顔を見せられるんだから、縁寿は魔法の才能がきっとあるんだよ。@真里亞お姉ちゃんが保証する。@うー！」\ `"Yeah.`@` You have inflated the fragment of my soul that I left in the diary, and are reviving me.`@` I also said it a short while ago, right?`@` Since you are able to be reunited with me and have a conversation, and be shown a smile every once in a while, you must have some magical talent, Ange.`@` Maria onee-chan guarantees it.`@` Uu-!"`\ mld r,$ENJ_komaruA2,80 ;「…お姉ちゃんはさっき言ったわ。@私は日記を開いた時にしか会えないと思ってるけど、本当はいつも身近にいるって。@……私に魔法の力がもっとあれば、それを見て、@…今こうしているように、……お姉ちゃんと会話が出来る…？@　いつでも…？」\ `"...You said it a second ago, Onee-chan.`@` I thought that I could only meet you while the diary was open, but you're really nearby all the time.`@` ......If I had more of the power of magic, I could see that, `@`...and, just like now, ......I could have a conversation with you, Onee-chan...?`@` Any time...?"`\ mld l,$MAR_WaraiA2,80 ;「うん。@いつでもお話出来るよ。@朝のおはようの時だっていつも側にいるし、授業中だって側にいる。@退屈な授業は私とお話して気を紛らわせようよ。@食事の時には話し相手になれるし、お昼休みだってこれまでのようにいつも一緒にいようよ。\ `"Yeah.`@` We can talk any time.`@` Maria is even by your side to say good morning, and Maria is even there during class.`@` Let's talk together during boring classes to distract you.`@` Maria can also be someone to talk to during meals, so let's always be together like this during lunch break.`\ mld l,$MAR_niyariA2,80 ;　放課後だって一緒にいるし、もちろん寮に帰ってからだって私はいつも側にいる。@……日記を広 `Also together after school, and of course, I am always by your side when you return to the dormitory.`@` ...It's just that you don't` br ;げた時にしか、(私を視てくれないだけ/・・・・・・・・・・)。」\ ;＜点処理：私を視てくれないだけ (`see me except when the diary is opened`/・・・・・・・・・・・・・・)`."`\ mld r,$ENJ_komaruA3,80 ;!s0「…………日記を閉じても、/ ;!d1000…真里亞お姉ちゃんは私の側に、/ ;!d900…いてくれるんだよね？」/ !s0`"............Even if I close the diary, `/ !d1000`...Maria onee-chan, `/ !d900`...you'll be by my side, right?"`/ !sd\ mld l,$MAR_WaraiA1,80 ;「うん。@いるよ。@だから縁寿が私を視ようとして、そして話そうとしてくれれば、私はきっと応えられるよ。@/ `"Yes.`@` Be there.`@` So if you try to see me and try to talk to me, I can definitely answer. `@/ ;mld l,$MAR_MajimeA1,80 ;……しっかりと視て、話そうとしてくれれば。」\ `......If you look strongly and try to talk."`\ mld r,$ENJ_komaruA2,80 ;「…………私、/ ;!d800………やってみる。」\ `"............I'll, `/ !d800`.........try it."`\ mld l,$MAR_defA1,80 ;「簡単じゃないよ？@　いきなりうまくなんて、きっと行かないよ？」@ `"It isn't easy, alright?`@` It isn't going to go well all of a sudden, alright?"`@ mld r,$ENJ_FumanA2,80 ;「………わかってる。@きっと簡単じゃないと思う。@/ `".........I understand.`@` I think it definitely isn't easy. `@/ mld r,$ENJ_NayamuA1,80 ;……でも私、/ ;!d800………真里亞お姉ちゃんみたいになりたい………。」\ `......But I, `/ !d800`.........want to be like you, Maria onee-chan........."`\ mld l,$MAR_niyariA2,80 ;「うー。@わかった。@………じゃあ、私を、よく見て。@しっかり見て。」@ `"Uu-.`@` Understand.`@` .........Then, look at me well.`@` Look strongly."`@ mld r,$ENJ_DefA1,80 ;「……うん。」\ `"......Yeah."`\ mld l,$MAR_DefA1,80 ;「ゆっくり目を閉じたり、開いたりして。@…いきなり長く瞑っちゃ駄目。@私の姿を瞳に焼き付けては、それを瞼の裏に染み込ませて行くつもりで…。」\ `"Slowly open and close your eyes.`@` ...You can't shut them for a long time all of a sudden.`@` After burning my form into your eyes, try to make it blend into the inside of your eyelids..."`\ mld r,$ENJ_NayamuA1,80 ;「………うん、/ ;!d800……やってる。」\ `".........Yeah, `/ !d800`......I'm doing it."`\ mld l,$MAR_WaraiA1,80 ;「瞼を閉じても私をイメージできるようになったら、@………そのまま、ゆっくり柔らかく目を閉じていて。@………どう？@　まだ私が視えている？」@ `"Once you can visualize me even with your eyes closed,`@` .........without changing anything, slowly and softly close your eyes.`@` .........How is it?`@` Can you still see me?"`@ mld r,$ENJ_nayamuA1,80 ;「う、……うん。@…多分、見えてると思う…。」\ `"Y, ......yes.`@` ...I think...I can probably see you..."`\ mld l,$MAR_niyaria2,80 ;「じゃあ一度目を開いて。@/ `"Then try opening your eyes for a second. `@/ mld r,$ENJ_DefA1,22 mld l,$MAR_defA1,80 ;………いよいよ本番。@心を落ち着けたら、日記を閉じて。@……その時、一度、真里亞の姿は消えてしまうかもしれない。@/ `.........Now for the real thing.`@` Calm your heart, and close the diary.`@` ......At that time, Maria's form may disappear for a second. `@/ mld l,$MAR_WaraiA1,80 ;でも焦らずに心を落ち着けて。@……そして、瞼の裏に染み込ませた私を、逆に瞳に染み込ませて行くつもりで。@/ `But calm your heart and don't get anxious.`@` ......And then, try to make the me that is blended into the inside of your eyelids blend back into your eyes.`@/ ;mld l,$MAR_WaraiA2,80 ;…ゆっくりと虚空に私をイメージして。@……私を虚空に、視て。」\ `...Slowly visualize me in the empty air.`@` ......In the empty air...see me."`\ mld r,$ENJ_NayamuA1,80 ;「…………………。@……うん、大丈夫。@/ `"..................`@`......Yeah, I'm alright. `@/ mld r,$ENJ_DefA1,80 ;!s0…………じゃあ、/ ;!d800………閉じるね、/ ;!d1000日記。」/ !s0`............Then, `/ !d800`.........I'll close it, `/ !d1000`the diary."`/ !sd@ mld l,$MAR_waraiA2,80 ;「うー。」\ `"Uu-."`\ textoff mendef 0 ld r,$ENJ_nayamuA1,4 ;　ゆっくりと………、/ ;!d800…日記を閉じる。\ `Slowly........., `/ !d800`...I closed the diary.`\ me1v 5,50 ;　日記を閉じれば、……無味の空気に満たされた灰色の現実が広がっている。@ ;　もちろん、真里亞お姉ちゃんの姿は、消え去る。\ `When I closed the diary, ......a gray reality filled with dull air unfolded.`@ `Of course, Maria onee-chan's form disappeared.`\ bg black,22 ;　……がんばって、勇気を持って。@…魔女の世界への第一歩を踏み出して。@ `......Give it all you've got, have courage.`@` ...Take the first step into the world of witches.`@ br ;　心の中で真里亞お姉ちゃんが応援してくれてるような気がした。\ `I felt like Maria onee-chan was cheering me on inside my heart.`\ ;　応援？@　本当に？@ ;　私がそう思い込んでるだけじゃないの…？\ `Cheering me?`@` Really?`@ `Do I just have the wrong idea...?`\ ;　いや、違う。@ `No, that's not it.`@ ;　そう思い込んでしまうから、(視えないんだ/・・・・・・)。\ ;＜点処理：視えないんだ `It's because I have the wrong idea that ` br (`I cannot see her`/・・・・・・・・).`\ bg schR_o2a,5 ;　真里亞お姉ちゃんはいつだって私の側にいる。@ ;　そして今だってきっと側にいて、私にがんばれとエールを送ってくれている…。@ `Maria onee-chan is always by my side.`@ `And even now, she's definitely there, cheering me on to do my best...`@ br ;　それは私の耳に、届いているのだ。@ ;　だから気のせいだとか、私の内なる心の声だとかで無視してはいけない……。\ `That...reached my ears.`@ `So I mustn't ignore it like it's my imagination or the voice of my own heart......`\ ;　……そこに、真里亞お姉ちゃんがいると、/ ;!d800…信じるんだ。\ `......I believe, `/ !d800`...that Maria onee-chan is there.`\ bg sky_1a,5 ;　疑っちゃ駄目。@…信じてる。@ ;　お姉ちゃんはいつも側にいると言ってくれた。@それを疑っちゃいけない…。\ `I mustn't doubt.`@` ...I believe.`@ `Onee-chan said she'd always be by my side.`@` I must not doubt that...`\ ;　でも、何もない虚空に、何もない校舎裏の外壁に、@この無情なまでに退屈な日差しの中で、彼女の名を呼び掛けるのは、簡単なようで難しい…。@ `But looking at that empty space, by the empty back wall of the school building,`@` amidst those almost heartlessly boring rays of sunlight, calling out her name was unexpectedly difficult...`@ br ;　今日まで私にこびり付いてきた常識なる鎖が、虚空に声を掛ける行為など馬鹿馬鹿しいと嘲笑するのだ…。\ `The chains of common sense which had clung to me until today sneered at me, telling me that calling out to the empty air was ridiculous...`\ ;　まるでそれは、眼下に光の海を見下ろす高層ビルの屋上から、一歩を踏み出せと言われているようなもの。\ `It was almost like being told to take a step forward off the roof of a skyscraper overlooking a sea of lights.`\ bg black,22 ;　……真里亞お姉ちゃんは言ってくれてる。@ ;　……大丈夫、縁寿なら出来るよと言ってくれてる。@ `......It's Maria onee-chan that's saying it.`@ `......It's alright, she's saying that I'm someone who can do it.`@ br ;　落ちるかもしれないとか、屋上から足を踏み出すなんて愚かしいことだとか、@そんな常識の鎖から自分を、……解き放て……………。\ `Stop thinking that you might fall, or that it would be foolish to take a step off a roof,`@` ......and free yourself from those chains of common sense...............`\ textoff fede 1,3000 bg sky_1a,22 fedexx 0,70,0,0,0,0,3000 ;「………………すぅ………。@………はぁ、……………。@…………………うん…。」\ `"...............Whew.........`@`.........haaah, ............`@`.....................Yeah..."`\ ;　呼吸を整える。@ ;　精神を集中する。\ `I steadied my breathing.`@ `I concentrated my mind.`\ ;　目の前の虚空に、瞼の裏に鮮明に見えている真里亞お姉ちゃんの姿を、浮かび上がらせろ。@ `Make the vivid form of Maria onee-chan in the empty space before you...rise to the surface.`@ br ;　………魔法を理解し、/ ;!d800……お姉ちゃんを、視るんだ……。\ `.........Understand magic, `/ !d800`......and see...Maria onee-chan......`\ textoff me2v 17,0 fedexx 0,100,100,0,0,0,5000 E_B wait 1000 bg black,1 E_A ;「…………真里亞、…お姉ちゃん………っ！」\ `"............Maria, ...onee-chan.........!"`\ se1 69 bg schR_o2a,1 ;!s0「え？！/ ;!d400　誰かいるのぉー？！」/ !s0`"Huh?! `/ !d400`Is someone the-re?!"`/ !sd@ br ;　その時、茂みががさつく音と頓狂な声に応えられ、私は我に返る。\ `At that time, I was answered by a rustle in the bushes and a wild cry, and I came to my senses.`\ ;　どうも校舎裏にいたのは私だけじゃなかったらしい。@ ;　いや、日記の世界に没頭していたので、人が来たのに気付かなかったのだ。\ `It looked like I wasn't the only one behind the school building.`@ `No, since I was so immersed in the world of the diary, I hadn't noticed someone coming.`\ ;　茂みの向こうに三人組の姿を認める。@…うちのクラスの子たちだ。\ `I recognized a group of three beyond the bushes.`@` ...They were kids from my class.`\ ;　雰囲気から見て、誰かの陰口か、内緒話かをするために校舎裏へやって来たという感じだった。\ `From their appearance, it felt as though they had come behind the school building to gossip about someone or talk in secret.`\ ;　私はそそくさとその場を立ち去る。@ `I hurried out of that place.`@ br ;　私がこんなところにひとりでいて、ブツブツと独り言を言っていた、なんて知られたら、また面倒だろうから…。\ `Because if it became known that I had been alone in a place like this, mumbling to myself, it would become a pain again...`\ me1v 5,50 bg sky_1a,25 ;「……言ったよね？言ったよね？@　マリアお姉ちゃんとか言ったよね？！」@ ;「ヤバくない？　心霊とか見えちゃってンじゃないの、あれぇ。」@ ;「ぷーくすくすくすくすくす！@　右代宮さんって、おッもしろ〜い…！」\ `"......She said it, right? She said it, right?`@` She said 'Maria' onee-chan or something, right?!"`@ `"Isn't that creepy? She isn't seeing spirits or something, is she?"`@ `"Pu-*giggle*giggle*giggle*giggle*!`@` Ushiromiya-san sure is i~nteresting...!"\ textoff se2 37 wait 400 se3v 37,90 bg black,23 ;　黄色い哄笑が後から聞こえてくる。@ `I could hear the shrill, loud laughter from behind.`@ br ;　私は、真里亞お姉ちゃんを馬鹿にされたような気持ちにイラつきながら、@早足で、そして角を曲がってからは小走りでその場を立ち去る。\ `Irritated and feeling that Maria onee-chan had been made fun of, `@`I left that place at a quick pace, and then a jog once I turned the corner.`\ ;　……もう少しで、お姉ちゃんの世界へ辿り着けたかもしれないのに……。\ `......And I might have made it to Onee-chan's world with just a little more time......`\ ;　悔しい、腹立たしい…、何でみんな私を邪魔するの…。@ ;　私はみんなを邪魔したことなんて一度もないのに……！@ `It was frustrating, aggravating..., why does everyone get in my way...`@ `I haven't gotten in anyone else's way even once......!`@ br ;　走っても走っても、彼女らの黄色い笑い声が聞こえてくるような気がした……。\ `I ran and ran, but it still felt as though I could hear their shrill laughs......`\ ;▲第２アイキャッチ　時計なし gosub *ENJ_Isyou1 textoff wait 2000 eye12 *Umi4_3 mov %play_scene,40030 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj mov %grim_scene,402 ;■1998年の縁寿編。12年後、1998年の表記からスタート。 ;■一流会社の会議室 textoff ;1998年表記 E_A se1v 29,70 bg oct_1998,80 wait 4000 me1v 29,70 bg black,42 bg BUI_o1a,42 ;wait 3000 fedexx 0,40,0,0,0,0,3000 bg white,5 wait 1000 bg BUI_R1d,2 ;wait 1000 bgm1v 1,0 fedexx 70,0,0,0,0,0,2000 E_MA bg BUI_R1a,6 ld r,$OKO_DefA1,24 ;「噂じゃ、縁寿ちゃん。@あんた、ビルの天辺から飛び降りたんだって？」@ ;＜会社重役 `"Rumor has it, Ange-chan,`@` that you jumped off the top of a skyscraper?"`@ ld l,$ENJ_FumanA2,23 ;「追っ掛けがウザかったんで、ちょっと撒こうと思って。」\ ;＜縁寿 `"The groupies were getting annoying, so I thought I'd give them the slip."`\ ;　広大で近代的な会議室に、縁寿と、上等なスーツを着た老紳士が二人きりでいた。\ `Ange and an old gentleman wearing an expensive suit were alone in a massive, modern conference room.`\ ;　プレゼンテーション用のあらゆる最新機材が準備され、@それでいて上品で落ち着いた雰囲気を損なっていないその会議室は、@ただそれだけで、この会議室の主である企業の格を知らしめ威圧している。\ `All of the newest machines for presentations were installed there,`@` but they didn't upset the refined and composed atmosphere in the conference room,`@` and that alone was enough to make the business-like theme of the room abundantly clear.`\ ;　もっとも、縁寿にはどうでもいいことだ。@ `However, that didn't matter at all to Ange.`@ br ;　何千万もの年収を取るだろう役員たちが座る高級椅子にぞんざいに座り、飄々とした様子だった。\ `She carelessly sat on a high-class chair that executives making a salary of several ten million yen probably sat in, looking aloof from the world.`\ ld l,$ENJ_defA1,80 ;「下の方の階で、改装工事してて転落防止ネットがあるの、知ってましたし。」\ `"It's because I knew that they were remodeling downstairs and that there was a safety net below."`\ bg black,22 ;　縁寿はあっけらかんとした様子でそう言い放つが、実際には奇跡中の“奇跡”だ。@ `Ange talked about it like it was no big deal, but in reality, it was a 'miracle' among miracles.`@ br ;　改装工事中の転落防止ネットを何層も突き抜け、@アトリウムの宙を飾っていた色とりどりの横断幕に受け止められては滑り落とされ、@…最後の横断幕１枚にふわりと受け止められて無傷で地上に降り立ち、@すたすたとその場を後にしたなんて…、香港映画顔負けだ。\ `To think that she had shot through several layers of safety netting for the remodeling project, `@`been caught in a multi-colored banner adorning the atrium and slipped off,`@` ...only to be softly caught by a final banner and to land on the ground without a scratch,`@` then briskly leave that place..., it put Hong Kong movies to shame.`\ bg BUI_R1c,22 ld l,$OKO_waraiA1,26 ;「いくらネットがあるの知ってた、たってぇ、高さ２００ｍの超高層だよ？@　もしも思い通りにならなかったら、今頃、大変なことになってただろうよ。」\ `"Whether you knew there was a net or not, even so, it was a 200 meters tall super-skyscraper, right?`@` If things hadn't gone as you planned, there'd be a mess to deal with now."`\ ld r,$ENJ_DefA2,24 ;「……死んだら死んだで、それまでってことでもいいかなって思いまして。@/ `"......I figured that if I died, then I'd be dead and that's it, more or less. `@/ ld r,$ENJ_fumanA2,80 ;まぁその、ちょっとした運試しです。@若気の至りってことで。」\ `Well, still, I was testing my luck a bit.`@` It's all because of my youthful zeal."`\ ;　縁寿は、その話はもういいとでも言うように、素っ気無く肩をすくめる。@ `As though saying that she'd had enough of that topic, Ange shrugged coldly.`@ br ;　その様子に、ブラインドの隙間から眼下の下界を見下ろす老紳士はからからと笑った。\ `Seeing that, the old gentleman, who was looking at the world below through a crack in the blinds, cackled.`\ ld l,$OKO_akuWaraiA1,80 ;「運試しと来たか…！@/ `"So, you were testing your luck...! `@/ ld l,$OKO_WaraiA2,80 ;　いやはや、やっぱり金蔵さんのお孫さんだねぇ。@運否天賦に命を預けてもけろりとしてる、その度胸。@…会長も博打に平気で命を賭けられる人だったが、これも右代宮の血なのかねぇ。@……やっぱりあんた、将来大物になるよ。@悪いことは言わない。@家出ごっこはこの辺で切り上げて、須磨寺の家に戻ったらどうだい。」\ `My, my, you truly are Kinzo-san's grandchild.`@` The nerve to trust your life to chance.`@` ...The Chairman was also a person who could stake her life on a bet like it was nothing, so is this the Ushiromiya blood as well?`@` ......You really will be something big in the future.`@` I won't say anything bad.`@` Why not give up this running away from home act and return to the Sumadera family?"`\ ld r,$ENJ_nayamuA1,80 ;「お母さん、実家と仲が悪かったって聞いてます。@お葬式で初対面の人の家になんて、行きたくないです。」\ `"I heard that Mom had a bad relationship with her family.`@` I don't want to go to the house of people I first met at a funeral."`\ bg black,25 ;　須磨寺家は母の実家だ。@ `The Sumadera family was her mother's family.`@ br ;　京都のちょっとした旧家で、お母さんのフランクな様子からは想像もつかないくらいに厳格な一族だ。\ `It was a bit of an old family from Kyoto, and compared to Mom's frank appearance, unbelievably strict.`\ ;　私が唯一、須磨寺家で仲が良かったのは、隠居という名の別居をしているお祖父ちゃんだけだった。@ `The only person in the Sumadera family I had been on good terms with was Grandpa, who was living separately under the guise of retirement.`@ br ;　母も、お祖父ちゃんとだけは交流を持っていたが、@他の親族には険悪なまでに一切、関わり合わなかった。@ ;　私も、須磨寺家で遊びに行ったのはお祖父ちゃんの家だけだ。\ `Mom also interacted only with Grandpa,`@` but she hadn't interacted with the rest of the family at all, almost hostilely so.`@ `I also only went to Grandpa's house whenever I went to play at the Sumadera family.`\ bg BUI_R1d,22 ;　幼い私は、当時はよくわからなかったが、@お祖父ちゃんは入り婿で立場も非常に弱く、お祖母ちゃんとの仲も悪かったという。@ `When I was young, I hadn't really understood it at the time,`@` but I hear that Grandpa, as a man who married into his wife's family, was in an extremely weak position, and his relationship with Grandma was also bad.`@ br ;　…むしろ、お祖母ちゃんに嫌われ、蟄居させられていたとすら、言い切れたかもしれない。\ `...Maybe you could even say that he was actually hated by Grandma, and confined to the house.`\ ;　そんなお祖父ちゃんにだけ心を許していたということは、@恐らく、母も、須磨寺家には嫌われていただろうことは、想像に難くない。\ `It isn't hard to imagine that because she had a soft spot for Grandpa alone,`@` Mom was probably also hated by the Sumadera family.`\ ;　その娘である私も、さぞや嫌われていたことだろう。@ `As her daughter, I was probably also hated quite a bit.`@ br ;　にもかかわらず、お母さんたちのお葬式の時に初めて現れて、@大きくなったわね、何てしゃあしゃあとのたまって、よくも今さら親族面が出来るものだ…。\ `And yet, they had appeared for the first time at Mom's funeral, `@`shamelessly going on about how big I'd gotten, like they could actually act like family after all this time...`\ bg black,22 ;　絵羽伯母さんが死んだ後、右代宮家の全ての財産は私が相続している。@ ;　それが目当てでなかったら、あんな虫唾が走るような言葉を口になんか出来るものか。\ `After Eva oba-san's death, I would inherit all of the wealth of the Ushiromiya family.`@ `If that hadn't been their goal, there's no way they would have been able to say such disgusting words.`\ bg BUI_R1b,6 ld l,$OKO_waraiA1,23 ;「……まぁ、ひとりぼっちになっちまって、自暴自棄になりたい縁寿ちゃんの気持ちも、わからなくもないなぁ。」@ `"......Well, it's not as though I cannot understand your desire for self-abandonment Ange-chan, now that you're all alone."`@ ld r,$ENJ_fumanA2,24 ;「自暴自棄とかじゃないです。@小うるさい絵羽伯母さんもやっとくたばったんで、久し振りに伸び伸びと散歩してるだけじゃないですか。@……周りが大袈裟に騒ぎ過ぎなだけです。」\ `"It isn't self-abandonment.`@` It's just that, now that that annoying Eva oba-san has finally kicked the bucket, I'm taking a carefree stroll.`@` ......Everyone else is just making too big a deal out of it."`\ ;　どうせみんなの目当ては、私が背負ってる莫大な右代宮家の財産なのだ。@ `Of course everyone's goal is the vast Ushiromiya wealth I bear.`@ br ;　私の後見人になれば、財産を自由に出来ると思ってるに違いない。@ ;　私の親代わりになろうと言って近付いてくる連中がどれだけ大勢いることか。\ `They must think that if they can become my guardians, they will be able to do as they please with that wealth.`@ `Just how many people have tried to act like a substitute parent and get close to me?`\ ld l,$OKO_defA1,80 ;「縁寿ちゃんも、辛いことがあったら、俺で良かったらいつでも相談してな？@　縁寿ちゃんのこと、実の孫みたいに思ってるんだからさ。」\ `"You too, Ange-chan. If there is anything painful for you, please talk with me, if that will help, alright?`@` Because I think of you as my true grandchild, Ange-chan."`\ ld r,$ENJ_NayamuA1,80 ;「………………………はぁ。@…当面はノーサンキューということで。@/ `"........................Haah.`@` ...Let's say no thank you for now. `@/ ld r,$ENJ_DefA1,80 ;…それより、話を戻して下さい。」\ `...More importantly, let's return to what we were talking about."`\ bg BUI_R1a,23 ld c,$OKO_waraiA2,24 ;「縁寿ちゃん。@何度聞かれたって、俺が隠してることは何もないよ。@あの日の六軒島の唯一の生き残りが会長なんだ。@その会長が、何も語らずに逝っちまった。@/ `"Ange-chan.`@` No matter how many times I am asked, there is nothing that I am hiding.`@` The Chairman was the only survivor on Rokkenjima that day.`@` That Chairman passed away without saying anything. `@/ ld c,$OKO_waraiA1,80 ;俺だって何もわからないよ。@全ては闇の中、だ。」\ `I myself understand nothing.`@` Everything is wrapped in darkness, you see."`\ ;　老紳士は、絵羽亡き後、彼女が築き上げた企業グループを任された重鎮の一人だった。@ `The old gentleman was one of those leaders who, after Eva had passed away, had been entrusted with the business group she had built up.`@ br ;　彼が会長と呼ぶのは、前会長、右代宮絵羽のことだ。\ `The one he called Chairman was the former Chairman, Ushiromiya Eva.`\ ;　彼の会社はかつて、秀吉の会社と友好的な関係にあり、@秀吉や絵羽とも親密な交流があった。@ `His company had once had a friendly relationship with Hideyoshi's company,`@` and he had had a close relationship with both Hideyoshi and Eva.`@ br ;　その為、秀吉を失った後の絵羽が、唯一本音を漏らせる人物だったともされる。\ `For that reason, after Eva lost Hideyoshi, he had become the only person to which Eva would have let her true intentions slip.`\ ;　家族を失った絵羽が心を病み、縁寿に辛く当たるようになると、@彼はその間の緩衝材的な役割も担ってくれたため、心が許せるほどではないが、縁寿にとっても訪ねやすい人物だった…。\ `When Eva's heart had been torn by the loss of her family, and she had taken it out on Ange, `@`he had acted as a buffer between the two, so although Ange didn't trust him, she found him a very easy person to question...`\ bg black,25 ;「あの事件は、/ ;!d800…いや、事故か。@事件なんて言っちまったら怒られちまうなぁ。@…そりゃ俺も世間やワイドショーと同じ程度の疑問は持ったさ。」@ `"That crime was, `/ !d800`...no, that accident.`@` If I call it a crime, I'll get in trouble.`@` ...I have the same questions about that as the public and the talk shows."`@ br ;「……どうして絵羽伯母さんは事故当時、屋敷から２ｋｍも離れたところに、たったひとりで？@　それも嵐の晩に。」\ `"......At the time of the accident, why was Eva oba-san in a place 2 kilometers away from the mansion, all alone?`@` And on the night of a storm."`\ mono 1 bg Mlib_1a,0 ld c,$KIN_DefA1,2 ;「当時、金蔵さんは次の跡継ぎに誰を選ぶかで迷われていた。@……表向きは長男の蔵臼さんってことになってたんだが、蔵臼さんはあまり信頼されていなかったんだ。」\ `"At the time, Kinzo-san was unsure as to who he would choose to be the next successor.`@` ......It was publicly the eldest son, Krauss-san, but he was not well trusted by Kinzo-san."`\ bg black,22 mono off bg BUI_R1c,0 ld c,$ENJ_defA1,22 ld c,$ENJ_NayamuA1,80 ;「……それで、親兄弟４人の中から公平に跡継ぎを決めるため、碑文の謎というゲーム染みた試練を課した…？」\ `"......And to fairly determine a successor from among the four siblings, he made this game-like test called the riddle of the epitaph...?"`\ bg BUI_R1a,0 ld r,$OKO_waraiA1,23 ;「それは表向きだなぁ。@……恐らく金蔵さんは、初めから絵羽さんを当主跡継ぎにするつもりだったんだ。@長男が跡継ぎだという自らのルールを撤回してでも、蔵臼さんと違い、非常に勤勉で優秀だった絵羽さんに家を任せたかったんだ。\ `"That's how it was on the outside.`@` ......Kinzo-san probably planned to make Eva-san the successor to the head from the beginning.`@` He wanted to withdraw his own rule that the eldest son be the successor, and instead of Krauss-san, leave the family to the extremely diligent and brilliant Eva-san.`\ ld r,$OKO_DefA1,80 ;　…碑文の謎を解いた者に家督を引き継ぐなどという新ルールは、@蔵臼さんから次期当主の肩書きを奪うためだけの茶番だったんだろうな。」\ `...The new rule about giving the inheritance to the one who solved the epitaph`@` was probably nothing more than a farce to steal the position of the next head from Krauss-san."`\ ld l,$ENJ_defA1,23 ;「茶番って、どういう意味ですか？」\ `"What do you mean...by farce?"`\ ld r,$OKO_WaraiA2,80 ;「あの碑文は誰にも解ける必要はなかったのさ。@適当に掲示期間を経た後、本当に金蔵さんが跡を継がせたかった絵羽さんを呼び出し、 `"There was no need for anyone to solve that epitaph.`@` Once it had been displayed for an appropriate amount of time, Kinzo-san would just call Eva-san, who he truly wanted to succeed him, br ;(その答えを与える/・・・・・・・・)だけでいい。@つまり、それこそが当主継承の証ってわけさ。」\ ;＜点処理：その答えを与えた (`and give her that answer`/・・・・・・・・・)`.`@` In other words, that itself was the proof of the succession to the headship."`\ ld l,$ENJ_FumanA2,80 ;「………………それはワイドショーでは言われていない話ですね？」\ `"..................They haven't talked about this on the talk shows, have they?"`\ ld r,$OKO_waraiA1,80 ;「まぁ、当主継承が云々なんて話をしたら、余計、陰謀説が優勢になっちゃうからねぇ。@俺も馬鹿じゃないからさ。@誤解を招くようなことはわざわざ口にしないよ？」\ `"Well, that's because if you go on and on about the succession of the head, the conspiracy theories will start to prevail too much.`@` I'm no fool myself.`@` I won't go out of my way to say things that could invite misunderstandings, you see?"`\ bg black,2 ;　彼の話はこうだった。@ `This was his theory.`@ br mono 1 bg Mlib_1c,0 ld r,$KIN_DefA1,22 ;　当時の右代宮家では、余命わずかと宣告された当主の金蔵が、跡継ぎ問題に頭を悩ませていた。\ `At the time, in the Ushiromiya family, the head Kinzo, whose remaining life was announced to be short, was troubled over the problem of who was to succeed him.`\ ;　本来なら跡継ぎは、自らが定めた長男の蔵臼に決まる。@ `Normally, the successor would be fixed as the oldest son, Krauss, who Kinzo had chosen himself.`@ br ;　…しかし、晩年の金蔵は、絵羽の方が当主に相応しいと思い始めていたというのだ。@ `...But in his later years, Kinzo began to think that Eva was more fitting to be head.`@ br ;　しかし自らにも頑固な金蔵は、自ら蔵臼に与えた次期当主という肩書きが邪魔で、@蔵臼を飛び越えて絵羽を次期当主に選ぶことの出来る(建前/・・)を探していた。\ ;＜点処理：建前 `However, Kinzo, who was stubborn even to himself, was blocked by the title of next head that he had given to Krauss,`@` and he had br `searched for an `(`official stance`/・・・・・・)` by which he could skip over Krauss and select Eva as the next head.`\ bg black,22 bg Mhal_2c,22 br ;　その建前が、碑文の謎。\ `That official stance was the riddle of the epitaph.`\ ;　本来の当主跡継ぎは蔵臼だが、@もしもその謎を解く者が現れたなら、そちらを当主跡継ぎに選ぶという新たなルール。@ `The primary successor was still Krauss,`@` but there was a new rule, saying that if someone appeared who could solve the riddle, they would be chosen as the successor to the head.`@ br ;　そして金蔵は、恐らく自分にとって最後になるであろう親族会議の日に、その謎を自ら絵羽に伝えた。@ `And on what would probably be his final family conference, Kinzo had told Eva that riddle himself.`@ br ;　……それはつまり、絵羽こそが次期当主であるという宣言にも等しいわけだ。\ `......In short, it was the same as proclaiming that Eva herself was the next head.`\ bg black,22 mono off bg BUI_R1a,22 ld c,$OKO_waraiA2,26 ;「絵羽さんは、あの日、金蔵さんに呼ばれ、それを打ち明けられたんだ。@そして、当主を引き継ぐため、当主だけが知る隠し館である九羽鳥庵に絵羽さんを呼びつけたのだ。」\ `"On that day, Eva-san was called by Kinzo-san, and that was revealed to her.`@` And so that she could succeed the head, he called Eva-san to the hidden mansion Kuwadorian, which only the head knew about."`\ bg BUI_R1b,0 ld r,$ENJ_FumanA2,24 ;「………で、一足早くその隠し館で待っていた絵羽伯母さんは、そのお陰で事故の難を逃れた、と？@　絵羽伯母さんが、全ての財産を奪うために、事故を装ってみんなを殺し、@自分だけ難を逃れただけかもしれない。」\ `".........And because Eva oba-san arrived at the hidden mansion one step ahead, she escaped harm in that accident, you say?`@` Maybe Eva oba-san just killed everyone and made it look like an accident so that she could steal all of the wealth, `@`and that's why only she escaped unharmed."`\ ld l,$OKO_WaraiA1,23 ;「大衆紙はそう騒いでるなぁ。@/ `"Well, that's what the papers are shouting about. `@/ ld l,$OKO_DefA1,80 ;だが、俺は絵羽さんを信じてるよ。@……信ずるに足るポイントが、いくつかあると思ってる。」@ `However, I believe Eva-san.`@` ......I think there are several points worth trusting."`@ ld r,$ENJ_defA1,80 ;「例えば…？」\ `"For example...?"`\ ld l,$OKO_WaraiA1,80 ;「今、縁寿ちゃんが指に通してるその、右代宮家当主の指輪だよ。@その指輪は金蔵さんが特別に作らせた世界に１つしかない指輪だ。@そして、今、縁寿ちゃんが指にしているものは、間違いなくそれだと、作った細工師も認めてる。」\ `"That ring of the Ushiromiya family head, which is on your finger now, Ange-chan.`@` That ring is the only one of its kind in the world, which Kinzo-san had made specially.`@` And the artisan who made it acknowledges that the object on your finger is, without a doubt, that ring."`\ bg black,22 mono 1 bg M_o1b,22 ;　右代宮家、当主の指輪。@ `The Ushiromiya family...Head's Ring.`@ br ;　黄金の重みがあり、片翼の紋章の入ったその指輪には、@台座の部分にダイヤがあしらわれ、重厚感と金持ち的な悪趣味さを兼ね備えている。\ `That ring, with the heft of gold and the one-winged seal on it,`@` had a diamond arranged on a pedestal, and felt both sturdy and reminiscent of the dark hobbies of the rich.`\ ;　それは、金蔵が一時も外すことなく指にはめていたものだ。@ `Kinzo had worn that on his finger without removing it even for a moment.`@ br ;　それを絵羽が持つということは、金蔵が当主跡継ぎと認めた証に他ならない、というのだ。\ `He was saying that the fact that Eva had it was proof that Kinzo had acknowledged her as the successor to the head.`\ bg black,22 mono off bg BUI_R1c,0 ld r,$OKO_waraiA2,26 ;「その指輪を確かに絵羽さんが持つからこそ。@そして、実際に絵羽さんが優秀で、蔵臼さんにはビジネスシーンでの数々の醜態が知られていたことを加味すると、@絵羽さんの話はまったくの作り話とは思えないんだ。」\ `"Because Eva-san certainly had that ring.`@` And, if you take into consideration that Eva-san was actually superior, and that Krauss-san had made a fool of himself several times on the business scene, `@`I cannot imagine that Eva-san's story is completely made up."`\ ld l,$ENJ_NayamuA1,23 ;「…………その指輪を奪うために、お祖父さまを殺害した可能性だってあるけれど。@そして絵羽伯母さんは、何らかの細工をして、事故に見せ掛けて一族を皆殺しにした。」\ `"............Although there's the possibility that she murdered Grandfather in order to steal that ring.`@` Then Eva oba-san, using some kind of trick, massacred everyone and made it look like an accident."`\ ld r,$OKO_waraiA1,80 ;「そうだなぁ。@大衆紙は財産の独り占めが目当てで一族を皆殺しにした、なんて言ってるようだなぁ。@/ `"Ah, yes.`@` It seems the papers were saying something about her massacring everyone with keeping all the wealth to herself as a goal. `@/ ld r,$OKO_WaraiA2,80 ;確かに、絵羽さんはここ一番ではずいぶん思い切ったこともしちゃう人だよ。@あるいは、……右代宮家の財産を独り占めできるチャンスに、生涯でただ一度の殺人を犯したかもしれない。@…………だがね、俺はそうは思わない。」\ `Certainly, when it comes to this, Eva-san was the most drastic person here.`@` Possibly, ......she might have committed murder just once in her life to grab this chance to have the Ushiromiya family wealth all to herself.`@` ............But you know, I don't think that's true."`\ ld l,$ENJ_fumanA2,80 ;「そう信ずるに足るポイントの２つ目は？」\ `"And the second point worth trusting?"`\ ld r,$OKO_DefA1,80 ;「絵羽さんのご家族だよ。@秀吉さんに譲治くん。@……縁寿ちゃんはにわかには信じ難いだろうけど、絵羽さんはあれでかなり家族を大事にする人だったんだ。」\ `"Eva-san's family.`@` Hideyoshi-san and George-kun.`@` ......It might be difficult for you to believe all of a sudden, Ange-chan, but Eva-san was a person who treasured her family greatly."`\ ;　……確かににわかには信じたくないし、認めたくはない。@ ;　でも、薄々はわかっている。\ `......I really didn't want to believe it all of a sudden, so I didn't want to accept it.`@ `But I did understand vaguely.`\ bg black,22 mono 1 ld r,$EVA_defA1,2 ;　確かに絵羽伯母さんは、家族をとても大切にしている人だった。@ ;　彼女の歪んだ人格の根底にあるのは、最愛の夫と息子を失った悲しみがあるだけなのだ。\ `Eva oba-san certainly had been a person who highly treasured her family.`@ `The root of her twisted personality had been nothing more than the sadness of losing her beloved husband and son.`\ ;　それを紛らわせるために八つ当たりされてきた私には、まったく同情する気持ちはないが、@……それでも、彼女の人格を変容させるほどのショックを、家族全滅が与えたことは想像できなくもない。\ `Even though, after getting hit with her angry outbursts as she tried to distract herself from that pain, I have no feelings of sympathy at all,`@` ......even so, it's not like I can't imagine that the incredible shock from losing her entire family had changed her character.`\ bg black,2 mono off bg BUI_R1c,0 ld r,$ENJ_nayamuA1,26 ;「……家族を愛した絵羽伯母さんが、夫と息子を見捨てるわけがないと？」\ `"......You're saying that there's no way Eva oba-san, who loved her family, would throw away her husband and her son?"`\ ld l,$OKO_waraiA1,23 ;「そうだ。@もし本当に絵羽さんが犯人で、一族を事故に見せ掛けて皆殺しにしたならば。@……夫と息子が、絶対に生き残ってるはずなんだ。\ `"That's right.`@` Even if Eva-san really was the culprit and massacred her entire family, making it look like an accident,`@` ......she most certainly would have spared her husband and her son.`\ ld l,$OKO_DEfA1,80 ;　偶然、自分の家族だけが隠し館にいたと、屁理屈をこねてね。@もし、秀吉さんと譲治くんも無事だったなら、さすがの俺でも、絵羽さんの陰謀を疑ったろうよ。\ `She would quibble that, by coincidence, only her family had been in the hidden mansion.`@` If Hideyoshi-san and George-kun had been alright, even I would probably suspect Eva-san.`\ ld l,$OKO_waraiA2,80 ;　……俺は、秀吉さんの葬儀で見せた、絵羽さんのあの号泣を演技だなんて到底思えんねぇ。」\ `......I truly cannot imagine that Eva-san's wailing at Hideyoshi-san's funeral was an act."`\ ld r,$ENJ_fumanA2,80 ;「………どっちも状況証拠的ですね。@絵羽伯母さんの潔白を、物理的に示すには至らない。」\ `".........Looks like both of those are circumstantial evidence.`@` That isn't the same as physically showing Eva oba-san's innocence."`\ ld l,$OKO_WaraiA1,80 ;「はっはっはっは。@それを言っちゃおしまいだよ。@生き残ったのは絵羽さんのみ。@その彼女がそれが真実だ、と言うんだからさ。」\ `"Hah-hah-hah-ha.`@` If you say that, it's all over.`@` Eva-san was the only one left alive.`@` And she says that is the truth."`\ ld r,$ENJ_majimeA1,80 ;「でも、彼女の潔白は誰にも証明できない。」@ `"But no one can prove her innocence."`@ ld l,$OKO_defA1,80 ;「あぁ、そうさ。@そして彼女の犯行も、誰にも証明できない。」\ `"Yes, that's right.`@` And no one can prove that she committed a crime, either."`\ ld r,$ENJ_FumanA2,80 ;「…………………………。」\ `"........................"`\ cl a,0 ld c,$OKO_waraiA2,23 ;「そして信ずるべきポイントの最後が、警察だ。@/ `"And the final point that should be believed is the police. `@/ ld c,$OKO_WaraiA1,80 ;何しろ、派手な事件だったからね。@陰謀説を騒ぐ世論に後押しされて、警察がずいぶんと絵羽さんを調べたはずさ。」\ `After all, it was a flashy crime.`@` Pushed forward by a public that was in an uproar over conspiracy theories, the police must have investigated Eva-san thoroughly."`\ bg BUI_R1d,26 ;　絵羽だけが隠し館に逃れていたために、偶然、事故を逃れた、@とする点に不自然さを感じることも出来るだろう。@ `It's easy to feel something unnatural about the claim that Eva alone had escaped the accident by coincidence,`@` because only she had escaped to a hidden mansion.`@ br ;　また、当時、秀吉の会社は乗っ取り騒ぎの真っ最中にあり、大株主の買収のために、多額の現金を欲しがっていた。@ `Furthermore, at the time, Hideyoshi's company had been right in the middle of a takeover struggle, and in order to buy off the big stockholders, she had wanted a large sum of cash.`@ br ;　その点に動機を見出すことも、難しくはないはずだ。\ `It shouldn't be too hard to find a motive there.`\ ;　しかし、親族会議に向かう絵羽の身辺は、まったくにもって普通だった。@ ;　一族を事故に見せ掛けて虐殺するような、あらゆる不自然な準備が見つけられなかったのだ。@ `But as a matter of fact, Eva's person had been perfectly clean when she had gone to the family conference.`@ `Nothing unnatural was found on her that could have been used to brutally murder her family and make it look like an accident.`@ br ;　当日は非番で難を逃れた使用人たちも、彼女を含め、全ての関係者について不自然な様子が見られなかったと証言した。\ `The servants who escaped harm by being off-duty on that day also stated that they hadn't seen anything strange regarding anyone related to the event, Eva included.`\ ;　それらを総合的に判断する限り、@右代宮絵羽は普段の親族会議と何ら変わることなく、六軒島に向かい、@事故に遭遇したと結論するしかないのだ…。\ `Putting all of that together, `@`it could only be concluded that Ushiromiya Eva had headed to Rokkenjima for a normal family conference, without any change,`@` and had encountered an accident...`\ bg black,22 bg BUI_R1c,0 ld c,$OKO_waraiA2,26 ;「警察が、あれだけ散々調べて、事件性を見出すことが出来なかった。@/ `"The police looked so intensely, and they still couldn't find evidence that it was a crime. `@/ ld c,$OKO_waraiA1,80 ;……警察がそう断じた。@それで六軒島疑惑は決着じゃないのかなぁ。」\ `......The police came to that conclusion.`@` Doesn't this resolve the Rokkenjima Suspicion?"`\ bg BUI_R1b,0 ld l,$ENJ_nayamuA1,23 ;「……それは単に、警察は事件性を ;br ;(発見できなかった/・・・・・・・・)、ってだけの話じゃないんですか？」\ ;＜点処理：発見できなかった `"......That just means that the police` br (`couldn't find`/・・・・・・・)` evidence that it was a crime, right?"`\ ld r,$OKO_defA1,24 ;「それを言い出したらキリがないなぁ。@悪魔の証明になっちまうよ。@犯罪を暴くには証拠を見つければいい。@でも、無実を示すには何を見つけりゃいいんだい？@　消極的事実の証明は不可能だ。」\ `"There's nothing I can say to counter that.`@` It becomes a Devil's Proof.`@` To expose it as a crime, you just need to find evidence.`@` But what could you find to show that she was innocent?`@` It is impossible to prove a negative fact."`\ ld l,$ENJ_fumanA2,80 ;「……絵羽伯母さんが、犯罪を犯したか、否か。@それを判断する材料が見付からないから、そのまま真相は迷宮入り、ということですね。」\ `"......Did Eva oba-san commit a crime, or did she not...`@` Because we can't find any materials with which to decide that, the truth will remain a mystery...is what you're saying, right?"`\ ld r,$OKO_waraiA2,80 ;「………そうだな。@縁寿ちゃんの期待する言い方にするとそうなるな。@絵羽さん自身にだって、自分の無実は証明不能なのさ。@/ `".........That's it.`@` To put it in the words you are expecting, that's how it is.`@` It was even impossible for Eva-san to prove her own innocence. `@/ ld r,$OKO_waraiA1,80 ;あの島で不幸な事故があった。@そしてたまたま絵羽さんが生き残った。@しかもそれ以上のことは何もわからない！\ `On that island, an unfortunate accident occurred.`@` And Eva-san survived by chance.`@` And we don't know any more than that!`\ ;　つまるところ、唯一の生存者である、絵羽さんの話を、信じられるか否か、ってことになるわけさ。@/ `In short, it all comes down to whether you believe the story of the only survivor, Eva-san, or not. `@/ ld r,$OKO_waraiA2,80 ;……俺は信じたよ。@指輪の話や、彼女の尊敬できる家族愛。@そして葬儀で見せた涙。@それらを加味して考えて、彼女の話を信じようと思ったんだ。」\ `......I believed.`@` The case of the ring and her honorable love for her family.`@` And the tears she showed at the funeral.`@` Taking all of that into consideration, I decided I would believe her story."`\ ld l,$ENJ_FumanA1,80 ;「……でも、私は信じない。@指輪なんて奪う気なら方法はいくらでもあるだろうし、家族仲が本当に良かったかなんて誰にもわからない。@葬儀の涙が本物かなんて証明不能。\ `"......But I don't believe.`@` If she wanted to steal the ring, there were probably many ways for her to do so, and no one knows whether her relationship with her family really was good.`@` It's impossible to prove that the tears at the funeral were the real thing.`\ ld l,$ENJ_komaruA5,80 me1v 29,50 ;　……というか、私はそもそも絵羽伯母さんなんて大嫌い。@だから私は彼女の話を信じようなんて思わない。」\ `......Anyways, I hated Eva oba-san from the very beginning.`@` So I don't plan on believing her story."`\ fede 1,2000 ld r,$OKO_defA1,80 ;「はっはっはっは…。@事件の真相をどう見るか。@俺と縁寿ちゃんで真っ向から対立しちまったなぁ。@俺たちに与えられてる情報はまったく同じなのに、まったく異なる見解を持っちまう。\ `"Hah-hah-hah-ha...`@` How does one view the truth of the crime?`@` You and I are on completely opposing sides.`@` Even though the information we are given is exactly the same, we interpret it in completely different ways.`\ ld r,$OKO_waraiA2,80 ;　………こういうこと、政治や経済でもよくあるんだ。@同じ事業をやっても、必ず評価は分かれちまう。@どうしてかわかるかい？」@ `.........This kind of thing often happens in politics and economics.`@` The exact same enterprise will surely have differing criticism.`@` Do you know why?"`@ ld l,$ENJ_DefA1,80 ;「………いいえ？」\ `".........Why?"`\ E_A bgm1 49 ld r,$OKO_WaraiA1,80 ;「愛があるかどうか、さ。@……相手に愛を感じてるかどうかで、ものの見え方はまったく違うってことなんだ。@好きな人が貧しい人に施しをすれば、尊敬できるだろ？@　でも嫌いなヤツが施しなんて始めたら、売名行為だとかバラ撒き行政だとか、非難轟々さ。\ `"It's about whether you have love.`@` ......Depending on whether you feel love for the other side, the way you see things is completely different.`@` If a person you like gives to the poor, you can respect them, right?`@` But if someone you hate starts donating, you fiercely protest that it's a publicity stunt or that they're handing out favors.`\ ld r,$OKO_waraiA2,80 ;何をしてもしなくても、愛があれば感謝し、愛がなければ非難する。@それが世の中ってもんなんだ。」\ `No matter what they do or don't do, you thank them if you have love and criticize them if you don't.`@` That's how the world works."`\ ld l,$ENJ_nayamuA1,80 ;「絵羽伯母さんのことを、信じられるか信じられないか、@……それだけの違いってことですか？」\ `"Can Eva oba-san be believed or can't she...`@`......You're saying that's the only difference?"`\ bg black,22 bg BUI_R1d,26 ;「彼女を疑う人間には、彼女が何をしてもしなくても、それは実に不自然に見えるだろうさ。@逆も然り。@……俺はね。@世の中には真実なんてものは、よっぽどのことがない限り、存在しないんじゃないかと思うね。\ `"Those who suspect her will probably take anything she does or doesn't do and view it as truly unnatural.`@` And it works in reverse.`@` ......As for me, `@`I think that perhaps, except in extreme cases, truth in this world doesn't exist.`\ ;　いや、仮にもし。@真実が存在したとしても、それを信じるか信じないかは、愛があるか否かで決められちまう。@……絶対性の宿らない真実なんて、真実と呼べるのかい？@　絵羽さんが物理的なアリバイを示したとしても、君はそれを信じられたかい？」\ `No, even if truth does exist, `@`whether you believe it or not is determined by whether you have love or not.`@` ......Can you really call truth without certainty truth?`@` Even if Eva-san had been able to show concrete proof, would you have been able to believe it?"`\ ;「………………………。」\ `".................."`\ ;　それを言われると弱い。@ `It's hard to counter that.`@ br ;　…私は絵羽伯母さんが大嫌いだから、彼女に利するあらゆる情報は否定するし、@中立的なあらゆる情報は悪意を以って解釈するだろう。@ `...I hate Eva oba-san, so I'll probably deny all information beneficial to her,`@` and interpret all neutral information as malicious.`@ br ;　……つまり、私の中で、もう真実は決め付けられているのだ。@ ;　にもかかわらず、なおも満たされずに探す“真実”とは一体、何物なのか…。\ `......In other words, inside me, the truth is already decided.`@ `And despite that, just what in the world is this 'truth' that I'm still searching for, unsatisfied...?`\ bg black,2 ;me1v 29,50 bg BUI_R1c,0 ld r,$OKO_defA1,26 ;「そういうことさ。@つまり、俺から何を聞こうとも、縁寿ちゃんが絵羽さんを未だ疑っている以上、@何を聞いても今さら何も変わらないってことなのさ。@少なくとも、今の縁寿ちゃんじゃ、仮に未知の新事実を掴んだとしても、真相に至ることは出来んと思うねぇ。」\ `"That's how it is.`@` So no matter what you hear from me, because you still suspect Eva-san,`@` nothing will change after all this time.`@` At the very least, even if you were to grasp a piece of hitherto unknown information, I don't think you would be able to reach the truth the way you are now."`\ ld l,$ENJ_defA2,23 ;「………私では真相に、/ ;!d900…至れませんか。」\ `".........I cannot, `/ !d900`...reach the truth?"`\ ld r,$OKO_waraiA2,80 ;「だって。@縁寿ちゃんは、どんな新情報や新証拠が見付かったって、絵羽さんが犯人だってスタンスは変えないんだろ？@/ `"After all.`@` No matter what kind of new information or proof you find, Ange-chan, it won't change your stance that Eva-san is the culprit, right? `@/ ld r,$OKO_waraiA1,80 ;　なら、これ以上、何を調べたって意味はないじゃないか。@ `So it's pointless to investigate anything more, correct?`@` Because` br ;(君の中の真相はすでに決まっている/・・・・・・・・・・・・・・・・)わけさ。」\ ;＜点処理：君の中の真相はすでに決まっている (`the truth inside of you is already decided`/・・・・・・・・・・・・・・・・)`."`\ ld l,$ENJ_komaruA1,80 ;「………………………。」\ `"....................."`\ ;fede 1,2000 ld r,$OKO_DefA1,80 ;「だが、もし。@縁寿ちゃんがそれを真相と思わずに、さらに奥深くの本当の真相に辿り着きたいと願うなら、一個だけ方法があるよ。@/ `"But, if...`@` If you don't think of that as truth, and wish to struggle further towards the deeper, real truth, there is a single way. `@/ ld r,$OKO_WaraiA1,80 ;もう話したつもりなんだけどな。@何だかわかるかい。」\ `I believe I already mentioned it,`@` but do you know what it is?"`\ textoff fede 0,2000 ld l,$ENJ_defA1,80 ;「……愛、ですか？@　よく意味がわからないです。」\ `"......Is it...love?`@` I don't really know what you mean."`\ E_A bgm1 10 bg black,22 bg BUI_R1d,22 ;「縁寿ちゃんは今、絵羽さんを犯人だと仮定し、物を考えている。@でも、それじゃ片目で物を見てるようなものなんだ。@片目じゃ、どんなに目を凝らしても物を立体的に見ることは出来ないだろ？@　だから、もうひとつ目がいるんだ。@もちろん、今の目とは別の立場での。」\ `"You are now thinking about this while supposing that Eva-san is the culprit.`@` But that is like looking at something with one eye.`@` With one eye, no matter how much you squint, you cannot see an object in three dimensions, right?`@` That's why we have another eye.`@` Of course, it's in a different position from the current eye."`\ ;「…………絵羽伯母さんが、犯人ではない、@…あるいは、本当に事故であるという仮定にも基づいて、物事を見ろと…？」\ `"............You're telling me look at things based on the supposition that Eva oba-san isn't the culprit,`@` ...or else, that it was a real accident...?"`\ bg BUI_R1a,0 ld c,$OKO_waraiA2,26 ;「そうそう、その通り。@物事を考える時には、異なる立ち位置から見るようにするんだ。@そうじゃないと、本当のことは何もわからない。\ `"Yes, yes, that is correct.`@` When you think about things, try to look from a different perspective.`@` If you don't, you won't understand anything about what is real.`\ ld c,$OKO_defA1,80 ;　新聞だってそうさ。@ひとつの新聞だけじゃ、その記事を書いた記者の目線ひとつでしかものが見られない。@複数の新聞を読むことで初めて、立体的かつ冷静に分析が出来ることもある。\ `It's the same with newspapers.`@` You can't see anything from the single viewpoint of a writer who made the article in a single newspaper.`@` Sometimes you can only process information composedly and in three dimensions when you read multiple newspapers.`\ ld c,$OKO_WaraiA1,80 ;　……愛がなければ真実は視えない。@………ん〜、いいねぇ、わっはっはっは。」\ `......Without love, the truth cannot be seen.`@` .........Hmm, sounds nice, wahahaha."`\ ;me1v 29,50 ;　キザったらしい言葉が口を出たのが面白かったのだろう。@しばらくの間、楽しそうに笑っていた。@ `Maybe he thought it interesting that such a flashy phrase would pop out of his mouth.`@` For a while, he laughed, looking pleased.`@ br ;　……それは同時に、知っていることは全て話した、@この辺で引き上げてくれないかという意思表示でもある。@私はそれを理解し、腰を上げた。\ `......At the same time, he was declaring that he had told everything that he knew,`@` and that it was about time to leave.`@` I understood that and got to my feet.`\ ld c,$OKO_waraiA2,80 ;「俺にも縁寿ちゃんの気持ちがわかったよ。@あんたが納得するように、しばらく好きにしたらいい。\ `"I do understand your feelings, Ange-chan.`@` You should do as you like for a while, so that you can accept it.`\ ld c,$OKO_defA1,80 ;　……当時、君は６歳だった。@わけがわからない内に家族を失い、未だに心の整理がつかない気持ち、よくわかるんだ。」\ `......You were six years old at the time.`@` I understand how you feel after losing your family before you could even understand it, and still being unable to sort out your heart."`\ cl c,0 ld l,$OKO_defA1,0 ld r,$ENJ_komaruA1,24 ;「………………………。」\ `"........................"`\ ld l,$OKO_waraia2,80 ;「真相はわかるかもしれない、わからないかもしれない。@絵羽さんは犯人かもしれないし、犠牲者かもしれない。@/ `"You may learn the truth, and you may not.`@` Eva-san may be the culprit, and she may be a victim. `@/ ld l,$OKO_WaraiA1,80 ;……縁寿ちゃんが信じる“真実”が見つけられるのを、祈ってるよ。@若い内の旅も、貴重な経験かもしれない。」\ `......I pray that you find the 'truth' you believe in, Ange-chan.`@` A journey at such a young age may be a valuable experience."`\ ld r,$ENJ_komaruA2,80 ;「ありがとうございます…。@……お忙しいところ、お邪魔して本当に済みませんでした、小此木さん。」/ `"Thank you very much...`@`......I am truly sorry to be such a bother when you are so busy, Okonogi-san."`/ mov %play_scene,40040 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_oko : seplay 9,1060 \ ;■この、小此木さん、で縁寿サイドキャラ紹介に小此木鉄郎を追加。 ld l,$OKO_DefA1,80 ;「いいって、いいって。@これからどうするんだ？」@ `"No trouble, no trouble.`@` What are you going to do now?"`@ ld r,$ENJ_DefA2,80 ;「まぁ、適当に。@……事件関係者や、その道の専門家ってやつに何人かアポを入れてるので、そちらを当たるつもりです。」\ `"Well, whatever works.`@` ......I've made appointments with several specialists and people related to the crime, and I plan to go to those."`\ ld l,$OKO_WaraiA2,80 ;「そうか。@納得のいく答えが見つかるといいな。」\ `"I see.`@` I hope you can find an answer you can accept."`\ me1v 29,40 fede 1,3000 bg BUI_R1c,4 ;　その時、小此木社長の秘書が入ってきて、メモを一枚、肩越しに手渡した。@ `At that time, company president Okonogi's secretary came in, handing him a memo over his shoulder.`@ br ;　それを読み、私の顔と見比べる。\ `He read it and looked between it and my face.`\ ld r,$OKO_waraiA1,24 ;「……縁寿ちゃん。@旅に出てごらんと言った矢先で申し訳ないんだが、耳に入れといた方がいい情報だ。@……君、今だいぶヤバイらしいね？」@ `"......Ange-chan.`@` My apologies that this comes right after telling you to try going on a journey, but I have some information you should lend an ear to.`@` ......It looks like you're in a bit of a nasty fix right now."`@ ld l,$ENJ_FumanA2,23 ;「私のカネを狙ってる連中ですか？@　だからお金なんて下らない。」\ `"People after my money?`@` This is why money is stupid."`\ ld r,$OKO_defa1,80 ;「だからって、財産丸ごと売っ払って、全額を福祉に寄付しようなんてしたら、@縁寿ちゃんの財産で皮算用してる連中が、目ン玉、飛び出しちまうよ。」\ `"Yes, but if you sell off all of the wealth, and try to donate the whole sum to the public welfare,`@` you'll make the eyes pop out of those people optimistic about their chances with your fortune."`\ ld l,$ENJ_NayamuA1,80 ;「あぁ、須磨寺の家ですか。@あいつら、何を偉そうに保護者面して。」\ `"Oh, the Sumadera family?`@` Those guys act so proud, like they're my guards or something."`\ bg black,22 ;　絵羽伯母さんの前例がある。@ ;　誰が須磨寺の家に世話になんかなるもんか。@ `There was Eva oba-san's precedent.`@ `Who would ever become under the care of the Sumadera family?`@ br ;　それこそ、絵羽伯母さんがよく脅していたように、@両手両足をブツ切りにされて、蔵か何かに放り込まれて、右代宮の財産をしゃぶり尽くすつもりだろう。\ `They probably want to, as Eva oba-san had often threatened in the past,`@` cut off my arms and legs, throw me in a warehouse, and suck the Ushiromiya family's wealth dry.`\ bg BUI_R1c,0 ld l,$ENJ_NayamuA1,0 ld r,$OKO_waraiA1,80 E_A ;「須磨寺家の使いがここに来るそうだ。@/ `"I heard that a messenger from the Sumadera family is coming here. `@/ bgm1 86 ;君を引き渡せと、いやいや、保護したいと言ってるな。」@ `They're saying to hand you over...no no, that they want to protect you."`@ ld l,$ENJ_defA1,80 ;「使いって？」\ `"Messenger, you say?"`\ ld r,$OKO_waraiA2,80 ;「君の叔母だよ。@霧江さんの妹さんだ。@君の事を妹のように思っていると前に話してたな。」@ `"It's your aunt.`@` Kyrie-san's younger sister.`@` She has said before that she thinks of you as a little sister."`@ ld l,$ENJ_FumanA2,80 ;「ご冗談。@せめて孫と言ってよ、あのババア。」\ `"She's joking.`@` At least call me a grandchild, you old granny."`\ ld r,$OKO_defA1,80 ;「文脈から見るに、君の意思は聞く気がないようだ。@地下２階の駐車場に車が待たせてある。@行きなさい。」\ `"Judging from the context, it seems they have no wish to listen to your desires.`@` I have a car waiting in the parking lot two stories underground.`@` Go."`\ ld l,$ENJ_nayamuA1,80 ;「……須磨寺の家から引き渡せって言われてるんでしょ。@いいの、私を行かせて？」\ `"......The Sumadera family is telling you to hand me over.`@` Is it really alright to let me go?"`\ ld r,$OKO_WaraiA1,80 ;「縁寿ちゃんはきっと将来大物になるよ。@この貸しは、その時の出世払いってことにしとこう。@/ `"You will definitely be something big in the future, Ange-chan.`@` Let us call this a favor to be repaid upon your success. `@/ ld r,$OKO_akuWaraiA1,80 ;…行きな、早く…！」\ `...Go, quickly...!"`\ bg black,23 se1 15 ;cl l,64 ;　縁寿は無言で深く会釈をしてから、早歩きにその場を退出した。@ `After bowing silently and deeply, Ange left that place at a dash.`@ br ;　彼女が出て行ったのを見届けてから、秘書の女性が眼鏡を直しながら囁く。\ `After watching her leave, the female secretary straightened her glasses and whispered.`\ me1v 29,50 bg BUI_R1b,23 ;「須磨寺家からは足止めをしておくように言われていますが…。@行かせてよろしいのですか？」\ `"The Sumadera family told us to stall her...`@` Is it alright to let her go?"`\ ld c,$OKO_DefA1,23 ;「足止めならしたよ、充分に。@それに間に合わないのは須磨寺の過失だね。@……縁寿ちゃんには逃げろと言ったし。@須磨寺には縁寿ちゃんが来てるよと通報したし。@捕まっても捕まらなくても双方に恨まれない。\ `"We did stall her, more than enough.`@` If they still don't make it in time, that's the Sumadera family's error.`@` ......I told Ange-chan to run for it.`@` I informed the Sumaderas that Ange-chan would be coming.`@` Whether she is caught or not, I will not be blamed.`\ fedexx 100,70,0,0,0,0,2000 ld c,$OKO_WaraiA1,80 ;　……世の中はすべからく、愛、だねぇ…。@大丈夫、逃げ果せるよ。@何しろ、追っ手撒くためにビルから飛び降りられる子だからねぇ。」\ `......Everything in this world is...love, you see...`@` It's alright, she'll escape.`@` After all, that child could jump off a building to lose some pursuers."`\ ;　……小此木はブラインドの隙間から再び下界を見下ろし、@さすがに俺には無理だなぁと呟くのだった。\ `......Okonogi looked down again through a crack in the blinds,`@` muttering 'it really would be impossible for me...'`\ bg black,22 ;■脱出 E_MA ;bg black,1 ;wait 2000 se1v 2,70 bgmvol 90 bg white,1 bg BUI_E1a,80 ;　縁寿も馬鹿ではない。@ `Ange wasn't a fool herself.`@ br ;　エレベーターから降りる彼女だが、そこは地上の３階だった。\ `She got off the elevator, but that was on the third floor.`\ bg black,62 ;　地下２階にタクシー？@ `A taxi in the second level of the basement?`@ br ;　ご丁寧すぎて気持ち悪い。@ここは辞退した方がいいだろう。@ `That's so polite that I don't like it.`@` It's probably better to refuse for now.`@ br ;　だが、敵も馬鹿じゃない。@ ;　地下駐車場だけでなく、１階ロビーも抑えられているだろう。\ `But the enemies aren't fools either.`@ `They're probably waiting in the first floor lobby, as well as the underground parking lot.`\ bg BUI_E1a,80 ;　これだけの巨大なビルなのだ。@ ;　焦って外へ脱出せず、中でやり過ごした方がいいだろうか。\ `It's such a massive building.`@ `Instead of getting anxious and escaping outside, maybe it's better to stay on the inside and wait it out.`\ ;　いや、駄目だ。@ ;　この近代的なビルは彼らがセキュリティルームを掌握してしまえば、私の逃げ場などなくなる。@ `No, that's useless.`@ `If they get their hands on a security room in a modern building like this, I would have nowhere to run to.`@ br ;　このビル全体が、巨大な袋小路も同じなのだ。\ `This entire building is like a massive dead end.`\ ;　３階は業務フロア。@小娘の私は、明らかに目立つ存在だ。\ `The third floor is the business floor.`@` A girl like me would clearly stick out.`\ bg black,64 ;　これ以上、不要に目立たぬよう、早足で歩きながら非常階段を探す。@ ;　……できればその階段が、外階段であれば理想的。\ `Trying not to stand out any more than I had to, I walked at a quick pace, searching for an emergency exit.`@ `......It would be perfect if that staircase was an outside staircase.`\ ;　非常階段の扉を見つける。@ `I found the door to the emergency exit.`@ bgmvol 70 me1v 29,70 se1v 15,90 bg white,64 bg BUI_o2b,2 ;　その重い扉を開けると、期待通りの外階段だった。\ `After opening that heavy door, I found the outside staircase I had expected.`\ ;　サボリで煙草を吸ってた社員風の男とばったり出くわす。@ ;　ぎろりと睨みつけると、そそくさと煙草を揉み消して姿を消す。\ `I bumped into a man who looked like an employee skipping work and smoking a cigarette.`@ `After glaring at me, he quickly crushed up his cigarette and went away.`\ bg black,23 bg BUI_o2a,23 ;　下には誰もいないように見える。@…逃げ出すなら今しかない…！\ `It looked like there was no one below.`@` ...If I'm going to escape, now is my only chance...!`\ bgmvol 40 E_MA se1v 68,90 bg car_o2a,1 quakex 4,1200 bgmvol 70 ;　そう思った時、タイヤをすごい音で鳴かせながら、黒い乗用車が真下に滑り込んで急停車する。@ `Just when I thought that, with an incredible squealing of the tires, a black car slid right under me and came to a sudden stop.`@ br ;　……タイヤの音から、他にも数台お仲間がいて、ここを塞ぎに１台来た、という感じだった。\ `......Judging from the sound of the tires, it felt like they had several other allies, and that one of them had come here to block this path.`\ me1v 29,70 ;bg black,64 bg BUI_o2a,0 ld r,$ENJ_fumana2,64 ;「……霞叔母さん、やるじゃない。@非常口から出てくる妹にまで送迎車を送るなんて。」@ `"......Not bad, Kasumi oba-san.`@` To think that you'd even send a car to see your little sister off when she's trying to get out through the emergency exit."`@ br ;　バンバン！と威勢良く車の扉が開き、３人の黒服が飛び出してきて、この非常階段を見上げる。@ `*bam*bam*! The doors of the car were forcefully opened and three black-suited men jumped out, looking up at this emergency staircase.`@ br ;　……いっけない、目が合った。\ `......O-h no, our eyes met.`\ bg car_o2a,23 ;「１２、マル対発見。@北西側非常階段３階、応援送れ。」@ ;「縁寿さま！@　そこを動かれませんように！@　ご無礼を失礼します…！！」\ `"12, target found.`@` Northwest side emergency stairs, third floor, send support."`@ `"Ange-sama!`@` Try not to move from there!`@` Forgive our roughness...!!"`\ me2v 17,80 ;　３人がどかどかと非常階段を駆け上がってくる。@ `The three of them began to clamor up the emergency exit.`@ br ;　……無礼を働くと予告済みだ。@かなりまずい。@ `......They had already announced that they planned to be rough.`@` This is pretty bad.`@ br ;　息さえしてれば、腕の一本くらい引っこ抜けても構わないくらいに命じられてるのだろう。\ `They had probably been ordered to drag me by the arm if they had to, as long as I was breathing.`\ bg BUI_o2b,66 ;　どかどかどかどか！！@ ;　彼らの重く激しい足音が螺旋になって階下から昇って来る、近付いてくる…！\ `*clank*clank*clank*clank*!!`@ `Their heavy, wild footsteps became a helix and began to rise from the lower floors, getting closer...!`\ ;■玄関ロビー。須磨寺霞登場 textoff fedexx 90,80,80,0,0,0,2000 bg black,1 E_MA bg BUI_inf1a,24 ;ld c,$KAS_DefA1,26 ;　ビルの玄関ロビーには、黒服の護衛を７人も従えた婦人が、悠々と歩みを進めていた。@ `In the entrance lobby of the building, a woman with seven black-suited guards behind her advanced at a leisurely pace.`@ br ;　その物々しい様子に、ビルの警備員が駆けつけ、アポイントはおありでしょうかと尋ねる。\ `Seeing this ostentatious entrance, the security guards for the building ran up to them, asking if they had an appointment.`\ ld c,$KAS_defA1,80 ;「………これだから東京人は。@名乗らせなければ相手の格もわからない…？」\ ;＜霞 `".........How typical of Tokyo people.`@` Don't you understand the status of the person you are talking to without her having to say her name...?"`\ ;「し、失礼いたしました…。@当社ではご来賓の皆様にはフロントにてセキュリ、」\ `"M, my apologies...`@` At our company, guests are to take a securi-"`\ se1v 28,90 ld c,$KAS_akuwaraiA1,80 ;「……下がれ下賎が。@私はお前たちの社長に呼ばれて来たんだよ。@小此木鉄郎を呼んでおいで。@呼びつけておいて出迎えもないとはね、これだから東京人は…。」\ ;＜霞 `"......Back down, scum.`@` I came because I was called by your president.`@` Call Okonogi Tetsurou here.`@` To think that he would call me here and then not welcome me...how typical of Tokyo people..."`\ bg BUI_E1a,0 ld r,$OKO_WaraiA1,24 ;「これは失礼。@ようこそ右代宮グループへ、須磨寺霞さん。」/ `"My apologies.`@` Welcome to the Ushiromiya group, Sumadera Kasumi-san."`/ mov %play_scene,40050 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_kas : seplay 9,1060 \ ;＜小此木 ;■この直前の、須磨寺霞さん、で縁寿サイドキャラ紹介に情報追加。 ;　小此木が秘書を従え、エレベーターから颯爽と現れる。@ `With his secretary behind him, Okonogi dashingly appeared from the elevator.`@ br ;　双方に不敵な笑みがありながらも、火薬の臭いを連想させる緊張感が張り詰めていた…。\ `Even though both of them wore bold smiles, they were caught in a tension reminiscent of the smell of gunpowder...`\ bg BUI_inf1c,0 ld l,$KAS_DefA1,23 ;「………縁寿はどこ？@　姉さんの可愛い可愛い姪を、迎えに来たのよ私は。」\ `".........Where is Ange?`@` I came to greet that cute, cute daughter of my big sister's."`\ ld r,$OKO_defA1,24 ;「右代宮グループでは時間厳守がモットーでしてなぁ。@時間を守れない人間は契約も守れないってのが先代会長のお言葉でして。」\ `"Strict observance of time is our motto here at the Ushiromiya group.`@` The former Chairman herself said that those who can't keep time can't keep contracts."`\ ld l,$KAS_waraiA2,80 ;「……東京まで呼びつけて、何てザマなの？@　逃がしたわね。」\ `"......You call me all the way to Tokyo, and this is all you have to show for it?`@` You let her go, didn't you."`\ ld r,$OKO_waraiA2,80 ;「逃げられた、と言ってもらいたいですなぁ。@これでもずいぶん足止めはしたんです。@さすがに気取られましてね。@須磨寺さんが、時間通りに来てくれれば問題はなかったのですが。\ `"She escaped from us...is what I hoped you would say.`@` We did stall her for quite some time.`@` She must have suspected us after all.`@` Although there wouldn't have been a problem if you had come on time, Sumadera-san.`\ ;　これだから地方人はルーズで困るんです。@/ `This is why it's such a problem when provincials get careless. `@/ ld r,$OKO_AkuwaraiA1,80 ;わっはははははははは！」\ `Wahhahahahahahahaha!"`\ me1v 17,70 cl a,0 ld c,$KAS_akuwaraiA1,23 ;「…………今何と……？@　この私に何と…？」\ `"............What did you say just now......?`@` What did you say to me...?"`\ ;　霧江の妹、霞の面影に霧江の気さくさはまったく感じられない。@ `You couldn't sense any of Kyrie's frankness in Kasumi's face.`@ br ;　表情に浮かぶのは、没落した右代宮家に対する歴史ある須磨寺家の嘲りと、@……にもかかわらず、右代宮家の財産を無視出来ない程度に斜陽を迎えていることを気取られたくないプライド。@ `She wore on her face the arrogance of the ancient Sumadera family towards the ruined Ushiromiya family,`@` ......as well as pride, because she didn't want anyone to notice that her family was declining so much that they couldn't ignore the Ushiromiya family's wealth.`@ br ;　縁寿が、この叔母を毛嫌いする理由が、一見しただけで納得できるというものだった…。\ `Even at a glance, it was easy to understand why Ange hated everything about her aunt...`\ ;　わずかの侮辱にも耐えられない彼女は、笑顔のまま眉を引きつらせる。@ ;　その時、後の黒服が霞に囁く。\ `She couldn't stand even a slight insult, and while she still smiled, her forehead twitched.`@ `At that time, the black-suited man behind Kasumi whispered to her.`\ bg BUI_inf1b,23 ;「縁寿さまを発見しました。@対応中です。」\ `"Ange-sama has been found.`@` We are currently dealing with her."`\ ld r,$KAS_WaraiA1,24 ;「……あら、間に合って良かった。@……ありがとうね、小此木。@ようやくやんちゃな姪を連れて帰れそうだわ。@……私、あの子と一緒に、ゆっくりとお茶室で語らいたくてお道具まで準備して待ってたんだから。@うっふふふふふふふ…！」\ `"......Oh, I'm glad we made it in time.`@` ......Thank you, Okonogi.`@` It seems I can finally take my mischievous niece home.`@` ......I've waited so long to talk with that girl in my tea room, with all of the tools prepared.`@` Ehheheheheheheh...!"`\ bg black,25 ;wait 3000 fedexx 90,100,0,0,0,0,2000 ;　どかどかどかどか……！！@ `*clank*clank*clank*clank*......!!`@ br ;　音の暴力が螺旋を描きながら、私を階下から飲み込もうと迫ってくる。\ `As the violent sound drew a helix, it rushed up at me from below, threatening to swallow me up.`\ ;　無論、戦っても勝ち目はない。@ ;　さりとてビル内に逃げ込んだところで、自ら袋小路に飛び込むようなものだ。@ `Of course, even if I fight, there's no way I can win.`@ `Even so, if I run into the building, it would be like jumping into a dead end of my own accord.`@ br ;　時間と共に敵の応援は増える。@ ;　この場をどうにか出来ないなら、もう私に逃げるチャンスはない。\ `The enemies will increase in number with time.`@ `If I can't do anything here, I won't have any more chances to escape.`\ bg BUI_o2a,22 ;　そして３人の屈強な黒服たちが階段下に姿を現す。@ `Then, three muscular black-suited men came into view below me.`@ br ;　１、２、３。@３人だ。@つまりそれは車から降りてきた全員。\ `1, 2, 3.`@` Three people.`@` In other words, everyone who had gotten out of the car.`\ ;　せめて１人だったなら、出会い頭に思い切り飛び蹴りでもブチかませば、何とか出来たかもしれない。@……でも、さすがに３人じゃ無理だ。@ `If there had been just one of them, I might have been able to dropkick 'em or something and smash them in the head, which might work out.`@` ......But it really is impossible with three of them.`@ br ;　いや、３か…。@……３くらいなら何とかなる…。@……やれる……！\ `No...three, is it...?`@` ......If there's just three, I might be able to make it...`@`......I can do it......!`\ ld c,$ENJ_NayamuA1,24 ;「すぅ………。@/ `"Whew.........`@/ ld c,$ENJ_IkariA1,80 ;…………はぁああああああ！！」\ ;＜縁寿 `............Haaaaaaaaaaaaahh!!"`\ saveoff E_A se1v 20,100 ;se2v 20,100 btndef "BMP\background\city\BUI_o2b.bmp" mov %free1,0 mov %free2,0 mov %free3,640 mov %free4,480 mov %free11,0 mov %free12,0 mov %free13,0 mov %free14,0 for %free19 = 1 to 6 resettimer add %free11,4 add %free13,0 add %free12,8 add %free14,12 add %free1,%free11 add %free2,%free13 sub %free3,%free12 sub %free4,%free14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ;bg black,1 for %free19 = 1 to 6 resettimer add %free11,4 add %free13,16 add %free12,8 add %free14,6 add %free1,%FREE11 add %free2,%FREE13 sub %free3,%FREE12 sub %free4,%FREE14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ofscpy bg black,1 btndef "" saveon me1v 28,70 ;「んなッ？！@　ば、馬鹿やめろ！！@　危ないいいい！！@　うわあああああああ…！！」\ `"Wha?!`@` Y, you idiot, stop!!`@` Look ooooooout!!`@` Whaaaaaaaaahhh...!!"`\ ;■ガシャーン！（縁寿が飛び降りて、車の屋根に落ちた音） textoff E_A se1v 27,80 bg white,80 bg car_o2c,1 quakey 8,1000 wait 2000 ;「０１より１２、確保したか、応答されたし。@……どうした？！@　応答しろ！」@ `"01 calling 12, is it secure, we received a response.`@` ......What happened?!`@` Respond!"`@ bgm1 87 ;「な、……何てヤツだ…、くそ……。」\ `"Wh, ......what kind of person..., damn it......"`\ bg black,22 se1 13 ;　………つつつ…。@……痛たた…。@ ;　ほらね、…何とかなったでしょ。たった３だもんね。@ `.........Ohohoh...`@`......Owow...`@ `Look, see...that worked out, didn't it? It's just three of them.`@ br ;　もっと高いところを経験してるもの。@３階くらいなら飛び降りられると思った…！\ `I've already tried that once from a higher place.`@` I knew I could do it from just the third floor...!`\ ;　やつらが乗り付けてきた車が真下にあったのが幸いした。@ ;　快適なトランポリンとは行かないまでにも、私をそこそこにやさしく、そこそこに厳しく受け止めてくれた。\ `It's a good thing that the car they came in was right beneath me.`@ `Even if it wasn't as pleasant as a trampoline, it broke my fall, a little gently, a little roughly.`\ bg car_o2c,22 ;「……失礼しちゃうわ。@ここまでへこむこともないだろうに。」\ `"......Sorry about that.`@` I'll bet it's never been dented this badly."`\ ;　車の屋根は私を受け止めて、私の体に沿ってべっこりとへこみを残している。@ ;　案外、車の屋根って華奢なのね。@私の体重のせいじゃないと思うわ。\ `The roof of the car broke my fall, leaving a massive dent around my body.`@ `Car roofs are surprisingly delicate.`@` I don't think it's because of my weight.`\ bg black,26 ;　階段の上の３人は、私が飛び降りるなんて想定はなかったらしい。@ ;　出し抜かれたと知り、大慌てで階段を駆け下りてくるようだ。\ `Apparently, the three people on the stairs hadn't planned on me jumping down.`@ `It seemed that they now realized that they had been outwitted, and they were hurriedly rushing down the stairs.`\ ;　今のうちに走って逃げなければ。@ ;　私が体を起こすと、屋根がベコンボコンと音を立てた。\ `I have to run and escape while I have the chance.`@ `I moved my body, making clunking sounds on the car roof.`\ bg car_o2b,22 ;　しかし、甘かった。@彼らが、この場所に１人も残さずに全員が階段を駆け上るはずはなかったのだ。\ `But I had been naive.`@` There was no way they'd have all rushed up the stairs without leaving one person behind.`\ ;　私を受け止めた車の運転席には黒服が１人残っていた。@ ;　扉より顔を出し、落下物の正体が私だとわかると飛び出して来る。\ `There was one black-suited man left in the driver's seat of the car that had broken my fall.`@ `He stuck his head out of the window, and when he realized that the thing that had fallen on him was me, he jumped out.`\ ;　慌てて屋根から飛び降りるが、黒服の対応はあまりに素早い。@……よほど私に賞金が掛かってるのか、取り逃がした際のお仕置きが苛烈なのかのどちらかだ。\ `In a rush, I jumped off the roof, but the black-suited man's reaction was really fast.`@` ......Either there was a massive reward for capturing me, or there would be some harsh punishment if they let me get away.`\ se1 13 bg black,1 ;「１５、確保、確保…！」/ `"15, secured, secured...!"`/ quakey 5,300 @ ;「痛たたたた……！！@　くっ、気安く触らないで、離してッ！！」\ `"Owowowow......!!`@` Ack, don't touch me like that, let go!!"`\ bg car_o2a,22 ;　アスファルトの上に容赦なく組み伏せられる。@ ;　私はうつ伏せに潰され、上から覆い被さるように圧し掛かられた。@ `I was mercilessly held down against the asphalt.`@ `I was being crushed face-down, covered and pressed down on from above.`@ br ;　エレガントさの欠片もない捕まえ方だが、実に合理的で抵抗の余地はまったくない。\ `It was a hold without a trace of elegance, but it really was logical and left me no room for resistance.`\ ;　私は何かの抵抗手段を求めて両手で抗おうとするが、@がっちりと押さえ付けられ、自分の体をアスファルトから引き剥がすことさえ出来なかった。\ `I tried to push back with both hands, searching for a way to resist,`@` but I was being pushed down solidly, and I couldn't even tear myself off the asphalt.`\ se2 68 quakex 4,800 ;　そこへさらに一台の車がタイヤを鳴かせながら滑り込んできて急停車する。@ ;　万事休すか。\ `Then another car came, squealing its tires as it slid to a sudden stop.`@ `Is it all over now?`\ bg black,1 ;!s0「ぎゃッ！！！」/ !s0`"Gyah!!!"`/ se3 11 quakey 4,400 !sd\ ;　私を押し潰していた男が鋭い悲鳴をあげる。@ ;　……私の耳の近くで叫ばれたものだから、左耳がキーンとする。@一体何事？！\ `The man that had been crushing me let out a sharp cry.`@ `......He was yelling right into my ear, making my left ear ring.`@` What in the world?!`\ ;　その黒服ごと、私たちはごろんと転がされる。@ `Along with the black-suit guy, I fell with a *thunk*.`@ br bg white,22 bg car_o2b,2 ;　仰向けにされて最初に目に入ったのは、私の目の前にずいっと突き出された腕だった。\ `After landing face up, the first thing I saw was...an arm stuck out right in front of my eyes.`\ ld l,$ENJ_fumanA1,26 ;「………天草…？@　あんた、どうしてここに…。」\ ;＜縁寿 `".........Amakusa...?`@` Why are you here...?"`\ ;■曲変えタイミング？ ld r,$AMA_DESU,80 ;「その話は撒いてからにしましょうぜ。@お嬢、車へ早く…！」@ ;＜天草 `"Let's talk about that after we've lost them.`@` To the car, quickly, lady...!"`@ ;　天草は私の腕を掴むと、軽々と引き起こし、自身を重心に私をグルリと振り回す。@ `Amakusa grabbed my arm, easily pulled me up, spinning me around with himself as the center of gravity.`@ br ;　ちょっぴりだけダンスみたいと思ったのも束の間、開け放たれた運転席へ私を放り込んだ。\ `Just when I thought it was a little like a dance, he flung me through the open door into the driver's seat.`\ se1 20 bg black,1 wait 1000 se2 13 bg car_i3a,1 quakex 4,400 ;　私はサイドブレーキを乗り越え、助手席へ潜り込む。@ ;　天草も私を押し込むようにして運転席へ乗り込んでくる。@ `I climbed over the hand brake and slid into the passenger's seat.`@ `Pushing me in, Amakusa also got into the driver's seat.`@ br ;　四つん這い状態のままで急発進されたので、私は椅子の上でしばらくの間、引っ繰り返された亀のようにジタバタしなくてはならなかった…。\ `Since I had suddenly taken off while still on all fours, I had to kick and struggle around on the chair for a while, like a turtle that's been flipped over...`\ me1 29 bg black,22 ;　天草はバックミラーに追跡車両がないことを確認するが、わずかもスピードを落とさずに、大都会の動脈に飛び込んでいく。\ `Amakusa checked the rear-view mirror for cars in pursuit, but he flew into the artery of the big city without lowering his speed in the slightest.`\ fedexx 90,90,0,0,0,0,3000 bg car_i3c,22 ;　すいすいと縫うように、次々車両を追い越していく。@ ;　まるっきり、アクション映画そのままのカーアクションだ。@ `We sewed our way between cars one after another.`@ `Just like a chase scene in some action movie.`@ br ;　……ひどい運転に揺らされ、私はなかなか座り直すことが出来なかった。\ `......I was shaken by this horrible driving, and had trouble sitting back down.`\ bg car_i3a,0 ld r,$AMA_DefA2,24 ;「お嬢、お怪我は？」@ `"Are you injured, lady?"`@ ld l,$ENJ_fumanA2,23 ;「問題ないわ。@人間って案外頑丈よ。@/ `"There's nothing wrong.`@` Humans are surprisingly durable. `@/ ld l,$ENJ_NayamuA1,80 ;私、次からは降りのエレベーターを逃したら、窓から飛び降りることにするわ。」\ `Next time I try to a escape a downward moving elevator, I'll jump out a window instead."`\ ld r,$AMA_defA1,80 ;「ひゃっははは、お嬢の趣味はエアダイブらしいや。@ただ、次からは落下傘をつけることをお勧めしますぜ。」@ `"Hyahhahaha, it looks like air dives are your hobby, lady.`@` Still, I recommend that you bring a parachute next time."`@ ld l,$ENJ_defA1,80 ;「飛び降りた後に思い出せたらね。」@ `"If I can remember after jumping off."`@ ld r,$AMA_DESU,80 ;「ひゃっははははは、クールッ！」\ `"Hyahhahahahaha, cool!"`\ ;　げらげら笑いながら、ハンドルを叩く。@ `He smacked the steering wheel, guffawing.`@ br ;　この軽薄そうな喋り方をする男について説明がいる？\ `Need an explanation for this flippantly-talking man?`\ ;■以下の、天草十三のところで、縁寿サイドキャラ紹介に情報追加。 cl a,0 ld c,$AMA_DefA1,23 ;　彼の名は天草十三（あまくさじゅうざ）。/ `His name is Amakusa Juuza (天草十三).`/ mov %play_scene,40060 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_ama : seplay 9,1060 @ ;　元々は絵羽伯母さんの護衛の一人。@軽口とお喋りが過ぎて伯母さんには嫌われてたっけ。\ `He was originally one of Eva oba-san's guards.`@` Didn't Oba-san start to hate him because he chatted too much?`\ ;　護衛たちの中では一際若いが、見掛けの軽薄さとは裏腹に、自衛隊第一空挺からフランス外人部隊をハシゴして、@海外の民間軍事会社や高級警備会社に次々身を置くなど、なかなか優れたユニークな経歴を持つ。@ `He had been younger than the rest of the guards, but contrary to his outward flippancy, he had hopped from the First Airborne of the JSDF to the French Foreign Legion, `@`placing himself in overseas private military companies and high-class security companies one after another, making for a pretty incredible and unique career.`@ br ;　……ただ、自衛隊とフランス外人部隊はいずれも脱走だそうで、彼はフランスに入国すると逮捕されるんだとか。@これもまた彼らしい軽薄なエピソードだ。\ `......But I heard that he had run off from both the JSDF and the French Foreign Legion, and that he'll be arrested if he enters France again.`@` Both of these flippant episodes were very typical of him.`\ ;　護衛たちは私に対し、余計なお喋りをしないように強く言われていたらしいが、@彼はそんなのお構いなしに私にちょっかいを出してきたっけ。@ `The guards were sternly told not to chat with me unnecessarily, `@`but he came and took a pass at me, didn't he?`@ br ;　その辺を特に嫌われて、絵羽伯母さんが死ぬ直前頃に解雇されたはずだ。\ `Eva oba-san had particularly disliked that, and had supposedly dismissed him right before she died.`\ bg black,23 bg car_i3c,23 ;「その軽口が懐かしいわ。@クビになった後はどうしてたの？」@ ;「ブラックウォーターでエクササイズの指導を。@休暇で帰国したら小此木社長に高給を提示されまして。」@ ;「……んで、また脱走？@　こんな男、何の役に立つのかしら。」\ `"It's been a while since I've heard that casual tone.`@` What happened after you got fired?"`@ `"I was coaching people at Blackwater.`@` When I came back to the country on my time off, President Okonogi offered me a high wage."`@ `"......So, you ran away again?`@` I wonder if a man like that is useful for anything."`\ ;「来週までに帰りゃ脱走にはなりませんので。@話があったのは昨日です。@お嬢が厄介な連中を呼び込むかもしれないと言われまして。」@ ;「まさにその通りで申し訳ないわね。」\ `"It doesn't count as running off as long as I come back by next week.`@` I talked with him yesterday.`@` I was told that some troublesome people might come to call on you, lady."`@ `"Sorry that it turned out to be exactly right."`\ bg car_i3a,0 ld c,$AMA_DefA1,24 ;「お嬢と面識があって、ドタバタの経験も豊富ってことでご指名が来たんでしょうぜ。@お嬢のお陰で、ハッピーな休暇と小遣い稼ぎになりそうです。」\ `"My name probably came up since I know you, and I've got plenty of crazy experience.`@` Thanks to you, it looks like this'll make for a happy break along with some pocket money."`\ bg car_i3b,0 ld r,$ENJ_MajimeA1,24 ;「……小此木さんがあんたを、私の護衛に雇ったってこと？」@ `"......Okonogi-san employed you as my guard?"`@ ld l,$AMA_DESU,23 ;「お嬢に恩を売りたいんでしょうぜ。@……クビの後、小此木の社長には色々と世話になってましてね。@色々と弱みを握られてンで、逆らえんのですわ。@ヒャッハ！」\ `"He probably wanted to buy some gratitude from you, lady.`@` ......After I was fired, I got indebted to President Okonogi in various ways.`@` He took advantage of me here and there, and now I can't say no to him.`@` Hyahha!"`\ ld r,$ENJ_NayamuA1,80 ;「……小此木さんの世話になると、後々で高く付きそうね。@/ `"......Seems that if you get indebted to Okonogi-san, it'll be pretty costly in the future. `@/ ld r,$ENJ_DefA1,80 ;……で、あんたは私をどこに連れて行くつもりなの？」@ `......So, where are you planning on taking me?"`@ ld l,$AMA_DefA2,80 ;「どちらへでも。@週末までは雇われてます。@それ以降は別料金で。」\ `"Anywhere.`@` I'm employed until the weekend.`@` Anything after that'll cost you extra."`\ ld r,$ENJ_nayamuA1,80 ;「一日いくら？」@ `"How much per day?"`@ ld l,$AMA_DefA1,80 ;「５万で手を打ちます。@経費は別ですぜ。」\ `"I'll take 50 thousand.`@` Plus expenses."`\ ld r,$ENJ_majimeA1,80 ;「軽口を叩かないなら倍払うわ。@雇用期間は未定。@何週間かになるかも。」@ `"If you stop cracking jokes, I'll double it.`@` The period of employment isn't fixed yet.`@` It might take several weeks."`@ ld l,$AMA_DESU,80 ;「…そりゃ大変だ。@ボスに休暇の延長を電話しねぇとなりませんぜ。」\ `"...That'll be tough.`@` I'll have to call my boss to get an extension on my vacation."`\ bg black,25 bg car_i3c,22 ;「私、どうしてもあの日のことが調べたいの。」@ ;「……あぁ、例の六軒島の？」\ `"More than anything, I want to investigate that day."`@ `"......Oh, you're talking about Rokkenjima?"`\ ;「そうよ。@１２年前にあの島で何があったのか。@……私の手で、納得が行くように調べたいの。」@ ;「そんな昔のことを今さら調べて、今さら新しい発見がありますかねぇ…？」\ `"That's it.`@` What happened on that island 12 years ago?`@` ......I want to investigate it with my own hands, until I can accept it."`@ `"If you investigate something that happened so long ago now, is there really anything new you can find...?"`\ ;「そうね。@だからこれは、私の自己満足のための旅なのよ。@……それを終えたら、ネギでも背負って須磨寺の家に行くわ。@……霞叔母さん、私にお抹茶をご馳走したいとか言ってたっけ。@角材の上に正座させられて、石でも抱かされながらのお茶かしら。」@ ;「そりゃおっかねぇや、ひゃっはははは…！」\ `"You're right.`@` But this a journey for self-satisfaction.`@` ......Once that's over, I'll just throw my hands up and go to the Sumadera family.`@` ......Didn't Kasumi oba-san say something about how she wanted to serve me some matcha?`@` Maybe she'll serve me tea as I kneel on some sharp wooden blocks, clutching stones or something."`@ `"Damn that sounds freaky, hyahhahahaha...!"`\ textoff bg black,2 fedexx 0,40,0,0,0,0,5000 E_B bg BUI_o1a,26 wait 2000 bg black,26 bg BUI_inf1a,2 ;「申し訳ございません、見失いました…。@仲間と思われる男が１人、脱出を援護。@スタンガン所持、運転技術その他から見て、素人ではありません。」\ `"My apologies, we lost sight of them...`@` A single man thought to be an associate assisted in her escape.`@` Judging by his possession of a stun gun and his driving skills, he is no amateur."`\ bgm1 86 bg BUI_inf1c,24 ld c,$KAS_DefA1,24 ;「…………そう、ありがとう。@/ `"............I see, thank you. `@/ ld c,$KAS_akuwaraiA1,24 ;………残念よ、小此木。@これがあなたのお返事だということでよろしいかしら…？」\ ;＜霞 `.........What a shame, Okonogi.`@` Shall I take this as your answer...?"`\ bg BUI_inf1b,0 ld l,$OKO_waraiA1,23 ld l,$OKO_waraiA2,80 ;「逃がしたのはあんたのヘマだ。@俺の知ったこっちゃないねぇ。」@ ;＜小此木 `"Letting her get away was your blunder.`@` It has nothing to do with me."`@ ld r,$KAS_waraiA1,24 ;「…………あなたにもぜひ今度、お抹茶をご馳走したいわね。@京都にお出での際には、ぜひお立ち寄りなさいな。@………行くわよ。」\ `".........I do wish to prepare some matcha in the near future for you as well.`@` The next time you are in Kyoto, please stop by.`@` .........I'm going."`\ ld l,$OKO_defA1,80 ;「あれ、もう帰っちまうのかい。@/ `"Oh, are you leaving already? `@/ ;ld l,$OKO_AkuwaraiA1,80 ;お茶漬けでも食ってけばいいのに。」\ `I could offer you some chazuke first."`\ ;;kyoto-kotoba ;;Instead of directly asking someone to go away, offer some tea me2v 17,80 bg black,1 ;「………………くっくっくっく。@…ほっほっほっほっほ…！！」\ `"...............*cackle*cackle*.`@` ...Ho ho ho ho ho...!!"`\ bg BUI_inf1a,22 ;　霞は小此木に背を向けたまま、軽やかに、そして徐々に甲高く憎々しく声色を変えて笑い、それを捨て台詞の代わりとする。@ `With her back still facing Okonogi, she laughed lightly, with an increasingly shrill and hateful tone, using that as a substitute for a sharp parting remark.`@ br ;　笑い終えると同時に、その形相は般若のように豹変するが、@背を向けられた小此木にその表情が見えることはなかった。\ `Just as she stopped laughing, her features suddenly changed to look like a #86ef9cdemon#ffffff,`/ mov %grim_scene,403 mov %r_hyouji_grim,4 @` but because her back was facing him, Okonogi couldn't see that expression.`\ ;tttt ;　小此木はそれを涼しげに笑いながら見送る。@ ;　その肩越しに、彼の秘書が囁きかける。\ `Okonogi watched her go, laughing cooly.`@ `His secretary whispered over his shoulder.`\ bg BUI_inf1b,24 ;「……よろしいのですか？@　縁寿お嬢様は我が社の筆頭株主です。@須磨寺家が後見人になれば…。」\ `"......Is that alright?`@` Milady Ange is our company's primary stockholder.`@` If the Sumadera family becomes her guardian..."`\ ld c,$OKO_waraiA1,80 ;「知ってらぁ。@だがな、ウチも天下の右代宮だ。@舐められてたまるかってんだ。@/ `"I get it.`@` But you know, we're also the world-famous Ushiromiyas.`@` We can't let them take us lightly. `@/ ld c,$OKO_defA1,80 ;……しかし、あいつ、うまく立ち回ってくれたようだな。@……あとは縁寿ちゃんの好きにさせるさ。@頼むぜぇ、天草ぁ。」\ `......Still, it looks like that person handled himself pretty well.`@` ......All that's left is to let Ange-chan do as she pleases.`@` I'm counting on you, Amakusa."`\ ;bg black,2 ;wait 2000 mevol 1,100 se1v 28,100 se2v 28,100 se3v 28,100 bg white,1 bg BUI_o1a,22 ;「……霞さま。@逃走車両はレンタル。@提示した免許証は偽装とのこと。@明らかにプロです。@恐らく車両は放棄するでしょう。@追跡は困難です。@……警察に追わせますか。」\ `"......Kasumi-sama.`@` The escaping car was a rental.`@` The license plate they displayed was a fake.`@` This is clearly a pro.`@` They will probably abandon the car.`@` Pursuit will be difficult.`@` ......Should we have the police chase them?"`\ ;「…………そうね。@家出娘の捜索願でも出そうかしら？@　税金納めてるんだもの、警察にもたまには役に立ってもらわなきゃ。@ほっほっほっほ…………。\ `".........I see.`@` Shall we have them search for a runaway daughter?`@` They are getting paid with our taxes, so the police must be of some use every once in a while.`@` Ho ho ho ho.........`\ me3v 18,70 ;　母上に、私にお任せをと啖呵を切ってお屋敷を出て来たんですよ？@　あなた、私にさらに恥をかかせるおつもり……？@　あんたらまとめて、お抹茶を振舞った方が良さそうねぇ？@　……地下のお茶室は狭いから、順番待ちの行列になっちゃうかしら……？」\ `Mother sternly said that she would leave it to me when I left the mansion, you see?`@` Do you intend to embarrass me further......?`@` It looks like it might be better for me to serve some matcha for everyone at once, doesn't it?`@` ......Our underground tea room is cramped, so you'll have to wait in line, won't you......?"`\ ;「い、いえ…。@全力で捜索します。」\ `"N, no...`@` We will search with everything we have."`\ ;「……あぁ、本当に可愛い子ねぇ、姉さんに本当にそっくり。@……自分勝手で自由奔放な辺りが本当にそっくり。@……あぁ、もう姉さんにしか見えなくなってきたわ。@あぁ、本当に楽しみよ。@姉さんの娘をお茶室にお招きできるなんてね……？@　ほっほっほっほっほ……！！」\ `"......Ah, she really is a cute kid, just like Nee-san.`@` ......Especially the way that she freewheels and does as she pleases.`@` ......Ah, now I can't see anything but Nee-san.`@` Ah, I'm truly looking forward to it.`@` If only I could invite Nee-san's daughter to my tea room, right......?`@` Ho ho ho ho ho......!!"`\ E_A se1v 2,100 bg black,1 wait 3000 ;■車中の縁寿 mov %play_scene,40060 textoff me1 30 bg cit_1a,2 wait 2000 bg car_i3b,6 ld c,$ENJ_NayamuA1,4 ;「……須磨寺家、動きが早かったわね。@私、小此木さんに売られた…？」\ `"......The Sumadera family sure moved quickly.`@` Did Okonogi-san sell me out...?"`\ bg car_i3a,0 ld r,$AMA_majimeA1,23 ;「ご冗談を。@俺のクライアントですぜ。@お嬢を売ったなら、俺を雇ったりはしませんぜ…？」@ `"You're joking.`@` He's my client.`@` If he had sold you out, he wouldn't have hired me, right...?"`@ ld l,$ENJ_defA1,23 ;「………………………。@…それもそうね。」\ `"..................`@`...I guess that's true."`\ ld r,$AMA_DefA1,80 ;「……あぁ、だから３階でエレベーターを降りたんですか。」\ `"......Ah, so that's why you got off the elevator at the third floor?"`\ ld l,$ENJ_NayamuA1,80 ;「地下駐車場に車が待ってるなんて、手際が妙に良過ぎたから。@小此木さんに売られたかもしれないって思って。@……駐車場に待ち伏せがいたかどうかは、今となっては証明不能だけどね。」\ `"Having a car waiting in the underground parking lot was too strange and too clever of him.`@` I thought that I might have been sold out by Okonogi-san.`@` ......Although by now, it's impossible to prove whether there was an ambush set up in the parking lot or not."`\ ld r,$AMA_DESU,80 ;「なるほどねぇ、社長め、気の毒に。@お嬢に信用されてないらしい。@/ `"I see, that pitiful president guy.`@` Looks like you don't trust him, lady. `@/ bgm1 12 ;その地下の車って、俺のことです。」@ `That car in the basement...was mine."`@ ld l,$ENJ_FumanA2,80 ;「え……？@　天草のことだったの…？」\ `"Huh......?`@` He was talking about you, Amakusa...?"`\ ld r,$AMA_DefA1,80 ;「着いたエレベーターが空だったんで焦りましたぜ。@連中の無線を盗聴できてなきゃ、今頃どうなってたやら。」\ `"I got frantic when the elevator came and was empty.`@` I wonder what would have happened by now if I hadn't listened in on their radio."`\ ld l,$ENJ_defA1,80 ;「………………つまり何？@　私が素直に小此木さんを信じて、駐車場に行ってれば、@私は３階から飛び降りるなんて真似、する必要もなかったってこと…？」\ `"............So what's going on?`@` If I had obediently believed Okonogi-san and gone to the parking lot, `@`there would have been no need for me to do that jump off the third floor...?"`\ ld r,$AMA_DESU ,80 ;「そうなりますなぁ。@まぁ、結果オーライですがね。」@ `"That's how it goes.`@` Well, it turned out alright in the end."`@ ld l,$ENJ_komaruA1,80 ;「……………………。」\ `"....................."`\ bg black,25 fede 10,1000 bg car_i3c,22 ;　………何てことだろう。@ `.........What the hell.`@ br ;　もしも私が小此木社長を疑わなかったなら、@……窮地に陥ることもなく、のんびりと脱出できていたのだ。\ `If I hadn't suspected President Okonogi,`@` ......I could have easily escaped without getting caught in a tough spot.`\ ;　“小此木社長は私を売ったかもしれない”。@ `'President Okonogi might have sold me out'.`@ br ;　いや、売ったことを想定した方がいい、という疑心暗鬼が、“彼は私を売った”と仮定し ;br ;(決め付けた/・・・・・)。@ ;＜点処理：決め付けた `No, because paranoia told me that it was better to guess that he had sold me out, I` br `supposed and `(`decided`/・・・・)` that 'he had sold me out'.`@ br ;　彼を信じられなかったから、彼の真実にもかかわらず、@私の真実は“彼が私を売った”となった……。\ `Because I wasn't able to believe him, regardless of his truth,`@` my truth became 'he sold me out'......`\ bg black,25 ;　小此木社長の言葉が蘇る。\ `I thought back on President Okonogi's words.`\ br ;　絶対性のない真実なんて、それを真実と呼べるのかい…？@ `Can you really call truth without certainty truth...?`@ br ;　真実なんて、愛があるかないかでいくらでも変わる。\ `Truth can change completely depending on whether you have love or not.`\ ;　結局のところ、……真実などというものは存在しないのかもしれない。@ `In the end, ......perhaps truth itself doesn't exist.`@ br ;　それを語る人の人数分だけ、各々の解釈の真実が生み出されるだけなのだ。\ `There are as many truths of interpretation created as there are people who speak of the truth.`\ bg car_i3c,2 ;　そんな不定形なものを真実だと認められないのなら、@……私が本当に見つけたいと思う真実は、どこに存在するというのか。@……そしてそれは、目で見えるものなのか。@ `If I can't accept something that unfixed as truth,`@` ......where does the truth that I really want to find exist?`@` ......And is that something that can be seen with my eyes?`@ br ;　案外、…目の前にこれが真実だと突きつけられても、@……私には視えないモノなのかも知れない…。\ `Surprisingly enough, ...even if this is the truth that is being thrust in front of me, `@`it may be something that I cannot see...`\ me1 30 bg white,29 bg cit_1a,22 ;「……愛がなければ視えない、か。」\ `"......Without love, it cannot be seen...is it..."`\ ;■メタ視空間。ベルンカステル登場… fedexx 0,40,0,0,0,0,3000 E_B se1 56 mset mov %play_scene,40070 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_ber mld r,$BER_DefA1,2 ;print 99,2000,"breakup.dll/llB" bgm1 62 ;「………あなたのカケラはずいぶんと賑やかね。@退屈しないわ。」\ ;＜ベルン `".........This Fragment of yours is very lively.`@` It doesn't bore me."`\ mld l,$ENJ_DefA1,23 ;「あなたは言ったわ。@１２年前の真実を探れと私に命じた。@……でも、何だかわからなくなってしまった。」@ `"You said it.`@` You told me to search for the truth of 12 years ago.`@` ......But there's something I'm not getting."`@ mld r,$BER_DefA2,80 ;「何が？」\ `"What's that?"`\ mld l,$ENJ_komarua2,80 ;「……真実って何？@　人の数だけ真実がある。@人の数だけ解釈がある。@そしてそれは主観によって歪められ、いくらでも姿を変える。@……真実ってものは、そんなにも不定形であやふやなものなの？」\ `"......What is truth?`@` There are as many truths as there are people.`@` There are as many interpretations as there are people.`@` And those can be twisted by opinions and changed indefinitely.`@` ......Is truth really that unfixed and vague?"`\ mld r,$BER_DefA1,80 ;「そうよ。@……真実は不定形。@粒子のようであり、波のようでもあり、相反する形状を同時に持つ。@箱の中の猫が、生きていると思おうが死んでいると思おうが自由。@……でも、真実はとても繊細。@それは観測されただけで姿を変えてしまうわ。」\ `"That's right.`@` ......Truth is unfixed.`@` It can be like a particle, or like a wave, and it can hold conflicting forms at the same time.`@` You are free to believe that the cat in the box is alive or dead.`@` ......But the truth is very delicate.`@` It can change its appearance just by being observed."`\ mld l,$ENJ_fumana2,80 ;「シュレディンガーの猫箱とかいう話？@　………寝言よ。@箱を開ければ真実はわかる。@開ける前の議論なんて、机上の空論もいいところ。」\ `"You're talking about stuff like Schrodinger's cat box?`@` .........Nonsense.`@` If you open the box, you learn the truth.`@` Discussion about what happens before you open it is just an armchair theory."`\ E_MA mendef 0 bg black,22 bg Different_spiral_1a,28 ;「そうね。@にもかかわらず、その空論を否定するには箱を開ける必要がある。@……開けられない箱の中身についてのあらゆる想像は否定不能。@つまりは真実ということ。」\ `"That's right.`@` And yet, in order to deny that abstract theory, you need to open the box.`@` ......It is impossible to negate any idea about the contents of a box that cannot be opened.`@` This is what truth is."`\ ;「………真実は、否定されない限り、その形状を維持する。」@ ;「そう。@真実は、観測されない限り、その形状を維持する。」\ `".........As long as truth isn't denied, it keeps its form."`@ `"That's right.`@` As long as truth isn't observed, it keeps its form."`\ bg car_i3c,0 msetef 0,0 mld r,$ENJ_MajimeA1,26 mld r,$ENJ_NayamuA1,80 ;「つまり、暴けなきゃどんな妄言も真実たりえるわけね。」@ `"In other words, if it isn't exposed, any reckless statement can suffice as truth."`@ mld l,$BER_DefA1,23 ;「えぇ。@……無限の想像は、それらが互いに矛盾していたとしても否定されず同時に真実として存在できる。」\ `"Yes.`@` ......Even if they contradict each other, endless ideas can exist as truth at the same time without being negated."`\ me1v 16,50 bg sea_3a,2 mld r,$ENJ_FumanA2,80 ;「………家族みんなが、六軒島の魔女に捕らわれて、永遠に１２年前に閉じ込められているという、滅茶苦茶な話すら、@１２年前に何があったかわからない限り、真実として存在できる…。」\ `".........So even something as screwed up as my family being captured by the Rokkenjima witch and shut up 12 years ago for all eternity,`@` can exist as truth as long as we don't know what happened 12 years ago..."`\ bg sea_1c,2 mld l,$BER_DefA2,80 ;「ベアトリーチェという魔女は、１２年前の六軒島に“無限”の想像の余地を抉じ開け、そこを猫箱として全てを飲み込んだ。@……開かれぬ箱の中の全ては真実。」\ `"12 years ago, in Rokkenjima, the witch called Beatrice wrenched open an opportunity for 'Endless' ideas, and swallowed everything there up in a cat box.`@` ......Everything in a box which cannot be opened is truth."`\ ;　そう。@ `That's right.`@ br ;　(あの島で何があったかわからないから/・・・・・・・・・・・・・・・・・)、無限になる。\ ;＜点処理：あの島で何があったかわからないから (`We don't know what happened on that island`/・・・・・・・・・・・・・・・・・)`, so it becomes endless.`\ mld r,$ENJ_NayamuA1,80 ;「……閉まったままならね。@私が抉じ開ければいいだけの話。@/ `"......It can't remain closed.`@` I just have to wrench it open. `@/ mld r,$ENJ_FumanA1,80 ;………でも、その箱は１２年前に閉じられ、どこにあるのかもわからない。@……仮に六軒島に訪れたとしても、私は荒れ果てた島で、１２年前の何を知ることができるというの？」\ ;＜縁寿 `.........But that box was closed up 12 years ago, and I don't even know where it is.`@` ......Even if I visit Rokkenjima, just what can I learn about what happened 12 years ago on that desolated island?"`\ mld l,$BER_DefA1,80 ;「さぁ。@何を知ることができるのかしら。@………いずれにせよそれは、１９９８年という１２年後の未来を自由に闊歩できる、@最後の魔女、エンジェ・ベアトリーチェにしかできないことよ。」@ `"Who knows?`@` I wonder what you could learn.`@` .........This is something that can only be done by the person who is able to walk around freely in the world of 1998, 12 years in the future,`@` the final witch, ANGE Beatrice."`@ mld r,$ENJ_DefA1,80 ;「……………………。」\ `".................."`\ mendef 0 bg black,5 E_MA bg chess1,22 ;「ベアトリーチェのゲーム盤は１９８６年１０月４日から５日の２日間。@つまりそれは、あなたが彼女のゲーム盤の外へ自在に動ける駒だということ。@……そして、ベアトリーチェですらこのゲーム盤を超えた未来へは干渉できない。」\ `"Beatrice's game board lasts two days, from October 4, 1986 to the 5th.`@` In other words, this means that you are a piece who can move freely outside her game board.`@` ......And even Beatrice cannot influence this future that lies outside the game board."`\ ;「……そうやって言われると、私って、かなり優秀でズルイ駒だわ。」\ `"......If you say it like that, it sounds like I'm a pretty overpowered piece."`\ ;「あなたが身を置く１２年後という未来は確かに遠いわ。@しかし、駒は未来に位置すれば位置するほど、強い力を持つの。@……言ったでしょう？@　真実は、観測されると姿を変えると。」\ `"The future of 12 years later in which you are placed certainly is distant.`@` However, the further a piece is placed in the future, the stronger power it holds.`@` ......I told you, didn't I?`@` The truth changes its appearance when it is observed."`\ bg black,22 fede 0,2000 bg Different_spiral_1a,28 bgm1 49 ;「そう言えば、こんな話を聞いたことがあるわ。@……ある日、突然、ケンタウルス座の恒星が爆発してしまっても、@その爆発の光が地球に届くには、４．４光年だから４年半の月日が必要になる。」\ `"Come to think of it, I heard something like that once.`@` ......Even if one day, all of a sudden, a star in the constellation Centaurus were to explode,`@` the light from that explosion would have to cross 4.4 light years, so it would take it four and a half years to reach the Earth."`\ ;「そうね。@つまり、ケンタウルスの太陽がすでになくなっているとしても、地球人は４年半の間、その事実を知覚できない。@……光より早く知覚する手段は存在しないのだから。」\ `"That's right.`@` In other words, even if the sun in Centaurus has already died, people on Earth wouldn't be able to perceive that fact for four and a half years.`@` ......Because no method of perception exists that is faster than the speed of light."`\ bg black,22 ;　ケンタウルスの太陽の爆発を知った時。@ `At the time we learn that the sun in Centaurus exploded...`@ br ;　私たち地球人は４年半前の歴史を新しい真実で塗り替える。@ ;　４年半前に爆発していたと、歴史を新しい真実で修正する。\ `We Earth people will paint over our history of four and a half years ago with a new truth.`@ `We will revise history with a new fact: that it exploded four and a half years ago.`\ ;　しかし、４年半を経てそれを知るまでの間、すでになくなっているにもかかわらず、@ケンタウルスの太陽がまだ存在しているという誤った真実は、真実として存在できた。\ `However, for the four and a half year period until we learn that, despite the fact that it has already died, `@`the mistaken truth that the sun of Centaurus still exists will be able to exist as truth.`\ ;　未来の真実は、過去の真実に、勝る。\ `The truth of the future wins against the truth of the past.`\ bg sea_1b,0 msetef 0,0 mld c,$ENJ_defA1,26 ;「………そうよ。@元々、六軒島の事故は、ただそれだけならば、@絵羽伯母さんと右代宮家の財産を巡る陰謀疑惑でしかなかった。@/ `".........That's right.`@` By itself, the Rokkenjima accident gave rise to nothing but suspicion of a conspiracy regarding Eva oba-san and the Ushiromiya family. `@/ mld c,$ENJ_fumana2,80 ;……しかしそれが、後年。@オカルトによって脚色され、陰謀は魔女伝説として塗り替えられる。」\ `......But later on...`@` It was dramatized and linked to the occult, and the conspiracy was painted over by the legend of the witch."`\ mendef 0 bg black,22 msetef 0,0 bg portrait2,26 ;　事件当時は陰謀として騒がれたのに、@後年、それらは魔女の仕業だったとするおかしなオカルト説が蔓延し、１９８６年１０月５日の真実を塗り替え始めた…。\ `Even though it was clambered over as a conspiracy at the time of the crime,`@` later on, strange occult theories, which claimed that it was the work of the witch, ran rampant and began to paint over the truth of October 5, 1986...`\ ;　陰謀説は時間と共に忘れられていくだろう。@ `The conspiracy theories will probably be forgotten over time.`@ br ;　……そして、奇異で印象深い魔女説だけが、迷信的に残り続け、最後には陰謀説を、塗り潰す。\ `......And only the more bizarre, impressive witch theory will continue to remain as superstition, eventually covering up the conspiracy theories.`\ mld r,$ENJ_NayamuA1,24 ;「そう。@恒星爆発の光が地球に届くまでの間の虚偽の真実が、陰謀説という人間説だったかのよう。@………数年後に漂着した手紙入りのワインボトル、『メッセージボトル』が、それをオカルト説という魔女説に遡って塗り替え始めた。\ `"That's right.`@` The false truth that exists before the light from an exploding star reaches Earth is almost like the conspiracy theory, which is the human theory.`@` .........The wine bottle with a letter in it that drifted ashore several years later, the 'message bottle', painted over that theory and made things return to the occult theory, which is the witch's theory.`\ mld r,$ENJ_FumanA1,80 ;　……そうよ。@魔女なんて、１９８６年の時点では存在しなかった。@その数年後に、メッセージボトルによって私たち未来の人間に“観測”されたから、魔女が六軒島を支配した…！」\ `......That's right.`@` A witch didn't exist during 1986.`@` The witch took control of Rokkenjima because she was 'observed' several years later by us humans of the future, thanks to that message bottle...!"`\ mld l,$BER_DefA1,23 ;「……少し修正が必要よ。@１９８６年の時点でも魔女は存在出来たわ。@無限に存在できる数多の可能性の中のひとつとしてね。」\ `"......A small revision is necessary.`@` The witch could have existed even during 1986.`@` As one of many endless possibilities that can exist."`\ mld r,$ENJ_fumana2,80 ;「確かに。@観測されたら消えてしまう、猫箱の中に縮こまってね。@……だからメッセージボトルは悪質なのよ。\ `"Certainly.`@` If she were observed, she would disappear, so she curled up in the cat box.`@` ......That's why the message bottle is so bad.`\ mld r,$ENJ_NayamuA1,80 ;　…魔女は、箱の外に出ようとした。@自らを観測させて、魔女説以外の可能性を淘汰した。@……つまり、自らを否定できないように、魔女説以外の全ての可能性を否定したということ。\ `...The witch tried to get out of the box.`@` She made it so that she would be observed, weeding out possibilities other than the witch theory.`@` ......In other words, to make it impossible to negate her, she negated all possibilities other than the witch theory.`\ mld r,$ENJ_IkariA1,80 ;　………何てこと。@つまりベアトリーチェは、悪魔の証明を正攻法で成し遂げたのよ。@そして、それは初めから魔女の計画に組み込まれていた。」\ `.........What the hell.`@` So in other words, Beatrice satisfied the Devil's Proof with a frontal attack.`@` And, that was part of the witch's plan from the beginning."`\ mld l,$BER_DefA2,80 ;「メッセージボトルは１９８６年より未来に観測される情報ね。@………ベアトリーチェにも戦人にも観測できない。@…エンジェ・ベアトリーチェにしか観測できない。」\ `"The message bottle is information observed in the future after 1986.`@` .........It cannot be observed by Beatrice or Battler.`@` ...It can only be observed by ANGE Beatrice."`\ mld r,$ENJ_NayamuA1,80 ;「……本当はメッセージボトルのことなんて調べたくなかった。@…だってそれを読むことは、魔女の言い分を聞くのに同じ。@魔女説なんて妄言を無視してる私には、時間の無駄でしかないと思ってた。\ `"......I really didn't want to investigate the message bottle.`@` ...After all, reading that would be like listening to the witch's say.`@` Since I ignored the witch theory as though it was crazy, I thought of it as nothing more than a waste of time.`\ mld r,$ENJ_DefA1,80 ;　……でも、小此木さんに言われたわ。@片方の目だけじゃ、物事を立体的に見られないって。」\ `......But Okonogi-san told me.`@` You can't see things in three dimensions with only one eye."`\ mld l,$BER_DefA1,80 ;「魔女否定の視点と同時に、魔女肯定の視点も必要ということ？@　……それは正しい考え方よ。@視点の数は分母に同じ。@視点の数が１では、分子である謎はわずかほども減らない。@しかし、視点の数が増えれば増えるほど、謎は割り算されていく。」\ `"You mean that while looking at it from the viewpoint of denying witches, you must also look at it from the viewpoint of accepting witches?`@` ......That is the correct way to think.`@` The number of viewpoints is like a denominator.`@` If there is one viewpoint, the mystery in the numerator doesn't decrease in the slightest.`@` However, the more your number of viewpoints increases, the more the mystery begins to be divided."`\ mld r,$ENJ_nayamuA1,80 ;「わかってるわ。@……事件の数年後、近隣の島に流れ着いたメッセージボトル。@それは好事家の手に渡った。@アポイントは、一応取ってあるの。」\ `"I understand.`@` ......There was a message bottle that washed up on a neighboring island several years after the crime.`@` That passed into the hands of a dilettante.`@` I made an appointment, just in case."`\ mendef 0 bg white,22 me1 30 bg car_i3c,22 ;　…小此木さんから、絵羽伯母さんの言い分は聞き取ることが出来た。@ `...I was able to hear Eva oba-san's say from Okonogi-san.`@ br ;　次は、魔女の言い分。@ ;　聞いてやろうじゃないの。@ベアトリーチェの言い分を…！\ `Next is...the witch's say.`@ `Why don't I listen?`@` To Beatrice's say...!`\ ;▲第３アイキャッチ（計４０ページ）　時計１４時５１分　針は動かず eye2 14,51,14,51,1,0,510,340,25 ;■右代宮家屋敷〜客間 *Umi4_4 mov %play_scene,40080 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 mov %grim_scene,403 textoff ;１９８６年テロップ ;ウェイト se1v 28,100 bg oct_4_1986,22 wait 3000 bgm1 13 bg M_o1a,6 wait 2000 bg black,22 bg Mdin_1a,6 wait 2000 bg Mdin_1e,0 ld r,$EVA_akireA1,24 ;「余命３ヶ月。@南條先生がそう仰ったのは去年の話よぅ？」\ ;＜絵羽 `"3 months left to live.`@` It was last year when you said that, right, Doctor Nanjo?"`\ ld l,$NAN_KomaruA1,23 ;quakey 5,400 ;「……わ、私は、その時の健康状態から総合的に判断してお話しているだけです。@その結果、今年もたまたま、」\ ;＜南條 `"......I, I only spoke of what I had comprehensively determined from his physical condition at the time.`@` As a result, this year too by chance-"`\ ld c,$RUD_MajimeA1,24 ;「年を越せるかも怪しいってことになってる親父殿は、今も意気軒昂でオカルト研究に没頭されてるというわけだ。@それでも余命３ヶ月ってわけかい、先生？」@ ;＜留弗夫 `"Even though it's doubtful whether Father will last until the end of the year, he's still enthusiastically immersed in his occult research.`@` And even so, he has only three months left, Doctor?"`@ ld l,$NAN_KomaruA4,80 ;「で、ですから、金蔵さんの、」\ ;＜南條 `"L, like I said, Kinzo-san's-"`\ bg Mdin_1a,0 ld c,$KLA_DefA1,23 ;「敬愛する親父殿が、未だお元気でおられるなら素晴らしいことじゃないか。@親孝行なお前たちは、親父殿に挨拶がしたくてしたくて仕方がない。@なので会ってもらえないので納得が行かないと、そういうわけだ。」\ ;＜蔵臼 `"Isn't it wonderful that our respected father is still in high spirits?`@` Out of respect for your parents, all of you strongly desire to greet Father.`@` So you cannot accept the fact that you cannot meet with him."`\ ld r,$NAT_zutuuA1,24 ;「…日も沈まぬ内から、遺産分配の皮算用を始める皆さんのことを思えば、@お父様の会いたくないという気持ちもわかろうというものです。」\ ;＜夏妃 `"...Considering that everyone has started aiming for the inheritance while the sun is still in the sky,`@` it seems that you do not truly wish to meet with Father."`\ bg Mdin_1c,0 ld c,$ROS_KomaruA4,24 ;「そ、それは誤解よ、夏妃姉さん。@……ただ、私たちはその、」@ ;＜楼座 `"Y, you've got it wrong, Natsuhi nee-san.`@` ......We just, umm-"`@ ld r,$RUD_AkuwaraiA1,24 ;「親父とて不死身じゃねぇ、いつかは死ぬさ。@死ねと言ってるんじゃない。いつかは死ぬと言ってるだけさ。@それに備えての話し合いだってだけの話じゃねぇか。」\ ;＜留弗夫 `"Dad isn't immortal, and he'll die someday.`@` We aren't telling him to die. We're just saying that he will die someday.`@` We're just talking together about how to prepare for that."`\ bg Mdin_1a,0 ld c,$NAT_IkariA1,23 ;「それが不敬だと言っているのです！！」@ ;＜夏妃 `"And that is precisely what is so disrespectful!!"`@ ld l,$KLA_komaruA1,23 ;「よしなさい。@また君の頭痛に障る。」@ ;＜蔵臼 `"Stop it.`@` You'll make your headache worse."`@ br ;　興奮して席を立ち上がってしまった夏妃に、蔵臼は座れと制する。\ `Krauss told Natsuhi, who had risen from her chair in agitation, to sit down.`\ bg black,25 me1 11 wait 1000 bg Mdin_1e,2 ;　一気にキナ臭くなった空気を、取り繕うように秀吉が愛想笑いを浮かべ、@まままま…、と全員をなだめるような仕草をする。\ `Trying to smooth over the atmosphere, which had suddenly become filled with suspicion,`@` Hideyoshi put on a forced smile and motioned for everyone to calm down.`\ ld r,$HID_WaraiA2,24 ;「……夏妃さん、誤解せんといてや。@立つ鳥跡を濁さずっちゅう諺があるやろ？@　これはその見送る側の話や。@やがては必ず旅立つお父さんを、綺麗に見送るための相談なんやで。」\ `"......Natsuhi-san, don't misunderstand.`@` They say that you should always clean up after yourself, right?`@` We are just talking about seeing him off.`@` We are discussing this so that we can see Father off cleanly when he leaves for a journey he must eventually take."`\ ld l,$KLA_AkuwaraiA2,23 ;「はっはっは…。@さすが秀吉さんだ。@同じ話をするにしても、実に知性的だ。」@ ;＜蔵臼 `"Hah-hah-ha...`@` That's just like you, Hideyoshi-san.`@` Even though you're saying the same thing, you make it sound so intellectual."`@ ld c,$EVA_waraiA1,24 ;「えぇ、そうよ。@兄さんと違ってね。」\ ;＜絵羽 `"Yes, that's right.`@` Unlike you, Nii-san."`\ bg Mdin_1d,0 ld r,$RUD_DefA2,23 ;「よせやい。@話が進まねぇ。@/ `"Stop it.`@` We aren't getting anywhere. `@/ ld r,$RUD_WaraiA1,80 ;………それでだな、兄貴。@俺たちは遺産の話云々は抜きにしてもだ。@たとえ親父に殴られても構わねぇ。\ `.........So like we're saying, Aniki.`@` We can just forget all of this about the inheritance.`@` It doesn't even matter if Dad hits us.`\ ld r,$RUD_NayamuA1,80 ;　早い話が、親父に直接会って、挨拶がしてぇんだ。@親父が嫌だと言ってもだ。@書斎に閉じ篭ってるなら、源次さんに鍵を借りてでもな。@/ `To make a long story short, we want to meet Dad directly and say hello.`@` Even if Dad says he doesn't want to.`@` If he's locked up in his study, we don't care if we have to borrow a key from Genji-san. `@/ ld r,$RUD_WaraiA2,80 ;なぁ、楼座？」\ ;＜留弗夫 `Right, Rosa?"`\ ld l,$ROS_AseruA1,23 ;「…え、…まぁその、…無理やりってわけじゃないけれど…。@……だって、かなり長い間、私たちはお父様にご挨拶していない。@/ `"...Oh, ...well, umm...it's not like we're forcing you...`@`......It's just...we haven't said hello to Father in such a long time. `@/ ld l,$ROS_KomaruA3,80 ;余命わずかだと言うなら、もう二度と会えなくなる可能性だってある…。@……今日がお父様と言葉が交わせるかもしれない最後の機会だし…。」\ ;＜楼座 `If his remaining life really is short, then there's a chance we might never be able to see him again...`@`......Today might be our final opportunity to exchange words with Father..."`\ ld c,$EVA_waraiA1,24 ;「そうそう、楼座の言う通りよぅ。@余命３ヶ月ってことは、いつ亡くなってもおかしくないってことなのよ？@/ `"That's right, just like Rosa says.`@` If he only has three months left, it wouldn't be odd for him to pass away any time now, right? `@/ ld c,$EVA_AkireA2,80 ;　それなのに私たちに最後のお話をする権利さえないと言うの？@　……それはいくらなんでも、あんまりな話じゃないのかしらぁ…？」\ `Are you saying that despite that, we don't even have the right to talk with him one last time?`@` ......Regardless of the circumstances, isn't that just a bit too much...?"`\ bg Mdin_1a,23 ld r,$NAT_majimeA1,24 ;「……あなたたちのしたい話というのが、本当に挨拶ならお父様も喜んでお会いになられるでしょう。\ `"......You would be able to meet with Father if the topic you wanted to discuss really was a greeting.`\ ld r,$NAT_HisuA1,80 ;　しかしお父様は皆さんがどのような不敬な話に及んでいるか、すでに聞き及んでおいでです！@　お父様でなくとも、会いたい気持ちになるわけがない。@お父様がお会いになられないのは他でもない、皆さん自身のせいではありませんか？」\ ;＜夏妃 `But Father has already heard about the disrespectful topic you hope to bring about!`@` No one would want to meet with you under those conditions.`@` The reason you cannot meet with Father is because of your own doing, and nothing else, right?"`\ ld l,$KLA_AkuwaraiA2,23 ;「くっくっく。@まったくだな。@どうして親父殿がお前たちの顔を見るのも嫌か、自分の胸に手を当てずともわかるのではないかね？@　親父殿は、諸君らの逼迫している経済状況も全てお見通しだ。」\ ;＜蔵臼 `"Heheh.`@` Exactly.`@` You should be able to understand why Father doesn't wish to see your faces without wracking your brains over it, right?`@` Father has seen through all of your stringent financial situations."`\ cl r,23 ld r,$EVA_komaruA4,24 ;「………それ、何の話よ。@…兄さんが何の話をしてるのかさっぱりだわ。」@ ;＜絵羽 `".........What are you talking about?`@` ...I don't have a clue what you're going on about, Nii-san."`@ ld l,$KLA_AkuwaraiA1,80 ;「くっくっくくく！@　私が諸君らの内情を知らないとでも思っているのかね…？」\ ;＜蔵臼 `"Heheheheh!`@` Did you think I didn't know about the conditions all of you are under...?"`\ bg black,25 E_MA bg Mdin_1g,22 me1v 16,50 ;　絵羽たちは、自分たちが火の車であることを見抜かれていると気付き、@最初は虚勢を張り、@最後には論点を戻して反論し、金蔵に会わせろ会わせろと押し問答になった。\ `Eva and the rest realized that he had seen through to their current lack of funds,`@` and alternating between bluffing and returning to the point at hand and arguing back, `@`they repeatedly pressed Krauss to let them meet with Kinzo.`\ ;　…せっかく楼座が買ってきた紅茶の良い香りは、もはや台無しだ。@ `...The sweet smell of the black tea Rosa had gone out of her way to buy had been completely wasted.`@ br ;　彼女がせめて良かったと思うことは、この場に子どもたちがいないでいてくれたことだけ。@ `The only thing she was glad about now was that the children weren't here for this.`@ br ;　……彼らが昼食後すぐに、浜辺へ遊びに行ってくれたのが唯一の救いだった。\ `......The fact that they had gone to play at the beach right after lunch had been their only salvation.`\ textoff me2v 15,50 fedexx 0,50,50,0,0,0,3000 bg Mdin_1d,0 ld r,$KLA_nayamuA1,0 ld c,$HID_KomaruA2,0 ld l,$EVA_ikariA2,26 ;　絵羽は蔵臼に取っ組みかかろうとしていて、その間に秀吉と霧江が入り、双方をなだめている。@ `Eva made as though to tackle Krauss, and Hideyoshi and Kyrie cut in between them, trying to calm both sides.`@ br ;　……すると霧江が大きくため息をつきながら言った。\ `......Then, Kyrie took a deep breath and spoke.`\ E_A bgm1 28 bg Mdin_1c,0 ld r,$KIR_WaraiA2,23 ;「…………ごめんなさいね、蔵臼兄さん。@部外者だけれど、一言いいかしら。@提案があるの。」\ ;＜霧江 `"............I'm sorry, Krauss nii-san.`@` I know I'm an outsider, but I wonder if you would let me say one thing.`@` I have a proposition."`\ ld l,$KLA_akuwaraiA2,23 ;「何だね、霧江さん。」\ ;＜蔵臼 `"What is it, Kyrie-san?"`\ ld r,$KIR_KomaruA1,80 ;「……まず、うちの人も含めてなんだけれど、@私たちは長年、お父さんと一緒に暮らして、そのお世話をしてきた蔵臼兄さんの苦労を、あまりにも軽んじているわ。@/ `"......First, and this includes my husband as well,`@` for many years, we have belittled the efforts you have made by living with Father and taking care of him. `@/ ld r,$KIR_WaraiA2,80 ;…そうでしょう？」\ ;＜霧江 `...Isn't that right?"`\ bg Mdin_1f,0 ld r,$RUD_MajimeA2,24 ld r,$RUD_NayamuA1,80 ;「………そりゃ、まぁ。@…俺たちは外に出て気楽でいいが、何十年もお守りをしてきた兄貴は、そりゃ苦労はしたろうな。@/ `".........That's, well...`@`...We've got it easy since we get to go outside, but Aniki's been babysitting Father for decades now, and that must have taken a lot of effort. `@/ ld r,$RUD_majimeA1,80 ;……それは認めるが、それが何だってんだ、霧江。」\ ;＜留弗夫 `......I'll accept that, but what's your point, Kyrie?"`\ ld l,$KIR_MajimeA1,23 ;「私たちは、蔵臼兄さんがお父さんの世話人であることを認めざるを得ないのよ。@……だってそうでしょう？@　私たちはお父さんをずっと恐れてきて、その世話を蔵臼兄さんに押し付けてきたわ。@その苦労は誰もが認めるはず。@/ `"We must acknowledge that Krauss nii-san is Father's caretaker.`@` ......Isn't that right?`@` We have always feared Father, and have pushed the task of taking care of him onto Krauss nii-san.`@` Everyone should acknowledge his efforts. `@/ ld l,$KIR_WaraiA1,80 ;ですよね？@　絵羽姉さん？」\ ;＜霧江 `Right?`@` Eva nee-san?"`\ bg Mdin_1b,0 ld c,$EVA_MajimeA1,23 ld c,$EVA_OdorokiA1,80 ;「…………………。@……だからそれが何？@　兄さんがお父様の世話人？@　あんた、部外者のくせに勝手なこと決めないでよ！」@ ;＜絵羽 `"............`@`......And so what?`@` Nii-san is Father's caretaker?`@` Don't decide things on your own, outsider!"`@ ld l,$HID_KomaruA1,23 ;「ま、…まぁまぁ。@……霧江さん、あんた、何の話をしてるんだ？」\ ;＜秀吉 `"W, ...well, calm down.`@` ......Kyrie-san, what are you talking about?"`\ ld r,$RUD_majimeA2,24 ;「……………………………。@……霧江、続けてくれ。」\ ;＜留弗夫 `"........................`@`......Kyrie, please continue."`\ bg Mdin_1c,0 ld c,$KIR_DefA1,24 ;「私たちは蔵臼兄さんと夏妃姉さんに、もっと感謝すべきなのよ。@……いつもお父さんの世話をしてくれてありがとうって。@/ `"We should be more grateful towards Krauss nii-san and Natsuhi nee-san.`@` ......We should say thank you for always taking care of Father. `@/ ld c,$KIR_WaraiA2,80 ;私たちにその感謝の気持ちがないから、こんな不毛なすれ違いになるの。@……そうでしょう、蔵臼兄さん。」\ ;＜霧江 `It's because we have no feelings of gratitude that we disagree so sourly.`@` ......Isn't that right, Krauss nii-san?"`\ bg Mdin_1b,0 ld r,$KLA_AkuwaraiA3,23 ;「………これは驚いたね。@実の兄弟たちにも顧みられなかった私たちの苦労が、@まさか霧江さんに理解してもらえるとは思わなかったよ。」@ ;＜蔵臼 `".........I'm surprised.`@` I did not think you, Kyrie-san, would be able to understand our efforts,`@` which even my true siblings have not stopped to consider."`@ ld l,$NAT_ZutuuA1,23 ;「……右代宮家当主跡継ぎとして、当然の務めです。」\ ;＜夏妃 `"......It is a natural duty for the successor to the Ushiromiya family head."`\ ld c,$KIR_WaraiA2,24 ;「そうね。@当主跡継ぎとしての、責任よね。@……お父様を世話しているからこそ、当主跡継ぎとして、私たちは認めざるを得ない。」\ ;＜霧江 `"That's right.`@` It's a responsibility as the successor to the head.`@` ......It's because you take care of Father that we must acknowledge you as the successor."`\ se1 11 bg Mdin_1d,0 ld r,$EVA_IkariA2,1 quakey 5,400 ;「あんたッ！！@　何を勝手に話を進めてんのよ！！@　あんた部外者の分際で、」@ ;＜絵羽 `"Hey!!`@` Why are you bringing this up all by yourself?!!`@` You're just an outsider-"`@ ld c,$RUD_majimeA2,64 ;「待て姉貴ッ！！@/ `"Wait, Aneki!! `@/ ld c,$RUD_defA2,80 ;　………そうだな。@霧江の言う通りだ。@親父の世話をしているからこそ、兄貴は跡継ぎなんだ。@お前の言う通りだ。」\ ;＜留弗夫 `.........That's right.`@` It's just like Kyrie says.`@` Because you take care of Father, you are the successor, Aniki.`@` It's just like you said."`\ ld l,$ROS_komaruA4,23 ;「………………あ、」@ ;＜楼座 `"............Oh-"`@ ld r,$EVA_IkariA1,80 ;「……………ん、」@ ;＜絵羽 `".........Nn-"`@ br ;　楼座が気付き、それに続いて絵羽も気付く。\ `Rosa noticed, and then Eva did.`\ ld r,$EVA_AkireA2,80 ;　絵羽の、勝手に話を進める霧江に対して吼え猛る様子はぴたりとなくなり、@代わって蔵臼たちを凝視するようになる。@ `Eva's barking demeanor towards Kyrie for advancing the discussion on her own disappeared in a flash,`@` and she instead stared at Krauss and Natsuhi.`@ br ;　……夏妃はその突然の変化が理解できず、わずかにうろたえた。\ `......Natsuhi couldn't understand that sudden change, and was slightly flustered.`\ bg Mdin_1bR,0 ld r,$KIR_FutekiA1,23 ;「蔵臼兄さん。@……ほんのいくつかの条件さえ飲んでくれれば、@私たちはお父さんが亡くなるまで、二度と会わせろとは言わないわ。@/ `"Krauss nii-san.`@` ......If you would accept just a few conditions,`@` we won't ask you to let us meet Father again until he dies. `@/ ld r,$KIR_WaraiA2,80 ;もちろん、死に目に会わせろとも言わない。@……何ならお葬式にさえ欠席してもいいわ。」\ ;＜霧江 `Of course, we won't tell you to let us see him at the moment of death.`@` ......We could even be absent at the funeral."`\ ld l,$KLA_NayamuA1,23 ;……ほぅ？@　………何の話やら。@だが、一応は聞こうじゃないか。@その条件を言ってみたまえ。」\ ;＜蔵臼 `"......Oh?`@` .........What is this?`@` But why don't I listen for now.`@` Try saying those conditions."`\ ld r,$KIR_DefA1,80 ;「一つ。@……当主跡継ぎとは、現当主、右代宮金蔵の世話人を指す。」@ ;＜霧江 `"First.`@` ......The term successor to the head refers to the caretaker of the current head, Ushiromiya Kinzo."`@ ld l,$KLA_DefA1,80 ;「………ふむ。@それから？」\ `".........Hmm.`@` And then?"`\ ld r,$KIR_WaraiA2,80 ;「一つ。@世話人の責務は、右代宮金蔵の終生の世話をすること。@……早い話が、最期を看取るまでが仕事ってことね。@蔵臼兄さんには、元よりその覚悟はあるから問題はない。」@ `"Second.`@` The duty of the caretaker is to look after Ushiromiya Kinzo for the rest of his life.`@` ......To make things simple, the caretaker's job is to care for him until his final moments.`@` You were prepared to do that from the beginning, Krauss nii-san, so there are no problems."`@ ld l,$KLA_AkuwaraiA2,80 ;「当然だ。@そこまでの条件には何の異存もないね。@元より、私が実行していることだ。」\ `"Naturally.`@` I have no objections to either of those conditions.`@` I am already carrying them out."`\ se1 21 ld r,$KIR_FutekiA1,80 ;「一つ。@世話人が、万一、その監督責任を怠った場合、世話人の権利は剥奪される。」@ `"Third.`@` On the off-chance that the caretaker is neglectful in his responsibilities of supervision, he is deprived of his rights as a caretaker."`@ br me1v 16,50 ld l,$KLA_MajimeA2,80 ;　その一言に、蔵臼の表情から余裕が消える。@ ;　…夏妃だけはまだ、その意味がわかりかねていた。\ `With that sentence, all slack disappeared from Krauss's face.`@ `...Natsuhi alone was still having trouble understanding what it meant.`\ bg black,25 bg Mdin_1g,22 ;ld l,$KLA_AkuwaraiA1,80 ;「……ほぅ。@世話人の監督責任とは、/ ;!d800……どんなものかね？」\ `"......Hoh.`@` Just what are these, `/ !d800`......responsibilities of supervision that the caretaker bears?"`\ ;ld r,$KIR_MajimeA1,80 ;「お父さんが、寿命の限りを健やかに過ごせるよう監督するということよ。@……もっと詳細に言うわ。@お父さんが自然死以外の理由で死亡した場合、世話人の権利は剥奪され、当主跡継ぎの権利を失う。@その際の当主跡継ぎには、次の序列である絵羽姉さんを選ぶこと。」\ ;＜霧江 `"It means supervision so that Father can live the rest of his life in the best possible health.`@` ......I'll be more detailed than that.`@` In the case that Father dies anything other than a natural death, the caretaker's rights as a caretaker are deprived, and his status as the successor to the head is lost.`@` In that situation, the next highest ranked, Eva nee-san, will be selected as the successor."`\ ld c,$NAT_OdorokiA2,26 E_MA se1 11 quakey 5,400 ;「………な、んですって……。@そ、そんな世迷言、よくもしゃあしゃあと！！」\ ;＜夏妃 `".........Wh, what did you say......`@` How can you shamelessly speak such nonsense!!"`\ bg Mdin_1a,0 ld l,$KLA_NayamuA1,23 ;「ほぅほぅ。@これはこれは、世話人は責任重大だ…。@/ `"Hohoh.`@` My, my, the caretaker sure has a heavy responsibility... `@/ ld l,$KLA_KomaruA1,80 ;しかし、人の死因は数多ある。@例えば、老衰した老人が食事を喉に詰まらせて亡くなることもあるだろう。@本来ならそれもまた広義の意味での老死となるに違いない。\ `However, people can die in many ways.`@` For example, senile old people sometimes die when food gets caught in their throats.`@` Normally, this is called death by old age in its broadest sense.`\ ld l,$KLA_MajimeA1,80 ;　しかし、その論法で行くと、これは事故死になり、私は監督責任を負わされることになる。@……これは私にとって不当に不利な話だ。」\ `But with your argument, that becomes a death by accident, and I bear the responsibility of supervision.`@` ......This is unjustly disadvantageous to me."`\ bg Mdin_1cR,0 ld r,$KIR_WaraiA2,24 ;「そんな屁理屈をつけるつもりは毛頭ないの。@私が想定しているのは、世話人がしっかり世話をして見張っていれば未然に防げた程度のレベル。\ `"I have no intention of forcing such an unfair argument on you.`@` I am referring to the kind of thing that the caretaker could have prevented beforehand by taking good care of Father and keeping their eyes on him.`\ ld r,$KIR_FutekiA1,80 ;　食事を口に運ぶところまでは世話人の仕事でしょうけれど、飲み込むことにかんしてはさすがに責任外。@蔵臼兄さんのケースでは、私はまったく問題にしないわ。」\ `It may be the caretaker's job to carry food to Father's mouth, but whether he swallows it or not is clearly outside the caretaker's responsibility.`@` I have absolutely no problems with the case you raise, Krauss nii-san."`\ ld l,$KLA_defA1,23 ;「………ほぅ。@ならば、霧江さんが想定する、世話人が過失を問われるケースとはどのようなものなのか。」\ `".........Hoh.`@` So, what kind of case are you referring to that would cause the caretaker to be blamed for making a blunder?"`\ bg black,22 ;「例えば、@/ ;!s0……失踪よ。」/ `"For example, `@/ !s0`......if he disappeared."`/ !sd\ bg Mdin_1f,0 ld r,$KLA_KomaruA1,26 ;「…………………。@/ `"............`@/ ld r,$KLA_NayamuA1,80 ;……………ほぅ？」\ `............Oh?"`\ ld l,$KIR_MajimeA2,23 ;「お父さんは、今はお心もしっかりしているようだけれど、@ひょっとすると痴呆が始まるかもしれない。\ `"It seems that right now, Father is in firm control of himself,`@` but dementia might begin to set in.`\ ld l,$KIR_NayamuA1,80 ;　……目を離した隙に徘徊して、何か事故を起こしたり、@……あるいはふらりと森に迷い込んで、そのまま行方不明になってしまうこともあるかもしれないわ。@/ `......He could wander around when you aren't looking and get into some kind of accident,`@` ......or he could get lost in the forest and go missing. `@/ ld l,$KIR_FutekiA1,80 ;……こういうケースは、明らかに世話人の責任じゃないかしら…？」\ `......Isn't this type of case clearly the responsibility of the caretaker...?"`\ ld c,$NAT_IkariA1,24 ;「お父様はお心も健康でいらっしゃいます！@　痴呆などと、言うに事欠いて…！」\ ;＜夏妃 `"Father's mind is perfectly healthy!`@` There is no need to bring up dementia...!"`\ bg Mdin_1eR,0 ;ld l,$KLA_MajimeA1,23 ld r,$KIR_majimeA1,23 ;「お父さんがある日突然、森の中に入っていくのを見た。@後を追ったけれど、姿が見えない。@警察も呼んで探したけれど、その後、７年間探しても見つからなくて失踪宣告。@それを以って死亡扱い、というのは認められない、って言いたいの。」\ `"'One day, suddenly, I saw Father go into the forest.`@` I chased after him, but I couldn't find him.`@` I called the police and searched, but after being unable to find him after seven years, I had him declared legally dead.'`@` I am trying to say that we won't accept it if you use a story like that to treat him as dead."`\ ld l,$KLA_majimeA2,23 ;「…………………………………。」\ ;＜蔵臼 `"........................"`\ ld r,$KIR_WaraiA1,80 ;「お父さんが亡くなられた際には必ず検死を行ない、@常識の範囲内で想定される一般的な老死であることを確認すること。@……それ以外のあらゆる理由によっての死は、世話人の責任とすること。/ `"When Father passes away, an autopsy will certainly be carried out,`@` and we will check that he died of old age in the most general meaning, within the bounds of common sense.`@` ......A death of any other cause will be held as the caretaker's responsibility. `/ ld r,$KIR_KomaruA1,80 ;@……………ね？@　今日まで蔵臼兄さんがご苦労なされてきたことの範囲内。@おかしな条件でも何でもないでしょう…？」\ @`...............See?`@` These are all things that you have toiled at until today, Krauss nii-san.`@` These aren't strange conditions or anything of the sort, right...?"`\ bg Mdin_1a,0 ld l,$NAT_odorokiA2,23 ;「ば、馬鹿にしています、屈辱的です！！@　なぜ主人がこのような辱めを受けるようなルールを強要されなければならないのか、理解に苦しみます！！」\ ;＜夏妃 `"Y, you are mocking us, disgracefully so!!`@` I find it hard to imagine why my husband must be coerced into a rule that disgraces him in this way!!"`\ se1 21 ld r,$KIR_MajimeA2,24 ;「………私、実は去年から疑ってるわ。@いえ、多分、ここにいるみんなもそう。@絵羽姉さんも、秀吉兄さんも。@留弗夫さんも楼座さんも。@みんなずっと疑ってるけど、あまりに恐れ多い想像で口にしなかっただけ。」\ `".........Actually, I've been suspecting it since last year.`@` No, everyone here probably suspects it as well.`@` Eva nee-san and Hideyoshi nii-san.`@` Rudolf-san and Rosa-san too.`@` Everyone has suspected it the whole time, but it was so frightening to imagine that no one actually said it."`\ ld c,$KLA_AkuwaraiA1,23 ;「ふ。@……ふっふっふっふ、はっはっはっはっは…！！@　なるほど、お前たちはこう言いたいのかね？@/ `"Hmph.`@` ......Fu fu fu fu, hah-hah-hah-hah-ha...!!`@` I see, so this is what you're trying to say? `@/ E_A se2v 2,80 ;　……親父殿はもうすでに死んでいて、私がそれを隠しているのだと！」\ ;＜蔵臼 `......That Father is already dead, and that I have been hiding it!"`\ ;■メタ視空間 se1 56 mset mov %play_scene,40080 : mov %r_hyouji_side,1 mld r,$BUT_MajimeA3,24 bgm1 32 ;「……あぁ、そうなんだ。@これは、前回のゲームの最後の謎を解く鍵として考えた、俺のひとつの仮説なんだ。」@ ;＜戦人 `"......Ah, that's right.`@` That's one of the theories I thought of as a key to solve the last mystery in the previous game."`@ mld l,$ENJ_DefA1,23 ;「………前回最後の、@南條先生を殺したのは誰か、という謎のこと？」\ ;＜縁寿 `".........You mean the end of the last one,`@` the mystery of who killed Doctor Nanjo?"`\ mld r,$BUT_FutekiA3,80 ;「そうだ。@……確かに魔女は赤で宣言したさ。@…１８人全員の名前を挙げて生死を宣言し、それ以上の人間は存在しないと言い切ってみせた。@……だが、この仮説なら、その間隙を縫える…！」\ `"That's right.`@` ......The witch definitely said a lot in red.`@` ...She mentioned the names of all 18 people and announced whether they were alive or dead, and then she claimed that there were no further humans.`@` ......But with this theory, I can weave my way through that gap...!"`\ mld l,$ENJ_NayamuA1,80 ;「…………………。@……なるほど。@その２つを矛盾させない解答のひとつというわけね。@………なるほど。」@ `"............`@`......I see.`@` So this is one of the answers that doesn't cause those two to contradict.`@` .........I see."`@ mld r,$BUT_nayamuA2,80 ;「俺の言ってる意味がわかるのか？@　…お前、なかなか察しがいいじゃねぇか。@説明が省けて助かるぜ。」\ `"Understand what I'm saying?`@` ...You catch on pretty quick.`@` It's nice that I don't have to explain."`\ mld l,$ENJ_DefA1,80 ;「この島に１９人目は存在しない。@にもかかわらず、未知の新人物Ｘが混じりうるカラクリ。@/ `"No 19th person exists on this island.`@` And yet this trick lets us mix in an unknown new character. `@/ E_A ;……つまり、“１８名全員の名前”と“在島者１８人”が一致しなければいい。」\ `...In other words, the 'names of all 18 people' don't have to match 'the 18 people on the island'."`\ bgm1 34 mld r,$BUT_FutekiA1,80 ;「そういうことさ…！@　魔女は赤で１８人の名前を次々に挙げ、生死を宣言した。@さらにその上、島には１８人を超える人間はいないとも宣言したわけだ。@……ここにはひとつの錯覚があった。」\ `"That's it...!`@` The witch mentioned the names of 18 people one after another, and announced whether they were alive or dead.`@` And on top of that, she announced that there were no humans other than the 18.`@` ......There was a single illusion in there."`\ ;　それは、 `It wasn't guaranteed that ` br ;(１８人分の名前＝在島者１８人/・・・・・・・・・・・・・・)、とは保証されていないこと。/ (`the 18 names of people=`/・・・・・・・・・)` br (`the 18 people on the island`/・・・・・・・・・・)`.`/ se1v 2,90 \ ;＜点処理：１８人分の名前＝在島者 mld r,$BUT_NayamuA2,80 ;「１８人の名前を全て挙げてその生死を宣言する時。@犯人Ｘの名を伏せ、代わりにこの島にいない人間の名前を混ぜる…！@　そうすれば犯人は、島にいるにもかかわらず、１８人の生死リストからは零れることが出来る！@　混ぜられた人物は、在島しないのだから在島者の足し算には加わらない。\ `"When she named off all 18 people and announced who was alive and who was dead,`@` she hid the name of culprit X, and instead mixed in someone who wasn't on this island...!`@` By doing that, even though the culprit was on the island, she was able to leave him out of the list of living or dead people!`@` The person who was mixed in wasn't on the island, so he didn't count towards the total number of people on the island.`\ mld r,$BUT_OdorokiA1,80 ;　よって、在島者１８人の人数の中に加わりながらも、名前が登場しないことが可能！@　２つの赤字宣言はそれぞれが単独なんだから、この仮説は矛盾しないんだ……！」\ `By this, even though the culprit counted towards the total of 18 people on the island, it was possible for his name not to be listed!`@` The two statements in red are completely independent, so this theory has no contradictions......!"`\ mld l,$ENJ_NayamuA1,80 ;「その、犯人の名を誤魔化すために使う人物名には、いくつかの条件があるわ。@……まず、在島していないにもかかわらず、私たちが在島していると信じている人物。@……そうでなくては騙せない。\ `"There are several conditions for the person who was used to hide the name of the culprit.`@` ......First of all, even though they weren't on the island, they were someone who we believed was on the island.`@` ......Otherwise, she wouldn't have been able to trick us.`\ mld l,$ENJ_defA1,80 ;　そして、その人物は死んでいることが好ましい。@……なぜなら、死ほど完璧なアリバイは存在しない。@あの時点での謎は、１８人全員が犯行不能であることに立脚しているのだから。@/ `And it would be desirable for that person to be dead.`@` ......After all, no alibi exists that is more perfect than death.`@` Because at that point, the mystery was based on the fact that it was impossible for all 18 people. `@/ mld l,$ENJ_FumanA2,80 ;…………そんなところ？」\ `.........Is it something like that?"`\ mld r,$BUT_DefA1,80 ;「あぁ、そうさ…！@　そして、その人物が、/ ;!d800………/ `"Yeah, that's it...!`@` And, that person was, `/ !d800`.........`/ me1 17 se1v 2,90 ;祖父さまなんだ。@……今、霧江さんが言わんとしていることはただひとつ。@……実は、部屋に閉じ篭ってて誰にも会わないと言っていることになっているが、@……祖父さまはすでに死んでいて、@蔵臼伯父さんが、それを生きてると嘘をついてる可能性があるってことなんだ…！」\ `Grandfather.`@` ......Right now, there's only one thing Kyrie-san is trying to say.`@` ......We think that Grandfather is locked up in his study, saying that he doesn't want to meet anyone,`@` ......but there is the possibility that he is actually already dead, `@`and that Krauss oji-san is lying when he claims that Grandfather's alive...!"`\ br ;　そうさ。@祖父さまはずっと部屋に閉じ篭っていて誰もその顔を見ていない！@ `That's right.`@` Grandfather was closed up in his room the whole time, and no one saw his face!`@ br ;　すでに死んでいるのに、まるで生きているかのように、@蔵臼伯父さんたちが口裏を合わせて騙そうとしているだけかもしれないんだ…！！\ `Maybe he was already dead, `@`and Krauss oji-san and the rest were conspiring together and trying to trick everyone...!!`\ mld l,$ENJ_nayamuA1,80 ;「………………金蔵が死ねば遺産分配が発生する。@…しかし、金蔵が死ななければ、@……いえ、 `"............If Kinzo dies, the distribution of the inheritance occurs.`@` However, if Kinzo doesn't die,`@` ......no, ` br ;金蔵が死んでも、それを/ `if he dies, but `/ se1v 2,90 ;(告知しなければ/・・・・・・・)、遺産分配は発生しない。」\ ;＜告知しなければ (`it isn't announced`/・・・・・・・)`, the distribution of the inheritance doesn't occur."`\ mld r,$BUT_FutekiA2,80 ;「つまり、蔵臼伯父さんは祖父さまの財産を全て独占できる…！@　そうさ、動機は充分なんだ！」\ `"In other words, Krauss oji-san could have all of Grandfather's wealth to himself...!`@` That's right, he's got plenty of motive!"`\ ;　この島に１９人目の人物Ｘは、確かに存在しないだろう。@ `Maybe a 19th person X really doesn't exist on this island.`@ br ;　しかし、人物Ｘは存在した。@ ;　……そしてそいつは１８人目だったんだ！\ `But a person X existed.`@ `......And that person was the 18th person!`\ mld r,$BUT_NayamuA3,80 ;「つまり、この島の本来の人数は１８人じゃなく１７人だったんだ。@そこに未知の人物Ｘが隠れ潜んでいて、犯行を行なったんだ。@/ `"In other words, there were originally 17 people on this island, not 18.`@` Then an unknown person X snuck in and committed the crime. `@/ mld r,$BUT_OdorokiA1,80 E_A se1 27 ;……どうだベアトッ？！@　出て来い、前回の最後の、最大の謎は今、解けたぞ！！」\ `......How's that, Beato?!`@` Come out, I've just solved the final, biggest mystery from last time!!"`\ textoff se3 37 bgm1 40 ;se1v 54,100 se2 52 mendef 0 bg G1F_S1aP,0 ld l,$ENJ_nayamuA1,0 ld r,$BUT_OdorokiA1,99,2000,"breakup.dll/lrb" ;　戦人が力強くそれを言い切ると、どこからともなく乾いた拍手の音が聞こえてきて、周りが明るくなり、@いつもの魔女の喫茶室になった。\ `As Battler claimed that forcefully, the crisp sound of clapping came out of nowhere, and their surroundings turned bright,`@` becoming the usual witch's tea room.`\ bg G1F_S1cP,24 ld c,$BEA_AkuwaraiA3,24 ;「くっくっく、くっはははははは…！@　ブラヴォー、ブラヴォー。@そなた如き無能にしては、ようやくの感は否めぬが、兎にも角にも、ひとつの解答を出してみせた。@/ `"*cackle*, hahahahahahaha...!`@` Bravo, bravo.`@` I cannot deny that someone as incompetent as you has finally gotten a feel for it, but somehow or another, you have managed to come up with a single answer. `@/ ld c,$BEA_AkuwaraiA4,80 ;思考停止ならコンクリートの塊でも出来る！@　つまり、そなたはようやく今、ようやく知性ある存在に進化できたわけだ。\ `Even a lump of concrete can stop thinking!`@` So you have now finally evolved into a being with intelligence.`\ ld c,$BEA_AkuwaraiA5,80 ;　……ただ涙を流し、歯噛みしながら妾の靴を舐めるだけの存在から、ようやく一歩を踏み出したと言えようぞ。@くっくっくっく！」\ ;＜ベアト `......You could say that you've finally taken a step forward from the crying creature that you were before, just licking my shoes and grinding your teeth.`@` *cackle*cackle*!"`\ bg G1F_S1bp,0 ld l,$BUT_majimeA4,23 ;「……こんな下らない言葉遊びで前回は翻弄されてたとはな。@俺も自分の情けなさに腹が立つ！\ `"......I was toyed with by that stupid word play in the last game.`@` My lameness pisses even me off!`\ se1v 2,90 bg white,1 bg G1f_S1bP,0 ld l,$BUT_OdorokiB1,80 ;　さぁベアト、復唱要求だ！！@　在島者１８人の中に祖父さまは含まれてると、宣言できるものならやってみろおおおおぉ！！@　あぁ、出来やしねぇさ。@すでに死んでるんだからな。@てめぇのまやかしはこれで終わりだあぁあああああぁ！！」\ `Alright, Beato, repeat it!!`@` If you can announce that the 18 people on the island included Grandfather, just try and do iiiiiiiit!!`@` Yeah, you can't.`@` Because he was already dead.`@` This is the end of your deceptiooooooooooon!!"`\ ld r,$BEA_AkuwaraiA5,24 ;「くっくくくくくくく、あっはははははははははは…！！@　さぁてどうしたものか。@………赤き真実にて一刀両断に叩き割ってやろうか？@/ `"*cackle*cackle*cackle*cackle*, ahhahahahahahahahahaha...!!`@` Well now, what have we here?`@` .........Shall I slice that in two with the red truth? `@/ ld r,$BEA_AkuwaraiA2,80 ;　いやいや、わざとここは焦らして保留するのも良いかもしれぬ。@突き落とすならより高みに誘ってからの方が面白いというもの。@くっくっく！」\ `No, no, it might also be good to hold back for now and let you get all excited.`@` If I'm going to push you off a cliff anyways, it would be more interesting to lure you to a higher place first.`@` *cackle*!"`\ ;　ベアトはいらいらするような嘲笑を漏らしながら、より俺をイラつかせる表情を探しているようにさえ見える。@ `As Beato sneered obnoxiously, she looked like she was searching for an expression that would tick me off even more.`@ br ;　まるで、俺がようやく至った答えが、あまりにも馬鹿馬鹿しいとでも言うかのように。\ `As though she was saying that the answer I had reached was extremely ridiculous.`\ bg G1F_S1aP,0 ld c,$ENJ_defA1,23 ;　魔女のそんな様子に苛立つ俺に比べ、グレーテルは淡白かつ冷静な表情を浮かべている。@ `Compared to me, annoyed as I was with the witch's attitude, Gretel had a blank and composed expression on her face.`@ br ;　…まるで、魔女がそういう態度に出てくることを予想できていたかのようだった。\ `...Almost as though she had expected the witch would act that way.`\ ld c,$ENJ_NayamuA1,80 ;「……………………。@なるほど。@…戦人が学んで成長するように、魔女も学んで成長するのね。」@ ;＜縁寿 `"..................`@`I see.`@` ...Just like Battler has learned and grown, so has the witch."`@ ld r,$BUT_odorokiB1,24 ;「どうしたよベアト！@　もったいぶるんじゃねぇ！！@　復唱できるってのかよ！@　答えろ！！」\ ;＜戦人 `"What's wrong, Beato!`@` Don't act so tough!!`@` I asked if you can repeat it!`@` Answer!!"`\ me1 16 bg G1f_S1cP,0 ld r,$BEA_AkuwaraiA1,24 ;「くっくっくっくっく…。」\ ;＜ベアト `"*cackle*cackle*cackle*..."`\ ld l,$ENJ_nayamuA1,23 ;「……よしなさい、戦人。@魔女は安易に答えないわ。@……自らが利すると思わない限りね。」@ ;＜縁寿 `"......Stop it, Battler.`@` The witch won't answer so easily.`@` ......She won't do it as long as she doesn't think it will benefit her."`@ cl r,23 ld r,$BUT_OdorokiA2,24 ;「何？！@　どういうことだ……。」\ ;＜戦人 `"What?!`@` What do you mean......?"`\ ld l,$ENJ_fumanA2,80 ;「これまでのゲームで、あなたが赤き真実とやらで翻弄されていたから、魔女は何度もそれを繰り出してきた。@/ `"Because you've been toyed with by this red truth in the games up until now, the witch has used it many times. `@/ ld l,$ENJ_FumanA1,80 ;でも、今や状況は違う。@あなたは赤き真実を誘い出し、むしろそれを武器に使っているわ。@そんな状況で、魔女が濫りに赤を連発するわけもない。@………でしょう？」\ ;＜縁寿 `But now, the situation is different.`@` You are luring the red truth out, and are instead using it as your weapon.`@` In this situation, there's no way the witch will keep firing off the red without reason.`@` .........Right?"`\ bg G1F_S1bP,0 ld c,$BEA_waraiA2,23 ld c,$BEA_defA2,80 ;「グレーテルとやら。@…そなたは戦人と違い、なかなかに頭が冴えるようだ。@妾も恐ろしい敵を迎えたものよ。@/ `"Gretel, or whoever you are.`@` ...It seems that unlike Battler, you are quite skilled with your thinking.`@` I have welcomed in a fearsome enemy. `@/ ld c,$BEA_FutekiA1,80 E_MA ;その通り！@　戦人が妾の赤き真実を期待する場面で、なぜに期待に応えてやらねばならぬ義理があるというのか？！\ `That is correct!`@` When Battler is expecting me to use the red truth, do I have any responsibility to answer to his expectations?!`\ ld c,$BEA_AkuwaraiA4,80 se1v 2,90 ;　ないッ！@　妾にはそなたが喜ぶことをする義理など、今朝食ったクロワッサンのパン屑の一欠けらほどもないぃぃ！！」\ `No!`@` I don't even have a crumb from that croissant you ate this morning's worth of responsibility to please yooooooou!!"`\ bg G1F_S1aP,0 ld l,$BUT_KuyasigaruA1,23 ;「こ、この野郎……ッ…！！」\ `"Y, you bastard.........!!"`\ ld r,$BEA_AkuwaraiA2,24 ;「そうそうそうそう、その顔ォおおぉ！@　妾が赤き真実などという遊びを始めたのは、そなたのその顔を見たかったからこそよ！@　その表情が拝めぬというなら、妾にはこんな遊びをする理由がない…！」\ `"Yes yes yes yes, that's the faaaaace!`@` I started playing with the red truth just because I wanted to see that face!`@` I have no reason to play around like that if it won't give me a chance to see that face...!"`\ ld l,$BUT_komaruA1,80 ;「……へへ。@負け惜しみだろ？@/ `"......Heheh.`@` You just don't like losing, right? `@/ ld l,$BUT_niramuA3,80 ;　俺の復唱要求に応えられないからって、適当なこと言って誤魔化そうたってそうは行かねぇぞ！！」\ `Just saying whatever you can to trick me because you can't respond to what I'm telling you to repeat won't work!!"`\ ld r,$BEA_AkuwaraiA4,80 ;「自惚れるな！！@　その程度の答え、造作もなく斬り捨てられるッ！！@/ `"Don't be so full of yourself!!`@` An answer like that could be cut to pieces without any effort!! `@/ ld r,$BEA_futekiA2,80 ;　だが、それを妾はわざわざ赤で言わぬ。@そなたが求めるから言わぬ。@なぜだかわかるか？」\ `But I won't go out of my way to speak in red.`@` I won't say it because that's what you're asking me to do.`@` Do you know why?"`\ bg G1F_S1cP,0 ld r,$ENJ_nayamuA1,24 ;「…………さっき言ったわ。@一番美味しいところで突き落としたいって。@その性悪な魔女はね、あなたが求めるところではもう赤は使わないって言ってる。@/ `"............You just said it.`@` You want to push him off at the sweetest spot.`@` This ill-natured witch is saying that she won't use the red anymore because that's what you want. `@/ ld r,$ENJ_FumanA1,80 ;つまり、復唱要求なんていうお遊びにはもう付き合わないってことよ。」\ ;＜縁寿 `In other words, she won't go along with this game of telling her to repeat things anymore."`\ me1 17 ld l,$BEA_AkuwaraiA3,23 ;「くっくくくく！@　その通りその通り！@　戦人と違い、この女は話が早い、説明が要らぬ！@　妾は妾の望む時、妾が好むように赤き真実を語る！」\ `"*cackle*cackle*!`@` Exactly, exactly!`@` Unlike Battler, everything goes quickly with this girl because there's no need for an explanation!`@` I will speak as I like with the red truth, at the time that I desire!"`\ ld r,$ENJ_NayamuA1,80 ;「そうね。@赤き真実とはつまり、魔女が自由に行使できる権利。@人間側が望んだ時に行使しなければならない義務ではない。@/ `"That's it.`@` Basically, it is the witch's right to use the red truth as she pleases.`@` She doesn't have to use it at whatever time the human side desires. `@/ ld r,$ENJ_fumanA1,80 E_A ;……………ただし、内容によるわ。」/ `............But that depends on the details."`/ se1 2 \ ;＜縁寿 me1v 11,70 bg G1F_S1bP,0 ld l,$BUT_OyaA1,23 ;「……内容……？@　どういうことだ…。」\ ;＜戦人 `"......The details......?`@` What do you mean...?"`\ bgm1 32 ld r,$ENJ_DefA1,24 E_MA ;「魔女はあなたの復唱要求に応える義務はない。@ただし、あなたの主張によって、魔女説が打ち破られてしまう時のみ、義務が生じる。@なぜなら、この裁判官なき法廷では、反論されないことは即ち“真実”だから。\ `"The witch has no responsibility to respond when you tell her to repeat something.`@` But it does become her responsibility only when your claim can destroy the witch theory.`@` Because in this trial court without a judge, that which is not refuted becomes the truth.`\ ld r,$ENJ_FumanA2,80 ;　……あなたが思考停止に陥り、@魔女の主張する魔女説を反論できなければそれが直ちに真実となって来たように。」\ `......Just like how the witch theory that the witch claims`@` will instantly become truth if you collapse and stop thinking."`\ ld l,$BUT_komaruA3,80 ;「じゃあ、…俺の今の推理に反論がない以上、正解だということでいいわけか？！@　犯人は１８人目の謎の人物Ｘで、祖父さまはすでに死んでいるという推理で正解だというわけか？！」\ `"Then, ...since she doesn't have a counterargument for my guess, that means it's right?!`@` It's right that the culprit is the mysterious 18th person X, and Grandfather is already dead?!"`\ ld r,$ENJ_NayamuA1,80 ;「……少なくとも、魔女が反論するまではね。@真実は、より未来の新しい真実に負ける。@……厄介なのは、その反論のタイミングすらも魔女に委ねられているという点よ。\ `"......At least, until the witch argues back.`@` Truth loses to new truths farther in the future.`@` ......The tricky part is that even the timing of the counterargument is up to the witch.`\ ld r,$ENJ_DefA1,80 ;　…つまり、今のあなたの推理が正解しているのか、@それとも間違っているにもかかわらず魔女がその反論を保留しているのか。@……さもなくば、そもそもその推理自体が魔女説を揺るがすことにならないため、魔女が無視しているかの何れかか、@現時点では判断がつかないということよ。@………そんなところ？」\ ;＜縁寿 `...In other words, maybe your reasoning just now is correct, `@`or maybe the witch is refraining from arguing back even though you are mistaken.`@` ......Otherwise, the witch may be ignoring it because it doesn't shake the basis of the witch theory in the first place,`@` and either way, we can't tell the difference at the current time.`@` .........Is that more or less it?"`\ bg G1F_S1bP,0 ld c,$BEA_WaraiA2,24 ;「くっくっくっく、くーっくっくっくっく！@　ベルンカステル卿め、つくづく厄介な駒を送り込んでくれたものよ。@お陰で妾の出番がさっぱりない！」\ ;＜ベアト `"*cackle*cackle*, *cackle*cackle*cackle*!`@` Damn you, Lady Bernkastel, for throwing in such a troublesome piece.`@` Thanks to that, I'm losing all my lines!"`\ bg G1F_S1cP,0 ld l,$ENJ_FumanA2,23 ;「魔女はあなたの復唱要求に対し、タイミングをずらして答えることを覚えたのよ。@……ディレイとでも呼べばいいのかしら。」\ ;＜縁寿 `"The witch has learned how to respond to your demands to repeat phrases at a separate time.`@` ......Maybe you could even call it a delay."`\ ld r,$BUT_KuyasigaruA1,24 ;「……ふ、ふざけた真似を……。@…じゃあ俺は、間違った推理を掲げたとしても、ベアトはわざと否定せずに俺を泳がせ、@さらに壮大に推理を広げた最後の最後に、その根元をチョンと断ち切って、@全てを引っ繰り返してくる可能性さえあるってわけなのか……！」\ `"......S, she's messing with me......`@`...So even if I offer some mistaken reasoning, there's a possibility that Beato will intentionally let me flounder about without denying that guess,`@` and at the very end, when I propose an even more massive line of reasoning, she can cut it off at the base,`@` and turn everything over......?!"`\ br ;　ひとつの推理が次なる推理を結ぶ架け橋となる。@ ;　俺は復唱要求によって、着実に足場を固め少しずつ前進してきた。@ `A single piece of reasoning becomes a bridge to the next piece.`@ `By demanding that she repeat lines, I have been able to strengthen my position and advance bit by bit.`@ br ;　ところがベアトのヤツが、ディレイなんておかしなことを覚えたせいで、@……俺の推理は確証が取れなくなってしまった。\ `But since that bastard Beato learned this strange delay tactic,`@` ......I can no longer confirm or deny my reasoning.`\ ;　これじゃまるで、真っ暗闇を探るためにようやく手に入れた杖を取り上げられたようなもの。@……もう、お手上げじゃないか……！！\ `This is like being deprived of a staff for searching around in the darkness that I've finally gotten my hands on.`@` ......I'm just stuck now, right......?!!`\ cl l,24 ld l,$BEA_AkuwaraiA2,23 se1 37 ;「こらこら戦人、そんなに絶望的な顔をしちゃア、妾の涎が止まらなくなっちまうじゃあなィかい♪@　その杖は元々、不甲斐ないそなたに妾が与えたものに過ぎぬではないか。@/ `"Hey hey, Battler, if you make a despairing face like that, I won't be able to stop drooling, you see♪`@` From the beginning, that staff was nothing more than something I gave you because you were so worthless. `@/ ld l,$BEA_AkuwaraiA4,80 ;ようやくこれでハンデなしの対決になるだけだぜぇ？@　くっひひひひひひひ！」\ `This just means that you can finally challenge me without a handicap, right?`@` Kuhihihihihihihihi!"`\ cl r,23 ld r,$ENJ_FumanA1,24 ;「……でも、だからと言って、復唱要求が戦人の反撃手段の一つであることに変わりはないわ。@すでに言ってる通り、魔女は、魔女説を打ち破る致命的なものに限り、@反論の義務、即ち、赤き真実を語ることが義務となる。@/ `"......But that alone doesn't change the fact that demanding that you repeat things is one of Battler's ways to fight back.`@` As I already said, as long as it is something fatal that would destroy the witch theory, `@`the witch is obligated to argue back, and therefore, to speak with the red truth. `@/ ld r,$ENJ_NayamuA1,80 ;……反論のタイミングこそ魔女の自由ではあるけれども、それは必ず履行されなければならない。@………そうよね？」\ `......While the timing of that counterargument is up to the witch, it must be performed eventually.`@` .........Isn't that right?"`\ ld l,$BEA_DefA2,80 ;「ふむ、そうなるであろうな。@ゲームの終了時までに妾が戦人の提唱する“人間によるトリック”を否定出来なかった場合、@戦人はそれを理由に妾を否定し、勝利を宣言することが可能となろう。」\ `"Hmm, that may be so.`@` If I cannot deny the 'tricks done by humans' theory Battler lays out by the time the game ends,`@` Battler will use that as a reason to deny me, and it will be possible for him to proclaim his victory."`\ ld r,$ENJ_MajimeA1,80 ;「………それは、人間側が提示する“トリック説”、@即ち復唱要求は必ず、そのゲーム内（エピソード内）に反論されなければならないという、魔女側の制約という認識でいいのかしら？」\ `"......So should we view this as a restriction on the witch's side that the 'trick theory' laid out by the human side,`@` in other words, what he tells you to repeat, must be countered during the game (during the episode)?"`\ ld l,$BEA_waraiA1,80 ;「そうなろう。@……戦人の目的は、妾がこの島で繰り広げる愉快なゲームの全てを、人間で説明し妾を否定して見せることだ。@それを戦人が成し遂げたなら、その時点で戦人はゲームの勝者となるであろうぞ。」\ `"That is so.`@` ......Battler's goal is to show that he can explain the entire pleasant game I have laid out on this island with humans and deny me.`@` If Battler succeeds in that, at that time, Battler should become the victor of this game."`\ me1 5 ld r,$ENJ_FumanA1,80 ;「ルール確認。@……ゲーム終了時とは、ゲーム内の六軒島時間で１９８６年１０月５日２４時００分という認識でいい？」@ `"Let me confirm the rules.`@` ......Should we view the time the game ends as referring to 24:00 on October 5, 1986, going by the time of the Rokkenjima in the game?"`@ ld l,$BEA_defA2,80 ;「問題ないぞ。」\ `"I have no problems with that."`\ ld r,$ENJ_MajimeA1,80 ;「そのゲーム終了時に人間側が、全ての謎についてトリック説を主張できていて且つ、@魔女側から反論がない場合、人間側は勝利を宣言できるものとする。@……問題ない？」\ `"At the time the game ends, the human side can state a theory using tricks for all of the mysteries,`@` and if the witch side cannot argue back, the human side can proclaim its victory.`@` ......Any problems?"`\ ld l,$BEA_MajimeA3,80 ;「………もう少し詳細としよう。@ゲーム終了時に、魔女側には反論の機会が与えられるものとする。」@ `".........Let us be more specific.`@` At the time the game ends, the witch side will be given a chance to argue back."`@ ld r,$ENJ_NayamuA1,80 ;「時間を切ってもらうわ。@１分よ。@１分以内に反論が行なわれない場合、勝利は宣言されるものとする。」\ `"Let's decide on an amount of time.`@` One minute.`@` If you cannot carry out your counterargument within one minute, victory will be proclaimed."`\ ld l,$BEA_FutekiA1,80 ;「ならば同じルールをそちらにも課させてもらおうぞ。@ゲーム終了時に、人間側は与えられた謎に対し１分間の反論時間が与えられる。@その時間内にたった１つであっても反論されない謎が残った場合、魔女側の勝利となり、そのゲームは終了する。@/ `"Then allow me to impose the same rule on you.`@` At the time the game ends, the human side will be given one minute to counter the mysteries it has been given.`@` If there is even a single mystery that has not been countered within that time, it becomes the witch's victory, and that game is over. `@/ ld l,$BEA_AkuwaraiA5,80 ;……長考を理由にゲームを止められては興を削ぐのでな？」\ `......It would be such a killjoy to have the game stopped for lengthy consideration, right?"`\ E_MA bg G1F_S1cP,0 ld r,$BUT_nayamuA3,24 ;「…………くそったれ。@俺を抜きで話が進んでやがるぜ…。@/ `"............You asshole.`@` Moving things along without me... `@/ ld r,$BUT_NayamuA2,80 ;だが、話は大体わかった。@俺の復唱要求は、即座でなくとも、必ず反論されなくてはならないわけだ。」\ ;＜戦人 `But I more or less get what's going on.`@` Even if the lines I demand that you repeat aren't countered instantly, they must be countered eventually."`\ ld l,$ENJ_NayamuA1,23 ;「えぇ、そうよ。@……そしてそれは、１０月６日００時０１分までに必ずなされる。@/ `"Yes, that's right.`@` ......And that must happen before 00:01 on October 6. `@/ ld l,$ENJ_FumanA2,80 ;……ただ、注意して。@魔女はあなたの復唱要求を、たったひとつ斬り捨てるだけでいい。@全ての謎を解き明かさない限り、あなたに勝利は宣言できないのだから。」\ ;＜縁寿 `......But be careful.`@` She only has to cut up one of the things you tell her to repeat.`@` As long as you can't solve all of the mysteries, you cannot proclaim your victory."`\ textoff me1v 16,0 fedexx 0,70,0,0,0,0,3000 E_B bg G1F_S1aP,0 ld c,$BEA_DefA2,23 ;「妾が赤を使えるように。@戦人、今よりそなたには青を使うことを許そう。\ `"Just as I can use the red,`@` Battler, from now on I will permit you to use the blue.`\ ld c,$BEA_akuwaraiA1,80 ;　そなたは、妾の魔法殺人を人間とトリックで説明する際に、青で宣言することが出来る。@妾はゲーム終了までの間に、そなたの青を赤にて反論する義務を持つ。」\ ;＜ベアト `When explaining my magical murders with human tricks, you can state things in blue.`@` I am responsible for countering your blue with the red by the end of the game."`\ cl c,0 ld l,$BEA_akuwaraiA1,0 ld r,$BUT_niramuA1,24 ;「青……。@……つまり俺は、復唱要求を“青”で語るということか…。」\ ;＜戦人 `"Blue......`@`......So I'll tell you to repeat things using blue..."`\ ld l,$BEA_futekiA2,80 ;「少し違うぞ。@復唱要求はどんな些細なことでも可能だった。@/ `"Not quite.`@` When you told me to repeat lines, any trivial thing was possible. `@/ ld l,$BEA_FutekiA1,80 ;しかし青はもう少し厳しいぞ。@それ自体が魔女を否定しない限り、成立しない。」\ ;＜ベアト `But the blue is a little more restrictive.`@` As long as it does not deny witches by itself, it does not succeed."`\ ld r,$BUT_majimeA3,80 ;「………………………。」\ ;＜戦人 `"........................"`\ bg black,2 E_A wait 1000 bgm1 34 ;　難しい話になってきたが、…つまりこういうことだ。\ `It's starting to get confusing, ...but it's more or less something like this.`\ ;　例えば、過去の謎で俺が復唱要求してきたことの１つ。@ `For example, let's take one of the riddles in the past where I asked her to repeat something.`@ br ;「マスターキーの本数は５本である」。@ `"The actual number of master keys is 5".`@ br ;　これは、５本しかないと主張するマスターキーが、本当に５本であることを確認するためのものだ。\ `That had been to confirm that there really were five master keys when she had claimed that there were no more than 5.`\ ;　しかしこれだけでは、魔女の否定にはならないから青で宣言は出来ないのだ。@ ;　だから、青で語るにはこう言わなくてはならない。\ `But since that by itself couldn't deny the witch, I can't say it in blue.`@ `So, in order to speak in blue, I would need to say something like this.`\ ;“実はマスターキーの本数が５本を越えていた。@犯人はその余剰の鍵で密室を出入りした！”@ `'The actual number of master keys was greater than 5.`@` The culprit entered or exited the room with that extra key!'`@ br ;　……と、こうなって初めて、魔法で密室殺人を行なったと主張する魔女に、反論する義務が生まれるわけだ。@ ;　つまり、推理の前提を確認するような復唱の要求には使えない。@ `......And only then would the witch, who claimed that it was a closed room murder with magic, be responsible for making a counterargument.`@ `In other words, I can't demand that she repeats something that checks the premises of my reasoning.`@ br ;　………それは、俺に相当の不利を強いることになるだろう。\ `.........That will probably be significantly disadvantageous for me.`\ ;　畜生…。@これまでのゲームでベアトが俺を弄るように宣言してきた赤が、今じゃどれほど慈悲深いものだったのかと誤解しちまうほどだぜ……。\ `Crap...`@` It's enough to make me think that the red that Beato has spoken with to toy with me up until now has been extremely merciful......`\ fede 0,3000 me1 5 bg G1F_S1bP,0 ld r,$BUT_niramuA3,26 ;「…くそ。@仮に俺がある密室について仮説を立て、それを青で語ったとしても、@ベアトがそれを最後の最後で否定してきやがったら、俺には次の仮説を立てる時間すらもねえってことじゃねぇか…！@　このルールは最悪だ、俺にばかり不利だ…。」\ ;＜戦人 `"...Damn it.`@` So even if I create a theory for a particular closed room and speak it in blue,`@` if Beato denies it at the very, very end, I won't even have time to create my next theory...?!`@` This rule is awful, and really bad for me..."`\ ld l,$ENJ_FumanA2,23 ;「………また戦う前から屈服？@/ `".........Are you going to surrender before the fight begins again? `@/ ld l,$ENJ_NayamuA1,80 ;　落ち着きなさい。@ひとつの謎に対して、青は一度しか使えないとは言われてないわ。@それがどういう意味かわかる？」@ ;＜縁寿 `Calm down.`@` No one's said that you can only use the blue once for each mystery.`@` Do you know what that means?"`@ ld r,$BUT_aseruA1,80 ;「い、いや。@……どういう意味だ…？」\ `"N, no.`@` ......What does it mean...?"`\ ld l,$ENJ_defA1,80 ;「これまでのあなたは、仮説をひとつ立てては魔女の顔色をうかがい、@それが駄目だったらその時、改めて別の仮説を立てるという情けない戦い方だった。@それじゃ魔女は追い詰められない。」\ ;＜縁寿 `"In the pitiful way you've been fighting up until now, you've made a single theory, glanced at the witch's complexion,`@` and if that one didn't work, you'd then start making another theory.`@` You won't corner a witch like that."`\ ld r,$BUT_KuyasigaruA1,80 ;「じゃあ、どうやって戦うんだ……。@/ `"Then how should I fight......`@/ ld r,$BUT_MajimeA2,80 ;……………まさか…、」\ `............You don't mean..."`\ ld l,$ENJ_nayamuA1,80 ;「えぇ、そうよ。@/ `"Yes, that's right. `@/ E_A ;……謎に点で挑むんじゃない。@ `......You don't challenge the riddles with a point.`@ bgm1 47 ld l,$ENJ_fumanA1,80 br ;(面で襲い掛かるのよ/・・・・・・・・・)。@あなた、以前のゲームで、推理の姿勢はそうあるべきだと自ら言ったわ。」\ ;＜縁寿＜点処理：面で襲い掛かるのよ (`You assault them with a wall`/・・・・・・・・・・)`.`@` You said that the force of your reasoning should be like that yourself in an earlier game."`\ se1v 2,90 bg black,1 ;　面で、襲い掛かる。@ ;　そうさ、前に俺は自らそう言った。\ `Assault...with a wall.`@ `That's right, I said so myself earlier.`\ ;　推理し謎を暴く行為は、遠くの的に矢を射るのに似ている。@ `Guessing and trying to expose the mystery is like trying to shoot a distant target with an arrow.`@ br ;　これまでの俺の戦い方は、矢を一本へろへろと放っては、@当たったかどうか魔女に尋ね、@外れていると言われては改めて弓を構え、再びへろへろと放つようなものだった。\ `Until now, I've been shooting off arrow after arrow,`@` asking the witch if I scored a hit,`@` and then preparing my bow again once I'm told that I've missed, shooting arrows off again.`\ ;　そんなんじゃ、当たるわけはねぇんだ…。@ ;　矢と例えるより、弾丸と例えた方がいいかもしれない。@ `There's no way I'll hit at that rate...`@ `Bullets might be a better example than arrows.`@ br ;　遠くの的に拳銃をパンパン撃っても、簡単には当たらないだろうさ。\ `If you take one shot after another at a distant target with a handgun, you probably won't hit it easily.`\ ;　……なら、どうやって当てる？@ `......So how can you hit it?`@ br ;　拳銃で駄目なら、@……散弾銃さ！@ ;　単発の弾丸じゃなく、無数の弾丸を一度にぶっ放す“散弾”でブチかましてやるんだ…！@ `If a handgun doesn't work,`@` ......use a shotgun!`@ `Instead of a single bullet, beat her down with 'shot' filled with countless projectiles at once...!`@ br ;　散弾は散るから広範囲に着弾する。@ ;　だから、鳥のような素早く小さい標的を撃つにはとても最適なんだ。\ `Shot scatters, so it impacts a wide area.`@ `So it is optimal for shooting small, fast targets like birds.`\ ;　そうさ、推理はピストルを単発で撃つかのように、１つずつしかしてはいけないなんてルールはない。@ `That's right, there's no rule that says I have to guess like a pistol, shooting one shot off at a time.`@ br ;　……１つの仮説を立てたからといって、それだけで命中を期待するのは思考停止もいいところなんだ。@ `......Making a single theory and just hoping that it hits is like stopping your own thinking.`@ br ;　大量の弾丸を、推理を一度にぶっ放し、面で着弾させ、それが一発でも的にブチ当たれば充分。\ `Blast away with a massive number of bullets, of guesses, and make them impact like a wall, so that only one of them hitting the target is enough.`\ bg G1F_S1bP,0 ld c,$BUT_majimeA3,26 ld c,$BUT_niramuA1,80 ;「…………青、か。@……なるほどな。@お前の赤き真実が切れ味鋭い日本刀みたいなもんだとしたら、俺の青はどうやら、散弾銃。@いや、……火力で魔女を蜂の巣にする機関銃だぜ。」\ `"............Blue, is it...`@`......I get it.`@` If your red truth is a razor-sharp katana, then it looks like my blue is a shotgun.`@` No, ......a machine gun whose firepower'll turn the witch into a honeycomb."`\ bg G1F_S1cP,0 ld r,$BEA_AkuwaraiA1,24 ;「下手な鉄砲、数撃ちゃ何とやらか。@くっくっくっく！@　そなたらしい、粗野な例えよ。」\ `"So it's an awkward gun, that fires many shots.`@` *cackle*cackle*!`@` That sort of crude analogy is just like you."`\ ld l,$BUT_MajimeA2,23 ;「推理小説なんかのクライマックスはいつもこうだった。@……名探偵が容疑者を一堂に集め、たったひとつの推理を披露して、それを華麗に当てて見せるんだ。@まるで、一本の矢で見事にリンゴを射抜くウィリアム・テルのようにだ。@だからこそ、それが美徳みたいに誤解しちまってた。」\ `"The climax of a detective novel is always the same.`@` ......The famous detective gathers all the suspects at once and displays a single trail of logic which works splendidly.`@` Almost like William Tell spectacularly shooting through an apple with a single arrow.`@` That's why I mistakenly thought that that was a virtue."`\ me1 17 bg black,22 ;　……そりゃあ華麗だろうさ。@ ;　一本の推理だけで華麗に真相を射抜けたら。@ `......It probably would be splendid.`@ `If I could shoot through the truth with a single guess.`@ br ;　だが、そんなのは現実的じゃない。\ `But that isn't realistic.`\ me2 16 ;　現実の戦争を見てみろ。@ ;　まさか、みんな塹壕から長い銃を出して、よーく狙って一発ずつ応酬してるとでも？@ `Look at real wars.`@ `Do they really have everyone pull long guns out of the trench, aim re-ally well, and take shots at each other one at a time?`@ br ;　違うだろ？！@ ;　連射する、撃ちまくる、弾幕で圧倒する！\ `They don't, right?!`@ `They fire rapidly, they fire all over the place, they pin down the enemy with a barrage!`\ se1 21 ;　推理だってそうだったんだ。@ `Reasoning is the same way.`@ br ;　おかしな美徳のせいで、一つしか推理しちゃいけないような価値観に捕らわれていたんだ。\ `Because of that weird virtue, I had been stuck thinking that it was better to take one line of reasoning at a time.`\ ;　俺たち人間には、あらゆる推理を、可能性を、無数にぶっ放すことが出来る！@ `We humans can fire off countless guesses and possibilities!`@ br ;　弾丸は想像力。@思考停止は弾詰まりも同然だ…！@ ;　これまでの俺の情けない推理っぷりはまるで豆鉄砲。@ `The bullet is the power of imagination.`@` Suspension of thought is a clogged barrel...!`@ `The pathetic way I've been reasoning up until now is like a peashooter.`@ br ;　ひょろひょろと撃ってはベアトに赤で否定してもらい、次の弾をもらって込め直すような無様さだ。\ `It was so lame, like I'd been weakly firing off a shot, getting it denied in red, and then taking the next bullet and reloading.`\ ;　魔女が語る幻想の的を、@……人間とトリックこそが真相であるとする、俺の“青き真実”が、想像力と火力で圧倒する…！@ `My 'blue truth' that claims humans and tricks are what is real,`@` ......will overpower its target, the illusion told by the witch, with its firepower and the power of what I can imagine...!`@ br ;!s0　それが俺の、/ ;!d1000右代宮戦人の戦い方…！！/ !s0`This is my, `/ !d1000`Ushiromiya Battler's way to fight...!!`/ E_MA se2v 2,100 bg white,1 bg black,80 !sd\ bg G1F_S1cP,0 ld r,$BUT_niramuA3,26 ld r,$BUT_futekiA2,80 ;「………お前のお陰で、俺の本当の戦い方がわかってきたぜ。@ありがとうよ、グレーテル！！」@ `".........Thanks to you, I've figured out the real way to fight.`@` Thanks, Gretel!!"`@ ld l,$ENJ_NayamuA1,23 ;「どういたしまして。」\ ;＜縁寿 `"You're welcome."`\ ld r,$BUT_NayamuA3,80 ;「これまでの俺が情けなく思えてくらぁ。@/ `"It's enough to make me think how pathetic I was before. `@/ ld r,$BUT_futekiA3,80 ;……あぁ、ベアトの言う通りだぜ。@これまでの俺はハンデをもらって来た。@そいつを認めるぜ…！！@　新ルール、了解した！！@　俺には俺の戦い方があるッ！@　そいつを見せてやるッ！！」\ `......Yeah, it's like Beato said.`@` I've had a handicap up until now.`@` I'll acknowledge that...!!`@` New rule, understood!!`@` I have my own way to fight!`@` I'll show you it!!"`\ bg G1F_S1aP,0 ld r,$BEA_WaraiA1,23 ;「くっくくくくくく！！@/ `"*cackle*cackle*cackle*cackle*!! `@/ ld r,$BEA_FutekiA1,80 ;　その意気や良し、気に入ったぞッ！@　ならばさっそく使ってみるがいい、そなたの青き真実とやらを…！！」\ `That willpower is good, I like it!`@` Then, try using it right away, this blue truth of yours...!!"`\ bg G1F_S1cP,0 ld l,$BUT_futekiA1,24 ;「……ああ、使ってやるぜ。@この青き真実でお前が主張する、全員にアリバイがあるから魔女の犯行しかありえないという魔女説は打ち砕けるッ！！\ `"......Yeah, I'll use it.`@` With this blue truth, I'll break apart your witch theory, which states that only a witch culprit was possible because everyone had alibis!!`\ se1v 2,90 bgmvol 90 mbg white,1 ld l,$BUT_OdorokiB1,0 mcbg 80 ;　これが俺の真実だ！@/ `This is my truth! `@/ ;bg black,1 ;!s0#5decff　右代宮金蔵はすでに死亡している。/ !s0`#5decffUshiromiya Kinzo is already dead. `/ ;lsp 899,shotgun1b,0,0 ;print 1 se1v 2,70 quakey 4,800 ;@よって島の本当の人数は１７人！/ @`Therefore, the true number of people on the island is 17! `/ ;lsp 898,shotgun4b,0,0 ;print 1 se2v 2,70 quakex 4,800 ;@　そこに未知の人物Ｘが加わることで１８人となっている。/ @`By adding an unknown person X to that, it becomes 18 people. `/ ;lsp 897,shotgun3b,0,0 ;print 1 se3v 2,70 quakey 4,800 ;@この人物Ｘの存在の仮定によって、１７人全員にアリバイがあっても犯行は可能になるッ！！」/ @`By supposing that this person X exists, the crime is possible even if all 17 people have alibis!!"`/ ;lsp 896,shotgun2b,0,0 ;print 1 se1v 2,90 quakex 4,800 !sd#ffffff\ ;csp 896 ;csp 897 ;csp 898 ;csp 899 E_A se1v 1100,90 se2v 1100,90 se3v 2,100 bg white,1 bg black,42 ;■元の客間 mov %play_scene,40080 : mov %r_hyouji_side,0 textoff wait 2000 me1v 16,50 bg Mdin_1g,2 wait 2000 ;bg black,2 bg Mdin_1f,6 ld c,$KIR_waraiA2,23 ;「……つまり、私たちはこれ以上、お父様への面会を拒まれるならば、以下の仮説を立てなければならないの。@/ `"......In short, if you keep preventing us from meeting with Father, we will have to accept the following theory. `@/ se1 21 ld c,$KIR_MajimeA1,80 ;つまり、お父様はすでに亡くなっている。@しかし、遺産を分配したくない蔵臼兄さんがそれを隠してる、ってね？」\ ;＜霧江 `In other words, Father is already dead.`@` But you are hiding that because you don't want the inheritance to be distributed, you see?"`\ bg Mdin_1a,0 ld l,$KLA_majimeA2,3 ;「………………………………。@/ `"..................`@/ ld l,$KLA_komaruA1,80 ;…馬鹿馬鹿しい。」@ ;＜蔵臼 `...Ridiculous."`@ bgm1 14 ld r,$NAT_ikariA1,24 E_MA ;「そ、そうです、馬鹿馬鹿しいにも程があります！！@　これほどの侮辱は初めてですッ！！」\ ;＜夏妃 `"Th, that is correct, this is worse than ridiculous!!`@` I have never heard such an insult!!"`\ bg Mdin_1c,0 ld l,$KIR_WaraiA2,24 ;「私たちは、警官立会いの下で強制的にその生死を確かめることさえ可能よ。@/ `"It is even possible for us to have the police closely examine whether he's alive or dead. `@/ ld l,$KIR_futekiA1,80 ;ねぇ、絵羽姉さん…？」\ ;＜霧江 `Right, Eva nee-san...?"`\ ld r,$EVA_OdorokiA1,24 ;「……え、……えぇ…。@/ `"......Y, ......yes... `@/ ld r,$EVA_futekiA1,80 ;そうよ、兄さん。@話は何とでもでっち上げられるわ。@兄さんが、第三者の立会いの下にお父様を面会させなければならない状況になんて、簡単にお膳立てが出来るわ…！」\ ;＜絵羽 `That's right, Nii-san.`@` You could fabricate any story.`@` We could easily set it up so that you have to hold a meeting with Father under the supervision of a third party...!"`\ ld l,$KIR_NayamuA1,80 ;「でも。@それは右代宮家にとってとても不名誉なことだと思うの。@/ `"Still.`@` I think that would be very shameful for the Ushiromiya family. `@/ ld l,$KIR_DefA1,80 ;だから私はこの提案をしている。@世話人の義務と責任。@万一の際のペナルティ。@これを承諾してくれれば、私たちはお父様を無理やり引き摺り出すなんて真似は控えることができる。」\ ;＜霧江 `So I propose this.`@` The responsibilities and duties of the caretaker.`@` A penalty in the worst case scenario.`@` If you consent to that, we will be able to refrain from doing something like dragging Father outside."`\ me1v 5,50 bg Mdin_1d,0 ld r,$RUD_akuwaraiA2,24 ;「…あぁ、そうだぜ、兄貴…。@さっき言ったじゃねぇか…。@兄貴は世話人として当然の義務を果たしてる、ってな。@霧江の条件は大したことじゃねぇはずだぜ？@　なぜ過剰反応する？\ `"...Yeah, that's right, Aniki...`@` Didn't you just say it...?`@` You are carrying out your natural duties as Father's caretaker.`@` Kyrie's conditions shouldn't be anything to worry about, right?`@` Why the overreaction?`\ ld r,$RUD_AkuwaraiA1,80 ;　……親父が自然死以外の理由で死んだ場合、次期当主から引き摺り下ろされるってのが、そんなにも気になるのかよ？」\ ;＜留弗夫 `......Are you really that worried about having the position as next head dragged out from under you if Dad dies something other than a natural death?"`\ ld l,$EVA_AkireA2,23 ;「それともなぁに？@　お父様が自然死以外の理由で亡くなるような心当たりでもあるのかしら…？」\ ;＜絵羽 `"Or else, wha-t is it?`@` Do you have an idea of some way Father could die other than a natural death...?"`\ bg Mdin_1b,0 ld r,$KLA_MajimeA1,23 ;「そんな心当たりなどあるわけもない。@/ `"How could I have such an idea. `@/ ld r,$KLA_KomaruA1,80 ;……なるほど、私にも親父殿の気持ちがわかってきたよ。@死に方ひとつ自由にさせてもらえないとは、実に気の毒な晩年だよ。」\ ;＜蔵臼 `......I see, now I too understand how Father feels.`@` How pitiful his later years are, unable to even die as he pleases."`\ ld l,$KIR_NayamuA1,23 ;「えぇ、本当に気の毒な晩年ね。@……その晩年が、実はもう過去のことじゃないのかと、私たちは疑っているの。\ `"Yes, his later years truly have been pitiful.`@` ......And the thought that his 'later years' are already something of the past is exactly what we're suspecting.`\ ld l,$KIR_MajimeA1,80 ;　……この疑惑は、私たちをお父様に面会させてもらえるだけで、あっさりと解けるわ。@…ここまで私たちに侮辱されても、…それでも面会は許されないんですか、蔵臼兄さん………？」\ ;＜霧江 `......You could completely clear this suspicion just by letting us meet with Father.`@` ...So even after being humiliated by us this much, you still won't allow us to meet with him, Krauss nii-san.........?"`\ ld r,$KLA_MajimeA2,80 ;「……………………………。」\ ;＜蔵臼 `"........................"`\ se1 21 cl a,0 ld c,$KIR_KomaruA1,23 ;「お父様は多分、すでに亡くなっているわ。@恐らく遺体は極秘の内にどこかに処分したでしょう。@……そして、お父様の代理ということで財産を独占した後、@失踪したことにして７年掛けて、お父様を死体なき死者にする。\ `"Father is probably already dead.`@` The corpse may have been disposed of in absolute secrecy.`@` ......And after taking all of the wealth for yourself as Father's agent, `@`you will make it so that he 'disappeared' and seven years will pass, making Father a corpseless member of the deceased.`\ ld c,$KIR_waraiA2,80 ;　…………ごめんなさいね、気を悪くしないで？@　これはあくまでも私の推理ごっこだから。」\ ;＜霧江 `............I'm sorry, please don't take it badly, alright?`@` I'm just playing detective here."`\ bg Mdin_1e,0 ld r,$NAT_IkariA1,64 ;「ぶ、……無礼極まりないッ！！/ `"H, ......how rude can one be!! `/ E_MA se2 11 quakey 5,500 ;@　あなたにこの屋敷に留まる資格はありませんッ！！@　即刻退場なさい！！@　二度と当家の敷居をまたぐことを許しません！！」\ ;＜夏妃 @`You have no right to stay in this mansion!!`@` Leave immediately!!`@` I won't permit you to cross the threshold of this house again!!"`\ ld l,$KIR_WaraiA2,23 ;「去年通用した手が、今年もまた通用すると思ったのが運の尽きね。@/ `"It worked last year, but you've used up your luck if you thought it would work this year too. `@/ ld l,$KIR_MajimeA2,80 ;……お父様はご機嫌斜めだから面会できない？@　去年の時点で充分不審だったのに、今年もだなんて。\ `......Father is in a bad mood, so he can't meet with us?`@` That was plenty suspicious last year, and yet you do it again this year.`\ ld l,$KIR_KomaruA1,80 ;　お父様の代理を騙り財産を乗っ取るなら、もっとスピーディーにやって、@今日の親族会議を待たずに失踪させるべきだったわね。@さすがに甘いわよ、蔵臼お兄様……？」\ ;＜霧江 `If you want to fake being Father's agent and grab up all his assets, you should have done it a little more speedily,`@` and made him disappear without waiting for today's family conference.`@` You really are naive, Krauss onii-sama......"`\ cl r,22 ld r,$KLA_MajimeA1,64 ;「…………君が何のことを言っているのか私にはさっ、」 ;＜蔵臼 `".........I have no idea what you are-"` wait 1000 ld l,$KIR_WaraiA2,80 ;「でも！@　……お父様がご機嫌斜めなのは事実で、@蔵臼兄さんが世話人としての責務として、私たちの面会を拒んでるのだとしたら、それはとても立派なことよね。@なら、私の出した条件を飲んでくれれば、この場は収まるわ。\ `"However!`@` ......If it is a fact that Father is in a bad mood,`@` and you are preventing us from meeting him as part of your responsibilities as his caretaker, that is a very wonderful thing to do.`@` In that case, if you just accept our conditions, everything will be settled here and now.`\ me1v 16,70 ld l,$KIR_FutekiA1,80 ;　………何しろ、お父様のことをこんなにも大切にする蔵臼兄さんですもの。@お父様に、検死されて困るような死に方が、あるわけがない。\ `.........After all, you care so greatly for Father, Krauss nii-san.`@` There's no way that Father will die in a manner that leads to trouble during the autopsy.`\ ld l,$KIR_KomaruA1,80 ;　いずれにせよ、お父様は病院嫌いなんだから書斎で亡くなるでしょうね？@　いずれにせよ必ず検死は行なわれるわ。@ `Either way, Father hates hospitals, so he'll pass away in his study, right?`@` Either way, an autopsy will certainly be carried out.`@ ;br se3v 21,50 ;……(検死を逃れて殺す/・・・・・・・・)には、失踪しかない。」\ ;＜霧江＜点処理：検死を逃れて殺す `......The only way to ` br (`kill him without an autopsy`/・・・・・・・・・・・)` would be for him to disappear."`\ bg Mdin_1b,0 ld r,$EVA_waraiA1,24 E_MA ;「………霧江さん。兄さんをいじめるのは、それくらいにして下さらないかしら…？」@ ;＜絵羽 `".........Kyrie-san. I wonder if you would mind not bullying Nii-san so much...?"`@ br ;　絵羽が、気色悪いくらいにやさしい声で霧江をたしなめる。@ `Eva rebuked Kyrie in an sickeningly kind voice.`@ br ;　…それは状況的に考えてありえないこと。@ ;　だからこそ、あまりに気色悪かった…。\ `...Considering the situation, that was impossible.`@ `...Which is why it was sickening...`\ ld r,$EVA_HohoemiA1,80 ;「兄さんにも色々と都合やプライドもあるはず。@兄さんにとって当然の義務であっても、@それを文書化して、その上、ペナルティまで課せられたんじゃ、/ ;!d800…そりゃ不愉快なはずよ。@/ `"Nii-san has to deal with the various conditions he is in, as well as his pride.`@` Even though it may be an obvious duty to Nii-san,`@` if you put it down on paper and assign penalties, `/ !d800`...that might be unpleasant for him. `@/ ld r,$EVA_AkireA1,80 ;ねぇ、楼座……？」\ ;＜絵羽 `Right, Rosa......?"`\ ld l,$ROS_nayamuA1,23 ;「……えぇ、そうね。@………蔵臼兄さんの長男としてのプライドを軽んじ過ぎたかもしれないわ。@……霧江さんの言うような、世話人の責務についての覚書にサインというのは、さすがに気の毒かもしれない。」\ ;＜楼座 `"......Yes, that's right.`@` .........She might have made light of Krauss nii-san's pride as the eldest son too much.`@` ......It may really be pitiful to make him sign a protocol regarding the duties of the caretaker as Kyrie-san has stated them."`\ ld c,$RUD_AkuwaraiA1,24 ;「そうだな。@兄貴はよくやってくれてる。@そこを汲み取り、おかしな書類にサインとか、万一の時はペナルティとか、@そういう話を抜きにして兄貴に全部一任することを、考えてもいいかもしれねぇな。」\ ;＜留弗夫 `"That's right.`@` You're doing a good job, Aniki.`@` Taking notice of that, we might be able to consider avoiding all that about signing strange papers and worst-case penalties,`@` and leave everything to you, Aniki."`\ bg Mdin_1a,0 ;ld c,$KLA_KomaruA1,23 ld c,$KLA_komaruA2,23 ;「お、…………お前ら…………、」\ ;＜蔵臼 `"Y, ............you people........."`\ textoff me1v 16,0 fedexx 0,50,0,0,0,0,3000 E_B ;　絵羽だけでなく、留弗夫や楼座までもが、示し合わせたかのような薄気味悪い笑顔を浮かべて蔵臼を追い詰める。@ `Not just Eva, but Rudolf and Rosa as well, with unnerving smiles on their faces as though they had planned this beforehand, began closing in on Krauss.`@ br ;　彼らは今や、霧江がどうやって追い詰め、どこを落とし所にしているか完全に理解していた…。\ `They now understood perfectly how Kyrie had cornered Krauss, and exactly where she was prepared to compromise...`\ bg black,25 bg Mdin_1g,22 ;「……世話人の責務についての覚書。@これにサインすることなく、私たちがお父様への面会を生涯求めないことにも出来るわ。@……覚書などなくとも、蔵臼兄さんが世話人に相応しいという保証をしてくれれば。」\ ;＜霧江 `"......A protocol regarding the responsibilities of the caretaker.`@` You can make it so that we never demand a meeting with Father again, even without signing this.`@` ......If you can guarantee that you are fit to be the caretaker even without the protocol, that is."`\ ;「私に、………その保証金を支払えというのかね？@/ `"Are you telling me, .........to pay security money? `@/ se1 21 ;　ふっふふふふ、はっははははははは…！@　これはおかしい！@　わっはははははははははは！」\ ;＜蔵臼 `Hehheheheh, hahhahahahahaha...!`@` This is insane!`@` Wahhahahahahahahahaha!"`\ bgm1 19 E_MA ;「保証金は、絵羽さん、留弗夫さん、そして楼座さんの３人に、１人、３０億円ずつ。@手付金として、その１割の３億円ずつを、今年度中に振り込んでもらうわ。」@ ;＜霧江 `"The security money will be paid to Eva-san, Rudolf-san, and Rosa-san, 3 billion yen each.`@` As a deposit, you will transfer ten percent of that, 300 million yen, before the year is out."`@ br ;「９０億だと？！@　そんなカネはないッ！！！」/ `"9 billion?!`@` I don't have that kind of money!!!"`/ se1v 12,70 ;se2v 12,100 quakey 4,500 \ ;＜蔵臼 bg Mdin_1c,0 ld c,$KIR_WaraiA2,26 ;「お父様がお亡くなりになった後なら捻出できるはずよ。@私たちも、その程度には下調べは済んでる。@手付金の９億円だって、蔵臼さんの財産状況なら何とかなるはず。\ `"After Father passes away, you should be able to work it out.`@` We have at least investigated that far.`@` You should be able to manage the deposit of 900 million yen in your current financial situation.`\ ld c,$KIR_MajimeA1,80 br ;　それこそ、(お父様に借りることだって/・・・・・・・・・・・・)可能でしょう？@　…白々しい演技は不要よ。」\ ;＜霧江＜点処理：お父様に借りることだって `And it should even be possible for you to ` br (`borrow it from Father`/・・・・・・・・・)`, right?`@` ...There's no need for an obvious charade."`\ bg Mdin_1e,0 ld r,$KLA_KomaruA1,0 ld l,$NAT_odorokiA2,24 ld r,$KLA_IkariA1,80 ;「…………ふ、不愉快だ。@実に不愉快な話だ…！！」@ ;＜蔵臼 `"............H, how unpleasant.`@` Truly unpleasant...!!"`@ ld l,$NAT_ikariA1,80 ;「ま、まったくです！！@　お父様の遺産の話だけでも充分、不敬だというのに！@　お父様はもう死んでいる？@　主人がそれを隠していて財産を独占している？！@　もううんざりです！！@　あなたたち全員に、もはや右代宮を名乗る資格などありませんッ！！」\ ;＜夏妃 `"I, it is at that!!`@` And even just the discussion of Father's inheritance was far too disrespectful!`@` Father is already dead?`@` My husband is hiding that and keeping all the money to himself?!`@` I have had enough of this!!`@` None of you are qualified to bear the name Ushiromiya any longer!!"`\ ld c,$HID_KomaruA1,24 E_MA ;「落ち着いてや、夏妃さん…！@　みんなももう話はこれまでや！@/ `"Calm down, Natsuhi-san...!`@` This is all everyone has to say! `@/ ld c,$HID_majimeA1,80 ;　どうや、この場の話は一旦、ここまでにせんか…？！@　規模がデカイ上に唐突な話や。@わしらも興奮してるところがあるかもしれん！\ `Why don't we leave it at that for now...?!`@` This is a sudden topic of a massive scale.`@` We might be gettin' agitated ourselves!`\ ld c,$HID_defA1,80 ;　ここは一旦、休憩を挟んで頭を冷やさんか？@　蔵臼兄さんにも、ちょいと時間が必要やろ。@な、蔵臼さん？」\ ;＜秀吉 `Why don't we take a break for a while and cool our heads?`@` Krauss nii-san probably needs a little time himself.`@` Right, Krauss nii-san?"`\ ld r,$KLA_MajimeA1,80 ;「………………時間…？@　そんなものが、なぜ私に必要なのかね。」\ ;＜蔵臼 `"...............Time...?`@` And why would I need something like that?"`\ cl l,0 cl c,0 ld l,$HID_komaruA2,23 ;「まままま！@　わしらかて、本音じゃ物騒なことなんぞ考えとらん！@　どうしてもお父さんに会わせてもらえんから、ちょいと嫌味が言いたくなっただけなんや…！@　それに蔵臼さんが、売り言葉に買い言葉で頭に血が上ってしまったのも、よーぅわかっとる…！\ `"Well, well!`@` We aren't thinking of anything shady!`@` We just want to meet with Father no matter what, so we felt like speaking a little disagreeably...!`@` And Krauss nii-san, I know re-al well how you're dyin' to get back at us for the things we've said...!`\ ld l,$HID_waraiA2,80 ;　蔵臼兄さんかて、本当はそこまで言うんなら、会わせてやってもいいと思っとるんや！@　な？@　そうやろ？@　ただ、ついつい意地になってもうたんで、今さら会ってもいいなんて言えなくなってしまっただけや。@そうやろ？@　な？な？」\ ;＜秀吉 `If you're willin' to go so far, then you just need to let us meet with him!`@` Right?`@` Isn't that right?`@` After all we've said, you just couldn't help gettin' stubborn, and now your having trouble saying that it's alright to meet him.`@` Isn't that it?`@` Right? Right?"`\ ld c,$NAT_OdorokiA2,24 ;「……た、…確かに主人も皆さん同様、少々冷静を欠いてしまったところもあるでしょう。@/ `"......I, ...it certainly does seem that my husband has lost his composure slightly, just like the rest of you have. `@/ ld c,$NAT_zutuuA1,80 ;……私たちはお父様の、皆さんに会いたくないという意志を尊重して頑なに断っていたに過ぎません。」\ ;＜夏妃 `......We are only refusing stubbornly out of respect for Father's desire not to meet with everyone."`\ ld r,$KLA_KomaruA1,80 ;「…………………。@……うむ、そうだな。@つい、昔のような兄弟喧嘩になってしまい、私も意地になってしまった。@………頭を冷やそう。@/ `"...............`@`......Hmm, that's right.`@` It just started turning into another sibling fight like the old days, and I grew stubborn as well.`@` .........Let us cool our heads. `@/ ld r,$KLA_MajimeA1,80 ;…お前たちが親父殿にどうしても会いたいという強い気持ちはよくわかった。@…私もそれを伝える。@………何とか面会してもらえるよう、親父を説得しよう。@………それでどうかね。」\ ;＜蔵臼 `...I understand that all of you strongly desire to meet with Father.`@` ...I will pass that on to him.`@` .........I'll convince Father somehow so that he will meet with you.`@` .........How is that?"`\ bg Mdin_1d,24 ld l,$ROS_KomaruA1,23 ;「……そうね。@蔵臼兄さんに、説得の時間を与えてもいいと思うわ。」@ ;＜楼座 `"......Right.`@` I think it's alright to give Krauss nii-san some time to persuade Father."`@ ld r,$RUD_DefA2,24 ;「そうだな。@……頼むぜ、兄貴。@俺たちに会ってくれるよう、よく説得してくれ。@何しろ、親父の世話人なんだからよ。」\ ;＜留弗夫 `"Yep.`@` ......We're counting on you, Aniki.`@` Please persuade him so that he'll meet with us.`@` After all, you're Father's caretaker."`\ ld c,$EVA_akireA1,23 ;「その説得だけど、今夜中って制限を設けさせてもらうわよ？@　明日になったら、私たちは書斎の扉を打ち破ってでも、お父様の安否を確認するわ。@/ `"About persuading him...let's set a limit on it to sometime tonight, alright?`@` When tomorrow comes, we'll confirm Father's well-being, even if we have to break down the door to his study. `@/ ld c,$EVA_futekiA1,80 ;………それでいいわよね？@　兄さん…？」\ ;＜絵羽 `.........You have no problems with that, right?`@` Nii-san...?"`\ bg Mdin_1a,0 ld r,$KLA_MajimeA2,0 ld l,$NAT_zutuuA1,23 ld r,$KLA_AkuwaraiA2,80 ;「……好きにするがいい。@なるほど、説得すらも大して時間は掛けられないようだ。@/ `"......Do as you like.`@` I see, it seems that I am not even given much time to persuade him. `@/ ld r,$KLA_DefA1,80 ;……夏妃、行こう。@せめて晩餐にはご一緒していただくよう、お願い申し上げよう。」@ ;＜蔵臼 `......Let us go, Natsuhi.`@` We shall ask him to at least be with us for dinner."`@ ld l,$NAT_odorokia2,80 ;「は、はい…！」\ ;＜夏妃 `"Y, yes...!"`\ cl a,23 wait 1000 se1 15 ;　蔵臼は夏妃を伴うと客室を出て行く。@ `Krauss left the parlor with Natsuhi.`@ br ;　二人の足音が聞こえなくなると、@秀吉が深いため息を漏らして、にやっと笑いながらソファーにどかっと腰を下ろした…。\ `Once their footsteps disappeared,`@` Hideyoshi took a deep breath, smirking and flopping onto the sofa...`\ textoff me5v 5,0 fedexx 0,0,0,0,0,50,3000 bg Mdin_1f,24 ld c,$HID_komaruA1,26 ;「…………霧江さん。@…あんた、恐ろしい人やな。」@ ;＜秀吉 `"............Kyrie-san.`@` ...You are...a frightening person."`@ ld r,$KIR_waraiA2,24 ;「勝手な口出しをしてごめんなさい。@謝るわ。」\ ;＜霧江 `"Sorry for speaking out of turn.`@` I apologize."`\ ld l,$RUD_AkuwaraiA2,23 ;「……いやいや、当初の計画にはなかった追い詰め方だが、結果は上々だ。@…相変わらず、お前ってヤツには頭が下がるぜ…。」\ ;＜留弗夫 `"......No, no. You didn't corner him like we had originally planned, but in the end, this was even better.`@` ...Just like always, I have to bow my head to you..."`\ bg Mdin_1d,0 ld r,$ROS_KomaruA3,23 ;「でも、…９億円も用意できるのかしら……？@　蔵臼兄さんの財政状況ギリギリで、７．５億が限界と私たちは計算したはず…。@……９億はさすがに吹っ掛け過ぎじゃない…？」\ ;＜楼座 `"But, ...can he really prepare 900 million......?`@` I believe we estimated that 750 million would be the most Krauss nii-san could afford with his current financial situation...`@` ......Isn't 900 million gouging him too much...?"`\ ld l,$KIR_futekia1,23 ;「無理なら無理でいいのよ。@蔵臼兄さんの顔を立てて７．５億に減額、とかやれば譲歩したっぽく見えて収まりやすいでしょう？@　本当に９億出てきたなら大成功だし。」\ ;＜霧江 `"It's alright if it's impossible for him.`@` If we do something like lowering it to 750 million so Krauss nii-san can save face, it will look like we're compromising and it'll be easier to settle, right?`@` And if he really does come out with 900 million, that's even better."`\ ld c,$EVA_akireA2,23 ;「兄さん、今頃、夏妃さんと作戦会議中でしょうね。@……あのプライドの高い兄さんが、どんな言い訳をしながら屁理屈をこねてくるか、本当に見物だわ。」\ ;＜絵羽 `"Nii-san is probably having a strategy meeting with Natsuhi-san about now.`@` ......It will be truly interesting to see what kind of twisted logic our proud Nii-san comes up with as an excuse."`\ ld l,$KIR_KomaruA1,80 ;「お父さんを説得……？@　出来るわけがない。」@ ;＜霧江 `"Convince Father......?`@` There's no way he can."`@ br ;　居もしない人物の説得なんて、出来るわけがない…！\ `There's no way to convince someone who doesn't even exist...!`\ textoff E_A se1v 37,90 se2 2 bg black,1 wait 3000 ;■金蔵の書斎 me1v 19,50 wait 2000 bg M2F_P1d,6 wait 2000 bg black,23 bg Mlib_1a,2 fedexx 0,80,0,0,0,0,2000 bg Mlib_1c,24 ld l,$KLA_nayamuA3,23 ;「………………兄弟たちも、年に一度の親族会議に、それぞれの都合を合わせてやって来ています。」\ ;＜蔵臼 `"............The siblings have all come, despite their various circumstances, for this annual family conference."`\ ;　蔵臼と夏妃の姿は、薄暗い金蔵の書斎にあった。@ `Krauss and Natsuhi could be seen in Kinzo's dimly lit study.`@ br ;　時折、雷鳴が聞こえ、薄暗い部屋を明滅させるかのように照らし出す。@ ;　……嵐が島を閉ざすのはもうじきのようだった。\ `Every once in a while, thunder could be heard, and the dimly lit room flickered with light.`@ `......It seemed that the island would be closed off by the storm very soon.`\ ld r,$NAT_OdorokiA2,24 ;「……お父様…！@　どうか今一度、不敬な彼らに、当主様の威厳をお示し下さい…！」\ ;＜夏妃 `"......Father...!`@` Please, just this once, show those disrespectful people the majesty of the head...!"`\ textoff E_A se1v 27,100 bg white,1 ;quakey 5,1000 bg black,42 ;■ガラガラドーン（落雷）………ごろごろごろごろ…。 ;「駄目だな………。」\ `"It is useless........."`\ me1v 5,0 me2v 17,0 me3v 16,0 fedexx 0,100,100,100,0,0,4000 wait 2000 E_A wait 1000 bgm1 72 bg Mlib_1e,42 ;　窓辺に立ち、威厳ある背中を向ける大柄な人影が、@静かだけれど力強く、…そう答えた。\ `The large shadow of a person standing by the window, his majestic back facing them,`@` quietly yet forcefully, ...answered like this.`\ ;　少しだけ俯き、震える仕草を見せる。@ ;　…やがてその肩越しに聞こえてきたのはくぐもった笑い声であった。\ `He hung his head and shook.`@ `...Eventually, they could hear a mumbling laugh over his shoulder.`\ ;「くっくくくくくくくくくく、はっはっはっはっはっはッ！！/ `"*cackle*cackle*cackle*cackle*cackle*, hah-hah-hah-hah-hah-ha!! `/ quakey 3,500 ;@　駄目だな、全然駄目だ…！！/ @`It's useless, it's all useless...!! `/ se1v 2,100 se2 2 ;@　わっははははははははははッ！！」@ @`Wahhahahahahahahahahaha!!"`@ br ;　………余命３ヶ月…？@　後先短い老いぼれ…？@ ;　それは誰のことを指して言ったのか。\ `.........Three months left to live...?`@` An almost finished geezer...?`@ `Just who are you referring to?`\ se1v 2,100 bg white,1 bg Mlib_1d,0 ld c,$KIN_akuwaraiA1,2 me1 16 ;「愚か者がァ！！/ `"You foools!! `/ se1v 12,100 quakex 4,800 ;@　弟たちに恫喝されてノコノコやって来たか。@恥を知れいッ！！」\ @`Did you wander over here because your siblings threatened you?`@` Know your shame!!"`\ se1v 2,90 bg black,1 ;　金蔵が振り返りながら払ったマントは、澱んだ部屋の空気を力強く一閃する。@ ;　その風圧は、まさに右代宮金蔵の威厳と気迫をそのままに表していた。/ `As Kinzo turned and brushed his cape, it flashed forcefully through the room's stale air.`@ `That air pressure truly signified Ushiromiya Kinzo's majesty and willpower itself.`/ mov %play_scene,40090 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_kin : seplay 9,1060 @ br se2 13 ;　その風圧に吹き飛ばされるかのように、蔵臼が尻餅をついてしまったとしても、何の不思議もなかった。\ `After being blown by that wind, it wasn't strange that Krauss landed on his butt.`\ bg Mlib_1a,0 ld l,$KLA_nayamuA3,23 ld r,$NAT_odorokiA2,24 ;　半ば腰を抜かしたようにも見える蔵臼に気遣うように夏妃も腰を落とす。@ `As though showing consideration for Krauss, who looked as though his legs had been swept out from under him, Natsuhi also crouched down.`@ br ;!s0　そこに金蔵の、/ ;!d800……ずしり、/ ;!d1000……ずしりと、/ ;!d1000貫禄を示す重みある足音が近付く。/ !s0`Then, `/ !d800`......with a *thunk*, `/ !d1000`......*thunk*, `/ !d1000`Kinzo's footsteps approached with a heft that signified his dignity.`/ !sd\ ld l,$KLA_KomaruA4,80 ;「お、……お父さん………、」\ ;＜蔵臼 `"F, ......Father........."`\ bg Mlib_1b,0 ld r,$KIN_waraiA1,23 se3 21 ld r,$KIN_akuwaraiA1,80 ;「馬ァ鹿があぁあぁぁ……！！@　嘉音に聞いておるわ、貴様が弟たちに、どれほど情けなく手玉に取られたかをなぁ？！？！」\ ;＜金蔵 `"Yoou fooooooooool......!!`@` I heard from Kanon. Just how far did you pathetically let your siblings lead you around by the nose?!?!"`\ ld l,$NAT_odorokiA2,23 ;「お、お父様…！@　夫はお父様の名誉を守るために懸命に…、」@ ;＜夏妃 `"F, Father...!`@` My husband is doing his best to protect your honor..."`@ cl r,0 ld c,$KIN_fukigenA1,24 ;　夏妃の言葉に耳も貸さず、金蔵は尻餅をついている蔵臼の襟元に手の平を差し伸べる。\ `Without lending an ear to Natsuhi's words, Kinzo extended his palm to Krauss's collar, as the latter sat on his floor.`\ me1 17 bg black,22 ;　…いや、人差し指を残してぎゅっと握り、その人差し指一本を………、@/ ;!s0蔵臼の襟元にぐぃぃと押し当て、/ ;!d800……ねじり、/ ;!d900………………ゆっくりと、/ ;!d700高々と、/ ;!d900……蔵臼を指一本で持ち上げる。/ `...No, he curled his fingers leaving only his pointer finger out, then he took that finger and........., `@/ !s0`pressed it up against Krauss's collar, `/ !d800`......twisted it, `/ !d900`...............and slowly, `/ !d700`with just one finger, `/ !d900`......picked Krauss up into the air.`/ !sd\ me2 18 bg Mlib_1e,26 ;「…情けないヤツだなお前はァぁあぁ。@……妻に自分の弁解をさせるのか？@　言い訳くらい自分でして見せよッ！！」\ `"...You really are a pathetic fooooooool.`@` ......You let your wife speak in your defense?`@` If you have an excuse, give it yourself!!"`\ ;「ぐくく、…………………っがはッ……！！」@ ;＜蔵臼 `"Gaggahh, ...................gwah......!!"`@ br ;　蔵臼の爪先は宙をもがく。@ `Krauss clawed at the air.`@ br ;　金蔵の隆々とした指が喉を締め上げているのだ。@ ;　喋るどころか、口を聞くことさえ出来はしまい。\ `Kinzo's brawny finger was choking him.`@ `He couldn't even open his mouth, much less talk.`\ ;　もっとも、口を開くことが許されたとしても、@今の蔵臼に、金蔵を納得させられるような言い訳など、思いつくわけもないのだが…。@ `However, even if he had been able to open his mouth, `@`as he was now, there was no way he would be able to think up an excuse that Kinzo would accept...`@ br ;　しかし、……何という力なのか…。@ ;　金蔵のこの怪力を見て、誰が老人だなどと呼べたものか…。\ `Still, ......how could this power be described...?`@ `No one would call Kinzo an old man after seeing this superhuman strength...`\ ld l,$NAT_odorokiA2,26 ;「……お父様…！！@　夫は夫なりに戦いました…！！@　どうかお許し下さい…！！」\ ;＜夏妃 `"......Father...!!`@` My husband is fighting in his own way...!!`@` Please, forgive him...!!"`\ ld c,$KIN_waraiA2,26 ;「…………夏妃ィ。@……戦いというのはな、勝つまでの過程を言うのだ。@……負けるまでの過程は、戦うとは言わぬ。\ `"............Natsuhii.`@` ......Fighting is just a process you go through until you win.`@` ......The process you go through before losing isn't called fighting.`\ textoff se1v 27,100 wait 500 mbg white,1 ld c,$KIN_akuwaraiA1,0 mcbg 2 ;　それはただ一言、見っとも無いと言うのだああぁッ！！@　わっはははははははは、これが私の跡継ぎだと言うのか、@わっははははははは、わっはっはっはははははははっはぁああああ！！」@ `In a word, we call that shameful!!`@` Wahhahahahahahahaha, you call this my successor,`@` wahhahahahahahaha, wahhahhahhahahahahahahahhaaaaaaah!!"`@ br ;　金蔵は雷鳴と共に、これほど愉快なことはあろうかとでも言うように豪快に笑う。\ `As thunder roared, Kinzo laughed heartily as though there could be nothing more pleasant.`\ ;　そして笑いの最後に、不甲斐ない息子をまるで紙くずのように放り投げ、@壁に叩き付ける…。\ `And when he finished laughing, he threw his son away like he was scrap paper,`@` slamming him against the wall...`\ fede 0,1000 se1v 20,100 bg black,1 wait 800 se1v 12,100 se2v 8,100 wait 500 ;E_A se3v 13,100 wait 100 se1v 13,100 me1v 5,50 bg Mlib_1b,0 ld c,$KLA_komaruA3,1 quakey 4,600 ;「ぐはッ、……ううううぅぅ……。」@ ;＜蔵臼 `"Gwah, ......uuuuuuuuu......"`@ ld r,$NAT_OdorokiA2,24 ;「あなた、あなた…！！　しっかり……。」@ ;＜夏妃 `"Dear, dear...!! Are you alright......"`@ br ;　壁からずり落ち、苦しそうに喉を擦る蔵臼…。@夏妃は駆け寄り介抱する…。\ `Krauss slid down the wall, rubbing his throat as though in pain...`@` Natsuhi ran up to him and looked after him...`\ ;　しかし金蔵はそんな二人には何の興味も示さず、@最初からそうだったかのように、再び窓辺に戻り、不吉な雷雲を見上げる。\ `But without showing any interest in the two of them, `@`Kinzo returned to the space near the window, as though he had been there the whole time, and looked up at the thunderclouds of misfortune.`\ bg black,25 bgm1 19 bg Mlib_1e,22 E_MA ;「…………ベアトリーチェにさえ会えれば、我が人生には何の悔いもないと思っていたが、@どうやらそういうわけにも行かぬらしい。@……魔女より得たものは何も残せぬのが初めからの約束。@しかし、右代宮の名は魔女のものではない。@……その名を継ぐのが誰に相応しいか。@どうやらそれだけは、わしが自らの手で解決せねばならぬようだ。@……喜べ蔵臼！！@　気が変わったぞ。」\ `".........I thought that I would have no regrets in my life if only I could meet Beatrice,`@` but it seems that things won't go so smoothly.`@` ......It was promised from the beginning that nothing received from the witch would remain.`@` However, the Ushiromiya name is not the property of the witch.`@` ......Who is fit to succeed that name?`@` It seems that this alone must be resolved by my own hand.`@` ......Rejoice, Krauss!!`@` I have changed my mind."`\ bg Mlib_1b,24 ld r,$KLA_nayamuA3,26 ld r,$KLA_komaruA4,80 ;「………お、お父さん…。@………では……？」\ ;＜蔵臼 `".........F, Father...`@`.........So......?"`\ bg Mlib_1c,0 ld c,$KIN_fumuA1,24 ld c,$KIN_MajimeA1,80 ;「貴様ら腑抜けどもと食事をする気など起きぬ。@だが、その後の親族会議には出席する！」/ `"I have no desire to have dinner with you cowards.`@` However, I will attend the family conference afterwards!"`/ se2v 21,90 @ ld l,$NAT_odorokiA2,23 ;「お、お父様…。@ありがとうございます……！」\ ;＜夏妃 `"F, Father...`@` Thank you very much......!"`\ me1v 17,80 bg Mlib_1e,25 ;「私はその席上で、当主継承についての重大な発表をするであろう。@お前たちの下らない争いは、私自らが解決してやるッ！！@　うっははははははは、わーっはっはっはっはっはっはっはっはっはっはっはッ！！！」/ `"There, I shall make a great announcement regarding the succession of the head.`@` I will resolve your foolish quarrel myself!!`@` Uuhhahahahahahaha, waaahhahhahhahhahhahhahhahhahhahah!!!"`/ se1v 27,90 quakey 4,500 \ ;▲第４アイキャッチ　時計１５時２３分　から　１８時０７分　に進む。 eye2 15,23,18,7,10,0,510,340,25 *Umi4_5 mov %play_scene,40090 : mov %r_hyouji_side,0 mov %grim_scene,403 ;■屋敷の玄関 textoff me1 13 dllefe 1,1 wait 2000 bg M_o1aR,2 wait 2000 dllefe_off bg black,22 fedexx 0,50,0,0,0,0,2000 se1v 15,70 bg white,80 bg Mhal_2aR,22 ld c,$ROS_MajimeA1,0 ld r,$MAR_KomaruA1,24 ;　バタンと勢いよく扉が開けられると、真里亞を連れた楼座が飛び込んでくる。\ `Forcefully opening the door with a clunk, Rosa flew in with Maria.`\ ld c,$ROS_AseruA1,80 ;「源次さんか誰かいない…？！@　誰でもいいの、バスタオルを持ってきて…！！」\ `"Is Genji-san or anyone there...?!`@` It doesn't matter who, bring us a bath towel...!!"`\ bg black,24 mevol 1,70 dllefe 1,1 bg M_o1bR,22 ;　外はもうすっかり台風で、大雨が降り始めている。@ ;　そんな中、傘を差していたとはいえ、真里亞はずっと薔薇庭園で風雨の中にいた。@ `It was already a full-blown typhoon outside, and it was starting to pour down hard.`@ `Even though she had had an umbrella, Maria had been in the rose garden amid all that wind and rain the whole time.`@ br ;　肩はすっかり冷えてしまっていた。\ `She had grown ice cold.`\ bg black,22 dllefe_off mono 1 bg rose_1aR,0 ld r,$ROS_IkariA3,0 ld l,$MAR_NakuA1,26 ;　真里亞は楼座と薔薇庭園で些細な喧嘩をし、ずっとそこにいなさいと言われたのだ。@ `Maria had gotten into a minor fight with Rosa in the rose garden, and had been told to stay there.`@ br ;cl r,23 ;ld l,$MAR_fukigenA1,80 ;　……真里亞はその言いつけ通り、雨が降り出してもずっとその場に留まり続けていたのである。\ `......She had done as she was told, and had continued to wait in that spot even though rain was pouring down.`\ bg black,25 ;dllefe_off mono off ;　確かに楼座も少し感情的に怒ってしまったが、@真里亞の頑固なわがままの方が確かに悪いだろう。@ `Rosa certainly had gotten a little emotional and angry,`@` but Maria's stubborn whim was probably more at fault.`@ br ;　……そのやり取りを見てしまったいとこたちは、@親子が寄り添う姿を見て、ほっと胸を撫で下ろすのだった。\ `......The cousins, who had seen that exchange,`@` were relieved to see the mother and child close to each other again.`\ fedexx 0,50,0,0,0,0,2000 bg M1F_S1dR,26 ;■客間 ;　楼座はタオルで真里亞の頭をごしごしと拭く。@ ;　娘が風邪を引かないかと心配でならないようだが、当の真里亞はケロリとしていた。\ `Rosa scrubbed Maria's head with a towel.`@ `She seemed overcome with worry that Maria had caught a cold, but Maria herself was nonchalant.`\ bg black,22 bg M1F_S1aR,23 ld r,$ROS_KomaruA2,24 ;「大丈夫？@　寒気とかしない？@　やっぱり一度戻って着替えさせた方がいいかしら…。」@ ;＜楼座 `"Are you alright?`@` You didn't get a cold, did you?`@` Maybe we really should go back for now and get a change of clothes..."`\ ld l,$MAR_WaraiA1,23 ;「うー、全然平気ー！@　それよりお腹空いたから、着替えよりご飯がいいー、うー！」\ ;＜真里亞 `"Uu-, just fine!`@` More importantly, Maria is hungry, so food is better than changing clothes, uu-!"`\ bgm1 12 bg M1F_S1cR,24 ld r,$BUT_WaraiA1,24 ;「はっはっはっは。@大丈夫そうだぜ、楼座叔母さん。@こんだけ元気ならきっと大丈夫だよ。」@ ;＜戦人 `"Hah-hah-hah-ha.`@` She looks alright, Rosa oba-san.`@` She's gotta be alright if she's this spirited."`@ ld l,$GEO_HohoemiA1,23 ;「傘があって本当に良かったよ。@……ひょっとしたらずぶ濡れかもしれないと思ってたからね。@/ `"It's a really good thing she had an umbrella.`@` ......I was thinking she might be soaked to the bone. `@/ ld l,$GEO_WaraiA1,80 ;傘を持ってたのは、不幸中の幸いだったよ。」\ ;＜譲治 `The fact that she was holding on to an umbrella is the silver lining on a cloudy day."`\ cl r,23 ld r,$JES_KomaruA1,24 ;「でもよ、真里亞！@　いくら傘があっても、こんな大雨になったらちゃんと雨宿りしなきゃ駄目だぜ？@　女の子は体を冷やしちゃ、絶対にいけない。」@ ;＜朱志香 `"But Maria!`@` Even if you have an umbrella, you have to get some shelter if it starts raining so hard, right?`@` Little girls definitely shouldn't let their bodies get cold."`@ ld c,$MAR_OdorokiA1,23 ;「………うー。」\ ;＜真里亞 `".........Uu-."`\ bg M1F_S1aR,0 ld l,$ROS_DefA1,23 E_MA ;「いいのよ、朱志香ちゃん。@/ `"It's alright, Jessica-chan. `@/ ld l,$ROS_KomaruA1,80 ;……ママがそこにずっといなさいと言ったのが悪いの。@本当にごめんね、本当にごめんね…！！」@ `......It's Mama's fault for telling her to stay there.`@` I'm really sorry, I'm really sorry...!!"`@ ld r,$MAR_niyariA2,24 ;「うー！@　真里亞いい子？@　ママの言う通りにしてたからいい子？@　寒くてもずっといた、ママが来るまでずっといた！@　うーうー！」\ `"Uu-!`@` Maria's a good girl?`@` Maria's a good girl for doing what Mama said?`@` Stayed there even though it was cold, stayed there until Mama came!`@` Uu-uu-!"`\ ld l,$ROS_WaraiA2,80 ;「えぇ、真里亞は本当にいい子よ。@ママの言いつけをちゃんと守ったわね…。@本当に偉いわ。@/ `"Yes, you really are a good girl, Maria.`@` You did exactly what Mama said...`@` Truly impressive. `@/ ld l,$ROS_komaruA1,80 ;でも、次からはママの言いつけであっても、あんな大雨になったらちゃんと雨宿りをするのよ。@いいわね…？@　ママと約束よ。」\ ;＜楼座 `But next time, even if Mama tells you to do something, find some shelter if it starts raining like that.`@` Alright...?`@` Promise Mama."`\ cl r,0 ld c,$MAR_WaraiA1,24 ;「うー。@ママと約束。@……うー☆」@ ;＜真里亞 `"Uu-.`@` Promise Mama.`@` ......Uu-☆"`@ br ;　楼座は、真里亞をやさしく抱きながら、小指を絡めあってそれを約束し合う。@ ;　一本の小指を通しての親子の触れ合いで、@真里亞の体に温もりが戻っていくのが、見守る戦人たちにもよくわかるのだった。\ `As Rosa gently held Maria, they joined their pinkies together and promised.`@ `Battler and the others realized that by touching her mother's pinky, `@`the warmth had started to return to Maria's body.`\ bg M1F_S1cR,0 ld r,$KAN_DefA1,24 ld l,$ROS_WaraiA1,23 ;「嘉音くん、タオルをありがとう。@助かったわ。」@ ;＜楼座 `"Kanon-kun, thanks for the towel.`@` That really helped."`@ ld r,$KAN_NayamuA1,80 ;「……それでは失礼いたします。」@ ;＜嘉音 `"......Then, if you would excuse me."`@ cl r,23 br ;　嘉音は、礼を言われるほどのことはしていないという淡白な表情で頭を下げると、客間を出て行った。\ `As Kanon bowed with a blank expression, as though he had done nothing that required gratitude, he left the parlor.`\ cl l,0 ld c,$ROS_WaraiA2,23 ;「……さ、もうお夕飯よ。@みんなも行きましょう。@……偉い真里亞には、あとでママの分のデザートも分けてあげるわ。」@ `"......Alright, it's already dinnertime.`@` Let's all go together.`@` ......I'll even give Maria my share of the dessert for being so good."`@ ld r,$MAR_WaraiA2,24 ;「うー！@　本当、ママ？！@/ `"Uu-!`@` Really Mama?! `@/ se1 47 quakey 3,600 se2 47 quakey 3,600 ;　うーうー、デザートもらえる、うーうーうー♪@　ママ大好き、ママ大好き！」\ `Uu-uu-, get dessert, uu-uu-uu-♪`@` Love Mama, love Mama!"`\ ld c,$ROS_NayamuA1,80 ;「こら、真里亞、はしゃがないの。@/ `"Hey, Maria, don't jump around. `@/ ld c,$ROS_WaraiA1,80 ;ママも真里亞が大好きよ。@真里亞大好き、真里亞大好き。」@ ;＜楼座 `Mama loves you too, Maria.`@` Love Maria, love Maria."`@ ld r,$MAR_WaraiA1,80 ;「真里亞もママ大好き、ママ大好き！@　うーうーうーうー！」@ `"Maria loves Mama too, love Mama!`@` Uu-uu-uu-uu-!"`@ ld c,$ROS_WaraiA2,80 ;「うーうーうーうー♪」\ ;＜楼座 `"Uu-uu-uu-uu-♪"`\ ;　楼座と真里亞は、仲睦まじい姿を見せる。@それを見て戦人たちも、何だか懐かしいような温かみが胸に込み上げてくるのを感じる。\ `Rosa and Maria looked really close.`@` Even the cousins who watched started to feel a long-forgotten warmth fill up their chests.`\ bg black,23 bg M1F_S1bR,23 ld l,$BUT_DefA2,23 ;「……このくらいの年頃が、親と一番仲がいいのかもしれねぇな。」@ ;＜戦人 `"......You know, that might be the age when you're on your best terms with your parents."`@ ld r,$JES_TohohoA1,24 ;「うちはそうでもなかったぜー。@母さんとか、いっつも勉強勉強とうるさかったなー。」\ ;＜朱志香 `"It wasn't like that for me.`@` Mom was always yelling at me to study, study, study."`\ ld c,$GEO_WaraiA2,23 ;「子どもを愛していればこそだよ。@親の愛はやさしさや甘やかしだけじゃないんだよ。@/ `"That's because they love their children.`@` A parent's love isn't always gentle and indulgent. `@/ ld c,$GEO_WaraiA1k,80 ;僕の母さんも厳しかったけど、僕を大事に思ってくれたからこそだって、今ならわかるよ。」\ ;＜譲治 `My mother was strict with me too, but by now I realize that it was because she treasured me so."`\ bg M1F_S1aR,0 ld r,$ROS_DefA1,0 ld l,$MAR_DefA1,23 ld l,$MAR_WaraiA2,80 ;「うーうーうー！@　ママ大好き、ママ大好き！」@ `"Uu-uu-uu-!`@` Love Mama, love Mama!"`@ ld r,$ROS_WaraiA2,80 ;「真里亞大好き、真里亞大好き♪　さ、食事に行きましょう？@　お手々つないで仲良くね。」\ `"Love Maria, love Maria♪ So, shall we get some food?`@` Let's be friends and hold hands."`\ cl l,0 ld c,$MAR_WaraiA1,23 ;「うー！@　お手々つないで仲良く！@　ママと真里亞、仲良し仲良し♪」@ `"Uu-!`@` Be friends and hold hands!`@` Mama and Maria, friendly friendly♪"`@ ld r,$ROS_WaraiA1,80 ;「えぇ、そうよ。@ママと真里亞は仲良しよ。@いつまでもずーっとね。@愛してるわ、真里亞…。」\ `"Yes, that's right.`@` Mama and Maria are friends.`@` We'll a-lways be like this.`@` I love you, Maria..."`\ ;■バリン！！@　メタ視空間 mov %play_scene,40090 : mov %r_hyouji_side,1 E_A se1v 1100,100 se2v 1100,100 se3v 2,100 mbg white,1 mcbg 0 msetef 0,0 print 42 mld r,$BUT_OyaA1,24 me1 16 ;「……………何だよ突然。@…どうした？」@ ;＜戦人 `"............What's going on, all of a sudden?`@` ...What's up?"`@ br ;　突然の音は、グレーテルが手にしていたティーカップが落ちて割れた音だった。\ `The sudden sound had come from the teacup Gretel had been holding, which had fallen and smashed.`\ mendef 0 bg G1F_S1aP,0 ld l,$ENJ_NayamuA1,23 ;「………ごめんなさい。@ぼんやりしてたわ。@落としちゃってごめんなさい。」\ `".........Sorry.`@` I got careless.`@` Sorry for dropping it."`\ ;　床のカップは粉々に砕けていた。@ `The cup on the floor had smashed to pieces.`@ br ;　……手から落としたくらいで、あそこまでの音を立てて、しかも粉々に砕けるだろうか。\ `......Would it really have made such a sound and smashed to pieces just by being dropped from that height?`\ ;　鈍感な戦人でも、それが何かの不機嫌を表すものだろうと察したが、@なぜ突然、彼女が機嫌を悪くしたのか理解できなかった。@ `Even someone as thick-headed as Battler could realize that she was in a bad mood over something,`@` but he couldn't understand why she had suddenly grown so displeased.`@ br se1 52 ld r,$RON_DefA1,99,2000,"breakup.dll/llp" ;　屈んでカップの欠片を拾おうとすると、どこからともなく現れたロノウェが、それを制する。\ `When she made to bend over and pick up the fragments of the cup, Ronove appeared out of nowhere and stopped her.`\ ld r,$RON_akuwaraiA1,80 ;「お怪我をなさいますよ。@お片付けは私どもにお任せを。@紅茶のお代わりをお持ちしましょうか…？」@ ;＜ロノウェ `"You will injure yourself.`@` Leave the cleaning up to me.`@` Shall I bring you another cup of black tea...?"`@ ld l,$ENJ_FumanA2,80 ;「……いらないわ。@………どうも悪魔の紅茶は口に合わないみたい。」\ ;＜縁寿 `"......I don't need it.`@` .........I guess a demon's black tea just doesn't match my tastes."`\ ld c,$BEA_FutekiA2,24 ;「ほぉ。@ロノウェの紅茶でも口に合わぬ者がおったとは。@そなたの肥えた舌には敬意を表するぞ。」\ ;＜ベアト `"Hoh.`@` To think that there is someone whose tastes aren't satisfied even by Ronove's tea.`@` I must respect your discerning palate."`\ ld l,$ENJ_nayamuA1,80 ;「………退屈してきたんで、ちょっと席を外すわ。」@ ;＜縁寿 `".........I'm getting bored, so I'll go out for a second."`@ bg G1F_S1bP,0 ld r,$BUT_KomaruA1,24 ;「退屈ぅ？@　おいおい、いよいよこれからだろうが。@/ `"Bored?`@` Wait a sec, this is where things start to get interesting. `@/ ;ld c,$BUT_AseruA1,80 ;多分、この時点で真里亞はまた、傘と手紙をベアトリーチェから受け取ってるって言い出すんだぜ？@　ここからが重要だってのに…、」\ ;＜戦人 `About now, Maria is probably going to say that she got an umbrella and a letter from Beatrice again, right?`@` This is the essential part..."`\ ld l,$ENJ_NayamuA1,23 ;「失礼するわ。@ごめんなさいね、後片付けをお願い。」@ `"Excuse me.`@` Sorry, I'm counting on you to clean this up."`@ bg G1F_S1aP,0 ld r,$RON_DefA1,24 ld r,$RON_akuwaraiA1,80 ;「お任せを。」\ ;＜ロノウェ `"Leave it to me."`\ ;cl l,99,2000,"breakup.dll/urB" se1 52 bg black,22 ;　それだけを言い残し、グレーテルは一方的に姿を消す。@文字通り、虚空に姿を溶かして消えた…。\ `Without saying anything else, Gretel disappeared of her own accord.`@` Her form literally melted and disappeared into thin air...`\ ;　彼女の表情には、確かに不機嫌が浮かんでいた。@ `There was definitely a displeased expression on her face.`@ br ;　しかし、戦人もロノウェも、もちろんベアトも含めて、なぜ突然に機嫌を悪くしたのか理解できない。@ `But neither Battler nor Ronove, and of course, not Beato either, could understand why her mood had so suddenly worsened.`@ br ;　後には、彼女が零した紅茶の香りだけが残っていた…。\ `All that remained was the scent of the black tea she had spilled...`\ fede 0,4000 wait 1000 mov %play_scene,40090 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_enj textoff se1 22 bg Different_spiral_1a,8 bg Different_space_P1a,2 ;■縁寿の回想 bgm1 85 ;　………不愉快だった。@ `.........I don't like it.`@ br ;　いや、さらに言葉を選ばないなら、虫唾が走ったとさえ言っても良かった。\ `No, to be more blunt, it disgusts me.`\ ;gosub *MAR_Isyou2 se1 52 mset mld c,$MAR_ODorokiA1,22 ;print 99,2000,"breakup.dll/urb" ;「うー…？@　……何で縁寿はイラついてるの……？」\ `"Uu-...?`@` ......Why are you so irritated, Ange......?"`\ ;＜真里亞 mcl c,0 mld l,$MAR_OdorokiA1,0 mld r,$ENJ_IkariA1,24 ;「何でって！@　決まってるでしょ…？」@ ;＜縁寿 `"Why, you say!`@` Isn't it obvious...?"`@ mld l,$MAR_DefA1,80 ;「うー。@…真里亞にはわからないよ……？」@ ;＜真里亞 `"Uu-.`@` ...Maria doesn't understand......"`@ br ;　きょとんとした表情を見せる真里亞お姉ちゃんにも、…イラつく。\ `Even Maria onee-chan, with that blank expression on her face, ...irritated me.`\ se1v 22,70 mendef 0 bg white,1 bg book1,22 ;　私が虚空に、手の平を上にしてかざすと、そこにどこからともなくストンと、一冊の本が乗っかる。@ `As I held my hands palms up in the empty air, from out of nowhere, a single book landed on them.`@ br ;　………真里亞お姉ちゃんの日記だ。\ `.........It was Maria onee-chan's diary.`\ textoff se1v 1010,70 wait 200 se2v 1010,70 wait 100 se3v 1010,70 wait 100 se1v 1010,70 wait 100 se2v 1010,70 wait 100 se3v 1010,70 ;　私がページをめくらずとも、風もないのにページがばらばらとめくれ、@真里亞お姉ちゃんの世界への扉を開いていく。\ `Even though I didn't turn the pages, the pages were flipped through, even though there was no wind,`@` and the door to Maria onee-chan's world opened.`\ se1 22 msetef 0,0 mld r,$MAR_defA1,24 ;「……どうして縁寿は、真里亞が幸せじゃないと思うの？」@ `"......Why do you think that Maria isn't happy, Ange?"`@ mld l,$ENJ_komaruA3,23 ;「…………客観的に判断してよ。」\ `"............Think about it objectively."`\ mld r,$MAR_fukigenA1,80 ;「客観的に、縁寿の主観で、だね？」@ `"By objectively, you mean from your perspective, right Ange?"`@ mld l,$ENJ_NayamuA1,80 ;「…………………。@/ `"..................`@/ mld l,$ENJ_fumanA1,80 ;……真実は、私にとってと真里亞お姉ちゃんにとってで、異なると言いたいの？」\ `......Are you trying to say that the truth is different for me and you, Maria onee-chan?"`\ mld r,$MAR_defA1,80 ;「真実は、観測者によって形を変えるよ。@そして、未来の観測者が常に、その形状を上書きする。@………縁寿は、真里亞の幸せを、どうしたいの…？」\ `"Truth can change its form depending on the observer.`@` And observers from the future always overwrite that form.`@` .........Ange, what are you trying to do to Maria's happiness...?"`\ mld l,$ENJ_FumanA2,80 ;「…………………………。」\ `"........................"`\ ;　日記のページがますますにすごい速度でめくれていく…。@そして日記の奥深くより眩い光が溢れ出し……、全てを飲み込んで白で塗り潰した。\ `The pages of the diary were flipped through at greater and greater speeds...`@` Then a brilliant light poured out from the depths of the diary......swallowing everything up and painting over everything with white.`\ textoff mendef 0 gosub *MAR_Isyou1 se1v 22,100 bg white,10,5000 bg black,2 wait 1000 me1v 22,20 wait 1000 fedeXX 0,80,0,0,0,0,4000 wait 1000 e_ 2,1 se1 53 bgm1 91 ;bg TEL1a,16,5000 bg TEL1a,2 ;■真里亞編 mov %play_scene,40090 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar ;「………ごめんね、真里亞。@ママね、緊急に片付けなきゃならない仕事が山積みで、ちょっと会社に缶詰にならなきゃならないの。@……多分、明後日の深夜まで家に帰れないわ。」\ ;＜楼座 `".........Sorry, Maria.`@` Mama has to take care of some sudden business that has piled up, so I need to stay holed up at the company for a while.`@` ......I probably won't be able to come back home until late at night the day after tomorrow."`\ ;「……うー。@……じゃあ、日曜日の一緒に映画を見に行く約束は……？」@ ;＜真里亞 `"......Uu-.`@` ......Then, what about your promise to go to the movies with Maria on Sunday......?"`@ ;「映画…？@　えっと、」\ `"The movies...?`@` Umm-"`\ bg black,2 ;　楼座の口調からは、明らかにその約束を忘れていた様子がうかがえた。@ ;　しかし、それに対する真里亞の返事は、それを聞いたことを詫びるものだった…。@ `Judging by Rosa's tone, she had clearly forgotten that promise.`@ `But Maria's response to that was an apology for asking...`@ br ;　…………ごめんなさい。@ `.........I'm sorry.`@ br ;　それを聞いて母を困らせてしまったことを、真里亞は謝る……。\ `Maria apologized for troubling her mother by asking that question......`\ bg TEL1a,22 ;「………真里亞、お留守番してる。@ちゃんとお行儀良く待ってる。@……毎日お風呂に入って新しい肌着にするよ。@…お金の場所もわかってる。@………毎日違うお店に行くようにする。@あんまり遅い時間に出掛けないようにする。@お巡りさんに聞かれたら、ママのお使いですって言うようにする。@……ちゃんとママに言われた通りに言うようにする。」\ `".........Maria will stay home.`@` I'll definitely wait patiently.`@` ......Maria will take a bath every day and change her underwear.`@` ...Also knows where the money is.`@` .........Maria will go to a different store every day.`@` Will try not to go out too late.`@` If a policeman asks, Maria will say that she is running errands for Mama.`@` ......Maria will do what Mama says, like Mama says."`\ ;「………………………。@……そうね。@ちゃんといい子にしてるのよ。@そしたら、お土産を買ってきてあげるわ。@いい？@　夜は９時までに寝るのよ。@ママが帰ってこないなんて、先生にも大人にも言っちゃ駄目よ。@いいわね……？」\ `".....................`@`......That's right.`@` You really are being a good girl.`@` If you do that, I'll buy you a present.`@` Alright?`@` Go to bed by 9:00.`@` You must not tell the teacher or any adults that Mama isn't coming home.`@` Alright......?"`\ ;「………………うん。@……だからママ、お仕事がんばってね。@……がんばってお仕事終わらせて……、少しでも早く帰ってきてね…。@真里亞、……もう夜中に泣いて、近所の人に迷惑なんか掛けたりしないから……。@……だから、早く帰ってきてね………。」\ `"...............Yes.`@` ......So Mama, do your best at work.`@` ......Do your best, end your job......and come back as soon as you can...`@` Maria, ......won't cry all night and annoy the neighbors anymore......`@`......So, come back quickly........."`\ ;「………………。@……じゃ、忙しいので切るわよ。@……いい子にして待ってるのよ。@余計なことはしちゃ駄目よ。@じゃあね。」@ `"............`@`......Well then, I'm busy, so I'll hang up.`@` ...Be a good girl and wait.`@` Don't do anything foolish.`@` Goodbye."`@ br bg black,1 ;　ブツリ。@……楼座は、切り上げるような口調で、真里亞の返事を待たずに電話を切った。\ `*click*.`@` ......With a tone of finality in her voice, Rosa hung up the phone without waiting for Maria's answer.`\ bg ROS_R1aN,4 ;　真里亞は受話器を行儀良く戻すと、ソファーに戻る。@ ;　そこには、さっきまで一緒にテレビを見ていた、さくたろのぬいぐるみがあった。\ `Maria politely set down the receiver and returned to the sofa.`@ `There sat the stuffed animal Sakutaro, who she had been watching TV with until a second ago.`\ bg ROS_R1bN,24 ;　さくたろはテレビのリモコンを抱いている。@ ;　……電話だからテレビを一度切ったのだ。@ `Sakutaro was holding the remote control to the TV.`@ `......The TV had been turned off because of the phone call.`@ br ;　早くテレビが見たいからまたスイッチを入れてくれという仕草だろう。\ `He looked like he was telling her to push the switch because he wanted to watch TV again quickly.`\ ld c,$MAR_DefA1,23 ;「……………さくたろ。@……テレビ、…見たい？」@ ;『……うりゅ？@　真里亞はもう見たくないの…？@　芸人チーム、全問正解したら逆転かもしれない。@うりゅ〜！』@ `"............Sakutaro.`@` ......Want to watch, ...TV?"`@ `『......Uryu?`@` You don't want to watch anymore, Maria...?`@` If the actors' team gets all the questions right, they might turn things around.`@` Uryu~!』`@ ld c,$MAR_KomaruA1,80 ;「………うん。@………もうテレビ、いいや。」\ `".........No.`@` .........That's enough...TV."`\ bg black,25 ;　また、……ママは仕事が忙しくて、帰ってこない。\ `Again, ......Mama was busy with her work and didn't come home.`\ bg moon_2a,2 ;　普段から残業の多いママは、深夜まで帰ってこない。@ `Mama works so much overtime that she doesn't come home until late.`@ br ;　……お付き合いがあるとかで、強くないのにお酒をいっぱい飲んで帰ってきて、@真っ青な顔をしながら、そのままシャワーを浴びて床に入ってしまうのがいつもだ。\ `......Because she had a date or something, she always came home after drinking a lot of alcohol, even though it wasn't strong,`@` and with a pale face, she would go straight into the shower and then to bed.`\ ;　そして週末も残業だとかお泊まりだとか言って、ほとんど帰ってきてくれない。@ `And because she had overtime on the weekends or something, she said she had to stay over, and almost never came home.`@ br ;　……最近は大きな仕事を控えてるとか言って、頻繁にそういうことがある…。\ `......Recently, she had started saying something about how a big job was holding her back, so this sort of thing happened frequently...`\ bg black,22 ;　……図工の時間にがんばって描いて、みんなに笑われたけど、@ママにだけはちゃんと見て欲しかった絵が、また見てもらえない。@ `......The pictures I did my best on during drawing time were laughed at by everyone,`@` but even so, I wanted to show them just to Mama...and once again, she won't be able to look at them for me.`@ br ;　みんなに押し付けられた掃除だけど、ひとりでちゃんとがんばって、先生に褒められた話とか。\ `And the time when everyone had pushed the job of cleaning up onto me, but I did my best by myself and was praised by the teacher.`\ ;　お買い物に行ったら、お店のおじさんがいつも感心だねって言って、缶コーヒーをオマケしてくれた話とか。@ `And the times when I went shopping, and the man at the shop always said he admired me and gave me a free canned coffee.`@ br ;　いっぱいお仕事がんばって帰ってくるママを励ましたくて、@書いておいたメッセージカードが、こっそりママの枕の下に隠してあるとか。\ `And the time when I wanted to encourage Mama because she worked so hard on her job,`@` and hid a card for her under her pillow.`\ ;「……………他にも、…いっぱい、……お話したかった。」\ `"............There's a lot, ...of other things, ......I wanted to talk about."`\ bg Sakutaro1a,22 ;『………ママは、お仕事をいっぱい頑張ってくれてるんだよ。@毎日のご飯のために、一生懸命働いてくれてるんだよ。』\ `『.........Mama is working really hard at her job.`@` She's working with all of her strength so that we can eat every day.』`\ ;「……お仕事、やだ。@……ママ、お仕事なんかやめちゃえ。」\ `"......I hate her job.`@` ......Why doesn't Mama just quit."`\ bg Sakutaro1b,22 ;『お仕事は、大人の大切な仕事なんだよ。@……真里亞にご飯を食べさせて、@お洋服を買って、@学校の給食費を払って、@サマーキャンプの積立金を払って。@……それはみんなママが働いてお金を稼いでくれるからなんだよ。』\ `『A job is an important thing for adults to do.`@` ......It lets Maria eat, `@`buys clothes, `@`pays for school lunches, `@`and pays the deposit for summer camp.`@` ......This is all because Mama works and earns money.』`\ ;「…………………………。@…ご飯いらない。@お洋服もいらない。@給食もいらないしサマーキャンプなんか行きたくない。@…どうせ真里亞をどこの班も混ぜてくれないもん。」\ `"..................`@`...Don't need food.`@` Don't need clothes.`@` Don't need school lunches and don't want to go to summer camp.`@` ...It's not like any of the groups will let Maria join in."`\ ;bg Sakutaro1a,22 ;『うりゅ……。@……ママはさっき電話で、お仕事から帰ってきたら、お土産を買ってきてくれるって約束してくれたよ？@　ママは真里亞のことが大事で、寂しくさせてることを申し訳ないと思ってるから、@そういう約束をしてくれたんだと思うよ。』\ `『Uryu......`@`......Just now, on the phone, Mama promised that she would buy a present when she comes back from work, right?`@` I think Mama made that promise because you are important to her, Maria, `@`and she would feel bad if she made you lonely.』`\ bg black,22 ;「………そうかな。」\ `"......Is that true..."`\ textoff se1 3 bg Sakutaro1a,1 quakey 3,500 ;『うりゅ！@　面倒臭かったり、嫌だったりしたら、そんなことはしないもん！@　……ママだって、真里亞の側にいつだっていたいんだよ。@…それが出来なくて、ママも辛くて悲しい。@…………ママが泣きながら、ずっと真里亞の隣にいて夜を過ごしてくれた日を、ボクは覚えてるよ。』\ `『Uryu!`@` It definitely isn't a pain, or annoying or anything!`@` ......Mama also wants to be by your side all the time, Maria.`@` ...It's also painful and sad for Mama since she can't do that.`@` ............I remember when Mama spent the whole night by your side, crying.』`\ bg black,22 ;「………うん。@…何でママが泣いてるのかわからなかったけど、……悲しむママが悲しくて、@…ただ真里亞は黙ってママの側にいることしか出来なかった。」\ `".........Yeah.`@` ...Didn't understand why Mama was crying, ......but Mama was so sad,`@` ...and Maria couldn't do anything but stay silent by Mama's side."`\ bg Moon_2a,22 ;『あの時、最後にママが言ったのを、ボクは覚えてるよ。@……真里亞に、ありがとうって言った。@………ただ側に居てくれるだけで、真里亞だけが世界でただ１人の味方なんだよって、ママは言ってくれた。@……うりゅ、覚えてる？』\ `『I remember the last thing Mama said then.`@` ......She said 'thank you, Maria'.`@` .........Mama said that just by being by her side, you were her only ally in the world.`@` ......Uryu, do you remember?』`\ ;「うん…。@………真里亞が世界でただ１人の味方なんだよって、/ ;!d800……ママ言った。」\ `"Yeah...`@`.........Maria is Mama's only ally in the world, `/ !d800`......she said."`\ bg black,2 bg ROS_R1bN,22 ;　さくたろは、リモコンをテーブルに置くと、よちよちとソファーを這い上がって、@私の膝に乗って、…私の瞳を見ながら言った。\ `Sakutaro set the remote control on the table, crawled up onto the sofa,`@` sat on my lap, ...and spoke to me, gazing into my eyes.`\ ;『……ママも、きっと真里亞と同じなんだよ。@………ママの描いたデザインだけが、クライアントに笑われて。@……ママの会社だけが、他の会社から面倒な仕事を押し付けられて。@ママは社長だから、自分ひとりで片付けなくちゃならなくて。@……ママの会社だけが、いつも他の会社の仕事に混ぜてもらえない。@………ママの味方は、真里亞だけなんだよ。@……その真里亞が、ママにお仕事なんかやめちゃえなんて言ったら、……ママの味方は、世界中の、どこにいるの………？』\ `『......I'm sure Mama feels the same way you do, Maria.`@` .........The designs Mama draws are the only ones laughed at by the clients.`@` ......Only Mama's company has troublesome jobs pushed onto it by other companies.`@` Mama is the president, so she has to take care of everything by herself.`@` ......Only Mama's company never gets included in the business of other companies.`@` .........Mama's only ally is Maria.`@` ......If you tell Mama to stop her job, ......where in the world could Mama find an ally.........?』`\ ld c,$MAR_KomaruA1,23 ;「……………ぅぅ…。@………さくたろ……。」\ `"............uu...`@`.........Sakutaro......"`\ ;『ボクには、世界中でただひとり、真里亞がいる。@……ママには、世界中でただひとり、真里亞がいる。@………真里亞には？』@ `『The only person I have in the whole world is Maria.`@` ......The only person Mama has in the whole world is Maria.`@` .........What about you, Maria?』`@ ld c,$MAR_OdorokiA1,80 ;「……ママもいるし、さくたろもいる…。」\ `"......Mama's here too, and so is Sakutaro..."`\ textoff se1 3 bg sakutaro1b,1 quakey 3,500 ;『だから真里亞は寂しくなんか、ない！@　うりゅ！@』 `『So Maria, you aren't lonely at all!`@` Uryu!`@』 ;ld c,$MAR_DefA1,80 ;「………うー。」\ `".........Uu-."`\ ;『ママはお仕事が忙しいから、なかなか真里亞と一緒にいられないけど、真里亞はどうかそれを責めないで。@……その代わり、ボクはいつも一緒に、そしていつまでも一緒に真里亞の側にいるから。@……………だから泣かないで…？@　………うりゅ…。@ボクが一緒じゃ、………悲しみを止められない……？』\ `『Since Mama is busy with her work, she can't be together with you very often, but please, don't blame her for that, Maria.`@` ......In exchange, I will always be here, and I'll be by your side forever.`@` ............So don't cry, okay...?`@` .........Uryu...`@` Can't your sadness be stopped, .........if I'm with you......?』`\ ;ld c,$MAR_NakuA1,80 ;「…………ぅぅ、……うううぅううぅ、さくたろ…。@……うううぅううぅぅ！！@　うわああああぁああああぁあう、わぁあああああぁあぅ…。」@ `"............uuu, ......uuuuuuuuuuu, Sakutaro...`@`......Uuuuuuuuu!!`@` Uwaaaaaaaahhh, waaaaaaaaaaaahhh..."`@ br ;　………真里亞は、がんばって塞ぎ続けてきた心の隙間から、…悲しみの雫をとうとう、零してしまう。@……ぽたりぽたり。@……ぽたぽた。@ ;　……しくしくぽたぽた、ぽろぽろぽろ。\ `.........From the corner of Maria's heart, which she had been doing her best to seal up, ...drops of sadness finally dripped down.`@` ......*drip*drip*.`@` *drop*drop*.`@ `......*drip*drop*drip*drop*.`\ bg black,25 ;　ママが帰って来れない週末なんて、珍しいものじゃないはずなのに。@ ;　……この夜が、普段の夜に比べて、特別、辛くて悲しかったわけじゃないのに。@ `Even though weekends where Mama doesn't come home aren't that rare a thing.`@ `......It's not like tonight is particularly painful or sad compared to other nights.`@ br ;　……真里亞は涙をぽろぽろと零す。\ `......Maria's tears poured down.`\ bg Sakutaro1a,22 ;『うりゅー…！@　真里亞、泣かないで…。@ボクがずっと一緒にいるから…。@真里亞が泣いても、ボクは泣かない。@ボクはライオンの子だから寂しくても泣かないよ。@……ボクだって泣きたいけど、ボクは泣かないんだもん…！』\ `『Uryu-...!`@` Maria, don't cry...`@` I'll always be with you...`@` Even if you cry, Maria, I won't.`@` I'm a lion cub, so I won't cry even if I'm lonely.`@` ...Even though I want to cry too, I won't...!』`\ ;「どうして、さくたろは泣かないの…？@　こんなに寂しくて涙が堪えられなくても泣かないの…？」\ `"Why won't you cry, Sakutaro...?`@` Even though you're so sad that you can't hold back the tears, you won't cry...?"`\ bg Sakutaro1b,22 ;『うりゅ。@だってボクが泣いたら、誰が真里亞を慰めるの…？@　だからボクは泣かないよ。@だって、真里亞に元気を出してもらいたいから。』@ ;「元気を出したら、……ママは帰ってくるの……？」\ `『Uryu.`@` But if I cry, who will make you feel better...?`@` So I won't cry.`@` After all, I want to get your spirits up.』`@ `"If Maria gets her spirits up, ......will Mama come back......?"`\ ;『ママが帰ってきた時、元気な真里亞で迎えてあげたら、……ママはきっと喜ぶと思うな。@うりゅ。』@ ;「……ママは、喜ぶ……？」\ `『When Mama comes back, if she's welcomed by a happy Maria, ......I'm sure she'll be happy.`@` Uryu.』`@ `"......Mama...will be happy......?"`\ ;『うりゅ。@そしたらきっと、お仕事の疲れもきっと癒されると思うよ。@そしたらきっと、いつもより早く元気になってくれて、真里亞ともいっぱい遊んでくれると思うな。』@ ;「…………………………。」\ `『Uryu.`@` If you do that, then I'm sure her fatigue from work will also be healed.`@` Then, I'm sure she'll start feeling better sooner, and will play with Maria a lot.』`@ `"........................"`\ ;『真里亞がママの待ってるお家へ帰ってきた時、ママが上機嫌で台所にいたら、すごく幸せな気持ちになるでしょ？@　ママもきっと同じだよ。』@ ;「……真里亞がご機嫌でお留守番してたら、……ママも幸せになるかな。」@ `『When you come home and Mama's waiting for you there, and she's in the kitchen in high spirits, don't you feel really happy?`@` I'm sure Mama feels the same way.』`@ `"......If Maria stays home in high spirits, ......will Mama feel happy too?"`@ ;『うりゅ！』\ `『Uryu!』`\ bg black,22 ;　さくたろは、その大きな頭で深々と頷いた。@ ;　真里亞の目からは、もう新しい涙は零れない。@ `Sakutaro nodded deeply with his big head.`@ `The tears couldn't keep falling from Maria's eyes.`@ br ;　……泣きはらした顔でママを迎えたら、きっとママも悲しむだろうから。\ `......If she greeted Mama with a tear-stained face, Mama would probably get sad too.`\ bg ROS_R1aN,26 ;ld c,$MAR_FukigenA1,26 ;『真里亞は知ってるよ。@笑顔を呼ぶ魔法は、自分も笑わなきゃ出来ないってこと。』@ `『You know about it, Maria.`@` You can't use the magic that creates smiles if you aren't smiling too.』`@ ld c,$MAR_OdorokiA1,80 ;「……うん。@……真里亞は知ってるよ。@だからもう、泣かない。」\ `"......Yeah.`@` ......Maria knows.`@` So, won't cry anymore."`\ ;『ねぇ、真里亞。@ボクから楽しく過ごす提案があるよ。@……うりゅ、聞いてくれる？』@ `『Hey, Maria.`@` I have an idea for how to have a fun time.`@` ......Uryu, want to hear it?』`@ ld c,$MAR_DefA1,80 ;「……なぁに？」\ `"......Whaat?"`\ E_A ;『ママが日曜日の深夜まで帰って来ないから。@/ `『Mama won't come back until late night Sunday. `@/ bgm1v 92,80 ;だから、ママに内緒のパジャマパーティをして遊ぼうよ。』@ `So let's have a pajama party and keep it a secret from Mama.』`@ ld c,$MAR_odorokiA1,80 ;「パジャマパーティ…？」\ `"Pajama party...?"`\ bg sakutaro1b,22 ;『今夜は眠くなるまで、ベッドの中でお菓子を食べたりジュースを飲んだりしながら、ボクと遊ぶの。』@ `『Until you get tired late tonight, eat candy and drink soda in bed, and play with me.』`@ ;ld c,$MAR_WaraiA2,80 ;「パジャマパーティ。@……うん、楽しそう。@…９時に寝なくていいの？@　寝ないとママに怒られない？」\ `"A pajama party.`@` ......Yeah, sounds fun.`@` ...I don't have to go to bed at 9:00, right?`@` Mama won't get mad if I don't sleep?"`\ ;『ママがいない時だけの、ボクと真里亞の秘密。@だから今夜は、真里亞が眠くなるまで、ずっとボクたちで楽しく過ごそう。@ジェリービーンズを食べながら、次は何の色を引くか当てっこして遊ぼう。@ピーナッツを割って、どっちがお爺さんか当てて遊ぼう。@クローゼットの中を宝探ししよう。@他にも他にも！@　コーラとメロンジュースを合わせたらどんな味になるかな。』\ `『This is a secret between me and you, only for when Mama isn't around.`@` So tonight, until you get sleepy, let's have fun the whole time.`@` Let's eat jellybeans and try to guess what color we'll get next.`@` Let's split open peanuts and try to guess which half is the Grandpa.`@` Let's search for treasure in the closet.`@` And more, and more!`@` I wonder what it'll taste like if we mix cola and melon soda.』`\ bg ROS_R1bN,0 ld r,$MAR_NiyariA1,24 ;「うー。@いっぺんやってみたかったけど、ママにやっていい？って聞いたら駄目って怒られた。」\ `"Uu-.`@` Wanted to try it once, but asked Mama if it was alright and she got mad."`\ ;『うりゅー！@　ママに内緒で実験してみよう♪@　今夜はいっぱい遊んでいっぱい笑って、涙を元気で吹き飛ばしちゃおう。@大丈夫、ボクと一緒だから絶対に楽しいよ！@　ボクが絶対に真里亞を幸せにしてあげるから。』\ `『Uryu-!`@` Let's keep it a secret from Mama and try it out♪`@` Tonight, let's play a lot, laugh a lot, and blow away our tears with happiness.`@` Don't worry, it'll definitely be fun if I'm here!`@` I'll definitely make you happy, Maria.』`\ ld r,$MAR_WaraiA1,80 ;「うん、うん。@さくたろと一緒なら絶対に楽しいよ。@絶対に幸せになれるよ。@ありがとう、さくたろう。@もう泣かないね。@飛び切り楽しく二人で過ごして、思い切り元気になってママをお帰りなさいって迎えちゃおう。」\ `"Yeah, yeah.`@` It'll definitely be fun if Sakutaro's there.`@` Maria can definitely become happy.`@` Thank you Sakutaro.`@` Won't cry anymore.`@` Let's play all we can, get happy all we can, and say welcome back when Mama gets home."`\ se1 3 bg sakutaro1a,0 ld r,$MAR_WaraiA1,1 quakey 3,500 ;『うりゅー！@　今夜はいっぱい遊んでいっぱいご機嫌になっちゃおう♪@　ママがいない夜にしか遊べない、秘密のパーティでいっぱい遊ぼう。@ボクたちが賑やかにしてたらきっと、鏡の国や不思議の国から、たくさんの友達が遊びに来るよ。@そしたらもう、ボクたちはお友達でいっぱいで、退屈なんか出来なくなっちゃう。@うりゅー！』@ `『Uryu-!`@` Tonight, let's play a lot and feel a lot better♪`@` Let's play a lot in a secret party that we can only have when Mama isn't here.`@` If we're noisy enough, I'm sure plenty of friends will come to play from the land of the looking glass and wonderland.`@` Then, we'll have so many friends that we won't be able to get bored.`@` Uryu-!』`@ ld r,$MAR_WaraiA2,80 ;「うりゅー！！」/ `"Uryu-!!"`/ se1 3 \ bg black,25 fede 0,2000 bg Moon_2a,22 bgm1 60 ;　……そして真里亞は、さくたろと二人きりのパジャマパーティを開いて、深夜まで楽しく遊んだ。@ `......Then, Maria began her pajama party all alone with Sakutaro, having fun until late into the night.`@ br ;　ジェリービーンズを、袋を見ないで手を突っ込んで、何色を引くか当てて遊んだ。@ ;　……さくたろは勘がよく、結構正解した。@ ;　真里亞も途中、４連続で当てるという快挙を見せた。\ `She played by sticking her hand into the bag of jellybeans without looking, and trying to guess which color she pulled out.`@ `......Sakutaro had good intuition and got it right a lot.`@ `Maria also had a brilliant move where she guessed right four times in a row.`\ ;　ピーナッツを割ってどっちがお爺さんになるかを当てる遊びは、@ジェリービーンズの色当てよりも簡単でいっぱい正解できた。@ `The game where she split peanuts open and tried to guess which was the Grandpa,`@` was easier than guessing the color of the jellybeans, so she got it right a lot.`@ br ;　塩まみれになった指をしゃぶるのが、お行儀は悪いけど一番美味しかった。\ `Sucking her salt-covered fingers was impolite, but that was the yummiest part.`\ ;　コーラもメロンジュースもそれぞれ大好き。\ `She liked both cola and melon soda on their own.`\ ;　そんな大好きなジュースを混ぜたなら、まるで錬金術みたいにピカーっと光って、@誰も味わったことのない新しいジュースが生まれるんじゃないかと期待した。@ `She hoped that by mixing her two favorite drinks, there might be a flash of light like alchemy,`@` and a new drink that no one had ever tasted before would be created.`@ br ;　すごく美味しく出来たなら、それをさくたろジュースと名付けて販売しようと盛り上がった。\ `She got excited about how, if it turned out really delicious, she would call it Sakutaro Soda and sell it.`\ ;　でも、案外期待外れの微妙な味だった。@ ;　色も何だかくすんで冴えない。@ `But, unexpectedly, it had a weird taste that she hadn't hoped for.`@ `And the color was somewhat dull and thick.`@ br ;　…黒いのと緑のを混ぜたらやっぱりこんな色になってしまうか。@ ;　……ピカピカ光るパイナップル色を想像していただけに、残念。\ `...Maybe I shouldn't have been surprised that black and green mixed together would make this.`@ `......Too bad. I imagined that it would become a sparkling pineapple color.`\ bg black,45 ;　でも、すごいすごい楽しい夜だった。@ `But, it was an awesome, awesome, fun night.`@ br ;　これだけ楽しくしていたなら、ママも思わず帰って来たくなって、ひょっこりと帰宅してくれるかもしれない。@ `If it's this fun, maybe Mama will start wanting to come home and do so by chance.`@ br ;　……だから、急にママが帰ってくるような気がして、@何度か玄関を見に行ったけど、仕事で忙しいママが帰ってこられるわけもなかった。\ `......So I felt like Mama might suddenly come home and went to the front door many times to check, `@`but there was no way Mama would be able to come home when she was this busy with work.`\ bg Moon_2a,22 ;　でも、それは寂しいという気持ちじゃなく、@こんなにも楽しい真夜中のパーティにママを加えてあげられなかったという、残念な気持ちだった。\ `But rather than a feeling of loneliness, `@`it felt just a little disappointing that Mama couldn't join in on this fun late-night party.`\ ;　今度はママがいる時に開催して、ママも混ぜてあげよう。@ `Sometime soon, I'll do this when Mama is around, and let her join in.`@ br ;　ママは真里亞にとって美味しくないものでも美味しいというから、@さくたろジュースもすっごく美味しいと言ってくれるかもしれない。@ `Mama thinks things that Maria doesn't think are yummy are delicious,`@` so she might say that Sakutaro Soda is really yummy.`@ br ;　ママが疲れて帰ってきたらご馳走してあげよう。\ `When Mama comes back tired, I'll serve her some.`\ ;　そして何よりも。@ `And more than anything.`@ br ;　……この楽しい夜をせめて手紙に書いて、ママに伝えたいと思った。\ `......I wanted to at least write about this fun night in a letter and tell Mama about it.`\ ;　こんなにも幸せな気持ちが、ママにも届きますように。@ `So that these feelings of happiness would reach Mama too.`@ br ;　いつもお仕事で大変で、疲れてぐったりして帰ってくるママに、この幸せがお裾分けできますように。\ `Her work is always so tough and she comes home so tired, so I hope I can share this happiness with her.`\ ;　日曜日の深夜にぐったりして帰ってくるに違いないママが、@この幸せのお裾分けで、ちょっぴりでも元気になってくれますように……。\ `Mama will almost certainly come home tired late Sunday night,`@` and I hope I can make her even just a little brighter by sharing this happiness......`\ bg black,5 ;　その手紙を、ママの机の上にそっと置く。@ `I softly placed that letter on Mama's desk.`@ br ;“ママへ。@今日もお仕事お疲れさま☆　幸せのおすそわけ。@――真里亞より”\ `'To Mama.`@` Good job with your work again today☆ Let's share our happiness.`@` ――From Maria'`\ bg ROS_M1bN,2 ;　そして、こんな素敵な夜を提案してくれたさくたろに、真里亞は贈り物をすることにした。@ `Then, she decided to give a present to Sakutaro for proposing this wonderful party.`@ br ;　クローゼットの宝探しの時に見つけた、小さな赤いマフラー。\ `A small red muffler that she had found when searching for treasure in her closet.`\ ;　まだ真里亞がものすごく小さかった頃、ママが編んでくれた小さな小さな赤いマフラー。@ ;　毛糸の刺繍でマリアと書いてある。\ `When Maria had still been very young, Mama had knitted this tiny red muffler.`@ `'Maria' was embroidered on it with knitting wool.`\ bg Sakutaro1a,6 ;　……そのマフラーをさくたろにそっと巻いてあげる。@ ;　それは黄色い彼に、とてもよい赤いアクセントとなって似合った。\ `......She softly wrapped that muffler around Sakutaro.`@ `It really suited him, accenting his yellow with red very well.`\ bg Sakutaro2b,2 ;『………うりゅ。@…似合う……？@』 `『.........Uryu.`@` ...Does it suit me......?`@』 br ;　さくたろは、生まれて初めてもらったプレゼントをつけて、恥ずかしそうにしている。@ ;　……うん。@とってもよく似合ってる。\ `Sakutaro looked embarrassed as he wore his first present ever.`@ `......Yeah.`@` It really suits him.`\ bg ROS_M1aN,0 ld r,$MAR_waraiA1,26 ;「うー。@さくたろ、いつもいつも本当にありがとう。@こんなにも楽しい夜になったよ。@/ `"Uu-.`@` Sakutaro, thank you so much for everything.`@` It was so fun tonight. `@/ ;ld r,$MAR_WaraiA2,80 ;どうして真里亞は泣いてたのか、もう思い出せないくらい。@……これからも一緒にいようね。@そしていつも楽しく遊んで笑っていようね。」\ `Maria can't even remember why she was crying.`@` ......Let's be together from now on.`@` And let's always play and laugh together."`\ bg sakutaro2a,22 ;『うりゅー！@　真里亞、大好き！』@ `『Uryu-!`@` Love you, Maria!』`@ ld r,$MAR_WaraiA1,22 ;「真里亞もだよ。@さくたろ、大好き。」\ `"Maria too.`@` Love you, Sakutaro."`\ bg black,5 bg Moon_2a,2 ;　真里亞のお部屋は、こんなにも賑やかに遊んだので、しっちゃかめっちゃか。@ ;　ちょっと楽しく遊び過ぎたかも。\ `After playing so wildly, Maria's room was a mess.`@ `Maybe she played a little too much.`\ ;　……でも、今日は眠いから一緒に寝よう。@ ;　そして明日、一緒にお片付けして、綺麗なお部屋でママをお迎えしよう。@……ね？　さくたろ？@ `......But I'm tired for today, so let's sleep together.`@ `And tomorrow, we'll clean up together and welcome Mama with a clean room.`@` ......Alright? Sakutaro?`@ br ;　うりゅー♪\ `Uryu-♪`\ msetef 0,0 ;gosub *MAR_Isyou2 print 22 mld r,$MAR_niyariA2,24 ;■メタ視 mov %play_scene,40090 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_mar ;「……ね？@　真里亞は、うぅん、真里亞とさくたろは、こんなにも幸せだよ？」@ ;＜真里亞 `"......See?`@` Maria is...no, Maria and Sakutaro are so happy, right?"`@ mld l,$ENJ_komaruA3,23 ;「……………………。@これが、真里亞お姉ちゃんの幸せなの…？」\ ;＜縁寿 `"............`@`Is this your happiness, Maria onee-chan...?"`\ textoff mld r,$MAR_niyariA1,80 fede 0,3000 mld r,$MAR_WaraiA1,80 ;「うん。@真里亞は、幸せ。」@ `"Yeah.`@` Maria is happy."`@ bgm1 85 mld l,$ENJ_defA1,80 ;「……楼座叔母さんは、あんなにも楽しみにして、絶対だよと約束した映画の約束を完全に忘れてた。」\ `"......Even though you were looking forward to that movie so much, and Rosa oba-san promised that she'd definitely take you, she completely forgot."`\ mld r,$MAR_niyariA2,80 ;「お仕事で忙しかったから、たまたま忘れちゃったんだよ。@……仮に覚えてたとしても、お仕事じゃどうしようもない。@覚えてても覚えてなくても、どちらにせよ、ママはお仕事でお泊り。@映画には行けなかった。@………約束を覚えてたかどうかなんて、些細な問題だよ。」\ `"She just happened to forget because she was so busy with work.`@` ......Even if she had remembered, with her work, there would be nothing she could do.`@` Whether she remembered or not, Mama would spend the night at work.`@` She couldn't go to the movies.`@` .........Whether she remembered or not is a minor problem."`\ br ;　……些細な問題のわけはない。@ `......There's no way that's a minor problem.`@ br ;　だって、……楼座叔母さんが電話の向こうで「映画？」と応え、@完全に約束を忘れていたことは明白だった。@ `After all, ......when Rosa oba-san answered 'Movie?' on the phone, `@`it was obvious that she had completely forgotten her promise.`@ br ;　そして、それを聞いた時、真里亞お姉ちゃんは、間違いなく表情を曇らせたのだから。\ `And when she had heard that, Maria onee-chan's mood had definitely darkened.`\ mld l,$ENJ_NayamuA1,80 ;「確かに、……真里亞お姉ちゃんの言うとおり、@楼座叔母さんが約束を覚えていたとしても、結局、映画には行けなかった。@/ `"Well, ......like you say, `@`even if Rosa oba-san had remembered her promise, you wouldn't have been able to go to the movies in the end. `@/ mld l,$ENJ_komaruA3,80 ;……でも、それでも。@……お母さんとのささやかな休日を過ごす約束を、一方的に忘れられていたなんて、…悲しい。@私なら怒る。」\ `......But even so.`@` ......To think that your mother just forgot her promise to spend one of her few days off with you, ...it's sad.`@` I'd be mad."`\ mld r,$MAR_fukigenA1,80 ;「…………………………。@…うん。@悲しかったよ。@たとえ覚えててくれたとしても、映画には行けなかったわけだから。@/ `".....................`@`...Yeah.`@` It was sad.`@` Because even if she had remembered, we wouldn't have been able to go to the movies. `@/ mld r,$MAR_WaraiA1,80 ;……でも、私はその後、さくたろととてもとても楽しく夜を過ごした。@縁寿も、パジャマパーティがすっごく楽しそうだって、思ったはず。」\ `......But after that, I had a very, very fun night with Sakutaro.`@` You must've thought that pajama party looked really fun too, Ange."`\ mld l,$ENJ_NayamuA1,80 ;「………………………。@楽しいわけなんかない。@/ `"..................`@`There's no way that would be fun. `@/ mld l,$ENJ_hanbesoA1,80 ;…だって、この夜の真里亞お姉ちゃんのはしゃぎぶりは、@……お母さんが帰ってこなくて寂しくて、それを忘れるために、わざと空騒ぎをしただけじゃない。」\ `...I mean, all of that messing around you did that night,`@` ......was just like intentionally making a big fuss about nothing so you could forget that you were lonely and that your mother wasn't coming home."`\ mld r,$MAR_DefA1,80 ;「違うよ。@さくたろと、本当に楽しくパーティをしたんだよ。」@ `"That's not true.`@` Really did have a fun party with Sakutaro."`@ mld l,$ENJ_hanbesoA2,80 ;「いいえ、違う！@　お姉ちゃんは悲しくて悲しくて、約束を忘れてたお母さんが憎くて憎くて、部屋で暴れただけじゃない…！！」\ `"No, that's not true!`@` You were just so sad, and you hated your mother so much for forgetting her promise, that you made a mess of your room...!!"`\ mld r,$MAR_odorokiA1,80 ;「……………そんなこと、真里亞の日記のどこに書いてあったの？」\ `"............Where was something like that ever written in Maria's diary?"`\ mld l,$ENJ_hanbesoA3,80 ;「書いてはいない！@　でも、……この一行飛ばしで書いてある行間から、お姉ちゃんの気持ちがわかるの！@　お姉ちゃんはこの夜を楽しくなんか過ごさなかった！@　それで、言いつけを破って夜更かしをし、おやつの時間以外には食べてはいけないと厳しく言われていたルールを破ってお菓子を食べ、@……それでも悲しみが埋められなくて、部屋の中で暴れて、………散らかしただけじゃない…！！@　そして部屋中を散らかして、疲れ切って、@………そのままベッドのシーツを掻き毟りながら泣き疲れて眠っただけ…！」\ `"It isn't written anywhere!`@` But, ......by reading in the gaps between every line, I can understand your feelings!`@` You didn't have a good time at all that evening!`@` And you stayed up late when you were told not to, broke the strict rule about eating sweets outside of snack time, `@`......and when even that didn't bury your sadness, you went wild in your room, .........and made a mess of it, right...?!!`@` And after you made a mess of your room and were all tired out, `@`.........all you did was claw at the bed sheets and cry yourself to sleep, right...?!"`\ mld r,$MAR_komaruA1,80 ;「………日記には確かに、ママが映画の約束を忘れてたらしいこと、@そして私が夜更かしをしてさくたろとパジャマパーティをして、……宝探しで部屋を散らかしてしまったと書かれてるね。」\ `".........It is written in the diary that Mama probably forgot her promise about the movie,`@` and that I stayed up late having a pajama party with Sakutaro, ......and made a mess of my room searching for treasure."`\ mld l,$ENJ_hanbesoA2,80 ;「えぇ。@それはつまり、………そういうことじゃない！@　真里亞お姉ちゃんは、楼座叔母さんの愛に飢えていた…！@　そして楼座叔母さんは自分の仕事や世間体ばかりを優先して、いつもお姉ちゃんを後回しにしていた…！\ `"Yes.`@` And, .........this is what it means!`@` You were starving for Rosa oba-san's love, Maria onee-chan...!`@` And Rosa oba-san always put her work and her public image first, always keeping you on the back-burner...!`\ mld l,$ENJ_hanbesoA3,80 ;　だから虫唾が走るのよ！@　楼座叔母さんの、お姉ちゃんのことを愛しているという言葉が、どれほど上辺だけのものか、知っているから！！@　お姉ちゃんだって知ってるはず！\ `That's what disgusts me!`@` Because I know just how superficial Rosa oba-san's words of love for you are!!`@` You should realize this yourself!`\ mld l,$ENJ_hanbesoA2,80 bgmvol 80 ;　なのに、……何で自分は幸せだなんて言えるの？！@　真里亞お姉ちゃんの、……その辺りが私にはわからない！！@　この歳になっても、さっぱり理解できない…！！@/ `And despite this, ......how can you say that you're happy?!`@` I don't understand, ......that part of you, Maria onee-chan!!`@` Even as old as I am, I can't understand it at all...!! `@/ ;mld l,$ENJ_IkariA1,80 ;　どうして悲しくないの？@　どうして不幸な現実を知りながら、自分は幸せだなんて言えるの？！@　私には出来ない、わからないッ…！！」\ `Why aren't you sad?`@` Why is it that you can experience a reality filled with misfortune and can call yourself happy?!`@` I can't do it, I can't understand it...!!"`\ mld r,$MAR_odorokiA1,80 ;「……………縁寿は、悲しい子だね。」\ `"............You are a sad kid, Ange."`\ mld l,$ENJ_hanbesoA3,80 ;「わけわかんないッ！！@　どうして私が憐れまなければならないの？！」@ `"I don't get it!!`@` Why are you pitying me?!"`@ mld r,$MAR_waraiA1,80 ;「………私の日記には、こんなにも楽しくパジャマパーティの“事実”が記されているのに。@………同じ“事実”も、異なる人間が観測すると、異なる姿になってしまうんだね。」\ `".........Even though a 'fact' about a really fun pajama party is written about in my diary,`@` .........if the same 'fact' is observed by different people, it has a different form."`\ br ;　ベルンカステルと、そんな話をしたことを思い出す。@ `I remembered talking about something like this with Bernkastel.`@ br ;　真実は不定形なもので、観測される度に姿を変えるもの。@ ;　一つの真実は、その捉え方によって、…つまり人によって異なる真実となる。@ ;　そして過去の真実は、未来の真実で塗りつぶされる……。\ `Truth is unfixed and changes its form every time it's witnessed.`@ `By the way it is perceived, ...in other words, depending on the person who perceives it, a single truth becomes different truths.`@ `And truths of the past are painted over by truths of the future......`\ mld r,$MAR_niyariA1,80 ;「真里亞はこの日記で、この夜の出来事を、とてもとても楽しかったと記した。」@ ;＜真里亞 `"In this diary, Maria wrote that what happened that night was very, very fun."`@ mld l,$ENJ_hanbesoA1,80 ;「……真里亞お姉ちゃんはこの夜の出来事を、とても幸せだったと記述した。」\ ;＜縁寿 `"......You described the events of that night as something very happy."`\ mld r,$MAR_odorokiA1,80 ;「なのに、日記を読んだ縁寿は、この夜の出来事を、とてもとても悲しかったと読んだ。」@ `"And yet, when you read the diary, the events of that night sound very, very sad."`@ mld l,$ENJ_nakuA1,80 ;「……真里亞お姉ちゃんは幸せだと記述したのに、私はそうではないと読み解いた。」\ `"......Even though you describe it as happiness, I read it as something different."`\ mld r,$MAR_KomaruA1,80 ;「やめて。」\ `"Stop it."`\ mld l,$ENJ_komaruA1,80 ;「……………………………。」\ `"........................"`\ me1v 5,50 mld r,$MAR_fukigenA1,80 ;「これは、幸せな夜を記したものなの。@………これが、この夜の“真実”。@お願いだから、その幸せな真実を、/ ;!d1000…………新しい、そして異なった真実で塗り潰さないで。」\ `"This...tells of a happy night.`@` .........This is...the 'truth' of that night.`@` Please, don't take this happy truth, `/ !d1000`............and paint over it with a new, different truth."`\ mld l,$ENJ_FumanA2,80 ;「…………真里亞お姉ちゃんにはこれで、……幸せなの？」@ `".........Does this make you, ......happy, Maria onee-chan?"`@ mld r,$MAR_defA1,80 ;「うん。@幸せ。@………だから、同じ境遇の時、幸せに感じられない縁寿が、可哀想。」\ `"Yes.`@` Maria is happy.`@` .........That's why Ange, who cannot feel happiness in the same situation, is so pitiable."`\ br ;　………友達もなく、孤独な境遇は、今の私も当時の彼女も同じ。@ `.........Both Maria at that time, and I now, were in the same isolated situation, with no friends.`@ br ;　そして縁寿は、……孤独な真実を、孤独な真実のままに受け入れる。@ ;　しかし彼女は、……孤独な真実を、幸せな真実に塗り替えた。\ `So Ange, ......accepted an isolated reality as an isolated reality.`@ `But Maria, ......painted over an isolated reality with a reality of happiness.`\ ;　右代宮真里亞は、悲しい真実を、/ ;!d1000……幸せに変えたのだ。@ `Ushiromiya Maria took a sad truth, `/ !d1000`......and changed it into happiness.`@ br ;　そここそが、/ ;!d800……私と真里亞お姉ちゃんの、唯一にしてあまりに大きな、…違い。@ ;　そして、それを受け容れられないと思いつつ、/ ;!d800……その力を羨む自分もいる。\ `That was, `/ !d800`......the only, yet very large, ...difference between me and Maria onee-chan.`@ `And even though I am unable to accept it, `/ !d800`......I am also jealous of that power.`\ mld r,$MAR_fukigenA1,80 E_MA ;「うん。@……そうなの。@それは“力”なの。@……その力がある真里亞は幸せになれて。@その力がない縁寿は、幸せになれない。」@ `"Yes.`@` ...That's right.`@` This is 'power'.`@` ......Maria was able to become happy with that power.`@` Because you don't have that power, you cannot become happy, Ange."`@ mld l,$ENJ_komaruA2,80 ;「その………力は、/ ;!d800…………何なの…………？」\ `"What.........is, `/ !d800`............that power............?"`\ mld r,$MAR_defA1,80 ;「真里亞も、その力を何と呼ぶか、わからなかった。@……この時点ではね。@…やがて、その正体を教えてもらうの。@/ `"Maria didn't know what to call that power either.`@` ......At this point in time, at least.`@` ...Eventually, Maria was taught its true form. `@/ mld r,$MAR_niyariA1,80 ;……後に話すよ。@後のページで。@………そしてそして、日曜日の深夜。@ママは約束どおりお土産を持って、帰ってきた……。」\ `......Talk about it later.`@` On the next page.`@` .........So then, so then, late Sunday night.`@` With a present, just like she'd promised, Mama came back......"`\ textoff mendef 0 bg black,5 fede 0,3000 wait 1000 bgm1 90 ;se1v 15,50 ;wait 500 bg ROS_R1aN,26 ld c,$ROS_KomaruA1,3 ;■真里亞編へ戻る mov %play_scene,40090 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar ;「………ただいま。」\ ;＜楼座 `".........I'm back."`\ bg ROS_R1bN,0 ld r,$MAR_WaraiA2,24 ;「ママー、お帰りぃいいぃ！！」@ ;『うりゅー！！@　ママ帰ってきた、ママ帰ってきた！』@ `"Mama-, welcome hoooooooome!!"`@ `『Uryu-!!`@` Mama came back, Mama came back!』`@ br ;　疲れ切っての帰宅となった楼座を出迎えたのは、@さくたろを抱きながら、信じられないくらいに上機嫌の真里亞だった。\ `Waiting to greet Rosa as she returned home all tired out,`@` was Maria, in an unbelievably good mood, holding Sakutaro.`\ ;　楼座の疲れ切った表情は、実際の疲れもあっただろうが、@……数日間の留守を経て愚図る真里亞に、ぶーぶーわーわーと泣きつかれるのがウンザリだというものも含まれていただろう。@ `Most likely, Rosa's worn out expression was partly because she really was tired, `@`......but partly because it would be a pain when Maria, who should have been grumbling after staying home alone for several days, would cling to her sobbing.`@ br ;　しかし、それが信じられないくらいに杞憂で、@……信じられないくらいに元気な真里亞に迎えられ、楼座は驚きを隠せなかった。\ `However, when she was welcomed by an unbelievably happy Maria, `@`......and found that her fears were unbelievably needless, Rosa couldn't hide her surprise.`\ ld l,$ROS_odorokiA1,23 ;「ど、……どうしたの真里亞…。@とてもご機嫌ね…？！@　誰か来ているの…？！」@ `"Wh, ......what's going on, Maria...?`@` You're in a great mood...?!`@` Is someone here...?!"`@ br ;　まるで、お友達が上がっていて、楽しく遊んでる最中に自分が帰ってきたのではないかと思ってしまうくらい。\ `It was strange enough to make Rosa think that a friend had come over, and that she had come home right when they were having a good time playing together.`\ bg black,22 ;　しかし玄関に他の靴はない。@ `But there were no other shoes by the entrance.`@ br ;　……真里亞はこんなにも上機嫌だけど、たったひとりで留守番をしていたのだ。\ `......Even though Maria was in such high spirits, she was home alone.`\ ;　楼座は初めこそ、理由のわからない上機嫌に、何かロクでもない理由があるのではないかと訝しがったが、@それは本当に杞憂で、……とにかく本当に上機嫌で留守番をしてくれていたのだ。\ `At first, Rosa was suspicious that the cause of this unexpected good mood could be nothing good,`@` but that really was a needless fear, ......and in any event, Maria really had been in a good mood as she stayed at home.`\ ;　………岩のように冷え切り、硬くなった心であっても、…こんな笑顔で迎えられたら。@ `.........Even if Rosa's heart had been as cold and hard as a rock, ...after being welcomed with a smile like this...`@ br ;　楼座はその笑顔を素直に受け止められるようになり、自然と自分の顔も笑顔になっていった。\ `Rosa started to honestly accept that smile, and a smile rose to her own face automatically.`\ bg ROS_R1aN,26 ;　……そこには数日の間、帰宅できなかったという疲労感はまったくなくなっていた。@ `......In that smile, you could see none of the weariness caused by being unable to return home for several days.`@ br ;　真里亞は、ぬいぐるみのさくたろと、如何に楽しく遊んで留守番をしていたかをいつまでも話し続ける。\ `Maria kept talking about what a fun time she'd had playing with the stuffed animal Sakutaro.`\ ;　楼座は自分の贈ったぬいぐるみが、ここまで気に入ってもらえるとは思わず、嬉しい驚きを隠せずにいた。\ `Rosa really hadn't imagined that the stuffed animal she herself had given would be liked so much, and she couldn't hide her pleased surprise.`\ bg ROS_R1bN,0 ld r,$ROS_WaraiA2,24 ;「そう。@さくたろうと一緒に仲良くお留守番していたのね。@偉いわ真里亞。@そんな偉い真里亞とさくたろうにお土産があるわよ。」\ `"I see.`@` So you spent the time together with Sakutaro.`@` Well done, Maria.`@` Here's a present for Maria and Sakutaro for being so good."`\ ;『うりゅー！@　お土産！@お土産！』@ `『Uryu-!`@` Present!`@` Present!』`@ ld l,$MAR_WaraiA1,23 ;「うー！@　何だろうね、何だろうね！」\ `"Uu-!`@` What is it, what is it?!"`\ ;　真里亞はさくたろと二人してはしゃぎ合う。\ `Both Maria and Sakutaro started jumping around.`\ bg black,26 ;　お土産は２つあった。@ ;　片方は洋菓子の詰め合わせ。@ `There were two presents.`@ `One was an assortment of western sweets.`@ br ;　中身はスコッチケーキ。@ ;　上等な品らしかった。\ `Inside was a Scotch cake.`@ `It looked to be of very high quality.`\ ;　でも、真里亞の興味はもう片方に寄せられる。@ ;　もう片方はさらに大きな箱で、重みも結構あった。\ `But Maria was more interested in the other one.`@ `The other one was an even bigger box, and it was pretty heavy.`\ bg ROS_R1aN,0 ld c,$ROS_WaraiA1,26 ;「開けてご覧。@真里亞とさくたろうの、新しいお友達になれるかもね？」@ `"Try and open it.`@` They might become new friends for you and Sakutaro, right?"`@ ld r,$MAR_WaraiA2,26 ;「わああああああ…！@　何これ！@　何これ？！」\ `"Waaaaaaaaaahhh...!`@` What's this!`@` What's this?!"`\ bg white,22 bg black,66 ;　中には、チェスの駒が収められるような感じで、陶製の小さな動物の人形が２０体くらい入っていた。@ `Inside, laid there like chess pieces, were about 20 small ceramic figures shaped like animals.`@ br ;　りす、うさぎ、小鳥、犬や猫。@ ;　それらはみんな楽器を持っている。\ `Squirrels, rabbits, small birds, dogs and cats.`@ `And they were all holding musical instruments.`\ ;　それらに加えて、パノラマ状の背景板も入っていた。@ ;　そこに描かれているのは、森の中の風景。@ ;　開けた広場を森の小動物たちが囲んで楽しそうにしている。\ `In addition to them, there was also a panorama-style background.`@ `A forest scene was drawn on it.`@ `The small forest animals were gathered in a plaza and looked like they were having a good time.`\ bg ROS_R1aN,26 ;　楼座がテーブルの上にそれを広げて立てる。@ `Rosa set it up on the table.`@ br ;　……そして駒のような陶製の人形たちをその前に並べていくと、@………それは、森の動物たちの音楽隊になった。\ `......And when she then lined up the ceramic figures like chess pieces in front of it, `@`.........it became a band of forest animals.`\ ld r,$ROS_WaraiA2,24 ;「素敵でしょ？@　お店のショーウィンドで見て、一目惚れしちゃったの。@これを、良い子でお留守番してた真里亞にプレゼントするわ。」\ `"Isn't it wonderful?`@` I saw it in the store window, and I was taken with it at a glance.`@` This is a present for you for being such a good girl home alone, Maria."`\ ld l,$MAR_WaraiA1,23 ;「うーーー！！！@　ありがとう、ママー！！！@/ `"Uuuu---!!!`@` Thank you, Mama-!!! `@/ ld l,$MAR_WaraiA2,80 ;　すごいね、さくたろ！@　お友達がこんなに増えちゃったね…！@　さくたろの言う通りだった！@　楽しく賑やかに過ごしてたら、お友達が増えちゃうって本当だった…！」@ ;『ね、言ったとおりでしょ？@　ほらね、お友達が増えた、ほらね、お友達が増えた！@　うりゅ〜♪』\ `Awesome, Sakutaro!`@` Look how much our friends have grown...!`@` It's just like you said, Sakutaro.`@` It was true that if we had a fun, noisy time, our friends would grow in number...!"`@ `『Right, didn't I tell you?`@` Look, we have more friends, look, we have more friends!`@` Uryu~♪』`\ ;　楼座は、お土産を気に入ってくれたことに安堵すると、@数日間の疲れがどっと溢れ出してくるのを思い出すのだった…。\ `Relieved that her gift had been appreciated, `@`Rosa remembered that she was filled with several days of weariness...`\ cl l,23 ld c,$MAR_WaraiA1,80 ;「ママ、本当にお疲れ様…！@　シャワー浴びてくるといいよ。@あったかいの浴びると、きっと疲れが取れるよ。@湯船にする？@　真里亞が今日は入浴剤を選んであげるね！」@ `"Mama, really good job...!`@` You can go take a shower.`@` If you take a hot one, I'm sure your weariness will go away.`@` Want to take a bath?`@` Maria will choose what to put in the bath today!"`@ ld r,$ROS_DefA1,80 ;「ありがとう。@でも、もう遅いから真里亞は寝る支度をなさい。@/ `"Thank you.`@` But it's already late, so get ready to go to bed. `@/ ld r,$ROS_NayamuA1,80 ;ママも疲れたから、シャワーだけ浴びてすぐ寝るわ。@明日も早いし。」\ `Mama is tired, so I'll just take a shower and go to bed.`@` I have to get up early tomorrow."`\ ld c,$MAR_WaraiA2,80 ;「うん、わかった！@　はい、ママ、コート脱がしてあげるー。」@ `"Yeah, got it!`@` Here, Mama, I'll take your coat o-ff."@ ld r,$ROS_KomaruA1,80 ;「大丈夫だってば…。@/ `"I can do it myself...`@/ ld r,$ROS_DefA1,80 ;…あぁ、ありがとう。」\ `...Oh, thank you."`\ cl c,24 ld l,$MAR_WaraiA1,24 ;「ママのコート、お外の匂いがいっぱいする。@/ `"Mama, your coat is full of smells from outside. `@/ ld l,$MAR_NiyariA2,80 ;……うー？@　あ、ごめん、何か落とした。@拾うね？」\ `......Uu-?`@` Oh, sorry, something dropped.`@` Maria will pick it up, okay?"`\ ;　楼座のコートを抱え込んだ時、ポケットからレシートか半券のようなものが、ぽとりと落ちる。@ `When she had taken Rosa's coat, a receipt or ticket stub or something had fallen out.`@ br ;　…ママのポケットに入っているものだから大事なものだろう。@ ;　真里亞は慌ててそれを拾う…。\ `...It had been in Mama's pocket, so it was probably important.`@ `Maria hurriedly picked it up...`\ bg black,26 ;　それは、新幹線かグリーン車か何かの切符に見えた。@ `It looked like a ticket for the Green Car or the Shinkansen or something.`@ br ;　…………熱海？@ ;　温泉とかで有名なとこかな…？\ `............Atami?`@ `Wasn't that a famous place for its hot springs...?`\ E_A se1v 11,70 bg white,1 bg ROS_R1bN,0 ld c,$ROS_ikariA4,22 ;　その時。@…剃刀のように鋭い音がして、温かな空気を割った。\ `At that time.`@` ...With a razor-sharp sound, the warm atmosphere shattered.`\ ld c,$ROS_IkariA3,80 ;　ついさっきまでいた、娘とお土産を楽しみ、数日振りの帰宅で疲れの溜まった楼座ではなく、@………容姿はそっくりだけど、まったく別の、恐ろしい形相を浮かべた人物がそこにいた。\ `Instead of the Rosa who had been there just a second ago, enjoying the gift with her daughter and recovering from her weariness with a long-awaited return home,`@` .........there stood a person who looked exactly the same, but who had a completely different, terrifying expression on her face.`\ me1 19 bg black,22 ;　…その手には、真里亞が拾いかけた半券がある。@ ;　…真里亞の手から瞬時に奪い取ったものだ。\ `...In her hand was the ticket stub that Maria had picked up.`@ `...She had stolen it from Maria's hand in an instant.`\ ;　真里亞は数瞬だけ遅れてから、@/ ;!s0…手を叩かれた痛みと、/ ;!d800母の形相から、/ ;!d800自分がいけないことをしたに違いないと悟った。/ `Just a few seconds too late, `@/ !s0`...by the pain of her hand that had been hit, `/ !d800`and her mother's expression, `/ !d800`Maria realized that she must have done something wrong.`/ !sd\ ;　ただ、自分が何をして怒られているのかだけがわからない。@ `But she didn't know what she had done that had gotten her in trouble.`@ br ;　……多分、あの半券みたいなもののせい。@ `......It was probably because of that ticket stub-like thing.`@ br ;　触っちゃ、……いけなかった………？\ `Was she not supposed, ......to touch it.........?`\ ;　せっかく、楽しく幸せにママをお迎えしてあげたのに、@…ママの大切なものに勝手に手を触れて、その空気を台無しにしてしまった…。@ `Even though she had tried so hard to welcome Mama with fun and happiness,`@` ...she had touched something important to Mama without asking, and had ruined that pleasant atmosphere...`@ br ;　……だから真里亞はすぐに謝る。\ `......So Maria apologized immediately.`\ bg ROS_R1bN,0 ld r,$ROS_IkariA1,0 ld l,$MAR_KomaruA1,23 E_A ;「ご、………ごめんなさい………。」@ `"S, .........sorry........."`@ me1 5 ld r,$ROS_komaruA4,80 ;「…………っ。@………………。」@ `".........`@`............"`@ br ;　謝罪の言葉は届いたはずなのに、むしろ楼座は、表情を歪ませる。@ ;　…望まぬ言葉だったのだろうか。\ `Even though she must have heard those words of apology, Rosa's expression actually darkened.`@ `...Maybe those weren't the words she had been hoping for.`\ ;　真里亞はどうすればいいかわからなくて、母の出方をじっとうかがう…。\ `Maria didn't know what to do, and stared at her mother's reaction...`\ ;ld r,$ROS_KomaruA4,80 cl r,23 ;　すると、そんなにも大事な半券のはずなのに、/ ;!d900ぐしゃっと握り潰しながら、自室の方へ足早に去っていった…。@ `Then, even though it should have been such an important ticket stub, `/ !d900`Rosa crushed it up and hurried off to her room...`@ ;cl r,24 br ;　真里亞には、……何がいけなかったのか、よくわからない……。\ `Maria, ......didn't really understand what she had done wrong......`\ bg black,25 bgm1 16 ;「………うー……。@……真里亞きっと、/ ;!d800………余計なことをしたんだね……。@…あの紙はきっと、ママのお仕事の大切なものだったんだね。@それに勝手に触っちゃったから…。」\ `".........Uu-......`@`......Maria must have, `/ !d800`.........done something she shouldn't have......`@`...That paper must have been something important for Mama's work.`@` And Maria touched it without asking..."`\ bg sakutaro2b,22 ;『うりゅ……。@…真里亞は悪くないよ………。@…だから、今夜だってこんなにも幸せ。』@ ;「うん。@…幸せ。」\ `『Uryu......`@`...You didn't do anything wrong, Maria.........`@`...And tonight was so very happy.』`@ `"Yeah.`@` ...Happy."`\ bg moon_2a,22 ;『ママだって、お風呂に入ってすっきりしたら、いつものやさしいママに戻ってくれるよ。@だから、気にしちゃだめ。@うりゅ。』@ `『And when Mama takes a bath and clears her head, she'll go back to being the normal, nice Mama.`@` So you must not worry about it.`@` Uryu.』`@ ;「そうだね……。@ママだって疲れてるんだもんね。@……うー、気にしちゃだめだね。@今夜だって、真里亞たちはこんなにも幸せ。」@ ;『うりゅ。』\ `"You're right......`@` Mama's tired too.`@` ......Uu-, must not worry about it.`@` Maria is so very happy tonight."`@ `『Uryu.』`\ E_MA msetef 0,0 ;■メタ視 ;gosub *MAR_Isyou2 mov %play_scene,40090 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_mar mld r,$ENJ_komaruA3,1 se1v 1006,100 ;「………………もうやめてよ。@…見てられない。」\ ;＜縁寿 `"............Just stop it.`@` ...I can't watch this."`\ mld l,$MAR_defA1,23 ;「……縁寿は、幸せの見つけ方が間違ってると思うよ。」@ ;＜真里亞 `"......Ange, I think you're looking for happiness in the wrong way."@ mld r,$ENJ_IkariA1,80 ;「間違ってるのはお姉ちゃんでしょ！！@　これのどこが幸せだってのよ…！！@　もう…、痛々しくて見てられないッ！！」\ `"You're the one who's wrong, Onee-chan!!`@` How do you call this happiness...?!!`@` It's so..., pitiful that I can't watch anymore!!"`\ mld l,$MAR_fukigenA1,80 ;「何が…？@　ママが急に怒り出したこと？@　………人間、疲れてれば、そういうこともあるものだよ。@……一時の感情のすれ違いだけで相手を全否定するのって、縁寿は大人じゃないと思うよ。」\ `"What is...?`@` That Mama suddenly got mad?`@` .........That happens sometimes when humans get tired.`@` ......Condemning a person because of a momentary misplaced emotion isn't very adult of you, Ange."`\ mld r,$ENJ_fumanA1,80 ;「……９歳の真里亞お姉ちゃんに言われるとはね…。@/ `"......I can't believe I'm hearing this from a nine year old... `@/ mld r,$ENJ_komaruA4,80 ;でも、そんなことじゃないでしょ、問題なのは！@　お姉ちゃんが拾ったあの半券、明らかにおかしいじゃない！」\ `But that's not the problem!`@` That ticket stub you picked up was clearly strange!"`\ mld l,$MAR_defA1,80 ;「何が？@　何もおかしくないし、今夜の幸せと何も関係ないよ…？」\ `"What was?`@` There was nothing strange, so it has nothing to do with the happiness of that night, right...?"`\ mld r,$ENJ_komaruA5,80 ;「楼座叔母さんは仕事で会社に泊まり込むって電話してきたんでしょ？！@　何で熱海？！@/ `"Rosa oba-san called because she'd be staying over at her company because of work, right?!`@` Why Atami?! `@/ ;mld r,$ENJ_fumanA1,80 ;　それって旅行でしょ？！@　真里亞お姉ちゃんを置き去りにして、旅行に行ってたってことでしょ？！@　しかも普通、旅行って言ったら一人では、」\ `Isn't that what you call a vacation?!`@` It means she left you and went on a vacation, right?!`@` And you normally don't go on a vacation by yourse-"`\ mld l,$MAR_KomaruA1,80 ;「あれが仮に熱海行きの券だったとしても。@だからって、ママが嘘をついて旅行にいった証拠にはならないよ…？」\ `"Even if that was a ticket for Atami,`@` that alone doesn't make it proof that Mama lied and went on a vacation, right...?"`\ mld r,$ENJ_komaruA4,80 ;「電話で嘘をついて、あんなにも形相変えて奪い取って！@　何よりの証拠じゃない…！！」\ `"She lied on the phone, changed her expression like that and grabbed it from you!`@` What more proof could you want...?!!"`\ mld l,$MAR_WaraiA1,80 ;「………昔の仕事で出張した時のものかもしれないよ？@　あるいはゴミか何かをたまたまポケットに入れちゃっただけかも。@部下の人が出張した時の領収書かもしれないね。@/ `".........It might be from a business trip long ago, right?`@` Or maybe she just happened to pick up some trash and put it in her pocket.`@` It might be a receipt from someone who worked for her who went on a business trip. `@/ ;mld l,$MAR_WaraiA2,80 ;…だったら仕事の大切なもの。@玩具じゃないんだから、ママが取り上げたのも頷けるよ。@……縁寿の言う証拠なんて、単なる状況証拠。@想像と妄想。@/ `...In that case, it was important for her work.`@` It wasn't a toy, so I can understand why Mama took it away.`@` ......This evidence you're talking about is nothing more than circumstantial evidence.`@` Imagination and delusions. `@/ ;mld l,$MAR_DefA1,80 ;………どうして、真里亞とママの仲が悪くなるように解釈するのか、わからないよ。」\ `.........Maria doesn't know why you're interpreting it so that Mama and Maria's relationship is bad."`\ mld r,$ENJ_hanbesoA3,80 ;「どうしてお姉ちゃんが、そこまで楼座叔母さんの都合がいいように解釈できるのかの方がわからない！！」\ `"I'm the one who doesn't understand why you're interpreting it in a way that's so convenient for Rosa oba-san!!"`\ mld l,$MAR_FukigenA1,80 ;「………やっぱり、縁寿は可哀想な子。@………君を幸せにしてくれるカケラは、@こんなにもたくさん、身の回りに落ちているのに、それを見つけられない。\ `".........As I thought, Ange is a pitiable child.`@` .........Even though there are so many Fragments lying about you that could make you happy,`@` you can't find them.`\ mld l,$MAR_defA1,80 ;　……なのに、不幸せなカケラばかり見つけてしまって、傷付き続けている。@……だから縁寿は傷付くことに怯え、@……傷付けるものが身の回りにないかどうか、それを確かめ終わるまで、幸せ探しすら始められない。」\ `......Instead, you only look at unhappy Fragments and continue to get hurt.`@` ......That's why you're scared of being hurt,`@` ......and only start looking for happiness after you check to make sure there's nothing around you that will hurt you."`\ mld r,$ENJ_hanbesoA1,80 ;「………………お姉ちゃんと話をしてると、おかしいのがどっちかわからなくなってくるわ。」\ `"...............When I talk with you, Onee-chan, it gets hard to tell which one of us isn't making sense."`\ mld l,$MAR_waraiA1,80 ;「あのね？@　幸せのカケラも、不幸せのカケラも、どちらもいっぱいあって、世界を満たしてるの。@だから、身近の幸せが見つけられない人は、どこまで探しに行っても見つけられない。@……チルチルとミチルが青い鳥を探したみたいに。」@ `"You know what?`@` There are lots of happy and unhappy Fragments, and they fill the world up.`@` So people who can't find happiness right beside them won't be able to find it no matter how hard they look.`@` ......Like Tyltyl and Mytyl searching for the blue bird."`@ mld r,$ENJ_komaruA1,80 ;「…………そうね。@そういう教訓の話だった。」\ `".........Oh yeah.`@` That story with a moral."`\ me1v 5,50 mld l,$MAR_waraiA2,80 ;「縁寿はその正反対。@……不幸せなカケラがまったくない世界を探してる。@でも、それだって青い鳥と同じなんだよ。@だから、永遠に縁寿は自分の幸せを、見つけられない。@/ `"You're the complete opposite, Ange.`@` You're searching for a world without a Fragment of unhappiness.`@` But even that's the same as the blue bird.`@` So you will be unable to find your happiness for all eternity. `@/ mld l,$MAR_waraiA1,80 ;…………戦人はヘンゼルなの？@　青い鳥なんじゃないの……？」\ `............Battler is Hansel?`@` He isn't the blue bird......?"`\ mld r,$ENJ_komaruA3,80 ;「……もういい加減にして。@………何れにせよ、幸せな夜が、コートから落ちた一枚の紙切れで台無しになったことはよくわかったわ。」@ `"......Give it a rest already.`@` .........In any event, I understand that a night of happiness was wasted because of a single scrap of paper."`@ mld l,$MAR_NiyariA1,80 ;「怖いね。@一枚の紙切れで。@/ `"It sure is scary.`@` That a single scrap of paper could do that. `@/ ;mld l,$MAR_waraiA1,80 ;……なら、幸せを取り戻す力も、一枚の紙切れに宿れるかもしれないよね？」\ `......In that case, maybe the power to get your happiness back also lies in a single scrap of paper, right?"`\ ;■メタ解除 mov %play_scene,40090 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,ros mend bg black,4 fede 0,2000 se1 15 bg ROS_Ro1a,22 me1v 12,50 ;　せっかく、真里亞と久し振りに心を通わせることが出来たのに……。@ `Just when she had finally been able to communicate with Maria after so long......`@ br ;　楼座は怒りと悲しみと激しい自己嫌悪で、顔をくしゃくしゃにしながら、自分の部屋に飛び込み、扉を閉める。\ `Rosa's face twisted with a mixture of anger, sadness, and a fierce self-hatred as she flew into her room and closed the door.`\ ;se1 16 ;　………真里亞のごめんなさいという言葉が、どんな刃物よりも鋭利に、胸に突き刺さっている。\ `.........Maria's 'sorry' had sliced into her chest sharper than a knife.`\ ;　その時、/ ;!d1000……書斎机の上に、可愛らしい封筒が置かれているのに気付く。@ `At that time, `/ !d1000`......she noticed a cute envelope placed on her study table.`@ br ;　少女雑誌の付録か何かの封筒だろう。\ `It was probably something that had come with a girls' magazine.`\ ;　………ママへ。@/ `.........To Mama. `@/ E_A ;幸せのお裾分け、とある。\ `Let's share our happiness...it said.`\ bgm1 82 bg black,5 ;　それを手に取り、………躊躇ってから開封し、…中身を読む。@ `She took it, .........and after hesitating, opened it, ...and read what was inside.`@ br ;　………………………………。\ `........................`\ ;se1 1010 bg Moon_2a,22 ;!s0　そして、大粒の涙を２つ、/ ;!d800紙面に記した後、@/ ;………部屋を飛び出し、/ ;!d800洗面所に向かっていた真里亞に後からしがみ付いて、@/ ;!d1000………娘の背中に顔を埋めて、/ ;!d1500……泣いた。/ !s0`Then, after letting two large tears...`/ !d800`drip down the paper...`@/ `......she flew out of the room, `/ !d800`hugged Maria from behind as she headed for the bathroom, `@/ !d1000`.........buried her face into her daughter's back, `/ !d1500`......and cried.`/ !sd\ ;!s0　そして、真に謝るのは自分の方であることを自覚し、/ ;!d800…/ ;!d500…/ ;!d500…/ ;!d500…/ ;!d500謝罪した。/ !s0`Then, realizing that she was the one who should be apologizing, `/ !d800`...`/ !d500`...`/ !d500`...`/ !d500`...`/ !d500`she apologized.`/ !sd@ br ;　どうしてママが謝るの…？@　という問い掛けには、答えずに……。\ `Why is Mama apologizing...?`@` There was no answer to that question......`\ ;■メタ視 mov %play_scene,40090 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_mar ;gosub *MAR_Isyou2 msetef 0,0 mld r,$MAR_waraiA1,2 ;「………ほら。@もう、仲直り。@………あんなの、ママと真里亞の仲良しの前には、全然気にすること、ないんだよ。」@ `".........Look.`@` Already made up.`@` .........Something like that was absolutely nothing to worry about, because of the friendliness between Mama and Maria."`@ mld l,$ENJ_komaruA3,23 ;「……………………。@/ `"................`@/ mld l,$ENJ_komaruA2,80 ;………私には、真里亞お姉ちゃんの幸せは、…辛すぎる。」\ `.........To me, your happiness is, ...too painful, Maria onee-chan."`\ mld r,$MAR_DefA1,80 ;「……縁寿の気持ちも、一応は理解するよ。@/ `"......Maria understands your feelings more or less, Ange. `@/ mld r,$MAR_niyariA2,80 ;……真里亞だって、この“力”に気付くまでは、@…今の縁寿と同じで、不幸なカケラしか見つけられない気の毒な子だったから。」\ `......Even Maria was like how you are now before she realized that 'power',`@` ...a pitiful child who could only find Fragments filled with misfortune."`\ mld l,$ENJ_komaruA1,80 ;「…………その“力”って、何？@　私になくてお姉ちゃんにはある。@…そして、それがないから私は不幸で、お姉ちゃんは幸福だと言うの？@　………“力”という抽象的な表現でしか理解できない“それ”は、一体どんな力なの……？」\ `"............What is that 'power'?`@` This power that I don't have, but you do.`@` ...Are you saying that I am unfortunate and you are blessed because I don't have that?`@` .........Just what is 'that', which you can't describe except with an abstract word like 'power'......?"`\ mld r,$MAR_WaraiA1,80 ;「うん。@縁寿はそれが知りたいんだよね。@……だから、私の物語を、ここまで読み進めてきたんだもんね。@…………もちろんだよ。教えてあげる。@この力の秘密を。@/ `"Yeah.`@` You do want to know that, Ange.`@` ......That's why you've been reading my story so far.`@` ............Of course, I'll teach you.`@` The secret to that power. `@/ ;mld r,$MAR_OdorokiA1,80 ;……そして私は昔、幼い縁寿にちゃんと教えてあげたんだよ…？@　忘れちゃってる…？\ `......And I did teach you about it long ago, when you were little, right Ange...?`@` Did you forget...?`\ mld r,$MAR_niyariA2,80 ;　大丈夫、思い出せるよ。@……今から私が、/ ;!d800……ううん、彼女が。@教えてあげる。」\ `It's okay, I can remember.`@` ......Now I, `/ !d800`......no, she.`@` She will teach you."`\ mld l,$ENJ_defA2,80 ;「…………彼女……？@　って、誰。」\ `"............She......?`@` Who's that?"`\ mov %play_scene,40090 : mov %r_hyouji_side,1 ;se1 52 ;mld c,$BEA_WaraiA3,0 ;print 99,2000,"breakup.dll/urb" mendef 0 bg black,1 ;fede 0,1000 E_A ;「妾がそれを、マリアに代わって教えよう。」\ ;＜ベアト `"I shall teach you in MARIA's place."`\ msetef 0,0 mld l,$ENJ_komaruA3,80 me1v 5,50 ;!s0「………ベ、/ ;!d800…………ベアトリーチェ……………。」/ ;＜縁寿 !s0`".........B, `/ !d800`.........Beatrice..............."`/ !sd\ mld r,$BEA_defA1,4 ;「マリアにはあって、そなたにはない“力”。」@ ;＜ベアト `"The 'power' that MARIA has, but you do not."`@ mcl l,24 mld l,$MAR_waraiA1,24 ;「うん。@真里亞にあって、縁寿にない“力”。」\ ;＜真里亞 `"Yeah.`@` The 'power' Maria has, but Ange does not."`\ E_A mld r,$BEA_waraiA4,0 mld l,$MAR_waraiA2,80 br ;　――それが、魔法。\ `――That is...magic.`\ bgm1 64 ;　真里亞とベアトは、口を揃えて言った。@ ;　そして綺麗に揃ってしまったことを、互いにくすくすと笑い合う。@ `Maria and Beato said it together.`@ `And then they started giggling because they'd said it at the same time.`@ br ;　……何だかベアトらしくない、無邪気な仕草だった。\ `......It was an innocent behavior, which didn't seem like Beato.`\ textoff mendef 0 se1v 22,100 ;bg white,99,4000,"breakup.dll/llb" ;wait 1000 bg white,2 bg garden_Se1a,99,4000,"breakup.dll/llb" mov %play_scene,40090 : mov %r_hyouji_side,1 gosub *MAR_Isyou1 ;　のんびりとした庭園のテーブルには紅茶が並び、@ベアトと真里亞と、そして膝の上にはさくたろうがいて、楽しく談笑している…。\ `Black tea was arranged on a table in a peaceful garden,`@` and Beato, Maria, and Sakutarou, who was sitting on Maria's lap, were having fun chatting...`\ bg garden_Se1c,0 ld l,$MAR_niyariA1,0 ld r,$BEA_waraiA3,24 ld r,$BEA_waraiA4,80 ;「…………ほぉ。@そうか、さくたろうと申すか。@/ `".........Hoh.`@` I see, he is called Sakutarou. `@/ ;ld r,$BEA_WaraiA1,80 ;そなたの一番の友人とな！」\ ;＜ベアト `This is your best friend!"`\ bg sakutaro2b,22 ;『うりゅ…。@初めまして、さくたろうと申します…。』\ `『Uryu...`@` Nice to meet you, I'm Sakutarou...』`\ ;ld l,$MAR_OdorokiA1,80 ;「うー、さくたろは人見知りするから緊張してるの。@大丈夫だよ、ベアトリーチェも、真里亞の素敵なお友達なんだよ…！」@ ;『うりゅ。@真里亞の友達は、ボクも友達…？』\ `"Uu-, Sakutaro is shy so he's anxious.`@` It's alright, Beatrice is also Maria's wonderful friend...!"`@ `『Uryu.`@` Is Maria's friend, my friend...?』`\ ;ld l,$MAR_WaraiA2,80 ;「うん！」@ ;『うりゅ。……じゃあ、ボクもベアトリーチェの友達？』@ ;「うん！」@ `"Yeah!"`@ `『Uryu. ......Then, I am Beatrice's friend too?』`@ `"Yeah!"`@ se1 3 ;『うりゅー！』\ `『Uryu-!』`\ bg garden_Se1c,0 ld r,$BEA_nayamuA1,24 ;「……真里亞にとっては、このようなことは日常においてよくあることなのか？」@ `"......Maria, does something like this happen frequently for you in your everyday life?"`@ ld l,$MAR_waraiA1,80 ;「うー？@　何が？」\ `"Uu-?`@` What?"`\ ld r,$BEA_MajimeA4,80 ;「このように、無機物に魔法の魂を込め、生を宿らせることは、@そなたの日常においては茶飯事なのか？」@ `"Is breathing a spirit of magic into inorganic matter and giving it life like this,`@` commonplace in your everyday life?"`@ ld l,$MAR_fukigenA1,80 ;「……うー。@さくたろは無機物じゃないよ、ライオンの子だよ。」@ ;『うりゅー！』\ `"......Uu-.`@` Sakutaro isn't inorganic matter, he's a lion cub."`@ `『Uryu-!』`\ bg garden_Se1b,0 ld c,$BEA_majimeA1,24 ;「ふむ……。@……ぬいぐるみは依り代として優秀だ。@ゆえに、毒を持たぬ無垢な子どもが話し掛けることによって、それに応えようとする精霊が宿ることが少なくない。」\ `"Hmm......`@`......A stuffed animal makes for an excellent #86ef9cvessel#ffffff.`/ mov %grim_scene,404 mov %r_hyouji_grim,5 @` It is not uncommon for a spirit to be made to reside in them if they are spoken to by an innocent child that has no toxin."`\ ;tttt vessel ;　ベアトリーチェが言うには、いわゆる子どもの頃のお人形遊びなどは、@本当に人形が意思を持って対話をし、自らの意思で動くことさえあるという。\ `According to Beatrice, every time a child plays with dolls,`@` the dolls actually gain a will and converse with them, sometimes even moving by their own will.`\ ;　しかし、その依り代に宿らせる力は、無垢ゆえにとても弱い。@ ;　人形が喋るわけがない、動くわけがない、というニンゲンの常識の毒がわずかでも入り込むと、@たちどころにそれは、物言わぬただの人形に逆戻りする……。\ `However, the power imbued into such a vessel is very weak because of this innocence.`@ `If even a tiny bit of the toxin from a human's common sense, which says that there's no way a doll can talk or move, gets involved,`@` it instantly reverts to being a non-speaking doll......`\ ld c,$BEA_DefA1,80 ;「しかし、……そなたのその、さくたろうというぬいぐるみは違う。」@ `"However, ......this Sakutarou stuffed animal of yours is different."`@ ld r,$MAR_KomaruA1,24 ;「うー！@　さくたろはぬいぐるみだけど、ぬいぐるみじゃないー！」@ ;『うりゅー！@　ライオンの子ー！@　が、が、……うりゅー！』\ `"Uu-!`@` Sakutaro is a stuffed animal, but he isn't o-ne!"`@ `『Uryu-!`@` Lion cu-b!`@` Ga, ga, ......uryu-!』`\ ;bg garden_Se1a,23 ;ld l,$MAR_WaraiA2,23 bg sakutaro2b,23 ;「さくたろはライオンの子だけど、まだ子どもだから、時々、がおーって言えないの。@うりゅうりゅうりゅ♪」@ ;『うりゅうりゅうりゅー！』/ `"Sakutaro is a lion cub, but he's still a kid, so he can't say gao- sometimes.`@` Uryuuryuuryu♪"`@ `『Uryuuryuuryu-!』`/ se1 3 quakey 3,500 @ br ;　さくたろと、お茶の乗ったテーブルではしゃぎ合う真里亞を眺めながら、ベアトリーチェは感嘆のため息を漏らす。\ `Gazing at Maria, who was playing around with Sakutaro by the table loaded with tea, Beatrice let out a sigh of admiration.`\ bg garden_Se1c,0 ld r,$BEA_NayamuA1,24 ;「………何と言うことか。@…さくたろうとやらは、その布地と綿の依り代を核に、完全に人間界に顕現している。@自らの人格を持ち、召喚者と自在に対話をし、 `".........How incredible.`@` This Sakutarou, with a cloth and cotton vessel as a shell, has completely materialized into the human world.`@` He has his own character, talks with the summoner freely, br ;(しかも自らの意思で動いている/・・・・・・・・・・・・・・)。\ (`and even moves by his own will`/・・・・・・・・・・・・)`.`\ ld r,$BEA_majimeA2,80 ;　……しかもさらに驚くべきは、それが異界の人物を名指しして呼び寄せたものではなく、@真里亞がゼロの海から生み出したものという点だ。」\ ;＜点処理：自らの意思で動いている `......And what should be the most surprising point is that Maria did not summon him with a name referring to a character from another world, `@`but created him out of the sea of zero."`\ bg black,25 bg Sky_1a,22 ;　真里亞はその後、自分の友達はさくたろうだけでなく、家に帰れば他にもたくさんいるとベアトに自慢した。@ `After that, Maria boasted to Beato that Sakutarou wasn't her only friend, but that when she went home, there would be plenty more of them.`@ br ;　他にも、同様のぬいぐるみや人形が、さくたろう同様、自らの意思で話せ、動けるというのだ。\ `It seemed that there were other similar stuffed animals and dolls, who like Sakutarou, could talk and move of their own will.`\ ;　それは真里亞にとっては当然のこと。@ ;　ぬいぐるみが自らの意思で話し、動き、友達になってくれるのは当然のことなのだ。@ `It was something natural to Maria.`@ `It was natural for stuffed animals to talk, move, and become her friends of their own will.`@ br ;　……それを、当然のことと言ってのける真里亞に、ベアトリーチェは魔女として、畏怖に似た敬意すら覚えるのだった。\ `......When she saw that Maria accepted this as something natural, as a witch, Beatrice felt a respect bordering on awe.`\ bg garden_Se1a,0 ld r,$BEA_MajimeA3,26 ;「…………真里亞。@そなたのその力は紛れもなく、魔法である。」@ `"............Maria.`@` Without a doubt, that power of yours is magic."`@ ld l,$MAR_defA1,23 ;「魔法なの……？@　真里亞はまだ魔女見習いだから、魔法なんて使えないよ…？」\ `"It's magic......?`@` Maria is still a witch apprentice, so can't use magic yet, right...?"`\ ld r,$BEA_DefA1,80 ;「いいや、魔法だ。@………それを自覚して使えぬから未だ見習いなのであろうが、@/ `"No, it is magic.`@` .........Because you have not become aware of it and cannot use it, you are still an apprentice, `@/ ld r,$BEA_waraiA2,80 ;……それにしても大した魔力！@　そなたの友人、さくたろうの顕現こそが、その立派な証であるぞ。」\ `......but even so, what magical power it is!`@` The materialization of your friend, Sakutarou is excellent proof of that."`\ ld l,$MAR_fukigenA1,80 ;「顕現って…？」\ `"Materialization...?"`\ ld r,$BEA_DefA2,80 ;「うむ。@そなたの場合は、創造と呼んでも良いであろうな。@……他人の手にあっては何の魂も持たぬ無機物が、そなたの魔法によって魂を吹き込まれている。\ `"Hmm.`@` In your case, it may even be fitting to call it creation.`@` ......A piece of inorganic matter that would have no soul at all in another's hands will have a soul blown into it through your magic.`\ ld r,$BEA_MajimeA3,80 ;　しかも、それを強力な力で人間界に留めている。@……これほどまでに魔法を否定する毒気に満たされた現代において、一個の生命体たりえるほどに顕現できる魔力は、妾とて容易なことではないわ。」\ `Furthermore, that strong magical power lies in the human world.`@` ......In this era so filled with the toxin that denies magic, summoning a magical power that can materialize a single life-form is not easy even for me."`\ br ;　魂のない存在なら、いくらでも生み出すことは難しくない。@ ;　しかし、魂ある存在を生み出すのは、とても難しいこと。@…ベアトはそう言い切る。\ `It isn't hard to give birth to any number of soulless beings.`@ `However, giving birth to a being with a soul is very difficult.`@` ...This is what Beato asserted.`\ ld l,$MAR_odorokiA1,80 ;「………ベアトが言うのがよくわかんない。@さくたろがすごいってこと…？」@ `".........Don't really understand what you're saying, Beato.`@` You're saying Sakutaro is amazing...?"`@ ld r,$BEA_WaraiA1,80 ;「さくたろうとそなたが、共に素晴らしいということだ。@……誇ってよい。@…なるほど、金蔵のもっとも欲したものは、そなたに一番濃く宿っているらしい。」\ `"Both you and Sakutarou are wonderful.`@` ......Worthy of praise.`@` ...I see, that which Kinzo desired above all else seems to dwell most strongly within you."`\ ;bg garden_Se1c,0 ;ld c,$MAR_DefA1,24 ;ld c,$MAR_WaraiA2,80 bg sakutaro2a,22 ;「何でベアトにそんなに褒められるのかさっぱり。@ね〜、さくたろ。」@ ;『うりゅ〜！』/ `"Don't have a clue why Beato is praising Maria so much.`@` Ri~ght, Sakutaro?"`@ `『Uryu~!』`/ se1 3 quakey 3,500 \ bg garden_Se1b,0 ld l,$BEA_FutekiA2,23 ;「……真に驚嘆すべきは、ぬいぐるみに魂を宿したことだけではないのだ。@それにより、自己の世界観まで変化させた。@……そなたは無より有を生じる力が群を抜いている。\ `"......What should be truly admired is not only that a soul has been made to reside in a stuffed animal.`@` Even more significant is the fact that you have changed your own worldview.`@` ......When it comes to giving birth to something from nothing, you stand out from the crowd.`\ ld l,$BEA_MajimeA1,80 ;　……１を１００にすることは容易い。@しかし、０から１を生じることは容易くはない。@…そなたが一人前の魔女になったなら、妾と双璧どころか、妾とて一目置かざるを得ない大魔女に成長するであろう。\ `......It is easy to make 100 from 1.`@` However, giving birth to 1 from 0 is not easy.`@` ...When you become a full witch, you may not only be a match for me, but might instead grow into a Great Witch that even I must acknowledge as superior.`\ ld l,$BEA_waraiA4,80 ;　原初の魔女、か。@………そなたの将来が、妾にとっても楽しみだ。」\ `The Witch of Origins, perhaps.`@` .........I am really looking forward to your future."`\ ;ld r,$MAR_WaraiA2,24 bg sakutaro2a,23 ;「うー！@　ベアトに魔女の才能あるって褒められた〜！」@ ;『良かったね真里亞！@　うりゅ、ベアト…、真里亞を褒めてくれて、ありがとう。』\ `"Uu-!`@` Beato said Maria has talent as a wi~tch!"`@ `『Isn't that great, Maria?!`@` Uryu, Beato..., thank you for praising Maria.』`\ ;bg Garden_Se1c,0 ;ld c,$BEA_WaraiA2,24 ;「くっくっくっく！@　礼には及ばぬぞ、さくたろう。@その赤いマフラーは実に似合っているぞ。@そして、そなたのような友人を生み出せる、そなたの主人の才能に嫉妬する。」@ ;『うりゅ〜！@　マフラー褒めてくれてありがとう。@これ、真里亞にプレゼントしてもらったの。@ボクのお気に入り。』\ `"*cackle*cackle*!`@` No need to thank me, Sakutarou.`@` That red muffler truly suits you.`@` And I am envious of the talent of your master which was able to give birth to a friend like you."`@ `『Uryu~!`@` Thanks for complimenting my muffler.`@` This is a present I got from Maria.`@` It's my favorite.』`\ bg Garden_Se1c,0 ld c,$BEA_waraiA3,23 ;「まさに、そなた専用のマフラーになるために生まれてきたようなサイズであるな。@/ `"And its size is truly like a muffler that was created just for you. `@/ ld c,$BEA_WaraiA4,80 ;……これは、妾も新しき友人に何かプレゼントを贈らねばなるまい。」\ `......I see, I must also give my new friend some kind of present."`\ ld l,$MAR_waraiA1,23 ;「うー？@　ベアトがさくたろにプレゼント……？」\ `"Uu-?`@` Beato is giving Sakutaro a present......?"`\ ld c,$BEA_defA2,80 ;「魔女の贈り物は魔力あるものと決まっておる。@ならば、そなたの友人がいつまでもそなたの友人でいられるよう、そして、そなたともっと楽しく遊べるように。@さくたろうに妾の魔力を贈ろう。@それにより、さらに強く顕現することが出来るだろう。」\ `"Of course, a gift from a witch must be something with magical power.`@` In that case, so that he can be your friend for all time, and so that you can have even more fun playing with him...`@`I shall give Sakutarou my magic power.`@` With that, he should be able to materialize even more strongly."`\ ld l,$MAR_odorokiA1,80 ;「うー？@　さくたろともっともっと楽しく遊べるようになるの…？@　どうやって？」\ `"Uu-?`@` Maria will be able to have much more fun playing with Sakutaro...?`@` How's that?"`\ bg sakutaro2b,23 ;『うりゅ……？@　何だろ、真里亞…。@それって怖いこと……？』@ `『Uryu......?`@` What could it be, Maria...`@` Is it something scary......?』`@ ;ld l,$MAR_WaraiA2,80 ;「大丈夫だよ。@ベアトは怖いことなんて何もしないよー。@ね、ベアトリーチェー！」\ `"Don't worry.`@` Beato won't do anything scary.`@` Right, Beatri-ce?!"`\ bg garden_Se1a,23 ld r,$BEA_waraiA2,24 ;「うむ。@必ず気に入ってもらえるはずだ。@/ `"Hmm.`@` I believe you will like it. `@/ ld r,$BEA_MajimeA1,80 ;………さて、より強く顕現するには、より強いイメージが必要であるな。@………さてさて、どうしたものか。@うむむむむ…。」@ `.........Well then, to make him materialize even more strongly, a stronger image will be necessary.`@` .........Well, well, what to do.`@` Hmmmmmmmmmm..."`@ br ;　ベアトは、どうすればより喜んでもらえるか、腕を組んで思案する。\ `Beato crossed her arms and thought about what she could do to please them even more.`\ textoff se1v 22,100 bfly2 31 wait 700 cbfly 0 cl r,0 se2 52 ld c,$WAL_DefA1,99,2000,"whirl.dll/r" ;　するとそこへ、/ ;!d800………もうひとりの魔女の姿が。@ ;　ベアトの師匠、ワルギリアだった。\ `And over there, `/ !d800`.........was the form of yet another witch.`@ `It was Beato's teacher, Virgilia.`\ ;　ワルギリアはまさに大魔女。@ `Virgilia truly was a Great Witch.`@ br ;　…真里亞が大魔女だと思っているベアトが、さらに大魔女と呼ぶのだから、大々魔女に違いない。@ ;　ベアトの話によると、その魔法の力はベアトですら未だに足元にも及ばないという。\ `...Since Maria already thought of Beato as a Great Witch, this person Beato called a Great Witch must have been a Great Great Witch.`@ `According to Beato, she still didn't even rise up to this witch's feet when it came to magical power.`\ ld c,$WAL_WaraiA1,80 ;「おやおや。@賑やかな声が聞こえてくると思ったら。@楽しそうなお茶会ですこと…。」\ ;＜ワルギリ `"My, my.`@` I thought I heard some cheery voices.`@` What a fun tea party this seems to be..."`\ bg garden_Se1b,0 ld l,$BEA_WaraiA4,24 ;「おお、お師匠様。@ちょうどいいところへ。@/ `"Oh, Teacher.`@` Perfect timing. `@/ ;ld l,$BEA_DefA1,80 ;このライオンの子を見てほしい。@真里亞の新しい友人だそうだ。」\ `I want you to look at this lion cub.`@` I hear he's Maria's new friend."`\ ld r,$WAL_WaraiA1,24 ;「ほっほっほ。@可愛らしいライオンさんですね。@/ `"Ho ho ho.`@` What a lovely lion-san. `@/ ;ld r,$WAL_WaraiA1,80 ;……ご挨拶は出来るのかしら？@　初めまして、こんにちは…？」@ `......I wonder if he can greet me?`@` Hello, nice to meet you...?"`@ se1 3 bg sakutaro2a,0 ld r,$WAL_WaraiA1,23 ;『う、うりゅー！@　さ、さくたろうと申します。』\ `『U, uryu-!`@` I, I'm Sakutarou.』`\ ;　さくたろは、真里亞の膝に降り、テーブルの縁から顔を半分だけのぞかせて挨拶をする。@ ;　…ベアトがお師匠と呼ぶほどの魔女なので、かなり緊張しているようだ。\ `Sakutaro fell to Maria's lap, greeting Virgilia with half of his face poking out over the edge of the table.`@ `...It seemed that he was very nervous since this was a witch that even Beato called Teacher.`\ ld r,$WAL_defA1,80 ;「ほっほっほ。@可愛らしい名前だこと。@……上手な挨拶が出来たご褒美に、お菓子をあげましょうね。」\ `"Ho ho ho.`@` What a lovely name.`@` ......As a reward for giving such a good greeting, here's a sweet for you."`\ bg black,25 ;　ワルギリアは、手をひらひらさせてから、手の平を上に向け、空気を軽く掴み取るような仕草をする。@ `After waving her hands about, Virgilia held the palm of her hand upwards, as though she was lightly grabbing at the empty air.`@ br textoff se1 22 bg butterfly_1a,31 ;wait 1000 se2 22 bg butterfly_3a,22 ;　そしてその握り拳をさくたろの前に差し出す。\ `Then, she held her fist out in front of Sakutaro.`\ se1 48 bg white,1 bg garden_Se1a,22 ;　…………そして拳を開くと、そこには一粒だけパックされたタイプののど飴があった。\ `.........Then, when she opened her fist, there was one of those individually wrapped cough drops.`\ ;『うりゅー？！@　飴だよ、真里亞、すごいすごい…！！』@ `『Uryu-?!`@` Maria, it's candy, awesome, awesome...!!』`@ ld r,$MAR_WaraiA2,24 ;「うー！@　良かったねさくたろ！@　ちゃんとお礼を言ってね。」\ `"Uu-!`@` Isn't that great, Sakutaro!`@` Make sure to thank her."`\ ;『うりゅ。@飴をどうもありがとうございます。@…ぺこり。』@ `『Uryu.`@` Thank you very much for the candy.`@` ...*gulp*.』`@ br ;　ワルギリアは、大々魔女であるにもかかわらず、ぬいぐるみのさくたろうに対しても上品に挨拶を返して見せるのだった。\ `Even though Virgilia was a Great Great Witch, she still treated a stuffed animal like Sakutarou to an elegant greeting.`\ bg black,24 bg garden_Se1b,0 ld l,$BEA_WaraiA1,24 ld l,$BEA_waraiA2,80 ;「しかしお師匠様ァ、のど飴とはまぁたババ臭い…！@/ `"Still, Teacher. Cough drops?`@` Are you someone's granny or something...?! `@/ ;ld l,$BEA_AkuwaraiA4,80 ;　せめてイチゴミルクのキャンディーとか出ないのかよ〜。」@ ;＜ベアト `Can't you at least pull out some strawberry-milk candy~?"`@ ld r,$WAL_fumanA1,24 ;「これはひどい。@もうあなたには飴をあげませんよ？」\ `"How mean.`@` I won't give you candy anymore, alright?"`\ ld l,$BEA_waraiA1,80 ;「くっひゃっひゃっひゃ、悪ィ悪ィ。@/ `"Kuhhyahhyahhya, sorry, sorry. `@/ ld l,$BEA_waraiA3,80 ;………さて、真里亞。@そなたの魔導書を出すがよい。@もちろん筆記用具もな。」@ `.........Well then, Maria.`@` Take out your grimoire.`@` And, of course, your writing tools."`@ cl r,23 ld r,$MAR_odorokiA1,24 ;「うー？@　うん、出すよ。@何か書くの？」\ `"Uu-?`@` Yeah, take it out.`@` What should Maria write?"`\ bg garden_Se1c,0 ld l,$WAL_DefA2,24 ;「……おや、何を始めるのですか？」\ `"......Oh, what are you starting?"`\ ld r,$BEA_DefA1,24 ;「お師匠様に習った魔法を使うのだ。@/ `"I will use a magic I learned from you, Teacher. `@/ ;ld r,$BEA_WaraiA3,80 ;………依り代に異界の住人を顕現させる魔法。@あれの応用で、この真里亞の友人を顕現させる力を、より強めることが出来るのではないかと思ってな。@……それを、真里亞と真里亞の友人への贈り物としたい。」\ `......Magic to make a resident of another world materialize into a vessel.`@` I think that by applying that, we may be able to further strengthen the power that makes this friend of Maria's materialize.`@` ......I wanted to give that as a gift to Maria and her friend."`\ ld l,$WAL_defA1,80 ;「なるほど。@…すでに顕現している存在なら、そう難しいことではないでしょう。@それは素敵な贈り物になりそうですね。@/ `"I see.`@` ...For a being that has already materialized, it shouldn't be that difficult.`@` That could become a wonderful gift. `@/ ;ld l,$WAL_WaraiA1,80 ;では、私もささやかですが協力しましょう。」\ `Well then, I shall help too, if only a little."`\ ld r,$BEA_waraiA3,80 ;「お師匠様が立会人にサインしてくれる魔法なら、心強い…！@　喜べ真里亞。@これは素晴らしい贈り物になるぞ…！」\ `"It would be very reassuring if you would sign for this magic as a witness, Teacher...!`@` Be glad, Maria.`@` This will be a wonderful gift...!"`\ bg sakutaro2a,23 ;『うりゅ…？@　何が始まるの…？@　怖くない？@怖くない…？』@ `『Uryu...?`@` What's happening...?`@` It isn't scary, is it?`@` Is it...?』`@ ld r,$MAR_WaraiA1,24 ;「わかんない。@でも怖くないと思う。@……何だろうね、楽しみだね。」\ `"Don't know.`@` But don't think it's scary.`@` ......What could it be, Maria can't wait."`\ bg black,25 bg book1,22 ;　ベアトは真里亞の手提げから、魔導書を借りると、バラバラバラッとページを華麗にめくる。/ `Beato borrowed the grimoire from Maria's handbag and majestically flipped through the pages. `/ textoff se1v 1010,70 ;bg black,64 se2v 1010,70 wait 300 se3v 1010,70 ;@……そして様々な魔法陣が記されたページの途中に空きページを見つけ、そこを押し広げる。@ @`......Then she found an empty page among the pages with magic circles drawn on them, and flattened it out.`@ br ;　そして、ニヤリと笑ってさくたろうを凝視してから、一気にペンを走らせた。\ `Then, after gazing at Sakutarou with a grin, she suddenly started moving her pen.`\ bg sky_1a,26 ;　……それは、魔女が高位世界に対して記す宣言書のようなもの。@ ;　ベアトリーチェが記し、ワルギリアが立会人にサインすることで効力を発揮する、魔法。@ `......It was something like a written declaration made by witches to a high-order world.`@ `It was magic whose effect could be controlled if Beatrice wrote and Virgilia signed.`@ br ;　最初は何を書いているのか理解できなかった真里亞も、途中からその書面の素晴らしき魔力を理解し、瞳を輝かせ始める…。\ `Maria didn't understand what Beato was writing at first, but partway through, she figured out the wonderful magic power of this document, and her eyes began to sparkle...`\ me1v 5,50 bg garden_Se1b,26 ;『うりゅ？！@　うりゅ？！@　どうしたの真里亞、何を描いてるの？！@　うりゅうりゅ？！』@ `『Uryu?!`@` Uryu?!`@` What is it, Maria, what's she drawing?!`@` Uryuuryu?!』`@ br ;　さくたろうは膝の上なので、テーブルの上で何が書かれているのかわからないのだ。@ ;　……もっとも見たところで、さくたろうにはわからないだろうが。\ `Sakutarou was on her lap, so he didn't know what was being written on the table.`@ `......But even if he had seen, Sakutarou probably wouldn't have understood.`\ ld r,$MAR_WaraiA2,24 ;「すごいよさくたろ！！@　待ってて、もうすぐだよ、もうすぐだよ！@　ベアトすごいベアトすごい！！」@ `"Awesome, Sakutaro!!`@` Wait a bit, almost done, almost done!`@` Awesome Beato, awesome Beato!!"`@ ld l,$WAL_defA1,23 ;「………力ある書面の筆記において、この子の才能は素晴らしい。@あなたになら魔界の書記官すら務まりそうですよ。」\ ;＜ワルギリ `".........When it comes to writing documents of power, this child's talent is splendid.`@` It seems you could even work as a secretary in the spirit world."`\ bg black,2 fede 1,4000 wait 1000 se1 10 bg garden_Se1c,0 ld c,$BEA_GamanA4,1 ;「これでどうか…！@　まずまずであろう…！」@ ;＜ベアト `"How's this...?!`@` It should be passable...!"`@ br ;　ものすごい集中力で書かれていたそれが完成し、ベアトは書面を遠目に改めて見直す。@ ;　……まんざらでもない出来らしい。@ `After finishing her writing with an intense amount of concentration, Beato looked over the document again from a distance.`@ `......It seemed she was fairly satisfied with her work.`@ br ;　そしてそれを覗き込んだ真里亞も感嘆の声をあげる。\ `And Maria, who was also peeking in at it, let out a cry of wonder.`\ ld r,$MAR_WaraiA2,24 ;「……すごいよベアト！！@　可愛いー！！@　うーうーうー！！」\ `"......Awesome, Beato!!`@` Cu-te!!`@` Uu-uu-uu-!!"`\ ld c,$BEA_MajimeA1,80 ;「黄金の魔女、ベアトリーチェの名において、マリアの子、さくたろうをここに認める。@/ `"By the name of the Golden Witch, Beatrice, I now acknowledge Sakutarou, MARIA's child. `@/ ld c,$BEA_waraiA2,80 ;………お師匠様、立会人にサインを頼むぜ！」\ `.........Teacher, if you would sign as a witness!"`\ bg garden_Se1b,23 ld r,$WAL_WaraiA1,24 ;「はいはい。@……我が名において、この宣誓に立ち会い認めるものなり。@………出来ましたよ。」@ `"Yes, yes.`@` ......By my name, I witness and acknowledge this oath.`@` .........It is done."`@ br ;　ワルギリアがサインし、その宣言書は完成した。\ `Virgilia signed, completing the written declaration.`\ se1 22 bg white,25 bg sky_3a,22 ;　それは、さくたろうが人間界に確かに顕現することを、上位世界の存在に宣言する力ある書面。@ `It was a document with the power to proclaim to the beings of a higher world that Sakutarou had most certainly materialized in the human world.`@ br ;　真里亞より生まれたさくたろうは、ベアトリーチェとワルギリアの２人の魔女に推薦され、@たった今、上位世界にその存在を認められたのだ。\ `Sakutarou, who had been created by Maria, was nominated by the two witches Beatrice and Virgilia,`@` and just now, his existence had been acknowledged by the higher world.`\ bg black,22 ;　……それこそが、大いなる顕現の魔法。@ `......That itself was the great magic of materialization.`@ br ;　ベアトの話によると、ワルギリアがこの場にいてくれたのはとても僥倖なことらしい。\ `According to Beato, it was apparently quite fortunate that Virgilia was there.`\ ;　上位世界への宣言書は、サインしてくれた魔女の人数や格によって、宿る力がまったく変わるからだ。@ `Because depending on the number and quality of witches that signed the proclamation to the higher world, the power that resided in it could change drastically.`@ br ;　特にワルギリアは、上位世界に友人がとても多いので、@彼女のサインは宣言書において、ベアトのそれとは比べ物にならないほどの力を持つ。\ `Virgilia in particular had many friends in the higher world,`@` so her signature gave the proclamation a power with which Beato's couldn't even compare.`\ bg garden_Se1a,0 ld c,$BEA_DefA2,26 ;「この宣言書により、汝、さくたろうを自我ある一個人と認める。@/ `"By this proclamation, I accept you, Sakutarou, as an individual with his own ego. `@/ ;ld c,$BEA_WaraiA1,80 ;そしてその存在をマリアージュ・ソルシエールの条約に従い、友人として迎える。@今よりさくたろうは、我ら共通の友人だ。\ `And I welcome you as a friend in accordance with the contract of Mariage Sorciere.`@` From now on, Sakutarou is our common friend.`\ ld c,$BEA_waraiA4,80 ;　それに相応しき姿を、贈り物としてそなたに贈ろう。@受け取るが良い。」\ `And for that, I shall bestow upon you a fitting form as a gift.`@` Accept it."`\ bg black,23 bg book1,24 ;　その宣言書の書かれたページを開いたまま、向きを変えて真里亞に手渡す。@ ;　真里亞はそれを膝の上のさくたろうに見せる。@ `With the grimoire still opened to the page with the proclamation, she turned it around and handed it to Maria.`@ `Maria showed it to Sakutarou on her lap.`@ br ;　さくたろうがその宣言書を認めた時、@…………布地と綿で出来た体に、/ ;!d800熱くて眩しい何かが宿り始めるのを感じた。\ `When Sakutarou beheld that proclamation,`@` ............in his body made of cloth and cotton, `/ !d800`he felt something hot and bright begin to dwell.`\ se2 22 ;　生まれて初めて経験するそれに戸惑い、おろおろする間にもその力は強まり、@……やがて眩しい光が完全に彼を飲み込んだ…。\ `Even as he looked around, nervous at this sensation that he had never felt before, that power strengthened, `@`......and eventually, a bright light completely swallowed him up...`\ E_MA se1v 22,90 bg white,48 bg Sakutaro2b,2 ;『うりゅ……？@　うりゅうりゅうりゅうりゅ……！』\ `『Uryu......?`@` Uryuuryuuryuuryu......!』`\ lsp2 1,":c;BMP\background\efe\Sakutaro2b.bmp",320,240,100,100,0 print 1 textoff saveoff se1v 22,100 for %Free1 = 1 to 48 resettimer msp2 1,0,0,-12,-9,0 print 1 waittimer 15 next csp2 1 bg white,28 bg sakutaro2b,2 ld c,$SAK_odorokiA1,42 wait 1000 bg garden_Se1b,0 ld c,$SAK_odorokiA1,2 bgm1v 92,90 ;　そしてその光が消え去った時。@ `Then, when that light disappeared...`@ br ;　…………そこには、真里亞の友人さくたろう `..........There, Maria's friend Sakutarou` br `held a new form and `(`existed`/・・・・)`.`/ ;br ;が、新しい姿を持って、(存在していた/・・・・・・)。/ mov %play_scene,40100 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_sak : seplay 9,1060 \ ;＜点処理：存在していた ld r,$MAR_WaraiA2,24 ;「うーうーうー！@　可愛いよ、さくたろ！@　すっごい可愛いよ！」@ ;＜真里亞 `"Uu-uu-uu-!`@` You're cute, Sakutaro!`@` Re-ally cute!"`@ ld c,$SAK_komaruA2,80 ;『うりゅ…？@　うりゅー…。@本当に似合ってる？@　恥ずかしくない……？』\ ;＜さくたろ `『Uryu...?`@` Uryu-...`@` Does it really look good on me?`@` It isn't embarrassing......?』`\ ld l,$WAL_defA1,23 ;「ほっほっほっほ。@とても可愛らしい姿ですよ、さくたろうちゃん。」@ ;＜ワルギリ `"Ho ho ho ho.`@` It is a very lovely form, Sakutarou-chan."`@ ld r,$BEA_WaraiA4,24 ;「マフラーがチャームポイントだと思ってな。@あとは耳だ！@/ `"I think the muffler adds some charm points.`@` And the ears! `@/ ld r,$BEA_waraiA2,80 ;　獣耳はいいぞォ、実に可愛い！@　あとで妾にもかじらせよ。@くっくっく！」\ `Animal ears sure are nice, truly cute!`@` Let me try some on later.`@` *cackle*!"`\ bg garden_Se1c,24 ld l,$MAR_WaraiA2,23 ;「ありがとう、ベアトリーチェー！！@　素敵なプレゼントを本当にありがとう！！」\ `"Thank you, Beatri-ce!!`@` Thank you very much for the wonderful present!!"`\ ld r,$BEA_DefA2,24 ;「礼には及ばぬ。@そなたの素晴らしき魔法と友人に敬意を表したまでよ。@/ `"There is no need for thanks.`@` This is out of respect for your wonderful magic and your friend. `@/ ld r,$BEA_FutekiA2,80 ;………そして、この域にまで達したそなたは、もはや見習いをいつ卒業してもおかしくない。@今日より、さらに新しく楽しい魔法を伝授してやろう。@/ `.........And, now that you have reached this level, it would not be odd for you to graduate from being an apprentice at any time.`@` From now on, I shall instruct you on even more new and fun magic. `@/ ld r,$BEA_FutekiA1,80 ;……これより、原初の魔女見習いのマリアと名乗るが良い。」\ `......From this point forward, you may call yourself MARIA, the Apprentice Witch of Origins."`\ ld l,$MAR_OdorokiA1,80 ;「原初の魔女って…？」@ `"What's the Witch of Origins...?"`@ ld r,$BEA_MajimeA2,80 ;「うむ。@造物主の道を求める魔女の称号よ。@今は身の回りの小物に魔力を吹き込む力しか持たぬ、エンチャンター（付与魔術師）でしかない。@/ `"Hmm.`@` It is the title of a witch who seeks to become a Creator.`@` Right now, you are just an Enchanter (a magician by nature) who has only enough strength to breathe magical power into the small objects around you. `@/ ld r,$BEA_MajimeA1,80 ;……しかし千年の修行を経たならば、その胸の内より魔法大系はおろか、銀河を生み出すことも夢ではあるまい。」\ `......But after one thousand years of training, it is not unthinkable that you could use the magical compendium that resides inside your heart to create a galaxy."`\ ld c,$WAL_DefA2,24 ;「……原初の魔女の才能はとても稀少。@幼き日には誰もが持つのに、誰も持ち続けることが出来ない。@/ `"......The talent of the Witch of Origins is very rare.`@` Even though everyone has it when they are young, no one can continue to hold onto it. `@/ ;ld c,$WAL_WaraiA2,80 ;……この称号は、あなたが穢れなき心を失わなかったことの証でもありますね。」\ ;＜ワルギリ `......This title is also proof that you have not lost your untainted heart."`\ ld l,$MAR_WaraiA2,80 ;「うー！！@　原初の魔女、すごい！@　なる！@　真里亞、原初の魔女見習いー！」@ `"Uu-!!`@` The Witch of Origins, awesome!`@` Become it!`@` Maria, the Apprentice Witch of Origi-ns!"`@ cl r,23 ld r,$SAK_WaraiA1,24 ;「真里亞、すごいねすごいね…！@　原初の魔女、すごいすごい、うりゅー！」\ `"Maria, that's so awesome...!`@` The Witch of Origins, awesome, awesome, uryu-!"`\ bg garden_Se1a,23 ld c,$BEA_DefA1,24 ;「やがては一人前の原初の魔女、マリア卿を名乗ることになろう。@……さくたろうだけでなく、そろそろそなたも、その格に相応しい身なりをしても良い頃であろうな。@/ `"Eventually, you will probably be able to call yourself a full witch, Lady MARIA, the Witch of Origins.`@` ......It may be a good time now to give not only Sakutarou, but you as well, an appearance fitting for your rank. `@/ ld c,$BEA_WaraiA1,80 ;………それ。@見習いとはいえ、魔女の名を語るに相応しき服装を与えよう。」\ `......This.`@` I shall give a proper outfit for one who, while an apprentice, is worthy of using the title of a witch."`\ textoff se1 22 bfly2 30 wait 1000 cbfly 0 bfly1 0 bg garden_Se1b,0 ld c,$MAR_odorokiA1,24 wait 1000 se2v 22,100 lsp bgsp2,butterfly_4sp2R,0,0 print 31 ;　ベアトがケーンである煙管を振るうと、@どこからともなく現れたたくさんの黄金の蝶たちが真里亞に群がり、素敵なドレスを与えた。\ `When Beato waved the pipe that was her cane, `@`many gold butterflies that had appeared out of nowhere grouped around Maria, giving her a wonderful dress.`\ gosub *MAR_Isyou2 se1 22 bg white,2 csp bgsp2 cbfly 2 wait 500 se2 52 E_B E_MA bg garden_Se1b,0 ld c,$MAR_OdorokiA1,99,2000,"breakup.dll/lrp" mov %play_scene,40110 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_mar : seplay 9,1060 bgm1 60 ;　それは確かに、原初の魔女をやがて名乗る彼女に相応しい、可愛らしさと荘厳さを併せ持ったものだった…。\ `It was certainly something fitting for the girl who would eventually take the name of the Witch of Origins, combining both cuteness and dignity...`\ ;■これ以降、魔女真里亞の立ち絵あり。@真里亞の別衣装扱い。@ ld c,$MAR_WaraiA2,2 ;「すごい…！！@　すごいすごいすごいすごい！！@　可愛い可愛い！@　このお洋服、ママにも見せたい…！！@　だめ？」@ `"Awesome...!!`@` Awesome awesome awesome awesome!!`@` Cute cute!`@` I want to show these clothes to Mama too...!!`@` Can't I?"`@ cl a,0 ld r,$MAR_WaraiA2,0 ld l,$BEA_futekiA2,23 ;「魔女の正装は濫りに見せてはならぬぞ。@/ `"The full dress of a witch must not be shown indiscriminately. `@/ ;ld l,$BEA_AkuwaraiA1,80 ;もったいぶった方が価値が出るというもの。@くっくっく！」\ `Such a thing is worth more if you act pompously.`@` *cackle*!"`\ cl a,2 ;　そして、大魔女と魔女と魔女見習いと新しき友人さくたろうは、賑やかにお茶を楽しむのだった……。\ `Then, the Great Witch, the witch, the witch's apprentice, and their new friend, Sakutarou, enjoyed a lively tea party......`\ mset ;■メタ視世界 mld l,$MAR_WaraiA1,23 ;「………ね？@　私はこんなにも、幸せだよ。@そしてこんなにも楽しい。」@ ;＜魔女真里亞 `".........See?`@` Look how happy I am.`@` And look how fun this is."`@ mld r,$ENJ_hanbesoA1,24 ;「………………………。」\ `"....................."`\ mld l,$MAR_KomaruA1,80 ;「幸せになることを、どうか恐れないで。@幸せになるというのは、今の不幸を受け容れるという意味じゃないの。@/ `"Please, don't be afraid of being happy.`@` Becoming happy isn't the same thing as accepting your current misfortune. `@/ ;mld l,$MAR_DefA1,80 ;今の不幸の中に、幸せを新しく生み出すということなの。@それが、原初の魔法。」\ `It means creating a new happiness out of your current misfortune.`@` That is the Magic of Origins."`\ mld r,$ENJ_komaruA2,80 ;「……私は、今の自分の世界を、認めたくなかった。@……こんなにも孤独で辛い世界を肯定するのが許せなかった。@/ `"......I...didn't want to acknowledge my current world.`@` ......I couldn't allow for such an isolated and painful world to be accepted. `@/ ;mld r,$ENJ_MajimeA1,80 ;…だから、真里亞お姉ちゃんの世界に惹かれながらも、/ ;!d800……最後の一線で、受け容れられなかった。」\ `...That's why, even though I was entranced by your world, Maria onee-chan, `/ !d800`......I couldn't cross the final line."`\ mld l,$MAR_WaraiA1,80 ;「…………教えてあげる。@真里亞の、原初の魔法を。@いいえ、教えたことがあったはず。@そしてあなたにも使えたはずなんだよ。@忘れちゃった……？」@ `"............Maria will teach you.`@` About her Magic of Origins.`@` No, taught you before, right?`@` And you used it before, right?`@` Did you forget......?"`@ mld r,$ENJ_hanbesoA1,80 ;「………………………。」\ `"....................."`\ me1v 5,50 mld l,$MAR_niyariA2,80 ;「縁寿だって、マリアージュ・ソルシエールに名を連ねる、魔女の見習いだったでしょう？」@ `"You were also a witch apprentice, Ange, with your name entered into Mariage Sorciere, weren't you?"`@ mld r,$ENJ_komaruA2,80 ;「…………えぇ。@そうだったわね。@………マリアージュ・ソルシエール、/ ;!d1000…懐かしいわね。@……私も、そこに名を連ねていることがあったっけ。」\ `"............Yeah.`@` That was true.`@` .........Mariage Sorciere, `/ !d1000`...that takes me back.`@` ......I also had my name entered in there at one point, didn't I..."`\ mendef 0 bg black,2 wait 1000 fedexx 0,70,0,0,0,0,5000 wait 1000 ;▲第５アイキャッチ　時計なし eye12 *Umi4_6 mov %play_scene,40110 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj mov %grim_scene,404 ;■オカルト研究家に接触。@（どこかの高級ホテルのロビーか高級レストランにて（昼間）） ;bg ;１９９８年テロップ表示 me1 29 bg oct_1998,22 wait 4000 bg black,2 bg cit_1a,6 wait 2000 bg black,25 mevol 1,50 bg res_i4a,2 bgm1v 1,0 fedexx 70,0,0,0,0,0,2000 bg res_i4b,24 ;「えぇ、あれは忘れもしない。@１９８７年４月のことです。@私は友人から、ある奇妙な依頼を受けました。@……とある大富豪の遺品である蔵書が大量に競売に掛けられていて、@その一部に、民俗学的にも考古学的にも、あるいはオカルト的な意味でも極めて価値の高いものが含まれていると思われる、@その価値を内密に見て欲しいというのです。」\ `"Yes, I will never forget that.`@` It happened in April of 1987.`@` I received a certain strange request from a friend.`@` ......There was a large collection of books, which were the former possessions of a very rich man and were being sold at auction,`@` and it was thought that some of them might have been extremely valuable to the study of archeology and folklore, as well as in an occult sense,`@` so this friend wanted to witness their worth confidentially."`\ bg res_i4c,0 ld l,$ENJ_defA1,23 ;「………………８７年。@六軒島での事件の半年後。」@ ;＜縁寿 `"............'87.`@` Half a year after the crime on Rokkenjima."`@ ld r,$PRO_DefA1,24 ;「左様です。@それらの蔵書は、六軒島での難を逃れたものと説明されていました。@それを、島の所有者である右代宮絵羽氏が競売に出したというのです。」\ `"Correct.`@` It was explained that those books had escaped the disaster at Rokkenjima.`@` The owner of the island, Ms. Ushiromiya Eva, had put them up for auction."`\ bg black,22 bg res_i4a,2 ;　そこは高級なレストランのようだった。@ ;　奥まって離れた静かな席に、初老の男と縁寿は向かい合って座っていた。@ `This was apparently a high-class restaurant.`@ `In a secluded and quiet seat, a middle-aged man was sitting across from Ange.`@ br ;　天草の姿はレストランの入り口にある。@ ;　須磨寺家の追っ手が来ないか見張っているのだろう。\ `Amakusa could be seen by the entrance to the restaurant.`@ `He was probably keeping a lookout for pursuers from the Sumadera family.`\ bg black,22 bg res_i4b,0 ld c,$PRO_waraiA1,26 ;　縁寿の向かいの、学識ありそうな男は、丁寧な口調ながら熱っぽく語っていた。@ ;　手元の料理には一切手をつけておらず、どれほどの熱弁を奮っているか想像できる。\ `The scholarly man across from Ange spoke politely, but with enthusiasm.`@ `He didn't lay a finger on the food in front of him, so you could tell how excited he was as he spoke fervently.`\ ;　彼は某大学の教授で、特に西洋の民俗学の権威として知られていた。@ ;　しかし、それは彼のライフワークの中で、もっとも外面の良いものに過ぎない。\ `He was a professor at a certain college, and particularly well-known as an authority on western folklore.`@ `However, among his life works, that was only a convenient exterior.`\ ;　彼の本当のライフワークは、@神秘学、西洋魔法、錬金術、それら全てを内包するオカルト、@そして悪魔学。@ `His true life work was...`@`the study of occultism, western magic, alchemy, and everything else to do with the occult,`@` as well as demonology.`@ br ;　つまり、金蔵の研究内容をもっとも理解できる立場にある人間のひとりであった…。/ `In short, he was the person in the best position to understand the details of Kinzo's research...`/ mov %play_scene,40120 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_pro : seplay 9,1060 \ ;bg res_i4c,0 ld c,$PRO_DefA1,80 ;「まず、蔵書を鑑定してわかったことは、右代宮絵羽氏には民俗学的な教養はまったくなく、@そしてその蔵書の本来の持ち主である右代宮金蔵氏は、日本で五指に入る悪魔学の権威であったことは、間違いないということです。」\ `"First, what I learned by appraising the books was that Ms. Ushiromiya Eva had absolutely no education in the study of folklore, `@`and that the original owner of the books, Ushiromiya Kinzo, was certainly one of the top five authorities on demonology in Japan."`\ bg black,22 ;　１９８７年４月。@ `April, 1987.`@ br ;　都内の大手古物商が、歴史的価値が高いと思われる大量の古文書を入手する。@ ;　これは、右代宮絵羽が競売に掛けるよう依頼して預けたものであった。\ `A major city antique shop obtained a large quantity of ancient documents that were thought to have a high historical value.`@ `They came into possession of them after Ushiromiya Eva had had them sold at auction.`\ mono 1 ld c,$EVA_DefA1,8 ;　当時、絵羽は唯一の生き残りとして右代宮家の家督を継承し、全ての財産を独占したかに思われていた。@ `At the time, it was thought that Eva would succeed the Ushiromiya family and have all the wealth to herself as the only survivor.`@ br ;　しかし、当時は事故から半年しか経ておらず、危難失踪が成立していなかった。\ `However, at that point, not even half a year had passed since the accident, and despite the extraordinary circumstances, it was not established that the others had been missing long enough to be presumed dead.`\ ;　その為、絵羽は家族の生命保険さえ降りず、経済的にかなり困窮していたと思われる。@ `Because of that, it was thought that Eva had been in a very tight spot financially, unable even to collect from her family's life insurance.`@ br ;　絵羽は金目のものは何でも売り払おうとしたらしく、@彼女が難を逃れた時に所在していた九羽鳥庵に収められていた蔵書も、この対象となったのだ。\ `It seems that she tried to sell everything of value, `@`and even the books kept in the place where she had escaped harm in, Kuwadorian, became a target of this.`\ cl c,0 mono off bg Different_spiral_1a,22 ;　そして、後に「右代宮蔵書」と呼ばれるそれら古文書は、古物商によって鑑定のために集められた権威たちの度肝を抜いた。\ `And these old books, which were later called 'the Ushiromiya Library', were later gathered from antique shops by authorities in the field so that they could be appraised...and the authorities were astounded.`\ bg black,28 bg res_i4b,22 ld c,$PRO_majimeA1,26 ;「少なくとも神秘学の見地から言えば、@その発見が世界に与えた衝撃は死海文書発見にも匹敵するものでした。\ `"At least speaking from the perspective of occultism, `@`the impact of that discovery on the world was comparable to the discovery of the Dead Sea scrolls.`\ ld c,$PRO_DefA1,80 ;　『右代宮蔵書』には、なんと千年以上にも亘る間、その存在だけが知られているにもかかわらず、@発見されていなかった数々の極めて重要な文献さえ含まれていたからです。」\ `This is because, contained in 'the Ushiromiya Library', there were many extremely vital documents which, `@`while their existence had been known of for more than one thousand years, had never been found."`\ ;　錬金術に代表されるような、いわゆる夢のあるオカルトは、常に好事家を魅了して止まない。@ `The many dreams of the occult, such as those represented by alchemy, always stirred an intense fascination in dilettantes.`@ br ;　未だに全世界には、未公表の歴史価値ある「魔法書」が大量に残されていて、@オカルトを愛する大富豪たちが秘密に所持しているのではないかと囁かれているのである。\ `It is whispered that many 'magic books' of great historical value, as yet unannounced to the public,`@` might be in the secret possession of the very wealthy lovers of the occult.`\ ;　好事家の中でもとりわけ人気の高い、レオナルド・ダ・ヴィンチの手稿などがその最たるものと言われる。@ `It is said that items such as Leonardo da Vinci's notebooks, which are particularly popular among dilettantes, were prime examples of this.`@ br ;　手稿は約五千枚が現存し、一万枚以上が紛失していると言われるが、@この紛失分の数割が、特定の大富豪や好事家によって独占されている可能性があると一部の研究者は見ている。\ `It is said that approximately 5000 pages of the notebooks currently exist, and that over 10,000 have been lost,`@` but some researchers believe that a large part of this lost portion may be monopolized by certain dilettantes and members of the extremely rich.`\ ;　その為、今もなお、求めて止まない好事家が、@死蔵されて眠っている未公開手稿を求め、金に糸目をつけずに探し回っているという…。\ `It is said that because of this, even now, `@`dilettantes who can't help but seek these spare no expense to search around for quietly hoarded away and unannounced notebooks...`\ bg black,22 ;　右代宮金蔵もまた、そんな類の好事家であったことは、疑いようもないだろう。@ `There is probably no doubting that Ushiromiya Kinzo was himself one of those dilettantes.`@ br ;　金蔵がどのようにしてそれらを収集したかはわかっていないが、@その莫大な富を湯水のように使い、同じ趣味を持つ同士の大富豪から買い取ったことは間違いあるまい。\ `It is unknown what Kinzo went through to obtain those,`@` but there can be no mistake that he abundantly used his vast wealth, buying them off of other rich people with the same hobby as him.`\ ;　そんな、好事家たちが死蔵して独占欲を満たしたくなるほどに価値ある蔵書が２０世紀末に大量に発見、@公開されたことは、全世界に大きな衝撃を与えた…。\ `Those books, which were so valuable that dilettantes just couldn't satisfy their desire to hoard them away, were discovered in large numbers at the end of the 20th century,`@` and their release to the public had given the entire world a massive shock...`\ bg res_i4c,0 ld c,$PRO_majimeA1,26 ld c,$PRO_waraiA1,80 ;「この一件により、Rokkenjimaの名は全世界に知れ渡ることになります。@そして同時に、六軒島の事故によって、未発見のさらに価値ある蔵書が大量に失われた可能性が高いことも、全世界に衝撃を与えました。\ `"Because of this case, the name Rokkenjima became known across the world.`@` And the world also received a shock at the high probability that, due to the accident on Rokkenjima, a large amount of even more valuable books yet to be discovered were lost.`\ ld c,$PRO_defA1,80 ;　…これにより、六軒島と右代宮蔵書の名は、我々にとって生涯忘れ得ないものとなったのです。」\ `...Because of this, the names of Rokkenjima and the Ushiromiya Library will remain in our memories for all time."`\ ;　……我々にとって。@ `......Our memories.`@ br ;　その我々とはつまり、金蔵と同じ趣味のオカルト界隈のことだろう。@ `That 'our' probably meant the occult neck of the woods with the same hobby as Kinzo.`@ br ;　この一件により、六軒島の名は、オカルトの世界で重要な意味を持っていくことになる。\ `Because of that case, the name of Rokkenjima had taken on a vital meaning in the world of the occult.`\ bg black,2 bg sea_1a,8 ;　六軒島の事故は、確かに大きく報道されたが国際的なものではなかった。@ `There certainly had been a lot of reporting about the accident on Rokkenjima, but it hadn't been something on the international level.`@ br ;　しかし、この一件は世界を駆け巡り、@/ `However, this case had run about the world, `@/ ;mono 1 ;print 8 ;六軒島のイメージを、伊豆諸島の小さな島から、謎と疑惑とミステリーとオカルトの入り混じった悪魔的な島へと塗り替えていった。\ `taking the image of Rokkenjima as a small island in the Izu archipelago, and painting it over as a demonic island with a mixture of riddles, suspicion, mystery and the occult.`\ bg black,2 ;mono off ;　つまり、絵羽によって金蔵の蔵書が世間に流出されるまでは、@六軒島は、誰の記憶にも留まらない無名の島に過ぎず、@……そこは断じて、魔女の島ではなかったのである。@ `In other words, until Kinzo's library was leaked to the public by Eva,`@` Rokkenjima had been nothing more than a nameless island that no one could remember,`@` ......and it definitely hadn't been a witch's island.`@ br ;　しかし、右代宮蔵書が世界的に知れ渡り、六軒島のイメージは一気にオカルト的になる。\ `However, when knowledge of the Ushiromiya Library spread across the world, Rokkenjima's image immediately took on an occult twist.`\ bg res_i4b,0 ld c,$PRO_majimeA1,26 ld c,$PRO_majimeA2,80 ;「そして、そこへ起こるのが例のメッセージボトル事件です。@これがあの島を、魔女の島に変えた。@伊豆諸島の無名の小島が、オカルトの島へ、そして謎の魔女、ベアトリーチェの島へと変遷していったのです。\ `"And so, what happened next was that case with the message bottle.`@` It is what turned that island into a witch's island.`@` A nameless island in the Izu archipelago began to transition into an occult island, and the island of the mysterious witch, Beatrice.`\ ld c,$PRO_defA1,80 ;　右代宮蔵書とメッセージボトル、このどちらが欠けても、六軒島魔女伝説は成り立たなかったと言えます。」\ `You could say that, lacking either the Ushiromiya Library or the message bottle, the Rokkenjima Witch Legend would never have been established."`\ bg black,22 ;「……メッセージボトル。」\ `"......A message bottle."`\ bg sea_3a,22 ;「はい。@空の瓶に手紙を封印し海に投じるという、不特定対象への通信方法です。\ `"Yes.`@` A form of communication to an unspecified target by throwing an empty bottle with a letter sealed inside into the sea.`\ ;　無人島からＳＯＳを発信する、というのが有名ですが、海外の有名推理小説の影響で、@自らの死後に真実を告白するという、時間差的な遺書としても知られるようになりました。@六軒島メッセージボトル事件は、まさにこの後者だったのです。」\ `It is famous as a way of sending an SOS from a deserted island, but because of the influence of famous foreign detective novels,`@` it has also become known as a method of confessing the truth after one's own death, like a time-delayed will.`@` The case with the Rokkenjima message bottle was certainly of the latter."`\ bg black,22 ;「……近くの島の漁師が拾っていた、というやつですね？」\ `"......This is the thing everyone says a fisherman on a nearby island picked up?"`\ bg ship_P1b,22 ;「左様です。@式根島の若い漁師が、手紙入りのワインボトルを拾っていたことがわかったのです。@この若い漁師は興味本位からそれをたまたま保管していました。@それが、右代宮蔵書で六軒島が世界的注目を浴びた為、公表したというのです。」\ `"Correct.`@` We learned that a young fisherman on Shikinejima picked up a wine bottle with a letter in it.`@` This young fisherman kept it just out of curiosity.`@` Then, because Rokkenjima had fallen under the world's attention due to the Ushiromiya Library, he announced his discovery."`\ ;「その漁師による捏造の可能性は？」\ `"Is there any chance that it was a fabrication made by the fisherman?"`\ ;「もちろんその可能性も否定できませんでした。@ワインボトル内のノート片には、右代宮家のとある人物の署名がされていました。@右代宮真里亞という少女です。@しかし、彼女の遺品の肉筆から、別人の筆跡であることが確認されました。」\ `"Of course, we weren't able to deny that possibility.`@` The scraps of paper in the wine bottle were signed by a certain member of the Ushiromiya family.`@` A girl named Ushiromiya Maria.`@` However, after looking at the handwriting left on her former belongings, it was confirmed that this message was written in a different person's handwriting."`\ bg black,22 ;「………別人の筆跡……？」\ `".........A different person's handwriting......?"`\ ;「左様です。@少なくとも、少女より達筆で年齢のある人物によって書かれたことは疑いようがないでしょう。@彼女の名を騙った、何者かが執筆した可能性が極めて高かったのです。@よって、この時点ではノート片の内容の信憑性は薄いと考えられました。」\ `"Correct.`@` At the very least, I believe there can be no doubt that it was written by a person more skilled at writing and of a greater age than her.`@` There was a very high likelihood that someone faked her name when they wrote it.`@` Therefore, at that point in time, it was thought that the contents of those scraps of paper had a very low credibility."`\ bg black,22 bg Different_spiral_1a,8 ;　ところが。@ `However.`@ br ;　後に、同様のメッセージボトルが、事故当日に警察による遺留品捜索で周辺海域から回収されていたことが判明し、センセーションを巻き起こす。\ `Later on, it was confirmed that a similar message bottle had been recovered from the nearby ocean on the day of the accident by the police in their search for lost articles, and this caused a sensation.`\ bg res_i4c,2 ld l,$PRO_majimeA2,26 ;「警察は現場の状況とボトルの封印状況から、捏造の可能性は低く、@事故直前の数日以内に投棄したものと判断したようです。@　また双方の筆跡は一致しました。@これにより、漁師の発見したノート片の信憑性が増すこととなりました。\ `"It seems that, due to evidence from the surrounding area and the fact that the bottle was sealed, `@`the police had decided that its likelihood of being a fabrication was low and that it had been abandoned no earlier than a few days before the accident.`@` And the handwriting for both matched.`@` This caused the credibility of the scraps of paper discovered by the fisherman to rise.`\ ld l,$PRO_majimeA1,80 ;　メッセージボトルの内容については、週刊誌などが繰り返し報道しているようですが、説明がいりますかな？」\ `It seems that magazines and the like have reported on the contents of that message bottle repeatedly, but do you require an explanation?"`\ ld r,$ENJ_DefA1,24 ;「……いいえ。@一応、知っていますので。」\ `"......No.`@` I know about it, more or less."`\ bg black,22 bg note1,2 ;　２つのワインボトルの中には、ノート片が何枚もぎっしり詰められていた。@ `Many scraps of paper had been stuffed into both of the wine bottles.`@ br ;　それは、右代宮真里亞を名乗る本人以外の何者かによる、事故前日から当日を日記風に記した膨大な手記だった。\ `It was an extensive notebook written by someone calling themselves Ushiromiya Maria who wasn't Maria, and which told of the events starting the day before the accident and up until the day of the accident in a diary-like way.`\ ;　そしてこの内容こそが、「魔女伝説連続殺人事件」、@そして「黄金の魔女ベアトリーチェの謎」の始まりだったのである。\ `And its contents had been the beginning of 'the Witch's Legend Serial Murder Incident',`@` as well as 'the Golden Witch Beatrice's Puzzle'.`\ bg black,22 mono 1 bg Mhal_2c,8 ;「この奇妙な日記風手記には、台風で島に釘付けにされた右代宮家の親族たちが、@魔女復活の儀式に巻き込まれ、次々に不可解な方法で殺されていく様子が記されていました。\ `"This bizarre diary-style notebook described how the Ushiromiya family members, nailed down on the island by the typhoon,`@` were caught up in a ceremony for the resurrection of a witch, and killed one by one in inexplicable ways.`\ ;bg black,2 bg portrait2,22 ;　そして最後に黄金の魔女ベアトリーチェが蘇り、全てを黄金郷に飲み込む。@……まるで、それこそが当日の全容であるかのように記されていました。\ `And in the end, the Golden Witch Beatrice revived, and everything was flung into the Golden Land.`@` ......It was written almost as though it was a complete account of the events on that day.`\ bg M_o1a,22 ;　また、当時の島の状況についても非常に詳しく描写されており、@右代宮家に勤務したことがある元の使用人たちは、間違いなく内部に詳しい人間が書いたに違いないと証言しました。」\ `Also, it depicted the current situation on the island at the time in great detail,`@` and the former servants who used to work for the Ushiromiya family gave testimony that it had definitely been written by a human who knew the inside details of the island."`\ bg black,22 mono off bg res_i4b,25 ld r,$ENJ_DefA1,24 ;「……その、おかしな幻想小説と右代宮蔵書以降のオカルトブーム、@そして、結局は真相は闇の中という３つが合わさり、六軒島の魔女伝説を生み出したと…？」\ `"......So, because of a combination of the occult boom from that strange fantasy novel and the Ushiromiya Library,`@` and well as the fact that the truth remained shrouded in darkness, the legend of the Rokkenjima witch was born...?"`\ ld l,$PRO_DefA1,23 ;「左様です。@すでに１０年以上が経過した事件ですが、未だに世界のオカルトマニアの関心を集めています。\ `"Correct.`@` More than 10 years have already passed since that case, and it is still the focus of interest for occult enthusiasts across the world.`\ ld l,$PRO_waraiA1,80 ;　いや、むしろ時間を経て、ますますに神格化されたと言っていい。@上陸禁止になっている六軒島に、密かに上陸しようというマニアも未だに多いとか。@……未だ未発見のメッセージボトルがあるのではないか。@そしてあの日、あの島で本当は何があったのか。@未だに議論は尽きませんとも。」\ `No, to the contrary, you could say that it has become increasingly deified as time passes.`@` There are still many enthusiasts who try to secretly land on Rokkenjima even though it is prohibited.`@` ......Could there be another message bottle that has still not been discovered?`@` And on that day, what really happened on that island?`@` There is still much to be discussed."`\ ;　男はそこまでを一気に捲くし立ててから、ようやく思い出したように水を一口飲む。@ ;　……ポタージュは冷めているが、男の食欲はすでに吹き飛んでいるようだった。\ `As though he had finally remembered that he had been going on and on for some time, the man took a gulp of water.`@ `......His potage was getting cold, but it seemed that the man's hunger had already been blown away.`\ ld r,$ENJ_fumanA2,80 ;「……確か、漁師のノート片と、警察のノート片で、内容がまったく違うと聞きましたが。」\ `"......I'm pretty sure I heard that the fisherman's scraps of paper and the police's scraps of paper had completely different contents."`\ bg black,22 bg note1,22 ;「左様です。@このせいで、六軒島ミステリーはさらに面白みが増したのです。@２つのボトルの中身は、どちらも事故前日から当日までを記した日記風の手記です。@しかし、その内容は、ともに前日から当日を記した内容であり、にもかかわらず、内容はまったく異なったのです。\ `"Correct.`@` Due to that, interest in the Rokkenjima mystery increased even further.`@` Inside both bottles were diary-style notebooks on which was written an account from the day before the accident until the day of the accident.`@` However, while both of their contents were about the same two day period, they were completely different.`\ ;　まるで、どちらかが真実で、どちらかが虚偽のように。@あるいは両方とも虚偽なのかもしれない。@…しかし、始まりと終わりだけは一致するのです。@始まりは、親族たち１８人は台風で島に閉じ込められた。@そして終わりは、全員が死に、黄金の魔女が蘇り、全ては黄金郷に飲み込まれる。」\ `It was as though one was the truth and one was a lie.`@` Or perhaps both were lies.`@` In any event, the beginnings and endings alone matched each other.`@` In the beginning, the 18 people including the relatives are sealed up on the island by the typhoon.`@` And in the ending, everyone dies, the Golden Witch is revived, and everything is flung into the Golden Land."`\ bg black,22 ;　２つのメッセージボトルの中身は、共に事故前日から当日を記したものだった。@ `The contents of both message bottles wrote about the events of the day before the accident and the day of the accident.`@ br ;　しかし、その内容がまったく異なったのである。\ `But the details were completely different.`\ mono 1 bg portrait3,22 ;　２つの日記は、どちらも魔女の碑文に沿った連続殺人を描いているのだが、犠牲者の順番も死に方も、“二日間の物語”さえも違う。@ `Both diaries outline a serial murder following the epitaph of the witch, but the order of the sacrifices, the ways they died, and even 'the tale of the two days' was different.`@ br ;　しかし、どちらも最後は全員が死亡し、魔女が復活するという同じ顛末を描いている。\ `However, in both, everyone died in the end and the witch revived, making for the same circumstances.`\ bg black,22 mono off bg res_i4c,0 ld r,$PRO_majimeA2,26 ;「あの島で何があったのか、唯一の生存者である右代宮絵羽氏が沈黙していた以上、@あの２日間の出来事は全てが闇の中です。\ `"Because the only survivor, Ms. Ushiromiya Eva, has remained silent about what happened on that island,`@` the events of that entire two day period are shrouded in darkness.`\ ld r,$PRO_majimeA1,80 ;　この２つの日記は、その闇を埋める仮説を、こともあろうか、２つも提示して見せたのです。@どちらの日記でも、二日間を説明できる。@しかし、どちらが正しいのか、あるいは正しいことが含まれているのかさえわからないのです。」\ `These two diaries, of all things, presented two theories to wipe away that darkness.`@` With either diary, you could explain those two days.`@` However, we don't know which is correct, or even if there is anything correct contained within them."`\ br ;　――シュレディンガーの、猫箱。@ `――Schrodinger's...cat box.`@ br ;　否定されなければ、虚実すらも、真実。@ `If it isn't denied, even a mixture of truth and fiction can be the truth.`@ br ;　そのノート片はマスコミによって、もちろん絵羽にも見せられたが、彼女が沈黙を破ることはついになかった……。\ `Through the media, these scraps of paper had of course been shown to Eva as well, but in the end, she never broke her silence......`\ ld l,$ENJ_nayamuA1,23 ;「誰が、何のためにメッセージボトルを？」\ `"Who sent the message bottle...and why?"`\ ld r,$PRO_majimeA2,24 ;「事件１０周年特集を組んだ雑誌が、以前、大々的に取り上げたでしょう。@あの仮説が、今日ではもっとも支持を集めているようです。@/ `"Earlier, in their special issue for the crime's 10th anniversary, magazines took that topic up for discussion in a grand manner.`@` It seems that that theory is gathering the most support today. `@/ ld r,$PRO_defA1,80 ;しかし面白みには欠ける。@/ ;……あの島であの日、何が起こったのか。@それを考えるのが、ウィッチハントの醍醐味なのですな。」\ `But that is rather dull. `@/ `...What happened on that island, on that day?`@` Considering this question is the true charm of the Witch Hunt."`\ ld l,$ENJ_fumanA2,80 ;「ウィッチハント…？」\ `"Witch Hunt...?"`\ cl a,0 ld c,$PRO_waraiA1,24 ;「あぁ、六軒島ウィッチハントとは、この事件の真相をオカルトの側面から説明しようと試みるマニアの集いのことです。@/ `"Yes, the Rokkenjima Witch Hunt is the name of group of enthusiasts who try to explain the truth of that crime from an occult perspective. `@/ ;右代宮蔵書から謎の２日間、そして黄金の魔女の伝説など、六軒島にかかわる謎は今でもマニアの間で盛んに議論されているのです。\ `Discussion of the mysteries that surround Rokkenjima, from the Ushiromiya Library to the mysterious two day period to the legend of the Golden Witch, is flourishing even today among enthusiasts.`\ ld c,$PRO_defA1,80 ;　１０周年の時には、ニューヨークで国際コンベンションも開かれました。@私も日本の代表として参加してきましてね！@　海外の熱心なウィッチハンターと様々な交流をしてきましたよ。@海外では魔女はとても人気のあるカテゴリーでしてね。@参加者の年齢幅も下は小学生から、上は著名な文化人まで実に幅広い！@　日本でも近年ようやく、」\ `For the 10 year anniversary, an international convention was held in New York.`@` I also participated as a representative of Japan!`@` I was able to intermingle with zealous overseas Witch Hunters in many ways.`@` Witches are a very popular category overseas.`@` The age span of the participants stretched from elementary schoolers at the bottom, all the way to famous cultural figures at the top!`@` Even in Japan, in recent years, there was finally-"`\ br ;　……もう説明はいらないだろうが、彼は、日本でもっとも有名な六軒島ウィッチハンターのひとりだ。@ `......You probably don't need any more explanation, but he is one of the most famous Rokkenjima Witch Hunters in Japan.`@ br ;　あとは聞いてもないのに、興奮しながら話を勝手に続ける。@ `Even though I didn't ask anything more, he kept continuing on excitedly all by himself.`@ br ;　私は、ポタージュに張った薄膜をスプーンでぐちゃぐちゃにしながら、肩を竦めてため息を漏らすのだった。\ `As I swirled the thin film on my potage with my spoon, I shrugged my shoulders and sighed.`\ bg black,22 ;　……やはり、メッセージボトルのことを調べても時間の無駄だったろうか。\ `......Looks like it really had been a waste of time to research about the message bottle.`\ gosub *MAR_Isyou1 mono 1 ld c,$MAR_DefA1,8 ;　いや、ひとつ収穫があったとすれば、真里亞お姉ちゃんが記したとされるそれは、@彼女の名を騙る別の人物が書いたらしいこと。@ `No, if there is one thing I've found, `@`it's that it seems the notebook which was supposed to be written by Maria onee-chan was actually written by a different person faking her name.`@ br ;　そして、オカルトな物語を勝手に書き上げ、それが真相だと言わんばかりに瓶詰めにして海に放り込んだこと。\ `And that person had written up an occult legend on their own, put it into the bottle as though it was the truth, and thrown it into the sea.`\ gosub *MAR_Isyou2 me1 16 cl c,22 mono off ;　…疑問はある。@ `...I have a question.`@ br ;　なぜ、わざわざ大量の文章を記す手間を掛けてまで、そのような怪文書を用意したのか。@ `Why would they go to all the trouble of writing so much in order to prepare a suspicious letter like that?`@ br ;　メッセージボトルでは、それが確実に人の手に渡る保証がない。\ `With a message bottle, there would be no guarantee that it would ever pass into anyone's hands.`\ ;　下手をすれば、海に沈んで誰の目にもつかないかもしれない。@ `If their luck had been bad, it could have sunk in the ocean and never have been seen by anyone.`@ br ;　あるいは、誰かが拾ったとしても、気にも留めずに捨ててしまうことだってあるかもしれない。\ `And even if someone had picked it up, they might have not cared about it and thrown it away.`\ bg Different_spiral_1a,22 ;　……このような不確かな方法で、なぜ真相の告白を海に託したのか。@ ;　そして、なぜ異なる物語を複数、書き上げたのか。@ `......Why would they entrust their confession of the truth to the sea in such an uncertain method?`@ `And why would they write up multiple different tales?`@ br ;　もしもメッセージボトルが１つだったなら、それこそが真相だと言い切ることも、乱暴であるが不可能ではないだろう。\ `If there had been one message bottle, claiming that its story was the truth would be reckless, but not impossible.`\ ;　しかし、２つあるせいで、そのどちらもが疑わしくなってしまっている。@ `However, because there were two, that made both of them doubtful.`@ br ;　謎の二日間を、魔女の仕業にしたい何者かの仕組んだこととするならば、まさに蛇足なのだ。\ `If someone was plotting to make out those two days to be the work of a witch, that was really superfluous.`\ ;　そして、２つ存在するということは、未発見の３つ目、あるいはそれ以上がある可能性すら示唆する。@ `And because there were two, it suggested that an undiscovered third one, or possibly even more might exist.`@ br ;　……つまり、２つの内容をますますに鵜呑みに出来なくしているわけだ。\ `......In other words, the two differing contents made it harder and harder to swallow.`\ bg portrait2,22 ;　しかし、にもかかわらず、２つの内容は魔女を語る物語という点で一致する。@ ;　つまりは、そここそが、筆者の伝えたいことだというのだろうか………？@ `But despite that, the contents of both matched in that they told of a witch in a tale.`@ `In other words, does that mean that this is what the writer wanted to tell us.........?`@ br ;　……魔女幻想を生み出したい何者かの、愉快犯的犯行としか思えない。\ `......I can only imagine that someone who wanted to give rise to an illusion of a witch carried out this crime for attention.`\ ;　しかし、絵羽伯母さんを除く１７人もの人命が失われ、莫大な遺産と、あるいは１０ｔもの黄金さえもが闇で動いたのだ。@ `However, the 17 people other than Eva oba-san had lost their lives, and a vast wealth or maybe even 10 tons of gold had moved around secretly in the darkness.`@ br ;　その結末の告白が、こんな魔女の幻想だなんて、どうしても腑に落ちない。\ `With a conclusion like that, it just doesn't make sense for this to be a witch's illusion.`\ bg note1,22 ;　週刊誌の推理を待たず、メッセージボトルが本当に日記であるかは大いに疑わしい。@ `Without waiting for the magazines' reasoning, it's very suspicious whether the message bottle really is a diary.`@ br ;　……何しろ、文章量が膨大だ。@ ;　実際に連続殺人の渦中にあった人物が、冷静にそれらを記せたとは考え難い。\ `......After all, the amount of writing was massive.`@ `It's hard to imagine that someone actually caught up in the middle of a serial murder like that would be able to calmly write it down.`\ ;　だとすると、この日記は、事故前日までにゆっくり時間を掛けて執筆されたという方が現実的だろう。@ `In that case, it's probably more realistic that this diary was written slowly over a long period of time up until the day prior to the accident.`@ br ;　だとしたら、………六軒島の全ては、長い時間を掛けて準備された「計画的犯行」ということになるのだろうか…？\ `In that case, .........would it mean that everything on Rokkenjima had been a 'planned crime', where everything had been prepared for over a long stretch of time...?`\ bg black,22 ;　…絵羽伯母さんが、何も語らずにこの世を去ったことが、恨めしい。\ `...The fact that Eva oba-san left this world without saying anything is...detestable.`\ E_MA mono 1 bg Hos_R1c,6 ;　死の床で彼女は確かに言った。@ `She had definitely said it on her death bed.`@ br ;　私に真相を語らないことが、最大の嫌がらせである旨、確かに言った。\ `She definitely said that her reason for not telling me the truth was because it was the best way of harassing me.`\ bg black,22 mono off ;　……あぁ、今になって痛感する。@ `......Ah, by now I'm painfully aware of it.`@ br ;　絵羽伯母さんが私にしたあらゆる嫌がらせの中で、これが最後にして最たるものだったろう。\ `Of all the things Eva oba-san did to me to harass me, this was probably the last and the greatest.`\ ;　……………しかし、こう考えると、絵羽伯母さんが本当に犯人なのかは、疑わしい。@ ;　もちろん、メッセージボトルの筆跡が絵羽伯母さんと違うから、などというわけではない。@ `............But thinking of it this way, it's pretty doubtful that Eva oba-san is the true culprit.`@ `Of course, this isn't because the handwriting on the message bottle was different from Eva oba-san's, or anything like that.`@ br ;　……発見された２つの物語は、どちらも絵羽伯母さんが犠牲者の中に含まれているからだ。\ `......It's because in both tales that had been discovered, Eva oba-san had been included among the victims.`\ bg Different_spiral_1a,22 ;　もし、この日記の筆者が犯人であるならば。@ `If the writer of that diary was the culprit...`@ br ;　……絵羽伯母さんもまた、殺される標的のひとりだったのではないか。@ `......Maybe Eva oba-san was also one of the targets to be killed.`@ ;　それが、(どこかで狂い/・・・・・・)、絵羽伯母さんは生き残った。\ ;＜点処理：どこかで狂い `Eva oba-san had survived because ` br (`something had gone wrong`/・・・・・・・・)`.`\ ;　………私は絵羽伯母さんを憎悪していたから、彼女こそが犯人に違いないと信じてきた。@ `.........Because I had hated Eva oba-san, I had come to believe that she had to be the culprit.`@ br ;　しかし、メッセージボトルの存在は、@………彼女よりさらに深遠の、未知なる人物こそが黒幕なのではないかと疑わせるのだ…。\ `But the existence of the message bottle,`@` .........had made me suspect that the mastermind was a far more profound and unknown person than her...`\ bg black,22 me1v 5,0 fedexx 0,50,0,0,0,0,4000 E_B bg res_i4b,26 ;　私は時計を見る。@ ;　聞きたいことは十分に聞いた。@もう潮時だ。\ `I looked at the clock.`@ `I've heard more than enough.`@` It's time.`\ ;　まだ熱弁を振るっている彼に、これでお開きにしたい旨を申し出る。@ `As he continued to speak fervently, I suggested that I wanted to bring this discussion to a close.`@ br ;　男も、自分が興奮してしゃべり過ぎたことは自覚しているようだったので、あっさりとそれを受け入れてくれた。\ `It seemed he was aware that he had gotten excited and talked too much, so he quickly accepted this.`\ bg black,23 bg res_i4c,0 ld r,$ENJ_defA1,23 ;「今日は本当にありがとうございました。@貴重なお話が聞けたと思います。」@ `"Thank you very much for today.`@` I think I've heard about something valuable."`@ ld l,$PRO_majimeA1,23 ;「……いえいえ。@ウィッチハントの新しい仲間に、若いお嬢さんをお迎えできて、本当に楽しかったです。@今日は河岸を変えてしまったのでお見せできなかった、貴重な資料がいくつもあります。@次の機会の時には、ぜひそれをお見せしましょう。」\ `"......No, no.`@` It was truly fun to be able to welcome a young lady as a new friend of the Witch Hunt.`@` I have many precious materials that I couldn't show you because of this change to a different venue from the usual.`@` I should be glad to show you them at the next chance we get."`\ ld r,$ENJ_nayamuA1,80 ;「ありがとう、先生。@/ `"Thank you, Professor. `@/ ld r,$ENJ_fumanA2,80 ;…………最後に、聞いてもいいですか？」@ `.........Could I ask one more thing?"`@ ld l,$PRO_waraiA1,80 ;「はい、何でしょうか？」\ `"Yes, what is it?"`\ ld r,$ENJ_defA1,80 ;「先生は、どうして魔女に、いえ、神秘学や悪魔学に興味を？」\ `"Professor, why are you interested in witches...no, in occultism and demonology?"`\ ld l,$PRO_defA1,80 ;「それを言われるとお恥ずかしい。@……不思議な力が使えたなら、意地悪なガキ大将にも負けないのに、@という子どもの頃の妄想が、そのままライフワークになってしまっただけです。@未知なる力への憧れというプリミティブな願望は、今も昔も普遍的ですからな。」\ `"Well, that is somewhat embarrassing.`@` ......It's just that my childhood daydream that, if I could use magic, I wouldn't lose even to the chief bullies,`@` went on to become my life work.`@` Because the primitive desire of admiring unknown power is as universal today as it ever was in the past."`\ ld r,$ENJ_fumanA2,80 ;「先生は、なれるものなら、魔女になりたいですか？@　思うがままに魔法を使ってみたいという夢を、今も？」\ `"Professor, if you could, would you want to become a witch?`@` Do you still dream of being able to use magic at will?"`\ ld l,$PRO_waraiA1,80 ;「もちろんですとも。@この歳になり、そういうものが実在しないと理屈ではわかっていても、@それでもなお、空を飛んでみたい、鉄屑を黄金に変えてみたいという子どものような夢は、忘れられずにいます。@……ははは、学生たちにはどうか内密に。」\ `"But of course.`@` Even though, at this age, I understand the logic that such a thing cannot exist, `@`I cannot forget my child-like dreams such as flying in the sky and turning scrap iron into gold.`@` ......Hahaha, if you would, please keep this a secret from my students."`\ ld r,$ENJ_NayamuA1,80 ;「………私が、実は魔女だと言ったら。@お信じになります？」@ `".........If I told you that I was a real witch,`@` would you believe it?"`@ ld l,$PRO_defA1,80 ;「はっはっはっは。@女は魔女である、というのが、私のささやかな女性経験からの持論です。」\ `"Hahhahhahha.`@` It's my pet theory from my few experiences with women that they are all witches."`\ ;　縁寿は、女性経験と無縁そうな、学問一筋だったに違いない老教授をふっと笑う。\ `Ange snorted at the old professor, who must have been an earnest scholar with barely any experiences with women.`\ ld r,$ENJ_DefA1,80 ;「そうそう。@最後にもうひとつだけ質問を。@……先生は、メッセージボトルの実物をご覧になったことは？」@ `"Yeah, yeah.`@` And one final question.`@` ......Professor, have you seen the original message bottle itself?"`@ ld l,$PRO_majimeA1,80 ;「ありますとも。」\ `"I have indeed."`\ ld r,$ENJ_FumanA2,80 ;「では、その筆跡についてもお詳しいですか？」@ `"In that case, do you know that handwriting well?"`@ ld l,$PRO_defA1,80 ;「もちろん。@その道の専門家ではありませんが、メッセージボトルの筆跡に関してだけは、日本でもっとも詳しいと自負していますとも。」\ `"Of course.`@` I am not a specialist in that area, but at least when it comes to the handwriting of the message bottle, I am proud to be the most knowledgeable in Japan."`\ bg black,24 ;se1v 13,100 bg book1,80 ;quakey 4,700 E_MA ;　縁寿はそこで、机の上にずしりと本を置く。\ `At that point, Ange set a book on the desk with a thud.`\ bgm1 49 ;「…………これは？@　初めて見るものです。」@ `"............And this is?`@` I have never seen it before."`@ br ;　六軒島に関する全ての文献を知り尽くすと自負する彼は、初めて見る装丁に目を白黒させる…。\ `He prided himself on his thorough knowledge of all literature related to Rokkenjima, and he looked bewildered at this binding that he had never seen before...`\ ;textoff ;se1 1010 ;wait 300 ;se2 1010 ;wait 300 ;se3 1010 ;　縁寿はそれに構わず、無言でページをめくり、その内の１ページを開いて示した。@ `Ignoring him, Ange silently flipped through the pages, opened to one of them and showed him.`@ br se1 1010 bg black,64 ;　そのページには、“親愛なる見習い魔女へ”から始まる手書きの文書が記されていた。@ `On that page was a handwritten paragraph beginning with 'to my beloved witch apprentice'.`@ br ;　……そして末尾には、カタカナでベアトリーチェとのサインが。\ `......And at the end, there was a signature in katakana that said Beatrice.`\ ;zzzz30 bg res_i4c,0 ld l,$PRO_komaruA1,66 ;「そっ、それは…………？」@ `"Th, that is.........?"`@ br ;　一目見た瞬間。@男の顔面は蒼白になる。@ ;　……聞かずとも、もう答えはわかっていたが、縁寿は口に出して問う。\ `The instant he glanced at it,`@` his face went pale.`@ `......She knew the answer before asking, but Ange asked it aloud anyways.`\ ld r,$ENJ_defA1,24 ;「このページに記されている文章の筆跡は、メッセージボトルの筆跡と一致しますか…？」@ `"Does the handwriting in the paragraph on this page match the handwriting in the message bottle...?"`@ ld l,$PRO_odorokiA1,80 ;「い、いやその、……も、持ち帰って詳しく調べないことには…。@…し、失礼だが、この本は一体？！@　どこで？！」\ `"B, but, umm......I, I must take this home and investigate more...`@`...P, pardon me for asking, but what in the world is this book?!`@` Where did you get it?!"`\ ;ld c,$ENJ_NayamuA1,22 se1v 1010,50 cl r,63 ;　男は手を伸ばすが、縁寿はひょいとそれを引っ込める。@ ;　…汚い手で触るなとでも言う風に。\ `The man stretched out his hand, but Ange pulled it back.`@ `...As though telling him not to touch it with his filthy hands.`\ bg res_i4a,23 ld c,$ENJ_nayamuA1,24 ;「ありがとう。@その反応だけで結構です。@今日はありがとうございました。@……これ、お約束の謝礼です。」@ `"Thank you.`@` Just that reaction is all I need.`@` Thank you very much for today.`@` ......Here is the reward I promised."`@ br ;　縁寿は、真里亞の日記を抱え立ち上がると、@テーブルの上に帯封のされた壱万円札の束をひとつ、無造作に放り出した。\ `As she stood up, clutching Maria's diary,`@` Ange carelessly tossed a wad of 10 thousand yen notes wrapped with a strip of paper onto the table.`\ se1 13 cl c,23 ;bg black,24 ;bg res_i4a,24 ;ld c,$ENJ_DefA1,24 ;　背を向けて立ち去ろうとする縁寿に、男はすがり付く様に声を張り上げる。@ ;　しかし縁寿が足を止めることはない。\ `As Ange turned her back to him and made to leave, the man raised his voice as though clinging to her.`@ `But Ange didn't stop walking.`\ ld c,$PRO_odorokiA1,23 ;「お、お願いだ…！！@　その本は一体ッ？！@　謝礼はいらない、その本を見せてくれ…！！」\ `"I, I beg you...!!`@` What in the world is that book?!`@` I don't need a reward, show me that book...!!"`\ ;ld c,$ENJ_NayamuA1,80 bg black,24 ;「……私とあなたはウィッチハントの同士だけど、求める深さが違うみたい。@あなたが楽しんでるのは、猫箱の外側。@そして私が知りたいのは猫箱の内側。@/ `"......Both you and I are in the Witch Hunt, but it looks like we aren't pursuing it at the same level.`@` You're entertaining yourself with the outside of the cat box.`@` And what I want to know about is the inside of the cat box. `@/ ;ld c,$ENJ_MajimeA1,80 ;……そしてこの一冊は、その猫箱を開く鍵ね。@あなたには過ぎてるわ。@/ `......And this book is the key to opening the cat box.`@` It's too good for you. `@/ ;ld c,$ENJ_waraiA1,80 ;じゃね。@グッバイ、ジェントルメン。ハバナイスディ。」\ `Well then.`@` . ."`\ br ;「ま、待ってくれ…！！@　(須磨寺さん/・・・・・)…！！！」@ ;＜点処理：須磨寺さん `"P, please wait!!`@` `(`Sumadera-san`/・・・・・・)`...!!!"`@ br ;　その声は届かない。@もう、天草と合流し、車に乗り込んでいた……。\ `His voice didn't reach her.`@` She had already joined up with Amakusa and gone into the car......`\ fede 0,3000 wait 1000 me1 29 me2 30 bg car_i3a,26 ;「収穫はありましたか？」\ ;＜天草 `"Did you find anything?"`\ bg car_i3b,0 ld r,$ENJ_NayamuA1,24 ;「……最後の最後にね。@やっぱりそうだった。@…メッセージボトルを記したのは、ベアトリーチェ本人だった。」\ `"......Only at the very end.`@` I was right.`@` The one who wrote in the message bottle was Beatrice herself."`\ ld l,$AMA_DESU,23 ;「そいつぁクールだ。@魔女は実在するで決着で？」\ `"That's cool.`@` So you've concluded that the witch actually exists?"`\ ld r,$ENJ_FumanA2,80 ;「さぁね。@………寝ていい？@　あのお喋り教授、きっと講義では自分の世界に入っちゃって、寝ちゃう子、続出だと思うわ。」@ `"Who knows.`@` .........Mind if I sleep?`@` I'll bet that talkative professor gets lost in his own little world in lectures and makes a lot of kids fall asleep."`@ ld l,$AMA_DefA2,80 ;「どうぞどうぞ、お休みを。」\ `"Please, please, take a rest."`\ bg black,25 ;mevol 2,100 me3v 30,100 bg car_i3c,22 ;「………しかし、うまく行くもんね。@あいつ、私のこと、須磨寺だと最後まで信じてたわ。」\ `".........Still, that went really well.`@` That guy believed I was Sumadera until the very end."`\ ;　須磨寺家は、縁寿がコンタクトを取りそうな人物に予め網を張っていた。@ ;　もしも右代宮縁寿が現れたら身柄を確保してほしい、謝礼を払うと。@ `The Sumadera family had set up a web beforehand around any people Ange might try to contact.`@ `They had offered a reward for anyone who could take Ushiromiya Ange into custody if she appeared.`@ br ;　それを先読みして、(掻っ攫った/・・・・・)。\ ;＜点処理：掻っ攫った `Ange had foreseen that and ` br (`snatched it away`/・・・・・・・)`.`\ bg black,22 ;　自分が須磨寺だと名乗り、自分の部下が待ち伏せるからとまんまと騙し、男を連れ出したのだ。\ `She had called herself Sumadera, and after skillfully tricking the man by saying her own subordinates would set up an ambush, she had taken him outside.`\ wait 1000 E_MA textoff ;bg black,25 ;wait 3000 ;bg sky_2a,2 ;wait 1000 bg PRO_o1a,25 ;ld c,$KAS_komaruA1,6 ;■須磨寺霞はその頃…（多分、教授の自宅前。@夕方（昼間背景でＯＫ）） ;　だから、須磨寺家の追っ手たちが教授宅に出向いた時には、すでに誰もいなかった…。\ `So when the Sumadera family pursuers reached the professor's house, there was no longer anyone there...`\ bgm1v 86,90 ;「家人の話では、午前中に須磨寺を名乗る若い男女が訪れ、@教授を連れ出したきりまだ帰宅しないそうです。@……裏をかかれた可能性が。」\ `"According to the family, a young man and woman calling themselves Sumadera visited this morning,`@` took the professor out with them and still have not returned.`@` ......There is a chance we were outmaneuvered."`\ ld c,$KAS_AkuwaraiA1,80 ;「………………いけない子ねぇ、縁寿ちゃんは。@……そういう悪知恵、姉さんの血なのかしらねぇ。@……あんなに名乗るのは嫌だと言ってた須磨寺の名を、気安く名乗ってくれちゃうなんて…。\ `"...............What a bad child, Ange-chan.`@` ......I wonder if that craftiness is from Nee-san's blood.`@` ......To think that she would casually take on the name Sumadera after saying she'd hate to call herself that so often...`\ me1 17 ld c,$KAS_waraiA1,80 ;　……………ほっほっほっほっほ。@…その内、教授もお戻りになるだろうさ。@そしたら、粗茶でも振舞わないとね…。」@ ;「…は、…はっ。@了解しました。」\ `............Hoh-hoh-hoh-hoh-ho.`@` ...The professor should be returning soon.`@` When he does, we must serve him some tea..."`@ `"...Y, ...yes.`@` Understood."`\ ld c,$KAS_waraiA2,80 ;「………………私を手玉に取ったつもりかしら。@やんちゃな子なんだから。@/ `"............I wonder if she thinks she's leading me around by the nose.`@` She is such a naughty child. `@/ ld c,$KAS_AkuwaraiA1,80 ;…………くすくすくす、……ほっほっほほほほほほほ！！」@ `............*giggle*giggle*, ......hohhohhohohohohohoho!!"`@ br ;　霞は、般若のような形相をしながら踵を乱暴に踏み鳴らす。\ `With a demonic look on her face, Kasumi violently stamped her heel.`\ textoff ;se1v 20,100 ;wait 1000 bg black,1 E_A se2v 12,70 ;■ガツン！@　で画面真っ暗。@ wait 3000 ;■時間経過コマ〜高級ホテル、縁寿の部屋。@ ;wait 2000 ;bg sky_2b,2 ;wait 2000 ;bg sky_2a,2 ;wait 2000 ;bg moon_2a,2 ;wait 3000 ;bg black,22 ;bg HOT_i1a,6 ;wait 2000 ;bg black,25 ;wait 1000 ;bg white,10 ;bg HOT_i1b,22 ;wait 2000 ;bg black,24 ;wait 2000 ;se1 1010 wait 3000 me1v 5,50 br ;　教えてあげる。@ `Maria will teach you.`@ br ;　真里亞の、原初の魔法を。\ `About her Magic of Origins.`\ ;se2 1010 ;　いいえ、教えたことがあったはず。@ ;　そしてあなたにも使えたはずなんだよ。@ ;　忘れちゃった……？@ `No, taught you before, right?`@ `And you used it before, right?`@ `Did you forget......?`@ br ;　縁寿だって、マリアージュ・ソルシエールに名を連ねる、魔女の見習いでしょう……？\ `You were also a witch apprentice, Ange, with your name entered into Mariage Sorciere, weren't you......?`\ ;se3 1010 fede 0,2000 bg HOT_R1a,22 bgm1 90 ;「………私も、魔女に、加えてもらったんだっけ。」\ `".........I was also...included among the witches, wasn't I..."`\ ;se1 13 ;　真里亞お姉ちゃんの日記を閉じ、ごろりと高級感溢れるベッドに身を横たえる。@ `I closed Maria's diary and flopped down on a very high-class-looking bed.`@ br ;　車中でずいぶんと深く眠ってしまった為、普段よりも眠気が訪れるのが遅く、それを待とうと、ずっと日記を読んでいたのだ。\ `Since I'd slept deeply for a long time in the car, it took longer than usual for drowsiness to set in, and I had been reading the diary as I waited for that.`\ ;bg black,25 ;bg HOT_i1a,22 ;　ここは都内の超高級ホテル。@ ;　…著名人や富豪が使用することも多いような高級ホテルは、彼らの事情に配慮し、非常に守秘義務が強い。@ `This is a super expensive hotel in the city.`@ `...Since this expensive hotel is often used by the rich and the famous, out of concern for their conditions, it has an abnormally strong duty of confidentiality.`@ br ;　その為、追っ手から逃亡している縁寿にとってはとても都合が良かった。\ `This made it very convenient for Ange to escape her pursuers.`\ ;　逃亡者は隠れるように安宿に泊まる、というのは庶民の考えだ。@ `The idea that a renegade would spend the night hiding in a cheap hotel is a commoner's way of thinking.`@ br ;　……右代宮家の財産の全てを持つ縁寿にとっては、実に快適な逃亡生活だった。\ `......To Ange, who possessed all the wealth of the Ushiromiya family, renegade life was truly pleasant.`\ bg black,22 ;　もちろん、護衛とはいえ、男の天草は別室。@ ;　スイートルームの寝室を縁寿が使い、居間のソファーに天草は横になっている。@ `Of course, even though he was a guard, Amakusa was a man and in a separate room.`@ `Ange used the bedroom of the suite and Amakusa laid on the sofa in the living room.`@ br ;　…天草曰く、今の自分のベッドより、ここのソファーの方が快適だとか。@ ;　気の毒な話だ。\ `...Amakusa said something about how the sofa here was more pleasant than his own bed recently.`@ `Poor guy.`\ bg HOT_R1c,26 ;　時計を見ると、/ ;!d800……深夜の２時を間近にしている。\ `When I looked at the clock, `/ !d800`......I saw that it was almost 2:00 in the middle of the night.`\ ;　まだ眠くならない。@ ;　…………はぁ、っとため息を漏らす。@ `I'm still not getting sleepy.`@ `............I sighed deeply.`@ br ;　その時、風もないのに、真里亞お姉ちゃんの日記が、ぱらりと捲れた気がした。\ `At that time, even though there was no wind, I had the feeling that Maria onee-chan's diary fluttered.`\ gosub *MAR_Isyou2 ld c,$MAR_niyariA2,99,2000,"breakup/ulP" mov %play_scene,40130 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_mar : seplay 9,1060 ;　……そして、お姉ちゃんが姿を現す。@ ;　その姿はもう、私が知るいつもの姿ではない。@ `......Then, Onee-chan appeared.`@ `Her form was no longer the normal one that I knew.`@ br ;　…ベアトリーチェに、魔女としての格を認められて与えられたドレスを身に纏っている。\ `...She was wearing the dress that Beatrice had given her after acknowledging her as a witch.`\ ld c,$MAR_niyariA1,80 ;「………もう寝ないと、明日が辛いよ？」\ ;＜魔女真里亞 `".........If you don't get some sleep, it'll be tough tomorrow, right?"`\ cl c,0 ld l,$MAR_niyariA1,0 ld r,$ENJ_FumanA2,24 ;「私も、魔女なら。@……魔法が使えるのよね。」@ `"If I were a witch too, `@`......I'd be able to use magic, wouldn't I."`@ ld l,$MAR_waraiA1,80 ;「…うん。@使えるよ。@教えてあげたでしょ？@　使い方。@……昔は使えたはずだよ。」\ `"...Yeah.`@` You can use it.`@` Maria taught you, right?`@` How to use it.`@` ......And you supposedly were able to use it in the past."`\ ld r,$ENJ_komaruA1,80 ;「……………覚えてる。@……使いたくなった。」\ `"............I remember.`@` ......I've started wanting to use it."`\ ld l,$MAR_niyariA2,80 ;「寂しくなった…？」@ `"Aren't you lonely...?"`@ ld r,$ENJ_komaruA2,80 ;「………………別に。@……毎日、枕が違うくらいのことで辛くなんてならないわ。」\ `"...............Not really.`@` ......It's not like having a different pillow every night is that tough."`\ ld l,$MAR_WaraiA1,80 ;「………魔法の最初の一歩は、寂しいからとか、退屈だからとか、@そのくらいのささやかな理由でいいの。」\ `".........The first step to magic can be loneliness or boredom, `@`or any reason as small as that."`\ ld r,$ENJ_DefA1,80 ;「眠くなるまでの暇潰しだとしても？」@ `"Even trying to kill time until you get sleepy?"`@ ld l,$MAR_WaraiA2,80 ;「うん。@縁寿がもう一度魔法のことを思い出してくれて、真里亞は嬉しい。」@ `"Yeah.`@` Maria is happy that Ange has remembered about magic one more time."`@ br ;　…………………………。\ `........................`\ bg black,25 fede 0,2000 wait 1000 bgm1 93 ;　……魔法を使うのは、ずいぶん久し振り。@ `......It's been quite a long time since I last used magic.`@ br ;　一時、真里亞お姉ちゃんの手解きで、……その一端に触れ、扉をわずかに開けたことがある。@ `At one point, with Maria onee-chan's introduction, ......I touched a corner of it, and opened the door a tiny bit.`@ br ;　だから、……まだあの感覚は覚えているはず。\ `So, ......I should still remember that sensation.`\ bg HOT_R1b,24 ld r,$MAR_DefA1,24 ;「……今の縁寿は、かなり魔法の力は衰えてる。@…基本に忠実じゃないと、難しいよ？」@ `"......Right now, your magical power has declined significantly, Ange.`@` ...If you don't devote yourself to the basics, it'll be hard, okay?"`@ ld l,$ENJ_DefA1,23 ;「うん。@……………四方を確認。@静かな空間を確保。」\ `"Sure.`@` ............Checking all directions.`@` Securing a quiet space."`\ ld r,$MAR_OdorokiA1,80 ;「天草さんは？」@ `"And Amakusa?"`@ ld l,$ENJ_NayamuA1,80 ;「…………………。@…………寝てるわ。」@ `"............`@`............He's sleeping."`@ br bg black,23 ;　居間の扉を細く開けると、ソファーで毛布の芋虫が、ごろりと寝返りを打つのが見えた。\ `After opening the door to the living room a crack, I could see the blanket caterpillar on the sofa roll over in its sleep.`\ bg HOT_R1a,0 ld l,$MAR_FukigenA1,26 ;「……今の縁寿の弱い魔力では、反魔法力の影響を受け過ぎる。@……人の姿だけじゃない。@声も音も気配さえも、縁寿の魔法の邪魔をする。@/ `"......With your magical power as weak as it is now, the anti-magic power is affecting you too much.`@` ......Not just the sight of people,`@` but voices, sounds, and even the presence of people will get in the way of your magic. `@/ ld l,$MAR_OdorokiA1,80 ;……それらを完璧に絶って。@古代魔術師たちが、アトリエを閉ざして孤独を守ったように。」\ `......Sever those completely.`@` Like how ancient magicians shut themselves up in ateliers to preserve their isolation."`\ ld r,$ENJ_defA1,24 ;「覚えてるわ。@……ニンゲンの存在自体が、魔法を妨げる。@…ゆえに、人に魔法を見せるということそのものが、とても高位な魔女の証だったわね…。」\ `"I remember.`@` ......The very existence of humans blocks magic.`@` ...Therefore, the very act of showing magic to humans is the sign of a high-level witch..."`\ ;　静かな、自分だけの空間を得る。@ ;　……魔法を使うための場の準備は、これで充分だろう。\ `Obtain a quiet space for yourself alone.`@ `......That should be enough to prepare a space to use magic.`\ ld l,$MAR_DefA1,80 ;「………次に、依り代。@…今の縁寿には自転車の補助輪、…いえ、チェーンくらい大事。」\ `".........Next is the vessel.`@` ...Right now, it's important for your bike to at least have training wheels, ...no, a chain."`\ bg HOT_R1c,25 ;「………………………。@………これは、/ ;!d800…………当然、/ ;!d600無理よね…。」\ `"..................`@`.........This is, `/ !d800`............of course, `/ !d600`impossible..."`\ br ;　縁寿は、自分の頭を撫でる。@ `Ange rubbed her own head.`@ br ;　…そこには、ピンクの珠のついたヘアアクセサリーがあった。@ `...There were hair accessories there, with pink gems attached.`@ br ;　縁寿のセンスにしては、少々幼過ぎるように感じるそれを、彼女は一日たりとも外したことはない。\ `They felt a little childish for Ange's style, but she had never taken them off for a single day.`\ bg HOT_R1b,0 ld r,$MAR_defA1,26 ld r,$MAR_FukigenA1,80 ;「………………うん。@………今の縁寿にはとても無理。@…あの日から、一日も休むことなく修行していたなら、@あるいは今頃は、呼び出すことが出来たかもしれないね。」@ `"............Yes.`@` .........That really is impossible for you now, Ange.`@` ...If you had practiced every single day since that day,`@` you might have become able to summon with that by now."`@ ld l,$ENJ_FumanA2,23 ;「……………………。@今から修行したら、どのくらい掛かるの？」\ `"...............`@`If I were to start training now, how long would it take?"`\ ld r,$MAR_OdorokiA1,80 ;「………魔女の修行は、幼き日の１年が、老いの１０年と同じ価値があると言われてる。@相当の覚悟がいるよ。」@ `".........It's said that a year of magic training for a child is worth ten years for an old person.`@` You need a strong resolution."`@ ld l,$ENJ_komaruA1,80 ;「それこそ、右代宮金蔵くらいに？@　……………ピアノもバイオリンも魔法も、幼い頃からの英才教育が大事なのね。」\ `"You mean like Ushiromiya Kinzo?`@` ............So special education from a young age is important for piano, violin and magic."`\ ld r,$MAR_KomaruA1,80 ;「今の縁寿は、初めて魔法を使えた時よりも、その力が落ちている。@/ `"As you are now, your power has weakened since the time that you were first able to use magic, Ange. `@/ ld r,$MAR_WaraiA1,80 ;…無理をしないで、基本に忠実に。」\ `...Don't overdo it, and devote yourself to the basics."`\ bg black,25 bg HOT_R1c,22 ;　私は未練がましくもう一度、頭のそれを撫でてから、諦める。@ `After stubbornly rubbing those things on my head one more time, I gave up.`@ br ;　そして、ごそごそとナップザックの中身を漁る。@ ;　…何か適当な、依り代になりそうなものはないか。\ `Then I started fishing through the knapsack.`@ `...Looking for anything that might make a good vessel.`\ bg black,22 bg HOT_R1a,22 ld r,$ENJ_DefA1,6 ;「…………これなら、依り代にはぴったりじゃない？」@ `".........Shouldn't this be a perfect vessel?"`@ ld l,$MAR_WaraiA2,23 ;「懐かしい。@……うん。@それならば、今の縁寿でも召喚できると思うよ。@…それには今、主がいない。@縁寿が新しい主になるのも可能なはず。」\ `"It's been a long time.`@` ......Yes.`@` With this, I think even you should be able to perform a summons as you are now.`@` ...And they have no master now.`@` It should be possible for you to become their new master, Ange."`\ ;　依り代になりそうなものの中で、もっとも強い魔力を有するだろうと思うそれを、@ゴトリと、ベッド脇のサイドテーブルに置く。\ `Among the things that looked like good vessels, I took the one I thought might possess the strongest magical power,`@` and set it on the side table near the bed with a clatter.`\ me1v 5,70 bg black,26 ;　それは、……オカルト的な装飾を施された、物騒な杭状の武器。@ ;　“煉獄の七杭”と呼ばれる、魔女が生贄を捧げるための杭だ。\ `It was, ......a shady-looking stake-shaped weapon with an occult design inscribed on it.`@ `It was a stake of the 'Seven Stakes of Purgatory', which the witch used to offer sacrifices.`\ ;　警察は遺留品捜索の際、大量のガラクタを収集。@ ;　それらは律儀にも捜査終了後、右代宮家に返却された。@ `When the police had been searching the family's possessions, they had collected a large amount of junk.`@ `After the investigation had finished, these had been politely returned to the Ushiromiya family.`@ br ;　……その中に、真里亞の日記に記されていた挿絵で見たことのあるものを見つけ、持ち帰ったのだ。\ `......I found something that I had seen in the pictures of Maria's diary, and I took it home with me.`\ fede 10,2000 bg HOT_R1b,0 ld c,$MAR_defA1,26 ld c,$MAR_niyariA2,80 ;「………煉獄の七杭は、元々、７本で一揃いだった。@……気の毒にね。@今はもう、彼女１本だけ。」@ `".........Originally, there were seven of the Seven Stakes of Purgatory.`@` ......How pitiful.`@` Now, she is the only one left."`@ br ;　お姉ちゃんは寂しそうに微笑む…。\ `Onee-chan smiled, looking lonely...`\ bg black,26 bg book1,2 ;　私はナップザックから、もう一冊の本を取り出す。@ `I pulled another book out of the knapsack.`@ br ;　……これまた古めかしい、見るからにオカルト的な本。\ `......This was also old-fashioned, and you could tell that it was an occult book just by looking.`\ ;　しかしこれも中身は無地のもの。@ ;　真里亞お姉ちゃんの凝ったノートの内の一冊だ。@ `But its contents were plain.`@ `It was one of Maria onee-chan's elaborate notebooks.`@ br ;　こちらは日記ではない。@ ;　……彼女が魔女として記した、魔導書。\ `This was not a diary.`@ `......This was a grimoire, which she had written as a witch.`\ ;　煉獄の七杭は、ベアトリーチェの家具。@ ;　彼女が生み出し、彼女のためだけに使役される。\ `The Seven Stakes of Purgatory are Beatrice's furniture.`@ `Created by her and employed only for her sake.`\ ;　でも、ベアトリーチェは、マリアージュ・ソルシエールの魔女でもあるから、同盟の魔女であるマリアにも使役できる。@ `But since Beatrice is also a witch of Mariage Sorciere, they could be employed by MARIA, who is a witch of the same alliance.`@ br ;　その為、真里亞お姉ちゃんの魔導書に、煉獄の七杭たちの召喚方法や、その取り扱いなどが事細かに記されているのだ…。\ `For that reason, the method of summoning the Seven Stakes of Purgatory and how to handle them was written about in great detail in Maria onee-chan's grimoire...`\ ;　そして。@ ;　…同じ同盟に名を連ねる私にも、使役は許されているのだ。\ `And.`@ `...As another person with their name in the same alliance, I was also permitted to employ them.`\ bg HOT_R1a,26 ld r,$ENJ_defA1,24 ;「………この杭は、/ ;!d800…………七姉妹の誰？」@ `".........This stake, `/ !d800`............is which of the Seven Sisters?"`@ ld l,$MAR_NiyariA1,23 ;「真里亞の魔導書に、彼女らの特徴がよく記されてるよ。@…七杭の姉妹は、名前を間違えられることをとても嫌う。@召喚する前に、よく彼女らの名前を思い出して。」\ `"Their characteristics are written about well in Maria's grimoire.`@` ...The Sisters of the Seven Stakes really hate it when you get their names wrong.`@` Remember their names well before summoning them."`\ bg black,26 bg book1,22 ;　煉獄の七杭のことを記した膨大なページ。@ ;　…七人の姉妹のことを事細かに記述してある。\ `A packed page that told of the Seven Stakes of Purgatory.`@ `...It described the seven sisters in great detail.`\ ;　……そう。@ ;　ずいぶん昔には、このページのことをほとんど丸暗記していたような気がする。@ `......Yes.`@ `I think I memorized almost this entire page once in the past.`@ br ;　読めば読むほどに、思い出されていく…。\ `The more I read it, the more I start to remember...`\ bg black,22 ;　魔導書に記された挿絵と特徴から、私の手元にある杭は、「マモンの杭」であることがわかる。@ ;　かつての私は、杭を持ったことがないから、彼女らを依り代なしで呼び出していた。@ `By the pictures and characteristics written on the grimoire, I could tell that the stake in my hand was 'Mammon's stake'.`@ `In the past, because I hadn't had any stakes, I had summoned them without any vessel.`@ br ;　……だから、マモンに限らず、しっかりと七杭を見るのは初めてなのだ。\ `......So this was the first time I had clearly seen any of the seven stakes, let alone Mammon.`\ bg HOT_R1b,0 ld c,$ENJ_FumanA1,26 ;zzzz20 ;「マモン。@５女。@七つの大罪の強欲を司る。@……凄い子よね。」@ `"Mammon.`@` The fifth sister.`@` Controls the deadly sin of greed.`@` ......An incredible kid."`@ ld l,$MAR_WaraiA1,23 ;「強欲は、向上心、上昇志向、生きる強さなども司る。@決して悪い意味だけではないんだよ。@……口は悪いけど、とてもがんばり屋さんな子だし。」\ `"Greed also controls aspirations, the desire to improve oneself, and the strength to live.`@` It definitely doesn't mean only bad things.`@` ......She's rude, but she's a girl who tries really hard."`\ ld c,$ENJ_NayamuA1,80 ;「……そうね。@欲がないってことはつまり、生きてる理由がないってことだし。」\ `"......I see.`@` You could say that without desire, there's no reason to live."`\ bg black,22 ;　しばらくの間、集中力を高めて、マモンについて記された情報を読み取る。\ `For a while, I heightened my concentration and digested the information that was written about Mammon.`\ ;　……召喚者は、呼び出す対象について詳しく知れば知るほどに良い…。@ ;　知識は魔力に結びつく。@ `......The more the summoner knows about the target that's being summoned, the better...`@ `Knowledge is tied to magic power.`@ br ;　……マモンの知識を頭に満たし、召喚に必要な魔力を高めていく。\ `......I began to fill my head with knowledge about Mammon, and raise a necessary amount of magic power for a summoning.`\ bg HOT_R1b,26 ld r,$ENJ_DefA1,26 ;「……魔導書って、ちょっとだけ面白いわね。@下手くそな小説を読むより、よっぽど面白いかもしれない。@……何だか懐かしい気持ちになるわ。」\ `"......Grimoires are a bit interesting.`@` It might be much more interesting than reading some lame novel.`@` ......And it really takes me back."`\ ld l,$MAR_WaraiA1,23 ;「魔導書は、ただ文字を読み取るだけじゃなく、行間から世界を膨らませたり、@挿絵から世界を生み出したりと、様々な創造を要求されるの。@/ `"For a grimoire, it is demanded not only that you understand the letters, but that you fill up the world of the space between the lines,`@` and give birth to a world from the pictures, creating things in various ways. `@/ ld l,$MAR_waraiA2,80 ;……生み出す力。@これを持つ縁寿になら、どんな本よりも魔導書は面白いはずだよ。@…縁寿になら理解できるって、真里亞はずっと知ってたもの。」\ `......The power to give birth to something.`@` For someone who has that, such as you, a grimoire should be more interesting than any book.`@` ...Maria has always known that you would be able to understand that."`\ ld r,$ENJ_NayamuA1,80 ;「…………マモンの知識、これで十分だと思うわ。@………うん。@/ `"............Knowledge of Mammon...that should be enough for now.`@` .........Yes. `@/ ;ld r,$ENJ_MajimeA1,80 ;大体、蘇った。@…やってみる。」\ `I've remembered it, more or less.`@` ...I'll give it a try."`\ cl l,0 ld c,$MAR_niyariA1,23 ;「しっかりね。@……いざという時に備えて、私の護符を。@……今の君は同盟の条約に守られてない。@マモンは少し喧嘩っ早いところがある子。@ `"Take care.`@` ......In preparation for the worst, here is my talisman.`@` ......You are not protected by the alliance now.`@` That Mammon is a quarrelsome girl.`@ br ;　…あるいは(まだ恨んでるかも/・・・・・・・・・)。@注意して。」\ ;＜点処理：まだ恨んでるかも `...And, she `(`may still bear a grudge`/・・・・・・・・・)`.`@` Be careful."`\ ld r,$ENJ_FumanA2,80 ;「うん。@…身に着けることにする。」@ `"Yes.`@` ...I'll wear it."`@ br ;　煉獄の七杭は、生贄の儀式用の家具で、武具よりは劣る存在とされている。@ ;　しかしそれは、悪魔たちの間での話。@ニンゲンにとっては、家具とて恐ろしい存在だ。\ `The Seven Stakes of Purgatory, as furniture used to make sacrifices for a ceremony, were treated as beings inferior even to weapons.`@ `But that is only when it comes to demons.`@` To humans, furniture is something to be feared.`\ bg black,26 ;　私は再びナップザックを漁り、@真里亞お姉ちゃんに昔もらった、サソリのメダルのついたブレスレットのお守りを取り出し、それを腕に付ける。@ `I fished through the knapsack again,`@` took out a bracelet charm with a scorpion medal that I had gotten from Maria onee-chan long ago, and put it on my arm.`@ br ;　……昔はこんなもの、必要なかった。@ ;　でも、保険は必要だ…。\ `......In the past, I hadn't needed something like this.`@ `But I need insurance...`\ bg HOT_R1a,0 ld c,$MAR_WaraiA1,26 ;「………大丈夫。@それには、まだ十分な魔法防御が備わってる。@それを身に着けている限り、絶対に大丈夫。」\ `".........It's alright.`@` That has already been fitted with the required amount of magical defense.`@` As long as you wear that, you'll certainly be fine."`\ ;　真里亞お姉ちゃんの、特にお守りに込められる魔力はベアトリーチェが感嘆するほど。@ `Maria onee-chan's magic power that had been specially put into this charm was enough to earn even Beatrice's admiration.`@ br ;　……魔法のことが理解できない人間が見たなら、@安っぽいものにしか見えないに違いないそれの魔法的価値は、計り知れない。\ `......While it would have looked like something cheap to a human who couldn't understand about magic,`@` its magical worth was incalculable.`\ bg black,5 me1v 5,0 fedexx 0,70,0,0,0,0,4000 E_B ;「…………………………。@/ `"........................`@/ bgm1 97 ;さぁさ、お出でなさい。@罪を赦しなさい。@…煉獄の七杭が一つ。@強欲のマモン。」\ `Come, arise.`@` Forgive the sin.`@` ...One of the Seven Stakes of Purgatory.`@` Mammon of Greed."`\ ;　…………………。\ `..................`\ ;se1 22 bg white,42 ;　精神を集中する。@ ;　自分の体内に満たされた反魔力の毒素をゼロにする。\ `I concentrated my mind.`@ `I made the magic-repelling toxin that filled my body zero.`\ ;se1 56 textoff fedexx 70,100,0,0,0,0,3000 wait 2000 E_MA bg Different_spiral_1a,80 ;bgm1 97 ;　穢れなき広大な空間をイメージ。@ ;　……疑いと常識は全て魔法抵抗。@ `Imagine an untainted, vast space.`@ `......Doubts and common sense all resist magic.`@ br ;　抵抗をゼロにし、魔力に対する負荷を消し去る……。\ `Make the resistance zero and erase the burden towards magical power......`\ se1 22 bg black,8 ;　…………………………。@ ;　……頭の中に、広大な空間のイメージが。\ `........................`@ `......Inside my head was the image of a vast space.`\ ;se2 56 me1v 16,50 bg cit_2a,2 ;　それは、自分が宙に浮いていて、地上のネオンの星々が輝く夜景の世界。@ `It was a nighttime world where I floated in the air and the neon stars over the ground sparkled.`@ br ;　天を覆うべき星は地上の明かりに掻き消され、大地を覆っている世界。\ `A world where the stars that should have covered the sky were wiped away by the light from below, which covered the ground.`\ ;　遮られるもののない広大な夜景の世界の空で、/ ;!d900……自由に吹き抜ける風をイメージ。@ `In the world of a vast night sky with no obstructions, `/ !d900`......I imagined the wind blowing through at will.`@ br ;bgmvol 85 se1 52 bg white,8 bg HOT_R1a,22 ;　その時、/ ;!d500……風が吹くはずのない室内に、/ ;!d800……自由なる夜景の風が、渦を巻く。\ `At that time, `/ !d500`......in the room, where there shouldn't have been any wind blowing, `/ !d800`......the free nighttime wind blew in a cyclone.`\ ;　久しぶりの感触が、全身を駆け巡る。@ ;　…………魔法を行使する時の、独特の高揚感。\ `The long forgotten sensation raced through my entire body.`@ `............It was the unique feeling of exultation felt when using magic.`\ me2v 18,40 ;　私の手にかざされるマモンの杭が、次第に青白い光を感じさせていく。@ `Mammon's stake, which I held out in my hand, gradually began to make me feel a pale light.`@ br ;　杭を中心に渦巻く旋風。@ ;　……重みのある杭が、わずかに宙に浮く。\ `A twisting cyclone with the stake at the center.`@ `......The hefty stake floated a bit into the air.`\ mevol 2,60 ld r,$MAR_majimeA1,24 ;「…………見事だよ。@…ブランクは君から才能を奪わなかったね。」\ `"............Wonderful.`@` ...Looks like the gap in your training hasn't stolen your talent."`\ mevol 2,80 bg HOT_R1b,22 ;「……さぁさお出でなさい。@罪を赦しなさい。@煉獄の七杭が一つ、強欲のマモン。@……その姿を私に見せなさい……。」\ `"......Come, arise.`@` Forgive the sin.`@` ...One of the Seven Stakes of Purgatory, Mammon of Greed.`@` ......Show yourself to me......"`\ me3v 17,70 ;　私がかざす手を徐々に高め、頭より高く掲げると、@まるでそれに吸い寄せられるように、マモンの杭もまた、宙高く浮かび上がり、……徐々に震え始める。@ `The stake I held out rose bit by bit, rising higher than my head,`@` and as though it was being attracted upwards, Mammon's stake once again floated up high into the air, ......and gradually began to shake.`@ br ;　その振るえが次第に早くなり、/ ;!s0!d900………弾けた。\ `That shaking began to grow faster, `/ !s0!d900`.........and it burst.`\ saveoff btndef ":a;bmp\background\city\Hot_R1b.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 50 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 40 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 40 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 150 ofscpy se1v 36,100 btndef "" wait 200 se3v 58,100 se2v 58,100 bg white,1 bg black,22 saveon ;!sd　目にも留まらぬ速度で室内の壁を乱反射しながら飛び回る。@ ;　……跳ね回る凄まじい音が、私を怯ませようと威圧する。@ !sd`With a speed faster than the eye could follow, it flew around, violently rebounding off the walls of the room.`@ `......The terrible sound of it dancing around threatened to make me flinch.`@ br ;　……しかし、精神の集中を乱してはならない。\ `......However, I must not lose my mental concentration.`\ saveoff btndef ":a;bmp\background\city\Hot_R1a.bmp" resettimer se1v 40,100 blt 0,0,640,480,100,100,120,90 print 1 waittimer 100 resettimer se2v 41,100 blt 0,0,640,480,200,200,120,90 print 1 waittimer 90 resettimer se3v 42,100 blt 0,0,640,480,520,0,120,90 print 1 waittimer 80 resettimer se1v 40,100 blt 0,0,640,480,100,300,120,90 print 1 waittimer 70 resettimer se2v 41,100 blt 0,0,640,480,0,10,120,90 print 1 waittimer 60 resettimer se3v 42,100 blt 0,0,640,480,250,1950,120,90 print 1 waittimer 50 resettimer se1v 40,100 blt 0,0,640,480,500,50,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,200,100,120,90 print 1 waittimer 30 resettimer se3v 41,100 blt 0,0,640,80,200,200,120,90 print 1 waittimer 50 resettimer se1v 42,100 blt 0,0,640,480,20,0,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,100,300,160,120 print 1 waittimer 40 resettimer se3v 41,100 blt 0,0,640,480,0,120,12,90 print 1 waittimer 40 resettimer se1v 42,100 blt 0,0,640,480,250,195,120,90 print 1 waittimer 40 resettimer se2v 40,100 blt 0,0,640,480,90,50,400,300 print 1 waittimer 150 ofscpy se1v 36,100 btndef "" wait 200 se3v 58,100 se2v 58,100 bg white,1 bg black,0 lsp 901,barrier1p,0,0 print 2 wait 1000 se2v 55,100 bg HOT_R1a,99,3000,"breakup.dll/llB" ;print 22 saveon ;　そして、ものすごい速度で飛び回っていた杭は、ようやく制止して私と対面してくれた。@ `Then, the stake, which had been flying around at an incredible speed, finally restrained itself and faced me...`@ br ;　……私の眉間のほんの数センチ直前の空中で、サソリのお守りによる防御結界に食い止められながら。\ `......It was in the air, just a few centimeters away from my forehead...held back by the defensive barrier created by the scorpion charm.`\ ;　防御結界を破ろうと、ものすごい力で食い込んでくるが、真里亞お姉ちゃんの結界はこんな簡単には破れない。\ `It had tried to break the defensive barrier, eating into it with an incredible power, but Maria onee-chan's barrier wouldn't be broken so easily.`\ ;「……………無理か…、/ ;!d900食い破れない……。」@ ;＜マモン。@まだ姿なし。@ `"............No good..., `/ !d900`I can't break it......"`@ br ;　杭が憎々しげに呟く。\ `The stake muttered hatefully.`\ ;　……サソリのお守りのお陰で助かったと言えるだろう。@ `......You could probably say that I had been saved thanks to the scorpion charm.`@ br ;　これがなかったら今頃、眠気が訪れるまでの暇潰しが、永遠の暇潰しに変わるところだった。\ `Without that, my way of killing time until I got sleepy would have become a way to kill time for all eternity.`\ csp 901 bg black,22 textoff fedexx 0,50,0,0,0,0,3000 wait 1000 bg HOT_R1b,24 se1 52 ld r,$RG5_DefA1,99,2000,"breakup.dll/llp" mov %play_scene,40140 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_rg : seplay 9,1060 ;　マモンの杭は、私をえぐることが出来ないと悟ると、素直に降参し、杭から人に姿を変えた。@ `When Mammon's stake realized that it was unable to gouge me, it gave up and grew docile, changing its form from that of a stake into a human.`@ br ;　相変わらずの、私じゃとても表を歩けないすごい格好で。@ ;　悪魔的という意味では、らしくて良いのかもしれないが。\ `In that same old outfit that I'd never be able to walk around outside in.`@ `Although you could say it suited her, in a demonic sort of way.`\ E_A bgm1 95 ld r,$RG5_FumanA1,80 ;「………………縁寿さまなの？@　…………ずいぶんとみすぼらしい魔力だけど。@…本当に縁寿さま？」@ ;＜マモン `"............Ange-sama?`@` ............But that's some pretty shabby magical power.`@` ...Is it really Ange-sama?"`@ ld l,$ENJ_FumanA2,23 ;「お久しぶりね、マモン。@……元気にしてた？」\ `"It's been a long time, Mammon.`@` ......Have you been well?"`\ ld r,$RG5_FumanA2,80 ;「………………………。@…てっきり、もうお役御免の家具は、納戸で朽ち果てるだけだと思ってました。@/ `"............`@`...And here I was convinced that furniture which has already fulfilled its function would just be left to rust away in a closet. `@/ ld r,$RG5_komaruA1,80 ;……それで、これはどういう余興で？@　まさか、私の所有者が縁寿さまだとでも仰るつもりで…？」\ ;＜マモン `......So, what kind of side show is this?`@` You aren't going to say that you're my owner, are you, Ange-sama...?"`\ bg HOT_R1a,0 ld c,$MAR_niyariA2,23 ;「………うん。@縁寿が君の主人だよ。」\ ;＜魔女真里亞 `".........Yes.`@` Ange is your master."`\ cl c,0 ld l,$MAR_DefA1,0 ld r,$RG5_KomaruA1,24 ;「マリア卿…。@………これはお見苦しいところを。@先ほどの結界はマリア卿の？」@ `"Lady MARIA...`@`.........How unsightly of me.`@` Was that barrier just now yours, Lady MARIA?"`@ ld l,$MAR_WaraiA1,80 ;「うん。@今の縁寿じゃ、ひょっとしたら君にやられてしまうかもしれないって思ったから。@護符を貸したの。」\ `"Yes.`@` Because I thought that as she is now, Ange might just have gotten finished off by you.`@` I lent her a talisman."`\ ld r,$RG5_FumanA2,80 ;「…………………。@……マリア卿に、私の主人が縁寿さまだと言われたんじゃ、断りようもありません。@/ `"...............`@`......If I am told by Lady MARIA that Ange-sama is my master, I cannot refuse. `@/ ld r,$RG5_FumanA1,80 ;………縁寿さま、何なりとご命令を。@私が必要とされるということは、新しい儀式を？@　新しい生贄を…？@/ `.........Ange-sama, please, your orders.`@` Am I required for a new ceremony?`@` A new sacrifice...? `@/ ld r,$RG5_AkuwaraiA1,80 ;　もっとも、私を使いこなし、自らの手を汚す程度の覚悟がおありならの話ですが。」\ `However, that's only if you're willing to handle me yourself and get your own hands dirty."`\ cl l,24 ld l,$ENJ_DefA1,23 ;「………その役割は、私はもう求めてないわ。@………昔同様に、ただ話し相手になってくれるだけで十分よ。」\ ;＜縁寿 `".........That role isn't something I'm asking for anymore.`@` .........All you have to do is just talk with me, like you used to."`\ ld r,$RG5_majimeA1,80 ;「………………………………。」@ ;＜マモン `"........................"`@ ld l,$ENJ_komaruA1,80 ;「……………………。」\ ;＜縁寿 `"..................."`\ cl a,0 ld c,$RG5_AkuwaraiA1,4 ;「………ふふ。@…えぇ、それがお望みでしたら。@家具は使われてこそ家具。@お呼び出しいただいただけで光栄ですとも。@縁寿さま。」@ `".........Heheh.`@` ...Yes, if that is what you desire.`@` Furniture is furniture because it is used.`@` It is an honor just to be summoned.`@` Ange-sama."`@ br ;　マモンはわずかに複雑そうな笑いを浮かべる。\ `Mammon had a slightly complicated smile on her face.`\ ;　……真里亞に言われたので新しい主人と認めたが、@魔力の脆弱な縁寿に仕えるのに、まだ不服が抜けないように見えた。@ `......She accepted her new master because Maria had told her to, `@`but it looked like she hadn't gotten over her discontent at working for Ange with her frail magical power.`@ br ;　あるいは、それ以外にも縁寿を嫌う理由があるのかもしれないが、@……とりあえず、不服はありながらも縁寿には逆らえないようだった。\ `Perhaps she had some other reason for hating Ange,`@` ......but for now, it seemed that she couldn't disobey Ange even if she was discontented.`\ ld c,$RG5_FumanA2,80 ;「………それで？@　私は何をすれば？」\ `".........So?`@` What should I do?"`\ bg HOT_R1b,0 ld r,$ENJ_FumanA2,24 ;「わからない。@………適当に賑やかにしてくれればいいわ。@昔みたいに。」@ `"I don't know.`@` .........Just do something lively.`@` Like old times."`@ ld l,$RG5_fumanA2,23 ;「お言葉ですが。@多分、縁寿さまが仰る賑やかさとは、私たち姉妹の騒ぎのことだと思います。@私ひとりでは難しいかと。@……お忘れで？」\ `"Well now.`@` This liveliness you speak of is probably the bustle from when we sisters are together.`@` It may be difficult by myself.`@` ......Did you forget?"`\ cl r,23 ld r,$MAR_WaraiA1,24 ;「……そうだね。@七姉妹は、みんなが揃うと本当に賑やかだったもんね。@/ `"......That's right.`@` The Seven Sisters were really lively when they got together. `@/ ld r,$MAR_KomaruA1,80 ;……でも、今の縁寿の魔力じゃ、マモンを呼び出すのが精一杯だと思う。@他の６人の杭も紛失してる。」\ ;＜真里亞 `......But with Ange's magical power now, I think summoning Mammon is the best we can hope for.`@` The stakes for the other six have been lost."`\ ld l,$RG5_FumanA1,80 ;「恐れながらマリア卿。@私の杭を経由し、七姉妹に語りかけ呼び出すことは不可能ではないかと。@/ `"My apologies, Lady MARIA,`@` but I wonder if it may not be impossible to summon the Seven Sisters via my own stake. `@/ ld l,$RG5_AkuwaraiA2,80 ;……私を使役されるのでしたら、その程度の力は、縁寿さまにはお持ちいただきたいところですが……？」@ `......If I am to be employed, I would hope that Ange-sama has at least that much power, you see......?"`@ br ;　マモンはにやりと笑う。\ `Mammon giggled.`\ ;　……どうやら、依り代なしで他の姉妹も呼び出して欲しいらしい。@ `......Apparently, she wanted me to summon the other sisters without a vessel.`@ br ;　なるほど。@ ;　自分だけが呼び出されただけでは満足できず、他の姉妹の召喚までも願うわけか。@ ;　…なるほど、強欲だ。@そう、確かに彼女はそうだったっけ……。\ `I see.`@ `Since she's unable to satisfy herself with being summoned alone, she's asking for the other sisters to be summoned as well.`@ `...I get it, greed.`@` Yes, she was like this back then, wasn't she......`\ bg black,22 ;　………家具にとって、使役される時こそが至福。@ ;　どんなに酷使されようとも、使役されることは家具の喜びなのだ。@ `.........To furniture, the times during which they are used are bliss.`@ `No matter how badly they are exploited, being used is a furniture's joy.`@ br ;　むしろ逆に、どんなに丁寧であろうとも、仕事を与えられないことの方が、彼女らには苦痛。\ `Not only that, but no matter how polite you might put it, not being given a job would be more painful to them.`\ ;　マモンは、挑発するような口ぶりでいるが、他の姉妹を何とか呼び出し、虚無の世界から救ってやりたいと思っているのだ。@ `Mammon spoke as though to provoke me, but she wanted me to summon the other sisters somehow and rescue them from the world of nothingness.`@ br ;　………なら、素直にそうして下さいと言えりゃいいのに。@ ;　悪魔って連中は本当に素直じゃない。\ `.........In that case, all she has to do is honestly say so.`@ `These demon people really aren't honest.`\ bg HOT_R1a,0 ld r,$ENJ_komaruA1,23 ld l,$MAR_defA1,23 ;「………縁寿。@無理しないで。@マモンを呼び出せただけで、リハビリには十分だよ。」@ `".........Ange.`@` Don't overdo it.`@` You'll need enough rehabilitation just from summoning Mammon."`@ ld r,$ENJ_defA1,80 ;「あら、１人だけでリハビリになっちゃうの？@　どうせ暇潰しよ。@/ `"Oh, I'll need rehabilitation just from one?`@` Well, I'm just killing time anyways. `@/ ld r,$ENJ_komaruA3,80 ;………いいわ、マモン。@乗りかかった船だわ。@呼べるところまで呼んであげる。」\ `.........Alright, Mammon.`@` I've already got myself started.`@` I'll call as many as I can."`\ cl l,24 ;se1 52 ;ld r,$RG5_HohoemiA1,99,2000,"breakup.dll/urb" ld l,$RG5_akuwaraiA4,23 ;「本当に……？！@/ `"Really......?! `@/ ld l,$RG5_waraiA1,80 ;　さっすが縁寿さまぁ！@　さぁさ、早くっ、早くっ！」@ `Not bad, Ange-sama!`@` Alright, quickly, quickly!"`@ br ;　マモンは、言ってはみたものの、本当に頼めるとは思ってなかったらしい。@ ;　ぴょんぴょん飛び跳ねながら、縁寿に他の姉妹たちの召喚をせがむ。\ `It seemed that even though she had said it, Mammon hadn't really expected Ange to do this.`@ `She hopped around, badgering Ange to summon the other sisters.`\ ;　……マモンを呼ぶだけで、体力と魔力の消耗は著しい。@ ;　…さらに６人は、かなり難しいだろう。@ `......The consumption of physical and magical power used to call Mammon alone was considerable.`@ `...It will probably be pretty tough to do six more.`@ br ;　……こんな姉妹を、指一つ鳴らすだけで自在に呼び出せるのだから、魔女と呼ばれる域の連中の魔力は恐れ入る。\ `......I'm awed by the magical power of those who could summon sisters like this at will with a snap of their fingers, `@`and who therefore reach the level where they can be called witches.`\ bg HOT_R1b,0 ld c,$MAR_fukigenA1,24 ;「マモン、縁寿に無理をさせないで。@縁寿はまだ本調子じゃないから…。」@ ;＜真里亞 `"Mammon, don't make Ange overdo it.`@` Ange still isn't in her normal condition..."`@ ld l,$RG5_fumanA1,63 ;「えぇー？！@　縁寿さまはみんなを召喚してくれるって言いましたぁ！」@ ;＜マモン `"Hu-h?!`@` Ange-sama said that she'd summon everyone!"`@ br ;　呼べるところまで呼ぶとしか言ってないのに。@ ;　……やっぱり強欲ね。\ `Actually, I only said that I'd call as many as I could.`@ `......Guess this is greed.`\ ld c,$MAR_odorokiA1,80 ;「無理しないで、縁寿。@もう今日は休んだ方がいい。@君は十分疲れてるよ。」@ `"Don't overdo it, Ange.`@` You should rest for today.`@` You're tired enough."`@ ld r,$ENJ_FumanA2,24 ;「いいわよ。@どうせ暇潰し。@ばったり寝込めるくらいに疲れさせてもらうわ。」\ `"It's alright.`@` I'm just killing time anyway.`@` Let me get tired enough so that I can just fall over asleep."`\ bg black,25 ;　……今度は依り代はない。@ `......This time there's no vessel.`@ br ;　魔導書の知識だけからイメージを強め、それだけで顕現しなくてはならない。\ `I'll have to strengthen the image from my knowledge of the grimoire, and materialize them with just that.`\ ;se1 20 me1v 16,50 ;　虚空に両手をかざし、マモンを呼び出した時の感触を再び頭の中に再現する……。@ `I held my hands out into the air, replaying in my head the sensation from when I had summoned Mammon......`@ br ;　七姉妹とは全員と面識があるじゃないか。@ ;　……かつて、言葉を交わした時のことを、/ ;!d800……思い出せ………。\ `I'm acquainted with all of the Seven Sisters, right?`@ `......Remember, in the past, `/ !d800`......the time I talked with them.........`\ E_B se1 22 bg Different_spiral_1a,8 bgm1v 94,90 ;　再び、……魔法の力が満ち始める。@ ;　それは両手からほのかに、そしてはっきりと青白い光となって放たれる……。\ `Once again, ......the power of magic began to fill me up.`@ `It let off a faint, and yet distinct pale light from both of my hands......`\ se2v 56,100 bg white,2 bg HOT_R1a,22 ld r,$RG5_waraiA2,80 ;「縁寿さまっ…！@　しっかりしっかり、がんばって…！@/ `"Ange-sama...!`@` Hold on, hold on, good luck...! `@/ ld r,$RG5_waraiA1,80 ;　ねぇ、マリア卿。@縁寿さまは必ずみんなを呼び出して下さいますよね？@　また七姉妹は再会できますよね？@　ね？！」\ `Hey, Lady MARIA.`@` Ange-sama will definitely summon everyone, right?`@` The Seven Sisters will get to be reunited again, right?`@` Right?!"`\ ld l,$MAR_NiyariA2,23 ;「うん、きっとね。@/ `"Yeah, definitely. `@/ ld l,$MAR_MajimeA1,80 ;……でも、それが今夜という保証はないよ。」@ `......But there's no guarantee that it will happen tonight."`@ ld r,$RG5_AkuwaraiA2,80 ;「縁寿さまなら出来ますって…！@　縁寿さま、お願い…！@　末っ子の、アスモから…！」\ `"Ange-sama can do it...!`@` Please, Ange-sama...!`@` Start from the youngest sister, Asmo...!"`\ me1v 5,50 bg black,25 ;「………アスモデウス。@７女。@……………わかった。@末っ子から順番に呼ぶわ。」\ `".........Asmodeus.`@` The seventh sister.`@` .............Got it.`@` I'll call them in order starting from the youngest."`\ se1 22 bg Different_spiral_1a,8 ;　額から、熱い汗がどろりと一筋、零れ落ちる。@ ;　……やはり、かなりの負担が掛かる。@ `A strand of hot sweat dripped down from my forehead.`@ `......This really is going to be one hell of a burden.`@ br textoff bg white,8 wait 1000 se1 52 bg HOT_R1b,0 mld c,$RG7_majimeA1,0 msp msp_c,0,0,-200 print 99,2000,"whirl.dll/r" ;　空間の青白い光が、……ぼんやりと少女の輪郭を形作り始める…。\ `The pale light in this space, ......began to slowly form into the outline of a girl...`\ ;「………さぁさ、お出でなさい。@煉獄の七杭が一つ、色欲のアスモデウス…。」\ `".........Come, arise.`@` One of the Seven Stakes of Purgatory, Asmodeus of Lust..."`\ ;　依り代はない。@ ;　……しかし、そこに間違いなく存在するのだという、強い信念を核とし、……そこに姿を結晶させる…。@ `There was no vessel.`@ `......However, with a strong conviction that she definitely did exist there as a core, ......her form began to crystallize...`@ br ;　輪郭がはっきりとし、………七姉妹の末っ子、アスモデウスの姿をついに生み出す。\ `Her outline became distinct, .........and the form of the youngest of the Seven Sisters, Asmodeus, was finally created.`\ textoff msp msp_c,0,0,200 se1v 22,90 bg white,2 bg HOT_R1b,0 csp msp_c se2 52 ld c,$RG7_majimeA1,42 wait 1000 ld c,$RG7_DefA1,80 ;「色欲のアスモデウス、ここに……。@/ `"Asmodeus of Lust, right here......`@/ ld c,$RG7_komaruA2,80 ;………ここはどこ？@　私は生きてるの……？」\ `.........Where is this?`@` Am I alive......?"`\ cl c,0 ld l,$RG7_komaruA1,0 ld r,$RG5_NakuA1,64 quakex 3,500 ;「アスモ…！！@　良かったぁ！！」@ ;＜マモン `"Asmo...!!`@` I'm so glad!!"`@ ld l,$RG7_komaruA2,80 ;「マモン姉さん！@　……ここは一体？@　私を呼び出したのは誰なの？」\ ;＜アスモ `"Mammon nee-san!`@` ......Where in the world is this?`@` Who summoned me?"`\ ld r,$RG5_waraiA3,80 ;「縁寿さまが…！@　縁寿さまが私たちをみんな蘇らせてくれるって…！」@ `"Ange-sama did...!`@` Ange-sama said she'd revive all of us...!"`@ br ;　…言ってない。\ `...No I didn't.`\ ld l,$RG7_waraiA2,80 ;「縁寿さま、ありがとう！@　次はベルゼを…！！@　ベルゼをお願いします…！」\ `"Ange-sama, thank you!`@` Next is Belz...!!`@` Do Belz please...!"`\ bg black,24 bg HOT_R1a,0 ld c,$ENJ_NayamuA1,24 ;「……ベルゼブブ。@６女。@/ `"......Beelzebub.`@` The sixth sister. `@/ ld c,$ENJ_IkariA1,80 ;……暴食のベルゼブブ。@さぁさ、お出でなさい…。」@ `......Beelzebub of Gluttony.`@` Come, arise..."`@ br ;　この流れで、……どこまで呼び出せるか。@ ;　集中を欠いたら、/ ;!d800…多分もう無理。\ `At this rate, ......I wonder how many I can summon.`@ `If I can't concentrate, `/ !d800`...this is probably it.`\ textoff mevol 1,70 se1v 22,90 bg white,8 ;wait 1000 bg HOT_R1b,0 ld c,$RG6_majimeA1,99,2000,"whirl.dll/l" ;　青白い光が輪郭を作り、………ベルゼブブを形作る。\ `The pale light made an outline, .........and formed into Beelzebub.`\ ld c,$RG6_DefA1,80 ;「暴食のベルゼブブ、ここに……。」\ `"Beelzebub of Gluttony, right here......"`\ ld l,$RG5_NakuA1,0 ld c,$RG6_waraiA1,0 ld r,$RG7_waraiA3,31 ;!s0「ベルゼー！！」「縁寿さま、すごいすごい！！」/ !s0`"Be-lz!!" "Ange-sama, awesome, awesome!!"`/ quakex 5,800 !sd@ ;＜アスモ・マモン br ;　ベルゼブブにマモンたちが飛びつき、再会を喜び合う。\ `Mammon and Asmodeus jumped onto Beelzebub, celebrating their reunion.`\ me2v 18,50 ;　……３人同時召喚。@ ;　…ずきりと頭が痛む。@ `......Summoning three people at once.`@ `...My head was throbbing.`@ br ;　休まず、次を呼び出す。\ `Without resting, summon the next one.`\ bg black,22 ;「……さぁさ、お出でなさい。@煉獄の七杭が一つ、怠惰のベルフェゴール…。」\ `"......Come, arise.`@` One of the Seven Stakes, Belphegor of Sloth..."`\ textoff se1 22 bg white,8 ;wait 1000 se1v 52,100 bg HOT_R1a,0 ld c,$RG4_fumanA2,99,2000,"whirl.dll/l" ;「怠惰のベルフェゴール、ここに。@/ `"Belphegor of Sloth, right here. `@/ ld c,$RG4_FumanA1,80 ;………何と、…私がまだ必要とされるとは…。」\ `.........My, ...to think that I would be needed again..."`\ ld r,$RG6_NakuA1,64 ;!s0「ベルフェ姉ぇえぇ！/ !s0`"Belpha-neeeeee! `/ ;se1 12 quakex 4,800 ;!sd@　お腹空いたぁ！@/ !sd@`I'm huuungry! `@/ ld r,$RG6_waraiA3,80 ;　じゃなくて、また会えて嬉しいぃ！！」\ ;＜ベルゼ `I mean, I'm glad to meet you again!!"`\ ld l,$RG7_waraiA1,23 ;「また七姉妹みんなが再会できるなんて…。@縁寿さま、本当にありがとうございます！」@ ;＜アスモ `"To think that the Seven Sisters would be able to meet again...`@` Ange-sama, we are truly thankful!"`@ cl r,23 ld r,$RG5_AkuwaraiA2,24 ;「この調子で次はサタン姉を！@　レヴィア姉もルシ姉も…！！」\ ;＜マモン `"Keep it up and do Satan-nee next!`@` And Levia-nee and Luci-nee...!!"`\ me3v 16,70 bg black,22 ;「………えぇ、/ ;!d500…わかってるわ。@……だからお願い、あまりうるさくしないで。@……４人同時は、/ ;!d800……結構、きつい…。」@ `".........Yeah, `/ !d500`...I get it.`@` ......So please, try not to be so loud.`@` ......Doing four people at the same time, `/ !d800`......is pretty...tough..."`@ bg HOT_R1c,22 ld c,$MAR_KomaruA1,24 ;「縁寿、もうそれ以上、無理をしないで。@これだけ久し振りなのに、よく４人も召喚できたよ。」\ ;＜真里亞 `"Ange, don't overdo it any more than this.`@` You did a good job summoning even four of them after such a long time."`\ bg HOT_R1a,23 ld r,$RG4_KomaruA1,24 ;「…よせ、マモン。@今の縁寿さまには我らの召喚は負担を強いている。@/ `"...Stop it, Mammon.`@` Right now, Ange-sama is being pressured with the burden of summoning us. `@/ ;ld r,$RG4_HohoemiA1,80 ;縁寿さま、どうかご無理をなされませんよう…。」\ `Ange-sama, I beg that you do not strain yourself too much..."`\ ;＜ベルフェゴール ld l,$RG5_ikariA1,63 ;!s0「私は嫌！/ !s0`"No way! `/ se1 11 quakey 4,600 ;!sd@　縁寿さまは約束したもん！@　また私たちみんなと遊んでくれるって！」@ ;＜マモン !sd@`Ange-sama promised!`@` She said we'd all play together again!"`@ br ;　…言ってな、…。\ `...No I, ...`\ ld l,$RG5_odorokiA1,80 ;「ね！@　縁寿さま！@　みんなとまた会えるって！@　すぐに会えるって約束した！」@ ;＜マモン `"Right!`@` Ange-sama!`@` You said everyone would meet again!`@` You promised that we could meet again right away!"`@ cl r,23 ld r,$ENJ_komaruA1,24 ;「……………………。@/ `"..................`@/ ld r,$ENJ_komaruA3,80 ;………そうね、………約束したわ。@/ `.........That's right, .........I promised. `@/ ;ld c,$ENJ_MajimeA1,80 ;……すぐにが、いつのこととは約束しなかったけど、……確かに私は、約束したわ。」\ `......I didn't promise anything about when, ......but I certainly did...promise."`\ ld l,$RG5_ikariA2,80 ;「だから守って！@　じゃないと、私は今日までそれを忘れていた縁寿さまを許さない…！」\ ;＜マモン `"So keep that promise!`@` If you don't, I'll never forgive you for forgetting that until today, Ange-sama...!"`\ me4v 17,70 bg black,25 ;「………………。@……さぁさ、お出でなさい。@煉獄の七杭が一つ、憤怒のサタン…。」\ `"...............`@`......Come, arise.`@` One of the Seven Stakes of Purgatory, Satan of Wrath..."`\ ;　意識が白濁してくる…。@……でも、呼ぼう。\ ;　忘れてしまった日々だけど。@ ;　悲しさと寂しさしかないと思ってた日々だけど。@ `My mind's getting hazy...`@`......But...I'll call.`\ `Even though I've forgotten those days.`@ `Even though I hadn't thought of those days as anything but sadness and loneliness.`@ br ;　……確かに、彼女らと過ごしたわずかな時間は、@……紛れもなく、楽しい時間だったのだから。\ `......Because certainly...the short time I've spent with them, `@`...... was fun, without a doubt.`\ se1v 22,100 bg white,8 bg HOT_R1a,22 se2v 52,90 ;ld c,$RG3_FumanA2,99,2000,"breakup.dll/ulb" ld c,$RG3_fumanA2,99,2000,"whirl.dll/l" ;「憤怒のサタン、ここに。@/ `"Satan of Wrath, right here. `@/ ld c,$RG3_OdorokiA1,80 ;…………何やってるのよあんたたちッ！！/ `............What the hell are you people doing!! `/ quakey 5,500 ;@　私たちが井戸端会議をするだけで、どれだけ縁寿さまに負担を掛けてるかわかってんの？！」\ @`Do you realize how much it's burdening Ange-sama just to let us have an idle chat?!"`\ ;　現れてすぐ、状況を察しているらしいサタンが大声を張り上げ、妹たちを叱り飛ばす。@ ;　……その大声に私の意識は再び遠退きかける。\ `Satan, who had apparently figured out the situation immediately after being summoned, cried out in a loud voice, telling her sisters off.`@ `......That loud voice made my consciousness fade again.`\ ld c,$RG3_OdorokiA2,80 ;「私たちはベアトリーチェさまより休むことを許された、役目を終えた家具なのよ！@　再びお役に立てる機会を賜るどころか、新しい主人の負担になるなんて、そんなの家具の名折れッ！！@　早く姿を消しなさいッ！！」\ ;＜サタン `"We are furniture who have been granted rest by Beatrice, and whose duty has been finished!`@` Not only are you not honored at being given another chance to be of some use, but you're putting a burden on our new master, you disgrace to furniture!!`@` Erase yourselves right away!!"`\ ;se1 52 ;ld r,$RG4_HohoemiA1,99,1000,"breakup.dll/urp" ld r,$RG4_komaruA1,24 ;「うん、サタン姉の言う通りだ。@姿を消す。@お前たちも姿を消せ。@それがこの瞬間、一番、縁寿さまのお役に立てる。」\ ;＜ベルフェ `"Yes, it's like Satan-nee says.`@` I'll erase myself.`@` You all erase yourselves too.`@` In this moment, that is the best way for us to be of use to Ange-sama."`\ bg HOT_R1b,0 ld l,$RG5_ikariA1,24 ld l,$RG5_odorokiA1,80 ;「私は嫌よ。@みんなを呼び出してもらえるまでは嫌！」@ ;＜マモン `"No way.`@` Not until everyone's summoned!"`@ ld c,$RG6_FumanA2,23 ;「私も嫌ー！@　お腹空いたー！@/ `"Same he-re!`@` I'm hu-ngry! `@/ ld c,$RG6_nakuA1,80 ;　じゃなくて、やっと再会したばかりなのに、もう帰るなんて嫌あ！」\ ;＜ベルゼ `I mean, I'd hate to leave again so soon after being reunited!"`\ ld r,$RG3_OdorokiA1,64 ;「わがまま言ってんじゃないわよ！！/ `"Don't be so selfish!! `/ se1 11 quakex 4,500 ;@　ほら、とっとと姿を消す！！@　ほら、アスモ！@　さっさと消えなさい！！」@ ;＜サタン @`Come on, erase yourself quickly!!`@` Come on, Asmo!`@` Disappear right now!!"`@ cl l,23 ld l,$RG7_NakuA1,23 ;「わぁん、サタン姉さんがいじめたあ…！@　いつも末っ子からなんてずるぅい！」\ ;＜アスモ `"Waaaah, Satan-nee's bullying me...!`@` It's not fair if you always bully the youngest one!"`\ me5v 19,100 bg HOT_R1a,23 ld r,$ENJ_FumanA2,6 ;「………あぁ、実に賑やかね。@……退屈………しない……。」@ ;＜縁寿 `".........Yes, they really are lively.`@` ......It doesn't.........bore me......"`@ ld l,$MAR_OdorokiA1,23 ;「もう充分だよ。@今の縁寿には限界を超えてる。」\ ;＜真里亞 `"That's enough.`@` You've surpassed your limits for now, Ange."`\ ld r,$ENJ_NayamuA1,80 ;!s0「……そう、/ ;!d900……ね…。/ ;!sd@……………………。\ ;＜縁寿 !s0`"......You're, `/ !d900`......right...`/ !sd@`..................`\ cl r,5 ;　５人も召喚し、彼女らが好き勝手に騒ぎ合うという状況は、@貧弱な魔力しか持たない今の私には、あまりに負荷が重過ぎる……。@ `In a situation where I had summoned five of them, and where they were messing around as they pleased,`@` the load was far too heavy for me currently, with my meager magic power......`@ br ;　……もう、……………駄目……。\ `......This is, ...............it......`\ E_A se1v 13,100 bg HOT_R1c,1 quakey 4,1200 ;　私は意識を遠退かせながら、ベッドに倒れこむ。\ `As my consciousness went hazy, I fell over onto the bed.`\ me1v 11,70 me2v 5,50 bg black,45 ;　……ベッドって、こんなにも柔らかかったっけ……。@ ;　……………………。\ `......Have beds always felt this soft......?`@ `..................`\ ;　姉妹たちは、まだ好き放題に罵り合っているようだ。@ `It seemed that the sisters were still squabbling together as much as they liked.`@ br ;　……睡魔が迎えに来てくれるまでの暇潰しには、/ ;!d900……充分…………。\ `......For a way to kill time until drowsiness comes to get me, `/ !d900`......this is enough............`\ ;　私は、姉妹たちの賑やかさに、どこか懐かしい温かさを感じながら、深い眠りの世界へ沈んでいく………。\ `Feeling something warm and nostalgic in the sisters' liveliness, I sank into a world of deep sleep.........`\ fede 11,2000 bg Different_spiral_1a,2 ;　そんな私を夢の世界の入り口で、真里亞お姉ちゃんと、/ ;!d800……さくたろうが受け止めてくれた気がした。\ `At the entrance to my dream world, I felt Maria onee-chan, `/ !d800`......and Sakutarou waiting to receive me.`\ fede 0,2000 ld r,$MAR_niyariA2,22 bgm1 82 ;「……………。@/ `"............`@/ ld r,$MAR_WaraiA1,80 ;お疲れ様。@……そして、がんばったね。」@ `You worked hard.`@` ......And...good job."`@ ld l,$SAK_waraiA2,22 ;『うりゅ。@…お帰り、縁寿…。』\ `『Uryu.`@` ...Welcome back, Ange...』`\ ;　……お帰り、か。@ ;　じゃあ返事はこうだわ。@ `......Welcome back...is it?`@ `Then I should respond like this...`@ br ;　…………ただいま………。\ `.........Glad to be home.........`\ me1v 16,50 bg black,42 wait 1000 eye12 ;▲第６アイキャッチ　時計なし *Umi4_7 mov %play_scene,40140 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj ;テロップ mov %grim_scene,404 gosub *MAR_Isyou2 gosub *ENJ_Isyou2 bg black,22 bgm1 93 ;　そう。@私はかつて一度だけ、魔女の世界に足を踏み入れるべく、修行をしたことがある。@ `That's right.`@` Just once in the past, I underwent training which should have allowed me to step into the world of witches.`@ br ;　聖ルチーア学園での辛く悲しい日々から私を救ってくれる力が、@魔法だけだということを受け入れ、真里亞お姉ちゃんにその手解きを受けたのだ……。\ `I accepted that the only power which could save me from my sad, painful days at Saint Lucia Academy,`@` was the thing called magic, and I received Maria's introduction to the basics......`\ me1 5 bg Different_spiral_1a,2 ;「……………広大な空間を、イメージ……。@……峠のドライブインから麓を見下ろした時の風景……。@/ `"............Imagine...a vast space......`@`......The scene from when I looked down at the base from the rest stop at the peak......`@/ se1 22 bg OBS_1a,99,3000,"trvswave.dll/h" ;………こう……？」@ ;＜縁寿 `.........Like this......?"`@ br ;　私はその思い出の中の風景を、心象世界に投影した。\ `I projected that scene from a memory into my mental world.`\ ;　……魔法少女に憧れるなんて、普通の女の子なら小学校で卒業する。@ ;　だから、こんな歳にもなって、大真面目に魔法の修行をしてるなんて、……我ながら恥ずかしい。@ `......Normal girls get over admiring witch girls when they leave elementary school.`@ `So seriously training to use magic at this age, ......was embarrassing even for me.`@ br ;　でも、その恥ずかしいという感情すらも、今の私には微笑ましいものだった。\ `But even that embarrassed emotion felt pleasant to me now.`\ ;　私は今、真里亞お姉ちゃんに魔法を使うための精神集中を習っている。@ `Right now, I was learning mental concentration from Maria onee-chan in order to use magic.`@ br ;　だが、なかなかうまく出来ない。@ ;　……まるで、耳を動かせる人に、@こうやって動かすんだよと実演されても、どうしようもないのによく似てる…。\ `But it wasn't going very well.`@ `......It was about as hopeless as teaching a person to wiggle their ears by showing them...`\ ;　魔法を使うための精神集中には、広大な空間のイメージが欠かせないらしい。@ `It seems that you need to imagine a vast space to gain the mental concentration for using magic.`@ br ;　なので私は、幼い頃に家族で出掛けた小旅行で、@峠のドライブインの展望台から麓を見下ろした時のことを思い出し、その光景で心象世界を描いてみたのだ。\ `So I remembered the time from my younger days when my family had gone on a small vacation, `@`when I had looked down towards the base from a viewing platform at a rest stop on a peak,`@` and I tried painting this scene in my mental world.`\ se1 52 ld r,$MAR_KomaruA1,99,2000,"breakup.dll/urb" ;「うぅん、まだまだ狭い。@もっともっと広い空間をイメージして。@そして、縁寿だけの心象世界を作り上げるの。@/ `"No, still far too small.`@` Imagine a much, much wider space.`@` And create your own mental world. `@/ ld r,$MAR_OdorokiA1,80 ;まだまだイメージが霞んでる。@空気に温度もないし、風もない。@匂いもない。@まだまだ世界が希薄。@……それらは後でもいいから、今はとにかく、もっと広い世界をイメージして。」\ ;＜真里亞 `Your image is still far too foggy.`@` There's no temperature in the air, and there's no wind.`@` No smells either.`@` The world is still very faint.`@` ......You can leave those for later, so for now, imagine an even wider space."`\ se1 52 ld l,$SAK_komaruA1,99,2000,"breakup.dll/urb" ;『うりゅ。@……どうして広い空間のイメージが必要なの？』@ ;＜さくたろ `『Uryu.`@` ......Why do you have to imagine a vast space?』`@ ld r,$MAR_FukigenA1,80 ;「ニンゲンの体内には、生まれながらにして魔法を妨げる毒素があるんだよ。@その毒素を浄化しないと、魔法はうまく使えないの。@/ `"From the time they're born, humans have inside them a toxin that blocks magic.`@` If that toxin is not purified, you can't use magic well. `@/ ld r,$MAR_DefA1,80 ;…その為に有効な方法の一つが、広大な空間をイメージすることなんだよ。」\ `...One effective method of achieving this is to imagine a vast space."`\ ;cl l,24 ;ld l,$ENJ_NayamuA1,23 ;「………さっきは、飛行機の窓から見た世界を思い描いたけど、それも駄目だったわ。@……もっと広大な世界なんて、/ ;!d800……見当もつかない。」@ ;＜縁寿 `".........Just now, I thought of the world as seen from the window of an airplane, but that didn't work.`@` ......I can't even think of, `/ !d800`......a world more vast than that."`@ ;cl r,23 ld l,$SAK_WaraiA1,80 ;『なら、真里亞の持つ広大な世界を縁寿にも教えてあげればいいよ…！@　そしたら縁寿にもイメージがしやすくなるんじゃない？@　うりゅ！』\ `『In that case, Maria just has to teach Ange about the vast world Maria has...!`@` Won't that make it easy for Ange to imagine as well?`@` Uryu!』`\ ;ld l,$ENJ_WaraiA1,80 ;「……そうね。@私も、お姉ちゃんはどんな世界をイメージして魔法を使ってるのか、興味があるわ。@/ `"......That's right.`@` And, I'm interested in the kind of world Onee-chan imagines when she uses magic. `@/ ;ld l,$ENJ_DefA1,80 ;…私もそれを参考にする。」\ `...I'll also use that."`\ cl a,0 ld c,$MAR_FukigenA1,24 ;「うー、駄目だよ。@心象世界は広大で、そして孤独じゃないといけないの。@自分以外に一切遮るものがない世界。@/ `"Uu-, won't work.`@` The mental world must be vast and isolated.`@` A world with no obstructions other than yourself. `@/ ld c,$MAR_DefA1,80 ;……だから、その世界を人に教えたら、その世界は孤独ではなくなってしまう。@だから心象世界は誰にも明かしちゃ駄目なの。@だから縁寿も、上手に心象世界を描けたら、それは自分だけの秘密の世界にするんだよ。」\ `......So if you teach someone about that world, it won't be isolated anymore.`@` So you must not reveal your mental world to anyone.`@` So if you draw up a good mental world, you too must keep it a secret only for yourself."`\ ld l,$SAK_odorokiA1,23 ;『うりゅ…。@真里亞けちんぼ…。』@ `『Uryu...`@` So stingy, Maria...』`@ ;ld r,$ENJ_NayamuA1,24 ;「ありがと、さくたろ。@修行に近道なしってわけだわ。@/ `"Thanks, Sakutaro.`@` I guess there are no shortcuts in training. `@/ ;ld r,$ENJ_MajimeA1,80 ;……努力してみる。@大丈夫、ヒントは充分もらえてるわ。」@ ;＜縁寿 `......I'll make an effort.`@` It's alright, I've been given plenty of hints."`@ ld l,$SAK_WaraiA1,80 ;『うりゅ…！@　縁寿、がんばれ…！』\ `『Uryu...!`@` Do your best, Ange...!』`\ bg black,25 ;　魔法なんかで救われるわけがないと、思ってきた。@ ;　だって、この世には魔法なんて存在しない。@ ;　そんなものは、幻想、妄想、白昼夢に過ぎないはず。\ `I had come to think that I couldn't be saved by something like magic.`@ `After all, magic doesn't exist in this world.`@ `That kind of thing is supposedly nothing more than an illusion, a delusion, a daydream.`\ E_MA gosub *MAR_Isyou1 mono 1 bg ROS_M1a,0 ld c,$MAR_defA1,8 ;　……でも、真里亞お姉ちゃんは、私には持ち得ない力で、自らの世界を幸せで満たして見せた。@ `......However, Maria onee-chan had shown that she could fill her own world with happiness using a power that was impossible for me.`@ br ;　私はその幸せを、虚しい幸せだと見下してきた。@ `I had come to look down on that happiness as an empty happiness.`@ br ;　……魔法なんて認めないから、そこから生まれた幸せも認めないと、全てを否定してきた。\ `......I had denied everything, thinking that, because I didn't accept magic, I couldn't accept the happiness that came from it either.`\ gosub *MAR_Isyou2 bg ROS_M1a,0 ld c,$MAR_WaraiA1,0 mono off print 99,2000,"breakup.dll/lrp" ;　でも、真里亞お姉ちゃんの世界はどんどん、どんどん、幸せになっていく。\ `But slowly, bit by bit, Maria onee-chan's world grew happier.`\ ;　かつて私はそれを、痛々しくて見てられないと扱き下ろした。@ ;　しかし、……それは妬みに過ぎなかったのかもしれない。@ ;　私は、それを認めなければならなかった。@ `In the past, I had disparaged it, thinking it too pitiful to look at.`@ `But, ......that might have been nothing more than jealousy.`@ `I had to admit that.`@ br ;　そしてそれこそが、私の幸せ探しの第一歩だったのだ…。\ `And this had been my first step in my search for happiness...`\ me1v 5,40 cl a,2 ;　広大な空間。@ ;　何物にも遮られずに吹き抜ける乾いた風。@ ;　……その風が自分の髪を散らすのを感じよう。\ `A vast space.`@ `A dry wind that could blow without being blocked by anything.`@ `......Let me feel that wind blowing through my own hair.`\ bg black,2 fedexx 70,70,0,0,0,0,2000 ;　……そうか、大地さえも、今の私には妨げるものなのかもしれない。@ ;　じゃあ、大地なんていらないや。@ `......I see...even the ground might block me as I am now.`@ `Then, I don't need a ground.`@ br ;　…………大地を押しのけて、下方の彼方へ、彼方へ。\ `.........Brush the ground away, downwards, downwards.`\ bg white,2 wait 1000 bg sky_4a,2 fedexx 70,90,0,0,0,0,3000 ;　それはつまり、………私が大地から遠く離れて、浮かび上がったのと同じこと。@ `In other words, ......it was as though I had floated up, leaving the ground far behind.`@ br ;　どんどん大地を下方に押しのけると、@…地上が霞んで淡くなり、……初めて大空を感じるようになる。\ `After pushing the ground further and further downwards, `@`...the ground grew foggy and faint, ......and for the first time, it began to feel like the sky.`\ me2v 16,70 bg sky_4b,42 ;　………そして私は広大さを知る。@ `.........Then, I understood its vastness.`@ br ;　その瞬間、鮮烈な風が、自分の体すらも突き抜けて、つまり妨げられずに吹き抜けるのを感じた。\ `In that instant, I felt the vivid wind go right through even my body, in other words, blowing through me without any resistance.`\ se1 52 ld c,$MAR_defA1,99,2000,"breakup.dll/urP" ;「………………………………。@……そう。@その感覚を、維持して。」@ ;＜真里亞 `".....................`@`......Yes.`@` Maintain that sensation."`@ ;「……えぇ、わかる。@……全ての妨げから、解放されてるのが、……わかる。」\ ;＜縁寿 `"......Yeah, I get it.`@` ......I get that I've been, ......released from all hinderances."`\ se1 52 ld r,$SAK_WaraiA3,99,2000,"breakup.dll/llp" ;『やった縁寿、やった縁寿…！@　魔女の世界への、最初の第一歩を踏み出した…！』\ `『You did it, Ange, you did it, Ange...!`@` You've taken your first step into the world of witches...!』`\ ;「………………これが、…魔女の世界……？」\ `"............This is, ...the world of witches......?"`\ ld c,$MAR_waraiA2,80 ;「うん。@じゃあ、縁寿がずっと望んできた魔法を、練習してみよう。@/ `"Yeah.`@` So, let's try practicing the magic that you've always wished for, Ange. `@/ ld c,$MAR_WaraiA1,80 ;………お友達を、呼び出す魔法。@……縁寿を寂しさから救い出してくれる味方をつくり、それによって幸せになる魔法を。」\ `.........Magic that will summon friends.`@` ......A magic that will create allies who will save you from your loneliness, and thereby bring you happiness."`\ ld r,$SAK_waraiA1,80 ;『縁寿にも、ボクみたいなお友達が呼び出せるの？！@　うりゅうりゅ！』@ `『Will Ange also be able to summon friends like me?!`@` Uryuuryu!』`@ ld c,$MAR_niyariA1,80 ;「……今の縁寿には、ゼロの海からさくたろほどの友達を呼び出すには、まだまだ早いね。@……最初は、呼び出しやすい友達から練習しよう。」\ `"......As she is now, it's still far to early for Ange to summon friends like Sakutaro from the sea of zero.`@` ......To begin, let's start by practicing with friends that are easy to summon."`\ bg Sky_3a,25 ld r,$ENJ_WaraiA2,26 ;「…………………。@…最初は何を…？」\ `"............`@`...What will we begin with...?"`\ ld l,$MAR_WaraiA1,23 ;「縁寿はマリアージュ・ソルシエールの魔女だから、@同盟の魔女が使役する存在は、縁寿もまた使役することが許されてる。@/ `"Because you are a witch of Mariage Sorciere,`@` you are also permitted to use those who are employed by other witches in the alliance. `@/ ld l,$MAR_WaraiA2,80 ;……例えば、さくたろは私の友達だけど、同じ同盟の縁寿にだって友達で、そして召喚することが出来る。@……今度、試しにさくたろを呼び出してみて？@　寂しくて寂しくて辛い時、さくたろがきっと元気付けてくれるよ。」\ `......For example, Sakutaro is my friend, but since you're in the same alliance, Ange,`@` he's your friend too, and you can summon him.`@` ......You wanna try summoning Sakutaro one of these days?`@` When you're so lonely it gets tough, I'm sure Sakutaro will cheer you up."`\ ;　そっか。@さくたろはお姉ちゃんが使役する存在とも言える。@ `I see.`@` You could call Sakutaro a being employed by Onee-chan.`@ br ;　そして、お姉ちゃんと同じ同盟に属する魔女の私は、さくたろを召喚することも可能なわけだ……。\ `So as a witch in the same alliance as Onee-chan, it's also possible for me to summon Sakutaro......`\ cl a,0 ld c,$SAK_waraiA3,24 ;　さくたろと目が合う。@ `I met Sakutaro's gaze.`@ br ;　……寂しい夜に、ちょっと話し相手になってほしい時に、@彼が私の枕の脇にちょこんといてくれたら、どれだけ嬉しいことか。\ `......How pleasant it would be to have him just be there by my pillow,`@` so he could talk to me a bit on lonely nights.`\ cl a,0 ld l,$SAK_waraiA3,0 ld r,$ENJ_WaraiA3,24 ;「……私が呼び掛けたら、あなたは現れて、/ ;!d700……話し相手になってくれる……？」@ `"......If I call out, will you appear, `/ !d700`......and talk to me......?"`@ ld l,$SAK_WaraiA1,80 ;『うりゅー！@　縁寿が呼び出してくれるのを、楽しみにしてる！@　うりゅうりゅうりゅ！』@ `『Uryu-!`@` I look forward to being summoned by you, Ange!`@` Uryuuryuuryu!』`@ br ;　さくたろは嬉しそうにしながら、猫のように、私にその頭を押し付けてくりくりしてじゃれ付いてくる。\ `Looking happy and making his eyes round, Sakutaro pressed his head against me like a cat.`\ ;　こんな可愛らしい弟が突然出来てしまって、……困惑するような恥ずかしいような嬉しいような。@ ;　………なんでこの気持ちに素直になれなかったのか、わからなくて、目頭が熱くなるのを感じた。\ `Suddenly getting a cute younger brother, ......felt a bit confusing, a bit embarrassing, and a bit pleasant.`@ `.........Unable to understand why I couldn't honestly accept this feeling, I felt tears well up in my eyes.`\ ld r,$ENJ_WaraiA1,80 ;「うん。@……お姉ちゃん、私がんばるわ。」@ `"Right.`@` ......I'll give it all I've got, Onee-chan."`@ cl l,24 ld l,$MAR_niyariA1,23 ;「じゃあ、練習をしてみよう。@………同じ、同盟の魔女、ベアトリーチェの家具を、呼び出してみよう。」\ `"Then let's try and practice.`@` .........Let's try summoning the furniture of a witch from the same alliance, Beatrice."`\ bg black,22 fede 10,1000 ;「…………ベアトリーチェの、…家具。」@ `"............Beatrice's, ...furniture."`@ br ;　ベアトリーチェの名を出されると、少しだけ微妙な気持ちになる。@ ;　六軒島の事件は世間では、魔女が生贄の儀式で云々かんぬんと騒がれていた。\ `Hearing Beatrice's name gave me a slightly strange feeling.`@ `When it came to the crime on Rokkenjima, the public had kept going on and on in a frenzy about how it was a sacrifice ceremony of the witch.`\ bg portrait2,2 ;　……そして、その魔女がベアトリーチェなのだ。@ `......And that witch was Beatrice.`@ br ;　だから、もしあの事件の犯人が魔女であるならば、@……つまり、家族を奪った犯人は彼女、ということになるのだから。\ `So if the culprit of that crime was a witch,`@` ......it would mean that she was the culprit who stole my family.`\ ;　しかし、真里亞お姉ちゃんはベアトリーチェは良い魔女だという。@ `However, Maria onee-chan said that Beatrice was a good witch.`@ br ;　ベアトリーチェに対しネガティブな感情を私が持つと、@へそを曲げてしまうし、ひどいと喧嘩になって、しばらく口も聞いてくれなくなる。\ `She would get mad if I held negative emotions towards Beatrice,`@` get into a nasty fight, and refuse to talk for a while.`\ bg black,22 bg sky_3a,0 ld r,$MAR_niyariA1,22 ;　……今の私には、お姉ちゃんがたったひとりの親友だ。@ `......At this moment, Onee-chan was my only close friend.`@ br ;　…だから、親友の機嫌を損ねないためにも、@ベアトリーチェのことは、お姉ちゃんの魔法の師匠以上には考えないことにしていた…。\ `...So to avoid worsening the mood of my close friend,`@` I had decided to think of Beatrice as nothing more than Onee-chan's magic teacher...`\ ;　……それに、私はあの事件は、絵羽伯母さんの仕組んだ陰謀だったと信じている。@ `......Also, I believed that the crime was a conspiracy cooked up by Eva oba-san.`@ br ;　……いつか絶対にそれを暴いてやる………。\ `......I would definitely expose the truth about that someday.........`\ ld r,$MAR_OdorokiA1,80 ;「縁寿。@また体内に妨げが混じってるよ。」@ `"Ange.`@` Obstructions are mingling inside your body again."`@ ld l,$ENJ_komaruA3,26 ;「………ごめんなさい、集中を欠いたわ。@…もう一度…。」\ `".........Sorry, I lost my concentration.`@` ...One more time..."`\ me1v 5,70 bg Sky_4b,22 ;　さすがはお姉ちゃん…。@ ;　私が雑念に囚われたことをすぐに察する。@ `I'd expect no less from you, Onee-chan...`@ `You instantly noticed that I was being overcome with idle thoughts.`@ br ;　私は一度だけ頭を振ってから、再び広大な大空の吹きぬける風をイメージし直した…。\ `After shaking my head just once, I re-imagined the wind blowing through a vast space...`\ textoff se1 22 bg white,8 ;bg black,22 ;wait 2000 bg sky_4b,22 ;ld r,$ENJ_fumanA2,24 ;「…………煉獄の七姉妹？@　何だか物騒な名前ね。」\ `"............The Seven Sisters of Purgatory?`@` That's a pretty creepy name."`\ ld l,$MAR_NiyariA1,23 ;「でも、とっても賑やかで楽しい子たちだよ。@縁寿の新しいお友達になってくれるかもしれない。@/ `"But they're very energetic and fun kids.`@` They might become your new friends, Ange. `@/ cl a,0 ld c,$MAR_WaraiA1,23 ;……まずは私が呼び出してみせるね。@見てて。」\ `......First, I'll show you how to summon them.`@` Watch."`\ ld c,$MAR_FukigenA1,80 ;　真里亞お姉ちゃんが、両手を顔の高さに掲げ、静かに精神を統一する。@ `Maria onee-chan lifted both hands up to the level of her head, and quietly unified her mind.`@ br ;　……私が、長い時間を掛けて瞑想しなくては至れない境地に、わずか数回の低い呼吸で至ってしまう。\ `......The state that I had not been able to reach after meditating for a long period of time, she reached in the span of a few quick breaths.`\ me2v 16,50 ;　すると青白い光が手の平に集い始め、………次々に、少女たちが姿を現していく。\ `Then, a pale light began to gather in her palm, .........and one by one, the girls began to show themselves.`\ se1 37 wait 500 se2v 37,100 wait 200 se3v 37,100 se1 37 wait 500 se2v 37,100 wait 200 se1v 37,100 se3v 37,100 bg sky_3a,22 E_A lsp 899,$RG7_hohoemiA1,-160,50 se2 52 print 99,300,"breakup.dll/lrp" lsp 898,$RG6_akuwaraiA1,-64,50 se1 52 print 99,300,"breakup.dll/lrp" lsp 897,$RG5_akuwaraiA2,32,50 se3 52 print 99,300,"breakup.dll/lrp" lsp 896,$RG4_defA1,128,50 se2 52 print 99,300,"breakup.dll/lrp" lsp 895,$RG3_fumanA1,224,50 se1 52 print 99,300,"breakup.dll/lrp" lsp 894,$RG2_hohoemiA1,320,50 se3 52 print 99,300,"breakup.dll/lrp" lsp 893,$RG1_hohoemiA1,80,0 se3 52 print 99,300,"breakup.dll/lrp" bgm1 7 ;　１人、２人、３人。@４人、５人、６人、７人…。@ `1, 2, 3 people.`@` 4, 5, 6, 7 people...`@ br ;　次々に召喚されて並んでいくその様子は圧巻だ。\ `The way they were summoned one after another in a line was a masterpiece.`\ ;　……すごい。@ ;　お姉ちゃんの魔導書の挿絵そのままの、……煉獄の七姉妹だ…。@ `......Incredible.`@ `Just like the illustrations in Onee-chan's grimoire, ......the Seven Sisters of Purgatory...`@ br ;　長女のルシファーが、妹たちを従え、お姉ちゃんに敬礼する。\ `The younger sisters were behind the eldest, Lucifer, who saluted Onee-chan.`\ lsp 893,$RG1_AkuwaraiA2,80,0 print 80 ;「煉獄の七姉妹、ここにっ…！@　マリア卿、ご無沙汰を申し上げております。」\ ;＜ルシファー `"The Seven Sisters of Purgatory, right here...!`@` Lady MARIA, it has been quite some time."`\ csp -1 bg sky_3a,0 ld l,$MAR_WaraiA1,23 ;「うん。@久し振りだね。@みんなも元気…？」@ `"Yes.`@` Long time, no see.`@` Is everyone well...?"`@ ld r,$RG1_hohoemiA1,24 ;「我ら家具は、使役されてこそ家具。@久し振りのお呼び出しを、心より光栄に思いますっ！」\ ;＜ルシファー `"We furniture are furniture because we are used.`@` I think of being summoned after so long as an honor from my very heart!"`\ bg Sky_4b,0 ld c,$SAK_DefA1,24 se1 52 ld r,$RG7_waraiA1,99,500,"breakup.dll/llp" bgm1 3 ;gggg ;「きゃー♪　さくたろー！@　お久し振りー！」@ ;＜アスモ `"Kya-♪ Sakutaro-!`@` It's been a whi-le!"`@ se1 52 ld l,$RG6_waraiA2,99,500,"breakup.dll/llp" ;「相変わらず美味し、じゃなかった、可愛い〜！！」@ ;＜ベルゼ `"You look as delici-, I mean, cu~te as ever!!"`@ ld c,$SAK_odorokiA1,0 cl r,23 ;se1 52 ld r,$RG5_waraiA2,24 ;「私が一番〜！！@/ `"Me fi~rst!! `@/ ld r,$RG5_waraiA1,80 ;　きゃー、今日もふかふかプニプニしててかーわいい〜！」/ `Kya-, today he's so fluffy, squishy, and cu-te~!"`/ se1 48 quakey 2,300 se2 48 quakex 2,300 \ ;＜マモン cl l,24 ;se1 52 ;ld l,$RG2_NakuA1,99,1000,"breakup.dll/urb" ld l,$RG2_NakuA1,23 ;「あ〜ん！！/ `"A~h!! `/ ;se1 11 quakex 3,600 ;@　私にも抱かせて私にも抱かせてぇええぇ〜！」@ ;＜レヴィア @`Let me hug him too, let me hug him too~!"`@ ld c,$SAK_KomaruA2,80 ;『う、うりゅー！@　苦しい〜！@　ボクは逃げないから離してみんな〜！』\ `『U, uryu-!`@` Can't brea~the!`@` I won't run away, so let me go everyo~ne!』`\ bg black,23 bg Sky_4a,0 ld r,$RG3_FumanA1,23 ld r,$RG3_OdorokiA1,80 ;!s0「こらアンタたちッ！！/ !s0`"Hey, you all!! `/ se1v 11,70 quakex 5,1000 ;!sd@　マリア卿の家具を壊す気？！@　とにかく離れなさいよッ、抱き締めるの禁止！！」@ ;＜サタン !sd@`Are you trying to break Lady MARIA's furniture?!`@` Anyways, get away from him, hugging is prohibited!!"`@ ;se1 52 ld l,$RG4_AkuwaraiA4,26 ;「……そう言ってる、サタン姉が、一番抱き締めたがってるよ。@くすくす。」\ ;＜ベルフェ `"......Even though you're saying that, it looks like you want to hug him the most, Satan-nee.`@` *giggle*."`\ ld r,$RG3_OdorokiA2,80 ;「んなッ！！@　わ、私は別に、あんなふかふかのプニプニのわふわふなんて、きょ、興味ないんだからあ！」@ ;＜サタン `"Ack!!@` I, it's not like I have any i, interest in something so fluffy, squishy and cuddly!"`@ ;se1 52 ld c,$RG1_IkariA1,26 ;「こら！！/ `"Hey!! `/ quakey 3,500 ;@　マリア卿と縁寿さまの御前よ、静かになさい、この愚妹ども！！」\ ;＜ルシファー @`Be silent in the presence of Lady MARIA and Ange-sama, you foolish sisters!!"`\ ;　何と賑やかなことか…。@ ;　現れて早々の大騒ぎに、私は唖然としてしまう。@ `They were so energetic...`@ `I was shocked by their sudden burst of activity right after they appeared.`@ br ;　そしてそれ以上に、無垢なさくたろが、七姉妹たちと仲がいいのに驚いた。\ `And on top of that, I was surprised that the innocent Sakutaro was on such good terms with the Seven Sisters.`\ bg Sky_3a,24 ld l,$ENJ_waraiA2,23 ;「……意外。@さくたろが、あんな物騒な連中にこんなに可愛がられてるなんて。」@ `"......That's unexpected.`@` To think that Sakutaro would be so loved by such shady people."`@ ;se1 52 ld r,$MAR_WaraiA1,24 ;「同じ同盟の仲間たちだもん。@怖くなんかないよ？」\ `"They're fellow members of the same alliance.`@` There's nothing to be scared of, right?"`\ ld l,$ENJ_komaruA2,80 ;「でも、万が一、彼女らの機嫌を損ねちゃったら、さくたろ、あっという間にやられちゃいそう…。」\ `"But on the off-chance that their mood worsens, it looks like they could finish Sakutaro off in an instant..."`\ ld r,$MAR_WaraiA2,80 ;「大丈夫。@同盟の魔女とその家具は、みんな仲良しなの。@/ `"It's alright.`@` The witches of the alliance and their furniture are all friendly. `@/ ld r,$MAR_NiyariA1,80 ;だから、さくたろも安心して遊べるの。@……それはもちろん、私や縁寿も同じだよ。」\ `So Sakutaro can play without worrying.`@` ......Of course, that goes for you and me too, Ange."`\ bg black,25 br ;　マリアージュ・ソルシエールの条約の一つ。@ `One of the pacts of Mariage Sorciere.`@ br ;「相互不可侵、不干渉」。\ `"Mutual nonaggression and noninterference".`\ ;　所属の魔女は、互いの魔法とその創造物を尊重し合わなくてはならない。@ `Member witches must respect each other's magic and creations.`@ br ;　本来は、とても好戦的で物騒な彼女らも、同盟の仲間には友人として接するのだ。\ `Even the sisters, who were normally shady and belligerent, interacted with fellow alliance members as friends.`\ bg sky_3a,0 ld c,$SAK_WaraiA1,26 ;　だから、七姉妹にとって、さくたろうは共通の友人。@ `So to the Seven Sisters, Sakutarou was a mutual friend.`@ textoff se1 52 ld r,$RG6_akuwaraiA1,99,700,"breakup.dll/llb" se2 52 ld l,$RG7_waraiA1,99,700,"breakup.dll/urb" wait 500 ld r,$RG6_waraiA1,0 ld l,$RG7_waraiA2,80 wait 300 se1 48 quakex 3,300 se1 48 quakey 3,300 se1 48 quakex 3,300 se1 48 quakey 3,300 br ;　七姉妹の誰からも愛され、むしろ奪い合いさえされている。@ `He was loved by all the Seven Sisters, and they were even trying to steal him away from each other.`@ br ;　もみくちゃにされて可愛がられるその光景は、ちょっぴり微笑ましいくらいだ。\ `This scene as they squeezed him and loved him was a bit charming.`\ ;「……なるほど。@マリアージュ・ソルシエールの仲間同士なのね。」\ `"......I see.`@` They're fellow members of Mariage Sorciere."`\ ;　さくたろののんびりした雰囲気と、七姉妹の物騒な雰囲気は、一見しただけなら水と油。@ ;　絶対に相容れないように見える。@ `At a glance, you'd think that Sakutaro's casual atmosphere and the Seven Sisters' shady one would be like water and oil.`@ `It looked like they definitely wouldn't be compatible.`@ br ;　なのに、こんなにも当たり前のように仲良く交流している……。@ ;　この素敵な同盟で、世界の全ての人々を結んだなら、@……世界中はすぐに友達になれるのかな。\ `And yet, they were interacting in a friendly way like it was completely natural......`@ `If this wonderful alliance could join all the peoples of the world,`@` ......I wonder if everyone in the world would be able to become friends right away.`\ bg black,22 bg sky_3a,22 ld c,$MAR_WaraiA1,24 ;「七姉妹のみんな、聞いて。@今、縁寿は魔法の修行中なの。@だから、みんなの力を貸して欲しいの。」@ ;＜マリア `"All you Seven Sisters, listen.`@` Right now, Ange is in the middle of magic training.`@` So I want everyone to lend their power."`@ ld r,$RG1_FumanA2,24 ;「畏まりました、マリア卿っ。@/ `"Certainly, Lady MARIA. `@/ ld r,$RG1_hohoemiA2,80 ;…しかし、具体的には何を？」\ ;＜ルシファー `...But what specifically?"`\ ld c,$MAR_niyariA1,80 ;「君たちを顕現させる魔力を、私から縁寿に移すの。@/ `"The magical power that makes you materialize will move from me to Ange. `@/ ;ld c,$MAR_NiyariA1,80 ;その状態で、いつも彼女の身近にいてあげてほしいの。@彼女の話し相手になったりしてあげるだけでいい。」@ `In that state, I want you to be by her side all the time.`@` You just have to talk with her."`@ ld r,$RG1_KomaruA1,80 ;「………恐れながら。@縁寿さまの魔力では、私たち七姉妹全てを、四六時中、呼び出し続けるのは容易なことではないかと…。」\ ;＜ルシファ `".........My apologies, `@`but I wonder if Ange-sama's magical power will be able to easily summon all seven of us around the clock..."`\ ;　長女のルシファーが、遠慮がちな様子で私の顔色をうかがいながら進言する。@ `The oldest sister, Lucifer, gazed at my complexion as she advised this, speaking reservedly.`@ br ;　…つまり、今の私には荷が重いだろうと言っているのだ。\ `...In other words, she was saying that the burden might be heavy for me at that point in time.`\ ld c,$MAR_odorokiA1,80 ;「そういう修行なの。@縁寿は、みんなが想像しているより才能と魔力があるよ。@ちょっぴり辛いかなとは思うけど、今の縁寿なら挑戦する価値はあると思う。\ `"That's the kind of training it is.`@` Ange has more talent and magic than everyone imagines.`@` I think it will be pretty tough, but I think it's worth it for Ange to take this challenge as she is now.`\ ld c,$MAR_DefA1,80 ;　……縁寿。@今から彼女たちを顕現させる魔力を、君に切り替える。@……つまり、縁寿が呼び出したのと同じ状態になるの。」\ `......Ange.`@` Starting now, I will switch the magic power that is making them materialize over to you.`@` ......In other words, it will become as though you had summoned them."`\ ;　真里亞お姉ちゃんが言いたいのは、つまりこういうことだ。@ `So what Maria onee-chan was trying to say was something like this.`@ br ;　七姉妹を顕現させ続けるには、かなりの魔力を継続的に強いられ続ける。@ ;　……重りの入ったリストバンドを身につけてのトレーニングみたいなもの、とでも言えばいいのだろう。\ `To keep the Seven Sisters materialized, you are continuously burdened with a significant amount of magical power.`@ `......Maybe you could say it was like training while wearing a weighted wristband.`\ bg sky_4b,25 ld l,$SAK_KomaruA2,23 ;『うりゅ……。@七姉妹、全員はかなり大変……。@縁寿、いきなりは厳しくない…？』@ `『Uryu......`@` Doing all of the Seven Sisters would be pretty tough......`@` Isn't that asking a lot of Ange all of a sudden...?』`@ ld r,$ENJ_waraiA2,24 ;「ありがと、さくたろ。@でも、魔女になるための修行だしね。@やれるところまでやってみるわ。」\ `"Thank you, Sakutaro.`@` But this is training to become a witch.`@` I want to see how far I can go."`\ ;　……確かに騒がしそうな７人ではある。@ ;　でも、彼女らが修行のためとはいえ、@私と一緒にいてくれるのは、ちょっぴりだけ私の寂しさを紛らわせてくれるに違いない。@ `......The seven of them certainly do seem boisterous.`@ `But even if this is for training,`@` having them with me would surely distract me from my loneliness, at least a little.`@ br ;　試練は承知で、まずは挑戦してみたかった。\ `I understood it would be an ordeal, and wanted to give it a shot.`\ ld c,$MAR_niyariA2,23 ;「もしも辛かったら無理をしないでね。@/ `"Don't overdo it if it gets tough, alright? `@/ ld c,$MAR_WaraiA1,80 ;みんなも、縁寿が辛そうだったら加減してあげて。」\ ;＜真里亞 `And everyone, if it looks tough for Ange, take it easy."`\ bg sky_3a,0 ld c,$RG1_hohoemiA1,23 ;「畏まりましたっ。@/ `"Certainly. `@/ ld c,$RG1_OdorokiA1,80 ;わかったね、あんたたち？！」@ ;＜ルシファ `Get it, you guys?!"`@ se1 37 lsp 899,$RG6_hohoemiA1,-160,0 lsp 898,$RG4_akuwaraiA1,-64,0 se2v 37,90 lsp 897,$RG3_akuwaraiA2,32,0 lsp 896,$RG2_defA1,128,0 lsp 895,$RG5_fumanA1,224,0 se3 37 lsp 894,$RG7_WaraiA1,320,0 print 31 ;「「「「「「はーい、お姉様ぁ！」」」」」」\ `""""""Ye-s, Onee-samaa!""""""`\ csp -1 ld c,$RG1_HohoemiA1,23 ;「それでは縁寿さまっ。@これより我ら煉獄の七姉妹は縁寿さまの家具となります。@………マリア卿、お願いいたしますっ。」\ ;＜ルシファ `"Well then, Ange-sama.`@` For now, we, the Seven Sisters of Purgatory, will become your furniture.`@` .........Lady MARIA, if you would."`\ me1v 5,0 bg white,24 fedexx 0,50,0,0,0,0,2000 E_B bg sky_4a,22 ld l,$MAR_DefA1,23 ;「うん。@……じゃ、縁寿。@始めてもいい？」@ `"Yeah.`@` ......So, Ange.`@` Can we start?"`@ ld r,$ENJ_waraiA1,24 bgm1 93 ;「……いいわ。@…ちょっと緊張する。」@ `"......Sure.`@` ...I'm a little nervous."`@ ld c,$SAK_odorokiA1,24 ;『うりゅ…。@いきなりは辛いかも…。@頭痛になりそうだったら、すぐに魔力を減らしてね……。』\ `『Uryu...`@` This might be tough all of a sudden...`@` If you feel like you're getting a headache, lower your magic power immediately......』`\ cl a,0 ld c,$MAR_MajimeA1,23 ;「じゃ、魔力ソースを縁寿に移すよ…………。@/ `"Then, I'll move the source of magic power over to Ange............`@/ textoff se1 52 bg Different_spiral_1a,0 ld c,$MAR_MajimeA1,8 ;…………………。」\ `.................."`\ se2v 22,100 bg white,42 bg black,22 me2 17 ;「……………ぅ…、」@ `"...........ah..."`@ br ;　途端に、頭の中がずしりと重くなる。@ `In an instant, the inside of my head felt very heavy.`@ br ;!s0　……これは……、/ ;!d500なるほど、/ ;!d800………辛い…。/ !s0`......This is......, `/ !d500`I see, `/ !d800`.........it's tough...`/ !sd\ bg sky_3a,22 ;　私の頭は、私ひとりのためだけに使われてきた。@ ;　それがまるで、さらに七人分のためにも使われるよう。@ `Until then, the inside of my head had only been used for myself.`@ `It was almost like it was now being used for seven other people.`@ br ;　……彼女らがただそこにいて、瞬きをして、あるいは吐息をひとつ漏らすだけでも、それは私の頭に重圧となって圧し掛かる…。\ `......If they just stood there and blinked once or let out a single sigh, that would put a strong pressure on my head...`\ ;se1 52 ;ld r,$RG4_KomaruA1,99,2000,"breakup.dll/llb" ld r,$RG4_KomaruA1,26 ;「……マリア卿。@恐れながら、やはり、一度に七姉妹全員の負荷は重過ぎるかと。」@ ;＜ベルフェ `"......Lady MARIA.`@` My apologies, but I wonder whether the burden from all Seven Sisters at once might be too great after all."`@ mbg black,22 ;「だ、……大丈夫………、/ ;!d800……く………。」\ `"I, ......I'm alright........., `/ !d800`......ack........."`\ mcbg 80 ld l,$MAR_fukigenA1,23 ;「…うーん…。@/ `"...No... `@/ ld l,$MAR_OdorokiA1,80 ;やっぱり駄目かな。@顕現に全精力を使っちゃってる。@日常生活と両立できないほどの負荷じゃ意味がない。@/ `It won't work after all.`@` You're using all of your energy to materialize them.`@` There's no point if the burden is such that you cannot balance it with your everyday life. `@/ ld l,$MAR_defA1,80 ;何しろ、魔女としてこれじゃ、ちょっと優雅じゃないね。」\ ;＜真里亞 `In any event, this is a little unrefined for a witch."`\ bg sky_4b,24 ld r,$SAk_nakuA1,24 ;『うりゅ…。@だからいきなりこんなに大勢は無理だって言った…。@みんな、少し姿を消してあげて…。』@ `『Uryu...`@` That's why I said doing so many suddenly was impossible...`@` Everyone, erase yourselves for a bit...』`@ ld l,$RG1_hohoemiA2,23 ;「そうね。@人数を減らした方が良さそう。@/ `"Right.`@` It seems it would be better to lower the number of people. `@/ ld l,$RG1_akuwaraiA1,80 ;……アスモ、姿を消しなさい。」\ ;＜ルシファ `Asmo, erase yourself."`\ ld c,$RG7_OdorokiA3,24 ;「また私ぃ？@/ `"Me agaain? `@/ ld c,$RG7_nakuA1,80 ;　末っ子イジメ反対〜！！@　たまには上から消えてよ〜！」@ ;＜アスモ `I'm opposed to youngest-sister-bullyi~ng!!`@` Disappear starting from the top every once in a whi~le!"`@ cl r,23 ld r,$RG2_NakuA1,24 ;「それじゃあ、私が２番目に消えなきゃならないじゃない！@　やだやだやだー！」\ ;＜レヴィア `"That would mean I'd have to disappear second, right?!`@` No no no-!"`\ bg black,23 bg sky_3a,0 ld c,$RG3_odorokiA1,63 ;「アスモもレヴィア姉も騒がないの！！@　そういう騒ぎが余計、縁寿さまの負担になるのよ！！」@ ;＜サタン `"Don't make a ruckus, Asmo and Levia-nee!!`@` That kind of disturbance will become a burden to Ange-sama!!"`@ ld l,$RG1_OdorokiA1,0 ld r,$RG2_odorokiA2,1 ld c,$RG3_odorokiA3,0 ;!s0「あんたが騒ぐのも負担になるのよ、馬鹿サタン！！」/ !s0`"The noise you're making is also a burden, stupid Satan!!"`/ print 1 se1 12 se2 12 ;se3 12 quakex 5,300 ;「ひぅッ！」/ `"Eek!"`/ !sd\ ;＜ルシファー・サタン mbg black,22 ;「………ぁつ、…………く……。@……ぐ………、」@ ;＜縁寿 `".........aah, .........ack......`@`......gah........."`@ br ;　誰が先に姿を消すかで、七姉妹が口喧嘩を始める。@ ;　……その喧嘩のエネルギーは全て負荷となって、縁寿にさらなる頭痛を強いる…。\ `The Seven Sisters started arguing over who should erase themselves first.`@ `......The energy from that fight all became a burden, forcing Ange with an even greater headache...`\ textoff mcbg 80 mbg black,22 mcbg 80 mbg black,22 wait 600 mcbg 80 wait 1000 bg black,5 ;　彼女らは結局、ジャンケンで順番を決め、１人、２人、３人と姿を消していった。@ `In the end, they decided the order with rock, paper, scissors, and 1, 2, 3 of them disappeared.`@ se1 52 wait 1000 se1 52 wait 500 se1 52 br ;　しかし、その程度ではまだまだ縁寿は楽にならない。\ `But even at that level, Ange was still far from comfortable.`\ se1 52 wait 1000 se1 52 wait 500 se1 52 ;　結局のところ、６人が姿を消したところで、ようやく呼吸を落ち着けることが出来たのだった。@ `In the end, once six of them had erased themselves, I was finally able to calm my breathing.`@ br ;　私の魔力では、七姉妹どころか、１人が限界なのだ…。\ `With my magical power, forget the Seven Sisters, just one person is my limit...`\ fede 0,2000 bg sky_3a,6 se1 52 ld c,$RG5_akuwaraiA1,99,2000,"breakup.dll/lrb" bgm1 90 ;「……あ〜あ、これじゃあ七姉妹じゃなくて私ひとりじゃないですか。@縁寿さま、ちょっと頼りないです。」@ ;＜マモン `"......Aaa~aah, this way it's not the Seven Sisters, but just me, right?`@` You're a bit unreliable, Ange-sama."`@ br ;　ジャンケンを勝ち抜き、最後まで残ることを許されたマモンが悪態をつく。\ `Mammon, who had won all of the rock, paper, scissors and was permitted to remain until the end, complained.`\ ld r,$SAK_KomaruA2,24 ;『うりゅ…。@マモン、そんなこと言っちゃだめ…。@/ `『Uryu...`@` Mammon, you mustn't say such a thing... `@/ ld r,$SAK_odorokiA1,80 ;縁寿はまだまだ修行中。@……大丈夫、縁寿？@　頭痛大丈夫…？』@ `Ange is still just starting her training.`@` ......Are you alright, Ange?`@` Is your headache okay...?』`@ br ;　さくたろがぴょこぴょこと背伸びしながら、縁寿の頭を撫でようとねだる。\ `Sakutaro stretched up on his tiptoes, trying to pat Ange's head.`\ ;　その様子を見て、真里亞はぽりぽりと頭を掻き、いきなりの修行には厳しすぎたことを認める。\ `Watching this, Maria scratched her head, acknowledging that this sudden training had been too difficult.`\ bg sky_4b,0 ld r,$MAR_fukigenA1,24 ;「うー。@ちょっと荒行過ぎたかな。@/ `"Uu-.`@` Maybe that was a little too austere. `@/ ld r,$MAR_NiyariA2,80 ;真里亞、これくらいじゃ全然平気だけどな。@友達、いっぱいいればいるほど楽しいし。」@ `Maria is perfectly fine with this much though.`@` Because the more friends you have, the more fun it is."`@ ld l,$ENJ_komaruA3,26 ;「………お姉ちゃんの凄さを改めて思い知るわ…。」\ `".........Now I'm even more aware of how incredible you are, Onee-chan..."`\ ;　真里亞お姉ちゃんクラスになると、オーケストラが演奏できるくらいの人数を一度に呼び出すことさえ出来るという。@ `If I reached Maria onee-chan's class, I would be able to summon enough people to perform in an orchestra.`@ br ;　それで、魔女見習いというのだから恐れ入る…。\ `For a witch apprentice, that's awe-inspiring...`\ cl r,23 ld r,$RG5_HohoemiA1,24 ;「大丈夫ですか？@　縁寿さまぁ？」@ ;＜マモン `"Are you alright?`@` Ange-samaa?"`@ ld l,$ENJ_komaruA2,80 ;「……………ごめんなさいね…。@私にはあなたひとりを呼び出すのがやっとみたい。」\ ;＜縁寿 `"............I'm sorry...`@` It looks like summoning you is the most I can do."`\ ld r,$RG5_waraiA1,80 ;「ま、私はこれでもいいかな。@だって、七姉妹で私だけが縁寿さまの家具を独り占めだし。@/ `"Well, I guess I'm alright with that.`@` After all, of all the Seven Sisters, I get Ange-sama all to myself. `@/ ld r,$RG5_akuwaraiA4,80 ;……いかがですか、縁寿さま。@私ひとりなら負荷にはなりませんか？」\ ;＜マモン `......What do you think, Ange-sama?`@` Will I be a burden by myself?"`\ ld l,$ENJ_komaruA3,80 ;「えぇ、あなた一人なら何とかね…。」\ `"No, I can manage you alone somehow..."`\ ld r,$RG5_waraiA1,80 ;「良かったぁ！@　なら、いっぱい修行して、いっぱい魔力を養って下さい。@/ `"Great!`@` Then please train a lot and cultivate your magic power a lot. `@/ ;ld c,$RG5_HohoemiA1,80 ;そして、いつかきっと七姉妹で揃ってお仕えさせて下さい。@約束ですよ？」\ ;＜マモン `Then someday, for sure, please bring the Seven Sisters together and let us serve you.`@` Promise?"`\ ;　マモンは、とりあえず自分の顕現だけは問題ないことを確かめると、@すぐに上機嫌に戻り、私にさらなる努力を約束させようとした。@ `After checking that, for the time being, there was nothing wrong with her own materialization, `@`Mammon immediately returned to a good mood, and tried to make me promise to work harder.`@ br ;　なるほど、確かに強欲だ。@ ;　…でも、前向きとも言えるかもしれない。\ `I see, so this is greed.`@ `...But maybe you could also call it forward-looking.`\ ld l,$ENJ_waraiA1,80 ;「……えぇ。@約束するわ。@…そのくらいは、いつか出来なくちゃね。」@ `"......Yes.`@` I promise.`@` ...I have to be able to do at least that much someday."`@ ld r,$RG5_waraiA2,80 ;「ありがとう、縁寿さま！@　この強欲のマモン、その日まで必ず縁寿さまにお仕えします…！」\ `"Thank you, Ange-sama!`@` I, Mammon of Greed, will surely serve you until that day...!"`\ ;　ようやく頭痛が治まり、私は頭を抱えていた両手を解く。@ ;　するとマモンが手を差し出し、立ち上がるのを手伝ってくれた…。\ `My headache finally abated, and I relaxed both hands, which had been clutching at my head.`@ `Then Mammon stuck out her hand, helping me stand back up...`\ cl a,0 ld l,$SAK_DefA1,23 ;『うりゅ？@/ `『Uryu? `@/ ld l,$SAK_OdorokiA1,80 ;　……あ。@……真里亞、縁寿、もうこんな時間だよ。@もうお部屋に戻らないと、叱られる。』\ `......Ah.`@` ......Maria, Ange, it's about that time.`@` If we don't return to the room, you'll be scolded.』`\ se1 22 bg black,99,3000,"trvswave.dll/h" fede 0,2000 ;「………え？@　…………あ…。」@ ;＜縁寿 `".........Huh?`@` .........Oh..."`@ br ;　さくたろが時間の話なんかするものだから。@ ;　……私は現実に引き戻される。\ `I hadn't expected Sakutaro to talk about the time.`@ `......I was brought back into reality.`\ se1 22 bg TOI_1a,99,3000,"trvswave.dll/h" ;　広大な世界は、明かりが消えてしまうかのように、ふっと闇に沈み、@………私は狭い狭い、トイレの個室に、便座に座っている…。@ `As though the light had disappeared, the vast world sunk into the darkness, `@`.........and I was in a tiny, tiny bathroom stall, sitting on a toilet...`@ me1 11 br ;　膝の上には、お姉ちゃんの魔導書が開かれていた。\ `Onee-chan's grimoire was open on my lap.`\ bg black,26 ;　時計を見る。@ `I looked at the clock.`@ br ;　……消灯時間の２０時は間近だった。@ `......It was almost 20:00, time for lights out.`@ br ;　消灯前点呼に遅刻すると、色々うるさいだけでなく、ルームメイトやフロアメイトにも迷惑を掛ける。@ `If I show up late for the roll call before lights out, not only do things get pretty annoying, but it causes trouble for my roommates and floormates.`@ br ;　……迷惑を掛けること自体はどうでもいいが、彼女らにうるさく干渉されるのはごめんだ…。\ `......I couldn't care less about causing them trouble, but I'd rather not have them get annoying...`\ bgm1 12 bg TOI_1a,26 ;　はぁ…………。@ ;　私だけの、今日の自由な時間は、もうおしまい。@ ;　寝て、起きれば、明日が始まり、長い長い灰色の一日が再び繰り返される。\ `Haah............`@ `My free time by myself is already over for today.`@ `I'll sleep, wake up, tomorrow will begin, and another long, long gray-colored day will repeat again.`\ ;　私は魔導書を閉じ、のろのろと便座から立ち上がる…。@ `I closed the grimoire and rose from the toilet seat...`@ br ;　その時、お姉ちゃんがもう一度現れ、言う。\ `At that time, Onee-chan appeared again, and spoke.`\ E_MA mset2 mld r,$MAR_niyariA1,0 se1 56 print 99,2000,"breakup.dll/urb" ;「……ほら、縁寿。@修行を忘れてるよ。@…………マモンを連れて行って。」\ `"......Hey, Ange.`@` You're forgetting your training.`@` ............Take Mammon with you."`\ mendef 22 ;　忘れてた。@ ;　…現実に戻った拍子に、マモンの顕現を止めてしまった…。@ `I'd forgotten.`@ `...The moment I'd returned to reality, Mammon's materialization had stopped...`@ br ;　もう一度、マモンの存在を強くイメージする…。\ `One more time, I created a strong image of the existence of Mammon in my mind...`\ se1 52 ld l,$RG5_FumanA2,99,2000,"breakup.dll/ulb" ld l,$RG5_FumanA1,80 ;「もう、縁寿さまったらひどいです。@いきなり私を消すなんて…！@　そんなんじゃ、七姉妹を全員呼ぶなんて、なかなか出来ませんよー！」@ ;＜マモン `"Sheesh, you're so mean, Ange-sama.`@` Why'd you erase me so suddenly...!`@` At this rate, you won't be able to call all Seven Sisters easily!"`@ ld r,$ENJ_komaruA2,80 ;「…………ごめんなさい。@うっかりしてたわ。」\ ;＜縁寿 `"............I'm sorry.`@` I got careless."`\ cl a,0 ld c,$RG5_waraiA1,23 ;「人間界に顕現するのはすごい久し振りなので、何から何まで興味深いです。@ちょっぴりわくわくしてます。@ここはどこですか？」@ ;＜マモン `"It's been incredibly long since I've materialized in the human world, so I'm interested in absolutely everything.`@` I'm getting a bit excited.`@` Where is this?"`@ ;「………聖ルチーア学園の寮。@ここはその共用トイレの個室。@……各部屋にトイレはあるから、ここには誰も来ない。@静かで、本を読むにはちょうどいいの。」\ `".........The Saint Lucia Academy dormitory.`@` This is a stall in the shared bathroom.`@` ......Each room has its own bathroom, so no one comes here.`@` It's quiet, and perfect for reading books."`\ ld c,$RG5_KomaruA1,80 ;「ここの寮は、本を読むにも、トイレの個室に隠れなきゃならないの？@　焚書でもやってるんですか？」@ `"In this dorm, you have to hide in a toilet stall even to read a book?`@` Do they burn books or something?"`@ br ;　………………。\ `............`\ bg black,22 ;　部屋は２人部屋だから、ルームメイトが常にいる。@ ;　関係は険悪で常に無視されている感じ。@ ;　……空気が悪いから、とても落ち着けたものじゃない。@ `I have a two person room, so my roommate is always there.`@ `Our relationship is gloomy and it feels like I'm always ignored.`@ `......The atmosphere's bad, so I really can't relax there.`@ br ;　彼女だって、私さえいなければ、大手を振って友人を呼んでおしゃべり大会が出来るのだ。@ ;　消灯直前まで私が戻らない方が、向こうにだって都合がいい。\ `And, as long as I'm not there, she can go all out, call her friends and have a chatting party.`@ `It's more convenient for them too if I don't return until just before lights out.`\ ;　図書室もあるけど、そこを溜まり場にしてるグループは私のことをいつも陰口ばかり言ってる。@ `There's also a library, but there's a group that uses it as a meeting place who're always talking behind my back.`@ br ;　だから図書室にも行きたくない。\ `So I don't like to go to the library.`\ ;　……昼休みは校舎裏の茂みの中。@ ;　夜は寮の共用トイレの個室の中。@ `......During lunch, it's the bushes behind the school building.`@ `During the night, it's the stall in the shared bathroom in the dorms.`@ br ;　そこだけが、私に安らぎを与えてくれる、唯一の隠れ家なのだ…。\ `Those are the only hideaways where I can be given peace...`\ ;　私は個室の扉を開け、……出る。@ `I opened the door to the stall, ......and went out.`@ br ;　振り返り、マモンにもついておいでと目で合図する。\ `I turned around, signaling with my eyes for Mammon to come with me.`\ bg TOI_1a,26 ld r,$RG5_DefA1,24 ;「…………よくわからないけれど、縁寿さまにとって、とても快適とは言い難い場所だってことがわかったわ。@/ `".........I don't really get it, but I realize that it'd be hard to call this place pleasant for you, Ange-sama. `@/ ld r,$RG5_waraiA1,80 ;早く表に出ましょ。@ここの空気、嫌い。」@ ;＜マモン `Let's go out quickly.`@` I hate the air here."`@ ld l,$ENJ_DefA2,23 ;「そう？@　………ここの空気が、一番まともなんだけどね。」\ `"Really?`@` .........I think the air here is the most decent."`\ bg black,25 wait 1000 bg schD_P1a,22 ;　トイレを出て廊下に出ると、@消灯時間が近いため、他の部屋に遊びに行っていた子たちが、ぱたぱたと自室に駆け戻っている。\ `When I left the bathroom and entered the corridor, `@`because it was near lights out time, there were several kids who had gone to play in other rooms dashing back to their own.`\ ;　消灯時間には、私たちが囚人服と呼んで嫌う、規定の寝巻きに着替えて、@廊下で整列して寮長先生の点呼を受けなければならないのだ。@ `When it came time for lights out, we had to change into uniform pajamas that we hated and called prison clothes,`@` line up in the hallway, and go through the dorm leader's roll call.`@ br ;　……これに万一遅れるようなことがあると、@連帯責任を取らされ、フロアメイト全体に奉仕活動という名の懲罰が課せられてしまう…。\ `......On the off-chance that someone was late, `@`we would take collective responsibility, and all of the floormates would have to undergo a punishment called volunteer work...`\ ;　これさえ気をつければ、彼女たちは冷酷に私を無視はするけれども、干渉だけはしない。@ `As long as I avoided this, the girls would look at me coldly, but they wouldn't get in my way.`@ br ;　……私にはそれだけで充分なのだ。\ `......That alone was enough for me.`\ bg schD_P1b,24 se1 52 ld l,$RG5_AkuwaraiA1,99,2000,"breakup.dll/urb" ;　マモンは、すれ違う子たちや寮内の設備などを興味深そうに見ている。@ `Mammon looked at the passing kids and the furnishings of the dorm with interest.`@ br ;　……私はそんな彼女には特別の関心を払わず、自分の部屋への帰りを急ぐ。\ `......Without paying her any particular attention, I hurried back to my room.`\ ;　私の部屋の前では、すでに囚人服に着替えたルームメイトと隣室の子たちが談笑していた。\ `In front of my room was my roommate, who had already changed into her prison clothes, chatting with some kids from the room next door.`\ me1v 5,50 bg black,64 ;　私が早足で戻ってきたのに気付くと、あからさまに話題を変える。@ ;　私を盗み見ながら、ひそひそと声を潜めた。@ `When they noticed me hurrying back, their topic of their conversation noticibly changed.`@ `They lowered their voices, stealing glances at me.`@ br ;　私はそれに気付かぬふりをして、部屋に入り、着替える。@ ;　そして大急ぎで廊下に出る。\ `I acted like I didn't notice, went into my room, and changed.`@ `Then I hastily went out into the corridor.`\ bg schD_P1a,63 ;　すでにみんなは整列をしていた。\ `Everyone was already lined up.`\ ld r,$RG5_OdorokiA3,24 ;「………何これ、おっかしい。@ここって、お嬢様学校じゃないの？@　刑務所みたい。@馬鹿みたい。」@ `".........Hey, this is weird.`@` Isn't this a a school for rich girls?`@` Feels like a prison.`@` Feels stupid."`@ ;「やっぱりそうよね。@私もそう思ってるわ。@刑務所よりさらに厳しい点は、素行が良くても刑期が短くならない点かしら。」\ `"You think so too?`@` That's what I think.`@` And you could say the thing that makes it more strict than a prison is that you don't get out early for good behavior."`\ ;　……悪態をついてから、気付く。@ `......After abusing the place, I noticed.`@ br ;　悪態を聞いてくれる相手がいることは、/ ;!d800……案外、気持ちがいい。\ `Having someone to listen to your complaints, `/ !d800`......feels surprisingly good.`\ ;　マモンの姿は幸いにして、召喚者である私にしか見えない。@ ;　もちろん、その会話も、口に出す必要はない。@ ;　心の中で会話をすればいいのだから、他の誰にも聞かれない。@ `Fortunately, Mammon's form can only be seen by the summoner, me.`@ `And of course, there was no need to speak out loud for this conversation.`@ `All I had to do was speak inside my mind, so no one could listen in.`@ br ;　………魔法と、それによって生み出された友人も、/ ;!d900……案外、悪くないものかもしれない。\ `.........Magic, and the friends it creates, `/ !d900`......might actually not be so bad.`\ E_MA ld r,$RG5_FumanA2,80 ;「こいつら、揃いも揃ってモヤシみたい。@/ `"These guys, all of them are sheltered brats. `@/ ld r,$RG5_AkuwaraiA1,80 ;生きてないって感じ。@きゃははは。」@ ;「やめなさいよ。@万一、姿を見られたら大変よ…？」\ `Feels like they aren't even alive.`@` Kyahahaha."`@ `"Stop it.`@` If you're seen by some chance, it'll be pretty bad, right...?"`\ ld r,$RG5_FumanA1,80 ;「夢も希望もカケラほどもないニンゲンなんて、反魔法の塊だもの。@私の姿なんて、絶対に見えるわけがない。@/ `"Humans without a fragment of hopes or dreams are like a lump of anti-magic.`@` There's definitely no way they can see me. `@/ ld r,$RG5_waraiA1,80 ;見ることも出来ない、下等生物どもが。@くすくすくす！」@ ;「………あなたは、その反魔法の毒素を持つニンゲンたちがこれほどいる中でも平気なの？」\ `These lower life-forms can't even see.`@` *giggle*giggle*!"`@ `".........Are you alright being around so many humans with that magic-resisting toxin?"`\ cl r,0 ld c,$RG5_HohoemiA1,24 ;「縁寿さまが私を顕現させて下さる限りは平気です。@/ `"I'm fine as long as you continue to make me materialize, Ange-sama. `@/ ld c,$RG5_fumanA1,80 ;……ただ、私を顕現するために常に集中しなければならないでしょうから、日常生活が疎かになる可能性がありますよ。@……ほら、同室の子に呼ばれてません？」\ `......Although, you probably have to keep concentrating to materialize me, so there's a chance you'll neglect your daily life.`@` ......Look, that girl you're sharing a room with is calling you, right?"`\ ;「……え？@　………あ、」\ `"......Huh?`@` .........Oh-"`\ bg black,1 ;「右代宮さん、聞こえてる？@　来週からの週番なんだけどさ、ちょっと相談があってェ。」\ `"Ushiromiya-san, are you listening?`@` About the weekly duty next week, there's something I wanted to talk about."`\ bg schD_P1a,26 ;　……また、私にいくつかの労務を押し付ける話だろう。@ ;　普段は私に目など一切合わせもしないルームメイトが、気色悪く微笑みかけてくる。\ `......She's probably talking about pushing a few more chores onto me.`@ `My roommate, who normally never even looked me in the eye, was smiling at me unpleasantly.`\ ;　しかし、二人で週番をやらされるよりは、押し付けられて一人で作業をする方が気楽でいい。@ `But it'll be easier to have the weekly duty pushed onto me alone, rather than doing it together with her.`@ br ;　それを引き受けることで、引き続き私を無視してくれるなら、お安い御用…。\ `That's a small price to pay to have her continue to ignore me non-stop...`\ ;　なのに彼女は、白々しい言い訳から、@なぜか論点が摩り替わって、私が率先してそれをやるべきであるというような、立場の逆転に固執している。@ `Even so, with a completely shameless excuse,`@` she sidestepped the issue for some reason and insisted on flipping the situation around, as though I should have come forward and done it of my own initiative.`@ br ;　……ものの頼み方を知らない子が多いのが、この学園の特徴だ。\ `......One of the special traits of this academy is that it's full of girls who don't know how to ask a favor.`\ ld l,$RG5_IkariA1,23 ;「……何この子。@ムカつくー。@眉間に思いっきり私の杭をねじ込んでやりたい。」@ ;「そうね。@ぜひ今度、お願いするわ。」\ `"......That kid.`@` She pisses me off.`@` I'd love to just gouge her right in the forehead."`@ `"Yeah.`@` I'll leave it up to you then."`\ ;　………………………。@ ;　……うん。@ ;　やっぱり、悪態を聞いてくれる友達が常に身近に居てくれるのは、……思った以上に、嬉しい。\ `..................`@ `......Yeah.`@ `Having a friend nearby all the time to complain to, ......makes me happier than I thought it would.`\ ;　七姉妹はみんな揃うと本当に賑やかだった。@ `It really was lively with all the Seven Sisters gathered together.`@ br ;　……きっと、ただ彼女らがじゃれ合っているのを見るだけでも、とても楽しいだろう。\ `......I'm sure that just watching them mess around would be a lot of fun.`\ ;　……早く、七姉妹を全て召喚できるだけの魔力を身に付けよう。@ `......I want to gain the magical power to summon all the Seven Sisters at once, and soon.`@ br ;!s0　そしてもっともっと修行して、/ ;!d900………私が本当に呼び出したいものを、/ ;!d1000……召喚する。/ !s0`So I'll train much, much more, `/ !d900`.........then take the thing that I really want to call to me, `/ !d1000`......and summon it.`/ !sd\ cl l,0 ld c,$RG5_HohoemiA1,23 ;「………？@　縁寿さまが本当に召喚したいものって、何ですか？」@ `".........?`@` What is it that you really want to summon, Ange-sama?"`@ br ;　マモンが、私の心の中の独り言を察し、きょとんと問い掛けてくる。@ ;　私は話そうか迷ったが、隠すことでもないと思い、それを告げた。\ `Mammon noticed my conversation with myself inside my head, and asked about it blankly.`@ `I hesitated to talk about it, but then thought that there was nothing to hide, and told her.`\ ;「………………家族よ。@………お父さん。@お母さん。@お兄ちゃん。」\ `"..................My family.`@` .........Dad.`@` Mom.`@` Onii-san."`\ ld c,$RG5_FumanA1,80 ;「それってつまり、死者の魂…？@　異界の住人を呼び出すのは召喚だけど、死者の魂を呼び戻すのは反魂で、それはまったくの別物。@……反魂はかなりの大魔法のはずですよ。」\ `"So you mean, the souls of the dead...?`@` Calling a resident of another world is summoning, but calling back the souls of the dead is called resurrection, and they're completely different.`@` ......Resurrection is supposed to be very high-level magic."`\ ;　知ってる。@ ;　……真里亞お姉ちゃんでも、まったく出来ないほどに。@ ;　でも、それが私が魔法で呼び出したい、一番のもの。@ `I know.`@ `......So much so that even Maria onee-chan can't do it at all.`@ `But that's the thing I want to call with magic...the most.`@ br ;　……それがとても難しい大魔法であるとは脅されてる。@ ;　…下手をすれば、生涯を掛けての修行で、辿り着けるかどうかの保証も出来ないとさえ。\ `......I've been warned that it's a very difficult high-level magic.`@ `...So great that, in the worst case, I might not necessarily reach that point even after training for my whole life.`\ bg black,25 ;　しかも、依り代もない。@ ;　依り代は、召喚でも反魂でも、魔法を成功させる重要なものとなる。@ `Furthermore, I have no vessel.`@ `A vessel is something vital for making magic succeed, whether it be summoning or resurrection.`@ br ;　それがないのだから、………ただでさえ難しい魔法は絶望的になる。\ `Because I don't have that, .........what would have been just difficult magic became hopeless.`\ ;　そう。@私には、お父さんを偲ぶものも、お母さんを偲ぶものも、何もない。\ `That's right.`@` I have nothing to remember Dad or Mom by.`\ ;　でも、……何という偶然。@ ;　お兄ちゃんを偲ぶものだけは、私は持っていた。@ `However, ......by an extraordinary coincidence...`@ `I do have something to remember just Onii-chan by.`@ br ;　それが、………これ。\ `And that's, .........this.`\ bg schD_P1a,6 ld r,$RG5_hohoemiA2,24 ;「……そのピンクの珠の頭飾り？@/ `"......That hair accessory with the pink jewel? `@/ ld r,$RG5_AkuwaraiA1,80 ;　何それぇ、言っちゃ悪いけど、縁寿さまにはちょっと安物っぽい。」\ `What the hell, I hate to say it, but it looks a little cheap for you, Ange-sama."`\ ;「昔、お父さんに内緒で、@お母さんと一緒にお兄ちゃんに会って、遊園地に遊びに行ったことがあるの。@……そこのクレーンゲームの景品。」\ `"Long ago, without telling Dad,`@` I went with Mom to meet Onii-chan, and we went to play at an amusement park.`@` ......This is a prize from the crane game there."`\ ;　安物であることなんて知ってるし、私の雰囲気に合わないことも、子どもっぽ過ぎることも知ってる。@ `I know it's something cheap, I realize that it doesn't match my style, and I get that it's too childish.`@ br ;　……でも、このヘアアクセサリーは、私が戦人お兄ちゃんを身近に感じられる、唯一の品なのだ。\ `......But this hair accessory is the only thing that makes me feel as though Battler onii-chan is by my side.`\ textoff bg black,5 fede 0,1000 mono 1 bg white,8 bgm1 82 bg amu_o1a,2 wait 2000 bg white,8 bg black,2 ;　ガラスケースの中には、@楽しそうな小物のいっぱい詰まった、プラスチックのカプセルがいっぱい満たされている。@ ;　それらカプセルの中には、それぞれに可愛らしい小物が入っているようだった。@ `The glass case had been filled with plastic capsules packed with fun-looking things.`@ `It seemed that each capsule had some cute accessory in it.`@ br ;　それをクレーンで取るゲームなのだが、……幼い私には難し過ぎて。@ ;　何度挑戦しても全然駄目だった。\ `The game was to grab those with the crane, ......but I was young and it was too hard for me.`@ `I tried it several times but I didn't even get close.`\ bg amu_i1a,6 ld r,$KIR_KomaruA1,24 ;　お母さんは、どうせ中身は安物だし、何が入ってるかわからないんだから、@あまり意地になっても意味がないわよと言った。\ `Mom said that whatever was inside was probably cheap anyways and we didn't even know what it was,`@` so there was no point in getting all upset over it.`\ ;　でも、安物かどうかが問題なんじゃなくて、@……幸せを、自らの手で掴み取るという、@そのプロセスが、私にはとても大切で、神聖なものに感じられたのだ。@ `But whether it was something cheap or not wasn't the problem.`@` ......The process of grabbing happiness with my own hands felt very important and sacred to me.`@ br ;　だから、その安物の何かが入っているそれが、どうしても欲しかった。\ `So I wanted the cheap thing inside more than anything.`\ bg amu_i1b,0 ld c,$BUT_DefA1,24 ld c,$BUT_WaraiA1,80 ;　そしたら鉄砲で兵隊をやっつけるゲームを終えた戦人お兄ちゃんがやって来て、/ ;!d800……私の代わりに挑戦してくれた。\ `Then, Battler onii-chan came over after finishing a game of shooting soldiers with a gun, `/ !d800`......and tried to do it for me.`\ bg black,26 ;　…私には届かない幸せに、お兄ちゃんが私より長い手を伸ばして、掴み取ってくれたのだ。\ `...With his arms that were longer than mine, Onii-chan grasped the happiness that I couldn't reach.`\ ;　……お兄ちゃんは本当に器用だった。@ `......Onii-chan really was coordinated.`@ br ;　よくお友達とゲームセンターで遊んでいたらしい。@ ;　ほんの１〜２回の挑戦で、私には触れることもできない、ガラスケースの向こう側のそれをクレーンで掴み、@………取り出し口に放り込んでくれたのだ。\ `It seems that he often played with his friends at the arcades.`@ `After only one or two attempts, he grasped that thing on the other side of the glass with the crane that I hadn't even been able to touch,`@` .........and threw it into the exit chute.`\ bg white,1 quakey 4,1500 bg amu_i1a,22 ld c,$BUT_FutekiA1,26 ld c,$BUT_DefA2,80 ;　そのカプセルを、ぽんと私に放り投げてくれたお兄ちゃんの姿が、@とてもとても頼もしいものだったことを覚えている。\ `When Onii-chan tossed me that capsule,`@` I remember that he looked very, very reliable.`\ bg black,22 mono off ;　数日の間、そのカプセルを開けるのも勿体無い気がした。@ `For several days, I had felt like opening the capsule would be a waste.`@ br ;　そして、ある日、ようやくその中身を開く。@ `Then, one day, I finally opened it up.`@ br ;　……すると中から現れたのが、このピンクの珠のヘアアクセサリーだったのだ。\ `......What then revealed itself inside, was this pink-jeweled hair accessory.`\ ;　その日以来。@ ;　これは、お兄ちゃんの象徴。\ `Since that day...`@ `It has been a symbol of Onii-chan.`\ ;　私は、戦人お兄ちゃんを含めた４人の家族が集まれることが、@幸せな家族の前提だと、幼いながらに考えていた。@ `Since I was young, I've thought that having a four person family gathered, including Battler onii-chan,`@` is a precondition for a happy family.`@ br ;　だから、早くお兄ちゃんとお父さんが仲直りしてほしいと考えていた。\ `So I wanted Onii-chan and Dad to make up quickly.`\ ;　……このヘアアクセサリーは、私なりの、家族全員を揃えるおまじないだった。@ ;　だからいつも身に付けていた。@ `......In my own way, I had made this hair accessory a charm to bring my whole family together.`@ `So I always used to wear it.`@ br ;　頼もしくて面白い、素敵なお兄ちゃんを、@いつも身近に感じて、お家に居させてあげたかったから。\ `I wanted to feel my reliable, fun, and wonderful Onii-chan by my side all the time,`@` and let him live in our house.`\ bg schD_P1a,26 ;「でも、……お兄ちゃんの記憶は、あまりに遠い。@……真里亞お姉ちゃんが、ライオンのぬいぐるみからさくたろうを生み出したようには、簡単に出来ない。@……私は、死者の魂を蘇らせる大魔法をいつか必ず身に付ける。@そして、それを成功させられる唯一の鍵が、依り代が、これなの。」\ `"But, ......my memories of Onii-chan...are very distant.`@` ......I can't do it as easily as Maria onee-chan created Sakutarou from a lion stuffed animal.`@` ......One day, I will surely possess the high-level magic to revive the souls of the dead.`@` And the only key...the only vessel...that can make that successful is this."`\ ld r,$RG5_DefA1,24 ;「………………………。@/ `".....................`@/ ld r,$RG5_HohoemiA2,80 ;……なるほど。@その頭飾りに、ものすごい魔力を感じてたけど、そういうわけなのね。」@ ;「魔力…？@　お兄ちゃんのこれに、魔力が宿ってるの…？」\ `......I see.`@` I did feel an incredible magical power from that hair accessory, but now I know what it is."`@ `"Magical power...?`@` Magical power resides in this thing of Onii-chan's...?"`\ ld r,$RG5_FumanA2,80 ;「縁寿さまが宿らせている、というべきかもね。@……縁寿さまの、兄を呼び出したいという強い想いが魔力を与えている。@/ `"Maybe I should say that it resides in you, Ange-sama.`@` ......Your strong desire to call your brother to you gives you magical power. `@/ ld r,$RG5_hohoemiA1,80 ;……確かに反魂は大魔法だけど。@縁寿さまはその魔法のために、無意識の内に、着実に階段を登っているのは間違いない。」\ `......Resurrection certainly is a high-level magic,`@` but there can be no mistake that you are steadily and unconsciously climbing the stairs towards that magic."`\ bg black,25 ;「…………嬉しいわ。@私以外の人に、それを認めてもらえるのは。」@ `"............I'm glad.`@` It's nice to hear someone other than myself acknowledge that."`@ br ;　自らの努力というものは、自らには観測できない。\ `Your own effort isn't something that you can observe by yourself.`\ ;　その意味において、@……この、七つの大罪のうちの一つを司るという物騒な悪魔少女であっても、@……私に掛けてくれたその言葉はとても嬉しいものだ。\ `In that sense,`@` ......even though these words came from a shady demon girl who controls one of the seven deadly sins, `@`......they made me very happy.`\ bg schD_P1a,0 ld c,$RG5_hohoemiA2,26 ;「反魂の魔法に至るのと、寿命を全うするのとどっちが早いかだけは、私には保証できないけれども。@/ `"Well, I can't guarantee that you will obtain the resurrection magic before your life is over. `@/ ;ld c,$RG5_HohoemiA1,80 ;……でも、挑む山の高さが高ければ高いほど、魔女としての力も比例していく。@縁寿さまは挫けることがなかったなら、きっといつか、私たちの元の主、@ベアトリーチェさまに匹敵するほどの大魔女になれると思います。」\ `......However, your power as a witch is proportional to the height of the mountain you dare to climb.`@` If you don't lose heart, I'm sure you will one day become able to rival even our former master,`@` Beatrice, as a Great Witch."`\ ;「……なれるかしら。@大魔女になって、お兄ちゃんを、/ ;!d800……ううん、家族を蘇らせることが出来るかしら。」\ `"......I wonder if I can.`@` I wonder if I can become a Great Witch and revive Onii-san, `/ !d800`......no, my family."`\ ld c,$RG5_FumanA2,80 ;「反魂の魔女、エンジェ卿…！@/ `"The Witch of Resurrection, Lady ANGE...! `@/ ld c,$RG5_WaraiA2,80 ;　きゃー、素敵！@　反魂の魔女はかなりレアな魔女です。@そんな魔女がご主人様なんて、ちょっと鼻が高いです。@っていうか、むしろそうなって欲しいものです。@家具の価値も、主の格に比例しますので！\ `Kyaah, wonderful!`@` A Witch of Resurrection is a very rare kind of witch.`@` Having a master like that would make me pretty proud.`@` Actually, I'd love for that to happen.`@` Because furniture's worth is also proportional to the class of its master!`\ ld c,$RG5_waraiA1,80 ;　もうベアトリーチェさまさえ抜いちゃって、天下無双の大魔女になって下さいね！@　煉獄の七姉妹を代表して、心より応援申し上げまーす！　きゃは！」\ `Please pass Beatrice-sama up and become a peerless Great Witch!`@` As a representative of the Seven Sisters of Purgatory, I support you from the bottom of my heart! Kyaha!"`\ ;　……………私にも魔法の友達が現れるなら、さくたろうみたいな可愛い子がいいと思ってたけど。@ `.........I'd thought that if a magical friend were to appear for me too, I'd have liked a cute kid like Sakutarou.`@ br ;　この七つの大罪を司る、物騒な七姉妹の五女ひとりだけでも、私の心はこんなにも安らぐ。\ `But even this fifth sister of the shady Seven Sisters who controlled the seven deadly sins`@` was enough to calm my heart so much all by herself.`\ ;　……真里亞お姉ちゃんは多分、こんなことはとっくに知っていた。@ ;　だからこそ私に、あんなにも繰り返し繰り返し、魔女の世界を勧めてくれたのだ。@ `......Maria onee-chan has probably known that since long ago.`@ `That's why she had recommended the world of witches to me over and over and over again.`@ br ;　それを私が頑固に拒否し続けたから……。@ `And I kept on stubbornly rejecting that......`@ br ;　もっと早く素直になって、魔女の修行を始めれば良かった。\ `I should have given in and started my training as a witch sooner.`\ bg black,25 ;　幼き日の一年が、老いの十年に匹敵する、だっけ…。@ `A year for a child is worth ten years for an old person...wasn't it...?`@ br ;　ぐだぐだと不満だけを口にして、その貴重な時間を無駄にしたかつての自分が、今となっては憎らしい。\ `Now I find my past self, which only ever complained, deplorable for wasting my precious time.`\ ;　マモンは、消灯しベッドに潜り込んだ私の枕元でも、ずっとお喋りをしていてくれた。\ `Long after I turned off the lights and slipped into bed, Mammon continued to talk to me alongside my pillow.`\ bg moon_1a,22 ;　……約束する。\ `......I promise.`\ ;　いつか必ず、七姉妹を呼び出せる魔力を養おう。@ ;　そして姉妹を賑やかに楽しく過ごさせてやろう。\ `One day, for sure, I'll develop a magical power that can summon the Seven Sisters.`@ `And I'll let them have a lively and fun time.`\ ;　彼女らは７人で１組。@ ;　……欠けさせてはいけない。@ `The seven of them make a single whole.`@ `......None can be left out.`@ br ;　家族は、一緒でなきゃ。@ ;　必ず、……揃えてあげなくちゃ………。\ `Family must be together.`@ `I must, ......bring them together.........`\ mov %play_scene,40140 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_enj gosub *ENJ_Isyou1 textoff ;msetef 0,0 bg black,5 me1v 5,0 fedexx 0,50,0,0,0,0,3000 E_B bg Different_space_P1a,0 ld r,$ENJ_NayamuA1,5 ;「………………………………。」@ `"........................"`@ br ;　私の意識が、ゆっくりと戻ってくる。\ `My awareness began to return slowly.`\ ;　楼座叔母さんと真里亞お姉ちゃんの関係が見るに耐えなくて、@……ベアトとお兄ちゃんのゲームから、私は逃げ出したんだっけ。\ `I hadn't been able to stand watching Rosa oba-san and Maria onee-chan's relationship,`@` ......and had run away from Beato's and Onii-chan's game, hadn't I...`\ bg Different_space_P1b,25 ;　……戻らなくちゃ。@ `......I've got to go back.`@ br ;　戻って、お兄ちゃんをサポートして、早くこんなおかしな魔女のゲームの世界から、連れ戻さなくちゃ。@ `I've got to go back, support Onii-chan, and quickly bring him back from this strange world of the witch's game.`@ br ;　ここにいる限り、……私は縁寿だと名乗ることが許されないのだから。\ `Because as long as I'm here, ......I am not permitted to call myself Ange.`\ bg black,22 ;　……その時、ふと、人の気配が。\ `......At that time, I felt someone's presence.`\ fede 0,1000 bg Different_space_P1a,0 ld c,$RG5_defA1,24 bgm1 95 ;　振り返ると、………そこには、マモンの姿が。\ `When I turned around, .........I could see Mammon there.`\ ld c,$RG5_FumanA2,80 ;「グレーテルさま。@そろそろお戻りになられないと、ゲームの進行に差し支えるとベアトリーチェさまが仰せです。@速やかにお戻りになられますようにお願い申し上げます。」@ `"Gretel-sama.`@` Beatrice-sama said that if you do not return soon, it will become a hindrance to the progression of the game.`@` I beg that you return swiftly."`@ cl c,0 ld l,$RG5_FumanA2,0 ld r,$ENJ_DefA1,24 ;「…………ありがと。@…もう戻るわ。」\ `"............Thank you.`@` ...I'll go back now."`\ ld l,$RG5_fumanA1,80 ;「良かったじゃないですか。」@ ;＜マモン `"Isn't it great?"`@ ld r,$ENJ_FumanA2,80 ;「何が…？」@ `"What is...?"`@ ld l,$RG5_hohoemiA1,80 ;「戦人お兄ちゃんに、出会えて。」\ ;＜マモン `"That you were able to meet Battler onii-chan."`\ ld r,$ENJ_nayamuA1,80 ;「………………皮肉？」@ `"............Sarcasm?"`@ ld l,$RG5_akuwaraiA4,80 ;「そう聞こえるなら、そういうことにしてもらってもいいですけど？」\ `"Well, it's alright if that's how it sounds, okay?"`\ ld r,$ENJ_komaruA1,80 ;「………ごめんなさい。@言葉通りに受け取るべきね。@/ `".........I'm sorry.`@` I should accept it literally. `@/ ld r,$ENJ_DefA1,80 ;…えぇ、そうよ。@こんな狂った世界であっても、お兄ちゃんに出会えて、心底に嬉しいわ。」@ `...Yes, it is.`@` Even in this screwed up world, being able to meet Onii-chan makes me happy from the bottom of my heart."`@ ld l,$RG5_hohoemiA1,80 ;「そして、お兄ちゃんのために、ベアトリーチェさまに打ち勝つ…？」\ `"And you'll win against Beatrice, for your Onii-chan's sake...?"`\ ld r,$ENJ_FumanA1,80 ;「えぇ。@……いつまでもこんな世界で遊ばれてちゃ困るもの。@……そろそろお家へ帰る時間なのよ。@だから私が呼びに来たわ。」@ `"Yes.`@` ......Can't have him playing around in a world like this forever.`@` ......It's about time for him to return home.`@` That's why I came to call him."`@ ld l,$RG5_FumanA2,80 ;「……………せいぜい頑張ってください。@私、今の主は、ベアトリーチェさまですので、応援は出来ませんが。」\ `"............Please do the best you can.`@` Although I can't support you, seeing as my current master is Beatrice-sama."`\ bg Different_space_P1b,25 ;「知ってるわ。@１９８６年１０月５日までは、…あなたはベアトリーチェの家具よ。@そしてやがては、私の友人になるわ。」\ `"I know.`@` Until October 5, 1986, ...you are Beatrice's furniture.`@` And eventually, you become my friend."`\ ;「そしてやがては、その友人を捨てるわけですが。@何しろ、……ッ、………ぐ…、」/ `"But eventually, you'll throw that friend away.`@` In any event, ......ng, .........gah..."`/ E_A quakey 3,400 \ me1 16 bg black,22 ;se1 12 ;quakey 4,800 ;　マモンが舌を噛んだように呻き、胸を押さえながらよろめく。@ ;　ルールはどうやら、私以外にも適用されてるようだ。\ `Mammon moaned as if she had bit her tongue, staggering as she clutched her chest.`@ `Apparently, the rules apply to people other than me as well.`\ bg Different_space_P1a,0 ld l,$ENJ_NayamuA1,26 ld l,$ENJ_FumanA2,80 ;「大丈夫？@　それ、結構、辛いわよ。」@ `"Are you alright?`@` That's pretty...painful."`@ ld r,$RG5_komaruA1,26 ld r,$RG5_komaruA2,80 ;「…………………。@……失礼しました。@グ、…グレーテルさま。」\ `"...............`@`......Excuse me.`@` G, ...Gretel-sama."`\ ld l,$ENJ_DefA1,80 ;「いいえ。@ありがと。」\ `"No.`@` Thank you."`\ ld r,$RG5_FumanA1,80 ;「………？」\ `".........?`"`\ ld l,$ENJ_NayamuA1,80 ;「嬉しいわ。@お兄ちゃんに出会えて。@あなたの最初の問いへの答えよ。@/ `"I'm glad.`@` Glad I was able to meet Onii-chan.`@` That's the answer to your first question. `@/ ld l,$ENJ_DefA1,80 ;………じゃ、戻りましょ。@私があまり愚図ると、あなたが今の主人に怒られるわ。」@ `.........Well, let's go back.`@` If I grumble too much, you'll get in trouble with your current master."`@ ld r,$RG5_HohoemiA1,80 ;「はい。@ご理解いただけて助かります。@それではこち\ `"Yes.`@` I'm glad you understand.`@` Well then, th`\ textoff ;se1v 57,100 ;se2v 57,100 ;se3v 57,100 E_A se1 1100 bg white,1 bg Different_space_P1a,0 ld r,$RG5_HohoemiA1,0 ;mset2ef 0 lsp 889,white1,0,0,128 mld l,$ENJ_DefA1,22 mld l,$ENJ_FumanA2,80 mov %play_scene,40150 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_enj ;「………………マモン？@　…………え？」\ `"...............Mammon?`@` ............Huh?"`\ bgm1 19 ;　マモンはきっと、「それではこちらへ…」、と言い掛けたはずなのだ。@ `I'm sure Mammon was about to say "Well then, this way..."`@ br ;　それが、……そこでフィルムが千切れてしまったように、ぴたりと止まってしまう。@ ;　彼女が突然凍りついたように見えた。\ `But, ......as though the film had been torn off, she had stopped.`@ `It looked like she had suddenly frozen.`\ mcl l,0 bg Different_space_P1b,22 ;　…そして気付く。@ ;　凍りついたのは彼女だけではない。@ ;　……空気や、舞っていた埃までが虚空に凍り付いている。@ `...Then I noticed.`@ `She wasn't the only thing that had frozen.`@ `......Even the air and floating bits of dust had frozen in place in empty space.`@ br ;　まるで、時間すらも凍りついたような世界。@ `A world where it seemed even time had frozen.`@ br ;　……そう。@それは、ベルンカステルが現れる時の前兆に見えた。\ `......Yes.`@` This looks like a portent that Bernkastel will appear.`\ ;　しかし、どこか空気が違う。@ ;　そして理解する。\ `But the atmosphere was different somehow.`@ `Then I understood.`\ ;　………ベルンカステルじゃない。@ ;　…もう１人の魔女の方だ。\ `.........It wasn't Bernkastel.`@ `...It was the other witch.`\ E_A se1v 57,100 bg white,1 bg Different_space_P1b,0 mld c,$LAM_AkuwaraiA1,22 ;「調子はどうかしら、縁寿…？」\ ;＜ラムダデルタ `"How are you feeling, Ange...?"`\ mcl c,0 bg Different_space_P1a,0 ld c,$RG5_HohoemiA1,0 mld r,$ENJ_DefA1,24 bgm1 44 ;「……………ラムダデルタ。@……あなたにはルールの適用はないのね。」@ `"............Lambdadelta.`@` ......The rules don't apply to you, do they?"`@ mld l,$LAM_AkuwaraiA3,23 ;「当り前でしょ？@　ルールは他人を縛るためにあるのよ。@自分をそれで縛る馬鹿はいないわ。」\ ;＜ラムダ `"Of course not.`@` Rules exist to bind others.`@` What kind of idiot would bind themselves with them?"`\ ;　ベルンカステルは私に肩入れしてくれる魔女だが、……彼女は違う。@ ;　ベアトリーチェに肩入れする魔女。@…つまりは、私の敵方の存在だ。\ `Bernkastel is a witch who supports me, ......but this girl is different.`@ `This witch supports Beatrice.`@` ...In other words, she is a being on the opposing side.`\ ;　しかし、ベアトリーチェとは何かが違う。@ `But there's some kind of difference between her and Beatrice.`@ br ;　ベルンカステルも含め、ラムダデルタの存在はどこか掴み所がない。@ ;　……何と言うか、…自分より次元の高い存在とでも言うべきなのか…。\ `Even compared to Bernkastel, there's something strange about Lambdadelta's existence.`@ `......How should I put it, ...maybe like she's a being from a higher dimension...`\ ;　いずれにせよ、私は彼女にどう接していいか、未だに戸惑っている。@ `In any event, I was still unsure about how to deal with her.`@ br ;　……ただひとつ確実なのは、私の敵であるという一点だけだ。@ ;　…いや、それだけわかっていれば十分かもしれないのだが…。\ `......The only thing that was certain was that she was my enemy.`@ `...No, just knowing that might be enough, but...`\ mld r,$ENJ_NayamuA1,80 ;「それで、……私に何か御用？」\ `"So, ......do you have some business with me?"`\ mld l,$LAM_futekiA3,80 ;「まぁね。@あなたたちの会話に耳を傾けてたら、ちょっと面白い話になったんでね。@あなたにちょっと、良い話を聞かせてあげようと思って。」\ `"Not really.`@` When I listened in on your conversation, it started to get a bit interesting.`@` I thought I'd let you hear something good."`\ mld r,$ENJ_fumanA2,80 ;「あなたは私の敵のはず。@そのあなたが私に得する話を聞かせる理由が思いつかないわ。@……つまり、耳を傾けた時点で負けということだわ。@/ `"You're supposed to be my enemy.`@` I can't think of a reason for you to tell me something that would help me.`@` So the moment I start listening to you, I lose. `@/ mld r,$ENJ_NayamuA1,80 ;じゃあね、シーユーネクストタイム。」\ `Bye, ."`\ mld l,$LAM_AkuwaraiA4,80 ;「誤解しないで。@私の相手はベルンであって、あなたじゃないわ。@……つまり、私とあなたが共に得をする話は有り得るということよ。」@ `"Don't misunderstand.`@` My opponent is Bern, not you.`@` ......In other words, it is possible for there to be a topic that benefits both you and I."`@ mld r,$ENJ_FumanA1,80 ;「…………………悪いけど。@私には聞く気がないわ。」\ `"...............Sorry,`@` but I don't feel like listening."`\ ;　……そうは言ったものの、@ラムダデルタが納得しない限り、この凍った時間からは解放されないだろう。@ `......Although I said that, `@`I probably won't be released from this frozen time until Lambdadelta is happy.`@ br ;　……それこそが、私より高次の存在である証かもしれない。@ ;　私には、彼女の話を聞かないという選択肢が与えられていないのだ。\ `......This itself might be proof that she's in a higher dimension than me.`@ `I haven't been given the option of not listening to her.`\ ;　出来るのは、何を言われても動揺しないように、心理面での防御を固めるくらい。@ `All I can do is try not to be shaken by anything she says, and strengthen my mental guard.`@ br ;　恐らく彼女は、私が不利になるような何かを吹き込んでくるか、@脅迫してくるに違いないのだ…。\ `She'll probably try to make me believe something disadvantageous to me,`@` and threaten me...`\ mld l,$LAM_FutekiA2,80 ;「くすくすくす。@そんなに身構えなくてもいいってば。@私は、あなたの誤解を解きに来ただけよ。@/ `"*giggle*giggle*.`@` There's no need to square off like that.`@` I just came to resolve your misunderstanding. `@/ mld l,$LAM_AkuwaraiA1,80 ;……いいえ、ちょっと違う。@ベルンカステルがあなたに吐いた嘘を、教えてあげようと思ってやって来たのよ。」\ `......No, that's not quite it.`@` I came thinking I'd inform you about the lie Bernkastel told you."`\ E_A csp -1 bg black,1 ;「………ベルンカステルが、………嘘？」\ `".........Bernkastel, .........lied?"`\ me1 19 ;「あなたはベルンに、ベアトを倒せば兄が帰ってくるような、そんな言い方をされたんじゃないの？」@ ;「………………。@さぁ。@…あなたに話す気はないけど。」\ `"Didn't Bern make it sound as though, if you defeated Beato, your big brother would come back?"`@ `"............`@`Who knows.`@` ...I don't feel like talking with you."`\ bg Different_spiral_1a,22 ;　兄が帰ってくる、なんて。@そこまで夢のある約束はされていない。@ `My brother coming home...`@` I hadn't been promised anything that dream-like.`@ br ;　運が良ければ１人くらいは…、なんていう、かなり望みの低い約束だった。\ `Getting just one person only if I was lucky..., had been a promise without very high hopes.`\ ;　でも、私にとってはそれで充分。@ `But that is enough for me.`@ br ;　……永遠の孤独が約束された私には、@わずかではあってもゼロでない確率は、それだけで眩しいくらいに光り輝いているのだから。\ `......After being promised an eternity of isolation,`@` having a faint but still not zero chance was like a shining beacon.`\ bg Different_space_P1b,0 lsp 889,white1,0,0,128 mld c,$LAM_AkuwaraiA2,26 mld c,$LAM_FutekiA3,80 ;「ある意味、ベルンのその約束は嘘ではないわ。@……ベルンがそう約束したのならきっと、あなたがベアトを倒せば、戦人も両親も解放されてあなたのところへ帰ってくる。」\ `"In a way, that promise of Bern's wasn't a lie.`@` ......If Bern promised, then I'm sure that if you defeat Beato, Battler and your parents will be released and will come back to you."`\ ;「何の問題もないじゃない。」\ `"Then there's no problem."`\ mld c,$LAM_FutekiA1,80 ;「…………本気で？/ `"............Seriously? `/ E_A @/ me1 16 ;　………あの子は案外、残酷よね。@ `.........That kid is surprisingly cruel.`@ br ;(わかってて、騙すなんて/・・・・・・・・・・・)。」\ ;＜点処理：わかってて、騙すなんて (`To think she'd deceive you, even though she`/・・・・・・・・・・・・・・・)` knows."`\ mcl c,0 bg Different_space_P1a,0 mld r,$ENJ_FumanA1,24 ;「………私がどう騙されてるというの。」\ `".........How are you saying I was deceived?"`\ br ;　まずい…。@ ;　向こうのペースに乗せられた。\ `Damn...`@ `I'm letting her take the initiative.`\ ;　…しかし私は、彼女の話に耳を傾けない限り解放されないのだ。@ ;　…ならば、いずれは聞かねばならぬ話…。@ `...But I won't be released until I lend an ear to her story.`@ `...So it's something I'll have to hear anyways...`@ br ;　私は罠に落ちかけているかもしれないと自覚しながらも、その先を促してしまう。\ `Even though I realized that I was falling into a trap, I urged her forwards.`\ mld l,$LAM_FutekiA3,23 ;「今は何年？」@ `"What year is it now?"`@ mld r,$ENJ_FumanA2,80 ;「……このゲーム盤の世界のこと？@　…ならば、１９８６年１０月４日よ。」\ `"......You're talking about the world of the game board?`@` ...In that case, it's October 4, 1986."`\ mld l,$LAM_AkuwaraiA4,80 ;「その通り。@ならば、あなたがベアトに打ち勝ったなら、台風が去った１０月６日に、島に囚われていた人々は帰還する。@/ `"That's right.`@` So if you win against Beato, then on October 6, when the typhoon has passed, the people who were trapped on the island will return. `@/ mld l,$LAM_AkuwaraiA3,80 ;……１９８６年の１０月６日にね？」\ `......On October 6, 1986, that is, right?"`\ mld r,$ENJ_FumanA1,80 ;「……………だから何。」\ `"............So what?"`\ mld l,$LAM_FutekiA3,80 ;「あなたの１９８６年の１０月６日はどうだった？@　…………親戚の家に居たんじゃなかったかしら？」\ `"How was your October 6, 1986?`@` ............You were at your relatives house, right?"`\ csp -1 bg black,25 ;　……母が唯一心を許していた、須磨寺の、お祖父ちゃんの家にいて。@ `......I had been at the house of the only Sumadera my mother trusted, Grandpa.`@ br ;　………連絡を受けた。\ `.........We had gotten a call.`\ ;　畳の部屋で積み木遊びをしている時に、その連絡を受けた…。\ `When I had been playing with building blocks in the tatami room, we had gotten that call...`\ lsp 889,white1,0,0,128 bg Different_space_P1a,0 ;mld r,$ENJ_NayamuA1,0 mld c,$LAM_AkuwaraiA3,26 ;!s0　私がそれを思い出したらしい様子を見届けてから、/ ;!d800……ラムダデルタは、嫌らしく笑いながら、/ ;!d1000……言う。/ !s0`After watching to see that I had remembered, `/ !d800`......Lambdadelta laughed unpleasantly, `/ !d1000`......and spoke.`/ !sd\ E_A bgm1 77 mld c,$LAM_AkuwaraiA5,80 ;「ネェ。@アナタノ１９８６年１０月６日ニ、戦人オ兄チャン、帰ッテキタァ？」@ ;!s0「………………………………っ。」/ `"HEY.`@` ON YOUR OCTOBER 6, 1986, DID BATTLER ONII-CHAN COME HOME?"`@ !s0`".............................."`/ ;quakey 4,600 !sd\ me1 17 ;　何を言われてるのかわからないのに、顔中から嫌な汗がじわりと滲み出すのがわかる…。@ `Even though I didn't understand what she was saying, I noticed an unpleasant sweat seeping out all over my face...`@ br ;　……あぁあぁ、わからない。@ワカラナイ。@ ;　……この魔女は、……何を言ってるの………？\ `......Aaah, I don't get it.`@` I DON'T GET IT.`@ `......What is, ......this witch saying.........?`\ csp 889 bg Different_spiral_1a,0 mld c,$LAM_futekiA1,8 ;「いい？@　あなたがベアトを倒せば、戦人は確かに解放されるわ。@そしてお家へ帰るでしょうね。@１９８６年のお家に。@だってそうでしょう？@　戦人は１９８６年の１０月４日から５日に閉じ込められてるんだもの。@解放されたらその翌日に帰るのは当然でしょ？@/ `"See?`@` If you defeat Beato, Battler will certainly be released.`@` And he'll probably return home.`@` To his home in 1986.`@` After all, that's how it is, right?`@` Battler was locked up from the 4th to the 5th of October in 1986.`@` It's only natural that he would return the next day if he were to be released, right? `@/ mld c,$LAM_AkuwaraiA5,80 ;　……そしてあなたは？@　１９９８年の人間。@ `......And you?`@` You're a person from the year 1998.`@ ;　(戦人が帰ってこなかった/・・・・・・・・・・・)１９９８年の右代宮縁寿。@意味、わかるゥ？」\ ;＜点処理：戦人が帰ってこなかった `You're Ushiromiya Ange of the year 1998 ` br `where `(`Battler did not return`/・・・・・・・・)`.`@` Know what that means?"`\ ;「…………何、言ってるのあんたは。@………１０月６日に家族が家に帰ってくるなら、…素敵じゃない。@私はすぐにお祖父ちゃんの家から帰るわ。@そして私たちは出会う。@……めでたしめでたし…。」\ `"............What...are you talking about?`@` .........If my family came back home on October 6, ...wouldn't that be wonderful?`@` I would come home from Grandpa's house right away.`@` And then we'd meet.`@` ......Everyone's happy..."`\ mld c,$LAM_FutekiA3,80 ;「えぇ。@右代宮縁寿は家族に再会できるでしょうね。@ `"Yes.`@` Ushiromiya Ange probably would be able to reunite with her family.`@ br ;……(１９８６年に６歳の右代宮縁寿/・・・・・・・・・・・・・・)はねぇ……？」\ ;＜点処理：１９８６年に６歳の右代宮縁寿 `...`(`The six year old Ushiromiya Ange from 1986`/・・・・・・・・・・・・・・・)` would, right......?"`\ ;「………私って誰。」\ `".........Who am I?"`\ mld c,$LAM_FutekiA1,80 ;「右代宮縁寿よ。@１８歳の。@/ `"Ushiromiya Ange.`@` An 18 year old one. `@/ mld c,$LAM_FutekiA2,80 ;………いいえ、違うわ。@右代宮縁寿じゃない。@……そういう名前の、魔女の駒なのよ。@/ `.........No, that's not it.`@` You aren't Ushiromiya Ange.`@` You're a witch's piece with that name. `@/ ;mld c,$LAM_AkuwaraiA3,80 ;厳密には、エンジェ・ベアトリーチェという名の、まったくの別人。@……意味、わかるゥ？」\ `Strictly speaking, the name ANGE Beatrice belongs to a completely different person.`@` ......Know what that means?"`\ me2v 19,100 mcl c,0 bg black,22 ;　よく、わからなくなってくる……。\ `I don't...really get it anymore......`\ ;　………え？@　……え？@　……私って、/ ;!d800………誰？@　…………え？\ `.........Huh?`@` ......Huh?`@` ......Who, `/ !d800`.........am I?`@` ............Huh?`\ bg Different_space_P1a,0 lsp 889,white1,0,0,128 print 22 mld r,$LAM_AkuwaraiA4,24 ;「……だぁから、ベルンは残酷だなぁって思うの。@いいえ、意地悪だなぁって思うのよね。@そういう経験、なくもないくせにね。」@ `"......And thaaat's why I think Bern's cruel.`@` No, I think she's a meanie.`@` Especially since it's not like she hasn't had that experience."`@ mld l,$ENJ_hanbesoA1,23 ;!s0「………私…………、/ ;!d800……何か、/ ;!d600………騙されてる………？」/ !s0`".........Am I............, `/ !d800`......somehow, `/ !d600`.........being tricked.........?"`/ !sd\ mld r,$LAM_FutekiA3,80 ;「あぁ、でもどうかベルンを責めないでね？@　だって、考えようによっては、あの子は嘘を吐いてない。@/ `"Yeah, but please don't blame Bern, okay?`@` After all, depending on how you look at it, that kid isn't lying. `@/ mld r,$LAM_FutekiA1,80 ;……ベアトを倒せば家族が帰ってくる。@右代宮縁寿のところへ。@……でも、その右代宮縁寿が、あなたのことだとは言ってないだろうけどね…？」\ `......If Beato is defeated, your family will be returned.`@` Returned to Ushiromiya Ange.`@` ......But she probably didn't say that this Ushiromiya Ange would be you, right...?"`\ csp 889 mendef 0 bg black,25 ;　そうだっけ、そうだっけ……。@ ;　私、ベルンカステルに、何て言われたんだっけ……。\ `Was it like that...was it like that......?`@ `What did Bernkastel say to me, again......?`\ mono 1 bg cit_2a,0 ld c,$BER_DefA1,2 me3 5 ;　あなたの助けが必要よ。@ ;　……あなたの家族が。@ `Your assistance is needed.`@ `......Your family needs it.`@ br ;　ベルンカステルはそう言いながら語り始めた。\ `Bernkastel had started speaking by saying that.`\ cl c,0 ld r,$BER_DefA1,0 ld l,$ENJ_DefA1,23 ;　そして私は言った。@ ;　それを救えば、私の家族は帰ってくるの？@ ;　……それに、ベルンカステルは何と答えたっけ……？\ `Then I had spoken.`@ `If I save them, does that mean my family will come back?`@ `......And how did Bernkastel answer that, again......?`\ ;　えぇと、えぇと……。@ `Umm, umm......`@ br ld r,$BER_DefA2,80 ;“……それは約束できないわ。”\ `'I cannot promise that.'`\ ;　え、えぇと……！@ ;　あの子は私に約束してくれたわ。@ ;　この戦いに挑む見返りを…！@ ;　そうよ、こう言った！\ `Uh, umm......!`@ `That kid did promise me.`@ `In exchange for accepting this fight...!`@ `Yes, this is what she said!`\ cl a,0 ld c,$BER_DefA1,24 ;“見返りに、あなたの望むもっとも理想的な世界、@家族の帰ってくる世界のカケラを探してあげるわ。”\ `'In exchange, I will search for the Fragment with the ideal world that you wish for, `@`the world where your family comes home.'`\ ;　…………えぇ、そうよ。@ ;　……探すとしか言ってない。@ ;　見つかるとは言ってない。@ ;　……でもそれは、…初めから覚悟の上。@ `............Yeah, that's right.`@ `......She didn't say any more than that she'd look for it.`@ `She didn't say she'd find it.`@ `......But I was, ...prepared for that from the beginning.`@ br ;　でもそれでも、……諦めない限り、わずかの可能性があるとあの子は約束してくれた……。\ `But even so, ......that child promised that as long as I didn't give up, there was a faint chance of it happening......`\ bg black,25 mono off ;　そして、……最後にこう言ったわ。\ `And, ......in the end, she said this.`\ ;“あなたに、復讐のチャンスを。@…見返りに、あなたが享受できる可能性の中で、もっとも幸せな結末を探して持ってくることを約束するわ。”\ `'I'm giving you a chance for revenge.`@` ...In exchange, if it is possible for you to receive it, I promise to search for the happiest resolution for you.'`\ bg Different_space_P1b,0 lsp 889,white1,0,0,128 print 26 ;「…………………。@……初めから、辛い賭けになることは承知よ。@……だって、私の１９９８年には家族はいない。@絶対のゼロが揺らぐわずかの可能性と引き換えなら、/ ;!d800……私にはそれだけで価値がある。@仮に復讐を成し遂げても、徒労になるかもしれないと事前に脅されてるわ。@……だから、………その…………、」\ `"...............`@`......I've known it was a tough bet from the very beginning.`@` ......After all, I have no family in my 1998.`@` If I could have a small chance of shaking that certain zero, `/ !d800`......that alone would be worth it.`@` I was warned beforehand that even if I succeeded in my revenge, it might be a wasted effort.`@` ......So, .........umm........."`\ bg Different_space_P1a,0 mld c,$LAM_AkuwaraiA2,26 ;「えぇ、その部分に嘘はないわね。@ベアトのゲーム盤は完璧よ。@あんたが立ち回ったところで、@ベアトが敗北する可能性なんて、生涯に一度のみ夢見ることを許されるかどうかくらい、ほんのわずか。\ `"Yeah, there's no lie in that part.`@` Beato's game board is perfect.`@` Even having you around makes the chances of Beato losing so slim that it's doubtful you could even dream of it happening once in your life.`\ mld c,$LAM_akuwaraiA3,80 ;　つまり、限りなくゼロと見なせるほどに絶対に、その勝率はほとんどゼロ。@だからベルンがそういうお茶を濁した言い方になるのは仕方がない。」\ `In other words, that chance of winning is almost zero, so certainly that it could be regarded as infinitely close to zero.`@` So Bern can be forgiven for saying it in such an evasive manner."`\ mld c,$LAM_FutekiA1,80 ;「……でも、あなたに夢を持たせた点についてだけは、騙してると言い切れるわ。@だって、天文学的な確率を乗り越えてあんたが勝利できたとしても。@/ `"......But I can say for sure that she was tricking you when she let you get your hopes up.`@` After all, even if you could overcome astronomical odds and win, `@/ ;mld c,$LAM_FutekiA3,80 ;家族が帰ってくるのあんたのところじゃない。@この１９８６年に存在する６歳の、正しい右代宮縁寿のところへよ。@アンタのところにじゃない。\ `the person your family will return to is not you.`@` It is the six year old Ange that exists in this 1986, the true Ushiromiya Ange.`@` Not YOU.`\ mld c,$LAM_AkuwaraiA5,80 ;　……ベルンはそれでも百億のカケラを巡り、あんたに一番マシな世界を探すでしょうねぇ。@そしてその彼女が言ったんじゃないの？@　手土産に持参するつもりだが、見つけられなかったと。」\ `......Bern will still probably go around the billions of Fragments, searching for the best world for you.`@` But didn't she tell you?`@` That she planned on bringing you a present, but wasn't able to find it?"`\ mcl c,0 mld l,$LAM_AkuwaraiA5,0 mld r,$ENJ_hanbesoA1,24 ;「…………言ったわ……。」\ `"............She did......"`\ mld l,$LAM_futekiA1,80 ;「うっふふふふふ、くすくすくすくす…！！@　そろそろ気付いてきた…？@　あんた、この戦いにご褒美が用意されてないのよ。@いえ、それどころか、ベアトを打ち破ればゲーム盤は消え去る。@ `"Hehheheheheh, *giggle*giggle*giggle*...!!`@` You're finally starting to notice, aren't you...?`@` No reward has been prepared for you in this battle.`@` No, to the contrary, when smashed, Beato's game board will disappear.`@ br ;そして(その駒であるあんたも消え去る/・・・・・・・・・・・・・・)。\ `Then `(`you, as a piece, will disappear`/・・・・・・・・・・・・)`.`\ mld l,$LAM_akuwaraiA4,80 ;　………あんたに享受できるゴールは、完ッ全に、/ ;!d800………いいえ。@私の名において宣言するわ。@この絶対の魔女、ラムダデルタの名において！@　“絶対”にないと宣言する…！」\ ;＜点処理：その駒であるあんたも消え去る `.........The goal you can accept is completely, `/ !d800`.........no.`@` I'll proclaim it upon my name.`@` Upon the name of the Witch of Certainty, Lambdadelta!`@` I proclaim that it 'certainly' doesn't exist...!"`\ mcl r,25 ;se1 12 ;quakey 4,2000 ;「…………………そんな………、」\ `"...............This can't be........."`\ mcl l,0 mld c,$LAM_AkuwaraiA3,23 ;「それがベルンの嘘よ。@……煙に撒いたというべきぃ？@　あんたに救いがあるかのように、誤解させた。@私はそれを解きに来たのよ。」\ `"That's Bern's lie.`@` ......Or should I call it speaking in riddllles?`@` She made you misunderstand and think that you could be saved.`@` I came to clear that up."`\ vsp 889,0 mcl c,0 bg black,22 ;「……………つまり、/ ;!d800……私はどう戦い、/ ;!d600どう勝利を収めようとも。@……私のところに、家族は帰ってこないの………？」\ `"............In other words, `/ !d800`......no matter how hard I fight, `/ !d600`no matter how hard I pursue victory,`@` ......my family won't come back to me.........?"`\ vsp 889,1 se1v 2,100 bg Different_space_P1a,0 mld c,$LAM_FutekiA1,1 ;「えぇ、帰ってこない！@　“絶対”にィ！@　をっほっほっほっほっほ！！@　絶対の魔女が絶対にィって言ってるの！@/ `"Right, they won't come back!`@` With 'certainty'!`@` Oh-hoh-hoh-hoh-hoh-hoh!!`@` The Witch of Certainty says it with certainty! `@/ mld c,$LAM_akuwaraiA6,80 ;　これって凄いことよ？@　私に絶対が与えられたくて、歴史的建造物を捧げた古代の王たちが何人もいたのに！@　私はそれを気前良くあんたにはプレゼントしちゃうの。@/ `Isn't this incredible?`@` There have been several ancient kings who dedicated historical buildings to me because they wanted me to give them certainty!`@` I am graciously giving that to you as a present. `@/ ;mld c,$LAM_akuwaraiA5,80 ;これってばとってもステキでキュートでマーベラスなことなのよ？@　をーっほっほっほっほっほ！！@　でもォ！@　ひとつだけ良い提案があるの。」\ `Isn't this reeally wonderful, cute and marvelous?`@` Oh-hoh-hoh-hoh-hoh!!`@` Buut!`@` I have a single good proposition for you."`\ ;　………いけない。@ ;　…もう完全に、私は飲み込まれている……。@ `.........Damn.`@ `...I'm getting completely overwhelmed......`@ br ;　耳を貸しちゃ駄目なのに、……魔女ラムダデルタに、飲み込まれ始めている……！\ `I knew I shouldn't have listened, ......and now I'm starting to be overwhelmed by the witch Lambdadelta......!`\ csp 889 se1v 52,100 bg white,2 bg Different_space_1a,99,1500,"breakup.dll/urP" mcl c,0 ld c,$LAM_AkuwaraiA3,80 ;「私の相手はベルンであって、あんたじゃない。@私とあなたが共に得をする話は有り得ると、さっき言ったはずよ。@/ `"My opponent is Bern, not you.`@` I think I just said that it's possible for the two of us to talk about something that benefits us both. `@/ ;ld c,$LAM_FutekiA2,80 ;最初から、私はそういう話をすると言っているわ。@だから耳を貸しなさい。@貸すしかないのよ、あんたには…！」\ `I've been saying I'd talk about something like that from the beginning.`@` So listen to me.`@` You have no choice but to...!"`\ bg Different_space_1b,0 ld r,$ENJ_hanbesoA3,24 ;!s0「………………聞くわよ…、/ ;!d600聞いてやるわよ……。/ ;!d1000……聞けばいいんでしょおッ！！」/ !s0`"............I'm listening..., `/ !d600`I'll listen......`/ !d1000`......there's nothing wrong with that, is there?!!"`/ ;se1 12 ;quakey 5,1000 !sd@ br ;　私の感情は、とうとう堪えきれなくなって内側より爆ぜる。\ `I finally lost control over my emotions and exploded from the inside.`\ bg black,22 bg Different_spiral_1a,22 ;　もう、何が何だかわからない。@ ;　……私は、自分が縁寿だと信じてた。@ `I don't have a clue anymore.`@ `......I believed that I was Ange.`@ br ;　なのに、私はいつの間にか縁寿じゃなくなっていた。\ `But at some point, I stopped being Ange.`\ ;　そう、私はエンジェ。@縁寿じゃない…！@ `That's right, I'm ANGE.`@` Not Ange...!`@ br ;　私は誰？@ ;　お父さんたちの娘でも、お兄ちゃんの妹でもない。@ ;　………ただの魔女のお遊戯の、……駒…！\ `Who am I?`@ `I'm not my parents' child, nor my brother's little sister.`@ `......I'm just a piece, ......in a witch's game...!`\ bg Different_space_1a,26 E_MA se1v 57,100 bg white,1 bg Different_space_1a,0 ld c,$LAM_AKuwaraiA4,22 ;「そこまで悲観することはないわ。@……だってよく考えて？@　今、あんたは戦人お兄ちゃんに出会えているわ。@/ `"There's no need to be so pessimistic.`@` ......I mean, think about it, okay?`@` Right now, you're together with Battler onii-chan. `@/ ld c,$LAM_FutekiA3,80 ;確かに、自らの名を名乗ることは出来ないけれど、@それでも少なくとも、魔女と戦うゲームの味方同士という位置にいて、/ ;!d1000……いつまでも永遠に一緒にいることが出来る。@/ `While it's true that you can't tell him your name, `@`at least you're positioned as his ally in a game where he battles a witch, `/ !d1000`......and you're able to be with him for all eternity. `@/ ;ld c,$LAM_FutekiA1,80 ;……意味、わかるゥ……？？」\ `......Know what it meeeans......??"`\ ;　………悔しいが、/ ;!d800………わかる…。\ `.........I can't stand it, `/ !d800`.........but I understand...`\ ;　つまり、………このゲームは、お兄ちゃんが引き分け続ける限り、永久に繰り返される。@ `In other words, .........as long as Onii-chan keeps getting a tie in this game, it will continue forever.`@ br ;　引き分け続けるということは、永久にゲームが続き、@私という駒は、お兄ちゃんと一緒にいられるということ。@ `Continuing to tie means continuing the game for eternity,`@` and it means that I can remain with Onii-chan as a piece.`@ br ;　……でももし、お兄ちゃんが勝ったり、あるいは負けたりして、ゲームが幕を下ろしたなら。\ `......But if Onii-chan wins, or else loses, and the curtain closes on the game...`\ ld c,$LAM_futekiA1,80 ;「駒である、あんたは消える。」@ `"You, as a piece, will disappear."`@ ;「…………………………。」\ `"........................"`\ ld c,$LAM_akuwaraiA5,80 ;「ゲームの駒の幸せは何？@　……ゲームで遊んでもらうことだけよ。@押入れに仕舞われて埃を被ることじゃないわ、そうでしょう？」\ `"What is the happiness of a game piece?`@` ......Nothing more than playing in the game.`@` It doesn't come when the game's shut in the closet, gathering dust, right?"`\ br ;　……かつて、煉獄の七姉妹が言っていた。@ ;　家具の幸せは使役されることで、仕舞われることじゃないと。@ `......In the past, the Seven Sisters of Purgatory said it as well.`@ `Furniture's happiness is being used, not being stored away.`@ br ;!s0　そう。@……私は今やもう、/ ;!d800…………魔女の、/ ;!d1000………家具。/ !s0`That's right.`@` I am now, `/ !d800`............the witch's, `/ !d1000`.........furniture.`/ !sd\ bg Different_space_1c,25 ;「話を少し変えるわね？@　……実は私、このゲーム、永遠に引き分け続けてほしいと思ってるの。@終わらないゲームは永遠の檻。@……ベルンを今度こそ屈服させる未来永劫に開かれることのない絶対密室よ。\ `"Let's change things around a bit.`@` ......Actually, I want this game to continue in a tie for all eternity.`@` An unending game is an eternal cage.`@` ......A certain closed room that never opens for all time and that will finally make Bern surrender.`\ bg black,22 mono 1 ld c,$BEA_DefA1,8 ;　……ベアトはね、一応は勝つ気があるの。@戦人を屈服させるという勝利ね。@でもね、実はそれも私には困るのよ。\ `......You know, Beato does want to win a bit.`@` Victory by making Battler surrender.`@` But that's actually a problem for me.`\ bg black,22 mono off bg Different_space_1b,0 ld l,$LAM_AkuwaraiA1,26 ;　だって、ゲームが終わっちゃったら、密室が崩れてしまうもの。@……だから私、戦人が屈服することだけはないように、ある程度の手心は加えてるの。@/ `After all, if the game ends, the closed room will fall apart.`@` ......So I'll go easy on Battler to a certain degree, so that he does not surrender. `@/ ld l,$LAM_akuwaraiA4,80 ;安心して？@　戦人が屈服し掛けると、私は彼の味方になったりもしてるのよ。」\ `Don't worry, alright?`@` When Battler's about to surrender, I'll become his ally."`\ bg Different_space_1a,23 se1v 57,100 bg white,1 bg Different_space_1a,0 ld r,$LAM_FutekiA2,22 ;「………ただね。@どうもベアトのやつ、それに薄々気付き出してる気がする。@……このゲームに、自分の勝ちは永遠にないんじゃないかって、気付き始めてる気がする。\ `".........But you know?`@` I get the feeling that Beato is faintly starting to realize.`@` ......I think she's starting to realize that her victory won't come for all eternity in this game.`\ ld r,$LAM_FutekiA3,80 ;　でもそこはさすが、無限の魔女。@ベアトは馬鹿だから、それでもいつかきっと勝てる、@それまで延々と無限にゲームを繰り返せばいいと楽観してるわ。@/ `But she is, of course, the Endless Witch.`@` Beato's stupid, so she optimistically thinks that even so, she'll surely win eventually, `@`and just has to repeat this game on and on endlessly. `@/ ld r,$LAM_AkuwaraiA1,80 ;金髪の女は大抵バカと決まってるものよ、くすくすくす！」/ `Of course, blonde-haired girls are almost always stupid, *giggle*giggle*!"`/ se1v 37,100 \ ld l,$ENJ_hanbesoA1,23 ;!s0「………この魔女のゲームには、/ ;!d1000………勝利も敗北も、/ ;!d900ないってことなの……。」/ !s0`".........In this game of witches, `/ !d1000`.........there's no such thing...`/ !d900`as victory or loss......"`/ !sd\ ld r,$LAM_akuwaraiA5,80 ;「私が勝たせない。@そして負かせない。@絶対に！@/ `"I won't let her win.`@` And I won't let her lose.`@` With certainty! `@/ ld r,$LAM_FutekiA1,80 ;　……ベルンはそれに気付いてる。@そして、それを破るためにもっとも強力な駒としてあんたを見つけ、送り込んできた。@このゲームを終わらせるためにね？」\ `......Bern has noticed that.`@` So she found you to be the most powerful piece for breaking that deadlock, and threw you in.`@` To make this game end, you see?"`\ ld l,$ENJ_komaruA2,80 ;「………このゲームを、終わらせる……。」\ `".........To make this game...end......"`\ ld r,$LAM_AkuwaraiA3,80 ;「終われば駒の役目は？@　………はっきり断言する。@あんたは、存在が矛盾してるのよ。@/ `"What's a piece's role when it ends?`@` .........I'll state it clearly.`@` Your existence is a contradiction. `@/ ;ld r,$LAM_akuwaraiA5,80 ;……自らの存在理由が、自らを闇に葬り絶望するため…！」\ `......Your reason for existing is to bury yourself in the darkness and despair...!"`\ bg black,22 ;　私の目的は、ベアトを倒し、囚われている家族を解放すること。@ ;　……なのに、それが成し遂げられても、私は報われない。\ `My goal is to defeat Beato and release my captive family.`@ `......And yet, even if I succeed, I won't be rewarded.`\ bg Different_space_1a,26 se1v 57,100 bg white,1 bg Different_space_1a,0 ld c,$LAM_AkuwaraiA4,22 ;「負けられない。@そして勝っても報われない。@/ `"You cannot lose.`@` And you won't be rewarded if you win. `@/ ld c,$LAM_FutekiA1,80 ;……だから私は第３の選択肢をあなたに持ってきたの。@そしてその選択肢は、私とあなたの利害を一致させるわ。」\ `......So I've brought you a third choice.`@` And with that choice, our interests match each other."`\ mbg black,22 me5 16 br ;　…………永遠に、引き分け続けること………。\ `.........Continuing the tie...for all eternity.........`\ mcbg 22 ld c,$LAM_akuwaraiA5,80 ;「そう。@……永遠に引き分け続ける限り、この世界は崩壊しない。@/ `"Yes.`@` ......As long as the tie continues for all eternity, this world will not crumble. `@/ ld c,$LAM_AkuwaraiA1,80 ;……この世界は何？@　………魔女とのゲームの世界。@ベアトと戦人が永遠に戦い続ける世界。@/ `......What is this world?`@` .........It is the world of the game with the witch.`@` A world where Beato and Battler fight for all eternity. `@/ ld c,$LAM_FutekiA1,80 ;……そして同時に。@あなたが永遠に戦人と一緒にいられる世界なのよ……！！」\ `......And at the same time, `@`it is a world where you can be with Battler for all eternity......!!"`\ bg Different_space_1c,26 ;!s0「…………………う、/ ;!d800…………う/ ;!d600……ぁ/ ;!d1200…………。」/ !s0`"..................Uu, `/ !d800`............uu`/ !d600`......ah`/ !d1200`............"`/ ;se1v 12,100 ;quakey 5,1200 !sd\ me1v 17,90 ;　頭がぐちゃぐちゃになる。@ `My head was spinning.`@ br ;　その混沌が熱い汁になって、目から溢れ出すのがわかる…。@ ;　その熱さで……、顔を火傷してしまいそうなくらい…。\ `That confusion became a hot liquid, and I felt it pouring from my eyes...`@ `It was so hot......, that it felt like it would burn my face...`\ me1 5 bg Different_spiral_1a,28 ld c,$LAM_akuwaraiA6,2 ;「ねぇ……？@　エンジェ・ベアトリーチェぇえぇ…？？@　ゲームを終わらせ、あなたと戦人の交流できる世界を終わらせようとするのが目的のベルンカステルに、味方する理由がどこにあんのォ…？\ `"Riight......?`@` ANGE Beatriiiiice...??`@` Since Bernkastel's goal is to end the game and end the world where you and Battler can interact, why should you be her ally...?`\ ld c,$LAM_akuwaraiA5,80 ;　……あの子はあんたを騙してたのよ？@　自分の駒になれば、あんたが救われるかのように誤魔化してね。@でも、私はそこを誤魔化さない！\ `......That kid tricked you, you see?`@` She made it look like you might be saved if you became her piece.`@` But I won't deceive you there!`\ ld c,$LAM_futekiA1,80 ;　……だから言うわ、エンジェ。@私の駒になりなさい。@私はベルンのように、絶対にもらえない嘘のご褒美なんてちらつかせないわ。@私の駒となり、このゲームが“絶対”に終わらないように私に協力する限り。@/ `......So I'll say it, ANGE.`@` Become my chess piece.`@` Unlike Bern, I won't offer you rewards based on lies that certainly can never be granted.`@` As long as you become my piece, and help me so that this world 'certainly' never ends...`@/ ;ld c,$LAM_FutekiA1,80 ;私はあんたに、この世界が“絶対”に続くことを我が名において“絶対”に約束する！\ `With 'certainty', I'll swear upon my name that this world will 'certainly' continue!`\ ld c,$LAM_AkuwaraiA5,80 ;　それだけじゃないわ。@ボーナスも付けてあげる。@あなたに課せられている、ルール。@………それを取り払ってあげるわ。@/ `That's not all.`@` I'll add on a bonus.`@` The rule that binds you.`@` ......I'll clear it away for you. `@/ ld c,$LAM_FutekiA2,80 ;まぁもちろん、私の駒になると誓ってもらった後にだけどね？」\ `Well, of course, that's only after you've sworn to become my piece, alright?"`\ ;　自分の喉が、……ごくりと、重くて大きな音を立てる……。@ `In my own throat, ......there was a thick, loud gulping sound......`@ br ;　あぁ、聞かなきゃ良かった……。@ ;　聞かなければ、私は兄の勝利を祈る、純粋な妹でいられたのだ。\ `Aah, I shouldn't have listened......`@ `If I hadn't listened, I could have remained an innocent little sister, praying for my brother's victory.`\ ;　……でも、もう私は違うかもしれない。@ `......But I might be different now.`@ br ;　…お兄ちゃんの側にいられればいいだけの、@………魔女の家具に、成り下がっているのかもしれない……。\ `...I might have been degraded into a witch's furniture,`@` .........that can only be by Onii-chan's side......`\ ld c,$LAM_FutekiA3,80 ;「……兄を裏切れと言ってるわけじゃないんだからね？@　戦人が負けそうになったら、全力で助ければいい。@……逆に、戦人がベアトを追い詰めすぎたら、少し加減を変えてあげてほしいと、@……その程度のお願いをしてるのよ？\ `"......I'm not telling you to betray your brother, alright?`@` If it looks like Battler's gonna lose, you can save him with all you've got.`@` ......On the other hand, when Battler closes in on Beato too much, I want you to hold back a little, `@`......and that's all I'm asking, alright?`\ ld c,$LAM_AkuwaraiA5,80 ;　大丈夫、戦人を裏切るほどの必要はないわ。@……戦人ひとりじゃ、ベアトには勝てない。@だからベルンはあんたを送り込んだんでしょ？@　……あんたが手を貸さない限り、戦人は永遠にベアトには勝てない。\ `Don't worry, there's no need to actually betray Battler.`@` ......Battler can't win against Beato alone.`@` That's why Bern threw you in, you see?`@` ......As long as you don't lend a hand, Battler will be unable to win against Beato for all eternity.`\ ld c,$LAM_AkuwaraiA6,80 ;　ね？@　とってもカンタンでしょォ？@　……くすくすくす、ほっほほほほ、あっはははははははっはっはっはっはっはッ！@　かっはっはっはっはっは、きゃーっはっはっはっはっはっはっはっは！！」\ `See?`@` It's really simple, isn't it?`@` ......*giggle*giggle*, hohhohohoho, ahhahahahahahahahhahhahhahhahhahha!`@` Kahhahhahhahha, kyaaahhahahahahahahahhhahahahahahahha!!"`\ textoff se1v 37,100 wait 200 se2v 37,80 wait 600 se3v 37,100 se1v 37,100 wait 1000 ;▲第７アイキャッチ（計９８ページ）　時計なし eye11 *umi4_8 mov %play_scene,40160 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj mov %grim_scene,404 ;■まだ縁寿過去編は続いてます。@ gosub *ENJ_Isyou2 gosub *MAR_Isyou2 textoff ;テロップ bgm1 43 bg white,9 ;wait 2000 ;bg sky_2a,99,3000,"whirl.dll/r" wait 1000 bg par_1a,6 se1 52 ld r,$RG2_NakuA1,99,500,"breakup.dll/llr" ;「ちょっとー！！@　それ、私のー！@　かーえーしーてぇー！！」@ ;＜レヴィア `"Hey!!`@` That's mi-ne!`@` Give-it-back-!!"`@ se1 52 ld l,$RG6_waraiA2,99,500,"breakup.dll/llb" ;「やだやだ、私が食べるの〜！@　アスモ、アスモ、パース！」\ ;＜ベルゼ `"No, no, I'll eat i~t!`@` Asmo, Asmo, pass!"`\ ;bg sky_2a,0 cl a,63 ld r,$RG7_waraiA1,25 ;「きゃーはははは！@　レヴィアお姉様、こっちこっちぃ〜！」\ `"Kya-hahahaha!`@` Over here, Levia onee-sama~!"`\ se1 52 cl r,99,500,"breakup.dll/urB" ;＜アスモ ;　どこからくすねて来たのだろう。@ ;　ドーナツか何かを争って、実に賑やかに戯れている。\ `I wonder where they swiped it from.`@ `They were fighting over a donut or something, playing around really loudly.`\ bg par_1b,0 ld r,$RG3_OdorokiA1,1 ;!s0「こらあああ！！/ !s0`"Heeeeey!! `/ quakey 4,500 ;!sd@　縁寿さまは読書をなさってるのよ、少しは静かに出来ないのッ？！」@ ;＜サタン !sd@`Ange-sama is reading, so can't you be a little more quiet?!"`@ ld l,$RG1_odorokiA1,23 ;「そう言ってるサタンが一番うるさいのよ、沈黙なさい！！@　この愚妹が！」@ ;＜ルシファ `"You're the loudest one by yelling that, Satan! Be silent!!`@` You foolish sister!"`@ ld r,$RG3_OdorokiA2,80 ;「ル、ルシファーお姉様の方がうるさいです！！@　も、文句がおあり？！」\ ;＜サタン `"Y, you're the loud one, Lucifer onee-sama!!`@` D, do you have a complaint?!"`\ ;　長女と三女の口喧嘩ももうお馴染みだ。@ ;　二人とも怒りんぼのくせに、少し腰が引けているっぽいところが何だか面白い。@ `The oldest and the third oldest sister were already used to arguing with each other.`@ `Even though they're both so quick to anger, it's a bit funny how they're both having to hold back a little.`@ br ;　案外、似た者同士なのかもしれない。\ `They might be surprisingly like each other.`\ bg par_1c,24 ld l,$RG4_AkuwaraiA1,23 ;「くっくくく。@賑やかにしていろとの仰せでしたが、これではさすがに。@/ `"*cackle*cackle*.`@` You were told to be noisy, but this is a bit too much. `@/ ld l,$RG4_HohoemiA1,80 ;少しボリュームを下げさせますか？」@ ;＜ベルフェゴール `Won't you lower the volume a little?"`@ ld r,$ENJ_waraiA1,24 ;「…………気にしないで騒いでてくれていいわ。@教室の黄色い笑い声より百倍心地良いもの。」\ ;＜縁寿 `"............They can mess around all they want.`@` It's a hundred times more pleasant than the shrill laughter in the classroom."`\ ;se1 52 ld c,$RG5_waraiA1,26 ;「縁寿さまぁ、早く次のページぃ！@　縁寿さまは読むのが遅いぃ！」@ ;＜マモン `"Ange-samaa, go to the next page quickly!`@` You read really sloow!"`@ ld r,$ENJ_WaraiA2,80 ;「マモンは読書が好きなの？@　地味なことが一番苦手そうに見えるのにね。」\ ;＜縁寿 `"You like to read, Mammon?`@` And you looked like you'd be the worst at doing plain things."`\ ld l,$RG4_hohoemiA2,80 ;「マモンが司るのは強欲。@……知識欲にもそれは通じます。@/ `"Mammon controls greed.`@` ......That also includes a thirst for knowledge. `@/ ld l,$RG4_FumanA2,80 ;ただし、独占したがるので、本を与えると人に読ませまいと、読書後に焼いてしまうこともあるのでご注意を。」\ ;＜ベルフェ `Still, she wants to keep that knowledge all for herself, so be warned that she refuses to let people read any book you give her, and sometimes burns them after reading them."`\ ld c,$RG5_HohoemiA1,80 ;「私は、誰も知らないことを、私だけが知っているのが好き。@誰も出来ないことを、私だけが出来るのが好き。@だから勉強は好き、練習は好き。@私だけが、誰も知らない英知を、独り占めしたいから。」\ ;＜マモン `"I like learning things that no one else knows.`@` I like being able to do things that no one else can do.`@` So I like studying and practicing.`@` Because I want to keep intelligence that no one else knows about all to myself."`\ ;　マモンはそう言い、目を輝かせながら、@今開かれているページをもう一度読み直すように凝視する。@ ;　同じページを、私以上に貪り尽くしてやろうという強欲さが現れていた。\ `As Mammon said that, her eyes sparkling, `@`she peered down at the page that was open and read through it again.`@ `You could see the greed that made her covet the same page even more thoroughly than I did.`\ bg sky_1a,22 ;　見ての通り、私の魔力は初めて彼女らを呼び出した日に比べ、ずっと強くなっていた。@ ;　今では、煉獄の七姉妹を同時に呼び出しながら、こうしてのんびり読書が出来るまでになっている。\ `As you can see, my magical power has grown much stronger than it was on the first day I summoned them.`@ `By now, I've gotten so that I can summon all of the Seven Sisters of Purgatory at once and still calmly read a book like this.`\ bg par_1a,6 ;　ここは、どこだか思い出せないけれど、のんびりとした静かな街並のベンチ。@ ;　私は幼かったから、ここがどこなのか、覚えていないのだ。\ `This place, although I can't recall where it was, is a quiet and calm street-side bench.`@ `I had been young back then, so I don't remember where this is.`\ ;　……しかし、ここを歩いた日が、とても楽しかったことは覚えてる。@ `......Still, I remember that my days walking here had been a lot of fun.`@ br ;　お父さんとお母さんと、…そしてお兄ちゃんも揃った、@本当に全員が揃ったとても珍しくてとても幸せな日の記憶…。\ `Together with Dad, Mom, ...and even Onii-chan,`@` it was a memory of a very rare and very happy day when everyone had been together...`\ ;　時折、道往く人々は私たちの姿には気付かない。@ ;　ただ、心地良く無視して、普通に通り過ぎてくれるだけだ。\ `The people who walked by every once in a while didn't notice me.`@ `They just pleasantly ignored me and passed by as though everything was normal.`\ bg par_1b,0 ld r,$RG7_HohoemiA1,0 ld l,$RG3_FumanA1,24 ;　七姉妹たちのすごい格好も、@別に誰かに見られているわけでもないのだから、恥ずかしくも何ともない。@ `Even the Seven Sisters' incredible outfits weren't embarrassing or anything,`@` because it wasn't like anyone was actually watching.`@ br ;　というか、割と慣れた。@私が着させられるわけでない限り。\ `Come to think of it, I'm getting pretty used to it.`@` As long as they don't make me wear those.`\ bg sky_1a,22 ;　私はお洒落なベンチに腰掛け、世界史の年表を暗記中だ。@ `I was sitting on a stylish bench, memorizing a timeline for world history.`@ br ;　……何でも連帯責任になる学園の校風は、落ち零れをやさしく許容なんてしてくれない。\ `......In an academy system where everything is based on collective responsibility, there's no tolerance for dunces.`\ ;　何でも、私がクラスの平均点を著しく下げているらしい。@ `It seemed that I was considerably below the average grade for the class.`@ br ;　極めて理知的な彼女らの話によると、@私ひとりが改善されるだけで、大幅に平均点が上がるらしい。\ `According to those extremely intellectual girls,`@` if I alone improved my grade, the average would rise drastically.`\ ;　……ご丁寧にも、Ｂ４の画用紙にカラフルなペンでそれをグラフにしてまで示してくれた。@ ;　…その書く手間を考えるだけでも、おぞましい。@ `......They had been kind enough to show me with a graph drawn by colorful pens on a B4 sheet of drawing paper.`@ `...Just thinking of the effort it had taken to draw that was repulsive.`@ br ;　でも、そういう愚痴はもう全て吐き出した。@ ;　……腸が煮えくり返るような怒りや悲しみは全て彼女らに吐き出した。\ `But I've already spat out all of those complaints.`@ `......I've already spat out at them with my constant and furious anger and sadness.`\ bg par_1c,6 ;　七姉妹たちは、@/ `The Seven Sisters `@/ ld r,$RG3_OdorokiA1,24 ;ある時は憤り、@/ `were sometimes indignant, `@/ ld l,$RG2_nakuA1,23 ;ある時は同情し、@/ `sometimes compassionate, `@/ ld c,$RG1_odorokiA3,24 ;ある時は私と一緒に悲しんでくれた。@ `and sometimes mourned along with me.`@ ;　……そういう感情を共有してくれる友人がいてくれることが、本当に嬉しかった。\ `......I was truly happy to be able to share emotions like that with friends.`\ ;　彼女らは本来は、ベアトリーチェの残酷な生贄の儀式を行なうための家具だったという。@ `It's said that they were originally furniture that existed to carry out Beatrice's cruel sacrifice ceremony.`@ br ;　……私を不快にさせる、オカルトメッセージボトルによるならば、@…彼女らの何人かは、私の家族を手に掛けてさえいるらしい。\ `......According to the occult message bottle, which I didn't like, `@`...it seems that several of them even attacked my family.`\ ;　しかし、私はそれを信じないし、彼女らにそれを詰問しても無駄なことだ。@ ;　彼女らは家具なのだから、主のリクエストに応えるだけなのだ。@ `But I don't believe that, and it's pointless to question them about it.`@ `They are furniture, so they only respond to their master's requests.`@ br ;　もし本当に彼女らが私の家族に手を掛けていたとしても、彼女らを憎むことは出来ない。\ `Even if they really did attack my family, I can't hate them.`\ bg black,22 ;!s0　……私が本当に憎むのは、/ ;!d800……黄金の魔女ベアトリーチェ。@ ;　………もしくは、六軒島疑惑の張本人、/ ;!d1000絵羽伯母さん。/ !s0`......What I really hated, `/ !d800`......was the Golden Witch Beatrice.`@ `.........Or else the ringleader of the Ushiromiya Suspicion, `/ !d1000`Eva oba-san.`/ !sd\ bg par_1c,0 ld r,$RG5_AkuwaraiA1,22 ;「……縁寿さまぁ、早くっ、次のページっ。」@ ;＜マモン `"......Ange-sama, quickly, the next page."`@ ld l,$ENJ_komaruA1,26 ;「あぁ、ごめん。@/ `"Oh, sorry. `@/ ld l,$ENJ_waraiA1,80 ;………疲れたわ。@少し休憩させて？」\ ;＜縁寿 `.........I'm tired.`@` Mind if I take a break?"`\ bg par_1b,23 se1 52 ld r,$RG7_WaraiA1,99,500,"breakup.dll/ulb" ;「きゃはは！@　縁寿さま、休憩だって！」@ ;＜アスモ `"Kyahaha!`@` Ange-sama said break!"`@ se2 52 ld l,$RG6_waraiA2,99,500,"breakup.dll/urB" ;「遊ぼ遊ぼ！@　縁寿さま、遊ぼー！！」@ ;＜ベルゼ `"Let's play, let's play!`@` Ange-sama, let's pla-y!!"`@ br ;　私が勉強を中断したことに気付くと、一番賑やかな末っ子たちが群がってくる。\ `When they noticed that I had interrupted my studying, the most energetic youngest sisters gathered around me.`\ bg par_1c,24 ;　それだけではない。@ `That wasn't all.`@ se1 52 ld c,$MAR_niyariA2,99,1000,"breakup.dll/lrp" se2 52 ld r,$SAK_DefA1,99,1000,"breakup.dll/llp" ;　真里亞お姉ちゃんにさくたろまで姿を現す。@ `Even Maria onee-chan and Sakutaro showed themselves.`@ br ;　私のすぐ近くにいたのだろうが、勉強の邪魔にならないように姿を消していてくれていたに違いない。\ `They had probably been very close by, but they must have hid themselves so that they didn't interrupt my studying.`\ ld r,$SAK_WaraiA1,80 ;『うりゅー！@　縁寿〜！@　お勉強どう？お勉強どう？』\ `『Uryu-!`@` Ange~!`@` How's studying? How's studying?』`\ cl c,24 ld l,$RG5_WaraiA1,23 ;「きゃー！！@　さくたろー！！@　元気ぃいいぃ？！」@ ;＜マモン `"Kyaaah!!`@` Sakutaro-!!`@` How are yooooouu?!"`@ se1 3 ld c,$RG2_odorokiA3,26 ;「ちょっとお！@　私にもモフモフさせてええ！！」\ ;＜レヴィア `"Wait a second!`@` Let me squeeze him tooooooooooo!!"`\ cl c,0 ld c,$SAK_komarua2,0 ld r,$RG1_AkuwaraiA2,64 ;!s0「早い者勝ちだっていつも言ってるでしょう？！/ !s0`"Don't we always say that the first one wins?! `/ se1 47 quakex 3,600 @/ ld r,$RG1_WaraiA1,80 ;　きゃー、可愛い可愛い！」/ `Kyaa, cute, cute!"`/ se1 48 quakey 2,500 se2 48 quakey 2,500 !sd@ ;＜ルシファ ld c,$SAK_odorokiA1,80 ;『うきゅーー、潰れちゃうよー！@　うりゅーー！』\ `『Ukyuu--, you're crushing me-!`@` Uryuu--!』`\ bg par_1b,23 se1 52 ld r,$RG4_AkuwaraiA2,99,500,"breakup.dll/llb" ;「七姉妹が揃ってる時に現れたのが運の尽きだ。@/ `"Your luck ran out when you showed up when all of the Seven Sisters were gathered. `@/ ld r,$RG4_WaraiA1,80 ;大人しく、モフモフされてもらおう。」@ ;＜ベルフェ `Give up and let us squeeze you."`@ ld l,$RG3_OdorokiA1,23 ;「もう！@　いっつもこんなにしてしまって！！@/ `"Come on!`@` It always turns out this way!! `@/ ld l,$RG3_FumanA2,80 ;　愚昧な姉と妹どもが申し訳ありません…！」\ ;＜サタン `I apologize for my stupid older and younger sisters...!"`\ ld c,$MAR_WaraiA2,24 ;「あははははは。@さくたろもみんなに会えて喜んでるよ。@/ `"Ahahahahaha.`@` Everyone's happy to meet Sakutaro. `@/ cl l,0 cl r,23 ld c,$MAR_WaraiA1,80 ;……どう、縁寿？@　お勉強の調子は。」\ ;＜真里亞 `...How's it going, Ange?`@` How is studying?"`\ bg par_1a,0 ld l,$ENJ_DefA2,23 ;「ありがと。@まぁ、そこそこには。@/ `"Thanks.`@` Well, not bad. `@/ ld l,$ENJ_FumanA2,80 ;ご丁寧にも、他のクラスで先にあった小テストのプリントが回してもらえたの。@麗しい連帯感に涙が出るわ。@……とりあえず、年表を頭に入れるだけでも、まぁ、多少はマシかしら。」\ `They were nice enough to pass around printouts from a quiz that another class took earlier.`@` Their beautiful sense of solidarity is enough to bring tears to my eyes.`@` ......Well, at least it's probably better than just putting a timeline into my head."`\ ;se1 52 ld r,$SAk_WaraiA2,24 ;『うりゅ。@縁寿お勉強偉い。@いっぱい点数取れるよ、うりゅ〜〜。』@ `『Uryu.`@` You sure are good at studying, Ange.`@` You'll be able to get a lot of points, uryu~~.』`@ ;se2 52 ld c,$MAR_WaraiA1,24 ;「お疲れ様。@真里亞、お勉強は全然駄目だったから、ちゃんと勉強すれば点数が取れる縁寿が羨ましいよ。」\ ;＜真里亞 `"Good work.`@` Maria was just awful at studying, so jealous of you for being able to get a good score if you study hard."`\ ld l,$ENJ_NayamuA1,80 ;「ご冗談を。@英語、ラテン語、オカルトの知識。@そんなのを丸暗記出来てるお姉ちゃんの方がよっぽどすごいわ。」\ `"You're joking.`@` When it comes to English, Latin, and knowledge of the occult,`@` you're much more amazing for being able to remember everything."`\ bg sky_1a,22 ;「真里亞は魔法のお勉強は何でも覚えられるけど、つまんないお勉強は何も覚えられない。@だからテストでも何も役に立たない。」\ `"Maria can remember anything when studying magic, but can't remember anything boring.`@` So that didn't help at all for tests."`\ ;「確かにオカルトの知識はどうかと思うけど、英語なんかは成績に結びつくんじゃない？」\ `"Well, it's true that occult knowledge would be like that, but your grades must have been pretty good in English, right?"`\ ;「小学１年生の時、国語のテストで、@鉄砲のイラストの脇に四角が４マスあって、そこに名前を書きなさいって問題があった。@ライフルって書いたらバツだった。」@ ;「どうして？@　合ってるじゃない。」\ `"In the first year of elementary school, on a Japanese language test,`@` there was a problem when Maria was given a picture of a gun and four squares, and was told to write its name in the four squares.`@` Got punished for writing 'rifle' (ライフル/raifuru)."`@ `"Why?`@` Doesn't that fit?"`\ bg black,22 ;tttt rifle teppou ;「“てっぽう”が正解だって。@カタカナは小学１年生では習わないから駄目だと言われた。@……真里亞はよくわからないから、@その日以来、テストでは全てひらがなで書くようにしたよ。@でも、なぜかママには怒られる。@先生にも怒られる。」\ `"It was supposed to be the Japanese word for gun #86ef9c(てっぽう/teppou)#ffffff.`/ mov %grim_scene,405 mov %r_hyouji_grim,6 @` Maria was told that it was wrong because you don't learn katakana in first grade.`@` ......Maria didn't really get it,`@` so from that day on, on tests, Maria wrote everything in hiragana.`@` But got in trouble with Mama for some reason.`@` Got in trouble with the teachers too."`\ bg par_1c,0 ld r,$ENJ_NayamuA1,26 ;「…………………。@/ `".................`@/ ld r,$ENJ_FumanA2,80 ;…お姉ちゃんは多分、生まれる国を間違えたわ。」\ `...You were probably born in the wrong country, Onee-chan."`\ ld l,$MAR_NiyariA1,23 ;「なら真里亞、魔女の国に生まれて、魔法学校に入りたかった。@うー。」@ `"Then Maria would like to have been born in the country of witches, and enter a witch school.`@` Uu-."`@ cl r,23 ld r,$SAK_waraiA1,24 ;『そしたら、もっともっと素敵な魔法の友達がいっぱいいたかもね！@　うりゅー！』\ `『If that happened, you might have had friends with much, much more wonderful magic!`@` Uryu-!』`\ ld l,$MAR_WaraiA2,80 ;「うー♪@　でも、別に今は何も気にしてないよ。@/ `"Uu-♪`@` But it's not like Maria minds it now. `@/ ;ld l,$MAR_WaraiA1,80 ;だって、魔法はいっぱい使えるし、魔法のお友達もたくさんいる。@真里亞には、さくたろがいれば充分だもの。」\ `After all, Maria can use a lot of magic, and has a lot of magic friends.`@` Just Sakutaro would be enough for Maria."`\ ld r,$SAK_waraiA3,80 ;『ボクだけじゃないよ！@　さくすけもさくきちも、動物の音楽隊も、アザラシの下田くんもウサギの早苗さんも子豚のピグ夫くんも、他にもいっぱい！』\ `『I'm not the only one!`@` There's also Sakusuke and Sakukichi, the animal band, Shimoda-kun the seal, Sanae-san the rabbit, Mr Pig-kun, and plenty more!』`\ ;　……すごいな。@ ;　お姉ちゃんの友達は増える一方だ。@ `......Incredible.`@ `The number of Onee-chan's friends keeps increasing.`@ br ;　聞く度に友達の名前が増えていく。@ ;　でも、さくたろが一番の友達であることは間違いない。@ `Every time I ask, the number of names for her friends increases.`@ `But there's no doubt that Sakutaro is her best friend.`@ br ;　…そんな親友がちょっぴり羨ましい。\ `...I'm a little jealous of all those close friends.`\ bg par_1a,0 ld l,$ENJ_DefA1,23 ld r,$MAR_niyariA2,24 ;「……どう？@　七姉妹は。@仲良くやれてる？」@ ;＜真里亞 `"......What do you think?`@` About the Seven Sisters?`@` Do you get along with them?"`@ ld l,$ENJ_WaraiA1,80 ;「本当に賑やかな姉妹たちよ。@……たまに物騒なことを言い出すけど、悪くないわ。@/ `"Those sisters are really energetic.`@` They sometimes say shady stuff, but they aren't bad. `@/ ;ld l,$ENJ_DefA1,80 ;…本当はさくたろみたいな、可愛い子が良かったんだけど、今は彼女たちと一緒でも、充分いいかなって思ってる。」\ `...I'd wanted to get a cute kid like Sakutaro, but I think being with them now is more than enough."`\ ld r,$MAR_WaraiA2,80 ;「くす。@もっと私の原初の魔法を学んだなら、きっと縁寿の好みの友達を生み出せるようにもなるよ。@今の縁寿に創造はまだちょっと難しいね。」@ `"*giggle*.`@` If I had learned the Magic of Origins more, I'm sure I would be able to give birth to friends you would like, Ange.`@` Creation would still be a little too hard for you now."`@ ld l,$ENJ_defA2,80 ;「創造と召喚は違う。@……そして、反魂もまた違う。」\ `"There's a difference between creation and summoning.`@` ......And, resurrection is also different."`\ bg white,22 bg sky_1a,22 ;「……………。@やっぱり、一番の願いは、家族を蘇らせること…？」@ `"............`@`So your greatest wish really is to revive your family...?"`@ ;ld l,$ENJ_MajimeA1,80 ;「うん。@…………依り代は持ってるよ。@これ。」\ `"Yes.`@` .........I have a vessel for it.`@` This."`\ ;ld r,$MAR_DefA1,80 ;「そうだね。@…その頭飾りなら、いつかきっと、戦人を呼び出す鍵になるよ。@……あとは縁寿の修行次第だね。」\ `"That's right.`@` ...I'm sure that hair accessory will eventually become the key to summoning Battler.`@` ......The rest is up to your training, Ange."`\ bg par_1b,22 ld r,$ENJ_komaruA1,24 ;「それが、いつまで掛かるのかわからないのが泣けるけれども。」\ `"Although not knowing how long that will take is enough to make me cry."`\ ld l,$SAK_KomaruA1,23 ;『うりゅ…。@辛くてもしっかり…。@縁寿が諦めなければ、絶対に絶対にいつか叶うよ…。』@ `『Uryu...`@` Stay strong, even if it's tough...`@` If you don't give up, Ange, it will definitely definitely be granted someday...』`@ ld r,$ENJ_NayamuA1,80 ;「絶対に叶うという保証を、誰かがくれたなら、きっと心も休まるでしょうにね。」\ `"If someone gave me some proof that it would definitely be granted, at least that would calm my heart."`\ ld l,$SAK_WaraiA1,80 ;『うりゅ！@　ならボクが保証するー！@　縁寿はいつかきっと、必ず願いを叶えられるよ！』@ `『Uryu!`@` Then I guarantee i-t!`@` Without a doubt, Ange will surely have her wish granted someday!』`@ ld r,$ENJ_WaraiA2,80 ;「……ありがと。@気休めでも嬉しいわ。」\ `"......Thanks.`@` I'm happy even for consolation."`\ ld l,$SAK_komaruA2,80 ;『気休めじゃないよぅ、うりゅー。』@ `『It's not consolation, uryu-.』`@ cl r,23 ld r,$MAR_KomaruA1,24 ;「駄目だよ、縁寿。@そういう感情は反魔法の毒素になるよ。@/ `"Stop it, Ange.`@` That kind of emotion will become the magic-resisting toxin. `@/ ld r,$MAR_OdorokiA1,80 ;夢は必ず叶うって気持ちが、一番よく芽吹く魔力の種なんだよ。」\ ;＜真里亞 `The feeling that your dreams will definitely come true is the best seed that buds into magic power."`\ bg par_1a,0 ld c,$ENJ_FumanA2,23 ;「…………。@……そうね、ごめんなさいお師匠様。」\ `"............`@`......That's right, sorry, Teacher."`\ ;se1 52 ld l,$RG5_hohoemiA1,23 ;「縁寿さまは少し強欲さが足りないのよ。@/ `"You need to be a bit greedier, Ange-sama. `@/ ;ld l,$RG5_AkuwaraiA2,80 ;欲しい物のためにはどこまでも！@　手に入れるまで絶対に諦めないという、根性が足りない！」\ ;＜マモン `Go however far for the thing that you desire!`@` You're lacking the willpower to never give up until you get it!"`\ ld r,$SAK_komaruA1,24 ;『うりゅー！@　そんなことないよ、縁寿はがんばってるよ…！』@ `『Uryu-!`@` That isn't true, Ange is doing her best...!』`@ ld c,$ENJ_waraiA1,80 ;「ありがとう、さくたろ、マモン。@泣き言なんて何の足しにもならないもんね。@/ `"Thanks Sakutaro, Mammon.`@` Crying about it won't help anything. `@/ ;ld c,$ENJ_FumanA1,80 ;私にはただがんばるしか道はないのよ。@努力するわ。@歯を食いしばってね。@そして必ず夢を叶えるわ。@絶対に。」\ ;＜縁寿 `There's nothing I can do except hang in there.`@` I'll try hard.`@` I'll grit my teeth.`@` I'll definitely make my dreams come true.`@` Certainly."`\ ld r,$SAK_WaraiA1,80 ;『うりゅ！@　縁寿偉いよ、がんばろう！@　ボクもマモンも応援するー！』@ `『Uryu!`@` You're awesome, Ange, do your best!`@` Mammon and I will support yo-u!』`@ ld l,$RG5_WaraiA1,80 ;「えぇ、応援します。@主が強欲であればあるほど、私たちの価値も上がるというもの。」\ ;＜マモン `"Yes, we'll support you.`@` The greedier our master is, the more our worth will increase."`\ bg par_1c,0 ld r,$RG6_waraiA1,24 ;「それより縁寿さまぁ！@　せっかく１０人も集まったんだしー！」@ ;＜ベルゼ `"More importantly, Ange-samaa!`@` We've finally got 10 people gathered he-re!"`@ ld c,$RG7_WaraiA1,24 ;「みんなでしりとりでもして遊ぼうって提案がありましてぇ！」@ ;＜アスモ `"We planned to have everyone play #86ef9cshiritori#ffffff or something!"`/ mov %grim_scene,406 mov %r_hyouji_grim,7 @ ;tttt ld r,$RG6_waraiA2,80 ;「負けたら罰ゲーム！@　私に耳をかじらせて〜！」\ ;＜ベルゼ `"If you lose, there's a punishment game!`@` Let me nibble someone's ea~rs!"`\ bg par_1b,0 ld l,$RG3_KomaruA1,23 ;「もうッ、あんたの頭には食欲以外ないの？！」@ ;＜サタン `"Come on, is there anything inside your head other than food?!"`@ ld r,$RG1_FumanA2,24 ;「愚妹どもの愚かな提案をお許しください…。@/ `"Please forgive my foolish sisters' stupid proposals... `@/ ld r,$RG1_DefA1,80 ;そろそろ勉強に戻られなくても大丈夫ですか？」@ ;＜ルシファ `Is it really alright for you not to return to your studying about now?"`@ ld c,$RG2_NakuA1,23 ;「やだやだやだぁあああ！！@　ずっとお勉強終わるの待ってたのに、遊んでもらえないなんてやだぁああぁ！」\ ;＜レヴィア `"No, no, nooooooo!!`@` I waited so long for you to finish studying, so I can't stand it if you don't play with us!"`\ bg par_1a,0 ld r,$ENJ_waraiA3,23 ld l,$RG4_HohoemiA1,23 ;「悪くない提案と思います。@たまには遊ぶのも、良い頭の柔軟になるかと。」\ ;＜ベルフェゴール `"I don't think it's a bad idea.`@` Perhaps playing every once in a while is good for softening the mind."`\ ld r,$ENJ_WaraiA1,80 ;「…………ベルフェが司るのは怠惰だっけ？@　もっともらしいことを言ってるけど、うまいことを言ってるわね。」@ ;＜縁寿 `"............You controlled sloth, right Belpha?`@` What you're saying sounds reasonable, but you're actually being sneaky."`@ ld l,$RG4_AkuwaraiA1,80 ;「ふ。@失礼しました。@……縁寿さまは勤勉でおられる。」\ ;＜ベルフェ `"Hmph.`@` My apologies.`@` ......You are diligent, Ange-sama."`\ ld c,$MAR_WaraiA2,23 ;「縁寿さえ良ければ、私もみんなで遊びたいな。@みんなでわいわい。@きっと楽しい。」@ ;＜真里亞 `"If it's okay with Ange, I'd also like to play with everyone.`@` Everyone noisy.`@` It'll definitely be fun."`@ cl r,23 ld r,$SAK_WaraiA1,24 ;『うりゅー！@　縁寿縁寿、遊ぼう遊ぼう！@　みんなでしりとりをやろー！』\ `『Uryu-!`@` Ange, Ange, let's play, let's play!`@` Let's all do shiritori-!』`\ bg black,24 fede 0,2000 bg par_1c,0 ld c,$RG1_akuwaraiA1,23 bgm1 3 ;「では、さくたろの“うりゅー”からスタートで。@/ `"In that case, let's start from Sakutaro's 'uryu-'. `@/ ld c,$RG1_odorokiA3,80 ;………この場合、何からになるの？@　“りゅ”？@　“ゆ”？」\ ;＜ルシファ `.........In this case, what do we start from?`@` 'Ryu'?`@` 'Yu'?"`\ ld r,$MAR_NiyariA2,24 ;「“うりゅー”から？@　……………何だろね。@やっぱり、“りゅ”？」@ ;＜真里亞 `"From 'uryu-'?`@` ............I wonder.`@` Maybe it really should be 'ryu'?"`@ ld l,$ENJ_waraiA1,23 ;「……こんなおかしな語尾の単語が出てくるなんて滅多にないし。」\ ;＜縁寿 `"......It's rare for a word that ends like that to come up."`\ bg par_1b,0 ld r,$RG5_waraiA2,23 ;「じゃあ私が一番！！@　“りゅ”から行くね！@　時計のネジの“竜頭”〜！」@ ;＜マモン `"Then I'm first!!`@` I'll start from 'ryu'!`@` A 'watch ste~m' (ryuuzu)!"`@ ld l,$RG2_OdorokiA1,23 ;「私が一番に言いたかったのにぃ！@　“リュート”の方が素敵ぃ！」\ ;＜レヴィア `"I wanted to say it first!`@` 'Lute' would have been wonderful!"`\ bg par_1c,0 ld r,$ENJ_waraiA2,24 ;「“ず”？@　何だかさっきから難しいのばっかりね。@/ `"'Zu'?`@` Feels like we keep getting tough ones. `@/ ;ld r,$ENJ_DefA1,80 ;…というか、順番どうなってるの？@　次は誰？」\ ;＜縁寿 `...Wait a sec, what order are we going in?`@` Who's next?"`\ ld l,$SAK_DefA1,23 ;『うりゅ。@誰でもいいと思うよ。@思いついた人順でいいよ。』@ `『Uryu.`@` I don't think it matters who.`@` Whoever thinks of something first.』`@ ld c,$MAR_WaraiA2,23 ;「何それ、面白いね。@いっぱい言えた人が勝ち？@　早口しりとりだね！」\ ;＜真里亞 `"What's that? Sounds interesting.`@` The person who can say the most wins?`@` It's fast-talking shiritori!"`\ bg par_1a,23 ld r,$RG6_WaraiA1,24 ;「じゃあ私行くね！@/ `"Then I'll go! `@/ se1 47 ;　“ズッキーニ”！@/ `'Zucchini'! `@/ se2 48 ;　“ニンニク炒め”！@/ `'garlic stir-fry' (ninniku itame)! `@/ se3 4 ;　“芽かぶのパスタ”〜！@/ `'mekabu and pasta'~! `@/ ld r,$RG6_waraiA2,80 ;　どれも美味しそう！@　きゃは、３つも言っちゃったぁ！」@ ;＜ベルゼ `All of them delicious!`@` Kyaha, I said three of them!"`@ ld l,$RG4_FumanA2,23 ;「ベルゼ、３点獲得っと。@/ `"Belz takes three points. `@/ ;ld l,$RG4_HohoemiA1,80 ;……接続詞はありなのか？」\ ;＜ベルフェゴ `......Can you use conjunctions?"`\ ld c,$RG3_IkariA1,24 ;「“の”がありになったら、何でもありになっちゃうわ！！@/ `"If you could use 'and' then anything would work!! `@/ ;ld c,$RG3_FumanA1,80 ;　最後のは駄目よ！@　１点減点！！@　“め”からよ。」@ ;＜サタン `That last one doesn't count!`@` Minus one point!!`@` Let's start from 'me'."`@ cl r,23 ld r,$MAR_WaraiA1,24 ;「じゃあ真里亞ね。@“メレンゲ”〜！」\ ;＜真里亞 `"Then Maria.`@` 'Meringue'~!"`\ bg par_1c,24 ld r,$SAK_odorokiA1,24 ;『“げ”？？@　…う、…う、@……うりゅー！』@ `『'Ge'??`@` ...U, ...u, `@`......uryu-!』`@ ld l,$RG1_AkuwaraiA1,23 ;「“下水道”、/ `"'Drainage system' (gesuidou), `/ se1 47 wait 300 ;“埋立地”、/ `'reclaimed land' (umetatechi), `/ se2 48 wait 300 ;“地下室”。/ `'basement' (chikashitsu). `/ se3 3 ;@ざっとこんな感じ？」@ ;＜ルシファ @`Something like that?"`@ ld c,$RG2_AkuwaraiA2,24 ;「お姉様、何だか品のない単語ばっかりー、くすくす！」\ ;＜レヴィア `"Onee-sama, those are all pretty unrefined words, *giggle*!"`\ ld l,$RG1_OdorokiA1,80 ;「な、何よ、じゃあ品のいい単語で続けてみなさいよっ！！@/ `"S, so what, then why don't you try following up with something refined!! `@/ ;ld l,$RG1_FumanA2,80 ;　とにかく私、３点ね。@次は“つ”よ、“つ”！」\ ;＜ルシファ `Anyways, that's three points for me.`@` The next one's 'tsu' alright, 'tsu'!"`\ bg par_1b,0 ld l,$MAr_NiyariA2,23 ;「こんな変なしりとり初めて。@/ `"Never played such a weird shiritori before. `@/ ld l,$MAR_WaraiA2,80 ;うーうー！@　面白い！」@ ;＜真里亞 `Uu-uu-!`@` Interesting!"`@ ld c,$SAK_WaraiA3,24 ;『うりゅー！@　全然わかんないけど面白い。@うりゅー！』\ `『Uryu-!`@` I don't get it at all, but it's interesting.`@` Uryu-!』`\ bg white,22 bg sky_1a,26 ;　普通のしりとりをしたことはあるけれど、こんなおかしなしりとりは始めての経験だ。@ `I've played normal shiritori before, but I've never experienced a shiritori this weird before.`@ br ;　ただでさえ賑やかな七姉妹に、真里亞お姉ちゃんにさくたろに、私。@ ;　こんな楽しい仲間たちに、私は今や囲まれている。\ `There is only the lively Seven Sisters, Maria onee-chan, Sakutaro, and me.`@ `I'm now surrounded by friends that are just so fun.`\ ;　……魔法の世界、魔女の世界を受け容れる勇気。@ `......The courage to accept a world of magic, a world of witches...`@ br ;　…それを持つだけで、私は相変わらず学園に閉じ込められていて、@クラスにはたったひとりの友達もいないことに変わりはない。@ `...That alone didn't change the fact that I was still locked up in an academy,`@` without a single friend in my class.`@ br ;　にもかかわらず、こんなにも楽しく賑やかに過ごせている。\ `But despite that, I'm able to have such a fun and lively time.`\ ;　………私も、真里亞お姉ちゃんのような、魔女になろう。@ `.........I'll also become a witch, like Maria onee-chan.`@ br ;　そしていつの日にか、この楽しい輪に、家族も加えよう。\ `And someday, I'll add my family to this fun circle.`\ ;　お父さん、お母さん。@そしてお兄ちゃん。@ `Dad, Mom.`@` And Onii-chan.`@ br ;　……もし許されるなら、譲治お兄ちゃんや朱志香お姉ちゃんも。@他の親戚たちも。@ ;　みんなみんなここに呼んで、誰一人欠けることなく、…みんなで集まろう。\ `......If possible, George onii-chan and Jessica onee-chan.`@` And the other relatives.`@ `I'll call everyone, everyone here without a single person missing, ...and we'll all gather together.`\ bg par_1a,0 ld c,$ENJ_komaruA1,26 ;「……それが私の、夢。@/ `"......This is my...dream. `@/ ld c,$ENJ_waraia2,80 ;……そうよ。@私はそれを叶えるまで、絶対に挫けない。」\ `......That's right.`@` Until I make that come true, I definitely won't lose heart."`\ ld r,$RG5_hohoemiA1,24 ;「縁寿さまはきっと大魔女になられます。@あなたがそうだと信じるだけで。@/ `"I'm sure you'll become a Great Witch, Ange-sama.`@` As long as you believe that. `@/ ;ld r,$RG5_AkuwaraiA2,80 ;我ら煉獄の七姉妹は、その日まで常にお側にお仕えするでしょう。」\ ;＜マモン `We Seven Stakes of Purgatory will always serve by your side until that day comes."`\ bg sky_1a,25 ;「いてくれる…？@　いつまでも。@……私の力になってくれる？」@ ;「当然。@だって私、縁寿さまの友達じゃないですか？」\ ;＜マモン `"You'll be there...?`@` No matter how long, `@`......you'll lend me your strength?"`@ `"Of course.`@` After all, I'm your friend, right, Ange-sama?"`\ ;「……………………。@……えぇ、そうね。@常に全員揃って、みんなで遊びましょう。@今も、これからも、ずっと、ずっと。」@ ;「縁寿さまが夢を叶えられる日まで。」\ ;＜マモン `"...............`@`......Yes, that's right.`@` Let's all stick together and play together.`@` Today, and in the future...always...always."`@ `"Until the day that your dream comes true, Ange-sama."`\ bg black,2 ;　１０人での賑やかなしりとりが、@いつまでも温かな日差しの時間のまま切り取られた明るい街並みの中で、いつまでも続けられるのだった……。\ `The lively, ten-person game of shiritori, `@`cut off from time alongside the street, under the constantly bright rays of the sun, could have continued forever......`\ me1v 16,0 fedexx 0,70,0,0,0,0,3000 E_B wait 2000 textoff bg schR_o1a,6 wait 1000 bg black,22 se1v 9,100 wait 1000 E_MA se2v 11,100 bg schR_o3a,1 quakey 4,1000 ;■校舎裏の茂みにて。@クラスの女子たちに囲まれている縁寿。@ ;「………マジ、本当、どーゆうわけぇ、右代宮さぁん？」@ `".........Wait, seriously? What happened, Ushiromiya-saan?"`@ bgm1 16 ld c,$ENJ_komaruA1,6 ;「…………………………。」\ ;＜縁寿 `"........................."`\ ;　……結局。@私はテストで、大した成績を取ることは出来なかった。@ `......In the end.`@` I hadn't been able to make a very good grade on my test.`@ br ;　私なりに暗記をしたつもりだったが、@そんな一夜漬け程度でどうにかなるなら、誰だってテストで悩んだりしない。\ `I had tried to memorize things in my own way,`@` but if you could manage anything by cramming all night like that, no one would worry about tests.`\ me1v 5,50 ;「予め問題がわかってたら、普通、楽勝じゃない？　楽勝ぉ！」@ ;「さすがの私たちも、空欄に答えまでは書き込みませんでしたわ。@その程度はお勉強してくれると信じてましたからぁ。」@ ;「何これ？！@　ちょっとマジこれ、信じらんなぁい！@　ほとんど駄目じゃない？@　あんた本当にちゃんと予習したわけぇ？！」\ `"Normally, when you know the problems beforehand, you'd be able to pass easily, right? Easily!"`@ `"It's true that we didn't go so far as to write the answers into the blanks for you.`@` Because we had thought you'd studied at least that much."`@ `"What the hell?`@` Come on, are you serious? I can't believe it!`@` They're almost all wrong, aren't they?`@` Did you really study properly?!"`\ ld c,$ENJ_komaruA2,80 ;「………………一応…。」\ ;＜縁寿 `".................More or less..."`\ ;「一応ってレベルじゃありませんことよ、右代宮さん。@……ここまでひどいと私、眩暈すらしそうですわよ？」@ ;「おぉ、神よ。@こんなカンタンなテストすら無残な成績を残し、@クラス全体の平均点をガタ落ちさせる彼女をどうかお許しください…！」\ `"This isn't what you call more or less, Ushiromiya-san.`@` ......It's so horrible that it makes me dizzy, get it?"`@ `"Oh, God.`@` Please forgive her for getting a miserable grade on such an easy test,`@` and making the average score for the entire class plummet...!"`\ bg black,22 ;bg sky_3a,25 se1 37 ;「くすくすくすくす、けらけらけらけら、/ `"*giggle*giggle*giggle*, *cackle*cackle*cackle*, `/ se2v 37,100 ;あははははははは。」\ `ahahahahahahaha."`\ bg schR_o3b,24 ;　……同じテストが、先に他のクラスで行なわれた。@ ;　そのテスト用紙が入手されていたので、今回のテストの平均点は非常に高かった。@ `......The same test had been given in another class first.`@ `That test paper had been obtained, so the average score for this test had been unusually high.`@ br ;　私のささやかな点数アップなど霞む位に。\ `Enough to obscure my slight improvement.`\ ;　しかし、……言い訳の余地のない部分も、若干はある。@ `However, ......there were some things that I couldn't make an excuse for.`@ br ;　あの日一日を、死に物狂いで勉強していたなら、あるいはもうちょっとは点数が取れていたかもしれない。\ `If I had spent that entire day studying like mad, I might have been able to get an even higher score.`\ bg black,22 fede 10,1000 ;　……しかし私はそこまではしなかった。@ `......But I hadn't gone that far.`@ br mono 1 bg par_1c,26 ;　だってあの日はあの後、…七姉妹とさくたろとお姉ちゃんと、@……楽しくしりとりをして過ごしてしまったのだから。\ `After all, after that on that day, `@`......I had spent the time having fun playing shiritori with the Seven Sisters, Sakutaro and Onee-chan.`\ bg par_1b,0 ld r,$MAR_WaraiA2,24 ;　優勝したのはやっぱり真里亞お姉ちゃん。@ ;　色々な雑学知識を持っているから強かった。@ `As expected, the winner had been Maria onee-chan.`@ `She had been a strong player because of her various bits of random knowledge.`@ br ld l,$SAK_waraiA3,23 ;　罰ゲームはさくたろだった。\ `Sakutaro had gotten the punishment game.`\ ;　みんなの解答を、きゃっきゃと褒めてるばっかりで、@自分が解答するのをすっかり忘れてたから。@ `He had spent the whole time cheering for everyone else's answers,`@` and had completely forgotten to think of any himself.`@ br bg black,22 ;　……そんなわけで七姉妹に揉みくちゃにされて、耳をはむはむされまくっていたっけ。\ `......Because of that, he had been squished by the Seven Sisters and had his ears thoroughly nibbled, hadn't he?`\ E_A se1 11 me1v 16,50 mono off bg schR_o3a,1 ;「ねぇっ、聞いてる右代宮さん？！」@ `"Heey, are you listening, Ushiromiya-san?!"`@ ld l,$ENJ_komaruA1,23 ;「………………………。」@ ;＜縁寿 `".................."`@ br ;　彼女らは私を取り囲んだまま、小鳥のように囀る。@うるさくて、臭い。@ `They were surrounding me, twittering like small birds.`@` They were annoying, smelly.`@ br ;　その輪の外にマモンがいて、呆れた表情を浮かべている…。\ `On the outside of that circle was Mammon, a shocked expression on her face...`\ se1 52 ld r,$RG5_FumanA1,99,1000,"breakup.dll/urb" ;「相変わらずおかしな学校ね。@自分の成績が良かったなら万々歳じゃないの？」\ ;＜マモン `"This is a messed up school, just like usual.`@` Shouldn't you be more than happy as long as your own grades are good?"`\ ld l,$ENJ_defA2,80 ;「………連帯責任とやらのせいでしょ。@彼女らにとって、自分の成績がどうこうじゃなくて、@クラスの平均点が低くて恥ずかしい方が問題なのよ。@/ `".........It's probably because of that collective responsibility thing.`@` Instead of worrying about their own grades, `@`they're more concerned about how embarrassing it is for the class average to be low. `@/ ld l,$ENJ_fumanA2,80 ;あるいは、その結果、罰則として与えられる奉仕活動が嫌で嫌で仕方ないのかもしれない。」\ `Or maybe it's because they really hate the volunteer work they're forced to do as punishment."`\ ld r,$RG5_KomaruA1,80 ;「それってつまり、成績を良くしたいから勉強してるとかじゃなくて、@連帯責任や奉仕活動が嫌だから勉強してるって意味？」@ ;＜マモン `"So in other words, they aren't studying because they want their grades to be good,`@` but because of collective responsibility and since they hate volunteer work?"`@ se1 52 ld c,$RG2_majimeA1,99,1000,"breakup.dll/llb" ;「……妬ましくて恥ずかしいのよ。@誰かより劣りたくない、辱められたくない。@そんな気持ちだけが、彼女らを勉強に駆り立ててる。」\ ;＜レヴィア `"......They're jealous and embarrassed.`@` They don't want to be inferior than anyone, and they don't want to be humiliated.`@` That's the only feeling that drives them to study."`\ bg schR_o3b,24 me2v 5,50 se2 52 ld l,$RG1_ikariA1,99,1000,"breakup.dll/urb" ;「勉強がしたければ勝手にすればいいのに、騒がしいやつら。」@ ;＜ルシファ `"What noisy people. If they want to study, why can't they just do it themselves?"`@ se1 52 ld r,$RG4_defA1,99,1000,"breakup.dll/ulb" ;「つまるところ。@連帯責任も奉仕活動もなければ、彼女らは勉強などする気もないわけだ。@/ `"In the end,`@` without collective responsibility and volunteer work, they'd have no desire to study. `@/ ld r,$RG4_AkuwaraiA1,80 ;……勉強の意味も知らず勉強することの、何と愚かしいことか。」\ ;＜ベルフェ `......How foolish it is to study without knowing the meaning of studying."`\ me3v 17,50 se1 52 ld c,$RG3_OdorokiA2,99,1000,"breakup.dll/urb" ;「しかし、本当にこいつらはうるさくて馬鹿馬鹿しいッ！@　縁寿さまの貴重な昼の一時を邪魔するなというのに！」\ ;＜サタン `"Still, these guys are so annoying and stupid!`@` Don't disturb Ange-sama's precious day for a minute!"`\ cl l,24 ;se2 52 ld l,$RG7_nakuA1,23 ;「わあん、こいつら嫌いー！！@　早くどっか行っちゃえー！！」@ ;＜アスモ `"Waaah, hate those gu-ys!!`@` Just go awa-y!!"`@ cl r,23 ;se1 52 ld r,$RG6_NakuA1,24 ;「お腹空いたぁあぁ！！@　早く消えちゃえぇ、わあああん！！」\ ;＜ベルゼ `"I'm hungryyyyyy!!`@` Disappear noooooow, waaaah!!"`\ se1 21 ;bg sky_3a,25 bg black,22 ;「………………。@………ごめんね、みんな。@ニンゲンってのはどうしてここまで浅ましいのかしらね。」\ ;＜縁寿 `"............`@`.........Sorry, everyone.`@` I wonder why humans are so shameful."`\ bg schR_o3a,26 ;se1 52 ld c,$RG5_fumanA1,23 ;「自分で努力するより、@縁寿さまに努力させる方が、楽で強欲に平均点を稼げるってことでしょう。@/ `"It's probably because, instead of working hard themselves,`@` it's easier to make you work hard and earn them a higher class average to satisfy their greed. `@/ ;ld c,$RG5_FumanA2,80 ;……ニンゲンなんて、みんな強欲。@そしてより楽なようにそれを強いる。\ `......Humans are all greedy.`@` And they'll burden others with that to make things easier for themselves.`\ ld c,$RG5_ikariA1,80 ;　…こいつらとはやがて、煉獄の山で再会するわ。@第五冠を抜ける時は、せいぜい己が足元に注意することね…。」\ ;＜マモン `...We'll eventually be reunited with them on the mountain of Purgatory.`@` When they get to fifth terrace, they better watch their step..."`\ ;　マモンは、天国へ至る山、煉獄山の第五冠を司る。@ `Mammon controls the fifth terrace of the mountain that reaches to heaven, Mount Purgatory.`@ br ;　……彼女がこう約束してくれた以上、彼女らの死後、のんびりと天国へ旅立てることは断じてないだろう。@ `......Since she's saying this, you can probably be sure that after those girls die, their journey to heaven will not be an easy one.`@ br ;　…いや、むしろ、地獄へ堕ちろ。\ `...No, on the contrary, why don't they just fall into hell.`\ bg black,22 textoff fedexx 0,70,70,70,0,0,3000 wait 1000 ;■教室 mov %play_scene,40160 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj textoff ;bg black,2 ;wait 2000 ;se1 ;チャイム ;bg schR_o1a,6 ;wait 2000 ;bg black,22 E_A wait 1000 bgm1 91 bg schR_R1a,22 ;　クラス委員会は生徒会に対し、昼休みと放課後の教室使用を申請した。\ `The class committee went to the student council and applied to use a classroom during lunch and after school.`\ bg schR_R1d,25 ;　使用目的は、クラス勉強会。@ ;　私ひとりを囲んで勉強させるための、ありがたくて涙が出る催しだった。@ `The purpose of use was for a class study group.`@ `A wonderful little gathering so that they could all surround me and make me study. I'm so grateful I could cry.`@ br ;　私は毎日、昼休みの全てと放課後の３時間を、奪われることになったわけだ。\ `Which meant that every day, all of my lunch and three hours of my afternoon would be stolen.`\ ;　生徒自治をモットーとする学園と生徒会は、@生徒による自主的なこの微笑ましい活動を、二つ返事で承認した…。@ `The academy and its student council, with its theme of student self-government,`@` instantly approved of this pleasant activity that the students were taking up of their own initiative...`@ br ;　つまり私は、放課後に逃げるように教室を後にすることが、出来なくなったわけだ…。\ `In other words, I was no longer able to escape after school by leaving the classroom...`\ bg black,22 me1v 12,50 bg schR_R1b,26 ;　放課後に、さっそく第１回のクラス勉強会が開かれた。@ `After school, the first class study group meeting started right away.`@ br ;　教科書を開いて、私にもわかるように懇切丁寧に教えてくれる？@　そんな甘い幻想はさすがにない。\ `Would they open a textbook, then kindly and carefully explain so that even I could understand it?`@` Of course it didn't turn out to be like such a naive illusion.`\ bg schR_R1d,5 ;　放課後の教室に、私の席を取り囲むように十数人のクラスメートがいた。\ `After school in the classroom, dozens of my classmates crowded around my desk.`\ ;　まず、勉強を始める前に。@ `First, before we started studying...`@ br ;　なぜ私の成績が悪いのか。@ ;　その理由は何なのか。@ ;　それをはっきりさせて、自覚、反省をしてもらわないことには始まらない、ということになった。\ `Why were my grades so bad?`@ `What was the reason?`@ `It was decided that we couldn't start until I could clearly answer those questions, become aware of the problem, and show regret for my actions.`\ bg black,22 ;　……もちろん、そんなことを聞かれても、私には答えられるわけもない。\ `......Of course, there's no way for me to respond when asked a question like that.`\ ;　彼女らは私を忌み嫌ってきた。@ ;　そしてコミュニティに私を加えないよう、拒絶して遠ざけてきた。@ `They have come to loathe me by now.`@ `And they have come to reject me and keep me at a distance so that I can't join in on their community.`@ br ;　だから私も、彼女らのコミュニティを避けるようにしてきた。@ ;　そこに、両者の衝突はないはずだ。\ `So I've started avoiding their community myself.`@ `There shouldn't have been any conflict for either of us that way.`\ ;　だから、彼女らがクラスの平均点を上げようと意気込むそのコミュニティにも、@当然、私は足を遠ざけた。@ `So even in this group that was enthusiastic about raising the class average, `@`they obviously kept me at a distance.`@ br ;　私がそのコミュニティに加わろうとしても、@彼女らはそれまで常にそうしてきたように、私を無視しただろう。\ `Even if I tried to join in, `@`they would probably ignore me, like they always did in the past.`\ textoff me2v 11,90 bg schR_R1c,22 ld c,$ENJ_komaruA1,6 wait 2000 ;「言ってくれれば私たち、いくらでも教えてあげたよ？@　ねーーー？！」@ ;!s0「「「ねえーーーーッ！！！」」」/ `"If you ask, we'll teach you whatever you want.`@` Okaaaaaaaaaay?!"`@ !s0`"""Okaaaaaaaaaaaaay?!!!"""`/ ;quakey 4,1200 !sd@ br ;　彼女たちはそう息巻く。@ ;　……彼女たちの後付けの偽善はもううんざりだった。\ `They were getting themselves all worked up.`@ `......I've already had enough of the hypocrisy in their little postscript there.`\ ;bg schR_R1a,23 ;「右代宮さんの悪いところはね、協調性がないところなのよ。@自分さえ良ければいいって思ってるその考えがいけないのよ。」@ ;「聖ルチーアの学び舎に集う者は協調の心を持つように。@ちゃんと生徒手帳にも明記されてましてよ？」@ ;「協調性があれば、@クラス全体に貢献するために一緒にお勉強しようという意思も生まれると思うの。@そここそが右代宮さんに、お勉強以前に欠けている部分だと思うんだけど、どう思うかしらぁ？！」\ `"Ushiromiya-san, the thing that's bad about you is that you're lacking a cooperative personality.`@` You must not think that everything's fine as long as it's alright for just you."`@ `"Those who gather in Saint Lucia's place of learning shall have a cooperative heart.`@` It's written right there in the student handbook, right?"`@ `"I think having a cooperative heart is what gives birth to the desire to study together and contribute to the entire class.`@` I believe that itself is the thing you lack before you even start studying, Ushiromiya-san, `@`but what do you think?!"`\ ;bg schR_R1b,24 bg black,22 ;「ねーぇ、さっきから私たちの話を聞いてるゥ？！@ `"Heeey, have you been listening to us?!`@ ;br ;　(貴女のため/・・・・・)に私たちはわざわざ放課後に残ってこうしてお話しているのよー？！」\ ;＜点処理：貴女のために `We went to all the trouble of staying after` br `school to say this `(`for your sake`/・・・・・・)`, you see?!"`\ ;　…………………。@ありがたくて、涙が出る。\ `..................`@`I'm so grateful I could cry.`\ bg schR_R1d,26 ;　もちろん、それを咎められた。@ `Of course, they didn't like that.`@ br ;“これではまるで、私たちが虐めてるみたいじゃない”と、さらに叱責された。@ `'This way, it almost makes it look like we're bullying you', they reprimanded me.`@ br ;　幸い、涙なんて普段から絞り尽くしてる。@ ;　泣くなと言われたなら、堪えることだって出来るさ。\ `Fortunately, I'm normally all cried out anyways.`@ `If I'm told not to cry, I can hold it back.`\ ;　私はまず、反省文を書かされて、発表させられることになった。@ ;　もちろん、今日の話だ。\ `First, I was made to write a letter of remorse and read it out loud.`@ `Of course, this was to be done by today.`\ bg black,22 ;　クラス委員長が律儀に生徒会と職員室に、教室使用の延長を申請してくれた。@ ;　……あっさり受理されたらしい。@ `The class committee politely applied to the student council and the staff room for an extension on the use of this classroom.`@ `......It seems it was accepted right away.`@ br ;　つまりこれで、私は今からたっぷり５時間以上もここで自己批判を強いられるわけだ……。\ `Which means that starting now, I'll be forced into self-criticism for at least a full five hours here......`\ br ;　――右代宮縁寿は、テストの成績が低くて、クラスメートに迷惑を掛けました。\ `――Ushiromiya Ange got a low score on her test and caused trouble for her classmates.`\ bg schR_R1b,0 ld c,$ENJ_komaruA1,1 ;!s0「違うでしょぉーッ？！？！」/ !s0`"That's not it, riiight?!?!"`/ se1 11 quakex 4,500 !sd@ ;「成績が低くて迷惑を掛けたってのは、根本じゃないでしょお？！」@ ;「協調性でしょ、協調性！！」@ ;「もーッ！！@　何で右代宮さんの反省文の書き方まで私たちが指導しなくちゃならないのよー！」@ `"You getting low grades and causing us trouble isn't the root of the problem, right?!"`@ `"It's a cooperative attitude, right? A cooperative attitude!!"`@ `"Come ooon!!`@` Why do we even have to direct Ushiromiya-san on how to write a letter of regret!"`@ br ;　彼女らの口汚い罵声が次々飛び交う。\ `Their abusive jeers flew about one after another.`\ ;bg black,25 ;　私は彼女らの“指導”に従い消しゴムを入れた。@ `I followed their 'directions' and erased it.`@ br ;　――右代宮縁寿は、協調性がなくて、クラスメートに迷惑を掛けました。\ `――Ushiromiya Ange didn't have a cooperative attitude and caused trouble for her classmates.`\ ;bg schR_R1a,22 textoff se1 9 quakex 3,400 ;「ねぇ、ちょっとお、私たちが言ったのをそのまま書いても意味ないのよ？！」@ ;「あんた、反省って意味、わかってんのー？！」@ ;「自分の言葉で書かなくちゃ意味がないじゃない、自分の言葉で書かなくちゃッ！」@ ;「右代宮さんって、ちょっと不思議な子だなって思ってたけど、やっぱり変わってるよねー！@　くすくすくすくす！」\ `"Hey, wait a sec, it's pointless if you just write whatever we say, right?!"`@ `"Do you really know what 'regret' means?!"`@ `"It's pointless if you don't write it in your own words, pointless!"`@ `"I've always thought you were a bit strange, Ushiromiya-san, but you really are weird!`@` *giggle*giggle*giggle*!"`\ ;　彼女らの指導に従っても、あまり罵声は変わらず、むしろ嘲りも増えた感じだった…。\ `Even following their directions didn't change the jeers much, and now it felt like they were mocking me as well...`\ ;bg black,22 ;bg schR_R1b,22 ;　私はそうして数時間もの間、休むことも、お手洗いに行くことも許されず、@当然、夕食さえも許されずに、延々と罵倒されながら。@ `So for several more hours, without rest, without even being allowed to go to the bathroom,`@` and of course not permitted to have dinner, as I was continuously abused...`@ br ;　……自らを辱める文章を書き上げることを強要され続けた……。\ `......I was coerced into writing a paragraph which humiliated myself......`\ bg black,5 fede 0,5000 wait 1000 bg schR_R1aN,2 bgm1v 79,90 ;　そして夜も９時を回り、……私はそれを起立して読み上げるように言われた。@ `And at about 9:00 that night, ......I was told to stand up and read it aloud.`@ br ;　その文面は、/ ;!d800……涙の跡と消しゴムの跡で真っ黒にくすんでいた。\ `The contents, `/ !d800`......were smeared black with tears and eraser marks.`\ ;!s0　確かに私の筆跡だけれど、/ ;!d900……まるで内容に覚えのない、/ ;!d1000魂の篭らぬ文字が列挙されている。/ !s0`It certainly was my handwriting, `/ !d900`......but it was like a list of soulless letters, `/ !d1000`whose contents I couldn't even remember.`/ !sd\ bg black,22 ;　それらは全て彼女らが指導したものを書き写したものだ。@ `Everything had been copied down according to their orders.`@ br ;　だから、たとえ私の文字で書かれたとしても、私の言葉ではない。\ `So while I had been the one to write the letters, they weren't my words.`\ ;　それを書き取ることを強要され、さらに発表することを強要される。@ `I was being coerced into writing it down, and even coerced into reading it aloud.`@ br ;　………私は、人の虐め方には、無視や、物を隠すだけでなく、@こういうものもあるのかと今さらながら驚かされる……。\ `.........Even after all this time, I was surprised to find that in addition to ignoring them and hiding their things,`@` there are other ways, like this, to bully people......`\ bg schR_R1cN,22 ;「ほらあ！@　早く読み上げなさいよー！！」@ ;「右代宮さんのために、これだけの人間がこんなに遅くまで付き合ってるのよ？@　少しは感謝したら？」@ ;「そこで感謝の気持ちがわかないという時点で、もう協調性が欠片ほどもないのよね？」@ ;「大丈夫よ、右代宮さん。@これからは私たちがいつも一緒にいてあげるから。@一緒にお勉強して、生まれ変わりましょう？@　ね？」@ `"Heey!`@` Read it aloud quickly!!"`@ `"Look how many people are staying this late just for you, Ushiromiya-san.`@` Why not thank us a little?"`@ `"Isn't the fact that she doesn't feel gratitude a sign that she doesn't have a scrap of a cooperative attitude?"`@ `"It's alright, Ushiromiya-san.`@` We'll always be with you from now on.`@` Why not study with us and remake yourself?`@` Okay?"`@ se1v 37,100 ;「くすくすくす「あははははは「きゃっひゃひゃひゃひゃひゃ！！」」」/ `"*giggle*giggle* "Ahahahahaha "Kyahhhyahyahyahya!!"""`/ se2 37 \ bg black,25 ;　私は彼女らに囲まれたまま、席を起立し、……その黒ずんだページに目を落とす。@ `As I stood by my seat, surrounded by them, ......I dropped my gaze towards the blackened page.`@ br ;　そして……その辱めの言葉を口にするが、@すぐに、よく聞こえない、もっと大きな声でと罵声が飛んだ。\ `And then......I spoke those humiliating words, `@`but right away, jeers flew at me saying that they couldn't hear and to speak up.`\ bg schR_R1aN,0 ld c,$ENJ_hanbesoA1,26 ;　……………読めない。@ `............I can't read it.`@ br ;　自らの口で、自らを辱める文章を読まされることが、こんなにも辛いことだなんて、@知らなかった。@ `I had no idea...`@`that being forced to read a paragraph humiliating me would be so painful.`@ br ;　喉が震える。@指先も震える。@ ;　……自らの筆跡で書かれた屈辱的な文章が、瞳の奥を熱い液体が焼く。\ `My throat shook.`@` My fingertips shook.`@ `......The paragraph of humiliation written in my own handwriting made my eyes burn with a hot liquid.`\ lsp 901,":c;"+Different_spiral_1a,0,0,128 print 2 me4v 17,70 ;　だから世界が潤んで歪んだ。@ `So my world blurred and twisted.`@ br ;　私を取り囲む彼女らがみんな歪んで見えた。@ `I saw the girls surrounding me twist and bend.`@ br ;　……私が彼女たちに持っていた印象そのままの姿に歪んで見えた。@ ;　だからそれはつまり、……正しい視界だった。\ `......I saw them twist and bend into the impression I had of them.`@ `In other words, ......that was my true field of vision.`\ ;vsp 901,0 bg black,25 ;vsp 901,1 bg schR_R1a,0 ld r,$RG5_KomaruA1,0 ld l,$RG1_komaruA1,22 ;　その歪んだ人垣の向こうに、……私の友人たちの姿が見える。@ ;　皆、瞳には同情を浮かべていた。\ `Beyond that twisted crowd of people, ......I could see my friends.`@ `Compassion could be seen in all of their eyes.`\ bg schR_R1b,24 ld r,$MAR_komaruA1,24 ;「………縁寿、………しっかり…。」@ ;＜真里亞 `".........Ange, .........stay strong..."`@ ld l,$SAK_nakuA1,23 ;『うりゅー………。』\ `『Uryu-.........』`\ ;　真里亞お姉ちゃんとさくたろが、悲しい目で私を見ている。@ ;　安っぽい同情の言葉すらも、私を傷つけると知っているからだろうか。@ `Maria onee-chan and Sakutaro were looking at me with sad eyes.`@ `Probably because they realized that even cheap words of compassion would hurt me.`@ br ;　……何かを口にしようとしては俯くことを、繰り返す。\ `......They kept alternating between trying to say something, and hanging their heads.`\ bg schR_R1d,23 se1 52 ld r,$RG7_IkariA1,99,500,"breakup.dll/ulb" ;「何なのよ、こいつら…！！」@ ;＜アスモ `"What the hell's wrong with these people...!!"`@ se2 52 ld c,$RG6_ODorokiA2,99,500,"breakup.dll/ulb" ;「最低のヤツら！@　腸が煮えくり返るわよ！@　縁寿さまを寄って集って嬲り者にして、何が楽しいわけッ？！」@ ;＜ベルゼ `"They're just the worst!`@` Really pisses me off!`@` What's so fun about gathering around Ange-sama and torturing her?!"`@ se3 52 ld l,$RG2_FumanA1,99,500,"breakup.dll/ulb" ;「妬ましくても吐き出せない怨嗟。@誰でもいいのよ、吐き出せればね。@最低のヤツら。」\ ;＜レヴィア `"Resentment that can't be spat out despite their jealousy.`@` It doesn't matter who, as long as they can spit it out.`@` They're the worst."`\ bg schR_R1d,25 se1 52 ld c,$RG3_OdorokiA2,99,500,"breakup.dll/lrb" ;「縁寿さまッ！@　ここはご自身の名誉のために怒り狂うことが許される場面です！！@　怒りは正当な感情で正当な反応！@　ここで怒らなかったら、どこで怒るんですかッ！！」@ ;＜サタン `"Ange-sama!`@` In this kind of situation, it's alright to go mad with rage for your own honor's sake!!`@` Anger is an appropriate emotion and an appropriate reaction!`@` If you don't get mad now, when will you get mad?!!"`@ se1 52 ld r,$RG1_OdorokiA1,99,500,"breakup.dll/llb" ;「やめなさいよ、安っぽく縁寿さまを怒らせないでっ！！@　それが出来たらもうやってるわよ縁寿さまはっ！！」\ ;＜ルシファ `"Stop it, don't stir Ange-sama up with cheap anger!!`@` If Ange-sama could do that, she would have done it already!!"`\ se1 52 ld l,$RG4_FumanA1,99,500,"breakup.dll/lrb" ;「……………怒って状況が改善できるならそうすべきだ。@だが、客観的に判断して、それはますますに状況を悪化させるだけだろう。@……屈辱的だが、今は耐えるのが賢明だ。」\ ;＜ベルフェ `"............You should do so only if the situation could improve by getting angry.`@` However, from a objective viewpoint, it seems doing that would only aggravate the situation further.`@` It may be humiliating, but the wisest thing to do now is to withstand it."`\ bg schR_R1c,23 ld r,$RG5_AkuwaraiA3,24 ;「あっは！@　さっすがベルフェ姉は怠惰やってます！@/ `"Ahha!`@` You really are a sloth, Belpha! `@/ ld r,$RG5_ikariA2,80 ;　ふざけないでよ、私は耐えられない！！@　こいつらが許せないッ！！」\ ;＜マモン `Quit fooling around, I can't stand this!!`@` I can't forgive them!!"`\ ld l,$SAK_nakuA1,23 ;『…み、みんな騒がないで…。@縁寿の負担になっちゃうよ…。』@ `『...E, everyone, calm down...`@` It'll become a burden for Ange...』`@ ld r,$RG5_odorokiA1,80 ;「負担？！@　なに言ってんのよ、ここは騒ぐところでしょ？！@　私たち家具は、主が侮辱されているのを見て冷静で居られるほど残酷じゃないッ！！」\ ;＜マモン `"A burden?!`@` What are you talking about? Is this the time or place to be calm?!`@` We furniture are not so cruel as to cooly watch when our master is humiliated!!"`\ cl l,24 ld l,$RG3_ikariA1,23 ;「縁寿さまッ！！@　そんな侮辱の文章を読む義務はありません！@　怒りの声を上げられないなら、せめてその屈辱の文面を床に叩きつけて！！」\ ;＜サタン `"Ange-sama!!`@` You have no obligation to read such a humiliating letter!`@` If you can't let out a cry of rage, then at least throw it onto the floor!!"`\ ld r,$RG5_FumanA1,80 ;「口汚く罵らなくていい、仰け反らせるほどの大声をあげなくていい！@/ `"You don't need to trash talk them, you don't need to yell so loud that they bend over backwards! `@/ ld r,$RG5_OdorokiA2,80 ;　ただ渾身の力でそのノートを床に叩きつけて…！！@　それだけのことで、縁寿さまは強い意思を示すことが出来る！！」\ ;＜マモン `Just throw the notebook on the floor with all your might...!!`@` By doing just that, you'll be able to show your strong will!!"`\ me2v 5,70 bg schR_R1a,0 ld r,$RG1_odorokiA1,63 ;「勝手なことを言わないでっ！！@　言ってるでしょ？！@　それが出来るもんなら縁寿さまだってとっくにやってる！！」@ ;＜ルシファ `"Don't start running on by yourself, Mammon!!`@` I told you, right?!`@` If Ange-sama could do it she would have done so long ago!!"`@ ld l,$RG4_FumanA2,80 ;「一時の感情の爆発は何も解決しない。@/ `"Nothing will be resolved by the eruption of momentary emotions. `@/ ;ld l,$RG4_KomaruA1,80 ;むしろ、縁寿さまに対する風当たりを悪くするだけだとなぜわからん！」\ ;＜ベルフェ `Why don't you understand that doing that will only worsen the oppression towards Ange-sama?!"`\ bg schR_R1b,24 ld r,$RG7_NakuA1,64 ;!s0「わああああああん！！/ !s0`"Waaaaaaaaaaaaahh!! `/ quakex 5,400 ;!sd@　縁寿さまは悪くないのに何でこんな目に遭うのお？！」@ ;＜アスモ !sd@`Why is this happening to Ange-sama when she didn't do anything wrong?!"`@ ld c,$RG6_NakuA1,64 ;!s0「夕飯も食べさせてもらえないで、放課後からずっとこんななんて嫌ぁああああ！！」/ !s0`"Not letting her eat dinner, and making her stay so long after school! I hate iiiiiiiiiiiiit!!"`/ quakey 4,400 !sd\ ;＜ベルゼ ld l,$RG3_OdorokiA1,23 ;「今夜だけじゃないわ、今日も明日も明後日も！！@　いい加減にして、こんな屈辱耐えられないッ！！」\ ;＜サタン `"And it's not just tonight, but tomorrow and the day after too!!`@` That's enough, you can't simply sit there bearing this humiliation!!"`\ vsp 901,0 E_MA se1 11 bg black,1 br ;「ねえ！！　私たちの話、本当に聞こえてるッ？！」\ `"Hey!! Are you really listening to us?!"`\ bg schR_R1d,22 me1v 11,70 ;　私の髪が、ぐいっと引っ張られる。@ ;　……私は無惨な現実に引き戻された。@ `Someone tugged at my hair.`@ `......I was torn back into the tragic reality.`@ br ;　…七姉妹たちが私の胸中を代弁してくれるその言葉に耳を傾けることさえ、もはや許されなかった。\ `...I was no longer even permitted to listen to the Seven Sisters speaking on my behalf in my heart.`\ bg black,22 ;　掴み上げられ、片方の髪飾りが取れ、床にコツンコツンと落ちて転がる音が聞こえた。\ `My hair was lifted upwards, one of my hair ornaments came off, and I could hear the sound of it rolling on the ground.`\ ;　……誰も拾わない。@ `......No one picked it up.`@ br ;　むしろ、何か汚いものでも転がってきたかのように、さりげなく避けた。@ ;　私がそれを目で追おうとすると、再び髪が掴み上げられた。\ `To the contrary, they casually avoided it as though something filthy was rolling towards them.`@ `I tried to follow it with my eyes, but my hair was tugged upwards again.`\ bg schR_R1bN,0 ld c,$ENJ_hanbesoA1,26 se1 11 quakex 3,400 ;「何で私たちがこんなに真剣に話してるのに、いっつも聞いてないわけ？！」@ ;「右の耳から左の耳ってヤツぅ？@　それとも馬の耳に念仏かしらぁ？！@　あんた、いい加減にしてよね？！」@ `"Why do you ne-ver listen to us, even though we're talking about something so serious?!"`@ `"In one ear and out the other, is it?`@` Does anything get into that thick skull of yours?!`@` Get a grip, alright?!"`@ ;bg schR_R1aN,23 ;「私たち全員に迷惑掛けてるって自覚、本気であるの？@　私たちに言われてるから嫌々、書いたとか言い出すんじゃないでしょうね？！」@ ;「あんたが本当に自分の意思で反省できるまで、マジで終わんないからね？@　今日だけじゃないよ。@明日も明後日もマジで続くからね？@　あんまり舐めてんじゃないわよッ？！？！」\ `"Are you really conscious of the trouble you're causing us?`@` You aren't going to start saying that you just wrote it grudgingly because we told you to, right?!"`@ `"Until you really show regret of your own will, this seriously isn't gonna end, right?!`@` It's not just for today.`@` It'll seriously keep on going tomorrow and the day after, you see?`@` Don't fuck with us, okay?!?!"`\ ;bg schR_R1cN,24 me2v 5,70 ;「つーかさぁ、何でまだ生きてんの？@　生きてられる普通？@　私なら死んじゃうね！」@ ;「生きてられないよねー？！@　だってさ、生きてるだけで迷惑掛けてるだけでしょ？@　私だったら絶対に生きてられない！」@ ;「うんうん、私だったら死ぬね。@その方が世の中のためになるなら、すぐにでも死んじゃうよー！　ねええー！！」\ `"I mean, why are you still even alive?`@` Is it normal to go on living like this?`@` If it were me, I'd just die!"`@ `"You can't live like this, can you?!`@` 'Cause you being alive just means getting in other people's way all the time, right?`@` If it were me, I definitely couldn't live on!"`@ `"Yeah, yeah, I'd die too.`@` If doing that's better for the world, then I'd die right away! Riiiiiiiiight?!!"`\ bg black,22 ;　……じゃあ死んでよ。\ `......Then die.`\ bg schR_R1cN,22 vsp 901,1 ld r,$RG5_komaruA2,99,2000,"trvswave.dll/h" ;「縁寿さま……。」@ ;＜マモン `"Ange-sama......"`@ ld l,$ENJ_hanbesoA2,23 ;「こいつら全員、今すぐ殺してよあんたたちッ！！@　ルシファー、聞こえたッ？！」@ `"Kill all of them now, you guys!!`@` Lucifer, can you hear me?!"`@ bg schR_R1b,0 ld c,$RG1_komaruA3,23 ld c,$RG1_komaruA2,80 ;「えっ、……あ…。」\ ;＜ルシファ `"Uh, ......ah..."`\ cl c,0 ld r,$RG1_komaruA2,0 ld l,$ENJ_hanbesoA3,23 ;「あんたたち煉獄の七姉妹は、ニンゲンなんかあっという間に皆殺しに出来るすごい家具なんでしょ？！@　あんたらいつも私にそう自慢していたわッ！！@　ならやって！@　今すぐこいつらを皆殺しにしてッ！！@　今すぐこの場でッ！！」@ `"You Seven Sisters of Purgatory are incredible furniture that can massacre mere humans in a flash, right?!`@` You're always boasting about it to me!!`@` Then do it!`@` Massacre them right now!!`@` Right here, right now!!"`@ ld r,$RG1_komaruA3,80 ;「………それは……………、」@ ;＜ルシファ `".........Well..............."`@ br ;　ルシファーはなぜか口篭る。\ `For some reason, Lucifer hesitated.`\ me3v 18,50 ;　……何で？@　どうしてよッ？！@ ;　目にも留まらぬ速度で飛び回って、魔女の敵の心臓を即座に貫く、必殺の家具でしょう？@ ;　そしてそれを主である私が命じてる！！@ `......Why?`@` What's wrong?!`@ `You're certain-kill furniture that can fly around faster than the eye can see and instantly pierce the hearts of a witch's enemies, right?`@ `And I am giving you an order as your master!!`@ br ;　今すぐ実行しなさい！@　殺して！！@　こいつらをみんな殺せええええぇええぇえぇッ！！\ `Carry it out right away!`@` Kill!!`@` Kill them aaaaaaaaaaaaaaaaaaaall!!`\ cl a,0 ld c,$RG1_KomaruA2,24 ;「……………………え、縁寿さま……。@…どうか、落ち着いて……、」\ ;＜ルシファ `"..................A, Ange-sama......`@`...Please, calm down......"`\ vsp 901,0 bg black,25 bg blood_1a,22 ;　もしも彼女らが私の残酷な命令に直ちに従い、私を中心に屍を累々と並べて見せたなら。@ `If they had immediately followed my brutal order, making heaps of corpses with me at the center...`@ br ;　……私は人の命をあっさりと奪ってしまった自分の暴挙を、悔いて後悔し、彼女らが望んだように自ら反省するつもりでいた。@ ;　その覚悟があった。\ `......I was ready to reflect on my own reckless actions of stealing human lives so readily...ready to regret and repent, just as they had wanted me to.`@ `I was prepared to do that.`\ ;　なのに、ルシファーは戸惑いの表情を見せるだけで、私の命令を実行しようとはしなかった。\ `And yet, Lucifer just let an unsure expression rise to her face, and didn't move to carry out my order.`\ bg black,25 fede 10,1000 ;　………………わかってた。@ `...............I've understood.`@ br ;　わかってたさ。@……薄々は。@ ;　いや、違う。@……最初っから知ってたんだ。@ `I've understood for a while.`@` ......Vaguely.`@ `No, that's not it.`@` ......I've known from the beginning.`@ br ;　だから私は……、……魔法なんて虚しいって、わかってたんじゃないか……。\ `So I've......, ......understood that this magic is all empty, haven't I......?`\ fede 0,3000 wait 2000 me1v 17,70 vsp 901,1 bg schR_R1a,26 ld l,$ENJ_hanbesoA2,24 ;「……何が煉獄の七姉妹よ…。@……下らない、下らない…。@…………私、最初っから知ってたんだから……。」@ `"......The Seven Sisters of Purgatory? Yeah, right...`@`......Foolish, foolish...`@`............And I've known that from the beginning......"`@ ld r,$RG1_komaruA3,24 ;「…………え、……縁寿さま…。@/ `"............A, ......Ange-sama...`@/ ld r,$RG1_NakuA1,1 ;!s0…………ッ、ッッッッ……！！！」/ !s0`............a, aaaaaahhh......!!!"`/ quakex 4,400 !sd\ me2v 19,70 ;　不甲斐ないルシファーの瞳をぎょろりと睨みつける。@ `I glared into the worthless Lucifer's eyes.`@ br ;　…するとその凝視は、どうやら痛みを伴ったらしい。@ ;　ルシファーは凄まじい頭痛に襲われたかのように、自らの頭を両腕で抱え込む。\ `...And it seemed that pain accompanied that gaze.`@ `As though she was being assaulted with a violent headache, Lucifer grasped her head with both arms.`\ ;　しかし、私の凝視から目は剥がせないらしい。@ ;　……だからますますに激痛が彼女を襲う。\ `But it looked like she couldn't tear her eyes off my gaze.`@ `......So she was assaulted with a pain that grew more and more violent.`\ ;bg schR_R1c,24 cl a,0 ld c,$ENJ_ikariA2,3 ;「…………………………………。」@ ;＜冷酷に凝視する縁寿 ;Ange glaring heartlessly lol `"........................"`@ se1 13 quakey 3,500 ;「ぐぐぐ、あ……がが、が………ッ！！/ `"Guhguhguh, ah......gahgaaa, agaa.........!! `/ se2 10 quakex 4,800 se3 11 quakey 3,600 ;@　はがッ！！！」/ @`Gyack!!!"`/ se1v 12,100 se2v 1100,100 quakey 5,1000 \ bg black,22 me3v 16,80 ;　役立たずが役立たずが……！！@ ;　あんたなんて大嫌いッ！！@　消えてしまえ…！！@ `Useless, useless......!!`@ `I hate you!!`@` Disappear...!!`@ br ;　(あんたなんて所詮、私の中の妄想じゃない/・・・・・・・・・・・・・・・・・・・)…！！！\ ;＜点処理：あんたなんて所詮、私の中の妄想じゃない (`You're nothing but a delusion inside my head`/・・・・・・・・・・・・・・・・)`...!!!`\ bg schR_R1a,0 ;ld r,$ENJ_NiramuA1,0 mld l,$RG1_NakuA1,23 ;　絶望と失望。@ ;　諦めと夢の終わり。@ ;　厳冬の湖で、氷結した湖面が立てるような亀裂音が一度だけ響く。@ `Hopelessness and disappointment.`@ `Resignation and a dream's end.`@ `A cracking sound, like you'd hear from a frozen lake's surface during a fierce winter, rang out just once.`@ se1v 1006,100 msp msp_l,0,0,-180 print 1 br ;　その音と同時に、激痛に苦しむルシファーの姿が、そのままの姿で硬直し、白濁した。\ `At the same time, Lucifer's form, which was being tormented by a violent pain, stiffened in place and grew cloudy.`\ ;　……まるで、美しく磨かれた窓ガラスが、@無残に叩き割られ、無数のひびによって真っ白になってしまうのに、よく似ていた。\ `......It was almost as though a beautifully polished glass window had been heartlessly smashed and turned white from the countless fissures.`\ ;　そしてそれは、正しい表現だった。@ ;　ルシファーの姿は、ルシファーの姿をしたガラス製の置物に、いつの間にか代わっている。\ `And that was an accurate analogy.`@ `At some point, Lucifer's form had turned into a glass ornament of the same shape.`\ E_A mcl l,0 se1v 1100,100 se2 1006 print 99,3000,"breakup.dll/urB" se3 39 ;　それは内側より無数の亀裂を走らせて、頭や腕などを瓦解させながら崩れ落ちた。\ `Countless fissures ran through it from the inside, and as the head and arms collapsed, it crumbled to the floor.`\ bgm1 24 ld l,$RG7_odorokiA3,23 ;「ひいィッ？！！」@ `"Eeeek?!!"`@ ld c,$RG6_komaruA2,23 ;「ル、ルシ姉…ッ！！」\ ;＜アスモ・ベルゼ `"L, Luci-nee...!!"`\ bg black,25 se3 39 bg schR_R1c,24 ld c,$ENJ_ikariA2,23 ;「…………次女は誰…？@　レヴィアタン？@/ `"............Who's the second sister...?`@` Leviathan? `@/ ld c,$ENJ_hanbesoA3,80 ;　私の命令を実行して。@今すぐにこいつらを皆殺しにしてッ！！」\ ;＜縁寿 `Carry out my order.`@` Massacre them right now!!"`\ bg schR_R1d,25 ld c,$RG2_odorokiA3,26 ;「い、いえあのッ！@　……そ、その縁寿さま…。@……どうかお気を静めてお聞き下さい…。@/ ;!s0私たちはその、/ `"N, no, um!`@` ......Err, Ange-sama...`@`......Please calm your heart and listen... `@/ !s0`We, umm, `/ ld c,$RG2_nakuA1,80 ;!d800………ッッッ、/ !d800`.........aaah, `/ se1 11 wait 1000 ;んぐグぐぐぐがッッ、/ `gwaagahhgguguggah, `/ se1 12 quakex 4,600 ;がはッ！！！」/ `kyaaggghh!!"`/ se2v 1006,100 quakey 5,1000 se3 39 !sd\ ;　私が聞きたいのは言い訳でも口答えでも返事でもない。@ ;　……ただ迅速に、私を辱める彼女らを抹殺する命令を受領する言葉だけだ。@ `I'm not looking for excuses or back talk or an answer.`@ `......I want nothing more than a swift confirmation of my order to eradicate the girls who are humiliating me.`@ br ;　それ以外を口にするならば、最後までを聞く必要はない。\ `If you're going to say anything else, there's no need for me to listen until the end.`\ se1v 1006,100 bg white,1 vsp 901,0 quakey 5,1000 bg black,1 ;　レヴィアタンもまた、全身を大量のひびで白濁させると、@仰け反るような姿のまま倒れて、首や腕、腰などの華奢な部分を分断させた。\ `After Leviathan also turned white due to countless cracks throughout her whole body,`@` she fell over backwards, split into separate parts along her neck, hips and arms.`\ ;　粉々に砕けて原形を留めない方が、むしろ残酷さは感じさせなかっただろう。@ `If she had been smashed to bits and lost her original form, it probably wouldn't have seemed so brutal.`@ br ;　だから、しっかりと彼女らの姿を中途半端に残したところが、@大いに残りの妹たちを震え上がらせた…。\ `So seeing the two of them halfway left over made the remaining younger sisters shake even harder...`\ me1v 17,80 vsp 901,1 bg schR_R1c,26 ld r,$ENJ_hanbesoA2,24 ;「……どうして私の命令を聞いてくれないの…？@　どうして？@　どうしてよッ！！」@ ;＜縁寿 `"......Why won't you listen to my orders...?`@` Why?`@` Why?!!"`@ mld l,$RG3_odorokiA2,23 ;「おッ、畏れながら…！！@/ `"M, my apologies...!! `@/ ;mld l,$RG3_ODorokiA2,80 ;　げ、現在のこの場は、反魔法力が、ひ、非常に強く…ッ、」\ ;＜サタン `H, here, under the current conditions, the anti-magic power is...e, extremely strong and..."`\ ld r,$ENJ_ikariA2,80 ;「何よそれ。@ニンゲンがいるから駄目って、どういう理屈？@/ `"What's that?`@` You can't do it because humans are here? That's your logic? `@/ ld r,$ENJ_hanbesoA3,80 ;　ニンゲンを殺すのがあんたたちの役目でしょ？！@　それが出来ないなら、あんたたちは何の為の家具なのよッ！！@　死ねッ！！！」\ `Isn't killing humans what you do?!`@` If you can't do that, then what use are you as furniture?!!`@` Die!!!"`\ mld l,$RG3_OdorokiA3,80 ;「ひぃッ！！@/ `"Eeeeek!! `@/ mld l,$RG3_NakuA1,0 msp msp_l,0,0,-100 print 80 ;!s0　お、お許し下さい縁寿さまぁぁ……ッ、/ ;!d800ッッッ、/ ;!d600くぐ、ぎ、かッ！！」/ !s0`P, please spare me, Ange-samaaaaa......ah, `/ !d800`aaaah, `/ !d600`khhagah, gihh, ack!!"`/ mcl l,25 se1v 1006,100 quakey 4,800 se2v 39,90 !sd\ ;　サタンも両腕で頭を抱えながら、白濁してうつ伏せに倒れた。@ `As she clutched her head with both arms, Satan also turned white and fell down face first.`@ br ;　やはり首が一番華奢らしい。@ ;　頭がごろりともげて、ベルフェゴールの足元に転がる。\ `Apparently the neck is the most slender part after all.`@ `Her head slid off and rolled over to Belphegor's feet.`\ me2v 5,80 cl r,0 ld c,$ENJ_ikariA2,24 ;「ニンゲンが多いから駄目なの？@/ `"You can't do it because there are too many humans? `@/ ;ld c,$ENJ_MajimeA1,80 ;　じゃあ私が、後でこいつらを一人ずつ物陰に呼び出せたなら、@あんたたちはきっちり全員を血祭りに出来るというの？」\ `Then later on, I'll call them into the shadows one by one,`@` and you can make a bloodbath of all of them, right?"`\ bg schR_R1a,23 mld l,$RG4_komaruA1,23 ;「……現在の縁寿さまの魔力では、私たちと会話する程度は容易いでしょう。@しかし、この場にいる全てのニンゲンの前で顕現するには、まだまだ魔力の錬成が足りません…！\ `"......With your current magical power, it may be easy for you to converse with us.`@` However, you still lack the training in magical power to materialize us in front of all of the people here...!`\ mld l,$RG4_KomaruA2,80 ;　お怒りは深く理解できますが、例え我らを攻撃に使えたとしても、@この場の全員を殺害することは、かえって状況を悪くするだけです…！@　屈辱的とは思いますが、どうかこの場は怒りを納められて…、@ `I deeply understand your anger, but even if you could use us to attack,`@` and murdered everyone here, that would only make the situation worse...!`@` I do think it humiliating, but please control your anger for the time being..., `@ mld l,$RG4_OdorokiA2,80 ;……ッッ、あが、/ `.........ahgah, `/ mld l,$RG4_NakuA1,0 msp msp_l,0,0,-150 print 80 wait 300 ;……くぐぐぐッ、がッッッッ！！」/ `......gaaaahaahh, kwaaaagghhgh!!"`/ wait 400 mcl l,25 se1v 1100,100 se2v 1006,100 quakey 4,900 se3 39 \ ld c,$ENJ_hanbesoA2,26 ;「……………あとの３人も同じ答えなの…？@　反魔法力が高いから出来ないって言う？@　私に魔力が足りないから出来ないって言う？@/ `"............Will I get the same answer from the next three...?`@` Are you gonna tell me you can't do it because the anti-magic power is too great?`@` Are you gonna tell me you can't do it because my magical power is too weak? `@/ ld c,$ENJ_hanbesoA3,80 ;　……なら全員を殺せとは言わないわ。@たった１人でいいから殺してみなさいよ。@今すぐこの場で…！！」\ `......Then I won't ask you to kill all of them.`@` Just one person's fine, so try and kill them.`@` Right here, right now...!!"`\ bg black,24 bg schR_R1d,22 ;　睨み付けられたアスモデウスとベルゼブブは、抱き合いながら竦み上がってしゃがみ込む。@ `As Asmodeus and Beelzebub held each other, they crouched down, cringing in fear under my glare.`@ br ;　……もしも私の命令に従えたなら、直ちに実行しただろう。@ ;　にもかかわらず、彼女らはしゃがみ込む。\ `......If they had been able to obey my order, they would probably have carried it out immediately.`@ `And yet, here they were crouching down.`\ ;　……虚しい。@悲しい。@そして情けない……。@ `......Empty.`@` Sad.`@` And pathetic......`@ br ;　そうさ、わかっていたさ。@ ;　彼女らには、現実に指一本だって触れることなんか出来やしない……。\ `That's right, I've known.`@ `These girls can't even touch reality with one of their fingers......`\ bg schR_R1b,0 ld r,$RG7_NakuA1,26 ;「ぃ、…嫌だぁ嫌だぁ…！！@　ベルゼ怖いよベルゼー！！」@ `"N, ...no, no...!!`@` Belz, I'm scared, Be-lz!!"`@ ld l,$RG6_NakuA1,23 ;「縁寿さまぁ、許して下さい、許して下さい…！！@　死にたくないぃいいぃ！！」\ `"Ange-sama, spare us, spare us...!!`@` I don't want to diiiiiiiieee!!"`\ me3v 19,80 bg schR_R1c,0 ld c,$ENJ_hanbesoA2,30 ld c,$ENJ_IkariA2,80 ;「死になさいよ、使えない家具ッ！@　どうして生きてるの、あんたたち？@　生きてる価値がないのに、何で生きてるわけ？@　死ねばいいじゃん。@死になさいよ。@というかむしろ死ねッ！！@　使い道のない家具を置いとく馬鹿がいると思うッ？！」@ `"Die, useless furniture!`@` Why are you guys even alive?`@` Why are you alive when your lives are worthless?`@` It doesn't matter if you die, right?`@` Die.`@` I'm telling you to die!!`@` Do you think any idiot would leave furniture that has no use lying around?!"`@ ;ld c,$RG6_DefA1,80 ;「「ひィイイィ！！@　ッッッッ、がッ！！！」」/ `""Eeeeeeekkk!!`@` aaaahh, gaaahh!!!""`/ se1v 1006,100 se3 1100 quakey 4,900 se2v 1006,100 se3 1100 quakey 5,800 se3 39 \ cl c,0 ld l,$ENJ_IkariA2,0 ld r,$RG5_OdorokiA1,24 ;「や、やめてください、縁寿さまッ！！」\ ;＜マモン `"P, please stop, Ange-sama!!"`\ ld l,$ENJ_FumanA2,80 ;「……なぁに、マモン。@あなただけは私の命令を遂行してくれるの？@/ `"......Whaat is it, Mammon?`@` Will you be the only one to fulfill my order? `@/ ld l,$ENJ_hanbesoA2,80 ;　そうよね。@私の一番のお友達だもんね。@…………あなただけは、やってくれるわよね。@こいつらを！」\ `That's right.`@` You're my best friend.`@` ............You alone will do it for me.`@` Get them!"`\ bg schR_R1b,0 ld c,$RG5_komaruA2,24 ;「…………い、今の縁寿さまには、……私たちを使役しても、人殺しは出来ません！！@/ `"............A, as you are now, Ange-sama, ......even if you use us, you are not capable of committing murder!! `@/ ;ld c,$RG5_FumanA1,80 ;　主に出来ることを手伝うのが家具の役目…！@　主にすら出来ないことを、私たちにはすることが出来ない…！！@　縁寿さまはこいつらが憎いですか？@　憎いですよね？\ `It is furniture's duty to help with things their master can do...!`@` Things that even the master can't do, we can't do...!!`@` Do you hate them, Ange-sama?`@` You do hate them, right?`\ ld c,$RG5_OdorokiA1,80 ;　殺したくなる気持ち、よくわかりますッ！！@　えぇ、どうぞ、ならば殺しましょうよ、縁寿さま！@　縁寿さま自らがその手を血に染めるならば、我ら煉獄の七姉妹、どこまでもお供しましょうとも！　どこまでもッ！！」\ `I really understand why you want to kill them!!`@` Alright, in that case, go ahead and kill them, Ange-sama!`@` If you stain your own hands with blood then we, the Seven Sisters of Purgatory, will go along with you however far! However far!!"`\ ;ld c,$ENJ_DefA1,80 ;vsp 901,0 ;bg black,22 cl c,0 ld l,$RG5_OdorokiA1,0 ld r,$ENJ_hanbesoA3,24 ;「……私に、……出来ないから、………あんたたちに頼んでるんでしょう……。@……私に出来ないことを出来るから、あんたたちは家具なんでしょお！！」\ `"......I'm, ......asking you guys, .........because I can't do it myself, aren't I......`@`......Isn't being able to do things I can't the thing that makes you furniture!!"`\ ;vsp 901,1 ;bg schR_R1c,0 ld l,$RG5_FumanA1,22 ;「えぇ、家具です。@使われてこそ家具です…！！@/ `"Yes, we are furniture.`@` Furniture to be used...!! `@/ ld l,$RG5_OdorokiA1,80 ;　どうぞ我らを使って殺して下さい！@　殺すのは貴女です、縁寿さまッ！！@　縁寿さまが殺したいというならどうぞご自由に！@　躊躇うことはありません、どうぞ今すぐにそれを実行を！！\ `Please, go ahead and use us to kill!`@` You'll be the one killing, Ange-sama!!`@` If you're saying that you want to kill, then go ahead, be my guest!`@` No need to hesitate, go and carry it out right now!!`\ ld l,$RG5_OdorokiA2,80 ;　そこまでの覚悟が伴って初めて！@　自らの手を汚す覚悟があって初めて、我らはそれをお手伝いいたしましょう！@　でも縁寿さまはそれに至っていないんです！！」\ `And once you've prepared yourself mentally,`@` once you're prepared to dirty your own hands, then we will help you!`@` But you haven't done that, Ange-sama!!"`\ se3v 21,90 me4v 6,70 vsp 901,0 bg Different_spiral_1a,22 ;「ふっ、………くっくっくっく、あっはっはっはっはっは…。@あっはっはっはっはっはっはっは、語るな家具が。@妄想がッ！！@　もうわかってるわよ、皆まで言わせないでよ。@…あんたたちには何も出来ない。@あんたたちは所詮、私の妄想、幻想、白昼夢…！@　私には初めから友達なんて一人もいないわ。@孤独な私が心の中に生み出した、お友達ごっこの幻影でしょう？@　知ってたのよ、最初ッから！！！」\ `"Pft, .........*cackle*cackle*, ahhahhahhahhahha...`@` Ahhahhahhahhahhahhahhahha, don't speak, you furniture.`@` You delusion!!`@` I get it already, you don't all have to tell me.`@` ...You guys can't do anything.`@` You are nothing more than my delusions, illusions, daydreams...!`@` I haven't had a single friend from the very beginning.`@` You are just a phantom, a pretend friend I created in my heart, in my isolation, right?`@` I've known from the very beginning!!!"`\ se1 1006 mbg white,1 ld c,$RG5_waraiA4,0 mcbg 22 ;「あっはははははははははははッ！！@/ `"Ahhahahahahahahahahahaha!! `@/ ld c,$RG5_waraiA3,80 ;　えぇ、そうですよゥ！@　縁寿さまの頭の中の幻想ですけど何かァ？@　ハイ、そうですゥ！@　私たちは友達のただ一人もいやしない、@寂しい寂しい縁寿さまの心を慰めるためだけに生み出されたお友達ごっこの脳内妄想ですが何かァ？@/ `Yeah, that's right!`@` We're an illusion inside your head, Ange-sama, but so what?`@` Yes, that's truue!`@` We're just imaginary friends created to soothe lonely, lonely Ange-sama's heart because she doesn't have a single friend, but so what? `@/ ;ld c,$RG5_FumanA1,80 ;　見たければ現実を見るといい、@私たちなんか見ないで、あそこで囲まれて罵声を浴びせられてるあなたに戻るといい！！\ `If you want to look at reality, just look at it.`@` You can stop looking at us and return to being surrounded and bathed with jeering over there!!`\ ld c,$RG5_waraiA4,80 ;　ほらほら戻りなさいよ、お帰りなさいな現実にッ！！@　都合のいい時だけ私たちを呼び出してお友達ごっこで、@自分の手を汚す覚悟もないくせにそれをけしかけ、駄目とわかったら否定して消し去る！@/ `C'mon, c'mon, go back, welcome home to reality!!`@` Just call on us only when it's convenient for you and pretend you have friends, `@`then spur us on even though you don't have the guts to dirty your own hands, then deny and erase us once you realize that it's hopeless! `@/ ;ld c,$RG5_AkuwaraiA1,80 ;　えぇ、どうぞお楽しみ下さいよ、縁寿さまが期待されるような苦悶の声と悲鳴をあげて退場しますとも！！\ `Yes, please enjoy it, I'll leave with a shriek of anguish just like you want, Ange-sama!!`\ ld c,$RG5_ikariA2,80 ;　縁寿さまがたった今、浴びせられている罵声を、@私たちにも同じように浴びせ掛けて胸の内をスゥっとさせるがいいです。@/ `Just copy the jeering that you're being showered with right now,`@` and do the same to us to get it off your chest. `@/ ;ld c,$RG5_OdorokiA1,80 ;それもまた家具の役目！！@　ムカついて床に叩き付けられることもまた、椅子の大事なお役目ですからァ！！@/ `That's also furniture's duty!!`@` Getting slammed against the floor when someone's pissed off is also a chair's important duty!! `@/ ;ld c,$RG5_FumanA1,80 ;　その程度のことで主の不機嫌を一時でも受け止められたなら、@家具としてこれほどの栄誉はありません。@殺しなさいよッ、否定しなさいよ、あなたの最初で最後の友達をぉおおおッ…！！！」\ `If that alone can absorb their master's bad mood even for an instant, `@`there can be no greater honor for furniture.`@` Kill me, deny me, your first and final friend...!!!"`\ textoff ld c,$RG5_waraiA4,80 bg black,2 ;　マモンは最後に、嘲り笑いの表情を浮かべたけれど、@……なぜか涙の粒を散らしたように見えた。@ `At the end, Mammon had a mocking expression on her face,`@` ......but for some reason it looked splashed with tears.`@ br bg white,1 se1v 1006,100 se2v 1100,100 se3v 1100,100 quakey 4,800 bg black,22 se1v 39,100 ;　マモンと、ベルゼブブとアスモデウスの３人は砕け散り、床に転げた……。\ `Mammon, Beelzebub and Asmodeus were smashed and fell to the floor......`\ fede 0,5000 wait 1000 me1 17 vsp 901,1 bg schR_R1b,0 ld c,$SAK_nakuA1,6 ;『………う、……うりゅ………………。』@ `『.........U, ......uryu..................』`@ ld l,$MAR_fukigenA1,23 ;「………………。@こっちへおいで、さくたろ。@/ `"............`@`Come over here, Sakutaro. `@/ ;ld l,$MAR_KomaruA1,80 ;今の縁寿は、少し冷静じゃないだけ。@……だから、近寄っちゃ駄目だよ。」\ ;＜真里亞 `Ange is a little agitated right now.`@` ......So you must not get close."`\ ld c,$SAK_ODorokiA1,80 ;『みんなは？@　七姉妹のみんなは生きてるの？@　死んじゃったの…？』\ `『What about everyone?`@` Are all the Seven Sisters alive?`@` Did they die...?』`\ ld l,$MAR_MajimeA1,80 ;「……大丈夫だよ。@とても無残な姿だけど、あれは人間界を強制退去させられて残された、依り代の残滓。@抜け殻だよ。@/ `"......It's alright.`@` It looks very gruesome, but those are the remains of the vessels after being deported from the human world.`@` They're shells that have been shed. `@/ ;ld l,$MAR_WaraiA1,80 ;……だから大丈夫。@とても傷ついただろうけど、無事だよ。@みんな生きてるよ。@きっといつか、また会えるよ。」\ `......So it's alright.`@` They're probably deeply injured, but they're alright.`@` Everyone is alive.`@` I'm sure we'll be able to meet them again someday."`\ ld c,$SAK_nakuA1,80 ;『うりゅ…。@……良かった………良かった…………。』\ `『Uryu...`@`......Thank goodness.........thank goodness............』`\ ld l,$MAR_komaruA1,80 ;「……縁寿はマリアージュ・ソルシエールの条約に違反した。@……同盟の魔女は、互いを敬い認め合わなくちゃならないのに、……こんな酷いことを……。@みんな縁寿の大切な、お友達だったのに……。」\ `"......Ange has violated the contract of Mariage Sorciere.`@` ......Doing such a horrible thing, ......even though witches of the alliance must respect and accept one another......`@` Even though everyone was an important friend of yours, Ange......"`\ bg schR_R1c,0 ld r,$ENJ_ikariA2,24 ;「そんな魔女の同盟なんて関係ない。@魔法のお友達？　いい加減にして。/ `"No witches' alliance has anything to do with this.`@` Magic friends? Give me a break. `/ ;ld r,$ENJ_FumanA2,80 ;………私が殺したわ、消し去った。@私が七姉妹を、砕け散らせた！」@ ;＜縁寿 `.........I killed them, erased them.`@` I smashed the Seven Sisters!"`@ ;『うりゅ……、そんなの酷いよ……、酷いよ………。』\ `『Uryu......, that's so cruel......, so cruel.........』`\ E_A ld r,$ENJ_hanbesoA3,80 bgm1 79 ;「……もう、魔女ごっこはいい加減にして。@……お願いだから。@真里亞お姉ちゃんもさくたろも、自ら消えてほしい。@………私が殺して消したなんて、……妄想の中ですら、したくないから。」\ ;＜縁寿 `"......Just give it a rest with this playing witches thing.`@` .....I beg you.`@` Maria onee-chan and Sakutaro, I want you to disappear by yourselves.`@` .........Because even amidst my delusions, ......I don't want to kill and erase you."`\ bg schR_R1b,0 ld l,$SAK_OdorokiA1,0 ld c,$MAR_MajimeA1,80 ;『ボ、…ボクたちは妄想なんかじゃないよ……。@縁寿のお友達だよ…、うりゅ………！』@ `『W, ...we aren't delusions......`@` We're your friends, Ange..., uryu.........!』`@ br ;　さくたろは真里亞お姉ちゃんの背中に身を隠しながら、そう言って涙ぐむ。\ `Sakutaro said that as he hid behind Maria onee-chan, sobbing.`\ ;　………さくたろなんて存在しない。@ `.........Sakutaro doesn't exist.`@ br ;　さくたろもまた、お姉ちゃんが寂しさを紛らわすために生み出した、妄想なんだ………。\ `Sakutaro is also...a delusion Onee-chan created to distract herself from her loneliness.........`\ se1v 1100,40 ld l,$SAK_nakuA2,80 ;『う、……うりゅ、………痛い、……痛いよ、真里亞……。@……何で？何で…？@　うりゅ………うりゅ………。』@ `『U, ......uryu, .........it hurts, ......it hurts, Maria......`@`......Why? Why...?`@` Uryu.........uryu.........』`@ ld c,$MAR_ikariA1,80 ;「やめて。@私のお友達を否定することだけは、許さない。」\ `"Stop it.`@` Denying my friend is the one thing I will not permit."`\ ;　七姉妹たちを砕いたのと同じ力が、さくたろをも蝕もうとしているのだろう。@ `The same power that had smashed the Seven Sisters was probably eating into Sakutaro as well.`@ br ;　……だが、真里亞お姉ちゃんが何らかの力でそれを庇っているらしい。@ ;　だから、さくたろの姿は砕け散らない。\ `......But Maria onee-chan was apparently protecting him with some other power.`@ `So Sakutaro's form didn't break and scatter.`\ ;　お姉ちゃんは鋭い目で私を睨みつける。@ ;　……初めて見せる厳しい表情だった。\ `Onee-chan glared at me sharply.`@ `......A serious expression that I had never seen before.`\ ld c,$MAR_majimeA1,80 ;「さくたろは私の家具。@縁寿には消せないよ。@……なのに、否定しようとするのは魔女にとって最大級の侮蔑も同じだよ。」\ `"Sakutaro is my furniture.`@` You cannot erase him, Ange.`@` ......However, trying to deny someone is the greatest form of scorn for a witch."`\ bg schR_R1b,24 ld r,$ENJ_hanbesoA2,24 ;「さくたろなんて、最初から存在しないわ。@/ `"Sakutaro didn't exist from the very beginning. `@/ ld r,$ENJ_hanbesoA3,80 ;ただのライオンのぬいぐるみ。@それをお姉ちゃんが、あたかも存在するかのように脳内で妄想して、人格化した、ただの幻なのよ！」\ `He's just a lion stuffed animal.`@` A phantom you personified in the delusions inside your own mind!"`\ ld l,$MAR_sakebuA1,64 ;「うーッ！！！/ `"Uu-!!! `/ se1 11 quakex 4,500 ;@　そんなことないよッ！！@/ @`That's not true!! `@/ ;ld l,$MAR_KomaruA1,80 ;　さくたろは真里亞のお友達なの！！@　元はぬいぐるみだけど、今はぬいぐるみじゃないのー！！」\ `Sakutaro is Maria's friend!!`@` He was a stuffed animal once, but now he isn't!!"`\ ld r,$ENJ_hanbesoA2,80 ;「いいえ、ぬいぐるみだわ。@布と綿で出来たぬいぐるみ！　@自ら喋れも動きもしない！　@お姉ちゃんはそれを、腹話術みたいにして喋ってるだけじゃない！@/ `"No, he's a stuffed animal.`@` A stuffed animal made of cloth and cotton!`@` He can't move or talk by himself!`@` You're just talking for him like a ventriloquist, right?! `@/ ld r,$ENJ_hanbesoa3,80 ;それが魔法？@　それが魔女？！@　それが、……友達？！@　そんなの、私は認めないわ！！」\ `Is that what you call magic?`@` Is that what you call a witch?!`@` Is that what you call, ......a friend?!`@` I can't accept that!!"`\ cl l,0 ld c,$MAR_KomaruA1,0 mld l,$SAK_nakuA1,3 ;『……………………うりゅ……。@/ `『.....................Uryu......`@/ se1v 1100,50 msp msp_l,0,0,-40 print 80 ;!s0………ボクは、/ ;!d800………ボクじゃないの……？@ !s0`.........Am I, `/ !d800`.........not me......?`@ se1v 1100,60 msp msp_l,0,0,-40 print 80 ;　……ボクは……ただのぬいぐるみで、/ ;!d900…本当は喋れなくて…、/ ;!d600………真里亞の、/ ;!d900……お友達じゃ、/ ;!d800……………ないの…………？@ `......Am I...`/ !d900`...just a stuffed animal that, `/ !d600`...can't really talk..., `/ !d900`.........and not Maria's, `/ !d800`.........friend............?`@ se1v 1100,70 msp msp_l,0,0,-40 print 80 ;　う……りゅ………、』/ `U......ryu.........』`/ !sd\ ;　さくたろが、高熱にうなされるかのように、少しずつ衰弱していく。@ ;　お姉ちゃんの体にすがり付きながら、何とか立ち続けようと頑張るが、@……少しずつ体がずり落ちていく…。\ `As though struck with a high fever, Sakutaro weakened bit by bit.`@ `As he clung to Onee-chan's body, he did all he could to continue standing, `@`......but his body began to slip down bit by bit...`\ ;　お姉ちゃんはそんなさくたろを抱き、涙を零しながら私に叫んだ…。\ `As he did, Onee-chan held him, yelling at me as tears streamed down her face...`\ mcl l,22 cl c,0 ld l,$MAR_sakebuA1,24 ;「うーーッ！！/ `"Uuu--!! `/ quakex 4,500 ;@　やめてェ！！@　反魔法の毒でさくたろを焼かないでッ！！@　虐めないで！！@　侮辱しないでッ！@　否定しないでぇええ！！」\ @`Stop iit!!`@` Don't burn Sakutaro with the magic-resisting toxin!!`@` Don't bully him!!`@` Don't insult him!`@` Don't deny him!!"`\ gosub *MAR_Isyou1 se1v 28,100 mono 1 lsp 901,white_Waku,0,0 bg garden_Se2a,0 ;ld l,$MAR_SakebuA1,0 ;ld r,$ENJ_WaraiA1,0 print 8 fedexx 90,0,0,0,0,0,2000 ;「きゃっきゃっきゃ！！@/ `"*giggle*giggle*giggle*!! `@/ ;ld r,$ENJ_DefA1,80 ;　真里亞お姉ちゃん、変なのー！！@　さくたろなんかいないよー！@　ぬいぐるみはぬいぐるみだもんー！/ `Maria onee-chan, you're we-ird!!`@` There is no Sakutaro-!`@` Stuffed animals are stuffed anima-ls! `/ me1v 5,70 ;se1 46 ;quakey 2,800 ;@　布と綿で出来てるってママに習ったもんー！！@　歩いたり喋ったりなんか出来るわけないよー！！@　きゃっきゃっきゃっきゃ、きゃーっきゃっきゃっきゃっきゃ！！！」/ @`I learned from Mama that they're made of cloth and co-tton!!`@` There's no way they can walk or ta-lk!!`@` *giggle*giggle*, *giggle*giggle*giggle*!!!"`/ ;se2 47 ;quakey 2,800 ;se3 47 ;quakey 2,800 \ ;ld c,$SAK_DefA1,80 ;『………うりゅ………………、………ぅ…ゅ………………、』@ `『.........Uryu..............., .........u...yu...............』`@ ld c,$MAR_NakuA1,26 ;「さくたろ！！@　さくたろー！！！@　ぬいぐるみじゃないもん、ぬいぐるみじゃないもん、友達だもん！！@　うーー！！！@　わぁああぁあああああああーーー！！！！」\ `"Sakutaro!!`@` Sakutaro-!!!`@` You aren't a stuffed animal, you aren't a stuffed animal, you're a friend!!`@` Uuu--!!!`@` Waaaaaaaaaaaaaahhhh!!!!"`\ ;ld r,$ENJ_WaraiA2,80 me2 17 ;「きゃっきゃっきゃっきゃ！！/ `"*giggle*giggle*giggle*giggle*!! `/ ;se1 46 ;quakex 3,800 ;se2 46 ;quakex 3,800 ;@　きゃーッきゃっきゃっきゃっきゃっきゃ！！@　ぬいぐるみ遊びなんかより、みんなでお外で遊ぶ方がいいー！！@/ @`*giggle*giggle*giggle*giggle*!!`@` Instead of playing with stuffed animals, it's better to play outside with everyo-ne!! `@/ ;cl r,23 ;　ぬいぐるみもう飽きたー！！@　きゃっきゃっきゃっきゃ！！」\ `I'm bored with stuffed animals already-!!`@` *giggle*giggle*!!"`\ ;ld l,$MAR_fukigenA2,80 bg black,22 ;「縁寿なんかもう知らない！！@　うー！！@　何でそんなこと言うの、嫌い嫌い嫌い嫌い！！@　大っ嫌い！！」@ `"I don't care about you, Ange!!`@` Uu-!!`@` Why say something like that, hatehatehatehate!!`@` Haate!!"`@ br ;　絶交だ、絶交だ！！@　もう魔女の仲間になんか入れてあげないッ…！！\ `We're through, we're through!!`@` I won't let you be one of us witches anymore...!!`\ csp 901 bg black,22 mono off ;　原初の魔女見習い、マリアの名において、@魔女見習いエンジェをマリアージュ・ソルシエール魔女同盟より除名とする……！！\ `Upon my name, the Apprentice Witch of Origins MARIA,`@` I hereby expel the apprentice witch ANGE from the Mariage Sorciere Alliance of Witches......!!`\ se1v 28,100 fede 10,2000 ;　………それで。@ `.........And then.`@ br ;　…私の穏やかだった日々は、白昼夢ということになって、終わった。\ `...What had been peaceful days to me became a daydream and ended.`\ ;　今となっては検証不能だ。@ `By now, it's unverifiable.`@ br ;　あれが本当に魔法で、そして私の友人たちだったのか、@それとも白昼夢に過ぎなかったのかは、誰にも検証できない。@ `No one can verify whether that really was magic or whether those really were my friends,`@` or else nothing more than a daydream.`@ br ;　……唯一の観測者である私が彼女らを、白昼夢だと断じたから。@ ;　……それが真実となった。\ `......I, the sole observer, concluded that they were a daydream.`@ `......So that became the truth.`\ bg Different_spiral_1a,22 ;　私は後の未来に再びこれを観測し、その時はこれを夢ではなく、@……七姉妹たちは本当に友人で、真里亞お姉ちゃんもさくたろも、@孤独な私のために尽力してくれていたと、認めるのだろうか。\ `Perhaps, in the farther future, I will observe it again, `@`and when that happens, maybe I will acknowledge that it wasn't a dream...that the Seven Sister's really were my friends, and that along with Maria onee-chan and Sakutaro,`@` they did everything they could for me in my isolation.`\ ;　………………そんなあやふやなの、真実でも幻でも、何でもない。@ ;　今、ここにある現実だけが、本当の私の世界なんじゃないか。@ `............Something so vague is neither the truth nor an illusion.`@ `Maybe the reality here and now is the only world with the real me.`@ br ;　本当の私はどこにいるの？\ `Where is the real me?`\ bg black,22 me5v 5,0 fedexx 0,0,0,0,0,50,4000 wait 1000 ;　壊れたガラスの彫像のような残骸を晒している彼女らの中央に立ち、@荒い息で肩を上下させているのは私ではない。\ `The person standing amidst the girls' exposed wreckage similar to broken glass sculptures,`@` who is breathing harshly, her shoulders heaving...is not me.`\ ;　私がいるのは、……あそこ。\ `The place I am, ......is over there.`\ gosub *ENJ_Isyou2 bg schR_R1aN,0 ld c,$ENJ_hanbesoA1,26 ;　人垣に囲まれ、罵倒を浴びせられ続け、…目を真っ赤にしながら俯く、私………。@ `The me that's surrounded by a crowd and being showered by jeers, ...and who is hanging her head, her eyes red.........`@ br ;　……あそこにいる私こそが、/ ;!d800………本当の私じゃないか……。\ `......Isn't the me over there, `/ !d800`.........the real me......?`\ ;　もう、夢なんか、見ない。@ ;　逃げる場所なんか、どこにもないのだから。\ `I won't dream anymore.`@ `Because there's nowhere left to run.`\ ;　私は、帰る。@ ;　……肉で出来た檻に、自ら戻る……。\ `I am...going back.`@ `......I'll return myself to the cage made of flesh......`\ se1 11 bg black,1 ;「ねぇ！！@　話、聞こえてますかしらぁ？！@　いつまでも俯いていても、何の解決にもなりませんわよー？！」\ `"Hey!!`@` Are you listening to us?!`@` It's not like anything'll be resolved if you just stand there hanging your head, ri-ght?!"`\ bg schR_R1bN,0 ld c,$ENJ_komaruA2,6 ;「…………………………。@……聞こえてるわ。」\ ;＜縁寿 `"........................`@`......I hear you."`\ ;「あ、やっと返事した。@このまま黙ってれば終わるとか、泣けば許してもらえるとか、そういうこと考えてるんじゃないのー？！@　あんた、自覚あるかって聞いてるのよ！@　自分が周りに迷惑掛けてるって自覚があるのかって聞いてんのよ…！！」\ `"Ah, you finally answered.`@` You aren't thinking that this'll end if you stay silent, or that we'll forgive you if you cry, right?!`@` We're asking if you are aware!`@` We're asking if you are aware of the trouble you're causing those around you...!!"`\ ;　………私は、…ゆっくりと頷く。@ ;　…それを認めた。\ `.........I, ...slowly nodded.`@ `...I acknowledged it.`\ E_A bg schR_R1d,5 bgm1 66 ;　私は白昼夢の世界に入り浸り、クラスから疎遠であろうとしたことを認める。@ `I acknowledged that I had slipped into the world of my daydream, trying to remain separate from the others in my class.`@ br ;　……それを認めることによって、あれだけ頼もしい言葉や優しい言葉を掛けてくれたのに、@この、本当に助けて欲しい今になって、@何も助けてくれなかった彼女らを穢すために、決別するために、@……それを、認める。\ `......To disgrace them and separate myself from them, `@`those girls who spoke to me with reliable and kind words,`@` but couldn't help at all now that I really wanted them to, `@`......I acknowledged that.`\ bg black,22 ;「……私、右代宮縁寿は、協調性がなくて、クラスメートに迷惑を掛けました。@それは、勉強が出来ないため、クラスメート全体に対し、過度の劣等感を持っていたからに他なりません。@私は、…………………………。\ `"...I, Ushiromiya Ange, do not have a cooperative attitude and caused trouble for my classmates.`@` There is nothing to blame for that except my excessive inferiority complex towards all of my classmates because I am unable to study.`@` And, .....................`\ wait 1000 me1v 16,50 ;　…………生きてても仕方ありません。」\ `.........it's a shame that I am alive."`\ ;　そこからは、彼女らが書けと言った文章にはない。@ `Starting there, I was no longer reading the paragraph they had made me write.`@ br ;　……私の、即興。@そして、胸の内。@ `......It was my...improvisation.`@` And...what was in my heart.`@ br ;　彼女らも、それが予定されていないものであることに気付くが、@眉をひそめながらも、口出しはしなかった。@ ;　だから私は続ける。\ `They also noticed that it wasn't what they had anticipated,`@` but while they did frown, no one spoke.`@ `So I continued.`\ bg schR_R1bN,22 ld c,$ENJ_komaruA1,6 ;「……そうです。@私は生きてても仕方がなかった。@……１９８６年のあの日に、私も連れて行ってもらうはずだったんです。@……なのに、私だけが連れて行ってもらえなかった。\ `"......That's right.`@` It's a shame that I am alive.`@` ......I should have had them take me with them on that day in 1986.`@` ......And yet, I was the only one that wasn't taken.`\ ;　……どうして、私はここにいるのでしょう。@…ここは、…私のいる世界じゃない。@…………誰も助けてくれません。@…一時、……私の中に生まれた架空の友人たちだけが、私を助けてくれるような気がしていました。@でも、友人たちは所詮は妄想で、……助けてなどくれなかった。@だってここは妄想の世界じゃなくて、現実の世界だから。\ `......Why am I here, I wonder?`@` ...This is not the world I'm supposed to be in.`@` ............No one will save me.`@` ...For a time, ......I felt as though only the fictional friends I created inside myself could save me.`@` But those friends were nothing more than a delusion, .....and they didn't save me.`@` After all, this isn't a world of delusions, but a world of reality.`\ ;bg black,23 ;bg schR_R1aN,23 ;　………だからつまり、……私は今日までずっと、……白昼夢を見続けてきたわけです。@…現実のクラスメートを嫌い、妄想の友人たちとの交流の中だけに生きた。@………その友人たちとは、さっき決別しました。@だから私がここにいます。\ `.........So, in short, ......up until today, ......I've been having the same daydream.`@` ...I hated my real classmates and only lived by interacting with the friends in my delusion.`@` .........Just now, I split up with those friends.`@` So I am here.`\ ld c,$ENJ_defA2,80 ;　…………家族もいません。@友人も捨てました。@……もう私には、何も残っていません。@……どうして死なないの？@　さっきそう聞いた人がいました。@…その通りだと思います。@どうして私は、………生きてるんでしょう。@………………１９８６年に私は、…………死んでいるはずだったんです。@…いえ、きっと死んだんです。\ `............I have no family.`@` I've thrown my friends away too.`@` ......There is no longer anything left for me.`@` ......Why haven't I died?`@` Someone asked that a short while ago.`@` ...I think they're right.`@` Why, .........am I alive, I wonder?`@` ............I should have died, ............in the year 1986.`@` ...No, I must really have died.`\ ;bg schR_R1cN,24 ;　なのに、…………私の殺された魂は、未だにこの肉の檻に閉じ込められている。@ ;　だから、誰かに求めよう。@それに誰も応えてくれないなら、……自分でしよう。\ `But even so, ............my soul that was killed is still locked up inside this cage of flesh.`@ `So I'll ask someone.`@` If no one answers, ......I'll do it myself.`\ ld c,$ENJ_nakuA1,5 E_MA ;!s0「誰か私を、/ ;!d1000…………………死なせて下さい。」/ !s0`"Someone, `/ !d1000`..................please let me die."`/ !sd\ bg black,2 bg schR_R1aN,3 ;　その一言を口にし、周りを見渡す。\ `I spoke that sentence, and looked around.`\ ;　唖然とした子。@ ;　呆然とした子。@ ;　何を言ってるのこの子、という顔の子。@ `Dumbfounded girls.`@ `Shocked girls.`@ `Girls who looked like they didn't know what this kid was saying.`@ br ;　そして、やや遅れてから、この子大丈夫〜？@　という顔の子が増えていく。\ `And, a bit late, `@`more and more girls with faces that said 'Is this girl alright?'`\ ;bg black,22 ;bg schR_R1d,22 me1v 11,90 ;　ひそひそ。@ざわざわ。@ ;　そして、くすくす。@ `*whisper*.`@` *chatter*.`@ `And then, *giggle*.`@ br ;　…………殺せと命じて、白昼夢の友人たちには出来なかった。\ `.........When I ordered the friends in my daydream to kill, they couldn't do it.`\ ;　ならばと。@ ;　現実のニンゲンたちに殺せと頼んだが、/ ;!d800……やはり彼女たちにも出来ない。\ `And so.`@ `I asked real humans to kill me, `/ !d800`......but of course, these girls can't do it either.`\ ;　……ということはつまり、白昼夢も現実も、どちらも同じ。@ `......In other words, both daydreams and reality are the same.`@ br ;　この世界も含めて、全てが全てが。@ ;　…………白昼夢だということじゃないのか。@ `Doesn't this mean that, including this world...`@ `.........Absolutely everything is a daydream?`@ br ;　なら、……それでいいじゃないか。\ `Then, ......there's no problem, right?`\ ;lsp bgsp,white1,0,0,30 ;print 42 ;　だって私は、……家族を全て失ったあの日に、もう死んでるのだから。@ ;　……その後に続く全ての日々が、……死に損なった私の、走馬灯のような妄想だったのだ。\ `After all, ......on that day when I lost my family, I was already dead,`@ `......Everything that happened afterwards is my delusion, my life flashing before my eyes after I failed to die.`\ ;msp bgsp,0,0,30 ;print 42 ;　それを理解したら、……………周りの全ての景色が、わずかに歪み始めた気がした。\ `Once I understood that, ............it felt like the scenery surrounding me began to twist and bend slightly.`\ ;msp bgsp,0,0,30 ;print 2 ;　………あぁ。@ ;　…やっと私は、………覚めるんだな。@ ;　…この白昼夢の世界から、解放されるんだな。\ `.........Yeah.`@ `...I'll finally, .........wake up.`@ `...I'll be released from this daydream world.`\ mono 1 print 2 me2v 19,70 ;　ふぅっと、気が遠のいていく気がする。@ `I feel my consciousness sliding away.`@ br ;　……それでいい。@ ;　どこまでもどこまでも遠のいて、…………私を家族のところまで連れて行って……。\ `......That's alright.`@ `Fade farther and farther away, ............and take me to my family......`\ ;　だから、歪んで色褪せた世界で何が起こっても、まったく気にならなかった。\ `Therefore, no matter what happens in this twisted, stale world, I won't mind it at all.`\ bg schR_R1cN,24 ;　人垣が押しのけられて、教師が割り込んでくるのが見える。@ `I saw the crowd get pushed aside as a teacher stepped in.`@ br ;　おかしな騒ぎになっているのを、たまたま見回りの教師が見つけた、ということかもしれない。@ `Perhaps a teacher doing the rounds happened to notice a strange disturbance.`@ br ;　教師は盛んに何かを怒鳴りながら、私を庇うような仕草をしていた。\ `The teacher was vigorously shouting something, moving to protect me.`\ ;mono off ;print 22 bg black,2 mono off ;　……それを見て、私はたった１人とはいえ、味方が現れてくれたことを知り、@少しだけ意識が戻るのを感じる。\ `......Watching that, I knew that an ally had appeared for me, even if there was only one,`@` and I felt my awareness return very slightly.`\ textoff bg white,2 ;csp bgsp ;wait 1000 fede 10,2000 bg black,42 ;　………………。@ `...............`@ br ;　……現実の世界で私を助けてくれるのは、…現実のニンゲンだけなんだ。\ `......The only ones who can save me in the world of reality, ...are real humans.`\ ;　もう二度と。@……白昼夢などに救いを、求めるものか。\ `Never again.`@` ......Never again will I seek rescue from daydreams.`\ ;　………ここはニンゲンの世界。@ `.........This is the world of humans.`@ br ;　ニンゲンを助けてくれるのは、ニンゲンだけなんだ……。\ `The only ones who can save a human...are other humans......`\ wait 3000 ;■メタ視世界 gosub *MAR_Isyou2 msetef 0,0 mld r,$MAR_FukigenA1,2 ;「………………………。@/ `"..................`@/ ;mld r,$MAR_MajimeA1,80 ;……そうだね。@縁寿がそう思ったなら、それが縁寿の世界。」\ ;＜真里亞 `......I see.`@` If that's what you think, then that's your world, Ange."`\ mld l,$SAK_komaruA1,23 ;『……縁寿は、/ ;!d800……これで幸せになれる………？』@ `『......Can Ange, `/ !d800`......become happy this way.........?』`@ mld r,$MAR_KomaruA1,80 ;「………縁寿が、それでしか幸せになれないと信じたなら、もうそれしかない。@…籠の中にいる青い鳥を、そうだと認められないなら、/ ;!d800…どこまでも探しに行かざるを得ない。」\ `".........If Ange believes that is the only way to become happy, then it is the only way.`@` ...If she cannot accept the blue bird in the cage for what it is, `/ !d800`...then she must go and search forever."`\ ;eeee mld l,$SAK_nakuA1,80 ;『うりゅ……。@…真里亞と縁寿はもう、……絶交なの………？』@ `『Uryu......`@`...Maria, are you, ......breaking off relations with Ange.........?』`@ mld r,$MAR_DefA1,80 ;「…………………………。@/ `"....................`@/ ;mld r,$MAR_WaraiA1,80 ;……絶交なんかじゃないよ。@縁寿がそれを求めたから、そうしただけ。@……私たち魔女は、時に迫害を受けるけれども。@でも、常にみんなの身近にある。@……そしてきっとその助けを求められる。」\ `......No, nothing like that.`@` I only did that because that was what Ange wanted.`@` ......We witches are sometimes persecuted.`@` However, we always remain by everyone's side.`@` ......And our aid can always be asked for."`\ mld l,$SAK_komaruA1,80 ;『……縁寿も、………またボクたちと遊んでくれる日が来る……？』\ `『......Will the day come, .........when Ange will play with us once again......?』`\ mld r,$MAR_fukigenA1,80 ;「来ないで、そのまま忘れてしまうこともあるかもしれない。@/ `"Or it might be forgotten and never come. `@/ ;mld r,$MAR_OdorokiA1,80 ;…人の世ではそれを、成長や決別と呼ぶから。@…………でも。」\ `...In the human world, we call that growing up and drifting away.`@` ............Still."`\ mcl a,0 mendef 0 bg black,2 ;　縁寿さえ思い出してくれれば、私たちはいつでも、側にいられるよ。@ `If Ange just remembers, we will always be by her side.`@ br ;　……それまで私たちは、……待ってるから。\ `......And until then, ......we will be waiting.`\ wait 2000 ;▲第８アイキャッチ（計１１３ページ） eye11 *umi4_9 mov %play_scene,40160 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar mov %grim_scene,406 gosub *MAR_Isyou1 gosub *ENJ_Isyou1 ;テロップ ;wait 3000 ;bg black,2 wait 2000 bgm1 91 bg ROS_M1a,42 print 1 ;■真里亞編。@自分の家。@ ;　……………………………………。\ `..............................`\ ld r,$SAK_KomaruA1,24 ;『……………………うりゅ…。@………真里亞、…返事して……？@』 `『..................Uryu...`@`.........Maria, ...won't you answer......?`@』 ld l,$MAR_fukigenA1,23 ;「………………………。」\ `"........................"`\ bg black,22 bg sakutaro2b,2 ;『………うりゅ…。@/ ;!s0……やっぱりボクは、/ ;!d800……ぬいぐるみなの…？@　……布と綿で出来てるから、/ ;!d900……しゃべれるわけ…/ ;!d500ないの……？@　……だから、/ ;!d600……真里亞とはおしゃべりできないの………？』/ `『.........Uryu...`@/ !s0`......So I really am, `/ !d800`......a stuffed animal...?`@` ......I'm made of cloth and cotton, `/ !d900`......so there's no way I can...`/ !d500`talk......?`@` ......So, `/ !d600`......I can't talk to Maria.........?』`/ !sd@ br ;　さくたろが悲しそうに真里亞を見上げる。\ `Sakutaro looked up at Maria, looking sad.`\ ;　真里亞の表情は、泣き腫らし、悲しみの感情さえ失ったように見えた…。\ `Maria's face was covered with tears, and it looked as though it had even lost all traces of sadness......`\ bg ROS_M1b,0 ld c,$MAR_KomaruA1,2 ;「…………うー。@……聞こえてるよ、さくたろ。@/ `".........Uu-.`@` ......Maria can hear you, Sakutaro. `@/ ;ld c,$MAR_OdorokiA1,80 ;……さくたろは、布と綿で出来たぬいぐるみなんかじゃないよ。@………真里亞の、お友達だよ。@/ `......You aren't a stuffed animal made of cloth and cotton, Sakutaro.`@` .........You are Maria's...friend. `@/ ld c,$MAr_NakuA1,80 ;………………縁寿なんか嫌い。@……うううぅううぅぅぅ……。」\ `............Hate Ange.`@` ......Uuuuuuuuuuuu......"`\ ld l,$SAK_nakuA1,23 ;『うりゅ…、真里亞ごめんね、真里亞ごめんね……！@　うりゅ……！』\ `『Uryu..., sorry Maria, sorry Maria......!`@` Uryu......!』`\ ;　さくたろは後悔する。@ ;　真里亞は心を凍らせることで、ようやく悲しみから逃れられていたのだ。@ `Sakutaro felt regretful.`@ `By freezing her heart, Maria had finally been able to escape from her sadness.`@ br ;　…それを、声を掛けて呼び戻してしまったから、また悲しみに囚われてしまった…。\ `...By speaking up and calling her back, he had caused her to be overwhelmed with sadness again...`\ textoff se1 3 cl l,0 ld r,$SAK_nakuA1,23 wait 500 se2 3 cl r,0 ld l,$SAK_odorokiA1,24 ;　さくたろは、よちよちとした仕草で、真里亞にしがみついては離れてみたり、@様子を見てはうろうろしてみたりと、どうすれば真里亞を元気付けられるか戸惑っている。@ `Sakutaro tried hugging Maria, letting go of her,`@` and gazing at her appearance uneasily, lost as to how he could bring Maria's spirits up.`@ br ;　……その様子がどこかちょっぴりユーモラスだったのかもしれない。@ ;　結果的にそれは、真里亞の気持ちを悲しみから逸らすことが出来た……。\ `......He might have looked a little humorous doing that.`@ `In the end, that was able to distract Maria's feelings from sadness......`\ ld c,$MAR_KomaruA1,80 ;「ごめんね。@………もう泣いても仕方ないもんね。」@ `"Sorry.`@` .........Crying won't help anything anymore."`@ ld l,$SAK_komaruA1,80 ;『縁寿とは喧嘩しちゃったけど、真里亞にはまだたくさん友達がいるよ…。@ボクだけじゃない。@………みんなもいるよ。@さくすけもさくきちも、動物の音楽隊も、他にも他にも……。』\ `『You got in a fight with Ange, but you still have a lot of friends, Maria...`@` I'm not the only one.`@` .........Everyone's here.`@` Sakusuke and Sakukichi, the animal band, and many, many more......』`\ ;　真里亞は枕の周りで井戸端会議でもしているかのように集まっている、たくさんのぬいぐるみたちを見る。\ `Maria looked at the many stuffed animals around her pillow, which were gathered together as though they were having an idle chat.`\ ld l,$SAK_waraiA2,80 ;『……みんな、真里亞のこと、心配してるよ？@　どうしたら真里亞が元気になってくれるかなって、ずっとずっと相談しているよ……？』\ `『......Everyone...is worried about you, Maria.`@` They're all talking over and over about how to cheer you up, alright......?』`\ ld c,$MAR_fukigenA1,80 ;「………………………………。@……みんなは、……縁寿みたいに、いなくならない…？」@ `".......................`@`......Everyone won't, ......go away...like Ange...?"`@ ld l,$SAK_DefA1,80 ;『ならないよ。@ボクたちはいつだって一緒だよ。』\ `『They won't.`@` We'll always be together.』`\ ld c,$MAR_komaruA1,80 ;「………本当に？@　さくたろたちは、家でしか一緒じゃないよ。@ママと一緒にお出掛け出来ないし、学校にも一緒にいけないよ。」\ `".........Really?`@` All of you are only with Maria at home.`@` Can't go out together when Mama's around, and can't go to school."`\ ld l,$SAK_KomaruA1,80 ;『ボクたちは学校に行っちゃいけないから、先生に見つかったら怒られちゃうもん。@/ `『Since you aren't supposed to take us to school, you'll get in trouble if the teacher finds out. `@/ ld l,$SAK_DefA1,80 ;でも、見つからないなら、いつだって一緒にいていいんだよ。』@ `But if no one finds out, we can be together at any time.』`@ ld c,$MAR_fukigenA1,80 ;「……さくたろ、大きいから見つかっちゃうね。」\ `"......Sakutaro, you're big so you'd be found."`\ bg ROS_R1a,23 se1 3 ld r,$SAK_WaraiA1,26 ;『だったら、小さくて持ち歩ける子と一緒に行けばいいよ。@/ `『Then you can take one of the kids that are small enough to walk around with. `@/ ld r,$SAK_waraiA2,80 ;……例えば、ほら。@森の音楽隊の仲間たちなら、/ ;!d900……ほら、小さいから真里亞のポケットに隠れて一緒に学校に行けるよ。』\ `......For example...what about them?`@` If you take the friends in the forest band, `/ !d900`......look, they're small so you can hide them in your pocket and go to school together.』`\ bg ROS_M1b,0 ld c,$MAR_odorokiA1,24 ;「………音楽隊いっぱいいるよ。@ポケットに入りきらないよ。」@ `".........There's a lot of them in the band.`@` Can't fit them all in Maria's pocket."`@ br ;　ベッドの上に、ごちゃっと散らばる森の音楽隊の駒たちをかき集める。@ ;　チェスの駒くらいの数があるそれを全てポケットに入れていくのは無理だろう…。\ `She collected all of the forest band pieces that were scattered across her bed.`@ `There were about as many of them as pieces in a chess set, so it would probably be impossible to fit them all in her pocket...`\ cl c,0 ld r,$MAR_odorokiA1,0 ld l,$SAK_waraiA1,23 ;『なら、特に仲良しのお友達だけを連れて行くといいよ。@……森の音楽隊の中で、一番、真里亞と仲良しの、うさぎの四人組を連れてくといいよ。』@ `『In that case, you can just take friends that you're especially close with.`@` ......You can take the four rabbits, the ones you're closest to in the forest band.』`@ ld r,$MAR_DefA1,80 ;「……４つならポケットに入る。@/ `"......Four could fit in Maria's pocket. `@/ ld r,$MAR_odorokiA1,80 ;……うん。@これなら見つからないね。」\ `......Yeah.`@` This way, they won't be found."`\ ld l,$SAK_WaraiA2,80 ;『だから真里亞はこれで、学校でもひとりぼっちじゃないよ。@ボクが一緒に行けないところでも、この子たちなら一緒にいてくれるよ。』@ `『So this way, you won't be alone even at school, Maria.`@` Those kids will be with you even where I can't go.』`@ ld r,$MAR_fukigenA1,80 ;「……………うん。@……なら、…寂しくないかも。@……お家に帰ってくるまで、……我慢できるかも…。」\ `"............Yeah.`@` ......Maybe, ...won't be lonely that way.`@` ......Maybe Maria can hold out, ......until coming home from school..."`\ ld l,$SAK_DefA1,80 ;『ママと先生にさえ見つからなければ、ボクたちはいつだって一緒にいられるんだよ。@そしていつまでも一緒にいよう、遊んでいよう。@/ `『As long as we aren't found by the teacher and Mama, we can be with you at any time.`@` So let's be together, play together forever. `@/ ld l,$SAK_WaraiA1,80 ;ボクたちは真里亞を、絶対にひとりぼっちになんか、させないから。@うりゅ！』@ `We definitely won't leave you all alone, Maria.`@` Uryu!』`@ br ;　真里亞の表情がようやく、わずかに明るさを取り戻す。\ `Maria's expression finally regained a little of its brightness.`\ bg black,25 ;　……そう。@ ;　元々考えてみれば、真里亞の世界に縁寿はいなかったのだ。@ `......That's right.`@ `In the beginning, Maria's world didn't have Ange in it.`@ br ;　縁寿がいなくても、みんなが一緒で楽しかった。\ `Even without Ange, it was fun with everyone.`\ ;　なのに、最後に入ってきた縁寿が抜けただけで、急に悲しくなるのはおかしい。@ `And yet, strangely enough, it suddenly became sad without Ange, who had come in at the end.`@ br ;　…縁寿が入る直前の世界に戻っただけじゃないか。@ ;　……なら、悲しいわけなんかないんだ。\ `...All that's happened is that Maria has returned to the world right before Ange entered it.`@ `......So there's nothing to be sad about.`\ bg ROS_M1a,0 ld c,$MAR_FukigenA1,26 ld c,$MAR_DefA1,80 ;「……うん。@寂しくないよ。@さくたろも、みんなも一緒だもん。」@ `"......Yeah.`@` Not lonely.`@` Sakutaro and everyone else is with Maria."`@ ld l,$SAK_WaraiA1,63 ;!s0『うりゅー！/ !s0`『Uryu-! `/ se1 3 quakey 4,500 ;!sd@　真里亞、だーい好き…！』\ !sd@`Lo-ve you, Maria...!』`\ ld c,$MAR_OdorokiA1,80 ;「もうニンゲンなんかに、真里亞の世界には、誰も立ち入らせないよ。@……マリアージュ・ソルシエールは、真里亞とベアトリーチェだけの二人きりの同盟。@/ `"Maria won't let any more humans come into her world.`@` ......Mariage Sorciere is an alliance only between Maria and Beatrice. `@/ ld c,$MAR_FukigenA2,80 ;……元々、ベアトも、縁寿を加えるのには反対してたし。@………これでいいんだもんね。@縁寿はまだ幼過ぎたんだよ。」\ `......In the beginning, Beatrice even opposed letting Ange join.`@` .........It's alright this way.`@` Ange was still too young."`\ cl l,0 ld r,$SAK_DefA1,23 ;『……縁寿のことは、また仲良しになれるまで、当分は忘れていていいと思うよ。@真里亞がまた元気を取り戻せたら、一緒に遊べばいいよ。@それまで、ボクたちみんなが、ずっと側にいるからね。』\ `『......For now, until you can be friends with Ange again, I think it's okay to forget about it.`@` You can play together once you've regained your high spirits, Maria.`@` Until then, all of us will be by your side.』`\ ;ld ,$MAR_,80 bg black,5 ;「………ありがと。@……さくたろ、……みんな。」\ `".........Thank you.`@` ......Sakutaro, ......everyone."`\ fede 0,3000 bg sky_1a,22 bgm1 90 ;　そして、真里亞は再び元の世界を取り戻す。@ ;　大勢の友達に囲まれた、寂しくない世界を取り戻す。\ `Then, Maria once again regained her former world.`@ `She regained the world that wasn't lonely, and where she was surrounded by many friends.`\ ;　学校では相変わらず、ニンゲンの友達はいないけれど、魔法の友達はいつも一緒にいる。\ `Just like usual, she didn't have any human friends at school, but her magic friends were always with her.`\ ;　ポケットに忍ばせたうさぎの音楽隊は、授業中にもポケットの中でくすくすと楽しそうにお話をしている。@ `The rabbit band that she hid in her pockets talked with her during class, sounding like they were having fun.`@ br ;　それに耳を傾けるだけで、寂しい授業時間がとても彩られた。\ `Just listening to that greatly embellished the time she spent during class.`\ bg ROS_R1a,22 ;　ママと先生にさえ見つからないなら、他の友達とも常に一緒にいるようにした。@ `Maria made it so that, as long as Mama and the teacher didn't find out, her other friends could always be with her.`@ br ;　ママに、お外で遊んできなさいと言われた時は、こっそりカバンにさくたろやさくすけたちを詰めて行って、図書館とかで一緒に遊んだ。\ `When Mama told Maria to go play outside, Maria would secretly pack Sakutaro and Sakusuke and the rest into her bag, and play together at the library or somewhere.`\ bg black,22 bg moon_2a,6 ;　ママの帰りが遅くて、お夕飯のお買い物なんかに行く時も、常にさくたろたちと一緒に行った。@ `Even when Mama was late coming home and Maria went shopping for dinner, she always went with Sakutaro.`@ br ;　コンビニのおじさんたちも、さくたろに優しくしてくれた。@ ;　真里亞とさくたろにって、２つ分のオマケをくれたこともあった。\ `The man at the convenience store and the other people were nice to Sakutaro.`@ `He sometimes gave a second portion free for Maria and Sakutaro.`\ ;　ママにそれを見つかると、さくたろたちを連れてきちゃ駄目と怒られる。@ ;　先生にそれを見つかると、おもちゃを学校に持ってきちゃ駄目と怒られる。@ `When Mama found out, Maria would get in trouble for bringing Sakutaro and the rest outside.`@ `When the teacher found out, Maria would get in trouble for bringing toys to school.`@ br ;　きっと、ママと先生は毒素が強いんだ。@ ;　だからさくたろたちが、ただのぬいぐるみに見えちゃうんだ。\ `The toxin must be strong in Mama and the teacher.`@ `So Sakutaro looks like a normal stuffed animal to them.`\ bg black,22 ;　だって、コンビニのおじさんたちは、さくたろにも挨拶してくれるよ。@ `After all, the man and the others at the convenience store say hello to Sakutaro.`@ br ;　………ニンゲンみんなが駄目なんじゃない。@ ;　縁寿やママや先生と違って、私みたいに魔法の友達と挨拶が出来る人だって大勢いるんだ……。\ `.........Not all humans are worthless.`@ `There are a ton of people who, unlike Ange and Mama and teacher, can say hello to magic friends like I can......`\ ;■深夜のコンビニ bg con_i1a,6 ;「真里亞ちゃんかい。@いらっしゃい。@今夜もママは帰りが遅いのかい…？」@ `"Oh, Maria-chan.`@` Welcome.`@` Was your Mama late coming home tonight too...?"`@ ld r,$MAR_niyariA2,24 ;「うん。@……でも、さくたろたちも一緒だから、寂しくないの。@/ `"Yeah.`@` ......But Maria's with Sakutaro, so Maria isn't lonely. `@/ ld r,$MAR_WaraiA1,80 ;ね、さくたろ？」\ `Right, Sakutaro?"`\ ld l,$SAK_waraiA2,23 ;『うりゅー。@今日はね、さくたろだけじゃないんだよ。@他のお友達も一緒なんだよ。』@ ;「おや、他のお友達かい。@今日はどんなお友達が一緒なんだい？」\ `『Uryu.`@` It's not just Sakutaro today.`@` Other friends are also with us.』`@ `"Oh, other friends, is it?`@` What kind of friends did you bring today?"`\ ld r,$MAR_WaraiA2,80 ;「今日はね、森の音楽隊のうさぎさんたちも一緒。@……ほら、ポケットに入ってるの。」@ `"Today, the rabbits from the forest band are also with Maria.`@` ......Look, in my pocket."`@ br ;　真里亞は、陶製のうさぎの人形を４つ、レジの上に並べ始める。\ `Maria began to line up four ceramic rabbit dolls on the register.`\ bg black,22 ;　店長のおじさんはそれを微笑ましそうに見ると、アルバイトに顎で合図を送る。@ `As the owner of the shop looked at it smiling, he sent a signal to a part-timer with his chin.`@ br ;　すると、もうひとつのレジの、準備中という札が下げられ、お待ちの方こちらにどうぞーと声が掛けられた。\ `Then, the sign on the other register that said 'closed' was taken down, and a voice called out for everyone to move over there.`\ ;　真里亞の後に並んでいた人たちは全員、そちらに並び直す…。\ `All of the people in line behind Maria lined up behind that one...`\ bg con_i1a,26 ;「そうかそうか。@真里亞ちゃんにはお友達がいっぱいだねぇ。@ママも早く帰ってきてくれればいいのに。」\ `"I see, I see.`@` You do have a lot of friends, Maria-chan.`@` But I hope your Mama comes home soon."`\ ld r,$MAR_odorokiA1,24 ;「うー。@ママはまたお仕事が忙しくて、会社にお泊りなの。@最近はよく忙しくなるの。@……真里亞と電話でお話しする時間も全然取れない。@/ `"Uu-.`@` Mama is busy with work again, so she's staying at the company.`@` It's been very busy lately.`@` ......She hasn't even been able to get much time to talk to Maria on the telephone. `@/ ld r,$MAR_waraiA2,80 ;でも寂しくないよ！@　真里亞にはさくたろたちがいるもん！@　ねー！」@ `But Maria isn't lonely!`@` Maria has Sakutaro and the rest!`@` Ri-ght?"`@ ld l,$SAK_WaraiA1,23 ;『うりゅー！！』\ `『Uryu-!!』`\ ld r,$MAR_WaraiA1,80 ;「うさぎの音楽隊のみんなも一緒だもん。@ほら。@きゅーきゅー♪」@ ;「うさぎの鳴き声って、きゅーきゅーだったっけ？@　はて、そういや聞いたことないなあ。」\ `"All of the rabbits in the band are together.`@` Look.`@` Kyu-kyu-♪"`@ `"Is kyu-kyu- the sound a rabbit makes?`@` My, I've never heard that."`\ ;　真里亞は、ナップザックから顔をのぞかせるさくたろに微笑みかけながら、@レジの上のうさぎの音楽隊を、戯れあうようにいじって遊ぶのだった。@ `After smiling at Sakutaro, who was poking his head out of her knapsack,`@` she played around with the rabbit band on the register, making them frolic around.`@ br ;　店長はその様子を微笑ましく眺めながらも、少しだけ気の毒そうな表情を浮かべる。\ `Although the shop manager gazed at this pleasantly, he had slightly pitying look on his face.`\ bg black,22 ;　……どうも母子家庭らしく、母親が激務でなかなか家に帰れないらしい。@ ;　その上、友達もいる様子がない。@ `......This was apparently a family without a father, and where the mother had to work hard and couldn't come home very often.`@ `On top of that, it looked like this girl didn't even have any friends.`@ br ;　なのに、こうしてぬいぐるみたちと楽しく遊んで、寂しくないと言い張る少女に、@ささやかな同情を感じずにはいられなかった。\ `As he watched this girl play around happily with her dolls and claim that she wasn't lonely despite everything,`@` he couldn't help but feel a kind of compassion.`\ ;　実はこれは、彼に限ったことではない。@ ;　この商店街では、真里亞のことはとても有名になっていたのだ…。\ `And actually, this wasn't limited to him alone.`@ `Maria had become very famous in this shopping district...`\ bg con_i1a,2 ;「真里亞ちゃん、たまにはおでんも食べなさい。@卵とか練り物とか食べないと、大きくなれないよ。」@ `"Maria-chan, you should eat some oden every once in a while.`@` If you don't eat your eggs and fish paste, you won't get big."`@ ld l,$MAR_odorokiA1,23 ;「うー？@　クリームパンじゃ駄目…？」\ `"Uu-?`@` Can't get a cream roll...?"`\ ld r,$SAK_DefA1,24 ;『うりゅ。@いろいろ食べないと大きくなれないよ。@今日はおでんにしよ？』@ `『Uryu.`@` If you don't eat certain things, you won't get big.`@` How about oden for today?』`@ ld l,$MAR_waraiA2,80 ;「うー。@……じゃあおでんにする。」\ `"Uu-.`@` ......Then Maria will have oden."`\ ;「うんうん、そうしなさい。@おじさんが多めに入れておくよ。@カラシいる？」@ `"Yep yep, that's the ticket.`@` Why don't I stick a whole bunch in there.`@` Want mustard?"`@ ld r,$SAK_nakuA1,80 ;『うりゅー。@辛いのは苦手……。』\ `『Uryu.`@` I can't handle spicy things......』`\ ;「そうかそうか。@じゃ、零さないように持って帰りな。@温かい内がおいしいよ。」@ `"Alright, I see.`@` Then, you make sure you don't let it spill on the way home.`@` It'll sure be delicious while it's hot."`@ ld l,$MAR_WaraiA1,80 ;「うー。@ありがとう。」\ `"Uu-.`@` Thank you."`\ ;　いつものように菓子パンの夕食にするつもりだったが、おでんを勧められたため、今夜はおでんになった。\ `She had planned on getting some sweet pastries for dinner, but since oden had been recommended to her, she would be having that tonight instead.`\ ;　メニューを人に決めてもらうと、意外な食事になって、面白い。@ `Letting someone else determine the menu makes for an unexpected and interesting meal.`@ br ;　……真里亞は自分ひとりで夕食を決めなければならないことが多かったので、メニューも偏りやすい。@だから、そういう予期せぬ食事に楽しさを感じるのだった…。\ `......Very often, Maria had to decide what her dinner would be on her own, so it was easy for the menus to get a little one-sided.`@` So it felt fun to have a meal she hadn't anticipated...`\ me1 30 bg black,2 bg cit_3a,23 ld c,$SAK_WaraiA1,24 ;『うりゅー！@　おじさん、オマケしてくれてありがとう！』@ ;「お家にいる他のお友達たちにもよろしくねー。@途中で摘み食いしちゃ駄目だよ。@まっすぐお家へ帰ってから食べるんだよ。」\ `『Uryu-!`@` Thanks for giving us extra, Mister!』`@ `"Send my regards to your other friends at home.`@` No stuffing yourself on the way home.`@` Go straight home and eat it there."`\ ld l,$MAR_WaraiA2,23 ;「うー！@　おじさん、ありがとー！！」@ `"Uu-!`@` Thanks Mister!!"`@ br ;　真里亞は、おでんの容器の入ったレジ袋を高々と上げるのだった……。\ `Maria raised the bag with the oden container high......`\ textoff bg black,5 wait 1000 bg moon_2a,2 fedexx 0,50,0,0,0,0,4000 wait 1000 bg black,1 se1 32 bg ROS_o1aN,0 ld c,$MAR_odorokiA1,22 ;「……………………………。@/ `".....................`@/ ld c,$MAR_KomaruA1,80 ;………あれ……？」\ `.........Huh......?"`\ cl c,0 ld l,$MAR_KomaruA1,0 ld r,$SAK_OdorokiA1,24 ;『……うりゅ？@　どうしたの、真里亞？』@ `『......Uryu?`@` What is it, Maria?』`@ ld l,$MAR_fukigenA1,80 ;「………ポケットに鍵がない。」\ `".........The key isn't in Maria's pocket."`\ bg moon_2a,25 ;　自宅の扉の前で、真里亞はぱたぱたと全身を探る。@ ;　……家の鍵がないのだ。\ `Standing in front of the door to her house, Maria searched all over her body.`@ `......The key to the house wasn't there.`\ ;　いつも几帳面に同じポケットに入れる。@ ;　だから他のポケットに入れてしまったわけはないのだが、念のため全身を探る。@ `She always methodically put it in the same pocket.`@ `So there was no way she had put it in another pocket, but she searched her whole body just in case.`@ br ;　……やっぱりなかった。\ `......Unsurprisingly, it wasn't there.`\ bg black,25 bg ROS_O1aN,0 ld r,$SAK_KomaruA1,22 ;『お財布を出した時に落とした……？』@ `『Did you drop it when you took your wallet out......?』`@ ld l,$MAR_fukigenA1,23 ;「うぅん。@お財布を出してしまう時には、ちゃんと手応えがあったもん。@途中でポケットを探った時にもちゃんと手応えがあった。@/ `"No.`@` When Maria took her wallet out, definitely felt it.`@` Also felt it when Maria searched her pocket partway here. `@/ ld l,$MAR_fukigenA2,80 ;……途中まではあったの。@落としてなんかいない！@　うーうーうー…！」/ `......It was there until partway.`@` Didn't drop it!`@` Uu-uu-uu-...!"`/ quakey 4,500 \ me2v 5,50 ;　家に帰れば暖房があると思えばこそ耐えられる晩秋の外気も、@鍵をなくし、途方に暮れる真里亞には堪えるものだった。\ `Even though the late autumn wind had been bearable when Maria had been thinking of returning home, where the heater was,`@` now that she was confused and had lost her key, she had to deal with it.`\ ;　しかし、いくら探しても鍵は見つからない。@ ;　全てのポケットを引っ繰り返し、着ていた上着を脱いで叩いてもみたが駄目だった。@ `But no matter how hard she searched, she didn't find it.`@ `She turned out all her pockets, and even tried taking off her jacket and hitting it, but to no avail.`@ br ;　……もちろん、さくたろの入っているナップザックだって引っ繰り返してみたが、鍵が出てくることはなかった。\ `......Of course, she also turned the knapsack Sakutaro was in upside down, but the key didn't come out.`\ cl a,0 ld c,$MAR_sakebuA1,23 ;「………うー。@………うーうーうー！！！」@ `".........Uu-.`@` .........Uu-uu-uu-!!!"`@ br ;　あるはずのものが、あるべきところにない。@ ;　自分は悪くないのに、なぜか鍵がない。@ `Something that should have been there...wasn't where it was supposed to be.`@ `Why isn't the key there, when Maria didn't do anything wrong?`@ br ;　……何でないの？！@ ;　どうしてッ！@　どうして…ッ！！！\ `......Why isn't it?!`@ `Why?!`@` Why...?!!!`\ se1 11 quakey 3,400 se2 11 quakey 3,500 ;　真里亞は寒くて悔しくて腹立たしくて、地団太を踏む…。@ ;　足の裏がジンジンするが、それでも悔しいのが収まることはない。@ `Maria was cold and frustrated and angry, and she stamped on the ground...`@ `The bottom of her foot throbbed, but that didn't lessen her frustration.`@ br ;　……その内、ぽろぽろと悔し涙まで零れ出す。\ `......At the same time, her tears poured out.`\ E_A bgm1 16 ld c,$MAR_NakuA1,80 ;「……うー。@……うー！！/ `"......Uu-.`@` ......Uu-!! `/ se1 11 quakey 3,400 se2 11 quakey 3,400 ;@　うーーー！！」/ @`Uuuu---!!"`/ se1 11 quakey 3,400 se2 11 quakey 3,400 se3 11 quakey 3,400 \ ;　自分は悪くない。@ ;　だから誰かが悪い。@ `It wasn't her fault.`@ `So it's someone's fault.`@ br ;　でも、その誰かが誰かわからなくて、真里亞は怒りの唸り声を上げ続ける他なかった。\ `But Maria didn't know who that someone was, and could do nothing but continue to let out a moan of anger.`\ me2v 5,50 ld l,$SAK_odorokiA1,23 ;『……うりゅ……。@きっと途中で落としたんだよ…。@探そう？@　来た道を戻って探そ…？』@ `『......Uryu......`@` I'm sure you dropped it partway...`@` Let's look for it, okay?`@` Let's return on the road we came by and search, okay...?』`@ ld c,$MAR_KomaruA1,80 ;「……うー…。@せっかくおでん買ったのに、……卵とかオマケしてもらったのに……。@温かいうちに食べられない……。@/ `"......Uu-...`@` Even though Maria went to all the trouble of buying oden, ......and got eggs and stuff for free......`@` Can't eat it while it's hot......`@/ ld c,$MAR_nakuA1,80 ;………うーーーー！！！」\ `.........Uuuu----!!!"`\ ld l,$SAK_komaruA2,80 ;『…真里亞……、悔しいけど探そ…？@　誰も悪くないよ…、探そ…。』\ `『...Maria......, I know it's frustrating, but let's search, okay...?`@` It's no one's fault..., let's search...』`\ bg black,2 me2v 30,50 bg moon_2a,22 ;　真里亞はさくたろの言葉にようやく耳を貸し、来た道をとぼとぼと戻り始める。@ `Maria finally lent an ear to Sakutaro's words, and began to trod back down the road she had come on.`@ br ;　……さっきまでより、風が冷たく、意地悪に上着の隙間から入り込んでくるように感じた…。\ `......The wind was colder than it had been, and it felt like it was blowing in through the corners of her jacket in a mean way...`\ ;『うりゅ…。@しっかり足元を見て探そ…？@　そして早くお家に帰って、暖房で温まりながら、おでんを食べよ？@　きっとおいしいよ。』@ `『Uryu...`@` Let's watch our feet closely and search, okay...?`@` Then let's get home quickly, get warm from the heater, and eat oden, alright?`@` I'm sure it'll be delicious.』`@ ;「………うー。@……ない。@……うー。@……ない…。」@ `".........Uu-.`@` ......Not here.`@` ......Uu-.`@` ......Not here..."`@ br ;　さくたろに励まされながら、鍵を探す真里亞…。\ `As Sakutaro encouraged her, Maria searched for the key...`\ bg black,2 bg cit_3a,6 ;　しかし、おでんを買ったコンビニまで戻ってきてしまう。@ ;　……見つからなかったのだ。@ `But she made it all the way back to the convenience store where she'd bought the oden.`@ `......She hadn't found it.`@ br bg black,24 bg con_i1a,24 ;　念のため、コンビニのおじさんに、鍵の落し物がなかったか聞くが、@見つかっていないとのことだった。\ `Just in case, she asked the man at the convenience store whether they had found a dropped key,`@` but they hadn't found anything.`\ bg black,23 bg moon_2a,2 ;　……もう一度、足元に注意しながら、家へ戻る。@ ;　しかし、やはり見つからなかった。\ `......One more time, she returned home, paying close attention to the area around her feet.`@ `But, unsurprisingly, she didn't find it.`\ ;　もう地団太を踏みたくなるような悔しさはない。@ ;　……でも、熱い涙がぽろぽろ零れた。\ `She was no longer frustrated enough to stomp her feet.`@ `......But hot tears dripped down her face.`\ ;　おでんはすっかり冷めてしまっている。@ `The oden had cooled down completely.`@ br ;　…温かいうちがおいしいよと言ってくれたのに、食べられなかった。@ ;　……おじさんに色々オマケしてもらったのに……。\ `...Even though she had been told it would be delicious when warm, she hadn't been able to eat it.`@ `......Even though that man had given her so much free stuff......`\ ;『……うりゅ……。@泣かないで……。@……ママは今夜、帰ってこないんだよ。@……頑張って探そ……。』\ `『......Uryu......`@` Don't cry......`@`......Mama isn't coming back tonight.`@` ......Let's do our best and search......』`\ ;「………何で見つからないの…。@……ううぅ……、……うううぅぅッ！」@ `".........Why can't Maria find it...`@`......Uuuu......, ......uuuuuuuu!"`@ ;『真里亞、泣かないで…！@　頑張って探そ…！@　………真里亞……。』\ `『Maria, don't cry...!`@` Let's do our best and search...!`@` .........Maria......』`\ bg black,26 ;　真里亞はもう、涙を堪えることは出来なかった。@ `Maria was no longer able to hold back her tears.`@ br ;　しくしくと泣きながら、さくたろを抱いて、おでんの袋を持って、もう一度来た道を戻る。\ `Sobbing, she clutched Sakutaro and held the bag of oden, returning once more down the road she had come by.`\ bg cit_3a,2 ;　深夜になり、灯りを消した家や店が増えたせいか、より暗くなり、探しにくかった。@ ;　……そして、また鍵を見つけられないまま、コンビニに戻ってきてしまう。\ `Perhaps because more and more houses and stores had turned their lights off by now, it was even darker and harder to search than before.`@ `......And, once again without finding the key, she returned to the convenience store.`\ bg black,24 E_MA bg con_i1a,24 ;「真里亞ちゃん、/ ;!d800……鍵、まだ見つからないのかい…？」@ `"Maria-chan, `/ !d800`......still can't find your key...?"`@ ld l,$MAR_nakuA1,23 ;「…うー…。@……鍵、……ない…。」\ `"...Uu-...`@`......Key, ......not here..."`\ ;「お母さん、今日は泊まりだっけ？@　鍵ないとお家入れないの？」@ `"Wasn't your mother away for the night?`@` So you can't get into your house without a key?"`@ ld l,$MAR_komaruA1,80 ;「うー……。@……入れない……。」\ `"Uu-......`@`......Can't get in......"`\ ;eeee ;「そりゃ困ったねぇ…。@交番には行ってみた？@　届いてるかもしれないよ。」@ `"Yes, that does seem troublesome...`@` Did you try going to the police?`@` They might be able to help you."`@ ld l,$MAR_ikariA1,80 ;「……………ママが、お巡りさんに話し掛けられても、お話しちゃ駄目って言った。」\ `"............Mama said not to talk to policemen, even if they start talking to Maria."`\ ;「ええ？@　そりゃまた、どうして？」@ `"Oh?`@` Well, why is that?"`@ ld l,$MAR_fukigenA1,80 ;「……………………………。」\ `"........................"`\ bg black,22 ;　楼座には、真里亞のような幼い子を、ひとりで留守番させていることに負い目があったし、@社会的にそれが許容されるものではないことを知っていたのだろう。\ `It was probably because Rosa was liable for making such a young girl like Maria watch over the house by herself,`@` and because she knew that this was not something that would be permitted by society.`\ ;　だから真里亞に、大人に目を付けられないよう、買い物をする店をなるべく変えろとか、@お巡りさんに話し掛けられても、挨拶以上のことはするなと吹き込んできたのだ。\ `So Maria was indoctrinated into changing the stores she bought things at so that she didn't catch the eyes of adults,`@` and into saying no more than a greeting to policemen, even if they talked to her.`\ ;　真里亞は、それらに素直に従った。@ `Maria had obediently done as she was told.`@ br ;　どうしてそうしなくてはならないかを考えるよりは、@母がそう言うのだから従わねばならないという素直さの方がはるかに上回った。\ `Instead of considering why she must do that,`@` she was much more concerned with meekly obeying because her mother had told her so.`\ bg moon_2a,26 ;　だが、それを聞いたコンビニの店長はそうは思わなかっただろう。@ `But the manager of the convenience store probably didn't think of it that way.`@ br ;　……元々、このような幼い子が、ひとりで留守番を強いられ、@しかもそれが頻繁にあることが気になるのは、当然のことだった……。\ `......Naturally, seeing such a young girl being forced to watch over the house alone, and so frequently...`@`would cause anyone to worry......`\ bg cit_3a,6 ;　……そして。@ `......And then.`@ ;bg con_i1a,24 ;　再び家とコンビニを往復し、三度目にコンビニに訪れた時。@ ;　…そこにはお巡りさんが来ていた。\ `After making the round trip between her home and the store once more, and arriving at the convenience store for a third time...`@ `...A policeman was there.`\ me1v 30,50 ;「あの子です。@……真里亞ちゃん、鍵、見つかったかい？」@ `"It's that child.`@` ......Maria-chan, did you find your key?"`@ ld r,$MAR_KomaruA1,24 ;「………うー…。@……見つからない……。」\ `".........Uu-...`@`......Didn't find it......"`\ ;「お嬢ちゃん、お名前は？」@ `"What's your name, little girl?"`@ ld r,$MAR_MajimeA1,80 ;「……………………。」@ `".................."`@ br ;　お巡りさんが名前を聞くが、真里亞は答えない。\ `The policeman asked her name, but Maria didn't answer.`\ ;「お母さんに、お巡りさんとお話しちゃいけないって言われてるの？@　んっふっふー！@　大丈夫だよ、おじさんは怖くないよ。@お嬢ちゃんは晩御飯は食べた？」@ `"Did your mother tell you not to talk with policemen?`@` Huhuhuh-!`@` Don't worry, no need to be scared of me.`@` Have you eaten dinner yet, little girl?"`@ ld r,$MAR_komaruA1,80 ;「…………買ったけど、お家に入れないから、食べられない。」\ `"............Bought it, but couldn't go into the house, so couldn't eat it."`\ ;「お母さんはどうしてるの？@　今日は帰ってこないの？@　お仕事？」@ `"What is your mother doing?`@` Is she not coming home today?`@` Is it her work?"`@ ld r,$MAR_fukigenA1,80 ;「………………うー。」\ `".............Uu-."`\ ;「お母さんの会社の連絡先、わかるかな？」@ `"Do you know where we can contact your mother's work?"`@ ld r,$MAR_komaruA1,80 ;「……………………。」@ `".................."`@ br ;　真里亞は力なく俯く。\ `Maria hung her head limply.`\ ;　……自分がどうしてお巡りさんに怒られているのかわからない。@ `......She didn't understand why the policeman was getting mad at her.`@ br ;　いや、怒られているわけではないだろうが、母の耳に入ればきっと怒られるに違いないのだ。@ `No, he probably wasn't getting mad at her, but if this reached her mother's ears, then she would definitely be in trouble.`@ br ;　どうして怒られるのかという理由はわからなくても、それだけは理解できた。\ `Even if she didn't understand the reason why she would be in trouble, she at least understood that much.`\ bg black,25 ;　しかし、お巡りさんは真里亞を解放してはくれなかった。@ ;　それに空腹で頭もくらくらしてきた。@ `But the policeman wouldn't let Maria go.`@ `And her head was swimming from hunger.`@ br ;　それにお巡りさんも気付き、交番で食事をしながら話を聞こうということになった。\ `The policeman noticed that, and it was decided that he would listen to her story as they ate in the police box.`\ bg moon_2a,25 ;　……真里亞は交番に連れて行かれた。@ ;　電子レンジでおでんを温めてもらい、熱いお茶と塩大福まで出してもらった。\ `......Maria was taken to the police box.`@ `She had her oden heated in a microwave oven, and there were even salty rice cakes and hot tea brought out for her.`\ ;　お巡りさんとは話をしちゃいけないと言われていたけど、@……さくたろのことを聞かれて、答えているうちに、悪い人じゃない気がしてきて。\ `She had been told not to talk to policemen, `@`......but after being asked about Sakutaro, she responded, starting to feel that this wasn't a bad person.`\ ;　…それに、このままじゃお家に帰れないし、どうすればいいかわからなくて。@ `...And otherwise, she wouldn't be able to return home, so she didn't know what to do.`@ br ;　………誰にも教えちゃいけなくて、本当の本当に大変な時にしか掛けちゃ駄目だよと言われた、@……ママの仕事先の電話番号を教えてしまう。\ `.........She told him Mama's work phone number, `@`......which she had been told to tell no one of and to use only in a very, very serious situation.`\ ;　交番の奥の畳の部屋で、火傷しそうなくらい熱くなったおでんを食べながら、@お巡りさんが電話するのを見て、……あぁ、私は怒られるだろうなとぼんやり考えていた。\ `In the tatami room inside the police box, as she ate the oden that was so hot it felt like it would burn her,`@` she watched the policeman making the phone call, lazily thinking, ......'aah, I'm probably gonna get in trouble'.`\ bg black,22 ;「…………真里亞、…ママに怒られるかな………。」@ `"............Will Mama, ...get mad at Maria.........?"`@ ;『……うりゅ………。』\ `『......Uryu.........』`\ fede 0,2000 ;me1 22 bg off_1a,22 bgm1 85 ;　だいぶ長くコール音を聞いているのだろうか。@ ;　お巡りさんは受話器に耳を当てたまま、時計を見上げてぼやく。\ `He must have been listening to the phone ringing for a very long time.`@ `With the receiver up to his ear, the policeman looked up at the clock, grumbling.`\ ;「…………営業時間終えちゃってるから出ないのかなぁ。@……んーー。@/ `".........Maybe they aren't picking up because their business hours are over.`@` ......Hmmmmmm. `@/ ;e_ 2,1 ;se1 53 ;……あ？@　もしもし？@　もしもし？@　有限会社アンチローザさんで？@　こちら、小松川警察署千本桜駅前交番でございます。@えぇっと、ウダイカン、…じゃないや、右代宮社長さんはいらっしゃいますか？@　…………はい。@……えぇ？@　休暇中ぅ？」\ `......Huh?`@` Hello?`@` Hello?`@` Is this Anti-Rosa Ltd.?`@` This is the Komatsugawa Police Department police box in front of the Senbonzakura Station.`@` Is President...umm, Udaikan...no wait, President Ushiromiya available?`@` ............Yes.`@` ......Whaat?`@` She's on vacation?"`\ bg black,22 me1 11 ;「はいー。@社長は昨日から３日間、休暇になってますー。@あの、どういったご用件で…？」@ ;「あいやいやいや。@それで、どちらにおられるかわかりますかねぇ？@　連絡先とか聞いてたりしませんかねぇ。」\ `"Yes.`@` Starting yesterday, the president has been on a three day vacation.`@` Umm, is there some business you have with her...?"`\ `"Oh no no no, never mind.`@` So, do you know where she may be?`@` You haven't heard where to contact her, have you?"`\ ;「あー、……ちょっとお待ちいただいてよろしいですか？@　……………ねー、誰か社長の旅行先、聞いてるー？@　連絡先ー。」@ ;「彼氏と札幌カニ食い放題って聞きましたァ。@いいなァ、寒いとこだと、自然と二人の距離も縮まるのよねェ〜。@連絡先は聞いてないよォ。」\ `"Sure, ......could you hold on for a short while?`@` ............Hey, has anyone heard the president's destinatio-n?`@` How to contact he-r?"`\ `"Heard she was going for all you can eat crabs in Sapporo with her boyfriend.`@` Aaaw, I'm sure such a cold place would do wonders for shrinking the distance between them, don't you~?`@` I haven't heard how to contact them."`\ ;「うん、了解ー。@……あー、もしもしー。@札幌に行ってるそうですけど、連絡先まではちょっとわかりません。@……ご伝言しますかー？」\ `"Yep, understood.`@` ......Oh, hello-.`@` I hear she went to Sapporo, but I'm not sure about how to reach her.`@` ......Should I take a message?"`\ bg off_1a,22 ;「んー、そうですかぁ、参ったなぁ。@じゃあ、もし連絡がつきましたら、こちらから電話があったとお伝えできますか。@えぇ、はい。」\ `"Hmm, I see, what a shame.`@` Well then, if you make contact with her again, could you tell her that we called?`@` Sure, yes."`\ textoff ;se1 53 bg black,2 E_MA wait 1000 bg moon_2a,6 me1v 16,50 ;　……その後、私は、もっと大きい警察署に連れて行かれ、@そこで一晩を過ごすことになった。@ `......After that, I was taken to the police department, which was even bigger,`@` and was made to spend the night there.`@ br ;　そして、私のことを色々と聞かれた。\ `And, they asked me various things about myself.`\ ;　民生委員のおばさんと名乗る人がやって来て、色々と話を聞かれた。@ `A lady who called herself the district welfare officer came by and asked about various things.`@ br ;　そして、可哀想にね、と言われた。@ ;　それを聞いて初めて、私は知った。\ `And I was told 'You poor thing'.`@ `When I heard that, I learned for the first time.`\ bg black,22 ;「…………真里亞って、………可哀想だったの……？」\ `"............Is Maria, .........a poor thing......?"`\ ;『……うりゅ……。@そんなことないよ…、真里亞は幸せ……。』@ `『......Uryu......`@` That's not true..., you're happy, Maria......』`@ ;「……………うー…。」\ `"............Uu-..."`\ mov %play_scene,40160 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,mar textoff fede 0,3000 wait 1000 bg sky_1a,6 bgm1 91 wait 2000 bg sky_2b,2 wait 2000 bg black,2 ;se1 15 bg ROS_R1aN,0 ld c,$ROS_ikariA3,2 ;　そして、……楼座は帰ってきた。@ `Then, ......Rosa came back.`@ br ;　真里亞は部屋にいなさいと言われていたが、@……トイレに行った帰りに、居間の入り口の脇に隠れ、そのやり取りに耳を傾けていた。\ `Maria was told to go to her room,`@` ...but on her way back from the bathroom, she hid by the entrance to the living room and listened in on the exchange.`\ bg ROS_R1bN,24 ;　訪れたのは、あの日、真里亞から色々と話を聞いた民生委員の婦人だった。\ `The person who had come to visit...was the female district welfare officer who had asked Maria various questions on that other day.`\ ld l,$ROS_IkariA2,23 ;「そういう押し付けは困りますッ！！/ `"Don't be so pushy!! `/ se1 11 quakey 4,500 ;@　真里亞は心が純粋過ぎて繊細だから、無神経な子がいたら、傷つけられてしまうんです！！@　余計なお節介は止めてください！！」\ ;＜楼座 @`Maria's heart is too innocent and delicate, so if there was an insensitive kid there, she could be hurt!!`@` Please stop your pointless meddling!!"`\ bg ROS_R1aN,23 ;「でもね、お母さん。@そんなに繊細な子なら、何でひとりで家に放置しておくの？@　お母さんが一緒にいてあげるべきなんじゃないですか？」@ `"But in that case, Miss,`@` if the child is so delicate, why leave her home all alone?`@` Shouldn't a mother be together with her child?"`@ se1 11 ld r,$ROS_IkariA2,1 quakey 4,500 ;「なるべく一緒にいるようにしています！！@　そんなこと、あなたに指図される覚えはありません…！！」\ `"I am together with her as much as I should be!!`@` I don't need to take instructions from you for something like that...!!"`\ ;「そうですか？@　この辺のご近所ではとても有名ですよ。@お宅のお嬢さんが夜、頻繁に買い物や食事に来るって。@みんな気にしてて気を遣ってくれてたんですよ。」\ `"Oh, really?`@` She is very well known in this area.`@` They say that your daughter frequently goes out at night to buy things and eat.`@` Everyone was worried and looking out for her."`\ ld r,$ROS_IkariA4,80 ;「どうしてうちの子だとわかるんですか！！/ `"How do you know that was my child?!! `/ se1 12 quakex 4,300 ;@　子どもなんて町中にいくらでもいるじゃないですか！！@　勝手にうちの真里亞だと決め付けないで下さい！！@　夜に出歩く子どもだってたまにはいるでしょ！@　それらが全てうちの子だという証拠でもあるんですか？！」\ @`There's got to be plenty of children around this town, right?!!`@` Don't just suddenly decide that it's my Maria!!`@` Kids sometimes walk around outside at night, right?!`@` How can you prove that all of those are my child?!"`\ ;「ライオンのぬいぐるみを抱いた女の子が、よく夕食を食べに来る、買いに来るって、@商店街でもとても有名だったんですよ。@みんな真里亞ちゃんのことを思って大切にしてくれてました。@時には、夜道は危ないからと、自宅まで送ってくれる方もいたんですよ？」\ `"It's a very famous story around the shopping center that a girl holding a lion stuffed animal often goes there to eat dinner and buy things.`@` Everyone treated Maria-chan with care out of concern for her.`@` Sometimes, people even escorted her home, thinking the night roads might be dangerous, you see?"`\ cl r,0 ld c,$ROS_ikariA2,24 se1v 11,90 quakey 4,500 ;「ラ、ライオンのぬいぐるみなんてどこにでもあります！！@　自宅まで送るなんて余計なお世話ですッ！！@/ `"Y, you can find lion stuffed animals anywhere!!`@` It was none of their business, escorting her home!! `@/ ;ld c,$ROS_IkariA1,80 ;　真里亞を誘拐するつもり？！@　真里亞に構わないで！！@　真里亞は私の子です。@私が育ててます！@　おかしな施設に入れるつもりもまるでありません！！@　余計なお節介は止めて！！」\ `Are they thinking of kidnapping Maria?!`@` Don't bother her!!`@` Maria is my child.`@` I am raising her!`@` I have no intention of putting her in some strange institution!!`@` Stop your needless meddling!!"`\ bg ROS_P1aN,0 ld r,$SAK_odorokiA1,24 ;『う、……うりゅ……。@ライオンのぬいぐるみって、/ ;!d800……ボクのこと……？』@ `『U, ......uryu......`@` Does that lion stuffed animal, `/ !d800`......mean me......?』`@ ld l,$MAR_komaruA1,23 ;「……大丈夫だよ。@怒られるのは真里亞だよ…。@さくたろは関係ないよ……。」@ `"......It's alright.`@` Maria's the one that's in trouble...`@` It has nothing to do with you, Sakutaro......"`@ br ;　真里亞はさくたろを抱き締め、怯えながら母の様子をうかがい続ける…。\ `Maria hugged Sakutaro, continuing to watch her mother fearfully...`\ bg black,23 bg ROS_R1bN,0 ld c,$ROS_ikariA1,23 ;「わ、私も真里亞と毎日一緒にいられたらと思います！@/ `"I, I also wish I could be with Maria every day! `@/ ld c,$ROS_IkariA4,80 ;　でも、シングルマザーですから働かなくちゃならない！@　私はこう見えても会社の社長ですから、社員の生活も背負っている！！@　一年中仕事で忙しいんですよ、休む暇だってないんですッ！！」\ `But I'm a single mother, so I have to work!`@` I may not look it, but I'm a president of a company, and I bear the responsibility for my employees' well-being!!`@` I'm busy with my work all year round, so there's no time for me to rest!!"`\ me1v 16,50 ;「そうぉ？@　でも、この三日間、お休みだったんでしょ？」@ `"Re-ally?`@` But you've been on vacation these last three days, haven't you?"`@ ld c,$ROS_ikariA1,80 ;「や、休みなんかじゃありません！@　私はずっと会社で泊り掛けで仕事をしていました！！@　他の頼りない社員では片付けられない案件が私には山積みなんです！！」\ `"I, I have not been on vacation!`@` I've stayed at my company all night working!!`@` There's a mountain of matters to be taken care of that the other unreliable employees can't handle!!"`\ ;bg ROS_R1b,24 ;「どうしてそんなウソ吐くの。@あなたの会社の人が、三日間お休みを取ってますって言ってるのよ？@　彼氏さんと北海道に行ってきたんでしょう？@　娘さんを三日間も置いて…！」\ `"Why are you lying like that?`@` Someone from your company said that you were taking a three day vacation, you see?`@` You went to Hokkaido with your boyfriend, right?`@` You left your daughter by herself for three whole days...!"`\ me2 17 ld c,$ROS_IkariA2,1 se1 12 quakey 4,500 ;「かッ、彼氏なんて知りませんッ北海道なんて知りませんッ！！！@　どうしてそんなデタラメ言うの？！/ `"I, I don't know anything about this boyfriend I don't know anything about Hokkaido!!!`@` Why all this bullshit?! `/ se1v 11,90 quakex 3,300 ;@どうしてどうしてッ？！/ @`Why, why?! `/ se2v 13,70 quakey 4,300 ;@なんか証拠でもあるの？！/ @`Got any proof?! `/ se3v 12,90 quakex 6,500 ;@何よあんた勝手に人の家のことに口を出さないでよ！！@私は真里亞を愛してるのよ私には私なりの愛し方があるのよ勝手に口出さないでよ！！@私は旅行になんて行ってないわよ仕事してたのよずっと！！\ @`What the hell, don't just start talking about someone else's family matters!!`@` I love Maria I have my own way of loving her so just keep your mouth shut!!`@` I didn't go on a vacation I was just working the whole time!!`\ ;ld c,$ROS_IkariA2,80 ;　真里亞に一秒でも早く会いたくて仕事を少しでも早く片付けようと一生懸命一生懸命！！/ `I was trying to finish things up at work with all my strength, all my strength because I wanted to see Maria as soon as I could!! `/ se1 11 quakey 3,300 se2 11 quakex 3,500 ;@会社に泊まりこんでずっとずっとずっとずっと、ずっとずっとずっとずっと！！@知らない知らない北海道なんて知らないわよ勝手なこと言わないでうあああああああああああぁああああぁああッ！！！/ @`I stayed at the company the whole whole whole whole, whole whole whole whole time!!`@` I don't know I don't know I don't know anything about Hokkaido don't just go ahead and say something like thaaaaaaaaaaaaaaaaaaaaaaaaaaat!!! `/ se3 12 quakey 4,300 ;@もう帰ってッ！！@帰ってよおおおおおお！！/ @`Just get out!!`@` Get ooooooooout!! `/ se1 11 quakex 4,600 ;@何なのよあんたはああああ！！@帰ってッ！！@帰ってええええええええッ！！！」\ @`What's wrong with yoooooouuu!!`@` Get out!!`@` Get ooooooooouuuut!!!"`\ se1v 1100,100 se2 1006 se3 12 bg black,1 wait 1000 bg ROS_R1aN,22 ;　楼座は髪を振り乱しながら激高する。@ `Rosa raged, her hair flying wildly.`@ br ;　立ち上がった時の勢いでティーカップが倒れ、@その音よりも遥かに大きい音で何度もテーブルを両手で叩いた。@ `A teacup fell over from the force of her standing up,`@` and far louder than that noise was the sound of her beating the table with both hands.`@ br ;　白目を剥いて錯乱している、という表現すらも充分に妥当と思えるその激高ぶりに、@民生委員の女性は仰け反らずにはいられない。\ `When faced with this rage that could accurately be described as wide-eyed derangement,`@` the female district welfare officer couldn't help but be taken aback.`\ bg black,24 ;　……それは、廊下からこっそり様子をうかがっていた真里亞でさえも。@ `......And the same went for Maria, who was secretly watching this from the hallway.`@ br ;　母が激高するところを何度も見てきた。@ ;　でも、こんな怒り狂う様を見るのは初めてだった。\ `She had already seen her mother in a rage several times before this.`@ `But she had never seen her this mad with anger.`\ ;　それを見て真里亞は確信する。@ ;　……それはもはや、母親ではない。@ `When she saw this, Maria was sure.`@ `......This was no longer her mother.`@ br ;　母親の体に憑依した、邪悪なる別の存在だ…。\ `It was some other evil being that was possessing her mother's body...`\ ;se1v 12,100 ;se2v 15,100 ;bg white,1 E_A bg ROS_P1aN,0 ld c,$MAR_odorokiA1,22 bgm1 16 ;　そして、その邪悪なる存在が、自分の姿を見つけてしまう。@ ;　真里亞は邪悪な存在の瞳に、自分が映っていることを知った。@ `And then, she herself was discovered by the evil being.`@ `Maria knew that she was being reflected in the evil being's eyes.`@ br ;　頭が真っ白になり、視界が遥か彼方に遠退いてしまうような錯覚を感じる……。\ `Her mind went blank, and she felt as though her field of vision was racing off into the distance......`\ ld r,$ROS_IkariA4,64 ;　楼座は、猛然と真里亞に迫ると、その小さな両肩を容赦ない力で叩き、@……真里亞が抱いている、さくたろのぬいぐるみに目を落とした。\ `After fiercely closing in on Maria, Rosa mercilessly slapped her on her small shoulders,`@` ......and dropped her gaze towards the stuffed animal Maria was holding, Sakutaro.`\ ld r,$ROS_ikariA3,80 ;「………真里亞。@あなた、あれだけお外にそれを持って行っちゃ駄目って言ったのに、@/ `".........Maria.`@` Even though I told you so many times not to bring that outside, `@/ ;ld r,$ROS_IkariA3,80 ;……持って行ったのね？」\ `......you brought it with you, didn't you?"`\ cl c,0 ld l,$MAR_ODorokiA1,0 ld c,$SAK_odorokiA1,64 ;『う……、うりゅ………。@ま、真里亞は悪くないよ……。@ボクが付いて行くって言ったの……。』@ `『U......, uryu.........`@` I, it isn't Maria's fault......`@` I told her to take me......』`@ ld l,$MAR_KomaruA1,80 ;「ち、違うよ……！@　真里亞が寂しいから勝手にさくたろを連れてったの…！@　だからママ、さくたろは悪くないの…！！」\ `"Th, that's not true......!`@` Maria brought Sakutaro on her own because she was lonely...!`@` So Mama, it isn't Sakutaro's fault...!!"`\ ld c,$SAK_nakuA1,80 ;『うりゅ……、真里亞………。』@ `『Uryu......, Maria.........』`@ ld l,$MAR_sakebuA1,80 ;「さくたろは悪くないよ！！@　さくたろは悪くないよ！！」\ `"It's not Sakutaro's fault!!`@` It's not Sakutaro's fault!!"`\ bg sakutaro2b,22 ;　楼座の怒りは真里亞より先に、その抱いているライオンのぬいぐるみに向けられていた。@ `Instead of Maria, the brunt of Rosa's anger was aimed at the lion stuffed animal Maria was holding.`@ br ;　……ライオンのぬいぐるみをいつも持ち歩く子が、深夜に買い物に来る。@ ;　そのせいで、商店街では有名だったのだ…。\ `......A girl went shopping in the middle of the night, always clutching a lion stuffed animal.`@ `Because of that, she had become well known in the shopping center...`\ me1 17 se1v 20,100 ;se2v 20,100 bg white,1 bg ROS_P1aN,0 ld c,$ROS_IkariA2,24 ;!s0「ぬ、/ ;!d500……ぬ、/ ;!d300…ぬいぐるみ持ってっちゃ駄目って言ったでしょおおぉおおぉッ！！！/ !s0`"D, `/ !d500`......d, `/ !d300`...didn't I tell you not to take stuffed animals with yooooooooouuu!!! `/ ;se3v 12,100 ;quakey 4,800 ;@　どうして！！/ @`Why...`/ se1 10 quakex 3,600 ;@　あんたはッ！！/ @`can't you...`/ se2 11 quakex 3,600 ;@　ママの言うことが聞けないのよ！！/ @`listen to what Mama says!! `/ se3v 12,100 quakex 5,900 ;@　どうしてッ？！@　どうしてどうしてよ？！@　どうしてママの言いつけがちゃんと守れないのよあんたはあああああッ！！」@ @`Why?!`@` Why, why?!`@` Why can't you follow Mama's ruuuuuuules!!"`/ se1v 12,100 quakey 4,800 !sd\ ;　それらの一言一言の度に踵を踏み鳴らし、壁をバンバンと激しく打ち付ける。@ `With every single word, she stamped her heel and banged furiously on the wall.`@ br ;　……確かにそれは、真里亞に対し直接は振るわれなかったろう。@ ;　しかし、激しい音は、確実に音の暴力となって真里亞を打ち付けた。\ `......Of course, she didn't make direct contact with Maria.`@ `However, the violence of the harsh sound certainly beat against Maria.`\ bg ROS_R1aN,22 ;「お、お母さん……、お止めなさい……！！」@ ;＜民生委員 `"M, Miss......, stop that......!!"`@ ld l,$ROS_IkariA2,23 ;「離してよ！！@　離せって言ってんでしょおおおおぉおおぉッ！！」/ `"Let go!!`@` I said let go, damn iiiiiiiiiiiit!!"`/ quakex 4,1000 \ ;　我に返った民生委員の女性が楼座を羽交い絞めにする。@ `The district welfare officer had come back to her senses and was pinning Rosa's arms behind her back.`@ br ;　しかし、触れられた途端、電気が走ったかのように楼座は暴れ、彼女を激しく突き飛ばす。\ `But the instant Rosa was touched, she went wild, furiously throwing the welfare officer off.`\ se1 13 bg white,1 quakey 4,800 se2 1006 bg black,22 ;　……テーブルにぶつかり、床に転げた。@ ;　テーブルの上のティーカップが激しい音を立てて床に散らばった…。\ `......She hit the table and fell to the ground.`@ `A teacup on the table smashed on the floor, making a violent sound...`\ me2 5 bg ROS_R1aN,26 ld c,$SAK_OdorokiA1,23 ;『ま、……真里亞は悪くないよ……！@　ボクが悪いの！@　だから真里亞を叱らないで……！！』\ `『M, ......Maria didn't do anything wrong......!`@` It's my fault!`@` So don't scold Maria......!!』`\ ld r,$MAR_KomaruA1,24 ;「さくたろ連れてったのは真里亞…！！@　さくたろは悪くないの！！@/ `"Maria's the one who brought Sakutaro...!!`@` It's not Sakutaro's fault!! `@/ ld r,$MAR_sakebuA1,80 ;　さくたろは悪くないの！！@　だからさくたろをそんな怖い目で見ないで！！@　見ないでええええぇえぇえぇ！！」@ `It's not Sakutaro's fault!!`@` So don't look at Sakutaro with those scary eyes!!`@` Don't look at hiiiiiiiiiiiiiiiiim!!"`@ ld c,$SAK_nakuA2,80 ;『真里亞を叱らないで…！@　真里亞を叱らないで…！！@　うりゅーー！！！』\ `『Don't scold Maria...!`@` Don't scold Maria...!!`@` Uryuu--!!!』`\ bg ROS_R1bN,0 ld r,$ROS_KomaruA4,24 ;「……………………あ、………あんた…。@さっきから何をやってるの？@/ `"..................Y, .........you...`@` Just what do you think you're doing? `@/ ld r,$ROS_OdorokiA1,80 ;　あんた、そのお人形さんごっこ、……外でもやってたの？@　お店の人の前でもやってたの……？@/ `Did you also play with dolls like that, ...outside?`@` Did you do it in front of the people at the store......? `@/ ;cl r,0 ;ld c,$ROS_NayamuA1,24 ;!s0　……………………。@/ !s0`..................`@/ cl r,0 ld c,$ROS_IkariA2,1 ;だから覚えられちゃうんでしょおおおぉお、/ `So that's why they remembered yoooooooou, `/ bgmvol 85 se1v 12,100 quakey 4,500 ;馬鹿ッ死ねッ知能ゼロッ！！　何であんたは馬鹿なのよおおおおおぉおおおおおッ！！！/ `die you brainless moron!! Why are you such a dumbaaaaaaaaaaaassss!!!`/ se2 10 quakey 3,400 se3 12 quakey 3,500 !sd\ ld c,$ROS_IkariA4,80 ;　正直に仰いな。@お外でお買い物をする時、ママに内緒でいつもそのぬいぐるみを持ち歩いてたのね？」\ `Answer me honestly.`@` When you went out, you always walked around with that stuffed animal without telling Mama, right?"`\ bg ROS_R1aN,23 ld l,$SAK_nakuA1,23 ;『………う、……うりゅ………。』@ `『.........U, ......uryu.........』`@ ld r,$ROS_IkariA1,64 ;「その変なぬいぐるみ語をやめなさいッ！！！/ `"Stop using that weird stuffed animal talk!!! `/ se1 12 quakey 4,500 ;@　ぬいぐるみじゃなく、あなたの言葉でしゃべりなさいッ！！！」\ @`Speak with your own words, not a stuffed animal's!!!"`\ ld c,$MAR_SakebuA1,1 se1 11 quakex 3,400 ;「さ、さくたろはぬいぐるみじゃないよ！！@　真里亞の友達だよ！！@　ぬいぐるみって言わないで……。@言わないでぇえええぇええ！！」\ `"S, Sakutaro isn't a stuffed animal!!`@` He's Maria's friend!!`@` Don't call him a stuffed animal......`@` Doooooooooooooooooooon't!!"`\ ld r,$ROS_IkariA4,80 ;「はいはいわかったわ、さくたろうだったわね、名前！@　ママに内緒で、そのさくたろう人形を持って、いつもお買い物に行っていたのね？」\ `"Yeah, yeah, I get it, it was called Sakutarou, was it?!`@` You took him with you all the time when you went shopping, without telling Mama, right?"`\ ld c,$MAR_KomaruA1,80 ;「う、……うん……………。」\ `"Y, ......yeah............"`\ ;　真里亞は正直にそれを認める。@ `Maria admitted it honestly.`@ br ;　自分が認めなければ、さくたろが罪を被るようなことを口にしてしまうから、@真っ先に自らが認めることで、小さな友人を庇おうとした。\ `If she hadn't admitted it, then Sakutaro would have said something to take the blame,`@` so by admitting it right away, she was protecting her small friend.`\ ld r,$ROS_IkariA3,80 ;「さくたろうだけ？@　他には？@　……まさか、学校にも何か変なのを持っていってるんじゃないでしょうね…？」\ `"Only Sakutarou?`@` Any others?`@` ......You haven't been bringing weird things to school too, have you...?"`\ bg ROS_R1bN,24 ;「……お、お母さん！！@　お嬢さんは悪くないでしょう！@　その詰問をお止めなさい！」@ `"......M, Miss!!`@` Your daughter has done nothing wrong, surely?!`@` Stop this interrogation at once!"`@ ld l,$ROS_IkariA2,63 ;「あンたは黙ってなさいッ！！！/ `"You, stay quiet!!! `/ se1 11 quakex 3,600 ;@　私と娘の話でしょおお！！！@/ @`I'm talking with my daughter, aren't I!!! `@/ ld l,$ROS_IkariA3,80 ;　……ほら真里亞、ママの目を見て話をしなさい。@ママの質問にお返事は？」\ `......Alright, Maria, look at Mama when you talk.`@` What's the answer to Mama's question?"`\ ld r,$MAR_komaruA1,24 ;「う、……うー……。@/ `"U, ......uu-......`@/ ;ld r,$MAR_FukigenA1,80 ;……さくたろだけじゃないの。@……うさぎのみんなも一緒……。」@ `......Not just Sakutaro.`@` ......Together with all the rabbits too......"`@ ld l,$ROS_ikariA4,80 ;「………今も持ってるの……？」@ `".........Do you have them with you now......?"`@ ld r,$MAR_fukigenA1,80 ;「うー………。」\ `"Uu-........."`\ bg black,26 ;　真里亞はポケットをごそごそと漁り、@……あの、陶製のうさぎたちを４匹、その小さな手で掴み出して見せる…。\ `Maria fished around in her pockets,`@` ......pulling out four ceramic rabbits with her tiny hand...`\ ;　うさぎたちは、さくたろの代わりに学校にも一緒について来てくれる、大切な友達だった。@ `The rabbits were her close friends, who could be together with her at school in Sakutaro's place.`@ br ;　しかし、それを見て楼座は、眩暈を覚えたかのように首を浅く振る…。\ `But when Rosa saw that, she shook her head slightly as though dizzy...`\ ;mono 1 ;bg TEL1,26 ;bg black,22 me5v 16,70 ;　学校の連絡帳で、真里亞が玩具を持ってきて遊んでいるらしいので、@そうしないよう家庭で指導してほしいと書かれていたのだ。\ `On a school notice, it had been written that Maria was apparently bringing toys to school and playing with them,`@` and her family was instructed to try and prevent this.`\ ;　しかし楼座は、それは教師の難癖だと一蹴し、むしろ逆に学校に抗議の電話をしていた。@ `But Rosa had rejected that, blaming the teacher and phoning in a protest of her own to the school.`@ br ;　自分の娘が玩具など学校に持っていくわけがないと。@ `...Saying that there was no way her child would bring toys to school.`@ br ;　自分の娘に言い掛かりをつけるのは止めてくれと小一時間にもわたり、教頭を怒鳴りつけたのだ。\ `For nearly an hour, she had shouted at the vice principal to stop making false accusations about her daughter.`\ ;bg black,22 ;mono off ;print 1 ;　……学校側は、真里亞が不憫な子であることを、ある程度、把握していた。@ `......To a certain degree, those at the school had grasped that Maria was a pitiful girl.`@ br ;　持ち込んでいる、その小さな玩具だけが友人であることを知っていた。@ ;　……だからこそ、あえて見て見ぬふりをするつもりだった。\ `They knew that the small toys she brought in were her only friends.`@ `......So they had done their best to overlook it.`\ ;　しかし、他の生徒の目に触れてしまったため、@玩具を持ち込んでずるいずるいと一部の男子が騒ぎ始め、収拾に苦慮していたのだ……。@ `But when the other students caught sight of them,`@` some of the boys had started complaining that only she could bring toys, and the school had racked their brains on how to cope with this......`@ br ;　それをやんわりと母親経由で注意したつもりだったが、@楼座が過剰に反応したため、それ以後は先生も見て見ぬふりをしていたのだ。\ `They had tried to gently send a warning by way of the mother,`@` but after Rosa's overreaction, even Maria's teacher decided to overlook it.`\ bg Different_spiral_1a,8 ;　………しかし楼座は知ってしまう。@ `.........But now Rosa knew.`@ br ;　間違っていたのは自分の方で、…娘は本当に玩具を学校に持ち込んでいたのだ。@ `She had been the one who was wrong, ...and her daughter really had been bringing toys into school.`@ br ;　………学校に玩具を持ち込んで、@それだけを唯一の友人として寂しく一人遊びする醜態を、学校側に知られてしまっていたのだ。\ `.........And those at the school...`@`had known that she was a disgrace who brought toys into school and played with them as though they were her only friends.`\ ;　楼座にとって、一般の子たちと少し違う自分の娘が、@その特異な面を晒し、それを見咎められることが何よりも耐えられなかった。\ `To Rosa, who thought her daughter was just a little different from normal children,`@` having this peculiar side of her daughter exposed and found fault with was, more than anything else, something she couldn't bear.`\ bg ROS_R1aN,0 ld c,$ROS_IkariA2,26 ;　………だから吼える。@ `.........So she howled.`@ br ;　激高する。@ `She raged.`@ br ;　再び民生委員の女性が、真里亞と楼座の間に割って入ろうとするが、@楼座の逆鱗に再び触れるだけのこと。\ `The district welfare officer tried to cut between Rosa and Maria again,`@` but she only met with Rosa's wrath again.`\ ;ld c,$ROS_ikariA4,80 ;se1v 20,100 ;!s0　楼座は再び、般若のような形相で女性を突き飛ばし、/ !s0`Rosa once again threw the woman off with a face like a demon, `/ ;se2v 13,100 ;quakex 4,1000 ;@それだけではまだ怒りが収まらないと、床を踏み抜かんばかりの勢いで何度も地団太を踏んだ。/ @`and when even that failed to curb her anger, she stomped on the ground over and over again so forcefully that it seemed she might break through the floor.`/ ;se1 12 ;quakey 3,600 ;se2 12 ;quakey 3,600 ;se3 12 ;quakey 3,600 !sd\ ld c,$ROS_komaruA4,80 ;ld c,$ROS_NayamuA1,80 ;　そして、一瞬だけ我に返った表情をしてから、/ ;!d800………荒い息を急に凍らせて、真里亞に聞いた。\ `Then, after seeming to come back to her senses for a second, `/ !d800`.........she immediately froze her harsh breathing, and asked Maria.`\ ld c,$ROS_IkariA3,80 ;「……………………。@……真里亞。@そのうさぎの音楽隊は、真里亞の大切なお友達？」@ `"..................`@`......Maria.`@` Those rabbits in the band, are they your close friends?"`@ bg ros_R1bN,0 ld r,$MAR_ODorokiA1,24 ;「う、………うー………。」\ `"U, .........uu-........."`\ ld l,$ROS_NayamuA1,23 ;「そう。@４人もお友達がいて良かったわ。」@ `"I see.`@` Isn't it great that you have a full four friends."`@ br ;　楼座はそう言いながら、真里亞の手からうさぎの１つを摘み取る。@ ;　そして、よく見せ付けるように真里亞の眼前に突き出した。\ `As she said that, Rosa grabbed one of the rabbits from Maria's hand.`@ `Then, she shoved it in front of Maria's eyes so she could see it very well.`\ ;　……可愛らしい、トランペットを持ったうさぎの、駒のような小さな人形。@ ;　それがゆっくりと、掲げるように高く上げられる。@ `......The cute rabbit holding a trumpet was a small doll like a chess piece.`@ `She slowly lifted it into the air.`@ br ;　……もちろん、真里亞とさくたろの目はそれを追う……。\ `......Of course, Maria's and Sakutaro's eyes also followed it......`\ E_A ;se1v 9,100 se2v 20,100 bg black,1 ;　そしてそれは、目で追えない速度で壁に叩き付けられた。\ `And then, with a speed that the eye couldn't follow, she smashed it against the wall.`\ br se2v 1100,100 bg ROS_R1bN,0 ld r,$SAK_OdorokiA1,0 ld l,$MAR_SakebuA1,22 ;ld ,$MAR_,80 ;「ひいッ！！！！」 ;＜真里亞 ;『……………！！！』\ `"Eeek!!!!" `『............!!!』`\ bgm1 33 *wtfd ;xxxxyyyyzzzz ;　半ば、その最悪の想像はしていた。@ ;　だから、何をされたのかすぐに理解できた。@ `She had half imagined that this worst possible thing might happen.`@ `So she instantly realized what had been done.`@ br ;　……だから真里亞は短く、絶望の悲鳴を上げた…。\ `......So Maria let out a short, despairing scream...`\ bg black,25 bg blood_1a,22 ;　粉々だった。@ `It was in pieces.`@ br ;　小さく頑丈だったそれは、激高する母の怒りを受け止められるほどではなかった。\ `It had been small and sturdy, but that hadn't been enough to accept her mother's fierce rage.`\ bg ROS_R1aN,0 ld c,$ROS_waraiA1,22 ;「………ママの言うことをちゃんと聞かないから、ひとつ壊れちゃったわ。@今後、ママの言うことを守らない度にまたひとつ、壊すからね。@/ `".........Because you didn't listen to what Mama told you, I broke one of them.`@` From now on, every time you disobey something Mama says, I'll break another one. `@/ se1v 2,100 se2v 28,100 ld c,$ROS_IkariA4,1 quakey 3,400 ;……覚えておきなさいッ！！！」\ `......Remember that!!!"`\ ;「あなた……、そんなことするなんて、母親ですか！！@　そんなことして、お嬢さんが傷つかないと思ってるんですか？！」\ ;＜民生委員 `"Miss......, you think to call yourself a mother after doing something like that?!!`@` You think you can do something like that and not hurt your daughter?!"`\ me1 17 ld c,$ROS_AseruA1,80 ;「真里亞が傷つく？！@　私も傷ついているのよ？！@　私の傷は誰が責任取ってくれるのよ？！@/ `"Hurt Maria?!`@` I'm also hurting, right?!`@` Who's gonna take responsibility for my wounds?! `@/ ld c,$ROS_IkariA2,80 ;　えええ？！/ `Weeeell?! `/ se1 12 quakex 3,300 ;@　誰があああぁあぁッ！！！@　あんたは黙っててって言ってるでしょおおお！！！」\ @`Who iiiiiiiiiis!!!`@` Didn't I tell you to shut uuuuup!!!"`\ ld r,$MAR_nakuA1,64 ;「や、やめてママ……！@　悪いのは真里亞…！@　おばさんを怒らないで……！」@ `"S, stop it, Mama......!`@` It's Maria's fault...!`@` Don't get mad at this lady......!"`@ ld l,$SAK_nakuA2,63 ;『真里亞は悪くないよ…、ボクが悪いの……！@　真里亞を怒らないで…！@　うりゅ、うりゅうりゅうりゅ、うりゅーー！』\ `『It isn't Maria's fault..., it's mine......!`@` Don't get mad at Maria...!`@` Uryu, uryuuryuuryu, uryuu--!』`\ ld c,$ROS_IkariA4,80 ;!s0「そ………、そのぬいぐるみごっこを止めろって言ったでしょおおおおぉおおぉ！！/ !s0`"D, .........., didn't I tell you to stop playing with stuffed animals like thaaaaaaaaaatt!! `/ cl r,0 cl l,1 se1v 12,100 ;se2v 12,100 quakex 4,900 me2 5 ;!sd@　大体ね、気持ち悪いのよ、ぬいぐるみがお友達ってあんた今年でいくつよ？！@　何歳よ？！@　ええぇえッ？！\ !sd@`In the first place, it's disgusting, you say a stuffed animal is your friend just how old are you?!`@` How old?!`@` Weeeeeelll?!`\ bg sakutaro2b,80 ;　こんなの布と綿の気持ち悪いヘタクソなぬいぐるみじゃない！！@/ `This is just a gross, crappy stuffed animal made of cloth and cotton, right?!! `@/ ;ld c,$ROS_IkariA1,80 ;　こんなのしか友達いないのあんた？！@　こんなバケモノのぬいぐるみとお友達ごっこしてる暇があったら、ちゃんとした人間の友達を作りなさいよ！！\ `Is this the only kind of friend you have?!`@` If you have enough spare time to pretend this monstrous stuffed animal is your friend, go out and make some real human friends!!`\ ;ld c,$ROS_IkariA3,80 ;　何であなたにはいつまでもお友達が出来ないのよ！！@　そんなだからいつまでもクラスで変わり者扱いされて馬鹿にされてッ！！@　もう本当しっかりしていい加減にしてッ！！@　こんなぬいぐるみ遊び、もう卒業しちゃってよ！！」\ `Why can you never make any friends?!!`@` That's why your class always treats you like a weirdo and makes fun of you!!`@` Give it a rest and get a hold of yourself already!!`@` Grow up from this stuffed animal play!!"`\ ;bg ROS_R1b,24 ld l,$SAK_nakuA1,26 ;『うりゅ……、/ ;!d800うりゅ………。』@ `『Uryu......, `/ !d800`uryu.........』`@ bgmvol 85 se1v 20,100 se2v 20,100 bg black,1 ;「だからそのぬいぐるみごっこを止めろって言ってるでしょおおおおおぉおおぉ！！」\ `"Like I said, stop playing with that stuffed animaaaaaaaaaall!!"`\ bg sakutaro2a,22 ;「ああッ！！@　ママ、ママ！！@　返して！@　さくたろ、返してええぇええぇ！！」@ `"Aaah!!`@` Mama, Mama!!`@` Give him back!`@` Give Sakutaro baaaaaaaaaaack!!"`@ ;『うりゅー！！/ `『Uryu-!! `/ quakex 3,400 ;@　うりゅーー！@　うりゅうりゅー！』/ @`Uryuu--!`@` Uryuuryu-!』`/ quakey 3,400 \ textoff se1v 12,100 mono 2 mbg white,1 mono off mcbg 22 wait 800 se2v 12,100 mono 2 mbg white,1 mono off mcbg 22 wait 800 se3v 12,100 mono 2 mbg white,1 mono off mcbg 2 ;　ママがさくたろの頭を鷲掴みにして、私から奪い取る…。@ ;　そして………、何度も何度も、壁に打ち付けて。\ `Mama grabbed hold of Sakutaro's head, and grabbed him from me...`@ `Then........., she smashed him against the wall, over and over.`\ bg Sakutaro2b,22 ;『うりゅー！！@　痛いよ痛いよ、痛い痛い痛い痛い…！！』\ `『Uryu-!!`@` It hurts, it hurts, hurts hurts hurts hurts...!!』`\ bg ROS_R1aN,0 ld c,$ROS_IkariA2,1 ;!s0「やめろっつってんのよッ！！/ !s0`"I said stop, damn it!! `/ se1 12 quakex 4,800 ;@　そのぬいぐるみごっこを止めろっつってんでしょおおおお！！/ @`I said stop playing with that stuffed animaaaaaal!! `/ se1v 7,100 quakey 3,500 ;@　こんなぬいぐるみがあるからッ！！@　だからあんたはいつまでも友達を作らないのよ！@　だから一人だけクラスで浮いてて、おかしな子扱いされるんでしょうが！！@　こんなぬいぐるみあげなきゃ良かった！！@　こんな気持ち悪いぬいぐるみあげなきゃ良かったッ！！」/ @`It's because of this stuffed animal!!`@` That's why you can never make any friends!`@` That's why you alone are pushed off to the side in your class, and treated like a weird kid!!`@` I should never have given you a stuffed animal like this!!`@` I should never have given you such a disgusting stuffed animal!!"`/ se1 12 quakex 4,800 !sd\ cl c,0 ld r,$ROS_IkariA2,0 ld l,$MAR_NakuA1,63 ;「やめてええええぇええ！！/ `"Stop iiiiiiiiiiiiit!! `/ se1 11 quakex 3,400 @/ cl l,0 ld c,$MAR_NakuA1,63 ;　さくたろ返してッ、さくたろ返してッ！！@　わあああああぁああああぁあぁぁあ！！@　さくたろは真里亞のお友達なの！！@　親友なの！！@　さくたろさえいれば、他には何もいらないッ！@　だから返して！！@　返してえええぇえぇぇ！！」\ `Give Sakutaro back, give Sakutaro back!!`@` Waaaaaaaaaaaaaaaaaaaaahhh!!`@` Sakutaro is Maria's friend!!`@` Maria's best friend!!`@` As long as Sakutaro's there, Maria doesn't need anything else!`@` So give him back!!`@` Give him baaaaaaaack!!"`\ ;　……その、私の必死の頼みは、なぜかむしろ、ママの怒りに油を注いだ……。\ `......For some reason, my frantic request just added oil to the fire of Mama's anger......`\ textoff se1v 20,100 wait 1000 cl c,1 se1 13 quakey 3,800 ;　ママは、さくたろを奪い返そうとさくたろを引っ張る私の腕を振り払い、@異様な感じで両手の爪を立ててさくたろをぐしゃぐしゃに捻りあげる……。\ `Mama pushed my arm aside as I tried to grab Sakutaro and snatch him back,`@` and in a bizarre way, she stuck her fingernails on both hands deep into Sakutaro, twisting him......`\ me3 18 bg black,2 ;　毎日、丁寧に巻きなおしてあげていた赤いマフラーが解けて床に落ちる…。\ `The red muffler, which I had carefully wrapped for him every day, came off and fell to the floor...`\ bg sakutaro2b,2 bg sakutaro1b,2 ;　……大切に大切にしてきたさくたろう……。@ `......Sakutarou, who had been so, so precious to me......`@ br ;　それが、あんなにぐしゃぐしゃに歪んで、捻られて、爪を立てて引っ張られて……。@ `It was twisted, smashed, torn at with fingernails so much......`@ br ;!s0　痛そうに歪んでる…、/ ;!d800表情を歪めて、/ ;!d500悲しんでる………。/ !s0`It was twisted painfully, `/ !d800`its face grimacing...`/ !d500`in sadness.........`/ !sd\ ;!s0　そしてママの爪が、/ ;!d800……首の縫い目の部分を/ ;!d700……裂いて…。@ ;　……両手の爪で/ ;!d800……引き裂いて…………。\ !s0`Then Mama's fingernails, `/ !d800`......found a stitch on the neck`/ !d700`......and tore it...`@ `......With the fingernails of both hands`/ !d800`......she tore it apart............`\ textoff E_MA bg white,1 bgmvol 1 bg black,22 bg blood_1b,2 fedexx 100,0,0,0,0,0,5000 ;　その一瞬で、/ ;!d800………さくたろが、黄色い布地と、/ ;!d1000………内側の綿が弾けるように飛び出す……。@ `In that instant, `/ !d800`.........Sakutaro's yellow cloth, `/ !d1000`.........and the cotton inside...burst apart......`@ br ;　それはまるで、湿気った綿飴みたいに見えた……。/ `It looked almost like moist cotton candy......`/ !sd\ ;ld ,$SAK_,80 ;『……う、……………りゅ…………………、』@ `『......U, ............ryu..................』`@ ;ld ,$MAR_,80 ;「…くたろ…………？」\ `"...kutaro............?"`\ ;ld ,$SAK_,80 ;『……ま……りあ………。』@ `『......Ma......ria.........』`@ ;ld ,$MAR_,80 ;「………さくたろ…………。」\ `".........Sakutaro............"`\ ;ld ,$SAK_,80 ;『う……りゅ……―――』@ `『U......ryu......―――』`@ ;ld ,$MAR_,80 ;「……………くたろ…………。」\ `"............kutaro........."`\ ;ld ,$SAK_,80 ;『――……‥‥・　　」@ `『――...... .. .・ "`@ ;ld ,$MAR_,80 ;「………た…ろ………、」\ `".........ta...ro........."`\ ;ld ,$SAK_,80 『』\ ;■さくたろ、死亡情報追加 ;textoff wait 3000 ;　ずい、っと。@ `...`@ br ;　………黄色いぐしゃぐしゃの布地と溢れ出た綿飴が、私の眼前いっぱいに突きつけられる。@ `.........The crumpled yellow cloth and the cotton candy that was flowing out were thrust right in front of my eyes.`@ br ;　そして、……ママの表情を通して、邪悪な存在が、はっきりと断言した。\ `Then, ......through Mama's face, the evil being...stated it clearly.`\ bg blood_1aR,2 br ;「(さくたろうは、死んでしまいました/・・・・・・・・・・・・・・・・)。」/ `"`(`Sakutarou is dead`/・・・・・・・・)`."`/ se1v 28,100 se2v 28,100 mov %play_scene,40170 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_sak : seplay2 9,1061,70 \ ;＜点処理：さくたろうは、死んでしまいました textoff se1v 37,100 se2v 37,100 wait 800 se2v 37,100 se3v 37,70 wait 1000 me5v 17,90 mono 2 bg Different_spiral_1a,42 ;`Translator's Note: `この次には自信がない。@ 目明しの『はにゅ、はにゅ』から考える ;と、意味があるかもしれないが...@ どう思いますか？@ br ;　まばがぎゅりいを、ゆがべだ。@ `mabapennedbisgeck.`@ br ;!s0　ぎくぐきぃ/ ;!d800……くたろ/ ;!d600……さくた/ ;!d400…ぉ/ ;!d500…ぐびぢった………。/ ;ぎくぐきぃ……くたろ……さくた…ぉ…ぐびぢった………。 !s0`gikuguki`/ !d800`......kutaro`/ !d600`......sakuta`/ !d400`...o`/ !d500`...ecknaped.........`/ !sd@ br ;　……ううぅ。@ `......Uuuuu.`@ br ;　うわあああああううぅうぅうぅ……。@うわああああぁああぅうううぅうぅうぅ……。@ ;　ぐだろ……、@さぐだろ……、@……うわああぁああああぁあうううぅうぅぅぅ……………。\ `Uwaaaaaaaaaaaaauuuuuuuuuu......`@` Waaaaaaaaaaaaauuuuuuuuuuuu......`@ `gudaro......,@` sagudaro......,`@` ......waaaaaaaaaaaaaaauuuuuuuuu............`\ msetef 0,0 mono off mld r,$BEA_KomaruA3,1 se1 57 E_MA ;「マリア……、……マリア………。@…泣くんでない……。」\ ;＜ベアト `"MARIA......, ......MARIA.........`@`...Do not cry......"`\ mld l,$MAR_NakuA1,23 ;「ベアトリーチェ、ベアトリーチェ…！！@　うわああああぁあああぁあぁう！！@　うわああああぁあぁうう！！」\ ;＜真里亞 `"Beatrice, Beatrice...!!`@` Waaaaaaaaaaaaaaaaaahhh!!`@` Waaaaaaaaaaaaaaahhh!!"`\ mld r,$BEA_komaruA1,80 ;「さくたろうは良き友人であった…。@そなたがそれを忘れぬ限り、常にそなたと共にある…。@だから泣くんでない…。」\ `"Sakutaro was a good friend...`@` As long as you do not forget that, he will always be with you...`@` So do not cry..."`\ mld l,$MAR_sakebuA1,80 ;「生き返らせて！！@　ベアトはいろんな魔法が使えるんだもんね！！@　さくたろだって生き返らせられるよね？！」@ `"Bring him back to life!!`@` You can use a lot of magic, Beato!!`@` You can even bring Sakutaro back to life, right?!"`@ mld r,$BEA_AseruA1,80 ;「…………そ、それは……。@…無論、さくたろが妾の家具だったなら、それも容易い。@/ `"............A, about that......`@`...Of course, if Sakutaro had been my furniture, it would be easy. `@/ mld r,$BEA_KomaruA3,80 ;しかし、さくたろはそなたの家具だ。@……妾にそれは難しい。」\ `However, Sakutaro is your furniture.`@` ......That makes it difficult for me."`\ mld l,$MAR_fukigenA2,80 ;「難しいってことは無理じゃないんだよね？！@　生き返らせて！！@　無限の魔法で生き返らせてええぇえぇ！」\ `"If you say it's difficult, that means it isn't impossible, right?!`@` Bring him back to life!!`@` Bring him back to life with the Endless Magiiiiiic!"`\ mld r,$BEA_komaruA4,80 ;「………んむ…。@……実はな…。@さくたろうの依り代は、楼座の手作りのぬいぐるみであったろう…？@/ `".........Hmm...`@`......To tell the truth...`@` Sakutarou's vessel was a stuffed animal Rosa made herself, correct...? `@/ ;mld r,$BEA_KomaruA4,80 ;　その楼座が、さくたろうを否定した。@……母にその生を許されなかった命は、存在できぬのだ…。」\ `That Rosa has denied Sakutarou.`@` ......A life that is not permitted by its own mother cannot exist..."`\ ;　ベアトリーチェのその言葉は弱々しい。@ `Beatrice's words were feeble.`@ br ;　…どんな言い訳であったとしても、@真里亞を慰め、納得させることなど出来ないとわかっていたからだ。\ `...Because she knew that, no matter what the excuse,`@` it wouldn't be enough to calm Maria and make her accept it.`\ ;　でも彼女は、弟子であり親友である真里亞に、辛い真実を伝えなければならない。@ `But she had to communicate the painful truth to her disciple and close friend.`@ br ;　………自らの魔法を尽くそうとも、@……さくたろうを蘇らせることが出来ないという、その事実を。\ `.........She had to tell her the fact,`@` ......that even with all of her own power, even she could not revive Sakutarou.`\ mld r,$BEA_komaruA3,80 ;「そなたがさくたろうの存在を強く信じる限り、その魂が消え去ることはない……。@だからマリア…、どうか悲しむな…。\ `"As long as you continue to strongly believe in Sakutarou's existence, that soul will not disappear......`@` So, MARIA..., please, do not be sad...`\ mld r,$BEA_GamanA2,80 ;　今もほら、…すぐそこでさくたろうが微笑んでいると信じるのだ……。」\ `Even now, look, ...I believe that Sakutarou is smiling right over there......"`\ mld l,$MAR_nakuA1,80 ;!s0「嫌だ！！！/ !s0`"No!!! `/ se1v 8,100 quakey 3,500 ;@　嫌だ/ @`No `/ se1v 8,100 quakey 3,400 ;嫌だ/ `no `/ se2v 8,100 quakey 3,400 ;嫌だ！！/ `no!! `/ se3v 8,100 quakey 3,300 ;!sd@　さくたろを生き返らせてくれなきゃ嫌だ！！@　嫌だ嫌だ嫌だ！/ !sd@`You have to bring Sakutaro back to life!!`@` No no no! `/ se1 11 quakex 4,700 ;@　うわあああぁああぁあぁあぁああう！！」@ @`Waaaaaaaaaaaaaaaaaaaahhhh!!"`@ mld r,$BEA_KomaruA1,80 ;「諦めよ…！！@　さくたろうを蘇らせる魔法はない…！@/ `"Give it up...!!`@` There is no magic to revive Sakutarou...! `@/ ;mld r,$BEA_MajimeA2,80 ;　そして、それでもなおさくたろうがそなたの親友であり続けることを強く信じよ…！！@　その力が魔法となる…！」\ `And despite that, you must strongly believe that Sakutarou will continue to exist as your close friend...!!`@` That power will become magic...!"`\ mcl a,0 mld c,$MAR_fukigenA2,23 ;「そんなの魔法じゃない魔法じゃない！！/ `"That's not magic, that's not magic!! `/ se1 12 quakex 3,500 ;@　さくたろが生き返らなきゃ嫌だ…！！@/ @`You have to bring Sakutaro back to life...!! `@/ mld c,$MAR_IkariA1,80 ;　ママの手作りだから駄目なの？@　どうしてママはさくたろを作ったの？@　真里亞にプレゼントするためじゃないの？@　真里亞のお友達にするためじゃないの？@/ `Can't do it because Mama made him herself?`@` Why did Mama make Sakutaro?`@` It was to give him to Maria as a present, right?`@` It was to make him Maria's friend, right? `@/ me1 5 mld c,$MAR_SakebuA1,80 ;　なのに何で、ママは自分で作って、自分で壊したの？@　どうしてママは、自分で生んで、自分で壊そうとするの？@　わかんないわかんない！！」\ `But why...did Mama make it herself...and break it herself?`@` Why did Mama give birth to it by herself, and try to break it herself?`@` Don't get it, don't get it!!"`\ me2 17 csp -1 ;se1 26 bg Different_spiral_1a,8 ;「ママが憎いよ、ママが憎い…！！@　悔しい悔しい悲しい悲しい…！！@　さくたろがそうされたように、ママをねじり上げてやりたい…！@　爪を立てて引き裂いて、布地と綿にしてやりたい！！@　わあああああああああぁあああぁあん！！@　悔しいよ、悔しいよベアトリーチェええぇ！！@　わあああああああああぁあああん、さくたろおおぉおおおおお！！！！」\ `"Hate Mama, hate Mama...!!`@` Frustrated frustrated sad sad...!!`@` Want to smash Mama up like she did to Sakutaro...!`@` Want to stick my fingernails in and tear her, turn her into cloth and cotton!!`@` Waaaaaaaaaaaaaaahhh!!`@` Can't stand it, I can't stand it, Beatriiice!!`@` Waaaaaaaaaaaaaaahhh, Sakutaroooooooo!!!!"`\ bg black,9 ;　真里亞の背後の暗闇より、巨大な漆黒の二本の腕がぬうっと現れ、@怒りに泣きじゃくる真里亞に絡みつく。@ `From the darkness behind Maria's back, two massive jet-black arms crept out,`@` twisting around Maria as she sobbed in anger.`@ br ;　そして巨大な爪を真里亞の胸と腹に突き立てる……。\ `Then massive fingernails stuck into Maria's chest and stomach......`\ bg Different_spiral_1a,2 ;　それは真里亞には見えていない。@ ;　……しかしベアトには見えていた。\ `Maria could not see that.`@ `......But Beato could see it.`\ ;　ぶつけ方を知らぬ怒りと悲しみは、自らを引き裂く。@ `Anger and sadness without any place to go will tear you apart.`@ br ;　……ベアトはそれを知っていた。@ ;　見えていた。\ `......Beato knew that.`@ `She could see that.`\ ;　そう。@……つまりはその巨大な腕は、真里亞自身のものなのだ。@ `Yes.`@` ......In the end, those massive arms were Maria's own.`@ br ;　その爪が、めりりと彼女の胸と腹に食い込んでいく……。\ `Those fingernails slowly started to eat into her chest and stomach......`\ ;　……その腕のあまりの大きさと強さは、@真里亞を容易に引き千切り、ばらばらにしてしまうだろう……。\ `......With their immense size and strength, `@`those arms could probably tear Maria into bits easily......`\ ;　しかし、当の真里亞はそれに気付けない。@ `But Maria herself couldn't notice.`@ br ;　自らの涙の海に溺れ、……自らの腕が自らの胸を引き裂こうとしていることに、気付けない……。\ `Drowning in a sea of her own tears, ......she couldn't notice that her own arms were trying to tear apart her own chest......`\ ld r,$MAR_nakuA1,24 ;「悔しい悔しい…！！！@　さくたろがどうしても生き返らせられないなら、……真里亞は復讐したいッ！！@　ママを同じ目に遭わせてやりたい！！@　さくたろと同じ目に遭わせてやりたいの…！@/ `"Can't stand it, can't stand it...!!!`@` If Sakutaro can't be brought back to life no matter what, ......Maria wants revenge!!`@` Wants to make Mama meet the same end!!`@` Wants her to meet the same end as Sakutaro...! `@/ ld r,$MAR_IkariA1,80 ;　ベアトリーチェ！！@　そのための魔法を教えて！！@　ママをやっつける魔法を教えて…！！」\ `Beatrice!!`@` Teach Maria magic for that!!`@` Teach me magic to finish Mama...!!"`\ ;se1 52 ld l,$BEA_MajimeA1,2 ;「……………………………。@/ `"........................`@/ ;ld l,$BEA_MajimeA3,80 ;……その言葉は本心か。」@ `......Is that your true intention?"`@ ld r,$MAR_sakebuA1,80 ;「ママを殺す！！@　殺してやる！！@　ううん、あれはママじゃないよ！@　ママに取り憑いた悪い魔女だ！@/ `"Kill Mama!!`@` I'll kill her!!`@` No, that isn't Mama!`@` It's the bad witch possessing Mama! `@/ ld r,$MAR_nakuA1,80 ;　ママの魔女を殺してやる！！@　ううううぅうぅううううぅう！！」\ `I'll kill the witch Mama!!`@` Uuuuuuuuuuuuuuuuuuuu!!"`\ ld l,$BEA_KomaruA4,80 ;「……………………。@/ `"..................`@/ ;ld l,$BEA_fukigenA3,80 E_MA ;……良かろう。@その力を、そなたに与えよう。@……心美しきそなたが自らに引き裂かれるくらいならば。@……そなたにその苦しみを与えた、心無き母こそがよほど引き裂かれるに値する。\ `......Very well.`@` I shall give you that power.`@` ......For tearing you and your beautiful heart apart...`@`...for giving you that pain, it is fitting that your heartless mother be torn apart considerably.`\ ;ld l,$BEA_MajimeA2,80 bg black,22 ;　……………教えようぞ、そなたに。@……魔女の世界の、光差すことなき深淵の奥底を……。」\ `............I shall teach it to you.`@` ......I shall teach you of the abyss in the world of witches, of the depths where no light reaches......"`\ ;ld r,$MAR_NakuA1,80 ;「ううぅううぅ、さくたろさくたろ…！！@　みんな嫌い嫌い大ッ嫌い！！@　ママも嫌い、縁寿も嫌い！！@　みんなみんな大ッ嫌い！！@　うぅううぅううわああああぁああああぁあああぁ……！！」\ `"Uuuuuuuu, Sakutaro, Sakutaro...!!`@` Hate, hate, haaaate everyone!!`@` Hate Mama too, hate Ange too!!`@` Hate everyone, everyooone!!`@` Uuuuuuwaaaaaaaaaaaaaaaaaaahhh......!!"`\ me1v 5,0 fedexx 90,100,0,0,0,0,5000 wait 2000 se1v 1100,100 wait 300 se2v 1100,100 wait 300 se3v 1100,100 wait 200 se1v 1100,100 wait 300 se2v 1100,100 wait 400 se3v 1100,100 wait 300 se1v 1100,100 wait 300 se2v 1100,100 wait 200 se3v 1100,100 wait 200 ;▲第９アイキャッチ（計１２５ページ）　時計なし eye11 *Umi4_10 mov %play_scene,40170 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj mov %grim_scene,406 gosub *MAR_Isyou1 gosub *ENJ_Isyou1 textoff ;■１９９８年縁寿編。@漁船の中。@ ;テロップ me1v 3,70 bg oct_1998,22 wait 4000 bg black,22 ;bg white,49 ;wait 1000 ;bg sky_1a,2 ;quakey 3,2000 ;quakey 3,2000 ;bg black,26 ;wait 2000 ;bg ship_S3a,2 ;　転寝しているつもりだったが、……やはり船の揺れが酷い。\ `I had planned on taking a nap, ......but the boat really was shaking bad.`\ bg white,80 bg ship_S2b,5 rmode 0 ;　私は寝ることを諦め、上の甲板に上がった。@ ;　眩しい太陽と、強い潮風が私を迎える…。\ `I gave up on sleeping and went up onto the deck.`@ `I was welcomed by the shining sun and a strong sea breeze...`\ bg white,24 bg ship_S2c,0 ld r,$AMA_majimeA1,24 goto *skip_rand ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; `"Ah, could you give me a hand here, lady?`@` This doesn't make any sense at all.`@ br `So, what do you think?`\ select "`The translation is over.`",*xxxxx,"`The translation is not over.`",*yyyyy,"`Both`",*zzzzz *xxxxx ;if %UMINEKOPATCH > 1 jumpf ;mov %UMINEKOPATCH,1 ;~ bg black,1 E_A `How boring...`\ wait 1000 reset *yyyyy bg black,500 `.`/ E_A me2v 11,100 me1v 5,0 fedexx 20,70,0,0,0,0,3000 wait 5000 E_A ;if %UMINEKOPATCH > 1 jumpf ;mov %UMINEKOPATCH,2 ;`..Nope, sorry, you're wrong.`\ ;reset ;~ bgm1 89 !s490`............1234`/ !sd/ textclear saveoff skipoff mov %rroff,1 rnd2 %Free1,1,20 if %Free1 > 7 jumpf goto *wtfa ~ if %Free1 > 14 jumpf goto *wtfb ~ if %Free1 > 19 jumpf goto *wtfc ~ fedexx 0,0,0,0,0,0,3000 `Thank you for playing through our latest patch.`@ `If you are reading this, you are either very unlucky or have been clicking that choice way too many times.`@ `Don't worry, we will get the next patch out as soon as possible.`@ `But the next part's pretty freaky. Not for the faint of heart or people who can't look at Goldsmith without screaming.`\ `So, if you've found our website, tell us what you think of the patch and the game.`@ `We'll do all we can to make the next one better.`\ `And to make up for boring you with pointless rambling, here's some light music.`/ delay 2000 wait 2000 textclear bgm1 11 wait 15000 delay 15000 ~ click `Yep, you're stuck.`/ wait 3000 delay 3000 textclear wait 10000 delay 10000 jumpb goto *wtfd *zzzzz ;if %UMINEKOPATCH > 1 jumpf ;mov %UMINEKOPATCH,1 ;~ bg black,0 E_A me1v 11,100 ;ld c,$KIN_akuwaraia1,0 mov %Free2,0 *wtfstep if %Free2 > 1 goto *wtfafter add %Free2,1 for %Free1 = -30 to 30 mov %Free3,%Free1 mul %Free3,4 add %Free3,310 ;lsp bgsp,$KIN_akuwaraia1,%Free3,0 lsp2 3,$KIN_akuwaraia1,%Free3,240,100,100,0 ;lsp2 3,$KIN_akuwaraia1,110,480,200,200,0 print 1 wait 10 next for %Free1 = -30 to 30 mov %Free3,%Free1 mul %Free3,-4 add %Free3,310 ;lsp bgsp,$KIN_akuwaraia1,%Free3,0 lsp2 3,$KIN_akuwaraia1,%Free3,240,100,100,0 print 1 wait 10 next goto *wtfstep *wtfafter for %Free1 = -30 to 0 mov %Free3,%Free1 mul %Free3,4 add %Free3,310 ;lsp bgsp,$KIN_akuwaraia1,%Free3,0 lsp2 3,$KIN_akuwaraia1,%Free3,240,100,100,0 ;lsp2 3,$KIN_akuwaraia1,110,480,200,200,0 print 1 wait 10 next fedexx 0,0,0,0,0,0,5000 ;wait 5000 ;for %Free1 = -100 to 0 ;mov %Free3,%Free1 ;mul %Free3,-1 ;fedexx 0,%Free3,0,0,0,0,0 ;wait 50 ;next seplay 9,17 mov %Free6,1 mov %Free3,240 for %Free1 = 0 to 43 mov %Free2,%Free1 mul %Free2,3 add %Free2,100 rnd2 %Free4,-3,3 add %Free4,310 mov %Free7,55 sub %Free7,%Free1 div %Free7,5 add %Free3,%Free7 mov %Free5,%Free2 if %Free1 <> 20 jumpf se3v 66,100 ~ if %Free1 <> 35 jumpf se4v 61,100 ~ if %Free1 < 35 jumpf add %Free6,60 add %Free3,3 ~ add %Free5,%Free6 lsp2 3,$KIN_akuwaraia1,%Free4,%Free3,%Free5,%Free2,0 print 1 wait 10 next E_A seplay 9,1022 bg white,0 csp2 3 print 1 wait 100 se2v 37,100 se1 36 bg "bmp\background\efe\EP4last08.png",99,100,"whirl.dll/l" ;bg "bmp\background\efe\EP4last08.png",0 print 1 wait 100 bg white,0 print 99,300,"breakup.dll/urB" bg black,0 print 99,300,"breakup.dll/dlp" !s1 #ff0000 br br br br br br se2v 36,100 bg white,0 print 1 wait 50 bg black,0 print 1 ` Umineko `/ wait 350 bg white,0 print 1 wait 50 bg black,0 print 1 `EP4 `/ se1v 46,100 wait 350 bg white,0 print 1 wait 50 bg black,0 print 1 `Translation: `/ se1v 46,100 wait 350 bg white,0 print 1 wait 50 bg black,0 print 1 `Part `/ se2v 36,100 wait 200 bg white,0 print 1 wait 50 bg black,0 print 1 se1v 46,100 `2 `/ wait 200 bg white,0 print 1 wait 50 bg black,0 print 1 se1v 46,100 `of `/ wait 200 bg white,0 print 1 wait 50 bg black,0 print 1 se1v 46,100 `3`/ br br wait 900 bg white,0 print 1 wait 50 bg black,0 print 1 se1v 46,100 se2v 36,100 ` Coming soon!!`/ wait 5000 textclear bg black,0 wait 500 se1v 37,100 wait 300 E_A ;otukaresan ;naserakuto ;omosirokunai ;ianukorisomo ;demoseijikiniiutokoremadeyomukachiganaitoomowareteimasukamoshiremasennebouzu #ffffff !sd reset ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; *skip_rand ;　甲板では、天草が柔軟運動をしていた。@ `Amakusa had been doing some stretches on the deck.`@ br ;　……彼も多分、暇なのだろう。@ ;　新島まではまだ数時間掛かるのだから。\ `......He probably had a lot of time on his hands too.`@ `Since it'd take a while longer to reach Niijima.`\ ;　飛行機で行けばものの数十分でつけるが、須磨寺家が新島空港に網を張っている可能性がある。@ `It would only have taken a couple dozen minutes by airplane, but there had been the chance that the Niijima airport was under the Sumadera family's web.`@ br ;　多分、港も同じだろう。@ ;　その為、事情を一切聞かないで、港を避けて上陸させてもらえるよう、船を手配した。\ `The harbor would probably be the same.`@ `For that reason, I had obtained a boat that would let me land while avoiding the harbor, no questions asked.`\ ;　たまたま陽気な船長が見つかり、@気前良く弾んだら、面白がって協力してもらえることになったのだ……。\ `I'd bumped into a cheery boat captain,`@` plied him generously, and he had decided to help me out, amused......`\ ld l,$ENJ_DefA1,23 ;「まだだいぶ掛かるの？」@ ;＜縁寿 `"Still going to be a while?"`@ ld r,$AMA_DESU,80 ;「さっき船長に聞いたら、あと２時間はたっぷり掛かるそうです。@まぁ、贅沢は言えねぇですな。」\ ;＜天草 `"I just asked the captain, and it sounds like it'll take a full two hours more.`@` Well, you can't call this luxury."`\ ld l,$ENJ_FumanA2,80 ;「………いいお天気ね。@焼けちゃいそう。」@ `".........The weather sure is nice.`@` Feels like I'll burn."`@ ld r,$AMA_defA1,80 ;「甲板で読書ですか？@　本が痛みますよ。」\ `"Going to read on the deck?`@` You'll damage your book."`\ ;　私が小脇に、真里亞お姉ちゃんの日記を抱えていたので、天草はそう思ったらしい。@ ;　寝入りばなに読んでいたので、そのまま抱えて上がってきてしまったのだ。\ `Amakusa apparently thought that since I was clutching Maria onee-chan's diary under my arm.`@ `I'd been reading it half asleep, which was why I had come back up still clutching it.`\ bgm1 1 ld r,$AMA_majimeA1,80 ;「どうですか。@真里亞さんの日記から、六軒島の真相は探れそうですかい？」\ `"How's it going?`@` Think you'll be able to find the truth of Rokkenjima from Maria-san's diary?"`\ bg white,25 bg sea_1a,22 ;「…………さぁ。@あの島で何があったかなんて、どこまで調べても仮説でしかない。@メッセージボトルもお姉ちゃんの日記も、魔女が闊歩するおとぎ話が記されているだけで、何も真実を語らない。@……お手上げよ。」\ `".........Who knows.`@` No matter how much I investigate what happened on that island, it won't make for anything more than a theory.`@` There's no truth written in the message bottle or Onee-chan's diary, just a fairy tale with a witch walking around.`@` ......I'm stuck."`\ ;「新島での、関係者からの聞き込みに期待するしかないですな。」@ `"Looks like you've got nothing to look forward to except questioning those involved on Niijima."`@ ;「ウィッチハンターどもが、さんざん質問攻めにしてるでしょうから、きっと新事実なんて見つからないわよ。」\ `"I imagine the Witch Hunters have showered them with questions over and over, so I'm pretty sure I won't find any new facts."`\ ;「へっはは…！@　そこまで期待してないのに、半日も船旅をして新島に行こうなんて、実に気まぐれなことです。」@ `"Hehhaha...!`@` So even though your hopes are that low, you're willing to spend a half-day trip on a boat to go to Niijima anyway! You really are fickle."`@ ;「………調べた、っていう自己満足のための旅みたいなものよ。@本気で１２年前の真実が解き明かせるなんて、私も甘えてるつもりはないわ。」\ `".........It's like a journey of self-satisfaction, so that I can say 'I investigated'.`@` I'm not so naive as to seriously think that the truth of 12 years ago will be revealed."`\ me2 5 bg ship_S2a,26 ld l,$AMA_DefA1,23 ;「その自己満足が終わったら、どうするつもりで？」@ `"When you've finished with your self-satisfaction, what do you plan to do?"`@ ld r,$ENJ_NayamuA1,24 ;「さぁ。@考えてないわ。@………新島に行って、関係者に話を聞いて。@/ `"Who knows.`@` Haven't thought of it.`@` .........I'll go to Niijima, ask some people who were involved. `@/ ;ld r,$ENJ_DefA1,80 ;…最後に六軒島に行って花でも捧げたら、私の旅はおしまいね。」\ `...Then, after going to Rokkenjima in the end and leaving some flowers, my journey will be over."`\ bg white,29 bg ship_s2b,22 ;　………この旅も、すでに始まってから数日を経ている。\ `.........Several days have already passed since this journey began.`\ ;　あのビルの屋上でベルンカステルに、@１２年前の真実を探れと言われ、雲を掴むような旅に出た。\ `After being told by Bernkastel on the roof of that building`@` to search for the truth of 12 years ago, I had left on a journey like trying to grasp a cloud.`\ ;　あの時は神秘的な何かを感じ、この旅の果てには、何かの奇跡を掴み取れそうな気がしていた。@ `At the time, I'd felt something mystical, and had had the feeling that I might be able to grasp some kind of miracle at the end of this journey.`@ br ;　……しかし、数日を経れば興奮も収まる。\ `......But after several days passed, my excitement died down.`\ bg black,22 mono 1 bg cit_2a,2 ;　あの日、ビルの屋上に立った私は、完全に心が追い詰められ、死んでいた。@ `On that day, when I stood on the roof of that skyscraper, my heart had been completely cornered, and dead.`@ br ;　……だから、体の檻から解放されて、空へ上りたいと心の底から思い、@……死ぬためにフェンスを越えたのだ。\ `......So I had wanted from the bottom of my heart to be released from the cage of my body and rise into the sky,`@` ......and had crossed the fence in order to die.`\ ;　その、死のうという気持ちと、実際に足を踏み出して身を投げた体験が、@私の頭に何かの神秘体験を起こし、魔女からお告げをもらったような、そんな気にさせたのかもしれない。@ `Maybe experiencing the desire to die and actually stepping forwards, throwing my body down...`@`caused some kind of mystical experience inside my head, making me think I had received a message from a witch.`@ br ;　………飛び降りの興奮が薄れ、正気に戻れば戻るほどに、この旅の意味は、失われていった。\ `.........The excitement from jumping down lessened over time, and the more I came back to my senses, the more this journey lost its meaning.`\ bg black,22 mono off ;　でも、だからといって、私はこの旅を中断しようとも思わなかった。@ `But I didn't consider suspending this journey just because of that.`@ br ;　もし旅を止めたら、あの魔女のお告げを、幻だと認めたことになる。\ `If I stop this journey, it will mean acknowledging that the message from that witch was an illusion.`\ ;　それは即ち、魔女がしてくれた約束、@家族が誰か帰ってくるかもしれない可能性すらも、捨て去ってしまうことのように思えたからだ。@ `And I could imagine that meant throwing away the promise the witch had made,`@` and any chance that someone from my family might come back.`@ br ;　だから、あの時の幻を信じたいがために、旅を続けている。\ `So, because it was hard to believe that those events were an illusion, I've continued on my journey.`\ bg white,22 bg sea_1a,22 ;　この旅で何かを変えられるなんて、本気で信じちゃいない。@ ;　……いつ旅を終わりにするかも自由。@どこを終着点とするかも、自由なのだ。@ `I don't seriously believe that this journey will change anything.`@ `......It's even up to me when to end this journey.`@` It's up to me to choose where the final destination is.`@ br ;　結局、この旅は、私の自己満足のためでしかない……。\ `In the end, this journey is only for my self-satisfaction......`\ bg black,22 fedexx 0,70,0,0,0,0,3000 E_B bg ship_s2c,0 ld r,$AMA_DefA1,26 ;「…………自己満足か。@聞こえは悪いですが、そいつが実は、人生ってヤツではないかと思ってます。」@ ;＜天草 `"............Self-satisfaction, is it.`@` It sounds bad when you say it, but I think that's actually what life is all about."`@ ld l,$ENJ_FumanA2,23 ;「……へぇ。@傭兵稼業で死線を潜った末に至った答えだったなら、なかなか味わい深いじゃない。」\ `"......Heh.`@` If that's the answer you've reached after hovering over the line between life and death in the mercenary business, that's probably pretty deep."`\ ld r,$AMA_majimeA1,80 ;「茶化さんでください。@/ `"Don't take it so lightly. `@/ ld r,$AMA_DefA2,80 ;俺が言いたいのは、自己も何も、自分を認められるのは世の中で自分だけしかいないってことです。」@ `What I'm trying to say is that the only one who can acknowledge you in this world is you yourself."`@ br ;　天草は柔軟運動を続けながら言う。@ ;　悔しいぐらいに爽やかに。\ `Amakusa continued stretching as he spoke.`@ `In a mortifyingly brisk way.`\ ;　教師みたいな言われ方をされると、ついつい反抗したくなるが、彼が言っていることは至極まともだった。\ `Hearing it told to me as though from a teacher made me instinctively want to resist, but what he was saying was extremely sensible.`\ ld l,$ENJ_NayamuA1,80 ;「…………………。@/ `"..................`@/ bgm1 25 ;……そうかもね。@/ `......That may be true. `@/ ld l,$ENJ_DefA1,80 E_MA ;人は、誰かに認められたくて努力をするわ。@……多くの場合、それは親ね。@親に褒められたくて、子どもは努力を覚える。@………だから私は、覚えなかったわけだけど。」\ `People work hard when they want to be acknowledged by someone.`@` ......In most cases, that someone is their parents.`@` Children learn how to work hard because they want to be praised by their parents.`@` .........Although that's why I never learned."`\ ld r,$AMA_MajimeA1,80 ;「すんません、そういうつもりで言ったんじゃないです。@/ `"Sorry, that's not what I intended when I spoke. `@/ ld r,$AMA_DefA2,80 ;……俺が言いたいのは、自己満足、大いに結構ってことなんです。@誰に褒められたって、それを納得できなきゃ意味がない。@……逆を返しゃ、誰に褒められなくったって、自分が納得できりゃそれでいいってことです。」\ `......What I want to say is that self-satisfaction is usually alright.`@` No matter who praises you, it's meaningless unless you can accept that.`@` ......Turning it around, even if no one praises you, that doesn't matter as long as you can accept it."`\ bg white,25 me1 3 bg sea_1a,22 ;「………自己満足と向上心って矛盾するから、普通は悪いことって教えられるわよね。@天草の論法は何だか新鮮よ。」\ `".........Self-satisfaction and aspirations contradict each other, so we're usually taught that the former is bad.`@` Your argument seems somehow fresh, Amakusa."`\ ;ld ,$AMA_,80 ;「誰かに認めて欲しくて、だけれど何を努力すればいいのかわからないのが、人の世の苦しみです。@俺にもそういう頃があった。@誰かに認められたくて、でも何を認められればいいかわからなくて。@そして、何をどこまで努力すれば、誰に認めてもらえるかわからなくて、@ずいぶんと無茶苦茶をやってきたもんです。」\ `"The anguish of the human world comes when you want someone to acknowledge you, but you don't know what it is you should be striving for.`@` I had a time like that too.`@` I wanted someone to acknowledge me, but I didn't know what I wanted them to acknowledge about me.`@` And since I didn't know what to strive for or how far I should go to be acknowledged by someone,`@` I did a lot of crazy things."`\ bg ship_s2a,26 ld r,$ENJ_DefA1,24 ;「それで天草が至った答えが、……自己満足だっていうの？」@ `"And the answer you reached, ......was self-satisfaction?"`@ ld l,$AMA_DefA1,23 ;「聞こえは悪いがそういうことです。@吾唯（われただ）足るを知る、っていうヤツですわ。\ `"It sounds bad, but that's how it is.`@` Rich is the one who is content with what they are, they say.`\ ld l,$AMA_DefA2,80 ;　………俺がこれでいいと思った人生なら、それはとやかく言われてどうこうってもんじゃない。@縁寿さんの人生も、この旅も同じです。@縁寿さん以外の誰にも、とやかく言う権利なんてない。\ `.........If I live my life believing that this is enough, that's not something to be nagged over and criticized by others.`@` It's the same for your life, and for this journey.`@` No one has any right to criticize you other than you yourself, Ange-san.`\ ld l,$AMA_defA1,80 ;　旅の意味と成果は、縁寿さんだけが決める。@縁寿さんにとって有意義な旅になったなら、それで充分なんですよ。」\ `You are the only one who determines the meaning and results of your journey, Ange-san.`@` If it's been a meaningful journey for you, then that's more than enough."`\ ld r,$ENJ_FumanA2,80 ;「………………………。@………あんたってチャラけてる男だと思ってたけど、たまに変なこと言い出すのね。@そういうこと、たまに言うとモテると思ってるでしょ。」\ `"..................`@`.........I'd thought you were a guy who liked to talk nonsense, but you really do say some weird things every once in a while.`@` I'll bet you think saying things like that every now and then will get you popular."`\ ld l,$AMA_DESU,80 ;「まさかまさか。@そんなつもりで言ったんじゃありません。@/ `"You must be joking.`@` That's not what I had in mind when I said it. `@/ ld l,$AMA_DefA2,80 ;………どうやら、お一人になりたいようだ。@私は船長のところへ行っていますぜ。@どうぞごゆっくり。」\ `.........It looks like you want to be alone.`@` I'll head over to see the boat captain.`@` Please, take your time."`\ cl l,24 E_B bg white,24 bg ship_S2b,24 ;　天草は私の機嫌が悪いと判断したらしい。@ ;　……そういうつもりはなかったのだけれど。@ `It seemed Amakusa had decided I was in a bad mood.`@ `......Although I didn't feel that way myself.`@ br ;　あるいは、一通りの柔軟を終えて、日陰で涼みたくなったのかもしれない。@ ;　潮風は強いけれど、日差しを和らげてくれるほどではなかったから。\ `Or he might have finished a set of stretches and wanted to cool off in the shade.`@ `The sea winds were strong, but not enough to cool the rays of the sun.`\ ;　天草は姿を消す。@ ;　後には私だけが残った。\ `Amakusa disappeared.`@ `Only I remained.`\ bg sea_1a,22 ;「………自己満足こそが人生、か。」@ `".........Self-satisfaction is life itself, he says."`@ se1 52 ld c,$RG5_HohoemiA1,99,2000,"breakup.dll/urb" ;「そんなのつまらないです。@/ `"That's just boring. `@/ bgm1 43 ;人生はどこまでも強欲でなくっちゃ。」\ ;＜マモン `Life is nothing without greed."`\ ;　気付けば、いつの間にかマモンがいて、舳先で豊かな髪をなびかせていた。\ `I noticed that Mammon had suddenly appeared, her abundant hair fluttering over by the prow of the ship.`\ cl c,0 ld l,$RG5_HohoemiA1,0 ld r,$ENJ_NayamuA1,24 ;「強欲な人生は確かに楽しいわ。@でも、あなたと違ってニンゲンには寿命がある。@/ `"It's true that a life of greed would be fun.`@` But unlike you, humans have a limited life-span. `@/ ld r,$ENJ_DefA1,80 ;永遠に強欲のままだったなら、人は死ぬ最後の瞬間にも欲があることになる。@欲があるということはつまり、欲しいということ。@持っていないということ、満たされていないということ。\ `If greed remains for eternity, that means that a person has desires even in the last moment before they die.`@` Having desires means that there's something they want.`@` Something they don't have, some way they aren't complete.`\ ld r,$ENJ_NayamuA1,80 ;　……自分が満たされていると思えないまま死ぬのはきっと辛いことよ。@だからきっと、自己満足って必要なんだわ。」\ `......I'm sure it's tough to die when you can't think of your life as being fulfilled.`@` So I'm sure self-satisfaction is necessary."`\ ld l,$RG5_majimeA1,80 ;「………なるほど。@寿命ある存在には、そういう妥協点も必要ってことですか。@/ `".........I see.`@` Because of the existence of a life span, you have to find a common ground there? `@/ ld l,$RG5_waraiA1,80 ;私たちの主は、やたらと寿命の長いお方ばかりだったんで、考えたこともなかったです。」\ ;＜マモン `All of my masters had very long life spans, so I've never thought of it."`\ ld r,$ENJ_FumanA2,80 ;「ニンゲンってのは、満たされるために生きてるのかしら。@……だとしたら、無欲が一番、人生にやさしいことになるわ。@/ `"I wonder if humans live so that they can be satisfied.`@` ......If so, unselfishly is probably the easiest way to live. `@/ ld r,$ENJ_nayamuA1,80 ;…なるほど、七つの大罪のひとつが強欲になるのも納得ね。」\ `...I see, I understand why greed is one of the seven deadly sins."`\ ld l,$RG5_AkuwaraiA1,80 ;「くすくす。@お褒めに預かり光栄です。」@ ;＜マモン `"*giggle*.`@` Your praise honors me."`@ br ;　マモンにとっては褒め言葉になったらしい。@ ;　彼女は身を翻し、優雅にお辞儀をして見せた。\ `Apparently that counted as praise in Mammon's eyes.`@ `She turned and gave a graceful bow.`\ bg white,25 bg sea_1a,22 ;「縁寿さま。@ニンゲンは、死の瞬間に満足であるために生きてるんですか？」@ ;＜マモン `"Ange-sama.`@` Do humans live so that they can be satisfied at the moment of their death?"`@ ;ld ,$ENJ_,80 ;「……死の瞬間に何かが満たされていないのは、きっと辛いんじゃない？」\ `"......Wouldn't it be pretty tough if you were unsatisfied about something at the moment of your death?"`\ ;ld ,$RG5_,80 ;「だとしたらニンゲンは、満足な死を迎えるためだけに、生きてるわけですね。@より良い死のために生きてる。@死ぬために、生きてる。」@ `"If so, then humans live only so that they can meet a satisfied death.`@` They live so that they can have a better death.`@` They live so that they can die."`@ br ;　…………この子はすごいことを言い出す。@ ;　…なるほど、さすがは悪魔の杭。\ `............This kid's saying something pretty incredible.`@ `...I see, as I'd expect from a demon stake.`\ bg black,22 fede 10,1000 ;　しかし、それは真実かもしれない。@ ;　人は、満たされないからこそ苦しみ、満たされるためだけに生きている。@ `However, that might be the truth.`@ `Humans suffer because they aren't satisfied, and live only to be satisfied.`@ br ;　それはつまり、満たされながら死にたいという願望も同然なのかもしれない。\ `In other words, that might be the same as a desire to die while satisfied.`\ bg ship_S2c,26 ld r,$ENJ_defA1,24 ;「言い返せないわ。@/ `"I can't counter that. `@/ ld r,$ENJ_NayamuA1,80 ;……人は満たされるために生きてる。@そして満たされたまま死にたいと願ってる。@/ `......People live in order to be satisfied.`@` And they hope to die while still satisfied. `@/ ld r,$ENJ_DefA1,80 ;だから、その満たされ方がわからないのは、とても辛いことだわ。」\ `So, not knowing how to make yourself become satisfied is very tough."`\ ld l,$RG5_DefA1,23 ;「どうやれば満たされるんです？@　ニンゲンの人生は。」@ `"What can they do to become satisfied?`@` In a human's life."`@ ld r,$ENJ_nayamuA1,80 ;「………認めてもらうことよ。@お前は幸せだ、ってね。」\ `".........Being acknowledged.`@` Hearing 'you are happy'."`\ ld l,$RG5_FumanA1,80 ;「誰が認めてもいいものでしたら、私が認めてあげますよ。」@ `"If it doesn't matter who acknowledges them, then I will do so."`@ ld r,$ENJ_defA1,80 ;「そうよ、そこなのよ。@………誰に認めてもらえばいいのか、わからないのよ、人は。」\ `"Yes, there's that.`@` .........People don't know who they should have acknowledge them."`\ ld l,$RG5_AkuwaraiA1,80 ;「その認めてくれる人を探すのが、人生の旅なんですか？@　へぇー。」\ `"So, searching for that person to acknowledge them is the journey of life?`@` Hmmmm."`\ bg white,22 me1 3 bg sea_1a,22 ;「おかしな話ね。@認めてもらおうと認めてもらわなかろうと、自分の境遇に変化はないはず。@……にもかかわらず、認められれば満たされ、認められないから満たされない。@…まるで青い鳥だわ。@……籠の中にもう青い鳥はいるのに、それに気付けないから、どこまでも探しに旅立たなければならない。」\ `"It sounds strange.`@` Whether you're acknowledged or not, it supposedly doesn't change your circumstances.`@` ......And yet, if you are acknowledged you will be satisfied, while if you aren't then you won't.`@` ...It's almost like the blue bird.`@` ......Because you can't notice the blue bird even though it's already in the cage, you have to go out on a journey searching everywhere."`\ bg ship_S2a,0 ld r,$RG5_FumanA2,80 ;「何ですか、それ。@/ `"What the heck. `@/ ld r,$RG5_AkuwaraiA2,80 ;きゃっははは。@ニンゲンの人生って馬鹿ですね。」@ `Kyahhahaha.`@` Human lives sure are stupid."`@ ld l,$ENJ_nayamuA1,23 ;「そうね。@天草は本当にいいことを言ったわ。@/ `"That's right.`@` Amakusa said something really good. `@/ ld l,$ENJ_defA1,80 ;……吾唯足るを知る、か。@何の諺か知らないけど、味わい深いわ。@……つまるところ、誰かに認めてもらわなければ満ち足りないとは即ち、自らを認められないということ。@……究極の自己実現は、まず、自分を自分で認めることだったのよ。」\ `......Rich is the one who is content with what they are...was it?`@` I don't know where that proverb came from, but it has a deep meaning.`@` ......In short, if you won't be satisfied enough unless someone acknowledges you, that's the same as not acknowledging yourself.`@` ......The ultimate in self-fulfillment is acknowledging yourself."`\ ld r,$RG5_akuwaraiA1,80 ;「そりゃそうです。@自分が満ち足りてるって自覚できるなら、誰にも認めてもらう必要なんかないですから。@その小さなことに気付くだけで、ニンゲンの下らない人生の旅は簡単に終了ですね。@/ `"That's right.`@` Because if you can become aware that you are fully satisfied, there's no need to be acknowledged by anyone.`@` Just by taking notice of the small things, the humans' foolish journey of life can be ended easily. `@/ ld r,$RG5_WaraiA1,80 ;残った時間を有意義に遊んで過ごせます。@ニンゲンの人生って馬鹿馬鹿しー、きゃっはははは！」\ `You can spend the rest of your life playing and having a good time.`@` A human's life is so ridiculous, kyahhahahaha!"`\ bg ship_S2b,25 ;　マモンの言葉は悪いが、それがきっと真実なのだ。@ `Mammon's choice of words was bad, but it was surely the truth.`@ br ;　もし、ニンゲンの人生のほとんどが、@満ち足りた死を迎えるために、誰かに自分を認めて欲しいと願う旅ならば。\ `If most of a human's life is a journey where they wish that someone would acknowledge them, `@`so that they could achieve a satisfied death...`\ ;　………それを認めるのは誰かではなく、自分自身なのだと気付く時点で、その無駄な旅を終えられる。@ `.........Then when they realize that the person to acknowledge them is not someone else, but they themselves, that pointless journey can end.`@ br ;　その旅を終えた人間は、残りの人生を胸を張って自由に生きていくだろう。@ `Humans who have ended that journey can probably spend the rest of their lives as they wish with their chests stuck out.`@ br ;　……それの何と気高く、誇り高いことか。\ `......How sublime, how praiseworthy would that be.`\ bg ship_S2c,26 ld c,$ENJ_DefA1,23 ;「天草ってさ。@親とはかなり仲が悪いらしいのよ。@/ `"You know, `@`it seems Amakusa's on pretty bad terms with his parents. `@/ ;ld c,$ENJ_defA1,80 ;……そりゃそうよね。@真っ当な親なら、足を洗わせたいと願うような商売だもの。」@ `......That makes sense.`@` He's in the kind of trade that'd have proper parents wanting to make him wash his hands of it."`@ cl c,0 ld l,$ENJ_defA1,0 ld r,$RG5_hohoemiA1,24 ;「別にいいんじゃない？@　本人が楽しいなら。」\ `"Isn't that alright though?`@` As long as it's fun for the person in question."`\ ld l,$ENJ_NayamuA1,80 ;「………まったくよね。@結局はそういうことなのよ。@他人が観測した自分の評価なんかどうでもいいこと。@自分の存在を、自分自身がしっかり認められたなら、それで十分なのよ。@……自分に自信を持って生きられるなら、どんな生活だって受け容れて納得できるに違いない。\ `".........Exactly.`@` That's what it comes down to in the end.`@` Criticism of yourself as you're observed by others doesn't matter.`@` If your existence is firmly acknowledged by you yourself, that's enough.`@` ......If you can live with confidence in yourself, surely you can accept any kind of lifestyle.`\ ld l,$ENJ_defA1,80 ;　天草はきっといつか、戦場で流れ弾を食らって大怪我をするでしょうよ。@…あるいは死ぬことさえあるかもしれない。@/ `I'm sure Amakusa will eventually eat a stray bullet on the battlefield and get seriously injured.`@` ...He might even die. `@/ ld l,$ENJ_waraiA2,80 ;でも、天草はそれを理不尽とは思わないと思う。@それも人生と、あいつはけらけら笑ってるような気がするの。」@ `But I don't think Amakusa thinks that's unreasonable.`@` I'm sure he'd cackle about how that's also part of life."`@ ld r,$RG5_WaraiA1,80 ;「いい生き様じゃない。@惚れるわ。」\ `"What a great way to live.`@` I'm enchanted."`\ bg Different_spiral_1a,22 ;「……自分で自分を認められない哀れなニンゲンは、@生涯それを求めて彷徨い、何も受け容れられず、不平不満だけを口にし、満たされないまま死んでいく。@……哀れだわ。@何の目的もなくだらだらと生きてる連中に比べたら、@やがて野垂れ死にするかもしれないけれど、自分の人生に胸を張っている天草の方がよっぽど高潔なのよ。」\ `"......Pitiful humans who aren't acknowledged by themselves...`@`wander about searching for that their whole lives, and without anything being accepted, they do nothing but grumble and die while still unsatisfied.`@` ......How pitiful.`@` Compared to people whose lives drag on without any purpose,`@` Amakusa is more likely to eventually die by the roadside, but I think he's much more noble for living his life with his chest stuck out."`\ bg black,22 ;「人生、悟った者の勝ちってことじゃない？@　少しでも早く悟れれば、その分、有効に残りの人生が過ごせておトクよね。」@ `"Aren't the winners in life those who achieve enlightenment?`@` If they can do that even a little sooner, they'll be able to live that much more of their life effectively."`@ br ;　………そのマモンの言葉に、/ ;!d800……私はようやく、ある事実を受け容れる。\ `.........With Mammon's words, `/ !d800`......I finally accepted a certain fact.`\ ;　私は、……変わっている子、ちょっとおかしな子などと、それを形容してきた。@ `I've......described her as an abnormal kid, as a little strange.`@ br ;　しかし、/ ;!d800……違ったのだ。@ `However, `/ !d800`......that wasn't true.`@ br ;　彼女はその旅を、/ ;!d900………誰よりも早く終えて、自らに胸を張っただけなのだ。\ `She did nothing but stick her chest out, `/ !d900`.........so that she could finish that journey faster than anyone else.`\ fede 1,2000 bg Ship_S2a,0 ld r,$ENJ_FumanA2,26 bgm1 85 ;「…………………だから真里亞お姉ちゃんは、…凄かったのかもしれない。@/ `"..................Maybe that's what made Maria onee-chan, ...so amazing. `@/ ld r,$ENJ_NayamuA1,80 ;彼女は、小学校低学年になるかならないかという年齢のうちに、それに至ったのよ。」\ `When she was at the age where she might or might not enter the first year of elementary school, she had already reached that point."`\ bg black,22 fede 10,1000 bg book1,22 ;　彼女の人生は、私たち他者の目から見て、お世辞にも幸福だったとは言えない。@ `For other people like us looking at her life from the outside, her life isn't something we could say was blessed.`@ br ;　しかし、彼女の日記帳には、そんな日々が刻まれながらも、@……常に楽しい一日だったと締めくくられていた。\ `But even though days such as that were engraved in her diary,`@` ......they always finished up by saying it was a happy day.`\ se1v 1010,50 bg white,64 mono 1 bg ROS_R1a,0 ld c,$ROS_ikariA3,22 ;　娘を愛していない片鱗が見え隠れするのに、@彼女はそれでも、母は自分を愛してくれていると信じた。@ `Even though the part of her mother that didn't love her daughter came and went, `@`she believed that her mother loved her.`@ br ;　存在しない母の愛を自ら生み出し、世界を愛で満たしたのだ。\ `The mother's love that didn't exist, she created herself, filling her world with love.`\ se1v 1010,50 bg black,64 bg cit_3a,0 ld c,$MAR_WaraiA1,22 ;　他者は彼女を、満たされない可哀想な子として観測したが、@……彼女は自らは満たされていると、自らを認めていたのだ。@ `Others might observe her as an unsatisfied pitiful girl,`@` ......but she herself had acknowledged that she was satisfied.`@ br ;　だから、それで幸せだったのだ。\ `And so, she was happy that way.`\ se1v 1010,50 bg black,64 mono off bg book1,22 ;　それを、哀れで悲しいことと観測するのは容易い。@ ;　しかし彼女にとってはそんなのは他人の評価で、どうでもいいことなのだ。@ `It is easy to observe that as something pitiable and sad.`@ `But to her, that was an outsider's opinion, and didn't matter.`@ br ;“自分にとって幸せかどうか”、それだけが大事だったのだ。\ `'Whether it was happy for her', was the only important thing.`\ ;　都会に住む人たちが、田舎の人の暮らしを指して、@勝手に不便さを嘆き同情を寄せるのは、実に余計なお世話だというのと同じこと。@ `It's just like how, when people who live in the city point to the lifestyles of those in rural areas,`@` and mourn their inconvenience and feel sympathy for them, it's really none of their business.`@ br ;　そこに住まう彼らがそれで満たされているならば、それで充分なのだ。\ `If those who live there are satisfied with what they have, that's more than enough.`\ bg white,9 me1 3 bg ship_S2b,2 wait 2000 bg Ship_S2a,0 ld c,$ENJ_NayamuA1,6 ld c,$ENJ_defA1,80 ;「………私、ようやく気付いたわ。@…今、気付いた。@/ `".........I've finally noticed something.`@` I noticed it just now. `@/ ld c,$ENJ_komaruA2,80 ;……真里亞お姉ちゃんに、酷いことをしたのよ。@………あの日に、あなたたちにも、さくたろうにも。」\ `......I did something horrible to Maria onee-chan.`@` .........And to you all and Sakutarou as well, on that day."`\ bg Ship_S2c,0 ld r,$RG5_majimeA1,24 ;「……………………………。」\ `"........................"`\ ld l,$ENJ_defA1,23 ;「魔法があるか、ないか。@……それを決めるのは他人じゃないわ。@/ `"Whether magic exists, or not.`@` ......That's not up to other people to decide. `@/ ld l,$ENJ_komaruA3,80 ;自分よ。@真里亞お姉ちゃんにとって魔法があるかないかは、真里亞お姉ちゃんが決めるべき問題で、私が決めることじゃない。\ `It's up to you yourself.`@` Whether magic exists to Maria onee-chan is a problem for Maria onee-chan to decide, and not for me.`\ ld l,$ENJ_komaruA2,80 ;　……なのに私は幼いあの日、口にしてしまった。@魔法なんてあるわけないって、……彼女を傷つけてしまった。」\ `......And yet, when I was young, on that day, I said it.`@` By saying there was no way magic exists, ......I hurt her."`\ ;　私にとって魔法が存在しないのは、私の世界の話。@ ;　だからといって、お姉ちゃんの世界までを否定するのは、まったくのお門違いなのだ。\ `Magic not existing in my eyes...matters in my world.`@ `Denying it even in Onee-chan's world just because of that was totally barking up the wrong tree.`\ cl a,0 ld c,$ENJ_komaruA3,23 ;「マリアージュ・ソルシエールは、真里亞お姉ちゃんの作った魔女同盟。@私はそれに誘われて、一緒に魔女になろうと言われたの。\ `"Mariage Sorciere is the Witches' Alliance Maria onee-chan created.`@` I was invited into that, and told to become a witch with them.`\ ld c,$ENJ_komaruA2,80 ;　新しい面白い遊びだと思って、私はしばらくの間、それに付き合ったわ。@……でも、幼さゆえの残酷さ。@途中で飽きてしまった。@そして、……鋭利な言葉で彼女の、純粋無垢な心を切り裂いてしまったの。\ `Thinking it a new, interesting game, I went along with that for a while.`@` ......But, because of the cruelty of youth,`@` I got tired of it half-way through.`@` And, ......I tore her pure heart apart with sharp words.`\ ld c,$ENJ_hanbesoA1,80 ;　……あの時、大喧嘩をしたはず。@私はすぐに忘れてしまったけれど、彼女には忘れられないものだった。@……なぜなら、彼女にとって魔法は、確かに存在する自然な力で、@それは私とも共有できると信じていたから。\ `......At that time, we must have gotten into a huge fight.`@` I forgot about it right away, but she couldn't forget about it.`@` ......After all, to her, magic was a natural power that certainly existed,`@` and she had believed that she would be able to share that with me.`\ ld c,$ENJ_nakuA1,80 ;　……真里亞お姉ちゃんにとって魔法は、@世界を幸福に解釈できる、……いえ、全てを幸福に出来るまさに魔法の力だった。@それを私にもお裾分けしたかっただけ。@その気持ちを、幼い私が引き裂いた。@……だから彼女は、誰とも魔法は分かり合えないと、殻の中に閉じ篭ってしまったのよ。」\ `......To Maria onee-chan, `@`magic is a power that can interpret the world as blessed, ......no, which can truly make everything blessed.`@` She just wanted to share that with me too.`@` The young me tore that feeling apart.`@` ......So when no one would understand magic together with her, she closed herself up in a shell."`\ bg Ship_S2a,0 ld r,$RG5_majimeA1,24 ;「………だとしたら、マリア卿もやはり、人生の旅は終わってないわけね。@自分に納得出来てるなら、縁寿さまに否定されたくらいでへこむ必要なんてないわけだし。」\ `".........If so, then Lady MARIA's journey through life wasn't over after all.`@` If she could accept herself, then there would be no need to collapse just because you denied her, Ange-sama."`\ ld l,$ENJ_komaruA1,23 ;「お姉ちゃんは幼かった。@天草みたいな達観にはまだ至ってなかったのよ。@……あぁ、だからこそわかるわ。@マリアージュ・ソルシエールという魔女同盟がなぜ必要なのか。」\ `"Onee-chan was young.`@` She still hadn't reached a philosophical viewpoint like Amakusa.`@` ......Yeah, now I understand...`@` Why the witches' alliance called Mariage Sorciere was necessary."`\ mbg black,22 br ;　――お互いが魔女であることを、互いに認め合う同盟。\ `――An alliance where each acknowledges that the other is a witch.`\ mcbg 0 ld l,$ENJ_komaruA1,2 ld l,$ENJ_komaruA3,80 ;「…そうよ、それが確か、マリアージュ・ソルシエールの取り決めの第一条だった気がする。@……同盟の魔女は、互いを魔女と認め、尊敬し合うこと、って。@それこそが、魔女同盟の一番の、そして唯一の意味なのよ……。」\ `"...That's right, I'm pretty sure that was the first article in the agreement of Mariage Sorciere.`@` ......Witches of the alliance would acknowledge each other and respect each other.`@` That is the deepest and the only meaning of the witches' alliance......"`\ bg black,22 ;　魔法という、世界を幸せにする秘密の法則を、私と共有したかった真里亞お姉ちゃん。@ `Maria onee-chan wanted to share with me the secret laws to make the world happy, called magic.`@ br ;　しかし私は幼くて。@ ;　そして彼女も幼くて。@ `But I was young.`@ `And she was too.`@ br ;　……無垢な残酷さが傷つけてしまい。\ `......I hurt her with innocent cruelty.`\ bg ship_S2a,26 ld r,$ENJ_FumanA2,24 ;「………私はあの日に言ったわ、暴言を。@あなたたちや、さくたろうに。@存在するわけがない、って。」\ `".........On that day, I said it...reckless words.`@` To you all and Sakutarou.`@` I said there was no way you exist."`\ ld l,$RG5_FumanA2,23 ;「失礼しちゃうわ。@私たちは私たちが存在するって、自らを認めてる。@/ `"How rude.`@` We acknowledge that we exist ourselves. `@/ ld l,$RG5_FumanA1,80 ;魂が寝ぼけてるニンゲンどもとは訳が違うのよ。@……“我思うゆえに我あり”。@魔法を認めようと否定しようと、私たち煉獄の七姉妹という魔法が存在することは、ゆえに事実。@……縁寿さまの言葉を借りるなら、私たちが自らをそう認めている限り。」\ ;＜マモン `We're not like humans, with their souls half-asleep.`@` ......'I think, therefore I am'.`@` Whether you acknowledge or deny magic, the existence of the magic called the Seven Stakes of Purgatory...is therefore a fact.`@` ......As long as we acknowledge that ourselves, to borrow your words."`\ ld r,$ENJ_defA1,80 ;「それを、他者である私が否定するのはまさに暴力だわ。@/ `"It truly would be violence for another person like me to deny that. `@/ ld r,$ENJ_NayamuA1,80 ;………それはきっと、実の母に、お前なんか生まれてこなければ良かったと、@いいえ、消えてしまえと怒鳴りつけられるくらいにね。」\ `.........I'm sure that would be like having your true mother yell 'I wish you had never been born', `@`no, 'disappear'."`\ bg black,22 ;　……それらの言葉をぶつけられてもなお、@……真里亞お姉ちゃんの魔法は、/ ;!d900………母の愛を信じさせたのだ。@ `......Even after being slammed by all those words,`@` ......Maria onee-chan's magic, `/ !d900`.........made her believe in her mother's love.`@ br ;　魔法の友人であるさくたろうは常に彼女を励まし続けた。\ `Sakutarou, her magic friend, always encouraged her.`\ bg Different_spiral_1a,8 ;　……母は愛してくれている、帰りが遅いのは仕事のせいだ、@きっとお土産を買って帰ってくる…、そう励まし続けた。@ `......He kept saying that her mother loved her, that she was coming home late because of her work,`@` and that she would definitely bring back a present...`@ br ;　本当は仕事ではないという事実を知ってしまっても、なお、そう信じさせ続けた。\ `Even after Maria learned the fact that it really wasn't because of work, magic still kept her believing that.`\ bg white,22 bg sea_1a,22 ;　そして母は自分を愛していると信じることで、自ら認めることで、@自分の世界を、平和に、穏やかに、愛で満たして、……完全に確立し切ったのだ。\ `So by believing that her mother loved her, by acknowledging herself,`@` she filled her world with love and peace and serenity, ......and established it perfectly.`\ bg Ship_S2a,26 ld r,$ENJ_komaruA3,24 ;「１２年前に何があったのか、…私の家族がどうなったのか。@/ `"What happened 12 years ago, ...what happened to my family...`@/ ld r,$ENJ_DefA1,80 ;……それを探る旅じゃ、なかったのよこれは。」\ `......This was not...a journey to search for that."`\ ld l,$RG5_defA1,23 ;「…………なら、この旅は何なの？」@ `"............Then what is this journey?"`@ ld r,$ENJ_FumanA1,80 ;「真里亞お姉ちゃんに、……あの日のことを、謝る旅だったのよ。」@ `"It was a journey, ......to apologize to Maria onee-chan for what happened that day."`@ ld l,$RG5_majimeA1,80 ;「…………………………。」\ `"........................"`\ ld r,$ENJ_komaruA1,80 ;「どうしてかわからないけど、そう思うの。@……あの日、彼女を傷つけなければ。@………１２年前の事件は起こらなかったんじゃないか、って。@……そう思うの。」\ `"I don't know why, but that's what I think.`@` ......If I hadn't hurt her,`@` .........the incident 12 years ago might not have occurred.`@` ......That's what I think."`\ bg black,22 fede 10,1000 ;　根拠はない。@ ;　お姉ちゃんが傷ついたら、それがどう、その数年後の怪事件に結びつくのか、見当もつかない。@ `I have no basis for it.`@ `I don't have a clue how hurting Onee-chan would connect with a mysterious incident several years later.`@ br ;　でも、なぜか、私は無関係に思えなかった。\ `But for some reason, I can't imagine that there is no connection.`\ bg portrait2,8 ;　この事件は魔女が起こした。@ `A witch caused that incident.`@ br ;　そして犯人は、黄金の魔女、ベアトリーチェ。\ `And the culprit is the Golden Witch, Beatrice.`\ ;　そしてベアトリーチェは、マリアージュ・ソルシエール魔女同盟に所属していた。@ `And Beatrice was part of the Mariage Sorciere Alliance of Witches.`@ br ;　その同盟の、もうひとりの魔女を、私は酷く傷つけた。@ `I had horribly hurt the other witch of that alliance.`@ br ;　魔法なんて存在しないと傷つけた。\ `I had hurt her with the thought of magic not existing.`\ bg black,22 ;　………だからその数年後、魔女による怪事件が起こり、@魔法以外で説明の出来ない二日間が、メッセージボトルによって、私に突きつけられる。\ `.........So several years later, a crime due to a witch occurred,`@` and that two day period which can't be explained with anything but magic was thrust in my face, thanks to the message bottle.`\ bg Ship_S2c,0 ld r,$ENJ_komaruA2,26 ;「……きっと、私は無関係じゃないのよ。@/ `"......I'm sure that I'm not unrelated. `@/ ld r,$ENJ_komaruA3,80 ;………わからない。@偶然かもしれないし、運命かもしれない。@………なぜか、この旅で私はそう思うようになったわ。」\ `.........I don't get it.`@` It could be chance, it could be fate.`@` .........For some reason, I've starting thinking that way on this journey."`\ ld l,$RG5_HohoemiA1,23 ;「根拠は？」@ `"And your basis?"`@ ld r,$ENJ_nayamuA1,80 ;「ないわ。@勝手にそう思ってるだけ。」\ `"None.`@` That's just what I'm thinking."`\ ld l,$RG5_FumanA2,80 ;「ふーん……。@日本人って面白いわね。@被害者であっても、自分に非があったように感じて、勝手に謝り出す。@/ `"Hmmmm......`@` The Japanese sure are interesting.`@` Even if they're the victim, they feel as though they did something wrong, and apologize for no reason. `@/ ld l,$RG5_hohoemiA1,80 ;……家族を奪った、ベアトリーチェさま憎し！っていうなら理解も出来るけど、@勝手に非を感じて謝りたくなってくるなんて、本当に変わってるわ。」\ `......I could understand if you said 'I hate Beatrice for stealing my family!' or something,`@` but you really are weird, feeling guilty for no reason and apologizing."`\ ld r,$ENJ_defA1,80 ;「もちろんベアトリーチェは憎いわよ。@その気持ちがなければこの旅は続かないわ。@/ `"Of course I hate Beatrice.`@` I couldn't continue this journey without that feeling. `@/ ld r,$ENJ_nayamuA1,80 ;でも、旅にもう一つ目的を見出してもいい。@１２年前の魔女に復讐する旅に、さらに昔の罪を謝罪する目的を加えたっていいんだわ。@六軒島に行って、あの日の暴言を詫び、花を手向けることくらいは出来る。\ `But it's alright to select yet another purpose for this journey.`@` There's nothing wrong with adding on a goal of apologizing for past sins, in addition to getting revenge on a witch for 12 years ago.`@` I can at least go to Rokkenjima, apologize for my reckless remarks, and offer flowers.`\ ld r,$ENJ_DefA1,80 textoff me1 3 fede 1,2000 ;　……いえ、………花よりもっといいものがあるわ。@そしてその方が、お姉ちゃんには相応しいと思う。」\ `......No, .........there's something better than flowers.`@` And I think that would be more fitting for Onee-chan."`\ bg white,22 bg ship_S2b,2 ;　私は立ち上がり、潮風に散らされる髪の毛を気にせず、精神を集中する……。@ ;　手の平を顔の高さに掲げ、……広大な空間をイメージする……。\ `I stood up, and, not minding that the sea breeze scattered my hair, I concentrated my mind......`@ `I lifted my palm up to the height of my head, ......and imagined a vast space......`\ ld r,$RG5_DefA1,24 ;「…………縁寿さま、……………。」@ `"............Ange-sama, ..............."`@ ld l,$ENJ_NayamuA1,23 ;「……静かに。/ `"......Be quiet. `/ E_A ;@……………………。@/ @`...............`@/ me1 16 ld l,$ENJ_FumanA1,80 ;……さぁさ、お出でなさい。@……我こそは魔女見習い、エンジェ・ベアトリーチェ。@……破門にされてはしまったけれど、かつて同じ同盟に所属し、私と遊んでくれた懐かしき家具よ。@我が呼び掛けに応じよ………。」\ `......Come, arise.`@` ......I am the witch apprentice, ANGE Beatrice.`@` ......I was excommunicated, but I was once a member of the same alliance, and you are dearly-missed furniture who played with me.`@` Answer to my call........."`\ bg black,22 ;　日中だからわかりにくいけれど、私の手の平に薄っすらとした青い光が集まる。@ `It was hard to tell in the middle of the day, but a faint blue light gathered around the palm of my hand.`@ br ;　………そして、/ ;!d900………さくたろうの姿を蘇らせる。\ `.........Then, `/ !d900`.........Sakutarou's form was revived.`\ se1 22 mld c,$SAK_waraiA2,0 msp msp_c,0,0,-200 print 22 ;　それは本当に懐かしい、あの姿。@ `It truly was long-missed, that figure.`@ msp msp_c,0,0,50 print 22 ;　可愛らしい耳に、真っ赤なマフラー。@ `His cute ears, his bright-red muffler.`@ msp msp_c,0,0,50 print 22 br ;　……すぐ解けるので、お姉ちゃんはいつもマメに巻き直してたっけ…。\ `......It came off easily, so Onee-chan faithfully re-wrapped it all the time, didn't she...`\ se1 22 bg white,0 mcl c,0 bg ship_S2a,0 ld c,$SAK_DefA1,22 mov %play_scene,40175 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_sak : seplay 9,1060 ld l,$RG5_OdorokiA1,24 ;「……さくたろ……。@……わかる？@　私たちがわかる…？」@ ;＜マモン `"......Sakutaro......`@`......Can you see?`@` Do you know who we are...?"`@ ld c,$SAK_OdorokiA1,80 E_A ;『…うりゅ……？@/ `『...Uryu......? `@/ bgm1 76 ;　うりゅ……？@　マモン…？@　縁寿………？』@ `Uryu......?`@` Mammon...?`@` Ange.........?』`@ br ;　さくたろうは、長い眠りから覚めたような寝ぼけた声で、周りをきょろきょろしながらそう答える。\ `With a sleepy face, as though waking up from a long slumber, Sakutarou looked all around him as he spoke.`\ bg Ship_S2c,0 ld l,$ENJ_komaruA3,24 ;「お久しぶりね、……さくたろう。@あなたを私の力で呼び出すのは、きっとこれが初めてだわ。@……そして今や、私にしか呼び出せない。」@ `"It's been a long time, ......Sakutarou.`@` I'm pretty sure this is the first time I've summoned you with my own power.`@` ......And now, I am the only one who can summon you."`@ ld r,$SAK_nakuA1,24 ;『………………うりゅ……。』\ `『..................Uryu......』`\ ;　それは少しだけ残酷な言葉だったかもしれない。@ ;　さくたろうは表情を曇らせる…。\ `Those words might have been a bit cruel.`@ `Sakutarou's face clouded over...`\ bg Ship_S2a,0 ld r,$ENJ_FumanA2,23 ;「かつての私は、あなたを否定した。@/ `"In the past, I denied you. `@/ ld r,$ENJ_DefA1,80 ;………その私があなたを呼び出したということは、/ ;!d800……あなたの存在を、私が認めたということ。」@ `.........Now that I have summoned you, `/ !d800`......that means that I have accepted your existence."`@ ld l,$SAK_KomaruA2,23 ;『………いいの……？@　ボクは…縁寿の世界に呼び出されてもいいの……？』\ `『.........Is it alright......?`@` Is it alright...for me to be summoned into Ange's world......?』`\ ;　その瞳はわずかに怯えている。@ `His eyes were slightly frightened.`@ br ;　……無理もない。@ ;　今まで仲良く遊んでいた私が、@ある日、突然否定して、反魔法の毒で焼き尽くそうとしたのだ。@ `......It was only natural.`@ `I, who had played with him like a friend before,`@` had suddenly denied him and tried to burn him with the magic-resisting toxin.`@ br ;　怯えるのも無理はない……。\ `It was only natural that he was scared......`\ ld r,$ENJ_komaruA2,80 ;「謝るわ。@あの日のことを。@………マモンにも。@そしてみんなにも。」\ `"I apologize.`@` For that day.`@` .........To you too, Mammon.`@` And to the rest of you."`\ bg white,22 me1v 3,50 bg ship_S2b,22 ;　甲板の上に、……他の七姉妹たちも、いつの間にか揃っていた。@ `At some point, ......the rest of the Seven Sisters had gathered on the deck.`@ br ;　いや、いつだっている。@ ;　いつも側にいるのだ。@ `No, they are there at all times.`@ `Always by my side.`@ br ;　そこに居て良いと認めさえすれば、いつだって姿を現すのだ。\ `As long as I acknowledge that it's okay for them to be there, they will always appear.`\ ld c,$ENJ_NayamuA1,24 ;「あなたたちは確かに存在するわ。@ルシファーも。@レヴィアタンも。@サタンも。@ベルフェゴールも。@マモンも。@ベルゼブブも。@アスモデウスも。@……そしてさくたろうも。」\ `"You certainly do exist.`@` Lucifer.`@` And Leviathan.`@` And Satan.`@` And Belphegor.`@` And Mammon.`@` And Beelzebub.`@` And Asmodeus.`@` ......And Sakutarou too."`\ bg Ship_S2a,0 ld r,$RG1_komaruA2,23 ;「……よろしいのですか？@　縁寿さまはベアトリーチェさまに挑もうというお方。@…魔女を否定される立場にあられるお方が、我らを認めてもよろしいのですか？」\ ;＜ルシファ `"......Is that alright?`@` You are one who is challenging Beatrice-sama, Ange-sama.`@` ...Is it alright for one in a position of denying witches to acknowledge us?"`\ ld l,$ENJ_NayamuA1,24 ;「私の世界にとって、魔法が存在するかどうかは、悪いけど保留させてもらうわ。@/ `"About whether magic exists or not in my world, `@`sorry, but let me put that on hold. `@/ ;ld l,$ENJ_MajimeA1,80 ;私自身が魔法の存在を認めたわけじゃない。」@ ;＜縁寿 `It's not like I myself acknowledged the existence of magic."`@ ld c,$RG2_majimeA1,24 ;「……なのに、我らを認めるという矛盾は、どういうことです？」\ ;＜レヴィア `"......But then, what about the contradiction, of you acknowledging us?"`\ ld l,$ENJ_defA1,80 ;「魔法は、信じる人には存在する、ってことよ。@私が信じなくても。@誰かが信じたなら、その人の世界には魔法が存在するわ。\ `"Because magic exists for people who believe.`@` Even if I don't.`@` If someone believed, then magic will exist in the human world.`\ ld l,$ENJ_NayamuA1,80 ;　それは、私が魔法を信じたって信じなくたって、何の干渉も受けない。@いいえ、受けてはいけないのよ。@/ `That will not be interfered with in any way, whether I believe in magic or not.`@` No, it must not be interfered with. `@/ ld l,$ENJ_DefA1,80 ;その誰かは、胸を張って自らの魔法を信じればいいのよ。@そして私はそれを認める。@だから、あなたたちが存在しても、全然おかしくはないのよ。」\ `That person just had to hold their head up high and believe in their own magic.`@` I acknowledge that.`@` So even if you all exist, that isn't strange at all."`\ bg Ship_S2c,24 ld r,$RG3_hohoemiA2,24 ;「………なかなかの詭弁ですが、面白い解釈かと。」@ ;＜サタン `".........Quite a play on words, that...but it's an interesting interpretation."`@ ld l,$RG4_hohoemiA1,23 ;「縁寿さまのそれは、悪魔の証明そのものでしょう。」\ ;＜ベルフェ `"What you're saying, Ange-sama, is probably a Devil's Proof."`\ bg Ship_S2a,0 ld r,$ENJ_DefA1,23 ld r,$ENJ_fumanA2,80 ;「悪魔の証明……？」\ ;＜縁寿 `"A Devil's Proof......?"`\ ld l,$RG6_FumanA2,23 ;「だって！@　悪魔の存在を証明するには悪魔を連れて来れば良いけれどォ。」@ ;＜ベルゼ `"After all!`@` To prove the existence of demons you just need to bring one with you."`@ ld c,$RG7_AkuwaraiA1,23 ;「悪魔の存在を否定することだけは不可能だからァ。」\ ;＜アスモ `"But it's impossible to deny the existence of demons."`\ cl r,23 ld r,$RG5_waraiA1,24 ;「きゃっは！@　そして私たちはここにいる。@つまりそれは、縁寿さまが魔法を信じようと信じまいと、私たちの存在は揺るがないということ。」\ ;＜マモン `"Kyahha!`@` And we are here.`@` That means that whether Ange-sama believes in magic or not, our existence is unshakable."`\ bg ship_s2c,24 ld l,$SAK_DefA1,23 ;『……うりゅ？@/ `『......Uryu? `@/ ld l,$SAK_OdorokiA1,80 ;　縁寿から、/ ;!d800…………反魔法の毒が、/ ;!d900……消えていく……。』@ `The magic-resisting toxin, `/ !d800`.............is disappearing, `/ !d900`......from Ange......』`@ ld r,$RG5_KomaruA1,80 ;「ほ、本当だわ……。@……魔法を否定する立場なのに、……どうして……。」\ ;＜マモン `"Y, you're right......`@`......Even though you're in a position of denying magic, ......why......?"`\ ld c,$ENJ_fumanA2,24 ;「それは多分……。@……尊重し、認めるという心を知ったからだわ。@/ `"That's probably......`@`......because I learned what it's like to respect and acknowledge. `@/ ld c,$ENJ_defA1,80 ;今の私になら、……真里亞お姉ちゃんの、@……そしてベアトリーチェの魔法の深遠も、理解できるかもしれない。」\ `Right now, ......I might be able, `@`......to understand the depths of Maria onee-chan's, ......and Beatrice's magic."`\ ;　かつての私は、魔法など信じない、@あるはずがないと、まるで硬く目を瞑って何も見えないかのように振舞っているだけだった。@ `In the past, I didn't believe in things like magic.`@` Thinking something like that couldn't exist, I acted like I was closing my eyes tightly and couldn't see anything.`@ br ;　しかし、今の私は違う。@ ;　魔法というものをしっかりと見据えて、その本質に迫ることが出来る気がする……。\ `But now I'm different.`@ `I get the feeling I can look right at the thing called magic, and close in on its true nature......`\ bg white,23 bg ship_S2a,0 ld r,$RG3_DefA1,23 ld r,$RG3_FumanA2,80 ;「……惜しいわ。@この現代に、これだけ反魔法の毒素の抜けたニンゲンなんて本当に稀よ。@魔女に向いた、稀有な才能なのに。」\ ;＜サタン `"......How frustrating.`@` It's truly rare to find a human so free of the magic-resisting toxin in this day and age.`@` And she has such an uncommon genius for being a witch..."`\ ld l,$RG2_HohoemiA1,23 ;「そうね。@……今の縁寿さまが魔女を目指して下さったなら、@……ベアトリーチェさまに及ぶかもしれない大魔女に成長されたかもしれないのに。」\ ;＜レヴィア `"That's right.`@` .......If Ange-sama tried to become a witch right now,`@` ......she could grow to be a Great Witch, maybe even at Beatrice-sama's level."`\ ld c,$RG4_hohoemiA2,24 ;「それでも、我らの存在を認めて下さった、我らの主である。@……恐らく、縁寿さまが我らの最後の主となるだろう。@最後の奉公と思い、尽力しようではないか。」\ ;＜ベルフェ `"Even so, she has acknowledged our existence, and is our master.`@` ......Most likely, Ange-sama will be our final master.`@` Let us think of this as our final service, and apply ourselves to the fullest."`\ bg ship_S2c,24 ld l,$RG6_FumanA1,23 ;「……ぶー。@なのに、縁寿さま自身がまだ魔法を信じてくれないのが納得いかない〜。」@ ;＜ベルゼ `"......Ble-ah.`@` But I just can't sta~nd that Ange-sama still doesn't believe in magic herself."`@ ld r,$RG7_komaruA3,24 ;「……縁寿さまぁ、ついでに魔法も認めてくださいよ〜。@せっかくの主なのに魔女じゃないなんて、何だかもったいない〜。」\ ;＜アスモ `"......Ange-sama, please believe in magic to~o.`@` Feels like a waste to finally have a master and have it not be a wi~tch."`\ ld c,$RG5_KomaruA1,23 ;「最高の魔女になれる逸材なのに、その目的が魔女を討つことだなんて。@惜しいです。@/ `"Even though you have outstanding talent which could make you one of the greatest of witches, your goal is to attack witches.`@` It's so frustrating. `@/ ld c,$RG5_AkuwaraiA4,80 ;……ま、それも縁寿さまの人生で、生き方で、@そうと決めた世界ならば、それは私たちにとやかく口出し出来ることではないわけですが。」\ ;＜マモン `......Well, even so, that's your life, the way you live,`@` and in the world where you've decided that, there's nothing we can do to complain."`\ bg ship_S2b,0 ld l,$ENJ_waraiA2,23 ;「私を理解してくれて、ありがとう。@ `"Thanks for understanding me.`@ br ;　そうね、魔法が(私にとって/・・・・・)存在するかどうか。@それは私が決めることだわ。@世界のどこかに魔法が実在したとしても、しなかったとしても、ね。」\ ;＜縁寿 ;＜点処理：私にとって `Yeah, whether magic exists `(`to me`/・・・・)` or not,`@` that's up to me to decide.`@` Whether magic actually does exist somewhere in the world or not, you see?"`\ bg white,22 bg sky_1a,22 ;　思えば、世界というのは、何て広く、……そして狭いのか。\ `When I think about it, the world is so vast, .....and yet small.`\ ;　地球には何十億人もの人間が住んでいる。@ ;　でも私は、その内の１％の人とも出会うことはないだろう。@ `Billions of people live on the earth.`@ `But I probably won't meet even 1% of those people.`@ br ;　にもかかわらず、私は世界を語るだろう。@ ;　世界の１％すら知らずに、“私の世界”を。\ `Even so, I will speak of a world.`@ `'My world', which doesn't know even 1% of the world.`\ ;「私が知らない世界の法則を、私に否定する資格なんてない。@……だから私の世界に魔法が存在しないからといって、私の知らない世界に魔法が存在することまでを否定することは出来ない。@まさに悪魔の証明というわけだわ。@いえ、郷に入りては郷に従え、というべきかしら。」\ `"I'm not qualified to deny the laws of a world I don't know.`@` ......So just because magic doesn't exist in my world, I can't deny that magic exists in a world I don't know.`@` That makes it a true Devil's Proof.`@` No, maybe it's more like 'when in Rome, do as the Romans do'."`\ bg sea_1c,22 ;　自分の知る世界に自信を持っていい。@ ;　だから、自分の世界を知るはずもない赤の他人に否定されても、何も気にすることはない。@ `I can be confident in the world I know.`@ `So even if that is denied by a complete stranger who doesn't know a thing about my world, that's nothing to worry about.`@ br ;　そして同じように、自分が知らないからといって、@自分の知らない世界を否定する資格もないのだ。\ `And in the same way, just because I don't know something,`@` that doesn't make me qualified to deny a world I don't know.`\ bg ship_S2a,0 ld c,$ENJ_waraiA2,26 ld c,$ENJ_waraiA1,80 ;「だから。@私は、自分の世界に魔法があるかないかを問わずに。@……真里亞お姉ちゃんが教えてくれた魔法を、否定することなんて出来やしない。」@ `"Therefore.`@` Regardless of whether there is magic in my world or not,`@` ......I cannot deny the magic Maria onee-chan taught me."`@ cl c,0 ld r,$ENJ_waraiA1,0 ;se1 3 ld l,$SAK_WaraiA1,23 ;『うりゅ！@　だって、見たことがなくても。@……魔法は存在するんだもん！』\ `『Uryu!`@` After all, even if you've never seen it,`@` ......magic exists!』`\ ld r,$ENJ_waraiA2,80 ;「えぇ。@だから、すでに言っているとおり。@……魔女同盟、マリアージュ・ソルシエールの友人であるあなたたちの存在もまた、@私にも、そして誰にも否定することなんて出来ないわけ。」@ ;＜縁寿 `"Yes.`@` That's why, as I've already said,`@` ......you friends of the witches' alliance, Mariage Sorciere,`@` cannot be denied by me or anyone else."`@ br ;　一番重要なその一言を、私は重ねて宣言する。\ `I proclaimed the most important part again.`\ bg white,22 bg ship_S2b,22 ;　…………潮風と波を砕く音が賑やかなのに、静寂な時間。@ `.........Even though the sea breeze and crashing of the waves were noisy, it was a time of silence.`@ br ;　さくたろうも、煉獄の七姉妹たちも、……私の言葉を噛み締めている。@ `Both Sakutarou and the Seven Sisters of Purgatory, ......reflected upon my words.`@ br ;　そして、多分、私も。\ `And, probably, I did too.`\ ;　魔法が存在するかどうか。@ ;　魔女が存在するかどうか。@ `Whether magic exists.`@ `Whether witches exist.`@ br ;　私の世界における答えを不問にしながら、……私はその存在を認めるという矛盾を、これだけ堂々と宣言したのだから。\ `Because, ignoring what the answer would be for my world, ......I had proclaimed a contradiction so openly by acknowledging its existence.`\ bg ship_s2c,26 ld r,$SAK_waraiA2,24 ;『ありがとう、……縁寿。』@ `『Thank you, ......Ange.』`@ ld l,$RG4_hohoemiA1,23 ;「そこまでお認めになったなら、魔女もお認めになって……。@/ `"If you will acknowledge that much, acknowledge witches too......`@/ ld l,$RG4_FumanA2,80 ;…いえ、愚問でした。@その問いに対する答えを、すでに縁寿さまは明確にお持ちだ。」\ ;＜ベルフェ `...No, that was a foolish question.`@` You already have a clear answer to that question."`\ bg ship_S2a,23 ld r,$ENJ_waraiA1,23 ;「ごめんね。@魔女がこの世界のどこかにいるかもしれないことを、私は認めるけれど。@/ `"Sorry.`@` Although I do acknowledge that witches might exist somewhere in this world. `@/ ;ld r,$ENJ_FumanA1,80 ;でも私の世界は揺るがない。」\ `But that does not shake my world."`\ ld l,$RG5_hohoemiA1,23 ;「……魔女も魔法も、認めない。@六軒島の真実は、必ず暴いてみせる。@/ `"......You won't acknowledge witches or magic.`@` You'll definitely expose the truth of Rokkenjima. `@/ ld l,$RG5_AkuwaraiA1,80 ;……でしょ？」@ ;＜マモン `......Right?"`@ ld r,$ENJ_waraiA2,80 ;「えぇ。@それが私の世界よ。@/ `"Yes.`@` That is my world. `@/ ;ld r,$ENJ_MajimeA1,80 ;仮に本当に魔女が存在したとしても、私の世界では認めないわ。@当の魔女に、どれだけ言い寄られたとしてもね。」\ `Even if a real witch exists, I won't acknowledge it in my world.`@` No matter how much that witch tries to convince me."`\ bg ship_S2c,24 ld l,$RG1_fumanA2,23 ;「縁寿さまのお立場は魔女を討つこと。@/ `"Your position is to attack witches, Ange-sama. `@/ ld l,$RG1_hohoemiA1,80 ;……そしてそのお気持ちに些かの揺るぎもないこと、よくわかりましたっ。@我らは縁寿さまの家具、煉獄の七姉妹…！@　いつでもお側に。@お役に立てる日が来るのを、いつまでもお待ち申し上げております…！」\ ;＜ルシファ `......And I understand well that you have not the slightest wavering in that feeling.`@` We are your furniture, the Seven Sisters of Purgatory...!`@` We will always be by your side.`@` We will always be waiting for the day that we can be useful...!"`\ ld c,$RG2_akuwaraiA1,23 ;「縁寿さまが魔法を信じてくれない以上、話し相手くらいにしかなれないけれど。」@ ;＜レヴィア `"Although since you don't believe in magic, we can never be anything more than someone to talk to."`@ ld r,$RG3_HohoemiA1,23 ;「今は十分よ。@私たちに存在できる余地を残してくださった。@それだけで、私たちは縁寿さまに感謝し、認めるべきだわ。」\ ;＜サタン `"That's enough for now.`@` We've been left room to exist.`@` For that alone, we should thank and acknowledge Ange-sama."`\ cl l,24 ld l,$RG6_waraiA3,23 ;「つまり！@　私たちはァ！」@ ;＜ベルゼ `"In short!`@` All of u-s!"`@ cl r,23 ld r,$SAK_waraiA1,24 ;『また、みんなといられるんだね……。@/ `『Are all together again...... `@/ ld r,$SAK_WaraiA3,80 ;うりゅー！！』@ `Uryu-!!』`@ cl c,23 ld c,$RG7_WaraiA4,24 se1 3 ;「きゃーッ！！@　さくたろー！@　モフモフさせてぇえええぇ〜！！」@ ;＜アスモ `"Kya-h!!`@` Sakutaro-!`@` Let me squeeze youuuuuuuuu~!!"`@ br ;　感極まってさくたろうが涙を零すと、七姉妹たちがどっと押し寄せて彼を揉みくちゃにした。\ `When Sakutarou was overcome with emotion and tears came to his eyes, the Seven Sisters closed in and mobbed him.`\ ;　……彼女らも、久しぶりの再会を喜び合っているのだ。@ `......They were also celebrating a long-missed reunion.`@ br ;　その存在を許されたから、彼女らは確かにここに存在することが出来る。\ `If their existence is permitted, they are definitely capable of existing here.`\ ;　いや、私が許さなくたって、彼女らは存在出来るのだ。@ `No, even if I don't permit it, they can exist.`@ br ;　私が認めたから、彼女らは再会の喜びを、 `Because I acknowledged them, they ` br ;(私にも見せてくれた/・・・・・・・・・)のだ。\ ;＜点処理：私にも見せてくれた (`showed their reunion's joy to me as well.`/・・・・・・・・・・・・・・・)`.`\ bg white,23 ;　私はその光景を見守りながら、………私の旅にどんな意味があるのか、噛み締めていた。\ `As I watched over that scene, .........I reflected over what this journey of mine meant.`\ bg black,2 fede 10,3000 wait 2000 bg ship_S2a,0 ld r,$ENJ_DefA1,24 ;「………これで、みんなには許してもらえたかしら。」@ ;＜縁寿 `".........I wonder if everyone will forgive me this way."`@ ld l,$RG5_HohoemiA2,23 ;「充分ですよ。@私たちは家具。@呼び出してもらえるだけで。@お傍にいることを許されるだけで、嬉しいのですから。」\ ;＜マモン `"That is enough.`@` We are furniture.`@` Just being summoned,`@` just being allowed to be by your side makes us happy."`\ ld c,$SAK_WaraiA1,23 ;『うりゅ…！@　縁寿、本当にありがとう……！』\ `『Uryu...!`@` Ange, thank you very much......!』`\ ld r,$ENJ_FumanA2,80 ;「……そう言えば、どうして私にはさくたろうが呼び出せたのかしら。@/ `"......Come to think of it, why was I able to summon Sakutarou? `@/ ld r,$ENJ_NayamuA1,80 ;……いいえ、逆ね。@…どうしてお姉ちゃんには、さくたろうが呼び出せなかったのかしら。」\ `......No, it's the other way around.`@` Why wasn't Onee-chan able to summon Sakutarou?"`\ bg black,22 me2 16 ;　真里亞お姉ちゃんは、さくたろうは死んでしまったと思い、絶望した。@ ;　それはつまり、もうこうして召喚できなかったという意味だ。\ `Maria onee-chan had despaired, thinking that Sakutarou had died.`@ `Which meant she hadn't been able to summon him anymore, like this.`\ ;　召喚には依り代がある方が有利だと、かつてお姉ちゃんは言っていた。@ ;　しかし、依り代は補助輪のようなもので、絶対必要なものではないはず。@ `In the past, Onee-chan said it was more advantageous in a summoning to have a vessel.`@ `However, a vessel is like training wheels, and it shouldn't be absolutely necessary.`@ br ;　……つまり、さくたろうの依り代であるライオンのぬいぐるみが存在しなくても、召喚は可能のはず。\ `......In other words, even if the stuffed animal lion that was Sakutarou's vessel didn't exist, it should be possible to summon him.`\ ;bg Different_spiral_1a,22 ;　……いや、それを言ったら、@そもそも召喚物に、生死という概念があるのかさえ、少々怪しい。\ `......No, when you put it like that,`@` it's even a little doubtful whether things summoned are limited by life and death.`\ ;　増してや、真里亞お姉ちゃんにとってさくたろうは特に大切な友達のはず。@ ;　もう一度呼び出そうと努力できたはずだ。@ `Moreover, Sakutarou should have been an especially important friend to Maria onee-chan.`@ `She should have been able to strive hard to summon him one more time.`@ br ;　確かに依り代であるぬいぐるみ本体を引き裂かれたのは悲しいことだろうが、@なぜ“死んでしまっていて”、再召喚が出来ないのか……。\ `It certainly was sad that the original stuffed animal vessel had been torn apart,`@` but why did he 'die' and become impossible to summon again......?`\ fede 0,2000 bg ship_S2a,22 ld c,$SAK_OdorokiA1,23 bgm1 51 ;『…それは、/ ;!d800…真里亞があの時、ボクのぬいぐるみが破れたのを見て、@ボクが死んでしまったと `『...That's because, `/ !d800`...at that time, Maria saw my stuffed animal torn,`@` and ` br (`decided`/・・・・)` that I had died.』`\ ;br ;、(決めてしまった/・・・・・・・)から。』\ ;＜点処理：決めてしまった ld l,$RG5_KomaruA1,23 ;「魔法の存在と同じなんです。@……マリア卿の世界で、さくたろうが死んでしまったことになったなら、@彼女の世界ではさくたろうは存在できない。」@ ;＜マモン `"It's the same as the existence of magic.`@` ......If in Lady MARIA's world, Sakutarou has died,`@` then Sakutarou cannot exist in her world."`@ ld c,$SAK_nakuA1,80 ;『…………うりゅ……。』\ `『............Uryu......』`\ bg black,22 mono 1 bg sakutaro2a,22 ;　大好きだったぬいぐるみを引き裂かれたショックは、@無二の親友を二度と呼び出せないくらいの傷を、心に残してしまったのだ。@ `The shock of having her beloved stuffed animal torn apart...`@`had left a wound in her heart serious enough to prevent her from summoning her irreplaceable close friend.`@ br mono off bg blood_1b,22 ;　(真里亞お姉ちゃんにとって/・・・・・・・・・・・・)、さくたろうは死んだ。@ ;＜点処理：真里亞お姉ちゃんにとって (`In Maria onee-chan's eyes`/・・・・・・・・・・・)`, Sakutarou died.`@ br ;　だから、私にとってさくたろうがこうして存在出来ても、彼女の前では存在できない。\ `So even if Sakutarou can exist like this to me, he cannot exist before her.`\ bg black,22 bg ship_S2c,26 ld l,$SAK_nakuA1,23 ;『ボクは……いつも真里亞と一緒にいたんだよ……。@……泣いてる真里亞のすぐ近くで、泣かないでって、ずっと言ってたんだよ……。@……でも、真里亞にはボクの姿も、声も、……何も届かなくて……。』@ `『I......was always together with Maria......`@`......When Maria cried, I was always right beside her, telling her not to cry......`@`......But my form, my voice, ......nothing of me will reach Maria......』`@ br ;　さくたろうは悲しそうに俯く。\ `Sakutarou hung his head, looking sad.`\ ld r,$ENJ_NayamuA1,24 ;「……マリアージュ・ソルシエールは、あの事件の後、急に性格を変えていくの。@それまでの同盟は和やかなものだった。@/ `"......After that incident, the nature of Mariage Sorciere rapidly began to change.`@` Before then, the alliance was a peaceful thing. `@/ ld r,$ENJ_FumanA1,80 ;でも、事件後は、憎い誰かを如何にして呪うかという物騒なものばかり。@……お姉ちゃんの日記はあからさまに様変わりしていくの。」\ `But after the incident, it grew full of shadier things, focusing on how to curse people you hate.`@` ......Onee-chan's diary began to show a clear change."`\ bg black,25 bg book1,22 ;　日記はそのまま、自らの心を映し出す鏡。@ `A diary is a mirror that reflects one's heart as it is.`@ br ;　それは、真里亞という一人格が死に、@邪悪なる魔女としてのマリアという人格に生まれ変わったことを示すだろう。\ `It probably showed the personality called Maria die,`@` and be reborn as the evil witch personality MARIA.`\ ;　憎しみと悲しみで日記を埋める彼女の心は、……きっと、満たされていなかっただろう。@ `When she buried the diary in hatred and sadness, ......her heart surely was not satisfied.`@ br ;　満たされていなかったから、憎しみと悲しみで埋めざるを得なかったのだ。@ ;　そして満たされないまま、彼女は死を迎えた。\ `Because it wasn't satisfied, she had to bury it with hatred and sadness.`@ `And while still unsatisfied, she met with death.`\ bg black,22 ;　……満たされない彼女の魂は、今も悲しみで胸に穴を空け、@涙を零して、さくたろうの名を呼びながら彷徨い続けているのだろうか……。@ `......I wonder if her unsatisfied soul has a hole opened in its chest from sadness even now,`@` and continually wanders, tears dripping down and calling Sakutarou's name......`@ br ;　……………………………。\ `........................`\ bg ship_S2b,0 ld l,$SAK_KomaruA1,0 ld r,$ENJ_NayamuA1,2 ld r,$ENJ_komaruA3,80 ;「……………あなたが、……お姉ちゃんには必要なのよ。」@ `"............You, ......are needed by Onee-chan."`@ ld l,$SAK_OdorokiA1,80 ;『うりゅ………。』\ `『Uryu.........』`\ ld r,$ENJ_FumanA2,80 ;「どうしたらあなたを、真里亞お姉ちゃんの世界で蘇らせられるの？@　その方法がわかれば、私はお姉ちゃんを救うことが出来る。@/ `"What can I do to revive you in Maria onee-chan's world?`@` If I learn that method, I'll be able to save Onee-chan. `@/ ;ld r,$ENJ_DefA1,80 ;……それが、私に課せられた贖罪の方法なのよ。@どうすればさくたろうは蘇るの？」\ `......That is the method of atonement imposed upon me.`@` What can be done to revive Sakutarou?"`\ ld l,$SAK_nakuA1,80 ;『……真里亞にとって、ボクの依り代は特に重要な意味を持ってたから……。』@ `『......To Maria, my vessel had a very vital significance......』`@ ld r,$ENJ_FumanA1,80 ;「依り代。@……つまり、ライオンのぬいぐるみを、蘇らせることが出来れば。」\ `"The vessel.`@` ......In other words, if we could revive the lion stuffed animal..."`\ ld l,$SAK_OdorokiA1,80 ;『でも……。@……ボクのぬいぐるみは、楼座ママの手作りだから、楼座ママにしか作れない……。』\ `『But......`@`......Mama Rosa made my stuffed animal herself, so only Mama Rosa can make it......』`\ br ;　日記の中でも、真里亞お姉ちゃんはベアトリーチェにそれを求め、それを理由に断られている。@ `Even inside the diary, Maria onee-chan had asked this of Beatrice, and was refused for that reason.`@ br ;　たった一つの、手作りのぬいぐるみであることの、魔法的意味はとても大きいのだ。\ `The magical significance of a stuffed animal being unique and handmade is very large.`\ ;　なら、同じものをもう一度作れば……。@ `Then, if we could make the same thing once more......`@ br ;　しかし、楼座叔母さんはすでに他界している。@ ;　二度と同じものは作れない。\ `But Rosa oba-san is already gone from this world.`@ `We can't make the same thing again.`\ ld r,$ENJ_komaruA3,80 ;「……同じぬいぐるみをもう一つ作ってあったとか、そういうことはないの？」\ ;＜縁寿 `"......Was there ever another identical stuffed animal made, or anything like that?"`\ ld c,$SAK_OdorokiA1,0 ld l,$RG5_majimeA1,23 ;「彼は、マリア卿の誕生日プレゼントのために作られた、世界でたった一つのぬいぐるみ。@……手作りで、たった一つの依り代なんです。@だから、大きな魔力を秘めているんです。@/ `"He is a stuffed animal made for Lady MARIA's birthday present, and is the only one in the world.`@` ......A handmade and unique vessel.`@` So it conceals a great magical power. `@/ ld l,$RG5_KomaruA2,80 ;そして、……失われたら、もう二度と手に入らない。@蘇らない…。」@ ;＜マモン `And, ......if lost, it will not be obtained again.`@` It will not revive..."`@ ld c,$SAK_nakuA1,80 ;『………うりゅ………。』\ `『.........Uryu.........』`\ bg black,22 ;　……それを知っていたから、@真里亞お姉ちゃんは、その世界でたった一つのぬいぐるみを引き裂かれるのを見て、/ ;!d800………絶望したんだ。\ `......Because she had known that, `@`Maria onee-chan had watched that stuffed animal, which was unique in that world, be torn apart, `/ !d800`.........and despaired.`\ ;　買い直せばいいとか、そんな妥協を許さない、@世界でたった一つのぬいぐるみだからこそ、……心の底から絶望したんだ……。\ `Because it was a stuffed animal unique in the world,`@` and she couldn't allow a compromise such as buying another one, ......she had despaired from the bottom of her heart......`\ bg ship_S2a,0 ld c,$ENJ_DefA1,26 ld c,$ENJ_FumanA2,80 ;「……でも、さくたろうはここにいるわ。@依り代なんかなくてもここにいる。@私がそれを認めているから、私の世界では確かに存在する。@/ `"......But, Sakutarou is right here.`@` Even without a vessel, he's here.`@` Because I acknowledge that, he certainly exists in my world. `@/ ld c,$ENJ_FumanA1,80 ;………真里亞お姉ちゃんが認めなくても、それは否定できない。@そうよね…？」\ `.........Even if Maria onee-chan doesn't acknowledge him, that cannot be denied.`@` Right...?"`\ bg ship_S2b,0 ld r,$RG5_KomaruA1,24 ;「理屈ではそうですが。@……同じ理屈で、マリア卿にそれを認めさせることも、また困難かと思います。」@ `"Logically that's true,`@` ......but I think using the same logic to make Lady MARIA accept him could be difficult."`@ ld l,$SAK_nakuA1,23 ;『……真里亞………。@……ボクは死んでないよ…。@ここにいるのに………。@……うりゅ……。』\ `『......Maria.........`@`......I'm not dead...`@` I'm right here.........`@`......Uryu......』`\ bg black,23 me1v 3,50 bg ship_S2a,0 ld l,$ENJ_NayamuA1,23 ld l,$ENJ_DefA1,80 ;「きっと六軒島で。@……真里亞お姉ちゃんに私は再会できると思うの。@そして私は、……何が何でも、お姉ちゃんの中のあなたを蘇らせて、再会させるわ。」\ `"I'm sure that on Rokkenjima,`@` ......I'll be able to be reunited with Maria onee-chan.`@` And, ......no matter what, I will revive the you that's inside Onee-chan, and let you be reunited."`\ ld r,$SAK_OdorokiA1,24 ;『出来るの……？』@ `『Can you do it......?』`@ ld l,$ENJ_FumanA2,80 ;「難しいでしょうね。@……魔女同盟に誘われた私が、意味を理解できず拒絶してしまったのと同じように。@彼女もまた、あなたの存在を拒絶するかもしれない。\ `"It will probably be hard.`@` ......Just like how, after being invited into the witches' alliance, I rejected it without understanding what it meant,`@` she might also reject your existence.`\ ld l,$ENJ_komaruA3,80 ;　………でも、やるしかないわ。@それが私に出来る、唯一の罪滅ぼしなのよ。」@ `.........But, I've got to do it.`@` That's the only way I can atone for my sins."`@ ld c,$RG5_KomaruA1,24 ;「…………縁寿さま……。」\ `"............Ange-sama......"`\ bg black,2 me2v 5,50 bg sky_3a,22 ;「六軒島で何が待つのか。@そして何が起こるのか、何が出来るのか。@……あるいは何も起こらないのかもしれないけれど。」@ `"What is waiting on Rokkenjima?`@` And what will happen, what will be created?`@` ......Although maybe nothing will happen."`@ ;『……………………。』\ `『........................』`\ ;「全ての始まりであるあの島こそが、この旅の終着点なのよ。@………私はあなたたちを連れて、魔女の家具であるあなたたちの主として、@ `"That island, which was the beginning of everything, is the final destination of this journey.`@` .........I will bring all of you, and as your master, furniture of the witch, `@ br ;　……魔女の島へ、六軒島へ `......`(`I have to return`,/・・・・・・・・)` br ;　(帰らなければならない/・・・・・・・・・・)。」\ ;＜点処理：帰らなければならない `to the witch's island, to Rokkenjima."`\ fede 1,3000 wait 1000 ;　あんなに日差しが強かったのに、いつの間にか雲が垂れ込めている。@ ;　頬に当たる飛沫は、波を砕いたものだけではないかもしれない。\ `Even though the rays of the sun had been so strong, at some point clouds had started to hang down.`@ `The spray that hit my cheek might not all have come from crashing waves.`\ bg black,22 bg ship_S2c,26 ld r,$AMA_DefA1,24 ;「縁寿さん。@軽く一雨来そうですぜ。@下へ降りた方がいいんじゃないですか？」@ ;＜天草 `"Ange-san.`@` It looks like a light shower is coming.`@` Shouldn't you be going down?"`@ br ;　天草が、まだいたんですかという表情で声を掛けてくる。\ `Amakusa called out to me, with an expression that said 'oh, you're still here?'.`\ ;　気付けば、島影がだいぶ大きくなってきていた。@ ;　もうじき到着なのかもしれない。\ `When I looked up, I saw that the island's silhouette had gotten much larger.`@ `We might reach land very soon.`\ bg sky_3a,25 ;　天気予報で、時折雨粒が混じると言っていたのを思い出す。@ `I remembered that the weather report had mentioned scattered rains.`@ br ;　空も、雨雲というほどは暗くない。@ ;　ひと時だけのものだろう。\ `The sky wasn't dark enough for rain clouds.`@ `It'll probably be just for a short time.`\ ;　気にするほどでない小雨であっても。@ ;　……島に近付いたら雨が降り出したというのに、何か運命を感じずにはいられない。\ `Even if the rain was light enough not to be a bother...`@ `......Having rain start to fall as we approached the island felt like some kind of fate.`\ ;　１９８６年１０月４日も、雨が降っていただろう。@ ;　私は距離的な意味だけでなく、……あの日の六軒島に近付きつつあるのだ……。\ `It was raining on October 4, 1986 as well.`@ `I am approaching the Rokkenjima of that day, ......and not just in distance......`\ bg black,26 E_M2 bg ship_s3c,22 ;　私は天草と一緒に下に戻る。@ `I went back down with Amakusa.`@ br ;ld c,$AMA_DefA2,24 ;　天草は、やたらと大きくて重そうなゴルフバッグみたいなものを担いでいた。@ `Amakusa was carrying what looked like a quite large and heavy golf bag.`@ br ;　天草と別行動した日に、どこぞから持ってきたものだ。@ ;　……中身を詮索はしないが、平和的なものであるとは想像し難い。\ `It was something Amakusa had brought back from a day when we had split up.`@ `......I didn't inquire as to its contents, but it's hard to imagine that they're anything peaceful.`\ bg ship_s3a,23 ld l,$ENJ_FumanA2,23 ;「………中身は敢えて聞かないけど、重そうね。」\ `".........I won't go so far as to ask what's inside, but it looks heavy."`\ ld r,$AMA_DESU,24 ;「どうしてこう、こいつらは重くて敵わないのか。@フランス人の教官が面白いことを教えてくれました。@/ `"Why is it that these are so heavy?`@` A French instructor taught me something interesting about that once. `@/ ld r,$AMA_MajimeA1,80 ;何でも、こいつらは重くあるべきだそうなんです。@………何しろ、人の命は地球より重いんですから。@こいつらはもっと重くて然るべきなんだとか。」\ `He said that these always should be heavy.`@` .........After all, a human life is heavier than the world.`@` So these should be even heavier."`\ ld l,$ENJ_NayamuA1,80 ;「………使う機会がないといいわね。」@ `".........It'll be nice if you don't have a chance to use them."`@ ld r,$AMA_defA1,80 ;「ないといいですなぁ。」@ `"That would be nice."`@ br ;se1v 13,100 ;quakey 5,1500 bg black,1 ;　ズシリと、天草はゴルフバッグ風の荷物を傍らに置くのだった。\ `Amakusa set the golf bag-like luggage down beside him.`\ textoff me5v 1,0 fedexx 0,0,0,0,0,85,5000 wait 1000 bg black,5 wait 2000 bg airp_w1c,2 wait 1000 bg airp_w1b,22 wait 1000 bg white,24 bg airp_o2b,24 ;■新島空港 ;　滑走路に双発プロペラ機が降り立つ。@ ;　天候の都合上、快適な空の旅とは言えなかったに違いない。@ ;　この便以降は、天候調整中になっていた。\ `A two-propeller aircraft touched down on the runway.`@ `With the weather in these conditions, it could not have been a pleasant flight.`@ `Everything after this flight had been suspended due to the weather.`\ bg black,22 E_A se1v 28,100 se2v 28,100 bgm1v 86,90 bg air_i2a,26 ld c,$KAS_waraiA1,4 ;　小雨を肩で切り裂きながら滑走路を横断し、黒服２人を護衛に連れた須磨寺霞がロビーに入る。@ `Cutting through the drizzle as she traversed the runway, Sumadera Kasumi entered the lobby with two black-suits as guards.`@ br ;　ロビー内で待機していた黒服４人が立ち上がり、うやうやしく頭を垂れて迎えた。\ `The four black-suits who had been waiting inside the lobby stood up and respectfully lowered their heads in salute.`\ bg air_i2b,24 ;「「「お疲れ様です…！」」」@ `"""Kasumi-sama...!!"""`@ ld r,$KAS_akuwaraiA1,24 ;「プロペラ機ってのは揺れるわねぇ……。@二度と乗りたくないわ。」\ `"Propeller planes sure do shake......`@` I wouldn't want to ride one again."`\ ;「お車を用意しております！@　どうぞこちらへ。」@ `"We have a car prepared!`@` Please, this way."`@ br bg black,24 ;　レンタルした高級車２台に、彼らは分乗していく…。\ `They went into two luxury cars that had been rented...`\ me1v 30,90 bg car_i1a,26 ;「……縁寿は六軒島へ向かうはずよ。@無人島とは、実に都合が良いわね。@………お道具は、用意できてるんでしょうね？」@ ;「は……！」\ `"......Ange should be heading for Rokkenjima.`@` A deserted island would be truly convenient.`@` .........You are preparing the tools, correct?"`@ `"Yes Ma'am......!"`\ ;se1 15 bg black,66 ;　助手席の黒服が、足元に置いていたずっしりと重いバッグを膝に上げ、@そのチャックをがばっと開き、中身を霞に見せる。\ `The black-suit in the passenger seat put a heavy bag that had been set by his feet onto his lap,`@` opened the catch with a *click*, and showed Kasumi what was inside.`\ me2v 17,80 ;　中には、アルミホイルで厳重に包まれた銀色の塊がごろごろと入っていた。\ `Inside were several silver lumps of carefully wrapped aluminum foil.`\ ;　……そのひとつを剥いて見せる。@ `......He peeled one open to show her.`@ br ;　黒く無骨な自動拳銃が、顔を覗かせた……。\ `A black, blunt automatic pistol peeked its face out......`\ ;▲第１０アイキャッチ　時計２１時４８分から動かず wait 2000 eye2 21,48,21,48,1,0,510,340,25 *Umi4_11 mov %play_scene,40175 : mov %r_hyouji_side,0 mov %grim_scene,406 gosub *MAR_Isyou1 gosub *ENJ_Isyou1 textoff ;テロップ se1v 28,100 bg oct_4_1986,22 wait 3000 me1 13 me2 5 bg black,22 ;■六軒島。@すでに台風。@そして薔薇庭園 dllefe 1,1 ;bg sky_3a,6 wait 2000 bg black,22 bg rose_1aN,26 ;　時間は、もう夜の１０時を間近としている。@ ;　すでに台風は六軒島を包み込んでいた。@ `It was already approaching 10:00 at night.`@ `By now, the typhoon had wrapped itself around Rokkenjima.`@ br ;　昼間、あれだけの美しさを見せてくれた薔薇庭園も、@今は暴風に耐え、その花を飛ばされまいとうねり、必死の抵抗を続けている…。\ `Even the rose garden that had looked so beautiful midday,`@` was beaten down upon by the fierce winds and resisted with all its might, undulating and trying to keep the flowers from blowing away...`\ bg black,24 bg garden_1cN,24 ;　そんな薔薇庭園を、紗音を先頭に、傘を差した戦人、朱志香、眠っている真里亞を背負う譲治がゲストハウスへ向かっていた。\ `In that rose garden, with Shannon in the lead, Battler, who was holding up an umbrella, Jessica, and Maria who was sleeping on George's shoulder were heading for the guesthouse.`\ bg garden_1bN,23 ld r,$BUT_DefA2,24 ;「ゲストハウスくらい、俺たちだけでも行けるってのに。@いいんだぜ、紗音ちゃん、戻って休んでてくれよ。」@ ;＜戦人 `"We can at least make it to the guesthouse from here.`@` Shannon-chan, it's fine, you should go back and rest."`@ ld l,$SHA_tokuiA1,23 ;「いいえ、お送りするのも仕事ですので…。」\ ;＜紗音 `"It's fine, because seeing you off is also my duty...."`\ bg garden_1aN,0 ld c,$JES_atyaA1,23 ;「親族会議中は、うちの母さんとか源次さんもぴりぴりしてるからなー。@下手に私たちが気を利かせると、紗音がサボってると勘違いされちゃう。」@ ;＜朱志香 `"The family conference is going on inside, and Mom and Genji-san are probably getting stressed.`@` If we keep you, they'll misunderstand and think you were being lazy."`@ ld r,$GEO_WaraiA1,24 ;「そうだね。@素直にお世話になった方が、むしろ迷惑を掛けないだろうね。@/ `"That's right.`@` Just graciously accepting our offer might be the best way to avoid burdening people. `@/ ld r,$GEO_HohoemiA1,80 ;…ありがと、紗音。」\ ;＜譲治 `...Thank you, Shannon."`\ bg garden_1bN,0 ld l,$SHA_WaraiA1,24 ;「いいえ。@……確かにお嬢様の仰られますとおり、今日のお屋敷はぴりぴりしています。@/ `"Not at all.`@` ......Certainly, as Milady has said, it is very tense inside the mansion today. `@/ ld l,$SHA_TokuiA1,80 ;だから、私も皆さんとご一緒して外の空気が吸えるので、ちょっと肩が楽です。」\ ;＜紗音 `Therefore, coming with all of you allowed me a breath of fresh air, and I have been able to relax a bit."`\ ld r,$BUT_NayamuA1,24 bgm1 18 ;「親族会議、か。@………わざわざ俺たち子どもを追い出すくらいだから、相当、性質の悪い話をするんだろうぜ。」@ ;＜戦人 `"The family conference, huh.`@` .........They went to all the trouble of chasing us kids out, so they're probably talking about something ill-natured."`@ cl l,24 ld l,$GEO_KomaruA1,23 ;「だろうね。@僕たちはきっと、何の力にもなれない。@せめて邪魔をしないようにするのが、一番の協力だと思うよ。」\ ;＜譲治 `"Probably.`@` I'm sure there's nothing we can do to help out.`@` Just trying to stay out of their way is probably the best way for us to be useful."`\ bg garden_1aN,0 ld r,$JES_komaruA1,23 ;「へ……！@　どうせまた、カネカネカネ！って話だろうぜ。@/ `"Heh......!`@` I'm sure they're just talking about 'money money money!'. `@/ ld r,$JES_AtyaA2,80 ;…普段、さんざん金持ちだと吹聴してるくせに、いざとなったらもったいぶりやがる。@ぱーっと気前良く、みんなで山分けすりゃあいいのによ。」\ ;＜朱志香 `...Even though they act like they're so rich most of the time, when it gets tough, they all start getting pushy.`@` Why don't they just be graceful and split it evenly between everyone?"`\ ld l,$BUT_WaraiA2,23 ;「いっひっひ。@そりゃあ豪快な話だぜ。@俺にも分け前がもらえりゃいいのによ。@/ `"Ihihi.`@` That'd be awesome.`@` It'd be nice if I got a share too. `@/ ld l,$BUT_WaraiA1,80 ;もし俺にももらえたら、そん時ゃ紗音ちゃんにも分けてやるからなー。」@ ;＜戦人 `Since if I got some too, I'd split it with Shannon-chan right away."`@ ld c,$SHA_WaraiA3,24 ;「ど、どうもありがとうございます…。@お気持ちだけで嬉しいです。」\ ;＜紗音 `"Th, thank you very much....`@` Well, I appreciate the sentiment."`\ ;bg black,24 ;dllefe_off E_B ;dllefe 1,1 bg garden_1cN,0 ld r,$GEO_WaraiA1,24 ;「紗音は欲がないね。@年頃の女の子なら、買いたいものがいっぱいあるだろうに。」@ ;＜譲治 `"Shannon isn't greedy at all.`@` Normally, girls of your age would have tons of things they want to buy."`@ ld l,$SHA_DefA1,23 ;「そうですね。@でも私、欲しいものの中に、お金で買えるものがありませんので。」\ ;＜紗音 `"I guess.`@` But none of the things I want can be bought with money."`\ bg garden_1aN,0 ld r,$BUT_FutekiA1,23 ;「ひゅう！@　無欲だな！@/ `"Ooh!`@` How unselfish! `@/ ld r,$BUT_WaraiA2,80 ;　俺なんか、欲しいモン全部並べたら、金がいくらあっても足りねえぜ。」\ ;＜戦人 `If you lined up all the things I wanted, all the gold in the world wouldn't be enough."`\ ld c,$JES_waraiA1,23 E_MA ;「お金で買えるものには、だぜ。@/ `"That's if you're talking about things that can be bought with money. `@/ bgm1 21 ld c,$JES_AkuwaraiA1,80 ;紗音の言う、金で買えない欲しいモノって何かなぁ〜。@譲治兄さんは心当たりあるぅ？」\ ;＜朱志香 `I wonder what these 'things that can't be bought with money' that Shannon wants a~re.`@` Do you have any idea, George nii-san?"`\ bg garden_1cN,0 ld r,$GEO_hohoemiA1,0 ld l,$SHA_WaraiA3,22 ld r,$GEO_waraiA1k,80 ;「さ、さぁ、何だろうねぇ？@　紗音じゃないとわからないねぇ。」@ ;＜譲治 `"W, well, I wonder.`@` I'm not Shannon, so how could I know?"`@ ld l,$SHA_HajiraiA2,80 ;「わ、…私にもわかりませんっ。」@ ;＜紗音 `"I, ...I don't know either."`@ br ;　譲治と紗音は顔を赤くして俯く。\ `George and Shannon looked down with their faces red.`\ ;　戦人も事情は聞いていたので、朱志香が何を言ってからかっているのか理解できた。\ `Battler had also heard the details, so he knew what Jessica was teasing them about.`\ bg garden_1bN,23 ld c,$BUT_DefA2,22 ;「譲治の兄貴は、俺にとっても尊敬できるお人だ。@紗音ちゃんは、本当にいい人と巡り会えたと思うぜ。」@ ;＜戦人 `"George-aniki is a person I respect as well.`@` I think you've met up with a really great person, Shannon-chan."`@ ld l,$JES_WaraiA1,80 ;「だな。@私も、譲治兄さんなら安心して紗音を任せられるぜ。」\ ;＜朱志香 `"Yeah.`@` I also feel relieved that we can leave Shannon to George nii-san."`\ ld r,$GEO_KomaruA4,24 ;「か、からかうのは止してくれよ。@僕たちにとっては真面目な問題なんだ。@/ `"St, stop teasing.`@` It's a serious issue for us. `@/ ld r,$GEO_WaraiA1k,80 ;それより、朱志香ちゃんの方だってどうなんだい？@　嘉音くんと、少しは仲良くなれたのかい？」@ ;＜譲治 `More importantly, what about you, Jessica-chan?`@` Have you been able to get a little closer to Kanon-kun?"`@ ld l,$JES_TereruA2,0 ld c,$BUT_OdorokiA2,80 ;「えええぇええぇ！@　お前、嘉音くんとそういう仲なのかよー？！」\ ;＜戦人 `"Whaaaaaaaaat?!`@` So, you and Kanon are like that?!"`\ ld l,$JES_TereruA1,80 ;「え、たっ、とっと！！@　き、汚いぜ、譲治兄さん、そういう話の切り返し方は汚いぜー！」\ ;＜朱志香 `"Ah, um, well!!`@` Th-, that's dirty, George onii-san, twisting the conversation around like that is dirty!"`\ bg black,22 dllefe_off me1v 12,0 fedexx 0,70,0,0,0,0,3000 E_B dllefe 1,1 bg rose_G1aN,22 ;　そんな甘酸っぱい話に花を咲かせながら、@戦人たち子ども４人は、ゲストハウスに向かっていくのだった……。\ `As they had an animated discussion with ups and downs,`@` the four kids headed for the guesthouse.......`\ ;　年に一度の親族会議は、右代宮家にとってとても重要なものだが、@今年の親族会議は特に重要なものらしかった。@ `The annual family conference was extremely important to the Ushiromiya family,`@` and this year seemed like it was going to be especially important.`@ ;www br ;　何でも、当主の金蔵から直々に、極めて重大な発表があるらしく、@大人以外は全員、屋敷から出て行くように厳命されたのだ。\ `Apparently, the family head, Kinzo, was personally going to be making a very serious announcement,`@` and everyone other than the adults had been strictly ordered to leave.`\ bg black,25 dllefe_off ;　戦人は６年間、親族会議にかかわらなかったからピンと来なかったが、@朱志香に言わせると、今夜はかなり緊張した空気があるらしく、@例年のそれとはまるで違う様子だという。\ `Battler hadn't attended the family conference in six years, so he didn't really notice,`@` but according to Jessica, there seemed to be a very tense atmosphere tonight,`@` completely different from a normal year.`\ ;　……常識的に考えて、余命幾ばくの金蔵が、@当主の継承や財産の相続などについて、何か重大な発表をしようとしていることは明白だった……。\ `......Common sense made it clear that Kinzo, whose remaining life was short,`@` was going to make some big announcement about the succession of the head and the distribution of his fortune......`\ ;■メタ視空間 mov %play_scene,40175 : mov %r_hyouji_side,1 se1 56 mset mld r,$BUT_NiramuA3,24 ;「しかし驚いたな。@………まさか、本当に祖父さまが登場するとは……。」@ ;＜戦人 `"But I'm suprised.`@` .........To think that Grandfather actually made an appearance......."`@ mld c,$ENJ_NayamuA1,24 ;「……なるほど。@これが魔女の反撃というわけね。」\ ;＜グレーテル `"......I see.`@` So, this is the witch's counterattack."`\ bgm1 44 mcl c,0 mld l,$BEA_AkuwaraiA1,23 ;「くっくくくく！@/ `"*cackle*cackle*cackle*! `@/ mld l,$BEA_futekiA1,80 ;　金蔵というジョーカーはもう少し伏せていたかったところだが、そろそろ切るのが頃合であろう。@切り札は切るためにある。@くっくっくっく！」\ `I wanted to leave the Joker called Kinzo face-down a little longer, but it's probably about time to turn it over.`@` Trump cards exist to be used.`@` *cackle*cackle*!"`\ mld r,$BUT_KuyasigaruA1,80 ;「くそ。@祖父さまは最初から死んでて、その代わりに謎の１８人目が紛れ込んでるっていう俺の推理は、@……ここに来ていきなりバッサリってわけか。」\ ;＜戦人 `"Damn.`@` My theory that Grandfather was dead since the beginning, and a different 18th person had snuck in,`@` ......is now suddenly torn apart."`\ mld l,$BEA_futekiA2,80 ;「いつかはそなたが金蔵を疑いに来ることは読めておったわ…！@　さぁさぁ、これでそなたの推理は再びゼロに戻ったぞ？\ `"I had foreseen that you would begin to doubt Kinzo eventually...!`@` Alright, now your reasoning has all gone back to square one again, right?`\ mld l,$BEA_AkuwaraiA3,80 ;　金蔵は最初から死んでいて、その代わりに妾が１８人目として紛れ込んでいたという推理は、これでパーだ！@　くーっくっくっくっく！！」\ `With this, your theory that Kinzo was dead at the very beginning and I was hiding as the 18th person goes poof!`@` *cackle*cackle*cackle*!!"\ mld r,$BUT_NiramuA1,80 ;「………くっそう…。@だが挫けねぇぞ。@/ `".........Fuck...`@` But no way I'll lose heart. `@/ mld r,$BUT_MajimeA2,80 ;ひとつの推理が外れただけだ。@嵐のように、暴風のように襲い掛かってやる……。」\ ;＜戦人 `That's only one theory gone.`@` I'll attack you like a storm, like a tornado......."\ mld l,$BEA_WaraiA2,80 ;「くっくっくっく！@　そうでなくてはな、そうでなくてはな！@/ `"*cackle*cackle*!`@` I'd have it no other way! `@/ mld l,$BEA_FutekiA2,80 ;　まだまだ第一の晩さえ始まっていないぞ。@屈服にはあまりに早過ぎる。」\ ;＜ベアト `Even the first twilight has not yet begun.`@` It is far too early to give up.`"\ mcl a,0 mld r,$ENJ_nayamuA1,23 ;「そうね。@そして、赤い真実で否定されたわけでもない。@………今この瞬間の時点で、まだ戦人の説は破られたわけではない。@勝ったつもりになるのも、早過ぎるわよ。」\ ;＜グレーテル `"That's right.`@` And, it's not like it was denied with the red truth.`@` .........At this point in time, Battler's theory hasn't been defeated.`@` It's too early to say that you've won."`\ mld l,$BUT_NayamuA1,23 ;「ん、そうだな。@……確かにあっさり鵜呑みにするにはまだ早いな。@…祖父さまがいよいよ登場する、ということにはなってるが、@やっぱり体調が悪くなった云々言って、現れない可能性だってある。\ `"Yeah, that's right.`@` ......It's still to early for me to simply swallow her story.`@` ...Grandfather is supposed to finally appear, `@`but there's a chance that he'll talk about how his health has gotten worse and not appear after all.`\ mld l,$BUT_komaruA3,80 ;　……祖父さまは本当は死んでいるという事実を、@蔵臼伯父さんがぎりぎりまで苦し紛れで引き伸ばしているだけかもしれない。」\ ;＜戦人 `......Krauss oji-san might be trying desperately to hide the fact that Grandfather really is dead until the last second."`\ mcl a,24 mld c,$BEA_futekiA1,23 ;「は…！@　なるほどなるほど、そういう考え方もあるか。@/ `"Ha...!`@` I see, I see, you could also think of it that way. `@/ mld c,$BEA_AkuwaraiA1,80 ;好きにするが良い。@すぐに決着する。@すぐにな…。@くっくっくっく……！」\ `Do as you please.`@` It will be resolved soon.`@` Very soon...`@` *cackle*cackle*......!"`\ se1 21 textoff mend fede 1,3000 wait 1000 dllefe 1,1 bg M_o1aN,22 wait 2000 bg black,5 dllefe_off bg Mdin_1eN,2 me1v 13,50 ;■食堂 mov %play_scene,40175 : mov %r_hyouji_side,0 ;　食堂には、親族たち全員と南條の姿があった。\ `All of the relatives and Nanjo could be seen in the dining hall.`\ bg Mdin_1cN,0 ld r,$NAN_DefA1,24 ;　南條はひとり、窓から静かに外の風雨を眺めていた。\ `Nanjo sat alone, quietly watching the wind and rain outside.`\ bg Mdin_1aN,0 ld r,$KLA_DefA1,0 ld l,$NAT_defA1,23 ;　蔵臼は自分の序列の席に座り、夏妃がその脇にじっとしている。@ `Krauss sat down in the seat of his own rank, with Natsuhi standing motionlessly at his side.`@ br ;　それ以外の兄弟たちは、長いテーブルの反対側辺りに集まり、ひそひそと囁き合っていた……。\ `The other siblings were gathered at the opposite end of the long table, whispering to each other.......`\ bg black,24 bg Mdin_1dN,0 ld r,$RUD_komaruA1,24 ;「……そりゃ、本当か。」@ ;＜留弗夫 `"......Is that true?"`@ ld l,$ROS_KomaruA2,23 ;!s0「えぇ。@……真里亞は、傘をくれた人物を、/ !s0`"Yes.`@` ......Maria said...the person who gave her the umbrella`/ me2v 16,50 ;!d1000……お父様だと言うのよ。」/ !d1000`......was Father."`/ !sd\ ;＜楼座 bg Mdin_1c,0 ld c,$HID_KomaruA1,23 ;「何ちゅうことや…。@ということはつまり、わしらの作戦は根底から崩れたっちゅうわけか…！」@ ;＜秀吉 `"What in the world...?`@` In other words, our strategy has collapsed from the roots...!"`@ ld r,$EVA_komaruA4,24 ;「作戦も何も。@お父様が健在で、自ら発表があると言った以上、もう兄さんとの下らない駆け引きは一切不要だわ。」\ ;＜絵羽 `"Not just our strategy.`@` Since Father is healthy and has said that he will make an announcement himself, our trivial bargaining with Nii-san was completely pointless."`\ ld l,$RUD_NayamuA1,23 ;「だな。@/ `"Yep. `@/ ld l,$RUD_AkuwaraiA1,80 ;……クソ親父め。@もったいぶらずにとっとと現れてくれりゃ良かったんだ。@お陰で俺たちは兄貴と無駄に揉めただけだ。」\ ;＜留弗夫 `......That old bastard.`@` Why couldn't he have just shown himself right away without making a show of it?`@` Thanks to that, we've just been quarreling with Aniki uselessly."`\ bg Mdin_1dN,0 ld c,$KIR_MajimeA1,24 E_MA ;「…………それを試したかったのかもね？@/ `"............Don't you think he may have wanted to test us? `@/ ld c,$KIR_KomaruA1,80 ;　血のつながってない私が言うのも何だけど、あなたたちのお父様、かなり頭はいいわよ？」\ ;＜霧江 `Maybe I'm not one to talk, since we aren't related by blood, but your Father is very intelligent, correct?"`\ bgm1 20 bg Mdin_1gN,25 ;「日中のやりとりは多分、使用人の誰かに聞かれて、お父様に報告されてたのよ。@………何てこと。@お父様の遺産が目当てで騒いでることは、もうバレバレってことじゃない…。@………あぁ、何てことよ…。」@ ;＜絵羽 `"Our arguments during the day were probably overheard by one of the servants, and reported to Father.`@` .........Incredible.`@` The fact that we were making a fuss with Father's inheritance as our goal is now right in the open...`@`.........Ah, just incredible..."`@ br ;　絵羽は頭を抱えて、らしくもなく消沈する。\ `Eva uncharacteristically held her head, dejected.`\ ;　霧江の言うとおり、これが最初から金蔵の目論見どおりで、@自分たちの本心を探り出すための、一年以上を掛けた大仕掛けだったとしたならば、@自分たちはまんまと引っ掛かったことになる…。\ `If, as Kyrie had said, everything had been going according to Kinzo's plans from the beginning,`@` and if this was a huge setup that had been kept up for over a year, trying to find the siblings' true intentions,`@` then they had fallen for it completely...`\ bg Mdin_1eN,26 ld r,$HID_fumuA1,24 ;「……お父さんの耳に入ったと、まだ決まったわけやない。」\ ;＜秀吉 `"......Still don't know for sure whether it's reached Father's ears or not."`\ ld l,$EVA_odorokiA2,23 ;「いいえ、入ってるに決まってるわ！@　……兄さん以外の全員が、お父様は死んでいると言い切り、お父様の健在を信じなかった…！@/ `"No, it definitely has!`@` ......Everyone but Nii-san claimed that Father was dead, and none of us believed in Father's good health...! `@/ ld l,$EVA_KomaruA4,80 ;　あぁ、もう終わりだわ……。@……お父様は宣言するのよ。@兄さんこそが跡継ぎで、私たちには片翼を身にまとう資格もないと宣告するのよ……。@/ `Aaah, it's already over.......`@`......Father will make an announcement.`@` Nii-san will become the successor, and he will say that we aren't even qualified to wear the One Wing.......`@/ cl l,25 ;!s0……あぁ、私は…………。」/ !s0`......Oooh, I............"`/ ;se1 13 ;quakey 4,800 !sd\ ;＜絵羽 ld c,$ROS_aseruA1,24 ;「姉さん……、しっかり……。」\ ;＜楼座 `"Nee-san......, get ahold of yourself......."`\ bg Mdin_1cN,23 ld r,$KIR_NayamuA1,24 ;「……楼座さん。@真里亞ちゃんは本当に、お父様に傘をもらったのかしら？」@ ;＜霧江 `"......Rosa-san.`@` I wonder whether Maria really received that umbrella from Father."`@ ld l,$ROS_komaruA3,23 ;「え？@　どういう意味……？」\ `"Huh?`@` What do you mean......?"`\ ld r,$KIR_MajimeA1,80 ;「……真里亞ちゃんはお父様に会ったかもしれない。@でも、私たちは会ってないわ。@/ `"......Maria-chan might have met Father.`@` However, we haven't met him. `@/ ld r,$KIR_NayamuA1,80 ;真里亞ちゃんがそうだと主張しているだけよ。」@ ;＜霧江 `Maria-chan only claims to have met him."`@ ld l,$ROS_ikariA1,80 ;「そんな……。@……真里亞が嘘を吐いているというの？！」\ ;＜楼座 `"What are you saying.......?`@` ......Are you saying that Maria is telling a lie?!"`\ ld c,$RUD_odorokiA1,24 ;「落ち着けよ、楼座。@……真里亞ちゃんが嘘を吐くとは言ってねぇ。@だが、真里亞ちゃんは素直な子だろ？\ `"Calm down, Rosa.`@` ......Maria-chan didn't necessarily lie.`@` However, isn't Maria-chan an innocent child?`\ ld c,$RUD_AkuwaraiA1,80 ;　……例えばだが、源次さん辺りが、“この傘はお祖父さまから真里亞さまに渡すように言われました”みたいなことを言ったら、@真里亞ちゃんは親父に会ったわけでなくても、お祖父さまに傘をもらったーって言うかも知れねぇぜ？」\ ;＜留弗夫 `......For example, if Genji-san came up to her and said something like 'I was told by your Grandfather to hand this to you, Maria-sama',`@` then even if Maria-chan hadn't met Dad, she still might say that she got an umbrella from him, right?"`\ bg Mdin_1dN,0 ld r,$EVA_OdorokiA1,24 ;「そ、……そうね。@その手が考えられるわ…！」\ ;＜絵羽 `"Th, ......that's right.`@` That trick could work...!"`\ ld l,$HID_majimeA1,23 ;「だがな、真里亞ちゃんはこう言ったんやろ？@　お祖父さまがやって来て、傘を渡してくれた、と。」@ ;＜秀吉 `"However, what was it that Maria-chan said?`@` 'Grandfather came, and then handed me the umbrella'."`@ ld c,$ROS_KomaruA4,24 ;「えぇ、そう言ったわ。@お祖父さまから直接受け取ったとはっきり言ったわ。」\ ;＜楼座 `"Yes, that's what she said.`@` She clearly said that she had received an umbrella directly from Grandfather."`\ cl r,23 ld r,$RUD_KomaruA1,24 ;「……直接、か。@お手上げだな。」\ ;＜留弗夫 `"......Directly, huh?`@` Then we're stuck."`\ bg black,25 bg Mdin_1cN,22 ld c,$KIR_NayamuA1,24 ;「………………………。@/ `"............................`@/ ld c,$KIR_KomaruA1,80 ;下手な考え、休むに似たりとはよく言ったものだわ。@ちょっと考えてみたら、傘がどうこうなんて、どうでもいい問題だわ。」\ ;＜霧江 `They often say that stupid thoughts are no better than sleeping.`@` If you think about it a bit, all this about the umbrella is a trivial problem."`\ bg Mdin_1eN,0 ld l,$EVA_OdorokiA2,24 ;「どうしてよ？@　真里亞ちゃんが兄さんに買収されて、あたかもお父様が健在であるかのように、嘘を頼まれたかもしれないでしょ？！@　傘が確かにお父様から渡されたなんて証拠、どこにもありはしない…！」\ ;＜絵羽 `"Why's that?`@` Couldn't Maria-chan have been bribed by Nii-san to lie and say something that made it seem like Father was in good health?!`@` There is no evidence that Father actually handed the umbrella to her...!"`\ ld r,$KIR_WaraiA2,24 ;「真里亞ちゃんが誰から傘をもらっていようとも。@あるいは傘なんかそもそももらっていなかったとしても。@お父様はもうじき現れる。@現れたお父様の前に、傘の問題なんてまったくどうでもいいこと。\ `"No matter who Maria-chan received the umbrella from,`@` and even if she never was given an umbrella in the first place,`@` Father will appear very soon.`@` With Father in front of us, the problem with the umbrella would become completely trivial.`\ ld r,$KIR_MajimeA2,80 ;　………つまり、傘の問題が取り沙汰されるのは、そうでない場合ということよ。」\ `.........In other words, this is not the time to gossip about the problem with the umbrella."`\ bg Mdin_1fN,24 ld r,$RUD_MajimeA2,23 ;「そうでない場合ってのは何のことだ？」\ ;＜留弗夫 `"What do you mean, this isn't the time?"`\ ld l,$HID_KomaruA1,23 ;「…………そうか、…わかったで。@……霧江さんが言いたいのはこういうことやろ。@/ `".........I see, ...got it.`@` ......This is probably what Kyrie-san's sayin'. `@/ ld l,$HID_fumuA1,80 ;………お父さん、もうすぐでやって来ることになっとるが、@また難癖をつけて、結局、現れん可能性がまだ残ってる、っちゅうことやろ……？」\ ;＜秀吉 `.........Father is supposed to come here very soon,`@` but the chance still remains that he'll criticize us again and won't appear in the end, right......?"`\ cl r,23 ld r,$EVA_OdorokiA1,24 ;「そ、………そうか。@そうよね…。@/ `"I, .........I see.`@` That's true... `@/ ld r,$EVA_futekiA1,80 ;私たちの追及に、兄さんが苦し紛れの時間稼ぎで、お父様が現れると出任せを言ったのかもしれない。@やっぱりお父様はすでに亡くなっていて、@兄さんは今なお、まだ健在であると嘘を吐き続けている…！」\ ;＜絵羽 `Maybe Nii-san just said Father was going to appear at random in a desperate bid to buy time against our investigation.`@` Father really is dead already, `@`and Nii-san is still lying and saying he's healthy...!"`\ bg Mdin_1cN,23 ld c,$KIR_FutekiA1,24 ;「つまり、お父様が現れれば、全ての策は通用しない。@考える必要もない。@私たちは俎上の鯉。@運を天に任せて、お父様との直接交渉に臨むしかないわ。@/ `"In short, if Father appears, then no schemes will be effective.`@` There's no need to even think about it.`@` We're fish on the chopping board.`@` We'd have no choice but to leave fate to the heavens and attend direct negotiations with Father. `@/ ;ld c,$KIR_KomaruA1,80 ;それこそ、土下座とゲンコツを覚悟して、お金を無心するしかない。\ `That means we'd have no choice but to prostrate ourselves and beg for money.`\ ld c,$KIR_MajimeA1,80 ;　……でも逆に、お父様が現れなければ、私たちの当初の作戦は何も揺るがない。」\ ;＜霧江 `......But on the other hand, if Father doesn't appear, then our primary strategy isn't hampered in the least."`\ cl c,0 ld r,$KIR_MajimeA1,0 ld l,$ROS_komaruA4,23 ;「………なるほど。@つまり、どっちに転ぼうとも、今さらあたふたする必要は何もないってことね。」@ ;＜楼座 `".........I see.`@` In short, no matter which way it goes, there's absolutely no need to get flustered now."`@ ld r,$KIR_komaruA1,80 ;「そういうこと。@お父様が現れれば、本来の親族会議が行なわれるだけの話。@/ `"That's it.`@` If Father shows up, we just have to carry out the normal family conference. `@/ ;ld r,$KIR_KomaruA1,80 ;………現れなければ、私たちは引き続き蔵臼兄さんを追及すればいいだけの話なのよ。」\ ;＜霧江 `.........If he doesn't, we just have to constantly investigate Krauss-san."`\ bg Mdin_1eN,0 ld l,$HID_MajimeA2,24 ;「お父さんの機嫌が急に悪くなって…、@みたいな、蔵臼さんの言い逃れを、決して許さんようにせんとな。」\ ;＜秀吉 `"We definitely must not let him talk his way out of it...,`@` like by saying Father's mood has suddenly gotten worse."`\ ld r,$EVA_IkariA1,24 ;「……どうやら、私たちが本当に検討すべきは、@兄さんがどんな策を弄して、この場を誤魔化そうとしてくるかよ。@往生際の悪さは私が一番よく知っているわ。」\ ;＜絵羽 `"......It seems what we really should be trying to figure out is what scheme Nii-san is going to try and trick us with.`@` The way he just doesn't know how to give up is something I know better than anyone."`\ bg Mdin_1dN,23 ld l,$ROS_KomaruA4,23 ;「お父様がお元気なら、……私たちは土下座してお金を無心し。@……蔵臼兄さんの茶番だったなら、私たちは醜い兄弟喧嘩を再開し。@/ `"If Father is well, ......we'll prostrate ourselves and beg for money.`@` ......If its Krauss-san's farce, then we continue our ugly sibling fight. `@/ ld l,$ROS_NayamuA1,80 ;………今年も素敵な親族会議になりそうね。」\ ;＜楼座 `.........Sounds like this year's family conference is going to be just wonderful."`\ ld r,$RUD_waraiA1,24 ;「だな。@下手な考え、休むに似たりってわけか。@/ `"Yep.`@` So, stupid thoughts are no better than sleeping. `@/ ld r,$RUD_NayamuA1,80 ;もうじき２２時だな。@……兄貴に催促してみるか。」@ ;＜留弗夫 `It's almost 22:00.`@` ......Should we press Aniki?"`@ br ;　留弗夫たちは、蔵臼の様子をうかがう。\ `Rudolf and the rest looked at Krauss.`\ bg black,23 bg Mdin_1aN,0 ld c,$KLA_MAJIMEA2,23 ;　どっかりと腰を下ろし、悠然と、金蔵が来臨するのを待っているように見える。@ `He sat down, and looked like he was awaiting Kinzo's arrival with an air of composure.`@ br ;　……それが、悠然となのか、自らの嘘をどのように帳尻を合わせようと策を巡らしているのかは、わからない。\ `......They couldn't tell whether that really was composure, or whether he was scheming about how to tie together his lie.`\ ld l,$NAT_TukareA1,23 ;「……………あなた……。」@ ;＜夏妃 `"............Dear......"`@ ld c,$KLA_komaruA1,80 ;「……落ち着きなさい。@もう今さらじたばたしても始まらん。@………源次さんに任せよう。」\ `"......Calm yourself.`@` We won't get anywhere by making a fuss after all this.`@` .........Let's leave it to Genji-san."`\ ld l,$NAT_defA1,80 ;「もうじき、……１０時ですね。」\ `"It's almost, ......10:00, isn't it."`\ ;　それは、今夜の親族会議の開催として定められた時刻だった。@ ;　そして同時に、右代宮家当主が現れなければならない時刻でもある……。\ `That was the time that had been set for tonight's family conference to open.`@ `And at the same time, it was the time that the Ushiromiya family head needed to appear......`\ bg black,22 me1v 13,0 fedexx 0,50,0,0,0,0,2000 bg Mdin_1gN,24 ;　その時、廊下から足音が近付いてくるのが聞こえた。@ ;　それも複数。@ `Right then, they heard the sound of footsteps approaching from the hall.`@ `There were multiple sets.`@ br ;　夏妃は、はっとして顔を上げる……。\ `Natsuhi raised her head, relieved......`\ textoff se1 19 wait 2000 ;　しかし、ノックの音だったため、その表情には失望が浮かぶのだった。@ ;　なぜなら、金蔵だったなら、ノックなどしないだろうからだ。\ `But because of the sound of a knock, her expression was filled with disappointment.`@ `Because Kinzo probably wouldn't have knocked.`\ bg black,22 bg Mdin_1fN,26 se1 15 ld l,$KUM_DefA1,0 ld r,$GOH_hohoemiA1,24 ld r,$GOH_HohoemiA2,80 ;「……失礼いたします。@戸締りの見回りが終わりました。」@ ;＜郷田 `"......Please excuse us.`@` I have finished closing up the mansion for the night."`@ br ;　郷田と熊沢だった。\ `It was Gohda and Kumasawa.`\ ;　体力のある郷田ならともかく、@老体の熊沢がこの時間にまだ勤務を強いられているのはとても珍しいことだった。@ `Unlike the powerful Gohda, `@`it was rare for Kumasawa with her old body to be forced with work this late.`@ br ;　もちろん、それを蔵臼もわかっているようだった。\ `Of course, Krauss also seemed to know that.`\ bg Mdin_1aN,0 ld r,$KLA_DefA1,23 ld r,$KLA_KomaruA1,80 ;「うむ。@ご苦労だった。@………こんな時間まで申し訳ないね、熊沢さん。」@ ;＜蔵臼 `"Hmm.`@` Good work.`@` .........My apologies for making you work at such a time, Kumasawa-san."`@ ld l,$KUM_WaraiA2,80 ;「いいえぇ。@こう見えても、まだまだ夜更かしは得意でございますので。@ほっほっほっほ…！」\ ;＜熊沢 `"Oh, it's nothing.`@` I may not look it, but staying up late is still one of my specialties.`@` Hoh-hoh-hoh-hoh...!"`\ ld c,$NAT_zutuuA1,23 ;「……熊沢についてだけは、立会いを外させてもよいのでは。@さすがに体に堪えるでしょう。」@ ;＜夏妃 `"......Wouldn't it be alright to at least let Kumasawa leave without being an observer?`@` It really will be difficult on her body, I imagine."`@ ld r,$KLA_majimeA1,80 ;「…………使用人も全員揃えろとの命令だ。@逆らえん。」\ `"............The order was to gather all of the servants as well.`@` I cannot disobey."`\ bg Mdin_1gN,25 ;　今夜の親族会議は、例年の親族会議とは明らかに違った。@ `Tonight's family conference was clearly different from a normal one.`@ br ;　例年ならば、親族会議は親族以外、出席できない。@ ;　使用人が居合わせるなど、ありえないことだ。\ `On a normal year, no one was able to attend the family conference except relatives.`@ `It had been impossible for any servants to be there too.`\ bg black,22 ;　だが今年は違った。@ `But this year was different.`@ br ;　使用人全員を親族会議に出席させろというのだ。@ ;　もちろん発言権はない。@ ;　………立会人としてである。\ `All of the servants were told to attend the family conference.`@ `Of course, they were not allowed to talk.`@ `.........They were there as observers.`\ ;　使用人５人に立ち合わせてまで、一体、何があるというのか。@ ;　……蔵臼にも、わかっていなかった。\ `Just what in the world was there that needed five servants to observe?`@ `......Even Krauss didn't know.`\ bg Mdin_1bN,26 ld r,$KUM_WaraiA1,24 ;「ほっほっほ。@徹夜はこう見えても強いんですよ。@/ `"Hoh-hoh-hoh.`@` I don't look it, but I'm good with late nights. `@/ ld r,$KUM_DefA2,80 ;旦那様も鯖をもりもり食べれば、夜ももっとたくましくなれますよ。」@ ;＜熊沢 `If you stuff yourself with mackerel too, Krauss-sama, you'll be able to be more manly at night."`@ ld l,$KLA_AkuwaraiA1,23 ;「はははは。@なるほど、まだまだお元気でおられる。@百歳になっても元気でお勤めに違いない。」\ ;＜蔵臼 `"Hahahaha.`@` I see, you're still in high spirits.`@` I'm sure you'll be working in such high spirits until you're a hundred."`\ bg Mdin_1eN,0 ld c,$GOH_defA1,24 ;「奥様。@勝手ながら、軽食の準備をさせていただきました。@/ `"Madam.`@` Forgive my arrogance, but I have prepared a light snack. `@/ ;ld c,$GOH_omakaseA2,80 ;いつでも配膳できますので、ご指示を頂戴できればと思います。」\ ;＜郷田 `I can serve it at any time, so feel free to order it."`\ cl c,0 ld l,$GOH_defA1,0 ld r,$NAT_zutuuA1,24 ;「ありがとう。@やはりあなたは気が利きますね。@……他の皆さんにコーヒーのお代わりを勧めて下さい。」@ ;＜夏妃 `"Thank you.`@` You really are considerate.`@` ......Please get refills of coffee for everyone else."`@ ld l,$GOH_hohoemiA1,80 ;「かしこまりました。」\ ;＜郷田 `"Certainly."`\ ;cl l,23 ;　郷田は会釈してから、テーブルの向こうでたむろしている親族たちの方へポットを持っていくのだった。\ `After nodding, Gohda took the pot towards the relatives gathered at the other end of the table.`\ bg Mdin_1fN,24 ;　するとまた廊下から足音が近付いてくる。@ `As he did, more footsteps approached from the hallway.`@ br ;　……ひとりの足音。@ ;　それは軽い。@ `......It was a single set.`@ `And it was light.`@ br ;　ノックを待たずに、誰か想像がついた。\ `Even before the knock, they could imagine who it was.`\ textoff se1 19 wait 2000 se2 15 ld r,$SHA_TokuiA1,80 ;「失礼いたします……。@/ `"Excuse me......`@/ ld r,$SHA_DefA1,80 ;お子様方をゲストハウスへお送りいたしました。」\ ;＜紗音 `I have taken the children to the guesthouse."`\ ld l,$NAT_MajimeA1,23 ;「ご苦労でした。@今夜は特別な晩です。@緊張感を欠かさないように。」@ ;＜夏妃 `"Good work.`@` Tonight is a special evening.`@` Make sure you stay alert."`@ ld r,$SHA_KomaruA1,80 ;「は、はい。@かしこまりました、奥様……。」\ `"Y, yes.`@` Certainly, Madam......"`\ bg black,5 me2v 5,50 bg Mdin_1gN,2 ;　源次は嘉音を伴い、金蔵を迎えに行っている。@ `Genji had gone with Kanon to meet Kinzo.`@ br ;　……まだ戻ってくる様子はない。\ `......There was still no sign of their return.`\ bg black,2 wait 2000 bg Mdin_1dN,0 ld c,$EVA_DefA1,6 me3v 11,90 ;　時計の針は、２２時を少し過ぎようとしていた。@ ;　それを確認した上で、絵羽が蔵臼に言った。\ `The hand of the clock passed 22:00 slightly.`@ `Once sure of that, Eva spoke to Krauss.`\ ld c,$EVA_AkireA2,80 ;「……兄さぁん？@　もう時間だけれども。@親族会議、まだ始まらないのかしらぁ？」\ ;＜絵羽 `"......Nii-saaan?`@` It's time.`@` Will you still not start the family conference?"`\ bg Mdin_1aN,0 ld r,$KLA_KomaruA1,23 ;「…………主賓の到着が遅れている。@しばらく待ちたまえ。」\ ;＜蔵臼 `"............The arrival of the guest of honor has been delayed.`@` Wait a short while."`\ ld l,$EVA_futekiA1,23 ;「いつまで？@　悪いけど、時間を切ってもらうわよ。@お父様がなかなか来ない、何てのを延々と続けて、夜明けまで待たされたら堪らないわ。」@ ;＜絵羽 `"How long?`@` Sorry, but time's up.`@` I won't have you saying 'Father hasn't quite shown up yet' over and over until dawn."`@ ld r,$KLA_AkuwaraiA3,80 ;「親父殿のお越しになる時間を、私が約束など出来るものか。@何を焦っているのだね。@まずはコーヒーでも飲んで落ち着かんかね…？」\ ;＜蔵臼 `"How could I make a promise about the time Father will show up?`@` Why are you in such a rush?`@` Why not drink some tea and calm down for now...?"`\ bg Mdin_1bN,0 ld r,$RUD_NayamuA1,24 ;「兄貴、俺たちは親族会議のために集まってるんだ。@茶番じゃない。@/ `"Aniki, we're gathered here for a family conference.`@` Not a farce. `@/ ld r,$RUD_MajimeA1,80 ;あと３０分は待つ。@だが、それで駄目なら書斎に押し掛けさせてもらうぜ？」\ ;＜留弗夫 `We'll wait 30 more minutes.`@` But if that doesn't work, you'll let us break into the study, right?"`\ ld l,$NAT_OdorokiA2,23 ;「お、押し掛けるとは物騒な……。@当主様への敬いに、あまりにも欠ける行為です！」\ ;＜夏妃 `"B, break into......`@` That would be an action quite lacking in respect for the head!"`\ bg Mdin_1aN,0 ld l,$KLA_DefA1,0 ld r,$EVA_akireA2,24 ld r,$EVA_akireA1,80 ;「そうよねぇ、ごめんなさい？@　あと３０分は大人しくしてるわ。@うっふっふっふ……。」@ ;＜絵羽 `"Oh, our apologies.`@` We'll be good for 30 more minutes.`@` Hehheheheh......"`@ ld l,$KLA_AkuwaraiA2,80 ;「…………………ふっ。」\ ;＜蔵臼 `"...............Hmph."`\ ld r,$EVA_futekiA1,80 ;「………………………。@３０分後にも、同じ笑いが浮かべられるか、楽しみだわ。」@ ;＜絵羽 `"..................`@`I look forward to seeing whether you can keep that same smile 30 minutes from now."`@ ld l,$KLA_NayamuA1,80 ;「……親父殿が死んでいると、本気で信じているのかね？」\ ;＜蔵臼 `"......So, you honestly believe that Father is dead?"`\ ld r,$EVA_waraiA1,80 ;「それを今さら議論する気はないわ。@お父様がここにやってくればいいだけの話。@/ `"I have no desire to discuss that now.`@` We can wait until Father comes here. `@/ ld r,$EVA_akireA1,80 ;兄さんを言い負かす必要なんて、何もないもの。」\ ;＜絵羽 `There's absolutely no need for me to argue you down, Nii-san."`\ ld l,$KLA_komaruA1,80 ;「右代宮家当主は、正当なる人間へ、正当なる手続きを以って継承される。@/ `"The Ushiromiya headship will be passed on to the proper person in the proper manner. `@/ ld l,$KLA_majimeA2,80 ;……お前が何の策を弄したところで、何も抗えんよ。@もちろん、私もな。」\ ;＜蔵臼 `......No matter what you may scheme, you cannot resist.`@` Of course, the same goes for me."`\ ld r,$EVA_KomaruA4,80 ;「何をわけのわかんないことを。@……今までさんざん、自分こそが次期当主だと威張ってきたくせに…！」\ `"What are you trying to say?`@` ......And after bragging all these years about being the next head yourself...!"`\ ld l,$KLA_NayamuA1,80 ;「お前の言葉をそのまま返そう。@それを今さら議論する気はないね。@親父殿がやって来て、自らの口でそれを宣言すればいいだけの話だ。@/ `"I'll turn your own words back on you.`@` I have no desire to discuss that now.`@` All that matters is for Father to come here and proclaim it with his own mouth. `@/ ;ld l,$KLA_AkuwaraiA2,80 ;お前を言い負かす必要など、どこにもない。@……だったかな？@　くっくっくっく！」\ ;＜蔵臼 `There's absolutely no need for me to argue you down.`@` ......Right?`@` Heheheh!"`\ ;　蔵臼は、流暢に絵羽の言葉をお返しする。@ ;　もちろんそれは絵羽の怒りに油を注いだ。@ ;　しかし発火はしなかった。@ `Krauss casually turned Eva's words back on her.`@ `Of course, that added oil to Eva's anger.`@ `But it didn't ignite.`@ br ;　なぜならその瞬間、とても大きなノックの音が響き渡ったからだ。\ `Because in that instant, the sound of a very loud knock rang out.`\ bg black,1 E_A se1v 19,100 se2v 19,100 wait 3000 mov %play_scene,40175 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,kin bg Mdin_1fN,22 me1v 16,50 ;　源次も嘉音も、ノックをする時はとても控えめだ。@ ;　こんな乱暴なまでの強さでは叩かない。@ ;　……まるで、静粛にと言いながら打ち鳴らされる裁判官の槌のようだった。@ `Both Genji and Kanon were usually very reserved when they knocked.`@ `They wouldn't hit the door with such a violent strength.`@ `......It was like a judge's gavel slamming down in a call for silence.`@ br ;　だから、一同はシンと静まり返った……。\ `So everyone fell quiet......`\ textoff se1 16 wait 1000 ld r,$GEN_DefA1,4 ;　扉が細く開き、……源次が姿を見せる。@ `The door opened slightly, ......and Genji showed himself.`@ br ;　そして、普段とは違う厳かな口調で言った。@ `Then, he spoke with a serious tone different from his usual one.`@ ;　それは彼が職務を遂行する時の口調ではない。@ ;　……彼が、金蔵の言葉を代弁する時の口調だ。@ `It wasn't the tone he used when carrying out his duties.`@ `......It was the tone he used when speaking for Kinzo himself.`@ br ;　だから源次がその口調をしただけで、兄弟たちには緊張感が走るのだ。\ `So just by hearing Genji speak like that, the siblings were struck with a sudden tension.`\ ld r,$GEN_komaruA1,80 ;「皆様、ご着席を。」@ ;＜源次 `"Please take your seats, everyone."`@ br ;　その言葉に、食堂は完全に沈黙し、みんな慌てて自分の序列の席に戻る。\ `At those words, the dining hall fell into complete silence, and everyone hurriedly returned to their designated seats.`\ ;まるで、ホームルーム直前まで騒いでいた生徒たちが、先生が来て大急ぎで席に戻るような、@そんな滑稽さも感じられたかもしれない。@ `It was as though students who had been bustling around just before homeroom had suddenly returned to their seats when the teacher came,`@` and it might even have felt humorous.`@ br ;　……しかし、そうだと茶化せる人間など、いるはずもなかった。\ `......But there was no way anyone would joke about it.`\ ;　全員が整然と着席し、紗音、郷田、熊沢も壁際に整列し背筋を伸ばす。\ `Everyone sat in order, and Shannon, Gohda, and Kumasawa stood up straight in a row by the wall.`\ ld r,$GEN_MajimeA1,80 ;「……栄光ある右代宮家の当主にして、金色に輝ける六軒島の領主。@右代宮金蔵卿の、御成りであります。」\ ;＜源次 `"......The head of the glorious Ushiromiya family, and lord of Rokkenjima, the island that sparkles gold.`@` Lord Ushiromiya Kinzo is present."`\ ;　食堂への観音開きの扉を、源次が内側から右の扉を、そして左の扉を外側から嘉音が開く。\ `Of the double doors that led to the dining hall, Genji opened the right door from the inside, and Kanon opened the left door from the outside.`\ textoff bg black,2 se1 17 bg white,10 me2v 5,0 me3v 17,0 fedexx 0,100,100,100,0,0,5000 bg Mdin_1fN,0 ld l,$KAN_defA2,0 ld r,$GEN_defA1,2 E_A wait 500 se1v 2,100 se2v 2,100 se3v 28,100 mld c,$KIN_fukigenA1,1 wait 1000 ;se1v 28,100 ;se2v 28,100 bgm1 45 ;　……そしてその二人の最敬礼に迎えられながら、威圧感でローブをなびかせながら、…………金蔵が姿を現す……。@ `......And, welcomed by a respectful bow from those two, majestically fluttering his cape, ............Kinzo appeared......`@ br ;　金蔵の足取りは貫禄ある重みがあり、とても余命幾ばくを宣告されたとは思えないものだった。\ `Kinzo's gait had a dignified weight to it, and it was hard to believe that he had reportedly been at the end of his life.`\ bg Mdin_1aN,0 mcl c,0 ld l,$GEN_MajimeA2,23 ;　源次が金蔵の席を引き、着席を促す。@ `Genji pulled back Kinzo's seat, and motioned for him to sit.`@ ld c,$KIN_fumuA1,24 ld c,$KIN_fukigenA1,80 ;　しかし金蔵は座らず、源次に下がれという風に顎で合図する。\ `But Kinzo stayed standing, signaling with his chin for Genji to move back.`\ textoff cl l,23 wait 3000 ld c,$KIN_WaraiA2,80 ;「くっくくくくくくくくく、ふっはははははははははは…！！@　ようこそ諸君、六軒島へ。@何を怯えた顔をしておるのか、絵羽ァ。」\ `"*cackle*cackle*cackle*cackle*cackle*, fuhhahahahahahahahahaha...!!`@` Welcome to Rokkenjima, ladies and gentlemen.`@` Why the frightened face, Evaa?"`\ bg Mdin_1bN,0 ld r,$EVA_OdorokiA1,24 ;「い、いえ、そんな怯えてるなんて…！@　お、お父様が大変お元気そうなので、ほっとしただけで……。」\ `"N, no, why would I be frightened...!`@` I'm just relieved to find you in excellent spirits, Father......"`\ ld l,$KIN_akuWaraiA2,80 ;「わっはっはっはっはっは…！！@/ `"Wahhahhahhahhahhahha...!! `@/ ;ld l,$KIN_AkuwaraiA2,80 ;　絵羽ァ、お前は相変わらず面白いなぁ？@　蔵臼との賭けに負けて悔しいと素直に言えばよいのに。@……くっくくくく、言えないよなァ。@くっくっくっく！！」\ ;＜金蔵 `Evaa, you're as interesting as ever, aren't yoou?`@` You might try honestly saying how frustrated you are at losing your bet with Krauss.`@` ......*cackle*cackle*, you can't say it, can you?`@` *cackle*cackle*!!"`\ ld r,$EVA_KomaruA4,80 ;　絵羽は、やはり金蔵に日中のやりとりが筒抜けであることを理解し、赤くなりながら俯く。\ `Eva realized that their conversation during the day had indeed been leaked to Kinzo, and she hung her head, turning red.`\ bg Mdin_1aN,23 ld c,$KIN_WaraiA2,24 ;「さぁってと、我が息子たち娘たち、そしてその伴侶の諸君！@　お前たちの執心している我が財産と当主の継承について、今宵は重要な発表をしようと思う。\ `"Well then, my sons and daughters, and their companions!`@` Tonight, I shall make an important announcement regarding my inheritance and the succession that you all seem so keen on.`\ ld c,$KIN_ikariA1,80 ;　まず最初に！/ `But first! `/ se1v 2,100 quakey 3,400 ;@　私はひどく失望していることを伝えようと思う。@それは、今日まで誰にもあの碑文の謎を解くことが出来なかったということだ。」\ @`I think I will mention how incredibly disappointed I am.`@` That is because until today, no one had been able to solve the riddle of the epitaph."`\ ld c,$KIN_waraiA1,80 me2v 5,50 ;　金蔵は失望という言葉を口にはしながらも、@貴様ら如きに解けるものかとでも言うような見下した笑みを浮かべ、ぎょろりと一同を見渡す。\ `Even though Kinzo said he was disappointed,`@` a condescending smile, as though there was no way the likes of these could have solved it, rose to his face, and his gaze passed through all of them.`\ ld c,$KIN_fukigenA1,80 ;「………私は、あれを解けた者に、全てを譲り渡すつもりでいた。@しかし、今日までに誰も解くことが出来ず、我が全ては誰にも継承されることなく、ここに至っているわけだ。\ `"......I had been planning on handing over everything to the person who could solve that.`@` But now we have reached this point, with no one having solved it, and nothing of mine being passed down to anyone.`\ ld c,$KIN_akuwaraiA1,80 ;　情けない…！！@　お前たちの中に、それを受け継ぐ資格を持つ人間が現れなかったことが、@私は心底残念であり、そして情けなく、ザマぁないと思っている！！@　わっはっはっはっはっはっは！！」\ `How shameful...!!`@` The fact that not one among you has come forward with the qualifications to succeed me,`@` I find truly disappointing, and shameful, and patheetic!!`@` Wahhahhahhahhahhahha!!"`\ ;　兄弟たちは黙って俯く。@ `The siblings hung their heads in silence.`@ br ;　もちろん、解けるものなら解いていた。@ ;　チャンスを棒に振ったと言われればそれまでだが、しかしそれでも、あまりに難解だった…。\ `Of course, they would have solved it if they could.`@ `If they had just needed to take a swing at it, that would have been the end of it, but it was just so hard...`\ ld c,$KIN_fumuA1,80 ;「よって。@私は碑文の謎にて我が継承者を選ぶことを、ここに中止することを宣言する。@/ `"Therefore.`@` I am proclaiming here and now that I will suspend the use of the epitaph's riddle as a method of choosing my successor. `@/ ld c,$KIN_akuwaraiA1,80 ;つまりはタイムオーバー！/ `In short, time's up! `/ se1v 2,100 quakey 3,400 @ ;　ゲイムオーバーというわけだ。@……残念だったなぁ、お前たち。@お前たちには、等しく公平にチャンスがあったはずなのに、それが今、ここに潰えた！@　………んっふっふっふっふっふ！！」@ `This is game over.`@` ......What a shame, you all.`@` Even though that should have given you all an equal and fair chance, that has now collapsed!`@` .........Gehhahahahah!!"`@ br ;　それはまさに、金蔵の勝利宣言のように聞こえた。\ `It truly sounded like Kinzo was making a victory proclamation.`\ ld c,$KIN_WaraiA2,80 ;「ならば、当主は長男の蔵臼に継承されるのか…？@　くっくっくっく！@　答えはノーである！！」@ `"In that case, will my oldest son Krauss succeed the headship...?`@` *cackle*cackle*!`@` The answer is !!"`@ bg Mdin_1bN,0 ld r,$EVA_OdorokiA1,24 ;「え…？！」@ ;＜絵羽 `"Wha...?!"`@ ld l,$KLA_KomaruA1,23 ;「…………………。」\ ;＜蔵臼 `"............"`\ cl r,23 ld r,$KIN_akuwaraiA2,24 ;「……わかっているよなぁ、蔵臼ぅ？@　お前には確かに次期当主という肩書きを与えた。@だが、お前はそれに溺れただけだ…。@次期当主というのは、どういう意味かわかるかぁ……？」\ `"......You understand, right, Krauuss?`@` I certainly gave you the title of next head.`@` But you just lost your head over it...`@` Do you know what it means to be the next head......?"`\ ld l,$KLA_nayamuA3,80 ;「………お父さんの後を継ぐ、という意味です…。」\ `".........It means...to succeed after you, Father..."`\ ld r,$KIN_akuwaraiA1,80 ;!s0「違あああぁうッ！！/ !s0`"Wrooooooooooooooooonnnng!! `/ se1v 11,70 quakex 4,500 ;@　次期当主というのは、当主が約束されたものではなぁああいい！/ @`The next head isn't something that's guaranteed by the current head at aaaaaaaaaaall!`/ se1v 11,100 quakey 5,500 \ ld r,$KIN_waraiA2,80 ;　………いいか、蔵臼ゥ。@二度と教えないからよく聞けよ。@次期当主というのはな？@　自分以外にも当主を狙うヤツがいたら、@その鼻を徹底的にへし折って、二度と逆らえないようにしてやるヤツのことを言うのだ。\ `.........Listen up, Krauuss.`@` I won't tell you this again.`@` The next head?`@` That's what you call someone who finds everyone else who's after the headship,`@` thoroughly breaks their noses, and makes it so that they can never disobey him again.`\ ld r,$KIN_WaraiA1,80 ;　これは何も、当主だけのことではない。@カネについても言える！@　金持ちというのは、カネを持っているヤツのことではない。@/ `This is not only something that can be said of the headship.`@` It's the same with money!`@` A 'rich person' doesn't mean someone who has money. `@/ ;ld r,$KIN_IkariA1,80 ;自分よりカネを持っているヤツ全てを叩き潰し、@そして誰よりもカネを掻き集められるヤツのことを言うのだ。」/ `It means someone who crushes everyone who had more money than himself,`@` and who scrabbles together more money than anyone else."`/ !sd\ me2v 17,50 bg Mdin_1gN,22 ;「才能も同じ。@天才とは才能に秀でたヤツのことではない！/ `"It's the same with talent.`@` A genius is not what you call a person blessed with talent! `/ ;se1 11 ;quakey 3,700 ;@　自分より秀でたヤツ全てを叩き潰し！@　自分を天才と全ての人間に呼ばせることを力とカリスマで強要できるヤツを指して言う！！@　お前はその全てにおいて勘違いしているのだよ。@……だから次期当主の器ではないのだよゥ。@くっくくくっくくくくくく！！」\ @`It means a person who crushes everyone with more talent than themselves!`@` A person who can coerce geniuses and all other people to call them that by using strength and charisma!!`@` You have a mistaken impression when it comes to all of these things.`@` ......So you aren't of the right caliber to be the next head.`@` *cackle*cackle*cackle*cackle*cackle*!!"`\ bg Mdin_1cN,22 ld c,$KLA_nayamuA3,23 ;「……………べ、勉強になります…。」\ ;＜蔵臼 `"............N, now I have learned..."`\ ;　それはまさに、金蔵の哲学なのかもしれない。@ `Perhaps that truly was Kinzo's philosophy.`@ br ;　金蔵は今日まで、その暴言とも聞こえる自らの哲学を忠実に実行した結果、@右代宮家をここまで繁栄させてきたのだ……。\ `As a result of faithfully carrying out that philosophy of his that sounded like a rant,`@` Kinzo had glorified the Ushiromiya family to the state it was in today......`\ ;　近年のオカルト被れの金蔵からは想像もつかないだろうが、@この凶暴なる強引さこそが、右代宮金蔵のカリスマであり、オーラでもある…。\ `It may be hard to imagine after his immersion in the occult in recent years,`@` but that brutal overbearing quality was itself Ushiromiya Kinzo's charisma and aura...`\ bg Mdin_1aN,0 ld c,$KIN_FumuA1,23 E_M2 ;「このような不甲斐ない蔵臼に、右代宮家の全てを継承する資格などない。@ならば、絵羽、留弗夫、楼座の３人にはあるのか？\ `"Such an unsatisfactory person is not qualified to inherit everything of the Ushiromiya family.`@` In that case, is Eva, Rudolf, or Rosa qualified?`\ ld c,$KIN_ikariA1,80 ;　これもノーである！！/ `That is also !! `/ E_MA se1v 2,100 quakey 3,400 ;@　碑文の謎を解けず、さりとて蔵臼を引き摺り下ろす策も弄せず！@　お前たちに出来たのは３人寄せ集めで共同戦線を張って、蔵臼からカネをせびろうとしたことだけ。@しかもその策も浅はかそのもの！@　蔵臼一人を追い詰めることさえ出来やしない！@　………情けないことこの上なしッ！\ @`You were unable to solve the riddle, and despite that, you were unable to use a scheme to drag Krauss down!`@` All the three of you managed to do was gather together in a united front to try and extort money from Krauss.`@` And even that scheme was thoughtless!`@` You can't even corner Krauss all by himself!`@` .........There could be nothing more shameful!`\ ld c,$KIN_akuwaraiA1,80 ;　次期当主の座をどんなことをしてでも奪い取ろうという貪欲さが足りぬ！！@　欲しいもののためには如何なる犠牲も払い、どこまでも貪欲となるべし、強欲となるべし…！！@　幸運の女神は貪欲なる者にこそ微笑む！！@　その野生の精神がないお前たち３人に、蔵臼同様に継承の資格などありはしないッ！！」\ `You lack the avarice to steal away the position of next head by any means!!`@` In order to get what you want, you should pay all sacrifices, become as covetous, as greedy as possible...!!`@` The goddess of luck smiles upon the greedy!!`@` You three, who don't have that wild spirit, are as unfit for the succession as Krauss is!!"`\ bg black,24 me1v 5,50 bg Mdin_1fN,24 ;　絵羽たちに返せる言葉はない。@ ;　そして、金蔵が何を語ろうとしているのか、計りかねている…。\ `Eva and the rest had no words to respond with.`@ `And they couldn't calculate what it was Kinzo was about to say...`\ ;　金蔵はまさか、誰にも当主を継がないとでも宣言するつもりだろうか？@ ;　もしそうならば、それは絵羽たちにとって利することになる。@ `Was Kinzo actually planning to proclaim that no one would succeed the head?`@ `If so, that would work to Eva, Rosa, and Rudolf's advantage.`@ br ;　結局のところ、金蔵の死後に兄弟で改めて調整し、遺産を山分けすればいいだけの話だからだ。\ `Because in the end, they would just have to retune everything between the siblings after Kinzo's death, and split the inheritance evenly.`\ ;　むしろ、具体的に個人名を挙げて、誰かに継承を宣言される方が厄介に違いなかった。@ `It would surely be more troublesome if a specific person's name was raised and proclaimed to be the one to succeed the head.`@ br ;　……しかし、ここまで四兄弟を扱き下ろした金蔵が、その誰かが得をするようなことを言うだろうか。\ `......But would Kinzo really say something that would benefit any of the four siblings after demeaning them so much?`\ bg black,23 bg Mdin_1dN,23 ld r,$EVA_komaruA4,24 ;「……まさか、誰にも引き継がないからと、@財産を全て慈善団体にでも寄付するとか言い出すつもりじゃないでしょうね……。」\ ;＜絵羽 `"......You don't think...he's going to say that because no one will succeed him,`@` he'll donate all of his fortune to charity or something, right......?"`\ ld l,$ROS_KomaruA4,23 ;「………お父様ならやりかねないという恐怖はあるわ。」@ ;＜楼座 `".........I'm afraid I wouldn't put it past Father."`@ ld c,$RUD_KomaruA1,24 ;「頭に血が上ってるだけさ……。@しばらくは聞き流すしかねぇ。」\ ;＜留弗夫 `"The blood's just risen to your head......`@` We can do nothing but hear him out."`\ bg black,23 bg Mdin_1bN,23 ld r,$KLA_nayamuA3,24 ;「で、…ではお父さん。@次期当主については、どういうお考えをお持ちですか。」\ ;＜蔵臼 `"W, ...well then, Father.`@` What thoughts do you have regarding the next head?"`\ ld l,$KIN_WaraiA2,80 ;「ふ………。@お前たちに完全に失望した以上、私は誰に引き継ぐ気も失った。@/ `"Hmph.........`@` Since I am so completely disappointed in all of you, I've lost the desire to hand it over to anyone. `@/ ld l,$KIN_MajimeA1,80 ;よって、右代宮家はこれで終わる。@私の代で終わりだ。」@ `Therefore, the Ushiromiya family will end here.`@` It ends with my generation."`@ ld r,$KLA_komaruA4,80 ;「……そ、そういうわけには……。」\ ;＜蔵臼 `"......Th, that cannot......"`\ me2v 13,50 bg Mdin_1gN,25 ;「右代宮家など、あの震災の時にとっくに滅んでおるわ。@今の右代宮家など、私が束の間だけ見ている黄金の幻想に過ぎぬのだ。@……私が夢より覚めれば、終わる程度のもの。@ふっふっふ！@　この世など全ては夢、幻。@…生など、死という目覚めの前には白昼夢と同じよ。@あぁ、そうだ、元よりそうだったのだ！！@　私が死ぬ時に全てを失うのが、ベアトリーチェとの契約、そして呪い！@　ふっはっはっは！！@　そうは行くか、ベアトリーチェ！@　お前を捕らえるのはこの私だ！！@　今宵、それは現実となるだろう。@くっくくくくく！@　わっははははははははは！！」\ `"The Ushiromiya family was crushed long ago in that earthquake.`@` The current Ushiromiya family is nothing but an illusion of gold I have seen for an instant.`@` ......The likes of which will end when I awaken from my slumber.`@` Hehheheh!`@` Everything in this world is a dream, an illusion.`@` ...Life is but a daydream before the awakening called death.`@` Aaah, yes, that's how it was in the beginning!!`@` That I should lose everything when I die was Beatrice's contract, and her curse!`@` Fuhhahhahha!!`@` You think that will work, Beatrice?!`@` I will be the one to capture you!!`@` Tonight, that should become reality.`@` *cackle*cackle*cackle*!`@` Wahhahahahahahahahaha!!"`\ bg black,25 bg Mdin_1eN,22 ;　金蔵はしばらくの間、白目を剥きながらげらげらと笑い転げる。@ ;　ベアトリーチェのことを語る時はいつも、彼は雄弁でそして狂気的だった……。\ `For a while, Kinzo was overcome with cackling, and his eyes bulged.`@ `Whenever he talked about Beatrice, it was always eloquent and insane......`\ bg Mdin_1bN,23 ld c,$KIN_akuwaraiA1,24 ;「お前たちのような愚かなる息子たちなど、まさに白昼夢！！@　初めからいなかったも同然よッ！！@　消えろ！覚めろ！！@　真実の私のまどろみと共に消え去ってしまえ…！！@　私を継承するに値する何物も築き上げてこなかった出来損ないどもめッ！！」\ `"Foolish children such as yourselves are truly a daydream!!`@` It's as though you were never there from the beginning!!`@` Disappear! Wake up!!`@` Disappear from the doze of the truth that is me...!!`@` You failures that have not built up anything that makes you worthy to succeed me!!"`\ ;cl c,0 ;ld r,$KIN_FukigenA1,0 ;ld l,$NAN_fumuA1,23 mbg black,22 ;「き、金蔵さん。@よろしいかな……。」@ ;＜南條 `"K, Kinzo-san.`@` If I may......"`@ mcbg 0 ld c,$KIN_defA1,80 E_MA ;「何か。@我が友よ。」@ ;＜金蔵 `"What?`@` My friend."`@ br ;　南條がおずおずと挙手し、発言を求める。@金蔵はそれを認めた。\ `Nanjo nervously raised his hand, asking to speak.`@` Kinzo allowed him to.`\ cl c,0 ld r,$KIN_defA1,0 ld l,$NAN_komaruA2,23 ;「金蔵さんの気持ちもわかる。@子どもたちを愛するがゆえに、@大きな期待を寄せ、それゆえに期待を裏切られたような気持ちになる親心、@同じく子どもや孫を持つ身として、よーくわかります。\ `"I understand how you feel, Kinzo-san.`@` Because you love your children, you expect a lot of them,`@` and as a parent and grandparent myself, I understand the parental affection that can make you feel as though these expectations were betrayed.`\ ld l,$NAN_KomaruA3,80 ;　……しかし、金蔵さんは非凡だ。@天才だ。@そんな金蔵さんに追い付いて当然と言うんでは、ちょいと酷過ぎるんじゃないかね…？@/ `......However, you are extraordinary, Kinzo-san.`@` A genius.`@` Isn't saying that it's only natural for them to catch up to you a little too harsh...? `@/ ld l,$NAN_fumuA1,80 ;　それでも、そんな金蔵さんに追い付こうと、@蔵臼さんも絵羽さんも、留弗夫さんも楼座さんも、そしてその伴侶の皆さんも、よーく頑張っています…。」\ `And even so, Krauss-san, Eva-san, Rudolf-san, Rosa-san,`@` and all of their partners have done their very best to catch up with you..."`\ me1 17 bg Mdin_1gN,26 ;「ほほぉおおおぉ？？？@　よォく頑張って、どの程度のカネを稼ぎ上げたというのかァ。@事業にことごとく失敗して借金を抱え、@未だに私のすねをかじろうという間抜けどものどこがよォく頑張っていると言えるのかぁあああ…！！\ `"Hohoooooooooohhh???`@` And just how much money have they built up with this 'doing their best'?`@` After these cowards fail completely in ventures and gain debt,`@` and still try to sponge off me, how can you say that they did their very best...?!!`\ ;　この世の全てはカネとして結晶しているのだ。@それが掴めぬということは、この世を掴んでおらぬということ！@　魂がこの世をしっかり掴んでおらぬということは、生きるに値せぬということだッ！！@　消えろ！！@　我が生と現実から消え去ってしまえ！！」\ `Money is the crystallization of everything in this world.`@` If you cannot grasp that, then you cannot grasp the world!`@` If a life cannot strongly grasp this world, it doesn't deserve to live!!`@` Disappear!!`@` Disappear from my life and reality!!"`\ bg Mdin_1dN,0 ld c,$NAN_KomaruA2,26 ld c,$NAN_KomaruA1,80 E_MA ;「……それは暴論です。@その理論から言ったら、私だって生きていてはいけないことになる。@/ `"......That is a reckless argument.`@` With that logic, even I must not live. `@/ ld c,$NAN_MajimeA1,80 ;……そんな私でも、金蔵さんと過ごしたチェスの時間は、共に価値あるものだったと信じていますぞ…。@……世の中、お金で買えないものもたくさんあることを、金蔵さん自身が誰よりもご存知のはずだ。」\ `......Even so, I believe that the time I spend playing chess with you was worthwhile for both of us, Kinzo-san...`@`......You should know better than anyone else that there are many things in this world which cannot be bought with money."`\ bg Mdin_1aN,0 ld r,$KIN_FumuA1,23 ld r,$KIN_DefA1,80 ;「…………む。@……ふむ。」\ `".........Hmm.`@` ......Hmph."`\ ;　兄弟たちはじっと頭を垂れながら、南條に心の中で声援を送る。@ `As the siblings motionlessly hung their heads, they cheered Nanjo on inside their hearts.`@ br ;　激高した金蔵に意見できる兄弟はいないが、親友である南條にだけはそれが許されていた…。\ `Not one of the siblings could offer their opinion in front of Kinzo in a rage, but Kinzo's close friend Nanjo alone was allowed to...`\ ld r,$KIN_fumuA1,80 ;　金蔵はあれだけ激高していたのに、南條に諭され、納得したかのように小さく何度も頷く。@ `Even though Kinzo had raged so fiercely, after being admonished by Nanjo, he nodded several times as though in agreement.`@ br ;　……案外素直な一面を可愛らしくも思うが、それを笑える者はいなかった。\ `......His surprisingly obedient side might have seemed cute, but there was no one who could laugh.`\ ld l,$NAN_KomaruA3,23 ;「確かに息子さんたちは、金蔵さんほどの財は築き上げられなかったかもしれない。@……まぁ、それでも私から見れば羨ましいほどのお金持ちではありますがな。\ `"It may be true that your children haven't built up as great a fortune as yourself, Kinzo-san.`@` ......Well, even so, from my point of view, they're rich enough to make me jealous.`\ ld l,$NAN_MajimeA1,80 ;　しかし、お金だけでなく、お金では買えないたくさんのものを築き上げました。@それについて言えば、金蔵さんにも負けないくらいです。」\ `But besides money, they have also built up many things that cannot be bought with money.`@` When it comes to that, they are in no way inferior to you, Kinzo-san."`\ ld r,$KIN_fukigenA1,80 ;「ほぅ。@金で買えぬ何を積み上げたというのか。」\ `"Hoh.`@` What are you saying they have built up that cannot be bought with money?"`\ ld l,$NAN_fumuA1,80 ;「幸せです。@家族です。@……彼らは素晴らしい伴侶を見つけ、子を産み、それぞれの幸せな家庭を築かれています。@あなたの一族を繁栄させ、そして孫を連れ帰ってきてくれました。\ `"Happiness.`@` Family.`@` ......They have found wonderful partners, had children, and each has built up their own happy homes.`@` They have glorified your family name, and have brought back grandchildren.`\ ld l,$NAN_MajimeA1,80 ;　孫は良いですぞ。@私たち年寄りは、私たちには見ることもかなわぬ新しき時代を生きるだろう若き孫に、無限の未来を想像するのです。@……それは、老境の唯一の楽しみではありませんか。\ `Grandchildren are good.`@` We older people can look at these young grandchildren, who will live on into a new era that we will not even be given a chance to see, `@`and in these grandchildren, we can imagine an endless future.`@` ......Isn't that the sole entertainment for old age?`\ ld l,$NAN_KomaruA3,80 ;　思い出しなさい、金蔵さん。@彼らが初めて孫を連れて帰ってくれた時の喜びを…！@　息子さんたちは、そして孫たちは、金蔵さんの偉業を後の世まで伝え、模範としてくれることでしょう。@それは、お金がいくらあろうとも、孤独なる身には成せぬことです。」\ `Remember, Kinzo-san.`@` Remember your joy when they first brought back their grandchildren...!`@` Your children, and your grandchildren, will carry your great works on to future generations, and will set an example.`@` That is something that an individual cannot accomplish no matter how much money they have."`\ bg Mdin_1fN,24 ;　ウンウンと同意の頷きをする兄弟たち…。@ `The siblings all nodded in agreement...`@ br ;　確かに、金蔵とても生まれたばかりの孫に、目尻を下げた日もあったのだ。@ ;　……まだ多少は正常な心が残っていた頃には。@ `Certainly, Kinzo had looked happy when his grandchildren had just been born.`@ `......Back when he still had some sanity in his heart.`@ br ;　……しかし、金蔵の心に、ニンゲンとしての温かみなど、今もまだ残っているだろうか……。\ `......However, was the warmth of a human still left inside Kinzo's heart......?`\ bg Mdin_1aN,0 ld r,$KIN_fumuA1,26 ;「それはつまり。@私が成した巨万の富の代わりに！@　カネを儲ける代わりに、孫を儲けたと、そういうわけか。」@ `"In other words,`@` in exchange for the vast riches I created!`@` Instead of gaining money, I have gained my grandchildren, you mean."`@ ld l,$NAN_MajimeA2,23 ;「い、いえいえ、そういう意味では…、」\ `"N, no, no, that's not what I..."`\ ld r,$KIN_WaraiA1,80 ;「私が稼ぎ上げた数百億という財産の代わりに、息子たちは１人ずつ孫を儲けたというわけか！！\ `"So, in exchange for the several tens of billions in wealth that I have built up, I have gained a single grandchild from each of my children!!`\ ld r,$KIN_AkuwaraiA1,80 me1 16 ;　はっはははははははははは！！@　それは素晴らしい！@　つまりは百億を投じて命をひとつ生み出したと！@　そういうわけだ！@　これは面白い、錬金術的に考えて実に面白い例えではないかァ…？！\ `Hahhahahahahahahahahaha!!`@` This is wonderful!`@` So, I have created a single life using ten billion yen!`@` That's how it is!`@` Interesting, truly an interesting example in the alchemic sense, riight...?!`\ ld r,$KIN_AkuwaraiA2,80 ;　ほぉう、何と価値ある孫たちなのかッ！@　素晴らしい、……素晴らしい！！@　わっはっはっはっはっは！！@　そうなのか、蔵臼？@　……お前の娘には百億の価値があるというのか……？」\ `Hooh, what valuable grandchildren!`@` Wonderful, ......wonderful!!`@` Wahhahhahhahhahha!!`@` Is that right, Krauss?`@` ......Is your daughter worth ten billion......?"`\ bg Mdin_1bN,0 ld c,$KLA_nayamuA3,24 E_MA ;「………………………。」\ ;＜蔵臼 `"............"`\ ;　蔵臼は即答出来ない。@ ;　……娘に自信がないという意味ではなく、金蔵が何を試したくて問い掛けているのか、まったく見えないからだ。@ `Krauss couldn't answer instantly.`@ `......It wasn't that he didn't have confidence in his daughter. It was because he didn't have a clue what Kinzo was trying to test him with in this question.`@ br ;　しかし、続いて返事を求められた夏妃は、それを自分なりに解釈し、蔵臼の沈黙を破って答える。\ `But when Natsuhi was then pressed for an answer, she responded, breaking Krauss's silence with an answer of her own interpretation.`\ ld r,$NAT_OdorokiA2,24 ;「……は、はい。@朱志香は百億のお金を積まれても手放せない娘です。@その意味において、お金では数えられない価値があると信じてます。」\ ;＜夏妃 `"......Y, yes.`@` Jessica is a daughter who I wouldn't let go of even for ten billion yen.`@` In that sense, I believe she has a value that can't be counted with money."`\ bg Mdin_1aN,0 ld l,$KIN_WaraiA2,80 ;「ほぉ。@百億の価値があると言い切るか。@ほぅほぅ！@/ `"Hoh.`@` So you can state for certain that she is worth ten billion.`@` Hoh hoh! `@/ ld l,$KIN_WaraiA1,80 ;　絵羽はどうか？@　お前のところの譲治はどうだ……？」\ `What about you, Eva?`@` What about your George......?"`\ bg black,24 bg Mdin_1cN,0 ld r,$EVA_MajimeA1,24 ;　夏妃がそう答えたなら、絵羽の答えも自ずと決まっている。@ `Since Natsuhi had answered that way, Eva naturally came up with her own answer as well.`@ br ;　……このような挑発的な問いには、答えるべきではないと知っているはずの絵羽も、同じく返事をする。\ `......Even though Eva should have known better than to respond to a provocative question like this, she answered as well.`\ ld r,$EVA_WaraiA1,80 ;「えぇ、お父様。@譲治には百億の、……いいえ、それ以上の価値があります。@/ `"Yes, Father.`@` George is worth ten billion, ......no, even more than that. `@/ ld r,$EVA_akireA1,80 ;それはお金で買えないという抽象的な意味ではありません。@譲治は必ずや、自らの価値に等しいだけの財産を築き上げるでしょう。@お父様の偉業を継ぐに相応しい孫となるはずです…！」\ `And that's not in the abstract sense of things money cannot buy.`@` George will certainly build up a fortune equal to his worth.`@` He should become a grandson worthy of carrying on your great works, Father...!"`\ ;　してやったりとでもいうかの表情で秀吉と夏妃をちらりと見る絵羽。@ `Eva sent a glance at Hideyoshi and Natsuhi as though laughing.`@ br ;　……それを聞き、夏妃も我が娘にさらに評価を加えようかと思ったが、蔵臼に睨まれそれを飲み込む。\ `......When she heard what Eva had said, Natsuhi was about to add more praise for her daughter, but stopped at a glare from Krauss.`\ ld l,$KIN_waraiA2,23 ;「ふむ、なるほど。@/ `"Hmm, I see. `@/ ld l,$KIN_WaraiA1,80 ;………ならば留弗夫はどうか？@　お前のところの戦人はどうだというのか。」\ `.........Then what about you, Rudolf?`@` What about your Battler?"`\ bg Mdin_1dN,0 ld c,$RUD_NayamuA1,24 ;`Dormeur`へ:この次はひどいよ。私の勘違い...？\ ;「ウチの戦人は、……譲治くんに比べられちゃ、威張れることは何もねぇ。@/ `"Compared to George-kun, ......there's nothing about Battler I can brag about. `@/ ld c,$RUD_akuwaraiA1,80 ;誘拐されて身代金を百億よこせと脅されたら、ノシをつけて進呈したい程度のヤツではある。」@ `If he was kidnapped and we were threatened with a ransom of ten billion, I'd feeling like sticking a bow on the guy and letting them have him."`@ ;シオンの別名 lol ld l,$KIR_KomaruA1,23 ;「くすくすくす……。」\ ;＜霧江 `"*giggle*giggle*......"`\ ld c,$RUD_defA1,80 ;「さらに、馬鹿で無鉄砲だ。@偉そうな夢や、出来るわけもねぇことを語り出す。@……その一点においては、馬鹿百億人分に匹敵する大馬鹿だろうさ。\ `"On top of that, he's an idiot and reckless.`@` He talks about grand dreams and things that couldn't be done.`@` ......I guess in that way, he's a super idiot worth the equivalent of ten billion normal idiots.`\ ld c,$RUD_WaraiA2,80 ;　だが、馬鹿も出来ねぇ凡人どもが、百億人束になっても出来ねぇことを、きっとあいつはやり出すだろうよ。@まぁ、俺はどうせコケるだろうとは思ってる。@世の中は甘くねぇ。\ `But I'm sure that guy could do things that even a group of ten billion average people couldn't do.`@` Well, I'm pretty sure he'll fall flat on his face.`@` The world isn't easy.`\ ld c,$RUD_defA2,80 ;　……しかし、百億の凡人を眺めるよりは、@ヤツの人生は観賞して愉快なものになるだろうことだけは、疑ってねぇぜ。」\ `......But at the very least, `@`there's no doubt that watching over his life will be more pleasant than looking at ten billion average people."`\ ;　金蔵の好みそうなうまい言い方をすると、絵羽は舌打ちする。@ `Eva clicked her tongue at the clever style of speech that would probably match Kinzo's tastes.`@ ld c,$RUD_DefA1,80 ;　留弗夫自身も狙って言ったらしく、にやりと笑い返した。\ `Apparently Rudolf had been after this himself, so he grinned back at her.`\ bg Mdin_1aN,0 ld l,$KIN_DefA1,23 ;「……真里亞はどうか？」@ ;＜金蔵 `"......What of Maria?"`@ ld r,$ROS_AseruA1,24 ;「ま、……真里亞は私の可愛い、たったひとりの娘です。@お金の価値で量れるものではありません。@……それだけです。」\ ;＜楼座 `"M, ......Maria is my cute and only daughter.`@` Her value cannot be measured with money.`@` ......That is all."`\ cl a,0 ld c,$KIN_fumuA1,23 ;「ふむ。@…………なるほど。@夢と未来、奇跡と可能性は我が魔力の源泉だ。@希望なくして如何なる魔法も力を持ちはしない。\ `"Hmm.`@` ............I see.`@` Dreams and the future, miracles and possibilities are the source of my magical power.`@` No magic without hopes holds any power.`\ ld c,$KIN_WaraiA1,80 ;　……ふっ、すでに凡百であることを証明してしまったお前たちには何を期待することも叶わないが。@なるほど、孫たちには未来の可能性があり、魔法的奇跡を期待する価値はあり得るというわけか。\ `......Hmph, I will not be able to expect anything more from all of you after you have proven to be average,`@` but I see, my grandchildren have the possibility of the future, and it is possible that they are worth expecting a magical miracle from.`\ ld c,$KIN_WaraiA2,80 ;　それを以って、百億以上の価値と言ってみせるなら、ふむ、わからぬでもない。@……ふむ、ふむ……。」\ `If with this, you say that they are worth more than ten billion, hmm, it's not like I don't understand.`@` ......Hmmm, hmmmm......"`\ ;　金蔵は激高すれば誰にも口答えを許さないが、@にもかかわらず、自分でひとり怒鳴り続けながら、勝手に何かに納得して、自分の意見を翻す時もある。@ `When Kinzo got in a rage, he wouldn't let anyone speak up,`@` but even so, he would sometimes accept something on his own while yelling by himself, and change his own opinion.`@ br ;　……兄弟たちはそんな気配を感じ取っていた。\ `......That's what this felt like to the siblings.`\ ;　どうやら金蔵は、出来の悪い息子たちに呆れ果て、家督も遺産を譲る価値はないと切り捨てていたが、@孫についてはどうだろうと考えているらしい。\ `Apparently, even though Kinzo had been disgusted by his unsuccessful children and had cast them away as being unfit for the inheritance of his title or his fortune,`@` he wasn't sure about his grandchildren.`\ ;　……この流れだと、遺産は、兄弟ではなく、孫たちに与えると言い出すかもしれない。@ `......At this rate, he might soon say that the inheritance would go to his grandchildren instead of the siblings.`@ br ;　兄弟たちは、気まぐれで短気なる父が、@突然何を思いついて何を言い出すのかに怯えながら、その一挙手一投足を慎重に見守った…。\ `As the siblings sat in fear of what their fickle and short-tempered father would suddenly think of next,`@` they carefully watched his every move...`\ bg black,25 me1v 5,0 se2v 12,0 fedexx 0,50,50,0,0,0,3000 E_B wait 1000 bg Mdin_1aN,0 ld c,$KIN_defA1,26 ;「……ふむ。@……考えを少し改めよう。@お前たちに我が全てを継承する気はまったくない。\ `"......Hmm.`@` ......Let me change my thinking a little.`@` I have absolutely no desire to hand over everything of mine to any of you.`\ ld c,$KIN_WaraiA2,80 ;　しかし、孫たちの誰かにその資格があるかどうかを問うのは、なかなかに面白いことだ……。@いつまでも子どもだと思っておったが、@ひょっとすると、私を驚かせるような原石の煌きを見せてくれるかもしれぬ。\ `However, it will be quite interesting to question the grandchildren to see whether one of them is qualified......`@` I've always thought of them as little kids,`@` but there is a chance they will show me a glitter of ore that will surprise me.`\ ld c,$KIN_fukigenA1,80 ;　そしてそれを期待し試すのは、/ ;!d900……なるほど、我が余生最後の道楽としても捨てがたい。@……ふぅむ、/ ;!d1000……さて、これはどうしたものか…。」\ `And testing them for that would be, `/ !d900`......yes, that would be hard to abandon as a final hobby in my remaining life.`@` ......Hmmmmm, `/ !d1000`......well then, what shall I do...?"`\ bg Mdin_1bN,24 ld r,$EVA_futekiA1,24 ;「じょ、…譲治なら、お父様の後を継ぐに相応しいと、私は自信を持って推薦できます！」@ ;＜絵羽 `"I, ...I can recommend, with confidence, George as someone fitting to follow after you!"`@ br ;　絵羽が直ちにそう主張する。\ `Eva claimed that right away.`\ textoff ld l,$NAT_OdorokiA2,23 ;wait 500 ;ld l,$NAT_TukareA1,80 ;　夏妃もそれに釣られそうになるが、蔵臼が堪えろという風に目配せしたので、それを飲み込んだ。\ `Natsuhi looked like she was about to follow along, but Krauss gave her a look telling her to restrain herself, so she swallowed her words.`\ bg Mdin_1gN,25 ;「ふっふふふふふ！@　勇ましいではないか。@/ `"Hehheheheheheh!`@` How bold. `@/ E_A ;……では、こうしよう。@/ `......Then, let us do this. `@/ bgm1 44 ;右代宮家の家督と財産の全てを受け継ぐ資格があるかどうか、孫たちに個別に問おうではないか。」@ `I will individually question the grandchildren to see whether they are qualified to succeed the Ushiromiya family inheritance and wealth."`@ ;「…お父様……、」\ ;＜絵羽 `"...Father......"`\ ;!s0「しかァしッ！！/ !s0`"Howeeever!! `/ se1v 12,100 quakey 5,700 ;!sd@　………それはお前たちの誰かに間接的に家督を引き継ぐという意味ではない。@お前たちにはすでに失望しているのだ。@お前たちに与えるものは、今や何もない。@何もな！@　私が問うのは孫たちだ。@そして引き継ぐかもしれないのも孫たちだ。@……それを決して勘違いするな……？」\ !sd@`.........That does not mean that one of you will directly receive the inheritance.`@` I am already disappointed in you all.`@` There is now nothing that I will give you.`@` Nothing!`@` The ones I will question are the grandchildren.`@` And the ones that might succeed me are the grandchildren.`@` ......Make absolutely sure that you do not mistake this, alright......?"`\ bg Mdin_1cN,0 ld c,$KLA_KomaruA1,26 ld c,$KLA_MajimeA2,80 ;「………お父さんの判断に従います。」@ ;＜蔵臼 `".........I'll follow Father's decision."`@ ld r,$RUD_akuwaraiA2,24 ;「同じくだ。@親父の決定に従うぜ。@……なぁ、姉貴？」\ ;＜留弗夫 `"Same here.`@` I'll follow what he determines.`@` ......What about you, Aneki?"`\ ld l,$EVA_OdorokiA1,23 ;「も、もちろんよ。@……お父様が賢明な判断をされると信じています。」@ ;＜絵羽 `"O, of course.`@` ......I believe that Father will make a wise judgement."`@ cl c,23 ld c,$ROS_komaruA4,24 ;「わ、私もお父様の判断に従います……。」\ ;＜楼座 `"I, I will also follow Father's decision......"`\ bg Mdin_1aN,0 ld c,$KIN_fumuA1,23 ;「孫たちをどのように試すかは考えよう。@そしてそれは、お前たちには今さら関係のない話だ。@当主継承とお前たちは、もはや何の関係もないのだから。@/ `"I shall think of how I will test the grandchildren.`@` And that no longer has anything to do with you.`@` Because all of you no longer have anything to do with the succession of the head. `@/ ld c,$KIN_WaraiA1,80 me1 16 ;……だからこの場では、お前たちに関係のある、もうひとつの話をしようではないか。」\ `......So right here, why don't I talk about something else that does have something to do with you."`\ bg black,23 fede 1,2000 bg Mdin_1bN,0 ld r,$KLA_MajimeA2,24 me2v 12,50 ;「もうひとつの話、とは……？」\ ;＜蔵臼 `"Something else......?"`\ ld l,$KIN_WaraiA1,23 ;「うむ。@それこそが今宵の、そして右代宮家最後の親族会議の本当の理由だ。@/ `"Hmm.`@` That is the true reason for tonight, and for the final Ushiromiya family conference. `@/ ld l,$KIN_akuWaraiA2,80 ;……くっくっくっくっく！！@　お前たちに求めるのは、議論でも意見でもない。@/ `......*cackle*cackle*cackle*!!`@` What I demand from you is neither a discussion nor your opinions. `@/ ;ld l,$KIN_IkariA1,80 se1 21 ;我が儀式にッ！@　協力を求めるためだ。」\ `It was to demand cooperation.`@` For my ceremony!"`\ bg Mdin_1dN,0 ld r,$RUD_OdorokiA1,24 ;「…………儀式ぃ…？」@ ;＜留弗夫 `".............Ceremonyy...?"`@ ld c,$EVA_IkariA2,24 ;「静かに…！@　お父様がお話をなさっている最中よ…！」\ ;＜絵羽 `"Quiet...!`@` Father is talking now...!"`\ bg black,22 bg Mdin_1fN,22 ;　儀式というオカルト的な言葉に、思わず留弗夫たちは眉をひそめてしまう。@ `Rudolf and the rest had automatically narrowed their brows at the occult-like word 'ceremony'.`@ br ;　また何か、ベアトリーチェ復活を巡る、怪しげな儀式でも始めようというのだろうか……？\ `Was he talking about starting a strange ceremony involving Beatrice's resurrection again......?`\ ;　それに協力を求める…？@ ;　一体、何を始めるつもりだというのか。\ `He was demanding that they help...?`@ `What in the world is he planning to start?`\ ;　過去にも、そうだと称して、おかしな香を焚き始めて、屋敷中に異臭を漂わせたりと、数々の奇行を行なったことがある。@ `In the past, he had carried out many eccentricities that he called by the same name, such as starting to burn a strange incense and filling the whole mansion with the stench.`@ br ;　兄弟たちにとって、儀式は、老いた金蔵の迷惑な趣味のひとつでしかない。\ `To the siblings, a ceremony was nothing more than one of the aged Kinzo's obnoxious hobbies.`\ bg black,22 bg Mdin_1cN,0 ld r,$KLA_MajimeA1,22 ld r,$KLA_KomaruA1,80 ;「お父さん…。@儀式とは一体………？」@ ;＜蔵臼 `"Father...`@` Just what do you mean by.........?"`@ ld c,$EVA_DefA1,24 ;「私たちに協力できることなら、何でもご協力します。@ねぇ、楼座。」@ ;＜絵羽 `"If we can assist you, we'll do anything.`@` Right, Rosa?"`@ ld l,$ROS_aseruA1,24 ;「え、えぇ……。@でも、一体、何を…？」\ `"Y, yes......`@` But, what in the world...is it...?"`\ bg black,25 bg Mdin_1gN,22 ld c,$KIN_waraiA2,26 ;「私が碑文に刻んだとおりの儀式だ。@……ベアトリーチェを蘇らせ、黄金郷の扉を開く儀式である。@肉体の檻を逃れ、私の指の隙間を嘲笑うようにすり抜けるあの魔女を、今度こそ捕らえ、@屈服させる、私の最大の秘術だ。@………そのために、１３人もの命を生贄に捧げねばならぬがな。\ `"A ceremony as inscribed in my epitaph.`@` ......A ceremony to revive Beatrice, and open the door to the Golden Land.`@` That witch, who escaped her cage of flesh and sneeringly slipped through my fingers, I will now capture,`@` and make to surrender with my greatest hidden art.`@` .........For that purpose, I must offer 13 people as sacrifices.`\ ld c,$KIN_akuwaraiA2,80 me3v 5,50 ;　……ふっふふふふふ！@　１３人もの生贄は容易には集まらぬ。@しかし、今宵は親族会議！@　これだけの大人数が六軒島に集まった。@この儀式が行なえるのは、今日をおいて他にないのだ。」\ `......Hehheheheheh!`@` It is not easy to gather 13 people's worth of sacrifices.`@` But tonight is the family conference!`@` Many adults have gathered on Rokkenjima.`@` There could be no other day on which to carry out this ceremony."`\ bg Mdin_1eN,22 ;　それは、言葉通りに受け取ったなら、物騒な儀式の生贄になって死んでくれと言っているようにしか聞こえない。\ `If you were to take that literally, it could only sound as though he was telling them to become sacrifices for his dark ceremony and die.`\ ;　そんな馬鹿な。@ ;　これは何かの比喩表現…？@ `Ridiculous.`@ `Is this some kind of metaphor...?`@ br ;　しかし何の話を喩えて言っているのかさっぱり見当がつかない。@ `But they didn't even have a clue what he was trying to illustrate.`@ br ;　兄弟たちはひそひそと、金蔵が何を言い出しているのかと囁き合う……。\ `The siblings whispered together about what Kinzo was saying......`\ bg black,23 bg Mdin_1cN,23 ld r,$RUD_KomaruA1,24 ;「……親父は何を言ってるんだ？@　いつもの悪い病気か…？」@ ;＜留弗夫 `"......What's Dad saying?`@` Is it his usual bad sickness...?"`@ ld l,$KLA_NayamuA1,23 ;「だろうな。@しばらく黙って聞いてやれ。」\ ;＜蔵臼 `"Probably.`@` Listen silently for now."`\ bg Mdin_1dN,24 ld r,$ROS_KomaruA2,24 ;「………………………。」@ ;＜楼座 `".................."`@ ld c,$EVA_hohoemiA1,23 ;「ごめんなさい、お父様…。@どういう意味で仰られているのか、わかりかねます。」\ ;＜絵羽 `"I'm sorry, Father...`@` I don't understand how you mean that."`\ bg black,23 bg Mdin_1aN,0 ld c,$KIN_FukigenA1,23 ld c,$KIN_MajimeA1,80 ;「何がわかりかねるというのか。@私は至極単純に話している。@ベアトリーチェを蘇らせる儀式のために、この島にいる人間から１３人を選び、生贄に捧げようと言っている。@/ `"What is it you don't understand?`@` I am speaking extremely simply.`@` I have said that I shall choose 13 people from among the humans on this island and offer them as sacrifices for the ceremony to revive Beatrice. `@/ ld c,$KIN_waraiA2,80 ;何の価値もないお前たちも、我が儀式の生贄としてなら大いに役に立てるというわけだ。@わっはっはっはっは！！\ `Even worthless people like you can be very useful as sacrifices in my ceremony.`@` Wahhahhahhahha!!`\ E_A ld c,$KIN_IkariA1,80 bgm1 40 ;　……聞けッ！！@　これは冗談でも何でもない。@私が人生の最後に欲する、最後の賭け、最後の儀式である！@　この島には今、１３人を超える人間がいる。@つまり、この膨大な数の生贄を容易に満たせるだけの頭数が存在するというわけだ！@　お前たちは我が儀式の生贄となれッ！！」\ `......Listen!!`@` This is not a joke nor anything of the sort.`@` This is my final bet, my final ceremony, the last one I will desire in my life!`@` There are now more than 13 humans on this island.`@` In short, that's a head count which can easily satisfy the massive number of sacrifices!`@` Become the sacrifices for my ceremony!!"`\ bg black,23 bg Mdin_1gN,23 ld c,$NAN_majimeA2,26 ;「……金蔵さん、……あんた、まさか……。@あの話は本気だったのかね…？！@　冗談ではなく……！！」@ ;＜南條 `"......Kinzo-san, ......you weren't...possibly......`@`serious about what you said back then...?!`@` It wasn't a joke......?!!"`@ br ;　南條が、珍しく血相を変えて立ち上がり叫ぶ。@ `Unusually for him, Nanjo's face changed color as he stood up and shouted.`@ br ;　１３人を生贄に、などという物騒な話は、南條にとって初耳ではなかったらしい。\ `It seemed this wasn't the first time Nanjo had heard all this dark talk about 13 sacrifices.`\ bg Mdin_1bN,26 ld c,$KIN_fumuA1,24 ;「すまんな、我が友よ。@あれは冗談でも何でもない。@我が生涯を賭して、最後に挑む儀式であり、ゲームなのだよ。\ `"Sorry, my friend.`@` That was not a joke nor anything of the sort.`@` It is what I bet my life on, the final ceremony, the final game that I will challenge.`\ me1 17 ld c,$KIN_WaraiA1,80 ;そう、これはゲームだ！@　お前たちにとって、我が財産を得て島を出ることがゴールならば、それを達する方法は２つしかない！@　１３人の生贄から逃れ見事生き残り、今さらながら碑文の謎を解いて儀式を止めてみせるか、@/ `Yes, this is a game!`@` If gaining my fortune and leaving the island is your goal, then there are only two ways to achieve it!`@` Will you escape being chosen as one of the 13 sacrifices and spectacularly survive, by finally solving the riddle of the epitaph and stopping the ceremony, `@/ ld c,$KIN_IkariA1,80 ;……私を殺しッ！@　この儀式を止めてみせるか。@この２つしかない！！」\ `......or will you kill me!`@` And thereby stop this ceremony.`@` Those are the only two ways!!"`\ me2 5 ;　もはや一同は、ひそひそという囁きではなく、ざわざわという賑わいになっていた。@ ;　さすがの兄弟たちも、金蔵が常軌を逸し始めていることに気付いている…。\ `By now, everyone wasn't just whispering, but chattering and muttering away.`@ `Even the siblings had noticed that Kinzo was beginning to act abnormally...`\ bg Mdin_1cN,0 ld r,$KLA_MajimeA1,24 ld r,$KLA_KomaruA1,80 ;「……お父さん、少しお疲れなのでは？@　源次さん、お父さんは少し酒を？」@ ;＜蔵臼 `"......Father, are you a little tired?`@` Genji-san, has Father been drinking?"`@ ld l,$GEN_MajimeA1,23 ;「……………いいえ。@お館様は聡明であらせられます。」\ ;＜源次 `"............No.`@` The Master is sensible."`\ bg Mdin_1eN,24 ld c,$RUD_komaruA1,23 ;「悪ィけど、親父。@何を言い出すのかさっぱりだぜ……。@/ `"Sorry, Dad.`@` I don't have a clue what you're talking about...... `@/ ld c,$RUD_akuwaraiA2,80 ;親父が、愛する魔女を蘇らせるために、どんな怪しげな儀式をおっ始めてもそりゃ自由だぜ。@親父の趣味なんだからな。@/ `Dad's free to start up any weird ceremony he wants to revive the witch he loves.`@` That's his hobby. `@/ ;ld c,$RUD_AkuwaraiA2,80 ;だが、そいつに巻き込まれて、……たはは、生贄にされるのはまっぴら御免だぜ。」\ ;＜留弗夫 `But getting wrapped up in that, ......ahaha, and being made into a sacrifice is a little more than I can handle."`\ ld r,$EVA_odorokiA2,24 ;「留弗夫、お父様の話に口を挟む気？！」@ ;＜絵羽 `"Rudolf, are you trying to interrupt Father?!"`@ ld c,$RUD_KomaruA1,80 ;「何言ってんだ、姉貴！@　こんな物騒な話に、はいそうですかで頷けるわけねぇだろ？！」\ ;＜留弗夫 `"What are you talking about, Aneki?!`@` You expect me to listen to something that shady and say 'Oh, really?'?!"`\ me3 16 bg Mdin_1gN,25 ;　金蔵の口にする“儀式”が、言葉通りの物騒なものなのか、@次期当主を選ぶための何らかの試練なのか。@ `Was the 'ceremony' Kinzo had mentioned literally something disturbing, `@`or was it some kind of test to choose the next head?`@ br ;　留弗夫は言葉通りの物騒なものとして受け取ったようだが、@絵羽はそれでも、これは次期当主を見極めるための、@試練や審査のようなものだと信じているようだった。@ `It seemed that Rudolf had taken it literally,`@` but Eva apparently still believed that it was something like a test or examination to find the proper next head.`@ br ;　しかし金蔵はそれに対し、明快な答えを返す。\ `But Kinzo responded to that with a clear smile.`\ mov %play_scene,40175 : mov %r_hyouji_side,0 bg Mdin_1aN,0 ld c,$KIN_akuWaraiA2,26 ;「さて、私からの話は以上だ。@異議も意見もなァんにも必要はなぁい…！！@　４人の不出来なる息子たちがいたという私の夢が覚めるだけの話なのだ。@お前たちにとって、これより目の前で起こることはまさに夢、幻、あるいはこの世のものと思えぬ理解に及ばぬ世界だろう。\ `"Well then, that is all I have to say.`@` Nooo objections or viewpoints are necessary...!!`@` I will simply awaken from my dream of having four unsuccessful children.`@` To all of you, what will occur now before your very eyes may seem like a dream, an illusion, something that couldn't conceivably be of this world, and a world that defies understanding.`\ ld c,$KIN_IkariA1,80 ;　しかしそれこそが我が現実！！@　お前たちという出来の悪き浅い夢は今こそようやく覚めるのだッ！！\ `But that itself is my reality!!`@` Now, I will finally awaken from the shallow, useless dream that all of you are!!`\ ld c,$KIN_waraiA1,80 ;　さぁ、もうゲームは始まっているぞ？@　これだけいては、誰から命を奪えばいいものやら…！！@/ `Come, the game has already begun, see?`@` With this many of you here, I can take lives starting with anyone...!! `@/ ld c,$KIN_akuWaraiA1,80 ;　さらばだ、出来の悪き息子たちよ。@そして生涯でただ一度、そして最後に、私の儀式のために役に立て…！！@/ `Good bye, my unsuccessful children.`@` And for the final and only time in your lives, be useful, for my ceremony...!! `@/ ;ld c,$KIN_IkariA1,80 E_B ;　出でよ、ペンドラゴンの記念兵たちよ…！！」\ `Arise, Pendragon's Memorial Troops...!!"`\ textoff bg Mdin_1eN,24 wait 500 se1 22 bg butterfly_1a,22 wait 1000 se2 22 bg butterfly_3a,22 ;　金蔵がオペラ歌手のように両手を高く掲げて、まるで満場の観客にそう叫ぶように言うと、@/ `When Kinzo raised his arms high like an opera singer, and yelled as though towards a packed audience, `@/ se3v 1100,100 bg white,1 bg Mdin_1eN,0 ;ld r,$S45_DefA1,0 ;ld l,$S41_DefA1,0 ;mld c,$S00_DefA1,0 se1v 22,100 print 99,1000,"breakup.dll/lrb" ;空間がガラスのように割れ、………この島に招かれていないはずの人影が、３人もそこに姿を現す……。\ `the air shattered like glass, .........and the outlines of three people who supposedly hadn't been invited to this island appeared......`\ bgm1 74 se1 52 ld r,$S45_DefA1,99,1000,"breakup.dll/ulb" ;「シエスタ４５、ここに…！」@ `"Siesta 45, right here...!"`@ se2 52 ld l,$S41_AkuwaraiA1,99,1000,"breakup.dll/urb" ;「シエスタ４１０、ここにぃ！」@ `"Siesta 410, right heere!"`@ ;◆シエスタ００情報追加（シエスタダブルオー） se3 52 mld c,$S00_DefA1,0 print 99,2000,"breakup.dll/ulb" ;「シエスタ００、ここにであります。」/ `"Siesta 00, right here sir."`/ mov %play_scene,40180 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_s : seplay 9,1060 \ ;　３人の奇怪なる姿の少女たちが金蔵の後に突如、現れる。@ `Three girls with strange forms suddenly appeared behind Kinzo.`@ br ;　どこから？@　いつの間に？@　誰？@　どちら様？？@ `Where from?`@` When?`@` Who?`@` Who are they??`@ br ;　……ニンゲンたちは目を白黒させて頭を真っ白にする。@ ;　そんな思考に時間を費やしたため、彼らは生き残る最後のチャンスを失った。\ `......The humans were thrown off balance and their minds went blank.`@ `Because they had spent all that time thinking, they had lost their last chance to survive.`\ mcl c,0 bg Mdin_1bN,0 ld c,$KIN_FukigenA1,23 ;「お前たちには６人の射殺を許可する。@/ `"You have permission to shoot six people to death. `@/ ld c,$KIN_fumuA1,80 ;標的は自由だ。@攻撃開始。」\ ;＜金蔵 `The targets are up to you.`@` Begin attacking."`\ bg Mdin_1eN,0 ld r,$S00_MajimeA1,24 ;「自由射撃了解であります。@良き標的に感謝。@各個、自由射撃開始。」\ ;＜００ `"Unrestricted Firing Understood, sir.`@` Thank you for the good targets.`@` Everyone, Commence Unrestricted Firing."`\ ld l,$S41_DefA1,23 ;「にひ！@　一番乗りだにぇ！！@　ヒャッハッ！！」@ ;＜４１０ `"Nihi!`@` First one in, nyeh!!`@` Hyahhah!!"`@ br ;　４１０が宙を指で掻くと、虚空に黄金の弓が現れ、その弦を引く。\ `When 410 scratched the air with her finger, a golden bow appeared in empty space, and she pulled its string.`\ textoff mov %efe_spd1,100 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 ;　そこに構えられた黄金の矢は何の躊躇いもなく放たれ、室内をでたらめな黄金の軌跡を残しながら飛び回り、@/ ;………親族会議のテーブルに座した一同の中から、夏妃を選び、その顔面の左半分を粉砕した。\ `The golden arrow that had been readied there was fired off without any hesitation, flew around the room leaving haphazard gold loci everywhere, `@/ `.........and chose Natsuhi from among those sitting at the table of the family conference, pulverizing the left half of her face.`\ textoff E_A se2v 36,100 bg white,1 bg blood_1b,1 quakey 6,600 se1 38 bg blood_1aR,22 quakex 5,1200 se1 13 quakey 3,800 bgm1 24 ;　肉片と真っ赤な血飛沫が辺りに撒き散らされ、@親族たちの顔と真っ白なテーブルクロスに真っ赤な飛沫を大量に残す。\ `Flesh and deep-red blood scattered around,`@` leaving massive amounts of deep-red spatter marks on the relatives' faces and the pure white tablecloth.`\ bg Mdin_1eN,22 ;　シン、……としていた。\ `......There was silence.`\ ;　一同は、テーブルクロスに真っ赤な斑が大量に残されても、なお、この異常な、@………夏妃が頭部を半壊させて、腰掛けたまま居眠りをするように頭を垂れるのを、@………何が起こったのか理解できずに、沈黙して見守っていた。\ `Even though there was a massive number of deep-red spots left on the tablecloth, `@`.........no one could understand why Natsuhi's head was half smashed, nor why she was hanging her head as though dozing while still sitting,`@` .........and they watched on in silence.`\ ;bg Mdin_1bN,23 ;　……夏妃より右側に座っていた者たちは比較的長く沈黙していたが、@左側に座っていた者たちはそうはいかなかった。@ `......Those sitting on the right-hand side from Natsuhi were silent for a relatively long time,`@` but those sitting on her left were not.`@ br ;　……そちら側に座っていた人々は、@彼女の頭部が叩き割られた西瓜か石榴のようになっている、その内側まで見せ付けられていたからだ……。\ `......Because the people sitting on that side had been shown how her head had been smashed open like a watermelon or a pomegranate, `@`and could even see inside her......`\ me1 18 bg black,1 ;「な、……つひ…………、」\ ;＜蔵臼 `"Na, ......tsuhi............"`\ bg Mdin_1aN,0 ld c,$KIN_fukigenA1,26 ;「……まずは１人。@夏妃か、最後まで運のない女だ。@/ `"......The first one.`@` Natsuhi was it? A luckless woman to the end. `@/ ld c,$KIN_ikariA1,80 ;……次ッ！」@ ;＜金蔵 `......Next!"`@ ld r,$S00_DefA1,24 ;「００、射撃。」\ ;＜００ `"00, Firing."`\ bg black,22 ;　００も同じように虚空を掻いて黄金の弓を構えると、放つ。@ `After scratching the empty air in the same way and readying her bow, 00 fired as well.`@ br textoff mov %efe_spd1,100 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3R,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6R,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7R,10,600 ;waittimer 500 se2v 36,100 bg white,1 bg blood_1b,1 quakey 6,600 se1 36 bg blood_1a,1 quakex 5,1200 ;　４１０の放った黄金の矢同様、でたらめな軌跡を描いて室内をぐるぐると高速で飛びまわった後、@……夏妃を呆然と見ていた、留弗夫を、同じように頭部を半壊させて即死させた。\ `After it flew around and around at high speeds like the golden arrow 410 had released, drawing a convoluted locus in the same manner,`@` ......it smashed half of Rudolf's head in the same way as he looked at Natsuhi in shock, killing him instantly.`\ se1v 13,90 bg blood_1aR,1 quakey 4,500 ;　今度はみんな、思考停止には陥らなかった。@恐るべき殺人が、金蔵の言葉通りに目の前で実行され出したことを理解する。@ `This time, everyone did not stop thinking altogether.`@` They realized that a fearsome murderer was killing according to Kinzo's words right in front of them.`@ br ;　そして、金蔵はさらに殺すだろうことを理解する……！\ `And they understood that Kinzo would probably kill again......!`\ me2v 17,90 bg black,1 ;!s0「「うわああああああぁあああ！！」」 !s0`""Waaaaaaaaaaaaaaaaaaaaahhhh!!""` quakey 4,500 ;「「きゃああぁああああああぁあああッ！！！」」/ `""Kyaaaaaaaaaaaaaaaaaaaaaaahhhhh!!!""`/ quakey 5,700 !sd@ br ;　鋭い悲鳴が沸き起こる。\ `Shrill screams burst out.`\ bg Mdin_1gN,22 ;　それでもなお、彼らはどうすればいいかわからなかった。@ ;　だから、悲鳴をほとばしらせたままに口を大きく開けて、金魚のようにぱくぱくとさせ続けるしかなかった……。\ `Even so, they did not know what to do.`@ `So they could only keep screaming and flapping their wide-open mouths like goldfish......`\ bg Mdin_1cN,0 ld r,$EVA_odorokiA1,26 ;「お、……お父様……、/ ;!d800これは何の真似です……？」@ ;＜絵羽 `"F, ......Father......, `/ !d800`what do you think you're doing......?"`@ ld c,$HID_KomaruA2,64 ;「…あ、阿呆ぅ！！@　はよ逃げるんやッ！！」\ ;＜秀吉 `"...Y, you fool!!`@` Run now!!"`\ ;　呆然としながら、金蔵にそう問い掛ける絵羽を、@誰よりもいち早く正気に戻って立ち上がった秀吉が、後から腕を掴み引っ張る。\ `As Eva asked Kinzo that in total shock,`@` Hideyoshi, who had come to his senses faster than anyone else, pulled at her arm from behind.`\ textoff mov %efe_spd1,100 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 se2v 36,100 bg white,1 bg blood_1b,1 quakey 6,1200 ;se1 36 ;bg blood_1a,1 ;quakex 5,1200 ;　しかし、無慈悲なる運命は３人目の生贄に、/ ;!d900………秀吉を選ぶ。\ `However, merciless fate's choice for the third sacrifice, `/ !d900`.........was Hideyoshi.`\ ;　秀吉の頭部もまた、それまでの２人と同じく綺麗に半分、@……その時、たまたま向けていた右側側頭部が、……西瓜か石榴のように中身をぶちまけて吹き飛ばされた。@ `Just like the two before him, half of Hideyoshi's head was neatly smashed,`@` ......and the left side of his head, which had happened to be facing that direction at the time, ......had been blown away with its contents exposed like a watermelon or a pomegranate.`@ br ;　だから秀吉は、絵羽を掴んだまま、……ぐらりと後へ仰け反って倒れる。@ ;　絵羽は最愛の夫に抱かれたまま、一緒に後へ転げて倒れる。\ `So, still holding Eva, ......Hideyoshi slumped backwards and fell down.`@ `Still held by her beloved husband, Eva fell over backwards with him.`\ bg mdin_1gN,1 se1 13 quakey 5,1200 ;「あなた……？@　あなた…？！@　ひいいいぃいいいいいいぃいッ！！！」@ ;＜絵羽 `"Dear......?`@` Dear...?!`@` Eeeeeeeeeeeeeeeeeekkkk!!!"`@ br ;　絵羽は絶叫する。\ `Eva screamed.`\ ;　…無理もない。@ `...It was only natural.`@ br ;　そこに求めたはずの秀吉の面影が、……半分失われていて、@砕けた頭蓋骨、ぐちゃぐちゃになってはみ出た脳髄、砕けた歯茎を剥き出しにしているのだから……。\ `The face she had been looking for, ......had been half lost,`@` and the crushed skull, the mashed brains, and the crushed jaw were all bared......`\ bg Mdin_1aN,0 ld l,$KIN_DefA1,26 ld r,$S45_DefA1,24 ;「４５、着弾、命中…！」@ ;＜４５ `"45, Impact, Hit...!"`@ ld l,$KIN_WaraiA2,80 ;「見事だ。@続けて撃て。@残りは３人であるぞ。」\ ;＜金蔵 `"Spectacular.`@` Fire again.`@` There are three people left."`\ cl r,23 ld r,$KLA_IkariA1,64 se1 11 quakex 4,500 ;「おッ、お父さん…！！@　こここここッ、これはこれはッ、何の真似です？！？！」\ ;＜蔵臼 `"F, Father...!!`@` W, w, w, w, w, what, what...is this supposed to be?!?!"`\ se1 52 ld c,$S00_majimeA2,99,1000,"breakup.dll/llb" se1 12 cl r,1 quakex 4,600 ;　蔵臼が威勢良く立ち上がり、金蔵に食って掛かろうとすると、それを００に制止される。@ `When Krauss stood up forcefully, and was about to rush Kinzo, 00 blocked him.`@ br ;　……華奢そうな体をしながら、右腕の手の平だけで蔵臼の体躯を押し留める。\ `......With her slender-looking body, she held back Krauss's body with just the palm of her right hand.`\ se1 20 bg black,65 ;　それでもなお、抗い、金蔵に組みかかろうとするので、@００は蔵臼の襟首を掴み上げ、親指を喉仏に捻りこむ。@ `He still tried to resist and attack Kinzo,`@` so 00 lifted Krauss by the nape of the neck, and twisted into his Adam's apple with her thumb.`@ br ;　それはとても堪えたらしく、蔵臼は悶絶して苦しがった。\ `It seemed to be very painful, and Krauss was overcome with agony.`\ bg Mdin_1gN,0 ld r,$KLA_KomaruA3,22 ;「ぐ、おぉおおおおお……！！！@　みんな、…逃げろ…！！@　警察を……！@　救急を…！！@　早く……ッ！！」\ ;＜蔵臼 `"Gghh, oooooooohhhh......!!!`@` Everyone, ...run...!!`@` Get the police......!`@` An ambulance...!!`@` Quickly......!!"`\ bg Mdin_1eN,0 ld r,$NAN_KomaruA2,1 ld r,$NAN_MajimeA2,80 ;「皆さん、逃げましょう！！/ `"Everyone, let's escape!! `/ quakey 3,400 ;@　逃げるんだ！！」@ ;＜南條 @`Escape!!"`@ br ;　南條の鋭い一言に、ようやく一同の、腰が椅子から剥がせない呪縛が解けた。\ `Nanjo's sharp words finally dissolved the spell that had been holding them down in their chairs.`\ bg Mdin_1fN,0 ld c,$GOH_odorokiA1,0 ld l,$KUM_KomaruA1,64 ;　郷田と熊沢が、我先にと食堂から逃げ出そうとすると、@/ `When Gohda and Kumasawa each tried to escape from the dining hall first, `@/ se1 57 bg white,1 bg Mdin_1fN,0 ld c,$GOH_odorokiA1,0 ld l,$KUM_KomaruA1,0 ld r,$S41_defA1,22 ;４１０がそこに瞬間移動して現われ、退路を塞ぐ。\ `410 moved in an instant and appeared there, blocking the way.`\ ld r,$S41_akuwaraia2,80 ;「にひ！　すっトロいにぇ〜。@逃ィがすと思ったかにぇ〜♪」@ ;＜４１０ `"Nihi! You sure are slow nye~h.`@` Did you thiink I'd let you escape nye~h♪"`@ ld l,$KUM_OdorokiA1,80 ;「ひィえええぇえぇえ！！」 ;＜熊沢 `"Hiieeeeeeeeeehhhh!!"` ld c,$GOH_KomaruA3,80 ;「おッ、お助けぇえええええぇ！！」\ ;＜郷田 `"H, help meeeeeeeeeeeee!!"`\ bg black,1 ;「郷田さん、伏せてッ！！」@ ;＜霧江 `"Gohda-san, duck!!"`@ br ;　霧江の鋭い声に、郷田はわけもわからずにとにかくしゃがむ。@ `Even though Gohda didn't understand, he crouched when he heard Kyrie's sharp voice.`@ se1v 20,100 ;　……するとその頭上を重い風が切る。\ `......Then, a burst of air rushed above his head.`\ bg Mdin_1eN,0 ld l,$KIR_MajimeA2,0 ld r,$S41_akuwaraiA1,62 ;　霧江が、椅子を大きく横振りにして薙ぎ払ったのだ。@ `Kyrie had taken a big swing with a chair to mow 410 down.`@ br se1 12 bg white,1 bg Mdin_1eN,0 ld r,$S41_DefA1,0 ld c,$KIR_defA1,62 quakex 4,800 ;　しかし、４１０は人を馬鹿にしたような笑みのまま、その大振りの椅子をぱしりと片手で容易に受け止める。\ `But 410, still with an expression as though she was making fun of them, easily caught that widely swung chair with a single hand.`\ cl c,0 ld l,$KIR_MajimeA2,64 ;「……ち！」@ ;＜霧江 `"......Tch!"`@ ld r,$S41_AkuwaraiA2,24 ;「おっかない女だにぇ。@旦那の後がそんなに追いたいぃ？」\ ;＜４１０ `"What a scary woman nyeh.`@` You really want to go the same way as your husband that muuch?"`\ textoff mov %efe_spd1,80 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 se1v 12,100 bg white,1 bg black,2 ;　椅子を受け止めている腕の袖口から、光る黄金の蛇のようなものが現れて、@……椅子にぐるぐるっと絡みつくと、それをバリンッ！！っと爆ぜさせてしまう。@ `From the cuff of her arm where she had caught the chair, something like a shining golden snake appeared,`@` ......wrapped itself around the chair, and burst open.`@ br ;　万力どころではない、恐ろしい力だった。\ `It was a fearsome power, like a vice.`\ ;　霧江は目の前の一見少女に見える存在が、@ニンゲンには到底、太刀打ち出来ない人知を越えた存在だと知り、@内より湧き出す壮絶な警鐘で頭を満たされる…。\ `When Kyrie realized that the being in front of her, which looked like a girl,`@` was actually a being that surpassed human knowledge and which a human could not even begin to oppose,`@` her head was filled with an great alarm bell that welled up from inside her...`\ bg black,22 bg Mdin_1fN,0 ld r,$GEN_MajimeA2,0 ld c,$SHA_fumanA1,0 ld l,$KAN_FumanA2,26 ;　そんな光景を目前にしても、冷静に壁際に直立不動で立ち続ける、源次、紗音、嘉音の、@片翼の鷲を許された使用人たちの姿はとても異様で不気味だった。\ `Genji, Shannon, and Kanon, all of the servants permitted to wear the One-winged Eagle, continued to stand calmly at attention by the wall even with a scene like this before their eyes,`@` making them look very bizarre and eerie.`\ ;　霧江は一瞬、彼らのその余裕は、@彼らが敵側であり、自分たちは殺されないという保証によって成り立っていると考えた。@ `For an instant, Kyrie thought that their calmness was achieved because they were with the enemy, `@`and had been guaranteed that they would not be killed.`@ br textoff mov %efe_spd1,100 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 se2v 36,100 se3v 36,100 bg white,1 bg blood_1a,1 quakey 6,1200 ;se1v 36,100 ;bg blood_1a,1 ;quakex 5,1200 ;　……しかし、そう考えた瞬間に源次の側頭部が吹き飛ばされるのを目の当たりにする。\ `......But as soon as she thought that, the side of Genji's face was blown away before her eyes.`\ ;「げ、源次さん……。」\ ;＜南條 `"G, Genji-san......"`\ bg Mdin_1aN,26 ld r,$S45_MajimeA1,64 ;「４５、着弾、命中…！」\ ;＜４５ `"45, Impact, Hit...!"`\ ld l,$KIN_WaraiA1,23 ;「……ほほぅ、源次め、これは運が悪い。@……安らかに眠れ、我が友よ。@/ `"......Hohoh, Genji, how unfortunate.`@` ......Sleep in peace, my friend. `@/ ld l,$KIN_akuWaraiA1,80 ;くっくくくくくく、そなたの死は無駄にはならぬぞ。@我が愛しき魔女復活の重要なる１３の鍵のひとつとなるのだから。@ふっはははははははは……。」\ ;＜金蔵 `*cackle*cackle*cackle*, your death will not be wasted.`@` You will become one of the 13 keys essential to the resurrection of my beloved witch.`@` Fuhhahahahahahahaha......"`\ ;　源次に半分だけ残された表情は、/ ;!d900……いつもと同じように淡白なものだった。@ `The half of Genji's expression that remained, `/ !d900`......was as indifferent as ever.`@ br ;　ぐらりと傾き、……どさりと倒れて、真っ赤な飛沫を床に飛び散らせた……。\ `He tilted, ......fell over, and sent a blood-red splatter out across the floor......`\ bg Mdin_1eN,22 ld r,$SHA_KomaruA1,24 ;「………源次さま……………。」@ ;＜紗音 `".........Genji-sama..............."`@ ld l,$KAN_odorokiA2,23 ;「…………僕たちなんて、…所詮は魔女の駒なんだ。@………所詮…、………所詮……。」\ ;＜嘉音 `"............We're nothing more, ...than the witch's pieces.`@` .........Nothing more..., .........nothing more......"`\ ;　紗音と嘉音の、神妙そうな、…そして悔しそうな、@いや、……諦観さえ漂う表情には、自分たちは助かるなどという甘い期待は感じられない。\ `From the meek, ...and frustrated, `@`no, ......resigned expressions on Shannon and Kanon's faces, you couldn't feel any naive expectation that they would be saved.`\ ;　そう。@金蔵は本当の本当に、………ランダムに殺人を行なっているのだ。@ ;　誰が助かり、誰が殺されるか、……本当の本当に、ゲームのように殺しているのだ。\ `That's right.`@` Kinzo was, in the truest sense, .........carrying out these murders at random.`@ `In the truest sense, ......he was killing like it was a game to see who would be saved and who would be killed.`\ me3 16 bg Mdin_1bN,0 ld c,$S41_AkuwaraiA1,24 ld c,$S41_AkuwaraiA2,80 ;「さァて、つゥぎは誰を狙おうっかにぇ〜。@にっひひ！！」\ ;＜４１０ `"We-ll then, whoo'll we go for next nye~h.`@` Nihhihi!!"`\ ;　４１０は一瞬だけ霧江を見た。@ ;　だからその瞬間、……霧江は自らの死を覚悟した。@ `410 looked at Kyrie for a second.`@ `In that second, ......Kyrie was prepared for her own death.`@ br ;　だが宙に黄金の弓を構えた時、４１０は霧江の頭越しに別の誰かを見た。@ ;　……だから霧江は不謹慎にも、自分は助かったと直感する……。\ `But when she readied her golden bow in midair, 410 was looking at someone else over Kyrie's shoulder.`@ `......So, as imprudent as it was, Kyrie felt as though she had been saved......`\ textoff mov %efe_spd1,90 bg black,22 resettimer se1v 57,100 bg white,1 bg homing1R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3R,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4R,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5R,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6R,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7R,10,600 ;waittimer 500 se2v 36,100 bg white,1 bg blood_1b,1 quakey 6,400 se3v 36,100 bg blood_1a,1 quakex 5,1200 ;　再び、室内に砕けて爆ぜる醜い音が響き渡る。\ `Again, an ugly, exploding, popping sound rang throughout the room.`\ bg black,22 ;　……今度は誰が？@ `......Who was it this time?`@ br ;　霧江が音をした方向を振り返ると、@/ `When Kyrie turned to face the direction of the sound, `@/ bg blood_2e,22 ;………そこには、血を噴水のように迸らせながら、夫の胸元に倒れる絵羽の姿があった。@ `.........she saw blood gushing like a fountain, and Eva lying on her husband's chest.`@ br ;　…もちろんその顔は、夫と同じく半分を砕かれたものだった……。\ `...Of course, her face had been half smashed just like her husband's......`\ ;　４１０は無慈悲にも、夫の遺体にすがり付いて泣きじゃくっていた絵羽を標的としたのだ。\ `410 had mercilessly targeted Eva as she had clung to her husband's corpse sobbing.`\ bg Mdin_1bN,22 ld r,$ROS_odorokiA1,24 ;「に、兄さんを離して…！！@　兄さんを離しなさい…！！@/ `"L, let go of Nii-san...!!`@` Let go of Nii-san...!! `@/ ld r,$ROS_IkariA1,80 ;　もう止めてお父様！！@　こんな残酷なことはもう止めてッ！！」@ ;＜楼座 `Just stop it, Father!!`@` Just stop this brutality!!"`@ ;bg black,22 ld l,$KLA_komaruA3,26 ;「……逃げろ楼座……。@ぐ、く、………！」\ ;＜蔵臼 `"......Run away, Rosa......`@` Ggh, ack, .........!"`\ ;　楼座の抗議は、血飛沫に染まる食堂で高笑いを続ける金蔵には届かないし、@００に襟首を掴み上げられている蔵臼の苦痛を和らげることも出来ない。@ `Rosa's objection didn't reach Kinzo as he continued to laugh loudly in the blood-spattered dining hall,`@` so she wasn't able to lessen Krauss's pain at being lifted up by the nape of the neck by 00.`@ br ;　だから楼座は実力を行使するしかない。@傍らの椅子を振り上げ、警告する。\ `So Rosa had no choice but to use force.`@` She lifted up a chair beside her, and gave a warning.`\ bg Mdin_1aN,0 ld l,$KIN_WaraiA2,26 ld r,$ROS_IkariA1,64 ;「お父様…！！@　兄さんを離すように命令して！@　もうこんなことを止めさせて！！」\ `"Father...!!`@` Order her to let go of Nii-san!`@` Just stop them from doing this!!"`\ ld l,$KIN_fukigenA1,80 ;「出来ぬな。@それを望むならば、お前の自らの力で阻止するが良い。@……自らの運命は自らの手で切り開け。@/ `"I cannot.`@` If that is what you desire, then prevent it using your own power.`@` ......Cut a path through to your own fate with your own hands. `@/ ld l,$KIN_WaraiA1,80 ;常に誰かの背に隠れ、怯えてきたお前に宿る、人生最後の克己を見せてみよ…！！@　ふっははははははははは！！！」@ `You who have always hid behind the backs of others in fear, show me the final bit of self-denial that dwells within you...!!`@` Fuhhahahahahahahahaha!!!"`@ ld r,$ROS_AseruA1,80 ;「お、……お父様……。@/ `"F, ......Father......`@/ cl r,0 ld c,$ROS_IkariA2,80 ;………うわああああああああぁあああ！！」/ `.........Whaaaaaaaaaaaahhhhh!!!"`/ se1 20 quakex 4,500 \ ;se1 20 bg black,1 ;!s0　楼座はその振り上げた椅子を、/ ;!d1000………自分の生涯に、畏怖の対象として君臨し続けた父親に対し、振り下ろす。/ !s0`The chair that Rosa had lifted up, `/ !d1000`.........swung down at the father who had reigned as a symbol of terror for her entire life.`/ !sd@ ;　それは楼座の人生で最大の、そして最後の勇気、そして克己。\ `It was the greatest, and final...act of bravery and self-denial in Rosa's life.`\ ;　金蔵の言う通りかもしれない。@ `What Kinzo had said might have been true.`@ br ;　……その勇気をもっともっと早くに持てたなら、@彼女の人生はもっと自由で、何者にも束縛されなかったかもしれない。\ `......If she had grasped that courage much sooner,`@` her life might have become more free, unrestrained by anyone else.`\ se1 46 se2v 2,100 se3v 12,90 bg blood_2e,1 quakex 4,900 bg Mdin_1gN,22 ;　そして、バンッと爆ぜる音。@ `Then, there was a bursting sound.`@ br ;　……楼座の椅子が激しく金蔵を打ち付ける音であるはずは、/ ;!d500…なかった。@ `......The sound of Rosa's chair fiercely hitting Kinzo, `/ !d500`...could not have been this.`@ br ;　椅子を振り上げたまま、/ ;!d800………頭部を綺麗に半分失い、ばたりと倒れる。/ `With the chair still lifted up, `/ !d800`.........she neatly lost half of her head, and slumped over.`/ se1 13 quakey 4,800 \ bg Mdin_1aN,0 ld c,$S00_DefA1,26 ;　蔵臼を片手で掴み上げたまま、……００がもう片手を楼座に突き出していた。@ `Still holding Krauss up with one hand, ......00 stuck her other hand out towards Rosa.`@ br ;!s0　その腕より放たれた黄金の蛇が、/ ;!d800楼座を螺旋状に締め上げ、/ ;!d900……頭部を食い破ったのだ。/ !s0`The golden snake released from that arm...`/ !d800`had constricted Rosa in a helix, `/ !d900`......and had smashed into her head.`/ !sd\ ld c,$S00_MajimeA2,80 ;「……防衛射撃。@至近弾の無礼をお詫びするであります。」\ ;＜００ `"......Defensive Firing.`@` I apologize for the discourtesy of a point-blank shot, sir."`\ cl c,0 ld l,$S00_MajimeA2,0 ld r,$KIN_DefA1,24 ;「構わぬ。@む、これで６人であるか。」@ ;＜金蔵 `"I do not mind.`@` Hmm, so this makes six people."`@ ld l,$S00_majimeA1,80 ;「はい、ゴールドスミス卿。@これで６人であります。」@ ;＜００ `"Yes, Lord Goldsmith.`@` This makes six people."`@ br ;　それを淡白に告げると、００はずっと掴み上げていた蔵臼を放り投げる。\ `When she indifferently communicated that, 00 let go of Krauss, who she had been lifting up this whole time.`\ textoff se1 20 wait 1000 bg Mdin_1gN,1 se2 13 quakey 3,900 mov %play_scene,40190 ;「うむ。@第一の晩の生贄は、絵羽に留弗夫に、楼座、夏妃、秀吉、そして源次であるか。@くっくくくくくく！！」\ `"Hmmm.`@` So, the sacrifices of the first twilight were Eva, Rudolf, Rosa, Natsuhi, Hideyoshi, and Genji.`@` *cackle*cackle*cackle*!!"`\ bg black,22 fede 0,3000 bg blood_1b,22 me1v 16,50 ;　それは、あっという間の虐殺。@ `It was a massacre that happened in an instant.`@ br ;　食堂内は血飛沫によって汚され、@……６人の不運なる犠牲者が、無残な頭部を晒して転がっている。@ `The interior of the dining hall had been dirtied by blood spatter,`@` ......and the six unlucky victims lay with their heads brutally exposed.`@ br ;　その異常な空間に相応しい、金蔵の異常な笑い声だけが木霊していた……。\ `In a way that was fitting for that abnormal space, Kinzo's abnormal laugh alone echoed......`\ se3v 21,100 bg Mdin_1dN,0 ld c,$KIN_WaraiA1,22 ld c,$KIN_AkuwaraiA1,80 ;「はっはははははは、わっはははははははははははッ！！@　いよいよに幕を開けたぞ！@　ベアトリーチェを蘇らせる儀式の始まりだ…！！\ `"Hahhahahahahaha, wahhahahahahahahahahahahaha!!`@` The curtain has finally risen!`@` It's the beginning of the ceremony to revive Beatrice...!!`\ ld c,$KIN_WaraiA2,80 ;　運良く第一の晩を逃れた者たちに、我が友人たちを紹介しようではないか。@/ `You lucky ones who have managed to escape the first twilight, allow me to introduce you to my friends. `@/ ld c,$KIN_IkariA1,80 ;出でよ、我が友よ！@　ロノウェ…！！」\ `Arise, my friend!`@` Ronove...!!"`\ bgm1 73 textoff bg Mdin_1cN,23 wait 1000 E_MA se1 52 ld r,$RON_DefA2,99,2000,"breakup.dll/lrb" mov %play_scene,40200 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_ron : seplay 9,1060 ;　金蔵がロノウェの名を呼ぶと、うやうやしく最敬礼をしながら、虚空に悪魔の執事が姿を現す……。\ `When Kinzo called Ronove's name, the demon butler showed himself in midair, bowing respectfully......`\ ld r,$RON_DefA1,80 ;「皆様方、初めまして。@そしてご無沙汰の皆様におかれましては御機嫌よう。@/ `"Pleased to meet you, everyone.`@` And good day to those of you I haven't seen for a long time. `@/ ld r,$RON_akuWaraiA1,80 ;ぷっくっくっく…！@　これはまた派手に散らかされましたようで。」\ ;＜ロノウェ `Pu ku ku ku...!`@` It seems this place is once again spectacularly untidy."`\ ld l,$KIN_WaraiA2,23 ;「良いわ。@我が白昼夢の如き日々を覚ますには、この程度の刺激が必要だ。\ `"Very well.`@` This level of stimulant is necessary to wake me from my daydream like days.`\ ld l,$KIN_waraiA1,80 ;　紹介しよう、我が友人であり、頼れる執事であり７２柱の大悪魔である、ロノウェだ。」\ `I shall introduce him, my friend, the reliable butler and one of the 72 Great Demons, Ronove."`\ ld r,$RON_defA1,80 ;「以後、お見知りおきを。」@ ;＜ロノウェ `"I am pleased to make your acquaintance."`@ br ;　それは誰に対しての紹介なのか。\ `Just who was he aiming that introduction at?`\ ;　……尻餅を付いたままの蔵臼も霧江も、南條も郷田も熊沢も、@呆然としながら初対面の中年紳士を見上げる他なかった……。@ `......Krauss and Kyrie, who were still down on their backsides, and Nanjo, Gohda and Kumasawa...`@`could only look up at this middle-aged gentlemen who they didn't know in shock......`@ br ;　紗音と嘉音だけは面識があるようで、深々と頭を下げる…。\ `Only Shannon and Kanon seemed to recognize him, and they bowed deeply...`\ bg Mdin_1eN,24 ld c,$RON_DefA2,23 ;「……源次には挨拶が叶いませんでしたか。@せめて、苦痛なく役目を終えられたなら良いのですが。」\ ;＜ロノウェ `"......So, I wasn't able to greet Genji.`@` I hope that he was at least able to fulfill his purpose painlessly."`\ ld l,$S45_MajimeA1,23 ;「頭部直撃弾にて即死でした…！@　苦痛を味わう暇もありません。」@ ;＜４５ `"It was an instant death from a direct hit to the head...!`@` He didn't have the time to feel the pain."`@ ld c,$RON_majimeA1,80 ;「そうですか。@結構です。」\ `"Is that so?`@` Very well."`\ bg Mdin_1bN,0 ld r,$KIN_WaraiA1,23 ;「続けて友を紹介しよう。@出でよ、我が友、ワルギリア…！！」\ `"Allow me to introduce another friend.`@` Arise, my friend, Virgilia...!!"`\ bg Mdin_1fN,22 se1 52 ld c,$Wal_DefA1,99,2000,"breakup.dll/llb" ;　再び虚空に、親族たちにとって未知なる人影が現れる。@ ;　それは優雅なドレス姿で上品に挨拶をしながら現れる。\ `Once again, a silhouette of someone the relatives didn't know appeared from empty space.`@ `She appeared in a refined dress while making an elegant greeting.`\ bg Mdin_1eN,23 ld l,$WAL_DefA2,23 ;「………召喚を感謝します、お館様。@/ `".........Thank you for summoning me, Master. `@/ ld l,$WAL_majimeA1,80 ;許されるならば、このような血生臭き場に呼び出されたくはありませんでしたが。」\ ;＜ワルギリ `Although I would rather not have been summoned into a bloody place such as this."`\ ld r,$KIN_WaraiA2,24 ;「こやつも紹介しよう。@我が友であり頼れる相談役でもある、ワルギリアだ。/ `"Allow me to introduce her too.`@` This is both my friend and reliable counselor, Virgilia.`/ mov %play_scene,40210 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_wal : seplay 9,1060 @ ld r,$KIN_MajimeA1,80 ;……偉大なる有限の魔女であるお前の力を我が儀式に借りたい。@その力を貸せぃ！」\ `......I want to borrow your great power as the Witch of the Finite.`@` Lend me that power!"`\ ld l,$WAL_defA1,80 ;「……お断りしようにも、あなたの強力な召喚隷属下にある身ではそれも叶いません。@御意に、お館様。」\ `"......Even if I tried to refuse, that wouldn't be permitted for someone under your powerful summoning subordination.`@` Your will, Master."`\ bg black,23 bg Mdin_1bN,23 ld r,$RON_odorokiA1,24 ;「…………それにしても、恐ろしいお方だ。@シエスタの姉妹兵を３人も召喚し、私に加え、さらにワルギリアさままでも召喚せしめるとは…。@/ `"............Even so, he is a fearsome fellow.`@` To think that he summoned three of the Siesta Sisters Corps, and then me, and even Virgilia...`@/ ;ld r,$RON_OdorokiA1,80 ;……召喚という能力においてのみとはいえ、お嬢様をも遥かに上回るとは、……恐ろしい。@右代宮の血に戦慄を覚えます。」\ ;＜ロノウェ `......Even though it is only in the area of summoning, to think that he far surpasses Milady, ......frightening.`@` I shudder at the Ushiromiya blood."`\ bg Mdin_1cN,0 ld c,$KIN_fukigenA1,24 ;「ベアトリーチェ復活の儀式を執り行うために、私は召喚師としての全てを尽くすだろう。@まだ足りぬな。@この度の儀式の完璧なる遂行のために、さらに召喚しよう。\ `"In order to carry out Beatrice's resurrection ceremony, I gave it my all as a summoner.`@` It's still not enough.`@` In order to perfectly succeed in the ceremony this time, I shall summon more.`\ ld c,$KIN_WaraiA1,80 ;　ペンドラゴンの記念兵にロノウェにワルギリア…。@……まだ呼べるぞ…、我が魔力なら、まだまだ呼べる……！！@/ `The Pendragon Memorial Troops and Ronove and Virgilia...`@`......I can still call more..., with my magical power, I can still call many more......!! `@/ ld c,$KIN_IkariA1,80 ;!s0　我が召喚に応えよ……、/ ;!d800７２柱が１人、ガァプよ！！」/ !s0`Answer to my summons......, `/ !d800`one of the 72 demons, Gaap!!"`/ !sd\ bg Mdin_1aN,0 ld r,$WAL_KomaruA2,23 ;「ガァプを…？@　あれまでも顕現できるというのですか……。」@ ;＜ワルギリ `"Gaap...?`@` You can even summon her......?"`@ ld l,$RON_MajimeA2,23 ;「さらにこの島の侵食が進んだということでしょう。@……私たちが顕現できているほどです。@今さら、どんな大悪魔が呼び出せたとしても、驚くには値しますまい。」\ ;＜ロノウェ `"It probably means that the corrosion has advanced even more on this island.`@` ......It's enough so that we can materialize.`@` Even if he can summon greater demons than this, that's nothing to be surprised about."`\ ld r,$WAL_fumanA1,80 ;「もはや六軒島は完全に、異世界に飲み込まれているということですか。@…………彼が屈服しないと良いのですが。」\ ;＜ワルギリ `"Has Rokkenjima already been completely sucked into a parallel world then?`@` ............I hope he does not surrender."`\ ld l,$RON_AkuwaraiA1,80 ;「………前回、たっぷり入れ知恵をなされたでしょう？@　この程度では今さら屈服しますまい。@恐らく、ですがね？@　ぷっくっく！@/ `".........He learned a lot last time, correct?`@` After all this time, he won't surrender over this much.`@` Probably, I should say, right?`@` Pu ku ku! `@/ ;ld l,$RON_WaraiA1,80 ;　………さて、私たちはこの舞台を楽しもうではありませんか。@今回の主人公はどうやらお館様のようだ。@お嬢様とは一味違った脚本に期待しましょう。」\ ;＜ロノウェ `.........Well then, shall we enjoy this stage?`@` It seems the main character is the Master this time.`@` Let us expect a script of a different flavor than Milady's."`\ textoff bg white,80 ;se1v 22,100 ;bg white,22 ;wait 1000 se2v 22,100 monocro #2222ff print 2 monocro off E_B E_MA se1v 22,100 bg magicsquare_GAP,99,2000,"whirl.dll/l" print 1 ;　金蔵が魔力を強く集中すると、……空間に青白い光が集まり、歪み、@……真っ赤な光で魔法陣が描かれていく。\ `When Kinzo strongly concentrated his magical power, ......a pale light gathered in the air, twisted,`@` ......and a magic circle was drawn with a deep-red light.`\ E_A se1v 1006,100 se2v 1006,100 bg white,1 bg Mdin_1dN,0 ld c,$GAP_waraiA1,99,500,"breakup.dll/lrb" bgm1 96 ;　そしてそれがガラスのように砕け散った時、………そこには新しき悪魔の姿があった。\ `And with a sound like glass breaking, .........a new demon could be seen there.`\ bg Mdin_1aN,0 ld r,$KIN_DefA1,23 ;「……よくぞ我が呼び掛けに応えた。@……７２柱の大悪魔が一つ、ガァプよ…！」/ `"......You did well to answer to my call.`@` ......Gaap, one of the 72 Great Demons...!"`/ mov %play_scene,40220 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_gap : seplay 9,1060 \ ld l,$GAP_waraiA2,23 ld l,$GAP_akuwaraiA1,80 ;「…………すごいところに呼び出されたものね。@ `"............You sure summoned me to an incredible place.`@ ;ld l,$GAP_AkuwaraiA1,80 ;この血まみれの部屋を掃除するために、私は呼び出されたのかしら？@　ゴールドスミス…？」@ ;＜ガァプ `Did you call me to clean up this blood-stained room?`@` Goldsmith...?"`@ br ;　毒々しく、禍々しい装束に身を包んだ、文字通りに悪魔的な女が、@凄惨で目を覆うべきはず光景に、にやりと口元を歪めてみせる……。\ `The literally devilish woman, wrapped in a venomous, ominous costume,`@` looked at the scene which should have made her cover her eyes, and twisted her mouth in a grin......`\ bg Mdin_1cN,0 ld r,$RON_AkuwaraiA1,24 ;「そのためだけにあなたを呼び出すとしたら、それはまるで、@カシミアのマフラーで雑巾掛けをするようなものですよ。」\ ;＜ロノウェ `"If that had been the only reason for calling you, `@`it would be like using a cashmere muffler to mop the floor."`\ ld l,$WAL_defA2,23 ;「お久しぶりですね、ガァプ。@/ `"It's been a long time, Gaap. `@/ ;ld l,$WAL_KomaruA1,80 ;……あなたのような大悪魔が、とうとうこの島に現れてしまうなんて。@……いよいよこの島も幻想に沈むのでしょうか。」\ ;＜ワルギリ `......To think that a Great Demon such as yourself has finally appeared on this island.`@` ......I wonder if this island has nearly sunk into fantasy."`\ ld c,$GAP_waraiA3,24 ;「部屋の惨状よりも、この豪華キャストの方が驚くべきね。@………シエスタ姉妹が３人もいて、大悪魔ロノウェに大魔女ワルギリアに私まで。\ `"This all-star cast is more surprising than the gruesome state of the room.`@` .........A full three Siesta Sisters, the Great Demon Ronove, the Great Witch Virgilia, and even me.`\ ld c,$GAP_AkuwaraiA1,80 ;　これは何事？@　ここはパンデモニウム？@　地獄の演奏会でも始めるつもりかしら。@………なるほど、そこで指揮棒が振るえるのは、あなたぐらいしか思いつかないわ、ゴールドスミス。」\ ;＜ガァプ `What's going on?`@` Is this Pandemonium?`@` Are you trying to start a concert from hell or something?`@` .........I see, as a conductor for that, I couldn't think of anyone better than you, Goldsmith."`\ bg Mdin_1aN,23 ld r,$KIN_WaraiA2,24 ;「そなたには、ベアトリーチェを蘇らせる我が儀式遂行のための進行役として協力してもらう。@我が召喚契約に異存はないな…？」\ `"I will have your assistance as facilitator in the completion of my ceremony to resurrect Beatrice.`@` You have no objections to my summoning contract, right...?"`\ ld l,$GAP_akuwaraiA3,23 ;「異存も何も。@天下の大魔女、ベアトリーチェを使役した伝説の大召喚師、ゴールドスミス卿の召喚隷属に、私が抗えるわけもない。\ `"Of course not.`@` There's no way I could resist the summoning subordination of the legendary great summoner, Lord Goldsmith, who enslaved the famous Great Witch Beatrice.`\ ld l,$GAP_waraiA3,80 ;　……協力はするわよ。@もちろん見合ったお代もいただくけどね。@……で？@　最初の仕事は？」\ ;＜ガァプ `......I'll assist you.`@` Although I will of course charge a fitting price.`@` ......So?`@` What's my first job?"`\ ld r,$KIN_WaraiA1,80 ;「第一の晩を免れた間抜けどもを捕らえよ。@幸いにも、ここにはまだ７人いるではないか。@南條に紗音に嘉音、郷田に熊沢、霧江に蔵臼…！\ `"Capture the cowards who made it through the first twilight.`@` Fortunately, there are still seven here, aren't there?`@` Nanjo, Shannon, Kanon, Gohda, Kumasawa, Kyrie, and Krauss...!`\ ld r,$KIN_AkuwaraiA1,80 ;　ほぉ、この７人を丸々生贄に捧げればちょうど１３人だ！@　第二の晩以降を実行するタイミングが訪れるまで、生贄の檻に放り込んでおくが良かろう、くっくっく！！」\ `Hoh, if these seven are all offered as sacrifices, that's exactly 13 people!`@` Until it is time for the second and later twilights to be carried out, throw them into the cage of sacrifices, *cackle*!!"`\ ld l,$GAP_waraiA2,80 ;「…………カシミアの雑巾掛けね。@了解したわ。」\ `"............A cashmere mop, I see.`@` Understood."`\ bg black,24 bg Mdin_1gN,22 me1 17 ld c,$GAP_akuwaraiA1,26 ;　ガァプは肩を竦めながら、未だに尻餅を付いたままの蔵臼を見る。@ `As Gaap shrugged her shoulders, she looked at Krauss, who was still down on his butt.`@ ld c,$GAP_akuwaraiA4,80 br ;　睨む。\ `She glared.`\ se1v 52,100 bg black,14,200 ;　そして指をパチンと鳴らすと、……まるで床に丸く落とし穴でも開いたかのように、蔵臼が床に飲み込まれる。\ `Then, when she snapped her fingers, ......as though a round pitfall had opened up in the floor, Krauss was swallowed up by the floor.`\ ;「う、わああぁぁ………、」\ ;＜蔵臼 `"Uu, waaaaahhh........."`\ bg Mdin_1fN,0 ld r,$GAP_akuwaraiA2,80 ;「一丁上がり。」@ ;＜ガァプ `"One down."`@ br ;　床に穴などない。@ ;　しかし確かに蔵臼は穴に飲み込まれて消えたように見えた……。\ `There was no hole in the floor.`@ `But it had certainly looked as though Krauss had been swallowed up by a hole and disappeared......`\ bg Mdin_1cN,0 ld l,$KIR_MajimeA1,63 ;「…………ッ！！」@ ;＜霧江 `".........!!"`@ br ;　次の獲物を狙い、ガァプの目線が霧江と交差する。@ ;　パチンと指が鳴る。\ `Searching for her next prey, Gaap's gaze crossed Kyrie's.`@ `She snapped her fingers.`\ se1 20 bg Mdin_1gN,1 ;　霧江は、弾かれたように床を飛び退く。\ `Kyrie jumped back as though repelled.`\ ;　直感は当たった。@ ;　直前まで自分がいた場所に、蔵臼を飲み込んだのと同じ、丸い漆黒の落とし穴が現れたからだ。\ `She had felt it instinctively.`@ `Because, in the place where she had been until a second ago, a round, jet-black hole had appeared, the same kind that had swallowed up Krauss.`\ se1v 52,100 bg black,68 ;　しかし、姿勢を直す前に、さらに現れた落とし穴が彼女を飲み込んでしまった。@ `However, before she could catch her balance, another pitfall appeared and swallowed her up.`@ br ;　……いくら霧江でも、ガァプの捕縛から逃れる術はないのだ。\ `......Even Kyrie had no way of eluding Gaap's capture.`\ mov %Free2,10 textoff bg Mdin_1dN,0 mld c,$NAN_MajimeA1,22 for %Free1 = 1 to 49 resettimer msp msp_c,0,%Free2,0 print 1 inc %Free2 waittimer 10 next mcl c,1 se1v 52,100 ;「うわぁ……！！」@ ;＜南條 `"Waahh......!!"`@ br ;　再び指がパチンと鳴らされ、呆然としてた南條が床に飲み込まれて消えた。\ `When she snapped her fingers again, a shocked Nanjo was swallowed up by the floor and disappeared.`\ bg Mdin_1gN,0 ld r,$S41_majimeA1,22 ld r,$S41_odorokiA1,80 cl r,26 ;　さらに指が鳴らされると、４１０が、ひゃっと短い悲鳴を上げて飛び退く。@ `When she did it again, 410 let out a short yell and jumped back.`@ br se1v 52,100 bg black,68 ;　今度は少し大きな落とし穴が開き、扉の脇に整列していた紗音と嘉音の二人を飲み込んだ。\ `This time, a slightly larger pitfall had opened, swallowing both Shannon and Kanon, who had been standing in a line by the door.`\ bg M_door1,22 ;　しかし、４１０が扉の前を飛び退いたお陰で、退路が開かれた。\ `But because 410 had jumped away from the door, the way was no longer blocked.`\ textoff E_MA se1 16 bg white,1 bg black,22 bg M1F_P1bN,0 ld r,$GOH_OdorokiA1,22 cl r,63 ;　次は自分たちの番だと直感した郷田がその扉から外へ飛び出す。@ `Instinctively aware that he would be next, Gohda dashed out through that door.`@ ld l,$KUM_OdorokiA1,63 ;　もちろん熊沢も、脱兎の如く逃げ出し、郷田の後を追う。\ `Of course, Kumasawa also escaped with lightning speed, chasing after Gohda.`\ cl l,64 se1v 52,100 bg black,68 se2v 52,100 wait 1000 se3v 52,100 wait 700 se1v 52,100 wait 600 se2v 52,100 wait 400 se3v 52,100 ;　ガァプの指がパチンパチンパチンと数度鳴らされ、@彼らの逃げるすぐ後を、丸い漆黒の落とし穴が次々開いて追い掛けた。\ `As Gaap snapped her fingers over and over,`@` round, jet-black pitfalls opened one after another behind them, chasing them.`\ ;　しかし、形振り構わずに逃げ出す二人を追い立てるに留まり、うまく飲み込むことは出来なかった。@ `However, it did nothing but drive the recklessly fleeing pair away, and couldn't swallow them up.`@ br ;　郷田たちはあっという間に逃げ出していってしまう……。\ `Gohda and Kumasawa had escaped in a matter of seconds......`\ bg Mdin_1eN,26 ld r,$GAP_akuwaraiA1,24 ld r,$GAP_waraiA2,80 ;「………鈍ったわ。@二人逃した。」@ ;＜ガァプ `".........I've dulled.`@` I let two get away."`@ ld l,$S00_MajimeA2,23 ;「ご安心を、逃走目標を捕捉中であります。」\ ;＜００ `"Don't worry, we are currently locking onto the escapee targets."`\ bg Mdin_1fN,24 ld r,$S41_AkuwaraiA2,24 ;「データリンクよし。@/ `"Data Link ready. `@/ ;ld r,$S41_DefA1,80 ;にひ！@　狙撃しますか？」@ ;＜４１０ `Nihi!`@` Shall we snipe?"`@ ld c,$RON_MajimeA1,24 ;「いいえ、それは許可できませんよ。@貴重な生贄です。@お館様の許可を待つように。」\ ;＜ロノウェ `"No, I cannot authorize that.`@` They are precious sacrifices.`@` Wait for the Master's authorization."`\ bg Mdin_1aN,0 ld r,$KIN_DefA1,23 ld l,$S45_MajimeA1,23 ;「大ゴールドスミス卿…！@　指示を待ちます…！」\ ;＜４５ `"Great Lord Goldsmith...!`@` We await your orders...!"`\ ld r,$KIN_fumuA1,80 ;「第二の晩の訪れにはまだ早いと、……我が魔力の源泉が囁いておるわ。@今はならぬ。@/ `"It is still too soon for the coming of the second twilight, ......is what the source of my magical power is whispering to me.`@` It must not be now. `@/ ld r,$KIN_WaraiA1,80 ;好きにさせてやれ。@どうせこの島からは逃げられぬわ。」\ ;＜金蔵 `Let them do as they like.`@` It isn't as though they can escape from this island."`\ cl l,24 ld l,$WAL_DefA2,23 ;「お館様の魔力の源泉とは即ち、ノイズとリスクと運試し。@/ `"The source of the Master's magical power is noise and risk and tests of luck. `@/ ld l,$WAL_WaraiA1,80 ;……ほっほっほ、つまりは気まぐれ、というわけですか。」\ ;＜ワルギリ `......Hoh-hoh-hoh, in other words, it means being fickle, it seems."`\ ld r,$KIN_akuWaraiA2,80 ;「くっくっく、そうとも言うかも知れぬ。@ガァプ、ご苦労であった。@儀式はこのまま着実に進めよう。\ `"*cackle*, perhaps you could also put it that way.`@` Good work, Gaap.`@` Let us steadily advance the ceremony from here on.`\ ld r,$KIN_MajimeA1,80 ;　………さて、それはそれとして。@次は我が孫たちだ。@………次期当主たる資格があるかどうかを試す。@/ `.........Well then, that is that.`@` Next is my grandchildren.`@` .........I will test them to see whether they are qualified to become the next head. `@/ ld r,$KIN_WaraiA2,80 ;はてさて、どうやってその資質を確かめたものか。@くっくっくっく…！！」\ ;＜金蔵 `Let's see, how shall I check their qualifications?`@` *cackle*cackle*...!!"`\ ld l,$WAL_defA2,80 ;「その資格があると判断されたなら、/ ;!d800……ベアトの復活を断念されるおつもりで？」@ ;＜ワルギリ `"If it is determined that they are qualified, `/ !d800`......do you intend to abandon Beato's resurrection?"`@ ld r,$KIN_WaraiA1,80 ;「無論だ。@にもかかわらず試す。@……ふっ、女の身にはわからぬであろうな、この矛盾、我が狂気など。@くっくっくっく…。」\ `"Of course.`@` And despite that, I will test them.`@` ......Hmph, a woman may not be able to understand that contradiction, or my madness.`@` *cackle*cackle*..."`\ bg Mdin_1dN,24 ld l,$GAP_akuwaraiA2,23 ;「………相変わらず、男ってどこか変ね。@リスクを遊ぶという概念、わかりかねるわ。」@ ;＜ガァプ `".........Men are as weird as ever.`@` I can't understand the very concept of playing with risk."`@ ld r,$RON_AkuwaraiA1,24 ;「おやおや、あなたはそういうのが大好きかと思っておりましたが？」\ ;＜ロノウェ `"Oh my, and I thought you loved that sort of thing?"`\ ld l,$GAP_waraiA3,80 ;「もちろんよ。@男に、危険なリスクと一緒に恋を囁かれたらキュンキュンしちゃうわ。@/ `"Of course.`@` If a man whispers to me about a dangerous risk along with love, I go head over heels. `@/ ld l,$GAP_akuwaraiA4,80 ;…ただしイケメンに限る！」/ `...But only if he's hot!"`/ se1 2 @ ld r,$RON_WaraiA1,80 ;「ぷーっくっくっくっくっく…！」\ ;＜ロノウェ `"Pu ku ku ku ku ku...!"`\ ld c,$WAL_FumanA1,24 ;「お静かに。@私語は慎むようにっ。」\ ;＜ワルギリ `"Be quiet.`@` Try to refrain from whispering."`\ bg Mdin_1bN,23 ld c,$KIN_WaraiA1,23 ;「ふっ、実に姦しいヤツらだ。@だが少なくとも退屈はせぬ。@……これだから召喚は愉快なのだ。@そなたらには、我が儀式のノイズとリスクの天秤の片側を担ってもらうぞ。@その働きに期待している…！」\ ;＜金蔵 `"Hmph, truly noisy women.`@` But at least they aren't boring.`@` ......This is why summoning is pleasant.`@` All of you will bear one side of the scales of noise and risk in my ceremony.`@` That is the work I expect of you...!"`\ me5 16 bg black,25 bg Mdin_1fN,22 ;　食堂内には６人の惨殺死体が転がり、凄惨な装飾で赤く汚されている……。@ `Six brutally murdered corpses lay in the dining hall, and it was contaminated with red, gruesome decorations......`@ br ;　そこについさっきまで、１３人もの人間が整然と座っていたなど、もはや想像することも出来ない。\ `It was now unimaginable that, until just a second ago, 13 humans had been arranged here in a well-organized manner.`\ ;　金蔵は、名だたる悪魔とその配下たちを並べ、圧倒的なる虐殺の夜の幕開けを高らかに宣言し、@必ずやベアトリーチェを蘇らせ、黄金郷の扉を開くことを自らに誓うのだった……。\ `Kinzo lined up the famous demons and their subordinates, loudly declared the beginning of a night of overwhelming mass murders,`@` and swore to himself that he would certainly revive Beatrice, and open the door to the Golden Land......`\ wait 2000 mov %play_scene,40220 : mov %r_hyouji_side,1 ;■メタ視世界 msetef 0,0 mld r,$BEA_AkuWaraiA2,1 E_A se1v 1006,100 se2v 1100,100 quakey 4,500 se3 1100 ;「待たせたなァ！！@　これにて第一の晩、いよいよ開幕、開幕ゥ！！@/ `"Sorry to keep you waiting!!`@` Now the curtain finally rises on the first twilight!! `@/ bgm1 24 mld r,$BEA_WaraiA2,80 ;　くっくっく！@　金蔵め、相変わらず派手を好む男よ。@付きまとわれればしつこいことこの上なき男も、舞台の上ではこれほどまでに映えるというのか。」\ ;＜ベアト `*cackle*!`@` That Kinzo, he loves being flashy as usual.`@` So, that man who can be more persistent than anything when he follows you around, can shine so when on the stage."`\ mld l,$BUT_KuyasigaruA1,23 ;「くそ……。@相変わらずグロい殺し方ばかりしやがって……。@/ `"Damn......`@` Always killing in a grotesque way, as usual...... `@/ mld l,$BUT_majimeA4,80 ;頭部半壊だぁ？！@　てめぇら魔女ども悪魔どもの悪趣味には相変わらずウンザリさせられるぜ…！」\ ;＜戦人 `Smashing half of the heads?!`@` The bad taste you witches and demons have always pisses me off...!"`\ mendef 0 bg G1F_S1aP,0 ld r,$ENJ_FumanA2,24 ;「頭部半壊……、なるほど。@これまでのゲームで、一番理想的な殺し方がこれだと気付いたわけね。」@ ;＜グレーテル `"Smashing half of the heads......, I see.`@` So she's noticed that, in the games up until now, that is the most ideal method of killing."`@ ld l,$BUT_majimeA2,23 ;「理想的？@　このグロい殺し方がどう理想的だってんだ？！」\ ;＜戦人 `"Ideal?`@` How is such a grotesque way of killing ideal?!"`\ bg G1F_S1cP,24 se1 52 ld c,$GAP_waraiA2,99,1000,"breakup.dll/ulb" ;「……実に理想的じゃない。@一番最初のゲームを思い出してみるといい。」\ ;＜ガァプ `"......Isn't it truly ideal?`@` Try and remember the very first game."`\ cl c,0 ld l,$GAP_waraiA2,0 ld r,$BUT_OdorokiA1,24 ;「お前は……！@　さっき登場しやがった、新しい悪魔とかいうヤツか…。@/ `"You......!`@` So, you're that new demon or whatever that just appeared... `@/ ld r,$BUT_KuyasigaruA1,80 ;くそ、また魔女の侵食が進んで、ロクでもないヤツが増えたというわけなのか…？！」\ ;＜戦人 `Damn, so does this mean that the witch's corrosion continued and that there are now even more unsavory characters...?!"`\ bg black,0 ld l,$GAP_waraiA2,2 ;　……魔女の侵食が進めば進むほどに、六軒島は異界側に傾いていく。@ `......The more the witch's corrosion advanced, the more Rokkenjima tilted towards the spirit world.`@ br ;　次々とおかしな、そして狂ったヤツらが増えていくというわけだ。\ `That's why strange, insane people have kept appearing one by one.`\ ;　この島は台風に閉ざされ、ニンゲンは島から出ることはもちろん、新しく増えて登場することも出来ない。@ `Since this island was closed off by the typhoon and no human could leave it, of course new humans couldn't appear either.`@ br ;　しかし魔女や悪魔どもは、侵食されればされるほどに、いくらでも登場できる。@次々に増えていく。\ `But the more the corrosion advanced, the more witches and demons could appear, without limit.`@` Increasing one by one.`\ ;　今やこの狂った物語の登場人物は、ニンゲンより悪魔の方が多いのではないだろうか。@……ヤツらの人数こそが、その狂いの侵食を示す数字そのものかもしれない。\ `By now, perhaps there are more demons than humans among the characters appearing in this insane tale.`@` ......Their numbers might be the thing that represents this mad corrosion.`\ ;　あぁ、きっとそうだろうな。@そしてどうやら、侵食されてるのは人数だけじゃなく、服装センスもらしいぜ。@ `Yeah, I'm sure that's true.`@` And not only is the number of people corroded, her fashion sense apparently is as well.`@ br ;　これ以上、侵食が進んでさらにおかしいヤツらが登場したなら、一体、どんな格好になるんだろうな。@………俺ぁ、おっかなくて想像も出来ねぇぜ…。\ `If the corrosion advances any further and even more weird people appear, just what in the world will they be wearing?`@` .........It's so scary I can't imagine...`\ ;　……あぁ、マジで勘弁してくれ…。@ ;　これ以上、おかしな連中を増やさないでくれ…！！\ `......Aaaah, seriously, give me a break...`@ `Don't make these weird guys increase in number anymore...!!`\ se1v 37,100 bg G1F_S1bP,0 ld l,$BEA_AkuwaraiA1,23 ;「くっくくくく！　そうはいかんぞ、まだまだ増やすぞォ！！@/ `"*cackle*cackle*cackle*! I can't do that, they'll keep increasing more and more!! `@/ ;ld l,$BEA_AkuwaraiA5,80 ;　ニンゲンどもの語る、クローズドサークルなる間抜けなルールを妾がいくらでも汚してやろうぞ…！@/ `I'll defile the foolish 'closed circle' rule humans speak of, over and over again...! `@/ ld l,$BEA_AkuwaraiA3,80 ;　よく来たな、我が優雅なるゲームへ！@　ガァプよ！」\ `Welcome to my elegant game!`@` Gaap!"`\ ld r,$GAP_defA2,24 ;`Dormeur`へ:Beatriceが米になってしまいました...後で、私がこれをどうにか片付けようと努力するつもり。\ ;「………お久しぶりね、リーチェ。@お元気だった？@/ `".........It's been a long time, Riiche.`@` Have you been well? `@/ ld r,$GAP_AkuwaraiA1,80 ;　…というかずいぶん元気そうじゃない。@あなた、若返った？@　私が知ってる頃より、２、３００歳は若々しいわ。@…………あぁ、なるほど。」\ ;＜ガァプ `...Why do I ask, you look great!`@` Have you gotten younger?`@` You look 2, 300 years younger than when I last saw you.`@` ............Ah, I see."`\ ;　祖父さまにガァプと紹介されて呼び出された悪魔は、@俺を一瞥してから、勝手に何かを納得したかのようににやっと笑う。@ `The demon Grandfather had summoned and introduced as Gaap...`@`took a glance at me, and then grinned as though figuring something out on her own.`@ br ;　……率直に、嫌らしい笑いだと感じた。\ `......It felt like an honestly unpleasant smile.`\ bg G1F_S1cP,24 ld r,$BUT_NiramuA3,24 ;「ベアトの友人らしいな。@……ってことは輪を掛けてロクでもねぇヤツってわけだ。@/ `"Looks like she's Beato's friend.`@` ......Which means she must be an extremely unsavory character. `@/ ld r,$BUT_KomaruA2,80 ;しかし、クローズドサークルが何とかって言ってやがったが、どういう意味だ？」\ ;＜戦人 `So, they were saying something about a closed circle or whatever, but what does that mean?"`\ ld l,$ENJ_nayamuA1,80 ;「今の六軒島のような、外界から途絶された場所で起こる連続殺人ミステリーは、クローズドサークルとも呼ばれるわ。@外界からの途絶、つまりは閉じられた輪の世界というわけ。@……ゆえに、登場人物と容疑者は限定されるのが一般的。\ `"Serial murder mystery novels that occur in places isolated from the outside world, like Rokkenjima is now, are sometimes called closed circles.`@` Since it's isolated from the outside, it's like a circle that's closed.`@` ......Therefore, in general, the characters and suspects are limited.`\ ld l,$ENJ_defA1,80 ;　にもかかわらず、新しい容疑者候補が次々に輪の外から追加されていくのは、ミステリーの作法に反する。@……つまり、ニンゲンとミステリーに対する、魔女の冒涜ってつもりなんでしょうよ。」\ ;＜グレーテル `Having new suspect candidates added on one after another from outside the circle goes against the etiquette of mystery novels.`@` ......In other words, the witch is probably trying to desecrate humans and the mystery genre."`\ cl r,23 ld r,$GAP_akuwaraiA1,24 ;「………あなたがグレーテル？@/ `".........You're Gretel? `@/ ld r,$GAP_waraiA2,80 ;　なるほど、賢い子みたいね、……くす。@そういう子は好きよ。@……舌が甘くてとろけるから。」@ ;＜ガァプ `I see, you look like a wise kid, ......*giggle*.`@` I like that kind of kid.`@` ......Their taste is so sweet and tantalizing."`@ ld l,$ENJ_FumanA1,80 ;「気色悪い。@……冗談は服だけにしておいて。」\ ;＜グレーテル `"Gross.`@` ......Keep the jokes to your clothing."`\ ld r,$GAP_akuwaraiA2,80 ;「デヴィリッシュプリティの最新作、ジャックザリッパー・クリスマスブラッド。@……ニンゲン界の田舎娘には理解できないセンスでごめんね？」\ `"It's 's newest, .`@` Sorry for having a style that a country bumpkin from the human world couldn't understand, okay?"`\ ld l,$ENJ_fumanA2,80 ;「……通気性がいいのだけは理解できたわ。@ついでに頭にも切れ目をいれたら？@　脳みその通気性もよくなるかもね。」\ `"......At least we know it's breathable.`@` Why don't you add a gap to the head part as well?`@` That might help the breathability you're so worried about."`\ bg G1F_S1aP,0 ld c,$BEA_defA2,23 ;「ガァプは魔界の流行にいつも敏感でな！@　しかし今年の流行りも実に大胆だ。@妾も一度ぜひ取り寄せてみるとしよう…！」\ `"Gaap is always sensitive to the fashions of the spirit world!`@` But this year's fad truly is bold.`@` I think I'll order one sometime...!"`\ ld l,$GAP_defA1,23 ;「リーチェにはアリグレがお勧めね、アリスアンドザグレイブヤード。@今度一緒に６６６にお洋服見に行きましょうよ。@たまには魔界にもいらっしゃいな。」\ `"For you, Riiche, I'd recommend Ali-Gray, .`@` Let's go to 666 sometime soon to look at the clothes.`@` You should head over to the spirit world every now and then."`\ ld c,$BEA_waraiA2,80 ;「このゲームを終えたら、ぜひそうしようぞ。@くっくっくっく！」@ `"When this game is over, I'll be sure to do that.`@` *cackle*cackle*!"`@ ld l,$GAP_waraiA2,23 ;「………それにしても。リーチェの対戦相手のお二人はなかなか可愛いわ。\ `".........Still, your two opponents are pretty cute, Riiche.`\ ld l,$GAP_akuwaraiA2,23 ;　この子なら、頭部半壊死体にどういう意味があるか、察しが付きそうね。@/ `It looks like this kid has figured out the meaning of the corpses with their heads half smashed. `@/ ;ld l,$GAP_waraiA2,80 ;………わかるぅ、お嬢ちゃん……？」\ ;＜ガァプ `.........Get iit, girl......?"`\ bg G1F_S1bP,0 ld r,$BUT_KomaruA2,24 ;「……さっきこいつは、一番最初のゲームを思い出せと言ったな。@……どういう意味だ…？」@ ;＜戦人 `"......Just now, she told me to remember the first game.`@` ......What did that mean...?"`@ ld l,$ENJ_NayamuA1,80 ;「言葉通りの意味よ。@……一番最初のゲームの第一の晩を思い出して。@/ `"Just what it sounds like.`@` ......Remember the first twilight of the very first game. `@/ ;ld l,$ENJ_DefA1,80 ;……大人たちの死体が魔法陣の描かれた園芸倉庫の中で発見された時のことよ。@覚えてる？」\ ;＜グレーテル `......When the adults' corpses were found in the gardening shed with the magic circle drawn on it.`@` Remember?"`\ bg black,5 textoff bg magicsquare_sun7,8 wait 1000 bg warehous_i1a,8 ;　エピソード１。@第一の晩。@ `Episode 1.`@` The first twilight.`@ br ;　蔵臼、留弗夫、霧江、楼座、紗音、郷田の６人が、それぞれに頭部を粉砕されて死亡していた………。\ `Six people: Krauss, Rudolf, Kyrie, Rosa, Shannon, and Gohda had each had their heads pulverized and died.........`\ mset mld r,$ENJ_fumanA2,24 ;「あの時、あそこには２種類の死体があったわ。@それは、顔面を粉砕された死体と、側面を粉砕された死体の２種類。」\ ;＜グレーテル `"At that time, there were two types of corpses.`@` They were the ones with their faces pulverized, and the ones with half of their faces pulverized."`\ mld l,$BEA_FutekiA2,23 ;「そうだ。@顔面粉砕は、留弗夫、霧江、楼座、郷田の４人。@側頭部粉砕は、蔵臼、紗音の２人だった。@/ `"That's right.`@` The ones with their faces smashed were Rudolf, Kyrie, Rosa, and Gohda.`@` The ones with the sides of their heads smashed were Krauss and Shannon. `@/ mld l,$BEA_AkuwaraiA1,80 ;……妾も、あの時点では気まぐれに生み出した２種類の死体であったが、@より残忍な死体である前者の方が、妾にとってむしろ不利であることに気付いたのだ。」\ ;＜ベアト `......At the time, I had fickly created two types of corpses,`@` but I realized that the former, more atrocious type was actually disadvantageous for me."`\ mcl a,0 mld c,$BUT_NayamuA1,23 ;「……ベアトにとって不利……？@/ `"......Disadvantageous for you, Beato......? `@/ mld c,$BUT_NiramuA1,80 ;　…………そうか。@そういうことか。」\ ;＜戦人 `.........Right.`@` I get it."`\ mendef 0 bg black,22 ;　そうなんだ。@ ;　一見残酷な顔面粉砕。@ `That's right.`@ `The smashed faces might look atrocious.`@ br ;　……しかしそれは、本人確認を難しくしているのだ。\ `......But that made it hard to confirm the identity of the person.`\ bg blood_1a,22 ;　例えば、あの時の蔵臼伯父さんと紗音ちゃんは、頭部は半壊だった。@ `For example, at that time, Krauss oji-san and Shannon-chan had their heads half smashed.`@ br ;　それ自体も、もちろん残酷ではあるが、顔が半分残っていたため、容易に本人確認が出来た。\ `That itself was of course atrocious, but because half of their faces remained, it was easy to confirm their identity.`\ bg blood_1aR,22 ;　しかし、親父たち４人は違った。@ `But Dad and the other three were different.`@ br ;　顔面が全壊だったため、実の息子の俺でさえ、服装などから親父に違いないと類推するしかなかった。@ `Because his face had been completely destroyed, even I, as his son, could only guess by inference that it had to have been Dad because of his clothes and the like.`@ br ;　……つまり、本当にあれが親父の死体だったのか、ついにはうやむやのままだったわけだ。\ `......In short, it remained vague until the end whether that really was Dad's corpse.`\ bg G1F_S1bP,0 ld r,$BUT_MajimeA4,26 ;「第一のゲームの時にも、もしも推理バトルが行なわれてたなら、@俺は多分、親父たちの死体を、本人確認不能のため、偽装死体の可能性もあると主張していたかもしれない。@/ `"If this reasoning battle had taken place during the first game as well,`@` I would probably have claimed that, since the identities of Dad and the rests' bodies were impossible to confirm, there was a possibility that one was a fake corpse. `@/ ;ld r,$BUT_NayamuA2,80 ;……何しろ、あのゲームの時にはベアトは一切、赤での発言もしていない。」\ ;＜戦人 `......After all, Beato didn't state anything in red during that game."`\ ld l,$GAP_waraiA1,80 ;「お上手よ。それで正解。@………偽装死はミステリーの基本の一つ。@たとえ医者に検死をさせたとしても、犯人とグルを疑われればその結果は信用できない。@/ `"Well done. Correct.`@` .........A faked death is one of the basics of the mystery genre.`@` Even if you make a doctor perform an autopsy, you can't trust the results if you suspect him of being the culprit's accomplice. `@/ ;ld l,$GAP_defA1,80 ;つまり、確実な死を保証できない死体は常に、魔女サイドを不利にするということ。」\ ;＜ガァプ `Therefore, corpses that can't guarantee a death for certain are always disadvantageous for the witch's side."`\ bg G1F_S1aP,0 ld r,$ENJ_NayamuA1,23 ;「あらゆる死体について偽装死を疑い、その後の事件の犯人に想定することが出来る。@/ `"You can suspect faked deaths for all corpses, and hypothesize that they are the culprit for the cases that follow. `@/ ld r,$ENJ_defA1,80 ;……戦人の嫌う手だけど、魔女に対するもっとも初歩的な一手ね。」@ ;＜グレーテル `......It's a move Battler doesn't like, but it's the most elementary move to use against a witch."`@ ld l,$BUT_MajimeA2,23 ;「あぁ、そうだ。@だからベアトは赤を使い出した。@……赤き真実で、完璧な検死を行なうようになったんだ。」\ ;＜戦人 `"Yeah, that's right.`@` That's why Beato started using the red.`@` ......With the red truth, she can carry out a perfect autopsy."`\ bg G1F_S1cP,0 ld c,$BEA_AkuwaraiA2,24 se1v 37,100 ;「くっくくくくく！@　そういうことだ。@本来ならば、この第一の晩の惨劇に対し、@妾はすぐにでも赤き真実にて、この度の６人の死亡を確定させるところである。@しかし、知ってのとおり、今回の妾の戦法はこれまでとは正反対の、赤き真実の兵糧攻めと言ったところ…！\ `"*cackle*cackle*!`@` That's how it is.`@` Normally, for the first twilight,`@` I would use the red truth right away, confirming the deaths of these six.`@` However, as you know, my battle strategy this time is the complete opposite of previous games, and I have switched to using red truth starvation tactics...!`\ ld c,$BEA_FutekiA1,80 ;　そなたが反撃の拠り所にしようとする以上、妾は容易には赤を使わぬ。@必要最低限の赤にて、たった一箇所だけ綻びさせればいい！@　つまり、妾は究極的に言えば、そなたのあらゆる密室の推理について、あらゆる暴言を許せども、@その内のひとつを、たった一回の赤き真実にて打ち破るだけで良いわけだ。」\ ;＜ベアト `Since you use it as a grounding from which to counterattack, I will not use the red easily.`@` I can just make you come apart at the seams by using red in just a single place, as rarely as possible!`@` In the end, it means I will permit all rants regarding your guesswork for all the closed rooms,`@` and I only have to smash one of those once with the red truth."`\ bg G1F_S1bP,23 ld r,$BUT_NayamuA2,24 ;「いっひっひ！@　さんざん俺をいたぶってきやがったくせに、俺が反撃に使い出したら、今度は引っ込めやがったってわけだ。@/ `"Ihihi!`@` Even though you've always teased me, once I start counterattacking, you now hole up back inside your shell. `@/ ;ld r,$BUT_NiramuA1,80 ;ふざけやがってよ。」\ ;＜戦人 `Quit kidding around."`\ ld l,$BEA_AkuwaraiA2,23 ;「とにかく赤を使いたくない、ケチりたい！@　戦人をいじめてやりたァい！！@/ `"Anyways, I do not want to use the red, I want to be stingy!`@` I want to bully Battleeer!! `@/ ld l,$BEA_AkuwaraiA5,80 ;　しかし、赤を使わずに確実なる死を保証するにはどうすれば良いのか。@妾は悩みに悩んだわけだ。@……そのアイデアをガァプがくれた！@　実に簡単な方法だったのだ。@くっくくく！」\ ;＜ベアト `But how could I guarantee a death for certain without using red?`@` I worried and worried over it.`@` ......Then Gaap gave me an idea!`@` It truly is a simple method.`@` *cackle*cackle*!"`\ cl r,23 ld r,$GAP_defA2,24 ;「……当たり前なことを言ったらリーチェが閃いただけよ。@私は、誰にでも容易に、身元の判別と完全なる死が理解できる死体を用意すればいいと言っただけ。」\ ;＜ガァプ `"......I just said something obvious and you hit upon the idea, Riiche.`@` I simply said that you only had to create corpses whose identity could be distinguished and whose complete death could be known."`\ ld l,$BEA_AkuwaraiA4,80 ;「くっひひひひ！@　つまりはその２つを合体させたわけよォ！@　身元の判別に必要な顔と、完全なる死の象徴である、魂の器たる頭部の粉砕！@/ `"Kuhhihihihi!`@` In short, I put those two things together!`@` The face which is necessary to distinguish their identity, and the perfect symbol of death, which is the pulverization of the head, the vessel for the soul! `@/ ld l,$BEA_AkuwaraiA2,80 ;　この２つを左右ぴったり綺麗に合体させたら、アラ不思議！@　この頭部半壊死体がパーフェクトであるという答えが出たわけだ！」\ ;＜ベアト `When I put those two parts neatly together, aah, wonderful!`@` I came up with the perfect answer of corpses with their heads half-smashed!"`\ bg G1F_S1cP,0 ld r,$BUT_KomaruA3,24 ;「お前、絶対、二色パンとか二色アイスが好きだろ。@欲張りな子ども趣味丸出しだぜ…。」\ ;＜戦人 `"I'll bet you love two-colored bread and two-colored ice cream.`@` A shameless hobby of a greedy kid..."`\ ld l,$ENJ_DefA1,23 ;「………いずれにせよ。@たとえ頭部が半壊していたとしても、現時点では彼らが死んだと見なすべきではないわ。」\ ;＜グレーテル `".........In any event,`@` even if half of their heads are smashed, we shouldn't assume that they are dead at this point in time."`\ ld r,$BUT_oyaA1,80 ;「わかってる。@……ベアトがもったいぶって赤での宣言を拒む以上、全ては疑って掛かるべきだな。@/ `"I get it.`@` ......Since Beato is trying to act tough and refuse to say anything in red, I have to suspect everything. `@/ ld r,$BUT_NiramuA3,80 ;……もちろん、シエスタの太もも姉ちゃんたちの魔法虐殺だって鵜呑みになんか絶対ぇしねぇぜ。」\ ;＜戦人 `......Of course, I'm definitely not going to swallow the magic mass murder by the Siesta ass nee-chans."`\ bg G1F_S1bP,0 ld l,$GAP_DefA1,80 ld l,$GAP_AkuwaraiA1,80 ;「くす。@本当に慎重になったこと。@……最初のゲームの頃だったなら、何でもかんでも鵜呑みにしてくれていたのにね。」\ ;＜ガァプ `"*giggle*.`@` You sure have gotten prudent.`@` ......If this were the first game, you would have swallowed everything."`\ ld r,$BEA_AkuwaraiA1,24 ;「くっくっくっく！@　好敵手は、こうでなくては面白くないというものよ。@/ `"*cackle*cackle*!`@` It wouldn't be interesting if a rival wasn't like that. `@/ ld r,$BEA_WaraiA1,80 ;今は赤がないことを幸いに、自由な想像を広げ好きに推理を重ねるがいい。@一番最後の、一番美味しいところで、バッサリと赤き真実にて叩き切ってくれようぞ…！」\ ;＜ベアト `Since there is fortunately no red now, he can imagine whatever he wants and reason over and over again as he likes.`@` At the very end, at the very sweetest spot, I'll cut him down at once with the red truth...!"`\ ld l,$GAP_waraiA2,0 ld r,$BEA_akuWaraiA4,80 me4v 5,0 fedexx 100,0,0,0,100,0,2000 wait 1000 eye11 ;▲第１１アイキャッチ（計１５５ページ）　時計なし *Umi4_12 mov %play_scene,40220 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 gosub *MAR_Isyou1 gosub *ENJ_Isyou1 mov %grim_scene,406 bg black,22 me2v 26,30 wait 3000 me1v 16,0 fedexx 0,50,30,0,0,0,4000 wait 1000 ;「………………あ、……………ぅ………、」\ ;＜楼座 `"............Ah, ............uu........."`\ ;　静寂。@真っ暗。@ ;　冷たい。@痛い。@ `Silent.`@` Black.`@ `Cold.`@` Painful.`@ br ;　楼座は少しずつ意識を取り戻す……。@ `Rosa regained consciousness bit by bit......`@ br ;　そして最初に考えたことは、意識を取り戻さなければ良かった、だった。\ `And the first thing she thought...was that it would have been better if she hadn't.`\ ;　だって、こんなにも体が冷えていて痛くて、……意識が戻れば戻るほどに辛くなるから。@ `After all, with her body this cold and hurting, ......it became more painful the more her consciousness returned.`@ br ;　暗闇の中、冷え切った大理石の上でずっとうつ伏せになって寝ていたような感じ。\ `It felt like she had been sleeping on ice-cold marble in the darkness, lying face-down for a long time.`\ ;　……あぁ、だからいつも自分に言い聞かせてるのよ。@ ;　たとえ仮眠であっても、せめてソファーの上へ行こうって。@ `......Aaah, this is why I always tell myself.`@ `Even if its just for a nap, at least get on the sofa.`@ br ;　ちょっと目を閉じるだけ、なんて甘えて、フローリングの上や書斎机の上に突っ伏して眠ってしまうと、@後で体が痛くなって辛い思いをするって、いつも知ってるのに……。\ `Even though I always know that, if I naively try and close my eyes for just a second,`@` and end up sleeping on the floor or in the study chair, it'll hurt my body later and make things difficult......`\ ;　こんなにも冷たくて硬い床で眠っていたから、骨まで冷え切ってしまった。@ `Since I slept on such a cold and hard floor, even my bones are ice-cold.`@ br ;　こんなにも硬くて冷たい床で眠っていたから、押し付けていた顔半分がとても痛い。\ `Since I slept on such a hard and cold floor, the half of my face pressed down against it hurt a lot.`\ ;　……今、鏡を見たら、きっとみっともなく跡になっているだろう。@ `......If I were to look in a mirror right now, I'm sure I'd see an embarrassing mark.`@ br ;　撫でたくらいでその跡が消えるとは思わないが、@とりあえず、取り繕うように痛む顔半分をさすった…。\ `I didn't think that just rubbing it would make that mark disappear,`@` but I stroked the hurting side of my face for the time being, trying to smooth it over...`\ textoff bg Different_space_1c,9 wait 2000 bg Different_space_1a,6 ;　……ここは、………どこだろう。\ `......I wonder, .........where this is.`\ ;　真っ暗闇だと思っていたが、そうではないようだった。@ ;　なぜなら、薄っすらと自分の体を見ることは出来るからだ。\ `I thought it was pitch black, but it looks like it isn't.`@ `After all, I can faintly see my own body.`\ ;　……光源があるに違いないのだが、@天井を、……あるいは空を見上げても、真っ暗闇が広がるだけで、それらしい灯りは見えない。\ `......Without a doubt, there was some source of light, `@`but even if I looked up at the ceiling, ......or else the sky, there was only an expanse of blackness, and I couldn't see a proper light.`\ ;　自分の体がほんのりと照らされているだけで、@それ以外の物は全てが暗闇に沈んでいる、……そんな世界。\ `My body alone was slightly lit, `@`whereas everything else was sunk in darkness, ......that's what this world was like.`\ ;　それはまるで、楼座だけが、忘れられた世界に置き去りにされてしまったかのようだった。@ `It was almost as though Rosa alone had been abandoned in a forgotten world.`@ br ;　意識がはっきりしてくると、@どうしてこんな寂しいところに独りぼっちでいるのか不安になってきた。\ `As her mind grew clearer,`@` she started getting nervous about why she was all alone in a lonely place like this.`\ bg black,22 ;!s0　……誰かいませんかと、声を張り上げようとした時、/ ;!d1000……ぺた、/ ;!d500…ぺた、/ ;!d500と足音が近付いてくるのが聞こえた。/ !s0`......When she was about to call out, asking if anyone was there, `/ !d1000`......*patter*, `/ !d500`...*patter*, `/ !d500`she could hear footsteps coming towards her.`/ !sd@ br ;　か弱い足音だったので、子どもだろうと思った。@不気味な気配はなかったので怯えはしなかった。\ `They were light footsteps, so she thought it was probably a kid.`@` She didn't sense anything disturbing, so she wasn't afraid.`\ bg Different_space_P1b,22 ;　しかし、真里亞の足音でもないので、@一体、このような暗闇で誰だろうと、足音の聞こえてくる方向をじっと見た。@ `But they also weren't Maria's footsteps,`@` so, wondering who in the world would be in a darkness like this, she stared in the direction she could hear the footsteps from.`@ br ;　………すると、……薄っすらと近付いてくる人影が見えてくる。\ `.........As she did, ......a faint, approaching silhouette came into view.`\ ld c,$SAK_komaruA1,2 ;　それは、……真里亞よりずっと幼い子どもに見えた。@ `It looked, ......like a child much younger than Maria.`@ br ;　……誰だろう。@ ;　知らない子だった。\ `......Who is it?`@ `I don't know this kid.`\ ;　でも、浮かべている表情はまるで、親とはぐれてしまった迷子の子のよう。@ ;　…娘を持つ親として、胸が掻き毟られる感情を覚える…。\ `But, the expression on his face was like a lost child separated from his parents.`@ `...As a parent with a daughter herself, Rosa felt as though her chest had been torn apart...`\ ld c,$SAK_nakuA1,80 ;『……………………うりゅ。』@ ;＜さくたろ `『.....................Uryu.』`@ bg black,1 se1v 1100,20 monocro #ff0000 bg white,1 bg black,22 monocro off print 1 ;「……あツ、…………、」\ ;＜楼座 `"......Ah, ............"`\ ;　その子が幼児言葉のようなものを呟いた瞬間、@……冷たい床で痛んだ顔の左半分が、細くて硬くて長い針でぷすりと貫かれたような痛みを感じた。@ `The instant the kid muttered that infantile word,`@` ......she felt pain in the half of her face that had started hurting from the cold floor, as though it had been pierced by long, thin, hard needles.`@ br ;　思わず手で、痛んだ側の顔を押さえてしまう。\ `Without thinking, she pressed her hand against that side of her face.`\ bg Different_space_1a,6 ld r,$SAK_OdorokiA1,26 ;『……大丈夫……？@　まだ痛い……？』@ ;＜さくたろ `『......Are you alright......?`@` Does it still hurt......?』`@ ;ld ,$ROS_KomaruA1,80 ;「…ありがとう、僕。@………ここはどこ…？@　すごく、……寒いわ。」\ `"...Thank you, little guy.`@` .........Where is this...?`@` It's really, ......cold."`\ cl r,0 ld c,$SAK_nakuA1,24 ;『……こっちへ来て……。@ここにいちゃいけない……。』@ `『......Come this way......`@` You must not be here......』`@ br ;　その子は私のもう片方の手を取ると、悲壮な表情で引っ張った。\ `That child took my other hand and pulled with a grim expression on his face.`\ ;　……何が何だかわからない。@ ;　でも、子どもの素直な表情はそれ一つで、@大人の口先だけの百の言葉よりも、真実を語ることが多い。@ `......I didn't have a clue what was going on.`@ `However, a single honest expression on a child,`@` can often tell the truth better than a hundred words from an adult.`@ br ;　事情はわからないが、とにかく楼座は手を引かれるままに一緒に駆け出す…。\ `She didn't know the situation, but even so, Rosa dashed along with him, still being pulled...`\ bg black,28 ;　しかし、自分たちの姿以外は真っ暗で何も見えない世界。@ ;　本当に自分が走って前へ進んでいるのかさえ、実感できない。@ `But this was a world where nothing could be seen in the darkness except for their own forms.`@ `She couldn't even really feel like she was running and moving forwards.`@ br ;　……走っているのに風すら感じられない。@ ;　まるで、まだ悪夢の中にいるかのような、そんな非現実感…。\ `......Even though she was running, she couldn't even feel any wind.`@ `It was as though she was still inside a nightmare...that kind of unreal feeling...`\ wait 1000 se1 13 bg Different_space_P1b,1 quakey 4,800 ;　だから、走っているにもかかわらず平衡感覚が保てず、私は足をもつれさせて転んでしまう。@ `So even though I was running, I couldn't maintain my sense of balance, and my legs got tangled and I fell.`@ br ;　……現実感のない世界ではあっても、硬く冷たい床に顔をこすり付ける痛みは現実そのものだった。\ `......Even in a world that didn't feel real, the pain of smashing my face against the cold, hard floor was reality itself.`\ bg Different_space_P1a,22 ld c,$SAK_OdorokiA1,23 ;『うりゅ……、大丈夫……？』@ `『Uryu......, are you okay......?』`@ ;ld ,$ROS_AseruA1,80 textoff se1v 1100,20 mono 2 mbg white,1 mono off mcbg 22 ;「うっ、………ッ…。@……ごめんなさいね、頭が痛むの。」\ `"Uuh, .........nn...`@`......I'm sorry, my head hurts."`\ ;　……その子が、その、……“うりゅ”とかいう幼児言葉を口にしたら、また頭に針を刺す痛みが走った。@ `......When that kid said that, ......infantile word 'uryu', pain like being stuck with needles ran though my head again.`@ br ;　二度起こっただけなのに、@その子のその言葉が私の痛みを起こす切っ掛けになっているとなぜか理解できた。\ `Even though it had only happened twice, `@`I was somehow able to understand that the child's word was the cause of my pain.`\ ;　……だから率直にそれを口に出す。\ `......So I said so frankly.`\ ;bg Different_space_P1a,22 ;ld ,$ROS_KomaruA3,80 ;「ごめんなさい。@その、“うりゅ”という口癖を止めてもらえる…？」@ `"I'm sorry.`@` Could you stop saying that 'uryu'...?"`@ ld c,$SAK_KomaruA2,80 ;『うりゅ……。』\ `『Uryu......』`\ textoff se1v 1100,20 mono 2 mbg white,1 mono off mcbg 22 ;ld ,$ROS_IkariA2,80 me3v 5,50 ;「ツ、……ちょっと、止めてって言ってるでしょ…。」@ `"Nn, ......wait a second, didn't I tell you to stop..."`@ ld c,$SAK_nakuA1,80 ;『う、…ぁう、…うー！@　ごめんなさい……。』\ `『U, ...au, ...uu-!`@` Sorry......』`\ textoff se1v 1100,40 mono 2 mbg white,1 mono off mcbg 2 ;　その子の謝罪の言葉で、今度は眉間に鋭い痛みを感じた気がした。\ `I had the feeling that this child's words of apology made me feel a sharp pain in my forehead this time.`\ bg black,22 ;　………何なの、この子は……？@ `.........What is...this child......?`@ br ;!s0　悪意がないのはわかってるんだけど、/ ;!d800……この子にかかわると、/ ;!d700……頭が辛い……。/ !s0`I know there's no malice in him, `/ !d800`......but when I'm around this child, `/ !d700`......my head hurts......`/ !sd\ bg Different_space_P1b,0 ld c,$SAK_komaruA1,26 ;『……大丈夫……？@　早く行こ……。@/ `『......Are you okay......?`@` Let's go, quickly...... `@/ ;ld c,$SAK_KomaruA1,80 ;ここはいちゃ駄目……。』@ `You must not be here.......』`@ ;ld ,$ROS_MajimeA1,80 ;「どうしてここにいちゃ駄目なの…？@　ねぇ、ここはどこ……？@　あなたは誰？@　あなたのママはどこ…？」\ `"Why shouldn't I be here...?`@` Hey, where is this......?`@` Who are you?`@` Where is your Mama...?"`\ ld c,$SAK_OdorokiA1,80 ;『………ボクを作ってくれたのは、/ ;!d800……ママだよ…？@』 `『.........The one who made me, `/ !d800`......is Mama, right...?`@』 me4v 17,50 bg black,1 ;「……え……？」@ `"......Huh......?"`@ br ;　その子は、つぶらな瞳で、私をじっと見る。\ `That child stared at me with round eyes.`\ bg Different_spiral_1a,22 ;　……この子のママが、………私……？@ ;　……誰？@　誰、この子。@ `......This kid's Mama, .........is me......?`@ `......Who?`@` Who is...this kid?`@ br ;　全然記憶にない。\ `I don't remember at all.`\ bg Different_space_1b,22 ld r,$SAK_OdorokiA1,24 ;『ボクのこと、……忘れちゃった……？@　ママがボクを作ったんだよ……？』@ `『Did you, ......forget about me......?`@` Mama made me, right......?』`@ ;ld ,$ROS_KomaruA4,80 ;「……ちょっと、冗談は止めて。@…私の子どもは真里亞だけよ。@………そう、真里亞はどこ？@　真里亞はどこなの？！@　真里亞……？！」\ `"......Wait a second, stop kidding around.`@` ...Maria is my only child.`@` .........That's right, where is Maria?`@` Where is Maria?!`@` Maria......?!"`\ ;　私は急に、真里亞がいないことが不安になる。@ ;　どうして私はこんなところに独りぼっちでいるの？@ `I suddenly grew nervous about Maria not being there.`@ `Why am I all alone in a place like this?`@ br ;　真里亞はどこなの？！@ ;　真里亞がいてくれるから、私は私でいられるというのに…！\ `Where is Maria?!`@ `I'm only able to be me because Maria's there for me...!`\ ld r,$SAK_nakuA1,80 ;『…真里亞はいるけど、……今は真里亞じゃない。@今は会わない方がいいの。@その方がママのためだし、真里亞のためなの。@………真里亞のためにも、逃げて。』@ `『...Maria is here, ......but she's not Maria now.`@` It's better if you don't meet with her now.`@` That's better for your sake, and Maria's as well.`@` .........For Maria's sake as well, escape.』`@ ;「え……？@　何を言ってるの？@　真里亞はどこ？@　真里亞？！@　返事をしてー！！」\ `"Huh......?`@` What are you saying?`@` Where is Maria?`@` Maria?!`@` Answer me-!!"`\ cl r,0 ld c,$SAK_OdorokiA1,24 me5v 19,70 ;『真里亞に見つかっちゃう…！@　早くこっちに来て、ママ…！』@ `『Maria will find you...!`@` Come this way, quickly, Mama...!』`@ br ;　その子は再び私の手を引っ張る。@ ;　……恐らく、引っ張る方向は真里亞と逆の方向だ。@ ;　だから私は踏み止まる。\ `That child pulled on my hand again.`@ `......He was probably pulling me in the opposite direction from Maria.`@ `So I stopped walking.`\ ;「離してよ…！/ `"Let go...! `/ se1 11 quakex 4,600 ;@　大体、あなたは誰よ…！@　あなたにママなんて言われる覚えはないわよ…！」\ @`Just who are you...?!`@` I don't remember you ever calling me Mama...!"`\ ld c,$SAK_KomaruA2,80 ;『……ボクを作ってくれたのはママだよ…。@忘れちゃったの……？@　真里亞のバースデープレゼントにするために、/ ;!d900……ボクを手作りしてくれたの、忘れちゃったの……？』\ `『......Mama is the one who made me...`@` Did you forget......?`@` For Maria's birthday present, `/ !d900`......you made me with your own hands...did you forget......?』`\ ;ld ,$ROS_KomaruA2,80 bg Different_space_P1a,22 ;「……………………あなた、……まさか……。@………真里亞の、……さくたろう…………？！」\ `"..................You, ......couldn't be......`@`.........Maria's, ......Sakutarou............?!"`\ ;ld ,$SAK_KomaruA1,80 ;『うん………。@ママに作ってもらった、ライオンのぬいぐるみだよ…！』@ `『Yes.........`@` The lion stuffed animal Mama made...!』`@ textoff se1v 1006,100 se2v 57,100 se3v 2,100 mono 2 mbg white,1 mono off mcbg 2 ;!sd「ぎゃッ！！」@ !sd`"Gyah!!"@ br ;　鋭い激痛が走る。@ ;　それは、彼に手を握られている手の平からだった。\ `A fierce, sharp pain struck me.`@ `It came from the palm he had grasped with his hand.`\ ;　思わず手を弾いて、手の平を見ると、@/ `When I knocked his hand away without thinking, and looked at my palm, `@/ textoff se1 35 bg blood_2a,1 wait 300 se2 35 bg blood_2b,1 wait 100 se3 35 bg blood_2c,1 wait 300 se1 35 bg blood_2d,1 ;………そこには親指大の穴がぽっかりと開き、どろどろの真っ赤な血を噴出していた。@ `.........a hole the size of a thumb had opened there, and deep-red blood gushed out.`@ br se2 35 bg blood_2e,1 ;　…向こう側が覗けるくらいの、大きな穴だった……。\ `...It was a hole so big that I could see through to the other side......`\ bg black,22 fedexx 0,70,70,70,70,70,2000 bg Different_space_P1b,0 ld c,$SAK_komaruA2,22 ld c,$SAK_OdorokiA1,80 ;『う、うりゅ……！/ `『U, uryu......! `/ se1v 1100,40 mono 2 mbg white,1 mono off mcbg 22 ;@　大丈夫？！@　大丈夫？！@　どうしたの…？！』@ @`Are you okay?!`@` Are you okay?!`@` What's wrong...?!』`@ br ;　さくたろうも私の傷に気付き、慌てる。@ `Sakutarou also noticed my wound, and panicked.`@ br ;　……その様子を見る限り、なぜ私の手が大怪我を負ったのか理解できないようだった。\ `......As far as I could tell by looking at him, he couldn't understand why my hand had sustained a serious injury.`\ ;　しかし、私の目には、彼が私の手を握ったから、このような怪我を負ったように感じられた。@ `But in my eyes, it felt like I had sustained that injury because he had grabbed my hand.`@ br ;　悪気があろうとなかろうとも、/ ;!d800……この子は私に害を与える存在だと理解し、急に不気味になる……。\ `Whether there was malice in him or not, `/ !d800`......I understood that this child was something that would do harm to me, and he instantly became eerie......`\ se1 20 ;ld ,$ROS_IkariA2,80 ;「あっちへ行って……！！@　あなたなんか知らないわ…！@　さくたろうは、気持ち悪い下手くそなぬいぐるみでしょ…！！/ `"Go away......!!`@` I don't know anything about you...!`@` Sakutarou was just a disgusting, crappy stuffed animal, right...?!! `/ mbg sakutaro2a,1 mcbg 22 ;@　私は知らないわよ、ママなんかじゃないわよ…！！@　あっちへ行って…！@　消えてッ！！」\ @`I don't know, I'm not your Mama...!!`@` Go away...!`@` Disappear!!"`\ ld c,$SAK_nakuA1,80 ;『………う、………………ゅ………。』\ `『.........U, ............yu.........』`\ ;se1 13 ;quakey 3,800 fedexx 0,100,100,100,100,100,3000 ;　ゆっくりと、……さくたろうの首元が、@…一文字に裂けていく。\ `Slowly, ......the base of Sakutarou's neck,`@` ...was sliced in a horizontal line.`\ ;　ばっくりと開き、漆黒の内側が覗ける。@ ;　……血は噴出さなかった。@ ;　ただただ、虚無の漆黒が覗けるだけだった。\ `It gaped open, and pitch black insides peeked out.`@ `......No blood poured out.`@ `Only an empty blackness peeked out.`\ textoff wait 1000 E_A ;se1v 1100,70 ;wait 2000 bg black,15,1500,":c;bmp\efe\blood_2a_efe.bmp" se1v 1100,100 se2v 1100,100 se3v 39,100 wait 3000 me1v 5,50 bg Different_space_P1b,2 ;　そして、………その裂け口の内側から…、@綿雪をぶわっと噴出し、……綿埃を散らしながら、くしゃりと倒れた。\ `Then, .........from the insides of the gash...,`@` cotton snow poured out, ......and as bits of cotton scattered, he slumped over.`\ ;　そこには、……黄色いくしゃくしゃの布地と、@湿気って潰れた綿飴のような綿の塊の残骸があるだけだった。\ `There, ......was only crumpled yellow cloth,`@` and bits of cotton that looked like sticky, crushed cotton candy.`\ bg sakutaro2b,22 bg blood_1a,42 me2v 17,50 ;　………ライオンの、ぬいぐるみ。@ `.........A lion...stuffed animal.`@ br ;　間違いない。@ ;　あの日に私が感情に任せて引き裂いた、さくたろうのぬいぐるみの、残骸だった。\ `Without a doubt.`@ `It was the remains of the Sakutarou stuffed animal I had torn apart on that day, overcome by my emotions.`\ ;　それを私が認めた時、@…………鋭く長く、そして鼓膜を破るほどに大きな金切り声が、世界を切り裂いた……。\ `The instant I realized that,`@` ............a long, sharp shriek that could rupture an eardrum tore the world apart......`\ E_A textoff mono 1 print 2 bg white,2 wait 1500 bgm1 33 bg ROS_R1aN,0 ld c,$ROS_IkariA4,2 mono off print 2 ;■真里亞の家。@（さくたろを引き裂かれたシーンに戻っている） bg ROS_R1bN,0 ld r,$MAR_NakuA1,24 ;「うわあああああぁああああああああああぁああぁああぁぁッ！！！@　さくたろぉおおおお、さくたろおぉおおおおおお、うわああああぁああああああああう！！@　わあああぁああああああぁあああう！！」\ `"Waaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhh!!!`@` Sakutaroooooooo, Sakutaroooooooooo, waaaaaaaaaaaaaaaaaaaaaaaauuhhhh!!`@` Waaaaaaaaaaaaaaaaaaaauuuuhhhh!!"`\ ;　堰を切った洪水のように、あるいは壊れたテレビのように。@ ;　……真里亞は甲高い声で泣き叫ぶ。@ `Like a flood from a broken dam, or like a broken TV...`@ `......Maria cried out in a high-pitched voice.`@ br ;　………その、耳をわんわんと苛む真里亞の声に、二つの感情が揺さぶられた…。\ `.........Maria's voice, which made the ears throb, brought up two emotions...`\ ;　一つは、あぁ、感情に任せてとんでもないことをしてしまった…、という後悔。@ ;　今すぐ跪いて真里亞の頭を抱いて、一緒に泣き喚いて謝罪したいという母の気持ち。\ `One was regret..., 'yeah, I was overcome by my emotions and went overboard'.`@ `A mother's desire to kneel down right away, hold Maria's head, cry with her and apologize.`\ bg black,22 ;　……実際、私はすぐにそうした。@ ;　真里亞の頭を抱いて、私も泣きながらそれを謝った。\ `......Actually, I did that right away.`@ `I held Maria's head and apologized for that, crying.`\ ;　しかし真里亞は泣き止まない。@ ;　それどころか、一番の仲良しの友人を引き裂いた私を拒絶し、両手で強く押しのけた。\ `But Maria didn't stop crying.`@ `On the contrary, she rejected me, the one who had torn her closest friend apart, and pushed me away forcefully with both hands.`\ ;bg white,1 bg ROS_R1aN,22 quakey 3,500 br ;　不自然な格好で膝を付いていた私は、呆気なく後へ転ぶ。@ `Since I had been on my knees in an unnatural position, I fell backwards easily.`@ br ;　真里亞は黄色い布切れと綿屑を掻き集め、……それに顔を埋めて、さらに泣いた…。\ `Maria scraped together the yellow scraps of cloth and cotton bits, ......buried her face in them, and cried even more...`\ me1v 17,50 bg Different_spiral_1a,22 ;　それを見て、もう一つの感情が膨らむ。@ `Watching that, another emotion welled up.`@ br ;　みるみる膨らむ。@ ;　……そしてはち切れる。\ `It welled up rapidly.`@ `......And then burst.`\ ;　だって、謝っても機嫌直さないし、もうどうしようもないし、そもそも真里亞が悪いし…！！@ `After all, she didn't make up with me after I apologized, and there was nothing else I could do now, and it was all Maria's fault in the first place...!!`@ br ;　いつまでもこんなぬいぐるみ遊びにかまけているから友達が出来ないわけで、変人扱いをされてるわけで…！！@ `Since she was too busy playing with stuffed animals all the time like this, she couldn't make any friends, and is treated like a weirdo...!!`@ br ;　これはいい機会、教育的指導！@ ;　私だって甘やかしてばかりいるわけじゃないんだから…ッ！！\ `This is a good opportunity, for instructive guidance!`@ `It's not like I was pampered all the time myself...!!`\ me2v 5,50 bg black,22 se1 11 bg blood_2a,1 quakex 3,500 ;　物はやがて壊れる、奪われる、壊される！@ `Things eventually break, are stolen, are broken!`@ br ;　私だって玩具や宝物を、@兄さんや姉さんやお父様やお母様にたくさん取られた、壊された、馬鹿にされた、捨てられた…！！\ `Even I had lots of toys and treasure stolen, broken, made fun of, `@`and thrown away by my brothers and sister and Father and Mother...!!`\ se1 11 bg blood_2b,1 quakey 3,500 ;　でも私、それに対し泣いたことも、……ちょっぴり涙を零したことはあったかもしれないけど……、@ここまでわんわん泣いて親を困らせたり、@駄々を捏ねたり、機嫌を損ねたり、@床をどんどん叩いてばんばん蹴って騒がしくしたことなんて一度もない…！！\ `But when I cried about that, ......while I might have shed a few tears......, `@`not once did I sob like this and trouble my parents,`@` throw a tantrum, get mad,`@` hit the floor and kick and make a racket...!!`\ se1 11 bg blood_2c,1 quakey 3,500 ;　そうしたいといつも思ってたけど、したらもっと怒られると思って、ずっとずっと我慢してきた。@ `Even though I always wanted to, I'd thought I'd get in more trouble if I did, so I always, always held it back.`@ br ;　我慢してきたからコンナニ立派ナ大人ニナレタノニっ！！！\ `It's because I held it back THAT I WAS ABLE TO BECOME THE WONDERFUL ADULT I AM NOW!!!`\ se1 11 bg blood_2d,1 quakey 3,500 wait 1000 se2 11 bg blood_2e,1 quakex 3,500 wait 1000 E_B se3 12 se1 39 bg black,1 ;　その時、ぼろっと変な手応えがした。@ `At that time, I felt something strange.`@ br ;original ;　乱暴に道具を扱っていたら、とうとう壊れて、根元からぽっきり行ってしまった時のような手応え。\ `The same feeling as when you use a tool recklessly, and it finally breaks, so that only the base is left.`\ ;second patch version　乱暴に道具を扱っていたら、とうとう壊れて、根元からぽっきり逝ってしまった時のような手応え。\ ;　しかし、私は道具なんか何も使ってない。@ ;　自分の両手で真里亞の頭を叩き続けていただけだ。\ `But I wasn't using a tool.`@ `I had just been repeatedly hitting Maria's head with both hands.`\ ;　だから、……自分の手を見る。\ `So, ......I looked at my hand.`\ E_A se1v 34,90 bg blood_1aR,22 ;　……私の両手の手首から先が、折れて、欠けて、……なくなっていた。@ `......From my wrists onwards, my hands broke off, splintered, ......and disappeared.`@ bgm1 77 br ;　まるで私の腕の、その部分だけが、陶製になってしまったかのよう。@ ;　……いや、まさに私の手首から先がいつの間にか陶製になっていて、壊れて落ちているのだ。\ `As though only that part of my arms had become ceramic.`@ `......No, as though all of me from the wrists onwards had suddenly become ceramic, and had broken and fallen.`\ ;　真里亞を叩き過ぎたから、ひびが入って割れて落ちてしまったのだ。@ ;　……だからほら、…私の両手首は、足元に砕けて落ちてるじゃないか……。\ `They had gotten covered with cracks because I had hit Maria too much, and had fallen off.`@ `......After all, look, ...aren't both of my wrists lying smashed by my feet......?`\ se2v 1100,100 se3v 1006,100 bg white,1 bg Different_space_1a,22 ;「ひ………？@　ひいいいぃいいいいいいぃいぃぃ…！！！」\ `"Ee.........?`@` Eeeeeeeeeeeeeeeeeeekkk...!!!"`\ ;　痛みはない。@ ;　しかし、自らの両手首から先が欠けてなくなってしまうという衝撃的な光景が、私に絶叫を強いらせる……。\ `There was no pain.`@ `But the shocking sight of my hands breaking off from the wrists onwards made me scream......`\ ld r,$ROS_AseruA1,24 ;「な、何これ？！@　何これッ？！@/ `"Wh, what's this?!`@` What's this?! `@/ ld r,$ROS_OdorokiA1,80 ;　私の手、……手、手…！！@　ひぃいいいいいぃいぃぃいッ！！！」/ `My hands, ......hands, hands...!!`@` Eeeeeeeeeeeeeeeeeeeeeekkkk!!!"`/ quakey 4,700 \ bg Different_space_1b,23 ld c,$MAR_defA1k,6 ;「…………………………。@………これでもう、……真里亞を叩けないね。」\ `"..................`@`.........This way, ......you won't be able to hit Maria anymore."`\ ;　私の混乱を他所に、……真里亞はとても冷たい声で、そう言いながら、@……私の乱暴から頭を被っていた両手をゆっくりと解く……。\ `Ignoring my confusion, ......Maria spoke that with a very cold voice,`@` ......slowly moving her hands away from her head, where they had been defending against my barrage......`\ bg Different_space_1a,0 ld r,$ROS_OdorokiA1,24 ;「……何よこれ？！@　私の手、私の手…！！@/ `"......What is this?!`@` My hands, my hands...!! `@/ ld r,$ROS_IkariA2,80 ;　何をしたのよ真里亞、これは何なのよ、何これ何これッ…？！」\ `What did you do, Maria, what is this, what's this what's this...?!"`\ bg Different_space_1c,0 ld c,$MAR_defA1k,23 ;　真里亞の後に、いつの間にか黒い人影が立っている。@ ;　……大人の人影だった。@ `Behind Maria's back, a black silhouette had appeared.`@ `......It was the silhouette of an adult.`@ br ;　…………誰？！\ `............Who?!`\ mov %play_scene,40220 : mov %r_hyouji_side,0 gosub *MAR_Isyou2 se1 52 bg Different_space_1c,0 ld c,$MAR_defA1k,0 ld l,$BEA_nayamuA1,99,2000,"whirl.dll/l" wait 1000 ld l,$BEA_majimeA1,80 ;「………娘の頭を撫で、絵本をめくり、温かい食事を作ることの出来る腕ならば、@……残しても良いかと考えた。」\ ;＜ベアト `".........Since an arm could pat her daughter's head, flip through a picture book, and make warm meals,`@` ......I thought it might be alright to leave it."`\ ld c,$MAR_komaruA1,2 ;「ママは真里亞の頭を撫でるより、叩く方が多いよ。@……絵本なんかめくってくれない。@ご飯だって作ってくれない。@……真里亞が自分で買いに行くの。\ `"Mama hit Maria's head more than she patted it.`@` ......She doesn't turn the pages of a picture book.`@` She doesn't even make food.`@` ......Maria goes to buy it herself.`\ ld c,$MAR_ikariA1,80 ;　……でも、同じお店に何度も行っちゃいけないし、@顔を覚えられてもいけない、お巡りさんに話しかけてもいけない…。@………何で？@　どうして？@　真里亞が悪いの？\ `......But Maria must not go to the same store multiple times,`@` must not have her face remembered, must not talk to the policeman...`@`.........Why?`@` Why's that?`@` Did Maria do something wrong?`\ ld c,$MAR_fukigenA2,80 ;　真里亞はママに撫でてもらったり、絵本を読んでもらったり、@一緒にご飯を食べたりしちゃいけないの…？@　どうして？@　どうして？！@/ `Is Maria not supposed to have Mama pat her head, have picture books read to her,`@` eat dinner together with Mama...?`@` Why?`@` Why?! `@/ ld c,$MAR_SakebuA1,80 ;　真里亞、悪くないよッ！！@　真里亞悪くない、ママが悪い！！@　ママが悪いッ！！」\ `Maria didn't do anything wrong!!`@` Not Maria's fault, Mama's!!`@` Mama's fault!!"`\ textoff se1v 27,100 wait 500 mbg white,1 wait 500 mcbg 42 ld c,$MAR_KomaruA1,80 me1v 5,70 ;「ママは一緒に遊んでくれないけど、さくたろは一緒に遊んでくれた！@/ `"Mama wouldn't play with Maria, but Sakutaro did! `@/ ld c,$MAR_IkariA1,80 ;　本も読んでくれた、テレビも見てくれた、一緒にご飯も食べてくれた！！@　ママよりッ、もっともっと大切な友達だったのにッ！！！」\ `He even read books, watched TV and ate meals with Maria!!`@` He was a much, much more important friend than Mama was!!!"`\ bg Different_space_1b,24 ld r,$ROS_AseruA1,24 ;「…わ、……悪かったと思ってるわ…！@/ `"...I, ......I'm not proud of it...! `@/ ld r,$ROS_IkariA1,80 ;　でッ、でも仕方ないでしょ？！@　ママは仕事で忙しいのよ、仕事で！！@　ママの仕事が忙しいのは知ってるでしょ？！@　仕方ないのよ！！@　仕方ないッ！！」\ `B, but what am I supposed to do?!`@` Mama's busy with work, work!!`@` You know that Mama's busy with work, right?!`@` What am I supposed to do?!!`@` There's nothing I can do!!"`\ ld l,$BEA_nayamuA1,80 ;「そうだ。@これは仕方なきこと。@/ `"That is true.`@` There is nothing to be done. `@/ ld l,$BEA_majimeA1,80 ;そなたの娘が傷つき、心を引き裂かれ、涙に血を浮かべることさえ、これは仕方なきこと…！@　なれば今この場にてこのようなることになるもまた、全ては仕方なきこと…！！\ `Nothing to be done about injuring your daughter, tearing her heart apart, and making her tears run with blood...!`@` Then there's nothing to be done about the same thing happening again, right here, right now...!!`\ ld l,$BEA_majimeA3,80 ;　さぁ、マリア…！@　母を名乗った女の言い分は以上だぞ。@許せるか、否か…？！@　無罪か、はたまた有罪かッ？！？！」\ `Come, MARIA...!`@` That is enough for the excuses of the woman who calls herself a mother.`@` Can you forgive her, or not...?!`@` Is she innocent, or else guilty?!?!"`\ ;bg black,22 se1v 2,100 se2v 1006,100 bg white,1 bg Different_space_1c,22 me2v 17,70 ;「許せないッ！！@　ママは有罪だッ！！@　さくたろにママがしたのと、同じ目に遭わせてやる…！！@　ママを、……首の縫い目のところから、/ ;!d900……引き裂いて、中の綿をぶちまけてやるッ！！」\ `"Won't forgive her!!`@` Mama is guilty!!`@` I'll make Mama meet the same fate she gave to Sakutaro...!!`@` Take Mama, ......from the seam at the neck, `/ !d900`......and tear her apart, exposing the cotton within!!"`\ se3v 22,100 bg black,31 ;　……真里亞の瞳が、青く、禍々しく光った。@ `......Maria's eyes ominously flashed blue.`@ br ;　その瞬間、目に見えぬ巨大な腕が爪を立てて楼座の全身を強く握り締めた。@ ;　全身の骨がポキポキと小枝を踏み折るような音を立てながら、簡単にひびが入り、折れていく。\ `In that instant, invisible, massive arms stuck their fingernails out and tightly grasped Rosa's entire body.`@ `As the bones all over her body made a sound like twigs being stepped on, they cracked readily and broke.`\ me3 21 bg blood_2a,22 ;quakex 3,800 ;　………楼座は薄っすら理解していた。@ ;　その巨大な腕は多分、……さくたろうを引き裂いた時の、自分の腕なのだ。@ `.........Rosa had understood vaguely.`@ `The massive arms were probably, ......her own arms, from the time she had torn Sakutarou apart.`@ br ;　ぬいぐるみから見れば、自分の腕はきっと、これくらいに巨大だったに違いない。\ `From a stuffed animal's perspective, her arms must certainly be this massive.`\ bg blood_2c,22 ;quakey 3,800 ;　だから、後は想像が付いた。@ `So I could imagine what would happen next.`@ br ;　……鋭い爪が私の首の根元に強く立てられ、……びりびりと皮膚が裂けていく音を自らの耳で聞く。\ `......The sharp nails stuck strongly into the base of my neck, ......and I heard the skin tearing with my own ears.`\ ;se1v 45,100 bg blood_1aR,22 ;quakey 5,1200 ;　そして、二人の魔女が見守る前で、楼座の肉体は首から上と下に、分けられた。\ `Then, as the two witches watched over her, Rosa's flesh was split in two, top and bottom.`\ ;　さくたろうが引き裂かれた時には、綿埃がまるで粉雪のように舞い散った。@ `When Sakutarou had been torn apart, bits of cotton had flown about like snowflakes.`@ br ;　しかし楼座の時には、黒く粘度のあるコールタールのようなものがぶちまけられ、辺りに汚らしく飛び散った。\ `But in Rosa's case, something like black, thick tar came out, filthily flying all over the place.`\ ;　血の赤など、わずかほどもない。@ ;　……ドス黒くて汚らしい、どろどろの何かだった。@ `There wasn't even a trace of the red of blood.`@ `......It was something black, filthy and thick.`@ br ;　それは多分、血も涙もない人間が、その代わりに体内に溜め込んでいる何かに違いなかった。\ `It was probably what a bloodless, tearless human kept inside their body instead.`\ E_MA se1v 36,100 mono 2 bg white,1 mono off bg black,42 wait 1000 bg Different_space_1a,0 ld l,$MAR_MajimeA1,22 ld r,$BEA_odorokiA1,24 ;「これは凄い。醜いッ！@　何と汚らわしき中身か…！@/ `"This is incredible. Hideous!`@` What filthy insides...! `@/ ld r,$BEA_majimeA1,80 ;　見事であったぞマリア。@さぁどうか、そなたの復讐はこれにて充分か？@/ `That was splendid, MARIA.`@` Well then, is this enough for your revenge? `@/ ;ld r,$BEA_futekiA2,80 ;　そなたは母を許せるか、否か？@　無罪か、有罪か…！！」\ ;＜ベアト `Can you forgive your mother, or not?`@` Innocent, or guilty...?!!"`\ ld l,$MAR_fukigenA2,80 ;「許せないッ！！/ `"Can't forgive!! `/ se1v 2,100 quakey 3,400 ;@　まだまだ許せない、有罪だッ…！！！」\ @`Still can't forgive, guilty...!!!"`\ ;　ベアトリーチェが煙管のケーンを振るうと、@黄金の蝶たちが湧き出して、楼座の砕けた肉体をあっという間に再生してしまう…。\ `When Beatrice brandished her pipe cane, `@`gold butterflies seeped up and restored Rosa's broken flesh in an instant...`\ textoff se1 22 bg butterfly_1a,31 wait 1000 bg butterfly_3a,22 wait 1000 ;ld ,$ROS_KomaruA4,80 se2v 52,100 bg Different_space_1a,99,2000,"whirl/r" ;「………く、……がはッ！/ `".........Ack, ......gwah! `/ quakey 3,300 ;@　げほげほッ……！！」\ ;＜楼座 @`*cough*cough*......!"`\ ld c,$BEA_MajimeA1,22 ;「ひとつの命で償えぬほどのそなたの大罪、身をもって知れ。@そして、自らの深き罪を思い出せ…！@/ `"Feel your great sin, which cannot be paid for by a single human life.`@` And remember your own deep sin...! `@/ ld c,$BEA_majimeA3,80 ;　さぁさ、思い出して御覧なさい…！！@　そなたがどれほどの罪を犯したのか…！！」\ `Come, try and remember...!!`@` Remember how great a sin you committed...!!"`\ textoff se1v 52,100 ;bg black,99,2000,"breakup.dll/lrb" bg black,99,2000,"whirl/r" wait 500 me1v 22,90 wait 1500 e_ 2,1 se1 53 mono 1 bg TEL1a,22 ;　………もしもし。@……ママなの？@　……ママは何時に帰ってくるの？\ `.........Hello.`@` ......Is it Mama?`@` ......When will you come home?`\ ;「ごめんなさいね。@今日も仕事が忙しくて、泊まりになってしまうの。」@ `"I'm sorry.`@` I'm busy with work today, so I'm staying over."`@ br ;　……また、お仕事でお泊り………？@　……ママのお仕事、今日も大変だね…。\ `......Staying over for work again.........?`@` ......Looks like work is tough for you again today, Mama...`\ ;「うん、ごめんね。@本当に忙しいの。@もうずっと会社に缶詰よ。@外の空気も吸えやしないわ。@ママの仕事は早く終わらすだけじゃ駄目なの。@より良いデザインをあげないと、次から仕事をもらえない、大変な仕事なのよ。@だからどうしても時間が掛かっちゃうの。」\ `"Yeah, sorry.`@` I really am busy.`@` I'll be holed up in the company the whole time.`@` I can't even get a breath of outside air.`@` Mama can't just finish her job quickly.`@` Unless I give them a better design, I won't be given another job...that's how tough this job is.`@` So it'll just have to take some time."`\ ;　…うん。@わかってるよ。@………真里亞、いい子でお留守番してるから、@お仕事いっぱいがんばって、早く終わらせて、お家に帰ってきてね……。\ `...Yeah.`@` Understand.`@` .........Maria will be a good girl and watch over the house,`@` so do your best at work, finish it quickly, and come back, okay......?`\ ;「ママのお仕事をわかってくれて、ありがとう……。@明日、美味しいケーキを買って帰ることを約束するわ。」@ `"Thank you for understanding about Mama's work......`@` I promise that I'll buy a delicious cake tomorrow and take it home."`@ br ;　ケーキいらないよ。@……ケーキ屋さんに寄って遅くなるより、その分、ちょっとでも早くママが帰ってくる方が嬉しい。\ `Don't need cake.`@` ......Instead of taking time to go to the cake store, Maria would be happier if Mama came home that much sooner.`\ ;「大丈夫よ。@早く帰ってくるわ、約束する。@だから美味しいケーキを二人で食べて。@美味しい紅茶を二人で飲んで。@一緒に新しい絵本を読みましょう。@この間、買った、狼と羊のパズルで遊びましょうね。@二人で一緒に。@……約束よ。」\ `"Don't worry.`@` I'll come back quickly, I promise.`@` So let's eat the delicious cake together.`@` Let's drink delicious tea together.`@` Let's read a new picture book together.`@` Let's play with that Wolves and Sheep Puzzle I bought recently.`@` Both of us together.`@` ......I promise."`\ bg black,22 mono off ;　………うん、約束。@待ってるね。@…………お仕事、頑張ってね、ママ……。\ `.........Yeah, promise.`@` Maria will be waiting.`@` ............Do your best at work, Mama......`\ bg Different_space_1a,0 ld r,$BEA_majimeA1,22 ld r,$BEA_nayamuA1,80 ;「ほほぅ。@寂しい話ではあるが、互いを思い合う、良き親子愛ではないか。@/ `"Hohoh.`@` It's a lonely story, but isn't this good mother-daughter love, with both looking out for the other? `@/ ;ld r,$BEA_futekiA2,80 ;何か問題があるというのか、真里亞。そして楼座よ。」\ ;＜ベアト `Do you see any problem with it, Maria? Rosa?"`\ ld l,$ROS_AseruA1,23 ;「…………………………。@/ `"........................`@/ ld l,$ROS_ikariA1,80 ;……そ、その約束は、……私はちゃんと守ったはずよ。@次の日の夕方に、約束通り、ケーキを買っていつもより早い帰宅をしたはずよ。」\ ;＜楼座 `......Th, that promise, ......I believe I kept it.`@` The next evening, didn't I do as I promised and buy a cake, returning earlier than usual?"`\ cl r,23 ld r,$MAR_KomaruA1,80 ;「うぅん、真里亞は知ってたよ……。@/ `"That's not it, Maria knew......`@/ ;ld r,$MAR_MajimeA1,80 ;………あの日の夕方ね。@ママ宛てに着払いの荷物が来たけど、お財布の中のお金が足りなかったから、@ママにどうしようって相談したくて会社に電話したの。@/ `.........That evening.`@` A pay-on-delivery package came for Mama, but there wasn't enough money in the wallet,`@` so Maria called Mama's company to ask what should be done. `@/ ;ld r,$MAR_fukigenA1,80 ;……特別な時以外は掛けちゃ駄目って言われてたけど、/ ;!d900……ママのお仕事の大切なものだったら悪いしと思って…。@電話したの。」\ `......Maria had been told only to call at special times, `/ !d900`......but thought it would be bad if the package was something important for Mama's work...`@` So Maria called."`\ ld l,$ROS_KomaruA4,80 ;「………………………………。」\ ;＜楼座 `"........................."`\ bg black,22 mono 1 bg TEL1a,22 ;「………そしたら、ママはお休みだって言われた。@…その日はずっと前からお休みに決まってて、………遠くへ遊びに行っているって言われたの。@…………真里亞は知ってたよ。@ママが嘘を吐いてるって、………ずっとずっと知ってた…！」\ `".........Then, Maria was told that Mama had the day off.`@` ...Maria was told that it had been decided long ago that Mama would have the day off, .........and that she had gone far away to play.`@` ............Maria knew.`@` The whole, whole time, .........Maria knew that Mama was lying...!"`\ bg black,22 bg sakutaro2b,22 ;　でもね、……さくたろがそうじゃないって真里亞を叱ってくれたの。\ `But you know what? ......Sakutarou scolded Maria, saying that wasn't true.`\ ;　ママは毎日、お仕事でとても大変。@ ;　真里亞を放っておいて遊んでるはずなんてないって。@ `Every day, Mama was very busy with work.`@ `There was no way she would abandon Maria and play.`@ br ;　ママはお休みって言った人は、きっと何か勘違いして言ってしまったんだよって…！\ `He said that the person who told us Mama had the day off had made some kind of mistake...!`\ ;　さくたろがそう言うんだもん。@ `That's what Sakutaro said.`@ br ;　真里亞は信じたよ。@ ;　……真里亞は信じた！@ `So Maria believed it.`@ `......Maria believed it!`@ br ;　ママ大好き、ママ大好き…！@ `Love Mama, love Mama...!`@ br ;　もちろんママだって真里亞を愛してる、愛してるって！！\ `Of course, Mama says that she loves Maria, loves Maria!!`\ bg hOT_R1b,6 mono off print 2 ld r,$ROS_komaruA4,26 ;「……………えぇ。@私もよ。@愛してるわ、真里亞……。」\ `"............Yes.`@` Me too.`@` I love you, Maria......"`\ ;　楼座はふぅっと深いため息を漏らす。@ ;　……自らの言葉に重みを感じてるのだろうか。@ `Rosa let out a deep sigh.`@ `......Maybe she felt the weight of her words.`@ br se1 53 ;　そして、ベッドサイドの電話機に受話器を置く。\ `Then, she set the receiver on the bedside phone.`\ ;　薄暗い室内は、窓際からの地上の星空をより美しく際立たせてくれていた。@ `The dark room made the starry sky on the ground below the window stand out even more beautifully.`@ br ;　そのテラス前のテーブルには、よく冷えたワインクーラーが置かれ、@グラスを交わした相手が、眼下の光景を眺めていた…。\ `On the table in front of the terrace was a very cold wine cooler,`@` and the one she shared a glass with was gazing at the scene below...`\ bg HOT_R1a,22 ;「………娘さんに、旅行って話してないんですか？」@ `".........You didn't tell your daughter that you were on vacation?"`@ ld r,$ROS_NayamuA1,24 ;「行くって言って、前にうるさかったんで、以来、言わないことにしてるんです。@その方が面倒がなくていいんで。」\ ;＜楼座 `"I told her I'd go once, but she was so noisy that I decided not to tell her anymore.`@` It's less of a pain that way."`\ bg HOT_R1b,22 ;「……娘さんが気になるなら、無理に日程を組まなくても良かったじゃありませんか。」@ ;「でもそれじゃ、いつまで経っても予定が合わないし…。@それは気にしないでって言ったでしょう。」\ `"......If you were worried about your daughter, you didn't have to force yourself to put this in your schedule, right?"`@ `"But that way, we'd never get our schedules to match...`@` Didn't I say not to worry about that?"`\ ;　純白のガウンをまとった細身の中年男性は、小さくため息を漏らす。@ ;　そのわずかな仕草に楼座は敏感に反応した……。\ `The slender, middle-aged man clad in a white robe gave a small sigh.`@ `Rosa reacted instantly to that slight action......`\ ;ld ,$ROS_KomaruA4,80 ;「もう！@　娘の話はなしにして。@せっかくの上等なワインが台無しよ。」\ `"Come on!`@` Let's not talk about my daughter.`@` It'd be a waste of this precious wine."`\ ;「…………私はあなたに、一人の人間としても女性としても魅力を感じています。@ですが、だからこそ、あなたの親子の事情に無理を強いてまで、@こうして時間を割くのは申し訳ないと感じています。」\ `"............I find you fascinating as both a woman and a human being.`@` But for that very reason, `@`I feel bad about taking so much of your time that it strains your relationship with your daughter."`\ ;ld ,$ROS_KomaruA3,80 ;「私と娘の事情は気にしないで下さいっていつも言ってるじゃないですか…！@　あなたと二人きりの時に、娘の話はしないようにしてるでしょう？@　電話だって、下のロビーでうるさい酔っ払いが馬鹿笑いしてなければここでは掛けなかった…！」\ `"Don't I always tell you not to worry about my relationship with my daughter...?!`@` I try not to talk about her when I'm alone with you, right?`@` I wouldn't even have phoned from here if it weren't for the noisy drunk laughing stupidly in the lobby downstairs...!"`\ ;「楼座さん。@こういう唐突な日程での旅行は、娘さんのためにも、今後は少し考えませんか…？@　互いの日程が合った時だけでいいじゃありませんか。」@ `"Rosa-san.`@` Couldn't you reconsider sudden vacations like this in the future, for your daughter's sake...?`@` Isn't it alright if we only do it when our schedules match?"`@ ;ld ,$ROS_KomaruA1,80 bg HOT_R1a,23 ;「それじゃ全然日程が合わないじゃないですか……！@　私はっ、……いつだって一緒にいたいのに……！」\ `"That way our schedules won't match at all, right......?!`@` And I, ......always want to be with you......!"`\ ;「それは子どもの恋愛の仕方です。@大人同士の恋愛は、もう少しストイックであるべきですよ。@……楼座さんと一緒にいられる時間が長く取れないことは、僕も寂しいです。@ですが、その限られた時間と機会で、僕たちは充分に大人の恋愛を楽しめていると思いますよ。」\ `"That's a child's way of lovemaking.`@` Lovemaking between adults should be a little more stoic.`@` ......Not being able to be with you for long periods of time makes me lonely too.`@` However, I think we can enjoy more than enough adult lovemaking during that limited time."`\ ;ld ,$ROS_KomaruA2,80 ;「それは、もっと娘と一緒にいろと。@……女でなく、母でいろ、ということですか。」\ `"So you're telling me to be with my daughter more.`@` ......Don't be a woman, be a mother?"`\ ;「……あなただって望んでいることでしょう？@　娘さんと一緒にゆっくり過ごしたいとあなただって思っているはずだ。@僕は逃げません。@僕との時間を優先するために、娘さんを犠牲にするのは気の毒だと申し上げたいのです。」\ `"......That's what you wish for too, right?`@` I think you also want to spend lots of time with your daughter.`@` I won't run away.`@` I'm trying to say that I think it's sad for you to sacrifice your daughter so you can prioritize your time with me."`\ ;ld ,$ROS_NayamuA1,80 bg black,22 ;「…………………………………。@……奥さんとの寄り、戻したんですか。@………別れるのが嫌になったんですね。」@ ;「妻の話はしたくない。@あなたが娘さんの話をしたくないのと同じです。」\ `"........................`@`......Did you get back on good terms with your wife?`@` .........Looks like you've started to dislike being separated."`@ `"I don't want to talk about my wife.`@` Just like you don't want to talk about your daughter."`\ ;ld ,$ROS_MajimeA1,80 ;「……子連れの女は面倒だって、思ったんでしょう。」@ ;「そんなこと、今までに一度も言ったことはありませんよ。」\ `"......I'm sure you think single women with children are a pain."`@ `"I have never said anything of the sort before."`\ ;「………みんな、子連れだとわかると手の平を返す。@……あの子の養育費は気にしなくていいからと言っても、みんな手の平を返す…。@………あなたは、…娘のことを理解してくれてると思ったのに、@………やっぱり子連れだと嫌なんですね……。」\ `".........Whenever someone finds out I have a child, they desert me.`@` ......Even if I tell them not to worry about paying that child's living expenses, they all desert me...`@`......And I, ...thought you would understand about my daughter,`@` .........but it looks like you really don't like single women with children......"`\ ;「そうは言っていません。@楼座さんのことを嫌いになってなどいませんよ。@私が言いたいのは、娘さんをもっと大事にしなさい、@あなた自身もそれを望んでいるはずだ、だから娘さんに嘘を吐いて自らを傷つけて欲しくない。@そう言ってるだけなんです。」\ `"That's not what I'm saying.`@` I haven't started to dislike you, Rosa-san.`@` I'm just trying to tell you to take better care of our daughter, which you should wish for yourself, `@`so I don't want you to hurt yourself by lying to your daughter.`@` That's all I'm saying."`\ bg HOT_R1c,0 ld r,$ROS_IkariA1,1 ;「嘘吐きッ！！！/ `"Liar!!! `/ se1 11 quakey 3,500 ;@　私のことが面倒になっただけ、そうでしょうッ？！」@ ;「そんなことは言っていない…！」\ @`I've just become a burden for you, right?!"`@ `"That's not what I'm saying...!"`\ ld r,$ROS_IkariA4,80 ;「いいえ、わかるの、私にはわかるわ。@あの子を理由に何度も捨てられた私だからわかるの、@雰囲気でわかるわ、そうよ、あなたもそう、他の男たちと一緒！！@/ `"No, I know, I understand.`@` After being abandoned so many times because of that child, I know,`@` I can tell by your mood, yes, you're already like the other men!! `@/ ;ld r,$ROS_IkariA2,80 ;　子連れの女は嫌なのよ、バツイチは嫌なのよ、面倒なのよッ！！\ `You don't want a woman with a child, you don't want a divorcee, because that's a pain!!`\ ld r,$ROS_IkariA2,80 ;　知らない男と作った子どもの親になんかなりたくないんでしょう？@　えぇ、そうよね、その気持ち、すっごいわかるわ！！@　子連れの男と付き合ったことがあるけど、その気持ち、すっごいわかったの…！！@　だから、……娘を理解してくれるあなたとなら、一緒になれるって信じたのにッ！！」\ `You don't want to become the parent of a child made with another man, right?`@` Yes, that's right, I re-ally get it!!`@` I once went out with a man with children, so I re-ally understood that feeling...!!`@` So, ......I believed that I would be able to be together with you, a person who understood about my daughter!!"`\ bg Different_space_1a,1 ;ld r,$ROS_IkariA4,99,2000,"trvswave.dll/h" ;ld r,$ROS_IkariA2,80 ;「がはッ！！/ `"Gwah!! `/ quakey 3,400 ;@　げほっ、……げほんッ……。@……そうよ……。@あんたなんて、……邪魔だったのよ……。」\ @`*cough*, ......*cough*......`@`......That's right......`@` You were, ......always in the way......"`\ bg Different_space_1a,0 ld c,$MAR_fukigenA1,23 ;「…………………………っ。」\ ;＜真里亞 `"........................nn."`\ ;ld r,$ROS_IkariA2,80 me1v 5,80 ;「……あんたさえいなければ、……私はとっくに、女としての幸せを掴めたのよ……。@あんたの存在が、……私の幸せをいつも邪魔するのよ……。」@ `"......If only you weren't there, ......I would have been able to grasp my happiness as a woman long ago......`@` Because you exist, ......you were always in the way of my happiness......"`@ ld c,$MAR_komaruA1,80 ;「…………マ…マ………、」\ ;＜真里亞 `"............Ma...ma........."`\ ;bg Different_space_1a,0 ;ld c,$ROS_NayamuA1,24 me2v 16,80 ;「………私だってあんたなんか生みたくなかったわよ…。@/ `".........Even I didn't want you to be born... `@/ ;ld c,$ROS_NayamuA1,80 ;いいえ違うわ。@……あんたと一緒に幸せな家庭を築けたらと思ったわよ…。@……でも、あんたが生まれる直前にあいつは蒸発したわ。@/ `No, that's not it.`@` ......I thought I might be able to build a happy family together with you...`@`......But that guy disappeared right before you were born. `@/ se1 11 ;私と温かい家庭を築くと言って私を騙し、永遠に私の前から消え去ったわ…！！\ `He said he'd build a warm family with me...he tricked me...and disappeared from my sight for all eternity...!!`\ ;ld c,$ROS_AseruA1,80 ;　残ったのはあんただけ。@/ `Only you were left. `@/ se1 11 ;愛も思い出も何もない！！@　あの男は今どこへ？@　私との日々を温かな思い出に勝手に変えて、新しい恋に出会ったかもしれない。@/ `No love or memories or anything remained!!`@` Where did that man go?`@` He probably just turned my days with him into a warm memory, and met with a new love. `@/ se1 11 ;そして今度こそ幸せな家庭を築けたかもしれない…！！@/ `And this time, he might have been able to create a happy family...!! `@/ ;ld c,$ROS_IkariA1,80 ;　そして私は？！@　あんたがいるッ！！@　恋も探せない！！\ `And me?!`@` I have you!!`@` I can't even look for a new love!!`\ ;ld c,$ROS_IkariA4,80 me3v 18,80 ;　男は好きに女を渡り歩いて武勇伝気取りッ！@　なのに女には、私にはッ！！@/ `Men can go between women as they like and brag about it!`@` But for a woman, for me!! `@/ se1v 12,90 ;　あんたがいる！！@/ `I have you!! `@/ se2 11 ;　あんたという重石がいるのよ、@あんたのせいで私は恋を探せない、愛が得られない、一人で生きていくしかない！！/ `I had you as a stone weight,`@` and because of you I can't search for romance, I can't get love, and I can only live alone!!`/ se3v 12,90 \ ;ld c,$ROS_NayamuA1,80 ;　いいえ、それさえも許されてないわ、私には一人で酔い潰れたい夜さえ許されていないッ！！@/ `No, I wasn't even allowed that, I wasn't even allowed a night to drink myself drunk all alone!! `@/ ;ld c,$ROS_AseruA1,80 se1v 11,90 ;　あんたは誰？！@/ `Who are you?! `@/ se2v 11,90 ;　何者ッ？！@/ `Who?! `@/ se3v 12,90 ;　私の人生を台無しにして、私の新しい人生さえ許してくれないあんたは、私の人生の何者なのよ？！@/ `You made my life a waste, and won't even let me have a new life...just who are you to my life?! `@/ ;ld c,$ROS_IkariA2,80 me4v 19,100 se1v 1006,90 ;　死ねッ消えろッ、あんたなんか生まれて来た時から大嫌いッ！！@/ `Die, disappear, I've hated you since the time you were born!! `@/ se2v 1100,100 ;　あんたがお腹の中にいた頃から、大ッ嫌いだったッ！！！@　それを前向きに受け容れようと、頑張って良き母を演じてきたわ。@えぇ、私は頑張った！！@/ `I've hated you since the time you were in my womb!!!`@` I've been doing my best to act like a good mother so that I'd be accepted by the outside world.`@` Yes, I've done my best!!`\ ;ld c,$ROS_IkariA3,80 ;　同世代の女性たちが、独身を謳歌し、時に恋に遊び、あるいは愛に結ばれるのを横目に見ながら、@私は女と母の二足のわらじを履き続けたわ…！！@　その私の苦労を、誰がねぎらったの？！@/ `As I watched other women of my generation praise being single, sometimes playing with passion or even being joined with someone in love,`@` I was stuck being both a mother and a woman...!!`@` Who ever showed appreciation for my efforts?! `@/ se1v 1006,100 se2v 2,100 ;　誰も褒めない、讃えないッ！！\ `No one admired me, no one praised me!!`\ bg Different_space_1c,25 se1v 1100,100 ;　自業自得？@/ `I got what I deserved? `@/ se2v 1100,100 ;　中古品？@/ `Secondhand goods? `@/ se3v 1100,100 ;　バツイチは死ね？@/ `Divorcees should die? `@/ se1v 1100,100 se2v 2,100 ;　処女じゃなきゃ嫌ぁ？！@　こっちから願い下げよ、ケツの青い童貞のクソガキどもがッ！！！@　必死だった私はさぞかし簡単に抱ける女に見えたろうさ、えぇ、必死だったわよッ！！/ `You don't want anyone who's not a virgin?!`@` I'm the one who doesn't want anything to do with you, you damn inexperienced virgin brats!!!`@` I was so desperate, I probably looked like a easy woman to you...yes, I was desperate!! `/ se1v 57,100 se2v 1100,100 ;@　まだまだ恋をしたい年頃の私が、@日々を仕事と育児で忙殺されていき、このまま老いてこのまま人生を終えるだろうと悟った時、@どれほど必死だったか想像もつかないでしょうよッ！！/ @`You probably couldn't imagine how desperate a woman like me, who's still at the age where she wants to know love, was...`@`when I realized that my time was being filled with work and caring for my child so that I would probably grow old and end my life still like this!! `/ se3v 2,100 se1v 57,100 se2v 1006,100 \ ;　あんたの本当の父親ももちろん憎いわよ！@　でも、破局を迎えた責任は私と彼に半々だわ。@私にも、逃げられるだけのしつこさがあったのかもしれない！@　でも、その後の破局は全部あんたのせいッ！！@　私はあんたにそれを詰ったことはあった？！@　ないでしょおおおぉッ？！\ `Of course I hate your real father too!`@` But we both share the blame for bringing about that catastrophe.`@` I myself might have been persistent enough to make him run away!`@` But the catastrophes after that were all your fault!`@` When did I ever scold you for that?!`@` Never, riiiiiiiight?!`\ ;ld ,$ROS_IkariA2,80 bg black,80 ;　男に逃げられて酔い潰れたいその次の日があんたの授業参観ッ！！@　泣き腫らした目を厚化粧で誤魔化して、@あんたが的外れな発言をしてクラス中から失笑されてた時の私の気持ちなんて、@あんたどころか、世界中の誰にもわからないでしょうよッ！！@　あんたが嫌い、大ッ嫌い…！！！/ `The day after one man left me, when I wanted to drink myself dead drunk, was Parent's Day at your school!!`@` When I tried to hide my tear-stained eyes with heavy makeup,`@` the way I felt when you said something off the mark and the whole class laughed at you,`@` is something that not only you, but probably everyone in the world couldn't understand!!`@` I hate you, loathe you...!!! `/ se1v 1006,100 se3v 2,100 ;@　そしてこれまでにあんたを本当に愛したことなんて、ただの一度もないッ！！！/ @`And until now, I've never really loved you even once!!! `/ se2v 1006,100 se3v 2,100 @/ bgmvol 100 ;　うおああああああぁああああああああぁおおおあああああぁあああぁああああああああああぁあぁあぁぁぁぁああぁッ！！！」/ `Whhaaaaaaaaaaaaaaaaaaaaaaaaaaaaaooooooaaaaaaaaaaaaaaaaaaaaaaahhhhh!!!"`/ se1v 1100,100 se2v 57,100 se3v 12,100 \ fedexx 70,0,0,0,0,0,5000 E_MA bg Different_space_1a,22 ;ld r,$MAR_SakebuA1,22 ;　真里亞の顔は、引きつったままだった……。@ `Maria's face was still stiff......`@ br ;　言葉が本当に刃だったなら、@…真里亞は今頃、噴出した血で全身を真っ赤に染めていただろう。\ `If the words really had been blades,`@` ......Maria's whole body would probably be stained red with fresh blood by now.`\ ;　魔女としての力を手に入れ、さくたろの復讐を目論む決意をしたはずの彼女ですら、@……母の口から出る、自分を呪う言葉には抗えなかった…。\ `Even after gaining the power of a witch and resolving herself to take revenge for Sakutaro,`@` ......she couldn't stand these curses coming out of her mother's mouth...`\ ld r,$MAR_NakuA1,26 ;!s0「…………マ………マ………………、/ ;!d800……ううぅわぅ……、/ ;!d900うううううううぅ！！！」/ !s0`"............Ma.........ma..............., `/ !d800`.....uuuwau......, `/ !d900`uuuuuuuuuuuuuuuu!!!"`/ !sd\ ld l,$BEA_MajimeA1,6 ;「醜い。@あぁあああぁ、肉欲に溺れた女のなんと醜きことか…！！@/ `"Ugly.`@` Aaaaaaaahh, how ugly is a woman drowning in lust...!! `@/ ld l,$BEA_majimeA3,80 ;　これがこの女の本性よッ！！@　邪悪を極めし千年の魔女の妾とて、見るに耐えぬことこの上なし！！\ `This is this woman's true nature!!`@` Even I, as a witch who has explored the depths of evil, find this most difficult to watch!!`\ ld l,$BEA_KomaruA1,80 ;　あぁ、マリアよ、今こそ決別の時！！@　そなたの母を名乗った醜き肉の塊を打ち砕け…！！@　そなたの無垢なる魂が、親子なる鎖にてこれ以上束縛される意味はなし！@　自らの魂を自らの手で！@　今こそ解放せよッ！！@　そなたは自らを守る牙と爪を、今こそ手に入れたのだッ！！」\ `Aaah, MARIA, now is the time to part from her!!`@` Smash the ugly lump of meat that calls herself your mother...!!`@` It would be pointless for your pure soul to be bound by the chains between mother and daughter any longer!`@` With your own hand!`@` Release your own soul now!!`@` You have now gained the tooth and claw to protect yourself!!"`\ bg black,0 ld r,$MAR_sakebuA1,2 ;「うううぅううううぅッ！！@　真里亞を苦しめてきた日々を、今こそ思い知らせてやる…！@　苦しみの日々を、今こそ復讐してやる…！！！」\ `"Uuuuuuuuuuuuuuuuuuuu!!`@` Now you'll learn the pain Maria had to go through...!`@` Now I'll take revenge for those painful days...!!!"`\ ;ld ,$ROS_AkuwaraiA1,80 bg Different_space_1c,22 se1v 37,100 se2v 37,100 ;「あっはははははははははッ！！/ `"Ahhahahahahahahahaha!! `/ quakey 5,500 ;@　その私を苦しめてきたのはあんたじゃない？！@　私が復讐したいくらいよ…！！@　あんたが生まれる前にそうすればよかった！！@　あんたなんか生まなければよかったッ！！@　消えてしまええええぇええ、うおおおおああああああぁあああぁぁああああぁッ！！@/ @`Aren't you the one that's been hurting me?!`@` I'm the one who wants revenge...!!`@` I should have done that before you were born!!`@` If only you hadn't been born!!`@` Disappeeeeeeeeeeeaaaar, woooooooooooooaaaaaaaaaaaaaaaaaaaaahhhh!! `@/ se1v 38,100 se2v 38,100 se3v 38,100 monocro #ff0000 bg white,15,1000,"bmp\efe\blood_2a_efe.bmp" se1v 1006,100 se2v 57,100 se3v 2,100 bg black,22 monocro off ;!s0　……がぎゃッ。」/ !s0`......Gagyah."`/ !sd\ me1v 18,100 ;　咆哮する楼座の上半身が、ぐしゃりという表現でしか説明できないほどに、ひしゃげ、@あっという間に絞られた血塗れ雑巾のようにしてしまう。\ `As Rosa howled, in a way that can only be described by the word *splat*, her upper body was crushed,`@` and in an instant, was turned into something similar to a wrung, bloodstained towel.`\ bg Different_space_1a,22 ld c,$MAR_nakuA1,26 ;「潰れてしまえ。@許せない、……許せない…！！」@ ;＜真里亞 `"Be crushed.`@` Can't forgive, ......can't forgive...!!"`@ ld r,$BEA_iiwakeA3,24 ;「くっはっはっは……！！@　屑が。@相応しい姿よ…！」\ ;＜ベアト `"Kuhhahhahha......!!`@` You filth.`@` That form suits you...!"`\ bg blood_1b,22 ;　……楼座の腰から下は普通に直立しているのに、@上半身だけが捻り潰され、その極端な差があまりに異様だった。@ `......Even though Rosa's waist and below was standing normally,`@` just the upper half of her body was pinched, and that extreme difference was bizarre.`@ br se1 13 se2v 39,100 se3v 1006,100 quakey 4,800 ;　そしてばたりと倒れるが、倒れた途端にすぐに肉体は再生された。\ `Then she fell over, but the instant she fell, her body was restored.`\ textoff bg white,2 se1v 52,90 bg Different_space_1b,99,2000,"whirl.dll/r" ;「ごほごほッ！/ `"*cough*cough*! `/ quakey 3,400 ;@　げほッ！！@/ @`*cough*!! `@/ ;ld c,$ROS_AkuwaraiA1,80 ;　………死になさいよ、あんたが。@……くっひひっひっひっひ……！」\ `.........Die, you.`@` ......Kuhhihihhihhihhi......!"`\ ld l,$BEA_MajimeA2,23 ;「さぁ、真里亞。@そなたの怒りと悲しみはこの程度のものなのか？@　今こそ復讐の時！@　怒りと悲しみの清算の時…！！@/ `"Come, Maria.`@` Is this the limit of your anger and sadness?`@` Now is the time for revenge!`@` Time for the settlement of anger and sadness...!! `@/ ld l,$BEA_futekiA1,80 ;　ぶつけろ、吐き出せッ！！@　そなたの胸に打ち込まれた楔を全て、押し出し、跳ね返せッ！！！」\ `Hit her, spit it out!!`@` Push out all of the wedges driven into your chest, and fling them back!!!"`\ ;ld ,$MAR_IkariA1,80 me2v 17,100 bg black,1 ;「うがあああああぁあおおおおおっぉおおおおおおッ！！！」/ `"Uugaaaaaaaaaaaaaahhoooooooooooooohhhh!!!"`/ quakex 5,600 \ se1v 60,100 se2v 62,100 bg blood_1a,1 se3v 36,100 quakey 5,1200 ;　真里亞の咆哮が、肉と骨を同時に砕く醜い破砕音で彩られる…。@ `Maria's howl was adorned with the ugly sound of flesh and bone being crushed at the same time...`@ br ;　大の字に倒れたまま、口汚く罵っていた楼座の胸部が、@まるで透明な象にでも踏み潰されたように、綺麗に真円に切り抜かれて潰された。\ `As Rosa, who had foully insulted Maria, lay spread-eagled,`@` a neat, perfect circle was cut out of her chest and crushed, as though her chest had been trampled by an invisible elephant.`\ ;　心臓も肺も肋骨も、まったく区別がつかないほどに、無慈悲に踏み躙られている。@ `Her heart and her lungs and her ribs were trampled so mercilessly that they were completely indistinguishable.`@ br ;　……それは真里亞の今日までの心の痛みをそのまま示したものかもしれない。\ `......That might have symbolized the pain in Maria's heart up until today.`\ ;「さぁ、真里亞。@そなたの気はこれで晴れたのか？@　母の罪が許せるか？@　否か？@　無罪か？@　有罪かッ？！」@ `"So, Maria.`@` Are you satisfied with this?`@` Can you forgive your mother's sin?`@` Or not?`@` Innocent?`@` Or guilty?!"`@ se1v 21,100 bg black,1 ;「許せないッ！！@　まだまだ全然許せないッ！！@　ママは有罪だ、有罪有罪有罪、許せないッ！！！」\ `"Can't forgive!!`@` Still can't forgive!!`@` Mama is guilty, guilty guilty guilty, can't forgive!!!"`\ ;「無論だとも、そなたの苦渋の日々がこの程度の処刑で見合ってなるものかッ！！@　思い知るがいい、楼座！@　さぁさ、思い出して御覧なさい、そなたがどんな姿をしていたのか！@　殺されるために蘇れ！！@　己が罪を禊ぐために殺されよ、何度でもッ！！！」\ ;＜ベアト `"Certainly, how could your days of bitterness be equal to this level of punishment?!!`@` Know it, Rosa!`@` Come, try to remember, what form did you have?!`@` Revive in order to be killed!!`@` Be killed so that your sins can be purified, over and over!!!"`\ se1 22 bg white,2 se2 52 bg Different_space_1b,99,2000,"whirl.dll/r" ;　ベアトがケーンを振るうと、再び肉体は再生し、@楼座は苦しそうに咳き込みながら上体を起こす…。@ `When Beato waved her cane, the body was restored again,`@` and Rosa sat up, coughing violently in apparent pain...`@ br ;　そして再び、真里亞を拒絶する呪いの言葉を吐き出す。\ `And once again, she spat out curses rejecting Maria.`\ ld c,$MAR_ikariA1,24 ;「………お前はママなんかじゃない。@/ `".........You aren't Mama. `@/ ld c,$MAR_sakebuA1,80 ;魔女だ、真里亞とママを苦しめる魔女だッ！！@　ママの姿をしているからって許さない！@　許さないッ！！」\ `You're a witch, a witch tormenting me and Mama!!`@` I won't forgive you just because you look like Mama!`@` Won't forgive you!!"`\ bg Different_space_1c,80 me3v 5,100 ;「……魔女はあんたでしょ……。@気持ち悪い本ばかり読んで、魔女ごっこにかぶれて…！！@　消えるのはあんたの方よぉおおおおおぉッ！！@　あんたのせいで私まで変わり者扱い！@　あんたのせいで、あんたのせいでぇえええええええええええッ！！！@　お前なんか生まなければよかったッ！！@　お前なんか生まれてくるな…！！@　生まれてくる前から、大ッ嫌いだったのよぉおおおおおおおおおぉ！！！」@ `"......Aren't you the witch......?`@` You're always reading creepy books and playing witches...!!`@` You're the one that should disappeeeeeeeeeeeear!!`@` Because of you, even I'm treated like a weirdo!`@` Because of you, because of yooooooooooooouuuuuuu!!!`@` If only you hadn't been born!!`@` Don't be born...!!`@` I hated you since before you were booooooooooooooooorn!!!"`@ se3v 27,100 bg black,1 ;「うわああああああああああぁああああああああああ…！！！」\ `"Uwaaaaaaaaaaaaaaaaaaaaahhhh...!!!"`\ ;　………真里亞は絶叫する。@ `.........Maria screamed.`@ br ;　怒りと悲しみに堪えきれなくて？@ ;　あるいは、形容できぬ感情に捕らわれて……？@ `Was she unable to bear her anger and sadness?`@ `Or else, was she taken over by an indescribable emotion......?`@ br ;　それはきっと、絶望の咆哮。\ `It was surely...a cry of hopelessness.`\ ;　にもかかわらず、受けいれなければならない現実。@ `And yet, it was a reality that had to be accepted.`@ br ;　真里亞だって知っていた。@ ;　自分が邪魔に思われていることを知っていた。@ `Maria knew.`@ `She knew that she was thought of as a burden.`@ br ;　でも、それを自ら知りつつ、自ら信じなかった。@ `But even though she herself had known that, she did not believe it.`@ ;　自分は母に愛されていると信じ、それを疑わせるに足る様々な出来事を、@精一杯、好意的に解釈して、母の愛を信じ、すがって来たのだ。\ `She had believed that her mother loved her, and had done her best to positively interpret several events that could have made her doubt this...`@`trusting and clinging to her mother's love.`\ ;　でも、………自分にはママしかいない。@ `But, .........she had no one except Mama.`@ br ;　それでもやはりママが好きで、@………ママが自分を愛してくれていると信じていられた日々に、戻りたいのだ……。\ `Even so, she really did like Mama,`@` ......and wanted to return to the days when she had believed that Mama loved her......`\ me4v 16,100 bg Different_space_1a,22 ;　だから吼える…。@ `So she howled...`@ br ;　全てをなしにする。@ ;　認めない。@否定する。@ `She brought everything to nothing.`@ `She didn't accept it.`@` She denied it.`@ br ;　こんなことを言う母を、言わせる黒き魔女を、@そして、………そんな母を許せない自分を、否定する……！！！\ `She denied the black witch that had made her mother say things like that,`@` and, .........the part of herself that couldn't forgive that mother......!!!`\ se1 36 bg blood_2a,1 quakex 4,300 ;　でも否定できない！@ `But she couldn't deny it!`@ br se2 36 bg blood_2b,1 quakey 3,300 ;　これが現実、真実、真相、解答。@ `This is reality, fact, truth, the answer.`@ br se3 36 bg blood_2c,1 quakex 5,400 ;　見紛うことなき、絶対の、……現実！！\ `Without any mistake, this is certain, ......reality!!`\ se1v 36,100 bg blood_1b,1 quakey 5,1200 se2v 36,100 bg blood_1a,1 quakex 5,1200 ;　真里亞は楼座を、何度も肉塊に変える。@ `Maria turned Rosa into a lump of meat over and over.`@ br ;　何度も何度も、彼女の胸中を投影した暗闇の世界に、@耳を覆いたくなるような肉と骨を砕き割る醜い音が響き渡る……。\ `Over and over, in the dark world that reflected her heart,`@` the ugly sound of flesh and bone being torn apart, which would make one want to cover their ears, rang out......`\ bg blood_1aR,22 se1 52 ;　その度にベアトリーチェは楼座を蘇らせる。@ `Each time, Beatrice revived Rosa.`@ br ;　死してなお逃さぬ、無限の拷問の世界に、彼女を引き摺り戻す。@ `She dragged her back into the world of endless torture, which could not be escaped from even by death.`@ br ;　これこそ、無限の魔女ベアトリーチェの生み出せる、まさに無間地獄。\ `This was the true deepest hell that the Endless Witch Beatrice could create.`\ ;　しかしベアトリーチェの意思では、この世界を無限にしてはいない。@ ;　……なぜなら、楼座が肉塊に変わる度に、真里亞に同じ問いを繰り返していたからだ。\ `However, this world was not made endless by Beatrice's will.`@ `......Because every time Rosa turned into a lump of meat, she asked the same question to Maria.`\ bg Different_space_1b,0 ld r,$BEA_futekiA1,26 ;「くっくくくく！@　気は晴れたか、マリア！@　そなたの怒りは母を許せるか！」\ `*cackle*cackle*!`@` Are you satisfied, MARIA?!`@` Can you forgive your mother with your anger?!"`\ se1v 2,100 ld l,$MAR_SakebuA1,1 quakey 3,400 ;「許せるものか、許せるものかッ！！@　許さない許さない！！@/ `"How could I forgive her, how could I forgive her!!`@` Won't forgive, won't forgive!! `@/ ld l,$MAR_fukigenA2,80 ;　真里亞の苦しみの全てを教えてやる…！！@　もっともっと教えてやる…！！@　まだまだ足りない、全然足りない…！！@　生まれた時から、生まれる前から…ッ！！@　蔑まれてきたこの怒りと悲しみが、どうしても消せないの……！！」\ `Teach you all of Maria's pain...!!`@` Teach you much, much more...!!`@` Still not enough, not close to enough...!!`@` Since I was born, since before I was born...!!`@` I just can't erase the anger and sadness that have been scorned since then......!!"`\ bg Different_space_1c,22 se1v 38,100 se2v 38,100 se3v 38,100 ;「………ふひ、ははは……。@……あんたなんか大嫌い、大ッ嫌い…。@ふひひは、はは……。」\ ;＜楼座 `".........Fuhi, hahaha......`@`......I hate you, haaate you...`@` Fuhihiha, haha......"`\ se1v 36,100 se2v 57,100 bg blood_1a,1 quakex 4,900 ;「うがああああぁあああああぁあああああッ！！！」@ `"Ugaaaaaaaaaaaaaaaaaaaaaaahhh!!!"`@ br ;　何度でも蘇らせる。@ ;　何度でも肉塊に戻す。\ `Revive over and over again.`@ `Return to a meat lump over and over again.`\ ;　様々な方法で、砕き、潰し、叩き付けて、引き千切る。@ ;　飛び散る血飛沫と肉片で、真っ暗闇だった世界は、今や黒と赤の入り混じった世界となっている。\ `In various ways, she crushed, smashed, beat, tore to bits.`@ `Flying blood spatter and flesh turned the once pitch-black world into a world with mixed red and black.`\ ;　真里亞の怒りは、まだまだ収まらない。@ `Maria's anger still hadn't calmed down.`@ br ;　それはまるで、生まれて来てから今日までの、抑圧された怒りの全てを吐き出すかのよう。\ `It was as though she was spitting out all of the suppressed rage from the time of her birth until today.`\ ;　それらが心にとって毒なるものならば。@ `If that all became poison to her heart...`@ br ;　この何度も繰り返される母の虐殺は、彼女の魂を浄化することになるのだろうか…。@ `Then would the repeated murder of her mother purify her soul...?`@ br ;　この、不毛なる虐殺でも、わずかほどに彼女の魂は救われるのだろうか……。\ `Would even this wasteful murder save her soul, at least a little bit......?`\ bg black,22 ;　彼女の報われぬ悲しき生に、…この無限の拷問は、わずかの慰みになったかもしれない。@ `This endless torture...might have become a slight diversion from her sad, unrewarded life.`@ br ;　なぜなら、……彼女はようやく、笑みを取り戻せるようになってきたから。\ `After all, ......it seemed that she had finally been able to regain her smile.`\ bg Different_space_1a,0 ld c,$MAR_majimeA1,2 ld c,$MAR_AkuwaraiA2,80 ;「思い知れ！！@　真里亞の不幸の根源めッ！！@　思い知れ！！@　私の痛みがこの程度ではないことをッ！！@/ `"Learn it!!`@` You, the source of Maria's unhappiness!!`@` Learn it!!`@` Learn that my pain is greater than this!! `@/ se1v 37,100 ;　きっひひはっはははは！！@/ `Kihhihihahhahahaha!! `@/ ld c,$MAR_AkuwaraiA3,80 ;　どうしたの？@　もう笑わないの？！@　笑って見せろよぉおおおおお！！」\ `What's wrong?`@` Why'd you stop laughing?!`@` Try and laaaaaaauuugh!!"`\ ;「……ふひ、ふひひひ……。@ぎゃぼッ…！！！」/ `"......Fuhi, fuhihihi......`@` Gyack...!!!"`/ se1v 12,100 se2v 36,100 bg blood_1a,1 quakey 5,800 \ ;　頭蓋骨を頭の半分ほども陥没させる。@ ;　飛び出る目玉、噴出すドス黒い脳漿。@ ;　飛び散る歯の欠片。\ `Half of her skull collapsed.`@ `Eyeballs flew out, and black cranial fluid gushed.`@ `Fragments of teeth scattered.`\ ;ld c,$MAR_AkuwaraiA3,80 ;「ほら、蘇りなよ…！！@　笑って見せなよ…！！@　ほら、ほらあああ！！」@ `"Come on, revive...!!`@` Try and laugh...!!`@` Come on, come oooooon!!!"`@ se3v 52,100 bg black,99,2000,"whirl.dll/r" ;「…………ひ、……ひ。@……がぎょッ！！」/ `".........Ihi, ......ihi.`@` ......Gyaggh!!"`/ E_MA se1v 12,100 se2v 36,100 bg blood_1aR,1 quakex 5,800 \ ;　胸が内側から肋骨ごとめくれ上がり、汚らわしい臓物をあたり一面にぶちまける。@ ;　それらは個々にのたうち、不浄な生き物にさえ見えた。\ `Her whole chest along with her ribs turned inside out, exposing her filthy innards.`@ `All of them writhed, looking like an impure creature.`\ ;ld ,$MAR_AkuwaraiA3,80 ;「ほらほらほら！！@　蘇って！！@　まだ笑える？@　まだ笑える？！@　きっひひひひひ？！」@ ;「…………………………。」\ `"Come on come on come on!!`@` Revive!!`@` Can you still laugh?`@` Can you still laugh?!`@` Kihhihihihihi?!"`@ `"....................."`\ bg blood_1a,2 ;　もう楼座は笑い声はあげられない。@ ;　……でも、表情は笑っていた。@ `Rosa couldn't let out a laughing voice anymore.`@ `......But her face was laughing.`@ br ;　望まぬ娘を拒絶する悪意に満ちた歪んだ笑いで、いっぱいだった。\ `It was filled with a twisted laugh, which was covered with a malice that rejected her unwanted daughter.`\ ;　笑い声は消し去った。@ ;　次はその笑い顔を消してやる。@ `I erased that laughing voice.`@ `Next, I'll erase that laughing face.`@ br ;　消してやる、潰してやる、引き千切ってやる…ッ！！\ `I'll erase it, I'll crush it, I'll tear it to bits...!!`\ bg Different_space_1c,22 ;「笑えよ、笑って見せてよママ…！！@/ `"Laugh, try and laugh, Mama...!! `@/ se1v 37,100 ;　きっひひひひっははははははははは？！@　どうしたのママ、起きてよ、絵本を読んでよ、お散歩に行こうよ…！！@　愛してるって言ってよ、次の日曜日の約束をしようよ、お買い物に行こう、映画に行こう…！！@　そしてその約束をどうせ破るんだよッ！！\ `Kihhihihihihhahahahahahahahaha?!`@` What's wrong, Mama, let's wake up, read a picture book, and go take a walk...!!`@` Let's say we love each other, make a promise for next Sunday, let's go shopping, let's go to the movies...!!`@` And of course you'll break that promise!!`\ se1v 36,100 bg blood_2b,1 quakey 4,800 se2v 37,100 ;　きっひひひひひひひひひひひひひ、楽しいねママ、楽しいねママ、真里亞は今、ママと遊んでるんだねッ！！@/ `Kihhihihihihihihihihihihihihi, isn't it fun, Mama? Isn't it fun, Mama? Maria is playing with Mama now, right?!! `@/ se3v 36,100 se1v 36,100 bg blood_2e,1 quakex 4,800 se2v 37,100 ;　きっひっはっははははははははははははははははははははははははははははははッ！！！」\ `Kihhihhahhahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha!!!"`\ se3v 36,100 se1v 36,100 se2v 2,100 bg blood_1b,1 quakey 5,1200 bg Different_space_1b,0 ld r,$BEA_DefA2,22 ld r,$BEA_AkuwaraiA3,80 ;「そうだ、そなたは今、母と遊んでいるのだ、じゃれているのだ…！！@　どうか、今の感情は！@　怒りでも悲しみでも苦しみでもないはず…！」\ ;＜ベアト `"That's right, you are now playing with your mother, having fun with her...!!`@` Tell me your emotions now!`@` I believe they are not of anger or sadness or pain...!"`\ ld l,$MAR_WaraiA2,23 ;「うん、そうだね、わかるよベアトリーチェ…！！@　私は今、すっごく楽しいよ…、ママと遊んでるんだもん、すっごく楽しいッ！！@/ `"Yeah, that's right, I get it, Beatrice...!!`@` I'm having a lot of fun now..., I'm playing with Mama, so it's tons of fun!! `@/ ld l,$MAR_AkuwaraiA2,80 ;　そしてママを何度も何度も殺してるのに、魔法ひとつで好きなだけ生き返らせられるッ！！@　玩具は壊したら直せないから大事にした…！！@　でも、直る玩具なら何度でも壊したいッ！！@　きっひひひひひひひひひひひひ！！@　ひひひひひひ、ひひ………。」\ `And even though I'm killing Mama over and over again, she can be revived with just a single bit of magic!!`@` I took care of my toys because I couldn't fix them if they broke...!!`@` But if the toy could be fixed, I'd want to break it over and over again!!`@` Kihhihihihihihihihihihihi!!`@` Hihihihihihi, hihi........."`\ me5v 5,0 fedexx 0,0,0,0,0,50,3000 ld l,$MAR_komaruA1,80 ;「……でも、…………さくたろは直らないんだね。@…直せないんだね………。@………作ったママが、/ ;!d800……生んだママが、/ ;!d600……認めないから。」\ `"......But, ............Sakutaro won't be fixed.`@` ...He can't be fixed......... `@`.........Because Mama, who made him, `/ !d800`......Mama, who gave birth to him, `/ !d600`......won't acknowledge him."`\ ld r,$BEA_MajimeA1,80 ;「…………………………。」\ ;＜ベアト `"....................."`\ ld l,$MAR_fukigenA1,80 ;「私もママに、認められてないんだね。@………だから壊れた真里亞も、…もう直らないんだね。@…………………………。@/ `"I wasn't acknowledged by Mama either, was I...`@`......So the broken Maria won't be fixed either.`@` .....................`@/ ld l,$MAR_AkuwaraiA1,80 E_MA bgmvol 1 ;………きひひひ。@/ `.........Kihihihi. `@/ bgmvol 20 ;きっひひひひひひひひひひひッ！！@/ `Kihhihihihihihihihihihihi!! `@/ bgmvol 85 ;　きっははははひゃっひゃっひゃっひゃッ！！@　あああぁああぁ楽しいな、楽しいよママ…！！@　こんなにも楽しくなったら、なぜかママが許せる気がしてきたの…！@/ `Kyahhahahahahyahhyahhyahhyah!!`@` Aaaaaaaaaaahhh, it's fun, it's fun, Mama...!!`@` Since it's gotten so fun, I somehow get the feeling that I could forgive Mama...! `@/ ;ld l,$MAR_WaraiA2,80 ;　ねぇ、ベアト、これはとっても不思議な感情…！@　どうして？@　どうして真里亞はママを許せる気持ちになってきたの？！」\ `Hey, Beato, this is a ve-ry strange emotion...!`@` Why?`@` Why has Maria started to feel as though she could forgive Mama?!"`\ ld r,$BEA_futekiA2,80 ;「それは生き死にを自由に出来る力を得た魔女のみが辿り着く、達観の境地よ。@……いつでも殺せる。@必要なら蘇らせる。@面倒ならまた殺せばいい…！@　それをいつでも指一本鳴らすだけで出来ることを知ったなら、人の世の戯言など、その全ては聞き流すに等しい虫の声以下よ…！\ `"That is the enlightened state that is only reached by witches who have gained the power to control life and death at will.`@` ......You can kill at any time.`@` You can revive her if needed.`@` If that's a pain, then it's alright to kill her again...!`@` Once you've learned that you can do this at any time by simply snapping your fingers, all nonsense spoken in the world of humans becomes a chirping of insects that isn't worth listening to...!`\ ld r,$BEA_AkuwaraiA3,80 ;　そなたに母を許そうという感情が芽生えたのは、そなたが母の愛に目覚めたからではない。@そなたが今こそ！@　真の魔女の世界の入り口に立ったからだ…！！@　ようこそ真里亞、深遠なる、そして甘美なる魔女の世界へッ！！」\ `You did not begin to think about forgiving your mother because your eyes were opened to your mother's love.`@` It was because now,`@` you stand at the entrance to the world of true witches...!!`@` Welcome, Maria, to the profound and sweet world of witches!!"`\ ld l,$MAR_fukigenA2,80 ;「成ったんだ…！！/ `"I've done it...!! `/ se1v 2,100 ;@　真里亞はもう、真里亞じゃない…！！@　まだ見習いかもしれないけれど、ニンゲンの世界を超えた…！@/ @`Maria is no longer Maria...!!`@` Still an apprentice, maybe, but I've surpassed the human world...! `@/ ld l,$MAR_sakebuA1,80 ;　私はもう、原初の魔女見習い、マリアなんだ……ッ！！！@　もう私は、何も悔しくない、悲しくない！\ `I am now, the apprentice Witch of Origins, MARIA......!!!`@` There's nothing to frustrate me, nothing to make me sad!`\ ld l,$MAR_akuWaraiA1,80 ;　ママ、許してあげるよ。@きっと私はママを許せる！@　もうちょっとしたら許せると思うのッ！！@/ `Mama, I'll forgive you.`@` I'm sure I can forgive you!`@` I think I'll be able to forgive you after doing just a bit more!! `@/ ld l,$MAR_AkuwaraiA2,80 ;　だって魔女だからッ！！@　き、……ひっひひっひっひっひっひっひ！@/ `After all, I am a witch!!`@` Ki, ......hihhihihhihhihhihhihhihhi! `@/ ;!s0　きっ/ !s0`Kih`/ erasetextwindow 0 mov %ryuu2,100 resettimer for %ryuu1 = 1 to 6 waittimer %ryuu2 resettimer se1v 37,100 bg bite,1 waittimer %ryuu2 ;ひ/ `hi`/ resettimer se2v 36,100 bg blood_1b,1 waittimer %ryuu2 ;ひ/ `hi`/ resettimer se3v 57,100 bg blood_1aR,1 ;ひ/ `hi`/ next resettimer se2v 36,100 bg blood_1b,1 waittimer %ryuu2 ;ッ/ `h`/ mono 2 bg white,1 mono off bg bite,42 erasetextwindow 1 ;！！！」/ `!!!"`/ !sd\ me1v 5,70 bg Different_space_1a,22 ;　やがて真里亞は、母を許すだろう。@ `Maria probably would forgive her mother eventually.`@ br ;　……数え切れない虐殺の末に。@寛大に。\ `......After brutally murdering her countless times.`@` Graciously.`\ bg black,2 fedexx 0,50,0,0,0,0,5000 E_B wait 2000 me2v 12,0 fedexx 0,50,50,0,0,0,4000 wait 1000 se1v 27,100 bg white,17,3000 bg G2F_R1bN,9 ld r,$BUT_OdorokiA2,24 ;「………お、でけぇな今の落雷は。@近いんじゃねぇか？」@ ;＜戦人 `".........Whoa, that last thunder was huge.`@` Was it close?"`@ ld l,$GEO_waraiA1,23 ;「みたいだね。@いくつになっても、落雷にはびくっとさせられるね。」\ ;＜譲治 `"Looks like it.`@` No matter how old you get, thunder still makes you jump."`\ ;　戦人がカーテンの隙間から闇夜をうかがっている。@ ;　時折、青白い稲光が照らし出し、それを面白がっているようだった。\ `Battler was looking at the dark night through a crack in the curtains.`@ `Every once in a while, a pale white lightning bolt would shine, and he seemed to be enjoying it.`\ ;zzzz5 gosub *MAR_Isyou1 bg G2F_R1cN,24 ld c,$MAR_fukigenA1,6 ;「…………………………………。」\ ;＜真里亞 `"........................"`\ ld r,$JES_atyaA1,80 ;「……お？@　何だよ、戦人が騒がしくしてるから、真里亞が起きちゃったじゃねぇか。@/ `"......Oh?`@` Look at that, you were so noisy Battler, Maria's woken up. `@/ ld r,$JES_aisowaraiA1,80 ;ごめんな、真里亞。@戦人が騒がしくて…！」\ ;＜朱志香 `Sorry, Maria.`@` Sorry Battler's so noisy...!"`\ bg G2F_R1aN,23 ld l,$BUT_WaraiA2,23 ;「何だよ、俺のせいかよ。@/ `"What the heck, it's my fault? `@/ ld l,$BUT_WaraiA1,80 ;悪ぃな、真里亞。@寝てていいぞ。@お休みな。」\ ;＜戦人 `Sorry, Maria.`@` It's alright to sleep.`@` Good night."`\ ;　真里亞は、とろんとした目でぼんやりとしている。@ ;　……まだ寝ぼけていて、思考もはっきりしないのかもしれない。\ `Maria was a bit hazy, with drowsy eyes.`@ `......She was probably half-asleep, and couldn't think straight.`\ ld r,$MAR_fukigenA1,24 ;「…………………うー。@……もういい。@寝ない。」\ `"...............Uu-.`@` ......That's alright.`@` Won't sleep."`\ ld l,$BUT_WaraiA2,80 ;「いいから寝てろって。@まだ寝ぼけてるぜー。@いっひっひ。」@ ;＜戦人 `"Don't worry, sleep.`@` You're still half-asleep, aren't you.`@` Ihihi."`@ ld r,$MAR_fukigenA2,80 ;「……寝ぼけてない！@　…………うー！！」\ `"......Not half-asleep!`@` ............Uu-!!"`\ ld l,$BUT_waraiA1,80 ;「何だよ、もろに寝ぼけてるじゃねぇか。@寝てろ寝てろぃ。」@ ;＜戦人 `"What's this, you're really half-asleep, aren't you?`@` Sleep, sleep."`@ ld r,$MAR_SakebuA1,1 se1 11 quakey 4,500 ;「寝ぼけてない！　寝ぼけてない！！@/ `"Not half-asleep! Not half-asleep!! `@/ me3v 16,50 ;　うーうー！！@　うーうーうーうー！！」\ `Uu-uu-!!`@` Uu-uu-uu-uu-!!"`\ ld c,$JES_KomaruA1,24 ;「よせって、馬鹿戦人…！@　あー、もー、寝起きの子の機嫌を悪くするなんて、馬鹿だなぁ…！」\ ;＜朱志香 `"Quit it, stupid Battler...!`@` Aah, sheesh, what are you thinking, getting a kid who's just woken up into a bad mood...!"`\ ld r,$MAR_nakuA1,80 ;「寝ぼけてない！/ `"Not half-asleep! `/ se1 11 quakey 4,500 ;@　寝ぼけてないもん！@　うーうーうーうーうーうーうーうーうー！！！」/ @`Not half-asleep!`@` Uu-uu-uu-uu-uu-uu-uu-uu-uu-!!!"`/ se1 11 quakey 3,300 @ se2 11 quakex 3,300 wait 500 se3 11 quakey 3,300 wait 500 se1 11 quakex 3,300 wait 500 cl l,24 ld l,$GEO_HohoemiA1,23 ;「わかってるよ、真里亞ちゃん…。@寝ぼけてなんかないよ。@だから落ち着いて……。」\ ;＜譲治 `"I understand, Maria-chan...`@` You aren't half-asleep.`@` So calm down......"`\ ;ld r,$MAR_SakebuA1,80 bg black,22 ;「寝ぼけてないもん寝ぼけてないもん！！@　うーッ！！@　うーうーうーうーうーうー！！」@ `"Not half-asleep not half-asleep!!`@` Uu-!!`@` Uu-uu-uu-uu-uu-uu-!!"`@ br ;　寝起きの、微妙な精神状態のせいなのか、突然、真里亞が癇癪を起こしてしまう。\ `Maybe it was because of her dubious mental state after waking up, but Maria suddenly threw a tantrum.`\ bg G2F_R1bN,24 ;　戦人もちょっとからかっただけのつもりだったが、@あまりに過剰に反応されたので、面食らってしまう。@ `Battler had only been trying to tease her a bit,`@` so he was confused at this extreme overreaction.`@ br ;　譲治は慰めるように頭を抱くが、真里亞の癇癪はなかなか収まらなかった。@ ;　戦人と朱志香は、お前が悪い、お前も悪いと責任を擦り付け合っている。\ `George held her head, trying to calm her down, but Maria's tantrum wasn't quelled easily.`@ `Battler and Jessica were trying to push the blame on each other, saying 'It's your fault' 'It's your fault too'.`\ ld c,$GEO_KomaruA1,80 ;「こら、二人とも静かにして…！@　朱志香ちゃん、ポットにまだお湯があったよね？@　お茶でも入れてあげてくれる？@/ `"Hey, be quiet, you two...!`@` Jessica-chan, there was still some hot water in the pot, right?`@` Could you make some tea for her? `@/ ld c,$GEO_hohoemiA1,80 ;　………落ち着いた？@　真里亞ちゃん。」\ `.........Did you calm down?`@` Maria-chan."`\ cl c,0 ld r,$GEO_hohoemiA1,0 ld l,$MAR_fukigenA1,23 ;「……………うーーー。」@ `"............Uuuu---."`@ br ;　少しずつ癇癪は収まってきたようだが、@自分を馬鹿にした戦人に対し、相変わらず険しい目で睨みつけている。\ `It looked like her tantrum was dying down bit by bit,`@` but she still glared at Battler, who had made fun of her, with sharp eyes.`\ ld r,$GEO_WaraiA2,80 ;「戦人くんも、ふざけて言っただけなんだよ。@真里亞ちゃんが寝ぼけてるなんて思ってないよ。@だから落ち着いて。@ね？@　……………………？」@ `"Battler-kun was just messing around.`@` He doesn't really think you're half-asleep.`@` So calm down.`@` Alright?`@` .....................?"`@ ld l,$MAR_MajimeA1,80 ;「………………………………。」\ `"........................"`\ ;　譲治は気付く。@ ;　……真里亞が、凄い目で戦人を凝視していることに。\ `George noticed.`@ `......Maria was staring at Battler with incredible eyes.`\ me4 17 ld l,$MAR_AkuwaraiA2,80 ;　そして、……このような感情を示した後にはとても不釣合いに、……小声で笑った。\ `And, ......despite having just displayed all that emotion, ......she laughed in a small voice.`\ bg black,22 ;　きひひひひひひひひひひひひひ。@ `Kihihihihihihihihihihihihihi.`@ br ;　笑い声、というよりは、“ひ”を一文字ずつ吟味しながら呟いている、@もしくは数えているというような印象だった。@ `Instead of a laughing, it seemed more like she was muttering while considering, `@`or else counting, each 'hi'.`@ br ;　“ひ”を一文字、口にする度に、残酷な何かを繰り返しているように。\ `As though each time she said 'hi', something brutal would happen over and over.`\ fedexx 0,50,50,0,0,0,2000 bg G2F_R1cN,22 ;　譲治は、何か不気味なものを一瞬だけ感じたが、@……少女の瞳の奥にわずかの間だけのぞいた狂気にまでは、気付けない。@ `George felt something creepy for just an instant,`@` ......but he couldn't notice the madness that peeked out of the depths of the girl's eyes for a only moment.`@ br ;　わずかの間だけ呆然としていると、@真里亞は奇怪な小声の笑いを止め、離せというように譲治の腕を振り解いた。\ `After he remained shocked for a short period of time,`@` Maria stopped her bizarre quiet laugh, and pushed George's arm aside, as though telling him to let go.`\ ld r,$MAR_KomaruA1,24 ;「………うー。@許す。」@ `".........Uu-.`@` Forgive you."`@ ld l,$GEO_HohoemiA1,80 ;「そ、そう？@　真里亞ちゃんは偉いなぁ。@……戦人くん、真里亞ちゃんが許してくれたよ。@仲直りして。」\ `"R, really?`@` You're such a good girl, Maria.`@` ......Battler-kun, Maria-chan forgave you.`@` Make up."`\ bg G2F_R1bN,23 ld c,$BUT_komaruA1,24 ;「あー、悪いな、からかって。@許してくれ…。」@ ;＜戦人 `"Yeah, sorry for teasing you.`@` Forgive me..."`@ ld l,$JES_DefA1,23 ;「ほら、真里亞…。@仲直りの印に、カフェオレ作ってやったぜ。@砂糖いっぱい入ってるから甘いぜ。」\ ;＜朱志香 `"Hey, Maria...`@` Let's make cafe au lait as a sign that you've made up.`@` I'll put in lots of sugar so it'll be sweet."`\ ld r,$MAR_KomaruA1,24 ;「いらない。@でも許すよ。@/ `"Don't need it.`@` But forgive you. `@/ ld r,$MAR_AkuwaraiA2,80 ;…………魔女だからね。@…きひひひ。」\ `............Because Maria's a witch.`@` ...Kihihihi."`\ ;　真里亞はもう一度、薄気味悪く小声で笑う。@ `One more time, Maria laughed in a creepy, quiet voice.`@ br ;　でも、それは本当にわずかの間だったので、戦人も朱志香も深く気には留めなかった。\ `But it was only for a very short time, so Battler and Jessica didn't think much of it.`\ ;　……多分、稲光が一瞬、彼女の頬を青白く照らした時、@そう見えてしまったのだろうと、そう思うことにしたのだった。\ `......They decided to think that, probably, `@`it had only looked that way when the lightning lit her cheek with a pale, white light for an instant.`\ bg black,2 wait 2000 se1v 21,90 ;　その時、ばたばたばたばたばたっ、と騒々しい足音が廊下から聞こえてきた。@ `At that time, they could hear the sound of loud footsteps coming from the hall.`@ br ;　時間は、もう深夜の１０時半くらい。@ ;　深夜といって差し支えない時間だ。@ `It was already past 10:30, late at night.`@ `Late at night is usually a time when you aren't to be disturbed.`@ br ;　そんな時間にこのような足音は、あまり穏やかではない…。\ `Hearing footsteps like that at this time wasn't very peaceful at all...`\ bg M_door1,22 se1v 19,100 ;se3v 19,70 wait 250 se2v 19,100 ;se3v 19,100 me5v 16,70 ;　そして、明らかに不穏なる激しい連続のノック音を伴って、郷田と熊沢の声が聞こえてくる。@ `Then, along with a clearly unrestful knock that repeated fiercely, they could hear Gohda and Kumasawa's voices.`@ br ;　……それは明らかに異常事態を告げていた。\ `......That clearly told them that this was an abnormal situation.`\ ;「お子様方…！！@　いらっしゃいますか？いらっしゃいますか？！@　郷田でございます！」@ `"Children...!!`@` Are you there? Are you there?!`@` It's Gohda!"`@ ;「熊沢でございますよ、ご無事でございますか、皆さん？！@　ああぁあぁ、どうしたものやらどうしたものやら…！」\ `"It's Kumasawa, is everyone alright?!`@` Aaaaaaah, what has happened, what has happened...!"`\ me4v 17,70 se1 15 ld r,$GOH_OdorokiA1,0 ld c,$KUM_OdorokiA1,64 ;＜熊沢 ;　譲治が扉を開けると、全身びしょ濡れの二人が転がり込んできた。@ ;　傘も差さずに屋敷から駆け込んできたという風だった。\ `When George opened the door, the two of them tumbled in, sopping wet.`@ `It looked like they had dashed here from the mansion without an umbrella.`\ bg G2F_R1cN,0 ld r,$JES_OdorokiA1,24 ;「ど、どうしたんだよ、二人とも……。@何があったんだ……？！」@ ;＜朱志香 `"Wh, what's wrong, you two......?`@` Did something happen......?!"`@ ld l,$GOH_komaruA3,1 quakex 3,300 ;「そっ、それがそれが…！！@　おッおッお館様が旦那様が、皆様方がッ、@あわあわあわあわあわあわあわあわ `"I, it was, it was...!!`@` Th th the Master and Krauss-sama, and everyone,`@` awawawawawawawawawa` wait 500 ;▲第１２アイキャッチ（計１６７ページ）　時計２２時３２分　針は動かず。@ E_A bgm1v 74,85 se1v 2,100 se2v 2,100 se3v 1006,100 bg black,1 textclear eye2 22,32,22,32,10,0,510,340,25 *Umi4_13 mov %grim_scene,406 mov %play_scene,40220 : mov %r_hyouji_side,0 gosub *MAR_Isyou1 gosub *ENJ_Isyou1 me1v 16,0 E_B fedexx 0,50,0,0,0,0,3000 ;■地下牢。@ ;　……そこは……、真っ暗な部屋だった。@ `......It was......, a pitch black room.`@ br ;　窓はなく、弱々しい電球によって、辛うじて様子がわかるだけ。@ `There were no windows, and with the weak light bulb, one could just barely make out the state of things around them.`@ br ;　埃臭く、ごたごたと何かの家具が粗雑に押し込まれた、忘れられた地下倉庫のように見えた……。\ `It appeared to be an old forgotten underground storehouse, with some kind of dusty furniture haphazardly thrown into it......`\ se1v 28,100 bg PRI_i1a,2 ;　しかし、わずかな灯りでも、そこが多分倉庫ではないことだけは理解できる。@ `However, even with just a little light, one could at least tell that it probably wasn't a storehouse.`@ br ;　……なぜなら、その部屋は鉄格子によって閉じられていたからだ。\ `......Because that room was sealed off with iron bars.`\ ld r,$KIR_MajimeA1,6 ;「……ここは、どこなの………？」\ `"......Where....is this.........?"`\ ;＜霧江 ld l,$KLA_MajimeA1,23 ;「わからん…。@……ここは、屋敷の地下なのか……？@　食堂の真下に、……こんな部屋があったのか……？」\ `"I don't know...`@`......I wonder, is this place underneath the mansion......?`@` Was there this kind of room......directly underneath the dining hall......?"`\ ;＜蔵臼 bg black,25 br ;　彼らは落とし穴のようなものに落とされ、この `They had dropped into what appeared to be a pit,` br ;部屋に(落ちてきた/・・・・・)。@ `and `(`fallen`/・・・)` into the room.`@ ;＜点処理：落ちてきた br ;　ならばこの部屋は、食堂の真下にあると考えるのが妥当だろう。\ `Therefore, it was appropriate to think that this room was directly under the dining hall.`\ bgm1 15 ;　……しかし、長年、食事を楽しみ、親しんできた食堂に落とし穴の仕掛けがあり、@その真下に、こんな地下牢のような部屋があるなんて、………蔵臼にも信じられないことだった。\ `......However, not even Krauss could bring himself to believe that there were pitfalls rigged in the beloved dining hall, where he had enjoyed his meals for years, `@`...and that directly below it was this dungeon-like room.`\ . E_MA bg PRI_i1c,22 ;　しかし、見上げた天井は無骨な石造りで、………そこのどこから落ちてきたのかも、理解できない。@ `But the ceiling above was of crude stone craftsmanship, ......and they could not understand how they could have fallen from somewhere up there.`@ br ;　いや、ここに落とされた５人は、誰もが思っていた。\ `No, all five people who had been dropped here thought the same thing.`\ ;　落とし穴に落とされた、という自覚がありながらも、@……食堂に落とし穴があるわけがない、その食堂の真下にこんな地下牢があるわけがない。@ `Although they had had the sensation of falling into a pit,`@` ......there was no way there could be pitfalls in the dining hall, nor could this dungeon-like place be directly under it.`@ br ;　……でも、現にここに落とされて閉じ込められている。@ ;　……と、…混乱していたのだ。\ `......But, the truth was that they actually had fallen into this place and were locked in.`@ `......And so, ...they had been confused.`\ bg PRI_i1b,22 ld r,$NAN_KomaruA1,4 ;「……あの高さから落ちて、誰も怪我をしなかったのは幸運かもしれませんな…。」\ `"......It is lucky that no one was hurt after falling such a height..."`\ ;＜南條 ld l,$KLA_KomaruA1,23 ;「………紗音、嘉音。@君たちはこんな部屋の存在は知っていたかね…？」@ `"........Shannon, Kanon.`@` Did either of you two know about this room...?"`@ ;＜蔵臼 cl r,23 ld r,$KAN_fumanA1,24 ;「……いいえ。@僕たちも、このような部屋のことは存じかねます。」\ `"......No.`@` We did not know of this room either."`\ ;＜嘉音 ld c,$KIR_majimeA2,23 ;「………………本当に…？」@ `"..................Really...?"`@ ;＜霧江 cl l,24 ld l,$SHA_OdorokiA1,23 ;「ほ、本当です……。@本当にこんな部屋、……知りません……。」\ `"R, really......`@` We really......don't know about a room like this......"`\ ;＜紗音 ;　霧江は、屋敷の秘密の仕掛けについて、@若いとはいえ、片翼の紋章を許された使用人の彼らが知っていてもおかしくないと考えていたようだった。\ `Despite their age, Kyrie apparently wouldn't have found it odd that,`@` as servants allowed to wear the One-winged Eagle, they might know of the mansion's secret tricks.`\ me1v 16,50 bg PRI_i1a,23 ;　彼らの返事を値踏みするかのような沈黙が、しばらくの間、続いた…。\ `There was a long silence, as if Krauss was evaluating their answer...`\ ld r,$KLA_MajimeA2,24 ;「……いや、紗音たちが知らないのは事実だろう。@何しろ、綺麗好きの紗音だ。@/ `"......No, it's probably true that you don't know.`@` Afterall, this is the clean-freak Shannon we're talking about.`@/ ld r,$KLA_NayamuA1,80 ;彼女がこの部屋を知っていたなら、もっとピカピカに磨き上げているだろう。@この部屋の汚さが、君たちがこの部屋を知らないことの証だ。@/ ` If she knew about this room, she'd probably scrub this place until it was sparkling.`@` The filth of this room is proof that you two don't know of it. `@/ ;ld r,$KLA_AkuwaraiA1,80 ;……今はそんなことより、これからどうするかの方が先決だと思わんかね。」\ `......More importantly than that, I think we should worry about what to do now."`\ ;＜蔵臼 ld l,$NAN_MajimeA2,23 ;「そ、その通りです……。@警察に、い、いえいえ、それから救急にも早く電話をしなければ……。」@ ;＜南條 `"E, exactly.....`@` We need to call the police....o, or rather administer first aid as soon as possible......"`@ br ;　南條の言葉は弱々しい。\ `Nanjo's words were hollow.`\ bg black,22 ;　…無理もない。@ `...Obviously.`@ br ; 食堂で６人が殺された。@ ; 殺される瞬間を、全員が目撃した。@ `Six people had been killed in the dining hall. `@ `Everybody had seen the exact moment when they had been killed.`@ br ;　それも、頭部を半壊されるという、@誰が見ても一目で即死が理解できる致命的な損傷によってだ。@ ;　救急に電話することが、もはや何の意味もないことを誰もが理解している……。\ `Besides, since half of their heads had been destroyed,`@` anyone could tell that the deaths had been instant with just a single glance.`@ `Everyone understood that first aid no longer held any meaning......`\ bg PRI_i1b,24 ld r,$KIR_NayamuA1,26 ;「ありがとう、南條先生。@……私たちは、伴侶がもう生きてはいないことを理解できてる。@………気休めでも、救急と言い添えてくれて、ありがとう。」\ `"Thank you, Doctor Nanjo.`@` ......We already understand that our partners are no longer alive.`@` .........Thanks for trying to console us by mentioning first aid."`\ ;＜霧江 ld l,$KLA_nayamuA3,23 ;「………夏妃……。@…………………………。」\ `".........Natsuhi......`@`................................."`\ ;＜蔵臼 ;　重苦しい沈黙が再び支配する。@ `Once again, a gloomy silence gained control of them.`@ br ;　しかし蔵臼は首を大きく何度も横に振り、妻を失った悲しみを今だけ忘れ、@自分たちの置かれている立場を理解することに専念した。\ `But Krauss shook his head harshly over and over, and, for the time being...`@`decided to forget the pain of losing his wife, and to dedicate himself to figuring out where they were.`\ cl a,0 ld c,$KLA_MajimeA1,23 ;「みんな、聞きたまえ。@……………親父は、/ ;!d800………もう駄目だ。@…口で言って、理解や説明が求められる段階に、/ ;!d900…もうない。」\ `"Everyone, listen to me.`@` ...............Father is`/ !d800`.........hopeless now.`@` There is no longer any way`/ !d900`...to ask him for an explanation or reason."`\ ;＜蔵臼 ;　誰も返事はしない。@ `Nobody answered.`@ br ;　……何の問答も容赦もなく、６人が瞬く間に殺されたのだ。\ `......Without any kind of discussion or mercy, six people had been killed in an instant.`\ ;　そして、１３人殺しの儀式のための生贄になれと、あれほど盛大に宣言したのだ。@ `And, Kinzo had even been so bold as to proclaim that we would become sacrifices for a ceremony involving 13 murders.`@ br ;　……ここに閉じ込められている以上、@自分たちもやがて、次なる儀式の生贄とされるだろう。\ `......Since we've been locked up in this place,`@` we too will probably become the ceremony's next sacrifices soon.`\ ;　この頃には、暗さにもわずかに目が慣れ、@この地下牢の中の様子が少しずつわかるようになっていた。\ `Around this time, our eyes became used to the darkness...`@`and, bit by bit, we were able to understand more about the dungeon's interior.`\ bg black,22 bg PRI_i1c,22 ;　……この地下牢の中に、ごたごたと置かれていると思った家具は、家具ではなかった。@ `......What we thought was furniture haphazardly left in the dungeon turned out to not be furniture at all.`@ me2v 18,50 br ;　それは、……人間ひとりを閉じ込める小型の檻や、拘束台、あるいは、……拷問台。@ `They were, ......things like small cages to lock people in, restraints, or else, ......torture racks.`@ br ;　……いずれにせよ、ただの牢屋以上の不気味さで満たされていることは明白だった。\ `.....At any rate, it was obvious that it was eerier than a mere jail cell.`\ ;　それらは錆付き、埃にまみれているため、忘れられたものであることは間違いない。@ `Since the objects were rusted together and coated in thick dust, there was no doubt that they had been forgotten.`@ br ;　……例えるなら、封印されて忘れられた金蔵の狂気とも言えるかもしれない。\ `......Maybe you could even call these things Kinzo's sealed and forgotten madness.`\ ;　しかし、その部屋に、今や自分たちは閉じ込められている。@ `However, we had been locked away in this room.`@ br ;　………ここに閉じ込められた人間が、@無傷で解放されることを期待するには、それらはあまりに穏便ではないのである…。\ `......Those objects weren't exactly comforting to people who were locked up,`@` hoping to be released without harm...`\ ;E_M2 fedexx 70,50,0,0,0,0,2000 bg PRI_i1a,22 ld r,$KLA_majimeA2,24 ;「……とにかく、ここを抜け出そう。@私たちは伴侶や友人を失い、涙を流すことに時間を費やしたいが、@/ `"......Anyway, let's get out of here.`@` We've lost loved ones and friends and would like to spend some time shedding tears, `@/ ;ld r,$KLA_KomaruA1,80 ;今はそれ以上に、……子どもたちの身が心配だ。」\ `but more than that, ......I'm worried about the children."`\ ;＜蔵臼 ld l,$SHA_odorokiA2,23 ;「………お、…お子様方はご無事でしょうか……。」@ `".........I...I wonder if the children are safe......"`@ ;＜紗音 ld r,$KLA_komaruA1,80 ;「祈るしかない…。@/ `"All we can do is pray... `@/ ;ld r,$KLA_NayamuA1,80 ;……そう言えば、熊沢さんと郷田さんはここにはいないな。」\ `......Come to think of it, Kumasawa and Gohda aren't here."`\ ;＜蔵臼 ld l,$SHA_komaruA1,80 ;「ひょっとすると、…無事に逃げ延びられたのかも…。」@ `"Perhaps, ...they were able to get away safely..."`@ ;＜紗音 cl r,23 ld r,$NAN_komaruA3,24 ;「かもしれませんな。@子どもたちと合流しててくれれば心強いのですが…。」\ `"You never know.`@` It'd be a relief if they were able to meet up with the children..."`\ ;＜南條 ld l,$SHA_odorokiA1,80 ;「郷田さんはいざという時、頼りになるし、熊沢さんは経験豊富で落ち着いてるし…。@きっと力になってくれると思います…。」\ `"When it comes down to it, Gohda-san is reliable, and Kumasawa-san is knowledgeable and calm...`@` I'm sure they would be helpful to the children..."`\ ;＜紗音 ld c,$KLA_AkuwaraiA2,24 ;「……はははは。@そうだと良いがな。」@ `"......Hahaha.`@` Well that's good."`@ ;＜蔵臼 br ;　紗音と蔵臼は、ちょっぴりだけ苦笑いする。@ ;　しかし、すぐに不謹慎と気付き、咳払いをしてそれを止めた。\ `Shannon and Krauss smiled bitterly a little.`@ `But they quickly realized how improper that was, and stopped, clearing their throats.`\ bg PRI_i1b,0 ld r,$KAN_KomaruA1,24 ;「………楽観は出来ないよ、姉さん。@僕らに続いて、もう襲われてしまってる可能性だってある。」\ `".........We can't be optimistic, Nee-san.`@` There's a chance that they have already been attacked after we were."`\ ;＜嘉音 ld l,$KIR_NayamuA1,23 ;「同感ね。@お父様が食堂で執行したのは、/ ;!d800……魔女の碑文の第一の晩の６人殺しなんでしょう？\ `"I agree.`@` What Father carried out in the dining hall was`/ !d800`......the six murders of the first twilight from the witch's epitaph, right?`\ ld l,$KIR_MajimeA2,80 ;　なら、第二の晩は“寄り添いし２人を引き裂け”。@……逃げ隠れて寄り添っている郷田さんと熊沢さんが、もう殺されている可能性だって否定できないわ。@………きっとゲストハウスに合流してて、子どもたちを守ってくれているなんて楽観、現時点ではまったく出来ないわよ。」\ `Then, the second twilight is to 'tear apart the two who are close'.`@` ......We can't deny the possibility that Gohda-san and Kumasawa-san may have been killed after escaping together.`@` ......We can't cling to the optimistic idea that they definitely got to the guesthouse and are protecting the children."`\ ;＜霧江 ;　霧江は冷酷に、最悪のケースを分析する。@ `Kyrie coldly analyzed the worst case scenario.`@ br ;　彼女にとっても、最愛の夫を失ったのは悲しいことだ。@ ;　……しかし今は、その夫の息子である戦人と、@他の子どもたちを狂気の当主の生贄から守ることが大事だ。\ `For her, it was heartbreaking to have lost her beloved husband.`@ `.......But right now, the most important thing was protecting that husband's son, `@`along with the other children, from becoming the insane family head's sacrifices.`\ ;　悲しみを、子を守る親としての使命感で乗り越える。@ `She overcame her sadness with the parental urge to protect children from sorrow.`@ br ;　……霧江も蔵臼も、ともに悲しみを今だけは忘れる強さを持っているようだった…。\ `......It seemed that both Kyrie and Krauss were strong enough to forget about their grief, if only for the time being...`\ ;　涙は後でも流せる。@ `They would let their tears flow later.`@ br ;　……今は子どもたちを守るためにも、まずは行動を起こさなければならない。\ `......In order to protect the children, they had to act.`\ bg PRI_i1a,0 ld c,$KLA_MajimeA2,23 ;「とにかく、ここを脱出しよう…。@相当古い牢屋のようだ。@何とか鉄格子を破れないだろうか？@　室内をくまなく探して、脱出手段を探してみよう。」\ `"Anyway, let's get out of here...`@` It seems to be a rather old cell.`@` Couldn't we break the bars with something?`@` Let's try searching the entire room for some way to escape."`\ ;＜蔵臼 ld l,$KIR_MajimeA1,23 ;「おかしな拷問用の檻に混じって、拷問道具とかも落ちてないかしら。@武器にもなるし、鉄格子を破る道具にもなるかもしれない。」\ `"I wonder if there are some torture tools lying around all these torture cages.`@` They might be useful as weapons, or to break the bars."`\ ;＜霧江 ;　霧江はポケットからライターを取り出す。@ `Kyrie pulled a lighter from her pocket.`@ br ;　自分は煙草を吸わないが、留弗夫の煙草に火を付けるために懐に忍ばせていたのだ。@ ;　……この薄暗い地下牢を探索するには、極めて重要な光源だった。\ `She herself didn't smoke, but she kept one tucked away in her pocket to light Rudolf's cigarettes.`@ `......It was an extremely valuable source of light for searching in this dim dungeon.`\ cl l,24 ld c,$KLA_majimeA1,80 ;「紗音は霧江さんを手伝い、室内を探索してくれ。@嘉音は私と一緒に鉄格子の具合を確かめてみよう。@これだけ古い牢屋だ。@ひょっとするとガタが来ているかもしれない。」\ `"Shannon, help Kyrie-san search the room.`@` Kanon, you'll help me check out the bars.`@` This is a very old cell.`@` The bars could be loose."`\ ld r,$NAN_MajimeA2,24 ;「わ、私は何をお手伝いしましょうかな……。」\ `"W...what should I help with......?"`\ ;＜南條 ld c,$KLA_KomaruA1,80 ;「体力を温存していて下さい。@……やがてここに親父殿が現れるだろう。@親父殿に言葉が届くのは南條先生だけです。@ある意味、南條先生に我々の命は握られているかもしれない。」\ `"Please just keep up your strength.`@` ......Father will probably come soon.`@` You're the only one whose words will reach him.`@` In a way, you might be holding our lives in your hands."\ ld r,$NAN_fumuA1,80 ;「……私の言葉など、…もう届きはせんでしょう。@申し訳ないが、そのお役には立てそうにない……。」\ `"......My words, ...will no longer reach him, I think.`@` I'm sorry, but I don't believe I will be of any use......"`\ ;＜南條 bg PRI_i1b,0 ld l,$KIR_waraia2,24 ;「なら、南條先生のお医者としての知識を貸してください。@………人間を即座に昏倒させるような毒って、存在するのかしら。」\ `"Then lend us your expertise as a doctor.`@` .........I wonder if there is a drug that makes people instantly faint."`\ ;＜霧江 ld r,$SHA_OdorokiA2,24 ;「……人間を即座に昏倒させる毒……？@　どういうことですか……？」\ `"......A drug that makes people instantly faint......?`@` What are you talking about......?"`\ ;＜紗音 ld l,$KIR_NayamuA1,80 ;「私たちは落とし穴に落とされて、この地下牢に落ちてきたと信じている。@……あの混乱している場で、私たちはそうだったろうと信じたわ。\ `"We believe we fell through a pit, and landed in this dungeon.`@` ......In that panic stricken place, that's what we believed happened.`\ ld l,$KIR_MajimeA1,80 ;　……でも、この地下牢の広さを測ってみてわかった。@この地下牢が、あの食堂の地下というのはありえないことなのよ。」\ `......But I measured the breadth of this room and came to a realization.`@` This dungeon cannot be underneath the dining hall."`\ ;＜霧江 ld r,$SHA_KomaruA1,80 ;「どうして、ありえないってわかるんですか…？」@ `"Why do you say it cannot...?"`@ ;＜紗音 ld c,$KAN_FumanA2,23 ;「…………姉さんは馬鹿だな。@この地下牢は、食堂に比べて狭過ぎる。」\ `".........You're an idiot, Nee-san.`@` If you compare it to the dining hall, this dungeon is too narrow."`\ ;＜嘉音 ld l,$KIR_majimeA2,80 ;「その通り。@１番目に落とされたのは蔵臼兄さん。@２番目が私。@蔵臼兄さんはこの部屋に落ちてきた時、その場を動いたかしら？」\ `"Exactly.`@` The first person to fall was Krauss nii-san.`@` The second was myself.`@` When you fell into this room, did you move from that spot, Krauss nii-san?"`\ ;＜霧江 bg PRI_i1a,24 ld r,$KLA_komaruA1,24 ;「……お恥ずかしいながら、落下の痛みで呻いていたよ。@そのすぐ傍らに霧江さんが、すぐに落ちてきたんだ。」\ `"......It's embarrassing to say, but the landing hurt, and I lied there groaning in pain.`@` Immediately after that, Kyrie-san came crashing down next to me."`\ ;＜蔵臼 ld c,$KIR_majimeA1,24 ;「食堂での蔵臼兄さんと私の立ち位置と、落下時の落下場所の距離が、明らかにおかしいのよ。」\ `"The distance between where we were standing and the places where we landed is clearly strange."`\ ;＜霧江 ld l,$NAN_MajimeA1,23 ;「た、…確かに言われてみればその通りです。@……その次に落ちたのは私だから、お二人の位置関係はよく覚えている。@……食堂でのお二人の間の距離は、この部屋よりもあったかもしれない。」\ `"C, ...certainly, when you put it that way.`@` ......I was the next to fall, so I remember fairly well where you two were standing.`@` ......The distance between you two in the dining hall might have been greater than this entire room."`\ ;＜南條 ld c,$KIR_NayamuA1,80 ;「私たちは、落とし穴に落ちて、ダイレクトにここに落下したわ。@……集合する下水道管みたいに、一度集められてから、ここに落ちたわけじゃない。@/ `"We fell into a pit, and directly dropped down here.`@` ......It's not like we fell into multiple interlocking pipes, and were all collected here. `@/ ld c,$KIR_MajimeA2,80 ;落下は一瞬だったでしょう？@　そんな凝った配水管みたいな穴を転がされた覚えはないわ。」\ `The fall was instant, wasn't it?`@` I don't remember rolling around in some sort of elaborate water pipe system."`\ ;＜霧江 ld r,$KLA_nayamuA2,80 ;「…………確かに、落とし穴では説明がつかんな。@…おかしな話だ。」\ `".........Surely, we can't explain it with a pitfall.`@` ....What a strange tale."`\ ;＜蔵臼 bg PRI_i1b,0 ld l,$SHA_odorokiA1,24 ;「それと、……霧江さまの仰る、人間を即座に昏倒させる毒というのは、どう関係があるんですか…？」\ `"What does that have to do, ......with the drug that makes people instantly faint that Kyrie-sama was talking about...?"`\ ;＜紗音 ld r,$KAN_nayamuA1,24 ;「………………………。@/ `"...........................`@/ ld r,$KAN_FumanA1,80 ;……霧江さまは多分、食堂に落とし穴なんかなかったとお考えなんじゃないかな。」\ `......Kyrie-sama is probably thinking that there were no pitfalls in the dining hall, correct?"`\ ;＜嘉音 bg PRI_i1a,0 ld l,$KLA_MajimeA2,23 ;「しかし、現に私たちは落ちたぞ。」@ `"But in reality, we fell."`@ ;＜蔵臼 ld r,$KIR_KomaruA1,24 ;「落とし穴に落ちたような気がする、が正解よ。@……無理もないわ。@そうとしか例えられない体験だったから。」\ `"To put it accurately, we had the feeling that we fell into a pit.`@` ......Obviously.`@` That's the only way we can describe that experience."`\ ;＜霧江 bg PRI_i1b,24 ld l,$NAN_KomaruA4,23 ;「な、なるほど……。@つまり、こう仰いたいわけですな…。@……私たちは落とし穴に落とされたのではなく、@/ `"I...I see......`@` In other words, this is what you want to say...`@`......We did not fall through a pit...`@/ ;ld l,$NAN_KomaruA2,80 ;……例えば、毒矢のようなもので撃たれ、瞬時に意識を失い、…その倒れて床に突っ伏す瞬間の記憶を、@まるで落とし穴に落ちたようと、思い込んでしまっているのかもしれない、と……。」\ `.....We were attacked with something like a blowdart, for example, and lost consciousness instantly.`@` It could be that we just remember the instant we fell to the floor as though it were falling through a pit......"`\ ;＜南條 ld r,$KLA_AkuwaraiA2,80 ;「…………なるほど。@食堂に無数の落とし穴が仕掛けられていて、我々がそれに何十年も気付かず食事をしていたとするよりは、よほど説得力のある話だ。」\ `"............I see.`@` That's a much more persuasive argument than there being numerous pitfall traps in the dining hall that we've never noticed, even after decades eating there."\ ;＜蔵臼 bg PRI_i1a,0 ld l,$KAN_DefA2,23 ;「……姉さん。@時計はある？」@ `"......Nee-san.`@` Do you have a watch?"`@ ;＜嘉音 ld r,$SHA_OdorokiA2,80 ;「え？@　………う、うん。@/ `"Eh?`@` .........Y...yes. `@/ ld r,$SHA_TokuiA1,80 ;懐中時計があるわよ。@………えっと、２２時４０分くらいね。」\ `I have a pocket watch.`@` ........Umm, it's about 22:40."`\ ;＜紗音 ld l,$KAN_FumanA1,80 ;「………うん。@僕の時計もそうなってる。@/ `".........Yes.`@` My watch says the same. `@/ ld l,$KAN_OdorokiA2,80 ;…つまり僕たちは、食堂での大騒ぎから、十数分も時間を経過させてないってことになる。」\ `...In short, it hasn't been more than ten minutes since that uproar in the dining hall."`\ ;＜嘉音 ld c,$KLA_majimeA1,24 ;「私の時計も同様だ。@…………我々が昏倒させられて、どこかへ担ぎ込まれたと仮定するには、時間の経過が短過ぎる。@………時間だけを見るなら、やはり我々は食堂の真下へ、落とし穴で落とされたと考えるのが妥当だ。」\ `"My watch is the same.`@` ............That's much too short a time to knock us out and carry us somewhere.`@` .........Judging only from the time, it's appropriate to assume that we did fall through a hole leading directly underneath the dining hall."`\ ;＜蔵臼 bg PRI_i1b,0 ld r,$KIR_MajimeA1,24 ;「時計の針なんていくらでも弄れるわ。@……私たちが気絶している間に、全員の時計を巻き戻したのかもしれない。@その可能性がなかったことは、証明不能よ。」\ `"They can tamper with the watch hands as much as they want.`@` ......While we were passed out, they may have wound everyone's watches back.`@` We are incapable of proving that this possibility doesn't exist."`\ ;＜霧江 ld l,$NAN_KomaruA3,23 ;「………………………。@落とし穴にせよ、昏倒させる毒にせよ、/ ;!d900……私たちは用心するに越したことはないというわけですな…。」\ `"...........................`@`Whether a pitfall, or else a drug that induces fainting...`/ !d900`......it does not change the fact that we need to be on guard..."`\ ;＜南條 ld r,$KIR_NayamuA1,80 ;「……それで、南條先生？@　昏倒させる毒は存在するんですか？」@ `"......Well then, Doctor Nanjo?`@` Is there a drug that can do that?"`@ ;＜霧江 ld l,$NAN_MajimeA1,80 ;「それは、…………。@……霧江さんの論法と同じですな。@…私の知らない未知の毒物に、そういう効用のものがないとは証明できません。」\ `"Well, ............`@`......It's the same as your logic, Kyrie-san.`@` ...I cannot prove that there is not a drug with that effect of which I do not know."`\ ;＜南條 ld r,$KIR_KomaruA1,80 ;「……用心に越したことはない、ということね。@…ごめんなさい、無駄な質問だったわ。@/ `"......As they say, you can never be too careful.`@` ...Sorry, it was a useless question. `@/ ld r,$KIR_MajimeA1,80 ;ただ、私の仮説により、この地下牢が食堂の真下とは限らないという可能性は、示唆できたと思う。」\ `I just thought that with my hypothesis, I could suggest that this dungeon is not necessarily directly underneath the dining hall."`\ ;＜霧江 bg black,22 bg PRI_i1c,22 ;「なるほど…。@………広大な森の中のどこかに隠されていると噂される、@親父殿の隠し屋敷の地下牢に運び込まれている可能性もある、ということか。@……ここを脱出して外へ出ればそれもわかる。@それを詮索するのは、ここから出てからでもいいだろうな。」\ `"I see...`@`.......There's always the possibility that we were carried off to the hidden mansion they say Father built in the middle of the forest.`@` ......If we can escape from here and get outside, then we'll know.`@` We'll save worrying about that until after we get out."`\ ;＜蔵臼 bg PRI_i1a,0 ld r,$KIR_DefA1,26 ld r,$KIR_komaruA1,80 ;「その通りね。@本当にごめんなさい。@さっきから無駄な質問と詮索ばかりだわ。」\ `"Exactly.`@` I'm truly sorry.`@` I've only been asking and prying into useless things."`\ ;＜霧江 ld l,$KLA_majimeA1,23 ;「いいや、とても頼もしいよ。@今後も何かに気付いたら教えてくれたまえ。@ここを脱出する何かのヒントになるかもしれない。\ `"No, it's quite promising.`@` If you notice anything else, please tell me.`@` It might become a hint to escaping from here.`\ ld l,$KLA_defA1,80 ;　………留弗夫からいつも聞かされていたよ。@君の発想にはいつも驚かされ、時には重要なヒントにもなるとね。@……君がここにいてくれたのは、不幸中の幸いだ。」\ `.........I always heard from Rudolf.`@` He was always surprised by your advice, and it would sometimes become a valuable hint.`@` ......The fact that you're here is a blessing within a tragedy."`\ ;＜蔵臼 ld r,$KIR_WaraiA2,80 ;「……ありがとう。@私も留弗夫さんに聞いてるわ。@蔵臼兄さんは、普段は威張っているけれど、いざという時は責任感に溢れる、頼り甲斐のある兄だ、って。」\ `"......Thank you.`@` I heard something from Rudolf-san as well.`@` He said that you usually just swagger about, but when things get serious, you overflow with a sense of responsibility, and are a very dependable older brother."`\ ld l,$KLA_AkuwaraiA3,80 ;「はははは…、さすがにそれは世辞が過ぎるね。@/ `"Hahaha..., that's too kind. `@/ se1 32 quakex 3,500 ;………くそ、それにしても頑丈な鉄格子だ。@嘉音の方はどうだね。」\ `.........Dammit, at any rate, these iron bars won't even budge.`@` How are things on your end, Kanon?"`\ ;＜蔵臼 bg PRI_i1b,0 ld r,$KAN_MajimeA1,24 ;「………いいえ、こちらもまったく。」@ `".........No, this side is no better."`@ ;＜嘉音 ;se2 32 ;quakex 3,800 br ;　蔵臼と嘉音は、全ての鉄格子を色々と弄ってみる。\ `Krauss and Kanon tried wiggling the bars in various ways.`\ bg black,25 bg PRI_i1c,22 ;se2 32 ;quakex 3,800 ;　……何本かの鉄格子は、ねじれたり、@あるいはわずかにガタガタと揺らせる程度の隙間を感じられたが、@それでも人力で破壊できるようなものではなかった。@ `......There were a few bars that could be twisted...`@`and a few had enough space to rattle a little bit around in...`@`but they could not be broken with human strength alone.`@` br ;　……しかし、何かの道具を梃子のように利用すれば、まだ望みもあるかもしれない。@ ;　諦めるにはまだ早かった。\ `......However, there was still hope if they could use some kind of lever-like tool.`@` `It was still far too early to give up yet.`\ ;　子どもの命が掛かっているのだ。@ ;　……望みがなくても、彼らは足掻くことを止めはしないだろう。\ `The children's lives were hanging in the balance.`@` `......Even if there was no hope, they couldn't stop their struggle.`\ ;　そして、彼らもそうしている方が良いのだ。@ `And, it was better for them to act this way.`@ br ;　……それを止めたなら、…伴侶を失った悲しみに再び囚われ、膝を抱いてしまうに違いないから……。\ `......If they were to stop...there's no doubt they'd once again be overcome by the grief of loosing their loved ones, and crouch down, clutching their knees......`\ bg black,2 fede 0,3000 wait 1000 me1v 5,50 bg PRI_i1a,26 ld r,$KLA_komaruA1,24 ;「霧江さんたちの方はどうかね。@何か見つかったかね？」@ `"How are you doing, Kyrie-san?`@` Find anything?"`@ ;＜蔵臼 ld l,$KIR_nayamuA1,23 ;「………握って隠せる程度の石ころは見つかるわ。@こんなものでも、武器にはなるかも。@さすがに、鉄格子を削り取ることは無理でしょうね。@紗音ちゃんはどう…？」\ `"......I've found some small stones that we could hold onto and hide.`@` Something like this could probably be a weapon.`@` Though, it'd be impossible to whittle down those iron bars.`@` How about you, Shannon-chan...?"`\ ;＜霧江 bg PRI_i1b,24 ld c,$SHA_KomaruA1,23 ;「いいえ、何も。@/ `"No, nothing. `@/ ld c,$SHA_OdorokiA2,80 ;………あ、これ、/ `.........Ah, this is`/ ;!d800…………電話です。」\ !d800`............a phone."`\ ;＜紗音 ld r,$KIR_KomaruA1,24 ;「繋がってるわけもないわ。@/ `"I doubt it's connected. `@/ ld r,$KIR_majimeA1,80 ;……でも、コードは何かを縛ったり武器にも使えるかも。@壊して分解すれば金属部品を取り出せるわ。@蔵臼兄さん、鉄格子を開ける鍵穴は、もちろんあるわよね？」\ `......But, we might be able to use the cord as some form of string-based weapon.`@` If we break it, we could take out the metal parts.`@` Krauss Nii-san, there's a keyhole for opening the bars, right?"`\ bg PRI_i1a,0 ld r,$KLA_majimeA2,23 ;「あぁ。@だいぶ鍵穴の大きい、大時代的なものだがね。@……針金のようなもので弄れば、騙せるかもしれないな。」\ `"Yeah.`@` It's a pretty large hole, quite old fashioned.`@` ......If we twist some wire into it, we just might be able to pick it."`\ ;＜蔵臼 ld l,$KIR_futekiA1,23 ;「電話の金属部品で、何か代用できるかもしれない。@……その電話、武器になるわね。」@ `"We might be able to use the metal parts of the phone as a substitute for something.`@` ......This phone will become our weapon."`@ ;＜霧江 ld r,$KLA_AkuwaraiA2,80 ;「投資と同じだよ。@情報は武器だ。」@ `"It's the same as an investment.`@` Information is our weapon."`@ ;＜蔵臼 br ;　電話をまったく通信手段として考えない用途に、蔵臼たちはくすりと笑い合う。\ `Krauss and Kyrie laughed together at how they hadn't once thought of using the phone as a means of communication.`\ mov %play_scene,40220 : mov %r_hyouji_side,0 bg black,22 ;wait 2000 bg PRI_i1b,26 ld r,$KAN_majimeA1,24 ;「…………何やってんの、姉さん。」@ `"............What are you doing, Nee-san."`@ ;＜嘉音 ld l,$SHA_KomaruA1,26 ld l,$SHA_HajiraiA1,80 ;「あ、……その、…電話、つ、繋がってるかなって思って……。」@ `"Ah, ......um, ...I just wondered if maybe the phone was w, working......"`@ ;＜紗音 ld r,$KAN_fumanA2,80 ;「…………馬鹿だな、姉さんは。@（ぼそり）」\ `"............You dummy, Nee-san.`@` (*whisper*)"`\ ;＜嘉音 bg black,1 E_A ;「え…？@　………あれ？」@ `"Eh...?`@` .........Huh?"`@ ;＜紗音 br ;　すると紗音が突然、驚きの声を上げる。\ `At this point, Shannon let out a small surprised cry.`\ bg PRI_i1a,22 ld r,$SHA_OdorokiA2,24 bgm1 71 ;「き、霧江さま……！@　……この電話、繋がってます。」@ `"K, Kyrie-sama...!`@` .....This phone, it's connected."`@ ;＜紗音 ld l,$KIR_MajimeA1,63 ;「何ですって…。」\ `"What did you say...?"`\ ;＜霧江 bg black,22 bg PRI_i1c,22 ;　その電話は、まるで引っ越して何もかも空っぽになった無人のオフィスに、@電話機だけが取り残されているような、そんな感じで牢の片隅に置かれていたのだ。\ `It was like when people move out of an office, taking everything with them, leaving only the telephone behind...`@`that's the feeling the phone gave off, having been left in the corner of the cell.`\ ;　コードはとぐろを巻き、その先は壁に飲み込まれていて、@一見すると通じてもおかしくないようには見えていた。@ `The cord was wound into a coil, the tip of it being swallowed by the wall,`@` and at a glance, it wouldn't seem surprising if it were connected.`@ br ;　……しかし、本当に繋がっていたとは…。\ `......But, to think that it was actually was connected somewhere...`\ bg black,22 ;　霧江が紗音から受話器を奪い、耳に当てる。@ ;　確かに、ツーという電子音は耳慣れたもの。@ ;　……この電話は、確かに生きていた。\ `Kyrie took the receiver from Shannon and pressed it to her ear.`@ `Certainly, the electric hum of a phone was a familiar sound.`@ `......And this phone was certainly live.`\ bg PRI_i1a,0 ld r,$NAN_KomaruA1,26 ;「な、何という幸運…！@　警察へ連絡しましょう…！」@ `"Wh...what good luck...!`@` Let's contact the police...!"`@ ;＜南條 ld l,$KLA_komaruA4,23 ;「待ちたまえ…！@　話が上手過ぎる。@盗聴されてるんじゃないのかね…？！」\ `"Hold on...!`@` This is too good to be true.`@` It's bugged, isn't it...?!"`\ ;＜蔵臼 cl r,23 ld r,$KIR_komaruA2,24 ;「そんな細工するくらいなら、普通は電話線を切断するわ。@……連中が本気で見落とした可能性が高い。@/ `"If they were planning a trick like that, normally they would cut the telephone line.`@` ......There's a good possibility that they actually overlooked this.`@/ ld r,$KIR_MajimeA1,80 ;気付かれたら今度こそ電話線を切断されるかもしれないわ。@警察への通報を盗聴されて、何も困ることはないのだし。」\ ` If they notice, then they might actually cut the line this time.`@` There's nothing that we could tell the police that would be problematic for us if they overheard."`\ ;＜霧江 ;　……確かにそれもそうだ。@ ;　盗聴は、何か重要な情報を聞き出すために行なうが、@今の彼らが外部とするだろう会話の中に、聞かれてまずいことは何も考えられない。@ `......Surely that is true.`@ `The point of a wiretap is to overhear some important piece of information...`@`but the way things are now, she could not think of a single thing that would come up in a conversation to the outside world that could be troublesome to have heard.`@ br ;　霧江は即座に、これは罠であるよりも、金蔵のミスである可能性が高いと判断したのだ……。\ `Kyrie instantly concluded that it was more likely to be a mistake on Kinzo's part than a trap......`\ bg PRI_i1b,24 ld r,$NAN_KomaruA4,24 ;「た、確かに一理あります……。@/ `"Y...you do have a point......`@/ ld r,$NAN_MajimeA2,80 ;外線は確か、０番からだ……。」\ ` I believe that you start with 0 to make calls to the outside......"`\ ;＜南條 bg black,23 bg PRI_i1a,0 ld l,$KAN_odorokiA2,23 ld r,$KIR_MajimeA2,24 ;「嘉音くん、私は電話するから、あなたは外の様子をうかがってくれる？@　誰かが近付いてくる気配があったら知らせて。」@ `"Kanon-kun, I'm going to make a phone call, so will you watch how things are out there for me?`@` If you sense somebody coming, let me know."`@ ;＜霧江 ld l,$KAN_OdorokiA1,80 ;「は、はい……！」\ `"Y, yes......!"`\ ;＜嘉音 cl l,24 ;　嘉音は鉄格子へ駆けて行き、息を殺し耳を澄ます……。@ ;　霧江は一同に見守られながら、１１０番をダイヤルする…。\ `Kanon raced off towards the iron bars, silenced his breathing, and strained his ears......`@ ;tttt `As everyone present watched her, Kyrie dialed #86ef9c110#ffffff...`/ mov %grim_scene,407 mov %r_hyouji_grim,8 \ bg black,22 me1v 5,50 wait 2000 ;　しかし、何度かフックボタンを押し直し、ダイヤルをやり直す。@ `However, she pushed the hook down and re-dialed many times.`@ br ;　……うまく行かないようだった。\ `......It didn't seem to be working very well.`\ bg PRI_i1a,0 ld r,$KIR_MajimeA1,26 ;「………外線は０番から？@/ `"......The outside line begins with 0?`@/ ld r,$KIR_NayamuA1,80 ;　１１０番は０１１０じゃないの？@　うまく掛からない…。」\ ` 110 would be 0110 then, right?`@` It doesn't seem to want to go through..."`\ ;＜霧江 ld l,$KLA_MajimeA1,23 ;「貸したまえ、私が掛けよう……。@……………………………。」@ `"Hand it over here, I'll try to call......`@`............................."`@ br ;　蔵臼が受話器を代わり、色々と試す……。\ `Krauss took the receiver in Kyrie's place, and tested various things......`\ bg black,5 fede 1,3000 wait 1000 ;　だが結局、警察に通報することは出来なかった……。\ `But in the end, they were unable to notify the police......`\ ;　確かに電話自体は生きているのだが、やはりどこかの回線が切断されているのだろう。@ `The phone itself was definitely live, but the circuit was apparently cut somewhere.`@ br ;　……そう甘くはないということなのか。\ `......Did this mean that 'they' were not so naive?`\ bg PRI_i1b,26 ld r,$SHA_odorokiA1,24 ;「……やっぱり、無理ですか……。」@ `"......So it's useless after all......"`@ ;＜紗音 ld l,$KIR_KomaruA2,23 ;「敵も甘くはないってことね…。@……………………。」\ `"This means our enemies aren't naive themselves...`@`..............."`\ bg black,5 ;　霧江は、はぁっと深い息を吐き出すと、壁にもたれ掛かって、しばらくの間、俯いた。@ `Kyrie let out a deep sigh, leaned against the wall, and hung her head for a while.`@ br ;　シビアな彼女であっても、一瞬、電話が繋がるという甘い期待を持ったのかもしれない。@ `As severe a girl as she was, for a brief moment, she might actually have had the naive hope that the phone could actually work.`@ br ;　……そんな甘えを一瞬でも持ったことを、自嘲気味に苦笑いする。\ `......She sneered at herself mockingly for holding onto that naive hope for even one moment.`\ ;　そしてそれから、……一体、今、ここで何が起こっているのか、思い起こした。\ `And then, ......she remembered just what was happening here.`\ ;　……正直なところ、…あれだけ、眼前で見せ付けられたにもかかわらず、……いや、だからこそ……。@ `......Honestly...regardless of having been shown such a thing right before her eyes, ......or rather, exactly because of that...`@ br ;　……あの凄惨な虐殺を、未だ現実のものとは思えない…。@ ;　信じられないというより、信じたくなかった。\ `......She still could not think of that gruesome mass murder as something real...`@ `Rather than that she couldn't believe it, it was that she didn't want to.`\ bgm1 20 fede 10,2000 mono 1 bg Mdin_1a,0 ld c,$KIN_akuwaraiA1,2 ;　右代宮金蔵が、親族たちを６人も殺した。\ `Ushiromiya Kinzo killed six family members.`\ ld r,$GAP_DefA2,0 ld l,$S00_DefA1,99,2000,"breakup.dll/urb" ;　おかしな、魔女のような、悪魔のような者たちを、/ ;!d800……何人も空中から呼び出して……、@………魔法のようなもので、/ ;!d800……次々に殺し………。@ `He summoned strange witch-like, demon-like people, `/ !d800`......right out of thin air......`@`.........and with something like magic, `/ !d800`......began to kill people one after another..........`@ br ;　………………………。\ `..........................`\ ;　めちゃくちゃだ。@ ;　……確かに見たのに、その光景を、到底受け容れられない……。\ `It's just all so screwed up.`@ `......Even though she definitely saw it, there was no way she could accept that spectacle......`\ bg black,22 ;「………そんなこと、あるわけがない。@………あれはきっと、お父様の友人か何か。@…それが、予め食堂のどこかに隠れていて、手品的に突然姿を現して私たちを驚かせただけなんだわ。@………そう考えなくちゃ、あのめちゃくちゃを説明できない。」\ `".........There's no way that's what happened.`@` .........Those were obviously Grandfather's friends, or something.`@` ......They just hid somewhere in the dining hall beforehand and used some tricks to appear suddenly and fool us.`@` ......There's no other way to explain something as screwed up as that."`\ bg Homing6,22 ;　しかし、６人の頭を砕く時に、黄金の矢が室内をぐるぐると飛び回った。@ `But when those six had had their heads blown apart, a golden arrow had flown around and around the room.`@ br ;　……あれはまるでまさに、/ ;!d800……魔法に見えた。\ `......That had truly looked like, / !d800`......magic.`\ ;　あれも何かの見間違いだというのだろうか。@ ;　魔法のわけがない。@きっと仕掛けがあるのだ。@ `Was that another thing we just saw wrong?`@ `There's no way it was magic.`@` It was definitely some kind of setup.`@ br ;　……頭を砕くくらいだから、きっと爆発物に違いない。\ `......Since those heads were smashed, there's no doubt it was some explosive.`\ bg black,22 ;　例えば、駄菓子屋で売っているようなスチレン製の飛行機の玩具を金色に塗り、@その先端に強力な爆発物を搭載してあったとか。\ `For example, a styrene toy plane like they sell at candy stores, painted gold...`@`and with a powerful explosive loaded onto the end of it.`\ ;　……しかし、一見、ランダムに飛んで見せたが、@６回それを放ち、それらが完璧に犠牲者の頭部に次々命中するなんて、考えられない。@ `.......However, at a glance, it had seemed to be flying at random...`@`but Kyrie couldn't imagine that after being fired six times, each time had perfectly hit the victims square in the head, one after the other.`@ br ;　まさか、コンピューター制御で獲物を探して飛翔し命中する、@それこそ誘導ミサイル並のハイテクスチレン飛行機だったとか……？\ `It couldn't be that there was a computer control system for finding and hitting targets,`@` which would make it a high-tech styrene plane on the same level as a guided missile, right...?`\ mono off bg PRI_i1c,22 ld c,$KIR_komaruA2,26 ;「………そんな馬鹿馬鹿しい仕掛けを、膨大な私費を投じて作らせたと？@　……あの、狂った余興のために……？@　“お父様ならやりかねない”って……？」\ `".........Would he invest such a large amount of money into developing some stupid trick like that?`@` .......For that insane entertainment......?`@` Does this come back to the old 'I wouldn't put it past Father'......?"`\ ;＜霧江 ;　謎の人物が何人も突然に虚空から姿を現し、@……６人が謎の金色の飛行物体によって頭を粉砕され、@……私たち５人は、謎の落とし穴か、さもなくば昏倒する毒矢か何かで眠らされ、謎の地下牢に閉じ込められている……。\ `A number of mysterious people appeared out of thin air, `@`......6 people had had their heads demolished by a mysterious golden flying object, `@`......the five of us were locked away in a mysterious dungeon by a mysterious set of pitfalls, or else put to sleep by some fainting poison dart......`\ ;　親族会議が始まったのは２２時ちょっと過ぎから。@ ;　……それから３０分ちょっとが経過したに過ぎない。@ `The family conference had started a bit after 22:00.`@ `......It's only been about 30 minutes since then.`@ br ;　多分。@そのわずかの間に起こった出来事が、@……自らが目撃したにもかかわらず、理解できず、整理も出来ない。\ `Probably, `@`even though I witnessed it myself, `@`......since that event took place in such a short amount of time, I still can't understand it, and I still can't come to grips with it.`\ bg black,22 ;　仮に警察に電話が繋がったとしても、@自分たちが見たことを正確に伝えることは、誰にも不可能だろう……。@ `For argument's sake, even if we did get ahold of the police, `@`it would probably be impossible for anybody to accurately explain what we saw......`@ br ;　ついさっき見た光景にもかかわらず、@……もう頭の中はぐちゃぐちゃで、自分が何を見たのかさえ、自信がない…。\ `Regardless of having just seen it,`@` ......my brain's fried, and I have no self-confidence even in what I saw myself...`\ ;　霧江は混乱に飲み込まれそうな自分を何とか奮い立たせ、正気を保つのに精一杯だった……。\ `Kyrie tried her hardest to cheer herself out of her overwhelming confusion, to just hold onto her sanity......`\ bg PRI_i1a,26 ld r,$KLA_komaruA2,24 se1 53 ;「くそ、……どうなってるんだ、/ ;!d600……くそ、…くそ…！」@ `"Dammit......what's going on here, `/ !d600`......dammit, ...dammit...!"`@ ;＜蔵臼 se2 53 br ;　蔵臼は自棄になって、フックボタンを何度も押してはダイヤルをし直す。\ `Krauss started to become desperate, hitting the hook multiple times, resetting the dial.`\ se3 53 ;　……蔵臼も、一見冷静を装っているが、混乱は隠せていない。@ ;　ダイヤルを繰り返せば繰り返すほどに、冷静さのメッキは剥がれていった…。\ `......Krauss had also been feigning composure, but he was unable to hide his panic.`@ `The more he retried the dial, the more the pretense of serenity peeled away...`\ bg black,22 bg PRI_i1b,22 ;　何が何だか、わからない……。@ `I don't know what's going on anymore......`@ br ; 霧江は、さっきの出来事が夢であってほしいと、祈らずにはいられなかった…。\ `Kyrie couldn't help but pray that the events that had just occurred were a dream...`\ br ;　………その時、蔵臼の様子が突然変わった。\ `.........At that time, the look on Krauss's face changed.`\ bg PRI_i1a,0 ld c,$KLA_komaruA4,80 E_A ;「う、お、……お…！@/ `"Uu, o......oh...!`@/ bgm1 71 ;　呼び出してる、呼び出してるぞ…！@　コール音がする…！」@ ` I got through, I got through...!`@` It's ringing...!"`@ ld l,$NAN_MajimeA2,23 ;「ほ、本当ですかっ、蔵臼さん…！」\ `"R, really, Krauss-san...?!"`\ ;＜南條 ld c,$KLA_AkuwaraiA3,80 ;「なるほどな、親父め、浅はかな…！@　警察に連絡されまいと外部への電話線は切断したらしいが、内線は切断し損ねている…！」\ `"I see, how frivolous, old man...!`@` Since we can't contact the police, it seems that the external line is cut, but he missed out on severing the internal line...!"`\ ;＜蔵臼 bg PRI_i1b,0 ld r,$KIR_MajimeA1,24 ;「内線？@　蔵臼さんはどこに掛けているの…？！」\ `"Inside line?`@` Krauss-san, where did you call...?!"`\ ;＜霧江 ld l,$KLA_DefA1,23 ;「ゲストハウスだ。@朱志香たちの部屋の内線番号に掛けている…！@/ `"The guesthouse.`@` I'm calling the room where Jessica and the rest are staying...!`@/ ;ld l,$KLA_IkariA1,80 bg black,1 ;　……あッ？！@　もしもし！@　もしもし？！@　私だ…！@　お前は誰か…！@　郷田か？！@　朱志香はいるか、無事か…！！」\ ` ......Ah?!`@` Hello!`@` Hello?!`@` It's me...!`@` You're...!`@` Gohda?!`@` Is Jessica there, is she safe...?!!"`\ ;bg black,5 wait 2000 me1v 13,70 bg G2F_R1aN,22 ;■ゲストハウス ld r,$GOH_odorokiA1,24 ;「だ、旦那様……！！@/ `"K, Krauss-sama......!!`@/ ld r,$GOH_komaruA3,80 ;　ご無事で良かった…！！@　はい！@　朱志香お嬢様たちも皆さんご無事です…！」\ ` I'm so glad you're safe!!`@` Yes!`@` Lady Jessica and the other children are here as well, safe and unharmed...!"`\ ;＜郷田 ld l,$JES_OdorokiA1,23 se1 53 ;「父さん！！@　父さんなの？！@/ `"Dad!!`@` It's Dad?!`@/ ;ld l,$JES_NakiwaraiA1,80 ;　無事で良かった……！！@　母さんは無事なの？！@　そこにいるのッ？！」\ ` I'm so glad you're okay......!!`@` Is Mom okay?!`@` Is she there?!"`\ ;＜朱志香 bg black,23 ;「………か、……。」@ `".........M, ......"`@ ;＜蔵臼 br ;　蔵臼はそこで言葉に詰まる。\ `Krauss choked on his words.`\ ;　……夏妃が目の前で頭部を粉砕され、殺されるのをまざまざと見せ付けられた……。@ ;　いつかは朱志香にもそれを話さなければならないだろう。\ `......Krauss had clearly seen Natushi's head crushed, had seen her killed right before his eyes......`@ `Eventually, he was going to have to tell that to Jessica.`\ ;　……しかし、今この瞬間、それを伝えるべきか、蔵臼は悩み、言葉を失った。@ `.....However, Krauss began to fret over whether he should tell her now or not, and lost his words.`@ br ;　……しかし、それすらも、この場合は答えのひとつとなった……。\ `......But even that was an answer under these circumstances......`\ E_MA bg PRI_i1a,0 ld c,$KLA_komaruA1,23 ld c,$KLA_nayamuA3,80 ;「……母さんはわからない……。@……無事を祈ろう。@…今はお前だけでも無事でよかった。」\ `"......I don't know about Mom......`@`......Let's pray she's safe.`@` ...For now, I'm just glad you're safe.`\ ;＜蔵臼 ;「………………………うん。@……わかってるよ。@………聞いて、……ごめん。」@ `"..........................Yeah.`@` ......I understand.`@` .........I'm sorry for, ......asking."`@ br ;　朱志香の声が涙ぐむ…。@ ;　……蔵臼は確信した。@ ;　ゲストハウスに合流した郷田たちから、一部始終は聞かされているのだ…。\ `Jessica's voice was filled with tears...`@ `......There was no doubt for Krauss anymore.`@ `When Gohda and Kumasawa had met them at the guesthouse, Jessica and the rest had heard everything, start to finish...`\ ;　恐らく、朱志香たちは６人もの人間が殺されたことを教えられ、@食堂に行こうと息巻いていたに違いない。@ `Most likely, when they learned that six people had been killed,`@` they had worked themselves into a frenzy to go to the dining hall.`@ br ;　………彼らが屋敷に向かう前に電話できてよかった。@ ;　蔵臼は不幸中の幸いのタイミングに胸を撫で下ろす…。\ `.........Luckily he had been able to call before they had stormed off towards the mansion.`@ `Krauss was relieved at his good timing during such tragedy...`\ ld c,$KLA_MajimeA1,80 ;「ここには今、霧江さんと南條先生、それに紗音と嘉音がいる。@地下牢のようなところに閉じ込められているが、心配するな。@こっちは父さんたちで何とかする。」\ `"We have Kyrie-san and Doctor Nanjo, as well as Shannon and Kanon here.`@` We've been locked in a place that's like a dungeon, but don't worry.`@` We'll figure something out."`\ ;「地下牢？@　どこ？！@　助けに行く…！！」\ `"Dungeon?`@` Where?!`@` We'll come save you...!!"`\ ld c,$KLA_komaruA1,80 ;「生憎、私たちにもここがどこだか検討もつかん。@食堂の真下だと思っているが、そうでないかもしれない。@/ `"Unfortunately, we can't figure out where this is either.`@` We think it might be under the dining hall, but that might not be true.`@/ ;ld c,$KLA_KomaruA1,80 ;………とにかく朱志香。@そこを出てはならん。@郷田たちから経緯は聞いているか？」@ ` .........Anyways, Jessica.`@` You mustn't leave there.`@` You've heard from Gohda what happened?"`@ ;!s0「うん……。@……祖父さまが、/ !s0`"Yeah......`@`......Grandfather...`/ ;!d800………みんなを、/ !d800`...-ed.../ ;!d600……ッたって……。」/ !d600`...everyone......"`/ !sd\ ld c,$KLA_komaruA2,80 ;「お祖父さまは今、正常な状態にない。@出くわせば危険だ。@殺されるかもしれない…！@　私たちを助けに来ようなどと、絶対に思ってはならんぞ…！@　こっちはこっちで何とかする。」\ `"Grandfather isn't in a sane state of mind right now.`@` It'd be dangerous if you happen to meet him.`@` You might be killed...!`@` You mustn't even think about trying to come and save us...!`@` We'll take care of ourselves."`\ ;「じゃ、じゃあ私たちはどうすればいいの？！@　祖父さまめ、よくも母さんたちをッ……！@　あの死に損ない、ぶっ殺してやる…！！」\ `"Th, then what should we do?!`@` Damn you, Grandfather, how dare you do that to Mom and the rest......!`@` I'm gonna kill that worthless bastard...!!"`\ ld c,$KLA_KomaruA1,80 ;「朱志香、そんな言葉を使ったら母さんが悲しむぞ。@レディはそんな言葉を使うもんじゃない。」@ ;「ううぅうぅ……、ううぅぅ……！！」\ `"Jessica, if you talk like that, you'll sadden your mother.`@` A lady isn't someone who uses those kinds of words."`@ `"Uuuuuuu......, uuuuuu......!!"`\ bg black,25 bg PRI_i1c,22 ;「とにかく、お前たちは身の安全を最優先にしろ。@ゲストハウスを戸締りするんだ。@……しかし過信は出来ない。@１階のラウンジの大窓は破られるかもしれない。@その部屋に留まり、ベッドを立てかけてバリケードにするんだ。@その部屋にはトイレも冷蔵庫もあるな？@　明日の朝までは篭城できるはずだ。@……いいな、くれぐれも物騒なことは考えるな。@母さんの仇を取ろうなんて絶対に考えるんじゃないぞ！@　相手を刺激せず、隠れてやり過ごすことだけを考えるんだ。」\ `"Anyway, put your own safety first.`@` Lock all the guesthouse doors.`@` ......But you mustn't overestimate how safe that'll make you.`@` The large window in the first floor lounge might get broken.`@` Stay in that room, and use a bed to make a barricade.`@` There's a toilet and fridge in there too, right?`@` You should be able to stay holed up until tomorrow morning.`@` ......Alright, I'll say it again...don't think of anything dangerous.`@` Don't even think about trying to take revenge for Mom!`@` Only think of hiding, without agitating the enemies."`\ bg black,22 me1v 13,70 bg G2F_R1bN,26 ld r,$JES_NakuA2,24 ;「うん……、うん……！！@　わかったよ、……父さん……！@　ううぅううぅ！！」\ `"Yeah....., yeah....!!`@` I understand, ......Dad......!`@` Uuuuuuuuuu!!"`\ cl r,23 ld c,$GOH_ikariA1,24 ;　その後、受話器は郷田が代わり、@大人として子どもたちをよく監督してほしいと念を押される。@ `After that, Gohda took the phone,`@` and was told again to watch over the kids.`@ br ;ld c,$GOH_IkariA1,80 ;　……郷田は、顔いっぱいに脂汗を浮かべながら、ハイ！ハイ！と過剰に緊張した返事を連呼するのだった。\ `......Gohda, with his face covered in cold sweat, repeatedly replied in an overstrained "Yes! Yes!".`\ bg black,25 bg G2F_R1cN,22 ;　それから受話器は霧江に代わり、戦人も話し、紗音や嘉音が出れば、譲治や朱志香が出て、@ならついでに南條も熊沢も、と双方全員が代わる代わる受話器に出て、@所在不明ではあっても、とにかく現在は無事であることを確認し合い、励まし合い、@双方の置かれている状況を完全に疎通し合った。\ `From there, Kyrie received the phone and spoke with Battler, and when Shannon and Kanon got their turn, George and Jessica answered.`@` And following that, Nanjo and Kumasawa picked up as well, so that all members of both sides took the receiver alternately,`@` confirming that everyone was safe for now, even if their location was unknown, and encouraging each other, coming to an understanding on the current situation for both sides.`\ ;　いつまでもずっと話をしていたかったが、今は無駄話に花を咲かせている場合ではない。@ ;　蔵臼は一度電話を切ることを伝え、ゲストハウス側も了解した。\ `They wanted to talk forever, but now was not the time to chat.`@ `Krauss explained that they would be hanging up for now, and those in the guesthouse consented.`\ bg black,22 bg G2F_R1aN,2 ;「また何かあったら連絡する。@すぐに受話器を取れるように待機していてくれ。@くれぐれも用心してな。@無茶なことは絶対にするんじゃないぞ…！」\ `"If anything happens, we'll call.`@` Wait by the phone so you can pick it up quickly.`@` Again, be careful.`@` You mustn't do anything rash...!"`\ ld r,$JES_NakuA2,24 ;「う……、うん、わかったよ……。@父さんや、……嘉音くんたちが無事だっただけでも、……儲けモンってヤツさ……。@…私たちもがんばる。@父さんたちもどうか無事で…！」@ `"Y......yeah, I understand......`@` As long as Dad and, ......Kanon-kun and the rest are safe, ......then that's good enough for me......`@`.....We'll do our best.`@` Somehow, stay safe...!"`@ ;「あぁ、もちろんだ。@それでは一度切る。@用心しろ。」@ `"Yeah, of course.`@` Well then, I'm hanging up for now.`@` Be on your guard."`@ br ;　それで電話は終わった。\ `With that, the phone call ended.`\ bg black,24 fede 1,2000 wait 1000 bg G1F_P1bN,22 me1v 12,50 bgm1 34 ;　郷田以下の男子は、迅速に階下に降り、鎧戸を閉め、厳重な戸締りを行なった。\ `Gohda and the rest of the men quickly descended to the first floor, closed the shutters, and secured the strong locks on the doors.`\ bg black,24 bg Glob_1bN,24 ;　しかし、蔵臼が心配したとおり、１階ラウンジの見晴らしの良い広大な窓はどうしようもなかった。@ `However, just as Krauss had worried, there was nothing that could be done about the beautiful wide window in the first floor lounge.`@ br ;　ここを破られたら、簡単に中に入られてしまう。\ `If this were to be broken, it would be easy to get inside.`\ ;　殺人をもはや躊躇しない金蔵ならば、１階部分に侵入することは難しいことではないのだ。\ `It wouldn't be hard for someone like Kinzo, who hadn't hesitated at committing murder, to invade the first floor.`\ bg black,22 bg Glob_1aN,22 ld r,$GEO_MajimeA3k,24 ;「……お祖父さまたちは武装している可能性が高い。@部屋に閉じ篭るのが最善かつ、唯一の篭城方法になるね。@……自ら密室に閉じ篭らざるを得ないのは苦しいところだけど、相手が銃を持っていたら、それしか方法がない。」\ `"......It's likely that Grandfather and his followers will be armed.`@` Locking ourselves in this room is our best bet, and moreover our only method of staying locked down.`@` ......It's painful that we have no choice but to hole up in a sealed room, but if our enemies are carrying guns, then that's the only method we have left to us."`\ ;＜譲治 ld l,$GOH_IiwakeA2,23 ;「お、お館様は実銃のコレクションをお持ちとの話です。@………そう、…あれは銃だ、銃だったんだ…。@/ `"Y, you mean about how the Master has a collection of working guns.`@` ......That's right, guns, that was a gun...`@/ ld l,$GOH_OdorokiA1,80 ;だとしたら、……恐ろしい威力の銃だ…！@　と、とても太刀打ちは出来ません…！」\ ` If so, ......it's a horribly powerful gun...!`@` W, we can't contend with that at all...!"`\ ;＜郷田 bg Glob_1bN,0 ld r,$BUT_NIramuA1,24 ;「…………頭を砕くなんて、すげえ威力だぜ？@　マグナム弾とか、そういう類のヤツかもな。@下手な扉なら平気で貫通するかもしれねぇな。」\ `"............It takes a lot of force to smash someone's head, right?`@` So it might be a magnum bullet, or something along those lines.`@` That'll probably go through a flimsy door like it's nothing."`\ ;＜戦人 ld l,$GEO_MajimeA3k,23 ;「だとすれば、ますますに部屋に篭城するべきだね…。@ベッドを立てかけて、窓も塞ごう。@……そこまですれば、いくら銃を持っていても、踏み込むことはできないはず。」\ `"If so, then that's even more of a reason to hold out in the room...`@` Let's put up a bed and block the window.`@` ......If we do that much, then it doesn't matter how many guns they've got, they shouldn't be able to raid us."`\ ;＜譲治 ld r,$BUT_KuyasigaruA1,80 ;「くそ、……そんな受け身な防戦一方しかねぇのかよ。@…畜生、うちの親父に上等キメてくれて、霧江さんまで捕まえたなんて、/ ;!d1000……こいつは高くつくぞ、クソジジイめ…！」\ `"Crap, ......all we can do is this passive, one-sided defense.`@` ...Damn, dealing a finishing blow to Dad, and even capturing Kyrie...`/ !d1000`...that's going to cost you, you damn geezer...!"`\ ;＜戦人 bg Glob_1aN,0 ld c,$GOH_KomaruA3,23 ;「むむむ、無理です、あんな連中に太刀打ちできるわけがありません…！！@　しかもお館様だけでなく手下も何人も！@　あ、あるいはあんな連中がもっといるかも…！@　………あいつらは一体……、何なんだ……。」\ `"I, i, i, impossible, there's no way we can compete with them...!!`@` Besides, it's not just the Master, he has his underlings too!`@` T, there might even be more of them...!`@` .........Just what......, are they......?"`\ ;＜郷田 ;　戦人は留弗夫の仇を取りたいし、@霧江を救い出すためにもここを飛び出したい気持ちでいっぱいだった。@ `Battler was filled to the brim with the urge to get revenge for Rudolf,`@` and to rush out of here to save Kyrie.`@ br ;　……しかし、郷田の怯えようを見るだけでも、それが蛮勇であるに違いないと思わされる…。\ `......But just by looking at how terrified Gohda was, there was no doubt in him that this would be reckless...`\ bg Glob_1bN,0 ld r,$BUT_NayamuA1,23 ;「……兄貴だって、……悔しいだろ。@/ `"......It's gotta be hard on you too, ......right, Aniki?`@/ ld r,$BUT_kuyasigaruA1,80 ;なのにここで篭城なんて、……畜生……。」\ ` And yet, you have to stay holed up here, ......damn......"`\ ;＜戦人 ld l,$GEO_MajimeA3k,23 ;「もちろんさ、僕だって悔しいよ。@……両親を殺されて冷静でいられるわけがない。@/ `"Of course, I'm torn up about it too.`@` It's not like I can remain calm with both of my parents murdered.`@/ ld l,$GEO_IkariA2,80 ;でも、だからこそ冷静にならなくちゃいけない！@　僕たちが無駄に命を落とすようなことを、殺された親たちが望むと思うかい？@　思うわけがない！@　せめて子どもだけは逃げ延びてほしいと願ってるはずだ。\ ` But specifically because of that, I have to remain calm!`@` Do you think that our dead parents would want us to die in vain?`@` There's no way they would!`@` They'd want for at least the children to escape.`\ ld l,$GEO_MajimeA3k,80 ;　だから僕は生き残るよ。@そして警察に通報し、全てを暴く。@仇は法廷が取る。@それが僕の復讐だ。@……刺し違えてでも仇を取ってほしいなんて、…親たちが望んでいるわけもない。@そうだろ…？」\ `Therefore, I will survive.`@` And I will report to the police, and uncover everything.`@` I'll leave my enemies to the courts.`@` That is my revenge.`@` ......There's no way our parents would want us to die taking revenge for them.`@` Right...?"`\ ;＜譲治 ld r,$BUT_NayamuA1,80 ;「………………………。@……そうだな…。@兄貴の言うとおりだぜ…。@/ `"...........................`@`......You're right...`@` It's just as you say...`@/ ld r,$BUT_KuyasigaruA1,80 ;……畜生、クソジジイめ、何が儀式だ…！@　俺たちがそのための生贄だって言うなら、意地でも逃げ切って、その儀式を台無しにしてやるぜ……。」\ `......Dammit, old bastard, what's this about a ceremony...?!`@` If you're saying we're sacrifices for that, then we'll force our way out of it and ruin your precious ceremony......"`\ ;＜戦人 ld l,$GEO_MajimeA1,80 ;「それでいいよ。@……それに、戦人くんにはまだ霧江さんがいる。@僕にだって紗音がいる。@とにかく慎重に行動して、チャンスを待とう。@僕たちの不用意な行動は、捕らわれの彼らに不利益を与える可能性だってあるんだから。」\ `"That's fine.`@` ......Besides, you still have Kyrie-san, Battler-kun.`@` And I still have Shannon.`@` Anyway, let's act cautiously and wait for a chance.`@` Since our carelessness might just be a hindrance to those who are captured."`\ ld r,$BUT_NiramuA3,80 ;「……人質、……か。@………でも、祖父さまはきっと、霧江さんたちを生贄にするために捕らえたわけだろ？！@　俺たちが助けなきゃ、殺されるのを待つだけじゃないのか？！」\ `"......Hostages, ......is it.`@` .........But, Grandfather captured them so he could use them as sacrifices, right?!`@` If we don't go and save them, then they're just waiting to be killed aren't they?!"`\ ld l,$GEO_IkariA1,80 ;「彼らが捕らえられている地下牢がどこにあるかもわからない…！@　紗音も嘉音くんも、もちろん、郷田さんも熊沢さんも知らなかった。@お祖父さまだけしか知らない秘密の場所にある可能性が極めて高い。@…そんな状況下で、うろうろと歩き回るのは自殺行為だよ！」\ `"We don't even know where the dungeon they're being held in is...!`@` Shannon and Kanon-kun, and of course Gohda-san and Kumasawa-san, didn't know either.`@` The possibility that they're in a secret location that only Grandfather knows of is incredibly high.`@` ......Under these circumstances, aimlessly wandering about is the same as suicide!"`\ ;＜譲治 ld r,$BUT_kuyasigaruA1,80 ;「……わ、……わかってるよ…。@/ `"......I, ......I understand...`@/ ;ld r,$BUT_KuyasigaruA1,80 ;………それでも、……クソ……、俺たちはここで何かが起こるまで引き篭もってるしかねぇってのかよ……。」\ `......But still......dammit......are you saying the only thing we can do is stay confined here until something happens......?"`\ ;＜戦人 bg Glob_1cN,0 ld r,$GOH_KomaruA1,24 ;「ば、……戦人さまのお気持ちはわかりますが…。@……ここは安全第一で参りましょう…。@/ `"Ba, ......Battler-sama, I understand your feelings, but...`@`......let's put safety first...`@/ ld r,$GOH_KomaruA2,80 ;……旦那様の話では、相当古い牢屋らしいので、@何とか鉄格子を破れるかもしれないとのことでした。@……今は信じて待つ方が賢明です。」\ `......From what the Krauss-sama said, they seem to be in a fairly old cell,`@` and they may be able to break the bars somehow.`@` ......The wise choice of action now is to believe in them and wait."`\ ;＜郷田 ld l,$GEO_MajimeA2,23 ;「お祖父さまの手下が何人もいて、みんな武装しているんだよね…？」@ `"Grandfather has a number of subordinates, and they're all armed, correct...?"`@ ;＜譲治 ld r,$GOH_IiwakeA2,80 ;「え、……えぇ、そうです。@………そして多分、/ ;!d800…みんな武装を……。」\ `"Y, ......yes, that is correct.`@` .........And they're probably`/ !d800`...all armed......"`\ ;＜郷田 bg black,22 ;　郷田は、金蔵に仲間がいたとは話せたが、@……若い女性ばかりで、魔女みたいで、おかしな魔法で殺人を行った、……とまでは言えなかった。\ `Gohda had been able to say that Kinzo had comrades with him, `@`......but he had not been able to mention that they were mostly all young women, like witches, ......who had used strange magic to murder.`\ ;　そんなことを話せば、正気を疑われるのがオチだ。@ `If he had said that, it would only have cast doubt on his sanity.`@ br ;　…いや、それどころか、自分自身でだって、自分は何を見たのか未だに理解できず、自らの正気を疑っているのだから。\ `...No, not only that, he himself still couldn't understand what he had seen, and was doubting his own sanity.`\ ;　……しかし、性別がどうであれ容姿がどうであれ、……魔法であれ銃であれ。@ `......But, regardless of sex, or appearance, ......regardless of whether it was done with magic or a gun.`@ br ;　彼女らが金蔵の命令に従い、@６人を瞬く間に殺したことだけは、動かしようのない事実なのだ……。\ `The fact that those girls had followed Kinzo's orders,`@` and killed six people in an instant...was an unshakable truth......`\ ;　あの連中がゲストハウスにまで襲ってきたなら、……どうなるのだろうか。@ ;　この程度の戸締りなど、きっと何の意味もないだろう……。\ `If that group came to attack the guesthouse as well, ......what would happen?`@ `Just closing the doors and windows like this was surely meaningless......`\ fede 0,3000 textoff bg G1F_P1aN,22 me1v 13,50 me2v 5,50 wait 2000 bg G2F_R1cN,0 ld r,$KUM_komaruA1,24 ;　郷田も、……そして熊沢も。@ `Gohda, ......as well as Kumasawa.`@` br ;　あの食堂の大虐殺を目の当たりにした二人は、@自分が見たものをどう受け止めて良いかさえわからず、頭を抱えるより他なかった…。\ `The only thing left for those two, who had witnessed that massacre in the dining hall,`@` was to cradle their heads without knowing how to interpret what they had seen...`\ ld l,$MAR_DefA1,23 ;「………熊沢さん、大丈夫……？@　お茶飲む……？」@ `".........Kumasawa-san, are you okay......?`@` Want some tea......?"`@ ;＜真里亞 ld r,$KUM_WaraiA2,80 ;「ほ、ほほほほほ…。@ありがとうございますね、えぇ、ありがとうございます…。@…申し訳ございませんが、しばらくそっとしていただけますか………。」\ `"H, hohohohoho...`@` Thank you very much, thank you...`@`...I'm sorry, but may I be left with my thoughts for a little while.........?"`\ ;＜熊沢 ;　真里亞が気遣うが、熊沢は未だ混乱を拭えないようだった。\ `Maria tried to be nice, but it seemed that Kumasawa still hadn't been able to clear away her confusion.`\ bg G2F_R1aN,0 ld c,$JES_DefA2,23 ;「……真里亞、気を遣ってくれてありがとうだぜ。@熊沢さんは休ませてやってくれ。」@ `"......Maria, thanks for being considerate.`@` Let's let Kumasawa-san rest for now."`@ ;＜朱志香 ld r,$MAR_fukigenA1,24 ;「……うー。」\ `"......Uu-."`\ ;　朱志香も、惨劇の目撃にショックを受けているに違いないと熊沢を気遣うが、@……熊沢が見てきた信じ難い光景にまでは、想像が及ぶわけもない…。\ `Jessica too was worried about the shock those two must have received after witnessing such a tragedy, `@`......but her wildest dreams couldn't even come close to the impossible scene Kumasawa had witnessed...`\ bg black,22 ;　しかしそれでも、母を殺され、父が捕らわれの身になっている現状に、@朱志香も落ち着けるわけがない。@ `Nevertheless, with her mother having been killed, and her father having been captured,`@` it's not like Jessica could stay calm either.`@ br ;　不安や悲しみを、金蔵に対する怒りで蓋をし、室内をいらいらと歩き回るのだった。\ `She sealed her anxiety and sadness using her anger towards Kinzo, and walked irritatedly around the room.`\ fede 0,2000 bg G2F_R1bN,0 ld l,$KUM_MajimeA1,26 ld r,$JES_nayamuA1,24 bgm1 38 ;「…………熊沢さん。@/ `"............Kumasawa-san.`@/ ;ld r,$JES_NayamuA1,80 ;母さんは本当に、………死んじゃったの？」@ ` Is Mom really.........dead?"`@ ld l,$KUM_KomaruA1,80 ;「……え、えぇ……。@……あんな酷い死に方を私は…、見たことがありませんとも……。」\ `"......Y, yes......`@`......I've never seen such a...horrible way to die before......"`\ ld r,$JES_OdorokiA1,80 ;!s0「ひょっとするとまだ生きてて、/ ;!d800………手当てをすれば助かるなんてことは、/ ;!d1000……ないんだよな……？」/ !s0`"Could it be possible that she's still alive...`/ !d800`......and if we fix her up...`/ !d1000`...we could save her......?"`/ !sd\ ld l,$KUM_OdorokiA1,80 me1v 16,50 ;「………………………。@……あ、………頭が、あんなことになって生きていられるわけが、………ありません……。」\ `"...........................`@`......I.........it's not possible for the head to have such a thing happen to it.........and live......"`\ ld r,$JES_NakuA2,80 ;「……………………………。@……そりゃそうだぜ…。@……頭が砕けちまったら、/ ;!d800……手当てなんて必要ねぇよな、普通……。」\ `".................................`@`......Well that's how it is...`@`......There's normally no need for first aid`/ !d800`......if the head is smashed......"`\ bg black,22 me2v 12,50 ;　ゲストハウスに飛び込んできた郷田は、@興奮のあまり、食堂の虐殺を、包み隠さず全て話してしまった。@ `When Gohda had come flying into the guesthouse,`@` he had, overcome with agitation, told about the massacre in the dining hall without concealing anything.`@ br ;　……彼ら自身が未だ信じきれない、魔女や魔法の話だけは除いて。\ `......Except for the part about the witches and magic, which they themselves still could not believe.`\ ;　それはつまり、夏妃たちの無残な死に様さえ包み隠さず話してしまったということだ。@ `In other words, they hadn't even sugarcoated the cold-blooded way in which Natushi and the others had died.`@ br ;　……今さらではあるが、熊沢は、きっと自分たちは失言したに違いないと後悔していた……。\ `......It was too late now, but Kumasawa regretted having obviously said too much......`\ ;　しかし朱志香は、軽く小首を振りながら、苦々しくはあっても笑いながら言った。\ `However, while lightly shaking her head and with a slightly painful laugh, Jessica spoke.`\ bg G2F_R1bN,0 ld r,$JES_nakuA2,23 ;「……いや、むしろ話してくれたお陰で冷静になれたぜ。@/ `"......No, on the other hand, thanks to what you told us, I was able to stay level-headed.`@/ ld r,$JES_OdorokiA1,80 ;………頭を砕かれちまった、ってところを伏せられてたら、@…私はひょっとすると生きてるかもしれないって言って、@屋敷へ向かい祖父さまに出くわして、……ひょっとすると殺されてたかもしれない。@……一抹の希望が、命取りになった可能性だってあるわけさ。@………その意味では、感謝してるよ。」\ ` .........If you'd avoided mentioning the part about her head being smashed, `@`...maybe I would have said that she could still be alive,`@` then ran off towards the mansion, met Grandfather, ......and I might have been killed.`@` ......There's a chance that sliver of hope would've been fatal.`@` .........With that in mind, I'm grateful."`\ ld l,$KUM_KomaruA1,23 ;「……本当に申し訳ございません……。@言葉をあまりに選ばなかったことはお詫びします…。」\ `"......I'm honestly sorry.....`@` I apologize for not choosing my words carefully..."`\ ld r,$JES_NakuA2,80 ;「今はいいよ。@母さんはもうどうしようもないけど、……父さんはまだ生きてる。@嘉音くんも紗音も、霧江叔母さんも南條先生もね。@……何とか彼らを助けたいし、彼らに負担を掛けないためにも、余計なことをするべきではない。@……電話の前で待機してることが、今は一番の協力になるかもしれないし。」\ `"It's fine.`@` There's nothing we can do about Mom now......but Dad's still alive.`@` Kanon-kun and Shannon, and Kyrie oba-san and Doctor Nanjo too.`@` ......I want to save them somehow, so we shouldn't do anything unnecessary that might be a burden to them.`@` The most helpful thing we can do right now might be to wait by the phone."`\ ;　ひょっとすると、脱出のために陽動を掛けてくれ、という電話があるかもしれない。@ ;　もしくは、所在がわかり、救出に来てくれという電話もあるかもしれない。@ `There could be a phone call asking them to create a diversion while the others escaped.`@ `Or otherwise, the others might learn their location, and call for rescue.`@ br ;　……その時、迅速に行動するためにも、朱志香はここで待つことが、今できる唯一のことだと理解していた…。\ `......Jessica understood that in order to act promptly when that time came, the only thing they could do for the time being was to wait in this room...`\ bg black,23 fede 1,2000 wait 1000 se1 15 bg G2F_R1aN,0 ld r,$BUT_NayamuA1,0 ld c,$GEO_KomaruA1,0 ld l,$GOH_komaruA1,23 ;　下の戸締りと確認を終えた、譲治、戦人、郷田の３人が戻ってくる。@ ;　３人とも、手には色々と荷物を抱えていた。\ `Once they had finished checking all of the locks downstairs, George, Battler, and Gohda returned.`@ `Each of the three were holding various objects.`\ se2 13 ;　譲治はラウンジや倉庫から見つけてきた、飲み物や缶詰、クラッカーなどの軽食、そして救急箱。@ `George had things like drinks, canned food, crackers, and other types of snacks that he had found in the lounge and pantry, as well as a first aid kit.`@ br ;　篭城する上で欠かせない消耗品ばかりだった。\ `It was all food that wouldn't spoil after they barricaded themselves down.`\ se3 13 ;　郷田は、大きな折りたたみ式の梯子と大工道具。@ `Gohda had a large folding ladder and carpentry tools.`@ br ;　万一の時は、扉を内側から打ち付けて封印するためだ。@ ;　梯子は、その際に窓から脱出するためのものだ。\ `Those were to seal the door from the inside, just in case.`@ `If it came to that, the ladder was for escaping out the window.`\ E_A se1 13 ;　戦人は、刃物や棒物などの武器になるものを持ち込んだ。@ `Battler had brought up objects which could be used as edged weapons or poles.`@ bgm1 39 br ;　包丁は言うに及ばず、分解したテーブルの足は棍棒に使えるし、@帽子スタンドを分解して作ったという身の丈ほどもありそうな棒は、@穂先がないとはいえ、槍のように使えるに違いなかった。\ `While it wasn't a kitchen knife, there was a dissembled table leg that could be used as a club,`@` and a pole roughly the size of a person, made from a broken hat stand,`@` which, even though it had no spear tip, could surely be used as a spear.`\ ld r,$BUT_futekiA2,80 bg black,25 ;　……相手が銃などで武装している可能性が高いため、役に立つかどうかは怪しい。@ `......There was a good possibility that the enemies were carrying guns, so it was dubious whether these would be of any use.`@ br ;　しかしそれでもないよりはマシだし、それによって少しでも安心できるなら、精神安定効果も期待できるだろう。\ `But it was still better than not having them, and if those could give at least a little peace of mind, then they could count on them having some kind of calming effect.`\ me1v 12,50 me2v 5,50 bg G2F_R1aN,22 ;　そして、室内のベッドやソファーを立て掛け、扉を封鎖する。@ `Then, the bed and sofa were placed up against the door, barricading it.`@ br ;　釘で打ちつけてまでは封印しない。@ ;　……蔵臼たちが脱出し、合流してくる可能性も残っているからだ。\ `They didn't go so far as to seal it up with nails.`@ `......There was still the chance that Krauss and the others would escape, and come to meet up.`\ ;　彼らは階段上にもバリケードを設けてきたらしい。@ ;　賑やかに音がするように仕掛けをしたので、警報代わりにもなるという。@ ;　戦人の発案らしかった。\ `They had apparently put a barricade on top of the stairs as well.`@ `It had been set up to create a racket, so it would work in place of a warning alarm as well.`@ `It was apparently Battler's idea.`\ bg black,24 bg G2F_R1cN,24 ;　その為、テレビは消す。@ ;　………１階のガラスを破られた時、その音がわかるように。@ `They turned the TV off.`@ `.........So that if the first floor window were to be broken, they would hear.`@ br ;　スイッチを切れば、あとは不気味な静寂。\ `Once the switch had been turned, all that was left was an eerie silence.`\ bg black,22 me3v 16,0 fedexx 70,70,70,70,0,0,3000 dllefe 1,1 bg G_o1aN,22 ;　……暴れる雨と風の音。@ ;　こんな、不安感で押し潰されそうな中で、今夜を過ごさねばならないというのだろうか。\ `......The sound of violent wind and rain.`@ `Were they going to have to spend the whole night being crushed by such suspense?`\ ;　船が迎えに来るのは、明日の朝ということになっている。@ `The boat would come tomorrow morning.`@ br ;　しかし、天気予報を見る限り、明日いっぱいは台風で船は出せないだろう。\ `However, judging by the weather report, most of tomorrow was going to be covered in the typhoon, and the boat probably wouldn't come.`\ ;　……明後日の朝には台風は通過するとしている。@ `......The typhoon would pass in the morning of the day after tomorrow.`@ br ;　つまり、船がやってくるのは明後日の朝、……即ち、１０月６日の朝。\ `In other words, the boat would be coming the morning of the day after tomorrow, ......as in, the morning of October 6th.`\ ;　そして今は、１０月４日の深夜。\ `And right now, it was late at night, October 4th.`\ ;　………殺人鬼と化した金蔵が、不気味な仲間を連れて徘徊するこの島で、@彼らは３０時間以上を過ごさねばならないのだ……。\ `.........They would have to spend more than 30 hours on this island,`@` with Kinzo turned cold-blooded murderer and his weird companions prowling about......`\ bg black,22 dllefe_off fedexx 70,50,50,0,0,0,2000 bg G2F_R1bN,22 ;　窓の鎧戸を閉めていても、きっと灯りはわずかに漏れている。@ ;　ここに隠れていると知らせているようなものかもしれない。\ `Even with the shutters closed, there would definitely be a little bit of light seeping out.`@ `It might let the enemy know that they were hiding here.`\ ld c,$BUT_komaruA3,23 ;　……灯りも消すべきではないかと戦人は提案した。@ `......Battler suggested that it might be best to turn off the lights.`@ br ;　しかし、テレビを切っただけで、これだけ不気味な気配に支配されてしまったのだ。@ `But they had already been taken over by such a ghastly feeling just from turning the TV off.`@ br ;　……その提案を真っ向から反対する者こそいなかったが、同意する者もまた、ひとりもいなかった………。\ `.......There wasn't anyone who directly challenged his proposal, but then again, there wasn't a single other person who agreed with it.........`\ bg G2F_R1cN,0 ld r,$MAR_OdorokiA1,24 ;「……うー。@テレビ駄目なの？」@ `"......Uu-.`@` We can't watch TV?"`@ ;＜真里亞 ld l,$BUT_NayamuA1,23 ;「あぁ、悪いが我慢してくれ。@……敵の侵入の音を聞き逃すわけにはいかない。」\ `"Yeah, sorry, but you'll have to bear with it.`@` ......We can't just let the sound of the enemy breaking in slip by."`\ ;＜戦人 ld r,$MAR_fukigenA1,80 ;「……………………。@……つまんない。」@ `"........................`@`......Boring."`@ ;＜真里亞 bg black,2 ;　母親が死んだことを伝えられているにもかかわらず、真里亞だけは、どこか危機感がない。@ ;　テレビを消され、それを不満に思っているようだった。\ `Even though she had been told that her mother had been killed, Maria alone didn't feel an approaching sense of danger.`@ `It seemed she was quite displeased with having the TV turned off.`\ ;　………このような異常事態を目の当たりにしていても、危機感を共有できないのだろうか？@ ;　……幼いゆえに？@ `.........Even though she's in such a bizarre situation, she can't share our sense of danger?`@ `......Because she's so young?`@ br ;　幼子の、そんなわずかの違和感にさえ、@今の戦人には、真里亞がとても不気味な存在に感じるのだった……。\ `To Battler, even that slight unsettling feeling from such a young girl made him feel that there was something very eerie about Maria......`\ fede 0,3000 wait 2000 mov %play_scene,40220 : mov %r_hyouji_side,0 textoff ;■地下牢 me1v 16,50 bg PRI_i1c,26 wait 2000 bg Pri_i1a,23 ld r,$KIR_KomaruA1,24 ;「とは言ったものの。@………万策、尽きたわね。@鉄格子は何とかなりそう？」\ ;＜霧江 `"After all that.`@` .........We've done all we can.`@` Do you think you'll be able to do anything about the bars?"`\ ld l,$KLA_KomaruA1,23 ;「……残念だが、想像以上に堅牢だ。@/ `"......Unfortunately, they're tougher than expected.`@/ ld l,$KLA_NayamuA1,80 ;いつ頃に作られたものか知らんが、耐用年数も文句なし。@実に優良な物件だよ。」\ ` I don't know when these were made, but there's no problem with their lifetime guarantee.`@` These were truly made rather well."`\ ;＜蔵臼 ld r,$KIR_WaraiA2,80 ;　くすくすと霧江は笑う。@ ;　……打つ手なしの状況下ではあるが、少しだけ和んだ。\ `Kyrie chuckled softly.`@ `......They had no moves they could make, but she had calmed just a little.`\ bg PRI_i1b,0 ld l,$NAN_DefA1,24 ;「……さながらここは、取られた駒を置く、駒置き場ですな。@……打つ手は、もはやありませんか……。」\ `"......This place is just like where you place chess pieces once you've captured them.`@` ......There is nothing left we can do then......?"`\ ;＜南條 ld r,$KIR_MajimeA2,24 ;「まだよ。@諦めるには早いわ。@思考の停止は鼓動の停止に同じよ？」\ `"Not yet.`@` It's still too early to give up.`@` If we stop thinking, we might as well stop breathing, right"`\ ;＜霧江 cl l,24 ld l,$KLA_KomaruA1,23 ;「だな。@……チェスの駒置き場に意味はないが、将棋ならば大きな意味を持つこともある。@/ `"Exactly.`@` ......Chess pieces taken aside may have no purpose, but there's a great purpose for shogi pieces who've been captured.`@/ ld l,$KLA_DefA1,80 ;駒置き場の一枚の歩が、相手にプレッシャーを与えることだってあるはずだ。」\ ` Just one captured pawn should be able to put pressure on the opponent."`\ ;＜蔵臼 bg PRI_i1a,0 ld r,$NAN_KomaruA3,23 ;「なるほど…。@しかし、この鉄格子はどうしようも……。」\ `"I see...`@` But still, there's nothing that can be done about these bars......"`\ ;＜南條 ld l,$KIR_MajimeA1,23 ;「私たちにはね。@………でも、ここの場所を特定し、郷田さんに連絡することが出来れば、助けに来てもらうことは出来るかも。」\ `"For us, maybe.`@` .........But, if we can specify where this is and contact Gohda-san, he might be able to come and save us."`\ ;＜霧江 ld r,$NAN_MajimeA1,80 ;「なるほど…。@しかし、郷田さんに、危険を強いることになりますな……。@/ `"I see...`@` But that would be forcing danger on Gohda-san......`@/ ld r,$NAN_fumuA1,80 ;その場合、成人男性が不在になるゲストハウスのお子さんたちも不安です…。」\ ` Under those circumstances, it would be a unpleasant for the children in the guesthouse, without a full-grown adult male..."`\ ;＜南條 cl l,24 ld l,$KLA_DefA1,23 ;「リスクを恐れるなら、事態が好転するまで塩漬けにするのも悪くない。@/ `"If you're afraid of the risk, it's alright to bide your time until the price starts to go up.`@/ ld l,$KLA_AkuwaraiA3,80 ;……もっとも、損切りを恐れれば、紙切れ同然になるかもしれんがね。@……我々の命がだが。」\ ` ......However, if you're too afraid of losing, you might end up with just a scrap of paper.`@` .......Though these are our lives."`\ cl r,23 ld r,$KIR_FutekiA1,24 ;「親の沽券もね。@……私たちで何とかするから大人しくしなさいって、偉そうに電話して、その舌の根も乾かない内に、助けを求めるなんて。@実に格好悪いわね。@くすくす。」\ `"Our dignity as parents too, right?`@` After talking big like that during the telephone call, telling them that they should behave because we'd do something ourselves, we can't just start asking for help right away.`@` That would be very uncool.`@` *giggle*."`\ ld l,$KLA_AkuwaraiA2,80 ;「この期に及んでは、下らんプライドなどとっくに紙切れだ。@/ `"By this point, I've already thrown out such useless pride long since.`@/ ld l,$KLA_MajimeA1,80 ;………知恵を絞ろうじゃないか。@ここはどこなんだ？@　本当に食堂の真下なのだろうか？@　それとも、屋敷とは異なる別の場所だろうか…？」@ ` .........Why don't we put our heads together?`@` Where is this?`@` Is it really underneath the dining hall?`@` Or else, is it a different place, separate from the mansion...?"`@ ;＜蔵臼 br ;　蔵臼は、霧江と南條の３人で、今後のことを話し合うのだった。\ `Krauss, Kyrie, and Nanjo began to discuss this further.`\ bg black,2 fede 0,1000 bg PRI_i1b,0 ld c,$KAN_NayamuA1,24 me1v 27,50 ;　嘉音は鉄格子の前にしゃがみ、じっと気配をうかがっている。@ `Kanon was squatting by the bars, silently trying to sense anyone's presence.`@ br ;　……それを命じられたままだからだ。\ `......Just as he had been ordered.`\ ld r,$SHA_majimeA1,24 ;　紗音もその傍らに来て、一緒にしゃがみ込むのだった。\ `Shannon came close to him, and they both squatted down together.`\ ld r,$SHA_fumanA1,80 ;「…………気配は感じるの？」@ `"............Do you sense anyone?"`@ ;＜紗音 ld c,$KAN_fumanA1,80 me2v 19,40 ;「………うん。@……こちらに意識は向けていないけれど、比較的近くに、誰かいる。」\ `".........Yes.`@` ......They aren't paying any attention in this direction, but there's somebody relatively close by."`\ ;＜嘉音 ld r,$SHA_MajimeA1,80 ;「それはニンゲン…？」@ `"Is it human...?"`@ ld c,$KAN_fumanA2,80 ;「…………山羊たちだと思う。@あいつらの吐息は、実に賑やかだよ。」\ `"............I think it's the goats.`@` Their breathing is rather noisy."`\ ;　嘉音の気配を察する力は、ニンゲンのそれをはるかに上回っている。@ ;　嘉音は賑やかと称するが、蔵臼たちにはわずかほども気取れないだろう。@ `Kanon's ability to sense the presence of others was several levels above that of a human.`@ `He said that the breathing was noisy, but Krauss and the rest couldn't even pick up the slightest hint of it.`@ br ;　……だからこそ、それを素直に報告したところで、彼らは嘉音の耳を疑うだけに違いない。\ `......Therefore, if he had obediently reported it, they would have merely doubted Kanon's ears.`\ fede 12,1000 ld r,$SHA_fumanA1,80 ;「……………捕まっちゃったね。」@ `"...............They got us, didn't they."`@ ;＜紗音 ld c,$KAN_fumanA1,80 ;「…………………。@……珍しいよ。@殺されないで、捕まるなんて。」\ `"........................`@`......It's unusual.`@` To think that they captured us without killing us."`\ ;＜嘉音 ld r,$SHA_KomaruA1,80 ;「今回はベアトリーチェさまがお越しにならないし。@お館様が書斎を出られるし。@……何が何だかわかんないね…。」\ `"This time, Beatrice-sama didn't make her appearance.`@` And the Master left his study.`@` ......I don't have a clue what's going on..."`\ ;＜紗音 ld c,$KAN_KomaruA1,80 ;「わかるさ。@………何が起ころうと変わろうと、全てあの魔女の気まぐれと余興。@結果は何も変わらないのさ。」\ `"I know.`@` .........Whatever happens or changes, it's all for that witch's fickle entertainment.`@` In the end, nothing will change."`\ ;＜嘉音 ld r,$SHA_majimeA1,80 ;「今回は黄金郷に、………行けるかな。」@ `"I wonder if this time we will be able, ........to go to the Golden Land."`@ ;＜紗音 ld c,$KAN_MajimeA1,80 ;「さぁね。@僕たちは脱落率が高いから。」\ `"Who knows.`@` We have a high rate of losing."`\ ;＜嘉音 ;ld ,$SHA_DefA1,80 bg black,25 bg PRI_i1c,22 ;「…………そう言えば、二人で第一の晩を生き延びたのって、ずいぶん珍しいね。@……儀式が始まってるのに、こうして二人でお話できるなんて、何だかすごく珍しい気がする。」\ `"............Come to think of it, it's very rare for both of us to survive the first twilight.`@` ......I get the feeling that it's incredibly unusual for us to be able to talk together like this even though the ceremony has already begun."`\ ;＜紗音 ;ld ,$KAN_FumanA1,80 ;「そうかもね。@……でも、それもまた、魔女の余興だろうさ。@僕たちがいつもすぐに脱落するから、今度は少し生き延びさせて、からかってやろうくらいにしか思ってないよ。」\ `"That may be.`@` ......But that's still just for the witch's entertainment.`@` I can't think of it as anything other than her letting us live just a little longer to ridicule us, since we usually drop out right in the beginning."`\ ;＜嘉音 ;ld ,$SHA_tokuiA1,80 ;「また、………黄金郷には、辿り着けないのかな。」@ `"I wonder, ........if we'll be unable to reach the Golden Land again."`@ ;＜紗音 ;ld ,$KAN_MajimeA1,80 ;「どうせそうさ。@……下手な期待を持つと、また付け込まれる。」\ `"I'm sure we won't.`@` ......If we hold onto any foolish hope, we'll get taken advantage of again."`\ ;＜嘉音 ld r,$SHA_WaraiA3,26 ;「くす。@そうだね。@前回は嘉音くんが付け込まれたもんね。」@ `"*giggle*.`@` That's right.`@` Last time you got taken advantage of."`@ ;＜紗音 ld l,$KAN_nayamuA1,23 ;「……僕は馬鹿だ。」\ `"......I'm an idiot."`\ ;＜嘉音 ;　嘉音は口を尖らせてそっぽを向く。@ ;　紗音はくすりと笑い、謝るように肩を寄せた。\ `Kanon made a sour look, and turned his head.`@ `Shannon laughed softly, and apologetically leaned towards his shoulder.`\ ld r,$SHA_TokuiA1,80 ;「でも、……お嬢様が無事でよかったね。」\ `"But, ......I'm glad Milady is safe."`\ ;＜紗音 ld l,$KAN_DefA2,80 ;「……第一の晩を逃れただけさ。@……それ以降の晩に、より無残な方法で殺されるのを待たされているだけかもしれない。@/ `"......She's only escaped from the first twilight.`@` ......She might just be waiting for an even crueler death in a later one.`@/ ld l,$KAN_FumanA2,80 ;それを言ったら姉さんこそ。@……譲治さまが無事でよかったじゃないか。@二人で黄金郷に辿りつけるといいね。」@ ` What about you, Nee-san?`@` ......Aren't you glad George-sama's safe?`@` It'd be nice if you two could reach the Golden Land together."`@ ld r,$SHA_WaraiA3,80 ;「………ありがと。@同じことを嘉音くんとお嬢様にも。」\ `".........Thank you.`@` I wish the same for you and Milady as well."\ ld l,$KAN_OdorokiA1,80 ;「ぼ、僕は期待はしてないよ。@………姉さんの言うとおりだ。@あの魔女は、ご褒美をぶらさげて、相手が右往左往するのを見て楽しんでるだけなんだ。@………どうせ誰も黄金郷に行けやしない。@……僕がお嬢様と黄金郷に辿り着きたいと願ってしまったなら。@………あいつはそれこそ面白がって、絶対に僕たちを辿り着かせたりはしないさ。」\ `"I, I don't have my hopes up.`@` ......It's just as you say.`@` That witch is only having fun, dangling prizes in front of people, and watching them vainly try to get them.`@` .........I'm sure no one will be able to go to the Golden Land.`@` ......If I wish to reach the Golden Land with Milady, `@`......then that person would find it funny, and would certainly never let us reach there."`\ ld r,$SHA_FumanA1,80 ;「……そうだね。@………ベアトリーチェさまは、より面白くなるように、生贄の順番を考えてる。」@ `"......You're right.`@` .........Beatrice-sama is thinking about which order of sacrifices will be the most interesting."`@ ld l,$KAN_KomaruA1,80 ;「無作為に選んでるなんて、大嘘だ。@あのペテン師魔女め…。@……どうせ、黄金郷に辿り着けばあらゆる願いが叶うなんてのも、嘘っぱちに決まってる。」\ `"The whole thing about them being chosen at random is just a blatant lie.`@` That swindling witch...`@`......Anyhow, all that about having any wish you want granted in the Golden Land is probably just a lie."`\ ld r,$SHA_TokuiA1,80 ;「………………そんなことはないよ。@黄金郷は、……素晴らしいところだよ。」\ `".................That's not true.`@` The Golden Land is, ......a wonderful place."`\ ld l,$KAN_fumanA1,80 ;「行ったことあるの？」@ `"Have you been there?"`@ ld r,$SHA_WaraiA3,80 ;「………ちょっぴりだけね。@それすらも、ベアトリーチェさまの戯れだったのだろうけど。」\ `".........Only for a little bit.`@` Though, even that was probably just Beatrice-sama's joke."`\ ld l,$KAN_MajimeA1,80 ;「……………どんなとこなの、そこ。」\ `"...............What's it like there?"`\ bg black,25 E_A bgm1 8 ;「うん。@………素晴らしいところだよ。@…うまく説明できない。@安らかな夢の中みたいな世界。」\ `"Well.`@` .........It's a wonderful place.`@` ...I can't really explain it well.`@` It's like a world from a pleasant dream."`\ ;ld ,$KAN_DefA1,80 ;「薔薇が咲き乱れてて、美しい蝶が舞ってるような、極楽みたいな感じ？」\ `"A paradise-like place, with roses blooming all over and beautiful butterflies dancing, or something like that?"`\ ;ld ,$SHA_WaraiA1,80 bg PRI_i1c,22 ;「……そういう具体的なイメージのところじゃないの。@本当に、夢の中みたいなところなの。@そこにいる時は、とても穏やかで安らかで、@……いつまでも眠ってることを許されてる、まるで休日の早朝のお布団の中みたいな感じ。\ `"......It's not a place with a tangible image like that.`@` It's really like the inside of a dream.`@` When you're there, it's very gentle, very peaceful, `@`...and you're allowed to sleep as long as you want, like when you wake up early on your day off, lying on a futon.`\ ;　……カーテンの隙間から日が差してきて、そろそろ起きないと、と思うんだけど、@今日は休日だから起きなくてもいいんだって気付いて、もう一回お布団の中に潜り込む時みたいな、そんな気持ちになれる場所。」\ `......Sunlight comes in through the cracks in the curtains, and you think you have to wake up soon,`@` but then you realize it's your day off, and you can go back to sleep...it's a place where you can feel like that."`\ bg PRI_i1b,0 ld r,$KAN_fumanA2,26 ;「僕なら損したと思うな。@休日なのに勘違いして起き出すなんて、姉さんくらいだ。@………それで？」\ `"I'd think that'd be wasted on me.`@` Waking up on accident even though it's your day off is something only you would do, Nee-san.`@` .........So?"`\ ld l,$SHA_WaraiA3,80 ;「うん。@そこにいた時はね、満たされてて、とても穏やかだった。@でも、元の世界に戻ってくると、つい直前までそこにいたはずなのに、うまく思い出すことが出来ないの。@/ `"Well.`@` When I was there, it was very satisfying and very calm.`@` When I returned to this world, even though I had just been there, I couldn't remember it well.`@/ ld l,$SHA_TokuiA1,80 ;ついさっきまで見ていた夢が思い出せないのに良く似てる。@…でも、とっても穏やかで静かな世界だったことだけは覚えてるの。」\ ` It's like when you can't remember a dream you were just having.`@` ......But I still remember that it was a very calm and quiet world."`\ ld r,$KAN_FumanA1,80 ;「………それだけ？@　何だ、あいつが偉そうに言う黄金郷なんて、大したことないな。@……何でも願いが叶う場所だと思ってたのに。」\ `".........That's it?`@` What the heck, that Golden Land she's always bragging about isn't anything great at all.`@` ......I thought it was a place where all your wishes come true."`\ ld l,$SHA_DefA1,80 ;「その通りだよ。@何でも願いが叶う場所。@………少し違うかもしれない。@何も願わなくてもいい場所、が正解かもしれないね。\ `"That's right.`@` It's a place where all your wishes will be granted.`@` ........Well, maybe that's not quite it.`@` It might be better to say it's a place where you won't wish for anything.`\ ld l,$SHA_WaraiA1,80 ;　……例えば嘉音くんが、寒くて上着が欲しいと願った時、上着をもらえればとても幸せなことだけど、@そもそも温かい部屋にいられたなら、上着が欲しいなんて願う必要さえもないでしょ？\ `......For example, Kanon-kun, if you were cold and wished you had a jacket, you'd be happy to be given one,`@` but if you were in a warm room to begin with, there wouldn't even be a reason to want a jacket, right?`\ ld l,$SHA_majimeA2,80 ;　……黄金郷はそういうところなの。@大抵の願いは、願う必要さえなくなる。@全てから解放された、何もかもが穏やかな世界なの。\ `......That's what the Golden Land is like.`@` There's no need to even wish for most wishes.`@` It's a world where everything is calm.`\ ld l,$SHA_TokuiA1,80 ;　与えられて幸せ、という概念さえも超越した、全てから解放された世界とでも言えばいいのかな。」\ `You could even say it's a place that transcends the concept `@`that having your wishes granted will bring happiness...a world released from everything."`\ ld r,$KAN_FumanA2,80 ;「……………………。@……何だか宗教っぽい世界だな。」\ `"........................`@`......It sounds somewhat like a religious world."`\ ld l,$SHA_defA1,80 ;「そして、そこでは全てが平等なの。@意思ある存在は全てが平等。@……ニンゲンも家具も魔女もない。@……そこでの私は誰とも対等で公平。@もう家具だからと、何も自分を恥じる必要がない。\ `"And there, everything is equal.`@` Anything that can think is equal.`@` ......There are no humans, furniture, nor witches.`@` ......There, I was equal to everyone.`@` There was no longer any need to feel ashamed that I was furniture.`\ ld l,$SHA_tokuiA1,80 ;　………全てのニンゲンとも、そして魔女とさえ対等な、本当に幸せな世界だったの。@うまく思い出せないけど、@そこでは私、ベアトリーチェさまとさえ対等な関係で、良い友達でいられた気がする。」\ `.........It was honestly a happy world where all humans, and even witches, were equal.`@` I can't really remember it well,`@` but I have the feeling that when I was there, I was equal even to Beatrice-sama, and we were good friends."`\ ld r,$KAN_fumanA1,80 ;「…………あの魔女がいるなら、ろくな理想郷じゃないよ。@/ `"............If that witch is there, then it's not a great paradise at all. `@/ ld r,$KAN_KomaruA1,80 ;………で、その幸せな黄金郷に、姉さんは譲治さまと一緒に行きたいわけだ。@おかしな話だね。@黄金郷は全てが満ち足りた理想郷なわけでしょ？@　譲治さまがいなくても、充分に満たされてそうだけど？」\ `.........So, you want to go to that Golden Land with George-sama.`@` How strange.`@` The Golden Land is a utopia where you can be pleased with everything, right?`@` Wouldn't you be content even if George-sama wasn't there?"`\ bg black,2 ;「…………………。@…黄金郷はね、とても穏やかで安らかで全てが対等で公平だけれど。@……幸せだけ、実は抜けてるの。」@ `".....................`@`.....The Golden Land is very calm, peaceful, and everything is equal.`@` ......But actually, happiness alone is left out."`@ ;ld ,$KAN_DefA2,80 ;「幸せな世界じゃないの？」\ `"It isn't a happy world?"`\ ;ld ,$SHA_tokuiA1,80 ;「もちろん、安らかで穏やかで公平というだけですごい幸せな世界だよ。@……でも、それは例えるなら、全ての悩みというマイナスから解放されたゼロの世界なの。@人の世はマイナスで満ちてるから、もちろんゼロというのはものすごい幸福なわけだけど、……それでもゼロなの。@くす、贅沢だよね。\ `"Of course, just by being peaceful, calm, and equal, it's an incredibly happy world.`@` ......But I guess you could say that it's a world of zero, where you're released from all negative worries.`@` The human world is filled with negatives, so of course a zero world is incredibly happy, ......but it's still zero.`@` *giggle*, what a luxury.`\ ;　……それはこういう感じ。@穏やかな休日の朝のまどろみの時。@……最愛の人も隣にいてくれて、手を握っててくれたなら、もっともっと、素敵な幸せになれる、………みたいな。@…ごめん、姉さんは例えが下手くそだね、馬鹿だから。」\ `......It's something like this.`@` When you're nodding off on your quiet holiday morning.`@` ......If the person you love the most is next to you, and they're holding your hand, then it can become an even greater, more wonderful happiness, ......something like that.`@` ...Sorry, your Nee-san isn't very good with analogies, since she's dumb."`\ bg PRI_i1a,22 ld l,$KAN_MajimeA1,23 ;「……つまり。@姉さんにとっての最高の幸せとは、譲治さまと一緒にその世界に辿り着くこと、ってわけだ。」@ `"......In other words.`@` To you, the greatest happiness would be reaching that world together with George-sama."`@ ld r,$SHA_WaraiA1,24 ;「うん。@そしてきっと、嘉音くんにとっては、お嬢様と一緒にその世界に辿り着くことだよ。」\ `"Yes.`@` And surely, for you, it would be reaching that world together with Milady."`\ ld l,$KAN_FumanA1,80 ;「公平な世界で、二人は悩みから解放され…？@　………何だかおかしな宗教を吹き込まれてるみたいだ。@/ `"We'll be released from our worries in a fair world...?`@` .........It's like some kind of strange religion.`@/ ld l,$KAN_fumanA2,80 ;僕はもっとこう、俗物的な。@……魔法の薬を与えられると、ニンゲンに生まれ変われるとか、そういう感じの世界を想像してたよ。」\ ` I'm more worldly-minded.`@` I imagined a world where we would be given magic medicine, and we could be reborn as humans, or something more like that."`\ ld r,$SHA_WaraiA3,80 ;「………行けばわかるよ。@ベアトリーチェさまが本当に気まぐれな方なら、いつかきっと、嘉音くんにも垣間見させてくれるに違いない。@……そうすれば、姉さんの例えがよくわかるようになるから。」\ `".........If you go, you'll understand.`@` If Beatrice-sama is really a fickle person, then surely some day, she'll let you get a glimpse of it too.`@` ......If so, then you'll be able to understand my example."`\ ld l,$KAN_majimeA1,80 ;「………………………………。@ま、過剰な期待はしないことにしとくよ。@……いずれにせよ、今回の僕たちはこれでゲームオーバーみたいだし。@別の機会に期待するさ。」\ `"....................................`@`Well, I'm not holding my breath.`@` ......At any rate, it seems like game over for us this time already.`@` I'll hope for another chance."`\ ld r,$SHA_fumanA1,80 ;「……そうだね。@おかしな期待を持つと、ベアトリーチェさまにまた付け込まれる。@………何も考えず、ただ運命に身を任せるのが、私たちには一番かもしれない。」\ `"......You're right.`@` If we have some strange hope, Beatrice-sama will take advantage of us.`@` ......It might be best to just not think, and let fate take care of us."`\ ld l,$KAN_DefA2,80 ;「………僕たちはただ、チェスの駒であればいいんだ。@……何を考えても考えなくても、どうせ魔女のチェス盤からは逃れられない。@後のお役目は、どういびり殺されるか、ただ待つことだけさ。@……そんな僕らに、黄金郷の夢なんて虚しすぎる。」@ `".........We can just be simple chess pieces.`@` ......No matter what we think or don't think, we can't escape from the witch's chessboard.`@` Our role is now just to wait and see how we'll be tortured to death.`@` ......For us, the dream of the Golden Land is too empty."`@ ld r,$SHA_odorokiA1,80 ;「………………そう、…だね。@……ごめん……。」\ `".................You're, ...right.`@` ......Sorry......"`\ ;　嘉音は肩を竦め、お役目の邪魔だからそっとしておいてくれと言い放ち、紗音を遠ざける。@ `Kanon shrugged his shoulders, then told Shannon to leave him alone because she was in the way of his duty, distancing himself from her.`@ br ;　紗音は、不適当な話題を口にして、かえって嘉音を傷つけてしまった自分の浅はかさに気付き、@俯いて下唇を噛むのだった…。\ `Realizing her thoughtlessness in bringing up such an inappropriate topic and instead hurting Kanon,`@` Shannon bit her lower lip and stared at the ground...`\ cl r,3 ;　紗音もそれ以上はしつこくしない。@ ;　ひとり壁際に行き、しゃがみ込んだ。\ `Shannon wouldn't bother him any more.`@ `She went off and squatted in a corner by herself.`\ mov %play_scene,40220 : mov %r_hyouji_side,0 bg black,2 ;ld ,$KAN_IkariA2,80 E_A ;「…………………ん、」@ `".....................Nn-"`@ ;＜嘉音 me1v 16,50 br ;　その時、嘉音がぴくりと反応する。@ ;　微かな物音に反応する猫の耳みたいだった。\ `At that moment, Kanon perked up.`@ `It was like the ears of a cat when it reacts to a strange sound.`\ bg PRI_i1b,26 ld r,$SHA_MajimeA3,24 ;「どうしたの。」@ `"What's wrong?"`@ ;＜紗音 ld c,$KAN_FumanA2,26 ;「……しっ。@/ `"......Shh.`@`/ bgm1 26 ld c,$KAN_IkariA1,80 ;………旦那様、誰か来ます。」\ ` .........Krauss-sama, somebody is coming."`\ ;＜嘉音 bg PRI_i1a,0 ld r,$KLA_majimeA1,24 ;「何！」\ `"What?!"`\ ;＜蔵臼 bg black,25 ;　蔵臼たちは会話を止め、耳を澄ます。@ `They ended their conversation and strained their ears.`@ br ;　……しばらくの間、何も聞こえなかったが、@やがて、ぞろぞろという複数の人間が歩く気配が聞こえるようになる…。\ `......For a while, they couldn't hear anything,`@` but eventually, they were able to hear the shuffling sounds of a large group of people walking...`\ bg PRI_i1a,0 ld l,$KIR_MajimeA2,22 ;「……おいでなすったわね。」@ ;＜霧江 `"......So they've come."`@ ld r,$KLA_KomaruA1,24 ;「年貢の納め時か、さもなくば、最初で最後のチャンスか。」\ `"Time to pay the piper, or else, perhaps it is our first and last chance."`\ ;＜蔵臼 cl l,24 ld l,$NAN_KomaruA3,23 ;「………私が金蔵さんと話しましょう。@…何とか、ここの場所を聞き出してみます。」@ `".........I shall talk to Kinzo-san.`@` ...Somehow, I will try and find out where this place is."`@ ;＜南條 cl r,23 ld r,$KIR_FutekiA1,24 ;「期待してるわ。@/ `"We're counting on you.`@/ ld r,$KIR_majimeA2,80 ;………………………。」\ ` ..........................."`\ ;＜霧江 bg black,22 ;　霧江は、さっきのゲストハウスの電話で、向こうの時間を聞いていた。@ `During the last phone call, Kyrie had asked what the time over at the guesthouse was.`@ br ;　……すると、霧江の時計と同じで、その結果、彼女らの時計は巻き戻されていないことがわかったのだ。\ `......By doing that, Kyrie had learned that it was the same as her watch, and she had learned that their watches hadn't been set back.`\ ;　ゲストハウスの壁掛け時計だけではない。@ ;　譲治や郷田などの複数人の時計とも一致した。\ `It wasn't just the clocks on the walls in the guesthouse.`@ `Several people's watches, including George and Gohda's, had matched.`\ ;　……だとすると自分たちは、@食堂での虐殺から、ほんの数分ほどでこの地下牢に移されていることになる。@ `......If that's the case,`@` then it had only been a few minutes between the time of the massacre in the dining hall and the time they had been transported to the dungeon.`@ br ;　昏倒させてから運び出すほどの時間は経過していない。\ `Not enough time had passed for them to be knocked out and carried away.`\ ;　ならばやはり、あれは落とし穴で、ここは食堂の真下なのだろうか……？@ ;　南條がうまくこの場所を聞き出せることを祈るしかない…。\ `Then were those really pitfalls, meaning that this was the area directly under the dining hall......?`@ `All that they could do was pray that Nanjo could find out where this was...`\ bg PRI_i1a,0 ld l,$KLA_majimeA2,22 ld r,$KAN_OdorokiA2,24 ;「……来ます。@多分、人数は４人。@……お館様、並びに食堂に姿を現したうちの３人かと。」@ `"......They're coming.`@` There's probably...four people.`@` ......The Master, and those three who appeared in the dining hall."`@ ;＜嘉音 ld l,$KLA_komaruA1,80 ;「もう充分だ。@君も後に下がりたまえ。@あとは私たちで応対する。」\ `"That's enough.`@` You come back here as well.`@` We'll deal with the rest."`\ ;＜蔵臼 cl r,23 ld r,$KIR_MajimeA1,24 ;「紗音ちゃん、申し訳ないけど、電話のところに座ってもらえる？@　スカートで電話を隠して。」@ `"Shannon-chan, sorry, but can I have you sit by the phone?`@` Hide it with your skirt."`@ ;＜霧江 cl l,24 ld l,$SHA_OdorokiA1,23 ;「あ、……はい…！」\ `"Ah......yes...!"`\ ;＜紗音 bg black,22 me2v 5,0 fedexx 0,50,50,0,0,0,2000 E_B ;　ぞろぞろとした気配が近付き、……廊下の向こうで重い扉が開けられる音がする。@ `The shuffling came close, ......and there was the sound of a large door being opened in the hallway.`@ br ;　そして彼らが持つらしい光源が、薄暗い廊下を照らし出し、カミソリのように鋭い影で壁を撫で回した。\ `The light they were apparently carrying illuminated the hall, stroking the walls with sharp, razor-like shadows.`\ se1v 28,100 lsp 889,PRI_efe,0,0 print 2 ;　そして、彼らの持つランタンの灯りが、鉄格子越しに蔵臼たちを照らし出す。@ ;　……鉄格子の鋭い影が彼らを縦に微塵切りにする。@ `And then, the light from the lantern they held illuminated the prisoners through the bars.`@ `......The bars' sharp shadows divided them up lengthwise.`@ br ;　人影は４人。@ ;　………金蔵と、…………ロノウェ、ワルギリア、ガァプだった。\ `There were four silhouettes.`@ `.........It was Kinzo, ............Ronove, Virgilia, and Gaap.`\ me3v 17,60 ld c,$RON_majimeA1,6 ;「右代宮家当主、ゴールドスミス卿の御成りでございます。@皆様、ご静粛に。」\ `"Silence, everyone.`@` Please welcome the head of the Ushiromiya family, Lord Goldsmith."`\ ;＜ロノウェ cl c,22 mld r,$KIR_KomaruA1,24 ;「……………ゴールドスミス？」@ ;＜霧江 `"............Goldsmith?"`@ ;cl c,0 mld l,$KLA_NayamuA1,23 ;「親父殿のペンネームだ。@怪しげな魔導書を書く時、そういう名を署名しているようだ。」\ ;＜蔵臼 `"It's Father's pen name.`@` It seems he always signs with it when writing those bizarre grimoires."`\ mld r,$KIR_WaraiA2,80 ;「金蔵を英語風に？@　それならゴールドウェアハウスが正しいんじゃないの？」\ ;＜霧江 `"'Kinzo' made English-style?`@` Shouldn't that be Gold Warehouse?"`\ mcl a,0 ld c,$KIN_AkuwaraiA1,80 E_A se1v 2,100 bgm1v 61,90 ;「………はっははははははははは。@ウェアハウスは倉庫、ただ溜め込むに過ぎぬ。@しかし私は金を生み出し、細工し、さらに価値を高めるのだ。@スミスの方がより相応しいと思わんかね？」\ ;＜金蔵 `".........Hahhahahahahahahahahaha.`@` What more is a warehouse than a place to keep things in?`@` However I give birth to gold and use my craftsmanship to further increase its worth.`@` Don't you think 'smith' is much more fitting?"`\ mld r,$KIR_nayamuA1,80 ;「…………確かに。@無駄口を失礼しました。」\ ;＜霧江 `"............Certainly.`@` I apologize for blathering."`\ mcl r,0 mld l,$NAN_KomaruA1,23 ;「金蔵さん……。@……これは、どういうことなんだね？@　ここは一体どこなんだ…。」\ ;＜南條 `"Kinzo-san......`@`......Just what is going on?`@` Where in the world is this...?"`\ ld c,$KIN_fumuA1,80 ;「おや、我が友よ。@思い出せんかね？@/ `"Oh, my friend,`@` can't you remember? `@/ ld c,$KIN_WaraiA1,80 ;　さすがにその牢の中に入った経験はないだろうが、この廊下を歩いた記憶はあるはずだ。」\ ;＜金蔵 `Certainly, you may have never entered the prison, but you should remember walking through this corridor."`\ mld l,$NAN_MajimeA2,80 ;「………え、/ ;!d800…………え？@　……………ま、まさか………、」@ ;＜南條 `".........Huh, `/ !d800`.........huh?`@` ............Y, you don't mean........."`@ mld r,$KIR_MajimeA2,24 ;「……心当たりがあるの？」\ ;＜霧江 `"......Do you have an idea?"`\ mld l,$NAN_KomaruA4,80 ;「いやしかし、………考えられない。@/ `"But, well, .........it is unthinkable. `@/ mld l,$NAN_KomaruA2,80 ;……第一、私たちは落とし穴に落ち、しかも、ほんの数分でここに閉じ込められたのですぞ…。@……そんなことは、物理的に、距離的にありえない……。」\ ;＜南條 `......Firstly, we fell through a pitfall and were locked up in here after only a few minutes...`@`......Not only is the distance too great, that's physically impossible......"`\ vsp 889,0 mcl a,0 bg sub_P1b,0 ld l,$GAP_WaraiA2,23 ;ld ,$GAP_笑い,80 ;「ニンゲンにはね？@　くすり。」\ ;＜ガァプ `"For a human, right?`@` *giggle*."`\ ;mcl l,24 ;mld l,$KLA_MajimeA1,23 ;「お父さん…、ここは屋敷ですか？@　屋敷にこんな地下があったとは……。」\ ;＜蔵臼 `"Father..., is this the mansion?`@` To think that the mansion had a basement like this......"`\ ;cl r,23 ld c,$KIN_waraiA2,24 ;「蔵臼ぅ。@お前たちがその存在を囁き、何度か私の後を付け回して探ろうともしたではないか。@/ `"Krauuss.`@` Wasn't there a place whose existence you all whispered of, and which you followed after me several times trying to find? `@/ ld c,$KIN_WaraiA1,80 ;………それがここだよ。@いや、正確には、そこの地下、というべきか。@くっくっくっく…！」\ ;＜金蔵 `.........This is that place.`@` No, to be correct, this is its basement.`@` *cackle*cackle*...!"`\ vsp 889,1 bg black,22 mld l,$NAN_KomaruA1,23 ;!s0「まさかここは、…………九羽鳥庵の、/ ;!d800……地下ですか……！」/ !s0`"This place couldn't be, ............the basement, `/ !d800`......of Kuwadorian......?!"`/ !sd@ ;＜南條 ld r,$RON_AkuwaraiA1,24 ;「……ご賢察のとおりです。@こちらは九羽鳥庵の地下でございます。」\ ;＜ロノウェ `"......A splendid observation.`@` This is the basement of Kuwadorian."`\ mcl a,0 mld l,$KLA_nayamuA3,23 ;「九羽鳥庵……。@……まさか、…噂の、親父殿の隠し屋敷なのか……。@本当に実在したのか……。」\ ;＜蔵臼 `"Kuwadorian......`@`......You don't mean, ...Father's rumored hidden mansion......?`@` It really exists......?"`\ cl r,23 ld r,$KIN_waraiA2,24 ;「我が最愛の魔女、ベアトリーチェのためだけに建立した屋敷である。@地上部分は美しき上品な屋敷なのであるが、そこを案内できず、実に残念に思うぞ。」\ ;＜金蔵 `"This mansion was constructed for the sole use of my beloved witch, Beatrice.`@` It's truly a shame that I cannot guide you to the above-ground sections, as it is such a beautiful and elegant mansion."`\ mcl l,24 mld l,$KIR_WaraiA2,24 ;「………こんな牢屋があるお屋敷で二人きりなんて素敵ね。@/ `".........How lovely, just the two of them alone in a mansion with this kind of room.`@/ mld l,$KIR_KomaruA1,80 ;どうもお父様とは性癖が合わないみたいよ。」\ ` Looks like Father's tendencies don't quite suit me."`\ ;＜霧江 vsp 889,0 mcl a,0 bg sub_P1b,0 ld c,$WAL_majimeA1,23 ;「……霧江さん。@……無礼な発言はお控えになった方が賢明ですよ？」\ `"......Kyrie-san.`@` ......Would it not be wise to refrain from such rude comments?"`\ ;＜ワルギリ ;cl c,0 ;mcl r,23 ld r,$GAP_AkuwaraiA2,24 ;「くすくす。@でも同感よ。@……私も、贈られた屋敷にこんな地下牢があったら、@百年の恋も醒めて、金目の物だけ頂いてトンズラするわ。」\ `"*giggle*.`@` But I agree.`@` ......If a mansion I was given had this kind of dungeon in it,`@` that would shake me out of even a century-long love, and I'd take anything of value and run."`\ ;＜ガァプ cl l,24 ld l,$RON_WaraiA1,23 ;「ぷっくっく。@おや、そういうご趣味はございませんか。@/ `"Pu ku ku.`@` Oh my, so you don't have an interest in this kind of thing?`@/ ld l,$RON_akuwaraiA1,80 ;てっきりキュンキュンしちゃうとばかり。」\ ` And here I was thinking that you went head over heels."`\ ;＜ロノウェ ld r,$GAP_waraiA3,80 ;「うふふ。@………もちろんキュンキュンしちゃうわよ。@誕生日のプレゼントに首輪なんかもらっちゃったりしたらね。@/ `"Heheh.`@` .........Of course I go head over heels.`@` As long as I get a collar or something for a birthday present.`@/ ld r,$GAP_akuWaraiA4,80 ;……ただしイケメンに限るっ。」/ ` ......But only if he's hot."`/ se1v 2,80 @ ;＜ガァプ ld l,$RON_waraiA1,80 ;「ぷーっくっくっくっく！」\ `"Pu- ku ku ku ku!"`\ ;＜ロノウェ ld c,$WAL_KomaruA1,80 ;「お静かに！@　……首輪より猿ぐつわが必要ですか？」\ `"Quiet!`@` ......Don't you need a gag more than a collar?"`\ ;＜ワルギリ ld r,$GAP_akuWaraiA1,80 ;「あら、あなたはそっちもイケちゃうの？@　リーアって好き嫌い無いのね。@くすくす……。」@ `"Oh, you have an interest in that too?`@` You sure aren't picky, Lia.`@` *giggle*......"`@ ;＜ガァプ se1 11 ld c,$WAL_odorokiA1,1 quakey 3,400 ;「か、勝手に人の名前を略さないで下さい…！」\ `"D, don't just go shortening people's names on your own...!"`\ ;＜ワルギリ cl a,0 ld r,$KIN_ikariA1,24 ;「えぇい、やかましいぞ、女たち！@　お前たちも同じ牢に閉じ込められたいと言うのか？」@ `"Enough, you noisy women!`@` Are you telling me you'd like to be locked up in the same cell?"`@ ;＜金蔵 ld l,$WAL_KomaruA1,23 ;「こ、これは失礼いたしました、お館様…。@この老体に、このような寒い牢獄では身が持ちませぬ…。」\ `"I, I apologize, Master...`@` This old body of mine would not be able to stand such a cold prison..."`\ ;＜ワルギリ ;　ワルギリアはすぐに謝罪するが、ガァプはロノウェと一緒にそれをくすくす笑う。@ `Virgilia quickly apologized, but Gaap and Ronove merely laughed together.`@ br ;　まるで、自分だけは捕らわれない、@あるいは、捕らえられようとも無意味であるとでも言わんばかりだった……。\ `It was like they were saying that they wouldn't be captured,`@` or else, that even if someone tried to capture them, it would be pointless......`\ bg PRI_o1a,0 ld l,$GAP_waraiA2,23 ld r,$KIN_fumuA1,24 ;「牢とは、捕らえ逃がさぬこと。@それは即ち、生涯手放さぬとの強い意志と愛である。@逃げても諦められる程度の女ならば、愛を語るに値しない。\ `"A prison is a place where the captured cannot escape from.`@` That implies a strong will and love that would not let go for a lifetime.`@` It's not even worth speaking of love to a woman who you could give up on if she ran away.`\ ld r,$KIN_waraiA1,80 ;　鎖で縛ってでも逃したくないと思うほどに狂おしくなる女。@そこまでに至ってこそ、我が生涯を捧げるに値する愛である。@………お前にそれをわかれとは言わぬよ。」\ `A woman who makes you so insane that you don't want to let her escape, to the point of binding her in chains...`@` Because she was worthy of that, she was a love worth sacrificing my life for.`@` .........I will not ask you to understand."`\ ;＜金蔵 ld l,$GAP_waraiA1,80 ;「………私は誰にも縛れない、縛られない。@愛されたいんじゃないの、愛したいの。@/ `".........I cannot bind anyone, and will not be bound.`@` I don't want to be loved, I want to love.`@/ ld l,$GAP_waraiA2,80 ;私もゴールドスミスと同じよ。@だからよくわかるわ、あなたの愛の狂気。」\ ` I feel the same as Goldsmith.`@` That's why I understand the madness of your love."`\ ;vsp 889,0 bg PRI_i1a,0 ld l,$KLA_AkuwaraiA2,24 ;「愛と狂気は紙一重、というわけかね。@実に傍迷惑な話だ。」\ `"Love and madness are two sides of the same coin, or so they say.`@` How bothersome."`\ ;＜蔵臼 ld r,$KIR_NayamuA1,24 ;「………しかし、あっさり所在地がわかったのは大きいわ。@/ `".........But learning where we are so easily was a big step.`@/ ld r,$KIR_majimeA1,80 ;詳しい経緯は後で聞くけど、南條先生はここをご存知なのね？」\ ` We'll ask the details later, but it seems that you know about this place...right, Doctor Nanjo?"`\ ;＜霧江 cl l,24 ld l,$NAN_KomaruA2,23 ;「は、はい……。@……そこの廊下が九羽鳥庵の地下通路ならば、@………あの先をまっすぐ行けば、長い地下道になり、/ ;!d800……それをずっと歩けば屋敷に戻れるはずだ。」@ `"Y, yes......`@`......If that hallway is the underground passage beneath Kuwadorian...`@`......then if we go straight there, it will become a long tunnel, `/ !d800`......and if we stay on that, we should be able to return to the mansion."`@ ;＜南條 ld r,$KIR_MajimeA2,80 ;「……この鉄格子さえ何とかできれば、屋敷に帰れるってことね。」\ `"......Then if we could just do something about these bars, we could go home."`\ ;＜霧江 cl a,0 vsp 889,1 ;bg black,23 print 23 ld r,$KLA_MajimeA2,24 ;「お父さん…。@私たちをどうするつもりですか。」@ `"Father...`@` What are you planning to do with us?"`@ ;＜蔵臼 mld l,$KIN_fukigenA1,23 ;「すでに宣告したとおり、お前たちは後の晩のための生贄である。@都合よく人数も５人。@抉りて殺す５人の人質にぴったりであろう。」\ `"As I have already declared, you will become sacrifices for the later twilights.`@` There are conveniently five people here.`@` There's exactly enough hostages for the five gougings."`\ ;＜金蔵 ld r,$KLA_KomaruA1,80 ;「……なるほど。@…私たちも、年貢の納め時というわけですか。」\ `"......I see.`@` ...Then it's time for us to pay the piper?"`\ ;＜蔵臼 mld l,$KIN_WaraiA2,80 ;「やがてはな。@だが今はそのために訪れたのではない、安心せよ。@/ `"Eventually.`@` That's not why I've come to visit you this time, so relax.`@/ mld l,$KIN_DefA1,80 ;それに、言ったはずだ。@……もしも孫たちの誰かが、我が全てを継承するに相応しいと認められたなら、この儀式は中断する。@つまり、お前たちは命拾いをするというわけだ。」\ ` Besides, I believe I have said it already.`@` ......If one of my grandchildren is deemed suitable to inherent everything from me, then the ceremony will be called off.`@` In other words, your lives will be saved."`\ ;＜金蔵 cl r,23 ld r,$NAN_MajimeA2,24 ;「……お、お子さんたちに、何をするつもりですか。」@ `"......Wh, what are you planning to do to the children?"`@ ;＜南條 mld l,$KIN_fukigenA1,80 ;「次期当主に相応しいかどうか。@テストを与える。@その結果、私を唸らせる者が一人でもいたならば、儀式は中断する。」\ `"I shall give them a test.`@` To see if they are suitable to be the next head or not.`@` If even one of them can surprise me, I'll call the ceremony off."`\ ;＜金蔵 ld c,$KLA_KomaruA4,24 ;「………相応しい者がいなかったら、/ ;!d800……子どもたちはどうするつもりですか。」\ `".........And if there isn't anyone suitable, `/ !d800`......what are you planning on doing with the children?"`\ ;＜蔵臼 me1v 5,50 ;ld ,$KIN_悪笑い,80 vsp 889,0 mcl a,0 bg PRI_i1c,25 ;「くっくくくくく！@　それを心配する必要はない。@どうせ先に生贄とされるのはお前たちだ。@その後のことなど、知ったことではなかろうに。@お前たちは、自らの命運を自らの子どもたちに委ねるのだ。@……お前たちが生み、教え、育ててきた結晶が子どもたちだ。@お前たちの命運を委ねるに実に相応しい存在のはず…！@　くっくくくく！@　そう心配そうな顔をするなよ蔵臼ぅ…。@お前の自慢の、百億の価値のある娘を信じろよぉ。@ふっふふふ、ふっははははははははは…！！」\ `"*cackle*cackle*cackle*!`@` There's no need to worry about that.`@` After all, you are the ones who will be made into sacrifices first.`@` Anything after that does not concern you.`@` You've entrusted your fates to your own children.`@` ......Your children, the embodiment of what you've born, taught and raised.`@` They should be the most suitable ones for you to entrust with your fate...!`@` *cackle*cackle*!`@` Don't make such a worried face, Kraaauss...`@` Believe in the daughter that you brag is worth ten billion yen.`@` Hehheheh, hehhahahahahaha...!!"`\ ;＜金蔵 vsp 889,1 bg black,0 ld r,$KIN_akuwaraiA1,22 mld l,$KIR_WaraiA2,23 ;「………まったくね。@/ `".........Exactly.`@/ mld l,$KIR_futekiA1,80 ;子どもは親の結晶よ。@親の命運を預けるに相応しいわ。@お父様にとってもね？」\ ` Children are the embodiment of their parents.`@` It's appropriate to lend our fate to them.`@` That applies even to you, Father, right?"`\ ;＜霧江 ld r,$KIN_WaraiA2,80 ;「……ふっ、はっははははははは！@　肝の据わった女だ、留弗夫にはもったいない！@　わっははははははは…！！」\ `"......Fu, hahhahahaha!`@` This girl has guts, what a waste on Rudolf!`@` Wahhahahahaha...!!"`\ ;＜金蔵 mcl a,0 vsp 889,0 bg black,23 bg PRI_i1a,0 ld l,$NAN_KomaruA1,23 ;「…霧江さん、……あまり挑発しない方がいい。」@ `"...Kyrie-san, ......it would be best not to aggravate him too much."`@ ;＜南條 ld c,$KLA_nayamuA3,23 ;「同感だ。@今は耐えよう……。」\ `"I agree.`@` Let's bear with it for now......"`\ ;＜蔵臼 ld r,$KIR_nayamuA1,24 ;「そうね…。@……どうせ私たちはまな板の上の鯉よ。@今さら、何も出来やしない。」\ `"That's right...`@`......After all, we're simply fish on a chopping board.`@` There's nothing we can do now."`\ ;＜霧江 vsp 889,0 bg PRI_o1a,0 ld l,$KIN_WaraiA2,23 ld l,$KIN_akuWaraiA2,80 ;「私に対し威勢のいい口を叩くことは出来るがな。@嫌いではないぞ、そういう女はァ？@　ベアトリーチェも初めはそういう女だった。@くっくっくくくくくく！！」\ `"Though you can insult me with such vigor.`@` I don't dislike that kind of woman, see?`@` Beatrice was that kind of woman too, in the beginning.`@` *cackle*cackle*cackle*!!"`\ ;＜金蔵 ld r,$RON_akuwaraiA1,24 ;「…………お館様。@そろそろ本題を。@さっきから脱線しまくりです。」\ `"............Master.`@` Let us get to the main topic.`@` We've been off track for a while now."`\ ;＜ロノウェ ld l,$KIN_WaraiA1,80 ;「おお、そうであったな、すまぬすまぬ我が友よ。@それでは本題に入ろう。@その為に電話を用意しておいたのだ。@/ `"Ah yes, there was that. Sorry, sorry, my friend.`@` Well then, let's get to the main topic.`@` For that, I've prepared a phone.`@/ ld l,$KIN_WaraiA2,80 ;……紗音、知恵が回るな。@もう隠さなくても良いぞ。@それは私が用意させたのだ。@くっくっくっく…！」\ ` .......Shannon, don't be clever.`@` You don't have to hide it any longer.`@` That's something I've prepared.`@` *cackle*cackle*...!"`\ ;＜金蔵 vsp 889,0 bg PRI_i1b,0 ld l,$KAN_DefA1,0 ld c,$SHA_KomaruA1,24 cl c,0 ld r,$SHA_OdorokiA1,23 ;「し、失礼いたしました……。」@ `"M, my apologies......"`@ ;＜紗音 ld l,$KAN_FumanA1,80 ;「……………………。」@ `"........................"`@ ;＜嘉音 br ;　紗音がそそくさと退くと、電話機が照らし出される…。\ `Shannon quickly withdrew herself, and the telephone was revealed...`\ fede 1,2000 bg PRI_i1c,22 ;「蔵臼よ。@ゲストハウスの孫たちに電話を掛けるが良い。@そして我がテストを、試練の始まりを彼らに告げるのだ。」\ `"Krauss.`@` Call the grandchildren in the guesthouse.`@` And tell them of the test, and of the start of my trial."`\ ;＜金蔵 ;　ロノウェが、どうぞとでも言うような仕草で、蔵臼に受話器を取るよう促す。\ `Ronove urged Krauss to pick up the receiver with a gesture that seemed to be saying 'go ahead'.`\ ;mld r,$KLA_KomaruA1,24 ;「……………嫌だと言ったら？」\ `"...............And if I say no?"`\ ;＜蔵臼 bg black,0 vsp 889,1 ld c,$KIN_akuWaraiA1,1 se1v 32,90 se2v 2,90 ;「ほほぅ、取引の余地がどこにあるというのか。@お前が電話をせぬというなら、孫たちにはチャンスさえも与えぬ。@/ `"Hohoh, and why do you think you're in a position where you can make a deal?`@` If you don't call, then the grandchildren won't even be given a chance.`@/ ;ld c,$KIN_IkariA1,80 ;右代宮家はこれにて終わり。@お前たちは直ちに生贄だッ！！」\ ` The Ushiromiya family will end here.`@` And I'll turn you all into sacrifices right away!!"`\ ;＜金蔵 ld r,$GAP_akuWaraiA1,24 ;「直ちに生贄なら幸運よ。@/ `"You'd be lucky to become sacrifices right away.`@/ ld r,$GAP_akuwaraiA4,80 ;……あなたたちの眼前で、子どもたちを先に生贄にされた方が辛いと思うけれど…？」\ ` ......Don't you think it'd be more painful to watch the children be made into sacrifices first, before your very eyes...?"`\ ;＜ガァプ cl c,0 ld l,$WAL_fumanA1,23 ;「……ガ、ァプ。@生贄の順番はお館様が決めます。@勝手なことを言わないように。」\ `"...Ga, ap.`@` The Master is the one who decides the sacrifice order.`@` Don't say things on your own."`\ ;＜ワルギリ ld r,$GAP_waraiA3,80 ;「リーア、今、私の名前を縮めようとして詰まったでしょ。」@ `"Lia, you just tried to shorten my name and failed, didn't you?"`@ ;＜ガァプ ld l,$WAL_odorokiA1,80 ;「しっ、してません！/ `"I, I did not!`/ se1 11 quakey 2,300 ;@　だから勝手に人の名前を略さないようにっ…！」\ @` And I told you not to shorten other people's names on your own...!"`\ ;＜ワルギリ vsp 889,0 bg sub_P1b,24 ld r,$KIN_fumuA1,24 ;「……女は実に。」@ `"......Women truly are..."`@ ;＜金蔵 ld l,$RON_waraiA1,23 ;「姦しいですな。ぷっくっく！」\ `"Noisy. Pu ku ku!"`\ ;＜ロノウェ vsp 889,1 print 42 ;▲第１３アイキャッチ（計１８４ページ）　時計なし eye12 *Umi4_14 mov %grim_scene,407 mov %play_scene,40220 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj ;■１９９８年、新島 textoff ;テロップ me1 2 bg oct_1998,22 wait 4000 bg black,2 fede 0,2000 bg NAN_R1a,2 bgm1 1 ;　かつて、南條が開業し、その息子に引き継いだ診療所は、今も新島に存在している。@ `The clinic that Nanjo had opened and later passed on to his son still existed on Niijima.`@ br ;　高齢の医師は、南條の息子ではあったが、その雰囲気はあまり似つかなかった。\ `The aged doctor was Nanjo's son, but the atmosphere about him was very different.`\ ld c,$NA2_DefA1,6 mov %play_scene,40230 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_mas : seplay 9,1060 ;「わざわざお越し下さり、誠に申し訳ないのですが、特にお話することはありません。」@ `"I am truly sorry to say this after you have come all this way, but I have nothing in particular to tell you."`@ br ;　南條の息子は、とても淡白にそう言い放った。\ `Nanjo's son said that very indifferently.`\ ld c,$NA2_defA3,80 ;「……あの島の事故が、民放で非常に不謹慎に取り上げられて以来、@右代宮氏の主治医であり、友人でもあった父にも、大変心外な関心が多数寄せられました。@そのいずれもが何の根拠もなく、また、父のそれまでの業績を汚すものでした。@私はそれら全てについて、未だに強く憤慨しています。」\ `"......After the accident on that island was taken up by the broadcasts in a most indiscreet manner,`@` even my father, who was Mr. Ushiromiya's doctor and friend, was approached by many with a wholly regrettable interest.`@` All of it was without proof, and also, defiled all of my father's previous achievements.`@` I still feel a great deal of resentment towards all of that."`\ bg NAN_R1b,23 ld r,$ENJ_defA1,24 ;「…………無理もないことと思います。@私も同じようなものですので。@私など、６つの時から延々です。」\ `".........I think that's understandable.`@` The same thing happened to me.`@` Constantly since I was six."`\ ld l,$NA2_DefA2,23 ;「そうでしたね。@これは失礼。」@ `"True.`@` My apologies."`@ br ;　医師はようやく、縁寿もまたそういった好奇の目に晒されてきた犠牲者であることを思い出す。\ `The doctor finally remembered that Ange was also a victim exposed to the same curious eyes as he had been.`\ bg black,24 bg NAN_R1c,24 ;「そんなあなたなら、当時の件にもうかかわりたくないという私どもの気持ちもおわかりでしょう。@……あれは不幸な事故でした。@それを事件だと騒ぎ立てたがるのは、無責任なテレビと雑誌だけです。@彼らの態度には心底、うんざりさせられますよ。」\ `"In that case, you can probably understand why I do not want to have anything to do with that incident.`@` ......That was an unfortunate accident.`@` The only ones who want to make a fuss about it being a crime are the irresponsible TV shows and magazines.`@` I am more than fed up with their attitude."`\ bg black,22 ;　………右代宮金蔵の数少ない友人ということで、南條は注目を浴びた。@ `.........Nanjo had been bathed with attention for being one of Ushiromiya Kinzo's few friends.`@ br ;　その為、その遺族である息子にもウィッチハンターやマスコミの執拗な取材攻勢があったのだろう。@ `Because of that, there was probably an aggressive and persistent rush among the Witch Hunters and the press to use Nanjo's son as well, as a surviving relative, as a source of information.`@ br ;　……医師は、延々とマスコミ批判を口にし、ひとり憤慨するのだった。\ `......The doctor had gone on and on, criticizing the press indignantly.`\ bg NAN_R1a,0 ld l,$ENJ_nayamuA1,26 ;「お気持ち、よくわかります。@私生活に至るまで監視を受け、@プライバシーも肖像権も、果ては人権さえも認められてたかわからない私ですから、@そのやり場のないお怒り、よーくお察しできます。\ `"I really understand how you feel.`@` For a person like me, who was watched even in her personal life,`@` and whose privacy, likeness, and even human rights might have been violated,`@` it's really easy to pick up on the anger of someone in your position.`\ ld l,$ENJ_defA1,80 ;　………だからこそ、私の人生をここまで台無しにしたあの事件は一体何だったのか、どうしても知りたいのです。@それでここへ来ました。@/ `.........And for that very reason, I want to know, more than anything else, what in the world happened in the incident that so thoroughly ruined my life.`@` So I came here. `@/ ;ld l,$ENJ_MajimeA1,80 ;………私も、あなたと同じ当事者です。@雑誌記者でもインタビュアーでもありません。@そこを誤解しないで下さい。\ `.........I'm a related party just like you.`@` Not a magazine columnist or an interviewer.`@` Please, don't get the wrong idea.`\ ld l,$ENJ_FumanA2,80 ;　私は道楽でこんなところまで来たんじゃない。@……私を見下すのもいい加減にして下さい。@あの事件で狂わされた人生の傷跡比べをするならば、私とあなたでは比べ物にもならない。」\ `I didn't come to do this for fun.`@` ......Quit looking down on me.`@` If we're going to do a comparison of whose life was most screwed up by that incident, you're no match for me."`\ ld r,$NA2_MajimeA2,24 ;「…………ん、……。」@ `"............Nn, ......"`@ br ;　縁寿はぴしゃりと言い切る。@ `Ange spoke sharply.`@ br ;　まさか、これほどの強い口調で言い返されるとは思わず、医師は閉口せざるを得なかった。\ `The doctor, who hadn't imagined that he would be talked back to in such a forceful manner, couldn't help but fall silent.`\ ;　……縁寿からすれば、医師の泣き言など実に下らないのだ。\ `......From Ange's perspective, the doctor's whining was truly foolish.`\ ;　いい加減、自分を見下して欲しくない。@ ;　どれだけの日々を経て、この島まで来たのか、そろそろ理解してもらってもいい。@ `She really didn't want to be looked down upon.`@ `It was about time to let him understand how many days had passed for her before arriving on this island.`@ br ;　医師は失言を理解し、しばらくの間、気まずそうに閉口するのだった。\ `The doctor realized that he had said something wrong and remained silent for a while, looking uncomfortable.`\ ld l,$ENJ_defA1,80 ;「当時のことを思い出すのは苦痛でしょうが、ご存知のことがあったら、何でも教えて下さい。@もちろん口外はしません。\ `"I know it's probably painful to remember what happened at the time, but if there's anything you do know, please tell me no matter what it is.`@` Of course, I'll keep quiet about it.`\ ld l,$ENJ_fumanA2,80 ;　私は、私の人生に決着をつけるために、今日、ここへ訪れています。@……私は１８です。@あの事件は、私の人生の１２年を奪った。@そしてこれからも奪い続けるでしょう。@/ `I visited here today to bring some resolution to my life.`@` ......I'm 18.`@` That incident took away 12 years of my life.`@` And it'll probably keep on taking. `@/ ;ld l,$ENJ_KomaruA1,80 ;……私は６歳のあの日から、ずっと暗闇に放り込まれたままなんです。@そんな私でも、知る権利がないと仰るんですか…？」\ `......Since that day when I was six years old, I've remained thrown into darkness.`@` Are you saying that despite that, I still don't have a right to know...?"`\ ld r,$NA2_MajimeA1,80 ;「………いや、…失敬。@性質の悪い連中ばかりが来ていたので、私もつい身構えてしまったようです。@失敬したのをお詫びします。@/ `".........No, ...how rude of me.`@` It seems that since all the others who came were ill-natured folk, I instinctively put up my guard.`@` I apologize for my rudeness. `@/ ld r,$NA2_MajimeA3,80 ;……わかりました。@他言無用を誓っていただけるなら、何でもお話します。」\ `......I understand.`@` If you'll swear not to breath a word of this to anyone, I'll tell you everything."`\ ld l,$ENJ_defA1,80 ;「ありがとう、先生。@……ではお願いします。@何でも結構です、話して下さい。」\ `"Thanks, Doctor.`@` ......Then if you would.`@` Please tell me anything you can."`\ bg black,5 bg NAN_R1c,22 ;「……知ってのとおり、父は右代宮氏の主治医であると同時に、チェスを通じた友人同士でもありました。@その親交は、右代宮氏が六軒島に移り住んできた当時からの、とても長いものでした。」\ `"......As you know, my father was not only Mr. Ushiromiya's head physician, but his friend through the game of chess.`@` That relationship was very long, stretching back to the time Mr. Ushiromiya moved to Rokkenjima."`\ ;「どのくらい仲が良かったのですか？」\ `"Just how close were they?"`\ ;「相当、だったようです。@チェスの縁で、先方の屋敷に厄介になることも少なくなかったようです。@……私の口から言うのも何だが、右代宮氏は非常に気難しい方でした。@そして父はそんな人間と付き合うのに長けた、非常に大らかな人だった。@孤独な右代宮氏にとって、稀な友人であったことは想像に難しくないでしょう。」\ `"Very close, it seems.`@` It seems that their connection through chess led my father to stay at Mr. Ushiromiya's mansion quite often.`@` ......Although I may not be one to talk, Mr. Ushiromiya was extremely moody.`@` And my father was an exceedingly magnanimous man, who excelled at interacting with humans like him.`@` It's not hard to imagine that he was a rare friend for the isolated Mr. Ushiromiya."`\ bg black,2 mono 1 bg M_o1a,8 ;「当日は親族会議でした。@……右代宮家の親族会議は、資産やその運用などについて厳しく問われる、@さながら経営会議のようなものだったとされています。@そのような席にまで出席を求められるほどに、南條先生は信頼を得ていたわけですね…？」\ `"That day was the day of the family conference.`@` ......At the Ushiromiya family conference, the inheritance and how it would be distributed were harshly questioned,`@` and it was treated almost like a financial conference.`@` So Doctor Nanjo must have gained a trust so great that he was asked to attend even that, right...?"`\ ld r,$NAN_DefA1,2 ;「父は純朴な医師であり、@右代宮家のような富豪の財産運用について助言できるような立場にあったとは思えません。@恐らく、当時の右代宮氏は健康状況が優れられなかったでしょうから、その介添えとして呼ばれていたのでしょう。@……親友の父なら、おそらく口も硬く、親族会議上の秘密もきっと漏らさないと信頼されていたに違いない。」\ `"My father was a simple doctor,`@` so I cannot imagine that he was in a position to advise on the distribution of wealth for a massively rich family like the Ushiromiya family.`@` He was most likely called there to assist, because Mr. Ushiromiya's health was not at its best at the time.`@` ......As Kinzo's close friend, I'm sure that my father would keep his mouth shut, and was trusted not to leak the secrets of the family conference."`\ bg black,22 mono off bg NAN_R1a,0 ld r,$ENJ_NayamuA1,26 ld r,$ENJ_DefA1,80 ;「……当時の右代宮金蔵はかなり健康状態が悪かったのでしょうか？@　カルテが残っていたりはしますか？」@ `"......Wasn't Ushiromiya Kinzo in very bad health at the time?`@` Were there any medical charts left behind?"`@ ld l,$NA2_defA3,23 ;「事故の当日はカルテを持参していたのでしょう。@右代宮氏のカルテは、残念ながらフォルダごと失われています。@父のクランケですし、私も詳しいことはわかりません。」\ `"Perhaps he brought the medical charts on the day of the accident.`@` I'm afraid to say that the entire folder of Mr. Ushiromiya's medical charts has been lost.`@` He was my father's patient, so I do not know the details."`\ ld r,$ENJ_FumanA2,80 ;「事件の前後。@何か気になるようなことはありました？」\ `"Around the time of the incident.`@` Did you notice anything strange?"`\ ld l,$NA2_MajimeA1,80 ;「…………………。@……あるにはあります。@……ですが、非常に誤解を招きそうなので、あまり言いたくはありません。」@ `"............`@`......There may have been.`@` ......However, it seems exceedingly likely to result in a misunderstanding, so I very much do not want to talk about it."`@ ld r,$ENJ_FumanA1,80 ;「……何ですか？@　それを教えて下さい。」\ `"......What is it?`@` Please tell me."`\ ld l,$NA2_MajimeA2,80 me1v 11,0 fedexx 0,90,0,0,0,0,2000 E_B ;　医師はしばらくの間、もったいぶったが、@そこまで口にしてしまった以上、縁寿はどんなはぐらかしにも誤魔化されない。@ `For a while, the doctor beat around the bush,`@` but after saying that much, he wouldn't be able to fool Ange by dodging the subject.`@ br ;　やがて根負けし、他言無用をもう一度誓わせた後、それを教えてくれた……。\ `He eventually gave in, and after making Ange swear herself to secrecy again, told her......`\ bg black,22 me2v 16,50 ;「実は、あの事故の数日後に、私の自宅に郵便が届いたのです。」@ `"The truth is, several days after that accident, I received something by mail at my home."`@ ;「………郵便？」\ `".........Mail?"`\ bg letter1,2 ;「それはとても奇妙な郵便でした。@差出人が私になっているのですが、それは身に覚えのないものでした。@何者かが、私の名を騙って出したということです。\ `"It was very curious.`@` The sender was made out to be me, but I had no memory of it.`@` Someone had faked my name and sent it.`\ ;　宛て先は北海道の礼文島。@……北方領土の話を抜きにすれば、日本の最北端の島です。@その宛て先人が何と、礼文島の住所ではありますが………、@/ `The destination was Rebun Island in Hokkaido.`@` ......Excluding the Northern Territories, it is at the northernmost tip of Japan.`@` The recipient was apparently a residence on Rebun Island, but........., `@/ se1v 67,80 ;父の名前だったのです。\ `the name was my father's.`\ ;　……しかし、送付先住所が間違っているらしく、住所不明の付箋が貼られて、@差出人である“私”のところへ戻ってきたわけです。」\ `......However, it seemed that there was a problem with the destination address, so it was stamped as Address Unknown,`@` and returned to the sender, 'me'."`\ E_M1 bgm1 18 ;　それは、本当に奇妙な話だった。@ `It was...truly a strange tale.`@ br ;　差出人は、南條の息子である彼の名が記されている。@ ;　……しかしそれは彼が出した郵便物ではないというのだ。@ `Nanjo's son's name was written as the sender.`@ `......However, he said that he hadn't mailed the letter.`@ br ;　つまり、何者かが彼の名を騙って郵送したことになる。\ `In short, that meant someone had faked his name and sent it.`\ ;　そして宛て先は、北海道礼文島の“南條輝正”。@ `The destination was 'Nanjo Terumasa', on Hokkaido's Rebun Island.`@ br ;　しかし存在しない地番が記されており、@現地の郵便局は配達できず郵便物を“差出人である南條の息子”に返送してきたわけだ……。\ `But the lot number written on it didn't exist,`@` so the local post office had been unable to deliver it and instead sent it back to 'the sender, Nanjo's son'......`\ bg black,22 ;「……中身は何だったんですか？」@ `"......What was inside?"`@ br ;「………………………。@……本当に他言無用でお願いします。@私も、非常に迷惑しているんです。@かといって、捨てるわけにも行かず……。」\ `".....................`@`......I truly ask that you keep silent about this.`@` It is extremely troublesome to me as well.`@` And even so, I cannot throw it away......"`\ fede 10,2000 bg NAN_R1c,24 ;　医師は立ち上がると本棚に向かう。@ `The doctor stood up and faced a bookshelf.`@ br ;　そこには何十巻もの、観賞用だとしか思えない辞典群がずらりと並び、@自分はインテリであるとこれ以上なく主張していた。\ `There, a group of dictionaries that could only have been ornamental were packed,`@` meant to show nothing more than that the owner was an intellectual.`\ ;　その内の中ほどから何冊かを抜き出すと、その奥に大判の茶封筒が隠されていた。@ `When he pulled several volumes out from there, a large, brown envelope was hidden behind them.`@ br ;　それを取り出し、机の上に放る。@ `He took that out and tossed it onto the desk.`@ br ;　セロテープで厳重に封印されており、@その変色と乾き具合から、１２年間封印されてきたことをうかがわせた……。\ `It had been been carefully sealed with cellophane tape,`@` and its faded color and dryness told that it had been sealed 12 years ago......`\ bg black,23 bg NAN_R1a,23 ld c,$NA2_MajimeA3,24 ;「くれぐれも、………他言無用でお願いします。」\ `"Most sincerely, .........I ask for your silence."`\ ;　しつこいくらいに念を押しながら、医師は高級なペーパーナイフで封印を解く。@ `Being so persistent it was annoying, the doctor removed the seal with a paper knife.`@ br ;　……そして封筒を傾けると、なかから開封済みの郵便封筒が滑り出してきた。@ `......Then, when he tilted the envelope, an already opened mail envelope spilled out.`@ br ;　封筒には重みがあり、手紙以外のものが入っていることを想像させた。\ `The envelope had a weight to it, hinting that there was something other than a letter inside.`\ bg black,26 me1v 11,90 bg Letter1,22 ;　………宛て先人は、確かに南條輝正。@ `.........The recipient...was certainly Nanjo Terumasa.`@ br ;　これだけを見ると、……あまりに衝撃的だ。\ `Just seeing that, ......was a huge shock.`\ ;　あの事件で、南條は死体が発見されず、危難失踪によって死亡の扱いになっている。@ `After that incident, Nanjo's corpse had not been found, and he had been treated as dead after going missing under extraordinary circumstances.`@ br ;　……にもかかわらず存在する、北海道の南條に宛てた手紙。@ ;　それはまるで彼が、自らを死んだと偽って、北海道に逃亡したという風にさえ読み取れる。\ `......And despite that, this letter addressed to a Nanjo in Hokkaido existed.`@ `One could almost take this as a sign that he had faked his own death and escaped to Hokkaido.`\ bg NAN_R1a,22 ld r,$ENJ_defA1,26 ;「……南條先生は、本当に北海道に存在を？@　あるいは、同姓同名の人物が北海道に？」\ `"......Was Doctor Nanjo really in Hokkaido?`@` Or else, was there another person with the same first and last names in Hokkaido?"`\ ld l,$NA2_DefA1,23 ;「父が、何かの事情で事故を逃れ、北海道で存命していたのだとしたら、@私たち家族にとっては、事情にかかわらず嬉しいことです。@/ `"If my father had somehow escaped from the accident and lived on in Hokkaido,`@` that would have made we of his family very happy, regardless of the situation. `@/ ld l,$NA2_MajimeA2,80 ;私も初めはその可能性を考えました。@……しかし、この封筒の送付先住所は存在しないのです。@つまりこの封筒は、届くはずのない郵便なのです。」\ `I also thought of that possibility at first.`@` ......However, the envelope's destination address does not exist.`@` In short, this envelope was mail that had no way of reaching him."`\ ld r,$ENJ_NayamuA1,80 ;「…………送付者が、正しい住所を書き損じた可能性は？」@ `"............Is there a possibility that the sender miswrote the correct address?"`@ ld l,$NA2_defA3,80 ;「もちろん否定はできません。@ですが、住所の番地を見る限り、どうもそうは思えないのです。」\ `"Of course, I cannot deny it.`@` However, judging from the residence's house number, I find that hard to believe."`\ bg black,22 bg Letter1,26 ;!s0「………/ ;!d500北海道/ ;!d600礼文島/ ;!d500礼文郡/ ;!d500礼文町、/ ;!d500１−２−３４−５６７。@…………………。」/ !s0`".........`/ !d500`Hokkaido, `/ !d600`Rebun Island, `/ !d500`Rebun County, `/ !d500`Rebun City, `/ !d500`1-2-34-567.`@` .................."`/ !sd@ br ;　礼文町まではいい。@ `Up until Rebun City, it's alright.`@ br ;　…しかしその後の数字は、１２３４５６７と連番で、少々の不真面目感は拭えない。@ ;　まるで、子どもがでたらめな住所をでっちあげたかのような、そんな印象を持った。\ `...But I just couldn't wipe away the feeling that following sequential number, 1234567, was a little insincere.`@ `It felt like a fake number that some kid had made up.`\ bg NAN_R1b,0 ld r,$NA2_DefA1,26 ;「恐らく、明らかに存在しない住所をでたらめに書いたのでしょう。@この封筒は初めから、存在せ `"They probably wrote a nonsense number which clearly didn't exist.`@` I think it's natural to assume that, from the very beginning, this envelope was sent to a non-existant residence to which` br (`it had no chance of being delivered`/・・・・・・・・・・・・・・)`."`\ ;br ;ず(届くはずのない住所/・・・・・・・・・)に送付されたと考えるのが自然だと思います。」\ ;＜点処理：届くはずのない住所 ;　送付先住所が存在しなければ、郵便物は通常、差出人に返送される。@ `If the destination address doesn't exist, mail is generally returned to the sender.`@ br ;　ただ、不完全な住所ではあっても、現地の郵便局の好意的努力により、@可能な限り、差出人が意図した送付先が存在しないか調査されることが多い。@ `But even in the case of an incomplete address, the local post office will often courteously, and to the best of its ability, `@`research to find whether the sender's intended destination exists.`@ br ;　それでも見つからない場合、数日の調査を経て返送されるケースもある。\ `When they still can't find it, the mail is sometimes returned after an investigation of several days.`\ bg black,22 bg letter1,22 ;　この封筒もそうだったらしく、切手の消印は、１０月３日になっていた。@ `It seemed that the same thing had happened with this envelope, and the stamp was postmarked on October 3.`@ br ;　消印は新島内だ。@ `It was postmarked on Niijima.`@ br ;　新島から礼文島は遠く離れている。@ `Niijima was a long ways away from Rebun Island.`@ br ;　その上、住所もでたらめ。@ ;　……返送には１週間以上の期間を経ていた。\ `On top of that, the destination was also nonsensical.`@ `......It had taken more than a week for the mail to be returned.`\ bg black,22 ;　……つまりこの封筒は、不定期間を経て差出人に返送されることを、@初めから目論んでいた可能性が極めて高いということだろう。@ `......In other words, there was probably a high chance that having the envelope returned to the sender after an unfixed amount of time...`@`had been the goal from the very beginning.`@ br ;　何のためにそんなことを………？@ `Why do something like that.........?`@ br ;　何が送られてきたのかを問う以前の段階でさえ、この封筒は謎に包まれている……。\ `Even before asking what it was that had been sent, this envelope was already wrapped in mystery......`\ fede 1,2000 bg NAN_R1a,26 ld l,$ENJ_FumanA2,23 ;「………………中身は？」@ `"...............And inside it?"`@ ld r,$NA2_DefA2,24 ;「どうぞ。」@ `"Go ahead."`@ br ;　医師に許可をもらい、すでに口の開いている封筒を傾ける。\ `After getting the doctor's permission, I tilted the already opened envelope.`\ bg black,25 se1 31 ;　すると中から、畳まれた小さな手紙と、ナンバープレートの付いた小さな鍵。@それと磁気カードが溢れ出てきた。@ `From the inside came a small, folded letter, and a small key with a number plate attached.`@` Then, a magnetic card slid out.`@ br ;　鍵のナンバープレートにはＡ１１２と刻印されている。@ ;　……何を指すのかはわからない。\ `A112 was engraved on the key's number plate.`@ `......I didn't know what it meant.`\ ;　磁気カードは真っ黒で、金文字が刻印されている。@ `The magnetic card was pitch black and had gold characters engraved in it.`@ br ;　英語で、メンバーズと記されていた。@ ;　漆黒に金文字のカードデザインは、かなりの高級感を感じさせる。@ `'Members' was written in English.`@ `The jet-black, gold-lettered card design made it feel like something very high-class.`@ br ;　……しかしもちろん、それだけでは何のカードなのか見当もつかない。\ `......But of course, I didn't have a clue what kind of card it was just from that.`\ se1v 1010,50 ;　……折り畳まれた手紙を広げる。@ `......I unfolded the letter.`@ br ;　そこには非常に簡潔に、以下のことだけが記されていた。\ `Its contents were extremely brief, and only the following was written:`\ br E_A bg number,1 bg black,2 ;　０７１５１１２９。@ `07151129.`@ bgm1 20 br ;　そして、誰もが知る日本の某巨大銀行の名が記され、本店とも書かれていた。@ `Also written was the name of a certain massive bank known throughout Japan, as well as the words 'Central Branch'.`@ br ;　……それだけだ。\ `......That was all.`\ bg NAN_R1c,0 ld r,$ENJ_komaruA3,26 ;「これは………？」@ `"This is.........?"`@ ld l,$NA2_majimeA3,26 ;「……………。@………貸し金庫のカードと鍵、そして暗証番号でした。@それも普通の貸し金庫ではない。@特別な顧客のみに許されているらしい、不気味な貸し金庫でした。」\ `"............`@`.........It's a card, a key, and a PIN for a safe-deposit box.`@` And it wasn't a normal safe-deposit box either.`@` It was an unsettling one, which was apparently reserved only for special clients."`\ me1v 16,50 bg black,2 ;　医師は、父の葬式後の身辺整理を終えた後、銀行本店を訪れた。@ `After he finished putting his affairs in order following his father's funeral, he had visited the bank.`@ br ;　……暗証番号と鍵と磁気カード。@ ;　何か重要なものが預けられていることは間違いなく、@それが何であるか、関心を持ったのは当然のことだった。\ `......PIN and key and card.`@ `There was no doubt that something of great importance was kept there,`@` and it was natural that he had been curious about what that could be.`\ ;　初めはどうすればいいかわからなかった。@ `At first, he hadn't known what to do.`@ br ;　……本来、自分の所有するものではないカードだ。@ `......The card wasn't something he had originally owned.`@ br ;　勇気を出して行員にカードを見せると、明らかに格のある行員に対応が変わり、地下４階の大金庫室に案内された。\ `When he had mustered up his courage and showed the card to a bank clerk, he was then switched to a clerk of clearly high status, and was guided to a large vault on the fourth basement.`\ ;　そこに至るまでのセキュリティは厳重。@ `The security on the way there was strict.`@ br ;　医師も、不動産の謄本などの重要なものを貸し金庫に預けた経験があるが、@ここのそれはまったく格が違っていた……。\ `The doctor had himself stored valuable items such as real estate transcripts in safe-deposit boxes before,`@` but this was something on a whole different level......`\ bg NAN_R1b,0 ld l,$NA2_MajimeA3,22 ld l,$NA2_MajimeA2,80 ;「……私の使っている貸し金庫の手続きと違い、@カードと暗証番号、そして鍵を持っているならば、本人確認は行なわれないというシステムでした。@……ですが、とにかく厳重な金庫室で、その物々しさに怯えました。@……こんなところに預けざるを得ない、どんな物騒なものが待ち受けているのか、と。」\ `"......Unlike the procedure at the deposit box I had been using,`@` if you had a card, a PIN, and a key, you didn't need to have your identity confirmed with this system.`@` ......But, anyways, I was frightened at how imposing that secure vault was.`@` ......As I wondered what kind of shady objects might await me that had to be stored in a place like this."`\ ld r,$ENJ_fumanA2,22 ;「…………それで？」\ `".........And so?"`\ ld l,$NA2_MajimeA1,80 ;「カードをリーダーに通すと、暗証番号の入力を求められました。@そして、そこにある８桁の数字を入力すると認証され、金庫室への入室が認められました。@……すごい光景でしたよ。@まるでＳＦ映画のような世界だった。@薄暗い銀色の広大な部屋に、びっしりと金庫の扉が埋め尽くされているのです。」\ `"When I passed the card through the reader, I was asked to input the PIN.`@` And, after that eight digit number was input and authenticated, I was permitted access to the vault.`@` ......It was an incredible scene.`@` A world like something from a sci-fi movie.`@` The massive, dimly-lit silver room was covered with doors to safes."`\ bg black,22 me2v 17,50 ;　その部屋に、行員を伴い入場した。@ `He had entered that room along with the clerk.`@ br ;　カード認証の時点で、権利のある金庫は確定しているらしく、@開けられる金庫には緑ランプ、開けられない金庫には赤ランプが点灯していた。\ `It seems that as soon as the card was read, the vaults he had a right to were determined,`@` so that safes he could open were lit with a green light, while those he couldn't open were lit with a red one.`\ bg NAN_R1a,22 ld r,$NA2_DefA1,24 ;「Ａ１１２は、それらの金庫のうちの１つを示すものでした。@……ちなみに、それ以外の金庫にもずらりと緑ランプが点灯していました。@２０個以上はあったと思います。@あるいは他の一角にももっとあったのかも。@/ `"A112 was one of those safes that were marked.`@` ......By the way, there were several other safes marked with a green lamp besides that one.`@` I think there were at least 20.`@` There might even have been more in the other corner. `@/ ;ld r,$NA2_MajimeA1,80 ;……いずれにせよ、私の鍵はＡ１１２のみ。@他の金庫の中身を確かめる術はありませんでしたが。」\ `......In any event, I only had the key to A112.`@` I had no way of checking the contents of the other safes."`\ bg black,25 ;　医師は行員が立ち会う中、開錠し扉を開く。@ `As the clerk watched, the doctor had unlocked and opened the safe.`@ se1v 44,90 bg white,10 bg black,22 ;　すると大き目のキャビネットのような金庫の引き出しが開き、@……中から高級感あるジュラルミンケースが姿を現した…。@ `When he did, a safe drawer like a large cabinet had opened,`@` ......and an expensive-looking duralumin case peeked out...`@ br ;　それは別室に運び込まれ、そこで初めて行員は退室し、その中身と対面することとなった……。\ `That was carried into a separate room, where for the first time, the clerk left, and he was introduced to the contents......`\ ;bg NAN_R1c,26 ;「中身は………？」\ `"And the contents were.........?"`\ ;「……………………。@/ `"..................`@/ me3v 18,50 ;…………現金でした。」\ `............Cash."`\ ;bg black,23 ;bg NAN_R1a,23 ;ld r,$ENJ_NayamuA1,24 ;「現金？@　どれほど？」\ `"Cash?`@` How much?"`\ ;ld l,$NA2_MajimeA1,23 ;「新札の百万円の束はちょうど厚みが１ｃｍになると聞いたことがあります。@それが、………これだけのジュラルミンケースの中に、びっしり詰められていたのですから…。@……多分、１億はあったでしょう。@/ `"I have heard that a pack of one million yen in fresh banknotes is precisely one centimeter thick.`@` Since those were packed tightly into a duralumin case of such a size...`@`......there was probably 100 million total. `@/ ;ld l,$NA2_MajimeA3,80 ;数えたわけではないからわかりません。@手すら触れませんでしたから。@私はすぐに直感しました。@これは危険な金だと。」\ `I don't know, because I didn't count.`@` I didn't even touch it with my hands.`@` I realized at once.`@` This was dangerous money."`\ ;bg black,22 ;　１億ものかさばる現金を、そのままカバンごと金庫に預けることは普通しない。@ ;　……口座に入金して、数字に変えてしまった方がはるかに取り扱いが楽だ。@ `It isn't normal to store a whole hundred million yen in cash in a case in a safe like that.`@ `......It's much easier to deal with if you put it into an account and turn it into numbers.`@ br ;　それが出来ない時点で、何か良からぬ事情のある現金であることは明白だった……。\ `When someone is unable to do that, then it is clear that there is something wrong with that cash......`\ bg NAN_R1a,0 ld r,$NA2_MajimeA3,26 ;「……私は頭が真っ白になり、すぐに関わり合ってはならないと直感しました。」@ `"......My mind went blank, and I instantly realized that I must not get involved."`@ ld l,$ENJ_defA1,23 ;「それで一切、手を付けなかった？」\ `"And, you didn't use it at all?"`\ ld r,$NA2_MajimeA1,80 ;「はい。@そのまま施錠し直し、元の金庫に預けて立ち去りました。@……この鍵やカードも捨てようと思いましたが、何が起こるかわからない。@その為、誰にも内緒で１２年もの間、本棚の裏に隠し続けてきたのです。@………あれが何の金だったのか、私にも未だにわかりません。」\ `"Yes.`@` I locked it back up just as I'd found it, returned it to the original safe, and left.`@` ......I have thought about throwing away that key and card, but I don't know what will happen.`@` For that reason, I have been hiding it in the back of the bookcase for a full 12 years.`@` .........I still do not know what kind of money that was."`\ ld l,$ENJ_nayamuA1,80 ;「……この封筒をお借りすることは出来ますか？」@ `"......Could I borrow this envelope?"`@ ld r,$NA2_MajimeA2,80 ;「いいえ。@この場で見るだけにして下さい。」\ `"No.`@` Please just view it here."`\ ld l,$ENJ_defA1,80 ;「…………………。@/ `"............`@/ ;ld l,$ENJ_DefA1,80 ;……わかりました。@ではちょっと失礼します。@調べ物を。」\ `......Understood.`@` Then if you'll excuse me.`@` There's something I want to investigate."`\ bg black,25 se1 13 bg book1,22 ;　私は下ろしていたナップザックからお姉ちゃんの魔導書を取り出す。@ `I took Onee-chan's grimoire from the knapsack I had set down.`@ br ;　……そしてベアトリーチェがお姉ちゃんに記した文章のページを開き、その筆跡と照らし合わせる……。\ `......Then I opened to the page with the paragraph Beatrice had written to Onee-chan, and compared the handwriting on both......`\ ;「……………………………………………。」@ `"........................."`@ br fede 0,2000 ;　…………特長ある筆跡は、間違いない。@/ `............There was no mistake about the characteristic handwriting. `@/ bgm1 36 ;　この一億円の現金を送りつけたのは、…………ベアトリーチェ自身だ……。\ `The one who had sent this hundred million yen in cash, ............was Beatrice herself......`\ ;bg NAN_R1c,22 bg black,22 ;　でも、………何だろう。@ ;　何かが引っ掛かる……。@何だろう………。@何だろう………。\ `But, .........what is it...`@ `Something's bugging me......`@` What is it.........`@` What is it.........`\ ;■熊沢の息子の家 mov %play_scene,40230 : mov %r_hyouji_side,2 textoff wait 2000 bg KUM_R1a,0 ld r,$KU2_defA1,24 ;「………え、……えぇ。@そんな郵便物が確か、届いた気がしますわ。@/ `".........Y, ......yeah.`@` I'm pretty sure I got something like that in the mail. `@/ ;cl r,23 ;かーちゃん、あれはどこにしまったっけなぁ？！」\ `Hey Ma, where'd you put that?!"`\ ;bg KUM_R1b,25 ;　同じ封筒と内容物は、かつて熊沢と同居していた息子にも届けられていた。/ `The same envelope and contents had been sent to Kumasawa's son, who had once lived with her.`/ mov %play_scene,40240 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_sab : seplay 9,1060 @ br ;　ただ、日々が忙しく、ばたばたとしているうちに、そのまま忘れてしまっていたようだった。@ `But he had been very busy in the days since, and seemed to have forgotten about it while running around all over the place.`@ br ;　しかし、その奇妙な中身は記憶に留まっていたらしく、縁寿がそれを告げるとすぐに思い出してくれた……。\ `But apparently, its strange contents had stayed in his memory, and he remembered as soon as Ange told him about it......`\ ;　しばらく待っていると、@お前さんはすぐにしまった場所を忘れる、と愚痴を言いながらへの字口の奥さんが、例の封筒を探し出してきてくれた……。\ `After a bit of a wait,`@` his thin-lipped wife found the envelope, complaining that he always forgot where he put things right away......`\ bg black,25 se1v 28,100 se2v 28,100 bg letter1,42 ;　差出人と宛先人の手口は南條の息子のものとまったく同じ。@ `The modus operandi for the sender and recipient was the same as Nanjo's son's one.`@ br ;　差出人が熊沢の息子になっており、宛先人は熊沢チヨ。@ `The sender was made out to be Kumasawa's son, and the recipient was Kumasawa Chiyo.`@ br ;　そして送付先住所は沖縄県。@ ;　沖縄県八重山郡与那国町、１−２−３４−５６７。\ `And the destination address was in the Okinawa Prefecture.`@ `Okinawa Prefecture, Yaeyama County, Yonaguni City, 1-2-34-567.`\ ;　与那国島は日本の最西端。@ ;　そして地番はまったく同じ、適当そうな連番。@ `Yonaguni Island was at the western-most tip of Japan.`@ `And the lot name was the exact same sequential number that had apparently been chosen at random.`@ br ;　……これで確信する。@ ;　確実にこの封筒は、差出人に返送されることを目論んでいるのだ。\ `......Now it was certain.`@ `This envelope was definitely sent with the goal of having it be returned to the sender.`\ bg black,25 ;　中身もまったく同じ。@ `Its contents were exactly the same.`@ br ;　暗証番号と銀行の本店を記した手紙。@ ;　磁気カード。@ナンバープレート付きの鍵。\ `A letter with the PIN and the bank's main branch written on it.`@ `A magnetic card.`@` A key with attached number plate.`\ ;　ナンバープレートの刻印はＡ１１３。@ `The inscription on the number plate was A113.`@ br ;　……南條の息子に送られた鍵と連番になる。\ `......The number right after the one on the key that had been sent to Nanjo.`\ ;　恐らく、金庫の中には同じようにジュラルミンケースがあり、１億円の現金が詰められているのだろう……。\ `Most likely, inside the vault was the same kind of duralumin case, packed with a hundred million yen in cash......`\ fede 0,3000 me1v 5,50 bg KUM_R1b,0 ld l,$ENJ_DefA1,0 ld r,$KU2_DefA1,26 ld r,$KU2_WaraiA1,80 ;「……死んだお袋が冥土から送ってきたような気がしてねぇ。@中身もよくわからんし、薄気味悪いんで、ずっと放ったらかしにしてて、今日まですっかり忘れてたんですわ。\ `"......Get the feeling my dead mother sent it to me from Hades.`@` Don't really get what's inside, and it's creepy, so I just left it alone all this time, and totally forgot about it until today.`\ ld r,$KU2_MajimeA1,80 ;　……お嬢さんはこれが何か、ご存知なんですかね？@/ `......So, you know what this is, girl? `@/ E_A ;　ひょっとして、あんたんとこにも同じものが…？」\ `Could it be that the same thing came to your place...?"`\ ld l,$ENJ_komaruA3,80 me1v 17,50 ;「…………………………………ぅ。」\ ;＜縁寿 `"........................ah."`\ ;■メタ視 se1 52 msetef 0,24 mld r,$RG5_DefA1,22 ;「……どうしたんです、縁寿さま。」@ ;＜マモン `"......What is it, Ange-sama?"`@ mld c,$SAK_KomaruA2,24 ;『うりゅ…、頭痛？頭痛…？！』\ ;＜さくたろ `『Uryu..., headache? Headache...?!』`\ mld l,$ENJ_KomaruA3,23 ;`Dormeur`へ:この次の「刺さってる」はどういう意味？\ ;「…………ごめん、頭が痛い……。@/ `"............Sorry, my head hurts......`@/ me2v 16,70 ;……刺さってる…、………知っている……。」\ ;＜縁寿 `......I've got it..., .........I know......"`\ mld c,$SAK_OdorokiA1,80 ;『知ってるって、何を……？』@ ;＜さくたろ `『What do you mean, you know......?』`@ mld r,$RG5_OdorokiA3,80 ;「まさか、/ ;!d800……この封筒、……縁寿さまのところにも…？」\ ;＜マモン `"You don't mean, `/ !d800`......this envelope, ......came to your place too, Ange-sama...?"`\ mcl c,0 mcl r,0 mbg black,22 E_A ;　………思い出した……。@/ `.........I've remembered......`@/ bgm1 45 ;……思い出した……！！@ `......I've remembered......!!`@ br ;　私のところにもおかしな封筒が届いたんだ…、１２年前に…！！\ `A strange envelope was also sent to me..., 12 years ago...!!`\ ;　家族を全て失い、塞ぎこんでいた。@ ;　…でも、本当におかしな郵便物だったので、わずかに記憶に残っていたのだ。\ `After losing my entire family, I was depressed.`@ `...But it was a really strange thing to come in the mail, so I had a faint memory of it left.`\ mcl a,0 bg letter1,0 mbg letter1,2 ;　それは、出した覚えもないのに、自分が差出人になっているおかしな郵便。@ `It was a strange letter, which I had no memory of sending, but which had me as the sender.`@ br ;　宛先の住所は忘れたが、宛先人は右代宮留弗夫。@ ;　私のお父さんになっていた。\ `I forget the destination address, but the person it had been sent to was Ushiromiya Rudolf.`@ `It was my father.`\ ;　死んでしまったお父さんからの手紙だと思って、中を開けたら、@よくわからない鍵とかカードが出てきて、困惑したのを覚えてる。@ `I remember how disturbed I was when I got a letter I thought was from Father, opened it up,`@` and found a key and a card that I didn't really understand.`@ br ;　私はがっかりし、それをどこかに放り出してしまったはず…。\ `I had felt let down, and threw it away somewhere, I think...`\ ;　あの封筒はどこにやってしまっただろう？@ ;　あの後のゴタゴタでどこかに紛失してしまっているだろう。@ `Where did I put that envelope?`@ `I probably lost it somewhere in the chaos that followed.`@ br ;　今となっては、その内容を確かめる術もない。\ `By now, I have no way of checking its contents.`\ mbg black,22 ;　しかし、何となく察しはつく。@ `However, I have a general idea.`@ br ;　……きっと中身は同じ。@ ;　暗証番号のメモと鍵とカードが入っていたに違いないのだ……。\ `......I'm sure the contents were the same.`@ `Without a doubt, there had been a key, a card, and a note with a PIN inside the envelope......`\ mcbg 22 mld l,$ENJ_IkariA1,80 ;「……ベアトリーチェ……。@……これは何のつもりよ…？@　あいつは、全ての遺族にこんなふざけたカネをばら蒔いたというの？@　………死んだ後も愚弄するなんて、……許せない………。」\ ;＜縁寿 `"......Beatrice......`@`......What was she trying to do here...?`@` So did she hand out this stupid money to all surviving relatives?`@` .........I won't forgive her, ......for mocking them even after their deaths........."`\ mld c,$SAK_NakuA1,80 ;『うりゅ…、うりゅ……、縁寿………。』@ ;＜さくたろ `『Uryu..., uryu......, Ange.........』`@ br ;　さくたろがおろおろする。@ ;　……その心配そうな顔を見ているうちに、少しずつ興奮は冷めて行った…。\ `Sakutarou acted nervously.`@ `......As I looked at his worrying face, my agitation began to cool off bit by bit...`\ mld l,$ENJ_NayamuA1,80 ;「ごめんなさい…。@ベアトリーチェ憎しは今に始まったことじゃないわ。@/ `"I'm sorry...`@` My hatred of Beatrice isn't something that's started now. `@/ ;mld l,$ENJ_KomaruA1,80 ;……あの６歳の日に、もうすでにあの魔女と縁があったことに、驚きと怒りを感じただけよ…。」\ ;＜縁寿 `......I was just surprised and angry to find out that I had a connection with the witch already at the age of six on that day..."`\ mld r,$RG5_KomaruA1,80 ;「………この１２年間。@縁寿さまはずっとベアトリーチェさまの呪縛に捕らわれてきた。@…これがその、まさに呪縛の証となるのかもしれません。@/ `".........For the past 12 years,`@` you have always been enslaved by Beatrice-sama's curse.`@` ...This might be proof that this really was a curse. `@/ mld r,$RG5_majimeA1,80 ;ですが、どうかしっかり。@それを打ち破るための旅でもあるはずです。」\ ;＜マモン `But please, don't fall apart.`@` Part of this journey should be to break through that."`\ mld l,$ENJ_komaruA3,80 ;「そうね……。@頭に血を上らせたって、何の役にも立たないわ。@冷静に考えなくちゃ。@/ `"That's right......`@` Just letting the blood rise to my head won't get me anywhere.`@` Got to think calmly. `@/ ;mld l,$ENJ_NayamuA1,80 ;………これはどういうことなの？@　遺族に１億円をばら蒔く意味は何？@/ `.........What's going on?`@` What's the meaning of handing out a hundred million yen to the relatives? `@/ ;mld l,$ENJ_FumanA2,80 ;　挑発だとでも言うの……？@　ベアトリーチェめ………。」\ ;＜縁寿 `Is she trying to provoke us......?`@` Damn that Beatrice........."`\ mld c,$SAK_OdorokiA1,80 ;『縁寿……、落ち着いて……。@……うりゅ……。』@ `『Ange......, calm down......`@`......Uryu......』`@ br ;　さくたろが、私のお腹に顔を埋めながら、冷静になるよう促す。@ ;　……私はもう一度深く深呼吸し、思考を働かせた。\ `As Sakutaro buried his head in my stomach, he urged me to stay calm.`@ `......I took another deep breath, and started thinking.`\ mcl a,22 fede 0,2000 mld r,$ENJ_fumanA2,24 bgm1 34 ;「………この封筒の送付はつまり、ベアトリーチェによる事件の、計画性を裏付けるものかしら。」\ ;＜縁寿 `".........I wonder if the sending of this envelope was to support the theory that Beatrice was behind that crime."`\ mld l,$RG5_KomaruA1,23 ;「消印は親族会議の直前。@そして、わざと時間を掛けて返送されてくるように仕組まれている。」@ ;＜マモン `"It was postmarked right before the family conference.`@` And it was intentionally set up so that it would be sent back after some time."`@ mcl l,24 mld l,$SAK_komaruA1,23 ;『……事件の後に届くようにしたかった、ということかな……？』\ ;＜さくたろ `『......They wanted it to be sent after the incident, is that it......?』`\ mld r,$ENJ_DefA1,80 ;「うん。@そうなるわ。@/ `"Yeah.`@` That's what it implies. `@/ mld r,$ENJ_nayamuA1,80 ;………でも、少し疑問もあるの。@なぜこんな不確実な方法で？」@ ;＜縁寿 `.........But there are a few doubtful parts.`@` Why such an uncertain method?"`@ mcl l,24 mld l,$RG5_DefA1,23 ;「不確実？」\ ;＜マモン `"Uncertain?"`\ mld r,$ENJ_defA1,80 ;「えぇ。@だって、何日で郵便が戻ってくるかなんて、事前には想像もできないじゃない。@……郵送先の郵便局が調査し、送付先不明と判断し返送するまでの期間なんて、普通は想像も出来ない。」\ ;＜縁寿 `"Yes.`@` After all, you couldn't even guess at how many days it would take for the mail to return before you did it.`@` ......Normally, you couldn't even guess at the amount of time it would take for the receiving post office to research, determine that the recipient was unknown, and return it."`\ mcl l,24 mld l,$SAK_KomaruA1,23 ;『そう言えばそうだね……。@ちゃんと到着の期日を決めて、そういう郵便で出した方が確実なのにね……。@うりゅ…。』\ ;＜さくたろ `『Yeah, now that you mention it......`@` It'd be more dependable if they just set an arrival date and mailed it that way......`@` Uryu...』`\ mcl r,23 mld r,$RG5_AkuwaraiA1,24 ;「……まぁ、でも。@前日に投函したんなら、どんなに早く戻ってきても、きっと月曜日以降の到着になったでしょうし。@死者からの手紙を気取りたかったんじゃないかしら。」\ ;＜マモン `"......Maybe, but still,`@` if they mailed it the day before, then no matter how quickly it returned, it would probably arrive Monday or later.`@` I wonder if they wanted to make it seem like a letter from the dead."`\ mcl l,24 mld l,$ENJ_NayamuA1,23 ;「……死者からの手紙、か。@/ `"......A letter from the dead, you say. `@/ mld l,$ENJ_KomaruA3,80 ;……確かにね。@あれは驚くし、嫌な気持ちになるわよ。@……死んだ家族の名前が表に大きく書かれている郵便物が、@物々しい付箋付きで郵便受けに放り込まれているんだから。@……でも、私は何か腑に落ちないわ。@私だったら期日指定郵便にする。@ひょっとしたら、想定しない日に届くかもしれないという不安定さが、私にはどうしても理解できないの。」\ `......You're right.`@` That surprised me, and it made me feel bad.`@` ......Some mail with my dead family's name written on the outside in large letters...`@`was thrown into the mailbox with an ominous label attached.`@` ......However, it doesn't really make sense to me.`@` I would have mailed it to arrive on a specified day.`@` I just can't understand why someone would allow the insecurity of it arriving on a day other than the one they imagined."`\ fede 0,2000 mld c,$SAK_DefA1,24 me2v 5,50 ;『…………………うりゅ。@……でも、確かにそういうの、ベアトらしいかなって思う。』@ ;＜さくたろ `『..................Uryu.`@` ......But it really does sound like Beato to me.』`@ mld l,$ENJ_defA1,80 ;「え？@　あなた、ベアトのことわかるの？」\ ;＜縁寿 `"Huh?`@` You...know about Beato?"`\ mld c,$SAK_KomaruA1,80 ;『……ちょっとしかお話したことないけど。@……でも、ベアトならこういうことをするかなぁってのが、何となくわかるの。@/ `『......Well, I only talked with her a little.`@` ......Still, I can pretty much accept that Beato'd do something like this. `@/ mld c,$SAK_WaraiA1,80 E_A bgm1 49 ;………マモンも、何となく想像がつかない？@　ベアトって、こういう悪戯、好きだよね？』\ ;＜さくたろ `.........Can't you imagine that happening too, Mammon?`@` Beato likes pranks like this, right?』`\ mld r,$RG5_majimeA1,80 ;「………………。@/ `"............`@/ mld r,$RG5_FumanA1,80 ;………確かにそうかも。@……ベアトリーチェさまなら、死者からの手紙、みたいな悪質な悪戯は、やりかねないと思います。」\ ;＜マモン `.........Yeah, that might be true.`@` ......I wouldn't put it past Beatrice-sama to try a vicious prank like a letter from the dead."`\ mld c,$SAK_OdorokiA1,80 ;『うぅん、それだけじゃなくて。@………絶対確実な方法じゃなくて、ちょっぴり不確実な方法の方を、ベアトリーチェは面白がるの。』@ ;＜さくたろ `『No, that's not all.`@` .........Beatrice would find it more interesting to do it through an uncertain method instead of one that was absolutely certain.』`@ mld l,$ENJ_FumanA2,80 ;「………不確実な方法を、面白がる…？」\ ;＜縁寿 `".........She would find an uncertain method...interesting...?"`\ mendef 0 bg black,5 bg book1,2 ;　真里亞お姉ちゃんの日記を思い出す…。@……ベアトリーチェと遊んだ記述も結構ある。@ `I remembered Maria onee-chan's diary...`@`......It had described playing with Beatrice very often.`@ br ;　その中でベアトは真里亞と一緒に、親族の大人たちに何かの悪戯を仕掛けることがたまにあった。\ `During those times, Beato sometimes played pranks on the adult relatives with Maria.`\ ;se1 1010 ;　しかしその悪戯は、いつもちょっとした魔女の美学があった。@ `But those pranks always had a touch of witch aesthetics.`@ br ;　それは、………不確実である方が面白い、というものだ。\ `Which was, .........that it was more interesting if it was uncertain.`\ se1v 1010,40 bg white,64 bg M1F_S1a,22 ;　ある日、真里亞お姉ちゃんたちは、持参したゼンマイ式の小さなミニカーを悪戯に使うことにした。@ `One day, Maria onee-chan and Beato decided use a wind-up minicar she had brought for a prank.`@ br ;　ミニカーをバックさせると車輪のゼンマイが巻かれ、放すと勢い良く走り出すという、当時流行った玩具だ。\ `It was a popular toy at the time, and if you made the minicar back up, it would wind up the spring in the tires, and when you let go, it would race forwards.`\ bg black,25 bg M1F_S1d,22 ;　そのミニカーを、ゼンマイを巻いた状態でミルクポットの影に置いた。@ `They had wound up that minicar and set it in the shadow of a milk jug.`@ br ;　……つまり、ミルクポットを持ち上げると、勢い良くミニカーが走って飛び出し、相手は驚くという悪戯だ。\ `......In other words, the prank was that, if you lifted the milk jug, the minicar would jump forwards and surprise whoever did it.`\ bg M1F_S1c,0 ld r,$BEA_WaraiA1,0 ld l,$MAR_AkuwaraiA1,26 ;　この悪戯に誰かが引っ掛かって欲しいと、お姉ちゃんとベアトは、物陰からずっと大人たちのティータイムを見守っていた。@ `Hoping that someone would get caught in this prank, Onee-chan and Beato had watched the adults from the shadows for their whole teatime.`@ br ;　誰が引っ掛かるかと楽しみにしていたが、とうとう誰も罠のミルクポットを手に取らず、悪戯は不発に終わってしまった……。\ `They were looking forwards to seeing someone get caught by it, but no one moved the trap milk jug, and the trap ended on a misfire......`\ ld l,$MAR_fukigenA1,80 ;　その時、「絶対に誰かが引っ掛かる場所に仕掛ければ良かった」とぼやくお姉ちゃんに、@ベアトはこう言ったらしい。\ `When Onee-chan had then muttered "We should have put it somewhere where they'd definitely get caught in it",`@` Beato apparently said this:`\ ld r,$BEA_WaraiA2,80 ;「誰が引っ掛かるかわからず、引っ掛かるかどうかさえわからない罠の方が、ハラハラして面白い」@と言うのだ。\ `"Traps where you don't know who will get caught, or even whether anyone will get caught at all, are more thrilling and interesting"`@` is what she said.`\ bg book1,2 ;　……絶対に引っ掛かる罠では、確かにそういう興奮はないかもしれない。@ `......It's probably true that you wouldn't get this excitement from a trap that would certainly go off.`@ br ;　……そういう記述は複数箇所あり、@ベアトリーチェという魔女は、わりとランダムなスリルを好む気まぐれな性分があることが推察できた……。\ `......This kind of description occurred in multiple places,`@` making it possible to guess that the witch called Beatrice had a fickle character and loved a random thrill......`\ ;　気まぐれとは、何とやりにくい相手なのか。@ `A fickle person is very hard to deal with.`@ br ;　１２年前の魔女が何を企んでいたのか、……チェス盤が引っ繰り返せない。\ `I can't flip the chessboard over, ......to find out what that witch from 12 years ago was planning.`\ bg black,2 fede 0,3000 wait 1000 me1 2 bg KUM_R1b,2 ;　縁寿は、それらを吟味しながら、そわそわと視線を躍らせた。\ `As Ange examined these, her gaze darted from place to place.`\ bg black,22 bg KUM_R1c,22 ;　すると、ふと壁に興味を示す。@ `Then, she suddenly showed interest in the wall.`@ br ;　そこには、写真の入った額がたくさん掛けられていた。@ `There, several framed pictures were hung.`@ br ;　それらは熊沢家が親族で集まったり、遊びに行ったりした時の記念写真が多く、熊沢を写したものも多かった。\ `Many of them were commemorative photos from when the relatives of the Kumasawa family gathered or went somewhere to play, and Kumasawa was in many of them.`\ ;　今にも、ほっほっほ…、と快活な笑い声が聞こえてきそうになるその笑顔。@ `...Still with a smile that made it so you could almost hear her lighthearted hoh-hoh-hoh laugh.`@ br ;　……遠い記憶だが、確かにこんな雰囲気の元気のいいおばあちゃんだったことを覚えてる…。\ `......It's part of my distant memory, but I do remember that she was definitely this sort of cheerful old lady...`\ bg black,25 bg KUM_R1a,22 ld r,$ENJ_DefA1,24 ;「熊沢さんは、事件の直前に変わった様子はありましたか…？」@ ;＜縁寿 `"Did you notice anything different about Kumasawa-san in the days leading up to the incident...?"`@ ld l,$KU2_DefA1,23 ;「いいやぁ。@いつも通りに見えたなぁ。@……親族会議はぴりぴりするから、辛い辛いと漏らすのはいつものことでしたし。」\ `"Nope.`@` She looked the same as ever.`@` ......The family conference put her on the edge, so she always let slip about how tough it was."`\ ld r,$ENJ_FumanA2,80 ;「…………？@　……これは？」@ ;＜縁寿 `"............?`@` ......What's this?"`@ br ;　たくさんの額の中に、人物写真ではないものが含まれていた。\ `Among the several frames, there was one that had something other than a picture of people in it.`\ E_A bg black,25 bgm1 1 ;　それは洋館か何かの扉かレリーフを拡大して撮影したものだった。@ `It was a picture of an enlarged relief of a door from a western-style house or something.`@ br ;　……特に面白い被写体にも見えず、むしろなぜわざわざ撮影したのかが気になった。@ `......You couldn't see any interesting subject in particular, which actually bugged me a bit as I wondered why anyone had gone to all the trouble of taking it.`@ br ;　近付いてみると、ペンで何か文字が記されているのに気付く。\ `As I got closer, I realized that some characters had been written with a pen.`\ ;bg KUM_R1c,22 bg black,22 se1 22 mono 1 bg cha_o2a,22 ;「……あぁ、それはお袋の形見分けでもらってきた写真ですわ。@多分、例の黄金伝説に関係したヤツではないかと。」\ `"......Oh yeah, that's a photo I got when Mother's belongings were distributed.`@` I think it probably has something to do with that 'Legend of the Gold' thing."`\ ;「魔女の碑文ですか？@　１０ｔの黄金の隠し場所を示すと噂される…。@……熊沢さんも挑んでおられたんですね。@でも、これは碑文じゃない。@……初めて見るものです。」\ ;＜縁寿 `"The witch's epitaph, you mean?`@` It was whispered that it pointed out the location of the hidden 10 tons of gold...`@`......So, Kumasawa-san tried to solve it too.`@` But this isn't the epitaph.`@` It's the first time I've seen it."`\ ;　洋館風の扉の上にアーチがあり、そこにレリーフがある。@そこに英文が刻まれていて、写真はそれを捉えたものらしい。@ ;　ペン書きは、それを訳したもののようだった。\ `There was an arch above the western-style door, and that's where the relief was.`@` English words were engraved there, and that seemed to be what the picture was focused on.`@ `The pen writing appeared to be a translation into Japanese.`\ mono off bg KUM_R1a,0 ld c,$ENJ_NayamuA1,22 ld c,$ENJ_KomaruA1,80 ;「…………………。@“この扉は千兆分の一の確率でしか開かない。@あなたは千兆分の一の確率でしか祝福されない”。@………知らないわ。@こんな文章、碑文にもお姉ちゃんの日記にも出てこない。」\ ;＜縁寿 `"...............`@`'This door is opened only at a probability of a quadrillion to one.`@` You will be blessed only at a probability of a quadrillion to one'.`@` ......I don't know it.`@` Nothing like this ever showed up in the epitaph or Onee-chan's diary."`\ bg KUM_R1c,0 ld r,$KU2_MajimeA1,24 ;「お袋の遺品の中に、碑文の謎解きに挑戦してると思われる写真やノートが、結構出てきたんですわ。@/ `"In Mother's belongings, there were quite a few photos and notes that looked like they were from her trying to solve the riddle of the epitaph. `@/ ld r,$KU2_DefA1,80 ;お袋も案外、そういうのが好きだったんだなぁ。@何でも１０ｔの金塊が隠されてたって噂だ。@そりゃあ、お袋も夢中になるはずですわ。」\ `Mother was actually surprisingly fond of that kind of thing.`@` And there was that rumor that 10 tons of gold bars were hidden somewhere.`@` That should have made Mother ecstatic."`\ bg black,25 bg book1,22 ;　真里亞お姉ちゃんの日記帳にも魔導書にも、魔女の碑文についての記載はある。\ `In both Maria onee-chan's diary and in her grimoire, there was a description of the witch's epitaph.`\ ;　曰く、黄金郷の扉を開く儀式であり、ベアトリーチェ復活の儀式であり、ベアトリーチェ継承の儀式であり。@云々。@ `It had mentioned about how it was a ceremony to open the door to the Golden Land, and Beatrice's resurrection ceremony, and Beatrice's succession ceremony.`@` On and on.`@ br ;　興味深いのは最後の、継承の儀式、という行だったろうか。\ `Maybe the most interesting one was the last line, the succession ceremony.`\ ;　ベアトリーチェが言うには、@もし魔女の碑文を解き明かすことが出来たなら、@１０ｔの黄金と右代宮家の家督だけでなく、@自らの魔法の力と名前、黄金の魔女の称号までもを引き継ぐという。\ `According to Beatrice,`@` if you were able to solve the witch's epitaph,`@` you would receive not only the 10 tons of gold and the Ushiromiya family inheritance,`@` but her own magical power and name, as well as the title of Golden Witch.`\ bg black,22 bg Mhal_2c,2 ;　魔女の碑文は、当時の右代宮家では、解けた者を次期当主に選ぶために当主金蔵が用意した難解なクイズ、という認識だった。\ `Among the Ushiromiya family at the time, the witch's epitaph was thought of as a difficult quiz, which the head Kinzo had prepared to select the next head.`\ ;　しかしマリアージュ・ソルシエールの解釈では、その出題者はベアトリーチェ自身で、@自らの後継者を選び出すための出題でもあったという。@ `But with the Mariage Sorciere interpretation, the questioner was Beatrice herself,`@` and she had posed the question in part to choose her successor.`@ br ;　……両者の解釈は細部で微妙に食い違っている。\ `......There were slight discrepancies in the details of the two interpretations.`\ bg black,22 ;　いずれにせよ、その物騒な内容は血生臭い連続殺人を想起させ、@２本のボトルメッセージは双方ともそれに沿った事件を描いている。@ `Either way, its ominous contents brought to mind a bloody serial murder,`@` and both of the message bottles drew a tale of a crime that followed that pattern.`@ br ;　魔女の碑文を、１２年後の今であっても解くことが出来たなら、当時の何かの陰謀を解き明かすことが、出来るのだろうか……。\ `If I could solve the witch's epitaph now, 12 years later, I wonder if I could expose some plot made back then......`\ ;　私も何度か挑戦したが、さっぱり意味がわからなかった。@ ;　ウィッチハンターたちも大勢が挑戦しているらしい。@ `I tried to solve it many times myself, but I never did have a clue what it meant.`@ `It seems that many Witch Hunters tried as well.`@ br ;　私の読んだ本にも、江之浦漁港説とか、ラプラタ川説とかが登場する。@ ;　しかし、いずれの説も決定的ではない……。\ `I also found theories like the La Plata theory and the Enoura theory in certain books.`@ `However, neither of these theories were conclusive......`\ bg KUM_R1b,22 ld r,$ENJ_defA1,26 ;「他にも資料が？」@ ;＜縁寿 `"Are there any other materials?"`@ ld l,$KU2_defA1,23 ;「あると思うけど、兄弟で適当に分けたからなぁ。@誰が何を持ってるやら、さっぱりですわ。@申し訳ない。」\ `"I think so, but they were all split up between my siblings.`@` I don't have a clue who has what.`@` Sorry."`\ ld r,$ENJ_NayamuA1,80 ;「………この、熊沢さんが撮影した英文だけ読むと、滅多に開かれない開かずの扉という印象を受ける。@/ `".........Just reading this English text that Kumasawa-san took a picture of, it gives the impression that this was a forbidden door that was rarely opened. `@/ ld r,$ENJ_fumanA2,80 ;……でもこれは屋敷の何処かしら。@光の具合から、屋外みたいだけど。@……熊沢さんは、この中にその黄金が隠されていると睨んでたのかしら。」\ ;＜縁寿 `......But where in the mansion is it, I wonder.`@` Judging by the lighting, it looks like it's outside.`@` ......I wonder if Kumasawa-san kept an eye on what could be inside, thinking that the gold was hidden in there."`\ ld l,$KU2_waraiA1,80 ;「さぁ。@いずれにせよ、六軒島の屋敷のどこかでしょうな。@……お袋の預金口座には、残念だが、黄金を発見したと思えるようなお金は入ってませんでしたよ。@うはははは、さすがに見つからんかったんでしょうなぁ。」\ `"Who knows.`@` Either way, I wonder where in the Rokkenjima mansion it is.`@` ......I hate to say it, but there wasn't enough money in Mother's bank account to make me think she found the gold.`@` Uhahahaha, she probably didn't find it after all."`\ bg black,22 bg portrait2,2 ;　……１０ｔの黄金を金蔵に授けた、黄金の魔女ベアトリーチェ。@ `......The Golden Witch, Beatrice, gave 10 tons of gold to Kinzo.`@ br ;　即ち、魔女こそが黄金の真の所有者。@ `Which meant that the witch was the true owner of the gold.`@ br ;　右代宮家の莫大な財産の全ては、ベアトリーチェこそが所有者なのだ。\ `Beatrice was the owner of all the vast fortune of the Ushiromiya family.`\ ;`Dormeur`へ:「皆殺し」を文字通りに取るべきじゃないでしょうね、この状況で...？\ ;　その莫大な富を持つ魔女が、あの日の六軒島の人間を皆殺しにし、@…戯れかのように遺族に大金を送りつける。@ `The witch holding this vast wealth had massacred the humans on Rokkenjima on that day,`@` ...sending large amounts of money to the surviving relatives like it was a game.`@ br ;　……何が死者からの手紙だ。@ ;　これは、死者への冒涜。\ `......Like hell it's a letter from the dead.`@ `This is the desecration of the dead.`\ bg black,22 bg KUM_R1c,22 ;　私は再び確信する。@ ;　……あの日に島で死んだ家族は、死んで成仏などしていない。@ `I was once again convinced.`@ `......My family who had died on the island that day didn't die and go to heaven.`@ br ;　今も魔女に捕らわれ、永遠に冒涜されながら苛まれ続けているのだ……。\ `They're being trapped by the witch even now, and are being desecrated and tormented for all eternity......`\ textoff bg black,5 fede 0,3000 wait 1000 me1v 12,50 ;■川畑船長の自宅。@（夜） ;　縁寿が最後に訪れたのは、@住宅地と小売店が混在する地域の、マルフク寝具店というを掲げた一軒の店だった……。\ `The last place Ange visited`@` was a store in the region between the housing district and the retail stores, with a signboard saying 'Marufuku Sleep Shop'......`\ bg black,23 fedexx 0,50,0,0,0,0,1000 bg KAW_R1aN,2 ;ld c,$KAW_DefA1,22 ;　そこには、当時、六軒島への連絡船の船長をしていた男が住んでいた。@ `There lived the man who had been the boat captain of the ferryboat to Rokkenjima at the time.`@ br ;　……かつては海の男として活躍した彼も、大きな病気をして体調を崩してからは引退し、@息子夫婦の家で世話になっていた…。\ `......Even he, who had once lived as a man of the sea, had retired after contracting a serious illness,`@` and was now taken care of at the house of his son and his son's wife...`\ ld r,$KAW_defA2,80 mov %play_scene,40250 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_kwa : seplay 9,1060 ;「よーく覚えてる…！@　あんた、まだこんなに小さかった。@立派になったな…！@/ `"I remember it ve-ry well...!`@` You were still about this small.`@` You've turned out well...! `@/ ld r,$KAW_NayamuA1,80 ;　そして、さぞや辛かっただろう。@お前さんの気持ち、よくわかるぞ…！」\ `And, it must have been very tough.`@` I very much understand your feelings...!"`\ ;　元船長は、引退の理由が何だったかよくわからないくらいに元気だった。@ `The former boat captain was in such high spirits that you couldn't really tell why he had retired in the first place.`@ br ;　記憶も鮮明らしく、１０年以上前のことをよく覚えており、当時の縁寿のことさえも記憶しているようだった。\ `His memory seemed clear too, and he could remember the events of more than a decade ago well, apparently even about how Ange had been at the time.`\ ;　話が弾み、縁寿としてはとても助かったが、@……同時に、最後の親族会議のこともよく覚えていて、@船上の戦人の“落ちる落ちる騒ぎ”のことまでも詳細に記憶していたことは、逆に縁寿には辛かった。\ `The way he chatted on was very helpful for Ange,`@` ......but at the same time, he also remembered the final family conference very well,`@` and the fact that he remembered even details like Battler's 'fall fall uproar' on the boat was instead painful to Ange.`\ me2v 16,50 bg black,22 bg sea_1c,22 ;　当時もだが、現在も六軒島に渡る公的移動手段は存在しない。@ ;　渡航には、船の所有者に個人的に頼む必要があった。@ `It had been so back then as well, but even now, there was no public way to cross to Rokkenjima.`@ `It was necessary to make an individual request to an owner of a boat to make the voyage.`@ br ;　六軒島への船は今だ手配が出来ず、@彼に断られたら、六軒島への渡航はもはや絶望的と思われた……。\ `I had been unable to arrange for a boat to Rokkenjima,`@` so if he refused me, the voyage to Rokkenjima would probably become hopeless......`\ bg black,2 fedexx 0,50,0,0,0,0,1000 bg KAW_R1bN,22 ld r,$KAW_DefA2,24 ;「わかってる。@今、あの島に行きたがる船なんぞ、簡単には見つからんだろ。@/ `"I understand.`@` You won't be able to easily find a boat that's eager to go to that island. `@/ ld r,$KAW_nayamuA1,80 ;……今じゃ六軒島と呼ばず、古い名前の悪食島と呼ぶ者までおる。@この辺りの船乗りじゃ、首を縦には振るまいな。」\ `......At this time, there are even those who call it by its old name, Akujikishima, instead of Rokkenjima.`@` It's understandable why the sailors around here would shake their heads at your request."`\ ;　元々、漁民たちの間では六軒島は不吉の島と恐れられていた。@ ;　そして、１２年前のあの事件で、それは頂点に達した……。@ `Originally, Rokkenjima had been feared as an island of misfortune by the fishermen.`@ `And because of that incident 12 years ago, this fear had reached a peak......`@ br ;　彼らは海を尊敬し、畏怖し、そして信心深い。@ ;　呪われた島に船を出そうとする船乗りはほとんどいなかった。\ `They respected the sea, feared it, and revered it.`@ `There were almost no sailors who would try to take a boat to the cursed island.`\ ;　その為、ウィッチハンターの多くは六軒島へ渡ることが出来ず、@せいぜい、島の周りを周遊するのが限界だった。@ `Because of that, most of the Witch Hunters were unable to cross over to Rokkenjima,`@` and were limited to taking a trip around the island.`@ br ;　……皮肉にも、そのせいでますますに六軒島の神秘性が増し、@彼らが喜ぶようなおかしな魔女話が増殖する結果となるのだが…。\ `......Ironically, this had caused the sense of mystery surrounding Rokkenjima to increase even more,`@` and had resulted in the propagation of the bizarre witch stories they loved so much...`\ bg KAW_R1aN,0 ld l,$ENJ_komaruA1,23 ;「………船は、出してもらえるでしょうか。」@ ;＜縁寿 `".........Would you take me in your boat?"`@ ld r,$KAW_WaraiA1,24 E_A ;「うむ。@/ `"Hmm. `@/ bgm1 7 ;明日だけ返してもらう約束になっとる。@最近はエンジンがだいぶご機嫌斜めらしいがな。@かっ飛ばしてやるわい！」@ `They're supposed to give it back to me just for tomorrow.`@` Although it seems its engine has been in a pretty bad mood lately.`@` I'll knock it into shape!"`@ br ;　元船長は、明日、前職に復帰し、六軒島まで船を出してくれることを約束してくれた。\ `The former boat captain promised that tomorrow, he would go back to his previous job and take his boat out to Rokkenjima.`\ ;　これで、六軒島への渡航手段は確保できた。@ ;　新島で出来ることは、これで全てだろう。@ `This way, my method of transport to Rokkenjima is ensured.`@ `This is probably all I can do on Niijima.`@ br ;　あとは、明日。@ `All that's left is...tomorrow.`@ br ;　六軒島で、……１２年前に遡る旅は、終点を迎える。\ `On Rokkenjima, ......I'll reach the final destination of a journey that stretches back 12 years.`\ ;■メタ視 mset mld r,$SAK_WaraiA3,24 ;『よかったね…。@これで島へ行けるようになったね…。』@ ;＜さくたろ `『Isn't that great...?`@` This way, it looks like you'll be able to go to the island...』`@ mld l,$ENJ_waraiA1,23 ;「そうね。@……船を見つけるのは難しいと聞いていたから、船長が協力的で助かったわ。」\ ;＜縁寿 `"It sure does.`@` ......I'd heard that it would be hard to find a boat, so the boat captain's helpfulness really helped me out."`\ mcl r,23 mld r,$RG5_KomaruA1,24 ;「………縁寿さまほどではないにしても。@船長にとっても１２年前の事件は、未だ抜けない棘なんでしょうね。」@ ;＜マモン `".........Although it may not be the same as it was for you, Ange-sama,`@` I'm sure that the incident 12 years ago has been a thorn for the boat captain as well, one that he still hasn't been able to pull out."`@ mcl l,24 mld l,$SAK_KomaruA1,23 ;『……うりゅ。@……船長さんも、心の整理がつかなかったんだね。@ずっと。』\ ;＜さくたろ `『......Uryu.`@` ......Even the boat captain wasn't able to sort out his heart.`@` This whole time.』`\ mld r,$RG5_FumanA1,80 ;「そりゃそうでしょ。@……約束通り１０月５日に、あのじいさんが船を出してくれれば、大勢が助かった可能性がある。@/ `"That's probably true.`@` ......If that guy had taken his boat out on October 5 as promised, there's a chance that he could've saved a great many people. `@/ mld r,$RG5_FumanA2,80 ;ちょっと風が強いからといって、船を渋らなければ…。」\ ;＜マモン `If he hadn't been hesitant with his boat just because of a little wind..."`\ mld l,$SAK_OdorokiA1,80 ;『うりゅ…、そんなこと言っちゃ駄目だよ…。@船長さんもそれを今日まで、ずっと苦しんできたはずだよ……。』\ ;＜さくたろ `『Uryu..., you shouldn't say things like that...`@` I'm sure that has pained the boat captain constantly until today......』`\ mend me1v 12,50 bg black,2 ;　１０月５日は、まさに台風の真っ只中だったそうだ。@ `I heard that it had truly been right in the middle of a typhoon on October 5.`@ br ;　船長に言わせると、１０月４日に六軒島へ向かえば、確実に台風に閉じ込められることはわかっていたという。\ `According to the boat captain, he had known for certain that they would be trapped by the typhoon if they headed to Rokkenjima on October 4.`\ ;　しかし彼らは、予め決定された親族会議の日付に強く固執した。@ `But the family had been very persistent about the date of their conference, which had been determined beforehand.`@ br ;　……無理もない。@親族の誰もが過密なスケジュールを持ち、予め日程を調整した上で親族会議に訪れている。@ `......It was only natural.`@` All of the relatives had been very busy at the time, and had come to the family conference only after arranging their schedules beforehand.`@ br ;　台風が近付いているから翌週に変更、と簡単には言えない事情もあっただろう。\ `It was probably a situation where they couldn't easily push it back to next week because the typhoon was approaching, for example.`\ ;　……船長の責任ではない。@ `......It wasn't the boat captain's fault.`@ br ;　しかし、台風のせいにしてしまえるほど、彼は無責任ではなかった、ということかもしれない。\ `But perhaps you could say that he wasn't so guiltless that the blame could be placed wholly on the typhoon.`\ bg KAW_R1bN,22 ;ld c,$KAW_NayamuA1,26 ;　確かに船長はマモンたちの言うとおり、ずっと１２年前を引き摺ってきたに違いない。@ `Certainly, just as these two said, there's no doubt that the boat captain has been dragging the events of 12 years ago along with him this whole time.`@ br ;　……そして、最後の右代宮一族である私を島に送り届け、@それを無事に連れ帰ることで、過去に決着をつけようとしているのかもしれない…。\ `......And, by taking me, the last member of the Ushiromiya line, to the island,`@` and bringing me back safely, he might be trying to find some resolution for the past...`\ ld c,$KAW_DefA2,26 ;「船は昼過ぎに帰ってくることになってる。@それからあんたを六軒島へ案内するから、到着は夕方前になるだろう。@/ `"The boat is supposed to return just after noon.`@` I'll guide you to Rokkenjima after that, so we should arrive before evening. `@/ ld c,$KAW_nayamuA1,80 ;電気も灯りもない島だ。@あまり長居は出来んぞ。@……その程度の上陸で、あんたの気は済むかね？」\ `It's an island without electricity or lights.`@` You won't be able to stay long.`@` ......Will you be satisfied with a landing of that length?"`\ bg KAW_R1aN,23 ld r,$ENJ_defA2,24 ;「…………………。@/ `"............`@/ ld r,$ENJ_komaruA1,80 ;長居したから何かの気が済む、というものでもありませんし。@船を出してもらえるだけでも感謝します。」\ ;＜縁寿 `There's nothing that would make me more satisfied by staying longer.`@` I'm grateful just to have you take me there."`\ ld l,$KAW_nayamuA1,23 ;「うむ、すまんな。@わしが船を手放していなければ、ケチなことを言わず、好きなだけ島へ案内してやれるんだが…。」\ `"Hmm, don't mention it.`@` If I hadn't parted with my boat, I'd be able to guide you to the island as much as you liked, without being stingy..."`\ bg black,22 bg KAW_R1cN,22 ;　六軒島で何かをしたいという目的があるわけじゃない。@ `It's not like I have a goal of doing something in particular on Rokkenjima.`@ br ;　滞在する時間帯は、夕方頃か…。\ `So, the time of day I'll be staying there is evening...`\ ;　……昼と夜という異なる世界を跨ぐ夕方は、まるでこの世とあの世、@もしくは、１９９８年と１９８６年の境目のような気がして、六軒島を訪れる時間としてもっとも相応しいようにも感じられた。\ `......The evening, which straddles the two different worlds of day and night, seemed almost like a borderline between this world and the next,`@` or possibly, 1998 and 1986,`@` and felt like the most fitting time to visit Rokkenjima.`\ ;　……島で何かをするわけじゃない。@ `......It's not like I have anything in particular to do on the island.`@ br ;　ほんの数時間の滞在でも、私の心の整理がつくならば充分だろう。\ `Just staying there for a few hours should be enough for me to find some closure.`\ ;bg black,22 bg KAW_R1aN,24 ld r,$AMA_DefA1,24 ;　その時、障子が小さくノックされ、天草が顔を出し、腕時計を叩くような仕草をする。@ ;　私も頷き返し、明日の船は確保できたことを教えた。\ `At that time, there was a small knock on the paper sliding door, and Amakusa stuck his head in, tapping his watch.`@ `I nodded back and told him about how I had succeeded in reserving a boat for tomorrow.`\ ld r,$AMA_defA2,80 ;「それは良かった。@……そろそろ参りましょう。@/ `"That's great.`@` ......It's about time for us to go. `@/ ld r,$AMA_majimeA1,80 ;船長、明日はよろしくお願いします。」\ ;＜天草 `We'll be counting on you tomorrow, Captain."`\ ld l,$KAW_WaraiA1,80 ;「おう、任せておけ！@　お前さんたちの難儀な事情も聞いとる。@わしも、当時のワイドショーを見ていて、面白半分に事件を掻き回す連中に虫唾が走っとったもんだ。@協力は惜しまんよ。」\ `"Sure, leave it to me!`@` I've heard of your hardships.`@` I also watched the talk shows at the time, and was disgusted by the people who stirred up the incident just for fun.`@` I'll be generous with my support."`\ bg KAW_R1bN,0 ld c,$ENJ_komaruA1,24 ;「ありがとうございます。@……それでは明日、お昼に。@/ `"Thank you very much.`@` ......Then we'll see you noon tomorrow. `@/ ld c,$ENJ_komaruA2,80 ;あの、これ。@船代に。」\ ;＜縁寿 `Umm, here.`@` The fare for the boat."`\ ;　縁寿は懐より帯封付きの壱万円札の束を取り出す。@ `Ange took a wrapped wad of ten-thousand yen bills from her pocket.`@ br ;　その厚みは、確かに船長にも見えたはずだ。@しかし船長はまったく興味を示さず、首を横に振った。\ `The boat captain should have seen its thickness as well.`@` But he paid it absolutely no interest, and shook his head.`\ bg black,22 bg KAW_R1cN,22 ;「……わしはお前さんに感謝しとるよ。@これは天のお導きだ。@あんたを、六軒島へ連れて行き、そして無事に連れ帰る最後のチャンスを下さったんだ。@わしは金蔵さんに任されていた最後の仕事を、今、ようやく終えることが出来る。@だからあんたには感謝してる。@カネは、当時の金蔵さんからたらふくもらってる。@あんたから取れんよ。」\ `"......I am grateful to you.`@` This is guidance from heaven.`@` I was given a final chance to take you to Rokkenjima and then bring you back safely.`@` Now, I'll finally be able to finish the final job Kinzo-san entrusted me with.`@` So I'm grateful.`@` I received more than enough money from Kinzo-san back then.`@` I cannot accept yours."`\ ;ld ,$ENJ_NayamuA1,80 bg black,22 ;「…………………ありがとうございます。」\ ;＜縁寿 `"...............Thank you very much."`\ fede 1,3000 wait 1000 bg KAW_R2a,26 ld r,$KAW_nayamuA1,24 ;「階段、足元に気をつけてな。@急だぞ。」@ `"Watch your step on the stairs.`@` It's steep."`@ br ;　……バリアフリーという言葉と確実に対極にある、急勾配の階段を下る。@ `......I went down the steep staircase that was the exact opposite of 'accessible'.`@ br ;　上の部屋にあった、テレビやタンスの存在が信じられなくなる。\ `It was getting hard to believe that there was actually a chest of drawers and TV in the room upstairs.`\ bg black,23 bg KAW_R3bN,23 ;　一階の大部分は寝具店の店舗となっていて、たくさんの布団が山と積み上げられていた。@ ;　その狭い布団売り場を抜け、見送ってもらう。@ `Most of the first floor was a bedding store, with many futons piled up on each other.`@ `We weaved our way through the cramped futon shop.`@ br ;　天草は用心深く表の様子をうかがってから先に飛び出し、車を回してくる。\ `After cautiously checking around outside, Amakusa dashed out first and started up the car.`\ ld r,$KAW_DefA2,80 ;「孫の部屋が空いとる。@泊まっていっても構わんのに。@見ての通り、布団なら有り余っとるぞ。」@ `"My grandchild's room is empty.`@` I really wouldn't mind if you stayed there.`@` As you see, we have plenty of extra futons."`@ ld l,$ENJ_komaruA1,80 ;「ありがとうございます。@/ `"Thanks a lot for the offer. `@/ ld l,$ENJ_defA2,80 ;……万一の時、ご迷惑は掛けられませんので。」\ ;＜縁寿 `......But this way, even if the unexpected happens, you won't be troubled."`\ se3 21 ld r,$KAW_NayamuA1,80 ;「………事情は知らんが、相当な厄介に巻き込まれてるようだな。@胡散臭い連中が、人探しをしていると噂になっとる。@あんたのことじゃないのかね？」@ `".........I don't know the details, but it seems you've been caught up in a lot of trouble.`@` There's a rumor that some suspicious people are searching for someone.`@` That wouldn't happen to be you, would it?"`@ ld l,$ENJ_FumanA2,80 ;「…………………。@……さぁ。」\ ;＜縁寿 `"...............`@`......Who knows."`\ ;　縁寿はとぼけるが、船長は察してくれているようだった。\ `Ange played dumb, but it looked as though the boat captain had guessed.`\ ld r,$KAW_DefA1,80 E_B bgm1 25 ;「わしは、六軒島を目指す客人を送り届け、……そして迎えに行き、連れ帰ることが仕事だった。@/ `"My job is to transport guests heading for Rokkenjima, ......and to bring them back again. `@/ ld r,$KAW_NayamuA1,80 ;……その仕事を１２年前に中断したまま、まだ終えていない。@だからわしは、あんたのお陰でその仕事を、ようやく終えることが出来るんだ。」@ `......That job was suspended 12 years ago, but it still hasn't been finished.`@` So, thanks to you, I'll finally be able to finish that job."`@ ld l,$ENJ_NayamuA1,80 ;「…………………。」\ ;＜縁寿 `".................."`\ ld r,$KAW_defA1,80 ;「だから。@………わしにその仕事を終えさせてくれよ？@　わかってるな？」@ `"So listen.`@` .........Let me finish this job, alright?`@` Do you understand?"`@ ld l,$ENJ_komaruA1,80 ;「………………。@/ `"..................`@/ ld l,$ENJ_komaruA2,80 ;……えぇ。@別に私は、死にに行くんじゃない。」\ ;＜縁寿 `......Yeah.`@` It's not like I'm going there to die."`\ mbg black,2 E_MA ;　でも、あの島で死ねたなら、きっと家族のところへ行けるだろうという気持ちは、ある……。@ `But part of me does feel that, if I could die on that island, I would surely be able to go to where my family is......`@ br ;　私もようやく自覚した。@ ;　……私はひょっとしたら、あの島で、……死ぬつもりだったのかもしれない。\ `I had finally become aware of it.`@ `......I might have been planning, ......to die on that island.`\ ;　死に場所を求めて遥々と、六軒島を目指して来たのかもしれないのだ。@ `I might have come all this way, heading towards Rokkenjima, searching for a place to die.`@ br ;　それを船長も察している。@ ;　だからこそ、死ぬなと重ねて言う。\ `The boat captain had guessed that as well.`@ `That's why he repeatedly told me not to die.`\ mcbg 2 ld l,$ENJ_komaruA3,80 ;「………えぇ、死にません。@約束します。@/ `".........Yeah, I won't die.`@` I promise. `@/ ld l,$ENJ_komaruA2,80 ;………そもそも私。@どうして六軒島に行かなくてはならないかの目的さえ、未だにあやふやなんですから。」\ ;＜縁寿 `.........Since in the first place,`@` I'm still vague about the purpose for which I must go to Rokkenjima."`\ ld r,$KAW_DefA1,80 ;「いいや、目的はきっとある。@ `"No, I'm sure there's a purpose. `@/ ;br ;あんたにないなら、…それは(彼ら/・・)にあるんだ。@/ `If there isn't one for you, ...then there is one for` br (`them`/・・・)`. `@/ ld r,$KAW_DefA2,80 ;島があんたを呼んだ。@だからあんたはここまで来たんだ。」\ ;＜点処理：彼ら `The island called you.`@` That's why you came here."`\ ld l,$ENJ_komaruA3,80 ;「………そうかも、知れませんね。@…私は、……呼ばれたのかもしれない。」\ ;＜縁寿 `".........That might...be right.`@` ...I might, ......have been called."`\ bg black,22 ;　呼ばれた。@何のために？@　彼らのために。@ ;　お父さん。@お母さん。@戦人お兄ちゃん。@ `I was called.`@` For what reason?`@` For them.`@ `Father.`@` Mother.`@` Battler onii-chan.`@ br ;　……そして、真里亞お姉ちゃん。@ `......And, Maria onee-chan.`@ br br ;　………あるいは、黄金の魔女。@ ;　ベアトリーチェ。\ `.........Or else, the Golden Witch.`@ `Beatrice.`\ wait 1000 ;　六軒島で、何があるんだろう。@ ;　そして私は何を成すんだろう。@ `What is on Rokkenjima?`@ `And what will I achieve?`@ br ;　いよいよ明日を控えているのに、私は未だに自らの使命を理解できていなかった……。\ `Even though, finally, tomorrow is almost here, I still haven't been able to understand my own mission......`\ me1v 12,0 fedexx 0,50,0,0,0,0,3000 wait 1000 bg KAW_R3bN,26 ;　店の前に車が止まる音がして、短いクラクションが聞こえた。\ `There was the sound of a car stopping in front of the store, and a short honk could be heard.`\ ld r,$ENJ_WaraiA2,24 ;「それでは明日。@失礼します…。」@ ;＜縁寿 `"Then I'll see you tomorrow.`@` If you'll excuse me..."`@ ld l,$KAW_WaraiA1,23 ;「うむ。」\ `"Yep."`\ bg black,24 ;　狭い店内の布団の山を抜け、私は店を出ようとする。@ `Winding between the stacks of futons in the narrow store, I was about to go outside.`@ br ;　…………その時、足が止まった。\ `............At that time, my feet stopped.`\ bg KAW_R3bN,0 ld c,$KAW_defA2,23 ;「……どうしたね？」\ `"......What is it?"`\ ;ld r,$ENJ_IkariA1,24 se1 21 bg black,1 ;!s0「………………………あ、/ ;!d800……………あの、/ ;!d800あれは……？」/ !s0`"..................U, `/ !d800`............umm, `/ !d800`what is that......?"`/ !sd@ ;＜縁寿 ;ld c,$KAW_NayamuA1,80 ;「うん？@　あれ？@　はて？@　何の話だね？」\ `"Hmm?`@` That?`@` What?`@` What are you talking about?"`\ ;bg black,24 E_A bgm1v 94,90 ;　私はわなわなと震えながら、………それを指差す。@ `Trembling all over, .........I pointed at it.`@ br ;　しかし船長はいくら目を凝らしても、私が驚くような何が指の先にあるのか、さっぱり理解できなかった。\ `But no matter how much the boat captain squinted, he noticed absolutely nothing in that direction that should have surprised me.`\ br ;　……そんなことって、@…………そ、……そんなことって…………。\ `......That means,`@` .........th, ......that means.........`\ ;■メタ視 mset mld l,$RG5_OdorokiA3,23 ;「…………あ、ありえない……。@…ど、どうして…………？」@ ;＜マモン `"............I, impossible......`@`...Wh, why.........?"`@ mld r,$SAK_OdorokiA1,24 ;『う、………うりゅ………。@……縁寿、/ ;!d400……どうして？@　どういうことなのこれは……？！』\ `『U, .........uryu.........`@`......Ange, `/ !d400`......why?`@` What's going on here......?!』`\ ;mld c,$ENJ_KomaruA2,23 ;「……わ、………私にだってさっぱりだわ……。@そんな馬鹿なことってあるの……。@/ `"......I, .........I don't have a clue either......`@` There's no way something that ridiculous...... `@/ ;mld c,$ENJ_NayamuA1,80 ;これは魔法なの？@　奇跡なの……？\ `Is this magic?`@` A miracle......?`\ mcl a,0 mld l,$ENJ_komaruA3,24 ;　………えぇ、多分これは運命よ。@……私は今、……理解したわ。@…………これが、……私の使命だったのよ。」\ ;＜縁寿 `.........Yes, this is probably fate.`@` ......I've now, ......understood.`@` ............This was, ......my mission."`\ mld c,$SAK_odorokiA1,23 ;『…………うりゅ……………。』@ `『............Uryu...............』`@ mld r,$RG5_komaruA1,23 ;「私には、………何が何だか…………。」\ ;＜マモン `"I, .........don't have a clue what........."`\ mend ;　私は震えながら、店内の薄暗がりを指差し、固まっている……。\ `Shaking, I pointed into the thin darkness inside the store, and froze up......`\ me1v 12,50 bg KAW_R3bN,23 ld r,$KAW_KomaruA1,24 ;「ど、どうしたんだね？@　何があるんだね？！@　わからん、…わしにはわからん…。@あ、あんたには何が見えてるのかね…？！」\ ;＜船長 `"Wh, what is it?`@` Is something there?!`@` I don't, ...I don't understand...`@` Y, you can see something, right...?!"`\ ld l,$ENJ_komaruA2,23 ;「ありがとう、船長。@/ `"Thank you, Captain. `@/ ld l,$ENJ_hanbesoA1,80 ;!s0……全部全部、/ ;!d800……これは運命だったんです。@ここに私が訪れることさえ、/ ;!d600……運命だった。@…………これが、/ ;!d800………私が六軒島へ行く、目的で、使命なんです………。」/ !s0`......Everything, everything, `/ !d800`......was all fate.`@` Even me visiting this place, `/ !d600`......was fate.`@` ............This is, `/ !d800`.........the mission...and the purpose...that I'm going to Rokkenjima for........."`/ !sd\ ;＜縁寿 cl a,0 ld c,$KAW_KomaruA1,0 ld r,$AMA_majimeA1,24 ;「…………縁寿さん？@/ `"............Ange-san? `@/ ld r,$AMA_defA1,80 ;　どうしました、トラブルですか？」\ ;＜天草 `What is it, is something wrong?"`\ ;ld r,$KAW_NayamuA1,80 bg black,22 me2v 16,50 ;「わ、わしにもさっぱりわからん…！@　お嬢ちゃんが暗がりを指差したまま、固まっちまったんだ…！」\ `"I, I don't have a clue either...!`@` This girl has just frozen up, still pointing into the darkness...!"`\ bg KAW_R3cN,23 ld l,$AMA_majimeA1,23 ;「縁寿さん……？@　大丈夫ですか？@　何が見えるんですか……？」\ ;＜天草 `"Ange-san......?`@` Are you alright?`@` What can you see......?"`\ ld c,$ENJ_komaruA3,22 ;「あなたたちには見えないの？@　それよ、それ。@/ `"Can't you two see it?`@` It's that, right there. `@/ ld c,$ENJ_komaruA4,80 ;……見えないの？！」\ ;＜縁寿 `......Can't you see it?!"`\ cl l,0 ld r,$AMA_DESU,23 ;「見えるのは、ただの陳列棚です。@誰もいやしませんぜ…？」\ `"All I can see is a normal display case.`@` There's no one there, right...?"`\ ;■メタ視 mset mld r,$SAK_OdorokiA1,24 ;『うりゅ……、……縁寿……。@……ボクには何が何だかわからないよ……。@/ `『Uryu......, ......Ange......`@`......I don't know what's going on......`@/ mld r,$SAK_nakuA1,80 ;……これは、……夢なの？@　魔法なの……？@　どういうことなの……？@　……………？@　…………縁寿……………？』\ ;＜さくたろ `......Is this, ......a dream?`@` Magic......?`@` What is it......?`@` ............?`@` ............Ange............?』`\ ;　さくたろうが、縁寿の顔を見上げる……。@ `Sakutarou lifted his face towards Ange......`@ br ;!s0　その瞳から、/ ;;v This line is intentionally left out...doesn't quite work in english ;!d800……ぼろりと、/ ;!d1000……一筋の涙が零れ落ちる。/ !s0`From his eyes, `/ !d1000`......slid a single tear.`/ !sd\ mld c,$RG5_KomaruA1,23 ;「………縁寿さま………………。」\ ;＜マモン `".........Ange-sama..............."`\ mld l,$ENJ_komaruA2,2 ;「……理解したわ。@お姉ちゃん。@/ `"......I understand.`@` Onee-chan. `@/ ;mld l,$ENJ_MajimeA1,80 ;……そして、/ ;!d700……………ベアトリーチェ。」@ ;＜縁寿 `......And, `/ !d700`............Beatrice."`@ mld r,$SAK_odorokiA1,80 ;『………うりゅ………。』\ ;＜さくたろ `『.........Uryu.........』`\ mld l,$ENJ_komaruA1,80 br ;　これが、…………魔法なのね…………。\ `This is, .........magic, isn't it.........`\ ;textoff wait 1000 mld l,$ENJ_nakuA1,45 wait 1000 ;▲第１４アイキャッチ（計１９６ページ）　時計２３時００分　針は動かず eye2 23,0,23,0,10,0,510,340,25 *Umi4_15 mov %grim_scene,407 mov %play_scene,40250 : mov %r_hyouji_side,0 ;■ゲストハウス、電話。@ textoff me2v 13,100 me5v 14,100 me1v 22,100 dllefe 1,1 bg G_o1cN,6 wait 2000 dllefe_off bg black,22 fedexx 0,100,50,0,0,0,2000 E_M1 se1v 53,90 bgm1 39 bg G2F_R1aN,0 ld r,$JES_OdorokiA1,26 ;「………テストって……？」@ `".........A test......?"`@ ;＜朱志香 bg black,25 br ;「……う、うむ。@よく聞きなさい……。」\ `"......Y, yes.`@` Listen well..."`\ ;＜蔵臼 ; 再びゲストハウスに蔵臼たちから電話が掛かってきた。@ `Once again, there was a call from Krauss to the guesthouse.`@ br ; ……そして告げられたのは、……金蔵が孫たちに、次期当主の資格を問うテストを行ないたい、とするものだった。\ `......And the message was......that Kinzo wanted to hold a test to see if the grandchildren had the qualifications to be the next head.`\ ;「………当主様は次期当主を、お父さんたちの兄弟からではなく、@孫たちの中から選びたいと、そう、……仰っている…。」\ `".........The head has said that the next head will not be one of my siblings...`@`that he wants...to pick from the grandchildren..."`\ ;＜蔵臼 bg G2F_R1aN,0 ld l,$BUT_majimeA3,0 ld r,$GEO_KomaruA1k,26 ; 蔵臼の抑圧されたしゃべり方から、娘である朱志香は、そう話すよう強要されていることを理解する。@ `From Krauss's restrained style of speech, Jessica realized as his daughter that he was being forced to speak.`@ br ; そして、父親たち人質は今も危険に晒されていて、@テストとやらを断れば、人質に危害が加えられる可能性があることまでも理解せざるを得なかった。\ `And she was forced to realize that the hostages were being exposed to danger even now,`@` and that if they refused this test, there was a possibility that the hostages would be harmed.`\ mld c,$JES_OdorokiA1,26 ;「そ、……それで……。@私たちは、どうすればいいの。」\ `"T, ......then......`@`what should we do?"`\ ;＜朱志香 mcl c,0 bg black,23 me1v 16,0 fedexx 70,50,0,0,0,0,2000 bg PRI_i1a,0 ld l,$KLA_nayamuA2,23 ;「……う、…うむ。@待て…。」@ `"......H, ...hmm.`@` Hold on..."`@ ;＜蔵臼 br ; 蔵臼は受話器を離し、鉄格子の向こうでにやにやと見ている金蔵を見る。@ ; そして金蔵は次なる連絡を命じた。\ `Krauss put down the receiver, then looked at the grinning Kinzo on the other side of the bars.`@ `Kinzo gave his next order.`\ ;bg black,0 lsp 889,PRI_efe,0,0 print 2 mld r,$KIN_FukigenA1,22 ;「テストの前に、無関係な者を排除しなくてはならない。@/ `"Before the test, those unrelated must be removed. `@/ mld r,$KIN_majimeA1,80 ;………郷田と熊沢がそこにいるのであろう？@　テストに干渉されては邪魔なのでな。@彼らをゲストハウスより追放せよ。」@ ` ..........Gohda and Kumasawa are there, I believe?`@` It will be a problem if they hinder the test.`@` Banish them from the guesthouse."`@ ;＜金蔵 ld l,$KLA_komaruA4,80 ;「………追放、…ですか……。」\ `".........Banish, ...you say......?"`\ mld r,$KIN_waraiA2,80 ;「薔薇庭園に園芸倉庫があったはず。@そこへ郷田と熊沢を閉じ込めて施錠せよ。@/ `"There should be a gardening storehouse in the rose garden.`@` Lock Gohda and Kumasawa in there. `@/ ;ld c,$KIN_MajimeA1,80 ;ふむ、まずはそれからだ。@直ちに遂行するように伝えよ。@………我が武具たちが監視する。@疑わしい行為に及べば、テストは直ちに中止し、お前たち全てを生贄として処刑する！」\ `Hmm, we'll begin from there.`@` Tell them to do it immediately.`@` .........My weapons will be watching.`@` If they happen to do anything questionable, I'll instantly stop the test and execute all of you as sacrifices!"`\ ;＜金蔵 mcl a,0 vsp 889,0 bg black,22 ;mld r,$KLA_KomaruA1,80 ;「……わ、……わかりました……。@/ `"......I, ......I understand......`@/ ;mld r,$KLA_MajimeA2,80 ;……もしもし朱志香…。@今から父さんの言うことをよく聞きなさい……。」@ ` ......Hello, Jessica...`@` Listen closely to what I say......"`@ br ;　蔵臼は朱志香に、郷田と熊沢を閉じ込めるようにとの指示を伝える……。\ `Krauss relayed the orders to lock up Gohda and Kumasawa...`\ vsp 889,1 ;bg sub_P1b,22 print 22 ;mcl r,23 mld r,$KIR_MajimeA1,24 ;「……どんなテストを、なさるつもりですか。」@ `"......What kind of test are you planning?"`@ ;＜霧江 ld c,$KIN_WaraiA2,80 ;「んん？@　あぁ、実に簡単なテストだとも。@孫たちの覚悟を見せてもらうだけだ。@さて、どんな結果を見せてくれるのか。@……くっくっくっく。」\ `"Hmm?`@` Aah, it truly is a simple test.`@` I only want my grandchildren to show me their resolve.`@` Well then, I wonder what kind of results they'll show me.`@` ......*cackle*."`\ ;＜金蔵 ;　霧江は、子どもたちに電話している蔵臼を苦々しそうに見ている。@ `Kyrie watched Krauss, who was talking with the children, looking disgusted.`@ br ;　……悔しいが、今は命令を拒むことが出来ない。\ `......It's regrettable, but for now we cannot refuse orders.`\ ;　この地下牢での小さな反抗は何の意味も持たない。@ `In this dungeon, a feeble resistance won't amount to anything.`@ br ;　下手に挑発し、自分たちを殺させるような事態に追い込んでしまったら、@もう殺人鬼に歯止めなど効かない。\ `If we provoke him too much and drive him into a position where he might kill us,`@` there will no longer be any way to stop this murderer.`\ ;　……彼のルールにとりあえず従い、興奮させないようにしながら、@チャンスを待つしかないのだ……。\ `......For now, the only choice left is to obey his rules without agitating him...`@`all the while waiting for a chance......`\ vsp 889,0 mcl a,0 bg PRI_i1c,22 ;　しかし、金蔵の命令に従順に従い続ければ、@テストと称する何かに子どもたちは襲われ、命を失うことさえあるかもしれない。@ `However, if we continue to obediently follow his commands,`@` the children might be attacked in this so-called test, and they might even lose their lives.`@ br ;　………従順を装おうとも、反抗しようとも、……状況を改善できないのだ。\ `.........Whether we feign obedience or try to resist, ......nothing will cause the situation to improve.`\ ;　とにかく、最後の一瞬までチャンスを見逃さないよう、目を凝らしていることだけが、今できる抵抗なのだ。@ `Anyway, straining our eyes so that we don't let a single chance escape until the very end...is the only resistance possible now.`@ br ;　……霧江はそう自らに言い聞かしながら、金蔵の命令を伝えている蔵臼を見守るのだった……。\ `......While telling herself this, Kyrie watched over Krauss as he delivered Kinzo's orders......`\ bg PRI_i1a,23 ld r,$NAN_KomaruA2,24 ;「………霧江さん。@ここは、辛抱しましょう……。」@ `".........Kyrie-san.`@` Let us be patient......"`@ ;＜南條 ld c,$KIR_NayamuA1,23 ;「わかってるわ。@……悔しいけれど、今は待つしかない。@/ `"I understand.`@` ......It's unfortunate, but all we can do right now is wait. `@/ ld c,$KIR_MajimeA2,80 ;この鉄格子さえ何とかできれば、私たちは屋敷へ戻ることができるんだから……。」\ `If only we could do something about these bars, we would be able to return to the mansion......"`\ ;＜霧江 ld r,$NAN_KomaruA1,80 ;「……何とかここを出られれば……。@……た、試して見ましょう。@/ `"......If only we could somehow get out of here...`@`......I, I'll try something. `@/ ld r,$NAN_fumuA1,80 ;……………金蔵さん、頼みがある。」\ `...............Kinzo-san, I have a request."`\ ;＜南條 vsp 889,1 print 22 mld l,$KIN_fumuA1,22 ;「む、何か、我が友よ。」\ `"Hm, what is it, my friend?"`\ ;＜金蔵 ld r,$NAN_MajimeA2,80 ;「金蔵さんが子どもたちを試したいというのはよくわかった…。@……金蔵さんの納得の行くようにするといい。\ `"We understand well that you want to test the children...`@`......It is fine for you to do things as you desire.`\ ld r,$NAN_komaruA1,80 ;　金蔵さんの力がなければ、とっくに潰れていたかもしれない右代宮家だ。@その担い手を慎重に選びたい気持ち、よぉくわかる…。@それに、その為の親族会議だ。@私らは邪魔はせんよ…。」\ `Without your power, the Ushiromiya family might have been destroyed long ago.`@` We truly understand why you want to carefully select the person who will take charge.`@` Besides, that is what the family conference is about.`@` We won't get in your way..."`\ ;＜南條 mld l,$KIN_WaraiA1,80 ;「ふむ。@お前の理解が得られて助かる。@そうだ、これは親族会議なのだ。@私が次期当主を選び決定する、最後の親族会議なのだよ。@ふっはっはっははははは…！」\ `"Hmm.`@` Your insight is useful.`@` That's right, this is the family conference.`@` The final family conference, where I will select the next head.`@` Fuhahahaha...!"`\ ;＜金蔵 ld r,$NAN_KomaruA4,80 ;「それでだが金蔵さん…。@……ここはあまりに冷え過ぎる。@あんたのテストの邪魔はせんから、もう少し温かい場所に移してもらうことは出来んかね……。」@ `"And yet, Kinzo-san...`@`......It is far too cold here.`@` Since we won't interfere with your test, couldn't you take us to a slightly warmer place......?"`@ ;＜南條 mld l,$KIN_FukigenA1,80 ;「………………。」\ `".................."`\ ;＜金蔵 ;　南條のその一言で、金蔵のわずかにだけ機嫌を良くしたかに感じられた気配が、吹き飛ぶ。@ `At Nanjo's words, the slight signs that Kinzo's mood had been improving were blown away.`@ br ;　値踏みするような険しい目で睨みつける沈黙が、南條にぶつけられる……。\ `Nanjo was struck with a moment of silence as Kinzo gazed at him with dangerous eyes, as though appraising him......`\ mld c,$WAL_DefA2,24 ;「……確かにここは冷えますね。@老体にはお辛いでしょう。@/ `"......Certainly, this place is cold.`@` It's tough on an old body.`@/ mld c,$WAL_defA1,80 ;……お館様。@上の部屋に移し変えても良いのでは……。」\ ` ......Master.`@` Wouldn't it be alright if we moved them upstairs......?"`\ ;＜ワルギリア mld l,$KIN_IkariA1,80 ;「それは出来ぬッ！！@　甘いぞ、南條ぉおおおぉ…？@　お前は一手猶予を与えるような素振りで、実に華麗に布石を打つではないか。@その手には乗らんぞぉぉお…？@　凍えるというなら、真っ赤に焼けた石炭でも敷き詰めてやればよいッ！！」\ `"I cannot do that!!`@` Are you naive, Nanjoooooo...?`@` By acting as though you'll skip this turn, you truly and splendidly advance your strategy?`@` I'm not falling for that, you seeeee...?`@` If you're freezing, then why not line the floor with red hot coals!!"`\ ;＜金蔵 mld c,$WAL_KomaruA1,80 ;「も、申し訳ございません……。」@ `"M, My apologies......"`@ ;＜ワルギリ br ;　ワルギリアも助け舟を出してくれたが、結局、金蔵が聞き入れることはなかった…。\ `Virgilia had tried to help out, but in the end, Kinzo would not comply...`\ mcl a,0 vsp 889,0 bg black,23 vsp 889,1 ld r,$GAP_DefA1,23 ;ld c,$GAP_デフォ,80 ;「……………あなたたちは大人しいのね。@…その気になれば、こんな鉄格子、簡単に破れるでしょうに。」@ `"...............You two sure are obedient.`@` ...If you felt like it, you could easily break these bars."`@ ;＜ガァプ mld l,$KAN_NayamuA1,23 ;「………………………。」\ `"..........................."\ ;＜嘉音 mld c,$SHA_MajimeA1,23 ;「……ここを破ったとて、何もなりません。」\ `"......Even if we break these, nothing will come of it."`\ ;＜紗音 ld r,$GAP_AkuwaraiA2,80 ;「確かに。@……ここを破ったなら、ゴールドスミスのゲームが終わることを意味する。@……あなたたちも、そしてゲストハウスの人間たちも即座に、金蔵の儀式の生贄となるでしょうね。\ `"Of course.`@` ......If you were to break these, it would mean the end of Goldsmith's game.`@` ......All of you, as well as those humans in the guesthouse, would immediately become sacrifices for Kinzo's ceremony.`\ ld r,$GAP_AkuwaraiA3,80 ;　……でも、案外、あなたたちだけかもしれないわよ？@　この状況を打開できる力を持っているのは、……ね？\ `......But, surprisingly, you two might be the only ones, yes?`@` Perhaps only you two hold the power to break out of this situation, ......right?`\ ld r,$GAp_akuwaraiA4,80 ;　………黄金郷に辿り着きたいんでしょう？@　叶えたい夢がいっぱいあるんでしょう…？@　くすくす……。」\ `.........You want to reach the Golden Land, don't you?`@` You must have many dreams you want granted, right...?`@` *cackle*cackle*......"`\ ;＜ガァプ mld c,$SHA_KomaruA1,0 mld l,$KAN_OdorokiA2,80 ;「…………………………。」\ `".............................."`\ ;＜嘉音 mcl a,24 ld l,$RON_MajimeA1,23 ;「ガァプ。@挑発はいけませんよ。@/ `"Gaap.`@` You musn't provoke them.`@/ ;ld l,$RON_waraiA1,80 ;……これはあなたのゲームではない。@お館様の、そしてお嬢様のゲームです。」\ ` ......This is not your game.`@` It is the Master's, as well as Milady's game."`\ ;＜ロノウェ ld c,$KIN_DefA1,24 ;「………どうした、ロノウェ？」@ `".........What is it, Ronove?"`@ ;＜金蔵 ld r,$GAP_waraiA3,80 ;「いえいえ、何も。@/ `"Oh, no, nothing. `@/ ld r,$GAP_Waraia2,80 ;……捕虜とおしゃべりをしていました。@お許しを。」\ `......We were talking to the prisoners.`@` Forgive us."`\ ;＜ガァプ cl r,23 ;　ガァプは最後に、挑発的な笑みを嘉音に送ると、背を向けた。@ ;　嘉音は下唇を噛みながら、両拳を震わせるしかない……。\ `Gaap sent one final sneering smile at Kanon, then turned away.`@ `Kanon could only bite his lower lip and shake his fists......`\ vsp 889,0 bg black,24 bg PRI_i1a,0 ;ld r,$KAN_FumanA1,24 ld r,$KAN_odorokiA2,24 ;「…………………。@……くそ………。」@ `".....................`@` ......Dammit........."`@ ;＜嘉音 ld l,$SHA_komaruA1,23 ;「……よくがんばったね……。@よく我慢したよ……。」\ `"......You did well......`@` Good job hanging in there......"`\ ;＜紗音 bg black,22 ;ld r,$KAN_IkariA3,80 ;「僕たちは、無力だ……。@家具だから……。」\ `"We're powerless......`@` Because we're furniture......"`\ ;＜嘉音 ;ld l,$SHA_MajimeA1,80 ;「そうだね、……私たちは無力。@/ `"That's right, ......we're powerless. `@/ ;ld l,$SHA_DefA1,80 ;……でも、家具は、必要とされることだって、…そして愛されることだってあるよ。@……今の私たちは、暗い地下室にしまわれているだけ。@/ `......However, there are times that furniture is necessary, and even loved.`@` ......Right now, we've only been stored away in the basement.`@/ ;ld l,$SHA_waraiA3,80 ;……きっといつか、誰かが愛してくれる。@必要としてくれるから。@……だから今は挑発に乗らないで、堪えよう…。@……ね？」\ ` ......Surely, one day, somebody will love us.`@` Because we are necessary.`@` ......That's why, for now, let's ignore to their provocation and bear with it...`@`......Alright?"`\ ;＜紗音 vsp 889,1 bg sub_P1b,0 ld l,$KIN_DefA1,22 mld r,$KLA_MajimeA1,24 ;「……お父さん。@郷田たちを倉庫に閉じ込めるよう、指示をしました。」\ `"......Father.`@` I've ordered them to lock up Gohda and Kumasawa."`\ ;＜蔵臼 mcl r,0 cl l,0 ld c,$KIN_fumuA1,23 ;「良かろう。@電話を切って良い。@/ `"Very well.`@` Hang up now.`@/ ld c,$KIN_MajimeA1,80 ;……シエスタ姉妹。@孫たちが郷田と熊沢を閉じ込めるのを監視せよ。@もしも不審な動きがあるようならば、……その時点で次期当主を選ぶテストは終了だ。」\ `......Siesta Sisters.`@` Observe the grandchildren as they lock Gohda and Kumasawa away.`@` If they do anything suspicious, ......then in that moment, the selection test for the next head will be over."`\ ;＜金蔵 vsp 889,0 bg PRI_o1a,23 se1 52 ld r,$S41_DefA1,0 ld l,$S45_majimeA1,0 print 99,1000,"breakup.dll/ulb" se2 52 mld c,$S00_DefA1,0 print 99,1000,"breakup.dll/urb" ;　金蔵が命じると、シエスタ姉妹が背後に整列して現れる。\ `When Kinzo made his order, the Siesta Sisters appeared behind him in a line.`\ mld c,$S00_MajimeA1,80 ;「了解であります。@……斥候は私がやる。@５５６と４１０は両翼支援。@４５は全周警戒。」@ `"Understood, sir.`@` ......I will scout.`@` 556 and 410 will cover both flanks.`@` 45 has wide-area surveillance."`@ ;＜００ ld l,$S45_defA1,80 ;「００…。@５５６は……。」\ `"00...`@` 556 is......"`\ ;＜４５ mld c,$S00_KomaruA1,80 ;「ん、…………そうだった。@すまない。」@ `"Ah, ............that's right.`@` Sorry."`@ ;＜００ ld l,$S45_DefA2,80 ;「いい子でした……。」@ `"She was a good kid......."`@ ;＜４５ ld r,$S41_AkuwaraiA2,80 ;「……だから私は嫌いにぇ。@…いいヤツは。」\ `"......That's why I don't like them, nyeh.`@` ...Good people."`\ ;＜４１０ mcl c,0 bg sub_P1b,24 ld l,$KIN_IkariA1,23 ;「何をしているか、シエスタ姉妹！@　我が命令を遂行せよ！」@ `"What are you doing, Siesta Sisters?!`@` Follow my orders!"`@ ld c,$S00_DefA1,80 ;「……………失礼しました。@では、監視に向かうであります。@……出撃！」\ `"..............My apologies, sir.`@` Then, let us go observe.`@` ......Move out!"`\ ;<00 se1 52 cl c,99,1000,"breakup.dll/urb" se2 52 ;　シエスタ姉妹たちは一斉に姿を消す。@ `The Siesta Sisters erased their forms simultaneously.`@ br ;　その、瞬間移動のように姿を現し、そして姿を消す瞬間を南條と霧江は目撃していたが、@暗がりより現れ、暗がりに姿を消したため、瞬間移動のように見えてしまったのだろうと解釈し、@目をごしごしと擦ることしか出来なかった…。\ `Nanjo and Kyrie witnessed the instants they appeared and disappeared as if by teleportation, `@`but they interpreted this as moving in and out of the darkness in a way that only looked like teleportation,`@` and the two could do nothing but rub their eyes...`\ ld l,$KIN_WaraiA2,80 ;「……さて。@私はテストの準備をしよう。@ロノウェ、ガァプ。@お前たちには試験官を頼む。@/ `"......Well then.`@` I shall begin the preperations for the test.`@` Ronove, Gaap.`@` I'm asking you to be the examiners.`@/ ld l,$KIN_MajimeA1,80 ;ワルギリアはこやつらを監視するように。@………何しろ我が家具が２人いる。@一応は警戒せよ。」\ ` Virgilia, you'll watch these rats.`@` ........After all, two of my furniture are here.`@` Just in case, be on your guard."`\ ;　じろりと紗音と嘉音を見る。@ ;　紗音は硬く目を瞑りながら黙礼し、余計なことはしませんと無言で答えた……。\ `He glanced at Shannon and Kanon.`@ `Tightly closing her eyes, Shannon gave a silent bow, while she answered wordlessly, avoiding any unnecessary actions......`\ ld r,$WAL_MajimeA1,24 ;「……かしこまりました。@注意します。」@ `"......Certainly.`@` I'll be careful."`@ ;＜ワルギリ cl l,24 ld l,$GAP_AkuwaraiA2,23 ;「リーアの老体には寒くて辛くない？@　湯たんぽでも持ってくる…？」\ `"Isn't this cold hard on your old body, Lia?`@` Should I bring you a hot water bottle...?"`\ ;＜ガァプ ld r,$WAL_KomaruA2,80 ;「うるさいです。@早くお行きなさい。@ガプっ。」/ `"Shut up.`@` Go quickly.`@` Gap."`/ se1 11 quakey 2,200 \ ;＜ワルギリ cl l,24 ld l,$RON_AkuwaraiA1,23 ;「ぷっくっくっく…！@　さてさて、テストとは、そして試験官とは、今回のゲームは変わった試みですね。@/ `"Pukukuku...!`@` Well then, having a test as well as examiners makes for a strange experience this game.`@/ ;ld c,$RON_WaraiA1,80 ;………お嬢様を楽しませる展開になると良いのですが。」\ ` .........I do hope this development entertains Milady."`\ ;＜ロノウェ cl l,24 cl a,0 mld c,$WAL_waraiA1,24 ;「……さぁさお出でなさい、山羊の従者たち。」\ `"......Come, arise, goat attendants."`\ ;＜ワルギリ se1 52 ld l,$GOA_DefA1,99,1000,"breakup.dll/urb" se2 52 ld c,$GOA_DefA1,99,1000,"breakup.dll/urb" se3 52 ld r,$GOA_DefA1,99,1000,"breakup.dll/urb" ;　ワルギリアが暗がりに呼び掛けると、そこより、ぬうっと、山羊頭の大柄な従者が３人現れる。\ `Virgilia began to call out into the dark, and from that spot three massive goat-headed attendants suddenly appeared.`\ mld r,$GAP_waraiA2,24 ;「ベアトの眷属ね。@便利だわ。@しかも温かそうだし。@/ `"Ah, Beato's minions.`@` How useful.`@` Plus, they seem so warm.`@/ ;mld r,$GAP_WaraiA1,80 ;あぁ、湯たんぽの代わりね。@なら山羊より羊の方がいいんじゃない？」\ ` I see, so this is instead of a hot water bottle.`@` In that case, wouldn't sheep have been better than goats?"`\ ;＜ガァプ mld c,$WAL_komaruA2,80 ;「カシミア雑巾のくせにうるさいですよ。@……彼らは賢くはありませんが、命令に忠実で強靭な頼れる従者たちです。」\ `"Hey, you're the one wearing cashmere.`@` ......They aren't very bright, but they faithfully follow orders and are quite dependable."`\ ;＜ワルギリ mld l,$KIN_FumuA1,23 ;「うむ、任せるぞ。@我が友、ワルギリアよ。@/ `"Hmm, I leave it to you.`@` My friend, Virgilia.`@/ mld l,$KIN_DefA1,80 ;……残りの者は私と来い。」\ ` ......The rest of you follow me."`\ ;＜金蔵 mcl l,24 ;　金蔵は貫禄ある仕草でマントを翻す。@ `With a dignified gesture, Kinzo fluttered his cloak.`@ mcl r,23 ;　その後に、ロノウェとガァプも続き、@/ `Following him were Ronove and Gaap,`@/ cl l,24 cl c,24 cl r,24 ;……召喚されたばかりの３人の山羊の従者までも続いていこうとする。\ ` ......as well as the three recently summoned goat attendants.`\ mcl c,0 ld c,$WAL_komaruA1,80 ;「……あなたたちは私と残るのですよ。@ついていかないように。」\ `"......You three are supposed to wait here with me.`@` Don't follow them."`\ ;＜ワルギリ ld l,$GOA_DefA1,0 ld r,$GOA_DefA1,24 ;　ビクっと驚いて立ち止まり、とぼとぼと戻ってくる山羊たち。@ `The goats jumped in surprise and then came tottering back.`@ br ;　そのやり取りに、呆然と見ていた霧江もさすがに噴出す。\ `Kyrie, who had been watching stunned as all of this played out, couldn't help but snort.`\ ;vsp 889,1 bg PRI_i1a,0 ld r,$KIR_KomaruA1,24 ;「くっくっく……。@愉快な部下ね。」\ `"Heheh......`@` What entertaining underlings."`\ ;＜霧江 vsp 889,1 print 22 mld l,$WAL_KomaruA1,23 ;「ゴ、ゴールドスミス卿より、私語の許可は与えられていませんよ。」\ `"L, Lord Goldsmith did not give you permission to speak freely."`\ ;＜ワルギリ ;　…多少は恥ずかしかったのだろう。@ `...She was probably embarrassed.`@ br ;　ワルギリアは冷たそうにそう言い放つが、霧江にはそれが見え見えで、しばらくの間、くぐもった笑いを抑えられずにいるのだった。\ `Virgilia had spoken cooly, but Kyrie saw through that, and for a little while, she couldn't restrain her muffled laughter.`\ vsp 889,0 mcl a,0 bg PRI_i1c,25 ;　しかし内心は、一体、金蔵には何人の仲間がいるのかと驚いていた。@ `However on the inside, Kyrie was surprised at the number of people Kinzo had with him.`@ br ;　少なくとも、金蔵を含めて、すでに１０人もの敵を目撃しているのだから…。\ `Because including Kinzo himself, at least 10 enemies had already been spotted...`\ ;　……今、自分たちが閉じ込められている地下牢は、九羽鳥庵という秘密の屋敷の地下だという。@ `......The dungeon they were currently locked in was supposedly underneath the hidden mansion called Kuwadorian.`@ br ;　この屋敷の存在は、囁かれながらも、今日まで蔵臼さえも知らなかった。\ `Although this mansion had been whispered of, not even Krauss had known of its existence until today.`\ ;　そんな風な、金蔵以外に知らない施設がいくつも六軒島には存在し、@金蔵しか知らない、未知の手下が何人も潜んでいたというのだろうか…？@ `Are there actually several facilities like this on Rokkenjima,`@` where many unknown henchmen that only Kinzo knows of hide...?`@ br ;　一体、この台風で閉ざされた六軒島には、今、何人の人間がいるというのか…？\ `Just how many humans are on Rokkenjima, locked away by the typhoon...?`\ bg black,22 E_MA ;　いや、むしろ。@ ;　この島にいる人数は１８人なんて思い込んでいるのは、自分たちだけなのではないか……？\ `No, on the other hand.`@ `Were we the only ones under the impression that there were only 18 people on this island......?`\ ;　ベアトリーチェはいるのか、いないのか、などと悩み、@１９人目の存在程度で頭を悩ませていた自分たちは、この島ではまさに井の中の蛙ではないのか…？@ `Were we, who bickered over whether Beatrice existed or not and worried about whether a 19 person existed or not, `@`nothing more than the frogs in a well on this island...?`@ br ;　いやいや、それどころか…。@今や、敵の方がこちらよりも人数が多いのではないか…？\ `No wait, not only that...`@` By now, are there actually more people on the enemy's side than on ours...?`\ bg PRI_i1b,22 ld l,$KIR_komaruA2,26 ;「…………何が起こってるの、一体……。@魔女？　悪魔？　魔法？@　……それを信じろというの？@　おかしいのは私の目？　それとも頭なの？@　…頭がどうにかなりそうよ………。」\ `"............Just what the hell is going on......`@` Witches? Demons? Magic?`@` ......Are you telling us to believe in those?`@` Are my eyes screwed up? Or is my head?`@` ...I think I'm losing it........."`\ ;　魔法にて繰り広げる大虐殺。@ ;　宙より姿を現し、宙に消える悪魔たち。@ `A mass murder by magic.`@ `Demons forming and disappearing in thin air.`@ br ;　敵の人数がどうこうよりも、目の当たりにさせられている数々の、@この世の常識では説明できない現象を、どう解釈すればいいというのか。\ `More importantly than the enemy's numbers...`@`how should we interpret the various things thrust before our eyes that cannot be explained with the common sense of this world?`\ ;　……霧江は何が何だかわからなくなり、@全てを投げ出して降参したくなる気持ちと必死に戦いながら、正気を保とうと歯を食いしばるのだった…。\ `......Kyrie started to feel like she didn't know what was going on anymore,`@` and while battling the urge to abandon everything and give up, she tried to hold onto her sanity and withstand the tragedy before her...`\ textoff bg black,2 me1v 13,0 me2v 5,0 fedexx 0,70,70,0,0,0,3000 E_B wait 1000 ;■薔薇庭園 se1v 49,90 dllefe 1,1 bg warehous_o2a,66 wait 1000 ;　当然だが、郷田も熊沢も、薔薇庭園の園芸倉庫に閉じ込められるなど、まっぴらごめんだった。@ `Obviously, Gohda and Kumasawa were quite unwilling to be locked in the rose garden shed.`@ br ;　……しかし逆らえば、人質たちの安全は保証されないと脅されている…。\ `.....But they were threatened that, if they resisted, the hostages' safety could not be guaranteed...`\ ;　彼らはなかなか納得してくれなかったが、園芸倉庫に閉じ込めた後、@窓の隙間からその鍵を彼らに託すことによって、むしろ彼らの安全が保証できるのではないかと考えるに至り、@……毛布、食料を運び込むことでようやく納得してもらえたのだった。\ `It was fairly hard to get them to agree, `@`but once they started thinking that their safety might actually be guaranteed if the key to the gardening storehouse was to be handed to them after being shut inside,`@` ......and when it was decided that blankets and food would be carried in for them, they were finally convinced.`\ bg black,2 dllefe_off fedexx 0,50,50,0,0,0,2000 bg warehous_i1a,6 ld c,$KUM_komaruA1,4 ;「………ここは寒々しいですねぇ…。@私たちはいつまでここに閉じ込められていればいいのでしょうか……。」\ `"........This place is pretty chilly...`@` I wonder how long we'll have to stay locked in here......"`\ ;＜熊沢 bg warehous_i1c,0 ld r,$GEO_MajimeA3k,24 ;「……下手をすると、月曜の朝まで、丸々一昼夜はいてもらうことになるかもしれない。@……本当にお二人には申し訳なく思うよ…。」\ `"......In the worst case, it'll be until Monday morning, so a full day and night.`@` ......I really feel bad about doing this to you two..."`\ ;＜譲治 ;　譲治は戦人と一緒に床の一部を片付け、そこに毛布を敷く。@ ;　そしてそこに、運び込んだ缶詰やクラッカーなどの軽食を置いた。\ `George and Battler cleared a space on the floor, then spread the blankets there.`@ `They also left the canned food, crackers, and other light snacks they had brought.`\ ld l,$BUT_KomaruA3,23 ;「月曜の朝までを二人でこの量じゃ、辛いな…。@せめて厨房に寄れたなら…。」@ `"It'll be hard for you guys to go until Monday with just this...`@` If only we were closer to the kitchen..."`@ ;＜戦人 ld c,$JES_KomaruA1,24 ;「余計な場所には行くなと言われてる。@/ `"We were told not to go to any unnecessary places.`@/ bgm1 14 ;……私たちは監視されてるらしいしな。@………クソ。」\ ` ......Looks like we're being watched.`@` .........Damn."`\ ;＜朱志香 bg warehous_i1b,0 ld l,$GOH_KomaruA1,23 ;「……何もお力になれないことを、申し訳なく思います……。@こんな時に皆さんのお側にいてこその、私どもなのに………。」\ `"......I am honestly sorry that we cannot be of any use......`@` And these are the times that we are truly supposed to be at your sides......"`\ ;＜郷田 ld r,$GEO_MajimeA3,24 ;「仕方ないです。@……それより、熊沢さんをよろしく頼みますね。@…何が起こるかわからない。@/ `"It can't be helped.`@` ......More importantly, take care of Kumasawa-san.`@` We don't know what's going to happen. `@/ ld r,$GEO_MajimeA3k,80 ;いざという時は臨機応変に助けて欲しい。@そして何よりも、無事でいて欲しい…。」\ `When it comes down to it, I want you to do what you can.`@` And more than anything, I want you to be safe..."`\ ;＜譲治 ld l,$GOH_komaruA2,80 ;「…えぇ、わかっています。@……皆さんこそ気をつけてくださいね。@今のお館様は、……まるで人の命を、チェスの駒のように奪います。@…気をつけて下さい。」\ `"...Yes, I understand.`@` ......Please, be careful everyone.`@` Right now the Master......is taking human lives like they're pieces on a chessboard.`@` ...Please be careful."`\ ;＜郷田 ;　郷田は俯き、未だに何が起こったのか信じられない、あの食堂での虐殺を思い出し、@その恐ろしさを伝えきれずにいる自分の不甲斐なさに俯く。\ `Gohda stared at the floor, even now unable to believe what had happened as he remembered that atrocity in the dining hall,`@` and he hung his head in shame at his failure to fully describe that terror.`\ ld r,$GEO_KomaruA1,80 ;「ありがとう。@………くれぐれも注意して下さいね。@熊沢さんも。」@ `"Thank you.`@` .........Make sure you stay on your guard.`@` You too, Kumasawa-san."`@ ;＜譲治 ld c,$KUM_OdorokiA1,23 ;「……譲治さんたちも、くれぐれもご用心なさって下さいね……。@もう、私には何が何やら、さっぱりわかりませんとも……。」\ `"......And you all please take care as well......`@` I don't have any idea what's going on anymore......"`\ ;＜熊沢 bg warehous_i1a,23 ld c,$GEO_MajimeA1,24 ;「それじゃ、……僕たちは行きます。@行こう、戦人くん。朱志香ちゃん。@……ほら、真里亞ちゃんも。」@ `"Well then, ......we'll be off.`@` Let's go, Battler-kun. Jessica-chan.`@` ......Come on, Maria-chan too."`@ ;＜譲治 ld l,$MAR_DefA1,23 ;「…………うー。」\ `"............Uu-."`\ bg black,5 fedexx 70,70,70,0,0,0,2000 dllefe 1,1 bg warehous_o2a,22 ;　閉じ込められる二人の痛々しい表情を見ていると、シャッターを下ろすのが辛くなる。@ `Looking at the painful expression on the imprisoned pair's faces, it became hard to close the shutter.`@ br ;　しかし、逆らえない。@ ;　……自分たちは監視されているのだ。\ `But there's no going back.`@ `......We're being watched.`\ se1v 49,100 wait 1200 bg black,65 se2 50 bg white,1 ;bg black,22 bg warehous_o1a,22 ;　シャッターを下ろし、施錠する。@ ;　そして譲治は、倉庫の脇の小さな窓へ向かう。\ `The shutter was brought down and locked.`@ `Then George turned to the small window on the side of the storehouse.`\ ;　それは格子が入った小さな窓で、明かり取りと換気くらいしか出来ないものだった。@ `At that side there was a small latticed window which could only admit light and ventilation.`@ br ;　まるで牢屋を思わせ、ますますに不憫な気持ちになるが、@……逆に彼らを、金蔵とその手下たちから守ってもいると考えたい…。@ ;　その窓を開け、呼び掛ける。\ `It looked like something from a jail, making the two of them seem even more pitiable,`@` ......but on the other hand, I'd like to think that it will protect them from Kinzo and his subordinates...`@ `I opened the window and called out.`\ bg black,22 ;ld c,$GEO_DefA1,24 ;「……大丈夫ですか、寒くないですか。」@ `"......Are you alright? You're not cold, are you?"`@ ;＜譲治 ;ld c,$KUM_DefA2,80 ;「えぇ。@毛布をこんなにいただきましたからねぇ。@……包まっていればきっと平気ですよ。」\ `"We're alright.`@` We've got so many blankets after all.`@` ......If we wrap ourselves up, we'll be just fine."\ ;＜熊沢 bg warehous_o1a,0 ld r,$BUT_KomaruA2,24 ;「石油ストーブとかを持ってくれば良かったな……。」@ `"I wish we could have brought them a kerosene stove or something......"`@ ;＜戦人 ld c,$GEO_KomaruA1,23 ;「……ここじゃ換気できないからね。@辛いだろうけど、今は仕方がない。@……僕たちは人質を取られている。@逆らえない…。」\ `"......But it wouldn't have ventilation here.`@` It's tough, but there's nothing we can do now.`@` ......Hostages are being held against us.`@` We can't disobey..."`\ ;＜譲治 ld r,$BUT_KuyasigaruA1,80 ;「………畜生…。@……何とか、霧江さんたちを救出することが出来れば……。」@ `".........Dammit...`@`......If we could somehow save Kyrie and the rest......"`@ ;＜戦人 ld c,$GEO_MajimeA3,80 ;「しっ。@……聞かれてるかもしれないよ。@………郷田さん、これ。@そのシャッターの鍵です。」\ `"Shh.`@` ......They might hear you.`@` .........Gohda-san, here.`@` The key to the shutter."`\ bg black,24 dllefe_off bg warehous_i1a,0 ld c,$GOH_KomaruA2,24 ;＜譲治 ;「……確かに。@お預かりします。」@ `"......Certainly.`@` I'll take care of it."`@ br ;　郷田は鍵を受け取り、熊沢にもそれを見せた後、自らのポケットにしまう。\ `Gohda took the key, and after showing it to Kumasawa, placed it in his own pocket.`\ bg black,22 dllefe 1,1 bg warehous_o1a,26 ;　園芸倉庫のシャッターの鍵はひとつしかない。@ ;　それを、閉じ込められた彼らに持たせるわけだ。@ `There is only one key to the gardening shed's shutter.`@ `That was being held by those who were locked up inside it.`@ br ;　鍵を子どもたちが持てば、万一の時、奪われでもしたら、倉庫の彼らの命をも危険に晒しかねないのだから。\ `If the children had taken it, and had it stolen from them by some chance, that would do nothing but expose the lives of those in the shed to danger.`\ ;　それに、郷田たちに鍵が与えられても、内側から開くことは出来ない。@金蔵の要求は満たす。\ `And even with the key, the shutter could not be opened from the inside.`@` Kinzo's demands were fulfilled this way.`\ ;　だが、外側からももはや如何なる方法でも開けることが出来ない。@これは彼らの安全を守る。@ `However, there was now no longer any way to open the shed from the outside either.`@` This protected them.`@ br ;　金蔵に命令されての監禁だが、……この寒々しい密室が、この二人を守ってくれると信じるしかない。\ `Kinzo had ordered that they be confined, ......and we could do nothing but trust that this cold closed room would protect them.`\ bg black,24 bg rose_1aN,24 ;　真里亞の手を握りながら、それを見守る朱志香は、真っ暗な薔薇庭園の茂みを見渡す。@ `Jessica watched this while holding Maria's hand, then looked over the thickets in the pitch-black rose garden.`@ br ;　……この暗がりのどこかに何者かが潜んでいて、自分たちが命令に従っているかどうか監視しているのだ。\ `......Somewhere in this darkness, somebody was hiding, watching to see whether we obeyed orders or not.`\ ;　もちろん、懐中電灯を向けたところで、そこに不審な人影が浮かび上がることはない。@ `Of course, when we pointed our flashlights out there, no suspicious silhouettes appeared.`@ br ;　でも、きっと何者かが潜み、監視しているのだ。\ `But somebody was surely out there...hiding and watching.`\ ;　その何者かに怒鳴りつけたい衝動に何度も駆られる。@ ;　……しかしそれを理性でぐっと抑え付けるのだった。@ `I was hit many times with an urge to scream at them.`@ `......But I was able to hold that back through reason.`@ br ;　子どもたち４人は、何度も振り返りながら、その場を後にする。\ `The four children left the area, repeatedly looking back over their shoulders.`\ bg black,22 bg warehous_o1a,22 ;　園芸倉庫内の頼りない電球の灯りが、わずかに漏れている。@ `The light from the dubious lightbulb in the gardening storehouse was seeping out slightly.`@ br ;　……この狂った事件が何らかの形で決着し、……あの二人と再会することは、あるのだろうか。\ `......I wonder if this insane incident will come to an end somehow, .....so that we can meet those two again.`\ ;　……譲治は、自ら閉めたあのシャッターの手応えが、@…二人を自らの手で殺してしまったかのような、そんな風に感じられるのだった。\ `......To George, who had closed the shutter himself, `@`...the resistance of the lock made it feel as though he had killed them with his own hands.`\ me3v 16,70 bg rose_1bN,0 ld c,$BUT_kuyasigaruA1,26 ;「………それでも、……俺たちは逆らえないんだよな……。」@ `".........But even so......we can't defy them......"`@ ;＜戦人 ld r,$JES_IkariA1,24 ;「テストだと…。@……クソジジイめ、ふざけやがって……！@　それで母さんたちが殺されて、父さんたちが捕まって……。@理解できねぇぜ、ぶっ殺してやる…！」\ `"What's with this test...`@`......Damn geezer, don't screw with us......`@` Killing Mom, capturing Dad for that......`@` I don't get it, I'll kill him...!"\ ;＜朱志香 bg rose_1aN,0 ld l,$MAR_WaraiA1,24 ;「……大丈夫だよ、朱志香お姉ちゃん。@悲しくなんかないよ……。」@ `"......It's alright, Jessica onee-chan.`@` There's nothing to be sad about......"`@ ;＜真里亞 ld r,$JES_NayamuA1,24 ;「………真里亞……。」\ `".........Maria......"`\ ;＜朱志香 ld l,$MAR_akuWaraiA2,80 ;「もうすぐ魔女は蘇る。@/ `"Soon, the witch will be revived.`@/ ;ld l,$MAR_AkuwaraiA1,80 ;………すぐに黄金郷で会えるよ。@…きひひひひひひひひひひひ…………。@/ ` .........Soon we'll be able to meet in the Golden Land.`@` ...Kihihihihihihihihi.........`@/ E_M3 se1 11 ld l,$MAR_SakebuA1,1 quakey 3,400 ;あ痛。」\ ` Ouch."\ ;＜真里亞 ld c,$BUT_MajimeA2,24 ;「不謹慎なことで笑うんじゃねぇぜ。@……何が魔女復活の儀式だ。@/ `"Don't laugh indiscreetly like that.`@` ......Seriously, a resurrection ceremony for a witch?`@/ ld c,$BUT_majimeA4,80 ;……妄想は祖父さまの頭の中だけにしときゃいいものを、/ ; !d800……大勢巻き込みやがって。@………こいつは高くつくぜ、…畜生め……。」\ ` ......Wrapping so many people up,`/ !d800` in delusions that he should just keep to the inside of his head.`@` ........That's gonna cost you, ...bastard..."`\ ;＜戦人 bg rose_1aN,23 ld r,$GEO_MajimeA1,24 ;「………ゲストハウスに戻ろう。@…お祖父さまから電話があった際に不在だったらまずい。」\ `".........Let's return to the guesthouse.`@` ...It'll be bad if we aren't there when Grandfather calls."`\ ;＜譲治 cl a,4 ;　譲治に促され、一同はゲストハウスへと歩き出す……。@ `Urged on by George, everyone began walking towards the guesthouse......`@ br ;　その時、グルッと朱志香は振り返り、暗闇の薔薇庭園に向かって吼え猛った。\ `At that moment, Jessica turned in a circle, facing towards the darkness of the rose garden, and roared.`\ ld l,$JES_IkariA1,1 quakex 3,400 ;「………………おいッ！！@　誰か見てんだろ？！@　ジジイに伝えとけ…！！@　絶対にブチ殺してやるってなッ！！@/ `"..................HEY!!`@` Someone's watching, right?!`@` Tell the old man...!!`@` Tell'em I'm going to fuckin' kill him!!`@/ ld l,$JES_ikariA2,80 ; 行こう…！！」\ ` Let's go...!!"\ ;＜朱志香 ;　もちろん、誰かが返事を返すことはなく、風雨の唸り声があるだけだった……。\ `Of course, there was no reply, only the howl of the wind and rain......`\ cl a,24 ;　子どもたちはゲストハウスへ戻る…。@ ;　これから自分たちを何が待ち受けるのか、怯えながら。\ `The children returned to the guesthouse...`@ `...While fearing what was waiting for them up ahead...`\ bg black,2 dllefe_off bg black,1 fede 1,3000 wait 1000 dllefe 1,1 bg rose_1bN,24 ;　彼らが立ち去った後、@………まさに朱志香が吼え猛った暗闇から、@ぴょこっとうさぎの耳が生える…。\ `After they left,`@` .........from the exact point in the darkness that Jessica had yelled at,`@` two rabbit ears sprung up...`\ se1 48 ld c,$S45_komaruA1,66 ;「……ごめっ、ごめごめごめんなさぁいい…！@/ `"......S, sorsorsorry......!`@/ bgm1 70 ld c,$S45_odorokiA1,80 ;　バレてましたぁあぁ…！！」@ ` They found me ouuuut...!!"`@ ;＜４５ se1 52 ld l,$S41_defA1,99,1000,"breakup.dll/urb" ;「４５がすっトロいからバレたにぇ〜。@に〜ひひひ〜、竜王さまに怒られるぅ〜♪」\ `"It's because you're too slow, 45, nye~h.`@` Ni~hihihi~, Pendragon-sama's going to scold youu~♪"\ ;＜４１０ ld c,$S45_KomaruA1,80 ;「ごめんなさいごめんなさい、竜王さまに言い付けるのは許してくださいいいぃい！」\ `"I'm sorry I'm sorry, please don't tell Pendragon-sama on meeeee!"`\ ;＜４５ se1 52 ld r,$S00_majimeA2,99,1000,"breakup.dll/urb" ;「黙れ静かに。@どうせハッタリだ。@/ `"Be quiet.`@` It was obviously just a bluff.`@/ ld r,$S00_MajimeA1,80 ;…郷田と熊沢の監禁は確認した。@任務完了。@報告に戻るぞ。」\ ` ...Gohda and Kumasawa's imprisonment confirmed.`@` Mission complete.`@` We'll report back."`\ ;＜００ ld l,$S41_AkuwaraiA2,80 ;「や〜い、や〜い@　にひひひひひひひひひひひひひひ！@/ `"Ya~i, ya~i.`@` Nihihihihihihihihi!`@/ se1 11 ld l,$S41_akuwaraiA1,1 quakey 3,400 ; あ痛。」@ ` Ouch."`@ ;＜４５ ld r,$S00_MajimeA2,80 ;「連帯責任でニンジンと水だけの刑になりたいか。@……行くぞ。」\ `"Do you want us all stuck on nothing but carrots and water because of collective responsibility?`@` ......Let's go."`\ ;＜００ textoff se1v 52,100 cl r,99,1000,"breakup.dll/llb" se2v 52,100 cl c,99,1000,"breakup.dll/llb" ld l,$S41_defA1,80 se3v 52,100 cl l,99,1000,"breakup.dll/llb" E_B se1v 1006,100 bg black,1 dllefe_off ;■ゲストハウス、いとこ部屋 bg black,1 wait 1000 me1v 12,0 me2v 16,0 fedexx 0,70,70,0,0,0,3000 wait 1000 dllefe 1,1 bg G_o1aN,2 wait 2000 bg black,22 dllefe_off mevol 1,50 mevol 2,50 bg G2F_P1bN,22 wait 1000 bg black,24 bg G2F_R1aN,24 ;　彼らが監視を受けているのは、確かに事実のようだった。@ `The fact that they were being watched certainly seemed to be true.`@ bgm1 15 me3v 22,90 ;　いとこ部屋に戻り灯りをつけて、ベッドの上に横になったらもう電話が鳴ったからだ。\ `Because when they returned to the cousins' room, turned the lights on, and lied down on their beds, the phone rang again.`\ ld c,$GEO_KomaruA1,24 ;　これまでは、朱志香の家ということもあり、朱志香が受話器を取っていたが、@今度は最年長者ということで譲治が受話器を取った。\ `Earlier, seeing as it is her house, Jessica had been answering the phone,`@` but now it was the eldest, George, who picked it up.`\ E_M3 se1 53 bg black,22 ;　電話の相手は、今度は霧江さんだった。@ `This time, Kyrie-san was on the other end of the phone.`@ ;　気を遣い、その受話器を戦人に譲る…。\ `George handed it to Battler out of consideration...`\ bg G2F_R1aN,0 ld l,$JES_NayamuA1,0 ld c,$GEO_komaruA1k,22 ld r,$BUT_NayamuA1,24 ld r,$BUT_majimeA4,80 ;「………もしもし。@霧江さんか？@　そっちは大丈夫なのか…？！」\ `".........Hello.`@` Kyrie-san?`@` Is everything alright over there...?!"`\ ;＜戦人 bg black,22 ;「心配をありがとう。@…今のところは快適よ。@…………………ごめんなさい、私語は慎めと命令されてる。@今から伝えることをよく聞いて。」\ `"Thanks for worrying.`@` ...It's agreeable for now.`@` .....................Sorry, I've been ordered to refrain from speaking freely.`@` Listen to what I'm going to tell you now."`\ ;＜霧江 ;　彼らが人質であるという事実は、何も変わらない。@ ;　この電話だって、金蔵かその手下に聞かれているだろう。@ `The fact that they were hostages still hadn't changed.`@ `Kinzo or one of his subordinates was listening to the conversation.`@ br ;　戦人は、色々と話したい気持ちをぐっと抑えて、霧江の話を促す。\ `Battler restrained the urge to talk about other things, and focused on what Kyrie had to say.`\ ;「テストは、朱志香ちゃん、譲治くん、戦人くん。@そして真里亞ちゃんの順で行なわれるそうよ。@………順番に呼び出すから、それまでその部屋を出ないこと。@呼び出された者は、ひとりで指定された場所に向かうこと。」\ `"The test will be carried out by Jessica-chan, George-kun, Battler-kun,`@` and Maria-chan, in that order.`@` .........You'll be called out in turn, so until then, do not leave the room.`@` The person who is called out will head to their designated location, alone."`\ ;　戦人はそれを復唱し、周りで聞いているいとこたちにもわかるようにした。\ `Battler repeated it to the cousins in a way that they would understand.`\ bg G2F_R1bN,0 ld c,$BUT_MajimeA1,26 ;「……朱志香、兄貴、俺、真里亞の順で、呼び出しがあるまで部屋にいろ、だな。@……わかった…。@/ `"......Jessica, Aniki, me, and Maria in that order, stay in the room until we're called, right?`@` ......Got it. `@/ ld c,$BUT_nayamuA1,80 ;……真里亞もなのかよ？@　９歳の子にまで、クソジジイは何を強いる気なんだ、畜生め…。」\ `......Maria too?`@` Even a nine year old girl...what's the damn geezer trying to force us to do, that bastard..."`\ ;＜戦人 ;「……………右代宮家の命運は、あなたたちに握られてるわ。@……頑張って。」@ `"...............The fate of the Ushiromiya family rests in all of your hands.`@` ......Do your best."`@ ld c,$BUT_niramuA3,80 ;「……ん。@……………あぁ。」\ `"....Mm.`@` ...............Sure."`\ ;＜戦人 me3v 17,50 ;　戦人は、霧江の言葉の微妙なニュアンスに気付く。@ ;　血が繋がっていないとはいえ、短くない縁から理解できるものだった。\ `Battler noticed the strange nuance in Kyrie's words.`@ `Even without any blood connection, he could still understand thanks to the long-lasting bond they shared.`\ bg black,22 ;　この期に及んで、右代宮家の心配など場違いだ。@ ;　……霧江が伝えたいのはそういうことではないだろう。@ `By now, it's no longer the time to worry about the Ushiromiya family.`@ `......That wasn't the message that Kyrie wanted to send.`@ br ;　恐らく、“自分たちには地下牢から脱出する方法がなく、救出を待つ他ない。@命は預けた”。@ `She probably meant "there is no way for us to escape from this dungeon, and we can only wait to be rescued.`@` Our lives are in your hands".`@ br ;　……そういう意味なのだ。\ `......Something like that.`\ fede 13,1000 bg G2F_R1aN,0 ld r,$BUT_komaruA3,26 ;「あぁ、任せてくれ。@どんなテストか知らねぇが上等だぜ。@受けてたってやらぁ。@/ `"Yeah, leave it to me.`@` We don't know what kind of test it is, but no problem.`@` I'll take it gladly.`@/ ld r,$BUT_niramuA1,80 ;………本気のテストなんだよな？@　…マジにやっちまって、/ ` ........Is it a serious test?`@` ...Should we really,`/ ;!d900……いいんだよな？」@ !d900` ......go all out?"`@ ;＜戦人 ;This is another line I know is not right. ;「……えぇ。@本気のテストよ。@お祖父さまも本気で試すつもりでいるわ。」\ `"......Yes.`@` It's a serious test.`@` Grandfather plans to truly test you all."`\ ld r,$BUT_majimeA4,80 ;「駄目だな、全然駄目だぜ。@……死に掛けの老いぼれが、俺と本気？@/ `"It's useless, it's all useless.`@` ......Some old fart on death's door is going to challenge me seriously?`@/ ld r,$BUT_OdorokiA1,80 ;　寝言は棺に入ってから言いやがれ。@そこにいる、ジジィに言っとけ。@次期当主は俺だ。@その最初の仕事は、てめぇの面に鉄拳ブチ込んでやることだってな…！」\ ` Let him spout nonsense AFTER he gets in the coffin.`@` He's there, so tell him this for me:`@` The next head is me.`@` And my first action will be to shove my fist into your face...!"`\ ;＜戦人 bg black,23 fede 10,1000 vsp 889,1 bg PRI_o1a,22 ;　その戦人の力強い宣戦布告は、霧江が復唱せずとも、金蔵の耳に届く…。\ `Even without Kyrie having to repeat it, Battler's powerful declaration of war reached Kinzo's ears...`\ ld c,$KIN_AkuwaraiA1,24 ;「ふっはははははははは！！@　戦人ぁあぁ、それは実に楽しみであるぞぉ！@/ `"Fuhahahahahahahaha!!`@` Battleeeeer, I am truly looking forward to thaaat!`@/ ld c,$KIN_WaraiA2,80 ;　一度は右代宮の名を捨てた男が、何を身に付け、@何の境地に至って我が前に現れるというのか、楽しみにしているッ！！@　そう伝えよ…！」\ ` I can't wait to see just what a man who once threw away the Ushiromiya name has attained,`@` just what lot in life he's reached when he appears before me!!`@` Tell him...!"`\ ;＜金蔵 vsp 889,0 bg PRI_i1a,0 ld r,$KIR_nayamuA1,24 ;　残念ながら、金蔵のその声は受話器には拾われなかった。@だから霧江が代弁する。\ `Unfortunately, Kinzo's voice was not picked up by the reciever.`@` Therefore, Kyrie spoke for him.`\ ld r,$KIR_majimeA2,80 E_A ;「大いに上等だそうよ。@……いい、戦人くん。@手加減は不要よ。@/ `"Sounds like he's more than up for the challenge.`@` .....Alright, Battler-kun.`@` There's no need to hold back.`@/ bgm1 51 ;………あなたは留弗夫さんの息子。@/ ` .........You are Rudolf's son.`@/ ld r,$KIR_WaraiA2,80 ;……いいえ、私の息子よ。@誰に自慢しても恥ずかしくないところを、私にも見せて頂戴。@………あなたに全てを託すわ……。」\ ` ......No, you are my son.`@` Show me something I won't be embarrassed to brag about.`@` .........I entrust everything to you.`\ bg black,23 bg G2F_R1bN,0 ld c,$BUT_nayamuA3,23 ld c,$BUT_FutekiA2,80 ;「了解だぜ、カーチャン。@………後は任せておけ…！」\ `"Understood, Mom.`@` ........Leave the rest to me...!"`\ ;ld c,$KIR_KomaruA1,80 ;「………私たち全員は当主跡継ぎの資格を失っている。@……もう私たちは、取られてゲーム盤から外された駒も同然よ。@だからあなたたちだけで、戦って。」@ `"........All of us here have lost the right to inherit the position of head.`@` ......Now we're just the same as pieces taken off the chessboard looking on from the outside.`@` So you'll have to fight by yourselves."`@ ld c,$BUT_NiramuA1,80 ;「……………霧江さん………。」\ `"...............Kyrie-san........"`\ bg black,22 ;!s0　その言葉のニュアンスは………、@ !s0`The nuance of those words meant........`@ br ;“私たちはもう、諦めている。@　…私たちのことは気にしなくてもいいから”。/ `"We've already given up.`@` So you can forget about us".`/ !sd\ ;　……だが、………だからこそ、俺は諦めない……。@ ;　絶対にテストとやら、ブチ壊しにしてみんなを救ってやる…！\ `....But, ....for that very reason, I won't give up......`@ `I'll definitely crush this test or whatever, and save everyone...!`\ bg black,24 vsp 889,1 bg PRI_i1a,0 mld l,$KIN_fukigenA1,0 ld r,$KIR_nayamuA1,22 ld r,$KIR_majimeA2,80 ;「それでは、……一番最初の、朱志香ちゃんへのテストの指示よ。@……自分の部屋へ行け、ですって。」@ `"Well then, ......here are the instructions for the first test, Jessica-chan's.`@` ......Head to your own room, he says."`@ ;ld r,$BUT_OdorokiA2,24 ;「自分の部屋？」\ `"Your own room?"`\ ld r,$KIR_nayamuA1,80 ;「お屋敷の、朱志香ちゃんの自室って意味のようね。」@ `"It seems he means Jessica's personal room in the mansion."`@ ;ld r,$BUT_NiramuA3,80 ;「………朱志香に代わる。@直接伝えてやってくれ。@/ `"......I'll hand it over to Jessica.`@` Tell her directly for me.`@/ ;ld r,$BUT_oyaA1,80 ;……朱志香。」\ ` ......Jessica."`\ vsp 889,0 mcl a,0 bg black,23 ;ld l,$JES_OdorokiA1,23 ;「も、もしもし……。@…………はい、…わかりました…。」\ `"He, hello......`@`............Yes, I understand..."`\ me5v 11,0 fedexx 0,0,0,0,0,90,4000 wait 2000 E_MA se1v 27,90 me1 12 me2 5 dllefe 1,1 bg G_o1bN,22 ;■ゲストハウス ld r,$JES_MajimeA1,24 ;「…………私からか…。@/ `"............Starting with me, huh...`@/ ld r,$JES_atyaA2,80 ;……もう覚悟決めたぜ。@行ってくるぜ！」\ `......I'm already prepared.`@` I'll be back!"`\ ;＜朱志香 ;　朱志香だって、本当は年頃の少女として怯えたい気持ちもあるはず。@ ;　……しかし、彼女はその気持ちを押し殺し、覚悟を決めた。\ `In actuality, Jessica was probably feeling the fear of a girl her age.`@ `......But she crushed those feelings and strengthened her resolve.`\ ld l,$GEO_MajimeA3,23 ;「用心、……してね。」@ `"Be careful, ......okay?"`@ ;＜譲治 ld r,$JES_komaruA1,80 ;「……私たちは監視されてんだろ。@余計なことも出来ない。@言いなりになるしかないさ。」\ `"......We're probably being watched.`@` We can't do anything stupid.`@` All we can do is exactly as we're told."\ ;＜朱志香 cl l,24 ld l,$BUT_NiramuA1,23 ;「………食堂で、ジジイは何の躊躇いもなく、瞬く間に６人を殺したという。@……それは、俺たちに対しても同じかもな。」@ `"......They say that old geezer killed those six in the dining hall instantly, with no hesitation.`@` .....So, if we try to fight back, we might end up the same way."`@ ;＜戦人 ld r,$JES_odorokiA1,80 ;「わかってる。@…………返り討ちにしてやるぜ。」\ `"I get it.`@` ...........I'll pay them back."`\ ;＜朱志香 cl l,24 ld l,$GEO_komaruA1k,23 ;「無茶は駄目だよ。@………危険だと思ったら、自分を最優先にして。@……蔵臼伯父さんが、自分のために娘が犠牲になったことを知ったら、@胸が張り裂けてしまうに違いないから。」\ `"Don't do anything reckless.`@` ......If you think you're in any danger, your own welfare comes first.`@` ......If Krauss oji-san finds out that his daughter sacrificed herself for him,`@` there's no doubt it would tear his heart apart."`\ ;＜譲治 ld r,$JES_IkariA1,80 ;「逆も同じだぜ。@………父さんと母さんが殺されて、私だけが生き残ったら。@私の胸だって張り裂けるぜ。」\ `"It goes the other way too.`@` ........If Mom and Dad are both killed, and I'm the only one left,`@` my heart would rip itself to pieces."`\ ;＜朱志香 ld l,$GEO_MajimeA3,80 ;「…………………………。@……戦人くん。@さっきの話は、本当だよね……？」\ `"...........................`@`......Battler-kun.`@` Is what you said earlier true......?"`\ ;＜譲治 bg G_o1aN,0 ld r,$BUT_NayamuA1,23 ;「あぁ。@/ `"Yeah.`@/ ;ld r,$BUT_KuyasigaruA1,80 ;………霧江さんたちはもう、……覚悟を決めている。」\ ` .........Kyrie-san and the others are already, ......prepared for what will happen."`\ ;＜戦人 ld l,$JES_AtyaA2,23 ;「なら、…なおのこと上等だぜ。@……みんなの命は私たちの双肩に掛かってるってことだ。@/ `"Then, ...then the way things are now is just perfect.`@` ......Everyone's lives rest on our shoulders.`@/ ld l,$JES_IkariA1,80 ;人質みんなは、囚われの身で何も出来ない。@なら、私たちが何とかするしかねぇんだぜ。」\ ` The hostages can't do anything while locked up.`@` In that case, all that's left is for us to do something."`\ ;＜朱志香 ld c,$GEO_majimeA3k,24 ;「………もし、何かあったらゲストハウスに逃げ戻って。@その時点で、僕たちがお祖父さまのゲームに付き合うのは終了だ。」@ `".........If something happens, run back to the guesthouse.`@` At that time, we'll be done playing along with Grandfather's game."`@ ;＜譲治 ld r,$BUT_MajimeA1,80 ;「兄貴………。」\ `"Aniki........."`\ ;＜戦人 ld c,$GEO_MajimeA2k,80 ;「その時点で僕たちは宣戦布告。@………どこかに閉じ込められている彼らを救い出し、お祖父さまには然るべき処遇を与える。」@ `"At that time we will declare war.`@` .........Wherever they're locked up, we'll save them, and we'll deal with Grandfather accordingly."`@ ;＜譲治 fede 12,1000 ld r,$BUT_komaruA3,80 ;「……いいのか、兄貴。@……紗音ちゃんもいるんだろ。」\ `"...... Are you sure, Aniki?`@` ......Shannon-chan's there too."`\ ;＜戦人 ld c,$GEO_MajimeA1k,80 E_MA ;「……………………。@/ `".......................`@/ bgm1 47 ;……だからと言って、僕は座して、婚約者が殺されるのを待ちはしないよ。@/ `......That's why I'm saying it. I'm not sitting around and waiting for my fiance to be killed.`@/ ;ld c,$GEO_MajimeA2,80 ;………僕が恐ろしいのは、お祖父さまに紗音が殺されるかもしれないことに怯えることじゃない。\ ` .........What scares me is not that Shannon might be killed by Grandfather.`\ se2 21 ld c,$GEO_majimeA5,80 br ;(僕の婚約者に恐怖を味わわせたクソジジイ/・・・・・・・・・・・・・・・・・・・) ;(を、君らが僕より先にブン殴っちまうことだけ/・・・・・・・・・・・・・・・・・・・・・) (`I'm just worried you guys'll get there first`/・・・・・・・・・・・・・・・・・・・) br (`and clobber the damn geezer who made`/・・・・・・・・・・・・・・・・) br (`my fiance experience terror before I do`/・・・・・・・・・・・・・・・・・・)`."`\ ;br ;さ。」\ ;＜譲治：点処理：僕の婚約者に恐怖を味わわせたクソジジイを、君らが僕より先にブン殴っちまうことだけさ。（こんなに長いと点字処理むずかしいかなぁ？？） ld l,$JES_futekiA2,80 ;「なるほどな…。@……確かにこいつは、次期当主を誰が決めるかってテストらしいぜ。」\ `"I see...`@`......This really does sound like a test to see who'll be the next head."`\ ;＜朱志香 ld r,$BUT_FutekiA3,80 ;「だな。@/ `"Yep.`@/ ;ld r,$BUT_FutekiA3,80 ;……クソジジイの顔面に、一番最初に拳をお見舞いしたヤツが、次の当主だぜ。」@ ` ......The first one to bury a fist into that old face is the next head."`@ ;＜戦人 br ;　譲治、戦人、朱志香の３人は力強く頷き合い、拳をぶつけ合う。\ `George, Battler, and Jessica each forcefully nodded their heads and put their fists together.`\ bg black,5 me1v 13,50 bg rose_G1aN,22 ;　そして朱志香は、指定された自分の部屋へ、ひとり向かっていく……。@ `Then Jessica headed off to her own room, as designated......`@ br ;　彼女の姿が、暴風に揺れる暗闇の薔薇庭園に消えていく。@ `Her form disappeared into the waving darkness of the rose garden.`@ br ;　……それを見送り、譲治と戦人は握り拳をさらに硬くし、震わせるのだった……。\ `......Watching over that, George and Battler hardened their grips, their fists trembling.....`\ bg black,2 textoff me2v 5,0 fedexx 0,50,50,0,0,0,3000 bg G_o1cN,22 ;　２階に残った真里亞は、窓から朱志香の背中を見送っている。@ ;　その表情はきょとんとしたもの……。\ `Left on the second floor, Maria watched Jessica's back through the window.`@ `She wore a blank expression......`\ bg G2F_R1cN,22 dllefe_off ld c,$MAR_fukigenA1,24 ;「……みんなは何を息巻いてるのかな。@………ベアトリーチェが蘇れば、みんな生き返らせてもらえるのにね。」@ `"......I wonder what everyone is getting so upset about.`@` .........Even though when Beatrice is revived, everyone will be brought back to life."`@ br ;　もう、朱志香の姿は闇に完全に飲み込まれてしまっている。\ `Jessica's form was already being completely swallowed up by the darkness.`\ bg G2F_R1aN,23 me5v 22,100 ;　……その時、再び電話が鳴る。@ `......At that time, the phone began to ring again.`@ bgm1 40 br ;　戦人たちにも聞こえ、どたばたと大急ぎで戻ってくるが、それを待たずに真里亞が受話器を取る。\ `Battler and George heard it and came clamoring back, but Maria picked up the receiver right away.`\ E_M5 se1 53 ld r,$MAR_niyariA1,24 ;「……………もしもし。」@ `"..................Hello."`@ ;＜真里亞 ;「ま、……真里亞さまですか…？@　紗音です。@……譲治さまに代わっていただけますか。」\ `"M, ......Maria-sama...?`@` It's Shannon.`@` ......Would you please hand the phone to George-sama?"`\ ;＜紗音 ;　今度の電話は紗音からだった。@ `This time it was Shannon on the phone.`@ br ;　そしてその電話は、次の順番である譲治に、向かうべき場所を伝えるものだった……。\ `And this time, the message was to tell the next person, George, where he was to go......`\ ;▲第１５アイキャッチ　午後２３時０５分　から　午後２３時１１分へ進む。 eye2 23,5,23,11,1,0,320,240,30 ;■ちょっと時間経過シーン。@薔薇庭園〜屋敷前〜屋敷内〜２階廊下、と朱志香の流れ。@ *umi4_16 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,jes mov %grim_scene,407 bgm1 36 me1v 12,70 textoff dllefe 1,1 bg rose_1aN,2 wait 2000 ;bg black,2 ;bg rose_G1aN,4 wait 2000 bg black,4 bg M_o1aN,4 wait 2000 dllefe_off se1 17 bg black,10 fedexx 70,50,0,0,0,0,1000 bg Mhal_2aN,22 wait 2000 ;bg Mhal_2bN,22 ;wait 2000 bg black,24 bg M2F_P1aN,0 ld c,$JES_komaruA3,24 ;　朱志香は生まれてからずっと、……当たり前だが、この屋敷で育ってきた。@ `Obviously, since the time she was born, ......Jessica had been raised in this mansion.`@ br ;　いとこたちがお屋敷と呼んで萎縮するその洋館が、自分の家だった。\ `The atrophied, western-style house that the cousins called a mansion was her home.`\ ;　なのに、今日ほどそのいとこたちの気持ちがわかったことはない。@ `And yet, she had never understood her cousins' feelings as much as she did today.`@ br ;　……そして同時に、自分がよく見知った自宅が、これほど別の場所に感じたことはなかった……。\ `......And at the same time, she had never felt that her own home, which she knew well, was a different place as much as she did now......`\ bg black,24 me2v 16,50 bg M_door1,22 ;　自分の、………部屋。@ `Her own.........room.`@ br ;　そこはかつて、この広大な屋敷で唯一心を許せる、自分だけの隠れ家だった。@ `This had once been her hideaway, the only place in this vast mansion where she could feel at peace.`@ br ;　しかし、……今ほど、その扉に威圧感を感じることはない。\ `However, ......she had never felt as much pressure coming from that door as she did now.`\ ld r,$JES_komaruA1,24 ;「………テストだって…？@　ちぇ、一体、何が待ち受けてやがるんだ……。@まさか、私の机とか、引っ掻き回してねぇだろうな……。」\ ;＜朱志香 `".........A test, you say...?`@` Tch, what the hell could be waiting in there......`@` I'm not gonna find my desk and stuff dragged around all over the place, right......?"`\ ;　自らを騙すために、悪態をつく。@ ;　……自分は何も恐れていないのだと、信じさせるために。@ `She acted tough, trying to deceive herself.`@ `......Trying make herself believe that she wasn't scared of anything.`@ br ;　覚悟を決め、自分の部屋の扉を開く。\ `Readying herself, she opened the door to her room.`\ textoff me3v 5,0 fedexx 100,100,100,100,0,0,4000 wait 100 E_A se1v 16,100 bg black,1 wait 1000 me1v 12,50 bg MJES_1an,42 wait 2000 ld l,$JES_tohohoA2,3 ;「………………………………。」@ ;＜朱志香 `"....................."`@ br ;　……幸いなことに、部屋が荒らされてるようには見えず、ほっとする。\ `......When she saw that, fortunately, the room didn't appear to be messed up, she relaxed.`\ bg black,24 bg MJES_1c,24 ;　誰も、……いない。@……もちろんだ。@ ;　人が隠れられる場所など、あるわけもない。@ `No one......was there.`@` ......Of course.`@ `There was nowhere for anyone to hide here.`@ br se1 25 ;　朱志香は咄嗟に、後手で施錠してしまう。@ ;　……これで、この部屋は安全だ。\ `Right away, Jessica locked the door behind her.`@ `......This way, the room was safe.`\ bg black,26 ;　ベッドの下もクローゼットも覗くが、もちろん誰も隠れていない。\ `She peeked under the bed and in the closet, but of course, no one was hiding.`\ bg MJES_1aN,22 ld c,$JES_aisowaraiA1,26 ;「……な、……何だってんだ。@……はは、…はは…！」\ ;＜朱志香 `"......Wh, ......what the hell.`@` ...Haha, ...haha...!"`\ bg MJES_1e,25 me2v 11,80 ;　時計を見る。@……２３時１０分、ちょっと過ぎ。@ `She looked at the clock.`@` ......It was just past 23:10.`@ br ;　緊張が抜けて、全身に疲労感が蘇ると共に、今日一日がどれほど狂っているかを知った。\ `As her tension lessened and fatigue came back to her entire body, she realized how messed up this whole day had been.`\ ;　まだ、２３時なのだ。@ `It was still about 23:00.`@ br ;　……いとこのみんなが集まって、楽しく遊んで、夜はみんなで色々な話に花を咲かせるつもりだった。\ `......The plan had been for all the cousins to gather, have fun playing around, and talk animatedly about various things together into the night.`\ ;　本当だったなら、今頃まさにそうしていただろう。@ ;　それが、……どうしてこんなことに……？\ `Normally, we would have done that kind of thing by now.`@ `Why, ......has that turned into this......?`\ bg black,26 bg MJES_1aN,0 ld c,$JES_NAYAMUa1,22 ld c,$JES_IkariA1,80 ;「………全部、あのクソジジイのせいだ……。@……よくも、母さんを……。@みんなを………。」@ ;＜朱志香 `".........It's all that damn geezer's fault......`@`......How could he do that...to Mom......`@`to everyone........."`@ br ;　怒りと悲しみで、頭がぐるぐる回る……。@ ;　しかし、その矛先を向けるべき相手は、ここにはいないのだ。\ `She shook her head back and forth with anger and sadness......`@ `But there was no one here to direct those emotions at.`\ ;　……施錠によって、この部屋の安全は確保された。@ ;　それをもう一度思い出すことにより、朱志香は何とか冷静を取り戻す……。\ `......Because of the lock, this room's security was guaranteed.`@ `Remembering that one more time, Jessica somehow regained her calm......`\ bg black,24 bg MJES_1dN,24 ;　もし、このまま何も起こらないなら。@ ;　食堂に行き、母の死に顔を見たいと思った。@ `If it keeps up like this and nothing happens...`@ `I want to go to the dining hall and see Mom's dying face.`@ br ;　……郷田から絶対に見るべきではない惨いものだと、あれほど念を押されていても、@それでもなお、最後に母の顔が見たかった…。\ `......Even though Gohda had emphasized so strongly that it was gruesome and that I definitely shouldn't look at it,`@` even so, I wanted to see Mom's last face...`\ ;　だが、余計なことをすれば人質に危害が及ぶと重ねて警告されている。@ `But we were warned repeatedly that doing anything stupid would put the hostages in danger.`@ br ;　……ひょっとして、鍵を掛けるのもルール違反に入るだろうか……？@ `......Could it be that locking the door was also against the rules......?`@ me3v 5,50 br ;　ここに閉じ篭っていれば、自分だけは助かるかもしれない。\ `If I close myself up in here, I alone might be saved.`\ bg MJES_1e,25 ;　……でも、開けなければきっとルール違反で、父さんや嘉音くん、紗音、霧江叔母さんに南條先生が、@…殺される。@ `......But if I don't open it, it will surely be against the rules, and Dad, Kanon-kun, Shannon, Kyrie oba-san and Doctor Nanjo...`@`will be killed.`@ br ;　…………５人の命と自分１人の命なんて、天秤が釣り合うわけもない。\ `.........There's no way the scales will balance between five lives and my own one life.`\ ;　朱志香は、自分だけ生き残れれば良いではないかと囁く、もう一人の自分の声を硬く目を瞑って耐え、@……扉に向かい、鍵を外そうとした。\ `Jessica tightly shut her eyes, resisting the other part of herself which said 'Isn't it alright as long as I remain alive?',`@` ......faced the door, and made to unlock it.`\ E_A bg black,1 ;　……その時。@ `......At that time.`@ bgm1 19 br ;　パチ、パチ、パチ……。@ `*clap* *clap* *clap*......`@ br ;　乾いた拍手が響き渡り、朱志香の心臓を飛び上がらせた…。\ `A crisp applause rang out, making Jessica's heart leap...`\ bg MJES_1aN,22 ld c,$RON_AkuwaraiA1,2 ;「鍵を掛けたままなら、ルール違反ということになり、人質たちにも危害が及ぶかもしれません。@……しかしそれでも、自分の命だけは助かるかもしれない。\ `"If the door had remained locked, it might have been in violation of the rules, and harm could have come to the hostages.`@` ......But despite that, your own life might be saved.`\ ld c,$RON_DefA1,80 ;　しかしあなたはその誘惑に耐え、自ら鍵を開けようとした。@そのあなたの勇気は賞賛に値しますよ。」\ ;＜ロノウェ `However, you resisted that temptation and were about to unlock the door yourself.`@` That bravery of yours is worthy of admiration."`\ bg MJES_1cN,0 ld r,$JES_IkariA1,24 ;「だ、誰……………、」\ ;＜朱志香 `"W, who............"`\ ;!s0　この部屋に、人間が隠れられる場所など、ないって、/ ;!d900……この部屋の主である私が調べたはずなのに、/ ;!d1000………この、男は、どこから。/ !s0`Even though, as the owner of this room, `/ !d900`......I had supposedly searched to make sure there was nowhere any human could have been hiding, `/ !d1000`.........where had this...man...`/ !sd\ me1v 17,50 br ;　………ニンゲンが隠れられる場所はないけど、@……ニンゲンじゃない存在なら、隠れられたのかな………。\ `.........There was nowhere for a human to hide,`@` ......but could something that wasn't human have managed it.........?`\ bg MJES_1aN,0 ld l,$RON_akuwaraiA1,23 ;　その、大柄な中年の男は初対面のはず。@ `This was supposedly my first meeting with this largely-built, middle-aged man.`@ br ;　……片翼の鷲の紋章があしらわれた、執事のような姿をするその男に、面識はなかった。\ `......I did not recognize this guy, who looked like a butler and bore the seal of the One-winged Eagle.`\ ld l,$RON_DefA1,80 E_MA ;「初めまして、朱志香さま。@………私はお館様より家具頭を任されております、７２柱の２７位。@ロノウェと申します。」@ ;＜ロノウェ `"A pleasure to meet you, Jessica-sama.`@` .........I serve as head furniture for the Master, the 27th of the 72.`@` I am called Ronove."`@ ld r,$JES_OdorokiA1,24 ;「……ろの、うえ……？@　…………源次、さん…………？」\ ;＜朱志香 `"......Rono...ue......?`@` ............Genji...san............?"`\ ld l,$RON_akuwaraiA1,80 ;「……あぁ、…源次は、私の弟のような存在。@あるいはこの世界における、私の正しい姿だったのかもしれません。@……依り代だった、と言ってもよいでしょうな。」\ `"......Ah yes, ...Genji is like my little brother.`@` Perhaps he was my true form in this world.`@` ......Perhaps you could even say he was a vessel."`\ ld r,$JES_AtyaA2,80 ;「………何を、言ってんだ、こいつ…………？」\ ;＜朱志香 `".........What's...this guy...saying.........?"`\ ld l,$RON_DefA1,80 ;「おっと、これは失礼しました。@ニンゲンには話しても理解できぬ話。@………それでは本題に移りましょう。」@ ;＜ロノウェ `"Oh, my apologies.`@` This is not something that can be understood when talking to a human.`@` .........Well then, let us move on to the main event."`@ ld r,$JES_KomaruA1,80 ;「クソジジイの言う、/ ;!d600……テスト、とかいうヤツだな………。」\ ;＜朱志香 `"So this is...`/ !d600`...that test or whatever the damn geezer talked about........."`\ ld l,$RON_AkuwaraiA1,80 ;「左様でございます。@こちらが、お館様が朱志香さまに賜れました、テストでございます。」\ ;＜ロノウェ `"Correct.`@` This is the test that the Master has granted Jessica-sama."`\ se1 22 bfly1 30 ;　ロノウェが優雅に、まるで、料理の配膳を命じる執事のような仕草をすると、@どこからともなく、たくさんの黄金の蝶が舞い上がる……。\ `At Ronove's elegant gesture, like that of a butler ordering for the meal to be set out,`@` many gold butterflies flew up out of nowhere......`\ ld r,$JES_ikariA1,80 ;「んなッ？！@　何だよ、これ……？！」\ ;＜朱志香 `"Gwah?!`@` What the...hell......?!"`\ cbfly 0 bg butterfly_3a,22 ;　黄金の蝶の群は、小さな渦を作るようにぐるぐると回りながら一箇所に集まる。\ `As the group of gold butterflies spun around in a small swirl, they gathered in one place.`\ se1 52 bg letter1,99,2000,"whirl.dll/r" ;　……するとその蝶の小山は、木枯らしに吹かれて消え去る枯葉の山のように消え、@……そこには片翼の鷲の紋章が箔押しされた、洋形封筒が置かれていた……。\ `......Then, that golden mound disappeared like a pile of leaves do when blown away by a cold wintry wind,`@` ......and there lay a western envelope with the One-winged Eagle crest done on it in gold leaf......`\ ;　ロノウェは、どうぞという仕草で、それを拾うよう促す。@ ;　朱志香はおずおずと、それを拾い上げ、中の手紙を開いた……。\ `With a gesture, Ronove urged her to pick it up.`@ `Jessica timidly picked it up, and opened the letter inside......`\ bg black,22 se1 1010 wait 1000 bg MJES_1cN,0 ld r,$JES_OdorokiA1,26 ;「…………………何だ、これ……。」\ ;＜朱志香 `"..................What's...this......?"`\ ld l,$RON_akuWaraiA1,23 ;「非常にシンプルな、次期当主の資格を探るテストでございます。@……そこに記されている問いに、どうか右代宮家を担う次期当主としての心構えで臨んでいただき、@答えと、それに至ったお考えをお聞かせ下さい。」\ ;＜ロノウェ `"It is an exceedingly simple test to search out the qualifications for becoming the next head.`@` ......Please attend to the question written there with the readiness of the next head who will support the Ushiromiya family...`@`and tell me your answer, as well as the thoughts that led you to it."`\ ld r,$JES_IkariA1,80 ;「……ば、…………ばっかやろう……………、」\ ;＜朱志香 `"......D, ............dumbass............"`\ ;　朱志香はわなわなと震えながら、文面とロノウェの顔を何度も比べるのだった……。\ `Shaking, Jessica looked between the paper and Ronove's face several times......`\ textoff ;bg black,25 ;wait 2000 ;dllefe 1,1 ;bg rose_G1aN,2 ;wait 2000 ;bg black,24 ;bg rose_1aN,24 ;wait 2000 ;bg black,24 ;dllefe_off bg black,2 me1v 13,70 me2v 5,70 dllefe 1,1 bg rose_G1aN,22 wait 2000 bg black,22 dllefe_off fedexx 70,50,50,0,0,0,2000 bg garden_R1aN,0 ld c,$GEO_MajimeA1,26 ;■薔薇庭園 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,geo ;　……その頃、朱志香に続いて呼び出された譲治の姿は、薔薇庭園の東屋にあった。\ `......At that time, George, who had been called out after Jessica, could be seen in the arbor of the rose garden.`\ ;　本当なら、今夜の今頃、ここで紗音に婚約の証である指輪を渡すつもりだったのだ。@ `He had been planning to give Shannon the ring that would be proof of their engagement...here, at this time, on this day...if things had gone normally.`@ br ;　…しかし、今、譲治の前にいる女は、紗音ではない。\ `...But the woman in front of George now was not Shannon.`\ bg garden_R1cN,0 ld r,$GAP_defA2,24 ;「……読みなさい。@それがゴールドスミスからあなたに与えられるテストよ。」\ ;＜ガァプ `"......Read it.`@` That is Goldsmith's test for you."`\ ld l,$GEO_majimeA3,23 ;「…………………………。」\ ;＜譲治 `"....................."`\ ;　譲治は、かつて紗音と紅茶を飲んだこともある、そのテーブルに置かれた、洋形封筒を拾い、@その中身を読む……。@ `George picked up the western envelope, which was on the table where he had once drank tea with Shannon,`@` and read its contents......`@ br ;　内容は短いのだろう。@一目見て、すぐに譲治の目が厳しくなる。\ `Perhaps its message was short.`@` After glancing at it, George's eyes grew sharp.`\ ld l,$GEO_ikariA2k,80 ;「…………何だい。@これは。」@ ;＜譲治 `".........What is this supposed to be?"`@ ld r,$GAP_waraiA2,80 ;「うっふふふふ。@……見ての通りよ。@それがあなたに与えられる、次期当主の資格を探るテスト。@……次期当主としての資格を自らに問いながら、その問いに答えなさい。」\ ;＜ガァプ `"Ehheheheheh.`@` ......It is as you see.`@` This is the test given to you, to find if you have the qualifications to be the next head.`@` ......As you question yourself about whether you are qualified to be the next head, answer that question."`\ ld l,$GEO_majimeA3,80 ;「………何て、馬鹿な問題だ。」@ ;＜譲治 `".........What a...stupid problem."`@ ld r,$GAP_waraiA1,80 ;「そうね。@本当に馬鹿な問題ね。@/ `"That's right.`@` It really is a stupid problem. `@/ ;ld r,$GAP_AkuwaraiA4,80 ;………なら、ゴールドスミスにとっての右代宮家の家督なんて、その程度のものなんじゃない？@　……ふふふ。」\ ;＜ガァプ `.........In that case, isn't the Ushiromiya family inheritance also something of that level in Goldsmith's eyes?`@` ......Heheheh."`\ bg black,25 ;　譲治は再び手紙の文面に目を落とし、その内容を検める……。@ `George lowered his eyes to the surface of the letter once again, and examined its contents......`@ br ;　譲治と朱志香。@……二人に与えられたテストは、わずかの違いはあるものの、限りなく同じものだった。\ `George and Jessica.`@` ......While the tests given to them were slightly different, they were almost exactly the same.`\ ;ld c,$GEO_MajimeA1k,80 fede 10,1000 bg letter1,2 ;「……“以下に掲げる三つの内。@二つを得るために、一つを生贄に捧げよ”。」\ ;＜譲治 `"......'Among the three mentioned below.`@` In order to gain two, sacrifice one'."`\ me1v 13,50 me2v 5,50 bg black,2 bg garden_R1aN,0 ld c,$GAP_waraiA1,26 ;「簡単な三択じゃない。@………どれを見殺しに選ぶか、自ら決めなさい。\ `"It's a simple three choices.`@` .........Decide for yourself which one you will choose to let die.`\ ld c,$GAP_AkuwaraiA2,80 ;　選択を拒めば、テストは中断。@私の手で、あなたをこの場で殺してしまってもいいって許可をもらってるわ。@………それさえも選択肢に含めるなら四択ね。@/ `If you refuse to choose, the test is suspended.`@` I have been given permission to kill you right here by my own hands.`@` .........If you would include even that as a choice then there are four choices. `@/ ld c,$GAP_WaraiA2,80 ;私、君みたいな子と遊ぶのはずいぶん久しぶりだから、それも嫌いじゃないわよ。」\ ;＜ガァプ `It's been an awful long time since I've gotten to play with a kid like you, so I can't say I'd be disappointed."`\ bg garden_R1bN,0 ld l,$GEO_MajimeA3,24 ;「………この三択は、あくまでもテストなのか。@それとも、選択は結果を伴うのか。」@ ;＜譲治 `".........Are these three choices only a test?`@` Or else, will the choice be accompanied by its result?"`@ ld r,$GAP_WaraiA2,24 ;「何を甘えてるの。@……君が選択した者は、必ず命を落とす。」\ ;＜ガァプ `"Why so naive?`@` ......The one you choose will definitely lose their life."`\ ld l,$GEO_KomaruA1k,80 ;「…………………………………。」\ ;＜譲治 `"........................"`\ bg black,25 bg letter1,22 ;　以下に掲げる三つの内。@ ;　二つを得るために、一つを生贄に捧げよ。@ `Among the three mentioned below.`@ `In order to gain two, sacrifice one.`@ br ;　一．自分の命@ ;　二．紗音の命@ ;　三．それ以外の全員の命@ `1. Your life`@ `2. Shannon's life`@ `3. Everyone else's lives`@ br ;　何れも選ばねば、上記の全てを失う。\ `If you do not choose one, all of the above will be lost.`\ bg garden_R1cN,0 ld r,$GEO_majimeA5,26 ;「……………どうして、紗音の名がここにあるんだ。」@ ;＜譲治 `"............Why is Shannon's name here?"`@ ld l,$GAP_DefA1,23 ;「二番目の選択肢には、その者がもっとも必要とする、愛する者の名が。@/ `"The second choice has the name of the one most needed by that person, and most loved. `@/ ld l,$GAP_DefA3,80 ;……朱志香へのテストの二番には、嘉音って書かれているはずだわ。」\ ;＜ガァプ `......I believe Kanon's name is written second on Jessica's test."`\ ld r,$GEO_majimeA4k,80 ;「………この馬鹿な問題を、朱志香にも出したのかい…。」\ ;＜譲治 `".........You gave this stupid question to Jessica too...?"`\ ld l,$GAP_WaraiA2,80 ;「くすくすくす。@……朱志香のことなんかどうでもいいでしょう。@今、試されているのはあなたよ。@/ `"*giggle*giggle*.`@` ......You shouldn't be worrying about Jessica, right?`@` Right now, you are the one being tested. `@/ ld l,$GAP_AkuwaraiA1,80 ;実に簡単な三択だわ。@他の二つのために、どれを捨てられるかということよ。@……簡単でしょう？@　それでも決まらないなら、コインでも貸してあげようかしら……？」\ ;＜ガァプ `It really is a simple three-choice test.`@` Which can you throw away for the sake of the other two?`@` ......Isn't that simple?`@` If you still can't decide, would you like me to lend you a coin......?"`\ ld r,$GEO_majimeA5,80 ;「……コイン？@　二面しかないものでどうやって三択を？」\ ;＜譲治 `"......A coin?`@` How would you choose between three options with something that only has two sides?"`\ cl a,0 ld c,$GAP_akuWaraiA3,23 ;「自分の命を捨てられる者が、いるわけがない。@/ `"There's no one that would throw away their own life. `@/ ld c,$GAP_DefA3,80 ;……となれば自ずと残る選択肢は２つになる。@愛する者のために、全ての人間を諦めるか。@ひとりでも多くを救うために、愛する者一人を諦めるか。\ `......So there remain two choices that will leave you behind.`@` Will you give up on everyone for the sake of the one you love?`@` Or will you give up on the one person you love so that you can save as many people as possible?`\ ld c,$GAP_akuwaraiA2,80 ;　どっちにも、もっともらしい大義名分が付けられるわ。@だって、今やこの六軒島は悪魔の島ですもの。\ `Either way, you can fit it with an appropriate just cause.`@` After all, this Rokkenjima is now a demon island.`\ se1 21 ld c,$GAP_AkuwaraiA1,80 ;　……ニンゲンの世界の、甘ったるい馴れ合いなんて必要ないの。@誰も責めないわ。@あなたの心の趣くままに。@……右代宮家の家督を継ぐに相応しい資格が自らにあるかを問いながら、\ `......The sentimental collusion of the human world is not necessary.`@` No one will be blamed.`@` Do as your heart desires.`@` ......While asking yourself whether you possess the fitting qualifications to succeed the Ushiromiya family inheritance...`\ ld c,$GAP_AkuwaraiA4,80 ;　いいえ、自らが右代宮家当主であると思って選択なさい？@　うっふふふふふふふふ……。」\ ;＜ガァプ `No, thinking as though you yourself are the Ushiromiya family head, make your decision, alright?`@` Ehheheheheh......"`\ bg garden_R1aN,0 ld r,$GEO_ikariA2,23 ld r,$GEO_KomaruA1k,80 ;「……………………………………。」\ ;＜譲治 `"........................"`\ textoff bg black,2 mevol 1,70 mevol 2,70 dllefe 1,1 bg M_o1bN,2 wait 2000 bg black,22 dllefe_off bg black,1 fedexx 0,50,50,0,0,0,2000 bg MJES_1bN,26 ;■朱志香の部屋 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,jes ld c,$JES_odorokiA1,24 ;「………馬鹿に………しやがってッ…………。」@ ;＜朱志香 `".........Dammit.........d'ya think I'm a moron or something.........?"`@ br ;　朱志香は手紙をぐしゃぐしゃにすると床に叩き付ける。\ `Jessica crumpled the letter up and threw it on the floor.`\ bg MJES_1aN,0 ld l,$RON_akuwaraiA1,23 ;「お怒りはごもっともと思いますよ。@……私も、非常にお気の毒で、それでいて実に滑稽な出題だと思います。@……ぷっくっくっく。」\ ;＜ロノウェ `"I believe your anger is quite appropriate.`@` ......I also find it an exceedingly pitiful, and yet truly humorous proposition.`@` ......Pu ku ku ku."`\ bg MJES_1cN,0 ld r,$JES_ikariA2,24 ;「自分から死にたいと願う人間なんて、いるもんか。@/ `"How could anyone wish to die themselves? `@/ ;ld r,$JES_IkariA1,80 ;そして、あ、…愛する人の命を見捨てて生き残りたいと思う人間なんて、いるもんか。@/ `And, how could anyone want to remain alive after abandoning the life of the person they lo, ...love. `@/ ;ld r,$JES_IkariA2,80 ;……そして、……自分たちだけ良ければ、他の人間全てを見殺しに出来る人間なんて、……いるもんか…ッ…！」\ ;＜朱志香 `......And, ......how could anyone massacre everyone else, ......as long as it's good for the two of them......?!"`\ ld l,$RON_defA1,23 bgm1v 61,85 ;「いいえ、朱志香さま。@居ても良いのでございますよ。@/ `"No, Jessica-sama.`@` Such a person could exist. `@/ ld l,$RON_majimeA2,80 ;ここは六軒島、悪魔の島！@　今やニンゲンの世界から完全に切り取られ魔界にどっぷり、チーズフォンデュのように沈んでおります。@人の世の価値観など、次の燃えないゴミの日に出してしまいますとも。\ `This is Rokkenjima, the demon island!`@` It is now completely cut off from the human world and fully immersed in the spirit world like cheese fondue.`@` Values of the human world are taken out with the trash.`\ ld l,$RON_AkuwaraiA1,80 ;　ぷっくっく！@　ですからどうか。@朱志香さまが心より欲するものを、順にお選び下さい。@その結果、残ったものが、この狂った今宵に相応しき朱志香さまの回答となりましょう。」\ ;＜ロノウェ `Pu ku ku!`@` So please.`@` Choose the order of the things you desire from the bottom of your heart.`@` Whatever remains will become a fitting answer for you in this insane evening."`\ ld r,$JES_IkariA1,80 ;!s0「ふざけるなッ！！/ !s0`"Don't fuck with me!! `/ se1 11 quakey 3,500 ;!sd@　こんなの、……どれも選べるものかよ！！」\ ;＜朱志香 !sd@`How could I, ......choose any of these?!!"`\ ld l,$RON_DefA1,80 ;「“何れも選ばねば、上記の全てを失う”、も、@立派な第四の選択肢でございます。@それを選ばれるのもまた、一興でございましょう。\ `"'If you do not choose one, all of the above will be lost',`@` also makes for a fine fourth choice.`@` It may also be interesting if that one is chosen.`\ ld l,$RON_DefA2,80 ;　ただ、それを選び結局自らの命を落とされるなら、潔く一番の“自分の命”を選び、@他の２つを救われた方が賢明かと思いますよ。@……全ては朱志香さまの選択に委ねられます。\ `But since choosing that will result in the loss of your own life in the end, I believe it would be more wise to be pure and choose the first one, 'your life',`@` so that the other two will be saved.`@` ......Everything has been entrusted to your decision, Jessica-sama.`\ ld l,$RON_majimeA2,80 ;　どうぞ、右代宮家の跡継ぎに相応しい回答と、その信念をお聞かせ下さいませ……！！@　このロノウェ、お館様の血を引きし末裔に相応しき、素晴らしい回答を心より期待いたしておりますッ！！」\ ;＜ロノウェ `Please, let me hear an answer and conviction fitting for the successor to the Ushiromiya family......!!`@` I, Ronove, am sincerely hoping for a wonderful answer, fitting for the Master's descendant who shares his blood!!"`\ ld r,$JES_ikariA3,80 ;「ち、……畜生ぉおおおおぉおおおおお……。」\ ;＜朱志香 `"D, ......damn iiiiiiiiiiiiiiiiittt......"`\ textoff se1 22 mono 1 print 42 mono off bg black,2 me1v 12,50 bg Mlib_1dN,0 ld c,$KIN_waraiA2,22 ;■書斎 ;　その光景は、金蔵の持つ魔法の水晶玉で観察されていた。\ `That scene was observed through the magic crystal ball Kinzo held.`\ ;　金蔵はとうとう堪え切れなくなり、両手を広げて天を仰ぎながら、割れんばかりの声で大笑いし始める……。\ `Kinzo finally couldn't hold it back and, spreading his arms and facing the heavens, began laughing in an explosive voice......`\ se1v 21,90 ld c,$KIN_AkuWaraiA2,80 ;「ふははははははは、わあっはっはははははははははッ！！@　何を迷うか、愚かなる孫たちよ、我が末裔たちよッ！！\ `"Fuhahahahahahaha, waahhahhahahahahahahahahaha!!`@` What are you wavering for, foolish grandchildren, my descendants!!`\ ld c,$KIN_AkuWaraiA1,80 ;　即答できる簡単な問題ではないか。@朝のトーストに、バターを塗るかジャムを塗るかより迷わぬ選択であるというのに！！@/ `Isn't this problem so easy that you could answer right away?`@` Isn't this a question that should cause you to waver less than whether to put butter or jam on your morning toast?!! `@/ ld c,$KIN_WaraiA1,80 ;　……お前たちには正しい答えがわかるか？」\ ;＜金蔵 `......Do you people know the correct answer?"`\ ;　その後で控えていたシエスタ姉妹にぎょろりと振り返る。\ `He turned to face the Siesta Sisters, who had been waiting on him.`\ bg Mlib_1cN,0 ld l,$S45_majimeA1,23 ;「い、いいえいいえッ、申し訳ございません、私にはわかりません、ゴールドスミス卿！」\ ;＜４５ `"N, no, no, my apologies, I don't know, Lord Goldsmith!"`\ ld r,$KIN_IkariA1,24 se2v 2,100 quakey 3,400 me2v 5,50 ;「愚か者めッ、選べもせぬとはな、ゲームオーバーああぁあッ！！！@　自らの生きる理由も目的も見出せん愚かなうさぎめッ…！！\ `"Fool, not choosing at all means game oveeeeeeeeeeeer!!!`@` You foolish rabbit, who cannot even choose a reason or a goal for your own life...!!`\ ld r,$KIN_fukigenA1,80 ;　貴様など誰にも気付かれずに踏み潰されて生を終えるアリ１匹ほどの価値もないわ！！@　死ね！潰れろ！！私が瞬きしている間に消えてなくなれッ！！@/ `You aren't even worth a single ant that anyone might step upon without even noticing!!`@` Die! Be crushed!! Disappear faster than I can blink!! `@/ ld r,$KIN_defA1,80 ;　……お前はどうか。」\ ;＜金蔵 `......What of you?"`\ cl l,24 ld l,$S00_DefA1,23 ;「……私は１番の、“自分の命”を生贄とするであります。@武具は戦い、散ってこそであります。@そして武具は、敵を打ち滅ぼし、味方を守るためにある。@愛する者たちを守って死ねるなら本望であります。」\ ;＜００ `"......I would sacrifice the first one, 'your life', sir.`@` Weapons fight and die in battle.`@` And weapons exist to destroy enemies and protect allies.`@` Being able to protect those we love and then die is our satisfaction, sir."`\ ld r,$KIN_WaraiA1,80 ;「ほお。@武具らしい実に見事な模範解答よ。@即答、大いに結構。@/ `"Hoh.`@` A truly splendid model answer for a weapon.`@` The immediate reply is very nice. `@/ ;ld r,$KIN_akuwaraiA2,80 ;……そう答えればニンジンが１本余計にもらえると教えられてきたのか？@　ふっふふふふ違うよなぁああぁ？@　それすらも違うよなぁあああぁあ…？\ `......So, have you been raised to think you'll be given an extra carrot for answering that way?`@` Heheheheh, that's wrong, seeeeeeeee?`@` Even that is wrong, seeeeeeeeeeeeeeee...?`\ ld r,$KIN_ikariA1,80 se1v 2,100 quakey 3,400 me3v 17,50 ;　そう聞かれたらそう答えよと、お前はただ吹き込まれた通りに答えたに過ぎなぁあい！！@　お前も今のうさぎと同じだ。@自分の生きる理由と目的を、未だに見出せずに生きている…！！@　生きる価値なきクズめッ…！@　貴様など潰されて他の家畜の餌にでもなるのがお似合いよッ！！」\ ;＜金蔵 `Answering that way when you are asked is nothing more than giving the answer you have been indoctrinated with!!`@` You are the same as that other rabbit a second ago.`@` You still live without having chosen a purpose or goal to live for...!!`@` You filth that doesn't deserve to live...!`@` It would fit you well to crush you and use you as fodder for the other livestock!!"`\ ld l,$S00_komaruA1,80 ;「……………ッ。@/ `"............ah. `@/ ld l,$S00_OdorokiA2,80 ;…はっ！@　か、家畜の餌、光栄であります……！」\ ;＜００ `...Yes sir!`@` Animal fodder...would be an honor......!"`\ ld r,$KIN_AkuWaraiA1,80 me4v 19,90 ;「違うだろぉおおおぉ？/ `"That's wrong, riiiiiiight? `/ se1v 2,100 quakey 3,400 ;@　もう誰も死ぬところを見たくないんだろぉおお？@　それがなぜ認められぬのか。@認めろよ、お前の古傷の奥の奥が未だに膿んで腐っていることを…！@　あぁ、腐臭にて鼻が曲がりそうであるわ、愚かなる腐れうさぎめッ！！@　お前にはこれが褒め言葉であるッ！！」\ ;＜金蔵 @`You don't want to see anyone else die anymore, riiiiiiight?`@` Why can't you accept that?`@` Accept that the depths of the depths of your old wound are still festering and rotting...!`@` Yes, the rotting stench would make the nose wrinkle, you foolish rotten rabbit!!`@` These are words of praise for you!!"`\ ld l,$S00_NakuA1,80 ;「………あ、ありがとうございます、であります……。」\ ;＜００ `".........Th, thank you very much...sir......"`\ bg Mlib_1aN,0 ld r,$S41_MajimeA1,23 ld l,$KIN_FukigenA1,23 ;「さぁて、最後のお前はどうか。@この三択から何を選ぶ…？」@ ;＜金蔵 `"Well then, what about you, the last one.`@` Which of the three choices would you choose...?"`@ ld r,$S41_DefA1,80 ;「にひ。@迷うことなく当然、２番であります。」\ ;＜４１０ `"Nihi.`@` Without wavering, I'd chose the second one."`\ ld l,$KIN_DefA1,80 ;「ほぉ…。@２番か。@“愛する者”を生贄に捧げることを胸を張って選べる者は多くない。@訳を聞かせよ。」\ ;＜金蔵 `"Hoh...`@` The second.`@` There are not many who could stick their chest out and choose to offer 'the one they love' as a sacrifice.`@` Tell me your reason."`\ ld r,$S41_AkuwaraiA2,80 ;「愛する者は、いつかいなくなるからです。@愛する者がいなければ、傷つかないし、いなくてもいつか、また誰かを愛せるかもしれない。@/ `"Because the one you love will be lost eventually.`@` If you don't have someone you love, you wouldn't be hurt, and if they are lost then you still might be able to love someone again. `@/ ld r,$S41_AkuwaraiA1,80 ;だから。@今、愛してる者なんて、大した価値はないのですにぇ。@……にひ！」\ ;＜４１０ `So,`@` the person you love right now isn't worth that much at all, nyeh.`@` ...Nihi!"`\ cl a,0 ld c,$KIN_WaraiA2,23 ;「くっくくくくくく。@なるほど、それでそういう回答になるわけか、愛に傷ついたがゆえに臆病になったうさぎよ……。@うさぎは寂しさで死ぬと聞いたが、お前の心は一体いつ殺されたというのか…？\ `"*cackle*cackle*cackle*.`@` I see, so that is why you reach such an answer, you rabbit who has become cowardly because you have been hurt by love......`@` I have heard that rabbits die lonely, but just when was it that your heart was killed...?`\ ld c,$KIN_MajimeA1,80 me5v 16,90 ;　ならばうさぎよ、問いを変えよう。@２番の選択肢を、“愛する者”ではなく、“そなたが愛した者の思い出”に変えようではないか。\ ;＜金蔵 `Then, rabbit, I shall alter the question.`@` Why don't I change the second option to, not 'the one you love', but 'the memories of the one you loved'.`\ ld c,$KIN_waraiA2,80 ;　……どうか。@これでももう一度選べるかぁ？@　何が愛してる者に大した価値はないだ、愚かなうさぎよ…！@/ `......How is that?`@` Can you still select that one?`@` What's this about the one you love not being worth much at all, foolish rabbit...! `@/ ld c,$KIN_IkariA1,80 ;　自らの愛の深さにも向かい合えぬクズめッ！！/ `Filth who cannot even face up to the depths of her own love!! `/ se1v 2,90 quakey 3,300 ;@　選んでみよッ、愛した者を忘れられると、選んでみよぉおおおおおッ！！\ @`Try and choose it, try and choose to have the one you loved forgotten!!`\ ld c,$KIN_akuwaraiA1,80 ;　選べるだろ？@選べるものなぁあああぁ？@ほおおら選べるって言ってみろよおおぉおおおおッ？！？！」\ `You can, right?`@` I'll bet you can, riiiiiiiight?`@` Cooooome on, try saying that you can, alriiiiiiiiiiiiight?!?!"`\ bg Mlib_1cN,0 ld c,$S41_nakuA1,24 ;「え、…え、選べるであります…。@選べるであります…！！@　にひ、………にひひひひひひひひひいひぃ……。」\ ;＜４１０ `"Y, ...yes, I can choose it...`@` I can choose it...!!`@` Nihi, .........nihihihihihihihihihiiihii......"`\ ;bg Mlib_1e,22 ld r,$S45_majimeA1,24 ;「ゴ、ゴールドスミス卿…！@　それくらいでどうかお許しを……！！」\ ;＜４５ `"L, Lord Goldsmith...!`@` Please, forgive us for something like this.......!!"`\ ld c,$S41_nakuA1,80 ;「ひひぃひぃ…。@……ひぃいいいいぃいいぃん…！！」\ ;＜４１０ `"Hihiiihiii...`@`......Hiiiiiiiiiiiiiiiiiiinn...!!"`\ ;bg Mlib_1dN,0 ;ld r,$S41_OdorokiA1,0 ;ld l,$S45_KomaruA1,0 ;ld c,$KIN_FukigenA1,26 ;ld c,$KIN_IkariA1,80 se1v 1006,100 se2v 2,100 bg Mlib_1e,1 quakey 4,500 ;「もう良いわッ、クズうさぎどもめッ！！@　お前たちはワルギリアのところへ行き、地下牢の見張りを手伝うのだ。@消えよ！！」\ ;＜金蔵 `"That is enough, rabbit filth!!`@` Go to Virgilia and help keep watch on the dungeon.`@` Disappear!!"`\ se1 52 ;cl l,0 ;cl r,99,2000,"breakup.dll/lrb" wait 300 se2 52 wait 500 E_MA se3 52 ;　シエスタ姉妹たちは、それぞれの心の古傷を抉られ、@逃げ出すように姿を消す。@ `The Siesta Sisters, with their respective old wounds of the heart gouged out,`@` escaped by disappearing.`@ br ;　後には、誰も聞く者はないのに金蔵がひとり、演劇を続けるかのように話を続ける…。\ `After that, even though there was no one to hear, Kinzo continued talking as though continuing a play...`\ se1v 21,85 bg Mlib_1cN,23 ld c,$KIN_WaraiA2,24 ;「……と、このように愉快なテストなわけだ。@実のところを言えば、これが正解という選択肢はない。@/ `"......So, that is what this pleasant test is like.`@` To be truthful, there is no choice that can be said to be correct. `@/ ld c,$KIN_IkariA1,80 ;!s0むしろ、どの答えであろうとも、/ ;!d500澱みなく、/ ;!d600素早くッ、/ ;!d800そして確固たる信念と揺るがぬ強き自らの意志で選べるかどうかッ！！/ !s0`Instead, regardless of which answer they choose, it is about whether they can choose `/ !d500`without hesitation, `/ !d600`quickly, `/ !d800`and with a resolute conviction and their own strong, unshakable will!!`/ se1 12 quakey 2,300 !sd\ ld c,$KIN_akuwaraiA1,80 ;　その理由と意思の方が重要なのだ。@………私はそれを知りたいのだよ。@/ `The reason and their willpower are what is more essential.`@` That is what I want to know about. `@/ ;ld c,$KIN_WaraiA2,80 ;あぁ、我が末裔たちよ、お前たちはどのような答えを見せてくれるのか、実に楽しみだッ！！\ ;＜金蔵 `Yes, my descendants, I am truly looking forward to what kind of answer you will show me!!`\ me1v 17,85 bg Mlib_1e,25 ;　…………んん？@　私か？@　くっくくくくくくく！@　あぁ、もちろん同じ問いを突きつけられたことがあったとも。@その悪魔の問いに見事答えたからこそ、私は黄金と名誉と、あの魔女を我が物とすることが出来たのだよ。@私が選んだ答えはどれかぁあぁ？@　………言うまでもないよなぁ。@わっはっははははははははははははははははははははは…ッ！！！」\ ;＜金蔵 `............Hmmmm?`@` Me?`@` *cackle*cackle*cackle*cackle*!`@` Yes, of course I once had the same question thrust upon me.`@` Because I splendidly answered that devil's question, I was able to obtain gold and honor, and that witch as my possession.`@` Which answer did I chooooooooooose?`@` .........Do you really need me to say it out loud?`@` Wahhahhahahahahahahahahahahahahahaha...!!!"`\ textoff bg black,5 fede 0,3000 bg M2F_P1bN,22 me1v 13,50 wait 2000 bg MJES_1aN,0 ld r,$RON_DefA2,26 ;■朱志香の部屋 ld r,$RON_Defa1,80 ;「さて。@そろそろ答えは決まりましたでしょうか……？」\ ;＜ロノウェ `"Well then.`@` Have you nearly decided on your answer......?"`\ ld l,$JES_komaruA2,23 ;「……………………………。」@ ;＜朱志香 `"........................"`@ br ;　朱志香は、握り潰されて床に転がる手紙をじっと見ながら、@……ずっと俯いて黙っていた。\ `As Jessica stared at the letter which had been crushed and lay on the floor,`@` ......she hung her head in constant silence.`\ bg black,25 bg MJES_1e,22 ;　部屋を満たすのは、風雨の音と梢の擦れるざわめきだけ。@ ;　それはどれだけ賑やかであっても、むしろ静寂を引き立てるのだった。\ `All that filled the room was the stir from wind and rain shaking the treetops.`@ `Regardless of how noisy that was, it actually made the stillness more apparent.`\ ;　ロノウェは朱志香の答えを待つ。@ ;　……しかし、朱志香は答えない。@ `Ronove waited for Jessica's answer.`@ `......However, Jessica didn't answer.`@ br ;　それが沈思黙考なのか、思考停止なのか、ロノウェには区別がつかない。\ `Whether she was lost in deep thought, or had stopped thinking, Ronove couldn't tell.`\ ;　……いや、…本当はわかっているのかもしれない。@ `......No, ...he might actually have known.`@ br ;　だが、ロノウェは、悪魔らしく意地悪に、……それを朱志香に口にするよう促す。\ `But, cruelly like a demon, ......Ronove urged Jessica to voice it.`\ bg MJES_1bN,0 ld c,$RON_DefA1,26 ld c,$RON_akuwaraiA1,80 ;「………どれも選べないというなら。@……そのお命、せめて痛みがないよう、安らかに頂戴させていただきますが、…さて……？」\ ;＜ロノウェ `".........If you cannot choose any,`@` ......I can at least make your life at peace without pain, ...but......?"`\ bg black,1 ;ld c,$JES_NayamuA1,80 ;「……………………………。@………せよ。」\ ;＜朱志香 `".....................`@`.........me."`\ bg MJES_1aN,0 ld c,$RON_DefA2,22 ld c,$RON_MajimeA1,80 ;「……はい？@　聞こえかねました。@もう一度、お願いできますかな……？」\ ;＜ロノウェ `"......Yes?`@` I had trouble hearing.`@` Could you say it again please......?"`\ ;　朱志香はゆっくり顔を上げて、……ロノウェの目をまっすぐ見る。@ ;　……どうやら答えは、決まっているようだった。\ `Jessica lifted her face, ......and looked straight into Ronove's eyes.`@ `......It seemed that she had decided on her answer.`\ bg black,22 fede 0,1000 bg MJES_1cN,0 ld r,$JES_tohohoA3,22 bgm1 51 ;「…………殺せよ。」@ ;＜朱志香 `"............Kill me."`@ br ;　朱志香はもう一度、……はっきりとそう言った。\ `Jessica said it one more time, ......clearly.`\ ;　ロノウェは、その答えを初めから想像していたのかもしれない。@ ;　……驚くことなく、薄く笑って頷く。\ `Perhaps Ronove had imagined that this would be the answer from the very beginning.`@ `......Without any surprise, he smiled lightly and nodded.`\ ld l,$RON_akuwaraiA1,23 ;「……朱志香さまなら、そのお答えを選ぶと思っておりました。@/ `"......I thought you would choose that answer, Jessica-sama. `@/ ;ld l,$RON_AkuwaraiA1,80 ;……さて、このテストは、どの選択肢が正解・不正解というものではありません。@重要なのは、どのような考えを経てその答えに至ったか、という部分です。\ `......Well then, there is no right or wrong answer to this test.`@` The essential part is what thoughts led you to that answer.`\ ld l,$RON_DefA1,80 ;　さぁ。@朱志香さまの、そして次期当主としての心構えをもって、それをお答え下さい。」\ ;＜ロノウェ `Come now.`@` Please answer that with your readiness as the next head."`\ ;ld c,$JES_NayamuA1,80 bg MJES_1e,25 ;「…………別に、死にたくて一番目を選んだわけじゃないさ。@……二番の、嘉音くんを死なせること。@こんなの、もちろん論外。@だから除外。@……三番の、その他みんなの命。@こんなのも、もちろん論外。@だから除外。@……そしたら、一番目の選択肢しか、残らなかった。」\ ;＜朱志香 `"............It's not like I chose the first one 'cause I wanted to die.`@` ......The second one was letting Kanon-kun die.`@` Of course, that was out of the question.`@` So I excluded it.`@` .....The third one was everyone else's lives.`@` Of course, that was also out of the question.`@` So I excluded it.`@` ......After that, only the first choice remained."`\ ;「消去法、……ですか。@積極的にお選びになったわけではない、と……。」@ `"Process of elimination, ......is it.`@` So it was not something you chose proactively, you say......"`@ br ;ld c,$RON_MajimeA1,80 ;＜ロノウェ ;　ロノウェは、薄く、ふっと笑ってから目線を落とす。\ `After chuckling slightly, Ronove dropped his gaze.`\ bg black,22 ;　……悪魔が期待した答えがどのようなものなのか、ニンゲンには想像もつかない。@ `......A human couldn't even imagine what answer a demon would have been expecting.`@ br ;　……少なくともわかるのは、ロノウェの期待するものよりは少し劣るものだったらしい、ということだ。\ `......All she could understand was that this was apparently slightly below Ronove's expectations.`\ bg MJES_1aN,0 ld c,$RON_DefA2,26 ld c,$RON_majimeA1,80 ;「……悪くはありませんが、良くもない回答です。@……６０点、というところでしょうか。@……少し、失望しましたよ。」\ ;＜ロノウェ `"......That answer is neither bad nor good.`@` ......60 percent, I believe you could call it.`@` ......I'm a little disappointed."`\ bg MJES_1cN,0 ld r,$JES_komaruA3,24 ;「自信を持って選べと言っておいて、そうしてやったら失望とは、自分勝手な野郎だぜ。」\ ;＜朱志香 `"You're a pretty selfish bastard, telling me to answer with self-confidence and then being disappointed when I do."`\ ld l,$RON_AkuwaraiA1,23 ;「………消去法、というだけではないようですね。@…いずれにせよ、落第点ですが、……もう少しお考えがあるようだ。@うかがいましょう。」\ ;＜ロノウェ `".........Apparently it was not only process of elimination.`@` ...Either way, it is a failing grade, ......but it seems that there is a little more to your thoughts.`@` Allow me to ask."`\ ld r,$JES_odorokiA1,80 ;「死にたくないさ。@……だから一番なんて、誰だって選びたくない。@/ `"I don't want to die.`@` ......So no one would want to choose the first one. `@/ ;ld r,$JES_OdorokiA1,80 ;……人は、幸せに生きたくて、生の限りを足掻いてるんだぜ。@だから本当は、まず一番目なんてありえないはずなんだ。」\ ;＜朱志香 `......People want to live in happiness, and struggle as much as life will let them.`@` So normally, the first choice should be impossible from the beginning."`\ ld l,$RON_DefA2,80 ;「………しかし、あなたは一番目の選択肢。@自分の命を捨てることを選んだ。@その選択肢しか、残らなかった。」\ ;＜ロノウェ `".........However, you took that first choice.`@` You chose to throw away your own life.`@` Only that choice remained."`\ ld r,$JES_NayamuA1,80 ;「一応、……それぞれの選択肢を選んだ後の未来のことを、考えてみたぜ。」\ ;＜朱志香 `"I tried, ......thinking of the future that would come after choosing each one."`\ ld l,$RON_AkuwaraiA1,80 ;「……ほぅ。@いかがでしたか…？」\ ;＜ロノウェ `"......Hoh.`@` How was it...?"`\ ;ld c,$JES_majimea1,80 bg black,2 ;「まず、………嘉音くんを、死なせてみた。@………私は、自分の大好きな人を見捨ててまで生きる残りの生涯を想像してみた。」@ ;＜朱志香 `"First, .........I tried letting Kanon-kun die.`@` .........I tried to imagine the rest of my life after having abandoned the one I love."`@ ;ld c,$RON_DefA1,80 ;「それはどんな生涯でしたか…？」\ ;＜ロノウェ `"What kind of life was it...?"`\ ;ld c,$JES_IkariA1,80 bg MJES_1e,22 ;「生きるにも値しない、最低の女だった。@いつまでも自らの選択を悔やみ、ただ後悔だけのために生きるみすぼらしい女だった。@……大好きな人を見捨てて生きることを選んだ、最低の女なんて、私には許せない。@……私が自ら引導を渡してやる。」\ ;＜朱志香 `"It was a horrible woman, who didn't deserve to live.`@` A shabby woman who always lamented her own decision, and lived only to regret.`@` ......I couldn't forgive a horrible woman who would choose to live and abandon the person she loved.`@` ......I'd put an end to her myself."`\ bg MJES_1aN,0 ld l,$RON_AkuwaraiA1,26 ;「ふふ、勇ましい。@………では、三番目の選択肢も考えられたのでは？」\ ;＜ロノウェ `"Heheh, how brave.`@` .........So, did you also consider the third choice?"`\ ld r,$JES_tohohoA4,24 ;「……あぁ。@私と嘉音くん以外の全員を死なせてもみた。@……嘉音くんは、そんな私を好きになるはずはない。\ `"......Yeah.`@` I tried letting everyone but me and Kanon-kun die.`@` ......There's no way Kanon-kun would like me if I did that.`\ ld r,$JES_NayamuA1,80 ;　そして私もまた、いくら嘉音くんがいても、そのために見捨てた大勢の命が、生涯十字架となって圧し掛かってきた。@……そしてその十字架は、嘉音くんにまで圧し掛かった。\ `So again, even with Kanon-kun, I was forced to bear the cross of abandoning so many people.`@` ......And even Kanon-kun was forced to bear that cross.`\ ld r,$JES_IkariA1,80 ;　………私は、嘉音くんに十字架を背負わせるために、愚かな選択肢を選んだりは、しない。@もしそんなことをする私がいたなら、………私はその未来の私を許さない。@…その女にも、私が引導を渡してやる。」\ ;＜朱志香 `.........I'm not going to take a foolish choice and make Kanon-kun bear that cross.`@` If I were to do such a thing, .........I wouldn't forgive that future me.`@` ...I put an end to that woman myself too."`\ bg black,22 ;　朱志香は思い描いたのだ。@ `Jessica had pictured it in her mind.`@ br ;　三つの選択肢それぞれの向こうにいる未来の自分を。\ `The future her beyond each of the three choices.`\ ;　三人の朱志香がいた。@ `There were three Jessicas.`@ br ;　……三人の内、二人は後悔していた。@ `......Of the three, two had regrets.`@ br ;　一人だけが、胸を張って、嘉音に微笑むことが出来た。\ `Only one could hold her head high and smile at Kanon.`\ bg MJES_1cN,0 ld c,$JES_odorokiA1,26 ;「……私さ、@生意気にも、嘉音くんに説教をしたことがあるぜ。@……自分の人生を、思い切り生きてみろ、みたいなことを。」\ ;＜朱志香 `"......You know, `@`I once had the nerve to preach something to Kanon-kun.`@` ......Something about trying to live life to the fullest."`\ bg MJES_1bN,0 ld l,$RON_DefA2,23 ;「自分の人生を思い切り生きる。@/ `"Live your life to the fullest. `@/ ld l,$RON_MajimeA1,80 ;……味わいある言葉ですね。@それは意外に、とても難しいものです。」\ ;＜ロノウェ `......Meaningful words.`@` That is a surprisingly difficult thing to do."`\ ld r,$JES_tohohoA4,24 ;「だからさ。@私が胸を張って、嘉音くんに見せなきゃならないんだよ。@/ `"So yeah.`@` I've got to hold my head high and show Kanon-kun. `@/ ld r,$JES_defA1,80 ;………胸を張って、お天道様を真正面から見て、思い切り笑顔でいられる生き方ってやつを。」\ ;＜朱志香 `.........Show him how to live by holding your head high and looking straight at the sun, with a full smile."`\ ld l,$RON_DefA2,80 ;「……あなたの自己犠牲を、嘉音は受け容れられるでしょうか？@　あなたの身勝手な選択が、余計に彼を傷つけてしまうことには、思いが至りませんか…？」\ ;＜ロノウェ `"......Will Kanon be able to receive your self-sacrifice?`@` Haven't you thought that your selfish decision might hurt him more than is necessary...?"`\ ld r,$JES_tohohoA3,80 ;「だから、伝言を頼みたい…。」@ ;＜朱志香 `"That's why...I want to leave a message..."`@ ld l,$RON_defA1,80 ;「ほぅ。@……お聞きはしますが、何しろ私は悪魔です。@…約束は守らないかもしれませんよ？」\ ;＜ロノウェ `"Hoh.`@` ......I will listen, but I am after all a demon.`@` ...I may not keep my promises, you see?"`\ ld r,$JES_waraiA1,80 ;「………守って！@　約束！」\ ;＜朱志香 `".........Keep it!`@` Your promise!"`\ ;　朱志香はあっけらかんと、そう言う。@ `Jessica spoke that looking quite unconcerned.`@ br ;　これから命を奪おうとする悪魔に伝言を頼み、それが裏切られると、微塵も思っていないのだ。\ `She had asked the demon who was about to take her life to pass on a message, and she didn't think at all that she would be betrayed.`\ ;　……その、あまりに無垢な笑顔に、ロノウェは薄く目を閉じ、肩を竦めた。\ `......At that extremely innocent smile, Ronove closed his eyes lightly, and shrugged his shoulders.`\ ld l,$RON_akuwaraiA1,80 ;「ふっ……。@………いいでしょう。@それで？@　彼に何と伝えればよろしいですか…？」\ ;＜ロノウェ `"Hmph......`@`......I see nothing wrong with that.`@` So?`@` What shall I tell him...?"`\ ;■地下牢 bg black,22 wait 2000 me1v 16,50 bg PRI_i1a,2 ;mld c,$JES_WaraiA1,0 ;msp msp_c,0,0,-120 ;print 26 ;『……嘉音くんの、思い切りの人生を、生きて。@/ `『......Tell Kanon-kun...to live his life to the fullest. `@/ ;mld c,$JES_TereruA1,0 ;msp msp_c,0,0,-120 ;print 80 ;……うぅん、ちょっと違う。@嘉音くんの、じゃない。@……本当の名前は未だに教えてもらえないけど。@本当の嘉音くんの人生を、思い切り生きて。@………そう伝えて。』\ ;＜朱志香 `......No, that's not quite it.`@` Not...Kanon-kun.`@` ......He still hasn't told me his real name yet.`@` Tell the real Kanon-kun to live his life to the fullest.`@` ......Tell him that.』`\ ;mcl c,0 ;print 99,2000,"trvswave.dll/h" ld r,$KAN_OdorokiA2,2 ;「……………お嬢…様……。」@ ;＜嘉音 `"............Mi...lady......"`@ ld l,$KLA_KomaruA4,23 ;「……朱志香……、/ ;!d600……お前というやつは…………。」\ ;＜蔵臼 `"......Jessica......, `/ !d600`......you........."`\ lsp 889,PRI_efe,0,0 vsp 889,1 bg PRI_o1a,0 ld c,$WAL_waraiA1,23 ;「ロノウェは気まぐれですから、伝言をしなかった可能性もありました。@……幸運でしたね。@私がこの光景を見せていて。」\ ;＜ワルギリ `"Ronove is fickle, so he might not have passed the message on.`@` ......You sure are fortunate to have me here showing you this scene."`\ vsp 889,0 bg PRI_i1c,22 ;　鉄格子の向こうには、古ぼけた三面鏡が置かれ、……朱志香の光景が映し出されていた。@ `A musty three-sided mirror was set beyond the bars, ......and the scene with Jessica was reflected on it.`@ br ;　隣の鏡には、同様に譲治の光景も映し出されている。\ `On the next mirror...the scene with George was reflected in the same way.`\ ;　黄金の蝶が群れ集まって三面鏡が現れたとか、@なぜ鏡に朱志香や譲治の光景が映し出されているのか、彼らはいちいち疑問には思わなかった。@ `None of them had any suspicions about how a three-sided mirror had appeared from a group of butterflies,`@` nor why the scenes with Jessica and George were reflected on it.`@ br ;　……大切なのは、映っている光景だったからだ。\ `......Because the reflected scenes themselves were more important.`\ bg PRI_i1b,24 ld c,$KLA_komaruA4,24 ;「…………そこまで…。@……こいつのために、/ ;!d800……命をも投げ出せるというのか………。」@ ;＜蔵臼 `"............You are so prepared...`@`......to throw your life away, `/ !d800`......for his sake........."`@ ld r,$KAN_MajimeA1,24 ;「……………………………。@……申し訳、……ありません…。」\ ;＜嘉音 `"......................`@`......My, ......apologies..."`\ ld c,$KLA_nayamuA3,80 ;　蔵臼は苦笑いの混じる複雑な表情で嘉音を見る。@……嘉音は目を合わせられなかった。\ `Krauss looked at Kanon with a complicated expression mixed in with a bitter smile.`@` ......Kanon wouldn't meet his eyes.`\ ld r,$KAN_OdorokiA2,80 ;「……ワルギリアさま。@……お嬢様が命を落とされることはありません。@……僕を殺して下さい。@二番目の選択肢に、変えて下さい。@……それで、全ては丸く収まるはずです。」\ ;＜嘉音 `"......Virgilia-sama.`@` ......There is no reason for Milady to throw away her life.`@` ......Please kill me.`@` Please change it to the second choice.`@` ......That way, everything should resolve itself."`\ vsp 889,1 bg PRI_o1a,0 ld l,$WAL_DefA1,23 ld l,$WAL_WaraiA1,80 ;「ほっほほほほほ…。@その願いを、私に叶えることは出来ませんよ。@……これは朱志香の選んだ自らの選択なのですから。」\ ;＜ワルギリ `"Hohhohohohohoho...`@` I am not capable of granting that wish.`@` ......After all, this is Jessica's own decision, which she chose."`\ se1 52 ld c,$S41_MajimeA1,99,1000,"breakup.dll/ulb" se2 52 ld r,$S45_MajimeA1,99,1000,"breakup.dll/ulb" ;　その時、突然、空間が割れて、シエスタ姉妹が出現し、ワルギリアの胸に飛び込んだ。\ `At that time, suddenly, the air split and the Siesta Sisters appeared, flying into Virgilia's chest.`\ ld l,$WAL_komaruA2,0 ld r,$S45_nakuA1,0 ld c,$S41_nakuA2,80 ;!s0「ワルギリアさまぁああぁあぁっ！/ !s0`"Virgilia-samaaaaaaaaaaaa! `/ se1 13 quakex 4,800 se2 13 ;!sd@　ひいいぃいいいぃん！！」@ ;＜４１０ !sd@`Eeeeeiiii!!"`@ ;ld c,$S45_KomaruA1,80 quakey 3,400 ;「ひどいんですひどいんです、ゴールドスミス卿がひどいんですぅうぅ、うわあぁああん！」\ ;＜４５ `"So mean, so mean, Lord Goldsmith is so meeeeeeeeaan, waaaaaaaaahhhh!"`\ cl r,23 ld r,$S00_NakuA2,24 ;「私だって……、がんばってるのであります……。@潰して家畜の餌とか、あんまりであります。@……ううううううううぅうぅ！！」\ ;＜００ `"But I'm......doing the best I can......`@` Crushing me for animal fodder...that's just too much.`@` ......Uuuuuuuuuuuuuu!!"`\ ;ld l,$WAL_KomaruA1,80 ;　泣きじゃくるシエスタ姉妹に揉みくちゃにされ、ワルギリアは何が何だかさっぱりわからない。\ `Virgilia, who still didn't have a clue what was going on, was mobbed by the sobbing Siesta Sisters.`\ ld l,$WAL_KomaruA1,80 ;「は、はいはい、大丈夫ですよ大丈夫ですよ、泣かないで泣かないで……。@美味しいお紅茶を淹れてあげますからね……。@/ `"Th, there, there. Everything's alright. Don't cry......`@` I'll make you some delicious tea......`@/ ld l,$WAL_FumanA1,80 ;……お前たち、ここの見張りを任せます。@不審な真似をしたら、すぐに知らせるのですよ…！」\ ;＜ワルギリ `......I'm leaving it up to you all to guard this place.`@` If they do anything suspicious, inform me immediately...!"`\ ;　山羊の従者たちは、互いに顔を向き合わせ、ウンウンと頷いた。\ `The goat attendants all faced each other, nodding their heads.`\ cl a,24 ;　ワルギリアはシエスタ姉妹を伴い、立ち去っていく。@ `Virgilia took the Siesta Sisters and left.`@ br ;　階段を上がる音が聞こえたから、上の階へ行ったのだろう。\ `The sound of them going up the stairs could be heard, so they had probably gone to an upper floor.`\ ld r,$GOA_defA1,26 ld l,$GOA_defA1,26 ld c,$GOA_defA1,26 wait 1000 vsp 889,0 bg PRI_i1a,24 ld r,$KIR_MajimeA2,24 ;「………チャンスだわ。@……この山羊頭どもは頭が悪いみたい。@……うまく騙せないかしら…。」@ ;＜霧江 `".........This is our chance.`@` ......Looks like these goat heads are morons.`@` ......I wonder if we can trick them..."`@ br ;　霧江はチャンスの到来を悟るが、それでも鉄格子を破る方法は思いつかなかった……。\ `Kyrie realized that an opportunity had arrived, but even so, she hadn't thought of a way to break the metal bars......`\ bg black,25 ;　三面鏡に映る朱志香は、観念するかのように、目を閉じる。@ `The Jessica reflected on the three-sided mirror had her eyes closed, as though in contemplation.`@ br ;　……両手をポケットに突っ込むその姿は、最後くらいは突っ張っていたいという、彼女なりの美学かもしれない。\ `......The way she had both hands stuck into her pockets, wanting to be defiant until the very end, might have been her own kind of aesthetics.`\ E_MA bg MJES_1aN,22 ld r,$JES_tohohoA4,24 me1v 12,50 ;「…………私の言い分は以上だ。@………殺せよ。」\ ;＜朱志香 `".........That's all I have to say.`@` .........Kill me."`\ ld c,$RON_DefA2,23 ;「……わかりました。@…………それでは。@……ご安心をあなたへの死は、どんな眠りよりもやさしく、慈悲深いものにいたしますよ。」\ ;＜ロノウェ `"......Understood.`@` ............Well then,`@` ......do not worry, for I shall make your death more gentle and merciful than any sleep."`\ ;　ロノウェは手の平を掲げながら、……ゆっくりと朱志香に近付く……。\ `As Ronove raised his palm, ......he slowly approached Jessica......`\ bg PRI_i1c,1 ;ld c,$KLA_IkariA1,80 me1v 16,50 se1 12 quakex 4,400 se2 12 quakey 4,500 ;!s0「くそおぉおおおぉ！！@　うお！！@　うが！！」/ !s0`"Damn iiiiiiiiiiittt!!`@` Ouu!!`@` Gah!!"`/ !sd@ ;＜蔵臼 br ;　蔵臼は娘が殺されることを察し、半狂乱になりながら鉄格子に体当たりを繰り返す。@ `Realizing that his daughter would be killed, Krauss went half-mad and repeatedly body-slammed the metal bars.`@ br ;　山羊たちは、ニンゲン風情に鉄格子が破れるはずがないと嘲笑っているように見えた。\ `The goats looked like they were sneering at how a mere human didn't stand a chance at breaking those bars.`\ ;　確かに、蔵臼のその無駄な努力は滑稽だっただろう。@ `It's true that Krauss's pointless effort might have been comical.`@ br ;　……しかし、蔵臼は、思い切りだった。@ ;　朱志香の父として、彼女を救うために、思い切り、今を生きていた。\ `......But Krauss was giving it everything he had.`@ `He was now living with all he had as Jessica's father, so that he could save her.`\ bg black,22 bg PRI_i1b,0 ld r,$KAN_OdorokiA2,22 ;　………嘉音は両手をぐっと握り締める。@ `.........Kanon made tight fists with both hands.`@ br ;　自分の呪われた力を使えば、鉄格子を切り裂くことも出来るかもしれない。\ `If he used his cursed power, he might be able to cut through even metal bars.`\ ;　……しかし、山羊が３人もいる。@ ;　…瞬時に３人を倒すなど出来ない。@ ;　すぐに通報され、ワルギリアにシエスタ姉妹までもが駆けつけるだろう。\ `......But there were a full three goats.`@ `...There was no way he could defeat three of them in an instant.`@ `It would instantly be reported, and then even Virgilia and the Siesta Sisters would probably dash in.`\ ;　鉄格子を破ることは出来ても、……そこまでなのだ。@……無駄なのだ。@ `Even if he could break the bars, ......that would be the end of it.`@` ......It was useless.`@ br ;　……そういう無駄な努力を、あの魔女は嘲笑っているのをもう知っているから、@……嘉音は蔵臼の繰り返す体当たりを、ただじっと見ているしか出来ない…。\ `......Kanon already knew that that witch was sneering at this kind of useless power,`@` ......so he could do nothing but stare at Krauss's repeated body-slams...`\ bg PRI_i1a,0 ld l,$SHA_odorokiA1,23 ;「……あ、…………譲治さま……。」@ ;＜紗音 `"......Ah, ............George-sama......"`@ br ;　三面鏡を見ていた紗音が声をあげる。\ `Shannon, who had been looking at the three-sided mirror, raised her voice.`\ ;　…見れば、ずっと沈黙していた譲治が顔を上げている。@ ;　……譲治もどうやら、答えを決めたらしい…。\ `...When they looked, they could see George, who had been silent the whole time, lift his face.`@ `......It seemed that George had also decided on an answer...`\ textoff se1 22 bg white,28 bg black,22 fede 0,2000 wait 1000 me1v 13,50 bg garden_R1bN,0 ld r,$GEO_MajimeA1k,2 wait 1000 ;■薔薇庭園・東屋 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,geo ld l,$GAP_DefA1,23 ;「…………決まった？@　君の答え。」@ ;＜ガァプ `"............Have you decided?`@` Your answer?"`@ ld r,$GEO_MajimeA1,80 ;「あぁ。@………決まったよ。」\ ;＜譲治 `"Yeah.`@` .........I've decided."`\ ld l,$GAP_WaraiA2,80 ;「それは揺るぎ無い答え…？」@ ;＜ガァプ `"Is that an unwavering answer...?"`@ ld r,$GEO_MajimeA2k,80 ;「あぁ。揺るぎ無いね。」\ ;＜譲治 `"Yeah. It's unwavering."`\ ld l,$GAP_DefA1,80 ;「なら、聞かせてもらうわ。@/ `"Then let me hear it. `@/ ld l,$GAP_WaraiA1,80 ;………あぁ、ちなみに。@朱志香はどうも“自分の命”を差し出すことを選んだようよ。@まさか、優柔不断な君も、同じ答えを選んだって言うんじゃないでしょうね……？」\ ;＜ガァプ `.........Oh, by the way,`@` it seems Jessica decided to take the 'your life' option.`@` Surely, such an indecisive person as you isn't going to choose the same answer, right......?"`\ ld r,$GEO_majimeA4,80 ;「……朱志香は、朱志香の答えを出したのさ。@/ `"......Jessica gave her own answer. `@/ ;ld r,$GEO_MajimeA2k,80 ;……それがどの選択であろうとも、それは朱志香の答えだ。@僕の答えに何も干渉しないよ。」\ ;＜譲治 `......No matter which choice that was, it was Jessica's answer.`@` It does not influence my answer in any way."`\ ld l,$GAP_defA2,80 ;「そう。@なら改めて聞くわ。@/ `"I see.`@` Then let me ask again. `@/ me2v 16,50 ;…………以下に掲げる三つの内。@二つを得るために、一つを生贄に捧げよ。@/ `............Among the three mentioned below.`@` In order to gain two, sacrifice one. `@ ld l,$GAP_akuWaraiA1,80 ;一．自分の命。@二．紗音の命。@三．それ以外の全員の命。@………あなたが選んだのはどれ？@/ `1. Your life.`@` 2. Shannon's life.`@ `3. Everyone else's lives.`@` .........Which one will you choose? `@/ ;ld l,$GAP_akuwaraiA5,80 ;　まさか朱志香と同じ一番？」\ ;＜ガァプ `Could it be the first one, like Jessica?"`\ ;ld c,$GEO_WaraiA2k,80 bg black,80 wait 2000 se1 21 E_M2 ;「………違うね。」\ ;＜譲治 `".........Wrong."`\ bg garden_R1cN,26 ld r,$GAP_DefA3,24 ;「へぇ……。」@ ;＜ガァプ `"Oh......?"`@ br ;　ガァプは少しだけ驚く。@ ;　……気弱そうな男がどうせ選ぶ選択肢はそれしかないだろうと思っていたからだ。\ `Gaap looked a little surprised.`@ `......Because she had thought this timid-looking man would obviously choose that option.`\ ld r,$GAP_WaraiA2,80 ;「…………………。@……なら良かったわ。@私にとって一番退屈な選択肢が外れてくれて良かった。@/ `"...............`@`......Then that is well.`@` I'm glad the most boring option for me has been removed. `@/ ld r,$GAP_AkuwaraiA1,80 ;……じゃあ、まさかとは思うけど、……二番？@　紗音の命を、見捨ててみせる……？」\ ;＜ガァプ `......Then, I find it extremely doubtful, ......but is it the second?`@` Can you abandon Shannon's life......?"`\ ld l,$GEO_majimeA2k,23 ;「………まさか。@今夜まさに婚約指輪を贈ろうという相手を、どうして僕が？」\ ;＜譲治 `".........You must be joking.`@` Why would I do that to the person who I was going to give an engagement ring to tonight?"`\ ld r,$GAP_AkuwaraiA3a,80 ;「……………………。@………これは大胆だわ。@それが君の答えなの……？」@ ;＜ガァプ `"...............`@`.........That is very bold.`@` Is that your answer......?"`@ ld l,$GEO_majimeA4k,80 ;「………そうさ。@/ `".........That's it. `@/ ld l,$GEO_MajimeA5,80 ;……僕の答えは、/ ;!d600……/ `......My answer, `/ !d600`......`/ E_A ;三番さ。」\ ;＜譲治 `is the third choice."`\ bgm1 13 ;　譲治が選んだのは、………三番目の選択肢。@ ;　……“それ以外の全員の、命”。@ `George had chosen, .........the third choice.`@ `......'Everyone else's...lives'.`@ br ;　その答えを、さすがのガァプも想像できなかった。\ `Unsurprisingly, Gaap hadn't imagined an answer like that.`\ ;　……どうせ朱志香と同じで一番だろうと思っていたのに……。@ ;　だからこそ、なぜその答えに至ったのか、興味を持った。@ `......She had been sure that he'd choose the same one as Jessica......`@ `So, she was interested in how he had reached that answer.`@ br ;　……７２柱の３３位の悪魔である自分の想像を裏切る答えに、どう至ったのか。\ `......How he had reached an answer that had surpassed the imagination of the 33rd ranked of the 72 demons.`\ ld r,$GAP_WaraiA2a,80 me1v 12,50 ;「聞かせてほしいわ。@………自分と愛する婚約者だけが無事で、それ以外の全てを犠牲に出来る境地というのを、聞かせて欲しいわ。@……あなたも朱志香と同じで、消去法というやつ？」\ ;＜ガァプ `"I want you to tell me.`@` .........I want you to tell me the circumstances that make you able to sacrifice the lives of everyone else so that you and the fiance you love will be safe.`@` ......Did you use process of elimination, like Jessica?"`\ ld l,$GEO_majimeA1k,80 ;「違うね。@はっきりこれしか、僕には選択肢がないのさ。」@ ;＜譲治 `"Wrong.`@` I clearly have no choice except this one."`@ ld r,$GAP_waraiA1,80 ;「……………自分さえ良ければいいと？@　愛する女と引き換えに、世界を犠牲に出来ると…？」\ ;＜ガァプ `"............So it's alright as long as it's good for you?`@` So you can sacrifice the world for the woman you love...?"`\ ld l,$GEO_MajimeA5,80 ;「君は、何を言っているんだい。」@ ;＜譲治 `"Just what are you talking about?"`@ ld r,$GAP_AkuwaraiA3a,80 ;「…………何………。」@ ;＜ガァプ `"............What............?"`@ br ;　悪魔に向かって、まるで呆れるかのように、譲治はそう言い放つ。\ `George faced the demon as he spoke, almost as though he was shocked.`\ ld l,$GEO_majimeA4,80 ;「……僕は今夜、ここに。@紗音を呼び出し、婚約の証である指輪を渡すつもりだった。@/ `"......Tonight,`@` I planned on calling Shannon right here and giving her this ring as proof of our engagement. `@/ ld l,$GEO_MajimeA2k,80 ;………僕と紗音の婚約を祝福しない者も、きっと多いだろう。@僕は彼女との婚約を宣言することで、親族全てを敵に回すと、覚悟していた。\ `.........There probably are quite a few people who wouldn't celebrate an engagement between me and Shannon.`@` I was prepared to make enemies of the entire family by announcing my engagement to her.`\ ld l,$GEO_MajimeA5k,80 ;　僕にはあるんだよ。@この島に訪れたその時から、………いや、違う。@………彼女に婚約したいと打ち明けたその時からね。」\ ;＜譲治 `I have been prepared.`@` Since the time I came to this island, .........no, that's not it.`@` .........Since the time I confessed that I wanted to engage her."`\ ld r,$GAP_defA3,80 ;「…………結婚さえ出来れば、他の何もかも犠牲に出来る、と……？」\ ;＜ガァプ `"............So, you can sacrifice everything else as long as you can get married......?"`\ cl a,0 ld c,$GEO_majimeA5,23 ;「結婚とは。@……自分は生涯、妻の味方であり続けるということだ。@/ `"Marriage means...`@`...continuing to be your wife's ally for your whole life. `@/ ;ld l,$GEO_IkariA1,80 ;………僕にはその時点で。@……彼女のために、世界の全てを敵に回す覚悟があるんだ。」\ ;＜譲治 `.........At that point,`@` ......I was prepared to have the entire world as my enemy for her sake."`\ ;■地下牢 bg black,22 E_MA vsp 889,1 bg PRI_i1a,0 ld r,$SHA_OdorokiA1,22 me1v 16,50 ;　その言葉を、三面鏡越しに、……紗音も耳にする。@ ;　そしてその決意を、目にする。\ `Those words, through the three-sided mirror, ......also reached Shannon's ears.`@ `And that determination reached her eyes.`\ ;　………紗音は確かに今夜、婚約指輪を渡される約束をしていた。@ `......Shannon certainly had promised to be given an engagement ring tonight.`@ br ;　そしてこのような事件が起こってしまい、指輪を受け取ることが出来なかった。\ `Then this incident had occurred, and she hadn't been able to receive the ring.`\ ;　しかし、今。@ `But now.`@ br ;　………指輪の形を成さないだけで、/ ;!d800……それ以上の何かを、紗音は受け取る。\ `.........Even though it wasn't in the form of a ring, `/ !d800`......Shannon had received something even greater.`\ vsp 889,0 bg black,22 ;　……その証拠に、/ ;!d700……ダイヤと同じ輝きの涙が一粒、/ ;!d900…零れたから。\ `......And as proof of that, `/ !d700`......a single tear with the same sparkle as a diamond, `/ !d900`...dripped down.`\ textoff ;se2 1030 ;bg white,1 ;bg black,2 me2v 13,0 fedexx 70,0,50,0,0,0,3000 ;■薔薇庭園・東屋 bg garden_R1aN,6 ld c,$GAP_AkuWaraiA1,23 ;「ふ、……うふふふふふふ……！@　それは何とも奮った答えだことね。@………なるほど、よく考えたら、君にこれは気楽な選択肢だわ。\ `"Heh, ......heheheheheheh......!`@` What a courageous answer.`@` I see, if I really think about it, this was an easy decision for you.`\ ld c,$GAP_WaraiA3,80 ;　だって、君の両親は、第一の晩に、すでに殺されちゃってるんだもんね？@　今さら君にとって、死んで困る人間は誰もいない。\ `After all, your parents were already killed at the first twilight, right?`@` By now, there's no one whose death would trouble you.`\ ld c,$GAP_AkuwaraiA4,80 ;　はっははははははは、なるほどね、これは簡単な選択だったわ。@あはははははははは……。」\ ;＜ガァプ `Hahhahahahahahaha, I see, truly an easy choice.`@` Ahahahahahahahaha......"`\ bg garden_R1bN,0 ld r,$GEO_MajimeA5k,24 ;「何とでも言うがいい。@/ `"You can say whatever you want. `@/ ld r,$GEO_MajimeA5,80 ;これが僕の、……そして、僕の次期当主としての覚悟と、選択だ。」\ ;＜譲治 `This determination and choice are mine, ......and mine as the next family head."`\ ;　譲治の目に光る輝きは眩しく鋭い。@ `The sparkle in George's eyes was brilliantly sharp.`@ br ;　…その中に、一瞬だけ金蔵と同じ凄みを感じ、ガァプはわずかに気圧される。\ `...For just an instant, Gaap felt the same sense of threat as Kinzo's, and was slightly overpowered.`\ bg garden_R1aN,0 ld c,$GAP_DefA1a,23 me1v 5,50 ;「………なるほど。@……ゴールドスミスと同じ答え、というわけ……。@/ `".........I see.`@` ......So, the same decision as Goldsmith......`@/ ld c,$GAP_DefA3,80 ;……君も、あどけなさそうな顔して、……将来はとんだ悪魔になるわけね。@……何だ、私たち、とてもうまくやれそうじゃない。\ `......So, even with your innocent face, ......you will also become a terrible demon in the future.`@` ......What do you know, we might get along pretty well.`\ ld c,$GAP_AkuwaraiA1a,80 ;　君がゴールドスミスの後を継ぐ。@そしてやがては私は召喚され、君に仕えることもあるかもしれない。@……それも案外、面白いかもしれないわね。@………ふふ。」\ ;＜ガァプ `You will succeed Goldsmith.`@` Then I may even be summoned eventually and serve you.`@` ......That might be surprisingly interesting.`@` .........Heheh."`\ ;　ガァプは譲治に対する認識を改める必要があった。@ `Gaap had needed to change her opinion of George.`@ br ;　……この男には、外見からは想像もつかない決意と覚悟を、今この場でなく、/ ;!d900……すでに最初から背負っているのだ。\ `......This man bore a determination and resolve unimaginable from his outward appearance, `/ !d900`......and had done so not just now, but since the very beginning.`\ bg garden_R1cN,0 ld r,$GEO_majimeA2k,24 ;「僕には、今すぐ当主を継承する覚悟がある。@/ `"I am prepared to inherit the headship right away. `@/ ld r,$GEO_majimeA5,80 ;………いや、違うね。@君はこのテストを、当主として考えろと言った。@だから僕は自分が当主であると前提して答えたんだ。\ `.........No, that's not it.`@` You told me to think as the head in this test.`@` So I answered based on the premise that I am the head.`\ ld r,$GEO_MajimeA4k,80 ;　………いや、それすら違う。@当主そのものとして考えた。@……僕は今、右代宮家の当主なんだ。」\ ;＜譲治 `.........No, even that's not it.`@` I thought as the head himself.`@` ......I am now...the head of the Ushiromiya family."`\ se1 27 fede 1,500 mbg white,1 mcbg 42 ld l,$GAP_WaraiA1a,23 ;「…………………………………。@うっふふふふふ……。@見事だわ、そこまで言えるなんてね。@/ `"........................`@`Ehheheheheh......`@` Splendid, to think that you would be able to say so much. `@/ ld l,$GAP_WaraiA2,80 ;君はどうやら、かなりの大物だわ。@……戦人と真里亞のテストはまだだけど、私は君が合格でいい気がする。\ `It seems you truly are one to be reckoned with.`@` ......Battler's and Maria's tests remain, but I've got a good feeling that you'll pass.`\ ld l,$GAP_waraiA3,80 ;　…………でも、その答えが、掛け値なしの本当のものならね？」\ ;＜ガァプ `............But only if that is your true, unexaggerated answer, you see?"`\ ld r,$GEO_MajimeA2k,80 ;「…………僕の覚悟を、疑うというのか。」\ ;＜譲治 `"............Do you doubt my resolve?"`\ ld l,$GAP_AkuwaraiA3,80 me3v 16,50 ;「君が選んだ選択肢を、実行できる？@　今すぐ自らの手で、この島に存在する全ての命を生贄に捧げることが出来る……？@　自らの手でよ…？」\ ;＜ガァプ `"Can you carry out the choice you chose?`@` Can you, right now, with your own hands, offer all the lives that exist on this island as sacrifices......?`@` By your own hand...?"`\ se3 21 ld r,$GEO_niramuA1,80 ;「出来るね。@その覚悟はあると、僕は何度も言っている。」\ ;＜譲治 `"I can.`@` I've said that I was prepared to several times."`\ ld l,$GAP_AkuwaraiA4a,80 ;「は、…………はははははは！@　ならば今すぐゲストハウスに戻り、戦人と真里亞を殺しなさい！@/ `"Ha, ............hahahahahaha!`@` Then return to the guesthouse right away, and kill Battler and Maria! `@/ ;ld l,$GAP_AkuwaraiA5,80 ;　それが終わったら他の人質たちも連れてきてあげる。@君の手で紗音以外の全員を、その目の前で処刑して見せるのよ！@　出来るんでしょう？！」\ ;＜ガァプ `When that is done, I will bring you the other hostages.`@` Execute each of them except Shannon before her eyes!`@` You can do it, right?!"`\ ld r,$GEO_majimeA5k,80 me4v 17,70 br ;「(出来るね/・・・・)。@僕の覚悟は、君程度のそれとは、レベルが違う。」\ ;＜点処理：出来るね ;＜譲治 `"`(`I can`/・・・)`.`@` My resolve is on a whole different level from yours."`\ ld l,$GAP_AkuwaraiA3a,80 ;「………………………くっ。@ならば実行しなさい！@　全てに死を！@　新しき右代宮家の当主として、この血塗られた儀式の遂行を…！！」\ ;＜ガァプ `"........................Nn.`@` Then carry it out!`@` Death for them all!`@` The completion of this bloodstained ceremony as the new head of the Ushiromiya family...!!"`\ E_A ld r,$GEO_majimeA1k,80 bgm1v 72,85 ;「……了解したよ。@実行する。@僕は今やもう、右代宮家の当主だ。」\ ;＜譲治 `"......Understood.`@` I'll carry it out.`@` I am already the head of the Ushiromiya family."`\ cl a,0 ld c,$GAP_AkuwaraiA4,23 ;「えぇ、そうよ！@　自らの手でその玉座を赤く染めなさい…！@　君は悪魔たちを統べる魔界の王となる…！！」\ ;ガァプ `"Yes, that's right!`@` Stain that throne red by your own hands...!`@` You will become the king of the spirit world who controls the demons...!!"`\ ;　ガァプは確信する。@ `Gaap was sure.`@ br ;　この男こそ金蔵の狂気を受け継ぐに相応しい…！\ `This man was truly fitting to succeed Kinzo's madness...!`\ se3v 21,90 bg black,26 me1v 13,0 me2v 14,0 me3v 18,0 fedexx 85,70,70,70,0,0,3000 se1v 27,100 wait 500 bg white,1 ;ld c,$GAP_IkariA1,80 dllefe 1,1 bg sky_3a,22 ;「吹けよ嵐、鳴らせよ雷鳴！！@　新しき魔王の誕生を祝うがいい！！@　悪魔の島は今っ、新しい王を迎えた…！！」\ ;＜ガァプ `"Blow wind, cry thunder!!`@` Celebrate the birth of the new demon king!!`@` The demon island has now welcomed its new king...!!"`\ ;　悪魔の呼び掛けに応え、ますますに暴風は荒れ狂う。@ `In response to the demon's call, a tempest raged more and more.`@ br ;　そして巨大な稲妻が落ち、そのつんざく轟音と眩い光で一瞬だけの静寂を感じさせた……。\ `Then a massive lightning bolt fell, its tearing thunder and brilliant light making it feel like just a moment of silence......`\ ;dllefe_off se2v 27,100 dllefe_off bg white,1 wait 500 bg black,2 fedexx 85,50,0,0,0,0,2000 wait 1000 bg garden_R1bN,0 ld c,$GEO_majimeA4,26 ld c,$GEO_majimeA4k,80 ;「でさ。@…………その殺害の順番だけど。@僕が決めていいわけだよね。」\ ;＜譲治 `"So,`@` ............about the order of the murders.`@` I get to choose that, right?"`\ bg garden_R1cN,0 ld r,$GAP_waraiA1,24 ;「どうぞご自由に、新しき六軒島の魔王陛下。@あなたの御心の趣くままに…！」\ ;＜ガァプ `"Please, as you wish, your Majesty, the new demon king of Rokkenjima.`@` As your heart desires...!"`\ ld l,$GEO_majimeA4k,23 ;「………とりあえずさ。@/ `".........Well, anyways, `@/ ld l,$GEO_akuwaraiA1,80 E_B ;その一番目が、君になるわけだけど、いいかな。」@ ;＜譲治 `that means the first one will be you. Any problems?"`@ E_A ld r,$GAP_DefA1a,80 bgm1v 47,85 ;「…………………………え？」\ ;＜ガァプ `"........................Huh?"`\ me1v 16,50 bg moon_1a,22 ;　一陣の風が吹き、……譲治のジャケットを、まるでマントのように煽る。@ `A gust of wind blew, ......stirring up George's jacket as though it was a cloak.`@ br ;　それはまさに当主が羽織るマントのよう。@その貫禄を、確かに感じさせた……。\ `It was very much like the cloak worn by the head.`@` It definitely gave the impression of that dignity......`\ bg black,29 ;　……その時、……ガァプは確かに嵐が掻き消え、真っ白で巨大な満月が空を覆ったのを見た。@ `......At that time, ......Gaap certainly saw the storm wiped away, and the sky covered with a pure-white and vast full moon.`@ br ;!s0　満月を背負う、/ ;!d500新しき当主を名乗る男が、/ ;!d800悪魔を嘲笑う。/ !s0`The man who called himself the new head, `/ !d500`bore the full moon on his back, `/ !d800`and sneered at the demon.`/ !sd\ bg garden_R1aN,0 ld r,$GAP_waraiA2a,0 ld l,$GEO_majimeA4,22 ld l,$GEO_MajimeA4k,80 ;「右代宮家親族の全ての命さえも、……今や僕の財産だ。@それに損害を出してくれた賠償。@安くは済まないよ。\ `"Even the lives of the entire Ushiromiya family, ......are now my fortune.`@` There will be reparations to be made for the damage that has been done.`@` And it won't be cheap.`\ fedexx 100,70,0,0,0,0,2000 ld l,$GEO_ikariA3,80 ;　……まさか、僕の両親に、夏妃伯母さん、留弗夫叔父さん、楼座叔母さん。@そして源次さんの命を奪っておいて、この僕が見逃すと本気で思ってるのかい。」\ ;＜譲治 `......You didn't seriously think you could take my parents, Natsuhi oba-san, Rudolf oji-san, Rosa oba-san,`@` and Genji-san's lives and hope I'd overlook it, right?"`\ ld r,$GAP_AkuwaraiA4a,80 ;!s0「ほ、/ ;!d600………ほほォ/ ;!d800…………生意気を……。」/ !s0`"Ho, `/ !d600`.........hohoh`/ !d800`............impertinence......"`/ !sd\ ;＜ガァプ textoff ;bg black,2 ;wait 1000 se1v 27,100 wait 100 se2v 27,100 bg white,1 wait 1000 E_B E_MA bg MJES_1e,42 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,jes ;　ロノウェは、その手の平を朱志香の胸に当て、心臓を停止させるつもりだった。@ `Ronove was trying to press his palm against Jessica's chest and stop her heart.`@ me1v 16,50 br ;　しかし、その直前で、手は止まっていた……。\ `But right before it, the hand stopped......`\ textoff bg black,22 se1 35 bg blood_2a,1 wait 500 se2 35 bg blood_2b,1 wait 200 se3 35 bg blood_2c,1 wait 300 se1 35 bg blood_2d,1 wait 550 se2 35 bg blood_2e,1 ;!s0　……二人の足元の絨毯に、/ ;!d800……小さな赤い花が、ぽとりぽとりと、一輪、二輪と花開く。@ !s0`......On the carpet at their feet, `/ !d800`......one...two small red flowers bloomed with a *plop* *plop*.`@ br ;　その花の種子は、/ ;!d500……高く高く、/ ;!d600…天を突くかのように高く突き上げられた、/ ;!d800………朱志香の拳から。/ `The seed of those flowers, `/ !d500`......was held way up high, `/ !d600`...piercing into the sky, `/ !d800`.........on Jessica's fist.`/ !sd\ fede 0,1000 bgm1v 98,90 ;　ロノウェの鼻が、噴出した血で真っ赤に染まり、@……その雫が絨毯に零れていたのだ。\ `Ronove's nose was stained red with spewing blood,`@` ......and those drops had been dripping onto the carpet.`\ bg MJES_1bN,0 ;ld c,$JES_IkariA2,22 ld c,$JES_tohohoA3,6 ;「………ちなみに、さっきのは乙女としての回答な。@……次期当主としての回答は、別だぜ。」\ ;＜朱志香 `".........By the way, that just now was my answer as a maiden.`@` ......My answer as the next head is different."`\ bg MJES_1aN,23 ld l,$RON_akuwaraiA1,26 ;「お伺いしますよ……。」\ ;＜ロノウェ `"Allow me to ask......"`\ ld r,$JES_ikariA3,64 ;「……大好きな人も、家族も親族もみんなみんな！！@　私が守る。@私が当主なら、それは私の責務だッ！@/ `"......The person I love, my family and my relatives, everyone, everyone!!`@` I'll protect them.`@` If I'm the head, then that's my duty! `@/ ld r,$JES_IkariA1,80 ;　お父さんは威張ってるだけじゃない。@私や母さんを守ってた！！@　……右代宮家を受け継ぐ重圧ってヤツと、……何十年も戦ってたッ！！\ `Dad wasn't just swaggering around.`@` He protected me and Mom!!`@` ......He fought the pressure of succeeding the Ushiromiya family, ......for many decades!!`\ ld r,$JES_ikariA3,80 ;　だからわかるぜ。@……次期当主ってのはな、軽くねぇんだよ。@……だからさ。@捨てられるんだよ。@/ `So I know.`@` ......Being the next head is nothing trivial.`@` ......So you know what?`@` I can throw it away. `@/ ;ld r,$JES_IkariA1,80 ;……自分の命くらい、簡単に賭けられちまうんだよッ！！」\ ;＜朱志香 `......Betting my own life is something I can do easily!!"`\ ;　朱志香は知っている。@ `Jessica knew.`@ br ;　家族を守るために、父親が虚勢を張りながら孤独に戦い続けていることを知っている。@ `She knew that in order to protect her family, her father had bluffed and fought alone continuously.`@ br ;　その背中が物語ってきた何かを、朱志香は理解している！\ `Jessica understood something that his back had been telling her!`\ textoff se1v 20,100 se2 20 bg white,1 wait 700 se3v 57,100 se1v 2,100 se2v 2,100 bg blood_2e,1 quakex 5,600 ;　左ストレートが再びロノウェの顔面に打ち込まれる。@ ;　……その凄まじき一撃はメリケンサック使用によるものだけではない。@ `Another left straight was buried into Ronove's face.`@ `......That terrifying strike wasn't due just to the brass knuckles she was using.`@ br ;　それこそが、守るために何もかもを捨てられる者の、当主たるものの、/ ;!d700一撃。\ `It was a strike...`/ !d700`of a person, a family head, who could throw away everything in order to protect.`\ me1v 5,50 bg MJES_1aN,0 ld c,$JES_tohohoA3,80 ;「父さんが次期当主の資格を失ったなら。@順当に次の当主は私が継承するぜ。@/ `"If Dad's lost his qualifications to be the next head,`@` then I, the next in line, will succeed the headship. `@/ ld c,$JES_futekiA2,80 ;……右代宮家当主、右代宮朱志香ッ！！/ `......Head of the Ushiromiya family, Ushiromiya Jessica!! `/ se1v 2,100 ;@　これ以上を好きにさせるほど腑抜けちゃいねえぜッ！！」\ ;＜朱志香 @`I'm not the kind of coward who'd let you do what you want any more!!"`\ bg MJES_1e,25 ld r,$RON_majimeA2,26 ;「…………素晴らしい回答です。@先ほどの点数を改めましょう。@その回答に１０点プラス。@……見事な左ストレートに１０点プラス。」\ ;＜ロノウェ `"............A wonderful answer.`@` I shall change your score from earlier.`@` Plus 10 for that answer.`@` ......Plus 10 for that splendid left straight."`\ ld l,$JES_futekiA2,26 ;「ってことは、あと２０点プラスで１００点満点だな？」\ ;＜朱志香 `"Which means that, plus 20 more makes for a perfect 100?"`\ se1v 20,100 bg black,66 se2v 20,70 wait 700 bg MJES_1cN,1 wait 500 ld l,$RON_DefA1,65 se2v 11,90 quakey 3,500 ;se3v 11,70 ;　ロノウェは後方に宙返りして飛び退くと、鼻より噴出している血を、乱暴に拭い捨てる。@ ;　……それは血ではなく、赤い薔薇の花びらになっていた。\ `As Ronove jumped backwards, somersaulting in midair, he violently wiped away the blood pouring from his nose.`@ `......It had become, not blood, but petals of a red rose.`\ ld l,$RON_akuWaraiA1,80 ;　顔の血は拭われ、……代わって、@何百年ぶりに感じたかも思い出せない歓喜に、にやりと笑う表情が現れる。\ `The blood on his face was wiped off, ......and in its place,`@` was a grin from a delight he hadn't felt in so many centuries that he couldn't remember.`\ ld l,$RON_majimeA2,80 ;「朱志香さまの覚悟。@満点に値するかどうか、このロノウェ、試させて頂きますよ……？」@ ;＜ロノウェ `"I, Ronove, `@`will test to see whether your resolve is worth full marks, okay......?"`@ ld r,$JES_IkariA1,64 ;「うぜえぜッ！！@　掛かって来やがれえええぇえぇぇッ！！！」\ ;＜朱志香 `"Shut up shut up!!`@` Come at meeeeeeeeeeeeeeeee!!!"`\ saveoff se1v 20,100 se2v 20,100 btndef "bmp\background\mainbuilding\MJES_1cN.bmp" mov %free1,0 mov %free2,0 mov %free3,640 mov %free4,480 mov %free11,0 mov %free12,0 mov %free13,0 mov %free14,0 for %free19 = 1 to 6 resettimer add %free11,4 add %free13,0 add %free12,8 add %free14,12 add %free1,%free11 add %free2,%free13 sub %free3,%free12 sub %free4,%free14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ;bg black,1 for %free19 = 1 to 6 resettimer add %free11,4 add %free13,16 add %free12,8 add %free14,6 add %free1,%FREE11 add %free2,%FREE13 sub %free3,%FREE12 sub %free4,%FREE14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ofscpy bg black,1 btndef "" ;wait 1000 ;bg moon_1a,22 ;wait 2000 saveon se1v 27,100 se2v 57,100 se3v 2,100 E_MA bg white,1 bg black,2 ;■薔薇庭園 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,geo E_B bgm1 99 bg rose_1aN,0 ld c,$GAP_AkuwaraiA4,1 ;se1 52 ;ld c,$GAP_AkuwaraiA4,99,2000,"breakup.dll/urb" ;「おいで、奈落へ…！」/ `"Come, to the Abyss...!"`/ se3v 2,100 se2v 2,100 quakey 3,300 @ bg rose_1bN,0 ld r,$GEO_IkariA1,1 ;＜ガァプ ;「うッわ？！」\ ;＜譲治 `"Whaaa?!"`\ se1v 52,100 bg black,68 ;　譲治の足元に突然、漆黒の落とし穴が大口を開ける。@もちろん譲治に抗えるわけもない。@ `Suddenly, beneath George's feet, a pitch-black pitfall opened its mouth wide.`@` Of course, George had no way of resisting.`@ br saveon ;　それに飲み込まれた譲治は、東屋の天井に開いた漆黒の穴から落ちてくる。@ `After being swallowed up by that, George fell out of a pitch-black hole that had opened up in the ceiling of the arbor.`@ br ;　その落下してくる譲治の下腹部に、@狙い澄まされた蜂の一撃のような鋭いピンヒールによる後回し蹴りが打ち込まれる…！\ `As George fell down, `@`he was hit by a reverse roundhouse kick from a sharp stiletto heel, like a strike from a carefully aimed bee...!`\ saveoff textoff se1v 52,70 bg garden_R1cN,0 ld c,$GAP_waraiA2,14,200 ;ld c,$GAP_akuwaraiA4,80 ;ld r,$GAP_AkuwaraiA2,99,500,"breakup.dll/urb" ;se2v 57,100 ;mbg white,1 ;mcbg 0 ;ld c,$GAP_waraiA2,80 se3v 2,100 mbg white,1 mcbg 0 ld c,$GAP_akuwaraiA4,22 ;se1v 20,100 ;se2v 20,100 ;bg white,22 ;se3v 61,100 ;se1v 61,100 ;bg moon_1a,1 se1v 20,70 bg BITE,1 bg black,80 wait 500 ;wait 200 se2v 20,90 wait 200 se3v 20,100 wait 500 se1v 1005,100 se2v 57,100 se3v 12,100 bg white,1 bg black,80 se1v 57,100 se2v 2,100 se3v 27,100 bg white,1 ;bg black,22 bg rose_1aN,22 ;se1 13 quakex 6,1200 ;se2v 13,85 ;quakey 5,400 ;se3v 13,100 ;　東屋から吹き飛ばされた譲治は、薔薇の茂みに飲み込まれるかと思った瞬間。@ `The instant George, after being blown out of the arbor, thought that he'd be swallowed up by a rose bush...`@ br se1v 52,100 bg black,68 ;　そこに再び漆黒の穴が開き譲治を飲み込む。@ `Another pitch-black hole opened there and swallowed George up.`@ br ;　すると今度はガァプの目の前の足元に漆黒の穴が開き、そこから無防備な譲治を吐き出す。@ `And this time, a pitch-black hole opened at Gaap's feet before her eyes, spitting a defenseless George out of it.`@ br ;　……その時にはガァプはすでに次の後回し蹴りの予備動作を終えている。\ `......At that time, Gaap had already finished the preparatory motions for the next reverse roundhouse kick.`\ textoff se2v 52,100 bg garden_R1aN,0 ld r,$GAP_waraiA1,13,300 ld r,$GAP_AkuwaraiA4,80 ;br textoff se1v 20,70 bg BLADE2P,1 bg black,10,100 se2v 20,85 bg BLADE4P,1 bg black,10,100 se3v 20,100 bg BLADE2P,1 bg black,10,100 wait 300 ;bgmvol 1 me1v 28,100 me2v 28,100 me3v 28,100 ;bg black,1 ;lsp2 4,$BEA_AkuwaraiA4,500,350,200,200,0 lsp2 3,$GEO_IkariA2k,130,420,200,200,0 print 80 bgcopy csp2 -1 ;ld c,$GEO_IkariA2,80 ;「ぐッ、……これ……は…、」@ ;＜譲治 `"Ghh, ......what is......this..."`@ textoff bg black,0 lsp2 4,$GAP_akuwaraiA3,500,350,200,200,0 lsp2 3,$GEO_IkariA2k,130,420,200,200,0 print 22 bgcopy csp2 -1 ;ld c,$GAP_DefA2,80 ;「お帰りなさい。くす！」\ ;＜ガァプ `"Welcome back. *giggle*!"`\ E_MA ;bgmvol 85 textoff ;se1 20 ;wait 200 ;se2 20 ;wait 200 ;se3 20 ;wait 600 ;se1v 12,100 ;bg white,1 ;bg black,80 ;se2v 12,100 ;bg white,1 ;bg black,80 ;se3v 12,100 mov %ryuu1,800 se1v 2,100 se2v 12,100 se3v 2,100 bg BITE,1 quakex 9,%ryuu1 se1v 20,100 se2v 57,100 se3v 57,100 bg blood_1b,1 quakey 9,%ryuu1 se1v 1100,100 se2v 12,100 se3v 12,100 bg blood_1aR,1 quakex 9,%ryuu1 se1v 1006,100 se2v 1006,100 se3v 57,100 bg garden_R1cN,1 quakey 12,1500 ;　右側頭部。@右脇の下。@右膝側面。@ `Right side of the head.`@` Below the right armpit.`@` Side of the right knee.`@ br ;　まるで小さな竜巻のようにガァプはくるくると舞い踊りながら、@右足左足右足左足で連続回し蹴りを次々に叩き込む。@ `As Gaap danced and spun like a small cyclone,`@` she kept hitting him, left foot right foot left foot right foot, with successive roundhouse kicks.`@ br ;　四連撃目は足払いとなって譲治の足を刈り取り転倒させるが、@もちろんそこに床はなく、漆黒の穴が開いていて、またしても譲治を飲み込んでしまう。\ `The fourth one became a sweep, cutting George's feet out from under him and making him fall down, `@`but of course, there was no floor there, but a pitch-black hole, and George was swallowed up once again.`\ se1v 2,100 se2v 52,100 bg black,68 ;　ガァプは再び小さい竜巻のように舞い踊る。@ ;　譲治もまた、再び東屋の天井より吐き出された。\ `Gaap once again spun around like a small cyclone.`@ `George was once again spat out from the ceiling of the arbor.`\ textoff se1v 2,100 bg BITE,1 lsp2 4,$GAP_AkuwaraiA4,500,350,200,200,0 ;lsp2 3,$BUT_MajimeA3,130,420,200,200,0 print 80 bgcopy csp2 -1 ;ld c,$GAP_AkuwaraiA4,80 bgmvol 1 me1v 28,100 me2v 17,100 me3v 28,100 ;「………食らって噛み締めなさい、奈落の終点が一撃。@……死ね……！！」\ ;＜ガァプ `".........Take this and reflect on it, the single strike at the Abyss's end.`@` ......Die......!"`\ textoff bg white,1 bg black,80 fedexx 1,40,40,40,0,0,1000 E_MA bgmvol 100 se1v 2,100 se2v 27,100 wait 200 se3v 27,100 bg white,1 bg moon_1a,42 fede 1,2000 me1v 13,50 dllefe 1,1 wait 3000 ;　鋭き女王蜂の一撃は、昇る竜巻のように、天を刺す。@ `The sharp strike of the queen bee pierced the heavens like a rising cyclone.`@ br ;　それは天井より落下する譲治の腹部を蹴り抜いた……。\ `It kicked through George's lower chest as he fell from the ceiling......`\ ;ld r,$GAP_AkuwaraiA1,26 me2v 16,50 ;　そのまま、……時間が凍る。@ `And then, ......time froze.`@ br ;　譲治はガァプの蹴り上げた足一本で、宙に打ち止められていた……。\ `George was pinned in midair by Gaap's raised leg......`\ bg garden_R1dN,2 dllefe_off ;ld l,$GEO_IkariA2k,26 ;「が、………ふッ………。」@ `"Gah, .........mmph........."`@ br ;　譲治は宙に縫い止められたまま、呻く……。@ ;＜譲治 `Still pinned in midair, George moaned......`@ br ;　そしてガァプは、譲治を足一本で吊り上げたまま、@……にやりと笑う。\ `Then Gaap, with George still hung up on her foot, `@`......grinned.`\ ld c,$GAP_DefA3,26 ;「………認めてあげるわ。@君の態度だけは一人前よ。@でも、力が伴わなきゃ駄目だわ。@/ `".........I'll admit it.`@` At least your attitude is that of an adult.`@` But that's no good if it doesn't come along with power. `@/ ld c,$GAP_WaraiA2,80 ;……知ってる？@　この世を統べるには３つの力が必要だそうよ。@ひとつは権力。@ひとつは財力。@最後は何か知ってる？」\ ;＜ガァプ `......Did you know?`@` They say you need three kinds of power to rule this world.`@` The first is influence.`@` The second is wealth.`@` Do you know what the last one is?"`\ ;ld l,$GEO_KomaruA2,80 ;「本で読んだよ。@……暴力、だろ……？」@ ;＜譲治 `"I read it in a book.`@` ......Force, right......?"`@ ld c,$GAP_AkuWaraiA2,80 ;「正解。@君にはそれが足りないわ。」@ ;＜ガァプ `"Correct.`@` You are lacking in that."`@ br ;　ガァプはようやく譲治を解放する。@ `Gaap finally released George.`@ br ;　そのまま再び上へ蹴り上げ、もう一度回し蹴りを加えて柱に打ち付けることによって。\ `She kicked upwards one more time, changing into another roundhouse kick and knocking him into a pillar.`\ saveoff textoff ;se1 20 ;bg black,12,200 se1v 20,100 bg BLADE2P,1 bg black,10,100 se2v 20,100 bg BLADE4P,1 bg black,10,100 se3v 20,100 bg BLADE2P,1 bg black,10,100 wait 300 E_M2 se1v 2,100 se2v 57,100 se3v 1006,100 ;bg moon_1a,1 ;quakey 6,1500 ;bg black,13,300 ;se2 13 bg garden_1aN,1 quakex 5,1200 saveon mevol 1,70 me2 12 dllefe 1,1 ld r,$GAP_waraiA1,24 ;「権力を伴わない王者にも、財力を伴わない王者にも、そして暴力を伴わない王者にも、人は誰も恐れない。@/ `"No one will fear a monarch without influence, without wealth, or without force. `@/ se1v 21,90 ld r,$GAP_WaraiA2,80 ;金蔵はその３つを兼ね備えたわ。@だからこそ暴君として君臨した！@　……君も金蔵の後継者を名乗るならば、その貫禄を見せて御覧なさい？\ `Kinzo possessed all three of those.`@` That is why he reigned as a tyrant!`@` ......If you're going to call yourself Kinzo's successor, try showing me a bit of that dignity, okay?`\ ld r,$GAP_AkuwaraiA4,80 ;　……ほぉら、いつまで寝ているの？@　立ちなさい？@ `......Co-me on, how long are you going to sleep there?`@` Stand up, alright?`@ br ;　じゃないとまた、(落ちるわよ/・・・・・)？」\ ;＜ガァプ：点処理：落ちるわよ `If you don't, you'll `(`fall`/・・・)` again, see?"`\ textoff dllefe_off bg black,1 se1 20 wait 200 se2v 20,85 wait 200 se3v 20,100 wait 400 E_MA bgm1v 100,85 se1v 1006,100 se2v 13,100 bg white,1 bg MJES_1cN,2 ;■朱志香の部屋 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,jes se3 20 wait 400 ld c,$RON_AkuwaraiA1,65 se1 11 quakey 2,200 ld c,$RON_waraiA1,80 ;「ぷっくっくっく。@悪くない動きですよ。@しかし、レディには少々相応しくないかと存じますよ。」\ ;＜ロノウェ `"Pu ku ku ku.`@` Not bad movements.`@` But I feel they are slightly unfitting for a lady."`\ se1 20 cl c,0 ld l,$RON_WaraiA1,0 ld r,$JES_ikariA3,64 ;「ぃ野郎ぉおおおおおぉ！！@　ひょろひょろと、ちょこまかと！！@　反撃して来ねぇのかよ……、舐めてんのかッ、うぜぇヤツッ！！」\ ;＜朱志香 `"Bastaaaaaaaaaaaaaard!!`@` Swaying around all over the place!!`@` Aren't you gonna strike back......, don't take me lightly, you fuckin' bastard!!"`\ ;　ロノウェは、巧みに身をかわし、飛び退り、朱志香の鉄拳をかわしているが、@自らはまだ反撃していない。@ `Ronove dodged skillfully, jumped back, and avoided Jessica's fist,`@` but he still didn't strike back himself.`@ br ;　まるで、強風になびく旗のような素早い身のこなしに、朱志香の拳は触れることさえ叶わないのだ。\ `Because of his dodge that was as rapid as a fluttering flag blown by strong winds, Jessica's fist wasn't even able to touch him.`\ ;bg black,22 me2v 5,70 bg MJES_1e,22 ;　朱志香は血の燃えたぎるような感覚の中に、攻撃的冷静さを取り戻す。@ `Amidst the sensation that her blood was boiling, Jessica regained her offensive composure.`@ br ;　個室としては広いこの部屋も、いつまでもそんな大袈裟にかわし続けるには狭い。@ ;　……それを冷静に理解し、拳だけでなく、足を使い始める。\ `Even though this room was large for a bedroom, it was a very narrow place to keep up such exaggerated dodges in for long.`@ `......She calmly realized that, and started using not just her fists, but her legs as well.`\ bg MJES_1bN,0 ld l,$RON_DefA1,26 ;「……ほう。@……ボクシングは腕でやるだけの内は半人前です。@腕は熱く吼え猛る獅子のように。@そして足は冷たく獲物を狙って追い詰める蛇のように。」\ ;＜ロノウェ `"......Hoh.`@` Doing boxing with just your arms makes you but half a man.`@` Arms are like the hot roar of a lion.`@` And legs are like the cold snake closing in on its prey."`\ ld r,$JES_futekiA2,64 ;「蛇に足はねーぜ！」@ ;＜朱志香 `"Snakes don't have legs!"`@ ld l,$RON_waraiA1,80 ;「ぷっくっく、確かに。」\ ;＜ロノウェ `"Pu ku ku, true."`\ me2v 16,70 se1v 20,100 se2v 2,100 bg white,1 bg MJES_1e,22 ;　朱志香はロノウェを正確なフットワークで壁際に追い詰めていく。@回り込ませない。@ `Jessica began cornering Ronove towards the wall with perfect footwork.`@` She didn't let him get around her.`@ br ;　……ロノウェの華麗な回避は、見た目には派手だが、充分な足場がいる。@ ;　追い詰めればもうかわせはしない…！\ `......Ronove's magnificent dodge looked flashy, but it needed a large footing.`@ `Once cornered, he couldn't dodge anymore...!`\ ;　朱志香は自分の装備するメリケンサックという武器の特性をよく理解していた。@ `Jessica knew the special qualities of her weapon, the brass knuckles, very well.`@ br ;　その強力な武器の特筆すべき特長は、相手に防御さえ許さない点だ。\ `This powerful weapon's most notable characteristic was how it didn't let the opponent defend.`\ ;　腕で防ごうとも、その腕に直にダメージを与える。@ ;　……下手な受け方をすれば骨だって折れるだろう。@ `Even if they blocked with their arm, that arm would receive direct damage.`@ `......If it hit the wrong way, it might even break the bone.`@ br ;　だから追い詰める。@ `So she cornered him.`@ br ;　逃げ場をなくし、……この悪魔を、この拳で、削り取るッ！！\ `With this fist, ......she would scrape off this demon who'd lost any way to escape!!`\ bg black,23 bg MJES_1dN,0 ld c,$RON_defA1,23 se1v 20,100 bg white,1 bg MJES_1dN,0 ld r,$JES_IkariA1,0 ld l,$RON_majimeA2,80 ;「おっと…！@/ `"Whoops...! `@/ E_M2 se1 11 quakex 2,200 ;　おや、いつの間に。」\ ;＜ロノウェ `Oh, when did...?"`\ ld r,$JES_futekiA2,80 ;「ようやく追い詰めたぜ……？@　みんなを捕らえている場所はどこだ。@クソジジイのいる場所はどこだ。@洗いざらい喋ったら、そのヒゲを毟り取るだけで勘弁してやるぜ？」\ ;＜朱志香 `"Looks like I've finally cornered you, right......?`@` Where is everyone being held?`@` Where's that damn geezer?`@` You tell me everything, and I'll let you off with nothing more than plucking that mustache off, alright?"`\ ld l,$RON_waraiA1,80 ;「それは困ります。@これでもセットに毎朝、１時間を掛けているのですから。」\ ;＜ロノウェ `"That would be a problem.`@` It does take me an hour every morning to set this."`\ ld r,$JES_IkariA1,80 ;「ギプスの世話になったら、それも出来ねえなッ？！」@ ;＜朱志香 `"If you use a plaster cast, then you won't even be able to do that, right?!"`@ ;ld l,$RON_OdorokiA1,80 textoff se2v 10,80 ;wait 300 bg MJES_1dN,0 ld c,$JES_futekiA2,0 ld l,$RON_majimeA1,1 se3v 11,90 se1v 2,90 ;bg white,1 ;bg MJES_1dN,0 ld l,$RON_odorokiA1,1 quakex 4,400 ;「…………おっと。@…………………ぐッ。」\ ;＜ロノウェ `"............Whoops.`@` ..................Gggh."`\ ;　朱志香が繰り出した拳を、ロノウェは初めて腕で防ぐ。@ ;　余裕を装ってはいるが、かなり痛いはずだ。\ `Ronove had blocked Jessica's lunged fist with his arm.`@ `He tried to act as though it was no big deal, but it must have hurt a lot.`\ bg black,22 ;cl c,0 ;ld r,$JES_AkuwaraiA1,63 ;　……朱志香はニヤリと笑う。@ `......Jessica grinned.`@ ;ld l,$RON_AkuwaraiA1,80 br ;　ロノウェも同じように笑うが、わずかに引きつっている。\ `Ronove smiled the same way, but twitched slightly.`\ bg MJES_1e,0 ld r,$RON_akuwaraiA1,26 ;「……なるほど。@これは確かに痛いですね。」\ ;＜ロノウェ `"......I see.`@` This certainly does hurt."`\ ld l,$JES_ikariA1,26 ;「最終勧告。@/ `"Here's my last bit of advice. `@/ ld l,$JES_futekiA2,80 ;泣いて詫びろ。」@ ;＜朱志香 `Cry and apologize."`@ ld r,$RON_waraiA1,80 ;「それは出来ませんね。@キャラが崩れます。」\ ;＜ロノウェ `"That, I cannot do.`@` It would ruin my image."`\ ld l,$JES_IkariA3,80 ;「なら、お前が崩れ落ちるといいぜ。@釣瓶打ちだああああああぁあああッ！！！」\ ;＜朱志香 `"Then just crumple.`@` Rapid fiiiiiiiiiiiiiiiire!!!"`\ se1 20 bg black,1 wait 600 se1v 1006,100 se2v 1006,100 se3v 2,70 wait 300 se1v 1006,100 se2v 1006,100 se3v 2,70 bg white,1 bg MJES_1e,22 ;　朱志香の左右の鉄拳がロノウェに打ち込まれる。@ `Jessica's fists were buried into Ronove.`@ br ;　しかし、そうとは思えぬ手応えとガラスを割るような音に朱志香はぎょっとする。\ `But there was a resistance that seemed too hard and the sound of breaking glass, which startled Jessica.`\ bg MJES_1dN,0 ld c,$RON_akuwaraiA1,26 ;　朱志香の拳を、ロノウェは一見、手の平で受け止めたように見えた。@……少し違う。\ `At a glance, it looked like Ronove had caught Jessica's fist with his palm.`@` ......That wasn't quite true.`\ se1v 57,100 lsp 899,barrierbrake2,100,80 print 1 vsp 899,0 print 22 ;　ロノウェが手の平を開くと、そこに紫色に薄く光る、ガラスの楯のような障壁が現れ、@紙一重のところで攻撃を止めてしまうのだ。\ `When Ronove opened his hand, a faint purple glowing barrier like a glass shield appeared,`@` and stopped the attack by a hair's breadth.`\ textoff saveoff ld c,$RON_majimeA2,0 vsp 899,1 amsp 899,0,120 se1v 57,100 se2v 1006,100 print 1 vsp 899,0 print 22 ;wait 200 vsp 899,1 amsp 899,200,100 se1v 57,100 se2v 1006,100 print 1 vsp 899,0 print 22 ;wait 100 ld c,$RON_akuwaraiA1,80 vsp 899,1 amsp 899,80,30 se1v 57,100 se2v 1006,100 print 1 vsp 899,0 print 22 ;wait 100 vsp 899,1 amsp 899,130,90 se1v 57,100 se2v 1006,100 print 1 vsp 899,0 print 22 ;wait 100 ;ld c,$RON_majimeA2,80 saveon ;　気を取り直し、朱志香は再び左右の鉄拳を繰り出すが、ロノウェは実に華麗な仕草で、それを全て、受け止めてしまう……。\ `Pulling herself together, Jessica thrust out her fists again, but with a truly magnificent gesture, Ronove caught all of them......`\ ld c,$RON_DefA1,80 ;「悪魔ですので。@この程度の魔法くらいは。@/ `"I am, after all, a demon.`@` This level of magic is nothing. `@/ ld c,$RON_majimeA2,80 ;………それにしても、なかなかやりますね。@ニンゲンだったら、私はここで降参だったでしょう。@悪魔だから、まだ戦い続けることが出来る。」\ ;＜ロノウェ `.........Even so, you aren't bad at all.`@` If I were a human, I would probably resign right here.`@` Because I am a demon, I can still continue to fight."`\ bg MJES_1cN,0 ld r,$JES_ikariA1,24 ;「お、……おかしな真似を………！」\ ;＜朱志香 `"Wh, ......what are you trying to pull.........!"`\ ld l,$RON_majimeA1,23 ;「それで終わりですか？@/ `"Is that the end? `@/ ld l,$RON_majimeA2,80 ;　……攻撃を繰り出すばかりで、ご自身の防御が疎かではありませんか？」@ ;＜ロノウェ `......If you just attack all the time, wouldn't that result in the neglect of your defense?"`@ ld r,$JES_OdorokiA1,80 ;!s0「え？！@/ !s0`"Huh?! `@/ se1v 57,100 se2v 2,100 bg white,1 bg MJES_1cN,0 ld c,$RON_MajimeA2,0 vsp 899,1 amsp 899,120,60 print 22 vsp 899,0 print 22 ;　……うわッ！！」/ `......Waaah!!"`/ se3v 12,100 quakex 2,300 se2 13 quakey 5,500 !sd\ ;＜朱志香 ;　ロノウェは手の平を朱志香の下腹部に、寸止めのように打ち込む。@ ;　朱志香は紫の楯に弾き飛ばされ、後に転がり、ベッドに頭をぶつける。\ `Ronove's palm shot to within a hair's breadth of Jessica's stomach.`@ `Jessica was knocked away by the purple shield, rolled backwards, and smashed her head on the bed.`\ ld c,$RON_defA1,80 ;「ニンゲン如きに、私のシールドは破れませんよ。@もう二度と、私の体に触れることが出来ると思わぬことです。」\ ;＜ロノウェ `"My shield cannot be broken by a mere human.`@` Don't think that you'll ever be able to touch my body again."`\ bg MJES_1aN,23 ld l,$JES_futekiA2,26 ;「……ならよ、……そのシールドごとブチ抜いてやるぜ……！！」\ ;＜朱志香 `"......In that case, ......I'll just burst through that shield......!!"`\ ld r,$RON_AkuWaraiA1,24 ;「不屈な方だ。@その根性、なるほど、次期当主として実に相応しい。@/ `"Persistent, I see.`@` Yes, that nature is truly fitting for the next head. `@/ ;ld r,$RON_WaraiA1,80 ;……もう少しお相手させていただきましょうかね。@これも試験官の役得です。@………ぷっくくくくくく！」\ ;＜ロノウェ `......Why don't I be your opponent for just a while longer.`@` This is also part of an examiner's role.`@` .........Pukkukukukukuku!"`\ cl a,0 ld c,$JES_IkariA1,23 ;「砕けろおおおおぉおおお、うおおおおおおおおおおぉおおッ！！」\ ;＜朱志香 `"Breeeeeeeeeeeaaaak, aaaaaaaaaaaaaahhhh!!"`\ textoff se1v 20,100 wait 200 se2v 20,100 wait 200 se3v 20,100 wait 200 E_B E_MA se3v 2,100 se1v 27,100 se2v 57,100 bg white,1 bg rose_1aN,2 ;quakey 5,1200 me1v 12,70 dllefe 1,1 ;■ドガーン。@そして薔薇庭園。@ mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,geo ;　ガァプが譲治を見下ろし、嘲笑う。@ ;　譲治は薔薇庭園の園路で、水溜りに突っ伏していた。@ `Gaap looked down on George, sneering.`@ `George was on a path in the rose garden, lying face-down in a puddle.`@ br ;　容赦なく雨は打ちつけ、天すらも嘲笑っているように見える…。\ `The merciless rain beat down on him, so that it looked as though even the heavens were mocking him...`\ me2v 5,70 ld r,$GAP_AkuwaraiA1,24 ;「………あっははははははは。@立ちなさい？@　また落ちるわよ？」@ ;＜ガァプ `".........Ahhahahahahahaha.`@` Stand up, okay?`@` You'll fall again, right?"`@ ld l,$GEO_majimeA3k,6 ;「………………………。」\ ;＜譲治 `"....................."`\ ;　譲治はよろよろと立ち上がる。@ `George stood up shakily.`@ br ;　……精神は挫けていないようだが、肉体のダメージはかなりのもののようだった。\ `......It seemed his spirit hadn't given in, but the damage to his body was fairly significant.`\ ld r,$GAP_waraiA2,80 ;「命乞いなさい。@君のしていることは、何も選ばない四番目の選択肢に同じ。@/ `"Beg for your life.`@` What you're doing now is the same as the fourth choice of choosing nothing. `@/ ld r,$GAP_waraiA1,80 ;　……君が選んだのは三番目の選択肢でしょう？@　両手両膝を付いて詫びれば、私への非礼を許してあげるわ。\ `......You chose the third choice, right?`@` If you get down on your hands and knees and apologize, I'll forgive your rudeness towards me.`\ ld r,$GAP_defA3,80 ;　そしたら、君を地下牢へ案内してあげる。@そこで君は、愛する紗音と非力な自分のために、他の人質たちを一人ずつ殺していくの。@/ `Then, I'll guide you down to the dungeon.`@` There, for your beloved Shannon and your own powerless life, you will kill the other hostages one by one. `@/ ld r,$GAP_AkuwaraiA3,80 ;……出来るわよね？@　その覚悟はあると、君は豪語したわ。@……くすくすくすくす。」\ ;＜ガァプ `......You can do it, right?`@` You did boast about having that resolve.`@` ......*giggle*giggle*giggle*."`\ ld l,$GEO_niramuA1k,80 ;「…………………………。」@ ;＜譲治 `"....................."`@ br ;　譲治は返事をしない。@ ;　……しかしその眼差しは未だに強情に、屈服を拒んでいた。\ `George didn't answer.`@ `......But his gaze was still obstinately resisting surrender.`\ ld r,$GAP_akuWaraiA1,80 ;「……あまり強情が過ぎると、今度こそ奈落の底の底まで、落ちるわよ…？@　くっくくくくく。」\ ;＜ガァプ `"......If you are too obstinate, then this time you really will fall to the deepest depths of the Abyss, okay...?`@` *cackle*cackle*cackle*."`\ ;　ガァプの強さは歴然としていた。@ `Gaap's strength was evident.`@ br ;　……それは多分、当の譲治よりも、@それを三面鏡越しに見守っている紗音たちの方が理解しているに違いなかった…。\ `......That was probably understood, even more than by George himself,`@` by Shannon's group watching through the three-sided mirror...`\ bg black,24 dllefe_off bg black,1 fede 10,1000 lsp 889,PRI_efe,0,0 vsp 889,1 bg PRI_i1b,24 ld c,$SHA_OdorokiA1,26 bgm1v 79,85 ;「………譲治さま……。@……もう、/ ;!d500………止めて………。@…私なんかのために……。」@ ;＜紗音 `".........George-sama......`@`......That's, `/ !d500`.........enough.........`@`...For someone like me......"`@ ld r,$KAN_MajimeA1,24 ;「姉さん……。」\ ;＜嘉音 `"Nee-san......"`\ vsp 889,0 bg black,25 bg PRI_i1c,22 se1 13 quakey 3,500 ;!s0「……私のことなんて、好きにならなければ、/ ;!d800……譲治さまは誰とも戦わなくていいんでしょ…？@　なら私なんて捨てて下さい……。@忘れて下さい……。」/ !s0`"......If you didn't like me, `/ !d800`......you wouldn't have to fight with anyone, right, George-sama...?`@` Then please, abandon me......`@` Please forget me......"`/ !sd\ ;＜紗音 vsp 889,0 bg black,22 ;　その声が譲治に届くはずもない。@ `There was no way for that voice to reach George.`@ br ;　……しかし、なのに。@……譲治はそれに答えた。\ `......But, even so, `@`......George answered.`\ me1v 12,50 dllefe 1,1 bg rose_1bN,0 ld c,$GEO_majimeA1k,2 ;「嫌だね。@/ `"No way. `@/ ;ld c,$GEO_IkariA1,80 ;…………僕は、屈服しない。」\ ;＜譲治 `............I won't...surrender."`\ bg rose_1aN,0 ld l,$GAP_defA2,23 ;「……へぇ。@どうして……？」@ ;＜ガァプ `"......Oh?`@` Why......?"`@ ld r,$GEO_majimeA2k,24 ;「…………それが、僕の、覚悟だからだ。@……僕は紗音のために、全てと戦う。@そして全てに認めさせ、/ ;!d800……全てに僕たちを祝福させる。」\ ;＜譲治 `"............Because that's my...resolve.`@` ......I'll fight everything for Shannon's sake.`@` And I'll make everything accept us, `/ !d800`......and everything bless us."`\ ld l,$GAP_WaraiA1,80 ;「ねぇ、聞かせて？@　どうしてあの紗音とかいう家具のためにそこまで言えるの？@/ `"Hey, could you tell me something?`@` How can you say so much for that furniture called Shannon? `@/ ld l,$GAP_AkuwaraiA1,80 ;　………あんなの、ただの出来損ないじゃない。@給仕ひとつ満足に出来ない、ガラクタ家具だわ。」\ ;＜ガァプ `.........She's just a washout, isn't she?`@` Rubbish furniture that couldn't even make a satisfactory waitress."`\ ld r,$GEO_majimeA5k,80 ;「…………愛する女性への暴言を、僕はそれ以上許さない。」@ ;＜譲治 `".........I won't permit any more insults against the woman I love."`@ ld l,$GAP_waraiA3,80 ;「だったら何？@　ひ弱なボクちゃんが、私にどう抗うというのかしら…？」\ ;＜ガァプ `"So what are you going to do about it?`@` I wonder how a weak kid like you could resist me...?"`\ ld r,$GEO_majimeA1k,80 ;「人を愛するとは強さだ。@……それを知ったから、僕は強くなれた。@/ `"Loving someone is strength.`@` ......Because I knew that, I was able to become strong. `@/ ld r,$GEO_majimeA5,80 ;………“紗音、@僕は君を愛している”。@その言葉だけで、僕は何度でも立ち上がれるんだ。」\ ;＜譲治 `.........'Shannon,`@` I love you'.`@` With just those words, I can stand back up, over and over again."`\ ld l,$GAP_AkuwaraiA3,80 ;「紗音は地下牢よ？@　私に愛を語られても。」\ ;＜ガァプ `"Shannon's in the dungeon, right?`@` Professing your love to me won't-"`\ ld r,$GEO_MajimeA2,80 ;「いいや。@伝わった。@/ `"No.`@` She heard. `@/ ld r,$GEO_majimeA5,80 ;……それが愛だからだ。@紗音には今、僕の言葉が聞こえているよ。@そうだと信じられることこそが、愛だ。」@ ;＜譲治 `......That's because it's love.`@` Shannon can hear my words right now.`@` The reason I can believe that...is because of love."`@ ld l,$GAP_AkuwaraiA4a,80 ;「………………こいつ…、……。」\ ;＜ガァプ `"..................You..., ......"`\ ;■地下牢 bg black,25 fede 10,1000 dllefe_off bg PRI_i1c,22 ;ld c,$GEO_DefA1k,80 ;『紗音。@君は家具なんかじゃない。@……家具だったとしても、世界でただひとつの、僕だけの家具だ。@生涯、僕と寄り添って欲しい。@……僕には君が、永遠に必要だ。』\ ;＜譲治 `『Shannon.`@` You are not furniture.`@` ......Even if you are furniture, you are mine alone, the only one for me in the world.`@` I want to be close to you my whole life.`@` ......I need you for all eternity.』`\ vsp 889,1 bg PRI_i1a,0 ld c,$SHA_hajiraiA1,2 ;「………じょ、……譲治さま……………。」\ ;＜紗音 `".........G, ......George-sama..............."`\ ld l,$KIR_futekiA1,23 ;「……妬けるわ。@口説きならウチの人を越えたわね。」@ ;＜霧江 `"......I'm jealous.`@` He's surpassed my husband in smooth talking."`@ ld r,$NAN_fumuA1,24 ;「わ、……若さですな。」\ ;＜南條 `"Th, ......this is youth."`\ ;■薔薇庭園 textoff vsp 889,0 bg black,25 ;wait 2000 me1v 12,70 dllefe 1,1 bg rose_1aN,22 ld c,$GAP_AkuwaraiA4,26 ;「あっはははははははははは…！！@　愛が強さ？@　なら坊やはどうしてそんなにひ弱なの？@　その弱さがつまり、君の愛の程度なわけね？@　くすくすくす！@　婚約者への愛もひ弱。@両親の呆気ない死に様もひ弱。@君の人生は何から何までひ弱だわぁ。」\ ;＜ガァプ `"Ahhahahahahahahahahaha...!!`@` The strength of love?`@` Then why are you so weak, boy?`@` Does that weakness mean your love is also that weak?`@` *giggle*giggle*!`@` Even your love for your fiance is weak.`@` The way your parents died so quickly was weak.`@` Everything about your life is weak."`\ bg rose_1bN,24 ld r,$GEO_majimeA2k,24 ;「……………紗音は僕に愛と強さを教えてくれた。@/ `"............Shannon taught me about love and strength. `@/ ld r,$GEO_majimeA1,80 ;もし君が、僕の強さだけで紗音への愛を確かめようというのなら、/ ;!d1000……僕の愛を、教えよう。」\ ;＜譲治 `If you are trying to measure my love towards Shannon by my strength alone, `/ !d1000`......let me teach you about my love."`\ bg rose_1aN,0 ld l,$GAP_WaraiA2,23 ;「くす、言うわね。@……なぁるほど。@何度も蹴り倒されて転がされ、それでも立ち上がるのが紗音からもらった強さだと。\ `"*giggle*, so you say.`@` ......I get it now.`@` You're saying that the way you can still stand up after being kicked down so many times is the strength you received from Shannon.`\ ld l,$GAP_WaraiA3,80 ;　なら、呆気なく殺されたあんたのお父さんとお母さんからは何をもらったの？@　………？」\ ;＜ガァプ `In that case, what did you receive from your parents, who were killed way too easily?`@` .........?"`\ ;se1v 20,100 E_A dllefe_off bg black,1 ;　その時、停電した。@……屋外で？\ `At that time, there was a blackout.`@` ......Outside?`\ me1v 5,0 fedexx 0,50,0,0,0,0,2000 ;ld c,$GAP_ikariA1,80 ;「………ち、……違う。@………こ、れは…………。」@ ;＜ガァプ `".........N, ......no.`@` .........Th...this is............"`@ br ;!s0　ガァプの視界を遮るのは、/ ;!d900……………譲治の、/ ;!d500靴の、/ ;!d800…/ !s0`The thing blocking Gaap's vision, `/ !d900`...............was the bottom...`/ !d500`of George's`/ !d800`...`/ se1v 2,100 ;裏…。/ `shoe...`/ !sd\ ;ld c,$GEO_MajimeA1,80 bgm1v 101,85 ;「…………足刀蹴り。@鼻骨骨折。」@ ;＜譲治 `"............Side kick.`@` Nasal bone fractured."`@ br ;　それはガァプの鼻先で完全に寸止めされていた。\ `It had stopped right in front of the tip of Gaap's nose.`\ dllefe 1,1 bg rose_1aN,0 ld r,$GAP_akuwaraiA1a,0 ld l,$GEO_MajimeA5k,26 ld l,$GEO_majimeA5,80 ;「母さんにもらったものはこの蹴りだ。」\ ;＜譲治 `"The thing I got from Mom was this kick."`\ se1 20 cl r,66 bg rose_1bN,25 ld l,$GAP_ikariA1a,65 se2 11 quakey 3,300 ;　ガァプは数瞬遅れて飛び退く。@ ;　もちろん遅過ぎる。@ `Several moments late, Gaap jumped back.`@ `Of course, it was too late.`@ br ;　譲治が止めなければ、宣言したとおりのダメージが与えられただろう。\ `If George hadn't stopped, he probably would have caused the damage he had announced.`\ bg rose_1aN,24 ld c,$GEO_ikariA3k,80 ;「そして父さんにもらったのが、/ ;!d800……忍耐力。」\ ;＜譲治 `"And what I got from Dad, `/ !d800`......is fortitude."`\ me2v 16,50 br ;　低い沸点の怒りは真に恐れるべきものではない。@ ;　……本当の怒りは、忍耐によって練り上げられる。\ `Anger with a low boiling point isn't something to be truly feared.`@ `......True anger can be disciplined by fortitude.`\ ld c,$GEO_niramuA1k,80 ;「………君の暴力的意思表示は理解した。@……また、婚約者と両親への名誉毀損も理解した。@そして、それを撤回する気がないんだね……？」\ ;＜譲治 `".........I understand your violent method of declaring your intentions.`@` ......Also, I understand your defamation of my fiance and my parents' honor.`@` So, you don't feel like taking that back, do you......?"`\ ` bg rose_G1aN,0 ld l,$GAP_akuwaraiA1a,23 ;「……こ、いつ……。」\ ;＜ガァプ `"......Y, you......"`\ textoff fedexx 85,80,80,0,0,0,1000 ;bg black,24 ;bg rose_1aN,0 ld r,$GEO_majimeA4,24 ;「君の攻撃は、もう充分に理解したから。@/ `"I now understand your attack perfectly well. `@/ ld r,$GEO_majimeA5k,80 ;…………そろそろ、いいかな。反撃しても。」@ ;＜譲治 `............Isn't it about time? For you to fight back?"`@ ;bg rose_G1aN,0 ld l,$GAP_AkuwaraiA4a,80 ;「ほっ、ほざくな、坊やの分際で……！！」\ ;＜ガァプ `"Q, quit prattling, foolish boy......!!"`\ dllefe_off E_MA se1v 52,100 se2v 2,100 bg black,68 ;wait 500 ;　譲治の足元に漆黒の落とし穴が口を開く。@ `A pitch-black hole opened its mouth at George's feet.`@ se2v 20,85 wait 300 se3v 11,70 wait 100 se3v 11,85 br ;　しかし、譲治は素早く足を開き、その穴を跨ぐように立つ。@同じ手は、通用しない…！@ ;　上半身は微動だにしない、あまりに軽やかな身のこなしだった。\ `But George rapidly opened his legs, standing straddling the hole.`@` The same move won't work again...!`@ `It was an extremely light dodge, and the upper part of his body didn't even quiver.`\ textoff ;dllefe 1,1 ;wait 1500 se1v 1006,100 dllefe_off bg white,1 bg Moon_1a,0 ld c,$GEO_ikariA3k,22 ;「忍耐とは、熱くならず、冷静に相手の出方を研究することだ。@………何のために？@　決まってるじゃないか。@わかるかい？」@ ;＜譲治 `"Fortitude means not losing your cool, and instead composedly researching your opponent's attitude.`@` .........Why?`@` Isn't it obvious?`@` Do you know?"`@ ;ld c,$GAP_AkuwaraiA3a,80 ;「わ、わ、わかんないわよ……。」\ ;＜ガァプ `"N, n, no I don't......"`\ textoff me1v 5,0 fedexx 90,70,0,0,0,0,1000 mbg white,1 se1v 2,100 mcbg 0 ld c,$GEO_ikariA3,22 ;「反撃して、きっちり借りを返し、二度とちょっかいを出したくないと思わせ、@涙と鼻水で顔面をぐちゃぐちゃにしてそれを拭うのを忘れて@額を地面に擦り付けて何度も謝りたくなるほどに完膚なきまでに完璧に徹ッ底的にッッ！！！@/ `"It's to counter, to give back exactly what you got, to make them not want to take another pass at you,`@` to make them cover their face in tears and snot and forget to wash it off,`@` to make them want to rub their forehead on the ground and apologize over and over, to completely, perfectly, thoroughly...!!! `@/ ;ld c,$GEO_ikariA2,80 ;　……叩きのめすためだよ。」\ ;＜譲治 `......Beat them until they can't get up."`\ textoff saveoff bg rose_1bN,22 btndef "bmp\background\garden/rose_1bN.bmp" mov %Free1,0 mov %Free2,0 mov %Free3,640 mov %Free4,480 mov %Free11,0 mov %Free12,0 mov %Free13,0 mov %Free14,0 se1 20 blt 0,0,640,480,%Free1,%Free2,%Free3,%Free4 for %0 = 1 to 12 resettimer add %Free11,8 add %Free13,5 add %Free12,8 add %Free14,6 add %Free1,%Free11 add %Free2,%Free13 sub %Free3,%Free12 sub %Free4,%Free14 blt 0,0,640,480,%Free1,%Free2,%Free3,%Free4 waittimer 20 next se2v 20,100 bg black,0 btndef "bmp\background\garden/rose_G1aN.bmp" mov %Free1,0 mov %Free2,0 mov %Free3,640 mov %Free4,480 mov %Free11,0 mov %Free12,0 mov %Free13,0 mov %Free14,0 for %0 = 1 to 12 resettimer add %Free11,8 add %Free13,5 add %Free12,8 add %Free14,6 sub %Free1,%Free11 add %Free2,%Free13 sub %Free3,%Free12 sub %Free4,%Free14 blt 0,0,640,480,%Free1,%Free2,%Free3,%Free4 waittimer 20 next ofscpy btndef "" print 1 saveon ;　譲治が駆ける。@ `George dashed.`@ br ;　次々に漆黒の穴が開くが、譲治は二度とそれを踏みはしない。@ `Pitalls opened one after another, but George didn't step in them again.`@ br ;　そして、それに固執したから、ガァプは二度捉えられる…。\ `And, because he was persistent, he was able to capture Gaap a second time...`\ se1v 20,100 se2v 2,100 ;「………後回し蹴り。@顎部骨折。」\ `".........Reverse roundhouse.`@` Jaw fractured."`\ me2v 16,70 bg rose_1aN,0 ld l,$GEO_niramuA1k,0 ld r,$GAP_ikariA1,22 ;＜譲治 ld r,$GAP_IkariA1a,80 ;「……………ッッッ！」\ ;＜ガァプ `"...............!"`\ ;　それは、ガァプの繰り出したそれよりも美しく、力強く伸びる。@ ;　そしてもちろん、ガァプの顔面を完全に捉えつつも寸止めだった。\ `It was stretched out more forcefully and beautifully than Gaap's had been.`@ `Of course, while it centered directly on Gaap's face, it stopped a hair's breadth away.`\ ;　この至近では落とし穴にも頼れないのだろうか。@ `Perhaps she couldn't rely on pitfalls at this close range.`@ br ;　ガァプは譲治の脛を牽制のように蹴り、@譲治がそれに対応しようとした一瞬の隙を突いて、その腹部に蹴りを狙う。\ `Gaap kicked at George's shins as a diversion,`@` and in the instant of weakness when he tried to deal with that, she aimed a kick at his stomach.`\ textoff se1 20 wait 100 se2v 20,85 wait 100 se3v 20,100 bg white,1 bg black,22 ;　それはピンヒールによる蜂の如き一撃。@ `It was a bee-like stab by her stiletto heel.`@ br ;　……しかしそこにはもう譲治がいなくて空を切る。\ `......But it sliced through the air where George was no longer.`\ ;ld c,$GEO_MajimeA1k,80 ;「………上段踵落とし。@鎖骨骨折。」@ ;＜譲治 `".........High axe kick.`@` Collarbone fractured."`@ ;「…………んなッ、」\ `"............Gah-"`\ textoff bg moon_1a,22 se1v 2,100 se2v 2,100 mbg white,1 mcbg 0 ld c,$GEO_niramuA1,22 ld c,$GEO_niramuA1k,2 ;wait 2000 ;ld c,$GAP_IkariA1a,80 ;＜ガァプ ;　ガァプの側面で。@譲治を足を振り上げたまま、冷酷にそう伝える。@ ;　その王者の踵が振り下ろされていたなら、鎖骨骨折では控えめが過ぎるだろう。\ `By Gaap's side,`@` George calmly announced that, his foot still raised.`@ `If that monarch's heel had swung down, a collarbone fracture would probably have been an understatement.`\ bg black,23 me3v 17,70 bg rose_G1aN,0 ld c,$GAP_AseruA1a,23 ;「こッいつ、/ ;!d800………至近じゃ、私より強いの……？！@　距離を……ッ、」\ ;＜ガァプ `"This guy's, `/ !d800`.........stronger than me...at close range......?!`@` Need distance......"`\ se1v 20,85 bg moon_1a,66 ;　大きく距離を取るように飛び退く。@ `She jumped backwards to grab a large distance.`@ br ;　後ろへ飛んで飛んで跳ねて後方宙返りまでして距離を離す。\ `She jumped and jumped and leapt and even flipped in midair, increasing the distance between them.`\ se1v 20,100 wait 200 se2v 20,90 wait 200 se3v 20,80 wait 200 se1v 20,70 wait 200 se2v 20,60 wait 200 se3v 20,50 ;　華麗なはずなのに、なぜかそれは怯えている小動物のそれによく似ていた。@ `It should have been magnificent, but for some reason, it was very similar to the movements of a small, scared animal.`@ br ;　距離を開けば、得意の落とし穴と蹴り技を混ぜての、自分の得意な間合いで戦える…！\ `If she opened the distance, she could fight across the interval that was her specialty, using a mixture of pitfalls and kicking techniques...!`\ bg garden_1bN,26 ld c,$GAP_akuWaraiA1a,65 se1 11 quakey 3,300 ;「馬鹿が…、私を倒せるチャンスを三度も逃した傲慢、奈落の底で後悔なさいッ！！@/ `"You fool..., you will regret the pride which led you to let three chances of defeating me slide...regret in the depths of the Abyss!! `@/ ld c,$GAP_ikariA1a,1 ;　………………えッ？」\ ;＜ガァプ `...............Huh?"`\ bg black,1 se1v 20,100 wait 100 se2v 20,100 ;　華麗に後方に着地し、落とし穴を狙おうとした時、@かまいたちのような鋭い風が、ガァプの前髪を斬った。@…そう、斬った。@ `When she magnificently landed and tried to aim a pitfall,`@` a razor-sharp wind cut Gaap's bangs.`@` ...Yes, it cut them.`@ br me4v 28,100 ;se3v 20,100 ;se1v 20,100 ;se2v 20,100 ;　それは二度。@……今度は寸止めではなく、その風圧で彼女の前髪を散らす……。\ `Then again.`@` ......This time it didn't just stop a hair's breadth away, but scattered her bangs with its air pressure......`\ se1v 2,100 se2v 2,100 bg white,1 bg garden_1aN,0 ld r,$GEO_niramuA1k,2 ;「………アルマーダ・コン・マルテーロゥ。@/ `".........Armada com martelo. `@/ ;ld r,$GEO_WaraiA1k,80 ;……第一撃で眼底骨折。@第二撃で脳挫傷。」\ ;＜譲治 `......The fundus of the eye fractured with the first strike.`@` Cerebral contusion with the second strike."`\ ld l,$GAP_ikariA1a,1 quakey 3,200 ;「………………ッッッ…！！！」\ ;＜ガァプ `".....................!!!"`\ ;　ガァプは呆然として言葉も出せない。@ `Gaap was too shocked to speak.`@ br ;　あれだけの間合いを譲治は瞬時に詰め、恐るべき身軽さで空中二段蹴りを放ったのだ。@ `George had closed in over all that distance in an instant, letting off a fearsomely nimble midair double-kick.`@ br ;　……しかもそれは剃刀の如き切れ味と正確さで、彼女の前髪数本だけを斬って見せた。\ `......Furthermore, with the accuracy and edge of a razor, it had cut nothing more than several of her bangs.`\ bg black,22 ;fede 10,1000 bg garden_1bN,0 ld c,$GEO_majimeA4k,1 E_MA se1v 2,100 ;「空手で蹴りの威力を。@/ `"I learned the power of kicks from karate, `@/ se2v 2,100 ;テコンドーで速度を。@/ `speed from tae kwon do, `@/ se3v 2,100 ;カポエイラでは自在の間合いを学んだ。@/ `and freedom of range from capoeira. `@/ ld c,$GEO_majimeA5,80 ;……母さんが色々と移り気でね。@でも色々と特長を学べて勉強になったよ。」\ ;＜譲治 `......Mom was pretty fickle.`@` But I've learned from studying various merits."`\ bg garden_1cN,0 ld r,$GAP_AkuwaraiA1a,24 ;「な、……なぜ当てない……？@/ `"Wh, ......why don't you hit......? `@/ ld r,$GAP_aseruA1a,80 ;　……私が女だからだとでも言うのかッ！！」\ ;＜ガァプ `......You aren't going to say it's because I'm a woman, right?!!"`\ ld l,$GEO_majimeA1,24 ;「……君は、王者の力として３つ目に暴力と言ったね。@/ `"......You spoke of force as a monarch's third power. `@/ ld l,$GEO_MajimeA1k,80 ;君はどうやらまだ、その暴力の意味を誤解しているようだ。@……この場合の暴力とはね、短絡的に振るわれる乱暴のことを言うんじゃない。@………敵対すれば、無傷では済まないという、抑止のことを指すんだよ。」\ ;＜譲治 `It looks like you've still mistaken the meaning of that force.`@` ......In this situation, force doesn't mean hastily wielded violence.`@` .........It refers to a deterrent... knowledge that if someone opposes the monarch, that person won't get away unharmed."`\ ld r,$GAP_akuwaraiA1a,80 ;「抑止……、だと……。」\ ;＜ガァプ `"A deterrent......, you say......"`\ bg black,22 ;　つまりはそういうこと。@ `In short, this is what it meant.`@ br ;　これまでの譲治の攻撃が全て寸止めなのは、そういうことなのだ。\ `This was why all of George's attacks up until then had stopped a hair's breadth away.`\ ;　直撃させるよりも困難とされる寸止めを、これほどまでに華麗に披露した。@ `These bare misses, which were more difficult than hitting directly, had all been performed so splendidly.`@ br ;　…また、その何れも譲治が望んだなら、一撃でガァプを撃破しただろう。@ `...Also, if George had wished it, any one of those would probably have crushed Gaap.`@ br ;　それを、敢えて、やらない。\ `He had, daringly, not done that.`\ bg garden_1bN,0 ld c,$GEO_majimeA5k,26 ld c,$GEO_majimeA4,80 ;「君も言ったろ？@　暴力は統べる力だと。@………暴力で相手を破壊してしまったら、統べられないじゃないか。@ `"You said it yourself, right?`@` Force is the power to control.`@` .........If you crush your opponent with force, you won't be able control them, right?`@ ld c,$GEO_ikariA3k,80 ;　王者の暴力とはね、見せるだけなんだよ。@破壊しない。@……屈服させて、自らの財産とするんだからね。\ `A monarch's force is something that is only shown.`@` He does not crush.`@` He makes others surrender, and adds them to his own fortune.`\ ld c,$GEO_majimeA5k,80 ;　君に泡でも吹かれたら、みんなの捕らわれてる場所に案内させられないよ。」\ ;＜譲治 `If you start blowing bubbles, I wouldn't be able to make you guide me to where everyone is captured."`\ me1v 5,50 ;　ガァプは認めざるを得ない。@ `Gaap had to admit it.`@ br ;　譲治が完璧な意味で、暴力を理解していることを認めざるを得ない…！\ `She had to admit that George understood force in the truest sense...!`\ ld c,$GEO_majimeA5,80 ;「みんなのところへ案内してもらうよ。@抵抗はお奨めしない。@………もう寸止めはしないよ。」\ ;＜譲治 `"You'll take me to where everyone is.`@` I would advise against resisting.`@` ......I won't miss anymore."`\ bg garden_1cN,0 ld r,$GAP_akuwaraiA4a,24 ;「…くッ！！@/ `"...Ack!! `@/ ld r,$GAP_WaraiA3a,80 ;　………ごめんねリーア、あんたの兵隊、借りさせて。@/ `.........Sorry, Lia. Lemme borrow your troops. `@/ ld r,$GAP_AseruA1a,80 ;私ひとりじゃ手に負えないわ、こいつッ！！」\ ;＜ガァプ `This guy's too much for me alone to handle!!"`\ textoff se1v 52,100 bg black,68 bg garden_1aN,22 se1v 2,100 ld c,$GOA_DefA1,65 quakey 4,400 se2v 2,100 ld l,$GOA_DefA1,65 quakey 4,400 se3v 2,100 ld r,$GOA_DefA1,65 quakey 4,400 wait 700 me2v 17,50 se1v 57,100 ld l,$GOA_DefA1b,80 se2v 57,100 ld c,$GOA_DefA1b,80 se3v 57,100 se1v 57,100 ld r,$GOA_DefA1b,80 ;　空中に大きな漆黒の穴を開くと、@ドン、ズン、ドスンと、３人の屈強な山羊の従者が落ちてくる。@それらは譲治を囲んでいた。\ `As a large, pitch-black hole opened in the sky,`@` *thunk* *thunk* *thunk*, three muscular goat attendants fell out.`@` They surrounded George.`\ bg garden_1bN,0 ld l,$GEO_majimeA1,24 ld l,$GEO_majimeA5,80 ;「………増援かい？@　それは僕がひ弱であることを撤回したと受け止めていいのかな。」@ ;＜譲治 `".........Reinforcements?`@` I wonder if I should take this to mean that you take back all that about me being weak."`@ ld r,$GAP_defA3a,24 ;「み、……認めるわ。@……あんたの、…ニンゲンの力を侮ってたわ……。」\ ;＜ガァプ `"I, ......I admit it.`@` ......I made light of your, ...human power......"`\ ld l,$GEO_akuwaraiA1k,80 ;「違うね。@これが、愛を覚えた男の強さなのさ。」\ ;＜譲治 `"That's wrong.`@` This is the strength of a man who knows love."`\ se1v 20,70 bg garden_1cN,24 se2v 20,90 ld c,$GAP_akuwaraiA4a,24 ;「ほ、ほざけ…、臭いことをしゃあしゃあとッ！！@　さぁ、山羊たち！@　その男を潰して肉団子にしてやりなさい！\ `"H, how can you say stuff like that with a straight face?!!`@` Come, goats!`@` Crush this man and turn him into meatballs!`\ ld c,$GAP_akuwaraiA1a,80 ;　くすくす、この山羊たちは馬鹿だけど、パワーだけはあるみたいよ。@あんたの死体、婚約者にも見分けがつかなくしてあげるわ！」\ ;＜ガァプ `*giggle*, these goats are stupid, but it looks like they at least have power.`@` I'll make it so that even your fiance won't be able to recognize your corpse!"`\ bg garden_1aN,0 ld c,$GEO_majimeA4k,23 ;「降伏拒否、並びに継戦の意思、了解したよ。@……以後は、君の攻撃に等しい分だけ、君に実害が及ぶことを宣言する。\ `"You refuse to surrender and intend to continue fighting. Understood.`@` ......I proclaim that from now on, you will receive real harm proportional to your own attacks.`\ ld c,$GEO_majimeA5,80 ;　僕をまだ攻撃するつもりなら、相応の損害を受けることになると、覚悟するがいいよ。」\ ;＜譲治 `If you still plan on attacking me, prepare to receive a great deal of damage."`\ ;se1 52 ;lsp 901,magicsquare_mars5,0,0,50 ;print 8 ;vsp 901,0 ;bg white,1 ;vsp 901,1 ;bg garden_1aN,0 ;ld c,$GEO_DefA1,0 ;se1 57 ;print 22 se1 52 se2 57 mbg barrier1,0 mld c,$GEO_majimeA5,1 wait 200 mcl c,0 mcbg 2 ;　譲治がそれを宣言した時、/ ;!d800……譲治の回りに、薄っすらと赤い魔法陣が浮かび上がる。@ `When George proclaimed that, `/ !d800`......a faint, red magic circle rose up around him.`@ br ;　しかしそれは譲治には見えていないらしい。@ ;　しかし悪魔であるガァプには見えた。\ `But it seemed that George couldn't see it.`@ `However, Gaap, being a demon, could.`\ csp 901 bg garden_1cN,0 ld r,$GAP_ikariA1,24 ;「ま、……魔法？！@　どうしてこいつが防御結界を…？！@　しかもそれ、……反撃特化…ッ？！@/ `"M, ......magic?!`@` Why does this guy have a defensive barrier...?!`@` And that's also, ......a counterattacking type...?! `@/ ld r,$GAP_akuwaraiA1a,80 ;　それが、……あ、あんたの抑止という意味ッ……？！」\ ;＜ガァプ `Is this, ......wh, what you meant by a deterrent......?!"`\ bg black,25 bg moon_1a,22 ;　悪魔たちから見れば、そういう魔法だったかもしれない。@ `From a demon's perspective, that might have been magic.`@ br ;　しかし譲治にしてみればそれは、決意。\ `But in George's eyes, it was...determination.`\ ;　これ以上の戦いを望むならば、誰であろうとも容赦しない、@そして相応の反撃を覚悟してもらうという絶対の決意。@ `It was a certain determination that would be merciless to anyone who wished to fight any more,`@` and force them to prepare for a significant counterattack.`@ br ;　絶対の決意が、魔法になる。\ `Certain determination...becomes magic.`\ textoff saveoff mov %efe_spd2,160 E_MA se1v 57,100 se2v 57,100 se3v 2,100 bg white,1 bg MJES_1aN,0 ld c,$RON_akuwaraiA1,22 ld c,$RON_majimeA2,80 lsp 899,barrierbrake2,10,120 ;bg MJES_1aN,0 ;ld c,$RON_majimeA2,0 ;;print 1 ;wait 300 ;;vsp 889,0 ;;print 22 for %free1 = 0 to 1 resettimer ;mbg white,1 vsp 899,1 amsp 899,260,20 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;vsp 889,0 ;mbg white,1 vsp 899,1 amsp 899,20,100 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;vsp 889,0 ;mbg white,1 vsp 899,1 amsp 899,54,60 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;mbg white,1 vsp 899,1 amsp 899,160,200 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;mbg white,1 vsp 899,1 amsp 899,30,150 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 next print 22 saveon ;■朱志香の部屋 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,jes ;　ロノウェは的確に、シールドで朱志香の鉄拳を防いでいた。@……しかし、違和感。@ `Ronove had been accurately blocking Jessica's fists with the shield.`@` ......But something felt odd.`@ br ;　確実にシールドで受け止めているはずなのに、@腕が軋み、痛むのを感じる。\ `Even though he was certainly catching them on the shield, `@`he felt his arm get jarred, and it hurt.`\ ld c,$RON_odorokiA1,80 ;　物理ダメージは断絶されているはず。@ `It should prevent all physical damage.`@ br ;　……しかし、鉄拳のダメージがわずかずつ腕に伝わり、蓄積しているのだ。@ `......However, the damage from her fists was gradually being transmitted to his arm, piling up.`@ br ;　ロノウェはそれを気取られまいと平静を装う…。\ `Ronove acted like he was composed, so that this wouldn't be noticed...`\ bg MJES_1bN,0 ld r,$JES_akuwaraiA1,24 ;「へ、へへ…！！@　私はバテねぇぜ。@/ `"Heh, hehe...!!`@` I'm not gonna get worn out. `@/ ld r,$JES_futekiA2,80 ;どうしたよオッサン。@ちっとは堪えて来たかよ…！」@ ;＜朱志香 `What's wrong, old guy?`@` Starting to get a little tough...?!"`@ ld l,$RON_akuwaraiA1,23 ;「……いくら攻撃しようとも無駄ですよ。@私のシールドはあなたには砕けないと、どうしてわからないのです？」\ ;＜ロノウェ `"......No matter how much you attack, it is useless.`@` Why can't you understand that you cannot break my shield?"`\ ld r,$JES_tohohoA3,80 ;「砕けないからってよ、殴るのを止めはしないぜ。@/ `"I'm not gonna stop hitting you just because it won't break. `@/ ld r,$JES_OdorokiA1,80 ;………どんな硬い心にだって、言葉はわずかずつ響き、やがてはひびを入れることだって出来るんだ…！@　私は信じてる！！@　この世に無駄な努力なんて存在しないってなッ！！\ `.........No matter how hard someone's heart is, if you keep on talking to them little by little, it'll eventually start to crack...!`@` I believe it!!`@` I believe that useless effort doesn't exist in this world!!`\ ld r,$JES_ikariA1,80 ;　だから生きるんだろ、思いっきりッ！！@　言葉だっていつか通じるなら、拳だって同じってことだぜ…！！@　私の辞書には、諦めるって文字は書いちゃいねえんだぜッ！！」\ ;＜朱志香 `That's why I can live, to the fullest!!`@` If words will eventually make it through, then the same goes for fists...!!`@` 'Give up' isn't written anywhere in my dictionary!!"`\ saveoff se1v 20,100 se2v 20,100 btndef "bmp\background\mainbuilding\MJES_1bN.bmp" mov %free1,0 mov %free2,0 mov %free3,640 mov %free4,480 mov %free11,0 mov %free12,0 mov %free13,0 mov %free14,0 for %free19 = 1 to 6 resettimer add %free11,4 add %free13,0 add %free12,8 add %free14,12 add %free1,%free11 add %free2,%free13 sub %free3,%free12 sub %free4,%free14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ;bg black,1 for %free19 = 1 to 6 resettimer add %free11,4 add %free13,16 add %free12,8 add %free14,6 add %free1,%FREE11 add %free2,%FREE13 sub %free3,%FREE12 sub %free4,%FREE14 blt 0,0,640,480,%free1,%free2,%free3,%free4 waittimer 50 next ofscpy bg black,1 btndef "" ;se2 20 ;wait 1000 ;se1v 58,100 ;bg white,1 ;se1 57 ;lsp 899,barrierbrake2,320,180 ;bg MJES_1bN,0 ;ld c,$RON_OdorokiA1,0 ;print 80 ;wait 300 ;vsp 889,0 ;for %free1 = 0 to 2 ;resettimer ;mbg white,1 ;vsp 899,1 ;se1 57 ;amsp 899,150,130 ;mcbg 80 ;waittimer %efe_spd2 ;resettimer ;vsp 889,0 ;mbg white,1 ;vsp 899,1 ;se1 57 ;amsp 899,60,220 ;mcbg 80 ;waittimer %efe_spd2 ;resettimer ;vsp 889,0 ;mbg white,1 ;vsp 899,1 ;se1 57 ;amsp 899,70,10 ;mcbg 80 ;waittimer %efe_spd2 ;resettimer ;vsp 889,0 ;mbg white,1 ;vsp 899,1 ;se1 57 ;amsp 899,120,90 ;mcbg 80 ;waittimer %efe_spd2 ;resettimer ;vsp 889,0 ;mbg white,1 ;vsp 899,1 ;se1 57 ;amsp 899,200,180 ;mcbg 80 ;waittimer %efe_spd2 ;vsp 899,0 ;next ;print 22 ;bg black,22 ;lsp 899,barrierbrake2,10,120 bg MJES_1aN,0 ld c,$RON_odorokiA1,0 ;print 1 ;wait 300 ;vsp 889,0 ;print 22 for %free1 = 0 to 1 resettimer ;mbg white,1 vsp 899,1 amsp 899,160,20 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;vsp 889,0 ;mbg white,1 vsp 899,1 amsp 899,20,100 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;vsp 889,0 ;mbg white,1 vsp 899,1 amsp 899,54,60 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;mbg white,1 vsp 899,1 amsp 899,160,200 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 resettimer ;mbg white,1 vsp 899,1 amsp 899,30,150 print 1 se1v 57,100 se2v 1006,100 vsp 899,0 print 80 waittimer %efe_spd2 next print 22 saveon bg black,2 ;　それは多分、嘉音に語り掛ける言葉…。@ `Those words were probably aimed at Kanon...`@ br ;　朱志香の言葉を一見拒絶する嘉音。@ `Kanon, who had seemed to reject Jessica's words.`@ br ;　……だが、その頑なな心に、少しずつ染み透っているのを、朱志香は知っている。\ `......But Jessica knew that, no matter how resolute his heart was, those words would eventually soak through.`\ ;　そしてきっと、心が通じて、彼が自らを家具と呼んで卑下しなくなる日が来て、@……彼の新しい人生を踏み出してくれることを信じている。@ `And she believed that surely, they would reach his heart, and the day would come when he stopped calling himself furniture and disparaging himself,`@` ......and that he would step out into his new life.`@ br ;　だから朱志香は諦めない。@へこたれない…！\ `So Jessica didn't give up.`@` She didn't lose heart...!`\ bg MJES_1cN,0 ld c,$JES_futekiA2,22 ;「馬鹿みてえだろ？@　男には理解できねえだろ？@/ `"Isn't it stupid?`@` I'll bet a guy couldn't understand, right? `@/ ;ld c,$JES_AkuwaraiA1,80 ;　恋する乙女ってのはな、無駄だから諦めるって考えがねぇんだぜッ！！」\ ;＜朱志香 `A girl in love doesn't even think about giving up just because it's useless!!"`\ ;　その時、ロノウェは確かに見る。@ ;　朱志香の両拳が赤く熱のような光を帯びるのを。\ `At that time, Ronove certainly saw.`@ `He saw the reddish glow of light that encircled Jessica's fists.`\ textoff ;se1 20 ;wait 500 se1v 52,100 se2v 57,100 mbg barrier1,0 mld c,$JES_futekiA2,1 wait 200 mcl c,0 mcbg 2 bg black,22 bg MJES_1aN,0 ld r,$RON_OdorokiA1,26 ld r,$RON_majimeA2,80 ;「………これは、……参りました。@……エンチャントですか。@…浸透付与とは、……厄介な。」\ ;＜ロノウェ `".........This is, ......not good.`@` ......Enchanted, is it?`@` ...The permeating upgrade, ......will be troublesome."`\ ;　諦めない拳と決意には、必ず成し遂げる力が宿る。@ `Inside the fists and determination that wouldn't give up...dwelled the power to succeed no matter what.`@ br ;　それは悪魔から見れば、魔法。@ ;　絶対の決意が、魔法になる。\ `From a demon's perspective, that was magic.`@ `Certain determination...becomes magic.`\ ld l,$JES_tohohoA3,23 ;「な？@　無駄なんてことはねぇだろ？@/ `"See?`@` Nothing useless about it. `@/ ld l,$JES_futekiA1,80 ;　…通ってんだろ、私の拳。@腕を庇ってるぜ、オッサン。」\ ;＜朱志香 `...Looks like my fists are making it through.`@` Guard your arm, old guy."`\ ld r,$RON_akuwaraiA1,80 ;「……………もう少し本気を出さざるを得ないようですね。@/ `"............It seems I will have to get a little more serious. `@/ ld r,$RON_DefA1,80 ;…仰るとおりのようです。@……この世に、無駄なことなど、ない。」\ ;＜ロノウェ `...It appears it is as you said.`@` ......In this world, nothing is useless."`\ ld l,$JES_futekiA2,80 ;「そうさ…！@　無駄なんて諦めたら、そこで人生が終わっちまうぜ…！@　通じるんだよ。@……絶対に…！！」\ ;＜朱志香 `"That's right...!`@` If you give up because something's useless, that's when your life ends...!`@` It'll work.`@` Definitely...!!"`\ bg black,25 ;　私は馬鹿だからこんな生き方しか出来ないけど、@それでもきっと、嘉音くんの人生に、@新しい世界を教えてあげるくらいのことはいつか出来ると、……信じてる！！@ `I'm an idiot, so this is the only way I can live,`@` but even so, ......I believe I can definitely teach Kanon-kun, `@`about a new world, eventually!!`@ br ;　だからこんなところで挫けない…！！@ `So I'm not gonna lose heart in a place like this...!!`@ br ;　絶対にお前を打ち倒しッ、@みんなを救い出してみせる！！\ `I'll definitely defeat you,`@` and save everyone!!`\ textoff ;fedexx 50,0,0,0,0,0,2000 ;■地下牢 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,kan bg PRI_i1a,22 ld c,$KLA_KomaruA2,24 ;「くそッ！！@/ `"Damn!! `@/ ld c,$KLA_IkariA1,80 ;　何とか、隙間を……、うおおおおおぉおおおお！！」/ `Somehow...open a hole......, aaaaaaaaaaaaargghhh!!!"`/ se1 32 quakex 2,400 se1v 32,85 quakex 3,800 @ ;＜蔵臼 br ;　蔵臼は、何とか鉄格子の間に隙間を開けようと、無駄な努力を繰り返している。\ `Krauss was repeating his useless effort in trying to somehow open a hole between the metal bars.`\ bg black,22 ;　……無駄。@………無駄なことなどないんだ。@　無駄なことなど。\ `......Useless.`@` .........There's nothing useless.`@` There's nothing...`\ bg PRI_i1c,22 se1v 32,100 se2v 2,85 quakex 3,800 se1v 32,100 se2v 2,85 quakex 4,800 ;　見張りの山羊たちが、例の黒い落とし穴に飲み込まれて消えてしまった。@ `The lookout goats had been swallowed up by those black pitfalls and disappeared.`@ br ;　……今は千載一遇のチャンスなのだ。@ `......Now was their once in a lifetime chance.`@ se1v 32,100 se2v 2,100 quakex 5,1000 br ;　今だけが鉄格子を破るチャンス……。\ `This was their only chance to break the bars......`\ bg PRI_i1b,0 ld r,$NAN_MajimeA2,24 ;「よ、よせ、無茶だ、蔵臼さん！@　素手でどうにかなるもんじゃない！@/ `"S, stop it, it's impossible, Krauss-san!`@` There's nothing we can do with our bare hands! `@/ ;ld r,$NAN_KomaruA3,80 ;　道具を探しましょう、無茶をするんじゃない…！」\ ;＜南條 `Let's look for a tool, don't waste time on the impossible...!"`\ ld l,$KLA_komaruA2,23 ;「無駄と諦めたらそれまでと、娘に言われてしまった。@/ `"If you give up because it's useless, then it's all over...that's what my daughter said. `@/ ;ld l,$KLA_KomaruA4,80 ;……私の体は無理でも、小柄な紗音か嘉音が抜けられれば……！！」\ ;＜蔵臼 `......Even if it's impossible for my body, as long as a small person like Shannon or Kanon could make it through......!!"`\ ld c,$KIR_majimeA2,24 ;「……この段階に至っては、出ない知恵を絞るより行動あるのみね。@力を合わせましょ、私もやるわ…！@　……嘉音くん、男の子でしょ、手を貸して…！@/ `"......Once it's reached this point, action is more important than wracking our brains.`@` Let's work together, I'll do it too...!`@` ......Kanon-kun, you're a boy, lend a hand...! `@/ ld c,$KIR_MajimeA1,80 ;　……嘉音くん？！」\ ;＜霧江 `......Kanon-kun?!"`\ bg black,2 me5v 16,0 fedexx 0,0,0,0,0,50,3000 wait 1000 bg PRI_i1a,0 ld r,$KAN_fumanA1,24 E_B bgm1v 94,85 ;「…………旦那様。@下がってください。」@ `"............Krauss-sama.`@` Please stand back."`@ ld l,$KLA_komaruA4,23 ;「何？@　何をする気だ……？」\ ;＜蔵臼 `"What?`@` What are you thinking of......?"`\ ld r,$KAN_odorokiA2,80 ;「……いいよね、姉さん。@………もう一度だけ、足掻いても。」@ ;＜嘉音 `"......Alright, Nee-san?`@` .........Just one more time, let's try struggling."`@ cl l,24 ld c,$SHA_majimeA3,23 ;「…………うん。@……私も、…もう一度だけ足掻くよ。@/ `"............Yes.`@` ......I too, ...will struggle one more time. `@/ ;ld l,$SHA_WaraiA1,80 ;……ううん、一度だけじゃない。@…何度でも。」\ ;＜紗音 `......No, not just one time.`@` ...Over and over again."`\ ;　朱志香の声は、嘉音に届いた。@ ;　冷たい岩のような彼の心に、確かに浸透したのだ。@ `Jessica's voice had reached Kanon.`@ `It had certainly permeated into his cold, rock-like heart.`@ br ;　そして譲治の声も、紗音に届いた。@ ;　彼が示す愛が強さで体現されるなら、自分も同じ形で応えなければならない。\ `And George's voice had reached Shannon.`@ `If the love he had shown was embodied by strength, she would have to respond in the same way.`\ mov %efe_spd2,160 textoff bg black,22 wait 1000 lsp 899,PRI_efe,0,0 print 24 wait 1000 E_MA se1 20 bg BLADE6_1R,1 bg black,10,200 wait 1000 csp -1 se1v 57,100 bg white,1 bg BLADE6_2R,22 bg black,22 resettimer se2v 57,100 bg BLADE1R,1 bg black,10,%efe_spd2 resettimer se3v 57,100 bg BLADE2R,1 bg black,10,%efe_spd2 resettimer se1v 57,100 bg BLADE3R,1 bg black,10,%efe_spd2 resettimer se2v 57,100 bg BLADE4R,1 bg black,10,%efe_spd2 resettimer se3v 57,100 bg BLADE5R,1 bg black,10,%efe_spd2 resettimer se1v 20,100 bg BLADE7_1R,1 ;waittimer 500 bg black,80 wait 500 resettimer se1v 57,100 se2v 57,100 se3v 1006,100 bg BLADE7_2R,1 bg white,22 bg black,1 ;　ものすごい金属音が鳴り響いた。@ `An incredible metal sound rang out.`@ se1v 39,100 wait 300 se2 39 br ;　………最初の一閃は鉄格子数本を横一文字に切断し、次の一閃でさらに横一文字に切断され、@鉄格子数本が刀で切られた竹の子のようにばたばたと倒れる。\ `.........In the first flash, several metal bars were severed horizontally, and in the next flash, they were severed horizontally again,`@` causing many metal bars to clatter to the ground like bamboo shoots cut by a sword.`\ ;　蔵臼も霧江も南條も、一体何が起こったのか、さっぱりわからない……。\ `Krauss, Kyrie, and Nanjo didn't even have a clue about what had just happened......`\ me1v 16,0 fedexx 0,50,0,0,0,0,2000 wait 1000 bg PRI_o1a,0 ld c,$KAN_ikariA2,22 ;「……南條先生。@お屋敷へは廊下をどっちに……？」@ ;＜嘉音 `"......Doctor Nanjo.`@` Which way down the corridor goes to the mansion......?"`@ ld r,$NAN_MajimeA2,24 ;「あ、………あぁ！@　左奥だ…、左奥……！」\ ;＜南條 `"Y, .........yes!`@` In and to the left..., in and to the left......!"`\ cl a,24 ld l,$SHA_majimeA3,23 ;「参りましょう、旦那様方。@……すぐにワルギリアさまに気付かれます。」\ ;＜紗音 `"Let's go, Krauss-sama.`@` ......We'll be noticed by Virgilia-sama any time now."`\ ld r,$KIR_komaruA2,24 ;「あんたたちは、/ ;!d800………一体何なの……。」\ ;＜霧江 `"You guys, `/ !d800`.........what in the world are you......?"`\ ld c,$KAN_odorokiA2,23 ;「…………僕たちは……。」@ ;＜嘉音 `"............We are......"`@ br ld l,$SHA_WaraiA3,80 ;　嘉音が少し俯き口ごもると、紗音がその肩を叩き、にっこり笑い、そして言った。\ `When Kanon hung his head a little and faltered, Shannon slapped his shoulder, smiled, and spoke.`\ ld l,$SHA_tokuiA1,80 E_A ;「私たちは、ニンゲンです。」\ ;＜紗音 `"We are human."`\ bgm1v 102,80 se1v 2,100 bg white,1 bg se1F_S1bN,0 ld r,$S45_majimeA1,22 ;「ワ、ワルギリアさまぁ！！@　警戒網に反応ッ、脱獄です！@　なぜか見張りの山羊がいません…！！」\ ;＜４５ `"V, Virgilia-sama!!`@` Response from lookout web, jailbreak!`@` The goat guards aren't there for some reason...!!"`\ ld l,$WAL_KomaruA1,26 ;「……えぇ？！　どうしてです？！@/ `"......Whaaa?! Why?! `@/ ld l,$WAL_komaruA2,80 ;　……………ガァプですね。@/ `............It's Gaap, isn't it. `@/ ld l,$WAL_odorokiA1,80 ;人の召喚物を勝手にィ！！@　……ガプ！/ `Taking someone else's summonings without asking!!`@` ......Gap! `/ se1 11 quakey 3,300 ;@ガプガプ！！/ @`Gapgap!!`/ se2 11 quakey 3,300 se3 12 ;」\ `"`\ ;＜ワルギリ bg Se1F_S1aN,0 ld l,$S00_odorokiA1,63 ;「……交戦規定確認。@脱走者への射殺許可を申請であります。」@ ;＜００ `"......Confirming Battle Regulations.`@` Request permission to fire at the escapees."`@ ld r,$WAL_IkariA2,24 ;「おやりなさい…！@　殺っちゃいなさいっ、きぃー！！/ `"Do it...!`@` Kill them, kiii-!! `/ se1 11 quakey 2,300 se2 11 quakey 3,300 ;@　ガプガプガプ、/ ;!d600ガブッ、/ @`Gapgapgap, `/ !d60`gap, `/ ld r,$WAL_odorokiA1,1 ;ぎゃ！！！」/ `gya!!!"`/ cl r,1 se1 12 quakey 3,400 \ ;＜ワルギリ ld l,$S00_majimeA1,80 ;「了解であります。@４５、４１０、追撃狙撃戦準備。@弾種、集束誘導弾。@/ `"Understood.`@` 45, 410, Sniping Pursuit Combat Setup.`@` Ammo Type, Guided Cluster Rounds. `@/ ld l,$S00_MajimeA2,80 ;……ワルギリアさま、逃亡阻止結界を。」\ ;＜００ `......Virgilia-sama, the escape prevention barrier."`\ ld r,$WAL_KomaruA2,26 ;「痛たたたた……。@そ、そうでしたね。@/ `"Owowowow, ......`@` Y, yes, you're right. `@/ ld r,$WAL_WaraiA2,80 ;ほっほほ、ここから逃がしはしませんよ。@/ `Hohhoho, I won't let you escape from here. `@/ ld r,$WAL_OdorokiA1,80 se1 47 ;……痛たた、ガプガプ言ってたら舌噛みました…。」\ ;＜ワルギリ `......Owow, bit my tongue saying Gapgap..."`\ bg black,63 me1v 5,0 fedexx 90,70,0,0,0,0,2000 bg sub_D1a,1 se1v 32,90 quakex 4,400 ;　地下道を走る一行の前方が、再び鉄格子で遮られている。@扉は無論、施錠されていた。@ `The underground passage in front of them was once again blocked by metal bars.`@` The door was, of course, locked.`@ br ;　……しかし、今の彼らには問題はない。\ `......However, that was no problem for them now.`\ ld r,$KLA_komarua4,24 ;「嘉音、また鉄格子だ！@　頼む…！」@ ;＜蔵臼 `"Kanon, it's those metal bars again!`@` We're counting on you...!"`@ ld l,$KAN_odorokiA1,23 ;「ハイ、旦那様…！」\ ;＜嘉音 `"Yes, Krauss-sama...!"`\ textoff se1 57 bg white,1 bg sub_D1a,0 ld l,$KAN_odorokiA2B,22 wait 1000 ld r,$KIR_KomaruA1,24 ;「……しかしすごいわ。@…一体、どういう原理なのかしら。」@ ;＜霧江 `"......But it's incredible.`@` ...I wonder what kind of principle it works on."`@ ld c,$KLA_NayamuA1,24 ;「原理なぞ興味ないね。@大事なのは、彼に鉄格子が切断出来て、ここから脱出できることだけだ…！\ `"I'm not interested in principles.`@` The only thing that's important is that he can sever the metal bars, and we can escape from here...!`\ ld c,$KLA_komaruA2,80 ;　気にするな嘉音、やれ！」@ ;＜蔵臼 `Don't worry, Kanon, do it!"`@ ld l,$KAN_odorokiA1B,80 ;「お任せを……！」\ ;＜嘉音 `"Leave it to me......!"`\ textoff se1v 57,85 se3 57 bg BLADE1R,1 bg black,10,100 wait 160 se2v 57,100 se3 57 bg BLADE3R,1 bg black,22 ;　再び嘉音が赤い軌跡で鉄格子を斬る。@ `Kanon sliced the metal bars again with the red locus.`@ br ;　しかし、激しい異音がするだけで、鉄格子にはわずかの傷がつくだけだった。\ `But there was a harsh, strange noise, and the metal bars only had a slight scratch.`\ lsp 889,PRI_efe,0,0 vsp 889,1 bg sub_D1a,22 ld l,$NAN_MajimeA2,23 ;「な、何と、/ ;!d600……これは頑丈な……。」@ ;＜南條 `"Wh, what's this, `/ !d600`......these are sturdy......"`@ ld r,$KAN_odorokiA1,24 ;「違う。@……エンチャントされてる！@　ワルギリアさまの魔法錠だッ。」\ ;＜嘉音 `"Wrong.`@` ......It's enchanted!`@` Virgilia-sama's magic lock."`\ cl l,24 ld l,$SHA_ikariA1,23 ;「切断できる？」@ ;＜紗音 `"Can you cut through it?"`@ ld r,$KAN_ikariA2,80 ;「もちろん。@でも時間を掛けるよ。」\ ;＜嘉音 `"Of course.`@` But it will take time."`\ ;cl l,24 se1v 2,100 ld c,$KLA_MajimeA1,1 ;「３分間、待ってやる…！」\ ;＜蔵臼 `"I'll wait three minutes...!"`\ textoff cl a,0 ld c,$KAN_KomaruA1,24 wait 700 ld c,$KAn_FumanA2,80 wait 300 se1v 57,100 mbg white,1 mcbg 0 ld c,$KAN_FumanA2B,80 ;　嘉音は大きく息を吸い、精神を集中させてから、再び赤い軌跡の剣を伸ばす。@ `After taking a deep breath and concentrating his mind, Kanon extended a red locus sword again.`@ br ;　それを鉄格子に力強く押し当てると、まるでバーナーで焼き切っているかのように火花が迸った。\ `When he pressed it hard against the metal bars, sparks sprayed, almost as though he was melting through it with a burner.`\ vsp 889,0 textoff monocro #ff0000 bg black,22 se1 20 wait 500 se1v 57,100 se3v 55,90 bg white,1 bg black,80 se2v 57,100 bg white,1 bg black,80 se1v 57,100 bg white,1 bg black,80 monocro off bg sub_D1a,22 ld r,$KLA_KomaruA1,23 ;「切断は出来そうだが、……てこずりそうだな。」@ ;＜蔵臼 `"It looks like you can cut it, ......but it seems that it will be tough."`@ ld c,$SHA_majimeA3,64 ;「………旦那様。@敵に捕捉されました。@下がってください。」\ ;＜紗音 `".........Krauss-sama.`@` You've been locked on to by the enemy.`@` Please move back."`\ ld l,$KIR_majimeA1,23 ;「え？@　追っ手？@　誰も来てないわよ！」@ ;＜霧江 `"Huh?`@` Pursuers?`@` There's no one coming!"`@ cl c,0 mld c,$SHA_IkariA1,80 ;「私の後に下がってください。@狙われてます…！！」\ ;＜紗音 `"Please get behind me.`@` They're aiming for you...!!"`\ mcl c,0 bg black,22 E_MA se1v 57,100 mbg white,1 mbg system1,80 me1v 16,70 ;「４５データ受領。@標的を捕捉。地形誤差修正。@射撃曲線形成、制御点補正完了。@４１０へデータリンク。」@ ;＜４５ `"45, Data Received.`@` Target Lock Acquired. Terrain Calculation Error Correction.`@` Firing Curve Formation, Control Point Capture Completed.`@` Data Link to 410."`@ ;ld l,$S41_DefA1,23 ;「４１０データ受領。@危険区域確認、問題なし。」@ ;＜４１０ `"410, Data Received.`@` Checking Danger Area, no problems."`@ ;ld c,$S00_majimeA2,24 ;「００、子弾装填４８発、個別誘導Ｆ＆Ｆ。@集束誘導弾、準備完了。」@ ;＜００ `"00, Loading 48 Sub-rounds, Individual Homing F&F.`@` Guided Cluster Rounds, Preparations Complete."`@ ;ld r,$S45_OdorokiA1,80 br ;「４５、射撃準備完了。@集束誘導弾、装填っ。」\ ;＜４５ `"45, Firing Preparations Concluded.`@` Loading Guided Cluster Rounds."`\ se1v 57,100 mbg white,1 mbg system2,80 se1v 57,100 mbg white,1 mbg system3,80 se1v 57,100 mbg white,1 mbg system4,80 se1v 57,100 se2v 57,100 mbg white,1 mbg system5,22 ;ld c,$S41_AkuwaraiA2,80 ;「４１０、にっひひひひ！@　射撃いッ！！」\ ;＜４１０ `"410, nihhihihihi!`@` Firiiing!!"`\ textoff mcbg 0 se3v 66,100 bg black,22 se1v 57,100 bg white,1 bg homing1,10,100 se2v 57,100 bg white,1 bg homing2,10,100 se1v 57,100 bg white,1 bg homing3,10,100 se2v 57,100 bg white,1 bg homing4,10,100 se1v 57,100 bg white,1 bg homing5,10,100 se2v 57,100 bg white,1 bg homing6,10,100 se1v 57,100 se2v 57,100 bg white,1 bg homing7,10,100 ;　金色に輝く黄金の矢が、黄金の尾を引いて放たれる。@ ;　それは弧を描き、扉を抜けて鍵穴を抜けて、階段を降りて、地下道へまっしぐら……！\ `A golden arrow that sparkled gold was fired, leaving a gold tail streaming behind.`@ `It drew a curve, went through the door, through the keyhole, down the stairs, towards the underground path at full speed......!`\ bg white,1 bg sub_D1a,0 ld r,$NAN_MajimeA2,80 ;「な、何か光りましたぞッ！！」\ ;＜南條 `"S, something shone!!"`\ cl r,0 ld l,$SHA_MajimeA3,63 ;「……黄金の矢はシールドで防げない。@嘉音くん、迎撃体制。@リンクしよう。」@ ;＜紗音 `"......You can't block the golden arrow with a shield.`@` Kanon-kun, interception stance.`@` Let's link."`@ ld r,$KAN_fumanA1,63 ;「ゲートキーパー了解。@………姉さんと一緒に戦うのは久しぶりだ。@ドジらないでよ。」\ ;＜嘉音 `"Gatekeeper, understood.`@` .........It's been a long time since I've fought alongside you, Nee-san.`@` Don't screw up."`\ ld l,$SHA_IkariA1,80 ;「うん。@本気でやる。」@ ;＜紗音 `"Yeah.`@` I'll be serious."`@ ld r,$KAN_IkariA3,80 ;「なら、問題ない！」\ ;＜嘉音 `"Then there's no problem!"`\ textoff cl r,0 ld c,$KAN_IkariA2,64 wait 300 E_MA se1v 57,100 bg white,1 bg sub_D1a,0 ld l,$SHA_IkariA1,0 ld c,$KAN_IkariA2B,80 ;　嘉音は鉄格子切断を止め、紗音の前に立つ。@ `Kanon stopped cutting the bars, and stood in front of Shannon.`@ br ld l,$SHA_IkariA2,80 ;　紗音はその後で目を閉じ、暗黒の地下道の先の先へ精神を集中する……。\ `Behind him, Shannon closed her eyes, concentrating her mind deep, deep into the darkness of the underground path......`\ textoff bg black,22 se3v 66,100 se1v 57,100 bg white,1 bg homing1R,80 se2v 57,100 bg white,1 bg homing2R,80 se1v 57,100 bg white,1 bg homing3R,80 se2v 57,100 bg white,1 bg homing4R,80 se1v 57,100 bg white,1 bg homing5R,80 se2v 57,100 bg white,1 bg homing6R,80 se1v 57,100 bg white,1 bg homing7R,80 se3v 66,100 se1v 57,100 bg white,1 bg homing1,80 se2v 57,100 bg white,1 bg homing2,80 se1v 57,100 bg white,1 bg homing3,80 se2v 57,100 bg white,1 bg homing4,80 se1v 57,100 bg white,1 bg homing5,80 se2v 57,100 bg white,1 bg homing6,80 se1v 57,100 bg white,1 bg homing7,80 ;　集束誘導弾は子弾を束ねた特別な矢。@ ;　それは途中で炸裂し、４８発の小型の矢に分裂する。\ `A Guided Cluster Round is a special kind of arrow made up of 48 sub-rounds bound together.`@ `It explodes mid-flight and divides into 48 mini-arrows.`\ bg black,22 ;　それぞれの威力は低いが、あらゆるシールドを貫通し、対人なら完全な殺傷力を有する。@ `The strength of each individual one is low, but they pierce through all shields and possess a perfect wounding and killing power against personnel.`@ br ;　しかもその上、４８発の全てが個別目標に自律誘導する。\ `And on top of that, each one of the 48 possesses autonomous guidance towards their individual targets.`\ se2v 66,100 wait 100 se3v 66,100 bg sub_D1a,0 ld l,$SHA_FumanA1,0 ld c,$KAN_FumanA1B,22 ld c,$KAN_OdorokiA2B,80 ;「………光った。@…分裂した…。」\ ;＜嘉音 `".........It shone.`@` ...It's divided..."`\ me1v 16,70 ld l,$SHA_IkariA2,80 ;「集束誘導弾、分裂確認。@子弾４６、７、８、…４８、全弾捕捉。@迎撃管制。嘉音へデータリンク。」\ ;＜紗音 `"Checking Guided Cluster Round Division.`@` 46, 7, 8, ...48 Sub-rounds, All Rounds Locked Onto.`@` Interception Control. Data Link to Kanon."`\ ld c,$KAN_fumana2B,80 ;「嘉音データ受領。@……姉さんの能力はすごいな。@４８発全部、視える。」\ ;＜点処理：視える ;＜嘉音 `"Kanon, Data Received.`@` ......Your ability is incredible, Nee-san.`@` You can see all 48."`\ ld l,$SHA_fumanA1,80 ;「迎撃優先順位に注意。@/ `"Concentrate on Interception Priority Ordering. `@/ ld l,$SHA_tokuiA1,80 ;姉さんを信じて。」@ ;＜紗音 `Trust your Nee-san."`@ ld c,$KAN_IkariA2B,80 ;「もちろんさ。@僕は目を開ける必要さえない。」@ ;＜嘉音 `"Of course.`@` I don't even need to open my eyes."`@ ld l,$SHA_IkariA2,80 ;「迎撃開始。」\ ;＜紗音？嘉音？ `"Commence Interception."`\ mov %efe_spd2,160 textoff me1v 5,70 se3v 66,100 bg black,22 se1v 57,100 bg white,1 bg homing1R,80 se2v 57,100 bg white,1 bg homing2R,80 se1v 57,100 bg white,1 bg homing3R,80 se2v 57,100 bg white,1 bg homing4R,80 se1v 57,100 bg white,1 bg homing5R,80 se2v 57,100 bg white,1 bg homing6R,80 se1v 57,100 se2v 57,100 bg white,1 bg homing7R,80 se1 20 wait 400 mevol 2,90 me2v 5,90 se1v 57,100 bg white,1 bg BLADE6_2R,80 ;bg black,22 resettimer se2v 57,100 bg white,1 bg homing3,80 resettimer se3v 1006,100 se1v 2,100 bg BLADE1R,1 waittimer %efe_spd2 se1v 57,100 bg white,1 bg homing4,80 resettimer se2v 2,100 se3v 1006,100 bg BLADE2R,1 waittimer %efe_spd2 se1v 57,100 se3v 57,100 bg white,1 bg homing2,80 resettimer se1v 1006,100 se2v 2,100 bg BLADE3R,1 waittimer %efe_spd2 se2v 57,100 se3v 57,100 bg white,1 bg homing5,80 resettimer se1v 2,100 se2v 57,100 se3v 58,100 bg BLADE4R,1 waittimer %efe_spd2 se1v 57,100 se2v 57,100 bg white,1 bg homing1,80 resettimer se2v 58,100 se3v 1006,100 bg BLADE5R,1 waittimer %efe_spd2 se3v 57,100 se1v 57,100 bg white,1 bg homing7,80 resettimer se1v 20,100 se2v 2,200 bg BLADE7_1R,1 waittimer 500 se2v 57,100 se3v 57,100 bg BLADE7_2R,1 bg white,22 resettimer bg black,1 E_MA se1v 2,100 bg Se1F_S1aN,0 ld r,$S45_KomaruA1,1 quakey 3,300 ;「も、目標健在！！@　げっ、迎撃されました…！！」@ ;＜４５ `"T, Target Unharmed!!`@` I, it was intercepted...!!"`@ ld l,$S41_OdorokiA1,63 ;「にひゃあッ？！@　４８発全部？！」\ ;＜４１０ `"Nihyah?!`@` All 48?!"`\ bg se1F_S1bN,0 ld c,$WAL_WaraiA2,24 ;「ほっほっほ……。@紗音と嘉音は元々一組の家具ですからね。@揃うと手強いこと。@/ `"Hoh-hoh-hoh......`@` Because Shannon and Kanon were originally a furniture pair.`@` They're strong when they're together. `@/ ld c,$WAL_komaruA2,80 se1 48 ;…あ痛たたた。@…これ、口内炎になっちゃうかしら…。」\ ;＜ワルギリ `...Owowow.`@` ...Is this gonna become a mouth ulcer or something...?"`\ bg Se1F_S1aN,0 ld r,$S00_MajimeA1,63 se1 11 ;「落ち着け、再装填。@……弾種を変更。@精密光速狙撃弾。@精密狙撃戦準備。」@ ;＜００ `"Calm down, Reload.`@` ......Updating Ammo Type.`@` Precision Light-speed Sniper Rounds.`@` Preparing for Precision Sniping."`@ ld l,$S41_AkuwaraiA1,80 ;「そりゃいいにぇ！、迎撃不能の超高速弾！@　ゲートキーパー如きじゃ防御不能だにぇ！」\ ;＜４１０ `"Sounds good nyeh, impossible to intercept super high-speed rounds!`@` Impossible to defend against for a mere Gatekeeper, nyeh!"`\ ld c,$S45_MajimeA1,63 ;「精密狙撃戦了解。@精密射撃用データ収集開始っ………。」\ ;＜４５ `"Precision Sniping, Understood.`@` Commencing Collection of Precision Firing-use Data........."`\ me1v 16,90 bg black,64 bg sub_D1a,64 ld c,$NAN_KomaruA4,24 ;「い、一体、今のは何なんだ……。」@ ;＜南條 `"Wh, what in the world was that just now......?"`@ ld l,$KIR_komaruA2,23 ;「安心して、私にもさっぱりよ…。@/ `"Don't worry, I don't have a clue either... `@/ ld l,$KIR_komaruA1,80 ;ひとつわかるのは、二人に頼らなきゃ死んでたってことね…。」\ ;＜霧江 `All I know is that we'd have died if we hadn't relied on those two..."`\ cl a,24 ld r,$SHA_MajimeA3,26 ;「嘉音くん、ありがとう。@鉄格子に戻って。@多分、次のは迎撃できない弾が来る。」\ ;＜紗音 `"Kanon-kun, thanks.`@` Go back to the metal bars.`@` Next will probably come a shot that you can't intercept."`\ ld l,$KLA_komaruA4,23 ;「そんな攻撃をどう防ぐんだ…？！」@ ;＜蔵臼 `"How do we block against such an attack...?!"`@ cl a,0 ld c,$SHA_ikaria1,24 ;「撃たせません。@……嘉音くん、霊子戦防備。」\ ;＜紗音 `"We don't let them shoot.`@` ......Kanon-kun, Spirit Particle Combat Defensive Preparations."`\ ;　その言葉に、嘉音は目を硬く閉じて歯を食い縛る。@ ;　……紗音を中心に、人ならざる者にしか感知出来ない重圧と衝撃が襲い掛かる。\ `At those words, Kanon closed his eyes tightly and ground his teeth.`@ `......With Shannon at the center, a pressure and impact that only those not human could perceive struck.`\ textoff se1v 22,100 se2v 22,100 se3v 52,100 bg white,99,2000,"whirl.dll/l" E_MA se1v 2,100 se2v 22,100 se3v 22,100 bg black,68 se1 57 mbg white,1 mbg system1,80 se1 57 mbg white,1 mbg system2,80 se1 57 mbg white,1 mbg system3,80 se1 57 mbg white,1 mbg system4,80 se1 57 mbg white,1 mbg system1,80 se1 57 mbg white,1 mbg system2,80 se1 57 mbg white,1 mbg system3,80 se1 57 mbg white,1 mbg system1,80 se1 57 mbg white,1 mbg system4,80 se1 57 mbg white,1 mbg system2,80 se1v 1006,100 mcbg 0 bg white,1 bg black,80 bg Se1F_S1aN,22 ld r,$S45_MajimeA1,64 ;「……あれッ？！@/ `"......Huh?! `@/ ld r,$S45_Odorokia1,80 ;　射撃システム、エラー！！@　駄目だ、再起動…。@あれあれ？！」@ ;＜４５ `Firing System Error!!`@` No good, Rebooting...`@` Huh huh?!"`@ ld l,$S00_OdorokiA2,1 quakey 2,200 ;「霊波妨害ッ！　霊子防護、急げ！@　何をしてるか、早く耳を塞げ４５！！！」\ ;＜００ `"Spirit Wave Jamming! Spirit Particle Protection, hurry!`@` What are you doing, cover your ears quickly, 45!!!"`\ textoff se1v 57,100 se2v 22,100 se3v 2,100 bg white,1 wait 800 se2v 52,100 se1v 55,100 bg Se1F_S1aN,0 ld c,$S45_OdorokiA1,99,2000,"breakup.dll/lrb" ;　見えず聞こえずの衝撃がシエスタ姉妹に襲い掛かる。@ `An unseen, unheard impact had struck the Siesta Sisters.`@ br ;　００と４１０は両耳を塞いでしゃがんだが…、４５は間に合わない。@ ;　……棒立ちのまま、目を白黒させている。\ `00 and 410 crouched down, covering their ears..., but 45 didn't make it in time.`@ `......As she stood bolt upright, her eyes rolled.`\ se1 47 ld c,$S45_defA2,80 ;!s0「うきゅッ…？！？！@/ !s0`"Ukyu...?!?! `@/ se2 48x ld c,$S45_KomaruA1,80 ;　…きゅぅ？　きゅー！/ `...Kyuu? Kyu-! `/ se3 47 quakey 2,400 ;@　きゅー/ @`Kyu-`/ se1 47 quakey 2,400 ;きゅー/ `kyu-`/ se2 48 quakey 2,400 ;きゅ〜ッ！！」/ `kyu~!!!"`/ cl c,65 se3 13 quakey 4,800 !sd@ ;＜４５ ld r,$S41_OdorokiA1,24 ;「４５、損傷…！@　ＩＭＥがイッちゃったよ…！！@　……う、ぎゃ、……私も、ノイズがひどい、にぇ……。」\ ;＜４１０ `"45, Damaged...!`@` Her IME is busted...!!`@` ......U, gya, ......the noise...is also horrible for me, nyeh......"`\ cl r,65 se2v 13,100 quakey 3,800 ld l,$S00_NakuA1,23 ;!s0「４５、/ ;!d500４１０、/ !s0`"45, `/ !d500`410, `/ ld l,$S00_NakuA2,80 ;!d600……そして００、/ ;!d400損傷…。@狙撃戦を断念。@/ !d600`......and 00, `/ !d400`Damaged...`@` Sniping Abandoned. `@/ ld l,$S00_NakuA1,80 ;……く、リンクで、もろに来た……。@さ、再起動しないと…。」/ `......Ack, it came straight through the link......`@` I, if we don't reboot..."`/ !sd\ ;＜００ ;　精密射撃のために霊子の感受性を高めていたのが裏目に出る。@ `Raising their spirit particle sensitivity for precision sniping had backfired.`@ br ;　紗音の放った霊子の衝撃波をまともに全て受けてしまい、@直撃を受けた４５は愚か、リンク中だった００と４１０までもダウンしてしまう。\ `They had taken the full brunt of the spirit particle shock wave Shannon had released,`@` and not only 45, who had been hit directly, but also 00 and 410, who had been linked with her, were taken down.`\ bg Se1F_S1bN,0 ld r,$WAL_OdorokiA1,24 ;「大丈夫ですか？！@　……後でまた美味しい紅茶を淹れてあげますからね、しっかり！」\ ;＜ワルギリ `"Are you alright?!`@` ......I'll make you some more delicious black tea later, so get ahold of yourselves!"`\ ld l,$S00_nakuA1,6 ;「も、……申し訳ございませんであります……。@再起動を掛けます。@数百秒ほどお待ちを……。」\ ;＜００ `"M, ......my apologies, sir......`@` Rebooting.`@` Please wait several hundred seconds......"`\ cl l,65 se1 13 quakey 3,800 ;　シエスタ姉妹は全員が倒れてしまう。@ ;　やがて立ち直るだろうが、しばらくの間、戦線復帰は難しいようだった。\ `All of the Siesta Sisters had fallen over.`@ `They would probably get back up eventually, but it looked like it would be hard for them to return to the battle lines for a while.`\ ld r,$WAL_defa2,80 ;「家具が武具を、一時的にとはいえ退けますか。@/ `"So, furniture was able to repel weapons, if for but a moment. `@/ ld r,$WAL_akuWaraia2,80 ;………なるほど、あの子の面白がる筋書きは、実に大番狂わせが多いこと！」\ ;＜ワルギリ `.........I see, the plot which entertains that child truly is filled with unexpected turns!"`\ ;　ワルギリアは大きな身振りで虚空を裂き、扉を開けるような仕草をする。\ `Virgilia tore the air with a large gesture, motioning as though opening a door.`\ cl r,0 ld c,$WAL_waraiA2,24 ;「さぁさ、お出でなさい、山羊の従者たち…！@　お仕事の時間ですよ。@/ `"Come, arise, goat attendants...!`@` It's time for work. `@/ ld c,$WAL_akuWaraiA2,80 ;脱走者たちを殺して捕らえなさい。@死体でいいのですよ、どうせ蘇生できるし！」\ ;＜ワルギリ `Catch and kill the escapees.`@` Corpses are fine, we can just revive them anyways!"`\ textoff me1v 5,80 se1v 22,100 bfly2 31 cbfly 0 se3v 22,100 bg butterfly_3a,80 wait 1000 se2 52 bg black,99,2000,"whirl.dll/l" bg white,30 bg Se1F_s1aN,0 ld c,$GOA_DefA1,0 ld l,$GOA_DefA1,0 ld r,$GOA_DefA1,0 se3v 52,100 print 99,2000,"breakup.dll/lrB" ;　空間に金色の扉が開き、筋骨隆々の肉体を持つ巨漢の山羊たちが無数に顔をのぞかせる…。\ `A gold-colored door opened in the air, and countless giant goats with muscular bodies peeked their faces out...`\ bg se1F_S1bN,0 ld r,$WAL_ikariA2,24 ;「さぁさ、急ぎなさい。@脱走者は５人いるから五等賞までの早い者勝ち！@/ `"Come now, hurry.`@` There are five escapees, so the fastest five of you win! `@/ ld r,$WAL_WaraiA2,80 ;　素敵なご褒美がありますよ、さぁさ頑張って頑張って！」@ ;＜ワルギリ `There will be a wonderful prize, so give it your all, give it your all!"`@ br ;　ワルギリアは促すようにパンパン！と手を叩く。\ `Virgilia clapped her hands, urging them on.`\ bg Se1F_S1cN,22 ;　ご褒美？！@　その言葉に顔を見合わせた後、山羊たちは一斉に扉から出ようと殺到し、@その出入り口はまるで朝の山手線か東西線くらいギュウギュウになる。@ `A prize?!`@` After facing each other at those words, the goats rushed to the door at once, trying to get out,`@` making the exit as packed as the Touzai or the Yamanote rail lines in the morning.`@ E_MA se1v 12,90 quakey 4,400 se2v 8,90 quakex 6,500 se3 48 quakey 3,400 br ;　我先に出ようとするから誰も出られないのだ。@ `Each wanted to get out first, so none of them could get out.`@ br ;ld c,$WAL_KomaruA2,80 ;　……ワルギリアは、あーもう…と頭を抱える。\ `......Virgilia held her head in frustration.`\ textoff bg black,22 wait 100 resettimer se2v 20,100 bg BLADE7_1R,1 waittimer 500 resettimer se2v 57,100 bg BLADE7_2R,1 bg white,22 bg black,1 bg sub_D1a,0 ld r,$KAN_OdorokiA2B,26 ;　その頃、嘉音はどうにか隙間を抜けられる程度に、鉄格子を切断して隙間を作る。@ `By that time, Kanon had managed to cut enough bars to make a crack that could be slipped through.`@ se1 39 br ;　大柄な蔵臼とウェストが致命的な南條がかなり苦労したが、それでも何とか全員抜けられた。\ `It had been a bit of work for Krauss, large as he was, and Nanjo, with his lethal waist,`@` but even so, they all managed to make it through.`\ bg black,24 ;　しかし、抜けてほっとしたのも束の間。@ `But after they did, they only had a couple seconds to be relieved.`@ bg PRI_i1c,26 ;　すぐに同じような鉄格子が再び目の前を阻んでいる。\ `Immediately, another set of metal bars blocked the way in front of them.`\ bg PRI_i1a,0 ld l,$KIR_majimea1,26 ;「厳重ね。@……よっぽどここの人を逃がしたくなかったんでしょうね。」@ ;＜霧江 `"This sure is secure.`@` ......I'll bet they really didn't want the people in here to escape."`@ ld r,$KLA_komaruA4,64 ;「嘉音、すまんがもう一度頼む。@……辛いだろうが、頼む…！」\ ;＜蔵臼 `"Kanon, sorry, but I'll have to ask you again.`@` ......It may be tough, but please...!"`\ ;　嘉音の額には汗が浮かんでいる。@ `There was sweat on Kanon's forehead.`@ br ;　魔法で堅牢さを増した鉄格子の切断に、かなりの体力消耗を強いられているのは一目でわかった。\ `You could tell at a glance that cutting the metal bars, which had been made even more solid by magic, physically exhausted him.`\ ld c,$KAN_fumanA2,23 ;「……ハイ、お任せを旦那様。」@ ;＜嘉音 `"......Yes, leave it to me, Krauss-sama."`@ ld r,$KLA_komarua2,80 ;「お前にしか出来ん！@　どうか頼む…！」\ ;＜蔵臼 `"Only you can do it!`@` Please, we're counting on you...!"`\ bg black,22 ;　自分にしか、出来ない。@ `Only he...could do it.`@ br ;　……その言葉を強く飲み込み、@嘉音はもう一度、精神を集中して再び鉄格子の切断に臨む。\ `......Holding tightly onto those words,`@` Kanon concentrated his mind once again and set himself to the task of cutting metal bars again.`\ bg PRI_i1b,0 ld r,$SHA_majimea3,64 me1v 16,70 ;「………後方、敵が来ます。@複数。」@ ;＜紗音 `".........Enemies are coming from behind.`@` Multiple."`@ ld l,$KIR_KomaruA1,63 ;「えぇ、今度は私たちにもわかるわ。@/ `"Yeah, this time even we can tell. `@/ ld l,$KIR_MajimeA2,80 ;……すごい地響きね。@とんでもないバケモノが殺到してくるのがわかるわ。」\ ;＜霧江 `......The ground's really shaking.`@` I can tell that some ridiculous monsters are rushing at us."`\ ld r,$SHA_ikariA1,80 ;「ご安心を。@今抜けた鉄格子を、私が魔法錠で封鎖します。@山羊たち如きには破れません。」\ ;＜紗音 `"Don't worry.`@` I'll make a blockade of the metal bars we just came through with a magic lock.`@` Goats won't be able to break it."`\ ;　紗音は抜けてきた鉄格子に手をかざす。@ `Shannon held her hand out towards the metal bars they had gone through.`@ ld r,$SHA_KomaruA1,80 ;　……しかし、すぐにそれを止めた。\ `......But she stopped right away.`\ ld c,$NAN_KomaruA1,63 ;「ど、どうしましたか…。」@ ;＜南條 `"Wh, what is it...?"`@ ld r,$SHA_ikariA2,80 E_MA ;「ワルギリアさまが、霊波妨害の中和を開始…。@/ `"Virgilia-sama has started neutralizing the Spirit Wave Jamming... `@/ ld r,$SHA_OdorokiA1,80 ;破られるとまずい、シエスタ姉妹の再起動後のイニシアチブを奪われます…！」\ ;＜紗音 `It'll be bad if it's broken, and we'll lose the initiative once the Siesta Sisters are rebooted...!"`\ bg black,23 me1v 21,70 bg Se1F_S1aN,0 bfly2 0 ld c,$WAL_WaraiA2,23 ;「可愛いうさぎたちをいじめてくれたお返しは、たっぷりとさせていただきますよ。\ `"I'll make you pay in full for bullying these cute rabbits.`\ se1v 52,100 lsp bgsp,butterfly_4sp2R,0,0 ld c,$WAl_AkuwaraiA1,31 ;　この、小賢しい霊子で優位に立とうというなら、それを丸ごと剥ぎ取って、私が奪ってあげます。」\ ;＜ワルギリ `If you're trying to gain the advantage with those clever spirit particles, I'll tear all that off and rob you of them."`\ csp bgsp cbfly 0 E_MA se1v 57,100 se2v 52,100 bg white,1 bg black,22 bg PRI_i1b,0 ld r,$KAN_odorokiA1,64 ;「姉さんは霊波妨害に集中して！@　あの山羊たちにその鉄格子の隙間は狭過ぎる。@しばらくは食い止めてくれるはず…！」\ ;＜嘉音 `"Nee-san, concentrate on the Spirit Wave Jamming!`@` The gap in those metal bars is too narrow for those goats.`@` It should hold them back for a while...!"`\ ld l,$KLA_majimeA1,63 ;「何を言っているかさっぱりだが、」@ ;＜蔵臼 `"I don't have a clue what you're saying, but-"`@ ld c,$KIR_komaruA1,63 ;「だいぶヤバイってことだけは理解できたわ。」\ ;＜霧江 `"We know it's something pretty bad."`\ ;se1 40 ;　霧江は、さっき嘉音が切断した鉄格子を拾い上げる。@ ;　蔵臼に武器はないが握り拳を揉んで、二人は地響きの迫ってくる地下道の奥を睨む。\ `Kyrie picked up a metal bar that Kanon had just cut.`@ `Krauss had no weapon, but he rubbed his fist, and the two of them glared into the depths of the underground passage where the shaking was coming from.`\ lsp 889,PRI_efe,0,0 vsp 889,1 bg PRI_i1a,0 ld r,$NAN_MajimeA1,63 ;「……この鉄格子で遮るものはおしまいのはずだ。」@ ;＜南條 `"......I believe these are the final metal bars blocking the way."`@ ld l,$KLA_majimeA1,63 ;「ここから屋敷までどのくらいあるんです？」\ ;＜蔵臼 `"How far is it to the mansion from here?"`@ ld r,$NAN_KomaruA4,80 ;「かなり歩く…。@道は平坦だが、３０分は歩いた記憶が……。」@ ;＜南條 `"Quite a walk...`@` The path is even, but I seem to remember walking for 30 minutes......"`@ ld c,$KIR_WaraiA1,63 ;「全力疾走ならその半分ってことだわ。」\ ;＜霧江 `"So if we run all out, it'll be half that time."`\ ;　三面鏡はないからわからないが、@それだけの時間、譲治や朱志香たちが悪魔相手に無事でいられる保証はない。\ `They couldn't tell for sure since they didn't have the three-sided mirror,`@` but there was no guarantee that George and Jessica would still be alright against demon opponents after all this time.`\ ld c,$KIR_FutekiA1,80 ;「……歩く２倍の速度で走れば１５分。@さらにその２倍で走れば８分を切るわ。」@ ;＜霧江 `"......If we run at twice the speed of walking, it'll be 15 minutes.`@` And twice that speed would make it eight minutes."`@ ld l,$KLA_AkuwaraiA2,80 ;「さらにその倍の全力疾走なら５分掛からん。@問題ない。」@ ;＜蔵臼 `"And if we sprint all out at double that speed, it won't even take 5.`@` No problem."`@ ld r,$NAN_komaruA2,80 ;「む、無茶苦茶な計算ですな…。@ですが、火事場の計算式はそういうものです…！」\ ;＜南條 `"Wh, what an unreasonable calculation...`@` But, I guess this how you'd calculate when in a fire...!"`\ ;ld c,$KAN_OdorokiA2,80 bg PRI_i1c,0 ld l,$KAN_odorokiA2B,24 ;「……申し訳ございません、旦那様方。@後を頼みます…！」\ ;＜嘉音 `"......My sincere apologies, everyone.`@` Please watch my back...!"`\ bg PRI_i1a,0 ld c,$KLA_NayamuA1,24 ld c,$KLA_AkuwaraiA1,80 ;「任せたまえ。@嘉音は一秒でも早く鉄格子を。@紗音はワルギリアとかいう魔女への妨害に専念したまえ。@/ `"Leave it to us.`@` Kanon, you cut the bars as fast as you can.`@` Shannon, you concentrate on jamming this witch called Virgilia or whatever. `@/ ld c,$KLA_KomaruA2,80 ;追っ手は私と霧江さんで防ぐ…！」\ ;＜蔵臼 `Kyrie-san and I will defend against the pursuers...!"`\ me1v 5,70 vsp 889,0 bg black,24 bg PRI_i1c,24 ;　そして闇の向こうから獣たちの咆哮が轟き、爛々と輝く真っ赤な目がいくつも浮かび上がる。@ `Then, the roars of beasts rang out from the darkness, and several fiery, glowing, bright-red eyes appeared.`@ br ;　見張りをしていた山羊たちよりも、さらに数段巨漢の山羊たちが、ものすごい勢いで殺到してくるのだ。\ `Goats that were several levels more massive than the guards had been were rushing with an incredible force.`\ ;　彼らの立てる地響きはまるで地震。@ ;　それは凄まじい迫力と恐怖だが、むしろ霧江は安堵に笑う。@ ;　……その巨体では鉄格子の隙間は抜けられない！\ `The tremors they created were almost like an earthquake.`@ `There was a frightening intensity and terror, but Kyrie instead laughed with relief.`@ `......Those massive bodies wouldn't be able to go through the crack in the bars!`\ textoff bg white,1 bg black,0 lsp 889,PRI_efe,0,0 ld c,$GOA_DefA1,0 ld l,$GOA_DefA1,80 mevol 1,90 se1v 12,100 wait 100 se2v 60,100 se3v 61,100 se1v 2,100 quakex 10,1500 bg sub_P1b,0 ld c,$GOA_DefA1,0 ld l,$GOA_DefA1,22 ;　山羊たちの群は、まるで電車が行き止まりに衝突したような激しい音を立てて鉄格子に激突した。@ `The group of goats crashed into the metal bars with a fierce sound like that of a train colliding with a dead end.`@ br ;　天井からばらばらと土くれが落ち、鉄格子がへこむように歪んでいるのがわかる。\ `Clumps of dirt fell here and there from the ceiling, and you could tell that the metal bars had bent as if collapsing.`\ ;　……その突進力はまさに電車そのものだったろう。@ ;　鉄格子がなかったら、５人を丸呑みにして一瞬で押し潰していたはずだ。\ `.....Their charging power probably really was the same as a train.`@ `If the metal bars hadn't been there, they would likely have overwhelmed the five of them and crushed them in an instant.`\ ;　鉄格子に押し付けられた山羊の群は、５人がすぐそこにいるのを認めると、@凄まじい唸り声を上げながら威嚇する。@ `When the group of goats pressed up against the metal bars noticed the five people right in front of them,`@` they let out a terrible howl, trying to intimidate the five.`@ br ;　……威嚇なのか、押しくら饅頭で苦しいのかわかりかねるが。\ `......Although it was hard to tell whether that was really intimidation, or because of the pain from playing push and shove.`\ ;cl a,0 ld r,$GOA_DefA1,24 me2v 17,100 ;　その中の冷静な一匹が、鉄格子をどうにかすればいいんだと気付き、@その豪腕で二本を掴み、観音開きにするようにたわませ始める。\ `One calm goat among them figured out what should be done about the metal bars, `@`then grabbed two of them with its massive arms and began bending them as though opening double doors.`\ mld l,$KIR_MajimeA2,63 ;!s0　その一匹の急所に、霧江の鉄棒が鋭く突き立てられる…！/ !s0`Kyrie sharply jabbed her metal pole at that goat's vitals...! `/ se1v 10,70 se2v 2,100 quakex 4,400 !sd@/ me2v 5,70 ;　山羊の苦悶の咆哮。/ `The goat let out a roar of anguish.`/ quakey 5,400 @ br ;　さぞ痛かったろうが、でもそこまで。@ ;　ダウンさせるほどではない…。\ `It probably hurt a lot, but that was all.`@ `It wasn't enough to bring it down...`\ mld l,$KIR_MajimeA1,80 ;「蔵臼さん…！！」@ ;＜霧江 `"Krauss-san...!!"`@ mld c,$KLA_IkariA1,63 ;「うおおおおおああああああぁああッ！！」/ `"Whoooaaaaaaaaaaaaahhh!!"`/ quakex 4,400 \ ;＜蔵臼 mcl a,0 vsp 889,0 bg black,22 ;　霧江は突き立てた鉄棒を持ったまま、その反対側の先端を蔵臼に譲る。@ `Still holding the metal pole she had stuck out, Kyrie relinquished the opposite tip to Krauss.`@ br se1v 20,100 ;se2 20 ;se3 20 ;　そこに蔵臼は渾身の力で走り込み、飛び上がって全体重と全脚力で蹴り込む…！@ ;　全ての破壊力が鉄棒一本に集められ、穿つッ！！\ `Krauss ran there with all his might, jumped up and kicked down with all his weight and kicking power combined...!`@ `All of that destructive power was focused on a single pole, drilling it in!!`\ textoff E_MA se1v 2,100 se2v 2,100 se3v 1006,100 bg white,1 lsp 889,PRI_efe,0,0 vsp 899,1 bg sub_D1a,0 mld l,$GOA_defa1,42 me1v 16,70 wait 2000 ld r,$NAN_KomaruA4,23 ;「……だ、大丈夫ですかな。@患部は揉まないように。@お薬はあとで処方しましょう。お大事に…。」\ ;＜南條 `"......A, are you alright?`@` Please don't rub the affected area.`@` I shall proscribe some medicine later. Take care..."`\ mcl l,65 E_MA se1v 13,100 se2v 62,100 quakey 5,500 ;　急所にパイルバンカーを食らった山羊は、涙目でのた打ち回りながら、@こくこくと頷く。\ `As the goat who'd taken a pile bunker to its vitals writhed with teary eyes,`@` it nodded its head.`\ ;csp 899 ;mcl r,0 ;bg PRI_i1a,0 ld l,$KIR_KomaruA1,23 ;「私たちのリンクも結構イケるじゃない。@紗音ちゃんたちには負けられないわ。」@ ;＜霧江 `"Looks like our link isn't that bad either.`@` We won't lose to Shannon-chan and Kanon-kun."`@ cl r,23 ld r,$KLA_AkuwaraiA3,24 ;「当然じゃないか、私たちは仲良し一族だからね。」\ ;＜蔵臼 `"Naturally, for a loving family like us."`\ se1v 20,100 ;ld l,$KIR_futekiA1,80 cl l,24 ;「二人掛かりでならイケるわ！@　次ッ、右側のアイツ！」\ ;＜霧江 `"We can do it if we take them together!`@` Next, that one on the right!"`\ ld r,$KLA_akuwaraiA2,80 ;「了解だ…！@/ `"Understood...! `@/ ld r,$KLA_nayamuA1,80 ;　いい嫁さんじゃないか、留弗夫め、少し愚痴が多かったんじゃないか？」\ ;＜蔵臼 `You really are a good wife. That Rudolf must have grumbled a little too much."`\ se1 48 ld l,$KIR_futekiA1,23 ;「へー、後で聞かせてもらうわ。@留弗夫さん、天国で青くなっても手遅れよ？」\ ;＜霧江 `"Ooh, tell me about it later.`@` If Rudolf turns pale in heaven, it's way too late for him."`\ textoff E_A se1v 20,100 vsp 889,0 bg black,1 wait 500 bgm1 100 se1v 2,100 se2v 57,100 se3v 57,100 bg white,1 bg rose_1aN,22 se1v 13,100 se2v 2,100 se3v 63,100 quakey 5,1200 ;■薔薇庭園 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,geo ;　山羊の巨体が薔薇の茂みに沈む。@ ;　いくら脚力が腕の３倍あると言ったって、その威力は常識を超えている。@ `The goats' massive bodies had sunk into the rose bushes.`@ `Even taking into account that a leg's power is three times that of an arm's, this strength surpassed common sense.`@ br ;　あの巨体が顎を蹴り上げられて、宙を舞うなんて、壮絶過ぎる！@ ;　譲治も少しは驚いているようだった。\ `To think that those massive bodies had been kicked in the chin and flown through the air...it was too fierce!`@ `Even George seemed a little surprised.`\ ld r,$GEO_akuwaraiA1,24 ;「……僕の蹴りがバケモノにも通用したとはね。@驚きだよ。」\ ;＜譲治 `"......To think that my kick works on monsters too.`@` I'm surprised."`\ bg rose_G1aN,23 ld c,$GAP_akuWaraiA3a,65 se1 11 quakey 3,300 ;「……………あんたの反撃特化結界のせいよ。@……グレイズした攻撃力をそのまま自らに上乗せしてる。@……あんたの蹴りには、そのバケモノどもの怪力が加算されてるのよ…。」\ ;＜ガァプ `"............It's because of your counterattacking-type barrier.`@` ......The attacking power that grazes you is added on to your own.`@` ......Your kick has been supplemented by those monsters' superhuman power..."`\ bg rose_1bN,0 ld r,$GEO_akuwaraiA1k,24 ;「へぇ……。@…よくわからないけど、僕にぴったりじゃないか。@/ `"Hmm......`@`...I don't really get it, but isn't that just perfect for me? `@/ ld r,$GEO_MajimeA5k,80 ;……誰であろうとも、攻撃してくるなら、等しい反撃を覚悟してもらう。@専守防衛。@僕のポリシーそのものだ。」\ ;＜譲治 `......No matter who attacks me, they should be prepared for a counter-attack of equal measure.`@` Nonaggressive defense.`@` That's my policy."`\ ;　だからガァプは容易に手出しが出来ない。@ `That's why Gaap couldn't easily touch him.`@ br ;　反撃特化結界に防御力はない。@ ;　しかし、その反撃的特性のため、攻撃を躊躇させることで防御能力を発揮する。\ `The counterattacking-type barrier had no defensive power.`@ `However, because of its counterattacking characteristic, it could be useful in defense by making the opponent hesitate to attack.`\ se1 20 ld l,$GOA_DefA1,66 ;　山羊たちは愚かだから気にせずに攻撃してしまうが、@ガァプにその効果は充分発揮されていた。\ `The goats had been foolish and so had attacked without worrying,`@` but that effect had been demonstrated perfectly against Gaap.`\ me1v 28,100 ld r,$GEO_akuWaraiA1,80 ;「こいつらは単調だね。@パワーが互角であるならば、小柄な方が有利だ。」\ ;＜譲治 `"These guys really are dull.`@` When your power is even, it's better to be of a smaller build."`\ se3 20 bg black,1 wait 200 bg rose_1aN,25 ld l,$GEO_akuwaraiA1k,65 se1 11 quakey 2,200 ;　丸太のような豪腕を軽々とかわす。@ `Lightly dodge the log-like arms.`@ se1v 57,100 bg barrier1,0 ld l,$GEO_akuwaraiA1k,1 wait 200 bg rose_1aN,0 ld l,$GEO_akuwaraiA1k,22 br ;　その豪腕が譲治を守る結界に触れると強く赤く光る。@ `When those arms touched the barrier that protected George, they let off a strong, red light.`@ br ;　……そして反撃の足刀の先端が同じ輝きを宿し、山羊自身の怪力が上乗せされる。\ `......And the tip of the foot that was counterattacking gained the same sparkle, and had the superhuman power of the goat added to its own.`\ se1 20 wait 200 se2 20 wait 200 se3 20 wait 400 se1v 2,100 se2v 60,100 se3v 1006,100 bg white,1 bg moon_1a,22 ;　２匹目の山羊が前のめりになってわずかに宙に浮く。@ ;　さらに続いて繰り出された譲治の回し蹴りは、つんのめった山羊の頭上を空振りした。\ `The second goat fell forwards and floated in the air for a second.`@ `Then, George's next roundhouse kick missed right over the falling goat's head.`\ bg black,1 ;　……一瞬、命拾いしたと山羊は期待する。@ `......For an instant, the goat hoped to get away with its life.`@ br E_MA se1v 2,100 se2v 57,100 se3v 27,100 bg rose_1aN,1 quakey 6,800 ;　でも、ダメ！！@　そのまま後頭部に踵が落とされ、地面にキスを強要される。\ `But no!!`@` A heel was dropped onto the back of its head, and it was forced to kiss the ground.`\ me1v 16,70 ld c,$GEO_akuwaraiA1,24 ;「……上段回し蹴りからのネリチャギは基本だろ？@　たまにやると結構当たるよ。」\ ;＜譲治 `"......Going from a high roundhouse kick into a neri chagi is pretty basic, right?`@` Works pretty well every now and then."`\ bg rose_G1aN,0 ld r,$GAP_akuwaraiA1a,23 ;「こいつ、……厄介だわ、/ ;!d800…マジで厄介だわ……！！」\ ;＜ガァプ `"This guy's, ......a problem, `/ !d800`...seriously a problem......!!"`\ ld l,$GEO_MajimeA4,63 ;「何が悪魔だ。何が魔女だ。@………六軒島の主人は、この右代宮家だよ。@/ `"What do you mean, demons. What do you mean, witches.`@` .........The rulers of Rokkenjima are this Ushiromiya family. `@/ ld l,$GEO_niramuA1k,80 ;それを、体で教えてやるよ。」@ ;＜譲治 `I'll teach you that with my body."`@ ld r,$GAP_akuwaraiA4a,80 ;「………こいつぅうぅ………！！」\ ;＜ガァプ `".........Yoooooooooooouuuuuu.........!!"`\ bg moon_1a,26 ;　反撃特化結界に身を包んだ譲治を葬るには、反撃を許さないことしかない。@ `The only way to finish off George now that his body was wrapped up in the counterattacking-type barrier...was to not allow him a counterattack.`@ br ;　……次に奈落に飲み込んだら、蹴って落として蹴って落として蹴って落として、@そのまんま蹴り殺すしかッ！！！\ `......Nothing to do but suck him into the Abyss next, then kick and drop him, kick and drop him, kick and drop him,`@` until she kicked him to death!!!`\ bg black,22 ;　しかし、譲治はガァプの落とし穴の出現の軽微な前兆を、もはや完璧に読みきっている。@ `But George had already completely seen through the faint warning signs that told of the appearance of Gaap's pitfalls.`@ br ;　……もし、その落とし穴を飛び越えられたなら、@……今度こそ、暴風のようなその蹴りは、わずかほどの手加減もなく、ガァプの頭部を、@……彼の両親に強いたように粉砕するだろう。\ `......If he could jump over that next pitfall,`@` ......then this time, he would probably pulverize Gaap's head with his whirlwind-like kick, without holding back in the slightest,`@` ......just as had been done to his parents.`\ ;se1v 36,100 ;bg blood_1a,1 ;quakex 5,1200 ld l,$GAP_akuwaraiA3a,22 ;bg blood_1aR,22 ;　彼女にはその光景をありありと想像できた。@ `She was able to envision that scene vividly.`@ br ;　ガァプはとんでもない島に呼び出されてしまったものだと、金蔵を今さら恨む…！\ `Gaap hated Kinzo more than ever for calling her out to this ridiculous island...!`\ textoff mov %efe_spd2,160 lsph 899,barrierbrake2,320,180 lsph 898,barrierbrake2,320,180 bg black,22 ;wait 2000 bg MJES_1bN,0 ld c,$RON_OdorokiA1,22 ;ld r,$JES_IkariA1,64 resettimer vsp 899,1 vsp 898,1 amsp 899,210,70 amsp 898,230,90 E_MA se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 resettimer vsp 899,1 vsp 898,1 amsp 899,50,150 amsp 898,50,130 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 resettimer vsp 899,1 vsp 898,1 amsp 899,10,60 amsp 898,40,90 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 ;■朱志香の部屋 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,jes ;　ロノウェはシールドを張るのに、とうとう両手を使うようになる。@ ;　より強力なシールドでないと、もう朱志香の鉄拳を防ぎ切れないのだ。\ `Even though Ronove held out a shield, he had finally started using his hands.`@ `Without a more powerful shield, he wouldn't be able to block Jessica's fists anymore.`\ ;　朱志香の鉄拳へのエンチャントは、戦えば戦うほどに付与されていく。@ `The enchantment on Jessica's fists grew the more she fought.`@ br ;　浸透付与はすでに幾重ともなり、@他にも衝撃付与、貫通付与、速度付与が与えられ、悪魔と互角に戦うに相応しい拳となっている…。\ `The permeating upgrade had already grown several times,`@` and those fists had also been given an impact upgrade, a piercing upgrade, and a speed upgrade, making them fists worthy to fight on par with a demon...`\ textoff cl c,0 ld r,$RON_OdorokiA1,23 resettimer vsp 899,1 vsp 898,1 amsp 899,110,170 amsp 898,130,190 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 resettimer vsp 899,1 vsp 898,1 amsp 899,90,60 amsp 898,100,80 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 resettimer vsp 899,1 vsp 898,1 amsp 899,10,90 amsp 898,30,150 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 resettimer vsp 899,1 vsp 898,1 amsp 899,150,240 amsp 898,130,260 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 resettimer vsp 899,1 vsp 898,1 amsp 899,30,20 amsp 898,60,70 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 resettimer vsp 899,1 vsp 898,1 amsp 899,140,0 amsp 898,120,30 se1v 57,100 se2v 57,100 mbg white,1 mcbg 80 vsp 899,0 vsp 898,0 waittimer %efe_spd2 ld l,$JES_FutekiA1,23 ;「………どうしたよ！@　へばって来たんじゃねぇのかよ？！@　動きが鈍ってきてるぜ！！」\ ;＜朱志香 `".........What's wrong?!`@` Starting to get tired?!`@` You're getting all slow!!"`\ ld r,$RON_defA2,80 ;「いいえ。@朱志香さまの動きと思考、動体視力が飛躍的にエンチャントされているのです。@………私の動きは最初から変わっていませんよ。@……あなたの動きが、私を捉えつつあるのです。」\ ;＜ロノウェ `"No.`@` Your movements and thoughts and kinetic vision have been rapidly enchanted.`@` .........My movements have not changed from the beginning.`@` ......Your movements are beginning to capture me."`\ ld l,$JES_futekiA2,80 ;「それでも反撃はしねぇわけか…！！」@ ;＜朱志香 `"And you still won't fight back...?!!"`@ ld r,$RON_AkuwaraiA1,80 ;「これが私のこだわりですので。@……しかし、このままというわけにも行きますまい。@/ `"This is my style.`@` ......However, I cannot allow it to continue at this rate. `@/ ld r,$RON_majimeA2,80 ;そろそろ本気で終わりにさせてもらいますよ……ッ！！」\ ;＜ロノウェ `It's about time for me to get serious and end this......!!"`\ se1v 2,100 bg black,1 ;　ロノウェの顔が始めてみせる形相になる。@ ;　それは実に悪魔的で、朱志香にとって敬意溢れるもの。@ `Ronove's face turned into an expression he hadn't shown before.`@ `It was full of respect for Jessica in a truly demonic way.`@ br ;　彼を本気にさせるほどの敵にだけ与えられる表情なのだから。\ `Because it was an expression he only showed for enemies who made him get serious.`\ E_MA se1 22 bfly2 30 cbfly 0 se1v 57,100 bg white,22 lsp 901,barrier1p,0,0 print 2 wait 1000 bg MJES_1aN,0 mld c,$RON_MajimeA2,0 ;lsp2 4,barrier1p,320,240,100,100,0 lsp 897,barrier1p,0,0 se2v 55,100 se3v 2,100 print 99,3000,"breakup.dll/llB" csp -1 bg MJES_1cN,0 ld r,$JES_atyaA2,24 ;「うおあッ？！？！@　何だこれッ？！」\ ;＜朱志香 `"Whooaa?!?!`@` What the?!"`\ me1v 18,90 bg MJES_1aN,0 mld l,$RON_MajimeA2,0 ;lsp2 4,barrier1p,320,240,100,100,0 lsp 898,barrier1p,0,0 print 23 ;　ロノウェは、優雅とは言えない全身の仕草で壁ほどの大きさと厚みを持つシールドを全力で張る。@ `With a gesture of his whole body that you couldn't call elegant, Ronove held out a shield with all his strength...a shield the size and thickness of a wall.`@ br ;　その頑強さは楯ではない。@ ;　文字通り壁そのもの。\ `It was more tenacious than a simple shield.`@ `It was literally a wall.`\ ;　しかもそれはロノウェの渾身の魔力で、わずかずつ朱志香を押し戻していく。@ ;　……壁まで押し込み圧殺しようというつもりか。\ `And on top of that, with all of Ronove's magical power, it pushed Jessica back bit by bit.`@ `......Did he plan on pushing her back against the wall and crushing her to death?`\ ld r,$JES_ikariA3,80 mov %Free1,30 mov %free2,90 mov %Free3,50 mov %Free4,150 lsph 902,barrierbrake2,320,180 lsph 903,barrierbrake2,320,180 mov %efe_spd2,160 for %Free11 = 1 to 2 se1 57 mbg white,1 vsp 902,0 vsp 903,1 add %Free1,20 add %Free2,10 amsp 903,%free1,%free2 mcbg 80 resettimer vsp 902,0 vsp 903,0 waittimer %efe_spd2 se1 57 mbg white,1 vsp 903,0 vsp 902,1 add %Free1,20 sub %Free2,30 amsp 902,%free3,%free4 mcbg 80 resettimer vsp 902,0 vsp 903,0 waittimer %efe_spd2 next print 22 ;　朱志香は左右の鉄拳で壁を打ち破ろうとするが、硬い。@……掛け値なく、硬い！\ `Jessica tried to break through the wall with both fists, but it was solid.`@` ......Without any exaggeration, it was solid!`\ ld r,$JES_futekiA2,80 ;「これがお前の本気かよ…！！@/ `"Is this what you call serious...?!! `@/ ld r,$JES_IkariA1,80 ;　上等だぜッ、打ち砕いてやらぁああああ！！」@ ;＜朱志香 `No problem, I'll break right through iiiiiiiiiiitt!!"`@ mld l,$RON_AkuwaraiA1,80 ;「今度はそうはさせませんよ。@この壁は一味違います。@……どれ、私もエンチャントさせていただきましょう。」\ ;＜ロノウェ `"I will not let you this time.`@` This wall is somewhat different.`@` ......Here, allow me to enchant it as well."`\ textoff lsp 896,barrier,0,0 se1v 57,100 se2v 22,100 vsp 899,0 print 1 wait 200 vsp 896,0 vsp 899,1 print 22 se1v 57,100 se2v 55,80 vsp 899,0 print 1 wait 200 vsp 896,0 vsp 899,1 print 22 ;　ロノウェが、まるで忍者のように魔法の印を結ぶと、@壁は一瞬だけ赤く光り、何かの禍々しい力を宿す。@ `When Ronove made a magic sign almost like a ninja, `@`the wall glowed red for just an instant, and some kind of ominous power dwelt within it.`@ br ;　それはすぐに朱志香にも身をもって理解できた。\ `Jessica was able to realize that almost immediately with her body.`\ textoff mcl a,0 csp -1 bg black,25 bg MJES_1e,1 for %ryuu1 = 1 to 2 se3v 57,100 se1v 1006,100 lsp 850,white1,0,0 print 1 csp 850 print 80 se2v 57,100 se3v 1006,100 lsp 850,white1,0,0 print 1 csp 850 print 80 se1v 57,100 se2v 1006,100 lsp 850,white1,0,0 print 1 csp 850 print 80 next se3v 55,80 ;　拳を壁に打ち付ける度に、ガラスの破片が飛び散って全身に当たるような痛みが跳ね返るのだ。\ `Every time her fists hit the wall, pain as though glass fragments had scattered and hit all over her body rebounded against her.`\ lsp 899,barrier1p,0,0 bg MJES_1bN,0 mld c,$RON_majimea1,26 ;「攻撃反応装甲を付与させていただきました。@朱志香さまの攻撃を相殺することで威力を減退させ、@のみならず反応破片で反撃まで出来る優れ物です。\ `"I upgraded it with attack-reactive armor.`@` An exceptional item which will decrease the force of your attacks by counterbalancing them, `@`and can even counterattack with reactive fragments.`\ mld c,$RON_majimea2,80 ;　……殴り続けるのは大いに結構ですが、それは自らにも及びますよ。」\ ;＜ロノウェ `......It's perfectly fine to keep punching it, but doing so will affect you as well."`\ ld r,$JES_futekiA2,24 ;「へ、…へへ！@　つまり、お前の壁と私の我慢比べってことかよッ！！@/ `"Heh, ...heheh!!`@` In short, it's an endurance test between me and your wall?!! `@/ se1v 2,100 ld r,$JES_ikaria3,1 quakey 3,300 ;　上等だッ！！」@ ;＜朱志香 `No problem!!"`@ mld c,$RON_akuwaraiA1,80 ;「朱志香様が膝を付くのが先か、壁に押し込まれるのが先か。@……見物させていただきましょう。」\ ;＜ロノウェ `"Will you fall to your knees first, or be pushed into the wall first?`@` ......Allow me to observe."`\ ld r,$JES_IkariA1,80 ;「打ち破って、この壁ごとお前の横っ面をブッ飛ばす方が先かもな？！@　見てやがれええぇええええぇえ！！」\ ;＜朱志香 `"Except I might break through it and smash that whole wall along with your face, right?!`@` Watch iiiiiiiiiiiiiiiit!!"`\ textoff csp -1 lsp 850,white1,0,0 bg black,0 for %ryuu1 = 1 to 2 se3v 57,100 ;lsp 850,white1,0,0 vsp 850,1 print 1 vsp 850,0 print 80 se2v 57,100 ;lsp 850,white1,0,0 vsp 850,1 print 1 vsp 850,0 print 80 se1v 57,100 ;lsp 850,white1,0,0 vsp 850,1 print 1 vsp 850,0 print 80 next se3v 57,100 ;lsp 850,white1,0,0 vsp 850,1 print 1 vsp 850,0 bg blood_2a,80 se2v 57,100 ;lsp 850,white1,0,0 vsp 850,1 print 1 vsp 850,0 bg blood_2c,80 se1v 57,100 ;lsp 850,white1,0,0 vsp 850,1 print 1 vsp 850,0 bg blood_2e,80 se1v 20,100 se3v 55,100 wait 500 ;　朱志香は構わず、左右の鉄拳を打ち付ける。@　その度に大量の破片が飛び散り、全身を苛んだ。@ `Without hesitation, Jessica punched using both fists.`@` Each time she did, a large amount of shards scattered, torturing her entire body.`@ br ;　すぐに幾筋もの赤い切り傷が全身に浮かび上がる…。\ `Instantly, several red gashes appeared all over her body...`\ ;　その激痛に表情は歪むが、目は闘志に燃え上がり、唇は痛みとは真逆にニヤリと笑っていく…！\ `She grimaced at the intense pain, but her eyes were burning with fighting spirit, and her lips curved in a grin exactly the opposite of the pain...!`\ textoff ;bg black,25 ;wait 2000 se1v 57,100 se2v 57,100 mono 2 bg white,1 wait 200 mono off lsp 889,PRI_efe,0,0 vsp 889,1 bg PRI_i1a,22 ld r,$KLA_KomaruA2,64 ;■地下道 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,kan ;「嘉音、まだかね？！@　私たちは平気だが、/ ;!d700……ヤツらを防ぐ鉄格子が平気ではなさそうだ…！」@ ;＜蔵臼 `"Kanon, are you done yet?!`@` We are alright, `/ !d700`......but the metal bars blocking them don't look like they are...!"`@ ld l,$KAN_OdorokiA1B,63 ;「もう、……少しです……！」\ ;＜嘉音 `"Just, ......a little more......!"`\ vsp 889,0 textoff E_MA se3v 20,100 bg black,63 ;wait 500 monocro #ff0000 se1v 57,100 se3v 55,80 bg white,1 bg black,22 ;wait 500 se2v 57,100 bg white,1 bg black,22 ;wait 500 se1v 57,100 bg white,1 bg black,22 monocro off wait 300 vsp 889,1 bg sub_P1a,26 ;bg PRI_i1b,26 ld c,$KIR_komaruA2,63 ;「こいつら、きりがないわ…。@押しくら饅頭だけで、鉄格子を破りかねない！」\ ;＜霧江 `"There's no end to these guys...`@` These metal bars might break just from them shoving each other!"`\ me1v 5,70 ;　鉄格子が山羊たちの群にぎしぎしと泣く。@ `The group of goats made the metal bars creak.`@ br ;　何本もの腕が鉄格子を掴み、その怪力で歪める。@ `Several arms grabbed the bars, twisting them with superhuman strength.`@ br ;　……しかし、同じ格子を別々の手が逆方向に引っ張り合っているのもある。@ ;　やっぱり頭は悪いらしい。\ `......However, some bars were being pulled in opposite directions by different hands.`@ `Apparently they really were stupid.`\ se1v 2,100 se2v 61,100 vsp 889,0 bg PRI_i1c,1 quakex 8,1200 se1v 2,100 se2v 61,100 se3v 13,100 quakex 9,1200 me2v 17,100 ;　そんな無数の腕の鉄格子の掴み方が、……たまたま噛み合う。@ `The way those countless hands grabbed the metal bars, ......sometimes happened to match up by chance.`@ br ;　２本の鉄格子を掴む何本もの手が、それぞれに左右に開くように綺麗に力を合わせてしまう。@ `Several hands grasping two metal bars neatly put their power together and pulled the bars to the left and right.`@ br ;　金属のひしゃげるすごい音が聞こえ、その隙間を、少しずつ広げていってしまう…！\ `The incredible sound of metal bending could be heard, and that crack was getting larger bit by bit...!`\ ;textoff ;bg black,22 ;lsp 899,PRI_efe,0,0 ;ld r,$GOA_DefA1,0 ;;ld c,$GOA_DefA1,0 ;print 64 ;mld l,$KIR_MajimeA1,63 ;se1v 12,100 ;quakex 4,800 ;mld c,$KLA_IkariA1,63 ;se2v 20,100 ;wait 500 ;mcl a,0 ;mbg black,22 ;se1v 41,100 ;se2v 41,100 ;se3v 41,100 ;mbg white,1 ;cl r,0 ;mcbg 22 ;se1 13 ;quakey 3,800 me3v 16,90 ;　その山羊たちの腕を一本一本攻撃するが、埒が明かない。@ ;　左右に広がる隙間を止められない…！\ `They attacked the arms of those goats one by one, but they weren't getting anywhere.`@ `They couldn't stop the gap from spreading left and right...!`\ textoff E_MA se1v 57,100 se2v 2,100 bg white,1 bg sub_D1a,2 se3v 39,100 ;　その時、背後でも大きな金属音。@ ;　嘉音がようやく切断を終えたのだ。\ `At that time, there was a loud metal sound behind them.`@ `Kanon had finally finished cutting.`\ csp -1 ;bg PRI_i1b,0 ld c,$KAN_IkariA1B,63 ;「早く！！」\ ;＜嘉音 `"Quickly!!"`\ ;bg PRI_i1a,0 cl c,0 ld r,$KLA_akuwaraiA2,63 ;「霧江さん、レディーファーストだ。@南條先生も続いて！」\ ;＜蔵臼 `"Kyrie-san, ladies first.`@` You go next, Doctor Nanjo!"`\ ld l,$KAN_OdorokiA2B,63 ;「旦那様、ここは僕に任せてください…！@/ `"Krauss-sama, please leave this place to me...! `@/ ld l,$KAN_odorokiA1B,80 ;　ん、……これは？！」@ ;＜嘉音 `Nn, ......what is?!"`@ br se1 22 ld l,$KAN_odorokiA1,99,2000,"breakup.dll/ulb" ;　鉄格子を切断してきた嘉音の赤い刀が消える。\ `Kanon's red sword that had cut the metal bars disappeared.`\ me1v 16,0 fedexx 0,50,0,0,0,0,2000 mld c,$SHA_ikariA1,66 ;「……ごめん！@　ワルギリアさまの霊子戦影響下に入った！！@　私たちの魔力が中和されてる！」\ ;＜紗音 `"......Sorry!`@` We've entered Virgilia-sama's Spirit Particle Combat Area of Influence!!`@` Our magic power has been neutralized!"`\ mcl a,0 bgm1v 103,85 textoff ;bg black,24 ;bg Se1F_S1c,22 ;wait 1000 E_MA se1v 22,100 se2v 57,100 bg white,1 bg Se1F_S1bN,0 ld c,$WAL_WaraiA2,2 ld c,$WAL_akuWaraiA2,80 ;「ほっほっほ。@よくも、大魔女と呼ばれた私にここまで抗ったものです。@もはや、その地下道ではあなたたちの魔法は使えませんよ。」\ ;＜ワルギリ `"Hohhohhoh.`@` How dare you resist me this far...I, who was called a Great Witch.`@` You can no longer use your magic in that underground passage."`\ ;bg Se1F_S1a,23 se1v 22,100 bfly2 30 ;　ワルギリアを中心に、魔法陣の円柱が複雑な魔法方程式を描く。@ `A magic circle column drew a complex magical formula with Virgilia at the center.`@ br ;　……ここまで本格的な魔法を使われては、紗音の力は到底及ばない。@ ;　むしろ、よく耐えたというべきだった。\ `......With such genuine magic being used, Shannon's power couldn't even compete.`@ `On the contrary, it was surprising that she had withstood as much as she had.`\ ld c,$WAL_WaraiA1,24 ;「霊子優勢を確保。@さぁ、シエスタ姉妹。今度こそあなたたちの出番ですよ？@/ `"Spirit Particle Superiority Ensured.`@` Come, Siesta Sisters. Now it's your turn, right? `@/ cl c,0 ld r,$WAL_KomaruA2,23 ;　って、まだ再起動してるんですか？！@　何で最近の子は寝起きが悪いの…！」\ ;＜ワルギリ `Wait, are you still rebooting?!`@` Why are kids so bad at waking up these days...?!"`\ ld l,$S00_odorokiA1,26 ;「も、申し訳ありませんであります…！！@　私たち全員、バージョンが違ってて…。」\ ;＜００ `"M, my apologies...!!`@` We're all different versions..."`\ cbfly 0 ;bg black,22 bg Se1F_S1cN,22 me1v 16,50 ld c,$S41_OdorokiA1,26 ;!s0「何でバージョン変わる度に、ショートカットとプルダウンがしっちゃかめっちゃかになるにぇ…！@　前回、不正な終了がありました？/ !s0`"Why is it that the shortcuts and pulldown menus get all screwed up every time you change versions, nyeh...!`@` You did not shut down correctly last time? `/ se1 47 quakey 2,200 ;@　管理者権限？？/ @`Administrator privileges?? `/ se2 47 quakex 3,200 ;@　何これワケわかんないいいい！！」/ @`What's going on I don't knooooooow!!"`/ se1v 2,100 se2v 47,100 se3v 11,100 quakey 3,300 !sd\ ;＜４１０ bg black,23 bg Se1F_S1bN,0 ld c,$S45_KomaruA1,26 ;!s0「うきゅ〜〜！！/ !s0`"Ukyu~~!! `/ se1 48 quakey 2,300 ;　うきゅ〜〜！！/ `Ukyu~~!! `/ se2 48 quakex 2,300 ;@（早く直して〜！！　わぁん！）」/ @`(Fix me quickly~!! Waaaah!)"`/ !sd\ se1 48 quakex 2,300 se3 48 quakey 2,300 ;＜４５ ld r,$S00_OdorokiA1,64 ;「近衛隊トラブルシュートにコール！@　何？@/ `"Call Imperial Guards' troubleshooting!`@` What? `@/ ld r,$S00_odorokiA2,80 ;　ユーザーコードがないと教えないッ？！」/ `You won't tell us without a user code?!"`/ ;se1 12 ;quakey 4,800 @ ;＜００ ld l,$S41_majimeA1,63 se1 47 ;「ユーザーコードは４５が管理してるにぇ。」\ ;＜４１０ `"45 had the user code nyeh."`\ ld c,$S45_OdorokiA1,80 ;「うきゅー！！@/ ;!s0　うっ、/ `"Ukyu-!! `@/ !s0`U, `/ se1 48 quakey 2,200 ;きゅっ、/ `kyu, `/ se2 47 quakey 2,200 ;きゅっ、/ `kyu, `/ se3 47 quakey 2,200 ;きょ、/ `kyo, `/ se1 48 quakey 2,200 ;うきゅっ、/ `ukyu, `/ se2 47 quakey 2,200 ;きゅー！！！」/ `kyu-!!!"`/ se3 12 quakey 4,400 !sd\ ;＜４５ ld r,$S00_KomaruA1,80 ;「きゅ、９９９９にしか聞こえん……。@/ ;紙に書かせろ。」@ ;＜００ `"I, I can't hear anything except #86ef9c9999#ffffff......`/ ;tttt mov %grim_scene,408 mov %r_hyouji_grim,9 @` Have her write it on some paper."`@ ld l,$S41_defA1,80 se1 48 ;「ＩＭＥ再インスコ出来ないから文字も書けないにぇ。」\ ;＜４１０ `"She can't reinstall the #86ef9cIME#ffffff, so she can't write characters nyeh."`/ ;tttt mov %grim_scene,409 mov %r_hyouji_grim,10 \ me2v 5,70 bg Se1F_S1aN,23 ld c,$WAL_KomaruA2,24 ;「………………………。@/ `"..................`@/ ld c,$WAL_komaruA1,80 ;お、お前たちはゆっくり修理していなさい…。@私が行って来ます…。」\ ;＜ワルギリ `Y, you take your time fixing yourselves...`@` I'm going..."`\ bg se1F_S1cN,22 ;「「ごめんなさいいい〜！！」」/ `""Sorryyyyyyyyy~!!""`/ E_MA se1 2 quakey 3,300 \ ;＜４１０・００ bg black,25 me1v 5,70 me2v 24,70 bg sub_D1a,0 ld l,$GOA_DefA1,0 ld r,$GOA_DefA1,0 ld c,$GOA_DefA1,22 quakex 4,500 ;■地下道 ;　細い地下道は、ぎゅうぎゅうの山羊たちで、まさに朝の通勤列車状態だった。@ `The narrow underground passage was packed with goats, truly like a commuter train in the morning.`@ br ;　その渋滞ぶりにワルギリアは二度呆れる。\ `Virgilia was again shocked by this congestion.`\ mld r,$WAL_odorokiA1,24 ;「何をやってるんですか…！！/ `"What are you doing...?!! `/ se1 11 quakey 4,300 @/ mld r,$WAL_komaruA2,80 ;　え？@　ご褒美が欲しいから一番乗りがしたい？@　他の山羊にご褒美を奪われたくないから邪魔をし合っている？@/ `Huh?`@` You want to go first because you want the prize?`@` You're getting in each other's way because you don't want the other goats to steal the prize from you? `@/ mld r,$WAL_OdorokiA1,80 textoff se1 12 wait 100 se2v 2,100 quakey 4,800 ;　このお馬鹿山羊たちがぁああぁーーー！！！@　私が行きますから道を開けなさい！！\ ;＜ワルギリ `You stupid goooooooooooooaaaa---ts!!!`@` I'm going, so open the way!!`\ mld r,$WAL_KomaruA2,80 ;　何？！@　嫌ですって？！@　ワルギリアさまがご褒美を奪うつもりだ？！\ `What?!`@` You don't want to?!`@` Virgilia-sama is trying to steal the prize?!`\ mcl a,0 ld r,$WAL_KomaruA1,80 ;　何でスクラム組んでるんですか！！@/ `Why are you standing arm in arm?!! `@/ se1 47 mld l,$GOA_defA1,26 se2 48 mld c,$GOA_defA1,26 se3 2 mld r,$GOA_defA1,26 quakex 3,400 ;　えぇいキツイ狭い！！@　いつからここは山羊専用車両に？！/ `Aaah, tight, narrow!!`@` When did this become a goats-only car?! `/ se1 13 mcl a,0 bg PRI_i1c,1 quakey 2,600 ;@　うぎゅ〜〜！！/ @`Ugyu~~!! `/ se1v 48,100 ;se2v 48,100 quakex 4,900 ;@　今、お尻触った子、次の駅で降りなさぁ〜〜いッ！！！\ @`You, that kid who just touched my butt, get off at the next statioo~~n!!! `\ bg Sub_D1a,0 ld l,$GOA_DefA1,24 ld r,$WAL_komaruA1,24 ;　………ん？　何、あなた。@コッチへ来いって？？」\ `.........Hm? What's with you?`@` Come this way, you say??"`\ bg black,24 fede 10,1000 me1v 5,50 bg sub_P1c,64 ;　蔵臼たち５人は全力で地下道を駆け抜ける！@ ;　こんな地下でもたもたは出来ないのだ。@ `The five people in Krauss's group dashed through the passageway with all their strength!`@ `They couldn't dawdle around in an underground place like this.`@ br ;　早く、地上の子どもたちと合流しなくては！@ ;　全員が揃えば、もう何も憂いはない！\ `They had to quickly join up with the children on the surface!`@ `If they could join together, there would no longer be any more sorrow!`\ me2v 17,70 bg black,64 bg sub_P1c,68 ;　その時、凄まじい地鳴りが追い上げてくる。@ ;　追っ手がとうとう鉄格子を抜けたのか？！@ `At that time, a terrible rumble started chasing them.`@ `Had the pursuers finally made it through the metal bars?!`@ br ;　しかし振り返るがその姿は見えない。\ `But they couldn't see anyone when they turned around.`\ ;　しかし地鳴りと、天井からばらばらと土埃が落ちるのはどんどんと追い上げ、@とうとう、彼らを追い抜いてその先まで行ってしまった。@ `But that rumble and the dirt that fell here and there from the ceiling grew closer and closer,`@` finally catching up with them and even going past them.`@ br ;　まるで幽霊にでも追い抜かれた気分だ。\ `It felt almost like being chased by ghosts.`\ textoff bg white,1 bg sub_P1a,22 ld c,$GOA_DefA1,65 E_A se1 13 se2v 2,100 se3v 61,100 quakey 4,800 ;　拍子抜けしたと思った次の瞬間、前方の天井がドスンと抜けて、一匹の山羊が立ちはだかった。@ `The instant after they thought they'd gotten away, the ceiling in front of them fell in, and a single goat stood in their path.`@ br bgm1 99 ld l,$WAL_WaraiA1,64 ;　……その肩にはワルギリアが座っている。\ `......Virgilia was sitting on its shoulder.`\ ld l,$WAL_waraiA2,80 ;「賢い子が近道を知っていました。@偉い子ですね、一等賞ですよ。@あとで手作りの鯖のカレー煮をご馳走してあげますよ。」\ ;＜ワルギリ `"This wise child knew a shortcut.`@` What a good kid, you get first prize.`@` Later, you can eat some handmade mackerel curry."`\ ;　その微妙なご褒美でもやはり嬉しいのだろうか。@巨漢の山羊は、両手を組んでクネクネと身悶えして喜びを表現した。\ `Maybe it really was happy about that dubious prize.`@` The massive goat showed its joy by putting its hands together and writhing.`\ ;　ワルギリアは飛び降り、今度こそチェックメイトだと笑う。\ `Virgilia leapt down, laughing that this time was finally checkmate.`\ cl l,0 mld l,$WAL_defA1,65 se1 11 wait 200 se2 37 mld l,$WAL_akuwaraiA1,80 wait 200 mcl l,0 bg black,24 bg sub_P1b,0 ld c,$KAN_IkariA1,24 ;「……くそ……、駄目だ…。@……魔力が完全に殺されてる…。」@ ;＜嘉音 `"......Damn......, no good...`@`......Our magic has been completely killed..."`@ ld r,$SHA_odorokiA1,64 ;「…まだよ…。@……魔法がなくても、私たちにはまだこの体がある…。」\ ;＜紗音 `"...Not yet...`@`......Even without magic, we still have these bodies..."`\ ld l,$NAN_MajimeA2,63 ;「む、無茶だ…！@　あんなバケモノに、あの不思議な力がなくて戦えるわけがない…！」\ ;＜南條 `"D, don't be ridiculous...!`@` There's no way you could fight a monster like that without that strange power...!"`\ mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,kla bg sub_P1c,0 ld c,$KLA_KomaruA1,24 ;「……こ、子どもたちは下がっていたまえ…。@/ `"......S, stay back, children... `@/ mbg white,1 se1v 2,100 mcbg 0 ld c,$KLA_KomaruA2,80 ;私が何とかするから、その隙にあのバケモノの両脇を駆け抜けるんだ…！」\ ;＜蔵臼 `I'll do something about this, so escape past the sides of that monster while I distract them...!"`\ bg black,23 bg sub_P1a,0 ld c,$WAL_WaraiA2,23 ;「させませんよ。@ほっほほほほほ！」\ ;＜ワルギリ `"I won't let you.`@` Hohhohohohohoho!"`\ textoff se1v 57,100 bg white,0 ld c,$WAL_WaraiA2,22 bg sub_P1a,0 lsp 901,barrier1P,0,0 se2v 52,100 se3v 57,100 ld c,$WAL_WaraiA2,99,2000,"breakup.dll/lrb" ;　ワルギリアが手をパンと打つと、その背後に紫色の魔法障壁が現れ、@蔵臼の賭けたわずかの望みさえ奪ってしまう。\ `When Virgilia clapped her hands, a purple magic circle wall appeared behind her,`@` stealing even the faint hope that Krauss had been betting on.`\ me1v 16,50 vsp 901,0 bg sub_P1b,0 ld r,$KLA_NayamuA3,24 ;「万事、休すか……。@/ `"Is there...nothing more to be done......? `@/ ld r,$KLA_komaruA3,80 ;…い、いや、まだだ。@……朱志香も戦った。@私が戦わんわけにはいかん…。」@ ;＜蔵臼 `...N, no, not yet.`@` ......Jessica fought as well.`@` I must fight..."`@ ld l,$KIR_MajimeA1,63 ;「ほ、本気なの？！@　無理よ、あんな巨大なバケモノに…！」\ ;＜霧江 `"A, are you serious?!`@` It's not possible, not against that massive monster...!"`\ ld c,$NAN_KomaruA4,63 ;「無茶苦茶だ…！@　蔵臼さん、他の方法を考えましょう……。」\ ;＜南條 `"Don't be absurd...!`@` Krauss-san, let us think of another way......"`\ ld r,$KLA_NayamuA1,80 ;「思いついたら提案してくれたまえ。@それまでは、私が何とかするしかないようだ…。@/ `"If you think of something, say it.`@` Until then, it looks like I'll have to manage something...`@/ ld r,$KLA_KomaruA2,80 ;……さぁ、下がりたまえ。」@ ;＜蔵臼 `......Come on, get back."`@ ld l,$KIR_NayamuA1,80 ;「……気をつけて。」\ ;＜霧江 `"......Take care."`\ cl l,0 cl c,23 vsp 901,1 bg sub_P1a,0 ld l,$GOA_DefA1,0 ld c,$WAL_WaraiA2,23 E_MA ;「ほほほほ…、ほっほほほほほほほほ！@/ `"Hohohoho..., hohhohohohohohohoho! `@/ ld c,$WAL_AkuwaraiA2,80 ;　おやおや、蔵臼。@あなたひとりでこの子と戦うつもりですか？」\ ;＜ワルギリ `My, my, Krauss.`@` You intend to fight this child alone?"`\ vsp 901,0 bg sub_P1b,0 ld r,$KLA_KOMARUa2,23 ;「……………………く…。@/ `"..................Ack...`@/ ld r,$KLA_komaruA4,80 ;わ、わからんぞ。@戦いには、まぐれ当たりの一発だってありうる…。」\ ;＜蔵臼 ` I, I'm not sure.`@` In a fight, it's possible to get in a lucky shot..."`\ vsp 901,1 bg sub_P1a,0 ld l,$WAL_WaraiA1,23 ;「ほっほほほほ。@まぐれでも勝てるつもりとお思いですか…？@/ `"Hohhohohoho.`@` You think you can win even with a fluke...? `@/ ld l,$WAL_akuwaraiA2,80 ;　身の程知らずのあなたのために、私が状況を整理して差し上げましょう。」@ ;＜ワルギリ `Allow me to explain the situation so that even one who doesn't know his place, such as you, could understand."`@ ;ld r,$KLA_majimeA2,24 ;「何ぃ……。」\ ;＜蔵臼 `"Whaat......?"`\ flg_Set 1,2,0 cl a,0 ld c,$WAL_WaraiA2,23 ;「ほほほほ…。@あなたが１００％の力を発揮したとして、あなたの戦闘力はせいぜい６。@対してこの子の戦闘力は１０００。@つまり、あなたが１００人束になっても、絶対に勝てないということです。/ `"Hohohoho...`@` If you were to wield 100% of your strength, your power level is at most 6.`@` In comparison, this child has a power level of 1000.`@` In short, even if there were 100 of you, you definitely couldn't win.`/ flg_p \ ld c,$WAL_DefA1,80 ;　まぁ、確かに戦いには不確定要素もあります。@その戦闘力に多少の倍率が掛かることも認めましょう。@/ `Well, it's true that there are uncertain elements in a fight.`@` Let us admit that your power level has a slight scaling factor to it. `@/ ld c,$WAL_waraiA2,80 ;しかしそれでも、あなたがこの子を倒せる確率は、０．００００１％というところでしょうか。/ `But even so, your chances of defeating this child are around perhaps 0.00001%. `/ flg_p ;@　おわかりかしら？@　あなたには万に一つの勝ち目もないということです。/ @`Do you understand?`@` You don't even have a one in ten thousand chance of victory. `/ flg_p ;@　ほっほっほっほ…！」\ ;＜ワルギリ @`Hoh-hoh-hoh-hoh...!"`\ ;　ワルギリアと山羊は一緒にげらげらと笑う。\ `Virgilia and the goat guffawed together.`\ vsp flg_sp1,0 vsp flg_sp2,0 vsp flg_sp3,0 vsp 901,0 bg sub_p1b,0 ld r,$KLA_NayamuA3,24 ;「く、…くそ……。@万一ということは、配当は一万倍ということではないかね。@/ `"D, ...damn it......`@` If it is a one in ten thousand chance, that means the payoff will be ten thousand times more, right? `@/ ld r,$KLA_AkuwaraiA2,80 ;……良い大穴だ。@そういう馬券は好きだよ、買いたくなる…。」\ ;＜蔵臼 `......A good dark horse.`@` I like that kind of betting ticket, makes me want to buy it..."`\ vsp 901,1 bg sub_P1a,0 ld c,$WAL_waraiA1,23 ld c,$WAL_WaraiA2,80 ;「ほっほっほっほ！@　それを買うコインはあなたの命、１枚しかありませんよ？@　しかし、それでもその奇跡に運命を託したいというあなたの気持ち、よくわかります。\ `"Hoh-hoh-hoh-hoh!`@` But the coin to buy that is your life, and there's only one of those, right?`@` However, I can understand why you would still want to entrust that miracle to fate.`\ ld c,$WAL_AkuwaraiA2,80 ;　……ですので、恐れずに立ち向かうあなたの勇気を讃え、ひとつハンデを差し上げましょう。/ `......Therefore, I shall praise your courage for standing against us without fear, and give you a bit of a handicap. `/ vsp flg_sp1,1 vsp flg_sp2,1 vsp flg_sp3,1 flg_p ;@　この子は左腕一本で戦います。/ @`This child will fight with only his left arm. `/ flg_p ;@　まぁ、それでもあなたに負ける気はまったくしませんが。/ @`Well, even so, I have absolutely no intention of losing to you.`/ flg_p \ ld c,$WAL_komaruA2,80 ;　…………それにしても何かしら、さっきからピンポンピンポンと。」\ ;＜ワルギリ `............Come to think of it, what is that, that *bing*bong*bing*bong* noise I've been hearing?"`\ vsp flg_sp1,0 vsp flg_sp2,0 vsp flg_sp3,0 vsp 901,0 bg sub_p1c,0 ld l,$KLA_komaruA2,24 ;「よ、……よかろう。@その勝負、受けて立ってやる……。@左腕だろうと何だろうと、どうせ私は一撃で殺されるだろう。@……私のチャンスもまた、一撃しかないのだ。@それに全て賭けるしかあるまい。」\ ;＜蔵臼 `"V, ......very well.`@` I'll take that challenge......`@` Whether it uses its left arm or not, I'm sure I'd be killed with a single strike.`@` ......I also only have a single chance at a strike.`@` I can only bet everything on that."`\ ld r,$NAN_MajimeA2,64 ;「無茶苦茶だ、蔵臼さん…！@　あ、あんたがボクシングをやってたことは知っているが、それでも大学時代のはず…。@/ `"That's absurd, Krauss-san...!`@` I know that you used to do boxing, but I believe that was from your college days... `@/ ;ld r,$NAN_KomaruA4,80 ;いやいや、仮にプロのボクサーがいたとしても、あんなバケモノ、一撃で倒せるはずもない…！」\ ;＜南條 `No, no, even if you were a pro boxer, there's no way you could defeat a monster like that with one strike...!"`\ cl l,24 ld l,$KIR_MajimeA2,23 ;「……リングの上での試合なら確かにね。@でも、蔵臼兄さんが望みを賭けるチャンスが、わずかだけどあるわ。@……彼は、それに全て望みを賭けている…。」\ ;＜霧江 `"......That would be true if it were a match in the ring.`@` But while Krauss nii-san's chance to bet on his hope is faint, it does exist.`@` ......He's betting everything on that hope..."`\ bg sub_P1b,0 ld r,$KAN_OdorokiA1,24 ;「ま、まさか……。@しかし、そんなの、うまく行くわけがない…。」@ ;＜嘉音 `"Y, you aren't saying......`@` But, there's no way that would go well..."`@ ld l,$SHA_KomaruA1,23 ;「……旦那様………。」\ ;＜紗音 `"......Krauss-sama........."`\ mld c,$KLA_komaruA2,26 ;「み、見ていろ…。@一撃で決めてやる……。」\ ;＜蔵臼 `"W, watch me...`@` I'll settle this with a single strike......"`\ mcl c,0 vsp 901,1 bg sub_P1a,0 ld c,$WAL_defA1,23 ld c,$WAL_WaraiA1,80 me1v 5,70 br ;　ほっほっほっほ…。@浅はかな。@ ;　お前たちの狙いはわかっていますよ。@ ;　二人の距離は、１０ｍ以上は離れている。@ `Hoh-hoh-hoh-hoh...`@` How frivolous.`@ `I know what you're after.`@ `The distance between the two of them is more than 10 meters.`@ br ;　山羊も蔵臼も、一撃で勝負を決めるために全力で踏み込めば、その威力は普段の２倍。@ ;　それが激突するのだから、相対的に４倍となる。\ `If the goat and Krauss both step in with all their strength to settle the fight with a single blow, their power will be double what is normal.`@ `Both will crash together, so it's a relative four times normal.`\ ;　さらに、奇跡的に急所に命中しクリティカルヒットとなったとしても、その威力は２倍止まり。@ ;　………つまり、蔵臼の最大戦闘力は６の８倍で４８がせいぜいというところ。@ `Even if, on top of that, the strike lands on a weak point for a critical hit, that will only double the power.`@ `.........In short, Krauss's maximum power level of 6 times 8 would be 48 at the most.`@ br ;　そのまぐれ当たりの一撃を２０回繰り返してようやく勝てるかどうかというところ。\ `He might or might not be able to win if he repeated that lucky shot a full 20 times.`\ ld c,$WAL_WaraiA2,80 ;　ほっほほほほほ、一撃食らわす度にあなたは殺されて、それでもダメージを累積させて、@……そうね、エピソード２４くらいまで行ったらようやく勝てるのかしら？\ `Hohhohohohoho, if you're killed every time you take a hit, and your damage still accumulates,`@` .......let's see, I wonder if you could finally win when we get to Episode 24?`\ se1 37 ;　ほっほっほっほ、そこまでこの連載、長引いてると良いのですけれど…！！@　いずれにせよ、万に一つの勝ちもない！/ `Hoh-hoh-hoh-hoh, if only this series could stretch on so long...!!`@` Either way, you don't even have a slight chance of victory!`/ E_MA vsp flg_sp1,1 vsp flg_sp2,1 vsp flg_sp3,1 flg_p @/ ld c,$WAL_komaruA1,80 br br ;　……もう、さっきから何なのよ、このピンポン？\ `......Hey, what was that just now, that *bing*bong*?`\ vsp flg_sp1,0 vsp flg_sp2,0 vsp flg_sp3,0 vsp 901,0 bg sub_P1b,24 ld r,$KLA_KomaruA1,24 ;「私も、一撃に全てを賭けさせていただく…。@/ `"Let me bet everything on a single strike as well... `@/ ld r,$KLA_majimeA1,80 ;山羊くんも、遠慮することはない。@本気で来たまえ…。」\ ;＜蔵臼 `You have no reason to hold back either, goat-kun.`@` Come at me seriously..."`\ vsp 901,1 bg sub_P1a,0 ld c,$GOA_DEFA1,0 ld l,$WAL_waraiA2,23 ;「ほほほほ、全力を要望ですよ。@本気の一撃で粉砕し、肉片に変えてやりなさいな。」\ ;＜ワルギリ `"Hohohoho, he's requesting that you go all out.`@` Smash him with a single serious strike, and turn him into chunks of meat."`\ cl a,0 ld c,$GOA_DefA1,23 ;　山羊は興奮して胸を何度も叩きながら、短距離走のような構えを取る。\ `As the goat got excited and beat its chest over and over, it took a position as though preparing for a sprint.`\ vsp 901,0 bg black,22 br ;　ほっほっほっほ、これでお望みどおりかしら？@ `Hoh-hoh-hoh-hoh, is this as you wish?`@ br ;　あなたの最大の戦闘力に望みを賭けて、それでもまったく届かないことに絶望なさい！/ `Bet your hopes on your greatest power level, and despair when even that doesn't reach at all!`/ vsp flg_sp1,1 vsp flg_sp2,1 vsp flg_sp3,1 flg_p @ br ;　また鳴った！@　イライラする、何ですかこれ？！\ `It rang again!`@` I'm getting annoyed, what is this?!`\ vsp flg_sp1,0 vsp flg_sp2,0 vsp flg_sp3,0 me1v 28,90 bg sub_P1c,0 ld l,$GOA_DefA1,0 ld r,$KLA_majimeA2,26 ;「行くぞ……。@いいかね？」@ ;＜蔵臼 `"Here I go......`@` Ready?"`@ br ;　山羊も吼えて応える。\ `The goat howled in response.`\ se1v 20,100 vsp flg_sp1,0 vsp flg_sp2,0 vsp flg_sp3,0 bg black,1 ;　そして、対峙した男たちにしか分かり合えぬタイミングの一致を見て、@……二人は撃ち出された砲弾のように飛び出す。@ `Then, with a matched timing that only the men confronting each other could comprehend,`@` ......the two leapt forward like bullets shot out of a gun.`@ br ;　男たちの咆哮、全身の肉体の力がそれぞれの腕一本に集約される。\ `The men howled, collecting the strength from all over their bodies into one arm each.`\ textoff lsp2 4,$GOA_DefA1,0,480,200,200,0 print 63 bgcopy csp2 4 ;　山羊の爛々と光る瞳には、はっきりと蔵臼の顔面が捉えられている。@ `The goat's fiery glowing eyes clearly locked onto Krauss's face.`@ br ;　……どのタイミングまで踏み込み、@どのタイミングで殴り抜き、吹き飛ばし、@完全に勝利するか、そのビジョンが完全に見えていた。/ `......He could perfectly see a vision of when he would step forwards, `@`when he would punch through Krauss and blow him away, `@`and when he would win perfectly.`/ vsp flg_sp1,1 vsp flg_sp2,1 vsp flg_sp3,1 flg_p \ ;　山羊の脳裏に、今日までの辛く長かった日々が蘇る……。/ `The long, painful days up to that point drifted through the goat's mind......`/ flg_p @ lsp 899,GOA_memory1,100,100 print 22 br ;　先輩たちにいびられながらの鍛錬の辛い日々…。/ `The painful days of training where his senpais had picked on him...`/ flg_p @/ lsp 898,GOA_memory2,0,50 print 22 ;　そんな日々に、わずかに垣間見えた先輩たちの温かな気遣い。/ `The faint glimpses of his senpais' warm concern during those days.`/ flg_p @ br lsp 897,GOA_memory3,50,-50 print 22 ;　そして初めて実力を認められ、仲間として認めてもらえた日の喜び…！/ `And the joy of that day his power had been acknowledged, and he had been accepted as one of the comrades...!`/ flg_p \ csp 899 csp 898 csp 897 bg white,1 lsp 896,GOA_memory4,0,0 print 80 csp 896 bg black,22 ;　ずっと親不孝だった。/ `I never properly respected my parents.`/ vsp flg_sp1,1 vsp flg_sp2,1 vsp flg_sp3,1 flg_p @ ;　……そうさ、実は俺、今回の仕事を終えたら足を洗って、故郷に帰るつもりだったんだ。/ `......That's right, I'd actually planned on washing my hands of this business when this job was over, and returning to my hometown.`/ flg_p @ br ;　ごめんな、妹の山羊子、お兄ちゃん、迷惑ばかりかけてたな。/ `Sorry, my little goat sister, Onii-chan...I was only ever a nuisance.`/ flg_p @ br ;　それに俺、…じ、実は幼馴染がいて、帰ったら結婚することになってるっすーーー！！！/ `And I, ...a, actually had a childhood friend, and was going to marry her when I got ho---me!!!`/ flg_p wait 300 flg_p wait 300 flg_p \ textoff vsp flg_sp1,0 vsp flg_sp2,0 vsp flg_sp3,0 lsp2 4,$WAL_odorokiA1,500,350,200,200,0 print 64 E_A bgcopy csp2 4 print 1 bgm1v 53,80 ;tttt ;「ぎゃーーーッ！！！@　ダメぇえええぇえ！！@　負けフラグ立て過ぎちゃらめええぇええええぇえ！！@/ `"Gyaaaaaaaaahh!!!`@` Nooooooooooo!!`@` Don't trip so many #86ef9closer flaaaaaaaaaaags#ffffff!! `/ mov %grim_scene,410 mov %r_hyouji_grim,11 @/ textoff lsp2 4,$WAL_komaruA1,500,350,200,200,0 print 80 bgcopy csp2 4 print 1 ;　そのパンチは駄目よ、避けてえええぇええ！！」\ ;＜ワルギリ `You can't handle that punch, dodge iiiiiiiiiit!!"`\ br ;　それはまさに二人が激突し、互いのパンチが交差する直前の瞬間だった。\ `It happened the instant right before the two crashed and their punches crossed.`\ textoff lsp2 4,$WAL_komaruA1,500,350,200,200,0 lsp2 3,$KIR_FutekiA1,180,420,200,200,0 print 63 bgcopy csp2 3 csp2 4 print 1 ;「愚かね、ワルギリア。@冷静な判断を欠いたようよ。」\ ;＜霧江 `"You fool, Virgilia.`@` Looks like you couldn't make a composed decision."`\ textoff lsp2 4,$WAL_odorokiA1,500,350,200,200,0 lsp2 3,$KIR_FutekiA1,180,420,200,200,0 print 80 bgcopy csp2 4 csp2 3 print 1 ;「そのパンチを受けてはなりませんッ！！@　弾きなさい！！」\ ;＜ワルギリ `"You must not take that punch!!`@` Repel it!!"`\ textoff bg sub_D1a,0 ld c,$GOA_DefA1,0 ld r,$KLA_IkariA1,1 wait 100 se1v 9,100 se2v 2,100 se3v 57,100 bg white,1 bg sub_P1b,0 ld l,$GOA_defA1,0 ld r,$KLA_IkariA1,22 ;「ッ？！？！」@ ;＜山羊 `"?!?!"`@ br ;　山羊の左ストレートと蔵臼の右ストレートが交差するその瞬間！@　山羊は超反射神経でワルギリアの命令に従い、ストレートを引き戻して蔵臼のパンチを弾く！\ `The very instant the goat's left straight and Krauss's right straight crossed!`@` The goat obeyed Virgilia's order with super-fast reflexes and pulled his straight back, repelling Krauss's punch!`\ ld r,$KLA_KomaruA3,80 ;「………むッ、」@ ;＜蔵臼 `".........mu-"`@ br ;　そう、ワルギリアの判断は賢明だっただろう。@ `That's right, Virgilia's decision probably had been wise.`@ br ;　何しろ負けフラグの数は、相手の戦闘力にそのまま倍率となって掛かる！\ `After all, the number of loser flags amplify the opponent's power level!`\ bg sub_P1a,0 ld c,$WAL_KomaruA2,63 ;「危ないところでした、@こんな負けフラグ立てまくりの状態で食らっていたら、どれほどの威力に倍率が掛かっていたことか…！！\ `"That was close,`@` if you had taken that punch after tripping so many loser flags, imagine just how great a force would it have been amplified to...!!`\ ld c,$WAL_OdorokiA1,80 ;　さぁ、そこでがら空きの右側面に右ストレートを叩き込んでやりなさい！！@/ `Come on, from there, smash the completely open right side of his face with a right straight!! `@/ ld c,$WAL_KomaruA2,80 ;　何？@　左腕一本で戦う約束？@/ `What?`@` The promise about fighting with only your left arm? `@/ ld c,$WAL_akuwaraia1,80 ;　ほっほっほ！！@　約束は破るためにあるのでしょうがー！！/ `Hoh-hoh-hoh!!`@` Aren't promises made to be broken?!! `/ vsp flg_sp1,1 vsp flg_sp2,1 vsp flg_sp3,1 flg_p @/ ;ld c,$WAL_KomaruA1,80 se1v 2,100 bg black,1 ;　ぎゃー、また立ったあああぁ！！」\ ;＜ワルギリ `Gyaah, tripped another ooooooone!!"`\ vsp flg_sp1,1 vsp flg_sp2,1 vsp flg_sp3,1 bg sub_P1c,0 ld r,$KIR_komaruA1,24 ;「失望よ、ワルギリア。@あなたはやはり冷静を欠いていたわ。」@ ;＜霧江 `"I'm disappointed, Virgilia.`@` You really have lost your composure."`@ ld l,$WAL_odorokiA1,63 ;「何ですって……？！@　直前に気付いて避けさせた私のどこが冷静でないと…！」\ ;＜ワルギリ `"What's that......?!`@` How was I not composed by noticing it beforehand and making him avoid it...?!"`\ bg sub_P1b,0 ld c,$SHA_OdorokiA2,23 ;「ど、…どうしてですか霧江さま…？@　あのまま激突していたら、旦那様の勝ちだったのでは……。」@ ;＜紗音 `"Wh, ...why is that, Kyrie-sama...?`@` If they had crashed like that, wouldn't it have been Krauss's......"`@ ld l,$KAN_odorokiA1,80 ;!s0「………はッ、そ、そうか…、/ ;!d800負けフラグの数が２０でも、/ ;!d1000……まだ足りないんだ！」/ !s0`".........Ah, I, I see..., `/ !d800`even with 20 loser flags, `/ !d1000`......that's not enough!"`/ se1v 2,100 ;se2v 61,100 ;se3v 62,100 quakey 4,400 !sd\ ;＜嘉音 csp -1 bg black,22 me1v 28,100 me2v 28,100 ;　蔵臼と山羊の２倍の踏み込みで４倍。@ ;　奇跡が味方してクリティカル確約でさらに２倍で８倍。@ `Krauss's and the goat's double rush made for times 4.`@ `With a miracle as an ally, the firm promise of a critical hit doubled it again for times 8.`@ br ;　その上、立てた負けフラグの数だけ倍率が掛かって２０倍で１６０倍。\ `On top of that, there was an amplification of times 20, equal to the number of loser flags, making for times 160.`\ ;　一見、すごい倍率だが、それでも蔵臼の戦闘力は６。@ ;　１６０倍しても、戦闘力９６０。@ `At a glance, that was an incredible amplification, but even so, Krauss's power level was 6.`@ `Even multiplied by 160, it only made for a power level of 960.`@ br ;　山羊の１０００にはギリギリ届かない…！\ `Just barely below the goat's 1000...!`\ ;bg sub_P1a,22 ld r,$KIR_defA1,64 ;「だから冷静じゃないと言ったのよ。@あなた失敗したわ。@/ `"That's why I said you weren't composed.`@` It's your blunder. `@/ ld r,$KIR_MajimeA1,80 ;そのまま激突していれば、あなたの勝ちだったのよ。」\ ;＜霧江 `If they had crashed like that, you would have won."`\ ld l,$WAL_Waraia2,63 ;「ほ、ほっほっほっほ！！@　たとえそうだったとしても、この右ストレートで蔵臼の頭を砕けば同じこと！！@/ `"H, hoh-hoh-hoh-hoh!!`@` Even if that were so, it all comes to the same thing if this right straight smashes Krauss's head!! `@/ ld l,$WAL_akuwaraiA2,80 ;　死ねッ、右代宮蔵臼ッ！！！」\ ;＜ワルギリ `Die Ushiromiya Krauss!!!"`\ ;ld c,$KLA_KomaruA1,80 textoff bg black,22 lsp2 4,$KLA_AkuwaraiA3,500,250,200,200,0 ;lsp2 3,$KIR_FutekiA1,130,420,200,200,0 print 64 lsp2 4,$KLA_KomaruA2,500,250,200,200,0 print 80 bgcopy csp2 4 print 1 me3v 5,100 me4v 5,100 ;「……食らいたまえ、ボクシング界、最強の一撃を。」\ ;＜蔵臼 `"......Take this, the strongest strike of the boxing world."`\ textoff bg black,22 lsp2 4,$KLA_komaruA2,500,350,200,200,0 lsp2 3,$GOA_DefA1,130,420,200,200,0 print 63 bgcopy csp2 -1 print 1 se1v 20,100 wait 200 se2v 20,100 ;　蔵臼の右ストレートを弾き、@がら空きになった蔵臼の右側面に山羊の右ストレートが襲い掛かる…。@ `After repelling Krauss's right straight,`@` the goat's right straight attacked the right side of Krauss's face, which had been left open...`@ se3v 20,100 se1v 20,100 se2v 20,100 ;　しかしそこに、蔵臼の左ストレートが交差する…。\ `But there, it crossed Krauss's left straight...`\ br bg white,2 wait 1000 E_MA se1v 2,100 se2v 13,100 se3v 57,100 quakex 7,800 ;me1v 28,100 ;me2v 28,100 me1v 17,0 fedexx 50,70,0,0,0,0,3000 bg sub_P1a,22 ;　二人のパンチが交差し、互いに相手の顔面を捉えたまま時間が制止した……。\ `The two punches crossed, and time stopped as each aimed for the face of the other......`\ ld r,$WAL_waraiA1,24 ;「ほ、………ほほほほ。@まさかこのタイミングで相打ちに持ってくるとは！@/ `"Ho, .........hohohoho.`@` To think that it would be timed for a simultaneous strike! `@/ ld r,$WAL_akuwaraiA1,80 ;　しかし、戦闘力は１６０倍止まりで９６０！！@　うちの子の１０００には及びませんでしたよ…！」\ ;＜ワルギリ `But his power level stops at x160, making it 960!!`@` It doesn't reach up to my child's 1000...!"`\ ld l,$NAN_MajimeA1,23 ;「………いいや。@ワルギリアさん。@/ `".........No.`@` Virgilia-san. `@/ ;ld l,$NAN_fumuA1,80 ;……あんたの負けだ。」@ ;＜南條 `......It's your loss."`@ ld r,$WAL_odorokiA1,80 ;「どうして？！」\ ;＜ワルギリ `"Why?!"`\ ld l,$NAN_DefA1,80 ;「あんた、最初のクロスカウンターを弾かせちまった。@……確かに、その次に繰り出した右ストレートが当たれば、蔵臼さんは粉々にされていただろう。\ `"You made him repel the first cross-counter.`@` ......Certainly, if another right straight after that were to hit, Krauss-san would probably be in pieces.`\ ld l,$NAN_MajimeA1,80 ;　…しかし、そいつをクロスされてしまった…。@……こりゃあ、駄目だ。@悪いが、あんたんとこの山羊さんの完敗だよ。」\ ;＜南條 `...However, that was crossed...`@`......That's no good.`@` Sorry, but this is a complete loss for you and this goat."`\ me2v 16,70 bg black,22 ;　クロスカウンターは４倍の破壊力。@ `A cross-counter has four times the destructive power.`@ br ;　これはボクシングの常識だ。@ `This is common knowledge in boxing.`@ br ;　そしてそれを弾き、右ストレートが叩き込めたならダブルクロスカウンターで８倍の破壊力。@ `And if that is blocked, and the right straight hits, then the double cross-counter has 8 times the destructive power.`@ br ;　これもボクシングの常識だ。\ `This is also common knowledge in boxing.`\ ;　それをクロスされてしまったら……。@ ;　トリプルクロスは、てこの原理で破壊力１２倍！/ `If that is crossed......`@ `By the principle of leverage, the triple cross then multiplies the destructive power by 12!`/ se1v 27,100 ;se2v 27,100 quakey 5,700 @ ;　これもまた、どうしようもないくらいにボクシング界の常識！！@ `This is also painfully common knowledge in the boxing world!!`@ br ;tttt ;　民明書房の本にだって載っているッ！/ `It's even written in a #86ef9cMinmeishobou#ffffff book!`/ mov %grim_scene,411 mov %r_hyouji_grim,12 ;se1v 60,100 ;se2v 63,100 ;se3v 63,100 ;quakey 5,1200 \ bg sub_P1b,26 ld r,$KIR_FutekiA1,24 ;「………蔵臼さんの戦闘力は６。」@ ;＜霧江 `".........Krauss-san's power level is 6."`@ ld c,$KAN_fumanA1,24 ;「双方２倍の踏み込みで４倍。」@ ;＜嘉音 `"The rushing from both sides is times 4."`@ ld l,$SHA_odorokiA2,24 ;「ク、クリティカルヒットで８倍。」@ ;＜紗音 `"Th, the critical hit is times 8."`@ bg sub_P1c,0 ld r,$NAN_MajimeA1,24 ;「負けフラグの立て過ぎで１６０倍。」@ ;＜南條 `"And times 160 for tripping too many loser flags."`@ ld l,$KLA_AkuwaraiA3,23 ;「……そして、トリプルクロスカウンターでさらに１２倍。」\ ;＜蔵臼 `"......And times 12 again for the triple cross-counter."`\ E_MA se1v 2,100 se2v 57,100 bg white,1 lsp 901,barrier1P,0,0 bg sub_P1a,0 ld c,$GOA_DefA1,0 ld l,$WAL_KomaruA1,2 ld l,$WAL_KomaruA2,80 ;「せ、……１９２０倍……。」@ ;＜ワルギリ `"T, ......times 1920......"`@ br ;　戦闘力、１１５２０…！！@ `His power level is 11520...!!`@ br ;　今の蔵臼のパンチなら、最初の頃の天下一武道会なら余裕で優勝できる威力…！！！\ `Krauss's punch now had the power to easily win the very first Tenkaichi Budokai...!!!`\ ld r,$NAN_fumuA1,24 ;「……これは、勝利を最後まで諦めなかった蔵臼さんの執念と、……あんたの慢心が招いた結果だ。@どちらが欠けても、この威力にはならなかった…。\ `"......This result was brought about by Krauss-san's persistence in not giving up on victory until the end, ......and your pride.`@` Without either, this strength would not exist...`\ ld r,$NAN_MajimeA1,80 ;……あんた、よく戦ったよ。@………もう、倒れてもいいんだぞ…。」\ ;＜南條 `......You fought well.`@` ......You may now fall..."`\ ;　南條が、ポンと山羊の肩を叩く…。\ `Nanjo clapped the goat on the shoulder...`\ me1v 28,100 wait 1500 cl a,4 E_MA se1v 13,100 se2v 61,100 wait 100 se3v 2,100 quakey 3,800 br ;　……お、……お兄ちゃん、がんばったよ……。@ `......O, ......onii-chan, I gave it my all......`@ br ;　山羊は目からキラキラする粒を撒き散らしながら、ふわぁっと仰け反り、@ワルギリアを下敷きにして倒れた。\ `As the sparkling drops from the goat's eyes scattered, he bent backwards,`@` and fell on Virgilia.`\ ;mld c,$WAL_KomaruA2,0 ;msp msp_c,0,480 ;for %Free1 = 0 to 10 ; resettimer ; msp msp_c,0,-16 ; print 1 ; waittimer 20 ;next se1v 20,80 wait 200 se2v 8,85 wait 150 se3v 11,85 ;「うぎゃー！！/ `"Ugyu-!! `/ quakey 3,300 ;@　重いぃいいぃ、退きなさいぃ！」/ @`Heavyyyyyyy, move awaaaay!"`/ quakex 3,300 \ ;mcl c,65 se1v 13,100 se2v 61,100 quakey 3,800 ;＜ワルギリ ;　華奢なワルギリアにとって、山羊の巨体は重すぎる。@ ;　下敷きになったままじたばたするが、逃れられそうにない。@ `The goat's massive body was too heavy for the slender Virgilia.`@ `She wriggled around with it on top of her, but it didn't look like she would be able to escape.`@ br ;　その拍子に、ワルギリアが閉ざしていた結界が破れる。\ `In that instant, the barrier Virgilia had sealed broke.`\ se1v 1006,100 mbg white,1 mcbg 80 csp 901 se2v 55,100 print 99,3000,"breakup.dll/urb" ld c,$KLA_NayamuA1,24 ;「悪く思うな。@てこの原理を侮ったのが君の敗因だ。」@ ;＜蔵臼 `"Don't think badly of us.`@` You lost because of the principle of leverage."`@ cl c,24 ld r,$KIR_komaruA1,24 ;「……どうしてあのカウンターでてこの原理が働くのかしらねぇ。@永遠の謎だわ。」\ ;＜霧江 `"......I wonder why the principle of leverage worked on that counter.`@` It's an eternal mystery."`\ cl r,24 ld l,$NAN_MajimeA2,24 ;「今のうちに逃げましょう…！！@　山羊さんも、お大事に…！」\ `"Let's escape while we can...!!`@` You take care too, goat-san...!"`\ ;＜南條 cl l,24 ld c,$SHA_OdorokiA1,24 ;「そ、それでは失礼します、ワルギリアさま！」@ ;＜紗音 `"W, well then, excuse us, Virgilia-sama!"`@; ld r,$KAN_nayamuA1,24 ;「………ぺこり。」\ ;＜嘉音 `".........*bow*."`\ cl a,24 bg black,22 ;ld c,$WAL_OdorokiA1,80 ;「待ってぇええぇー！！@　待ちなさぁい！！@　これ退けてぇええぇ！！@/ `"Waaaaaaaaiiit!!`@` Wait uup!!`@` Get this off meeeeee!! `@/ ;ld c,$WAL_KomaruA2,80 ;　きーーー！！　ガプガプガプガプー！！！」\ ;＜ワルギリ `Kiiii---!! Gapgapgapgap!!!"`\ bg sub_P1c,22 ;　あとは、彼らを遮るものは何もない。@ `After that, there was nothing to block their way.`@ br ;　……地下道をひたすらに駆け抜ける…！\ `......They ran intently through the underground passage...!`\ bg black,22 fede 0,3000 wait 1000 se1 1006 se2 2 bg white,1 bg black,22 me1v 17,70 bg MJES_1dN,0 lsp 898,barrier,0,0 ld r,$JES_OdorokiA1,22 ;■朱志香の部屋 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,jes ;　朱志香はとうとう、壁を背に追い詰められてしまう。@ ;　……ロノウェの魔法障壁はじわじわと迫り、やがては壁に押し潰すだろう。@ `Jessica had finally been cornered with the wall at her back.`@ `......Ronove advanced with his magic circle wall bit by bit, and would probably crush her against the other wall eventually.`@ br ;　間合いから考えて、鉄拳を繰り出す、これが最後の一撃だった。\ `Considering the distance, she threw out her fists... This would be the final strike.`\ ;　朱志香は何発もの鉄拳を食らわしてきた。@ `Jessica had dealt out many punches so far.`@ br textoff msp 898,0,0,-240 print 22 ;wait 200 msp 898,0,0,240 print 22 ;wait 200 msp 898,0,0,-240 print 22 ;wait 200 msp 898,0,0,240 print 22 ;　……壁は無敵じゃない。@ ;　もはやひびが入り、いつ砕けてもおかしくない。\ `......The wall wasn't invincible.`@ `It had already started to crack, and it wouldn't be strange for it to smash at any moment.`\ ;　しかし、朱志香もまた、その反射するダメージにより、@全身を切り刻まれ、ぼろぼろにされていた…。\ `However, due to the rebounding damage,`@` Jessica also had cuts all over her body, and was all worn out.`\ mld l,$RON_odorokiA1,23 ;「……もうおよしなさい。@あなたを押し潰すつもりはありません。@あなたの処遇はお館様が決めますからね。@……しかし、朱志香様のナイスファイトは、私からも特に申し上げるつもりですよ。」\ ;＜ロノウェ `"......Just put a stop to this.`@` I don't intend to crush you.`@` It is up to the Master to decide how to deal with you.`@` ......However, I also intend to give you a special congratulation for your good fight."`\ ld r,$JES_ikariA2,80 ;!s0「ふ、/ ;!d800………ふざけるんじゃ、/ ;!d600……ねえぜ…。@……まだだ……。@まだ、……終わっちゃいねえぜ………。」/ !s0`"Q, `/ !d800`.........quit fucking a, `/ !d600`......around...`@`......Not yet......`@` It isn't, ......over yet........."`/ !sd\ ;＜朱志香 mld l,$RON_majimeA2,80 ;「……あなたは満身創痍。@立っているのもやっとではありませんか。@……あなたは最後の一撃に、全ての力を込めるつもりでいるようだ。@しかし、その最後の一撃は、むしろあなたにとって命取りになりますよ。」\ ;＜ロノウェ `"......You have wounds all over your body.`@` It's all you can manage just to stand, is it not?`@` ......It seems that you plan on putting all of your strength into this final strike.`@` However, that final strike will actually become fatal for you."`\ ;　ロノウェの魔法障壁のダメージ反射は攻撃力に比例する。@ ;　朱志香の渾身の一撃は、そのまま自らにも跳ね返るのだ。@ `The damage reflected by Ronove's magic circle wall was proportional to the strength of the attack.`@ `Jessica's all-out punch would be bounced back onto her.`@ br ;　……渾身であればあるほど、朱志香には自殺的になってしまう。\ `......The more all-out she went, the more suicidal it would be for Jessica.`\ ld r,$JES_ikariA3,80 ;「わ、わかってるぜ……、/ ;!d700そんなことはよ………。」@ ;＜朱志香 `"I, I get it......, `/ !d700`I know that........."`@ mld l,$RON_majimeA1,80 ;「警告します。@もうお止めなさい。@それがあなたのためです。」\ ;＜ロノウェ `"I am warning you.`@` Stop this now.`@` That is for your own sake."`\ ld r,$JES_AtyaA2,80 ;「強がるなよ。@お前の壁が、もう破れかかってるんだろ…？@/ `"Stop bluffing.`@` Your wall is already about to break, right...? `@/ ld r,$JES_FutekiA2,80 ;　殴ってきた私には、手応えでわかってるんだぜ………？」@ ;＜朱志香 `I can tell by its feel after punching it so much, you see..........?"`@ mld l,$RON_odorokiA1,80 ;「……………………。」\ ;＜ロノウェ `"....................."`\ mcl l,0 vsp 898,0 bg MJES_1e,25 me2v 16,50 ;　それは、事実。@ ;　ロノウェの壁は確かにもう壊れかかっていた。@ `That was...a fact.`@ `Ronove's wall was already on the verge of breaking.`@ br ;　しかもその上、朱志香の鉄拳には、@もはや想像もつかないくらいの魔法攻撃力が付与されていて、その破壊力は想像を絶する。\ `And on top of that, `@`Jessica's fists had been imbued with an unimaginable magical attack power by now, and their destructive power defied the imagination.`\ ;　……下手をすると、障壁を貫き、さらにロノウェを打ち砕いて、@この部屋と隣の部屋を繋げる拡張工事になりかねない破壊力を持つだろう。@ `......In the worst case, that destructive power might even pierce the defensive wall, smash Ronove as well,`@` and create an expansion connecting this room to the next.`@ br ;　……だが、そのダメージは朱志香にも跳ね返る。@無事では済まない！\ `......However, that damage would rebound on Jessica as well.`@` She wouldn't escape unharmed!`\ vsp 898,1 bg Mjes_1aN,0 mld c,$RON_MajimeA1,26 mld c,$RON_OdorokiA1,80 ;「もう一度だけ言います。@お止めなさい。@あなたのためを思って言っています！」\ ;＜ロノウェ `"I will say it just one more time.`@` Stop.`@` I say this out of consideration for you!"`\ ld r,$JES_ikariA3,24 ;「やかましいぜ……。@/ `"Shut the fuck up......`@/ ld r,$JES_IkariA1,80 ;………覚悟しやがれ。」\ ;＜朱志香 `.........Prepare yourself."`\ ;　朱志香が吼える。@ `Jessica howled.`@ br ;　……全ての力を込めた最強最後の破壊力が拳に込められて、咆哮する……。\ `......Putting all the strength of her greatest and final destructive power into her fist, she roared......`\ textoff fedexx 0,100,100,0,0,0,3000 wait 1000 E_A se1v 57,100 se2v 2,100 csp -1 bg white,1 bg black,42 wait 1000 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,geo me2v 5,50 ;bg black,25 ;wait 2000 ;bg moon_1a,6 ;wait 1000 bg rose_1aN,2 wait 500 ld r,$GEO_MajimeA1k,6 ;■薔薇庭園 ;　とっくの昔に山羊３人は打ち倒されている。@ ;　譲治は呼吸一つ乱さずに、慎重にガァプとの距離を詰めている。@ `The three goats had been beaten down long ago.`@ `Without straining to breathe in the slightest, George cautiously closed the distance between him and Gaap.`@ br ;　……狙っている。@ ;　一撃で仕留めるつもりだ…。\ `......He was after her.`@ `He was planning on bringing her down with a single strike...`\ bg rose_1bN,0 ld l,$GAP_waraiA2a,23 ;　ガァプもまた、一撃を狙っている。@ `Gaap was also aiming for a single strike.`@ br ;　………そのチャンスを逃せば、今度こそ殺される……。\ `.........If she let that chance slide, she would be killed this time......`\ ld r,$GEO_majimeA5,24 ;「……落とし穴は、使わないのかい。」@ ;＜譲治 `"......Aren't you going to use your pitfalls?"`@ ld l,$GAP_akuwaraiA3a,80 ;「…………く……。」\ ;＜ガァプ `"............Ack......"`\ ;　落とし穴を開ける時のわずかの隙でさえ、今の譲治相手には命取りになる。@ `Even the tiny opening during the time it took to open the hole would prove fatal with George as an opponent right now.`@ br ;　……ガァプは慎重に間合いとタイミングを測るが、その間にも譲治は間合いを詰めてくる…。\ `......Gaap cautiously calculated the distance and timing, but even as she did, George closed the gap between them...`\ ld r,$GEO_niramuA1k,80 ;「………来ないなら、行くよ。」@ ;＜譲治 `".........If you won't come, I'll go."`@ ld l,$GAP_waraiA3a,80 ;「……き、……来なさいよ…。@今さら小細工も何もないわ。@/ `"......C, ......come over here...`@` I have no tricks by this point. `@/ ld l,$GAP_akuwaraiA4a,80 ;……私のこの蹴りで、/ ;!d800……決着をつけてやる！」\ ;＜ガァプ `......I'll settle it, `/ !d800`......with this kick of mine!"`\ E_A se1v 20,90 bg black,1 ;　譲治の体がぶれたと思った瞬間、……その虚空には譲治のジャケットだけが漂っていた。\ `The instant she thought George's body blurred, ......only his jacket was floating in the air.`\ bgm1 69 ;　あッ、と思った瞬間には、薄暗闇がガァプを覆っていた。@ `The instant she thought 'ah-', darkness covered Gaap.`@ br ;　踵を大きく振り上げた譲治が、天空から襲い来る巨大な龍の姿にさえ見えた。\ `George, with his heel swung up high, was attacking from the sky, looking like a massive dragon.`\ textoff ;bg black,22 lsp2 4,$GAP_AkuwaraiA4a,500,350,200,200,0 ;lsp2 3,$GOA_DefA1,130,420,200,200,0 print 64 bgcopy csp2 -1 print 1 ;ld c,$GAP_AkuWaraiA2a,80 ;「か、掛かったわね……。@………これで私の勝ちよ、右代宮譲治ッ！！」@ ;＜ガァプ `"I, it worked......`@`......This is my victory, Ushiromiya George!!"`@ textoff ;bg black,22 lsp2 4,$GAP_AkuwaraiA4a,500,350,200,200,0 lsp2 3,$GEO_MajimeA5k,130,420,200,200,0 print 63 bgcopy csp2 -1 print 1 ;ld c,$GEO_majimeA3,80 ;「何。」\ ;＜譲治 `"What?"`\ se1v 2,100 se2v 52,100 bg black,68 ;　ガァプは自分を中心に巨大な落とし穴を開き、自らごと譲治を飲み込む…！！@ `Gaap opened a vast pitfall with her in the center, and swallowed up George along with herself...!!`@ br ;　二人は落とし穴に飲み込まれ、東屋の天井より吐き出される。\ `The two were swallowed up by the pitfall, and spat out from the ceiling of the arbor.`\ se1v 52,100 wait 1000 se2v 20,100 bg garden_R1aN,65 ;se2 20 ld r,$GAP_akuwaraiA3,65 se3 11 quakey 3,300 ;　しかしそれは狙い通りだから、ガァプだけは軽やかに着地する。@ `But that was what Gaap had been after, so she alone landed lightly.`@ br ;　……しかし、譲治の着地点には再び落とし穴が。\ `......But there was another pitfall in George's landing spot.`\ textoff se1v 52,100 se2v 2,100 bg black,68 wait 500 se2v 2,100 se3v 57,100 mbg white,1 lsp2 4,$GAP_akuwaraiA1a,500,350,200,200,0 ;lsp2 3,$GOA_DefA1,130,420,200,200,0 mcbg 0 print 22 bgcopy csp2 -1 print 1 ;ld c,$GAP_AkuwaraiA1,80 ;「うっふふふふふふ、あぁっはははははははははははッ！！！@　もらったわ、右代宮譲治ぃいいいいぃ！！\ `"Ehheheheheheheh, aaaahhahahahahahahahahaha!!!`@` Gotcha, Ushiromiya Geoooooooooorge!!`\ textoff mbg BITE,1 se1v 2,100 se2v 2,100 lsp2 4,$GAP_akuwaraiA4a,500,350,200,200,0 ;lsp2 3,$GOA_DefA1,130,420,200,200,0 mcbg 0 print 22 bgcopy csp2 -1 print 1 ;　面白かったわよ死になさい、@あんたみたいな上等、右代宮家の当主なんてもったいないわ、@今この場で私が喰ってあげるッ！！！@　うううぅうぅおおおおおおおおおおおおッ！！」\ ;＜ガァプ `It was fun, so die,`@` the Ushiromiya family headship would be a waste on one such as you,`@` so I'll finish you right here, right now!!!`@` Oooooooooowhooooooooaaaaahhh!!"`\ ;bg white,1 ;bg garden_R1cN,0 ;ld r,$GAP_AkuwaraiA3,66 se1v 57,100 se2v 2,100 bg white,1 bg black,22 me1v 28,100 ;　譲治は再び東屋天井から落下する。@ ;　多分、二階建ての屋根くらいから落とされたのと同じはずだ。@ `George once again fell from the ceiling of the arbor.`@ `He had probably been dropped the same distance as falling off the roof of a two story building.`@ br ;　空中では如何なる姿勢制御も出来ない。@ ;　抵抗も防御も回避も不能ッ！！\ `In the sky, he couldn't control his posture in any way.`@ `It was impossible to resist or defend or avoid!!`\ textoff se1 20 wait 200 se2v 20,85 wait 200 se3v 20,100 ;　ガァプは竜巻のように舞い踊りながら鋭いピンヒールの先端に全ての気を集中させる。@ `As Gaap spun like a whirlwind, she concentrated all of her energy on the sharp tip of her stiletto heel.`@ br ;　……これが引導を渡す、最後の一撃。@ `......This was the final strike...to perform his requiem.`@ br ;　本当の奈落へ叩き落す、天を穿つ女王蜂の最後の一撃ッ！！\ `The final strike of the queen bee that bored into heaven, knocking him down into the true Abyss!!`\ textoff se1v 20,100 wait 200 se2v 20,100 wait 200 se3v 20,100 se1v 20,100 mbg BITE,1 se2v 2,100 bg garden_R1cN,0 ld c,$GAP_ikariA1,0 mcbg 0 print 22 ;「ようこそ奈落へッ！！@　ここがあんたの終着点よッ！！！」\ ;＜ガァプ `"Welcome to the Abyss!!`@` This the end of the line for you!!!"`\ bg black,1 se1v 20,100 me2v 17,70 ;　獲物を捉え、天空へ足を打ち出す。\ `She closed in on her prey, and stuck her foot up into the sky.`\ ;　……その時、譲治の顔を見た。@ `......At that time, she saw George's face.`@ br ;　………空中であるにもかかわらず、右手の中指で眼鏡を、直す余裕を浮かべていた。\ `.........Even though he was in midair, he was calmly adjusting his glasses with the middle finger of his right hand.`\ textoff se1v 57,100 se2v 2,100 mbg white,1 ;lsp2 4,$GAP_AkuwaraiA5,500,350,200,200,0 lsp2 3,$GEO_niramuA1,130,420,200,200,0 mcbg 0 print 2 bgcopy csp2 -1 print 1 ;　そして、その姿勢は踵落としのまま維持されている。@ `And his posture was still preserved as that of an axe kick.`@ br ;　いささかの狂いもなく、ガァプの額目掛けて……。\ `Without the faintest deviation, he aimed for Gaap's forehead......`\ textoff bg black,0 ;lsp2 4,$GAP_AkuwaraiA5,500,350,200,200,0 lsp2 3,$GEO_majimeA5k,130,420,200,200,0 print 80 bgcopy csp2 -1 print 1 ;ld c,$GEO_DefA1,80 ;「………君がその手に出ることは、想定済みだったよ。」@ ;＜譲治 `".........I had already hypothesized that this move would come up."`@ textoff bg black,0 lsp2 4,$GAP_AkuwaraiA4a,500,350,200,200,0 lsp2 3,$GEO_majimeA5k,130,420,200,200,0 print 80 bgcopy csp2 -1 print 1 ;ld c,$GAP_ikariA1a,80 ;「…………な、にぃ………、」\ ;＜ガァプ `".............Wh...at.........?"`\ textoff bg black,0 lsp2 4,$GAP_AkuwaraiA4a,500,350,200,200,0 lsp2 3,$GEO_majimeA5,130,420,200,200,0 print 80 bgcopy csp2 -1 print 1 ;ld c,$GEO_majimeA1,80 ;br ;「僕が、(地上/・・)の君に飛び踵を食らわせるために飛んでいたなら、僕の姿勢はとっくに崩れていただろうさ。@/ `"If I'd jumped to make the person that was` br (`on the ground`/・・・・・・)` taste my heel, my posture would have collapsed long ago. `@/ textoff bg black,0 lsp2 4,$GAP_AkuwaraiA4a,500,350,200,200,0 lsp2 3,$GEO_niramuA1k,130,420,200,200,0 print 80 bgcopy csp2 -1 print 1 ;………しかし、僕の姿勢はいささかも崩れない。@なぜかわかるかい。」\ ;＜譲治 ;＜点処理：地上 `.........However, my posture hasn't collapsed in the slightest.`@` Do you know why?"`\ textoff bg black,0 lsp2 4,$GAP_IkariA1,500,350,200,200,0 lsp2 3,$GEO_niramuA1k,130,420,200,200,0 print 80 bgcopy csp2 -1 print 1 ;ld c,$GAP_AseruA1a,80 ;!s0「……ま、/ ;!d500……さ、/ ;!d600…か……、」/ !s0`"......You, `/ !d500`......don't, `/ !d600`...mean......"`/ !sd\ ;＜ガァプ se1v 2,100 se2v 57,100 se3v 2,100 mbg white,1 textoff lsp2 4,$GAP_ikariA1,500,350,200,200,0 lsp2 3,$GEO_IkariA4k,130,420,200,200,0 mcbg 0 print 22 bgcopy csp2 -1 print 1 ;ld c,$GEO_majimeA2k,80 ;!s0「僕は初めから、/ ;!d800……２フロア下の君に踵を食らわせるつもりで、飛んでいるッ！！！」/ !s0`"From the very beginning, `/ !d800`......I jumped to make the person that was two stories below taste my heel!!!"`/ !sd@ ;＜譲治 textoff bg black,0 lsp2 4,$GAP_IkariA1a,500,350,200,200,0 lsp2 3,$GEO_IkariA4k,130,420,200,200,0 print 80 bgcopy csp2 -1 print 1 ;ld c,$GAP_IkariA1a,80 ;「う、……ううぅううううをおおおおおおおおおおおおおおおおおおおおぉおぉおおおおおおッ！！！」\ ;＜ガァプ `"Uu, ......oooooooooooooohhhaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhh!!!"`\ textoff bg black,0 lsp2 4,$GAP_IkariA1a,500,350,200,200,0 lsp2 3,$GEO_ikariA4,130,420,200,200,0 print 80 bgcopy csp2 -1 print 1 ;ld c,$GEO_HohoemiA1,80 ;「君の負けだ、お嬢さんッ！！！」\ ;＜譲治 `"It's your loss, Miss!!!"`\ mov %play_scene,40250 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_gap textoff bg black,1 lsp2 4,$GAP_AkuwaraiA5,500,350,200,200,0 lsp2 3,$GEO_ikariA4,130,420,200,200,0 print 1 bgcopy csp2 -1 print 1 ;ld c,$GAP_AkuwaraiA5,80 ;!s0「ピンポーン。」/ !s0`"*bing*bong*."`/ E_B se1v 70,100 !sd\ ;＜ガァプ ;＜負けフラグと同じ音を。@ bg black,1 ;wait 2000 lsp 898,barrier,0,0 bg MJES_1aN,0 mld l,$RON_OdorokiA1,1 ;■朱志香の部屋 ld r,$JES_IkariA1,64 ;「うッおおおぉおおおおお、食らえぇええええええええええぇッ！！！」\ ;＜朱志香 `"Whooooooaaaaaaahhh, take thiiiiiiiiiiiiiiiiiss!!!"`\ ;!s0　朱志香の振り上げた最後最強の一撃が、/ ;!d800壁に、/ ;!d700……飲み込まれる。/ !s0`The final, strongest punch that Jessica had raised, `/ !d800`reached the wall, `/ !d700`......and was sucked in.`/ textoff se1 52 mbg black,68 cl r,0 mcbg 22 !sd@ br ;　壁に突如開いた黒い大穴に飲み込まれてしまったのだ。\ `It was sucked into the black, large hole that had suddenly opened on the wall.`\ mld l,$RON_MajimeA1,80 ;「だから、………お止めなさいと忠告したのに。」\ ;＜ロノウェ `"Well, .........I did advise you to stop."`\ textoff csp -1 E_A se1v 1006,100 se2v 27,100 se3v 2,100 mono 2 bg white,1 wait 500 mono off bg black,42 wait 2000 se1 35 bg blood_2a,1 wait 300 se1 35 bg blood_2b,1 wait 500 se1 35 bg blood_2c,1 wait 400 se1 35 bg blood_2d,1 wait 500 se1 35 bg blood_2e,1 wait 1000 mono 2 bg garden_R1bN,0 ld l,$GEO_ikariA2,0 ld r,$JES_OdorokiA1,6 ;「こ、………れは…………、」@ ;＜朱志香 `"This, .........is............"`@ ld l,$GEO_ikariA1k,80 ;「……ぐ、…………ぁ……、」/ `"......Gu, ............ah......"`/ se1v 13,100 quakey 3,800 se2 13 \ ;＜譲治？ ;■薔薇庭園 bgm1 96 ;bg garden_R1cN,0 mld c,$GAP_AkuwaraiA5,22 ;「実は。@………ぜぇんぜん、ピンチでも何でもなかったの。@ごめんなさいねェ…。」\ ;＜ガァプ `"Actually,`@` .........I wasn't even close to being in a pinch.`@` Soorry..."`\ se1 37 wait 400 se2v 37,100 wait 200 se3v 37,100 wait 600 se1v 37,100 se2v 37,100 mcl c,0 mono off bg blood_1a,22 ;　……朱志香の鉄拳は、譲治の腹部を捉え、@……譲治の踵落としは、朱志香の頭部を捉えている。\ `......Jessica's fist had gone for George's stomach, `@`......and George's axe kick had lined up on Jessica's head.`\ bg blood_1aR,22 ;　朱志香の鉄拳に込められた驚愕の破壊力は、譲治の内臓を砕き、腹部を飛び散らせる。@ `The shocking destructive power imbued in Jessica's fist crushed George's organs and scattered his abdomen.`@ br ;　譲治の踵落としの同じ位に驚愕の破壊力は、朱志香の頭部を半壊し、その中身を同じように飛び散らせた……。\ `The same destructive power in George's axe kick smashed half of Jessica's head, and scattered its contents in the same manner......`\ me1v 13,50 ;bg garden_R1aN,0 ld c,$GAP_AkuwaraiA5,26 ld c,$GAP_akuwaraiA2,80 ;「ぷっ、…あっはははははははははは…！！@　だぁってぇ。@魔女は演技力なんでしょぉぉおお？@/ `"Pfft, ...ahhahahahahahahahahahaha...!!`@` Didn't I tell yooou?`@` About a witch's acting poweeeeeeer? `@/ mld c,$GAP_waraiA3,80 ;　ねぇねぇ、ベアト、どうよ、見ててくれたかしら…？」\ ;＜ガァプ `Hey, hey, Beato, what do you think, were you watching, I wonder...?"`\ ;■メタ視 E_MA se1 56 mset mld l,$BEA_AkuwaraiA2,23 se1v 37,100 ;「わっはっはっは、わああっひゃっひゃっひゃ、あーっきゃっきゃっきゃ！！@/ `"Wahahaha, waaaahhyahhyahhya, aaakyakkyakkyakkya!! `@/ mld l,$BEA_AkuwaraiA3,80 ;　やるなァ、筋書き通り！@　やっぱガァプはわかってるじゃアん！！@　いえーい！！」@ ;＜ベアト `Not bad, just as planned!`@` You really do get it, Gaap!!`@` Woohoo!!"`@ mld l,$BEA_waraiA2,0 mld c,$GAP_waraiA2,80 se1 54 br ;　ベアトとガァプは軽やかにハイタッチを決める。\ `Beato and Gaap gave a light high five.`\ mcl a,24 mld r,$BUT_kuyasigaruA1,26 ;!s0「……う、/ ;!d500……ぉ、/ ;!d800…………うをおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおおッッッ！！！」/ !s0`"......uu, `/ !d500`......oh, `/ !d800`............whaaaaaaaaaaaaaaaaaaahhhhh!!!"`/ !sd\ ;＜戦人 bg garden_R1aN,0 ld c,$GAP_akuWaraiA2,0 se1 56 mend ;■薔薇庭園 me1v 13,50 ld c,$GAP_waraiA2,80 ;「ありがと、ロノウェ。@こっちで美味しくいただけた。@朱志香の死体はそっちに返すわ。@/ `"Thanks, Ronove.`@` Thanks for the gift.`@` I'll return Jessica's corpse back there. `@/ ld c,$GAP_WaraiA1,80 ;……二人で寄り添う死体を、引き離す。@……これで第二の晩は出来上がり？」\ ;＜ガァプ `......Separate the corpses of the two who are close.`@` ......Does this mean the second twilight is finished?"`\ textoff bg blood_1aR,22 wait 1000 E_MA se1 52 bg black,68 ;　ガァプは落とし穴に朱志香の死体を落とし、@朱志香の部屋に肉片ごとばらばらと、@まるでゴミ捨て場に放り込むかのように無造作に放り込む…。\ `Gaap dropped Jessica's corpse through a pitfall,`@` and all the chunks were thrown into Jessica's room,`@` as carelessly as throwing something into the trash...`\ mono 2 bg MJES_1e,1 se1 13 se2 35 quakey 4,800 se1 13 se2v 35,100 quakey 4,600 se1 13 se3v 35,100 quakey 3,800 ;■朱志香の部屋 ;　朱志香の死体と肉片が、天井から朱志香の部屋にどさどさぐちゃぐちゃと降り注ぐ。@ `Jessica's corpse and lumps of flesh fell from the ceiling and poured out all over her room.`@ br ;　そのあまりに惨い変わり様に、ロノウェは小さく首を横に振った。\ `Ronove shook his head slightly at this very gruesome change.`\ mono off bg MJES_1bN,26 ld r,$RON_majimeA2,24 ;「…………申し訳ございませんね、朱志香さま。@ご忠告は申し上げたのですよ。\ `"............My apologies, Jessica-sama.`@` I did advise you.`\ ld r,$RON_akuWaraiA1,80 ;　もっとも。@…この結末を予見し、聞き入れないとわかっている忠告を重ねる悪魔の醍醐味は、ニンゲンにはわからないでしょうがね。@……ぷっくくくくくくくくくく！」\ ;＜ロノウェ `However,`@` ...the epitome of demons...that is, foreseeing this conclusion and giving you advice that I knew you wouldn't listen to, really isn't something a human could understand.`@` ......Pukkukukukukukukukukuku!"`\ ;■薔薇庭園 bg black,24 me1v 13,50 bg garden_R1aN,24 ld c,$GAP_waraiA3,23 ;「本当に面白かったわ、坊や。@……でもあんた、ちょっと言葉遊びが過ぎるわよ。@/ `"It really was fun, kid.`@` ......But you play with words a little too much. `@/ ld c,$GAP_waraiA2,80 ;……“そろそろ反撃してもいいかな”、が最高傑作？@/ `......'Isn't it about time for you to fight back?' is your best masterpiece? `@/ ld c,$GAP_AkuwaraiA2,80 ;　うふふ、あなたどこかのラノベか何かにかぶれ過ぎよ？@ `Eheheh, aren't you acting a little too much like some kind of light novel?`@ se1v 37,100 ;　くすくすくすくす！」\ ;＜ガァプ `*giggle*giggle*giggle*!"`\ ;　ガァプは、譲治と朱志香の肉片と血が飛び散った凄惨な装飾の東屋で、@しばらくの間、高笑いを楽しむのだった…。@ `In the arbor brutally decorated by George and Jessica's scattered blood and guts, `@`Gaap enjoyed a loud laugh for a while...`@ br ;　だがすぐに、いくら何でもちょっと汚し過ぎで品がないと気付くと、指を鳴らす。\ `...But she quickly realized that, in all seriousness, this was a little too filthy and undignified, and she snapped her fingers.`\ textoff se1 22 bfly2 30 cbfly 0 bg blood_2e,22 wait 300 bg blood_2d,10,100 wait 300 bg blood_2c,10,100 wait 300 bg blood_2b,10,100 wait 300 bg blood_2a,10,100 wait 300 bg blood_1aR,2 bg black,0 se1v 22,85 se2 55 print 99,3000,"breakup.dll/llb" wait 1000 bg garden_R1cN,26 ;　すると、辺り一面から黄金の蝶の群が湧き上がり、@肉片や血の汚れに張り付いて、それを落としていった。@ `As she did, a group of gold butterflies rose up around her, `@`stuck to each of the bits and blood stains, and dropped them.`@ br ;　……そして、それらはどんどん譲治の死体に戻り、@内臓をブチまけた無残な死体を、眠っているような綺麗な死体に直してしまう。@ `......Then, George's corpse returned bit by bit,`@` and the brutal corpse with its guts torn out was repaired into a clean corpse that looked like it was sleeping.`@ br ;　一応なりとも、好敵手に対する死後の礼儀…………？\ `Was this some kind of sportsmanship towards a dead rival............?`\ bg black,65 me2v 5,50 ;　ぬぅっと、天が割られる。@ `The heavens were split.`@ br ;　……ガァプがその足を、天に向かって高々と突き上げたからだ。\ `......Because Gaap had lifted her leg high, pointing at the sky.`\ bg moon_1a,22 ;ld c,$GAP_AkuwaraiA4,80 ;「じゃあね、色男。@これが本当の、ゲームオーバー。」\ ;＜ガァプ `"See you, lover boy.`@` This is your real Game Over."`\ se1v 12,100 se2v 12,100 se3v 2,100 bg blood_2a,1 quakey 4,600 fedexx 70,70,70,0,0,0,2000 ;　ぐしゃりと。@ ;　……容赦の欠片もなく、その足が踏み下ろされ、@……譲治の額に打ち込まれる。@ `*splat*.`@ `......Without a trace of mercy, that foot stepped down,`@` ......and was buried into George's forehead.`@ br ;　凶器のように鋭いピンヒールの踵が、譲治の額を貫いていた。\ `The stiletto heel that was sharp as a weapon had pierced George's forehead.`\ se1v 38,100 ;　それを、……ごぽりと音を立てて、引き抜く……。@ `With a *bloop*, ......it was pulled out......`@ br ;　それは、確かにガァプが自らの手で仕留めたという、証の刻印のようでさえあった……。\ `It was like a mark of proof that Gaap had certainly finished him by her own hand......`\ bg black,22 me3v 12,0 fedexx 0,0,0,50,0,0,3000 E_B wait 1000 se1 22 bfly2 11 cbfly 0 bg butterfly_3a,22 se2 52 bg MJES_1aN,99,3000,"whirl/l" print 1 ;■朱志香の部屋 ;　ロノウェも、朱志香の死体をもとの姿に戻していた。@ `Ronove also returned Jessica's corpse to its original form.`@ br ;　……しかも譲治と違い、その命まで蘇らせていた……。\ `......And unlike how it had been with George, he restored Jessica's life......`\ se3v 21,50 ld c,$JES_IkariA2,6 ;「…う、………ぐほ、げほっ……、/ `"...Uu, .........*cough*, *cough*......, `/ quakey 3,300 @/ ld c,$JES_NayamuA1,80 ;……これは、………一体……。@……夢……？」\ ;＜朱志香 `......what in the world, .........is this......?`@` ......A dream......?"`\ bg MJES_1cN,0 ld r,$RON_MajimeA1,24 bgm1 33 ;「いいえ、違います。@……朱志香さまは確かにお亡くなりになりました。@最期の瞬間の記憶を、よくご存知のはずだ。」\ ;＜ロノウェ `"No, that is wrong.`@` ......You certainly did pass away, Jessica-sama.`@` You should be well aware of the memory of your final moments."`\ ;　朱志香の脳裏に焼き付いている。@ `Jessica's mind was burning.`@ br ;　……なぜかどこかへ飛ばされ、譲治の踵に頭部を砕かれたことを、……覚えてる……。\ `......For some reason, she remembered being thrown somewhere, ......and having George's heel smash her head......`\ ld l,$JES_OdorokiA1,23 ;「私は、……生きてるのか……。」@ ;＜朱志香 `"Am I, ......alive......?"`@ ld r,$RON_DefA2,80 ;「いいえ、死んでいます。@私の魔法でほんの３分ほど、それを先送りにしているに過ぎません。@３分が過ぎれば魔法が終わり、あなたは無残な頭部半壊の死体に戻ります。」\ ;＜ロノウェ `"No, you are dead.`@` With my magic, that will only be postponed for a scant three minutes.`@` After three minutes, the magic will end, and you will return to being a tragic corpse with half of its head crushed."`\ ld l,$JES_futekiA2,80 ;「な、……んだと………。@/ `"Wh, ......what'd you say.........? `@/ ld l,$JES_tohohoA4,2 ;……へ、………へへへへ……。」\ ;＜朱志香 `......Heh, .........heheheheh......"`\ ;ld c,$RON_MajimeA1,80 me1v 16,50 bg MJES_1e,2 ;「死は残酷です。@多くの場合、心の整理さえ与えない。@……しかし私は、ここまで健闘したあなたを讃え、その時間を与えることにしました。@その３分間で、この世の未練を、よく整理されるといいでしょう。」\ ;＜ロノウェ `"Death is brutal.`@` In most cases, you aren't even given the time to ready your heart.`@` ......But I have praised you for fighting so bravely, and decided to give you this time.`@` You should be able to sort out your regrets from this world well in those three minutes."`\ bg MJES_1bN,0 ld r,$JES_komaruA3,24 ;「その３分で、……お前を道連れにするという手もあるぜ……。」\ ;＜朱志香 `"I can also, ......decide to take you along with me during those three minutes......"`\ ;　しかし、朱志香の体からは、さっきまで燃え盛っていたあの力は完全に失われている。@ `But the power that had burned through Jessica's body until a second ago had been completely lost.`@ br ;　……朱志香も、自覚していた。@ `......Jessica was aware of that herself.`@ br ;　自分はもう、死んでいるのだ。\ `She was already dead.`\ bg MJES_1dN,0 ld c,$RON_DefA2,24 ;「それでは私はこれにて。@失礼いたします。@/ `"And that is all for me.`@` If you would excuse me. `@/ ld c,$RON_majimeA1,80 ;……楽しかったですよ、朱志香さま。」\ ;＜ロノウェ `......It was fun, Jessica-sama."`\ se1 52 cl c,99,2000,"breakup.dll/urb" ;　ロノウェはその姿を黄金の蝶の群に変え、消え去る。\ `Ronove turned his form into a group of gold butterflies, and disappeared.`\ ;　後には、風雨の音と壁に寄りかかりながらしゃがみ込む朱志香の姿だけが残されていた……。\ `All that remained was the sound of the wind and rain, and the figure of Jessica as she crouched down, leaning against the wall......`\ bg black,22 bg MJES_1e,22 me2v 11,90 ;　朱志香は悟る。@ ;　多分、本当に３分で自分は元の死体に戻るだろう。\ `Jessica realized.`@ `She probably really would revert to the corpse she had been after three minutes.`\ ;　……その３分で、何か自分に出来ることは………。@ `......Was there anything she could do in those three minutes.........?`@ br ;　立ち上がり、ふらふらとした足取りで、/ ;!d800……机の上の、電話を取る…。\ `She stood up, and with a shaky gait, `/ !d800`......took the phone that was on the desk...`\ textoff bg black,25 wait 1000 E_MA me1v 12,70 me2v 5,70 Me3v 22,100 dllefe 1,1 bg G_o1bN,22 wait 2000 bg black,22 dllefe_off bg black,1 fedexx 70,50,50,100,0,0,1000 E_M3 se1 53 ;■ゲストハウス ;ld c,$BUT_komaruA2,80 ;「も、……もしもし。@/ `"H, ......hello. `@/ ;ld c,$BUT_odorokiA1,80 ;……朱志香か？@　朱志香？！@　どうしたッ、無事かッ？！？！」\ ;＜戦人 `......Is it Jessica?`@` Jessica?!`@` What is it, are you alright?!?!"`\ ;■朱志香の部屋 ;ld c,$JES_atyaA3,80 bg MJES_1e,26 ;「………へ、……へっへへへ…。@……やられ、ちまったぜ……。」@ ;＜朱志香 `".........Heh, ......heheheheh... `@`......They...got me......"`@ ;「大丈夫か？！@　怪我をしてるのか？！@　今助けに行く！！」\ ;＜戦人 `"Are you alright?!`@` Did you get injured?!`@` I'll come to save you right now!!"`\ ;ld c,$JES_aisowaraia1,80 se1 35 bg blood_2a,1 ;「いや、……もう遅いぜ。@私さ、……もう死んでるんだと…。@あははは、戦人が来た時にゃ、私は頭を半分ブチまけた死体だよ。」@ ;＜朱志香 `"No, ......it's already too late.`@` You see, ......I'm already dead...`@` Ahahaha, when you come, Battler, I'll be a corpse with its head split open."`@ ;「畜生おおおぉ、クソジジイめ！！@　待ってろ、今そこに行くからなッ！！」\ ;＜戦人 `"Craaaaaaap, that damn geezer!!`@` Wait there, I'm coming right now!!"`\ ;ld c,$JES_ikariA1,80 se2 35 bg blood_2b,1 me3v 16,50 ;「聞けよ戦人ッ！！！@　いいかよく聞け…。@………郷田さんたちが、どうして食堂で６人が殺された時のこと、歯切れが悪いのか、よくわかった。@/ `"Listen, Battler!!`@` Listen closely, alright...?`@` .........I know very well why Gohda-san and Kumasawa-san were evasive about the time the six in the dining hall were killed. `@/ ;ld c,$JES_majimeA1,80 se3 35 bg blood_2c,1 ;!s0………あいつらな、/ ;!d800………ニンゲンじゃ、/ ;!d1000…ねえんだぜ。」/ !s0`.........Those guys, `/ !d800`.........aren't, `/ !d1000`...human."`/ !sd@ ;＜朱志香 br ;「は、…はあ？！@　何を言ってんだ………、」\ ;＜戦人 `"Wh, ...whaat?!`@` What are you saying........."`\ ;ld c,$JES_ikariA1,80 ;!s0「見ちまったんだ、仕方ねえだろッ！！/ !s0`"I saw it, so what am I supposed to do?!! `/ se1v 35,90 bg blood_2d,1 ;quakey 3,900 ;!sd@　あいつらさ、ワープしたりバリヤー張ったり、あっはは、やりたい放題だぜ…？@　どこの漫画だよ、アニメだよ、……いや、マジでかなわねぇぜ。\ !sd@`Those guys warp and set up barriers, ahhaha, and do whatever they want, you see...?`@` It's some kind of manga, an anime, ......no, we seriously can't keep up.`\ ;　……あっはっはっは……。@…最初っからさ、戦うとか、無理なんだよ……。@戦人が自慢してた、帽子掛けの槍程度で、とてもどうにかなる相手じゃねぇぜ…。」\ ;＜朱志香 `......Ahhahhahhah......`@`...From the very beginning, it was useless to fight......`@` They really aren't opponents that you'll be able to fight with that hat-stand spear you're so proud of..."`\ me4v 17,60 ;　朱志香の額から、すうっと、血が一筋、零れ出す……。\ `A line of blood dripped down from Jessica's forehead......`\ ;monocro #ff0000 ;se1v 1031,100 ;bg white,28 bg black,22 monocro off bg G2F_R1bN,22 ;ld c,$JES_nayamuA1,80 ;「譲治兄さんも駄目だった。@ありゃあ、即死だ…。@/ `"George nii-san is gone too.`@` That was...an instant death...`@/ ;ld c,$JES_AisowaraiA1,80 ;………へへ、次のテストは戦人だなぁ。@………お前のテストも私たちと同じになるのかなぁ……。@/ `.........Heheh, the next test is yours, Battler.`@` .........I wonder if your test will be the same as ours......`@/ ;ld c,$JES_futekiA1,80 ;………用心しろよ、……そして、間違えるな。」@ ;＜朱志香 `.........Be careful, ......and don't get the wrong idea."`@ ld r,$BUT_KuyasigaruA1,24 ;「テ、テストをか…？」\ ;＜戦人 `"Y, you mean for the test...?"`\ ;ld c,$JES_majimea1,80 bg black,22 E_M4 ;「違う。@………敵はどうせニンゲンだと、/ ;!d600……間違えるなよ。@/ `"No.`@` .........Don't get the wrong idea, `/ !d600`......about the enemy being human. `@/ se1 35 bg blood_2a,1 ;………敵は、ニンゲンじゃない。@…おっそろしい魔法を自在に扱える、……悪魔なんだ。@/ `.........The enemy...isn't human.`@` ...They're demons, ......which can control a terrifying magic at will. `@/ se2 35 bg blood_2b,1 ;そこを絶対に、……間違えるんじゃねぇぜ……。@/ `No matter what, ......don't get the wrong idea about that......`@/ textoff se3 35 bg blood_2c,1 quakey 3,800 se1 35 bg blood_2e,1 ;げほッ、げほげほ！！、用心、しろ……よ……。」\ ;＜朱志香 `*cough*, *cough*cough*!!, take......care......"`\ ;　朱志香の口元からも血が一筋、零れ出す。@ `A line of blood dripped down from Jessica's mouth as well.`@ me4v 28,70 ;　……頭の左半分がきりきりと痛み出す。@ `......The left half of her head started hurting.`@ br ;　朱志香は、自分が元の死体に戻るのが近いことを悟る。\ `Jessica realized that she was about to return to the corpse she had been.`\ ;「……………１３人死ねば、黄金の魔女が、蘇る。@母さんたちが殺されて６人。@これで第一の晩。@……そして私と譲治兄さんが死んで、第二の晩。@……あと５人殺されれば、儀式は完成で、……魔女が蘇るってわけだ。\ ;＜朱志香 `"...............When 13 people die, the Golden Witch...revives.`@` Six are killed along with Mom.`@` That's the first twilight.`@` ......Then George nii-san and I are killed, for the second twilight.`@` ......So once five more people are killed, the ceremony is complete, ......and the witch will revive.`\ ;　………父さんたち、無事だといいなぁ…。@……もし無事じゃなかったら、@………お前をテストするのは、@復活したての、ベアトリーチェ自身ってことになるかもしれねぇぜ…。」\ ;＜朱志香 `.........I hope Dad and the rest are safe...`@`......If they aren't, `@`.........the one to test you, `@`might be the resurrected Beatrice herself..."`\ bg G2f_R1aN,0 ld r,$BUT_KuyasigaruA1,22 ;　戦人にはもはや、朱志香が何を言っているのかわからない。@ ;　しかし、その声色から、死期を悟っていることは理解できる。@ `Battler already didn't understand what Jessica was saying.`@ `But from her tone, he realized that she knew she was about to die.`@ br ld r,$BUT_OdorokiA2,80 ;　だから事情はわからずとも、頑張れと励ます。\ `So even though he didn't understand the situation, he urged her to give it her all.`\ bg black,22 fedexx 70,70,70,70,70,0,1000 bg MJES_1aN,0 ld c,$JES_tohohoA4,26 ;「……はは、私はもう死んでるんだって。@………じゃあな。@もう時間みたいだ。@/ `"......Haha, I said I'm already dead.`@` .........See ya.`@` It looks like it's time. `@/ ld c,$JES_NakiwaraiA1,80 ;……テスト、がんばれよ。@お前が当主に、なれるといいな。@/ `......Good luck on your test.`@` I hope you...can become the head. `@/ ;………………………。」\ ;＜朱志香 `........................"`\ textoff bg MJES_1e,26 fedexx 70,100,100,100,100,0,3000 wait 1000 E_MA se1v 13,100 se2v 36,100 se3v 36,100 mono 2 print 1 me1v 16,40 bg black,42 mono off ;「朱志香？@　朱志香？！@　おい、返事をしろッ！！@　朱志香ぁあああああぁあああ！！」@ ;＜戦人 `"Jessica?`@` Jessica?!`@` Hey, answer me!!`@` Jessicaaaaaaaaaaa!!"`@ br ;　宙ぶらりんとなった受話器から、戦人の悲痛な声が聞こえてくる。\ `Battler's sorrowful voice could be heard from the dangling receiver.`\ bg blood_1b,22 ;　……その脇の壁に寄りかかるようにしゃがみ込んで。@ ;　……朱志香の頭部は、半分砕けていた………。\ `......Crouching and leaning against the wall in that corner...`@ `......Jessica's head had been half smashed.........`\ bg black,2 fede 0,3000 wait 2000 bg white,9 me1v 13,70 dllefe 1,1 bg well_1aN,26 ;■森の中 ld l,$KIR_MajimeA1,26 ;「ここは……？」@ ;＜霧江 `"This place is......?"`@ ld r,$KLA_komaruA4,26 ;「…これは、井戸なのか……？@　ここはどこなんだ…。」\ ;＜蔵臼 `"...Is this...a well......?`@` Where is this...?"`\ ;　霧江が井戸から顔を出し、続いて蔵臼も姿を現す。@ ;　木立の向こうに屋敷の裏手が見えることに気付き、蔵臼は大体の場所を理解した。@ `Kyrie stuck her face out of the well, and then Krauss showed himself too.`@ `When he realized that they could see the back of the mansion from beyond a grove of trees, Krauss knew more or less where they were.`@ br ;　……まさかこんなところにある井戸に、秘密の地下道が隠されていて、@隠し屋敷につながっていたとは……。\ `......To think that here, in a certain well, there had been a hidden underground passage,`@` which led to a hidden mansion......`\ cl l,24 ld l,$NAN_majimeA2,26 ;「ろ、老体にはやはりこれは辛いですな……。@……普段は別の場所から、ちゃんと階段で上がれるのです。@鍵さえ開けば…。」@ ;＜南條 `"Th, this really is tough on this old body......`@`......I usually came up from a different spot, with real stairs.`@` If you just unlock it..."`@ ld r,$KLA_komaruA1,80 ;「……南條先生には、後で色々とここの構造についてお教え願いたいものだ。@……紗音、大丈夫かね？　掴まりたまえ。」\ ;＜蔵臼 `"......I will ask you to tell me much about the layout of this place later, Doctor Nanjo.`@` ......Shannon, are you alright? Grab here."`\ ld c,$SHA_OdorokiA1,26 ;「だ、……大丈夫です。@/ `"I, ......I'm okay. `@/ ld c,$SHA_defA1,80 ;嘉音くん、早く。」\ ;＜紗音 `Kanon-kun, quickly."`\ ;　井戸を偽装した竪穴から、嘉音が梯子を登ってくる。@……相当深いのだろう。@ ;　下を見下ろして初めて、ずいぶんと昇ったことに気付く。\ `Kanon climbed up a ladder out of the shaft that was disguised as a well.`@` ......It was probably quite deep.`@ `When he looked down, for the first time, he realized how far he'd come up.`\ ;ld c,$S41_AkuwaraiA1,80 E_A dllefe_off bg black,1 ;!s0「にひ。射撃。」/ !s0`"Nihi, Firing."`/ !sd\ ;＜４１０ bgm1 77 textoff mov %efe_spd1,120 bg black,22 se3v 66,100 resettimer se2v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se2v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 se1v 36,100 bg white,1 bg blood_1b,1 quakey 6,1200 ;　ボンッ、と。@ `*bang*.`@ br ;　…………ようやく井戸から這い出そうとした嘉音の胸に、バスケットボール大の大穴が開く。@ `.........As Kanon was about to finally crawl out of the well, a hole the size of a basketball opened up in his chest.`@ br ;　……その場にいる全員が、嘉音の胸に空いた大穴越しに、その向こうの景色を見てしまう……。\ `......Everyone there looked through the hole in Kanon's chest to the scenery beyond......`\ dllefe 1,1 bg black,22 bg Well_1aN,0 ld c,$SHA_odorokiA2,62 ;「か、………嘉音くんッ！！！」@ ;＜紗音 `"K, ..........Kanon-kun!!!"`@ ;ld c,$KAN_IkariA2,80 ;!s0「……ね、/ ;!d700……えさ、/ ;!d900……………。」/ !s0`"......Ne, `/ !d700`......e-sa, `/ !d900`................"`/ !sd\ ;＜嘉音 dllefe_off bg black,13,1000 wait 1000 se1v 2,100 ;　嘉音はぐらりと後へ仰け反り、/ ;!d800……井戸の奥深くへ飲み込まれていった……。\ `Kanon slumped backwards, `/ !d800`......and was swallowed up into the depths of the well......`\ ;ld c,$SHA_OdorokiA2,80 ;「み、みんな逃げてッ！！@　シエスタ姉妹！！@　捕捉されてます、回避できない！！@　走ってッ！！@　ひとりでも生き残って…！！！」\ ;＜紗音 `"E, everyone, escape!!`@` The Siesta Sisters!!`@` They've locked on, we can't avoid them!!`@` Run!!`@` Let at least one of us remain alive...!!!"`\ textoff mov %efe_spd1,120 ;bg black,22 se3v 66,100 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se3v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 se2v 36,100 bg white,1 bg blood_1a,1 quakey 6,1200 ;　その時、蔵臼も霧江も南條も、@井戸から黄金の曲線が現れて、/ ;!d800……紗音の頭を真横に縫ったのを確かに見た………。\ `At that time, Krauss and Kyrie and Nanjo...`@`certainly saw a golden curved line appear from the well, `/ !d800`......and sew itself through the side of Shannon's head.........`\ dllefe 1,1 bg well_1bN,0 ld r,$KLA_KomaruA3,80 ;「紗音ッ！！！」\ ;＜蔵臼 `"Shannon!!!"`\ ;　頭部貫通。@ ;　打ち抜かれた反対側が、ぐしゃっと吹き飛ぶのまで、完璧に３人は目撃した。@ `Head pierced.`@ `The three had witnessed it perfectly until it had shot out the opposite side, blowing it away.`@ br ;!s0　紗音は膝を付き、/ ;!d800………頭の両端から血を噴出して、/ ;!d800どさりと倒れる。/ !s0`Shannon fell to her knees, `/ !d800`.........blood gushing from all over her head, `/ !d800`and flopped to the ground.`/ se1 13 quakey 4,1200 !sd\ bg Well_1cN,0 ld c,$NAN_majimeA2,1 se1 13 quakey 5,400 ;「う、うわああああぁああぁひゃああああぁあ！！」@ ;＜南條 `"W, waaaaaaaaaaaaaaahhhhhyaaaaaaaaaahhh!!"`@ ld r,$KIR_sakebuA1,64 ;「私たちは狙われてる！！@　走ってッ！！@　殺されるわよ！！」@ ;＜霧江 `"They're after us!!`@` Run!!`@` We'll be killed!!"`@ ld l,$KLA_ikariA1,64 ;「…は、走れ…、走れ走れ走れッ！！！」\ ;＜蔵臼 `"...R, run..., runrunrun!!!"`\ cl a,0 ld c,$NAN_majimeA2,64 ;　紗音の死に様に驚き、腰を抜かしてしまった南條を、シエスタ姉妹は逃さない。\ `Nanjo, who was surprised at how Shannon had died and had doubled over in shock, was not allowed to escape by the Sieta Sisters.`\ textoff dllefe_off mov %efe_spd1,120 bg black,22 se3v 66,100 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 se2v 36,100 bg white,1 bg blood_1a,1 quakey 6,1200 ;　井戸より再び黄金の曲線が現れ、それは瞬時に南條の額から後頭部にかけてを貫き、縫ってしまう。@ `A curved line again appeared from the well, and pierced from Nanjo's forehead to the back of his head in an instant, sewing through him.`@ br ;　……どさり。/ `......*thump*. `/ se1 13 quakey 3,800 ;@それで南條は、絶命した。\ @`And so, Nanjo passed away.`\ me1v 12,70 me2v 5,70 me3v 17,80 dllefe 1,1 ;ld c,$KLA_MajimeA1,80 bg forest_P2aN,0 ld r,$KLA_komaruA3,64 ;「何なんだ、どうしてなんだ…！！@　敵はどこからッ？！」@ ;＜蔵臼 `"What the, why...?!!`@` Where's the enemy coming from?!"`@ bg forest_P1aN,0 ld l,$KIR_sakebuA1,64 ;「狙撃されてるのよ！！@　どこか知らないけど、私たちを完全に捉えてる！！@　屋敷へ逃げ込むのよ、視界を遮るのよ！！」\ ;＜霧江 `"We're being sniped!!`@` I don't know where from, but they've honed in on us perfectly!!`@` Let's escape into the mansion, block their field of vision!!"`\ bg black,64 bg Mcou_1aN,64 ;　二人は屋敷の裏口に駆け込む。\ `The two dashed towards the back door of the mansion.`\ se1 15 bg black,64 dllefe_off bg M_door1,0 ld c,$KLA_komaruA4,64 ;　そして蔵臼が後ろ手にドアを閉めようとした瞬間、@/ `Then, the instant Krauss tried to shut the door behind him, `@/ textoff mov %efe_spd1,120 bg black,80 se3v 66,100 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing6,1 waittimer %efe_spd1 ;resettimer se1v 57,100 bg white,1 bg homing7,10,600 ;waittimer 500 ;……黄金の曲線が四度現れ、蔵臼の後頭部から額にかけてを貫き、額をも砕いてしまう…。\ `......a golden curved line appeared for the fourth time, piercing Krauss from the back of his head to his forehead, and smashing his forehead...`\ bg M_door1,0 ld c,$KLA_KomaruA3,22 ;!s0「…………ぐ、/ ;!d800………おお…………。」/ !s0`"............Gu, `/ !d800`.........oooh............"`/ !sd\ ;＜蔵臼 se1v 36,100 se2v 57,100 bg blood_1a,1 quakey 4,500 ld r,$KIR_sakebuA1,26 ;「ひいい！！@　ひぃいいいいいいい！！！」@ ;＜霧江 `"Eeek!!`@` Eeeeeeeeeeeekkk!!!"`@ br ;　ぐらりと蔵臼の体が傾き、ばったりと倒れて、頭の中身で綺麗な放射線を描いた…。\ `Krauss's body leaned over, fell down, and drew a neat radial pattern with the insides of his head...`\ textoff bg M1F_P1aN,64 wait 500 bg M1F_P1bN,64 wait 500 bg M2F_P1bN,64 wait 500 bg black,64 E_MA se1v 15,100 ;　霧江は廊下を滅茶苦茶に走り、どこかの部屋に飛び込み鍵を掛ける。@ `Kyrie ran wildly through the hallway, flew into some room, and locked the door.`@ br ;　………しかし、それで自分の命が助かるなどと、到底思えなかった。@ ;　自分は多分、もう死ぬ！\ `.........But even so, she entirely couldn't imagine that this would save her life.`@ `She would probably die soon!`\ bg M2F_R4aN,2 ;　そこは客室のひとつのようだった。@ `This was apparently one of the guest rooms.`@ br ;　……その時、霧江の目に、サイドテーブルの電話が映る…。\ `......At that moment, a phone on a side table was reflected in Kyrie's eyes...`\ bg black,22 me1v 12,0 fedexx 0,70,0,0,0,0,3000 wait 1000 dllefe 1,1 bg G_o1cN,22 wait 1000 bg black,22 dllefe_off bg black,1 fedexx 0,50,0,0,0,0,1000 bg G2F_R1aN,0 ld r,$BUT_MajimeA4,22 ;■ゲストハウス ;　朱志香からの電話を切り、まさに戦人は駆け出そうというところだった。@ `After hanging up the call from Jessica, Batter had truly been about to dash out.`@ br me2v 22,100 ;　その瞬間に再び電話が鳴った。\ `In that instant, the phone rang again.`\ E_M2 se1 53 ld r,$BUT_OdorokiA1,80 ;「も、もしもしッ！！！@/ `"H, hello!!! `@/ ld r,$BUT_OdorokiA2,80 ;　……………え？@/ `............Huh? `@/ E_A ;　霧江さん？！」@ ;＜戦人 `Kyrie-san?!"`@ bgm1 85 ;「……ハイ、戦人くん。@……ラッキーだったわ。@何とか地下牢を脱出できたの。@本当についてた。」\ ;＜霧江 `"......Yes, Battler-kun.`@` ......I got lucky.`@` I managed to escape the dungeon somehow.`@` I really made it."`\ ld r,$BUT_KuyasigaruA1,80 ;「そこはどこだ？！@　みんな無事なのかよ？！@　こっちは朱志香と譲治の兄貴がどうやら、」\ ;＜戦人 `"Where are you?!`@` Is everyone alright?!`@` Over here, it looks like Jessica and George-aniki are-"`\ ;■客室 bg black,23 bg M2F_R4bN,23 ;ld c,$KIR_MajimeA1,63 E_MA ;「聞いてッ！！！@　私の命は多分、もう長くは持たないわ。」\ ;＜霧江 `"Listen!!!`@` I probably won't be alive for long."`\ textoff mov %efe_spd1,120 bg black,80 se3v 66,100 resettimer se1v 57,100 bg white,1 bg homing1,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing2,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing3,1 waittimer %efe_spd1 resettimer se2v 57,100 bg white,1 bg homing4,1 waittimer %efe_spd1 resettimer se1v 57,100 bg white,1 bg homing5,1 waittimer %efe_spd1 ;resettimer se2v 57,100 bg white,1 bg homing6,1 ;waittimer %efe_spd1 ;;resettimer ;se1v 57,100 ;bg white,1 ;bg homing7,10,600 ;;waittimer 500 ;　その時、施錠した扉の鍵穴が黄金色に光ったかと思うと、@そこから螺旋を描いた黄金の曲線、@……いや、黄金の縫い糸がものすごい速度で侵入してきて、霧江の足元の床に穴を穿った。\ `At that time, right after she thought the keyhole of the locked door might have glowed gold, `@`a gold, curved line drawing a helix, `@`......no, a golden sewing thread penetrated in from there at an incredible speed, and bored a hole into the floor by Kyrie's feet.`\ ;se1 46 se2v 36,100 bg M2F_R4BN,1 quakey 4,1200 bg black,22 me1v 16,50 ;　……おや、珍しい。@ `......Oh, that's rare.`@ br ;　４人を次々と見事な腕前で狙撃した敵も、@さすがに部屋に篭って隠れた私の眉間を、一撃で貫くのは難しかったらしい。@ `The enemy, who had sniped the other four one after another with extraordinary skill,`@` apparently really does have trouble shooting me between the eyes with a single shot while I'm holed up in this room.`@ br ;　しかし、次の一撃は当ててくるだろう……。\ `But the next strike will probably hit......`\ ;　霧江は、今になってようやく、最初の食堂の虐殺を思い出す……。@ `At this point, Kyrie finally remembered the first massive killing in the dining hall......`@ br ;　……そうだ……。@……留弗夫たち６人を殺したのは、コレなのだ……。\ `......That's right......`@`......This is what killed Rudolf and the rest, all six of them......`\ bg M2F_R4aN,0 ld c,$KIR_MajimeA2,26 ;「……聞いて、戦人くん。@私が見たことを、ありのまま話す。@…戦人くんは、きっと私の頭がどうにかなってしまったんだろうと思うに違いない。@/ `"......Listen, Battler-kun.`@` I'm going to tell you everything exactly as I saw it.`@` ...I'm sure you'll think there's something wrong with my head. `@/ ld c,$KIR_WaraiA2,80 ;……えぇ、思ってくれていいわ。@私だって、何を見たのか、未だに整理がつかない。\ `......Yes, it's alright if you think that.`@` Even I still haven't sorted out what it was I saw.`\ ld c,$KIR_majimeA1,80 ;　………今日。@戦人くんたちがゲストハウスに帰ってから、食堂で親族会議が始まって、/ ;!d1000……そして何が起こったかを、全て話すわ。@/ `.........Today.`@` After you all returned to the guesthouse, the family conference began in the dining hall, `/ !d1000`......and I'll tell you everything that happened next. `@/ ld c,$KIR_NayamuA1,80 ;口を挟まないで最後まで聞いて。@…………途中で急に電話が切れるかもしれない。@そしたらその時は、私が殺された時よ。」\ ;＜霧江 `Listen until the end without butting in.`@` ............The call might be suddenly cut off partway through.`@` If it does, at that time, I'll be dead."`\ bg black,22 ;「………霧江……さん……。」\ ;＜戦人 `".........Kyrie......san......"`\ ;se1 46 ;se2v 36,100 ;!s0　そして霧江は、/ ;!d800………金蔵が来て、親族会議が始まり、/ ;!d800……６人が殺され、自分たち５人は監禁され。/ !s0`Then, Kyrie spoke, `/ !d800`.........about Kinzo coming, and the family conference starting, `/ !d800`......about the six being killed, and the five of them being confined...`/ !sd@ br ;se1 46 ;se2v 36,100 ;　……何とか脱走し、ここまで逃げてきたが、@とうとうみんな殺されてしまったことを、淡々と見たままに、脚色なしに語った。\ `......About how she had escaped somehow, and ran away to where she was now,`@` and how everyone had finally been killed...all spoken dispassionately, with no dramatization.`\ ;se1 46 ;se2v 36,100 ;　……自分を除く全員が殺され、その全ての死ぬ瞬間に立会い、@……今まさに、自らも殺されようとしていることまでも。\ `......She even spoke about how everyone except her had been killed, and how she had observed the moments of all their deaths,`@` ......and how even now, someone was trying to kill her.`\ ;「…………実は。@/ `"............Actually, `@/ me2v 5,50 ;この話をしている間にも、…もう三度、攻撃を受けている。@鍵穴からおかしな黄金の糸みたいなのが飛び込んできて、くるくる回りながら私を狙ってくるの。@最初は足元。@……次は、肩の近く。@……さっきのは、耳をかすったわ。@……狙いがだんだん正確になってくる。@そろそろ、私の眉間にズドンと来そうね……。」\ ;＜霧江 `even while we've been talking, ...I've been attacked three times.`@` Something like a strange gold thread keeps flying in through the keyhole, spinning around and aiming for me.`@` First it was by my feet.`@` ......Next, it was close to my shoulders.`@` ......Just now, it grazed my ear.`@` ......Its aim is getting more and more accurate.`@` Looks like it'll go right between my eyes pretty soon......"`\ bg G2F_R1aN,0 ld r,$BUT_kuyasigaruA1,22 ;「に、逃げろ、霧江さん…！！@/ `"R, run, Kyrie-san...!! `@/ ld r,$BUT_NakuA1,80 ;　逃げてくれぇええええぇ！！！」/ `Run awaaaaaaaaaaay!!!"`/ ;se1 12 ;quakey 3,800 \ ;＜戦人 ;ld c,$KIR_majimeA1,80 bg black,22 ;!s0「どこへよ。@……私、/ ;!d400…ここまで逃げ延びてきて、/ ;!d800……部屋に閉じ篭って、鍵まで掛けてるのよ……？@　………それでもなお狙われてる私が、/ ;!d1000………どこに隠れるのよ、/ ;!d800……ねぇ……。」/ !s0`"Where to?`@` ......I've, `/ !d400`...run this far, `/ !d800`......shut myself into a room, and even locked the door, right......?`@` .........Now that I'm still being pursued, `/ !d1000`.........just where should I hide, `/ !d800`......hey......"`/ !sd\ ;＜霧江 bg G2F_R1bN,0 ld c,$BUT_nakuA2,22 ld c,$BUT_NakuA3,80 ;!s0「き……/ ;!d600り…/ ;!d300え、/ ;!d600……さん………。」/ !s0`"Ky......`/ !d600`ri...`/ !d300`e, `/ !d600`......san........."`/ !sd\ ;＜戦人 ;「ねぇ、戦人くん…。@朱志香ちゃんと譲治くん、……まだ生きてる？」@ ;＜霧江 `"Hey, Battler-kun...`@` Are Jessica-chan and George-kun, ......still alive?"`@ ld c,$BUT_NakuA1,80 ;「…………………。@……さっき、…朱志香から電話が…。@………何か、……駄目みたい…だった……。」\ ;＜戦人 `"............`@`......Just now, ...there was a phone call from Jessica...`@`.........It kinda, ......sounded like they were...done for......"`\ bg black,22 ;「………やっぱり。@……うん、私たち５人が次々殺される時、何か予感していたの。@……ひょっとして、１３人殺しの儀式は、第二の晩を終えて、私たちの晩にまで至ったのかなぁって。@………つまり、私が死ねば、１３人。@これで儀式は完成。@……黄金の魔女、ベアトリーチェが復活する。\ `".........Thought so.`@` ......Yeah, when we were being killed one after another, I had a kind of premonition.`@` I thought that perhaps the second twilight had been finished in the ceremony of killing 13 people, and that even our twilights had been reached.`@` .........In short, when I die, that's 13 people.`@` This way, the ceremony is complete.`@` ......The Golden Witch, Beatrice, will resurrect.`\ ;　………一体、どういうことになるのかしら。@……こんな、悪魔だらけの魔女だらけ、山羊のバケモノがうじゃうじゃいるこの島に、/ ;!d800……さらにそいつらの親玉である黄金の魔女まで現れて、/ ;!d1200………一体どうなっちゃうというのかしら…。@……もう、/ ;!d600私には、/ ;!d800………何が何だかわからない。」\ ;＜霧江 `.........I wonder what in the world will happen.`@` ......On this island filled with demons and witches, and swarming with goat monsters, `/ !d800`......I wonder just what will happen, `/ !d1200`......when even the leader of them all, the Golden Witch, appears...`@`......By now, `/ !d600`I don't, `/ !d800`.........have a clue what's going on anymore."`\ bg G2F_R1aN,0 ld c,$BUT_NakuA2,22 ;　霧江さんの声は、……完全に、自らの命を諦めきっていた。@ `Kyrie-san's voice, ......had completely given up on her own life.`@ br ;　戦人にはそれがわかるからこそ、/ ;!d800……涙が止められない……。\ `Because Battler understood that, `/ !d800`......he couldn't stop the tears......`\ ;ld c,$KIR_FutekiA1,80 ;「……ひとつだけ、助言できることがあったわ。」@ ;＜霧江 `"......There's just one thing...I can advise you on."`@ ld c,$BUT_NakuA3,80 ;「何…？」\ ;＜戦人 `"What...?"`\ ;ld c,$KIR_WaraiA2,80 ;「………もし。@あなたの前に悪魔やら魔女が現れても。」@ ;＜霧江 `".........Even if...`@`a demon or a witch does appear in front of you..."`@ ld c,$BUT_NakuA1,80 ;「あぁ…。」\ ;＜戦人 `"Yeah..."`\ ;ld c,$KIR_MajimeA2,80 ;「その正体を、疑う必要は何もないわ。@……そういうものだと、理解して。」@ ;＜霧江 `"There's no need whatsoever to doubt whether it's real or not.`@` ......Understand that it's what it seems."`@ ld c,$BUT_NakuA2,80 ;「……………………。」\ ;＜戦人 `"....................."`\ ;ld c,$KIR_MajimeA1,80 bg black,22 ;「何か仕掛けがあるはずだとか、正体があるはずだとか。@……そんなことを考える余裕があったら、/ ;!d1000……相手の機嫌を損ねないことを考えた方が、よっぽどに建設的。@……間違っても、…なら魔法を見せてみろなんて言っちゃ駄目よ…。@……その証拠を、彼らはこの上なく残酷な方法で、/ ;!d800……見せるでしょうから。」\ ;＜霧江 `"You might think that there should be some trick, or that there's some true nature behind it.`@` ......If you have the time to think of something like that, `/ !d1000`......it would be much more constructive to think of how not to damage the mood of whatever you're facing.`@` ......Even mistakenly, ....you must not say 'In that case, try showing me magic'...`@`......Because to prove that, they will probably use an even more cruel way than before, `/ !d800`......to show you."`\ bg G2F_R1bN,0 ld r,$BUT_NakuA1,22 ;!s0「……信じ、/ ;!d600……らんねぇよ……。@……霧江さんの口から、/ ;!d800……そんなこと言われるなんて、/ ;!d800……信じらんねぇよ………。」/ !s0`"......I can't, `/ !d600`......believe it......`@`......Even if I hear, `/ !d800`......something like that coming from your mouth, `/ !d800`......I can't believe it........."`/ !sd\ ;＜戦人 ;ld c,$KIR_waraiA2,80 ;「わかってる。@信じられないのは。@……だから、それこそが私に出来る助言。@ `"I understand.`@` I understand why you can't believe.`@` ......So, that's why I can give this advice.`@ br ;……(信じて/・・・)。」\ ;＜霧江 ;＜点処理：信じて `......`(`Believe`/・・・・)`."`\ cl r,0 ld c,$BUT_KuyasigaruA1,24 ;「………ベアトリーチェと、悪魔と魔女とバケモノどもを、信じろ、と……？」\ ;＜戦人 `".........You're telling me to believe in Beatrice...and demons and witches and monsters......?"`\ bg black,22 ;!s0「私たちは多分。@……あれほどまでに、この世ならざるものをありありと見せ付けられても、/ ;!d1000……多分、何も信じることが出来なかったと思うの。@……今の私もそう。@…さっきから襲ってきて、私の額を撃ち抜こうとするものの正体さえ、/ ;!d800……私には理解できず、/ ;!d100………信じられない。\ !s0`"Probably,`@` ......even after being clearly shown so many things not of this world, `/ !d1000`......we probably still weren't able to believe any of it, I think.`@` I'm still like that now.`@` ......The true form of this thing that keeps attacking me, trying to shoot through my forehead, `/ !d800`......is something I don't understand, `/ !d100`.........and I can't believe it.`\ ;　だから、/ ;!d600……あなただけは信じ、理解して、/ ;!d900………私たちに受け止め切れなかった存在を、/ ;!d600……受け止めてほしいの。@そうしてくれたなら、私たちの死は、無駄にならない。@………私も、こうして電話をした甲斐があったというものだわ…。@……あツ…！」/ `So, `/ !d600`......I want you alone to believe, to understand, `/ !d900`.........to accept the existence, `/ !d600`......of that which we couldn't accept.`@` If you do that for me, our deaths won't be wasted.`@` .........It'll also have been worth it for me to make this phone call...`@`......Ah...!"`/ !sd\ ;＜霧江 ;「き、霧江さん？！？！」\ ;＜戦人 `"K, Kyrie-san?!?!"`\ ;ld c,$KIR_KomaruA1,80 ;「……まだ大丈夫よ。@かすったけど、また外したわ。@……さすがに、/ ;!d800………今度はもう、駄目かもね。@………ありがと。@そしてさよなら、戦人くん。@……あなたのこと、明日夢さんの息子だからと、冷たくしたこともあったの。@……その日のことを、許して。」\ ;＜霧江 `"......I'm still okay.`@` It scratched, but it missed again.`@` ......It looks like, `/ !d800`.........I probably won't get another chance.`@` .........Thank you.`@` And goodbye, Battler-kun.`@` I was once cold towards you because you were Asumu-san's son.`@` ......Forgive me...for that day."`\ fedexx 90,90,90,0,0,0,1000 ;「許すも何も、今は霧江さんが俺にとって、の母親だろうが！！」\ ;＜戦人 `"What do you mean, forgive you? Right now, you ARE a mother to me, Kyrie-san!!"`\ textoff E_A se1v 57,100 se2v 36,100 se3v 46,100 bg bite,1 bg black,80 ;　受話器の向こうで、凄い音が聞こえた気がした。@ ;　そして、ガラガラゴトゴトと賑やかな音。@ `I felt as though I heard an incredible sound at the other end of the receiver.`@ `And then, a noisy clacking sound.`@ br ;　……まるで受話器が落ちて転がったような。\ `......As though the receiver had fallen to the floor.`\ me1v 13,70 bg G2F_R1aN,0 ld c,$BUT_nakuA1,22 ;「霧江さんッ？！？！@　霧江さん！！！@/ `"Kyrie-san?!?!`@` Kyrie-san!!! `@/ ;ld c,$BUT_SakebuA1,80 ;　うおおおおおぉおおおおおおおおおぉ！！」\ ;＜戦人 `Aaaaaaaaaaaaaaaaaaaaaahhhhhhh!!"`\ ld c,$BUT_SakebuA2,22 cl c,5 wait 500 se1 13 quakey 2,200 se1v 21,90 ;!s0　………霧江さんは二度と、/ ;!d800……電話には、/ ;!d900………応えなかった………。/ !s0`.........Kyrie-san did not...`/ !d800`......answer through the phone`/ !d900`.........again.........`/ !sd\ textoff wait 2000 eye2 23,47,23,47,1,0,510,340,25 ;▲第１６アイキャッチ　午後２３時４７分　針は動かず *Umi4_17 mov %play_scene,40250 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,but ;■ゲストハウス mov %grim_scene,411 textoff me1v 13,70 me2v 5,70 dllefe 1,1 bg G_o1bN,26 wait 2000 bg G_o1cN,22 wait 2000 bg black,22 dllefe_off bg black,1 fedexx 0,40,40,0,0,0,1000 bg G2F_R1cN,22 ld c,$MAR_OdorokiA1,24 bgm1v 38,80 ;「……どうして戦人が怒ってるのか、わかんないよ。」\ ;＜真里亞 `"......I don't know why you're mad, Battler."`\ bg G2F_R1aN,0 ld l,$BUT_OdorokiA1,24 ;「わかるだろ？！@　みんな殺されたんだぞ！！@　あのクソジジイに！@　ベアトリーチェ復活の儀式とかわけのわかんないことを言って！！」\ `"You don't?!`@` Everyone was killed!!`@` By that damn geezer!`@` Saying something incomprehensible about Beatrice's resurrection ceremony or something!!"`\ ld r,$MAR_WaraiA1,24 ;「なら、これで１３人が生贄に捧げられて、@……もうベアトリーチェは蘇った頃だよ？」\ `"Then by now, 13 people have been offered as sacrifices,`@` ......and it's already time for Beatrice to revive, right?"`\ ld l,$BUT_MajimeA4,80 ;「あぁ、なら上等だ！！@　ベアトリーチェもまとめて一緒に、ブチ殺してやるッ！！」\ `"Sure, that sounds great!!`@` I'll take Beatrice too and kill them both!!"`\ ld r,$MAR_niyariA2,80 ;「…………真里亞たちは儀式を生き残った。@だからベアトリーチェに、黄金郷に招待してもらえるんだよ……？@/ `".........We have survived the ceremony.`@` So we will receive an invitation to the Golden Land from Beatrice, you see......? `@/ ld r,$MAR_WaraiA2,80 ;　そこでは願いは何でも叶う。@家族を殺されたのが辛いなら、生き返らせてもらえばいいのに。@……真里亞はそうするつもりだよ。@黒い魔女に取り憑かれていない、本当にやさしい本当のママを蘇らせてもらうの。\ `Over there, all wishes will be granted.`@` If having your family killed is painful, then you just have to resurrect them.`@` ......That's what Maria plans to do.`@` Maria will revive the really nice real Mama, the one that isn't possessed by the black witch.`\ ld r,$MAR_AkuwaraiA1,80 ;　……だからママは、もうずっと真里亞と一緒。@………お仕事とかで残業も休日出勤も何もないの。@…ずっと真里亞と一緒にいてくれて、真里亞のことだけを考えてくれて、きっひひひ、真里亞のために恐ろしい敵といつも戦ってくれるの。@きっひひひひひひ…！」\ `......So Mama will always be with Maria.`@` ......There won't be any more overtime or working on days off.`@` ...She will always be with Maria, and think only of Maria, kihhihihi, she'll always fight against fearsome enemies for Maria's sake.`@` Kihhihihihihihi...!"`\ ld l,$BUT_NiramuA1,80 ;「……お前、どうかしてるぜ。@……何でこの状況で、そんなワケわかんねえことを言ってられるんだ…！」\ `"......There's something wrong with you.`@` ......Why are you saying something so incomprehensible in a situation like this...?!"`\ ld r,$MAR_MajimeA1,80 ;「…………戦人は今、霧江に言われたはずだよ…？@/ ;!s0　……魔女を、/ ;!d600信じろと、/ ;!d800……言われたはずなのに。」/ `"............Didn't Kyrie just tell you, Battler...? `@/ !s0`......Didn't she tell you...`/ !d600`to believe`/ !d800`......in the witch?"`/ !sd\ ld l,$BUT_majimeA2,80 ;「…………………く、くそ。@こんなとこで真里亞と口喧嘩してる場合じゃねぇぜ…！！@/ `"...............F, fuck.`@` This isn't the time to get in an argument with you over something like this...!! `@/ ld l,$BUT_OdorokiA1,80 ;　もう人質も何も誰も生き残っちゃいねぇんだ！@　もうクソ下らねぇ、おかしな儀式もゲームもおしまいだぜ…！！\ `Now, there are no hostages or anything...anyone left alive!`@` This weird, shitty ceremony game is already over...!!`\ ld l,$BUT_komaruA3,80 ;　ここからは俺の好きにさせてもらう。@まだ生きてるヤツがいるかもしれない。@あるいは隠れてるヤツがいるかもしれない！@　片っ端から調べて、見つけ出し、ブチのめしてやるぜッ！！」\ `Let me do what I want now.`@` Someone might still be alive.`@` Or someone might be hiding!`@` I'll search everywhere, find them, and beat the shit out of them!!"`\ cl l,24 se1 15 ;　戦人は息巻いて、帽子掛けの槍を持つと、部屋を飛び出していく。@ ;　それを、真里亞は退屈そうに見送る…。\ `In a rage, Battler grabbed his hat stand spear and flew out of the room.`@ `Maria watched him go, looking bored...`\ ld r,$MAR_AkuwaraiA2,80 ;「………ベアトリーチェがすぐに願いを叶えてくれるのに。@……戦人はばか。@……きっひひひひ。」\ ;＜真里亞 `".........And Beatrice'll grant our wishes soon anyways.`@` ......Stupid Battler.`@` ......Kihhihihihi."`\ E_B me3v 22,100 ;　その時、再び電話が鳴り響いた……。@ `At that time, the phone rang out again......`@ cl r,0 ld c,$MAR_niyariA1,24 ;　真里亞は立ち上がり、受話器を取る。\ `Maria stood up, and grabbed the receiver.`\ E_M3 se1 53 ld c,$MAR_OdorokiA1,80 ;「うー。@もしもし。@……うー？@/ `"Uu-.`@` Hello.`@` ......Uu-? `@/ ld c,$MAR_WaraiA2,80 ;　うー！！！」\ `Uu-!!!"`\ ;＜相手がベアトとわかり、上機嫌になる真里亞 bg black,24 bg G1F_P1bN,0 ld c,$BUT_NiramuA3,24 ld c,$BUT_MajimeA4,80 ;　もちろんその電話の音は、ゲストハウスを飛び出そうとしていた戦人の耳にも届いていた。@ `Of course, the sound of the phone also reached Battler's ears as he was about to dash out of the house.`@ br E_MA se1 16 bg black,64 ;　猛烈な勢いで引き返し、いとこ部屋に飛び込んでくる…。\ `With a violent forcefulness, he turned around and dashed into the cousins' room...`\ bgm1 36 bg G2F_R1aN,0 ld l,$BUT_majimeA4,64 ;「ま、真里亞……！@　電話って、……誰からだッ…？！」@ `"M, Maria......!`@` Who, ......was the phone call from...?!"`@ br ;　戦人は凄まじい形相で、電話をしている真里亞に叫ぶ。\ `With a terrifying look on his face, Battler yelled at Maria, who was on the phone.`\ ;　それも当然のこと……。@ ;　今のこの島で生き残っている人間は、自分と真里亞と、郷田と熊沢。@ `You couldn't blame him......`@ `Right now, the only humans left alive on the island were himself, Maria, Gohda, and Kumasawa.`@ br ;　しかし２人は園芸倉庫に閉じ込められているから電話を出来るはずもない。\ `But there was no way those two could call after being locked up in the gardening storehouse.`\ ;　……となると、………もう１人。@ `......Which meant, .........there was only one person.`@ br ;　金蔵しかいない。\ `It had to be Kinzo.`\ bg G2F_R1bN,0 ld r,$MAR_waraiA2,24 ;　真里亞は電話の相手と楽しそうに談笑しながら、そのままゆっくりと戦人に振り返る。@ `After continuing her pleasant chat with the person on the other end of the phone for a while, Maria slowly turned to face Battler.`@ br ld r,$MAR_AkuwaraiA1,80 ;　………そして、薄気味悪い顔で、きひひひひひひひと笑う。@ ;　……まるで、電話の相手と、戦人のことについて談笑しているような、そんな感じだった。\ `.........Then, with an unsettling expression on her face, she laughed 'kihihihihihihihihihi'.`@ `......It felt almost as though the person on the other end of the line was chatting about Battler.`\ ld l,$BUT_NayamuA4,80 ;「真里亞…、電話の相手は誰だ。@……祖父さまか……？！」\ `"Maria..., who's on the phone?`@` ......Grandfather......?!"`\ ;　戦人はそうとは思えなかった。@ `Battler couldn't imagine that this was the case.`@ br ;　…なぜなら、真里亞と金蔵が親しげに話をし、@……そんな不気味な笑顔で、戦人のことについて談笑するなど、考えられなかったからだ。\ `...After all, it was inconceivable that Maria would talk intimately with Kinzo,`@` ......and that she would be chatting about Battler with that eerie smile on her face.`\ ;　真里亞にそんな顔で談笑させるような、………どんな相手が受話器の向こうにいるというのか。\ `So just what kind of person could be on the phone, .........who could make Maria chat with a smile like that?`\ ;　………その時、脳裏に、霧江の言っていた言葉が蘇る。@ `.........At that time, in the back of his mind, the words Kyrie had spoken to him drifted up.`@ br ;　たとえ魔女が現れたとしても、疑う必要はない。@……ただ、………その存在を、信じろと……。\ `Even if a witch does appear, there is no need to doubt it.`@` ......Just, .........believe that it exists......`\ ld r,$MAR_WaraiA1,80 ;「うん。@戦人、今、帰ってきたよ。@せっかちだよね。@/ `"Yes.`@` Battler just came back.`@` He sure is hasty. `@/ ld r,$MAR_akuwaraiA2,80 ;きひひひひひひひひひひ……。」@ `Kihihihihihihihihihihi......"`@ ld l,$BUT_OdorokiA1,80 ;「真里亞ッ！！@　その電話の相手は誰だ？！@　誰なんだッ？！？！」\ `"Maria!!`@` Who's on the phone?!`@` Who?!?!"`\ ld r,$MAR_niyariA1,80 ;「……代わる？@　うん。@/ `"......Hand it over?`@` Sure. `@/ cl r,0 ld c,$MAR_WaraiA1,24 ;…………ハイ、戦人。」@ `............Here, Battler."`@ me1v 16,50 br ;　真里亞は電話の相手の同意を得て、受話器を戦人に差し出した…。\ `After getting the consent of the person on the other end, she held the receiver out to Battler...`\ ld l,$BUT_niramuA3,80 ;「………………ぅ。」@ `"...............uh."`@ ld c,$MAR_NiyariA1,80 ;「ハイ。」@ `"Here."`@ br ;　真里亞はほら、と、……当たり前のように受話器を差し出す。\ `Maria held the receiver out for him to take, .....as though it was perfectly normal.`\ ;　その受話器を取ることに、戦人はほんのわずかだけ躊躇を覚える。@ `Battler hesitated just a little bit before taking the receiver.`@ br ;　……なぜなら、………電話の相手の存在を認めることで、@…………自分は、認めざるを得なくなってしまうからだ。\ `......Because, .........by accepting the existence of the person at the other end, `@`.........he would have no choice but to acknowledge them.`\ mbg black,22 ;　………霧江は言った。@ `.........As Kyrie said...`@ br ;!s0　……その存在を疑う必要は、/ ;!d800……もはや、/ ;!d1000……ない、と。/ !s0`......There is no longer, `/ !d800`......any need, `/ !d1000`......to doubt that they exist.`/ !sd\ fedexx 70,0,0,0,0,0,1000 mcbg 22 ld l,$BUT_odorokiA3,80 ;　戦人は受話器を受け取る。@ `Battler took the receiver.`@ cl c,23 ;　すると真里亞はすたすたと部屋を出て行く。\ `As he did, Maria briskly left the room.`\ ;　受話器の相手が誰かを確かめることにわずかの恐怖を覚えていた戦人は、@電話に出る前に、真里亞に問い掛ける。\ `Battler, who was slightly fearful about finding out for sure who was at the other end of the receiver,`@` questioned Maria before taking the call.`\ ld l,$BUT_odorokiA2,80 ;「お、おい！@　どこへ行くんだよ…？！」@ `"H, hey!`@` Where are you going...?!"`@ ld r,$MAR_AkuWaraiA1,24 ;「真里亞のテストの場所だよ。@……右代宮家の当主は戦人か真里亞か、どっちだろうね。@きひひひひひひひひひひひひ。」@ `"To where Maria's test is.`@` ......I wonder who the Ushiromiya family head will be, Battler or Maria.`@` Kihihihihihihihihihihihihi."`@ ld l,$BUT_KuyasigaruA1,80 ;「………い、行くな！！@　殺されるぞ！！」\ `".........D, don't go!!`@` You'll be killed!!"`\ ld r,$MAR_waraiA1,80 ;「殺されないよ。@儀式はもう、終わってるもの。@…それに殺されても、蘇らせてもらえるし。@/ `"Won't be killed.`@` The ceremony is already over.`@` ...And even if killed, I'll be revived. `@/ ld r,$MAR_WaraiA2,80 ;……当主になってもなれなくても、もう私たちは黄金郷に招いてもらえる。@じゃあね、お先に。」\ `......Whether one of us becomes the head or not, we are already invited to the Golden Land.`@` See you."`\ cl r,23 wait 500 se1 15 wait 200 ld l,$BUT_OdorokiA1,80 ;「待てよ！！@　真里亞…ッ！！！」\ `"Wait!!`@` Maria...!!!"`\ ;　戦人は去っていく真里亞の背中に手を伸ばすが、@……握り締めている受話器のコードが、まるで鎖のように戦人を引き止めるのだった。\ `Battler stretched his hand out to Maria's back as she left,`@` ......but the cord of the receiver that he was gripping stopped him, just like a chain.`\ ld l,$BUT_NiramuA1,80 ;　……覚悟を決める。@ ;　…戦人は受話器を耳に当てた……。\ `......He readied himself.`@ `...Battler put the receiver to his ear......`\ me2v 12,0 fedexx 0,0,50,0,0,0,3000 wait 1000 ld l,$BUT_nayamuA1,80 ;「……………も、……もしもし……。」\ `"............H, ......hello......?"`\ bg black,2 wait 1000 E_A se1v 2,100 bgm1 104 se2v 37,100 se3v 37,100 ;!s0「コングラッチュレーショーーンズッ！！/ !s0`"!! `/ ;se1 54 ;quakey 4,1500 ;@　アぁンド、アイムファィ〜ン！！@　エーンドユぅううううぅッ？！@　あああぁッひゃっひゃっひゃっひゃああああぁッ！！！」/ @`!!`@` ?!`@` Aaaaahhhhyahhyahhyahhyaaaaa!!!"`/ !sd\ ;　狂った、ふざけた英語が耳をつんざく。@ `Screwed up, mocking English filled his ears.`@ br ;　……知らない女の声。@ `......It was the voice of a woman he didn't know.`@ br ;　……誰……、@頭の中が、霜柱でいっぱいになっていく……、@…………誰……………。\ `......Who......, `@`the inside of his head was starting to freeze up......, `@`.........who............`\ ;「誰ぇ…は、ないであろう、右代宮戦人ァぁあぁ…。@返事は普通、イエ〜ス、アイムファイン！@　であろぉ？？@　懐かしいなぁ、中学でやっただろ？@　二人一組になってやるヤツゥ！@/ `"What do you mean 'who', Ushiromiya Battleeeeer...?`@` Normally, you'd answer !`@` Right??`@` That takes me back...you do that one in middle school, right?`@` That thing you do in pairs! `@/ se1v 37,100 ;　うっひゃひゃひゃひゃひゃひゃあああぁ！！！」\ `Uhhyahyahyahyahyahyaaaaahh!!!"`\ bg G2F_R1bN,0 ld c,$BUT_OdorokiA2,26 ;「イ、…イカれてやがる……。@/ `"Y, ...you're insane......`@/ ld c,$BUT_MajimeA4,80 ;てめえは誰だッ！！@　答えやがれッ！！！」@ ;「英語で言えよォ。@お前、そういうの得意だったろぉおぉおお？」\ `Who are you?!!`@` Answer me!!!"`@ `"Say it in Engliish.`@` Isn't that your specialtyyyyy?"`\ ld c,$BUT_NayamuA3,80 ;「……ふ、ふざけんじゃねえよ……。@/ `"......D, don't fuck with me......`@/ ld c,$BUT_sakebuA1,80 ;てめえは誰だッ！！@　クソジジイの手先か？！」\ `Who are you!!`@` That damn geezer's underling?!"`\ bg black,22 ;「手先とは酷い言い様ではないか。@むしろ虜と言ってやれ。@……金蔵こそ妾の虜ォ！@　だろ〜〜？@　わっははははははははは…。」\ `"Underling's mean way to say it, is it not?`@` At least say prisoner.`@` ......Kinzo is my prisoner!`@` Ri~~ght?`@` Wahhahahahahahahahaha..."`\ ;　最後の笑い方は戦人に向けたものではない。@ `That last laugh didn't sound like it was aimed at Battler.`@ br ;　……まるで、電話のすぐ側に金蔵がいて、ゲラゲラと大笑いしているかのようだった…。\ `......It was almost as though Kinzo was right next to the phone, cackling as well...`\ ;ld c,$BUT_KuyasigaruA1,80 ;「……な、……名を名乗りやがれッ！！！@　てめえは誰だ！@　何者だッ！！！」\ `"......S, ......say your name!!`@` Who are you?!`@` Who?!!!"`\ ;bg black,22 gosub *BEA_Isyou2 textoff mbg white,1 se1v 2,100 se2v 1006,100 se3v 2,100 bg Mlib_1bN,0 ld c,$BEA_akuWaraiA2,0 mcbg 0 print 2 ;「当ててみろよォ、ハワイへご招待するぜぇ？@　あっひゃっひゃっっひゃああぁッ！！@　ぃやっとだ。@やっとッ！！@　んんんん、長かったぜええぇええぇ、本ッ当ぉおおぉに今日まで長い日々だった…！！@　マジで千年は待ったぜ、今日という日をよおおぉおお？？@　お陰様を持ちましてッ！@　私、大復活ッ！！@　サンキュー金蔵ォ！@　特別に、さっきの“待った”、@聞いてやってもいいぜ〜！！！」\ `"Try and guess, you could win an invite to Hawaii?`@` Ahhyahhyahhhyaaaah!!`@` Fffinally.`@` Finally!!`@` Mmmmmmm, it was so looooooong, the days leading up to today were reeeeeeally long...!!`@` I seriously waited one thousand years for today, get it??`@` I owe it to you!`@` My big resurrection!!`@` , Kinzo!`@` Just for you, I'll lend an ear to that last 'I'll take that move back' of yo~urs!!!"`\ se1v 37,100 wait 1000 ld r,$KIN_WaraiA2,24 ;「……やれやれ、上機嫌にも程があろうが。@もう少しは淑女らしく振舞わんか。」\ ;＜金蔵 `"......My, my, isn't this a bit too much of a good mood.`@` Couldn't you act a bit more ladylike?"`\ bg black,25 me1v 5,70 bg Mlib_1e,22 ;　金蔵とベアトリーチェは、応接席のチェスに向かい合い座っていた。@ `Kinzo and Beatrice sat facing each other over the chessboard on the reception table.`@ br ;　テーブルの上には、高級なチーズなどの酒の肴。@ ;　そして、数本のワインの空瓶が並んでいた。\ `There was expensive cheese and the like to go with drinks.`@ `And there were several empty wine bottles lined up.`\ ;　ベアトリーチェはみっともなくソファに転げ回りながら、@ワイングラス片手に、上機嫌に、@……あるいは大層酔っ払っていた。\ `As Beatrice rolled around on the sofa in an unseemly way,`@` she held a wine glass in one hand, in a good mood,`@` ......and was probably completely drunk.`\ bg Mlib_1cN,0 ld r,$BEA_waraiA1,26 ld r,$BEA_waraiA2,80 ;「今日は最ッ高にご機嫌だから、大サービスだ！！@　おいおい金蔵、シャトー・ペトリュスなんか飾ってんなよォ！@　１９４７年ものかよッ？！@　今日開けなくていつ開けるつもりだ！@　それを浴びせっこして遊ぼうぜぇええぇ！@　空き瓶で殴りっこもしよう！@　うっひゃっひゃっひゃ！！」\ `"I'm in the be-st mood today, so here's some great service!!`@` Hey, hey, Kinzo, don't use Chateau Petrus as a decoration!`@` It's from 1947, right?!`@` If you don't open it today, just when do you plan on opening it?!`@` Let's drown ourselves in it and plaaaaaaaaay!`@` Then let's whack each other with the empty bottles!`@` Uhhyahhyahhyahhya!!"`\ ld l,$KIN_waraiA1,23 ;「はっはは、それは愉快だ。@浮かれ過ぎであるぞ。@ハメの外し過ぎだ。」@ ;＜金蔵 `"Hahhaha, how pleasant.`@` You are too excited.`@` You're acting too loose."`@ ld r,$BEA_AkuwaraiA2,80 ;「金蔵だってぇええぇ！@　妾に再会出来て嬉しいだろぉおお？@/ `"And what about you, Kinzoooooo?!`@` Aren't you happy to be reunited with meee? `@/ ld r,$BEA_AkuwaraiA3,80 ;　あぁ、シャバだ！現世だ！！@　妾の肉体万歳ッ！！」\ `Aaah, it's the living world! The earthly world!!`@` Long live my flesh!!"`\ textoff bg black,25 me2v 13,70 dllefe 1,1 ;■ゲストハウス bg G_o1cN,24 wait 2000 bg G2F_R1bN,0 ld c,$BUT_NiramuA3,23 dllefe_off ;「……お前、……さっきから何を騒いでるんだ………。@…お前が、……ベ、…ベアトリーチェだとでも言うのかよ…。」\ `"......What, ......are you going on about.........?`@` ...Are you saying that you're, ......B, Beatrice or something...?"`\ E_M2 se1v 37,100 se2v 37,100 se3v 2,100 bg white,1 bg black,22 me2v 16,50 ;「イ〜エぇええええぇス、アイアぁああぁムッ！！@　金蔵の１３人殺しの儀式のお陰で、ようやく妾は復活したぞ…！！@　口があるといい、舌があるといいッ！@　こうしてそなたと話せることの何と楽しいことかッ！@　そう言えば、お前とはあれだけ何度も何度も憎まれ口を叩き合ってきたのに、@こうしてゲーム中に盤上で会話をしたのは初めてだなァ。@/ `"!!`@` Thanks to Kinzo's 13-person-murder ceremony, I've finally been resurrected...!!`@` It's nice having a mouth, it's nice having a tongue!`@` How fun it is to be able to talk to you like this!`@` Come to think of it, even though we slapped each other with abuse so many times, over and over again, `@`this is the first time we've had a conversation like this on the board during the game, isn't it? `@/ se1v 37,100 ;何やらとても新鮮だッ！！\ `How very fresh!!`\ ;　お、今のポンッって音、聞こえたか？！@　あいつ、開けたぞ、マジでシャトー・ペトリュスを開けやがった！！@　１本いくらするか知ってるか？！@　１０ｋｇのインゴット丸々と同じくらいするんだぜぇえええぇ？！？！@/ `Oh, did you hear that *pop* sound just now?!`@` I opened it, I seriously opened that Chateau Petrus!!`@` Do you know how much a single bottle costs?!`@` Almost as much as a whole 10 kilogram ingot, you seeeeeeeeeeee?!?! `@/ se1v 37,100 ;　ひぃーっはっはっはっはっは！！」\ `Hii-hhahhahhahhahha!!"`\ ;bg black,22 bg G2F_R1aN,0 ld r,$BUT_KuyasigaruA1,26 E_M2 ;「ふ、ふざけるな…！！@　何がベアトリーチェだ…ッ！！@　黄金の魔女だと？！@　いい加減にしろ！！@/ `"C, cut the crap...!!`@` Beatrice...?!!`@` The Golden Witch, you say?!`@` Give it a rest!! `@/ ld r,$BUT_odorokiA1,80 ;　どこに居やがる！@　そこにクソジジイも一緒にいるのか？！@　てめえらまとめてぶっ飛ばしてやるッ！！@　今どこに居やがるんだ？！@　答えやがれッ！！」\ `Where are you?!`@` Is that damn geezer with you too?!`@` I'll beat the shit out of both of you!!`@` Where are you now?!`@` Answer me!!"`\ ;「なぁんだ、妾に会いたいのかァ？@　うっひひひ、モテる女は辛ぇやぁ！@　でもよ、金蔵がいる時に口説くのはよせよぉ？@　こいつ、マジで妬くから性質悪いぜー？@　………金蔵のいない二人きりの時なら、こっそり内緒で愛してやるからよ…？@/ `"Oh, so you want to meet me?`@` Uhhihihihi, it's tough being such a popular woman!`@` But please, don't try to chat me up when Kinzo's around, okaay?`@` This guy gets seriously jealous so he has a bad temper, you see?`@` .........But when Kinzo isn't around and we're all alone, I'll love you all ya want in secret, alright...? `@/ se1v 37,100 wait 100 se2v 37,100 ;　うひゃーっひゃっひゃっひゃっひゃ　あーっきゃっきゃっきゃっきゃっきゃ！！！」\ `Uhyaaahhahhahhahha aakkyakkyakkyakkyakkya!!!"`\ ld r,$BUT_NiramuA1,80 ;「く、狂ってやがるぜ………。」\ `"Y, you're insane........."`\ bg black,22 E_MA se1v 2,100 bg white,1 bg Mlib_1dN,0 ld r,$BEA_futekiA1,22 ;■金蔵の書斎 ;「金蔵ォ、気が変わった。@真里亞のテストに妾は行かない。@そなたが行け。」@ `"Kinzoo, I've changed my mind.`@` I won't do Maria's test.`@` You go."`@ ld l,$KIN_WaraiA2,23 ;「何と気まぐれな。@ではお前が戦人をテストするというのか。」\ `"How fickle.`@` So are you saying that you'll do Battler's test?"`\ ld r,$BEA_AkuwaraiA2,80 ;「いいだろ〜？！@　あいつさ、お前の若い時に似てるからさ、キュンと来ちゃうんだよぉ。@/ `"Nothing wrong with that, ri~ght?!`@` That guy's so much like a younger you that it makes my heart race. `@/ ld r,$BEA_AkuwaraiA5,80 ;安心しろよ、浮気なんかしないってぇえぇ。@あいつと二人きりになるのは今だけ。@……ベッドの中ではいつだってお前と二人きりだろぉぉ…？@/ `Don't worry, I won't cheat on yooooou.`@` This will be the only time I'll be alone with him.`@` ......I'm always alone with you in bed, riiight...? `@/ ;ld r,$BEA_akuwaraiA5,80 ;　だがもうベッドに首輪で縛るのは勘弁しろよ？@/ `But no more tying me to the bed with a collar, alright? `@/ se1v 37,100 ;　くっひゃっはっはははははは…！！！」\ `Kuhhyahhahhahahahahaha...!!!"`\ se2v 27,100 wait 500 bg white,1 bg black,2 me1v 13,70 me2v 5,70 ;■ゲストハウス ;「というわけだ、戦人ァ！@　そなたのテストは妾、黄金の魔女、ベアトリーチェが自ら執り行ってやろう！@　場所は、そうだな。@この屋敷の正面玄関にてだ！@　戦人ぁ、次期当主のテスト、マジで頑張ってくれよぉ？@　……どうせ金蔵なんてすぐに寿命でポックリ逝っちまう。@戦人が次期当主になってくれりゃ、お前がこの島の全ての新しい主だ。@……お前になら、……妾を独り占めにさせてもいいんだぜ……？@　金蔵がしたみたいに、……妾を支配しておくれよォ……？@　くっひひひひひひひひ、うっひゃっはっははははははは！」\ `"Well then, Battleer!`@` I, the Golden Witch Beatrice, will be running your test myself!`@` As for the place...yes.`@` At the front entrance to this mansion!`@` Battleer, make sure you try seriously hard for the test to become the next head, okaay?`@` ......I mean, Kinzo's practically dead on his feet.`@` If you become the next head, you'll be the new owner of everything on this island.`@` ......If it's you, ......I wouldn't mind becoming all yours, see......?`@` Just like Kinzo did, ......control me, okay......?`@` Kuhhihihihihihihihi, uhhyahhahhahahahahahaha!"`\ bg black,22 bg G2F_R1aN,0 ld l,$BUT_MajimeA2,26 ;「や、屋敷の玄関だな……。@上等だ…！！@/ `"Th, the front entrance of the mansion......`@` Perfect...!! `@/ ld l,$BUT_NiramuA1,80 ;　このクソッタレな酔っ払いめ！！@　俺がてめえの酔いを醒ましてやるぜ。@迎え酒には俺の熱いパンチをくれてやる！！@/ `You drunk bastard!!`@` I'll wake you from your drunkenness.`@` My hot punch'll fix your hangover!! `@/ ;ld l,$BUT_OdorokiB1,80 ;!s0　首を洗って待ってやがれ！！」/ !s0`Prepare yourself!!"`/ ;se1 12 ;quakey 3,800 !sd\ se1 12 se2v 2,100 bg black,1 ;　衝動で戦人は受話器を叩きつけてしまう。@ ;　あとは受話器越しに話す必要はない。@ `Battler impulsively slammed the receiver down.`@ `There was no need to talk through it anymore.`@ br ;　……直接会って、決着をつけてやるッ！！\ `......I'll meet her face to face and settle this!!`\ fedexx 0,70,0,0,0,0,3000 wait 1000 textoff ;bg black,23 ;bg G1F_P1aN,23 ;wait 1000 ;bg black,22 dllefe 1,1 bg G_o1aN,1 se3 16 me2v 5,70 ;　俺は帽子掛けを分解して作った槍を持ち、@傘も差さずに表へ出る。@ ;　……ベアトリーチェを名乗る若い女が、ひとりで待ち受けているとは思い難い。@ `I took the spear I'd made by taking apart the hat stand,`@` and went outside without even an umbrella.`@ `......It was hard to imagine that the young woman calling herself Beatrice would be waiting for me alone.`@ bgm1v 28,85 br ;　…郷田さんたちの言っていた、手勢を引き連れて待ち受けていると見ていいだろう。@ ;　ひとりで行くのは、無謀が過ぎる…。\ `...I should probably assume that, as Gohda-san and the rest had said, she would be waiting with supporting troops.`@ `Going alone would be too reckless...`\ textoff ;bg black,24 ;bg garden_1bN,24 ;wait 2000 bg black,24 bg rose_1bN,24 wait 2000 bg black,24 bg warehous_o1a,24 ld r,$BUT_komaruA2,24 ;■薔薇庭園〜園芸倉庫 ;「郷田さん、熊沢さん…！@　俺だ、戦人だ…！」@ `"Gohda-san, Kumasawa-san...!`@` It's me, Battler...!"`@ br ;　俺は先に園芸倉庫に向かった。\ `I headed for the gardening storehouse first.`\ ;　今の俺にはわずかでも味方が必要だ。@ `I need all the help I can get.`@ br ;　郷田さんは体格もいいし、戦力として期待できる。@熊沢さんは古参の使用人としての知識や土地勘が大きな武器になるだろう。@ `Gohda-san is big, so I can probably count on him for some firepower.`@` Kumasawa's knowledge and familiarity with the terrain as a senior servant might become a huge weapon.`@ br ;　二人ともマスターキーを持っているし、屋敷についても自分より詳しい。@……かなり頼もしい味方だった。\ `Both of them have master keys, and they know more about the mansion than I do.`@` They're pretty reliable allies.`\ ;　シャッターを叩きながら開けてくれと呼び掛け、中の彼らにはどうしようもないのだということを思い出す。@ `As I banged on the shutter and called out for them to open it, I remembered that there was nothing they could do from the inside.`@ br ;　彼らに鍵を返してもらい、開けてやらねばならない。\ `I would have to get the key back from them before opening the door.`\ bg black,24 ;　脇に回り、小さな格子窓をノックし、そこを開ける。\ `I rounded the corner, knocked on the small latticed window there, and opened it.`\ ;「郷田さん、熊沢さんのばあちゃん…！@　戦人だ…！！@　おい、起きろって………、……お…い………。」\ `"Gohda-san, Kumasawa baa-chan...!`@` It's Battler...!!`@` Hey, come on, get up........., ......h...ey........."`\ dllefe_off bg black,1 fedexx 0,50,0,0,0,0,2000 E_B bg warehous_i1e,6 me2v 16,50 ;　薄暗い電球に照らし出された倉庫内の光景は、………あまりに、……奇怪……。\ `The scene in the shed, lit by a dim lightbulb, ......was very, ......strange......`\ ;!s0「……郷田…、/ ;!d800さ…ん……。@……熊沢……さ、/ ;!d1000………ん………、」/ !s0`"......Gohda..., `/ !d800`sa...n......`@`......Kumasawa......sa, `/ !d1000`.........n........."`/ !sd\ ;!s0　天井の低い梁に、/ ;!d700………太いロープが２本吊るされ、@/ ;……それぞれに、/ ;!d600……郷田さんと熊沢さんが、/ !s0`From a low ceiling beam, `/ !d700`.........hung two thick ropes, `@/ `......and at the ends, `/ !d600`......Gohda-san and Kumasawa-san, `/ se1v 45,85 ;!d1000…………首を、…吊るされているのだ……。/ !d1000`..........were hanging, ...by their necks.....`/ !sd\ bgm1 39 bg warehous_i1d,26 ;　薄暗いし、色々と荷物がごちゃごちゃ置かれている狭間からなので、その様子はそれ以上詳しくはわからない。@ `It was dim, and narrow because of all the various pieces of equipment strewn about, so I couldn't make out the situation clearly.`@ br ;　……しかし、声を掛けてもぴくりとも反応せず、@完全に首のロープに全ての体重を預けきっている様子から、生きている気配を感じ取ることは出来なかった……。\ `......But when they showed not even a tremor after I called out to them,`@` and because of the way the loops around their necks seemed to carry the full weight of their bodies, I could sense no trace of life from them......`\ bg black,22 fedexx 70,50,70,0,0,0,1000 ;「そんな……、………嘘……だろ…………。@……どうして………。」\ `"You've got to be......, .........kidding me......right............? `@`......Why.........?"`\ ;　シャッターは閉まったままなのだ。@ `The shutter was still closed.`@ br ;　……そして鍵はひとつしかなく、郷田さんが預かったはず。@ `......And there was only a single key, which had supposedly been given to Gohda-san.`@ br ;　なのにどうやって犯人は、……シャッターを開けて、中の二人を殺したんだよ……？\ `So how had the culprit, ......opened the shutter and killed both of them inside......?`\ me3v 17,70 bg Different_spiral_1a,28 ;　いいや、殺されたとは限らない…。@ ;　これは自殺なんだとしたら……。@ `No wait, they weren't necessarily killed...`@ `If this is a suicide......`@ br ;　……密室のつじつまは合うけど、二人が首を吊って自殺する意味がわからない…！！@ `......That way, this closed room makes sense, but I don't know why they would hang themselves and commit suicide...!!`@ ;　俺は力なく、…その場にへたり込む。\ `Feebly, ...I slumped down on the spot.`\ bg black,25 E_M3 se3 13 ;!s0　これで、この島に生きてる人間は、/ ;!d800……俺と真里亞と、/ ;!d900……クソジジイだけ。/ !s0`Now, the only humans alive on this island, `/ !d800`......are me, Maria, `/ !d900`......and that damn geezer.`/ !sd@ br ;　………じゃないや、あのイカれた、ベアトリーチェとか名乗る女もだ…。\ `.........No, there's also that insane woman calling herself Beatrice...`\ ;　真里亞は初めから魔女の味方のような素振り。@ ;　そしてジジイは魔女を蘇らせた張本人。@ ;　そして、魔女本人。@ `Maria, who had acted like the witch's ally from the beginning.`@ `And that geezer, the ringleader who had revived the witch.`@ `And, the witch herself.`@ br ;　……何だよ、………もう、この島には、@…………俺ひとりしかいないも、……同然じゃないかよ…………。\ `......What the hell, .........now, it's just as though,`@` ............I'm the only one on this island.........`\ fedexx 70,70,70,0,0,0,1000 dllefe 1,1 bg warehous_o1a,22 ld c,$BUT_KuyasigaruA1,6 ;　俺は棒切れを杖代わりに、力なく立ち上がる。@ `Using my pole as a cane, I feebly rose.`@ br ;　……クソ、こんなのじゃ駄目だ…。@ ;　みんなの仇を、俺が取らないと……。\ `......Damn, I can't do it like this...`@ `I've got to avenge...everyone......`\ ld c,$BUT_nakuA2,80 ;「畜生ぉおおぉぉ……、こんなんじゃ駄目だ…。@あぁ、駄目だぜ、全然駄目だ…。@畜生おおおおぉぉ………。」@ `"Damn iiiiiiiit......, it's useless this way...`@` Aaah, it's useless, it's all useless...`@` Damn iiiiiiiiiiiiitt........."`@ br ;　今の内に、泣いておく…。@ ;　弱々しい気持ちを全て涙と一緒に、搾り出しておくために…。\ `Why don't I cry for now...`@ `So that my frail emotions will be squeezed out with my tears...`\ bg black,22 bg rose_G1aN,2 ;　それから俺は、……背筋を伸ばし、屋敷のある方角の暗闇を見た。\ `Then, ......I straightened up, and gazed into the darkness in the direction of the mansion.`\ ;　………屋敷の玄関に、魔女が待ち受ける。@ `.........At the entrance to the mansion, the witch is waiting.`@ br ;　行って、……ケリをつけてやる。@ `I'll go, ......and settle this.`@ br ;　このおかしなおかしな、狂った夜の元凶を、……俺の手で、ぶっ潰してやる…！\ `I'll find the source of this weird, insane night, ......and crush her with my own hands...!`\ textoff bg black,4 fede 1,3000 ;bg rose_1bN,4 ;wait 2000 bg rose_1aN,4 wait 2000 ;bg black,4 ;bg garden_1aN,4 ;wait 2000 bg garden_1cN,4 ;■薔薇庭園へ。ゆっくりと移動表現 ;　土砂降りの雨の中、……俺は傘もなく、濡れるに任せて、薔薇庭園を歩く。\ `Amidst the pouring rain, ......I walked through the rose garden without an umbrella, letting myself get soaked.`\ bg black,24 ;　……向こうに東屋が見えた。@ `......I could see the arbor on the other side.`@ br ;　朱志香の話では、譲治の兄貴も殺されたらしい…。@ `According to Jessica, it seemed that George-aniki had also been killed...`@ br ;　どうせ、今さら人質の命も何もない。@ ;　……俺は、道を外れ、東屋を目指す。\ `Well, by this point, there's no need to worry about the lives of any hostages.`@ `......I left the path, aiming for the arbor.`\ bgm1 38 fedexx 70,40,40,0,0,0,1000 ;　そして、@…………譲治の兄貴の死体が、雨曝しになっているのを見た…。/ `Then,`@` .........I saw George-aniki's weather-beaten corpse...`/ mov %play_scene,40260 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ bg garden_1bN,6 ld r,$BUT_NayamuA1,24 ;「……………兄貴……。@…………畜生…………。」\ `"............Aniki......`@`.........Damn............"`\ dllefe_off bg blood_2a,22 ;　死体は、東屋の前にあった。@ `The corpse was in front of the arbor.`@ br ;　せめて東屋の中で死ねたなら、雨曝しにだけはならずに済んだろうに…。\ `If he had died under the arbor, he might have at least been spared being beaten down upon by the rain...`\ ;　兄貴の額には、まるで銃で撃たれたかのような穴がぽっかりと開いていた。@ `In Aniki's forehead was a gaping hole, as though he had been shot with a gun.`@ br ;　雨が全て洗い流してしまったせいか、顔面が血塗れということはなく、……そのせいで、眠っているようにさえ見える。\ `Perhaps because the rain had washed everything away, his face wasn't covered with blood, ......and so he looked almost like he was sleeping.`\ ;　…しかし、服は真っ赤に染まり、大量の血が流れた痕跡を未だに残していた…。\ `...However, his clothes were stained a deep red, and there were still signs that a large amount of blood had flowed out...`\ ;　眠っていたり、あるいは死んでいるフリをしていたなら、どんなに嬉しいことか…。@ `How happy I'd be if he were sleeping, or else pretending to be dead...`@ br ;　……しかし、雨が吹き付けるにもかかわらず、兄貴の目は見開いたまま。@ `......But even though the rain sprayed against Aniki's eyes, they remained open.`@ br ;　……そして、……額の穴は、冗談抜きで、/ ;!d800……本物だった…。\ `......And, ......the hole in his forehead was, in all seriousness, `/ !d800`......the real thing...`\ bg black,22 ;　さっきの園芸倉庫の首吊りは、@……ひょっとすると郷田さんたちの悪趣味な冗談かもしれない可能性も、わずかにはあった。@ `There had been a faint chance that even Gohda-san and Kumasawa-san hanging by their necks in the gardening shed had been a bad joke.`@ br ;　しかし、その甘えた可能性は、完全に否定される。\ `But that naive possibility had now been completely denied.`\ bg black,22 fedexx 70,70,70,0,0,0,1000 dllefe 1,1 bg garden_1bN,0 ld c,$BUT_KuyasigaruA1,6 ;　そして、この死体を見て、完全に確信する。@ `And, as I looked at this corpse, I became completely sure.`@ br ;　かつて郷田さんは言っていた。@ ;　……敵は、チェスの駒を奪うかのように、命を奪ってくると。\ `Just as Gohda-san had once said.`@ `......The enemy came to take lives as though these lives were pieces on a chess board.`\ ld c,$BUT_NakuA1,80 ;「………あぁ、……間違いない。@……クソジジイと魔女は、/ ;!d800………俺たちの命なんて、本当にその程度にしか思ってないらしい……。」\ `".........Aaaah, ......there's no mistake.`@` ......It seems that old geezer and the witch, `/ !d800`.........really don't view our lives as anything more than that......"`\ ;　…あの魔女め、電話でこう言いやがったな…。@ ;　俺たちのことを、“ゲーム盤の上”で、みたいに……。\ `...That damn witch said something over the phone...`@ `Something about how we are 'on the chess board'......`\ ld c,$BUT_NakuA2,80 ;「…上等だぜ……。@……そうかよ、こいつはゲームのつもりかよ……。@なら、…お前らがみんなをゲームみたいに殺したように、/ ;!d1000………俺がお前らをゲームのように殺してもいいわけだよな……？@/ `"...Perfect......`@`......I see, she thinks this is a game......`@` Then, ...in the same way you killed everyone like it was a game, `/ !d1000`.........it's alright if I kill you all like it's a game, right......? `@/ ld c,$BUT_NakuA1,80 ;　…………首を洗ってやがれ……。@……ベアトリーチェ………。」\ `.........Prepare yourself......`@`......Beatrice........."`\ bg black,4 dllefe_off bg black,1 fede 1,2000 wait 1000 me3v 16,50 wait 1000 se1v 27,100 wait 100 se2v 27,100 wait 400 bg white,1 dllefe 1,1 bg M_o1aN,22 ;■そして、屋敷前の玄関へ…。@ ;　稲光に屋敷の巨大な影が浮かび上がる。@ `The lightning caused the mansion's vast shadow to rise up.`@ br ;　……いよいよ、屋敷、……だ。@ `......Finally, ......the mansion.`@ br ;　見えてくるその巨大な姿に、人影はない。@ ;　俺の歓迎のために、手下どもがぞろりと待ち受けている、ということはないようだった。\ `As the massive shape came into view, there was no silhouette of any person.`@ `It seemed that there weren't any underlings waiting for me in a pack, or anything like that.`\ ;　………霧江さんの話によると、山羊の頭をした従者、という連中が相当大勢いるらしい。@ `.........According to Kyrie-san, there were massive amounts of attendants with goat heads.`@ br ;　そんな大勢が、ぞろぞろと隠れていて俺をうかがっている、@というような気配は、とりあえず今のところ、感じられない…。\ `At least for now, I couldn't sense a large group of them hiding and staring at me...`\ ;　何だ……？@ `What's this......?`@ br ;　玄関の屋根の下に、/ ;!d800………何か置かれている。\ `Beneath the roof of the entrance, `/ !d800`.........there's something set down.`\ bg M_o1aN,0 ld r,$BUT_NiramuA4,22 ;「……何だよ、これは。@………箱…か？」\ `"......What is this?`@` .........A...box?"`\ bg black,26 ;　それは女の子なんかがよく、小物を収めていそうな感じの小箱に見えた。@ ;　……あるいは応接室なんかにある、ご大層なシガーケースの類かもしれない。\ `It looked like the kind of small box that girls often keep trinkets in.`@ `......Or maybe it was the same kind of extravagant cigar case you'd find in a reception room.`\ ;　何れにせよ、ここにあるべきものには見えない…。@ ;　それはあからさまに、……俺に開けろと言われているように見えた。@ `Either way, it didn't look like something that should be here...`@ `It clearly looked, ......as though I was being told to open it.`@ br ;　しかし、ハイどうぞと開けるのはなぜか癪に障る。@ ;　……しかし、開けないことには話が進みそうもない。\ `But for some reason, opening something being offered to me was irritating.`@ `......However, it didn't look like we'd get anywhere if I didn't open it.`\ ;　まさかひょっとして、開けると爆発するような罠でも仕掛けられているのではないか……？@ `Could it be that it's set up with some trap to make it explode when opened......?`@ br ;　そんなことを考えながら、屋根の下に入ることも忘れ、@俺は雨に打たれるまま、その小箱を睨み続けていた。\ `Thinking things like that, forgetting even to come under the overhang,`@` I continued to glare at the box, still beaten down upon by the rain.`\ se3v 71,90 se1v 27,100 wait 200 se2v 27,100 bg white,1 bg M_o1bN,42 ;　すると、………雷鳴に混じり、何か、……音楽？@　…のようなものが聞こえてきた。@ `Then, .........mixed in with the thunder, was some kind of, ......music?`@` ...It sounded like something like that.`@ br ;　……それは、２４時を報せるホールの大時計の音色。\ `......It was the tone of the big clock in the hall announcing 24:00.`\ ;　１０月４日という、狂った一日がようやく終わりを告げ、@……そして１０月５日という、もっともっと、最高に狂った一日の始まりを告げる音でもある。\ `It was also a sound announcing that the insane day, October 4, had finally ended,`@` ......and that the much more, incredibly insane day of October 5 had begun.`\ ;　その音が静まり、…………薄気味悪い笑い声が、どこからともなく聞こえてくる……。@ `That sound quieted, ............and I could hear an eerie laugh coming out of nowhere......`@ br ;　その声が、天より聞こえた気がして、……俺は空を見上げた。\ `I got the feeling that the voice was coming from the heavens, ......and I looked up at the sky.`\ bg black,2 dllefe_off bg black,1 fedexx 0,40,40,40,0,0,2000 E_B se2v 27,50 dllefe 1,1 bg M_o1aN,25 ;　……するとそこには、………、見たことのない女が。@ `......What I saw there, ........., was a woman I had never seen before.`@ br ;　いいや、見たことがないわけじゃない。@ ;　……今日、一度見ている。@ `No, it's not true that I never saw her before.`@ `......I saw her once today.`@ br ;　そう、屋敷の中での、肖像画で……。\ `Yes, in the portrait inside the mansion......`\ ;　服は違うが、……その顔は、あの肖像画の魔女にそっくり……。@ `The clothes were different, ......but that face was just like the witch of the portrait......`@ br ;　あぁ、白々しいぜ、俺はヤツが誰か、もうわかってる…！！\ `Aaah, who am I kidding...I already know who this person is...!!`\ E_A se1v 2,100 bgm1v 61,90 bg black,1 ;dllefe 1,1 bg M_o1bN,2 ;「……て、……てめえがベアトリーチェかッ！！！」@ `"......A, ......are you Beatrice?!!!"`@ se1v 2,100 mbg white,1 mcbg 0 ld c,$BEA_waraiA2,22 ;「やっほおおぉおい、戦人ぁあああぁあああぁああぁ…！！」\ `"Yahhoooooooooi, Battleeeeeeeeeeeeer...!!"`\ ;　２階のバルコニーから、……傘を差しながら身を乗り出し上機嫌に手を振っているのは、@……紛れもなく、……肖像画の魔女、…ベアトリーチェ………！！\ `From the second floor balcony, ......leaning out under an umbrella and waving high-spiritedly,`@` ......was without a doubt, ......the witch of the portrait, ...Beatrice.........!!`\ ;　親玉は高みの見物で、俺は山羊の手下どもに嬲り殺しって寸法か…？！@ `Was the plan for the boss to take a birds-eye view and let the goat underlings torture me to death...?!`@ br ;　俺は槍を構え直し、@周囲の物陰や玄関の扉から、どどっと山羊どもが溢れ出して俺を取り囲むのを想像しながら、全方向に身構えた…。\ `I adjusted my grip on the spear, `@`and, imagining goats creeping out of the surrounding shadows and the entrance and surrounding me, I raised my guard in all directions...`\ ;dllefe_off ;bg Mlib_1dN,22 ld c,$BEA_akuwaraiA3,80 ;「あっははッ、安心しろよ、ここには私とお前以外の誰もいねぇぜ？@　山羊の家具どももいなければ、悪魔の執事もお師匠様も、我が親友の悪魔もいない。\ `"Ahhaha, be at ease, there's no one here but you and me, see?`@` Without the goat furniture, there are no demon butlers or Teacher, and the demon that's my close friend either.`\ ld c,$BEA_futekiA1,80 ;　そして、我が肉体の組成を手伝う黄金の蝶たちもいなければ、魔法陣もない、召喚者の立会いもないッ！！@　……その意味が、そなたにわかるかなぁ？」\ `And, without the gold butterflies that help compose my flesh, there are no magic circles, and no summoners as witnesses!!`@` ......Do you know what that means?"`\ ;dllefe 1,1 bg M_o1an,0 ld l,$BUT_niramuA3,25 ;「さっぱりだぜ。@寝言言ってろ…。」\ `"No clue.`@` Quit babbling..."`\ ;textoff ;dllefe_off ;bg black,22 ;lsp2 4,$BEA_DefA1,500,350,200,200,0 ;print 24 ;csp2 4 ;bgcopy me1v 12,50 bg M_o1bn,0 ld r,$BEA_futekiA1,26 ;「そなたとは確かにこの世界でも何度か会えては来たのだ。@まるですれ違うかのようにな。@……知ってのとおり、このニンゲンどもの世界は、ただ貴様らが存在し、妾を疑うだけで、それは膨大な毒素となる。\ `"It is true that I have met you several times even in this world.`@` Almost as though we just missed each other.`@` ......As you know, this world of humans is filled with a toxin just by your existence and your doubting of me.`\ ;textoff ;bg black,0 ;lsp2 4,$BEA_WaraiA2,500,350,200,200,0 ;print 80 ;csp2 4 ;bgcopy ;ld r,$BEA_futekiA1,80 bg black,22 dllefe_off bg chess1,22 me2v 16,50 ;　まるで、そなたというキングに対して守りを固める堅牢な城壁のようよ！@　それを私は、何度もゲームを重ね、@駒をひとつずつ進め、切り崩し、追い込み、じわじわとそなたの城壁を切り崩して行った。\ `Almost like solid ramparts strengthening the guard around you, the king!`@` And through multiple games,`@` I have advanced pieces one by one, split them apart, and cornered them, leveling your ramparts bit by bit.`\ ;textoff ;bg black,0 ;lsp2 4,$BEA_futekiA2,500,350,200,200,0 ;print 80 ;csp2 4 ;bgcopy ;　そしてようやくわずかの隙間を開き、そこから妾はビショップを送り込み、そなたのすぐ近くに近付けるようになった。@………しかし知っての通り、ビショップは死角ある駒だ。@黒のビショップは、そなたが黒きマスに留まる限り絶大な影響力を発揮するが、@そなたがひょいと白きマスに一歩逃れれば、妾はそなたの隣に隣接することは出来ても、接触することは叶わぬのだ。\ `Then a faint crack finally opened, and I sent a bishop in, so that it could approach right up next to you.`@` .........But as you know, bishops are pieces with blind spots.`@` As long as you stay on the black squares, a black bishop can wield a massive influence,`@` but if you escape just one step to a white square, even if I close in right next to you, I will not be able to touch you.`\ ;textoff ;bg black,0 ;lsp2 4,$BEA_AkuwaraiA3,500,350,200,200,0 ;print 80 ;csp2 4 ;bgcopy ;　だから妾は、そなたが白きマスに留まれぬよう、様々な駒を送り込み、@そなたの隣の黒きマスを支配する妾の前に弾き出されるようにゲームを進めてきたのだ。\ `That is why I have progressed through this game by sending in various pieces so that you cannot stay on a white square,`@` forcing you out in front of me, the one who controls the black squares next to you.`\ ;textoff ;bg black,0 ;lsp2 4,$BEA_AkuwaraiA4,500,350,200,200,0 ;print 80 ;csp2 4 ;bgcopy ;　しかァし！！@/ `Howeeever!! `@/ se1v 27,85 bg white,1 wait 500 dllefe 1,1 bg M_o1bn,0 ld r,$BEA_futekiA1,2 ;　今やそなたの城壁はぽっかりと穴を空け、@妾はビショップではなく、とうとうクイーンを送り込むことが出来たッ！！@　クイーンがどういう駒か、知っているか？」\ `There are now holes opened all over your ramparts,`@` and I was able to send in not a bishop, but a full queen!!`@` Do you know what kind of piece a queen is?"`\ ;textoff ;bg black,0 ;lsp2 4,$BEA_AkuwaraiA4,500,350,200,200,0 ;lsp2 3,$BUT_MajimeA3,130,520,200,200,0 ;print 23 ;csp2 -1 ;bgcopy bg M_o1an,0 ld l,$BUT_nayamuA4,25 ;「飛車＋角だろ。@……言いてぇことはこうかよ。@/ `"A rook+bishop.`@` ......Is this what you're trying to say? `@/ ld l,$BUT_majimeA4,80 ;…今やお前は、黒い魔女幻想のマスだけでなく、白い人間世界のマスにまで自由に侵食できるようになったと…！」\ `...That now, you not only control the black squares that are part of the illusion of the witch, but have been able to eat into the white squares of the human world at will...?!"`\ se1v 2,100 se2v 27,90 dllefe_off mbg white,1 textoff bg black,0 ;lsp2 3,$BUT_MajimeA3,130,520,200,200,0 lsp2 4,$BEA_AkuWaraiA4,500,350,200,200,0 mcbg 0 print 2 csp2 -1 bgcopy ;「その通りッ！！@　そなたは妾の眷属である黄金の蝶たちが存在するマスのことを、魔女幻想と呼び、@観測者なき非現実と仮定して否定してきたのだろうォ…？@　くっくくくく、知っておるぞぉ……！！\ `"That is correct!!`@` You have been calling the squares where the gold butterflies that are my minions exist 'the Illusion of the Witch',`@` and without an observer, you have theorized that these were unrealistic and denied them, right...?`@` *cackle*cackle*, I know......!!`\ textoff bg black,0 ;lsp2 3,$BUT_MajimeA3,130,520,200,200,0 lsp2 4,$BEA_akuwaraiA2,500,350,200,200,0 print 80 csp2 -1 bgcopy ;　だからこそ、妾はこうしてとうとう白きマスへ降臨したッ！！@　安心しろよ、黄金の蝶も山羊たちも、悪魔も魔女もあとでいっぱい呼んでやるぜ！@　そなたが望むなら妾の黄金郷へ招待してやる！！@　そこで何でも願いを叶えてやろうぞ…！！@　わっはははははははははは…！！」\ `For that very reason, I have openly descended to the white squares like this!!`@` Do not worry, I'll call plenty of gold butterflies and goats, demons and witches later!`@` If you wish, I will invite you to the Golden Land!!`@` There, any wish can be granted...!!`@` Wahhahahahahahahahahahahahaha...!!"`\ textoff bg black,0 lsp2 3,$BUT_komaruA3,130,520,200,200,0 lsp2 4,$BEA_akuwaraiA2,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「……どうやら、この島のチェス盤は、インク壷でもぶっかけちまったみたいだな。」\ `"......It's starting to look like someone knocked an ink bottle over the chessboard of this island."`\ textoff bg black,0 lsp2 3,$BUT_komaruA3,130,520,200,200,0 lsp2 4,$BEA_futekiA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「なるほど、それも愉快な表現よ…！@　くっくくくく、すぐにそなたもそのインクに染まるぞ。@やがては真っ黒に染まり、必ず黒きキングになる…！@　そなたは今や、インクの海に溺れる哀れな存在であるなぁ？」\ `"I see, a pleasant phrasing...!`@` *cackle*cackle*, soon, you will be covered in ink as well.`@` You will finally become covered with pitch black, and surely become a black king...!`@` You really are pitiful, drowning in a sea of ink right now, aren't you?"`\ textoff bg black,0 lsp2 3,$BUT_nayamuA4,130,520,200,200,0 lsp2 4,$BEA_futekiA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「いいや、違う。@島がてめえのインク壷で、全て真っ黒に染まっちまったことは認めるが。@……白いマスはまだ、残ってるぜ。」@ `"No, that's wrong.`@` I'll admit that the island has been stained completely black from your ink bottle,`@` ......but there's still a white square left."`@ textoff bg black,0 lsp2 3,$BUT_nayamuA4,130,520,200,200,0 lsp2 4,$BEA_AkuwaraiA5,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「ほう、どこに…！！」\ `"Hoh, where...?!!"`\ textoff bg black,0 lsp2 3,$BUT_majimeA4,130,520,200,200,0 lsp2 4,$BEA_AkuwaraiA5,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「俺の、足の裏にだぜ。@………お前の魔法のインクが島中を覆い尽くそうと、俺が踏みしめる足の裏までは覆えない。@…一見、この島が真っ黒に染まろうと、俺は俺だ。@白いマスを、こうして踏みしめて立っている！！」\ `"The place right under my feet.`@` .........Your ink of magic tried to cover the entire island, but it can't cover the ground my feet are standing on.`@` ...Even if this island seems to be stained pitch-black at a glance, I am me.`@` I'm here, stepping on a white square!!"`\ E_A se1v 2,100 bg black,1 me1v 13,0 fedexx 0,50,0,0,0,0,2000 dllefe 1,1 bg M_o1aN,2 ;ld c,$BUT_OdorokiB1,26 ;　不思議なもんだ…。@ ;　さっきまではびくびくしていた。@ `It's strange...`@ `Until a second ago, I was shivering all over.`@ br ;　……だが、こうして目の前に堂々と現れてくれたお陰で、むしろ恐怖が薄れた。\ `......But now that she's appeared openly right before my eyes like this, my terror has actually lessened.`\ me2v 16,50 ;　面白いもんだ。@幽霊ってヤツは、気配しかない内の方が恐ろしい。@ `Interesting.`@` Ghosts are most terrifying when you can only sense them.`@ br ;　姿が見えて、ぶん殴れる横っ面があるってんなら、何も怖くはねぇ…！！\ `When you can see them, and they have a face you can plant your fist into, there's nothing scary about it...!!`\ bg black,22 dllefe_off bg black,1 ;　……しかし、あいつは決して、面白いヤツでもフレンドリーなヤツでもない。@ `......However, she is definitely not an interesting nor friendly person.`@ br ;　……きゃっきゃと笑い転げながら、指をひとつ鳴らすだけで、俺をすぐに殺してしまえるのだ。\ `......She can kill me instantly by snapping a finger while rolling around giggling.`\ ;　指を鳴らすと、魔法が飛んでくるのか、部下が現れて俺を撃ち殺すのか、どちらの解釈でも関係ない。\ `Whether we interpret the result of her snapping her fingers as magic flying at me or underlings showing up to shoot me, it doesn't matter.`\ se1v 27,100 wait 500 mevol 1,50 mevol 2,50 bg white,1 dllefe 1,1 bg M_o1bN,0 ld c,$BEA_akuwaraiA1,2 bgm1 28 ;　……とにかく、ファンタジーであろうとミステリーであろうと、@俺を指一つ鳴らせば殺せるポジションに、あのクイーンはいる……！@ `......Anyways, whether this is fantasy or mystery,`@` that queen is in a position where she can kill me by just snapping her fingers......!`@ br ;!s0　…なるほどな、……それこそが、/ ;!d800………白と黒の二つのマスに君臨したる、@/ ;…この島の女王という意味なのか……？！/ !s0`...I see, ......so this is the meaning, `/ !d800`.........of the queen of this island, `@/ `...who reigns over both the white and black squares......?!`/ !sd\ ld c,$BEA_defA2,80 ;「さぁて。@この雨の中、そなたが風邪を引くまで待つのも面白いが、そろそろ本題に入ろう。@………そこに箱があるのがわかろう？@　そなたへのテストはその中に入っている。」\ `"Well then.`@` It might be interesting to wait until you catch a cold in all that rain, but it's about time to move to the matter at hand.`@` .........You noticed that there is a box there?`@` Your test is inside of it."`\ bg M_o1aN,0 ld l,$BUT_nayamuA1,25 ld l,$BUT_majimeA3,80 ;「待ちな。@……俺はもう今さら次期当主が誰かなんて下らねえゲームには興味ねえぜ。\ `"Wait.`@` ......After all that's happened, I'm not interested in some stupid game about who'll be the next head.`\ ;textoff ;se1 20 ;wait 100 ;se2 20 ;wait 100 ;se3 20 ;wait 300 ;se1v 27,100 ;se2v 27,100 ;bg white,1 ;bg M_o1aN,0 ld l,$BUT_niramuA1,80 ;quakey 6,1500 ;　俺のゲームは、クソジジイとお前と、……みんなを殺したヤツら全員にそれぞれジャイアンパンチをブチ込むことだ。@顔面が陥没するアレな。」\ `My game is to take you and the damn geezer, ......and all of those who killed everyone, and smack 'em with a Gian punch.`@` One of those face-crushers."`\ se1 20 se2 27 wait 500 se3v 2,100 mbg white,1 mcbg 0 ld l,$BUT_odorokiB1,2 wait 1000 bg M_o1bN,0 ld r,$BEA_waraiA2,26 ;「ほう。@妾のこのバルコニーまで、空を飛び上がってくるというのか。@それは良いそれは良い、くっくっく！@　ならばほら、早く来いよォ、ほらほら、パンパン！」\ `"Hoh.`@` So you will fly in the sky up to my balcony?`@` Very well, very well, *cackle*!`@` Then, look, come on right now, here here, up up!"`\ bg M_o1aN,0 ld l,$BUT_niramuA3,25 ;「……絶対安全な場所にいやがるからって余裕ぶっこきやがって…。@/ `"......Damn you, acting so carefree just because you're in a completely safe place... `@/ ld l,$BUT_OdorokiA1,80 ;今からそこに行くぞ、首を洗って待ってやがれッ！！」\ `I'm coming over there right now, so prepare yourself and wait for me!!"`\ se3 21 bg black,26 ;「あー、ダメダメ。@鍵が掛かっているぞォ。@もちろん窓も全て鎧戸を下ろしてある。@そなたが単騎で切り込めるほど、妾の城はもろくはない！」\ `"Aah, no, no.`@` The door is locked.`@` Of course, the shutters are down for all the windows.`@` My castle isn't so fragile that a single knight like you could break in!"`\ se1 32 ;　試しに玄関の扉を開こうとするが、……なるほど施錠されていた。@ ;　周りを見ると、確かに窓に鎧戸が閉められている。@ `I tried opening the door to the entrance anyways, ......but it really was locked.`@ `When I looked around, I noticed that the shutters were closed on the windows after all.`@ br ;　……普段はあんなもの閉められていないはずだ。\ `......Normally, those wouldn't be closed.`\ fede 1,2000 bg M_o1aN,0 ld r,$BUT_NiramuA3,26 ;「……ち。@用意周到なヤツだぜ。@/ `"......Tch.`@` Looks like you've prepared for everything. `@/ ld r,$BUT_majimeA2,80 ;……鍵はどこだ？！」@ `......Where's the key?!"`@ br ;　郷田さんと熊沢さんがマスターキーを持っているだろうが、彼らは園芸倉庫という密室内。@ ;　……今はお手上げだ…！\ `Gohda-san and Kumsawa-san probably had master keys, but they were in the closed room of the gardening shed.`@ `......I can only give up for now...!`\ se1 21 ld r,$BUT_KuyasigaruA1,80 ;「くそ……。@……ヤツも馬鹿じゃねぇってか。」\ `"Damn......`@`......Guess she's no fool herself."`\ bg M_o1bN,26 ld c,$BEA_akuwaraiA1,80 ;「そんなに妾のすぐ隣に来たいのかぁ？@　いいぞ、そなたがテストに見事合格できたら、謁見を許そうではないか。@合格ということはそなたこそが次期当主、そして妾の次なる主。@……妾の肉体も魂も、どう扱おうとそなたの自由よ。@妾は所詮は、右代宮家の家具なのだから！@　あっはっはっはっはっは！！」\ `"Do you really want to be right beside me so muuch?`@` Alright, if you impressively pass your test, why don't I grant you an audience?`@` If you pass, then you will be the next head, and my new master.`@` ......My flesh and soul will be yours to do with as you please.`@` Because I am the Ushiromiya family's furniture!`@` Ahhahhahhahhahha!!"`\ bg M_o1aN,0 ld l,$BUT_majimeA3,25 ld l,$BUT_niramuA4,80 ;「…………どうやら。@テストってヤツを、どうしてもやらせたいらしいな。@/ `"............Well,`@` it looks like you want to make me take this test no matter what. `@/ ld l,$BUT_futekiA3,80 ;……いいぜ。@受けて立ってやらあ。@…合格したら、最初のご褒美はてめえに顔面パンチだぜ。」\ `......Alright.`@` I'll take it on.`@` ...If I pass, my first prize will be a punch to your face."`\ bg M_o1bn,0 ld r,$BEA_waraiA2,26 ;「それは怖い怖い…。@だが暴力に支配されるのも嫌いではないぞぉ？@　妾の頭をこう、鷲掴みにして！@　苦痛に表情を歪めさせ、鷹がその爪で獲物を引き裂き、掻き毟るように妾を蹂躙してくれよ…！！\ `"Scary, scaary...`@` But it's not like I mind being controlled by violence, you see?`@` Grab onto my head!`@` Make my face twist in pain, tear me apart like a hawk does with its talons to its prey, scratch at me and violate me...!!`\ ld r,$BEA_akuwaraiA3,80 ;　あぁ、若き日の金蔵を、もう一度思い出させておくれ…！！@　妾にこの千年の生涯でただ一度！@　支配され屈服し家具に落ちる悦びを教えてくれたあの日のことを思い出させてくれよぉおおおおおぉ！！@/ `Aaah, remind me of Kinzo in his younger days once more...!!`@` That single time in my thousand year life!`@` Remind me of that day I was taught the joy of being controlled, surrendering and being reduced to furniture!! `@/ se1v 37,100 ;　うひゃーっひゃっひゃっひゃっひゃ！！」\ `Uhyaaahhyahhyahhyahhya!!"`\ bg black,25 bg M_o1aN,0 ld c,$BUT_komaruA3,25 ;「……酔っ払いめ、埒が明かねぇ。」@ `"......You damn drunk, we aren't getting anywhere."`@ br ;　馬鹿笑いする魔女を無視し、俺は小箱を拾い上げる。@ `Ignoring the stupidly smiling witch, I picked up the box.`@ br ;「そうだ。@それを開け。@中に手紙がある。@それを読むのだ。」\ `"Yes.`@` Open it.`@` Inside is a letter.`@` Read it."`\ ld c,$BUT_NayamuA1,80 ;「……………………。」\ `".................."`\ dllefe_off bg black,26 ;　開く。@……薄っすらと煙草の匂いが香る。@ `I opened it.`@` ......There was a faint smell of cigarettes.`@ br ;　どうやら本当に元はシガーケースらしい。@ `Apparently, it really had originally been a cigar case.`@ br ;　しかし中には煙草も葉巻もない。\ `But there were no cigarettes or cigars inside.`\ fedexx 0,0,0,0,0,0,1000 E_A bg letter1,2 bgm1 49 ;　代わりに、片翼の鷲の紋章が描かれた洋形封筒が。@ ;　さらにそれを開くと、……手紙が入っていた。\ `Instead, there was a western envelope with the One-winged Eagle crest.`@ `And when I opened that too, ......there was a letter inside.`\ bg black,22 me1v 12,50 dllefe 1,1 bg M_o1bN,25 ;　魔女を見上げる。@ ;　ニヤニヤと見下ろしていた。@ `I looked up at the witch.`@ `She was grinning down at me.`@ br ;　……俺が、その内容にどういう反応を示すか、楽しみに待っているという風だ。\ `......It seemed she was looking forward to seeing what kind of reaction I'd have to the contents.`\ ;　……クソ、上等だ。@ `......Damn, just perfect.`@ br ;　その内容は、こんな感じだった…。\ `Its contents were something like this...`\ bg black,22 dllefe_off se3 21 ;　以下に掲げる三つの内。@ ;　二つを得るために、一つを生贄に捧げよ。@ `Among the three mentioned below.`@ `In order to gain two, sacrifice one.`@ br ;　一．自分の命@ ;　二．＿＿の命@ ;　三．それ以外の全員の命@ `1. Your life`@ `2. ＿＿'s life`@ `3. Everyone else's lives`@ br ;　何れも選ばねば、上記の全てを失う。\ `If you do not choose one, all of the above will be lost.`\ me2v 5,50 dllefe 1,1 bg M_o1aN,26 ld r,$BUT_nayamuA2,24 ;「………何だこりゃ。@ずいぶんと物騒なことが書かれてるぞ。@/ `".........What's this?`@` Some pretty creepy stuff's written here. `@/ ld r,$BUT_niramuA1,80 ;それより、二番目が空欄になってて、誰の命かわかりゃしねぇ。」\ `More importantly, the second one is blank, so I don't even know whose life."`\ bg M_o1bN,0 ld l,$BEA_defA1,26 ;「うむ。@その二番には、その者のもっとも愛する者の名が入る。@朱志香のテストには嘉音の名が、譲治のテストには紗音の名が入った。@……彼らについては、想い人がはっきりしていたから予め名前を記入してやれもしたが、@そなたの想い人を、妾は知らぬ。@だから誰の名を書けばいいやらわからず、空欄とさせてもらった。」\ `"Hmm.`@` That second one is where you put the name of the one that person loves the most.`@` For Jessica's test, it was Kanon's name, and for George's test it was Shannon's name.`@` ......Since they had obvious feelings for certain people, those names were written in beforehand,`@` but I don't know who you have feelings for.`@` So I didn't know whose name to write, and left it blank."`\ bg M_o1aN,0 ld r,$BUT_WaraiA1,25 ;「そいつぁ丁度いいや。@/ `"That's perfect. `@/ ld r,$BUT_futekiA2,80 ;愛してるぜ、ベアトリーチェ。@お前の名前をここに突っ込んでやる。@だから俺が選ぶ選択肢は二番だ。@これでいいか？」\ `I love you, Beatrice.`@` I'll stick your name in here.`@` In that case, I'll choose the second choice.`@` Is that alright?"`\ bg M_o1bN,26 ld l,$BEA_futekiA2,26 ;「おいおい、茶化すな茶化すな。@なぁ頼むよ戦人。@お前の想い人の名を妾に教えてくれよぉ。@じゃないとテストにならぬではないか。」\ `"Hey hey, quit joking, quit joking.`@` Heey, please Battler.`@` Tell me the name of the person you have feelings for.`@` If you don't, then this won't be a test, right?"`\ ld r,$BUT_futekiA1,26 ;「悪ぃな。@俺に特定の女はいねぇぜ。@仮に居たって、誰がお前なんぞに話すもんか。」\ `"Sorry.`@` I don't have any girl in particular.`@` Even if I did, why the hell would I tell you?"`\ ld l,$BEA_akuwaraiA1,80 ;「そういうことでは、このテストはそなたに成立せぬ。@ふぅむ、残念残念。@そなたの想い人がどのような女か、好みくらいは気になったのだがな！@　くっくくく！」\ `"In that case, this test will not work for you.`@` Hmmm, what a shame, what a shame.`@` And I was really wondering what kind of woman was your cup of tea!`@` *cackle*cackle*!"`\ ld r,$BUT_niramuA2,80 ;「………俺が黒髪長髪のロリ貧乳がいいって言ったら、どうするよ。@お前とはひとつも一致しねぇぜ？」\ `".........What would you do if I said I liked flat-chested lolis with long, black hair?`@` That wouldn't match you at all, right?"`\ ld l,$BEA_akuwaraiA2,80 se1v 37,100 ;「嘘を吐け、このおっぱいソムリエがー！@　金髪のボインボインがいいんだろぉ？@　妾がまさに理想の体現ではないか、くっくっくっく！」\ `"Lies, you breast sommelier!`@` Blonde and bouncy is best, right?`@` Am I not truly the embodiment of your ideal, *cackle*cackle*!"`\ ;bg M_o1aN,0 ld r,$BUT_nayamuA2,80 ;「お前のバストを当てるのが次期当主のテストだってんなら、喜んで挑戦してやるぜ。」\ `"If guessing your bust size is the test to become the next head, I'll take it gladly."`\ ;bg black,25 ;bg M_o1bN,22 cl a,0 ld c,$BEA_waraiA1,23 ;「そうそう。@次期当主のテストであったな。@そなたと喋るのが楽しくて、ついついさっきから脱線してしまうわ。\ `"Ah, yes.`@` This was the test to choose the next head.`@` It was so fun chatting with you that I've been getting a bit off topic.`\ ld c,$BEA_defA2,80 fede 1,2000 ;　………それでは次期当主のテストを始める。@そなたに、右代宮家次期当主としての資格があるかどうかを問う。@心して答えるが良い。」\ `......Then let us begin the test for the next head.`@` I will question you to see whether you are qualified to be the next Ushiromiya family head.`@` Answer with care."`\ se3v 27,40 ;　さっきまで、酔っ払いのようにふざけていた魔女が、その威厳を取り戻す。@ `The witch, who had been joking around like she was drunk until a second ago, suddenly regained her dignity.`@ br ;　……その姿はまさに、あの貫禄ある肖像画から抜け出してきたかのようだった…。\ `......She looked as though she truly had stepped out of that dignified portrait...`\ textoff dllefe_off bg black,22 bgm1v 1,80 fede 10,1000 ;lsp2 3,$BUT_ODorokiA1,130,420,200,200,0 lsp2 4,$BEA_nayamuA1,500,350,200,200,0 print 24 csp2 -1 bgcopy ;「………我こそは右代宮家顧問錬金術師、黄金の魔女にして無限の魔女、ベアトリーチェ。@/ `".........I am the Ushiromiya family alchemist, the Golden Witch and the Endless Witch, Beatrice. `@/ textoff bg black,0 ;lsp2 3,$BUT_ODorokiA1,130,420,200,200,0 lsp2 4,$BEA_fumanA3,500,350,200,200,0 print 80 csp2 -1 bgcopy ;……右代宮家の家督と我が黄金の全てを継承する資格があるかどうか。@それを妾が問う。@………そなたの名を名乗るが良い。」\ `......Do you have the qualifications to inherit the Ushiromiya family and all of my gold.`@` That is what I will test.`@` .........State your name."`\ textoff bg black,0 lsp2 3,$BUT_nayamuA4,150,520,200,200,0 lsp2 4,$BEA_fumanA3,500,350,200,200,0 print 23 csp2 -1 bgcopy ;「…………右代宮、戦人だ。」\ `"............Ushiromiya...Battler."`\ ;　先ほどまでの様子からは想像もつかないその貫禄に、@俺は何の迷いもなく、返事をしてしまう。@ `When faced with a dignity you wouldn't have imagined from her appearance a short while ago,`@` I answered without any hesitation.`@ br ;　……それくらいに、……その姿はなるほど、@……本当の意味で、この島の女王と名乗るに相応しかった。\ `......And from that, ......yes, I see,`@` ......I can see why she is worthy of calling herself the queen of this island in the truest sense.`\ textoff bg black,0 lsp2 3,$BUT_nayamuA4,150,520,200,200,0 lsp2 4,$BEA_MajimeA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「よろしい、右代宮戦人よ。@………しかしそなたはその右代宮の名をこの６年、捨てたであろう…？@　それはなぜか…？」@ `"Very well, Ushiromiya Battler.`@` .........However for these six years, you have thrown away that Ushiromiya name, have you not...?`@` Why is that...?"`@ textoff bg black,0 lsp2 3,$BUT_NayamuA1,150,520,200,200,0 lsp2 4,$BEA_MajimeA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「………ん、…………。@……クソ親父に愛想が尽きたからさ。」\ `".........Nn, ............`@`......Because I ran out of love for that old bastard."`\ textoff bg black,0 lsp2 3,$BUT_NayamuA1,150,520,200,200,0 lsp2 4,$BEA_majimeA4,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「知っている。@父親の再婚が、そなたの敬愛する母親の死を冒涜したように感じたからであろう…？\ `"I know.`@` It was because you felt your father's remarriage disgraced the death of your mother, who you respected, yes...?`\ textoff bg black,0 lsp2 3,$BUT_NayamuA1,150,520,200,200,0 lsp2 4,$BEA_MajimeA2,500,350,200,200,0 print 80 csp2 -1 bgcopy ;　なるほど、新しき母はそなたと何の血の繋がりもない。@そなたがその母を受け容れられぬ気持ちはわからでもない。@……しかし、父親が誰と再婚しようとも、そなたとの血の繋がりは変わらぬのではないか？」\ `I see, you have no blood relation to the new mother whatsoever.`@` It's not as though I don't understand why you would feel unable to accept that mother.`@` ......However, no matter who your father remarried with, that wouldn't change the fact that his blood runs in your veins, correct?"`\ textoff bg black,0 lsp2 3,$BUT_MajimeA4,150,520,200,200,0 lsp2 4,$BEA_MajimeA2,500,350,200,200,0 print 80 csp2 -1 bgcopy me1v 5,50 ;「…………何が言いてぇ。」\ `".........What are you trying to say?"`\ textoff bg black,0 lsp2 3,$BUT_MajimeA4,150,520,200,200,0 lsp2 4,$BEA_NayamuA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「父親の再婚に反対するという、父親を独占したいがゆえのそなたの幼稚も、多少の理解はしよう。\ `"I can somewhat understand your childishness which led you to resist your father's remarriage because you wanted him all to yourself.`\ textoff bg black,0 lsp2 3,$BUT_MajimeA4,150,520,200,200,0 lsp2 4,$BEA_majimeA3,500,350,200,200,0 print 80 csp2 -1 bgcopy ;　しかし、それに反抗するために、右代宮の名を捨てるは、家と血に対する冒涜ではないのか。@………そなたは右代宮に生まれ、育まれてきたのではないか。@その恩を忘れ、右代宮の名を捨てる資格が、そなたにあったというのか。」\ `However, was throwing away the Ushiromiya name as a means of resistance not a disgrace to your family and blood?`@` .........You were born and raised Ushiromiya, were you not?`@` Do you think you were qualified to forget that debt and throw away the Ushiromiya name?"`\ textoff bg black,0 lsp2 3,$BUT_majimeA2,150,520,200,200,0 lsp2 4,$BEA_majimeA3,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「……お前には関係ねぇ。@俺と親父の問題だ…！」\ `"......It had nothing to do with you.`@` This is between me and Dad...!"`\ textoff bg black,0 lsp2 3,$BUT_majimeA2,150,520,200,200,0 lsp2 4,$BEA_MajimeA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「右代宮の名はお前と父親だけのものではない。@お前は知らぬ女に父親を奪われることを許せず反抗しただけの幼稚だ。@……右代宮家の籍を捨て去ったこの６年間は、そなたが右代宮家に泥を塗りし短からぬ年月。@その罪深きを知るがいい。」\ `"The Ushiromiya name does not belong to you and your father alone.`@` That was your childishness, nothing more than your resistance from not being able to forgive the fact that your father was stolen away by an unknown woman.`@` ......Those six years during which you threw away the Ushiromiya family register were a significantly long period where you covered the Ushiromiya family in mud.`@` Know the depths of that sin."`\ textoff bg black,0 lsp2 3,$BUT_NiramuA4,150,520,200,200,0 lsp2 4,$BEA_MajimeA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「………………幼稚で悪かったな…。」\ `"............Well, sorry I'm so childish..."`\ textoff bg black,0 lsp2 3,$BUT_NiramuA4,150,520,200,200,0 lsp2 4,$BEA_nayamuA1,500,350,200,200,0 print 80 csp2 -1 bgcopy ;「しかし。@祖父母の死を境とは言え、よくぞ右代宮に籍を戻した。@よって、その罪を自ら禊ぐ機会をそなたに与えよう。@今こそそなたの、６年前の罪を贖う時。\ `"However.`@` Even though it occurred around the time of the deaths of your grandparents, you did well to return to the Ushiromiya register.`@` For that, let us give you a chance to purify that sin yourself.`@` Now is the time to compensate for your sin of six years ago.`\ textoff bg black,0 lsp2 3,$BUT_NiramuA4,150,520,200,200,0 lsp2 4,$BEA_majimeA3,500,350,200,200,0 print 80 csp2 -1 bgcopy me2v 16,50 ;　さぁさ、思い出して御覧なさい、自らの罪を。@それを思い出し、告白し、懺悔せよ。@…………それこそが、妾がそなたに与えるテストである。」\ `Come, try to remember, remember your own sin.`@` Remember that, confess, and repent.`@` ............That shall be the test that I give you."`\ se1 27 wait 500 bg white,1 bg black,2 me3v 12,0 fedexx 0,0,50,50,0,0,3000 E_B ;　……その時、大きな落雷が轟き、俺の頭を真っ白にした。\ `......At that time, a massive thunderclap rang out, making my mind go blank.`\ ;「…………………………。@……懺悔せよって、…何だよ。@………謝れって言いたいのかよ。」\ `"...............`@`......You tell me to repent, ...but what do you mean?`@` .........Are you trying to tell me to apologize?"`\ ;textoff ;bg black,25 ;lsp2 4,$BEA_fukigenA3,500,350,200,200,0 ;print 24 ;csp2 -1 ;bgcopy ;「………もうテストは始まっているぞ。@そなたの好きに考えるが良い。」\ `".........The test has already begun.`@` You may think as you wish."`\ ;　魔女の表情に、難問を突きつけ嘲笑うような様子はない。@ `The witch's expression did not look like one of a person thrusting a tough question on someone and sneering at them.`@ br ;　……真剣に何かを問う、静かな気迫さえ感じられた。@ `......She was seriously asking, and he could even feel a quiet determination.`@ br ;　戦人は雨に打たれながらも、その眼差しから目を離せずにいる。\ `Even though the rain fell on Battler, he did not shift his eyes from that gaze.`\ bg black,22 me1v 5,0 fedexx 0,70,70,70,0,0,1000 dllefe 1,1 bg m_o1bN,26 ;　……魔女は傘を、捨てる。@ ;　雨に打たれるのに任せる。\ `......The witch threw her umbrella away.`@ `She abandoned herself to the falling rain.`\ ;　戦人が、その問いに答えるまでの間、雨に打たれているように。@ `So that the rain would fall on her until Battler answered that question.`@ br ;　……彼女もまた、彼がその答えに至るまでの間、一緒に雨に打たれることを選んだのだ。@ `......She had chosen to let the rain fall on her as well until he reached an answer.`@ br ;　それを、戦人はなぜか理解する。@ ;　……しかし、でも、……わからない。\ `For some reason, Battler knew that.`@ `......But, even so, ......he didn't understand.`\ bg M_o1aN,25 ld l,$BUT_NiramuA3,23 ;「い、……いや、…まぁ。@……それを言われりゃ、幼稚だったとは思うぜ…。@何のかんの言ったって、親父に育ててもらった恩は、親父が再婚したからってチャラになるもんじゃねぇ。\ `"N, ......no, ...well.`@` ......If you ask me that, I'd have to say it was me being childish...`@` All things considered, even Dad getting remarried didn't make us even regarding the debt I owed for him raising me.`\ ld l,$BUT_nayamuA1,80 ;　……親父は、養育費は常に送り続けてくれたそうだし、@……学校の行事にも参加したいと言っててくれたそうだ。@/ `......I hear that Dad always kept on paying for my living expenses,`@` ......and that he even said he wanted to participate in school events. `@/ ;ld l,$BUT_NayamuA1,80 ;………それを俺が、絶対に来させるなと祖父ちゃんたちに言ってたから、……来させなかっただけで……。」\ `.........The only reason he couldn't come, ......is that I told Grandpa and Grandma not to let him come no matter what......"`\ mbg black,22 ;「…………………………………。」\ `".............................."`\ mcbg 22 ld l,$BUT_OdorokiA2,80 ;「……た、確かにそりゃあ、……俺の幼稚な反抗だったと、バッサリ言われりゃそれまでだぜ。@/ `"......I, it's true that, ......you could probably explain it away as my childish resistance. `@/ ;ld l,$BUT_NiramuA3,80 ;………でもよ、…ならよ。@……お袋の、……右代宮明日夢の無念は、誰が晴らすんだ…？！@　お袋はあんなにも献身的に俺たち家族に尽くし、頑張ってくれたんだぜ…？！\ `.........But you know, ...in that case,`@` ......who would clear away Mom's, ......Ushiromiya Asumu's regrets...?!`@` Even though Mom was so devoted to our family, and did the very best she could...?!`\ ld l,$BUT_KuyasigaruA1,80 ;　なのに親父は霧江さんと浮気もしていた。@縁寿を身篭らせてさえいた…！@　それで出産に合わせて、駆け込むかのように籍を入れたんだ。@/ `And even so, Dad was also cheating with Kyrie-san.`@` He even got her pregnant with Ange...!`@` And then, along with her birth, he rushed to move them into his register. `@/ ld l,$BUT_OdorokiA1,80 ;……それがお袋への裏切りでなくて何なんだよ？！@　お袋の、無念はッ！@　誰が！！@　晴らすんだよ？！\ `......If that isn't a betrayal of Mom, then what is?!`@` Who `@`will clear up `@`Mom's regrets?!!`\ ;ld l,$BUT_MajimeA1,80 bg M_o1bN,26 ;　……だが、お前の言うとおりでもあるさ。@浮気は事実でも、俺を育ててくれた恩は確かにあった。\ `......But what you're saying is also right.`@` Even though the cheating was a fact, the debt I owed for being raised was also real.`\ ld r,$BUT_MajimeA4,26 ;　なら、それを相殺して、俺が家を出て行くというので、充分問題ねぇじゃねえかよ！！@　そうさ、俺にはお袋の代わりに親父をブン殴る権利が、……いや、義務があったはずなんだぜッ？！\ `In that case, they cancel each other out, so there's absolutely nothing wrong with me leaving the family, is there?!!`@` That's right, I had the right, ......no, the duty to smack Dad in Mom's place, didn't I?!`\ ld r,$BUT_OdorokiA1,80 ;　それを俺は許した！@　何も言わずに出て行って、初めから俺なんていなかったことにしてやった！！@　親父も俺のことなんか忘れて、霧江さんや縁寿と新しい家族を始めた！@　それで丸く収まってるじゃねえか！！」\ `I let him get away without that!`@` I left without saying anything, as though I hadn't been there in the first place!!`@` And Dad forgot about me and started a new family with Kyrie-san and Ange!`@` Doesn't that settle everything?!!"`\ dllefe_off bg black,22 ;　でもそれから６年を経た。@ ;　……時間は怒りを癒した。\ `But since then, six years have passed.`@ `......Time healed the anger.`\ bgm1 25 fede 10,1000 mono 1 bg Gdin_1a,0 ld r,$KIR_waraiA2,22 ;　霧江さんも、俺の怒りを理解していて、@それでもなお交流しようと、心を砕いてくれた。@ `Kyrie-san also understood my anger,`@` and even so, she wracked her brains, trying to interact with me.`@ br ;　縁寿は何も事情を知らず、@俺のことを別居してはいるけど、本当の兄だと信じて慕ってくれた。\ `Ange didn't know anything about the situation,`@` and even though I lived in a separate house, she was raised believing that I was her real big brother.`\ ld l,$RUD_WaraiA1,23 ;　……親父はけろっとして、いつでも帰って来いなんて言ってやがる。\ `......Dad nonchalantly said to come home any time I wanted.`\ bg black,2 me1v 12,50 mono off dllefe 1,1 bg M_o1bN,22 ;「だんだん馬鹿らしくなってきたんだよ！！@　そろそろ俺も頭を冷やしてもいいかなって思ったんだ。@だから俺は、親父が謝ったら全部水に流すと言ってやったんだ。@祖父ちゃんの葬式の日に！@　そしたらあいつ、本当に畳に両手をついて詫びやがったよ…！！@　信じらんねぇくらいに情けない格好だった…！@　あの格好つけた親父が、本気で頭を下げやがったんだぜ…？！@　……それを見たら、何だかもう、馬鹿らしくなっちまった。\ `"It started to get more and more ridiculous!!`@` I thought it was about time for me to cool my head as well.`@` So I said I'd put it all behind me as long as Dad apologized.`@` On the day of Grandpa's funeral!`@` And then, he really did put his hands on the floor and apologize...!!`@` Looking unbelievably pathetic...!`@` Dad did that and seriously bowed his head to me, you see...?!`@` ......When I saw that, it felt like it'd be stupid to keep it up any longer.`\ ;　きっと、お袋もそう思っただろうぜ？！@　お袋は、俺と親父が喧嘩をするといつも笑いながら仲裁してくれて、@何だそんな下らないことで喧嘩をしていたの？@と笑ってくれた。@……俺はお袋が、そう言って笑っているのを感じたんだよ…！！\ `I'm sure Mom thought the same thing!`@` Every time Dad and I fought, Mom would always laugh and mediate for us.`@` 'Oh, were you fighting over something that silly?'`@` is what she'd say.`@` ......I could feel Mom saying that and laughing...!!`\ ;　だから、/ ;!d800……許すとまでは言えなかったけど、/ ;!d900………もう一度、ゼロから始めてもいいかなって思ったんだよ。@それで、６年前に全てを巻き戻すことにした。@………それで右代宮家に籍を戻したんだよ…！！@　俺も６年間、泣き、怒り、悩みぬいた！\ `Therefore, `/ !d800`......while I couldn't go so far as to say I'd forgive him, `/ !d900`.........I thought it might be alright to start over again from zero.`@` So I decided to wind everything back to how it was six years ago.`@` .........Then I returned to the Ushiromiya family register...!!`@` I'd also cried, raged, and worried for a whole six years!`\ ;　ひょっとするとそれは親父もそうだったろうし、死んだお袋もそうだったかもしれない。@あるいは霧江さんや縁寿もそうだったかもしれない。@……だからゼロに戻し、右代宮戦人に戻ったんだッ！！！@　それは俺たち家族の問題であって、/ ;!d800……右代宮家とかそんなのは何も関係ねえッ！！\ `It might have been the same way with Dad, and for my dead Mom.`@` Maybe even for Kyrie-san and Ange.`@` ......So we went back to zero, and I returned to being Ushiromiya Battler!!!`@` That's my immediate family's problem, `/ !d800`......and has nothing to do with the Ushiromiya family!!`\ ;　それを罪だと断じる資格はお前にないし、それをお前に懺悔する義務も俺にはないッ！@　もし、それを本当にすべき相手がいたとしたら、それはお前がもう全員殺したッ！！@　だから俺は何も謝らない！@　懺悔しないッ！！！@　それが俺の、このテストへの答えだッ！！！」\ `You aren't qualified to judge that to be a sin, and I have no duty to show repentance to you!`@` If there was anyone I should have done that for, you've already killed them!!`@` So I won't apologize for anything!`@` I won't repent!!`@` That is my answer for this test!!!"`\ ;textoff ;bg black,22 ;lsp2 4,$BEA_MajimeA2,130,350,-200,200,0 ;print 23 ;csp2 -1 ;bgcopy bg black,2 dllefe_off bg black,1 fede 1,3000 wait 1000 me2v 5,50 ;「……………………………………。@/ `"..............................`@/ ;textoff ;bg black,0 ;lsp2 4,$BEA_NayamuA1,130,350,-200,200,0 ;print 80 ;csp2 -1 ;bgcopy ;……それだけか…？」@ `......Is that all...?"`@ ;textoff ;bg black,0 ;lsp2 3,$BUT_NayamuA2,500,520,200,200,0 ;lsp2 4,$BEA_NayamuA1,130,350,-200,200,0 ;print 23 ;csp2 -1 ;bgcopy ;「何………？@　………………。」\ `"What.........?`@` .................."`\ ;　俺は、半ばヤツの挑発に完全に乗り、@胸の内の、誰にも見せたくなかった部分を、全て吐き出してしまったはずだ。@ `Part of me had fully responded to her provocation,`@` and I'd supposedly vented out all the stuff that I'd kept inside my chest, stuff I hadn't wanted to show anyone.`@ br ;　魔女も、それを期待していたはず。@ ;　……なのに、魔女は淡白な表情をわずかほども変えることはない。\ `That was what the witch had supposedly been expecting.`@ `......And yet, the witch's blank expression didn't change in the slightest.`\ ;　俺の、幼稚で愚かしく、情けない過去を、@げらげらへらへらと、嘲笑うに違いないと思っていた。@ `I had been sure she would start cackling and guffawing,`@` sneering at my childish, foolish, and shameful past.`@ br ;　なのにそれどころか、まるで期待外れだとでも言うような、@……そんな呆れさえ感じられた。\ `But to the contrary, I could feel a sense of shock about her,`@` ......something you could almost call disappointment.`\ ;textoff ;bg black,0 ;lsp2 3,$BUT_KomaruA2,500,520,200,200,0 ;lsp2 4,$BEA_NayamuA1,130,350,-200,200,0 ;print 80 ;csp2 -1 ;bgcopy dllefe 1,1 bg M_o1bN,22 ld r,$BUT_niramuA4,22 ;「………それだけも何も、……俺は洗いざらいをブチまけたぜ？@　何が不満なんだよ。」@ `".........What do you mean 'is that all', ......I've exposed everything about me, right?`@` Why so unsatisfied?"`@ ;textoff ;bg black,0 ;lsp2 3,$BUT_KomaruA2,500,520,200,200,0 ;lsp2 4,$BEA_fukigenA3,130,350,-200,200,0 ;print 80 ;csp2 -1 ;bgcopy ld l,$BEA_nayamuA1,22 ;「まだ、罪の清算が足りぬ。」\ `"The settlement of your sins is still insufficient."`\ ;textoff ;bg black,0 ;lsp2 3,$BUT_NiramuA1,500,520,200,200,0 ;lsp2 4,$BEA_fukigenA3,130,350,-200,200,0 ;print 80 ;csp2 -1 ;bgcopy ld r,$BUT_nayamuA4,80 ;「清算？@　……何だよ、親父みたいに、ここに土下座して謝れってのかよ…？！」\ `"Settlement?`@` ......What the hell, are you asking me to prostrate myself right here and apologize like Dad did...?!"`\ ;textoff ;bg black,0 ;lsp2 3,$BUT_NiramuA1,500,520,200,200,0 ;lsp2 4,$BEA_MajimeA4,130,350,-200,200,0 ;print 80 ;csp2 -1 ;bgcopy cl a,0 ld c,$BEA_fumanA3,23 ;「…………違う。@お前たち家族の、お前の家での話になど興味はない。@ここはどこだ？@　六軒島だ。@右代宮本家の本宅である。@……この場所に相応しい、そなたの思い出すべき罪が、あるのではないか……？」\ `"............That's not it.`@` I have no interest in matters concerning your immediate family or your home.`@` Where are we?`@` Rokkenjima.`@` The main residence of the Ushiromiya head family.`@` ......Isn't there a sin you should remember, fitting for this place......?"`\ ;textoff ;bg black,0 ;lsp2 3,$BUT_kuyasigaruA1,500,520,200,200,0 ;lsp2 4,$BEA_MajimeA4,130,350,-200,200,0 ;print 80 ;csp2 -1 ;bgcopy bg black,25 bgm1 95 fede 10,1000 bg M_o1aN,0 ld r,$BUT_niramuA4,25 ;「…………他に、……俺に罪が、あるってのかよ……。」\ `"............Are you, ......saying that I have...another sin......?"`\ bg M_o1bN,0 ld r,$BEA_majimeA1,26 ;「……思い出せ、右代宮戦人。@………そして、それを思い出せぬことがそなたの罪。@だからこそ、許そう。@それを思い出せたなら許そう。@………それを思い出すことが、そなたへの、贖罪のテストである。」\ `"......Remember, Ushiromiya Battler.`@` .........Also, not being able to remember that is your sin.`@` For that reason, I shall forgive you.`@` If you can remember that, I shall forgive you.`@` .........Remembering that is my test of atonement for you."`\ ;「………思い出せ、……って言われてもよぅ……。」\ `".........Even if you, ......tell me to remember......"`\ ;■メタ視 bgcopy dllefe_off gosub *BEA_Isyou1 se1 56 mset mld r,$BEA_nayamuA1,24 me1v 16,40 ;「…………思い出せ。@……だからこそ罪なのだ。」\ `"............Remember.`@` ......That's why it is a sin."`\ mld l,$BUT_NayamuA4,23 ;「…悪ぃがベアト。@……俺には身に覚えがさっぱりだ。\ `"Sorry, Beato.`@` ......I have absolutely no memory of it.`\ mld l,$BUT_odorokiA3,80 ;　……何だか６年前の俺が、お前に迷惑を掛けたみたいな雰囲気だが、@俺はお前とは今回の親族会議が初対面のはず。@確かにお前の伝説は６年前の当時にも存在していたが、@俺との面識は当時にはなかったはずだ。」\ `......You make it feel like I caused you trouble six years ago or something,`@` but I supposedly met you for the first time at this family conference.`@` It's true that your legend also existed six years ago,`@` but I shouldn't have been acquainted with you."`\ mld r,$BEA_majimeA4,80 ;「……無論である。@６年前の六軒島において妾はまだ顕現していない。」@ `"......Naturally.`@` On the Rokkenjima of six years ago, I was not yet materialized."`@ mld l,$BUT_KomaruA2,80 ;「なら、俺に何の罪があるってんだ。@……俺に、……お前に対する罪が何かあるってのか…？」\ `"Then what kind of sin are you saying I have?`@` ......Are you saying, ......I've sinned against you somehow...?"`\ mld r,$BEA_majimeA1,80 ;「同じことを二度言わせるな。@妾は６年前には顕現しておらぬ。@そなたと面識など、あろうはずもない。@そなたという世界において、存在しないも同じだ。」\ `"Don't make me say the same thing twice.`@` I was not materialized six years ago.`@` There is no way I was acquainted with you.`@` In the world of you, it was as though I didn't exist."`\ ;　……ベアトの冷めた目は、……何かの罪を追求しているように感じる。@ `......Beato's cold eyes, ......felt as though they were seeking some kind of sin.`@ br ;　俺がした何かの仕打ちを未だに恨んでおり、それを責めているように、一見、感じられるのだ。\ `At a glance, it felt as though she still hated me for some way I'd treated her, and that she blamed me for it.`\ ;　しかし、……俺には当然、何の心当たりもないし、それはベアト自身だって言ってる。@ `However, ......I naturally didn't have a clue, and Beato had said it herself.`@ br ;　６年前の俺たちには何の縁もない。@ `Six years ago, there was no link between us.`@ br #ff0000 se3 21 ;　俺の６年前に、ベアトリーチェなどという人物は存在しないのだ。\ `Six years ago, no person called Beatrice existed for me.`\ #ffffff mld l,$BUT_niramuA3,80 ;「………ヒントくらい出せよ。@……その罪とやらは、俺とお前に、/ ;!d800……関係がある……？」\ `".........At least give me a hint.`@` ......Does this crime, `/ !d800`......have anything to do with you and me......?"`\ mld r,$BEA_MajimeA3,80 ;「妾は６年前にはそなたと縁がない。@妾のことは、いい加減に考えから外せというのだ。@/ `"I had no connection to you six years ago.`@` Remove me from your thoughts already. `@/ mld r,$BEA_nayamuA1,80 ;……なぜ、妾への罪だと思うのか？」\ `......Why...do you think it is a sin against me?"`\ mld l,$BUT_nayamuA4,80 me2v 12,40 ;「………お前の、……目さ。」@ `".........Your, ......eyes."`@ mld r,$BEA_futekiA2,80 ;「目…？@　…………ほぅ。」\ `"Eyes...?`@` ............Hoh."`\ mld l,$BUT_NiramuA4,80 ;「お前の目がさ、……詫びろって、俺に囁いてくるんだよ。@……だが、俺はお前なんか６年前に縁はねぇし、それはお前も認めたはずだ。\ `"You see, ......your eyes are whispering at me to apologize.`@` ......But I had no connection with you six years ago, and it looks like you acknowledge that too.`\ mld l,$BUT_majimeA5,80 ;　…………本当なのか？@　……本当に俺とお前の問題ではないのか……？」\ `.........Is that true?`@` ......Is it really not a problem between me and you......?"`\ mld r,$BEA_MajimeA4,80 ;「………違うというのに。@妾とそなたの問題などまったく関係ないわ。」\ `".........I already said it wasn't.`@` No problem between me and you has anything to do with this."`\ mld l,$BUT_niramuA3,80 ;「だがよ、……お前の目が、そうだと言ってるんだよ。@…………だから俺にはさっぱりわからねぇ。\ `"But still, ......your eyes are telling me differently.`@` ............So I don't even have a clue.`\ mld l,$BUT_majimeA4,80 ;　………赤で言えるか？@　お前が思い出せと言っている罪が、俺とお前の間のものではないと宣言できるか？」\ `.........Can you say it in red?`@` Can you proclaim that the sin you're telling me to remember isn't something between you and me?"`\ mld r,$BEA_fumanA3,80 ;「………………………。@……よかろう。」@ `".....................`@`......Very well."`@ se1 59 br ;　#ff0000妾が今、そなたに思い出すことを要求している罪は、右代宮戦人とベアトリーチェの間のものではない。#ffffff\ `#ff0000The sin I am now demanding that you remember is not between Ushiromiya Battler and Beatrice.#ffffff`\ mld l,$BUT_niramuA4,80 ;「………なら、なぜそんな目で俺を見る……？」\ `".........Then, why are you looking at me with those eyes......?"`\ mld r,$BEA_MajimeA1,80 ;「わからぬ。@………妾はそなたを、こうして淡々と見つめているだけだ。@それをそなたがそう感じるというのならば、/ ;!d1000……それはそなたに、そう感じる何かがあるのではないか。」\ `"I don't know.`@` .........I am simply gazing at you blankly.`@` If it feels that way to you, `/ !d1000`......perhaps that is because there is something that makes you feel that way."`\ mld l,$BUT_odorokiA3,80 ;「………………………。@………俺に、何の罪があるってんだ。」@ `"..................`@`.........What kind of sin are you saying I have?"`@ mld r,$BEA_MajimeA2,80 se1 59 ;「#ff0000右代宮戦人には、罪がある#ffffff。」\ `"#ff0000Ushiromiya Battler has a sin#ffffff."`\ mld l,$BUT_majimeA3,80 ;「……どんな罪だってんだ。@どうせ、叩いたとか誤魔化したとか、下らねぇ罪だろ。」@ `"......I'm asking you what kind.`@` It's probably just some stupid sin, like hitting someone or tricking someone."`@ mld r,$BEA_majimeA1,80 se2 59 ;「#ff0000そなたの罪で、人が死ぬ。#ffffff」\ `"#ff0000Because of your sin, people die.#ffffff"`\ mld l,$BUT_odorokiA2,80 ;「う、嘘吐け…！@　俺は誰も殺してなんかいない…！！@/ `"L, liar...!`@` I've never killed anyone...!! `@/ mld l,$BUT_OdorokiA1,80 ;　じゃあ言えよ！@　俺が誰を殺した？！@　いつ？　誰を？　どうやって？！」\ `Then say it!`@` Who did I kill?!`@` When? Who? How?!"`\ mld r,$BEA_NayamuA1,80 se1 59 ;「#ff0000そなたの罪により、この島の人間が、大勢死ぬ。@/ `"#ff0000Due to your sin, a great many humans on this island die. `@/ se2 59 ;誰も逃さぬ、全て死ぬ。#ffffff」\ `No one escapes, all die.#ffffff"`\ mld l,$BUT_OdorokiA2,80 ;「は、………はぁッ？！？！@　な、何をワケわかんねぇこと言ってんだッ？！@　俺がみんなを殺したっていうのかよ？！@　俺は殺人鬼かッ？！」\ `"Wh, .........whaaaaat?!?!`@` Wh, what kind of incomprehensible thing are you saying?!`@` Are you saying I killed everyone?!`@` I'm a killer?!"`\ mld r,$BEA_majimeA1,80 ;「そなたが直接手を下すわけではない。@………しかし、そなたが罪を犯したからこそ、６年にもわたる歯車の狂いにて、歪みが生じ、@……今夜、これだけの人命が失われるのだ。@ `"It doesn't mean you carried it out directly.`@` .........However, because you committed a sin, from an imperfection in the cogs that stretch back a full six years, a wiggle was created,`@` ......and tonight, this many lives are lost.`@ se3 21 br ;　(そなたは、この惨劇の原因の一つである/・・・・・・・・・・・・・・・・・・)。」\ ;＜点処理：そなたは、この惨劇の原因である (`You are one of the causes of this tragedy`/・・・・・・・・・・・・・・・・)`."`\ E_A se1v 27,100 wait 500 mbg white,1 mcbg 42 mld l,$BUT_kuyasigaruA1,80 bgm1 19 me1v 5,70 ;「……い、……いい加減にしろ！！@　俺が原因だ？！@　じゃあ何だ？！@　俺が６年前に右代宮の籍を捨てたから、１３人が死んだってのか？！@　俺が６年ぶりに右代宮家に帰ってきたから、１３人が死んだってのか？！\ `"......Qu, ......quit messing around!!`@` I'm the cause?!`@` Then what?!`@` Are you saying 13 people died because I abandoned the Ushiromiya register six years ago?!`@` Are you saying that 13 people died because I came back to the Ushiromiya family after six years?!`\ mcl a,0 se2 12 mld c,$BUT_sakebuA1,1 quakey 3,300 ;　ふざけるな、いい加減にしろッ！！！@　俺はこの６年間、もっとも右代宮家から遠ざかっていた男だぜ？！@　その俺が、何に、何の、どんな影響を与えたってんだ？！\ `Don't fuck with me, give it a rest!!!`@` For these six years, I've been the man farthest from the Ushiromiya family, right?!`@` How could I have influenced what in which way?!`\ mld c,$BUT_kuyasigaruA1,80 ;　俺だって好きで親族会議に来たわけじゃねぇぞ？！@　６年ぶりに寄りを戻したから、これまでの期間のケジメってことで、@渋々と六軒島まで来たんじゃねぇか…！！@　別に俺は今日ここへ来る義理なんてなかったんだ！\ `It's not like I came to the family conference because I wanted to, right?!`@` I'd returned to the gathering after six years, so to make up for that lost time,`@` I came to Rokkenjima reluctantly...!!`@` It's not like I had some duty to come here today!`\ mld c,$BUT_odorokiA1,80 ;　その俺が帰ってきて、それが理由で虐殺が起こった？@　じゃあ何だ？！@　俺が帰ってこなけりゃ、誰も死なずに済んだってのか？！@/ `I came back, and because of that a massacre occurred?`@` Then what?!`@` You're saying that if I hadn't come back, no one would've had to die?! `@/ ;mld l,$BUT_OdorokiA1,80 ;　赤で言えよ！！@　俺がもし帰ってこなかったら、この虐殺事件は起こらなかったと、赤で言えるのかよ？！@　……言えるわけねぇさ、お前が全ての犯人なんだからな！！\ `Say it in red!!`@` Can you say in red that, if I hadn't come back, this massacre crime wouldn't have occurred?!`@` ......There's no way you can say it, because you're the culprit for everything!!`\ mcl a,0 se1v 2,100 mld l,$BUT_kuyasigaruB1,1 quakey 3,300 ;　復唱要求ッ！！@　“右代宮戦人がもしも六軒島に戻ってこなかったら、事件は起こらなかった”。@言えるものなら言ってみろ…！！@/ `Repeat it!!`@` 'If Ushiromiya Battler hadn't returned to Rokkenjima, the crime wouldn't have occurred'.`@` If you can say it, try saying it...!! `@/ ;mld l,$BUT_NiramuB1,80 ;　……言えねぇだろ？@　言えやしないのさッ、犯人はお前なんだ、俺じゃないッ！！@　勝手にその責任を俺に擦り付けるんじゃねぇええええぇ！！！」\ `......Can't do it, can you?`@` You can't say it! The culprit is you, not me!!`@` Don't just try to rub that responsibility off onto meeeeeeee!!!"`\ mld r,$BEA_MajimeA4,80 ;「…………………………………。」\ `"........................"`\ mcl a,0 mld c,$BUT_kuyasigaruB1,23 ;「……答えろよ、赤で！！@　復唱してみろってんだ…！！@　出来やしない！@　事件に俺の存在なんか関係ないのさ。\ `"......Answer, in red!!`@` Try to repeat it...!!`@` You can't!`@` My existence has nothing to do with the crime.`\ mld c,$BUT_sakebuA1,80 ;　ワケのわかんねぇことを言って、俺を混乱させるんじゃねぇぇええぇえぇぇッ！！！」\ `Quit saying incomprehensible stuff and trying to confuse meeeeeeeeeeeeeeeeee!!!"`\ E_B mcl a,0 cl a,0 se1v 1006,100 se2v 2,100 mendef 0 bg white,1 me2v 13,70 dllefe 1,1 bg M_o1bN,2 ;■メタ視解除 ;　叩き付ける雨粒が、冷たかったことを、思い出し始める。@ `I began to remember that the raindrops which kept pounding down were cold.`@ br ;　……それまでの雨は、ただ痛いだけだったが、@……今や俺はその雨粒に、苛むような冷たさを感じている……。\ `......The rain earlier had just hurt,`@` ......but now I felt a tormenting cold from those raindrops......`\ gosub *BEA_Isyou2 ld r,$BEA_fumanA3,22 ;「……………………………。@……何も、思い出すことはないのか。」@ ;「………悪いが。@俺にはさっぱり心当たりがねぇ。」\ `"........................`@`......Is there nothing that you remember?"`@ `".........Sorry.`@` I don't even have a clue."`\ ld r,$BEA_fumanA1,80 ;「…………………………。」\ `"....................."`\ bg M_o1aN,0 ld l,$BUT_NayamuA3,26 ;「……おい。@……俺は少しイラつき始めてんだぜ。@……言いたいことがあるなら言えよ。@俺に恨みがあるなら、堂々と言えばいい。@……思い出せなんていやらしい言い方をするんじゃねぇ。」@ `"......Hey.`@` ......I'm starting to get a little pissed off.`@` ......If there's something you wanna say, then say it.`@` If you have a grudge against me. you just have to say it out loud.`@` ......Don't say it in such a dirty way, telling me to remember."`@ br ;「…………もう一度聞く。@……何も、罪を、思い出せぬか。」\ `"............I'll ask one more time.`@` ......Can you remember any sin?"`\ se3 21 ld l,$BUT_odorokiB1,80 ;「あぁ！！@　何にも思い出せねぇな…！！」\ `"No!!`@` I can't remember anything...!!"`\ ;■メタ視 bgcopy dllefe_off mset2ef 2 fede 0,2000 wait 1000 bgm1 76 gosub *BEA_Isyou2 mld r,$BEA_fumanA3,2 ;「………何も、/ ;!d900……思い出せぬと、言うか。」\ `".........So, `/ !d900`......he says that he can remember...nothing."`\ br ;　これにて、未練は尽きたか……？\ `With this, are your regrets at an end......?`\ mld r,$BEA_fumanA2,80 ;「………………………。@……………う、む…。」\ `"........................`@`............H, hmm..."`\ br ;　望み無き賭けも、賭けねば未練が残ろう。@ ;　……それで良いのだ。@ `For even a hopeless bet, regrets will remain if you do not take it.`@ `......That is enough.`@ br ;　賭けることに意味がある。\ `The betting itself has meaning.`\ mld r,$BEA_majimeA1,80 ;「………そうかも知れぬな。@…ならば、これにて。@妾の未練も、ゲームも、終わりだ。」\ `".........That may be true.`@` ...In that case, this is...`@`the end of my regrets, and my game."`\ br ;　そなたはどうする…？\ `What will you do...?`\ mld r,$BEA_fumanA2,80 ;「…さぁな。@………妾はもう、何の興味もない。@……すまぬが、妾はこれにて、ゲーム盤を降りさせてもらいたい。」\ `"...Who knows.`@` .........I'm not interested at all anymore.`@` ......Sorry, but I wish to leave the game board now."`\ br ;　…………………………。@ ;　……そうか。@……わかった。\ `.....................`@ `......I see.`@` ......I understand.`\ gosub *BEA_Isyou1 se1 52 mld l,$BEA_MajimeA1,0 print 99,2000,"breakup.dll/urP" ;「あとのゲームは妾が引き継ぐ。@………そなたは休め。」@ ;＜ドレス `"I will take over for the rest of the game.`@` .........You may rest."`@ gosub *BEA_Isyou2 mld r,$BEA_fumanA3,80 ;「……うむ。@……………。」\ ;＜私服 `"......Yeah.`@` .............."`\ gosub *BEA_Isyou1 mld l,$BEA_nayamuA1,80 ;「後のことは、全て妾が終わらせる。@/ `"All that remains, I will finish. `@/ ;mld l,$BEA_WaraiA1,80 ;………そなたは全てを忘れて枕に顔を埋めよ。@羽の布団は、そなたを全てからやさしく守ってくれるだろう。」@ `.........You may forget everything and bury your head in your pillow.`@` A feather futon should gently protect you from everything."`@ gosub *BEA_Isyou2 mld r,$BEA_fumanA2,80 ;「………後片付けを、……頼む。」\ `".........I'll be counting on you, ......to finish up the rest."`\ gosub *BEA_Isyou1 mld l,$BEA_majimeA1,80 ;「任せよ。@……あとのことは全て任せ、眠れ。」\ `"Leave it to me.`@` ......Leave everything else to me, and sleep."`\ se1 52 mcl r,0 print 99,2000,"breakup.dll/urb" ;　戦人に問い掛けをしていた魔女は姿を消し、@後より現れたもうひとりの魔女が、残る。@ `The witch who had questioned Battler hid herself,`@` and the other witch, who had appeared from behind, remained.`@ br ;　確かに瓜二つの、同じ魔女だったが、@………その表情はどこかとても淡白で冷め切っていて、@……それまでの悪酔いした風とはいえ、元気のよかった彼女からはかけ離れていた。\ `She was certainly identical, the same witch,`@` .........but her expression was somehow indifferent and ice-cold,`@` ......completely removed from the one who, despite seeming drunk up until then, had been in high spirits.`\ mend bg M_o1aN,0 ld l,$BUT_odorokiB1,0 me1v 12,50 dllefe 1,1 print 1 ld l,$BUT_majimea4,80 ;「……………おいッ！！@　聞いてるのかッ？！@　テストとやらはもう充分だろう？！@　合格だろうと不合格だろうと、どうでもいいぜ！@　お前の横っ面をブン殴ってやらなきゃ気が済まねぇ！！@　降りてきやがれ！！@　さもなきゃここの扉を開けやがれ…！！」\ `"............Hey!!`@` Are you listening?!`@` Isn't this enough for that test thing?!`@` I don't care whether I passed or failed!`@` I won't be satisfied until I can bash your face!!`@` Come down here!!`@` Or else open this door...!!"`\ bg black,22 bg M_o1bN,25 ;　魔女は何も答えない。@ `The witch did not answer.`@ br ;　冷え切った戦人の肩と同じくらいに、彼女の瞳も、冷め切ってしまっている。@ `Her eyes were as ice-cold as Battler's shoulders.`@ br ;　……あのバルコニーから姿を現した時とは、明らかに別人だった。\ `......She was clearly a different person since the time she had first appeared on that balcony.`\ ;　魔女は俺の目をじっと見据えて、……小さく首を二度振った。@ `The witch gazed into my eyes, ......and gave two small shakes of the head.`@ br ;　言葉はなくとも、それは何かへの失望を示すものに見て取れた…。@ `Even without words, I was able to gather that she was expressing some kind of disappointment...`@ br ;　魔女は何も言わずに踵を返す。\ `Without saying anything, the witch turned on her heels.`\ ;　あとには、冷たい雨に打たれるままの、戦人が残るだけだった………。\ `After that, only Battler remained, the cold rain still beating down on him.........`\ textoff bg black,5 dllefe_off bg black,1 me2v 16,0 fedexx 0,50,50,0,0,0,3000 wait 1000 bg M2F_P1cN,6 wait 2000 se1 17 bg white,10 se2 54 bgm1 70 bg Mlib_1aN,99,2000,"breakup.dll/lrb" ;■書斎 mov %play_scene,40260 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,0 ;　書斎は賑やかなパーティの真っ最中だった。\ `The study was in the middle of a lively party.`\ bg Mlib_1cN,0 ld l,$GAP_WaraiA2,0 ld r,$WAL_KomaruA1,24 ;　何か下らないことの揚げ足を取って、ガァプがワルギリアをからかっているらしい。@ `It seemed that Gaap was making fun of Virgilia, having tripped her up in some stupid way.`@ br ld l,$GAP_waraiA3,0 ld r,$WAL_OdorokiA1,80 ;　…リアリアリア、ガプガプガプ、と互いに唾を飛ばし合っている。@ ;　それを肴に、金蔵とロノウェが新しいボトルを開けていた。\ `...They were spitting 'Lialialia', 'Gapgapgap' at each other.`@ `With this as a sideshow, Kinzo and Ronove had opened a new bottle.`\ bg Mlib_1bN,0 ld c,$KIN_akuwaraiA1,23 ;「おぉ、戻ったか。@どうであったか、戦人のテストの結果は！@/ `"Oh, you're back.`@` How were the results of Battler's test?! `@/ ld c,$KIN_akuWaraiA2,80 ;　真里亞のテストは文句なしに合格点であったぞ？@　あやつを小娘小娘と、わしは長いこと侮っていたが、@これはこれはどうしてどうして、いやはやいやはやなかなかなかなか！@　わっはっはっはっはっは！！」\ ;＜金蔵 `Maria's test got passing marks with no complaints, you see?`@` I've despised her as a little girl, little girl,`@` but see, but see, why, why, oh my, oh my, not bad, not bad!`@` Wahhahhahhahhahha!!"`\ ;　どうやら、金蔵もすっかり出来上がっているようだった。@ `It seemed like Kinzo was dead drunk.`@ br ;　戻ってきたベアトに対し、テストに出掛けて行った時と同じテンションで笑い掛ける。\ `Towards Beato, who had returned, he laughed with the same level of tension as the time they'd left for the tests.`\ fede 1,1000 ;　…しかし、ロノウェやワルギリアはすぐにその温度差に気付く。@ ;　ガァプも表情を凍らせ沈黙した。\ `...However, Ronove and Virgilia instantly noticed the change in enthusiasm.`@ `Gaap also froze her expression and went silent.`\ ld c,$KIN_AkuwaraiA1,80 ;「わっはははははっはっは、どうしたベアトリーチェよ、我が最愛の魔女よ。@酒が足りぬか？肴が足りぬか？@　土砂降りを浴びながら牛でも丸焼きにしようか、おお、悪くないッ！\ `"Wahhahahahahahhahha, what is it, Beatrice, my beloved witch?`@` Not enough to drink? Not enough on the side?`@` Let's pour it all over a cow or something and roast it whole, ooh, not bad!`\ ld c,$KIN_akuWaraiA2,80 ;　ロノウェ、さっそく準備をせよ！@　ベアトリーチェよ、戦人のテスト結果は後だ。@まずはスペアリブで乾杯と行こうではないか、うわっはっはっはっはっはっはッ！！」\ `Ronove, prepare one right away!`@` Beatrice, let's leave the results of Battler's test for later.`@` Why don't we have a toast with spare rib first, uwahhahhahhahhahha!!"`\ bg Mlib_1e,22 ;「………………お前が丸焼きになるが良い。」@ ;「っはっはっはっは、/ ;!d800……何？」\ `"...............Roast yourself whole."`@ `"-hahhahhahha, `/ !d800`......what?"`\ ;　素っ気無く言い放った魔女は、上機嫌に笑い転げている金蔵の脇を、冷たく通り過ぎる。@ `The witch, who had spoken bluntly, coldly passed by Kinzo's side as he doubled over laughing in a great mood.`@ br ;　……すると魔女の背後で、/ ;!d800………老いた召喚師の体が突如、燃え上がった…。\ `......Then behind the witch's back, `/ !d800`.........the old summoner's body suddenly went up in flames...`\ textoff E_MA se1v 2,100 se2v 55,100 se3v 66,100 mono 2 mbg white,1 mcbg 2 ;「ぎゅおおおぉッ！！！！@　ぐお、が、……ぎゃ………、な、ぜ、か…………ッ？！」\ `"Gyaaaaaahhh!!!!`@` Gwohh, gah, ......gyah........., w, h, y............?!"`\ ;　目、口、鼻などの全身のあらゆる穴から紅蓮の炎を噴出しながら、金蔵は転げ回る。@ `As crimson flames spat from his eyes, mouth, nose...every hole on his body, Kinzo rolled around.`@ br ;　……それは恐ろしい業火であるにもかかわらず、金蔵以外の何物も焦がすことはなかった。\ `......Even though it was a terrible hellfire, it didn't burn anything except Kinzo.`\ bg black,22 ;mono off bgm1 17 ;　金蔵は何が何やらわからない。@ `Kinzo didn't have a clue what was going on.`@ br ;　……あれほど上機嫌だったベアトリーチェが突然に、@なぜにこれほど冷酷になったのか理解できず、転げ回る……。\ `......Unable to understand why Beatrice, who had been in such a good mood,`@` had suddenly turned so cold, he rolled around......`\ bg Mlib_1bN,22 ;　その転げ回る巨大な松明が生み出す、魔女と悪魔たちの踊るような影絵は、@その火炙り刑に興奮する観衆にも見えた。@ `The dancing silhouettes of the witch and demons created by that massive rolling torch...`@`looked like a group of excited spectators around a burning at the stake.`@ br ;　しかし、それを見守る悪魔たちの瞳は冷ややかなものだった……。\ `However, the eyes of the demons who watched over that were indifferent......`\ se1 55 mono off print 2 ;　やがて金蔵が動かなくなると、火は消え、そこには真っ黒な死体が残る。@ `When Kinzo finally stopped moving, the fire disappeared, leaving a pitch-black corpse.`@ br ;　室内は静寂という名の、雨音に支配されるのだった……。\ `The inside of the room was commanded by the stillness of the sound of the rain......`\ me1v 13,50 ld r,$RON_majimeA1,24 ;「……どうなさいましたか、お嬢様。」@ ;＜ロノウェ `"......What has happened, Milady?"`@ ld l,$BEA_MajimeA1,23 ;「興が、醒めた。@………その邪魔な燃えカスを片付けよ。」\ `"I've gotten over...my excitement.`@` .........Clean up those bothersome cinders."`\ ;　ベアトリーチェの表情は、……信じられないくらいに冷淡。@ `Beatrice's expression, ......was unbelievably indifferent.`@ br ;　…機嫌を損ねれば、自分たちも金蔵と同じ末路を辿らされかねない冷たさがあった。\ `...There was an iciness that might easily bring the others to the same fate as Kinzo if they annoyed her.`\ bg Mlib_1cN,0 ld r,$GAP_defA3a,24 ;「…………え、えぇ。@私が片付けるわ…。」\ ;＜ガァプ `"............Y, yes.`@` I will clean it up..."`\ se3 56 ;　ガァプは漆黒の落とし穴に金蔵の燃えカスを飲み込ませる。@ `Gaap made a jet-black pitfall swallow up Kinzo's cinders.`@ br ;　…それを早く実行しなければ、ガァプもまた燃やされるかもしれない。@そんな殺気さえ感じた。\ `...If she hadn't carried that out quickly, Gaap might also have been burned.`@` You could even feel that thirst for blood.`\ ;　いや、殺気という表現さえ妥当ではない。@ `No, a thirst for blood probably isn't the best way to describe it.`@ br ;　……人が歩く時、アリを踏み潰すことに特別な感情など抱かないように。@ `......Just like humans don't have any particular emotion when they step on an ant while they're walking.`@ br ;　……それくらい、無意識に無慈悲に、今のベアトには行きずりの何者かを葬りかねない残忍なる空虚さで満ちていた…。\ `......That was how much, unconsciously and mercilessly, Beato was now filled with a brutal emptiness that wouldn't hesitate at burying a passerby...`\ bg Mlib_1aN,0 ld l,$WAL_FumanA1,23 ;「……ど、どうしたのです、ベアト。」@ ;＜ワルギリ `"......Wh, what is it, Beato?"`@ ld r,$BEA_FumanA1,24 ;「答えたくない。@/ `"I don't want to answer. `@/ ;ld r,$BEA_NayamuA1,80 ;……………いや、答えるのも、もはや面倒臭い。」\ `...............No, even answering is too much of a pain to do now."`\ cl l,24 mld l,$GAP_DefA2a,23 ;「………どうしたのよ、らしくもなく。@/ `"......What is it? This isn't like you. `@/ ;mld l,$GAP_WaraiA1,80 ;……何かあったの？@　戦人が何か言っ、@/ `......Did something happen?`@` Did Battler say someth, `@/ me2v 28,80 se1v 57,70 se2v 1100,40 se3v 1100,40 mbg white,1 mld l,$GAP_ikariA1a,0 msp msp_l,0,0,-130 mcbg 0 print 42 ;…………く、が、ギュ、」\ ;＜ガァプ `.........ack, gah, gyah-"`\ ;　ベアトリーチェは、返事もしていない。@無視さえしたはずだ。@ `Beatrice didn't even answer.`@` It seemed that she even ignored it.`@ br ;　しかし、ガァプに変化が起こる。\ `But there was a change in Gaap.`\ br ;　足元から、メリメリパキパキと、薄氷を割るような音が上り、@……瞬く間に、ガァプをガラスの彫像に変えてしまう。\ `From her feet, a creaking, cracking sound rose, like thin ice breaking,`@` ......and in an instant, turned Gaap into a glass sculpture.`\ ld c,$WAL_komaruA1,24 ;「ガ、……ガァプ…、」@ ;＜ワルギリ `"G, ......Gaap..."`@ ld r,$BEA_MajimeA1,80 E_M2 ;「…………しばらく、消えろ。@大変に不機嫌だ。」@ `".........Disappear for a while.`@` I'm in a very bad mood."`@ br ;　ベアトリーチェは、本当に冷たい、@……聞くだけで心までも凍えさせてしまうような声で、そう言い放った。\ `Beatrice spoke that,`@` ......in a truly cold voice, which could freeze the heart just by hearing it.`\ mcl l,0 bg black,24 bg Mlib_1dn,0 ld c,$RON_OdorokiA2,24 ld c,$RON_OdorokiA1,80 ;「……かしこまりました。@それでは私どもは、これでお暇させていただきます。@/ `"......Certainly.`@` Then, please allow us to retire. `@/ ;ld c,$RON_DefA2,80 ;………何かございましたら、いつでもお呼びを。」\ `.........If you need anything, call at any time."`\ se1 52 cl c,99,2000,"breakup.dll/llB" ;　ロノウェは一礼してから、黄金の蝶の群に変わり、姿を消す。\ `After bowing, Ronove turned into a group of gold butterflies, and hid himself.`\ textoff bg Mlib_1aN,0 mld l,$GAP_ikariA1a,0 msp msp_l,0,0,-130 ld r,$WAL_KomaruA1,23 ld r,$WAL_komaruA2,80 se1 52 mcl l,0 print 99,2000,"breakup.dll/urb" se2 52 cl r,99,2000,"breakup.dll/ulb" ;　ワルギリアは、彫像に変えられてしまったガァプを黄金の蝶の群にして消し去ってから、@自らも蝶の群になり、それに混じり合って姿を消した。\ `After turning Gaap, who had become a sculpture, into a group of gold butterflies, `@`Virgilia also turned into a group of butterflies, which mixed in with the others and disappeared.`\ bg black,24 me2v 11,0 fedexx 70,0,90,0,0,0,2000 bg Mlib_1bN,0 ld c,$BEA_fumanA1,24 ;　…………飲み散らかされた、書斎に、@……ベアトリーチェはひとり、立ち尽くしている。@ ;　その表情は、戻ってきた時から、わずかほども変わらない…。@ `............In the study made untidy by drinking,`@` ......Beatrice stood still, alone.`@ `Since the time she had returned, her expression hadn't changed in the slightest...`@ br ;　……しかし、転がったワインの空き瓶や散らかったチーズの皿などに気付くと、@少しだけ不快そうに眉をひそめた。\ `......However, when she saw the fallen empty wine bottles and scattered cheese plates,`@` her brow furrowed, and she looked a bit displeased.`\ ld c,$BEA_fumanA3,80 ;　そして一言、消えろと呟くと、その瞬間、部屋は瞬き、何事もなかったかのように片付いた。\ `And when she whispered 'disappear', in that instant, the room was cleaned up in a flash, as though nothing had happened.`\ textoff bg white,22 se1 52 bg Mlib_1e,99,2000,"breakup.dll/llb" ;　応接席は綺麗に整い、ワインもチーズもない。@ ;　零した汚れも、散らかしたゴミもない。@ `The reception chairs were neatly arranged, and there was no wine or cheese.`@ `There were no stains or scattered trash either.`@ br ;　……それどころか、空気さえも冷え切り、@この部屋についさっきまで、あれだけの人数が賑やかにしていたことさえも疑わせるほどに、@………静かな書斎に戻った。\ `......To the contrary, even the air had frozen over,`@` and, enough to make one doubt whether a large number of noisy people really had been in this room until a short while ago, `@`.........the study had returned to silence.`\ bg black,22 bg Mlib_1dN,0 ld r,$BEA_fumanA1,22 ;　………その、沈黙の、……空気さえも凍ってしまった寒々しい書斎に、@ベアトリーチェは立ち尽くしていた…。@ `.........In that silent, ......frigid study where even the air had frozen,`@` Beatrice stood still...`@ br ;　そして、呟くように呼ぶ。\ `Then, she called, muttering.`\ ld r,$BEA_fumanA3,80 ;「………………戦人。@いるか。」\ `"...............Battler.`@` Are you there?"`\ E_MA se1 56 mset ;■メタ視 mld l,$BUT_NayamuA4,23 ;「……さっきからいるぜ。@/ `"......I've been here for a while. `@/ ;mld l,$BUT_KomaruA1,80 ;………何なんだ、一体お前は。@さっきから変だぜ。」@ `.........What the hell's going on with you?`@` You've been strange since a short while ago."`@ cl r,0 mld r,$BEA_nayamuA1,24 ;「変に見えるか。@それは済まぬな。」\ `"Do I seem strange?`@` My apologies."`\ mld l,$BUT_komaruA3,80 ;「…………あれだけ上機嫌に酒を酌み交わしていたクソジジイをいきなり焼き捨て、@お前の友人の悪魔女もガラスの彫像。@……悪魔の執事もお師匠も、消えろの一言でさっさと出てけだ。@……お前、どんだけ気まぐれでわがままなんだか。」\ `"............Even though you were drinking so happily with that damn geezer, you suddenly burned him up,`@` and your demoness friend is a glass sculpture.`@` ......When you told the demon butler and your teacher to leave, they disappeared right away at your words.`@` ......Just how fickle and selfish are you?"`\ mld r,$BEA_fumanA3,80 E_A ;「戦人。もう止めた。」@ `"Battler. It's already over."`@ mld l,$BUT_OyaA1,80 ;「何を。」\ `"What is?"`\ mld r,$BEA_majimeA1,80 bgm1 66 ;「…………妾はもう、飽きた。」\ `".........I've had enough already."`\ mld l,$BUT_OdorokiA2,80 ;「はぁ？@　………そりゃまぁ、お前がおっ始めたゲームだぜ。@/ `"Wha?`@` .........That's, well, you were the one who started this game. `@/ mld l,$BUT_komaruA2,80 ;へっ、飽きてくれて助かるってもんさ。@つまるところ、投了ってわけだな？」\ `Heh, if you've had enough, that's great for me.`@` So basically, you're giving up?"`\ mld r,$BEA_nayamuA1,80 ;「投了などではない。@ただ、終わるだけだ。@いや、終わりもしない。@このまま、ゲームが永遠に放棄されるだけだ。」\ `"I am not giving up.`@` I am just ending it.`@` No, I won't even end it.`@` I am just abandoning this game for all eternity."`\ mld l,$BUT_futekiA1,80 ;「そういうのを投了って言うんじゃねぇのかよ。@……いや、飽きて放り出すって言葉が、お前にはぴったりだな。」\ `"Doesn't that mean you're giving up?`@` ......Nah, the words 'got tired of it and threw it away' fit you perfectly."`\ mld r,$BEA_fumanA3,80 ;「その通りだ。@飽きたから、放り出す。@/ `"That is correct.`@` I am tired of it, and am throwing it away. `@/ mld r,$BEA_fumanA1,80 ;後は知らぬ。@そのまま放置されて、好きに埃でも被ればいい。」\ `I don't care about the rest.`@` It can remain abandoned and gather dust as much as you like."`\ mld l,$BUT_NiramuA3,80 ;「……………………。@……お前どうしたんだ。@何だかさっきからやりにくいぜ。\ `"..................`@`......What's going on with you?`@` You've been kinda hard to deal with since a short while ago.`\ mld l,$BUT_MajimeA2,80 ;　……まださっきのワケのわかんねぇテストのことで尾を引いてるのかよ？@　俺に恨みがあるなら、はっきり言えばいいじゃねぇか。@お前は赤で、自分とは関係ないなんて言ってみせたが、どうせ言葉遊びだろ？@　お前の顔に書いてあるぜ。@俺を恨んでるってな。」\ `......Is this still the effect of that incomprehensible test from earlier?`@` If you've got a grudge, all you have to do is say so clearly.`@` You said in red that it has nothing to do with you, but that's got to be a play on words, right?`@` It's written all over your face.`@` You have a grudge against me."`\ mld r,$BEA_KomaruA1,80 ;「お前に恨みなどないと、何度言えばわかるのか。@妾はそなたが罪を残したその当時に、存在しておらぬ。」\ `"How many times will I have to say I have no grudge against you before you'll understand?`@` At the time you left your sin behind, I did not exist."`\ ;　ベアトはカチンと来たような表情で、さらに不愉快そうに表情を歪めてそう言い放つ。@ `As Beato spoke with an offended expression, her face twisted to look even more displeased.`@ br ;　気まぐれ。@移り気。@気分屋。@天気屋。@……わがままで無邪気で、残酷。@ `Fickle.`@` Inconsistent.`@` Moody.`@` Temperamental.`@` ......Selfish and simple-minded and cruel.`@ br ;　しかしそれでも、こんなおかしな表情を見せたことは今まで一度もなかった…。\ `But even so, she hadn't shown an expression as strange as this even once until now...`\ mld l,$BUT_futekiA1,80 ;「…………ま、お前が吹っ掛けてきたゲームだ。@俺も決着がつかねぇのは残念だが、気が向いたらぜひまた誘ってくれよな。\ `"............Well, you were the one to provoke this game.`@` I'm a bit let down that it wasn't resolved, but feel free to invite me again if you feel like it.`\ mld l,$BUT_nayamuA2,80 ;　そん時ゃ、謹んでご辞退させてもらうけどよ？@　へっへっへ。」\ `But when that happens, allow me to politely refuse, alright?`@` Heheheh."`\ ;　わざとおちょくるような口調で話し掛けるが、ベアトがそれに反応を示すことはない。@ `He intentionally spoke in a mocking tone, but Beato showed no reaction.`@ br ;　……戦人は俯き、舌打ちをする…。\ `......Battler hung his head and clicked his tongue...`\ mld l,$BUT_futekiA1,80 ;「何度も何度も１０月４日と５日をぐるぐる過ごしたわけだが、ようやくこれでお役御免だな。@……これで明後日には船が来る。\ `"We've circled around October 4 and 5 over and over again, but I've finally had just about enough of this role.`@` ...This way the boat will come tomorrow.`\ mld l,$BUT_defA2,80 ;　…そうさ、そして船着場にはうみねこも戻ってくる。@……俺はようやく、六軒島名物の、あのニャーニャーいう鳴き声を聞けるわけだ。@何しろ、島に来た時は天気のせいか、全然いなかったからな。\ `...That's right, then the seagulls will return to the harbor.`@` ......I'll finally be able to hear Rokkenjima's signature nya-nya- cries.`@` After all, maybe because of the weather, they weren't there at all when I came to the island.`\ mld l,$BUT_DefA1,80 ;　………うみねこのなく頃に、全ては終わる、ってわけだ。@……終わり終わり、おしまいおしまい。@清々すらぁ。」\ `.........When the seagulls cry, everything will end, I guess.`@` Done, done, the end, the end.`@` So refreshing."`\ mld r,$BEA_fumanA1,80 me1v 16,40 ;「…………何を、そなたは勘違いしておるのか。」@ `".........Exactly what is that it you're misunderstanding?"`@ mld l,$BUT_oyaA1,80 ;「ん？@　何をだって？」\ `"Hm?`@` What'd you say?"`\ mld r,$BEA_FumanA3,80 ;「………何も終わらぬと、妾は言ったぞ。@これにて全ては放置される。@ゲームは忘れられ、盤上の駒はそのままに放置される。@/ `".........I said that nothing would end.`@` With this, everything will be abandoned.`@` The game will be forgotten, and the pieces on the board will be abandoned as they lay. `@/ ;mld r,$BEA_NayamuA1,80 ;進みも戻りも、取りも取られもしない。@勝ちもなく、負けもなく、引き分けすらもない。@ただ、放置されるのだ。」\ `There will be no advancing or returning, no taking and being taken.`@` No victory, no defeat, not even a tie.`@` Just abandoned."`\ mld l,$BUT_defA2,80 ;「…………つまりはおしまいってことだろ。」\ `"............Doesn't that mean it's over?"`\ mld r,$BEA_MajimeA2,80 ;「違う。@妾の手番にて永遠にゲームが止まる。@そなたの番は来ない。@だから勝ちも負けも引き分けもない。\ `"Wrong.`@` On my turn, the game will stop for all eternity.`@` Your turn will not come.`@` So there will be no victory nor defeat nor a tie.`\ mld r,$BEA_nayamuA1,80 ;　………かつての妾は、そなたにそうされるわけには行かなかった。@そなたに勝つという目的があったからだ。@/ `.........In the past, I could not have you do that.`@` Because you had the goal of victory. `@/ ;mld r,$BEA_KomaruA1,80 ;しかし、それに興味を失った。@だから、これ以上、手番を進める意味が、もう何もない。」\ `However, that has lost its interest.`@` So there is no longer any point in advancing moves any further."`\ mld l,$BUT_nayamuA1,80 ;「…………俺に手番が来ないというのは、どういう意味なんだ…。」\ `"............What do you mean...by my turn not coming...?"`\ ;　俺は、ベアトがゲームに飽きることで解放され、六軒島を脱出できるつもりでいる。@ `I'd thought that Beato getting tired of the game meant I'd be released, and able to escape Rokkenjima.`@ br ;　しかし、ベアトが繰り返し言う、ゲームの放棄とゲームの勝敗は違うという意味が、@……なぜか頭に引っ掛かる…。@ `But for some reason, what Beato's repeated words meant, about the difference between abandoning the game and settling it,`@` ......caught my attention...`@ br ;　………こいつはさっきから何に不機嫌で、…何を言っているんだ……？\ `.........Just what had she been saying, ...and why the bad mood......?`\ textoff csp -1 se1 22 bg white,0 ld r,$BEA_nayamuA1,0 ld l,$BUT_nayamuA1,22 se2 52 bg G1F_S1aP,0 ld r,$BEA_nayamuA1,0 ld l,$BUT_nayamuA1,99,2000,"breakup.dll/lrb" ;　その時、俺の後から突然、声が聞こえた。@ `At that time, I suddenly heard a voice from behind me.`@ br ;　振り返ると、……どこかであった記憶があるような、ないような…。@ `When I turned around, ......there was someone I thought I might, or might not, remember from somewhere...`@ br ;　……瞳に光を宿さない、謎の少女が立っていた。\ `......A mysterious girl, with no light in her eyes, was standing there.`\ bg black,24 fede 0,1000 bg G1F_S1cP,0 ld c,$BER_DefA2,24 bgm1 49 ;「………その子が言っているのは、こういう意味よ。@……このゲームが、駒をそのままに、蓋を閉じられるということ。@ゲームは終わらないまま、永遠に留め置かれる。」\ ;＜ベルン `".........What this kid is saying means something like this.`@` ......She means putting the lid on this game, leaving the pieces as they are.`@` Without ending, the game will be locked away for all eternity."`\ bg G1F_S1bP,23 se1 57 bg white,1 bg G1F_S1bP,0 ld r,$LAM_AkuwaraiA3,22 ;「あんたが元の世界へ戻ることの出来る唯一の方法は、ベアトに勝利することだけ。@/ `"The only way for you to return to your original world is to win against Beato. `@/ ;ld r,$LAM_AkuwaraiA3,80 ;………つまり、ベアトがゲームを放棄しちゃうってことは。@……わかるぅ？」\ ;＜ラムダ `.........In other words, if Beato were to abandon the game...`@`...get it?"`\ ;　いつの間にか、別の場所にも、真っピンクのドレスを来た少女がいた。@ ;　……彼女にもどこかで会ったような気がするが、思い出せない。\ `Suddenly, in a different place, was a girl wearing a bright pink dress.`@ `......I had a feeling I'd met her somewhere too, but I couldn't remember.`\ ;　それより、彼女の言った言葉の意味。@ `More important was the meaning of the words she said.`@ br ;　……ゲームが放棄されるということは、……え？\ `......If the game is abandoned then, ......huh?`\ se1 52 ld l,$BER_DefA1,99,1000,"breakup.dll/urb" ;「………そういうことよ。@勝負は敵味方が揃わなきゃ決着しないわ。@………あなたには、もう永遠に、勝利してこの世界から抜け出すことが、出来ないということよ。」\ `".........That's right.`@` A match won't be resolved unless enemies and allies gather.`@` .........It would mean that you would never be able to win and escape this world for all eternity."`\ ld r,$LAM_FutekiA2,80 ;「差し詰め、……あなたを閉じ込めた檻の鍵を、@ハトの首輪にでも括り付けて飛ばしてしまうようなものかしら。\ `"What it comes down to, I guess, ......is something like taking the key to the cage that you're locked in,`@` fastening it to the collar of a pigeon or something and letting it fly.`\ ld r,$LAM_futekiA1,80 ;　…………冗談じゃないわ、ベアト。@そんなつまらないゲームを見に、私たちは遥々ここまで来たわけじゃないのよ。@これでゲームはお開きなんて、冗談じゃないわ。」\ ;＜ラムダ `............This isn't funny, Beato.`@` We didn't come this far to watch such a boring game.`@` Calling it a day like this just isn't funny."`\ ld l,$BER_DefA2,80 ;「………ラムダに同じよ。@私は戦人を勝利させ、あなたを敗北させてのた打ち回らせるためにやって来たのよ。@まだその目的を達していない。@……こんなところでゲーム放棄されて、逃げ出されたんじゃ堪らないわ。」\ ;＜ベルン `".........I'm the same as Lambda.`@` I came here to make Battler win, and to make you writhe in defeat.`@` I still haven't achieved that goal.`@` ......I won't stand for you abandoning the game at a time like this and running away."`\ bg G1F_S1aP,23 ld c,$BEA_nayamuA1,22 ;「卿らを失望させるゲームの幕切れとなったことは認めよう。@/ `"I acknowledge that it would mean the curtain call for a game that disappoints you Ladies. `@/ ld c,$BEA_MajimeA1,80 ;……しかし、この茶会のホストたる妾は何しろ気まぐれ。@興が醒めれば、持て成す術など知らぬ。@……元より、それが妾の、魔女たる所以のはず。@何も問題はなかろう…？」\ `......However, I, the host of this tea party, am after all fickle.`@` Once it's lost its fun, I know no way of entertaining.`@` ......I believe that was my witch-like way of doing things in the first place.`@` There are no problems, yes...?"`\ bg G1F_S1cP,0 ld r,$BER_DefA1,24 ;「…………………………。@……確かに。@あなたの教義には反しないわ。」\ ;＜ベルン `"..................`@`......Certainly.`@` I won't go against your creed."`\ se1 57 bg white,1 bg G1F_S1cP,0 ld r,$BER_DefA1,0 ld l,$LAM_OdorokiA1,22 ;「私は認めないわよ…。@……ふざけんじゃないわよ、あんたにどんだけ肩入れしたと思ってんのよ…。@/ `"I won't accept it...`@`......Quit fooling around, how much do you think I've supported you... `@/ ld l,$LAM_futekiA1,80 ;ここまでお膳立てさせて、これでハイおしまい？@　ふざけんじゃないわよ…！！」\ ;＜ラムダ `You think I'd be okay with that after all this preparation?`@` Don't mess with me...!!"`\ bg G1F_S1bP,0 ld l,$BEA_MajimeA1,23 ;「妾は飽きたと、そう言っている。@それ以上も以下もない。」\ `"I am saying that I have tired of it.`@` Nothing more, nothing less."`\ se1 57 mbg white,1 mcbg 0 ld r,$LAM_AkuwaraiA2,22 ;「そうは行かないわよ…。@あんたにはこのゲームを続けてもらうわ。@戦人に勝利したいんでしょう？@/ `"That's not going to work...`@` We'll have you continue this game.`@` You want to win against Battler, right? `@/ ld r,$LAM_akuwaraiA1,80 ;　勝って屈服させたいんでしょう？！@　もう一息じゃない！@　ね〜？！」\ ;＜ラムダ `You want to win and make him surrender, right?!`@` It's almost over, isn't it?!`@` Ri~ght?!"`\ bg G1F_S1aP,0 ld l,$BUT_odorokiA2,23 ;「………そ、そこで俺に振るんじゃねぇ。@/ `".........D, don't nod at me when you say that. `@/ ld l,$BUT_MajimeA2,80 ;……ただ、俺にも意見はある。@言わせてくれ。」@ ;＜戦人 `......But, I have an opinion too.`@` Listen to it."`@ ld r,$BEA_fumanA1,24 ;「…………何か。」\ ;＜ベアト `"............What?"`\ ld l,$BUT_NiramuA4,80 ;「こいつは、お前に売られた喧嘩だ。@俺はお前とはっきり白黒をつける覚悟がある。@……何度か屈服しかけたが、@途中で逃げ出して、勝負をうやむやにして逃げるつもりだけはさらさらねぇ。\ `"This is a fight you started.`@` I'm prepared to settle this once and for all.`@` ......I've come close to surrendering many times, `@`but I've never had any intention of escaping part-way through, leaving the match undecided.`\ ld l,$BUT_MajimeA4,80 ;　……俺がここにいて、戦う意思を見せている以上。@……逃げるんじゃねぇ、ベアトリーチェ。」\ ;＜戦人 `......Since I am here, showing the will to fight,`@` ......you aren't running away, Beatrice."`\ cl a,23 wait 1000 ld l,$ENJ_fumanA2,23 ;「…………同感だわ。@戦人を巻き込んでおいて、勝ちも負けも与えずに立ち去るなんて、無責任にも程がある。」\ ;＜グレーテル `".........I agree.`@` Getting Battler involved and then leaving without giving him victory or defeat is just too irresponsible."`\ ;　いつの間にか、グレーテルまでもがいた。@ `Suddenly, even Gretel was there.`@ br ;　……そして誰もが、ベアトのことを無責任だと罵った。\ `......And everyone was blaming Beato for being irresponsible.`\ bg black,23 bg G1F_S1bP,0 ld c,$BEA_MajimeA2,23 ;「ほう。@………どうやら妾が無責任だと罵られる最大の理由は、戦人が対戦相手として留まっているからということらしい。@/ `"Hoh.`@` ......It seems the greatest reason I am being called irresponsible is that Battler will, as an opponent, be stuck. `@/ ld c,$BEA_futekiA2,80 ;………ならば戦人。@お前もまた、私と同様に対戦相手を降りてくれぬか？@　それでなら、妾は批判されることもない。」\ `.........In that case, Battler.`@` Will you, as I shall, step down from being an opponent?`@` That way, there will be nothing to criticize me for."`\ cl c,0 ld r,$BUT_KomaruA1,0 ld l,$BEA_futekiA2,24 ;「俺が降りると、六軒島を出られるのか…？」@ `"If I step down, will I be able to leave Rokkenjima...?"`@ ld l,$BEA_fukigenA1,80 ;「出られるわけもなかろうが。@勝手に埃を浴びて肩にでも積もらせよ。」\ `"There is no chance that you will be able to leave.`@` Just be covered in dust and let it pile up on your shoulders."`\ cl r,23 ld r,$ENJ_FumanA1,24 ;「………ふざけないで。@なんて無責任な人なの。@あんたはこれだけ大勢の人間を殺した。@/ `".........Quit fooling around.`@` What an irresponsible person.`@` You've killed such a large number of people. `@/ ;ld r,$ENJ_KomaruA4,80 ;しかも、魔女の力によって、何度も何度も。@惨たらしい殺し方で！@　………その責任を取らず、逃げ出すなんて、絶対に許せない…！」\ ;＜グレーテル `On top of that, using a witch's power, you've done it over and over.`@` Killing in gruesome ways!`@` .........I definitely won't permit you to escape without taking responsibility...!"`\ ld l,$BEA_DefA2,80 ;「責任。@……ほぅ、妾はどのようにして、その責任とやらを取ればいいのか。」\ `"Responsibility.`@` ......Hoh, what is it I should do to take this so-called responsibility?"`\ ld r,$ENJ_IkariA1,80 ;「決着をつけるまで戦いなさい。@戦人は正面の席に座り、あなたに打ち勝つまで決して諦めずに戦う。@だからあなたも、負かされるまで戦いなさい。@それが嫌なら、戦人を負かせてみせなさい…！！\ `"Fight until a resolution is reached.`@` Battler will sit in the chair across from you, never giving up and fighting until he beats you.`@` So you too, fight until you are defeated.`@` If you don't like that, try and defeat Battler...!!`\ ld r,$ENJ_komaruA5,80 ;　許さない、全てをうやむやにして、戦人をこの席に放り出して、/ ;!d900……永遠に閉じ込めて帰さないなんて、/ ;!d900………許さない……！！」\ ;＜グレーテル `I won't forgive you...if you leave everything unresolved and abandon Battler in this chair, `/ !d900`......locking him up and never letting him return, `/ !d900`.........I won't forgive you......!!"`\ bg G1F_S1cP,0 ld l,$BUT_odorokiA3,24 ;「……グレーテル。」\ `"......Gretel."`\ ;　正直なところ、@グレーテルがどういう立ち位置で俺を助けてくれているのか、よくはわからない。@ `To be perfectly honest,`@` I didn't really understand from what standpoint Gretel was trying to save me.`@ br ;　……しかし彼女の言葉には、@俺をこの狂ったゲームの世界から、何としても救い出したいという、強い意志が感じられた。@ `......But in her words, `@`I could feel a strong determination to save me from this insane game world no matter what.`@ br ;　だから、俺もそれに応えた。\ `So, I also responded to that.`\ ld l,$BUT_majimeA3,80 ;「ベアト。@こっちを向け。」@ `"Beato.`@` Face this way."`@ ld r,$BEA_fumanA1,24 ;「…………………。」\ `".................."`\ ld l,$BUT_komaruA3,80 ;「俺は、ここにいる。@お前の正面の、ライバルの席だ。@……わかるな？@　俺がここに座り続ける限り。@お前に逃げは、許さない。@……だから逃げるな。戦え。\ `"I am here.`@` Across from you, in the seat of your rival.`@` ......Get it?`@` As long as I continue to sit here,`@` I won't permit you to escape.`@` ......So don't escape. Fight.`\ ld l,$BUT_majimeA4,80 ;　お前が始めた戦いだろうが。@これだけ何度も何度も上等を決めやがって、しっちゃかめっちゃかにやってくれたんだッ！@/ `Isn't this a fight that you began?`@` You did all that crap over and over, making a complete mess of things! `@/ ;ld l,$BUT_OdorokiB1,80 ;　今さら飽きたで終わらせられるかよ！！@　俺はお前の対戦相手だ！！@　俺がここにある限り！！@　逃げるなんて許さねえぞッ！！\ `How could I let you end it because you're tired, after all this time?!!`@` I am your opponent!!`@` As long as I am here,`@` I won't let you escape!!`\ ld l,$BUT_kuyasigaruA1,80 ;　聞いてるのかこの無責任魔女めッ！@　何とか言ってみろってんだぁあああああああぁあぁぁあぁぁ！！！」\ `Are you listening, you irresponsible witch?!`@` Try saying somethiiiiiiiiiiiiiiiiiiiing!!!"`\ ;　俺が怒鳴りつけると、……しばらくの間、ベアトは沈黙していた。@ `After I yelled at her, ......Beato went silent for a while.`@ br ;　俺の言葉が届いたのか、それともまったく別のことを考えているのかは、わからない。\ `Whether my words had reached her, or whether she was thinking about something completely different...I couldn't tell.`\ ;ld r,$BEA_MajimeA1,80 ;　でもしばらくの間、沈黙し、@……何とも感情の読めない表情で俺を凝視し、@……それに気付かれたと知って、目線を逸らせた。@ `But for a while, she was silent,`@` ......gazing at me with an expression I could read no emotion from,`@` ......and when she realized that I noticed, she averted her gaze.`@ br cl r,23 ;　そして背を向け、……こう言った。\ `Then she turned her back to me, ......and said this....`\ bg black,23 me1v 5,0 fedexx 0,50,0,0,0,0,1000 E_B bg G1F_S1bP,0 ld l,$BEA_nayamuA1,23 ;「戦人が対戦相手を辞めてくれぬ以上、このゲームを放棄することは認められぬと、……卿らは仰るわけか。@/ `"So, since Battler will not quit as my opponent, ...the Ladies are saying that the abandonment of this game will not be acknowledged. `@/ ld l,$BEA_majimeA1,80 ;…………ならば、問おう。@そもそも、そこにいる男に、妾の対戦相手たる資格があるのかどうかを。」\ `............In that case, I shall ask.`@` Whether the man over there was qualified to be my opponent in the first place."`\ ld r,$ENJ_majimeA1,24 ;「………資格？」@ ;＜グレーテル `".........Qualified?"`@ ld c,$BUT_NiramuA3,23 ;「…どうせ、さっきのテストとやらのことだぜ。」\ ;＜戦人 `"...Probably has something to do with that test or whatever just now."`\ bg G1F_S1aP,23 ld r,$BER_DefA1,24 ;「……………何をする気…？」@ ;＜ベルン `"............What are you planning to do...?"`@ ld l,$LAM_OdorokiA1,23 ;「…あ、…あんたまさか…、」\ ;＜ラムダ `"...Y, ...you couldn't be..."`\ bg G1F_S1cP,0 ld c,$BEA_nayamuA1,24 ;「これより、そなたに妾の対戦相手たる資格があるかどうか、それを問う。@/ `"I will now question whether you are qualified to be my opponent. `@/ ld c,$BEA_akuwaraiA1,80 ;………良いか、戦人。@その資格が認められれば、妾は席に留まり、ゲームを続けよう。@そして、勝敗の決着がつくまで、永遠に戦い続けることを約束しよう。」\ `.........Alright, Battler?`@` If those qualifications are acknowledged, I will stay in my seat and continue the game.`@` And I shall promise to fight for all eternity until the outcome is decided."`\ bg G1F_S1bP,0 ld l,$BUT_futekiA1,23 ;「へ！@　俺には元よりその覚悟はあるぜ。」\ `"Heh!`@` I was ready for that from the beginning."`\ ld r,$BEA_defA2,24 ;「…………しかし。@その資格がなかったなら。@……そなたは消えよ。@対戦相手が消えれば、ゲームもない。@妾は堂々とここを立ち去れる。@/ `"............However,`@` if you are not qualified,`@` ......you will disappear.`@` If the opponent disappears, there is no game.`@` I can leave this place openly. `@/ ld r,$BEA_futekiA2,80 ;………卿らもよろしいか。@口出しは無用。」\ `.........Are the Ladies satisfied?`@` Interruptions are unnecessary."`\ bg G1F_S1aP,23 ld r,$BER_DefA1,24 ;「…………………………。@/ `".....................`@/ ld r,$BER_DefA2,80 ;……どうぞ、お好きなように。」@ ;＜ベルン `......Go ahead, do as you like."`@ ld l,$LAM_OdorokiA1,23 ;「………ば、…戦人…。@あんた、……しっかり答えるのよ…。」\ ;＜ラムダ `".........B, ...Battler...`@` You, ......make sure you answer well..."`\ mld c,$BUT_nayamuA2,24 ;「資格があるからこそ、俺はここにいるんだろ？@　へっ、何も怯えることなんざねぇぜ…！」\ ;＜戦人 `"The very reason I'm here is because I'm qualified, right?`@` Heh, there's nothing to be scared of...!"`\ mcl c,0 bg black,24 bg G1F_S1cP,0 ld r,$ENJ_NayamuA1,24 ld r,$ENJ_KomaruA2,80 ;「…………………。@………ま、……まさか……。」@ ;＜グレーテル `"............`@`.........Y, ......you couldn't be......"`@ br ;　グレーテルが突然青ざめる。@ ;　……冷静沈着なヤツだと思ってただけに、その表情は俺を驚かせた。\ `Gretel grew suddenly pale.`@ `......I'd thought her to be the calm, collected type, so that expression surprised me.`\ bg G1F_s1aP,23 ld c,$BEA_NayamuA1,24 ;「……それでは戦人。@赤で復唱してもらおう。」\ `"......Well then Battler.`@` I shall have you repeat it in red."`\ bg G1F_S1bP,0 ld r,$BUT_OdorokiA2,24 ;「お、俺に復唱要求ってか？@/ `"Y, you're telling me to repeat something? `@/ ld r,$BUT_KomaruA1,80 ;　へへ…、俺の十八番を奪いやがって。@……しかし、赤き真実って俺でも出来るのか？@　どうやるんだ…？」\ `Heheh..., damn you, stealing my signature move.`@` ......But can I do the red truth too?`@` How...?"`\ ld l,$LAM_OdorokiA1,23 ;「……………そ、そうだと念じれば出来るわよ。@簡単よ。」@ ;＜ラムダ `"............I, if you wish for it to be that way, you can do it.`@` It's easy."`@ ld r,$BUT_AseruA1,80 se1 59 ;「#ff0000俺の名は右代宮戦人#ffffff。@/ `"#ff0000My name is Ushiromiya Battler#ffffff. `@/ ld r,$BUT_WaraiA1,80 ;……お、……おお、こりゃ面白ぇや。」\ ;＜戦人 `......W, ......whoa, pretty cool."`\ ld c,$ENJ_KomaruA5,64 E_A ;「やめてッ！！@/ `"Stop it!! `@/ bgm1 77 ;　あんたの狙いは読めてるわ…！！@　でもそれは止めて！@　彼は……！！」\ ;＜グレーテル `I know what you're after...!!`@` But stop that!`@` He......!!"`\ ;　グレーテルが叫んだ時、キッとベアトが睨む。@ ;　するとその姿が瞬時に掻き消された。\ `When Gretel yelled, Beato glared at her.`@ `Then, her form was wiped away in an instant.`\ ;se1 52 ;cl c,99,2000,"breakup.dll/nlB" textoff se1v 57,100 se2v 1100,100 se3v 1100,100 mbg white,1 cl c,0 mcbg 22 wait 1000 bg G1F_S1aP,0 ld l,$BEA_fukigenA1,23 ;「うるさい。@そなたはしばらく席を外せ。@/ `"Shut up.`@` Leave your seat for a while. `@/ ld l,$BEA_aseruA1,80 ;卿らもであるぞ。@口出しをするならば容赦せぬ。」\ `You too, Ladies.`@` If you interfere, I will not hold back."`\ bg G1F_S1cP,0 ld r,$BER_DefA1,24 ;「……………邪魔はしないわ。@どうぞご自由に。」@ ;＜ベルン `"............We won't get in the way.`@` Go ahead, do as you like."`@ ld l,$LAM_OdorokiA1,23 ;「ベ、ベルン、まずいでしょうが！！@　あいつ、消す気よ、戦人をッ！！」\ ;＜ラムダ `"B, Bern, this is bad!!`@` She's trying to erase him...Battler!!"`\ cl a,0 ld c,$BUT_NiramuA3,24 ;「……何だと……？@　あいつ、……何を企んでやがる……。」\ ;＜戦人 `"...What's that......?`@` What's, ......she planning......?"`\ bg G1F_S1bP,0 ld c,$BEA_MajimeA1,23 ;「それでは、資格を問うぞ。@/ `"Well then, I shall question your qualifications. `@/ ld c,$BEA_futekiA2,80 ;…………面白いな。@普段のゲームが、攻守が逆になった。@これは最後の最後で、とても貴重な体験だ。@/ `............Interesting.`@` Attack and defense are reversed from a normal game.`@` This is a very precious experience, coming at the very, very end. `@/ ld c,$BEA_akuwaraiA1,80 ;………良いか、心してまずは聞け。@まずは妾が赤で語る。」\ `.........Ready? First listen carefully.`@` I will speak with the red first."`\ bg black,22 se1 59 ;!s0　#ff0000妾は黄金の魔女、ベアトリーチェ。#ffffff@ !s0`#ff0000I am the Golden Witch, Beatrice.#ffffff`@ br se2 59 ;　#ff0000そして右代宮金蔵の孫、右代宮戦人と戦うためにこのゲームを開催した。#ffffff/ `#ff0000And I opened this game in order to fight Ushiromiya Kinzo's grandchild Ushiromiya Battler.#ffffff`/ !sd\ bg G1F_S1aP,0 ld l,$BUT_majimeA1,26 ld l,$BUT_majimeA3,80 ;「……そんなことは知ってるぜ。@だから何だ。」\ `"......I know that.`@` So what?"`\ ld r,$BEA_NayamuA1,24 ;「復唱要求。@………“右代宮戦人の母は、右代宮明日夢である”。」@ `"Repeat it.`@` .........'Ushiromiya Battler's mother is Ushiromiya Asumu'."`@ ld l,$BUT_OdorokiA2,80 ;「はあ？！@　…そこで何でお袋の名が出てくるんだよ……？」\ `"Whaa?!`@` ...Why's Mom's name popping up all of a sudden......?"`\ ld r,$BEA_MajimeA3,80 ;「無駄口は要らぬ。@ただ、赤で復唱せよ。」@ `"I do not require chatter.`@` Just repeat it in red."`@ br ;　ベアトは相変わらずの冷淡な口調で、それを俺に強いる。\ `Beato urged me with the same indifferent tone.`\ ;　……しかし、ヤツが何をしたいのかがさっぱりわからない。@ ;　……俺には突っ込まれて困るようなやましいことも、隠し事も一切ない。@ `......But I don't have a clue what she's trying to do.`@ `......I have absolutely nothing to feel guilty for that would trouble me if thrown in my face, and there's nothing that I'm hiding.`@ br ;　復唱を要求されて困るようなことなんて何もない。@ ;　……なのに、なぜこんなことを…？\ `There's nothing that could trouble me by demanding that I repeat it.`@ `......So, why something like this...?`\ ld l,$BUT_DefA1,80 ;「いいぜ、復唱する。@/ `"Sure, I'll repeat it. `@/ se1 59 ;#ff0000右代宮戦人の母は、右代宮明日夢である。#ffffff@/ `#ff0000Ushiromiya Battler's mother is Ushiromiya Asumu.#ffffff `@/ ld l,$BUT_WaraiA1,80 ;……赤は便利だな。@戸籍抄本を持ってくる面倒もねぇ。」\ `......The red sure is convenient.`@` No need to bother myself with bringing a copy of the family register."`\ ld r,$BEA_majimeA4,80 ;「無駄口は要らぬ。@続けるぞ。@“そなたの名は、右代宮戦人である”。」@ `"I do not require chatter.`@` Let's continue.`@` 'Your name is Ushiromiya Battler'."`@ ld l,$BUT_futekiA1,80 ;「……おう。@/ `"......Sure. `@/ se2 59 ;#ff0000俺の名は右代宮戦人#ffffffだ。」\ `#ff0000My name is Ushiromiya Battler#ffffff."`\ ld r,$BEA_majimeA3,80 ;「右代宮戦人は、右代宮明日夢から生まれた。」@ `"It was from Ushiromiya Asumu that Ushiromiya Battler was born."`@ ld l,$BUT_DefA2,80 se1 59 ;「#ff0000右代宮戦人は、右代宮明日夢から生まれた。#ffffff」\ `"#ff0000It was from Ushiromiya Asumu that Ushiromiya Battler was born.#ffffff"`\ ld r,$BEA_MajimeA2,80 ;「そなたは、右代宮明日夢から生まれた。」@ `"It was from Ushiromiya Asumu that you were born."`@ ld l,$BUT_DefA1,80 se2 59 ;!s0「#ff0000俺は、右代宮#ffffff、/ !s0`"#ff0000It was from Ushiromiya#ffffff, `/ se2 57 !d800/ ld l,$BUT_kuyasigaruA1,80 ;……、/ ;!d600……ふぐ、/ ;!d800…………っ？！@　……？！？！」/ `......, `/ !d600`......nguh, `/ !d800`............?!`@` ......?!?!"`/ !sd@ me1v 17,70 br ;　その時、突然、息が詰まる…。@ ;　急に窒息したような息苦しさに襲われた。\ `At that time, my throat suddenly closed...`@ `I was rapidly assaulted with a choking suffocation.`\ ;　ど、………どういうことだ……？@　も、……もう一度……。\ `Wh, .........what's going on......?`@` O, ......one more time......`\ ld l,$BUT_NiramuA3,80 se1 57 ;「俺は、右代宮明日夢から生まれた…。@…クソ、/ `"It was from Ushiromiya Asumu that I was born...`@`...Damn, `/ se2 57 ;俺は右代宮明日夢から生まれた…。@/ `It was from Ushiromiya Asumu that I was born...`@/ ld l,$BUT_KomaruA1,80 ;…………な、何だ？@　さっきまでは簡単に出来てたのに、急に赤がうまく出来なくなったぞ…？！」\ `............Wh, what the hell?`@` Even though I was doing it so easily a second ago, I suddenly stopped being able to get the red to work...?!"`\ ld r,$BEA_MajimeA3,80 me2v 19,90 ;「……………………復唱を拒否するのか？」@ `"..................Do you refuse to repeat it?"`@ ld l,$BUT_OdorokiA2,80 ;「拒否なんかじゃねぇ…！！@　なぜかうまく行かねぇんだ…！！@/ `"I'm not refusing anything...!!`@` It's not working for some reason...!! `@/ ld l,$BUT_kuyasigaruA1,80 se1 57 ;　俺は右代宮明日夢から生まれた…！！@　何でだッ？！@　畜生、何で赤が使えないんだ？！@　そんな馬鹿なッ？！？！」\ `It was from Ushiromiya Asumu that I was born...!!`@` Why?!`@` Dammit, why can't I use the red?!`@` What the hell?!?!"`\ bg G1F_S1cP,24 ld r,$LAM_OdorokiA1,24 ;「………………く…。」@ ;＜ラムダ `"............tch..."`@ ld l,$BER_DefA2,23 ;「………………………。」\ ;＜ベルン `".................."`\ bg black,22 ;　俺のお袋は右代宮明日夢だぜ？！@　何でその真実が、赤で言えないんだッ？！@　どういうことだよ…？！@　こ、れは……ぐッ、！！\ `My Mom is Ushiromiya Asumu, right?!`@` Why can't I say that fact in red?!`@` What's going on...?!`@` Th, this is......gghh-!!`\ bg G1F_S1bP,0 ld c,$BEA_futekiA2,23 ;「語れぬ赤を無理に語ろうとすると窒息するぞ。@無理をしなくて良い。@………以上の事実から、妾はそなたを青で追及させてもらう。@/ `"If you try to forcefully speak red that cannot be spoken, you choke.`@` There is no need to strain yourself.`@` .........Allow me to use the aforementioned fact to press you in blue. `@/ ld c,$BEA_MajimeA2,80 ;……覚えているな？@　青は相手を否定する仮説を宣言するのに用いる。@それは赤での否定が義務付けられ、それがない場合、勝利となる。@………では参るぞ。」\ `......Do you remember?`@` The blue is used to proclaim a theory for the opponent to deny.`@` They are then burdened with the responsibility of denying that in red, and if they do not, it becomes your victory.`@` .........Then let us begin."`\ bg black,22 monocro #0000FF se1v 1006,100 bg white,1 bg black,42 monocro off se2v 2,100 ;#5decff　以上の復唱要求、並びに復唱拒否から、@/ `#5decffDue to the previous demand to repeat, and the subsequent refusal, `@/ se1v 2,100 ;妾はそなたに対戦相手の資格がないことを宣言する。#ffffff@ `I proclaim that you are not qualified to be my opponent.#ffffff`@ se1v 2,100 br ;#5decff　なぜなら、ベアトリーチェは、@/ `#5decffAfter all, Beatrice opened this game, `@/ se1v 2,100 ;“右代宮金蔵の孫である右代宮戦人”と戦うために、ゲームを開催したからだ。#ffffff\ `in order to fight with 'Ushiromiya Kinzo's grandchild Ushiromiya Battler'.#ffffff`\ se1v 2,100 ;#5decff　よって対戦相手であるそなたには、@ `#5decffThis gave you the responsibility as my opponent, `@/ se1v 2,100 ;“右代宮金蔵の孫である右代宮戦人”であることを赤で宣言する義務が生じる。#ffffff@ `to declare in red that you are 'Ushiromiya Kinzo's grandchild Ushiromiya Battler'.#ffffff`@ se1v 2,100 br ;#5decff　それに対する復唱を、そなたは拒否した。#ffffff@ `#5decffYou have refused to repeat that.#ffffff`@ se1v 2,100 ;#5decff　これは資格の喪失を意味するものである。#ffffff\ `#5decffThis means the loss of your qualifications.#ffffff`\ monocro #0000FF se3v 66,100 bg bullet1a,2 se1v 2,100 bg bullet1b,1 bg white,10,120 se2v 2,100 bg bullet1a,1 bg white,10,120 se1v 2,100 bg bullet1b,1 bg white,10,120 se2v 2,100 bg bullet1a,1 bg white,10,120 se1v 2,100 bg bullet1b,1 bg white,10,120 se2v 2,100 bg bullet1a,1 bg white,10,120 se1v 1006,100 se2v 2,100 bg black,1 wait 100 E_MA se1v 1006,100 se2v 2,100 se3v 57,100 bg white,1 bg black,2 monocro off bg G1F_S1aP,0 ld r,$LAM_OdorokiA1,23 ;「……あ、……赤でそれの何かを否定するのよ…。@…早く！！」\ ;＜ラムダ `"......D, ......deny something about that in red...`@`...Quickly!!"`\ ld l,$BUT_odorokiA1,23 ;「あ、あぁ…。@/ `"S, sure... `@/ ld l,$BUT_KuyasigaruA1,80 ;お、/ `I, `/ se1 59 ;#ff0000俺は右代宮戦人だ#ffffff…！@　それを赤で復唱できている以上、俺はお前の対戦相手のはずだぜ！！」\ `#ff0000I am Ushiromiya Battler#ffffff...!`@` Because I can say that in red, I should be your opponent!!"`\ cl r,23 ld r,$BEA_nayamuA1,24 ;「そなたが右代宮戦人の名を持つことは事実であろう。@/ `"It may be a fact that you have the name Ushiromiya Battler. `@/ ld r,$BEA_majimeA1,80 ;しかし、/ `However, `/ se1v 2,100 ;#5decff人名は独占されたものではない。#ffffff@/ `#5decffPeople's names are not exclusive.#ffffff `@/ se1v 2,100 ;#5decff複数の人間が、右代宮戦人を名に持つことは可能である。#ffffff\ `#5decffThere is a possibility that multiple humans have the name Ushiromiya Battler.#ffffff`\ ld r,$BEA_akuwaraiA1,80 se1v 2,100 ;#5decff　即ち、こういうことだ。#ffffff@/ `#5decffIn short, this is what it means.#ffffff `@/ se1v 2,100 ;#5decff……そなたは右代宮明日夢の息子、右代宮戦人と同姓同名の別人である。#ffffff」\ `#5decff......You are a different person with the same first and last names as Ushiromiya Asumu's son Ushiromiya Battler.#ffffff"`\ ld l,$BUT_sakebuA1,80 ;「なッ、……何だと……！！@　馬鹿なことを言うんじゃねぇええええ！！@　俺はお袋の子だぞ！！@　右代宮明日夢の子だ！！@/ `"Wh, ......what'd you say......?!!`@` Don't talk so stupiiiiiiiiid!!`@` I'm Mom's child!!`@` Ushiromiya Asumu's child!! `@/ ld l,$BUT_KuyasigaruA1,80 !s0　#ff0000 se1 59 ;俺は右代/ `It was from Ushiro`/ se1 57 ;#ffffff宮明日夢から、/ ;!d300ッ、/ ;!d600ふぐ、/ ;!d400……んんんぐ……！！！/ ;!sd@　……………ぐはッ！\ `#ffffffmiya Asumu that, `/ !d300`ah, `/ !d600`ngagh, `/ !d400`......nnnggghh......!!! `/ !sd@`............Gwah!`\ ld l,$BUT_NakuA1,80 ;　畜生！！@　なぜだ？！@　なぜ、俺がお袋から生まれたと言えないんだ？！@　こんな馬鹿なことがあるというのか？！」\ `Damn!!`@` Why?!`@` Why can't I say that I was born from my Mom?!`@` How could something so stupid be true?"`\ ld r,$BEA_futekiA2,80 ;「苦しむことはない。@妾は遊ばぬ。@/ `"No need to suffer.`@` I will not play. `@/ ld r,$BEA_MajimeA2,80 ;……これにてチェックメイトだ。@/ `......This is checkmate. `@/ se1 59 ;#ff0000そなたは、右代宮明日夢の息子ではない#ffffff。」\ `#ff0000You are not Ushiromiya Asumu's son#ffffff."`\ me1v 16,50 ;　……………んな、……………、@ `............Wha, ............`@ ld l,$BUT_OdorokiA2,80 br ;「そんな………、/ ;!d500馬鹿……な……………。」\ `"You're........., `/ !d500`kidding......me............"`\ ld r,$BEA_majimeA3,80 ;「そなたは誰か。@右代宮戦人を名乗る、何者なのか。」\ `"Who are you?`@` What person calling themselves Ushiromiya Battler?"`\ ld l,$BUT_KuyasigaruA1,80 ;「ちょ、…ちょっと待てよ…。@……俺は、…右代宮戦人だ……。@俺は右代宮明日夢から生まれた、親父とお袋の息子だ…！」\ `"W, ...wait a second...`@`......I am, ...Ushiromiya Battler......`@` It was from Ushiromiya Asumu that I was born, and I'm Dad's and Mom's son...!"`\ ld r,$BEA_MajimeA1,80 ;「いいや。@妾の対戦相手たる右代宮戦人であるはずが、ない。@その証拠に。」@ `"No.`@` There is no way that you are my opponent Ushiromiya Battler.`@` With this as proof."`@ ld l,$BUT_odorokiA2,80 ;「証拠だと？！」\ `"Proof, you say?!"`\ ld r,$BEA_futekiA2,80 ;「そなたは、６年前の罪を、知らない。」@ `"You do not know of that sin six years ago."`@ ld l,$BUT_KuyasigaruA1,80 ;「………う、/ ;!d600………そ、それは…………。」\ `".........Uh, `/ !d600`.........th, that's........."`\ ld r,$BEA_nayamuA1,80 ;「いいや、真の右代宮戦人ならば、罪など犯さない。@/ `"No, the true Ushiromiya Battler did not commit a sin. `@/ ;ld r,$BEA_KomaruA4,80 ;だが、結果的に罪は起こり、６年の月日が空白となって、@当時を何も知らぬ男が、右代宮戦人を名乗って六軒島へ姿を現した。@…………その真相は、こうだ。」\ `But as a result, a sin occurred, the span of six years became a blank space,`@` and a man who knew nothing of that time took the name Ushiromiya Battler and appeared on Rokkenjima.`@` ............That truth...goes like this."`\ bg black,25 me1v 5,50 ;　６年前に、……妾の対戦相手たる本当の右代宮戦人は、すでに死んでいたのだ。@ `Six years ago, ......my opponent, the true Ushiromiya Battler, was already dead.`@ br ;　そなたは、遺産分配を巡る何らかの事情で留弗夫が陰謀を巡らせ、@成り代わらせた、右代宮戦人の替え玉なのだ。\ `You were involved in a plot by Rudolf having something to do with distribution of the inheritance...`@`a body double set up in Ushiromiya Battler's place.`\ se3v 21,90 bg G1F_S1bP,0 mld c,$BUT_KuyasigaruA1,22 ;「そ、……そんな馬鹿なことがあるもんか………。@/ `"H, ......how could something that stupid be true.........? `@/ mld c,$BUT_NakuA2,80 ;………そんな……馬鹿な、……ことが……………。」\ `.........That's......so, ......ridiculous............"`\ ld r,$LAM_OdorokiA1,24 ;「……ば、戦人……！@　しっかりしなさい…！！」@ ;＜ラムダ `"......B, Battler......!`@` Get a hold of yourself...!!"`@ ld l,$BER_DefA2,23 ;「………………………ま。@…言い返せないなら、仕方がないわ。@/ `".....................Well.`@` ...If he can't counter back, there's nothing more to do. `@/ ld l,$BER_DefA1,80 ;…戦人にその資格はなかった。@そういうことよ。」\ ;＜ベルン `...Battler did not possess that qualification.`@` That's how it is."`\ ld r,$LAM_odorokiA2,80 ;「ベ、ベルンそれでいいの？！@　それを認めちゃったら、あんたも負けちゃうのよ？！」@ ;＜ラムダ `"A, are you okay with that, Bern?!`@` If you accept that, you'll lose too, right?!"`@ ld l,$BER_DefA2,80 ;「あんたは勝っちゃうんでしょうが。@……なんで戦人の肩を持ってるの……？」\ ;＜ベルン `"Won't you win?`@` ......Why are you taking Battler's side......?"`\ ld r,$LAM_odorokiA1,80 ;「ん、…………んん…。」\ ;＜ラムダ `"N, ............nnnn..."`\ cl l,0 mld l,$BER_DefA2,80 ;「残念よ、戦人。@………あなたに、ベアトリーチェの対戦相手たる資格がなかったなんて、とても残念。@/ `"What a shame, Battler.`@` .........What a real shame that you didn't have the qualifications to be Beatrice's opponent. `@/ mld l,$BER_DefA1,80 ;私も迂闊だったわ。@資格のない駒に張ってたなんてね。@…………私の完敗だわ、ベアトリーチェ。」\ `I was careless myself.`@` Betting on an unqualified piece.`@` ............It's my utter defeat, Beatrice."`\ mcl a,0 bg G1F_S1cP,0 ld r,$BEA_majimeA1,24 ;「……負けも勝ちもない。@ただ、対戦相手が消えるだけだ。@/ `"......There is no victory or defeat.`@` The opponent will simply disappear. `@/ ;ld r,$BEA_KomaruA2,80 ;元からいなかったと言うべきか。」\ ;＜ベアト `Perhaps I should say that he wasn't there in the first place."`\ mld l,$BUT_OdorokiA2,23 ;「じゃあよ……、俺は、………誰なんだよ……。@俺は、……親父やお袋の子じゃ、ないのかよ……？！@/ `"But then......, who, .........am I......?`@` Am I, ......not Dad and Mom's child......?! `@/ mld l,$BUT_KuyasigaruA1,80 ;　俺は誰なんだ……、何なんだ……。@…………お袋の子じゃないってんなら、……何だよ、捨て猫みたいに、どこかから拾われてきた子だとか、そう言い出すのかよ？！」\ `Who am I......, what am I......?`@` ............If I'm not Mom's child, ......then what, are you saying I'm a kid they picked up somewhere, like a stray cat?!"`\ ld r,$BEA_MajimeA4,80 ;「それならば、金蔵の血は引いていないことになるな。@いずれにせよ、そなたにこのゲームの対戦資格はない。」@ `"If that is the case, it would mean that you do not share Kinzo's blood.`@` Either way, you are not qualified to compete in this game."`@ mld l,$BUT_NakuA1,80 ;!s0「……………馬鹿な………、/ ;!d800………馬鹿な……………。」/ !s0`"...............You're kidding........., `/ !d800`.........you're kidding............"`/ !sd\ ld r,$BEA_nayamuA1,80 ;「もう良い。@……元々そなたが右代宮戦人でない可能性も、多少は承知していたのだ。@/ `"That is enough.`@` ......I was slightly aware from the beginning that you might not be Ushiromiya Battler. `@/ ;ld r,$BEA_MajimeA1,80 ;……だから、問わねばならなかった。@本当の戦人なら知っていることを、聞かねばならなかった。\ `......So, I had to question you.`@` I had to ask about something the real Battler would have known.`\ ld r,$BEA_fukigenA1,80 ;　…………残念だ。@そなたがひょっとしたら本当に右代宮戦人であるかもしれないと、@妾も千兆分の一の奇跡に、賭けたのだ。@だが、やはりそなたは同姓同名の、別人だった。」\ `............What a shame.`@` I even bet on the one in a quadrillion chance of a miracle,`@` that you might really be Ushiromiya Battler.`@` However, it looks like you're a different person with the same first and last names after all."`\ lsp 899,":c;bmp\background\efe\black.bmp",0,0,50 print 2 ;「…………く、……ぅぅ…………。」@ `"............ku, ......uuu............"`@ br ;　戦人の姿が、……少しずつ、闇に霞んでいく…。@ `Bit by bit, ......Battler's form began to be clouded in darkness...`@ br msp 899,0,0,50 print 22 ;　いや、むしろ逆かもしれない。@ ;　……戦人だけを残して、全ての世界が闇に霞んでいくのだ…。\ `No, maybe it was the other way around.`@ `......The whole world was clouded in darkness, leaving only Battler...`\ msp 899,0,0,50 print 1 ;　戦人は床に両手両膝を付け、うなだれて自問を繰り返している。@ ;　……しかし、それに答えが与えられることはない……。@ `Battler was down on all fours, hanging his head and repeatedly questioning himself.`@ `......However, he was not given an answer......`@ br textoff msp 899,0,0,30 ld r,$BEA_nayamuA1,80 wait 1000 ld c,$LAM_Odorokia1,23 ;　闇に染まる世界で、ベアトが何かを語り、ラムダデルタが駆け寄り、何かを早口に叫ぶが、@もうそれはとても遠くのことのようで、戦人の耳には届かない…。\ `In the world stained with darkness, Beato spoke something and Lambdadelta ran up to him, yelling something very quickly,`@` but it already seemed very far away, and it didn't reach Battler's ears...`\ csp -1 bg black,2 ;!s0　…………そして“彼”は、/ ;!d800………自分が誰かわからなくなって、/ ;!d1000…………姿を、/ ;!d600…消した…………。/ !s0`............Then 'he', `/ !d800`.........not knowing who he himself was, `/ !d1000`............erased, `/ !d600`...himself............`/ !sd/ mov %play_scene,40270 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 \ fede 0,5000 wait 2000 me1v 5,40 msetef 0,0 bg Mlib_1aN,0 mld r,$BEA_nayamuA1,0 mld c,$LAM_OdorokiA2,22 mld c,$LAM_OdorokiA1,80 ;「戦人ぁあああああぁああぁ……ッ、……ぅ、く………。」\ ;＜ラムダ `"Battleeeeeeeeeeeeer......r, ......nn, ah........."`\ mld r,$BEA_fumanA3,80 ;「これで対戦相手は消えたな。@……それではこれで妾は失礼する。@/ `"Now the opponent has disappeared.`@` ......Well then, if you would excuse me. `@/ ;mld r,$BEA_KomaruA1,80 ;卿らも、旅支度を整えられるが良い。@我が領地にて、もう何も催しは予定されていない。@それでは御機嫌よう。@……さらばだ。」\ `And Ladies, you should prepare for your journey.`@` No more festivities are prepared for in my territory.`@` It was good seeing you.`@` ......Goodbye."`\ se1 52 mcl r,0 print 99,2000,"breakup.dll/llB" ;　ベアトはそれだけを言い残し、@自らの姿も闇に霞ませ、その姿を消してしまう……。\ `Without saying anything more,`@` she clouded her own form in darkness as well, and disappeared......`\ mcl c,0 mld r,$LAM_OdorokIA1,23 ;「あ、………あんた、……これでいいわけぇ？！@　戦人、……き、消えちゃったわよぅ？！@　負けず嫌いのあんたが、この結末でいいわけぇ？！」\ ;＜ラムダ `"A, .........are you, ......alright with this?!`@` Battler, ......d, disappeared, right?!`@` Someone who hates losing as much as you do is okay with this?!"`\ mld l,$BER_DefA1,23 ;「………………あんたは私の負けに張ってたんでしょう？@　なら万々歳じゃない。@おめでとラムダ。@じゃあ、またどこかの世界で会いましょう？\ `"..................Weren't you betting on my defeat?`@` Then isn't this wonderful.`@` Congratulations, Lambda.`@` Well then, let's meet again in some other world, okay?`\ mld l,$BER_DefA2,80 ;　まぁ、無限のカケラ世界のこと。@どこかでまたご縁がある確率は、それこそ千兆分の一よりも少ないでしょうけれど。@…………じゃあね、楽しかったわ。@バイバイ。」\ `Well, this is a world of endless Fragments.`@` The chances of us having some connection again somewhere are probably less than one in a quadrillion.`@` ............Alright, it was fun.`@` Bye-bye."`\ se1 52 mcl l,0 print 99,2000,"breakup.dll/urb" ;mld c,$LAm_OdorokiA2,80 mcl a,22 ;「あっ、…待ってよ、ベルン…！！！」\ `"Ah, ...wait up, Bern...!!!"`\ se1 57 mbg white,1 mcbg 22 ;　先に消えたベルンカステルを追うように、ラムダデルタもまた、姿を消す…。@ `Chasing after Bernkastel, who had disappeared first, Lambdadelta disappeared as well...`@ br ;　そして誰もが消え去って、………書斎には誰もいなくなった。\ `Then, everyone had disappeared, .........and there was no one in the study.`\ me2v 12,40 mendef 42 ;　まるで、初めから誰もいなかったかのように、静まり返る。@ `It returned to silence, almost as though no one had been there from the beginning.`@ br ;　……誰も、元々ここにいなかったのだ。@ `......No one was here in the first place.`@ br ;　沈黙の書斎は無言でそれを語り、雨と風の音で、少しずつ部屋を満たしていくのだった……。\ `The silent study told of that wordlessly, and the sound of the wind and rain began to fill the room bit by bit......`\ bg black,42 fede 0,3000 wait 2000 mov %play_scene,40280 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_bea ;　何もかもが闇に沈んだ世界で、ベアトは自問する。\ `In a world where everything had sunk into darkness, Beato questioned herself.`\ ld r,$BEA_fumanA2,2 bgm1 75 ;「……やはり、…………魔法は初めから、マリアージュ・ソルシエールの中だけで、使うべきであったな。」\ ;＜ベアト `"......As I thought, .........from the very beginning, magic should only have been used within Mariage Sorciere."`\ gosub *MAR_Isyou2 ld l,$MAR_niyariA2,2 ;「…………そうだね。@…真里亞も、/ ;!d900……縁寿の時に、そう思ったよ。」\ ;＜魔女真里亞 `".........Seems so.`@` ...Maria also, `/ !d900`......thought that with Ange."`\ ld r,$BEA_fumanA3,80 ;「魔女同盟は、妾とそなた。@その二人で始めた。@……他の者を混ぜようというのが、そもそもの間違いであったのだ…。」\ `"The witches' alliance is you and I.`@` It started with those two.`@` ......Mixing in other people was the first mistake..."`\ ld l,$MAR_WaraiA1,80 ;「………こんなにも楽しいから。@…真里亞たちはその輪に、親しい誰かを加えたかったよね。\ `".........It's just so fun.`@` ...We wanted to add someone close to us into that circle.`\ ld l,$MAR_Waraia2,80 ;　そうして、魔女同盟がどこまでも大きくなって、@みんなで楽しく魔法が使えて、幸せになれたらと願った。」\ `And we wished that the witches' alliance would grow very large,`@` that everyone would be able to use fun magic together, and that we'd all be happy."`\ ld r,$BEA_nayamuA1,80 ;「だが、………魔法を理解できるのは、やはり妾とそなたの二人だけだった。」\ `"However, .........only you and I were able to understand magic after all."`\ ld l,$MAR_niyariA2,80 ;「私たちは、奇跡が巡り合わせた、……この世界でたった二人しかいない魔女なんだよ。@/ `"We are, ......the only witches who met with a miracle in this world. `@/ ld l,$MAR_waraiA1,80 ;………真里亞はもう、ベアトさえいれば、他には誰もいらないよ。」\ `.........By now, as long as Maria has Beato, no one else is needed."`\ ld r,$BEA_HanbesoA3,80 ;「…………妾もだ。@そなたさえいれば、もう誰もいらぬ。」@ `"............Me too.`@` As long as you are here, I don't need anyone else anymore."`@ ld l,$MAR_niyariA1,80 ;「マリアージュ・ソルシエールは、結成したその一番最初の時点で、/ ;!d900……もう、完成していたんだよ。」\ `"In the very first moment that Mariage Sorciere was formed, `/ !d900`......it was already complete."`\ ld r,$BEA_HanbesoA1,80 ;「…………………そうで、あるな。@まさに、そうであるな……。」\ `"...............That is...so.`@` That is truly so......"`\ se1 22 bg white,42 me1v 5,40 bfly1 0 bg rose_2aP,99,3000,"breakup.dll/lrb" ;　みんなで、魔法で幸せになるための、魔女同盟だった。@ ;　……それが、どこでこんな滅茶苦茶になってしまったんだろう。\ `It had been a witches' alliance to make everyone happy together with magic.`@ `......I wonder when it got this screwed up?`\ ;　自分が何をしたくて、このゲームを始めたのか。@……それさえも、何だか思い出せない。@ `What did I want to do when I started this game?`@` ......I can't really remember even that.`@ br ;　いや、覚えてるのかもしれないけれど、@…今やそれは忘却の彼方に、自ら投げ込みたい気持ちだ。\ `No, I may remember,`@` ...but that's a feeling I now wish to throw away to the far side of oblivion.`\ cbfly 0 bg black,22 ;「………いいよ。@何もかも、忘れてしまおう？@　二人だけの、マリアージュ・ソルシエール。@……私たちは互いを認め合う。@そして、誰にも傷つけられない。@だからもう傷つかない。泣かない。@全て、忘れよう。@…………ね、ベアト。@……私たちは、永遠だよ……。」\ `".........It's alright.`@` Why not forget everything?`@` Mariage Sorciere, with just the two of us.`@` ......We will acknowledge each other.`@` And no one will hurt us.`@` So we won't be hurt. We won't cry.`@` Let's forget everything.`@` ............Hey, Beato.`@` ......We are...eternity......"`\ ;「…………………………真里亞……。@…………ううぅ、………ううぅうぅッ…！！」\ `"........................Maria......`@`............uuuuuuuu, .........uuuuuuuuuuuuu...!!"`\ fede 1,5000 eye12 ;▲第１７アイキャッチ　時計なし。@ *Umi4_18 mov %play_scene,40280 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj ;■六軒島が見えてくる。@船 mov %grim_scene,411 textoff bgm1v 89,85 bg oct_1998,80 me1v 4,0 fedexx 60,50,0,0,0,0,4000 bg sea_1a,6 wait 2000 bg ship_S2a,6 wait 2000 bg ship_S2c,24 ld l,$ENJ_DefA1,26 ;「天草、それ切ってくれる？」@ `"Amakusa, could you turn that off?"`@ ld r,$AMA_DESU,24 ;「おっと、そりゃ失礼。@Ｍ・ザッキーはお嫌いで？」@ `"Whoops, my bad.`@` You don't like M. Zakky?"`@ ld l,$ENJ_nayamuA1,80 ;「今が気分じゃないだけ。」\ `"I'm just not in the mood."`\ E_B se1 25 ;　天草がラジオを切る。@ `Amakusa turned the radio off.`@ br ;　陽気な音の世界はたちまち潮騒に飲み込まれ、@海の灰色で塗り潰してしまった……。\ `The world of cheery sounds was immediately swallowed up by the roar of the sea,`@` and blotted out by the ocean's gray......`\ bg black,22 wait 1000 bg ship_S2b,24 ld r,$KAW_DefA1,26 bgm1 1 ;「………見えるかい。@あの辺が当時の船着場だ。」@ ;＜船長 `".........Can you see it?`@` Over there's where the harbor was at the time."`@ ld l,$ENJ_komaruA3,23 ;「…………………………。」\ ;＜縁寿 `"........................"`\ bg black,23 me2v 5,50 bg sea_1c,23 ;　船長が指差すが、１２年も前の光景は、なかなか蘇らない。@ `The boat captain pointed, but I couldn't really recall that scene of 12 years ago.`@ br ;　……てっきり、こういうものは見る見る溢れるように当時のことを思い出せるに違いないと信じていたが、@…一向に当時の記憶は戻らない。\ `......I had believed that I would surely be able to immediately remember how things had been at the time,`@` ...but no memories came back to me.`\ bg black,24 me3v 2,50 bg sea_1b,24 ;　あの事件以来、島は封印され荒れるに任されている。@ `After that incident, the island was sealed off and left to the wild.`@ br ;　……それも無理からぬことだろうと、自分を納得させないと、…なぜか悲しくて辛かった。\ `......That was probably reasonable as well, but being unable to satisfy myself, ...was sad and painful for some reason.`\ ;　………あぁ、でも、これだけは覚えてる。@ `.........Ah, but I at least remember one thing.`@ br ;　海ならどこでも同じだろうと言われればそれまでだが、……これだけは覚えてる。\ `You could say that it would probably be the same anywhere on the sea, ......but I remember at least one thing.`\ bg black,26 fedexx 70,50,50,80,0,0,1000 ;　うみねこの、@鳴き声。@ ;　これだけは、覚えている。\ `The cries...`@`of the seagulls.`@ `I do remember...those.`\ ;bg white,23 mono 1 bg sea_1c,2 ;　……幼かった私にとって、海は滅多に行かない場所。@ `......When I had been young, I'd rarely gone to the ocean.`@ br ;　…だから、海にかかわる記号の全ては、六軒島と親族の集まりを意味した。@ `...So everything that symbolized the ocean meant Rokkenjima and a family gathering to me.`@ br ;　早い話が、……家族でお出掛けという幸せの記号だったわけだ。\ `In short, ......it was a symbol for the happiness of going out with my family.`\ ;　もっとも、今となっては、その幸せ、というのも疑わしい。@ `However, at this point in time, it seems doubtful whether that even was happiness.`@ br ;　幼い私には気楽な家族旅行気分だったが、両親たちの当時の都合から想像するならば、@遺産分配で火薬の臭いが立ち込める、さぞや世知辛い旅行だったに違いない。\ `In my younger days, the trip had felt like a relaxed family vacation, but considering my parents' situation at the time, `@`it was surely a very difficult trip to handle, with the distribution of the inheritance filling the place with the smell of gunpowder.`\ ;　親の気持ちなど知りもせず、きゃっきゃと浮かれていた当時を、思い出す…。\ `I can remember giggling all over the place, completely ignorant of my parents' feelings...`\ bg black,22 mono off fedexx 70,50,0,0,0,0,1000 bg ship_s2a,0 ld l,$AMA_DefA1,22 ;「六軒島、……ですかい。@全ての始まりで、全ての旅の終着駅ってわけだ。」@ ;＜天草 `"Rokkenjima, ......is it.`@` The beginning of everything, and the last stop for all journeys."`@ br ;　天草は、私の胸中を代弁したつもりになって、格好付けた言い方をする。\ `Amakusa, in an attempt to speak for my innermost feelings, tried to sound cool.`\ ;　船はゆっくりと島を回りこんでいく。@ ;　……角度が変われば、当時の島影の記憶が少しは戻るだろうかと期待したが、@結局、その入り江が完全に崖に隠れても、何も思い出すことは出来なかった…。\ `The boat slowly rounded the island.`@ `......As the angle changed, I hoped that my memories of the island's silhouette at the time might come back just a little,`@` but in the end, even though the inlet was completely hidden by cliffs, I wasn't able to remember anything...`\ bg ship_s2b,23 ld r,$ENJ_nayamuA1,24 ;「……船長、さっきの。@もう一つの船着場の話を聞かせてください。」\ ;＜縁寿 `"......Captain, that thing you mentioned...`@`about the other harbor...please tell me about it."`\ ld l,$KAW_NayamuA1,23 me2v 5,50 ;「うむ。@………六軒島には、船着場は一つしかないことになっとる。@だがそれは表向きだ。」@ ;＜船長 `"Hmmm.`@` .........Rokkenjima supposedly has only one harbor.`@` But that's only it's public appearance."`@ ld r,$ENJ_DefA1,80 ;「島裏の、もうひとつの隠された船着場。@………六軒島そのものね。@誰も知らない２つ目の、もう一つの顔がある…。」\ ;＜縁寿 `"On the back of the island, there's another hidden harbor.`@` .........Like Rokkenjima itself.`@` It has a second face, which no one knows about..."`\ ld l,$KAW_defA1,80 ;「…………六軒島は、右代宮家の領有する島だ。@だが、金蔵さん個人が所有する島、というもうひとつの顔がある……。」\ ;＜船長 `"............Rokkenjima is an island in the possession of the Ushiromiya family.`@` But it has another face, as an island owned by Kinzo-san personally......"\ cl r,23 ld r,$AMA_DefA1,24 ;「一つの島、二つの船着場、二つの屋敷、……ですかい。@愛人を囲うためだけに、ずいぶんとカネを掛けたもんだ。」\ ;＜天草 `"So this island, ...has two harbors and two mansions.`@` He sure spent a lot just so that he could keep a mistress."`\ bg black,24 bg ship_s2a,0 ld l,$ENJ_defa1,24 ;「もう一つの船着場のことを知る人間は…？」@ ;＜縁寿 `"And who knew about this other harbor...?"`@ ld r,$KAW_defA1,24 ;「限られとる。@/ `"Very few. `@/ ld r,$KAW_NayamuA1,80 ;金蔵さん、執事の源次さん。@わしら、船の関係者、@高齢の使用人がほんの数人だ。@……南條診療所の先代先生も熊沢のバアさんも知っとった。@/ `Kinzo-san, the butler Genji-san.`@` Those of us involved with the boats,`@` and a very small number of the oldest servants.`@` ......Both the previous owner of the Nanjo clinic and that Kumasawa baa-san knew. `@/ ;ld r,$KAW_DefA2,80 ;数えりゃ結構いるような気がするが、とにかく知っている人間はわずかだった。」\ ;＜船長 `Naming them off like this makes it sound like there were quite a few, but in any event, there was a small number of people who knew."`\ ld l,$ENJ_FumanA2,80 ;「その、もう一つの屋敷について教えて下さい。」\ ;＜縁寿 `"Please...tell me about that other mansion."`\ bg ship_s2b,23 ld r,$KAW_defA1,24 ;「……九羽鳥庵、っちゅう名前のお屋敷があるとだけは聞かされとった。@わしは船を離れることを許されんかったから、一度も見たことはないが。」\ ;＜船長 `"......I was only told that there was a mansion called Kuwadorian.`@` Since I wasn't permitted to leave the boat, I never saw it, not even once."`\ ;cl l,24 ld l,$AMA_DESU,23 ;「船着場からは見えないくらいに遠いということですかい？」@ ;＜天草 `"So it was far away enough that you couldn't see it from the harbor?"`@ ld r,$KAW_nayamuA1,80 ;「わからん。@……ただ、隠し屋敷だからな。@外からは見えん場所に建ててあったろうな。@…とにかく、九羽鳥庵については、あの島の最高の秘密だった。」\ ;＜船長 `"I don't know.`@` ......But it was a hidden mansion after all.`@` Probably was built where you couldn't see it from the outside.`@` ...Anyways, Kuwadorian was the biggest secret of that island."`\ bg ship_S2a,0 ld c,$ENJ_fumanA2,23 ;「九羽鳥庵に、ベアトリーチェが住まわされていた、@あるいは幽閉されていた、という説がありますが、船長はどう考えますか。」\ ;＜縁寿 `"There's a theory that Beatrice lived in Kuwadorian, or else was confined there.`@` What do you think, Captain?"`\ cl c,0 ld r,$ENJ_fumanA2,0 ld l,$KAW_NayamuA1,23 ;「……わしは九羽鳥庵への雑貨も運んでおった。@その中に、女しか使わんような、それも高級なもんが含まれることも多かった。@/ `"......I did sometimes carry miscellaneous goods to Kuwadorian.`@` And that included a lot of high-class stuff that only women would use. `@/ ld l,$KAW_DefA1,80 ;……わしもその説を確信しとる。」\ ;＜船長 `......I also am convinced that theory is true."`\ cl r,23 ld r,$AMA_DefA2,24 ;「では、船長はベアトリーチェって女を、直接見たことはないわけですかい。」\ ;＜天草 `"So does that mean you never saw Beatrice directly, Captain?"`\ ld l,$KAW_NayamuA1,80 ;「ない。@二十年近く出入りをしたが、一度も見たことはない。」@ ;＜船長 `"Nope.`@` Came and went for about 20 years, and I never saw her once."`@ ld r,$AMA_DESU,80 ;「二十年…！@　ひゅう、ってことは最低でも年齢プラス２０ってわけだ。@こりゃあ、マドモアゼルは期待できねぇな。」\ ;＜天草 `"Twenty years...!`@` Whew, that means she was at least 20+.`@` Look's like she wasn't any mademoiselle."`\ bg black,23 bg ship_S2b,26 ld l,$KAW_defA1,23 ;「だが、九羽鳥庵への出入りは、ある日を境に、ぷっつりとなくなっちまった。@/ `"But one day, *bang*, all coming and going to and from Kuwadorian suddenly stopped. `@/ ;ld l,$KAW_KomaruA1,80 ;今から大体３０年前だから、/ ;!d800……昭和４３年頃だったと思う。」@ ;＜船長 `That was about 30 years ago, `/ !d800`......so around Showa 43 (1968), I think."`@ ld r,$ENJ_defA1,24 ;「ぷっつりと？@　突然？」\ ;＜縁寿 `"*bang*?`@` You mean suddenly?"`\ ld l,$KAW_NayamuA1,80 ;「……食料やゴミなどの運搬往来で、わしらは決められた日程で裏に行っとった。@/ `"......We came by the back on a specified schedule to carry food and trash one way or the other. `@/ ld l,$KAW_DefA2,80 ;……あぁ、裏っちゅうのは、九羽鳥庵側の船着場のことだ。」@ ;＜船長 `......Oh, when I say the back, I mean the harbor on the Kuwadorian side."`@ ld r,$ENJ_nayamuA1,80 ;「わかります。@…それで？」\ ;＜縁寿 `"I get it.`@` ...So then?"`\ ;ld c,$KAW_defA1,80 bg white,22 bg sea_1a,26 me3v 16,50 ;「ある日、源次さんから急な連絡があった。@別の指示があるまで、裏には行かなくていいって言うんだ。」@ ;＜船長 `"One day, we got an urgent message from Genji-san.`@` He said that until we heard differently, there was no need for us to go to the back anymore."`@ ;ld c,$AMA_DefA2,80 ;「別の指示とは？」\ ;＜天草 `"And did you hear differently?"`\ ;ld c,$KAW_NayamuA1,80 bg black,22 ;「特にはなかった。@早い話が、ある日突然、裏には今後、定期便はいらない、食料も届けなくていいと言われたわけだ。@……わしは最初、クビにされたのかと思ったよ。@だが、すぐに気付いた。@……それに、九羽鳥庵のことを知る使用人たちの様子からも、何となく察しが付いた。」\ ;＜船長 `"Not in particular.`@` In short, one day, suddenly, I was told that they wouldn't need regular service at the back anymore, and that I didn't have to take food there either.`@` ......At first, I thought I was being fired.`@` But I quickly noticed.`@` ......And because of the reactions from the servants who knew of Kuwadorian, I managed to guess somehow."`\ bg ship_S2c,26 ld r,$ENJ_defA1,24 ;「………ベアトリーチェが死んで、食料を届ける必要も、世話人を送る必要も、なくなった？」\ ;＜縁寿 `".........Beatrice died, and there was no longer any need to take food or people to care for her?"`\ ld l,$KAW_defA1,23 ;「わしはそう考えとる。@それっきり、裏へ船を出せという指示は受けてない。@しかし、裏については死ぬまで何も喋るなと、@その後、源次さんが直接わしのところへ来て、偉く強く念を押した。」\ ;＜船長 `"That's what I think.`@` From that point on, I was never told to take a boat to the back.`@` However, after that, Genji-san came to see me face to face,`@` and got pushy, strongly urging me never to speak of anything related to the back until I died."`\ ld r,$ENJ_nayamuA1,80 ;「その、２０年間も放置されていた隠し屋敷に、/ ;!d800………どうして絵羽伯母さんが？」\ ;＜縁寿 `"So, if that hidden mansion was abandoned for 20 whole years, `/ !d800`.........why was Eva oba-san there?"`\ ;　右代宮絵羽は、１２年前のあの日。@ ;　……なぜかひとり、屋敷から２ｋｍも離れた隠し屋敷にいて、難を逃れた。@ `On that day 12 years ago...`@ `......Ushiromiya Eva somehow escaped harm alone in a hidden mansion 2 kilometers away from the mansion.`@ br ;　２０年間も忘れられていた隠し屋敷に、どうして彼女が………。\ `Why was she in a hidden mansion that had been forgotten for 20 years.........?`\ fedexx 70,50,50,0,0,0,1000 ld l,$KAW_NayamuA1,80 ;「ワイドショーで見たよ。@わしにも何が何だかさっぱりわからん。@絵羽さんを裏へ案内したことは一度もない。@/ `"I saw on the talk shows.`@` Even I don't have a clue what happened.`@` Not once did I guide Eva-san to the back. `@/ ;ld l,$KAW_KomaruA1,80 ;どうして、どうやって九羽鳥庵を知り、辿り着いたのか、わしにはさっぱり見当もつかない。」\ ;＜船長 `I have no idea how or why she knew about and reached Kuwadorian."`\ ld r,$ENJ_DefA1,80 ;「裏の九羽鳥庵に、陸路で行くことは不可能だったのかしら。」\ ;＜縁寿 `"I wonder if it was possible to go to the back where Kuwadorian is by land."`\ cl l,24 ld l,$AMA_DefA1,24 ;「……もしも話どおりに、未開の密林だとしたら。@おめかしした奥様風情に踏破できるもんじゃありませんぜ。」\ ;＜天草 `"......If, as we heard, the forest was dense and uncultivated,`@` I seriously doubt a well-dressed lady person'd be able to bush-crash it."`\ ld r,$ENJ_fumanA2,80 ;「じゃあ海路？@　モーターボートみたいなものがあったとか。」@ ;＜縁寿 `"So what about by sea?`@` Maybe there was a motorboat or something."`@ ;ld c,$KAW_komaruA1,80 ;bg black,22 ;bg sea_2a,22 cl l,24 ld l,$KAW_DefA2,23 ;「まさか。@あの二晩の台風は、そりゃあ酷いもんだった。@船なんぞ使えるわけもない。」\ ;＜船長 `"Are you kidding?`@` That two-nighter typhoon was awful.`@` No way you could'a used a boat."`\ ;ld c,$ENJ_fumanA2,80 bg black,22 bg sub_P1a,26 ;「じゃあ、屋敷と九羽鳥庵を直通する、……例えば地下通路のようなものがあったとか。@愛人の家へ出入りするのに、毎回、船の用立てが必要なんて、面倒でしょう…？」\ ;＜縁寿 `"So what if, ......there was an underground passage or something between the mansion and Kuwadorian.`@` Wouldn't it have been a pain to have to charter a boat each time he wanted to visit his mistress's house...?"`\ bg black,22 bg ship_S2a,0 ld r,$AMA_DESU,26 ;「全長２ｋｍの六軒島の、対角線上に存在する屋敷を繋ぐために、そんだけの長い地下トンネルを…？\ `"You mean a tunnel long enough to connect mansions on opposite sides of a 2 kilometer island like Rokkenjima...?`\ ld r,$AMA_DefA2,80 ;　…と、馬鹿にしてえところだが、愛人のために隠し屋敷まで作っちまう大富豪だ。@それも否定できんところですな。@……どうなんですか、船長。」\ ;＜天草 `...Well, I'd like to laugh at the thought, but this rich guy made a whole hidden mansion for his mistress.`@` Guess I can't deny the possibility.`@` ......What do you think, Captain?"`\ ld l,$KAW_NayamuA1,23 ;「わしは海の人間だ。@穴のことはわからん。@/ `"I'm a man of the sea.`@` I don't know about holes. `@/ ld l,$KAW_DefA2,80 ;だが、硫黄島で日本軍は２５ｋｍのトンネルを掘ってみせたぞ。@あの金蔵さんなら２ｋｍくらい掘ってみせても、わしゃ何も驚かん。」\ ;＜船長 `But the Japanese military dug a 25 kilometer tunnel on Iwo Jima.`@` Wouldn't surprise me if 'that' Kinzo-san could dig at least 2 kilometers."`\ ld c,$ENJ_komaruA3,24 ;「…………………やっぱり、狂った島ね。@私たちはこの島のことを、未だ誰一人、何も知らない。」\ ;＜縁寿 `"...............There really is something wrong with this island.`@` Even now, not one of us really knows a thing about it."`\ textoff bg white,22 bg black,2 fede 0,2000 wait 2000 me1v 2,50 bg sea_3a,6 ;■船着場でない浜辺に上陸。@ ;　船が接岸する。@ ;　お屋敷へは少し歩かなければならない。\ `The boat reached the shore.`@ `There would be a short walk to reach the mansion.`\ ld c,$KAW_defA1,24 ;「……わしはここで待っている。@屋敷は向こうだ。@当時の道が残っているだろうが、草木で覆われてしまってるはずだ。@迷わんように気をつけてな。」\ ;＜船長 `"......I'll wait here.`@` The mansion's that way.`@` The path from back then's probably still there, but I'll bet it's covered with plants.`@` Make sure you don't get lost."`\ bg beach_2b,0 ld r,$AMA_DefA1,24 ;「ほんじゃ、行きましょうかね。」@ ;＜天草 `"Right, let's go."`@ ld l,$ENJ_defA1,23 ;「ありがとう、天草。@あんたもここで待ってて。」\ ;＜縁寿 `"Thanks for everything, Amakusa.`@` You wait here too."`\ E_A ld r,$AMA_majimeA1,80 bgm1 8 ;「………まぁ、そう言い出すんじゃないかと思ってましたぜ。」\ ;＜天草 `".........Well, I had a feeling you'd say that."`\ ld l,$ENJ_komaruA1,80 ;「届け物をするだけよ。@あなたが一緒だと向こうが迷惑するの。@あんたの毒素、強そうだから。」@ ;＜縁寿 `"I'm just delivering something.`@` It'll be a pain over there if you come too.`@` I imagine your toxin is strong."`@ ld r,$AMA_DESU,80 ;「毒素？@　はて。」\ ;＜天草 `"Toxin?`@` Oho."`\ ld l,$ENJ_nayamuA1,80 ;「すぐに戻るわ。@今日の本命は九羽鳥庵の方だもの。@……届け物をしたら、すぐに戻ってくるわ。」\ ;＜縁寿 `"I'll be back soon.`@` Today, our main goal is Kuwadorian.`@` ......After I deliver this, I'll come right back."`\ ;　縁寿はナップザックを背負い、手向けの花束を持つ。\ `Ange put on her knapsack, holding the flowers she would offer.`\ bg sea_3a,0 ld c,$KAW_defA2,23 ;「察してやれ、若いの。@/ `"I feel for you, young'un. `@/ ld c,$KAW_WaraiA1,80 ;……行ってこい、お嬢ちゃん。@あんたの家族が待っている。」\ ;＜船長 `......See you soon, little lady.`@` Your family is waiting for you."`\ textoff bg black,2 fede 10,1000 bg white,4 bg forest_P1b,4 wait 3000 bg forest_P1a,4 ;　こんな道は初めてだったが、方角的に問題ない。@ ;　このまま真っ直ぐ歩けば、私を全ての終着点へ導いてくれるだろう。\ `I had never been on a road like this, but I had no trouble finding my way.`@ `If I walked straight ahead, it would probably guide me to the final destination for everything.`\ ;　確かに草木がものすごく、ぼんやりしているとどこが道なのかわからなくなる。@ `Of course, when the vegetation got incredibly vague, I would lose track of the path.`@ br ;　……でも想像していたよりは、遥かにマシな道が残されていた。\ `......But the road that was left was much better than I had imagined.`\ ;　それでも悪路であることに変わりはない。@ `Still, that didn't change the fact that it was a bad road.`@ br ;　……私は地図上の距離とは裏腹に、だいぶ歩かなくてはならなかった……。\ `......Contrary to the distance shown on the map, I was forced to walk a long way......`\ bg black,2 bg forest_P2a,4 ;　……森は深く、暗い。@ `......The forest was deep and dark.`@ br ;　当時の私は、この森には魔女が住んでいるから近付くなと脅されていた。\ `At the time, I had been threatened into staying away from the forest because a witch lived there.`\ ;　その怯えはさすがに今はないが、………でも、感じる。@ `Of course, that fear is gone now, .........but, I feel it.`@ br ;　黄金の魔女、ベアトリーチェの気配、@……霊気のようなもの、私だから感じることが出来る…。\ `Because I was me,`@` ......I could feel the presence, like an aura, of the Golden Witch Beatrice...`\ ;　あちこちに奇岩となって転がる巨大な岩塊と生い茂った木々と蔦。@……鳥たちと虫たちの声。@ `Here and there were massive fallen lumps of rock along with overgrown trees and ivy.`@` ......And the voices of birds and bugs.`@ br ;　あぁ、感じるわ。@ `Yeah, I feel it.`@ br ;　………魔女が、いるのを、感じる……。\ `.........I feel...that the witch...is here......`\ bg black,22 ;　前方に、蔦に絡まった工事現場の柵と警告板みたいなものが立っている。@ `Ahead, an ivy-covered construction site fence and warning sign stood.`@ br ;　“立入禁止、東京都”。@ `'No entry, Tokyo Metropolis'.`@ br ;　そう書かれていた。\ `That was written on it.`\ ;　あぁ、そうか。@東京というとついつい都会みたいなイメージがあるけれど、@六軒島も住所上は立派な東京都だ。@ `Yeah, that's right.`@` When you think 'Tokyo', you tend to think of a city,`@` but Rokkenjima is also located within Tokyo Metropolis.`@ br ;　……失礼な誤解だったと看板に謝りながら、私は柵を越える。\ `......Apologizing to the sign for my mistaken impression, I climbed the fence.`\ ;　その先の急斜面を越えると、…………急に視界が開けて、@鮮烈な海の風が、ざあっと私の髪を散らした……。\ `When I crossed the steep slope beyond that, ............my field of vision rapidly expanded,`@` and a fresh sea breeze blew through my hair......`\ bg white,8 me1v 16,50 wait 100 me2v 16,50, bg hill_1a,9 ;　そこはさながら、ちょっとした丘の上だった。\ `It was like the top of a little hill.`\ ;　……眼下には、島の広大な眺望が。@ `......Below me was a vast view of the island.`@ br ;　私には荒れ果てた森と岩場が広がっているようにしか見えない。@ ;　……でも、何となく、あの辺りが屋敷だろうと察しが付いた。\ `I could only see desolated forest and rock walls spread out below me.`@ `......But, somehow, I realized that the mansion was probably somewhere around there.`\ ;　その丘からの急な下り坂は、１２年間の風雨で土砂が崩れてしまったのかもしれない。\ `The steep downward slope beyond this hill had probably been caused by landslides from 12 years of wind and rain.`\ bg hill_1b,22 ;　緩やかな崖といってもいいような岩だらけの斜面になっており、@転げ落ちるのは簡単だが、登るのはかなり難しくなっているようだった。@ `It had become a slant filled with crags that you might even call gentle cliffs,`@` and it would be easy to tumble down, though it looked like climbing back would be pretty difficult.`@ br ;　………どうやら、これ以上を進むのは、無理なようだった。\ `.........In any event, it seemed that proceeding any further would be impossible.`\ ;　これ以上を進めば、戻れなくなる。@ `If I continued any further, I wouldn't be able to return.`@ br ;　つまりは、………ここが、境。\ `In other words, .........this is...the border.`\ ;　ここが１９８６年と１９９８年。@ ;　そして、あの日と今日。@ `This place is 1986 and 1998.`@ `And, it is that day and today.`@ br ;　彼岸と此岸の、境目。\ `The boundary between this world and nirvana.`\ bg hill_1a,22 ld l,$ENJ_komaruA1,23 ;「…………ここが、/ ;!d800……この旅の、終着点みたいね。」\ ;＜縁寿 `"............This place is, `/ !d800`......this journey's final destination, it seems."`\ ;　マモンもさくたろも、強い風に髪を散らしながら、丘から眼下を見下ろしている…。\ `As the strong wind blew Mammon and Sakutaro's hair, they looked down from the hilltop...`\ bg hill_1b,0 ld r,$RG5_komaruA1,24 ;「……ここからじゃ、さっぱりわからないわ。@お屋敷はどこ？@　もっと近付きましょうよ。」@ ;＜マモン `"......From here, I can't really tell.`@` Where's the mansion?`@` Let's get closer."`@ ld l,$sak_odorokiA1,23 ;『うりゅ、…無理だよ。@戻って来れなくなっちゃうよ。』\ ;＜さくたろ `『Uryu, ...that's impossible.`@` We won't be able to come back.』`\ ;　……戻って来れなく、なる。@…か。@ `......We won't be able to come...back.`@` ...Is it?`@ br ;　そうね。@……ここは１９９８年で、/ ;!d800……私はたったひとり取り残された右代宮縁寿。\ `I see.`@` ......This is 1998, `/ !d800`......and I am the Ushiromiya Ange who has been left all alone.`\ ;　初めは死ぬための旅だった。@ ;　でも、今は違う。@ `At first, it was a journey to die.`@ `But not anymore.`@ br ;　何かを成し遂げる旅に変わっている……。\ `It has become a journey to accomplish something......`\ bg hill_1c,0 ld r,$ENJ_komaruA2,24 ;「うん。@……だからごめんね、二人とも。@あの日の私なら、何も躊躇わずにこの崖を降りるだろうけれど。」@ ;＜縁寿 `"Yeah.`@` ......So, I'm sorry, you two.`@` Although, as I was back then on that day, I would have gone down that cliff without any hesitation."`@ ld l,$RG5_akuwaraiA4,23 ;「ビルの屋上から飛び降りた右代宮縁寿が、情けなァい。」\ ;＜マモン `"Come on, this is pretty lame for the skyscraper-jumping Ushiromiya Ange."`\ ld r,$ENJ_komaruA1,80 ;「ごめんね。」\ ;＜縁寿 `"Sorry."`\ ;ld c,$sak_waraia1,80 bg white,22 bg sky_1a,6 me3v 5,50 ;『ここでも同じだよ。@………あの日の風が、感じられるから。』@ ;＜さくたろ `『This place is as good as any.`@` .........Because you can feel the wind of that day.』`@ ;ld c,$RG5_majimeA1,80 ;「………………。@……こんな、風だったっけ。」@ ;＜マモン `"............`@`......Was the wind...really like this?"`@ ;ld c,$sak_waraiA2,80 br ;『うん。@もうすぐ、来てくれるよ。@………………みんな。』\ ;＜さくたろ `『Yeah.`@` Very soon, they will come.`@` ..................Everyone.』`\ ;　さくたろが、さも当たり前のようにそう言う。@ ;　……そして、私はそれを信じた。\ `Sakutaro said it as though it was completely natural.`@ `......And...I believed it.`\ ;bg black,5 ;　お父さん。@ ;　お母さん。@ ;　お兄ちゃん。@ ;　親族のみんなに、楽しい使用人の人たち。@ `Dad.`@ `Mom.`@ `Onii-chan.`@ `All of my relatives, and those fun servants.`@ br ;　そして、…………真里亞お姉ちゃん。\ `And, ............Maria onee-chan.`\ ;ld c,$ENJ_nayamuA1,80 bg black,2 ;「私よ。@……縁寿よ。@……………私は、帰ってきたわ。」\ ;＜縁寿 `"It's me.`@` ......It's Ange.`@` ............I've...come back."`\ ;　１２年前を暴く私の最後の旅は、初めはその目的も抽象的で、わからなかった。@ `When I had started my journey to expose the past of 12 years ago, that goal had been abstract, and I hadn't understood.`@ br ;　しかし、……今は私は、疑わない。\ `But now, ......I have no doubts.`\ ;　この旅は、…………１２年を経て、様々な思いや運命によって誘われたもの。@ `This journey, ......was induced by several thoughts and fates over 12 years.`@ br ;　私、右代宮縁寿にとっての、終わらせる旅。@ `A journey to end things for me, Ushiromiya Ange.`@ br ;　そして、マリアージュ・ソルシエールの最後の魔女としての、終わらせる旅。\ `And, a journey to end this as the last witch of Mariage Sorciere.`\ ;　私は右代宮家の最後の娘として、@そして、最後の魔女として、ここへやって来た……。\ `I came here as the last daughter of the Ushiromiya family,`@` and as the last witch......`\ fede 10,1000 ;ld c,$ENJ_komaruA1,80 bg sky_1a,22 ;「……お父さん、お母さん、お兄ちゃん。@…ごめんね。@先に、真里亞お姉ちゃんとの挨拶をさせてね。」\ ;＜縁寿 `"......Dad, Mom, Onii-chan.`@` ...Sorry.`@` Let me greet Maria onee-chan first."`\ me1v 5,70 ;　強い追い風が相槌を打つ。\ `A strong tailwind urged me on.`\ bg white,9 bg forest_P2b,2 ;　その追い風が、私の体の中から魂だけを抜き出して、……眼下の広大な森林へ。@ `That tailwind took just my soul out from inside my body, ......to the vast forest beneath me.`@ br ;　そしてここからは見えないけれど、あの日のお屋敷へ、@みんなへ、真里亞お姉ちゃんのもとへ飛ばしてくれると信じる。\ `And, though from here on I couldn't see, I believed that it flew me to the mansion on that day, to where everyone was...to where Maria onee-chan was.`\ bg white,22 bg Hill_1a,22 ;　だから私は、@……体は丘の上にいて強い風に吹かれながらも、@………魂は今、確かに、その空を舞っていた……。\ `And so, `@`......even though my body was on the top of the hill, a strong wind blowing against me,`@` ......my soul was now certainly dancing through that sky......`\ bg white,22 bg sea_3a,6 ;　それはとてもとても広大な六軒島の空。@ ;　………眼下にいっぱいの木々の緑。\ `The vast, vast sky of Rokkenjima.`@ `......Below me was the green of many trees.`\ ;　でも、わかる。@ ;　家族や親族、使用人のみんなの気配を、理解できる。@ ;　………そして、真里亞お姉ちゃんも。@ `But...I understand.`@ `I can comprehend the presences of my family and relatives, and all the servants.`@ `.........And...Maria onee-chan too.`@ br ;　魔女としての真里亞お姉ちゃんも、……理解できる。\ `I could even comprehend, ......Maria onee-chan as a witch.`\ ;　それは私が今までイメージしてきた、どんな広大な空間よりも、広大なもの。\ `It was vast, more so than any vast space I had imagined up until now.`\ bg black,22 ;ld c,$ENJ_komaruA2,80 ;「………真里亞お姉ちゃん。@聞こえる……？@　聞いて……！！」@ ;＜縁寿 `".........Maria onee-chan.`@` Can you hear me......?`@` Listen......!!"`@ br ;　縁寿はあの日の真里亞に叫ぶ。\ `Ange called to the Maria of that day.`\ ;　長い旅を経たこと。@ `A long journey had passed.`@ br ;　そしてようやく、あの幼い日に彼女を、どれだけ傷つけたかを知ったこと。@ `And finally, she knew just how much she had wounded Maria when she was young.`@ br ;　魔法を理解し、今なら真里亞が見せたかった世界が全てわかる。\ `She understood magic, and now understood everything about the world Maria had wanted to show her.`\ ;　それはとても温かくて、慈しみと幸せに溢れていて。@ `It was very warm, overflowing with love and happiness.`@ br ;　……そんな世界を共有することで、もっと幸せになりたかった彼女の気持ちを、@なのに私は、踏み躙った。\ `......She had wanted to become even happier by sharing that world, `@`but I had trampled it.`\ ;ld c,$ENJ_komaruA4,80 bg sky_1a,22 ;「だから私、今こそ全部理解したの。@………魔法を、理解した…！@　私たちの魔法はきっと、とてもささやかで身近に溢れてる。@……でも、それは誰の目にも見えるものではないのよ。@……………魔法とは。@……えぇ、はっきり言えるわ。」\ `"So now, I finally understand everything.`@` .........I understand magic...!`@` Our magic is surely very faint and fills the space beside us.`@` ......But it isn't something that anyone can see with their eyes.`@` ............Magic is...`@`...yes, I can say it clearly."`\ bg black,22 E_MA br ;　――愛がなければ、視えない\ `――Without love, it cannot be seen`\ ;　ごめんね、お姉ちゃん。@ `Sorry, Onee-chan.`@ br ;　……もう私は魔女同盟を破門になった身だけれど。@今になって、その素晴らしさを理解してる。\ `......I've already been excommunicated from the alliance of witches,`@` but now, I understand how wonderful it is.`\ bg book1,2 ;　そして、………私が傷つけてしまったあの日から、マリアージュ・ソルシエールが、@……お姉ちゃんが本当の意味で望んでいたものとは違うものに変貌してしまったことを知っている。\ `And, .........I know that since the day I wounded you, Mariage Sorciere,`@` ......was transfigured into something different from what you truly desired, Onee-chan.`\ ;　………あの日々のお姉ちゃんには、人を呪うことで怒りを吐き出す魔法も、大切だったかもしれない。@ `.........Even the magic that spat anger by cursing people was probably important to Onee-chan in those days.`@ br ;　お姉ちゃんの境遇は、それが許されるだけの悲しいものだった。\ `Onee-chan's environment was sad enough to permit that.`\ bg black,2 me1v 5,50 bg hill_1a,6 ld r,$ENJ_hanbesoA1,80 ;「でも。@………もう、そんな悲しい日々は、終わったよ。@/ ;!s0……だから、/ ;!d800……お姉ちゃんの魔女同盟を、/ ;!d800………元の、やさしいマリアージュ・ソルシエールに、戻そう。」/ `"But,`@` .........now, those sad days...are over. `@/ !s0`......So, `/ !d800`......let's return Onee-chan's alliance of witches, `/ !d800`.........back to the original Mariage Sorciere."`/ !sd\ ;＜縁寿 bg white,22 bg sky_1a,22 ;　いつの間にか手に持っていた魔導書。@ `The grimoire was in my hands without me realizing it.`@ br ;　……それが強い風で次々と素早くページが捲られていく……。\ `......The strong winds were rapidly blowing its pages one after another......`\ ;　最初はやさしい世界だった。\ `The world had been kind in the beginning.`\ ;　どうやったら、空からお菓子が降ってくる魔法が生まれるか。@ `How could you give birth to magic that would make candy fall from the sky?`@ br ;　どうやったら、明日の晩御飯がクリームコロッケになる魔法が生まれるか。@ `How could you give birth to magic that would make tomorrow's dinner creme croquette?`@ br ;　どうやったら、明日のお出掛けがお天気になって、楽しい一日になる魔法が生まれるか。\ `How could you give birth to magic that would make the weather good when you go out tomorrow, and make your whole day fun?`\ ;　新しい幸せな魔法が次々に生まれて、彼女の世界をやさしく彩っていった…。@ `New magics of happiness were created one after another, coloring her world with kindness...`@ br ;　そんな日々が次々に捲られていき、@………どんどんと月日が、走馬灯のように駆け巡っていく…。\ `Those days were flipped through one after another,`@` .........and tomorrow began to flash by...`\ se1v 21,40 bg sky_3a,22 ;　カラフルだったイラストのページは、@次第に黒いインク一色のページに様変わりしていく……。\ `The pages with drawings that had once been colorful...`@`gradually began to change into the color of black ink......`\ ;　……不気味な魔法陣や、悪魔の召喚術。@ `......Eerie magic circles, and demon summonings.`@ br ;　人に害を為すための邪悪なる魔法。\ `Evil magic for harming people.`\ bg black,25 ;　どうやったら、クラスのいじめっこが風邪を引く魔法が生まれるか。@ `How could you give birth to magic that would cause the class bully to catch a cold?`@ br ;　どうやったら、クラスの誰それが大怪我をして死んでしまう魔法が生まれるか。@ `How could you give birth to magic that would seriously injure someone in class so that they died?`@ br ;　どうやったら、いじめっこ全員の乗ったバスが崖から落っこちる魔法が生まれるか。\ `How could you give birth to magic that would cause a bus loaded with all the bullies to fall off a cliff?`\ ;　陰湿な魔法が次々に生まれて、/ ;!d800……ページと彼女の心を、埋め尽くしていく…。\ `Malicious magics were created one after another, `/ !d800`......burying the pages and her heart...`\ bg black,22 bg Hill_1b,0 ld l,$ENJ_KomaruA1,2 ;「私が、お姉ちゃんを傷つけたから。@マリアージュ・ソルシエールは、こんなになってしまった。@ / `"Because I hurt Onee-chan...`@`Mariage Sorciere ended up like this. `@/ ld l,$ENJ_HanbesoA2,80 ;………お姉ちゃんは黒き邪悪な魔女じゃない。@……白き、……無垢で無邪気な、/ ;!d700……やさしい魔女だったのよ……。\ `.........Onee-chan isn't a black, evil witch.`@` ......She was a white, ......pure, innocent, `/ !d700`......kind witch......`\ bg white,26 bg sky_1a,22 ;　……私が、元に戻してあげる。@ ;　元の、みんなを幸せにする魔法を世界中に振りまいていた、/ ;!d800……真里亞お姉ちゃんに戻してあげる。@……その為に、私はここへ来た。@運命に導かれてきた。@…………お姉ちゃん、聞こえてる……？@　その姿を、………私の前に見せて………！！」\ ;＜縁寿 `......I'll...return it to how it was.`@ `I'll bring back the original Maria onee-chan, `/ !d800`......the one who scattered magic to make people happy across the entire world.`@` ......That is the reason I came here.`@` I was guided by fate.`@` ............Maria onee-chan, can you hear me......?`@` .........Show yourself before me.........!!"`\ ;　その声は、さらに強い風に乗って、１２年前に届けられる……。@ `That voice rode an even stronger wind and was sent 12 years into the past......`@ br ;!s0　そして、/ ;!d500……ゆっくりと風は止み、/ ;!d500………沈黙が訪れた……。/ !s0`Then, `/ !d500`......the wind gradually ceased, `/ !d500`.........and silence fell......`/ !sd\ bg black,22 fede 10,1000 ;　じゃり、じゃりりと。@……小石を踏みしめる音が、聞こえた。@ `*crunch*, *crunch*.`@` ......I could hear the sound of gravel being stepped on.`@ br ;　私はその足音を聞き、その奇跡に驚く。@ `I listened to those footsteps, surprised at this miracle.`@ br ;　……それは紛れもなく、真里亞お姉ちゃんの足音だった。\ `......Without a doubt, those were Maria onee-chan's footsteps.`\ bg Hill_1b,0 ld c,$ENJ_waraiA1,26 ld c,$ENJ_waraiA3,80 ;「…………ま、……真里亞お姉ちゃん………。」\ ;＜縁寿 `"............M, ......Maria onee-chan........."`\ E_A bg Hill_1c,0 ld r,$kas_waraiA1,80 me1v 16,50 ;「霞よ。@………ようやく見つけたわよ、縁寿ちゃん………？」@ ;霞 `"It's Kasumi.`@` .........Looks like I finally found you, eh, Ange-chan.........?"`@ ld l,$ENJ_fumanA2,23 ;「……………………。」\ ;＜縁寿 `"............"`\ ;　……真里亞お姉ちゃんとは、似ても似つかない霞叔母さんと黒服たちが、@いつの間にか７人も、私を取り囲むように、そこにいた。\ `......Before I knew it, Kasumi oba-san and her black-suits, a total of seven people who didn't resemble Maria onee-chan in the slightest,`@` were standing there, surrounding me.`\ ;　真里亞お姉ちゃんに、もう少しで声が届きそうだったのに……。@ ;　…こいつらの毒素のせいで、………魔法が途切れてしまった…。@ `And it felt like my voice had been just about to reach Maria onee-chan, too......`@ `...Because of these guys' toxin, .........the magic had been interrupted...`@ br ;　縁寿はそれを舌打ちするが、霞にはそういう意味には聞こえなかったろう。\ `Ange clicked her tongue at that, but Kasumi probably didn't hear it that way.`\ ld r,$KAS_DefA1,80 ;「…………ふぅん。@そのお花は、亡くなった家族への？@/ `"............Hmmmm.`@` Are those flowers for your deceased family? `@/ ld r,$KAS_waraiA1,80 ;　……偉いわぁ。@それ、投げるんでしょ？@　いいわよ、それまで待ってあげる。」\ ;＜霞 `......How admirable.`@` You're going to throw them, right?`@` Go ahead, we'll wait that long."`\ bg black,23 bg hill_1a,23 ;　……何を待つというのか。@ ;　…だが、縁寿には大体察しがついていた。\ `......And just what are you waiting for...`@ `...Ange could more or less guess.`\ ;　黒服たちの、不自然にポケットに突っ込んだ手などは、明らかな拳銃の所持を想起させる。@ `The way the black-suits unnaturally stuck their hands into their pockets clearly brought to mind the likelihood that they were in possession of handguns.`@ br ;　………ここは無人島。@ ;　これほど都合のいい処理の場所はあるまい。\ `.........This is a deserted island.`@ `There could be no more convenient place to dispose of someone.`\ bg black,22 ;　須磨寺家のお家事情などまったく興味はない。@ `I have absolutely no interest in the family matters of the Sumadera family.`@ br ;　…しかし、私が死ねば、ごろりと全ての財産は須磨寺家に転がり込むのだ。@ `...But if I die, all of that wealth will be plunked into the Sumadera family.`@ br ;　私と違い、大いに興味も関心もあるだろう。\ `Unlike me, they are probably very interested and concerned.`\ ;　もちろん、一方の右代宮グループも、私の保有する大量の株が、@ごろりとそちらに行ってしまうのは色々とまずいらしく、@私を奪い合って、勝手に暗闘を繰り広げているらしい。@ `Of course, it seems that if the massive amounts of stock I own suddenly go to them, it'll be pretty bad for the Ushiromiya Group as well,`@` and they're apparently having a secret feud, fighting over me all by themselves.`@ br ;　……小此木社長が私に天草という護衛を付けてくれたのも、そういう意味のはず。\ `......That's probably why President Okonogi gave me Amakusa as a guard.`\ ;　…………天草を船に待たせてしまったのは、痛恨のミス…。\ `............Having Amakusa wait on the boat was a regretful mistake...`\ bg Hill_1b,0 ld l,$ENJ_fumanA2,26 ld l,$ENJ_nayamuA1,80 ;「叔母さん、いつからここで待ち伏せを……？」\ ;＜縁寿 `"Oba-san, how long have you been waiting for this ambush......?"`\ bg Hill_1c,0 ld r,$KAS_waraiA2,24 ;「早朝からよ。@お陰で、すっかり待ちくたびれちゃったわ。@何しろ喫茶店もお化粧室もないからねぇ。」\ ;＜霞 `"Since early morning.`@` Thanks to that, I'm completely tired of waiting.`@` After all, there's no cafes or dressing rooms here."`\ ld l,$ENJ_nayamuA1,23 ;「トイレもないから、お上品に木陰でひり出してたわけね。@/ `"No toilets either, so I guess you had to elegantly drop a load behind a tree. `@/ se1 9 ;cl r,0 ld l,$ENJ_komaruA3,1 ;ld r,$KAS_AkuwaraiA1,1 quakex 3,800 ;………ぐッ、」\ `.........ack-"`\ cl r,0 ld c,$KAS_akuwaraiA1,24 ;「仮にも、須磨寺家の血を半分引いてる淑女が、そんな汚らしい言葉を使うんじゃないわ。@/ `"One who is a lady with half Sumadera blood flowing through her veins will not use such filthy words. `@/ ;ld c,$KAS_WaraiA2,80 ;………やっぱり須磨寺霧江の子ねぇ？@　気品の欠片もありゃしない。」\ `.........You really are Sumadera Kyrie's child.`@` Not a trace of grace."`\ bg black,1 me2v 17,50 ;　私は髪を掴み上げられ、無理やり顔を寄せられる。@そして唾を吐きかけられた。@ `She grabbed me by the hair and forced my face up to hers.`@` And then spat at me.`@ br ;　……私の言葉も汚いが、こいつの唾も負けていない。\ `......My words might be filthy, but they're no worse than her spit.`\ bg hill_1b,24 ld r,$ENJ_fumanA2,26 ;「………叔母さんが私のことを話すと、いつも母さんのことばかり。@/ `".........Every time you talk to me, Oba-san, it's always about Mom. `@/ ;ld r,$ENJ_FumanA1,80 ;…私、そんなにも母さんに似てますか。」\ ;＜縁寿 `...Am I really that much like my mother?"`\ ld l,$KAS_waraiA1,23 ;「えぇ、似ているわ。@/ `"Yes, you are. `@/ ld l,$KAS_akuwaraiA1,80 ;……………その生意気そうな目つき。@鼻も口もそっくりよ。@……自由奔放で無責任。@……歴史と伝統ある須磨寺家の重みなど何も考えず、自分勝手に家を飛び出したわ。@お陰で私の人生はずっと、その尻拭い…！」\ ;＜霞 `............That impertinent gaze.`@` Your mouth and nose are the same too.`@` ......Freewheeling and irresponsible.`@` ......You thought nothing of the long history and tradition of the Sumadera family, and selfishly flew out of the house.`@` Thanks to that, my entire life has been cleaning up your mess...!"`\ ld r,$ENJ_nayamuA1,80 ;「まさにあんたの人生、クソまみれね。」\ ;＜縁寿 `"Well, it's true that your life has been a piece of crap."`\ bgm1 13 E_MA se1 12 bg white,1 bg black,22 se2 8 ;　頬を打たれた時、耳を強打され、一瞬、頭がキーンとなった…。@ `When I was slapped on the cheek, my ear was smashed, and for an instant, my head rang...`@ br ;　………そして、髪を引っ張って振り回され、私は地面に転がされる。@ ;　それから間髪を入れず地面を蹴られて砂を掛けられた。\ `.........My hair was pulled, spinning me around, and I fell to the ground.`@ `And in a flash, the ground was kicked and I was struck with sand.`\ bg hill_1a,6 ld c,$KAS_waraiA1,24 ;「あぁ、本当に姉さんに似てきたわぁ。@その目つき！@　その、どこか小馬鹿にした目つきよ。@あぁ、思い出すわ、色々と！」\ ;＜霞 `"Yes, you truly are like Nee-san.`@` That gaze!`@` That gaze like you're somehow making fun of me.`@` Yes, I do remember, many things!"`\ bg hill_1b,23 ld r,$ENJ_komaruA3,26 ;「………哀れな人ね。@きっと幼い頃から、何かにつけて母さんに比較されて蔑まれてきたんでしょうに。@/ `".........You are pitiful.`@` I imagine that since you were young, you were always compared against Mom and scorned. `@/ ld r,$ENJ_nayamuA1,80 ;……そしてあんたは一生、その惨めさから解放されやしないわ。」\ ;＜縁寿 `......And for your entire life, you'll never be released from that wretchedness."`\ ld l,$KAS_AkuwaraiA2,23 ;「お前みたいな小娘にはわからないわよ。@……あんたのお母さんはね、何もかもを投げ出して須磨寺家を逃げ出した負け犬なのよ…？@/ `"A little girl like you couldn't understand.`@` ......You see, your mother is a loser who threw everything away and ran away from the Sumadera family, right...? `@/ ld l,$KAS_komaruA1,80 ;!s0　その負け犬のせいで、私がどれほど…、/ ;!d800どれほど迷惑したことかッ！！」/ !s0`Do you know how much..., `/ !d800`how much trouble I went through because of that loser?!!"`/ !sd\ ;se1 12 ;cl r,65 ;se2 13 ;quakex 4,500 ;＜霞 ;wait 3000 me1v 16,50 ld r,$ENJ_fumanA2,80 ;「あんたの迷惑なんか私の知ったこっちゃないわ。@私の生まれる前の話をされても困るわよ。@/ `"Any trouble you went through has nothing to do with me.`@` Can't really do anything about what happened before I was born. `@/ ld r,$ENJ_fumanA1,80 ;………あんたの人生は、いつ始まるの？@　……始まりゃしないわ。@いつまでもいつまでも永久に、死んだ母さんに嘲笑われ続け、そのまま死ぬのよ。@……というか死ねば？@　何で生きてるの？」\ ;＜縁寿 `.........When will your life begin?`@` ......It never will.`@` For all eternity, you'll always, always continue to be sneered at by my dead mother until you die.`@` ......So why not die?`@` Why are you living?"`\ ld l,$KAS_ikariA1,80 ;「このションベンガキが…！！@/ `"You little piss...!! `@/ ;ld l,$KAS_KomaruA1,80 ;　あんたたち…！@　ちょいとお茶をしてやりなさいな。」\ ;＜霞 `You all...!`@` Make her some tea."`\ bg black,23 me2v 5,70 bg hill_1c,23 ;「へっへっへ…。@お任せを…。」@ ;「口の聞き方も知らねぇ、クソガキが。@少し勉強させてやるぜ。」@ `"Heheheh...`@` Leave it to us..."`@ `"You big-mouthed shitty brat.`@` Let us teach you a little lesson."`@ se1 8 quakex 3,300 se2 9 quakey 3,200 br ;　黒服が、ささっと駆けて来て、私の襟首を乱暴に掴み、引き摺り倒す。\ `The black-suits dashed up to me, violently grabbed me by the nape of the neck, and dragged me down.`\ ld r,$KAS_akuwaraiA1,24 ;「私が一服終えるまでに適当に。@可愛い姪にちょいと身の程を教えてあげなさい。」\ ;＜霞 `"Do whatever to her until my break is over.`@` Teach my cute niece her place."`\ se1 20 wait 500 se2 12 bg black,1 wait 300 se3 10 wait 500 se1v 12,85 wait 1000 ;　須磨寺霞か。@ `Sumadera Kasumi.`@ br ;　思えば可哀想な人だった。\ `When I think about it, she was a pitiable person.`\ ;　須磨寺家の女は、表向きは男を立てて一歩引いた位置にいるように躾けられている。@ `To the outside world, women of the Sumadera family were trained to be in a position to support and defer to men.`@ br ;　……しかし実際は、下々の全てを取り仕切る強い指導力が求められる。@ ;　文字通り、女将のような役割を求められるのだ。\ `......But in actuality, a strong leadership was demanded of them so that they could manage all of the common people.`@ `A role literally as a landlady was demanded of them.`\ fede 10,1000 mono 1 ld r,$KAS_akuwaraiA1,22 ;　伝統ある須磨寺家を取り仕切るのは、並大抵の貫禄では出来ない。@ ;　それは想像を絶する重責だ。@ `Managing the Sumadera family with all its traditions was not something that could be accomplished with just an ordinary level of dignity.`@ `It was an unimaginably heavy responsibility.`@ br ;　それは本来ならば、霧江に求められるものだった。\ `Normally, this would have been demanded of Kyrie.`\ ;　霧江にはその厳しい修行が。@ ;　そして霞は妹としてのんびりしていれば良かった。@ `Kyrie had undergone that harsh training.`@ `And Kasumi, as the younger sister, should have been able to take it easy.`@ br ;　いやむしろ、重責を課せられた霧江を嘲笑い、のんびりと裕福でわがままなお姫様生活をしていた。\ `No, to the contrary, she had lived like a lazy, selfish and affluent princess, sneering at Kyrie, who had been given the heavy responsibility.`\ bg black,22 mono off bg Different_spiral_1a,22 ;　……ところが。@突然、霧江が勘当されることになった。@ `......However.`@` Kyrie had suddenly been disinherited.`@ br ;　親の設定した許婚を蹴り、右代宮留弗夫の愛人として妊娠していたのだ。\ `She had refused the fiance her parents had arranged, and had gotten pregnant by her lover, Ushiromiya Rudolf.`\ ;　須磨寺家から見た右代宮家は、莫大な財産は持っていても、すでに没落した格下の家と見られていた。@ `From the Sumadera family's perspective, even though the Ushiromiya family held a vast fortune, it was a downgraded family which had already collapsed.`@ br ;　しかもその家の次男坊の、正妻ならまだしも愛人とは…。\ `And to become not even a legal wife, but a mistress to the second son of that family...`\ ;　本来なら、これほどの不名誉ならば、本家の娘とて容赦はされない。@ `Normally, a daughter of the main family would be shown no mercy for something so dishonorable.`@ br ;　棒を立てて、右に倒れれば太平洋、左に倒れれば日本海に、@簀巻きにされて放り込まれているところだ。\ `They would wrap her up in a mat, place a pole on end, `@`and throw her either into the Pacific Ocean if the pole fell to the right or the Sea of Japan if it fell to the left.`\ bg black,22 mono 1 ld l,$KIR_komaruA1,22 ;　………しかし、霧江への処分は勘当のみで、信じられないくらいの温情判決だった。@ `.........But Kyrie's punishment was nothing but disinheritance, an unbelievably warm-hearted decision.`@ br ;　その後、須磨寺家は右代宮グループの一部において、優遇的な措置を受けるようになる。@……何らかの裏取引があったのは間違いない。\ `After that, the Sumadera family began receiving favorable treatment from a section of the Ushiromiya group.`@` ......There must have been some kind of backroom deal.`\ ;　つまり霧江は、右代宮家からの経済支援をダシに、堂々と須磨寺家を出て行ったわけだ。@ `In other words, Kyrie openly left the Sumadera family with the pretense of gaining financial support from the Ushiromiya family.`@ br ;　霞は呆然とそれを見送った。@ ;　いや、不名誉な姉を負け犬と罵りさえした。\ `Kasumi had watched it happen in shock.`@ `No, she even disparaged her dishonorable sister as a loser.`\ ;　……しかし、やがて。@ `......But, eventually...`@ br ;　霧江が背負っていた重責の全てが、自分に引き継がれることを知り、@その時、初めて、出し抜かれたことに気付いたのだ……。\ `She realized that the heavy responsibilities Kyrie had born would be passed on to her,`@` and then, for the first time, she noticed that she had been outwitted......`\ bg black,22 mono off bg hill_1a,2 ld c,$KAS_ikariA1,26 ;「あんたの母親のせいで、私の人生はめちゃめちゃにされたわ。@/ `"Because of your mother, my life turned into a mess. `@/ ;ld c,$KAS_IkariA1,80 ;……いいえ、一度殺されたと言ってもいい。@あの日に私は一度殺されて、地獄のような日々に突き落とされたのよ…。」\ ;＜霞 `......No, you could even say she killed me once.`@` On that day, I was killed once and thrown into a hellish life..."`\ bg hill_1c,0 ld r,$ENJ_komaruA3,24 ;「…………それまで人生舐めてきたツケじゃない？@/ `".........Isn't that just what you get for making light of life until then? `@/ se1 12 ld r,$ENJ_komaruA4,1 quakey 4,400 ;　……ぎゃふッ！@/ `......gyack! `@/ ;ld r,$ENJ_HanbesoA2,80 ;………ごほっ、ごほ……。」\ ;＜縁寿 `.........gah, gah......"`\ bg black,22 ;「口の減らねぇ小娘だぜッ！@　うぉら！」@ `"Don't you ever stop talking, girl?!`@` Hyaah!"`@ se1 8 quakex 3,300 wait 500 se2 12 quakey 4,500 br ;　黒服に下腹を殴られ、うずくまる。@ ;　しかしすぐに襟首を掴まれ、立ち上がらせられた。\ `The black-suit punched me in the gut, and I doubled over.`@ `But I was quickly grabbed by the nape of the neck and made to stand up again.`\ bg Hill_1b,25 me1v 16,50 ;　霞はそれを冷酷に見下ろしながら、煙草を吹かす……。@ `Kasumi cold-heartedly looked down at me, smoking a cigarette......`@ br ;　彼女の脳裏に蘇るのは、霧江が出て行った後の辛い日々。\ `The painful days after Kyrie had left were floating through her mind.`\ ;　それまでは自由奔放、天真爛漫なただのお嬢様でいられた。@ `Until then, she had been allowed to be a simple lady, freewheeling and naive.`@ br ;　……厳しく躾けられるのは長女の霧江だけで、次女の自分はただのお姫様でいられたのだ。\ `......Only the older sister, Kyrie, had been harshly trained, and she, the younger sister, had been able to live as nothing more than a princess.`\ ;　それが、突然、人生が転落するほどに全てが引っ繰り返って……。\ `Then, suddenly, everything had been turned over, so much so that her life had crashed down......`\ ;ld c,$KAS_ikariA1,80 bg black,25 ;「私の人生も、生活も、生き方も、……何もかもを奪われたわ。@………事情を知らない親類からは、姉さんの不名誉を理由にどれだけ蔑まれたことか…。@……呪ったわ。@あなたのお母さんを血を吐くほどに呪ったわよ…。」\ `"My life, lifestyle, and the way I lived, ......were all stolen from me.`@` .........Do you know how much I was derided by those relatives who didn't know the details, all because of my sister's dishonor...?`@` I detested her.`@` I detested your mother enough to make me spit blood..."`\ bg Hill_1a,0 ld c,$enj_nayamuA1,26 ld c,$ENJ_fumanA2,80 ;「そりゃ嬉しいわ。@これからもよろしく。@/ `"Glad to hear it.`@` I'll be counting on you in the future too. `@/ se1 12 ld c,$ENJ_hanbesoA2,1 quakey 4,400 ;………がふッ！！」/ `.........Graggghh!!"`/ bg black,66 se1 13 quakey 4,800 \ ;　這いつくばった縁寿の脇腹に、蹴りが入る。@ ;　縁寿はもう立ち上がらなかった。@ `A kick landed in Ange's side as she crawled on the ground.`@ `Ange didn't stand up again.`@ br ;　……だから芋虫のように転がされたまま、減らず口を叩く度に、蹴られる。\ `......So as she continued to lie there like a caterpillar, she was kicked every time she spoke up.`\ bg hill_1c,0 ld r,$KAS_ikariA1,26 ;「……姉さんを、右代宮グループのパーティで見かけたわ。@/ `"......I saw Nee-san at an Ushiromiya Group party once. `@/ ld r,$KAS_AseruA2,80 ;!s0……あいつ、旦那と一緒で、/ ;!d800………とても幸せそうに、/ ;!d400……笑ってやがったわ。@……私に、/ ;!d400……全部を押し付けて、/ ;!d500……自分だけ、/ ;!d400………幸せに………。」/ !s0`......She was with her husband, `/ !d800`.........looking very happy, `/ !d400`......and laughing.`@` ......She, `/ !d400`......pushed everything onto me, `/ !d500`......and found happiness, `/ !d400`.........only for herself........."`/ !sd\ ;＜霞 ld l,$ENJ_nayamua1,26 ld l,$ENJ_komaruA3,80 ;「………だから何？@　私に八つ当たりすると、どうあんたが幸せになるってわけ？@/ `".........So what?`@` How is chopping me up going to make you happy? `@/ ;ld l,$ENJ_IkariA1,80 ;　私に八つ当たりすると、時間が巻き戻って歴史が変わったりしてくれるわけ？@/ `Is chopping me up gonna turn back time and change history or something? `@/ se1v 12,100 se1v 12,100 bg white,1 bg black,22 ;!s0　………うぐぐぐ、/ ;!d400………がッ、/ ;!d800………ごほッ……！！」/ !s0`.........Uguhguhguh, `/ !d400`.........gah, `/ !d800`.........ghackk......!!"`/ se1 13 quakey 3,500 se2v 13,100 quakey 3,800 !sd\ ;＜縁寿 ;ld c,$KAS_akuwaraiA1,80 bg Different_spiral_1a,22 me2v 17,70 ;「あんた、さっき言ったわねぇ…。@私の人生はいつ始まるの？って。@………いくら恨んでも八つ当たりしても、時間を巻き戻すことなんて出来ない。@……じゃあ私は死ぬまでこうして、死んでもなお姉さんを恨み続けて？\ `"You said something a short while ago...`@` When will my life start?`@` .........No matter how much I despise you or chop you up, I cannot turn back time.`@` ......So until I die, will I keep hating Onee-san even though she's dead?`\ ;　冗談じゃないわ。@……いつまで私は姉さんの亡霊に苛まれてなきゃならないのよ。@だから考えたのよ。@…………これを成し遂げたら、全ての恨みを忘れて、やり直せるってね。」\ ;＜霞 `This isn't a joke.`@` ......How long will I have to be tormented by Nee-san's ghost?`@` So I thought of something.`@` .........If I could succeed in this, I would be able to forget all of my hatred and start over."`\ bg hill_1b,2 ;　縁寿は憎まれ口を叩いて、それに答えようとしたが止めた。@ `Ange was about to counter this insult, but stopped.`@ br ;　…答えればまた蹴られるからだ。\ `...Because she would be kicked again if she responded.`\ ;　……霞がそれ以上を語らなくても、どうせ想像はつく。@ `......Even if Kasumi didn't say any more, Ange had a pretty good idea what she meant.`@ br ;　霞は、霧江の娘の縁寿に復讐することで、その恨みに終止符を打とうと考えているわけだ。@ `Kasumi thought that by taking revenge against Kyrie's daughter Ange, she would be able to bring an end to her hatred.`@ br ;　………何と傍迷惑な。\ `.........Talk about pushing your problems on other people.`\ fedexx 70,50,0,0,0,0,1000 ld l,$KAS_akuwaraiA2,23 ;「ほら、立ちなさいよ。@そんなにこの島が大好きなら、しっかり深く埋めてあげるわよ。@/ `"Come on, stand up.`@` If you like this island that much, I'll bury you deep in it. `@/ ld l,$KAS_ikariA1,80 ;………その若さで死にたくないでしょ？@　母が迷惑を掛けてすみませんでしたとか、言ってみたくはならない？」\ ;＜霞 `.........You don't want to die at that age, right?`@` Don't you want to say 'sorry my mother caused you so much trouble', or something?"`\ ld c,$ENJ_FumanA2,26 ld c,$ENJ_IkariA2,80 ;!s0「………誰が、/ ;!d500……言うもんか。@/ !s0`".........Who'd, `/ !d500`......say something like that. `@/ se1 12 ld c,$ENJ_HanbesoA2,1 quakey 4,1000 ;………ぐはッ、/ ;!d600………ぐッ、……！！」/ `.........gwah, `/ !d600`.........guh, ......!!"`/ !sd\ ;＜縁寿 ;■メタ視 mset2ef 22 mld r,$sak_nakuA2,24 E_MA ;『うりゅー！！@　縁寿ッ、縁寿ぇえぇ…！！』@ `『Uryu-!!`@` Ange, Angeeeeee...!!』`@ mld l,$RG5_odorokiA3,23 ;「縁寿さま、ダメ…！@　こいつらを挑発しちゃ駄目です…！！@/ `"Ange-sama, no...!`@` You must not provoke them...!! `@/ mld l,$RG5_KomaruA2,80 ;　ここは表向きだけでも、調子を合わせて時間を稼ぐべきです…！」\ ;＜マモン `You should at least make it seem like you're going along with them, so you can buy some time...!"`\ mcl r,23 mld r,$ENJ_komarua3,24 ;!s0「………下らないプライドは、/ ;!d800…燃えないゴミの日に出しとけって、/ ;!d800…よく言うわね……。」/ !s0`".........They often say that, `/ !d800`...you should throw your foolish pride, `/ !d800`...out with the garbage......"`/ !sd\ ;＜縁寿 mld c,$Sak_odorokiA1,23 ;『あ、天草さんは…？！@/ `『Oh, Amakusa-san...?! `@/ ;mld c,$SAK_NakuA1,80 ;　天草さんが来てくれれば、きっと……！』\ ;＜さくたろ `If Amakusa-san comes, I'm sure......!』`\ mld l,$RG5_KomaruA3,80 ;「……駄目、あいつの姿は見えないわ…。@/ `"......No, I can't see him...`@/ mld l,$RG5_IkariA2,80 ;……縁寿さまの馬鹿…！@　どうして天草を置いて来たんです…！」\ ;＜マモン `......You idiot, Ange-sama...!`@` Why did you come without Amakusa...!"`\ ;　マモンに言われるまでもない。@ ;　……今、まさに後悔の真っ最中だ。@ `I didn't need Mammon to tell me.`@ `......Right then, I really was right in the middle of regretting it.`@ br ;　だいぶ歩いた。@森もかなり深かった。@ `I walked a long way.`@` The forest was very thick.`@ br ;　……ここでの騒ぎは絶対に船まで届かないだろう……。\ `......I have no doubts that the disturbance here will not reach the boat......`\ mendef 0 textoff bg black,22 bg hill_1c,25 se1 8 quakey 3,600 se2 11 quakex 3,600 se3 12 quakey 4,800 ;　私は、霞が煙草一本を、のんびり丸々吸い終えるまでの間、@いいように黒服どもにいたぶられ続ける。\ `During the time it took for Kasumi to finish casually smoking a whole cigarette, `@`I was continuously tormented by the black-suits, as she had told them to.`\ textoff se1 20 wait 600 se2v 12,100 bg white,1 quakey 6,800 bg black,22 ;　頭を抱えた拍子に、悪い形で誰かに頭の天辺を蹴られ、頭の中に星がいっぱいに広がった……。@この灰色に歪んだぐにゃぐにゃの世界に星がちらつく感じ、@……私はよく覚えてる。\ `The moment I grabbed my head, my scalp was kicked by someone at a bad angle, and my head was filled with stars......`@` The feeling of stars flickering in this world twisted with gray, `@`......was one I knew well.`\ bg Different_spiral_1a,8 me1v 19,95 ;　私も、須磨寺霞と辿った人生はよく似ていた。\ `My life was very similar to the one Sumadera Kasumi had led.`\ ;　右代宮家の跡継ぎらしくあれと、教育や躾と称した様々ないじめに、ずっと苛まれてきたからだ。@ `...Because as the successor to the Ushiromiya family, I had been tormented constantly with various bullying under the guise of education and training.`@ br ;　そう。@こんな感じで頭の中に星がいっぱい散らばる感じを、よく覚えてる。\ `Yes.`@` Having the inside of my head filled with stars like this...is a feeling I knew well.`\ bg black,22 ;　私が間違えたらしい何かのマナーについての叱責は、@いつものように、右代宮家の次期当主として相応しいだの相応しくないだのという話になり。@ `When being reprimanded for some error in manners I seemed to have made,`@` the discussion always turned to whether I was fitting to be successor to the Ushiromiya family or not.`@ br ;　……右代宮家の名誉だの何だの、その重みがどうこうどうこう。\ `......On and on about the honor of the Ushiromiya family, and how deep that was.`\ ;　……そういう話にまで至るころには、@そもそも私が、何の失敗をして咎められているのか、それすらもわからなくなってしまう。\ `......By the time conversation reached that point,`@` I would forget what mistake I was being blamed for in the first place.`\ mono 1 bg G1F_S2a,0 ld c,$EVA_akuwaraiA1,22 me2v 16,60 ;　いや、実際、絵羽伯母さんもそうだった。@ `No, actually, it was the same way for Eva oba-san too.`@ br ;ld c,$EVA_KomaruA4,80 ;　だって時折、「えぇと、それで何だったっけ？」と、自問していたから。\ `After all, sometimes she would ask herself "Umm, what was it again?"`\ ;　…でも結局、それは思いだせず、@ `...But in the end, she wouldn't be able to remember, and would say something like:`@ br ;ld c,$EVA_IkariA1,80 ;「私が怒っているということは、きっと縁寿が何か悪いことをしたのだろう。@なら、その悪いことが問題なのであって、何をしたかなんて、今さら思い出せなくても問題ない。」@ `"The reason I am angry must be because you did something wrong, Ange.`@` So whatever wrong thing you did is the problem, and being unable to remember what it was now isn't the problem."`@ br ;　…みたいなすごい理論になって、私への罰は続けられたから。\ `...There'd be some ridiculous reasoning like that, and then she would continue punishing me.`\ bg black,22 mono off bg Different_spiral_1a,28 ;　そう。@絵羽伯母さんの罰は、私が何かを学ぶか、誤りを認めるか、謝罪するかまで続けられるのではない。@ `Yes.`@` Eva oba-san's punishment wasn't something that would continue until I learned something, or acknowledged my mistake, or apologized.`@ br ;　………絵羽伯母さんが、止めたいと思うまで続くのだ。@ `.........It would continue until Eva oba-san wanted to stop.`@ br ;　だから、こんな暴力だって、反吐が出る意味で、懐かしい。\ `So this violence was a bit nostalgic, in a way that made me want to vomit.`\ gosub *EV2_Isyou1 bg black,22 fede 0,2000 bg hill_1a,0 ld c,$KAS_AkuwaraiA3,26 ;ld l,$EV2_AkuwaraiA5,26 me1v 5,50 ;　……目を開ければ、……ほら、そこに絵羽伯母さんがいる。@ `......I open my eyes, ......and look, there's Eva oba-san.`@ br ;　煙草を吸いながら、私を嘲笑う霞のすぐ隣に、@まるで一緒に笑っているかのように、絵羽伯母さんの姿が見えた。\ `Right next to Kasumi, who's smoking a cigarette,`@` I can see Eva oba-san, almost as though the two of them are laughing together.`\ bg black,0 mono 1 ld l,$EVA_komaruA4,2 bgm1 16 ;　思えば、絵羽伯母さんの人生も、同情に値するものなのかもしれない。@ `When I think about it, even Eva oba-san's life might be a thing worthy of my sympathy.`@ br ;　……あいつが私に口にしてきた、右代宮家の人間としての責任や重圧は、@全て自らが苦しんできたことなのだ。@ `......The responsibility and pressure as a member of the Ushiromiya family, which she had often mentioned to me,`@` had probably caused her great pain.`@ br ;　人は、自らに浴びせられた悪口しか、口に出来ないのだから……。\ `Because people cannot voice insults that they have never been hit with themselves......`\ ld l,$EV2_komaruA1,2 cl l,42 ld r,$ROS_ikariA1,2 ;　それは多分、楼座叔母さんも同じだったろう。@ `It was probably the same way for Rosa oba-san as well.`@ br ;　……栄光ある右代宮家の末っ子として、色々と辛い目にあってきたに違いない。\ `......As the youngest child of the honorable Ushiromiya family, she must have gone through many tough times.`\ ;　だから、絵羽伯母さんが私に対してそうであったように。@ ;　そしてまさに今、須磨寺霞がそうであるように。@ `So, in the same way that Eva oba-san acted towards me...`@ `And the same way that Sumadera Kasumi is acting right now...`@ br ;　……楼座叔母さんもまた、…そうであったに違いない。\ `......Rosa oba-san must also, ...have been the same.`\ bg Different_spiral_1a,22 ;　人は、背負わされた苦しみを誰かに押し付ける。@ ;　そうしなければ、いつまでもその苦しみから逃れられないのだ。@ `People tend to push the pain they're burdened with onto other people.`@ `Otherwise, they can never escape from that pain.`@ br ;　……そうして延々と、永久に永遠に、苦しみと悲しみの連鎖が、終わらない。\ `......So on and on, in eternity and perpetuity, their chains of pain and sadness do not end.`\ bg black,22 ;!s0　だからこそ、/ ;!d800…………真里亞お姉ちゃんの魔法は、@……すごかったのだ。@ !s0`That is the reason, `/ !d800`............Maria onee-chan's magic is, `@`......so incredible.`@ br ;　彼女はその魔法で、……楼座叔母さんからの苦しみを、背負わなかった。/ `With her magic, ......she did not have to bear the pain caused by Rosa oba-san.`/ !sd\ ;　押し付けられはしただろう。@ ;　彼女をその重みで苦しめはしただろう。@ `That pain was probably pushed onto her.`@ `Its weight probably tormented her.`@ br ;　……でも、お姉ちゃんはそれを自らの肩には背負わなかった。@ `......But Onee-chan did not carry that burden on her own shoulders.`@ br ;　………それを綺麗に祓い、世界を幸せで満たした。\ `.........She purified it...and filled her world with happiness.`\ ;　だからきっと。@ ;　……真里亞お姉ちゃんが将来、子どもを持っても。@ `So, for sure...`@ `......Even if Maria onee-chan had had children in the future...`@ br ;　その子どもに代々押し付けられてきた苦しみを押し付けることはないだろう。\ `She probably wouldn't have pushed the pain that had been forced on her onto her children.`\ ;　……一体、どれほどの長きにわたって受け継がれ、@押し付けられてきたかわからない苦しみと悲しみの連鎖を、@………真里亞お姉ちゃんの魔法は、断ち切ったのだ。\ `......Those chains of pain and sadness that stretched for who knows how long, `@`which she didn't understand and which she had inherited, had been forced onto her...`@`.........Maria onee-chan cut those chains with her magic.`\ mono 1 bg G1F_S2a,0 ld c,$EVA_MajimeA1,8 ld c,$EVA_futekiA1,80 ;「…………なぁに？@　私に何か文句でもあるのぅ？」@ ;＜絵羽 `"............Whaat is it?`@` Do you have something to complain to me about?"`@ ;ld r,$ENJ_FumanA2,24 ;「…………………………………。」\ ;＜縁寿 `"........................"`\ ;　かつての私なら、その売り言葉に買い言葉を返した。@ `In the past, I would have snapped back.`@ br ;　……そして彼女の憎しみに対し、私も憎しみをぶつけて相殺してきた。\ `......And I've been counterbalancing her, responding to her hatred with my own hatred.`\ ;　…いや、相殺はしていない。@ ;　しっかりと、私の肩にも、その押し付けられたものは背負わされている。@ `...No, I wasn't counterbalancing her.`@ `I was being made to bear that which had been forced onto her on my shoulders as well.`@ br ;　未だにこうして、……彼女を憎んでいるように。\ `Just like how even now, ......I hate her.`\ ;　だから、私は、/ ;!d800…………魔法を知り、@……右代宮絵羽という人間を、もう一度見る。\ `So, now that I, `/ !d800`............know of magic,`@` ......I'll look at the human called Ushiromiya Eva again.`\ gosub *EV2_Isyou1 textoff mono off bg G1F_S2a,0 ld c,$EV2_fukigenA3,2 ;　………そこに透けて見えたのは、@……私と何も変わらない、家族を失い、心に深い傷を負った悲しい人間の姿だった。\ `.........What I could see through to,`@` ......was a sad human form, no different from me, who had lost her family and who bore deep wounds in her heart.`\ ;bg black,25 ;　その裂けた心の傷の痛みに耐えかね、@まるで苦痛に泣く獅子のように、子どものように、悲しい声で吼え猛っているだけなのだ。@ `Unable to withstand the pain of that torn heart,`@` she was doing nothing more than howl with a sad voice, like a lion crying in pain...like a child.`@ br ;　……右代宮絵羽も、同情されるべき存在だったのだ。\ `......Ushiromiya Eva is also a person I should feel compassion for.`\ bg Different_spiral_1a,0 ld c,$EV2_fukigenA3,2 ;　その辛く悲しい少女時代を誰かに理解され、@………六軒島の事件をたった一人生き残り、@世間の全てから好奇の目を向けられ、公然と中傷され、傷に塩を塗られ続けた彼女にも、@……誰かの同情が必要だったのだ。\ `She needed someone to understand the difficulties and pain of her childhood days,`@` .........and even she who was the only survivor of the Rokkenjima crime,`@` who was faced with the curiosity of all of society, who was publicly slandered and forced to have salt continually flung into the wound,`@` had needed someone's compassion.`\ ;　その彼女の痛みと悲しみをわずかの間だけ忘れさせるために、@…………楼座叔母さんに取り憑いたのと同じ、黒き魔女が、……魔法を教えたのだ。\ `In order to let Eva forget her pain and sadness at least a little,`@` ............the black witch, just like it had possessed Rosa oba-san, ......taught her magic.`\ ;　それは、さくたろうを引き裂かれて嘆き悲しんだ真里亞お姉ちゃんに、@ベアトリーチェが教えたのと同じ、怒りと悲しみの魔法。@ `It was the same magic of anger and sadness...`@`that Beatrice had taught Maria onee-chan when she was mourning for her torn-apart friend, Sakutarou.`@ br ;　……同じ魔法は、魔女は、きっと楼座叔母さんにも宿っていただろう。\ `......That same magic...that witch...had probably dwelled inside Rosa oba-san too.`\ bg black,22 ;　…………だから、右代宮絵羽を憎んではいけなかったのだ。@ `............So I shouldn't hate Ushiromiya Eva.`@ br ;　…ひょっとすると、@………私だけは世界でただ一人理解して、@味方になってあげなくてはいけなかったのだ。\ `...Perhaps,`@` .........I alone should have become her ally,`@` the only person in the world who could understand her.`\ ;　……幼かった私は、たった一人生還した彼女に、どんな言葉を掛けたのだろう…？@ `......What did I say to her when I was young, when she returned alive all alone...?`@ br ;　ひょっとして、/ ;!d800………まるで彼女が私の家族を殺し、一人だけ帰ってきたかのような、@………そんな態度を、取ってしまったのではないだろうか……？\ `Could it be, `/ !d800`.........that I took an attitude,`@` .........as though she had killed my family and returned alone......?`\ me1v 16,50 br ;　………………………。@ `........................`@ br ;　……信じられない。@ `......I can't believe it.`@ br ;　…私の人生において、憎悪の対象と代名詞でしかなかった絵羽伯母さんが、@………理解できる「人間」に、…変わっていく……。\ `...Eva oba-san, who has never been more than a object of and synonym for hatred throughout my life,`@` .........is turning into, ...a 'human' I can understand......`\ ;　だから。@………絵羽伯母さんのすぐ隣に、……彼女に黒き魔法を教えた、黒き魔女の姿を視る……。\ `Therefore.`@` .........I can see, right next to Eva oba-san, ......the form of the black witch, who taught her the black magic......`\ gosub *EV2_Isyou2 textoff bg G1F_S2c,0 ld c,$EVA_ikariA2,22 wait 1000 se1v 22,40 mld r,$EV2_akuwaraiA8,0 msp msp_r,0,0,-120 print 2 ;mcl r,0 mono 1 bg Different_spiral_1a,0 ld c,$EVA_NakuA1,8 ;　絵羽伯母さんは、…泣いていた。\ `Eva oba-san, ...was crying.`\ ;　無理もない。@ `It was only natural.`@ br ;　………夫と息子を一度に亡くしたその悲しみを誰にも理解してもらえず、@……唯一の親族である私にまで、お父さんとお母さんを返してと、……罵られたのだ。\ `.........Not only did she have no one who would understand the pain of losing her husband and son at once,`@` ......but her only relative had insulted her, ......saying 'give me back my Dad and Mom'.`\ ;　………私はそれを、幼さゆえの無慈悲だったと言い訳することも出来る。@ `.........I can make the excuse that I had been merciless because of my youth.`@ br ;　…しかし、……あの時の彼女にそれは、@最後の心の糸を断ち切るほどの、残酷さがあっただろう。\ `...However, ......to her at the time,`@` that had probably been cruel enough to sever the last thread to her heart.`\ bg black,22 ;　………………連日、ワイドショーや週刊誌が、彼女を公然と中傷した。@ ;　亡父の事業も人格も、最愛の息子のことまで、否定された。@ `..................In the following days, the talk shows and magazines publicly slandered her.`@ `The truth of her husband's business and character, and even her beloved son were negated.`@ br ;　彼女には、もう、何も残らなかった。\ `She no longer had anything left.`\ ;　痛みと悲しみを、わずかの間でも忘れるために、……泣きながら吼えるしかなかった。@ `She could do nothing but cry and howl, ......trying to forget the pain and sadness at least for a while.`@ br ;　吼えている間だけは、わずかに解放されたからだ。\ `Because she could only feel a tiny bit of release, and only during the time that she howled.`\ br ;　だから、………黒き魔女が吼え方を教えた。\ `And so, .........the black witch taught her how to howl.`\ bg Different_spiral_1a,22 ;　私が憎むのは、その黒き魔女。@ ;　黒き魔法は、ひと時の間だけ、確かに苦しみから解放はしただろう。@ `The one I hated...was the black witch.`@ `Black magic could probably release one from that pain in an instant.`@ br ;　……しかし。@その重みを肩から下ろしてやることは決してない。\ `......However.`@` That weight would certainly never be lifted from one's shoulders.`\ ;　それどころか、その重みを次なる犠牲者にも強いて、@………世界を憎しみの重みで、いっぱいにしてしまう。@ `To the contrary, that weight would force itself on further victims,`@` .........filling the world with the weight of hatred.`@ br ;　……………もしも絵羽伯母さんに、白き魔法を知る、正しい魔女が近くにいてくれたなら。\ `............If only Eva oba-san knew of white magic, and had a true witch nearby...`\ E_A mcl a,0 bg black,1 ;　……それ、@…………私のはずじゃ、/ ;!d500……ないか………。\ `......Wasn't that, `@`............supposed to be, `/ !d500`......me.........?`\ bgm1 82 ;　私は真里亞お姉ちゃんから、幸せにする魔法を習っていたはずなんだ。@ `Didn't I learn the magic to create happiness from Maria onee-chan?`@ br ;　………その魔法で、……彼女を救えていたら、@……………私たちは、まったく違う関係の未来を、/ ;!d800……築けていたのではないか。\ `.........If I had taught her, ......with that magic,`@` ............could we have, `/ !d800`......built a future with a completely different relationship?`\ ;　私は今までずっと、/ ;!d900………絵羽伯母さんを憎み続けてきた。@ `Up until now, `/ !d900`.........I've hated Eva oba-san the whole time.`@ br ;　…だから、その隣にいる、黒き魔女に、気付けなかった。\ `...So I didn't notice the black witch beside her.`\ ;　……愛がなかったから、視えなかった。@ `......Without love, it could not be seen.`@ br ;　私は彼女に対し、@……愛が、なかったのだ……。@ `I did not...`@`...have any love for her......`@ br ;　だから今こそ。@ ;　………本当に憎むべき魔女を、/ ;!d800……睨む。\ `So now, finally...`@ `.........I'll glare at the black witch, `/ !d800`......the one I truly should hate.`\ textoff me1v 16,40 mono off bg Hill_1b,0 ld c,$KAS_AkuwaraiA2,0 mld l,$EV2_akuwaraiA5,0 msp msp_l,0,0,-120 print 2 wait 2000 se1 56 mset mld l,$EV2_niramuA1,80 ;「……あら。@………なぁに。@/ `"......Oh.`@` .........Whaat's this? `@/ ;mld l,$EV2_akuwaraiA4,80 ;私のことが視えるの？@　うっふふふふふ…！」@ ;＜魔女絵羽 `You can see me?`@` Ehheheheheh...!"`@ mld r,$ENJ_komaruA3,24 ;「………………視えるわ。@/ `"...............I can see you. `@/ mld r,$ENJ_fumanA1,80 ;……私が憎むべきは、絵羽伯母さんじゃなかった。@……あんたよ。」\ ;＜縁寿 `......The one I should've hated wasn't Eva oba-san.`@` ......It's you."`\ mld l,$EV2_AkuwaraiA1,80 ;「すごいじゃない。@ニンゲンの分際で、魔女の私が視えるなんてね。@/ `"Whoa, awesome.`@` To think that a lowly human could see a witch like me. `@/ mld l,$EV2_akuwaraiA2,80 ;……それで？@　その目つきは何だと言いたいわけぇ？@　私が憎い？」\ ;＜魔女絵羽 `......And so?`@` Are you trying to say something with that glare?`@` Do you hate me?"`\ mld r,$ENJ_komaruA3,80 ;「……………憎い？@　……えぇ、憎いわ。@/ `"............Hate?`@` ......Yes, I do. `@/ mld r,$ENJ_komaruA2,80 ;……でも、少し違う。@……ただ、悲しく思える。」@ `......But...that's not quite it.`@` ......I just think you're a little sad."`@ mld l,$EV2_akuwaraiA3,80 ;「悲しい？@/ `"Sad? `@/ mld l,$EV2_AkuwaraiA5,80 ;　……くすくす、あっはははははは！@　何言ってんのッ、いいじゃない、怒れば！@　思いっきり憎んじゃえばぁッ？！」\ ;＜魔女絵羽 `......*giggle*giggle*, ahhahahahahaha!`@` What're you saying?! Nothing wrong with getting mad!`@` Why not hate me as much as you waant?!"`\ mld r,$ENJ_fumanA1,80 E_MA ;「……憎まないわ。@……あんたを憎むことは、/ ;!d800………絵羽伯母さんの憎しみをそのまま受け継ぐだけ。@/ `"......I won't hate.`@` Hating you, `/ !d800`.........means I'm doing nothing more than inheriting Eva oba-san's hatred. `@/ mld r,$ENJ_NayamuA1,80 ;……私は、憎しみを断ち切る。@……絵羽伯母さんの苦しみを受け止め、………それを、祓って、捨てるの。」\ ;＜縁寿 `......I'll interrupt the hatred.`@` ......I'll accept Eva oba-san's pain, .........purify it, and throw it away."`\ mld l,$EV2_akuwaraiA7,80 ;「あっはははははははは！！@　何、悟ったようなこと言ってるわけぇ？@　こいつ頭大丈夫ぅ？@　っていうかヘソでも噛んで死んじゃえばぁ？！@/ `"Ahhahahahahahahaha!!`@` What kind of epiphany do you think you've had?`@` Is your head alright?`@` I mean, why don't you just give up and diie?! `@/ mld l,$EV2_AkuwaraiA4,80 ;　きゃっはっはっはははははは！@　あんたら、もっともっと蹴ってやりなさい？@　顔とかはダメよ。@気の毒な顔がマシになっちゃったらつまんないから！」\ ;＜魔女絵羽 `Kyaahhahhahahahahahaha!`@` You guys, kick her more and more, okay?`@` Not her face, though.`@` 'Cause it'd be boring if her pitiful face got any better!"`\ mend bg black,22 ;!s0「ぐふッ！/ !s0`"Gwurgh! `/ se1 12 quakey 4,500 ;@　…………がはッ！！@　……………ぐ、……。」/ @`.........Gwah!!`@` ............gu, ......"`/ !sd\ ;＜縁寿 ;　黒服たちは執拗に私の腹や背中を蹴る。@ ;　……黒き魔女に命じられたかのように。\ `The black-suits persistently kicked my stomach and back.`@ `......As though they had been ordered to by the black witch.`\ bg hill_1b,0 ld c,$KAS_akuwaraiA1,26 ;「……やれやれ、堪えないねぇ……？@　…………私をじーっと見ちゃって。@/ `"......My, my, can't take it......?`@` ............You keep staring right at me. `@/ ld c,$KAS_akuwaraiA2,80 ;私が憎い？@　憎いでしょう。@私もよ。@くすくすくす……。」\ ;＜霞 `You hate me?`@` I'll bet you do.`@` Same here.`@` *giggle*giggle*giggle*......"`\ ;　霞は私を嘲笑う。@ `Kasumi sneered at me.`@ br ;　……でも、なぜかその表情の裏では、泣いているような気がした。\ `......But for some reason, I had the feeling that she was crying behind that expression.`\ ;　私と同じに、理不尽な人生に強いられた痛みが、いつまでもいつまでも癒えない。@ ;　……抜けぬ棘の痛みに喘ぐ悲しみの獅子が、吼え続けている…。\ `Just like me, the pain of being forced with an unreasonable life would never, ever heal.`@ `......The sad lion gasping in pain from the thorn he can't get out continues to howl...`\ mld l,$EV2_akuwaraiA1,0 msp msp_l,0,0,-120 print 23 ;「ほら、須磨寺霞、見て御覧なさい？@　かつてのあんたがそこにいるわぁ。@/ `"Hey, Sumadera Kasumi, take a look.`@` Over there, it's you as you used to be. `@/ mld l,$EV2_AkuwaraiA8,0 msp msp_l,0,0,-120 print 80 ;……気分が晴れるでしょう？@　かつてそこにいたあなたが、今度はこっち側にいるのよ？@/ `......Has your mood cleared up?`@` You used to be standing there, but now you're on this side, right? `@/ mld l,$EV2_AkuwaraiA6,0 msp msp_l,0,0,-120 print 80 ;　うふふふ、愉快でしょう？@　立場が逆になるのは！」\ ;＜魔女絵羽 `Eheheheh, isn't it pleasant?`@` Don't you like having your position switched?!"`\ ld c,$KAS_AkuwaraiA3,80 ;!s0「……………えぇ、本当に、/ ;!d900………愉快だわ………。@あっははははは、何でそんな顔が出来るのよ、縁寿…！@　泣きなさいよ、泣きたいんでしょう？！」/ !s0`"............Yes, it truly is, `/ !d900`.........pleasant.........`@` Ahhahahahaha, how can you make that kind of face, Ange...?!`@` Go on and cry, you want to, right?!"`/ !sd\ ;＜霞 mcl l,0 mld r,$EV2_akuwaraiA4,0 msp msp_r,0,0,-120 se1 52 print 99,2000,"breakup.dll/ulb" ;「きゃっははははははは！！@　そうそう、泣きたいに決まってる！@　泣かせちゃいなさいって。@/ `"Kyahhahahahahahaha!!`@` Yes, yes, of course she wants to cry!`@` Make her cry. `@/ mld r,$EV2_TokuiA1,0 msp msp_r,0,0,-120 print 80 ;あの時のあんたは泣かされちゃったじゃない。@だからこいつも泣かせてやりなさいよ。@/ `Didn't someone make you cry back then?`@` So make her cry too. `@/ mld r,$EV2_AkuwaraiA7,0 msp msp_r,0,0,-120 print 80 ;くすくす、縁寿もいいのよ？@　泣いちゃえばぁあぁ？！@　きゃーっはっはっはっはっは！！」\ ;＜魔女絵羽 `*giggle*, and Ange, it's alright, okay?`@` Why not cryyyyyyy?!`@` Kyaaahhahhahhahhahha!!"`\ ld c,$KAS_akuwaraiA2,80 me2v 5,40 ;「…あは、…あははははははは！！@　泣きなさいよ、縁寿ぇ！@　あんたの泣き顔が見たいのよ！@　泣いて、ごめんなさい霞叔母さんって言ってごらんなさいよ…！！」\ ;＜霞 `"...Aha, ...ahahahahahahaha!!`@` Cry, Angee!`@` I want to see your crying face!`@` Cry, and try saying 'I'm sorry, Kasumi oba-san'...!!"`\ mcl r,0 mld l,$EV2_akuwaraiA2,0 msp msp_l,0,0,-120 se1 52 print 99,2000,"breakup.dll/urb" ;「そう、その言葉を言わせるのよ。@……あの言葉、辛いでしょ？@　自分のせいじゃないことを謝らせられるのって、……本当に辛かったでしょう……？@/ `"Yes, make her say those words.`@` ......Aren't those words painful?`@` Isn't being made to apologize for something that isn't your fault, ......truly painful......? `@/ mld l,$EV2_AkuwaraiA4,0 msp msp_l,0,0,-120 print 80 ;　同じ思いをさせてやるのよ…。@そうすることで、あなたの痛みは和らげることが出来るの。@/ `Make her feel the same way...`@` By doing that, you can relieve your pain. `@/ mld l,$EV2_akuwaraiA5,0 msp msp_l,0,0,-120 print 80 ;……うっふふふ、そうよ、それでいいのよ。@もっと自分に素直になりなさい？@　もっともっといっぱいに、自分の感情を吐き出しちゃえばぁあああぁあ？！」\ ;＜魔女絵羽 `......Ehheheheh, yes, that's fine.`@` Be a little more honest with yourself, right?`@` Why not spit out your emotions more, and more, and mooooooooooore?!"`\ ;　……黒き魔女は霞を煽る。@ ;　霞も、その黒き感情に身を委ねていく。@ `......The black witch stirred Kasumi up.`@ `And Kasumi began to give herself over to that dark emotion.`@ br ;　……深い悲しみを悪い酒にして無理やり溺れ、@束の間だけ忘れようとしているのと、何も変わらない。\ `......By turning deep sadness into an evil alcohol and forcing it down, trying to forget it for just an instant, `@`nothing would change.`\ ;!s0　霞が私を罵る言葉が、/ ;!d900………そのまま、/ ;!d600……悲しい。/ !s0`The words Kasumi insulted me with, `/ !d900`.........were themselves, `/ !d600`......sad.`/ !sd@ br ;　そして、その霞の悲しみに付け込む、黒き魔女が、許せない………。\ `And...I couldn't forgive the black witch who had imposed that sadness on Kasumi.........`\ mcl l,0 bg black,5 bg hill_1c,22 ;　………私がぐったりとしたので、黒服たちも私を蹴る張り合いがなくなったらしい。@ ;　…あるいは、蹴る方もそろそろ疲れたのかもしれない。@ `.........I had gone limp, which seemed to have stopped the black-suits' kicking competition.`@ `...Or maybe the people kicking were getting tired too.`@ br ;　霞が止めろと命令したわけでもないが、いつの間にか、暴行は中断されていた。\ `Kasumi didn't order them to stop, but at some point, they halted.`\ ld c,$KAS_IkariA1,24 ;　しかし、霞の瞳には私が映り、その私を憎悪の炎で焼いている。@ ;　……そうすれば痛みが和らぐと、黒き魔女にそそのかされて。\ `However, I was reflected in Kasumi's eyes, and they burned me with flames of hatred.`@ `......She had been tempted by the witch to do that in order to relieve her own pain.`\ mld r,$EV2_akuwaraiA1,0 msp msp_r,0,0,-120 print 24 ;「………須磨寺霞。@まだよ。@まだまだ踏み躙りなさい？@　あなたの人生は、こんなほんのちょっとの乱暴で許せるのぉ？」\ ;＜魔女絵羽 `".........Sumadera Kasumi.`@` You aren't done.`@` You've got much more trampling to do, right?`@` Can you forgive what happened to your entire life with just a little violence?"`\ ld c,$KAS_komaruA1,80 ;「…許せないわよ。@……まだ、これくらいでは許せないんだから。」\ ;＜霞 `"...I can't.`@` ......I still can't forgive her with just this."`\ mld r,$EV2_akuwaraiA6,0 msp msp_r,0,0,-120 print 80 ;「でしょう？@　許せるわけがない！@　もっとよ！@　もっと憎悪の炎を！@　憎しみの炎でしかあなたは暖を取れないの。@怒りと悲しみの雪原で凍えるあなたを温められる炎は、憎しみだけなのよ…！！@/ `"Right?`@` There's no way you can forgive her!`@` Do it more!`@` More of the flames of hatred!`@` Nothing can warm you except the flames of hate.`@` After being frozen in the snow fields of anger and sadness, the only flame that can warm you up is hatred...!! `@/ mld r,$EV2_akuwaraiA7,0 msp msp_r,0,0,-120 print 80 ;　ほら、言って？@　叫んで？！@　憎しみの咆哮で、自分を燃やし尽くしちゃえばぁあああああッ？！」\ ;＜絵羽 `Say it, alright?`@` Scream it!!`@` Why not burn yourself to ashes with a roar of haaaaaaaaaate?!"`\ ld c,$KAS_sakebuA1,80 ;「う、……右代宮縁寿ぇえええぇええぇッ！！/ `"U, ......Ushiromiya Angeeeeeeeee!! `/ quakey 3,400 ;@　あんたを憎まなくちゃ、……私は生きてられないの！！@/ @`I cannot live, ......without hating you!! `@/ ;ld c,$KAS_akuwaraiA3,80 ;　うっふふふっはっはははははははははははッ！！」\ ;＜霞 `Ehhehehehahhahahahahahahahahahaha!!"`\ mcl a,0 bg black,22 fede 1,3000 ;mld r,$EV2_akuwaraiA3,0 ;msp msp_r,0,0,-120 ;print 80 ;「須磨寺霞、あの花束を。@………これぇ、死んだ家族への花でしょ、縁寿？」@ ;＜絵羽 `"Sumadera Kasumi, that bundle of flowers.`@` .........These flowers are for your dead family, right, Ange?"`@ ;mld r,$EV2_AkuwaraiA2,0 ;msp msp_r,0,0,-120 ;print 80 br ;　黒き魔女は、ニヤリといやらしく私に笑うと、顎で霞にそれを拾えと指示する。\ `The black witch grinned at me unpleasantly, using her chin to signal Kasumi to pick it up.`\ ;mcl r,0 ;bg black,25 bg hill_1a,22 ;　霞は私が落とした手向けの花束を拾い、@………わざわざ持ってきて、私の前に落とし、これ見よがしに踏み躙ってみせる…。\ `Kasumi picked up the flowers I was going to offer,`@` .........brought them all the way over to me, dropped them, and made a show of trampling them...`\ ;textoff ;se1 12 ;quakey 3,800 ;se2 12 ;quakey 3,800 ;se3 12 ;quakey 3,800 ;　その表情は、憎しみと、……それだけでは説明できない、必死な形相でいっぱいだった。@ `Her expression was filled with hatred, ......and a frantic quality that couldn't be explained with just hatred.`@ br ;　…それを何度も踏み躙らねば、自分の悲しみがこみ上げて来てしまうとでも言わんばかりに。@ `...The way she trampled them over and over again was as though the sadness in her was reaching the bursting point.`@ br ;　だから踏み躙るその音が、ただただ悲しかった。\ `So the sound of her trampling it was just sad.`\ mld l,$EV2_niramuA1,0 msp msp_l,0,0,-120 se1 52 print 99,2000,"breakup.dll/ulP" ;「………あら、この程度じゃ堪えない？@　ならこっちは堪えるかしら。@/ `".........Oh, still not tough for you at this level?`@` Then what about this? `@/ mld l,$EV2_NiramuA3,0 msp msp_l,0,0,-120 print 80 ;須磨寺霞！@　こっちを使いなさい。」@ ;＜絵羽 `Sumadera Kasumi!`@` Use this."`@ ld r,$ENJ_komaruA4,26 ;「……だ、………だめ……。@…それは………、」\ ;＜縁寿 `"......N, .........no......`@`...Not that........."`\ mcl l,0 bg black,23 bg book1,22 ;　黒き魔女が指し示したそれは、………真里亞お姉ちゃんの魔導書。@ `The object the black witch pointed at, .........was Maria onee-chan's grimoire.`@ br ;　霞もそれに気付き、見掛けよりも重いその本を拾いあげる…。\ `Kasumi also noticed it, and picked up that book which was heavier than it looked...`\ bg hill_1c,0 ld r,$KAS_DefA1,24 ;「なぁに、これ？」@ ;＜霞 `"Whaat's this?"`@ mld c,$EV2_akuwaraiA2,0 msp msp_c,0,0,-120 se1 52 print 99,2000,"breakup.dll/ulb" ;「くすくす。@……読んじゃえばぁ？@　うっふふ、お腹が捩れちゃうかもねぇ？」\ ;＜絵羽 `"*giggle*.`@` ......Why not read it?`@` Eheheh, you might fall over laughing, you see?"`\ se2 1010 ld r,$KAS_AkuwaraiA1,80 ;　霞は魔導書を開き、@……その内容を斜め読みし、鼻で嘲笑った。\ `Kasumi opened the grimoire,`@` ......skimmed over the contents, and snorted derisively.`\ ;ld c,$ENJ_hanbesoA2,80 mcl c,0 bg black,22 fede 0,1000 bgm1 85 ;「返して……、/ ;!d800それは……、お姉ちゃんの…………。」\ `"Give it back......, `/ !d800`that's......, Onee-chan's............"`\ ;　もちろん、手が届くわけもない。@ `Of course, my hand couldn't reach.`@ ;se1 12 ;quakey 4,1200 br ;　……私は再び黒服に下腹を蹴られ、うずくまる…。\ `......My stomach was once again kicked by the black-suits, and I doubled over...`\ bg hill_1a,22 mld l,$EV2_akuwaraia4,0 msp msp_l,0,0,-120 print 23 ;「ほらね？@　この本は縁寿にとっての大切なものでしょう？@　大切なものを貶してやりなさい？@　こういう子には、殴る蹴るよりもそっちの方が効くんだから。@……あなたがそれを、一番よく知っているでしょう…？」\ ;＜絵羽 `"See?`@` This book is really important to Ange, right?`@` Belittle the things that are important to her, right?`@` That'll work better than punching or kicking for a girl like her.`@` ......You know that better than anyone, right...?"`\ ld r,$KAS_aseruA2,24 ;　霞は何か辛いことでも思い出したのか、一瞬だけ表情を歪ませる。@ `As though remembering something painful, Kasumi's face twisted for an instant.`@ ;ld r,$KAS_WaraiA2,80 ;　……しかしすぐにそれは消え、私を冷笑するものに変わる。\ `......But that quickly disappeared, changing into a scornful smile directed towards me.`\ ld r,$KAS_akuwaraiA1,80 ;「くすくす。@なぁに、この気持ち悪い本。@……あんたが書いたのぉ………？」\ ;＜霞 `"*giggle*giggle*.`@` Whew, what a creepy book.`@` ......Did you write this.........?"`\ mcl l,0 bg hill_1b,0 ld r,$ENJ_hanbesoA3,23 ;「……やめて……、返して………。」\ ;＜縁寿 `"......Stop it......, give it back........."`\ mld c,$EV2_akuwaraiA4,0 msp msp_c,0,0,-120 print 23 se1 37 ;「くすくすくすくす、ぷーっくすくすくす！！@　見てよあの顔…！@　もっと貶してやりなさい、貶めてやりなさい…！@　尊厳を踏み躙られる苦痛を教えてやるのよ、そうすることでしか、あなたの苦痛は和らがないの…！」\ ;＜絵羽 `"*giggle*giggle*giggle*, *giggle*giggle*!!`@` Look at that face...!`@` Belittle it more, belittle it more...!`@` Teach her the pain of having your dignity trampled, since that's the only way to soften your own pain...!"`\ ld l,$KAS_akuwaraiA1,23 ;「う、うふふふふふ、何これ、恥ずかしい本…。@…………少女の時代に、多少は占いの真似事に興味を持つこともあるけれど。\ `"Heh, heheheheh, what's with this embarrassing book...`@`............I'll admit I did have a little interest in fortune telling as a girl.`\ ld l,$KAS_AkuwaraiA2,80 ;　これはちょっと行き過ぎじゃない？@　やだ、魔法だって。@……あんた、アレでしょ。@アニメとかの、何とか何とか〜って呪文を言いながら魔女に変身するやつ。@あぁいうの、好きなんでしょ？@　………痛々しいわぁ。@くすくすくす。」\ `But isn't this going a bit too far?`@` Magic? Ew.`@` ......You're one of those, aren't you.`@` You know, those people who say that something-somethi~ng spell and transform into a witch in anime.`@` You like those, right?`@` .........How pitiful.`@` *giggle*giggle*."`\ ;　霞はへらへらと笑いながら、適当なページを開いて、黒服たちに見せる。@ ;　黒服たちもそれを見て、げらげらと笑った。\ `Cackling, Kasumi opened to a random page and showed it to the black-suits.`@ `The black-suits looked too, and guffawed.`\ mcl a,0 bg black,25 ;　その嘲笑に、私は傷つかない。@ `That sneer didn't wound me.`@ br ;　……でも、許せなかった。@ ;　…だってその嘲笑は、真里亞お姉ちゃんを嘲笑うものだから。\ `......But I couldn't forgive it.`@ `...After all, that sneer was ridiculing Maria onee-chan.`\ ;　霞は憎くない。@ ;　……霞の癒えぬ怒りと悲しみに付け込む、……黒き魔女が、許せない…。\ `I don't hate Kasumi.`@ `......For forcing Kasumi with that unhealing anger and sadness, ......I cannot forgive the black witch...`\ ;　その黒き魔女は絵羽伯母さんを、須磨寺霞を、そして楼座叔母さんを蝕み、@……傷を癒すことを許さず、永遠に苛み続ける。\ `That black witch ate into Eva oba-san, Sumadera Kasumi, and Rosa oba-san,`@` ......tormenting them for an eternity without letting their wounds be healed.`\ ;　………許せない……。@ `.........I can't forgive her......`@ br ;　……黒き魔女が、………許せない……。\ `......I can't forgive, .........the black witch......`\ bg hill_1a,0 ld c,$KAS_akuwaraiA1,26 me1v 16,50 ;「何これ、傑作…！@　………お空から、飴玉を降らせる魔法、……ですって！！@/ `"How absurd...!`@` ......Magic for making candy fall from the sky, ......you say?!! `@/ ld c,$KAS_AkuwaraiA3,80 ;　あっははははは…！@　何々？@　お日様で清めたお水に、お砂糖を溶いて…？@　魔法の杖を浸して、呪文を、………うっくくくくく、あっはははははははッ！！@　何これぇ？！@　あっはははははははは…！！@　痛ァああぁいッ！！」@ `Ahhahahahaha...!`@` What's this?`@` Sprinkle water cleansed by the sun with sugar...?`@` Stick the magic staff in, and then an incantation, .........*cackle*cackle*cackle*, ahhahahahahahahahaha!!`@` What the hell?!`@` Ahhahahahahahahaha...!!`@` It huuuuuuuurts!!"`@ ;＜霞 br ;　黒服たちもげらげらと笑い転げる。\ `The black-suits were also rolling around, guffawing.`\ mld r,$EV2_AkuwaraiA2,0 msp msp_r,0,0,-120 se1 52 print 99,2000,"breakup.dll/urb" ;　すると、黒き魔女が霞にニヤニヤと何かを耳打ちする。@ `Then, grinning, the black witch whispered something into Kasumi's ear.`@ br ld c,$KAS_AkuwaraiA2,80 ;　……すると、霞は私をニヤリと睨んでから、……そのページを、\ `......Then, after glaring at me with a grin, ......Kasumi took that page-`\ mcl a,0 E_A bg white,1 bg black,2 ;ld c,$ENJ_ikariA1,80 ;「……あッ…、」@ `"......Ah..."`@ bgm1v 79,80 br ;　霞はそのページを鷲掴みにし、破り取るとぐしゃぐしゃに潰して……放り捨てる……。\ `Kasumi grabbed hold of that page, tore it off, crumpled it up......and threw it away......`\ bg hill_1a,22 mld r,$sak_nakuA3,0 msp msp_r,0,0,-120 se1 52 print 99,2000,"breakup.dll/urb" ;『ひ、……ひどいよ、……それは、真里亞の魔法………。』@ ;＜さくたろ `『S, ......so mean, ......that was...Maria's magic.........』`@ mld l,$EV2_akuwaraiA8,0 msp msp_l,0,0,-120 se2 52 print 99,2000,"breakup.dll/ulb" ;「あらそうなのぉ？@　うっふふふ、それはお気の毒。」\ ;＜絵羽 `"Oh, really?`@` Heheh, how sad."`\ mcl a,0 bg black,22 bg book1,22 ;　……それは、さくたろうと一緒に真里亞が作った、@……幸せを呼ぶ魔法のひとつ。@ `......It was one of the magics to summon happiness,`@` ......that Maria had made with Sakutarou.`@ br ;　砂糖水を作って絵の具で染めて、窓際にお供えしたって、@……飴が降るわけがないと、誰だって知ってる。\ `Anyone knows that making sugar water, coloring it, and leaving it by the window,`@` ......isn't going to make candy fall from the sky.`\ ;　でも、それを毎日繰り返していたら、……学校から帰ってきたある日。@ `But after repeating that every day, ......one time on her way home from school...`@ br ;　そこに、飴玉が数粒、ばらまかれていたのだ…。\ `She had found several pieces of candy scattered around...`\ ;　………どんなに、真里亞お姉ちゃんがその奇跡を喜んだことか。@ `.........How happy must that miracle have made Maria onee-chan.`@ br ;　……その飴を大切にして、さくたろうと二人きりの夜に味わって食べて、寂しさを紛らわせたことか。\ `......Did she take good care of that candy and taste it during her night alone with Sakutarou to distract herself from her loneliness?`\ bg black,22 me1v 5,40 ;!s0　その、……お姉ちゃんが生み出した魔法が、/ ;!d1000…………破り捨てられて、/ ;!d800…消えた……。@ !s0`That, ......magic which Onee-chan had given birth to, `/ !d1000`............had been torn and thrown away, `/ !d800`...and had disappeared......`@ br ;　その魔法が生み出した幸せの奇跡ごと、/ ;!d800……破り捨てた……。/ `The entire miracle of happiness that magic had given birth to, `/ !d800`......had been torn and thrown away......`/ !sd\ bg hill_1b,0 ld r,$KAS_waraiA1,26 ld r,$KAS_AkuwaraiA3,80 ;「これも傑作だわ…！@　晩御飯をクリームコロッケにする魔法？@　あっはははははは！！@/ `"Oh, this part's great too...!`@` Magic to make dinner be cream croquette?`@` Ahhahahahahaha!! `@/ ld r,$KAS_AkuwaraiA2,80 ;　……次は何？@　ピーマンが美味しく食べられる魔法？@　これもイカすわ、馬鹿馬鹿しい！@　あっはっはっはっはっは…！！」\ ;＜霞 `......What's next?`@` Magic to make delicious bell peppers?`@` This is also nifty, ridiculous!`@` Ahhahhahhahha...!!"`\ mld l,$ev2_akuwaraiA6,0 msp msp_l,0,0,-120 print 23 ;「それも破いちゃいなさいよ。@うっふふ！！@/ `"Tear that too.`@` Eheheh!! `@/ mld l,$ev2_akuwaraiA4,0 msp msp_l,0,0,-120 print 80 ;　どんどん破いちゃえばぁああぁあッ？！？！」\ ;＜絵羽 `Why not tear more and moooooooore?!?!"`\ ;　黒き魔女は残忍に高笑いしながら、/ ;!d700……真里亞お姉ちゃんの魔法を、次々に破かせていく……。@ `With a brutal, loud laugh, `/ !d700`......the black witch made Maria onee-chan's magics be torn out one after another......`@ br ;!s0　幸せの魔法を、嘲笑っては、/ ;!d800……破り、/ ;!d600……捨てていく……。/ !s0`Magic of happiness was...sneered at, `/ !d800`......torn, `/ !d600`......and thrown away......`/ !sd\ mcl l,0 bg hill_1c,24 mld c,$RG5_ikariA2,0 msp msp_c,0,0,-120 se1 52 print 99,2000,"breakup.dll/ulb" ;「やめろ…、やめろ……！！@　マリア卿の魔法を、……汚すな…！！@　汚い毒素で、……汚すんじゃない…！！」\ ;＜マモン `"Stop it..., stop it......!!`@` Don't, ......defile Lady MARIA's magic...!!`@` Don't defile it, ......with your filthy toxin...!!"`\ ;　マモンが泣きながら叫ぶが、……霞に届くわけもない。\ `Mammon cried and yelled, ......but she had no way of reaching Kasumi.`\ mcl c,0 bg hill_1a,0 mld r,$EV2_akuwaraiA8,0 msp msp_r,0,0,-120 print 24 ;「いいじゃない、汚されちゃえばあぁ？！@　魔法の奇跡？@　幸せにする魔法？@　ないない、そんなのないってばぁ！@/ `"That's alright, why not defile it?!`@` Miracles of magic?`@` Magic to bring happiness?`@` None, none, nothing like that exists! `@/ mld r,$ev2_TokuiA1,0 msp msp_r,0,0,-120 print 80 ;　痛みと苦しみはね、他人に押し付けてしか癒せないのよぅ。@……あんたは確か、魔法のお友達とかいうヤツだったわよねぇ？\ `You know, you can't heal pain and sadness without pushing it onto someone else.`@` ......I believe you had what you call magic friends, right?`\ mld r,$ev2_akuwaraiA3,0 msp msp_r,0,0,-120 print 80 ;　くっくくくくく！@　須磨寺霞、こいつのページを開きなさい。」\ ;＜絵羽 `*cackle*cackle*cackle*!`@` Sumadera Kasumi, open to that page."`\ mcl r,0 bg hill_1b,0 ld l,$KAS_waraiA2,24 ;「これは何？@　魔法のお友達ですって。@…………煉獄の七姉妹？@/ `"What's this?`@` Magic friends?`@` ............The Seven Sisters of Purgatory? `@/ ld l,$KAS_AkuwaraiA1,80 ;　あっは、物騒な名前ぇ！@　くすくす、すごい速さで飛んで、敵をやっつけてくれるんですって。@あっははッ、縁寿、あなたこんな魔法が使えるなら、今すぐ使った方がいいんじゃない？@　………あっはははははは。@/ `Aha, what a creepy name!`@` *giggle*, it says they can fly at awesome speeds, and finish off the enemy.`@` Ahhaha, Ange, if you can use this kind of magic, shouldn't you use it right now?`@` .........Ahhahahahaha. `@/ ;ld l,$KAS_ikariA1,80 ;下らない！」\ ;＜霞 `Foolish!"`\ se1v 1006,100 bg white,1 bg black,22 ;　煉獄の七姉妹のことを記されたページも、無残に破かれる。@ `The page that wrote of the Seven Sisters of Purgatory was also heartlessly torn away.`@ br ;　……ページ自体はただの紙。@ ;　マモンの依り代というわけではない。\ `......The page itself was just paper.`@ `It wasn't Mammon's vessel or anything.`\ bg white,22 bg hill_1c,0 mld c,$RG5_NakuA1,0 msp msp_c,0,0,-120 se1 55 print 99,3000,"breakup.dll/llb" ;　でも、破き否定するという毒素が、マモンを内から焼く……。@ `But the tearing, denying toxin burned Mammon from the inside......`@ br ;　その熱さと痛みにマモンの表情が歪む…。\ `Mammon's face twisted from that heat and pain...`\ mld c,$RG5_IkariA2,0 msp msp_c,0,0,-120 print 80 ;「………ぐ、……………くッ、………。」@ ;＜マモン `".........Gah, ...............ack, ........."`@ mld r,$sak_nakuA2,0 msp msp_r,0,0,-120 print 24 ;『大丈夫、マモン？！@　しっかり……！！』@ ;＜さくたろ `『Are you okay, Mammon?!`@` Hold on......!!』`@ mld c,$RG5_KomaruA2,0 msp msp_c,0,0,-120 print 80 ;「……これくらい、……平気…。@……私より、……縁寿さまの方が、………辛い………。」\ ;＜マモン `"......This much is, ......no problem...`@`......It's not me, ......but Ange-sama, .........who's in pain........."`\ ;　しかし、マモンの表情は耐え難い苦痛と屈辱に、歪んでいる……。\ `However, Mammon's expression was twisted with unbearable pain and humiliation......`\ mld r,$sak_nakuA3,0 msp msp_r,0,0,-120 print 80 ;『やめろ、黒き魔女……！！@　どうして君はそんなことをするんだよ？！@　どうして、……魔法を幸せのために使えないんだよッ！！』\ ;＜さくたろ `『Stop it, black witch......!!`@` Why are you doing something like this?!`@` Why, ......can't you use magic for happiness?!!』`\ mld l,$EV2_akuwaraiA8,0 msp msp_l,0,0,-120 print 23 ;「……あぁ、あんたも、魔法のお友達ね？@　くすくす、あんたも汚してあげるわ。@須磨寺霞、こいつのページも探しなさい？」\ ;＜絵羽 `"......Oh, you're a magic friend too, right?`@` *giggle*, I'll defile you too.`@` Sumadera Kasumi, look for this guy's page too okay?"`\ mcl a,0 bg hill_1b,0 ld c,$KAS_DefA1,23 ;「こっちは何？@　何このへたくそなライオンの落書き。@……さくたろう？@/ `"What's this one?`@` What's with this crappy scribble of a lion?`@` ......Sakutarou? `@/ ld c,$KAS_akuwaraiA2,80 ;　変な名前！@　一番大好きなお友達だって。@そうなの？@　これがあんたの友達？　親友？@　このライオンが？　ねぇねぇ？」\ ;＜霞 `What a weird name!`@` My best friend, it says.`@` Really?`@` This is your friend? A close friend?`@` This lion is? Is it, is it?"`\ mld r,$ev2_akuwaraiA5,0 msp msp_r,0,0,-120 print 24 ;「あっはははははは！！@　本ッ当にヘタクソな落書きぃ。@こんなブサイクなライオンがあんたなのね。\ `"Ahhahahahahahaha!!`@` It really is a crappy scribble.`@` This clumsy lion really is you.`\ mld r,$ev2_akuwaraiA8,0 msp msp_r,0,0,-120 print 80 se1v 37,90 ;　こんなのを友達にしてるなんて、右代宮真里亞って子の、頭の可哀想さに呆れて、ヘソでお茶が沸いちゃうわ〜。@………バッカみたいぃ。@ヘソ噛んで、死んじゃえばァぁああぁ……？」\ ;＜絵羽 `To think she had something like this as a friend...That Ushiromiya Maria kid's mind is so pathetic it's shocking, what a jo~ke.`@` .........She's like, a moron.`@` Why not give up, and diiiiiiiieee......?"`\ mld l,$sak_nakuA1,0 msp msp_l,0,0,-120 print 23 ;ld c,$sak_nakuA1,80 ;『う…りゅ……。@………真里亞を……ばかにするな……。』@ ;＜さくたろ `『U...ryu......`@`.........Don't make fun......of Maria......』`@ ;ld c,$ENJ_hanbesoA2,80 mcl l,24 ;「………………や……め……て………。@…破かないで………。」\ ;＜縁寿 `"..................St......op......it.........`@`...Don't break it........."`\ mld r,$EV2_AkuwaraiA4,0 msp msp_r,0,0,-120　 ld c,$KAS_AkuwaraiA3,80 ;「「だめえ。」」\ ;＜霞・絵羽 `""No waay.""`\ se1v 1006,100 mcl a,0 bg white,80 E_MA bgmvol 90 me2v 16,50 bg black,22 ;　絹を裂くような音がして。@………そのページが、汚く破り取られる…。@ `There was a shrill sound.`@` .........The page had been filthily ripped out...`@ br ;!s0　お姉ちゃんが書いた、/ ;!d600……さくたろうの絵が、乱暴に、/ ;!d1000……真っ二つに………。/ !s0`The picture of Sakutarou, `/ !d600`......that Onee-chan had made, `/ !d1000`......was violently ripped in half.........`/ !sd\ textoff wait 2000 mono 1 gosub *MAR_Isyou1 bg sakutaro1a,1 quakey 3,300 wait 2000 bg ROS_M1a,0 ld c,$MAR_niyariA1,80 wait 1000 ld l,$SAK_waraiA1,26 quakey 3,400 wait 500 ld c,$MAR_waraiA1,80 wait 500 cl l,0 ld r,$SAK_waraiA3,23 cl r,0 ld l,$SAK_waraiA3,24 cl l,0 ld r,$SAK_waraiA3,23 cl r,0 ld l,$SAK_waraiA3,24 bg sakutaro2b,2 wait 3000 textoff bg ROS_R1b,0 lsp2 4,$MAR_waraiA2,450,320,200,200,0 lsp2 3,$SAK_waraiA1,140,400,200,200,0 print 2 csp2 -1 bgcopy wait 3000 mono off ;se1v 37,100 ;wait 100 ;se2v 2,100 ;se3v 37,100 E_MA mono 2 bg white,1 ;wait 500 se1v 1006,100 mono off bg white,42 bg black,99,5000,"breakup.dll/llb" bg hill_1a,2 mld c,$EV2_akuwaraiA5,0 msp msp_c,0,0,-120 print 24 ;「ヘッタクソな絵ぇ〜。@きゃっははははははははははは…！」@ ;＜絵羽 `"Crap-py pictu~re.`@` Kyahhahahahahahahahahahaha...!"`@ ld r,$KAS_akuwaraiA1,24 ;「お前たちも笑いなさい？@/ `"You all laugh too, okay? `@/ ld r,$KAS_AkuwaraiA3,80 ;　あぁっははははははははは…！」\ ;＜霞 `Aahhahahahahahahaha...!"`\ ;　黒服たちも二人に従い、下品に笑い、@……破り捨てられたそれを、無残に踏みつけた……。\ `A pair of the black-suits laughed vulgarly,`@` ......and heartlessly trampled the two halves that had been torn and thrown away......`\ mcl c,0 bg hill_1c,0 mld l,$sak_nakuA2,0 msp msp_l,0,0,-120 print 24 ;『うううぅぅううぅッ、……ひっく！@　……うううぅうぅぅぅっ……。』@ ;＜さくたろ `『Uuuuuuuuuuuu, ......hic!`@` ......Uuuuuuuuuuu......』`@ mld r,$RG5_komaruA2,0 msp msp_r,0,0,-120 print 24 ;「……さくたろ、……しっかり………。」\ ;＜マモン `"......Sakutaro, ......hang in there........."`\ mld l,$sak_nakuA3,0 msp msp_l,0,0,-120 print 80 ;『ボクは…悲しくなんかないよ……。@…ただ、……悔しい……。@……真里亞のことを馬鹿にされて、/ ;!d600………何も言えない自分が、/ ;!d900……悔しいっ……。』\ ;＜さくたろ `『I'm...not sad......`@`...I just, ......can't stand it......`@`......I can't stand that, `/ !d600`.........Maria's being made fun of, `/ !d900`......and I can't do anything about it......』`\ mld r,$RG5_IkariA2,0 msp msp_r,0,0,-120 print 80 ;「……………………。@……私たちは、……視えないニンゲンには、……いないも同然…。@……私たちは、必要としてくれるニンゲンとしか、交流できない。@…………だから、………家具………。」\ ;＜マモン `"..................`@`......To humans who can't see us, .........it's as though we don't exist...`@`......We can only interact with humans that need us.`@` ............That's why, .........we're furniture........."`\ ;　さくたろうとマモンは、……互いに支えあうようにしながら、@……すすり泣き、…崩れるようにしゃがみ込む…。\ `As Sakutarou and Mammon, ......supported each other,`@` ......they crouched down, ...sobbing...`\ ;　悔しいのは私も同じだった……。@ `I couldn't stand it either......`@ br ;　……魔法の世界の素晴らしさは、視える人間にしか、理解できない。\ `......Those who can't see how wonderful the world of magic is...can't understand it.`\ ;　理解できない人間に説明できない。@ ;　だから貶される。@ ;　………見せることが出来れば…。@ `You can't explain to humans who can't understand.`@ `So it is belittled.`@ `.........If you could show it...`@ br ;　……でも、出来ない……。\ `......But you can't......`\ ;　魔法は、反魔法の毒素で満たされた、魔法を理解できないニンゲンたちの前では、@………使えないのだから……。\ `Because, in front of humans who are filled with the magic-resisting toxin and who can't understand magic,`@` magic cannot be used......`\ mcl a,0 bg hill_1a,0 ld c,$KAS_akuwaraiA3,23 me1v 5,50 ;「本当にワケがわかんないわ。@この妄想日記、頭がおかしいとしか思えない。@……あんたのお花畑な頭の中が垣間見えて本当に面白いわぁ。@キモチワルイ子ぉ。」\ ;＜霞 `"I really don't get it.`@` From this delusional diary, I've got to assume that something's wrong with your head.`@` ......It really is interesting to take a peek into your mind.`@` You creepy child."`\ mld l,$EV2_akuwaraiA6,0 msp msp_l,0,0,-120 print 23 ;「あんたも、真里亞も。@……そこのぬいぐるみと家具もね？@　ぷーっくすくすくすくす！！@　あっはははははははははは！」\ ;＜絵羽 `"Both you and Maria.`@` ......And that stuffed animal and the furniture over there too, right?`@` *giggle*giggle*giggle*!!`@` Ahhahahahahahahahahaha!"`\ ld c,$KAS_waraiA1,80 ;「あぁ、可笑しいわぁ。@あんた、友達、いないんでしょ？@　いっつもひとりぼっちで、ぬいぐるみがお友達なんでしょ？@　可哀想な子ぉ。@/ `"Aah, I could laugh.`@` You don't have any friends, do you?`@` You're a-lways all alone, so stuffed animals are your friends?`@` What a pitiable child. `@/ ld c,$KAS_AkuwaraiA3,80 ;うっふふふふふふふふふ…！@　大丈夫、私にもわかるわよ。@そういう生活、わかるもの。@………だから私が認めてあげるわ。@あんた、本当に可哀想な子よ？@　うっふふふはははははははははは！」\ `Ehheheheheheheheheh...!`@` Don't worry, I understand.`@` I know what it's like to live that way.`@` .........So I'll accept it.`@` You really are a pitiable child, right?`@` Ehhehehhahahahahahahaha!"`\ csp -1 bg black,22 br ;　……………あんたには、可哀想な子に、@……見えるのね。\ `.........To you, I probably do look...`@`...like a pitiful child.`\ ;　そうでしょうよ。@ `That's right.`@ br ;　お姉ちゃんの日記と魔導書は、百人が読めば、百人がきっとそういう感想を持つでしょう。@ `If a hundred people were to read Onee-chan's diary, a hundred people would probably think the same thing.`@ br ;　……かつての私もそうだった。\ `......I used to be like that too.`\ ;!s0　でもね、/ ;!d600………真里亞お姉ちゃんは、/ ;!d900……それでもそれを、/ ;!d600……幸せな世界と呼んだの。@ !s0`But you know, `/ !d600`.........despite all of that, `/ !d900`......Maria onee-chan, `/ !d600`......summoned a world of happiness.`@ br ;　………その魔法と、幸せを、/ ;!d900………否定しないで……。/ `.........Don't deny, `/ !d900`.........that magic...and happiness......`/ !sd\ bg hill_1a,0 mld l,$EV2_akuwaraiA2,0 msp msp_l,0,0,-120 print 80 ;「頑固な子ね、あんたは。@……いいわ。@これで最後よ。@あんたと真里亞の信じた、本当に下らない魔法の根源を、引き裂いてあげるわよ。@/ `"Such a stubborn child, you are.`@` ......Alright.`@` This is the last one.`@` I'll tear apart the source of the truly foolish magic that you and Maria believed in. `@/ mld l,$EV2_AkuwaraiA3,0 msp msp_l,0,0,-120 print 80 ;須磨寺霞、そのページを読みなさい？」\ ;＜絵羽 `Sumadera Kasumi, read this page, alright?"`\ ld c,$KAS_akuwaraia1,80 ;「なぁに、このカラフルなページは……？@　…何々？@/ `"Hmmm, what is this colorful page......?`@` ...What's this? `@/ ld c,$KAS_Waraia2,80 me2v 17,60 ;　………大好きなママと、/ ;!d600……いつまでも仲良しでいられる魔法ぉ…？」\ ;＜霞 `.........Magic to, `/ !d600`......always be friends with my beloved mother...?"`\ mld r,$sak_nakuA2,0 msp msp_r,0,0,-120 print 24 ;『やッ、やめてぇええええぇ！！@　そのページだけは……！！』\ ;＜さくたろ `『S, stop iiiiiiiiiiit!!`@` Not that page......!!』`\ mcl r,22 ld c,$KAS_waraiA1,80 ;「へー。@この魔法、すっごく簡単じゃない。@私でもすぐ出来そうだわ。@/ `"Aha.`@` This magic is really simple, isn't it?`@` It looks like even I could do it. `@/ ld c,$KAS_AkuwaraiA2,80 ;………こんなに短い呪文なら、私にだって覚えられちゃう。@やってみようかしら。」\ ;＜霞 `.........Even I could remember an incantation this short.`@` Shall I try it?"`\ mld l,$EV2_akuwaraiA2,0 msp msp_l,0,0,-120 print 80 ;「くすくす、本当に簡単な呪文よねぇ？@　いいわよ、やってあげなさい、みんなも噴出しちゃうからぁ！」\ ;＜絵羽 `"*giggle*giggle*, it really is a short incantation, isn't it?`@` Alright, give it a try, let's have everyone spit it out!"`\ ;　黒き魔女と霞は、心の底から馬鹿にした表情で、……口を、ひょっとこのように、尖らせ。@…………それを口にした……。\ `With expressions that ridiculed it from the bottom of their hearts, the black witch and Kasumi, ......tapered their mouths.`@` .........And they said it aloud......`\ mcl l,0 bg black,22 E_MA br ;「うーうー。」\ `"Uu-uu-."`\ bg hill_1b,22 ;　黒服たちがきょとんとして、それは何の真似ですかと聞く。@ ;　すると霞はげらげらと笑いながら答えた。\ `The black-suits stared blankly, asking what the hell that was supposed to be.`@ `Then Kasumi answered, cackling.`\ ld l,$KAS_akuwaraiA2,23 ;「これがね、呪文なんだって。@おっかしい…！@　あっははははははは…！！！」@ ;＜霞 `"This is supposed to be an incantation.`@` Are you kidding me...!`@` Ahhahahahahahaha...!!!"`@ mld r,$EV2_akuwaraiA5,0 msp msp_r,0,0,-120 print 24 ;「ほら、あんたたちもやってみればぁ？@　うーうーうー。」@ ;＜絵羽 `"Come on, why don't you guys try it too?`@` Uu-uu-uu-."`@ br ;　黒服たちもふざけた様子で、その唸り声を真似る……。\ `The black-suits imitated that moaning voice, making fun of it......`\ mset2ef 22 br ;　――――“うーうー。”@ `――――'Uu-uu-.'`@ br ;　それが、大好きなママと、いつまでも仲良しでいられる魔法の、呪文。\ `That was the incantation...for the magic that would let her always be friends with her beloved mother.`\ mendef 0 mld r,$EV2_akuwaraiA5,0 msp msp_r,0,0,-120 print 22 ld l,$KAS_akuwaraiA3,80 ;「何この、馬鹿みたいなの…！！@　うーうー言うだけで家族仲がよくなるなら、世界はずっと平和だわ。@/ `"What the hell, how stupid...!!`@` If you could make family relationships better just by saying uu-uu-, the world would always be peaceful. `@/ ld l,$KAS_AkuwaraiA2,80 ;あっはっはっはっはっは！！」\ ;＜霞 `Ahah-hah-hah-hah-ha!!"`\ mld r,$EV2_niramuA3,0 msp msp_r,0,0,-120 print 80 ;「うーうーうー！@　馬鹿な唸り声ぇ！@　こんなの連呼してたら頭の可哀想な子と思われるのがオチよォ！@/ `"Uu-uu-uu-!`@` A stupid moaning voice!`@` Too bad that if you do this over and over again, people'll think you're a pathetic, stupid kid! `@/ mld r,$EV2_AkuwaraiA4,0 msp msp_r,0,0,-120 print 80 ;　ばぁッかじゃない？！@/ `Are you a moron?! `@/ se1v 37,100 ;　うあっはっはっはっはっは、わーっはっはっはっはっは！！」\ ;＜絵羽 `Wahhahahahahaha, waaahahahahahahha!!"`\ mld c,$Sak_nakuA2,0 msp msp_c,0,0,-120 print 24 ;『やめろぉおぉ……、その魔法だけは……、貶さないでぇえぇぇぇ……。』\ ;＜さくたろ `『Stop iiiit......, at least don't belittle......, that magiiiiiiiic......』`\ mcl a,0 bg black,2 bg book1,2 ;　…………真里亞お姉ちゃんと楼座叔母さんの二人きりのピクニックの日。@ `............On the day of a picnic where Maria onee-chan and Rosa oba-san were alone.`@ br ;　それは彼女の人生の中でも五本の指に入るほどの幸せな日だったと記されている。\ `It was written that this was one of the five happiest days of her life.`\ ;　そしてお姉ちゃんは、ママに習ったばかりのお歌を歌って聞かせた。\ `And Onee-chan was singing a song she had just learned from her Mama.`\ bg black,22 ;　……とても喜んでくれた。@ ;　でも、途中で歌詞がわからなくなって。@ `......She had been delighted.`@ `But partway through, she forgot the lyrics.`@ br ;　でも、こんなにもママが喜んでくれてるから、最後まで歌い続けたくて。@ `But since she saw that her Mama was so delighted, she tried to sing until the very end.`@ br ;　うーうーうー、と。\ `With 'uu-uu-uu-'.`\ ;　……歌詞を誤魔化して歌ったんだけど、それをママはとても喜んでくれて……。@ `......She had sung it with fake lyrics, but her Mama was very pleased......`@ br ;　それ以来、“うー”は彼女にとって、ママと楽しく幸せに過ごした日の、思い出の呪文となって残った。\ `After that, 'uu-' remained as an incantation to remember that day she had spent in fun and happiness with her Mama.`\ ;　最初は面白がってくれたその呪文も、さすがに聞き飽き、@楼座叔母さんは後にそれを言うと叱るようになるが、@……お姉ちゃんにとって、それはいつまでも忘れられない、楽しい日の思い出なのだ……。\ `Of course, even though she had thought it funny at first, Rosa oba-san eventually tired of hearing it,`@` and later on, scolded Onee-chan when she said it,`@` ......but to Onee-chan, it was a memory of a fun day that she would never forget......`\ bg book1,22 ;　だからそれは、多分、真里亞が生み出した魔法の中で、もっとも古い、一番最初の魔法……。@ `So among the magics that Maria had created, it was the oldest and the first......`@ br ;　霞はそのページにも爪を立てる……。\ `Kasumi stuck her fingernails into that page too......`\ bg hill_1c,22 ld l,$ENJ_hanbesoA2,23 ;「……やめて、/ ;!d600…………破かないで……。@そのページだけは、/ ;!d800………許して………。」\ ;＜縁寿 `"......Stop it, `/ !d600`............don't tear it......`@` At least spare, `/ !d800`.........that page........."`\ bg Hill_1b,0 ld r,$KAS_waraiA2,24 ;「うっふふふふふふふふ！@/ `"Hahahahahahahahaha! `@/ ld r,$KAS_AkuwaraiA3,80 ;　だめえッ！！」\ ;＜霞 `No waay!!"`\ se1v 1006,100 bg white,1 bg black,2 wait 1000 ;!s0　…………絹を裂く音が、少女の幸せな世界を、/ ;!d800消し、/ ;!d1000た。/ !s0`............With a shrill sound, a girl's world of happiness...`/ !d800`was...`/ !d1000`erased.`/ !sd\ bg Hill_1b,26 mld c,$EV2_akuwaraiA5,0 msp msp_c,0,0,-120 print 24 ;「うーうーうー！@　ああっはっはっはっはっは、あーっはっはっはっは！！@　これがあんたらの、幸せな魔法なわけぇ？@　笑っちゃう笑っちゃう…！！\ `"Uu-uu-uu-!`@` Aaaahhahhahhahhahha, aaaaahahahhahahah!!`@` Is this your magic of happiness?`@` Hilarious, hilarious...!!`\ mld c,$EV2_AkuwaraiA8,0 msp msp_c,0,0,-120 print 80 ;　幸せになる魔法なんてね、あるわけないでしょお？！@　魔法はね、怒りとね、憎しみで出来てるのよぅ？\ `There's no way there could be magic to make you happy, right?!`@` Magic is made out of anger and hatred, right?`\ mld c,$EV2_AkuwaraiA6,0 msp msp_c,0,0,-120 print 80 ;　幸せってのはね、自分の背負わされた憎悪を人に全て押し付けた時にのみ与えられる開放感を言うのよ。@あんたたちの言う幸せなんて、絵本の中にしか出てこないまやかしなのよッ！！」\ `Happiness is what you call the feeling of release you get only when you've pushed all of the hatred you bear onto other people.`@` The happiness you all are talking about is a phantom that doesn't show up outside picture books!!"`\ ;＜絵羽 ;　霞は笑い転げながら、魔導書を地面に叩きつけ、踏み躙る。/ `As Kasumi laughed her head off, she slammed the grimoire against the ground, and stepped on it.`/ ;se1 12 ;quakey 2,600 ;se2 12 ;quakey 2,600 ;se3 12 ;quakey 2,600 \ mld c,$EV2_AkuwaraiA2,0 msp msp_c,0,0,-120 print 80 ;「悔しい？@　ねぇ、悔しい？！@　幸せの白き魔女さんたちぃ？@　そんなに悔しかったら、見せてみればぁ？！@　あんたたちの魔法！！@/ `"Can't stand it?`@` Hey, you can't stand it, right?!`@` You white witches of happiness?`@` If you can't stand it that much, why don't you show us?!`@` Show us your magic!! `@/ mld c,$EV2_AkuwaraiA6,0 msp msp_c,0,0,-120 print 80 ;　あるなら使って見せればいいじゃないぃ？@　………魔法が使えない魔女なんて魔女じゃない！！@　つまり本当の魔女は私たち。@あんたたちなんて、魔法の夢で現実から逃避しているだけの、クソガキどもなのよッ！！」\ ;＜絵羽 `If it exists, then you just have to show us, riiiiight?`@` .........A witch that can't use magic isn't a witch!!`@` So the real witches are us.`@` You're just brats trying to escape reality with a dream of magic!!"`\ ;■曲停止かな？@ mcl c,0 bg black,22 fede 0,3000 wait 1000 ;!s0　……………じゃあ、/ ;!d900………魔法を私が見せることが出来たなら、@……お姉ちゃんの魔法を、/ ;!d1000………信じてくれるの………？/ !s0`............Then, `/ !d900`.........if I can show you magic, `@`......will you, `/ !d1000`.........believe in Onee-chan's magic.........?`/ !sd\ me1v 16,50 bg Hill_1b,0 mld r,$EV2_akuwaraiA5,0 msp msp_r,0,0,-120 print 26 ;「え？@　きゃっははははは、ええ、えぇ！！@　信じるわよぉ？@　魔法を使って見せることが出来たならねぇ〜！！@/ `"Huh?`@` Kyahhahahaha, yes, yes!!`@` I'll believe!`@` If you can use magic and show me, that i~s!! `@/ mld r,$EV2_NiramuA3,0 msp msp_r,0,0,-120 print 80 ;　ならやって見ろよこのクソボケガキャぁあああぁッ！！」\ ;＜絵羽 `Then give it a go, you stupid braaaaaaaaaaaat!!"`\ mcl r,0 bg white,25 bg Hill_1a,2 ;　………………………。@………。@ `........................`@`.........`@ br ;　私は、@……音もなく、ゆっくりと立ち上がる。@ ;　……体の痛みという、狭い世界の感覚は、実に下らなく感じられた……。\ `Silently, slowly,`@` ......I stood up.`@ `......Sensations of this narrow world, such as pain in my body, felt truly trifling......`\ bg hill_1a,0 ld c,$KAS_akuwaraiA2,22 ;「あら、まだ立てる元気はあったのねぇ、大魔女さん？@　くすくすくす！」@ ;＜霞 `"Oh, looks like you've still got enough energy to stand up, Miss Great Witch?`@` *giggle*giggle*!"`@ mld l,$EV2_akuwaraiA3,0 msp msp_l,0,0,-120 print 23 ;「立ち上がって、何をして見せるの？@　見せてみなさいよ、魔法ォ…！」\ ;＜絵羽 `"Now that you've stood up, what are you going to show us?`@` Show us your magiic...!"`\ E_A vsp msp_l,0 ;ld c,$ENJ_komaruA3,80 mbg black,1 bgm1v 94,85 ;「…………………魔法は、あるわ。」@ ;＜縁寿 `"............Magic...exists."`@ vsp msp_l,1 mcbg 22 ld c,$KAS_ikariA1,80 ;「はぁ？@　この子、何を言い出すかと思えば…！@　あんたたち、今の聞いたぁ？！」\ ;＜霞 `"Whaa?`@` What's this kid saying...?!`@` Did you guys hear that?!"`\ mld l,$EV2_IkariA2,0 msp msp_l,0,0,-120 print 80 ;「静かにッ！！！@/ `"Silence!!! `@/ mld l,$EV2_FukigenA2,0 msp msp_l,0,0,-120 print 80 ;　…………へぇ、面白いじゃない。@…反魔法の毒素を理由に、あんたたちはいつも奇跡の力を拒んできた。@………白き魔女マリアの弟子。@見せてみなさいよ、魔法を…！！」\ ;＜絵羽 `............Heh, isn't that interesting.`@` ...You have always declined to show this power of miracles because of the magic-resisting toxin.`@` .........Disciple of the white witch MARIA.`@` Try showing me magic...!!"`\ cl c,0 ld r,$ENJ_defA1,24 ;「………………………。」\ `".................."`\ mld l,$EV2_akuwaraiA2,0 msp msp_l,0,0,-120 print 80 ;「……一体、どれだけの人間が、その奇跡を信じて、裏切られていったか知っている？@/ `"......Do you have any clue how many humans have believed in that miracle and have been betrayed? `@/ mld l,$EV2_TokuiA1,0 msp msp_l,0,0,-120 print 80 ;　………くすくす。@誰もが信じ！@　誰もが裏切られて絶望した！@　そして、本当の魔法は、私たち黒き魔女の力でしか得られないことを知るのよ…！！」\ ;＜絵羽 `.........*giggle*.`@` Everyone believes!`@` Everyone is betrayed and despairs!`@` And they learn that true magic can only be gained by the power of black witches, like me...!!"`\ ld r,$ENJ_fumanA2,80 ;「……………憎しみを誰かにぶつけるのは、ただの罪。@そんなのは魔法じゃないわ。@/ `"............Hitting someone with your hatred is nothing more than a crime.`@` That isn't magic. `@/ ld r,$ENJ_defA1,80 ;………本当の魔法を、私が見せてやる。」/ `.........I'll show you real magic."`/ se1v 2,100 @ mld l,$EV2_ikariA2,0 msp msp_l,0,0,-120 print 80 ;「……………こ、いつ……………、」\ ;＜絵羽 `"............Y, you..............."`\ ;　黒き魔女はわずかにたじろぐ。@ ;　しかし、霞はなおも私を嘲笑った。\ `The black witch winced slightly.`@ `However, Kasumi sneered at me even more.`\ ld c,$KAS_waraiA1,23 ;「なら、見せて御覧なさいよ。@それで、あんたはどの魔法を見せてくれるの？@/ `"Then try showing us.`@` So then, what kind of magic will you show us? `@/ ld c,$KAs_AkuwaraiA3,80 ;　飴玉を降らせる魔法？@　それともクッキーを増やす魔法？@/ `Magic to make candy fall from the sky?`@` Or else magic to make cookies multiply? `@/ vsp msp_l,0 ;mcl l,0 mbg white,1 mcbg 0 vsp msp_l,1 mld l,$EV2_IkariA1,0 msp msp_l,0,0,-120 ld c,$KAS_AseruA1,0 ld r,$ENJ_Fumana1,80 me1v 16,70 ;　…………うわッ？！」@ ;＜霞 `............Whaaa?!"`@ br ;　私が目を見開くと同時に、凄まじい風が巻き起こった。\ `The instant I opened my eyes, a tremendous wind arose.`\ ld c,$KAS_komaruA1,80 ;「なッ、……何、突然………？！」@ ;＜霞 `"Wh, ......what is this, all of a sudden.........?!"`@ ld r,$ENJ_nayamuA1,80 ;「さぁさ、お出でなさい、煉獄の七姉妹。」@ ;＜縁寿 `"Come, arise, the Seven Sisters of Purgatory."`@ mld l,$EV2_OdorokiA2,0 msp msp_l,0,0,-120 print 80 ;「………何ぃ……、」\ ;＜絵羽 `".........Whaaat......"`\ textoff mcl a,0 se1v 57,100 bg white,1 resettimer waittimer 1000 bg hill_1b,0 ld c,$RG1_DefA1,0 lsp 906,$RG6_hohoemiA1,-160,30 lsp 905,$RG4_akuwaraiA1,-64,30 se2v 37,90 lsp 904,$RG3_akuwaraiA2,32,30 lsp 903,$RG2_defA1,224,30 ;lsp 903,$RG2_defA1,128,30 ;lsp 902,$RG5_fumanA1,224,30 se3 37 lsp 901,$RG7_WaraiA1,320,30 se1v 52,100 se2 55 print 99,1000,"breakup.dll/llb" me2v 16,70 ;　私の背後に閃光が走り、瞬時に上級家具７人が揃う。@ `There was a flash behind me, and in an instant, seven high-level furniture were gathered there.`@ br ;　それは私の全盛期の魔力をはるかに超える力。@ `It was a power that far surpassed the magical power I had had in my prime.`@ br ;　真里亞お姉ちゃんや、ベアトリーチェにさえも及ぶほどの力。\ `It was a power that matched even Maria onee-chan and Beatrice.`\ ld c,$RG1_AkuwaraiA2,80 se1v 2,100 ;「煉獄の七姉妹、ここに…！！」\ ;＜ルシファ `"The Seven Sisters of Purgatory, right here...!!"`\ csp -1 bg hill_1b,0 ld l,$ENJ_DefA1,23 mld r,$RG5_odorokiA3,0 msp msp_r,0,0,-120 print 24 ;「……え、縁寿さま……！」\ ;＜マモン `"......A, Ange-sama......!"`\ ld l,$ENJ_KomaruA1,80 ;!s0「あなたはかつて言ったわ。@……私に魔力と、その覚悟がないから、/ ;!d800……あなたたちを使役できなかったのだと。@/ !s0`"You said it once.`@` ......Because I lacked magical power and resolve, `/ !d800`......I could not use you or your sisters. `@/ ld l,$ENJ_NayamuA1,80 ;…………私をいじめるクラスメートに仕返しがしたいなんて、そんな安っぽい感情じゃない。\ `......This isn't some cheap emotion, like wanting to get back at my bullying classmates.`\ ld l,$ENJ_defA1,80 ;　…私は、真里亞お姉ちゃんの、………マリアージュ・ソルシエールの世界を守るために、@……今こそ、魔法の奇跡を見せることを命令するわ。」/ `...In order to protect Maria onee-chan's, .........Mariage Sorciere's world,`@` ......I now order you to show me the miracle of magic."`/ !sd\ ;＜縁寿 mld r,$RG5_komaruA2,0 msp msp_r,0,0,-120 print 80 ;「む、無理です…。@いくら何でも、これだけ大勢の毒素の前では………、」\ ;＜マモン `"I, it's impossible...`@` No matter what, before such a mass of toxin........."`\ ;　七姉妹たちも、かつてのあの教室のことを覚えてる。@ `The Seven Sisters also remembered what happened in that classroom.`@ br ;　……もしも、縁寿の命令に従えるものなら、従っていた。\ `......If they could have obeyed Ange's order, they would have.`\ ;　……しかし、……ニンゲンの濃厚な毒素の中で、魔法の奇跡を見せることは出来なかった。@ `......However, ......surrounded by the toxin that runs thick in humans, they hadn't been able to display the miracle of magic.`@ br ;　……そしてそれが、縁寿をひどく傷つけたことを、よく覚えているのだ……。\ `......And they remembered very well how deeply that had hurt Ange......`\ ;　でも縁寿は、とても静かに言った。\ `But Ange spoke very quietly.`\ ld l,$ENJ_fumanA2,80 ;「なら。@あなたたちも信じて。」@ ;＜縁寿 `"In that case.`@` You all believe too."`@ mld r,$RG5_odorokiA3,0 msp msp_r,0,0,-120 print 80 ;「……え？」\ ;＜マモン `"......Huh?"`\ ld l,$ENJ_komaruA3,80 ;「…………マリアージュ・ソルシエールは人を幸せにするために生まれた。@…そしてそれは、黒き魔女と戦うためでもあった。\ `"............Mariage Sorciere was created to make people happy.`@` ...And also to fight the black witch.`\ ld l,$ENJ_fumanA2,80 ;　その創立者のひとり、原初の魔女、マリア卿が生み出した世界を否定する愚かなる黒き魔女に、@……その奇跡を見せ、/ ;!d800……その世界を守るために、/ ;!d600………信じて。@魔法を。@魔女を。@今こそ、奇跡を…！」\ `In order to show that miracle to the foolish black witch, `@`...who denies the world that one of the founders, the Witch of Origins Lady Maria, gave birth to, `/ !d800`......and in order to protect that world, `/ !d600`.........believe.`@` In magic.`@` In witches.`@` Right now, in the miracle...!"`\ ;＜縁寿 mcl a,0 bg Hill_1a,0 ld l,$KAS_waraiA1,23 ;　霞が黒服に指示を出すと、一人が銃を抜き、縁寿に向けて構える。\ `When Kasumi gave an order to the black-suits, one of them took out a gun and pointed it at Ange.`\ se1 43 wait 1000 ld l,$KAS_akuwaraiA1,80 ;「魔法を見せてくれるんでしょう？@　なら見せて頂戴。@魔法で、火の玉でも稲妻でも撃ち出して、この男を倒して見せなさいよ。@/ `"You'll show us magic, right?`@` Then show us.`@` Use magic to shoot this man down with a fireball or lightning or something. `@/ ld l,$KAS_akuWaraiA2,80 ;チャンスは一度。@………３つ数える内にやってお見せなさい？@　出来なければ、覚悟してもらうわよ？@　うっふふふふふふ！」\ ;＜霞 `You get one chance.`@` .........Show us before I count to three, alright?`@` If you can't, then you had best prepare yourself, okay?`@` Ehheheheheh!"`\ ld r,$ENJ_fumanA2,24 ;「………………………。@………………撃ちなさいよ。」@ ;＜縁寿 `".......................`@`..................Shoot."`@ br ;「何だ、このガキ。@へっへへ、狂ってやがるぜ。」@ `"What's with this kid.`@` Hehheheh, she's lost it."`@ br ;　銃を向けた黒服が、縁寿の達観を笑う。\ `The black-suit pointing the gun laughed at Ange's farseeing attitude.`\ bg Hill_1c,0 mld l,$EV2_akuwaraiA4,0 msp msp_l,0,0,-120 print 24 me3v 5,50 ;「あっはははははは！！@　本気？！@　こいつ、頭の中までお花が咲いてやがるゥ！@　なら撃たれなさいよ、死んじゃえばぁあああぁ？！」\ ;＜絵羽 `"Ahhahahahahaha!!`@` Are you serious?!`@` This girl's lost her mind!`@` In that case, get yourself shot! Why not diiiiiiiiiiiiie?!"`\ mld r,$sak_nakuA3,0 msp msp_r,0,0,-120 print 24 ;『縁寿…！！@　……む、無理！@　銃弾は魔法では防げないよ……！！』@ ;＜さくたろ `『Ange...!!`@` ......I, it's impossible!`@` You can't block bullets with magic......!!』`@ ld c,$ENJ_DefA1,24 ;「いいえ。@何も恐れることはないわ。@…………私の魔法は、煉獄の七姉妹は、銃弾など、物ともしない。」\ ;＜縁寿 `"No.`@` There's nothing to be afraid of.`@` ............To my magic, to the Seven Sisters of Purgatory, bullets are like nothing."`\ mcl l,24 mld l,$RG5_odorokiA3,0 msp msp_l,0,0,-120 print 23 ;「え、縁寿さま………。」\ ;＜マモン `"A, Ange-sama........."`\ ;　マモンは縁寿の絶対の信頼に、戸惑う。@ `Mammon was perplexed by Ange's absolute trust.`@ br ;　……応えられるものなら応えたかった。@あの日にも。@ `......If she could comply, she would have.`@` On that day as well.`@ br ;　でも、……何も出来なかったから、縁寿を傷つけて………。\ `But, ......because she had been unable to do anything, she had hurt Ange.........`\ mcl a,0 bg black,25 se1 30 ;「へっへへ、ガキめ。@魔法が使えるってんなら、早く見せてみやがれってんだ。」@ ;「どうしたよ？@　早く魔法を見せてみろってんだ！！」@ ;「ほら、遠慮はいらねぇぜ？@　俺にバビョーンと！@　魔法ってヤツをお見舞いしてくれよぉ！！@　ひっへっへっへ！」@ `"Hehheheh, you brat.`@` If you can use magic, let us have a look right away."`@ `"What's wrong?`@` We're tellin' you to show us magic right now!!"`@ `"Come on, no need to hold back, right?`@` *booom*!`@` Show me some magic!!`@` Hihhehhehheh!"`@ br ;　黒服たちが囃す。@ ;　しかし縁寿はただ静かに、精神を集中していく……。\ `The black-suits jeered at her.`@ `But Ange simply concentrated her mind in silence......`\ bg Hill_1b,0 ld l,$KAS_waraiA1,22 mld r,$EV2_akuwaraiA6,0 msp msp_r,0,0,-120 print 24 ;「撃っちゃえばぁ？！@　撃ってみろって言ってるのよ向こうは！」\ ;＜絵羽 `"Why not shoot?!`@` She's also telling you to try and shoot, you guys!"`\ ld l,$KAS_AkuwaraiA1,80 ;「……この子、恐怖でもう、頭がどうかしてるんだわ。@バイバイ、縁寿ちゃん。@……天国で好きなだけ魔女ごっこをしてなさい。@/ `"......This kid's already lost her mind from fear.`@` Bye-bye, Ange-chan.`@` ......Go and pretend to be a witch as much as you want in heaven. `@/ ld l,$KAS_AkuwaraiA3,80 ;……撃て。」\ ;＜霞 `......Shoot."`\ ;「へへ、いいんですか？」\ `"Heheh, you sure?"`\ ld l,$KAS_ikariA1,80 ;「お撃ち！@　死ね、縁寿ッ！！」@ ;＜霞 `"Shoot!`@` Die, Ange!!"`@ mld r,$EV2_akuwaraiA4,0 msp msp_r,0,0,-120 print 80 ;「やれるもんならやってみなさいよッ、あんたの魔法をッ！！！」\ ;＜絵羽 `"If you can do it, then give your magic a try!!!"`\ csp -1 bg black,1 E_A se1 30 ;　黒服は撃鉄を起こし、嘲笑しながら引き金を、引く。\ `The black-suit cocked the gun, and sneering...pulled the trigger.`\ ;「……………………………。」\ `"........................"`\ ;■曲停止かな textoff se1v 46,100 se2v 1006,100 se3v 2,100 bg blood_2e,1 quakex 5,1000 wait 2000 ;　銃声が鳴り響き、/ ;!d1000………世界が、停止した。@ ;■曲変更かな `The sound of gunfire rang out, `/ !d1000`......and the world...stopped.`@ ;　赤い飛沫が飛び散り、/ ;!d800………肉片が飛んだ。\ `A red spray scattered out, `/ !d800`.........and chunks of flesh flew.`\ bg black,22 bg hill_1c,0 bld c,$RG1_IkariA1,26 mld r,$RG5_komaruA2,0 msp msp_r,0,0,-120 print 24 bgm1v 105,95 ;「…ぇ、……………あ……。」@ ;＜マモン `"...eh, ............ah......"`@ ld c,$RG1_akuwaraiA2,80 ;「何をしてるの、マモン。@……銃弾如き無粋な石ころを、縁寿さまに許すつもり？」@ ;＜ルシファ `"What are you doing, Mammon?`@` ......Would you let a boorish pebble of a bullet reach Ange-sama?"`@ br ;　ルシファーは、完全に銃弾を捉え、一刀のもとに、……切断していた……。\ `Lucifer lined up the bullet perfectly, and with a single swing, ......sliced it......`\ bcl c,0 mcl a,0 bg Hill_1a,0 bld l,$RG2_AkuwaraiA1,0 lsp 800,":a;bmp\background\efe\1a.bmp",0,0 print 22 ;　そして、……銃を撃ったはずの黒服の胸に、……握り拳大の、大穴が…。\ `Then, ......in the chest of the black-suit who had apparently fired the gun, ......was a hole as big as a fist...`\ textoff csp 800 print 65 ld l,$RG2_akuWaraiA2,80 ;「………たまには。@私が一番乗りでもいいわよねぇ。」\ ;＜レヴィア `".........Every once in a while,`@` it's alright for me to go first."`\ ;　半身を血に染めたレヴィアタンが、冷笑を浮かべる。@ `Half of Leviathan's body was covered with blood, and a scornful smile was on her face.`@ br ;　……そして、ゆっくりと………、彼女が仕留めた哀れな獲物が、倒れる。\ `......Then, slowly........., the pitiful prey that she had brought down...fell over.`\ se1v 13,100 quakey 4,800 csp -1 bg hill_1c,0 mld r,$RG5_odorokiA3,0 msp msp_r,0,0,-120 print 24 me1v 5,70 ;「つ、……貫いた、ニンゲンを……ッ！！！」@ ;＜マモン `"Y, ......you pierced...a human......!!!"`@ ld l,$RG3_OdorokiA1,23 ;「馬鹿ねッ！@　まだあんた信じてないの？！@　私たちの主の魔力を…！！」\ ;＜サタン `"Idiot!`@` Do you still not believe?!`@` In our master's magic power...!!"`\ mcl r,0 bg black,23 bg hill_1a,0 mld c,$EV2_odorokiA2,0 msp msp_c,0,0,-120 print 23 ;「ば、……か、…な………ッ？！？！@　これだけのニンゲンの前で、…け、顕現したって言うのッ？！？！」@ ;＜絵羽 `"Are, ......you, ...kidding me.........?!?!`@` Y, you materialized, ...in front of this many humans?!?!"`@ ld r,$KAS_aseruA1,24 ;「な、………何よ、…何？！」\ ;＜霞 `"Wh, .........what is, ...what?!"`\ ;　霞たちはうろたえる…。@ `Kasumi and the rest were flustered...`@ br ;　確かに銃を撃ったはず……。@ `He certainly seemed to have fired the gun......`@ br ;!s0　しかし、/ ;!d500……それは縁寿には当たらず、/ ;!d800………どうして、/ ;!d600……撃った本人が、/ ;!d400…逆に……？！/ !s0`However, `/ !d500`......it hadn't hit Ange, `/ !d800`.........and why, `/ !d600`......was the person who fired, `/ !d400`...instead......?!`/ !sd\ mcl a,0 bg hill_1b,0 ld c,$ENJ_nayamuA1,24 ;「……これが、魔法。@/ `"......This is...magic. `@/ ld c,$ENJ_fumanA2,80 ;……見事よ、レヴィアタン。」@ ;＜縁寿 `......Great job, Leviathan."`@ se1 52 ld r,$RG2_akuwaraiA2,99,1000,"breakup/dll/ulb" ;「光栄の至り…！！@/ `"The greatest honor...!! `@/ ld r,$RG2_akuwaraiA3,80 ;　我らが主に逆らう愚かなるニンゲンどもよ！@　今こそ平伏せ、審判の時ッ！！」\ `You foolish humans who dare oppose our master!`@` Now is the time of judgement! Prostrate yourselves!!"`\ ;＜レヴィア bg hill_1a,0 mld l,$EV2_odorokiA2,0 msp msp_l,0,0,-120 print 23 ;「ど、どうして……！！！@　ニンゲンの世界に魔法は持ちこめないはずなのに…ッ！！@　魔法は視えないはずなのに、触れられないはずなのに！！@　……どうしてッ！！」\ ;＜絵羽 `"W, why......?!!!`@` You shouldn't be able to bring magic into the world of humans...!!`@` They shouldn't be able to see magic, they shouldn't be able to be touched by magic!!`@` ......Why?!!"`\ ld r,$ENJ_DefA1,24 ;「…………これが、本当の魔法だからよ。」\ ;＜縁寿 `"............Because this...is true magic."`\ mld l,$EV2_fukigenA3,0 msp msp_l,0,0,-120 print 80 ;「……ぅ、……ぅおおおおおぉおおおおおおおお…！！」\ ;＜絵羽 `"......Gah, ......aaaaaaaaaaarrrggggg...!!"`\ mcl l,0 cl a,0 ld c,$KAS_komaruA1,24 ;「な、何をしてるのよお前たち？！@　こッ、殺せ殺せッ！！！」\ ;＜霞 `"Wh, what are you people doing?!`@` K, kill, kill!!!"`\ bg hill_1a,23 ;!s0　ようやく正気に戻った黒服のひとりが銃を抜き、構、/ !s0`One of the black-suits, who had finally come to his senses, took out his gun, readied it, `/ !d1000 br se1 57 bg white,1 bg hill_1c,0 ld c,$RG1_akuwaraiA3,80 ;「我らが主に、銃口を覗かせる無礼を、私が許すと思ったか……。@/ `"Did you think I'd permit you the disrespect of pointing the barrel of a gun at our master......?! `@/ ;se1 52 ;cl c,99,500,"breakup.dll/ulb" ;死ねっ。」/ `Die."`/ !sd\ ;＜ルシファ se2v 36,100 bg blood_1a,1 quakex 5,700 ;　その言葉が、引導。@ `Those words were a requiem.`@ br ;　……男はすでに、瞬時に傲慢の杭となったルシファーにその胸板を貫かれていたのだ。\ `......The man had already had his chest pierced by Lucifer, who had become the Stake of Pride in an instant.`\ se2 12 se3v 13,90 quakey 3,800 ;　どさり！@ `*thump*!`@ br ;　二人目が倒れる音は、黒服たちに、自分たちが今確かに、命を脅かされていることを理解させる…！！\ `With the sound of the second person falling, the black-suits now realized for certain that their lives were in peril...!!`\ bg Hill_1c,22 ;「う、うわあああッたたッ、助けて……！！！」/ `"Uh, waaaaaaaahsasa, save me......!!!"`/ quakex 3,400 \ ;　腰を抜かした黒服が、その場から逃げ出そうと踵を返した瞬間に、@……怠惰の杭が……、\ `The instant the black-suits, doubled over in shock, turned on their heels to escape from that place,`@` ......the Stake of Sloth......`\ se1 57 bg white,1 bg hill_1c,0 ld c,$RG4_hohoemiA1,80 ;「…………我が主への狼藉に対する報い、これしきで済んだことに感謝せよ。@死ねッ！！」\ `"............Be thankful that recompense for your violence against our master will be settled with just this.`@` Die!!"`\ Bld c,$RG4_akuwaraiA3,80 ;＜ベルフェ ;se2 52 ;cl c,99,500,"breakup.dll/urb" bcl c,0 se1v 36,100 bg blood_1b,1 quakex 5,1200 ;　右目に胡桃大の大きさの風穴が開き、頭部を砕く。@ `In his right eye, a hole as big as a walnut opened, and his head split.`@ br ;　返り血を浴びるベルフェゴールは、その真の力を振るえる喜びに、その表情を悪魔的に歪める…！\ `Belphegor was sprayed with blood, and her face twisted demonically with the joy at being able to use her full power...!`\ bg black,22 bg Hill_1a,22 ;「う、わぁあああ？！/ `"Ooh, waaaaaaahhh?! `/ quakex 5,400 ;@　誰だ？！@　誰がいるんだッ？！@　どこにいやがるッ？！」\ @`Who?!`@` Who's there?!`@` Where are you?!"`\ ;　黒服たちはうろたえ、四方八方に銃を向ける。@ ;　しかし何が起こっているのかわからない。@ `The black-suits were flustered, pointing their guns in every direction.`@ `But they didn't understand what was happening.`@ br ;　恐ろしい存在がどこかから自分たちを狙っていることだけはわかるのだが、@それがどこからかわからない…！！\ `They only knew that something terrifying was coming for them from somewhere,`@` but they didn't know where...!!`\ mld r,$EV2_odorokiA2,0 msp msp_r,0,0,-120 print 64 quakex 3,200 ;「馬鹿！！@　て、敵はあんたたちのすぐ目の前にいるわよッ！@　魔女の家具があんたたちを狙ってるッ！！！」\ ;＜絵羽 `"Dumbass!`@` Th, the enemy is right before your eyes!`@` The witch's furniture is after you!!!"`\ ;　しかし視えない…！！@ ;　魔法を信じられないから、視えない…！！@ `But they could not see...!!`@ `Because they didn't believe in magic, they could not see...!!`@ br mcl a,0 se1 57 mbg white,1 mcbg 0 ld c,$RG3_AkuwaraiA2,80 ;　黒き魔女が言うとおり、サタンは黒服の真正面に、不敵にも立ちはだかっている。@ `Just as the black witch said, Satan was standing boldly right in front of the black-suit.`@ br ;　しかし黒服にはそれがまったく視えない…！\ `However, the black-suit couldn't see that at all...!`\ ld c,$RG3_akuwaraiA1,80 ;「くすくす…！@　ニンゲンに私たちの姿が見えるとでも？@　捉えられるとでも？@/ `"*giggle*...!`@` You think humans could see our forms?`@` Perceive us? `@/ ld c,$RG3_AkuwaraiA3,80 ;　あっはははははは、間抜けなニンゲンが！！@　魔法に対する畏怖を忘れたる愚かの代償を払うがいいッ！！」\ ;＜サタン `Ahhahahahahahaha, you stupid humans!!`@` Time to pay your foolish compensation for forgetting your awe of magic!!"`\ ;bcl l,0 bg Hill_1b,0 ld r,$KAS_aseruA1,24 ;「ひ、ひいいいぃッ！！！/ `"Eee, eeeeeeeeeeeekk!!! `/ quakex 3,300 @/ ld r,$KAS_SakebuA1,80 ;　何よこれ？！@　何が起こってるの？！」@ ;＜霞 `What's this?!`@` What's going on?!"`@ ld l,$ENJ_komaruA3,23 ;「………あなたには視えない。@愛がないから。」\ ;＜縁寿 `"............You cannot see.`@` Because you have no love."`\ cl r,23 mld r,$EV2_fukigenA3,0 msp msp_r,0,0,-120 print 24 ;「……ありえないッ！！@　これだけのニンゲンがいて、反魔法の毒素をばらまいてるってのに、……どうして魔法が顕現できるの？！@　あんた、…何者なのッ？！？！」\ ;＜絵羽 `"......Impossible!!`@` Even though there are so many humans here, even though the magic-resisting toxin is everywhere, ......why can you manifest your magic?!`@` Who, ...are you?!?!"`\ ld l,$ENJ_fumanA2,80 ;「…………魔女よ。@あんたと違って本物の。」@ ;＜縁寿 `"............A witch.`@` And unlike you, a real one."`@ mld r,$EV2_odorokia2,0 msp msp_r,0,0,-120 print 80 ;「う、うおおぉおおおおお、畜生ぉおおお、このアマぁあああぁああ！！」\ ;＜絵羽 `"W, whaaaaaaaaaaahhhhh, damn iiiiiiit, you biiiiiiiitch!!"`\ mcl r,0 bg black,24 bg Hill_1c,24 ld r,$ENJ_DefA1,22 ;　四人目の犠牲者を立候補するかのように、黒服の一人が縁寿に銃を向ける。@ `As though announcing his candidacy for being the fourth victim, one of the black-suits pointed his gun at Ange.`@ br ;　……そして引き金を……。@ `......And the trigger was......`@ br ;　縁寿は冷酷に睨み、ただ、命じる。\ `Ange glared at him coldly, and simply ordered.`\ se1 30 ;「しッ、死に晒せぇえええええええぇッ！！」@ `"D, diiiiiiiiiiiiiiieeeeeeeee!!"`@ ld r,$ENJ_nayamuA1,80 ;「次。@サタン。」\ ;＜縁寿 `"Next.`@` Satan."`\ se1 57 mbg white,1 mcbg 0 Bld c,$RG3_akuwaraia2,80 ;「憤怒のサタン、すでにここにッ！！@/ `"Satan of Wrath, already right here!! `@/ se1 57 mbg white,1 mcbg 0 bld c,$RG3_ikariA1,80 ;　のろまがッ！！@　今の縁寿さまと私たちに、銃弾如きが当たると思うかッ！！！」\ ;＜サタン `Blockhead!!`@` You think a simple bullet could hit Ange-sama or us now?!!!"`\ textoff csp -1 bg black,22 se2v 57,100 se3v 1006,100 bg BLADE6_2P,1 bg black,22 ;　憤怒の杭が、……黒服の放った銃弾を貫いて砕き、/ ;!d800そのまま真っ直ぐ、男の顔面を、@ `The Stake of Anger, ......pierced and smashed the bullet fired by the black-suit, `/ !d800`and continued straight on, towards the man's face-`@ br bld c,$RG3_odorokiA1,80 ;「………己が愚かさを知り、地獄で後悔せよッ！！@/ `".........Know your foolishness, and regret it in hell!! `@/ ;se3 52 ;cl c,99,500,"breakup.dll/ulb" ;　死ねっ！！」\ ;＜サタン `Die!!"`\ csp -1 se1v 36,100 se2v 2,100 bg blood_1a,1 quakex 6,800 ;　凄まじい破裂音と共に、男の頭部の上半分が砕け散る。@ `With a terrible explosive sound, the upper half of the man's head was smashed.`@ br ;　ばらばらと飛び散る肉片と血を浴びながら、縁寿は静かに、もう一度問う。\ `Bathed in scattered flesh and blood, Ange quietly asked one more question.`\ bg hill_1c,0 ld c,$ENJ_NayamuA1,26 ;「…ねぇ、霞叔母さん。@/ `"...Hey, Kasumi oba-san. `@/ ld c,$ENJ_defA1,80 ;………まだ、魔法。@信じる気にならないの？」\ ;＜縁寿 `.........Do you still...`@`not feel like believing in magic?"`\ bg Hill_1b,0 ld r,$KAS_aseruA2,23 ;!s0「こっ、/ ;!d400こんな、馬鹿なこと、/ ;!d800……あるわけないでしょ…！！@/ !s0`"Th, `/ !d400`there's no way...something so ridiculous, `/ !d800`......exists...!! `@/ ld r,$KAS_SakebuA1,80 ;　み、認めないわ…！！@　魔法なんて、あるわけがない……！！！」/ `I, I won't acknowledge it...!!`@` There's no way magic exists......!!!"`/ !sd@ ;＜霞 mld l,$EV2_odorokiA2,0 msp msp_l,0,0,-120 print 23 ;「えぇ、そうよ…。@魔法なんてあるわけがない…！！@　魔女なんているわけがない！！」\ ;＜絵羽 `"Yes, that's right...`@` There's no way magic exists...!!`@` There's no way witches exist!!"`\ mcl l,0 bg hill_1a,0 ld r,$sak_nakuA2,0 ;msp msp_r,0,0,-120 print 24 ;『ま、……魔法はあるよ！！@　魔女はいるよ……！！　うりゅー！！』\ ;＜さくたろ `『M, ......magic exists!!`@` Witches exist......!! Uryu-!!』`\ ld l,$RG5_komaruA2,23 ;「………そうよ。@魔法はあるのよ。@魔女はいるのよ。@/ `".........That's right.`@` Magic exists.`@` Witches exist. `@/ ld l,$RG5_OdorokiA1,80 ;……そして、この怒りと悲しみで満ちた世界に、幸せの世界への扉を開く鍵に出来るの…！！@　あんたなんかに、……それを否定させないッ！！」\ ;＜マモン `......And, in this world filled with anger and sadness, it can become the key that opens the door to the world of happiness...!!`@` I won't let, ......someone like you deny that!!"`\ ld r,$sak_nakuA3,80 ;『幸せな世界への鍵は、みんなの手に握られてるんだ…！@　それを、……奪う資格は誰にもないんだ……ッ！！』\ ;＜さくたろ `『The key to a world of happiness is held in everyone's hand...!`@` And, ......no one has any right to steal that away......!!』`\ mld c,$ENJ_fumanA2,24 ;「それを理解できぬ哀れなニンゲンよ。@………そなたの人生に魔法の力があったなら、もっと違った、穏やかなものになっていただろうに。\ `"You pitiful human who cannot understand this.`@` .........If there had been magic in your life, it would probably have been very different, and much more calm.`\ mld c,$ENJ_NayamuA1,80 ;　そなたがその生涯において、本当の魔女と出会えなかったことを、/ ;!d900……私は哀れむ。」\ ;＜縁寿 `When I think that in your entire life, you were never able to meet with a true witch, `/ !d900`......I pity you."`\ mcl c,0 ;ld c,$KAS_aseruA2,80 bg black,22 ;「ひぃ、……ひぃいいいいいいいいいいいぃいいいッ！！！」\ ;＜霞 `"Eee, ......eeeeeeeeeeeeeeeeeeeeeeeekkk!!!"`\ ;　霞が金切り声のような悲鳴を上げる。@ `Kasumi let out a piercing scream.`@ br ;　それと同時に黒服の二人が私に組みかかり、銃を私の頭に突きつけた。\ `At the same time, two of the black-suits came for me at once, thrusting their guns at my head.`\ ;　……目に視えぬ何者かに対し、人質にでもしているつもりなのだ。@ `......Like they were trying to use me as a hostage against something their eyes couldn't see.`@ br ;　………こんなことは、今や武具の域にまで達した上級家具、煉獄の七姉妹に対して、まったく何の意味もない。\ `......Against the Seven Sisters of Purgatory, who had now reached the level of weapons, this was completely pointless.`\ bg Hill_1a,22 ;「畜生、どこにいやがるんだ？！@　攻撃をやめねえと、このアマの命はねえぞッ！！@　姿を現しやがれ！！」\ `"Damn, where are you?!`@` You don't stop attacking, and this bitch is dead!!`@` Show yourself!!"`\ mld c,$RG6_waraiA1,0 ;msp msp_c,0,0,-120 se1 52 print 99,500,"breakup.dll/urb" ;「きゃっははははははは！！@　何言ってんの、こいつぅ！　おいしそうな腸をしてるくせにィ。@/ `"Kyahhahahahahahaha!!!`@` What the hell's he sayin'?! And his guts look so tasty too. `@/ mld c,$RG6_AkuwaraiA2,0 ;msp msp_c,0,0,-120 ;se1 52 print 80 ;………縁寿さま、次は私にお任せをッ！」\ ;＜ベルゼ `.........Ange-sama, leave the next one to me!"`\ ld l,$ENJ_nayamuA1,24 ;「許す。殺せ。」@ ;＜縁寿 `"Go ahead. Kill him."`@ ;se1 57 ;mbg white,1 ;mcbg 0 mcl c,0 ld c,$RG6_waraiA1,1 ;「ありがたきッ！！　しッあわせぇえ！！@/ `"I'm thankful!! Sooo, happyyyyyy!! `@/ ;se2 52 ;cl c,99,500,"breakup.dll/ulb" ld c,$RG6_akuwaraiA3,80 ;　死ねえッ！！！」\ ;＜ベルゼ `Diiiiiee!!!"`\ se3v 36,100 bg blood_1b,1 quakex 5,700 ;　男の腹部が砕け、内臓を溢れ出させる。@ ;　……その凄まじい死に方に、もう一人の男は完全にパニックを起こす。\ `The man's chest split, and his guts poured out.`@ `......This terrible way of dying threw the other man into a total panic.`\ bg Hill_1b,0 ld r,$RG7_akuWaraiA2,26 ;　しかし、その背中にはもう、アスモデウスの姿があって、@後から首を抱き締めて、……淫靡に微笑んでいるのだ……。\ `However, Asmodeus's form was already at his back,`@` grasping his neck, ......and smiling obscenely......`\ ld r,$RG7_akuwaraiA1,80 ;「可愛い子。@……ねぇねぇ、どこを貫いてほしい？@/ `"What a cute kid.`@` ......Hey, hey, where do you want me to pierce? `@/ ld r,$RG7_waraiA1,80 ;　くっくくくくくく、縁寿さま、ご希望はございますかァッ！！！」\ `*cackle*cackle*cackle*cackle*, Ange-sama, do you have any preference?!!!"`\ ld l,$ENJ_fumanA2,23 ;「頭。」@ `"Head."`@ ld r,$RG7_akuwaraiA3,80 ;「かしこまりました、我が主ィ！！@/ `"Certainly, my masteer!! `@/ ;se1 52 ;cl r,99,500,"breakup.dll/ulb" ;　死ねッ！！」\ `Die!!"`\ textoff E_MA se1v 2,100 se2v 36,100 se3v 36,100 bg blood_1a,1 quakey 5,1200 bg Hill_1a,22 wait 500 se2 13 quakey 3,400 ;　最後の黒服は色欲の杭に頭部を砕かれ、@その中身を散らしながら、捻れるように倒れる。@ `The final black-suit had his head smashed by the Stake of Lust,`@` and as his insides scattered, he twisted and fell.`@ br ;　６人が血の海に倒れる凄惨なる世界に、/ ;!d1000………魔女と、ニンゲンが対峙する。\ `In the gruesome world where six people lay in a sea of blood, `/ !d1000`.........witch and human confronted each other.`\ ld r,$ENJ_NayamuA1,24 ;「………須磨寺霞。@そなたの哀れなる人生に、私は心の底より同情する。@/ `".........Sumadera Kasumi.`@` I sympathize with your pitiable life from the bottom of my heart. `@/ ld r,$ENJ_DefA1,80 ;……その埋め得ぬ心の穴を、塞げる魔法を授けても良い。@そなたがその魔法を信じるならば。」\ ;＜縁寿 `......I can give you magic to seal up that un-fillable hole in your heart.`@` If you will believe in that magic, that is."`\ ld l,$KAS_aseruA2,23 ;「ば、馬鹿なこと、……言わないで……！！@/ `"D, don't say something, ......so foolish......!! `@/ ld l,$KAS_sakebuA1,80 ;　こんなッ、こんなの、…私は認めないッ！！@　ひいいぃいいいいいいいぃいい！！」 `I, I, ...will not accept something like this!!`@` Eeeeeeeeeeeeeeeeeeeeeeeeekk!!" quakex 3,300 \ ;＜霞 bg black,25 ;　腰が抜けた霞は、じりじりと後退りしながら、@……誰かが落とした拳銃を拾う。@ `As Kasumi, who was scared out of her wits, stepped backwards,`@` ......she picked up a handgun that someone had dropped.`@ br ;　そして、震えながらそれを縁寿に向ける…。\ `Then, shaking, she pointed it at Ange...`\ bg Hill_1a,22 mld c,$EV2_IkariA2,0 msp msp_c,0,0,-120 print 24 ;「そうよ、霞…！@　その銃で撃ちなさい…！！@　あんたの憎しみを、銃弾に変えて放ちなさい…！！」\ ;＜絵羽 `"That's right, Kasumi...!`@` Shoot with that gun...!!`@` Turn your hatred into a bullet and shoot...!!"`\ ld l,$KAS_aseruA2,23 ;「ひい、ひい…！！@　殺してやる…、殺してやる…ッ！！@/ `"Eeek, eeek...!!`@` I'll kill you..., I'll kill you...!! `@/ ld l,$KAS_AseruA1,80 ;　あんたを殺さなきゃ、私の人生は報われないのよ……！！」\ ;＜霞 `If I don't kill you, my life will never be rewarded......!!"`\ mld c,$EV2_akuwaraiA7,0 msp msp_c,0,0,-120 print 80 ;「そうよ、殺して！@　引き金を引いてぇ！！@　あいつにあんたのみすぼらしい今日までの全ての怒りを、悲しみを！！@　全部叩きつけてやるの！\ `"Yes, kill!`@` Pull the trigger!!`@` Take all of the anger and pain from your shabby life until now!`@` Use it all against her!`\ mld c,$EV2_fukigenA3,0 msp msp_c,0,0,-120 print 80 ;　そうでなきゃ、あんたは痛みと苦しみから解放されないのよぉう！！」\ ;＜絵羽 `If you don't, you won't be released from your pain and anguish!!"`\ mcl c,0 bg Hill_1c,0 ld r,$ENJ_komaruA1,24 ;「…………やめて、霞叔母さん。@……黒き魔女に耳を貸しては駄目。」@ ;＜縁寿 `"............Stop it, Kasumi oba-san.`@` ......You must not listen to the black witch."`@ ld l,$KAS_aseruA2,23 ;!s0「殺してやる……、殺してやる……！@　あんたの母親のせいで、/ ;!d800……私の人生は、/ ;!d800……滅茶苦茶……！！」/ !s0`"I'll kill you......, I'll kill you......!`@` Because of your mother, `/ !d800`......my entire life, `/ !d800`......has been a wreck......!!"`/ !sd\ ;＜霞 ld r,$ENJ_komaruA2,80 ;「なら、私の魔法でその人生をこれから、少しずつ明るく穏やかなものにも出来るかもしれない。@あなたが魔法を信じ、心を入れ替えさえすれば、@あなたに新しい世界への扉を開いて上げられるの。」\ ;＜縁寿 `"In that case, my magic might be able to turn that life into something bright and peaceful, bit by bit, starting now.`@` If you believe in magic and even replace your heart, `@`the door to a new world will open for you."`\ cl l,24 mld l,$EV2_odorokiA2,0 msp msp_l,0,0,-120 print 63 ;「そんなものはないわッ！！@　あいつの言う救いなんて、どうせおとぎ話の中だけよ！@/ `"There's no such thing!!`@` The salvation she speaks of is obviously just some fairy tale! `@/ mld l,$EV2_IkariA2,0 msp msp_l,0,0,-120 print 80 ;　あんたの人生はもはや死ぬまで棘まみれ…！！@　その苦痛の叫びをあいつに聞かせてやりなさい！！@　失ったものは何も取り返せないのよ…、そうでしょう？須磨寺霞ぃいいいぃ？！？！」\ ;＜絵羽 `Your life is already covered with thorns until you die...!!`@` Let her hear that cry of agony!!`@` You can't regain anything that was lost..., right? Sumadera Kasumiiiiiiiiii?!?!"`\ ld r,$ENJ_nayamuA1,80 ;「そうね、何も取り返せないかもしれない。@/ `"That's right, you might not be able to regain anything. `@/ ld r,$ENJ_komaruA3,80 ;でも、きっと新しく何かを生み出すことが出来る。@だから霞叔母さん。@その銃を捨てて。@………霞叔母さんにも、幸せな世界を、教えてあげられるかもしれない。」\ ;＜縁寿 `However, you can surely create something new.`@` So Kasumi oba-san.`@` Throw that gun away.`@` .........I might be able to teach you of a world of happiness too, Kasumi oba-san."`\ mcl a,0 bg Hill_1b,0 ld c,$KAS_sakebuA1,23 me1v 5,90 ;!s0「ひぃ、/ ;!d500……ひぃいいい……！！/ !s0`"Eeek, `/ !d500`......eeeeeeeeeekk......!! `/ quakey 3,300 ;@　わ、/ ;!d600………私はね、……！！@　あんたの母親が逃げたせいで、/ ;!d900………あんたの母親の許婚と、身代わりに結婚させられたのよッ…！！\ @`Y, `/ !d600`.........you know what, ......?!!`@` Because your mother ran away, `/ !d900`.........I was forced to marry her fiance as a substitute...!!`\ ld c,$KAS_AseruA2,80 ;　将来を誓い合った男がいたのよ？！@　別れさせられたのよ？！@　あんたの母親の代わりに嫁がされて、/ ;!d800……話もろくにしたことがない男に抱かれた私の気持ちがわかるってのッ？！？！\/ `You know there was a man I swore I'd spend my life with?!`@` You know I was forced to break up with him?!`@` You think you understand how I felt when I was made to wed in your mother's place, `/ !d800`......and was held by a man I had barely even talked to?!?!`\ ld c,$KAS_SakebuA1,80 ;　殺してやりたかった！！@　なのに姉さんは勝手に死んだわ！@　だからあんたを殺すの！！@　そうでなきゃ、私の棘まみれの人生は、終わらないのよぉおおおおぉ！！」/ `I wanted to kill her!!`@` But Nee-san just went and died on her own!`@` That's why I'll kill you!!`@` Otherwise, my thorn-covered life will never eeeeeeeeeeeeeeend!!"`/ !sd\ ;＜霞 bg black,22 ;se1 1031 ;　……霞の瞳から、@激情の涙が零れる。\ `......From Kasumi's eyes,`@` tears of passion dripped down.`\ ;　可哀想に…。@ `So pitiable...`@ br ;　……この人の涙だって、こんなにも澄んでいて綺麗だったのだ。@ `......This person's tears were so clear and beautiful.`@ br ;　でも、だからこそ、……悲しい痛みに耐え切れず、@黒き魔女の誘惑に耳を貸さざるを得なかった…。\ `But for that very reason, ......she hadn't been able to fully withstand her sad pain,`@` and had had no choice but to listen to the black witch's temptation...`\ me2v 17,85 ;ld c,$ENJ_komaruA3,80 textoff lsp2 4,$ENJ_komaruA3,500,350,200,200,0 print 24 bgcopy csp2 -1 ;「………………可哀想に。@……ならばせめてあなたを、…あなたの魂を永遠に解放し、怨嗟の鎖から解き放ってあげるわ。@/ `"..................So pitiable.`@` ......In that case, I'll at least release you...your soul...for all eternity, and free you from the bonds of resentment. `@/ textoff lsp2 4,$ENJ_KomaruA2,500,350,200,200,0 print 80 bgcopy csp2 -1 ;………それが、今の私に出来る、唯一の施しかもしれない。」\ ;＜縁寿 `.........That might be the only bit of charity I can give right now."`\ ;ld c,$KAS_sakebuA1,80 textoff lsp2 4,$ENJ_KomaruA2,500,350,200,200,0 lsp2 3,$KAS_SakebuA1,210,420,200,200,0 print 63 bgcopy csp2 -1 ;「死ィねぇえええ、右代宮縁寿ぇえええええぇ！！！」\ ;＜霞 `"Diiiiiiiiiiiee, Ushiromiya Angeeeeeeeeeee!!!"`\ ;ld c,$ENJ_nayamuA1,80 bg black,1 ;「さようなら、霞叔母さん。@………静かな世界で、ゆっくりと休んで。」@ `"Goodbye, Kasumi oba-san.`@` .........Take a long rest in a quiet world."`@ br ;　もはや、あなたには怒りも憎しみも感じない。@ ;　ただただ、静かに、@魂を休ませてあげたい。\ `I can no longer feel your anger and hatred.`@ `I just want to let your soul rest in peace.`\ E_MA se1v 46,100 bg white,1 bg black,2 ;　霞の拳銃が火を噴く。@ `Kasumi's handgun spat fire.`@ br ;　その銃弾が、極限まで凍った世界でゆっくりと……、エンジェの額目指して進む。\ `Slowly, that bullet continued through a world frozen to the utmost limit......, aiming for ANGE's forehead.`\ bg Hill_1a,0 ld c,$ENJ_DefA1,22 ld c,$ENJ_nayamuA1,80 ;「マモン。」@ ;＜縁寿 `"Mammon."`@ se1 57 mbg white,1 mcbg 0 ld r,$RG5_odorokiA1,80 ;「……は、……は！！@　強欲のマモン、ここに…！！」\ ;＜マモン `"......Y, ......yeah!!`@` Mammon of Greed, right here...!!"`\ ld c,$ENJ_fumanA2,80 ;「ありがとう。」@ ;＜縁寿 `"Thanks."`@ ld r,$RG5_odorokiA3,80 ;「……え？」\ ;＜マモン `"......Huh?"\ ld c,$ENJ_komaruA2,80 ;「あなたたちとさくたろうに出会えたから、私は全てを理解できた。」@ ;＜縁寿 `"Because I met with you and Sakutarou, I was able to understand everything."`@ ld l,$sak_komaruA1,23 ;『……縁寿……。』\ ;＜さくたろ `『......Ange......』`\ ld c,$ENJ_nayamuA1,80 ;「さくたろうは後を向いていなさい。@/ `"Look away, Sakutarou. `@/ ld c,$ENJ_hanbesoA1,80 ;………マモン。@その女を解放してあげて。@そして、マリアージュ・ソルシエールの名誉を守れ…！！」\ ;＜縁寿 `.........Mammon.`@` Release that woman.`@` And, protect the honor of Mariage Sorciere...!!"`\ ld r,$RG5_odorokiA1,80 ;「は、………はい！！@/ `"Y, .........yes!! `@/ ;ld r,$RG5_IkariA1,80 ;　……覚悟せよ須磨寺霞ッ！！」\ `......Prepare yourself, Sumadera Kasumi!!"`\ me1v 28,100 me2v 28,100 se1 57 bg white,1 bg Hill_1a,0 ld l,$RG5_majimeA1,0 ld c,$KAS_SakebuA1,22 ;　凍った世界にもかかわらず、強欲の杭は稲妻のように閃き、@………霞の背後に、もう抜けている…。\ `Even though the world was frozen, the Stake of Greed flashed like lightning,`@` .........and had already pierced Kasumi's back...`\ ld l,$RG5_OdorokiA1,80 ;「貴様に多少の徳があるならば、再び煉獄の山で会いまみえようぞッ！！@/ `"If you possess the slightest virtue, you shall have an audience again on the mountain of Purgatory!! `@/ ;se1 52 ;cl l,99,500,"breakup.dll/urb" ;　………死ねぇえええええぇッ！！！」\ `.........Diiiiiiiieee!!!"`\ E_A se1v 36,100 se2v 57,100 se3v 36,100 bg blood_1aR,1 quakex 6,1400 ;＜マモン me1v 16,50 ;　須磨寺霞の頭部、上半分が、砕け散る。@ `The upper half of Sumadera Kasumi's head was smashed.`@ br ;　……彼女の肉の檻が破られ、/ ;!d700……ようやく彼女は、解放されたのだった……。\ `......Her cage of flesh was shattered, `/ !d700`......and she was finally released......`\ textoff wait 2000 se1 13 quakey 3,400 wait 500 se2v 39,100 bg black,45 wait 1000 bg Hill_1b,0 ld c,$ENJ_NayamuA1,42 ld c,$ENJ_FumanA2,80 ;「………あとは、あんたね。@…………黒き魔女。@……今となっては、あなたに絵羽伯母さんの面影を見ていることさえ、彼女に申し訳なく思うわ。」\ ;＜縁寿 `".........Next is you.`@` ...........The black witch.`@` ......By now, I think even the fact that you look like Eva oba-san is inexcusable to her."`\ bg Hill_1a,0 mld r,$EV2_akuwaraiA2,0 msp msp_r,0,0,-120 print 24 ;「ふ、……ふっふふふふふ。@…私の姿が、未だに右代宮絵羽に見えているなら、@それはあんたの中で、未だに“私”が許せてないということだわぁ。\ `"Heh, ......heheheheheh.`@` ...If my form still looks like Ushiromiya Eva,`@` that means you still haven't been able to forgive 'me' inside yourself.`\ mld r,$EV2_NiramuA1,0 msp msp_r,0,0,-120 print 80 ;　わかっているのよ、縁寿。@…………あんただって棘まみれの人生から解放されたくて、仕方がないのを。」\ ;＜絵羽 `I understand, Ange.`@` ............You also want to be released from your thorn-covered life more than anything."`\ ld l,$ENJ_DefA1,23 ;「………………………………。」\ ;＜縁寿 `"........................"`\ mld r,$EV2_TokuiA1,0 msp msp_r,0,0,-120 print 80 ;「なら、……面白いことを思いついたわ。@私も、あんたに魔法を見せてあげる。@/ `"In that case, ......I thought of something interesting.`@` I'll show you magic as well. `@/ mld r,$EV2_AkuwaraiA8,0 msp msp_r,0,0,-120 print 80 ;………あんたを殺すのは私じゃないわ。」\ ;＜絵羽 `.........I won't be the one to kill you."`\ mcl a,0 se1 22 bg black,0 ld l,$ENJ_DefA1,0 ld r,$EV2_AkuwaraiA8,2 me2v 17,70 ;　黒き魔女は最悪の笑顔を浮かべると、@その姿を、黒い霧のように、@…あるいは大量の黒い羽虫の群に変えると、私を中心に渦を巻き始める。\ `With the worst smile on her face,`@` the black witch changed her form into something like a black mist,`@` ...or else a vast swarm of black flying insects, which began to swirl around me.`\ se1 52 se2v 22,85 se3v 37,100 bg black,99,2000,"whirl.dll/r" print 1 ;　そしてその黒い霧は少しずつ集まり、……人の姿を模っていく。\ `Then that black mist began to gather bit by bit, ......shaping itself into the form of a human.`\ ;ld c,$ENJ_majimeA1,80 ;「…………………何の真似……。」\ ;＜縁寿 `"..................What's this supposed to be......"`\ E_A bgm1 77 ;　うっふふふふふ！@ `Ehheheheheh!`@ br ;　薄々は想像がついてるくせに！@ `You at least have a vague idea, don't you?!`@ br ;　あんたが、もっとも憎み、恨んだ、あの女よ！@ `That woman you hated and despised the most!`@ br ;　そして女もあなたをもっとも恨み、憎んだ…！\ `And that woman hated and despised you the most...!`\ se2v 57,100 se3 52 bg white,99,3000,"breakup.dll/lrp" se1v 22,1000 bg Hill_1b,0 ld c,$EVA_AkireA2,99,2000,"whirl.dll/l" se1v 2,100 ;!s0　黒い霧が晴れると、/ ;!d900………そこには、/ ;!d1200…………在りし日の、/ ;!d600……絵羽伯母さんの姿が。/ !s0`When the black mist cleared, `/ !d900`.........over there was, `/ !d1200`............Eva oba-san's form, `/ !d600`......as she had been while alive.`/ !sd@ br me5v 5,70 se1 43 ld c,$EVA_AkireA1G,80 ;　……その手には、銃を持っていた。\ `......Her hands...were holding a gun.`\ bg Hill_1a,24 ld r,$ENJ_defA1,24 ;「……………絵羽伯母さんは、/ ;!d400……死んだわよ。」@ ;＜縁寿 `"............Eva oba-san, `/ !d400`......died."`@ ld l,$EVA_WaraiA1G,23 ;「くすくす、お久し振りねぇ、縁寿ぇえぇ。@……あんたを殺すために、地獄から戻ってきたわよぅ！@　くっくっくっく！！」\ ;＜絵羽 `"*giggle*, long time no see, Angeeee.`@` ......I've returned from hell to kill youu!`@` *cackle*cackle*!!"`\ ;　絵羽伯母さんは狂った笑いで私を睨む。\ `Eva oba-san glared at me with a mad laugh.`\ ld r,$ENJ_NayamuA1,80 ;「でも、……あまり驚かないわ。@絵羽伯母さん、そういう人だったし。」\ ;＜縁寿 `"But, ......I'm not that surprised.`@` Eva oba-san was that kind of person."`\ ld l,$EVA_futekiA1G,80 ;「私のお葬式はさぞや気分が晴れ晴れしたでしょう？@　私も晴れ晴れしていたわよぅ、あんたの面を二度と見なくて済むようになるんだからねぇ…！@　でもたったひとつだけ心残りがあったわ。\ `"I imagine your mood's cleared up quite a bit since my funeral, right?`@` Mine has too, since I never have to see your face again...!`@` But I had just one regret.`\ E_MA se1v 30,100 se2v 2,100 ld l,$EVA_Akireb1G,26 ;　それがこれよッ！！」\ ;＜絵羽 `And this is it!!"`\ ld r,$ENJ_defA1,80 ;「………私を、殺すこと？@　…………それが最後の遺言だったの？」\ ;＜縁寿 `".........Killing me?`@` .........Was that your last request?"`\ bg black,22 br ;　哀れね。@ `How pitiful.`@ br ;　……死んでもなお、@……伯母さんは苦しみから、解放されなかったのね……。\ `......Even after death,`@` ......Oba-san wasn't released from her pain......`\ bg Hill_1a,0 ld c,$EVA_waraiA1G,26 ;「黒き魔女の力こそが私の魔法の源泉だったわ。@/ `"The black witch's power is itself the source of my magic. `@/ se1 43 ld c,$EVA_AkireB1G,26 l怒りと憎しみが、私に努力と不屈を教えてくれた。@それはあんたの言う、現実逃避の魔法とはまったく違うの！」\ ;＜絵羽 `Anger and hatred taught me how to work hard and persist.`@` Completely different from this magic to escape reality that you speak of!"`\ bg Hill_1b,0 ld r,$ENJ_fumanA1,24 ;「……あんたの言う魔法なんて、ただの八つ当たりによるストレス解消だわ。@……私たちの魔法は違う。@世界そのものを作り変えるの。@………あんたの性悪魔法とは、まったく格が違う。」\ ;＜縁寿 `"......The magic you speak of is nothing more than stress reduction through outbursts of anger.`@` ......Our magic is different.`@` It can remake the entire world.`@` .........It's of a completely different class than your ill-natured magic."`\ ld l,$EVA_WaraiB1G,80 ;「くすくす！！@　なら、黒と白のどちらが勝つか、この場で決着をつけてあげる…！！@/ `"*giggle*!!`@` In that case, let's settle who will win right here, black or white...!! `@/ ;se1 30 ld l,$EVA_HohoemiB1G,80 ;　死してなお、黒き魔法で復活してあんたをこうして銃口で狙える私の奇跡に、@あんたの白き魔法はどんな奇跡で対抗を？\ `Against my miracle done by black magic of reviving even after death and pointing a gun at you like this,`@` what kind of miracle will your white magic oppose me with?`\ se1v 22,85 me1v 21,80 bfly1R 8 ld l,$EVA_FutekiB1G,80 ;　反魔法の毒素であなたを取り込んだわ。@七姉妹はもう二度と呼べないわよ。@さっきの奇跡はもう起こらない…！！」\ ;＜絵羽 `You're wrapped up in the magic-resisting toxin.`@` You can't call the Seven Sisters any more.`@` That miracle just now won't occur again...!!"`\ ld r,$ENJ_nayamuA1,80 ;「……………それでも起こるから、魔法って言うんだわ。@/ `"............Having it occur despite all that is the reason it's called magic. `@/ ld r,$ENJ_FumanA2,80 ;……いいわよ。@マモン。私に力を貸して。」\ ;＜縁寿 `......Alright.`@` Mammon. Lend me your power."`\ wait 1000 ;　……しかしマモンは応えない。@現れない。@ `......But Mammon didn't respond.`@` She didn't appear.`@ br ;　確かに彼女が言うように、@灼熱の太陽に干上がる荒地と例えられるくらいに、反魔法の毒素が、全てを焼き尽くしている…。@ `Certainly, as she said,`@` the magic-resisting toxin had burned everything up like a wasteland parched by a blazing sun...`@ br ;　………少し、辛いかもしれない。\ `.........This might be a little tough.`\ ld l,$EVA_akireb1G,80 ;「呼び掛けても無駄よぅ。@もう二度と！@　煉獄の七姉妹は応えない！」\ ;＜絵羽 `"It's useless to call out.`@` Never again!`@` The Seven Sisters of Purgatory won't answer!"`\ ld r,$ENJ_FumanA1,80 ;「だから。@それでも呼べるから、魔法なのよね？」\ ;＜縁寿 `"And,`@` being able to call them even so is what makes it magic, right?"`\ ld l,$EVA_Ikarib1G,80 ;「……………………。@……哀れね、縁寿。@さようなら。@あんたとのささやかな日々は、そこそこに楽しかったわ。@これでお別れよ。@/ `"..................`@`......How pitiful, Ange.`@` So long.`@` The scarce days with you were somewhat fun.`@` This is goodbye. `@/ ld l,$EVA_DefB1G,80 ;……良かったわね、あんたの終着駅がここで。」\ ;＜絵羽 `......Isn't it great that your final stop would be here?"`\ ld r,$ENJ_NayamuA1,80 ;「えぇ、まったくよ。@気が利くわね。」@ ;＜縁寿 `"Yeah, totally.`@` How thoughtful."`@ ld l,$EVA_Waraib1G,80 ;「ありがと。@それじゃ、お別れね。」\ ;＜絵羽 `"Thanks.`@` Then this is farewell."`\ bg black,2 me2v 28,100 ;　銃口がゆっくりと上がって、/ `The barrel of the gun rose slowly, `/ se1 43 ;!d800……その奥底が覗ける。@ !d800`......so that you could see all the way down it.`@ br ;　そして、/ ;!d900………引き金がゆっくりと………。\ `Then, `/ !d900`.........the trigger was slowly.........`\ br textoff E_A cbfly 0 se1v 46,100 se2v 62,100 se3v 60,100 bg white,1 bg black,2 ;　その時、@……銃が、爆ぜた。\ `At that moment,`@` ......the gun exploded.`\ mono 2 bg Hill_1b,0 ld c,$EVA_OdorokiB2G,22 me1v 28,100 ;　…発砲したという意味ではない。@ ;　……破裂したのだ。\ `...It wasn't that it fired.`@ `......It ruptured.`\ ld c,$EVA_ikariB2G,22 ;　…………馬鹿、な……。@ `............You're...kidding me......`@ br ;　……絵羽は呆然と、凍った空間で、/ ;!d900……破裂した銃を見ている。@ ;　時間が溶ければ、それらの破片は一斉に、彼女の顔面を打ちつけるだろう…。\ `......In shock, inside a frozen space, `/ !d900`......Eva looked at the ruptured gun.`@ `When time melted, the fragments would probably smash into her face all at once...`\ se1 52 bld l,$RG5_majimeA1,0 print 99,2000,"breakup.dll/llb" ;「……強欲のマモン。@ここに。」@ ;＜マモン `"......Mammon of Greed.`@` Right here."`@ ld c,$EVA_odorokib1G,22 ;「……………………ばか、な…、」\ ;＜絵羽 `".....................You're...kidding me..."`\ ;　絵羽の背後に、マモンは立つ。@ `Behind Eva's back, Mammon stood.`@ br ;　………すでに、私が与えた標的は、貫通している。@ `.........She had already penetrated the target I had given her.`@ br ;　……それが、銃だった。\ `......Which was...the gun.`\ ld r,$ENJ_defA1,22 ;「これで、……魔法は充分？@　…………絵羽伯母さん。」@ ;＜縁寿 `"Is this, ......enough magic for you?`@` ............Eva oba-san."`@ ld c,$EVA_IkariB2G,22 ;!s0「……え、/ ;!d800………縁寿ぇぇ………。」/ !s0`"......A, `/ !d800`.........Angeee........."`/ !sd\ ;＜絵羽 E_A se1v 1006,100 wait 1500 csp -1 mono off bg white,1 bg black,22 se1v 46,100 se2v 62,100 se3v 60,100 mono 2 bg white,1 bg black,2 mono off ;　そして、時間が溶ける。@ ;　破裂した銃の破片と火薬ガスが、彼女の顔を焼いた。@ ;　鋭い悲鳴が上がり、彼女は顔を覆って転げ回る……。@ `Then, time melted.`@ `The fragments of the burst gun and exploding gunpowder burned her face.`@ `Letting out a shrill scream, she covered her face and rolled around......`@ br ;　……哀れだった。\ `......It was pitiful.`\ bgm1 82 me1v 16,50 bg hill_1c,26 ld l,$ENJ_DefA1,2 ;「……運がなかったわね。@……これでゲームオーバーよ。@絵羽伯母さん。」\ ;＜縁寿 `"......You were unlucky.`@` ......This is game over.`@` Eva oba-san."`\ ;　私はマモンに合図する。@ ;　顔を焼かれてのた打ち回る苦しみから、すぐに解放してやるために。\ `I signaled to Mammon.`@ `...So that Eva would be freed quickly from the pain of her burnt face as she writhed around.`\ ld l,$ENJ_nayamuA1,80 ;「…………ありがとう、マモン。@…あの日の教室で、あなたたちの無力を罵ったことを、今こそ心の底より、そして再び謝るわ。@あなたたちは魔女を守るための、優秀な家具だった。」\ ;＜縁寿 `"............Thank you, Mammon.`@` ...This time, I want to apologize again, and from the bottom of my heart, for calling all of you powerless on that day in the classroom.`@` You were excellent furniture for protecting witches."`\ ld r,$RG5_fumanA2,24 ;「………こちらこそ、感謝します。@/ `".........I'm the one that's grateful. `@/ ld r,$RG5_hohoemiA1,80 ;……良き魔女に、良き主に最後に出会え、家具の本分を尽くせたことを、心より光栄に思います…！」\ ;＜マモン `......I feel truly honored at being able to meet a good witch...a good master in the end, and at being able to fulfill my duty as furniture...!"`\ ;　マモンは理解していた。@ ;　これが、私が彼女に与える最後の仕事であることを。\ `Mammon had understood.`@ `This would be the final job I'd give her.`\ bg black,22 me2v 2,50 bg sky_2a,22 ;　マモンが静かに、歩み寄る。@ ;　そして、彼女を見下ろす。\ `Mammon quietly walked up to me.`@ `Then, she looked down at Eva.`\ ;「……絵羽伯母さん。@今日まで付き合ってくれてありがとう。@これでお別れよ。@ハバナイスドリーム。@シーユーヘル。」@ ;＜縁寿 `"......Eva oba-san.`@` Thank you for sticking with me for so long.`@` This is farewell.`@` .`@` ."`@ ;bg black,1 ;!s0「クール。」/ !s0`"."`/ !sd\ ;＜絵羽 se1v 46,100 se2v 57,100 se3v 36,100 bg blood_1a,1 quakex 6,1400 bg black,22 ;　そして、……その額を穿つ、軽い音が轟き渡る。\ `Then, ......the light sound of her forehead being bored into rang out.`\ bg sky_2b,2 ;　……硝煙と狂乱と、……白と黒の魔法の戦いが、終わる。\ `......The battle of gunpowder smoke and fury...of white and black magic...ended.`\ ;　長い、………本当に長い旅だった気がする。@ `I get the feeling it was a long, .........truly long journey.`@ br ;　そして、ゆっくりと世界が@……闇に沈んでいった………。\ `And the world slowly`@`......sank into darkness.........`\ bg black,42 fede 0,3000 bg cit_2b,2 bgm1 67 ;　瞬くはずの星が、………空でなく、眼下に散らばっている。@ `The stars that should be sparkling, .........lay not in the sky, but were scattered beneath me.`@ br ;　……真珠とルビーが白と赤の河を作っているのを認めた時。@それは、眼下に広がる広大な夜景であったと気付く…。\ `......When I realized that the pearl and ruby made a red and white stream,`@` I noticed that it was a vast nighttime scene spread out below me...`\ me1v 16,40 bg cit_2a,2 ;　私はその夜景の空に、立つでも飛ぶでもなく、@……ただ漂うように、浮かんでいた。\ `I was in the sky of that nighttime scene, neither standing nor flying,`@` ......but simply floating.`\ ;　……どこからともなく、ぱちぱちぱちと、@実に味気ない拍手が聞こえてきた。@ `......From nowhere in particular, I could hear a *clap*clap*clap*,`@` a truly dull applause.`@ br ;　わかってる。@ ;　……私に旅立てと命じた、/ ;!d900……ベルンカステルだ。\ `I know.`@ `......It's the one who ordered me to go on a journey, `/ !d900`......Bernkastel.\ mov %play_scene,40290 : mov %r_hyouji_side,2 : mov %r_hyouji_cha_enj,enj_enj se1 52 ld r,$BER_DefA1,99,2000,"breakup.dll/urb" ;「……………おめでとう。@無限の魔女、エンジェ・ベアトリーチェ。@あなたは旅路の末に、魔法の全てを理解したわ。」\ ;＜ベルン `"............Congratulations, `@`Endless Witch, ANGE Beatrice.`@` At the end of your travels, you understood everything about magic."`\ ld l,$ENJ_nayamuA1,22 ;「……えぇ。@………私は今や、…魔法の全てを、理解した。@/ `"......Yes.`@` .........I now, ...understand everything about magic. `@/ ld l,$ENJ_defA1,80 ;………私は、魔女よ。@……マリアージュ・ソルシエールが生み出した魔法世界を継承した、最後の魔女。」\ ;＜縁寿 `.........I am...a witch.`@` ......The last witch who inherited the magical world created by Mariage Sorciere."`\ ld r,$BER_DefA2,80 ;「………あなたにしか、ベアトリーチェの世界を、切り裂けない。」\ ;＜ベルン `".........No one besides you...can tear Beatrice's world to pieces."`\ ld l,$ENJ_KomaruA1,80 ;「魔法を知るからこそ、………それに抵抗も覚えるわ。」@ ;＜縁寿 `"Because I know witches, .........I learned how to resist them."`@ ld r,$BER_DefA1,80 ;「……………………………。」\ ;＜ベルン `"........................"`\ ld l,$ENJ_komaruA3,80 ;「……魔法は、愛と悲しみと怒りで出来ている。@……ベアトリーチェが、どんなに残酷な魔女であったとしても。@その魔法の源泉はまったく同じ。\ `"......Magic is made of love and sadness and anger.`@` ......No matter how cruel a witch Beatrice might have been,`@` the source of her magic is exactly the same.`\ ld l,$ENJ_komaruA2,80 ;　………だからこそ、彼女のその世界を、本当はそっとしてあげたい。@……少なくとも、彼女にとってその世界は、完成しているのだから。」\ ;＜縁寿 `.........And that's why I wish I could leave that world of hers alone.`@` ......After all, in her eyes at least, that world is complete."`\ ld r,$BER_DefA2,80 ;「…………あなたが家族を諦められるならね。」@ ;＜ベルン `"............But then you'd have to give up on your family."`@ ld l,$ENJ_komaruA3,80 ;「…………………。@……そう。@だから申し訳ないけれど、私は戦わなければならない。@………家族を取り戻せるかもしれない、わずかの確率に賭けて、@……魔女となる旅に出たのだから。」\ ;＜縁寿 `".....................`@`......That's right.`@` So, I don't like doing it, but I have to fight.`@` .........The very reason I left on this journey to become a witch...`@`...was so that I could place my bet on the faint probability that I could take my family back someday."`\ ld r,$BER_DefA1,80 ;「ベアトリーチェを殺さない限り、あなたには孤独な世界しか存在しない。@……それを、百億のカケラを旅した私が保証するわ。」\ ;＜ベルン `"Unless you kill Beatrice, only worlds of isolation can exist for you.`@` ......As one who has traveled to billions of Fragments, I can guarantee it."`\ ld l,$ENJ_DefA1,80 ;「…………わかってるわ。@……同情してる余地なんて、私にはないのよ。@……心を鬼にして、/ ;!d1000………彼女の心を、切り裂かなくてはならない。」\ ;＜縁寿 `"............I understand.`@` ......I don't have room for compassion.`@` ......I must make my heart a demon, `/ !d1000`.........and tear her heart to pieces."`\ ld r,$BER_DefA2,80 ;「……その気持ちが揺るぎ無いならよかったわ。@同じ魔女同士、情が移って、志を挫くんじゃないかと心配したわ。」\ ;＜ベルン `"......It is good that you are steady in that resolve.`@` I was worried that, as another witch like her, you might grow attached and loose your will to continue."`\ ;　およそ表情を浮かべたことのない彼女に言われると、ちょっぴり白々しい。@ `It felt a bit hollow hearing that from a person whose face was almost always expressionless, like her.`@ br ;　ベルンカステル。@ ;　……私をこの旅に誘った、謎の魔女。@………………………………。\ `Bernkastel.`@ `......The witch of mystery who invited me to this journey.`@` ........................`\ ld l,$ENJ_fumanA2,80 ;「私、あなたが嘘をついてたんじゃないかと、疑ってたことがあったわ。」@ ;＜縁寿 `"At times, I've suspected that you might have lied to me."`@ ld r,$BER_DefA1,80 ;「…………………どうして？」\ ;＜ベルン `"..................Why?"`\ ;ld c,$ENJ_nayamuA1,80 bg black,25 ;「……私は１９９８年の縁寿だから、家族を救っても、それは１９８６年の縁寿が救われるだけ。@……この私が救われるわけじゃない。@だから騙されていると思っていたことがあるの。」\ ;＜縁寿 `"......I am the Ange of 1998, so even if I save my family, they will only be saved for the Ange of 1986.`@` ......They won't be saved for me.`@` So I've sometimes felt like I was being deceived."`\ ;ld c,$BER_DefA1,80 ;「……………………。@……そのとおりよ。@私はあなたを騙したわ。」\ ;＜ベルン `"..................`@`......That is correct.`@` I deceived you."`\ bg cit_2b,0 ld c,$ENJ_DefA1,26 ;「……でも、今は感謝してる。@/ `"......But, now I'm grateful. `@/ ld c,$ENJ_WaraiA2,80 ;………だって。@あなたは私に、家族の取り戻し方を、結局は教えてくれたもの。」\ ;＜縁寿 `.........After all, `@`in the end, you did teach me the way to take my family back."`\ cl c,0 ld r,$ENJ_waraiA2,0 ld l,$BER_DefA2,23 ;「…………私は何も教えてないわ。@……それを知ったのだとしたら、それはあなたが魔女として自ら至った境地だわ。@それは私のそれとは違う境地。@………私に理解は出来ないけれど、もしもそうならば、おめでとう。」\ ;＜ベルン `"............I didn't teach you anything.`@` ......If you know that, it is because, as a witch, you have reached that mental state by yourself.`@` That mental state is different from mine.`@` .........I myself cannot understand, but if that is the truth, congratulations."`\ ld r,$ENJ_defA1,80 ;「私はこのゲームのプレイヤーではなく、駒だと。@あなたは私に言ったわよね？」@ ;＜縁寿 `"I am not a player in this game, but a piece.`@` You said this to me, right?"`@ ld l,$BER_DefA1,80 ;「…………えぇ、言ったわ。」\ ;＜ベルン `"............Yes, I said it."`\ ld r,$ENJ_komaruA3,80 ;「その役割を、今こそ完全に理解した。@……………駒に、感情はいらない。@ただ、勝利のために、最善を尽くせばいい。」\ ;＜縁寿 `"Now, I fully understand that role.`@` ............A piece doesn't need emotions.`@` It just has to give its all for victory's sake."`\ ld l,$BER_DefA2,80 ;「…………えぇ。@そのとおりよ。@ゲームは最善手を指し合うものでしょう？@　躊躇や戸惑いで指し手をおかしくしてたら、対戦相手も混乱するわ。」\ ;＜ベルン `"............Yes.`@` That is correct.`@` A game is where you each make the best possible move, right?`@` If your moves get distorted by hesitation and confusion, your opponent will be confused as well."`\ bg cit_2a,22 me2v 5,50 br ;　………………ごめんね、ベアトリーチェ。@ `............Sorry, Beatrice.`@ br ;　でも、恨まないで。@ ;　……“右代宮縁寿”には、まだ家族が必要なの。\ `But...don't hate me.`@ `......'Ushiromiya Ange' still needs her family.`\ ;　だから私にはそれを取り返すために、あなたと戦う権利がある。@ ;　そして、あなたは私に戦いを挑まれる義務がある。@ `So I have the right to fight you...so that I can take them back.`@ `And, you have the responsibility to be challenged by me to a fight.`@ br ;　………だから、恨まないでね。\ `.........So...don't hate me.`\ ;　その代わり。@ ;　もしもこのゲームに、あなたが勝ったなら。@私もそれを祝福してあげるから。\ `In exchange...`@ `If you do win in this game, `@`I'll give you my blessing as well.`\ ;　さぁ、行こう。@ ;　………私という駒の、いよいよ本当の出番。@ `Come on, let's go.`@ `.........As the piece I am, it's finally time for my true turn.`@ br ;　ごめんね、ベアトリーチェ。@ `Sorry, Beatrice.`@ E_A br ;　あんたにお兄ちゃんは、譲れないのッ…！！！\ `I won't hand Onii-chan over to you...!!!`\ *umi4_19 textoff bgm1v 106,90 se1 22 bg white,8 mov %play_scene,40300 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_enj mov %grim_scene,411 gosub *MAR_Isyou2 gosub *BEA_Isyou1 ;　世界が真っ白に染まる……。@ `The world whitened......`@ br ;　それは白ではない。@ ;　…極限まで眩い黄金の色。\ `It wasn't white.`@ `...It was a gold color as bright as can be.`\ bfly1 0 se1 52 bg rose_2aP,99,2000,"breakup.dll/lrb" ;　そこは、……右代宮家の美しき薔薇庭園だった。\ `There, ......was the beautiful Ushiromiya family rose garden.`\ ;　しかし、薔薇の花は全て黄金。@ `However, the flowers on the roses were all gold.`@ br ;　……蜜も黄金色。@それに集まる蝶たちも、また黄金。\ `......The nectar was also gold-colored.`@` The butterflies that gathered there were gold as well.`\ bfly2 0 bg rose_2bP,22 me1v 16,50 ;　…………ここが、黄金郷…………。@ `............This is...the Golden Land.........`@ br ;　マリアージュ・ソルシエールの魔女たちが、やがて導かれる約束の地…。@ `The promised land that the witches of Mariage Sorciere had finally been guided to...`@ br ;　そこでは全ての願いが叶い、全ての魔法と夢が生まれ出す。\ `There, all wishes are granted, and all magic and dreams are born.`\ textoff bfly1 0 bg rose_3aP,22 wait 2000 bfly2 0 bg rose_3cP,0 ld l,$MAR_WaraiA1,0 ld r,$BEA_WaraiA1,22 ;　…………その、黄金の薔薇の園に、@……………二人の、そして二人だけの魔女がいた。@ `...........In that garden of gold roses,`@` ......were two...and only two...witches.`@ br ;　私という招かれざる客人が現れ、@その不穏に天気が揺らぐ。\ `I, the uninvited guest, appeared,`@` making that atmosphere tremble with unrest.`\ me2v 16,50 ;　………ざぁっと、彼女らにとって不吉な風が、黄金の薔薇をうねらせた。@ `.........What was to them a wind of misfortune shook the golden roses.`@ br ;　その風が散らす黄金の花びらによる、あまりに美し過ぎる光景は、@紛れもなくこの世ならざるものだった……。\ `The incredibly beautiful scene formed from the golden rose petals scattered by the wind`@` was without a doubt something not of this world......`\ ;　黄金の薔薇の小道を散策していた二人は私の姿に気付き、驚く。\ `The two who had been taking a walk on a path of golden roses noticed me, and were surprised.`\ ld l,$MAR_OdorokiA1,80 ;「……縁寿……？@/ `"......Ange......? `@/ ld l,$MAR_WaraiA2,80 ;　………ベアト、縁寿だ……！！」@ ;＜真里亞 `.........Beato, it's Ange......!!"`@ ld r,$BEA_fumanA3,80 ;「……………どうやってここへ…？@/ `"............How did you get here...? `@/ ld r,$BEA_majimeA1,80 ;　………引き取られよ。@妾はもはや、ここへは誰も招かぬのだ。」\ ;＜ベアト `.........Leave us alone.`@` I shall no longer invite anyone here."`\ ;　ベアトは冷たく言い放つ。@ ;　………かつて不敵に嘲笑って見せた彼女とはまるで別人のよう。@ `Beato spoke coldly.`@ `.........She seemed like a completely different person from the boldly sneering woman she had once been.`@ br ;　心を閉ざし、真里亞お姉ちゃんと二人だけの世界に閉じ篭っているのだ。\ `She had closed off her heart, and shut herself up in a world where she was alone with Maria onee-chan.`\ cbfly 0 bg rose_2cP,22 ;　仲良しの真里亞お姉ちゃんといつまでも二人きりで、@魔法談義をしながらお茶を飲んでいられる世界。\ `A world where she could always be alone with a friendly Maria onee-chan,`@` lecturing about magic while drinking tea.`\ ;　……誰にも急かされず、何にも拒まれない。@ `......No one to hurry them, and nothing to hold them back.`@ br ;　傷つけるかもしれないような誰一人すらも、彼女ら以外に存在しない世界。@ `A world where not a single person who might hurt them existed.`@ br ;　そう、それは二人にとって完成された、もはや小さな宇宙……。\ `Yes, to the two of them, that was a small, perfect universe......`\ bg rose_3cP,22 ld r,$ENJ_fumanA2,24 ;「………悪いわね。@……あんたに、ここに引き篭もられちゃ困るのよ。@/ `".........Sorry.`@` ......I can't have you shutting yourself up in here. `@/ ld r,$ENJ_FumanA1,80 ;………私たちは、あんたが戻ってこなきゃ、ゲームが進まないの。」\ ;＜縁寿 `......We can't continue the game unless you come back."`\ ld l,$BEA_fumanA3,23 ;「妾は飽きたから止めたと言った。@もうゲームには戻らぬ。」\ ;＜ベアト `"I said I stopped because I was tired of it.`@` I will not return to the game anymore."`\ bg rose_3bP,0 ld c,$MAR_waraiA2,23 ;「……………ベアトはね、ずっとここで真里亞と一緒にいるの。@ここで一緒にお茶を飲んでね、色々な遊びを考えるの…！@/ `"............Beato will always be here with Maria.`@` Here we'll drink tea together, and think of lots of ways to play...! `@/ ld c,$MAR_WaraiA1,80 ;　縁寿も一緒に遊んでいいんだよ。」\ ;＜真理亞 `You can play with us too, Ange."`\ cl c,0 ld l,$MAR_waraiA1,0 ld r,$BEA_KomaruA4,24 ;「……マリア。@それはならぬと言ったはず。@妾にはそなただけがいれば良い。\ `"......MARIA.`@` I believe I said that must not happen.`@` I am satisfied as long as I have you alone.`\ ld r,$BEA_hanbesoA4,80 ;　だからそなたも、妾だけがいれば良いと、言っておくれ。」\ ;＜ベアト `Say that you too are satisfied as long as you have me."`\ ld l,$MAR_niyariA2,80 ;「…………………。@/ `"..................`@/ ld l,$MAR_WaraiA2,80 ;……うん。@……ありがとう。@真里亞を、そこまで必要としてくれる人は、ベアトだけだよ。@なら、ベアトと一緒にいる。@二人きりでいい。」\ ;＜真理亞 `......Yeah.`@` ......Thank you.`@` The only person who needs Maria that much is you, Beato.`@` So, I'll be with you.`@` Just us is enough."`\ ld r,$BEA_hanbesoA6,80 ;「………マリア……、……すまぬ……。@…………ありがとう………。」\ ;＜ベアト `".........MARIA......, ......thanks......`@`............I am grateful........."`\ ;cl r,0 ;ld c,$BEA_IiwakeA1,24 bg black,22 ;　ベアトは真里亞を深く抱き、@その組み合った腕の中に温かな宇宙さえ生み出していた…。@ `Beato held Maria tight,`@` even creating a small, warm universe between their joined arms...`@ br ;　………多分それは、世界でもっとも小さい宇宙の誕生。@ ;　…互いを必要とし合う二人が生み出せる、世界でもっとも小さい宇宙…。\ `.........It was probably the birth of the smallest universe in the world.`@ `...The smallest universe in the world, which a pair who needed each other could give birth to...`\ ;　それはどんなに小さくても、完成された世界。@ ;　…………でも、私は切り裂かなくてはならない。@…………………。\ `No matter how small it was, it was a complete world.`@ `.........But, I had to tear it apart.`@`............`\ se1v 2,100 se2v 1006,100 bg rose_3aP,0 ld r,$ENJ_NayamuA1,22 ;「……悪いけど。@………そういうわけにはいかないの。@/ `"......Sorry,`@` .........but I can't let it happen that way. `@/ ld r,$ENJ_KomaruA5,80 ;私はこの、マリアージュ・ソルシエールの黄金郷を、ぶっ壊しにやって来たわ。」\ ;＜縁寿 `I came to smash this Golden Land of Mariage Sorciere."`\ ld l,$BEA_gamanA3,23 ;!s0「…………なぜ、/ ;!d800……妾の世界を、/ ;!d800……壊すのか………。/ !s0`"............Why, `/ !d800`......will you break, `/ !d800`......my world.........? `/ !sd@/ ld l,$BEA_gamanA1,80 ;こ、この世界が妾と真里亞以外の誰に迷惑を掛けたというのか……？！」\ ;＜ベアト `A, are you saying that this world is causing anyone other than Maria and me trouble......?!"`\ ld r,$ENJ_IkariA2,1 se1 12 quakey 5,400 ;「あんたが始めて、終わらせずに放ったらかしたゲームで、@お兄ちゃんがずっと待たされてるッ！@　あんたが席に戻らなくちゃ、勝負は永遠に終わらないのよ…！！」\ ;＜縁寿 `"You've left Onii-chan waiting all this time, `@`in a game that you started, and then walked away from without finishing!`@` If you don't return to your seat, the contest won't end for all eternity...!!"`\ ld l,$BEA_iiwakeA3,80 ;「………ははははは、は…！@/ `".........Hahahahaha, ha...! `@/ ld l,$BEA_futekiA2,80 ;　あのゲームに、もはやプレイヤーはひとりもおらぬわ。@戦人は消え去り、妾もまた消え去りここにいる。@あのゲームはもはや終わったのだ。」\ ;＜ベアト `There is no longer a single player in that game.`@` Battler vanished, and I did as well, coming here.`@` That game is already over."`\ ld r,$ENJ_komaruA4,80 ;!s0「終わってないッ！/ !s0`"It isn't over! `/ se1 12 quakex 4,300 ;!sd@　あんたの始めたゲームでしょう！！@　最後まできっちり責任を持って終わらせなさい！@/ !sd@`You started the game, right?!!`@` Take responsibility and see it through to the very end! `@/ ld r,$ENJ_KomaruA5,80 ;　戦人を打ち負かし、あなたが本当に望んだ世界を生み出すか！@　あなたが打ち負かされ、あなたの魔法に飲み込まれた全てを解放するか！！@　しっかり最後まで責任を取りなさいッ！！」\ ;＜縁寿 `Will you defeat Battler, and give birth to the world you truly wished for?!`@` Or will you be defeated and everything swallowed up by your magic released?!!`@` Take responsibility until the very end!!"`\ bg rose_3bP,24 ld c,$MAR_niyariA1,23 ;「……………駄目だよ、縁寿。@ベアトはこの世界で、真里亞と永遠に二人きりで過ごすの。@/ `"............Don't, Ange.`@` Beato will spend her time in this world, alone with Maria for eternity. `@/ ld c,$MAR_OdorokiA1,80 ;……真里亞も、ベアトさえいれば、他には何もいらないの。@……ここでは全ての願いが叶う。@全てがある。」\ ;＜真理亞 `......And Maria too, as long as she has Beato, doesn't need anything else.`@` ......Here, all wishes are granted.`@` Everything is here."`\ ;　…………この黄金郷は、真里亞お姉ちゃんとベアトリーチェの二人の想いの結晶だけで作られている。@ `............This Golden Land is made up of nothing more than the crystallization of Maria onee-chan and Beatrice's thoughts.`@ br ;!s0　……この世界からベアトを引き摺り出すには、@……この世界を、/ ;!d1000……破壊しなくてはならない………。/ !s0`......To drag Beato out of this world,`@` ......I would have to, `/ !d1000`......destroy it.........`/ !sd\ ;　………………ベアトリーチェにとっての、最後の安らぎの世界に違いないこの黄金郷を、@………破壊する……。\ `...............I will destroy this Golden Land, `@`.........which must be the final peaceful world in Beatrice's eyes......`\ bg rose_3aP,0 ld l,$ENJ_nayamuA1,23 ;「お姉ちゃん。それは違う。@/ `"Onee-chan. That's wrong. `@/ ld l,$ENJ_KomaruA3,80 ;この黄金郷は嘘つきだわ。@お姉ちゃんの、本当に叶えたい願いを、叶えてくれていない。」\ ;＜縁寿 `This Golden Land is a liar.`@` It won't grant the one wish you truly want granted, Onee-chan."`\ bg rose_3cP,0 ld c,$MAR_fukigenA2,24 ;「………そんなことないよ！！@　ここでは何でも叶うの！@　見て、ここにはやさしいママだっている！！」\ ;＜真理亞 `".........That's not true!!`@` Anything can be granted here!`@` Look, there's even a nice Mama here!!"`\ textoff se1v 22,80 bfly1 31 wait 500 se2v 22,85 cbfly 31 se3 52 ld r,$ROS_WaraiA1,99,2000,"breakup.dll/llb" ;　真里亞の後に黄金の蝶が集まり、@やさしく微笑む楼座叔母さんを形作った。@ `Gold butterflies gathered behind Maria,`@` forming into a kindly smiling Rosa oba-san.`@ br ;　………そして私ににっこり微笑むと、@ざあっと黄金の花びらになって崩れ落ちる。\ `.........And after smiling sweetly at me,`@` it became golden petals and crumbled.`\ textoff ld r,$ROS_WaraiA2,80 ;wait 500 se1 22 cl r,99,3000,"breakup.dll/ulb" wait 500 ld c,$MAR_akuwaraiA1,80 ;「ここでは何だって生み出せるの。@縁寿だって生み出せるよ、戦人だって、譲治お兄ちゃんだって、朱志香お姉ちゃんだって…！！\ `"Here, anything can be created.`@` Even Ange, even Battler, even George onii-chan, even Jessica onee-chan...!!`\ ld c,$MAR_WaraiA2,80 ;　いくらでも呼び出せるよ、みんなやさしくしてくれるよ…！！@　縁寿もおいでよ、一緒に遊ぼ……！！」\ ;＜真理亞 `You can summon as many as you want, and everyone is nice...!!`@` You come too, Ange, and let's play together......!!"`\ br ;　…………ごめん、お姉ちゃん…………。\ `............Sorry, Onee-chan............`\ ;ld c,$ENJ_DefA1,80 bg black,22 E_MA ;「さくたろうは……？」\ ;＜縁寿 `"And what about Sakutarou......?"`\ bg rose_3aP,0 ld r,$MAR_komaruA1,22 ;「………っ。」@ ;＜真里亞 `".........ah."`@ br ;　さくたろうの名に、お姉ちゃんは窒息したような表情を浮かべる。\ `Upon hearing Sakutarou's name, Onee-chan looked like she was choking.`\ ld c,$BEA_komaruA3,24 ;「よせ……。@その名を口にするな……。」@ ;＜ベアト `"Stop it......`@` Do not speak that name......"`@ br ;　ベアトもまた血相を変える。@ ;　そして真里亞の肩を庇うように抱いた。@ `Beato's expression changed as well.`@ `And she hugged Maria, guarding her shoulders.`@ br ;　………未だにさくたろうの名は、お姉ちゃんの禁句なのだ。\ `......Sakutarou's name was still taboo for Onee-chan.`\ bg black,24 bg rose_3cP,0 ld c,$ENJ_KomaruA2,24 ;「どうして口にしちゃいけないの？@　真里亞お姉ちゃんの、一番の親友の名前よ。@/ `"Why can't I say it?`@` It's the name of Maria onee-chan's best friend. `@/ ld c,$ENJ_komaruA3,80 ;……どうしてその親友を、この素敵な黄金郷に招いてあげないの？@　どうしてこの何でも願いの叶う黄金郷では、さくたろうだけ呼び出すことが出来ないの？」\ ;＜縁寿 `......Why won't you invite that close friend to this wonderful Golden Land?`@` Why, in this Golden Land where any wish can be granted, is Sakutarou the only one who you cannot summon?"`\ bg rose_3bP,0 ld l,$MAR_KomaruA1,0 ld r,$BEA_komaruA4,23 ld r,$BEA_KomaruA3,80 ;「そ、…それは……。@/ `"Th, ...that is......`@/ ld r,$BEA_iiwakeA2,80 ;……良いのだぞ、マリア？@　さくたろうのことを思い出さなくても…、」\ ;＜ベアト `......It's alright, MARIA.`@` You don't have to remember Sakutarou-"`\ se3v 21,85 ld l,$MAR_sakebuA1,80 ;「…………さくたろは、ママに殺されたんだよッ！！！！」/ `"............Sakutaro was killed by Mama!!!!"`/ quakey 4,400 \ ;＜真里亞 textoff bg rose_2bP,22 se1v 22,100 bfly1 26 se2v 22,85 cbfly 0 print 99,2000,"breakup.dll/ulb" wait 1000 ;　真里亞お姉ちゃんがものすごい表情で激高する。@ `Maria onee-chan flew into a rage with a terrible expression on her face.`@ br ;　その声に驚き、庭園中の蝶たちが一斉に舞い上がり、/ ;!d900……まるで花びらの台風のように吹雪いた。\ `Surprised by that voice, the butterflies throughout the garden flew up, `/ !d900`......blowing around like a typhoon of flower petals.`\ ;bg black,22 ;bg rose_1cP,26 ld c,$ENJ_fumanA1,24 ;「えぇ、知ってるわ。@楼座叔母さんが、……大切なさくたろうのぬいぐるみを、引き裂いたわ……！！」\ ;＜縁寿 `"Yes, I know.`@` Rosa oba-san, ......took your precious stuffed animal Sakutarou, and tore him apart......!!"`\ ;ld c,$MAR_sakebuA1,80 bg black,1 ;!s0「ぎやああああああぁあああああああああああああぁああああああッ！！！」/ !s0`"Gyaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhh!!!"`/ se1v 1100,100 se2v 1100,100 se3v 1100,100 quakey 5,700 !sd\ ;＜真里亞 bfly1 0 bg rose_3aP,22 ;　真里亞の絶叫が、嵐となって黄金の花びらや木の葉を乱暴に散らす。@ ;　それはまさに、黄金の暴風。\ `Maria's scream became a storm and violently scattered the golden petals and leaves.`@ `It was truly a storm of gold.`\ ld r,$BEA_aseruA1,24 ;「やめよ…！！@　やめよやめよやめよ…！！！@/ `"Stop...!!`@` Stop stop stop...!!! `@/ ;ld r,$BEA_HanbesoA2,80 ;　なぜマリアの心の傷を再び引き裂こうとするのか…？！@　妾と真里亞の、大切な親友の眠りを汚すなッ…！！」\ ;＜ベアト `Why are you trying to reopen the wound in MARIA's heart...?!`@` Don't defile the sleep of this precious friend to both Maria and myself...!!"`\ ld l,$ENJ_NayamuA1,23 ;「なら、どうして、その大切な親友を、あなたの魔法で蘇らせてあげないの？」@ ;＜縁寿 `"In that case, why don't you revive that precious friend for her with your magic?"`@ ld r,$BEA_komaruA1,80 ;「それが出来るものならやっている…！！@　しかし、あのぬいぐるみは、楼座による手作りの品！@　そのたった一つが引き裂かれた魔法的意味は、」\ ;＜ベアト `"I'd do it if I could...!!`@` But that stuffed animal was an article Rosa created herself!`@` The magical meaning of that individual object being torn apart is-"`\ ld l,$ENJ_FumanA1,80 ;「誤魔化さないで。@どうしてさくたろうが蘇らせられないか？@/ `"Don't try to fool anyone.`@` Why can't you revive Sakutarou? `@/ ld l,$ENJ_NayamuA1,80 ;　答えはひとつだわ。@あなたが、本当の魔女じゃないからよ！」/ `There's only one answer.`@` It's because you aren't a real witch!"`/ se1v 2,100 \ ;＜縁寿 ld r,$BEA_odorokiA2,80 ;「………蘇らせられるとも…！！@/ `".........I can revive him...!! `@/ ld r,$BEA_IiwakeA3,80 ;　妾の魔法でいくらでもこうして蘇らせられるとも！！@ `With my magic, I can revive him as often as I want, like this!! `@/ mld c,$SAK_WaraiA1,0 msp msp_c,0,0,-120 se1 52 print 99,2000,"breakup.dll/lrB" ;　さくたろうでこの庭園を埋めることだって出来ようぞ…！！」\ ;＜ベアト `I could even bury this garden in Sakutarous...!!"`\ se1 52 mcl c,0 print 99,2000,"breakup.dll/lrB" ld l,$ENJ_IkariA1,80 ;「えぇ、出来るでしょうね、あなたの魔法では！@　でも、あなたの生み出したさくたろうは決してお姉ちゃんには見えない！\ `"Yeah, I'll bet you could, with your magic!`@` But Onee-chan definitely wouldn't be able to see the Sakutarous you create!`\ ld l,$ENJ_komaruA4,80 ;　…………どうしてかわかってるでしょう？@　もう一度言うわ。@あなたが本当の魔女でないからなのよ…！！」\ ;＜縁寿 `............You know why, right?`@` I'll say it again.`@` It's because you aren't a real witch...!!"`\ se1v 57,100 cbfly 0 mbg white,1 mcbg 0 bfly2 0 bg rose_3cP,0 ld c,$MAR_sakebuA1,2 ;「やめてぇえええぇ！！@/ `"Stop iiiiiiiiiit!! `@/ ;ld c,$MAR_KomaruA1,80 ;　どうして縁寿はそんなひどいことばかり言うの…？！@　ベアトはたくさん魔法が使えるよ…！@　とても素敵な魔女なんだよ…！！\ `Why do you keep saying such mean things, Ange...?!`@` Beato can use a lot of magic...!`@` She's a very wonderful witch...!!`\ ld c,$MAR_komaruA1,80 ;　さくたろだけは蘇らせられなかったけど、……他のことなら、何だってできるの…！！@/ `She couldn't revive just Sakutaro, ......but she can do anything else...!! `@/ ;ld c,$MAR_KomaruA1,80 ;　だから、さくたろだけは……がまん、/ ;!d800…できるの……。」\ ;＜真理亞 `So, I can at least......do without, `/ !d800`...Sakutaro......"`\ bfly1 0 bg rose_3bP,0 ld r,$ENJ_komaruA3,23 ;「うぅん、お姉ちゃん、それは違うわ。@/ `"No, Onee-chan, that's wrong. `@/ ld r,$ENJ_nayamuA1,80 ;………魔女に出来ないことなんてないの。@それが出来ない時点で。@ベアトリーチェは本当の魔女じゃないわ。」\ ;＜縁寿 `.........There's nothing a witch can't do.`@` As soon as she couldn't do that,`@` Beatrice was not a real witch."`\ ld l,$MAR_komaruA1,23 ;「そ、それは違うよ……！！@　さくたろの依り代のぬいぐるみは、ママの手作りの特別なものだから、」@ ;＜真理亞 `"Th, that's wrong......!!`@` It's because Sakutaro's stuffed animal vessel was something Mama made especially herself, and-"`@ ld r,$ENJ_fumanA1,80 ;「だから蘇らせられないの？@　ベアトリーチェの、あなたの魔法はそんなにも不便なの？」\ ;＜縁寿 `"And that's why she can't revive him?`@` Is Beatrice's...your magic so inconvenient?"`\ bfly2 0 bg rose_3aP,0 ld r,$BEA_AseruA1,23 ;「く、………な、……ならば、……そなたなら、さくたろうを蘇らせられるというのか？！@/ `"Gah, .........i, ......in that case, ......are you saying that you can revive Sakutarou?! `@/ ld r,$BEA_KomaruA1,80 ;　そなたの魔法ならばそれが出来るというのか？！」\ ;＜ベアト `Are you saying that you can do that with your magic?!"`\ ld l,$ENJ_DefA1,23 ;「出来るわ。」/ `"I can."`/ se1v 2,100 @ ;＜縁寿 ld r,$BEA_OdorokiA1,80 ;「………何だと………、」\ ;＜ベアト `".........What did you........."`\ ld l,$ENJ_ikariA1,80 ;「真里亞お姉ちゃん！！@　私が本当の魔法を見せてあげるわ。@私がさくたろうを蘇らせてあげる！！」\ ;＜縁寿 `"Maria onee-chan!!`@` I'll show you some real magic.`@` I'll revive Sakutarou for you!!"`\ bfly1 0 bg rose_3cP,0 ld r,$MAR_OdorokiA1,24 ;!s0「……ほ、/ ;!d500………本当……？@　ベアトリーチェも出来なかったんだよ……？@　…ほ、/ ;!d600………本当に……？！」/ !s0`"......R, `/ !d500`.........really......?`@` Even Beatrice couldn't do it, right......?`@` ...R, `/ !d600`.........really......?!"`/ !sd\ ;＜真理亞 ld l,$ENJ_nayamuA1,24 ;「えぇ、出来るわ！@/ `"Yes, I can! `@/ ld l,$ENJ_komaruA3,80 ;　その代わり約束して。@私がさくたろうを蘇らせてあげたなら。」@ ;＜縁寿 `In exchange, promise me.`@` Once I've revived Sakutarou..."`@ ld r,$MAR_WaraiA2,80 ;「うん…！」\ ;＜真理亞 `"Yes...!"`\ ld l,$ENJ_defA1,80 ;「この黄金郷から、出ていきなさい。」@ ;＜縁寿 `"...Leave this Golden Land."`@ ld r,$MAR_odorokiA1,80 ;「…………ッ、」\ ;＜真里亞 `"............ah-"`\ bfly2 0 bg rose_3aP,0 ld l,$BEA_aseruA1,23 ;「そ、そんなことは許さぬ…！！@　ここは妾とマリアの世界！！@/ `"I, I will not permit that...!!`@` This world is MARIA's and mine!! `@/ ;ld l,$BEA_HanbesoA2,80 ;　マリアがいなくなったら、/ ;!d800……壊れてしまう…！！」\ ;＜ベアト `If MARIA leaves, `/ !d800`......it will break...!!"`\ br ;　ニンゲンが宇宙を生み出すための最少人数は、２人。@ `The minimum amount of humans it takes to create a universe is two.`@ br ;　それが崩れれば、世界は滅ぶ。@ `If that breaks down, the world is destroyed.`@ br ;　黄金郷に引き篭もった魔女を引き摺り出すには、この世界を滅ぼさなければならない…！\ `To drag out the witch shut away in the Golden Land, I'll have to destroy this world...!`\ ld r,$ENJ_ikariA1,24 ;「……そう、それこそがあなたが魔女でない証拠よ。@/ `"......Yes, that is the proof that you are not a witch. `@/ ;ld r,$ENJ_NayamuA1,80 ;……本当の魔女ならね、宇宙は１人で生み出せるのよ。@/ `......A real witch can create a universe alone. `@/ ld r,$ENJ_komaruA4,80 ;マリアージュ・ソルシエール魔女同盟！@　……この同盟の存在自体が、あなたが魔女でないことの証になっている…！！」\ ;＜縁寿 `The Mariage Sorciere Alliance of Witches!`@` ......The very existence of this alliance proves that you are not a witch...!!"`\ ld l,$BEA_gamanA6,80 ;「い、嫌だ…！！/ `"N, no...!! `/ quakey 2,200 ;@　マリアは渡さぬ…！！@　そなたは嫌いだ、今すぐに帰れ…！！@　ここから出て行けぇえええぇえぇぇ！！」\ ;＜ベアト @`I won't hand MARIA over...!!`@` I hate you, leave right now...!!`@` Get out of heeeeeeeeeeeere!!"`\ cl a,0 ld c,$ENJ_komaruA5,24 ;「勝手にみんなをゲームに引き摺り込んでおいて、自分は機嫌一つで飽きたり追い出したり！！@　なんて自分勝手なの？@/ `"Dragging everyone into a game of your own accord, then getting bored and chasing them out when your mood changes!!`@` How selfish can you be? `@/ ld c,$ENJ_IkariA2,80 ;　見なさい、ベアトリーチェ！！@　そして真里亞お姉ちゃん！！@　これが、本当の魔法なのよ………！！！」\ ;＜縁寿 `Take a look, Beatrice!!`@` And you, Maria onee-chan!!`@` This...is true magic.........!!!"`\ cbfly 0 bg black,24 bfly1 0 bg rose_3cP,0 ld r,$MAR_KomaruA1,24 ;「ほ、……本当にさくたろを蘇らせられるの…？！」\ ;＜真理亞 `"W, ......will you really revive Sakutaro...?!"`\ ld l,$BEA_hanbesoA5,23 ;「出来るわけがない！！/ `"There's no way you can!! `/ quakey 3,300 ;@　ここは妾と真里亞の二人だけの黄金郷…！@/ @`This is a Golden Land for Maria and me alone...! `@/ ;ld l,$BEA_GamanA7,80 ;　部外者のそなたに使える魔法などひとつもない！@　今のそなたには、蝶一匹生み出すことさえ叶わぬわッ！！」\ ;＜ベアト `There is not a single magic that an outsider like you could use!`@` As you are now, you couldn't even create a single butterfly!!"`\ ld r,$MAR_ikariA1,80 ;「静かにして、ベアトッ！！/ `"Be quiet, Beato!! `/ quakex 3,300 ;@　縁寿を邪魔しないで…！！」\ ;＜真理亞 @`Don't get in Ange's way...!!"`\ textoff se1v 2,100 se2v 1006,100 cbfly 0 bg white,1 bg black,2 fede 0,3000 bfly1 0 bg rose_2cp,22 me1v 16,40 wait 100 me2v 16,40 wait 1000 bg white,1 se1v 22,70 cbfly 0 bg rose_2cp,99,6000,"breakup.dll/llb" ;　真里亞が叫ぶと、/ ;!d800……暴風はぴたりと止み、あたりはシンと静まり返った。@ `When Maria yelled, `/ !d800`......the storm suddenly stopped, and the area returned to silence.`@ br ;　………吹き上げられた大量の黄金の花びらが、静かに舞い降りてくるその光景は、@……まるで、黄金の雪が降るかのように幻想的だった……。\ `.........The scene as a massive amount of golden petals that had been blown upwards quietly drifted downward,`@` ......was fantastical, as though a golden snow was falling......`\ bg rose_3bP,0 ld c,$MAR_OdorokiA1,22 ld c,$MAR_KomaruA1,80 ;　真里亞は、まさかひょっとしての奇跡に、@無意識の内に両手を組んで祈るような仕草をしてしまう。\ `Maria, thinking about this unlikely, if-only miracle,`@` had unconsciously joined her hands together as though praying.`\ bg rose_1dP,0 ld r,$BEA_GamanA3,24 ;　……ベアトはそんな真里亞を見て、はらはらしている。@ `......Beato watched Maria do this, her heart racing.`@ br ;!s0　………もし万が一ということがあったなら…、/ ;!d800真里亞は、/ ;!d900……この世界は……。/ !s0`.........If the extremely unlikely were to happen..., `/ !d800`Maria would, `/ !d900`......this world would......`/ !sd\ bg black,22 ;　でも、……考えられない……！@ ;　絶対に不可能…。\ `But, ......it's unthinkable......!`@ `A certain impossibility...`\ ;　あの、世界でたったひとつのぬいぐるみは引き裂かれて捨てられて、@糸くずさえも残っていないのだ。@ `That stuffed animal, which had been the only one in the world, was torn apart and thrown away,`@` and not a thread remained.`@ br ;　蘇らせるなど、絶対の絶対に不可能……！！\ `Reviving it was a certainly certain impossibility......!!`\ bg rose_1dP,0 ld c,$BEA_gamanA3,26 ld c,$BEA_GamanA1,80 se1 59 ;　#ff0000ここは妾の黄金郷#ffffff…！@ `#ff0000This is my Golden Land#ffffff...!`@ se2 59 ;　#ff0000妾以外の魔法は絶対に存在できない世界#ffffff！！！\ `#ff0000A world where magic that isn't mine certainly cannot exist#ffffff!!!`\ ld c,$BEA_gamanA6,80 ;!s0「で、/ ;!d600……出来るものなら、/ ;!d800……やってみろぉおおおお、右代宮縁寿えええぇえええええええぇええッ！！！」/ !s0`"I, `/ !d600`......if you can do it, `/ !d800`......give it a tryyyyyyyyy, Ushiromiya Angeeeeeeeeeeeeeeeeeee!!!"`/ se1v 2,100 quakey 3,300 !sd\ E_MA se1 60 se2v 2,70 se3v 1006,100 ;se3v 62,100 bg white,1 ;＜ベアト bg rose_1eP,22 ;　ベアトの悲鳴のような叫びに、世界が音を失う。\ `At Beato's scream-like cry, the world lost its sound.`\ se1 22 bg white,8 ;　私はゆっくりと、本当の魔法を、呪文を、唱える……。\ `I slowly...recited the incantation...for true magic......`\ textoff ;ld c,$ENJ_nayamuA1,80 se2 22 bg black,6 lsp bgsp,sakutaro1a,0,0,0 bgm1 76 ;「……………さぁさ、思い出して御覧なさい。@真里亞の親友のさくたろう。\ `"............Come, try to remember.`@` Maria's close friend Sakutarou.`\ msp bgsp,0,0,50 print 2 ;　………あなたがどんな姿をしていたのか、思い出して御覧なさい。\ `......Try and remember what form you had.`\ msp bgsp,0,0,50 print 2 ;　………あなたがどんなに愛くるしいぬいぐるみだったのか、思い出して御覧なさい。」\ `.........Try and remember what a lovable stuffed animal you were."`\ amsp bgsp,0,0,255 print 2 csp -1 bg rose_3aP,0 ;＜縁寿 ld l,$BEA_KomaruA4,0 ld c,$MAR_komaruA1,22 ld c,$MAR_OdorokiA1,80 ;「え、………………ぁ、…ぁ………、」@ ;＜真里亞 `"Eh, ..................ah, ...ah............"`@ ld l,$BEA_odorokiA1,80 ;「………………………………ッ、」\ ;＜ベアト `".........................oh-"`\ ;　……二人が、驚愕の表情を浮かべる。@ `......Expressions of shock rose to both of their faces.`@ cl c,64 se1v 11,40 quakex 2,200 ;　そして、……ベアトの肘を弾いて、真里亞が駆け出す……。\ `Then, ......pushing Beato's elbow aside, Maria dashed forward......`\ ;ld c,$MAR_komaruA1,80 se1v 22,85 ;bgmvol 85 bg white,1 bg sakutaro1b,42 ;「………くたろ………、@………さくたろぉ………！！」\ `".........kutaro.........,`@` .........Sakutaro.........!!"`\ ;　そして、私ごと、@………しがみつく。\ `Then, `@`............she clung to us.`\ ;ld c,$ENJ_waraiA1,80 bg sakutaro1a,22 ;「……大丈夫。@さくたろうは、消えないよ。@…………@『うりゅ、@真里亞。ただいま。』」/ `"......It's alright.`@` Sakutarou...won't disappear.`@`............`@`『Uryu,`@` Maria. I'm back.』"`/ mov %play_scene,40310 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_sak \ ld r,$MAR_nakuA1,26 ;!s0「さくたろ、/ ;!d500……さくたろ……、/ ;!d600……ううぅうううううぅ、/ !s0`"Sakutaro, `/ !d500`......Sakutaro......, `/ !d600`......uuuuuuuuuuuuuuu, `/ ;se1 47 quakey 3,800 ;うわああああぁあぁうう！！/ `waaaaaaaaaaaaaaaaaauuuuu!! `/ ;se1 48 quakex 3,800 ;@　さくたろぉおおぉ……、/ ;!d600会いたかった……、/ ;!d500…よぉぉ……………。」/ @`Sakutarooooooo......, `/ !d600`I wanted to see you......, `/ !d500`...so much............"`/ !sd\ ;bg Sakutaro2b,22 bg rose_3bP,0 ld c,$MAR_NakuA1,22 me1v 16,65 ;!s0　それは紛れもなく、/ ;!d900………あの、ライオンの、/ ;!d600……さくたろうのぬいぐるみ。@ !s0`It was without a doubt, `/ !d900`.........that lion...`/ !d600`...Sakutarou stuffed animal.`@ br ;　そのやわらかさを、生地も縫い目も何もかも、/ ;!d900………真里亞は忘れていた。@ `Its softness, its texture, its stitches, its everything, `/ !d900`.........Maria had forgotten.`@ br ;　でも、@………ぬいぐるみを抱いた瞬間に、その全てを鮮明に鮮明に思い出す……。/ `But, `@`.........the instant she hugged the stuffed animal, everything came back to her vividly......`/ !sd\ ;bgmvol 95 se1 52 ld l,$sak_waraiA1,99,3000,"breakup.dll/urb" fedexx 95,65,0,0,0,0,1000 ld l,$sak_waraiA2,80 ;『うりゅ。@真里亞、@……ただいま。』@ ;＜さくたろ `『Uryu.`@` Maria, `@`......I'm back.』`@ ld c,$MAR_komaruA1,80 ;「さくたろ、さくたろ…！！@　体は平気なの？@　どこも痛くない？@　あんなに、……ひどいことされたのに、どこも平気なの……？！」\ ;＜真理亞 `"Sakutaro, Sakutaro...!!`@` Is your body alright?`@` Does it hurt anywhere?`@` Even though, ......something so horrible was done to you, are you alright everywhere......?!"`\ ld l,$sak_waraiA1,80 se1v 3,50 ;『うりゅ…！@　縁寿が魔法で蘇らせてくれたから、全然平気なの…！』@ ;＜さくたろ `『Uryu...!`@` Ange revived me with magic, so I'm perfectly fine...!』`@ ld c,$mar_nakuA1,80 ;「よかった……、/ ;!d600よかった……。@お帰りさくたろ……、/ ;!d800ううぅううううぅッ！！」\ ;＜真理亞 `"I'm so glad......, `/ !d600`I'm so glad......`@` Welcome back Sakutaro......, `/ !d800`uuuuuuuuuuuuuuuuuuuuuuuu!!"`\ ld l,$sak_waraiA2,80 ;『もう、真里亞といつまでも一緒だよ。@永遠に一緒だよ。@/ `『From now on, I'll always be with you, Maria.`@` Together for eternity. `@/ ld l,$SAK_NakuA1,80 ;……だからボクを、@離さないでね………。』\ `......So,`@` don't let go of me, okay.........?』`\ ;＜さくたろ bg black,22 ;ld c,$mar_nakuA1,80 ;「うん、……離さないよ……。@……永遠に…………………。」\ ;＜真理亞 `"Yeah, ......won't let go......`@`......for all eternity.................."`\ ;　そして、さくたろうを抱き締めたまま、@涙をぼろぼろ零した瞳で私を見上げた…。\ `Then, still hugging Sakutarou,`@` she looked up at me with tear-filled eyes...`\ wait 2000 bg rose_3aP,2 ld r,$mar_waraiA2,24 ;「……ありがとう、縁寿…！@　………縁寿の魔法はすごい……。@/ `"......Thank you, Ange...!`@` .........Ange's magic is amazing......`@/ ld r,$MAR_WaraiA1,80 ;……どうして？@　どうしてさくたろうを蘇らせることが出来たの？！@　ベアトにも出来なかったのに…！」\ ;＜真理亞 `......Why?`@` Why can you revive Sakutarou?!`@` When Beato couldn't do it...!"`\ ld l,$BEA_komaruA1,23 ;「………………ありえぬ…。@……ありえぬ……。@/ `"............Impossible...`@`......Impossible......`@/ ld l,$BEA_HanbesoA5,80 ;……どうして？@　……どうして妾の黄金郷で、妾以外の人間が魔法を使えるのかッ？！？！@　こんなことは、/ ;!d600………断じてありえぬ………！」\ ;＜ベアト `......Why?`@` ......Why can a human other than me use magic in my Golden Land?!?!`@` This is, `/ !d600`.........completely impossible.........!"`\ bg rose_3bP,0 ld c,$ENJ_fumanA2,24 ;「何をうろたえているのよ、ベアトリーチェ。@………………これが、魔法でしょ？」\ ;＜真理亞 `"What are you so flustered about, Beatrice?`@` ..................This is...magic, right?"`\ me2v 5,50 cl c,0 ld l,$ENJ_fumanA2,0 ld r,$BEA_GamanA1,24 ld r,$BEA_KomaruA1,80 ;「魔法のわけがない…！！@/ `"There's no way that's magic...!! `@/ se1 59 ;　#ff0000ここは妾の黄金郷#ffffff！！@/ `#ff0000This is my Golden Land#ffffff!! `@/ se2 59 ;　#ff0000妾以外の魔法は絶対に存在できない世界#ffffff！！@　そして妾の/ `#ff0000A world where magic that isn't mine certainly cannot exist#ffffff!!`@` And my `/ se3 59 ;#ff0000魔法でさくたろうを蘇らせることは出来なかった#ffffff…！！\ `#ff0000magic was not able to revive Sakutarou#ffffff...!!`\ ld r,$BEA_gamanA6,80 ;　出来るはずがないのだッ！！@/ `There's no way it could!! `@/ se1 59 ;　#ff0000そのぬいぐるみは特別なぬいぐるみ#ffffff！@/ `#ff0000That stuffed animal is a special stuffed animal#ffffff! `@/ se2 59 ;　#ff0000楼座が娘の誕生日のために作った、世界でたった一つの#ffffff、\ `#ff0000Made by Rosa for her daughter's birthday, and in the entire world, the only#ffffff, `\ ld r,$BEA_GamanA7,80 ;　………あ、@………………ぅ、@……………あ……、」\ ;＜ベアト `.........ah,`@` ...............u,`@` ...............ah......"`\ ld l,$ENJ_nakuA1,2 ;「…………………ね、@…魔法でしょう？」@ ;＜縁寿 `"................See,`@` ...it's magic, right?"`@ ld r,$BEA_gamanA6,80 ;!s0「う、/ ;!d500……お……、/ ;!d500……あ、/ ;!d400………あぁぁ、/ ;!d800…………ぁぁぁぁぁぁ……。」/ !s0`"Uu, `/ !d500`......oh......, `/ !d500`......ah, `/ !d400`.........aaahhh, `/ !d800`.........aaaaaaaaaahhhh......"`/ !sd\ ;＜ベアト bg white,42 bg black,22 ;!s0　ベアトは到底受け容れることの出来ぬ奇跡に、@………私の魔法の全てを、理解する……。@ !s0`With this miracle that she could not possibly accept,`@` .........Beato...understood all of my magic......`@ br ;　そして、無邪気に戯れあう真里亞とさくたろうを見て、/ ;!d1000……私を見て、/ ;!d1000………それから、/ ;!d600………膝を落とし、/ ;!d800……両手までも地に付いて、/ ;!d1000……………泣いた。/ `Then, she looked at Maria and Sakutarou, innocently frolicking around, `/ !d1000`......looked at me, `/ !d1000`.........and then, `/ !d600`.........fell to her knees, `/ !d800`......with even her hands pressed to the ground, `/ !d1000`............and cried.`/ !sd\ bg rose_3cP,0 ld r,$BEA_HanbesoA6,26 ld l,$mar_waraiA2,23 ;「ベアトリーチェ…！　これは本当に魔法なんだよね…？！@　魔法なんだよね？！@　ベアトリーチェ…！！！」\ ;＜真理亞 `"Beatrice...! This is really magic, right...?!`@` It's magic, right?!`@` Beatrice...!!!"`\ ld r,$BEA_gamanA5,80 ;「……………うむ………。@……魔法であるぞ……。@/ ;!s0……それこそが、/ ;!d500………本当の、/ ;!d800………魔法であるぞ………。」/ `"............Hmmm.........`@`......It is magic......`@/ !s0`......That is, `/ !d500`.........true, `/ !d800`.........magic........."`/ !sd\ ;＜ベアト ld l,$mar_waraiA1,80 ;「どうしてベアトにも出来ない魔法を縁寿が使えるの？！@　どうして？！@　どうしてッ？！@/ `"Why can Ange use a magic that even Beato can't do?!`@` Why?!`@` Why?! `@/ ld l,$MAR_WaraiA2,80 ;　縁寿すごい、縁寿はすごい魔女！@　真里亞なんかよりもずっとずっとすごい、本当の魔女だよ……！！！」\ ;＜真理亞 `Ange's awesome, Ange's an awesome witch!`@` A real witch who's much, much more awesome than Maria......!!!"`\ bg rose_3aP,0 ld r,$ENJ_nakuA1,24 ;「えぇ、そうよ、お姉ちゃん。@/ `"Yeah, that's right, Onee-chan. `@/ ld r,$ENJ_hanbesoA1,80 ;……………私は、反魂の魔女エンジェ。@……私に蘇らせられないものはないわ。」\ ;＜縁寿 `...............I am the Witch of Resurrection ANGE.`@` ......There is nothing that cannot be revived by me."`\ bg rose_3bP,0 ld l,$SAK_WaraiA1,0 ld c,$MAR_WaraiA2,23 ld c,$mar_OdorokiA1,80 ;「すごいよすごい！！@　反魂の魔法って、一番難しいってベアトも言ってたのに！！@/ `"Awesome, awesome!!`@` Even Beato said that the magic of resurrection was the hardest!! `@/ ld c,$MAR_WaraiA2,80 ;　エンジェはすごい！！@　本当の本当の、大魔女なんだ……ッ！！！」\ ;＜真理亞 `ANGE's awesome!!`@` A true true Great Witch......!!!"`\ textoff se1 22 bg white,2 se2 52 bg rose_3bP,99,3000,"breakup.dll/lrb" ;　その時、真里亞とさくたろうの姿が黄金色に瞬き、@……二人の姿が黄金の花びらに変わって、崩れ去った……。@ `At that time, Maria's and Sakutarou's forms flashed gold,`@` ......and the forms of the two became golden flower petals, and crumbled away......`@ br ;　二人は黄金の風になって混じりあいながら、@………ここではない、別の安らぎの地へ、去っていく。@ `As the two became a golden wind and swirled together,`@` .........they left for some other peaceful place, not here.`@ br ;　ベアトは真里亞を、……約束どおり、黄金郷から追放したのだ。/ `Beato had, ......as promised, banished Maria from the Golden Land.`/ mov %play_scene,40320 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,0 \ bg black,2 fede 0,3000 wait 1000 me1v 5,50 bg rose_3bP,22 ld r,$ENJ_nakuA1,24 ;「……さよなら、…真里亞お姉ちゃん。@そしていつまでも、お幸せに。@/ `"......Goodbye, ...Maria onee-chan.`@` And...be happy forever. `@/ bgm1v 106,85 ld r,$ENJ_fumanA2,80 ;…………大丈夫よ、お姉ちゃんの世界にも必ずあなたはいるわ。@ `............It's alright, in Onee-chan's world as well, 'you' surely exist.`@ br ;でもそれは、(あなたのことじゃない/・・・・・・・・・・)。」\ ;＜縁寿 ;＜点処理：あなたのことじゃない `But that is not `(`referring to you`/・・・・・・・・)`."`\ se1v 2,100 bg rose_3aP,0 ld c,$BEA_gamanA5,22 ;!s0「……………よかったな、/ ;!d500……真里亞……。@……妾はそなたの親友として、/ ;!d800………その再会を、心より祝福するぞ………。」/ !s0`"............Isn't that great, `/ !d500`......Maria......`@`......As your close friend, `/ !d800`.........I celebrate this reunion...from the bottom of my heart........."`/ !sd\ ;＜ベアト ;　ベアトの表情には、……おそらく人間が浮かべることの出来る、全ての表情が入り混じっていた。@ `On Beato's face, ......was a mixture of what was probably every expression a human could muster.`@ br ;　それは、@喜びであり、@怒りであり、@哀しみであり。\ `There was `@`joy,`@` anger, `@`and sadness.`\ bg rose_3bp,0 ld r,$ENJ_komaruA2,24 ;「………それが、魔法の根源よね。@/ `".........That is, the source of magic, isn't it. `@/ ld r,$ENJ_NakuA1,80 ;…………愛がなければ。@悲しみがなければ。@怒りがなければ。@…………魔法は、視えない。」\ ;＜縁寿 `............Without love,`@` without sadness,`@` without anger,`@` ............magic cannot be seen."`\ me2v 17,90 textoff bg black,25 bg rose_2cP,2 wait 1000 bg rose_2cN,9 se1 60 se2v 2,100 se3v 1100,100 quakey 4,400 ;　大地が、震える。@……地震。@ `The ground shook.`@` ......An earthquake.`@ br ;　………それは次第に大きな地割れを呼び、@ベアトリーチェの最後の楽園を、引き裂き始める。\ `.........It gradually summoned greater and greater fissures,`@` and began to tear Beatrice's final paradise apart.`\ me3v 16,60 bg rose_2aN,0 ;se1 22 bfly2 22 ;　黄金の蝶たちは逃げ惑うが、どこにも逃げ場などない。@ ;　…そして、ベアトリーチェも。\ `Golden butterflies fluttered about trying to escape, but there was nowhere to escape to.`@ `...And, Beatrice did too.`\ ;cbfly 0 bg rose_3aN,22 se1v 60,100 se2v 2,100 se3v 1100,100 quakey 4,400 ;　黄金郷は崩れ去ってゆく。@ `The Golden Land began to crumble away.`@ br E_MA se1v 1006,100 se2v 61,100 se3v 66,100 cbfly 0 bg black,14,300 ;　大地はまるで抜け落ちる床のように崩れ落ち、/ ;!d800………ベアトリーチェを漆黒の闇の底へ飲み込んでいく。\ `The earth crumbled downwards like a floor falling through, `/ !d800`.........and Beatrice was sucked into the depths of a jet-black darkness.`\ wait 2000 se3v 1006,100 se2v 12,85 se1v 39,90 bg Different_space_1c,1 quakey 4,800 ;　そして無慈悲に漆黒の床に叩き付けられた。\ `Then, she was mercilessly slammed against a jet-black floor.`\ mov %play_scene,40330 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,0 ;　……そこは、とても薄暗い、喫煙室。@ `......It was a very dimly-lit...smoking room.`@ br ;　出ることの出来る扉はなく、窓はあれど光も差さぬ、/ ;!d800……薄暗きベアトリーチェの喫煙室。\ `There was no door to exit by, and while there was a window, it let no light, `/ !d800`......into Beatrice's dimly-lit smoking room.`\ bg Different_space_1a,6 ;　ベアトはその冷たく硬い床に叩き付けられた痛みに呻きながらも、@ふらふらと立ち上がる……。\ `Even though Beato was moaning from the pain of being slammed against that cold hard floor,`@` she shakily rose to her feet......`\ ;　そこには席が。@ `The seat over there...`@ br ;　……彼女が退席したままの形で残っている、……ゲームのテーブルが。@ `......The game table, ......still just as it had been when she had left it.`@ br ;　ゲーム盤もまた、ベアトが放置した状態で残されている。\ `The game board also remained in the same state that Beato had left it in.`\ bg Different_space_1b,0 ld r,$ENJ_fumanA1,24 ;「そこがあなたの席よ。@座りなさい。」@ ;＜縁寿 `"That is your seat.`@` Sit."`@ ld l,$bea_hanbesoA4,23 ;!s0「……………妾に座るべき席は、/ ;!d900………ここしかない、ということなのか………。」/ !s0`"............So, this is the only seat, `/ !d900`.........for me to sit in........."`/ !sd\ ;　ベアトは自らの席に手を付き、……悲しく笑う。\ `Beato put a hand against her own seat, ......and laughed sadly.`\ ld r,$ENJ_hanbesoA1,80 ;「勝つか、負けるか。@あなたに与えられるのはそれだけよ。@それに行き着く過程での引き分けは許されるでしょう。\ `"Win, or lose.`@` That is all you are given.`@` A tie during the process of reaching that point will probably be permitted.`\ ld r,$ENJ_hanbesoA2,80 ;　………でも、中断して投げ出すことだけは許さない！@　勝って生き残るか、負けて消え去るか、@そのどちらかになるまで、あなたはその席を立つことなんて許されない！！@　それが魔女のゲームのホストである、黄金の魔女ベアトリーチェの唯一の務めでしょう…！！」\ ;＜縁寿 `.........However, you won't be allowed to suspend the game and throw it away!`@` Will you win and survive, or lose and disappear?`@` Until one of those two things happens, you will not be permitted to rise from that chair!!`@` That should be your only duty as the host of a witch's game, as the Golden Witch Beatrice...!!"`\ bg black,5 bg Different_space_1c,22 ;　ベアトは力なく笑いながら、その席に、/ ;!d600……座る。@ `Laughing weakly, Beato, `/ !d600`......sat in that seat.`@ br ;　……そして肘を付き、両手で顔を覆って、/ ;!d900………口だけはせめて笑って見せた。\ `......Then she rested her elbows and covered her face with both hands, `/ !d900`.........showing off a smile with nothing but her mouth.`\ ;ld c,$BEA_gamanA3,80 ;「………勝てぬゲームを逃げることは許されぬか。@………ならばよかろう。@……妾が負けるまで、……繰り返そうではないか……。」\ ;＜ベアト `".........Not permitted to escape an unwinnable game...`@`......Then, very well.`@` ......Why don't I repeat this, ......until I lose......"`\ bg Different_space_1b,0 ld r,$ENJ_hanbesoA3,22 ;「何を気弱な！@　勝ちなさいよ。@あなたの最善手を尽くしなさい…！！@　あなたが始めたゲーム！@　あなたには最善手を指す義務があるッ！！@　いい加減に優柔不断にふざけるのはやめて！」\ ;＜縁寿 `"How fainthearted!`@` Win.`@` Use the best moves you have...!!`@` You started this game!`@` You have a duty to make the best moves possible!!`@` Give all this indecisive fooling around a rest!"`\ se1v 57,100 se3v 16,100 se2v 44,100 bg white,1 bg black,22 se1v 32,100 ;　その時、激しい音がした。@ ;　……ベアトは足に冷たく痛々しい感触を覚える。\ `At that time, there was a violent sound.`@ `......Beato felt a cold, pathetic sensation in her legs.`\ bg Different_space_1a,22 se1v 57,100 bg white,1 bg Different_space_1a,0 ld l,$LAM_akuwaraiA5,80 ;「……つゥかまえたァ…！@　やっと捕まえたわよ、ベアトぉ〜？」\ ;＜ラムダ `"......Gotcha...!`@` I finally got you, eh, Beato~?"`\ ld r,$BEA_gamanA4,26 ;「おや、大ラムダデルタ卿ではないか…。@/ `"Oh, Great Lady Lambdadelta is it...`@/ ;ld r,$BEA_KomaruA3,80 ;………まだおられたとはな。」\ ;＜ベアト `.........To think that you were still here."`\ bg black,26 ;se2v 32,100 ;　ベアトの足には、凍え切った鋼鉄の足枷がはめられ、@……自らの座る椅子に括り付けられている。@ `Beato's foot was caught in an ice-cold steel shackle,`@` ......tying her to the chair she sat in.`@ se3v 32,100 br ;　……もう、この席から逃げることは出来ない。\ `......She would no longer be able to escape from this seat.`\ bg Different_space_1b,22 se1v 57,100 bg white,1 bg Different_space_1b,0 ld r,$LAM_futekiA1,80 ;「をーっほっほっほ！@　もう逃げられないんだからね？@　私、こう見えてもしつこいの、意外でしょぅ？」@ ;＜ラムダ `"Ho-hhohhohoho!`@` You won't be able to escape anymore, alright?`@` I'm more persistent than I look. Surprised?"`@ ld l,$BEA_iiwakeA3,23 ;「…………自覚がなかった方が意外であるわ。」\ ;＜ベアト `"............It'd have been more surprising if you hadn't realized it yourself."`\ ld r,$LAM_FutekiA2,80 ;「あんたには中座も中断も許されてないのよ。@永遠に戦うのよ、勝つためにね？@/ `"You are not permitted to leave early or suspend the game.`@` You'll fight for all eternity, in order to win, right? `@/ ld r,$LAM_AkuwaraiA5,80 ;　………負けたくはないでしょう？@　負けたらどんな素敵な世界に叩き落されるか、ちょっぴりだけ覗いてみたいぃ？\ `.........You don't want to lose, do you?`@` You wanna little peek at the kind of wonderful world you'll be thrown into if you lose?`\ ld r,$LAM_futekiA1,80 ;　ダイジョウブよ。@勝てるわよ、この大ラムダデ `DON'T WORRY.`@` You can win, because I, the Great Lady Lambdadelta, will be watching you` br `constantly `(`until you win`/・・・・・・)`, looking after you for all eternity...!!"`\ ;br ;ルタ卿が、(あんたが勝つまで/・・・・・・・・)、付きっ切りで永遠に面倒を見てあげるから…！！」\ ;＜ラムダ：点処理：あんたが勝つまで ;ld c,$BEA_gamanA3,80 bg Different_space_1c,25 ;「……………………………。@……ふ、……ははははは。@………しかし、戦いたくとも、妾の向かいに対戦相手はおらぬぞ……？」\ ;＜ベアト `"........................`@`......Hmph, ......hahahahaha.`@` .........But even if I wish to fight, I have no opponent across from me, correct......?"`\ se1 52 ;ld c,$BER_DefA2,99,1000,"breakup.dll/urb" wait 2000 ld c,$BER_DefA2,65 se2 11 quakey 2,200 ;「………大丈夫よ、戦人を見つけてきたわ。」\ ;＜ベルン `".........Don't worry, I've found Battler."`\ textoff se1 9 bg white,1 wait 100 se2 13 bg Different_space_1a,1 ;ld r,$BUT_KuyasigaruA1,1 quakey 3,800 ;　ベルンカステルが現れて、手をパンと打つと、@宙より戦人が現れて、どさりと向かいの席に落ちる。/ `When Bernkastel appeared and clapped her hands,`@` Battler appeared from the sky and plopped into the opposite chair.`/ mov %play_scene,40335 : mov %r_hyouji_side,1 @ br ;　戦人は目を薄っすらと開けてはいるが、輝きはなく、まるで人形のようだった。\ `Battler's eyes were slightly opened, but there was no sparkle in them, almost like a doll's.`\ bg black,22 ;　自分の魂を確立する柱の一本を欠き、/ ;!d800…………暗闇の底の底まで落ち、ずっと漂っていた。@ `Without the one pillar that established his soul, `/ !d800`...........he had fallen into the depths of the depths of darkness, and had been drifting about all this time.`@ br ;　……そのまま、霧のように散って消えてしまうはずだった。\ `......He had then supposedly scattered and disappeared like mist.`\ ;　それをベルンカステルが掻き集めてきた。@ ;　よくも人の形にまで戻せたものだ。\ `Bernkastel had managed to scrape him together.`@ `It's surprising that she even managed to bring him back into a human form.`\ ;　しかし、肉体は戻っても、魂がまだ戻ってこない。@ ;　……ベアトリーチェに存在を否定されて吹き飛ばされた。@ ;　容易には戻らない。\ `However, even though his flesh had returned, his soul had not.`@ `......It had been blown away by Beatrice after having its existence denied.`@ `It wouldn't come back easily.`\ bg Different_space_1c,0 ld c,$BER_DefA1,26 ;「……………戦人もこの戦いを逃げないわよ。@あんたに勝つまでね。@……勝ち目がなくなってきたからって、全て投げ出して逃げるなんて、そんな無粋を許しはしない。@/ `"............You will not run from this fight either, Battler.`@` Not until you win.`@` ......Just having your chance of winning disappear won't mean that you'll be permitted the inelegance of throwing everything away and running. `@/ ld c,$BER_DefA2,80 ;彼だって、そんなことを望んではいないわ。@…………でしょう、右代宮戦人…？」\ ;＜ベルン `He doesn't want that himself.`@` ............Right, Ushiromiya Battler...?"`\ bg Different_space_1a,23 ;ld c,$BUT_NayamuA4,22 me1v 16,40 ;　戦人は答えない。@ ;　……心がまだ、死んでいる。@ `Battler didn't answer.`@ `......His heart was still...dead.`@ br ;　問い掛けに、わずかに目を震わせるが、返事は出来ない。\ `His eyes wavered slightly at the question, but he couldn't answer.`\ ld r,$ENJ_komaruA4,24 ;「戦人…！/ `"Battler...! `/ quakey 3,300 ;@　しっかり！@　あなたはここにいるわよ。@そして敵は目の前にいる…！@　戦って！@　勝つために！！」\ ;＜縁寿 @`Get ahold of yourself!`@` You are here.`@` And the enemy is before your eyes...!`@` Fight!`@` Fight to win!!"`\ ;　戦人はぼんやりとそれを、うわ言のように復唱する。@ `Battler lazily repeated that, speaking incoherently.`@ br ;　………戻ってきた。\ `.........He'd come back.`\ ;　魂に負った傷は浅くない。@ `The wound he bore on his soul was no small thing.`@ br ;　それは無理からぬこと。@ ;　ベアトリーチェに赤を織り交ぜ、否定された。@ `That was only natural.`@ `Beatrice had woven her red, and he had been denied.`@ br ;　敬愛していた母親が、生みの親でなかったことを知り、@………自分が誰なのかわからないのだ。\ `He had learned that the mother he had respected was not his birth mother,`@` ......and he didn't know who he was.`\ bg black,22 ;　……自分は右代宮戦人では、/ ;!d800……ない…………。\ `......He was not, `/ !d800`......Ushiromiya Battler............`\ bg Different_space_1a,0 ld c,$ENJ_ikariA1,1 se1 11 quakey 3,400 ;「馬鹿なこと言ってんじゃないわッ！@　あんたは他の誰でもない、右代宮戦人よ！@/ `"Don't talk stupid!`@` You are Ushiromiya Battler, no one else! `@/ ld c,$ENJ_KomaruA4,80 ;　誰が認めようと否定しようと、あなたがそれを信じなさい…！！@　あなたの世界はね、あなただけが作れるのよ。@あなたが右代宮戦人である世界を、失わないで！」\ ;＜縁寿 `No matter who acknowledges that or denies that, make sure you believe it yourself...!!`@` You know, you are the only one who can create your own world.`@` Don't lose the world where you are Ushiromiya Battler!"`\ ;ld c,$BUT_nayamua1,80 bg Different_space_1c,25 ;!s0「……………じゃあ、/ ;!d800…………俺は、/ ;!d800……誰なんだよ………？@　お袋の子じゃないんだぜ……？@　俺はどこから生まれてきたんだよ……？」/ !s0`"...............Then, `/ !d800`............who, `/ !d800`......am I.........?`@` I'm not Mom's child, right......?`@` Where was I born from......?"`/ !sd\ ;＜戦人 ;　戦人は輝きの戻らぬ瞳で、ぼんやりと天井を見たまま、それを問う。@ `As Battler's eyes, which still hadn't regained their sparkle, stared lazily up at the ceiling, he asked that question.`@ br ;　もちろん彼女は即答する。\ `Of course, she answered right away.`\ bg Different_space_1b,0 ld r,$ENJ_nayamuA1,26 ;「えぇ、そうね。@ベアトが赤き真実で宣言したわ。@/ `"Yes, that's right.`@` Beato proclaimed it with the red truth. `@/ ld r,$ENJ_FumanA1,80 ;……だから私も宣言する。@/ `......So I'll proclaim it too. `@/ se1 59 ;#ff0000右代宮戦人は右代宮明日夢の息子ではないわ。#ffffff」\ ;＜縁寿 `#ff0000Ushiromiya Battler is not Ushiromiya Asumu's son.#ffffff"`\ ld l,$BEA_iiwakeA1,23 ;「………ふっ、……なれば、我がゲームの対戦相手の資格はないではないか…。」\ ;＜ベアト `".........Hmph, ......in that case, he is not qualified to be the opponent in my game, correct...?"`\ ld r,$ENJ_ikariA1,80 ;「ベアトリーチェに復唱要求。@“右代宮戦人は右代宮金蔵の孫ではない”。」@ ;＜縁寿 `"Beatrice, repeat it.`@` 'Ushiromiya Battler is not Ushiromiya Kinzo's grandchild'."`@ ld l,$BEA_fukigenA1,80 E_MA ;「…………………………。」\ ;＜ベアト `"........................"`\ ;　ベアトが眉間にしわをよせながら、/ ;!d800……辛そうに苦笑いを浮かべる。\ `As Beato wrinkled her forehead, `/ !d800`......a painful-looking smile rose to her face.`\ ld r,$ENJ_nayamuA1,80 ;「復唱拒否ね。@ベアトが宣言した２つの赤き真実、@/ `"So you refuse to repeat it.`@` Beato proclaimed two red truths, `@/ se1 59 ;“#ff0000戦人は明日夢の息子ではない#ffffff”、@そして/ `'#ff0000Battler is not Asumu's son#ffffff',`@` and `/ se2 59 ;“#ff0000金蔵の孫である戦人にしか対戦相手の資格がない#ffffff”。@/ `'#ff0000No one except Kinzo's grandchild Battler is qualified to be an opponent#ffffff'. `@/ ld r,$ENJ_IkariA1,80 ;これに矛盾せずに戦人に資格を認められるのは、以下の仮説よ。@これが私の青き真実、聞きなさい…！」\ ;＜縁寿 `The following theory will have Battler be accepted as qualified without any contradictions.`@` This is my blue truth, listen to it...!"`\ bg black,25 monocro #0000ff se3v 27,100 wait 500 se1v 1006,100 se2v 57,100 bg white,1 bg black,2 monocro off se1v 2,100 ;　#5decffベアトの対戦相手の資格は、“金蔵の孫である右代宮戦人”であって、@/ `#5decffThe one who is qualified to be Beato's opponent is 'Kinzo's grandchild Ushiromiya Battler', `@/ se2v 2,100 ;“明日夢の息子”であるか否かは問題ではない。@ `and whether you are 'Asumu's son' or not is no problem.`@ se3v 2,100 br ;　即ち、あなたは明日夢の息子でなくても、金蔵の孫であることは出来る。@ `Thus, even if you are not Asumu's son, you can be Kinzo's grandchild.`@ se1v 2,100 br ;　留弗夫の息子でさえあるならば！#ffffff\ `As long as you are Rudolf's son!#ffffff`\ bg Different_space_1a,0 ld l,$BER_DefA1,0 ld c,$LAM_futekiA2,26 ld c,$LAM_akuwaraiA4,80 ;「フン、下らない言葉遊びよね？」@ ;＜ラムダ `"Hmph, isn't this just a foolish word game?"`@ ld l,$BER_DefA2,80 ;「……………青き真実、有効よ。@ベアト、赤き真実での反論は？@　赤き真実で受けられないなら、戦人の対戦資格は何の問題もない。」\ ;＜ベルン `"............Blue truth, effective.`@` Beato, your counterargument with the red truth?`@` If you cannot counter it with the red truth, there is no problem with Battler's qualifications as an opponent."`\ bg Different_space_1b,0 ld r,$BEA_majimeA1,24 ;「……………………………。」\ ;＜ベアト `"........................"`\ ;　………戦人はまだぼんやりしている。@ ;　彼女が何を言ってくれたのか、まだよく理解できないのだ。@ `.........Battler was still out of it.`@ `He still couldn't really understand what she was saying for him.`@ br ;　……しかしそれでも、少しずつ魂が戻ってきている…。\ `......But even so, his spirit was starting to come back bit by bit...`\ bg Different_space_1a,0 ld c,$BUT_nayamuA1,6 ld c,$BUT_KuyasigaruA1,80 ;!s0「………………じゃあ、/ ;!d800…………俺は、/ ;!d700………誰なんだよ……？」/ !s0`"............Then, `/ !d800`............who, `/ !d700`.........am I......?"`/ !sd\ ;＜戦人 ld l,$ENJ_komaruA4,23 ;「しっかりなさいッ！@　あんたは右代宮戦人！@　確かに明日夢お母さんがあなたを生んだわけではないかもしれない。@でも、だから何？！@　あなたにとって母親であることに、何も変わりはないでしょう？！\ `"Get ahold of yourself!`@` You are Ushiromiya Battler!`@` Yeah, maybe Asumu okaa-san didn't give birth to you.`@` But so what?!`@` That doesn't change in the slightest the fact that she was a mother to you, right?!`\ ld l,$ENJ_HanbesoA3,80 ;　………例えば、あなたにとって右代宮縁寿は何？@　血は繋がってないかもしれないけど、それでも妹でしょ？！@　血じゃないでしょ、絆でしょうッ？！」\ ;＜縁寿 `.........For example, what is Ushiromiya Ange to you?`@` You might not share the same blood, but she's still your little sister, right?!`@` It's not about blood, it's about bonds, right?!"`\ ld c,$BUT_OdorokiA3,80 ;「…………そりゃ、そうさ……。@……縁寿は、……血が繋がってなくても、/ ;!d800………妹だ。」@ ;＜戦人 `"............That's...right......`@`......Even though we don't share the same blood, ......Ange is, `/ !d800`.........my little sister."`@ ld l,$ENJ_komaruA4,80 ;「赤で言って！@　縁寿は妹だって言って！！」\ ;＜縁寿 `"Say it in red!`@` Say that Ange is your little sister!!"`\ ld c,$BUT_KuyasigaruA1,80 ;「………/ `".........`/ se1 59 ;#ff0000縁寿は、……俺の妹だ#ffffff。@/ `#ff0000Ange is, ......my little sister#ffffff. `@/ ld c,$BUT_niramuA3,80 ;…………ぁ、…………言えた。」\ ;＜戦人 `............ah, ............I could say it."`\ cl a,0 ld c,$BUT_KomaruA3,22 ld r,$ENJ_KomaruA4,64 ld c,$BUT_KuyasigaruA1,1 se1 12 quakex 4,600 ;　まだぼんやりして、椅子に全身を預けている戦人を、後から強く抱き締める。@ ;　痛いくらいに。\ `She hugged Battler, who was still out of it and slumped in his chair, strongly from behind.`@ `So much that it hurt.`\ ld r,$ENJ_hanbesoA2,80 ;「どういう事情で、明日夢お母さんがあなたの生みのお母さんじゃないかはわからない。@でも、あなたは今日まで、そして今でも母親だと信じてるでしょう？！@　世の中にはね、母親さえ、/ ;!d800……家族さえいない人だって大勢いるのよッ！！\ `"I don't know why Asumu okaa-san wasn't your birth mother.`@` But still, until today and even now, you believe that she is your mother, right?!`@` In this world, there are plenty of people without even a mother, `/ !d800`......without even a family!!`\ ld r,$ENJ_IkariA1,80 ;　明日夢お母さんはあなたを寂しがらせたことがある？@　ないでしょ？！@　あなたの平和だった家族を簡単に捨て去らないでッ！！@　あんたは６年も家族のもとから離れてたから家族の絆が希薄過ぎるのよ！！\ `Did Asumu okaa-san ever let you feel lonely?`@` Never, right?!`@` Don't throw your peaceful family away so easily!!`@` Your family bonds have gotten too thin after leaving your family for six years!!`\ ld r,$ENJ_HanbesoA2,80 ;　もっともっと、家族の絆を強く感じて！@　思い出して！！@　明日夢お母さんのためにも、こんな下らない魔女の妄言で、愛情を失わないでッ！」\ ;＜縁寿 `You have to feel those family bonds much, much more strongly!`@` Remember!!`@` For Asumu okaa-san's sake as well, don't lose your affection over a foolish witch's rant like this!"`\ ld c,$BUT_nakuA2,80 ;「………………………。@………そうさ……。@……お袋は、……いつだって俺の味方だったんだ……。@/ `"..................`@`.........You're right......`@`......Mom was, ......always on my side......`@/ ld c,$BUT_NakuA3,80 ;!s0……………ここはどこだよ……？@　……暗ぇよ……、/ ;!d800……帰りてぇよ……。@俺の家族は、/ ;!d600みんなは、/ ;!d800……どこなんだよ………。」/ !s0`...............Where is this place......?`@` ......It's dark......, `/ !d800`......I want to go home......`@` Where's, `/ !d600`all of my, `/ !d800`......family.........?"`/ !sd\ ;＜戦人 ;　戦人の目にまだ光は戻らない。@ ;　でも、……涙が浮かぶ。\ `The light still hadn't returned to Battler's eyes.`@ `But, ......tears appeared.`\ ld r,$ENJ_hanbesoA3,80 ;「お家であなたの妹が帰りを待ってるわ。@せめてあなただけでも帰ってあげないと、……彼女はいつまでも独りぼっち…！@　妹のためにも、どうか魔女のゲームに勝って…！！」\ ;＜縁寿 `"Your little sister is waiting at home for you to come back.`@` If even you don't come back, ......she will be all alone forever...!`@` For your little sister's sake, please win this witch's game...!!"`\ ld c,$BUT_nakuA2,80 ;!s0「…………縁寿……、/ ;!d500俺の、/ ;!d600……妹………。@……でもよ、/ ;!d700………わからねぇんだ…。@………どうして、/ ;!d500俺はベアトと、こんなわけのわかんねぇ、残酷なゲームを永遠に繰り返さなきゃならねぇんだ……？@　………もう、/ ;!d900……嫌だ………。」/ !s0`"............Ange......, `/ !d500`my, `/ !d600`......little sister.........`@`......But still, `/ !d700`.........I don't get it...`@`.........Why, `/ !d500`do I have to keep repeating this incomprehensible, cruel game with Beato......?`@` .........I've, `/ !d900`......had enough........."`/ !sd\ ;＜戦人 ld r,$ENJ_IkariA2,80 ;「なら、早くこんなゲームに決着をつけて、お家へ帰りなさいッ！！@　右代宮戦人、いつまでこんなところで遊んでいるのッ？！@　妹が帰りを待ってるわよッ！！！」\ ;＜縁寿 `"In that case, settle this game quickly and go back home!!`@` Ushiromiya Battler, how long are you going to play around in a place like this?!`@` Your little sister is waiting for you to come home!!!"`\ bg black,22 bg Different_space_1c,22 ;　………そう。@ `.........That's right.`@ br ;　戦人は気付いた時にはもう、このおかしなゲームに巻き込まれていた。@ `Battler was caught up in this strange game before he even knew it.`@ br ;　そして、何のために戦うかさえもわからないまま、@ずっとずっと、魔女のペースに飲み込まれて、遊ばれ、戦わされてきた。\ `And, still unable to understand why he was fighting,`@` he had been constantly sucked into the witch's pace, played with and made to fight.`\ ;　それはもっとも素朴な、最初の疑問であるべきなのだ。@ `That should have been the most simple and first question.`@ br ;　……そこが理解できてないから、戦いの目的を喪失してしまう…！！@ `......Because he didn't understand that, he had lost his purpose in fighting...!!`@ br ;　だから私の声が、戦人の耳に、届かない…！\ `That's why my voice won't reach Battler's ears...!`\ ;　魔女に勝つためとか、許せないとか、そんなあやふやな目的じゃなくて。@ `Instead of a vague purpose, like winning against the witch, or because he couldn't forgive her...`@ br ;　……彼には、必ず勝つための目的を自覚しなくてはならない。\ `......He had to be aware of a purpose for which he must win.`\ ;ld c,$BUT_nakuA2,80 bg black,22 me1v 5,50 ;!s0「………そうだ……。@……帰りたい……、/ ;!d500……親父やお袋、/ ;!d600……縁寿のところに帰りたい……。@………もう嫌だ、/ ;!d600……ここは嫌だ……。@……もう魔女は嫌だ、ゲームも殺人も嫌だ……、/ ;!d800……嫌だ、/ ;!d400嫌だ……。」/ !s0`".........That's right......`@`......I want to go home......, `/ !d500`......I want to go home to Dad and Mom, `/ !d600`......and Ange......`@`.........I've had enough, `/ !d600`......enough of this place......`@`......I've had enough of witches, I've had enough of games and murders......, `/ !d800`......enough, `/ !d400`enough......"`/ !sd\ ;＜戦人 bg Different_space_1c,0 ld l,$BER_DefA1,0 ld r,$LAM_futekiA2,26 ld r,$LAM_akuwaraiA3,80 ;「戦人の魂が、…戻り掛けてる。」@ ;＜ラムダ `"Battler's soul, ...is starting to come back."`@ ld l,$BER_DefA2,80 ;「……………でも、あとちょっとが、届いていない。」\ ;＜ベルン `"............But it can't quite reach."`\ bg black,26 bg Different_space_1a,0 ld c,$ENJ_hanbesoA3,22 ld c,$ENJ_IkariA2,80 ;「もう嫌でしょう？！@　なら、家族のもとへ帰るためにも戦って！！@　ベアトリーチェを打ち破って、帰ってきて！！」\ ;＜縁寿 `"You've had enough, right?!`@` Then fight so that you can return to your family!!`@` Destroy Beatrice and go home!!"`\ mbg black,22 fedexx 0,50,0,0,0,0,1000 mcbg 0 cl c,0 ld l,$ENJ_IkariA2,0 ld r,$BUT_nakuA2,2 ld r,$BUT_nakuA3,80 ;「嫌だ、……もう魔女は嫌だ…！@　ベアトも嫌だ、…どいつもこいつも嫌だ、お前も嫌だ、お前だってどうせきっと、魔女の仲間だ…。@いつまた裏切るかもわからない…！！\ `"No, ......I've had enough of witches...!`@` Enough of Beato, ...enough of everything...and you too, you're probably just another one of the witch's allies...`@` I could be betrayed again at any time...!!`\ cl a,0 ld c,$BUT_NakuA1,24 se1 12 se2 2 quakex 4,500 se3 59 ;#ff0000　何も信用できない、赤くない言葉は何も信用できない…！！/ `#ff0000You can't trust anything, you can't trust any words that aren't red...!!`/ #ffffff ;@　俺に構うな、構うなぁあああぁあああぁ！！」\ ;＜戦人 @`Don't bother me, don't bother meeeeeeeeeeee!!"`\ ;　戦人の魂が吼える。@ ;　それを、彼女は後から痛いくらいに強く、その頭を抱き締める。\ `Battler's soul howled.`@ `She hugged his head from behind, strong enough that it hurt.`\ ;ld c,$ENJ_hanbesoa2,80 se1v 11,85 bg black,1 ;wait 1000 fedexx 90,50,0,0,0,0,1000 se1 59 ;!s0「#ff0000早く帰ってきて、お兄ちゃんッ！！@/ !s0`"#ff0000Come home quickly, Onii-chan!! `@/ se2 59 ;　私を独りぼっちにしないでッ！！！#ffffff」/ `Don't leave me all alone!!!#ffffff"`/ !sd\ ;＜縁寿 bg Different_space_1b,0 mld c,$BUT_nakuA2,22 mld c,$BUT_NakuA3,80 ;「……………え、……。@………お前、/ ;!d500………、……誰……。」\ ;＜戦人 `"...............Huh, ......`@`.........who, `/ !d500`........., ......are you......?"`\ ld r,$ENJ_hanbesoA2,24 se1 59 ;「#ff0000私よ、縁寿よ…！！#ffffff@/ `"#ff0000It's me, it's Ange...!!#ffffff `@/ se2 59 ;　#ff0000お父さんもお母さんもお兄ちゃんも、誰も帰ってこないッ！！#ffffff@/ `#ff0000Dad and Mom and Onii-chan...no one comes home!!#ffffff `@/ ld r,$ENJ_HanbesoA3,80 se3 59 ;　#ff0000寂しいよ！！#ffffff@/ `#ff0000I'm lonely!!#ffffff `@/ se1 59 ;　#ff0000お願いだからッ、早く帰ってきてッ！#ffffff」\ ;＜縁寿 `#ff0000I beg you, come home quickly!#ffffff"`\ mld c,$BUT_nakuA2,80 ;「……え、………縁寿……。@………お前、………縁寿だったのか…………。」\ ;＜戦人 `"......A, .........Ange......`@`.........You were, .........Ange............?"`\ ld r,$ENJ_hanbesoA2,80 se1 59 ;「#ff0000そうよ、縁寿よ！！#ffffff@/ `"#ff0000That's right, I'm Ange!!#ffffff `@/ se2 59 ;　#ff0000誰も帰って来ない世界の右代宮縁寿…！！#ffffff@/ `#ff0000The Ushiromiya Ange of a world where no one comes home...!!#ffffff `@/ se3 59 ;　#ff0000………私の家族は全て、あの日の六軒島から帰って来ない…！！#ffffff\ `#ff0000.........My entire family...never came home from Rokkenjima that day...!!#ffffff`\ ld r,$ENJ_hanbesoA3,80 se1 59 ;　#ff0000目の前のあの魔女が、家族を全て、お兄ちゃんさえも奪い取ってしまった…！#ffffff@/ `#ff0000The witch before your eyes stole away my whole family, even you, Onii-chan...!#ffffff `@/ se2 59 ;　#ff0000………お兄ちゃんだけが、あいつをやっつけられる！！#ffffff@/ `#ff0000.........Only you can finish her, Onii-chan!!#ffffff `@/ se3 59 ;　#ff0000あいつをやっつけて…！！#ffffff\ `#ff0000Finish her...!!#ffffff`\ ld r,$ENJ_HanbesoA2,80 se1 59 ;　#ff0000そして、家族を取り戻して！！#ffffff@/ `#ff0000Then, take your family back!!#ffffff `@/ ld r,$ENJ_hanbesoA3,80 se2 59 ;　#ff0000そして、………私のところに帰ってきて……！！！#ffffff」\ ;＜縁寿 `#ff0000And then, .........come home to me......!!!#ffffff"`\ mld c,$BUT_nakuA1,80 ;「……………ベアトが、/ ;!d500……俺の家族を………。」\ `"............Beato did, `/ !d500`......to my family........."`\ csp -1 bg black,23 bg Different_space_1a,0 ld c,$BEA_nayamuA1,23 ;「……ふ、…………そうとも。@/ `"......Hmph, ............as she says. `@/ ld c,$BEA_majimeA1,80 ;逃げも隠れもせぬわ。@……妾が右代宮縁寿から家族を奪った。\ `I will not run away or hide from it.`@` ......I stole Ushiromiya Ange's family away from her.`\ ld c,$BEA_fumanA2,22 wait 1000 ld c,$BEA_waraiA1,22 E_MA se1v 2,100 mbg white,1 mcbg 0 ld c,$BEA_akuwaraiA2,80 ;　戦人は妾の玩具よ！@　その父親も母親も全て玩具よ。@……そなたには返さぬわ。@……永遠に独りぼっちで、帰らぬ家族の帰りを待って、彷徨い続けるがいいわ……！」\ ;＜ベアト `Battler is my toy!`@` His father and mother are both my toys.`@` ......I won't give them back to you.`@` ......You may continue to wander all alone forever, awaiting the return of your family that will not return......!"`\ bg black,25 bg Different_space_1c,22 ;　抱き締める縁寿の腕から、…………たった一人残された妹の、@……あまりに辛く悲しく、寂しい日々が、戦人の中に流れ込んでくる……。\ `From Ange's arms that held him, ............the very painful, sad, and lonely days...`@`...that his little sister, who had been left all alone, had gone through...flowed into Battler......`\ se1v 22,70 bg black,2 ;　……自分がこんなところで遊んでいたせいで、@…………ひとり残された妹は、………こんなにも、@…………辛い日々を……………！！\ `......Because he had been playing around in a place like this,`@` .........his little sister had been left all alone, .........and had been forced to endure`@`............such painful days............!!`\ ld c,$BUT_nakuA1,26 se1 11 quakey 3,300 ;「…縁寿、………縁寿………！！@　くそ、……俺は、………何をやってたんだ………！！@　ありがとうな、縁寿…。@お兄ちゃんは、……大切なことをずっと忘れていた……！」\ ;＜戦人 `"...Ange, .........Ange.........!!`@` Damn, ......I, .........what am I doing.........?!!`@` Thanks a bunch, Ange...`@` Onii-chan, ......has been forgetting something important this whole time......!"`\ ;　戦人は振り返ろうとするが、@縁寿はものすごい力で戦人の頭にしがみ付いていて、振り返ることが出来なかった。\ `Battler tried to turn around,`@` but Ange was hanging onto Battler's head with an incredible force, so he couldn't turn back.`\ textoff se1 35 bg blood_2a,1 ;　……汗？@ `......Sweat?`@ textoff se2 35 bg blood_2b,1 br ;　熱い雫がぼたりぼたりと戦人のうなじを濡らす。\ `Hot drops were splashing the nape of Battler's neck.`\ ;　……それの正体を、自分にしがみつく縁寿の腕を抱いていて、知る。@ `......What they were...he knew from holding Ange's arm that clung to him.`@ br ;　………戦人の手を、指を、赤く染めたから。\ `.........Because it stained Battler's hand...his fingers...red.`\ ;ld c,$BUT_odorokiA2,80 ;「………血…、/ ;!d600……え、縁寿？！@　だ、大丈夫か？！@　お、おい……？！」\ ;＜戦人 `".........Blood..., `/ !d600`......A, Ange?!`@` A, are you alright?!`@` H, hey......?!"`\ me1v 28,70 textoff se3 35 bg blood_2c,1 wait 600 se1 35 bg blood_2d,1 ;　それは、ぼたりぼたりと、ぼたぼたと。@ `It dripped and splashed.`@ br ;　何が何やらわからない。@ `He didn't know what was going on.`@ br ;　戦人には振り向けないからわからないが、@きっとこの背中全体に染みるこの熱い雫は全て、……血なのだ。\ `Battler didn't know because he couldn't turn around,`@` but the hot drops that stained his entire back were surely, ......blood.`\ ;ld c,$ENJ_hanbesoA1,80 ;!s0「…………お兄ちゃんを助けるために、/ ;!d600ここに来るために、@/ ;唯一守らなきゃいけないルールが、/ ;!d800……あったの…。@…………それが、/ ;!d900…………これ。@………お兄ちゃんに、/ ;!d600…………私が縁寿だと、/ ;!d900………知られてしまう、/ ;!d600……こと………。」/ !s0`"............In order to save you, Onii-chan, `/ !d600`in order to come here, `@/ `there was a single rule, `/ !d800`......that I had to keep...`@`.........This, `/ !d900`............is it.`@` ......Letting you, Onii-chan, `/ !d600`.........know, `/ !d900`.........that I was, `/ !d600`......Ange........."`/ !sd\ ;＜縁寿 bg Different_space_1c,2 ;　……辛かったよ………。@ `......It was tough.........`@ br ;　お兄ちゃんが目の前にいるのに、……それを口に出来ないなんて………。\ `To think that even though Onii-chan was right before my eyes, ......I couldn't even say that.........`\ ;　このルールさえ守れば、……ずっと永遠にお兄ちゃんの側にいられるはずだった。@ `As long as I followed this rule, ......I should have been able to stay by Onii-chan's side for all eternity.`@ br ;!s0　………お兄ちゃんと一緒に、/ ;!d600…魔女と戦うゲームを、/ ;!d1000……永遠に遊べるはずだった……。/ !s0`.........I should have been able, `/ !d600`...to play in the game against the witch, `/ !d1000`......for eternity with Onii-chan......`/ !sd\ se1v 2,100 bg black,1 ;ld c,$ENJ_nakuA2,80 ;!s0「でも、/ ;!d500………それじゃ駄目。@/ !s0`"But, `/ !d500`.........that's no good. `@/ se1 35 bg blood_2a,1 ;…………お兄、/ ;!d600……ッ、/ ;!d400………ちゃんは、/ ;!d300……帰らなきゃ。@/ `............Onii, `/ !d600`......ah, `/ !d400`.........chan, `/ !d300`......unless you come back...`@/ se2 35 bg blood_2b,1 ;………お家で、/ ;!d600……あなたの妹が待っているもの……。@/ `.........At your house, `/ !d600`......your sister will be waiting......`@/ se3 35 bg blood_2c,1 ;………それは私のことではないけれど、/ ;!d900…………それで、あなたの妹は、/ ;!d500…救われる………。」/ `.........That person isn't me, `/ !d900`............but this way, your sister, `/ !d500`...will be saved........."`/ !sd\ ;＜縁寿 ;ld c,$BUT_odorokiA2,80 bg Different_space_1a,0 mld c,$BUT_KuyasigaruA1,22 mld c,$BUT_OdorokiA2,80 ;「縁寿？！@　縁寿！！@　こんなに血が…！！@/ `"Ange?!`@` Ange!!`@` There's so much blood...!! `@/ ;mld c,$BUT_MajimeA4,80 ;　こんなに、こんなに！！」\ ;＜戦人 `So much, so much!!"`\ ;　振り向きたいが、縁寿に力強く頭を抱えられ、振り向けない。@ `He wanted to turn around, but Ange gripped his head tightly so he couldn't.`@ br ;　しかし、その溢れ出す血と縁寿の辛そうな息遣いで、@彼女が今、大変なことになっていることは理解できた。\ `However, judging by the blood that was pouring out and Ange's pained breathing,`@` he realized that something seriously wrong was happening to her right now.`\ ;ld r,$ENJ_nakuA2,23 bg black,22 ;「…………気に…しないで………。@……私は所詮、……駒だから……。@………あのね、チェスではね、……サクリファイスって、言うんだって……。」\ ;＜縁寿 `"............Don't...worry.........`@`......I am just, ......a piece......`@`.........You know, in chess, ......they have this thing called a sacrifice......"`\ mld c,$BUT_kuyasigaruA1,80 ;「サクリ、……何だって？！@/ `"Sacri, ......what the?! `@/ mld c,$BUT_OdorokiA1,80 ;　そんなことはどうでもいい！！@　早く手当てを！！@　この手を一度離すんだ、縁寿…！！」\ ;＜戦人 `Who cares about that!!`@` Let's get you some first-aid quickly!!`@` Let go for a second, Ange...!!"`\ mcl c,0 bg Different_space_1b,0 ld r,$BEA_nayamuA1,24 ;「……………サクリファイスとは、捨て駒のことよ。@戦略的展望のために、わざと損を承知で駒を見捨てることを言う…。」\ ;＜ベアト `"............A sacrifice...is a thrown piece.`@` For a tactical prospect, you intentionally acknowledge the loss and let a piece go..."`\ csp -1 bg black,22 bg chess1,22 ;　チェスにおいての至上目的は相手に勝利すること。@ ;　……だから、最終的にそれに結びつくならば、個々の駒の犠牲は問題にならない。\ `In chess, the ultimate goal is victory.`@ `......So, if it can bring you to victory in the end, there is no problem with sacrificing a few individual pieces.`\ ;　縁寿は、冷静に判断したのだ。@ `Ange had cooly made a decision.`@ br ;　………繰り返し、自分はプレイヤーではなく駒だと教えられてきた。@ ;　……駒らしく振舞い、戦人を救うには、今、自らが捨て駒とならねばならないのだ。\ `.........She had been taught over and over again that she was a piece, not a player.`@ `......In order to act like a piece and save Battler, right now, she would have to become a sacrificial piece herself.`\ ;　…………戦人は、知らなければならない。@ `............Battler had to know.`@ br ;　この魔女のゲームの目的は、魔女をやっつけるなんて抽象的なものであってはならない。@ ;　ゲームに打ち勝ち、自らを解放し、家族を連れ帰らなければならないのだ。\ `His purpose in this witch's game couldn't be something as abstract as finishing off the witch.`@ `He had to win the game, release himself, and take his family back home.`\ bg black,22 ;　なぜ？@　………帰りを待っている、妹という家族がいるから。\ `Why?`@` .........Because he had family, a little sister, who was waiting for him to come home.`\ ;　右代宮縁寿の声を届けるために、生み出された存在。@ `A being who was created so that Ushiromiya Ange's voice could reach.`@ br ;　それが私、エンジェ・ベアトリーチェ…！！\ `That is me, ANGE Beatrice...!!`\ ;　私という駒を生贄に、@お兄ちゃんに戦う意思を、目的を！@ `Use the piece I am as a sacrifice for Onii-chan's fighting spirit, for his purpose!`@ br ;　私の目的はお兄ちゃんと永遠に魔女のゲームで遊ぶことじゃない！@ `My purpose is not to play with Onii-chan in a witch's game for all eternity!`@ br ;　私は右代宮縁寿の嘆きと悲しみを、あなたに届けに来たッ！@　それこそが私の揺るぎ無い目的！\ `I came to bring you Ushiromiya Ange's mourning and sadness!`@` That is my unshakable purpose!`\ ;ld c,$BUT_nakuA1,80 textoff se1 35 bg blood_2a,1 wait 500 se1 35 bg blood_2b,1 wait 400 se1 35 bg blood_2c,1 ;「………縁寿！！@　縁寿！！@　うおおおぉおおおおおおぉ！！」/ `".........Ange!!`@` Ange!!`@` Aaaaaaaaaarrrghhh!!!"`/ quakex 4,400 \ ;＜戦人 ;　戦人を抱き締めるその白くか細い腕は、……まるで蝋のように白く透き通っている。@ `The white, thin arm that held Battler, ......became pale and transparent, almost like wax.`@ br ;　…なのに鮮血が、あまりにも残酷に、それを染めている……。\ `...And even so, the fresh blood...stained it so cruelly......`\ textoff se1 35 bg blood_2d,1 ;!s0「…私は………、/ ;!d500…もう消えちゃうけれど……。@……お兄ちゃんは、がんばって戦って、/ ;!d900………きっと、私のところへ/ ;!d500………帰ってきてね………。@/ !s0`"...I will........., `/ !d500`...disappear now, but......`@`......Onii-chan, fight with all you've got, `/ !d900`.........and I'm sure, you will`/ !d500`.........come back to me.........`@/ textoff se1 35 bg blood_2e,1 ;…………待ってるよ、/ ;!d900…………ずっと……………。@……お兄ちゃんをもっといっぱい、手助けしてあげるつもりだったのに、/ ;!d600……何も出来なかった。@……ごめんね…………………。」/ `.........I'll be waiting, `/ !d900`............always..................`@`......I had planned on helping you out a lot more than this, `/ !d600`......but I couldn't do anything.`@` ......Sorry....................."`/ !sd\ ;＜縁寿 bg Different_space_1a,0 mld c,$BUT_nakuA1,26 ;「い、いいんだ……！！@　お前は俺に、……教えてくれたじゃねぇか……！@　どうして俺が、勝たなくちゃならないか…！@　そして俺が、…絶対に勝って、お前のところに帰ってやらなくちゃ、って……！！\ `"D, don't worry about that......!!`@` You, ......taught me, didn't you......?!`@` You taught me why I must win...!`@` And that, ...I have to win for certain, and come back to you......!!`\ mld c,$BUT_sakebuA2,80 quakey 3,300 ;　俺は、………何をこんなところでぼんやりと遊んでいたんだ……！！@　あぁ、もうこんなところで遊んでなんかいないぞ…！！@　帰るからな、帰るからな！！@　お土産持って、きっと帰るからなッ、約束する……！！！」\ ;＜戦人 `What, .........am I doing, lazing about in a place like this......?!!`@` Yeah, I won't be playing in a place like this anymore...!!`@` 'Cause I'll come back, I'll come back!!`@` I'll definitely come back, bringing a souvenir, I promise......!!!"`\ ;ld r,$ENJ_NakuA2,23 ;!s0「…………いらないから、/ ;!d800…………ひとつだけ約束して……。」/ !s0`"............I don't need one, `/ !d800`.........so promise me one thing......"`/ !sd\ ;＜縁寿 mld c,$BUT_nakuA1,80 ;「何だよ、何でも約束する…ッ！！」\ ;＜戦人 `"What? I'll promise anything...!!"`\ ;ld r,$ENJ_nakuA2,23 ;!s0「……この手を、今から離すね……。@痛かったでしょ……？@　ぎゅっとしてて、/ ;!d600………ごめんね………。@………私は大丈夫だから、/ ;!d600……振り返らなくていいから…。@　………だから最後にお兄ちゃんの、/ ;!d800……一番かっこいいところを、/ ;!d600……見せて………。@……席を立って、/ ;!d600……目の前の魔女を指差して、/ ;!d900……ゲームの再開を宣言して………。」/ !s0`"......In a second, I'm going to let go of this hand......`@` It hurt, didn't it......?`@` I held it so tightly, `/ !d600`.........sorry.........`@`.........I'm alright, `/ !d600`......so you don't have to turn around...`@`.........So in the end, `/ !d800`......show me the coolest part of you, `/ !d600`......Onii-chan.........`@`......Rise from your seat, `/ !d600`......point at the witch before your eyes, `/ !d900`......and proclaim that the game will reconvene........."`/ !sd\ cl r,4 ;　縁寿の手が、……するりと、/ ;!d900………後へ消える。@ `Ange's hand, ......slid, `/ !d900`.........and disappeared behind me.`@ br ;　そこには、彼女の爪から滲んでいた血の指の跡がくっきりと残されていた…。\ `There were bloody fingerprints left behind, blurred by her fingernails...`\ ;　しかし俺はすぐに振り返る。@ ;　縁寿の怪我を手当てするために…！\ `But I turned around right away.`@ `To take care of Ange's wounds...!`\ csp -1 E_A bg black,0 ld r,$ENJ_nakuA2,64 bg black,2 ;!s0「縁寿ええぇえぇッ、/ ;!d400ぇぇぇ…ぇ………、/ ;!d600……………………。@……縁寿…？」/ !s0`"Angeeeeeeeee, `/ !d400`eeee...ee........., `/ !d600`.....................`@`......Ange...?"`/ !sd\ ;＜戦人 me1v 16,50 bg Different_space_1b,0 ld c,$LAM_futekiA3,22 ;「あ〜あ、振り向いちゃ駄目って、約束したのにィ…。」@ ;＜ラムダ `"Aa~ah, and you even promised that you wouldn't turn around..."`@ ld r,$BUT_odorokiA2,80 ;「……え、……縁寿……………。@ぁ、ぅ、…ど、どこへ……、」\ ;＜戦人 `"......A, ......Ange............`@`ah, ooh, ...wh, where......"`\ textoff bg black,22 bg blood_1a,42 ;　俺の椅子の後には、@/ ;!s0………まるで、……血の詰まった西瓜をまとめて十個くらいを、/ ;!d500……叩き潰したような、@ ;……ぐちゃぐちゃぼきゅぶぎゃの、/ ;!d600……山があった…。@ `Behind my chair, `@/ !s0`.........as though, ......about ten watermelons packed with blood, `/ !d500`......had been smashed, `@ `......there was a sticky, pulpy, `/ !d600`......mountain...`@ br ;　そしてその血と挽き肉の山の周りに、/ ;!d800……縁寿の着ていた服や靴が、@……脱ぎ捨てたようにぐしゃぐしゃに潰れていた…。/ `And around that mountain of blood and minced meat, `/ !d800`......the clothes and shoes Ange had been wearing,`@` ......lay crumpled as though they had been taken off and thrown away...`/ !sd\ ;　……まるで、人間の中身だけを、磨り潰して捨てたかのように。@ `......As though, just a human's insides had been pulverized and thrown away.`@ br ;　……ついさっきまでそこに立っていた縁寿をそのままに、潰してしまったかのように………。\ `......As though Ange, who had been standing there until a second ago, had been crushed.........`\ bg Different_space_1b,0 ld l,$BER_DefA1,0 ld c,$LAM_FutekiA3,26 ld r,$BUT_komaruA1,24 ;「縁寿……？@/ `"Ange......? `@/ ld r,$BUT_OdorokiA2,80 ;　え、……縁寿はどこだよ……？@　縁寿はどこに消えたんだよ……？@/ `Wh, ......where is Ange......?`@` Where did Ange disappear to......? `@/ ld r,$BUT_sakebua1,80 ;　お、おい！/ `H, hey! `/ se1 12 quakey 3,300 ;@　縁寿はどこに消えたんだよ？！」\ ;＜戦人 @`Where did Ange disappear to?!"`\ ld l,$BER_DefA2,0 ld c,$LAM_AkuwaraiA3,80 ;　幼そうな二人の魔女は何も言わず、ただ無言で、@………その血と肉と服の山を見ている。\ `The two young-looking witches said nothing,`@` .........and just silently looked at the mountain of blood and meat and clothes.`\ ;　でも、……俺は認めたくない。@ ;　……絶対に認めたくないッ！！！\ `But, ......I didn't want to accept it.`@ `......I definitely didn't want to accept it!!!`\ E_A bg Different_space_1a,23 ld c,$BEA_nayamuA1,24 bgm1 24 ;「………………妾は、そなたの正面で。@………ずっと見ていた。@/ `"...............I was right in front of you.`@` .........I was watching the whole time. `@/ ld c,$BEA_majimeA1,80 ;そなたの後で、縁寿が、………どうなっていくかを。」\ ;＜ベアト `Watching what happened, .........to Ange behind you."`\ cl c,0 ld r,$BEA_fukigenA3,0 ld l,$BUT_odorokiA3,23 ;「……お、……お前は知ってるのか……？@　………縁寿は、…どこへ行ったんだ………。」\ ;＜戦人 `"......D, ......do you know......?`@` .........Where, ...did Ange go.........?"`\ bg black,25 ;!s0「………生きながら。@焼けたでっかいペンチで、ひと摘み、ひと摘み、/ ;!d900……親指大の大きさに、全身の肉を引き千切って、/ ;!d800……捨てていくんだよ。@………妾は見ていた。@魔女の窯で真っ赤に焼かれた無数の残忍な工具が、縁寿を後から、@ひと摘みひと摘み、……肉を啄ばみ、捻り、引き千切り、……細切れにするのを見ていた。\ !s0`".........While she still lived, `@`pinch by pinch, massive, red-hot pincers, `/ !d900`......tore chunks of flesh the size of a thumb off of her, `/ !d800`......and threw them away.`@` .........I was watching.`@` I saw as countless cruel tools burned red-hot in the witch's furnace approached Ange from behind, `@`and one bit at a time, ......pecked at her, twisted, ripped chunks off her, ......and tore her to pieces.`\ textoff monocro #ff0000 ld c,$ENJ_nakuA2,22 se1v 1006,100 se2v 36,100 se3v 37,100 bg white,15,1000,":c;bmp\efe\blood_2a_efe.bmp" bg black,1 bg blood_2e,1 monocro off ;　…………縁寿は誇っていい。@兄と最後の言葉を交わすために、/ ;!d900……その苦痛の喘ぎを、最後まで堪えたことを、/ ;!d700……誇っていい。」/ `............Ange should be proud.`@` In order to exchange her last words with her brother, `/ !d900`......she withstood the gasping of that pain until the very end, `/ !d700`......so she should be proud."`/ !sd\ ;＜ベアト bg blood_1a,22 me1v 16,50 ;　……そんな、馬鹿なことがあっていいものか……。@ `......As if something like that could have happened......`@ br ;!s0　でも、……その肉と服の山の上に、/ ;!d600……ちょこんと転がるのは、/ ;!d900…………間違いなく、あいつが頭に付けていた、ピンクの珠の…髪飾りだ。/ !s0`But, ......on top of that mountain of flesh and clothes, `/ !d600`......what had fallen there, `/ !d900`............was without a doubt, what she had been wearing on her head, those pink-jeweled...hair ornaments.`/ !sd\ ;　正直、彼女にはちょっと子どもっぽ過ぎてあまりに似合ってないなと思っていた…。@ `To be honest, I'd actually thought they were a bit too childish for her and didn't suit her...`@ br ;　……だからよく覚えてる。\ `......So I remembered them well.`\ ;　……………縁寿は何だって、こんな安っぽい髪飾りをずっと……？@ `............Why had Ange worn such cheap hair ornaments all the time......?`@ br ;　じゃなくてじゃなくて、@……これが縁寿だなんて、/ ;!d800……そんな、/ ;!d600……、う、うぅうううぅぅ…！\ `No, no, `@`......the thought that this is Ange, `/ !d800`......couldn't be, `/ !d600`......, uu, uuuuuuuuuu...!`\ bg Different_space_1a,22 ld r,$BER_DefA2,24 ;「…………………ベアトも正直ね。」@ ;＜ベルン `"..................Beato's pretty frank."`@ ld l,$LAM_akuwaraiA2,23 ;「戦人には見えてなかったんだから、@蝶々になって飛んでいったとか言って、誤魔化しちゃえばいいのに。」\ ;＜ラムダ `"Battler didn't see it, `@`so you could have just said that she turned into butterflies and flew away, or something."`\ ;ld c,$BUT_odorokiA1,80 bg black,22 me2v 5,70 ;!s0「……お、/ ;!d600…お前らも、/ ;!d600………そ、……それを、/ ;!d800………見ていたのか……？@　え、/ ;!d500……縁寿が、/ ;!d600……ばらばらに引き千切られていくところを、/ ;!d900………見ていたのかよ…？@　見てて。@………そんな、/ ;!d600……平然とした顔を、/ ;!d800……してたのかよ………？！」/ !s0`"......Y, `/ !d600`...you guys also, `/ !d600`.........s, ......saw, `/ !d800`.........that happen......?`@` Y, `/ !d500`......you saw, `/ !d600`......Ange, `/ !d900`......get torn into little bits...?`@` You were watching, `@`.........and yet, `/ !d600`......you wore, `/ !d800`......such calm faces.........?!"`/ !sd\ ;＜戦人 bg Different_space_1c,22 ;　ベルンカステルもラムダデルタも、@そしてベアトリーチェも、何も答えず、じっと俺を、@……ある者は憐れみ、…ある者は嘲笑うように、……見ている………。\ `Without answering, Bernkastel, Lambdadelta,`@` and Beatrice stared at me,`@` ......some in pity, ...others in derision, ......watching me.........`\ ;　今までは、……グレーテルと名乗ってたから、@前回のワルギリアのこともあって、ひょっとするとベアトの手先かもしれないと思って、@味方ではあっても心を許さないように気をつけていた…。\ `Since she'd called herself Gretel,`@` and after what had happened with Virgilia in the last game, ......until now, I had thought that she might be Beato's underling,`@` and I'd been wary of her, not trusting her even though she was an ally...`\ bg black,22 ;!s0　そして、/ ;!d800…………実は縁寿だったとわかったら、/ ;!d600……その顔を見ることが許されなくて、@/ !s0`And now, `/ !d800`.........after I learn that it truly was Ange, `/ !d600`......without even being allowed to see her face, `@/ se1 36 bg blood_1a,1 bg blood_1aR,22 ;………振り返ったら、/ ;!d600……こんな、/ ;!d600………こと、/ ;!d800………なんて、/ ;!d1000…………ぅううぅおおぉ………！/ `.........I turn around, `/ !d600`......and find, `/ !d600`.........something, `/ !d800`.........like this, `/ !d1000`............uuuuuuoohhhhh.........!`/ !sd\ bg black,22 bg Different_space_1b,0 ld c,$BEA_fumanA1,26 ld c,$BEA_fumanA3,80 E_MA ;「良いではないか。@………妹のことなど。」@ ;＜ベアト `"Isn't it good?`@` .........This about your little sister."`@ ;ld c,$BUT_majimeA3,80 ;「……な、……んだと…………。」\ ;＜戦人 `"......What, ......did you say............?"`\ ld c,$BEA_majimeA2,80 ;「どうせそなたは、永遠にここから帰れなどせぬわ。@/ `"After all, you will never return from this place for all eternity anyways. `@/ ld c,$BEA_AkuwaraiA5,80 se1v 37,100 ;………そなたが帰らぬ世界の妹など、どうなろうが知ったことではなかろうが。@そなたがここで遊んでいる限り、無数の世界の縁寿が孤独となり、@今の最期と同じ苦痛を、十年以上にもかけて薄めて、強いられる。\ `.........Whatever happens to your little sister in a world where you don't come home has nothing to do with you.`@` As long as you play here, the Anges of countless worlds will live in isolation,`@` and the same pain of her final moments just now will be forced upon her, diluted over a period of more than a decade.`\ ld c,$BEA_akuwaraiA2,80 ;se1v 37,100 ;　………だが、そんなことはどうでもいいことではないか。@ここにいるそなたには視えない。@観測できない。@観測できない真実は、赤き真実を用いねば立証できない。\ `.........However, that is of no importance, correct?`@` It cannot be seen by you from here.`@` You cannot observe it.`@` An unobservable fact cannot be established except by the red truth.`\ ld c,$BEA_akuwaraiA4,80 ;　だから、縁寿のその後の不幸は、そなたの杞憂かも知れない。@…………案外、留弗夫の遺産で、のんびりと生涯働かずに暮らせてたりしてなぁ？@/ `Therefore, your anxiety over Ange's misfortune after this might be needless.`@` ............She might, surprisingly, be able to live a casual life without having to work thanks to Rudolf's inheritance, right? `@/ se1v 37,100 ;　くっくっくくくくくくく…！」\ ;＜ベアト `*cackle*cackle*cackle*cackle*...!"`\ bg black,22 me1v 17,70 ;　……それは、@…嘘だ。\ `......That's, `@`...a lie.`\ ;　縁寿の腕から、その後の全ての悲しい世界が俺に、あの一瞬で流れ込んできたから。@ `From Ange's arm, every part of the sad world that comes later had poured into me in an instant.`@ br ;!s0　俺が、/ ;!d800………こんなところで、/ ;!d600………いつまでもぼんやりと、/ ;!d900………遊んでいるから………！！/ !s0`All because, `/ !d800`.........I keep on, `/ !d600`......lazing about forever, `/ !d900`.........and playing in a place like this.........!!`/ !sd\ ;　……俺は、@俺一人のことしか考えてなかった……。\ `......I...`@`never thought about anyone but myself......`\ E_A se1v 1006,100 se2v 2,100 se3v 57,100 bg white,1 bg Different_space_1c,2 me1v 5,50 ;　こいつを倒し！@　家族を取り返して、@……俺は留守をしている、縁寿のところへ、………一秒でも早く帰らなければ………！@ `I must defeat this person!`@` I'll take back my family,`@` ......back to where Ange is waiting, .........and return as soon as possible.........!`@ br ;　こうして魔女に付き合っている間にも、@縁寿の心は、悲しみで細切れにされ続けているのだから…！！\ `Because even as I hang around with the witch like this,`@` Ange's heart continues to be torn to bits by sadness...!!`\ E_A bgm1v 107,85 bg Different_space_1b,0 ld c,$BUT_kuyasigaruA1,26 ld c,$BUT_NayamuA1,80 ;「…………縁寿、……お前が見たかったのは、/ ;!d600………これだよな……？」\ ;＜戦人 `"............Ange, ...is this, `/ !d600`.........what you wanted to see......?"`\ ;!s0　俺は、……縁寿の無残な最期を淡々と語った、その残忍なる魔女をゆっくりと、@/ ;!d600……だけれども、/ ;!d600……渾身の力で、/ ;!d800……指差す……。/ !s0`......Towards the cruel witch who had indifferently spoken of Ange's brutal last moments, I slowly, `@/ !d600`......and yet. `/ !d600`......with all my might, `/ !d800`......pointed......`/ !sd\ cl a,0 ld c,$BUT_majimeb4,26 ;「………ベアトリーチェ……。」@ ;＜戦人 `".........Beatrice......"`@ bg Different_space_1a,0 ld r,$BEA_majimeA1,23 ;「うむ。」\ ;＜ベアト `"Hmm."`\ ld l,$BUT_MAjimeA3,23 ;「…………ゲームの、再開だ。@/ `"............Resume this game. `@/ ld l,$BUT_OdorokiB1,80 ;………もう俺は逃げねぇし、……お前も逃がさない。」@ ;＜戦人 `.........I won't run away anymore, ......and I won't let you get away."`@ textoff ld r,$BEA_nayamuA1,80 wait 1000 ld r,$BEA_akuwaraiA5,80 se1v 2,100 ;「望むところよ。@妾はもはや、逃げも隠れも出来ぬわ。@………妾とそなたの決着を、確実につけようぞ。\ `"Just what I was hoping for.`@` I can no longer escape or hide.`@` .........Let us decide this between you and me for certain.`\ ld r,$BEA_akuwaraiA3,80 ;　………どちらかが勝つ。@どちらかが敗れて、滅ぶ。@それ以外の結末は、存在しない。」\ ;＜ベアト `.........One will win.`@` One will lose, and be destroyed.`@` No other resolution exists."`\ ld l,$BUT_Kuyasigarub1,80 ;「………俺は勝つ。@どれほどの時間を掛けようとも、絶対にお前を打ち破る…！！@/ `".........I will win.`@` No matter how long it takes, I will definitely smash you...!! `@/ ld l,$BUT_OdorokiB1,80 ;　この勝負にもう妥協も中断も不戦敗もないッ！！@　俺は逃げない！@　逃がさない！！\ `In this contest there will no longer be any compromise, interruptions or losing by default!!`@` I won't run away!`@` I won't let you get away!!`\ ld l,$BUT_sakebuB1,80 ;　俺を本気で倒しに来いよ…！！@　下らない騙しも誤魔化しも、おかしな交流も馴れ合いも一切必要ないッ！！@　お前と俺は敵同士…！！！@　一秒でも早く決着をつけて、………俺は縁寿のところへ家族を連れ帰らなきゃならないッ！！！」\ ;＜戦人 `Come seriously to defeat me...!!`@` There's absolutely no need for stupid tricks and deceit, or intermingling and acting friendly!!`@` You and I are enemies...!!!`@` I have to settle this as soon as possible, .........and take my family back to Ange!!!"`\ bg Different_space_1c,22 ;　……揺るぎ無き決意。@ ;　…絶対の意思。@ `......Unwavering resolve.`@ `...Certain willpower.`@ br ;　ニンゲンの絶対なる意思は絶対の魔力となる。@ ;　……それは奇跡に通じ、それを約束する。@ `A human's certain willpower becomes certain magical power.`@ `......That acts as a miracle, and makes a promise.`@ br `Yes, it's the promised `(`certain miracle`/・・・・・・・)`.`\ ;　そう、これは、約束された、(絶対の奇跡/・・・・・)。\ ;＜点処理：絶対の奇跡 br ;　………………妾の勝ちは百億にひとつも、@ `..................Is my victory impossible, without a single chance, no.........,`@ br (`even a fragment of a chance at a miracle`/・・・・・・・・・・・・・・)`?`\ ;br ;いや………、(ひとカケラの奇跡も絶対になく/・・・・・・・・・・・・・・)、 ;`no........., `(`certainly without a fragment of a miracle`/・・・・・・・・・・・・・・)`/ ;br ;ありえぬということか。\ ;＜点処理：ひとかけらの奇跡も絶対になく ;`impossible?`\ ;　………………妾の勝ちは百億にひとつも、いや………、ひとカケラの奇跡も絶対になく、ありえぬということか。 bg black,26 se1 32 ;　妾の足にはいつの間にか、音もなく、もう片方の足にも冷たく頑丈な鎖が絡みつき、@この椅子に縛り付けている…。\ `Before I knew it, a cold, stiff chain had bound my other leg without a sound,`@` tying me to the chair...`\ ;　…………妾に残されたる運命は、戦人に殺され敗北することか、@それを拒み、永遠に引き分けを繰り返すことのみ。@ `............All that is left to me is either to be killed and lose to Battler,`@` or resist that, and repeat an endless tie for all eternity.`@ br ;　……いや、殺されるための心の整理がつくまで、引き分けを繰り返すの間違いか。\ `......No, is it a mistake to repeatedly tie until I prepare my heart for death?`\ ;　いずれにせよ、妾は。@ `Either way, I...`@ br ;　………敗れるためだけに、戦わねばならぬ。\ `.........Must fight to lose.`\ bg Different_spiral_1a,22 ;　もう永遠の鎖は妾を縛り付けた。@ ;　そして戦人もまた、妾を逃さない。\ `I have already been bound by the chains of eternity.`@ `And Battler won't let me escape either.`\ ;　……みっともなく許しを乞うか…？@ ;　同情を乞うために、憐れみの心に訴えかけるか…？@ `......Should I pathetically ask his forgiveness...?`@ `Should I ask for compassion by appealing to his pitying heart...?`@ br ;　形振り構わず土下座して？\ `Should I forget appearances and prostrate myself?`\ se1 32 ;　鎖のせいでそれも叶わぬわ。@ ;　……チェックメイト。@ `Because of the chains, even that will not be granted me.`@ `......Checkmate.`@ br ;　これは完全なる詰めだ。\ `This is a perfect stranglehold.`\ bg black,1 ;　……………………………だが。\ `........................However.`\ se1v 2,100 bg white,1 me1v 5,70 bg portrait2,22 br ;　妾は、黄金の魔女、ベアトリーチェ。\ `I am the Golden Witch...Beatrice.`\ ;　黄金郷に君臨したる黄金の魔王。@ `The demon lord of gold who reigns in the Golden Land.`@ br ;　敗れるための戦いであっても、妾には相応しき態度がある。@ `Even in a fight to lose, there is an attitude fitting for me.`@ br ;　そして、妾には、妾に相応しき散り際を飾る権利がある。\ `And I have the right to decorate my death in a manner fitting for me.`\ se3v 27,50 bg Different_space_1a,99,4000,"breakup.dll/lrb" ld c,$BEA_MajimeA1,24 ;「………妾とて同じよ。@そなたに我が魔法を、存在を認めさせてこの島に黄金郷の扉を開く。@そなたはその最初の茶会の主賓となるだろう。\ `".........It is the same with me.`@` I will make you accept the existence of my magic and the door to the Golden Land will open on this island.`@` You shall probably become the guest of honor at that first tea party.`\ ld c,$BEA_nayamuA1,80 ;　そなた以外は全員がすでに揃っているぞ？@　主賓の到着が遅れているから、いつまでも茶会が開けない。\ `Everyone besides you has gathered already, you see?`@` Because the honored guest's arrival has been delayed, the tea party cannot begin.`\ ld c,$BEA_majimeA3,80 ;se1v 37,100 ;　そなたの父親も、母親も、いとこたちもみんなみんな、お前の到着を待ちくたびれているぞ。」\ ;＜ベアト `Your father, mother, cousins and everyone else are getting tired of waiting for your arrival."`\ se1 20 cl c,0 ld r,$BEA_majimeA3,0 ld l,$BUT_sakebuA1,63 se2v 2,100 quakey 3,200 ;「あぁッ、上等だぜ、まったくにもって上等だッ！！@　何が魔法だ、何が魔女だ…！！@　お前との遊びはこれまでだ！！@　行くぞ、ベアトリーチェ…！！！」\ ;＜戦人 `"Sure, that's perfect, that's just perfect!!`@` What the hell is magic, what the hell are witches...!!`@` I'm done playing with you!!`@` Here we go, Beatrice...!!!"`\ ld r,$BEA_majimeA1,80 ;「存分に来るがよいぞ、妥協も中断も不戦敗もない。@どちらかが勝ち、どちらかが滅ぶ。@/ `"Come as hard as you can, for there will be no compromise, interruptions or losing by default.`@` One will win, and one will be destroyed. `@/ ld r,$BEA_majimeA4,80 ;お前に負ける意思がないというなら、妾を倒すしかない、殺すしかない。@　しかし、妾もむざむざと殺されはしない。@妾に相応しき最期をそなたが用意できるまで、抵抗を繰り返すことが出来る。\ `If you have no desire to lose, then you must defeat me, kill me.`@` However, I won't be killed so easily.`@` Until you can prepare a fitting end for me, I can resist repeatedly.`\ me2v 17,70 ld r,$BEA_fumanA3,80 ;　そなたにそれが出来るか？@　……いや、出来るだろう。@必ず出来るさ。@来いよ、殺しに。@………………。\ `Can you do that?`@` ......No, you probably can.`@` You surely can.`@` Come on, come to kill me.`@` ............`\ ld r,$BEA_fumanA1,80 ;　…………………やりにくいか？@　ならばいつもの調子で行こう。@…………………。\ `...............Is it that hard?`@` Then let's go with the usual flow.`@` ..................`\ textoff ld r,$BEA_nayamuA1,22 wait 2000 ld r,$BEA_AkuwaraiA2,1 ;!s0　ひゃっははッ！！/ !s0`Hyahhaha!! `/ se1v 37,100 quakey 3,300 ;@　殺されるかよ、/ ;!d800せめて勝てなくても、お前に勝ちを譲らない程度の嫌がらせは出来るんだぜぇえええぇ？！\ @`As if I'd be killed, `/ !d800`even if I can't win, I can at least harass you enough so that I don't hand victory over to you, riiiiiiiiiiiight?!`\ ld l,$BUT_sakebuA2,0 ld r,$BEA_AkuwaraiA4,22 ;　ほぉ、いい面構えだ！@/ `Hoh, that's a good look on your face! `@/ se1v 37,85 ;　……くっくくくくっく、/ `......*cackle*cackle*cackle*, `/ se2v 37,100 ;!d900うっひゃっはははははははは、/ !d900`uhhyahhahahahahahahahaha, `/ se3v 37,100 se1v 1006,100 ;あーっきゃっきゃっきゃっきゃっきゃ！！\ `aaakkyakkyakkyakkyakkyakkya!!`\ ld r,$BEA_ikariA1,80 ;　殺してみろッ、/ ;!d500殺してみろよォ、右代宮戦人ァあああああああぁあああぁああああああぁあうおおおおおおおあああああああああぁああぁぁあっぁぁあぁぁッ！！！」/ `Try and kill me, `/ !d500`try and kill me, Ushiromiya Battleeeeeeeeeeeeeeeeeeeeeroooooooooooooooooooohhhhaaaaaaaaaaaaaaahhhh!!!"`/ !sd\ ;＜ベアト textoff lsp 889,":c;bmp\background\efe\EP4last00.BMP",0,0 mov %ryuu1,150 bgmvol 100 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last01.png",10,%ryuu1 resettimer waittimer 500 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last02.png",10,%ryuu1 resettimer waittimer 300 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last03.png",10,%ryuu1 resettimer waittimer 100 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last04.png",10,%ryuu1 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last05.png",10,%ryuu1 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last06.png",10,%ryuu1 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last07.png",10,%ryuu1 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last08.png",10,%ryuu1 mov %ryuu1,70 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last01.png",10,%ryuu1 ;resettimer ;waittimer 500 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last02.png",10,%ryuu1 ;resettimer ;waittimer 300 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last03.png",10,%ryuu1 ;resettimer ;waittimer 100 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last04.png",10,%ryuu1 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last05.png",10,%ryuu1 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last06.png",10,%ryuu1 se1v 46,90 se3v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last07.png",10,%ryuu1 se1v 46,90 se2v 36,90 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\EP4last08.png",10,700 ;resettimer ;waittimer 700 bgmvol 90 se1v 27,100 se2v 2,100 se3v 36,100 vsp 889,1 print 1 vsp 889,0 bg "bmp\background\efe\end_2d.bmp",10,4000 ;タイトルロゴ ;waittimer 500 resettimer waittimer 6000 me1v 12,50 bg black,10,12000 fede 1,6000 wait 3000 ;クリアフラグの更新 if %UMINEKOEND < 41 mov %UMINEKOEND,41 : mov %UMINEKOEND_FLG,41 ;クリアフラグの変更 se1 22 bg TEXT004,22 delay 10000 bg black,22 reset ;■表お茶会 ;■１９８６年１０月５日 ;■時計が表示される。 *teatime_4 mov %m_temp1,1 if %UMINEKOEND_FLG = 41 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 E_A btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff me1v 12,70 wait 3000 se1v 28,100 bg oct_5_1986,80 wait 4000 !sd bg black,2 dllefe 1,1 bg rose_1aN,2 wait 2000 ;bg rose_1bN,2 ;wait 2000 bg garden_1aN,2 wait 2000 bg black,22 bg M_o1aN,2 se2v 21,80 clock 0,0,23,51,13,0,490,340,30 wait 1000 csp -1 csp2 -1 E_MA se1v 1006,100 ;se3v 2,100 bg black,1 dllefe_off mov %play_scene,40340 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,but mov %grim_scene,411 me1v 12,50 bgm1 38 ;　………何が何だか、俺にはさっぱりだ。@ `.........I don't have a clue what's going on.`@ br ;　誰か俺にもわかるように、昨日何があったのか説明してくれ。\ `Please, someone explain in a way even I can understand...`@`what happened yesterday.`\ bg MKit_1aN,2 ;　俺は屋敷の厨房で、勝手にメシを頂戴している。@ `In the kitchen of the mansion, I was borrowing some of the food.`@ br ;　でかい業務用冷蔵庫を開けりゃ何でもある。@ ;　何でも食い放題の飲み放題。@ `If you open up that massive business-class refrigerator, you can find anything.`@ `You can eat and drink as much as you like.`@ br ;　……台風が一週間は明けなくても、俺は充分食っていけるぜ。\ `......Even if the typhoon didn't clear up for a week, I would have more than enough to eat.`\ bg Mkit_1cN,24 ;ld r,$BUT_nayamuA2,24 ;　俺はワインを片手に、切り分けた生ハムをいただいてる。@ ;　ワインもハムも、一体いくらするんだろうな。@ `With wine in one hand, I was helping myself to plain sliced ham.`@ `I wonder just how expensive this wine and ham is.`@ br ;ld r,$BUT_NayamuA1,80 ;　あんたら食材もツイてないぜ。@ ;　郷田さんに料理してもらえたなら、はるかにすごい料理に生まれ変われただろうに。\ `You ingredients are out of luck too.`@ `If only you'd had Gohda-san cook you, you could have been reborn as much more incredible food...`\ bg black,25 me2v 11,90 ;　時計を見る。@ ;　もうじき、２４時になる。@ `I looked at the clock.`@ `Very soon, it would be 24:00.`@ br ;　１０月５日が、二日目が終わる。\ `October 5, the second day, would end.`\ ;　………昨日の、狂った１０月４日が嘘のようだ。@ `.........The insane October 4, yesterday, seemed like a lie.`@ br ;　…それくらいに、……俺へのテストとやらの後、何も起こらなかった。\ `...That's how much, ......nothing had happened after my test or whatever.`\ bg Mkit_1bN,22 ;　何も起こらない。@ `Nothing happens.`@ br ;　電話も来ないし、手紙も来ない。@ ;　誰も来ないし、誰にも襲われない。@ `No phone call comes, and no letter comes.`@ `No person comes, and I'm not attacked by anyone.`@ br ;　何にも起こりゃしない。\ `Nothing happens at all.`\ ;　緊張してた分の時間と体力を返しやがれと悪態をつきたくなるくらいに、@………その後、丸一日、かっきり２４時間。@ `I want to complain about getting the time and energy lost due to all that tension back,`@` .........because after that, for an entire day, a full 24 hours...`@ br ;　……なぁんにもなかった。@ `......Nooothing happened.`@ br ;　そしてきっと、この後も何も起こらないだろう。\ `So surely, nothing will happen anymore either.`\ bg black,22 dllefe 1,1 bg M_o1aN,2 ;　………まさにかっきり２４時間前。@ `.........A full 24 hours ago...`@ br ;　…俺はベアトリーチェに、屋敷の玄関前に呼び出された。\ `...I had been called to the place in front of the entrance to the mansion by Beatrice.`\ gosub *BEA_Isyou2 dllefe_off bg black,0 ld c,$BEA_waraiA2,22 ;　そこで、当主跡継ぎを決めるとかいうおかしなテストを出された。@ ;　俺は俺なりに真面目に答えたのだが、どうにも向こうと噛み合わない。\ `There, I had been given a strange test about determining the successor to the head or something.`@ `I had given a serious answer in my own way, but it somehow hadn't meshed with the other side.`\ ld c,$BEA_fumanA1,80 ;　ベアトリーチェは、勝手にヘソを曲げて黙り込んでしまった。@ `Beatrice had gotten mad for no reason and fell into silence.`@ br ;　俺が、ウンとかスンとか言ってみろと怒鳴っても、何も答えやしない。\ `I yelled at her to try and say something, but she gave no answer.`\ bg black,22 dllefe 1,1 bg M_o1bN,25 ;　真里亞はどこだと言ったら、礼拝堂へ行けとだけ答え、引っ込んでしまった。\ `I'd asked where Maria was, but she just told me to go to the chapel, and went away.`\ ;　まったくにもって、拍子抜けだった。@ ;　……曲がりなりにもテストだったんなら、せめて合否くらい教えろってんだ。@ `To tell the truth, it had been an anticlimax.`@ `......No matter what kind of weird test you give, at least tell me whether I've passed or failed.`@ br ;　ご苦労様です、結果は後ほど郵送いたしますってか？@　……ふざけやがって。\ `Are you trying to say 'Good work, your results will be mailed to you later' or something?`@` ......Quit messing with me.`\ bg black,24 ;　とにかく俺は礼拝堂へ向かった。\ `Anyways, I then headed to the chapel.`\ ;　……テストにしくじって、譲治の兄貴も朱志香も殺された。@ `......After failing their tests, both George-aniki and Jessica had been killed.`@ br ;　真里亞まで殺されるわけにはいかない。@ `I couldn't let Maria be killed too.`@ br ;　……それに、真里亞を殺そうとしている何者かを、とっ捕まえるチャンスかもしれない。\ `......Also, I might get a chance to catch some person trying to kill Maria.`\ bg cha_o2aN,24 ;　礼拝堂は、近付いたら怒られると幼かった頃に朱志香にさんざん言われていたので、@行ったことはないが、場所だけは知っていた。\ `In my younger days, I had often heard from Jessica that you would get in trouble if you got near the chapel,`@` so I had never been there, but I at least knew where it was.`\ ;　そこに人の気配はなく、@………その扉の前に、鍵束だけが落ちていた。@ `There, I could feel no one's presence,`@` .........but there was a key bundle lying in front of the door.`@ se1 32 ;　それで礼拝堂の扉を開けろという意味なのかと思ったが、どれを試しても合わない。\ `I thought this might be someone telling me to open the door, but after trying all of the keys, I found that none of them fit.`\ ;　真里亞の名を叫ぶが、返事はまったくなかった。@ ;　礼拝堂の周りも探すが、真っ暗な中、懐中電灯で探すには無理もあった。\ `I also called Maria's name, but there was no answer whatsoever.`@ `I searched around the chapel, but there was a limit to what I could do in the pitch black with just a flashlight.`\ bg black,23 ;　俺は、この鍵束がマスターキーの束で、屋敷の扉も開けるのではないかと気付く。\ `I realized that this key bundle might have a set of master keys, which could possibly open the door to the mansion.`\ bg M_o1aN,23 ;　真里亞の気配もなかったので、屋敷に戻った。\ `I found no sign of Maria, so I returned to the mansion.`\ se1 17 bg black,10 dllefe_off bg Ment_1an,22 ;　屋敷は静寂に包まれていた。@ ;　そして、酷い異臭も。\ `The mansion was wrapped in silence.`@ `And, in a horrible stench.`\ ;　しかし、人間の慣れってのはすごい。@ `However, it's amazing how good humans are at adapting.`@ br ;　本来なら、この屋敷中にその臭いはまだ立ち込めているはずなのだ。\ `In actuality, the inside of the mansion remained wrapped up in that smell.`\ bg Mhal_2aN,24 ;　しかし、もうすっかり慣れちまって、気にならなくなってしまった。@ ;　どっかの家がおかしな焼肉を焦がしたくらいにしか感じない。\ `However, I grew completely used to it and stopped minding it.`@ `It didn't feel like anything more than any old house where someone had burnt some meat.`\ bg black,24 bg M1F_P1bN,24 ;　最初は俺もその臭いに面食らったが、とにかく、食堂へ向かい、@/ `At first, I had been bewildered by the stench, but had decided to head to the dining hall for the time being, `@/ textoff bg black,24 se1 15 bg Mdin_1eN,24 wait 1000 bg blood_1b,22 ;……郷田さんたちが詳しく話すのを躊躇うほどの、気の毒な死体の数々を見つけた。/ `......and found the several corpses that were so pitiful that Gohda-san and the rest had hesitated to speak of them in detail.`/ mov %play_scene,40350 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ ;　一番最初の犠牲になった夏妃伯母さんたちの遺体だった。@ `It was the remains of Natsuhi oba-san and the rest of those who had become the first victims.`@ br ;　見事に全員が頭部を半分、ぶちまけられていて、@俺に検死の知識がなくても、１００％の死亡を宣告できる惨いものだった…。\ `Half of all their heads had been magnificently split open,`@` and it was so gruesome that even without knowing a thing about autopsies, I could say that they were 100% dead...`\ ;　……しかもその上、顔の残り半分はちゃんと残ってるんだから、身元確認まで容易に出来る。@ `......And on top of that, the remaining half of their faces were left like normal, so it was even easy to identify them.`@ br ;　…実に至れり尽くせりな死体だった。\ `...Really convenient corpses, these were.`\ bg black,22 ;　そして、その６人の遺体だけでなく、もう１人、遺体が増えていた。\ `And, it wasn't just the six bodies...they had grown in number to include one more corpse.`\ ;　７人目の遺体は、…………真里亞だった。/ `This seventh corpse, ............was Maria.`/ mov %play_scene,40360 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 @ br ;　楼座叔母さんの遺体の傍らに、並んで眠るように、横たわっていた。\ `She lay next to Rosa oba-san, as though sleeping alongside her.`\ ;　……………泣いたさ。@ `............I cried.`@ br ;　無邪気な幼子の死に。@そして、親父たちの無惨な死に様に。@ `At the death of an innocent young girl.`@` And, at the cruel way my dad and the rest had died.`@ br ;　帽子掛けの槍を振り回して、屋敷中を駆け回り、出てきやがれと叫んださ。\ `I raced through the mansion swinging the hat-stand spear, yelling 'Come out here, bastard'.`\ bg M2F_P1bN,22 ;　……しかし、人の気配はまったくない。\ `......But I couldn't find any sign of anyone else.`\ bg black,24 bg M2F_P1cN,24 ;　……どこかに隠れていて、俺の背中から襲いかかろうって魂胆だろうと、隠れ場所を探し回ったり、@慎重になったり、@わざと隙を見せてみたりと色々試してみたが、猫の子一匹、現れりゃしなかった…。\ `Thinking that they might be scheming to hide somewhere and attack me from behind, I went around searching for hiding places,`@` sometimes growing more cautious,`@` and sometimes intentionally letting my guard down in various ways, but in the end, not even a kitten appeared...`\ textoff bg black,25 fedexx 0,50,0,0,0,0,2000 E_B dllefe 1,1 bg M_o1aN,22 me2v 5,50 ;　そして、朝が来た。@ `Then, morning came.`@ br ;　……緊張感と疲労感、そして眠さが入り混じった、最悪の夜明けだった。\ `......My tension and fatigue mixed together with my drowsiness, making for the worst kind of dawn.`\ textoff bg M_o1aR,2 wait 2000 bg black,23 dllefe_off bg M2F_P1aR,22 ;　人間ってすげえもんだ。@ `Humans are pretty incredible.`@ br ;　……殺人犯がどこに潜んでるかわからねぇってのに、自分の命の心配より、眠気と疲れを優先しやがる。\ `......Even though I didn't know whether or not a murderer was hiding somewhere, I prioritized drowsiness and fatigue over worrying for my own life.`\ bg M1F_P1cR,25 ;　……その頃にはもう、何だか馬鹿馬鹿しくなり始めていた。@ `......By that time, I was already starting to get pretty ridiculous.`@ br ;　夜が明けるまで、６時間もたっぷり、俺は屋敷を歩き回り、姿を見せやがれと怒鳴って回っていたのだから。\ `For a full six hours before dawn, I had walked around the mansion, yelling at them to show themselves.`\ bg black,22 ;　丹念に探したし、疲れて隙も晒した。@ ;　それでも、誰も襲いかかっては来ない。@ `I had searched diligently, and so tired myself out, letting my guard down.`@ `Even so, no one came to attack me.`@ br ;　もう俺は呆れ果て、好きにしやがれとなったわけだ………。\ `I had been dumbfounded for a while, and had basically figured I'd let them do whatever the hell they wanted.........`\ ;　船は台風が通り過ぎるまで来ない。@ ;　台風は明日には抜けるとテレビで言っているから、今日も丸一日時間がある。@ `The boat won't come until the typhoon passes.`@ `They said on the TV that it won't pass until tomorrow, so I have another full day today.`@ br ;　ぼんやりとしているのも面白くなく、@……俺は、きっと警察に怒られるだろうことを承知で、探偵ごっこを始めた。\ `Lazing about lost its interest,`@` ......and, even though I knew it would probably make the police mad, I decided to play detective a bit.`\ bgm1v 14,70 fede 10,1000 bg Mdin_1fR,26 ;　まず、一番最初の殺人が起こった、食堂。\ `First was the dining hall, where the very first murder had occurred.`@ bg blood_1b,22 ;　最初に殺された６人は、とにかくお気の毒だ。@ `The six who had been killed in the beginning really were unfortunate.`@ br ;　……恐らく凶器は銃。@ ;　マグナム弾とかショットガンとか、そういう強力なもので頭を砕かれたのではないか。@ `......The weapon was probably a gun.`@ `Maybe their heads were split by something powerful, like a magnum bullet or a shotgun.`@ br ;　妥当な推理だった。\ `A valid bit of reasoning, that.`\ bg Mdin_1cR,22 ;　それに比べたら、７人目の遺体である真里亞は、遥かにマシな綺麗な死に方をしていた。\ `Compared to that, the seventh corpse, Maria, had died in a much better and cleaner way.`\ bg Mdin_1gR,22 ;　一見したところ、外傷はなく、どうやって殺されたのかはわからない。@ `At a glance, I could see no external wounds, and didn't understand how she had been killed.`@ br ;　しかし、口元から泡を吐き出したような痕跡があり、@それはテレビドラマなどで見るような、典型的な毒殺の死体のように見えた。\ `But by her mouth were traces of bubbles that she might have spat out,`@` and it looked like a typical death by poisoning that you might see on a TV drama.`\ bg black,22 ;　真里亞は、礼拝堂に呼び出されてテストを受けたのでは…？@ `Hadn't Maria been called out to the chapel and given a test...?`@ br ;　……それがどうしてこの死体だらけの食堂にいて、母親の脇に並んで、死んでいるのか……？\ `......So why was she in the corpse-filled dining hall, lying next to her mother, dead......?`\ ;　もし仮に毒物が死因だとしたなら、……それは誰に与えられたのか。\ `Even if the cause of death was poison, ......who had given it to her?`\ p　着衣に乱れはない。@ `Her clothes were not disturbed at all.`@ br ;　無理やり押さえつけられて、毒物の注射を受けたとは考え難い。@ `It's hard to imagine that she was forcibly pushed down and given an injection of poison.`@ br ;　………毒のカプセルか何かを与えられ、飲まされたと考える方が妥当だろう。\ `.........It's probably better to assume that she was given a capsule of poison or something and made to swallow it.`\ bg Mdin_1aR,26 ;　しかし、この部屋に散らばる乱暴に破壊された死体に比べれば、真里亞の死体は綺麗過ぎる。@ `But compared to the scattered and violently mutilated corpses in this room, Maria's corpse was too clean.`@ br ;　銃なら引き金を引くだけでいい。@しかし毒殺は、飲ませるにしろ注射するにしろ、はるかに手間が掛かる。@ `If they had a gun, they only needed to pull the trigger.`@` But poisoning, whether by having her drink it or by an injection, would take a lot more effort.`@ br ;　犯人の凶暴性から考えても、明らかに真里亞の死だけは別格の扱いを受けているように思われた。\ `Even considering the culprit's brutal nature, you'd think Maria's death alone was clearly given special treatment.`\ ;　なぜ真里亞にだけ、眠るような死が与えられたのか。@ `Why was only Maria given a sleep-like death?`@ br ;　………殺されたという意味においては、気の毒であることは間違いないのだが、@……なぜか真里亞だけ、その殺し方が、とても丁寧なような印象を受けた……。\ `.........Certainly, being killed was a pitiful thing,`@` ......but for some reason, Maria's death alone seemed very courteous to me......`\ ;　真里亞の手は、死者がそうするかのように、お腹の上で両手を組まれている。@ `Both of Maria's hands were joined on her chest, as though the dead person had done so herself.`@ br ;　……死ぬ間際に真里亞が自らそうしたのだろうか……？@ ;　……普通、こういうのは、死後に誰かがするものではないのか……？\ `......Did Maria do that herself before dying......?`@ `......Isn't this usually something done by someone else after the person dies......?`\ ;　頭部を半分砕かれた母親と、添い寝をするように、安らかに眠る真里亞。@ `As though sleeping with her mother, whose head was half crushed, Maria dozed in peace.`@ br ;　……その対比は、なぜかとても気になった。\ `......For some reason, that contrast really bugged me.`\ ;　死因も含めて、真里亞の死は多くの謎に包まれているだろう…。\ `Including the cause, Maria's death is probably shrouded in mystery...`\ bg Mdin_1eR,24 ;　そして何よりも。@ `And more than anything else.`@ me1v 16,50 br ;　この食堂で最大の謎は、……「落とし穴」だった。@ ;　……蔵臼伯父さんたちも、そして郷田さんたちも口にした、「落とし穴」だ。\ `The biggest mystery of this dining hall, ......was the 'pitfalls'.`@ `......The 'pitfalls' that both Krauss oji-san's group and Gohda-san's had mentioned.`\ ;　６人が殺された後、さらに５人が「落とし穴」に落ちて捕らわれた。@ `After the six people had been killed, five more had fallen through 'pitfalls' and had been captured.`@ br ;　………落とし穴って何だ。@ ;　がばっと開いて落ちる、あれだよな……？\ `.........What are pitfalls?`@ `Those things that suddenly open and you fall through them, right......?`\ bg Mdin_1gR,25 ;　床にはしっかりと、くたびれてはいるが貫禄ある絨毯が敷かれている。@ `The floor was firmly laid with a dignified, if a bit worn out, carpet.`@ br ;　……どう見ても一枚物だ。\ `......No matter how you looked at it, it was single piece.`\ ;　落とし穴が開くってんなら、ちゃんとそこだけ切れ目が入れてあるってことになる。@ `If a pitfall had opened up, there would have to be a seam just in that place.`@ br ;　……それに、落とし穴なんて細工があったら、あるけばギシギシとか、音を立てるんじゃないか？？\ `......And, if there had been some trick like a pitfall, wouldn't it creak when you walked on it??`\ ;　いくら歩き回り、絨毯を撫で回してみても、とても落とし穴が隠されているとは思えない。\ `No matter how much I walked around, feeling the carpet, I just couldn't imagine that a pitfall was hidden here.`\ bg black,22 ;　第一、ひとりの人間を落とすならともかく、５人も落としてる。@ `In the first place, it would be one thing if a single person had fallen, but a full five people had.`@ br ;　……彼らの話を総合する限り、彼らの落下地点はそれぞれ違うわけで、@少なくとも５ヶ所は落とし穴が隠されてることになる。@ `......By putting together everyone's stories, each one of them had fallen from different locations,`@` so at the very least, there had to be five separate places with pitfalls.`@ br ;　……………ってことは何だ。\ `............So what does this mean?`\ bg Mdin_1dR,26 ;　この部屋は実は、全ての床が落とし穴に出来るようになっていて、@ボタンひとつで好きな場所に落とし穴が開けるとか、……そういう構造なのか？？@ `Was this room actually made with pitfalls across the entire floor,`@` so by pushing a button, you could open up a pitfall in the location of your choice, ......some kind of contraption like that??`@ br ;　忍者屋敷もびっくりの、とんでもないカラクリだ。\ `That kind of ridiculous mechanism would be surprising even in a ninja mansion.`\ ;　……それでもこの話を親父たちが聞いたなら、@“祖父さまならやりかねない、作りかねない”ということになるのだろうか。\ `......But even so, if Dad and the rest had heard about this, `@`I wonder if they would say 'I wouldn't put it past Grandfather to do it, to make it'.`\ ;　……とにかく、食堂ではそれ以上の、何もわかりはしなかった。\ `......In any event, I didn't learn anything more about the dining hall.`\ bg black,25 ;　落とし穴は存在しないのか。@それとも、存在しているけれども、素人の俺には発見できないだけなのか。@ ;　その判断はつかない。@ `Do the pitfalls not exist?`@` Or do they exist, but I just couldn't find them, amateur that I am?`@ `I can't say for sure.`@ br ;　彼らが、あったと主張する以上。@……俺に発見できなくても、その存在を無視することは出来ないのだ……。\ `Since they claimed that the pitfalls were there,`@` ......I can't ignore the pitfalls even if I can't find them......`\ fede 0,1000 wait 1000 bg M1F_P1aR,23 bgm1v 26,70 ;　その次に殺されたのは、朱志香と譲治の兄貴だ。@ `The next ones to be killed were Jessica and George-aniki.`@ br ;　譲治の兄貴については、俺のテストで呼び出された時に発見している。\ `I had discovered George-aniki when I had been called out for my test.`\ textoff bg black,25 ;　薔薇庭園の東屋に呼び出され、……多分、銃で、眉間を撃たれた。\ `He had been called out to the arbor in the rose garden, ......and, probably, shot in the forehead with a gun.`\ textoff me1v 13,50 mono 1 bg garden_R1cN,0 ld c,$GEO_ikariA1,22 wait 1000 se2v 46,50 bg blood_1a,1 quakex 5,1200 wait 1000 bg black,2 wait 2000 mono off bg M2F_P1bN,24 ;　朱志香は屋敷の２階の、自分の部屋に呼び出された。\ `Jessica had been called to her own room on the second floor of the mansion.`\ bg M_door1,24 se1 32 ;　朱志香の部屋には鍵が掛かっていた。@ ;　しかし、俺にはマスターキーがあるから何も問題はない。\ `The door to her room was locked.`@ `But that wasn't a problem at all since I had the master key.`\ se1 16 bg black,23 bg MJES_1aR,22 ;　そして室内は、………ひどい有様だった。@ `And inside the room, .........it was horrible.`@ br ;　…でも、食堂でもうお馴染みの死体だから、……多少は免疫もあった。\ `...But since the dining hall, I was used to corpses, ......so I'd built up a bit of an immunity.`\ bg MJES_1e,25 ;　受話器が外れて、ぶら下がっている。@ ;　……俺との電話中に、殺されたのだろうか。@ `The phone receiver was loose and dangling.`@ `......Had she been killed while on the phone with me?`@ br bg blood_1a,22 ;　朱志香はすぐその脇の壁に寄りかかるようにして、/ ;!d800……頭部を半分、ブチまけている。/ `Jessica was leaning against the wall right next to it, `/ !d800`......with half of her head split open.`/ mov %play_scene,40370 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ bg blood_1aR,22 ;　この状況を見る限りなら、……まるで、電話中に殺されたように見える。@ `As far as I could tell by looking at the scene, ......it looked as though she had been killed while on the phone.`@ br ;　なら、犯人は目の前にいたのだろうか？@ `In that case, had the culprit been there before her eyes?`@ br ;　………電話の向こうの朱志香の声には、そのような感じはなかった。\ `.........I hadn't gotten that impression when listening to Jessica's voice over the phone.`\ bg black,25 ;　朱志香は確か、……「やられちまったぜ。」と、そう言った。@ `I'm pretty sure Jessica said, ......'They got me'.`@ br ;　電話の時点で、すでに瀕死の重傷を負っていたと見るのが妥当だろう。\ `It's probably best to assume that she had already received a fatal wound at the time of the phone call.`\ ;　そうだ、そしてこうも言った。@ `That's right, and she also said this.`@ br ;「戦人が来た時には、私は頭を半分ブチまけた死体だよ。」、@そうだ、そう言った。\ `"When you come, Battler, I'll be a corpse with its head split open."`@` Yes, that's what she said.`\ bg blood_1a,26 ;　………朱志香の死体を見る限り、頭部損壊以外に外傷はない。@ `.........From what I could tell by looking at Jessica's corpse, there were no wounds on her other than the damage to her head.`@ br ;　死を覚悟するような重症を負い、電話の最中に死亡したと？\ `Could she have had an injury serious enough to make her prepared for death, and then died halfway through the phone call?`\ ;　しかし電話の口調では、朱志香はとりあえず、難を逃れていたように思う。@ ;　目の前に犯人がいたら、のんびり電話なんか出来ないはずだ。\ `But from the way she talked on the phone, I think she had escaped harm for the time being.`@ `You shouldn't be able to have a casual conversation over a phone if the culprit is right before your eyes.`\ bg black,22 ;　では、電話中に犯人が来て、朱志香を殺した…？\ `So, did the culprit come partway through the phone call and kill Jessica......?`\ bg MJES_1e,22 ;　………いや、それはない。@ ;　なぜならこの部屋が施錠されていたからだ。\ `.........No, that can't be right.`@ `After all, this room was locked.`\ ;　……いや、そんなこと当てになるものか。@ `......No, there's no way that would have helped.`@ br ;　……犯人が犠牲者の誰かから、マスターキーを奪っていたなら、施錠なんて何の意味もないのだから。\ `......If the culprit had stolen a master key from one of the victims, locking the door would be pointless.`\ ;　しかし、頭部以外に外傷はない。@ `But there are no external wounds other than her head.`@ br ;　………となれば、死を覚悟する外傷と、実際に頭部を損壊させた外傷は異なるもので２回あり、@それらがいずれも同じ部位に対して行なわれた、……と考えるべきだろうか。\ `.........In that case, should I assume the fatal wound she was prepared to die from and the actual external wound that damaged her head were two different things,`@` and that both of them were made to the same part of the body?`\ bg black,22 ;　つまり、朱志香は頭を強烈に殴られ、ものすごい大怪我をした。@ `In other words, Jessica was struck severely to the head, and received an incredibly bad wound.`@ br ;　そして俺に電話を掛け、……そのまま気を失ったか、あるいは死亡した。@ `Then she called me, ......and either lost consciousness or died while on the phone.`@ br ;　そこへ犯人がやってきて、改めて頭部を破壊した、とか。\ `Then the culprit came and damaged her head again...something like that.`\ textoff mono 1 bg MJES_1c,0 ld r,$JES_odorokiA1,22 wait 2000 ld r,$JES_ikariA2,80 wait 1000 se1 12 bg blood_2e,1 quakex 4,1000 ;　この部屋に呼び出された朱志香はここで犯人に襲われ、大怪我をした。@ `After being called to this room, Jessica was attacked by the culprit and received a serious injury.`@ bg black,24 bg M_door1,24 br ;　そして、犯人は殺したと思い、一度は立ち去る。\ `Then, the culprit thought she had been killed, and went away for the time being.`\ bg black,22 bg MJES_1e,9 ;　……しかし朱志香は奇跡的に息を吹き返し、俺に、まさにダイイングメッセージとなる電話を掛ける。\ `......But then Jessica miraculously started breathing again, and called me with what would become her dying message.`\ bg black,22 bg M_door2,24 ;　そして殺し損ねていたことに気付き、犯人が大慌てで戻ってきて、大量出血で意識を失った朱志香にトドメを……。@ `Then the culprit realized that they had failed in killing her, and rushed back to deliver the final blow to Jessica, who had lost consciousness from massive blood loss......`@ bg black,64 bg white,22 se1 46 bg blood_1a,1 quakex 5,1200 br ;　……………それで一応の筋は通る。@ `............That seems to make sense, more or less.`@ br ;　朱志香がなぜ、そのトドメによる死因を正確に予見できたのかを除けば。\ `Except for how Jessica was able to accurately predict the form of that final blow.`\ bg black,22 mono off ;　そして、朱志香からの電話にはもうひとつ、気になる部分があった。\ `And, there was one more thing that bugged me about the phone call from Jessica.`\ ;　朱志香はこう言ったんだ。\ `Jessica had said this...`\ bg Different_spiral_1a,22 ;「譲治兄さんも駄目だった。@ありゃあ、即死だ。」@と。@ ;＜朱志香 `"George nii-san is gone too.`@` That was an instant death."`@ br ;　……まるで、譲治の兄貴が殺されるところを目撃したかのような言い方だった。\ `......She had said it almost as though she had witnessed George-aniki being killed.`\ ;　しかし、朱志香の部屋の窓からは、確かに薔薇庭園は見えるものの、@譲治の兄貴が呼び出された東屋は、………屋根を認められはするものの、かなり遠い。@ `But while you certainly could see the rose garden from the window in Jessica's room,`@` and you could even see the roof of the arbor where George-aniki had been called out to, .........it was very far away.`@ br ;　台風の夜であったことを加味すれば、この窓から東屋での一部始終が目撃できたとは、とても思えない。\ `Add on the fact that it was the night of a typhoon, and it's very hard to imagine that she was able to witness everything that happened by the arbor from this window.`\ bg black,22 ;　……そして何よりも。@ `......And more than anything else.`@ br ;　朱志香は譲治の兄貴より先に出発している。@ ;だから、譲治の兄貴のテストが東屋で行なわれたことを、知らないはずなのだ。\ `Jessica had left before George-aniki.`@ `So she shouldn't have known that George-aniki's test had taken place by the arbor.`\ ;　どうして朱志香は、譲治の兄貴が殺されたことを、……知っていたんだ……？\ `Why did Jessica know, ......that George-aniki had been killed......?`\ fede 0,2000 wait 1000 bg M2F_R4aR,26 bgm1 20 ;　…………そして、屋敷全体の捜索の中で、霧江さんの死体も見つけた。/ `.........Then, during my search of the entire mansion, I found Kyrie-san's corpse as well.`/ mov %play_scene,40380 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ ;　一階の奥の、古い客室の一室だった。@ `It was an old guest room in the depths of the first floor.`@ br ;　かつてゲストハウスが建てられる前は、親族たちはここに泊まっていた。\ `In the past, before the guesthouse had been built, the relatives had stayed here.`\ bg M2F_R4bR,24 ;　……霧江さんの状況も、朱志香とそっくりだった。\ `......The situation with Kyrie-san matched Jessica's perfectly.`\ ;　俺との電話中に殺されたのだろう。@ ;　受話器がだらしなくぶら下がり、……その脇に霧江さんが、倒れている。@ `She had probably been killed during her phone call with me.`@ `The receiver was hanging untidily, ......and Kyrie-san lay in that corner.`@ br ;　しかし、殺され方が朱志香のそれとは大きく異なった。\ `But the way she had been killed was very different from Jessica.`\ bg black,22 ;　頭部を砕かれてはいない。@ `Her head wasn't smashed.`@ br ;　……その代わりに、額に、オカルトめいた装飾の、杭のようなものが打ち込まれている。@ `......Instead, a stake with an occult-like design was buried into her forehead.`@ br ;　……あまりに惨く、……俺はそれを引き抜いた。\ `......It was so gruesome, ......so I pulled it out.`\ textoff mono 2 se1 38 wait 100 se2 38 bg white,15,1000,"bmp\efe\blood_2a_efe.bmp" bg black,22 mono off print 1 ;　後で警察に怒られるかもしれないとは、抜いてから気がついた。@ ;　だから今さらのようにではあるが、霧江さんの脇に、それを置く。\ `After pulling it, I realized that this might get me into trouble with the police later.`@ `So, a little too late, I lay it by Kyrie-san's side.`\ bg blood_2e,22 ;　その先端は鋭く、脳まで完全に届くほどに、血に塗れていた。@ `Its tip was sharp, and stained with enough blood that it must have penetrated fully to the brain.`@ br ;　何の金属で出来てるか知らないが、文鎮並の重さもあった。@ `I didn't know what kind of metal it was made of, but it was about as heavy as a paperweight.`@ br ;　確かにこんなもので思い切り刺されたら、大怪我をするかもしれない。\ `Certainly, if you were stabbed all-out with something like this, it might cause a terrible wound.`\ bg black,22 ;　………この杭の意味を、俺は多分、理解していた。@ `.........I...probably understood what this stake meant.`@ br ;　……これは、あれだ。@ `......It's one of those.`@ br ;　魔女の碑文の、第四の晩以降の殺し方。@ ;　……杭で抉りて殺せ、というヤツだろう。\ `The style of killing from the fourth twilight onwards in the witch's epitaph.`@ `......It's probably that 'gouge with a stake and kill' thing.`\ bg blood_1a,22 ;　しかし、人間の頭蓋骨は頑丈だ。@ `However, a human skull is very firm.`@ br ;　………いくら思い切り力を込めたからといって、こうも鋭く貫けるだろうか……？\ `.........Even with all one's strength, could it be made to pierce so sharply......?`\ ;　違う。@ `No.`@ br ;　……俺の推理では、この杭は死因ではなく、死後の死体損壊に使われただけだ。\ `......By my reasoning, this stake wasn't the cause of death, but had just been used to damage the corpse after death.`\ ;　おそらく、譲治の兄貴と同じで、銃か何かで撃たれて殺されて、@………その銃痕の穴に、この杭を捻じ込んだのではないか。@ `She had probably been killed by being shot with a gun or something, like George-aniki,`@` .........and the stake had been stuck into the hole left by the gun.`@ br ;　……そう考えた方がすっきりとした。\ `......Thinking about it that way, everything works out.`\ bg black,22 bg M2F_R4cR,26 me1v 16,50 ;　しかし、……霧江さんは、本当に銃で殺されたのだろうか。\ `But, ......was Kyrie-san really killed with a gun?`\ ;　電話でも言っていたが、霧江さんは、施錠して部屋に閉じ篭っていたにもかかわらず、攻撃を受けていた。\ `As she said on the phone, even though she was holed up inside a locked room, Kyrie-san was being attacked.`\ bg M_door2,22 ;　実際、この部屋は施錠されていた。@ `This room actually had been locked.`@ br ;　……そして、@……鍵穴から、黄金の糸のようなものが飛び込んできて、襲ってくるというようなことを言っていた。\ `......And, `@`......she had said something about something like a golden thread flying in and attacking her.`\ bg black,22 ;　確かに霧江さんの死体の周辺には、四ヶ所ほど、その攻撃によるものと思われる穴が開いている。@ `And in fact, there were four places around Kyrie-san's corpse with holes that could have been caused by some kind of attack.`@ br ;!s0　…………しかし、/ ;!d800……鍵穴から、/ ;!d900………黄金の糸が襲って…？/ !s0`............But, `/ !d800`......a golden thread attacked her, `/ !d900`.........from the keyhole...?`/ !sd\ bg M_door1,22 ;　霧江さんの目線から、扉を見る。@ `I looked at the door from Kyrie-san's perspective.`@ br ;　よく、古いミステリー映画に出てくるような、@向こうが覗けるというタイプの古い鍵穴だったなら、何かが突き抜けてくるかもしれないというのはわかる。\ `If it had been one of those old locks that you see in old mystery movies,`@` where you can peek through to the other side, then you could tell that something might have been stuck through it.`\ bg M_door2,22 ;　しかし、この屋敷の扉は、いくら古めかしいとはいえ、鍵は一般家庭でお馴染みの、平均的なシリンダー型だ。@ `But even though the doors in this mansion were old-fashioned, the locks were the familiar, average cylinder style that you could find in any normal house.`@ br ;　……つまりその構造上、貫通はしていない。\ `......In other words, from the way they were constructed, you couldn't penetrate through them.`\ ;　だから鍵穴から、どんなに細い何かであったとしても、@外から貫いて何かが襲ってくることは考えられないのだ。\ `So no matter how thin an object you might try to stick through the keyhole,`@` it's unthinkable that something penetrated through from the outside and attacked.`\ bg black,22 ;　………シリンダー錠。@ `.........A cylinder lock.`@ br ;　………鍵穴………？\ `.........A keyhole.........?`\ ;　それでも霧江さんは、鍵穴から黄金の糸のようなものが飛び込んできて、@……くるくる回りながら狙ってくる、攻撃してくると、……確かにそう言った。@ `And even so, Kyrie-san had definitely said that something like a golden thread had flown in through the keyhole,`@` ......spun around aiming for her, and attacked her......`@ br ;　“鍵穴から襲ってくる黄金の糸”。@ `'A golden thread attacking from the keyhole'.`@ br ;　………それが何を意味するのか、……俺にはまったく理解できない。\ `.........I couldn't understand what it meant at all.`\ bg Different_spiral_1a,22 me2v 17,50 ;　いや、でも。@ ;　……霧江さんは多分、俺がこれらを理解できないだろうと、予見していた。\ `But, even so.`@ `......Kyrie-san had probably predicted that I wouldn't be able to understand all this.`\ ;　それは霧江さんだけじゃない。@ ;　朱志香の電話でも言っていた。@ `And not just Kyrie-san.`@ `Jessica had said it over the phone too.`@ br ;　……いや、遡れば、一番最初の、郷田さんたちの話と蔵臼伯父さんたちからの電話でも、@みんな一貫して同じことを言っている。\ `......No, since the very beginning, from the time we talked with Gohda-san and Kumasawa-san and got the phone call from Krauss oji-san's group...`@`everyone has said the same, consistent thing.`\ bg black,22 bg magicsquare_sun7,26 ;　………祖父さまが魔女や悪魔を呼び出し、魔法で人を殺している。@ `.........Grandfather had summoned witches and demons, and was killing people with magic.`@ br ;　それをまさに目の前で見せ付けられた。@ ;　何の誤魔化しもまやかしもない。@ ;　信じるほかない。@ `It had truly been shown to them right before their eyes.`@ `There was no trick or illusion.`@ `No choice but to believe it.`@ br ;　……彼らは異口同音に、そう言った。\ `......With one voice, they had all said that.`\ bg black,22 fede 10,1000 ;se1 15 bg M2F_P1bR,23 me1v 12,50 ;　俺も、あのベアトリーチェと名乗った謎の女が現れた時には、@ヤツが本当に魔女で、山羊のバケモノを次々に呼び出すのではないかと、かなり信じていた。\ `Even I, when the mystery woman calling herself Beatrice appeared,`@` had pretty much believed that she was a real witch and might start summoning goat monsters right and left.`\ ;　……しかし、丸一日も放置されて、緊張感がすっかり解けてしまうと。@そんなバカなことが絶対にあるわけがないと思えるのだ。\ `......However, after being left alone for a whole day, my feeling of tension had faded completely.`@` I could think that something so stupid definitely couldn't be true.`\ bg M1F_P1cR,25 ;　命が危険に晒された異常な状況下で、@ちょっと頭が混乱して、魔女が魔法で襲ってきたかのような、そんな勘違いをしてしまったのではないか。\ `Did they lose their heads a little in an extraordinary situation where their lives were exposed to danger,`@` and mistakenly think that a witch was attacking them with magic?`\ ;　…………しかし、複数の人間が同じように証言し、その上、全員の意見が食い違わない。@ `............But multiple people had said the same kind of thing, and on top of that, none of their opinions conflicted each other.`@ br ;　……ひとりだけの発言だったなら、何かの見間違いだろうと疑うところなのだが、@………それがあまりに、難しい……。\ `......If it had just been a single statement, I'd be able to suspect that they just didn't see what they thought they saw,`@` ......but doing that now is pretty...difficult......`\ me2v 5,50 textoff bg black,22 bg M1F_P1dR,26 wait 2000 bg M_door1,23 wait 500 bg blood_1a,23 ;　そして、裏口扉のすぐ近くで、頭部を半壊している蔵臼伯父さんを見つけた。/ `Then, right next to the back door, I found Krauss oji-san with his head half smashed.`/ mov %play_scene,40390 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ ;　……九羽鳥庵の地下牢から逃げ出してきて、@秘密の地下道から何とかここまで逃げ延びたのに、……殺されてしまった。\ `......Even though he had escaped the dungeon of Kuwadorian,`@` and somehow made it this far by a secret underground passage, ......he had been killed.`\ ;　その半壊した頭部の、残酷な断面に、@……霧江さんの額に打ち込まれていたのと同じような、オカルト装飾の杭が捻じ込まれている。@ `Into the gruesome cross-section of his half-crushed head,`@` ......was buried a stake with an occult design, like the one that had been buried into Kyrie-san's forehead.`@ br ;　さすがにこの状況では、この杭が凶器だとは到底思えない。\ `And in this situation, it was very hard to imagine that this stake was the weapon.`\ ;　……食堂の６人と同様の、強力な銃器などで殺し、@その死後に霧江さんのように、この杭を突き刺したのだ。\ `......He had been killed with a powerful gun like the six in the dining hall,`@` and after death, had been stuck with a stake like Kyrie-san.`\ bg black,22 ;　霧江さんの言う、黄金の糸が、蔵臼伯父さんにも襲い掛かったのだろうか。@ `I wonder if the golden threads that Kyrie-san spoke of attacked Krauss oji-san too.`@ br ;　内視鏡のようなものすごく細いけれども、自在に動かせるような道具でも存在するのだろうか………？@ `Does there exist some kind of tool, like an endoscope, which is very thin but can be moved about at will.........?`@ br ;　しかもそれで人を襲えるような……？@ ;　馬鹿な。そんな道具、聞いたこともない。\ `And that can also attack people......?`@ `No way. I've never heard of anything like that.`\ bg Different_spiral_1a,8 ;　しかしそれでも、……それを親族の誰かに打ち明けたなら、@「祖父さまなら作りかねない」ということになってしまうのだろうか…。\ `But even so, ......if that had been revealed to one of the relatives,`@` perhaps they would say 'I wouldn't put it past Grandfather to make it'...`\ ;　自在に動かせ、人を襲える黄金の糸Ｘの存在を否定できない以上、@その摩訶不思議な凶器を認めるか、さもなくば、@……魔法殺人を認めざるを、得なくなる。\ `Since I can't deny the existence of golden thread X that can be moved at will and attack people,`@` I can either accept that there's this mysterious weapon, or else,`@` ......I will have to accept that this is a murder with magic.`\ bg black,2 ;　次の死体を見つけるには、勝手口から出て、表を少しだけ探し回る必要があった。\ `To find the next corpse, I had to go out through the back door and search around outside a bit.`\ textoff bg white,22 fedexx 0,70,70,0,0,0,2000 E_B dllefe 1,1 bg forest_p1b,23 wait 1000 bg forest_P2a,23 bg black,24 bg well_1cR,23 ;　裏手の、ほとんど森に飲み込まれた荒れ果てた茂みに、古い井戸のようなものがあり、@/ `Behind the mansion, in the wild-grown bushes that were almost swallowed up by the forest, there was something like an old well, `@/ bg well_1bR,22 ;……そのすぐ近くに、南條先生と紗音ちゃんの死体があった。/ `......and right next to it, were Doctor Nanjo and Shannon-chan's corpses.`/ mov %play_scene,40400 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ bg black,22 dllefe_off bg black,1 bgm1 39 fede 10,1000 bg blood_1b,22 ;　二人の死体も、頭部を砕かれている。\ `Both corpses had their heads smashed.`\ ;　……そして、突き刺さってこそはいなかったが、損壊した頭部のすぐ近くに、杭がそれぞれ置かれている。@ `......And, while they weren't stuck in, there were stakes lying right next to each damaged head.`@ br ;　……惨いのは誰も一緒だが、紗音ちゃんの可愛らしい顔が半分吹き飛んでいるのを正視するのは、とても辛かった……。\ `......Each corpse was atrocious, but having to look directly at Shannon-chan's lovely face, which was blown off, was very painful.......`\ bg black,22 me1v 13,50 dllefe 1,1 bg well_1aR,26 ;　そして、井戸だ。@ `Then, there was the well.`@ br ;　その奥に、謎の屋敷、九羽鳥庵への秘密の地下道があるという。@ `I had heard that inside it was a secret underground passage to the mysterious mansion, Kuwadorian.`@ br ;　…この頃には、ひょっとするとベアトリーチェ一味は、@この地下道を使って、九羽鳥庵に立ち去ってしまっているのではないかと思い始めていた。\ `...By this time, I had begun to think that Beatrice and her accomplices might have used this underground passage,`@` and left for Kuwadorian.`\ ;　１０人以上はいると思わしき連中が、これだけ影も形もないのだ。@ `Even though there seemed to be ten or more of them, I hadn't seen a trace of anyone.`@ br ;　……別の場所へすでに脱出していると考えるのが極めて妥当だろう。\ `......It seemed very likely that they had already escaped to a different location.`\ bg sky_3a,22 ;　この台風だ。@ ;　海へは出られない。@ `There's the typhoon.`@ `They can't go out to sea.`@ br ;　森だって同じだ。@ ;　こんな深い未開の森を、徒歩で横断など出来るわけがない。\ `It goes the same for the forest.`@ `There's no way they could traverse such a deep, uncultivated forest on foot.`\ bg black,22 dllefe_off ;　となれば、連中の行き先はひとつ。@ `In that case, they had only one place to go.`@ br ;　謎の隠し屋敷、九羽鳥庵。@ `The mysterious hidden mansion, Kuwadorian.`@ br ;　……井戸の底の秘密の地下道だ…！\ `......The secret underground passage at the bottom of the well...!`\ ;　……敵に出くわせば殺されるかもしれないという恐怖感は、この頃には完全に失われていた。\ `......By this time, I had entirely lost my fear of being killed if I happened to come across the enemy.`\ ;　ふざけやがって…！@ `Don't fuck with me...!`@ br ;　今度は俺が貴様らの屋敷に乗り込んでやる…！\ `This time I'll march into your mansion...!`\ ;textoff ;ld r,$BUT_NayamuA1,24 ;wait 1000 ;ld r,$BUT_NayamuA3,80 ;wait 1000 ;cl r,0 ;ld c,$BUT_KuyasigaruA1,24 ;wait 1000 ;ld c,$BUT_OdorokiA2,80 dllefe 1,1 bg well_1ar,22 me2v 16,50 ;「………あ……、…な、何だこりゃ…？！@　ち、……畜生ッ…！！」\ ;＜戦人 `".........Ah......, ...wh, what the hell...?!`@` D, ......damn it...!!"`\ ;　その古井戸には、頑丈な蓋がされていた。@ `The old well had a firm cover on it.`@ br ;　その蓋は鉄格子で出来ている。@ ;　格子の隙間は２０ｃｍ四方あるかどうか。@中を覗きこむことは出来るが、とても人間が通り抜けられるようなものではなかった。\ `The cover was an iron grill.`@ `The gaps between the bars were perhaps 20 centimeters across.`@` You could peer inside, but it really wasn't something a human could pass through.`\ ;　何も知らなかったなら、単なる転落防止用の蓋にしか思わなかったろう。@ `If I hadn't known better, I wouldn't have thought it anything more than a simple cover to prevent falls.`@ br ;　……しかし俺は、霧江さんに聞かされているから、この奥にある秘密の地下道への侵入者を防ぐためのものだと知っている…！\ `......But from what Kyrie-san had told me, I knew that it had been made to prevent intruders from entering the secret underground passage in its depths...!`\ bg black,26 dllefe_off ;　しかしその蓋は非常に頑丈に固定されていて、どんなに押しても引いても、決して外すことが出来ない。\ `But the cover was extremely firm and rigid, and no matter how much I pushed or pulled, I couldn't even get close to opening it.`\ ;　一見、施錠らしきものは見当たらない。@ ;　ひょっとすると、何かの仕掛けで閉ざされているかもしれない。\ `I couldn't find any obvious lock.`@ `It might be sealed by some mechanism.`\ ;　しかし、いくら調べても、それを解除するような何かは見つけられなかった。@ `But no matter how much I investigated it, I couldn't find anything to release it.`@ br ;　………霧江さんが、最期の瞬間を賭して俺に伝えてくれた最大の情報が、この井戸の地下道なんだ…！\ `.........The biggest piece of information that Kyrie-san had gambled her last moments on trying to tell me about was the underground passage in this well...!`\ dllefe 1,1 bg well_1aR,26 ;ld r,$BUT_KuyasigaruA1,26 ;「こんな蓋程度で俺を阻めると思うんじゃねぇぜ…！@/ `"Don't think I'll be stopped by something like this cover...! `@/ ;ld r,$BUT_OdorokiA1,80 ;　こいつをブチ壊してやる…！@　その道具を探そう…！」\ ;＜戦人 `I'll smash it to bits...!`@` I'll search for a tool...!"`\ bg black,25 bg sky_3a,22 ;　心当たりはあった。@ `I had an idea.`@ br ;　……郷田さんたちを園芸倉庫に閉じ込めた時、そこに色々な工具がしまわれていたのを、見ていたから。\ `......Because I had seen the various tools in the gardening shed when we had locked Gohda-san and Kumasawa-san in there.`\ bg black,22 dllefe_off bg black,1 fede 1,2000 dllefe 1,1 bg warehous_o1a,22 ;　しかし、園芸倉庫のシャッターは閉ざされている。@ ;　その上、鍵は中で死んでいる郷田さんに預けられている。\ `But the shutter to the gardening shed was locked.`@ `On top of that, the key was with Gohda-san, who was dead on the inside.`\ ;　……つまり、この園芸倉庫は密室。@ ;　外から開く方法はないのだ。\ `......In other words, this gardening shed was a closed room.`@ `There was no way to open it from the outside.`\ bg black,22 dllefe_off ;　なら、シャッターを、破らなければならない。@ ;　そのための工具がどこかにないものか。@ `In that case, I have to break the shutter.`@ `There has to be a tool for that somewhere.`@ br ;　……何だか本末転倒な話だ。\ `......Kinda feels like I'm going in circles here.`\ ;bg Mboi_1c,6 me3v 20,0 fedexx 0,0,0,50,0,0,2000 ;　そしてそれを探す途中で、屋敷にずっと漂っていた異臭の発生源が、地下のボイラー室であることを知った。\ `Then, while searching for that, I learned that the source of the stench that had permeated the mansion the whole time was the underground boiler room.`\ bg Mboi_1a,24 ;　ボイラー室は薄暗く、蒸し暑く、凄まじい臭いで、その上、ものすごく薄気味悪かった。\ `The boiler room was dimly lit, humid, had a terrible stench, and on top of all that, was incredibly creepy.`\ ;　しかしそこには大型の工具の類が多数あり、防火斧や巨大な番線カッターなどを見つけることが出来た。@ `But there were several large tools there, and I was able to find a fire hatchet and massive wire cutters.`@ br bg black,22 ;　そして、…………祖父さまの死体も。/ `And, ............Grandfather's corpse too.`/ mov %play_scene,40410 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ bgm1 15 bg Mboi_1d,22 ;　いや、厳密には、多分、祖父さまと思われる人物の焼死体を発見した、というべきだろう。@ `No, strictly speaking, I should probably say that I found a burnt corpse of a person who was probably Grandfather.`@ br ;　ボイラーの燃え盛る炎の中に、誰かの死体が詰め込まれていたのだ……。\ `Someone's corpse had been stuffed into the blazing fires of the boiler......`\ ;　しかし、偶然にも俺は、その死体の足の指の数に気付くことが出来た。@ `However, by coincidence, I was able to notice the number of toes on the corpse.`@ br ;　……両足とも、６本の指を持っているのだ。\ `......Both feet had six toes.`\ bg black,22 ;　……そう、俺は昔どこかで親父に聞かされていたかもしれない。@ ;　祖父さまは多指症で、足の指が多い、みたいな話を。\ `......That's right, I probably heard from Dad some time long ago.`@ `Something about Grandfather having polydactyly, with extra toes.`\ ;　右代宮家の古い習慣では、指が多い人物には吉があるとかで、縁起が良いとされていたらしい。@ `According to old Ushiromiya family tradition, it seems that those with extra fingers or toes had good fortune or something, and were treated as a good omen.`@ br ;　……何でも祖父さまは、そのせいで、次期当主に抜擢されたとか何とか………。\ `......And because of that, Grandfather was selected to be the next head or something.........`\ bg Mboi_1b,22 ;　しかし、足の指の数だけで、祖父さまの死体だと確認しても良いのだろうか。@ `But I wonder if I can be certain this is Grandfather's body just from the number of toes.`@ br ;　何しろ、祖父さまは犯人グループのリーダー格のはず。@ `After all, Grandfather was supposed to be the leader of the group of culprits.` br ;　それがこんなところでボイラーにブチ込まれて死んでるなんて、さっぱり理解が出来ない。\ `I didn't have a clue why he'd be stuffed into a boiler in a place like this and die.`\ bg Mboi_1d,22 ;　炎の中で凄まじい臭いを吐き出しながら焦がされる、謎の死体。@ `A mysterious corpse, burning and spitting out a terrible stench amid the flames.`@ br ;　……その正体が祖父さまであるならば、@…………犯人グループのリーダーは、祖父さまではなく、やはりあの、ベアトリーチェ……？\ `......If it really was Grandfather,`@` ............did that mean that the leader of the group of culprits wasn't Grandfather, but that Beatrice after all......?`\ ;　祖父さまは都合よく使われ、最後に切り捨てられた、ということなのだろうか。@ `Grandfather was used because he was convenient, and was then thrown away?`@ br ;　………残念ながら、祖父さまにその釈明の機会は、与えられそうになかった…。\ `.........Unfortunately, it didn't look like I'd be given a chance to hear Grandfather's explanation...`\ bg black,6 me1v 12,0 me2v 5,0 fedexx 0,50,50,0,0,0,2000 E_B dllefe 1,1 bg warehous_o1a,24 ;　工具を得た俺は、さっそく井戸の蓋の破壊に挑戦しようとしたが、@その前に園芸倉庫のシャッターを破ることにした。\ `Now that I had obtained a tool, I thought about rushing to take on the cover to the well,`@` but I decided to break the shutter to the gardening shed first.`\ ;　……どうせ時間は腐るほどある。@ `......I had plenty of time to kill anyways.`@ br ;　郷田さんたちの死体の状況も、確認しておくべきだと思ったのだ。\ `I thought I should check on the condition of Gohda-san and Kumasawa-san's corpses.`\ bg black,22 dllefe_off bg black,1 se1 20 wait 1000 se2v 12,100 bg white,1 bg black,22 se1 20 wait 1000 se2v 12,100 bg white,1 bg black,22 se1 20 wait 1000 se2v 12,100 bg white,1 bg black,22 ;　斧で殴りつけてシャッターを破り、@その隙間から番線カッターを突っ込み、@ジョキジョキと鋏の要領で穴を開ける。\ `I hit the shutter with the hatchet, breaking into it,`@` stuck the wire cutter into the crack,`@` and scissored it around, opening up a hole.`\ fede 12,1000 bg warehous_i1e,22 bgm1 18 ;　そして、郷田さんと熊沢さんの死体と、俺は再び対面した……。/ `Then, I faced Gohda-san and Kumasawa-san's corpses once more......`/ mov %play_scene,40420 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 \ ;　その結果、新しい事実がわかる。@ `As a result, I learned of a new fact.`@ br ;　まず、二人は首を吊って死んでいるのではなかった。@二人の足はちゃんと床についている。@ `First, they had not died by being hung by the neck.`@` Both of their feet were solidly on the floor.`@ br ;　……そして二人の額には、銃で撃たれたような跡があった。\ `......And on both of their foreheads were signs that they had been shot with a gun.`\ ;　ロープの長さは一般的な首吊りを考えると、かなり長めに取られている。@ `The loop seemed longish for a normal noose.`@ br ;　その上、二人の身長に合わせて長さが変えてあった。\ `On top of that, the length was different on each to match the height of each person.`\ ;　つまり、背の高い郷田さんも背の低い熊沢さんも、どちらもちゃんと地面に足がつくことが出来るギリギリになるように、@長さが調整してあったということだ。\ `In other words, the lengths had been adjusted so that both Gohda-san, who was tall, and Kumasawa-san, who was short, `@`had their feet solidly but barely on the ground.`\ ;　また、そのロープに体重を預けて俯いている二人は、どちらも膝から下が少し余っている。@ `Also, while the ropes carried both of their weights as their heads lolled, both of them had some slack below their knees.`@ br ;　これは二人がこのロープを首に掛けて直立したなら、長さが余ることを意味している。@ `This meant that if they had stood up with these loops around their necks, there would be some extra length.`@ br ;　つまり、首を吊るためのロープとしては、少々不適格だということだ。\ `In other words, this loop was a bit unsuitable to hang someone with.`\ bg black,22 ;　多分、直接の死因は頭部への銃撃。@ `The direct cause of death was probably a shot to the head.`@ br ;　惨いものだ。@その深い穴からはどろりと未だに中身が溢れ出し、二人の顔を真っ赤に汚している。@ `It was gruesome.`@` Their insides were still dripping out from that deep hole, staining their faces a deep red.`@ br ;　そしてそれを首吊りのようにして引っ張り上げ、晒し者にした、と考えるのが妥当だろう。\ `It's probably best to assume that they were then hung, pulled up, and left exposed like that.`\ bg warehous_i1c,26 ;　……もし、銃で撃たれたなら、床に突っ伏しているだろう。@ `......If they had been shot with a gun, they would probably have been lying down on the floor.`@ br ;　……そうだったなら、窓から覗いても、死んでいることがわからない。@ ;　荷物の山が邪魔で、横になられたら隠れてしまうのだ。\ `......If that had been the case, you wouldn't have been able to tell they were dead even if you peeked through the window.`@ `The mountain of baggage would have gotten in the way, so if they had been lying down, they would have been hidden.`\ ;　中に入れない俺たちに、この二人の死を知らしめるには、こうして吊るし、@外からわかるようにしなくてはならない。@ `To make the deaths of these two known to the rest of us who couldn't go inside,`@` they would have to hang them like this, and make it visible from the outside.`@ br ;　………これは、……鍵を預ければ二人は安全に違いないと思っていた俺たちへの、……当てつけ……？\ `.........Was this, ......to get back at us for thinking that the two would surely be safe if we left the key with them......?`\ bg black,22 ;　彼らの安全を保証したはずの、郷田さんに預けたシャッターの鍵はどこにあるのだろう…。\ `I wonder where the shutter key we gave Gohda-san, which should have ensured their safety, is now...`\ ;　その鍵は、………彼のズボンのポケットに入っていた。@ ;　ご丁寧にも、園芸倉庫の鍵とプレートまで付いている。@ `That key, .........was in the pocket of his trousers.`@ `The gardening shed key had been kindly left there and even the plate was attached.`@ br ;　つまり、やはりこの園芸倉庫は密室だったわけだ。\ `In other words, the gardening shed had been a closed room after all.`\ bg warehous_i1e,22 ;　そして、それはさらなる疑問を生む。@ `And that gave rise to another question.`@ br ;　……なぜなら、首吊りが説明できないからだ。\ `......Because this can't be explained by a hanging.`\ ;　彼らが自殺したわけでなければ、この首吊りロープは犯人の細工だ。@ `If they hadn't committed suicide, then the noose was set up by the culprit.`@ br ;　……銃撃は窓からでも可能かもしれないが、この梁にロープを二人分も結びつけるのは外部からではとても出来るとは思えない。\ `......It might have been possible to shoot them through the window, but it's really unthinkable that someone could have tied two loops to the beam from the outside.`\ ;　しかもその上、重い死体の吊り上げなど、出来るわけもない。@ ;　つまり、これらの作業のために、この中へ入らなければならないのだ。\ `And furthermore, there's no way they could have lifted up the heavy corpses.`@ `In other words, to do all of this, they would have had to go inside.`\ ;　しかしその鍵は郷田さんのポケットに入っているし、シャッターは施錠されたままだった。@ `But the key was in Gohda-san's pocket, and the shutter had been locked.`@ br ;　つまり園芸倉庫は密室だったのだ。\ `In other words, the gardening shed had been a closed room.`\ bg black,22 ;　このシャッターの鍵はひとつしかないと郷田さんは言っていた。@ `Gohda-san had said that there was only one key for this shutter.`@ br ;　……しかし本当は複製があり、/ ;!d800……それを犯人が所有していた、ということはありえないだろうか……？\ `......But is it possible that there was a copy, `/ !d800`......and that the culprit was in possession of it......?`\ ;　郷田さんが知らなかっただけで、実は園芸倉庫の鍵が複数あった、@とする仮定さえ許されるなら、これは密室でも何でもない。\ `If we're allowed to theorize that there was actually a duplicate of the gardening storehouse key, and that Gohda-san just didn't know about it, `@`then this isn't even close to a closed room.`\ bg warehous_i1e,25 ;　………しかしそれでも、他の死体のほとんどは、みな銃殺されて、ほぼそのままの形で放り出されているにもかかわらず、@なぜこの二人の死体だけは、わざわざ吊るし上げられているのか。@ `.........But why is it that, despite the fact that almost all of the other corpses had been shot to death and left almost completely alone,`@` these two corpses alone had been intentionally hoisted up?`@ br ;　そこにわずかの違和感を覚えなくもなかった……。\ `I couldn't help but feel something a bit odd about that......`\ bg black,22 ;　これで、ボイラーの中の謎の死体を祖父さまだと仮定すれば、@……１６人の死体が確認されたわけだ。\ `After this, if we assume that the mystery corpse in the boiler was Grandfather,`@` ......the deaths of 16 people have been confirmed.`\ ;　この島には１８人いた。@ ;　俺がいて、死体が１６。@ `There were 18 people on this island.`@ `I'm here, and there are 16 corpses.`@ br ;　嘉音くんの死体だけが、まだ確認できていない。\ `Kanon-kun's corpse is the only one I haven't been able to confirm.`\ me2v 13,0 me3v 5,0 fedexx 0,0,50,50,0,0,2000 E_B wait 1000 textoff dllefe 1,1 bg forest_P1a,22 wait 2000 bg forest_P2a,22 wait 1000 bg well_1cR,24 wait 1000 bg well_1aR,22 ;　霧江さんの話では、彼は井戸を登っている時に殺されて、そのまま井戸の底に転落している。@ `According to Kyrie-san, he had been killed while climbing out of the well, and had fallen down into the well.`@ br ;　だから、こうして井戸を閉ざされてしまったら確認は不可能なわけだ。\ `So with the well closed up like this, it's impossible to check.`\ bg black,22 dllefe_off ;　格子の間から懐中電灯で、井戸の底の暗闇を照らしてみる。@ `I tried shining a flashlight through the bars, down into the darkness in the depths of the well.`@ br ;　だが、漆黒の闇は、その程度の灯りでは、俺に深淵を教えるつもりはさらさらないようだった…。\ `But it seemed that the jet-black darkness had no intention of showing me its depths with a light of that level...`\ ;ld c,$BUT_NiramuA1,24 ;　やはり、この格子蓋を破壊しなくてはならない。@ `It looked like I'd have to break the bars after all.`@ bgm1 30 br ;　俺は、ボイラー室や園芸倉庫から引き摺ってきた斧などで、井戸の蓋の破壊を試みた。\ `Using the hatchets and things I'd dragged from the boiler room and the gardening shed, I tried breaking the cover of the well.`\ textoff bg black,22 se1v 20,100 wait 1000 ;se2v 12,100 bg white,1 bg black,22 ;　だが、金属製の格子の非常に頑丈なもので、破壊は容易なものではなかった。@ `But the metal bars were extraordinarily sturdy, and breaking them wasn't easy.`@ br ;　……斧で何度も殴りつけ、手の方がおかしくなってしまい、とうとうその破壊を諦める……。\ `......I hit it with the hatchet over and over, until my hands started feeling weird, and eventually gave up on breaking them......`\ ;textoff ;bg black,22 ;se1v 20,100 ;wait 1000 ;se2v 57,100 ;bg white,1 ;bg black,22 ;wait 1000 ;se1v 20,100 ;wait 1000 ;se2v 57,100 ;bg white,1 ;bg black,22 dllefe 1,1 bg well_1aR,26 ;　……無理だ。@ ;　せめて木製だったなら、破壊も出来ただろう。@ `......It's impossible.`@ `If they were at least wood, I might have been able to break them.`@ br ;　しかし、金属製じゃなぁ…。\ `But this metal...`\ bg black,22 ;　そう、鉄格子を人間の力でバターのように切断など、出来るわけがないのだ。@ `That's right, there's no way you can slice through metal bars like butter with a human's strength.`@ br ;　……嘉音くんの鉄格子切断の話も、……まったく理解できないものだった。\ `......I can't even begin to understand, ......that story about how Kanon-kun had cut through the metal bars.`\ textoff mono 1 dllefe_off fede 10,1000 bg white,1 bg black,0 ld l,$KAN_IkariA2B,2 ;　腕から、赤いレーザー光線のような光を伸ばして、@それで鉄格子を、バターでも切るように切断してみせたという。@ `I heard that a light like a red laser beam grew out of his arm,`@` and that he sliced through the metal bars like he was cutting through butter.`@ br ;　鉄格子を、バターでも切るかのように…？\ `Cutting through metal bars like butter...?`\ ;　……赤いレーザー光線とは何だろう。@ `......And what's with the red laser beam.`@ br ;　バーナーのようなものをこっそり持っていて、@それで焼き切ったという意味ではないのだろうか……？\ `Does that mean he had snuck in a burner or something,`@` and used that to burn through the bars......?`\ ;　しかし、鉄格子をバターを切るように、とは………一体、どんなレーザーなのか。@ `Still, just what kind of laser.........could cut through metal bars like butter?`@ br ;　…まるで、俺が子どもの頃に大好きだった、ロボットアニメに出てくるようなレーザー光線そのものじゃないか。\ `...It almost sounds like the kind of laser beam that showed up in those robot anime I'd loved as a kid, doesn't it?`\ cl a,22 ;　そんなものが、本当に実在するのか……？@ ;　そして嘉音くんはどうやってそのレーザー光線を……？\ `Does something like that actually exist......?`@ `And how had Kanon-kun gotten that laser beam......?`\ me1v 13,50 mono off dllefe 1,1 bg well_1cR,22 ;　それを聞きたくても、彼はすでに殺されている。@ `No matter how much I want to ask him, he's already been killed.`@ br ;　それどころか、死体すらも、この蓋の奥、井戸の底だ。\ `Plus, even his corpse is now in the depths of the well, beyond this cover.`\ ;　鉄格子を切断できた嘉音くんなら、きっとこんな金属製の蓋だって一撃だろう。\ `If Kanon-kun could slice through metal bars, I'm sure he could handle this metal cover in a single swing.`\ ;　……何だか、さっきの鍵を持ってる郷田さんが園芸倉庫の中に閉じ込められているという密室にそっくりだ。@ `......It kind of feels just like the closed room Gohda-san was locked in holding the key.`@ br ;　扉を開けられる唯一の人物が、にもかかわらず、中に閉じ込められている……。\ `Only one person can open the door, but they're locked inside......`\ ;　……俺にも、嘉音くんのその力があれば、この蓋を何とか出来るのに……。@……………………………。\ `......If only I had that power of Kanon-kun's, I could do something about this cover myself......`@`........................`\ ;ld r,$BUT_NayamuA1,24 me2v 16,50 ;　嘉音くんは何者だろう。@ `Just who is Kanon-kun?`@ br ;　まさか本当に、……不思議な力が使えるニンゲン外の存在なのだろうか。@ `He couldn't really be, ......an inhuman being capable of using a strange power, right?`@ br ;　霧江さんも魔女を信じろといったし、そうだと名乗るイカレた女にも会っている。\ `Even Kyrie-san told me to believe in witches, and I'd also met an insane woman calling herself one.`\ ;ld r,$BUT_KuyasigaruA1,80 ;　…嘉音くんはひょっとして、/ ;!d800……魔女側の人間…？@ `...Could Kanon-kun possibly be, `/ !d800`......a human on the witch's side...?`@ br ;　……むしろ、/ ;!d900………犯人？\ `......Or else, `/ !d900`.........the culprit?`\ ;ld r,$BUT_KomaruA1,80 ;　…………何てこった。@ `.........What the heck.`@ br ;　……死体が発見できないだけで、…犯人扱いだなんて。\ `......Am I gonna start treating him like the culprit, ...just because I can't find his corpse?`\ ;;bg Different_spiral_1a,8 ;mld l,$BEA_AkuwaraiA1,0 ;msp msp_l,0,0,-120 ;se1 52 ;print 99,2000,"breakup.dll/urb" fedexx 10,50,50,0,0,0,2000 wait 1000 msetef 0,22 ;　ほぅ、……死体がないだけで犯人扱い…？@ ;　疑わしきはシロだとほざいたのは誰だったやら……。\ `Hoh, ......treating him like the culprit because there's no corpse...?`@ `And who was the one babbling about the suspicious being innocent......?`\ ;mld l,$BEA_futekiA1,0 ;msp msp_l,0,0,-120 ;print 80 ;　………良かろう、嘉音に全ての犯行を押し付けて人間犯人説にされては敵わぬ。@ `.........Very well, I couldn't bear having you push all the crimes on Kanon and making that into a human culprit theory.`@ br ;　妾が赤にて保証する…。\ `I will guarantee it with the red...`\ ;mld l,$BEA_AkuwaraiA5,0 ;msp msp_l,0,0,-120 se1 59 ;　#ff0000嘉音は死亡している。#ffffff/ `#ff0000Kanon is dead.#ffffff`/ mov %play_scene,40430 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,0 : seplay2 9,1061,70 @ se2 59 ;　#ff0000霧江たち５人の中で、一番最初に死亡した。@ `#ff0000Among the five people in Kyrie's group, he was the first to die.`@ se3 59 ;　つまりは、９人目の犠牲者というわけだ。#ffffff\ `In short, he was the 9th victim.#ffffff`\ mend fedexx 50,50,50,0,0,0,1000 ld r,$BUT_nayamuA1,80 ;「……死体がない以上、……嘉音くんが死亡しているとは、/ ;!d800…断言できない。」\ ;＜戦人 `"......Since there's no corpse, ......I can't say for sure, `/ !d800`...that Kanon-kun is dead."`\ ;mld l,$BEA_MajimeA1,0 ;msp msp_l,0,0,-120 ;print 80 msetef 0,22 ;　妾が赤で囁いたところで、駒であるそなたには届かぬか……。@ `So, my whispering in red does not reach the piece you.......`@ br ;mld l,$BEA_futekiA2,0 ;msp msp_l,0,0,-120 ;print 80 ;　………(そなた/・・・)には、届いたよな………？\ ;＜点処理：そなた `.........It did reach `(`you`/・・・)`, right.........?`\ textoff mend bg black,2 dllefe_off fede 0,3000 wait 1000 me1v 13,50 me2v 5,50 dllefe 1,1 bg M_o1bR,22 wait 2000 bg black,22 me3v 11,90 dllefe_off bg MKIT_1aR,0 ld r,$BUT_KuyasigaruA1,10,3000 ld r,$BUT_NayamuA1,80 ;　一見、魔法としか思えない不思議な何かによる、大量殺人。@ `At a glance, this was a mass murder due to something strange that could only be thought of as magic.`@ br ;　……鍵穴から襲い来る黄金の糸。@ `......Golden threads that attacked through key holes.`@ br ;　いや、食堂での６人殺しの時も、黄金の何かが飛び回っていたという証言がある。@ `No, we even have testimony that something gold flew around the dining hall when the first six died.`@ br ;　ひょっとすると両者は同じ凶器かもしれない。\ `The two might have been the same weapon.`\ ;　そして、園芸倉庫の密室殺人に、鉄格子を切断するレーザー光線。@ `Then there was the closed room murder of the garden shed, and the laser beam that could cut metal bars.`@ br ;　……それだけではない。\ `......And that wasn't all.`\ bg black,25 ;　他にも他にも、山羊のバケモノの群とか、@落とし穴を指を鳴らすだけで生み出せる魔女の話とか、黄金の糸を打ち出したうさぎみたいな悪魔たちとか。@ `There was much, much more...like the group of goat monsters,`@` the story of a witch who could create pitfalls just by snapping her fingers, the rabbit-like demons who had fired golden threads...`@ br ;　他にもあった気がするが、………どれも滅茶苦茶な話ばかりだった。\ `I think there was more, .........but each of them was all screwed up.`\ ;　到底、受け容れることは出来ず、何かのトリックと何かの勘違いを疑わざるを得ない。@ `I couldn't possibly accept it, and was forced to suspect that it was some kind of trick or mistake.`@ br ;　……しかしそれらがみんな、異口同音に同じことを言っていて、証言に矛盾がないのは、一体どういうわけなのか…。\ `......But why in the world had everyone spoken with one voice, saying the same thing without contradictions in their testimony...?`\ ;　魔法だけじゃない。\ `It's not only the magic.`\ mono 1 ld r,$MAR_DefA1,24 me3v 16,50 ;　真里亞の謎の死。@ `Maria's mysterious death.`@ br ld l,$JES_DefA2,23 ;　譲治の兄貴が殺されたことをなぜか知っていた朱志香。@ `Why Jessica knew that George-aniki had been killed.`@ br ld c,$KIN_DefA1,24 ;　本当にクソジジイかどうか確認も出来ない謎の焼死体。@ `The mysterious burnt corpse which I couldn't confirm was really that damn geezer's.`@ br ;　……他にも他にも。\ `......And more, and more.`\ bg black,22 bgm1 39 fede 10,3000 mono off bg Mkit_1aN,22 ;　ワケのわからないことだらけだ……！/ `All stuff I don't get......!`/ se1 11 quakey 3,300 @ br ;　俺はぐびりとワインの瓶を傾け、喉を鳴らす。\ `I tilted the wine bottle up and gargled.`\ ;　……何が何やら、俺にはさっぱりわからない。@ `......I don't have a clue what's going on.`@ br ;　昨日の夕食後、子どもたちはゲストハウスに帰っていろといって屋敷を追い出され、@………その間に食堂では大虐殺。\ `After dinner last night, the kids were chased out and told to go back to the guesthouse, `@`.........and then there was a massacre in the dining hall.`\ bg black,25 ;　霧江さんたちは落とし穴に落とされて捕まって。@ `Kyrie-san and the rest were dropped through pitfalls and captured.`@ br ;　そして朱志香と譲治の兄貴はテストとやらに呼び出されて殺されて。\ `Then Jessica and George-aniki were called out to a test or whatever and killed.`\ ;　霧江さんたちは地下牢を何とか脱走できたのに、結局みんな殺されてしまって。@ `Even though Kyrie-san's group had been able to escape the dungeon somehow, all of them had been killed in the end.`@ br ;　そして最後の最後に真里亞までもが殺されて、俺はひとりぼっちで残されている。\ `And at the very, very end, even Maria had been killed, leaving me all alone.`\ ;　………つまり、俺はゲストハウスに閉じ込められてただけなんだ。@ `.........In short, I had done nothing except be locked up in the guesthouse.`@ br ;　その間に、いつの間にか大事件が起こっていて、そしていつの間にか終わってたってわけなんだ。@ `During that time, a huge incident had occurred and ended.`@ br ;　これをワケがわからないと言わずして何と言う？@ ;　もう、何が何だかさっぱりだ！\ `What could I call it except incomprehensible?`@ `I don't have a clue anymore!`\ bg Mkit_1cN,22 ;ld r,$BUT_FutekiA1,24 ;「もう俺はただの酔っ払いなんだぜ。@俺だけ生き残らせるつもりかよ…？@　とっとと姿を現して殺しに来いってんだ。@もう面倒だからこっちからは探さねぇぞ。@そっちから正体を見せやがれってんだ……！@　俺は逃げも隠れもしねぇぞ、矢でも鉄砲でも持って来やがれ…！」\ ;＜戦人 `"Now I'm nothing but a drunk.`@` You plan on leaving only me alive...?`@` Show yourself right away and come to kill me already.`@` It's too much of a pain so I won't search for you.`@` You show me your true form yourself......!`@` I won't run or hide, so come at me with arrows or bullets or whatever...!"`\ bg Mkit_1aN,23 ;　昨日からまったく寝てないから、眠くてしょうがない。@ ;　殺したきゃ勝手にしろ。\ `Since I didn't get any sleep since yesterday, I'm terribly sleepy.`@ `You wanna kill me, go ahead.`\ bg black,24 ;　俺はゲストハウスに戻り、堂々とベッドで休むことにした。\ `I decided to return to the guesthouse and boldly rest on the bed.`\ textoff bg M1F_P1bN,24 wait 1000 bg Mhal_2cN,24 ;　……厨房を出て、ロビーを通り掛ると、@………あの、魔女の肖像画が目に入った。\ `......When I exited the kitchen and passed through the lobby, `@`.........that portrait of the witch came into view.`\ ;　大時計が目に入る。@ `The big clock did too.`@ br ;　……まさにちょうど、２４時を指すところだった。\ `......It was almost exactly 24:00.`\ fede 0,2000 se1v 71,100 bg portrait2,6 ;　そして鳴り響く、２４時を知らせる鐘の音……。@ `Then, the sound of the bell rang out, proclaiming that it was 24:00......`@ br ;　それを聞きながら、……ベアトリーチェの肖像画を見上げる。\ `As I listened, ......I looked up at Beatrice's portrait.`\ ;　ぴったり２４時間前、俺はお前と会った。@ `Exactly 24 hours ago, I met you.`@ br ;　お前は何が言いたかったんだ…？@ ;　そしてどこへ行った？\ `What were you trying to say...?`@ `And where did you go?`\ ;　お前は一体、何者なんだ………？@ ;　黄金の魔女、ベアトリーチェ。@ `Just who in the world are you.........?`@ `Golden Witch, Beatrice.`@ br ;　お前を巡る謎は、何一つ解けちゃ、いないんだ……！\ `I haven't solved a single one of the riddles surrounding you......!`\ ;　姿を見せやがれ…。@ `Show yourself...`@ br ;　………そして俺と勝負しろッ…！！\ `.........And fight with me...!!`\ msetef 0,42 bg Mhal_2bN,42 gosub *BEA_Isyou1 ;■メタ視 mov %play_scene,40440 : mov %r_hyouji_side,0 : mov %r_hyouji_cha,bea ;　そして、……魔女が姿を現す。@/ ;　いよいよ主賓が姿を現したかのように、大階段の上の踊り場に、その姿を現す……。\ `Then, ......the witch showed herself.`@ `Like a guest of honor finally appearing, she showed herself on the landing at the top of the big staircase......`\ fede 0,2000 wait 1000 Mld l,$BUT_majimeA3,23 bgm1 106 ;「ようやく姿を現しやがったな……。@……丸一日、退屈させられてたところだぜ。」\ ;＜戦人 `"So you finally show yourself....... `@`......I've been kept bored for a whole day."`\ mld r,$BEA_nayamuA1,24 ;「……………そうだ。@丸一日を与えた。@ニンゲン側の権利行使は充分か。」\ ;＜ベアト `"............That is correct.`@` I gave you a whole day.`@` Were you able to sufficiently exercise the rights of the human side?"`\ mld l,$BUT_komaruA2,80 ;「あぁ。@退屈だったんでな。@存分にやらせてもらったぜ。」\ ;＜戦人 `"Yeah.`@` I was bored.`@` You let me do all I wanted."`\ mld r,$BEA_MajimeA1,80 ;「…………縁寿は、良い駒であったな。」@ ;＜ベアト `"............Ange...was a good piece."`@ mld l,$BUT_KomaruA3,80 ;「縁寿の名を、……お前が口にするんじゃねぇ。」\ ;＜戦人 `"Don't you, ......speak Ange's name."`\ mld r,$BEA_fumanA3,80 ;「………あれは奇跡によって現れ、自らを生贄にして、そなたに絶対の勝利の執念を与えた。」@ ;＜ベアト `".........She appeared through a miracle, sacrificed herself, and gave you a tenacity for certain victory."`@ mld l,$BUT_niramuA4,80 ;「縁寿の名を、口にするな。」\ ;＜戦人 `"Don't you...speak Ange's name."`\ mld r,$BEA_majimeA1,80 ;「…………あの無残な死は、そなたにとって必要なものだった。@あの死を見なければ、そなたは本気にならない。@縁寿の幸薄き未来を自覚しなければ、そなたに勝利の執念は生まれない。」\ ;＜ベアト `"............That brutal death was something that you needed.`@` If you hadn't seen that death, you wouldn't have grown serious.`@` Without the wake-up call of Ange's ill-fated future, your tenacity for victory would not have been born."`\ mld l,$BUT_odorokiA1,80 ;「縁寿の名を口にするなと言っている…！！」\ ;＜戦人 `"I told you not to speak Ange's name...!!"`\ mld r,$BEA_nayamuA1,80 ;「…………つまりは、必要な生贄だったというわけだ。@そうでなくては、そなたに妾を殺すほどの怒りは生まれない。@妾とそなたの拮抗が崩せない。\ `"............In short, she was a necessary sacrifice.`@` Otherwise, an anger great enough to kill me would not have been born.`@` The rivalry between us cannot be destroyed.`\ mld r,$BEA_futekiA2,80 ;　ベルンカステル卿め、これは駒ではないわ、切り札と呼ぶが相応しい。@……駒はどれほど活躍しようとも盤上を離れることはない。@しかし切り札は、どんな力を発揮しようとも、切れば確実に捨てられる。\ `Damn you Lady Bernkastel, it is more fitting to call this a trump card than a piece.`@` ......No matter how much a piece acts, it does not stray from the board.`@` But no matter how much power a trump card wields, it is always thrown away after it is used.`\ mld r,$BEA_akuwaraiA2,80 ;　縁寿は、そなたにとって実に良き切り札だったのだ。」\ ;＜ベアト `Ange was truly a good trump card for you."`\ mld l,$BUT_sakebuA1,80 ;「縁寿の名を、口にするんじゃねええええぇえええええぇッ！！！」/ `"Don't you...speak Ange's naaaaaaaaaaaaaaaaammme!!!"`/ se1v 2,100 quakex 5,600 \ ;＜戦人 mld r,$BEA_iiwakeA3,80 ;　戦人の怒号の叫びに、ベアトはようやく口を噤む。\ `At Battler's angry roar, Beato finally stopped talking.`\ mld l,$BUT_majimeA4,80 ;「……俺はな、こんなところで遊んでる暇はもう一切ねぇんだ。@……引き分けすらも、縁寿を待たせてる。@/ `"......You know, I don't have any more spare time to be playing around in a place like this.`@` ......Even a tie will keep Ange waiting. `@/ mld l,$BUT_kuyasigaruA1,80 ;!s0…………俺はな、お前を打ち破り、/ ;!d800……家族を連れて、/ ;!d800……家に帰るんだよッ！！@　てめえと魔女ごっこで遊んでる暇は、一秒たりともありはしないッ！！」/ !s0`............So, I'll break through you, `/ !d800`......take my family, `/ !d800`......and go back home!!`@` I won't waste a second playing witches with you!!"`/ !sd\ ;＜戦人 mld r,$BEA_iiwakeA1,80 ;「ならば、どうすれば良いか。@わかっているな。」\ ;＜ベアト `"In that case, what should be done?`@` You know, don't you."`\ mld l,$BUT_odorokiA1,80 ;「あぁ！@　お前をぶっ倒す！！@　魔女も魔法も幻想も妄想も、全て俺がぶっ飛ばすッ！！@　さぁ、おっ始めようぜッ！！！@　もう二度と誤魔化させない！！@　ゲーム再開だぜ？@/ `"Yeah!`@` I'll beat you down!!`@` I'll blast away all witches, magic, illusions and delusions!!`@` Alright, let's get started!!!`@` I won't let you trick me again!!`@` Resume the game, alright? `@/ ;mld l,$BUT_odorokiA1,80 ;　お前という嘘っぱちを覆う、魔女のベールを俺が引き裂いてやるッ！！！」\ ;＜戦人 `I'll tear apart the witch's veil that conceals the outright lie you are!!!"`\ mld r,$BEA_fukigenA1,80 ;「長いわ。@素直に一言、妾を殺してやると言えばよい。」\ ;＜ベアト `"You talk too much.`@` All you have to do is honestly say 'I'll kill you'."`\ mld l,$BUT_niramuA4,80 ;「ああ。@その言葉をお望みなら、……言ってやるさ。@俺が聞いてやるお前の望みで、最初で最後のものだ。」@ ;＜戦人 `"Yeah.`@` If those are the words you want, ......I'll say them.`@` This is the first and last wish of yours that I'll lend an ear to."`@ mld r,$BEA_futekiA2,80 ;「…………感謝する。」\ ;＜ベアト `"............I thank you."`\ mld l,$BUT_MajimeA2,80 ;「お前を、………………、」@ ;＜戦人 `"I'll, ............, "`@ mld r,$BEA_waraiA1,80 ;「………………………。」\ ;＜ベアト `"........................"`\ se1v 2,100 mono 2 ;mcl a,0 ;mcbg 0 mendef 0 bg white,1 mono off bg "bmp\background\efe\EP4last09.png",10,2000 wait 500 se1v 1006,100 se2v 36,100 mono off bg white,1 bg black,0 msetef 0,0 mld r,$BEA_nayamuA1,2 se1v 2,100 mld r,$BEA_akuwaraiA4,1 ;「ならば良し！！@　始めようぞ、戦人…！！@　さぁ、魔女狩りの時間だ…！！@　妾を追ってみろ、追い詰めてみろ、殺してみろッ、妾はそなたに期待しているッ！！@　妹の最期がそなたに何を与えたのか、それを妾に見せてみよ…！！」\ ;＜ベアト `"Very well!!`@` Let us begin, Battler...!!`@` Come, it is time for the witch hunt...!!`@` Try and chase me, try and corner me, try and kill me! I'm expecting a lot from you!!`@` Try and show me what your little sister gave you in her last moments...!!"`\ se1 20 wait 1000 mld l,$BUT_sakebuB1,1 ;!s0「上等だあああぁあああああぁあああああああッ！！！」/ !s0`"Bring it oooooooooooooooooooooonnn!!!"`/ se2v 2,100 quakey 5,500 !sd\ ;＜戦人 csp -1 bg white,28 bg black,2 ;　……戦人の叫びが世界を真っ白な光で焼く。@ `......Battler's cry burned the world with a white light.`@ br ;　そして、眩しさの中に目を開けると、……二人の姿は薔薇庭園にあった……。\ `And, if you opened your eyes amidst the darkness, ......the two of them could be seen in a rose garden......`\ me5v 16,50 bg rose_2cN,6 fedexx 0,0,0,0,0,50,2000 E_B bg black,22 se1 22 bg rose_3aN,22 ld c,$BEA_defA2,24 E_MA bgm1 108 ;「………先手はどちらから？」\ ;＜ベアト `".........Who takes the first move?"`\ bg rose_3cN,0 ld r,$BUT_FutekiA2,24 ;「俺だ。」\ ;＜戦人 `"Me."`\ ld l,$BEA_FutekiA2,23 ;「潔し。」\ ;＜ベアト `"How brave."`\ bg rose_2cn,22 ;　美しい薔薇の花びらが舞う、薔薇庭園。@ `The rose garden, where beautiful rose petals danced.`@ br ;　その薔薇の花びらの色は、赤。\ `The color of those rose petals...was red.`\ ;　それはつまり、この美しき薔薇庭園に二人が対峙していることこそが、/ ;!d1000赤き、唯一の真実だという、証なのか、訴えなのか。@ `So was the fact that the two of them faced each other in this beautiful rose garden...`/ !d1000`either proof or a protest for a single, red truth?`@ br ;　………だからきっと、薔薇は赤い。\ `.........Then the roses are surely...red.`\ bg black,22 ;　しかし、薔薇の花言葉は、情熱。@ `But in the language of flowers...roses are passion.`@ br ;　……真実ではない。@ `......Not truth.`@ br ;　真実を花言葉とするのは、勿忘草。@ `The flower for truth is a forget-me-not.`@ br ;　その花は、……青い。\ `That flower, ......is blue.`\ bg rose_3bN,26 ld c,$BUT_majimeA4,24 ;「俺の青き真実で、全てを穿つ。@………全ての、一番最初から。@/ `"I'll bore through everything with my blue truth.`@` .........From the very beginning of everything. `@/ ;ld c,$BUT_MajimeA3,80 ;一番最初のゲームから始めるぜ！」\ ;＜戦人 `I'll start from the very first game!"`\ bg rose_3cN,0 ld r,$BEA_AkuwaraiA1,24 ;「良かろう。@そなたのお手並みを拝見しよう。@…来い。」\ ;＜ベアト `"Very well.`@` I shall witness your skill.`@` ...Come."`\ ld l,$BUT_niramuA4,23 ;「行くぜ………。@すでに宣言済みだがもう一度言う。@……こいつは前回のゲームの南條先生の殺人だけじゃないぜ。@一番最初からのあらゆるゲームのあらゆる場面を切り裂ける…！！\ `"Here I go.........`@` I've already proclaimed it, but I'll say it again.`@` ......This isn't just for the murder of Doctor Nanjo in the last game.`@` This will tear apart every scene from every game since the beginning...!!`\ monocro #0000ff se1v 1006,100 se2v 57,100 bg white,1 bg black,2 monocro off se3v 66,100 se2v 2,100 bg bullet2a,1 ;　#5decff右代宮金蔵はすでに死亡している！@/ `#5decffUshiromiya Kinzo is already dead! `@/ se1v 2,100 ;　よって島の本当の人数は１７人！@/ `So the true number of people on the island is 17! `@/ se2v 2,100 ;　そこに未知の人物Ｘが加わることで１８人となっている。@/ `By adding in an unknown person X, that makes 18 people. `@/ se1v 2,100 ;この人物Ｘの存在の仮定によって、１７人全員にアリバイがあっても犯行は可能になる。@/ `By supposing the existence of this person X, the crime is possible even if all 17 people have alibis. `@/ se2v 2,100 ;これにより、人間の数１８人を満たしつつ、にもかかわらず、一見、１８人全員にアリバイがあっても、犯人Ｘの存在と犯行は可能になる！！#ffffff」\ ;＜戦人 `By this, even though the number of people reaches 18, it is still possible for culprit X to exist and carry out the crime even if all 18 people seem to have alibis!!#ffffff"`\ textoff monocro #0000ff se3v 66,100 se1v 57,100 se2v 2,100 bg white,1 monocro off bg bullet2b,22 ;　エピソード１のあらゆる殺人は、未知の人物Ｘの仮定で打ち破れる。\ `You can break through all of the murders in Episode 1 by supposing an unknown person X.`\ ;　また、金蔵がレシートで封印された密室から蒸発したとする謎も、@初めからそこに金蔵はいなかったと大胆に仮定することによって、説明が可能になる。\ `Furthermore, it is even possible to explain the mystery of Kinzo's evaporation from the closed room sealed by the receipt...`@`by making the bold assumption that Kinzo wasn't there from the beginning.`\ ;　ベアトが赤き真実でこれに反論しない以上、@エピソード１の魔女幻想は、完全に打ち破られている。@ `Unless Beato countered this with the red truth,`@` the Illusion of the Witch from Episode 1 had been completely smashed.`@ br ;　………青き真実は有効だ。\ `.........The blue truth is effective.`\ textoff monocro #0000ff se1v 57,100 bg white,1 bg black,2 mono off se2v 36,100 ;　戦人の放った青き真実の楔が、ベアトの右足の甲に鋭く突き刺さる。@ `The wedge of blue truth that Battler had thrown stabbed right through the top of Beato's left foot.`@ br textoff se1 35 bg blood_2a,1 ;　……そこより溢れ出す赤き血は、彼女の赤き真実での抗弁なのか…。\ `......Was the red blood that poured out from there a protest of her red truth...?`\ bg rose_3aN,0 ld c,$BEA_iiwakeA3,26 ;　ベアトは自らを否定する青き真実の楔の、耐え難き苦痛に片方の瞼を硬く瞑って堪える。\ `Beato shut one of her eyes tight, enduring the unbearable pain from the blue truth that denied her.`\ ld c,$BEA_GamanA4,80 ;「ふむ、悪くない。@……だが、まだまだ妾は否定されてはおらぬ、殺されてはおらぬ。@……この程度では、足りぬわ。@………続くゲームではそれだけで説明できぬ謎があるぞ？」\ ;ベアト `"Hmm, not bad.`@` ......But I must not be denied yet, I must not be killed yet.`@` ......That is not yet enough.`@` .........There were mysteries that couldn't be explained with that alone in the following games, right?"`\ bg rose_3cN,0 ld r,$BUT_majimeA2,24 ;「……どの謎だ。」\ ;＜戦人 `"......Which mystery?"`\ ld l,$BEA_futekiA2,23 ;「第２のゲームの終盤で。@譲治が郷田と紗音を引きつれ、夏妃の部屋に立て篭もり、殺された。@夏妃の部屋を開錠した鍵は室内に閉じ込められ、残る全ての開錠可能な鍵は楼座の手にあった。@犯人Ｘが存在しようとも、密室構築は不可能なはず。」\ ;＜ベアト `"In the final stages of the second game.`@` George took Gohda and Shannon with him, barricaded them in Natsuhi's room, and was killed.`@` The key that could unlock Natsuhi's room was locked up inside the room, and all of the remaining keys that could unlock the door were in Rosa's hand.`@` Even if culprit X existed, it should be impossible to construct a closed room."`\ textoff monocro #0000ff se1v 57,70 mbg white,1 mcbg 0 monocro off print 22 se2 57 ;　ベアトを貫く青き楔がぶるぶると震える。@ ;　対抗するベアトがそれを、押し出そうと抗っているのだ。\ `The blue wedge that pierced Beato shook.`@ `She was resisting, fighting to pull it out.`\ ld r,$BUT_komaruA3,80 ;「いいや、俺の青き真実は揺るがない。@犯人Ｘがマスターキーを入手していれば、あれは密室でも何でもないんだ。」\ `"No, that doesn't shake my blue truth.`@` If culprit X were to obtain a master key, that's not even close to a closed room."`\ ld l,$BEA_AkuwaraiA1,80 ;「いいや、入手は不可能だぞ。@/ `"No, it was impossible for the culprit to obtain one. `@/ se1 59 ;#ff0000マスターキー全ては楼座が管理した！#ffffff」\ `#ff0000All of the master keys were under Rosa's control!#ffffff"`\ textoff se1v 1006,100 mbg BLADE7_2R,1 mbg black,80 monocro #0000ff se2v 57,100 mbg white,1 monocro off mcbg 2 ld r,$BUT_OdorokiA1,1 ;「だが、楼座叔母さんが共犯であったなら何の意味もない！@/ `"But that's meaningless if Rosa oba-san was the culprit! `@/ se1v 2,100 ;#5decff　楼座叔母さんは犯人Ｘに何らかの方法で鍵を渡し、密室殺人を幇助した！@/ `#5decffRosa oba-san handed a key over to culprit X by some method, assisting in the closed room murder! `@/ se2v 2,100 ;　そしてその後、同様の方法で鍵を回収したんだ！#ffffff@/ `And after that, she retrieved the key by a similar method!#ffffff `@/ ld r,$BUT_futekiA3,80 ;　甘いぜ、ベアト！！@　こんなのは当時の俺もすでに推理しているッ！」\ `Too naive, Beato!!`@` I'd already guessed that much at the time!"`\ ld l,$BEA_WaraiA1,80 ;「……くっくっく…、そうであったな……。@/ `"......*cackle*..., too true......`@/ textoff monocro #0000ff se1v 57,100 wait 100 se2v 57,100 bg white,1 wait 200 bg black,2 monocro off se3v 36,100 bg blood_2e,1 quakex 5,700 ;…ッぐああぉッ…！！！@　………ぐ、……く、」\ `...Gwaaargh...!!!`@` .........Agh, ......ack-"`\ me1v 5,90 me2v 17,90 ;　輝きを少しずつ失い、抜けるかに見えたその楔は、@戦人に重ねられた青き真実によって再び強い青を取り戻し、ベアトの足に再び食い込むように捻じ込まれた。\ `The wedge that had been gradually losing its sparkle, and had seemed as though it was about to be pulled out,`@` regained its strong blue again thanks to Battler's additional blue truth, and dug into Beato again, eating into her foot.`\ ;　その苦痛に、ベアトは苦悶の声を漏らす。\ `Beato let out a cry of anguish at that pain.`\ bg rose_2cN,22 ld c,$BEA_AseruA1,26 ;!s0「…………ぐ、……ぉ……。@…………まだだ…。@まだ堪えぬわ……。@/ !s0`".........guh, ......ohh......`@`.........Not yet...`@` I can still bear it......`@/ ld c,$BEA_komaruA1,80 ;まだだ、/ ;!d800………まだだぁああ！！」/ `Not yet, `/ !d800`.........not yeeeeeeeet!!"`/ !sd\ ;＜ベアト bg rose_3bN,0 ld l,$BUT_majimeA3,24 se1v 2,100 E_MA ;「さらに続けて第３のゲームだ。@六連結の連鎖密室、楼座叔母さんと真里亞の殺人、親父たちのホールでの死亡、蔵臼伯父さんと夏妃伯母さんの殺人、@その全ては/ `"Continuing on to the third game.`@` The six linked closed rooms, the murders of Rosa oba-san and Maria, Dad and the rest's deaths in the hall, the murders of Krauss oji-san and Natsuhi oba-san...`@`all of that `/ se1v 2,100 ;#5decff絵羽伯母さんを犯人に仮定することで説明可能だ。#ffffff\ `#5decffcan be explained if we suppose that Eva oba-san was the culprit.#ffffff`\ ld l,$BUT_futekiA2,80 ;　これは当時すでに論破済み。@それに対しお前がエヴァを通して出題してきた最後の難題、@/ `This argument was already won back then.`@` And even that final riddle you proposed through EVA, `@/ se1v 2,100 ;#5decff南條先生殺しも１８人目の未知の人物Ｘで説明可能。#ffffff@これで第３のゲームまで全て打ち破ったぞ！！！　反論はあるかッ！」\ ;＜戦人 `#5decffthe murder of Doctor Nanjo, can be explained with an 18th unknown person X.#ffffff`@` This way, I've broken through the entire third game!!! Can you counter that?!"`\ ld r,$BEA_fukigenA1,80 ;「ぐ、ぅ…！！@　……む、無論……！@/ `"Guh, aah...!!`@` ......O, of course......! `@/ ;ld r,$BEA_GamanA3,80 ;　この程度で、……堪えはせぬわ……っ！@/ `This much is, ......nothing to worry about......! `@/ ld r,$BEA_AseruA1,80 ;　ならば、ゲストハウスからの譲治の失踪はどう説明するというのか？@　赤き真実を追加しよう。@/ `In that case, how do you explain George's disappearance from the guesthouse?`@` I shall add to the red truth. `@/ se1 59 ;#ff0000譲治はゲストハウスの階段を降りてはおらぬ。#ffffff@窓から飛び去ったのだ！」\ ;＜ベアト `#ff0000George did not go down the stairs of the guesthouse.#ffffff`@` He flew out through the window!"`\ bg black,22 mono 1 bg G2F_P1bN,0 ld c,$GEO_majimeA1k,22 cl c,0 se1 52 print 99,2000,"breakup.dll/urb" ;　第３のゲームの終盤にて、譲治がゲストハウス２階より忽然と姿を消す。\ `In the final stages of the third game, George had suddenly vanished from the second floor of the guesthouse.`\ bg black,22 bg G1F_P1bN,0 ld r,$EVA_MajimeA1G,26 ;　１階にいた絵羽は誰も降りてこなかったと証言するが、@青き真実により、蔵臼たちの死体を外へ運び出していたなら、その隙にこっそりと１階に下りて脱出した可能性があった。\ `Eva, who had been on the first floor, had claimed that no one had come downstairs,`@` but according to the blue truth, there was the possibility that George had secretly gone down to the first floor and escaped during the gap in time where Eva had carried Krauss and Natsuhi's corpses outside.`\ bg black,22 mono off bg rose_1aN,22 ;　しかしベアトはそれを赤き真実を追加することで否定してみせた。@ `But by adding on to the red truth, Beato had denied that.`@ br ;　一階への階段を下りずに外へ出るには、窓から出る他ない。@しかし窓は全て内側から施錠されていた…！\ `To go outside without going down the staircase to the first floor, he would've had to leave by the window.`@` But all of the windows had been locked from the inside...!`\ ld r,$BUT_FutekiA3,24 ;「だから何だ。@お前の言葉通りだぜ。@窓から飛び去ったんだろ？@　下へ飛び降りても芝生じゃわからないし、あの大雨だ。@多少の痕跡なんて消えちまう。」\ ;＜戦人 `"So what then.`@` It's just like you said.`@` He flew out the window, right?`@` There was a lawn, so we couldn't tell if he'd jumped down, and it was raining so hard.`@` Any light traces would have disappeared."`\ ld l,$BEA_iiwakeA3,23 ;「赤き真実を繰り返す。@/ `"I will repeat the red truth. `@/ se1 59 ;#ff0000外部へ通ずる窓も扉も全て内側より施錠されていたぞ。#ffffff@/ `#ff0000All windows and doors leading to the outside were locked from the inside.#ffffff `@/ se2 59 ;#ff0000しかもそれらの施錠は全て、外側からは不可能！#ffffff@　譲治には施錠する術はない…！」\ ;＜ベアト `#ff0000Furthermore, it is impossible to lock any of those from the outside!#ffffff`@` George had no technique by which to lock them...!"`\ se1 20 bg black,24 bg rose_3cN,0 ld c,$BUT_majimeA2,24 ;「青き真実を繰り返す。@当時の俺も言っているぜ。@/ `"I will repeat the blue truth.`@` I said it myself at the time. `@/ ld c,$BUT_OdorokiB1,80 se1v 2,100 ;#5decffならば譲治の兄貴が窓より脱出後、誰かがそれを施錠すればいい！#ffffff@　何も難しいことはないッ！！」\ ;＜戦人 `#5decffIn that case, everything works out as long as someone locked the window after George-aniki escaped through it!#ffffff`@` Nothing difficult about that!!"`\ monocro #0000ff se1v 57,100 bg white,1 bg black,2 monocro off se2v 36,100 se3v 55,100 ;ld c,$BEA_KomaruA1,80 ;「ぐおッぉああぁああぁ…！！@/ `"Gwaaaaaaaahhaaaaah...!! `@/ ;ld c,$BEA_GamanA3,80 ;　ぐぅう……、この程度では、……足掻けぬか、足掻けぬか……。」\ ;＜ベアト `Gguuuuhhh......, can I not, ......escape after something like this......?"`\ textoff se1 35 bg blood_2a,1 wait 1000 se2 35 bg blood_2c,1 ;　ベアトの足に打ち込まれた青き楔は抜けない。@ ;　ますますに強い青で、偽りの魔女を焼く……。\ `Beato couldn't remove the blue wedge that was buried into her foot.`@ `The fake witch was burned more and more by the strong blue......`\ textoff se1 57 monocro #0000ff bg white,1 wait 1000 monocro off se2v 55,100 bg rose_3aN,99,3000,"breakup.dll/lrb" ld c,$BUT_MajimeA3,80 ;「第３のゲームまでの全てにおいて、青き真実は未だ揺るがない。@……なら、お前が魔女であることを証明する唯一のゲームは、……今回の第４のゲームだけってことになる。」\ ;＜戦人 `"Up until the third game, there is still nothing that shakes the blue truth.`@` ......In that case, the only game that can prove you're a witch, ......is this game, the fourth game."`\ bg rose_3bN,0 ld r,$BEA_gamanA4,24 ;「……妾が赤き真実にて反撃していない以上、そういうことになろう。@この度のゲームでのみ、魔女を証明せねばなるまいな。@/ `"......As long as I do not counter with the red truth, that may be the case.`@` I will have to prove witches with only this game. `@/ ld r,$BEA_iiwakeA3,80 ;………よかろう。@存分に来るが良い。」\ ;＜ベアト `.........Very well.`@` Come as hard as you want."`\ bg rose_3aN,0 ld c,$BUT_odorokiA1,23 se3v 2,100 me1v 5,90 ;「食堂の６人殺しについて不審な点はない。@/ `"There's nothing strange about the murder of the six people in the dining hall. `@/ se1v 2,100 ;#5decff１８人目のＸが銃を乱射してみんなを殺した。@/ `#5decffThe 18th person X went wild with a gun and killed everyone. `@/ se2v 2,100 ;落とし穴については、実際に落とし穴が本当に隠されていた可能性もあるし、@/ `Regarding the pitfalls, there is a chance that pitfalls truly were hidden there, `@/ se3v 2,100 ;霧江さんの仮説である、瞬時に昏倒させる毒矢の発射装置Ｘの仮定でも説明可能。@/ `and it's possible to explain by Kyrie-san's theory, supposing that poison dart-shooting device X which can knock a person out instantly exists. `@/ se1v 2,100 ;譲治の兄貴、朱志香、そして地下牢から脱出したメンバーの殺害も、食堂と同じで銃によるもの。#ffffff@不審な点はない！\ `The murders of George-aniki, Jessica, and those who escaped from the dungeon can also be explained with guns, just like the dining hall.#ffffff`@` There's nothing strange about it!`\ ld c,$BUT_MajimeA4,80 ;　だがわかってるぜ、反撃があるんだろ？@　来いよッ！！」\ ;＜戦人 `But I'm sure you've got a counterattack, right?`@` Bring it on!!"`\ se1 20 bg black,24 bg rose_3cN,0 ld r,$BEA_FukigenA1,24 ;「そなたの最大の刃である１８人目のＸは、金蔵がすでに死んでいるとの仮説に立脚している。@そう来ることは妾もわかっていた。@だから、金蔵を書斎より出した。@その金蔵を、親族会議の全員が迎えたぞ？@/ `"Your greatest sword, this 18th person X, is based on the theory that Kinzo was already dead.`@` I had known that you would make that claim.`@` That's why I took Kinzo out of his study.`@` All members in the family conference welcomed that Kinzo, right? `@/ ;ld r,$BEA_AkuwaraiA2,80 se1 59 ;　#ff0000親族会議に居合わせた全員が、金蔵の存在を認めた！#ffffff」\ ;＜ベアト `#ff0000All of those who met at the family conference recognized the existence of Kinzo!#ffffff"`\ E_MA se1v 57,100 se2v 2,100 se3v 27,100 mbg BLADE6_2R,1 mcbg 2 ;se2 20 ;cl a,23 ld l,$BUT_nayamuA4,23 ;「そうだな。@だが祖父さまはずっと死線を彷徨って寝込んでいた重病人ってことになってるぜ？@　やつれてて別人に見えちまっても、みんな気にしないかもな？\ `"That's right.`@` But Grandfather had become seriously ill, sleeping on the verge of life and death, right?`@` Even if he was so worn out that he looked like a different person, maybe no one would have minded, right?`\ textoff se1 20 wait 200 se2 20 wait 200 se1 20 wait 500 monocro #0000ff se2v 2,100 mbg white,1 mcbg 0 monocro off ld l,$BUT_majimeB4,2 ;　俺はこう返す。@/ `I'll come back with this. `@/ se1v 2,100 ;#5decffその祖父さまは別人の替え玉だ。@/ `#5decffThat Grandfather was a different person, a body double. `@/ se2v 2,100 ;親族たちが祖父さまと見間違えた別人だ！#ffffff」\ ;＜戦人 `A different person who the relatives mistook for Grandfather!#ffffff"`\ se1v 57,100 mbg BLADE6_2R,1 mcbg 0 ld r,$BEA_iiwakeA3,2 ;「ならば妾はこう返す。@/ `"Then I'll come back at you with this. `@/ se2 59 ;#ff0000全ての人物は右代宮金蔵を見間違わない。@/ `#ff0000No person would mistake Ushiromiya Kinzo by sight. `@/ se3 59 ;いかなる変装であったとしても、右代宮金蔵を見間違わない！#ffffff」\ ;＜ベアト `No matter what the disguise, they would not mistake Ushiromiya Kinzo!#ffffff"`\ monocro #0000ff se1v 57,100 mbg white,1 cl r,0 mcbg 0 monocro off ld l,$BUT_futekiA2,2 ;「ならばこう返す。@/ `"Then I'll return with this. `@/ se2v 2,100 ;#5decffお前は第１のゲーム時では、５本以上存在することになっていたマスターキーの本数を、第２のゲーム時に赤き真実で５本と宣言することで、@/ `#5decffBy proclaiming with the red truth in the second game that the true number of master keys was five, when in the first game the number could have been more than five, `@/ se3v 2,100 ;以後のゲームの設定変更を行なっている。@/ `you changed the premises of the later games. `@/ se1v 2,100 ;同じことで、第４のゲームにおいて、金蔵の生死の設定が変更されている可能性がある。\ `In the same way, there is a possibility that Kinzo's life or death status was changed for the 4th game.`\ ld l,$BUT_odorokiB1,80 se1v 2,100 ;　よって、第４のゲームの金蔵の存在をもって、それ以前のゲームでの金蔵の存在を証明することにはならない…！@/ `Therefore, Kinzo's existence in the fourth game does not serve as proof that he existed in the previous games...! `@/ se2v 2,100 ;　よって、食堂での６人殺しは、祖父さまが自ら執行したと仮定しても何の矛盾も生じない！#ffffff」\ ;＜戦人 `Therefore, even if we suppose that the six murders in the dining hall were carried out by Grandfather, it doesn't create any contradictions!#ffffff"`\ se1v 57,100 se2v 1006,100 mbg BLADE6_2R,1 mcbg 0 ld l,$BUT_odorokiA1,0 ld r,$BEA_iiwakeA1,2 ;「ならばこう返そうぞ。@/ `"Then I'll counter with this. `@/ se1 59 ;#ff0000４つのゲーム開始時の金蔵の生死設定は全て同一である。@/ `#ff0000Kinzo's life or death status is the same at the start of each of the four games. `@/ se2 59 ;第４のゲームのみ設定が異なることはない…！#ffffff」\ ;＜ベアト `The setup was not different for the fourth game alone...!#ffffff"`\ se1 20 wait 500 cl a,0 se2v 2,100 mbg white,1 mcbg 0 ld c,$BUT_odorokiB1,2 ;「復唱要求。@“各ゲームの開始時に金蔵は生存している”！」/ `"Repeat it.`@` 'Kinzo was alive at the start time of every game'!"`/ se1v 2,100 quakex 4,500 \ ;＜戦人 se2v 57,100 mbg white,1 mcbg 0 bg rose_3bN,2 me3v 16,70 ld r,$BEA_gamanA4,65 se1 11 quakey 2,200 ;「復唱拒否。@答えぬよ、戦人。@妾はそなたに望まれて赤き真実を答えはせぬ…！」\ ;＜ベアト `"I refuse to repeat it.`@` I won't answer, Battler.`@` I will not respond with the red truth you desire...!"`\ se1 20 bg black,24 bg rose_3cN,0 ld l,$BUT_majimeA4,24 ;「……クソ、……ジジイめ、俺の前に立ち塞がりやがる…！！@　我が最愛の魔女ベアトリーチェを守るために、体を張ってやがるってのかぁ？！」\ ;＜戦人 `"......Damn, ......geezer, you're standing in my way...!!`@` Are you putting yourself on the line to protect Beatrice, this most beloved witch of yours?!"`\ me1v 17,90 bg rose_3bN,0 ld r,$BEA_KomaruA3,23 ;gggg E_M3 se1v 2,100 se2v 52,100 mbg white,1 mcbg 0 mld c,$KIN_DefA1,0 msp msp_c,0,0,-120 print 2 ;　ゆらりと、クソジジイが姿を現す。@ `Swaying, that damn geezer showed himself.`@ br ;　……へっ、背中にベアトを庇って、ナイトさま気取りってわけかよ…！\ `......Heh, is he trying to be some kind of knight, blocking the way between me and Beato...?!`\ ;ld c,$KIN_waraiA2,80 mld c,$KIN_WaraiA2,0 msp msp_c,0,0,-120 print 80 ;「くっくくくくくく、戦人よ。@お前にこのわしが超えられるかな…？\ `"*cackle*cackle*cackle*, Battler.`@` Are you capable of surpassing me...?`\ se1v 2,100 se3v 27,100 mbg white,1 mcbg 0 ;ld c,$KIN_akuwaraiA1,80 mld c,$KIN_akuwaraiA1,0 msp msp_c,0,0,-120 print 22 ;　至らせぬ、至らせはせぬよ、……黄金の魔女の高みにはなぁあああぁ？！@　ふっはははははははははは！！@　お前の浅はかな推理など、私ひとりを超えることも出来ぬわッ！@　死ねぃ！！！」\ ;＜金蔵 `I won't let you reach, I will not let you reach, ......not to the Golden Witch's height, you seeeeeeeeee?!`@` Fuhhahahahahahahahahaha!!`@` Your thoughtless reasoning cannot surpass even me alone!`@` Die!!!"`\ me2v 28,100 se2v 66,85 se3 20 wait 100 se1v 20,100 mcl c,0 bg black,9 ;　金蔵の漆黒のローブが世界を飲み込むかのように広がり、@俺を一口に飲み込もうとする巨大な黒竜の顎となって襲い掛かる。@ `Kinzo's jet-black robe spread as though it would swallow the world,`@` becoming the snout of a vast black dragon which came at me, trying to swallow me in one gulp.`@ br ;　……その黒竜の咆哮の前に、俺は低く呼吸を落ち着け、浅く目を閉じる……。\ `......In front of that black dragon's roar, I calmed my breathing and closed my eyes lightly......`\ ;ld c,$KIN_IkariA1,22 ;「お前なぞ一息に飲み込んでくれるわッ！！@　消え去れ、未熟者めええぇえぇッ！！！」/ `"I'll swallow you up in a single gulp!!`@` Disappear, inexperienced fooooooooooool!!!"`/ se1v 36,100 quakex 4,500 \ ;＜金蔵 E_MA se3 20 bg rose_1bN,0 ld l,$BUT_futekiA2,23 ;「…………黙りな、死に損ないの亡霊め。」\ ;＜戦人 `".........Be quiet, you damn undying ghost."`\ mld r,$KIN_fukigenA1,0 msp msp_r,0,0,-120 print 24 ;「ほぅ、わしを亡霊呼ばわりしてみせるか。@あくまでもわしはすでに死んでおるとする仮説を貫くか！！@　それがお前の命取りよ！！@　第４のゲームの第一の晩にて、闇に飲み込まれて消え去るが良いッ！！」\ ;＜金蔵 `"Hoh, so you call me a ghost.`@` So, you intend to see it through to the end, this theory that I am already dead!!`@` That will prove fatal to you!!`@` Be swallowed up by the first twilight of the fourth game and disappear!!"`\ se1v 66,100 mcl a,0 mbg black,29 ;　黒竜の巨大な口が、顎が、牙が、戦人を丸呑みにする…！！！@ ;　その刹那、戦人が一気に目を開く！\ `The black dragon's vast mouth, its snout, its fangs...swallowed Battler whole...!!!`@ `In that instant, Battler suddenly opened his eyes!`\ se2v 2,100 mbg white,1 mcbg 0 ld l,$BUT_futekiA3,80 ;「ありがとうよ、ベアトリーチェ。@お前の第３のゲームが俺の反撃の足掛かりとなる。」\ ;＜戦人 `"Thanks, Beatrice.`@` Your third game became a foothold for my counterattack."`\ ;mcl r,0 se1 20 bg black,24 bg rose_3bN,0 ld r,$BEA_fukigenA1,24 ;「何っ…？」\ ;＜ベアト `"What...?"`\ ld l,$BUT_FutekiA2,65 se1 11 quakey 2,200 ;「あばよクソジジイ。@こいつでお別れだぜ。@………俺は金蔵死亡説が第４のゲームでも主張できる根拠として、以下の仮説を提唱する！」\ `"See ya, damn geezer.`@` This is goodbye.`@` .........As a basis for claiming the 'Kinzo was dead' theory for even the 4th game, I lay out the following theory!"`\ ;ld l,$BUT_OdorokiB1,80 ;se1 2 ;mbg white,1 ;mcbg 80 se1 20 bg black,23 bg rose_2bn,0 mld c,$KIN_akuwaraiA1,0 msp msp_c,0,0,-120 print 23 ;「よかろう、存分に来るが良い、我が末裔よッ！！」\ `"Very well, come with all you have, my descendant!!`\ csp -1 se2v 27,100 se3v 66,100 bg black,29 wait 1000 monocro #0000ff se1v 57,100 bg white,1 monocro off bg rose_3bN,2 ld l,$BUT_MajimeB4,65 se1 11 quakey 2,200 ;「行くぜ、クソジジイ！！@/ `"Here I go, you damn geezer!! `@/ se1v 2,100 ;#5decff　金蔵の名は右代宮家当主の称号として引き継がれているという仮説だ！@/ `#5decffMy theory is that Kinzo's name is passed on as the title of the Ushiromiya family head! `@/ se2v 2,100 ;　右代宮金蔵はすでに死んでいる。@/ `Ushiromiya Kinzo was already dead. `@/ se3v 2,100 ;そして“その名”を誰かが継承した！@/ `And he passed 'that name' on to someone else! `@/ se1v 2,100 ;　全員が承認した！！@/ `Everyone acknowledged that!! `@/ se2v 2,100 ;　それにより、“親族会議に居合わせた全員が、金蔵の存在を認めた”！！\ `That way, 'All of those who met at the family conference recognized the existence of Kinzo'!!`\ cl l,0 ld c,$BUT_odorokiA1,23 monocro #0000ff se1v 57,100 mbg white,1 monocro off mcbg 0 ld c,$BUT_odorokiB1,2 se1v 2,100 ;　祖父さまの変装をする必要さえもないのさ。@/ `There wasn't even any need to disguise themselves as Grandfather. `@/ se2v 2,100 ;一同が新しい“金蔵”を認めたのだから！@/ `Because everyone recognized a new 'Kinzo'! `@/ se3v 2,100 ;　よって“見間違えるわけもない”！！@/ `Therefore, 'they didn't actually mistake Kinzo by sight'!! `@/ se1v 2,100 ;　以上の仮説が否定されない限りッ、お前が死んでいるという事実はッ、変わらない！！！#ffffff\ `As long as the preceding theory is not denied, nothing can change the fact that you are dead!!!#ffffff`\ me1v 28,100 se1 11 cl c,66 se2 20 bg black,24 bg rose_1dN,24 ld l,$BUT_MajimeA4,65 se1 11 quakey 2,200 ;　これでトドメだぜ。@クソジジイ、お前に復唱要求だ。@/ `This is the final blow.`@` Damn geezer, I demand that you repeat it. `@/ ld l,$BUT_futekiB2,80 ;“全人物の中で、異なる複数の名前を持つ人物は存在しない”！！」/ `'Among all of the people there, not one had multiple, different names'!!"`/ se1v 2,100 se2v 57,100 quakex 4,500 \ ;＜戦人 bg rose_3cN,0 mld c,$KIN_fukigenA1,0 msp msp_c,0,0,-120 print 24 wait 1000 se1v 36,100 monocro #0000ff mbg white,1 monocro off mcbg 0 mld c,$KIN_akuwaraiA1,0 msp msp_c,0,0,-120 print 22 ;「で、…出来、ぬ…………！！@　ぐ、ぐおおおおおおおおおおおおぉおおおおおおおおッ！！」\ ;＜金蔵 `"I, ...can...not............!!`@` Gah, gwoooooooooooooooooooragghgghghh!!"`\ mcl c,0 se3 20 bg black,24 bg rose_3bN,0 ld r,$BUT_NiramuA1,24 ;「安らかに眠りな、クソジジイ。@感謝しろよ、お前、やっと死ねたんだぜ。@こいつが引導だ、食らってくたばりなッ！！\ `"Rest in peace, damn geezer.`@` Thank me. You were finally able to die.`@` This is your requiem, take it and drop dead!!`\ monocro #0000ff se1v 2,100 se2v 57,100 mbg white,1 monocro off mcbg 0 ld r,$BUT_futekiA3,2 se1v 2,100 ;　#5decff右代宮金蔵はすでに死亡しているッ！@/ `#5decffUshiromiya Kinzo was already dead! `@/ se2v 2,100 ;　そうさ、あんたは気の毒だよな、その死体が見つかる場合、いつも丸焼けだ。@/ `That's right, you sure are pitiable, since whenever we find your corpse, it's always completely burnt. `@/ se3v 2,100 ;それは、死後が経過している死体であることを悟られないための工作なのさ！！@/ `That was a device to make it so that no one noticed the fact that time had passed since your death!! `@/ se1v 2,100 ;　そしてその名を誰かが受け継いだ！！@/ `And you passed that name on to someone else!! `@/ se2v 2,100 ;　以上の仮説で“てめえ”は死亡しているにもかかわらず、“金蔵”は親族会議に登場することが出来るッ！！！\ `With the previous theory, even though 'you' were dead, 'Kinzo' was able to appear at the family conference!!!`\ se1 20 wait 700 monocro #0000ff cl a,0 se1v 2,100 se2v 57,100 mbg white,1 monocro off mcbg 0 ld l,$BUT_odorokiB1,2 ;　どうだよ、これでッ、チェックメイトだああぁあああ！！#ffffff」\ ;＜戦人 `How's that? This is checkmaaaaaaaaaaaate!!#ffffff"`\ bg black,1 monocro #0000ff se1v 66,100 se2v 2,100 se3v 2,100 bg bullet1a,2 se2v 46,100 bg white,1 bg bullet1b,80 for %ryuu1=1 to 4 resettimer se2v 46,100 se3v 46,100 bg white,1 waittimer 90 se3v 46,100 bg bullet1b,1 waittimer 180 se2v 46,100 bg bullet1a,1 waittimer 270 next ;wait 80 bg white,1 se1v 46,100 se2v 27,100 se3v 46,100 monocro off bg black,22 ;　青い何十本もの杭が金蔵の亡霊を穿つ。@ ;　その凄まじき破壊力は、二度と亡霊に再起を許さない……！！\ `Several dozen blue stakes bored into Kinzo's ghost.`@ `Their terrible destructive power wouldn't let the ghost recover again......!!`\ ;「……ベ、……アト、リーチェ………、」\ ;＜金蔵 `"......Be, ......atr...ice........."`\ se1v 2,100 se3v 36,100 monocro #0000ff mbg white,1 monocro off mcbg 0 bg rose_1bN,0 ld l,$BUT_futekiB2,0 lsp 899,":a;bmp\background\efe\1g.bmp",0,0 print 42 ;ld c,$KIN_nakuA1,80 textoff csp 899 print 65 E_MA se1v 13,100 se2v 39,100 quakey 4,1000 se3v 13,100 se1v 27,100 wait 1000 bg black,25 bg Moon_1a,22 ;ld c,$BEA_NayamuA1,24 me1v 16,70 ;「………金蔵…。@今日までありがとう。@……安らかに、…眠れ……。@そなたとの日々は、……忘れぬ………。」\ ;＜ベアト `".........Kinzo...`@` Thank you for everything.`@` ......Sleep, ...in peace......`@` I will not forget, ......my time spent with you........."`\ textoff se1 22 bg white,2 wait 1000 se2 52 bg moon_1a,99,4000,"breakup.dll/lrb" ;　黒き竜の影とともに、黄金の花びらを散らしながら霧散して、@……右代宮金蔵は黄金色の旋風となってその姿を消した……。@ `Dispersing along with the shadow of the black dragon as golden flower petals scattered,`@` ......Ushiromiya Kinzo became a gold-colored cyclone and disappeared......`@ br ;　死してなお、愛した女のために、戦った。@ `Even after death, he had fought for the sake of the woman he had loved.`@ br ;　……お前の愛と狂気は、紛れもなく、本物だったぜ……！\ `......Your love and madness are, without a doubt, the real thing......!`\ E_MA bg rose_1aN,0 ld r,$BEA_AseruA1,2 ;「……………く、…………戦人…………。」\ ;＜ベアト `".........kk, .........Battler........."`\ ld l,$BUT_NiramuA1,23 ;「恨むな。@……死者は眠らせろ。@起こすな。@……次こそ、お前だぜ。@これでお前も最後だ。」\ ;＜戦人 `"Don't hate me.`@` ......Let the dead sleep.`@` Don't wake them.`@` ......You're going to be next.`@` And you'll be the last."`\ ;　ベアトの足を貫く青き楔は未だ抜けない…。@ ;　ベアトは死期を悟る…。\ `Beato still couldn't pull out the blue wedge that pierced her foot...`@ `Beato realized that she was on the verge of death...`\ ld l,$BUT_niramuA4,80 ;「お前にはずいぶんと付き合ったぜ。@お前の遊び相手としての義理は充分果たしたはずだ。@……だが、そろそろお片付けの時間だぜ。@家で寂しがり屋の妹が待ってるんだ。\ `"I've gone along with you a whole bunch.`@` I think I've more than fulfilled any responsibility to play with you.`@` ......But it's about time to finish things up.`@` I've got a lonely little sister waiting at home.`\ se1v 2,100 mbg white,1 mcbg 0 ld l,$BUT_majimeA4,22 ;　……家族揃って、お暇させてもらうぜ…！！」\ ;＜戦人 `......Let me take my leave with my whole family...!!"`\ E_MA se3 20 bg black,24 bg rose_1bN,0 ld c,$BEA_iiwakeA3,24 ;「……ならば殺せ。@……ならば妾を殺してみせよ！@　……逃げも隠れもせぬ、今や避けることも叶わぬわッ！！@　来いいいいいぃいいいい右代宮戦人ぁああああああああああッ！！！」\ ;＜ベアト `"......Then kill.`@` ......In that case, try and kill me!`@` ......I won't run or hide, by now I won't even be able to avoid it!!`@` Come ooooooooooooooooooooooon, Ushiromiya Battleeeeeeeeeeeeeeer!!!"`\ se1 20 bg black,23 bg rose_1aN,0 ld l,$BUT_OdorokiA1,23 ;「おうッ！！@　金蔵死亡説による１８人目のＸにより、残り全てを貫く！\ `"You got it!!`@` With the 18th person X from the 'Kinzo was dead' theory, everything remaining is pierced through!`\ monocro #0000ff se1v 2,100 mbg white,1 mcbg 0 monocro off ld l,$BUT_majimeB4,2 ;　#5decff第４のゲームにおける譲治の兄貴と朱志香の死もＸが犯人で説明できる！！@/ `#5decffGeorge-aniki and Jessica's deaths in the fourth game can also be explained by culprit X!! `@/ se2v 2,100 ;　地下牢から逃げて殺された５人も、園芸倉庫の２人も、最後の真里亞も！@/ `And the five who escaped from the dungeon and were killed, and the two in the gardening shed, and Maria in the end! `@/ se3v 2,100 ;　全て１８人目のＸで説明できる！！@/ `All of those can be explained with 18th person X!! `@/ se1v 2,100 ;　何もおかしなことはないッ！！#ffffff\ `There's nothing strange at all!!#ffffff`\ cl a,0 monocro #0000ff se1v 2,100 se2v 57,100 se3v 27,100 mbg white,1 mcbg 0 monocro off ld c,$BUT_odorokiA1,2 ;　以上にて全てのゲームにおける犯人の説明を人間にて完了するッ！！@　ベアトリーチェ、……これで、チェックメイトだぁああああああああああああぁああッ！！」\ ;＜戦人 `With this, the explanation of the culprit with humans is complete for all games!!`@` Beatrice, ......this here is...checkmaaaaaaaaaaaate!!"`\ textoff me1v 28,100 se3v 66,100 monocro #0000ff bg white,2 se1v 57,100 bg white,1 monocro off bg bullet2a,22 monocro #0000ff se2v 57,100 bg white,1 monocro off bg bullet2b,22 se1v 36,100 bg white,1 bg bullet_1a,10,120 se2v 36,100 bg white,1 bg bullet_1b,10,120 se1v 36,100 bg white,1 bg bullet_1c,10,120 se2v 36,100 bg white,1 bg bullet_1d,10,120 se1v 36,100 bg white,1 bg bullet_1e,10,120 wait 500 E_B E_MA se1v 36,100 se2v 27,100 se3v 27,100 bg white,1 monocro off ;bg black,22 ;se1 57 ;resettimer ;bg homing6BS,1 ;;bg white,80 ;waittimer 200 ;se2 57 ;resettimer ;bg homing6BSR,1 ;waittimer 200 ;;bg white,80 ;se3v 57,100 ;bg homing7BS,1 ;bg white,22 ;se1v 36,100 wait 2000 me1v 16,50 bg Moon_1a,42 ;bg blood_2e,1 ;quakex 4,1000 ;ld c,$BEA_KomaruA1,80 se3v 39,100 ;「う、……うおおおああああああぁああああぁああぁあああぁ……ぁ…ッ、」\ ;＜ベアト `"Uu, ......whaaaaaaaaaaaaaaaaaaaaaahhhhh... ...aah...h-"`\ quakey 3,900 ;　避けられぬベアトの胸に、何本もの青い杭が打ち込まれ、串刺しにする……。@ `Beatrice, who could not dodge, had several blue stakes driven into her, and was skewered......`@ br ;　ベアトはその杭を握り、何とか引き抜こうとする…。\ `Beato grabbed the stakes, trying to pull them out somehow...`\ ;ld c,$BEA_IiwakeA2,80 bgm1 25 ;!s0　………あぁぁぁ、/ ;!d500……食らっちまったぁ……、/ ;!d800………痛ぇよォ………。@ !s0`.........Aaaaaaahhhh, `/ !d500`......that got meee......, `/ !d800`.........it huurts.........`@ br ;　…こりゃ、………死ぬな………。@ ;　……こいつを引き抜かなきゃ、/ ;!d900………死んじまう……。@ `...This'll, .........kill me, won't it.........`@ `......If I don't pull these out, `/ !d900`.........I'll die......`@ br ;　痛いのは嫌だ……、/ ;!d800……辛いのは、/ ;!d600………嫌……だ………。/ `I hate the pain......, `/ !d800`......I hate, `/ !d600`.........the......anguish.........`/ !sd\ ;　ベアトは両手でしっかりと、……青い杭の一本を握り締める。\ `With both hands, ......Beato firmly grasped one of the blue stakes.`\ monocro #0000ff se1v 55,100 bg white,99,2000,"breakup.dll/lrb" bg black,2 monocro off print 1 ;　……当然、青き真実の魔女を否定する力が彼女の両手を焼く。@ `......Naturally, the power of the blue truth which denied witches burned her hands.`@ br ;　…その苦痛に涙さえ隠せず、ベアトは吼え猛りながら、渾身の力で杭を引き抜こうとする……。\ `...Unable even to hide her tears at the pain, Beato howled and tried to pull the stakes out with all her might......`\ se1 55 monocro #0000ff bg white,1 monocro off bg bullet_1e,2 ;　これが抜けなきゃ、………死んでしまう………。@ `If I can't pull these out, .........I'll die.........`@ br ;　……これが、………最後の反撃……………。\ `......This is, .........the final counterattack............`\ bg black,2 bg rose_3aN,22 ld r,$BEA_GamanA1,26 ;「なら戦人……。@……我が魔法の数々を、………どう、説明するのか……。@………一番最初に登場したのは、……第２のゲームにおいて、妾が真里亞のカボチャのマシュマロを直してやった時だ。@この時、楼座はその魔法を確かに目撃している。」\ ;＜ベアト `"Then Battler......`@`......My several bits of magic, .........how do you explain those......?`@` .........The very first time they appeared, ......was in the second game, when I fixed Maria's pumpkin marshmallow.`@` At that time, Rosa definitely witnessed that magic."`\ mset2ef 22 ;　確かにあの時、楼座は黄金の蝶たちが群れ集まり、魔法の奇跡でマシュマロを直すところを目撃している。\ `Certainly, at that time, Rosa had witnessed gold butterflies gathering, and the fixing of a marshmallow by the miracle of magic.`\ mendef 22 ld r,$BEA_GamanA3,80 ;「……くっくくく…。@……楼座ひとりの目撃では信憑性がないであろう…？@　だから妾はその目撃者を極限まで増やしたのだ。@……それこそが、……今回のゲームよ……。\ `"......*cackle*cackle*...`@`......Rosa alone witnessing it isn't very credible, right...?`@` That's why I increased the number of witnesses to the uppermost limit.`@` ......Which is what, ......happened in this last game......`\ ld r,$BEA_IiwakeA3,80 ;　我が眷属たちの召喚！@　そして魔法による虐殺！@　それらの全てを大勢の人間たちに目撃させた…！！@　それこそが……、我が魔法の存在する証明…！！@　これを、……どう説明するのか、右代宮戦人ぁあああぁあああぁぁぁ………！！！」\ ;＜ベアト `The summoning of my minions!`@` And brutal murders due to magic!`@` All of those were witnessed by a great many people...!!`@` That is itself......, proof that my magic exists...!!`@ `How do you explain that, Ushiromiya Battleeeeeeeeeeeeeeeeeeeeerr.........!!!"`\ textoff ld l,$BUT_nayamuA1,2 wait 1000 ld l,$BUT_nayamuA4,22 E_MA ;「………ステイルメイト。」@ ;＜戦人 `".........Stalemate."`@ ld r,$BEA_gamanA2,80 ;「……………な、……にィ……。」\ ;＜ベアト `"............Wh, ......whaat......?"`\ ld l,$BUT_oyaA1,80 ;「“魔法があるから魔法はある”、@そういう論法には出来ないってのが、俺たちのブラウン管裁判のルールのはずだぜ。」\ ;＜戦人 `"'Magic exists because magic exists'.`@` I believe the rules of our Braun tube trial say that that kind of argument doesn't work."`\ ld r,$BEA_GamanA3,80 ;「………そ、……う…だったな………。@……く、………くく、…ぐ…。」\ ;＜ベアト `".........Y, ......es...you're right.........`@`......Heh, .........hahack, ...guh..."`\ se1 2 ld l,$BUT_nayamuA4,80 ;「誰が！！@/ `"No matter who `@/ se2 2 ;　何人！！@/ `or how many people `@/ se3 2 ;　魔法を目撃しようとも！@　それは魔法の存在の証明にはならないッ！！\ `witnessed magic`@` that cannot become proof of magic's existence!!`\ ld l,$BUT_oyaA1,80 ;　俺はお前が見せてきた全ての魔法の、存在するしないの如何にかかわらず、その全てを無視して、ニンゲンで説明することが出来る。@それは俺の不可侵の権利である。@……違ったか？」\ ;＜戦人 `Whether all the magic you've shown exists or not, I can ignore it all and explain things with humans.`@` That's my undeniable right.`@` ......Am I wrong?"`\ monocro #0000ff se1 57 bg white,1 monocro off bg black,22 ;　その言葉で、青き杭が一層に眩しい光を放ち、私の手を弾き飛ばす。@ `At those words, the blue stakes let out an even brighter light, knocking my hands away.`@ se3 55 br ;!s0　……やはり、/ ;!d900………抜けぬか………、/ ;!d900…………ぐぅ………。/ !s0`......Seems I can't, `/ !d900`.........pull them out after all........., `/ !d900`............ggghh.........`/ !sd\ bg moon_1a,22 ;　今の戦人に、個別に魔法を引き合いに出して説明を求めたとしても、如何なる手を用いてでも全てを否定してしまうだろう。@ `As Battler is now, even if I pull up a witness for each individual bit of magic and demand an explanation, he would probably use some kind of move to deny all of them.`@ br ;　……楼座に見せたマシュマロの魔法だけに限らず、…魔法の奇跡の全てを。\ `......Not just the magic with the marshmallow I showed Rosa, ...but all of the miracles of magic.`\ ;　マシュマロ程度を如何にして直したかを問い合わねば、もはや妾は魔女であると主張さえ出来ぬのか…。@ `So, I can no longer even claim to be a witch without questioning him about how something like a marshmallow was fixed...`@ br ;　そのような瑣末を争わねばならぬほどに、劣勢……。\ `It's such an inferior position that I must fight over such trivialities......`\ bg black,22 fede 10,1000 ;　妾は、@………無理かも知れぬ………。\ `It might be,`@` .........impossible for me.........`\ ;　……わかっている…。@ `......I know that...`@ br ;　元より、勝ちの無きゲームだったのだ。@ ;　…なれば、いつか敗れる日が来るのは当然のこと。\ `This was a game without victory from the very beginning.`@ `...So, it was only natural that the day of my defeat would eventually come.`\ ;!s0　妾は、戦人に敗れるためだけに、/ ;!d500今日までを、/ ;!d900………戦ってきたというのか………。/ !s0`Have I fought, `/ !d500`up until today, `/ !d900`.........just to lose to Battler.........?`/ !sd\ bg Different_spiral_1a,22 ;　…………勝てるかもしれないと、…始めたゲームだった。@ `.........I had begun the game, ...thinking I might be able to win.`@ br ;　簡単には勝てなくても、無限に繰り返すゲームの中で、いつかは奇跡が起こると信じてた。@ `Even if I wouldn't be able to win easily, I believed that in a game repeating endlessly, a miracle would eventually occur.`@ br ;　……何しろ、妾には絶対に勝つという、絶対の意思がある。\ `......After all, I had a certain determination to certainly win.`\ mono 1 me1v 17,40 print 8 ;　……しかし、今やその奇跡は完全に失われた。\ `......However, by now I have completely lost that miracle.`\ ;　そして、絶対の意思は戦人に宿り、………私には万一の奇跡も絶対にない。@ `And, the certain determination resides in Battler, ......leaving me certainly without even a one-in-a-million miracle.`@ br ;　いや、奇跡も絶対(も/・)ない、が正しいのか……。\ `No, perhaps I should say without a miracle` br (`or`/・・)` certainty......`\ ;　勝利はなく、引き分けによる終了もない。@ `No victory, and no conclusion with a tie.`@ br ;!s0　……唯一許された決着、/ ;!d500……敗北を与えられるまで、/ ;!d900………延々と抗うだけの、……ゲーム……。/ !s0`......The only resolution permitted, `/ !d500`......is to continue on resisting, `/ !d900`.........until defeat is given to me, ......in this game......`/ !sd\ bg black,22 mono off print 1 fede 10,1000 ;　そうさ、私は、@………戦人に殺されるためだけに、………戦っている………。\ `That's right, I,`@` .........am fighting, .........only to be killed by Battler.........`\ bg rose_3bN,0 ld c,$BUT_majimeA3,26 ;　……戦人の、瞳を見る。@ ;　その中にいるのは、私ではない。@ `......I looked into Battler's eyes.`@ `That which was inside them...wasn't me.`@ br ;　………彼の帰りを待つ、妹と、…連れ帰るべき家族の姿が映っている。\ `.........The figures of the little sister waiting for his return, ...and the family he had to take back were reflected in those eyes.`\ ;　私の存在などもはや、……彼にとっては一人の存在でさえない。@ `To him, my existence is already, ......not even that of an individual.`@ br ;　…当然だ。@彼は最初から、私という個人を否定するために戦っている。\ `...Obviously.`@` From the very beginning, he has been trying to deny the individual that is me.`\ bg black,2 me1v 5,40 mono 1 bg Mhal_2aN,0 ld l,$BUT_defA2,0 ld r,$BEA_waraiA2,2 ;　…………あぁ、…前回のゲームは、/ ;!d500…面白かったなァ……。@ `.........Ooh, ...that last game, `/ !d500`...sure was interesting......`@ br ;　ちょっと騙しただけだったけど、@……ほんのわずかの間だけでも分かり合えたような感じになって、……面白かったなぁ……。\ `I'd only been tricking him a bit, `@`......but for even just a short period of time, it felt like we understood each other, ......and it was interesting......`\ bg M2F_P1cN,0 ld l,$WAL_akuwaraiA2,0 ld r,$BEA_akuwaraiA2,2 ;　……そうだよ、/ ;!d600……あそこで手を打っておけばよかったんだよ…。@ ;　戦人がコロっと騙されたまま、永遠に騙し続けてれば良かったんだ…。\ `......That's right, `/ !d600`......I should have struck a bargain there...`@ `I should have continued for eternity with Battler totally fooled...`\ bg black,2 mono off ;!s0　…………でも、/ ;!d900………駄目なんだよなァ…。@ !s0`............But, `/ !d900`.........that's just no good, is it...`@ br ;　………あれじゃ、/ ;!d700…本当の勝ちじゃないんだよなぁ………。/ `.........That, `/ !d700`...just wouldn't be true victory.........`/ !sd\ me1v 16,40 bg rose_3bN,0 ld c,$BUT_majimeA1,22 ld c,$BUT_komaruA2,80 ;「…………これで、……チェックメイトか？@　ベアトリーチェ。」\ ;＜戦人 `"............Is this, ......checkmate?`@` Beatrice?"`\ bg black,22 bg rose_2cn,22 ;ld c,$BEA_GamanA7,22 ;　ベアトは何本もの青き杭に打ち抜かれ、立ったままの姿で大地に、滅多刺しの串刺しにされている。@ `Beato had been run through with several blue stakes, skewered over and over to the ground while still standing.`@ br ;　そのため、倒れることさえ許されず、@………空を仰ぐような姿勢のまま、……縫い止められているのだ……。\ `Because of that, she wasn't even able to fall over,`@` .........and, still looking up into the sky, ......was sewn in place......`\ ;　その無残な姿は、１８人の命を無限に弄び、幾百幾千と殺し続けた残忍なる魔女の末路に、@……相応しいかもしれない。\ `That tragic form, `@`......might have been a fitting end for the cruel witch who had endlessly toyed with 18 people's lives and who had killed constantly for hundreds and thousands of years.`\ me2v 12,50 dllefe 1,2 ;　しとしとと、……誰かが何かを悲しむような雨が、降り始める。@ ;　……その雨の中、ベアトは雨曝しとなって、……磔にされていた……。\ `Gently, ......as though someone was mourning for something...rain began to fall.`@ `......Amid that rain, Beato was soaked, ......and crucified......`\ bg black,22 bg rose_3bN,0 ld c,$BUT_NayamuA1,24 ;「……終わりなのか、ベアト。」\ ;＜戦人 `"......Is it over, Beato?"`\ ;bg rose_3aN,0 ;ld r,$BEA_GamanA3,23 bg black,2 ;!s0「……………ぐぅの音も、/ ;!d900………出ぬわ………。」/ !s0`"............Can't, `/ !d900`.........even let out a squeak........."`/ !sd\ ;＜ベアト ;ld l,$BUT_MajimeA4,23 ;「まだだろ。@お前はこの程度で、終わる女じゃねぇだろ。」\ ;＜戦人 `"Not yet.`@` You aren't a woman who'll let things end with just this."`\ ;ld r,$BEA_GamanA5,80 ;!s0「……………………。@………無茶を、/ ;!d600………言う……。@………この姿がどう見たら、/ ;!d900………終わっていないように、/ ;!d800………見えるのか……。@……早く、トドメを刺せよ………。」/ !s0`"...................`@`..........Don't be, `/ !d600`..........ridiculous......`@`.........How can you look at this, `/ !d900`.........and think that it isn't, `/ !d800`.........over......?`@` ......Quickly, deliver the final blow........."`/ !sd\ ;＜ベアト se1 38 bg blood_2a,1 wait 1000 se2 38 bg blood_2c,1 wait 400 se3v 38,90 bg blood_2e,1 wait 1000 bg black,2 bg rose_3bN,0 ld l,$BUT_NiramuA1,2 ;「……………………………………。」\ ;＜戦人 `"........................"`\ ld r,$BEA_gamanA3,22 ;!s0「…言っちまえよ。@…お前の、青き真実で。@…………“以上により、/ ;!d800……魔女は存在しない”、/ ;!d700…って……。@………言っちまえよ………。@………その一撃で、/ ;!d800……私の息の根を、/ ;!d1000……………止めてしまえ………。」/ !s0`"...Just say it.`@` ...With your...blue truth.`@` ............'According to this, `/ !d800`......witches do not exist', `/ !d700`...say it......`@`.........Just say it.........`@`......With that single blow, `/ !d800`......just put a stop, `/ !d1000`............to my breathing........."`/ !sd\ ;＜ベアト ld l,$BUT_majimeA1,80 ;「駄目だな。」\ ;＜戦人 `"It's useless."`\ ld r,$BEA_GamanA5,80 ;「…………ほぅ……。@………妾にこれ以上、……生き恥を、………晒せというのか…。@すでに決着はついておろうに……。」\ ;＜ベアト `"............Hoh......`@`.........So you would expose me, ......to ridicule, .........even more than this...`@` Isn't it settled already......"`\ ld l,$BUT_oyaA1,80 ;「立てよ。@俺たちの殴り合いは、まだ終わってない。」\ ;＜戦人 `"Stand up.`@` Our brawl still isn't over."`\ ld r,$BEA_gamanA3,80 ;「………………まだ、……とな………。」\ ;＜ベアト `"............Still, ......you say........."`\ ld l,$BUT_komaruA3,80 ;「お前のそれは、負けじゃない。@もう止めたと、投了しているだけだ。」\ ;＜戦人 `"That just now wasn't you losing.`@` You just stopped and gave up."`\ ld r,$BEA_GamanA2,80 ;「………いいでは…ないかよ……。@……投了で…。@……それでそなたの勝ちだろうが。@/ ;!s0………とっとと、/ ;!d800……妹のところへ、/ ;!d600…帰るがいい……。@妾などこの場に、/ ;!d900………打ち棄てていけ………。」/ `".........Isn't that...good enough......`@`......Wouldn't giving up...`@`......mean your victory? `@/ !s0`.........You should, `/ !d800`......return to your little sister, `/ !d600`...right away......`@` Just throw me away, `/ !d900`.........right here........."`/ !sd\ ;＜ベアト ld l,$BUT_MajimeA4,80 ;「俺は言ったはずだ。@逃げない。@そして、/ `"Didn't I tell you?`@` I won't run away.`@` And, `/ E_B ;お前を逃がさないとな。」@ ;＜戦人 `I won't let you run away."`@ ld r,$BEA_GamanA5,80 ;「……………………………。」\ ;＜ベアト `"........................"`\ ld l,$BUT_OdorokiA1,80 ;「お前は、何者だ。@そして一体、何が望みだったんだ。」\ ;＜戦人 `"What kind of person are you?`@` And what in the world is it that you want?"`\ mset2ef 22 ;　それが知りたくば、……そなたの十八番でも試せば良い……。\ `If you want to know, ......why don't you just try your favorite move......?`\ mendef 22 ld r,$BEA_GamanA2,80 ;!s0「……………いいではないか…。@…ただの、/ ;!d600……妄想、/ ;!d600……幻想……。@それで、/ ;!d600……いいではないか……。」/ !s0`"............Isn't it alright this way...?`@` ...Just, `/ !d600`......a delusion, `/ !d600`......an illusion......`@` Isn't that, `/ !d600`......good enough......?"`/ !sd\ ;＜ベアト ld l,$BUT_oyaA1,80 ;「全然駄目だぜ。@俺はお前を、/ `"It's all useless.`@` I won't...`/ E_A ;逃がさない。」@ ;＜戦人 `let you run away."`@ ld r,$BEA_gamanA4,80 ;「…………………………………。」\ ;＜ベアト `"........................"`\ ;se3 21 bgm1 85 ld l,$BUT_MajimeA4,80 ;「俺はお前を、打ち破る。@このまま逃がしてなるもんか。」@ `"I'll break through you.`@` How could I let you run away like this?"`@ me1v 12,40 ld r,$BEA_gamanA5,80 ;「……………………………。」\ `"........................"`\ ld l,$BUT_odorokiA1,80 me2v 5,50 ;「お前をうやむやにしたまま、幻想の暗闇に逃げ帰らせはしない。@………打ち破る。@完全にな。@だから立て。@弱々しいふりなんかするな！@　お前はまだ何手か隠してる！@　俺にはわかる！」\ ;＜戦人 `"I won't let you run back to the darkness of illusions while you're still all vague like this.`@` .........I'll break through you.`@` Completely.`@` So stand up.`@` Don't act all frail like that!`@` You're still hiding several moves!`@` I can tell!"`\ ld r,$BEA_HanbesoA1,80 ;「……………………なぜ、……大人しく見逃してくれぬのか……。」\ ;＜ベアト `"...............Why, ......won't you just let me escape......?"`\ ld l,$BUT_kuyasigaruA1,80 ;「親父を、お袋を、そして縁寿を。@いとこのみんなや親族のみんなを。@そして使用人のみんなを。@お前はあれだけ弄んで殺した…！！@　その非道を、俺は絶対に忘れない、許さない！\ `"Dad, Mom, and Ange.`@` All of the cousins and all of the relatives.`@` And all of the servants.`@` You toyed with them so much and killed them...!!`@` I definitely won't forget, won't forgive that inhumanity!`\ ld l,$BUT_sakebuA1,80 ;　俺の肩にはよ、……まだ縁寿の、腕の感触が残ってるんだよ…！！@/ `I can still feel, ......Ange's arms on my shoulders...!! `@/ me3v 17,50 ld l,$BUT_sakebuA2,80 ;　俺はッ、お前の非道を、許さないッ…！！@　だから、そんなことで、逃がさない…！！！」\ ;＜戦人 `I won't forgive your inhumanity...!!`@` So I won't let you get away like this...!!!"`\ ;ld l,$BUT_MajimeA3,80 ;　戦人の目が憎悪の炎に燃える…。@ `Battler's eyes burned with the flames of hatred...`@ br ;　……弱々しい仕草に同情を得られたのは、もう遠い過去の話だ。@ ;　……一度騙された戦人は、二度と妾に情けなど掛けない。\ `......The time had long since passed during which pitiful behavior would have earned his compassion.`@ `......After being tricked once, Battler will never sympathize with me again.`\ bg black,22 dllefe_off print 1 ;!s0　狼と羊のパズルどころか、/ ;!d600………これじゃア、狼少年だなぁ……………。@ !s0`Instead of the wolves and sheep puzzle, `/ !d600`.........this is like the boy who cried wolf, isn't it............`@ br ;　…………どうすればいいんだよ、妾は………。@………どうすれば…………。/ `.........What am I supposed to do.........?`@` .........What should I do............?`/ !sd\ ;　……負けを認めぬためだけに、無限に戦うのも、……無限の魔女に相応しき無限の拷問か。@ `......Is fighting endlessly only to avoid admitting defeat, ......also a fitting endless torture for the Endless Witch?`@ br ;　……………戦人に勝利を与えぬために、無限に嫌がらせを繰り返すのもまた、無限の魔女なのか………。\ `............Is endlessly harassing Battler so as to avoid giving him victory...also part of being the Endless Witch.........?`\ fede 10,1000 ;!s0　……………悲しいなぁ……。@ !s0`............It's so sad......`@ br ;　………こんなのが、/ ;!d900………無限の魔法なのかぁ………。\ `.........Is this, `/ !d900`.........what the Endless Magic is.........?`\ ;　もう、/ ;!d600………嫌だ………。@ `I've, `/ !d600`.........had enough.........`@ br ;　魔女たちに、/ ;!d800………無限に玩具にされるなんて、/ ;!d900…………もう、/ ;!d900……嫌だ……。/ `I've, `/ !d800`.........had enough, `/ !d900`.........of endlessly being made a toy, `/ !d900`......of witches......`/ !sd\ bg Different_spiral_1a,8 ;　勝ちはなく、引き分け終了もない。@ `No victory, and no conclusion with a tie.`@ br ;　……ならば、妾を解放してくれる結末は、ひとつしかない。@ `......In that case, there is only one result that can release me.`@ br ;　……ふ、……ははははははは……。\ `......Hmph, ......hahahahahahaha......`\ me5v 17,0 fedexx 0,0,0,0,0,50,3000 wait 1000 ;　魔女の道に堕ちた時から。@ ;　悪魔と契約をしたその日から。@ `Since the time I sank to the path of witches.`@ `Since the day I made that contract with demons.`@ br ;　………末路は悲劇であると、約束されていたではないか………。\ `.........It was promised that, through tragedy, I would meet my end, was it not.........?`\ bg black,22 me1v 13,50 dllefe 1,1 bg rose_1aN,0 ld c,$BUT_sakebuB1,22 ;「どうしたッ！！@　黄金の魔女、ベアトリーチェッ！！@　六軒島の支配者ならば、最後もそれに相応しい貫禄を見せてみろぉおおおおおおおおおぉぉ！！！」\ ;＜戦人 `"What's wrong!!`@` Golden Witch, Beatrice!!`@` If you are the controller of Rokkenjima, show me the dignity fitting for that until the very eeeeeeeeeeeeeeeeeennndddd!!!"`\ textoff se1v 27,100 wait 100 se2v 27,100 wait 100 se3v 27,100 wait 300 bg white,1 bg black,42 ;　落雷。@ `Lightning.`@ br ;　……世界が白く潰れる。@ `......The world was smashed with white.`@ br ;　………六軒島の支配者に相応しき、最期を。\ `.........Fitting last moments...for the controller of Rokkenjima.`\ dllefe_off print 1 ;bg rose_2cN,22 E_A br ;　はは、………はっははははははははは………。\ `Haha, .........hahhahahahaha hahahaha.........`\ bgm1v 73,85 textoff se1v 2,100 mbg white,1 mcbg 0 bg black,0 lsp2 4,$BEA_gamanA6,500,350,200,200,0 ;lsp2 3,$A1,130,420,200,200,0 print 22 bgcopy csp2 -1 ;「はっはははははは……、わっはっはっはははははははははははははは…！！！」@ ;＜ベアト `"Hahhahahahahaha......, wahhahhahhahahahahahahahahahahahahaha...!!!"`@ ;ld r,$BUT_MajimeA3,24 textoff bg black,0 lsp2 4,$BEA_gamanA6,500,350,200,200,0 lsp2 3,$BUT_MajimeA3,150,480,200,200,0 print 23 bgcopy csp2 -1 ;「………………………。」\ ;＜戦人 `"....................."`\ ;　ベアトは青き杭に貫かれたまま、……雨空に向かい、笑い声をあげる。@ ;　そしてゆっくりと顔を上げ、……戦人を見据えた。\ `Still pierced by the blue stakes, ......Beato faced the rainy sky, and let out a cry of laughter.`@ `Then she slowly raised her face, ......and stared at Battler.`\ ;ld c,$BEA_AkuwaraiA4,80 textoff se1v 2,100 se2v 37,100 mbg white,1 mcbg 0 bg black,0 lsp2 4,$BEA_ikariA2,500,350,200,200,0 lsp2 3,$BUT_MajimeA3,150,480,200,200,0 print 2 bgcopy csp2 -1 ;「………愚か者め。@……そなたの健闘を讃え、勝ちを譲ってやろうと思ったのに…。@………慢心したな、後悔するぞ……。」\ ;＜ベアト `".........Fool.`@` ......Just when I was about to praise your good fight and hand over victory...`@`.........You shall regret your pride......"`\ ;ld c,$BUT_MajimeA4,80 textoff bg black,0 lsp2 4,$BEA_ikariA2,500,350,200,200,0 lsp2 3,$BUT_MajimeA4,150,480,200,200,0 print 80 bgcopy csp2 -1 ;「それは譲られるものじゃねぇ。@お前から奪い取るものだッ！！@　お前だってそうだろうが！！@　俺が、魔女はいてもいいかななんて言い出す、そんな甘っちょろい勝ち方が納得できなかったから、前回はわざとああして最後にぶっ壊してくれたんだろうが…！！！@　そうさ、俺は前回、お前に一度情けをもらってたんじゃねぇか！！\ `"That's not something for you to hand over.`@` I'm gonna take it from you!!`@` It goes the same for you, right?!!`@` Isn't the fact that you couldn't accept an easygoing style of victory where I say 'Maybe it's alright for witches to exist' or something `@`the very reason that you intentionally fell apart like that in the end last time...?!!!`@` That's right, last game, I received your sympathy that one time, didn't I?!!"`\ textoff se1v 2,100 mbg white,1 mcbg 0 bg black,0 lsp2 4,$BEA_ikariA2,500,350,200,200,0 lsp2 3,$BUT_sakebuA1,150,480,200,200,0 print 2 bgcopy csp2 -1 ;　だからその借りを、これで返す！　立てッ！！！@　俺の敵、俺の黄金の魔女ッ、ベアトリーチェッ！！！」\ ;＜戦人 `So now I'll pay back that debt! Stand!!!`@` My enemy, my Golden Witch, Beatrice!!!"`\ ;ld c,$BEA_AkuwaraiA3,80 textoff bg black,0 lsp2 4,$BEA_hanbesoA6,500,350,200,200,0 lsp2 3,$BUT_sakebuA1,150,480,200,200,0 print 42 bgcopy csp2 -1 se1v 2,100 se2v 37,100 mbg white,1 mcbg 0 bg black,0 lsp2 4,$BEA_gamanA6,500,350,200,200,0 lsp2 3,$BUT_sakebuA1,150,480,200,200,0 print 2 bgcopy csp2 -1 ;「はっははは……。@馬鹿が。@/ `"Hahhahaha......`@` Fool.`@ ;ld c,$BEA_AkuwaraiA4,80 E_MA se1v 2,100 se2v 37,100 se3v 27,100 mbg white,1 mcbg 0 textoff bg black,0 lsp2 4,$BEA_ikariA2,500,350,200,200,0 lsp2 3,$BUT_sakebuA1,150,480,200,200,0 print 2 bgcopy csp2 -1 ;………馬鹿があああぁあぁ、っはっはははははははははははッ！！@　ゥ愚か者がぁ…！！@　二度とチャンスがあると思うなァ？！@　うおあああぁあああああッ！！！」\ ;＜ベアト `.........You foooooooooooool, hhahhahahahahahahahahahaha!!`@` You simpleton...!!`@` You think you'll get another chance?!`@` Whaaaaaaaaaaaaaaaargh!!!"`\ se1v 1006,100 se2v 27,100 se3v 1006,100 bg white,1 bfly1 0 bg rose_3bN,2 wait 500 se1v 55,100 ld c,$BEA_gamanA7,99,3000,"breakup.dll/llb" ;　ベアトが叫ぶと、胸を貫いていた青き杭が砕け散って消える。@ `When Beato yelled, the blue stakes that had pierced her chest blew to bits and disappeared.`@ br ;　……しかし、足を貫いている一番最初の青き楔は消えない。\ `......However, the blue wedge that had pierced her foot in the very beginning did not disappear.`\ cbfly 0 bg black,23 bfly2 0 bg rose_3aN,0 ld l,$BUT_MajimeA4,23 ;「まだ抜けてないぜ。@１８人目のＸの青き真実が抜けていない…！！」\ ;＜戦人 `"You can't pull it out yet.`@` You can't pull out the blue truth of the 18th person X...!!"`\ se1 20 cbfly 0 bg black,24 se2v 57,100 se3v 57,100 mono 2 mbg white,1 mcbg 0 bfly1 0 mono off bg rose_3bN,0 ld r,$BEA_ikariA1,2 ;「そなたの復唱要求の一つに応じる。@そなたの推理通り、/ `"I will answer to one thing you told me to repeat.`@` As you reasoned, `/ se1 59 ;#ff0000全ゲームの開始時に金蔵はすでに死んでいる！#ffffff@　しかし、ならばつまりは１人を抜かせば良いこと！！@/ `#ff0000Kinzo is already dead at the starting time for all games!#ffffff`@` However, this means that you can take one person out!! `@/ se2 59 ;　#ff0000妾はこれまで、この島には１９人以上の人間は存在しないと宣言してきた。@/ `#ff0000Before now, I have proclaimed that no more than 18 humans exist on this island. `@/ se3 59 ;それを、金蔵の分、１人減らす！！\ `I will lower that by one for Kinzo!!`\ ld r,$BEA_akuwaraiA4,80 se1v 2,100 se2 59 ;　この島には１８人以上の人間は存在しない！！@/ `No more than 17 humans exist on this island!! `@/ se3 59 ;　以上とはつまり１８人目を含めるぞ。@/ `That excludes any 18th person. `@/ se1 59 ;つまり、１８人目のＸは存在しないッ！！@/ `In short, this 18th person X does not exist!! `@/ se2 59 ;　これは全ゲームに共通することである！！！#ffffff」\ ;＜ベアト `This applies to all games!!!#ffffff"`\ cbfly 0 textoff se1v 20,100 bg BLADE2R,1 bg black,10,100 se2v 20,100 bg BLADE4R,1 bg black,10,100 se3v 20,100 bg BLADE2R,1 bg black,10,100 wait 600 mono 2 E_MA se1v 57,100 se2v 57,100 se3v 36,100 bg white,1 mono off bg BLADE7_2R,2 se1v 27,100 se2v 27,100 bg white,1 bfly2 0 bg black,42 fedexx 0,50,0,0,0,0,2000 E_B bg rose_3aN,0 ld l,$BUT_FutekiA2,42 me1v 5,70 ;「そら見ろ。@やっぱりまだ、とんでもねぇ奥の手を隠してやがったぜ……。@１７人しか人間のいない島が１８人と偽られてきた。@それが１人減って１７人になり、ようやく正しい数になったってわけだ。@/ `"What do you know.`@` Looks like you're still hiding some pretty crazy stuff up your sleeve after all......`@` The island, which had no more than 17 humans on it, has been set up to appear as though there were 18.`@` Taking one off makes it 17, so we've finally reached the correct number. `@/ ;ld l,$BUT_FutekiA1,80 ;…………これで、お前をブチ抜いていた楔が抜かれたな。@戦いはゼロから仕切り直しってわけだ…！」\ ;＜戦人 `.........This way, the wedge I knocked into you has been removed.`@` We'll have to start the fight over, back from square one...!"`\ se1 1006 monocro #0000ff mbg white,1 monocro off mcbg 0 se2 20 bg black,26 bg rose_3bN,22 ld c,$BEA_nayamuA1,25 se1 11 quakey 2,200 ;　ベアトを縫い止めていた青き楔が砕け散る。@ ;　………もう、ベアトを貫くものは何もない。\ `The blue wedge that had sewn Beato in place broke apart.`@ `.........There was no longer anything piercing Beato.`\ se1v 22,100 bfly1 0 bg rose_3bP,0 ld c,$BEA_majimeA1,28 se2v 2,100 se3v 57,100 mono 2 mbg white,1 mono off mcbg 2 ;　彼女の体の傷痕も完全に消え去っている。@ `The scars on her body had disappeared completely.`@ br ;　そこには、戦人が望んだ通りの、……貫禄ある六軒島の支配者である黄金の魔女の姿があった。\ `There stood...just as Battler had hoped for, ......the figure of the dignified Golden Witch who controlled Rokkenjima.`\ E_MA bgm1v 107,80 ld c,$BEA_majimeA3,2 ;「……さぁ来い、戦人。@もう一度最初からだ。@全てについて、青き真実で打ち抜いてみよ。@妾ももはや遊ばぬ、逃げもせぬ、隠れもせぬ。\ `"......Then come, Battler.`@` Once more from the beginning.`@` Try and break through everything with the blue truth.`@` I too will no longer play, run, or hide.`\ ld c,$BEA_defA2,80 ;　そなたが不甲斐ないならばこの勝負、この場にて決着してくれようぞ。@/ `If you are worthless, then I shall decide this match right here, right now. `@/ ld c,$BEA_akuwaraiA3,80 ;妾の譲りし勝利にて妥協しなかったことを永遠に後悔させてくれるッ！！！@　さあ第１のゲームからだ！」\ ;＜ベアト `With my grand victory, I will make you regret the fact that you didn't compromise for all eternity!!!`@` Come, starting from the first game!"`\ se1 20 cbfly 0 bg black,23 monocro #0000ff se1v 2,100 se2v 57,100 mbg white,1 monocro off mcbg 0 bfly2 0 bg rose_3aP,0 ld l,$BUT_OdorokiA1,2 ;「おうッ！！@　第１のゲーム、第一の晩からだ！！/ `"Right!!`@` From the first twilight of the first game!! `/ se1v 2,100 ;　#5decff最初の園芸倉庫で見つかった親族６人の殺人に不審な点はない！@/ `#5decffThere is nothing strange about the murder of the six relatives that were found in the gardening shed in the beginning! `@/ se2v 2,100 ;　アリバイのない誰にでも犯行は可能だった！！#ffffff」\ ;＜戦人 `The crime was possible for any of those who didn't have an alibi!!#ffffff"`\ cbfly 0 se1 20 bg black,24 bfly1 0 bg rose_3cP,24 ld r,$BEA_futekiA2,25 se1 11 quakey 2,200 ;「有効だ。@続けるぞ、次の絵羽夫婦の密室殺人はどうか！@　チェーンまで掛かった密室であったぞ！@　赤き真実を追加する。@/ `"Effective.`@` Continue, what about the next closed room murder, with Eva and Hideyoshi!?`@` Even the chain was set for that closed room!`@` I shall add to the red truth. `@/ se1 59 ;#ff0000二人は他殺である！@/ `#ff0000Both were killed by another person! `@/ se2 59 ;　密室構築後に片方を殺害の後に自殺したのではない！@/ `It is not the case that, after the construction of the closed room, one of them committed suicide after committing murder! `@/ se3 59 ;　また、殺人は執行者、犠牲者が共に同室して行なわれた！@/ `Furthermore, the murder was carried out with both the victim and the perpetrator in the same room! `@/ se1 59 ;　執行者が室外から殺害する手段は存在しない！#ffffff」\ `No method exists for the perpetrator to commit murder from outside the room!#ffffff"`\ se2v 2,100 ld l,$BUT_futekiA3,65 se1 11 quakey 2,200 ;「#5decff犯人には、アリバイのない人間を想定する。@/ `"#5decffSuppose that the culprit was a human without an alibi. `@/ se3v 2,100 ;それは死者だ！@/ `In other words, the dead! `@/ se1v 2,100 ;　最初の６人の死体の中には、顔面粉砕による身元不明死体が含まれる。@/ `Among the first six corpses, there were some made unidentifiable because their faces were smashed. `@/ se2v 2,100 ;これが実は偽装死体で、犠牲者のふりをして姿をくらました犯人Ｘが二人を殺したとの仮説は可能だ！@/ `One possible theory is that one was actually a fake corpse, and that the culprit X killed those two after pretending to be a victim and hiding away! `@/ se3v 2,100 ;　そして犯人は密室殺人構築後、ベッドの下に隠れ、俺たち全員をやり過ごしたんだ！！#ffffff」\ `Then after the closed room murder was constructed, the culprit hid under the bed, and waited for all of us to leave!!#ffffff"`\ textoff me1v 28,100 se3v 66,100 cbfly 0 bg MAP04,80 wait 1000 se1v 57,100 se2v 46,100 bg bullet2a,1 monocro #0000ff bg white,10,120 monocro off se1v 57,100 se2v 46,100 bg bullet2b,1 monocro #0000ff bg white,10,120 monocro off wait 120 E_MA se1v 1006,100 se2v 36,100 se3v 27,100 bg black,2 bfly2 0 bg rose_3aP,24 ld r,$BEA_AkuwaraiA1,65 se1 11 se2v 39,100 quakey 2,400 mono 2 se3v 2,100 mbg white,1 mcbg 0 mono off ld r,$BEA_AkuwaraiA2,2 ;「よかろう、次だ！@　ボイラー室に至った嘉音が殺されたな？@　赤き真実を追加する。@/ `"Very well, next!`@` Kanon was killed in the boiler room, correct?`@` I shall add to the red truth. `@/ se1 59 ;#ff0000全ての生存者にアリバイがある！@/ `#ff0000All of the survivors have alibis! `@/ se2 59 ;　さらに死者も含めようぞ！！@/ `Let us include the dead as well!! `@/ se3 59 ;　つまり、島の如何なる人間にも死者にも、嘉音は殺せなかった！#ffffff」\ ;＜ベアト `In short, no kind of human or dead person on the island could have killed Kanon!#ffffff"`\ se1 20 cbfly 0 bg black,23 bfly1 0 bg rose_3bP,0 ld c,$BUT_NiramuA1,23 se1v 2,100 ;「#5decff誰にも殺せないなら、自分で殺したということはあるかもな！！@/ `"#5decffIf no one could kill him, then he might have been the one to kill!! `@/ se2v 2,100 ;　なら嘉音くんは自殺かもしれない。#ffffff\ `Meaning Kanon-kun might have killed himself.#ffffff`\ cl a,0 se1v 2,100 se2v 57,100 mbg white,1 mcbg 0 ld l,$BUT_majimeB4,22 ;　復唱要求！@“嘉音くんは自殺ではない”！」/ `Repeat it!`@` 'Kanon-kun did not commit suicide'!"`/ se1v 2,100 se2v 57,100 quakex 4,400 \ ;＜戦人 cbfly 0 se1 20 bg black,23 mono 2 se2v 57,100 se3v 37,100 mbg white,1 mcbg 0 mono off bfly2 0 bg rose_3aP,0 ld l,$BEA_futekiA1,2 se1 59 ;「#ff0000嘉音は自殺ではない#ffffff。」\ ;＜ベアト `"#ff0000Kanon did not commit suicide#ffffff."`\ ld r,$BUT_MajimeA4,64 se1 11 quakex 2,200 ;「重ねるぜ。@/ `"One more. `@/ se2v 2,100 se3v 57,100 mbg white,1 mcbg 0 ld r,$BUT_odorokiA1,22 ;復唱要求“嘉音くんは他殺された”。」\ ;＜戦人 `Repeat it, 'Kanon-kun's death was a homicide'."`\ cbfly 0 se1 20 bg black,24 bfly1 0 bg rose_3cP,24 ld r,$BEA_akuwaraiA5,65 se1 11 quakey 2,200 ;「復唱を拒否する。」\ ;＜ベアト `"I refuse to repeat it."`\ cbfly 0 bg black,23 bfly2 0 bg rose_3aP,0 ld l,$BUT_niramuB1,23 ;「その拒否で、他殺を認めることも可能だが、お前はすでに赤で誰にも殺せなかったと宣言している。@つまり、他殺ではないんだ。@これは第３のゲームの連鎖密室と同じなのさ。\ `"By that refusal, it may be possible to view it as a homicide, but you've already proclaimed in red that no one could have killed him.`@` In other words, it wasn't a homicide.`@` This is the same as the linked closed rooms from the third game.`\ ld l,$BUT_niramuB2,80 se1v 2,100 ;#5decff　嘉音くんは自殺でも他殺でもない理由で死亡したんだ。@/ `#5decffKanon-kun died for a reason that was neither suicide nor homicide. `@/ se2v 2,100 ;状況は不明だが事故死というわけさ。\ `The details are unknown, but he died from an accident.`\ se3v 2,100 ld l,$BUT_FutekiA2,80 ;　胸に杭がブチ込まれて死んでしまうような、どのようなドジを踏んで事故死に至ったかについての説明は、悪魔の証明により説明拒否ッ！！#ffffff」\ ;＜戦人 `Due to the Devil's Proof, I refuse to explain what kind of blunder could have led to an accidental death where a stake was driven into his chest!!#ffffff"`\ se1v 57,100 se3v 27,100 cbfly 0 mbg white,1 mcbg 0 bfly1 0 bg rose_3bP,0 ld c,$BEA_iiwakeA1,42 ld c,$BEA_fukigenA1,80 ;「ほほぅ、悪魔の力を身につけたそなたは今や敵なしだな！@　有効であるぞ！\ `"Hohoh, now that you have borrowed the power of the devil you are without peer!`@` It is effective!`\ se1v 57,100 mbg white,1 mcbg 0 ld c,$BEA_AkuwaraiA3,2 ;　ならば、その後の客間にての、源次、南條、熊沢の３名の殺人はどうか！@　無論、/ `In that case, what about the murders after that in the parlor, of Genji, Nanjo, and Kumasawa?!`@` Naturally, `/ se1 59 ;#ff0000同室していた真里亞は殺していないぞ！@/ `#ff0000Maria, who was in the same room, did not kill them! `@/ se2 59 ;　そしてもちろん三人は他殺だ！#ffffff」\ ;＜ベアト ;`And of course, the three were killed by other people!#ffffff"`\ `And of course, the three deaths were all due to homicide!#ffffff"`\ ;gggg se1 20 cbfly 0 bg black,24 bfly2 0 bg rose_3cP,0 ld l,$BUT_MajimeA2,24 se1v 2,100 ;「#5decff殺人を実行したのは、身元不明死体で姿をくらました犯人Ｘで説明できる。@/ `"#5decffWe can explain the one who performed the murder with culprit X, who hid away using an unidentified corpse. `@/ se2v 2,100 ;そもそも、あの３人の顔面も粉砕されていた。@/ `In the first place, their three faces were also smashed. `@/ se3v 2,100 ;どれかが替え玉死体の可能性は充分にある！#ffffff」\ ;＜戦人 `It's completely possible that one of them was a body-double corpse!#ffffff"`\ se1v 20,85 bfly1 0 bg rose_3aP,0 ld r,$BEA_AkuwaraiA4,24 se1 59 ;「#ff0000身元不明死体について、その身元を全て保証する。@/ `"#ff0000Regarding unidentified corpses, all of their identities are guaranteed. `@/ se2 59 ;即ち、替え玉トリックは存在しない！#ffffff」\ ;＜ベアト `Therefore, no body double tricks exist!#ffffff"`\ se1v 57,100 mbg white,1 mcbg 0 ld l,$BUT_FutekiA2,22 se2v 2,100 ;「#5decffならば相打ち殺人で説明できる。@/ `"#5decffThen you can explain it with simultaneous murders. `@/ se3v 2,100 ;３人はそれぞれに銃を持って時計回りに突きつけ、同時に相手の顔面を吹き飛ばした！@/ `Each of them had a gun, pointed it clockwise, and blew each others' faces off at the same time! `@/ se1v 2,100 ;　その後、真里亞がその銃を回収して隠した！！#ffffff@　これならどうだッ！！！」\ ;＜戦人 `After that, Maria collected those guns and hid them!!#ffffff`@` How about that?!!!"`\ se1 20 cbfly 0 bg black,23 bfly2 0 bg rose_3cP,23 ld r,$BEA_odorokiA1,65 se1 11 quakey 2,200 ;「なッ、……何と言う暴論ッ！！！@/ `"Wh, ......what a ridiculous argument!!! `@/ ld r,$BEA_akuwaraiA3,80 ;　き、気に入ったァ…！！@　ならば最後の夏妃は？！\ `I, I like it...!!`@` Then what about Natsuhi in the end?!`\ se1v 57,100 se2v 37,100 mono 2 mbg white,1 mcbg 0 mono off ld r,$BEA_akuwaraiA4,2 ;　赤き真実を追加！@　/ `I shall add to the red truth! `@/ se1 59 ;#ff0000夏妃は他殺である！@/ `#ff0000Natsuhi was killed by another person! `@/ se2 59 ;　身元不明死体は一切なく、生存者も全員がアリバイがある！#ffffff」\ ;＜ベアト `There are no unidentified corpses, and all of the survivors have alibis!#ffffff"`\ se1v 57,100 mbg white,1 mcbg 0 ld l,$BUT_MajimeA4,22 se2v 2,100 ;「#5decffトラップＸによる間接殺人で説明できる！@/ `"#5decffYou can explain it with an indirect murder due to trap X! `@/ se3v 2,100 ;　夏妃伯母さんの銃に細工がされてたんだ。@/ `Something was done to Natsuhi oba-san's gun. `@/ se1v 2,100 ;あの銃は、構えて撃った人間の、ちょうど眉間に弾をくれてやるように作られた、罠の銃だったとすれば説明できる！！#ffffff」\ ;＜戦人 `You can explain it if that was a trap gun, built to send a bullet right into the forehead of anyone who tried to hold it up and shoot it!!#ffffff"`\ se1v 57,100 mbg BLADE6_2R,1 mcbg 0 ld r,$BEA_AkuwaraiA5,22 se2 59 ;「#ff0000夏妃の額に埋まりし銃弾は、夏妃の銃から放たれたものではない！#ffffff」\ ;＜ベアト `"#ff0000The bullet buried into Natsuhi's forehead was not fired from Natsuhi's gun!#ffffff"`\ se1v 2,100 ld l,$BUT_odorokiA1,80 ;「#5decff夏妃伯母さんは、内容不明の手紙により誘き出された可能性がある！@/ `"#5decffThere is the possibility that Natsuhi oba-san was lured out by that letter of unknown contents! `@/ se2v 2,100 ;　そしてホールに呼び出された。@/ `And she was called out into the hall. `@/ se3v 2,100 ;そして特定の時刻に特定の場所に立つように強いられて、予め設置してあった銃を利用したトラップＸにより殺害されたんだ！！#ffffff」\ ;＜戦人 `Then, she was forced into standing at a specified location at a specified time and murdered by trap X, which used a gun that had been installed there beforehand!!#ffffff"`\ se1v 1006,100 se2v 27,100 monocro #0000ff mbg white,1 mcbg 0 monocro off ld r,$BEA_WaraiA2,2 ;「素晴らしいッ！！@　そなたの暴論はもはや心地よくすらある！@　敬意を表し、第一のゲームをそなたに譲ろうぞ…！！@　感服したわッ！！@/ `"Wonderful!!`@` Your reckless arguments even feel pleasant now!`@` Out of respect, I shall hand the first game over to you...!!`@` Well done!! `@/ textoff ;bg white,1 ;wait 200 ;se1 57 ;bg homing7BSR,1 ;wait 200 ;se2 36 ;bg blood_2e,1 ;quakex 5,1200 ;ld c,$BEA_komaruA1,80 cbfly 0 se3v 66,100 monocro #0000ff bg white,2 se1v 57,100 bg white,1 monocro off bg bullet2a,22 monocro #0000ff se2v 57,100 bg white,1 monocro off bg bullet2b,22 se1v 36,100 bg white,1 bg bullet_1a,10,120 se2v 36,100 bg white,1 bg bullet_1b,10,120 se1v 36,100 bg white,1 bg bullet_1c,10,120 se2v 36,100 bg white,1 bg bullet_1d,10,120 se1v 36,100 bg white,1 bg bullet_1e,10,120 wait 500 E_MA se1v 36,100 se2v 27,100 se3v 27,100 bg white,1 monocro off bg blood_2e,42 ;　…………がはッ！！！」\ ;＜ベアト `............Gaaaah!!!"`\ ;　ベアトが第１のゲームの敗北を認めた瞬間、@青き真実の杭が再び、ものすごい音を立てて彼女の胸板を貫く…。\ `The instant Beato acknowledged her defeat in the first game,`@` the stakes of the blue truth once again pierced her chest, letting out a terrible sound...`\ bfly1 0 bg rose_3bP,0 ld c,$BEA_gamanA7,26 ld c,$BEA_GamanA6,80 ;「……く、……ぐぉ、……………がああぁッ！！！@　これくらいでは、堪えぬわ、……まだまだぁ！！@　来いッ、第二のゲームだ！！」\ ;＜ベアト `"......Ku, ......gwah, ............gaaaaaahhh!!!`@` This is still, bearable, ......it's not over yet!!`@` Come, now for the second game!!"`\ se1v 38,100 ;　ベアトは胸に突き刺さっていた杭を、辛うじて引き抜くが、@……さすがに穴は開いてないとはいえ、おびただしい血を流す大怪我をしているようだった。@ `Beato just barely pulled the stakes that had pierced her chest out,`@` ......but even though there was no hole left behind, it seemed to be a deep wound which let out a massive amount of blood.`@ br ;　そして、それに見合った激痛に苛まれている…。\ `And, she was tormented with an equally fierce pain...`\ ld c,$BEA_GamanA3,80 ;　しかしベアトは歯を食い縛りながらニヤリと笑い、次のゲームを促す。\ `But Beato grinned, grinding her teeth, and pushed for the next game to start.`\ cbfly 0 bg black,22 me1v 5,70 ;　だが同情はしないぜ。@ `But I won't feel compassion.`@ br ;　……ヤツがただそこに存在しているだけで、俺たちは何度も殺され、甚振られ、@………縁寿は孤独な未来を強いられるんだ…！！\ `......Just by her existing there, we've been killed and harassed over and over,`@` .........and Ange's been burdened with a future of isolation...!!`\ me2v 28,100 ;ld c,$BEA_IiwakeA3,80 textoff lsp2 4,$BEA_gamanA3,500,350,200,200,0 ;lsp2 3,$BUT_MajimeA4,130,420,200,200,0 print 24 bgcopy csp2 -1 ;「そうとも、妾がここにいて、ただ笑うだけでも、永遠の地獄は続く…！！@/ `"That is correct, just by my being here and laughing, the eternal hell will continue...!! `@/ ;ld c,$BEA_AkuwaraiA2,80 textoff bg black,0 lsp2 4,$BEA_AkuwaraiA4,500,350,200,200,0 ;lsp2 3,$BUT_MajimeA4,130,420,200,200,0 print 80 bgcopy csp2 -1 ;　そなたを妹に返しはしない…！@　妹は帰らぬ家族に千年の間、泣き続ければ良い…！！」\ ;＜ベアト `I won't give your little sister back...!`@` She can cry over the family that will not return for the next thousand years...!!"`\ ;ld c,$BUT_kuyasigaruA1,80 textoff se1v 2,100 mbg white,1 mcbg 0 bg black,0 lsp2 4,$BEA_AkuwaraiA4,500,350,200,200,0 lsp2 3,$BUT_sakebuA1,150,480,200,200,0 print 22 bgcopy csp2 -1 ;「畜生があぁああああぁ！！@　情けも容赦もしねぇぜ、第二のゲームだ、行くぜ！！@　まずは最初の事件だ！@　６人が殺された礼拝堂での密室殺人については、当時の俺がすでに看破している。@/ `"Damn iiiiiiiiiittt!!`@` No compassion, no mercy! Here goes the second game!!`@` I'll start with the first crime!`@` At the time, I had already seen through the closed room murder where the six were killed in the chapel. `@/ se3v 2,100 ;#5decff真里亞の鍵を、何者かが密かに拝借し、事件終了後に密かに真里亞のカバンに戻したんだ！！#ffffff」\ ;＜戦人 `#5decffSomeone secretly borrowed Maria's key, and secretly returned it to Maria's bag after the crime was over!!#ffffff"`\ ;ld c,$BEA_AkuwaraiA4,80 textoff bg black,0 lsp2 4,$BEA_futekiA1,500,350,200,200,0 lsp2 3,$BUT_sakebuA1,150,480,200,200,0 print 80 bgcopy csp2 -1 se1 59 ;「#ff0000真里亞の鍵は、真里亞受領後から翌日の楼座開封の瞬間まで、誰の手にも渡っていない！！#ffffff」\ ;＜ベアト `"#ff0000From the time Maria received her key to the instant Rosa unsealed the envelope the next day, the key passed through no one's hands!!#ffffff"`\ se1v 2,100 ;ld c,$BUT_majimeA4,80 textoff bg black,0 lsp2 4,$BEA_futekiA1,500,350,200,200,0 lsp2 3,$BUT_majimeA4,150,480,200,200,0 print 80 bgcopy csp2 -1 ;se1v 2,100 ;「#5decffジジイの書斎と同じ構造で、礼拝堂の扉がオートロックだった可能性がある。@/ `"#5decffThere is the possibility that the door had an auto-lock just like Gramps' study. `@/ se2v 2,100 ;つまり、事件前に開錠しておいて、扉が閉まりきらないように石でも挟んでおいた。@/ `In other words, it was unlocked before the crime, with a rock or something wedged in so that it couldn't close completely. `@/ se3v 2,100 ;そして鍵を真里亞に預けた。@/ `Then they gave the key to Maria. `@/ se1v 2,100 ;施錠はオートのため、鍵は必要なかったとの仮説もありえる！#ffffff」\ ;＜戦人 `Because the lock was automatic, it is possible to make a theory where the key wasn't needed!#ffffff"`\ se3v 37,100 ;ld c,$BEA_AkuwaraiA3,80 textoff bg black,0 lsp2 4,$BEA_AkuwaraiA3,500,350,200,200,0 lsp2 3,$BUT_majimeA4,150,480,200,200,0 print 80 bgcopy csp2 -1 se1 59 ;「#ff0000金蔵の書斎以外にオートロックの扉は存在しない！#ffffff」\ ;＜ベアト `"#ff0000No door with an auto-lock exists other than Kinzo's study!#ffffff"`\ ;ld c,$BUT_NiramuA3,80 se1v 2,100 textoff bg black,0 lsp2 4,$BEA_AkuwaraiA3,500,350,200,200,0 lsp2 3,$BUT_OdorokiA1,150,480,200,200,0 print 80 bgcopy csp2 -1 ;se1v 2,100 ;「#5decff扉は犠牲者たちが内側から閉めたんだ。@/ `"#5decffThe victims locked the door from the inside. `@/ se2v 2,100 ;６人の中に犯人がいて、５人を殺し、死んだふりをしていた！！#ffffff」\ ;＜戦人 `One of the six was the culprit, and this person killed the other five, then pretended to be dead!!#ffffff"`\ ;ld c,$BEA_AkuwaraiA1,80 textoff bg black,0 lsp2 4,$BEA_IkariA1,500,350,200,200,0 lsp2 3,$BUT_OdorokiA1,150,480,200,200,0 print 80 bgcopy csp2 -1 se1 59 ;「#ff0000６人は発見時にすでに全員死亡していた！@/ `"#ff0000The six people were already dead by the time they were discovered! `@/ se2 59 ;　全員が他殺だ！@/ `All were killed by other people! `@/ se3 59 ;　６人は全員が純粋な犠牲者であり、相互の殺人には関与しない！@/ `All six were genuine victims, and did not take part in a mutual murder! `@/ se1 59 ;　相打ち殺人は存在しない！！#ffffff」\ `There was no simultaneous murder!!#ffffff"`\ ;＜ベアト se1v 2,100 ;ld c,$BUT_AseruA1,80 textoff bg black,0 lsp2 4,$BEA_IkariA1,500,350,200,200,0 lsp2 3,$BUT_futekiA2,150,480,200,200,0 print 80 bgcopy csp2 -1 ;「#5decff熊沢さんを始め、当時アリバイがない人間が存在した。@/ `"#5decffA human, perhaps Kumasawa-san, existed with no alibi at the time. `@/ se2v 2,100 ;そんな誰かが６人を殺し、内側に隠れていたと仮定すれば問題ない！#ffffff」\ ;＜戦人 `If we assume that someone was hiding on the inside, then there are no problems!#ffffff"`\ ;ld c,$BEA_AkuwaraiA4,80 textoff bg black,0 lsp2 4,$BEA_AkuwaraiA2,500,350,200,200,0 lsp2 3,$BUT_futekiA2,150,480,200,200,0 print 80 bgcopy csp2 -1 se1 59 ;「#ff0000あの礼拝堂には誰も隠れていなかった。@/ `"#ff0000There was no one hiding in the chapel. `@/ se2 59 ;よってその、引き篭もり密室は通用しない！#ffffff@/ `By this, a shut-in murder like you say does not work!#ffffff `@/ ;ld c,$BEA_AkuwaraiA2,80 textoff bg black,0 lsp2 4,$BEA_AkuwaraiA3,500,350,200,200,0 lsp2 3,$BUT_futekiA2,150,480,200,200,0 print 80 bgcopy csp2 -1 ;　どうしたよ、右代宮戦人ぁ、それで終わりかぁ？！@　第２のゲームからは甘くないぜぇええぇ？！」\ ;＜ベアト `What's wrong, Ushiromiya Battleer, is that all?!`@` It's not so easy once you get to the second game, riiiight?!"`\ bg black,23 E_MA bfly2 0 bg rose_3aP,23 ;　凄まじき赤と青の真実の応酬。@ `A tremendous exchange of red and blue truth.`@ br cbfly 0 textoff se1 57 bg homing6BS,1 wait 300 se2 58 bg BLADE1R,1 wait 100 se3 58 bg BLADE2R,1 wait 100 se1 57 bg homing6BSR,1 wait 100 se2 58 bg BLADE3R,1 wait 100 se3 57 bg homing7BS,1 wait 200 se1 20 bg BLADE7_1R,1 wait 500 se2v 57,100 bg BLADE7_2R,1 bg white,22 bfly1 0 bg rose_3aP,0 ld c,$BEA_komaruA3,2 ;　俺から放たれて次々に襲い掛かる青き真実の杭や楔を、ベアトは次々に赤き真実こと、赤き宝刀で切り伏せ、叩き落していく。\ `The stakes and wedges of blue truth that I sent flying attacked one after the other, and Beato cut them down one after another with her red truth, her red treasured sword, knocking them down.`\ ;　しかし、第一のゲームを落とした際の出血がひどいのだろう。@ ;　その激しい運動は彼女にさらなる負担を強いていた。\ `But the blood she had lost from the first game was probably awful.`@ `This intense exercise was putting an even greater strain on her.`\ ;　呼吸の荒さも見える。@ `I could also see her breath grow ragged.`@ br ;　だからこそ、俺はここで手を休めない！@ ;　……あの魔女を追い詰める！\ `That's why I can't hold back now!`@ `......I'll corner that witch!`\ ;　今度こそ打ち破ってやるッ！\ `This time I'll break through her!`\ se1 20 cbfly 0 bg black,24 bfly2 0 bg rose_3cP,0 ld r,$BUT_kuyasigaruA1,24 ;「まだだぜ、あぁ、駄目だ、全然駄目だ！！@　俺の屁理屈は終わっちゃいねぇぜ！！@　ならばこれはどうだ！！\ `"Not yet, aah, it's useless, it's all useless!!`@` My twisted logic isn't finished yet!!`@` Then what about this!!`\ se1v 2,100 se3v 27,00 monocro #0000ff mbg white,1 mcbg 0 monocro off ld r,$BUT_odorokiA1,22 ;　#5decff彼らに与えられた飲食物に小型爆弾が入っていて、腹の中で爆発した。@/ `#5decffThe food they were given had small bombs in it, which exploded from inside their stomachs. `@/ se2v 2,100 ;つまりトラップＸによる犯行の可能性！@/ `In other words, the crime is possible through trap X! `@/ se1v 2,100 ;　気付かずに飲み込んで腹をブチまけるような爆弾の詳細については悪魔の証明ッ！@/ `The details of a bomb that they could swallow without noticing and that could blow open their stomachs is a Devil's Proof! `@/ se2v 57,100 se1v 2,100 ;　説明拒否ッ！！#ffffff」\ ;＜戦人 `I refuse to explain!!#ffffff"`\ E_MA se1v 57,100 se2v 2,100 se3v 27,100 cbfly 0 bg white,1 bfly1 0 ;ld c,$BEA_AkuwaraiA4,80 bg moon_1a,22 ;「ぶッ、っはっはっはっはっはっは！！@　何だよそりゃあああぁああ？！@/ `"Buh, hhahahahahahahhahahahhaha!!`@` What the hell's thaaaaaaaaat?! `@/ ;ld c,$BEA_AkuwaraiA3,80 ;　小型爆弾んん？！@　わあっはっはっはっはっは！！」@ ;＜ベアト `Small bommmmmmmbs?!`@` Waahhahahahahhahhahha!!"`@ br ;　しかし、その変化球のように歪に飛ぶ青き楔を、ベアトは叩き落し損ねる。\ `But Beato failed to knock down the blue wedge as it flew at an angle like a breaking pitch.`\ textoff cbfly 0 se1v 36,100 se2v 27,100 se3v 60,100 monocro #0000ff bg white,1 monocro off bg blood_2c,2 ;　それは、ドカッという重い音を立てて、彼女の左肩に深々と突き刺さった。\ `It let out a loud *thunk*, and gouged itself deeply into her left shoulder.`\ ;　しかし、そのあまりの変化球ぶりに、食らっておきながら笑いが止まらないらしい。@ ;　……あぁ、そうだろうな、俺も何て滅茶苦茶な推理だろうと思うぜ…！！\ `However, it seemed that even as the breaking pitch hit her, she didn't stop laughing.`@ `......Yeah, that's right, I also think this is probably some pretty screwed up reasoning...!!`\ bfly2 0 bg rose_3cP,22 ld r,$BUT_futekiA3,65 se1 11 quakey 3,300 ;「ハッ、好きなだけ笑いやがれ！！@　文句があるのかッ！！」\ ;＜戦人 `"Ha, laugh as much as you want!!`@` Got a problem with that?!!"`\ se1 20 cbfly 0 bg black,23 bg rose_3aP,23 ld l,$BEA_gamanA3,65 se1 11 quakey 3,300 se2 11 ;「無しッ！！@　その暴論や、心地よしッ！！！@/ `"None!!`@` That reckless argument is just pleasant!!! `@/ mono 2 se1v 57,100 mbg white,1 mcbg 0 mono off ld l,$BEA_AkuwaraiA3,22 ;　次なる朱志香と嘉音の密室は！」\ ;＜ベアト `Next is the closed room with Jessica and Kanon!"`\ ld r,$BUT_OdorokiA1,64 se1 11 quakex 2,200 ;「問題ないッ！@/ `"No problems there! `@/ se1v 2,100 ;　#5decff使用人の誰かが犯人であればマスターキーを使える。@/ `#5decffIf the culprit was one of the servants, they could have used a master key. `@/ se2v 2,100 ;密室ですらない！#ffffff」\ ;＜戦人 `It's not even a closed room!#ffffff"`\ ld l,$BEA_futekiA1,80 ;「その後、使用人室で嘉音らしき謎の人物が襲い掛かり、南條と熊沢が殺されたな？！@　嘉音の死亡はあの時刻以前に赤で宣言済みだった。@ならばあの嘉音は何者だというのか？！」\ ;＜ベアト `"After that, there was an attack in the servant room from a mystery person who seemed to be Kanon, and Nanjo and Kumasawa were killed, right?!`@` I had already proclaimed Kanon's death in red before that time.`@` Then who was that Kanon?!"`\ monocro #0000ff se1v 2,100 se2v 57,100 mbg white,1 mcbg 0 monocro off ld r,$BUT_FutekiA2,22 ;「#5decff嘉音くんの死亡は赤で宣言済みならば、生きているわけがない。@/ `"#5decffIf Kanon-kun's death was proclaimed with the red, there's no way he was alive. `@/ se3v 2,100 ;よって、襲われた彼らが、嘉音くんと誤認するような何者かの変装の可能性がある！#ffffff」\ ;＜戦人 `Therefore, there is a chance that the one who attacked that group was in a disguise to make the group mistake them for Kanon-kun!#ffffff"`\ ld l,$BEA_AkuwaraiA5,80 se1 59 ;「#ff0000彼らは異なる人物を嘉音と誤認することは絶対にない！#ffffff」\ ;＜ベアト `"#ff0000They definitely would not mistake any different person for Kanon!#ffffff"`\ cbfly 0 textoff se1v 20,70 bg homing6BS,1 bg black,10,100 se2v 20,85 bg homing6BSR,1 bg black,10,100 se3v 20,100 bg homing6BS,1 bg black,10,100 wait 600 monocro #0000ff se1v 2,100 se2v 2,100 se3v 60,100 mbg white,1 mcbg 0 monocro off bg rose_3cP,0 ld r,$BUT_odorokiA1,2 se1v 2,100 ;「#5decffならば金蔵の名の世襲と同じに、嘉音の名が世襲された可能性がある。@/ `"#5decffThen, just like the heredity of Kinzo's name, there is a possibility that Kanon's name was inherited by someone. `@/ se2v 2,100 ;嘉音くんが殺され、別の人物がその名を受け継ぎ、彼らを襲ったと仮定できるッ！！#ffffff」\ ;＜戦人 `You could suppose that Kanon-kun was killed, a different person succeeded that name, and that this person attacked them!!#ffffff"`\ se1v 1006,100 textoff cl a,0 ld c,$BEA_gamanA3,23 cbfly 0 se1v 38,100 se2v 38,100 monocro #ff0000 bg white,15,2000,":a;bmp\efe\blood_2a_efe.bmp" se1v 36,100 se2v 36,100 se3v 27,100 me1v 17,70 bg white,1 monocro off bg black,42 ;　西瓜が押し潰されるような音が響き渡り、ベアトの左の脇腹に青き楔が深々と打ち込まれる…。\ `A sound like a watermelon being squashed rang out, and a blue wedge was buried deep into Beato's left flank...`\ ;　場所が悪かったのか、かなり効いたらしい。@ `Perhaps because the positioning was bad, it looked like it was very effective.`@ br ;　しばらくの間、屈み込んで呻いた後、/ `After leaning over and moaning for a while, `/ se1 37 ;!d800……へっちゃらだとでも言うようにげらげらと笑い捨てた。\ !d800`......she laughed it off as though trying to make it seem like no big deal.`\ ;　あぁ、わかってるぜ。@ ;　すっげえ痛かったんだろ…！！\ `Yeah, I get it.`@ `That must have hurt a lot...!!`\ textoff bfly1 0 bg rose_3bP,22 ld c,$BEA_AkuwaraiA2,65 se1 11 quakey 2,200 cl c,1 se2v 13,85 quakey 5,1000 ld c,$BEA_gamanA3,6 ld c,$BEA_AkuwaraiA2,80 ;「ひゃっはああああぁ！！@　またしても事も無げに、ニンゲンの誰かを犯人に仕立ててきやがったぜぇ！！@　ゲーム盤上では口が裂けても言えぬことを、実にしゃあしゃあとのたまう！！\ `"Hyahhaaaaaaaahhh!!`@` Once again, you've set up some human as the culprit as if it were nothing!!`@` You truly are gabbing on about things you would never be able to open your mouth and say on the game board!!`\ E_MA se1v 57,100 mbg white,1 mcbg 0 ld c,$BEA_AkuwaraiA3,22 ;　しかし有効だッ！@　その暴言ッ、心地よし！！@　……心地よいぞ。@………これは痛みではない、……心地よさだぁあ！！」\ ;＜戦人 `But it is effective!`@` That reckless argument is pleasant!!`@` ......Just pleasant.`@` .........This isn't pain, ......it's pleasaaaant!!"`\ se3v 1006,100 monocro #0000ff mbg white,1 monocro off mcbg 0 ld c,$BEA_gamanA4,22 ;　ベアトが吼えると突き刺さっていた楔が弾き飛ばされる。@ ;　しかし傷口は残り、激痛で苛み続ける。\ `When Beato howled, the wedge that had pierced her was blasted away.`@ `But the wound remained, and she was still tormented by a fierce pain.`\ se1 20 cbfly 0 bg black,23 bfly2 0 bg rose_3aP,0 ld l,$BUT_OdorokiB1,23 ;「いいのか、続けて行くぜ？@　第二のゲームの最後の殺人、夏妃伯母さんの部屋で死んだ３人についての青き真実は、１８人目のＸを否定されても有効のはず！@　赤で反論はあるか？！@　なければ第２のゲームも俺のものだッ！」\ ;＜戦人 `"You ready? I'll keep going.`@` The blue text should already be effective against the last murder in the second game, the three who died in Natsuhi oba-san's room, even with the 18th person X denied!`@` Do you have a counterargument for that in red?!`@` If you can't, the second game is all mine too!"`\ ld r,$BEA_AkuwaraiA4,65 se1 11 quakey 2,200 ;「あぁ、ないぞ！！@　そのような瑣末で戦うのもつまらないッ！！@　くれてやるッ、第２のゲームなぞ貴様にくれてやるわッ！！@/ `"No, I don't!!`@` Fighting over such trivial matters is boring!!`@` I'll give it to you, I'll give you the second game!! `@/ cbfly 0 se3v 66,100 monocro #0000ff bg white,2 se1v 57,100 bg white,1 monocro off bg bullet2a,22 monocro #0000ff se2v 57,100 bg white,1 monocro off bg bullet2b,22 se1v 36,100 bg white,1 bg bullet_1a,10,120 se2v 36,100 bg white,1 bg bullet_1b,10,120 se1v 36,100 bg white,1 bg bullet_1c,10,120 se2v 36,100 bg white,1 bg bullet_1d,10,120 se1v 36,100 bg white,1 bg bullet_1e,10,120 wait 500 E_MA se1v 36,100 se2v 27,100 se3v 27,100 bg white,1 monocro off bg blood_2e,42 ;textoff ;se1v 57,100 ;bg homing7BSR,1 ;bg white,22 ;se2v 57,100 ;bg homing7BS,1 ;bg white,22 ;se1 36 ;bg blood_1a,1 ;quakex 5,1200 ;ld c,$BEA_KomaruA1,80 ;　ぐおあああぁがッ！！！！@/ `Gwaaaaaaaaagghghh!!!! `@/ ;ld c,$BEA_AseruA1,80 ;　………ふ、……ぐおおおおぉおおおぉおぉ………！！」\ ;＜ベアト `.........ff, ......gwooooooooooohhhh..........!!"`\ ;　第２のゲームの敗北を認めた瞬間に、今度は２本の青き杭がベアトの胸を抉り貫く…！@ `The instant she acknowledged her loss in the second game, this time two blue stakes gouged through Beato's chest...!`@ br ;　魔女の肺を抉り、腸を抉る。@ ;　魔女が苦悶に表情を歪める。@ ;　身を捩り、激痛に喘ぐ。\ `The witch's lungs were gouged, and her intestines.`@ `The witch's face twisted in anguish.`@ `Her body twisted as she gasped in pain.`\ me1v 16,70 bfly1 0 bg rose_3aP,22 ld c,$BUT_NiramuA4,26 ;「痛ぇのか……？」\ ;＜戦人 `"Does it hurt......?"`\ se1 20 cbfly 0 bg black,24 bfly1 0 bg rose_3cP,24 ld r,$BEA_gamanA3,6 cl r,1 se1v 13,85 quakey 3,700 ld r,$BEA_gamanA7,6 ld r,$BEA_gamanA6,80 ;「痛いぃぃ？@　……いやいやぁ、くすぐったいくらいよ。@/ `"Huuuuurt?`@` ......No, no, this just tickles. `@/ se1v 37,100 ;うっひゃっひゃひゃっひゃあああぁああぁ！！@　全身を細切れにされて屑肉の山にされた、お前の妹に比べればなァあああぁ？！@　お前も屑肉にしてやるぞ、兄妹仲良く混ぜて合挽きにしてくれるわァ、あーっきゃっきゃっきゃあああぁああああぁ！！」\ ;＜ベアト `Uhhyahhyahyahyahhyaaaaaaahhh!!`@` Compared to having your entire body torn to bits and turned into a pile of scrap meat, like your sister, riiiiiiiiiiight?!`@` I'll make you scrap meat too, then the siblings can be all mixed together like ground beef and pork, aaakkyakkyakkyaaaaaaaahhh!!"`\ se1v 2,100 se2v 1006,100 mbg white,1 mcbg 0 ld l,$BUT_SakebuA2,22 ;「う、……うぉおおおおおおおおぉおおおお！！@　ブチ殺してやる、お前を同じ細切れにしてやるッ！！@　次だ！@　第３のゲームだ！！@　いつまでへばってやがる！！@　てめえを地獄に叩き落してやるのはこれからだッ！！」\ ;＜戦人 `"Ahh, ......aaaaaarrrrrrrrggggh!!`@` I'll beat you to death, I'll tear you to bits the same way!!`@` Next!`@` The third game!!`@` How long are you going to sit around?!!`@` This is where I'll knock you down to hell!!"`\ mbg black,22 ;ld r,$BEA_komaruA1,80 ;「……ぐ……、が、……うおおおああぁッ！@　無論よ、これくらいでへばるものかッ！\ `"......Guh......, gah, ......whoooooaagghhh!!`@` Naturally, how could I sit around due to the likes of this?!`\ mcbg 0 ld r,$BEA_ikariA2,80 E_MA ;　そうとも。まだまだこれからよ！/ `Yes. There's still much more! `/ se1v 2,100 quakey 3,300 ;@　さぁ第３のゲームを始めようぞ、まずは最初の六連結の連鎖密室！@　本来ならこの密室はそなたが当時に看破している。@ @`Come, let us begin the third game, starting with the first six linked closed rooms!`@` By all rights, you should have penetrated this closed room at the time.`@ br ;しかし、そなたは金蔵を(殺してしまった/・・・・・・・)…！！」\ ;＜ベアト ;＜点処理：殺してしまった `But then you `(`killed off Kinzo`/・・・・・・・)`...!!"`\ cbfly 0 bg black,22 se1v 57,100 bg white,1 bg MAP10,22 ;　俺は当時、ジジイが犯人で、@他の５人を殺して部屋の鍵をそれぞれ数珠繋ぎにした後、自分の密室をボイラー室に構築、@ `At the time, I had supposed that Gramps was the culprit,`@` and that after killing the other five and stringing the keys across each room, he had constructed his own closed room in the boiler room...`@ br ;　そこで、何らかの工作を行なう最中に事故死して、ボイラーで焼け死んだと仮定した。\ `...And that there, he had died in an accident in the middle of carrying out some kind of scheme, burning to death in the boiler.`\ se1v 1006,100 se2v 1100,100 mono 1 print 1 ;　しかし俺は、ジジイはすでに死んでいると宣言しちまった。@ ;　つまりは、自分で自分の説を否定しちまったわけだな。@皮肉な話だぜ…！@ `But I've already proclaimed that Gramps was already dead.`@ `So I've denied my own theory.`@` The irony...!`@ br ;　だがッ、\ `However-`\ mono off monocro #0000ff se1v 57,100 mbg white,1 mcbg 0 monocro off bfly2 0 bg rose_3bP,0 ld c,$BUT_OdorokiB1,22 ;「問題ないッ！@/ `"There's no problem! `@/ se1v 2,100 ;　#5decffジジイ以外にも犯行可能な人間は大勢いる！@/ `#5decffThere are plenty of people who could have committed the crime besides Gramps! `@/ se2v 2,100 ;　親族会議中だった大人たちが、全員グルで犯行に及んだとさえ言い切れる！#ffffff」\ ;＜戦人 `You could even claim that all of the adults who were there throughout the family conference were in on the crime!#ffffff"`\ se1 20 cbfly 0 bg black,24 bfly1 0 bg rose_3cP,0 ld r,$BEA_AkuwaraiA4,24 se1 59 ;「#ff0000マスターキー５本は全て、５人の使用人の懐よりそれぞれ発見された！@/ `"#ff0000All five master keys were discovered, each in the pocket of one of the servants! `@/ se2 59 ;　個別の鍵は死体の傍らの封筒の中に！@/ `The individual keys were found inside envelopes alongside the corpses! `@/ se3 59 ;　つまり、連鎖密室にかかわる全ての鍵が、連鎖密室内に閉じ込められていたわけだ！！@/ `In short, all keys related to the linked closed rooms were locked inside the linked closed rooms!! `@/ se1 59 ;　ドアの隙間だの窓の隙間だの通気口だのッ、そんなところを使って密室外から鍵を戻すことなど出来ぬぞ！！#ffffff」\ ;＜ベアト `The keys cannot be returned from outside the room using the crack of the door, the crack of the window, vents or any place of the sort!!#ffffff"`\ se1 20 cbfly 0 bg black,23 bfly2 0 bg rose_3aP,0 ld l,$BUT_NayamuA3,23 se1v 2,100 ;「#5decffなら毒ガスで殺したんだ！@/ `"#5decffThen they were killed with poison gas! `@/ se2v 2,100 ;　鍵は通らなくてもガスなら通るぜ？！@/ `Even if a key couldn't pass through, gas could, right?! `@/ se3v 2,100 ;　密室の外から殺人を実行したんだ！！#ffffff」\ ;＜戦人 `The murder was carried out from outside the closed room!!#ffffff"`\ ld r,$BEA_fukigenA1,64 se1 11 quakex 2,200 se2 59 ;「#ff0000彼ら全員には致命傷となった銃創と思わしき傷痕があったぞ！@/ `"#ff0000All of them had wounds resembling gunshot wounds which became fatal! `@/ se3 59 ;　室外からの殺害は不可能だぞ！！@/ `It is impossible for the murder to have taken place from outside the room!! `@/ se1 59 ;　さらに赤を重ねようぞ！@/ `I shall say more with the red! `@/ se2 59 ;　金蔵を除く５人の殺人の際、殺人者は必ず同室していた！@/ `When the five other than Kinzo were murdered, the murderer was definitely in the same room! `@/ se3 59 ;　自殺者がいないことは当時に赤で宣言済みだ！！#ffffff」\ ;＜ベアト `I already proclaimed in red at the time that there were no suicides!!#ffffff"`\ se1v 2,100 ld l,$BUT_futekiA2,80 ;「#5decff犯人は全員をそれぞれの部屋で殺害後、連鎖密室を構築した。@/ `"#5decffAfter the murder of each person in their respective rooms, the culprit created a linked closed room. `@/ se2v 2,100 ;しかし、最後の部屋の鍵だけは、どうしても密室内に戻せない。@/ `But the culprit just couldn't return the key for the last room to the inside of that closed room no matter what they did. `@/ se3v 2,100 ;だが戻すことは出来たぜ。@/ `But they were able to return it. `@/ se1v 2,100 ;死体の第一発見者が、鍵を見つけたふりをして、誰かの死体のポケットから取り出して見せればいいからだ！！#ffffff」\ ;＜戦人 `The first person to discover a corpse just had to pretend to find the key and show that they'd pulled it from the pocket of one of the corpses!!#ffffff"`\ textoff cbfly 0 bg black,1 monocro #0000ff se1v 66,100 se2v 66,100 se3v 66,100 bg bullet1a,2 se1v 46,100 bg white,1 bg bullet1b,80 for %ryuu1=1 to 7 resettimer se2v 46,100 se1v 46,100 bg white,1 waittimer 90 se1v 46,100 bg bullet1b,1 waittimer 180 se2v 46,100 bg bullet1a,1 waittimer 270 next ;wait 80 E_MA bg white,1 se1v 36,100 se2v 27,100 se3v 61,100 monocro off bg blood_1a,1 quakex 5,1200 ;　その青き楔の応酬を防ぎきれない…！@ ;　ベアトは次々と繰り出される青き楔に押され、ついに弾き漏らし再び深手を負う。\ `She couldn't fully block the retort of that blue stake...!`@ `Beato was pushed back by the blue wedges that were unleashed on her one after another, finally failed to block one, and once again took a severe wound.`\ ;ld c,$BEA_KomaruA1,80 me1v 17,70 ;「ぎ、ぎぎ、……ぐああああぁッ！！」/ `"Gi, gigi, ......gyaaaaaahhh!!"`/ quakey 4,500 \ ;＜ベアト se1v 38,100 se2v 38,100 bg blood_1aR,80 ;　激痛に咆哮しながら、右腕に突き刺さった青き楔を引き抜く。\ `As she howled in pain, she pulled out the blue wedge that had pierced her right arm.`\ bfly1 0 bg rose_3bP,22 ld c,$BEA_gamanA7,6 ld c,$BEA_gamanA5,80 ;　……ベアトの全身は、何度も何度も青き楔や杭、そして刃に切り裂かれ、貫かれ、@今や全身を血塗れにしていた。\ `......Beato's entire body had been torn apart and pierced with blue wedges, stakes, and blades, over and over again,`@` and now her whole body was covered in blood.`\ ld c,$BEA_gamanA6,80 E_MA ;　しかしそれでも、ベアトはニヤリと笑う。@ ;　さも愉快であるようにげらげらと笑う…！\ `But even so, Beato grinned.`@ `Cackling as though this was enjoyable...!`\ ld c,$BEA_ikariA1,80 se1v 37,100 ;「ふっはっはっはぁああああぁ！！@　縁寿に、親を連れ戻して帰宅すると約束した男が、どの口で親を犯人にした説を語るというのか？\ `"Fuhhahhahhaaaaaaahhh!!`@` How could a man who promised to bring Ange her parents home speak of a theory where those parents are the culprit?`\ ld c,$BEA_AkuwaraiA3,80 ;　いいぜ、それでもいいんだぜぇえぇ？@　家族で仲良く大量殺人に手を染めて、@決して落ちぬ血に塗れながら縁寿のところに帰れよぉおおおッ！！@　それでこそ、魔女の島からの生還者にお似合いだぜぇえええぇ？@/ `Just fine, even so, it's just fiine, alriiiiiiiight?`@` You can be a big, happy family getting their hands dirty with mass murder,`@` and return to Ange stained with blood that will never come oooooooooff!!`@` Isn't that perfectly fitting for the survivors of the witch's islaaaaaaaaaand? `@/ ;ld c,$BEA_AkuwaraiA5,80 ;　屑肉縁寿にぴったりだぁああああああひゃっはああぁあああああぁッ！！！」\ ;＜ベアト `Just like that mincemeat Angeeeeeeeeeeeeeeeehyahhaaaaaaaaaaaahhhh!!!"`\ se1v 2,100 se2v 2,100 se3v 27,100 mbg white,1 mcbg 0 bg rose_3aP,0 ld r,$BUT_SAkebuA2,2 ;「うおおおおおおぉおおお黙りやがれええええぇええええ！！@　てめえを殺すッ！！@　バラバラにして殺すッ！！@　命乞いの必要はねぇぜ、絶対にこの手で、最悪の死を与えてやるッ！！」\ ;＜戦人 `"Aaaaaarrrrgggghhh, shut uuuuuuuuuuuuuuuupp!!`@` I'll kill you!!`@` I'll tear you apart!!`@` No need to beg for your life, I'll definitely give you the worst kind of death by my own hands!!"`\ ld l,$BEA_GamanA3,26 ;「あぁ、そなたなら出来るだろうよ…！！@　千年の果てに残虐の限りを尽くしきった妾に、それに見合う最期を与えてくれるだろうよ…！！\ `"Yes, you probably could do it...!!`@` I, who have explored the depths of cruelty over a thousand years, will probably be given a fitting end for that...!!`\ ld l,$BEA_AkuwaraiA5,80 ;　あぁ、それは痛いのか？@　辛いのか？@　それともくすぐったいのかなぁあああぁああぁ？！\ `Ooh, does that hurt?`@` Is it harsh?`@` Or does it just ticckklllllleee?!`\ ld l,$BEA_IkariA1,80 se1v 37,100 ;　これくらいで堪えるかよ、来いよ右代宮戦人ぁああぁ、まだ謎は残ってるぜぇええええぇ！！」\ ;＜ベアト `Is that supposed to torment me, come on, Ushiromiya Battleeeeeeer, there are still mysteries leeeeeeeeeeeeft!!"`\ cbfly 0 bg black,26 bfly2 0 bg moon_1a,22 ;　ベアトはすでに、俺の最初の強力な一手、１８人目のＸを、@島の人数を１７人にすることで切り返している。\ `Beato had already countered my first powerful move, the 18th person X,`@` by making the number of people on the island 17.`\ ;　だが、１７人に制限したところで、絵羽伯母さんという犯人を仮定した説は覆らない。@ `But just limiting the number of people to 17 didn't overturn the theory that Eva oba-san was the culprit.`@ br ;　第３のゲームの殺人のほとんどは、この説で撃破できるのだ…！\ `I can crush most of the murders in the third game with this theory...!`\ textoff cbfly 0 E_MA se1v 57,100 bg homing6BSR,1 bg white,10,120 se2v 57,100 bg homing6BS,1 bg white,10,120 se1v 57,100 bg homing7BSR,1 bg white,10,120 se2v 57,100 bg homing7BS,1 bg white,10,120 se1v 27,100 se3v 36,100 bg blood_1b,1 quakex 5,1000 bg black,22 se2 35 bg blood_2a,1 wait 500 se2 35 bg blood_2c,1 wait 700 se2 35 bg blood_2e,1 ;　全身から血を滴り落とす黄金の魔女……。@ `Blood drips from all over the body of the Golden Witch......`@ br ;　それを、今こそ完膚なきまでに、容赦なく追い詰める俺。\ `And now, I corner her, this time completely without mercy.`\ bg black,22 me1v 5,70 ;　これは、勝ち負けを決めて遊ぶゲームではない。@ `This isn't a game played to decide who wins and who loses.`@ br ;　……そうさ、遊びじゃないんだ。\ `......Yeah, this isn't playing.`\ ;　ここでこうして戦って遊んでいるだけでも、………帰りが遅れてるんだ。@ `Just playing and fighting like this here, ......delays the trip home.`@ br ;　孤独な縁寿が、悲しみと寂しさで心を切り刻まれ続けてるんだ…！@ `In her isolation, Ange will continue to have her heart torn apart by loneliness and sadness...!`@ br ;　一秒でも早く、俺は縁寿のところへ帰ってやらなければならないんだッ！！\ `I have to go back to Ange as fast as I can!!`\ bfly1 0 bg rose_3cP,26 ld c,$BUT_majimeA3,22 ;「…………ボロボロだな。@虫の息ってヤツか？」\ ;＜戦人 `".........You're all worn out.`@` Are you at death's door?"`\ cbfly 0 bg black,23 bfly2 0 bg rose_3bP,23 ld r,$BEA_GamanA5,6 wait 400 cl r,1 se1v 13,85 se3v 39,100 wait 1500 ld r,$BEA_GamanA7,6 wait 1500 se1v 2,100 mbg white,1 mcbg 0 ld r,$BEA_GamanA1,22 ;「……くっくっくっく。@……まだまだ、……堪えぬわ……。@……これくらい、………っ。@/ `"......*cackle*cackle*.`@` ......It still, ......doesn't burden me......`@`......Something like this, .........nn. `@/ ld r,$BEA_ikariA2,80 ;……くっくくくく、こそばゆいわぁ…！！」\ ;＜ベアト `......*cackle*cackle*, it tickles...!!"`\ ld l,$BUT_nayamuA4,24 ;「いらねえようだな、容赦。」@ ;＜戦人 `"It looks like you don't need any mercy."`@ ld r,$BEA_iiwakeA3,80 ;「元よりそのつもりもなかろうが。」\ ;＜ベアト `"I never asked for it in the first place."`\ ld l,$BUT_FutekiA2,80 ;「存分に行くぜ。」\ ;＜戦人 `"I'm going all out."`\ E_MA se1 11 cbfly 0 bg black,23 bfly1 0 bg rose_3aP,23 ld c,$BEA_gamanA4,65 se1 11 quakey 2,200 ;「そうせよ。@逆の立場だった時、妾は容赦しなかった。@だからそなたもそのチャンスがあったならそうするべきであろうが。\ `"Do so.`@` When our roles were reversed, I showed no mercy.`@` So you should do the same given the chance.`\ se1v 2,100 se2v 37,100 mbg white,1 mcbg 0 ld c,$BEA_GAMANA6,22 ;　じゃないと、また別の世界の孤独な縁寿を呼んで、@今度は四肢を引き千切って槍に刺して炙り焼きにしちまうぜぇええええぇ？？@/ `Otherwise, I'll call another isolated Ange from a different world,`@` and this time I'll tear off her arms and legs, stick her with a spear and roast her, okaaaaaaayyy?? `@/ se1v 37,100 se2v 37,100 ;　うっひゃっはあぁあああああああ！！」\ ;＜ベアト `Uhhyahhaaaaaaaaaaaaahhhh!!"`\ se1v 2,100 se2v 57,100 mbg white,1 mcbg 0 bg rose_3bP,0 ld r,$BUT_SakebuA1,22 ;「黙れぇえええええぇ！！/ `"Shut uuuuuuuuuuup!! `/ se3v 12,85 quakex 3,400 ;@　もう二度と！！@　俺の家族も！@　親族も！@　そして使用人のみんなも！！@　お前の玩具にはさせねぇぜ！！\ @`Never again!!`@` Not my family!`@` Nor my relatives!`@` Nor any of the servants!!`@` I won't let you make them your toys!!`\ ld r,$BUT_MajimeA4,80 ;　……俺はすでに第４のゲームの謎も全て青き真実で打ち破っている。@………残る謎は、第３のゲームの一番最後。@……南條先生の殺人だけだぜ。」\ ;＜戦人 `......I have already broken through all of the mysteries in the fourth game with the blue truth.`@` .........The only one left is the very last one from the third game.`@` ......Only the murder of Doctor Nanjo."`\ ;ld c,$BEA_GamanA2,80 cbfly 0 bg black,22 me1v 16,70 bfly2 0 bg moon_1a,26 ;「……おや、………妾はもうそんなところまで追い詰められていたか……。@……くっくくくく、妾も風前の灯であるなぁ…。@……いぃっひっひっひっひ、……がはッ、ごほごほッ！/ `"......Oho, ......have I already been cornered so far......`@`......*cackle*cackle*, I am in a precarious state, aren't I...`@`......iiihhihhihhihhi, ......ghagh, *cough*cough*!`/ quakey 4,500 ;」\ `"`\ cbfly 0 ;＜ベアト textoff ;se3 35 ;bg blood_2a,1 ;wait 1000 ;se1 35 ;bg blood_2b,1 ;wait 1000 se2 35 bg blood_2d,1 ;　咳き込み、血反吐を吐き出す。@ `She coughed violently, spitting up blood.`@ br ;　……あれだけ何度も内臓をブチ抜かれたんだ。@ ;　当然だ。\ `......Her insides had been punched through so many times.`@ `It was only natural.`\ bg black,22 bfly1 0 bg rose_3aP,26 ld l,$BUT_majimeA3,22 ;「ということは、この南條先生殺しの謎だけが、お前が魔女であることの、最後の防衛線ってことになるな……？」\ ;＜戦人 `"Which means that the mystery of Doctor Nanjo's murder is the last line of defense for you being a witch, right......?"`\ ld r,$BEA_gamanA4,24 ;「…………そうなるな。@これを破られたなら、妾は全ての謎を破られたことになる。@………そなたの真実のいずれかを新しき赤き真実で反論するか、新しき謎を提示しない限り、@妾は、死ぬ。」\ ;＜ベアト `"............As you say.`@` If this is broken, it will mean that all of my mysteries have been broken.`@` .........Unless I counter one of your truths with some new red truth, or present a new mystery,`@` I...will die."`\ ld l,$BUT_komaruA3,80 ;「……………………。@……追い詰められて、風前の灯火って感じには見えねぇぜ。@……まだ、何か隠し球を持ってやがるな……？」\ ;＜戦人 `"..................`@`......You don't look like someone who's been pushed into a corner and is standing on the brink.`@` ......You still have some kind of hidden pitch up your sleeve, right......?"`\ ld r,$BEA_IiwakeA3,80 ;「さぁて、どうかな…？@　妾はもはや、千年の長過ぎる生涯に飽いている…！@　その果てに巡り合ったそなたという好敵手によって、生涯を閉じるのも悪くないと思い始めている。\ `"Well, who knows...?`@` I have already tired of a life too long after a thousand years...!`@` I've started to think that having this life ended by a rival like you who I met at the very end, might not be so bad.`\ ld r,$BEA_fukigenA1,80 E_MA ;　くっくくくく、そなたなら、やれるよなぁ？@　やってくれよ。@……頼むよ、殺してくれよぉおおぉ。@殺してばっかりでさァ、殺された試しがねぇんだよぉおおお！\ `*cackle*cackle*, well, can you do it?`@` Do it.`@` ......I beg you, kill meeeeeeeee.`@` I'm always the one killing, and I've never had the experience of being kiiiiiilled!`\ ld r,$BEA_gamanA6,80 ;　お前ら１８人を幾百と殺してはきたけれど、殺された試しは一度もねぇから、@一回くらいは経験してみてえんだよぉおおおおお、うっひひひひひひい！！」\ ;＜ベアト `I have killed the 18 of you hundreds of times, but I haven't been killed myself even once,`@` so I wanted to experience it just once myseeeeeeeeelf, waaeeeeeeeeeehhh!!"`\ ;　それは先ほどから変わらぬ、品のない強がり。@ `It was a graceless show of boldness, unchanged from before.`@ br ;　……しかし口から血を零し、美しかったドレスを穴だらけにされ、@全身から血を流すその姿は、その態度からかけ離れている。\ `......But blood dripped from her mouth, her once beautiful dress was covered with holes,`@` and blood poured from all over her body, making her physical appearance look very different from her attitude.`\ ;　脇腹に食らった一撃が未だに堪えているのだろうか、@無意識にそこを押さえる姿勢に、優雅さは微塵もない。\ `The way she unconsciously pushed against that shot she'd taken to the flank, perhaps because she was still suffering from that one,`@` lacked any trace of elegance.`\ ;　……しかし、同情の余地はないのだ。@ ;　この魔女に情けを掛ける限り、ここから俺や家族は開放されない。@ `......But there's no room for compassion.`@ `As long as I feel sympathy for this witch, my family and I won't be released from this place.`@ br ;　……こいつを倒さない限り、俺たちは家へ帰れないんだ…！！\ `......Until I defeat her, we won't be able to go home...!!`\ ;　世の中、敵対する人間であっても、状況が変わればわかりあうことも出来るだろう。@ `In the world, it may be possible for even enemies to understand each other if the situation changes.`@ br ;　しかし、絶対悪というものが存在する。@ ;　それは、ただ存在するだけで不幸を強いる邪悪であり、如何なる妥協も許されない。@ `But pure evil does exist.`@ `That is an evil which brings misfortune just by existing...and is to be spared no compromise.`@ br ;　ただ存在し続けるだけで、………悪ッ！！\ `Just by continuing to exist, it is.........evil!!`\ ld l,$BUT_majimeA4,80 me1v 16,70 ;「お前を哀れには思わない。@お前が、俺たちの誰にも哀れまなかったように…！」\ ;＜戦人 `"I don't think you're pitiful.`@` Just like how you didn't feel pity for any of us...!"`\ cbfly 0 bg black,24 bfly2 0 bg rose_3cP,0 ld c,$BEA_iiwakeA3,24 ;「………そうともさァ。@お前らなんてゲームの駒だぜェ！@　毎回毎回、最初の６人は誰を殺そうかなぁ、次の２人はどう殺そうかなぁ、@もっともっとグロい殺し方はねぇかなぁあって考えるのは最ッ高に楽しいぜぇえええぇ？？\ `".........Well of course.`@` All of you are just pieces in the game!`@` It's just unbelievably fun to think about which six to kill in the beginning, how to kill the next two, `@`and whether I can find a much, much more grotesque way of killing, you seeeeeeeeeee??`\ ld c,$BEA_gamanA6,80 ;　なぁ戦人よぉ、少し改心するから今回も許してくれよぉお。@そしたらさ、もうちょっとマシな殺し方に変えてやるからよぉ？@　誰をどの順でどんな風に殺すか、お前の希望も聞いてやるからよぉおおお？\ `Hey, Battler, I've reformed a little, so forgive me this time too.`@` And then, I'll change the method of killing into something a little better, you see?`@` I'll listen to how you want them to be killed and in what order, alriiiiiight?`\ ld c,$BEA_ikariA2,80 ;　楽しいぜぇええぇ、人の命を弄ぶってのはよぉおおおおおおお！！@　お前なら考え付くよ、縁寿をもっともっと屑肉にしてやる方法をよぉおおおおおおお！！@　来いよ戦人ぁあああ！！@/ `It's so fun, toying with people's liiiiiiiiives!!`@` I'm sure you could think of a way, a way to turn Ange into a pile of scrap meat much, much moooooooooorre!!`@` Come, Battleeeeeer!! `@/ E_MA se1v 2,100 ;　南條殺し、暴いてみろォオオオオオオオオッ！！」\ ;＜ベアト `Try to expose the truth of Nanjo's murdeeeeeeeeeeeer!!"`\ cbfly 0 bg black,22 ;　１８人目のＸは破られている。@ `The 18th person X was destroyed.`@ br ;　だが、俺は屈しない…！！@ ;　魔女の息の根を、止めるッ！！\ `But I won't give in...!!`@ `I'll stop that witch's breathing cold!!`\ bg Different_spiral_1a,22 me1v 28,100 ;　第３のゲームのラスト。@ `The end of the third game.`@ br ;　あの時点での生存者であった、戦人、絵羽、朱志香、@そして南條の４人はいずれも南條殺しに関係ないと赤で宣言されている。@ `It was proclaimed in red that the survivors at that point in time: Battler, Eva, Jessica,`@` and Nanjo were all unrelated to Nanjo's murder.`@ br ;　また、目の前で直接的に殺害したとも宣言している。\ `And it was also proclaimed that he was murdered directly, right before his eyes.`\ ;　それ以外の人物については、赤で死を宣言されるという最強のアリバイも持っている……。@ `All other people had the strongest alibi of having their deaths proclaimed in red......`@ br ;　…………１８人目のＸ以外の方法で、これを…打ち破る……！\ `.........Without using the 18th person X, I'll...break through this......!`\ bg black,2 se1v 2,100 bg Different_spiral_1a,1 ;　考えろ、思考を停止させるな……！！@ ;　ヤツの赤は俺を縛るだけじゃない、ヤツの弱点にもなるはず…！@ `Think, don't stop thinking......!!`@ `Her red doesn't only bind me, it's also supposed to be her weak point...!`@ br ;　何とか逆手に使うんだ………！\ `I've got to somehow use it against her.........!`\ bg black,22 me2v 16,70 ;!s0　…………そうだ、/ ;!d800……まだ、隙間はある……！/ !s0`.........That's right, `/ !d800`......there's still a gap......!`/ !sd@ br ;　そうさ、……これで、打ち破る。@ `Yeah, ......this way, I can break through it.`@ br ;　これでベアトリーチェの魔女伝説はおしまいだ。\ `This way, Beatrice's legend of the witch is over.`\ bfly1 0 bg rose_3cP,0 ld c,$BUT_MajimeA3,22 ld c,$BUT_MajimeA4,80 ;「……確かに、他の連中は死亡だったろうさ。@/ `"......Certainly, the other people probably were dead. `@/ se1v 2,100 ;#5decffだが、赤で死亡を宣言されたのは、南條先生が死んだ瞬間ではない。@/ `#5decffHowever, their deaths were not proclaimed in red at the instant Doctor Nanjo died. `@/ se2v 2,100 ;厳密に言えば南條先生の死体が見つかった後の俺とエヴァの戦いにおいてだ。@/ `Strictly speaking, it was in the fight between me and EVA after Doctor Nanjo's corpse was found. `@/ se3v 2,100 ;つまり、南條先生を殺した時点では生きていた何者かが、エヴァの死亡宣言までの間に死亡していれば、その間隙は縫えることになる！！@/ `In other words, if someone who was alive at the time that Doctor Nanjo was killed died before EVA proclaimed that death, you can sew right through that crack!! `@/ se1v 2,100 ;　つまりはこういうことさ。\ `In other words, it's like this.`\ se2v 2,100 ld c,$BUT_OdorokiB1,1 ;　エヴァの死亡宣言で初めて死亡とされた人物の中に犯人がいて、@/ `One of those who were first made dead by EVA's proclamation of the deaths, `@/ se3v 2,100 ;その人物は最初、うまいこと死んだふりをして俺たちをやり過ごした…！@/ `was able to skillfully play dead earlier and wait for us to pass by...! `@/ se1v 2,100 ;　そして赤での死亡宣言がないまま、俺たちには死んだと思い込ませた。@/ `And while their death still hadn't been proclaimed with the red, we were made to think that they had died. `@/ se2v 2,100 ;そして南條先生を殺し、……その後に何かの理由で死んだ！@/ `Then they killed Doctor Nanjo, ......and later died for some reason! `@/ se3v 2,100 ;　そしてその後にエヴァが赤で死亡宣言を出す！！#ffffff@　以上の仮説でも、南條先生の事件は説明できるッ！！」\ ;＜戦人 `Then after that, EVA proclaimed their death in red!!#ffffff`@` That theory can explain Doctor Nanjo's case!!"`\ monocro #0000ff se1v 2,100 se2v 57,100 mbg white,1 mcbg 0 monocro off ld c,$BUT_sakebuB1,2 ;　どうだッ、ベアトリーチェッ？！\ `How's that, Beatrice?!`\ cbfly 0 textoff bg Armor0,22 E_B se1v 57,100 se2v 12,100 se3v 36,100 bg white,1 bg stake1a,2 ;　そう強く問い掛けた時、……圧搾としか例えられない凄まじい音がして、@黄金の魔女を、丸太のような太さの青き杭が、@……地中より現れてベアトを串刺しにし、宙に吊るし上げた……。\ `When he forcefully asked that question, ......there was a terrible sound that could only be likened to that of a compressor,`@` and a blue stake as thick as a log,`@` ......appeared from under the earth and skewered the Golden Witch, Beato, pulling her up into the air......`\ E_MA textoff se1v 13,100 se2v 57,100 bg white,1 bg stake1b,22 se1v 13,00 se3v 57,100 bg white,1 bg stake1c,22 se1v 36,100 se2v 27,100 se3v 57,100 bg white,1 bg stake1d,2 ;　ぐしゃ、ぼぎゃッ、という醜い音が響き渡り、@その音の度に、……ベアトリーチェの体を、青き杭が、楔が、現れては貫いていく。\ `Ugly tearing sounds rang out,`@` and each time, ......a blue stake or wedge would appear and pierce Beatrice's body.`\ ;　……やがて、それが終わった時。@ `......When that finally ended...`@ br ;　そこには、全身を十本を超える杭や楔で滅多刺しにされて血を滴らせ、………磔にされて吊るし上げられた無残な姿が、晒されていた……。\ `Her tragic form was exposed there, pincushioned by more than ten stakes and wedges all over her body and dripping with blood, ......dangling and crucified......`\ me1v 12,50 dllefe 1,2 ;　……そこに、死者の尊厳を嘲笑い、生者を幾百も弄んで殺した残虐なる魔女の、威厳はない。@ `......There was none of the dignity of the brutal witch who had sneered at the honor of the dead and toyed with and killed hundreds of the living.`@ br ;　いつしか降り始めた雨は、……静かに磔の魔女を、苛む……。\ `The rain, which had started falling at some point, ......quietly tormented the crucified witch......`\ bg black,2 bg rose_3aP,0 ld c,$BUT_MajimeA3,22 ;　戦人は肩で息をしながら、黄金の魔女が何かを答えるのを待つ…。@ `As Battler heaved with his breathing, he waited for some kind of answer from the Golden Witch...`@ br ;　……黄金の魔女が、まだ生きている気配を見せるには、@長くないとはいえ、少しの時間を掛けた……。\ `......Although it wasn't long, `@`it took the witch a bit of time to show any signs of life......`\ ;ld c,$BEA_fukigenA1,80 bg black,22 bg stake1d,22 ;「……………痛ぇ……、/ ;!d800……痛ぇよォ……………。」@ ;＜ベアト `"............It hurts......, `/ !d800`......it huuurts............"`@ ;ld c,$BUT_NiramuA2,80 me2v 5,40 ;「……自業、…自得…だぜ。@……お前が殺めてきた人々の痛みの一部を、思い知れ……。」\ ;＜戦人 `"......You got, ...what you...deserved.`@` ......Know a portion of the pain from all those you've killed......"`\ ;　そうは言い放つが、そのあまりに痛々しい姿に、戦人はわずかに気勢を削がれているようだった。@ `Even as he said that, it seemed Battler had lost a little of his forcefulness at this extremely pathetic sight.`@ br ;　……例え敵とはいえ、@女がこんな無残な姿を晒しているのを、正視できるわけもない。\ `......Even for an enemy,`@` he couldn't look straight at a woman exposed in such a brutal fashion.`\ bg black,22 ;　しかしそれでも、………ベアトリーチェを滅ぼさない限り、@戦いは、終わらないのだ…。\ `But even so, .........unless he destroyed Beatrice,`@` the battle...wouldn't end...`\ ;ld c,$BEA_HanbesoA1,80 bg stake1d,0 print 2 ;!s0「…………戦人ァ、/ ;!d800………頼むよぉ……………。@……えっく…。」/ !s0`"............Battleer, `/ !d800`.........I beg you............`@`......hic..."`/ !sd\ ;＜ベアト ;　え……？@ `Huh......?`@ br ;　……ベアトは、嗚咽を漏らした…。\ `......Beato let out a sob...`\ ;ld c,$BEA_HanbesoA2,80 E_A bgm1v 79,85 ;!s0「……痛ぇよ…………。@……すげェ/ ;!d900………痛ぇよぉぉ………。@………終わらせて……、/ ;!d1000………終わらせてぇ………。@……これでもまだ、/ ;!d800………死ねねぇんだよォ……。@…ひっく……。@………こんなに痛ぇのに、/ ;!d700………まだ、/ ;!d600……死ねねぇんだよォ………。@………うっく…！」/ !s0`"......It hurts............`@`......It really`/ !d900`.........huuuurts.........`@`.........End it......, `/ !d1000`.........end it.........`@`......Even with this, I still, `/ !d800`.........can't die......`@`...hic......`@`.........Even though it hurts so much, `/ !d70`.........I still, `/ !d600`......can't die.........`@`.........hic...!"`/ !sd\ ;＜ベアト ;ld l,$BUT_nayamuA1,23 ;mbg black,22 ;!s0「…………俺に、/ ;!d600……何を、/ ;!d700……求めやがる…。」/ !s0`"............What are you, `/ !d600`......asking, `/ !d700`......of me...?"`/ !sd\ ;＜戦人 ;mcbg 2 ;ld c,$BEA_HanbesoA1,80 ;「……………終わらして…、………。@………この苦痛から、………解放して…………。」\ ;＜ベアト `"............End it..., .........`@`.........Release me, .........from this pain........."`\ me1v 16,50 csp -1 bg black,2 ;　ベアトの表情は、……血と涙で、ぐしゃぐしゃだった。\ `Beato's expression, ......was soaked with blood and tears.`\ textoff se3 35 bg blood_2a,1 wait 1000 se1 35 bg blood_2b,1 wait 1000 se2 35 bg blood_2c,1 ;　戦人は確かに一度、彼女に騙されていた。@ ;　……だからこの表情も、涙さえも、演技だろうと疑うことができただろう。@ `Certainly, Battler had been tricked by her at one point.`@ `......So he was probably able to suspect that her expression...that even her tears were an act.`@ br ;　しかし、………戦人はその涙を、信じた。\ `However, .........Battler...believed those tears.`\ ;　………なぜなら、その涙は、@真実の赤が、混じっていたから。\ `.........After all, those tears...`@`had the red truth mixed in with them.`\ ;ld c,$BUT_FutekiA1,80 textoff bg black,0 ;lsp2 3,$BEA_AkuwaraiA2,500,420,200,200,0 lsp2 4,$BUT_nayamuA4,150,350,200,200,0 print 2 bgcopy csp2 -1 ;「……どうすりゃいい。@どうすれば、お前の痛みを終わらせられる…。」\ ;＜戦人 `"......What should I do?`@` What can I do to end your pain...?"`\ ;ld c,$BEA_hanbesoA1,80 textoff bg black,0 lsp2 4,$BEA_HanbesoA4,500,420,200,200,0 lsp2 3,$BUT_NayamuA4,150,350,200,200,0 print 24 bgcopy csp2 -1 ;!s0「…………今から、/ ;!d800…………全て…を、晒すから。@………それが、/ ;!d800………妾の、/ ;!d1000心臓。」/ !s0`"............I will now, `/ !d800`............expose...everything.`@` .........That is, `/ !d800`.........my...`/ !d1000`heart."`/ !sd\ ;＜ベアト ;ld c,$BUT_komaruA2,80 textoff bg black,0 lsp2 4,$BEA_HanbesoA4,500,420,200,200,0 lsp2 3,$BUT_majimeA1,150,350,200,200,0 print 80 bgcopy csp2 -1 ;「…心臓…………。」@ ;＜戦人 `"...Heart............"`@ ;ld c,$BEA_hanbesoA1,80 textoff bg black,0 lsp2 4,$BEA_HanbesoA6,500,420,200,200,0 lsp2 3,$BUT_majimeA1,150,350,200,200,0 print 80 bgcopy csp2 -1 ;「………ろし……て。」\ ;＜ベアト `".........ll......me."`\ ;ld c,$BUT_NayamuA1,80 textoff bg black,0 lsp2 4,$BEA_HanbesoA6,500,420,200,200,0 lsp2 3,$BUT_niramuA1,150,350,200,200,0 print 80 bgcopy csp2 -1 ;「……………ベアト…。」\ ;＜戦人 `"............Beato..."`\ ;ld c,$BEA_HanbesoA2,80 textoff bg black,0 lsp2 4,$BEA_NakuA1,500,420,200,200,0 lsp2 3,$BUT_niramuA1,150,350,200,200,0 print 80 bgcopy csp2 -1 ;!s0「……殺/ ;!d500…し/ ;!d600……て……。@…………もう、/ ;!d900………死な/ ;!d500…せ/ ;!d300……て…………。@……ひっく、/ ;!d900…………ぅぇええぇぇぇ………。」/ !s0`"......Ki`/ !d500`...ll`/ !d600`......me......`@`............Just, `/ !d900`.........let`/ !d500`...me`/ !d300`......die............`@`......hic, `/ !d90`.........aaaaaaaaahhhh........."`/ !sd\ ;＜ベアト ;　その涙は、痛みと辛さによるものか、……それとも。@ `Were those tears from pain and torment, ......or else...`@ br ;　いずれにせよ、あまりに痛々しいその表情は、@………あれだけ怒りに燃えていた戦人であっても、見るのが辛い…。\ `Either way, that pathetic expression, `@`......was painful for Battler to look at, even after burning with such anger...`\ ;ld c,$BEA_hanbesoA1,80 textoff bg black,0 lsp2 4,$BEA_NakuA1,500,520,200,200,0 lsp2 3,$BUT_NiramuA1,150,350,200,200,0 print 80 bgcopy csp2 -1 ;「……早く、………縁寿のところに、……帰ってあげ……て………。」\ ;＜ベアト `"......Quickly, .........go back, ......to...Ange........."`\ ;ld c,$BUT_NayamuA2,80 textoff bg black,0 lsp2 4,$BEA_NakuA1,500,520,200,200,0 lsp2 3,$BUT_NayamuA4,150,350,200,200,0 print 80 bgcopy csp2 -1 ;「帰るためじゃない。@………お前の痛みを止めるために、お前の願いを聞く。」\ ;＜戦人 `"It's not so that I can go back.`@` .........In order to stop your pain, I'll listen to your desire."`\ bg black,22 ;ld c,$BEA_HanbesoA2,80 dllefe 1,1 bg stake1d,0 print 22 ;!s0「……………あり…/ ;!d600ぁとぉ……。@………戦人ぁぁ………、/ ;!d800…うぅぅぅぅぅ…。」/ !s0`"............Than...`/ !d600`ou...... `@`.........Battleeer........., `/ !d800`...ooooooohhhh..."`/ !sd\ ;＜ベアト ;　ベアトは虫の息で、残った力の全てを振り絞り、@何とか、両手の拳を、握り締める……。@ `In her last breaths, Beato summoned up all of her remaining strength,`@` and somehow, managed to close both of her hands into fists......`@ br mono 2 print 48 me2v 19,40 ;　その握り拳に、赤い光が集まっていく。\ `A red light began to gather at those fists.`\ ;!s0　……そして両腕を上げ、/ ;!d800………天に何かを願うように、掲げる……。/ !s0`......Then she lifted her arms, `/ !d800`.........as though wishing for something from heaven......`/ !sd\ ;ld c,$BEA_IiwakeA2,80 ;「……戦人なら、………殺せるから…。@………私の全て…。@…心臓……。@………潰して。@…………貫いて。@…………ね……？」\ ;＜ベアト `"......You, Battler, .........can kill me...`@`.........My entire...`@`...heart...... `@`.........Crush it.`@` .........Pierce it.`@` .........Okay......?"`\ ;　その両腕の赤い光が、どんどん強まっていく……。\ `The red light around both her arms gradually began to strengthen......`\ ;monocro #ff6060 csp -1 mono off bg white,48 dllefe_off bg black,22 ;monocro off ;mono off ;ld c,$BEA_hanbesoA1,80 ;「…………おね……が………………………。」\ ;＜ベアト `"............Ple......a............"`\ dllefe 1,1 bg rose_2cP,22 E_M2 me2v 12,50 ;　そこまでを口にし、……彼女の顔が、少しだけ斜めに傾ぐ。@ `After saying that much, ......her face tilted to the side a bit.`@ br ;　そして、右腕が光を失って、どさりと落ちた。@ `Then, her right arm lost its light and flopped down.`@ quakey 4,500 wait 400 se1 13 br ;　……しかし左腕だけは光を失わず、そのまま天に差し出されていた。\ `......But her left arm alone did not lose its light, and remained held out towards the heavens.`\ textoff bg black,22 fedexx 0,40,0,0,0,0,1000 E_B bg rose_3aP,0 ld l,$BUT_majimeA1,22 wait 2000 mld r,$BEA_fumanA2,0 msp msp_r,0,0,-120 print 2 se1 22 bfly1 0 print 10 ;　すると、…………戦人の目の前に、@カーテンのように透けた、希薄な姿のベアトがもうひとり、現れる。\ `Then, ............before Battler's eyes,`@` another Beato appeared with a faint form, transparent like a curtain.`\ ;　……磔にされているベアトはもう気を失っている。@ `......The crucified Beato had already lost consciousness.`@ br ;!s0　しかし、新しく現れた希薄なベアトは、無表情な瞳で、/ ;!d1000……静かに俺を見て、/ ;!d1000…………そして、言った。/ !s0`However, the newly-appeared faint Beato quietly looked at me, `/ !d1000`......her eyes expressionless, `/ !d1000`............and spoke.`/ !sd\ mld r,$BEA_hanbesoA3,0 msp msp_r,0,0,-120 print 80 ;「………/ `".........`/ se1 59 ;#ff0000右代宮戦人。@今から私が、あなたを殺します。#ffffff」\ ;＜ベアト `#ff0000Ushiromiya Battler.`@` I will now...kill you.#ffffff"`\ ld l,$BUT_nayamuA4,80 ;「………………それで…？」\ ;＜戦人 `"............And...?"`\ mld r,$BEA_hanbesoA4,0 msp msp_r,0,0,-120 print 80 ;「………/ `".........`/ se1 59 ;#ff0000そしてたった今。@この島にはあなた以外誰もいません。@この島で生きているのは、あなただけです。@島の外の存在は一切干渉できません。#ffffff」\ ;＜ベアト `#ff0000And right now,`@` there is no one other than you on this island.`@` The only one alive on this island is you.`@` Nothing outside the island can interfere.#ffffff"`\ cbfly 0 mcl a,0 bg black,22 ;　……俺は、理解する。@ `...I...understood.`@ br ;　これは、……ベアトリーチェが魔女でいることが出来る、/ ;!d900……“最後の謎”なのだ。\ `This is, `/ !d900`......the 'last mystery' Beatrice can make as a witch.`\ ;　それを、ベアトは俺に差し出そうとしている。@ `Beato was holding that out to me.`@ br ;　俺に、……最後の謎を解いて、@殺してくれと、……懇願している……。\ `Entreating me, ......to solve this final mystery,`@` ......and kill her......`\ textoff bfly2 0 bg rose_3cP,0 ld l,$BUT_majimeA5,2 wait 2000 ld l,$BUT_nayamuA4,80 ;「来いよ………。@お前の最後の謎、……俺が受け取ってやる。」\ ;＜戦人 `"Come on.........`@` I'll accept, ......your final mystery."`\ ;bg black,22 ;bg rose_3bP,0 mld r,$BEA_hanbesoA3,0 msp msp_r,0,0,-120 print 2 se1 59 ;「………#ff0000この島にあなたはたった一人。@そしてもちろん、私はあなたではない。@なのに私は今、ここにいて、これからあなたを殺します。#ffffff」\ ;＜ベアト `".........#ff0000You are all alone on this island.`@` And of course, I am not you.`@` Yet I am here, now, and will kill you.#ffffff"`\ ld l,$BUT_NayamuA1,80 ;「南條先生殺しの謎の強化版ってわけか……。@………それで……？」\ ;＜戦人 `"Like a souped up version of the mystery with Doctor Nanjo's murder...... `@`.........So......?"`\ textoff fedexx 0,100,0,0,0,0,3000 E_B mld r,$BEA_hanbesoA6,0 msp msp_r,0,0,-120 print 80 E_A ;「…………私は、だぁれ…？」\ ;＜ベアト `".........Who...aaam I...?"`\ mov %save_on_flg,off ;セーブONしない bgmonce "bgm\discode1c.ogg" bgmvol 70 ld l,$BUT_nayamuA4,80 ;「それが、……………お前の最後の出題なのか。」\ ;＜戦人 `"Is that, ............your final question?"`\ ;ld c,$BEA_nayamuA1,80 dllefe_off cbfly 0 bfly1 0 mcl a,0 bg black,2 locate 2,7 ;!s0「……私は、/ ;!d1000……だぁれ………？」/ !s0`"......Who, `/ !d1000`......aaam I.........?"`/ !sd\ ;＜ベアト br ;　そして、……ゆっくりとベアトリーチェは俺に近付き、無表情のまま、………抱き締める……。\ `Then, ......Beatrice slowly approached me, and, still expressionless, .........held me......`\ cbfly 0 bg moon_1a,25 ;　………あぁ、わかったぜ、ベアト。@ `.........Yeah, I get it, Beato.`@ br ;　お前を、………殺してやるからな…………。\ `I will, .........kill you, don't worry..........`\ ;　俺も、ゆっくりと彼女の頭を、抱き締める。@ `I also...slowly held her head.`@ br ;　……………そして、駒としての俺は、@ゲーム盤を降りた……。\ `............Then, I as a piece, `@`left the game board......`\ mov %save_on_flg,on ;12s ;■キャストロール textoff ;bg white,1 bg black,22 fedexx 100,0,0,0,0,0,1000 ;13.400 btndef "bmp\background\efe\end_4a.jpg" ;スクロール画像を読みこむ skipoff gosub *teatime_ep4_scroll ;スクロール実行本体 ;165-13.4=151.6s ;151.6-10=141600-5000 = 136600 ;10370-480=9890 ;126600でスクロール resettimer waittimer 8000 prnumclear ;数値ラベル設定クリア bgcopy csp 500 csp 510 bg black,10,8000 fede 0,7000 wait 1000 ;24 ;クリアフラグの更新 if %UMINEKOEND < 42 mov %UMINEKOEND,42 : mov %UMINEKOEND_FLG,42 ;クリアフラグの変更 se1 22 bg TEXT005,22 delay 10000 bg black,22 reset *Ura_teatime_4 mov %m_temp1,1 if %UMINEKOEND_FLG = 42 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 mov %play_scene,40450 : mov %r_hyouji_side,1 : mov %r_hyouji_cha_ma,ma4_lam mov %grim_scene,411 btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff E_A bg Different_spiral_1a,8 wait 1000 se1 22 bfly1 11 wait 200 cbfly 11 se2 52 bg black,99,2000,"whirl.dll/l" bgm1v 110,40 bg "bmp\background\efe\Unknown01.png",99,2000,"whirl.dll/l" wait 4000 bg white,99,2000,"whirl.dll/l" wait 1000 bg sub_R1cP,6 ;!sd　大きなベッドの上は、色とりどりの可愛らしいジェリービーンズや、@お弾きのようなチョコレートが散らばっていた。\ !sd`On a large bed were scattered cute jellybeans of various colors,`@` and coin-shaped chocolates.`\ bg sub_R1aP,5 ;　プレゼントボックスの中から覗いているショートケーキにはフォークが刺さり、@サイドテーブルには、様々な色のジュースの入ったデカンターが並んでいる。\ `A fork was stuck into a shortcake peeking out of a gift box, `@`and there were decanters with drinks of various colors lined up on the side table.`\ ;　しかし、コップの中に注がれている飲みかけのジュースの色は、その何れでもなく、毒々しい。@ ;　色々混ぜて遊んだのだろう。@ `But the color of the partially finished drink that had been poured into a cup was venomous, matching none of the decanters.`@ `Someone had probably been playing around, mixing various things together.`@ br ;　味はともかく、それはとても楽しいこと。\ `It was very fun, regardless of the taste.`\ ;　ふかふかのベッドの上には、カラフルで大きな夢いっぱいのクッションもたくさんある。\ `On top of the fluffy bed were several colorful, big pillows like something from a dream.`\ bg white,9 fedexx 80,0,0,0,0,0,1000 bg sub_R1bP,22 ;ld r,$LAM_AkuwaraiA1,0 ;ld l,$BER_DefA1,22 ;　その、まるで子どもの夢の国のような大きなベッドの上に、@ベルンカステルはうつ伏せになって、@ラムダデルタは仰向けになってクッションを抱きながら、くつろいでいた……。\ `And on this bed that looked like something out of a child's dream world,`@` Bernkastel lay face down, `@`and Lambdadelta lay face up, clutching a pillow and relaxing......`\ se1 47 wait 600 ld r,$LAM_akuwaraiA1,65 se1 13 quakey 2,500 ;「あっははっはっはっは、今回はなかなかハラハラしたわねぇ〜。@ベアトがゲーム止めるとか言い出して、かな〜り焦ったわぁ。」\ ;＜ラムダ `"Ahhahahhahhahha, it was pretty thrilling this time, wasn't i~t?`@` I got re~ally anxious when Beato said she'd stop the game."`\ se1 48 ld l,$BER_DefA2,66 se1 13 quakey 2,500 ;「…………………これだけのゲームを始めておいて、投げっ放しで終えようとするなんて、失礼な魔女よね。」\ ;＜ベルン `"..................What a rude witch, to start a game such as this and try to end it by throwing it away."`\ ld r,$LAM_AkuwaraiA3,80 ;「縁寿、いい駒だったじゃない。@トンズラしたベアトを引きずり戻して、ゲームを再開させてくれたわ。@/ `"Wasn't Ange a good piece?`@` After Beato ran for it, Ange dragged her back and made her resume the game. `@/ ld r,$LAM_AkuwaraiA4,80 ;戦人をやる気にさせ過ぎちゃったのは、さすがに参ったけどねぇ。」\ ;＜ラムダ `Although it is a shame that she gave Battler a little too much enthusiasm."`\ se1 47 cl l,66 wait 500 se1 13 quakey 2,500 ;ld l,$BER_DefA1,80 ;「………………戦人は情に弱いってわかってたから。」\ ;＜ベルン `"............Because she knew Battler is weak against emotions."`\ ld r,$LAM_FutekiA3,80 ;「確かに。@あいつ、敵であるベアトにも手加減しかねない雰囲気があったわねぇ。」\ ;＜ラムダ `"Too true.`@` He looked like he might even go easy on his enemy Beato."`\ ;ld c,$BER_DefA1,80 bg sub_R1aP,25 ;「……………前回の流れから、下手するとベアトに同情して、おかしな方向にゲームを流すかもしれないって、危惧してたの。@………縁寿は、戦人がゴールを誤解した時に再誘導するための切り札よ。@………本当はもっとサポートさせて、それから切りたかったんだけどね。@いきなり切らされたわ。@仕込みにずいぶん掛かった駒なのに、勿体無かった。」\ ;＜ベルン `"............I was uneasy that, like the last game, he might in the worst case feel compassion for Beato, and take the game in a weird direction.`@` .........Ange was a trump card to get Battler back on track when he mistook his goal.`@` .........Although I wanted her to support him a bit more before using her.`@` She really was used right off the bat.`@` What a waste for a piece that required so much preparation."`\ bg sub_R1cP,22 se1 48 wait 400 ld c,$LAM_AkuwaraiA1,66 se1 13 quakey 2,500 ;「うっふふふ！@　例の名乗っちゃ駄目ルール、枷にしておいてよーかった！@　あれを設けなかったら、兄妹タッグ大活躍で、ベアトはあっという間に飲み込まれてゲームエンドだったわ。」\ ;＜ラムダ `"Ehheheheh!`@` It's a good thing she was shackled by the rule about not giving her name!`@` If that hadn't been set up, the brother-sister tag team would have swallowed Beato up and won in the blink of an eye."`\ bg sub_R1bP,0 ld l,$BER_DefA2,23 ;「…………一気に畳み掛けるチャンスかと思ったんだけど、@あんたのマークがキツくて、上手く活かせなかったわ。@/ `"............I thought it was a chance for them to press her all at once, `@`but your mark was so restrictive that I couldn't make the best use of her. `@/ ld l,$BER_DefA1,80 ;……あぁ、勿体無い駒だった。」\ ;＜ベルン `......Aaah, what a waste that piece was."`\ se1 47 ld r,$LAM_OdorokiA1,65 se1 13 quakey 2,500 ;「当然でしょ、あんなズルい駒、とっととリタイアしてくれないと困るわぁ。@/ `"Isn't it obvious that such an unfair piece would have to be retired right away? `@/ ld r,$LAM_AkuwaraiA2,80 ;まぁ、結果的に、ゲーム中断を阻止する活躍をしてくれたし、それは私にとっても助かることだった。@互いの利害が一致する活躍をしてくれた、という意味においては、本当に素晴らしい駒だったわよ。」\ ;＜ラムダ `Well, in the end, she did a good job of preventing the suspension of the game, and that helps me out too.`@` The way she acted to make both our interests match is what made her a truly wonderful piece."`\ ld l,$BER_DefA2,80 ;「………………戦人と同じで単純な子だったから、簡単に私の言いなりになってくれたわ。@………駒にするなら馬鹿か直情型よね。@……あぁ、本当に惜しい駒だったわ。」\ ;＜ベルン `"............She was an innocent kid like Battler, so it was easy to get her to do as I said.`@` .........Morons and impulsive types are the best for pieces.`@` ......Aaah, I really can't stand losing that piece."`\ ld r,$LAM_AkuwaraiA3,80 ;「その子も今じゃ挽き肉！@　ねぇ、あとで一緒にそれでハンバーグ作りましょうよぅ☆@　あ、餃子の方が好きだっけ？@/ `"By now, that kid's minced meat!`@` Hey, let's make hamburgers out of that later on☆`@` Oh wait, didn't you like gyoza more? `@/ ld r,$LAM_AkuwaraiA1,80 ;　妹味ってどんな味かしら、くすくす、笑えるゥ！」\ ;＜ラムダ `I wonder what little sister tastes like, *giggle*, hilarious!"`\ ;ld l,$BER_DefA2,80 se1 48 cl l,66 wait 400 se1 13 quakey 2,500 ;「………………あんた、そんな余裕でいいの？@　縁寿のお陰で戦人は奮起。@ベアトを猛追し始め、今や、だいぶ私が有利なゲーム展開だと思うけど…？@　というか戦人、今回でこれまでのほとんどの謎を解いちゃったんじゃない？」\ ;＜ベルン `"..................Is it really alright for you to be so relaxed?`@` Thanks to Ange, Battler has gotten all stirred up.`@` I believe he's started a hot pursuit of Beato, making this game take a big turn to my advantage, right...?`@` I mean, didn't Battler solve almost all the mysteries up until now this time?"`\ se1 48 wait 600 ;ld c,$LAM_FutekiA3,80 bg sub_R1aP,1 se1 13 quakey 2,500 E_B ;「はぁ？@/ `"Huuh? `@/ se2 37 me1v 16,50 ;　と〜んでもない！@　戦人の青き真実なんて、ほとんどハズレてるわよ！@　ベアトのヌルい赤なんて隙間だらけだもの。@多少は知恵の回る子だったら、適当に屁理屈並べりゃ簡単にすり抜けられるわ。@……あぁ、本当にイライラしたわよ。@私だったら、どれもこれも、徹底的に赤で斬り返してるわぁ。」\ ;＜ラムダ `No~t even close!`@` Almost all of Battler's blue truth is off!`@` Beato's lukewarm red is full of holes.`@` If she had any brains in her, she'd slip through it easily by setting up a suitable web of twisted logic.`@` ......Yeah, it really ticks me off.`@` If it were me, I'd thoroughly cut down all of it with the red."`\ ld c,$BER_DefA1,80 ;「…………あら、そうだったの？@　私はてっきり、あれらが正解だと思ってたわ。@……小型爆弾を飲み込ませて云々は、さすがにどうかと思ったけど。」\ ;＜ベルン `"............Oh, really?`@` And I was sure that those were all correct.`@` ......Well, I don't know about that small bomb part though."`\ bg black,22 E_MA bgm1v 96,80 mono 1 bg rose_3aP,0 ld c,$BEA_majimeA1,2 ;「戦人の青き真実だって、全部が有効になってはいないわ。@……ベアトは、第１のゲームにおいて、/ `"Not all of Battler's blue truth was effective.`@` ......Beato clearly declared, for the first game, that `/ se1 59 ;#ff0000身元不明死体について、その身元を全て保証する#ffffff、とはっきり明言している！@　これにより戦人の、絵羽・秀吉の密室殺人の犯人は、偽装死体を演じた何者かという推理は破られてるのよ。\ `#ff0000the identities of all unidentified corpses are guaranteed#ffffff!`@` This breaks Battler's reasoning about the culprit of the Eva/Hideyoshi closed room murder being someone who faked a corpse.`\ bg black,2 mono off bg sub_R1cP,22 se1 47 ld c,$LAM_FutekiA3,65 se2 13 quakey 2,500 ;　次に、ボイラー室の嘉音は事故死だったろうとしてるけど、くすくす！@　自分の胸に杭が突き刺さっちゃう事故って何よ？@/ `Next, Kanon might have died in an accident in the boiler room but, *giggle*!`@` What kind of accident could drive a stake into his own chest? `@/ ld c,$LAM_akuwaraiA5,80 ;　バッカじゃない？@　私が赤き宝刀とやらで斬ってやるわよ。\ `Are you a moron?`@` I'll slice it with that red treasured sword.`\ se1v 58,100 se2v 1006,100 mbg BLADE6_2R,1 mcbg 22 se3 59 ;　#ff0000嘉音は事故死ではない！#ffffff@　その次の客間での源次たち３人の殺人の、時計回りに同時に射殺して死に合ったとかいう、相打ち殺人も滑稽だわ。@/ `#ff0000Kanon did not die in an accident!#ffffff`@` For the next one, the murders of the three including Genji in the parlor, the thought that it was a simultaneous murder where they shot each other in a clockwise pattern at the same time is laughable. `@/ se3 59 ;#ff0000源次、熊沢、南條は殺人者ではない#ffffff！\ `#ff0000Genji, Kumasawa, and Nanjo are not killers#ffffff!`\ ld c,$LAM_futekiA3,80 ;　最後の夏妃殺しのトラップＸも馬鹿馬鹿しいわ。@/ `The final trap X to kill Natsuhi is also ridiculous. `@/ se1 59 ;#ff0000夏妃を射殺したのはトラップじゃなく、ちゃんと銃を構えて引き金を引いてしっかり射殺したのよ！#ffffff@　くすくす、ご愁傷様…！」\ `#ff0000The thing that shot Natsuhi wasn't a trap, it was a real shooting murder with a gun raised and trigger pulled!#ffffff`@` *giggle*, how sad...!"`\ se1 20 wait 400 bg black,23 se1 13 bg sub_R1bP,0 ld r,$BER_DefA2,23 ;「……あんた、駄目よ。@そんなこと赤で言っちゃ。@あの子、夏妃の銃弾を魔法で跳ね返して殺したってことにしてるんだから。」\ `"......You mustn't do that.`@` Saying something like that in red.`@` That kid's trying to make it so that she bounced Natsuhi's bullet back with magic and killed her."`\ ld l,$LAM_AkuwaraiA1,23 ;「をっほっほっほ、あらあらいけない、そうだったわねぇ…！@　第２のゲームの青き真実だって甘すぎよ。@/ `"Oh-hoh-hoh-hoh, oh my, how could I, that's true...!`@` Even the blue truth for the second game was too naive. `@/ se1v 57,100 se2v 1006,100 mbg BLADE7_2R,1 mcbg 22 se3 59 ;#ff0000礼拝堂での６人の殺害時、犯人は礼拝堂内にいたわ！#ffffff@　あいつ、何でもかんでもトラップＸで説明しようとするわよね。@トラップＸって何よ、ヘンなミステリー小説のお約束ゥ？\ `#ff0000When the six were killed in the chapel, the culprit was inside the chapel!#ffffff`@` That guy tries to explain things left and right using trap X.`@` What the heck is trap X, a pattern in some strange mystery novels?`\ ld l,$LAM_futekiA1,80 ;　使用人室で南條と熊沢が殺された事件の、嘉音の名前を世襲したとかいうのも滑稽だわ。@/ `It's also laughable to say that, in the case where Nanjo and Kumasawa were killed in the servant room, someone inherited Kanon's name. `@/ se1 59 ;#ff0000嘉音の名を名乗ることが出来るのは本人のみ！@/ `#ff0000The only one who can claim Kanon's name is the person himself! `@/ se2 59 ;　異なる人間が名乗ることは出来ない！#ffffff\ `A different person cannot claim his name!#ffffff`\ se1 48 cl l,66 bg black,26 se1 20 wait 150 se2v 20,75 wait 150 se3v 20,80 wait 150 se1v 20,85 wait 150 se2v 20,90 wait 300 bg sub_R1cP,80 ld r,$LAM_futekiA3,65 se1 13 quakey 3,700 ;　夏妃の部屋の、楼座からマスターキーを借りたという推理もダメダメ！@/ `And that theory about borrowing the master key from Rosa for Natsuhi's room is also worthless! `@/ se1v 57,100 se2v 1006,100 mbg nails1,1 mcbg 0 ld r,$LAM_akuwaraiA5,22 se3 59 ;　#ff0000楼座がマスターキーを管理して以降、それら全ては一度たりとも彼女の手を離れていない！@/ `#ff0000After the master keys came into Rosa's control, never did any of them leave her hands! `@/ se1 59 ;　夏妃の部屋を開錠した時に戦人に貸し出した際を除いてね。#ffffff@まだまだ続くけど、ざっと軽く見てもこんな感じかしら？」\ `Except for the time when she lent it to Battler to unlock Natsuhi's room.#ffffff`@` I can keep on going, just taking a quick look at them turns out like this, right?"`\ ld l,$BER_DefA1,80 ;「…………軽くも何も、あんた、第１と第２のゲームにおける戦人の青き真実、軒並み否定しちゃったじゃない。@………あらあら、何てこと。@戦人がそれを聞いたら卒倒しちゃうわね。」\ `"............Forget taking a quick look...you've just denied Battler's blue truth for the first and second games across the board.`@` .........My, my, what a thing.`@` If Battler heard, he'd faint."`\ ld r,$LAM_AkuwaraiA4,80 ;「……ね？@　ベアトは全然追い詰められてなんかいないのよ。@………あの子、やっぱりなかなかの役者だわ。@きっと、今回のゲームでは、一見追い詰められたフリをして見せて、@次のゲーム辺りでバサー！っと赤で一刀両断にして、戦人をびっくり仰天させる作戦でしょうよ。\ `"......Right?`@` Beato wasn't cornered at all.`@` .........Looks like that kid's a pretty good actress after all.`@` I'm sure she planned to make it look like she was getting cornered this game,`@` and then sometime next game, *bang*, slice it up with a single red stroke and make Battler shocked and surprised.`\ ld r,$LAM_AkuwaraiA1,80 ;　くすくす、それできっとまた大笑いしながら言うんだわ。@“魔女はピンチになんかなりましぇ〜ん”って！@　ぷーくすくすくすくす！！」\ `*giggle*, and then I'm sure she'll say it again with a huge smile.`@` 'Witches never ge~t into a pinch'!`@` Pff, *giggle*giggle*giggle*!!"`\ bg sub_R1aP,25 ;「……………じゃあ、あのベアトの追い詰められたみたいな悲壮感は全部、演技なの？」\ `"............Then that whole tragic feeling as though Beato was getting cornered was all an act?"`\ se1v 37,90 ;「そーに決まってるじゃない！@　あいつ本当に大女優よね！@　全然追い詰められてなんかいないのに、最終回顔負けのクライマックス感だったわ！@　今年の助演女優賞はあいつに決定ね！！@　あ、もちろん主演は私だけど〜！@　ベルンでもいいわよ〜！」\ `"Isn't it obvious!`@` She really is a big actress!`@` Even though she wasn't cornered at all, it felt like an astonishing, last-episode climax!`@` She's totally the winner for best supporting actress this year!!`@` Oh, but of course I'm the sta~r!`@` Or it could be you, Be~rn!"`\ bg sub_R1cP,22 ld r,$BER_DefA2,24 ;「…………“私を殺して”、みたいなことを言って、最後に大きな謎を出したわよ。@それを解かれたらベアトは今度こそおしまいの、背水の陣じゃないの？」\ `"............At the end, she said something like 'kill me' and laid out a big riddle.`@` Wasn't that her last stand, with Beato to be finished for good if that riddle was solved?"`\ ld l,$LAM_futekiA2,23 ;「くすくすくす…！@　やぁだぁ、ベルンまで騙されてるのォ？@　あんなの背水の陣でも何でもない！@　ベアトはね、まだまだドギツイ奥の手を温存してるわ。@……最後の謎を出すために両腕を突き出した時、右腕だけ下ろしたの、気付いてた？」\ `"*giggle*giggle*...!`@` No way, you were tricked too, Bern?`@` That wasn't even close to a last stand!`@` Beato is still holding back a glaring hidden move.`@` ......When she stuck out both hands to give the final riddle, did you notice how only her right hand fell down?"`\ ld r,$BER_DefA1,80 ;「……あぁ、そう言えば。@………あれはそういう意味だったわけ。」\ `"......Yeah, now that you mention it.`@` .........Is that what that meant."`\ ld l,$LAM_AkuwaraiA4,80 ;「そーいうわけ！@　あの子はまだまだ奥の手を残してる！@　そして何も謎は解かれちゃいない…！@　それをまるで、全て看破されて次回最終回ッみたいなテンションにしちゃうなんて、@つくづくあの子は演技の天才よ。@あぁ、早く戦人をドン底に叩き落すところが見てやりたいわ！\ `"Sure is!`@` That kid still had plenty of hidden moves left!`@` And none of the mysteries have been solved...!`@` That tension, as though she had been seen through and the next episode would be the last...`@`she truly is a genius at acting.`@` Yeah, I want to see her knock Battler down to the very bottom right away!`\ ld l,$LAM_futekiA3,80 ;　あの子、前回のゲームの“北風と太陽作戦”で、すっかり味をしめちゃったんじゃない？@　戦人、きっとまたベアトに同情してコロッと引っ掛かるわよ…！@　女の涙は一粒で男を騙せるからね、実に安上がりでお得よね！！」\ `That kid's been totally encouraged by her 'North Wind and the Sun Strategy' from last time, right?`@` I'm sure Battler will sympathize with Beato again and fall for it completely...!`@` Because a woman's single tear can trick a man, truly economical and profitable!!"`\ bg sub_r1aP,25 ;「……………戦人、またその手に引っ掛かっちゃうかしら。@二度と同情しないように、私も戦人を焚きつけないと。@……当分は、縁寿の挽肉で焚きつけられそうだけど ね。」\ `"............I wonder if Battler will get caught by that move again.`@` I also must incite Battler to never feel sympathy again.`@` ......Although Ange's mincemeat seems to have done that pretty well."`\ ;「縁寿味のハンバーグでパワーアップ？@　をっほほほほほほほ！@　もちろん、こっちも負けないわよ。@ここから、戦人と拮抗するくらいに盛り返せるよう、ベアトを徹底的にサポートするもの。@……負けないわよベアトは。@負けたら、素敵な罰ゲームがあるわよって、キッチリ脅してるもん♪」\ ;＜ラムダ `"A power-up from an Ange-flavored hamburger?`@` Oh-hohohohohohoho!`@` Of course, I won't lose either.`@` Starting here, I'll thoroughly support Beato to rally her up enough to compete with Battler.`@` ......Beato won't lose.`@` I mean, I'm threatening her with a wonderful punishment game if she loses♪"`\ bg black,22 me1v 5,0 fedexx 0,40,0,0,0,0,1000 bg sub_R1cP,22 ld c,$BER_DefA1,26 ;「………………あんたの罰ゲーム、本気で洒落にならないから、少し加減した方がいいわよ。」\ ;＜ベルン `"............Your punishment games are seriously not cool, so you should go a little easy."`\ bg sub_R1bP,23 ld r,$LAM_akuwaraiA5,24 ;「ベルンに次に罰ゲームを出来る時はこうしようって決めてるのがあるの。@聞きたい？聞きたい？」@ ;＜ラムダ `"I've decided what to do for your next punishment game, Bern.`@` Wanna hear? Wanna hear?"`@ ld l,$BER_DefA2,23 ;「いやよ。」\ ;＜ベルン `"No."`\ ld r,$LAM_OdorokiA2,80 E_A bgm1 110 ;「も〜〜、聞いてよぅ☆@/ `"Come o~~n, ask me☆ `@/ ld r,$LAM_AkuwaraiA1,80 ;　あのねあのね？@　ベルンを、素敵な素敵なお城に閉じ込めてあげるの。@そのお城は、真っ白な純白の城壁に囲まれていて、一辺は１２ｋｍ。@高さは１０ｍあるの。@魔法とズルは禁止！@　とても飛び越せないわよね？」\ ;＜ラムダ `Guess what, guess what?`@` I'll lock you in a wonderful, wonderful castle.`@` That castle will be surrounded by pure white castle walls, 12 kilometers to a side.`@` With a height of 10 meters.`@` Magic and tricks are prohibited!`@` You really couldn't jump over that, right?"`\ ld l,$BER_DefA1,80 ;「１４億４千万立米？@/ `"1,440,000,000 cubic meters? `@/ ld l,$BER_DefA2,80 ;　………話のオチが読めたからもういいわよ。」\ ;＜ベル `.........You can stop there, I already know what you're going to say."`\ bg sub_R1cP,22 se1 48 wait 400 ld c,$LAM_AkuwaraiA1,65 se1 11 quakey 2,500 ;「うふふふふ！@　そこをね、毎日一粒ずつの宝石で埋めていくの！@　それで城壁いっぱいに貯まるまでベルンを閉じ込めて、その宝石で埋め殺すの。@素敵な、ロマンチックな罰ゲームでしょう？」\ ;＜ラムダ `"Eheheheheh!`@` And that place will start getting buried with gems, one every day!`@` And I'll lock you in it until the castle walls are packed with them, and you've been buried to death with gems.`@` Isn't that a wonderful, romantic punishment game?"`\ bg sub_R1bP,0 ld l,$BER_DefA1,23 ;「………………一辺を５倍にしていいから、高さを１０分の１にしてくれたら、今から閉じ込めてもいいわよ。」\ ;＜ベルン `"..................If you multiply the length of the walls by 5, and make the height one tenth its current height, I wouldn't mind if you shut me in it right now."`\ se1 47 ld r,$LAM_OdorokiA1,66 quakey 2,300 ;「ホント？！@　３６億立米になるわよ？！@　罰ゲームが倍以上の期間になるわよ？！@/ `"Really?!`@` That would make it 3,600,000,000 cubic meters, right?!`@` The time period for the punishment game would more than double, right?! `@/ se1 48 cl r,0 ld c,$LAM_futekiA3,64 ;!s0　あぁん、そんなにも長い間、虜になってくれるのね？！@　ベルン大好き、愛してるゥ〜♪」/ !s0`Aaahh, I get to keep you as my prisoner for such a long time?!`@` I really like you Bern, love yo~u♪"`/ se1 47 quakey 3,600 se2 48 quakex 3,600 !sd\ ;＜ラムダ ;　ベルンカステルはじゃれ付いて来るラムダデルタの顎下を、猫をあやすみたいにいじると、退屈そうに欠伸した…。\ `Lambdadelta playfully clung to Bernkastel, who yawned, looking bored, as she touched the bottom of Lambdadelta's chin as though cuddling with a cat...`\ bg sub_R1cP,22 ld c,$LAM_FutekiA2,26 ;「ベルンは、戦人の勝利に賭けててぇ。@私は、二人が永遠に引き分けになるのに賭けてるぅ。@…………それで、誰かベアトの勝利には賭けてないのぉ？」\ ;＜ラムダ `"You're betting on Battler's victory.`@` And I'm betting on an eternal tie for the two of them.`@` ............Doesn't that mean no one's betting on Beato's victory?"`\ ld r,$BER_DefA2,24 ;「…………………賭けないわよ。@勝率ゼロだもん。」\ ;＜ベルン `"...............I wouldn't.`@` Her chances of winning are zero."`\ ld c,$LAM_AkuwaraiA1,80 ;「をっほっほっほ！@　奇跡の魔女に、奇跡ゼロって言われるのも本当にお気の毒ゥ！@　私も賭けないけどね？@/ `"Oh-hoh-hoh!`@` How truly pitiful, being told by the Witch of Miracles that there's no chance of a miracle!`@` Although I wouldn't bet on her either, right? `@/ ld c,$LAM_akuwaraiA5,80 ;　絶対！」\ ;＜ラムダ `Certainly!"`\ ld r,$BER_DefA1,80 ;「……………絶対の魔女に、絶対ダメって言われるのもお気の毒ね。」\ ;＜ベルン `".........It's also pitiful being told by the Witch of Certainty that it's certainly no good."`\ se1v 37,70 bg sub_R1aP,22 se2v 37,85 ;　二人は珍しく、一緒にくすくすと笑う…。\ `Unusually for them, they giggled together...`\ ;ld c,$LAM_AkuwaraiA3,80 ;「このゲーム、どういう決着に終わるかしら…？」\ ;＜ラムダ `"I wonder how this game will resolve itself...?"`\ ;ld c,$BER_DefA1,80 ;「……………さすがに、それだけは読めないわ。@…だから楽しいわけだし。」\ ;＜ベルン `"............True, that at least we can't predict.`@` ...That's why it's fun."`\ ;ld c,$LAM_FutekiA3,80 ;「もう、逃げも中断も許さない。@絶対にゲームを続けさせる、逃がさない…！@　これからどんな風に展開していくのか、想像もつかないけれど、@絶対にありえない決着の仕方だけはわかるわ。」\ ;＜ラムダ `"I will no longer permit escaping or suspensions.`@` I'll certainly make them continue the game, and won't let them run away...!`@` Even though I can't even imagine what will happen next,`@` I know a way that it is certainly impossible for it to end."`\ ;ld c,$BER_DefA1,80 bg black,22 ;「…………………ベアトが勝って終わることだけはないわね。」\ ;＜ベルン `"..................At the very least, it won't end with Beato's victory."`\ bg sub_R1bP,26 se1 47 ld l,$LAM_AkuwaraiA1,26 ;「だってぇ。@私もベルンも。@どっちもベアトの勝利に賭けてないんだもん！@　つまり、ベアトが勝ちそうになったら、私たち二大魔女を敵に回すことになる…！」\ ;＜ラムダ `"I mean, think about it.`@` Neither you nor I are betting on Beato's victory!`@` In other words, if it looks like Beato is going to win, she'll have to deal with us two Great Witches as enemies...!"`\ ld r,$BER_DefA2,26 ;「………そういうことね。@私たちの力がもっとも均衡するのは、引き分けと戦人有利の中間で均衡している場合のみ。@ベアト有利に傾き過ぎれば、私たちは共に同じベクトルに団結して、ベアトを引きずり戻す。」\ ;＜ベルン `".........That's how it goes.`@` Our powers are most in balance only when balancing between a tie and Battler's advantage.`@` If it tips too much in Beato's favor, both of us will line up along the same vector, and drag Beato back."`\ ld l,$LAM_akuwaraiA5,80 ;「つまり、ベアト優勢になった瞬間、……私たち二人をまとめて敵に回す、ってことよ。@/ `"In other words, the instant Beato is in a superior position, ......she'll have to deal with both of us as enemies. `@/ ld l,$LAM_AkuwaraiA1,80 ;………うっふふふふふ！@　ベルンと共闘、たっのしい〜〜♪」\ ;＜ラムダ `.........Ehheheheheh!`@` A common front with Bern, sounds fu~~n♪"`\ ld r,$BER_DefA1,80 ;`Dormeur`へ:...あの、この次の台詞をどう取るべきかな...？lol\ ;「………ありがと。@……でも金平糖のお風呂には一緒に入らないわよ。」@ `".........Thanks.`@` ......But I'm not going into a konpeitou candy bath with you."`@ ld l,$LAM_AkuwaraiA2,80 ;「えぇ〜、金平糖のシャワーを浴びながら、@とろけたマシュマロを塗りたくってあげるのにィ。」\ `"Aaa~w, and I was going to cover you with melted marshmallows while taking a konpeitou shower."`\ ld r,$BER_DefA2,80 ;「………気の毒に。@あの子は、私と遊ぶためにラムダが捕まえてきた生きた玩具、お人形だわ。」\ `".........How pitiful.`@` That child is a living toy, a doll that you caught so that you could play with me, Lambda."`\ bg black,22 ;「私、お人形遊びは上手なの。@……ホント、上手に遊べるのよ？@　飽きずにひとつの玩具で何百年も遊べるのが自慢なの。」\ `"I'm good at playing with dolls.`@` ......I really can play well, right?`@` I'm proud of being able to play with a single toy for hundreds of years without getting tired of it."`\ ;「…………ある時は味方し、ある時は敵対し、@永遠に弄び続ける。@……可哀想にね。あの子はもう、私たちのお人形。」\ `"............You're her ally at some times, and oppose her at others,`@` toying with her for all eternity.`@` ......How pitiful. That kid is now our doll."`\ fede 0,2000 bg sub_R1bP,22 me1v 16,50 ld c,$LAM_AkuwaraiA3,65 se1 13 quakey 2,500 ;「うっふふ、そういうことよ、あの子は私たちのお人形。@私たち二人の望む末路しか用意されてない。@つまり、私によって永遠に引き分けが繰り返されるか、@ベルンによってベアトが敗北して滅ぼされるか、でしか終わらないと断言できる。@…………うふふ、…ベアトが勝って終わるようなことは、」\ ;＜ラムダ `"Ehheheh, that's right, that kid is our doll.`@` No end is prepared for her except the ones the two of us wish for.`@` In other words, I can say for sure that this can only end by repeating a tie for eternity because of me,`@` or else with Beato losing and being destroyed because of you, Bern.`@` ............Heheh, ...as far as this game ending with Beato's victory goes..."`\ ld r,$BER_DefA1,26 ;「……………奇跡の魔女として宣言するわ。」@ ;＜ベルン `"............I will proclaim it as the Witch of Miracles."`@ ld c,$LAM_akuwaraiA1,80 ;「なら私は、絶対の魔女として宣言するわ。」\ ;＜ラムダ `"Then I will proclaim it as the Witch of Certainty."`\ bg sub_R1aP,22 E_A ;「「ベアトは絶対に勝利できない。@そして奇跡は絶対に起こらない。」」\ `""Beato certainly cannot win.`@` And a miracle certainly will not occur.""`\ mov %save_on_flg,off ;セーブONしない bgmonce "bgm\rougoku.ogg" se1 37 locate 0,6 ;「「あっはははははははははははは……！！」」\ `""Ahhahahahahahahahahahahaha......!!""`\ se1v 36,100 se2v 37,100 se3v 2,100 mbg white,1 mcbg 0 bg sub_R1bP,0 ld c,$LAM_akuwaraiA5,0 ld r,$BER_akuwaraiA1,2 bg black,2 mov %save_on_flg,on textoff bg black,1 btndef "bmp\background\efe\end_4b.jpg" ;スクロール画像を読みこむ skipoff gosub *teatime_ep4b_scroll ;スクロール実行本体 resettimer waittimer 8000 prnumclear ;数値ラベル設定クリア bgcopy csp 500 csp 510 E_A se1v 2,100 se2v 1100,100 se3v 1100,100 bg white,1 bg black,10,4000 ;■タイトルへ戻る。音楽室、EP4のTIPS、解除。 if %UMINEKOEND < 50 mov %UMINEKOEND,50 : mov %UMINEKOEND_FLG,50 : mov %UMINEKOEND_TIPS_FLG,4 : mov %UMINEKOEND_MUSIC_FLG,1 ;クリアフラグの変更 wait 3000 se1 22 bg TEXT004,22 delay 10000 bg black,22 fede 0,1000 E_A reset *teatime_1 mov %m_temp1,1 ;■お茶会 for %tmp = 1 to 18 : mov ?r[%tmp][condition],2 : next for %tmp = 0 to 4 : mov ?tips[%tmp][tips_flg],1 : next for %tmp = 0 to 10 : mov ?grim[%tmp][grim_flg],1 : next mov ?grim[11][grim_flg],0 mov ?r[kin][condition],3 if %UMINEKOEND_FLG = 11 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff bg black,22 E_A bg purgatorio,22 delay 4000 bgmplay2 42,0 mov %ryuu1,0 for %ryuu1 = 0 to 70 bgmvol %ryuu1 wait 30 next bg white,2 wait 1000 bg G1F_S1a,42 wait 1000 ld r,$BUT_DefA1,24 ;!sd「おー、みんな『うみねこのなく頃に』、お疲れさん！@　やれやれ、わけがわかんない内に物語が終わっちまったなぁ！」@ ;＜戦人 !sd`"Hey, everyone, good job finishing 'Umineko no Naku Koro ni'!`@` Man, I still didn't have a clue what was going on when the story ended!"`@ ld l,$JES_TohohoA2,23 ;「つまり何だ？@　あれは結局、犯人は暴けず時間切れのバッドエンドでしたーってことなのか？」@ ;＜朱志香 `"So just what happened?`@` Was that basically the 'bad ending', where time runs out before the culprit can be exposed?"`\ ld c,$MAR_niyariA1,24 ;「うー。@きっとバッドエンド。@うー。」\ ;＜譲治 `"Uu-.`@` Definitely a bad ending.`@` Uu-."`\ bg G1F_S1b,24 ld r,$GEO_HohoemiA1,24 ;「そうだね。@一日目の夜に真里亞ちゃんが読んだ、ベアトリーチェの手紙に、碑文の謎を解いてみろとちゃんと予告してたもんね。@僕たちは自衛や犯人を探るのに忙しくて、全然その謎に挑まなかったし。」@ ;＜譲治 `"That's right.`@` Beatrice's letter, which Maria-chan read on the first day, did tell us in advance to solve the riddle of the epitaph.`@` We were all so busy trying to protect ourselves and look for the culprit that we didn't even take a shot at it."`@ ld l,$SHA_DefA1,23 ;「………そうですね。@ちゃんと碑文の謎に挑んでいたら、違う結末もあったのでしょうか。」\ ;＜紗音 `".........That's right.`@` If we had actually tried to solve the riddle, I'm sure things would have ended differently."`\ bg G1F_S1a,0 ld r,$BUT_DefA2,23 ;「それはどうかな。@紗音ちゃんもお疲れ！@/ `"I wonder about that.`@` Shannon-chan, you did a good job too! `@/ ld r,$BUT_WaraiA1,80 ;　お茶の給仕なんてしなくていいぜ。@何しろここはお疲れさま会なんだからよ。@酷ぇ目に遭った者同士、仲良く傷の舐めあいをしよぅぜ〜〜！@　べろべろべろ〜！！」\ ;＜戦人 `You don't have to be our waitress and serve tea.`@` After all, this is a wrap party.`@` As a group of people who met a horrible fate, let's all get along and lick each other's wou~~nds!`@` Licklickli~ck!!"`\ ld l,$JES_KomaruA1,23 ;「酷ぇ目って言ったら、紗音がぶっちぎりだったぜ？@　綺麗どころのキャラだから、てっきり最後まで生き残るかと思ったら、@/ `"Speaking of a horrible fate, Shannon beats the rest of us hands down, doesn't she?`@` She was such a beautiful character, so I thought she'd definitely survive until the very end, `@/ ld l,$JES_OdorokiA1,80 ;一番最初に殺されるし、しかも、何だっけ？@　顔面を半分砕かれてたんだっけ？@　最悪だよなぁ！」@ ;＜朱志香 `but she was killed right in the beginning, and on top of that...what was it?`@` Half of her face was smashed, right?`@` That's the worst!"`@ bg G1F_S1b,0 ld r,$SHA_HajiraiA2,24 ;「…………そういうお役目でしたら、……その、仕方ありませんし…。」\ ;＜紗音 `"............That was my role, so, umm......there was no way around it..."`\ ld l,$KAN_nayamuA1,23 ;「…姉さんが気にすることはないよ。@お嬢様方も、ラストのエピローグを見る限り、相当悲惨な最期を遂げられたようだしね。」@ ;＜嘉音 `"...Nee-san, it's nothing for you to worry about.`@` Judging by the last epilogue, even Milady and the rest of them met an extremely tragic end."`@ bg G1F_S1a,23 ld r,$GEO_WaraiA1,24 ;「あっはっはっは…、どうもそうみたいだね。@何だか、全身を食いちぎられてばらばらにされたみたいな、恐ろしい描写があったような気がするよ。」\ ;＜譲治 `"Ahahaha..., it seems so.`@` I think I remember seeing this horrible picture, kind of like my entire body had been eaten apart and dismembered."`\ ld l,$BUT_WaraiA1,23 ;「それを言ったら、嘉音くんの最期が一番かっこよかったと思うぜぇ？@　返り討ちとは言え、犯人と一騎打ちだろ？@/ `"Speaking of which, don't you think Kanon's last moments were the coolest?`@` Even though he had the tables turned on him, it was a showdown with the culprit, right? `@/ ld l,$BUT_odorokiA2,80 ;　俺らのよくわからん最期よりは数段マシだぜ〜？」@ ;＜戦人 `It's a whole bunch better than our confusing last moments, ri~ght?"`@ cl r,23 ld r,$KAN_majimeA1,24 ;「………結局、何も歯が立ちませんでしたが。」\ ;＜嘉音 `".........Though, in the end, I was unable to get a solid hit in."`\ bg G1F_S1c,0 ld l,$SHA_tokuiA1,24 ;「でも、…嘉音くんの死は大きなヒントになったと思うな。@だって、あのせいで、１９人目の存在が明らかになったんだから。」@ ;＜紗音 `"Still, ...I think that Kanon-kun's death was a big hint.`@` After all, because of that, the existence of the 19th person was made clear."`@ ld r,$GEO_hohoemiA1,24 ;「そうだね。@あの時点では全員の所在が明らかだった。@だから嘉音くんを殺せるのは、未知の１９人目しかありえない。」@ ;＜譲治 `"That's right.`@` At that time, everyone's location was obvious.`@` So it was impossible for anyone other than some unknown 19th person to kill Kanon."`@ cl l,24 ld l,$MAR_WaraiA1,23 ;「うー！@　真里亞は最初からベアトリーチェだって、ずーっと言ってるー。@うー！」\ ;＜真里亞 `"Uu-!`@` Maria said it was Beatrice from the beginning, o-ver and o-ver.`@` Uu-!"`\ bg G1F_S1b,0 ld r,$JES_atyaA1,23 ;「……信じたくはねぇけど、ベアトリーチェを名乗る、魔女が犯人ってことになるんだろうぜ。」@ ;＜朱志香 `"......I don't wanna believe it, but that does prove the culprit was a witch calling herself Beatrice."`@ ld l,$SHA_KomaruA1,23 ;「そうですよね…。@人にはできない、不思議なことがいっぱいありましたし…。」@ ;＜紗音 `"That's right...`@` There were many strange things that happened...which a human couldn't do..."`@ cl r,23 ld r,$MAR_odorokiA1,24 ;「うー。絵羽伯母さんの密室殺人とか、魔女にしかできない。@人間にはできない！@　うー！」\ ;＜真里亞 `"Uu-. Only a witch could do things like murdering Eva oba-san in that closed room.`@` A human couldn't do it!`@` Uu-!"`\ bg G1F_S1a,24 ld l,$KAN_defA1,23 ;「…………１９人目が存在することが明らかで、しかもその人物は人間では考えられない力を持っている。」@ ;＜嘉音 `"............Not only is the existence of a 19th person clear, but it is also obvious that this person holds a power that humans can't even imagine."`@ ;(this is ryuukishi admitting he's not human) ld r,$JES_DefA2,24 ;「となれば、その人物をベアトリーチェと呼んでも、差し支えはねぇだろうぜ。」\ ;＜朱志香 `"In that case, I don't think there's anything wrong with calling this person Beatrice."`\ cl l,24 ld l,$GEO_WaraiA1,24 ;「…多分、僕たちはラストで、出会っているよ。@…黄金の魔女にね。」\ ;＜譲治 `"...We probably met at the very end.`@` ...Met with the Golden Witch."`\ ld c,$MAR_fukigenA2,23 ;「だから真里亞は、ベアトリーチェがいるーってずっと言ってる。@みんなずっと信じなかったから駄目だった。@うー！@　信じないと奇跡は起きないって、友達の魔女も言ってる！@　うー！」@ ;＜真里亞 `"Like Maria kept saying, Beatrice exists.`@` It all went bad because no one ever believed.`@` Uu-!`@` Even one of her witch friends says that miracles won't occur if you don't believe.`@` Uu-!"`@ cl r,23 ld r,$SHA_defA1,24 ;「そうですね。@ベアトリーチェさまは、敬う者に寛大だそうですし。」\ ;＜紗音 `"That's right.`@` Beatrice-sama is generous to those who respect her."`\ bg G1F_S1c,0 ld r,$KAN_KomaruA1,24 ;「……真里亞さまは、恐ろしい事件が次々と起こっていっても、最後までベアトリーチェさまの脅威からは外されていたように思います。」@ ;＜嘉音 `"......I think that, despite the fact that horrible cases kept occurring one after the other, Maria-sama was able to avoid Beatrice-sama's menace until the end."`@ ld l,$JES_DefA1,23 ;「真里亞は、一番の最初っからベアトリーチェを信じてたもんな。@/ `"Maria believed in Beatrice from the very beginning. `@/ ld l,$JES_TohohoA1,80 ;…でも、それじゃあ、同じように信じてた嘉音くんたちも殺されたのは納得がいかないぜ？」\ ;＜朱志香 `...But if that's the case, how do you explain why Kanon-kun and the rest were all killed?`@` They believed in Beatrice just as much, right?"`\ ld r,$KAN_MajimeA1,80 ;「……それは多分、ベアトリーチェさまなりのご都合があられたのでしょう。」@ ;＜嘉音 `"......Beatrice-sama probably had her reasons."`@ cl l,24 ld l,$SHA_majimeA2,23 ;「碑文の歌が、ベアトリーチェさまの復活の儀式を意味するものなら、大勢の生贄が必要だった。@……そのひとりにご指名をいただけたということなのでしょう。」\ ;＜紗音 `"If the song of the epitaph represented Beatrice-sama's resurrection ceremony, many sacrifices were needed.`@` ......He must simply have been designated to be one of those."`\ cl r,23 ld r,$GEO_komaruA1,24 ;「…紗音ちゃんは、酷い最期だったよ…。@せめて、もう少し綺麗で安らかな方法もあったろうに。」@ ;＜譲治 `"...Shannon-chan, you met a horrible end...`@` At the very least, I wish your death could have been more peaceful and pretty."`@ ld l,$SHA_hajiraiA3,80 ;「………まぁその、…痛かったわけじゃないですし…。@/ `".........Umm, well, ...it's not like it hurt... `@/ ld l,$SHA_WaraiA2,80 ;それにほら。@今はこうして全然平気ですから、へっちゃらです。」@ ;＜紗音 `Anyways,`@` right now, I'm perfectly fine, so don't worry."`@ ld r,$GEO_WaraiA2,80 br ;　紗音が劇中では砕かれていた頬を撫でて見せると、みんなは微笑ましそうに大笑いしました。\ `After seeing him stroke Shannon's cheek, which had been crushed during the story, everyone laughed out loud, smiling.`\ ld r,$GEO_KomaruA1k,80 ;「でも、こう言っちゃ何だけど、…僕はてっきり本格ミステリーだと思ってたからね。@ファンタジーだとわかってちょっと驚いてるよ。@/ `"Well, it feels a bit weird saying this, ...but I was sure this story would be in the standard mystery genre.`@` I'm a little surprised to find out that it's fantasy. `@/ ld r,$GEO_komaruA1,80 ;遺産を巡る外界から隔絶された孤島の洋館ものなんて、推理ものの王道だと思ってたからさ。」\ ;＜譲治 `After all, a western-style mansion shut away on an isolated island, in a world revolving around some inheritance...it sounds just like a mystery novel to me."`\ cl l,24 ld l,$MAR_fukigenA2,23 ;「……うー。@ファンタジーじゃないい！@　ベアトリーチェは“い”るのー！@　うー。」@ ;＜真里亞 `"......Uu-.`@` I-t's not fantasy!`@` Beatrice 'exi-sts'!`@` Uu-."`@ ld r,$KAN_nayamuA1,80 ;「………えぇ、わかっています。@ベアトリーチェさまは“い”らっしゃいます。」\ ;＜嘉音 `".........Yes, we understand.`@` Beatrice-sama does 'exist'."`\ bg G1F_S1b,0 ld r,$SHA_WaraiA1,23 ;「そうですね。@……ベアトリーチェさまは“い”らっしゃいます。」@ ;＜紗音 `"That's right.`@` ......Beatrice-sama does 'exist'."`@ ld l,$JES_waraiA1,23 ;「…悔しいが認めざるを得ねぇよな。@１９人目の魔女の関与は明らかだしなぁ…！」\ ;＜朱志香 `"...I hate to admit it, but I've got no choice.`@` Because it's obvious that a 19th person, a witch, was involved...!"`\ cl r,23 ld r,$GEO_MajimeA2,24 ;「人間には不可能なことをいくつもやってのけてる。@劇中の僕らは、それを否定したくてあれこれと考えたけれども。@/ `"Many things happened that would be impossible for humans.`@` During the story, I thought of all kinds of things, trying to deny that. `@/ ld r,$GEO_WaraiA1,80 ;…今なら、はっきり言えるよ。@どれもいずれも、全て、人間には不可能な犯罪だった。@……魔法の力を使いこなす、魔女のベアトリーチェにしか為し得ない犯行だよ。」\ ;＜譲治 `...Now I can say it clearly.`@` Each one of them, all of them, were crimes impossible for a human.`@` ......Those crimes would be impossible to carry out unless it was the witch Beatrice using all of the power magic could provide."`\ ld l,$JES_akuWaraiA1,80 ;「犯人は魔女だった。@その一点において、何の曇りもねぇぜ。@ベアトリーチェさま万歳ってわけだ。@はっははははは。」@ ;＜朱志香 `"The culprit was a witch.`@` That point is perfectly clear.`@` Long live Beatrice.`@` Hahahahahaha."`@ ld c,$MAR_WaraiA2,24 ;「うー。@みんな信じた。@真里亞は嬉しい。@うー！」\ `"Uu-.`@` Everyone believed.`@` Maria's happy.`@` Uu-!"`\ bg G1F_S1c,0 ld r,$SHA_tokuiA1,24 ;「……神さまも魔女も、怖がる人には恐ろしい存在かもしれませんけど、@信じ、敬う人にとっては、きっと慈しみのある存在に違いないと思います。」@ ;＜紗音 `"......Gods and witches might seem terrifying to people who are frightened of them,`@` but I think they must be affectionate to people who believe in and respect them."`@ ld l,$KAN_nayamuA1,23 ;「…………姉さんの、言う通りだと思います。」\ ;＜嘉音 `"............I think you're right."`\ bg G1F_S1a,0 ld l,$JES_waraiA2,23 ;「じゃあさ、せっかく殺人事件ごっこは終わったわけだし。@ここで気を取り直して、ちゃんとベアトリーチェの言う通り、碑文の謎に挑戦してみねぇか？@ ;」＜朱志香 `"So, this murder case game is finally over.`@` Now's the time to pull ourselves together and try hard to solve the riddle of the epitaph, just like Beatrice said, right?"`@ ld r,$MAR_niyariA2,24 ;「うー！@　賛成！@　きっとベアトリーチェも喜ぶ。」\ `"Uu-!`@` I agree!`@` Beatrice will definitely be happy."`\ cl l,24 ld l,$GEO_HohoemiA1,23 ;「ははははは…。@劇中ではみんな無視してたからね、あの手紙は。」@ ;＜譲治 `"Hahahahaha...`@` Everyone ignored that letter during the story."`@ ld c,$SHA_hajiraiA2,24 ;「……せっかく、出題されたのに、ほとんど無視されて。@何だか可哀想ですね、ベアトリーチェさま。」\ `"......Even though it was thrust right in front of us, we almost completely ignored it.`@` I kind of feel sorry for Beatrice-sama."`\ ;＜紗音 ld r,$MAR_WaraiA1,80 ;「碑文のメモがある！@　みんなで謎解き、みんなで謎解き…！」@ ;＜真里亞 `"I have a memo with the epitaph on it!`@` Let's all solve it, let's all solve it...!"`@ ld l,$GEO_DefA1,80 ;「物語は多分、この時点から間違ってたんだろうね。」@ ;＜譲治 `"This story probably went wrong ever since that time."`@ ld c,$SHA_tokuiA1,80 ;「………そうかもしれません。@私たちは、ベアトリーチェさまのご指示通り、碑文の謎に挑むべきだったのかもしれません。」\ ;＜嘉音 `".........That may be so.`@` Maybe we should have tried solving the epitaph's riddle from the beginning, like Beatrice said."`\ cl r,23 ld r,$JES_futekiA1,24 ;「まぁ、すっかり遅くなっちまったけどな。@今からでも再挑戦するってことで、魔女さまには許してもらおうぜ。@ささ、碑文の謎に挑戦してみよう。@……何々、“懐かしき、故郷を貫く鮎の川”…。」\ ;＜朱志香 `"Well, it's a little late now.`@` Even so, let's try solving it now and see if the witch forgives us.`@` Let's go, let's try to solve the riddle of the epitaph.`@` ......It was something like, 'my beloved hometown, the sweetfish river running through it'..."`\ se1 1010 bg white,23 bg G1F_S1a,22 ;　真里亞がテーブルの上に、碑文を記したノートのページを開くと、@みんなはそこを覗き込みながら、楽しげに碑文の謎をあれこれ推測して賑わうのでした。@ `Maria put her notebook on the table, and opened to the page where the epitaph was written.`@` While everyone stared at it, they got really into it as they started guessing this and that about the riddle.`@ br ;　紅茶の香りと、焼きたてのクッキーのバニラの香りが、それに彩を加える、とても楽しげでゆったりとした時間……。\ `Surrounded by the smell of the black tea and the freshly baked vanilla cookies, they spent the time comfortably and happily......`\ textoff fede 0,5000 ld c,$BUT_komaruA3,24 ;「………………ちょいと待てよ、お前ら。」\ ;＜戦人 `"...............Wait a second, you guys."`\ meplay2 1,11,70 ;　なのに、戦人が水を挿すような言い方で、それを口にしました。@ `But Battler spoke in a way that cut through the conversation.`@ br ;　見れば表情はどこか不愉快そう。@ ;　この楽しい時間の何が気に入らないというのでしょうか。\ `His expression looked a little unhappy.`@ `What could he not like about all of this fun?`\ ld c,$BUT_oyaA1,80 ;「…お前ら、さっきから聞いてりゃ、何を思考停止してんだ？@　何で魔女の仕業ってことで決まってんだよ。@…そんなのあるわきゃねぇじゃねぇかよ。」@ ;＜戦人 `"...I've been listening to you guys for a while. Why did you all stop thinking?`@` Why are you so sure that the witch was behind all of this?`@` ...Don't you realize something like that can't exist?"`@ br ;　戦人のその一言に、…お茶会の楽しい空気があっという間になくなってしまいました。\ `With just those words, ...the happy atmosphere surrounding the tea party evaporated in an instant.`\ bg M1F_S1d,22 ;　譲治も、朱志香も。@ ;　紗音も、嘉音も。@ ;　そして真里亞も。@ `George and Jessica.`@ `And Shannon and Kanon.`@ `And Maria.`@ br ;　……戦人は何を変なことを言い出すんだろうと、きょとんとしています。\ `......All of them stared blankly, wondering what in the world Battler was talking about.`\ ;　愚かで身の程知らずの戦人も、さすがに自分が失言したことに気付きました。\ `Even the foolish, arrogant Battler realized that he hadn't chosen his words well.`\ bg G1F_S1c,6 ld r,$GEO_KomaruA1,24 ;「…だ、………だって。@明らかに人間には無理な事件だったじゃないか。」@ ;＜譲治 `"...B, .........because,`@` isn't it clear that these crimes were impossible for a human?"`@ ld l,$JES_OdorokiA1,23 ;「そ、そうだぜ、そうだぜ。@…どの事件も人間には無理なことばかり。」@ ;＜朱志香 `"Th, that's right, that's right.`@` ...None of the cases would have been possible for a human."`@ ld c,$SHA_OdorokiA2,24 ;「そうですよね…。@だって、人間じゃ、説明がつかないことばかりじゃないですか…。」@ ;＜紗音 `"That's true...`@` After all, wasn't it full of things that humans couldn't explain...?"`@ cl r,23 ld r,$KAN_defA1,24 ;「…戦人さまが、何を言い出すのか、僕にはわかりません。」\ ;＜嘉音 `"...I don't understand what you're saying, Battler-sama."`\ bg G1F_S1b,0 ld r,$BUT_odorokiA2,23 ;「お…、お前たちこそ、何を口々に言い出すのかさっぱりだぜ。@/ `"I..., I'm the one who doesn't have a clue what you guys are talking about! `@/ ld r,$BUT_NayamuA1,80 ;こんなの人間が起こした事件に決まってるじゃねぇかよ。@魔女なんているわけねぇだろ…？」\ ;＜戦人 `Isn't it obvious that humans committed these crimes?`@` There's no way something like a witch exists, right...?"`\ ld l,$SHA_majimeA1,23 ;「じゃ、…じゃあ。@…私が倉庫の中で殺されてた時、顔の半分を酷いことにされていましたが、@……あれは人間が犯人なら、どう再現するというのですか…？」\ ;＜紗音 `"Th, ...then...`@`...what about when I was killed in the storehouse, and something horrible was done to half of my face?`@` ......If the culprit was human, how could they have accomplished it...?"`\ ld r,$BUT_KuyasigaruA1,80 ;「…そりゃ、/ ;!d700……まぁ、@どうやったらあんな酷ぇことができるのか、ちょっと想像はつかねぇけどよ。@/ `"...That's, `/ !d700`......well, `@`it's hard to imagine how they did something that awful. `@/ ld r,$BUT_MajimeA1,80 ;でも、あそこは薔薇庭園の倉庫だぜ？@　きっと中に妙な道具とかがいくらでもあっただろ。@わかんねぇけどよ、例えば、電ノコとかグラインダーとか、そんな電動工具でも使ったのかもしれねぇじゃないか。」@ ;＜戦人 `But that was the rose garden storehouse, right?`@` I'm sure there were plenty of weird tools in there.`@` Let's say they used some electrical tools like a grinder or an electric saw."`@ ld l,$SHA_KomaruA1,80 meplay2 2,5,40 ;「……………そ、/ ;!d500………それは……、/ ;!d600…その…。」\ ;＜紗音 `"...............Th, `/ !d500`.........that's......, `/ !d600`...umm..."`\ bg G1F_S1c,24 ld r,$JES_KomaruA1,24 ;「じゃあ、戦人…。@祖父さまが密室の書斎から消え去っていたのはどう説明するんだよ…。@扉は封印されていたのに、祖父さまは忽然と消え去ってたぜ…？」\ ;＜朱志香 `"Then, Battler...`@` How do you explain Grandfather's disappearance from the closed room of his study...?`@` Even though the door was sealed, Grandfather unexpectedly disappeared, right...?"`\ ld l,$BUT_WaraiA2,23 ;「その話は劇中でも出ただろ。@祖父さまが何らかの方法を使えば、レシートを誤魔化すことは不可能じゃない。@あるいは窓から出て、あるいは落ちて、夏妃伯母さんが窓を内側から施錠した可能性もある。@別に、魔法を使わなくたって、他にもいくつか手は思いつくだろうぜ…？」@ ;＜戦人 `"We talked about that during the story, too.`@` It's not impossible that Grandfather used some trick to fool the receipt.`@` It's also possible that he went out the window, fell down, and Natsuhi oba-san locked the window from the inside.`@` I could think of a bunch of tricks you could use without relying on magic...you see?"`@ ld r,$JES_odorokiA1,80 meplay2 3,16,40 ;「…………そ、/ ;!d400……それはそうだけどよ………。」\ ;＜朱志香 `"............Th, `/ !d400`......that makes sense, but........."`\ bg G1F_S1a,0 ld c,$GEO_MajimeA3,23 ;「なら戦人くん。@僕のお母さんたちが客室の中で殺されていたのはどう説明するんだい？@　扉には鍵もチェーンも掛かってた。@無論、窓もね。@どうやって人間に、母さんたちを殺せたって言うんだい？」\ ;＜譲治 `"In that case, Battler-kun,`@` how do you explain the way my parents were killed in the guest room?`@` The door was sealed by the lock and the chain.`@` Naturally, the window was sealed too.`@` How would you suggest a human could have killed my parents?"`\ cl c,0 ld l,$GEO_MajimeA3,0 ld r,$BUT_nayamuA1,24 ;「…まぁ、/ ;!d600……確かにそのトリックは劇中でも保留になったままだったな。@とにかく、犯人は鍵だけは持ってる可能性が高いからな。@チェーンに許される程度の、扉の隙間は確保できたわけだ。@/ `"...Well, `/ !d600`......we did have to leave that trick alone during the story.`@` Anyways, there's at least a good chance that the culprit had the key.`@` And it was possible to look in through the crack of the door that the chain allowed. `@/ ld r,$BUT_oyaA1,80 ;……非常に苦しい話だが、その隙間から何かの仕掛けを施した可能性はありえるな。@…いや、あるいは、その隙間から、何かを出したとか…？\ `......It's really painful to talk about it, but it is possible that some device was used through that crack.`@` ...Like maybe they stuck something through the crack...?`\ ld r,$BUT_NayamuA1,80 ;　……んんん、確かにチェーンってのは、偉いシンプルだが、密室を構成するでかい要素だな…。@………だが、密室トリックなんておよそやり尽くされてるんだ。@そこいらの書店で密室ミステリーを数冊買ってくりゃ、どうせビンゴなトリックが見付かるだろうぜ。@/ `......Hmmmm, well, even though the chain is incredibly simple, it's a big factor in setting up the closed room...`@` .........However, there's probably some closed room trick they could have used.`@` If you bought some closed room mystery novels from the bookstore, you could probably find some trick that would fit perfectly. `@/ ld r,$BUT_nayamuA2,80 ;……とにかく、俺には思いつかねぇが、どうにかやりくりすりゃあ、人間にできないことはないだろうって断言できる。」\ ;＜戦人 `......Anyways, I can't think of one now...but I claim that there's nothing humans can't do if they try hard enough."`\ ld l,$GEO_majimeA2k,80 ;「それは酷い暴論じゃないかい…？@　説明できないのに、人間に可能だと断言できるなんて、めちゃめちゃだよ…。」@ ;＜譲治 `"Isn't that argument horribly irrational...?`@` It's just ridiculous to claim that it's possible for a human to do something, even though you can't explain how..."`@ ld r,$BUT_oyaA1,80 ;「……何がどうめちゃめちゃなんだよ。@兄貴たちは何を思考停止してんだよ。@一見できなさそうに見えても、どうせできるんだよ。@それがお約束ってもんだろうが。」\ ;＜戦人 `"......Why is that ridiculous?`@` Why did all of you stop thinking?`@` Even something that looks impossible has to be doable.`@` Doesn't it always work like that?"`\ cl l,24 ld l,$JES_OdorokiA1,23 ;「めちゃめちゃなのは戦人の方だぜ。@……人間にできるってんなら、説明してみろよ。@できねぇだろ？」@ ;＜朱志香 `"Battler, you're the one being ridiculous.`@` ......If you think a human could've done it, try explaining how.`@` You can't, can you?"`@ ld r,$BUT_ODorokiA1,80 se1 21 ;「できなきゃすぐに犯人は魔女ってことで落ち着くのかよ。@その論法で行っちまったら、世界中の未解決事件は全部、魔女が犯人ってことで決着しちまうぞ！」\ ;＜戦人 `"And you're okay with saying the culprit is a witch just because I can't explain it?`@` With that argument, all of the unsolved crimes in the world could be resolved by saying a witch is the culprit!"`\ bg G1F_S1b,0 ld c,$MAR_fukigenA2,24 ;「……戦人は問題を摩り替えてるし、何も説明してない。@…真里亞たちは、“人間にはできない。@だから人間じゃない存在が犯人。@それが魔女”だと、そう言っている。@なのに戦人は、説明できないけど魔女はありえないとか、一方的な決め付けで言ってる。\ `"......Battler, you're sidestepping the issue, and you aren't explaining anything.`@` ...We are saying 'A human can't do it.`@` Therefore the culprit is something that isn't human.`@` And that something is a witch.'`@` And yet you keep arbitrarily deciding that witches are impossible even though you can't explain anything.`\ ld c,$MAR_AkuwaraiA1,80 ;　……きひひひひひひひひひひ、まるで、無知な時代の人類のようだね。@地球が回ってるはずがない、説明はできないけど、@宇宙が地球を中心に回ってるんだと言い張る愚か者のよう。」\ `......Kihihihihihihihihihihihi, it's almost like humanity was during the dark ages.`@` Like those fools who claimed that the heavens spun around the earth...`@`those who said that the earth couldn't be spinning, even though they couldn't explain why."`\ ;＜真里亞 bg G1F_S1a,0 ld r,$BUT_odorokiA1,23 ;「……………な、…何だか気に入らねぇ論法だが。@つまりお前らはこう言いたいのかよ。@…人間に可能だと説明できないなら、犯人が魔女、@…ベアトリーチェであることを受け容れろってことかよ。」\ ;＜戦人 `"............Th, ...that kind of argument kinda pisses me off.`@` So this is basically what you're trying to say.`@` ...If I can't explain how a human could do it,`@` I must accept that the culprit is a witch?"`\ ld l,$KAN_defA1,23 ;「…………そこまで押し付けているわけではありません。@ただ、戦人さまが、何を根拠にそのような世迷言を言い出すのか、と思いまして。」@ ;＜嘉音 `"............It's not like we're forcing you.`@` We were just wondering on what basis you can say such nonsense."`@ ld r,$BUT_OdorokiA2,80 E_A bgmplay 18 ;「よ、…世迷言って/ ;!d400、………。@……な、…なぁ、俺ってさっきからそんなに変なこと言ってるか？！@/ `"N, ...nonsense`/ !d400`, .........`@`......H, ...hey, have I really been saying something that weird just now?! `@/ ld r,$BUT_KuyasigaruA1,80 ;　おかしいのは俺なのか？！@　さっきから偉ぇ不愉快だぞッ？！」\ ;＜戦人 `Am I the one who's crazy?!`@` You guys are really starting to freak me out!"`\ ld l,$KAN_NayamuA1,80 ;「……戦人さま。@僕は、自分が死んだ時、ボイラー室で、存在しないはずの１９人目に殺されています。@/ `"......Battler-sama.`@` When I died in the boiler room, I was killed by a 19th person who shouldn't exist. `@/ ld l,$KAN_defA1,80 ;…それが人間の仕業だと説明できるのですか？@　あの時、１８人の所在は全員がはっきりしていました。@にもかかわらず、僕は殺されている。」\ ;＜嘉音 `...Can you explain how a human could have done that?`@` At that time, the locations of the 18 were well known.`@` Even so, I was killed."`\ ld r,$BUT_odorokiA1,80 ;「その件も劇中で言ってるぜ…？！@　例えば、熊沢の婆ちゃんだ。@嘉音くんがボイラー室に下りてからすぐ後を追ったと言ってるが、実は嘘かも知れねぇ。@一緒にボイラー室に入って、不意を突いてブッスリ行っちまったのかも知れねぇ！@　あるいは、ボイラー室に踏み込むと、何かのトラップが発動して、例のアイスピックが打ち込まれるように仕掛けられていたのかもしれない。\ `"We talked about that in the story as well, right...?!`@` Kumasawa baa-chan, for example.`@` She said that she followed right after you and headed down to the boiler room, but we can't know for sure whether that was a lie.`@` For all we know, she might have entered the boiler room with you and caught you by surprise!`@` Or maybe, when you stepped into the boiler room, you activated some kind of trap, one that might have been set up to hit you with one of those icepicks.`\ ld r,$BUT_nayamuA2,80 ;何しろ焼却炉からは祖父さまの遺体の悪臭だ。@必ず誰かがやってくるわけだから、仕掛けだけ施せば、犯人はその場を離れ、嘉音くんの死亡時刻にアリバイを作ることは充分できる…！」\ ;＜戦人 `After all, the stink of Grandfather's body was coming from the incinerator.`@` That's because someone had come there before, and if they had just set up a trap, it's certainly possible that the culprit could stay away from that place and use the time of Kanon-kun's death to create an alibi...!"`\ bg G1F_S1c,0 ld l,$SHA_OdorokiA1,24 ;「……ボイラー室のトラップって、どんなのですか…？」@ ;＜紗音 `"......You talk about a trap in the boiler room...but what kind of trap could it be?"`@ ld c,$GEO_majimeA1,23 ;「そうだよ。@あの後、すぐみんながボイラー室に駆けつけた。@でもそんな変な仕掛けは見つけられなかったじゃないか！」@ ;＜譲治 `"That's right.`@` Following his death, everyone immediately ran over to the boiler room.`@` But we didn't find any kind of weird device, did we?!"`@ ld r,$KAN_defA1,80 ;「……左様です。@戦人さま、どんな仕掛けで、僕は殺されたというのですか…？」\ ;＜嘉音 `"......That is correct.`@` Battler-sama, what kind of trap could I have been killed with...?"`\ bg G1F_S1a,0 ld c,$BUT_nayamuA1,23 ;「いや、/ ;!d1000…………それはわからねぇ。@…でも、とにかく、何かの仕掛けをうまくやってだな、あるいは誰かが嘘をついて…、@/ `"Well, `/ !d1000`.........I don't know that.`@` ...But anyways, they must have skillfully used some kind of trap, or maybe someone is lying..., `@/ ld c,$BUT_kuyasigaruA1,80 ;こうも考えられるぜ？！@　そもそもあれは嘉音くんの自作自演だったとかな？！@　そ、そうだ、自作自演だ！！@　絵羽伯母さんたちも自作自演なんだよ。@自分で密室を作り、死んだふりをした！」\ ;＜戦人 `or what about this?!`@` Kanon-kun, what if the whole thing was just you playacting?!`@` Th, that's it, you were playacting!!`@` Eva oba-san and Hideyoshi oji-san were also playacting.`@` They made the closed room themselves, and were only pretending to be dead!"`\ ld r,$JES_NayamuA1,24 ;!s0「………戦人…。@………お前、/ ;!d700さっきから頭、/ ;!d800…大丈夫か……？」/ !s0`".........Battler...`@`.........Has your head been, `/ !d700`umm, `/ !d800`...feeling alright......?"`/ !sd@ ;＜朱志香 ld l,$SHA_OdorokiA1,23 ;「……あの、………冷たいお飲み物でもお持ちしましょうか…？」\ ;＜紗音 `"......Umm, .........should I bring some cold drinks...?"`\ cl l,0 cl r,0 ld c,$BUT_odorokiA2,80 meplay2 1,11,90 ;「そ、そこまで憐れみの目で見られるほど妙なことは言ってねぇだろ…。@俺はあくまでも、トリックを考える上での可能性について言っただけだぜ？@/ `"D, don't look at me with those pitying eyes...I'm not saying something that crazy, right?`@` I'm just pointing out that it would be possible if you could think of the trick, alright? `@/ ld c,$BUT_aseruA1,80 ;　それにほら、死者が実は死んでないなんて、推理物のお約束じゃねぇかよ！」\ ;＜戦人 `Look, isn't one of the fallbacks in mystery stories that the victims aren't really dead!?"`\ bg G1F_S1c,0 ld r,$GEO_MajimeA1,24 ;「お約束って…？」@ ;＜譲治 `"Fallback...?"`@ ld l,$BUT_komaruA3,23 ;「つ、つまりだ。@嘉音くんが殺された時、確かに俺たち全員の所在ははっきりしていた。@そして熊沢の婆ちゃんも嘘はついてないとする。@/ `"I, in other words,`@` when Kanon-kun was killed, we really did know for sure where the rest of us were.`@` And let's assume that Kumasawa baa-chan wasn't lying. `@/ ld l,$BUT_nayamuA1,80 ;でも、それは生存者だけの話だ。@……もし、死んだふりをして犠牲者に混じり姿を眩ましていた犯人が別行動をしていたとしたら、全ては説明できる！」\ ;＜戦人 `But that only holds true for the survivors.`@` ......What if the culprit pretended to be dead, placed themselves together along with the real victims to hide themselves, and then acted on their own later? Everything would be explained!"`\ bg G1F_S1b,23 ld r,$JES_OdorokiA1,24 ;「…………はぁ…。@つまり、絵羽叔母さんたちが犯人だと言いたいわけか…？@　でも、叔母さんたちの死亡については南條先生が医者として判断してるぜ？」@ ;＜朱志香 `"............Huh...?`@` So are you trying to say that Eva oba-san or one of the rest of them was the culprit...?`@` But didn't Doctor Nanjo confirm everyone's death as a doctor?"`@ ld l,$KAN_defA2,23 ;「……そうです。@南條先生は、全ての犠牲者について確認しています。@…もし戦人さんの説を採用するなら、南條先生も犯人ということになりますか？」\ ;＜嘉音 `"......That's right.`@` Doctor Nanjo checked all of the victims.`@` ...Battler-sama, for your theory to work, wouldn't Doctor Nanjo have one of the culprits too?"`\ cl r,23 ld r,$BUT_aseruA1,24 ;「あ、あぁっ、そうだな！！@　南條先生が犯人の一味で、嘘の死亡宣告をしていたかもしれないと考えりゃ、話は変わってくるぜ…！@/ `"Uh, yeah, that's right!!`@` Once you consider that Doctor Nanjo might have been one of the culprits and faked the proclamation of death, the whole story changes...! `@/ ld r,$BUT_komaruA1,80 ;　ほら、これも推理物のお約束じゃねぇかよ！！」@ ;＜戦人 `See, that's also a fallback in mystery novels, isn't it?!!"`@ ld c,$MAR_defA1,23 ;「……でも、南條先生も殺されたよ…？」\ ;＜真里亞 `"......But Doctor Nanjo was also killed, right...?"`\ ld r,$BUT_NayamuA1,80 ;「っと、………それはだな。@…そうさ、南條先生は偽装死なんだ！@/ `"Umm, .........about that...`@`...that's right, Doctor Nanjo faked his death! `@/ ld r,$BUT_OdorokiA1,80 ;　何しろ、南條先生以外に検死ができるやつはいねぇし、あの時はもう混乱してる状況下だ。@本当に脈が止まってるかなんて、のんびり確かめてる暇もなかったぜ！@　この論法なら、死者は誰だって歩き回れたことになる！」\ ;＜戦人 `After all, there wasn't anyone but Doctor Nanjo who could perform an autopsy, and everyone was really confused then anyways.`@` We didn't have any spare time to check and see if he still had a pulse!`@` With this theory, any one of the dead people could have been walking around!"`\ bg G1F_S1a,0 ld l,$SHA_KomaruA1,23 ;「………私たち最初の６人は難しかったんじゃないかと思います…。@/ `".........I think that it would have been hard for the six of us who died in the beginning to do that... `@/ ld l,$SHA_HajiraiA1,80 ;……だって、シャッターを閉められた上に、…内側からは開けられない南京錠を掛けられちゃいましたし…。」@ ;＜紗音 `......After all, the shutter was closed, ...and there was a padlock that couldn't have been opened from the inside..."`@ ld r,$JES_OdorokiA1,24 ;「そうだぜ。@その鍵は母さんが預かった。@じゃあ、母さんも犯人の一味だってのかよ？」\ ;＜朱志香 `"That's right.`@` Mom was holding onto that key.`@` So was Mom one of the culprits too?"`\ bg G1F_S1b,0 ld c,$BUT_OdorokiA2,24 ;「…あぁあぁぁぁ、いやいや、…、/ ;!d900最初の６人は無理そうだが、絵羽伯母さんたちは外から鍵を掛けただけだろ。@なら内側から開けられるし…、@/ `"...Aaaaaaah, wait a sec, ..., `/ !d900`maybe it was impossible for the first six, but in the case of Aniki's parents, the door was only locked on the outside.`@` So they could have opened it from the inside...`@/ ld c,$BUT_DefA1,80 ;…そうさ、俺たちが部屋を出た後、窓から飛び出して、ボイラー室に先回りしたとか！@/ `...That's right, after we left the room, maybe they jumped out the window and got to the boiler room first! `@/ ld c,$BUT_KuyasigaruA1,80 ;　く、……苦しいか…？！@　あるいは南條先生も検死を誤ったとかな？！\ `Is, ......is that too much...?!`@` Or maybe Doctor Nanjo made a mistake with the autopsy?!`\ ld c,$BUT_AseruA1,80 ;　ほら、自分でも言ってたぜ？@　検死は誤診率が高いとかって！@　うまく偽装したとか、身代わり死体を用意したとかで、死を誤魔化したんだ！！@　方法やトリックは、これから考えるとして、とにかくとにかく、１９人目を否定することはそう難しいことじゃないんだ！@/ `Look, he said it himself, right?`@` He said autopsies have a large chance at a wrong diagnosis!`@` If you disguised it well enough or prepared a substitute body, you could fake your own death!!`@` Let's leave the method or trick they used for later...and you see, it's not that hard to deny a 19th person existed, right?! `@/ ld c,$BUT_NayamuA2,80 ;　ましてや魔女ぉ？@　それだけは断じてありえねぇ！！」\ ;＜戦人 `Much less a witch, right?`@` At least that much is completely impossible!!"`\ cl c,0 ld r,$BUT_NayamuA2,0 ld l,$MAR_ikariA1,23 ;「…………戦人がさっきから、何で頑なに、みんなの中に犯人がいるようにしたいのか、わかんない。@きひひひひひひひひひ、つまり戦人は、親族の誰かを疑いたいんだよね…？」\ ;＜真里亞 `"............I don't know why you've been trying so stubbornly to say that one of us is the culprit.`@` Kihihihihihihihihihi, in other words, you wants to suspect one of your relatives...?"`\ ld r,$BUT_oyaA1,80 ;「そういうわけじゃねぇ…。@ただその、安易に１９人目を肯定はできねぇし、仮にいたとしてもそれは人間だって見地から話を構築すべきであって、@それら全部を否定しきった最後の最後で苦し紛れに出てくるのが魔女だろって話をしたいんだ。\ `"That's not it...`@` It's just, uh, I can't easily accept that a 19th person existed...and even if one did, I think we should construct our argument from the point of view that the culprit was a human.`@` I'll only accept that it's a witch in desperation, at the very end, after everything else has been disproved.`\ ld r,$BUT_OdorokiA1,80 ;　魔女なんているわけないだろ？！@　何でさっきからみんなは、魔女が犯人ってことでひょいひょい納得したがるんだ？@　そりゃ、身内に殺人犯がいると思いたくねぇ家族愛は立派さ。@でも、それで誤魔化しちまっていいのかよ？！@　あれだけ大勢を殺した憎き犯人を見つけ出したいとは思わねぇのかよ？！\ `There's no way witches exist, right?!`@` Why has everyone been casually accepting that the culprit was a witch?`@` I think it's great how your family love makes you hate the thought that someone close to you is a murderer.`@` But is it alright to let that fool you?!`@` Don't you want to find the detestable culprit who killed so many people?!`\ ld r,$BUT_Kuyasigarua1,80 ;　兄貴だって、両親の仇を見つけたいだろ？！@　朱志香だって嘉音くんの仇を、そして嘉音くんだって、紗音ちゃんの仇を見つけたいだろ？！@　紗音ちゃんだって、自分を殺したのが誰なのか知りたいはずだ。@何でこうパーンと全面降伏して、魔女が犯人ってことになっちまうんだよ？！@　お前らさっきから何なんだ？！」\ ;＜戦人 `Aniki, don't you want to avenge your parents?!`@` Jessica, don't you want to avenge Kanon-kun, and Kanon-kun, don't you want to avenge Shannon-chan?!`@` Shannon-chan, you should at least want to know who it was that killed you.`@` Why has everyone totally surrendered and decided that the culprit was a witch?!`@` What's wrong with all of you?!"`\ ;　短気で愚かな戦人は、自分の無知を他者に求めようと食って掛かります。@ ;　…しかし、みんなは憐れみの眼差しで、ただ静かに見守るのでした。@ `The foolish and short-tempered Battler tried to force his ignorance on the others and yelled at them.`@ `...However, everyone just looked at him pityingly, silently watching over him.`@ br ;　すると、聡明なる真里亞は笑いながら、戦人に間違いを指摘してあげました。\ `At that time, the wise Maria laughed and pointed out Battler's mistake.`\ bg black,22 fede 0,1000 bg G1F_S1c,24 ld r,$MAR_AkuwaraiA2,24 bgmplay 15 ;「……………きひひひひひひひひ。@…呆れてるんだよ。@……戦人はさっきから、支離滅裂なことを繰り返しては何かをわかったような気になってるだけ。@/ `"............Kihihihihihihihihi.`@` ...I'm shocked.`@` ......All I see is you repeating this nonsense, thinking you've figured something out, Battler. `@/ ld r,$MAR_fukigenA1,80 ;……だから？@　それで？@　人間にどうやって？@　具体的には？@　そう聞くと、決まって戦人は、今は思いつかないけど、とか、何かの仕掛けで、とか、抽象的な言葉で逃げたりお茶を濁したり。\ `......Then?`@` What's next?`@` How would a human do it?`@` Practically?`@` I imagine you'll say 'I just can't think of anything now' or 'with some kind of device.' ...Using abstract words to run away and evade the topic.`\ ld r,$MAR_MajimeA1,80 ;　……むしろ、知りたいよ戦人。@どうしてベアトリーチェを信じないの？@　“い”るのに、どうして？」\ ;＜真里亞 `......What I want to know, Battler, is this.`@` Why don't you believe in Beatrice?`@` She exists, so why don't you believe?"`\ ld l,$BUT_KuyasigaruA1,23 ;「“い”ねぇからだよ！@　魔女なんか“い”ねぇ！！@　いるわけがねぇ！！」@ ;＜戦人 `"Because she doesn't 'exist'!`@` Witches don't 'exist'!!`@` There's no way!!"`@ br ;　……それは、まるで認めたくないというだけの、子どものわがままのよう。@ ;　憐れみの眼差しが、静かに戦人を包みましたが、頑なな彼の心にそれは届きません。\ `......It was almost like a spoiled child who just doesn't want to accept something.`@ `The pitying gazes quietly closed in around Battler, but they didn't reach his stubborn heart.`\ bg G1F_S1b,0 ld r,$JES_KomaruA1,23 ;「…………まるっきり、駄々っ子のわがままだぜ？」@ ;＜朱志香 `".........Aren't you acting just like an unmanageable spoiled child?"`@ ld l,$SHA_KomaruA1,23 ;6 pages ;「……戦人さま。@お気持ちはわかりますが…。」@ ;＜紗音 `"......Battler-sama, `@`I understand your feelings, but..."`@ ld c,$KAN_defA1,24 ;「………ベアトリーチェさまは、“い”らっしゃるのです。」@ ;＜嘉音 `".........Beatrice does 'exist'."`@ cl r,23 ld r,$GEO_MajimeA1k,24 ;「戦人くん…、どうして、信じないんだい？@　これほどまでに、状況証拠は揃ってるのに。」\ ;」＜譲治 `"Battler-kun..., why don't you believe?`@` Even though there's so much proof."`\ bg G1F_S1c,0 ld r,$BUT_MajimeA1,24 ;「説明できなきゃ全て魔女なんて、俺はそんな論法は認めねぇ。@どうして電球が明るくなるのか、仕掛けを知らなきゃ全て魔法ってことになるのか？@/ `"I don't accept the argument that the witch must've been behind everything just because I can't explain it.`@` Does this mean that if you don't know how a light bulb shines, then magic is the cause? `@/ ld r,$BUT_OdorokiA1,80 ;　違うだろ？！/ `That's wrong, isn't it?! `/ se1 11 quakey 3,200 ;@　魔法じゃなきゃ説明がつかないことなど存在しない！！@　魔女だの魔法だのってのは、思考の放棄だ！/ @`There's nothing that can't be explained without magic!!`@` All of this about witches and magic is just abdication of thought! `/ se1 11 quakey 3,200 ;@　兄貴たちは、わからねぇ事件に屈服して降参しただけなんだ！@　そうだろ？！」\ @`You just surrendered and gave up because you don't understand what happened!`@` Isn't that right?!"`\ ld l,$MAR_AkuwaraiA2,23 meplay2 1,16,40 ;「…………………き、ひひひひひひひひひひひ。@…やっぱり、/ ;!d800……戦人だけはどうしても信じないね。@/ `"..................Ki, hihihihihihihihihihihi.`@` Well, `/ !d800`......unsurprisingly, it looks like you alone won't believe no matter what, Battler. `@/ ld l,$MAR_IkariA1,80 ;……誰かひとりでも信じなかったら“奇跡”は起きない。@……だから、戦人のその蒙昧な思い込みを改めさせなきゃ、奇跡が、……魔法が完成しないんだよ。」\ ;＜真里亞 `......If even a single person doesn't believe, the 'miracle' won't occur.`@` ......So, if you don't rethink your ignorant theories, the miracle, ......the magic won't be completed."`\ ld r,$BUT_NayamuA2,80 ;「へへ…。@なぁるほどな。@……ようやく一端が見えてきたぜ。@…つまりお前らは俺に、魔女様は存在する、って言わせたいんだろ？@　全員が認めた嘘は“真実”になる。@……そういうこったろッ？！@/ `"Hehe...`@` No-w I see.`@` ......I finally figured it out.`@` ...So in other words, you guys want to force me to say that the witch exists, right?`@` If everyone accepts this, the lie will become 'the truth'.`@` ......Is that what this is all about?! `@/ ld r,$BUT_DefA1,80 ;　……生憎だな。@ここばかりは生憎だが、そいつぁ全然駄目だぜ、お断りだ。@……(お前らが俺にそう詰め寄るからこそ、だからこそ/・・・・・・・・・・・・・・・・・・・・・・・・・・) `......I'm so sorry.`@` I'm so sorry I keep going on about this, but what you're doing is all useless. I refuse.`@ br `......`(`You guys are all pressing me`/・・・・・・・・・・・・・・)`,` br ;(全然駄目なんだ/・・・・・・)。」\ (`and that's why it's all useless`/・・・・・・・・・・・・)`."`\ ld l,$MAR_fukigenA2,80 ;「…………………どうして？」\ ;＜真里亞 `"...............Why?"`\ ld r,$BUT_nayamuA2,80 ;「悪ぃが、最後の最後でもう一回、チェス盤をひっくり返させてもらうぜ…？@　魔女の存在を俺に認めさせたいなら、一番簡単な方法があるはずさ。@……それは、人間にはできないから魔女なんていう遠回しな方法じゃない！@　魔女が魔法でやって見せた、それを俺に見せるだけの話なんだ。\ `"Sorry, but why don't you let me turn the chessboard over one last time...?`@` If you want to force me to accept that there's a witch, there's a really easy way.`@` ......And it's not the indirect way of saying 'humans can't do it so it must be a witch'!`@` All you have to do is show me that a witch did it with magic.`\ ld r,$BUT_DefA1,80 ;　さらにだ、さっき真里亞が言ったことが一番墓穴を掘ってる。@……誰かひとりでも信じなかったら“奇跡”は起きないってな。\ `Furthermore, what Maria said earlier is what will really dig her grave.`@` ......You said that if even one person doesn't believe, a 'miracle' won't occur.`\ ld r,$BUT_OdorokiA1,80 ;　真の奇跡は、誰が信じようと信じまいと勝手に起こる！@　たとえ俺一人が信じなかったとしてもだ！！@　だからこそ、俺が信じれば成立する奇跡も魔法も、そして魔女も嘘っぱちだってわけさ！！」\ ;＜戦人 `But real miracles happen whether people believe in them or not!`@` Even if I alone don't believe!!`@` So any miracles or magic or witches that exist only because I believe in them are downright lies!!"`\ ld l,$MAR_OdorokiA1,80 ;「…………………………………。」\ ;＜真里亞 `"..........................."`\ bg black,22 fede 0,3000 ;　その戦人の無知な暴言によって荒んでしまった空気を、@とても涼しげで軽やかな笑い声が吹き飛ばしてくれました。\ `The uneasy mood following Battler's ignorant rant...`@`was blown away by a very soft and light laugh.`\ se1 21 ;　誰の笑い声…？@　戦人は初めて聞くその声に驚きました。@ `Whose laugh...?`@` Battler was surprised.`@` He had never heard that voice before.`@ br ;　見れば、いつの間にか、譲治や朱志香、紗音に嘉音たちは畏まるように口を噤んでいます。\ `When he looked at George and Jessica, at Shannon and Kanon and Maria, he noticed that they had suddenly gone respectfully silent.`\ meplay2 1,12,0 cross1 5000,40,40,40,40,40 seplay 2,27 bg white,1 bg portrait2,2 bg black,2 bg G1F_S1a,0 ld r,$BEA_WaraiA1,8 ld l,$MAR_DefA1,23 ;「………………ベアトリーチェ。」@ ;＜真里亞 `"............Beatrice."`@ ld r,$BEA_DefA1,80 bgmplay2 40,80 ;「………良い。@…久しぶりに愉快な人間に出会えたものよ。」\ ;＜ベアト `".........Wonderful.`@` ...I haven't been able to meet such a charming human for quite some time."`\ bg G1F_S1b,0 ld r,$BUT_odorokiA1,24 ;!s0「お、/ ;!d500………………お前、/ ;!d500………誰だ…。」@ ;＜戦人 !s0`"Wh, `/ !d500`..................Who, `/ !d500`.........are you...?"`@ ld l,$BEA_DefA2,23 ;!sd「……招かれた茶会のホストも知らぬか。@/ !sd`"......Don't you even know the host of the tea party you were invited to? `@/ ld l,$BEA_WaraiA2,80 ;……良い良い。@くっくっくっく…！」\ ;＜ベアト `......Simply wonderful.`@` *cackle*cackle*...!"`\ bg G1F_S1a,23 ld r,$KAN_NayamuA1,24 mov %r_tea_bea,1 seplay 9,1060 mov ?r[bea][condition],1 ;「…こちらのお方は、千年を生きる黄金の魔女、ベアトリーチェさまにあらせられます。」@ ;＜嘉音 `"...This is the Golden Witch who has lived for a thousand years, Beatrice-sama."`@ ld l,$SHA_fumanA1,23 ;「ご機嫌麗しゅう、ベアトリーチェさま…。」@ ;＜紗音 `"I am honored to see you, Beatrice-sama..."`@ cl r,23 ld r,$GEO_MajimeA3k,24 ;「……戦人くんの暴言をどうかお許し下さい。」@ ;＜譲治 `"......Please forgive Battler-kun's ranting."`@ ld c,$JES_odorokiA1,24 ;「こ、こいつは頑固でその、まだ、自分の置かれた状況がわかってなくて……！」\ ;＜朱志香 `"Th, this guy's just stubborn, and, umm, he still doesn't understand the situation he's in......!"`\ bg G1F_S1c,24 ld r,$BEA_AkuwaraiA1,24 ;「くっくっくっくっく…。@良い良い。@……千年も生きると、大抵の魔女は生き飽きる。@そなたのような気骨ある男も時には良い。」@ ;＜ベアト `"*cackle*cackle*cackle*...`@` How very wonderful.`@` ......After a thousand years, most witches get tired of living.`@` How nice it is to meet a man with backbone such as yourself every once in a while."`@ ld l,$MAR_WaraiA1,23 ;「……………ベアトリーチェがお姿を現してくれるのは、とても光栄なことだよ、戦人。」\ ;＜真里亞 `"............It is quite an honor to be present when Beatrice shows herself, Battler."`\ bg G1F_S1b,23 ld c,$BUT_KomaruA1,24 ;「……へ、/ ;!d400………へっへっへっへ…！！@　こりゃあ、/ ;!d600……たまげたぜ。@…そこまでして、俺に魔女が、/ ;!d600…１９人目が犯人だと思い込ませてぇのかよ…。@/ `"......Heh, `/ !d400`.........heh-heh-heh-heh!!`@` How, `/ !d600`......astonishing.`@` ...Are you really that desperate to make me believe that a witch, `/ !d600`...that a 19th person is the culprit...? `@/ ld c,$BUT_nayamuA2,80 ;ますますに気に入った…！@　だから全然駄目だぜ…！！@　お前は、真里亞たちが主張する、魔女ベアトリーチェの幻影というわけだ。\ `This is starting to get interesting...!`@` And it's all useless...!!`@` You must be the illusion that they all claim is the witch Beatrice.`\ ld c,$BUT_odorokiA1,80 ;………そして、全員がその存在を信じることでようやく存在を許される。@…そういう虚実の存在なんだろ？@　だから俺にも信じさせたい。@ `.........So, if everyone believes you exist, you will finally be allowed to exist.`@` ...You have that kind of a half-existence, right?`@` That's why you want to make me believe too.`@ br ;　(俺だけが信じないから、存在できない/・・・・・・・・・・・・・・・・・)。@ (`You can't exist because I alone don't`/・・・・・・・・・・・・・・・・・) br (`believe in you`/・・・・・・)`.`@ br ;………そうなんだろ？！」\ `.........Isn't that right?!"`\ ;＜戦人 bg G1F_S1c,0 ld r,$BEA_DefA2,24 ;「………魔に通じぬ凡夫の分際にしては、理解力は悪くない。@………なるほど、どうやらそなたは生まれながらにして、魔力に強い抵抗力を持つらしいな。@/ `".........Your power of understanding isn't bad for a mediocre person who knows nothing of magic.`@` .........I see, it seems that you were born with a strong magic-resisting power. `@/ ld r,$BEA_akuwaraiA1,80 ;……我ら魔女の天敵よ。@…どう逆さに振るって見せようとも、 `......The natural enemy of us witches.`@` ...No matter how much we turn your world upside down,` br ;(決して我らを信じない。/・・・・・・・・・・・)@(だから魔法が及ばな/・・・・・・・・・) ;br ;(い。/・・)@ (`you never believe in us`/・・・・・・・・・・)`.`@ br (`Therefore, the magic won't succeed`/・・・・・・・・・・・・・)`.`@ ;　…お前のその態度にも納得が行こうというものよ。@くっくっくっく…！」\ ;＜ベアト `...I accept that attitude of yours.`@` *cackle*cackle*...!"`\ ld l,$BUT_nayamuA2,23 ;「何を言ってやがるかさっぱりだぜ、いっひっひ！@　わざわざお姿まで現してもらって恐縮だが、@俺はお前さんの存在なんて、これっぽっちも信じやしないぜ。\ `"I've got no clue what you're saying, ihihi!`@` It's very kind of you to go to all of the trouble of showing yourself to us,`@` but I don't believe you exist in the slightest.`\ ld l,$BUT_odorokiA1,80 ;　確かにこの２日間、妙なことは何度か起こった。@さっき真里亞に言われた通り、俺はそれら全てにトリックの説明がつけられると思っているが、個々に具体的にはまだ挙げられてねぇ。@だが、だからといって屈するわけじゃない。\ `It's true that many strange things happened during those two days.`@` Like Maria said earlier, even though I think that all of the tricks could be explained, I still can't lay out the practical details of each one.`@` However, that doesn't mean that I'll surrender.`\ ld l,$BUT_NayamuA2,80 ;　俺は兄貴たちとは違うぜ？@　説明できないから、魔女の仕業だなんて論法には絶対ぇならねぇぜ。」\ ;＜戦人 `I'm different from the rest of them, you see?`@` I'll never argue that it was the work of a witch just because I can't explain it."`\ ld r,$BEA_WaraiA2,80 ;「………ますますに気に入ったぞ。@お前は屈服させ甲斐がある…。@……お前のような男にこそ、我が名を讃えさせてみせたいぞ……？@/ `"This keeps getting more interesting.`@` Making you surrender will be worth my time...`@`......You're just the kind of man I'd like to force into praising my name...... `@/ ld r,$BEA_AkuwaraiA1,80 ;　お前のような男にこそ、爪先にキスをさせてみたいものよ。@…くっくっくっくっく！」\ ;＜ベアト `I'd love to try making a man like you kiss my toes.`@` ...*cackle*cackle*cackle*!"`\ ld l,$BUT_OdorokiA1,80 ;「寝言言いたきゃ好きなだけ言ってろ…！@　俺はお前なんか否定してやるぜ。@全ての出来事を“人間とトリック”で説明してやる…！！@　そこには一片たりとも魔女も魔法も入り込む余地はねぇッ！！」\ ;＜戦人 `"If you want to talk nonsense, talk all you want...!`@` I deny you exist.`@` All of the events can be explained with 'human tricks'...!!`@` There's no room for even a speck of magic or witches!!"`\ ld r,$BEA_WaraiA1,80 ;「良い！@　……それでこそ千年の退屈も紛れるというものよ。@/ `"Wonderful!`@` ......This is the perfect form on diversion from a thousand years of boredom. `@/ ld r,$BEA_futekiA1,80 ;ならば聞こう。@お前は先ほど、絵羽たちを殺すのに、扉の隙間を利用すれば良いと言ったな…？@　人間とトリックで、どう殺してみせるのか、説明するがいい。」\ ;＜ベアト `Then let me ask you.`@` A short while ago, you said that using the crack in the door would be sufficient to kill Eva and Hideyoshi, right...?`@` Explain how they could have been killed using some human trick."`\ ld l,$BUT_komaruA1,80 ;「……へ。@いきなり、一番辛いところから切り込んできやがったな。@/ `"......Heh.`@` Suddenly jumping right into the toughest part, are you? `@/ ld l,$BUT_nayamuA2,80 ;…ってことは、このトリックが一番の自信作、ってことなんだろ？@ `...Does that mean that this is the trick you're proudest of?`@ br ;　(真犯人/・・・)さんよぅ。」\ ;＜戦人 `Miss `(`Real Culprit`/・・・・・・)`?"`\ bg white,0 print 99,3000,"breakup.dll/ulb" ;　ベアトリーチェが黄金の煙管を振るうと、@そこから七色の煙が柔らかく尾を引きました。@ `With a shake of her golden pipe, `@`seven colors of gentle smoke trailed out of the end.`@ br ;　…それらは見る見る周囲を覆うと、@……いつの間にかそこはお屋敷の廊下に。\ `...The smoke quickly obscured the surroundings,`@` ......and they were suddenly in the hallway of the mansion.`\ bg M2F_P1bR,0 print 99,3000,"whirl.dll/l" wait 2000 se1 27 bg white,1 mevol 1,70 bgmvol 90 bg M2F_P1bR,2 ;　目の前には、チェーンで閉じられ、わずかに開いた客室の扉が…。@ ;　そう、絵羽たちが殺された部屋の入口なのです。\ `The door in front of them, slightly opened but secured by the chain, was...`@ `That's right, it was the door to the room where Eva and Hideyoshi had been killed.`\ ld l,$BUT_KomaruA1,24 ;「……べ、便利じゃねぇかよ…。」\ ;＜戦人 `"......N, nice trick..."`\ bg M_door1,23 ld r,$BEA_DefA1,24 ;「さて。@このわずかの隙間から、どうしてみせるのか、戦人とやら。」\ ;＜ベアト `"Alright.`@` Show me what you would do through this small crack, Battler."`\ ld l,$BUT_AseruA1,23 ;「く、…………。@……た、多分、あの“アイスピック”を打ち出せる射出機があるんだ。@そいつを使って……。」\ ;＜戦人 `"Erk, ............`@`......th, they probably had some device to shoot those 'icepicks'.`@` If they used that......"`\ ld r,$BEA_AkuwaraiA1,80 ;「その隙間からは見えぬ、ベッドの上の絵羽をどう狙うのか？@　……そして、バスルームに篭り扉を閉めた秀吉をどう狙うのか…？」@ ;＜ベアト `"How would they reach Eva over on the bed when you can't see that far through this crack?`@` ......And how would they reach Hideyoshi, in the bathroom with the door shut...?"`@ ld l,$BUT_KuyasigaruA1,80 ;「……………………………くそ、………。@…隙間はある…。@何か方法があるはずなんだ……。」\ `".....................Damn, .........`@`...There's a crack...`@` There should be some way......"`\ cl a,0 ld c,$BEA_WaraiA2,23 ;「くっくっくっく。@お前に思いつかぬなら、妾がやって見せても良いぞ。」\ ;＜ベアト `"*cackle*cackle*.`@` If you can't think of one, allow me."`\ bg M2F_P1bR,23 ld l,$BUT_NayamuA2,23 ;「……ほぉ。@魔女さまならどうやってみせるってんだよ…。@お手並みを拝見してやろうじゃねぇか…。」@ ;＜戦人 `"......Oh?`@` How would a witch do it...?`@` C'mon, let's see your little trick..."`@ ld r,$MAR_FukigenA1,24 ;「……………戦人、ベアトーリチェに口の聞き方がぞんざい…。」\ ;＜真里亞 `"............Battler, you're being rude to Beatrice..."`\ cl r,23 ld r,$BEA_DefA2,24 ;「良い良い。@愉快な男よ。@…それでこそ屈服させる楽しみが増すというものよ。」@ `"How nice, how nice.`@` What a charming man.`@` ...That will make it even more fun to force him into submission."`@ ld l,$BUT_aseruA1,80 ;「……へ！@　そんなに俺に爪先にキスをさせてぇかよ…！@　俺が降参したらな！@　だが見てろ、きっと俺がこのトリックを暴いて、逆に手前ぇを俺のケツにキスさせてやるぜ！」\ ;＜戦人 `"......Heh!`@` You really want to make me kiss your toes that much...!?`@` Only if I surrender!`@` But watch...I'll definitely expose this trick, and then I'll make you kiss my ass instead!"`\ ld r,$BEA_waraiA1,80 ;「……………くっくっく。@愉快な男よ。@覚えておこうぞ、その約束を。@…弱き魔女は、力を得るために悪魔の尻にキスをする。@それを超える屈服の誓いはないからな。@そこまで言わせたからこそ、妾はお前を屈服させてみたくなる。@………くっくっくっく…！」\ `"............*cackle*.`@` What a delightful man.`@` I'll remember that promise.`@` ...Weak witches kiss the behinds of demons to gain power.`@` Because there's no more humiliating oath.`@` Just being told that makes me want to humiliate you.`@` .........*cackle*cackle*...!"`\ bg black,22 ;　ベアトリーチェは、戦人の品なき暴言を気に留めることなく、黄金の煙管を再び振るいました。@ ;　……そう、この黄金の煙管は、彼女にとっての大事なケーンなのです。\ `Paying no mind to Battler's worthless ranting, Beatrice once again shook the golden pipe.`@ `......That's right, that golden pipe was her precious magic cane.`\ bg M_door1,22 ld c,$BEA_DefA1,24 ;「さぁさ、お出でなさいな子どもたち。@我こそは煉獄の案内人。@大罪を赦せし七つの杭を持て。」@ ;＜ベアト `"Come, arise, children.`@` I am the guide of Purgatory.`@` Forgive the deadly sins and hold the seven stakes."`@ bg black,0 ld c,$BEA_DefA1,26 se1 31 wait 200 seplay 2,30 wait 50 seplay 3,31 br ;　謳うような魔法の言葉に導かれ、７つの杭が集います。@ ;　…それは、罪深き人の大罪を象徴する七人の悪魔たちの杭。\ `Guided by those magic words, which sounded like a command, seven stakes gathered.`@ `...They were the stakes of the seven demons symbolizing the deadly sins of sinful people.`\ ld c,$BEA_waraiA2,80 ;「ベルゼブブにアスモデウス。@さぁさ、罪を赦しなさい。@罪人の魂を解放なさい…！」@ `"Beelzebub and Asmodeus.`@` Come, forgive the sins.`@` Release the spirits of the sinners...!"`@ bg black,1 ;「ぅおッ…？！」\ ;＜戦人 `"Wha...?!"`\ se1 27 wait 300 bg white,1 bg M_door1,22 ;　ベアトリーチェの呼びかけに、ベルゼブブの杭とアスモデウスの杭が応えます。@ `The picks of Beelzebub and Asmodeus responded to Beatrice's call.`@ br ;　その２本の悪魔の杭は、まるでキューに弾かれたビリヤードの玉のように弾かれ、扉の隙間に吸い込まれていきます。\ `The two stakes of the demons were sucked in through the crack of the door, like billiard balls struck by a cue stick.`\ ;　そして、部屋中の壁に何度も乱反射する音が、まるで啄木鳥の啄ばむ音のように聞こえてくるのです。@ `Then, several scattered noises refracted through the wall, making a sound like a woodpecker.`@ br ;　そして最後に、気持ちのいい音が聞こえました。\ `And at the end, a pleasant sound could be heard.`\ resettimer for %ryuu1 = 1 to 4 waittimer 85 seplay 1,40 waittimer 170 seplay 2,41 waittimer 255 seplay 3,42 waittimer 340 resettimer seplay 2,41 next wait 200 se1 36 ;ssss bg blood_1a,1 bg black,80 wait 2000 seplay 2,37 wait 1500 seplay 3,38 wait 2000 bg M_door1,2 ;　……例えるなら、薪割りの時、振るい下ろした斧が綺麗にさっくりと薪を割ったような、とても小気味よい音。@ `......It was a small, satisfying sound, like the one heard when someone is chopping firewood and the falling ax neatly and easily slices through the wood.`@ br ;　それは、２本の杭がそれぞれ、絵羽と秀吉の眉間に深々と打ち込まれた時の音。\ `It was the sound of the two picks burying themselves deep into Eva and Hideyoshi's foreheads.`\ ld r,$BEA_AkuwaraiA1,23 ;「…………ど真ん中というところよ。@見てみるか…？」@ ;＜ベアト `"............Right down the middle.`@` Want to see...?"`@ br ;　部屋からは確かに、眉間が砕ける音が二人分聞こえました。@ `They had definitely heard two sounds like someone's forehead being split open.`@ ;　扉越しの戦人には見ることも叶いませんが、@二度死ぬ二人は、二度目も寸分違わぬ同じ姿で倒れ、同じ模様の血痕を描くのでした。\ `Battler wasn't permitted to see it, since he was on the other side of the door,`@` but those two had died again, and this second time, they lay not an inch apart from where they had lain the last time, with the exact same blood-spray as before.`\ ld l,$BUT_KuyasigaruA1,23 ;「ば、…………馬鹿野郎…。@そ、……そんな滅茶苦茶で……！@　こ、殺せてたまるかよッ！！！」@ ;＜戦人 `"Y, ............you moron...`@` Th, ......that's insane......!`@` Y, you think you can just kill them like that?!!!"`@ ld r,$BEA_WaraiA2,80 ;「殺せるとも。@……このように殺せるとも…！@　くっくくくくくくく！」\ `"I can kill them.`@` ......I can kill them just like this...!`@` *cackle*cackle*cackle*!"`\ bg G1F_S1a,0 print 99,5000,"breakup.dll/ulb" ;print 99,3000,"whirl.dll/l" mevol 1,40 ;　気付けばそこは廊下ではなく、元のお茶会の席。@ `Suddenly, they were no longer in the hall, but seated at the tea party they had started from.`@ br textoff seplay 2,21 se1 35 bg blood_2a,1 wait 1000 se1 35 bg blood_2b,1 wait 400 se1 35 bg blood_2c,1 wait 300 se1 35 bg blood_2d,1 ;　……戦人以外のみんなは神妙に座っていましたが、……嘉音が呻きながら口から鮮血を垂らし始めます。@お茶会の席で、はしたないですね。\ `......Everyone but Battler was sitting meekly, ......but Kanon was moaning, fresh blood dangling from his mouth.`@` What a rude thing to do at a tea party.`\ ;　嘉音の胸には、サタンの杭が深々と打ち込まれていました。\ `Satan's stake was buried deep into Kanon's chest.`\ bg G1F_S1b,1 ;!s0「………………ぅ、/ ;!d800……………く/ ;!d700………。」/ !s0`"...............u, `/ !d800`............gah`/ !d700`........."`/ se1 13 quakey 4,400 !sd@ ;＜嘉音 ld r,$BUT_odorokiA1,64 ;「か、……嘉音くん……、@嘉音くんッ！！@/ `"K, ......Kanon-kun......, `@`Kanon-kun!! `@/ ld r,$BUT_KuyasigaruA1,80 ;　く、……くそぉおおぉおぉ！！」\ `D, ......damn iiiiiiiiiit!!"`\ ;　激昂するのは戦人ばかり。@ `Battler was the only one getting agitated.`@ br ;　他の、譲治や朱志香、紗音は、まるで先生に怒られている生徒のように、神妙に俯いています。\ `George, Jessica, Shannon...everyone else was meekly hanging their heads like students being yelled at by their teacher.`\ bg G1F_S1a,0 ld r,$BEA_DefA2,24 ;「…嘉音は瑣末な怒りに囚われ、妾の宴を乱そうとした。@……怒りに囚われやすいのがお前の大罪よ。@清め、悔いてやり直すがいい。」@ `"...Kanon was captivated by a trifling anger and tried to disturb my banquet.`@` ......Your deadly sin is being easily captivated by anger.`@` Cleanse yourself, regret, and do it over."`@ ;!s0「……ァト/ ;!d400……リーチェ……、/ ;!d500……さ、ま……………。」/ !s0`"......at`/ !d400`......rice..., `/ !d500`......sa, ma............"`/ !sd\ ;＜嘉音 ld l,$SHA_OdorokiA1,23 ;「ベ、…ベアトリーチェさま…。@どうかお許し下さい…。@嘉音くんは充分に反省したと思います……！」@ ;＜紗音 `"B, ...Beatrice-sama...`@` Please, forgive him...`@` I think Kanon-kun has repented enough......!"`@ ld r,$BEA_AkuwaraiA1,80 ;「良い。@妾は敬う者に寛大である。@……くっくっくっくっく…！」\ `"Wonderful.`@` I am generous to those who respect me.`@` ......*cackle*cackle*...!"`\ bg G1F_S1c,0 ld l,$BUT_KuyasigaruA1,23 ;「ふざけるなッ！！！/ `"Don't screw with me!!! `/ se1 10 quakey 3,300 ;@　こんな三文芝居で俺がお前の存在を認めると思うなよ？！@　何が千年を生きた魔女だ！@　手前ぇのトリックなんざ、千年じゃねえ、せいぜい百年程度のミステリー界が作ったお約束の累積上にあるだけだ！@/ @`Do you think I'll accept your existence because of this cheap play?!`@` Like hell you're a thousand year old witch!`@` Your tricks aren't a thousand years old, they're just the accumulation of one hundred years of fallbacks from the mystery world! `@/ ld l,$BUT_OdorokiA1,80 ;　魔法なんかじゃねぇ！！@　断じてねぇ！！/ `There's no such thing as magic!!`@` Definitely!! `/ se1 9 quakey 2,300 ;@　事件の全ては“人間とトリック”で説明がつく！！」\ @`All of the crimes can be explained with 'human tricks'!!"`\ ld r,$BEA_WaraiA2,24 ;「くっくっくっく！@　我が千年を人間共の百年で語るか…。@良い良い、だからこそ妾はお前を気に入る…！」@ ;＜ベアト `"*cackle*cackle*!`@` You would explain my thousand years with a hundred years by humans...?`@` Good, good, that's why I like you...!"`@ cl l,23 ld l,$MAR_AkuwaraiA2,23 ;「……………愚かな戦人…。@きっひひひひひひひひひひひひひひひひ…！」@ ;＜真里亞 `"............Foolish Battler...`@` Kihhihihihihihihihihihihihihihihihi...!"`@ ld c,$GEO_KomaruA1,23 ;「……よすんだ、戦人くん…。@ベアトリーチェさまに逆らっちゃ…、/ ;!d800い…けない……。」\ ;＜譲治 `"......Cut it out, Battler-kun...`@` You can't..., `/ !d800`go...against the witch......"`\ bg black,23 bg G1F_S1a,0 ld c,$SHA_KomaruA1,23 ;!s0「…………ん、/ ;!d700………ぅ、/ ;!d400……………ぅ…。」/ !s0`"............nn, `/ !d700`.........u, `/ !d400`...............u..."`/ !sd\ ;＜紗音 cl c,25 se1 13 meplay2 2,16,40 quakey 3,400 ;　紗音が頬を押さえながら呻き始めます。@ ;　…虫歯でも痛むのかもしれません。@ `Shannon started moaning, holding her cheek.`@ `...Maybe she had a toothache.`@ br ;　ですが、それはどうも虫歯ではないようでした。@ ;　……うっすらと赤い模様が、紗音が抑える頬全体に広がっていくのです。\ `But it didn't look anything like a toothache.`@ `......A slight redness spread across the cheek Shannon was holding.`\ ;　その赤い模様は、紗音にとって、堪え難い苦痛を与えているようでした…。@ ;　頬に当てる手はいつしか爪を立てるほどになり、全身に汗が玉のように浮いていきます…。\ `It looked like that redness was causing Shannon unbearable pain......`@ `Her fingers were pressing in against her cheek, and drops of sweat appeared all over her body...`\ ld r,$GEO_nakuA2,24 ;「…紗音…、/ ;!d500紗音…！！@　しっかり…しっかりッ！」@ ;＜譲治 `"...Shannon..., `/ !d500`Shannon...!!`@` Hang in there...hang in there!"`@ ld l,$BUT_odorokiA2,23 ;「どうしたってんだよ！@　くそ、何なんだこりゃ、この赤いのは…！」\ ;＜戦人 `"What's going on?!`@` Damn it, what the hell is that red stuff...?!"`\ bg blood_1a,22 ;　それは見る見る広がって、紗音の顔半分を覆ってしまいます…。@ `It expanded rapidly, covering half of Shannon's face...`@ br ;　…そして、ようやく愚鈍で間抜けな戦人は気付くのです。\ `...Then, the stupid dunce Battler finally realized...`\ se1 8 quakex 4,500 ;!s0「た、頼む、戦人くん…！@　ベアトリーチェさまを信じてくれ…！@　後生だから…！！@　あぁあぁぁ、君が信じないから、/ ;!d700信じないからぁ、ぁぁああぁ…、/ ;!d500魔法が、/ ;!d600……魔法が解けてしまうぅうぅうぅッ！！」\ ;＜譲治 !s0`"P, please, Battler-kun...!`@` Please believe in Beatrice...!`@` I beg you...!!`@` Aaaaaaah, because you won't believe, `/ !d700`because you won't believe, aaaaaaaaaah..., `/ !d500`the magic is, `/ !d600`......the magic is dissolviiiiiiiing!!"`\ !sd se1 1100 seplay 2,36 bg blood_1aR,1 ;　戦人は、……生まれて初めて、石榴が裂ける音というものを聞きます。\ `For the first time in his life, ......Battler heard that sound, like a pomegranate splitting.`\ ;textoff ;monocro #ff0000 ;bg white,18,2000,":c;bmp\efe\blood_2a_efe.bmp" ;wait 1000 ;bg black,1 ;monocro off ;　その、赤い飛沫が、戦人の顔にも飛び散りました…。@ `The red spray even landed on Battler's face...`@ se1 21 ;　哀れ、紗音の顔は半分がばっくりと裂け、…あの倉庫の中でのおぞましい最期をもう一度そこに繰り返してしまいます。\ `Poor Shannon's face had been split in half, ...and her last horrible moments in that storehouse were repeated once again.`\ bg G1F_S1c,0 ld r,$GEO_NakuA2,1 ld r,$GEO_NakuA1k,80 ;「う、うわぁああああああああぁああああぁ、紗音、紗音ッ！！@　うわああああぁあああああぁぁあぁあああああ！！！」@ ;＜譲治 `"U, uwaaaaaaaaaaaaaaaaaaaaaaaaa, Shannon, Shannon!!`@` Uwaaaaaaaaaaaaaaaaaaa!!!"`@ ld l,$BUT_kuyasigaruA1,23 ;「く…、うぐぐ、くそお、くそおぉおおおおッ！@/ `"D..., da da da, damn it, damn iiiiiiiiiiit! `@/ ld l,$BUT_nakuA1,80 ;　やめろ、やめろやめろぉおおぉ！！@　死者を辱めるな、死者を辱めるなあああぁッ！！」\ ;＜戦人 `Stop it, stop it, stop it!!`@` Don't humiliate the dead, don't humiliate the deeeeeaaaaad!!"`\ bg black,1 ;「ぅうう、……く、………ひぃッ！！」\ ;＜譲治 `"Uuuu, ......gah, .........eeeggh!!"`\ se1 13 bg blood_1a,42 ;　今度は、譲治の全身に赤い模様が広がっていきます…。@ `This time, the redness spread across George's entire body...`@ br ;　それはまるで、紅茶にたっぷりと落としたミルクが描くかのような美しき雲模様。@それらがじわりと、そして全体に、広がっていきます。@ `It was like the beautiful cloud drawn by milk when it is poured into black tea.`@` It spread out and extended across his entire body.`@ ;　……それらは色濃くなるに従い、譲治に苦痛を与えるようでした。\ `......As it did, it seemed to give George increasingly greater pain.`\ bg G1F_S1a,0 ld r,$BUT_kuyasigaruA1,22 ;　その奇怪な模様を見て、……戦人は、譲治たちがどのような奇怪な最期を遂げたのか、@哀れなほど拙い想像力で必死に考え、立ち竦みます…。@ `Looking at this bizarre spectacle, ......Battler was petrified as he frantically thought with his pitifully clumsy imagination...`@`about the nature of this strange death George and the rest were experiencing...`@ br ;　やがて、……その赤い模様はさらに隣の朱志香にも……。\ `Eventually, ......that redness reached the nearby Jessica as well......`\ bg G1F_S1c,0 ld l,$JES_NAyamuA1,22 ld l,$JES_IkariA2,80 ;!s0「く、/ ;!d400………ぃ、/ ;!d300……く、/ ;!d700…………ッ！！」\ !s0"`Gah, `/ !d400`.........eeh, `/ !d300`......ack, `/ !d700`............hh!!"`\ ;＜朱志香 !sd textoff cl l,25 se1 13 quakey 3,300 ld c,$BUT_nakuA1,80 ;「や、やめろやめろやめろッ！！！@　兄貴が何をした、@朱志香が何をした、@もうやめろぉおおおおおおぉ！！！」\ ;＜戦人 `"S, stop it, stop it, stop it!!!`@` What did Aniki do,`@` what did Jessica do,`@` just STOP IIIIIIIIIIIIIIIIIT!!!"`\ bg blood_1a,2 ;!s0「ば、/ ;!d300……戦人……、/ ;!d700……ま、/ ;!d300…魔女なんかに、/ ;!d700…挫けるんじゃねぇぜ……！@　……否定しろ、/ ;!d500ぶっ消してやれ…。@こいつは、……誰かひとりでも否定する限り、/ ;!d800存在できない幻影なんだ……！@　ううぅううぅ、くぅッ！！！」@ ;＜朱志香 !s0`"B, `/ !d300`......Battler......, `/ !d700`......d, `/ !d300`...don't let the witch, `/ !d700`...break your spirit......!`@` ......Deny her, `/ !d500`erase her...`@` A, ......as long as at least one person denies her, `/ !d800`she's an illusion that can't exist......!`@` Aaaaahhhh, gghhh!!"`@ br ;「だ、大丈夫か朱志香！！@　うわッ、あ、兄貴ッ？！？！」\ ;＜戦人 `"A, are you alright, Jessica?!!`@` Whaa, A, Aniki?!?!"`\ se1 1100 seplay 2,36 bg blood_1aR,1 ;　もう譲治は人の形をしてはいません。@ `George was no longer recognizable as a human.`@ ;　…まるで、お料理でおいしいお肉を削いだ後に残した残骸の山のよう。@ ;　…せいぜい、人の頃の痕跡を残すのは、下顎の部分とあばら骨の形状くらいでしょうか。@ `...He looked like the pile of leftover meat after the good, delicious meat has been scraped off to be cooked.`@ `...The only thing that even resembled a human was the shape of his lower jaw and rib cage.`@ br ;　そして、赤い模様がどんどん色濃くなる朱志香も、同じ末路を辿ることは明白でした。\ `And it was clear that Jessica, who was covered with a steadily strengthening redness, was approaching the same fate.`\ bg G1F_S1b,26 ld l,$MAR_FukigenA1,22 ;!s0「…………うー。@…戦人。@……早く、ベアトリーチェを信じて…。@/ !s0`"............Uu-.`@` ...Battler.`@` ......Quickly, believe in Beatrice... `@/ ld l,$MAR_KomaruA1,80 ;………じゃないと、/ ;!d400………みんなの魔法が、/ ;!d600………解けてしまう…。」/ `.........If you don't, `/ !d400`.........everyone's magic, `/ !d600`.........will dissolve..."`/ !sd@ ;＜真里亞 ld r,$BUT_OdorokiA2,24 ;「ま、真里亞、お、お前も全身に……ッ！！！」\ ;＜戦人 `"M, Maria, it's all over your body, too......!!!"`\ bg G1F_S1a,0 ld c,$BEA_DefA2,23 ;「私は魔法で、全ての死者を蘇らせる。@……でも、お前が信じない限り、それは真の力を持たない。@/ `"I revive all the dead with my magic.`@` ......But as long as you don't believe, that magic will hold no true power. `@/ ld c,$BEA_waraiA1,80 ;くっくっくっくっく！@　もっともお前ほどの男が、この程度のことで屈服することはあるまい…？」\ ;＜ベアト `*cackle*cackle*cackle*!`@` But I'm sure that a man like yourself won't surrender to something like this, right...?"`\ bg black,22 bg blood_1a,22 ;!s0「ば、/ ;!d100…戦人……ッ！@　私たちは、/ ;!d400……身内を疑いたくなかった…。@現実から目を逸らしたから、/ ;!d500…魔女に屈してしまった……！@　でも、/ ;!d300…戦人なら…。@……戦人なら、/ ;!d600……魔女になんか屈しない……！@　ひぐッ、/ ;!d300ぐかかか、/ ;!d500……くかかかかかかかッ！！！」\ ;＜朱志香 !s0`"B, `/ !d100`...Battler......!`@` We, `/ !d400`......didn't want to doubt our friends...`@` We refused to face reality, `/ !d500`...and gave in to the witch......!`@` But, `/ !d300`...Battler, you won't...`@`......won't, `/ !d600`......give in to the witch......!`@` Geh, `/ !d300`ggghh, `/ !d500`......gggggghhkkkkkkk!!!"`\ !sd ;textoff ;monocro #ff0000 ;bg white,18,2000,":c;bmp\efe\blood_2a_efe.bmp" ;wait 1000 ;bg black,22 ;monocro off se1 1100 seplay 2,36 bg blood_1aR,1 ;「朱志香ッ、朱志香ぁぁああぁ、わぁああああああああぁあああぁあッ！！」\ ;＜戦人 `"Jessica, Jessicaaaaaaa, waaaaAAAAAAAaaaAAAahh!!"`\ ;　哀れ、朱志香も同じ末路。@ `Poor Jessica met the same end.`@ ;　…譲治と同じ、お肉屋さんの残骸のよう。@ `...Just like George, she ended up like a butcher's leftovers.`@ ;　崩れて解けて、混じってしまうから、もうどれが譲治で朱志香か、わからない。\ `George and Jessica were now so destroyed, melted and mixed up, it was impossible to tell them apart.`\ bg G1F_S1c,22 ld r,$MAR_KomaruA1,24 ;「……………戦人。@泣かないで。@…ベアトリーチェは、死者を何度でも蘇らせてくれるよ。@だから悲しくないよ…。@/ ;!s0……だから、/ ;!d400…………死んでも、/ ;!d300……………平……、/ `"............Battler.`@` Don't cry.`@` ...Beatrice will restore the dead over and over.`@` So there's nothing to be sad about...`@/ !s0`......So, `/ !d400`............even if we die, we're still, `/ !d300`............just......, `/ bg black,1 se1 13 quakey 3,300 ;!d500気…、」/ !d500`fine..."`/ !sd\ ;＜真里亞 bg blood_1a,2 ;　真里亞の全身にも赤い模様がじわりじわりと蝕んでいきます…。@それを見て、愚かな戦人は絶叫します。\ `The redness began eating into the whole of Maria's body...`@` The foolish Battler watched and screamed.`\ mov %save_on_flg,off bg black,22 fede 0,2000 wait 2000 bgmonce "bgm\rougoku.ogg" ;wait 2000 bg G1F_S1b,0 ld r,$BUT_kuyasigaruA1,22 ;「手前ぇは許さねぇ、絶対に許さねぇッ！！@　何が魔女だ、何が魔法だ！！@　俺は全身全霊を賭けてお前を否定してやるぞ…！！@　何が何でも手前ぇを認めるわけにはいかねぇ！！@　俺をここまで敵に回しやがった以上、絶対ぇに手前ぇだけは許さねぇ！！\ `"I won't forgive you, I'll never forgive you!!`@` A witch!? Magic!?`@` I'd risk my body and soul to deny you...!!`@` No matter what happens, I can't accept you!!`@` Now that you've gone so far to piss me off, I'll never forgive you!!`\ ld r,$BUT_nakuA1,80 ;　許さねぇ許さねぇ絶対許さねぇ！！@　よくもこの右代宮戦人を敵に回しやがったッ！！@　何が何でも貴様を否定してやるぞ！！@　どんな不可解だろうと全部、“人間”で説明してやるッ！！！@　手前ぇをこの世から、細胞の一欠けらまで残さず消し去ってやるッ！！！」\ ;＜戦人 `I won't forgive, I won't forgive, I definitely won't forgive you!!`@` You'll regret making me, Ushiromiya Battler, your enemy!!`@` I'll deny you no matter what!!`@` No matter how baffling things get, it can all be explained by 'humans'!!!`@` I'll erase every cell of you from this world!!!"`\ bg black,0 ld c,$BEA_WaraiA2,23 ;「よくぞ言ったぞ、戦人とやら…！@　それでこそ我が千年の退屈も紛れるというもの！@/ `"Well said, Battler...!`@` That's the kind of thing that can divert me from my thousand years of boredom! `@/ ld c,$BEA_akuwaraiA1,80 ;　さぁ、説明するがいい。@“人間とトリック”とやらで説明してみせるがいい！@　そして人間の身の程を知るがいい！！@　我が千年を、人間共が築いたとかいう百年で太刀打ちできるか試してみるがいいッ！！@　それでこそお前を屈服させる楽しみが増すというものよ…！！\ `Come, explain.`@` Try explaining it all with 'human tricks'!`@` And learn how lowly humans are!!`@` Let's see if what humanity has built up in a hundred years can oppose my thousand years!!`@` That's what will make forcing you to submit so pleasant...!!`\ ld c,$BEA_defA2,80 ;　さぁ聞こう、戦人とやら！@　真里亞の手紙は？@　６人の殺し方は？@　シャッターは？@　レシートの封印は？@　チェーンの密室は？@　嘉音のボイラー室は？@　源次たちの客間は？！@　夏妃の自殺は？！@　碑文の謎は？！@　隠された黄金の在り処は？！\ `So tell me, Battler!`@` What about Maria's letter?`@` How the six were killed?`@` The shutter?`@` The receipt's seal?`@` The closed room with the chain?`@` Kanon in the boiler room?`@` Genji and the others in the lounge?!`@` Natsuhi's suicide?!`@` The riddle of the epitaph?!`@` The location of the hidden gold?!`\ bg Mhal_2cN,0 ld c,":a;bmp\TATI\BEA\1\Warai_tea1_only.bmp",0 print 99,3000,"breakup.dll/ulp" ;　さぁ、戦人とやら、“人間”の力を見せてもらおうではないかッ！@　ふっはははははははははははははははははは！！！」\ ;＜ベアト `So, Battler, why don't you show me the power of 'humans'?!`@ br `Fuhahahahahahahahahahahahahahahahahaha!!!"`\ cl a,0 ld r,":a;bmp\TATI\BEA\1\Warai_tea1_only.bmp",0 ld l,$BUT_OdorokiA1,80 ;「うをおぉおおおぉおおおおおおおおおおおおおおおおおぉッッ！！！」 `"OoooooOOOOOOooooooooooOOOOOOOOohh!!!"` mov %save_on_flg,on wait 1000 textoff seplay 1,43 bg MAP01,1 bg black,62 seplay 2,25 bg MAP02,1 bg black,62 seplay 3,30 bg MAP04,1 bg black,62 ;＜戦人 se1 31 bg white,1 bg black,22 bgmvol 90 seplay2 2,46,100 ;■お茶会、ＥＮＤ。そしてスタッフロール。 gosub *teatime_ep1_scroll ;スクロール実行本体 resettimer ;bg end_rogo,0 ;print 1 waittimer 8000 prnumclear ;数値ラベル設定クリア ; csp -1 ;スプライト全クリア ; btndef "" ;高速描画用画像の、メモリからの消去 ofscpy lsp 510,":c;bmp\background\efe\end_1d.JPG",0,0 print 1 ;以下の２行を消して、ガラス処理〜！ ;bg black,10,4000 lsp 500,":a;bmp\efe\ware.bmp",0,0 E_A seplay 1,27 seplay 2,46 seplay 9,1100 print 1 wait 3000 csp 500 csp 510 bg black,10,8000 wait 7000 if %UMINEKOEND < 12 mov %UMINEKOEND,12 : mov %UMINEKOEND_FLG,12 ;クリアフラグの変更 se1 22 bg TEXT005,22 delay 10000 bg black,22 E_A mov %title_skip,0 reset ;******************************************************************* *teatime_2 mov %m_temp1,1 if %UMINEKOEND_FLG = 21 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 mov %play_scene,1010 btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff bg black,22 E_A bg purgatorio,22 delay 4000 textoff se1 56 bg Different_spiral_1a,48 wait 2000 bg G1F_S1aP,8 wait 1000 bg G1F_S1cP,22 me1 11 ;■表お茶会（楼座目線のため、楼座の立ち絵は登場しません） !sd ;「………………………………。」@ `"........................"`@ br ;　楼座はまどろみから目を覚ましました。@ `Rosa awoke from her doze.`@ br ;　……相当の深い眠りだったのでしょうか。@ ;　ぼんやりとして思考もはっきりしません。\ `......It must have been a very deep sleep.`@ `Her mind was hazy and she wasn't thinking clearly.`\ ;　ここはどこでしょう…。@ ;　どこかの屋敷のように感じられたが、少なくとも右代宮家の屋敷ではないようでした。@ `Where is this...?`@ `It felt like some mansion, but at least it didn't seem to be the Ushiromiya family mansion.`@ br ;　そこは、客間のような部屋に見えました。@ `She could see a room that looked like a parlor.`@ br ;　……そしてそこにはお茶の用意がありました。@ ;　恐らく、自分の為に用意されているに違いありません。\ `......And there was some tea that had been prepared.`@ `It had probably been prepared for her.`\ textoff E_MA se1 22 bfly2 0 bg G1F_S1bP,22 wait 1000 bgm1 56 ;　部屋の中に金箔のようなキラキラが舞っていて、とても幻想的でした。@ `Around the room, some glitter that looked like gold leaf drifted about, making the scene look very fantastical.`@ br ;　…それはやがて黄金の蝶であるとわかり、さらにそれを際立たせるのでした。\ `...When she eventually realized that they were gold butterflies, it further strengthened this impression.`\ cbfly 0 bg black,3 bfly1 0 bg G1F_S1aP,0 ld c,$BEA_DefA2,3 ;　自分の向かいには、誰かがいました。@ `There was someone across from her.`@ br ;　……女性。@……婦人。@ `......Female.`@` ......A woman.`@ mov %play_scene,1020 seplay 9,1060 ;　…………肖像画の、/ ;!d600…魔女。\ `.........The portrait's, `/ !d600`...witch.`\ ld c,$BEA_WaraiA1,80 ;　何かを一方的に語り続けているようでした。@ `She seemed to be having a one-sided conversation.`@ br ;　多分、楼座に対して話しているのでしょうが、@深い霧に閉ざされたような思考では、何を言っているのかさっぱりでした…。\ `She was probably talking to Rosa, `@`but Rosa, whose mind was clouded up by a deep fog, didn't have a clue what was being said...`\ ld c,$BEA_futekiA2,80 ;「……何でも良い。@そなたが望む物があるならば、その全てを与えよう。@その強運への褒美と思うも良かろうし、妾の求めに対する正当な対価と考えても良い。」\ `"......Anything is fine.`@` If there is anything you want, I'll give you it all.`@` You can think of it as my reward for your good luck, and as a proper trade for my demands."`\ ld c,$BEA_defA1,80 ;「そなたにとってはまったく大したことではないかもしれない。@しかし、妾にとってはそれだけ意味がある取引だといういうことだ。」\ `"It probably isn't that big a thing for you at all.`@` However, that is the only meaningful transaction as far as I am concerned."`\ br ;　…………何の話を、しているのだろう。@ `............What is she, ...talking about.`@ br ;　…わからない、@…わからない。\ `...I don't know, `@`...I don't know.`\ ld c,$BEA_defA2,80 ;「ただ、……せっかく妾は魔女なのだから。@魔女にしか叶えられない願いを求めるのが利口ではないかと思うぞ。」\ `"It's just that, ......I am very much a witch.`@` I think it would be wise to ask for something that only a witch can grant."`\ ld c,$BEA_waraiA1,80 ;「せっかくの機会ではないか。@この黄金のベアトリーチェから恩恵を得られるなど。@くっくっく！」\ `"Isn't this a rare chance.`@` You can actually receive a favor from me, Beatrice the Golden.`@` *cackle*cackle*!"`\ bg G1F_S1cP,24 ;「……………………ぅ………。」@ `"..................u........."`@ br ;　楼座はようやく、体に血が巡り始めるのを感じました。@ ;　…体の動きはまだ緩慢で、思い通りの言葉すら口にできません。\ `Finally, Rosa started to feel the blood flowing through her body.`@ `...Her movements were still sluggish, and she couldn't even voice the words she was thinking.`\ bg G1F_S1aP,0 ld c,$BEA_defA1,23 ;「妾の通り名は黄金の魔女。@金蔵に与えたように、山成す黄金を与えることは造作もない。@……何しろ、人の世の快楽は全てカネで換算できる。@即ち、黄金こそが人の世の快楽そのものなのだ。」\ `"I am commonly called the Golden Witch.`@` Bestowing a mountain of gold, like I gave to Kinzo, is no problem for me.`@` ......In any event, you can convert all pleasures of the human world into money.`@` Therefore, gold is equal to all the pleasures of the human world."`\ ld c,$BEA_waraiA2,80 ;「そなたは想像ができるか？@　生涯をかけても使い切れぬ黄金の山が。」@ `"Can you imagine?`@` A mountain of gold that you couldn't use up as long as you lived."`@ br ;　魔女が煙管を吹かすと、七色の煙が辺りを包みました。\ `As the witch blew on her pipe, seven colors of smoke wrapped around the surroundings.`\ se1 52 bg G1F_S1cP,99,2000,"whirl.dll/l" cbfly 0 bg white,2 se2 22 bg gold1,99,3000,"breakup.dll/llB" ;　すると、客間の中は、…いつの間にか積み上げた黄金のインゴットでいっぱいになっていました。\ `When she did, the inside of the parlor, ...had suddenly become filled with stacks of gold ingots.`\ ;　それは眩い黄金色の壁のようにも見えます。@ `It looked like a shining gold-colored wall.`@ br ;　…インゴットひとつで数千万円の価値があるのだとしたら、@ここにある全てで一体いくらくらいになるというのでしょう。@ `...If each ingot was worth several ten million yen,`@` how much would all of this be worth?`@ br ;　その数字を知ることすら罪深く感じられるのでした。\ `It seemed sinful to even think of that number.`\ cbfly 0 bg G1F_S1bP,2 ld r,$BEA_nayamuA1,24 ;「……しかし、人の世は難しい。@どれほど空高く積み上げた黄金であろうとも、満たされぬものがあることを知っている。@埋められぬ隙間があることを知っている。@妾はそれを蔑ろにしないし、それこそが、魔女である妾にしか与えられぬ褒美であると考えている。」\ `"......However, the human world is difficult.`@` I know that there are some things that cannot be satisfied no matter how high into the sky you pile up gold.`@` I know that there are cracks that can't be filled.`@` I won't make light of that, which is why this is a gift that only a witch such as I can give."`\ ld r,$BEA_defA2,80 ;「……そなたのそれを、妾が埋めてやるというのはどうか。@なるほど、これはいい。@妾にしか与えられぬ物だ。@そなたもさぞや喜ぼう。」\ `"......Why don't I fill those cracks in for you?`@` Yes, how about this.`@` It's something that only I can give.`@` You should be very happy."`\ ld r,$BEA_waraiA1,80 ;「……口にせずとも良い。@そなたの心の隙間など、顔に書いてあるからすぐにわかるぞ、くっくっく！」\ `"......You don't have to say it out loud.`@` I can understand it right away, it's written on your face and in the corners of your heart, *cackle*cackle*!"`\ ;　楼座は、自分は一言も発してないにもかかわらず、@勝手に話を進める魔女に一抹の不安を覚えましたが、@言葉もうまく話せず、指一本動かすのにも難儀する有様では、どうすることもできず、@ただ耳を傾けることしかできませんでした。\ `Rosa felt a touch of discomfort at this witch, `@`who kept on talking even though Rosa hadn't uttered a single word, `@`but since she still couldn't speak well, and was so helpless that it was difficult for her even to move a finger, `@`she couldn't do anything but listen.`\ cl r,0 ld c,$BEA_nayamuA1,4 ;「そなたの深き心の傷はどこまで遡れば癒せるのか。@/ `"How far must the deep wounds in your heart recede before they can be healed? `@/ ld c,$BEA_futekiA2,80 ;………これは、/ ;!d800………深い、/ ;!d500深い。@……時に、破片を飲み込んだまま傷口が閉じてしまうこともある。@…そういう傷は見た目には癒えていても、永遠に疼きを感じ続けるものだ。@完全に治すために、今一度、傷口を開くこともあろう。」\ `.........This is, `/ !d800`.........deep, `/ !d500`deep.`@` ......Sometimes, wounds close up while a fragment of something is still inside.`@` ...Even when those wounds appear to have healed, they will continue to throb for all eternity.`@` Sometimes you have to open the wound once to completely heal it."`\ ;　魔女はそう語りながら、楼座の瞳の奥深くを覗き込みます。@ `As the witch spoke, she stared deep into Rosa's eyes.`@ br ;　……一体、何を覗き見られているのか。@ ;　楼座は不安になりますが、目を逸らすことはできませんでした。\ `......What in the world, ...was she peering at?`@ `Rosa felt uncomfortable, but she couldn't look away.`\ ld c,$BEA_nayamuA1,80 ;「…………そなたの痛みは、すでに生まれながらにして運命付けられたものか。@…これは何とも辛いものよ。@…言わずとも良い。@わかる。@……わかる……。」\ `"............So your pain, is being stuck with a fate from the time you were born.`@` ...How heart-breaking.`@` ...You don't have to say it.`@` I understand.`@` ......I understand......"`\ se1v 52,40 textoff bg Different_spiral_1a,2 ;　次第に、楼座もまた魔女の瞳の中に飲み込まれていきました。@ `Then, Rosa was once again sucked into the witch's eyes.`@ se2v 22,40 bfly1 11 ;　次第に、世界が暗く、ぐるぐると回って飲み込まれていきます…。\ `Then, the world grew dark, spinning round and round as she was sucked in...`\ cbfly 11 wait 500 bg black,8 fede 0,3000 wait 1000 bgm1 57 ;　楼座、楼座。@ ;　どうしてお前はそんなに馬鹿なのか。@ `Rosa, Rosa.`@ `Why are you such an idiot?`@ br ;　あぁ、これは蔵臼兄さんの声です。@ ;　蔵臼兄さんはとても大人だからとても頭がいいのです。@ ;　だから馬鹿で子どもな楼座が大嫌いでした。\ `Oh, that's Krauss nii-san's voice.`@ `Krauss nii-san is a real adult, so he's very smart.`@ `So he hated the stupid kid Rosa.`\ mono 1 ld r,$KLA_akuwaraiA2,9 ;　そしてとても怖い人で、よく叩かれたり、玩具を取り上げられて壊したりされました。@ `He was a very scary person.`@` I was often hit, and my toys were taken from me and broken.`@ br ;　それは自分が何か悪いことをしたからの罰らしいのですが、何を犯したから何を罰せられるのかよくわかりませんでした。\ `It had seemed like I was being punished for something bad I'd done, but I hadn't really understood what it was, or why I was being punished.`\ ;　いつも突然に罰せられ、その後になって、取って付けたようにそれが何かの罰であると言われるのですが、@それはいつも身に覚えのないことでした。@ `I was always punished suddenly and then later told what the punishment was for, in a forced manner,`@` but it was always something I didn't remember doing.`@ br ;　……だから蔵臼兄さんのことがすごく嫌いでした。\ `......So I really hated Krauss nii-san.`\ textoff bg black,22 mono off se1v 52,40 bg Different_spiral_1a,22 wait 500 se2v 22,40 bfly1 11 wait 500 cbfly 11 wait 500 bg black,8 ;　楼座、楼座。@ ;　どうしてお前はそんなに馬鹿なのか。@ `Rosa, Rosa.`@ `Why are you such an idiot?`@ br ;　あぁ、これは絵羽姉さんの声です。@ ;　絵羽姉さんはとても大人だからとても頭がいいのです。@ ;　だから馬鹿で子どもな楼座が大嫌いでした。\ `Oh, that's Eva nee-san's voice.`@ `Eva nee-san is a real adult, so she's very smart.`@ `So she hated the stupid kid Rosa.`\ mono 1 ld l,$EVA_akireA2,9 ;　そしてとても狡賢い人で、よく嘘を吐かれたり、騙されたりしてたくさん虐められました。@ `She was always a very sly person, and she often lied to me, tricked me, bullied me all time.`@ br ;　それは自分の頭が悪いかららしく、頭が悪い人は、より良い人に詐取されて当然なのだと言っていました。\ `It had seemed like I was stupid, and she said it was only natural for stupid people to be swindled by those better than them.`\ ;　そして、絵羽姉さんのような賢い人になりたいと思い、言うことを聞くのですが、従うとなぜかいつも誰かに酷く怒られました。@ `So I wanted to become a wise person like Eva nee-san, and listened to what she said, but when I obeyed her, for some reason, someone always got really mad at me.`@ br ;　……だから絵羽姉さんのこともすごく嫌いでした。\ `......So I really hated Eva nee-san.`\ textoff bg black,22 mono off se1v 52,40 bg Different_spiral_1a,22 wait 500 se2v 22,40 bfly1 11 wait 500 cbfly 11 wait 500 bg black,8 ;　楼座、楼座。@ ;　どうしてお前はそんなに馬鹿なのか。@ `Rosa, Rosa.`@ `Why are you such an idiot?`@ br ;　あぁ、これは留弗夫兄さんの声です。@ ;　留弗夫兄さんはとても要領がいいのです。@ ;　だから馬鹿で子どもな楼座が大嫌いでした。\ `Oh, that's Rudolf nii-san's voice.`@ `Rudolf nii-san really knows how to get things done.`@ `So he hated the stupid kid Rosa.`\ mono 1 ld c,$RUD_waraiA2,9 ;　蔵臼兄さんがいる時は蔵臼兄さんと仲良し。@ ;　絵羽姉さんがいる時は絵羽姉さんと仲良し。@ `When Krauss nii-san was around, he was friendly with Krauss nii-san.`@ `When Eva nee-san was around, he was friendly with Eva nee-san.`@ br ;　…そして、蔵臼兄さんがいない時には蔵臼兄さんのように乱暴し、@絵羽姉さんがいない時には絵羽姉さんのようにズルでした。\ `...And when Krauss nii-san wasn't around, he was violent like Krauss nii-san, `@`and when Eva nee-san wasn't around he played dirty like Eva nee-san.`\ ;　そして、普段は自分も虐められているくせに、@蔵臼兄さんと絵羽姉さんが揃っていないと、二人分をまとめるかのように私を同じく虐めました。@ `And even though he was also bullied most of the time, `@`when Krauss nii-san and Eva nee-san weren't around, he gave me two people's worth of bullying.`@ br ;　……だから留弗夫兄さんのこともすごく嫌いでした。\ `......So I really hated Rudolf nii-san.`\ textoff bg black,22 mono off bg Different_spiral_1a,22 me1v 17,40 ;　……あぁ、でもこれは子どもの頃の記憶のはず。@ `......Oh, but this is my memory from when I was a kid.`@ br ;　子どもの頃には少なからずの理不尽なこともあるものです。@ ;　そして、それをいつまでも引き摺っていてはいけない。@ `A large amount of unreasonable things happened when I was a kid.`@ `And that couldn't be dragged out forever.`@ br ;　時と共に記憶の彼方に葬り、それを少しずつ忘れていくのが成長であり、大人になることだったはず。\ `With time, those memories were buried away, and forgetting those bit by bit was supposed to be part of growing up and becoming an adult.`\ bg black,22 ;　だから大人になるということは、それら全ての記憶と決別することだったのです。@ `So becoming an adult is the same thing as separating yourself from all of those memories.`@ br ;　だから。@ ;　楼座はいつまで経っても大人になれなかったのです。\ `Therefore.`@ `No matter how much time passed, Rosa couldn't become an adult.`\ ;　……真里亞という娘を授かり一児の母と呼ばれても、@…まるで大人になれた自覚が持てなかったのです。\ `......Even though she had been blessed with a daughter called Maria and was called a mother, `@`...she didn't at all feel like she had become an adult.`\ ;　魔女はそれを憐れみました。@ `The witch pitied that.`@ br ;　そして、その痛みを自分ならば癒せると微笑みました。\ `And she smiled, saying that she could heal that pain herself.`\ E_MA bg G1F_S1aP,0 bfly2 0 ld c,$BEA_NayamuA1,2 ;「……どうやって癒すのか。@可能ではあるが簡単ではない。@…時間を巻き戻し、そなたに兄と姉がいなかった世界を与えることもできよう。」\ `"......How could I heal you?`@` It's possible, but not easy.`@` ...I could even rewind time, and give you a world where you have no older siblings."`\ ld c,$BEA_DefA1,80 ;「しかしそれでは、そなたは“兄と姉に苦しめられた記憶”が残らず、@ゆえにそれを以って褒美であると言われても納得はできまい。」\ `"But that way, your 'memories of being hurt by your older siblings' wouldn't remain,`@` and in that sense, while you could call it a gift, you wouldn't be able to accept it."`\ ld c,$BEA_futekiA2,80 ;「飢えは癒してこそ満たされる。@飢えそのものをなかったことにしても、誰も感謝しない。@日々の飽食に感謝する若者がいないようにな。@……わかるか？」\ `"If starvation is healed, that person is satisfied.`@` Even if you erase starvation itself, no one will thank you.`@` Just like how there are no young people who give thanks for their daily gluttony.`@` ......Understand?"`\ ;　ずいぶんと難しいことを言われたように思います。@ `I think she's telling me something really complicated.`@ br ;　…早い話が、兄と姉をいなかったことにしても痛みは取り除かれない、/ ;!d800という意味なのかもしれません。\ `...In short, even if she makes it so that I never had older siblings, the pain wouldn't be removed, `/ !d800`maybe that's what she's saying.`\ ;　厳密には違う。@ ;　癒しとは痛みを取り除くことではない。@ ;　痛みに耐えた対価として支払われる快楽なのだ。@ `Strictly speaking, it's different.`@ `Healing isn't the same thing as removing pain.`@ `It's the pleasure earned from withstanding pain.`@ br ;　ゆえに、痛みなくして癒しはない。@ ;　癒しの悦びを知るには、痛みを知らなくてはならないのだ。\ `Therefore, removing the pain isn't healing.`@ `To know the joy of healing, you have to know the pain.`\ ld c,$BEA_AkuwaraiA1,80 ;「となれば、……そなたの痛みに報いる悦びがいる。@そなたは苦難の過去を誇っていい。@苦難を知らぬ者には味わえぬ快楽を知る資格があるからだ。@…この快楽を知る者は、同じ悦びを他者にも与えずにはいられなくなる…。@くっくっくっく…。」\ `"In that case, ......there is joy as a reward for your pain.`@` You can boast of the suffering in your past.`@` Because you are qualified to know a kind of pleasure that those who have not known suffering cannot taste.`@` ...Those that have known this pleasure, cannot help but give the same joy to other people...`@` *cackle*cackle*..."`\ se1 52 bfly1 0 bg G1F_S1cP,99,2000,"whirl.dll/l" ;　魔女が指を弾くと、山成す黄金の囲まれた、/ ;!d800ただでさえ現実感を喪失しそうな部屋のまま、テーブルの上に豪華なテーブルクロスが現れ、@まるでおとぎ話の中のお城で繰り広げられている宴席のような素晴らしい料理が並びました。\ `When the witch snapped her fingers, even though the room was still filled with a mountain of gold and had already lost all semblance of reality, `/ !d800`a fabulous tablecloth appeared on top of the table,`@` and wonderful cooking was laid out, almost as though it was the opening of a banquet in a castle from some fairy tale.`\ ;　その豪華さに、楼座は確かに一瞬、嬉しい驚きを感じましたが、/ ;!d800…同時に拍子抜けも感じました。@ `For an instant, Rosa felt a pleasurable surprise at how fabulous it was, `/ !d800`...but at the same time, she felt a bit of anticlimax.`@ br ;　自分にとって、兄弟に虐められてきたことは、@どんなものであれ、一食程度の美食では拭い去れないものだと思っていたからです。\ `Because she thought that being bullied by her siblings wouldn't be wiped away by just one meal, no matter how delicious.`\ cbfly 0 bg black,22 bg G1F_S1aP,0 bfly2 22 ld c,$BEA_futekiA2,26 ;「食は人の快楽の多くを占める。@生涯、生き続ける限り豚のように食い続けなくてはならぬ。」\ `"Food contains many of the human pleasures.`@` You must eat like a pig as long as you live."`\ ld c,$BEA_defA2,80 ;「一食で足りなければいくらでも。@その心の痛みが癒えるまで、美食の宴を続けようではないか。@……始めろ、家具ども。」\ `"If one meal isn't enough, then as many as you want.`@` Until the pain of your heart is healed, why not continue this gourmet banquet?`@` ......Begin it, furniture."`\ se1 52 ld r,$GOA_DefA1,99,2000,"breakup.dll/ulb" se1 52 ld l,$GOA_DefA1,99,2000,"breakup.dll/ulb" ;　魔女が手をパンパンと叩くと、@いつの間にか周りには山羊頭の使用人たちがいて、食事の準備を始めていました。\ `As the witch clapped twice, `@`there were suddenly two goat head servants there, and they began to prepare the meal.`\ cbfly 0 bg black,4 bg G1F_S1bP,0 ld c,$GOA_DefA1,24 ;　彼らはテーブルを飾る美しき料理皿から、要領よく料理を取り、楼座の皿を盛り上げていきました。@ `From the beautiful food dishes adorning the table, they efficiently took some food and began to pile it up on Rosa's plate.`@ br ;　確かにおいしそうでしたが、楼座の体はまだ鉛のように重くて、@とても食事どころではありませんでした。\ `It really did look delicious, but Rosa's body still felt as heavy as lead,`@` and there was no way she could eat.`\ bg G1F_S1cP,22 ;　それは彼らにもわかっているのでしょう。@ ;　山羊頭の使用人たちは、楼座の襟元にナプキンを纏わせ、@甲斐甲斐しく、食前酒のグラスを口元まで持ってきて傾けてまでくれました。@ `Maybe they also understood that.`@ `The goat head servants tied a napkin around Rosa's collar, `@`and gallantly brought a glass of before-dinner alcohol to her mouth, tilting it for her.`@ br ;　高熱で寝込んだ時に、おかゆを口元まで運んでくれた古い使用人の姿を思い出します。@ `She remembered an old servant who had once carried rice porridge to her mouth when she was laid up with a high fever.`@ br ;　上手に飲めず、口元から零してしまいましたが、芳香のある甘さが口の中いっぱいに広がるのを感じました。\ `She couldn't drink it well, and it dripped down from her mouth, but she felt the fragrant sweetness spread throughout her mouth.`\ bfly2 0 bg G1F_S1aP,0 ld c,$BEA_DefA2,26 ;「ドイツ産の貴腐ワインにあやかった甘きアペリティフよ。@白ワインを紅きゴールデンドロップで染めたワインカクテルだ。」\ `"It's a sweet aperitif of noble rot German-made wine.`@` A wine cocktail of white wine mixed with a crimson golden drop."`\ ld c,$BEA_akuwaraiA1,80 E_A ;「名付けるならばブラッディ・クラウスか。@/ `"If I had to give it a name, I'd call it a Bloody Krauss. `@/ se1 45 ;そなたの兄を圧搾機に掛けて搾り出した血のゴールデンドロップだけで染めてある。」\ `Soaked with just a golden drop of your brother's blood that was squeezed out of a compressor."`\ me1v 16,40 se2 35 cbfly 0 bg blood_2e,1 quakey 3,300 ;　楼座は咽て咳き込みます。@ ;　そして口の周りを真っ赤に汚すその様は、まるで血を吐いたかのようでした。\ `Rosa coughed violently.`@ `And the bright red that stained her face made it look as though she had coughed up blood.`\ bg G1F_S1aP,0 ld c,$BEA_WaraiA1,26 ;「そなたは紅茶に詳しかろうから意味がわかろう？@　ゴールデンドロップとは最後の一滴のことだ。@紅茶でもっとも貴重な一滴と言われている。」\ `"You know a lot about black tea, so you should know what it means, right?`@` 'Golden drop' refers to the last drop.`@` It is called the most precious drop in black tea."`\ ld c,$BEA_AkuwaraiA1,80 ;「………そして血のゴールデンドロップも同じ。@人間から搾り出せる血液の貴重なる最後の一滴。@あれにて絞る。」\ `".........So a golden drop of blood is the same.`@` The last and most precious drop of blood squeezed out of a human.`@` It's squeezed with that."`\ se1 52 bfly1R 0 bg G1F_S1cP,99,2000,"breakup.dll/lrb" ;　魔女が指を鳴らすと、いつの間にか用意されていた大きな何かに掛けられた真っ赤なベールが取り払われました。\ `As the witch snapped her fingers, a bright red veil that had been set up before something large was removed.`\ bg black ,1 E_A ;　……そこにあった大型の厳しい機械はまるで/ ;!d800大きな人型棺桶にいくつかの大きなバルブのようなものを取り付け、/ ;!d800拷問道具のように厳しくしたもの。\ `......The solemn and massive machine there was just like `/ !d800`a coffin for a large-sized person, with many large bulb-like things stuck to it, `/ !d800`and it looked like a sinister torture device.`\ me1v 19,0 cross1 3000,70,0,0,0,0 ;　人力で何かを締め付け、@圧搾するのであろうことがわかる、不気味な形状をしていました。@ `By its unnerving shape, `@`she could tell that with a human's strength, it could tighten and compress something.`@ br ;　…そして、その中にはまだ搾りかすが残っているらしいことが、@真っ赤に汚れた残滓でわかりました。\ `...And it seemed that there were still some squeezed dregs remaining, `@`...because of the bright red remains that stained it.`\ cbfly 0 bg black,22 bfly1 0 bg G1F_S1cP,0 ld c,$BEA_futekiA2,26 ;「しかしゴールデンドロップは一度に一滴しか取れぬ。@どんな人間からも一滴以上は取れぬというわけだ。@/ `"But you can't take more than one golden drop at once.`@` No matter what kind of human you take it from, you can't get more than one drop. `@/ ld c,$BEA_futekiA1,80 ;しかし妾は魔女。@人を蘇らせることもまた容易い。」\ `But I am a witch.`@` It is also easy to revive a person."`\ br se1 52 cbfly 0 bg black,1 me1v 20,90 ;　魔女が指を弾くと、突然、人間圧搾機が震え始めました。\ `When the witch snapped her fingers, suddenly, the human compressor began to shake.`\ bgm1 55 ;　…いえ、唸り声も聞こえます。@ `...No, she could also hear a groan.`@ br ;　……それはまるで、その人型棺桶の中で誰かが眠っていて、@それが目を覚まし、出ようともがいているように見えました。@ `......It looked almost as though, someone had been sleeping in that man-sized coffin, `@`had woken up, and was now struggling to get out.`@ br ;　しかしそれは違うのです。@ `But that was wrong.`@ ;　中にあったのは確かに(搾りかすでした/・・・・・・・)。\ ;＜搾りかすでした：点処理 `What was inside had definitely been` br (`squeezed dregs`/・・・・・・・・)`.`\ ;　魔女が魔法で、搾りかすを再び、搾る前の姿に戻し、蘇らせたのです。@ `Using her magic, the witch had once again revived the squeezed dregs to how they had been before they were squeezed.`@ br ;　その圧搾機に、屈強な体格の山羊頭の使用人３人が近付き、大型のバルブをぐいぐいと締め付けていきます。@ `Three goat head servants with muscular physiques approached the compressor, and forcefully started tightening the large bulb.`@ br ;　…すると棺桶の中からこの世のものとは思えぬ呻き声が。@ ;　…楼座はその声の主を知っているような気がしました。\ `...As they did, an unearthly moan came from the inside of the coffin.`@ `...Rosa thought she knew the owner of that voice.`\ textoff me2v 21,0 for %ryuu1 = 1 to 90 wait 40 mevol 2,%ryuu1 next wait 800 se1v 38,100 bg blood_2a,1 quakey 5,800 wait 800 se1v 38,100 bg blood_2b,1 quakex 5,800 wait 800 se1v 38,100 bg blood_2c,1 quakey 5,800 wait 800 se1v 38,100 bg blood_2d,1 quakex 5,800 wait 800 se1v 38,100 bg blood_2e,1 quakey 5,800 wait 2000 bg black,2 bg G1F_S1bP,0 ld r,$BEA_AkuwaraiA1,26 ;「料理は料理場でが相応しい。@もう充分だ、下がれ。」\ `"It is fitting for cooking to be done in the kitchen.`@` That is enough, stand back."`\ textoff fede 10,4000 ld r,$BEA_futekiA1,80 ;「……ゴールデンドロップがどれほど貴重なものかおわかりいただけたかな？@　それを集め、そ `"......Do you understand how precious a golden drop is?`@` To have it` ;れほどに紅く染めるには(何十人分も/・・・・・)搾らなければならぬ。」\ ;＜何十人分も：点処理 `stained this crimson requires that` br (`several dozen people's worth`/・・・・・・・・・・・・・)` be squeezed."`\ br ;　ひとりの人間から搾り取れるゴールデンドロップは一滴と、魔女は確かに言いました。@ `The witch had definitely said that only one golden drop could be taken from a single human.`@ br ;　なのに、ひとりの人間のゴールデンドロップが何十人分。@ ;　……これができるのは魔女だけなのです。\ `And yet, she had dozens of people's worth of golden drops from a single human.`@ `......Only a witch could do this.`\ ;　黄金の魔女ベアトリーチェは、ひとりの人間を“無限”に殺すことができるのです。@ `The Golden Witch Beatrice could kill a single human 'endlessly'.`@ br ;　……つまり、ベアトリーチェの前に、死は解放を意味したりはしないのです。\ `......In other words, before Beatrice, even death did not mean release.`\ ld r,$BEA_akuwaraiA2,80 ;「二口目はいらぬか？@　この男に殴られて、口中に滲んだ血を飲み込んだ日を忘れたか？」\ `"Do you need me to say it in a different way?`@` Have you forgotten the day this man hit you, and you swallowed the blood that ran into your mouth?"`\ ld r,$BEA_AkuwaraiA4,80 ;「そうそう、あの味を思い出せ。@零し尽くして涸れ果てた涙の味を思い出せ。@その悔しき思い出を癒して足りるアペリティフであると信じている。@くっくっくっくッ！！」\ `"That's right, remember that taste.`@` Remember the taste of the tears that you spilled until you were dry.`@` I believe this aperitif will be sufficient to heal that regrettable memory.`@` *cackle*cackle*!!"`\ se1 52 ld l,$GOA_DefA1,99,1000,"breakup.dll/llb" ;　再び山羊頭の使用人が真っ赤なグラスを口元に傾けてきます。@ `Once again, the goat head servants tilted a deep red glass against her mouth.`@ br ;　…楼座は唇を閉じようと抵抗を試みますが、@呆けるように開いた口に、その真っ赤な液体は容赦なく注ぎ込まれ、@口の中を不気味な甘みで満たしていくのです…。\ `...Rosa tried resisting by closing her lips, `@`but the deep red liquid was relentlessly poured into her mouth, which was hanging open with shock,`@` and the inside of her mouth was filled with a ghastly sweetness...`\ bg black,22 ;　それは間違いなく芳香のある甘み。@ `It was definitely a fragrant sweetness.`@ br ;　あれほど憎く思い枕を何度も濡らした兄の生き血を、/ ;!d800何十も繰り返した死で集めた紅みで染めたワインが、甘くないわけがありません。\ `The living blood of her brother, who had given her such hateful thoughts and made her soak her pillow so many times, `/ !d800`had been collected from his death, repeated dozens of times.`@` It wasn't as though the crimson-stained wine wasn't sweet.`\ ;　でも、楼座は吐き出そうとしました。@ `But Rosa tried to spit it out.`@ br ;　そのせいで、楼座は口から溢れた真っ赤なワインでまるで血塗れのように見えました。\ `Because of that, the deep red wine that spilled out of Rosa's mouth looked just like a bloodstain.`\ bg G1F_S1aP,22 ;　……このような不気味なるものが単なるアペリティフである以上、@楼座はこの後に続くだろう宴に不安を覚えないわけもありませんでした。\ `......Now that she knew that this ghastly substance wasn't a simple aperitif,`@` Rosa couldn't help but feel uncomfortable about what would happen if this banquet continued.`\ ;ld c,$BEA_AkuwaraiA3,24 bg black,22 ;「それは旬の野菜による二枚舌のサラダ風だ。@…お前がいつか食い千切ってやりたいと９歳の誕生日の日に願った、絵羽の舌で作った念願のサラダよ。」@ ;「……………………ッ！！！」\ `"That is a double-tongued salad made from vegetables in season.`@` ...As you hoped you could one day chew to bits on your 9th birthday, here is that salad you desired, made from Eva's tongue."`@ `".....................!!!"`\ textoff se1v 38,100 bg blood_1b,2 ;　楼座は、サラダに盛り付けられている桃色の肉の正体を聞き、@内臓を口から全て吐き出してしまいたい衝動に駆られます。@ `When Rosa heard the true nature of the pink-colored meat piled up in the salad,`@` she had a sudden impulse to vomit her guts out.`@ br ;　…しかも、山羊の使用人はそれをフォークで刺し、楼座の口元へ運ぶのです。\ `...Furthermore, the goat servants stuck a fork in it, and carried it to Rosa's mouth.`\ ;ld c,$BEA_AkuWaraiA2,80 bg bite,22 ;「姉の二枚舌のお味はどうか？@　さぞや柔らかくとろけるであろう？@　くっくっくっく！」\ `"How does your double-tongued sister taste?`@` It must be quite soft and enchanting, right?`@` *cackle*cackle*!"`\ ;　それはさぞや口の中で甘く柔らかくとろけるでしょう。@ `Maybe it was quite sweet, soft and enchanting in her mouth.`@ br ;　だって、絵羽の嘘はいつも甘く、幼い楼座はいつもそれに耳を貸してしまったのですから。\ `After all, Eva's lies were always sweet, and young Rosa had always listened to them.`\ ;　…だからピリリと胡椒で刺激的に味付けがしてあるのは、その嘘の顛末をよく味で表現していると言えました。\ `...So you could say that the taste of the stimulating pepper seasoning that was added expressed the details of those lies well.`\ bfly1R 0 bg G1F_S1cP,22 ;!s0「……ふんんんんんッ！！/ !s0`"......mnnnnnnnnnnn!! `/ se1 38 quakey 4,600 ;　ふんんんんんんんんん！！」/ `mnnnnnnnnnnnnnn!!"`/ se1v 38,100 quakex 4,600 @ br ;　楼座は口に次々と押し込まれる舌サラダをぼろぼろと唾液塗れにしながら吐き出します。@ `As the tongue salad that kept being pushed into Rosa's mouth was covered with saliva, she spat it out.`@ br ;　しかし山羊頭の使用人はそれを丁寧に皿に戻しては何度でも楼座の口に運ぶのです。\ `But the goat head servants carefully returned it to the plate and carried it to Rosa's mouth over and over again.`\ se2 22 cbfly 0 bg G1F_S1aP,0 bfly2 8 ld c,$BEA_akuwaraiA2,24 ;「言うに及ばず、そのサラダには絵羽の舌を５枚も惜しげなく使っている。@舌はひとりから１枚しか奪えぬ。@しかし妾なら、何度でも奪える。@くっくっくっく！！」\ `"It goes without saying, but I made this salad liberally using five of Eva's tongues.`@` You can't steal more than one out of one tongue.`@` But I can steal it over and over.`@` *cackle*cackle*!!"`\ ;「………んんんんんんんッ！！/ `".........nnnnnnnnnnnnnnn!! `/ se1v 38,90 quakey 4,600 ;@　んんんんんんんんんんんん！！」/ @`nnnnnnnnnnnnnnnnnnnnn!!"`/ se1v 38,100 quakex 4,600 \ ;　楼座は涙を零しながら、半狂乱になって抵抗します。@ ;　しかし、できる抵抗は嚥下を拒否することだけなのです。@ `As Rosa's tears dripped down, she resisted, half-crazed.`@ `However, the only way she could resist was by refusing to swallow.`@ br ;　たとえ飲み込まなくても、@口の中に広がるフレンチドレッシングの味が、楼座の口中をますますに冒していきます…。\ `Even if she didn't swallow it, `@`the taste of the french dressing increasingly violated Rosa's mouth...`\ ld c,$BEA_AkuwaraiA5,80 ;「お気に召さぬか…？@　まだまだ料理は続くぞ。@留弗夫の顔の皮で包んだスズキのパイ。@脳みそを茹でたスープに、肝臓のフォワグラ。@/ `"Does it please you...?`@` There's still much more food.`@` Sea bass pie wrapped in the skin of Rudolf's face.`@` Soup with boiled brains, liver pate. `@/ se1 37 ;デザートにも期待せよ、くっくっくっく！！@　兄弟だけではないぞ？@　お前が信頼し、にもかかわらず裏切った人間たちをふんだんに調理した。@この宴を、そなたの心が満足するまで、永遠に続けようではないか。@/ `And look forward to dessert, *cackle*cackle*!!`@` It's not just your siblings, see?`@` I have lavishly arranged all of those who you have trusted and yet betrayed you.`@` Why don't we continue this banquet for all eternity, until your heart is satisfied. `@/ se1v 37,100 ;永遠に。\ `For all eternity.`\ cbfly 0 bg black,22 bg bite,2 me1v 17,80 ;　……嬉しいィだろォ右代宮楼座ァアア？@　嫌がるフリなんかするなよ本当は嬉しいってのはわかってるんだぜェ？@　笑いたくば笑えばいい、@ムカつく兄貴や姉貴の悲鳴の生演奏がないとご機嫌になれないってんならいくらでも聞かせてやる。@いいんだよ、嫌々で。@それがお前の性分なんだろ？@　本当は全身が泡立つほどに嬉しいんだよ。@/ `......You're happy, right, Ushiromiya Rosaaaa?`@` Don't pretend that you hate it, I know that you're really happy, alright?`@` If you want to laugh, then you can laugh,`@` if you won't feel better until you've heard a raw performance of your annoying older sibling's screams, then I'll let you hear them as often as you want.`@` It's alright that you are so unwilling.`@` That's your personality, right?`@` You're actually so happy that your skin is crawling all over. `@/ se2v 37,100 ;なのに、表向きは苦しんでるフリをしてるだけなんだよなァ？\ `And yet, on the outside, you're just pretending to act like you're in pain?`\ textoff wait 1000 se1v 37,100 bg black,22 ;　いいんだぜ、ここにはお前が気にする世間体も体面も何もない、@存分の大笑いして食い散らかせよ。@最ッ高の宴だろォ右代宮楼座ァアアアアアアアアアアアアアァ？？？」/ `It's alright. Here, there is no need to worry about honor or your public image or anything, `@`so laugh as much as you want and chew it to bits.`@` Isn't this the be-st banquet, Ushiromiya Rosaaaaaaaaaaaaaaaaaaaaaaaaaaa???"`/ se2v 37,100 \ textoff se1v 38,100 bg blood_1a,25 wait 2000 se2v 37,100 bg bite,1 quakey 5,800 bfly2R 0 bg G1F_S1cP,24 ;!s0「………ゃ、/ ;!d500………もう、/ ;!d800……ゃめて……ッ、/ ;!d900…ごほッ、げほ！！@　ぉぇぇぇ…。」/ !s0`".........st, `/ !d500`.........please, `/ !d800`......stop......, `/ !d900`...*cough*, *hack*!!`@` eeeeh..."`/ !sd\ bfly1 0 bg G1F_S1aP,0 ld c,$BEA_akuWaraiA1,26 ;「済まぬ済まぬ、デザートは驚かそうと思って内緒にしていたが、やはり明かしておこう。@明かせばフルコースを食べ遂げようという励みにもなるだろう。」\ `"Oh, I'm sorry, I kept the dessert a secret to surprise you, but let me reveal it anyways.`@` If I reveal it, maybe that will be enough incentive for you to eat up the full course."`\ se1v 38,100 ld c,$BEA_AkuwaraiA2,80 ;「デザートはお前が愛しているフリをし続けなければならない愛娘、@真里亞とリンゴのオーブン焼きだよ。@美味そうだろォオォ？」\ `"The dessert is that beloved daughter that you had to keep pretending to love,`@` oven-baked Maria and apples.`@` Doesn't that sound yummy?"`\ ;ld c,$BEA_AkuwaraiA4,80 bg bite,22 ;「こいつを食べればお前は全てから解放される。@自由だよ自由ッ！@　やっと楼座というひとりの人間として自由を得るんだよ、嬉しいだろォオオオオォ？@　嬉しいはずさ、涎が垂れてるぜ鏡を見てみろよォオオオォオオオっひゃっはああはあははははッ！！」/ `"If you eat this, you will be released from everything.`@` Freedom, you see, freedom!`@` Finally Rosa will gain freedom as an individual person, aren't you happyyyyyyyyyyyyyyyyy?`@` You should be happy, drool is hanging from your mouth, just try looking in a mirroooooooooooooooooor, hyahahaaahaahaahaha!!"`/ se1v 37,100 \ textoff se2v 37,80 wait 1000 se1v 37,100 wait 2000 bfly2R 0 bg G1F_S1bP,24 se1 52 ld l,$GOA_DefA1,0 ld c,$MAR_fukigenA1,99,2500,"breakup.dll/lrp" ;　いつの間にか、屈強な山羊頭のコックが、真里亞を小脇に抱えていました。@ `Suddenly, a muscular goat cook was holding Maria under his arm.`@ br ;　そして、真里亞はほんの少しだけ悲しそうな顔をしながら楼座を見つめています。\ `And Maria gazed at Rosa with a face that was only slightly sad.`\ ld c,$MAR_KomaruA1,80 ;「…………ママ…。@……真里亞のこと、……邪魔だった……？」@ ;「…んんんんん！/ `".........Mama...`@`......Was Maria, ......a burden......?"`@ `"...nnnnnnn!`/ se1 38 quakex 5,300 ;！@　邪魔じゃない！！@　んんんんんんんんんッ！！」/ `! `@`You aren't a burden!!`@` nnnnnnnnnnnnnnnnnn!!"`/ se2 38 quakex 5,300 @ br ;　楼座は、次々と口に運ばれる料理を吐き出しながら、@汚物と唾液と血に塗れながら汚らしく抵抗して叫びます。\ `As Rosa spat out the food that was continually being carried to her mouth, `@`as she was covered with filth and saliva and blood, she resisted filthily and screamed.`\ ld c,$MAR_niyariA2,80 ;「……ママが、/ ;!d600…真里亞のこと邪魔なら。@……真里亞、食べられても平気。」\ `"......If Mama, `/ !d600`...thinks Maria is a burden,`@` ......it's fine if Maria is eaten."`\ ld c,$MAR_komaruA1,80 ;「………だって、真里亞はいつもママにひどいことばかり。@ママが男の人を連れてくる時も静かにできなかった。@ママが男の人とお泊まりしてくる時、寂しくて暴れてお部屋を台無しにした。@勝手に探しに行って迷子になって警察のお世話になってママに恥をかかせた。@何日も帰ってこなくても、泣いちゃって、近所の人に慰めてもらってママに恥をかかせた。」\ `".........After all, Maria always does horrible things to Mama.`@` Even when Mama brings a man over, Maria can't stay quiet.`@` When Mama stayed over with a man, Maria got lonely and unruly and made a mess of the room.`@` When Maria went to search by herself, she got lost, the police picked her up and Mama was shamed.`@` Mama, who cried after Maria didn't come home for several days, who had to be consoled by the neighbors, was shamed."`\ ld c,$MAR_NakuA1,80 ;「こんな真里亞だからママの迷惑になってる。@生まれてきてごめんなさい。@だから真里亞はママのために、美味しいリンゴのオーブン焼きになるの。」\ `"Because Maria's like this, she's an annoyance to Mama.`@` Sorry for being born.`@` So Maria will become delicious oven-baked apples for Mama's sake."`\ bg black,22 ;「そしたら、ママに初めて真里亞がいてよかったって思ってもらえるかな。@真里亞を食べて、美味しかったって思ってもらえるかな。@/ `"And then, maybe Mama will be happy Maria exists for the first time.`@` Maybe she'll eat Maria and think she's delicious. `@/ se1v 37,100 ;美味しいよなァアアァアア？　@感涙に咽べよ娘がここまで言ってるぜェエエエエ？@　愛娘とリンゴのオーブン焼きなんて、最高のデザート！@　これだけ美味しい食材に育てられるなんて、/ ;!d600あんた、サイコウの母親だぜ右代宮楼ゥ座ァアアアアアアァアアアアア？？？」/ `Isn't it delicioooooooooooooooous?`@` Be choked up with tears of gratitude, your daughter is saying this much for you, riiiiiiiiiiiight?`@` Oven-baked apples and your beloved daughter make for the best dessert!`@` You've managed to raise such delicious ingredients, `/ !d600`aren't you the best mother, Ushiromiya Rosaaaaaaaaaaaaaaaaaa???"`/ se1v 37,100 \ textoff bg G1F_S1bP,0 ld l,$GOA_DefA1,0 ld c,$MAR_nakuA1,0 ld r,$BEA_akuwaraiA2,1 mov %ryuu2,80 for %ryuu1 = 1 to 7 wait %ryuu2 se1v 37,80 wait %ryuu2 se2v 37,100 next csp -1 bg bite,1 mov %ryuu2,30 for %ryuu1 = 1 to 9 wait %ryuu2 bg white,1 se1v 37,80 wait %ryuu2 bg bite,1 se2v 37,100 next se2v 36,100 bg G1F_S1bP,0 ld l,$GOA_DefA1,0 ld c,$MAR_nakuA1,0 ld r,$BEA_akuwaraiA2,0 print 28 wait 2000 ld c,$MAR_KomaruA1,80 ;「………ママ、今までありがと。@ばいばい。」\ `".........Mama, thanks for everything.`@` Bye bye."`\ textoff cl l,0 cl c,3 ;cbfly 0 ;bg G1F_S1cP,22 ;!s0「待ってッ！！/ !s0`"Wait!! `/ se1 12 quakey 4,600 ;@　待って真里亞、違うの！！@　もうやめてもうやめて、/ ;!d500こんなの嫌ぁあああぁあああ！！/ @`Wait, Maria, that's wrong!!`@` Stop it already, stop it already, `/ !d500`nooooooooooooooooooooooo!! `/ se1 11 quakey 3,500 se1 11 quakey 3,500 ;@　私はこんなこと望んでいないッ！@　もうやめて、もう許して！！@　嫌、/ @`I didn't want something like this!`@` Please stop, please forgive me!!`@` No, `/ se1v 38,100 ;!d800もうやめて、/ !d800`stop it already, `/ se2v 38,80 ;!d800口に、入れないで…、/ !d800`don't put it, in my mouth..., `/ se3v 38,100 ;!d900ううぅぐッ、/ !d900`uuuuulg, `/ se1v 38,80 ;!d500げぇえええぇッ！！」/ !d500`geeeeeeeeeeee!!"`/ se2v 38,100 !sd\ ;bg G1F_S1aP,0 ;ld c,$BEA_WaraiA1,26 bg black,22 ;「我が持て成しに満足してもらえたか…？@　ならば、そなたには認めてもらおう。@妾が魔女であることを。@/ `"Have you been satisfied with my hospitality...?`@` Then I'll have you accept it.`@` That I am a witch. `@/ se1v 38,100 me1 21 ;bg bite,22 ;宣言せよ。@“右代宮楼座はベアトリーチェを魔女と認める”と宣言せよ！！」\ `Proclaim it.`@` 'Ushiromiya Rosa accepts that Beatrice is a witch'!!"`\ ;「……認めますッ！！/ `"......I accept it!! `/ quakey 3,500 ;@　う、右代宮楼座は、/ ;!d800……ベ、ベアトリーチェを、/ ;!d600……魔女だと認めます！！@　だから真里亞を返して！！@　私を解放してぇえええええぇえ！！」\ @`U, Ushiromiya Rosa, `/ !d800`......accepts that, `/ !d600`......Beatrice is a witch!!`@` So give Maria back!!`@` Release meeeeeeeeeeeeee!!"`\ ld c,$BEA_waraiA2,80 se1v 37,100 bg bite,1 ;「くっくくくくはっははははははははははっはっはっはっはっは！！@　ついに認めさせたぞ！！@　小賢しき戦人はすでに屈服し、黄金郷に招かれながら妾を否定する愚か者、楼座にも認めさせたッ！！@　完璧だッ！！@　イッツパーフェクトッ！！」/ `"*cackle*cackle*, hahahahahahahahahahahahah-hah-hah-hah-hah-ha!!`@` I finally made you accept it!!`@` That crafty Battler has already surrendered, and I made Rosa, the fool who denied me even after being invited to the Golden Land, accept it!!`@` Perfect!!`@` It's perfect!!"`/ se1v 37,100 se2 36 se3 57 quakey 3,700 \ bg G1F_S1aP,0 ld c,$BEA_AkuwaraiA3,0 bfly1 26 ;「成し遂げたぞ、完璧な勝利をッ！！@/ `"I've accomplished my perfect victory!! `@/ se3v 37,100 ;　くっははははははははきゃーっはっはっはっはっはっはッ！！@　さぁ真里亞を連れて行け、楼座に美味なオーブン焼きを振舞ってやれ！！」@ `Ku hahahahahahahahakya-HAH-HAH-HAH-HAH-HAH-HA!!`@` Come, bring Maria, prepare a delicious oven roast for Rosa!!"`@ br ;!s0「嫌ぁあああああああああああぁああ真里亞ああああああああああぁあッ！！」/ !s0`"NoooooooooooooooooooooooMariaaaaaaaaaaaaaaaaaaaaaa!!"`/ quakey 5,800 !sd\ E_A csp -1 bg black,1 locate 0,6 ;!s0「美味そうだな。/ ;!d1000俺にはてめぇの牛チチをスライスしてサンドイッチを作ってくれ。」/ !s0`"Looks delicious. `/ !d1000`Slice up your cow tits and make me a sandwich."`/ !sd\ cbfly 0 bg G1F_S1aP,0 ld c,$BEA_futekiA1,1 ld c,$BEA_OdorokiA1,80 bgm1v 53,80 ;「なッ、……そ、その声はッ！！@　ふごッ？！」/ `"Wha, ......th, that voice!!`@` Ooof?!"`/ cl c,1 se1 12 se2v 2,100 quakey 5,1000 \ bg black,1 ;　魔女の後頭部を掴みあげた腕は、魔女の顔面をテーブルに叩き付ける。@ `An arm grabbed the back of the witch's head and smashed her face into the table.`@ br ;　すると魔女の姿は粉々になり、黄金の蝶たちの群の姿となって、離れた位置に再び姿を作った。\ `As it did, the witch broke to pieces, turned into a group of gold butterflies, and reformed into her body a short distance away.`\ bg G1F_S1bP,24 se1 22 bfly2 22 se2 52 ld r,$BEA_AseruA1,99,1000,"breakup.dll/ulP" ;「ば………、戦人ッ？！？！@/ `"Ba........., Battler?!?! `@/ ld r,$BEA_ODorokiA1,80 ;　き、……貴様ッ、/ ;!d800…か、…家具となって魂まで屈服していたはずッ！！」\ `Y, ......you bastard, `/ !d800`...you should have surrendered so that even your soul was furniture!!"`\ bg G1F_S1aP,0 ld c,$BUT_NayamuA2,22 ;「そのつもりだったんだがな。@…てめぇの趣味の悪いレシピに耳を貸してる内に、腹が減って来ちまってよ。」\ `"I had planned to, `@`...but while I was listening to that gross recipe, I started to get a little hungry."`\ se1v 2,100 se2v 36,70 csp -1 bg white,1 bfly2 0 bg G1F_S1aP,0 ld l,$BUT_odorokiB1,22 ;「魔女の丸焼きが食いたくなって来ちまったのさッ！！」\ `"Now I feel like eating a whole roast witch!!"`\ ld l,$BUT_futekiA1,80 ;「それから真里亞。@自分を食べて、何てセリフは十年早ぇぜ。@/ `"And Maria.`@` It's ten years too early for you to talk about having someone eat you. `@/ se1 48 ld l,$BUT_WaraiB2,80 ;ただし十年経ったら必ず俺に言えよ、約束だぞ。」@ `But in ten years, you'll have to say that to me. Promise."`@ ld r,$MAR_WaraiA2,24 ;「……うー。@約束する。」\ `"......Uu-.`@` Promise."`\ csp -1 bg black,22 ;「ば、…戦人くん…！」@ ;＜楼座 `"Ba, ...Battler-kun...!"`@ br ;「待たせたな、楼座叔母さん。@俺は忘れてたぜ。@こいつは俺とこの女の一騎打ちだったんだ。@俺が屈するわけには断じて行かなかったんだ。@……楼座叔母さんが粘ってくれたお陰で、再び戦う気力を取り戻せたぜッ！！」\ `"Sorry to keep you waiting, Rosa oba-san.`@` I had forgotten.`@` This was a one-on-one fight between me and this woman.`@` I definitely can't give in.`@` ......Thanks to Rosa oba-san's persistence, I've regained my will to fight!!"`\ bfly1 0 bg G1F_S1cP,22 ;　……こ、…こいつ、魂の深層まで屈服し、確かに妾の軍門に下ったはず…。@ `......Th, ...this person, he gave up in the depths of his soul, and supposedly surrendered to me...`@ br ;　……なるほど、この往生際の悪さ、さすがは右代宮金蔵の孫か…！@　不死鳥の雛はやはり不死鳥だということか…！\ `......I see, he doesn't know when to give up, just what I'd expect from Ushiromiya Kinzo's grandchild...!`@` So the chick of a phoenix is a phoenix after all...!`\ se1 52 ld r,$BEA_FutekiA1,99,1000,"breakup.dll/llB" se2v 37,100 ;「ふ、ふははははははははは、威勢が良い、気に入ったッ！@　そうでなくてはな！！@/ `"Fu, fuhahahahahahahahaha, how vigorous, I like it!`@` I wouldn't have it any other way!! `@/ ld r,$BEA_AkuwaraiA3,80 ;　妾の期待する右代宮戦人とはそうでなくてはならん！！@　妾を否定してみろ、そしてそれを妾は完膚なきまでに叩き潰す！@　何度でも屈服させてやろうぞ、一度靴を舐めたそなたに、何度でも敗北の味を教え込んでやるッ！！」\ `I wouldn't have you any other way, Battler!!`@` Try to deny me, I'll completely and thoroughly smash you to bits!`@` Let me make you surrender over and over again.`@` I'll teach you, one who has licked my shoes, the taste of defeat over and over again!!"`\ bg G1F_S1aP,0 ld c,$BUT_NiramuA1,63 ;「上等だぜ、この右代宮戦人、泥を啜ってでも立ち上がる男だってことを教えてやる！！@/ `"No problem, I'll teach you that I, Ushiromiya Battler, am a man who'll stand back up even after crawling in the mud!! `@/ ld c,$BUT_FutekiA1,80 ;　俺は喧嘩で無敵だったためしはねぇ。@何度かは負けてる。@/ `I've never had the experience of being invincible in a fight.`@` I lost many times. `@/ ld c,$BUT_DefA1,80 ;だがな、必ず泥を啜って立ち上がる。@そして必ずケリをつける！！@　男の喧嘩はな、負けを認めない限りどれだけ叩きのめされようと負けじゃねぇんだよ！！」\ `But I'll definitely crawl in the mud and stand up again.`@` Then I'll finish this!!`@` In a man's fight, you don't lose until you accept defeat, no matter how much you get beat up!!"`\ se1 20 wait 300 se1 20 wait 300 se1 20 wait 200 cl c,0 ld l,$BUT_OdorokiB1,1 se1v 2,100 se2v 36,70 se3v 57,70 quakex 3,500 ;「一本取られただけで俺が参ると思うなよ。@楽しませてやるぜ、ベアトリーチェぇえええええええぇッ！！」\ `"Don't think I'm out just because you took a shot at me.`@` Entertain me, Beatriiiiiiiiiiiiiiiiiiiiiiiice!!"`\ se1 52 bg Mhal_2cN,0 ld r,$BEA_AkuwaraiA3,99,1000,"breakup.dll/llp" se1v 37,100 ;「受けて立とうぞ右代宮戦人ァ！！@　家具ども、次なるゲームの準備を始めよ！！@/ `"I'll accept your challenge, Ushiromiya Battler!!`@` Furniture, begin preparations for the next game!!`\ ld r,$BEA_FutekiA1,80 ;　その間に貴様にはたっぷりと聞かせてもらおうではないか。@此度のゲームでは密室も多いぞ。@そなたの逃げ口上のほとんどを妾が赤で叩き潰した。@その上でさらにどのような屁理屈で言い逃れてみせるのかッ！！@　礼拝堂の鍵、朱志香の部屋の鍵、使用人室の鍵、夏妃の部屋の鍵、客間の鍵ッ！！@　お前らのお得意な奇想天外、/ `While we're waiting, why don't you tell me all about it?`@` There were a lot of closed rooms in this game.`@` Using red, I've smashed to bits most of the methods by which you tried to talk yourself out.`@` What other evasive quibbles will you show me now?!!`@` The lock to the chapel, the lock to Jessica's room, the lock to the servant room, the lock to Natsuhi's room, the lock to the parlor!!`@` Use your bizarre specialty, `/ ;!d800妄想暴言空想ハッタリ、/ ;!d800トンデモ超展開斜め上で妾をとことん否定して見せろよォおおおおおおおおおおおおおぉ！！」\ !d800`those delusions, rantings, daydreams, and bluffs, `/ !d800`all slanted with ridiculous, incredible turns of events, and show how you can thoroughly deny meeeeeeeeeeeeeeeeeeeeee!!"`\ ld l,$BUT_KuyasigaruA1,23 ;「ああ駄目だぜ、@全然駄目だッうをおああああああああああああああぁああぁあああああぁあッ！！！」\ `"Aaah, it's useless, `@`it's all useleeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeess!!!"`\ cl r,0 ld l,$BUT_OdorokiB1,1 bgmvol 90 se1v 2,100 se2v 36,70 se3v 57,70 quakex 3,500 csp -1 bg white,2 fede 0,5000 bg black,2 ;bgmonce "bgm\sirabe_mx.ogg" bgm1v 58,90 ;■スタッフロール textoff bg black,1 btndef "bmp\background\efe\end_2c.jpg" ;スクロール画像を読みこむ skipoff gosub *teatime_ep2_scroll ;スクロール実行本体 resettimer ;bg end_rogo,0 ;print 1 waittimer 8000 prnumclear ;数値ラベル設定クリア ; csp -1 ;スプライト全クリア ; btndef "" ;高速描画用画像の、メモリからの消去 ofscpy lsp 510,":c;bmp\background\efe\end_2d.bmp",0,0 print 1 ;以下の２行を消して、ガラス処理〜！ ;bg black,10,4000 ;lsp 500,":a;bmp\efe\ware.bmp",0,0 ;E_A ;seplay 1,27 ;seplay 2,46 ;seplay 9,1100 ;print 1 ;wait 3000 csp 500 csp 510 bg black,10,8000 fede 0,7000 wait 1000 if %UMINEKOEND < 22 mov %UMINEKOEND,22 : mov %UMINEKOEND_FLG,22 ;クリアフラグの変更 se1 22 bg TEXT005,22 delay 10000 bg black,22 E_A mov %title_skip,0 reset ;******************************************************************* ;■お茶会（表） *teatime_3 mov %m_temp1,1 if %UMINEKOEND_FLG = 31 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 mov %play_scene,31010 mov %grim_scene,310 btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff E_A bg black,22 me1v 17,0 fedexx 0,50,0,0,0,0,3000 wait 2000 bg Different_spiral_1a,2 wait 3000 se1 27 wait 500 bg white,1 bg Different_space_1a,0 ld c,$BEA_futekiA1,2 ld c,$BEA_waraiA2,80 E_MA bgm1 40 se1v 37,100 !sd ;「はっはっはっは、わっはっはっはっは！@　まさか、最後の最後でベルンカステル卿の駒が乱入してくるとは…！」\ ;＜ベアト `"Hahahaha, wahahahaha!`@` I never thought that Lady Bernkastel's piece would barge in at the very end...!"`\ bg Different_space_1b,0 ld r,$BER_DefA1,23 ;「……あんたとのゲームに相応しい駒を、ずいぶんあちこち探し回ったの。@……きっと気に入ってもらえると思うわ。」\ ;＜ベルン `"......I searched all over the place for a piece fitting for a game with you.`@` ......I was sure that you'd like it."`\ se1 57 mbg white,1 mcbg 0 ld l,$LAM_OdorokiA1,22 ;「何よあの駒！@　誰よあいつ、何者よ！@　名乗らないなんてズルイわよ！！@　ねぇ、あんたもそう思うでしょ？！」@ ;＜ラムダ `"What's with that piece?!`@` Who was that person, who was it?!`@` She didn't say her name! That's mean!!`@` Hey, don't you think so too?!"`@ cl r,23 ld r,$BEA_fukigenA2,24 ;「…妾は大体察しはついておるが。@……というか、普通、わかるであろう。」\ ;＜ベアト `"...I have a general idea.`@` ......Come on, normally, anyone would know."`\ cl l,0 ld c,$LAM_OdorokiA1,23 ;「普通？！@　わかんないわよぅ、初登場のキャラでしょ？！@　名乗らなかったら私もプレイヤーもみんなわかんないわよ、ねぇ？！」\ ;＜ラムダ `"Normally?!`@` I don't get it, it was that character's first appearance, wasn't it?!`@` If she doesn't say her name, I won't, the players won't, everyone won't understand, right?!"`\ ld l,$BER_DefA2,24 ;「…………ベアト、教えてあげなくていいわよ。@ね？@　面白い子でしょ？」@ ;＜ベルン `"............Beato, it's alright if you don't tell her.`@` Right?`@` Isn't she a funny kid?"`@ ld r,$BEA_iiwakeA1,80 ;「う、…うむ。@/ `"H, ...hmm. `@/ ld r,$BEA_waraiA2,80 ;……ラムダデルタ卿の天真爛漫にして天然なところは、実に貴重で面白いものである。@……くっくっくっく！」\ ;＜ベアト `......Lady Lambdadelta's naivete truly is precious and funny.`@` ......*cackle*cackle*!"`\ naivete ;ld c,$LAM_OdorokiA1,80 se1 57 mbg white,1 mcbg 0 bg Different_space_1c,0 ld l,$LAM_OdorokiA2,22 ;「何よ何よ、何で私にだけ教えてくれないのよ、意地悪ぅー！！@　じゃあ、私だけが気付いた、取って置きの秘密を特別に教えてあげるわ！@　だから教えなさいよ！」@ ;＜ラムダ `"Why, why, why won't you tell only me, you meanie!!`@` Then in exchange, I'll teach you a special secret that only I know!`@` So tell me!"`@ ld r,$BEA_waraiA3,24 ;「……ほぅ。@取って置きの秘密とな！@　聞きたいぞ聞きたいぞ…！」\ ;＜ベアト `"......Hoh.`@` A special secret, you say?!`@` I want to hear, I want to hear...!"`\ ld l,$LAM_AkuwaraiA3,80 ;「べーだ！@　教えて欲しかったら、先にあの女の正体を教えるのよ！@　私の知った秘密はスゴイわよぅ？！@　何しろ、サンタさんの正体が実はお父さんだったってくらいスゴイんだからぁ！@　あら？@くす！@　言っちゃったぁ☆　ごめんなさいねぇ、天地が引っ繰り返るくらいびっくりしちゃったでしょう？！@　をーっほっほっほっほ！」\ `"Bleah!`@` If you want me to tell you, first tell me who that girl really was!`@` The secret I know sure is awesome!`@` After all, it's about as awesome as knowing that Santa-san is actually daddy!`@` Huh?`@` *giggle*!`@` I said it☆ Sorry, I'll bet you're so shocked that it turned your world upside-down, right?!`@` Oh-hoh-hoh-hoh-ho!"`\ bg Different_space_1a,0 ld r,$BER_DefA1,24 ;「………ラムダのとこには、お父さんが来てたの？」@ ;＜ベルン `".........Your father was the one who came to your place, Lambda?"`@ ld l,$LAM_AkuwaraiA1,23 ;「来てたの、ってどーゆう意味よぅ。」\ ;＜ラムダ `"He came...wait, what do you me-an?"`\ ld r,$BER_DefA2,80 ;「…サンタクロース卿は、心の綺麗な子どものところへしか訪れないのよ。@あんたのとこには来なかったのね？」@ ;＜ベルン `"...Lord Santa Claus only visits the homes of children with clean hearts.`@` He didn't come to your place, did he?"`@ cl l,24 ld l,$BEA_waraiA4,23 ;「まぁ、サンタクロース卿は寛大であるからな。@よーっぽどの大悪党でもない限り、プレゼントを恵んでくださるぞ。@何しろ、妾にもくれたくらいだからな！」\ ;＜ベアト `"Well, Lord Santa Claus is gracious.`@` Unless you are a re-ally bad scoundrel, he will give you a present.`@` After all, he even gave them to me!"`\ ld r,$BER_DefA1,80 ;「………成長して心が荒んでくると来なくなるのよね。@ベアトのとこにはいくつくらいまで来てたの？」\ ;＜ベルン `".........As you grow and your heart is hardened, he stops coming, doesn't he?`@` How old were you, Beato, when he stopped coming?"`\ ld l,$BEA_WaraiA3,80 ;「うむ。@１２歳くらいまでは来ておったぞ。@乙女心に目覚めると、急にサンタ卿が来るのが、何だか恥ずかしくなってな。\ `"Hmm.`@` He stopped coming when I was about 12.`@` My maiden's heart awoke, and I quickly got somewhat embarrassed about Lord Santa coming.`\ ld l,$BEA_WaraiA2,80 ;“これまでありがとうございました、もう結構です。@だから最後のプレゼントは奮発してください”と手紙を置いたら、来なくなった。@うーむ、ちょっぴり期待したのだがな！@　ベルンカステル卿はいつくらいまで来ていたのか。」\ ;＜ベアト `After I wrote 'Thanks for everything, that's enough.`@` So make sure you splurge on the last presents', he stopped coming.`@` Oooh, and I was looking forward to it too!`@` How old were you we he stopped coming, Lady Bernkastel?"`\ ld r,$BER_DefA2,80 ;「………私、荒んでたし。@…結構早かったっけ。@確か９歳頃ね。@…何か、あのヒゲが無性にムカついて、ちょん切ってやろうと、布団の中で裁縫バサミ構えて待ってたの。@…………痛いお年頃よね。」\ ;＜ベルン `".........I was pretty wild.`@` ...It happened fairly early.`@` I think when I was about 9.`@` ...Something about that beard really irritated me, so I waited in my futon with some sewing scissors ready, trying to cut it off.`@` ............What a painful age."`\ ld l,$BEA_fukigenA2,80 ;「で、……ラムダデルタ卿には、物心ついてからサンタクロース卿がおいでになったことがない、と。@…………普通は小学校高学年から中学校くらいの間までは来るものであるぞ。」\ ;＜ベアト `"So, ......as long as she can remember, Lord Santa Claus has never come to see Lady Lambdadelta, is it?`@` ............He usually comes until the last year of elementary school or during middle school."`\ ld r,$BER_DefA1,80 ;「…ある意味、お医者で見てもらった方がいいわよ。@早熟すぎると心身の成長に悪影響があるらしいから。@…あぁ、確かに出てるわね。@悪影響。」\ ;＜ベルン `"...Maybe we should have a doctor look at her.`@` I hear that being too precocious can have a bad influence on the growth of mind and body.`@` ...Yeah, there's definitely some of those.`@` ...Bad influences."`\ se1 57 bg white,1 bg Different_space_1b,0 ld c,$LAM_OdorokiA2,22 ;「んなッ、な、何の話をしてるのよアンタたちはー！！@　むがーー！！」@ ;＜ラムダ `"Hey, wh, what are you guys talking about!!`@` Bleeeeah!!"`@ ld r,$BEA_waraiA2,24 se2 37 ;「くっくくっくくくくくくく！@　わっはっはっは、魔女も３人集まれば実に姦しい！」\ ;＜ベアト `"*cackle*cackle*cackle*cackle*cackle*!`@` Wahahahaha, it truly is boisterous when three witches gather!"`\ bg Different_space_1a,24 ld c,$BER_DefA1,26 ;「……この程度のレベルの秘密じゃ、聞く価値もなさそうね。@私、もう行ってもいい？@　次のゲームの準備をしなくちゃならないから。」\ ;＜ベルン `"......If you're talking about that level of secret, it looks like it isn't worth listening to.`@` Can I go now?`@` I have to prepare for the next game."`\ se3 57 mbg white,1 mcbg 0 ld r,$LAM_OdorokiA1,22 ;「ちょッ、ちょっと待ちなさいよぅ！@　あの女の正体を教えなさいよー！！」@ ;＜ラムダ `"Wha, hey, wait a sec!`@` Tell me who that woman really was!!"`@ ld c,$BER_DefA2,80 ;「……じゃあ、あなたの取って置きの秘密を先に教えなさいよ。@見合うものだったら教えてあげるわ。」\ ;＜ベルン `"......Well then, tell me this special secret first.`@` If it's good enough, then I'll tell you."`\ ld r,$LAM_AkuwaraiA2,80 ;「ほっほっほっほ！！@　いいわよ、教えてあげるわ、取って置きの秘密なんだからぁ！@　……ほら、今回のゲームで、黄金を見つけて新しい魔女になった子がいたでしょ？」\ ;＜ラムダ `"Hoh-hoh-hoh-ho!!`@` Alright, I'll tell you, 'cause it really is a special secret!`@` ......Remember, in this game, there was a girl who found the gold and became the new witch, right?"`\ ld l,$BEA_fukigenA2,23 ;「うむ。@あやつに、一体どんな秘密があるというのか？」\ ;＜ベアト `"Hmm.`@` Just what kind of secret could that person have?"`\ ld r,$LAM_AkuwaraiA1,80 ;「うっふふふふふ！@　あの子の正体にね、私、気付いちゃったの。@みんなにはわかるかしらぁ？@　くすくす！@　ヒントはね、喋り方にあったのよぅ。\ `"Ehheheheheh!`@` I noticed who that girl actually is.`@` Does anyone know?`@` *giggle*giggle*!`@` There was a hint in the way she talked.`\ ld r,$LAM_AkuwaraiA3,80 ;　ほら、あの子、よく口にしてたでしょ？@　ナントカしちゃえばぁ〜？@って！@　そう、この語尾がポイントだったのよ！@　えばぁ〜？@　えばぁ〜？@　そう！\ `Remember, that girl said it a lot, right?`@` 'Why don't you somethi~ng?',`@` right?!`@` Yes, that phrase is the main point!`@` #86ef9cEbaa~#ffffff?`/ mov %grim_scene,311 mov %r_hyouji_grim,12 @` Ebaa~?`@` Yes!`\ se1 2 mbg white,1 mcbg 0 ld r,$LAM_AkuwaraiA1,80 ;　あいつの正体は、右代宮絵羽だったのよ！！@　どう？！@　驚いちゃったかしらぁ？！@　をーっほっほっほっほ！！」\ ;＜ラムダ `She was actually, Ushiromiya Eva!!`@` What do you think?!`@` Are you shocked?!`@` Oh-hoh-hoh-hoh-ho!!"`/ mov %play_scene,31011 ;seplay 9,1062 ;tttt \ ld l,$BEA_odorokiA1,80 ;「ほぅ…！@　それは気付かなかった！@/ `"Hoh...!`@` I didn't notice that! `@/ ld l,$BEA_odorokiA2,80 ;　…むぅ、そのようなところにヒントがあったとはな。」\ ;＜ベアト `...Muu, to think that there would be a hint in a place like that."`\ ld c,$BER_DefA1,80 ;「……ベアトって付き合いがいいのね。@その子、増長するから程々になさいよ。@じゃあね、私は席を外すわ。」@ ;＜ベルン `"......Nice job playing along with her, Beato.`@` This kid's getting arrogant, so calm her down.`@` See you, I'm leaving."`@ ld r,$LAM_odorokiA1,80 ;「ちょっとちょっと！@　私の秘密だけ聞いて、あんたは喋んないなんてズルイわよ！！@　あんたもあの女の正体を話しなさいよー！！」\ ;＜ラムダ `"Wait, wait!`@` It's not fair if you just listen to my secret and don't tell me yours!!`@` Tell me who she really was!!"`\ ld c,$BER_DefA1,80 ;「……あんたの秘密が凄すぎて吊り合わないわ。@…じゃあ代わりに、私も取って置きの秘密を教えてあげるわ。@『ひぐらしのなく頃に』ってゲームの、犯人の名前を教えてあげる。」@ ;＜ベルン `"......Your secret was so incredible that mine just wouldn't match up.`@` ...So in exchange, I'll teach you a special secret.`@` I'll tell you the name of the culprit in this game called 'Higurashi no Naku Koro ni'."`@ ;ld c,$LAM_OdorokiA1,80 se1 57 mbg white,1 cl r,0 mcbg 0 print 22 ;「ぎゃーーーーーッ、言わないでぇ！！@　私、今プレイしてるとこなのーッ！！」\ ;＜ラムダ `"Whaaaaaaaaaaaaaaaaaahhh, don't say it!!`@` I'm still playing i-t!!"`\ ;ld c,$BER_DefA1,80 bg Different_space_1c,26 ;「……あっははははっはっはっは…。@じゃあね、ベアト。@紅茶美味しかったわ。@あと、お茶菓子のクラッカーだけど、ジャムのレパートリーが足りないわ。@たまにはコチジャンでも用意しなさい。@ロシアンティにもぴったりだし。@じゃあね。」\ ;＜ベルン `"......Ahhahahahahhahhahhahha...`@` See you, Beato.`@` The black tea was delicious.`@` However, the repertoire of jam on the crackers was lacking.`@` Add some gochujang chili paste every once in a while.`@` It goes great with Russian tea.`@` Later."`\ ld l,$BEA_DefA2,26 ;「そうか、わかったぞ。@試してみよう。@次のゲームの準備が整ったら呼ぼうぞ。@それまでゆっくり戦略でも練るが良い。」\ ;＜ベアト `"Oh, I see.`@` I shall try it.`@` I shall call for some after preparing for the next game.`@` Until then, feel free to polish up your strategy at your leisure."`\ ld r,$BER_DefA1,26 ;「えぇ、そうするわ。@今回のゲームはなかなか面白かったわよ。@じゃあね。」@ ;＜ベルン `"Yes, I'll do that.`@` This last game was pretty interesting.`@` Later."`@ se1 57 mbg white,1 mcbg 0 ld c,$LAM_OdorokiA1,0 print 22 ;「ちょっとー、待ちなさいよ、教えなさいよー！！！」\ ;＜ラムダ `"He-y, wait a sec, tell me-!!!"`\ textoff wait 1000 ld r,$BER_DefA2,80 wait 1000 se2 52 cl r,99,2500,"breakup.dll/urb" mov %play_scene,31020 mov %r_hyouji_cha_ma,ma3_lam fede 0,2000 ld l,$BEA_waraiA1,80 me1v 5,50 ;「くっくっくっく。@いやいや、本当にお二人は仲が良い。」\ ;＜ベアト `"*cackle*cackle*.`@` My, my, you two really are close."`\ ld c,$LAM_AkuwaraiA3,80 ;「…………………………。@……えぇ、そうよ。@…あぁ、大好きよベルンカステル。@愛してるとさえ言ってもいいわ。@……あの瞳を抉り出して、私以外を映さないようにしてやりたい。@……あぁ、それは本当に素敵よね。@紅茶に沈めても素敵かもしれない。@アハ！」\ ;＜ラムダ `"........................`@`......Yes, that's right.`@` ...Oh, I really like you, Bernkastel.`@` You could even say I love you.`@` ......I want to gouge out your eyes so that you can see no one other than me.`@` ......Oh, that would be truly wonderful.`@` It'd be wonderful to dunk them in black tea.`@` Aha!"`\ ld l,$BEA_futekiA2,80 ;「ラムダデルタ卿をここまで夢中にさせるとは。@……妾も責任重大であるな。@しかし今回は実に惜しかった！@　あと一息で戦人をコロリと行けたものを。」\ `"To think that you would be so entranced, Lady Lambdadelta.`@` ......I have a serious responsibility.`@` Still, this last game really was close!`@` I was a breath away from getting Battler."`\ ld c,$LAM_AkuwaraiA1,80 ;「………………ベアト。@一個聞いていい？」@ `"............Beato.`@` Can I ask you something?"`@ ld l,$BEA_WaraiA1,80 ;「何であるか？@　あの女の名前は教えぬぞ。@くっくっくっく！」\ `"What is it?`@` I won't tell you that girl's name.`@` *cackle*cackle*!"`\ ;ld c,$LAM_AkuwaraiA3,80 E_MA ld c,$LAM_futekiA1,80 ;「…いつまでチャラけてんのよ。@/ `"...When'll you stop fooling around? `@/ bgm1 77 ;…あんた、勝つ気あんの？」@ `...Do you even feel like winning?"`@ br ;　ラムダデルタが、決してベルンカステルの前では口にしたことのない、低い声で凄む。@ ;　…それは直前までの、穏やかな空気を全て吹き飛ばした。\ `Lambdadelta threatened her with a low voice that she had never used in front of Bernkastel.`@ `...It completely blew away the calm atmosphere which had been there until a moment ago.`\ cl c,0 ld r,$LAM_AkuwaraiA5,23 ;「………私はね。@ベルンカステルに勝てる魔女ってことで、あんたに肩入れしてんのよ。@…あんたに、ベルンカステルに勝てる力がないってんなら、@いつだって私はあんたなんか見捨てるんだからね……？」\ `".........You know, `@`I'm supporting you because you're supposed to be a witch who can win against Bernkastel.`@` If you don't have the power to win against her, `@`then I'll abandon you at any time, alright......?"`\ ld l,$BEA_fukigenA1,80 ;「……………これは手厳しい。@妾の何がご不満なのか。@…卿もご存知の通り、妾のゲーム盤は完璧だ。@ベルンカステル卿には決して勝てはせぬ…。」\ `"............How harsh of you.`@` What about me dissatisfies you?`@` ...As you know, my Lady, my game board is perfect.`@` Lady Bernkastel will never be able to win..."`\ ld r,$LAM_futekiA3,80 ;「えぇ、そうよ。@あんたのゲーム盤は実に見事よ。@ベルンカステルが、百年は愚か、@千年を費やそうとも絶対に勝つことのできない、実に見事で完璧なゲーム盤よ。\ `"Yeah, that's right.`@` Your board truly is impressive.`@` It truly is an impressive and perfect game board that Bernkastel definitely cannot win in even after spending one hundred years, `@`or even one thousand years.`\ ld r,$LAM_futekiA1,80 ;　……だから私はそれを借りることの引き換えに、あんたを魔女にしてやったのよ。@………私があんたの後見人を辞めれば、あんたはすぐにニンゲンに逆戻り。@…どんなにすごい魔力を持っていても、…あんたは仮初の魔女でしかないことを、……決して忘れないことよ。」\ `......That's why, in exchange for letting me borrow that, I made you a witch.`@` .........If I stop being your guardian, you'll immediately go back to being a human.`@` ...Make sure you don't forget that, no matter how much incredible magical power you hold, ......you are nothing more than a temporary witch."`\ ld l,$BEA_OdorokiA2,80 ;「わ、……わかっておるわ。@…そなたには感謝しておる…。」\ `"I, ......I understand.`@` ...I am grateful to you..."`\ ld r,$LAM_AkuwaraiA5,80 ;「タメ口聞かないでよ。@ベルンカステルがいる時は許すけど、いない時は許さないわ。@あんた、最近、私の恩を忘れてるでしょ。」\ `"Don't speak so casually.`@` I'll forgive that when Bernkastel's around, but I won't when she isn't.`@` Recently, maybe you've forgotten your debt to me."`\ ld l,$BEA_KomaruA2,80 ;「そ、そんなことは、………あ、…あり、……ありません……。」\ ;＜ベアト `"Th, that is, .........n, ...no, ......not so......"`\ ld r,$LAM_futekiA2,80 ;「…あー、やっぱ気持ち悪いわ。@いつもの喋り方でいい。@でも、口の聞き方には注意してよ。@……私、案外短気よ？」@ `"...Aah, you're as disgusting as I thought.`@` You can talk the same way as usual.`@` But be mindful of what you say.`@` ......I have a surprisingly short temper, you see?"`@ ld l,$BEA_odorokiA2,80 ;「う、……うむ……。」\ `"H, ......hmm......"`\ ld r,$LAM_akuwaraiA3,80 ;「話を戻すわ。@…あんたのゲーム盤は実に完璧。@……ベルンカステルを容易に負かすことができるでしょうよ。@…しかしあの子は簡単に屈服しない。@何度でも挑んでくるわ。」\ `"Let's return to what we were discussing.`@` ...Your game board truly is perfect.`@` ......You should be able to defeat Bernkastel without any trouble.`@` ...But that kid won't surrender easily.`@` She'll challenge you over and over."`\ ld l,$BEA_IiwakeA2,80 ;「問題はない。@…ラムダデルタ卿のお墨付きではないか。@……妾のゲーム盤は完璧だ。」\ `"That is no problem.`@` ...It has been certified by you, Lady Lambdadelta.`@` ......My game board is perfect."`\ ld r,$LAM_futekiA3,80 ;「えぇ、そうよ、完璧よ。@/ `"Yeah, that's right, it's perfect. `@/ ld r,$LAM_akuwaraiA5,80 ;…………プレイヤーである、あんたも完璧ならね？」@ `............But are you, the player, perfect as well?"`@ ld l,$BEA_iiwakeA1,80 ;「………それは、どういう意味か…。」\ `".........What do you mean by that...?"`\ ld r,$LAM_futekiA1,80 ;「どういう意味？@　私が聞きたいくらいよ。@………あんたのゲームには、遊びが多い。@…それは時にベルンカステルを煙に撒くから、あんたなりの策略なんだと、私も最初は思ってた。\ `"What do I mean?`@` That's what I want to hear.`@` .........You play a lot in your game.`@` ...At first, I thought you were speaking in riddles for Bernkastel's sake every now and then, as part of your tactics.`\ ld r,$LAM_futekiA2,80 ;　…………でも、何だか違う気がするの。@あんた、勝てる試合を弄んでるんじゃなくて、@……勝っても負けても、どうでもいいって思ってるんじゃないの？」\ `............But I get the feeling that's not quite true.`@` Rather than toying with the opponent in a match you can win, `@`......actually, you don't care whether you win or lose, right?"`\ ld l,$BEA_fukigenA1,80 ;「ば、……馬鹿馬鹿しい…。@そんなこと、あるわけもなかろうが…。」\ `"R, ......ridiculous...`@` How could that be..."`\ me1v 16,70 ld r,$LAM_futekiA3,80 ;「いいこと？@　あんたの役目は、ベルンカステルを屈服させることよ。@つまりゲームに、永遠に勝者でいること。@……あなたが“絶対”の勝者であり続けようとする限り、私は絶対の魔女として、あなたに力を与えるわ。@…………でも。\ `"You know what?`@` Your role is to make Bernkastel surrender.`@` In other words, that means being the victor in this game for all eternity.`@` ......As long as you keep trying to become the 'certain' victor, then I will give you my power as the Witch of Certainty.`@` ............However.`\ ld r,$LAM_akuwaraiA5,80 ;　もしもあなたが、自らの敗北の可能性を否定しないような戦い方をしているなら、@…話は変わるわよ。」\ `If you fight in a way that doesn't deny any possibility of your loss,`@` ...that's a different story."`\ ld l,$BEA_IiwakeA2,80 ;「もちろん、これはゲームである…。@妾が勝てばベルンカステル卿が負けるように。@…向こうが勝てば妾が負ける日もあるだろう。@常に敗北の可能性はありうる。@だからこそ妾は、」\ `"Of course, this is a game...`@` In the same way that Lady Bernkastel will lose if I win,`@` ...there will be some days on which I will lose and she will win.`@` The possibility of loss always exists.`@` Therefore, I will-"`\ E_MA se1v 57,100 se2v 57,100 mbg white,1 mcbg 0 bg Different_space_1a,0 ld c,$LAM_futekiA2,22 ld c,$LAM_futekiA3,80 ;「……………だからアンタは使えないのよ。@あんたはゲーム盤である必要なんかない。@ベルンカステルを、永遠にここに閉じ込める鳥篭でさえあればいいの。\ `"..................This is why you're useless.`@` There's no need for this to be a game board for you.`@` It's alright if this is a bird cage to lock Bernkastel up here for all eternity.`\ ld c,$LAM_futekiA1,80 ;　…鳥篭の役目は？@　中の小鳥を絶対に逃がさないことよ。@……たまに抜け出せてしまうような、隙間のある鳥篭に何の価値が？」\ `...What's the role of a bird cage?`@` Making sure the little bird inside certainly never escapes.`@` ......What's a bird cage worth if it has cracks that sometimes let a bird out?"`\ ld r,$BEA_fukigenA1,26 ;「………む、無論、ゲームは勝つ為のもの。@そして妾が負けることはありえぬ。@…ゆえに妾は勝ち続けようぞ……。@…お望み通り、永遠に…。」\ `".........O, of course, games exist for winning.`@` So it is impossible for me to lose.`@` ...Therefore, I will continue to win......`@`...As you wish, for all eternity..."`\ cl c,0 ld l,$LAM_AkuwaraiA3,24 ;「良い返事よ、それでいいわ。@……策略としての遊びやフェイクは許す。@…今回、有効だったところもあるしね。\ `"Good answer, that's alright.`@` ......I'll allow you to play around and use fakes as part of your tactics.`@` It was sometimes useful in this last game.`\ ld l,$LAM_futekiA2,80 ;　…………でもね。@もしあなたが、勝ち以外を望むような指し手をしたら、@…………その時は、素敵な覚悟をなさいよね？」\ `............But you know?`@` If you make a move hoping for anything else other than victory,`@` ............at that time, prepare yourself wonderfully, okay?"`\ ld r,$BEA_gamanA1,80 ;「そ、そのようなことはせぬ…。@誓うとも…！」\ `"I, I will not do such a thing...`@` I swear it...!"`\ me1v 17,90 ld l,$LAM_AkuwaraiA5,80 ;「…………元々、魔女ですらないあんたが、本当はどんなにみすぼらしい存在だったか、@いつだって思い出させてあげるんだから。@…………私の期待を裏切ったら。@その時は楽しい楽しい罰ゲームが待ってるわよぅ。\ `"............Because originally, you weren't even a witch, and at any time, `@`I'll remind you what a truly shabby creature you were.`@` ............If you betray my expectations.`@` At that time, you can look forward to a fun, fun punishment game.`\ ld l,$LAM_AkuwaraiA6,80 ;　…百億のカケラ世界の中から、……もっとも惨めなカケラにあんたを送り込んで封印してあげる。@………あんたは、元々が惨めだから、惨めなカケラも実に選び甲斐があるわ。@/ `...In the world of billions of Fragments, ......I'll send you into the most miserable Fragment and seal you there.`@` .........You were miserable in the first place, so it'll be worth choosing a really miserable Fragment. `@/ se1v 37,100 ;…くすくすくすくすくすくす。」\ `...*giggle*giggle*giggle*giggle*giggle*."`\ ld r,$BEA_gamanA3,80 ;「………………………………。」\ `"........................"`\ textoff cl r,42 wait 1000 me2v 5,90 cl l,0 ld c,$LAM_futekiA3,3 ;「あぁ、愛してるわベルンカステル。@…ベアトリーチェの鳥篭で、好きなだけ足掻いて、@もはや逃れられないことを千年かけて知りなさい。\ `"Oh, I love you Bernkastel.`@` ...Scrabble your feet in Beatrice's bird cage as much as you like,`@` and learn that you can no longer escape after one thousand years.`\ ld c,$LAM_akuwaraiA5,80 ;　……そしてあなたが屈服したら、@…私の手の平でしか鳴けないように、たっぷりと仕込んであげるんだから。\ `......And when you surrender,`@` ...I'll train you so that you can't do anything other than cry in the palm of my hand.`\ bg black,0 ld c,$LAM_akuwaraiA6,2 ;　…………くすくすくすくすくす、@あっははははははははははははははははは…！！」\ `.........*giggle*giggle*giggle*giggle*, `@`Ahhahahahahahahahahahahahahahahahahahahaha...!!"`\ textoff fedexx 100,100,100,0,0,0,3000 wait 2000 se1v 57,100 se2v 57,100 se3v 2,100 bg white,1 E_B E_MA bg black,42 wait 2000 ;■タイトルに戻る。@お茶会（裏）封印解除。@ if %UMINEKOEND < 32 mov %UMINEKOEND,32 : mov %UMINEKOEND_FLG,32 ;クリアフラグの変更 se1 22 bg TEXT005,22 delay 10000 bg black,22 E_A mov %title_skip,0 reset ;******************************************************************* *ura_teatime ;*teatime_1 mov %m_temp1,1 if %UMINEKOEND_FLG = 12 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 ;右クリック用初期化 mov %r_u_tea_flg,1 mov %r_for_title,0 mov %r_hyouji_cha,bea mov %r_hyouji,0 btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff E_A ;■裏お茶会 bg black,2 wait 1000 bg Different_spiral_1a,2 wait 3000 bg Different_space_1a,2 bgmplay2 40,0 mov %ryuu1,0 for %ryuu1 = 0 to 70 bgmvol %ryuu1 wait 50 next se1 52 ld r,$BEA_DefA1,99,3000,"breakup.dll/llp" ;!sd「…次は何の紅茶を淹れようか？@　古今のありとあらゆる銘茶を披露しようぞ。」\ !sd`"...What sort of black tea shall I prepare next?`@` Allow me to display every refined tea that ever was and ever shall be."`\ bg Different_space_1b,24 seplay 2,52 ld c,$BER_DefA1,99,3000,"breakup.dll/urb" ;「……梅干紅茶。@……梅干は１パック２００円のヤツよ。」\ `"......Dried plum black tea.`@` ......The kind at 200 yen a pack."`\ bg Different_space_1a,0 ld r,$BEA_WaraiA2,24 ;「くっくっく…！@　…千年、紅茶を嗜んだが、そのようなモノは知らぬ。@…つくづくこの世は生き飽きぬものよ。」@ `"*cackle*cackle*...!`@` ...For a thousand years, I have been fond of black tea, but I did not know of such a thing.`@` ...I will never tire of living in this world."`@ ld l,$BER_DefA1,23 ;「……………ベアト。@そんなにも敵意を剥き出しにしなくてもいいわ。@…私は単なる旅の魔女。@あなたの領地のルールを侵しに来たつもりはないわ。」\ `"...............Beato.`@` You don't have to display such hostility.`@` ...I am just a wandering witch.`@` I didn't come with the intention of violating the rules of your territory."`\ ld r,$BEA_AkuwaraiA1,80 ;「…くっくっく、敵意など微塵も。@/ `"...*cackle*cackle*, there is not even a sliver of hostility. `@/ mov %r_ber_flg,1 seplay 9,1060 ;…伝説の魔女、ベルンカステル卿に粗相がないか、気が気でならぬだけよ。」@ `...I am just terribly concerned about seeing that the legendary witch, Lady Bernkastel, is well attended to."`@ ;「………誤解があるわね。@私は無力よ。@あなたのような、１人を百殺す恐ろしい力を持った魔女の前にはまったくの無力。」\ `".........You misunderstand.`@` I am powerless.`@` Before a witch such as you, who possesses the dreadful power to kill an individual a hundred times, I am completely powerless."`\ ld r,$BEA_DefA2,80 ;「その無力な魔女殿が、何人たりとも寄せ付けぬ力をお持ちなのだから恐れ入る。@かの大魔女、ラムダデルタ卿を単騎にて退けられたのだから。」@ ;その無力な魔女殿が、一人を必ず殺す力を持つ残忍で恐ろしい ;「……根競べに勝っただけよ。@あの子が飽きただけのこと。」\ `"That a powerless Lady Witch like you possesses a power that none can approach is what is truly terrifying.`@` After all, that Great Witch, Lady Lambdadelta, was dethroned by you alone."`\ `"......I only won an endurance contest.`@` She simply got tired."`\ ld r,$BEA_AkuwaraiA1,80 ;「ラムダデルタ卿は、そうは言ってなかったがな？@　…くっくっく、過ぎた謙遜はかえって醜くもあるぞ、ベルンカステル卿？」\ `"That is not what Lady Lambdadelta said though.`@` ...*cackle*cackle*cackle*, too much humility can be unseemly, Lady Bernkastel."`\ cl l,0 se1 52 print 99,1500,"breakup.dll/ulb" bg black,22 bg Different_space_1c,22 ld r,$BER_DefA1,0 seplay 2,52 print 99,1500,"breakup.dll/ulb" ;「……あの子は恐ろしい力を持ってる。@…………１人を“必ず”殺す力。@しかしこの世に“必ず”は存在しない。@１をいくら割ろうとも決してゼロには出来ぬように。@あの子は、それを“限りなくゼロ”に近付け、“限りなく絶対”を生み出す力を持つ。@……あんな恐ろしい魔女と戦うのは二度とごめんよ。」\ `"......That girl has a dreadful power.`@` ............The power to kill an individual 'without fail'.`@` However, 'without fail' doesn't exist in this world.`@` No matter how many times you divide 1, you can never reach zero.`@` That girl has the power to bring the odds of failure down to 'almost exactly zero'...the power to give rise to 'almost perfect certainty'.`@` ......I hope I never have to fight such a terrifying witch again."`\ bg black,22 ;しかしそなたは、“ゼロでない限り”必ず奇跡を起こす力を持つ ;「しかしそなたは、“ゼロでない限り”必ず成就させる力を持つ。@……この世に“必ず”は存在しないとのたまう卿ご自身が、“必ず”の力をお持ちでおられる。@……恐ろしい恐ろしい、くっくっく…！」\ `"However, you have the power to cause success without fail, 'as long as the odds are not zero'.`@` ......Although you say 'without fail' doesn't exist in this world, you possess an infallible power yourself.`@` ......How very terrifying, *cackle*cackle*cackle*...!"`\ bg Different_space_1a,23 ld l,$BER_DefA1,0 seplay 2,52 print 99,1500,"breakup.dll/ulb" ;「……１人を“無限に”殺す力。@…私は貴女の方が恐ろしいけれども。」@ `"......The power to kill an individual 'endlessly'...`@`...I think you're the more terrifying one."`@ ld r,$BEA_DefA2,24 ;「ご冗談を。@……そなたから見れば、こんなのは瑣末な力。@褒めても何も出ぬとはまさにこのこと。」\ `"Such jests.`@` ......From your point of view, mine is but a trifling power.`@` This is most certainly what one would call empty praise."`\ ;「……世辞は滞在費代わりに。@…私はカケラを渡り退屈から逃れ続ける逃亡の旅人。@……貴女が面白そうなことを始めたと聞いたからやって来ただけのこと。@貴女が面白くなくなったら、勝手に出て行くからご心配なく。」\ `"......Call it flattery to make up for the cost of staying here.`@` ...I am a fleeing traveler who crosses the #86ef9cFragments#ffffff, continually running from boredom.`@` ......I simply came around because I'd heard that you'd started something interesting.`@` Have no doubts that I will choose to leave as soon as you are no longer interesting."`\ ld r,$BEA_WaraiA1,80 ;「くっくっく…！@　大ベルンカステル卿にご高覧頂け、このベアトリーチェ、恐悦至極に存じるぞ？@　くっくっくっく！@　して、ご感想は？」\ `"*cackle*cackle*...!`@` I, Beatrice, am deeply and humbly delighted to have the great Lady Bernkastel as an observer.`@` *cackle*cackle*!`@` And so, your impression?"`\ bg black,22 bg Different_spiral_1a,22 meplay2 1,17,70 ;「…………ラムダデルタは、とても残酷で恐ろしいけれども、理解できる子だった。@…貴女は一見、慈しみがあるけれども、まったく理解できない。@だから、あの子よりずっと恐ろしい。」\ `"............Lambdadelta is terrifying because of her cruelty...however, she is a girl I can understand.`@` ...You do seem to possess affection, but I can't understand you at all.`@` That's why you're much more terrifying than her."`\ bg black,2 fede 10,2000 bg Different_space_1b,0 ld r,$BEA_AkuwaraiA1,22 ;「くっくっくっくっく…！@　気まぐれなのは我が性分。@許すがいい。@/ `"*cackle*cackle*cackle*...!`@` I am fickle by nature.`@` Do forgive me. `@/ ld r,$BEA_DefA1,80 ;…それに、気まぐれなる賽の目に運命を託すは、ベルンカステル卿も好まれることだったのでは？」\ `...Besides, I believe you also enjoy trusting your fate to the roll of fickle dice, right, Lady Bernkastel?"`\ ;bg black,25 bg Different_space_1c,22 ld l,$BER_defA1,0 seplay 1,52 print 99,1500,"breakup.dll/ulb" ;「……私は賽を振る時、はっきりと出したい目がある。@貴女とは違う。@でも貴女にとっては、全ての目が、貴女の掌を出ない。@そして、どの目であっても、貴女の期待を裏切らない。@サイコロが何の目を見せようとも“必ず”貴女は満足する。@………その意味において、貴女は私を遥かに凌駕する。\ `"......When I roll the dice, I have a roll I clearly want to get.`@` Unlike you.`@` You, on the other hand, never let the dice fall from your hand.`@` So, whatever the roll might have been, you're never disappointed.`@` Whatever roll the dice show you, you are satisfied 'without fail'.`@` .........In that sense, you far surpass me.`\ cl a,0 seplay 1,52 print 99,1500,"breakup.dll/ulb" ;　………貴女とだけは戦いたくないわ。@貴女の中にはゼロしかない。@だから、私の力では貴女から勝機を得られない。@…最悪の相性よ。@……ラムダデルタなら、逆に相性がいいのかしら。@貴女の　“無限”を殺せるでしょうから。」\ `.........You're one I really don't want to fight with.`@` Inside of you, there's nothing but zero.`@` That's why I can't win against you with my power.`@` ...The worst compatibility.`@` ......Perhaps Lambdadelta, on the other hand, has a good compatibility against you.`@` Since she would be able to kill your 'endless'."`\ bg Different_space_1a,0 ld r,$BEA_WaraiA2,22 ;「くくくく、くっくっくっくっく！@　……やはり、紅茶を飲むなら魔女とに限る。@退屈しない。@くーっくっくっく！」\ `"*cackle*cackle*, *cackle*cackle*cackle*!`@` ......Oh yes, witches truly are the best people to drink black tea with.`@` One doesn't get bored.`@` *cackle*cackle*!"`\ ld l,$BER_DefA1,0 seplay 2,52 print 99,1500,"breakup.dll/ulb" ;「……なら良かったわ。@退屈は私を殺す唯一の毒なの。@……だから、私を殺さないでね？@　無限の魔女、ベアトリーチェ卿。」\ `"......Then, I'm relieved.`@` Boredom is the only poison that can kill me.`@` ......So, don't kill me, alright?`@` Lady Beatrice, Endless Witch."`\ ld r,$BEA_DefA1,80 ;「それがお望みならこのベアトリーチェ、さらに楽しませてお見せしましょう。@/ `"If such is your wish, I, Beatrice, shall show you an even better time. `@/ ld r,$BEA_WaraiA1,80 ;……なら、すぐにでも次のチェス盤をお持ちした方がよろしいか？@　そなたにはどうも、紅茶よりも次なる物語の方が御代わりに相応しいらしい。」\ `......In that case, wouldn't it be best if I brought the next chessboard in right away?`@` It seems that the next tale would do more for you than a refill of black tea."`\ ;「……………………………。」\ `".................................."`\ ld r,$BEA_defA2,80 ;「しばし待たれよ。@……くっくっくっく！」\ `"Just wait for a moment.`@` ......*cackle*cackle*!"`\ textoff se1 52 cl r,99,3000,"breakup.dll/llB" ;＜ベアト退場 ;＜しばらくして、ベルン、こっちに気付く。表情差分を使用。 wait 3000 ld l,$BER_DefA2,80 ;　…………貴方も厄介なのに好かれたようね。\ `............Something troublesome seems to have taken a liking to you.`\ ;　力を貸してあげたいのは山々だけれど、聞いての通り、あの子の力と私の力では相性が悪いの。@お生憎ね。\ `I'd really like to lend you my power but, as you just heard, that girl's power and mine have a very bad compatibility.`@` Unfortunately.`\ ;　でも、さすがに気の毒だから、少しだけ力を貸してあげるわ。\ `But you really are pitiful, so I'll help you out just a bit.`\ bg black,0 mono 1 ld c,$BEA_DefA1,0 seplay 2,52 print 99,3000,"breakup.dll/ulb" ;　まず、あの子のこと。@ `First of all, about that girl.`@ br ;　ベアトリーチェという名の存在を持っているけれども、だからといってそれは“一個体の女性”とは限らない。\ `She does have the name Beatrice, but that doesn't necessarily mean that she is 'one individual woman'.`\ ;　意味がわかる？@ ;　つまり、あれはニンゲンの誰かじゃない。@ ;　この世界のルールが擬人化した存在だということ。\ `See what I mean?`@ `In other words, she's not some human.`@ `Her existence is a personification of the rules of this world.`\ bg black,22 mono off bg chess1,22 ;　あの子を倒すには、この世界のルールを暴き、それを解きほぐさなければならない。@ `To beat her, you have to expose the rules of this world and unravel them.`@ br ;　それは例えるなら、ルールを知らないチェスを、観戦しながら学んでいくようなもの。\ `For example, this can be likened to learning the rules of chess by watching a game.`\ ;　まずはチェス盤を見渡しなさい。@ ;　そして駒の動きと役割に気付きなさい。@ `First, take a good look at the chessboard.`@ `Then, learn the movements and roles of the pieces.`@ ;　そしてあの子のゲームの勝利条件を探りなさい。@ `Then, look for the conditions required to win at her game.`@ br ;　それらが暴けた時、そこにあの子の心臓が曝け出される。@ ;　後は引き裂くも握り潰すも思いのまま。\ `When you've managed to reveal all of these things, her heart will be exposed.`@ `After that, you can rip it apart or crush it as you please.`\ bg Different_space_1a,0 ld c,$BER_DefA2,0 seplay 2,52 print 99,3000,"breakup.dll/ulb" ;　……私も気前がいいわね。@ ;　かつて人の身だった頃、私はたったこれだけのことを気付くのに百年をかけたのに。@ `......I am being quite generous.`@ `In the past, when I had a human body, it took me a hundred years to notice even this much.`@ br ;　これは、ベアトに囚われた憐れな貴方へのささやかな餞別。@さながら一本のスプーン。\ `This is my meager farewell gift to you, the pitiful one captured by Beato.`@` It's just like a spoon.`\ ld c,$BER_DefA1,80 ;　スプーンは、スープを飲むのに使うだけじゃない。@ ;　貴方を閉じ込める岩牢を掘り抜き、魔女の目玉を抉る武器にもなる。@ `A spoon can be used for more than just drinking soup.`@ `You can use it to dig through the prison you're locked in, or as a weapon to gouge the witch's eyes out.`@ br ;　……もちろん、永遠の岩牢の中で、水のようなスープを延々と啜り続けるのにも使えるだろうけど。\ `......Of course, you can also use the spoon to continually sip the watery soup inside your eternal prison.`\ bg Different_spiral_1a,2 ;se1 52 ;print 99,3000,"breakup.dll/lrB" meplay2 1,5,50 ;　……勘違いしないでほしいのは、私は貴方の味方のつもりはないということ。\ `......Don't get the wrong idea. I have no intention of becoming your ally.`\ ;　貴方に感情移入はするけれど、貴方の手助けはしない。@ ;　…貴方が、テレビの前でその向こうの人物にいくらエールを送っても届かないのに似てるわ。@ `I do feel empathy for you, but I won't help you.`@ `...You're much like someone sitting in front of the television, yelling at the people on the other side even though your voice won't reach them.`@ br ;　ダカラ、私ガ魔女ダッテ判ルデショウ？\ `SO, YOU UNDERSTAND THAT I AM A WITCH, RIGHT?`\ ;bg black,22 bg Different_space_1a,0 ld r,$BER_defA1,0 seplay 2,52 print 99,3000,"breakup.dll/ulb" ;　私は、ベアトがこれから紡ぐ無限の物語を飽きるまで楽しむつもり。@ ;　でも、きっとそれだけじゃ飽きちゃうから。@ `I intend to enjoy this endless tale that Beato is going to weave until I tire of it.`@ `But that alone won't hold my interest.`@ br ;　……だから、貴方に力を貸すの。@私が飽きないために。\ `......That's why I'll lend you my power.`@` It's all so that I don't get tired of this.`\ ;　私は世界で一番残酷な魔女なの。@ ;　どんな相手でも、絶対に屈服させる。@ `I am the cruelest witch in the world.`@ `Whoever the opponent may be, I'll certainly make them surrender.`@ br ;　…無限の魔女、ベアトリーチェであってもね…？\ `...Even if it's Beatrice, the Endless Witch, alright...?`\ ld r,$BER_defA2,80 ;　お前は、私の駒よ。@せいぜいがんばりなさい。@ ;　あの子の目を盗んで、時折助言を与えるわ。@ `You are my game piece.`@` Give it your best shot.`@ `I'll give you advice sometimes, out of her sight.`@ br ;　私を退屈させないでね……？@ `Don't bore me, okay......?`@ br ;　くすくすくすくす……。\ `*giggle*giggle*giggle*.......`\ cl a,0 seplay 3,52 print 99,3000,"breakup.dll/ulb" wait 3000 bg black,10,3000 fede 0,6000 wait 3000 E_A if %UMINEKOEND < 20 mov %UMINEKOEND,20 : mov %UMINEKOEND_FLG,20 : mov %UMINEKOEND_TIPS_FLG,1 ;クリアフラグの変更 se1 22 bg TEXT006,22 delay 10000 bg black,22 E_A reset ;******************************************************************* *ura_teatime_2 mov %m_temp1,1 ;右クリック用初期化 mov %r_u_tea_flg,1 mov %r_for_title,0 mov %r_hyouji_cha,bea mov %r_hyouji,0 mov %play_scene,2010 btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff E_A ;■裏お茶会 bg black,2 wait 1000 bg Different_spiral_1a,2 wait 3000 bg Different_space_1a,2 bgmplay2 40,0 mov %ryuu1,0 for %ryuu1 = 0 to 70 bgmvol %ryuu1 wait 50 next se1 52 ld r,$BEA_akuWaraiA1,99,2000,"breakup.dll/llp" ;■裏お茶会 if %UMINEKOEND_FLG = 22 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 !sd mov %play_scene,2010 ;「さて。@…お楽しみいただけたか？@　此度のゲームは。」@ ;＜ベアト `"Well then.`@` ...Was the game just now enjoyable?"`@ se1 52 ld l,$BER_DefA1,99,2000,"breakup.dll/urb" ;「……ここまで一方的なワンサイドゲームだと、見応えを通り越して退屈よ。」\ ;＜ベルン `"......A game that one-sided goes beyond something worth seeing. It's boring."`\ ld r,$BEA_defA2,80 ;「くっくっくっく、これはこれは、相変わらずお点が辛い。@……退屈を愛さないベルンカステル卿に相応しい/ ;!d800迫力ある展開だったと自負していただけにこれは手厳しい。」\ `"*cackle*cackle*. My, my, your point is harsh as always.`@` ......I was only bragging that this development was `/ !d800`compelling enough to satisfy even the boredom-hating Lady Bernkastel. What a harsh response."`\ ld l,$BER_defA2,80 ;「…迫力については、まぁ認めるわ。@…ただ、フェアなゲームとしては酷いものね。@もう少し対等な条件でないと、」\ `"...Well, I'll accept that it was compelling.`@` ...However, it was horrible as a fair game.`@` You need the conditions to be a little more even-"`\ ld r,$BEA_futekiA2,80 ;「……勝ち目がないと言われるか？@　ベルンカステル卿に？@　……くっくっくっくっく。」@ `"......Are you saying that there's no way to win?`@` Even for Lady Bernkastel?`@` ......*cackle*cackle*."`@ ld l,$BER_DefA1,80 ;「………………どういう意味かしら。ベアト。」\ `"...............I wonder what you mean by that, Beato."`\ ld r,$BEA_FutekiA1,80 se1 22 bfly1 22 ;「誤魔化さなくても良い。@すでに知っておるぞ。@ `"There's no need to trick me.`@` I already know. `@ br ;…そなたが(傍観者でないことは/・・・・・・・・・)。」@ ;＜傍観者でないことは：点処理 `...That you `(`aren't a bystander`/・・・・・・・・・)`."`@ ld l,$BER_DefA2,80 ;「……………………………。」\ `"....................."`\ ld r,$BEA_futekiA2,80 ;「隠し通せているつもりか。@そなたは人の領地まで遥々やって来て、妾の逆目に張る不届き者よ。@妾のゲームを傍観するつもりでいて、妾の敗北に厚く張っておるのだろうが。@図星であろう…？」\ `"Were you planning on hiding it?`@` You're a outrageous person to come into someone else's territory from such a great distance and work against me.`@` You came to watch from the sidelines, and probably to push strongly for my defeat.`@` I've guessed right, haven't I...?"`\ ld l,$BER_DefA1,80 ;「………………………。@だったら？」\ `"..................`@`And if so?"`\ ld r,$BEA_futekiA1,80 ;「……くっくっくっくっく！@　実に面白い！@/ `"......*cackle*cackle*!`@` Truly interesting! `@/ ld r,$BEA_AkuwaraiA3,80 ;　あのラムダデルタ卿を退けた最強の魔女、ベルンカステル卿と戦える機会を賜れるとは、本当に愉快よ！！」\ `That I should be granted a chance to fight with Lady Bernkastel, the strongest of witches who defeated Lady Lambdadelta, is truly a pleasure!!"`\ ld l,$BER_DefA2,80 ;「……えぇ。@私も愉快よ。@そこまで自信満々のあなたがボロボロに負けるところが見たくて、遥々やって来たんだもの。」\ `"......Yes.`@` I'm also pleased.`@` I really wanted to see you, brimming with confidence, fall apart and lose, so I came all this way."`\ ld r,$BEA_WaraiA2,80 ;「何と素直なお人なのか。@くっくっくっく！！@/ `"What an honest person.`@` *cackle*cackle*!! `@/ ld r,$BEA_futekiA1,80 ;　それにしても妾と大ベルンカステル卿との対決を、@ただのひとりの観戦者もなくというのは、いくらなんでも勿体無いというもの。」\ `Even so, it would be a shame if the contest between me and the great Lady Bernkastel was resolved without at least one observer."`\ ld l,$BER_DefA1,80 ;「…………………………………。@…呼んだのね。@あの子を。」\ `"..................`@`...You called her, didn't you.`@` That child."`\ textoff csp -1 bg black,22 fede 0,2000 wait 1000 cbfly 0 bg Different_space_1c,24 ;se1 52 ;ld c,$LAM_AkuwaraiA1,99,2000,"breakup.dll/urp" wait 2000 ;ラムダデルタのテレポートシークエンス se1v 57,90 lsp 850,white1,0,0 print 1 ld c,$LAM_AkuwaraiA3,1 csp 850 print 42 wait 2000 ld c,$LAM_AkuwaraiA4,26 bgm1 55 ;「ほっほっほっほっほ！@　見つけたわよぅ、ようやく見つけたわぁ、ベルンカステルぅ！！」\ ;＜ラムダ `"Hoh-hoh-hoh-hoh-ho!`@` I found you, I've finally found you, Bernkastel!!"`\ bg Different_space_1b,23 ;se1 52 ;ld l,$BER_DefA1,99,2000,"breakup.dll/llB" ld l,$BER_DefA1,22 ;「…………御機嫌よう、ラムダ。@あなたも暇ね。@…退屈を愛さない同士、再び巡り合うのは運命かしら…？」\ `"............How are you, Lambda?`@` Looks like you also have free time.`@` I wonder if it's fate that the pair who hate boredom should run into each other again...?"`\ ;se1 52 ;ld r,$LAM_AkuwaraiA3,99,2000,"breakup.dll/urP" se1v 57,90 lsp 850,white1,0,0 print 1 ld r,$LAM_AkuwaraiA1,1 csp 850 print 22 ;「馬鹿な子ねぇ。@私に勝てたのは、ちょっとした運と相性の問題だとどうして気付かなかったのかしらぁ？@　それで天狗になって、よりにもよってベアトリーチェに喧嘩を売るとは、身の程知らずもいいとこね？」\ `"Stupid kid.`@` Why can't you realize that the only reason you won against me was because of a little luck and a problem of compatibility?`@` After that, you became such a braggart, and now you're even picking a fight with Beatrice? Shouldn't you learn your place?"`\ ld r,$LAM_AkuwaraiA2,80 ;「くすくす、ベアトリーチェは強いわよぅ。@私より残酷だしね。@ほんのちょびっと！」\ `"*giggle*, Beatrice is strong.`@` And she's even more brutal than I am.`@` Just a little!"`\ cl r,0 ld c,$LAM_OdorokiA1,24 ;「あとそれと、人のことを勝手にラムダって略さないでー！」/ `"And by the way, don't just shorten someone else's name to Lambda!"`/ se1 48 quakex 3,300 \ ;＜ラムダ textoff ld l,$BER_DefA2,80 wait 1000 ;ベルンカステルのテレポート（退出）シークエンス cl l,0 seplay 3,52 print 99,2000,"breakup.dll/ulb" ;「………ベアトも馬鹿ね。@この子はあんたのゲームであってもしっちゃかめっちゃかにするわよ。」\ ;＜ベルン `".........You're dumb too, Beato.`@` If this kid's in your game, she'll make a mess of everything."`\ ;ベアトリーチェのテレポートシークエンス se1 52 ld r,$BEA_defA2,99,2000,"breakup.dll/llp" ;●ラムダデルタの追加 mov %play_scene,2020 seplay 9,1060 ;「ラムダデルタ卿には、決してギャラリーとしてだけお呼びしたのではない。@/ `"I really didn't just bring Lady Lambdadelta here to watch from the sidelines. `@/ ld r,$BEA_FutekiA2,80 ;そなたが妾と逆の目に張っているとお伝えしたら、卿はそなたの逆の目に張ると仰せになられた。」\ `After informing me that you were betting against me, she said that she would bet against you."`\ bg Different_space_1a,22 se1 52 ld r,$BER_DefA2,99,2000,"breakup.dll/urb" ;「…………………………あんた、まだ根に持ってるのね。」\ `".....................You're still holding a grudge, aren't you."`\ se1v 57,90 lsp 850,white1,0,0 print 1 ld l,$LAM_AkuwaraiA3,1 csp 850 print 22 ;se1 52 ;ld l,$LAM_AkuwaraiA1,99,2000,"breakup.dll/ulB" ;「ほっほっほっほ！！@　私は宇宙最強の魔女なんだから。@でもあんたに負けちゃったから最強じゃないの！@/ `"Hoh-hoh-hoh-ho!!`@` Because I'm the strongest witch in the universe.`@` But I lost to you so I'm not the strongest! `@/ ld l,$LAM_OdorokiA1,80 ;　だからあんたと敵対する相手は誰であっても私は味方するんだからー！！」\ ;＜ラムダ `So anyone who is your enemy is my ally!!"`\ se1 22 bfly1 28 se2 52 ld c,$BEA_akuwaraiA1,99,2000,"breakup.dll/llp" ;ld c,$BEA_AKuwaraiA1,99,2000,"breakup.dll/urP" ;「くっくっくっく！@　というわけだ。@大ベルンカステル卿が相手ならば、この程度ではハンデにもならぬだろうが、余興には相応しかろう。」\ `"*cackle*cackle*!`@` In that case,`@` with the great Lady Bernkastel as our opponent, it may not count as a handicap, but it will be suitable for entertainment."`\ cl r,0 seplay 3,52 print 99,2000,"breakup.dll/ulb" ;「……………好きになさい。@…バレてる以上、私も本格的にやらせてもらうわ。」\ `"............Do as you like.`@` ...Now that I've been exposed, allow me to get serious."`\ ld c,$BEA_WaraiA2,80 ;「それが良かろう。@元より、妾の辞書に手加減の文字はないのでな。@くっくっくくくくくくくく！@　ラムダデルタ卿、この度の貴重な縁を楽しもうではないか。」\ `"That would be suitable.`@` 'Going easy' has never been written in my dictionary.`@` *cackle*cackle*cackle*cackle*cackle*!`@` Lady Lambdadelta, let us enjoy our valuable relationship this time."`\ ld l,$LAM_AkuwaraiA4,80 ;「えぇ、こちらこそよろしくよベアトリーチェ卿！@　こいつには私もさんざん煮え湯を飲まされてるの。@私たち二人で叩き潰して、二倍でお返ししなきゃ腹の虫が収まんないのよぅ！！」\ `"Yes, I'll be counting on you, Lady Beatrice!`@` I've been terribly betrayed by her.`@` Unless the two of us smash her up and pay her back double, I won't be able to rest!!"`\ csp -1 bg black,23 bg Different_space_1b,23 se1 52 ld l,$BER_DefA2,99,2000,"breakup.dll/urb" ;「…………こちらこそよろしくよ、ラムダ。@そしてベアト。@…どういう勝敗になろうとも、これは私たちにとってとても有意義な戦いになるわね。」\ `"............I'll be counting on you, Lambda.`@` And Beato.`@` ...No matter what issue we fight over, this will be a very significant battle for us."`\ se1v 57,90 lsp 850,white1,0,0 print 1 ld c,$LAM_AkuwaraiA1,1 csp 850 print 22 ;「そうね。@もちろん負ける気はないけど、私たちには勝敗以上に意義がある。」\ ;＜ラムダ `"That's right.`@` Of course, I don't feel like losing, but who wins and who loses will be important."`\ se2 22 bfly2 22 se3 52 ld r,$BEA_defA2,99,2000,"breakup.dll/llp" ;「何しろ妾たちは、退屈を愛さない。」@ ;＜ベアト `"Anyways, we hate boredom."`@ se1v 37,100 wait 500 se2v 37,90 br ;　三人の魔女はくすくすと、あるいはけらけらと、あるいはげらげらと笑う。\ `The three witches giggled, cackled, and guffawed.`\ cbfly 0 bg Different_space_1b,22 se1 52 ld c,$BER_DefA1,99,2000,"breakup.dll/urb" ;「……その通りよ。@感謝するわベアト。@やっと退屈から逃れられそうだわ。@せいぜい私を楽しませなさい。@ラムダデルタと二人掛かりで。」\ `"......That's right.`@` I should thank you, Beato.`@` It looks like I can finally escape boredom.`@` Do your best to entertain me.`@` Together with Lambdadelta."`\ se2 22 bfly2 0 bg Different_space_1a,0 ld r,$BEA_FutekiA1,24 ;「そうさせてもらうぞ。@くっくっくっくっく…！！」\ `"Leave it to me.`@` *cackle*cackle*...!!"`\ ;se1 52 ;ld l,$LAM_AkuwaraiA3,99,2000,"breakup.dll/lrp" se1v 57,90 lsp 850,white1,0,0 print 1 ld l,$LAM_AkuwaraiA4,1 csp 850 print 22 ;「そうと決まればベアト、さっそく作戦会議をするわよ！@　その子の弱点は知り尽くしてる、それを全て伝授してあげるわ！」\ ;＜ラムダ `"If we're decided, Beato, then let's start a strategy meeting right now!`@` I know all of this girl's weak points, and I'll teach you all of them!"`\ ld r,$BEA_futekiA2,80 ;「にもかかわらず、ラムダデルタ卿はお敗れになられた、と、くっくっくっく…！」\ ;＜ベアト `"And yet, Lady Lambdadelta, you were defeated by her, *cackle*cackle*...!"`\ ld l,$LAM_OdorokiA1,80 ;「もぉおおおぉ、教えたげない教えたげないッ！@/ `"Urrrrrrrrgggh, I won't tell you, I won't tell you! `@/ se1 48 ;　ツーン！」\ `Tsu-n!"`\ ;se1 52 ;cl l,99,2000,"breakup.dll/llP" se1v 57,90 lsp 850,white1,0,0 print 1 cl l,1 csp 850 print 22 ;＜ラムダ退場 se2 22 cbfly 8 ld r,$BEA_WaraiA2,80 ;「くっくくくはっははははははは！/ `"*cackle*cackle* hahhahahahahahaha! `/ se3v 37,100 quakey 3,500 ;@　…退屈しない御仁であるな、ラムダデルタ卿は。」@ @`...She's never boring, that Lady Lambdadelta."`@ se1 52 ld l,$BER_DefA1,99,2000,"breakup.dll/urb" ;「…………でしょ？@　面倒をよろしくね。@あれで寂しがり屋なのよ。」\ `"............Isn't she?`@` Take care of her.`@` She's a lonely person."`\ ld r,$BEA_futekiA2,80 ;「なるほど。@今流行りのナントカというヤツか。@くっくっく、さすがはラムダデルタ卿。@最先端でおられる。@くっくくくくくくく。」\ `"I see.`@` So she's one of 'those' that are popular these days.`@` *cackle*, as expected from Lady Lambdadelta.`@` Quite cutting edge.`@` *cackle*cackle*cackle*cackle*."`\ ld l,$BER_defA2,80 ;「もう行きなさいよ。@あの子、あなたが追っ掛けて来るの、待ってるわよ。」@ `"Go already.`@` That child's waiting for you to chase after her."`@ ld r,$BEA_defA2,80 ;「……それでは失礼しよう。@/ `"......Then, if you'll excuse me. `@/ ld r,$BEA_akuWaraiA2,80 ;また次のゲームにて。@くっくくくくくくくくく！」\ `See you next game.`@` *cackle*cackle*cackle*cackle*cackle*!"`\ textoff cl r,0 seplay 3,52 print 99,3000,"breakup.dll/ulb" fede 0,3000 wait 1000 me1v 5,40 cl l,0 ld l,$BER_DefA2,23 ;　……ごめんなさいね。@ ;　厄介なのが来たけど、気にしないで。\ `......I'm sorry.`@ `That troublesome one came, but don't mind it.`\ ;　それより、/ ;!d500………ひどいことになったわね。@ `More importantly, `/ !d500`.........things sure got ugly.`@ br ;　私もラムダとのゲームで、だいぶ悲惨な末路というのを経験してきたつもりでいるけど、/ ;!d600………今回のは、……群を抜いて酷いわ。@ `I thought I'd experienced a very tragic end in Lambda's game, `/ !d600`.........but this time, ......it's exceptionally horrible.`@ br ;　…あなたが膝を抱いて心を閉ざしてしまう気持ちもわからなくない。\ `...It isn't as though I don't understand that feeling which makes you hug your knees and close your heart.`\ bg Different_spiral_1a,22 ;　こんな末路を、あと何度もやられたら、@百年を待たずに心が殺されてしまうわ。\ `If you meet that end several more times, `@`your heart will be killed without having to wait one hundred years.`\ E_A bgm1 59 ;　……ベアトに看破されてしまったから白状する。@ ;　今のあなたは、かつてラムダの世界に囚われていた頃の私にそっくりなの。@ `......Beato saw through me, so I'll confess.`@ `You are now just like I was in the past, when I was imprisoned inside Lambda's world.`@ br ;　過酷な運命の迷路に閉じ込められ、魔女にいいようにいたぶられている。\ `Shut inside a labyrinth of cruel fate, tormented by a witch, in a manner of speaking.`\ bg black,22 ;　…私はそこから生まれた魔女。@ `...I am a witch who was born from there.`@ ;　……だからあなたの姉に当たるのかもしれない。@だからあなたに力を貸そうと決めたの。@ `......So maybe I'm like an older sister to you.`@` So I decided that I'd lend you my power.`@ br ;!s0　しかし、/ ;!d600…………私の運命に比べても、/ ;!d800……あなたのそれは、…あまりにも惨い。/ !s0`However, `/ !d600`............even compared to my fate, `/ !d800`......yours is...truly brutal.`/ !sd@ ;　同情どころか、涙までもらってしまいそうな、あまりに悲惨な運命よ。\ `Not only do I sympathize with you, I'm almost brought to tears by your tragic fate.`\ bg Different_space_1a,22 ;se1 52 ;ld c,$BER_DefA2,99,2000,"breakup.dll/ulB" se1 52 ld c,$BER_DefA2,99,2000,"breakup.dll/urb" ;　でも、どうか挫けないで。@ ;　ベアトになんか決して屈しないで。@ `But please, don't lose heart.`@ `Please don't submit to Beato, no matter what.`@ br ;　確かにあの子のゲームはあまりに卑劣。@ `Certainly, that child's game is quite unfair.`@ br ;　ゲーム盤を少しだけ見させてもらったけど、あまりに卑劣かつ狡猾な仕掛けで、@その舞台仕掛けの嫌らしさは多分、ラムダデルタのゲーム盤のそれを遥かに上回るわ。\ `I've only been allowed a glimpse of the game board, `@`but the unfair and clever devices set up on the stage are so disgusting that they probably far surpass those of Lambdadelta's game board.`\ ld c,$BER_DefA1,80 ;　しかも恐ろしいことに、あの子は駒を指す時、常に最善手を指しているわけではないの。@ `And what's even more frightening, is when that child moves a piece, it's not like she always makes the best possible move.`@ br ;　ここがラムダとは大きく異なる点。@ ;　ラムダは勝つ為に常に最善手で圧倒的な数の駒を指してくる。@ `This is where she is very different from Lambda.`@ `Lambda always uses an overpowering number of pieces to make the best possible move, in order to win.`@ br ;　しかしベアトは、たまにわざと手を抜いて駒を指してくるの。\ `But Beato sometimes intentionally cuts corners when she moves her pieces.`\ ;　困ったことに、相手の指し手から手の内を探ろうとしている私たちにとって、@これは非常に手ごわい情報のノイズ。@ `Since when we are in trouble, we try to seek out our opponent's strategy by looking at their moves,`@` this creates a very formidable amount of noise in our information.`@ br ;　厄介な撹乱になりうるわ。\ `This could cause a troublesome amount of disorder.`\ bg black,25 bg chess1,22 ;　……しかし、チェスに例えるなら、@無駄な一手は相手にノイズを与えるかもしれないけれど、貴重な一手を損していることに違いはない。@ `......However, as in chess, `@`a player might be able to create some noise for their opponent with a useless move, but they would still miss out on a more valuable move.`@ br ;　つまり、付け入る余地はゼロじゃないってこと。\ `In other words, it's not like your opportunities to take advantage of it are zero.`\ bg black,22 ;　あなたには信じられないだろうけども、今回のゲームもそう。@ ;　……あれだけ圧倒的な展開に見えて、/ `Although you may not be able to believe it, this game was also like that.`@ `......Even though those developments looked so overpowering, `/ ;!d1000…実は隙がある。@ !d1000`...there actually was a weak point.`@ br ;　付け込ませたいかのように隙がある。@ `One that makes me want to take advantage of it.`@ br ;　……それが罠なのか、こちらを試しているのかわからないけども。\ `......Even though I don't know if it's a trap or if she's testing us.`\ ;se1 52 bg Different_space_1b,0 ld r,$BER_DefA1,22 ;　とにかく屈服しないで。@ ;　思考を止めないで。@ ;　あらゆる可能性を否定しないで。@ `Anyways, don't surrender.`@ `Don't stop thinking.`@ `Don't deny any possibility.`@ br ;　あなたが戦う意思を持ち続ける限り、ベアトに勝ちはない。\ `As long as you continue to hold the will to fight, Beato will not win.`\ ;　魔女の戦いは守りが肝心よ？@　 ;　勝とうとするより、負けないようにしなさい。\ `What's the most important element in defense during a witch's battle?`@ `Rather than trying to win, try not to lose.`\ ;　…認めたら負けなら、断じて認めては駄目。@ `...If you lose when you accept her, then you definitely must not accept her.`@ br ;　……あなたに魔女を認めさせること。@ ;　これがベアトリーチェの勝利条件のひとつであることはもはや、疑いようもないのだから。\ `......Making you accept witches.`@ `There is no longer any doubt that this is one of Beatrice's victory conditions.`\ ld r,$BER_DefA2,80 ;　私も、あなたの味方であると公言した以上、できる限りの力になれるよう努力するわ。@ ;　あなたも努力なさい。@ `Now that I have announced that I am your ally, I too will make as great an effort as possible to lend you my power.`@ `Make an effort yourself as well.`@ br ;　もし、まだ膝を抱いているなら、早く立ち直って。\ `If you're still hugging your knees, quickly stand back up.`\ bg black,25 ;!s0　……えーと、こういう時、何て言ったかしら。@ !s0`......Umm, in times like this, what did I used to say again?`@ br ;　………えーと、その、@ ;　………ふぁ、/ ;!d800…ふぁいと、/ ;!d600お〜。 `.........Umm, uh, `@ `.........Fi, `/ !d800`...fight, `/ !d600`oh~. !d800 br ;　みー、/ `Mii, `/ se3v 38,100 ;!d700にぱ〜☆/ !d700`nipa~☆`/ !sd\ bg Different_space_1a,0 ld c,$BER_DefA1,26 ;　………………恥ずかしいわね。これ。@ `............It's so embarrassing, doing this.`@ br ;　……私がここまでしてあげたんだから、早く立ち直りなさいよね。\ `......I've done this much for you, so quickly stand back up.`\ textoff cl c,0 seplay 1,52 print 99,3000,"breakup.dll/ulb" fede 0,3000 wait 1000 ;■ベルン退場。@しばらくしてラムダが来る。@ se1v 57,90 lsp 850,white1,0,0 print 1 ld l,$LAM_AkuwaraiA3,1 csp 850 print 2 ld l,$LAM_AkuwaraiA4,80 bgm1 19 ;「…いたいた。@ベルンはいじけてどっか行っちゃったかしら？@　くすくす、本当にざまぁないったらありゃしない。」\ `"...Ah, there you are.`@` I wonder where Bern shrank off to?`@` *giggle*, could she be any more lame?"`\ bg Different_space_1b,22 se1v 57,90 lsp 850,white1,0,0 print 1 ld c,$LAM_AkuwaraiA3,1 csp 850 print 22 ;　それにしても。@ ;　相変わらずベルンが選ぶ駒はショボイわねぇ。\ `Even so.`@ `Just like usual, the pieces Bern chooses are pretty shabby.`\ ld c,$LAM_AkuwaraiA2,80 ;　チェスだってそうでしょ？@ ;　駒が全部ポーンだったら勝ち目ゼロでしょう？@ ;　駒が全部ルークやビショップだったら絶対負けやしないわ。\ `It's the same with chess, right?`@ `If all of your pieces were pawns, you would have zero chance to win, right?`@ `If all of your pieces were rooks and bishops, you definitely wouldn't lose.`\ ld c,$LAM_OdorokiA1,80 ;　……ま、まぁ、前回は私がついつい哀れになって好きな場所から駒を進めていいわよって言ったら、@ベルンのヤツ、お情けの空気も読めずに手持ちのポーンをぜーんぶ入城させた状態から始めて！！/ `......W, well, last time, I felt just a little pity and said that she could advance her pieces from anywhere she wants,`@` and then that idiot Bern, without taking notice of my compassion, started with a-ll of her pawns on my side of the board!!`/ se1 48 quakey 3,500 @ br ;　何よあれ、あんなの負けでも何でもないんだからぁ！！@　あぁ、思い出しただけでもむかむかするわ。\ `What's up with that, that wasn't a loss or anything!!`@` Aaah, just remembering that makes me queasy.`\ ld c,$LAM_AkuwaraiA1,80 ;　そんなわけで、この私は、ベルンがぎゃふんとする顔を見ないと腹の虫が収まらないわけ。@ `Because of that, I won't be able to rest until I see Bern's speechless face.`@ br ;　そんなわけなんで、ベルンの駒のあんたがそんなザマなんで、私は最高にいい気分なわけ！\ `Because of that, and because someone like you is Bern's piece, I'm feeling just great!`\ se1 37 ld c,$LAM_AkuwaraiA3,80 ;　しかもあの子はあれでいて本当に負けず嫌いだから、@きっと今頃悔しくって歯軋りをして涙をぽろぽろ流してるわよ、@本当にざまぁないわよ、くすくす、ほーっほっほっほっほっほ！\ `And also, I'd really hate that girl even if I didn't lose,`@` so I'll definitely make her grind her teeth in regret, crying like a baby,`@` she's so lame, *giggle*, hoh-hoh-hoh-hoh-hoh-ho!`\ ld c,$LAM_AkuwaraiA1,80 ;　ほら、あんたも一緒に笑いなさいよ、をーっほっほっほっほ！\ `C'mon, laugh with me, oh-hoh-hoh-hoh-ho!`\ textoff wait 2000 ld c,$LAM_OdorokiA1,80 ;　…………ちょっと。@ ;　あんた、まだ膝を抱いてるの？@ `............Wait a sec.`@ `Are you still hugging your knees?`@ ;　ベアトにちょっと本気出されたくらいで、もうそのザマなのぅ？@ ;　情けないったらありゃしない。\ `You're already like this just because Beato got a little serious?`@ `Could you be any more pathetic?`\ ld c,$LAM_AkuwaraiA4,80 ;　あんまり情けないから、ちょっとだけ力を貸してあげるわ。@ `You're so pathetic, I'll help you just a little bit.`@ br ;　この宇宙最強で絶対の魔女である大ラムダデルタ卿が、@あんたの絶望的な勝率を、ほんのちょっぴりだけ絶対に近付けてやるわ。@感謝なさい。\ `I, the great Lady Lambdadelta, the Witch of Certainty and the strongest in the universe,`@` will associate myself just a tiny bit with you and your hopeless chances at winning.`@` You should thank me.`\ se1v 57,90 lsp 850,white1,0,0 print 1 bg Different_spiral_1a,1 csp 850 print 22 me1v 16,40 ;　ベアトリーチェはね、確かに残酷で強力な魔女かもしれないけれど、この私の敵じゃない。@ `You know, Beatrice may really be a cruel and powerful witch, but she's no match for me.`@ br ;　なぜか？@　甘いからよ。\ `Why?`@` Because she's soft.`\ ;　あの子はあと数手でチェックメイトできる局面を作りつつ、わざと詰めない。@ ;　下らない駒を取ったり、余計な駒を置いてより一方的な盤面にしてみたり。@ `While that kid will frame the board so that she can win with just a few more moves, she will intentionally not corner you.`@ `She'll do things like take worthless pieces and place excess pieces on the board to make things one-sided.`@ br ;　早い話が、勝ちが見えると遊び出す悪い癖があるってわけ。\ `In short, you could say she has the bad habit of playing around by making it look like she's won.`\ E_MA bg Different_space_1a,22 se1v 57,90 lsp 850,white1,0,0 print 1 ld r,$LAM_AkuwaraiA3,1 csp 850 print 22 ;　あんたやベルンにとって、辛い様々な攻め手のほぼ全てが、@私から見ればやり過ぎの無駄もいいところ。@ `Almost all of the various attacks that are painful for you and Bern,`@` look like utter waste and overkill to me.`@ br ;　…つまり、それこそ隙であり、チャンスでもあるってわけ。@ね？@　恐れるに値する相手じゃないでしょ？\ `...In other words, this means that she has a weakness, and you have a chance.`@` See?`@` She isn't an opponent to be afraid of, right?`\ ld r,$LAM_AkuwaraiA4,80 ;　手段と目的を時に履き違える。@ ;　そして悪い遊びが過ぎる。@ ;　その結果、自ら弱点を作り晒してさえいる。@ `She is sometimes mistaken in her strategy and goals.`@ `And she has too much bad fun.`@ `As a result, she even makes and exposes her own weak points.`@ br ;　私のような最強の魔女から見れば、何でこんな余裕ぶったことをするのか理解できない。@ ;　自ら勝率を下げてるなんてね。\ `It's impossible for one of the strongest witches like me to understand why she acts so relaxed.`@ `Why she lowers her own chances of winning.`\ ld r,$LAM_akuwaraiA1,80 ;　………でも、ま。@ `.........But, well.`@ br ;　そのせいで、ベルンみたいな、相手を読んでかわすタイプの魔女には非常に相性が悪いってわけよ。@読みが効かないから。@ `Because of that, the type of witch like Bern, who thoroughly reads her opponent, has a really bad affinity with her.`@` Because reading her doesn't work.`@ br ;　…ベルンにとっては、私みたいな素直で正直なタイプは、読みやすくてやりやすいんでしょうね。@ムカつくことに！\ `...Maybe it's really easy for Bern to read and handle an obedient and honest type like me.`@` It makes me mad!`\ bg Different_space_1b,22 se1v 57,90 lsp 850,white1,0,0 print 1 ld l,$LAM_AkuwaraiA4,1 csp 850 print 22 ;　…まぁでも、私みたいな超火力タイプはベアトみたいな軽くて広い弾幕タイプなんか真正面から打ち破れちゃうわけだから、@相性のジャンケンみたいなものかしら。\ `...Well, still, a super firepower type like me can flat out beat up a light, wide-range barrage type like Beatrice, `@`so it's kinda like rock-paper-scissors.`\ ld l,$LAM_AkuwaraiA2,80 ;　私がパーなら、ベアトがグー。@ ;　ベルンはチョキってとこね。@ ;　まー、どうでもいいことかしら。\ `If I'm paper, Beato is rock.`@ `Which means Bern is scissors.`@ `Well, maybe that doesn't matter.`\ ld l,$LAM_AkuwaraiA1,80 ;　確かに私のパーはベルンのチョキに負けるけど、@パーよりはるかに凄い超パーだったら、チョキにだって勝てるでしょ？！@ `Even though my paper loses to Bern's scissors,`@` if it was super-paper, which is far more awesome than normal paper, it could even beat scissors, right?!`@ br ;　つまりこのラムダデルタ卿は、/ `In other words, I, Lady Lambdadelta, `/ se1 48 ;超パーってわけ！@　ほっほっほっほ！\ `am super-paper!`@` Hoh-hoh-hoh-ho!`\ textoff se1v 37,100 wait 2000 bg black,25 bg Different_space_1c,22 se2v 57,90 lsp 850,white1,0,0 print 1 ld c,$LAM_AkuwaraiA4,1 csp 850 print 22 ;　少しは血色が戻ってきたみたいね。@ ;　ベアトのヤツ、楼座とかいう駒を虐めて遊んでるわ。\ `It looks like you regained a little of your complexion.`@ `That Beato, she's having fun torturing some piece called Rosa.`\ ld c,$LAm_AkuwaraiA3,80 ;　一見すると本当に趣味の悪いヤツだと思うでしょ？@　違うのよ。@ `At a glance, you'd think she has a really bad habit, right?`@` Wrong.`@ br ;　……あんたが立ち直って戻ってくるのを期待して、時間を潰して待ってるだけなのよ。@ `......She's just killing time, hoping that you'll stand back up and return.`@ br ;　わざと憎まれるようなことをして、あんたの義憤を引き出そうという手ね。@ ;　あー、やだやだそういう子って！\ `It's a move to fire up your righteous indignation by intentionally doing something detestable.`@ `Ah man, I hate kids like that!`\ ld c,$LAM_AkuwaraiA1,80 ;　じゃあ、私は戻るわね。\ `Well then, I'll return.`\ ld c,$LAM_OdorokiA1,80 ;　あ！@　私があんたにちょびっとだけ力を貸したのは内緒よ！@ ;　別にあんたを助けたくて力を貸したわけじゃないんだからね？！\ `Ah!`@` Don't tell anyone that I helped you out just a little bit!`@ `I mean, it's not like I helped you because I wanted to save you, okay?!`\ ;　この宇宙最強の魔女の私は、ベルンに負けて最強の座を奪われちゃったの！@ `I, the strongest witch in the universe, had my seat as the strongest stolen when I lost to Bern!`@ br ;　それで私はベルンからその座を取り戻さなくちゃならないわけだけど、@もしここでベルンがベアトに負けちゃったら、最強の座が今度はベアトに移っちゃうじゃない？！\ `So I have to take that seat back from Bern,`@` but if Bern loses to Beato here, then the position of the strongest will be moved to Beato this time, right?!`\ ld c,$LAM_akuwaraiA1,80 ;　…まぁ別に、私はベアトから奪い返す方が楽だからいい訳だけど、それじゃ私の腹の虫が納まらないのよね？！\ `...Well, I'm not really complaining.`@` It would be easier to steal it back from Beato, but then I wouldn't be satisfied, you see?!`\ ld c,$LAM_akuwaraiA4,80 ;　ベルンは私が打ち負かす！@ ;　そして最強の座も私が取り返すの！\ I will defeat Bern!`@ `And I'll take back my position as the strongest!`\ ld c,$LAM_ODorokiA1,80 ;　別にあんたに力を貸すわけじゃないんだからね？！@ ;　ベルンを泣かせたら許さないんだからー！\ `It's not like I'm really helping you, okay?!`@ `I won't forgive you if you make Bern cry!`\ se1v 57,90 lsp 850,white1,0,0 print 1 cl a,1 csp 850 print 2 if %UMINEKOEND < 30 mov %UMINEKOEND,30 : mov %UMINEKOEND_FLG,30 : mov %UMINEKOEND_TIPS_FLG,2 ;クリアフラグの変更 wait 3000 bg black,10,3000 fede 0,6000 wait 3000 E_A se1 22 bg TEXT006,22 delay 10000 bg black,22 E_A reset ;******************************************************************* ;■お茶会（裏） ;■１２年後　12 years later ;■１９９８年１０月４日（日） *ura_teatime_3 mov %m_temp1,1 mov %play_scene,32010 mov %grim_scene,311 if %UMINEKOEND_FLG = 32 mov %UMINEKOEND_FLG,0 ;新要素告知フラグの解除 btndef "" csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 textoff E_A bg black,22 wait 2000 ;se1 29 bg oct_4_1998b,22 wait 6000 bg black,22 se1v 28,90 bg oct_4_1998,1 wait 6000 ;bg black,22 bgm1 1 bg Hos_R1b,2 ;!sd　単調な電子音が、ずっと繰り返されている。@ !sd`A monotonous electronic sound kept on repeating.`@ br ;　衛生的、という名の無感情な白が、その部屋の基調。@ ;　…そこは、とある大学病院の病室だった。\ `A so-called hygienic...emotionless white was the theme of that room.`@ `...It was a hospital room of a certain university hospital.`\ ;　庶民ではとても一夜のベッド代さえ払えないその個室が、@彼女の最後の部屋となることは、医師も本人も疑いはなかった…。\ `Neither her doctors nor the person herself had any doubts that this room, `@`which an ordinary person wouldn't be able to afford just to spend the night, would be the last room she stayed in...`\ bg Hos_R1c,2 ;　ベッドの上にいるのは、/ ;!d1000…………絵羽なのだろうか。@ `Was the person on the bed, `/ !d1000`............Eva?`@ br ;　そうだと言われなければ、信じられないくらいに彼女は老け込み、やつれていた。\ `Even if someone told you that was so, she was unbelievably aged and worn out.`\ ;　扉の脇に控えていた体格の良いスーツ姿の男が、インカムで外部と小声でやり取りをしている。@ `The well-built man in a suit waiting in the corner near the door was having a conversation with the outside on the intercom in a small voice.`@ br ;　…絵羽の身辺を固める護衛だった。\ `...He was a guard protecting Eva's person.`\ ;　インカムの相手に待機するように伝えると、ベッドの絵羽に近付く。\ `After telling the person on the other end of the intercom to wait, he approached Eva's bed.`\ ;　…絵羽は、さっきから起きてはいる。@ `...Eva had been awake for a short while.`@ br ;　……しかし、何もない空中の一点をじっと見ていて、意識がここにないかのようであった。\ `......However, she stared at a single point in empty space, as though her mind was not in the same place.`\ bg Hos_R1a,22 ;「……縁寿（えんじぇ）さんが下のロビーに到着しました。@お通ししてよろしいですか。」\ `"......Ange (縁寿)-san has arrived in the lobby below.`@` Should we let her pass?"`\ ;「……………………………。」@ ;　絵羽はしばらくの間、返事をしない。@ `"........................"`@ `For a long time, Eva didn't answer.`@ br ;　しかし、少しずつ目の焦点が戻ってくると、小さく頷く仕草をして、呼んで構わないことを示した。\ `However, bit by bit, her eyes began to regain their focus, and she gave a small nod, indicating that she didn't mind if they called Ange.`\ bg black,22 ;　…呼んだのは絵羽自身だ。@ ;　時間もぴったり。@ `...Eva had been the one to call her.`@ `And she was right on time.`@ br ;　今の絵羽は、事前にアポイントがなければ、誰の面会も拒んだ。\ `For Eva now, anyone who wanted a meeting without an appointment would be refused.`\ ;　部屋が薄暗いのは、まだ明るい時間なのにカーテンを閉め切っているせいだ。@ `The room was dark, even though it was still light outside, because the curtains were closed.`@ br ;　…室内には常に１人、そして廊下とロビーに、さらに３人の護衛が控えている。@ ;　それらは全て、絵羽の身辺を守るためのもの…。\ `...There was always one guard waiting in the room, and three more waiting in the corridor and the lobby.`@ `They were all there to protect Eva's person...`\ se1v 19,100 wait 1000 bg Hos_R1b,22 ;　やがてノックの音がした。@ `Eventually, there was the sound of a knock.`@ br ;　インカムからも、客人のボディチェックが終了し、問題がないことの連絡がある。@ `Also, there was a message from the intercom that the guest's body check had been completed with no problems.`@ br ;se1 25 ;　鍵を開け、扉を開くと、/ `The door was unlocked, then opened, `/ se2 16 ;!d800………そこには高校生くらいの女の姿があった。\ !d800`.........and a high school-aged girl was standing there.`\ bg Hos_R1c,25 ;「会長。@縁寿さんがいらっしゃいました。」\ `"Chairman.`@` Ange-san has arrived."`\ ;　絵羽が反応し、顔を来客に向ける。@ `Eva reacted and turned her face towards the guest.`@ br ;　もっとも、護衛の呼び掛けに反応したというよりは、縁寿の化粧の匂いに反応したというべきだろう。@ `However, instead of reacting to the guard's call, maybe it would be better to say that she reacted to the smell of Ange's makeup.`@ br ;　……絵羽はこの部屋に閉じ篭って長く、わずかの匂いの変化にも敏感だった。\ `......After being shut up in this room for so long, Eva was sensitive to small changes in smell.`\ bg black,22 fede 0,2000 bg Hos_R1a,26 ;「……………………。@来たわね。@/ `"........................`@`So you came. `@/ mov %play_scene,32020 seplay2 9,1060,70 mov %r_hyouji_cha,enj mov %r_hyouji,0 ;……縁寿。」\ `......Ange."`\ bgm1 10 ld c,$ENJ_DefA1,2 ;「……来たわ。@呼ばれたから。」\ ;＜縁寿 `"......I came.`@` You did call me."`\ ;　絵羽の顔に、姪を歓待する表情は見られない。@ ;　…そして縁寿の顔にも、伯母との面会を喜ぶ表情は見られなかった。\ `On Eva's face, you could not find the expression of one warmly welcoming their niece.`@ `...And on Ange's face, you couldn't see the expression of one pleased to meet with their aunt.`\ bg black,22 ;　絵羽は枯れ枝のように細くなった腕を振り、護衛に出て行けという仕草をする。@ `Eva waved her arm, which had grown as thin as a withered branch, and motioned for the guard to leave.`@ br ;　護衛は黙礼してから廊下に出た。\ `The guard bowed silently and went out into the hall.`\ bg Hos_R1a,23 ld l,$ENJ_nayamuA1,23 ;「……暗い上に空気もひどいわ。@カーテンでも開けたら…？」@ ;「……………そうすると、あんたの依頼した殺し屋が、窓越しに撃ってくるって寸法なのかしらぁ……？」\ `"......It's not only stuffy, but dark too.`@` Can I open the curtains...?"@ `"............Did you plan for that hit man you hired to shoot through the window......?"`\ ld l,$ENJ_fumanA2,80 ;「………あんたの暗殺依頼なら私が受けたいわ。@家でのんびり、ほんのひと月も過ごしてれば、勝手に任務が終わるもの。」@ `".........I wish I could get hired to assassinate you.`@` All I'd have to do is relax at home for a month and the job would take care of itself."`@ ;「…ふっふっふっふ、はっはっはっはっは……。」\ `"...Heheheheh, hahhahhahhahha......"`\ ;　伯母と姪にしては物騒な会話を交わしあう。@ `Their discussion was quite morbid for an aunt and niece.`@ br ;　…しかし、互いに冗談めかすような様子はない。@ ;　……少なくとも、絵羽は自分が命を狙われていると信じていた。\ `...However, they didn't look like they were joking.`@ `......At the very least, Eva believed that someone was after her life.`\ bg black,25 me1v 16,50 bg gold3,2 ;　右代宮家の莫大な財産は、その全てが右代宮絵羽によって占有されている。@ `All of the Ushiromiya family's massive fortune had come into the possession of Ushiromiya Eva.`@ br ;　…その財産には、かの右代宮金蔵が隠し持っていたと囁かれる、１０ｔの隠し黄金も含むと言われていた。\ `...It was said that this fortune also included the 10 tons of hidden gold that Ushiromiya Kinzo was rumored to have hidden.`\ ;　その莫大な財産は、老獪で狡猾で猜疑心の強い絵羽の手元にあってはどうしようもないが、@……小娘に過ぎない縁寿に相続されれば、自在に掠め取れるのではないかと目論む者たちがいると噂される。\ `It couldn't be helped that this vast wealth would fall into the cunning, sly, and extremely jealous Eva's hands,`@` ......but it was rumored that if it passed on to Ange, who was no more than a young girl, certain people were plotting to snatch it away at once.`\ bg black,22 mono 1 bg M_o1b,2 ;　今や、金蔵の子孫たちは絵羽と縁寿の２人だけ。@ ;　……絵羽が死ねば全ての財産は縁寿に相続される。@ `By now, Eva and Ange were Kinzo's only descendants.`@ `......If Eva died, all of the wealth would go to Ange.`@ br ;　…そしてさらに縁寿まで殺されることがあれば、@……その財産は、縁寿の母である霧江の実家に相続される。\ `...And if Ange were to be killed as well, `@`......that wealth would go to the family of Ange's mother, Kyrie.`\ ;　その意味においては、絵羽だけでなく縁寿もまた、@…正体不明の何者かにいつ命を狙われてもおかしくない立場にいた。\ `In this sense, not only Eva, but Ange as well,`@` ...was in a position where it wouldn't be odd at all for her life to be targeted by some unknown person.`\ bg black,22 mono 0 E_MA bg Hos_R1c,26 ;　……そして絵羽は、縁寿を長く憎んでいた。@ `......And Eva had hated Ange for a long time.`@ br ;　大切な一人息子の譲治を失い、@……自分の財産の相続人が、１２年前のあの日、@親族会議を欠席して生き残った彼女だけだということを知ったからだ。\ `It was because she knew that, after losing her only precious son George, `@`......the inheritor of her own wealth would be none other than the girl who had been absent at that family conference 12 years ago,`@` and who had survived.`\ ;　絵羽は縁寿を疎み、嫌い、そして憎悪さえした。@ `Eva shunned Ange, disliked her, and even hated her.`@ br ;　彼女を特別な学校へ隔離し、人並みの幸福や青春から遠ざけ、生涯を飼い殺すつもりであった。\ `She isolated Ange in a special school and separated her from the youth and happiness normal people have, trying to keep her as a pet until death.`\ bg blood_2e,22 ;　……しかし、絵羽は不治の病を患い、@その余命は皮肉にも、…１２年前の親族会議で、金蔵に宣告されていたのと同じものになっていた…。\ `......However, Eva had succumbed to an incurable illness,`@` and ironically, ...her remaining life was estimated to be the same as Kinzo's had been at that family conference 12 years ago.`\ ;　絵羽も縁寿も、…互いを憎しみあっている。@ `Both Eva and Ange, ...hated each other.`@ br ;　最後の肉親同士だというのに、…早く相手が死ねばいいのにと、憎しみあっている…。\ `Even though they were each other's last blood relatives, ...they hated each other so much that they hoped the other would die quickly...`\ bg black,22 bg Hos_R1a,0 ld c,$ENJ_defA1,26 ;「………それで？@　わざわざ呼び付けて何の用…？」\ ;＜縁寿 `".........And?`@` Why did you go to all the trouble of calling for me...?"`\ ;「……私はもう長くないわ。@……藪医者どもは、未だに私が盛られた毒が何かも検出できない。@………わかってるの。@きっとソ連のＫＧＢで使われてた秘密の暗殺薬なのよ。@…あぁ、私は殺されるのよ、殺されるのよ…！！@　良かったわね、もうじき死ぬわよ、そうすればさぞやあなたの胸がすくでしょうねぇ…！」\ `"......I don't have much time left.`@` ......These quack doctors still can't detect any of the poison that's filling me up.`@` .........I know.`@` I'm sure it's a secret assassination drug used by those Soviet KGBs.`@` ...Ooh, I'll be killed, I'll be killed...!!`@` Isn't that great! Very soon, I will die, and then you will be so relieved...!"`\ ld c,$ENJ_FumanA2,80 ;「……………………………。@…可哀想な人。」\ ;＜縁寿 `"........................`@`...What a pitiable person."`\ bg black,25 ;　いつものことだ。@ `This always happened.`@ ;　……本題からすぐに逸脱して、物騒な話に捻じ曲がる。@ `......They immediately deviated from the main topic, distorting it into a more unsettling discussion.`@ br ;　猜疑心で肥大化した絵羽は、自身が常に命を狙われていると信じていた。\ `Eva, who was full of jealousy, believed that someone was always after her life.`\ ;　実際、彼女は右代宮家の莫大な財産を相続した後、@金蔵がかつてそうしたような荒っぽい方法で、手段を選ばない利殖を繰り返し、たくさんの敵を作っている。@ `In actuality, after inheriting the vast wealth of the Ushiromiya family,`@` she had used wild methods just like Kinzo had done in the past, and had repeatedly made money by any means necessary, creating many enemies along the way.`@ br ;　莫大な資本で、急成長し始めた企業に買収攻勢を仕掛け、@手打ちと称してそれを高額で買い戻させる。\ `With a massive supply of capital, she had plotted to aggressively buy businesses which were starting to have rapid growth, `@`making them buy it back at a high price under the guise of reconciliation.`\ ;　……それは皮肉にも、１２年前に彼の夫の会社が受けた行為の裏返しだった…。@ `......Ironically, it was the same type of action that her husband's company had been hit with 12 years ago...`@ br ;　そんなことを、ひたすらに繰り返した１２年だった。@ ;　……恨みも山ほど買っている。\ `She had repeated this constantly for 12 years.`@ `......She had also earned a lot of hatred.`\ ;　もしあの世の夫が聞いたなら、家族を失った寂しさの裏返しだと擁護するかもしれない。@ `If her husband had heard of this from beyond the grave, he might have defended her, saying that this was because of the loneliness from losing her family.`@ br ;　……しかし、今の彼女を知る者で、擁護する者は誰もいない。\ `......However, of all the people who knew her now, none would defend her.`\ bg Hos_R1c,26 ;　絵羽はしばらくの間、自分の命が如何に狙われているかを雄弁に語り、@自分に恨みを抱いているであろう人物の名を次々に挙げては、@自分がまだ殺されずにいることを嘲笑う。@ `For some time, Eva eloquently spoke of how her life was being targeted,`@` listing off names of people who held hatred for her,`@` and sneering at the fact that she still hadn't been killed.`@ br ;　縁寿はその中に自分の名が含まれても、@特に表情も変えず、彼女が言い疲れるのを淡々と待った…。\ `Even though Ange heard her own name included in that list,`@` her expression did not change significantly, and she waited indifferently for Eva to tire herself out...`\ me1v 16,50 bg Hos_R1b,22 ;「………私はね、/ ;!d800…………憎いのよ。@あんたが。」@ ;「光栄ね。@私もよ。」\ ;＜縁寿 `".........You know what? `/ !d800`............I really hate you."`@ `"I'm honored.`@` Same here."`\ ;「………譲治のために築いた未来だった。@……それを、あんたに掠め取られるなんて。@…留弗夫の娘に奪われるなんて…。@………私は悔しい。@/ ;!s0……子も残せず、/ ;!d800…財産すらも奪われるなんて、/ ;!d700………それが私には、/ ;!d600……許せない…………！」/ `".........I built this future for George's sake.`@` ......To think that it would be snatched away by you.`@` ...To think that it would be stolen by Rudolf's daughter...`@`.........I can't bear it. `@/ !s0`......To think that, without leaving a child, `/ !d800`...even my fortune will be stolen, `/ !d700`.........that, `/ !d600`......I cannot forgive............!"`/ !sd\ ;「……だったら財産全部、お布施にでもしちゃえば？@　お百度踏んでた宗教系の連中はどうしたのよ。」\ `"......In that case, why don't you give all of your fortune to charity?`@` What about those religious people you've requested so many times?"`\ ;「…………くっくっくっくっく！@　連中はみんな言うのよ。@…多すぎる財産が私の負担になっているって。@決まって、だから預けて清める必要があるとか言い出すのよ。@……あっははははははははは！@　それで思いついたのよ。@寄付はやめたわ！」\ `"............*cackle*cackle*!`@` They all say the same thing.`@` ...My excessive wealth has become a burden to me.`@` They always say something about how I need to give it up and cleanse myself.`@` ......Ahhahahahahahahahaha!`@` Then I thought of something.`@` I stopped donating!"`\ bg black,25 E_MA ;　絵羽は一時期、心の安寧を求めたのか、おかしな新興宗教の教祖たちをずいぶん招き入れた。@ `For a time, Eva had searched for the founders of several strange and new religious cults, perhaps looking for peace in her heart.`@ br ;　…だが結局、彼らは彼女の心に救いを与えられず、@むしろ猜疑心をさらに肥大させる結果となった…。\ `...But in the end, they did not give her heart any relief, `@`and only further increased her jealousy...`\ bg Hos_R1a,0 ld c,$ENJ_NayamuA1,26 ld c,$ENJ_DefA1,80 ;「………お金が余ってるなら、サラブレッド買い占めてコンビーフでも作れば？」\ `".........If you have too much money, why don't you start buying up thoroughbreds and make some corned beef?"`\ ;「それよりもっと面白いことを思いついたのよ。@……くっくくくくくくくく！@　色々悩んだわ。@どうやればあなたを酷い目に合わせられるかをね。\ `"I've thought of something even more interesting.`@` ......*cackle*cackle*cackle*cackle*!`@` I've worried over it a lot.`@` What could I do to make things horrible for you?`\ ;　……殺してしまおうとも思ったわ。@あるいは全ての財産を消し去って、あなたを無一文にして人買いにでも売ってしまおうかとも思ったわ。@素敵でしょ？@　両手両足をブツ切りにされて死ぬまで客を取らされるのよ。@あぁ、それも実に素敵だわ、/ `......I thought about killing you.`@` I also thought about erasing all of my wealth, leaving you penniless, and selling you off to a slave trader or something.`@` Wouldn't that be wonderful?`@` You would have your arms and legs chopped off and be made to entertain the guests until you died.`@` Aaah, that would be so wonderful, `/ se1 37 ;くっくっくっくっくっく！！」\ `*cackle*cackle*cackle*!!"`\ ld c,$ENJ_FumanA2,80 ;「…………楽しい？」\ `"............Are you having fun?"`\ ;「楽しいわ。@あなたを怯えさせるのはね…。@……でももうじき私は死ぬわ。@…だから、私が死んだ後も、どうやってあなたを苦しませ続けるか、考えたの。@………そうしたら、……くっくっくっく！@　案外、単純なことだったわ。@……それをあなたに話したくて呼んだのよ。」\ `"Yes, I am.`@` It's fun to scare you...`@`......But very soon, I will die.`@` ...So I thought about how I can continue to cause you pain even after I die.`@` .........And then, ......*cackle*cackle*!!`@` It was surprisingly simple.`@` ......I called you because I wanted to talk about it."`\ ld c,$ENJ_nayamuA1,80 ;「…………………そろそろ中間、近いんだけど。@手短にね。」\ `"..................I have midterms coming up.`@` Keep it brief."`\ me1v 5,50 bg black,22 ;「…あなたに。@/ `"...I have decided. `@/ E_B ;全ての財産を相続することにしたわ。」@ ;「………………………………。@…へぇ。」\ `I will have you inherit all of my fortune."`@ `"........................`@`...Huh."`\ bg Hos_R1b,26 ;「それどころか、/ ;!d500……私が死ぬ最後の一日まで、/ ;!d500…どこまでも財産を増やして、膨れに膨らしてあなたに相続することにしたのよ。@…くっくっくっく、それがどういうことか、想像がつくかしら…？」@ ;「……わかんないわ。@馬鹿だから。」\ `"Not only that, `/ !d500`......I decided that until the very day that I die, `/ !d500`...I'll increase that fortune as much as I can, inflate it to massive proportions and have you inherit all of it.`@` ...*cackle*cackle*, can you even imagine what that would be like...?"`@ `"......I don't get it.`@` Because it's stupid."`\ bg black,22 se1 37 ;「うっふっふっふ、くっくっくっくっくっく！！@　そうよねぇ、わかんないでしょうねぇ…！@　楽しみにしてなさいよぅ、本当に楽しいわよ、お金持ちは…！@　毎日、日本中の妖怪が朝から晩まで遊びに来るわよ。\ `"Ehhehhehheh, *cackle*cackle*cackle*cackle*!!`@` That's right, you don't get it, do you...?!`@` Look forward to it, it really is fun, being rich...!`@` Every day, monsters from across Japan come to play.`\ bgm1 16 ;　あんたの私生活はこれからは全てワイドショーと週刊誌が覗き見してくれるわ。@何をしてもしなくても、マスコミは必ず私を批判する！@　施せばブルジョワだと叩かれ、渋れば守銭奴だと罵られる。@あぁ、本当に素敵な毎日よ？@　そんな日々に、若くて先の長いあなたを、ぜひ招待してあげようと思いついたの。@本当に素敵でしょう？」\ `From now on, your entire life will be followed by talk shows and weekly magazines.`@` The media will criticize me no matter what I do or don't do!`@` If I donate, they'll attack me as a bourgeois, and if I hesitate, I'll be abused as a miser.`@` Oh, every day really is wonderful, you see?`@` I realized that I would love to invite you to that kind of life, when you are so young and have so much ahead of you.`@` Isn't it truly wonderful?"`\ bg Hos_R1c,0 ld c,$ENJ_DefA1,26 ;「………あんたのしてきたことに対する、世間の正当な評価でしょ。」\ `".........Looks like the public is right in its criticism of all that you've done."`\ ;「くっくっくっくっく！！@　そうねぇ、そうでしょうねぇ。@…いいわ、好きなだけ私を罵るといいわ。@そしてその評価を、あなたが背負うのよ。@……清貧が善人、金持ちは死ねというのが日本の文化。@あんたはやがて、何をしてもしなくても、日本中から妬みと恨みの象徴に祭り上げられていく。@…くっくっくっくっく！\ `"*cackle*cackle*cackle*!!`@` Too true, yes, that is too true.`@` ...Go ahead, abuse me as much as you want.`@` And then you will be burdened with that criticism.`@` ......Japanese culture says that good people live in honorable poverty, while the wealthy should die.`@` No matter what you do or do not do, you will eventually be raised as a symbol of envy and hate from across Japan.`@` ...*cackle*cackle*cackle*!`\ ;　そんな生活の中で生きていくあなたのこれからの人生は、どんなにも歪なものなのかしらね…？@　あんたの味方は誰もいない！@　あんたの悩みなど誰も聞かない。@あなたを罵ることは公然としたスポーツになる。@そしてそれを誰も止めない！\ `I wonder how twisted your life will become after living this way...?`@` You have no allies!`@` No one will listen to your worries.`@` Abusing you will become a public sport.`@` And no one can stop that!`\ bg black,0 ld c,$ENJ_DefA1,2 ;!s0　あぁ、縁寿！@　うっふふふふふふふふ、/ ;!d800あぁ、本当に楽しみよ。@…あんたはどんな人生を送って、どう終えるのかしら…！@　世界中の誰も信用できず、誰も愛せず、誰とも語り合えない人生をたっぷり満喫しなさい…！！@　その苦労話を持って地獄へ墜ちてくるのを、私はのんびりと待っているわ。@うっふふふふ、/ ;!d600あはっはははははははは、/ ;!d700わーっはっはっはっはっはっはっはっは、/ ;!d700がはッ、/ !s0`Oh, Ange!`@` Ehheheheheheh, `/ !d800`oh, I'm really looking forward to it.`@` ...I wonder how you will live your life, and how you'll end it...!`@` Fully enjoy a life of being unable to trust anyone in the world, being unable to love anyone, being unable to talk with anyone...!!`@` I'll be patiently waiting for you to take that story of hardship with you as you fall into hell.`@` Heheheheh, `/ !d600`ahahhahahahahahahaha, `/ !d700`wa-hhahhahhahhahhahhahhahha, `/ !d700`gkk, `/ quakey 3,500 ;げほげほ、/ `*cough*cough*, `/ quakey 3,200 ;がはッ！！」/ `ghah!!"`/ quakey 4,400 !sd\ bg Hos_R1b,22 E_MA ;　狂った笑いは、苦しい咳の声に変わる。@ `Her insane laughter turned into a painful cough.`@ br ;　縁寿は表情ひとつ変えずに、ただただ淡白に、/ ;!d900……六軒島の唯一の生き残りを見つめていた。\ `Without changing her expression in the slightest, looking completely unconcerned, `/ !d900`......Ange stared at the only survivor of Rokkenjima.`\ bg black,23 bg Hos_R1a,23 ;　咳き込む声に不審を感じたのか、短いノックと同時に護衛が飛び込んできた。\ `Perhaps because he found the violent coughing odd, as he gave a short knock on the door, the guard flew in.`\ ;　縁寿はじろりとそれを見て、無言で、自分はここから一歩も動いていないとアピールする。@ `Ange glanced at him, wordlessly showing that she wouldn't move a step from where she was.`@ br ;　……自分に、絵羽殺しの濡れ衣を着せるための、何かの罠さえ縁寿は覚悟していた。@ ;　しかし、幸いにもそれは杞憂。\ `......Ange was prepared for some kind of trap to frame her in Eva's death.`@ `However, that was fortunately a needless anxiety.`\ bg black,25 bg Hos_R1c,22 ;　護衛は絵羽の背中を擦りながら、魔法瓶の白湯をマグカップに注ぐ。@ ;　その間にも苦しそうに絵羽は咳を繰り返していた。@ `As the guard rubbed Eva's back, he poured hot water from a thermos into a mug.`@ `As he did, Eva kept coughing, looking like she was in pain.`@ br ;　縁寿は、これが自分が見ることのできる六軒島の魔女の最後の姿だろうと思った。\ `Ange thought that this would be the final form of Rokkenjima's witch that she would be able to see.`\ bg Hos_R1a,2 ;ld c,$ENJ_DefA1,26 ;　ようやく喉を潤して呼吸を整える。@ ;　…しかし瞳の奥のぎらぎらした狂気はまったく収まらない。\ `Eventually, the coughing subsided and Eva regained her normal breathing.`@ `...However, the glittering madness inside her eyes hadn't subsided in the slightest.`\ ;「くっくくくくくくくくくくくく！！@　あの呪われた莫大な黄金と右代宮家当主の家督、@……そして、/ ;!d800…………黄金の魔女、ベアトリーチェの名を、/ ;!d700…今こそあなたに譲るわ。@…………魔女の名に相応しい、狂って歪んだ生涯を楽しみなさい…！」\ `"*cackle*cackle*cackle*cackle*cackle*cackle*cackle*!!`@` Now, I will give to you`/ !d700` the cursed mass of gold and the inheritance of the Ushiromiya head, `@`......as well as, `/ !d800`............the name of the Golden Witch, Beatrice.`@` ............Enjoy your insane, twisted life fitting for the name of the witch...!"`\ ld c,$ENJ_FumanA1,24 ;「そんなのいらないわ。@それより教えて。@……あの日、六軒島で何があったの。@………事故があったなんて、私は信じない。@あの日に何があったのか、父さんと母さんと兄さんがどうして死んだのか、本当のことを教えて……！！」\ `"I don't need that.`@` More importantly, tell me.`@` ......On that day, what happened on Rokkenjima?`@` .........I don't believe that there was an accident.`@` Tell me the truth about what happened that day, and why Father and Mother and Nii-san died......!!"`\ bg black,25 ;「くっくっくっくっく…！@　あぁ、それが一番の嫌がらせよねぇ？@　……あの日に何があったか？@　１９８６年の今日、何があったのか…？@　……何て言葉を残して３人が死んだのか、……知りたいわよねぇぇ…？\ `"*cackle*cackle*...!`@` Oh, that must be the best way to harass you, right?`@` ......What happened on that day?`@` What happened on this day in 1986...?`@` ......You want to know what they said before they died, riiight...?`\ ;　ぉ教えないわよォおおおぉ、/ `I won't tell yoooooouu, `/ se1v 37,100 ;あーっひゃっひゃっひゃっひゃッ！！@　呪われた黄金は残す！@　でもね、あんたが望む真相は、私が地獄まで持って行くわ…！@　それがあんたに出来る一番の嫌がらせよォ！！\ `aaahhhyahhyahhyahhyah!!`@` I'll leave behind the cursed gold!`@` But you know what? I'll take the truth you desire with me to hell...!`@` That's the best way I can harass you!!`\ ;　悔しい？@　聞きたければ地獄まで行って、あんたの家族に聞いてみるといい！@　なら今すぐ死なないとねぇ？！@/ `Is that too harsh?`@` If you want to hear, try going to hell and asking your family there!`@` In that case, you better die right now, right?! `@/ se2 37 ;　あっははははは、今すぐヘソでも噛んで、死んじゃえばぁッ？！@/ `Ahhahahahahaha, why don't you just give up and die right now?! `@/ se3v 37,100 ;　わーっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはっはッ！！」\ `Waaahhahahahahahahahahahahahahahahahahahahahahahahahahahaha!!"`\ wait 1000 ;　その笑いは、再び咳き込むまで続く。@ `That laugh continued until she started coughing again.`@ br ;　そしてその咳は、彼女が呻きだして痙攣を始めるまで収まらないのだった……。\ `And that cough did not subside until she started moaning and going into convulsions......`\ bg black,2 fede 0,3000 wait 2000 mono 1 bg white,8 bgm1 66 bg sea_1c,2 ;　１９８６年１０月４日。@ `October 4, 1986.`@ br ;　六軒島で、右代宮家恒例の、そして最後の親族会議が開かれた。\ `On Rokkenjima, the Ushiromiya family's customary and final family conference was held.`\ bg black,22 ;　そしてその翌日の１０月５日。@ `And on the next day, October 5...`@ br ;　“とても不幸な事故”が起こり、右代宮家一族は全滅した。\ `'An extremely unfortunate accident' occurred, and the Ushiromiya family was wiped out.`\ ld c,$EVA_waraiA1,6 ;　“幸運にも”右代宮絵羽はこれを逃れ、@右代宮家のほぼ全ての財産を相続することとなった。\ `'Fortunately', Ushiromiya Eva escaped from that, `@`and succeeded almost all of the Ushiromiya family's fortune.`\ bg black,22 bg cit_1a,2 ;　しかし、右代宮家を取り巻く不穏な噂の数々と、その後の絵羽の振る舞い、@“不幸な事故時”の不自然な行動などから、遺産の独占を狙った陰謀ではないかと世間で騒がれることになる。\ `However, due to the many turbulent rumors surrounding the Ushiromiya family, the way Eva acted afterwards, `@`and her unnatural actions at 'the time of the unfortunate accident', the public was in an uproar over whether this might have been a conspiracy to get all of the inheritance for herself.`\ ;　世論に押される形で、検察は何度か捜査を試み、@マスコミは六軒島疑惑と名付けて陰謀の輪郭をなぞり出していったが、@この“不幸な事故”が、犯罪であることを立証できるだけの証拠は、ついに見つけることができなかった。\ `Under pressure from the public, prosecutors repeatedly tried investigating, `@`and the media began tracing the outline of a conspiracy they called the Rokkenjima Suspicion,`@` but in the end, they weren't even able to find enough proof that this 'unfortunate accident' was a crime.`\ me1v 16,50 bg black,22 ;　しかしマスコミはその後も六軒島疑惑を、絵羽の陰謀であると印象付けていった為、@世論は彼女こそが真犯人であると信じていった。@ `However, because the media continued to give the impression that the Rokkenjima Suspicion was Eva's conspiracy,`@` public opinion began to believe that she was the true culprit.`@ br ;　…もちろんそれには、その後の彼女による、莫大な財産を運用した、@社会的に批判されやすい数々の強引な経済活動からの悪印象も影響している。\ `...Of course, that was also influenced by the bad impression caused by all that easily-condemnable overbearing financial activity,`@` which she had carried out using that vast wealth.`\ ;　彼女が何かをして取り沙汰される度に、ワイドショーは六軒島疑惑を蒸し返しては、@彼女こそが犯人であり、それを逮捕できないのは警察すらも買収されているからだと司法を糾弾した。@ `Every time she did something and the rumors started spreading, the media would bring back the Rokkenjima Suspicion, `@`blaming the justice system by saying that she was the true culprit, and that the only reason that she hadn't been arrested was because even the police had been bribed.`@ br ;　そしてますますに、彼女が大悪党であるという印象を強めていった…。@ `So the impression that she was a great villain grew stronger and stronger...`@ br ;　彼女の心はやがて荒み、/ ;!d900…皮肉にも、世間が期待するような人間に変貌させていく…。\ `Her heart eventually degenerated, `/ !d900`...and ironically, it began to transfigure her into the kind of human that the public expected...`\ me2v 12,50 mono off bg Different_spiral_1a,22 ;　今や絵羽には、心を許せる友人も、家族もいない。@ `By now, Eva had no one she trusted, and no family.`@ br ;　……最愛の夫、秀吉はすでに過去の人で、ワイドショーは夫の会社を時に取り上げ、@乱暴な経営であったと、その過去の業績を批判し穢している。\ `......After her beloved husband had passed away, the talk shows occasionally mentioned his company, `@`saying that it was run recklessly, while criticizing and disgracing its former accomplishments.`\ ;　最愛の一人息子、譲治についても、@世間が期待する通りのステレオタイプである“大金持ちのドラ息子”という形に脚色され、@…彼が如何に素朴で素直な人格であったかなど、誰も知ろうとはしない。@ `Even her beloved son, George, `@`was dramatized as the stereotypical 'rich, lazy son' that the public expected,`@` ...and no one even wanted to know what a simple and honest character he had possessed.`@ br ;　…それらが如何に絵羽を傷つけ、荒ませていったか、…誰も興味がない。\ `...As to how much all of this hurt Eva and ran her to ruin, ...no one was interested.`\ bg black,22 fede 10,2000 ;　世間はただただ、親族を皆殺しにまでして大富豪となった悪女が、@どんな気の毒な晩年を送るかということだけに、好奇の関心を寄せているだけである。\ `The public was only interested out of curiosity,`@` about how a super-rich evil woman who killed her whole family lived her pitiful later years.`\ ;　だからどんどんと。@…そしてやがて。@ ;　…絵羽は、狂人呼ばわりされる性格に変貌していった……。@ `So that happened more and more, `@`...and eventually...`@ `...Eva's personality was transfigured until she was called a lunatic......`@ br ;　彼女は時に、かつて自分が憧れていた父、金蔵の晩年もまったくそれと同じであったことを思い出し、@自らを嘲り笑ったと言われている…。\ `It was said that she sometimes remembered that this was exactly the same way her father, who she had once admired, had been in his later years,`@` and laughed at herself with scorn...`\ mono 1 bg Mdin_1e,2 ;　そして、その最後の親族会議の日。@ `And, on the day of that final family conference...`@ br ;　右代宮留弗夫の娘、縁寿は体調を崩し、母親の実家に預けられていた為、参加しなかった。\ `Because Ushiromiya Rudolf's daughter, Ange, had been sick and had stayed with her mother's family, she had not participated.`\ bg black,22 mono off print 1 ;　当時６歳だった彼女は家族を失い、絵羽を後見人として迎えることになる。\ `At the age of 6, she had lost her family and had gained Eva as her guardian.`\ bg Different_spiral_1a,22 ;　絵羽は、唯一の肉親となった縁寿を、@“とても大切にした”。@ `Since Ange had become Eva's only blood relative,`@` Eva 'took very good care of her'.`@ br ;　何かの危害に遭うことがないよう、常に身辺には物々しい護衛が付けられた。@ `She had imposing guards always surrounding Ange's person, to prevent her from coming to harm.`@ br ;　……彼女は友達と遊ぶことや、一緒に登校や下校すること、そうしながら四季を味わう権利さえ奪われてしまった。\ `...Ange had even her right to play with friends, to come home from school together, and to enjoy the seasons together...stolen.`\ ;“快適な生活と充実した学校生活を送るため”、@全てが世話された気品溢れる全寮制学園に送られ、世俗から完全に切り離された。@ `'So that she can live a full and pleasant school life',`@` Eva had sent Ange to an elegant boarding school which took care of her every need, completely isolating her from the world.`@ br ;　彼女は年頃の少女たちが口ずさむかもしれない、流行りの歌さえ知らない。\ `She didn't even know the popular songs that girls her age might hum.`\ ;　友人たちとウィンドゥショッピングを楽しんだり、クレープを頬張ったり、@ましてや胸が高鳴るような異性との出会いさえ、…一度も与えられなかった。\ `She was never given a chance to enjoy window shopping with her friends or stuffing her mouth with crepes,`@` ...much less an encounter with a member of the opposite sex to make her heart throb.`\ bg black,22 se1v 15,100 wait 1000 me1v 16,50 se2v 16,100 bg Hos_P1a,0 ld r,$ENJ_fumanA2,64 ;　縁寿に、友人はひとりもいない。@ ;　縁寿と不用意に親しくすれば、護衛か、あるいは教師に咎められる。@ `Ange did not have a single friend.`@ `If anyone carelessly acted friendly with Ange, they would be scolded by the guards, or else the teachers.`@ br ;　……やんごとなき右代宮家の令嬢に、卑しい人間を近づけないよう、彼らは皆、厳命されている。\ `......All of them were strictly ordered not to let shabby humans approach the daughter of the esteemed Ushiromiya family.`\ ;　右代宮絵羽はその頃、ワイドショーを常に賑わせ、数々の経済的悪行で常に取り沙汰されていた。@ `During that time, the talk shows were always talking about Ushiromiya Eva, and always spreading rumors about her many financial evil deeds.`@ br ;　……その“娘”であると知る周囲は、自然と彼女を敬遠していく。\ `......Those who knew about her 'daughter' naturally began to keep their distance.`\ ;　…彼女は今や、学園においても魔女と呼ばれ、何か良からぬことがある度に、@彼女の意を汲んだ学校側が何か工作をしたのだと、証拠もなく真実のように囁かれている。\ `...Even now, she was called a witch at school, and any time something bad happened,`@` even though there was no proof, it was whispered as truth that the school had done something out of concern for her feelings.`\ bg Hos_P1b,22 me2v 5,50 ;　環境が、人を作る。@ ;　今や彼女は、周囲が恐れる通りの荒んだ心を持っている。@ `The environment makes the person.`@ `By now, she had a heart as wild as those around her feared.`@ br ;　…誰にも心を許さず、信じようとしない。@ ;　誰も愛さず、愛そうとしない。\ `...No one trusted her, so she didn't even try to believe them.`@ `No one loved her, so she didn't even try to love.`\ ;　しかもその上、絵羽が不治の病に掛かると、@それもまた陰謀説がささやかれ、今度はその黒幕に縁寿が祭り上げられていく…。\ `And on top of all of this, when Eva had caught an incurable illness,`@` it was whispered that this too was a conspiracy, and this time, Ange was set up as the mastermind...`\ ;　魔女の娘は魔女だと、誰もが囁く。@ ;　ワイドショーも週刊誌も、そうだと囁く。@ `Everyone whispered that the witch girl was a witch.`@ `Even the talk shows and the weekly magazines whispered that.`@ br ;!s0　…だから縁寿も、/ ;!d800きっと、/ ;!d600いや、/ ;!d600どうせそうなのだろうと、それを受け入れた。/ !s0`...So Ange also, `/ !d800`definitely, `/ !d600`no, `/ !d600`as though it might as well be true, accepted it.`/ !sd\ se1 21 bg black,22 ;　だから、自分をすでに魔女だと信じている彼女に、@今更、黄金の魔女の名を譲ると言われても、何を今更という気持ちにしかならない。\ `Therefore, since she already believed that she was a witch, `@`when she heard that the name of the Golden Witch was being turned over to her, she only felt like saying 'you just figured that out now?'`\ ;　しかし、彼女はこれだけは確信している。@ `However, she was at least sure of one thing.`@ br ;　自分が引き継いだこの魔女の肩書きは、きっともう誰にも世襲されることはないだろう。@ `This title of witch that she had inherited would definitely never be inherited by anyone else.`@ br ;　自分が、最後の右代宮家当主で、最後で孤独な、黄金の魔女なのだ……。\ `She would be the last head of the Ushiromiya family, and the last isolated, Golden Witch......`\ fedexx 0,50,0,0,0,0,5000 ;wait 2000 fede 0,2000 se1v 17,70 bg white,10 me1v 5,70 bg cit_2a,2 bgm1 82 ;■夜のビル屋上。@眼下を見下ろす。@ ;　縁寿の姿は、高層ビルの屋上にあった。\ `Ange could be seen on the roof of a skyscraper.`\ ;　強く冷たい風は、彼女がこれまでに浴びてきた世間の風に比べれば、生温くて微笑ましいくらいだった。@ `Compared to the winds of the world which had beaten down upon her until now, this strong, cold wind was warm and pleasant.`@ br ;　眼下には美しい夜景と、赤と白の光の大河が煌々と流れている。\ `Below her lay a beautiful nighttime scene, and a dazzling river of red and white lights.`\ ;　今夜は晴れのはず。@ ;　…だから本当は、無数の星が広がっているはずなのだ。@ ;　…しかし、地上の灯りが眩しすぎて、それらが見えることは決してない。@ `It was supposed to be clear out that night.`@ `...So there really should have been countless stars stretching out over the sky.`@ `...However, the light from the ground was too bright, so you couldn't see them at all.`@ br ;　…縁寿には、その見えない星明りの中にこそ、自分が本当に求めるものがあるように思えてならない。\ `...Ange couldn't really imagine that the thing she really sought could be in that unseen starlight.`\ ;　眼下の現実の世界も、ここからなら遠く見える。@ `The world of reality below her looked so far away from here.`@ br ;　…自分が本当にいるべき世界に、ここが一番近い場所だと思えた。\ `...She could imagine that this place was the closest to the world she really should be in.`\ bg cit_2b,6 ;　…………縁寿が呪うものはひとつしかない。@ `............There was only one thing that Ange cursed.`@ br ;　どうして１２年前のあの日、自分は親族会議に行けなかったのか。@ `Why had she not been able to go to that family conference, on that day 12 years ago?`@ br ;　もし一緒に行けていたら、家族といつまでも一緒にいられただろうに。\ `Even though, if she had gone, she would probably have been able to be with her family forever.`\ ;　…このところ、繰り返し繰り返し、…家族の夢を見るのだ。\ `...She repeated this thought over and over, ...and dreamed about her family.`\ bg black,22 fede 10,1000 bg Different_spiral_1a,22 ;　１２年前の私が、必死に呼び掛けて、親族会議に行かないようにと訴えるのだ。@ `Myself as I was 12 years ago calls out frantically, urging them not to go to the family conference.`@ br mld r,$RUD_DefA1,0 mld l,$KIR_WaraiA1,0 msp msp_r,0,0,-100 msp msp_l,0,0,-100 print 2 ;　しかし、お父さんにもお母さんにも、遠くて手が届かない。\ `But both Dad and Mom are too far away, and my hand won't reach them.`\ csp -1 ld c,$BUT_DefA2,2 ;　私のことを、とても可愛がってくれた戦人兄さんの、私を撫でてくれるその手に、@/ `Battler nii-san has always really loved me, and his hand always pats my head, `@/ bg black,1 ;………あとちょっとで届きそうなのに、それさえも届かない。@ `.........but even though it looks like that hand will reach me, even it does not reach.`@ br ;　そんな夢を、なぜか繰り返し見るようになっていた。\ `For some reason, I started having that dream over and over again.`\ bg cit_2b,22 ;　……私は同じ夢を見る度に、@さらに力強く手を伸ばそうと、夢の中で無駄な努力を繰り返すのだ。\ `......Every time I saw the same dream, `@`I tried to stretch out my hand even more forcefully, but my useless effort continued to repeat inside my dreams.`\ ;　せめて戦人兄さんだけでも、生きていてくれたなら。@ `Even if it had been only Battler nii-san, who lived...`@ br ;　………私はこの冷たく寂しい現実を、せめて二人で支えあいながら生きていけるのではないか。@ `.........Then perhaps, at least we would be able to live by supporting each other in my cold and lonely reality.`@ br ;　でも、その手はいつも、届かない。\ `But his hand never reached me.`\ ;　だから私は、こんなにも高いビルの屋上に上っても、/ ;!d800……みんなからは遠く離れている。\ `So even if I climb to the roof of this tall building, `/ !d800`......I am distantly separated from all of them.`\ ;　……夢の中に現れる、謎の少女が私に訴えかける。@ `......A mysterious girl appeared in my dreams and urged me.`@ br ;　１２年前に何があったか、その真実に辿り着きなさいと、夢の中の少女が訴える。\ `That girl in my dreams urged me to arrive at the truth of what had happened 12 years ago.`\ ;「……………………。@……父さんたちにあの日、/ ;!d800…何があったのかを知ることができたなら、/ ;!d1000…………帰ってきてくれるの？@　せめて誰かが…！」\ `"........................`@`......Everything that happened to Father and the rest of them on that day, `/ !d800`...if only I could learn what that was, `/ !d1000`............would they come back?`@` At least one of them...!"`\ bg black,22 ;　その言葉に、/ ;!d800…答える者が、いるわけがない。\ `There was no way, `/ !d800`...that someone who could answer those words existed.`\ ;　わかってる。@ ;　………この世に、私の家族も友人も、何もいないのだ。@ `I understand.`@ `.........In this world, I have no family or friends.`@ br ;　だから、/ ;!d700…………行こう。@…帰ろう。@ ;　……家族のところへ。\ `Therefore, `/ !d700`.........let's go.`@` ...Let's go home.`@ `......To where my family is.`\ me1v 16,50 bg cit_2a,42 ;　縁寿の姿は、…柵を最初から越えていた。@ `From the beginning, ...Ange's figure had been on the far side of the fence.`@ br ;　眼下の景色はとても遠くて美しくて、むしろ幻想的でまったく恐怖感を感じさせない。\ `The scenery below her eyes was distant, beautiful, and so fantastical that it actually did not give rise to fear.`\ ;　下を向いてたら、きっと下の世界へ連れて行かれてしまうだろうから。\ `Because if she faced down, she would surely be taken to the world below.`\ bg cit_2b,6 ;　……私は上を向く。@ `......I faced upwards.`@ br ;　上の世界へ、家族のいる世界へ連れて行ってほしいから。\ `Because I wanted to be taken to the world above, the world where my family is.`\ ;　………何が莫大な財産よ。@ ;　何が呪われた黄金よ。@ ;　何が黄金の魔女ベアトリーチェよ。@ `.........Who cares about vast wealth.`@ `Who cares about cursed gold.`@ `Who cares about the Golden Witch Beatrice.`@ br ;　私が本当に欲しいものは、山成す黄金であろうとも、手には入らない…。@ `What I really want...cannot be obtained even with a mountain of gold...`@ br ;　その為に必要なのは、一歩前へ踏み出す、たったそれだけの勇気。\ `What I need for that...is to take a single step forward...just that much courage.`\ textoff ;fedexx 80,100,0,0,0,0,2000 wait 2000 bg white,2 E_B mevol 1,50 ;　…………その時。@…私は確かに声を聞いた。@ ;　その声を、私は知っている。@ `............At that time,`@` ...I definitely heard a voice.`@ `I knew that voice.`@ br ;　ずっと、……私を夢の中で呼んでいた声…。\ `The voice that had always, ......called to me in my dreams...`\ ;se1 52 ;ld c,$BER_DefA1,0 ;;msp msp_c,0,0,-100 ;print 99,4000,"breakup.dll/lrb" E_MA bg cit_2a,2 bgm1 67 ld c,$BER_DefA1,42 ;　私の目の前に、……つまりそこは漆黒と夜景の中空なのだけれど。@ ;　……そこに、夢の中で見たあの少女の姿があった…。@ `Before my eyes, ......in other words, in mid-air above that jet black nighttime scenery...`@ `......There was the figure of that girl I had seen in my dreams...`@ br ;　彼女は夢の中で聞いたのと同じ声で、もう一度言った。\ `She spoke again, with the same voice I had heard inside my dreams.`\ mcl c,0 ld c,$BER_DefA2,80 ;「………あなたの助けが必要なの。」@ ;＜ベルン `".........Your assistance is needed."`@ ;「…私の、/ ;!d800…………助け……？@　誰が……？」\ `"...My, `/ !d800`............assistance......?`@` Who needs it......?"`\ ld c,$BER_DefA1,80 ;「………あなたの家族がよ。@…あなたの家族は、永遠に１２年前の今日から明日に閉じ込められているわ。」@ `".........Your family needs it.`@` ...Your family is being imprisoned for all eternity from this day 12 years ago until the next day."`@ ;「そ、…それを救えば、/ ;!d800……私の家族は帰ってくるの？！」@ `"I, ...if I save them, `/ !d800`......does that mean my family will come back?!"`@ br ;　私がもっとも尋ねたかったことを問うと、少女は残酷に言葉を切り、俯く仕草を見せる。\ `When I asked the question I had most wanted to, the girl cruelly stopped talking and hung her head.`\ ld c,$BER_DefA2,80 ;「……それは約束できないわ。@敵は黄金の魔女ベアトリーチェ。@…強大な相手よ。@私には太刀打ちできない。@……でも、同じ黄金の魔女なら何とかなるかもしれない。」\ `"......I cannot promise that.`@` The enemy is the Golden Witch Beatrice.`@` ...A mighty opponent.`@` I cannot oppose her.`@` ......But, another Golden Witch might be able to manage something."`\ ;「…………な、何の話か、わからないわ。」\ `".........I, I don't know...what you're talking about."`\ ld c,$BER_DefA1,80 ;「……１９８６年のベアトリーチェに太刀打ちできるのは、/ ;!d800１９９８年の、最後のベアトリーチェだけ。@………つまりあなたよ。@縁寿。@……………エンジェ・ベアトリーチェ。」\ `"......The only one who can oppose the Beatrice of 1986...`/ !d800`is the final Beatrice of 1998.`@` .........In other words, you.`@` Ange.`@` ............#86ef9cANGE#ffffff Beatrice."`/ mov %grim_scene,312 mov %r_hyouji_grim,13 \ bg black,22 ;「１２年前の魔女が、/ ;!d700……私の家族を奪ったの………？」\ `"That witch from 12 years ago, `/ !d700`......took away my family.........?"`\ bg portrait2,22 ;「そう。@あなたの仇に当たる。@…………あなたに常に孤独な未来を強いる元凶よ。」@ `"That's right.`@` She is your foe.`@` ............The source that always leads to your future of isolation."`@ br ;「…………………………。@/ ;!s0……私の、/ ;!d600……家族の、/ ;!d700………仇。」/ `"........................`@/ !s0`......My, `/ !d600`......family's, `/ !d700`.........foe."`/ !sd\ me1v 16,50 bg cit_2b,22 ;se1v 52,100 ;ld r,$BER_DefA1,99,2000,"breakup.dll/llb" ld r,$BER_DefA1,26 ;「……見返りに、あなたの望むもっとも理想的な世界、家族の帰ってくる世界のカケラを探してあげるわ。@………でも、必ず希望が叶うと約束は出来ない。@…１９８６年のベアトリーチェのゲーム盤はあまりに完璧。\ `"......In exchange, I will search for the Fragment with the ideal world that you wish for, the world where your family comes home.`@` .........I won't promise you that your desire will be granted.`@` ...Beatrice's game board in 1986 is quite perfect.`\ ld r,$BER_DefA2,80 ;　……今日の手土産に、その理想のカケラを持参しようとしたんだけれど、未だに見つけられないの。@…………かなりの強固な運命よ。@ラムダデルタと戦った時以来のね。」\ `......I had planned on bringing you that ideal Fragment as a present today, but I still can't find it.`@` ............It's a very firm fate.`@` I haven't seen the likes of it since I fought with Lambdadelta."`\ ;「………………………………………。@な、/ ;!d600……何を言ってるのか、/ ;!d700…わからない。」\ `"..........................................`@` I, `/ !d600`......I don't know, `/ !d700`...what you're talking about."`\ ld r,$BER_DefA1,80 ;「………あなたに、復讐のチャンスを。@…見返りに、あなたが享受できる可能性の中で、もっとも幸せな結末を探して持ってくることを約束するわ。」\ `".........I'm giving you a chance for revenge.`@` In exchange, if it is possible for you to receive it, I promise to search for the happiest resolution for you."`\ bg black,25 E_MA bg portrait2,2 ;「…………………………復讐……。」\ `"........................Revenge......"`\ ;「……徒労になるかもしれない。@仮に復讐を成し遂げられたとしても、家族が帰ってくる絶対の保証はない。@奇跡的確率で、せいぜい１人を連れ戻せるかどうかよ。」@ `"......It may be a fruitless effort.`@` Even if you succeed in your revenge, there's no definite proof that your family will return.`@` Even with a miraculous probability, you may be able to bring only one person back."`@ br ;　…縁寿は、あの夢の意味を理解する。@ `...Ange understood the meaning of that dream.`@ br ;　……あと少しで、せめて戦人兄さんには手が届きそうな、あの夢を。\ `......That dream where it seemed that, with just a little bit more, her hand might at least be able to reach Battler nii-san.`\ me1v 5,50 bg cit_2a,22 ;「奇跡的な確率でも、……それはゼロよりは高いのよね…？@　１％くらい…？」@ `"A miraculous probability, ......is still higher than zero, right...?`@` Is it 1%...?"`@ ;se1v 52,2000 ld r,$BER_DefA2,22 ;「……あらゆる可能性の数値は、結果の前に無力よ。@だからその数字を、私には語ることができない。」\ `"......Trying to read any probabilities before the result is useless.`@` So I cannot tell you that number."`\ ;「でも、私が何もしないよりは、絶対にわずかの可能性がある。」@ `"But unlike if I don't do anything, there definitely is a small possibility."`@ ld r,$BER_DefA1,80 ;「えぇ。@あなたが希望を捨てない限り。@…ただし覚悟して。@それは遥かにゼロに近い。」\ `"Yes.`@` As long as you do not throw your desire away.`@` But prepare yourself.`@` It is extremely close to zero."`\ textoff wait 2000 ld l,$ENJ_nayamuA1,80 ;「………………/ `"..................`/ se1 2 ;いいわ。@/ `Alright. `@/ ld l,$ENJ_DefA1,80 ;乗るわ、その話。」\ `I'll take you up on that offer."`\ ld r,$BER_DefA2,80 ;「……いいのね？@　多分、もう二度とここへは帰って来れないわよ。」@ `"......Are you sure?`@` You probably won't be able to come back here again."`@ ld l,$ENJ_fumanA2,80 ;「ここは、私のいるべき世界じゃないわ。@……そして、私のいるべき世界は、私が自分で探す。@あなたの名前を聞かせて。」\ `"This is not a world that I'm supposed to be in.`@` ......And, I'll find the world that I am supposed to be in myself.`@` Tell me your name."`\ ;cl r,0 ld r,$BER_DefA1,22 ;「奇跡の魔女、ベルンカステル。@そして我が名において、@/ `"The Witch of Miracles, Bernkastel.`@` And by that name, `@/ mov %play_scene,32040 seplay2 9,1060,100 mov %r_hyouji_cha_ma,ma3_enj mov %r_hyouji,0 ;あなたを黄金の魔女、エンジェ・ベアトリーチェだと認めるわ。@……今こそ、あなたは本当の魔女よ。」\ `I acknowledge you as the Golden Witch, ANGE Beatrice.`@` ......As of now, you are a true witch."`\ ;　彼女が私のことを魔女であると宣言した瞬間。@ ;　…私の中で何かが大きくかわるような、そんな眩暈を感じた。\ `The instant she proclaimed that I was a witch...`@ `...I felt dizzy, as though something inside me had changed drastically.`\ se3 22 bg white,2 se1v 16,100 E_MA ;bgm1v 83,70 E_B me1v 16,50 bg black,1 ;　その時、バタンという音が聞こえた。@ ;　…屋上へ通じる階段室の扉の開く音だ。@ `At that time, I heard a *clunk*.`@ `...It was the sound of the door that went from the staircase to the roof.`@ mov %save_on_flg,off ;セーブONしない bgmonce "bgm\activepain.ogg" bgmvol 70 br ;　絵羽伯母さんのところの護衛どもだった。\ `There were Eva oba-san's guards.`\ ;　…護衛とは名ばかり。@ ;　私を閉じ込める、もっとも身近な檻じゃないか。@ `...'Guards' was only a name.`@ `Aren't they the cage that's closest to me, shutting me in?`@ br ;　私がすでに柵を越えている姿を見つけ、仰天しながら駆けてくる。\ `They saw that I was already on the other side of the fence and dashed forward, horrified.`\ bg cit_2b,22 ;「２０、マル対発見。@屋上、応援求む。」@ ;「縁寿さん…！@　探しましたよ！@　そこは危ないですから早くこちらへ！」\ `"20, target found.`@` Requesting assistance on the roof."`@ `"Ange-san...!`@` We were looking for you!`@` It's dangerous there, so quickly, come this way!"`\ bg cit_2a,25 ;se1v 52,100 ld r,$BER_DefA2,24 ;「………なぁに、あれ？」@ ;＜ベルン `".........Wha-t's that?"`@ ld l,$ENJ_defA1,23 ;「……ファンクラブよ。@…私、結構モテるの。」@ ;＜縁寿 `"......That's my fan club.`@` ...I'm pretty popular."`@ ld r,$BER_DefA1,80 ;「捕まる必要はないわね。@………行きましょ。」\ `"No point in getting caught.`@` .........Let's go."`\ ;se1v 52,100 cl r,22 ;＜ベルン ;　ベルンカステルは、さも面倒臭そうに言いながら踵を返す。@…その漆黒の中空で。@ `Looking annoyed, Bernkastel turned on her heels.`@` ...In the jet black sky.`@ br ;　そんな当り前の仕草だから、私もまた、さも当然にその後を追う。\ `Watching that perfectly casual gesture, I followed her as though it was completely normal.`\ ;「縁寿さん！！！@　待ちなさい！@　早まるなッ、危ないぃいいぃぃぃ！！」\ `"Ange-san!!!`@` Wait!`@` Don't be hasty, look ooooooooooouuuut!!"`\ cl l,0 ld c,$ENJ_NayamuA1,23 ;「あぁ駄目ね、全然駄目。@じゃあまたね、シーユーアゲイン。@/ `"Aaah, it's useless, it's all useless.`@` Well, next time. `@/ ld c,$ENJ_DefA1,80 ;迎えにはリムジンをよこして頂戴。@みんなも一緒だから。@じゃね。」\ `Please send a limo to get me.`@` 'Cause everyone else will be there too.`@` See you."`\ ;se2v 22,100 ;bg white,2 ;se1v 52,100 ;bg cit_2b,99,4000,"breakup.dll/llB" bg black,66 ;!s0「縁寿さああああぁああああああああぁあああんッ！！！」/ !s0`"Ange-saaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaann!!"`/ quakey 6,500 !sd\ E_MA fedexx 100,0,0,0,0,0,1000 mov %save_on_flg,on ;セーブ用フラグをONをする。 ;■スタッフロール textoff bg black,1 btndef "bmp\background\efe\end_3b.jpg" ;スクロール画像を読みこむ skipoff gosub *teatime_ep3b_scroll ;スクロール実行本体 resettimer ;bg end_rogo,0 ;print 1 waittimer 8000 prnumclear ;数値ラベル設定クリア ; csp -1 ;スプライト全クリア ; btndef "" ;高速描画用画像の、メモリからの消去 ;ofscpy ;lsp 510,":c;bmp\background\efe\end_2d.JPG",0,0 ;print 1 bgcopy ;以下の２行を消して、ガラス処理〜！ ;bg black,10,4000 ;lsp 500,":a;bmp\efe\ware.bmp",0,0 ;E_A ;seplay 1,27 ;seplay 2,46 ;seplay 9,1100 ;print 1 ;wait 3000 csp 500 csp 510 se1v 2,100 se2v 1100,100 se3v 1100,100 bg white,1 bg black,10,4000 ;■タイトルへ戻る。@音楽室、EP3のTIPS、解除。@ if %UMINEKOEND < 40 mov %UMINEKOEND,40 : mov %UMINEKOEND_FLG,40 : mov %UMINEKOEND_TIPS_FLG,3 ;クリアフラグの変更 ;wait 3000 ;bg black,10,3000 ;fede 0,6000 wait 3000 se1 22 bg TEXT006,22 delay 10000 bg black,22 fede 0,1000 E_A reset ;*********************************************** *ep1_scroll ;スクロール実行本体 skipoff resettimer blt 0,0,640,480,0, 1,640,480:waittimer 45 blt 0,0,640,480,0, 2,640,480:waittimer 90 blt 0,0,640,480,0, 3,640,480:waittimer 136 blt 0,0,640,480,0, 4,640,480:waittimer 181 blt 0,0,640,480,0, 5,640,480:waittimer 227 blt 0,0,640,480,0, 6,640,480:waittimer 272 blt 0,0,640,480,0, 7,640,480:waittimer 318 blt 0,0,640,480,0, 8,640,480:waittimer 363 blt 0,0,640,480,0, 9,640,480:waittimer 409 blt 0,0,640,480,0, 10,640,480:waittimer 454 blt 0,0,640,480,0, 11,640,480:waittimer 500 blt 0,0,640,480,0, 12,640,480:waittimer 545 blt 0,0,640,480,0, 13,640,480:waittimer 591 blt 0,0,640,480,0, 14,640,480:waittimer 636 blt 0,0,640,480,0, 15,640,480:waittimer 682 blt 0,0,640,480,0, 16,640,480:waittimer 727 blt 0,0,640,480,0, 17,640,480:waittimer 773 blt 0,0,640,480,0, 18,640,480:waittimer 818 blt 0,0,640,480,0, 19,640,480:waittimer 863 blt 0,0,640,480,0, 20,640,480:waittimer 909 blt 0,0,640,480,0, 21,640,480:waittimer 954 blt 0,0,640,480,0, 22,640,480:waittimer 1000 blt 0,0,640,480,0, 23,640,480:waittimer 1045 blt 0,0,640,480,0, 24,640,480:waittimer 1091 blt 0,0,640,480,0, 25,640,480:waittimer 1136 blt 0,0,640,480,0, 26,640,480:waittimer 1182 blt 0,0,640,480,0, 27,640,480:waittimer 1227 blt 0,0,640,480,0, 28,640,480:waittimer 1273 blt 0,0,640,480,0, 29,640,480:waittimer 1318 blt 0,0,640,480,0, 30,640,480:waittimer 1364 blt 0,0,640,480,0, 31,640,480:waittimer 1409 blt 0,0,640,480,0, 32,640,480:waittimer 1455 blt 0,0,640,480,0, 33,640,480:waittimer 1500 blt 0,0,640,480,0, 34,640,480:waittimer 1546 blt 0,0,640,480,0, 35,640,480:waittimer 1591 blt 0,0,640,480,0, 36,640,480:waittimer 1636 blt 0,0,640,480,0, 37,640,480:waittimer 1682 blt 0,0,640,480,0, 38,640,480:waittimer 1727 blt 0,0,640,480,0, 39,640,480:waittimer 1773 blt 0,0,640,480,0, 40,640,480:waittimer 1818 blt 0,0,640,480,0, 41,640,480:waittimer 1864 blt 0,0,640,480,0, 42,640,480:waittimer 1909 blt 0,0,640,480,0, 43,640,480:waittimer 1955 blt 0,0,640,480,0, 44,640,480:waittimer 2000 blt 0,0,640,480,0, 45,640,480:waittimer 2046 blt 0,0,640,480,0, 46,640,480:waittimer 2091 blt 0,0,640,480,0, 47,640,480:waittimer 2137 blt 0,0,640,480,0, 48,640,480:waittimer 2182 blt 0,0,640,480,0, 49,640,480:waittimer 2228 blt 0,0,640,480,0, 50,640,480:waittimer 2273 blt 0,0,640,480,0, 51,640,480:waittimer 2319 blt 0,0,640,480,0, 52,640,480:waittimer 2364 blt 0,0,640,480,0, 53,640,480:waittimer 2409 blt 0,0,640,480,0, 54,640,480:waittimer 2455 blt 0,0,640,480,0, 55,640,480:waittimer 2500 blt 0,0,640,480,0, 56,640,480:waittimer 2546 blt 0,0,640,480,0, 57,640,480:waittimer 2591 blt 0,0,640,480,0, 58,640,480:waittimer 2637 blt 0,0,640,480,0, 59,640,480:waittimer 2682 blt 0,0,640,480,0, 60,640,480:waittimer 2728 blt 0,0,640,480,0, 61,640,480:waittimer 2773 blt 0,0,640,480,0, 62,640,480:waittimer 2819 blt 0,0,640,480,0, 63,640,480:waittimer 2864 blt 0,0,640,480,0, 64,640,480:waittimer 2910 blt 0,0,640,480,0, 65,640,480:waittimer 2955 blt 0,0,640,480,0, 66,640,480:waittimer 3001 blt 0,0,640,480,0, 67,640,480:waittimer 3046 blt 0,0,640,480,0, 68,640,480:waittimer 3092 blt 0,0,640,480,0, 69,640,480:waittimer 3137 blt 0,0,640,480,0, 70,640,480:waittimer 3182 blt 0,0,640,480,0, 71,640,480:waittimer 3228 blt 0,0,640,480,0, 72,640,480:waittimer 3273 blt 0,0,640,480,0, 73,640,480:waittimer 3319 blt 0,0,640,480,0, 74,640,480:waittimer 3364 blt 0,0,640,480,0, 75,640,480:waittimer 3410 blt 0,0,640,480,0, 76,640,480:waittimer 3455 blt 0,0,640,480,0, 77,640,480:waittimer 3501 blt 0,0,640,480,0, 78,640,480:waittimer 3546 blt 0,0,640,480,0, 79,640,480:waittimer 3592 blt 0,0,640,480,0, 80,640,480:waittimer 3637 blt 0,0,640,480,0, 81,640,480:waittimer 3683 blt 0,0,640,480,0, 82,640,480:waittimer 3728 blt 0,0,640,480,0, 83,640,480:waittimer 3774 blt 0,0,640,480,0, 84,640,480:waittimer 3819 blt 0,0,640,480,0, 85,640,480:waittimer 3865 blt 0,0,640,480,0, 86,640,480:waittimer 3910 blt 0,0,640,480,0, 87,640,480:waittimer 3955 blt 0,0,640,480,0, 88,640,480:waittimer 4001 blt 0,0,640,480,0, 89,640,480:waittimer 4046 blt 0,0,640,480,0, 90,640,480:waittimer 4092 blt 0,0,640,480,0, 91,640,480:waittimer 4137 blt 0,0,640,480,0, 92,640,480:waittimer 4183 blt 0,0,640,480,0, 93,640,480:waittimer 4228 blt 0,0,640,480,0, 94,640,480:waittimer 4274 blt 0,0,640,480,0, 95,640,480:waittimer 4319 blt 0,0,640,480,0, 96,640,480:waittimer 4365 blt 0,0,640,480,0, 97,640,480:waittimer 4410 blt 0,0,640,480,0, 98,640,480:waittimer 4456 blt 0,0,640,480,0, 99,640,480:waittimer 4501 blt 0,0,640,480,0, 100,640,480:waittimer 4547 blt 0,0,640,480,0, 101,640,480:waittimer 4592 blt 0,0,640,480,0, 102,640,480:waittimer 4638 blt 0,0,640,480,0, 103,640,480:waittimer 4683 blt 0,0,640,480,0, 104,640,480:waittimer 4728 blt 0,0,640,480,0, 105,640,480:waittimer 4774 blt 0,0,640,480,0, 106,640,480:waittimer 4819 blt 0,0,640,480,0, 107,640,480:waittimer 4865 blt 0,0,640,480,0, 108,640,480:waittimer 4910 blt 0,0,640,480,0, 109,640,480:waittimer 4956 blt 0,0,640,480,0, 110,640,480:waittimer 5001 blt 0,0,640,480,0, 111,640,480:waittimer 5047 blt 0,0,640,480,0, 112,640,480:waittimer 5092 blt 0,0,640,480,0, 113,640,480:waittimer 5138 blt 0,0,640,480,0, 114,640,480:waittimer 5183 blt 0,0,640,480,0, 115,640,480:waittimer 5229 blt 0,0,640,480,0, 116,640,480:waittimer 5274 blt 0,0,640,480,0, 117,640,480:waittimer 5320 blt 0,0,640,480,0, 118,640,480:waittimer 5365 blt 0,0,640,480,0, 119,640,480:waittimer 5411 blt 0,0,640,480,0, 120,640,480:waittimer 5456 blt 0,0,640,480,0, 121,640,480:waittimer 5501 blt 0,0,640,480,0, 122,640,480:waittimer 5547 blt 0,0,640,480,0, 123,640,480:waittimer 5592 blt 0,0,640,480,0, 124,640,480:waittimer 5638 blt 0,0,640,480,0, 125,640,480:waittimer 5683 blt 0,0,640,480,0, 126,640,480:waittimer 5729 blt 0,0,640,480,0, 127,640,480:waittimer 5774 blt 0,0,640,480,0, 128,640,480:waittimer 5820 blt 0,0,640,480,0, 129,640,480:waittimer 5865 blt 0,0,640,480,0, 130,640,480:waittimer 5911 blt 0,0,640,480,0, 131,640,480:waittimer 5956 blt 0,0,640,480,0, 132,640,480:waittimer 6002 blt 0,0,640,480,0, 133,640,480:waittimer 6047 blt 0,0,640,480,0, 134,640,480:waittimer 6093 blt 0,0,640,480,0, 135,640,480:waittimer 6138 blt 0,0,640,480,0, 136,640,480:waittimer 6184 blt 0,0,640,480,0, 137,640,480:waittimer 6229 blt 0,0,640,480,0, 138,640,480:waittimer 6275 blt 0,0,640,480,0, 139,640,480:waittimer 6320 blt 0,0,640,480,0, 140,640,480:waittimer 6365 blt 0,0,640,480,0, 141,640,480:waittimer 6411 blt 0,0,640,480,0, 142,640,480:waittimer 6456 blt 0,0,640,480,0, 143,640,480:waittimer 6502 blt 0,0,640,480,0, 144,640,480:waittimer 6547 blt 0,0,640,480,0, 145,640,480:waittimer 6593 blt 0,0,640,480,0, 146,640,480:waittimer 6638 blt 0,0,640,480,0, 147,640,480:waittimer 6684 blt 0,0,640,480,0, 148,640,480:waittimer 6729 blt 0,0,640,480,0, 149,640,480:waittimer 6775 blt 0,0,640,480,0, 150,640,480:waittimer 6820 blt 0,0,640,480,0, 151,640,480:waittimer 6866 blt 0,0,640,480,0, 152,640,480:waittimer 6911 blt 0,0,640,480,0, 153,640,480:waittimer 6957 blt 0,0,640,480,0, 154,640,480:waittimer 7002 blt 0,0,640,480,0, 155,640,480:waittimer 7048 blt 0,0,640,480,0, 156,640,480:waittimer 7093 blt 0,0,640,480,0, 157,640,480:waittimer 7138 blt 0,0,640,480,0, 158,640,480:waittimer 7184 blt 0,0,640,480,0, 159,640,480:waittimer 7229 blt 0,0,640,480,0, 160,640,480:waittimer 7275 blt 0,0,640,480,0, 161,640,480:waittimer 7320 blt 0,0,640,480,0, 162,640,480:waittimer 7366 blt 0,0,640,480,0, 163,640,480:waittimer 7411 blt 0,0,640,480,0, 164,640,480:waittimer 7457 blt 0,0,640,480,0, 165,640,480:waittimer 7502 blt 0,0,640,480,0, 166,640,480:waittimer 7548 blt 0,0,640,480,0, 167,640,480:waittimer 7593 blt 0,0,640,480,0, 168,640,480:waittimer 7639 blt 0,0,640,480,0, 169,640,480:waittimer 7684 blt 0,0,640,480,0, 170,640,480:waittimer 7730 blt 0,0,640,480,0, 171,640,480:waittimer 7775 blt 0,0,640,480,0, 172,640,480:waittimer 7821 blt 0,0,640,480,0, 173,640,480:waittimer 7866 blt 0,0,640,480,0, 174,640,480:waittimer 7911 blt 0,0,640,480,0, 175,640,480:waittimer 7957 blt 0,0,640,480,0, 176,640,480:waittimer 8002 blt 0,0,640,480,0, 177,640,480:waittimer 8048 blt 0,0,640,480,0, 178,640,480:waittimer 8093 blt 0,0,640,480,0, 179,640,480:waittimer 8139 blt 0,0,640,480,0, 180,640,480:waittimer 8184 blt 0,0,640,480,0, 181,640,480:waittimer 8230 blt 0,0,640,480,0, 182,640,480:waittimer 8275 blt 0,0,640,480,0, 183,640,480:waittimer 8321 blt 0,0,640,480,0, 184,640,480:waittimer 8366 blt 0,0,640,480,0, 185,640,480:waittimer 8412 blt 0,0,640,480,0, 186,640,480:waittimer 8457 blt 0,0,640,480,0, 187,640,480:waittimer 8503 blt 0,0,640,480,0, 188,640,480:waittimer 8548 blt 0,0,640,480,0, 189,640,480:waittimer 8594 blt 0,0,640,480,0, 190,640,480:waittimer 8639 blt 0,0,640,480,0, 191,640,480:waittimer 8684 blt 0,0,640,480,0, 192,640,480:waittimer 8730 blt 0,0,640,480,0, 193,640,480:waittimer 8775 blt 0,0,640,480,0, 194,640,480:waittimer 8821 blt 0,0,640,480,0, 195,640,480:waittimer 8866 blt 0,0,640,480,0, 196,640,480:waittimer 8912 blt 0,0,640,480,0, 197,640,480:waittimer 8957 blt 0,0,640,480,0, 198,640,480:waittimer 9003 blt 0,0,640,480,0, 199,640,480:waittimer 9048 blt 0,0,640,480,0, 200,640,480:waittimer 9094 blt 0,0,640,480,0, 201,640,480:waittimer 9139 blt 0,0,640,480,0, 202,640,480:waittimer 9185 blt 0,0,640,480,0, 203,640,480:waittimer 9230 blt 0,0,640,480,0, 204,640,480:waittimer 9276 blt 0,0,640,480,0, 205,640,480:waittimer 9321 blt 0,0,640,480,0, 206,640,480:waittimer 9367 blt 0,0,640,480,0, 207,640,480:waittimer 9412 blt 0,0,640,480,0, 208,640,480:waittimer 9457 blt 0,0,640,480,0, 209,640,480:waittimer 9503 blt 0,0,640,480,0, 210,640,480:waittimer 9548 blt 0,0,640,480,0, 211,640,480:waittimer 9594 blt 0,0,640,480,0, 212,640,480:waittimer 9639 blt 0,0,640,480,0, 213,640,480:waittimer 9685 blt 0,0,640,480,0, 214,640,480:waittimer 9730 blt 0,0,640,480,0, 215,640,480:waittimer 9776 blt 0,0,640,480,0, 216,640,480:waittimer 9821 blt 0,0,640,480,0, 217,640,480:waittimer 9867 blt 0,0,640,480,0, 218,640,480:waittimer 9912 blt 0,0,640,480,0, 219,640,480:waittimer 9958 blt 0,0,640,480,0, 220,640,480:waittimer 10003 blt 0,0,640,480,0, 221,640,480:waittimer 10049 blt 0,0,640,480,0, 222,640,480:waittimer 10094 blt 0,0,640,480,0, 223,640,480:waittimer 10140 blt 0,0,640,480,0, 224,640,480:waittimer 10185 blt 0,0,640,480,0, 225,640,480:waittimer 10230 blt 0,0,640,480,0, 226,640,480:waittimer 10276 blt 0,0,640,480,0, 227,640,480:waittimer 10321 blt 0,0,640,480,0, 228,640,480:waittimer 10367 blt 0,0,640,480,0, 229,640,480:waittimer 10412 blt 0,0,640,480,0, 230,640,480:waittimer 10458 blt 0,0,640,480,0, 231,640,480:waittimer 10503 blt 0,0,640,480,0, 232,640,480:waittimer 10549 blt 0,0,640,480,0, 233,640,480:waittimer 10594 blt 0,0,640,480,0, 234,640,480:waittimer 10640 blt 0,0,640,480,0, 235,640,480:waittimer 10685 blt 0,0,640,480,0, 236,640,480:waittimer 10731 blt 0,0,640,480,0, 237,640,480:waittimer 10776 blt 0,0,640,480,0, 238,640,480:waittimer 10822 blt 0,0,640,480,0, 239,640,480:waittimer 10867 blt 0,0,640,480,0, 240,640,480:waittimer 10913 blt 0,0,640,480,0, 241,640,480:waittimer 10958 blt 0,0,640,480,0, 242,640,480:waittimer 11003 blt 0,0,640,480,0, 243,640,480:waittimer 11049 blt 0,0,640,480,0, 244,640,480:waittimer 11094 blt 0,0,640,480,0, 245,640,480:waittimer 11140 blt 0,0,640,480,0, 246,640,480:waittimer 11185 blt 0,0,640,480,0, 247,640,480:waittimer 11231 blt 0,0,640,480,0, 248,640,480:waittimer 11276 blt 0,0,640,480,0, 249,640,480:waittimer 11322 blt 0,0,640,480,0, 250,640,480:waittimer 11367 blt 0,0,640,480,0, 251,640,480:waittimer 11413 blt 0,0,640,480,0, 252,640,480:waittimer 11458 blt 0,0,640,480,0, 253,640,480:waittimer 11504 blt 0,0,640,480,0, 254,640,480:waittimer 11549 blt 0,0,640,480,0, 255,640,480:waittimer 11595 blt 0,0,640,480,0, 256,640,480:waittimer 11640 blt 0,0,640,480,0, 257,640,480:waittimer 11686 blt 0,0,640,480,0, 258,640,480:waittimer 11731 blt 0,0,640,480,0, 259,640,480:waittimer 11776 blt 0,0,640,480,0, 260,640,480:waittimer 11822 blt 0,0,640,480,0, 261,640,480:waittimer 11867 blt 0,0,640,480,0, 262,640,480:waittimer 11913 blt 0,0,640,480,0, 263,640,480:waittimer 11958 blt 0,0,640,480,0, 264,640,480:waittimer 12004 blt 0,0,640,480,0, 265,640,480:waittimer 12049 blt 0,0,640,480,0, 266,640,480:waittimer 12095 blt 0,0,640,480,0, 267,640,480:waittimer 12140 blt 0,0,640,480,0, 268,640,480:waittimer 12186 blt 0,0,640,480,0, 269,640,480:waittimer 12231 blt 0,0,640,480,0, 270,640,480:waittimer 12277 blt 0,0,640,480,0, 271,640,480:waittimer 12322 blt 0,0,640,480,0, 272,640,480:waittimer 12368 blt 0,0,640,480,0, 273,640,480:waittimer 12413 blt 0,0,640,480,0, 274,640,480:waittimer 12459 blt 0,0,640,480,0, 275,640,480:waittimer 12504 blt 0,0,640,480,0, 276,640,480:waittimer 12550 blt 0,0,640,480,0, 277,640,480:waittimer 12595 blt 0,0,640,480,0, 278,640,480:waittimer 12640 blt 0,0,640,480,0, 279,640,480:waittimer 12686 blt 0,0,640,480,0, 280,640,480:waittimer 12731 blt 0,0,640,480,0, 281,640,480:waittimer 12777 blt 0,0,640,480,0, 282,640,480:waittimer 12822 blt 0,0,640,480,0, 283,640,480:waittimer 12868 blt 0,0,640,480,0, 284,640,480:waittimer 12913 blt 0,0,640,480,0, 285,640,480:waittimer 12959 blt 0,0,640,480,0, 286,640,480:waittimer 13004 blt 0,0,640,480,0, 287,640,480:waittimer 13050 blt 0,0,640,480,0, 288,640,480:waittimer 13095 blt 0,0,640,480,0, 289,640,480:waittimer 13141 blt 0,0,640,480,0, 290,640,480:waittimer 13186 blt 0,0,640,480,0, 291,640,480:waittimer 13232 blt 0,0,640,480,0, 292,640,480:waittimer 13277 blt 0,0,640,480,0, 293,640,480:waittimer 13323 blt 0,0,640,480,0, 294,640,480:waittimer 13368 blt 0,0,640,480,0, 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1753,640,480:waittimer 79710 blt 0,0,640,480,0, 1754,640,480:waittimer 79756 blt 0,0,640,480,0, 1755,640,480:waittimer 79801 blt 0,0,640,480,0, 1756,640,480:waittimer 79847 blt 0,0,640,480,0, 1757,640,480:waittimer 79892 blt 0,0,640,480,0, 1758,640,480:waittimer 79938 blt 0,0,640,480,0, 1759,640,480:waittimer 79983 blt 0,0,640,480,0, 1760,640,480:waittimer 80028 blt 0,0,640,480,0, 1761,640,480:waittimer 80074 blt 0,0,640,480,0, 1762,640,480:waittimer 80119 blt 0,0,640,480,0, 1763,640,480:waittimer 80165 blt 0,0,640,480,0, 1764,640,480:waittimer 80210 blt 0,0,640,480,0, 1765,640,480:waittimer 80256 blt 0,0,640,480,0, 1766,640,480:waittimer 80301 blt 0,0,640,480,0, 1767,640,480:waittimer 80347 blt 0,0,640,480,0, 1768,640,480:waittimer 80392 blt 0,0,640,480,0, 1769,640,480:waittimer 80438 blt 0,0,640,480,0, 1770,640,480:waittimer 80483 blt 0,0,640,480,0, 1771,640,480:waittimer 80529 blt 0,0,640,480,0, 1772,640,480:waittimer 80574 blt 0,0,640,480,0, 1773,640,480:waittimer 80620 blt 0,0,640,480,0, 1774,640,480:waittimer 80665 blt 0,0,640,480,0, 1775,640,480:waittimer 80711 blt 0,0,640,480,0, 1776,640,480:waittimer 80756 blt 0,0,640,480,0, 1777,640,480:waittimer 80801 blt 0,0,640,480,0, 1778,640,480:waittimer 80847 blt 0,0,640,480,0, 1779,640,480:waittimer 80892 blt 0,0,640,480,0, 1780,640,480:waittimer 80938 blt 0,0,640,480,0, 1781,640,480:waittimer 80983 blt 0,0,640,480,0, 1782,640,480:waittimer 81029 blt 0,0,640,480,0, 1783,640,480:waittimer 81074 blt 0,0,640,480,0, 1784,640,480:waittimer 81120 blt 0,0,640,480,0, 1785,640,480:waittimer 81165 blt 0,0,640,480,0, 1786,640,480:waittimer 81211 blt 0,0,640,480,0, 1787,640,480:waittimer 81256 blt 0,0,640,480,0, 1788,640,480:waittimer 81302 blt 0,0,640,480,0, 1789,640,480:waittimer 81347 blt 0,0,640,480,0, 1790,640,480:waittimer 81393 blt 0,0,640,480,0, 1791,640,480:waittimer 81438 blt 0,0,640,480,0, 1792,640,480:waittimer 81484 blt 0,0,640,480,0, 1793,640,480:waittimer 81529 blt 0,0,640,480,0, 1794,640,480:waittimer 81575 blt 0,0,640,480,0, 1795,640,480:waittimer 81620 blt 0,0,640,480,0, 1796,640,480:waittimer 81665 blt 0,0,640,480,0, 1797,640,480:waittimer 81711 blt 0,0,640,480,0, 1798,640,480:waittimer 81756 blt 0,0,640,480,0, 1799,640,480:waittimer 81802 blt 0,0,640,480,0, 1800,640,480:waittimer 81847 blt 0,0,640,480,0, 1801,640,480:waittimer 81893 blt 0,0,640,480,0, 1802,640,480:waittimer 81938 blt 0,0,640,480,0, 1803,640,480:waittimer 81984 blt 0,0,640,480,0, 1804,640,480:waittimer 82029 blt 0,0,640,480,0, 1805,640,480:waittimer 82075 blt 0,0,640,480,0, 1806,640,480:waittimer 82120 blt 0,0,640,480,0, 1807,640,480:waittimer 82166 blt 0,0,640,480,0, 1808,640,480:waittimer 82211 blt 0,0,640,480,0, 1809,640,480:waittimer 82257 blt 0,0,640,480,0, 1810,640,480:waittimer 82302 blt 0,0,640,480,0, 1811,640,480:waittimer 82348 blt 0,0,640,480,0, 1812,640,480:waittimer 82393 blt 0,0,640,480,0, 1813,640,480:waittimer 82438 blt 0,0,640,480,0, 1814,640,480:waittimer 82484 blt 0,0,640,480,0, 1815,640,480:waittimer 82529 blt 0,0,640,480,0, 1816,640,480:waittimer 82575 blt 0,0,640,480,0, 1817,640,480:waittimer 82620 blt 0,0,640,480,0, 1818,640,480:waittimer 82666 blt 0,0,640,480,0, 1819,640,480:waittimer 82711 blt 0,0,640,480,0, 1820,640,480:waittimer 82757 blt 0,0,640,480,0, 1821,640,480:waittimer 82802 blt 0,0,640,480,0, 1822,640,480:waittimer 82848 blt 0,0,640,480,0, 1823,640,480:waittimer 82893 blt 0,0,640,480,0, 1824,640,480:waittimer 82939 blt 0,0,640,480,0, 1825,640,480:waittimer 82984 blt 0,0,640,480,0, 1826,640,480:waittimer 83030 blt 0,0,640,480,0, 1827,640,480:waittimer 83075 blt 0,0,640,480,0, 1828,640,480:waittimer 83121 blt 0,0,640,480,0, 1829,640,480:waittimer 83166 blt 0,0,640,480,0, 1830,640,480:waittimer 83211 blt 0,0,640,480,0, 1831,640,480:waittimer 83257 blt 0,0,640,480,0, 1832,640,480:waittimer 83302 blt 0,0,640,480,0, 1833,640,480:waittimer 83348 blt 0,0,640,480,0, 1834,640,480:waittimer 83393 blt 0,0,640,480,0, 1835,640,480:waittimer 83439 blt 0,0,640,480,0, 1836,640,480:waittimer 83484 blt 0,0,640,480,0, 1837,640,480:waittimer 83530 blt 0,0,640,480,0, 1838,640,480:waittimer 83575 blt 0,0,640,480,0, 1839,640,480:waittimer 83621 blt 0,0,640,480,0, 1840,640,480:waittimer 83666 blt 0,0,640,480,0, 1841,640,480:waittimer 83712 blt 0,0,640,480,0, 1842,640,480:waittimer 83757 blt 0,0,640,480,0, 1843,640,480:waittimer 83803 blt 0,0,640,480,0, 1844,640,480:waittimer 83848 blt 0,0,640,480,0, 1845,640,480:waittimer 83894 blt 0,0,640,480,0, 1846,640,480:waittimer 83939 blt 0,0,640,480,0, 1847,640,480:waittimer 83984 blt 0,0,640,480,0, 1848,640,480:waittimer 84030 blt 0,0,640,480,0, 1849,640,480:waittimer 84075 blt 0,0,640,480,0, 1850,640,480:waittimer 84121 blt 0,0,640,480,0, 1851,640,480:waittimer 84166 blt 0,0,640,480,0, 1852,640,480:waittimer 84212 blt 0,0,640,480,0, 1853,640,480:waittimer 84257 blt 0,0,640,480,0, 1854,640,480:waittimer 84303 blt 0,0,640,480,0, 1855,640,480:waittimer 84348 blt 0,0,640,480,0, 1856,640,480:waittimer 84394 blt 0,0,640,480,0, 1857,640,480:waittimer 84439 blt 0,0,640,480,0, 1858,640,480:waittimer 84485 blt 0,0,640,480,0, 1859,640,480:waittimer 84530 blt 0,0,640,480,0, 1860,640,480:waittimer 84576 blt 0,0,640,480,0, 1861,640,480:waittimer 84621 blt 0,0,640,480,0, 1862,640,480:waittimer 84667 blt 0,0,640,480,0, 1863,640,480:waittimer 84712 blt 0,0,640,480,0, 1864,640,480:waittimer 84757 blt 0,0,640,480,0, 1865,640,480:waittimer 84803 blt 0,0,640,480,0, 1866,640,480:waittimer 84848 blt 0,0,640,480,0, 1867,640,480:waittimer 84894 blt 0,0,640,480,0, 1868,640,480:waittimer 84939 blt 0,0,640,480,0, 1869,640,480:waittimer 84985 blt 0,0,640,480,0, 1870,640,480:waittimer 85030 blt 0,0,640,480,0, 1871,640,480:waittimer 85076 blt 0,0,640,480,0, 1872,640,480:waittimer 85121 blt 0,0,640,480,0, 1873,640,480:waittimer 85167 blt 0,0,640,480,0, 1874,640,480:waittimer 85212 blt 0,0,640,480,0, 1875,640,480:waittimer 85258 blt 0,0,640,480,0, 1876,640,480:waittimer 85303 blt 0,0,640,480,0, 1877,640,480:waittimer 85349 blt 0,0,640,480,0, 1878,640,480:waittimer 85394 blt 0,0,640,480,0, 1879,640,480:waittimer 85440 blt 0,0,640,480,0, 1880,640,480:waittimer 85485 blt 0,0,640,480,0, 1881,640,480:waittimer 85530 blt 0,0,640,480,0, 1882,640,480:waittimer 85576 blt 0,0,640,480,0, 1883,640,480:waittimer 85621 blt 0,0,640,480,0, 1884,640,480:waittimer 85667 blt 0,0,640,480,0, 1885,640,480:waittimer 85712 blt 0,0,640,480,0, 1886,640,480:waittimer 85758 blt 0,0,640,480,0, 1887,640,480:waittimer 85803 blt 0,0,640,480,0, 1888,640,480:waittimer 85849 blt 0,0,640,480,0, 1889,640,480:waittimer 85894 blt 0,0,640,480,0, 1890,640,480:waittimer 85940 blt 0,0,640,480,0, 1891,640,480:waittimer 85985 blt 0,0,640,480,0, 1892,640,480:waittimer 86031 blt 0,0,640,480,0, 1893,640,480:waittimer 86076 blt 0,0,640,480,0, 1894,640,480:waittimer 86122 blt 0,0,640,480,0, 1895,640,480:waittimer 86167 blt 0,0,640,480,0, 1896,640,480:waittimer 86213 blt 0,0,640,480,0, 1897,640,480:waittimer 86258 blt 0,0,640,480,0, 1898,640,480:waittimer 86303 blt 0,0,640,480,0, 1899,640,480:waittimer 86349 blt 0,0,640,480,0, 1900,640,480:waittimer 86394 blt 0,0,640,480,0, 1901,640,480:waittimer 86440 blt 0,0,640,480,0, 1902,640,480:waittimer 86485 blt 0,0,640,480,0, 1903,640,480:waittimer 86531 blt 0,0,640,480,0, 1904,640,480:waittimer 86576 blt 0,0,640,480,0, 1905,640,480:waittimer 86622 blt 0,0,640,480,0, 1906,640,480:waittimer 86667 blt 0,0,640,480,0, 1907,640,480:waittimer 86713 blt 0,0,640,480,0, 1908,640,480:waittimer 86758 blt 0,0,640,480,0, 1909,640,480:waittimer 86804 blt 0,0,640,480,0, 1910,640,480:waittimer 86849 blt 0,0,640,480,0, 1911,640,480:waittimer 86895 blt 0,0,640,480,0, 1912,640,480:waittimer 86940 blt 0,0,640,480,0, 1913,640,480:waittimer 86986 blt 0,0,640,480,0, 1914,640,480:waittimer 87031 blt 0,0,640,480,0, 1915,640,480:waittimer 87076 blt 0,0,640,480,0, 1916,640,480:waittimer 87122 blt 0,0,640,480,0, 1917,640,480:waittimer 87167 blt 0,0,640,480,0, 1918,640,480:waittimer 87213 blt 0,0,640,480,0, 1919,640,480:waittimer 87258 blt 0,0,640,480,0, 1920,640,480:waittimer 87304 blt 0,0,640,480,0, 1921,640,480:waittimer 87349 blt 0,0,640,480,0, 1922,640,480:waittimer 87395 blt 0,0,640,480,0, 1923,640,480:waittimer 87440 blt 0,0,640,480,0, 1924,640,480:waittimer 87486 blt 0,0,640,480,0, 1925,640,480:waittimer 87531 blt 0,0,640,480,0, 1926,640,480:waittimer 87577 blt 0,0,640,480,0, 1927,640,480:waittimer 87622 blt 0,0,640,480,0, 1928,640,480:waittimer 87668 blt 0,0,640,480,0, 1929,640,480:waittimer 87713 blt 0,0,640,480,0, 1930,640,480:waittimer 87759 blt 0,0,640,480,0, 1931,640,480:waittimer 87804 blt 0,0,640,480,0, 1932,640,480:waittimer 87850 blt 0,0,640,480,0, 1933,640,480:waittimer 87895 blt 0,0,640,480,0, 1934,640,480:waittimer 87940 blt 0,0,640,480,0, 1935,640,480:waittimer 87986 blt 0,0,640,480,0, 1936,640,480:waittimer 88031 blt 0,0,640,480,0, 1937,640,480:waittimer 88077 blt 0,0,640,480,0, 1938,640,480:waittimer 88122 blt 0,0,640,480,0, 1939,640,480:waittimer 88168 blt 0,0,640,480,0, 1940,640,480:waittimer 88213 blt 0,0,640,480,0, 1941,640,480:waittimer 88259 blt 0,0,640,480,0, 1942,640,480:waittimer 88304 blt 0,0,640,480,0, 1943,640,480:waittimer 88350 blt 0,0,640,480,0, 1944,640,480:waittimer 88395 blt 0,0,640,480,0, 1945,640,480:waittimer 88441 blt 0,0,640,480,0, 1946,640,480:waittimer 88486 blt 0,0,640,480,0, 1947,640,480:waittimer 88532 blt 0,0,640,480,0, 1948,640,480:waittimer 88577 blt 0,0,640,480,0, 1949,640,480:waittimer 88623 blt 0,0,640,480,0, 1950,640,480:waittimer 88668 blt 0,0,640,480,0, 1951,640,480:waittimer 88713 blt 0,0,640,480,0, 1952,640,480:waittimer 88759 blt 0,0,640,480,0, 1953,640,480:waittimer 88804 blt 0,0,640,480,0, 1954,640,480:waittimer 88850 blt 0,0,640,480,0, 1955,640,480:waittimer 88895 blt 0,0,640,480,0, 1956,640,480:waittimer 88941 blt 0,0,640,480,0, 1957,640,480:waittimer 88986 blt 0,0,640,480,0, 1958,640,480:waittimer 89032 blt 0,0,640,480,0, 1959,640,480:waittimer 89077 blt 0,0,640,480,0, 1960,640,480:waittimer 89123 blt 0,0,640,480,0, 1961,640,480:waittimer 89168 blt 0,0,640,480,0, 1962,640,480:waittimer 89214 blt 0,0,640,480,0, 1963,640,480:waittimer 89259 blt 0,0,640,480,0, 1964,640,480:waittimer 89305 blt 0,0,640,480,0, 1965,640,480:waittimer 89350 blt 0,0,640,480,0, 1966,640,480:waittimer 89396 blt 0,0,640,480,0, 1967,640,480:waittimer 89441 blt 0,0,640,480,0, 1968,640,480:waittimer 89486 blt 0,0,640,480,0, 1969,640,480:waittimer 89532 blt 0,0,640,480,0, 1970,640,480:waittimer 89577 blt 0,0,640,480,0, 1971,640,480:waittimer 89623 blt 0,0,640,480,0, 1972,640,480:waittimer 89668 blt 0,0,640,480,0, 1973,640,480:waittimer 89714 blt 0,0,640,480,0, 1974,640,480:waittimer 89759 blt 0,0,640,480,0, 1975,640,480:waittimer 89805 blt 0,0,640,480,0, 1976,640,480:waittimer 89850 blt 0,0,640,480,0, 1977,640,480:waittimer 89896 blt 0,0,640,480,0, 1978,640,480:waittimer 89941 blt 0,0,640,480,0, 1979,640,480:waittimer 89987 blt 0,0,640,480,0, 1980,640,480:waittimer 90032 blt 0,0,640,480,0, 1981,640,480:waittimer 90078 blt 0,0,640,480,0, 1982,640,480:waittimer 90123 blt 0,0,640,480,0, 1983,640,480:waittimer 90169 blt 0,0,640,480,0, 1984,640,480:waittimer 90214 blt 0,0,640,480,0, 1985,640,480:waittimer 90259 blt 0,0,640,480,0, 1986,640,480:waittimer 90305 blt 0,0,640,480,0, 1987,640,480:waittimer 90350 blt 0,0,640,480,0, 1988,640,480:waittimer 90396 blt 0,0,640,480,0, 1989,640,480:waittimer 90441 blt 0,0,640,480,0, 1990,640,480:waittimer 90487 blt 0,0,640,480,0, 1991,640,480:waittimer 90532 blt 0,0,640,480,0, 1992,640,480:waittimer 90578 blt 0,0,640,480,0, 1993,640,480:waittimer 90623 blt 0,0,640,480,0, 1994,640,480:waittimer 90669 blt 0,0,640,480,0, 1995,640,480:waittimer 90714 blt 0,0,640,480,0, 1996,640,480:waittimer 90760 blt 0,0,640,480,0, 1997,640,480:waittimer 90805 blt 0,0,640,480,0, 1998,640,480:waittimer 90851 blt 0,0,640,480,0, 1999,640,480:waittimer 90896 blt 0,0,640,480,0, 2000,640,480:waittimer 90942 blt 0,0,640,480,0, 2001,640,480:waittimer 90987 blt 0,0,640,480,0, 2002,640,480:waittimer 91032 blt 0,0,640,480,0, 2003,640,480:waittimer 91078 blt 0,0,640,480,0, 2004,640,480:waittimer 91123 blt 0,0,640,480,0, 2005,640,480:waittimer 91169 blt 0,0,640,480,0, 2006,640,480:waittimer 91214 blt 0,0,640,480,0, 2007,640,480:waittimer 91260 blt 0,0,640,480,0, 2008,640,480:waittimer 91305 blt 0,0,640,480,0, 2009,640,480:waittimer 91351 blt 0,0,640,480,0, 2010,640,480:waittimer 91396 blt 0,0,640,480,0, 2011,640,480:waittimer 91442 blt 0,0,640,480,0, 2012,640,480:waittimer 91487 blt 0,0,640,480,0, 2013,640,480:waittimer 91533 blt 0,0,640,480,0, 2014,640,480:waittimer 91578 blt 0,0,640,480,0, 2015,640,480:waittimer 91624 blt 0,0,640,480,0, 2016,640,480:waittimer 91669 blt 0,0,640,480,0, 2017,640,480:waittimer 91715 blt 0,0,640,480,0, 2018,640,480:waittimer 91760 blt 0,0,640,480,0, 2019,640,480:waittimer 91805 blt 0,0,640,480,0, 2020,640,480:waittimer 91851 blt 0,0,640,480,0, 2021,640,480:waittimer 91896 blt 0,0,640,480,0, 2022,640,480:waittimer 91942 blt 0,0,640,480,0, 2023,640,480:waittimer 91987 blt 0,0,640,480,0, 2024,640,480:waittimer 92033 blt 0,0,640,480,0, 2025,640,480:waittimer 92078 blt 0,0,640,480,0, 2026,640,480:waittimer 92124 blt 0,0,640,480,0, 2027,640,480:waittimer 92169 blt 0,0,640,480,0, 2028,640,480:waittimer 92215 blt 0,0,640,480,0, 2029,640,480:waittimer 92260 blt 0,0,640,480,0, 2030,640,480:waittimer 92306 blt 0,0,640,480,0, 2031,640,480:waittimer 92351 blt 0,0,640,480,0, 2032,640,480:waittimer 92397 blt 0,0,640,480,0, 2033,640,480:waittimer 92442 blt 0,0,640,480,0, 2034,640,480:waittimer 92488 blt 0,0,640,480,0, 2035,640,480:waittimer 92533 blt 0,0,640,480,0, 2036,640,480:waittimer 92578 blt 0,0,640,480,0, 2037,640,480:waittimer 92624 blt 0,0,640,480,0, 2038,640,480:waittimer 92669 blt 0,0,640,480,0, 2039,640,480:waittimer 92715 blt 0,0,640,480,0, 2040,640,480:waittimer 92760 blt 0,0,640,480,0, 2041,640,480:waittimer 92806 blt 0,0,640,480,0, 2042,640,480:waittimer 92851 blt 0,0,640,480,0, 2043,640,480:waittimer 92897 blt 0,0,640,480,0, 2044,640,480:waittimer 92942 blt 0,0,640,480,0, 2045,640,480:waittimer 92988 blt 0,0,640,480,0, 2046,640,480:waittimer 93033 blt 0,0,640,480,0, 2047,640,480:waittimer 93079 blt 0,0,640,480,0, 2048,640,480:waittimer 93124 blt 0,0,640,480,0, 2049,640,480:waittimer 93170 blt 0,0,640,480,0, 2050,640,480:waittimer 93215 blt 0,0,640,480,0, 2051,640,480:waittimer 93261 blt 0,0,640,480,0, 2052,640,480:waittimer 93306 blt 0,0,640,480,0, 2053,640,480:waittimer 93351 blt 0,0,640,480,0, 2054,640,480:waittimer 93397 blt 0,0,640,480,0, 2055,640,480:waittimer 93442 blt 0,0,640,480,0, 2056,640,480:waittimer 93488 blt 0,0,640,480,0, 2057,640,480:waittimer 93533 blt 0,0,640,480,0, 2058,640,480:waittimer 93579 blt 0,0,640,480,0, 2059,640,480:waittimer 93624 blt 0,0,640,480,0, 2060,640,480:waittimer 93670 blt 0,0,640,480,0, 2061,640,480:waittimer 93715 blt 0,0,640,480,0, 2062,640,480:waittimer 93761 blt 0,0,640,480,0, 2063,640,480:waittimer 93806 blt 0,0,640,480,0, 2064,640,480:waittimer 93852 blt 0,0,640,480,0, 2065,640,480:waittimer 93897 blt 0,0,640,480,0, 2066,640,480:waittimer 93943 blt 0,0,640,480,0, 2067,640,480:waittimer 93988 blt 0,0,640,480,0, 2068,640,480:waittimer 94034 blt 0,0,640,480,0, 2069,640,480:waittimer 94079 blt 0,0,640,480,0, 2070,640,480:waittimer 94125 blt 0,0,640,480,0, 2071,640,480:waittimer 94170 blt 0,0,640,480,0, 2072,640,480:waittimer 94215 blt 0,0,640,480,0, 2073,640,480:waittimer 94261 blt 0,0,640,480,0, 2074,640,480:waittimer 94306 blt 0,0,640,480,0, 2075,640,480:waittimer 94352 blt 0,0,640,480,0, 2076,640,480:waittimer 94397 blt 0,0,640,480,0, 2077,640,480:waittimer 94443 blt 0,0,640,480,0, 2078,640,480:waittimer 94488 blt 0,0,640,480,0, 2079,640,480:waittimer 94534 blt 0,0,640,480,0, 2080,640,480:waittimer 94579 blt 0,0,640,480,0, 2081,640,480:waittimer 94625 blt 0,0,640,480,0, 2082,640,480:waittimer 94670 blt 0,0,640,480,0, 2083,640,480:waittimer 94716 blt 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5448,640,480:waittimer 247726 blt 0,0,640,480,0, 5449,640,480:waittimer 247771 blt 0,0,640,480,0, 5450,640,480:waittimer 247817 blt 0,0,640,480,0, 5451,640,480:waittimer 247862 blt 0,0,640,480,0, 5452,640,480:waittimer 247907 blt 0,0,640,480,0, 5453,640,480:waittimer 247953 blt 0,0,640,480,0, 5454,640,480:waittimer 247998 blt 0,0,640,480,0, 5455,640,480:waittimer 248044 blt 0,0,640,480,0, 5456,640,480:waittimer 248089 blt 0,0,640,480,0, 5457,640,480:waittimer 248135 blt 0,0,640,480,0, 5458,640,480:waittimer 248180 blt 0,0,640,480,0, 5459,640,480:waittimer 248226 blt 0,0,640,480,0, 5460,640,480:waittimer 248271 blt 0,0,640,480,0, 5461,640,480:waittimer 248317 blt 0,0,640,480,0, 5462,640,480:waittimer 248362 blt 0,0,640,480,0, 5463,640,480:waittimer 248408 blt 0,0,640,480,0, 5464,640,480:waittimer 248453 blt 0,0,640,480,0, 5465,640,480:waittimer 248499 blt 0,0,640,480,0, 5466,640,480:waittimer 248544 blt 0,0,640,480,0, 5467,640,480:waittimer 248590 blt 0,0,640,480,0, 5468,640,480:waittimer 248635 blt 0,0,640,480,0, 5469,640,480:waittimer 248680 blt 0,0,640,480,0, 5470,640,480:waittimer 248726 blt 0,0,640,480,0, 5471,640,480:waittimer 248771 blt 0,0,640,480,0, 5472,640,480:waittimer 248817 blt 0,0,640,480,0, 5473,640,480:waittimer 248862 blt 0,0,640,480,0, 5474,640,480:waittimer 248908 blt 0,0,640,480,0, 5475,640,480:waittimer 248953 blt 0,0,640,480,0, 5476,640,480:waittimer 248999 blt 0,0,640,480,0, 5477,640,480:waittimer 249044 blt 0,0,640,480,0, 5478,640,480:waittimer 249090 blt 0,0,640,480,0, 5479,640,480:waittimer 249135 blt 0,0,640,480,0, 5480,640,480:waittimer 249181 blt 0,0,640,480,0, 5481,640,480:waittimer 249226 blt 0,0,640,480,0, 5482,640,480:waittimer 249272 blt 0,0,640,480,0, 5483,640,480:waittimer 249317 blt 0,0,640,480,0, 5484,640,480:waittimer 249363 blt 0,0,640,480,0, 5485,640,480:waittimer 249408 blt 0,0,640,480,0, 5486,640,480:waittimer 249453 blt 0,0,640,480,0, 5487,640,480:waittimer 249499 blt 0,0,640,480,0, 5488,640,480:waittimer 249544 blt 0,0,640,480,0, 5489,640,480:waittimer 249590 blt 0,0,640,480,0, 5490,640,480:waittimer 249635 blt 0,0,640,480,0, 5491,640,480:waittimer 249681 blt 0,0,640,480,0, 5492,640,480:waittimer 249726 blt 0,0,640,480,0, 5493,640,480:waittimer 249772 blt 0,0,640,480,0, 5494,640,480:waittimer 249817 blt 0,0,640,480,0, 5495,640,480:waittimer 249863 blt 0,0,640,480,0, 5496,640,480:waittimer 249908 blt 0,0,640,480,0, 5497,640,480:waittimer 249954 blt 0,0,640,480,0, 5498,640,480:waittimer 249999 blt 0,0,640,480,0, 5499,640,480:waittimer 250045 blt 0,0,640,480,0, 5500,640,480:waittimer 250090 blt 0,0,640,480,0, 5501,640,480:waittimer 250136 blt 0,0,640,480,0, 5502,640,480:waittimer 250181 blt 0,0,640,480,0, 5503,640,480:waittimer 250227 blt 0,0,640,480,0, 5504,640,480:waittimer 250272 blt 0,0,640,480,0, 5505,640,480:waittimer 250317 blt 0,0,640,480,0, 5506,640,480:waittimer 250363 blt 0,0,640,480,0, 5507,640,480:waittimer 250408 blt 0,0,640,480,0, 5508,640,480:waittimer 250454 blt 0,0,640,480,0, 5509,640,480:waittimer 250499 blt 0,0,640,480,0, 5510,640,480:waittimer 250545 blt 0,0,640,480,0, 5511,640,480:waittimer 250590 blt 0,0,640,480,0, 5512,640,480:waittimer 250636 blt 0,0,640,480,0, 5513,640,480:waittimer 250681 blt 0,0,640,480,0, 5514,640,480:waittimer 250727 blt 0,0,640,480,0, 5515,640,480:waittimer 250772 blt 0,0,640,480,0, 5516,640,480:waittimer 250818 blt 0,0,640,480,0, 5517,640,480:waittimer 250863 blt 0,0,640,480,0, 5518,640,480:waittimer 250909 blt 0,0,640,480,0, 5519,640,480:waittimer 250954 blt 0,0,640,480,0, 5520,640,480:waittimer 251000 return ;*********************************************** *ep2_scroll ;スクロール実行本体 skipoff resettimer blt 0,0,640,480,0, 1,640,480:waittimer 26 blt 0,0,640,480,0, 2,640,480:waittimer 52 blt 0,0,640,480,0, 3,640,480:waittimer 78 blt 0,0,640,480,0, 4,640,480:waittimer 105 blt 0,0,640,480,0, 5,640,480:waittimer 131 blt 0,0,640,480,0, 6,640,480:waittimer 157 blt 0,0,640,480,0, 7,640,480:waittimer 183 blt 0,0,640,480,0, 8,640,480:waittimer 210 blt 0,0,640,480,0, 9,640,480:waittimer 236 blt 0,0,640,480,0, 10,640,480:waittimer 262 blt 0,0,640,480,0, 11,640,480:waittimer 288 blt 0,0,640,480,0, 12,640,480:waittimer 315 blt 0,0,640,480,0, 13,640,480:waittimer 341 blt 0,0,640,480,0, 14,640,480:waittimer 367 blt 0,0,640,480,0, 15,640,480:waittimer 394 blt 0,0,640,480,0, 16,640,480:waittimer 420 blt 0,0,640,480,0, 17,640,480:waittimer 446 blt 0,0,640,480,0, 18,640,480:waittimer 472 blt 0,0,640,480,0, 19,640,480:waittimer 499 blt 0,0,640,480,0, 20,640,480:waittimer 525 blt 0,0,640,480,0, 21,640,480:waittimer 551 blt 0,0,640,480,0, 22,640,480:waittimer 577 blt 0,0,640,480,0, 23,640,480:waittimer 604 blt 0,0,640,480,0, 24,640,480:waittimer 630 blt 0,0,640,480,0, 25,640,480:waittimer 656 blt 0,0,640,480,0, 26,640,480:waittimer 682 blt 0,0,640,480,0, 27,640,480:waittimer 709 blt 0,0,640,480,0, 28,640,480:waittimer 735 blt 0,0,640,480,0, 29,640,480:waittimer 761 blt 0,0,640,480,0, 30,640,480:waittimer 788 blt 0,0,640,480,0, 31,640,480:waittimer 814 blt 0,0,640,480,0, 32,640,480:waittimer 840 blt 0,0,640,480,0, 33,640,480:waittimer 866 blt 0,0,640,480,0, 34,640,480:waittimer 893 blt 0,0,640,480,0, 35,640,480:waittimer 919 blt 0,0,640,480,0, 36,640,480:waittimer 945 blt 0,0,640,480,0, 37,640,480:waittimer 971 blt 0,0,640,480,0, 38,640,480:waittimer 998 blt 0,0,640,480,0, 39,640,480:waittimer 1024 blt 0,0,640,480,0, 40,640,480:waittimer 1050 blt 0,0,640,480,0, 41,640,480:waittimer 1076 blt 0,0,640,480,0, 42,640,480:waittimer 1103 blt 0,0,640,480,0, 43,640,480:waittimer 1129 blt 0,0,640,480,0, 44,640,480:waittimer 1155 blt 0,0,640,480,0, 45,640,480:waittimer 1182 blt 0,0,640,480,0, 46,640,480:waittimer 1208 blt 0,0,640,480,0, 47,640,480:waittimer 1234 blt 0,0,640,480,0, 48,640,480:waittimer 1260 blt 0,0,640,480,0, 49,640,480:waittimer 1287 blt 0,0,640,480,0, 50,640,480:waittimer 1313 blt 0,0,640,480,0, 51,640,480:waittimer 1339 blt 0,0,640,480,0, 52,640,480:waittimer 1365 blt 0,0,640,480,0, 53,640,480:waittimer 1392 blt 0,0,640,480,0, 54,640,480:waittimer 1418 blt 0,0,640,480,0, 55,640,480:waittimer 1444 blt 0,0,640,480,0, 56,640,480:waittimer 1471 blt 0,0,640,480,0, 57,640,480:waittimer 1497 blt 0,0,640,480,0, 58,640,480:waittimer 1523 blt 0,0,640,480,0, 59,640,480:waittimer 1549 blt 0,0,640,480,0, 60,640,480:waittimer 1576 blt 0,0,640,480,0, 61,640,480:waittimer 1602 blt 0,0,640,480,0, 62,640,480:waittimer 1628 blt 0,0,640,480,0, 63,640,480:waittimer 1654 blt 0,0,640,480,0, 64,640,480:waittimer 1681 blt 0,0,640,480,0, 65,640,480:waittimer 1707 blt 0,0,640,480,0, 66,640,480:waittimer 1733 blt 0,0,640,480,0, 67,640,480:waittimer 1759 blt 0,0,640,480,0, 68,640,480:waittimer 1786 blt 0,0,640,480,0, 69,640,480:waittimer 1812 blt 0,0,640,480,0, 70,640,480:waittimer 1838 blt 0,0,640,480,0, 71,640,480:waittimer 1865 blt 0,0,640,480,0, 72,640,480:waittimer 1891 blt 0,0,640,480,0, 73,640,480:waittimer 1917 blt 0,0,640,480,0, 74,640,480:waittimer 1943 blt 0,0,640,480,0, 75,640,480:waittimer 1970 blt 0,0,640,480,0, 76,640,480:waittimer 1996 blt 0,0,640,480,0, 77,640,480:waittimer 2022 blt 0,0,640,480,0, 78,640,480:waittimer 2048 blt 0,0,640,480,0, 79,640,480:waittimer 2075 blt 0,0,640,480,0, 80,640,480:waittimer 2101 blt 0,0,640,480,0, 81,640,480:waittimer 2127 blt 0,0,640,480,0, 82,640,480:waittimer 2153 blt 0,0,640,480,0, 83,640,480:waittimer 2180 blt 0,0,640,480,0, 84,640,480:waittimer 2206 blt 0,0,640,480,0, 85,640,480:waittimer 2232 blt 0,0,640,480,0, 86,640,480:waittimer 2259 blt 0,0,640,480,0, 87,640,480:waittimer 2285 blt 0,0,640,480,0, 88,640,480:waittimer 2311 blt 0,0,640,480,0, 89,640,480:waittimer 2337 blt 0,0,640,480,0, 90,640,480:waittimer 2364 blt 0,0,640,480,0, 91,640,480:waittimer 2390 blt 0,0,640,480,0, 92,640,480:waittimer 2416 blt 0,0,640,480,0, 93,640,480:waittimer 2442 blt 0,0,640,480,0, 94,640,480:waittimer 2469 blt 0,0,640,480,0, 95,640,480:waittimer 2495 blt 0,0,640,480,0, 96,640,480:waittimer 2521 blt 0,0,640,480,0, 97,640,480:waittimer 2548 blt 0,0,640,480,0, 98,640,480:waittimer 2574 blt 0,0,640,480,0, 99,640,480:waittimer 2600 blt 0,0,640,480,0, 100,640,480:waittimer 2626 blt 0,0,640,480,0, 101,640,480:waittimer 2653 blt 0,0,640,480,0, 102,640,480:waittimer 2679 blt 0,0,640,480,0, 103,640,480:waittimer 2705 blt 0,0,640,480,0, 104,640,480:waittimer 2731 blt 0,0,640,480,0, 105,640,480:waittimer 2758 blt 0,0,640,480,0, 106,640,480:waittimer 2784 blt 0,0,640,480,0, 107,640,480:waittimer 2810 blt 0,0,640,480,0, 108,640,480:waittimer 2836 blt 0,0,640,480,0, 109,640,480:waittimer 2863 blt 0,0,640,480,0, 110,640,480:waittimer 2889 blt 0,0,640,480,0, 111,640,480:waittimer 2915 blt 0,0,640,480,0, 112,640,480:waittimer 2942 blt 0,0,640,480,0, 113,640,480:waittimer 2968 blt 0,0,640,480,0, 114,640,480:waittimer 2994 blt 0,0,640,480,0, 115,640,480:waittimer 3020 blt 0,0,640,480,0, 116,640,480:waittimer 3047 blt 0,0,640,480,0, 117,640,480:waittimer 3073 blt 0,0,640,480,0, 118,640,480:waittimer 3099 blt 0,0,640,480,0, 119,640,480:waittimer 3125 blt 0,0,640,480,0, 120,640,480:waittimer 3152 blt 0,0,640,480,0, 121,640,480:waittimer 3178 blt 0,0,640,480,0, 122,640,480:waittimer 3204 blt 0,0,640,480,0, 123,640,480:waittimer 3230 blt 0,0,640,480,0, 124,640,480:waittimer 3257 blt 0,0,640,480,0, 125,640,480:waittimer 3283 blt 0,0,640,480,0, 126,640,480:waittimer 3309 blt 0,0,640,480,0, 127,640,480:waittimer 3336 blt 0,0,640,480,0, 128,640,480:waittimer 3362 blt 0,0,640,480,0, 129,640,480:waittimer 3388 blt 0,0,640,480,0, 130,640,480:waittimer 3414 blt 0,0,640,480,0, 131,640,480:waittimer 3441 blt 0,0,640,480,0, 132,640,480:waittimer 3467 blt 0,0,640,480,0, 133,640,480:waittimer 3493 blt 0,0,640,480,0, 134,640,480:waittimer 3519 blt 0,0,640,480,0, 135,640,480:waittimer 3546 blt 0,0,640,480,0, 136,640,480:waittimer 3572 blt 0,0,640,480,0, 137,640,480:waittimer 3598 blt 0,0,640,480,0, 138,640,480:waittimer 3625 blt 0,0,640,480,0, 139,640,480:waittimer 3651 blt 0,0,640,480,0, 140,640,480:waittimer 3677 blt 0,0,640,480,0, 141,640,480:waittimer 3703 blt 0,0,640,480,0, 142,640,480:waittimer 3730 blt 0,0,640,480,0, 143,640,480:waittimer 3756 blt 0,0,640,480,0, 144,640,480:waittimer 3782 blt 0,0,640,480,0, 145,640,480:waittimer 3808 blt 0,0,640,480,0, 146,640,480:waittimer 3835 blt 0,0,640,480,0, 147,640,480:waittimer 3861 blt 0,0,640,480,0, 148,640,480:waittimer 3887 blt 0,0,640,480,0, 149,640,480:waittimer 3913 blt 0,0,640,480,0, 150,640,480:waittimer 3940 blt 0,0,640,480,0, 151,640,480:waittimer 3966 blt 0,0,640,480,0, 152,640,480:waittimer 3992 blt 0,0,640,480,0, 153,640,480:waittimer 4019 blt 0,0,640,480,0, 154,640,480:waittimer 4045 blt 0,0,640,480,0, 155,640,480:waittimer 4071 blt 0,0,640,480,0, 156,640,480:waittimer 4097 blt 0,0,640,480,0, 157,640,480:waittimer 4124 blt 0,0,640,480,0, 158,640,480:waittimer 4150 blt 0,0,640,480,0, 159,640,480:waittimer 4176 blt 0,0,640,480,0, 160,640,480:waittimer 4202 blt 0,0,640,480,0, 161,640,480:waittimer 4229 blt 0,0,640,480,0, 162,640,480:waittimer 4255 blt 0,0,640,480,0, 163,640,480:waittimer 4281 blt 0,0,640,480,0, 164,640,480:waittimer 4307 blt 0,0,640,480,0, 165,640,480:waittimer 4334 blt 0,0,640,480,0, 166,640,480:waittimer 4360 blt 0,0,640,480,0, 167,640,480:waittimer 4386 blt 0,0,640,480,0, 168,640,480:waittimer 4413 blt 0,0,640,480,0, 169,640,480:waittimer 4439 blt 0,0,640,480,0, 170,640,480:waittimer 4465 blt 0,0,640,480,0, 171,640,480:waittimer 4491 blt 0,0,640,480,0, 172,640,480:waittimer 4518 blt 0,0,640,480,0, 173,640,480:waittimer 4544 blt 0,0,640,480,0, 174,640,480:waittimer 4570 blt 0,0,640,480,0, 175,640,480:waittimer 4596 blt 0,0,640,480,0, 176,640,480:waittimer 4623 blt 0,0,640,480,0, 177,640,480:waittimer 4649 blt 0,0,640,480,0, 178,640,480:waittimer 4675 blt 0,0,640,480,0, 179,640,480:waittimer 4701 blt 0,0,640,480,0, 180,640,480:waittimer 4728 blt 0,0,640,480,0, 181,640,480:waittimer 4754 blt 0,0,640,480,0, 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1688,640,480:waittimer 44340 blt 0,0,640,480,0, 1689,640,480:waittimer 44366 blt 0,0,640,480,0, 1690,640,480:waittimer 44393 blt 0,0,640,480,0, 1691,640,480:waittimer 44419 blt 0,0,640,480,0, 1692,640,480:waittimer 44445 blt 0,0,640,480,0, 1693,640,480:waittimer 44471 blt 0,0,640,480,0, 1694,640,480:waittimer 44498 blt 0,0,640,480,0, 1695,640,480:waittimer 44524 blt 0,0,640,480,0, 1696,640,480:waittimer 44550 blt 0,0,640,480,0, 1697,640,480:waittimer 44576 blt 0,0,640,480,0, 1698,640,480:waittimer 44603 blt 0,0,640,480,0, 1699,640,480:waittimer 44629 blt 0,0,640,480,0, 1700,640,480:waittimer 44655 blt 0,0,640,480,0, 1701,640,480:waittimer 44682 blt 0,0,640,480,0, 1702,640,480:waittimer 44708 blt 0,0,640,480,0, 1703,640,480:waittimer 44734 blt 0,0,640,480,0, 1704,640,480:waittimer 44760 blt 0,0,640,480,0, 1705,640,480:waittimer 44787 blt 0,0,640,480,0, 1706,640,480:waittimer 44813 blt 0,0,640,480,0, 1707,640,480:waittimer 44839 blt 0,0,640,480,0, 1708,640,480:waittimer 44865 blt 0,0,640,480,0, 1709,640,480:waittimer 44892 blt 0,0,640,480,0, 1710,640,480:waittimer 44918 blt 0,0,640,480,0, 1711,640,480:waittimer 44944 blt 0,0,640,480,0, 1712,640,480:waittimer 44971 blt 0,0,640,480,0, 1713,640,480:waittimer 44997 blt 0,0,640,480,0, 1714,640,480:waittimer 45023 blt 0,0,640,480,0, 1715,640,480:waittimer 45049 blt 0,0,640,480,0, 1716,640,480:waittimer 45076 blt 0,0,640,480,0, 1717,640,480:waittimer 45102 blt 0,0,640,480,0, 1718,640,480:waittimer 45128 blt 0,0,640,480,0, 1719,640,480:waittimer 45154 blt 0,0,640,480,0, 1720,640,480:waittimer 45181 blt 0,0,640,480,0, 1721,640,480:waittimer 45207 blt 0,0,640,480,0, 1722,640,480:waittimer 45233 blt 0,0,640,480,0, 1723,640,480:waittimer 45259 blt 0,0,640,480,0, 1724,640,480:waittimer 45286 blt 0,0,640,480,0, 1725,640,480:waittimer 45312 blt 0,0,640,480,0, 1726,640,480:waittimer 45338 blt 0,0,640,480,0, 1727,640,480:waittimer 45365 blt 0,0,640,480,0, 1728,640,480:waittimer 45391 blt 0,0,640,480,0, 1729,640,480:waittimer 45417 blt 0,0,640,480,0, 1730,640,480:waittimer 45443 blt 0,0,640,480,0, 1731,640,480:waittimer 45470 blt 0,0,640,480,0, 1732,640,480:waittimer 45496 blt 0,0,640,480,0, 1733,640,480:waittimer 45522 blt 0,0,640,480,0, 1734,640,480:waittimer 45548 blt 0,0,640,480,0, 1735,640,480:waittimer 45575 blt 0,0,640,480,0, 1736,640,480:waittimer 45601 blt 0,0,640,480,0, 1737,640,480:waittimer 45627 blt 0,0,640,480,0, 1738,640,480:waittimer 45653 blt 0,0,640,480,0, 1739,640,480:waittimer 45680 blt 0,0,640,480,0, 1740,640,480:waittimer 45706 blt 0,0,640,480,0, 1741,640,480:waittimer 45732 blt 0,0,640,480,0, 1742,640,480:waittimer 45759 blt 0,0,640,480,0, 1743,640,480:waittimer 45785 blt 0,0,640,480,0, 1744,640,480:waittimer 45811 blt 0,0,640,480,0, 1745,640,480:waittimer 45837 blt 0,0,640,480,0, 1746,640,480:waittimer 45864 blt 0,0,640,480,0, 1747,640,480:waittimer 45890 blt 0,0,640,480,0, 1748,640,480:waittimer 45916 blt 0,0,640,480,0, 1749,640,480:waittimer 45942 blt 0,0,640,480,0, 1750,640,480:waittimer 45969 blt 0,0,640,480,0, 1751,640,480:waittimer 45995 blt 0,0,640,480,0, 1752,640,480:waittimer 46021 blt 0,0,640,480,0, 1753,640,480:waittimer 46048 blt 0,0,640,480,0, 1754,640,480:waittimer 46074 blt 0,0,640,480,0, 1755,640,480:waittimer 46100 blt 0,0,640,480,0, 1756,640,480:waittimer 46126 blt 0,0,640,480,0, 1757,640,480:waittimer 46153 blt 0,0,640,480,0, 1758,640,480:waittimer 46179 blt 0,0,640,480,0, 1759,640,480:waittimer 46205 blt 0,0,640,480,0, 1760,640,480:waittimer 46231 blt 0,0,640,480,0, 1761,640,480:waittimer 46258 blt 0,0,640,480,0, 1762,640,480:waittimer 46284 blt 0,0,640,480,0, 1763,640,480:waittimer 46310 blt 0,0,640,480,0, 1764,640,480:waittimer 46336 blt 0,0,640,480,0, 1765,640,480:waittimer 46363 blt 0,0,640,480,0, 1766,640,480:waittimer 46389 blt 0,0,640,480,0, 1767,640,480:waittimer 46415 blt 0,0,640,480,0, 1768,640,480:waittimer 46442 blt 0,0,640,480,0, 1769,640,480:waittimer 46468 blt 0,0,640,480,0, 1770,640,480:waittimer 46494 blt 0,0,640,480,0, 1771,640,480:waittimer 46520 blt 0,0,640,480,0, 1772,640,480:waittimer 46547 blt 0,0,640,480,0, 1773,640,480:waittimer 46573 blt 0,0,640,480,0, 1774,640,480:waittimer 46599 blt 0,0,640,480,0, 1775,640,480:waittimer 46625 blt 0,0,640,480,0, 1776,640,480:waittimer 46652 blt 0,0,640,480,0, 1777,640,480:waittimer 46678 blt 0,0,640,480,0, 1778,640,480:waittimer 46704 blt 0,0,640,480,0, 1779,640,480:waittimer 46730 blt 0,0,640,480,0, 1780,640,480:waittimer 46757 blt 0,0,640,480,0, 1781,640,480:waittimer 46783 blt 0,0,640,480,0, 1782,640,480:waittimer 46809 blt 0,0,640,480,0, 1783,640,480:waittimer 46836 blt 0,0,640,480,0, 1784,640,480:waittimer 46862 blt 0,0,640,480,0, 1785,640,480:waittimer 46888 blt 0,0,640,480,0, 1786,640,480:waittimer 46914 blt 0,0,640,480,0, 1787,640,480:waittimer 46941 blt 0,0,640,480,0, 1788,640,480:waittimer 46967 blt 0,0,640,480,0, 1789,640,480:waittimer 46993 blt 0,0,640,480,0, 1790,640,480:waittimer 47019 blt 0,0,640,480,0, 1791,640,480:waittimer 47046 blt 0,0,640,480,0, 1792,640,480:waittimer 47072 blt 0,0,640,480,0, 1793,640,480:waittimer 47098 blt 0,0,640,480,0, 1794,640,480:waittimer 47125 blt 0,0,640,480,0, 1795,640,480:waittimer 47151 blt 0,0,640,480,0, 1796,640,480:waittimer 47177 blt 0,0,640,480,0, 1797,640,480:waittimer 47203 blt 0,0,640,480,0, 1798,640,480:waittimer 47230 blt 0,0,640,480,0, 1799,640,480:waittimer 47256 blt 0,0,640,480,0, 1800,640,480:waittimer 47282 blt 0,0,640,480,0, 1801,640,480:waittimer 47308 blt 0,0,640,480,0, 1802,640,480:waittimer 47335 blt 0,0,640,480,0, 1803,640,480:waittimer 47361 blt 0,0,640,480,0, 1804,640,480:waittimer 47387 blt 0,0,640,480,0, 1805,640,480:waittimer 47413 blt 0,0,640,480,0, 1806,640,480:waittimer 47440 blt 0,0,640,480,0, 1807,640,480:waittimer 47466 blt 0,0,640,480,0, 1808,640,480:waittimer 47492 blt 0,0,640,480,0, 1809,640,480:waittimer 47519 blt 0,0,640,480,0, 1810,640,480:waittimer 47545 blt 0,0,640,480,0, 1811,640,480:waittimer 47571 blt 0,0,640,480,0, 1812,640,480:waittimer 47597 blt 0,0,640,480,0, 1813,640,480:waittimer 47624 blt 0,0,640,480,0, 1814,640,480:waittimer 47650 blt 0,0,640,480,0, 1815,640,480:waittimer 47676 blt 0,0,640,480,0, 1816,640,480:waittimer 47702 blt 0,0,640,480,0, 1817,640,480:waittimer 47729 blt 0,0,640,480,0, 1818,640,480:waittimer 47755 blt 0,0,640,480,0, 1819,640,480:waittimer 47781 blt 0,0,640,480,0, 1820,640,480:waittimer 47807 blt 0,0,640,480,0, 1821,640,480:waittimer 47834 blt 0,0,640,480,0, 1822,640,480:waittimer 47860 blt 0,0,640,480,0, 1823,640,480:waittimer 47886 blt 0,0,640,480,0, 1824,640,480:waittimer 47913 blt 0,0,640,480,0, 1825,640,480:waittimer 47939 blt 0,0,640,480,0, 1826,640,480:waittimer 47965 blt 0,0,640,480,0, 1827,640,480:waittimer 47991 blt 0,0,640,480,0, 1828,640,480:waittimer 48018 blt 0,0,640,480,0, 1829,640,480:waittimer 48044 blt 0,0,640,480,0, 1830,640,480:waittimer 48070 blt 0,0,640,480,0, 1831,640,480:waittimer 48096 blt 0,0,640,480,0, 1832,640,480:waittimer 48123 blt 0,0,640,480,0, 1833,640,480:waittimer 48149 blt 0,0,640,480,0, 1834,640,480:waittimer 48175 blt 0,0,640,480,0, 1835,640,480:waittimer 48201 blt 0,0,640,480,0, 1836,640,480:waittimer 48228 blt 0,0,640,480,0, 1837,640,480:waittimer 48254 blt 0,0,640,480,0, 1838,640,480:waittimer 48280 blt 0,0,640,480,0, 1839,640,480:waittimer 48307 blt 0,0,640,480,0, 1840,640,480:waittimer 48333 blt 0,0,640,480,0, 1841,640,480:waittimer 48359 blt 0,0,640,480,0, 1842,640,480:waittimer 48385 blt 0,0,640,480,0, 1843,640,480:waittimer 48412 blt 0,0,640,480,0, 1844,640,480:waittimer 48438 blt 0,0,640,480,0, 1845,640,480:waittimer 48464 blt 0,0,640,480,0, 1846,640,480:waittimer 48490 blt 0,0,640,480,0, 1847,640,480:waittimer 48517 blt 0,0,640,480,0, 1848,640,480:waittimer 48543 blt 0,0,640,480,0, 1849,640,480:waittimer 48569 blt 0,0,640,480,0, 1850,640,480:waittimer 48596 blt 0,0,640,480,0, 1851,640,480:waittimer 48622 blt 0,0,640,480,0, 1852,640,480:waittimer 48648 blt 0,0,640,480,0, 1853,640,480:waittimer 48674 blt 0,0,640,480,0, 1854,640,480:waittimer 48701 blt 0,0,640,480,0, 1855,640,480:waittimer 48727 blt 0,0,640,480,0, 1856,640,480:waittimer 48753 blt 0,0,640,480,0, 1857,640,480:waittimer 48779 blt 0,0,640,480,0, 1858,640,480:waittimer 48806 blt 0,0,640,480,0, 1859,640,480:waittimer 48832 blt 0,0,640,480,0, 1860,640,480:waittimer 48858 blt 0,0,640,480,0, 1861,640,480:waittimer 48884 blt 0,0,640,480,0, 1862,640,480:waittimer 48911 blt 0,0,640,480,0, 1863,640,480:waittimer 48937 blt 0,0,640,480,0, 1864,640,480:waittimer 48963 blt 0,0,640,480,0, 1865,640,480:waittimer 48990 blt 0,0,640,480,0, 1866,640,480:waittimer 49016 blt 0,0,640,480,0, 1867,640,480:waittimer 49042 blt 0,0,640,480,0, 1868,640,480:waittimer 49068 blt 0,0,640,480,0, 1869,640,480:waittimer 49095 blt 0,0,640,480,0, 1870,640,480:waittimer 49121 blt 0,0,640,480,0, 1871,640,480:waittimer 49147 blt 0,0,640,480,0, 1872,640,480:waittimer 49173 blt 0,0,640,480,0, 1873,640,480:waittimer 49200 blt 0,0,640,480,0, 1874,640,480:waittimer 49226 blt 0,0,640,480,0, 1875,640,480:waittimer 49252 blt 0,0,640,480,0, 1876,640,480:waittimer 49278 blt 0,0,640,480,0, 1877,640,480:waittimer 49305 blt 0,0,640,480,0, 1878,640,480:waittimer 49331 blt 0,0,640,480,0, 1879,640,480:waittimer 49357 blt 0,0,640,480,0, 1880,640,480:waittimer 49384 blt 0,0,640,480,0, 1881,640,480:waittimer 49410 blt 0,0,640,480,0, 1882,640,480:waittimer 49436 blt 0,0,640,480,0, 1883,640,480:waittimer 49462 blt 0,0,640,480,0, 1884,640,480:waittimer 49489 blt 0,0,640,480,0, 1885,640,480:waittimer 49515 blt 0,0,640,480,0, 1886,640,480:waittimer 49541 blt 0,0,640,480,0, 1887,640,480:waittimer 49567 blt 0,0,640,480,0, 1888,640,480:waittimer 49594 blt 0,0,640,480,0, 1889,640,480:waittimer 49620 blt 0,0,640,480,0, 1890,640,480:waittimer 49646 blt 0,0,640,480,0, 1891,640,480:waittimer 49673 blt 0,0,640,480,0, 1892,640,480:waittimer 49699 blt 0,0,640,480,0, 1893,640,480:waittimer 49725 blt 0,0,640,480,0, 1894,640,480:waittimer 49751 blt 0,0,640,480,0, 1895,640,480:waittimer 49778 blt 0,0,640,480,0, 1896,640,480:waittimer 49804 blt 0,0,640,480,0, 1897,640,480:waittimer 49830 blt 0,0,640,480,0, 1898,640,480:waittimer 49856 blt 0,0,640,480,0, 1899,640,480:waittimer 49883 blt 0,0,640,480,0, 1900,640,480:waittimer 49909 blt 0,0,640,480,0, 1901,640,480:waittimer 49935 blt 0,0,640,480,0, 1902,640,480:waittimer 49961 blt 0,0,640,480,0, 1903,640,480:waittimer 49988 blt 0,0,640,480,0, 1904,640,480:waittimer 50014 blt 0,0,640,480,0, 1905,640,480:waittimer 50040 blt 0,0,640,480,0, 1906,640,480:waittimer 50067 blt 0,0,640,480,0, 1907,640,480:waittimer 50093 blt 0,0,640,480,0, 1908,640,480:waittimer 50119 blt 0,0,640,480,0, 1909,640,480:waittimer 50145 blt 0,0,640,480,0, 1910,640,480:waittimer 50172 blt 0,0,640,480,0, 1911,640,480:waittimer 50198 blt 0,0,640,480,0, 1912,640,480:waittimer 50224 blt 0,0,640,480,0, 1913,640,480:waittimer 50250 blt 0,0,640,480,0, 1914,640,480:waittimer 50277 blt 0,0,640,480,0, 1915,640,480:waittimer 50303 blt 0,0,640,480,0, 1916,640,480:waittimer 50329 blt 0,0,640,480,0, 1917,640,480:waittimer 50355 blt 0,0,640,480,0, 1918,640,480:waittimer 50382 blt 0,0,640,480,0, 1919,640,480:waittimer 50408 blt 0,0,640,480,0, 1920,640,480:waittimer 50434 blt 0,0,640,480,0, 1921,640,480:waittimer 50461 blt 0,0,640,480,0, 1922,640,480:waittimer 50487 blt 0,0,640,480,0, 1923,640,480:waittimer 50513 blt 0,0,640,480,0, 1924,640,480:waittimer 50539 blt 0,0,640,480,0, 1925,640,480:waittimer 50566 blt 0,0,640,480,0, 1926,640,480:waittimer 50592 blt 0,0,640,480,0, 1927,640,480:waittimer 50618 blt 0,0,640,480,0, 1928,640,480:waittimer 50644 blt 0,0,640,480,0, 1929,640,480:waittimer 50671 blt 0,0,640,480,0, 1930,640,480:waittimer 50697 blt 0,0,640,480,0, 1931,640,480:waittimer 50723 blt 0,0,640,480,0, 1932,640,480:waittimer 50750 blt 0,0,640,480,0, 1933,640,480:waittimer 50776 blt 0,0,640,480,0, 1934,640,480:waittimer 50802 blt 0,0,640,480,0, 1935,640,480:waittimer 50828 blt 0,0,640,480,0, 1936,640,480:waittimer 50855 blt 0,0,640,480,0, 1937,640,480:waittimer 50881 blt 0,0,640,480,0, 1938,640,480:waittimer 50907 blt 0,0,640,480,0, 1939,640,480:waittimer 50933 blt 0,0,640,480,0, 1940,640,480:waittimer 50960 blt 0,0,640,480,0, 1941,640,480:waittimer 50986 blt 0,0,640,480,0, 1942,640,480:waittimer 51012 blt 0,0,640,480,0, 1943,640,480:waittimer 51038 blt 0,0,640,480,0, 1944,640,480:waittimer 51065 blt 0,0,640,480,0, 1945,640,480:waittimer 51091 blt 0,0,640,480,0, 1946,640,480:waittimer 51117 blt 0,0,640,480,0, 1947,640,480:waittimer 51144 blt 0,0,640,480,0, 1948,640,480:waittimer 51170 blt 0,0,640,480,0, 1949,640,480:waittimer 51196 blt 0,0,640,480,0, 1950,640,480:waittimer 51222 blt 0,0,640,480,0, 1951,640,480:waittimer 51249 blt 0,0,640,480,0, 1952,640,480:waittimer 51275 blt 0,0,640,480,0, 1953,640,480:waittimer 51301 blt 0,0,640,480,0, 1954,640,480:waittimer 51327 blt 0,0,640,480,0, 1955,640,480:waittimer 51354 blt 0,0,640,480,0, 1956,640,480:waittimer 51380 blt 0,0,640,480,0, 1957,640,480:waittimer 51406 blt 0,0,640,480,0, 1958,640,480:waittimer 51432 blt 0,0,640,480,0, 1959,640,480:waittimer 51459 blt 0,0,640,480,0, 1960,640,480:waittimer 51485 blt 0,0,640,480,0, 1961,640,480:waittimer 51511 blt 0,0,640,480,0, 1962,640,480:waittimer 51538 blt 0,0,640,480,0, 1963,640,480:waittimer 51564 blt 0,0,640,480,0, 1964,640,480:waittimer 51590 blt 0,0,640,480,0, 1965,640,480:waittimer 51616 blt 0,0,640,480,0, 1966,640,480:waittimer 51643 blt 0,0,640,480,0, 1967,640,480:waittimer 51669 blt 0,0,640,480,0, 1968,640,480:waittimer 51695 blt 0,0,640,480,0, 1969,640,480:waittimer 51721 blt 0,0,640,480,0, 1970,640,480:waittimer 51748 blt 0,0,640,480,0, 1971,640,480:waittimer 51774 blt 0,0,640,480,0, 1972,640,480:waittimer 51800 blt 0,0,640,480,0, 1973,640,480:waittimer 51826 blt 0,0,640,480,0, 1974,640,480:waittimer 51853 blt 0,0,640,480,0, 1975,640,480:waittimer 51879 blt 0,0,640,480,0, 1976,640,480:waittimer 51905 blt 0,0,640,480,0, 1977,640,480:waittimer 51932 blt 0,0,640,480,0, 1978,640,480:waittimer 51958 blt 0,0,640,480,0, 1979,640,480:waittimer 51984 blt 0,0,640,480,0, 1980,640,480:waittimer 52010 blt 0,0,640,480,0, 1981,640,480:waittimer 52037 blt 0,0,640,480,0, 1982,640,480:waittimer 52063 blt 0,0,640,480,0, 1983,640,480:waittimer 52089 blt 0,0,640,480,0, 1984,640,480:waittimer 52115 blt 0,0,640,480,0, 1985,640,480:waittimer 52142 blt 0,0,640,480,0, 1986,640,480:waittimer 52168 blt 0,0,640,480,0, 1987,640,480:waittimer 52194 blt 0,0,640,480,0, 1988,640,480:waittimer 52221 blt 0,0,640,480,0, 1989,640,480:waittimer 52247 blt 0,0,640,480,0, 1990,640,480:waittimer 52273 blt 0,0,640,480,0, 1991,640,480:waittimer 52299 blt 0,0,640,480,0, 1992,640,480:waittimer 52326 blt 0,0,640,480,0, 1993,640,480:waittimer 52352 blt 0,0,640,480,0, 1994,640,480:waittimer 52378 blt 0,0,640,480,0, 1995,640,480:waittimer 52404 blt 0,0,640,480,0, 1996,640,480:waittimer 52431 blt 0,0,640,480,0, 1997,640,480:waittimer 52457 blt 0,0,640,480,0, 1998,640,480:waittimer 52483 blt 0,0,640,480,0, 1999,640,480:waittimer 52509 blt 0,0,640,480,0, 2000,640,480:waittimer 52536 blt 0,0,640,480,0, 2001,640,480:waittimer 52562 blt 0,0,640,480,0, 2002,640,480:waittimer 52588 blt 0,0,640,480,0, 2003,640,480:waittimer 52615 blt 0,0,640,480,0, 2004,640,480:waittimer 52641 blt 0,0,640,480,0, 2005,640,480:waittimer 52667 blt 0,0,640,480,0, 2006,640,480:waittimer 52693 blt 0,0,640,480,0, 2007,640,480:waittimer 52720 blt 0,0,640,480,0, 2008,640,480:waittimer 52746 blt 0,0,640,480,0, 2009,640,480:waittimer 52772 blt 0,0,640,480,0, 2010,640,480:waittimer 52798 blt 0,0,640,480,0, 2011,640,480:waittimer 52825 blt 0,0,640,480,0, 2012,640,480:waittimer 52851 blt 0,0,640,480,0, 2013,640,480:waittimer 52877 blt 0,0,640,480,0, 2014,640,480:waittimer 52903 blt 0,0,640,480,0, 2015,640,480:waittimer 52930 blt 0,0,640,480,0, 2016,640,480:waittimer 52956 blt 0,0,640,480,0, 2017,640,480:waittimer 52982 blt 0,0,640,480,0, 2018,640,480:waittimer 53009 blt 0,0,640,480,0, 2019,640,480:waittimer 53035 blt 0,0,640,480,0, 2020,640,480:waittimer 53061 blt 0,0,640,480,0, 2021,640,480:waittimer 53087 blt 0,0,640,480,0, 2022,640,480:waittimer 53114 blt 0,0,640,480,0, 2023,640,480:waittimer 53140 blt 0,0,640,480,0, 2024,640,480:waittimer 53166 blt 0,0,640,480,0, 2025,640,480:waittimer 53192 blt 0,0,640,480,0, 2026,640,480:waittimer 53219 blt 0,0,640,480,0, 2027,640,480:waittimer 53245 blt 0,0,640,480,0, 2028,640,480:waittimer 53271 blt 0,0,640,480,0, 2029,640,480:waittimer 53298 blt 0,0,640,480,0, 2030,640,480:waittimer 53324 blt 0,0,640,480,0, 2031,640,480:waittimer 53350 blt 0,0,640,480,0, 2032,640,480:waittimer 53376 blt 0,0,640,480,0, 2033,640,480:waittimer 53403 blt 0,0,640,480,0, 2034,640,480:waittimer 53429 blt 0,0,640,480,0, 2035,640,480:waittimer 53455 blt 0,0,640,480,0, 2036,640,480:waittimer 53481 blt 0,0,640,480,0, 2037,640,480:waittimer 53508 blt 0,0,640,480,0, 2038,640,480:waittimer 53534 blt 0,0,640,480,0, 2039,640,480:waittimer 53560 blt 0,0,640,480,0, 2040,640,480:waittimer 53586 blt 0,0,640,480,0, 2041,640,480:waittimer 53613 blt 0,0,640,480,0, 2042,640,480:waittimer 53639 blt 0,0,640,480,0, 2043,640,480:waittimer 53665 blt 0,0,640,480,0, 2044,640,480:waittimer 53692 blt 0,0,640,480,0, 2045,640,480:waittimer 53718 blt 0,0,640,480,0, 2046,640,480:waittimer 53744 blt 0,0,640,480,0, 2047,640,480:waittimer 53770 blt 0,0,640,480,0, 2048,640,480:waittimer 53797 blt 0,0,640,480,0, 2049,640,480:waittimer 53823 blt 0,0,640,480,0, 2050,640,480:waittimer 53849 blt 0,0,640,480,0, 2051,640,480:waittimer 53875 blt 0,0,640,480,0, 2052,640,480:waittimer 53902 blt 0,0,640,480,0, 2053,640,480:waittimer 53928 blt 0,0,640,480,0, 2054,640,480:waittimer 53954 blt 0,0,640,480,0, 2055,640,480:waittimer 53980 blt 0,0,640,480,0, 2056,640,480:waittimer 54007 blt 0,0,640,480,0, 2057,640,480:waittimer 54033 blt 0,0,640,480,0, 2058,640,480:waittimer 54059 blt 0,0,640,480,0, 2059,640,480:waittimer 54086 blt 0,0,640,480,0, 2060,640,480:waittimer 54112 blt 0,0,640,480,0, 2061,640,480:waittimer 54138 blt 0,0,640,480,0, 2062,640,480:waittimer 54164 blt 0,0,640,480,0, 2063,640,480:waittimer 54191 blt 0,0,640,480,0, 2064,640,480:waittimer 54217 blt 0,0,640,480,0, 2065,640,480:waittimer 54243 blt 0,0,640,480,0, 2066,640,480:waittimer 54269 blt 0,0,640,480,0, 2067,640,480:waittimer 54296 blt 0,0,640,480,0, 2068,640,480:waittimer 54322 blt 0,0,640,480,0, 2069,640,480:waittimer 54348 blt 0,0,640,480,0, 2070,640,480:waittimer 54375 blt 0,0,640,480,0, 2071,640,480:waittimer 54401 blt 0,0,640,480,0, 2072,640,480:waittimer 54427 blt 0,0,640,480,0, 2073,640,480:waittimer 54453 blt 0,0,640,480,0, 2074,640,480:waittimer 54480 blt 0,0,640,480,0, 2075,640,480:waittimer 54506 blt 0,0,640,480,0, 2076,640,480:waittimer 54532 blt 0,0,640,480,0, 2077,640,480:waittimer 54558 blt 0,0,640,480,0, 2078,640,480:waittimer 54585 blt 0,0,640,480,0, 2079,640,480:waittimer 54611 blt 0,0,640,480,0, 2080,640,480:waittimer 54637 blt 0,0,640,480,0, 2081,640,480:waittimer 54663 blt 0,0,640,480,0, 2082,640,480:waittimer 54690 blt 0,0,640,480,0, 2083,640,480:waittimer 54716 blt 0,0,640,480,0, 2084,640,480:waittimer 54742 blt 0,0,640,480,0, 2085,640,480:waittimer 54769 blt 0,0,640,480,0, 2086,640,480:waittimer 54795 blt 0,0,640,480,0, 2087,640,480:waittimer 54821 blt 0,0,640,480,0, 2088,640,480:waittimer 54847 blt 0,0,640,480,0, 2089,640,480:waittimer 54874 blt 0,0,640,480,0, 2090,640,480:waittimer 54900 blt 0,0,640,480,0, 2091,640,480:waittimer 54926 blt 0,0,640,480,0, 2092,640,480:waittimer 54952 blt 0,0,640,480,0, 2093,640,480:waittimer 54979 blt 0,0,640,480,0, 2094,640,480:waittimer 55005 blt 0,0,640,480,0, 2095,640,480:waittimer 55031 blt 0,0,640,480,0, 2096,640,480:waittimer 55057 blt 0,0,640,480,0, 2097,640,480:waittimer 55084 blt 0,0,640,480,0, 2098,640,480:waittimer 55110 blt 0,0,640,480,0, 2099,640,480:waittimer 55136 blt 0,0,640,480,0, 2100,640,480:waittimer 55163 blt 0,0,640,480,0, 2101,640,480:waittimer 55189 blt 0,0,640,480,0, 2102,640,480:waittimer 55215 blt 0,0,640,480,0, 2103,640,480:waittimer 55241 blt 0,0,640,480,0, 2104,640,480:waittimer 55268 blt 0,0,640,480,0, 2105,640,480:waittimer 55294 blt 0,0,640,480,0, 2106,640,480:waittimer 55320 blt 0,0,640,480,0, 2107,640,480:waittimer 55346 blt 0,0,640,480,0, 2108,640,480:waittimer 55373 blt 0,0,640,480,0, 2109,640,480:waittimer 55399 blt 0,0,640,480,0, 2110,640,480:waittimer 55425 blt 0,0,640,480,0, 2111,640,480:waittimer 55451 blt 0,0,640,480,0, 2112,640,480:waittimer 55478 blt 0,0,640,480,0, 2113,640,480:waittimer 55504 blt 0,0,640,480,0, 2114,640,480:waittimer 55530 blt 0,0,640,480,0, 2115,640,480:waittimer 55557 blt 0,0,640,480,0, 2116,640,480:waittimer 55583 blt 0,0,640,480,0, 2117,640,480:waittimer 55609 blt 0,0,640,480,0, 2118,640,480:waittimer 55635 blt 0,0,640,480,0, 2119,640,480:waittimer 55662 blt 0,0,640,480,0, 2120,640,480:waittimer 55688 blt 0,0,640,480,0, 2121,640,480:waittimer 55714 blt 0,0,640,480,0, 2122,640,480:waittimer 55740 blt 0,0,640,480,0, 2123,640,480:waittimer 55767 blt 0,0,640,480,0, 2124,640,480:waittimer 55793 blt 0,0,640,480,0, 2125,640,480:waittimer 55819 blt 0,0,640,480,0, 2126,640,480:waittimer 55846 blt 0,0,640,480,0, 2127,640,480:waittimer 55872 blt 0,0,640,480,0, 2128,640,480:waittimer 55898 blt 0,0,640,480,0, 2129,640,480:waittimer 55924 blt 0,0,640,480,0, 2130,640,480:waittimer 55951 blt 0,0,640,480,0, 2131,640,480:waittimer 55977 blt 0,0,640,480,0, 2132,640,480:waittimer 56003 blt 0,0,640,480,0, 2133,640,480:waittimer 56029 blt 0,0,640,480,0, 2134,640,480:waittimer 56056 blt 0,0,640,480,0, 2135,640,480:waittimer 56082 blt 0,0,640,480,0, 2136,640,480:waittimer 56108 blt 0,0,640,480,0, 2137,640,480:waittimer 56134 blt 0,0,640,480,0, 2138,640,480:waittimer 56161 blt 0,0,640,480,0, 2139,640,480:waittimer 56187 blt 0,0,640,480,0, 2140,640,480:waittimer 56213 blt 0,0,640,480,0, 2141,640,480:waittimer 56240 blt 0,0,640,480,0, 2142,640,480:waittimer 56266 blt 0,0,640,480,0, 2143,640,480:waittimer 56292 blt 0,0,640,480,0, 2144,640,480:waittimer 56318 blt 0,0,640,480,0, 2145,640,480:waittimer 56345 blt 0,0,640,480,0, 2146,640,480:waittimer 56371 blt 0,0,640,480,0, 2147,640,480:waittimer 56397 blt 0,0,640,480,0, 2148,640,480:waittimer 56423 blt 0,0,640,480,0, 2149,640,480:waittimer 56450 blt 0,0,640,480,0, 2150,640,480:waittimer 56476 blt 0,0,640,480,0, 2151,640,480:waittimer 56502 blt 0,0,640,480,0, 2152,640,480:waittimer 56528 blt 0,0,640,480,0, 2153,640,480:waittimer 56555 blt 0,0,640,480,0, 2154,640,480:waittimer 56581 blt 0,0,640,480,0, 2155,640,480:waittimer 56607 blt 0,0,640,480,0, 2156,640,480:waittimer 56634 blt 0,0,640,480,0, 2157,640,480:waittimer 56660 blt 0,0,640,480,0, 2158,640,480:waittimer 56686 blt 0,0,640,480,0, 2159,640,480:waittimer 56712 blt 0,0,640,480,0, 2160,640,480:waittimer 56739 blt 0,0,640,480,0, 2161,640,480:waittimer 56765 blt 0,0,640,480,0, 2162,640,480:waittimer 56791 blt 0,0,640,480,0, 2163,640,480:waittimer 56817 blt 0,0,640,480,0, 2164,640,480:waittimer 56844 blt 0,0,640,480,0, 2165,640,480:waittimer 56870 blt 0,0,640,480,0, 2166,640,480:waittimer 56896 blt 0,0,640,480,0, 2167,640,480:waittimer 56923 blt 0,0,640,480,0, 2168,640,480:waittimer 56949 blt 0,0,640,480,0, 2169,640,480:waittimer 56975 blt 0,0,640,480,0, 2170,640,480:waittimer 57001 blt 0,0,640,480,0, 2171,640,480:waittimer 57028 blt 0,0,640,480,0, 2172,640,480:waittimer 57054 blt 0,0,640,480,0, 2173,640,480:waittimer 57080 blt 0,0,640,480,0, 2174,640,480:waittimer 57106 blt 0,0,640,480,0, 2175,640,480:waittimer 57133 blt 0,0,640,480,0, 2176,640,480:waittimer 57159 blt 0,0,640,480,0, 2177,640,480:waittimer 57185 blt 0,0,640,480,0, 2178,640,480:waittimer 57211 blt 0,0,640,480,0, 2179,640,480:waittimer 57238 blt 0,0,640,480,0, 2180,640,480:waittimer 57264 blt 0,0,640,480,0, 2181,640,480:waittimer 57290 blt 0,0,640,480,0, 2182,640,480:waittimer 57317 blt 0,0,640,480,0, 2183,640,480:waittimer 57343 blt 0,0,640,480,0, 2184,640,480:waittimer 57369 blt 0,0,640,480,0, 2185,640,480:waittimer 57395 blt 0,0,640,480,0, 2186,640,480:waittimer 57422 blt 0,0,640,480,0, 2187,640,480:waittimer 57448 blt 0,0,640,480,0, 2188,640,480:waittimer 57474 blt 0,0,640,480,0, 2189,640,480:waittimer 57500 blt 0,0,640,480,0, 2190,640,480:waittimer 57527 blt 0,0,640,480,0, 2191,640,480:waittimer 57553 blt 0,0,640,480,0, 2192,640,480:waittimer 57579 blt 0,0,640,480,0, 2193,640,480:waittimer 57605 blt 0,0,640,480,0, 2194,640,480:waittimer 57632 blt 0,0,640,480,0, 2195,640,480:waittimer 57658 blt 0,0,640,480,0, 2196,640,480:waittimer 57684 blt 0,0,640,480,0, 2197,640,480:waittimer 57711 blt 0,0,640,480,0, 2198,640,480:waittimer 57737 blt 0,0,640,480,0, 2199,640,480:waittimer 57763 blt 0,0,640,480,0, 2200,640,480:waittimer 57789 blt 0,0,640,480,0, 2201,640,480:waittimer 57816 blt 0,0,640,480,0, 2202,640,480:waittimer 57842 blt 0,0,640,480,0, 2203,640,480:waittimer 57868 blt 0,0,640,480,0, 2204,640,480:waittimer 57894 blt 0,0,640,480,0, 2205,640,480:waittimer 57921 blt 0,0,640,480,0, 2206,640,480:waittimer 57947 blt 0,0,640,480,0, 2207,640,480:waittimer 57973 blt 0,0,640,480,0, 2208,640,480:waittimer 58000 blt 0,0,640,480,0, 2209,640,480:waittimer 58026 blt 0,0,640,480,0, 2210,640,480:waittimer 58052 blt 0,0,640,480,0, 2211,640,480:waittimer 58078 blt 0,0,640,480,0, 2212,640,480:waittimer 58105 blt 0,0,640,480,0, 2213,640,480:waittimer 58131 blt 0,0,640,480,0, 2214,640,480:waittimer 58157 blt 0,0,640,480,0, 2215,640,480:waittimer 58183 blt 0,0,640,480,0, 2216,640,480:waittimer 58210 blt 0,0,640,480,0, 2217,640,480:waittimer 58236 blt 0,0,640,480,0, 2218,640,480:waittimer 58262 blt 0,0,640,480,0, 2219,640,480:waittimer 58288 blt 0,0,640,480,0, 2220,640,480:waittimer 58315 blt 0,0,640,480,0, 2221,640,480:waittimer 58341 blt 0,0,640,480,0, 2222,640,480:waittimer 58367 blt 0,0,640,480,0, 2223,640,480:waittimer 58394 blt 0,0,640,480,0, 2224,640,480:waittimer 58420 blt 0,0,640,480,0, 2225,640,480:waittimer 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5397,640,480:waittimer 141769 blt 0,0,640,480,0, 5398,640,480:waittimer 141795 blt 0,0,640,480,0, 5399,640,480:waittimer 141821 blt 0,0,640,480,0, 5400,640,480:waittimer 141847 blt 0,0,640,480,0, 5401,640,480:waittimer 141874 blt 0,0,640,480,0, 5402,640,480:waittimer 141900 blt 0,0,640,480,0, 5403,640,480:waittimer 141926 blt 0,0,640,480,0, 5404,640,480:waittimer 141952 blt 0,0,640,480,0, 5405,640,480:waittimer 141979 blt 0,0,640,480,0, 5406,640,480:waittimer 142005 blt 0,0,640,480,0, 5407,640,480:waittimer 142031 blt 0,0,640,480,0, 5408,640,480:waittimer 142057 blt 0,0,640,480,0, 5409,640,480:waittimer 142084 blt 0,0,640,480,0, 5410,640,480:waittimer 142110 blt 0,0,640,480,0, 5411,640,480:waittimer 142136 blt 0,0,640,480,0, 5412,640,480:waittimer 142163 blt 0,0,640,480,0, 5413,640,480:waittimer 142189 blt 0,0,640,480,0, 5414,640,480:waittimer 142215 blt 0,0,640,480,0, 5415,640,480:waittimer 142241 blt 0,0,640,480,0, 5416,640,480:waittimer 142268 blt 0,0,640,480,0, 5417,640,480:waittimer 142294 blt 0,0,640,480,0, 5418,640,480:waittimer 142320 blt 0,0,640,480,0, 5419,640,480:waittimer 142346 blt 0,0,640,480,0, 5420,640,480:waittimer 142373 blt 0,0,640,480,0, 5421,640,480:waittimer 142399 blt 0,0,640,480,0, 5422,640,480:waittimer 142425 blt 0,0,640,480,0, 5423,640,480:waittimer 142451 blt 0,0,640,480,0, 5424,640,480:waittimer 142478 blt 0,0,640,480,0, 5425,640,480:waittimer 142504 blt 0,0,640,480,0, 5426,640,480:waittimer 142530 blt 0,0,640,480,0, 5427,640,480:waittimer 142557 blt 0,0,640,480,0, 5428,640,480:waittimer 142583 blt 0,0,640,480,0, 5429,640,480:waittimer 142609 blt 0,0,640,480,0, 5430,640,480:waittimer 142635 blt 0,0,640,480,0, 5431,640,480:waittimer 142662 blt 0,0,640,480,0, 5432,640,480:waittimer 142688 blt 0,0,640,480,0, 5433,640,480:waittimer 142714 blt 0,0,640,480,0, 5434,640,480:waittimer 142740 blt 0,0,640,480,0, 5435,640,480:waittimer 142767 blt 0,0,640,480,0, 5436,640,480:waittimer 142793 blt 0,0,640,480,0, 5437,640,480:waittimer 142819 blt 0,0,640,480,0, 5438,640,480:waittimer 142846 blt 0,0,640,480,0, 5439,640,480:waittimer 142872 blt 0,0,640,480,0, 5440,640,480:waittimer 142898 blt 0,0,640,480,0, 5441,640,480:waittimer 142924 blt 0,0,640,480,0, 5442,640,480:waittimer 142951 blt 0,0,640,480,0, 5443,640,480:waittimer 142977 blt 0,0,640,480,0, 5444,640,480:waittimer 143003 blt 0,0,640,480,0, 5445,640,480:waittimer 143029 blt 0,0,640,480,0, 5446,640,480:waittimer 143056 blt 0,0,640,480,0, 5447,640,480:waittimer 143082 blt 0,0,640,480,0, 5448,640,480:waittimer 143108 blt 0,0,640,480,0, 5449,640,480:waittimer 143134 blt 0,0,640,480,0, 5450,640,480:waittimer 143161 blt 0,0,640,480,0, 5451,640,480:waittimer 143187 blt 0,0,640,480,0, 5452,640,480:waittimer 143213 blt 0,0,640,480,0, 5453,640,480:waittimer 143240 blt 0,0,640,480,0, 5454,640,480:waittimer 143266 blt 0,0,640,480,0, 5455,640,480:waittimer 143292 blt 0,0,640,480,0, 5456,640,480:waittimer 143318 blt 0,0,640,480,0, 5457,640,480:waittimer 143345 blt 0,0,640,480,0, 5458,640,480:waittimer 143371 blt 0,0,640,480,0, 5459,640,480:waittimer 143397 blt 0,0,640,480,0, 5460,640,480:waittimer 143423 blt 0,0,640,480,0, 5461,640,480:waittimer 143450 blt 0,0,640,480,0, 5462,640,480:waittimer 143476 blt 0,0,640,480,0, 5463,640,480:waittimer 143502 blt 0,0,640,480,0, 5464,640,480:waittimer 143528 blt 0,0,640,480,0, 5465,640,480:waittimer 143555 blt 0,0,640,480,0, 5466,640,480:waittimer 143581 blt 0,0,640,480,0, 5467,640,480:waittimer 143607 blt 0,0,640,480,0, 5468,640,480:waittimer 143634 blt 0,0,640,480,0, 5469,640,480:waittimer 143660 blt 0,0,640,480,0, 5470,640,480:waittimer 143686 blt 0,0,640,480,0, 5471,640,480:waittimer 143712 blt 0,0,640,480,0, 5472,640,480:waittimer 143739 blt 0,0,640,480,0, 5473,640,480:waittimer 143765 blt 0,0,640,480,0, 5474,640,480:waittimer 143791 blt 0,0,640,480,0, 5475,640,480:waittimer 143817 blt 0,0,640,480,0, 5476,640,480:waittimer 143844 blt 0,0,640,480,0, 5477,640,480:waittimer 143870 blt 0,0,640,480,0, 5478,640,480:waittimer 143896 blt 0,0,640,480,0, 5479,640,480:waittimer 143923 blt 0,0,640,480,0, 5480,640,480:waittimer 143949 blt 0,0,640,480,0, 5481,640,480:waittimer 143975 blt 0,0,640,480,0, 5482,640,480:waittimer 144001 blt 0,0,640,480,0, 5483,640,480:waittimer 144028 blt 0,0,640,480,0, 5484,640,480:waittimer 144054 blt 0,0,640,480,0, 5485,640,480:waittimer 144080 blt 0,0,640,480,0, 5486,640,480:waittimer 144106 blt 0,0,640,480,0, 5487,640,480:waittimer 144133 blt 0,0,640,480,0, 5488,640,480:waittimer 144159 blt 0,0,640,480,0, 5489,640,480:waittimer 144185 blt 0,0,640,480,0, 5490,640,480:waittimer 144211 blt 0,0,640,480,0, 5491,640,480:waittimer 144238 blt 0,0,640,480,0, 5492,640,480:waittimer 144264 blt 0,0,640,480,0, 5493,640,480:waittimer 144290 blt 0,0,640,480,0, 5494,640,480:waittimer 144317 blt 0,0,640,480,0, 5495,640,480:waittimer 144343 blt 0,0,640,480,0, 5496,640,480:waittimer 144369 blt 0,0,640,480,0, 5497,640,480:waittimer 144395 blt 0,0,640,480,0, 5498,640,480:waittimer 144422 blt 0,0,640,480,0, 5499,640,480:waittimer 144448 blt 0,0,640,480,0, 5500,640,480:waittimer 144474 blt 0,0,640,480,0, 5501,640,480:waittimer 144500 blt 0,0,640,480,0, 5502,640,480:waittimer 144527 blt 0,0,640,480,0, 5503,640,480:waittimer 144553 blt 0,0,640,480,0, 5504,640,480:waittimer 144579 blt 0,0,640,480,0, 5505,640,480:waittimer 144605 blt 0,0,640,480,0, 5506,640,480:waittimer 144632 blt 0,0,640,480,0, 5507,640,480:waittimer 144658 blt 0,0,640,480,0, 5508,640,480:waittimer 144684 blt 0,0,640,480,0, 5509,640,480:waittimer 144711 blt 0,0,640,480,0, 5510,640,480:waittimer 144737 blt 0,0,640,480,0, 5511,640,480:waittimer 144763 blt 0,0,640,480,0, 5512,640,480:waittimer 144789 blt 0,0,640,480,0, 5513,640,480:waittimer 144816 blt 0,0,640,480,0, 5514,640,480:waittimer 144842 blt 0,0,640,480,0, 5515,640,480:waittimer 144868 blt 0,0,640,480,0, 5516,640,480:waittimer 144894 blt 0,0,640,480,0, 5517,640,480:waittimer 144921 blt 0,0,640,480,0, 5518,640,480:waittimer 144947 blt 0,0,640,480,0, 5519,640,480:waittimer 144973 blt 0,0,640,480,0, 5520,640,480:waittimer 145000 return ;****************************************************** *teatime_ep3_scroll ;スクロール実行本体 skipoff resettimer blt 0,0,640,480,0, 1,640,480:waittimer 15 blt 0,0,640,480,0, 2,640,480:waittimer 31 blt 0,0,640,480,0, 3,640,480:waittimer 46 blt 0,0,640,480,0, 4,640,480:waittimer 62 blt 0,0,640,480,0, 5,640,480:waittimer 77 blt 0,0,640,480,0, 6,640,480:waittimer 93 blt 0,0,640,480,0, 7,640,480:waittimer 108 blt 0,0,640,480,0, 8,640,480:waittimer 124 blt 0,0,640,480,0, 9,640,480:waittimer 139 blt 0,0,640,480,0, 10,640,480:waittimer 155 blt 0,0,640,480,0, 11,640,480:waittimer 171 blt 0,0,640,480,0, 12,640,480:waittimer 186 blt 0,0,640,480,0, 13,640,480:waittimer 202 blt 0,0,640,480,0, 14,640,480:waittimer 217 blt 0,0,640,480,0, 15,640,480:waittimer 233 blt 0,0,640,480,0, 16,640,480:waittimer 248 blt 0,0,640,480,0, 17,640,480:waittimer 264 blt 0,0,640,480,0, 18,640,480:waittimer 279 blt 0,0,640,480,0, 19,640,480:waittimer 295 blt 0,0,640,480,0, 20,640,480:waittimer 310 blt 0,0,640,480,0, 21,640,480:waittimer 326 blt 0,0,640,480,0, 22,640,480:waittimer 342 blt 0,0,640,480,0, 23,640,480:waittimer 357 blt 0,0,640,480,0, 24,640,480:waittimer 373 blt 0,0,640,480,0, 25,640,480:waittimer 388 blt 0,0,640,480,0, 26,640,480:waittimer 404 blt 0,0,640,480,0, 27,640,480:waittimer 419 blt 0,0,640,480,0, 28,640,480:waittimer 435 blt 0,0,640,480,0, 29,640,480:waittimer 450 blt 0,0,640,480,0, 30,640,480:waittimer 466 blt 0,0,640,480,0, 31,640,480:waittimer 481 blt 0,0,640,480,0, 32,640,480:waittimer 497 blt 0,0,640,480,0, 33,640,480:waittimer 513 blt 0,0,640,480,0, 34,640,480:waittimer 528 blt 0,0,640,480,0, 35,640,480:waittimer 544 blt 0,0,640,480,0, 36,640,480:waittimer 559 blt 0,0,640,480,0, 37,640,480:waittimer 575 blt 0,0,640,480,0, 38,640,480:waittimer 590 blt 0,0,640,480,0, 39,640,480:waittimer 606 blt 0,0,640,480,0, 40,640,480:waittimer 621 blt 0,0,640,480,0, 41,640,480:waittimer 637 blt 0,0,640,480,0, 42,640,480:waittimer 653 blt 0,0,640,480,0, 43,640,480:waittimer 668 blt 0,0,640,480,0, 44,640,480:waittimer 684 blt 0,0,640,480,0, 45,640,480:waittimer 699 blt 0,0,640,480,0, 46,640,480:waittimer 715 blt 0,0,640,480,0, 47,640,480:waittimer 730 blt 0,0,640,480,0, 48,640,480:waittimer 746 blt 0,0,640,480,0, 49,640,480:waittimer 761 blt 0,0,640,480,0, 50,640,480:waittimer 777 blt 0,0,640,480,0, 51,640,480:waittimer 792 blt 0,0,640,480,0, 52,640,480:waittimer 808 blt 0,0,640,480,0, 53,640,480:waittimer 824 blt 0,0,640,480,0, 54,640,480:waittimer 839 blt 0,0,640,480,0, 55,640,480:waittimer 855 blt 0,0,640,480,0, 56,640,480:waittimer 870 blt 0,0,640,480,0, 57,640,480:waittimer 886 blt 0,0,640,480,0, 58,640,480:waittimer 901 blt 0,0,640,480,0, 59,640,480:waittimer 917 blt 0,0,640,480,0, 60,640,480:waittimer 932 blt 0,0,640,480,0, 61,640,480:waittimer 948 blt 0,0,640,480,0, 62,640,480:waittimer 963 blt 0,0,640,480,0, 63,640,480:waittimer 979 blt 0,0,640,480,0, 64,640,480:waittimer 995 blt 0,0,640,480,0, 65,640,480:waittimer 1010 blt 0,0,640,480,0, 66,640,480:waittimer 1026 blt 0,0,640,480,0, 67,640,480:waittimer 1041 blt 0,0,640,480,0, 68,640,480:waittimer 1057 blt 0,0,640,480,0, 69,640,480:waittimer 1072 blt 0,0,640,480,0, 70,640,480:waittimer 1088 blt 0,0,640,480,0, 71,640,480:waittimer 1103 blt 0,0,640,480,0, 72,640,480:waittimer 1119 blt 0,0,640,480,0, 73,640,480:waittimer 1134 blt 0,0,640,480,0, 74,640,480:waittimer 1150 blt 0,0,640,480,0, 75,640,480:waittimer 1166 blt 0,0,640,480,0, 76,640,480:waittimer 1181 blt 0,0,640,480,0, 77,640,480:waittimer 1197 blt 0,0,640,480,0, 78,640,480:waittimer 1212 blt 0,0,640,480,0, 79,640,480:waittimer 1228 blt 0,0,640,480,0, 80,640,480:waittimer 1243 blt 0,0,640,480,0, 81,640,480:waittimer 1259 blt 0,0,640,480,0, 82,640,480:waittimer 1274 blt 0,0,640,480,0, 83,640,480:waittimer 1290 blt 0,0,640,480,0, 84,640,480:waittimer 1306 blt 0,0,640,480,0, 85,640,480:waittimer 1321 blt 0,0,640,480,0, 86,640,480:waittimer 1337 blt 0,0,640,480,0, 87,640,480:waittimer 1352 blt 0,0,640,480,0, 88,640,480:waittimer 1368 blt 0,0,640,480,0, 89,640,480:waittimer 1383 blt 0,0,640,480,0, 90,640,480:waittimer 1399 blt 0,0,640,480,0, 91,640,480:waittimer 1414 blt 0,0,640,480,0, 92,640,480:waittimer 1430 blt 0,0,640,480,0, 93,640,480:waittimer 1445 blt 0,0,640,480,0, 94,640,480:waittimer 1461 blt 0,0,640,480,0, 95,640,480:waittimer 1477 blt 0,0,640,480,0, 96,640,480:waittimer 1492 blt 0,0,640,480,0, 97,640,480:waittimer 1508 blt 0,0,640,480,0, 98,640,480:waittimer 1523 blt 0,0,640,480,0, 99,640,480:waittimer 1539 blt 0,0,640,480,0, 100,640,480:waittimer 1554 blt 0,0,640,480,0, 101,640,480:waittimer 1570 blt 0,0,640,480,0, 102,640,480:waittimer 1585 blt 0,0,640,480,0, 103,640,480:waittimer 1601 blt 0,0,640,480,0, 104,640,480:waittimer 1616 blt 0,0,640,480,0, 105,640,480:waittimer 1632 blt 0,0,640,480,0, 106,640,480:waittimer 1648 blt 0,0,640,480,0, 107,640,480:waittimer 1663 blt 0,0,640,480,0, 108,640,480:waittimer 1679 blt 0,0,640,480,0, 109,640,480:waittimer 1694 blt 0,0,640,480,0, 110,640,480:waittimer 1710 blt 0,0,640,480,0, 111,640,480:waittimer 1725 blt 0,0,640,480,0, 112,640,480:waittimer 1741 blt 0,0,640,480,0, 113,640,480:waittimer 1756 blt 0,0,640,480,0, 114,640,480:waittimer 1772 blt 0,0,640,480,0, 115,640,480:waittimer 1787 blt 0,0,640,480,0, 116,640,480:waittimer 1803 blt 0,0,640,480,0, 117,640,480:waittimer 1819 blt 0,0,640,480,0, 118,640,480:waittimer 1834 blt 0,0,640,480,0, 119,640,480:waittimer 1850 blt 0,0,640,480,0, 120,640,480:waittimer 1865 blt 0,0,640,480,0, 121,640,480:waittimer 1881 blt 0,0,640,480,0, 122,640,480:waittimer 1896 blt 0,0,640,480,0, 123,640,480:waittimer 1912 blt 0,0,640,480,0, 124,640,480:waittimer 1927 blt 0,0,640,480,0, 125,640,480:waittimer 1943 blt 0,0,640,480,0, 126,640,480:waittimer 1959 blt 0,0,640,480,0, 127,640,480:waittimer 1974 blt 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25513 blt 0,0,640,480,0, 1642,640,480:waittimer 25529 blt 0,0,640,480,0, 1643,640,480:waittimer 25544 blt 0,0,640,480,0, 1644,640,480:waittimer 25560 blt 0,0,640,480,0, 1645,640,480:waittimer 25575 blt 0,0,640,480,0, 1646,640,480:waittimer 25591 blt 0,0,640,480,0, 1647,640,480:waittimer 25607 blt 0,0,640,480,0, 1648,640,480:waittimer 25622 blt 0,0,640,480,0, 1649,640,480:waittimer 25638 blt 0,0,640,480,0, 1650,640,480:waittimer 25653 blt 0,0,640,480,0, 1651,640,480:waittimer 25669 blt 0,0,640,480,0, 1652,640,480:waittimer 25684 blt 0,0,640,480,0, 1653,640,480:waittimer 25700 blt 0,0,640,480,0, 1654,640,480:waittimer 25715 blt 0,0,640,480,0, 1655,640,480:waittimer 25731 blt 0,0,640,480,0, 1656,640,480:waittimer 25746 blt 0,0,640,480,0, 1657,640,480:waittimer 25762 blt 0,0,640,480,0, 1658,640,480:waittimer 25778 blt 0,0,640,480,0, 1659,640,480:waittimer 25793 blt 0,0,640,480,0, 1660,640,480:waittimer 25809 blt 0,0,640,480,0, 1661,640,480:waittimer 25824 blt 0,0,640,480,0, 1662,640,480:waittimer 25840 blt 0,0,640,480,0, 1663,640,480:waittimer 25855 blt 0,0,640,480,0, 1664,640,480:waittimer 25871 blt 0,0,640,480,0, 1665,640,480:waittimer 25886 blt 0,0,640,480,0, 1666,640,480:waittimer 25902 blt 0,0,640,480,0, 1667,640,480:waittimer 25918 blt 0,0,640,480,0, 1668,640,480:waittimer 25933 blt 0,0,640,480,0, 1669,640,480:waittimer 25949 blt 0,0,640,480,0, 1670,640,480:waittimer 25964 blt 0,0,640,480,0, 1671,640,480:waittimer 25980 blt 0,0,640,480,0, 1672,640,480:waittimer 25995 blt 0,0,640,480,0, 1673,640,480:waittimer 26011 blt 0,0,640,480,0, 1674,640,480:waittimer 26026 blt 0,0,640,480,0, 1675,640,480:waittimer 26042 blt 0,0,640,480,0, 1676,640,480:waittimer 26057 blt 0,0,640,480,0, 1677,640,480:waittimer 26073 blt 0,0,640,480,0, 1678,640,480:waittimer 26089 blt 0,0,640,480,0, 1679,640,480:waittimer 26104 blt 0,0,640,480,0, 1680,640,480:waittimer 26120 blt 0,0,640,480,0, 1681,640,480:waittimer 26135 blt 0,0,640,480,0, 1682,640,480:waittimer 26151 blt 0,0,640,480,0, 1683,640,480:waittimer 26166 blt 0,0,640,480,0, 1684,640,480:waittimer 26182 blt 0,0,640,480,0, 1685,640,480:waittimer 26197 blt 0,0,640,480,0, 1686,640,480:waittimer 26213 blt 0,0,640,480,0, 1687,640,480:waittimer 26228 blt 0,0,640,480,0, 1688,640,480:waittimer 26244 blt 0,0,640,480,0, 1689,640,480:waittimer 26260 blt 0,0,640,480,0, 1690,640,480:waittimer 26275 blt 0,0,640,480,0, 1691,640,480:waittimer 26291 blt 0,0,640,480,0, 1692,640,480:waittimer 26306 blt 0,0,640,480,0, 1693,640,480:waittimer 26322 blt 0,0,640,480,0, 1694,640,480:waittimer 26337 blt 0,0,640,480,0, 1695,640,480:waittimer 26353 blt 0,0,640,480,0, 1696,640,480:waittimer 26368 blt 0,0,640,480,0, 1697,640,480:waittimer 26384 blt 0,0,640,480,0, 1698,640,480:waittimer 26399 blt 0,0,640,480,0, 1699,640,480:waittimer 26415 blt 0,0,640,480,0, 1700,640,480:waittimer 26431 blt 0,0,640,480,0, 1701,640,480:waittimer 26446 blt 0,0,640,480,0, 1702,640,480:waittimer 26462 blt 0,0,640,480,0, 1703,640,480:waittimer 26477 blt 0,0,640,480,0, 1704,640,480:waittimer 26493 blt 0,0,640,480,0, 1705,640,480:waittimer 26508 blt 0,0,640,480,0, 1706,640,480:waittimer 26524 blt 0,0,640,480,0, 1707,640,480:waittimer 26539 blt 0,0,640,480,0, 1708,640,480:waittimer 26555 blt 0,0,640,480,0, 1709,640,480:waittimer 26571 blt 0,0,640,480,0, 1710,640,480:waittimer 26586 blt 0,0,640,480,0, 1711,640,480:waittimer 26602 blt 0,0,640,480,0, 1712,640,480:waittimer 26617 blt 0,0,640,480,0, 1713,640,480:waittimer 26633 blt 0,0,640,480,0, 1714,640,480:waittimer 26648 blt 0,0,640,480,0, 1715,640,480:waittimer 26664 blt 0,0,640,480,0, 1716,640,480:waittimer 26679 blt 0,0,640,480,0, 1717,640,480:waittimer 26695 blt 0,0,640,480,0, 1718,640,480:waittimer 26710 blt 0,0,640,480,0, 1719,640,480:waittimer 26726 blt 0,0,640,480,0, 1720,640,480:waittimer 26742 blt 0,0,640,480,0, 1721,640,480:waittimer 26757 blt 0,0,640,480,0, 1722,640,480:waittimer 26773 blt 0,0,640,480,0, 1723,640,480:waittimer 26788 blt 0,0,640,480,0, 1724,640,480:waittimer 26804 blt 0,0,640,480,0, 1725,640,480:waittimer 26819 blt 0,0,640,480,0, 1726,640,480:waittimer 26835 blt 0,0,640,480,0, 1727,640,480:waittimer 26850 blt 0,0,640,480,0, 1728,640,480:waittimer 26866 blt 0,0,640,480,0, 1729,640,480:waittimer 26881 blt 0,0,640,480,0, 1730,640,480:waittimer 26897 blt 0,0,640,480,0, 1731,640,480:waittimer 26913 blt 0,0,640,480,0, 1732,640,480:waittimer 26928 blt 0,0,640,480,0, 1733,640,480:waittimer 26944 blt 0,0,640,480,0, 1734,640,480:waittimer 26959 blt 0,0,640,480,0, 1735,640,480:waittimer 26975 blt 0,0,640,480,0, 1736,640,480:waittimer 26990 blt 0,0,640,480,0, 1737,640,480:waittimer 27006 blt 0,0,640,480,0, 1738,640,480:waittimer 27021 blt 0,0,640,480,0, 1739,640,480:waittimer 27037 blt 0,0,640,480,0, 1740,640,480:waittimer 27053 blt 0,0,640,480,0, 1741,640,480:waittimer 27068 blt 0,0,640,480,0, 1742,640,480:waittimer 27084 blt 0,0,640,480,0, 1743,640,480:waittimer 27099 blt 0,0,640,480,0, 1744,640,480:waittimer 27115 blt 0,0,640,480,0, 1745,640,480:waittimer 27130 blt 0,0,640,480,0, 1746,640,480:waittimer 27146 blt 0,0,640,480,0, 1747,640,480:waittimer 27161 blt 0,0,640,480,0, 1748,640,480:waittimer 27177 blt 0,0,640,480,0, 1749,640,480:waittimer 27192 blt 0,0,640,480,0, 1750,640,480:waittimer 27208 blt 0,0,640,480,0, 1751,640,480:waittimer 27224 blt 0,0,640,480,0, 1752,640,480:waittimer 27239 blt 0,0,640,480,0, 1753,640,480:waittimer 27255 blt 0,0,640,480,0, 1754,640,480:waittimer 27270 blt 0,0,640,480,0, 1755,640,480:waittimer 27286 blt 0,0,640,480,0, 1756,640,480:waittimer 27301 blt 0,0,640,480,0, 1757,640,480:waittimer 27317 blt 0,0,640,480,0, 1758,640,480:waittimer 27332 blt 0,0,640,480,0, 1759,640,480:waittimer 27348 blt 0,0,640,480,0, 1760,640,480:waittimer 27363 blt 0,0,640,480,0, 1761,640,480:waittimer 27379 blt 0,0,640,480,0, 1762,640,480:waittimer 27395 blt 0,0,640,480,0, 1763,640,480:waittimer 27410 blt 0,0,640,480,0, 1764,640,480:waittimer 27426 blt 0,0,640,480,0, 1765,640,480:waittimer 27441 blt 0,0,640,480,0, 1766,640,480:waittimer 27457 blt 0,0,640,480,0, 1767,640,480:waittimer 27472 blt 0,0,640,480,0, 1768,640,480:waittimer 27488 blt 0,0,640,480,0, 1769,640,480:waittimer 27503 blt 0,0,640,480,0, 1770,640,480:waittimer 27519 blt 0,0,640,480,0, 1771,640,480:waittimer 27534 blt 0,0,640,480,0, 1772,640,480:waittimer 27550 blt 0,0,640,480,0, 1773,640,480:waittimer 27566 blt 0,0,640,480,0, 1774,640,480:waittimer 27581 blt 0,0,640,480,0, 1775,640,480:waittimer 27597 blt 0,0,640,480,0, 1776,640,480:waittimer 27612 blt 0,0,640,480,0, 1777,640,480:waittimer 27628 blt 0,0,640,480,0, 1778,640,480:waittimer 27643 blt 0,0,640,480,0, 1779,640,480:waittimer 27659 blt 0,0,640,480,0, 1780,640,480:waittimer 27674 blt 0,0,640,480,0, 1781,640,480:waittimer 27690 blt 0,0,640,480,0, 1782,640,480:waittimer 27706 blt 0,0,640,480,0, 1783,640,480:waittimer 27721 blt 0,0,640,480,0, 1784,640,480:waittimer 27737 blt 0,0,640,480,0, 1785,640,480:waittimer 27752 blt 0,0,640,480,0, 1786,640,480:waittimer 27768 blt 0,0,640,480,0, 1787,640,480:waittimer 27783 blt 0,0,640,480,0, 1788,640,480:waittimer 27799 blt 0,0,640,480,0, 1789,640,480:waittimer 27814 blt 0,0,640,480,0, 1790,640,480:waittimer 27830 blt 0,0,640,480,0, 1791,640,480:waittimer 27845 blt 0,0,640,480,0, 1792,640,480:waittimer 27861 blt 0,0,640,480,0, 1793,640,480:waittimer 27877 blt 0,0,640,480,0, 1794,640,480:waittimer 27892 blt 0,0,640,480,0, 1795,640,480:waittimer 27908 blt 0,0,640,480,0, 1796,640,480:waittimer 27923 blt 0,0,640,480,0, 1797,640,480:waittimer 27939 blt 0,0,640,480,0, 1798,640,480:waittimer 27954 blt 0,0,640,480,0, 1799,640,480:waittimer 27970 blt 0,0,640,480,0, 1800,640,480:waittimer 27985 blt 0,0,640,480,0, 1801,640,480:waittimer 28001 blt 0,0,640,480,0, 1802,640,480:waittimer 28016 blt 0,0,640,480,0, 1803,640,480:waittimer 28032 blt 0,0,640,480,0, 1804,640,480:waittimer 28048 blt 0,0,640,480,0, 1805,640,480:waittimer 28063 blt 0,0,640,480,0, 1806,640,480:waittimer 28079 blt 0,0,640,480,0, 1807,640,480:waittimer 28094 blt 0,0,640,480,0, 1808,640,480:waittimer 28110 blt 0,0,640,480,0, 1809,640,480:waittimer 28125 blt 0,0,640,480,0, 1810,640,480:waittimer 28141 blt 0,0,640,480,0, 1811,640,480:waittimer 28156 blt 0,0,640,480,0, 1812,640,480:waittimer 28172 blt 0,0,640,480,0, 1813,640,480:waittimer 28187 blt 0,0,640,480,0, 1814,640,480:waittimer 28203 blt 0,0,640,480,0, 1815,640,480:waittimer 28219 blt 0,0,640,480,0, 1816,640,480:waittimer 28234 blt 0,0,640,480,0, 1817,640,480:waittimer 28250 blt 0,0,640,480,0, 1818,640,480:waittimer 28265 blt 0,0,640,480,0, 1819,640,480:waittimer 28281 blt 0,0,640,480,0, 1820,640,480:waittimer 28296 blt 0,0,640,480,0, 1821,640,480:waittimer 28312 blt 0,0,640,480,0, 1822,640,480:waittimer 28327 blt 0,0,640,480,0, 1823,640,480:waittimer 28343 blt 0,0,640,480,0, 1824,640,480:waittimer 28359 blt 0,0,640,480,0, 1825,640,480:waittimer 28374 blt 0,0,640,480,0, 1826,640,480:waittimer 28390 blt 0,0,640,480,0, 1827,640,480:waittimer 28405 blt 0,0,640,480,0, 1828,640,480:waittimer 28421 blt 0,0,640,480,0, 1829,640,480:waittimer 28436 blt 0,0,640,480,0, 1830,640,480:waittimer 28452 blt 0,0,640,480,0, 1831,640,480:waittimer 28467 blt 0,0,640,480,0, 1832,640,480:waittimer 28483 blt 0,0,640,480,0, 1833,640,480:waittimer 28498 blt 0,0,640,480,0, 1834,640,480:waittimer 28514 blt 0,0,640,480,0, 1835,640,480:waittimer 28530 blt 0,0,640,480,0, 1836,640,480:waittimer 28545 blt 0,0,640,480,0, 1837,640,480:waittimer 28561 blt 0,0,640,480,0, 1838,640,480:waittimer 28576 blt 0,0,640,480,0, 1839,640,480:waittimer 28592 blt 0,0,640,480,0, 1840,640,480:waittimer 28607 blt 0,0,640,480,0, 1841,640,480:waittimer 28623 blt 0,0,640,480,0, 1842,640,480:waittimer 28638 blt 0,0,640,480,0, 1843,640,480:waittimer 28654 blt 0,0,640,480,0, 1844,640,480:waittimer 28669 blt 0,0,640,480,0, 1845,640,480:waittimer 28685 blt 0,0,640,480,0, 1846,640,480:waittimer 28701 blt 0,0,640,480,0, 1847,640,480:waittimer 28716 blt 0,0,640,480,0, 1848,640,480:waittimer 28732 blt 0,0,640,480,0, 1849,640,480:waittimer 28747 blt 0,0,640,480,0, 1850,640,480:waittimer 28763 blt 0,0,640,480,0, 1851,640,480:waittimer 28778 blt 0,0,640,480,0, 1852,640,480:waittimer 28794 blt 0,0,640,480,0, 1853,640,480:waittimer 28809 blt 0,0,640,480,0, 1854,640,480:waittimer 28825 blt 0,0,640,480,0, 1855,640,480:waittimer 28840 blt 0,0,640,480,0, 1856,640,480:waittimer 28856 blt 0,0,640,480,0, 1857,640,480:waittimer 28872 blt 0,0,640,480,0, 1858,640,480:waittimer 28887 blt 0,0,640,480,0, 1859,640,480:waittimer 28903 blt 0,0,640,480,0, 1860,640,480:waittimer 28918 blt 0,0,640,480,0, 1861,640,480:waittimer 28934 blt 0,0,640,480,0, 1862,640,480:waittimer 28949 blt 0,0,640,480,0, 1863,640,480:waittimer 28965 blt 0,0,640,480,0, 1864,640,480:waittimer 28980 blt 0,0,640,480,0, 1865,640,480:waittimer 28996 blt 0,0,640,480,0, 1866,640,480:waittimer 29012 blt 0,0,640,480,0, 1867,640,480:waittimer 29027 blt 0,0,640,480,0, 1868,640,480:waittimer 29043 blt 0,0,640,480,0, 1869,640,480:waittimer 29058 blt 0,0,640,480,0, 1870,640,480:waittimer 29074 blt 0,0,640,480,0, 1871,640,480:waittimer 29089 blt 0,0,640,480,0, 1872,640,480:waittimer 29105 blt 0,0,640,480,0, 1873,640,480:waittimer 29120 blt 0,0,640,480,0, 1874,640,480:waittimer 29136 blt 0,0,640,480,0, 1875,640,480:waittimer 29151 blt 0,0,640,480,0, 1876,640,480:waittimer 29167 blt 0,0,640,480,0, 1877,640,480:waittimer 29183 blt 0,0,640,480,0, 1878,640,480:waittimer 29198 blt 0,0,640,480,0, 1879,640,480:waittimer 29214 blt 0,0,640,480,0, 1880,640,480:waittimer 29229 blt 0,0,640,480,0, 1881,640,480:waittimer 29245 blt 0,0,640,480,0, 1882,640,480:waittimer 29260 blt 0,0,640,480,0, 1883,640,480:waittimer 29276 blt 0,0,640,480,0, 1884,640,480:waittimer 29291 blt 0,0,640,480,0, 1885,640,480:waittimer 29307 blt 0,0,640,480,0, 1886,640,480:waittimer 29322 blt 0,0,640,480,0, 1887,640,480:waittimer 29338 blt 0,0,640,480,0, 1888,640,480:waittimer 29354 blt 0,0,640,480,0, 1889,640,480:waittimer 29369 blt 0,0,640,480,0, 1890,640,480:waittimer 29385 blt 0,0,640,480,0, 1891,640,480:waittimer 29400 blt 0,0,640,480,0, 1892,640,480:waittimer 29416 blt 0,0,640,480,0, 1893,640,480:waittimer 29431 blt 0,0,640,480,0, 1894,640,480:waittimer 29447 blt 0,0,640,480,0, 1895,640,480:waittimer 29462 blt 0,0,640,480,0, 1896,640,480:waittimer 29478 blt 0,0,640,480,0, 1897,640,480:waittimer 29493 blt 0,0,640,480,0, 1898,640,480:waittimer 29509 blt 0,0,640,480,0, 1899,640,480:waittimer 29525 blt 0,0,640,480,0, 1900,640,480:waittimer 29540 blt 0,0,640,480,0, 1901,640,480:waittimer 29556 blt 0,0,640,480,0, 1902,640,480:waittimer 29571 blt 0,0,640,480,0, 1903,640,480:waittimer 29587 blt 0,0,640,480,0, 1904,640,480:waittimer 29602 blt 0,0,640,480,0, 1905,640,480:waittimer 29618 blt 0,0,640,480,0, 1906,640,480:waittimer 29633 blt 0,0,640,480,0, 1907,640,480:waittimer 29649 blt 0,0,640,480,0, 1908,640,480:waittimer 29665 blt 0,0,640,480,0, 1909,640,480:waittimer 29680 blt 0,0,640,480,0, 1910,640,480:waittimer 29696 blt 0,0,640,480,0, 1911,640,480:waittimer 29711 blt 0,0,640,480,0, 1912,640,480:waittimer 29727 blt 0,0,640,480,0, 1913,640,480:waittimer 29742 blt 0,0,640,480,0, 1914,640,480:waittimer 29758 blt 0,0,640,480,0, 1915,640,480:waittimer 29773 blt 0,0,640,480,0, 1916,640,480:waittimer 29789 blt 0,0,640,480,0, 1917,640,480:waittimer 29804 blt 0,0,640,480,0, 1918,640,480:waittimer 29820 blt 0,0,640,480,0, 1919,640,480:waittimer 29836 blt 0,0,640,480,0, 1920,640,480:waittimer 29851 blt 0,0,640,480,0, 1921,640,480:waittimer 29867 blt 0,0,640,480,0, 1922,640,480:waittimer 29882 blt 0,0,640,480,0, 1923,640,480:waittimer 29898 blt 0,0,640,480,0, 1924,640,480:waittimer 29913 blt 0,0,640,480,0, 1925,640,480:waittimer 29929 blt 0,0,640,480,0, 1926,640,480:waittimer 29944 blt 0,0,640,480,0, 1927,640,480:waittimer 29960 blt 0,0,640,480,0, 1928,640,480:waittimer 29975 blt 0,0,640,480,0, 1929,640,480:waittimer 29991 blt 0,0,640,480,0, 1930,640,480:waittimer 30007 blt 0,0,640,480,0, 1931,640,480:waittimer 30022 blt 0,0,640,480,0, 1932,640,480:waittimer 30038 blt 0,0,640,480,0, 1933,640,480:waittimer 30053 blt 0,0,640,480,0, 1934,640,480:waittimer 30069 blt 0,0,640,480,0, 1935,640,480:waittimer 30084 blt 0,0,640,480,0, 1936,640,480:waittimer 30100 blt 0,0,640,480,0, 1937,640,480:waittimer 30115 blt 0,0,640,480,0, 1938,640,480:waittimer 30131 blt 0,0,640,480,0, 1939,640,480:waittimer 30146 blt 0,0,640,480,0, 1940,640,480:waittimer 30162 blt 0,0,640,480,0, 1941,640,480:waittimer 30178 blt 0,0,640,480,0, 1942,640,480:waittimer 30193 blt 0,0,640,480,0, 1943,640,480:waittimer 30209 blt 0,0,640,480,0, 1944,640,480:waittimer 30224 blt 0,0,640,480,0, 1945,640,480:waittimer 30240 blt 0,0,640,480,0, 1946,640,480:waittimer 30255 blt 0,0,640,480,0, 1947,640,480:waittimer 30271 blt 0,0,640,480,0, 1948,640,480:waittimer 30286 blt 0,0,640,480,0, 1949,640,480:waittimer 30302 blt 0,0,640,480,0, 1950,640,480:waittimer 30318 blt 0,0,640,480,0, 1951,640,480:waittimer 30333 blt 0,0,640,480,0, 1952,640,480:waittimer 30349 blt 0,0,640,480,0, 1953,640,480:waittimer 30364 blt 0,0,640,480,0, 1954,640,480:waittimer 30380 blt 0,0,640,480,0, 1955,640,480:waittimer 30395 blt 0,0,640,480,0, 1956,640,480:waittimer 30411 blt 0,0,640,480,0, 1957,640,480:waittimer 30426 blt 0,0,640,480,0, 1958,640,480:waittimer 30442 blt 0,0,640,480,0, 1959,640,480:waittimer 30457 blt 0,0,640,480,0, 1960,640,480:waittimer 30473 blt 0,0,640,480,0, 1961,640,480:waittimer 30489 blt 0,0,640,480,0, 1962,640,480:waittimer 30504 blt 0,0,640,480,0, 1963,640,480:waittimer 30520 blt 0,0,640,480,0, 1964,640,480:waittimer 30535 blt 0,0,640,480,0, 1965,640,480:waittimer 30551 blt 0,0,640,480,0, 1966,640,480:waittimer 30566 blt 0,0,640,480,0, 1967,640,480:waittimer 30582 blt 0,0,640,480,0, 1968,640,480:waittimer 30597 blt 0,0,640,480,0, 1969,640,480:waittimer 30613 blt 0,0,640,480,0, 1970,640,480:waittimer 30628 blt 0,0,640,480,0, 1971,640,480:waittimer 30644 blt 0,0,640,480,0, 1972,640,480:waittimer 30660 blt 0,0,640,480,0, 1973,640,480:waittimer 30675 blt 0,0,640,480,0, 1974,640,480:waittimer 30691 blt 0,0,640,480,0, 1975,640,480:waittimer 30706 blt 0,0,640,480,0, 1976,640,480:waittimer 30722 blt 0,0,640,480,0, 1977,640,480:waittimer 30737 blt 0,0,640,480,0, 1978,640,480:waittimer 30753 blt 0,0,640,480,0, 1979,640,480:waittimer 30768 blt 0,0,640,480,0, 1980,640,480:waittimer 30784 blt 0,0,640,480,0, 1981,640,480:waittimer 30799 blt 0,0,640,480,0, 1982,640,480:waittimer 30815 blt 0,0,640,480,0, 1983,640,480:waittimer 30831 blt 0,0,640,480,0, 1984,640,480:waittimer 30846 blt 0,0,640,480,0, 1985,640,480:waittimer 30862 blt 0,0,640,480,0, 1986,640,480:waittimer 30877 blt 0,0,640,480,0, 1987,640,480:waittimer 30893 blt 0,0,640,480,0, 1988,640,480:waittimer 30908 blt 0,0,640,480,0, 1989,640,480:waittimer 30924 blt 0,0,640,480,0, 1990,640,480:waittimer 30939 blt 0,0,640,480,0, 1991,640,480:waittimer 30955 blt 0,0,640,480,0, 1992,640,480:waittimer 30971 blt 0,0,640,480,0, 1993,640,480:waittimer 30986 blt 0,0,640,480,0, 1994,640,480:waittimer 31002 blt 0,0,640,480,0, 1995,640,480:waittimer 31017 blt 0,0,640,480,0, 1996,640,480:waittimer 31033 blt 0,0,640,480,0, 1997,640,480:waittimer 31048 blt 0,0,640,480,0, 1998,640,480:waittimer 31064 blt 0,0,640,480,0, 1999,640,480:waittimer 31079 blt 0,0,640,480,0, 2000,640,480:waittimer 31095 blt 0,0,640,480,0, 2001,640,480:waittimer 31110 blt 0,0,640,480,0, 2002,640,480:waittimer 31126 blt 0,0,640,480,0, 2003,640,480:waittimer 31142 blt 0,0,640,480,0, 2004,640,480:waittimer 31157 blt 0,0,640,480,0, 2005,640,480:waittimer 31173 blt 0,0,640,480,0, 2006,640,480:waittimer 31188 blt 0,0,640,480,0, 2007,640,480:waittimer 31204 blt 0,0,640,480,0, 2008,640,480:waittimer 31219 blt 0,0,640,480,0, 2009,640,480:waittimer 31235 blt 0,0,640,480,0, 2010,640,480:waittimer 31250 blt 0,0,640,480,0, 2011,640,480:waittimer 31266 blt 0,0,640,480,0, 2012,640,480:waittimer 31281 blt 0,0,640,480,0, 2013,640,480:waittimer 31297 blt 0,0,640,480,0, 2014,640,480:waittimer 31313 blt 0,0,640,480,0, 2015,640,480:waittimer 31328 blt 0,0,640,480,0, 2016,640,480:waittimer 31344 blt 0,0,640,480,0, 2017,640,480:waittimer 31359 blt 0,0,640,480,0, 2018,640,480:waittimer 31375 blt 0,0,640,480,0, 2019,640,480:waittimer 31390 blt 0,0,640,480,0, 2020,640,480:waittimer 31406 blt 0,0,640,480,0, 2021,640,480:waittimer 31421 blt 0,0,640,480,0, 2022,640,480:waittimer 31437 blt 0,0,640,480,0, 2023,640,480:waittimer 31453 blt 0,0,640,480,0, 2024,640,480:waittimer 31468 blt 0,0,640,480,0, 2025,640,480:waittimer 31484 blt 0,0,640,480,0, 2026,640,480:waittimer 31499 blt 0,0,640,480,0, 2027,640,480:waittimer 31515 blt 0,0,640,480,0, 2028,640,480:waittimer 31530 blt 0,0,640,480,0, 2029,640,480:waittimer 31546 blt 0,0,640,480,0, 2030,640,480:waittimer 31561 blt 0,0,640,480,0, 2031,640,480:waittimer 31577 blt 0,0,640,480,0, 2032,640,480:waittimer 31592 blt 0,0,640,480,0, 2033,640,480:waittimer 31608 blt 0,0,640,480,0, 2034,640,480:waittimer 31624 blt 0,0,640,480,0, 2035,640,480:waittimer 31639 blt 0,0,640,480,0, 2036,640,480:waittimer 31655 blt 0,0,640,480,0, 2037,640,480:waittimer 31670 blt 0,0,640,480,0, 2038,640,480:waittimer 31686 blt 0,0,640,480,0, 2039,640,480:waittimer 31701 blt 0,0,640,480,0, 2040,640,480:waittimer 31717 blt 0,0,640,480,0, 2041,640,480:waittimer 31732 blt 0,0,640,480,0, 2042,640,480:waittimer 31748 blt 0,0,640,480,0, 2043,640,480:waittimer 31763 blt 0,0,640,480,0, 2044,640,480:waittimer 31779 blt 0,0,640,480,0, 2045,640,480:waittimer 31795 blt 0,0,640,480,0, 2046,640,480:waittimer 31810 blt 0,0,640,480,0, 2047,640,480:waittimer 31826 blt 0,0,640,480,0, 2048,640,480:waittimer 31841 blt 0,0,640,480,0, 2049,640,480:waittimer 31857 blt 0,0,640,480,0, 2050,640,480:waittimer 31872 blt 0,0,640,480,0, 2051,640,480:waittimer 31888 blt 0,0,640,480,0, 2052,640,480:waittimer 31903 blt 0,0,640,480,0, 2053,640,480:waittimer 31919 blt 0,0,640,480,0, 2054,640,480:waittimer 31934 blt 0,0,640,480,0, 2055,640,480:waittimer 31950 blt 0,0,640,480,0, 2056,640,480:waittimer 31966 blt 0,0,640,480,0, 2057,640,480:waittimer 31981 blt 0,0,640,480,0, 2058,640,480:waittimer 31997 blt 0,0,640,480,0, 2059,640,480:waittimer 32012 blt 0,0,640,480,0, 2060,640,480:waittimer 32028 blt 0,0,640,480,0, 2061,640,480:waittimer 32043 blt 0,0,640,480,0, 2062,640,480:waittimer 32059 blt 0,0,640,480,0, 2063,640,480:waittimer 32074 blt 0,0,640,480,0, 2064,640,480:waittimer 32090 blt 0,0,640,480,0, 2065,640,480:waittimer 32106 blt 0,0,640,480,0, 2066,640,480:waittimer 32121 blt 0,0,640,480,0, 2067,640,480:waittimer 32137 blt 0,0,640,480,0, 2068,640,480:waittimer 32152 blt 0,0,640,480,0, 2069,640,480:waittimer 32168 blt 0,0,640,480,0, 2070,640,480:waittimer 32183 blt 0,0,640,480,0, 2071,640,480:waittimer 32199 blt 0,0,640,480,0, 2072,640,480:waittimer 32214 blt 0,0,640,480,0, 2073,640,480:waittimer 32230 blt 0,0,640,480,0, 2074,640,480:waittimer 32245 blt 0,0,640,480,0, 2075,640,480:waittimer 32261 blt 0,0,640,480,0, 2076,640,480:waittimer 32277 blt 0,0,640,480,0, 2077,640,480:waittimer 32292 blt 0,0,640,480,0, 2078,640,480:waittimer 32308 blt 0,0,640,480,0, 2079,640,480:waittimer 32323 blt 0,0,640,480,0, 2080,640,480:waittimer 32339 blt 0,0,640,480,0, 2081,640,480:waittimer 32354 blt 0,0,640,480,0, 2082,640,480:waittimer 32370 blt 0,0,640,480,0, 2083,640,480:waittimer 32385 blt 0,0,640,480,0, 2084,640,480:waittimer 32401 blt 0,0,640,480,0, 2085,640,480:waittimer 32416 blt 0,0,640,480,0, 2086,640,480:waittimer 32432 blt 0,0,640,480,0, 2087,640,480:waittimer 32448 blt 0,0,640,480,0, 2088,640,480:waittimer 32463 blt 0,0,640,480,0, 2089,640,480:waittimer 32479 blt 0,0,640,480,0, 2090,640,480:waittimer 32494 blt 0,0,640,480,0, 2091,640,480:waittimer 32510 blt 0,0,640,480,0, 2092,640,480:waittimer 32525 blt 0,0,640,480,0, 2093,640,480:waittimer 32541 blt 0,0,640,480,0, 2094,640,480:waittimer 32556 blt 0,0,640,480,0, 2095,640,480:waittimer 32572 blt 0,0,640,480,0, 2096,640,480:waittimer 32587 blt 0,0,640,480,0, 2097,640,480:waittimer 32603 blt 0,0,640,480,0, 2098,640,480:waittimer 32619 blt 0,0,640,480,0, 2099,640,480:waittimer 32634 blt 0,0,640,480,0, 2100,640,480:waittimer 32650 blt 0,0,640,480,0, 2101,640,480:waittimer 32665 blt 0,0,640,480,0, 2102,640,480:waittimer 32681 blt 0,0,640,480,0, 2103,640,480:waittimer 32696 blt 0,0,640,480,0, 2104,640,480:waittimer 32712 blt 0,0,640,480,0, 2105,640,480:waittimer 32727 blt 0,0,640,480,0, 2106,640,480:waittimer 32743 blt 0,0,640,480,0, 2107,640,480:waittimer 32759 blt 0,0,640,480,0, 2108,640,480:waittimer 32774 blt 0,0,640,480,0, 2109,640,480:waittimer 32790 blt 0,0,640,480,0, 2110,640,480:waittimer 32805 blt 0,0,640,480,0, 2111,640,480:waittimer 32821 blt 0,0,640,480,0, 2112,640,480:waittimer 32836 blt 0,0,640,480,0, 2113,640,480:waittimer 32852 blt 0,0,640,480,0, 2114,640,480:waittimer 32867 blt 0,0,640,480,0, 2115,640,480:waittimer 32883 blt 0,0,640,480,0, 2116,640,480:waittimer 32898 blt 0,0,640,480,0, 2117,640,480:waittimer 32914 blt 0,0,640,480,0, 2118,640,480:waittimer 32930 blt 0,0,640,480,0, 2119,640,480:waittimer 32945 blt 0,0,640,480,0, 2120,640,480:waittimer 32961 blt 0,0,640,480,0, 2121,640,480:waittimer 32976 blt 0,0,640,480,0, 2122,640,480:waittimer 32992 blt 0,0,640,480,0, 2123,640,480:waittimer 33007 blt 0,0,640,480,0, 2124,640,480:waittimer 33023 blt 0,0,640,480,0, 2125,640,480:waittimer 33038 blt 0,0,640,480,0, 2126,640,480:waittimer 33054 blt 0,0,640,480,0, 2127,640,480:waittimer 33069 blt 0,0,640,480,0, 2128,640,480:waittimer 33085 blt 0,0,640,480,0, 2129,640,480:waittimer 33101 blt 0,0,640,480,0, 2130,640,480:waittimer 33116 blt 0,0,640,480,0, 2131,640,480:waittimer 33132 blt 0,0,640,480,0, 2132,640,480:waittimer 33147 blt 0,0,640,480,0, 2133,640,480:waittimer 33163 blt 0,0,640,480,0, 2134,640,480:waittimer 33178 blt 0,0,640,480,0, 2135,640,480:waittimer 33194 blt 0,0,640,480,0, 2136,640,480:waittimer 33209 blt 0,0,640,480,0, 2137,640,480:waittimer 33225 blt 0,0,640,480,0, 2138,640,480:waittimer 33240 blt 0,0,640,480,0, 2139,640,480:waittimer 33256 blt 0,0,640,480,0, 2140,640,480:waittimer 33272 blt 0,0,640,480,0, 2141,640,480:waittimer 33287 blt 0,0,640,480,0, 2142,640,480:waittimer 33303 blt 0,0,640,480,0, 2143,640,480:waittimer 33318 blt 0,0,640,480,0, 2144,640,480:waittimer 33334 blt 0,0,640,480,0, 2145,640,480:waittimer 33349 blt 0,0,640,480,0, 2146,640,480:waittimer 33365 blt 0,0,640,480,0, 2147,640,480:waittimer 33380 blt 0,0,640,480,0, 2148,640,480:waittimer 33396 blt 0,0,640,480,0, 2149,640,480:waittimer 33412 blt 0,0,640,480,0, 2150,640,480:waittimer 33427 blt 0,0,640,480,0, 2151,640,480:waittimer 33443 blt 0,0,640,480,0, 2152,640,480:waittimer 33458 blt 0,0,640,480,0, 2153,640,480:waittimer 33474 blt 0,0,640,480,0, 2154,640,480:waittimer 33489 blt 0,0,640,480,0, 2155,640,480:waittimer 33505 blt 0,0,640,480,0, 2156,640,480:waittimer 33520 blt 0,0,640,480,0, 2157,640,480:waittimer 33536 blt 0,0,640,480,0, 2158,640,480:waittimer 33551 blt 0,0,640,480,0, 2159,640,480:waittimer 33567 blt 0,0,640,480,0, 2160,640,480:waittimer 33583 blt 0,0,640,480,0, 2161,640,480:waittimer 33598 blt 0,0,640,480,0, 2162,640,480:waittimer 33614 blt 0,0,640,480,0, 2163,640,480:waittimer 33629 blt 0,0,640,480,0, 2164,640,480:waittimer 33645 blt 0,0,640,480,0, 2165,640,480:waittimer 33660 blt 0,0,640,480,0, 2166,640,480:waittimer 33676 blt 0,0,640,480,0, 2167,640,480:waittimer 33691 blt 0,0,640,480,0, 2168,640,480:waittimer 33707 blt 0,0,640,480,0, 2169,640,480:waittimer 33722 blt 0,0,640,480,0, 2170,640,480:waittimer 33738 blt 0,0,640,480,0, 2171,640,480:waittimer 33754 blt 0,0,640,480,0, 2172,640,480:waittimer 33769 blt 0,0,640,480,0, 2173,640,480:waittimer 33785 blt 0,0,640,480,0, 2174,640,480:waittimer 33800 blt 0,0,640,480,0, 2175,640,480:waittimer 33816 blt 0,0,640,480,0, 2176,640,480:waittimer 33831 blt 0,0,640,480,0, 2177,640,480:waittimer 33847 blt 0,0,640,480,0, 2178,640,480:waittimer 33862 blt 0,0,640,480,0, 2179,640,480:waittimer 33878 blt 0,0,640,480,0, 2180,640,480:waittimer 33893 blt 0,0,640,480,0, 2181,640,480:waittimer 33909 blt 0,0,640,480,0, 2182,640,480:waittimer 33925 blt 0,0,640,480,0, 2183,640,480:waittimer 33940 blt 0,0,640,480,0, 2184,640,480:waittimer 33956 blt 0,0,640,480,0, 2185,640,480:waittimer 33971 blt 0,0,640,480,0, 2186,640,480:waittimer 33987 blt 0,0,640,480,0, 2187,640,480:waittimer 34002 blt 0,0,640,480,0, 2188,640,480:waittimer 34018 blt 0,0,640,480,0, 2189,640,480:waittimer 34033 blt 0,0,640,480,0, 2190,640,480:waittimer 34049 blt 0,0,640,480,0, 2191,640,480:waittimer 34065 blt 0,0,640,480,0, 2192,640,480:waittimer 34080 blt 0,0,640,480,0, 2193,640,480:waittimer 34096 blt 0,0,640,480,0, 2194,640,480:waittimer 34111 blt 0,0,640,480,0, 2195,640,480:waittimer 34127 blt 0,0,640,480,0, 2196,640,480:waittimer 34142 blt 0,0,640,480,0, 2197,640,480:waittimer 34158 blt 0,0,640,480,0, 2198,640,480:waittimer 34173 blt 0,0,640,480,0, 2199,640,480:waittimer 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8236,640,480:waittimer 128050 blt 0,0,640,480,0, 8237,640,480:waittimer 128066 blt 0,0,640,480,0, 8238,640,480:waittimer 128081 blt 0,0,640,480,0, 8239,640,480:waittimer 128097 blt 0,0,640,480,0, 8240,640,480:waittimer 128113 blt 0,0,640,480,0, 8241,640,480:waittimer 128128 blt 0,0,640,480,0, 8242,640,480:waittimer 128144 blt 0,0,640,480,0, 8243,640,480:waittimer 128159 blt 0,0,640,480,0, 8244,640,480:waittimer 128175 blt 0,0,640,480,0, 8245,640,480:waittimer 128190 blt 0,0,640,480,0, 8246,640,480:waittimer 128206 blt 0,0,640,480,0, 8247,640,480:waittimer 128221 blt 0,0,640,480,0, 8248,640,480:waittimer 128237 blt 0,0,640,480,0, 8249,640,480:waittimer 128253 blt 0,0,640,480,0, 8250,640,480:waittimer 128268 blt 0,0,640,480,0, 8251,640,480:waittimer 128284 blt 0,0,640,480,0, 8252,640,480:waittimer 128299 blt 0,0,640,480,0, 8253,640,480:waittimer 128315 blt 0,0,640,480,0, 8254,640,480:waittimer 128330 blt 0,0,640,480,0, 8255,640,480:waittimer 128346 blt 0,0,640,480,0, 8256,640,480:waittimer 128361 blt 0,0,640,480,0, 8257,640,480:waittimer 128377 blt 0,0,640,480,0, 8258,640,480:waittimer 128392 blt 0,0,640,480,0, 8259,640,480:waittimer 128408 blt 0,0,640,480,0, 8260,640,480:waittimer 128424 blt 0,0,640,480,0, 8261,640,480:waittimer 128439 blt 0,0,640,480,0, 8262,640,480:waittimer 128455 blt 0,0,640,480,0, 8263,640,480:waittimer 128470 blt 0,0,640,480,0, 8264,640,480:waittimer 128486 blt 0,0,640,480,0, 8265,640,480:waittimer 128501 blt 0,0,640,480,0, 8266,640,480:waittimer 128517 blt 0,0,640,480,0, 8267,640,480:waittimer 128532 blt 0,0,640,480,0, 8268,640,480:waittimer 128548 blt 0,0,640,480,0, 8269,640,480:waittimer 128563 blt 0,0,640,480,0, 8270,640,480:waittimer 128579 blt 0,0,640,480,0, 8271,640,480:waittimer 128595 blt 0,0,640,480,0, 8272,640,480:waittimer 128610 blt 0,0,640,480,0, 8273,640,480:waittimer 128626 blt 0,0,640,480,0, 8274,640,480:waittimer 128641 blt 0,0,640,480,0, 8275,640,480:waittimer 128657 blt 0,0,640,480,0, 8276,640,480:waittimer 128672 blt 0,0,640,480,0, 8277,640,480:waittimer 128688 blt 0,0,640,480,0, 8278,640,480:waittimer 128703 blt 0,0,640,480,0, 8279,640,480:waittimer 128719 blt 0,0,640,480,0, 8280,640,480:waittimer 128734 blt 0,0,640,480,0, 8281,640,480:waittimer 128750 blt 0,0,640,480,0, 8282,640,480:waittimer 128766 blt 0,0,640,480,0, 8283,640,480:waittimer 128781 blt 0,0,640,480,0, 8284,640,480:waittimer 128797 blt 0,0,640,480,0, 8285,640,480:waittimer 128812 blt 0,0,640,480,0, 8286,640,480:waittimer 128828 blt 0,0,640,480,0, 8287,640,480:waittimer 128843 blt 0,0,640,480,0, 8288,640,480:waittimer 128859 blt 0,0,640,480,0, 8289,640,480:waittimer 128874 blt 0,0,640,480,0, 8290,640,480:waittimer 128890 blt 0,0,640,480,0, 8291,640,480:waittimer 128906 blt 0,0,640,480,0, 8292,640,480:waittimer 128921 blt 0,0,640,480,0, 8293,640,480:waittimer 128937 blt 0,0,640,480,0, 8294,640,480:waittimer 128952 blt 0,0,640,480,0, 8295,640,480:waittimer 128968 blt 0,0,640,480,0, 8296,640,480:waittimer 128983 blt 0,0,640,480,0, 8297,640,480:waittimer 128999 blt 0,0,640,480,0, 8298,640,480:waittimer 129014 blt 0,0,640,480,0, 8299,640,480:waittimer 129030 blt 0,0,640,480,0, 8300,640,480:waittimer 129045 blt 0,0,640,480,0, 8301,640,480:waittimer 129061 blt 0,0,640,480,0, 8302,640,480:waittimer 129077 blt 0,0,640,480,0, 8303,640,480:waittimer 129092 blt 0,0,640,480,0, 8304,640,480:waittimer 129108 blt 0,0,640,480,0, 8305,640,480:waittimer 129123 blt 0,0,640,480,0, 8306,640,480:waittimer 129139 blt 0,0,640,480,0, 8307,640,480:waittimer 129154 blt 0,0,640,480,0, 8308,640,480:waittimer 129170 blt 0,0,640,480,0, 8309,640,480:waittimer 129185 blt 0,0,640,480,0, 8310,640,480:waittimer 129201 blt 0,0,640,480,0, 8311,640,480:waittimer 129216 blt 0,0,640,480,0, 8312,640,480:waittimer 129232 blt 0,0,640,480,0, 8313,640,480:waittimer 129248 blt 0,0,640,480,0, 8314,640,480:waittimer 129263 blt 0,0,640,480,0, 8315,640,480:waittimer 129279 blt 0,0,640,480,0, 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8336,640,480:waittimer 129605 blt 0,0,640,480,0, 8337,640,480:waittimer 129621 blt 0,0,640,480,0, 8338,640,480:waittimer 129636 blt 0,0,640,480,0, 8339,640,480:waittimer 129652 blt 0,0,640,480,0, 8340,640,480:waittimer 129667 blt 0,0,640,480,0, 8341,640,480:waittimer 129683 blt 0,0,640,480,0, 8342,640,480:waittimer 129698 blt 0,0,640,480,0, 8343,640,480:waittimer 129714 blt 0,0,640,480,0, 8344,640,480:waittimer 129730 blt 0,0,640,480,0, 8345,640,480:waittimer 129745 blt 0,0,640,480,0, 8346,640,480:waittimer 129761 blt 0,0,640,480,0, 8347,640,480:waittimer 129776 blt 0,0,640,480,0, 8348,640,480:waittimer 129792 blt 0,0,640,480,0, 8349,640,480:waittimer 129807 blt 0,0,640,480,0, 8350,640,480:waittimer 129823 blt 0,0,640,480,0, 8351,640,480:waittimer 129838 blt 0,0,640,480,0, 8352,640,480:waittimer 129854 blt 0,0,640,480,0, 8353,640,480:waittimer 129869 blt 0,0,640,480,0, 8354,640,480:waittimer 129885 blt 0,0,640,480,0, 8355,640,480:waittimer 129901 blt 0,0,640,480,0, 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8376,640,480:waittimer 130227 blt 0,0,640,480,0, 8377,640,480:waittimer 130243 blt 0,0,640,480,0, 8378,640,480:waittimer 130258 blt 0,0,640,480,0, 8379,640,480:waittimer 130274 blt 0,0,640,480,0, 8380,640,480:waittimer 130289 blt 0,0,640,480,0, 8381,640,480:waittimer 130305 blt 0,0,640,480,0, 8382,640,480:waittimer 130320 blt 0,0,640,480,0, 8383,640,480:waittimer 130336 blt 0,0,640,480,0, 8384,640,480:waittimer 130351 blt 0,0,640,480,0, 8385,640,480:waittimer 130367 blt 0,0,640,480,0, 8386,640,480:waittimer 130383 blt 0,0,640,480,0, 8387,640,480:waittimer 130398 blt 0,0,640,480,0, 8388,640,480:waittimer 130414 blt 0,0,640,480,0, 8389,640,480:waittimer 130429 blt 0,0,640,480,0, 8390,640,480:waittimer 130445 blt 0,0,640,480,0, 8391,640,480:waittimer 130460 blt 0,0,640,480,0, 8392,640,480:waittimer 130476 blt 0,0,640,480,0, 8393,640,480:waittimer 130491 blt 0,0,640,480,0, 8394,640,480:waittimer 130507 blt 0,0,640,480,0, 8395,640,480:waittimer 130522 blt 0,0,640,480,0, 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8456,640,480:waittimer 131471 blt 0,0,640,480,0, 8457,640,480:waittimer 131486 blt 0,0,640,480,0, 8458,640,480:waittimer 131502 blt 0,0,640,480,0, 8459,640,480:waittimer 131518 blt 0,0,640,480,0, 8460,640,480:waittimer 131533 blt 0,0,640,480,0, 8461,640,480:waittimer 131549 blt 0,0,640,480,0, 8462,640,480:waittimer 131564 blt 0,0,640,480,0, 8463,640,480:waittimer 131580 blt 0,0,640,480,0, 8464,640,480:waittimer 131595 blt 0,0,640,480,0, 8465,640,480:waittimer 131611 blt 0,0,640,480,0, 8466,640,480:waittimer 131626 blt 0,0,640,480,0, 8467,640,480:waittimer 131642 blt 0,0,640,480,0, 8468,640,480:waittimer 131657 blt 0,0,640,480,0, 8469,640,480:waittimer 131673 blt 0,0,640,480,0, 8470,640,480:waittimer 131689 blt 0,0,640,480,0, 8471,640,480:waittimer 131704 blt 0,0,640,480,0, 8472,640,480:waittimer 131720 blt 0,0,640,480,0, 8473,640,480:waittimer 131735 blt 0,0,640,480,0, 8474,640,480:waittimer 131751 blt 0,0,640,480,0, 8475,640,480:waittimer 131766 blt 0,0,640,480,0, 8476,640,480:waittimer 131782 blt 0,0,640,480,0, 8477,640,480:waittimer 131797 blt 0,0,640,480,0, 8478,640,480:waittimer 131813 blt 0,0,640,480,0, 8479,640,480:waittimer 131828 blt 0,0,640,480,0, 8480,640,480:waittimer 131844 blt 0,0,640,480,0, 8481,640,480:waittimer 131860 blt 0,0,640,480,0, 8482,640,480:waittimer 131875 blt 0,0,640,480,0, 8483,640,480:waittimer 131891 blt 0,0,640,480,0, 8484,640,480:waittimer 131906 blt 0,0,640,480,0, 8485,640,480:waittimer 131922 blt 0,0,640,480,0, 8486,640,480:waittimer 131937 blt 0,0,640,480,0, 8487,640,480:waittimer 131953 blt 0,0,640,480,0, 8488,640,480:waittimer 131968 blt 0,0,640,480,0, 8489,640,480:waittimer 131984 blt 0,0,640,480,0, 8490,640,480:waittimer 131999 return ;****************************************************** *teatime_ep4_scroll ;スクロール実行本体 resettimer blt 0,0,640,480,0, 2,640,480:waittimer 26 blt 0,0,640,480,0, 4,640,480:waittimer 53 blt 0,0,640,480,0, 6,640,480:waittimer 80 blt 0,0,640,480,0, 8,640,480:waittimer 107 blt 0,0,640,480,0, 10,640,480:waittimer 134 blt 0,0,640,480,0, 12,640,480:waittimer 161 blt 0,0,640,480,0, 14,640,480:waittimer 188 blt 0,0,640,480,0, 16,640,480:waittimer 215 blt 0,0,640,480,0, 18,640,480:waittimer 242 blt 0,0,640,480,0, 20,640,480:waittimer 269 blt 0,0,640,480,0, 22,640,480:waittimer 296 blt 0,0,640,480,0, 24,640,480:waittimer 323 blt 0,0,640,480,0, 26,640,480:waittimer 350 blt 0,0,640,480,0, 28,640,480:waittimer 377 blt 0,0,640,480,0, 30,640,480:waittimer 404 blt 0,0,640,480,0, 32,640,480:waittimer 431 blt 0,0,640,480,0, 34,640,480:waittimer 458 blt 0,0,640,480,0, 36,640,480:waittimer 485 blt 0,0,640,480,0, 38,640,480:waittimer 512 blt 0,0,640,480,0, 40,640,480:waittimer 539 blt 0,0,640,480,0, 42,640,480:waittimer 566 blt 0,0,640,480,0, 44,640,480:waittimer 593 blt 0,0,640,480,0, 46,640,480:waittimer 620 blt 0,0,640,480,0, 48,640,480:waittimer 647 blt 0,0,640,480,0, 50,640,480:waittimer 674 blt 0,0,640,480,0, 52,640,480:waittimer 701 blt 0,0,640,480,0, 54,640,480:waittimer 728 blt 0,0,640,480,0, 56,640,480:waittimer 755 blt 0,0,640,480,0, 58,640,480:waittimer 782 blt 0,0,640,480,0, 60,640,480:waittimer 809 blt 0,0,640,480,0, 62,640,480:waittimer 836 blt 0,0,640,480,0, 64,640,480:waittimer 863 blt 0,0,640,480,0, 66,640,480:waittimer 890 blt 0,0,640,480,0, 68,640,480:waittimer 917 blt 0,0,640,480,0, 70,640,480:waittimer 944 blt 0,0,640,480,0, 72,640,480:waittimer 971 blt 0,0,640,480,0, 74,640,480:waittimer 998 blt 0,0,640,480,0, 76,640,480:waittimer 1025 blt 0,0,640,480,0, 78,640,480:waittimer 1052 blt 0,0,640,480,0, 80,640,480:waittimer 1079 blt 0,0,640,480,0, 82,640,480:waittimer 1106 blt 0,0,640,480,0, 84,640,480:waittimer 1133 blt 0,0,640,480,0, 86,640,480:waittimer 1160 blt 0,0,640,480,0, 88,640,480:waittimer 1187 blt 0,0,640,480,0, 90,640,480:waittimer 1214 blt 0,0,640,480,0, 92,640,480:waittimer 1241 blt 0,0,640,480,0, 94,640,480:waittimer 1268 blt 0,0,640,480,0, 96,640,480:waittimer 1295 blt 0,0,640,480,0, 98,640,480:waittimer 1322 blt 0,0,640,480,0, 100,640,480:waittimer 1349 blt 0,0,640,480,0, 102,640,480:waittimer 1376 blt 0,0,640,480,0, 104,640,480:waittimer 1403 blt 0,0,640,480,0, 106,640,480:waittimer 1430 blt 0,0,640,480,0, 108,640,480:waittimer 1457 blt 0,0,640,480,0, 110,640,480:waittimer 1484 blt 0,0,640,480,0, 112,640,480:waittimer 1511 blt 0,0,640,480,0, 114,640,480:waittimer 1538 blt 0,0,640,480,0, 116,640,480:waittimer 1565 blt 0,0,640,480,0, 118,640,480:waittimer 1592 blt 0,0,640,480,0, 120,640,480:waittimer 1619 blt 0,0,640,480,0, 122,640,480:waittimer 1646 blt 0,0,640,480,0, 124,640,480:waittimer 1673 blt 0,0,640,480,0, 126,640,480:waittimer 1700 blt 0,0,640,480,0, 128,640,480:waittimer 1727 blt 0,0,640,480,0, 130,640,480:waittimer 1754 blt 0,0,640,480,0, 132,640,480:waittimer 1781 blt 0,0,640,480,0, 134,640,480:waittimer 1808 blt 0,0,640,480,0, 136,640,480:waittimer 1835 blt 0,0,640,480,0, 138,640,480:waittimer 1862 blt 0,0,640,480,0, 140,640,480:waittimer 1889 blt 0,0,640,480,0, 142,640,480:waittimer 1916 blt 0,0,640,480,0, 144,640,480:waittimer 1943 blt 0,0,640,480,0, 146,640,480:waittimer 1970 blt 0,0,640,480,0, 148,640,480:waittimer 1997 blt 0,0,640,480,0, 150,640,480:waittimer 2024 blt 0,0,640,480,0, 152,640,480:waittimer 2051 blt 0,0,640,480,0, 154,640,480:waittimer 2078 blt 0,0,640,480,0, 156,640,480:waittimer 2105 blt 0,0,640,480,0, 158,640,480:waittimer 2132 blt 0,0,640,480,0, 160,640,480:waittimer 2159 blt 0,0,640,480,0, 162,640,480:waittimer 2186 blt 0,0,640,480,0, 164,640,480:waittimer 2213 blt 0,0,640,480,0, 166,640,480:waittimer 2240 blt 0,0,640,480,0, 168,640,480:waittimer 2267 blt 0,0,640,480,0, 170,640,480:waittimer 2294 blt 0,0,640,480,0, 172,640,480:waittimer 2321 blt 0,0,640,480,0, 174,640,480:waittimer 2348 blt 0,0,640,480,0, 176,640,480:waittimer 2375 blt 0,0,640,480,0, 178,640,480:waittimer 2402 blt 0,0,640,480,0, 180,640,480:waittimer 2429 blt 0,0,640,480,0, 182,640,480:waittimer 2456 blt 0,0,640,480,0, 184,640,480:waittimer 2483 blt 0,0,640,480,0, 186,640,480:waittimer 2510 blt 0,0,640,480,0, 188,640,480:waittimer 2537 blt 0,0,640,480,0, 190,640,480:waittimer 2564 blt 0,0,640,480,0, 192,640,480:waittimer 2591 blt 0,0,640,480,0, 194,640,480:waittimer 2618 blt 0,0,640,480,0, 196,640,480:waittimer 2645 blt 0,0,640,480,0, 198,640,480:waittimer 2672 blt 0,0,640,480,0, 200,640,480:waittimer 2699 blt 0,0,640,480,0, 202,640,480:waittimer 2726 blt 0,0,640,480,0, 204,640,480:waittimer 2753 blt 0,0,640,480,0, 206,640,480:waittimer 2780 blt 0,0,640,480,0, 208,640,480:waittimer 2807 blt 0,0,640,480,0, 210,640,480:waittimer 2834 blt 0,0,640,480,0, 212,640,480:waittimer 2861 blt 0,0,640,480,0, 214,640,480:waittimer 2888 blt 0,0,640,480,0, 216,640,480:waittimer 2915 blt 0,0,640,480,0, 218,640,480:waittimer 2942 blt 0,0,640,480,0, 220,640,480:waittimer 2969 blt 0,0,640,480,0, 222,640,480:waittimer 2996 blt 0,0,640,480,0, 224,640,480:waittimer 3023 blt 0,0,640,480,0, 226,640,480:waittimer 3050 blt 0,0,640,480,0, 228,640,480:waittimer 3077 blt 0,0,640,480,0, 230,640,480:waittimer 3104 blt 0,0,640,480,0, 232,640,480:waittimer 3131 blt 0,0,640,480,0, 234,640,480:waittimer 3158 blt 0,0,640,480,0, 236,640,480:waittimer 3185 blt 0,0,640,480,0, 238,640,480:waittimer 3212 blt 0,0,640,480,0, 240,640,480:waittimer 3239 blt 0,0,640,480,0, 242,640,480:waittimer 3266 blt 0,0,640,480,0, 244,640,480:waittimer 3293 blt 0,0,640,480,0, 246,640,480:waittimer 3320 blt 0,0,640,480,0, 248,640,480:waittimer 3347 blt 0,0,640,480,0, 250,640,480:waittimer 3374 blt 0,0,640,480,0, 252,640,480:waittimer 3401 blt 0,0,640,480,0, 254,640,480:waittimer 3428 blt 0,0,640,480,0, 256,640,480:waittimer 3455 blt 0,0,640,480,0, 258,640,480:waittimer 3482 blt 0,0,640,480,0, 260,640,480:waittimer 3509 blt 0,0,640,480,0, 262,640,480:waittimer 3536 blt 0,0,640,480,0, 264,640,480:waittimer 3563 blt 0,0,640,480,0, 266,640,480:waittimer 3590 blt 0,0,640,480,0, 268,640,480:waittimer 3617 blt 0,0,640,480,0, 270,640,480:waittimer 3644 blt 0,0,640,480,0, 272,640,480:waittimer 3671 blt 0,0,640,480,0, 274,640,480:waittimer 3698 blt 0,0,640,480,0, 276,640,480:waittimer 3725 blt 0,0,640,480,0, 278,640,480:waittimer 3752 blt 0,0,640,480,0, 280,640,480:waittimer 3779 blt 0,0,640,480,0, 282,640,480:waittimer 3806 blt 0,0,640,480,0, 284,640,480:waittimer 3833 blt 0,0,640,480,0, 286,640,480:waittimer 3860 blt 0,0,640,480,0, 288,640,480:waittimer 3887 blt 0,0,640,480,0, 290,640,480:waittimer 3914 blt 0,0,640,480,0, 292,640,480:waittimer 3941 blt 0,0,640,480,0, 294,640,480:waittimer 3968 blt 0,0,640,480,0, 296,640,480:waittimer 3995 blt 0,0,640,480,0, 298,640,480:waittimer 4022 blt 0,0,640,480,0, 300,640,480:waittimer 4049 blt 0,0,640,480,0, 302,640,480:waittimer 4076 blt 0,0,640,480,0, 304,640,480:waittimer 4103 blt 0,0,640,480,0, 306,640,480:waittimer 4130 blt 0,0,640,480,0, 308,640,480:waittimer 4157 blt 0,0,640,480,0, 310,640,480:waittimer 4184 blt 0,0,640,480,0, 312,640,480:waittimer 4211 blt 0,0,640,480,0, 314,640,480:waittimer 4237 blt 0,0,640,480,0, 316,640,480:waittimer 4264 blt 0,0,640,480,0, 318,640,480:waittimer 4291 blt 0,0,640,480,0, 320,640,480:waittimer 4318 blt 0,0,640,480,0, 322,640,480:waittimer 4345 blt 0,0,640,480,0, 324,640,480:waittimer 4372 blt 0,0,640,480,0, 326,640,480:waittimer 4399 blt 0,0,640,480,0, 328,640,480:waittimer 4426 blt 0,0,640,480,0, 330,640,480:waittimer 4453 blt 0,0,640,480,0, 332,640,480:waittimer 4480 blt 0,0,640,480,0, 334,640,480:waittimer 4507 blt 0,0,640,480,0, 336,640,480:waittimer 4534 blt 0,0,640,480,0, 338,640,480:waittimer 4561 blt 0,0,640,480,0, 340,640,480:waittimer 4588 blt 0,0,640,480,0, 342,640,480:waittimer 4615 blt 0,0,640,480,0, 344,640,480:waittimer 4642 blt 0,0,640,480,0, 346,640,480:waittimer 4669 blt 0,0,640,480,0, 348,640,480:waittimer 4696 blt 0,0,640,480,0, 350,640,480:waittimer 4723 blt 0,0,640,480,0, 352,640,480:waittimer 4750 blt 0,0,640,480,0, 354,640,480:waittimer 4777 blt 0,0,640,480,0, 356,640,480:waittimer 4804 blt 0,0,640,480,0, 358,640,480:waittimer 4831 blt 0,0,640,480,0, 360,640,480:waittimer 4858 blt 0,0,640,480,0, 362,640,480:waittimer 4885 blt 0,0,640,480,0, 364,640,480:waittimer 4912 blt 0,0,640,480,0, 366,640,480:waittimer 4939 blt 0,0,640,480,0, 368,640,480:waittimer 4966 blt 0,0,640,480,0, 370,640,480:waittimer 4993 blt 0,0,640,480,0, 372,640,480:waittimer 5020 blt 0,0,640,480,0, 374,640,480:waittimer 5047 blt 0,0,640,480,0, 376,640,480:waittimer 5074 blt 0,0,640,480,0, 378,640,480:waittimer 5101 blt 0,0,640,480,0, 380,640,480:waittimer 5128 blt 0,0,640,480,0, 382,640,480:waittimer 5155 blt 0,0,640,480,0, 384,640,480:waittimer 5182 blt 0,0,640,480,0, 386,640,480:waittimer 5209 blt 0,0,640,480,0, 388,640,480:waittimer 5236 blt 0,0,640,480,0, 390,640,480:waittimer 5263 blt 0,0,640,480,0, 392,640,480:waittimer 5290 blt 0,0,640,480,0, 394,640,480:waittimer 5317 blt 0,0,640,480,0, 396,640,480:waittimer 5344 blt 0,0,640,480,0, 398,640,480:waittimer 5371 blt 0,0,640,480,0, 400,640,480:waittimer 5398 blt 0,0,640,480,0, 402,640,480:waittimer 5425 blt 0,0,640,480,0, 404,640,480:waittimer 5452 blt 0,0,640,480,0, 406,640,480:waittimer 5479 blt 0,0,640,480,0, 408,640,480:waittimer 5506 blt 0,0,640,480,0, 410,640,480:waittimer 5533 blt 0,0,640,480,0, 412,640,480:waittimer 5560 blt 0,0,640,480,0, 414,640,480:waittimer 5587 blt 0,0,640,480,0, 416,640,480:waittimer 5614 blt 0,0,640,480,0, 418,640,480:waittimer 5641 blt 0,0,640,480,0, 420,640,480:waittimer 5668 blt 0,0,640,480,0, 422,640,480:waittimer 5695 blt 0,0,640,480,0, 424,640,480:waittimer 5722 blt 0,0,640,480,0, 426,640,480:waittimer 5749 blt 0,0,640,480,0, 428,640,480:waittimer 5776 blt 0,0,640,480,0, 430,640,480:waittimer 5803 blt 0,0,640,480,0, 432,640,480:waittimer 5830 blt 0,0,640,480,0, 434,640,480:waittimer 5857 blt 0,0,640,480,0, 436,640,480:waittimer 5884 blt 0,0,640,480,0, 438,640,480:waittimer 5911 blt 0,0,640,480,0, 440,640,480:waittimer 5938 blt 0,0,640,480,0, 442,640,480:waittimer 5965 blt 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24591 blt 0,0,640,480,0, 1824,640,480:waittimer 24618 blt 0,0,640,480,0, 1826,640,480:waittimer 24645 blt 0,0,640,480,0, 1828,640,480:waittimer 24672 blt 0,0,640,480,0, 1830,640,480:waittimer 24699 blt 0,0,640,480,0, 1832,640,480:waittimer 24726 blt 0,0,640,480,0, 1834,640,480:waittimer 24753 blt 0,0,640,480,0, 1836,640,480:waittimer 24780 blt 0,0,640,480,0, 1838,640,480:waittimer 24807 blt 0,0,640,480,0, 1840,640,480:waittimer 24834 blt 0,0,640,480,0, 1842,640,480:waittimer 24861 blt 0,0,640,480,0, 1844,640,480:waittimer 24888 blt 0,0,640,480,0, 1846,640,480:waittimer 24915 blt 0,0,640,480,0, 1848,640,480:waittimer 24942 blt 0,0,640,480,0, 1850,640,480:waittimer 24969 blt 0,0,640,480,0, 1852,640,480:waittimer 24996 blt 0,0,640,480,0, 1854,640,480:waittimer 25023 blt 0,0,640,480,0, 1856,640,480:waittimer 25050 blt 0,0,640,480,0, 1858,640,480:waittimer 25077 blt 0,0,640,480,0, 1860,640,480:waittimer 25104 blt 0,0,640,480,0, 1862,640,480:waittimer 25131 blt 0,0,640,480,0, 1864,640,480:waittimer 25158 blt 0,0,640,480,0, 1866,640,480:waittimer 25185 blt 0,0,640,480,0, 1868,640,480:waittimer 25212 blt 0,0,640,480,0, 1870,640,480:waittimer 25239 blt 0,0,640,480,0, 1872,640,480:waittimer 25266 blt 0,0,640,480,0, 1874,640,480:waittimer 25293 blt 0,0,640,480,0, 1876,640,480:waittimer 25319 blt 0,0,640,480,0, 1878,640,480:waittimer 25346 blt 0,0,640,480,0, 1880,640,480:waittimer 25373 blt 0,0,640,480,0, 1882,640,480:waittimer 25400 blt 0,0,640,480,0, 1884,640,480:waittimer 25427 blt 0,0,640,480,0, 1886,640,480:waittimer 25454 blt 0,0,640,480,0, 1888,640,480:waittimer 25481 blt 0,0,640,480,0, 1890,640,480:waittimer 25508 blt 0,0,640,480,0, 1892,640,480:waittimer 25535 blt 0,0,640,480,0, 1894,640,480:waittimer 25562 blt 0,0,640,480,0, 1896,640,480:waittimer 25589 blt 0,0,640,480,0, 1898,640,480:waittimer 25616 blt 0,0,640,480,0, 1900,640,480:waittimer 25643 blt 0,0,640,480,0, 1902,640,480:waittimer 25670 blt 0,0,640,480,0, 1904,640,480:waittimer 25697 blt 0,0,640,480,0, 1906,640,480:waittimer 25724 blt 0,0,640,480,0, 1908,640,480:waittimer 25751 blt 0,0,640,480,0, 1910,640,480:waittimer 25778 blt 0,0,640,480,0, 1912,640,480:waittimer 25805 blt 0,0,640,480,0, 1914,640,480:waittimer 25832 blt 0,0,640,480,0, 1916,640,480:waittimer 25859 blt 0,0,640,480,0, 1918,640,480:waittimer 25886 blt 0,0,640,480,0, 1920,640,480:waittimer 25913 blt 0,0,640,480,0, 1922,640,480:waittimer 25940 blt 0,0,640,480,0, 1924,640,480:waittimer 25967 blt 0,0,640,480,0, 1926,640,480:waittimer 25994 blt 0,0,640,480,0, 1928,640,480:waittimer 26021 blt 0,0,640,480,0, 1930,640,480:waittimer 26048 blt 0,0,640,480,0, 1932,640,480:waittimer 26075 blt 0,0,640,480,0, 1934,640,480:waittimer 26102 blt 0,0,640,480,0, 1936,640,480:waittimer 26129 blt 0,0,640,480,0, 1938,640,480:waittimer 26156 blt 0,0,640,480,0, 1940,640,480:waittimer 26183 blt 0,0,640,480,0, 1942,640,480:waittimer 26210 blt 0,0,640,480,0, 1944,640,480:waittimer 26237 blt 0,0,640,480,0, 1946,640,480:waittimer 26264 blt 0,0,640,480,0, 1948,640,480:waittimer 26291 blt 0,0,640,480,0, 1950,640,480:waittimer 26318 blt 0,0,640,480,0, 1952,640,480:waittimer 26345 blt 0,0,640,480,0, 1954,640,480:waittimer 26372 blt 0,0,640,480,0, 1956,640,480:waittimer 26399 blt 0,0,640,480,0, 1958,640,480:waittimer 26426 blt 0,0,640,480,0, 1960,640,480:waittimer 26453 blt 0,0,640,480,0, 1962,640,480:waittimer 26480 blt 0,0,640,480,0, 1964,640,480:waittimer 26507 blt 0,0,640,480,0, 1966,640,480:waittimer 26534 blt 0,0,640,480,0, 1968,640,480:waittimer 26561 blt 0,0,640,480,0, 1970,640,480:waittimer 26588 blt 0,0,640,480,0, 1972,640,480:waittimer 26615 blt 0,0,640,480,0, 1974,640,480:waittimer 26642 blt 0,0,640,480,0, 1976,640,480:waittimer 26669 blt 0,0,640,480,0, 1978,640,480:waittimer 26696 blt 0,0,640,480,0, 1980,640,480:waittimer 26723 blt 0,0,640,480,0, 1982,640,480:waittimer 26750 blt 0,0,640,480,0, 1984,640,480:waittimer 26777 blt 0,0,640,480,0, 1986,640,480:waittimer 26804 blt 0,0,640,480,0, 1988,640,480:waittimer 26831 blt 0,0,640,480,0, 1990,640,480:waittimer 26858 blt 0,0,640,480,0, 1992,640,480:waittimer 26885 blt 0,0,640,480,0, 1994,640,480:waittimer 26912 blt 0,0,640,480,0, 1996,640,480:waittimer 26939 blt 0,0,640,480,0, 1998,640,480:waittimer 26966 blt 0,0,640,480,0, 2000,640,480:waittimer 26993 blt 0,0,640,480,0, 2002,640,480:waittimer 27020 blt 0,0,640,480,0, 2004,640,480:waittimer 27047 blt 0,0,640,480,0, 2006,640,480:waittimer 27074 blt 0,0,640,480,0, 2008,640,480:waittimer 27101 blt 0,0,640,480,0, 2010,640,480:waittimer 27128 blt 0,0,640,480,0, 2012,640,480:waittimer 27155 blt 0,0,640,480,0, 2014,640,480:waittimer 27182 blt 0,0,640,480,0, 2016,640,480:waittimer 27209 blt 0,0,640,480,0, 2018,640,480:waittimer 27236 blt 0,0,640,480,0, 2020,640,480:waittimer 27263 blt 0,0,640,480,0, 2022,640,480:waittimer 27290 blt 0,0,640,480,0, 2024,640,480:waittimer 27317 blt 0,0,640,480,0, 2026,640,480:waittimer 27344 blt 0,0,640,480,0, 2028,640,480:waittimer 27371 blt 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9284,640,480:waittimer 125304 blt 0,0,640,480,0, 9286,640,480:waittimer 125331 blt 0,0,640,480,0, 9288,640,480:waittimer 125358 blt 0,0,640,480,0, 9290,640,480:waittimer 125385 blt 0,0,640,480,0, 9292,640,480:waittimer 125412 blt 0,0,640,480,0, 9294,640,480:waittimer 125439 blt 0,0,640,480,0, 9296,640,480:waittimer 125466 blt 0,0,640,480,0, 9298,640,480:waittimer 125493 blt 0,0,640,480,0, 9300,640,480:waittimer 125520 blt 0,0,640,480,0, 9302,640,480:waittimer 125547 blt 0,0,640,480,0, 9304,640,480:waittimer 125574 blt 0,0,640,480,0, 9306,640,480:waittimer 125601 blt 0,0,640,480,0, 9308,640,480:waittimer 125628 blt 0,0,640,480,0, 9310,640,480:waittimer 125655 blt 0,0,640,480,0, 9312,640,480:waittimer 125682 blt 0,0,640,480,0, 9314,640,480:waittimer 125709 blt 0,0,640,480,0, 9316,640,480:waittimer 125736 blt 0,0,640,480,0, 9318,640,480:waittimer 125763 blt 0,0,640,480,0, 9320,640,480:waittimer 125790 blt 0,0,640,480,0, 9322,640,480:waittimer 125817 blt 0,0,640,480,0, 9324,640,480:waittimer 125844 blt 0,0,640,480,0, 9326,640,480:waittimer 125871 blt 0,0,640,480,0, 9328,640,480:waittimer 125898 blt 0,0,640,480,0, 9330,640,480:waittimer 125925 blt 0,0,640,480,0, 9332,640,480:waittimer 125952 blt 0,0,640,480,0, 9334,640,480:waittimer 125979 blt 0,0,640,480,0, 9336,640,480:waittimer 126006 blt 0,0,640,480,0, 9338,640,480:waittimer 126033 blt 0,0,640,480,0, 9340,640,480:waittimer 126060 blt 0,0,640,480,0, 9342,640,480:waittimer 126087 blt 0,0,640,480,0, 9344,640,480:waittimer 126114 blt 0,0,640,480,0, 9346,640,480:waittimer 126141 blt 0,0,640,480,0, 9348,640,480:waittimer 126168 blt 0,0,640,480,0, 9350,640,480:waittimer 126195 blt 0,0,640,480,0, 9352,640,480:waittimer 126222 blt 0,0,640,480,0, 9354,640,480:waittimer 126249 blt 0,0,640,480,0, 9356,640,480:waittimer 126276 blt 0,0,640,480,0, 9358,640,480:waittimer 126303 blt 0,0,640,480,0, 9360,640,480:waittimer 126330 blt 0,0,640,480,0, 9362,640,480:waittimer 126357 blt 0,0,640,480,0, 9364,640,480:waittimer 126384 blt 0,0,640,480,0, 9366,640,480:waittimer 126411 blt 0,0,640,480,0, 9368,640,480:waittimer 126438 blt 0,0,640,480,0, 9370,640,480:waittimer 126465 blt 0,0,640,480,0, 9372,640,480:waittimer 126492 blt 0,0,640,480,0, 9374,640,480:waittimer 126519 blt 0,0,640,480,0, 9376,640,480:waittimer 126546 blt 0,0,640,480,0, 9378,640,480:waittimer 126573 blt 0,0,640,480,0, 9380,640,480:waittimer 126599 return ;************************************* *teatime_ep1_scroll btndef "bmp\background\efe\end_1c.jpg" ;スクロール画像を読みこむ skipoff resettimer blt 0,0,640,480,0, 1,640,480:waittimer 9 blt 0,0,640,480,0, 2,640,480:waittimer 18 blt 0,0,640,480,0, 3,640,480:waittimer 27 blt 0,0,640,480,0, 4,640,480:waittimer 36 blt 0,0,640,480,0, 5,640,480:waittimer 45 blt 0,0,640,480,0, 6,640,480:waittimer 54 blt 0,0,640,480,0, 7,640,480:waittimer 63 blt 0,0,640,480,0, 8,640,480:waittimer 72 blt 0,0,640,480,0, 9,640,480:waittimer 81 blt 0,0,640,480,0, 10,640,480:waittimer 90 blt 0,0,640,480,0, 11,640,480:waittimer 99 blt 0,0,640,480,0, 12,640,480:waittimer 109 blt 0,0,640,480,0, 13,640,480:waittimer 118 blt 0,0,640,480,0, 14,640,480:waittimer 127 blt 0,0,640,480,0, 15,640,480:waittimer 136 blt 0,0,640,480,0, 16,640,480:waittimer 145 blt 0,0,640,480,0, 17,640,480:waittimer 154 blt 0,0,640,480,0, 18,640,480:waittimer 163 blt 0,0,640,480,0, 19,640,480:waittimer 172 blt 0,0,640,480,0, 20,640,480:waittimer 181 blt 0,0,640,480,0, 21,640,480:waittimer 190 blt 0,0,640,480,0, 22,640,480:waittimer 199 blt 0,0,640,480,0, 23,640,480:waittimer 209 blt 0,0,640,480,0, 24,640,480:waittimer 218 blt 0,0,640,480,0, 25,640,480:waittimer 227 blt 0,0,640,480,0, 26,640,480:waittimer 236 blt 0,0,640,480,0, 27,640,480:waittimer 245 blt 0,0,640,480,0, 28,640,480:waittimer 254 blt 0,0,640,480,0, 29,640,480:waittimer 263 blt 0,0,640,480,0, 30,640,480:waittimer 272 blt 0,0,640,480,0, 31,640,480:waittimer 281 blt 0,0,640,480,0, 32,640,480:waittimer 290 blt 0,0,640,480,0, 33,640,480:waittimer 299 blt 0,0,640,480,0, 34,640,480:waittimer 309 blt 0,0,640,480,0, 35,640,480:waittimer 318 blt 0,0,640,480,0, 36,640,480:waittimer 327 blt 0,0,640,480,0, 37,640,480:waittimer 336 blt 0,0,640,480,0, 38,640,480:waittimer 345 blt 0,0,640,480,0, 39,640,480:waittimer 354 blt 0,0,640,480,0, 40,640,480:waittimer 363 blt 0,0,640,480,0, 41,640,480:waittimer 372 blt 0,0,640,480,0, 42,640,480:waittimer 381 blt 0,0,640,480,0, 43,640,480:waittimer 390 blt 0,0,640,480,0, 44,640,480:waittimer 399 blt 0,0,640,480,0, 45,640,480:waittimer 409 blt 0,0,640,480,0, 46,640,480:waittimer 418 blt 0,0,640,480,0, 47,640,480:waittimer 427 blt 0,0,640,480,0, 48,640,480:waittimer 436 blt 0,0,640,480,0, 49,640,480:waittimer 445 blt 0,0,640,480,0, 50,640,480:waittimer 454 blt 0,0,640,480,0, 51,640,480:waittimer 463 blt 0,0,640,480,0, 52,640,480:waittimer 472 blt 0,0,640,480,0, 53,640,480:waittimer 481 blt 0,0,640,480,0, 54,640,480:waittimer 490 blt 0,0,640,480,0, 55,640,480:waittimer 499 blt 0,0,640,480,0, 56,640,480:waittimer 509 blt 0,0,640,480,0, 57,640,480:waittimer 518 blt 0,0,640,480,0, 58,640,480:waittimer 527 blt 0,0,640,480,0, 59,640,480:waittimer 536 blt 0,0,640,480,0, 60,640,480:waittimer 545 blt 0,0,640,480,0, 61,640,480:waittimer 554 blt 0,0,640,480,0, 62,640,480:waittimer 563 blt 0,0,640,480,0, 63,640,480:waittimer 572 blt 0,0,640,480,0, 64,640,480:waittimer 581 blt 0,0,640,480,0, 65,640,480:waittimer 590 blt 0,0,640,480,0, 66,640,480:waittimer 599 blt 0,0,640,480,0, 67,640,480:waittimer 609 blt 0,0,640,480,0, 68,640,480:waittimer 618 blt 0,0,640,480,0, 69,640,480:waittimer 627 blt 0,0,640,480,0, 70,640,480:waittimer 636 blt 0,0,640,480,0, 71,640,480:waittimer 645 blt 0,0,640,480,0, 72,640,480:waittimer 654 blt 0,0,640,480,0, 73,640,480:waittimer 663 blt 0,0,640,480,0, 74,640,480:waittimer 672 blt 0,0,640,480,0, 75,640,480:waittimer 681 blt 0,0,640,480,0, 76,640,480:waittimer 690 blt 0,0,640,480,0, 77,640,480:waittimer 699 blt 0,0,640,480,0, 78,640,480:waittimer 709 blt 0,0,640,480,0, 79,640,480:waittimer 718 blt 0,0,640,480,0, 80,640,480:waittimer 727 blt 0,0,640,480,0, 81,640,480:waittimer 736 blt 0,0,640,480,0, 82,640,480:waittimer 745 blt 0,0,640,480,0, 83,640,480:waittimer 754 blt 0,0,640,480,0, 84,640,480:waittimer 763 blt 0,0,640,480,0, 85,640,480:waittimer 772 blt 0,0,640,480,0, 86,640,480:waittimer 781 blt 0,0,640,480,0, 87,640,480:waittimer 790 blt 0,0,640,480,0, 88,640,480:waittimer 799 blt 0,0,640,480,0, 89,640,480:waittimer 809 blt 0,0,640,480,0, 90,640,480:waittimer 818 blt 0,0,640,480,0, 91,640,480:waittimer 827 blt 0,0,640,480,0, 92,640,480:waittimer 836 blt 0,0,640,480,0, 93,640,480:waittimer 845 blt 0,0,640,480,0, 94,640,480:waittimer 854 blt 0,0,640,480,0, 95,640,480:waittimer 863 blt 0,0,640,480,0, 96,640,480:waittimer 872 blt 0,0,640,480,0, 97,640,480:waittimer 881 blt 0,0,640,480,0, 98,640,480:waittimer 890 blt 0,0,640,480,0, 99,640,480:waittimer 899 blt 0,0,640,480,0, 100,640,480:waittimer 909 blt 0,0,640,480,0, 101,640,480:waittimer 918 blt 0,0,640,480,0, 102,640,480:waittimer 927 blt 0,0,640,480,0, 103,640,480:waittimer 936 blt 0,0,640,480,0, 104,640,480:waittimer 945 blt 0,0,640,480,0, 105,640,480:waittimer 954 blt 0,0,640,480,0, 106,640,480:waittimer 963 blt 0,0,640,480,0, 107,640,480:waittimer 972 blt 0,0,640,480,0, 108,640,480:waittimer 981 blt 0,0,640,480,0, 109,640,480:waittimer 990 blt 0,0,640,480,0, 110,640,480:waittimer 999 blt 0,0,640,480,0, 111,640,480:waittimer 1009 blt 0,0,640,480,0, 112,640,480:waittimer 1018 blt 0,0,640,480,0, 113,640,480:waittimer 1027 blt 0,0,640,480,0, 114,640,480:waittimer 1036 blt 0,0,640,480,0, 115,640,480:waittimer 1045 blt 0,0,640,480,0, 116,640,480:waittimer 1054 blt 0,0,640,480,0, 117,640,480:waittimer 1063 blt 0,0,640,480,0, 118,640,480:waittimer 1072 blt 0,0,640,480,0, 119,640,480:waittimer 1081 blt 0,0,640,480,0, 120,640,480:waittimer 1090 blt 0,0,640,480,0, 121,640,480:waittimer 1099 blt 0,0,640,480,0, 122,640,480:waittimer 1109 blt 0,0,640,480,0, 123,640,480:waittimer 1118 blt 0,0,640,480,0, 124,640,480:waittimer 1127 blt 0,0,640,480,0, 125,640,480:waittimer 1136 blt 0,0,640,480,0, 126,640,480:waittimer 1145 blt 0,0,640,480,0, 127,640,480:waittimer 1154 blt 0,0,640,480,0, 128,640,480:waittimer 1163 blt 0,0,640,480,0, 129,640,480:waittimer 1172 blt 0,0,640,480,0, 130,640,480:waittimer 1181 blt 0,0,640,480,0, 131,640,480:waittimer 1190 blt 0,0,640,480,0, 132,640,480:waittimer 1199 blt 0,0,640,480,0, 133,640,480:waittimer 1209 blt 0,0,640,480,0, 134,640,480:waittimer 1218 blt 0,0,640,480,0, 135,640,480:waittimer 1227 blt 0,0,640,480,0, 136,640,480:waittimer 1236 blt 0,0,640,480,0, 137,640,480:waittimer 1245 blt 0,0,640,480,0, 138,640,480:waittimer 1254 blt 0,0,640,480,0, 139,640,480:waittimer 1263 blt 0,0,640,480,0, 140,640,480:waittimer 1272 blt 0,0,640,480,0, 141,640,480:waittimer 1281 blt 0,0,640,480,0, 142,640,480:waittimer 1290 blt 0,0,640,480,0, 143,640,480:waittimer 1299 blt 0,0,640,480,0, 144,640,480:waittimer 1309 blt 0,0,640,480,0, 145,640,480:waittimer 1318 blt 0,0,640,480,0, 146,640,480:waittimer 1327 blt 0,0,640,480,0, 147,640,480:waittimer 1336 blt 0,0,640,480,0, 148,640,480:waittimer 1345 blt 0,0,640,480,0, 149,640,480:waittimer 1354 blt 0,0,640,480,0, 150,640,480:waittimer 1363 blt 0,0,640,480,0, 151,640,480:waittimer 1372 blt 0,0,640,480,0, 152,640,480:waittimer 1381 blt 0,0,640,480,0, 153,640,480:waittimer 1390 blt 0,0,640,480,0, 154,640,480:waittimer 1399 blt 0,0,640,480,0, 155,640,480:waittimer 1409 blt 0,0,640,480,0, 156,640,480:waittimer 1418 blt 0,0,640,480,0, 157,640,480:waittimer 1427 blt 0,0,640,480,0, 158,640,480:waittimer 1436 blt 0,0,640,480,0, 159,640,480:waittimer 1445 blt 0,0,640,480,0, 160,640,480:waittimer 1454 blt 0,0,640,480,0, 161,640,480:waittimer 1463 blt 0,0,640,480,0, 162,640,480:waittimer 1472 blt 0,0,640,480,0, 163,640,480:waittimer 1481 blt 0,0,640,480,0, 164,640,480:waittimer 1490 blt 0,0,640,480,0, 165,640,480:waittimer 1499 blt 0,0,640,480,0, 166,640,480:waittimer 1509 blt 0,0,640,480,0, 167,640,480:waittimer 1518 blt 0,0,640,480,0, 168,640,480:waittimer 1527 blt 0,0,640,480,0, 169,640,480:waittimer 1536 blt 0,0,640,480,0, 170,640,480:waittimer 1545 blt 0,0,640,480,0, 171,640,480:waittimer 1554 blt 0,0,640,480,0, 172,640,480:waittimer 1563 blt 0,0,640,480,0, 173,640,480:waittimer 1572 blt 0,0,640,480,0, 174,640,480:waittimer 1581 blt 0,0,640,480,0, 175,640,480:waittimer 1590 blt 0,0,640,480,0, 176,640,480:waittimer 1599 blt 0,0,640,480,0, 177,640,480:waittimer 1609 blt 0,0,640,480,0, 178,640,480:waittimer 1618 blt 0,0,640,480,0, 179,640,480:waittimer 1627 blt 0,0,640,480,0, 180,640,480:waittimer 1636 blt 0,0,640,480,0, 181,640,480:waittimer 1645 blt 0,0,640,480,0, 182,640,480:waittimer 1654 blt 0,0,640,480,0, 183,640,480:waittimer 1663 blt 0,0,640,480,0, 184,640,480:waittimer 1672 blt 0,0,640,480,0, 185,640,480:waittimer 1681 blt 0,0,640,480,0, 186,640,480:waittimer 1690 blt 0,0,640,480,0, 187,640,480:waittimer 1699 blt 0,0,640,480,0, 188,640,480:waittimer 1709 blt 0,0,640,480,0, 189,640,480:waittimer 1718 blt 0,0,640,480,0, 190,640,480:waittimer 1727 blt 0,0,640,480,0, 191,640,480:waittimer 1736 blt 0,0,640,480,0, 192,640,480:waittimer 1745 blt 0,0,640,480,0, 193,640,480:waittimer 1754 blt 0,0,640,480,0, 194,640,480:waittimer 1763 blt 0,0,640,480,0, 195,640,480:waittimer 1772 blt 0,0,640,480,0, 196,640,480:waittimer 1781 blt 0,0,640,480,0, 197,640,480:waittimer 1790 blt 0,0,640,480,0, 198,640,480:waittimer 1799 blt 0,0,640,480,0, 199,640,480:waittimer 1809 blt 0,0,640,480,0, 200,640,480:waittimer 1818 blt 0,0,640,480,0, 201,640,480:waittimer 1827 blt 0,0,640,480,0, 202,640,480:waittimer 1836 blt 0,0,640,480,0, 203,640,480:waittimer 1845 blt 0,0,640,480,0, 204,640,480:waittimer 1854 blt 0,0,640,480,0, 205,640,480:waittimer 1863 blt 0,0,640,480,0, 206,640,480:waittimer 1872 blt 0,0,640,480,0, 207,640,480:waittimer 1881 blt 0,0,640,480,0, 208,640,480:waittimer 1890 blt 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875,640,480:waittimer 7954 blt 0,0,640,480,0, 876,640,480:waittimer 7963 blt 0,0,640,480,0, 877,640,480:waittimer 7972 blt 0,0,640,480,0, 878,640,480:waittimer 7981 blt 0,0,640,480,0, 879,640,480:waittimer 7990 blt 0,0,640,480,0, 880,640,480:waittimer 7999 blt 0,0,640,480,0, 881,640,480:waittimer 8009 blt 0,0,640,480,0, 882,640,480:waittimer 8018 blt 0,0,640,480,0, 883,640,480:waittimer 8027 blt 0,0,640,480,0, 884,640,480:waittimer 8036 blt 0,0,640,480,0, 885,640,480:waittimer 8045 blt 0,0,640,480,0, 886,640,480:waittimer 8054 blt 0,0,640,480,0, 887,640,480:waittimer 8063 blt 0,0,640,480,0, 888,640,480:waittimer 8072 blt 0,0,640,480,0, 889,640,480:waittimer 8081 blt 0,0,640,480,0, 890,640,480:waittimer 8090 blt 0,0,640,480,0, 891,640,480:waittimer 8099 blt 0,0,640,480,0, 892,640,480:waittimer 8109 blt 0,0,640,480,0, 893,640,480:waittimer 8118 blt 0,0,640,480,0, 894,640,480:waittimer 8127 blt 0,0,640,480,0, 895,640,480:waittimer 8136 blt 0,0,640,480,0, 896,640,480:waittimer 8145 blt 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0,0,640,480,0, 1688,640,480:waittimer 15345 blt 0,0,640,480,0, 1689,640,480:waittimer 15354 blt 0,0,640,480,0, 1690,640,480:waittimer 15363 blt 0,0,640,480,0, 1691,640,480:waittimer 15372 blt 0,0,640,480,0, 1692,640,480:waittimer 15381 blt 0,0,640,480,0, 1693,640,480:waittimer 15390 blt 0,0,640,480,0, 1694,640,480:waittimer 15399 blt 0,0,640,480,0, 1695,640,480:waittimer 15409 blt 0,0,640,480,0, 1696,640,480:waittimer 15418 blt 0,0,640,480,0, 1697,640,480:waittimer 15427 blt 0,0,640,480,0, 1698,640,480:waittimer 15436 blt 0,0,640,480,0, 1699,640,480:waittimer 15445 blt 0,0,640,480,0, 1700,640,480:waittimer 15454 blt 0,0,640,480,0, 1701,640,480:waittimer 15463 blt 0,0,640,480,0, 1702,640,480:waittimer 15472 blt 0,0,640,480,0, 1703,640,480:waittimer 15481 blt 0,0,640,480,0, 1704,640,480:waittimer 15490 blt 0,0,640,480,0, 1705,640,480:waittimer 15499 blt 0,0,640,480,0, 1706,640,480:waittimer 15509 blt 0,0,640,480,0, 1707,640,480:waittimer 15518 blt 0,0,640,480,0, 1708,640,480:waittimer 15527 blt 0,0,640,480,0, 1709,640,480:waittimer 15536 blt 0,0,640,480,0, 1710,640,480:waittimer 15545 blt 0,0,640,480,0, 1711,640,480:waittimer 15554 blt 0,0,640,480,0, 1712,640,480:waittimer 15563 blt 0,0,640,480,0, 1713,640,480:waittimer 15572 blt 0,0,640,480,0, 1714,640,480:waittimer 15581 blt 0,0,640,480,0, 1715,640,480:waittimer 15590 blt 0,0,640,480,0, 1716,640,480:waittimer 15599 blt 0,0,640,480,0, 1717,640,480:waittimer 15609 blt 0,0,640,480,0, 1718,640,480:waittimer 15618 blt 0,0,640,480,0, 1719,640,480:waittimer 15627 blt 0,0,640,480,0, 1720,640,480:waittimer 15636 blt 0,0,640,480,0, 1721,640,480:waittimer 15645 blt 0,0,640,480,0, 1722,640,480:waittimer 15654 blt 0,0,640,480,0, 1723,640,480:waittimer 15663 blt 0,0,640,480,0, 1724,640,480:waittimer 15672 blt 0,0,640,480,0, 1725,640,480:waittimer 15681 blt 0,0,640,480,0, 1726,640,480:waittimer 15690 blt 0,0,640,480,0, 1727,640,480:waittimer 15699 blt 0,0,640,480,0, 1728,640,480:waittimer 15709 blt 0,0,640,480,0, 1729,640,480:waittimer 15718 blt 0,0,640,480,0, 1730,640,480:waittimer 15727 blt 0,0,640,480,0, 1731,640,480:waittimer 15736 blt 0,0,640,480,0, 1732,640,480:waittimer 15745 blt 0,0,640,480,0, 1733,640,480:waittimer 15754 blt 0,0,640,480,0, 1734,640,480:waittimer 15763 blt 0,0,640,480,0, 1735,640,480:waittimer 15772 blt 0,0,640,480,0, 1736,640,480:waittimer 15781 blt 0,0,640,480,0, 1737,640,480:waittimer 15790 blt 0,0,640,480,0, 1738,640,480:waittimer 15799 blt 0,0,640,480,0, 1739,640,480:waittimer 15809 blt 0,0,640,480,0, 1740,640,480:waittimer 15818 blt 0,0,640,480,0, 1741,640,480:waittimer 15827 blt 0,0,640,480,0, 1742,640,480:waittimer 15836 blt 0,0,640,480,0, 1743,640,480:waittimer 15845 blt 0,0,640,480,0, 1744,640,480:waittimer 15854 blt 0,0,640,480,0, 1745,640,480:waittimer 15863 blt 0,0,640,480,0, 1746,640,480:waittimer 15872 blt 0,0,640,480,0, 1747,640,480:waittimer 15881 blt 0,0,640,480,0, 1748,640,480:waittimer 15890 blt 0,0,640,480,0, 1749,640,480:waittimer 15899 blt 0,0,640,480,0, 1750,640,480:waittimer 15909 blt 0,0,640,480,0, 1751,640,480:waittimer 15918 blt 0,0,640,480,0, 1752,640,480:waittimer 15927 blt 0,0,640,480,0, 1753,640,480:waittimer 15936 blt 0,0,640,480,0, 1754,640,480:waittimer 15945 blt 0,0,640,480,0, 1755,640,480:waittimer 15954 blt 0,0,640,480,0, 1756,640,480:waittimer 15963 blt 0,0,640,480,0, 1757,640,480:waittimer 15972 blt 0,0,640,480,0, 1758,640,480:waittimer 15981 blt 0,0,640,480,0, 1759,640,480:waittimer 15990 blt 0,0,640,480,0, 1760,640,480:waittimer 15999 blt 0,0,640,480,0, 1761,640,480:waittimer 16009 blt 0,0,640,480,0, 1762,640,480:waittimer 16018 blt 0,0,640,480,0, 1763,640,480:waittimer 16027 blt 0,0,640,480,0, 1764,640,480:waittimer 16036 blt 0,0,640,480,0, 1765,640,480:waittimer 16045 blt 0,0,640,480,0, 1766,640,480:waittimer 16054 blt 0,0,640,480,0, 1767,640,480:waittimer 16063 blt 0,0,640,480,0, 1768,640,480:waittimer 16072 blt 0,0,640,480,0, 1769,640,480:waittimer 16081 blt 0,0,640,480,0, 1770,640,480:waittimer 16090 blt 0,0,640,480,0, 1771,640,480:waittimer 16099 blt 0,0,640,480,0, 1772,640,480:waittimer 16109 blt 0,0,640,480,0, 1773,640,480:waittimer 16118 blt 0,0,640,480,0, 1774,640,480:waittimer 16127 blt 0,0,640,480,0, 1775,640,480:waittimer 16136 blt 0,0,640,480,0, 1776,640,480:waittimer 16145 blt 0,0,640,480,0, 1777,640,480:waittimer 16154 blt 0,0,640,480,0, 1778,640,480:waittimer 16163 blt 0,0,640,480,0, 1779,640,480:waittimer 16172 blt 0,0,640,480,0, 1780,640,480:waittimer 16181 blt 0,0,640,480,0, 1781,640,480:waittimer 16190 blt 0,0,640,480,0, 1782,640,480:waittimer 16199 blt 0,0,640,480,0, 1783,640,480:waittimer 16209 blt 0,0,640,480,0, 1784,640,480:waittimer 16218 blt 0,0,640,480,0, 1785,640,480:waittimer 16227 blt 0,0,640,480,0, 1786,640,480:waittimer 16236 blt 0,0,640,480,0, 1787,640,480:waittimer 16245 blt 0,0,640,480,0, 1788,640,480:waittimer 16254 blt 0,0,640,480,0, 1789,640,480:waittimer 16263 blt 0,0,640,480,0, 1790,640,480:waittimer 16272 blt 0,0,640,480,0, 1791,640,480:waittimer 16281 blt 0,0,640,480,0, 1792,640,480:waittimer 16290 blt 0,0,640,480,0, 1793,640,480:waittimer 16299 blt 0,0,640,480,0, 1794,640,480:waittimer 16309 blt 0,0,640,480,0, 1795,640,480:waittimer 16318 blt 0,0,640,480,0, 1796,640,480:waittimer 16327 blt 0,0,640,480,0, 1797,640,480:waittimer 16336 blt 0,0,640,480,0, 1798,640,480:waittimer 16345 blt 0,0,640,480,0, 1799,640,480:waittimer 16354 blt 0,0,640,480,0, 1800,640,480:waittimer 16363 blt 0,0,640,480,0, 1801,640,480:waittimer 16372 blt 0,0,640,480,0, 1802,640,480:waittimer 16381 blt 0,0,640,480,0, 1803,640,480:waittimer 16390 blt 0,0,640,480,0, 1804,640,480:waittimer 16399 blt 0,0,640,480,0, 1805,640,480:waittimer 16409 blt 0,0,640,480,0, 1806,640,480:waittimer 16418 blt 0,0,640,480,0, 1807,640,480:waittimer 16427 blt 0,0,640,480,0, 1808,640,480:waittimer 16436 blt 0,0,640,480,0, 1809,640,480:waittimer 16445 blt 0,0,640,480,0, 1810,640,480:waittimer 16454 blt 0,0,640,480,0, 1811,640,480:waittimer 16463 blt 0,0,640,480,0, 1812,640,480:waittimer 16472 blt 0,0,640,480,0, 1813,640,480:waittimer 16481 blt 0,0,640,480,0, 1814,640,480:waittimer 16490 blt 0,0,640,480,0, 1815,640,480:waittimer 16499 blt 0,0,640,480,0, 1816,640,480:waittimer 16509 blt 0,0,640,480,0, 1817,640,480:waittimer 16518 blt 0,0,640,480,0, 1818,640,480:waittimer 16527 blt 0,0,640,480,0, 1819,640,480:waittimer 16536 blt 0,0,640,480,0, 1820,640,480:waittimer 16545 blt 0,0,640,480,0, 1821,640,480:waittimer 16554 blt 0,0,640,480,0, 1822,640,480:waittimer 16563 blt 0,0,640,480,0, 1823,640,480:waittimer 16572 blt 0,0,640,480,0, 1824,640,480:waittimer 16581 blt 0,0,640,480,0, 1825,640,480:waittimer 16590 blt 0,0,640,480,0, 1826,640,480:waittimer 16599 blt 0,0,640,480,0, 1827,640,480:waittimer 16609 blt 0,0,640,480,0, 1828,640,480:waittimer 16618 blt 0,0,640,480,0, 1829,640,480:waittimer 16627 blt 0,0,640,480,0, 1830,640,480:waittimer 16636 blt 0,0,640,480,0, 1831,640,480:waittimer 16645 blt 0,0,640,480,0, 1832,640,480:waittimer 16654 blt 0,0,640,480,0, 1833,640,480:waittimer 16663 blt 0,0,640,480,0, 1834,640,480:waittimer 16672 blt 0,0,640,480,0, 1835,640,480:waittimer 16681 blt 0,0,640,480,0, 1836,640,480:waittimer 16690 blt 0,0,640,480,0, 1837,640,480:waittimer 16699 blt 0,0,640,480,0, 1838,640,480:waittimer 16709 blt 0,0,640,480,0, 1839,640,480:waittimer 16718 blt 0,0,640,480,0, 1840,640,480:waittimer 16727 blt 0,0,640,480,0, 1841,640,480:waittimer 16736 blt 0,0,640,480,0, 1842,640,480:waittimer 16745 blt 0,0,640,480,0, 1843,640,480:waittimer 16754 blt 0,0,640,480,0, 1844,640,480:waittimer 16763 blt 0,0,640,480,0, 1845,640,480:waittimer 16772 blt 0,0,640,480,0, 1846,640,480:waittimer 16781 blt 0,0,640,480,0, 1847,640,480:waittimer 16790 blt 0,0,640,480,0, 1848,640,480:waittimer 16799 blt 0,0,640,480,0, 1849,640,480:waittimer 16809 blt 0,0,640,480,0, 1850,640,480:waittimer 16818 blt 0,0,640,480,0, 1851,640,480:waittimer 16827 blt 0,0,640,480,0, 1852,640,480:waittimer 16836 blt 0,0,640,480,0, 1853,640,480:waittimer 16845 blt 0,0,640,480,0, 1854,640,480:waittimer 16854 blt 0,0,640,480,0, 1855,640,480:waittimer 16863 blt 0,0,640,480,0, 1856,640,480:waittimer 16872 blt 0,0,640,480,0, 1857,640,480:waittimer 16881 blt 0,0,640,480,0, 1858,640,480:waittimer 16890 blt 0,0,640,480,0, 1859,640,480:waittimer 16899 blt 0,0,640,480,0, 1860,640,480:waittimer 16909 blt 0,0,640,480,0, 1861,640,480:waittimer 16918 blt 0,0,640,480,0, 1862,640,480:waittimer 16927 blt 0,0,640,480,0, 1863,640,480:waittimer 16936 blt 0,0,640,480,0, 1864,640,480:waittimer 16945 blt 0,0,640,480,0, 1865,640,480:waittimer 16954 blt 0,0,640,480,0, 1866,640,480:waittimer 16963 blt 0,0,640,480,0, 1867,640,480:waittimer 16972 blt 0,0,640,480,0, 1868,640,480:waittimer 16981 blt 0,0,640,480,0, 1869,640,480:waittimer 16990 blt 0,0,640,480,0, 1870,640,480:waittimer 16999 blt 0,0,640,480,0, 1871,640,480:waittimer 17009 blt 0,0,640,480,0, 1872,640,480:waittimer 17018 blt 0,0,640,480,0, 1873,640,480:waittimer 17027 blt 0,0,640,480,0, 1874,640,480:waittimer 17036 blt 0,0,640,480,0, 1875,640,480:waittimer 17045 blt 0,0,640,480,0, 1876,640,480:waittimer 17054 blt 0,0,640,480,0, 1877,640,480:waittimer 17063 blt 0,0,640,480,0, 1878,640,480:waittimer 17072 blt 0,0,640,480,0, 1879,640,480:waittimer 17081 blt 0,0,640,480,0, 1880,640,480:waittimer 17090 blt 0,0,640,480,0, 1881,640,480:waittimer 17099 blt 0,0,640,480,0, 1882,640,480:waittimer 17109 blt 0,0,640,480,0, 1883,640,480:waittimer 17118 blt 0,0,640,480,0, 1884,640,480:waittimer 17127 blt 0,0,640,480,0, 1885,640,480:waittimer 17136 blt 0,0,640,480,0, 1886,640,480:waittimer 17145 blt 0,0,640,480,0, 1887,640,480:waittimer 17154 blt 0,0,640,480,0, 1888,640,480:waittimer 17163 blt 0,0,640,480,0, 1889,640,480:waittimer 17172 blt 0,0,640,480,0, 1890,640,480:waittimer 17181 blt 0,0,640,480,0, 1891,640,480:waittimer 17190 blt 0,0,640,480,0, 1892,640,480:waittimer 17199 blt 0,0,640,480,0, 1893,640,480:waittimer 17209 blt 0,0,640,480,0, 1894,640,480:waittimer 17218 blt 0,0,640,480,0, 1895,640,480:waittimer 17227 blt 0,0,640,480,0, 1896,640,480:waittimer 17236 blt 0,0,640,480,0, 1897,640,480:waittimer 17245 blt 0,0,640,480,0, 1898,640,480:waittimer 17254 blt 0,0,640,480,0, 1899,640,480:waittimer 17263 blt 0,0,640,480,0, 1900,640,480:waittimer 17272 blt 0,0,640,480,0, 1901,640,480:waittimer 17281 blt 0,0,640,480,0, 1902,640,480:waittimer 17290 blt 0,0,640,480,0, 1903,640,480:waittimer 17299 blt 0,0,640,480,0, 1904,640,480:waittimer 17309 blt 0,0,640,480,0, 1905,640,480:waittimer 17318 blt 0,0,640,480,0, 1906,640,480:waittimer 17327 blt 0,0,640,480,0, 1907,640,480:waittimer 17336 blt 0,0,640,480,0, 1908,640,480:waittimer 17345 blt 0,0,640,480,0, 1909,640,480:waittimer 17354 blt 0,0,640,480,0, 1910,640,480:waittimer 17363 blt 0,0,640,480,0, 1911,640,480:waittimer 17372 blt 0,0,640,480,0, 1912,640,480:waittimer 17381 blt 0,0,640,480,0, 1913,640,480:waittimer 17390 blt 0,0,640,480,0, 1914,640,480:waittimer 17399 blt 0,0,640,480,0, 1915,640,480:waittimer 17409 blt 0,0,640,480,0, 1916,640,480:waittimer 17418 blt 0,0,640,480,0, 1917,640,480:waittimer 17427 blt 0,0,640,480,0, 1918,640,480:waittimer 17436 blt 0,0,640,480,0, 1919,640,480:waittimer 17445 blt 0,0,640,480,0, 1920,640,480:waittimer 17454 blt 0,0,640,480,0, 1921,640,480:waittimer 17463 blt 0,0,640,480,0, 1922,640,480:waittimer 17472 blt 0,0,640,480,0, 1923,640,480:waittimer 17481 blt 0,0,640,480,0, 1924,640,480:waittimer 17490 blt 0,0,640,480,0, 1925,640,480:waittimer 17499 blt 0,0,640,480,0, 1926,640,480:waittimer 17509 blt 0,0,640,480,0, 1927,640,480:waittimer 17518 blt 0,0,640,480,0, 1928,640,480:waittimer 17527 blt 0,0,640,480,0, 1929,640,480:waittimer 17536 blt 0,0,640,480,0, 1930,640,480:waittimer 17545 blt 0,0,640,480,0, 1931,640,480:waittimer 17554 blt 0,0,640,480,0, 1932,640,480:waittimer 17563 blt 0,0,640,480,0, 1933,640,480:waittimer 17572 blt 0,0,640,480,0, 1934,640,480:waittimer 17581 blt 0,0,640,480,0, 1935,640,480:waittimer 17590 blt 0,0,640,480,0, 1936,640,480:waittimer 17599 blt 0,0,640,480,0, 1937,640,480:waittimer 17609 blt 0,0,640,480,0, 1938,640,480:waittimer 17618 blt 0,0,640,480,0, 1939,640,480:waittimer 17627 blt 0,0,640,480,0, 1940,640,480:waittimer 17636 blt 0,0,640,480,0, 1941,640,480:waittimer 17645 blt 0,0,640,480,0, 1942,640,480:waittimer 17654 blt 0,0,640,480,0, 1943,640,480:waittimer 17663 blt 0,0,640,480,0, 1944,640,480:waittimer 17672 blt 0,0,640,480,0, 1945,640,480:waittimer 17681 blt 0,0,640,480,0, 1946,640,480:waittimer 17690 blt 0,0,640,480,0, 1947,640,480:waittimer 17699 blt 0,0,640,480,0, 1948,640,480:waittimer 17709 blt 0,0,640,480,0, 1949,640,480:waittimer 17718 blt 0,0,640,480,0, 1950,640,480:waittimer 17727 blt 0,0,640,480,0, 1951,640,480:waittimer 17736 blt 0,0,640,480,0, 1952,640,480:waittimer 17745 blt 0,0,640,480,0, 1953,640,480:waittimer 17754 blt 0,0,640,480,0, 1954,640,480:waittimer 17763 blt 0,0,640,480,0, 1955,640,480:waittimer 17772 blt 0,0,640,480,0, 1956,640,480:waittimer 17781 blt 0,0,640,480,0, 1957,640,480:waittimer 17790 blt 0,0,640,480,0, 1958,640,480:waittimer 17799 blt 0,0,640,480,0, 1959,640,480:waittimer 17809 blt 0,0,640,480,0, 1960,640,480:waittimer 17818 blt 0,0,640,480,0, 1961,640,480:waittimer 17827 blt 0,0,640,480,0, 1962,640,480:waittimer 17836 blt 0,0,640,480,0, 1963,640,480:waittimer 17845 blt 0,0,640,480,0, 1964,640,480:waittimer 17854 blt 0,0,640,480,0, 1965,640,480:waittimer 17863 blt 0,0,640,480,0, 1966,640,480:waittimer 17872 blt 0,0,640,480,0, 1967,640,480:waittimer 17881 blt 0,0,640,480,0, 1968,640,480:waittimer 17890 blt 0,0,640,480,0, 1969,640,480:waittimer 17899 blt 0,0,640,480,0, 1970,640,480:waittimer 17909 blt 0,0,640,480,0, 1971,640,480:waittimer 17918 blt 0,0,640,480,0, 1972,640,480:waittimer 17927 blt 0,0,640,480,0, 1973,640,480:waittimer 17936 blt 0,0,640,480,0, 1974,640,480:waittimer 17945 blt 0,0,640,480,0, 1975,640,480:waittimer 17954 blt 0,0,640,480,0, 1976,640,480:waittimer 17963 blt 0,0,640,480,0, 1977,640,480:waittimer 17972 blt 0,0,640,480,0, 1978,640,480:waittimer 17981 blt 0,0,640,480,0, 1979,640,480:waittimer 17990 blt 0,0,640,480,0, 1980,640,480:waittimer 17999 blt 0,0,640,480,0, 1981,640,480:waittimer 18009 blt 0,0,640,480,0, 1982,640,480:waittimer 18018 blt 0,0,640,480,0, 1983,640,480:waittimer 18027 blt 0,0,640,480,0, 1984,640,480:waittimer 18036 blt 0,0,640,480,0, 1985,640,480:waittimer 18045 blt 0,0,640,480,0, 1986,640,480:waittimer 18054 blt 0,0,640,480,0, 1987,640,480:waittimer 18063 blt 0,0,640,480,0, 1988,640,480:waittimer 18072 blt 0,0,640,480,0, 1989,640,480:waittimer 18081 blt 0,0,640,480,0, 1990,640,480:waittimer 18090 blt 0,0,640,480,0, 1991,640,480:waittimer 18099 blt 0,0,640,480,0, 1992,640,480:waittimer 18109 blt 0,0,640,480,0, 1993,640,480:waittimer 18118 blt 0,0,640,480,0, 1994,640,480:waittimer 18127 blt 0,0,640,480,0, 1995,640,480:waittimer 18136 blt 0,0,640,480,0, 1996,640,480:waittimer 18145 blt 0,0,640,480,0, 1997,640,480:waittimer 18154 blt 0,0,640,480,0, 1998,640,480:waittimer 18163 blt 0,0,640,480,0, 1999,640,480:waittimer 18172 blt 0,0,640,480,0, 2000,640,480:waittimer 18181 blt 0,0,640,480,0, 2001,640,480:waittimer 18190 blt 0,0,640,480,0, 2002,640,480:waittimer 18199 blt 0,0,640,480,0, 2003,640,480:waittimer 18209 blt 0,0,640,480,0, 2004,640,480:waittimer 18218 blt 0,0,640,480,0, 2005,640,480:waittimer 18227 blt 0,0,640,480,0, 2006,640,480:waittimer 18236 blt 0,0,640,480,0, 2007,640,480:waittimer 18245 blt 0,0,640,480,0, 2008,640,480:waittimer 18254 blt 0,0,640,480,0, 2009,640,480:waittimer 18263 blt 0,0,640,480,0, 2010,640,480:waittimer 18272 blt 0,0,640,480,0, 2011,640,480:waittimer 18281 blt 0,0,640,480,0, 2012,640,480:waittimer 18290 blt 0,0,640,480,0, 2013,640,480:waittimer 18299 blt 0,0,640,480,0, 2014,640,480:waittimer 18309 blt 0,0,640,480,0, 2015,640,480:waittimer 18318 blt 0,0,640,480,0, 2016,640,480:waittimer 18327 blt 0,0,640,480,0, 2017,640,480:waittimer 18336 blt 0,0,640,480,0, 2018,640,480:waittimer 18345 blt 0,0,640,480,0, 2019,640,480:waittimer 18354 blt 0,0,640,480,0, 2020,640,480:waittimer 18363 blt 0,0,640,480,0, 2021,640,480:waittimer 18372 blt 0,0,640,480,0, 2022,640,480:waittimer 18381 blt 0,0,640,480,0, 2023,640,480:waittimer 18390 blt 0,0,640,480,0, 2024,640,480:waittimer 18399 blt 0,0,640,480,0, 2025,640,480:waittimer 18409 blt 0,0,640,480,0, 2026,640,480:waittimer 18418 blt 0,0,640,480,0, 2027,640,480:waittimer 18427 blt 0,0,640,480,0, 2028,640,480:waittimer 18436 blt 0,0,640,480,0, 2029,640,480:waittimer 18445 blt 0,0,640,480,0, 2030,640,480:waittimer 18454 blt 0,0,640,480,0, 2031,640,480:waittimer 18463 blt 0,0,640,480,0, 2032,640,480:waittimer 18472 blt 0,0,640,480,0, 2033,640,480:waittimer 18481 blt 0,0,640,480,0, 2034,640,480:waittimer 18490 blt 0,0,640,480,0, 2035,640,480:waittimer 18499 blt 0,0,640,480,0, 2036,640,480:waittimer 18509 blt 0,0,640,480,0, 2037,640,480:waittimer 18518 blt 0,0,640,480,0, 2038,640,480:waittimer 18527 blt 0,0,640,480,0, 2039,640,480:waittimer 18536 blt 0,0,640,480,0, 2040,640,480:waittimer 18545 blt 0,0,640,480,0, 2041,640,480:waittimer 18554 blt 0,0,640,480,0, 2042,640,480:waittimer 18563 blt 0,0,640,480,0, 2043,640,480:waittimer 18572 blt 0,0,640,480,0, 2044,640,480:waittimer 18581 blt 0,0,640,480,0, 2045,640,480:waittimer 18590 blt 0,0,640,480,0, 2046,640,480:waittimer 18599 blt 0,0,640,480,0, 2047,640,480:waittimer 18609 blt 0,0,640,480,0, 2048,640,480:waittimer 18618 blt 0,0,640,480,0, 2049,640,480:waittimer 18627 blt 0,0,640,480,0, 2050,640,480:waittimer 18636 blt 0,0,640,480,0, 2051,640,480:waittimer 18645 blt 0,0,640,480,0, 2052,640,480:waittimer 18654 blt 0,0,640,480,0, 2053,640,480:waittimer 18663 blt 0,0,640,480,0, 2054,640,480:waittimer 18672 blt 0,0,640,480,0, 2055,640,480:waittimer 18681 blt 0,0,640,480,0, 2056,640,480:waittimer 18690 blt 0,0,640,480,0, 2057,640,480:waittimer 18699 blt 0,0,640,480,0, 2058,640,480:waittimer 18709 blt 0,0,640,480,0, 2059,640,480:waittimer 18718 blt 0,0,640,480,0, 2060,640,480:waittimer 18727 blt 0,0,640,480,0, 2061,640,480:waittimer 18736 blt 0,0,640,480,0, 2062,640,480:waittimer 18745 blt 0,0,640,480,0, 2063,640,480:waittimer 18754 blt 0,0,640,480,0, 2064,640,480:waittimer 18763 blt 0,0,640,480,0, 2065,640,480:waittimer 18772 blt 0,0,640,480,0, 2066,640,480:waittimer 18781 blt 0,0,640,480,0, 2067,640,480:waittimer 18790 blt 0,0,640,480,0, 2068,640,480:waittimer 18799 blt 0,0,640,480,0, 2069,640,480:waittimer 18809 blt 0,0,640,480,0, 2070,640,480:waittimer 18818 blt 0,0,640,480,0, 2071,640,480:waittimer 18827 blt 0,0,640,480,0, 2072,640,480:waittimer 18836 blt 0,0,640,480,0, 2073,640,480:waittimer 18845 blt 0,0,640,480,0, 2074,640,480:waittimer 18854 blt 0,0,640,480,0, 2075,640,480:waittimer 18863 blt 0,0,640,480,0, 2076,640,480:waittimer 18872 blt 0,0,640,480,0, 2077,640,480:waittimer 18881 blt 0,0,640,480,0, 2078,640,480:waittimer 18890 blt 0,0,640,480,0, 2079,640,480:waittimer 18899 blt 0,0,640,480,0, 2080,640,480:waittimer 18909 blt 0,0,640,480,0, 2081,640,480:waittimer 18918 blt 0,0,640,480,0, 2082,640,480:waittimer 18927 blt 0,0,640,480,0, 2083,640,480:waittimer 18936 blt 0,0,640,480,0, 2084,640,480:waittimer 18945 blt 0,0,640,480,0, 2085,640,480:waittimer 18954 blt 0,0,640,480,0, 2086,640,480:waittimer 18963 blt 0,0,640,480,0, 2087,640,480:waittimer 18972 blt 0,0,640,480,0, 2088,640,480:waittimer 18981 blt 0,0,640,480,0, 2089,640,480:waittimer 18990 blt 0,0,640,480,0, 2090,640,480:waittimer 18999 blt 0,0,640,480,0, 2091,640,480:waittimer 19009 blt 0,0,640,480,0, 2092,640,480:waittimer 19018 blt 0,0,640,480,0, 2093,640,480:waittimer 19027 blt 0,0,640,480,0, 2094,640,480:waittimer 19036 blt 0,0,640,480,0, 2095,640,480:waittimer 19045 blt 0,0,640,480,0, 2096,640,480:waittimer 19054 blt 0,0,640,480,0, 2097,640,480:waittimer 19063 blt 0,0,640,480,0, 2098,640,480:waittimer 19072 blt 0,0,640,480,0, 2099,640,480:waittimer 19081 blt 0,0,640,480,0, 2100,640,480:waittimer 19090 blt 0,0,640,480,0, 2101,640,480:waittimer 19099 blt 0,0,640,480,0, 2102,640,480:waittimer 19109 blt 0,0,640,480,0, 2103,640,480:waittimer 19118 blt 0,0,640,480,0, 2104,640,480:waittimer 19127 blt 0,0,640,480,0, 2105,640,480:waittimer 19136 blt 0,0,640,480,0, 2106,640,480:waittimer 19145 blt 0,0,640,480,0, 2107,640,480:waittimer 19154 blt 0,0,640,480,0, 2108,640,480:waittimer 19163 blt 0,0,640,480,0, 2109,640,480:waittimer 19172 blt 0,0,640,480,0, 2110,640,480:waittimer 19181 blt 0,0,640,480,0, 2111,640,480:waittimer 19190 blt 0,0,640,480,0, 2112,640,480:waittimer 19199 blt 0,0,640,480,0, 2113,640,480:waittimer 19209 blt 0,0,640,480,0, 2114,640,480:waittimer 19218 blt 0,0,640,480,0, 2115,640,480:waittimer 19227 blt 0,0,640,480,0, 2116,640,480:waittimer 19236 blt 0,0,640,480,0, 2117,640,480:waittimer 19245 blt 0,0,640,480,0, 2118,640,480:waittimer 19254 blt 0,0,640,480,0, 2119,640,480:waittimer 19263 blt 0,0,640,480,0, 2120,640,480:waittimer 19272 blt 0,0,640,480,0, 2121,640,480:waittimer 19281 blt 0,0,640,480,0, 2122,640,480:waittimer 19290 blt 0,0,640,480,0, 2123,640,480:waittimer 19299 blt 0,0,640,480,0, 2124,640,480:waittimer 19309 blt 0,0,640,480,0, 2125,640,480:waittimer 19318 blt 0,0,640,480,0, 2126,640,480:waittimer 19327 blt 0,0,640,480,0, 2127,640,480:waittimer 19336 blt 0,0,640,480,0, 2128,640,480:waittimer 19345 blt 0,0,640,480,0, 2129,640,480:waittimer 19354 blt 0,0,640,480,0, 2130,640,480:waittimer 19363 blt 0,0,640,480,0, 2131,640,480:waittimer 19372 blt 0,0,640,480,0, 2132,640,480:waittimer 19381 blt 0,0,640,480,0, 2133,640,480:waittimer 19390 blt 0,0,640,480,0, 2134,640,480:waittimer 19399 blt 0,0,640,480,0, 2135,640,480:waittimer 19409 blt 0,0,640,480,0, 2136,640,480:waittimer 19418 blt 0,0,640,480,0, 2137,640,480:waittimer 19427 blt 0,0,640,480,0, 2138,640,480:waittimer 19436 blt 0,0,640,480,0, 2139,640,480:waittimer 19445 blt 0,0,640,480,0, 2140,640,480:waittimer 19454 blt 0,0,640,480,0, 2141,640,480:waittimer 19463 blt 0,0,640,480,0, 2142,640,480:waittimer 19472 blt 0,0,640,480,0, 2143,640,480:waittimer 19481 blt 0,0,640,480,0, 2144,640,480:waittimer 19490 blt 0,0,640,480,0, 2145,640,480:waittimer 19499 blt 0,0,640,480,0, 2146,640,480:waittimer 19509 blt 0,0,640,480,0, 2147,640,480:waittimer 19518 blt 0,0,640,480,0, 2148,640,480:waittimer 19527 blt 0,0,640,480,0, 2149,640,480:waittimer 19536 blt 0,0,640,480,0, 2150,640,480:waittimer 19545 blt 0,0,640,480,0, 2151,640,480:waittimer 19554 blt 0,0,640,480,0, 2152,640,480:waittimer 19563 blt 0,0,640,480,0, 2153,640,480:waittimer 19572 blt 0,0,640,480,0, 2154,640,480:waittimer 19581 blt 0,0,640,480,0, 2155,640,480:waittimer 19590 blt 0,0,640,480,0, 2156,640,480:waittimer 19599 blt 0,0,640,480,0, 2157,640,480:waittimer 19609 blt 0,0,640,480,0, 2158,640,480:waittimer 19618 blt 0,0,640,480,0, 2159,640,480:waittimer 19627 blt 0,0,640,480,0, 2160,640,480:waittimer 19636 blt 0,0,640,480,0, 2161,640,480:waittimer 19645 blt 0,0,640,480,0, 2162,640,480:waittimer 19654 blt 0,0,640,480,0, 2163,640,480:waittimer 19663 blt 0,0,640,480,0, 2164,640,480:waittimer 19672 blt 0,0,640,480,0, 2165,640,480:waittimer 19681 blt 0,0,640,480,0, 2166,640,480:waittimer 19690 blt 0,0,640,480,0, 2167,640,480:waittimer 19699 blt 0,0,640,480,0, 2168,640,480:waittimer 19709 blt 0,0,640,480,0, 2169,640,480:waittimer 19718 blt 0,0,640,480,0, 2170,640,480:waittimer 19727 blt 0,0,640,480,0, 2171,640,480:waittimer 19736 blt 0,0,640,480,0, 2172,640,480:waittimer 19745 blt 0,0,640,480,0, 2173,640,480:waittimer 19754 blt 0,0,640,480,0, 2174,640,480:waittimer 19763 blt 0,0,640,480,0, 2175,640,480:waittimer 19772 blt 0,0,640,480,0, 2176,640,480:waittimer 19781 blt 0,0,640,480,0, 2177,640,480:waittimer 19790 blt 0,0,640,480,0, 2178,640,480:waittimer 19799 blt 0,0,640,480,0, 2179,640,480:waittimer 19809 blt 0,0,640,480,0, 2180,640,480:waittimer 19818 blt 0,0,640,480,0, 2181,640,480:waittimer 19827 blt 0,0,640,480,0, 2182,640,480:waittimer 19836 blt 0,0,640,480,0, 2183,640,480:waittimer 19845 blt 0,0,640,480,0, 2184,640,480:waittimer 19854 blt 0,0,640,480,0, 2185,640,480:waittimer 19863 blt 0,0,640,480,0, 2186,640,480:waittimer 19872 blt 0,0,640,480,0, 2187,640,480:waittimer 19881 blt 0,0,640,480,0, 2188,640,480:waittimer 19890 blt 0,0,640,480,0, 2189,640,480:waittimer 19899 blt 0,0,640,480,0, 2190,640,480:waittimer 19909 blt 0,0,640,480,0, 2191,640,480:waittimer 19918 blt 0,0,640,480,0, 2192,640,480:waittimer 19927 blt 0,0,640,480,0, 2193,640,480:waittimer 19936 blt 0,0,640,480,0, 2194,640,480:waittimer 19945 blt 0,0,640,480,0, 2195,640,480:waittimer 19954 blt 0,0,640,480,0, 2196,640,480:waittimer 19963 blt 0,0,640,480,0, 2197,640,480:waittimer 19972 blt 0,0,640,480,0, 2198,640,480:waittimer 19981 blt 0,0,640,480,0, 2199,640,480:waittimer 19990 blt 0,0,640,480,0, 2200,640,480:waittimer 19999 blt 0,0,640,480,0, 2201,640,480:waittimer 20009 blt 0,0,640,480,0, 2202,640,480:waittimer 20018 blt 0,0,640,480,0, 2203,640,480:waittimer 20027 blt 0,0,640,480,0, 2204,640,480:waittimer 20036 blt 0,0,640,480,0, 2205,640,480:waittimer 20045 blt 0,0,640,480,0, 2206,640,480:waittimer 20054 blt 0,0,640,480,0, 2207,640,480:waittimer 20063 blt 0,0,640,480,0, 2208,640,480:waittimer 20072 blt 0,0,640,480,0, 2209,640,480:waittimer 20081 blt 0,0,640,480,0, 2210,640,480:waittimer 20090 blt 0,0,640,480,0, 2211,640,480:waittimer 20099 blt 0,0,640,480,0, 2212,640,480:waittimer 20109 blt 0,0,640,480,0, 2213,640,480:waittimer 20118 blt 0,0,640,480,0, 2214,640,480:waittimer 20127 blt 0,0,640,480,0, 2215,640,480:waittimer 20136 blt 0,0,640,480,0, 2216,640,480:waittimer 20145 blt 0,0,640,480,0, 2217,640,480:waittimer 20154 blt 0,0,640,480,0, 2218,640,480:waittimer 20163 blt 0,0,640,480,0, 2219,640,480:waittimer 20172 blt 0,0,640,480,0, 2220,640,480:waittimer 20181 blt 0,0,640,480,0, 2221,640,480:waittimer 20190 blt 0,0,640,480,0, 2222,640,480:waittimer 20199 blt 0,0,640,480,0, 2223,640,480:waittimer 20209 blt 0,0,640,480,0, 2224,640,480:waittimer 20218 blt 0,0,640,480,0, 2225,640,480:waittimer 20227 blt 0,0,640,480,0, 2226,640,480:waittimer 20236 blt 0,0,640,480,0, 2227,640,480:waittimer 20245 blt 0,0,640,480,0, 2228,640,480:waittimer 20254 blt 0,0,640,480,0, 2229,640,480:waittimer 20263 blt 0,0,640,480,0, 2230,640,480:waittimer 20272 blt 0,0,640,480,0, 2231,640,480:waittimer 20281 blt 0,0,640,480,0, 2232,640,480:waittimer 20290 blt 0,0,640,480,0, 2233,640,480:waittimer 20299 blt 0,0,640,480,0, 2234,640,480:waittimer 20309 blt 0,0,640,480,0, 2235,640,480:waittimer 20318 blt 0,0,640,480,0, 2236,640,480:waittimer 20327 blt 0,0,640,480,0, 2237,640,480:waittimer 20336 blt 0,0,640,480,0, 2238,640,480:waittimer 20345 blt 0,0,640,480,0, 2239,640,480:waittimer 20354 blt 0,0,640,480,0, 2240,640,480:waittimer 20363 blt 0,0,640,480,0, 2241,640,480:waittimer 20372 blt 0,0,640,480,0, 2242,640,480:waittimer 20381 blt 0,0,640,480,0, 2243,640,480:waittimer 20390 blt 0,0,640,480,0, 2244,640,480:waittimer 20399 blt 0,0,640,480,0, 2245,640,480:waittimer 20409 blt 0,0,640,480,0, 2246,640,480:waittimer 20418 blt 0,0,640,480,0, 2247,640,480:waittimer 20427 blt 0,0,640,480,0, 2248,640,480:waittimer 20436 blt 0,0,640,480,0, 2249,640,480:waittimer 20445 blt 0,0,640,480,0, 2250,640,480:waittimer 20454 blt 0,0,640,480,0, 2251,640,480:waittimer 20463 blt 0,0,640,480,0, 2252,640,480:waittimer 20472 blt 0,0,640,480,0, 2253,640,480:waittimer 20481 blt 0,0,640,480,0, 2254,640,480:waittimer 20490 blt 0,0,640,480,0, 2255,640,480:waittimer 20499 blt 0,0,640,480,0, 2256,640,480:waittimer 20509 blt 0,0,640,480,0, 2257,640,480:waittimer 20518 blt 0,0,640,480,0, 2258,640,480:waittimer 20527 blt 0,0,640,480,0, 2259,640,480:waittimer 20536 blt 0,0,640,480,0, 2260,640,480:waittimer 20545 blt 0,0,640,480,0, 2261,640,480:waittimer 20554 blt 0,0,640,480,0, 2262,640,480:waittimer 20563 blt 0,0,640,480,0, 2263,640,480:waittimer 20572 blt 0,0,640,480,0, 2264,640,480:waittimer 20581 blt 0,0,640,480,0, 2265,640,480:waittimer 20590 blt 0,0,640,480,0, 2266,640,480:waittimer 20599 blt 0,0,640,480,0, 2267,640,480:waittimer 20609 blt 0,0,640,480,0, 2268,640,480:waittimer 20618 blt 0,0,640,480,0, 2269,640,480:waittimer 20627 blt 0,0,640,480,0, 2270,640,480:waittimer 20636 blt 0,0,640,480,0, 2271,640,480:waittimer 20645 blt 0,0,640,480,0, 2272,640,480:waittimer 20654 blt 0,0,640,480,0, 2273,640,480:waittimer 20663 blt 0,0,640,480,0, 2274,640,480:waittimer 20672 blt 0,0,640,480,0, 2275,640,480:waittimer 20681 blt 0,0,640,480,0, 2276,640,480:waittimer 20690 blt 0,0,640,480,0, 2277,640,480:waittimer 20699 blt 0,0,640,480,0, 2278,640,480:waittimer 20709 blt 0,0,640,480,0, 2279,640,480:waittimer 20718 blt 0,0,640,480,0, 2280,640,480:waittimer 20727 blt 0,0,640,480,0, 2281,640,480:waittimer 20736 blt 0,0,640,480,0, 2282,640,480:waittimer 20745 blt 0,0,640,480,0, 2283,640,480:waittimer 20754 blt 0,0,640,480,0, 2284,640,480:waittimer 20763 blt 0,0,640,480,0, 2285,640,480:waittimer 20772 blt 0,0,640,480,0, 2286,640,480:waittimer 20781 blt 0,0,640,480,0, 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73581 blt 0,0,640,480,0, 8095,640,480:waittimer 73590 blt 0,0,640,480,0, 8096,640,480:waittimer 73599 blt 0,0,640,480,0, 8097,640,480:waittimer 73609 blt 0,0,640,480,0, 8098,640,480:waittimer 73618 blt 0,0,640,480,0, 8099,640,480:waittimer 73627 blt 0,0,640,480,0, 8100,640,480:waittimer 73636 blt 0,0,640,480,0, 8101,640,480:waittimer 73645 blt 0,0,640,480,0, 8102,640,480:waittimer 73654 blt 0,0,640,480,0, 8103,640,480:waittimer 73663 blt 0,0,640,480,0, 8104,640,480:waittimer 73672 blt 0,0,640,480,0, 8105,640,480:waittimer 73681 blt 0,0,640,480,0, 8106,640,480:waittimer 73690 blt 0,0,640,480,0, 8107,640,480:waittimer 73699 blt 0,0,640,480,0, 8108,640,480:waittimer 73709 blt 0,0,640,480,0, 8109,640,480:waittimer 73718 blt 0,0,640,480,0, 8110,640,480:waittimer 73727 blt 0,0,640,480,0, 8111,640,480:waittimer 73736 blt 0,0,640,480,0, 8112,640,480:waittimer 73745 blt 0,0,640,480,0, 8113,640,480:waittimer 73754 blt 0,0,640,480,0, 8114,640,480:waittimer 73763 blt 0,0,640,480,0, 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0,0,640,480,0, 8136,640,480:waittimer 73963 blt 0,0,640,480,0, 8137,640,480:waittimer 73972 blt 0,0,640,480,0, 8138,640,480:waittimer 73981 blt 0,0,640,480,0, 8139,640,480:waittimer 73990 blt 0,0,640,480,0, 8140,640,480:waittimer 73999 blt 0,0,640,480,0, 8141,640,480:waittimer 74009 blt 0,0,640,480,0, 8142,640,480:waittimer 74018 blt 0,0,640,480,0, 8143,640,480:waittimer 74027 blt 0,0,640,480,0, 8144,640,480:waittimer 74036 blt 0,0,640,480,0, 8145,640,480:waittimer 74045 blt 0,0,640,480,0, 8146,640,480:waittimer 74054 blt 0,0,640,480,0, 8147,640,480:waittimer 74063 blt 0,0,640,480,0, 8148,640,480:waittimer 74072 blt 0,0,640,480,0, 8149,640,480:waittimer 74081 blt 0,0,640,480,0, 8150,640,480:waittimer 74090 blt 0,0,640,480,0, 8151,640,480:waittimer 74099 blt 0,0,640,480,0, 8152,640,480:waittimer 74109 blt 0,0,640,480,0, 8153,640,480:waittimer 74118 blt 0,0,640,480,0, 8154,640,480:waittimer 74127 blt 0,0,640,480,0, 8155,640,480:waittimer 74136 blt 0,0,640,480,0, 8156,640,480:waittimer 74145 blt 0,0,640,480,0, 8157,640,480:waittimer 74154 blt 0,0,640,480,0, 8158,640,480:waittimer 74163 blt 0,0,640,480,0, 8159,640,480:waittimer 74172 blt 0,0,640,480,0, 8160,640,480:waittimer 74181 blt 0,0,640,480,0, 8161,640,480:waittimer 74190 blt 0,0,640,480,0, 8162,640,480:waittimer 74199 blt 0,0,640,480,0, 8163,640,480:waittimer 74209 blt 0,0,640,480,0, 8164,640,480:waittimer 74218 blt 0,0,640,480,0, 8165,640,480:waittimer 74227 blt 0,0,640,480,0, 8166,640,480:waittimer 74236 blt 0,0,640,480,0, 8167,640,480:waittimer 74245 blt 0,0,640,480,0, 8168,640,480:waittimer 74254 blt 0,0,640,480,0, 8169,640,480:waittimer 74263 blt 0,0,640,480,0, 8170,640,480:waittimer 74272 blt 0,0,640,480,0, 8171,640,480:waittimer 74281 blt 0,0,640,480,0, 8172,640,480:waittimer 74290 blt 0,0,640,480,0, 8173,640,480:waittimer 74299 blt 0,0,640,480,0, 8174,640,480:waittimer 74309 blt 0,0,640,480,0, 8175,640,480:waittimer 74318 blt 0,0,640,480,0, 8176,640,480:waittimer 74327 blt 0,0,640,480,0, 8177,640,480:waittimer 74336 blt 0,0,640,480,0, 8178,640,480:waittimer 74345 blt 0,0,640,480,0, 8179,640,480:waittimer 74354 blt 0,0,640,480,0, 8180,640,480:waittimer 74363 blt 0,0,640,480,0, 8181,640,480:waittimer 74372 blt 0,0,640,480,0, 8182,640,480:waittimer 74381 blt 0,0,640,480,0, 8183,640,480:waittimer 74390 blt 0,0,640,480,0, 8184,640,480:waittimer 74399 blt 0,0,640,480,0, 8185,640,480:waittimer 74409 blt 0,0,640,480,0, 8186,640,480:waittimer 74418 blt 0,0,640,480,0, 8187,640,480:waittimer 74427 blt 0,0,640,480,0, 8188,640,480:waittimer 74436 blt 0,0,640,480,0, 8189,640,480:waittimer 74445 blt 0,0,640,480,0, 8190,640,480:waittimer 74454 blt 0,0,640,480,0, 8191,640,480:waittimer 74463 blt 0,0,640,480,0, 8192,640,480:waittimer 74472 blt 0,0,640,480,0, 8193,640,480:waittimer 74481 blt 0,0,640,480,0, 8194,640,480:waittimer 74490 blt 0,0,640,480,0, 8195,640,480:waittimer 74499 blt 0,0,640,480,0, 8196,640,480:waittimer 74509 blt 0,0,640,480,0, 8197,640,480:waittimer 74518 blt 0,0,640,480,0, 8198,640,480:waittimer 74527 blt 0,0,640,480,0, 8199,640,480:waittimer 74536 blt 0,0,640,480,0, 8200,640,480:waittimer 74545 blt 0,0,640,480,0, 8201,640,480:waittimer 74554 blt 0,0,640,480,0, 8202,640,480:waittimer 74563 blt 0,0,640,480,0, 8203,640,480:waittimer 74572 blt 0,0,640,480,0, 8204,640,480:waittimer 74581 blt 0,0,640,480,0, 8205,640,480:waittimer 74590 blt 0,0,640,480,0, 8206,640,480:waittimer 74599 blt 0,0,640,480,0, 8207,640,480:waittimer 74609 blt 0,0,640,480,0, 8208,640,480:waittimer 74618 blt 0,0,640,480,0, 8209,640,480:waittimer 74627 blt 0,0,640,480,0, 8210,640,480:waittimer 74636 blt 0,0,640,480,0, 8211,640,480:waittimer 74645 blt 0,0,640,480,0, 8212,640,480:waittimer 74654 blt 0,0,640,480,0, 8213,640,480:waittimer 74663 blt 0,0,640,480,0, 8214,640,480:waittimer 74672 blt 0,0,640,480,0, 8215,640,480:waittimer 74681 blt 0,0,640,480,0, 8216,640,480:waittimer 74690 blt 0,0,640,480,0, 8217,640,480:waittimer 74699 blt 0,0,640,480,0, 8218,640,480:waittimer 74709 blt 0,0,640,480,0, 8219,640,480:waittimer 74718 blt 0,0,640,480,0, 8220,640,480:waittimer 74727 blt 0,0,640,480,0, 8221,640,480:waittimer 74736 blt 0,0,640,480,0, 8222,640,480:waittimer 74745 blt 0,0,640,480,0, 8223,640,480:waittimer 74754 blt 0,0,640,480,0, 8224,640,480:waittimer 74763 blt 0,0,640,480,0, 8225,640,480:waittimer 74772 blt 0,0,640,480,0, 8226,640,480:waittimer 74781 blt 0,0,640,480,0, 8227,640,480:waittimer 74790 blt 0,0,640,480,0, 8228,640,480:waittimer 74799 blt 0,0,640,480,0, 8229,640,480:waittimer 74809 blt 0,0,640,480,0, 8230,640,480:waittimer 74818 blt 0,0,640,480,0, 8231,640,480:waittimer 74827 blt 0,0,640,480,0, 8232,640,480:waittimer 74836 blt 0,0,640,480,0, 8233,640,480:waittimer 74845 blt 0,0,640,480,0, 8234,640,480:waittimer 74854 blt 0,0,640,480,0, 8235,640,480:waittimer 74863 blt 0,0,640,480,0, 8236,640,480:waittimer 74872 blt 0,0,640,480,0, 8237,640,480:waittimer 74881 blt 0,0,640,480,0, 8238,640,480:waittimer 74890 blt 0,0,640,480,0, 8239,640,480:waittimer 74899 blt 0,0,640,480,0, 8240,640,480:waittimer 74909 blt 0,0,640,480,0, 8241,640,480:waittimer 74918 blt 0,0,640,480,0, 8242,640,480:waittimer 74927 blt 0,0,640,480,0, 8243,640,480:waittimer 74936 blt 0,0,640,480,0, 8244,640,480:waittimer 74945 blt 0,0,640,480,0, 8245,640,480:waittimer 74954 blt 0,0,640,480,0, 8246,640,480:waittimer 74963 blt 0,0,640,480,0, 8247,640,480:waittimer 74972 blt 0,0,640,480,0, 8248,640,480:waittimer 74981 blt 0,0,640,480,0, 8249,640,480:waittimer 74990 blt 0,0,640,480,0, 8250,640,480:waittimer 74999 blt 0,0,640,480,0, 8251,640,480:waittimer 75009 blt 0,0,640,480,0, 8252,640,480:waittimer 75018 blt 0,0,640,480,0, 8253,640,480:waittimer 75027 blt 0,0,640,480,0, 8254,640,480:waittimer 75036 blt 0,0,640,480,0, 8255,640,480:waittimer 75045 blt 0,0,640,480,0, 8256,640,480:waittimer 75054 blt 0,0,640,480,0, 8257,640,480:waittimer 75063 blt 0,0,640,480,0, 8258,640,480:waittimer 75072 blt 0,0,640,480,0, 8259,640,480:waittimer 75081 blt 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75272 blt 0,0,640,480,0, 8281,640,480:waittimer 75281 blt 0,0,640,480,0, 8282,640,480:waittimer 75290 blt 0,0,640,480,0, 8283,640,480:waittimer 75299 blt 0,0,640,480,0, 8284,640,480:waittimer 75309 blt 0,0,640,480,0, 8285,640,480:waittimer 75318 blt 0,0,640,480,0, 8286,640,480:waittimer 75327 blt 0,0,640,480,0, 8287,640,480:waittimer 75336 blt 0,0,640,480,0, 8288,640,480:waittimer 75345 blt 0,0,640,480,0, 8289,640,480:waittimer 75354 blt 0,0,640,480,0, 8290,640,480:waittimer 75363 blt 0,0,640,480,0, 8291,640,480:waittimer 75372 blt 0,0,640,480,0, 8292,640,480:waittimer 75381 blt 0,0,640,480,0, 8293,640,480:waittimer 75390 blt 0,0,640,480,0, 8294,640,480:waittimer 75399 blt 0,0,640,480,0, 8295,640,480:waittimer 75409 blt 0,0,640,480,0, 8296,640,480:waittimer 75418 blt 0,0,640,480,0, 8297,640,480:waittimer 75427 blt 0,0,640,480,0, 8298,640,480:waittimer 75436 blt 0,0,640,480,0, 8299,640,480:waittimer 75445 blt 0,0,640,480,0, 8300,640,480:waittimer 75454 blt 0,0,640,480,0, 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75836 blt 0,0,640,480,0, 8343,640,480:waittimer 75845 blt 0,0,640,480,0, 8344,640,480:waittimer 75854 blt 0,0,640,480,0, 8345,640,480:waittimer 75863 blt 0,0,640,480,0, 8346,640,480:waittimer 75872 blt 0,0,640,480,0, 8347,640,480:waittimer 75881 blt 0,0,640,480,0, 8348,640,480:waittimer 75890 blt 0,0,640,480,0, 8349,640,480:waittimer 75899 blt 0,0,640,480,0, 8350,640,480:waittimer 75909 blt 0,0,640,480,0, 8351,640,480:waittimer 75918 blt 0,0,640,480,0, 8352,640,480:waittimer 75927 blt 0,0,640,480,0, 8353,640,480:waittimer 75936 blt 0,0,640,480,0, 8354,640,480:waittimer 75945 blt 0,0,640,480,0, 8355,640,480:waittimer 75954 blt 0,0,640,480,0, 8356,640,480:waittimer 75963 blt 0,0,640,480,0, 8357,640,480:waittimer 75972 blt 0,0,640,480,0, 8358,640,480:waittimer 75981 blt 0,0,640,480,0, 8359,640,480:waittimer 75990 blt 0,0,640,480,0, 8360,640,480:waittimer 75999 blt 0,0,640,480,0, 8361,640,480:waittimer 76009 blt 0,0,640,480,0, 8362,640,480:waittimer 76018 blt 0,0,640,480,0, 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79218 blt 0,0,640,480,0, 8715,640,480:waittimer 79227 blt 0,0,640,480,0, 8716,640,480:waittimer 79236 blt 0,0,640,480,0, 8717,640,480:waittimer 79245 blt 0,0,640,480,0, 8718,640,480:waittimer 79254 blt 0,0,640,480,0, 8719,640,480:waittimer 79263 blt 0,0,640,480,0, 8720,640,480:waittimer 79272 blt 0,0,640,480,0, 8721,640,480:waittimer 79281 blt 0,0,640,480,0, 8722,640,480:waittimer 79290 blt 0,0,640,480,0, 8723,640,480:waittimer 79299 blt 0,0,640,480,0, 8724,640,480:waittimer 79309 blt 0,0,640,480,0, 8725,640,480:waittimer 79318 blt 0,0,640,480,0, 8726,640,480:waittimer 79327 blt 0,0,640,480,0, 8727,640,480:waittimer 79336 blt 0,0,640,480,0, 8728,640,480:waittimer 79345 blt 0,0,640,480,0, 8729,640,480:waittimer 79354 blt 0,0,640,480,0, 8730,640,480:waittimer 79363 blt 0,0,640,480,0, 8731,640,480:waittimer 79372 blt 0,0,640,480,0, 8732,640,480:waittimer 79381 blt 0,0,640,480,0, 8733,640,480:waittimer 79390 blt 0,0,640,480,0, 8734,640,480:waittimer 79399 blt 0,0,640,480,0, 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79781 blt 0,0,640,480,0, 8777,640,480:waittimer 79790 blt 0,0,640,480,0, 8778,640,480:waittimer 79799 blt 0,0,640,480,0, 8779,640,480:waittimer 79809 blt 0,0,640,480,0, 8780,640,480:waittimer 79818 blt 0,0,640,480,0, 8781,640,480:waittimer 79827 blt 0,0,640,480,0, 8782,640,480:waittimer 79836 blt 0,0,640,480,0, 8783,640,480:waittimer 79845 blt 0,0,640,480,0, 8784,640,480:waittimer 79854 blt 0,0,640,480,0, 8785,640,480:waittimer 79863 blt 0,0,640,480,0, 8786,640,480:waittimer 79872 blt 0,0,640,480,0, 8787,640,480:waittimer 79881 blt 0,0,640,480,0, 8788,640,480:waittimer 79890 blt 0,0,640,480,0, 8789,640,480:waittimer 79899 blt 0,0,640,480,0, 8790,640,480:waittimer 79909 blt 0,0,640,480,0, 8791,640,480:waittimer 79918 blt 0,0,640,480,0, 8792,640,480:waittimer 79927 blt 0,0,640,480,0, 8793,640,480:waittimer 79936 blt 0,0,640,480,0, 8794,640,480:waittimer 79945 blt 0,0,640,480,0, 8795,640,480:waittimer 79954 blt 0,0,640,480,0, 8796,640,480:waittimer 79963 blt 0,0,640,480,0, 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0,0,640,480,0, 9004,640,480:waittimer 81854 blt 0,0,640,480,0, 9005,640,480:waittimer 81863 blt 0,0,640,480,0, 9006,640,480:waittimer 81872 blt 0,0,640,480,0, 9007,640,480:waittimer 81881 blt 0,0,640,480,0, 9008,640,480:waittimer 81890 blt 0,0,640,480,0, 9009,640,480:waittimer 81899 blt 0,0,640,480,0, 9010,640,480:waittimer 81909 blt 0,0,640,480,0, 9011,640,480:waittimer 81918 blt 0,0,640,480,0, 9012,640,480:waittimer 81927 blt 0,0,640,480,0, 9013,640,480:waittimer 81936 blt 0,0,640,480,0, 9014,640,480:waittimer 81945 blt 0,0,640,480,0, 9015,640,480:waittimer 81954 blt 0,0,640,480,0, 9016,640,480:waittimer 81963 blt 0,0,640,480,0, 9017,640,480:waittimer 81972 blt 0,0,640,480,0, 9018,640,480:waittimer 81981 blt 0,0,640,480,0, 9019,640,480:waittimer 81990 blt 0,0,640,480,0, 9020,640,480:waittimer 81999 blt 0,0,640,480,0, 9021,640,480:waittimer 82009 blt 0,0,640,480,0, 9022,640,480:waittimer 82018 blt 0,0,640,480,0, 9023,640,480:waittimer 82027 blt 0,0,640,480,0, 9024,640,480:waittimer 82036 blt 0,0,640,480,0, 9025,640,480:waittimer 82045 blt 0,0,640,480,0, 9026,640,480:waittimer 82054 blt 0,0,640,480,0, 9027,640,480:waittimer 82063 blt 0,0,640,480,0, 9028,640,480:waittimer 82072 blt 0,0,640,480,0, 9029,640,480:waittimer 82081 blt 0,0,640,480,0, 9030,640,480:waittimer 82090 blt 0,0,640,480,0, 9031,640,480:waittimer 82099 blt 0,0,640,480,0, 9032,640,480:waittimer 82109 blt 0,0,640,480,0, 9033,640,480:waittimer 82118 blt 0,0,640,480,0, 9034,640,480:waittimer 82127 blt 0,0,640,480,0, 9035,640,480:waittimer 82136 blt 0,0,640,480,0, 9036,640,480:waittimer 82145 blt 0,0,640,480,0, 9037,640,480:waittimer 82154 blt 0,0,640,480,0, 9038,640,480:waittimer 82163 blt 0,0,640,480,0, 9039,640,480:waittimer 82172 blt 0,0,640,480,0, 9040,640,480:waittimer 82181 blt 0,0,640,480,0, 9041,640,480:waittimer 82190 blt 0,0,640,480,0, 9042,640,480:waittimer 82199 blt 0,0,640,480,0, 9043,640,480:waittimer 82209 blt 0,0,640,480,0, 9044,640,480:waittimer 82218 blt 0,0,640,480,0, 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0,0,640,480,0, 9066,640,480:waittimer 82418 blt 0,0,640,480,0, 9067,640,480:waittimer 82427 blt 0,0,640,480,0, 9068,640,480:waittimer 82436 blt 0,0,640,480,0, 9069,640,480:waittimer 82445 blt 0,0,640,480,0, 9070,640,480:waittimer 82454 blt 0,0,640,480,0, 9071,640,480:waittimer 82463 blt 0,0,640,480,0, 9072,640,480:waittimer 82472 blt 0,0,640,480,0, 9073,640,480:waittimer 82481 blt 0,0,640,480,0, 9074,640,480:waittimer 82490 blt 0,0,640,480,0, 9075,640,480:waittimer 82499 blt 0,0,640,480,0, 9076,640,480:waittimer 82509 blt 0,0,640,480,0, 9077,640,480:waittimer 82518 blt 0,0,640,480,0, 9078,640,480:waittimer 82527 blt 0,0,640,480,0, 9079,640,480:waittimer 82536 blt 0,0,640,480,0, 9080,640,480:waittimer 82545 blt 0,0,640,480,0, 9081,640,480:waittimer 82554 blt 0,0,640,480,0, 9082,640,480:waittimer 82563 blt 0,0,640,480,0, 9083,640,480:waittimer 82572 blt 0,0,640,480,0, 9084,640,480:waittimer 82581 blt 0,0,640,480,0, 9085,640,480:waittimer 82590 blt 0,0,640,480,0, 9086,640,480:waittimer 82599 blt 0,0,640,480,0, 9087,640,480:waittimer 82609 blt 0,0,640,480,0, 9088,640,480:waittimer 82618 blt 0,0,640,480,0, 9089,640,480:waittimer 82627 blt 0,0,640,480,0, 9090,640,480:waittimer 82636 blt 0,0,640,480,0, 9091,640,480:waittimer 82645 blt 0,0,640,480,0, 9092,640,480:waittimer 82654 blt 0,0,640,480,0, 9093,640,480:waittimer 82663 blt 0,0,640,480,0, 9094,640,480:waittimer 82672 blt 0,0,640,480,0, 9095,640,480:waittimer 82681 blt 0,0,640,480,0, 9096,640,480:waittimer 82690 blt 0,0,640,480,0, 9097,640,480:waittimer 82699 blt 0,0,640,480,0, 9098,640,480:waittimer 82709 blt 0,0,640,480,0, 9099,640,480:waittimer 82718 blt 0,0,640,480,0, 9100,640,480:waittimer 82727 blt 0,0,640,480,0, 9101,640,480:waittimer 82736 blt 0,0,640,480,0, 9102,640,480:waittimer 82745 blt 0,0,640,480,0, 9103,640,480:waittimer 82754 blt 0,0,640,480,0, 9104,640,480:waittimer 82763 blt 0,0,640,480,0, 9105,640,480:waittimer 82772 blt 0,0,640,480,0, 9106,640,480:waittimer 82781 blt 0,0,640,480,0, 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0,0,640,480,0, 9128,640,480:waittimer 82981 blt 0,0,640,480,0, 9129,640,480:waittimer 82990 blt 0,0,640,480,0, 9130,640,480:waittimer 82999 blt 0,0,640,480,0, 9131,640,480:waittimer 83009 blt 0,0,640,480,0, 9132,640,480:waittimer 83018 blt 0,0,640,480,0, 9133,640,480:waittimer 83027 blt 0,0,640,480,0, 9134,640,480:waittimer 83036 blt 0,0,640,480,0, 9135,640,480:waittimer 83045 blt 0,0,640,480,0, 9136,640,480:waittimer 83054 blt 0,0,640,480,0, 9137,640,480:waittimer 83063 blt 0,0,640,480,0, 9138,640,480:waittimer 83072 blt 0,0,640,480,0, 9139,640,480:waittimer 83081 blt 0,0,640,480,0, 9140,640,480:waittimer 83090 blt 0,0,640,480,0, 9141,640,480:waittimer 83099 blt 0,0,640,480,0, 9142,640,480:waittimer 83109 blt 0,0,640,480,0, 9143,640,480:waittimer 83118 blt 0,0,640,480,0, 9144,640,480:waittimer 83127 blt 0,0,640,480,0, 9145,640,480:waittimer 83136 blt 0,0,640,480,0, 9146,640,480:waittimer 83145 blt 0,0,640,480,0, 9147,640,480:waittimer 83154 blt 0,0,640,480,0, 9148,640,480:waittimer 83163 blt 0,0,640,480,0, 9149,640,480:waittimer 83172 blt 0,0,640,480,0, 9150,640,480:waittimer 83181 blt 0,0,640,480,0, 9151,640,480:waittimer 83190 blt 0,0,640,480,0, 9152,640,480:waittimer 83199 blt 0,0,640,480,0, 9153,640,480:waittimer 83209 blt 0,0,640,480,0, 9154,640,480:waittimer 83218 blt 0,0,640,480,0, 9155,640,480:waittimer 83227 blt 0,0,640,480,0, 9156,640,480:waittimer 83236 blt 0,0,640,480,0, 9157,640,480:waittimer 83245 blt 0,0,640,480,0, 9158,640,480:waittimer 83254 blt 0,0,640,480,0, 9159,640,480:waittimer 83263 blt 0,0,640,480,0, 9160,640,480:waittimer 83272 blt 0,0,640,480,0, 9161,640,480:waittimer 83281 blt 0,0,640,480,0, 9162,640,480:waittimer 83290 blt 0,0,640,480,0, 9163,640,480:waittimer 83299 blt 0,0,640,480,0, 9164,640,480:waittimer 83309 blt 0,0,640,480,0, 9165,640,480:waittimer 83318 blt 0,0,640,480,0, 9166,640,480:waittimer 83327 blt 0,0,640,480,0, 9167,640,480:waittimer 83336 blt 0,0,640,480,0, 9168,640,480:waittimer 83345 blt 0,0,640,480,0, 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0,0,640,480,0, 9190,640,480:waittimer 83545 blt 0,0,640,480,0, 9191,640,480:waittimer 83554 blt 0,0,640,480,0, 9192,640,480:waittimer 83563 blt 0,0,640,480,0, 9193,640,480:waittimer 83572 blt 0,0,640,480,0, 9194,640,480:waittimer 83581 blt 0,0,640,480,0, 9195,640,480:waittimer 83590 blt 0,0,640,480,0, 9196,640,480:waittimer 83599 blt 0,0,640,480,0, 9197,640,480:waittimer 83609 blt 0,0,640,480,0, 9198,640,480:waittimer 83618 blt 0,0,640,480,0, 9199,640,480:waittimer 83627 blt 0,0,640,480,0, 9200,640,480:waittimer 83636 blt 0,0,640,480,0, 9201,640,480:waittimer 83645 blt 0,0,640,480,0, 9202,640,480:waittimer 83654 blt 0,0,640,480,0, 9203,640,480:waittimer 83663 blt 0,0,640,480,0, 9204,640,480:waittimer 83672 blt 0,0,640,480,0, 9205,640,480:waittimer 83681 blt 0,0,640,480,0, 9206,640,480:waittimer 83690 blt 0,0,640,480,0, 9207,640,480:waittimer 83699 blt 0,0,640,480,0, 9208,640,480:waittimer 83709 blt 0,0,640,480,0, 9209,640,480:waittimer 83718 blt 0,0,640,480,0, 9210,640,480:waittimer 83727 blt 0,0,640,480,0, 9211,640,480:waittimer 83736 blt 0,0,640,480,0, 9212,640,480:waittimer 83745 blt 0,0,640,480,0, 9213,640,480:waittimer 83754 blt 0,0,640,480,0, 9214,640,480:waittimer 83763 blt 0,0,640,480,0, 9215,640,480:waittimer 83772 blt 0,0,640,480,0, 9216,640,480:waittimer 83781 blt 0,0,640,480,0, 9217,640,480:waittimer 83790 blt 0,0,640,480,0, 9218,640,480:waittimer 83799 blt 0,0,640,480,0, 9219,640,480:waittimer 83809 blt 0,0,640,480,0, 9220,640,480:waittimer 83818 blt 0,0,640,480,0, 9221,640,480:waittimer 83827 blt 0,0,640,480,0, 9222,640,480:waittimer 83836 blt 0,0,640,480,0, 9223,640,480:waittimer 83845 blt 0,0,640,480,0, 9224,640,480:waittimer 83854 blt 0,0,640,480,0, 9225,640,480:waittimer 83863 blt 0,0,640,480,0, 9226,640,480:waittimer 83872 blt 0,0,640,480,0, 9227,640,480:waittimer 83881 blt 0,0,640,480,0, 9228,640,480:waittimer 83890 blt 0,0,640,480,0, 9229,640,480:waittimer 83899 blt 0,0,640,480,0, 9230,640,480:waittimer 83909 blt 0,0,640,480,0, 9231,640,480:waittimer 83918 blt 0,0,640,480,0, 9232,640,480:waittimer 83927 blt 0,0,640,480,0, 9233,640,480:waittimer 83936 blt 0,0,640,480,0, 9234,640,480:waittimer 83945 blt 0,0,640,480,0, 9235,640,480:waittimer 83954 blt 0,0,640,480,0, 9236,640,480:waittimer 83963 blt 0,0,640,480,0, 9237,640,480:waittimer 83972 blt 0,0,640,480,0, 9238,640,480:waittimer 83981 blt 0,0,640,480,0, 9239,640,480:waittimer 83990 blt 0,0,640,480,0, 9240,640,480:waittimer 83999 blt 0,0,640,480,0, 9241,640,480:waittimer 84009 blt 0,0,640,480,0, 9242,640,480:waittimer 84018 blt 0,0,640,480,0, 9243,640,480:waittimer 84027 blt 0,0,640,480,0, 9244,640,480:waittimer 84036 blt 0,0,640,480,0, 9245,640,480:waittimer 84045 blt 0,0,640,480,0, 9246,640,480:waittimer 84054 blt 0,0,640,480,0, 9247,640,480:waittimer 84063 blt 0,0,640,480,0, 9248,640,480:waittimer 84072 blt 0,0,640,480,0, 9249,640,480:waittimer 84081 blt 0,0,640,480,0, 9250,640,480:waittimer 84090 blt 0,0,640,480,0, 9251,640,480:waittimer 84099 blt 0,0,640,480,0, 9252,640,480:waittimer 84109 blt 0,0,640,480,0, 9253,640,480:waittimer 84118 blt 0,0,640,480,0, 9254,640,480:waittimer 84127 blt 0,0,640,480,0, 9255,640,480:waittimer 84136 blt 0,0,640,480,0, 9256,640,480:waittimer 84145 blt 0,0,640,480,0, 9257,640,480:waittimer 84154 blt 0,0,640,480,0, 9258,640,480:waittimer 84163 blt 0,0,640,480,0, 9259,640,480:waittimer 84172 blt 0,0,640,480,0, 9260,640,480:waittimer 84181 blt 0,0,640,480,0, 9261,640,480:waittimer 84190 blt 0,0,640,480,0, 9262,640,480:waittimer 84199 blt 0,0,640,480,0, 9263,640,480:waittimer 84209 blt 0,0,640,480,0, 9264,640,480:waittimer 84218 blt 0,0,640,480,0, 9265,640,480:waittimer 84227 blt 0,0,640,480,0, 9266,640,480:waittimer 84236 blt 0,0,640,480,0, 9267,640,480:waittimer 84245 blt 0,0,640,480,0, 9268,640,480:waittimer 84254 blt 0,0,640,480,0, 9269,640,480:waittimer 84263 blt 0,0,640,480,0, 9270,640,480:waittimer 84272 blt 0,0,640,480,0, 9271,640,480:waittimer 84281 blt 0,0,640,480,0, 9272,640,480:waittimer 84290 blt 0,0,640,480,0, 9273,640,480:waittimer 84299 blt 0,0,640,480,0, 9274,640,480:waittimer 84309 blt 0,0,640,480,0, 9275,640,480:waittimer 84318 blt 0,0,640,480,0, 9276,640,480:waittimer 84327 blt 0,0,640,480,0, 9277,640,480:waittimer 84336 blt 0,0,640,480,0, 9278,640,480:waittimer 84345 blt 0,0,640,480,0, 9279,640,480:waittimer 84354 blt 0,0,640,480,0, 9280,640,480:waittimer 84363 blt 0,0,640,480,0, 9281,640,480:waittimer 84372 blt 0,0,640,480,0, 9282,640,480:waittimer 84381 blt 0,0,640,480,0, 9283,640,480:waittimer 84390 blt 0,0,640,480,0, 9284,640,480:waittimer 84399 blt 0,0,640,480,0, 9285,640,480:waittimer 84409 blt 0,0,640,480,0, 9286,640,480:waittimer 84418 blt 0,0,640,480,0, 9287,640,480:waittimer 84427 blt 0,0,640,480,0, 9288,640,480:waittimer 84436 blt 0,0,640,480,0, 9289,640,480:waittimer 84445 blt 0,0,640,480,0, 9290,640,480:waittimer 84454 blt 0,0,640,480,0, 9291,640,480:waittimer 84463 blt 0,0,640,480,0, 9292,640,480:waittimer 84472 blt 0,0,640,480,0, 9293,640,480:waittimer 84481 blt 0,0,640,480,0, 9294,640,480:waittimer 84490 blt 0,0,640,480,0, 9295,640,480:waittimer 84499 blt 0,0,640,480,0, 9296,640,480:waittimer 84509 blt 0,0,640,480,0, 9297,640,480:waittimer 84518 blt 0,0,640,480,0, 9298,640,480:waittimer 84527 blt 0,0,640,480,0, 9299,640,480:waittimer 84536 blt 0,0,640,480,0, 9300,640,480:waittimer 84545 blt 0,0,640,480,0, 9301,640,480:waittimer 84554 blt 0,0,640,480,0, 9302,640,480:waittimer 84563 blt 0,0,640,480,0, 9303,640,480:waittimer 84572 blt 0,0,640,480,0, 9304,640,480:waittimer 84581 blt 0,0,640,480,0, 9305,640,480:waittimer 84590 blt 0,0,640,480,0, 9306,640,480:waittimer 84599 blt 0,0,640,480,0, 9307,640,480:waittimer 84609 blt 0,0,640,480,0, 9308,640,480:waittimer 84618 blt 0,0,640,480,0, 9309,640,480:waittimer 84627 blt 0,0,640,480,0, 9310,640,480:waittimer 84636 blt 0,0,640,480,0, 9311,640,480:waittimer 84645 blt 0,0,640,480,0, 9312,640,480:waittimer 84654 blt 0,0,640,480,0, 9313,640,480:waittimer 84663 blt 0,0,640,480,0, 9314,640,480:waittimer 84672 blt 0,0,640,480,0, 9315,640,480:waittimer 84681 blt 0,0,640,480,0, 9316,640,480:waittimer 84690 blt 0,0,640,480,0, 9317,640,480:waittimer 84699 blt 0,0,640,480,0, 9318,640,480:waittimer 84709 blt 0,0,640,480,0, 9319,640,480:waittimer 84718 blt 0,0,640,480,0, 9320,640,480:waittimer 84727 blt 0,0,640,480,0, 9321,640,480:waittimer 84736 blt 0,0,640,480,0, 9322,640,480:waittimer 84745 blt 0,0,640,480,0, 9323,640,480:waittimer 84754 blt 0,0,640,480,0, 9324,640,480:waittimer 84763 blt 0,0,640,480,0, 9325,640,480:waittimer 84772 blt 0,0,640,480,0, 9326,640,480:waittimer 84781 blt 0,0,640,480,0, 9327,640,480:waittimer 84790 blt 0,0,640,480,0, 9328,640,480:waittimer 84799 blt 0,0,640,480,0, 9329,640,480:waittimer 84809 blt 0,0,640,480,0, 9330,640,480:waittimer 84818 blt 0,0,640,480,0, 9331,640,480:waittimer 84827 blt 0,0,640,480,0, 9332,640,480:waittimer 84836 blt 0,0,640,480,0, 9333,640,480:waittimer 84845 blt 0,0,640,480,0, 9334,640,480:waittimer 84854 blt 0,0,640,480,0, 9335,640,480:waittimer 84863 blt 0,0,640,480,0, 9336,640,480:waittimer 84872 blt 0,0,640,480,0, 9337,640,480:waittimer 84881 blt 0,0,640,480,0, 9338,640,480:waittimer 84890 blt 0,0,640,480,0, 9339,640,480:waittimer 84899 blt 0,0,640,480,0, 9340,640,480:waittimer 84909 blt 0,0,640,480,0, 9341,640,480:waittimer 84918 blt 0,0,640,480,0, 9342,640,480:waittimer 84927 blt 0,0,640,480,0, 9343,640,480:waittimer 84936 blt 0,0,640,480,0, 9344,640,480:waittimer 84945 blt 0,0,640,480,0, 9345,640,480:waittimer 84954 blt 0,0,640,480,0, 9346,640,480:waittimer 84963 blt 0,0,640,480,0, 9347,640,480:waittimer 84972 blt 0,0,640,480,0, 9348,640,480:waittimer 84981 blt 0,0,640,480,0, 9349,640,480:waittimer 84990 blt 0,0,640,480,0, 9350,640,480:waittimer 84999 return ;**************************************** *teatime_ep2_scroll ;スクロール実行本体 resettimer blt 0,0,640,480,0, 1,640,480:waittimer 15 blt 0,0,640,480,0, 2,640,480:waittimer 30 blt 0,0,640,480,0, 3,640,480:waittimer 46 blt 0,0,640,480,0, 4,640,480:waittimer 61 blt 0,0,640,480,0, 5,640,480:waittimer 77 blt 0,0,640,480,0, 6,640,480:waittimer 92 blt 0,0,640,480,0, 7,640,480:waittimer 108 blt 0,0,640,480,0, 8,640,480:waittimer 123 blt 0,0,640,480,0, 9,640,480:waittimer 139 blt 0,0,640,480,0, 10,640,480:waittimer 154 blt 0,0,640,480,0, 11,640,480:waittimer 170 blt 0,0,640,480,0, 12,640,480:waittimer 185 blt 0,0,640,480,0, 13,640,480:waittimer 201 blt 0,0,640,480,0, 14,640,480:waittimer 216 blt 0,0,640,480,0, 15,640,480:waittimer 232 blt 0,0,640,480,0, 16,640,480:waittimer 247 blt 0,0,640,480,0, 17,640,480:waittimer 263 blt 0,0,640,480,0, 18,640,480:waittimer 278 blt 0,0,640,480,0, 19,640,480:waittimer 294 blt 0,0,640,480,0, 20,640,480:waittimer 309 blt 0,0,640,480,0, 21,640,480:waittimer 325 blt 0,0,640,480,0, 22,640,480:waittimer 340 blt 0,0,640,480,0, 23,640,480:waittimer 356 blt 0,0,640,480,0, 24,640,480:waittimer 371 blt 0,0,640,480,0, 25,640,480:waittimer 387 blt 0,0,640,480,0, 26,640,480:waittimer 402 blt 0,0,640,480,0, 27,640,480:waittimer 418 blt 0,0,640,480,0, 28,640,480:waittimer 433 blt 0,0,640,480,0, 29,640,480:waittimer 449 blt 0,0,640,480,0, 30,640,480:waittimer 464 blt 0,0,640,480,0, 31,640,480:waittimer 480 blt 0,0,640,480,0, 32,640,480:waittimer 495 blt 0,0,640,480,0, 33,640,480:waittimer 511 blt 0,0,640,480,0, 34,640,480:waittimer 526 blt 0,0,640,480,0, 35,640,480:waittimer 542 blt 0,0,640,480,0, 36,640,480:waittimer 557 blt 0,0,640,480,0, 37,640,480:waittimer 573 blt 0,0,640,480,0, 38,640,480:waittimer 588 blt 0,0,640,480,0, 39,640,480:waittimer 604 blt 0,0,640,480,0, 40,640,480:waittimer 619 blt 0,0,640,480,0, 41,640,480:waittimer 635 blt 0,0,640,480,0, 42,640,480:waittimer 650 blt 0,0,640,480,0, 43,640,480:waittimer 666 blt 0,0,640,480,0, 44,640,480:waittimer 681 blt 0,0,640,480,0, 45,640,480:waittimer 697 blt 0,0,640,480,0, 46,640,480:waittimer 712 blt 0,0,640,480,0, 47,640,480:waittimer 728 blt 0,0,640,480,0, 48,640,480:waittimer 743 blt 0,0,640,480,0, 49,640,480:waittimer 759 blt 0,0,640,480,0, 50,640,480:waittimer 774 blt 0,0,640,480,0, 51,640,480:waittimer 790 blt 0,0,640,480,0, 52,640,480:waittimer 805 blt 0,0,640,480,0, 53,640,480:waittimer 821 blt 0,0,640,480,0, 54,640,480:waittimer 836 blt 0,0,640,480,0, 55,640,480:waittimer 852 blt 0,0,640,480,0, 56,640,480:waittimer 867 blt 0,0,640,480,0, 57,640,480:waittimer 883 blt 0,0,640,480,0, 58,640,480:waittimer 898 blt 0,0,640,480,0, 59,640,480:waittimer 914 blt 0,0,640,480,0, 60,640,480:waittimer 929 blt 0,0,640,480,0, 61,640,480:waittimer 945 blt 0,0,640,480,0, 62,640,480:waittimer 960 blt 0,0,640,480,0, 63,640,480:waittimer 976 blt 0,0,640,480,0, 64,640,480:waittimer 991 blt 0,0,640,480,0, 65,640,480:waittimer 1007 blt 0,0,640,480,0, 66,640,480:waittimer 1022 blt 0,0,640,480,0, 67,640,480:waittimer 1038 blt 0,0,640,480,0, 68,640,480:waittimer 1053 blt 0,0,640,480,0, 69,640,480:waittimer 1069 blt 0,0,640,480,0, 70,640,480:waittimer 1084 blt 0,0,640,480,0, 71,640,480:waittimer 1100 blt 0,0,640,480,0, 72,640,480:waittimer 1115 blt 0,0,640,480,0, 73,640,480:waittimer 1131 blt 0,0,640,480,0, 74,640,480:waittimer 1146 blt 0,0,640,480,0, 75,640,480:waittimer 1162 blt 0,0,640,480,0, 76,640,480:waittimer 1177 blt 0,0,640,480,0, 77,640,480:waittimer 1193 blt 0,0,640,480,0, 78,640,480:waittimer 1208 blt 0,0,640,480,0, 79,640,480:waittimer 1224 blt 0,0,640,480,0, 80,640,480:waittimer 1239 blt 0,0,640,480,0, 81,640,480:waittimer 1255 blt 0,0,640,480,0, 82,640,480:waittimer 1270 blt 0,0,640,480,0, 83,640,480:waittimer 1286 blt 0,0,640,480,0, 84,640,480:waittimer 1301 blt 0,0,640,480,0, 85,640,480:waittimer 1317 blt 0,0,640,480,0, 86,640,480:waittimer 1332 blt 0,0,640,480,0, 87,640,480:waittimer 1348 blt 0,0,640,480,0, 88,640,480:waittimer 1363 blt 0,0,640,480,0, 89,640,480:waittimer 1379 blt 0,0,640,480,0, 90,640,480:waittimer 1394 blt 0,0,640,480,0, 91,640,480:waittimer 1410 blt 0,0,640,480,0, 92,640,480:waittimer 1425 blt 0,0,640,480,0, 93,640,480:waittimer 1441 blt 0,0,640,480,0, 94,640,480:waittimer 1456 blt 0,0,640,480,0, 95,640,480:waittimer 1472 blt 0,0,640,480,0, 96,640,480:waittimer 1487 blt 0,0,640,480,0, 97,640,480:waittimer 1503 blt 0,0,640,480,0, 98,640,480:waittimer 1518 blt 0,0,640,480,0, 99,640,480:waittimer 1534 blt 0,0,640,480,0, 100,640,480:waittimer 1549 blt 0,0,640,480,0, 101,640,480:waittimer 1565 blt 0,0,640,480,0, 102,640,480:waittimer 1580 blt 0,0,640,480,0, 103,640,480:waittimer 1596 blt 0,0,640,480,0, 104,640,480:waittimer 1611 blt 0,0,640,480,0, 105,640,480:waittimer 1627 blt 0,0,640,480,0, 106,640,480:waittimer 1642 blt 0,0,640,480,0, 107,640,480:waittimer 1658 blt 0,0,640,480,0, 108,640,480:waittimer 1673 blt 0,0,640,480,0, 109,640,480:waittimer 1689 blt 0,0,640,480,0, 110,640,480:waittimer 1704 blt 0,0,640,480,0, 111,640,480:waittimer 1720 blt 0,0,640,480,0, 112,640,480:waittimer 1735 blt 0,0,640,480,0, 113,640,480:waittimer 1751 blt 0,0,640,480,0, 114,640,480:waittimer 1766 blt 0,0,640,480,0, 115,640,480:waittimer 1782 blt 0,0,640,480,0, 116,640,480:waittimer 1797 blt 0,0,640,480,0, 117,640,480:waittimer 1813 blt 0,0,640,480,0, 118,640,480:waittimer 1828 blt 0,0,640,480,0, 119,640,480:waittimer 1844 blt 0,0,640,480,0, 120,640,480:waittimer 1859 blt 0,0,640,480,0, 121,640,480:waittimer 1875 blt 0,0,640,480,0, 122,640,480:waittimer 1890 blt 0,0,640,480,0, 123,640,480:waittimer 1906 blt 0,0,640,480,0, 124,640,480:waittimer 1921 blt 0,0,640,480,0, 125,640,480:waittimer 1937 blt 0,0,640,480,0, 126,640,480:waittimer 1952 blt 0,0,640,480,0, 127,640,480:waittimer 1968 blt 0,0,640,480,0, 128,640,480:waittimer 1983 blt 0,0,640,480,0, 129,640,480:waittimer 1999 blt 0,0,640,480,0, 130,640,480:waittimer 2014 blt 0,0,640,480,0, 131,640,480:waittimer 2030 blt 0,0,640,480,0, 132,640,480:waittimer 2045 blt 0,0,640,480,0, 133,640,480:waittimer 2061 blt 0,0,640,480,0, 134,640,480:waittimer 2076 blt 0,0,640,480,0, 135,640,480:waittimer 2092 blt 0,0,640,480,0, 136,640,480:waittimer 2107 blt 0,0,640,480,0, 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0,0,640,480,0, 1651,640,480:waittimer 25589 blt 0,0,640,480,0, 1652,640,480:waittimer 25604 blt 0,0,640,480,0, 1653,640,480:waittimer 25620 blt 0,0,640,480,0, 1654,640,480:waittimer 25635 blt 0,0,640,480,0, 1655,640,480:waittimer 25651 blt 0,0,640,480,0, 1656,640,480:waittimer 25666 blt 0,0,640,480,0, 1657,640,480:waittimer 25682 blt 0,0,640,480,0, 1658,640,480:waittimer 25697 blt 0,0,640,480,0, 1659,640,480:waittimer 25713 blt 0,0,640,480,0, 1660,640,480:waittimer 25728 blt 0,0,640,480,0, 1661,640,480:waittimer 25744 blt 0,0,640,480,0, 1662,640,480:waittimer 25759 blt 0,0,640,480,0, 1663,640,480:waittimer 25775 blt 0,0,640,480,0, 1664,640,480:waittimer 25790 blt 0,0,640,480,0, 1665,640,480:waittimer 25806 blt 0,0,640,480,0, 1666,640,480:waittimer 25821 blt 0,0,640,480,0, 1667,640,480:waittimer 25837 blt 0,0,640,480,0, 1668,640,480:waittimer 25852 blt 0,0,640,480,0, 1669,640,480:waittimer 25868 blt 0,0,640,480,0, 1670,640,480:waittimer 25883 blt 0,0,640,480,0, 1671,640,480:waittimer 25899 blt 0,0,640,480,0, 1672,640,480:waittimer 25914 blt 0,0,640,480,0, 1673,640,480:waittimer 25930 blt 0,0,640,480,0, 1674,640,480:waittimer 25945 blt 0,0,640,480,0, 1675,640,480:waittimer 25961 blt 0,0,640,480,0, 1676,640,480:waittimer 25976 blt 0,0,640,480,0, 1677,640,480:waittimer 25992 blt 0,0,640,480,0, 1678,640,480:waittimer 26007 blt 0,0,640,480,0, 1679,640,480:waittimer 26023 blt 0,0,640,480,0, 1680,640,480:waittimer 26038 blt 0,0,640,480,0, 1681,640,480:waittimer 26054 blt 0,0,640,480,0, 1682,640,480:waittimer 26069 blt 0,0,640,480,0, 1683,640,480:waittimer 26085 blt 0,0,640,480,0, 1684,640,480:waittimer 26100 blt 0,0,640,480,0, 1685,640,480:waittimer 26116 blt 0,0,640,480,0, 1686,640,480:waittimer 26131 blt 0,0,640,480,0, 1687,640,480:waittimer 26147 blt 0,0,640,480,0, 1688,640,480:waittimer 26162 blt 0,0,640,480,0, 1689,640,480:waittimer 26178 blt 0,0,640,480,0, 1690,640,480:waittimer 26193 blt 0,0,640,480,0, 1691,640,480:waittimer 26209 blt 0,0,640,480,0, 1692,640,480:waittimer 26224 blt 0,0,640,480,0, 1693,640,480:waittimer 26240 blt 0,0,640,480,0, 1694,640,480:waittimer 26255 blt 0,0,640,480,0, 1695,640,480:waittimer 26271 blt 0,0,640,480,0, 1696,640,480:waittimer 26286 blt 0,0,640,480,0, 1697,640,480:waittimer 26302 blt 0,0,640,480,0, 1698,640,480:waittimer 26317 blt 0,0,640,480,0, 1699,640,480:waittimer 26333 blt 0,0,640,480,0, 1700,640,480:waittimer 26348 blt 0,0,640,480,0, 1701,640,480:waittimer 26364 blt 0,0,640,480,0, 1702,640,480:waittimer 26379 blt 0,0,640,480,0, 1703,640,480:waittimer 26395 blt 0,0,640,480,0, 1704,640,480:waittimer 26410 blt 0,0,640,480,0, 1705,640,480:waittimer 26426 blt 0,0,640,480,0, 1706,640,480:waittimer 26441 blt 0,0,640,480,0, 1707,640,480:waittimer 26457 blt 0,0,640,480,0, 1708,640,480:waittimer 26472 blt 0,0,640,480,0, 1709,640,480:waittimer 26488 blt 0,0,640,480,0, 1710,640,480:waittimer 26503 blt 0,0,640,480,0, 1711,640,480:waittimer 26519 blt 0,0,640,480,0, 1712,640,480:waittimer 26534 blt 0,0,640,480,0, 1713,640,480:waittimer 26550 blt 0,0,640,480,0, 1714,640,480:waittimer 26565 blt 0,0,640,480,0, 1715,640,480:waittimer 26580 blt 0,0,640,480,0, 1716,640,480:waittimer 26596 blt 0,0,640,480,0, 1717,640,480:waittimer 26611 blt 0,0,640,480,0, 1718,640,480:waittimer 26627 blt 0,0,640,480,0, 1719,640,480:waittimer 26642 blt 0,0,640,480,0, 1720,640,480:waittimer 26658 blt 0,0,640,480,0, 1721,640,480:waittimer 26673 blt 0,0,640,480,0, 1722,640,480:waittimer 26689 blt 0,0,640,480,0, 1723,640,480:waittimer 26704 blt 0,0,640,480,0, 1724,640,480:waittimer 26720 blt 0,0,640,480,0, 1725,640,480:waittimer 26735 blt 0,0,640,480,0, 1726,640,480:waittimer 26751 blt 0,0,640,480,0, 1727,640,480:waittimer 26766 blt 0,0,640,480,0, 1728,640,480:waittimer 26782 blt 0,0,640,480,0, 1729,640,480:waittimer 26797 blt 0,0,640,480,0, 1730,640,480:waittimer 26813 blt 0,0,640,480,0, 1731,640,480:waittimer 26828 blt 0,0,640,480,0, 1732,640,480:waittimer 26844 blt 0,0,640,480,0, 1733,640,480:waittimer 26859 blt 0,0,640,480,0, 1734,640,480:waittimer 26875 blt 0,0,640,480,0, 1735,640,480:waittimer 26890 blt 0,0,640,480,0, 1736,640,480:waittimer 26906 blt 0,0,640,480,0, 1737,640,480:waittimer 26921 blt 0,0,640,480,0, 1738,640,480:waittimer 26937 blt 0,0,640,480,0, 1739,640,480:waittimer 26952 blt 0,0,640,480,0, 1740,640,480:waittimer 26968 blt 0,0,640,480,0, 1741,640,480:waittimer 26983 blt 0,0,640,480,0, 1742,640,480:waittimer 26999 blt 0,0,640,480,0, 1743,640,480:waittimer 27014 blt 0,0,640,480,0, 1744,640,480:waittimer 27030 blt 0,0,640,480,0, 1745,640,480:waittimer 27045 blt 0,0,640,480,0, 1746,640,480:waittimer 27061 blt 0,0,640,480,0, 1747,640,480:waittimer 27076 blt 0,0,640,480,0, 1748,640,480:waittimer 27092 blt 0,0,640,480,0, 1749,640,480:waittimer 27107 blt 0,0,640,480,0, 1750,640,480:waittimer 27123 blt 0,0,640,480,0, 1751,640,480:waittimer 27138 blt 0,0,640,480,0, 1752,640,480:waittimer 27154 blt 0,0,640,480,0, 1753,640,480:waittimer 27169 blt 0,0,640,480,0, 1754,640,480:waittimer 27185 blt 0,0,640,480,0, 1755,640,480:waittimer 27200 blt 0,0,640,480,0, 1756,640,480:waittimer 27216 blt 0,0,640,480,0, 1757,640,480:waittimer 27231 blt 0,0,640,480,0, 1758,640,480:waittimer 27247 blt 0,0,640,480,0, 1759,640,480:waittimer 27262 blt 0,0,640,480,0, 1760,640,480:waittimer 27278 blt 0,0,640,480,0, 1761,640,480:waittimer 27293 blt 0,0,640,480,0, 1762,640,480:waittimer 27309 blt 0,0,640,480,0, 1763,640,480:waittimer 27324 blt 0,0,640,480,0, 1764,640,480:waittimer 27340 blt 0,0,640,480,0, 1765,640,480:waittimer 27355 blt 0,0,640,480,0, 1766,640,480:waittimer 27371 blt 0,0,640,480,0, 1767,640,480:waittimer 27386 blt 0,0,640,480,0, 1768,640,480:waittimer 27402 blt 0,0,640,480,0, 1769,640,480:waittimer 27417 blt 0,0,640,480,0, 1770,640,480:waittimer 27433 blt 0,0,640,480,0, 1771,640,480:waittimer 27448 blt 0,0,640,480,0, 1772,640,480:waittimer 27464 blt 0,0,640,480,0, 1773,640,480:waittimer 27479 blt 0,0,640,480,0, 1774,640,480:waittimer 27495 blt 0,0,640,480,0, 1775,640,480:waittimer 27510 blt 0,0,640,480,0, 1776,640,480:waittimer 27526 blt 0,0,640,480,0, 1777,640,480:waittimer 27541 blt 0,0,640,480,0, 1778,640,480:waittimer 27557 blt 0,0,640,480,0, 1779,640,480:waittimer 27572 blt 0,0,640,480,0, 1780,640,480:waittimer 27588 blt 0,0,640,480,0, 1781,640,480:waittimer 27603 blt 0,0,640,480,0, 1782,640,480:waittimer 27619 blt 0,0,640,480,0, 1783,640,480:waittimer 27634 blt 0,0,640,480,0, 1784,640,480:waittimer 27650 blt 0,0,640,480,0, 1785,640,480:waittimer 27665 blt 0,0,640,480,0, 1786,640,480:waittimer 27681 blt 0,0,640,480,0, 1787,640,480:waittimer 27696 blt 0,0,640,480,0, 1788,640,480:waittimer 27712 blt 0,0,640,480,0, 1789,640,480:waittimer 27727 blt 0,0,640,480,0, 1790,640,480:waittimer 27743 blt 0,0,640,480,0, 1791,640,480:waittimer 27758 blt 0,0,640,480,0, 1792,640,480:waittimer 27774 blt 0,0,640,480,0, 1793,640,480:waittimer 27789 blt 0,0,640,480,0, 1794,640,480:waittimer 27805 blt 0,0,640,480,0, 1795,640,480:waittimer 27820 blt 0,0,640,480,0, 1796,640,480:waittimer 27836 blt 0,0,640,480,0, 1797,640,480:waittimer 27851 blt 0,0,640,480,0, 1798,640,480:waittimer 27867 blt 0,0,640,480,0, 1799,640,480:waittimer 27882 blt 0,0,640,480,0, 1800,640,480:waittimer 27898 blt 0,0,640,480,0, 1801,640,480:waittimer 27913 blt 0,0,640,480,0, 1802,640,480:waittimer 27929 blt 0,0,640,480,0, 1803,640,480:waittimer 27944 blt 0,0,640,480,0, 1804,640,480:waittimer 27960 blt 0,0,640,480,0, 1805,640,480:waittimer 27975 blt 0,0,640,480,0, 1806,640,480:waittimer 27991 blt 0,0,640,480,0, 1807,640,480:waittimer 28006 blt 0,0,640,480,0, 1808,640,480:waittimer 28022 blt 0,0,640,480,0, 1809,640,480:waittimer 28037 blt 0,0,640,480,0, 1810,640,480:waittimer 28053 blt 0,0,640,480,0, 1811,640,480:waittimer 28068 blt 0,0,640,480,0, 1812,640,480:waittimer 28084 blt 0,0,640,480,0, 1813,640,480:waittimer 28099 blt 0,0,640,480,0, 1814,640,480:waittimer 28115 blt 0,0,640,480,0, 1815,640,480:waittimer 28130 blt 0,0,640,480,0, 1816,640,480:waittimer 28146 blt 0,0,640,480,0, 1817,640,480:waittimer 28161 blt 0,0,640,480,0, 1818,640,480:waittimer 28177 blt 0,0,640,480,0, 1819,640,480:waittimer 28192 blt 0,0,640,480,0, 1820,640,480:waittimer 28208 blt 0,0,640,480,0, 1821,640,480:waittimer 28223 blt 0,0,640,480,0, 1822,640,480:waittimer 28239 blt 0,0,640,480,0, 1823,640,480:waittimer 28254 blt 0,0,640,480,0, 1824,640,480:waittimer 28270 blt 0,0,640,480,0, 1825,640,480:waittimer 28285 blt 0,0,640,480,0, 1826,640,480:waittimer 28301 blt 0,0,640,480,0, 1827,640,480:waittimer 28316 blt 0,0,640,480,0, 1828,640,480:waittimer 28332 blt 0,0,640,480,0, 1829,640,480:waittimer 28347 blt 0,0,640,480,0, 1830,640,480:waittimer 28363 blt 0,0,640,480,0, 1831,640,480:waittimer 28378 blt 0,0,640,480,0, 1832,640,480:waittimer 28394 blt 0,0,640,480,0, 1833,640,480:waittimer 28409 blt 0,0,640,480,0, 1834,640,480:waittimer 28425 blt 0,0,640,480,0, 1835,640,480:waittimer 28440 blt 0,0,640,480,0, 1836,640,480:waittimer 28456 blt 0,0,640,480,0, 1837,640,480:waittimer 28471 blt 0,0,640,480,0, 1838,640,480:waittimer 28487 blt 0,0,640,480,0, 1839,640,480:waittimer 28502 blt 0,0,640,480,0, 1840,640,480:waittimer 28518 blt 0,0,640,480,0, 1841,640,480:waittimer 28533 blt 0,0,640,480,0, 1842,640,480:waittimer 28549 blt 0,0,640,480,0, 1843,640,480:waittimer 28564 blt 0,0,640,480,0, 1844,640,480:waittimer 28580 blt 0,0,640,480,0, 1845,640,480:waittimer 28595 blt 0,0,640,480,0, 1846,640,480:waittimer 28611 blt 0,0,640,480,0, 1847,640,480:waittimer 28626 blt 0,0,640,480,0, 1848,640,480:waittimer 28642 blt 0,0,640,480,0, 1849,640,480:waittimer 28657 blt 0,0,640,480,0, 1850,640,480:waittimer 28673 blt 0,0,640,480,0, 1851,640,480:waittimer 28688 blt 0,0,640,480,0, 1852,640,480:waittimer 28704 blt 0,0,640,480,0, 1853,640,480:waittimer 28719 blt 0,0,640,480,0, 1854,640,480:waittimer 28735 blt 0,0,640,480,0, 1855,640,480:waittimer 28750 blt 0,0,640,480,0, 1856,640,480:waittimer 28766 blt 0,0,640,480,0, 1857,640,480:waittimer 28781 blt 0,0,640,480,0, 1858,640,480:waittimer 28797 blt 0,0,640,480,0, 1859,640,480:waittimer 28812 blt 0,0,640,480,0, 1860,640,480:waittimer 28828 blt 0,0,640,480,0, 1861,640,480:waittimer 28843 blt 0,0,640,480,0, 1862,640,480:waittimer 28859 blt 0,0,640,480,0, 1863,640,480:waittimer 28874 blt 0,0,640,480,0, 1864,640,480:waittimer 28890 blt 0,0,640,480,0, 1865,640,480:waittimer 28905 blt 0,0,640,480,0, 1866,640,480:waittimer 28921 blt 0,0,640,480,0, 1867,640,480:waittimer 28936 blt 0,0,640,480,0, 1868,640,480:waittimer 28952 blt 0,0,640,480,0, 1869,640,480:waittimer 28967 blt 0,0,640,480,0, 1870,640,480:waittimer 28983 blt 0,0,640,480,0, 1871,640,480:waittimer 28998 blt 0,0,640,480,0, 1872,640,480:waittimer 29014 blt 0,0,640,480,0, 1873,640,480:waittimer 29029 blt 0,0,640,480,0, 1874,640,480:waittimer 29045 blt 0,0,640,480,0, 1875,640,480:waittimer 29060 blt 0,0,640,480,0, 1876,640,480:waittimer 29076 blt 0,0,640,480,0, 1877,640,480:waittimer 29091 blt 0,0,640,480,0, 1878,640,480:waittimer 29107 blt 0,0,640,480,0, 1879,640,480:waittimer 29122 blt 0,0,640,480,0, 1880,640,480:waittimer 29138 blt 0,0,640,480,0, 1881,640,480:waittimer 29153 blt 0,0,640,480,0, 1882,640,480:waittimer 29169 blt 0,0,640,480,0, 1883,640,480:waittimer 29184 blt 0,0,640,480,0, 1884,640,480:waittimer 29200 blt 0,0,640,480,0, 1885,640,480:waittimer 29215 blt 0,0,640,480,0, 1886,640,480:waittimer 29231 blt 0,0,640,480,0, 1887,640,480:waittimer 29246 blt 0,0,640,480,0, 1888,640,480:waittimer 29262 blt 0,0,640,480,0, 1889,640,480:waittimer 29277 blt 0,0,640,480,0, 1890,640,480:waittimer 29293 blt 0,0,640,480,0, 1891,640,480:waittimer 29308 blt 0,0,640,480,0, 1892,640,480:waittimer 29324 blt 0,0,640,480,0, 1893,640,480:waittimer 29339 blt 0,0,640,480,0, 1894,640,480:waittimer 29355 blt 0,0,640,480,0, 1895,640,480:waittimer 29370 blt 0,0,640,480,0, 1896,640,480:waittimer 29386 blt 0,0,640,480,0, 1897,640,480:waittimer 29401 blt 0,0,640,480,0, 1898,640,480:waittimer 29417 blt 0,0,640,480,0, 1899,640,480:waittimer 29432 blt 0,0,640,480,0, 1900,640,480:waittimer 29448 blt 0,0,640,480,0, 1901,640,480:waittimer 29463 blt 0,0,640,480,0, 1902,640,480:waittimer 29479 blt 0,0,640,480,0, 1903,640,480:waittimer 29494 blt 0,0,640,480,0, 1904,640,480:waittimer 29510 blt 0,0,640,480,0, 1905,640,480:waittimer 29525 blt 0,0,640,480,0, 1906,640,480:waittimer 29541 blt 0,0,640,480,0, 1907,640,480:waittimer 29556 blt 0,0,640,480,0, 1908,640,480:waittimer 29572 blt 0,0,640,480,0, 1909,640,480:waittimer 29587 blt 0,0,640,480,0, 1910,640,480:waittimer 29603 blt 0,0,640,480,0, 1911,640,480:waittimer 29618 blt 0,0,640,480,0, 1912,640,480:waittimer 29634 blt 0,0,640,480,0, 1913,640,480:waittimer 29649 blt 0,0,640,480,0, 1914,640,480:waittimer 29665 blt 0,0,640,480,0, 1915,640,480:waittimer 29680 blt 0,0,640,480,0, 1916,640,480:waittimer 29696 blt 0,0,640,480,0, 1917,640,480:waittimer 29711 blt 0,0,640,480,0, 1918,640,480:waittimer 29727 blt 0,0,640,480,0, 1919,640,480:waittimer 29742 blt 0,0,640,480,0, 1920,640,480:waittimer 29758 blt 0,0,640,480,0, 1921,640,480:waittimer 29773 blt 0,0,640,480,0, 1922,640,480:waittimer 29789 blt 0,0,640,480,0, 1923,640,480:waittimer 29804 blt 0,0,640,480,0, 1924,640,480:waittimer 29820 blt 0,0,640,480,0, 1925,640,480:waittimer 29835 blt 0,0,640,480,0, 1926,640,480:waittimer 29851 blt 0,0,640,480,0, 1927,640,480:waittimer 29866 blt 0,0,640,480,0, 1928,640,480:waittimer 29882 blt 0,0,640,480,0, 1929,640,480:waittimer 29897 blt 0,0,640,480,0, 1930,640,480:waittimer 29913 blt 0,0,640,480,0, 1931,640,480:waittimer 29928 blt 0,0,640,480,0, 1932,640,480:waittimer 29944 blt 0,0,640,480,0, 1933,640,480:waittimer 29959 blt 0,0,640,480,0, 1934,640,480:waittimer 29975 blt 0,0,640,480,0, 1935,640,480:waittimer 29990 blt 0,0,640,480,0, 1936,640,480:waittimer 30006 blt 0,0,640,480,0, 1937,640,480:waittimer 30021 blt 0,0,640,480,0, 1938,640,480:waittimer 30037 blt 0,0,640,480,0, 1939,640,480:waittimer 30052 blt 0,0,640,480,0, 1940,640,480:waittimer 30068 blt 0,0,640,480,0, 1941,640,480:waittimer 30083 blt 0,0,640,480,0, 1942,640,480:waittimer 30099 blt 0,0,640,480,0, 1943,640,480:waittimer 30114 blt 0,0,640,480,0, 1944,640,480:waittimer 30130 blt 0,0,640,480,0, 1945,640,480:waittimer 30145 blt 0,0,640,480,0, 1946,640,480:waittimer 30161 blt 0,0,640,480,0, 1947,640,480:waittimer 30176 blt 0,0,640,480,0, 1948,640,480:waittimer 30192 blt 0,0,640,480,0, 1949,640,480:waittimer 30207 blt 0,0,640,480,0, 1950,640,480:waittimer 30223 blt 0,0,640,480,0, 1951,640,480:waittimer 30238 blt 0,0,640,480,0, 1952,640,480:waittimer 30254 blt 0,0,640,480,0, 1953,640,480:waittimer 30269 blt 0,0,640,480,0, 1954,640,480:waittimer 30285 blt 0,0,640,480,0, 1955,640,480:waittimer 30300 blt 0,0,640,480,0, 1956,640,480:waittimer 30316 blt 0,0,640,480,0, 1957,640,480:waittimer 30331 blt 0,0,640,480,0, 1958,640,480:waittimer 30347 blt 0,0,640,480,0, 1959,640,480:waittimer 30362 blt 0,0,640,480,0, 1960,640,480:waittimer 30378 blt 0,0,640,480,0, 1961,640,480:waittimer 30393 blt 0,0,640,480,0, 1962,640,480:waittimer 30409 blt 0,0,640,480,0, 1963,640,480:waittimer 30424 blt 0,0,640,480,0, 1964,640,480:waittimer 30440 blt 0,0,640,480,0, 1965,640,480:waittimer 30455 blt 0,0,640,480,0, 1966,640,480:waittimer 30471 blt 0,0,640,480,0, 1967,640,480:waittimer 30486 blt 0,0,640,480,0, 1968,640,480:waittimer 30502 blt 0,0,640,480,0, 1969,640,480:waittimer 30517 blt 0,0,640,480,0, 1970,640,480:waittimer 30533 blt 0,0,640,480,0, 1971,640,480:waittimer 30548 blt 0,0,640,480,0, 1972,640,480:waittimer 30564 blt 0,0,640,480,0, 1973,640,480:waittimer 30579 blt 0,0,640,480,0, 1974,640,480:waittimer 30595 blt 0,0,640,480,0, 1975,640,480:waittimer 30610 blt 0,0,640,480,0, 1976,640,480:waittimer 30626 blt 0,0,640,480,0, 1977,640,480:waittimer 30641 blt 0,0,640,480,0, 1978,640,480:waittimer 30657 blt 0,0,640,480,0, 1979,640,480:waittimer 30672 blt 0,0,640,480,0, 1980,640,480:waittimer 30688 blt 0,0,640,480,0, 1981,640,480:waittimer 30703 blt 0,0,640,480,0, 1982,640,480:waittimer 30719 blt 0,0,640,480,0, 1983,640,480:waittimer 30734 blt 0,0,640,480,0, 1984,640,480:waittimer 30750 blt 0,0,640,480,0, 1985,640,480:waittimer 30765 blt 0,0,640,480,0, 1986,640,480:waittimer 30781 blt 0,0,640,480,0, 1987,640,480:waittimer 30796 blt 0,0,640,480,0, 1988,640,480:waittimer 30812 blt 0,0,640,480,0, 1989,640,480:waittimer 30827 blt 0,0,640,480,0, 1990,640,480:waittimer 30843 blt 0,0,640,480,0, 1991,640,480:waittimer 30858 blt 0,0,640,480,0, 1992,640,480:waittimer 30874 blt 0,0,640,480,0, 1993,640,480:waittimer 30889 blt 0,0,640,480,0, 1994,640,480:waittimer 30905 blt 0,0,640,480,0, 1995,640,480:waittimer 30920 blt 0,0,640,480,0, 1996,640,480:waittimer 30936 blt 0,0,640,480,0, 1997,640,480:waittimer 30951 blt 0,0,640,480,0, 1998,640,480:waittimer 30967 blt 0,0,640,480,0, 1999,640,480:waittimer 30982 blt 0,0,640,480,0, 2000,640,480:waittimer 30998 blt 0,0,640,480,0, 2001,640,480:waittimer 31013 blt 0,0,640,480,0, 2002,640,480:waittimer 31029 blt 0,0,640,480,0, 2003,640,480:waittimer 31044 blt 0,0,640,480,0, 2004,640,480:waittimer 31060 blt 0,0,640,480,0, 2005,640,480:waittimer 31075 blt 0,0,640,480,0, 2006,640,480:waittimer 31091 blt 0,0,640,480,0, 2007,640,480:waittimer 31106 blt 0,0,640,480,0, 2008,640,480:waittimer 31122 blt 0,0,640,480,0, 2009,640,480:waittimer 31137 blt 0,0,640,480,0, 2010,640,480:waittimer 31153 blt 0,0,640,480,0, 2011,640,480:waittimer 31168 blt 0,0,640,480,0, 2012,640,480:waittimer 31184 blt 0,0,640,480,0, 2013,640,480:waittimer 31199 blt 0,0,640,480,0, 2014,640,480:waittimer 31215 blt 0,0,640,480,0, 2015,640,480:waittimer 31230 blt 0,0,640,480,0, 2016,640,480:waittimer 31246 blt 0,0,640,480,0, 2017,640,480:waittimer 31261 blt 0,0,640,480,0, 2018,640,480:waittimer 31277 blt 0,0,640,480,0, 2019,640,480:waittimer 31292 blt 0,0,640,480,0, 2020,640,480:waittimer 31308 blt 0,0,640,480,0, 2021,640,480:waittimer 31323 blt 0,0,640,480,0, 2022,640,480:waittimer 31339 blt 0,0,640,480,0, 2023,640,480:waittimer 31354 blt 0,0,640,480,0, 2024,640,480:waittimer 31370 blt 0,0,640,480,0, 2025,640,480:waittimer 31385 blt 0,0,640,480,0, 2026,640,480:waittimer 31401 blt 0,0,640,480,0, 2027,640,480:waittimer 31416 blt 0,0,640,480,0, 2028,640,480:waittimer 31432 blt 0,0,640,480,0, 2029,640,480:waittimer 31447 blt 0,0,640,480,0, 2030,640,480:waittimer 31463 blt 0,0,640,480,0, 2031,640,480:waittimer 31478 blt 0,0,640,480,0, 2032,640,480:waittimer 31494 blt 0,0,640,480,0, 2033,640,480:waittimer 31509 blt 0,0,640,480,0, 2034,640,480:waittimer 31525 blt 0,0,640,480,0, 2035,640,480:waittimer 31540 blt 0,0,640,480,0, 2036,640,480:waittimer 31556 blt 0,0,640,480,0, 2037,640,480:waittimer 31571 blt 0,0,640,480,0, 2038,640,480:waittimer 31587 blt 0,0,640,480,0, 2039,640,480:waittimer 31602 blt 0,0,640,480,0, 2040,640,480:waittimer 31618 blt 0,0,640,480,0, 2041,640,480:waittimer 31633 blt 0,0,640,480,0, 2042,640,480:waittimer 31649 blt 0,0,640,480,0, 2043,640,480:waittimer 31664 blt 0,0,640,480,0, 2044,640,480:waittimer 31680 blt 0,0,640,480,0, 2045,640,480:waittimer 31695 blt 0,0,640,480,0, 2046,640,480:waittimer 31711 blt 0,0,640,480,0, 2047,640,480:waittimer 31726 blt 0,0,640,480,0, 2048,640,480:waittimer 31742 blt 0,0,640,480,0, 2049,640,480:waittimer 31757 blt 0,0,640,480,0, 2050,640,480:waittimer 31773 blt 0,0,640,480,0, 2051,640,480:waittimer 31788 blt 0,0,640,480,0, 2052,640,480:waittimer 31804 blt 0,0,640,480,0, 2053,640,480:waittimer 31819 blt 0,0,640,480,0, 2054,640,480:waittimer 31835 blt 0,0,640,480,0, 2055,640,480:waittimer 31850 blt 0,0,640,480,0, 2056,640,480:waittimer 31866 blt 0,0,640,480,0, 2057,640,480:waittimer 31881 blt 0,0,640,480,0, 2058,640,480:waittimer 31897 blt 0,0,640,480,0, 2059,640,480:waittimer 31912 blt 0,0,640,480,0, 2060,640,480:waittimer 31928 blt 0,0,640,480,0, 2061,640,480:waittimer 31943 blt 0,0,640,480,0, 2062,640,480:waittimer 31959 blt 0,0,640,480,0, 2063,640,480:waittimer 31974 blt 0,0,640,480,0, 2064,640,480:waittimer 31990 blt 0,0,640,480,0, 2065,640,480:waittimer 32005 blt 0,0,640,480,0, 2066,640,480:waittimer 32021 blt 0,0,640,480,0, 2067,640,480:waittimer 32036 blt 0,0,640,480,0, 2068,640,480:waittimer 32052 blt 0,0,640,480,0, 2069,640,480:waittimer 32067 blt 0,0,640,480,0, 2070,640,480:waittimer 32083 blt 0,0,640,480,0, 2071,640,480:waittimer 32098 blt 0,0,640,480,0, 2072,640,480:waittimer 32114 blt 0,0,640,480,0, 2073,640,480:waittimer 32129 blt 0,0,640,480,0, 2074,640,480:waittimer 32145 blt 0,0,640,480,0, 2075,640,480:waittimer 32160 blt 0,0,640,480,0, 2076,640,480:waittimer 32176 blt 0,0,640,480,0, 2077,640,480:waittimer 32191 blt 0,0,640,480,0, 2078,640,480:waittimer 32207 blt 0,0,640,480,0, 2079,640,480:waittimer 32222 blt 0,0,640,480,0, 2080,640,480:waittimer 32238 blt 0,0,640,480,0, 2081,640,480:waittimer 32253 blt 0,0,640,480,0, 2082,640,480:waittimer 32269 blt 0,0,640,480,0, 2083,640,480:waittimer 32284 blt 0,0,640,480,0, 2084,640,480:waittimer 32300 blt 0,0,640,480,0, 2085,640,480:waittimer 32315 blt 0,0,640,480,0, 2086,640,480:waittimer 32331 blt 0,0,640,480,0, 2087,640,480:waittimer 32346 blt 0,0,640,480,0, 2088,640,480:waittimer 32362 blt 0,0,640,480,0, 2089,640,480:waittimer 32377 blt 0,0,640,480,0, 2090,640,480:waittimer 32393 blt 0,0,640,480,0, 2091,640,480:waittimer 32408 blt 0,0,640,480,0, 2092,640,480:waittimer 32424 blt 0,0,640,480,0, 2093,640,480:waittimer 32439 blt 0,0,640,480,0, 2094,640,480:waittimer 32455 blt 0,0,640,480,0, 2095,640,480:waittimer 32470 blt 0,0,640,480,0, 2096,640,480:waittimer 32486 blt 0,0,640,480,0, 2097,640,480:waittimer 32501 blt 0,0,640,480,0, 2098,640,480:waittimer 32517 blt 0,0,640,480,0, 2099,640,480:waittimer 32532 blt 0,0,640,480,0, 2100,640,480:waittimer 32548 blt 0,0,640,480,0, 2101,640,480:waittimer 32563 blt 0,0,640,480,0, 2102,640,480:waittimer 32579 blt 0,0,640,480,0, 2103,640,480:waittimer 32594 blt 0,0,640,480,0, 2104,640,480:waittimer 32610 blt 0,0,640,480,0, 2105,640,480:waittimer 32625 blt 0,0,640,480,0, 2106,640,480:waittimer 32641 blt 0,0,640,480,0, 2107,640,480:waittimer 32656 blt 0,0,640,480,0, 2108,640,480:waittimer 32672 blt 0,0,640,480,0, 2109,640,480:waittimer 32687 blt 0,0,640,480,0, 2110,640,480:waittimer 32703 blt 0,0,640,480,0, 2111,640,480:waittimer 32718 blt 0,0,640,480,0, 2112,640,480:waittimer 32734 blt 0,0,640,480,0, 2113,640,480:waittimer 32749 blt 0,0,640,480,0, 2114,640,480:waittimer 32765 blt 0,0,640,480,0, 2115,640,480:waittimer 32780 blt 0,0,640,480,0, 2116,640,480:waittimer 32796 blt 0,0,640,480,0, 2117,640,480:waittimer 32811 blt 0,0,640,480,0, 2118,640,480:waittimer 32827 blt 0,0,640,480,0, 2119,640,480:waittimer 32842 blt 0,0,640,480,0, 2120,640,480:waittimer 32858 blt 0,0,640,480,0, 2121,640,480:waittimer 32873 blt 0,0,640,480,0, 2122,640,480:waittimer 32889 blt 0,0,640,480,0, 2123,640,480:waittimer 32904 blt 0,0,640,480,0, 2124,640,480:waittimer 32920 blt 0,0,640,480,0, 2125,640,480:waittimer 32935 blt 0,0,640,480,0, 2126,640,480:waittimer 32951 blt 0,0,640,480,0, 2127,640,480:waittimer 32966 blt 0,0,640,480,0, 2128,640,480:waittimer 32982 blt 0,0,640,480,0, 2129,640,480:waittimer 32997 blt 0,0,640,480,0, 2130,640,480:waittimer 33013 blt 0,0,640,480,0, 2131,640,480:waittimer 33028 blt 0,0,640,480,0, 2132,640,480:waittimer 33044 blt 0,0,640,480,0, 2133,640,480:waittimer 33059 blt 0,0,640,480,0, 2134,640,480:waittimer 33075 blt 0,0,640,480,0, 2135,640,480:waittimer 33090 blt 0,0,640,480,0, 2136,640,480:waittimer 33106 blt 0,0,640,480,0, 2137,640,480:waittimer 33121 blt 0,0,640,480,0, 2138,640,480:waittimer 33137 blt 0,0,640,480,0, 2139,640,480:waittimer 33152 blt 0,0,640,480,0, 2140,640,480:waittimer 33168 blt 0,0,640,480,0, 2141,640,480:waittimer 33183 blt 0,0,640,480,0, 2142,640,480:waittimer 33199 blt 0,0,640,480,0, 2143,640,480:waittimer 33214 blt 0,0,640,480,0, 2144,640,480:waittimer 33230 blt 0,0,640,480,0, 2145,640,480:waittimer 33245 blt 0,0,640,480,0, 2146,640,480:waittimer 33261 blt 0,0,640,480,0, 2147,640,480:waittimer 33276 blt 0,0,640,480,0, 2148,640,480:waittimer 33292 blt 0,0,640,480,0, 2149,640,480:waittimer 33307 blt 0,0,640,480,0, 2150,640,480:waittimer 33323 blt 0,0,640,480,0, 2151,640,480:waittimer 33338 blt 0,0,640,480,0, 2152,640,480:waittimer 33354 blt 0,0,640,480,0, 2153,640,480:waittimer 33369 blt 0,0,640,480,0, 2154,640,480:waittimer 33385 blt 0,0,640,480,0, 2155,640,480:waittimer 33400 blt 0,0,640,480,0, 2156,640,480:waittimer 33416 blt 0,0,640,480,0, 2157,640,480:waittimer 33431 blt 0,0,640,480,0, 2158,640,480:waittimer 33447 blt 0,0,640,480,0, 2159,640,480:waittimer 33462 blt 0,0,640,480,0, 2160,640,480:waittimer 33478 blt 0,0,640,480,0, 2161,640,480:waittimer 33493 blt 0,0,640,480,0, 2162,640,480:waittimer 33509 blt 0,0,640,480,0, 2163,640,480:waittimer 33524 blt 0,0,640,480,0, 2164,640,480:waittimer 33540 blt 0,0,640,480,0, 2165,640,480:waittimer 33555 blt 0,0,640,480,0, 2166,640,480:waittimer 33571 blt 0,0,640,480,0, 2167,640,480:waittimer 33586 blt 0,0,640,480,0, 2168,640,480:waittimer 33602 blt 0,0,640,480,0, 2169,640,480:waittimer 33617 blt 0,0,640,480,0, 2170,640,480:waittimer 33633 blt 0,0,640,480,0, 2171,640,480:waittimer 33648 blt 0,0,640,480,0, 2172,640,480:waittimer 33664 blt 0,0,640,480,0, 2173,640,480:waittimer 33679 blt 0,0,640,480,0, 2174,640,480:waittimer 33695 blt 0,0,640,480,0, 2175,640,480:waittimer 33710 blt 0,0,640,480,0, 2176,640,480:waittimer 33726 blt 0,0,640,480,0, 2177,640,480:waittimer 33741 blt 0,0,640,480,0, 2178,640,480:waittimer 33757 blt 0,0,640,480,0, 2179,640,480:waittimer 33772 blt 0,0,640,480,0, 2180,640,480:waittimer 33788 blt 0,0,640,480,0, 2181,640,480:waittimer 33803 blt 0,0,640,480,0, 2182,640,480:waittimer 33819 blt 0,0,640,480,0, 2183,640,480:waittimer 33834 blt 0,0,640,480,0, 2184,640,480:waittimer 33850 blt 0,0,640,480,0, 2185,640,480:waittimer 33865 blt 0,0,640,480,0, 2186,640,480:waittimer 33881 blt 0,0,640,480,0, 2187,640,480:waittimer 33896 blt 0,0,640,480,0, 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11046,640,480:waittimer 171203 blt 0,0,640,480,0, 11047,640,480:waittimer 171218 blt 0,0,640,480,0, 11048,640,480:waittimer 171234 blt 0,0,640,480,0, 11049,640,480:waittimer 171249 blt 0,0,640,480,0, 11050,640,480:waittimer 171265 blt 0,0,640,480,0, 11051,640,480:waittimer 171280 blt 0,0,640,480,0, 11052,640,480:waittimer 171296 blt 0,0,640,480,0, 11053,640,480:waittimer 171311 blt 0,0,640,480,0, 11054,640,480:waittimer 171327 blt 0,0,640,480,0, 11055,640,480:waittimer 171342 blt 0,0,640,480,0, 11056,640,480:waittimer 171358 blt 0,0,640,480,0, 11057,640,480:waittimer 171373 blt 0,0,640,480,0, 11058,640,480:waittimer 171389 blt 0,0,640,480,0, 11059,640,480:waittimer 171404 blt 0,0,640,480,0, 11060,640,480:waittimer 171420 blt 0,0,640,480,0, 11061,640,480:waittimer 171435 blt 0,0,640,480,0, 11062,640,480:waittimer 171451 blt 0,0,640,480,0, 11063,640,480:waittimer 171466 blt 0,0,640,480,0, 11064,640,480:waittimer 171482 blt 0,0,640,480,0, 11065,640,480:waittimer 171497 blt 0,0,640,480,0, 11066,640,480:waittimer 171513 blt 0,0,640,480,0, 11067,640,480:waittimer 171528 blt 0,0,640,480,0, 11068,640,480:waittimer 171544 blt 0,0,640,480,0, 11069,640,480:waittimer 171559 blt 0,0,640,480,0, 11070,640,480:waittimer 171575 blt 0,0,640,480,0, 11071,640,480:waittimer 171590 blt 0,0,640,480,0, 11072,640,480:waittimer 171606 blt 0,0,640,480,0, 11073,640,480:waittimer 171621 blt 0,0,640,480,0, 11074,640,480:waittimer 171637 blt 0,0,640,480,0, 11075,640,480:waittimer 171652 blt 0,0,640,480,0, 11076,640,480:waittimer 171668 blt 0,0,640,480,0, 11077,640,480:waittimer 171683 blt 0,0,640,480,0, 11078,640,480:waittimer 171699 blt 0,0,640,480,0, 11079,640,480:waittimer 171714 blt 0,0,640,480,0, 11080,640,480:waittimer 171730 blt 0,0,640,480,0, 11081,640,480:waittimer 171745 blt 0,0,640,480,0, 11082,640,480:waittimer 171761 blt 0,0,640,480,0, 11083,640,480:waittimer 171776 blt 0,0,640,480,0, 11084,640,480:waittimer 171792 blt 0,0,640,480,0, 11085,640,480:waittimer 171807 blt 0,0,640,480,0, 11086,640,480:waittimer 171823 blt 0,0,640,480,0, 11087,640,480:waittimer 171838 blt 0,0,640,480,0, 11088,640,480:waittimer 171854 blt 0,0,640,480,0, 11089,640,480:waittimer 171869 blt 0,0,640,480,0, 11090,640,480:waittimer 171885 blt 0,0,640,480,0, 11091,640,480:waittimer 171900 blt 0,0,640,480,0, 11092,640,480:waittimer 171916 blt 0,0,640,480,0, 11093,640,480:waittimer 171931 blt 0,0,640,480,0, 11094,640,480:waittimer 171947 blt 0,0,640,480,0, 11095,640,480:waittimer 171962 blt 0,0,640,480,0, 11096,640,480:waittimer 171978 blt 0,0,640,480,0, 11097,640,480:waittimer 171993 blt 0,0,640,480,0, 11098,640,480:waittimer 172009 blt 0,0,640,480,0, 11099,640,480:waittimer 172024 blt 0,0,640,480,0, 11100,640,480:waittimer 172040 blt 0,0,640,480,0, 11101,640,480:waittimer 172055 blt 0,0,640,480,0, 11102,640,480:waittimer 172071 blt 0,0,640,480,0, 11103,640,480:waittimer 172086 blt 0,0,640,480,0, 11104,640,480:waittimer 172102 blt 0,0,640,480,0, 11105,640,480:waittimer 172117 blt 0,0,640,480,0, 11106,640,480:waittimer 172133 blt 0,0,640,480,0, 11107,640,480:waittimer 172148 blt 0,0,640,480,0, 11108,640,480:waittimer 172164 blt 0,0,640,480,0, 11109,640,480:waittimer 172179 blt 0,0,640,480,0, 11110,640,480:waittimer 172195 blt 0,0,640,480,0, 11111,640,480:waittimer 172210 blt 0,0,640,480,0, 11112,640,480:waittimer 172226 blt 0,0,640,480,0, 11113,640,480:waittimer 172241 blt 0,0,640,480,0, 11114,640,480:waittimer 172257 blt 0,0,640,480,0, 11115,640,480:waittimer 172272 blt 0,0,640,480,0, 11116,640,480:waittimer 172288 blt 0,0,640,480,0, 11117,640,480:waittimer 172303 blt 0,0,640,480,0, 11118,640,480:waittimer 172319 blt 0,0,640,480,0, 11119,640,480:waittimer 172334 blt 0,0,640,480,0, 11120,640,480:waittimer 172350 blt 0,0,640,480,0, 11121,640,480:waittimer 172365 blt 0,0,640,480,0, 11122,640,480:waittimer 172381 blt 0,0,640,480,0, 11123,640,480:waittimer 172396 blt 0,0,640,480,0, 11124,640,480:waittimer 172412 blt 0,0,640,480,0, 11125,640,480:waittimer 172427 blt 0,0,640,480,0, 11126,640,480:waittimer 172443 blt 0,0,640,480,0, 11127,640,480:waittimer 172458 blt 0,0,640,480,0, 11128,640,480:waittimer 172474 blt 0,0,640,480,0, 11129,640,480:waittimer 172489 blt 0,0,640,480,0, 11130,640,480:waittimer 172505 blt 0,0,640,480,0, 11131,640,480:waittimer 172520 blt 0,0,640,480,0, 11132,640,480:waittimer 172536 blt 0,0,640,480,0, 11133,640,480:waittimer 172551 blt 0,0,640,480,0, 11134,640,480:waittimer 172567 blt 0,0,640,480,0, 11135,640,480:waittimer 172582 blt 0,0,640,480,0, 11136,640,480:waittimer 172598 blt 0,0,640,480,0, 11137,640,480:waittimer 172613 blt 0,0,640,480,0, 11138,640,480:waittimer 172629 blt 0,0,640,480,0, 11139,640,480:waittimer 172644 blt 0,0,640,480,0, 11140,640,480:waittimer 172660 blt 0,0,640,480,0, 11141,640,480:waittimer 172675 blt 0,0,640,480,0, 11142,640,480:waittimer 172691 blt 0,0,640,480,0, 11143,640,480:waittimer 172706 blt 0,0,640,480,0, 11144,640,480:waittimer 172722 blt 0,0,640,480,0, 11145,640,480:waittimer 172737 blt 0,0,640,480,0, 11146,640,480:waittimer 172753 blt 0,0,640,480,0, 11147,640,480:waittimer 172768 blt 0,0,640,480,0, 11148,640,480:waittimer 172784 blt 0,0,640,480,0, 11149,640,480:waittimer 172799 blt 0,0,640,480,0, 11150,640,480:waittimer 172815 blt 0,0,640,480,0, 11151,640,480:waittimer 172830 blt 0,0,640,480,0, 11152,640,480:waittimer 172846 blt 0,0,640,480,0, 11153,640,480:waittimer 172861 blt 0,0,640,480,0, 11154,640,480:waittimer 172877 blt 0,0,640,480,0, 11155,640,480:waittimer 172892 blt 0,0,640,480,0, 11156,640,480:waittimer 172908 blt 0,0,640,480,0, 11157,640,480:waittimer 172923 blt 0,0,640,480,0, 11158,640,480:waittimer 172939 blt 0,0,640,480,0, 11159,640,480:waittimer 172954 blt 0,0,640,480,0, 11160,640,480:waittimer 172970 blt 0,0,640,480,0, 11161,640,480:waittimer 172985 blt 0,0,640,480,0, 11162,640,480:waittimer 173001 blt 0,0,640,480,0, 11163,640,480:waittimer 173016 blt 0,0,640,480,0, 11164,640,480:waittimer 173032 blt 0,0,640,480,0, 11165,640,480:waittimer 173047 blt 0,0,640,480,0, 11166,640,480:waittimer 173063 blt 0,0,640,480,0, 11167,640,480:waittimer 173078 blt 0,0,640,480,0, 11168,640,480:waittimer 173094 blt 0,0,640,480,0, 11169,640,480:waittimer 173109 blt 0,0,640,480,0, 11170,640,480:waittimer 173125 blt 0,0,640,480,0, 11171,640,480:waittimer 173140 blt 0,0,640,480,0, 11172,640,480:waittimer 173156 blt 0,0,640,480,0, 11173,640,480:waittimer 173171 blt 0,0,640,480,0, 11174,640,480:waittimer 173187 blt 0,0,640,480,0, 11175,640,480:waittimer 173202 blt 0,0,640,480,0, 11176,640,480:waittimer 173218 blt 0,0,640,480,0, 11177,640,480:waittimer 173233 blt 0,0,640,480,0, 11178,640,480:waittimer 173249 blt 0,0,640,480,0, 11179,640,480:waittimer 173264 blt 0,0,640,480,0, 11180,640,480:waittimer 173280 blt 0,0,640,480,0, 11181,640,480:waittimer 173295 blt 0,0,640,480,0, 11182,640,480:waittimer 173311 blt 0,0,640,480,0, 11183,640,480:waittimer 173326 blt 0,0,640,480,0, 11184,640,480:waittimer 173342 blt 0,0,640,480,0, 11185,640,480:waittimer 173357 blt 0,0,640,480,0, 11186,640,480:waittimer 173373 blt 0,0,640,480,0, 11187,640,480:waittimer 173388 blt 0,0,640,480,0, 11188,640,480:waittimer 173404 blt 0,0,640,480,0, 11189,640,480:waittimer 173419 blt 0,0,640,480,0, 11190,640,480:waittimer 173435 blt 0,0,640,480,0, 11191,640,480:waittimer 173450 blt 0,0,640,480,0, 11192,640,480:waittimer 173466 blt 0,0,640,480,0, 11193,640,480:waittimer 173481 blt 0,0,640,480,0, 11194,640,480:waittimer 173497 blt 0,0,640,480,0, 11195,640,480:waittimer 173512 blt 0,0,640,480,0, 11196,640,480:waittimer 173528 blt 0,0,640,480,0, 11197,640,480:waittimer 173543 blt 0,0,640,480,0, 11198,640,480:waittimer 173559 blt 0,0,640,480,0, 11199,640,480:waittimer 173574 blt 0,0,640,480,0, 11200,640,480:waittimer 173590 blt 0,0,640,480,0, 11201,640,480:waittimer 173605 blt 0,0,640,480,0, 11202,640,480:waittimer 173621 blt 0,0,640,480,0, 11203,640,480:waittimer 173636 blt 0,0,640,480,0, 11204,640,480:waittimer 173652 blt 0,0,640,480,0, 11205,640,480:waittimer 173667 blt 0,0,640,480,0, 11206,640,480:waittimer 173683 blt 0,0,640,480,0, 11207,640,480:waittimer 173698 blt 0,0,640,480,0, 11208,640,480:waittimer 173714 blt 0,0,640,480,0, 11209,640,480:waittimer 173729 blt 0,0,640,480,0, 11210,640,480:waittimer 173745 blt 0,0,640,480,0, 11211,640,480:waittimer 173760 blt 0,0,640,480,0, 11212,640,480:waittimer 173776 blt 0,0,640,480,0, 11213,640,480:waittimer 173791 blt 0,0,640,480,0, 11214,640,480:waittimer 173807 blt 0,0,640,480,0, 11215,640,480:waittimer 173822 blt 0,0,640,480,0, 11216,640,480:waittimer 173838 blt 0,0,640,480,0, 11217,640,480:waittimer 173853 blt 0,0,640,480,0, 11218,640,480:waittimer 173869 blt 0,0,640,480,0, 11219,640,480:waittimer 173884 blt 0,0,640,480,0, 11220,640,480:waittimer 173900 blt 0,0,640,480,0, 11221,640,480:waittimer 173915 blt 0,0,640,480,0, 11222,640,480:waittimer 173931 blt 0,0,640,480,0, 11223,640,480:waittimer 173946 blt 0,0,640,480,0, 11224,640,480:waittimer 173962 blt 0,0,640,480,0, 11225,640,480:waittimer 173977 blt 0,0,640,480,0, 11226,640,480:waittimer 173993 blt 0,0,640,480,0, 11227,640,480:waittimer 174008 blt 0,0,640,480,0, 11228,640,480:waittimer 174024 blt 0,0,640,480,0, 11229,640,480:waittimer 174039 blt 0,0,640,480,0, 11230,640,480:waittimer 174055 blt 0,0,640,480,0, 11231,640,480:waittimer 174070 blt 0,0,640,480,0, 11232,640,480:waittimer 174086 blt 0,0,640,480,0, 11233,640,480:waittimer 174101 blt 0,0,640,480,0, 11234,640,480:waittimer 174117 blt 0,0,640,480,0, 11235,640,480:waittimer 174132 blt 0,0,640,480,0, 11236,640,480:waittimer 174148 blt 0,0,640,480,0, 11237,640,480:waittimer 174163 blt 0,0,640,480,0, 11238,640,480:waittimer 174179 blt 0,0,640,480,0, 11239,640,480:waittimer 174194 blt 0,0,640,480,0, 11240,640,480:waittimer 174210 blt 0,0,640,480,0, 11241,640,480:waittimer 174225 blt 0,0,640,480,0, 11242,640,480:waittimer 174241 blt 0,0,640,480,0, 11243,640,480:waittimer 174256 blt 0,0,640,480,0, 11244,640,480:waittimer 174272 blt 0,0,640,480,0, 11245,640,480:waittimer 174287 blt 0,0,640,480,0, 11246,640,480:waittimer 174303 blt 0,0,640,480,0, 11247,640,480:waittimer 174318 blt 0,0,640,480,0, 11248,640,480:waittimer 174334 blt 0,0,640,480,0, 11249,640,480:waittimer 174349 blt 0,0,640,480,0, 11250,640,480:waittimer 174365 blt 0,0,640,480,0, 11251,640,480:waittimer 174380 blt 0,0,640,480,0, 11252,640,480:waittimer 174396 blt 0,0,640,480,0, 11253,640,480:waittimer 174411 blt 0,0,640,480,0, 11254,640,480:waittimer 174427 blt 0,0,640,480,0, 11255,640,480:waittimer 174442 blt 0,0,640,480,0, 11256,640,480:waittimer 174458 blt 0,0,640,480,0, 11257,640,480:waittimer 174473 blt 0,0,640,480,0, 11258,640,480:waittimer 174489 blt 0,0,640,480,0, 11259,640,480:waittimer 174504 blt 0,0,640,480,0, 11260,640,480:waittimer 174520 blt 0,0,640,480,0, 11261,640,480:waittimer 174535 blt 0,0,640,480,0, 11262,640,480:waittimer 174551 blt 0,0,640,480,0, 11263,640,480:waittimer 174566 blt 0,0,640,480,0, 11264,640,480:waittimer 174582 blt 0,0,640,480,0, 11265,640,480:waittimer 174597 blt 0,0,640,480,0, 11266,640,480:waittimer 174613 blt 0,0,640,480,0, 11267,640,480:waittimer 174628 blt 0,0,640,480,0, 11268,640,480:waittimer 174644 blt 0,0,640,480,0, 11269,640,480:waittimer 174659 blt 0,0,640,480,0, 11270,640,480:waittimer 174675 blt 0,0,640,480,0, 11271,640,480:waittimer 174690 blt 0,0,640,480,0, 11272,640,480:waittimer 174706 blt 0,0,640,480,0, 11273,640,480:waittimer 174721 blt 0,0,640,480,0, 11274,640,480:waittimer 174737 blt 0,0,640,480,0, 11275,640,480:waittimer 174752 blt 0,0,640,480,0, 11276,640,480:waittimer 174768 blt 0,0,640,480,0, 11277,640,480:waittimer 174783 blt 0,0,640,480,0, 11278,640,480:waittimer 174799 blt 0,0,640,480,0, 11279,640,480:waittimer 174814 blt 0,0,640,480,0, 11280,640,480:waittimer 174830 blt 0,0,640,480,0, 11281,640,480:waittimer 174845 blt 0,0,640,480,0, 11282,640,480:waittimer 174861 blt 0,0,640,480,0, 11283,640,480:waittimer 174876 blt 0,0,640,480,0, 11284,640,480:waittimer 174892 blt 0,0,640,480,0, 11285,640,480:waittimer 174907 blt 0,0,640,480,0, 11286,640,480:waittimer 174923 blt 0,0,640,480,0, 11287,640,480:waittimer 174938 blt 0,0,640,480,0, 11288,640,480:waittimer 174954 blt 0,0,640,480,0, 11289,640,480:waittimer 174969 blt 0,0,640,480,0, 11290,640,480:waittimer 174985 blt 0,0,640,480,0, 11291,640,480:waittimer 175000 blt 0,0,640,480,0, 11292,640,480:waittimer 175016 blt 0,0,640,480,0, 11293,640,480:waittimer 175031 blt 0,0,640,480,0, 11294,640,480:waittimer 175047 blt 0,0,640,480,0, 11295,640,480:waittimer 175062 blt 0,0,640,480,0, 11296,640,480:waittimer 175078 blt 0,0,640,480,0, 11297,640,480:waittimer 175093 blt 0,0,640,480,0, 11298,640,480:waittimer 175109 blt 0,0,640,480,0, 11299,640,480:waittimer 175124 blt 0,0,640,480,0, 11300,640,480:waittimer 175140 blt 0,0,640,480,0, 11301,640,480:waittimer 175155 blt 0,0,640,480,0, 11302,640,480:waittimer 175171 blt 0,0,640,480,0, 11303,640,480:waittimer 175186 blt 0,0,640,480,0, 11304,640,480:waittimer 175202 blt 0,0,640,480,0, 11305,640,480:waittimer 175217 blt 0,0,640,480,0, 11306,640,480:waittimer 175233 blt 0,0,640,480,0, 11307,640,480:waittimer 175248 blt 0,0,640,480,0, 11308,640,480:waittimer 175264 blt 0,0,640,480,0, 11309,640,480:waittimer 175279 blt 0,0,640,480,0, 11310,640,480:waittimer 175295 blt 0,0,640,480,0, 11311,640,480:waittimer 175310 blt 0,0,640,480,0, 11312,640,480:waittimer 175326 blt 0,0,640,480,0, 11313,640,480:waittimer 175341 blt 0,0,640,480,0, 11314,640,480:waittimer 175357 blt 0,0,640,480,0, 11315,640,480:waittimer 175372 blt 0,0,640,480,0, 11316,640,480:waittimer 175388 blt 0,0,640,480,0, 11317,640,480:waittimer 175403 blt 0,0,640,480,0, 11318,640,480:waittimer 175419 blt 0,0,640,480,0, 11319,640,480:waittimer 175434 blt 0,0,640,480,0, 11320,640,480:waittimer 175450 blt 0,0,640,480,0, 11321,640,480:waittimer 175465 blt 0,0,640,480,0, 11322,640,480:waittimer 175481 blt 0,0,640,480,0, 11323,640,480:waittimer 175496 blt 0,0,640,480,0, 11324,640,480:waittimer 175512 blt 0,0,640,480,0, 11325,640,480:waittimer 175527 blt 0,0,640,480,0, 11326,640,480:waittimer 175543 blt 0,0,640,480,0, 11327,640,480:waittimer 175558 blt 0,0,640,480,0, 11328,640,480:waittimer 175574 blt 0,0,640,480,0, 11329,640,480:waittimer 175589 blt 0,0,640,480,0, 11330,640,480:waittimer 175605 blt 0,0,640,480,0, 11331,640,480:waittimer 175620 blt 0,0,640,480,0, 11332,640,480:waittimer 175636 blt 0,0,640,480,0, 11333,640,480:waittimer 175651 blt 0,0,640,480,0, 11334,640,480:waittimer 175667 blt 0,0,640,480,0, 11335,640,480:waittimer 175682 blt 0,0,640,480,0, 11336,640,480:waittimer 175698 blt 0,0,640,480,0, 11337,640,480:waittimer 175713 blt 0,0,640,480,0, 11338,640,480:waittimer 175729 blt 0,0,640,480,0, 11339,640,480:waittimer 175744 blt 0,0,640,480,0, 11340,640,480:waittimer 175760 blt 0,0,640,480,0, 11341,640,480:waittimer 175775 blt 0,0,640,480,0, 11342,640,480:waittimer 175791 blt 0,0,640,480,0, 11343,640,480:waittimer 175806 blt 0,0,640,480,0, 11344,640,480:waittimer 175822 blt 0,0,640,480,0, 11345,640,480:waittimer 175837 blt 0,0,640,480,0, 11346,640,480:waittimer 175853 blt 0,0,640,480,0, 11347,640,480:waittimer 175868 blt 0,0,640,480,0, 11348,640,480:waittimer 175884 blt 0,0,640,480,0, 11349,640,480:waittimer 175899 blt 0,0,640,480,0, 11350,640,480:waittimer 175915 blt 0,0,640,480,0, 11351,640,480:waittimer 175930 blt 0,0,640,480,0, 11352,640,480:waittimer 175946 blt 0,0,640,480,0, 11353,640,480:waittimer 175961 blt 0,0,640,480,0, 11354,640,480:waittimer 175977 blt 0,0,640,480,0, 11355,640,480:waittimer 175992 blt 0,0,640,480,0, 11356,640,480:waittimer 176008 blt 0,0,640,480,0, 11357,640,480:waittimer 176023 blt 0,0,640,480,0, 11358,640,480:waittimer 176039 blt 0,0,640,480,0, 11359,640,480:waittimer 176054 blt 0,0,640,480,0, 11360,640,480:waittimer 176070 blt 0,0,640,480,0, 11361,640,480:waittimer 176085 blt 0,0,640,480,0, 11362,640,480:waittimer 176101 blt 0,0,640,480,0, 11363,640,480:waittimer 176116 blt 0,0,640,480,0, 11364,640,480:waittimer 176132 blt 0,0,640,480,0, 11365,640,480:waittimer 176147 blt 0,0,640,480,0, 11366,640,480:waittimer 176163 blt 0,0,640,480,0, 11367,640,480:waittimer 176178 blt 0,0,640,480,0, 11368,640,480:waittimer 176194 blt 0,0,640,480,0, 11369,640,480:waittimer 176209 blt 0,0,640,480,0, 11370,640,480:waittimer 176225 blt 0,0,640,480,0, 11371,640,480:waittimer 176240 blt 0,0,640,480,0, 11372,640,480:waittimer 176256 blt 0,0,640,480,0, 11373,640,480:waittimer 176271 blt 0,0,640,480,0, 11374,640,480:waittimer 176287 blt 0,0,640,480,0, 11375,640,480:waittimer 176302 blt 0,0,640,480,0, 11376,640,480:waittimer 176318 blt 0,0,640,480,0, 11377,640,480:waittimer 176333 blt 0,0,640,480,0, 11378,640,480:waittimer 176349 blt 0,0,640,480,0, 11379,640,480:waittimer 176364 blt 0,0,640,480,0, 11380,640,480:waittimer 176380 blt 0,0,640,480,0, 11381,640,480:waittimer 176395 blt 0,0,640,480,0, 11382,640,480:waittimer 176411 blt 0,0,640,480,0, 11383,640,480:waittimer 176426 blt 0,0,640,480,0, 11384,640,480:waittimer 176442 blt 0,0,640,480,0, 11385,640,480:waittimer 176457 blt 0,0,640,480,0, 11386,640,480:waittimer 176473 blt 0,0,640,480,0, 11387,640,480:waittimer 176488 blt 0,0,640,480,0, 11388,640,480:waittimer 176504 blt 0,0,640,480,0, 11389,640,480:waittimer 176519 blt 0,0,640,480,0, 11390,640,480:waittimer 176535 blt 0,0,640,480,0, 11391,640,480:waittimer 176550 blt 0,0,640,480,0, 11392,640,480:waittimer 176566 blt 0,0,640,480,0, 11393,640,480:waittimer 176581 blt 0,0,640,480,0, 11394,640,480:waittimer 176597 blt 0,0,640,480,0, 11395,640,480:waittimer 176612 blt 0,0,640,480,0, 11396,640,480:waittimer 176628 blt 0,0,640,480,0, 11397,640,480:waittimer 176643 blt 0,0,640,480,0, 11398,640,480:waittimer 176659 blt 0,0,640,480,0, 11399,640,480:waittimer 176674 blt 0,0,640,480,0, 11400,640,480:waittimer 176690 blt 0,0,640,480,0, 11401,640,480:waittimer 176705 blt 0,0,640,480,0, 11402,640,480:waittimer 176721 blt 0,0,640,480,0, 11403,640,480:waittimer 176736 blt 0,0,640,480,0, 11404,640,480:waittimer 176752 blt 0,0,640,480,0, 11405,640,480:waittimer 176767 blt 0,0,640,480,0, 11406,640,480:waittimer 176783 blt 0,0,640,480,0, 11407,640,480:waittimer 176798 blt 0,0,640,480,0, 11408,640,480:waittimer 176814 blt 0,0,640,480,0, 11409,640,480:waittimer 176829 blt 0,0,640,480,0, 11410,640,480:waittimer 176845 blt 0,0,640,480,0, 11411,640,480:waittimer 176860 blt 0,0,640,480,0, 11412,640,480:waittimer 176876 blt 0,0,640,480,0, 11413,640,480:waittimer 176891 blt 0,0,640,480,0, 11414,640,480:waittimer 176907 blt 0,0,640,480,0, 11415,640,480:waittimer 176922 blt 0,0,640,480,0, 11416,640,480:waittimer 176938 blt 0,0,640,480,0, 11417,640,480:waittimer 176953 blt 0,0,640,480,0, 11418,640,480:waittimer 176969 blt 0,0,640,480,0, 11419,640,480:waittimer 176984 blt 0,0,640,480,0, 11420,640,480:waittimer 177000 return ;**************************************** *teatime_ep3b_scroll resettimer blt 0,0,640,480,0, 2,640,480:waittimer 15 blt 0,0,640,480,0, 4,640,480:waittimer 30 blt 0,0,640,480,0, 6,640,480:waittimer 45 blt 0,0,640,480,0, 8,640,480:waittimer 60 blt 0,0,640,480,0, 10,640,480:waittimer 75 blt 0,0,640,480,0, 12,640,480:waittimer 91 blt 0,0,640,480,0, 14,640,480:waittimer 106 blt 0,0,640,480,0, 16,640,480:waittimer 121 blt 0,0,640,480,0, 18,640,480:waittimer 136 blt 0,0,640,480,0, 20,640,480:waittimer 151 blt 0,0,640,480,0, 22,640,480:waittimer 166 blt 0,0,640,480,0, 24,640,480:waittimer 182 blt 0,0,640,480,0, 26,640,480:waittimer 197 blt 0,0,640,480,0, 28,640,480:waittimer 212 blt 0,0,640,480,0, 30,640,480:waittimer 227 blt 0,0,640,480,0, 32,640,480:waittimer 242 blt 0,0,640,480,0, 34,640,480:waittimer 257 blt 0,0,640,480,0, 36,640,480:waittimer 273 blt 0,0,640,480,0, 38,640,480:waittimer 288 blt 0,0,640,480,0, 40,640,480:waittimer 303 blt 0,0,640,480,0, 42,640,480:waittimer 318 blt 0,0,640,480,0, 44,640,480:waittimer 333 blt 0,0,640,480,0, 46,640,480:waittimer 348 blt 0,0,640,480,0, 48,640,480:waittimer 364 blt 0,0,640,480,0, 50,640,480:waittimer 379 blt 0,0,640,480,0, 52,640,480:waittimer 394 blt 0,0,640,480,0, 54,640,480:waittimer 409 blt 0,0,640,480,0, 56,640,480:waittimer 424 blt 0,0,640,480,0, 58,640,480:waittimer 439 blt 0,0,640,480,0, 60,640,480:waittimer 455 blt 0,0,640,480,0, 62,640,480:waittimer 470 blt 0,0,640,480,0, 64,640,480:waittimer 485 blt 0,0,640,480,0, 66,640,480:waittimer 500 blt 0,0,640,480,0, 68,640,480:waittimer 515 blt 0,0,640,480,0, 70,640,480:waittimer 530 blt 0,0,640,480,0, 72,640,480:waittimer 546 blt 0,0,640,480,0, 74,640,480:waittimer 561 blt 0,0,640,480,0, 76,640,480:waittimer 576 blt 0,0,640,480,0, 78,640,480:waittimer 591 blt 0,0,640,480,0, 80,640,480:waittimer 606 blt 0,0,640,480,0, 82,640,480:waittimer 621 blt 0,0,640,480,0, 84,640,480:waittimer 637 blt 0,0,640,480,0, 86,640,480:waittimer 652 blt 0,0,640,480,0, 88,640,480:waittimer 667 blt 0,0,640,480,0, 90,640,480:waittimer 682 blt 0,0,640,480,0, 92,640,480:waittimer 697 blt 0,0,640,480,0, 94,640,480:waittimer 712 blt 0,0,640,480,0, 96,640,480:waittimer 728 blt 0,0,640,480,0, 98,640,480:waittimer 743 blt 0,0,640,480,0, 100,640,480:waittimer 758 blt 0,0,640,480,0, 102,640,480:waittimer 773 blt 0,0,640,480,0, 104,640,480:waittimer 788 blt 0,0,640,480,0, 106,640,480:waittimer 803 blt 0,0,640,480,0, 108,640,480:waittimer 819 blt 0,0,640,480,0, 110,640,480:waittimer 834 blt 0,0,640,480,0, 112,640,480:waittimer 849 blt 0,0,640,480,0, 114,640,480:waittimer 864 blt 0,0,640,480,0, 116,640,480:waittimer 879 blt 0,0,640,480,0, 118,640,480:waittimer 894 blt 0,0,640,480,0, 120,640,480:waittimer 910 blt 0,0,640,480,0, 122,640,480:waittimer 925 blt 0,0,640,480,0, 124,640,480:waittimer 940 blt 0,0,640,480,0, 126,640,480:waittimer 955 blt 0,0,640,480,0, 128,640,480:waittimer 970 blt 0,0,640,480,0, 130,640,480:waittimer 985 blt 0,0,640,480,0, 132,640,480:waittimer 1001 blt 0,0,640,480,0, 134,640,480:waittimer 1016 blt 0,0,640,480,0, 136,640,480:waittimer 1031 blt 0,0,640,480,0, 138,640,480:waittimer 1046 blt 0,0,640,480,0, 140,640,480:waittimer 1061 blt 0,0,640,480,0, 142,640,480:waittimer 1076 blt 0,0,640,480,0, 144,640,480:waittimer 1092 blt 0,0,640,480,0, 146,640,480:waittimer 1107 blt 0,0,640,480,0, 148,640,480:waittimer 1122 blt 0,0,640,480,0, 150,640,480:waittimer 1137 blt 0,0,640,480,0, 152,640,480:waittimer 1152 blt 0,0,640,480,0, 154,640,480:waittimer 1167 blt 0,0,640,480,0, 156,640,480:waittimer 1183 blt 0,0,640,480,0, 158,640,480:waittimer 1198 blt 0,0,640,480,0, 160,640,480:waittimer 1213 blt 0,0,640,480,0, 162,640,480:waittimer 1228 blt 0,0,640,480,0, 164,640,480:waittimer 1243 blt 0,0,640,480,0, 166,640,480:waittimer 1258 blt 0,0,640,480,0, 168,640,480:waittimer 1274 blt 0,0,640,480,0, 170,640,480:waittimer 1289 blt 0,0,640,480,0, 172,640,480:waittimer 1304 blt 0,0,640,480,0, 174,640,480:waittimer 1319 blt 0,0,640,480,0, 176,640,480:waittimer 1334 blt 0,0,640,480,0, 178,640,480:waittimer 1349 blt 0,0,640,480,0, 180,640,480:waittimer 1365 blt 0,0,640,480,0, 182,640,480:waittimer 1380 blt 0,0,640,480,0, 184,640,480:waittimer 1395 blt 0,0,640,480,0, 186,640,480:waittimer 1410 blt 0,0,640,480,0, 188,640,480:waittimer 1425 blt 0,0,640,480,0, 190,640,480:waittimer 1440 blt 0,0,640,480,0, 192,640,480:waittimer 1456 blt 0,0,640,480,0, 194,640,480:waittimer 1471 blt 0,0,640,480,0, 196,640,480:waittimer 1486 blt 0,0,640,480,0, 198,640,480:waittimer 1501 blt 0,0,640,480,0, 200,640,480:waittimer 1516 blt 0,0,640,480,0, 202,640,480:waittimer 1531 blt 0,0,640,480,0, 204,640,480:waittimer 1547 blt 0,0,640,480,0, 206,640,480:waittimer 1562 blt 0,0,640,480,0, 208,640,480:waittimer 1577 blt 0,0,640,480,0, 210,640,480:waittimer 1592 blt 0,0,640,480,0, 212,640,480:waittimer 1607 blt 0,0,640,480,0, 214,640,480:waittimer 1622 blt 0,0,640,480,0, 216,640,480:waittimer 1638 blt 0,0,640,480,0, 218,640,480:waittimer 1653 blt 0,0,640,480,0, 220,640,480:waittimer 1668 blt 0,0,640,480,0, 222,640,480:waittimer 1683 blt 0,0,640,480,0, 224,640,480:waittimer 1698 blt 0,0,640,480,0, 226,640,480:waittimer 1713 blt 0,0,640,480,0, 228,640,480:waittimer 1729 blt 0,0,640,480,0, 230,640,480:waittimer 1744 blt 0,0,640,480,0, 232,640,480:waittimer 1759 blt 0,0,640,480,0, 234,640,480:waittimer 1774 blt 0,0,640,480,0, 236,640,480:waittimer 1789 blt 0,0,640,480,0, 238,640,480:waittimer 1804 blt 0,0,640,480,0, 240,640,480:waittimer 1820 blt 0,0,640,480,0, 242,640,480:waittimer 1835 blt 0,0,640,480,0, 244,640,480:waittimer 1850 blt 0,0,640,480,0, 246,640,480:waittimer 1865 blt 0,0,640,480,0, 248,640,480:waittimer 1880 blt 0,0,640,480,0, 250,640,480:waittimer 1895 blt 0,0,640,480,0, 252,640,480:waittimer 1911 blt 0,0,640,480,0, 254,640,480:waittimer 1926 blt 0,0,640,480,0, 256,640,480:waittimer 1941 blt 0,0,640,480,0, 258,640,480:waittimer 1956 blt 0,0,640,480,0, 260,640,480:waittimer 1971 blt 0,0,640,480,0, 262,640,480:waittimer 1986 blt 0,0,640,480,0, 264,640,480:waittimer 2002 blt 0,0,640,480,0, 266,640,480:waittimer 2017 blt 0,0,640,480,0, 268,640,480:waittimer 2032 blt 0,0,640,480,0, 270,640,480:waittimer 2047 blt 0,0,640,480,0, 272,640,480:waittimer 2062 blt 0,0,640,480,0, 274,640,480:waittimer 2077 blt 0,0,640,480,0, 276,640,480:waittimer 2093 blt 0,0,640,480,0, 278,640,480:waittimer 2108 blt 0,0,640,480,0, 280,640,480:waittimer 2123 blt 0,0,640,480,0, 282,640,480:waittimer 2138 blt 0,0,640,480,0, 284,640,480:waittimer 2153 blt 0,0,640,480,0, 286,640,480:waittimer 2168 blt 0,0,640,480,0, 288,640,480:waittimer 2184 blt 0,0,640,480,0, 290,640,480:waittimer 2199 blt 0,0,640,480,0, 292,640,480:waittimer 2214 blt 0,0,640,480,0, 294,640,480:waittimer 2229 blt 0,0,640,480,0, 296,640,480:waittimer 2244 blt 0,0,640,480,0, 298,640,480:waittimer 2259 blt 0,0,640,480,0, 300,640,480:waittimer 2275 blt 0,0,640,480,0, 302,640,480:waittimer 2290 blt 0,0,640,480,0, 304,640,480:waittimer 2305 blt 0,0,640,480,0, 306,640,480:waittimer 2320 blt 0,0,640,480,0, 308,640,480:waittimer 2335 blt 0,0,640,480,0, 310,640,480:waittimer 2350 blt 0,0,640,480,0, 312,640,480:waittimer 2366 blt 0,0,640,480,0, 314,640,480:waittimer 2381 blt 0,0,640,480,0, 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1712,640,480:waittimer 12982 blt 0,0,640,480,0, 1714,640,480:waittimer 12997 blt 0,0,640,480,0, 1716,640,480:waittimer 13013 blt 0,0,640,480,0, 1718,640,480:waittimer 13028 blt 0,0,640,480,0, 1720,640,480:waittimer 13043 blt 0,0,640,480,0, 1722,640,480:waittimer 13058 blt 0,0,640,480,0, 1724,640,480:waittimer 13073 blt 0,0,640,480,0, 1726,640,480:waittimer 13088 blt 0,0,640,480,0, 1728,640,480:waittimer 13104 blt 0,0,640,480,0, 1730,640,480:waittimer 13119 blt 0,0,640,480,0, 1732,640,480:waittimer 13134 blt 0,0,640,480,0, 1734,640,480:waittimer 13149 blt 0,0,640,480,0, 1736,640,480:waittimer 13164 blt 0,0,640,480,0, 1738,640,480:waittimer 13179 blt 0,0,640,480,0, 1740,640,480:waittimer 13195 blt 0,0,640,480,0, 1742,640,480:waittimer 13210 blt 0,0,640,480,0, 1744,640,480:waittimer 13225 blt 0,0,640,480,0, 1746,640,480:waittimer 13240 blt 0,0,640,480,0, 1748,640,480:waittimer 13255 blt 0,0,640,480,0, 1750,640,480:waittimer 13270 blt 0,0,640,480,0, 1752,640,480:waittimer 13286 blt 0,0,640,480,0, 1754,640,480:waittimer 13301 blt 0,0,640,480,0, 1756,640,480:waittimer 13316 blt 0,0,640,480,0, 1758,640,480:waittimer 13331 blt 0,0,640,480,0, 1760,640,480:waittimer 13346 blt 0,0,640,480,0, 1762,640,480:waittimer 13361 blt 0,0,640,480,0, 1764,640,480:waittimer 13377 blt 0,0,640,480,0, 1766,640,480:waittimer 13392 blt 0,0,640,480,0, 1768,640,480:waittimer 13407 blt 0,0,640,480,0, 1770,640,480:waittimer 13422 blt 0,0,640,480,0, 1772,640,480:waittimer 13437 blt 0,0,640,480,0, 1774,640,480:waittimer 13452 blt 0,0,640,480,0, 1776,640,480:waittimer 13468 blt 0,0,640,480,0, 1778,640,480:waittimer 13483 blt 0,0,640,480,0, 1780,640,480:waittimer 13498 blt 0,0,640,480,0, 1782,640,480:waittimer 13513 blt 0,0,640,480,0, 1784,640,480:waittimer 13528 blt 0,0,640,480,0, 1786,640,480:waittimer 13543 blt 0,0,640,480,0, 1788,640,480:waittimer 13559 blt 0,0,640,480,0, 1790,640,480:waittimer 13574 blt 0,0,640,480,0, 1792,640,480:waittimer 13589 blt 0,0,640,480,0, 1794,640,480:waittimer 13604 blt 0,0,640,480,0, 1796,640,480:waittimer 13619 blt 0,0,640,480,0, 1798,640,480:waittimer 13634 blt 0,0,640,480,0, 1800,640,480:waittimer 13650 blt 0,0,640,480,0, 1802,640,480:waittimer 13665 blt 0,0,640,480,0, 1804,640,480:waittimer 13680 blt 0,0,640,480,0, 1806,640,480:waittimer 13695 blt 0,0,640,480,0, 1808,640,480:waittimer 13710 blt 0,0,640,480,0, 1810,640,480:waittimer 13725 blt 0,0,640,480,0, 1812,640,480:waittimer 13741 blt 0,0,640,480,0, 1814,640,480:waittimer 13756 blt 0,0,640,480,0, 1816,640,480:waittimer 13771 blt 0,0,640,480,0, 1818,640,480:waittimer 13786 blt 0,0,640,480,0, 1820,640,480:waittimer 13801 blt 0,0,640,480,0, 1822,640,480:waittimer 13816 blt 0,0,640,480,0, 1824,640,480:waittimer 13832 blt 0,0,640,480,0, 1826,640,480:waittimer 13847 blt 0,0,640,480,0, 1828,640,480:waittimer 13862 blt 0,0,640,480,0, 1830,640,480:waittimer 13877 blt 0,0,640,480,0, 1832,640,480:waittimer 13892 blt 0,0,640,480,0, 1834,640,480:waittimer 13907 blt 0,0,640,480,0, 1836,640,480:waittimer 13923 blt 0,0,640,480,0, 1838,640,480:waittimer 13938 blt 0,0,640,480,0, 1840,640,480:waittimer 13953 blt 0,0,640,480,0, 1842,640,480:waittimer 13968 blt 0,0,640,480,0, 1844,640,480:waittimer 13983 blt 0,0,640,480,0, 1846,640,480:waittimer 13998 blt 0,0,640,480,0, 1848,640,480:waittimer 14014 blt 0,0,640,480,0, 1850,640,480:waittimer 14029 blt 0,0,640,480,0, 1852,640,480:waittimer 14044 blt 0,0,640,480,0, 1854,640,480:waittimer 14059 blt 0,0,640,480,0, 1856,640,480:waittimer 14074 blt 0,0,640,480,0, 1858,640,480:waittimer 14089 blt 0,0,640,480,0, 1860,640,480:waittimer 14105 blt 0,0,640,480,0, 1862,640,480:waittimer 14120 blt 0,0,640,480,0, 1864,640,480:waittimer 14135 blt 0,0,640,480,0, 1866,640,480:waittimer 14150 blt 0,0,640,480,0, 1868,640,480:waittimer 14165 blt 0,0,640,480,0, 1870,640,480:waittimer 14180 blt 0,0,640,480,0, 1872,640,480:waittimer 14196 blt 0,0,640,480,0, 1874,640,480:waittimer 14211 blt 0,0,640,480,0, 1876,640,480:waittimer 14226 blt 0,0,640,480,0, 1878,640,480:waittimer 14241 blt 0,0,640,480,0, 1880,640,480:waittimer 14256 blt 0,0,640,480,0, 1882,640,480:waittimer 14271 blt 0,0,640,480,0, 1884,640,480:waittimer 14287 blt 0,0,640,480,0, 1886,640,480:waittimer 14302 blt 0,0,640,480,0, 1888,640,480:waittimer 14317 blt 0,0,640,480,0, 1890,640,480:waittimer 14332 blt 0,0,640,480,0, 1892,640,480:waittimer 14347 blt 0,0,640,480,0, 1894,640,480:waittimer 14362 blt 0,0,640,480,0, 1896,640,480:waittimer 14378 blt 0,0,640,480,0, 1898,640,480:waittimer 14393 blt 0,0,640,480,0, 1900,640,480:waittimer 14408 blt 0,0,640,480,0, 1902,640,480:waittimer 14423 blt 0,0,640,480,0, 1904,640,480:waittimer 14438 blt 0,0,640,480,0, 1906,640,480:waittimer 14453 blt 0,0,640,480,0, 1908,640,480:waittimer 14469 blt 0,0,640,480,0, 1910,640,480:waittimer 14484 blt 0,0,640,480,0, 1912,640,480:waittimer 14499 blt 0,0,640,480,0, 1914,640,480:waittimer 14514 blt 0,0,640,480,0, 1916,640,480:waittimer 14529 blt 0,0,640,480,0, 1918,640,480:waittimer 14544 blt 0,0,640,480,0, 1920,640,480:waittimer 14560 blt 0,0,640,480,0, 1922,640,480:waittimer 14575 blt 0,0,640,480,0, 1924,640,480:waittimer 14590 blt 0,0,640,480,0, 1926,640,480:waittimer 14605 blt 0,0,640,480,0, 1928,640,480:waittimer 14620 blt 0,0,640,480,0, 1930,640,480:waittimer 14635 blt 0,0,640,480,0, 1932,640,480:waittimer 14651 blt 0,0,640,480,0, 1934,640,480:waittimer 14666 blt 0,0,640,480,0, 1936,640,480:waittimer 14681 blt 0,0,640,480,0, 1938,640,480:waittimer 14696 blt 0,0,640,480,0, 1940,640,480:waittimer 14711 blt 0,0,640,480,0, 1942,640,480:waittimer 14726 blt 0,0,640,480,0, 1944,640,480:waittimer 14742 blt 0,0,640,480,0, 1946,640,480:waittimer 14757 blt 0,0,640,480,0, 1948,640,480:waittimer 14772 blt 0,0,640,480,0, 1950,640,480:waittimer 14787 blt 0,0,640,480,0, 1952,640,480:waittimer 14802 blt 0,0,640,480,0, 1954,640,480:waittimer 14817 blt 0,0,640,480,0, 1956,640,480:waittimer 14833 blt 0,0,640,480,0, 1958,640,480:waittimer 14848 blt 0,0,640,480,0, 1960,640,480:waittimer 14863 blt 0,0,640,480,0, 1962,640,480:waittimer 14878 blt 0,0,640,480,0, 1964,640,480:waittimer 14893 blt 0,0,640,480,0, 1966,640,480:waittimer 14908 blt 0,0,640,480,0, 1968,640,480:waittimer 14924 blt 0,0,640,480,0, 1970,640,480:waittimer 14939 blt 0,0,640,480,0, 1972,640,480:waittimer 14954 blt 0,0,640,480,0, 1974,640,480:waittimer 14969 blt 0,0,640,480,0, 1976,640,480:waittimer 14984 blt 0,0,640,480,0, 1978,640,480:waittimer 14999 blt 0,0,640,480,0, 1980,640,480:waittimer 15015 blt 0,0,640,480,0, 1982,640,480:waittimer 15030 blt 0,0,640,480,0, 1984,640,480:waittimer 15045 blt 0,0,640,480,0, 1986,640,480:waittimer 15060 blt 0,0,640,480,0, 1988,640,480:waittimer 15075 blt 0,0,640,480,0, 1990,640,480:waittimer 15090 blt 0,0,640,480,0, 1992,640,480:waittimer 15106 blt 0,0,640,480,0, 1994,640,480:waittimer 15121 blt 0,0,640,480,0, 1996,640,480:waittimer 15136 blt 0,0,640,480,0, 1998,640,480:waittimer 15151 blt 0,0,640,480,0, 2000,640,480:waittimer 15166 blt 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11940,640,480:waittimer 90545 blt 0,0,640,480,0, 11942,640,480:waittimer 90560 blt 0,0,640,480,0, 11944,640,480:waittimer 90575 blt 0,0,640,480,0, 11946,640,480:waittimer 90590 blt 0,0,640,480,0, 11948,640,480:waittimer 90605 blt 0,0,640,480,0, 11950,640,480:waittimer 90620 blt 0,0,640,480,0, 11952,640,480:waittimer 90636 blt 0,0,640,480,0, 11954,640,480:waittimer 90651 blt 0,0,640,480,0, 11956,640,480:waittimer 90666 blt 0,0,640,480,0, 11958,640,480:waittimer 90681 blt 0,0,640,480,0, 11960,640,480:waittimer 90696 blt 0,0,640,480,0, 11962,640,480:waittimer 90711 blt 0,0,640,480,0, 11964,640,480:waittimer 90727 blt 0,0,640,480,0, 11966,640,480:waittimer 90742 blt 0,0,640,480,0, 11968,640,480:waittimer 90757 blt 0,0,640,480,0, 11970,640,480:waittimer 90772 blt 0,0,640,480,0, 11972,640,480:waittimer 90787 blt 0,0,640,480,0, 11974,640,480:waittimer 90802 blt 0,0,640,480,0, 11976,640,480:waittimer 90818 blt 0,0,640,480,0, 11978,640,480:waittimer 90833 blt 0,0,640,480,0, 11980,640,480:waittimer 90848 blt 0,0,640,480,0, 11982,640,480:waittimer 90863 blt 0,0,640,480,0, 11984,640,480:waittimer 90878 blt 0,0,640,480,0, 11986,640,480:waittimer 90893 blt 0,0,640,480,0, 11988,640,480:waittimer 90909 blt 0,0,640,480,0, 11990,640,480:waittimer 90924 blt 0,0,640,480,0, 11992,640,480:waittimer 90939 blt 0,0,640,480,0, 11994,640,480:waittimer 90954 blt 0,0,640,480,0, 11996,640,480:waittimer 90969 blt 0,0,640,480,0, 11998,640,480:waittimer 90984 blt 0,0,640,480,0, 12000,640,480:waittimer 91000 return ;**************************************** *teatime_ep4b_scroll resettimer blt 0,0,640,480,0, 1,640,480:waittimer 6 blt 0,0,640,480,0, 2,640,480:waittimer 13 blt 0,0,640,480,0, 3,640,480:waittimer 19 blt 0,0,640,480,0, 4,640,480:waittimer 26 blt 0,0,640,480,0, 5,640,480:waittimer 32 blt 0,0,640,480,0, 6,640,480:waittimer 39 blt 0,0,640,480,0, 7,640,480:waittimer 45 blt 0,0,640,480,0, 8,640,480:waittimer 52 blt 0,0,640,480,0, 9,640,480:waittimer 58 blt 0,0,640,480,0, 10,640,480:waittimer 65 blt 0,0,640,480,0, 11,640,480:waittimer 71 blt 0,0,640,480,0, 12,640,480:waittimer 78 blt 0,0,640,480,0, 13,640,480:waittimer 84 blt 0,0,640,480,0, 14,640,480:waittimer 91 blt 0,0,640,480,0, 15,640,480:waittimer 97 blt 0,0,640,480,0, 16,640,480:waittimer 104 blt 0,0,640,480,0, 17,640,480:waittimer 110 blt 0,0,640,480,0, 18,640,480:waittimer 117 blt 0,0,640,480,0, 19,640,480:waittimer 124 blt 0,0,640,480,0, 20,640,480:waittimer 130 blt 0,0,640,480,0, 21,640,480:waittimer 137 blt 0,0,640,480,0, 22,640,480:waittimer 143 blt 0,0,640,480,0, 23,640,480:waittimer 150 blt 0,0,640,480,0, 24,640,480:waittimer 156 blt 0,0,640,480,0, 25,640,480:waittimer 163 blt 0,0,640,480,0, 26,640,480:waittimer 169 blt 0,0,640,480,0, 27,640,480:waittimer 176 blt 0,0,640,480,0, 28,640,480:waittimer 182 blt 0,0,640,480,0, 29,640,480:waittimer 189 blt 0,0,640,480,0, 30,640,480:waittimer 195 blt 0,0,640,480,0, 31,640,480:waittimer 202 blt 0,0,640,480,0, 32,640,480:waittimer 208 blt 0,0,640,480,0, 33,640,480:waittimer 215 blt 0,0,640,480,0, 34,640,480:waittimer 221 blt 0,0,640,480,0, 35,640,480:waittimer 228 blt 0,0,640,480,0, 36,640,480:waittimer 235 blt 0,0,640,480,0, 37,640,480:waittimer 241 blt 0,0,640,480,0, 38,640,480:waittimer 248 blt 0,0,640,480,0, 39,640,480:waittimer 254 blt 0,0,640,480,0, 40,640,480:waittimer 261 blt 0,0,640,480,0, 41,640,480:waittimer 267 blt 0,0,640,480,0, 42,640,480:waittimer 274 blt 0,0,640,480,0, 43,640,480:waittimer 280 blt 0,0,640,480,0, 44,640,480:waittimer 287 blt 0,0,640,480,0, 45,640,480:waittimer 293 blt 0,0,640,480,0, 46,640,480:waittimer 300 blt 0,0,640,480,0, 47,640,480:waittimer 306 blt 0,0,640,480,0, 48,640,480:waittimer 313 blt 0,0,640,480,0, 49,640,480:waittimer 319 blt 0,0,640,480,0, 50,640,480:waittimer 326 blt 0,0,640,480,0, 51,640,480:waittimer 332 blt 0,0,640,480,0, 52,640,480:waittimer 339 blt 0,0,640,480,0, 53,640,480:waittimer 346 blt 0,0,640,480,0, 54,640,480:waittimer 352 blt 0,0,640,480,0, 55,640,480:waittimer 359 blt 0,0,640,480,0, 56,640,480:waittimer 365 blt 0,0,640,480,0, 57,640,480:waittimer 372 blt 0,0,640,480,0, 58,640,480:waittimer 378 blt 0,0,640,480,0, 59,640,480:waittimer 385 blt 0,0,640,480,0, 60,640,480:waittimer 391 blt 0,0,640,480,0, 61,640,480:waittimer 398 blt 0,0,640,480,0, 62,640,480:waittimer 404 blt 0,0,640,480,0, 63,640,480:waittimer 411 blt 0,0,640,480,0, 64,640,480:waittimer 417 blt 0,0,640,480,0, 65,640,480:waittimer 424 blt 0,0,640,480,0, 66,640,480:waittimer 430 blt 0,0,640,480,0, 67,640,480:waittimer 437 blt 0,0,640,480,0, 68,640,480:waittimer 443 blt 0,0,640,480,0, 69,640,480:waittimer 450 blt 0,0,640,480,0, 70,640,480:waittimer 456 blt 0,0,640,480,0, 71,640,480:waittimer 463 blt 0,0,640,480,0, 72,640,480:waittimer 470 blt 0,0,640,480,0, 73,640,480:waittimer 476 blt 0,0,640,480,0, 74,640,480:waittimer 483 blt 0,0,640,480,0, 75,640,480:waittimer 489 blt 0,0,640,480,0, 76,640,480:waittimer 496 blt 0,0,640,480,0, 77,640,480:waittimer 502 blt 0,0,640,480,0, 78,640,480:waittimer 509 blt 0,0,640,480,0, 79,640,480:waittimer 515 blt 0,0,640,480,0, 80,640,480:waittimer 522 blt 0,0,640,480,0, 81,640,480:waittimer 528 blt 0,0,640,480,0, 82,640,480:waittimer 535 blt 0,0,640,480,0, 83,640,480:waittimer 541 blt 0,0,640,480,0, 84,640,480:waittimer 548 blt 0,0,640,480,0, 85,640,480:waittimer 554 blt 0,0,640,480,0, 86,640,480:waittimer 561 blt 0,0,640,480,0, 87,640,480:waittimer 567 blt 0,0,640,480,0, 88,640,480:waittimer 574 blt 0,0,640,480,0, 89,640,480:waittimer 581 blt 0,0,640,480,0, 90,640,480:waittimer 587 blt 0,0,640,480,0, 91,640,480:waittimer 594 blt 0,0,640,480,0, 92,640,480:waittimer 600 blt 0,0,640,480,0, 93,640,480:waittimer 607 blt 0,0,640,480,0, 94,640,480:waittimer 613 blt 0,0,640,480,0, 95,640,480:waittimer 620 blt 0,0,640,480,0, 96,640,480:waittimer 626 blt 0,0,640,480,0, 97,640,480:waittimer 633 blt 0,0,640,480,0, 98,640,480:waittimer 639 blt 0,0,640,480,0, 99,640,480:waittimer 646 blt 0,0,640,480,0, 100,640,480:waittimer 652 blt 0,0,640,480,0, 101,640,480:waittimer 659 blt 0,0,640,480,0, 102,640,480:waittimer 665 blt 0,0,640,480,0, 103,640,480:waittimer 672 blt 0,0,640,480,0, 104,640,480:waittimer 678 blt 0,0,640,480,0, 105,640,480:waittimer 685 blt 0,0,640,480,0, 106,640,480:waittimer 692 blt 0,0,640,480,0, 107,640,480:waittimer 698 blt 0,0,640,480,0, 108,640,480:waittimer 705 blt 0,0,640,480,0, 109,640,480:waittimer 711 blt 0,0,640,480,0, 110,640,480:waittimer 718 blt 0,0,640,480,0, 111,640,480:waittimer 724 blt 0,0,640,480,0, 112,640,480:waittimer 731 blt 0,0,640,480,0, 113,640,480:waittimer 737 blt 0,0,640,480,0, 114,640,480:waittimer 744 blt 0,0,640,480,0, 115,640,480:waittimer 750 blt 0,0,640,480,0, 116,640,480:waittimer 757 blt 0,0,640,480,0, 117,640,480:waittimer 763 blt 0,0,640,480,0, 118,640,480:waittimer 770 blt 0,0,640,480,0, 119,640,480:waittimer 776 blt 0,0,640,480,0, 120,640,480:waittimer 783 blt 0,0,640,480,0, 121,640,480:waittimer 789 blt 0,0,640,480,0, 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1715,640,480:waittimer 11196 blt 0,0,640,480,0, 1716,640,480:waittimer 11202 blt 0,0,640,480,0, 1717,640,480:waittimer 11209 blt 0,0,640,480,0, 1718,640,480:waittimer 11215 blt 0,0,640,480,0, 1719,640,480:waittimer 11222 blt 0,0,640,480,0, 1720,640,480:waittimer 11228 blt 0,0,640,480,0, 1721,640,480:waittimer 11235 blt 0,0,640,480,0, 1722,640,480:waittimer 11241 blt 0,0,640,480,0, 1723,640,480:waittimer 11248 blt 0,0,640,480,0, 1724,640,480:waittimer 11254 blt 0,0,640,480,0, 1725,640,480:waittimer 11261 blt 0,0,640,480,0, 1726,640,480:waittimer 11268 blt 0,0,640,480,0, 1727,640,480:waittimer 11274 blt 0,0,640,480,0, 1728,640,480:waittimer 11281 blt 0,0,640,480,0, 1729,640,480:waittimer 11287 blt 0,0,640,480,0, 1730,640,480:waittimer 11294 blt 0,0,640,480,0, 1731,640,480:waittimer 11300 blt 0,0,640,480,0, 1732,640,480:waittimer 11307 blt 0,0,640,480,0, 1733,640,480:waittimer 11313 blt 0,0,640,480,0, 1734,640,480:waittimer 11320 blt 0,0,640,480,0, 1735,640,480:waittimer 11326 blt 0,0,640,480,0, 1736,640,480:waittimer 11333 blt 0,0,640,480,0, 1737,640,480:waittimer 11339 blt 0,0,640,480,0, 1738,640,480:waittimer 11346 blt 0,0,640,480,0, 1739,640,480:waittimer 11352 blt 0,0,640,480,0, 1740,640,480:waittimer 11359 blt 0,0,640,480,0, 1741,640,480:waittimer 11365 blt 0,0,640,480,0, 1742,640,480:waittimer 11372 blt 0,0,640,480,0, 1743,640,480:waittimer 11379 blt 0,0,640,480,0, 1744,640,480:waittimer 11385 blt 0,0,640,480,0, 1745,640,480:waittimer 11392 blt 0,0,640,480,0, 1746,640,480:waittimer 11398 blt 0,0,640,480,0, 1747,640,480:waittimer 11405 blt 0,0,640,480,0, 1748,640,480:waittimer 11411 blt 0,0,640,480,0, 1749,640,480:waittimer 11418 blt 0,0,640,480,0, 1750,640,480:waittimer 11424 blt 0,0,640,480,0, 1751,640,480:waittimer 11431 blt 0,0,640,480,0, 1752,640,480:waittimer 11437 blt 0,0,640,480,0, 1753,640,480:waittimer 11444 blt 0,0,640,480,0, 1754,640,480:waittimer 11450 blt 0,0,640,480,0, 1755,640,480:waittimer 11457 blt 0,0,640,480,0, 1756,640,480:waittimer 11463 blt 0,0,640,480,0, 1757,640,480:waittimer 11470 blt 0,0,640,480,0, 1758,640,480:waittimer 11476 blt 0,0,640,480,0, 1759,640,480:waittimer 11483 blt 0,0,640,480,0, 1760,640,480:waittimer 11490 blt 0,0,640,480,0, 1761,640,480:waittimer 11496 blt 0,0,640,480,0, 1762,640,480:waittimer 11503 blt 0,0,640,480,0, 1763,640,480:waittimer 11509 blt 0,0,640,480,0, 1764,640,480:waittimer 11516 blt 0,0,640,480,0, 1765,640,480:waittimer 11522 blt 0,0,640,480,0, 1766,640,480:waittimer 11529 blt 0,0,640,480,0, 1767,640,480:waittimer 11535 blt 0,0,640,480,0, 1768,640,480:waittimer 11542 blt 0,0,640,480,0, 1769,640,480:waittimer 11548 blt 0,0,640,480,0, 1770,640,480:waittimer 11555 blt 0,0,640,480,0, 1771,640,480:waittimer 11561 blt 0,0,640,480,0, 1772,640,480:waittimer 11568 blt 0,0,640,480,0, 1773,640,480:waittimer 11574 blt 0,0,640,480,0, 1774,640,480:waittimer 11581 blt 0,0,640,480,0, 1775,640,480:waittimer 11587 blt 0,0,640,480,0, 1776,640,480:waittimer 11594 blt 0,0,640,480,0, 1777,640,480:waittimer 11600 blt 0,0,640,480,0, 1778,640,480:waittimer 11607 blt 0,0,640,480,0, 1779,640,480:waittimer 11614 blt 0,0,640,480,0, 1780,640,480:waittimer 11620 blt 0,0,640,480,0, 1781,640,480:waittimer 11627 blt 0,0,640,480,0, 1782,640,480:waittimer 11633 blt 0,0,640,480,0, 1783,640,480:waittimer 11640 blt 0,0,640,480,0, 1784,640,480:waittimer 11646 blt 0,0,640,480,0, 1785,640,480:waittimer 11653 blt 0,0,640,480,0, 1786,640,480:waittimer 11659 blt 0,0,640,480,0, 1787,640,480:waittimer 11666 blt 0,0,640,480,0, 1788,640,480:waittimer 11672 blt 0,0,640,480,0, 1789,640,480:waittimer 11679 blt 0,0,640,480,0, 1790,640,480:waittimer 11685 blt 0,0,640,480,0, 1791,640,480:waittimer 11692 blt 0,0,640,480,0, 1792,640,480:waittimer 11698 blt 0,0,640,480,0, 1793,640,480:waittimer 11705 blt 0,0,640,480,0, 1794,640,480:waittimer 11711 blt 0,0,640,480,0, 1795,640,480:waittimer 11718 blt 0,0,640,480,0, 1796,640,480:waittimer 11725 blt 0,0,640,480,0, 1797,640,480:waittimer 11731 blt 0,0,640,480,0, 1798,640,480:waittimer 11738 blt 0,0,640,480,0, 1799,640,480:waittimer 11744 blt 0,0,640,480,0, 1800,640,480:waittimer 11751 blt 0,0,640,480,0, 1801,640,480:waittimer 11757 blt 0,0,640,480,0, 1802,640,480:waittimer 11764 blt 0,0,640,480,0, 1803,640,480:waittimer 11770 blt 0,0,640,480,0, 1804,640,480:waittimer 11777 blt 0,0,640,480,0, 1805,640,480:waittimer 11783 blt 0,0,640,480,0, 1806,640,480:waittimer 11790 blt 0,0,640,480,0, 1807,640,480:waittimer 11796 blt 0,0,640,480,0, 1808,640,480:waittimer 11803 blt 0,0,640,480,0, 1809,640,480:waittimer 11809 blt 0,0,640,480,0, 1810,640,480:waittimer 11816 blt 0,0,640,480,0, 1811,640,480:waittimer 11822 blt 0,0,640,480,0, 1812,640,480:waittimer 11829 blt 0,0,640,480,0, 1813,640,480:waittimer 11836 blt 0,0,640,480,0, 1814,640,480:waittimer 11842 blt 0,0,640,480,0, 1815,640,480:waittimer 11849 blt 0,0,640,480,0, 1816,640,480:waittimer 11855 blt 0,0,640,480,0, 1817,640,480:waittimer 11862 blt 0,0,640,480,0, 1818,640,480:waittimer 11868 blt 0,0,640,480,0, 1819,640,480:waittimer 11875 blt 0,0,640,480,0, 1820,640,480:waittimer 11881 blt 0,0,640,480,0, 1821,640,480:waittimer 11888 blt 0,0,640,480,0, 1822,640,480:waittimer 11894 blt 0,0,640,480,0, 1823,640,480:waittimer 11901 blt 0,0,640,480,0, 1824,640,480:waittimer 11907 blt 0,0,640,480,0, 1825,640,480:waittimer 11914 blt 0,0,640,480,0, 1826,640,480:waittimer 11920 blt 0,0,640,480,0, 1827,640,480:waittimer 11927 blt 0,0,640,480,0, 1828,640,480:waittimer 11933 blt 0,0,640,480,0, 1829,640,480:waittimer 11940 blt 0,0,640,480,0, 1830,640,480:waittimer 11947 blt 0,0,640,480,0, 1831,640,480:waittimer 11953 blt 0,0,640,480,0, 1832,640,480:waittimer 11960 blt 0,0,640,480,0, 1833,640,480:waittimer 11966 blt 0,0,640,480,0, 1834,640,480:waittimer 11973 blt 0,0,640,480,0, 1835,640,480:waittimer 11979 blt 0,0,640,480,0, 1836,640,480:waittimer 11986 blt 0,0,640,480,0, 1837,640,480:waittimer 11992 blt 0,0,640,480,0, 1838,640,480:waittimer 11999 blt 0,0,640,480,0, 1839,640,480:waittimer 12005 blt 0,0,640,480,0, 1840,640,480:waittimer 12012 blt 0,0,640,480,0, 1841,640,480:waittimer 12018 blt 0,0,640,480,0, 1842,640,480:waittimer 12025 blt 0,0,640,480,0, 1843,640,480:waittimer 12031 blt 0,0,640,480,0, 1844,640,480:waittimer 12038 blt 0,0,640,480,0, 1845,640,480:waittimer 12044 blt 0,0,640,480,0, 1846,640,480:waittimer 12051 blt 0,0,640,480,0, 1847,640,480:waittimer 12057 blt 0,0,640,480,0, 1848,640,480:waittimer 12064 blt 0,0,640,480,0, 1849,640,480:waittimer 12071 blt 0,0,640,480,0, 1850,640,480:waittimer 12077 blt 0,0,640,480,0, 1851,640,480:waittimer 12084 blt 0,0,640,480,0, 1852,640,480:waittimer 12090 blt 0,0,640,480,0, 1853,640,480:waittimer 12097 blt 0,0,640,480,0, 1854,640,480:waittimer 12103 blt 0,0,640,480,0, 1855,640,480:waittimer 12110 blt 0,0,640,480,0, 1856,640,480:waittimer 12116 blt 0,0,640,480,0, 1857,640,480:waittimer 12123 blt 0,0,640,480,0, 1858,640,480:waittimer 12129 blt 0,0,640,480,0, 1859,640,480:waittimer 12136 blt 0,0,640,480,0, 1860,640,480:waittimer 12142 blt 0,0,640,480,0, 1861,640,480:waittimer 12149 blt 0,0,640,480,0, 1862,640,480:waittimer 12155 blt 0,0,640,480,0, 1863,640,480:waittimer 12162 blt 0,0,640,480,0, 1864,640,480:waittimer 12168 blt 0,0,640,480,0, 1865,640,480:waittimer 12175 blt 0,0,640,480,0, 1866,640,480:waittimer 12182 blt 0,0,640,480,0, 1867,640,480:waittimer 12188 blt 0,0,640,480,0, 1868,640,480:waittimer 12195 blt 0,0,640,480,0, 1869,640,480:waittimer 12201 blt 0,0,640,480,0, 1870,640,480:waittimer 12208 blt 0,0,640,480,0, 1871,640,480:waittimer 12214 blt 0,0,640,480,0, 1872,640,480:waittimer 12221 blt 0,0,640,480,0, 1873,640,480:waittimer 12227 blt 0,0,640,480,0, 1874,640,480:waittimer 12234 blt 0,0,640,480,0, 1875,640,480:waittimer 12240 blt 0,0,640,480,0, 1876,640,480:waittimer 12247 blt 0,0,640,480,0, 1877,640,480:waittimer 12253 blt 0,0,640,480,0, 1878,640,480:waittimer 12260 blt 0,0,640,480,0, 1879,640,480:waittimer 12266 blt 0,0,640,480,0, 1880,640,480:waittimer 12273 blt 0,0,640,480,0, 1881,640,480:waittimer 12279 blt 0,0,640,480,0, 1882,640,480:waittimer 12286 blt 0,0,640,480,0, 1883,640,480:waittimer 12293 blt 0,0,640,480,0, 1884,640,480:waittimer 12299 blt 0,0,640,480,0, 1885,640,480:waittimer 12306 blt 0,0,640,480,0, 1886,640,480:waittimer 12312 blt 0,0,640,480,0, 1887,640,480:waittimer 12319 blt 0,0,640,480,0, 1888,640,480:waittimer 12325 blt 0,0,640,480,0, 1889,640,480:waittimer 12332 blt 0,0,640,480,0, 1890,640,480:waittimer 12338 blt 0,0,640,480,0, 1891,640,480:waittimer 12345 blt 0,0,640,480,0, 1892,640,480:waittimer 12351 blt 0,0,640,480,0, 1893,640,480:waittimer 12358 blt 0,0,640,480,0, 1894,640,480:waittimer 12364 blt 0,0,640,480,0, 1895,640,480:waittimer 12371 blt 0,0,640,480,0, 1896,640,480:waittimer 12377 blt 0,0,640,480,0, 1897,640,480:waittimer 12384 blt 0,0,640,480,0, 1898,640,480:waittimer 12390 blt 0,0,640,480,0, 1899,640,480:waittimer 12397 blt 0,0,640,480,0, 1900,640,480:waittimer 12403 blt 0,0,640,480,0, 1901,640,480:waittimer 12410 blt 0,0,640,480,0, 1902,640,480:waittimer 12417 blt 0,0,640,480,0, 1903,640,480:waittimer 12423 blt 0,0,640,480,0, 1904,640,480:waittimer 12430 blt 0,0,640,480,0, 1905,640,480:waittimer 12436 blt 0,0,640,480,0, 1906,640,480:waittimer 12443 blt 0,0,640,480,0, 1907,640,480:waittimer 12449 blt 0,0,640,480,0, 1908,640,480:waittimer 12456 blt 0,0,640,480,0, 1909,640,480:waittimer 12462 blt 0,0,640,480,0, 1910,640,480:waittimer 12469 blt 0,0,640,480,0, 1911,640,480:waittimer 12475 blt 0,0,640,480,0, 1912,640,480:waittimer 12482 blt 0,0,640,480,0, 1913,640,480:waittimer 12488 blt 0,0,640,480,0, 1914,640,480:waittimer 12495 blt 0,0,640,480,0, 1915,640,480:waittimer 12501 blt 0,0,640,480,0, 1916,640,480:waittimer 12508 blt 0,0,640,480,0, 1917,640,480:waittimer 12514 blt 0,0,640,480,0, 1918,640,480:waittimer 12521 blt 0,0,640,480,0, 1919,640,480:waittimer 12528 blt 0,0,640,480,0, 1920,640,480:waittimer 12534 blt 0,0,640,480,0, 1921,640,480:waittimer 12541 blt 0,0,640,480,0, 1922,640,480:waittimer 12547 blt 0,0,640,480,0, 1923,640,480:waittimer 12554 blt 0,0,640,480,0, 1924,640,480:waittimer 12560 blt 0,0,640,480,0, 1925,640,480:waittimer 12567 blt 0,0,640,480,0, 1926,640,480:waittimer 12573 blt 0,0,640,480,0, 1927,640,480:waittimer 12580 blt 0,0,640,480,0, 1928,640,480:waittimer 12586 blt 0,0,640,480,0, 1929,640,480:waittimer 12593 blt 0,0,640,480,0, 1930,640,480:waittimer 12599 blt 0,0,640,480,0, 1931,640,480:waittimer 12606 blt 0,0,640,480,0, 1932,640,480:waittimer 12612 blt 0,0,640,480,0, 1933,640,480:waittimer 12619 blt 0,0,640,480,0, 1934,640,480:waittimer 12625 blt 0,0,640,480,0, 1935,640,480:waittimer 12632 blt 0,0,640,480,0, 1936,640,480:waittimer 12639 blt 0,0,640,480,0, 1937,640,480:waittimer 12645 blt 0,0,640,480,0, 1938,640,480:waittimer 12652 blt 0,0,640,480,0, 1939,640,480:waittimer 12658 blt 0,0,640,480,0, 1940,640,480:waittimer 12665 blt 0,0,640,480,0, 1941,640,480:waittimer 12671 blt 0,0,640,480,0, 1942,640,480:waittimer 12678 blt 0,0,640,480,0, 1943,640,480:waittimer 12684 blt 0,0,640,480,0, 1944,640,480:waittimer 12691 blt 0,0,640,480,0, 1945,640,480:waittimer 12697 blt 0,0,640,480,0, 1946,640,480:waittimer 12704 blt 0,0,640,480,0, 1947,640,480:waittimer 12710 blt 0,0,640,480,0, 1948,640,480:waittimer 12717 blt 0,0,640,480,0, 1949,640,480:waittimer 12723 blt 0,0,640,480,0, 1950,640,480:waittimer 12730 blt 0,0,640,480,0, 1951,640,480:waittimer 12736 blt 0,0,640,480,0, 1952,640,480:waittimer 12743 blt 0,0,640,480,0, 1953,640,480:waittimer 12749 blt 0,0,640,480,0, 1954,640,480:waittimer 12756 blt 0,0,640,480,0, 1955,640,480:waittimer 12763 blt 0,0,640,480,0, 1956,640,480:waittimer 12769 blt 0,0,640,480,0, 1957,640,480:waittimer 12776 blt 0,0,640,480,0, 1958,640,480:waittimer 12782 blt 0,0,640,480,0, 1959,640,480:waittimer 12789 blt 0,0,640,480,0, 1960,640,480:waittimer 12795 blt 0,0,640,480,0, 1961,640,480:waittimer 12802 blt 0,0,640,480,0, 1962,640,480:waittimer 12808 blt 0,0,640,480,0, 1963,640,480:waittimer 12815 blt 0,0,640,480,0, 1964,640,480:waittimer 12821 blt 0,0,640,480,0, 1965,640,480:waittimer 12828 blt 0,0,640,480,0, 1966,640,480:waittimer 12834 blt 0,0,640,480,0, 1967,640,480:waittimer 12841 blt 0,0,640,480,0, 1968,640,480:waittimer 12847 blt 0,0,640,480,0, 1969,640,480:waittimer 12854 blt 0,0,640,480,0, 1970,640,480:waittimer 12860 blt 0,0,640,480,0, 1971,640,480:waittimer 12867 blt 0,0,640,480,0, 1972,640,480:waittimer 12874 blt 0,0,640,480,0, 1973,640,480:waittimer 12880 blt 0,0,640,480,0, 1974,640,480:waittimer 12887 blt 0,0,640,480,0, 1975,640,480:waittimer 12893 blt 0,0,640,480,0, 1976,640,480:waittimer 12900 blt 0,0,640,480,0, 1977,640,480:waittimer 12906 blt 0,0,640,480,0, 1978,640,480:waittimer 12913 blt 0,0,640,480,0, 1979,640,480:waittimer 12919 blt 0,0,640,480,0, 1980,640,480:waittimer 12926 blt 0,0,640,480,0, 1981,640,480:waittimer 12932 blt 0,0,640,480,0, 1982,640,480:waittimer 12939 blt 0,0,640,480,0, 1983,640,480:waittimer 12945 blt 0,0,640,480,0, 1984,640,480:waittimer 12952 blt 0,0,640,480,0, 1985,640,480:waittimer 12958 blt 0,0,640,480,0, 1986,640,480:waittimer 12965 blt 0,0,640,480,0, 1987,640,480:waittimer 12971 blt 0,0,640,480,0, 1988,640,480:waittimer 12978 blt 0,0,640,480,0, 1989,640,480:waittimer 12985 blt 0,0,640,480,0, 1990,640,480:waittimer 12991 blt 0,0,640,480,0, 1991,640,480:waittimer 12998 blt 0,0,640,480,0, 1992,640,480:waittimer 13004 blt 0,0,640,480,0, 1993,640,480:waittimer 13011 blt 0,0,640,480,0, 1994,640,480:waittimer 13017 blt 0,0,640,480,0, 1995,640,480:waittimer 13024 blt 0,0,640,480,0, 1996,640,480:waittimer 13030 blt 0,0,640,480,0, 1997,640,480:waittimer 13037 blt 0,0,640,480,0, 1998,640,480:waittimer 13043 blt 0,0,640,480,0, 1999,640,480:waittimer 13050 blt 0,0,640,480,0, 2000,640,480:waittimer 13056 blt 0,0,640,480,0, 2001,640,480:waittimer 13063 blt 0,0,640,480,0, 2002,640,480:waittimer 13069 blt 0,0,640,480,0, 2003,640,480:waittimer 13076 blt 0,0,640,480,0, 2004,640,480:waittimer 13082 blt 0,0,640,480,0, 2005,640,480:waittimer 13089 blt 0,0,640,480,0, 2006,640,480:waittimer 13096 blt 0,0,640,480,0, 2007,640,480:waittimer 13102 blt 0,0,640,480,0, 2008,640,480:waittimer 13109 blt 0,0,640,480,0, 2009,640,480:waittimer 13115 blt 0,0,640,480,0, 2010,640,480:waittimer 13122 blt 0,0,640,480,0, 2011,640,480:waittimer 13128 blt 0,0,640,480,0, 2012,640,480:waittimer 13135 blt 0,0,640,480,0, 2013,640,480:waittimer 13141 blt 0,0,640,480,0, 2014,640,480:waittimer 13148 blt 0,0,640,480,0, 2015,640,480:waittimer 13154 blt 0,0,640,480,0, 2016,640,480:waittimer 13161 blt 0,0,640,480,0, 2017,640,480:waittimer 13167 blt 0,0,640,480,0, 2018,640,480:waittimer 13174 blt 0,0,640,480,0, 2019,640,480:waittimer 13180 blt 0,0,640,480,0, 2020,640,480:waittimer 13187 blt 0,0,640,480,0, 2021,640,480:waittimer 13193 blt 0,0,640,480,0, 2022,640,480:waittimer 13200 blt 0,0,640,480,0, 2023,640,480:waittimer 13206 blt 0,0,640,480,0, 2024,640,480:waittimer 13213 blt 0,0,640,480,0, 2025,640,480:waittimer 13220 blt 0,0,640,480,0, 2026,640,480:waittimer 13226 blt 0,0,640,480,0, 2027,640,480:waittimer 13233 blt 0,0,640,480,0, 2028,640,480:waittimer 13239 blt 0,0,640,480,0, 2029,640,480:waittimer 13246 blt 0,0,640,480,0, 2030,640,480:waittimer 13252 blt 0,0,640,480,0, 2031,640,480:waittimer 13259 blt 0,0,640,480,0, 2032,640,480:waittimer 13265 blt 0,0,640,480,0, 2033,640,480:waittimer 13272 blt 0,0,640,480,0, 2034,640,480:waittimer 13278 blt 0,0,640,480,0, 2035,640,480:waittimer 13285 blt 0,0,640,480,0, 2036,640,480:waittimer 13291 blt 0,0,640,480,0, 2037,640,480:waittimer 13298 blt 0,0,640,480,0, 2038,640,480:waittimer 13304 blt 0,0,640,480,0, 2039,640,480:waittimer 13311 blt 0,0,640,480,0, 2040,640,480:waittimer 13317 blt 0,0,640,480,0, 2041,640,480:waittimer 13324 blt 0,0,640,480,0, 2042,640,480:waittimer 13331 blt 0,0,640,480,0, 2043,640,480:waittimer 13337 blt 0,0,640,480,0, 2044,640,480:waittimer 13344 blt 0,0,640,480,0, 2045,640,480:waittimer 13350 blt 0,0,640,480,0, 2046,640,480:waittimer 13357 blt 0,0,640,480,0, 2047,640,480:waittimer 13363 blt 0,0,640,480,0, 2048,640,480:waittimer 13370 blt 0,0,640,480,0, 2049,640,480:waittimer 13376 blt 0,0,640,480,0, 2050,640,480:waittimer 13383 blt 0,0,640,480,0, 2051,640,480:waittimer 13389 blt 0,0,640,480,0, 2052,640,480:waittimer 13396 blt 0,0,640,480,0, 2053,640,480:waittimer 13402 blt 0,0,640,480,0, 2054,640,480:waittimer 13409 blt 0,0,640,480,0, 2055,640,480:waittimer 13415 blt 0,0,640,480,0, 2056,640,480:waittimer 13422 blt 0,0,640,480,0, 2057,640,480:waittimer 13428 blt 0,0,640,480,0, 2058,640,480:waittimer 13435 blt 0,0,640,480,0, 2059,640,480:waittimer 13442 blt 0,0,640,480,0, 2060,640,480:waittimer 13448 blt 0,0,640,480,0, 2061,640,480:waittimer 13455 blt 0,0,640,480,0, 2062,640,480:waittimer 13461 blt 0,0,640,480,0, 2063,640,480:waittimer 13468 blt 0,0,640,480,0, 2064,640,480:waittimer 13474 blt 0,0,640,480,0, 2065,640,480:waittimer 13481 blt 0,0,640,480,0, 2066,640,480:waittimer 13487 blt 0,0,640,480,0, 2067,640,480:waittimer 13494 blt 0,0,640,480,0, 2068,640,480:waittimer 13500 blt 0,0,640,480,0, 2069,640,480:waittimer 13507 blt 0,0,640,480,0, 2070,640,480:waittimer 13513 blt 0,0,640,480,0, 2071,640,480:waittimer 13520 blt 0,0,640,480,0, 2072,640,480:waittimer 13526 blt 0,0,640,480,0, 2073,640,480:waittimer 13533 blt 0,0,640,480,0, 2074,640,480:waittimer 13539 blt 0,0,640,480,0, 2075,640,480:waittimer 13546 blt 0,0,640,480,0, 2076,640,480:waittimer 13552 blt 0,0,640,480,0, 2077,640,480:waittimer 13559 blt 0,0,640,480,0, 2078,640,480:waittimer 13566 blt 0,0,640,480,0, 2079,640,480:waittimer 13572 blt 0,0,640,480,0, 2080,640,480:waittimer 13579 blt 0,0,640,480,0, 2081,640,480:waittimer 13585 blt 0,0,640,480,0, 2082,640,480:waittimer 13592 blt 0,0,640,480,0, 2083,640,480:waittimer 13598 blt 0,0,640,480,0, 2084,640,480:waittimer 13605 blt 0,0,640,480,0, 2085,640,480:waittimer 13611 blt 0,0,640,480,0, 2086,640,480:waittimer 13618 blt 0,0,640,480,0, 2087,640,480:waittimer 13624 blt 0,0,640,480,0, 2088,640,480:waittimer 13631 blt 0,0,640,480,0, 2089,640,480:waittimer 13637 blt 0,0,640,480,0, 2090,640,480:waittimer 13644 blt 0,0,640,480,0, 2091,640,480:waittimer 13650 blt 0,0,640,480,0, 2092,640,480:waittimer 13657 blt 0,0,640,480,0, 2093,640,480:waittimer 13663 blt 0,0,640,480,0, 2094,640,480:waittimer 13670 blt 0,0,640,480,0, 2095,640,480:waittimer 13677 blt 0,0,640,480,0, 2096,640,480:waittimer 13683 blt 0,0,640,480,0, 2097,640,480:waittimer 13690 blt 0,0,640,480,0, 2098,640,480:waittimer 13696 blt 0,0,640,480,0, 2099,640,480:waittimer 13703 blt 0,0,640,480,0, 2100,640,480:waittimer 13709 blt 0,0,640,480,0, 2101,640,480:waittimer 13716 blt 0,0,640,480,0, 2102,640,480:waittimer 13722 blt 0,0,640,480,0, 2103,640,480:waittimer 13729 blt 0,0,640,480,0, 2104,640,480:waittimer 13735 blt 0,0,640,480,0, 2105,640,480:waittimer 13742 blt 0,0,640,480,0, 2106,640,480:waittimer 13748 blt 0,0,640,480,0, 2107,640,480:waittimer 13755 blt 0,0,640,480,0, 2108,640,480:waittimer 13761 blt 0,0,640,480,0, 2109,640,480:waittimer 13768 blt 0,0,640,480,0, 2110,640,480:waittimer 13774 blt 0,0,640,480,0, 2111,640,480:waittimer 13781 blt 0,0,640,480,0, 2112,640,480:waittimer 13788 blt 0,0,640,480,0, 2113,640,480:waittimer 13794 blt 0,0,640,480,0, 2114,640,480:waittimer 13801 blt 0,0,640,480,0, 2115,640,480:waittimer 13807 blt 0,0,640,480,0, 2116,640,480:waittimer 13814 blt 0,0,640,480,0, 2117,640,480:waittimer 13820 blt 0,0,640,480,0, 2118,640,480:waittimer 13827 blt 0,0,640,480,0, 2119,640,480:waittimer 13833 blt 0,0,640,480,0, 2120,640,480:waittimer 13840 blt 0,0,640,480,0, 2121,640,480:waittimer 13846 blt 0,0,640,480,0, 2122,640,480:waittimer 13853 blt 0,0,640,480,0, 2123,640,480:waittimer 13859 blt 0,0,640,480,0, 2124,640,480:waittimer 13866 blt 0,0,640,480,0, 2125,640,480:waittimer 13872 blt 0,0,640,480,0, 2126,640,480:waittimer 13879 blt 0,0,640,480,0, 2127,640,480:waittimer 13885 blt 0,0,640,480,0, 2128,640,480:waittimer 13892 blt 0,0,640,480,0, 2129,640,480:waittimer 13899 blt 0,0,640,480,0, 2130,640,480:waittimer 13905 blt 0,0,640,480,0, 2131,640,480:waittimer 13912 blt 0,0,640,480,0, 2132,640,480:waittimer 13918 blt 0,0,640,480,0, 2133,640,480:waittimer 13925 blt 0,0,640,480,0, 2134,640,480:waittimer 13931 blt 0,0,640,480,0, 2135,640,480:waittimer 13938 blt 0,0,640,480,0, 2136,640,480:waittimer 13944 blt 0,0,640,480,0, 2137,640,480:waittimer 13951 blt 0,0,640,480,0, 2138,640,480:waittimer 13957 blt 0,0,640,480,0, 2139,640,480:waittimer 13964 blt 0,0,640,480,0, 2140,640,480:waittimer 13970 blt 0,0,640,480,0, 2141,640,480:waittimer 13977 blt 0,0,640,480,0, 2142,640,480:waittimer 13983 blt 0,0,640,480,0, 2143,640,480:waittimer 13990 blt 0,0,640,480,0, 2144,640,480:waittimer 13996 blt 0,0,640,480,0, 2145,640,480:waittimer 14003 blt 0,0,640,480,0, 2146,640,480:waittimer 14009 blt 0,0,640,480,0, 2147,640,480:waittimer 14016 blt 0,0,640,480,0, 2148,640,480:waittimer 14023 blt 0,0,640,480,0, 2149,640,480:waittimer 14029 blt 0,0,640,480,0, 2150,640,480:waittimer 14036 blt 0,0,640,480,0, 2151,640,480:waittimer 14042 blt 0,0,640,480,0, 2152,640,480:waittimer 14049 blt 0,0,640,480,0, 2153,640,480:waittimer 14055 blt 0,0,640,480,0, 2154,640,480:waittimer 14062 blt 0,0,640,480,0, 2155,640,480:waittimer 14068 blt 0,0,640,480,0, 2156,640,480:waittimer 14075 blt 0,0,640,480,0, 2157,640,480:waittimer 14081 blt 0,0,640,480,0, 2158,640,480:waittimer 14088 blt 0,0,640,480,0, 2159,640,480:waittimer 14094 blt 0,0,640,480,0, 2160,640,480:waittimer 14101 blt 0,0,640,480,0, 2161,640,480:waittimer 14107 blt 0,0,640,480,0, 2162,640,480:waittimer 14114 blt 0,0,640,480,0, 2163,640,480:waittimer 14120 blt 0,0,640,480,0, 2164,640,480:waittimer 14127 blt 0,0,640,480,0, 2165,640,480:waittimer 14134 blt 0,0,640,480,0, 2166,640,480:waittimer 14140 blt 0,0,640,480,0, 2167,640,480:waittimer 14147 blt 0,0,640,480,0, 2168,640,480:waittimer 14153 blt 0,0,640,480,0, 2169,640,480:waittimer 14160 blt 0,0,640,480,0, 2170,640,480:waittimer 14166 blt 0,0,640,480,0, 2171,640,480:waittimer 14173 blt 0,0,640,480,0, 2172,640,480:waittimer 14179 blt 0,0,640,480,0, 2173,640,480:waittimer 14186 blt 0,0,640,480,0, 2174,640,480:waittimer 14192 blt 0,0,640,480,0, 2175,640,480:waittimer 14199 blt 0,0,640,480,0, 2176,640,480:waittimer 14205 blt 0,0,640,480,0, 2177,640,480:waittimer 14212 blt 0,0,640,480,0, 2178,640,480:waittimer 14218 blt 0,0,640,480,0, 2179,640,480:waittimer 14225 blt 0,0,640,480,0, 2180,640,480:waittimer 14231 blt 0,0,640,480,0, 2181,640,480:waittimer 14238 blt 0,0,640,480,0, 2182,640,480:waittimer 14245 blt 0,0,640,480,0, 2183,640,480:waittimer 14251 blt 0,0,640,480,0, 2184,640,480:waittimer 14258 blt 0,0,640,480,0, 2185,640,480:waittimer 14264 blt 0,0,640,480,0, 2186,640,480:waittimer 14271 blt 0,0,640,480,0, 2187,640,480:waittimer 14277 blt 0,0,640,480,0, 2188,640,480:waittimer 14284 blt 0,0,640,480,0, 2189,640,480:waittimer 14290 blt 0,0,640,480,0, 2190,640,480:waittimer 14297 blt 0,0,640,480,0, 2191,640,480:waittimer 14303 blt 0,0,640,480,0, 2192,640,480:waittimer 14310 blt 0,0,640,480,0, 2193,640,480:waittimer 14316 blt 0,0,640,480,0, 2194,640,480:waittimer 14323 blt 0,0,640,480,0, 2195,640,480:waittimer 14329 blt 0,0,640,480,0, 2196,640,480:waittimer 14336 blt 0,0,640,480,0, 2197,640,480:waittimer 14342 blt 0,0,640,480,0, 2198,640,480:waittimer 14349 blt 0,0,640,480,0, 2199,640,480:waittimer 14355 blt 0,0,640,480,0, 2200,640,480:waittimer 14362 blt 0,0,640,480,0, 2201,640,480:waittimer 14369 blt 0,0,640,480,0, 2202,640,480:waittimer 14375 blt 0,0,640,480,0, 2203,640,480:waittimer 14382 blt 0,0,640,480,0, 2204,640,480:waittimer 14388 blt 0,0,640,480,0, 2205,640,480:waittimer 14395 blt 0,0,640,480,0, 2206,640,480:waittimer 14401 blt 0,0,640,480,0, 2207,640,480:waittimer 14408 blt 0,0,640,480,0, 2208,640,480:waittimer 14414 blt 0,0,640,480,0, 2209,640,480:waittimer 14421 blt 0,0,640,480,0, 2210,640,480:waittimer 14427 blt 0,0,640,480,0, 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0,0,640,480,0, 8990,640,480:waittimer 58690 blt 0,0,640,480,0, 8991,640,480:waittimer 58697 blt 0,0,640,480,0, 8992,640,480:waittimer 58703 blt 0,0,640,480,0, 8993,640,480:waittimer 58710 blt 0,0,640,480,0, 8994,640,480:waittimer 58716 blt 0,0,640,480,0, 8995,640,480:waittimer 58723 blt 0,0,640,480,0, 8996,640,480:waittimer 58729 blt 0,0,640,480,0, 8997,640,480:waittimer 58736 blt 0,0,640,480,0, 8998,640,480:waittimer 58742 blt 0,0,640,480,0, 8999,640,480:waittimer 58749 blt 0,0,640,480,0, 9000,640,480:waittimer 58755 blt 0,0,640,480,0, 9001,640,480:waittimer 58762 blt 0,0,640,480,0, 9002,640,480:waittimer 58768 blt 0,0,640,480,0, 9003,640,480:waittimer 58775 blt 0,0,640,480,0, 9004,640,480:waittimer 58781 blt 0,0,640,480,0, 9005,640,480:waittimer 58788 blt 0,0,640,480,0, 9006,640,480:waittimer 58794 blt 0,0,640,480,0, 9007,640,480:waittimer 58801 blt 0,0,640,480,0, 9008,640,480:waittimer 58807 blt 0,0,640,480,0, 9009,640,480:waittimer 58814 blt 0,0,640,480,0, 9010,640,480:waittimer 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9031,640,480:waittimer 58958 blt 0,0,640,480,0, 9032,640,480:waittimer 58964 blt 0,0,640,480,0, 9033,640,480:waittimer 58971 blt 0,0,640,480,0, 9034,640,480:waittimer 58977 blt 0,0,640,480,0, 9035,640,480:waittimer 58984 blt 0,0,640,480,0, 9036,640,480:waittimer 58990 blt 0,0,640,480,0, 9037,640,480:waittimer 58997 blt 0,0,640,480,0, 9038,640,480:waittimer 59003 blt 0,0,640,480,0, 9039,640,480:waittimer 59010 blt 0,0,640,480,0, 9040,640,480:waittimer 59016 blt 0,0,640,480,0, 9041,640,480:waittimer 59023 blt 0,0,640,480,0, 9042,640,480:waittimer 59029 blt 0,0,640,480,0, 9043,640,480:waittimer 59036 blt 0,0,640,480,0, 9044,640,480:waittimer 59043 blt 0,0,640,480,0, 9045,640,480:waittimer 59049 blt 0,0,640,480,0, 9046,640,480:waittimer 59056 blt 0,0,640,480,0, 9047,640,480:waittimer 59062 blt 0,0,640,480,0, 9048,640,480:waittimer 59069 blt 0,0,640,480,0, 9049,640,480:waittimer 59075 blt 0,0,640,480,0, 9050,640,480:waittimer 59082 blt 0,0,640,480,0, 9051,640,480:waittimer 59088 blt 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59225 blt 0,0,640,480,0, 9073,640,480:waittimer 59232 blt 0,0,640,480,0, 9074,640,480:waittimer 59238 blt 0,0,640,480,0, 9075,640,480:waittimer 59245 blt 0,0,640,480,0, 9076,640,480:waittimer 59251 blt 0,0,640,480,0, 9077,640,480:waittimer 59258 blt 0,0,640,480,0, 9078,640,480:waittimer 59264 blt 0,0,640,480,0, 9079,640,480:waittimer 59271 blt 0,0,640,480,0, 9080,640,480:waittimer 59278 blt 0,0,640,480,0, 9081,640,480:waittimer 59284 blt 0,0,640,480,0, 9082,640,480:waittimer 59291 blt 0,0,640,480,0, 9083,640,480:waittimer 59297 blt 0,0,640,480,0, 9084,640,480:waittimer 59304 blt 0,0,640,480,0, 9085,640,480:waittimer 59310 blt 0,0,640,480,0, 9086,640,480:waittimer 59317 blt 0,0,640,480,0, 9087,640,480:waittimer 59323 blt 0,0,640,480,0, 9088,640,480:waittimer 59330 blt 0,0,640,480,0, 9089,640,480:waittimer 59336 blt 0,0,640,480,0, 9090,640,480:waittimer 59343 blt 0,0,640,480,0, 9091,640,480:waittimer 59349 blt 0,0,640,480,0, 9092,640,480:waittimer 59356 blt 0,0,640,480,0, 9093,640,480:waittimer 59362 blt 0,0,640,480,0, 9094,640,480:waittimer 59369 blt 0,0,640,480,0, 9095,640,480:waittimer 59375 blt 0,0,640,480,0, 9096,640,480:waittimer 59382 blt 0,0,640,480,0, 9097,640,480:waittimer 59389 blt 0,0,640,480,0, 9098,640,480:waittimer 59395 blt 0,0,640,480,0, 9099,640,480:waittimer 59402 blt 0,0,640,480,0, 9100,640,480:waittimer 59408 blt 0,0,640,480,0, 9101,640,480:waittimer 59415 blt 0,0,640,480,0, 9102,640,480:waittimer 59421 blt 0,0,640,480,0, 9103,640,480:waittimer 59428 blt 0,0,640,480,0, 9104,640,480:waittimer 59434 blt 0,0,640,480,0, 9105,640,480:waittimer 59441 blt 0,0,640,480,0, 9106,640,480:waittimer 59447 blt 0,0,640,480,0, 9107,640,480:waittimer 59454 blt 0,0,640,480,0, 9108,640,480:waittimer 59460 blt 0,0,640,480,0, 9109,640,480:waittimer 59467 blt 0,0,640,480,0, 9110,640,480:waittimer 59473 blt 0,0,640,480,0, 9111,640,480:waittimer 59480 blt 0,0,640,480,0, 9112,640,480:waittimer 59486 blt 0,0,640,480,0, 9113,640,480:waittimer 59493 blt 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10983,640,480:waittimer 71701 blt 0,0,640,480,0, 10984,640,480:waittimer 71708 blt 0,0,640,480,0, 10985,640,480:waittimer 71714 blt 0,0,640,480,0, 10986,640,480:waittimer 71721 blt 0,0,640,480,0, 10987,640,480:waittimer 71727 blt 0,0,640,480,0, 10988,640,480:waittimer 71734 blt 0,0,640,480,0, 10989,640,480:waittimer 71740 blt 0,0,640,480,0, 10990,640,480:waittimer 71747 blt 0,0,640,480,0, 10991,640,480:waittimer 71753 blt 0,0,640,480,0, 10992,640,480:waittimer 71760 blt 0,0,640,480,0, 10993,640,480:waittimer 71766 blt 0,0,640,480,0, 10994,640,480:waittimer 71773 blt 0,0,640,480,0, 10995,640,480:waittimer 71779 blt 0,0,640,480,0, 10996,640,480:waittimer 71786 blt 0,0,640,480,0, 10997,640,480:waittimer 71793 blt 0,0,640,480,0, 10998,640,480:waittimer 71799 blt 0,0,640,480,0, 10999,640,480:waittimer 71806 blt 0,0,640,480,0, 11000,640,480:waittimer 71812 blt 0,0,640,480,0, 11001,640,480:waittimer 71819 blt 0,0,640,480,0, 11002,640,480:waittimer 71825 blt 0,0,640,480,0, 11003,640,480:waittimer 71832 blt 0,0,640,480,0, 11004,640,480:waittimer 71838 blt 0,0,640,480,0, 11005,640,480:waittimer 71845 blt 0,0,640,480,0, 11006,640,480:waittimer 71851 blt 0,0,640,480,0, 11007,640,480:waittimer 71858 blt 0,0,640,480,0, 11008,640,480:waittimer 71864 blt 0,0,640,480,0, 11009,640,480:waittimer 71871 blt 0,0,640,480,0, 11010,640,480:waittimer 71877 blt 0,0,640,480,0, 11011,640,480:waittimer 71884 blt 0,0,640,480,0, 11012,640,480:waittimer 71890 blt 0,0,640,480,0, 11013,640,480:waittimer 71897 blt 0,0,640,480,0, 11014,640,480:waittimer 71903 blt 0,0,640,480,0, 11015,640,480:waittimer 71910 blt 0,0,640,480,0, 11016,640,480:waittimer 71917 blt 0,0,640,480,0, 11017,640,480:waittimer 71923 blt 0,0,640,480,0, 11018,640,480:waittimer 71930 blt 0,0,640,480,0, 11019,640,480:waittimer 71936 blt 0,0,640,480,0, 11020,640,480:waittimer 71943 blt 0,0,640,480,0, 11021,640,480:waittimer 71949 blt 0,0,640,480,0, 11022,640,480:waittimer 71956 blt 0,0,640,480,0, 11023,640,480:waittimer 71962 blt 0,0,640,480,0, 11024,640,480:waittimer 71969 blt 0,0,640,480,0, 11025,640,480:waittimer 71975 blt 0,0,640,480,0, 11026,640,480:waittimer 71982 blt 0,0,640,480,0, 11027,640,480:waittimer 71988 blt 0,0,640,480,0, 11028,640,480:waittimer 71995 blt 0,0,640,480,0, 11029,640,480:waittimer 72001 blt 0,0,640,480,0, 11030,640,480:waittimer 72008 blt 0,0,640,480,0, 11031,640,480:waittimer 72014 blt 0,0,640,480,0, 11032,640,480:waittimer 72021 blt 0,0,640,480,0, 11033,640,480:waittimer 72028 blt 0,0,640,480,0, 11034,640,480:waittimer 72034 blt 0,0,640,480,0, 11035,640,480:waittimer 72041 blt 0,0,640,480,0, 11036,640,480:waittimer 72047 blt 0,0,640,480,0, 11037,640,480:waittimer 72054 blt 0,0,640,480,0, 11038,640,480:waittimer 72060 blt 0,0,640,480,0, 11039,640,480:waittimer 72067 blt 0,0,640,480,0, 11040,640,480:waittimer 72073 blt 0,0,640,480,0, 11041,640,480:waittimer 72080 blt 0,0,640,480,0, 11042,640,480:waittimer 72086 blt 0,0,640,480,0, 11043,640,480:waittimer 72093 blt 0,0,640,480,0, 11044,640,480:waittimer 72099 blt 0,0,640,480,0, 11045,640,480:waittimer 72106 blt 0,0,640,480,0, 11046,640,480:waittimer 72112 blt 0,0,640,480,0, 11047,640,480:waittimer 72119 blt 0,0,640,480,0, 11048,640,480:waittimer 72125 blt 0,0,640,480,0, 11049,640,480:waittimer 72132 blt 0,0,640,480,0, 11050,640,480:waittimer 72139 blt 0,0,640,480,0, 11051,640,480:waittimer 72145 blt 0,0,640,480,0, 11052,640,480:waittimer 72152 blt 0,0,640,480,0, 11053,640,480:waittimer 72158 blt 0,0,640,480,0, 11054,640,480:waittimer 72165 blt 0,0,640,480,0, 11055,640,480:waittimer 72171 blt 0,0,640,480,0, 11056,640,480:waittimer 72178 blt 0,0,640,480,0, 11057,640,480:waittimer 72184 blt 0,0,640,480,0, 11058,640,480:waittimer 72191 blt 0,0,640,480,0, 11059,640,480:waittimer 72197 blt 0,0,640,480,0, 11060,640,480:waittimer 72204 blt 0,0,640,480,0, 11061,640,480:waittimer 72210 blt 0,0,640,480,0, 11062,640,480:waittimer 72217 blt 0,0,640,480,0, 11063,640,480:waittimer 72223 blt 0,0,640,480,0, 11064,640,480:waittimer 72230 blt 0,0,640,480,0, 11065,640,480:waittimer 72236 blt 0,0,640,480,0, 11066,640,480:waittimer 72243 blt 0,0,640,480,0, 11067,640,480:waittimer 72249 blt 0,0,640,480,0, 11068,640,480:waittimer 72256 blt 0,0,640,480,0, 11069,640,480:waittimer 72263 blt 0,0,640,480,0, 11070,640,480:waittimer 72269 blt 0,0,640,480,0, 11071,640,480:waittimer 72276 blt 0,0,640,480,0, 11072,640,480:waittimer 72282 blt 0,0,640,480,0, 11073,640,480:waittimer 72289 blt 0,0,640,480,0, 11074,640,480:waittimer 72295 blt 0,0,640,480,0, 11075,640,480:waittimer 72302 blt 0,0,640,480,0, 11076,640,480:waittimer 72308 blt 0,0,640,480,0, 11077,640,480:waittimer 72315 blt 0,0,640,480,0, 11078,640,480:waittimer 72321 blt 0,0,640,480,0, 11079,640,480:waittimer 72328 blt 0,0,640,480,0, 11080,640,480:waittimer 72334 blt 0,0,640,480,0, 11081,640,480:waittimer 72341 blt 0,0,640,480,0, 11082,640,480:waittimer 72347 blt 0,0,640,480,0, 11083,640,480:waittimer 72354 blt 0,0,640,480,0, 11084,640,480:waittimer 72360 blt 0,0,640,480,0, 11085,640,480:waittimer 72367 blt 0,0,640,480,0, 11086,640,480:waittimer 72374 blt 0,0,640,480,0, 11087,640,480:waittimer 72380 blt 0,0,640,480,0, 11088,640,480:waittimer 72387 blt 0,0,640,480,0, 11089,640,480:waittimer 72393 blt 0,0,640,480,0, 11090,640,480:waittimer 72400 blt 0,0,640,480,0, 11091,640,480:waittimer 72406 blt 0,0,640,480,0, 11092,640,480:waittimer 72413 blt 0,0,640,480,0, 11093,640,480:waittimer 72419 blt 0,0,640,480,0, 11094,640,480:waittimer 72426 blt 0,0,640,480,0, 11095,640,480:waittimer 72432 blt 0,0,640,480,0, 11096,640,480:waittimer 72439 blt 0,0,640,480,0, 11097,640,480:waittimer 72445 blt 0,0,640,480,0, 11098,640,480:waittimer 72452 blt 0,0,640,480,0, 11099,640,480:waittimer 72458 blt 0,0,640,480,0, 11100,640,480:waittimer 72465 blt 0,0,640,480,0, 11101,640,480:waittimer 72471 blt 0,0,640,480,0, 11102,640,480:waittimer 72478 blt 0,0,640,480,0, 11103,640,480:waittimer 72485 blt 0,0,640,480,0, 11104,640,480:waittimer 72491 blt 0,0,640,480,0, 11105,640,480:waittimer 72498 blt 0,0,640,480,0, 11106,640,480:waittimer 72504 blt 0,0,640,480,0, 11107,640,480:waittimer 72511 blt 0,0,640,480,0, 11108,640,480:waittimer 72517 blt 0,0,640,480,0, 11109,640,480:waittimer 72524 blt 0,0,640,480,0, 11110,640,480:waittimer 72530 blt 0,0,640,480,0, 11111,640,480:waittimer 72537 blt 0,0,640,480,0, 11112,640,480:waittimer 72543 blt 0,0,640,480,0, 11113,640,480:waittimer 72550 blt 0,0,640,480,0, 11114,640,480:waittimer 72556 blt 0,0,640,480,0, 11115,640,480:waittimer 72563 blt 0,0,640,480,0, 11116,640,480:waittimer 72569 blt 0,0,640,480,0, 11117,640,480:waittimer 72576 blt 0,0,640,480,0, 11118,640,480:waittimer 72582 blt 0,0,640,480,0, 11119,640,480:waittimer 72589 blt 0,0,640,480,0, 11120,640,480:waittimer 72596 blt 0,0,640,480,0, 11121,640,480:waittimer 72602 blt 0,0,640,480,0, 11122,640,480:waittimer 72609 blt 0,0,640,480,0, 11123,640,480:waittimer 72615 blt 0,0,640,480,0, 11124,640,480:waittimer 72622 blt 0,0,640,480,0, 11125,640,480:waittimer 72628 blt 0,0,640,480,0, 11126,640,480:waittimer 72635 blt 0,0,640,480,0, 11127,640,480:waittimer 72641 blt 0,0,640,480,0, 11128,640,480:waittimer 72648 blt 0,0,640,480,0, 11129,640,480:waittimer 72654 blt 0,0,640,480,0, 11130,640,480:waittimer 72661 blt 0,0,640,480,0, 11131,640,480:waittimer 72667 blt 0,0,640,480,0, 11132,640,480:waittimer 72674 blt 0,0,640,480,0, 11133,640,480:waittimer 72680 blt 0,0,640,480,0, 11134,640,480:waittimer 72687 blt 0,0,640,480,0, 11135,640,480:waittimer 72693 blt 0,0,640,480,0, 11136,640,480:waittimer 72700 blt 0,0,640,480,0, 11137,640,480:waittimer 72706 blt 0,0,640,480,0, 11138,640,480:waittimer 72713 blt 0,0,640,480,0, 11139,640,480:waittimer 72720 blt 0,0,640,480,0, 11140,640,480:waittimer 72726 blt 0,0,640,480,0, 11141,640,480:waittimer 72733 blt 0,0,640,480,0, 11142,640,480:waittimer 72739 blt 0,0,640,480,0, 11143,640,480:waittimer 72746 blt 0,0,640,480,0, 11144,640,480:waittimer 72752 blt 0,0,640,480,0, 11145,640,480:waittimer 72759 blt 0,0,640,480,0, 11146,640,480:waittimer 72765 blt 0,0,640,480,0, 11147,640,480:waittimer 72772 blt 0,0,640,480,0, 11148,640,480:waittimer 72778 blt 0,0,640,480,0, 11149,640,480:waittimer 72785 blt 0,0,640,480,0, 11150,640,480:waittimer 72791 blt 0,0,640,480,0, 11151,640,480:waittimer 72798 blt 0,0,640,480,0, 11152,640,480:waittimer 72804 blt 0,0,640,480,0, 11153,640,480:waittimer 72811 blt 0,0,640,480,0, 11154,640,480:waittimer 72817 blt 0,0,640,480,0, 11155,640,480:waittimer 72824 blt 0,0,640,480,0, 11156,640,480:waittimer 72831 blt 0,0,640,480,0, 11157,640,480:waittimer 72837 blt 0,0,640,480,0, 11158,640,480:waittimer 72844 blt 0,0,640,480,0, 11159,640,480:waittimer 72850 blt 0,0,640,480,0, 11160,640,480:waittimer 72857 blt 0,0,640,480,0, 11161,640,480:waittimer 72863 blt 0,0,640,480,0, 11162,640,480:waittimer 72870 blt 0,0,640,480,0, 11163,640,480:waittimer 72876 blt 0,0,640,480,0, 11164,640,480:waittimer 72883 blt 0,0,640,480,0, 11165,640,480:waittimer 72889 blt 0,0,640,480,0, 11166,640,480:waittimer 72896 blt 0,0,640,480,0, 11167,640,480:waittimer 72902 blt 0,0,640,480,0, 11168,640,480:waittimer 72909 blt 0,0,640,480,0, 11169,640,480:waittimer 72915 blt 0,0,640,480,0, 11170,640,480:waittimer 72922 blt 0,0,640,480,0, 11171,640,480:waittimer 72928 blt 0,0,640,480,0, 11172,640,480:waittimer 72935 blt 0,0,640,480,0, 11173,640,480:waittimer 72942 blt 0,0,640,480,0, 11174,640,480:waittimer 72948 blt 0,0,640,480,0, 11175,640,480:waittimer 72955 blt 0,0,640,480,0, 11176,640,480:waittimer 72961 blt 0,0,640,480,0, 11177,640,480:waittimer 72968 blt 0,0,640,480,0, 11178,640,480:waittimer 72974 blt 0,0,640,480,0, 11179,640,480:waittimer 72981 blt 0,0,640,480,0, 11180,640,480:waittimer 72987 blt 0,0,640,480,0, 11181,640,480:waittimer 72994 blt 0,0,640,480,0, 11182,640,480:waittimer 73000 blt 0,0,640,480,0, 11183,640,480:waittimer 73007 blt 0,0,640,480,0, 11184,640,480:waittimer 73013 blt 0,0,640,480,0, 11185,640,480:waittimer 73020 blt 0,0,640,480,0, 11186,640,480:waittimer 73026 blt 0,0,640,480,0, 11187,640,480:waittimer 73033 blt 0,0,640,480,0, 11188,640,480:waittimer 73039 blt 0,0,640,480,0, 11189,640,480:waittimer 73046 blt 0,0,640,480,0, 11190,640,480:waittimer 73052 blt 0,0,640,480,0, 11191,640,480:waittimer 73059 blt 0,0,640,480,0, 11192,640,480:waittimer 73066 blt 0,0,640,480,0, 11193,640,480:waittimer 73072 blt 0,0,640,480,0, 11194,640,480:waittimer 73079 blt 0,0,640,480,0, 11195,640,480:waittimer 73085 blt 0,0,640,480,0, 11196,640,480:waittimer 73092 blt 0,0,640,480,0, 11197,640,480:waittimer 73098 blt 0,0,640,480,0, 11198,640,480:waittimer 73105 blt 0,0,640,480,0, 11199,640,480:waittimer 73111 blt 0,0,640,480,0, 11200,640,480:waittimer 73118 blt 0,0,640,480,0, 11201,640,480:waittimer 73124 blt 0,0,640,480,0, 11202,640,480:waittimer 73131 blt 0,0,640,480,0, 11203,640,480:waittimer 73137 blt 0,0,640,480,0, 11204,640,480:waittimer 73144 blt 0,0,640,480,0, 11205,640,480:waittimer 73150 blt 0,0,640,480,0, 11206,640,480:waittimer 73157 blt 0,0,640,480,0, 11207,640,480:waittimer 73163 blt 0,0,640,480,0, 11208,640,480:waittimer 73170 blt 0,0,640,480,0, 11209,640,480:waittimer 73177 blt 0,0,640,480,0, 11210,640,480:waittimer 73183 blt 0,0,640,480,0, 11211,640,480:waittimer 73190 blt 0,0,640,480,0, 11212,640,480:waittimer 73196 blt 0,0,640,480,0, 11213,640,480:waittimer 73203 blt 0,0,640,480,0, 11214,640,480:waittimer 73209 blt 0,0,640,480,0, 11215,640,480:waittimer 73216 blt 0,0,640,480,0, 11216,640,480:waittimer 73222 blt 0,0,640,480,0, 11217,640,480:waittimer 73229 blt 0,0,640,480,0, 11218,640,480:waittimer 73235 blt 0,0,640,480,0, 11219,640,480:waittimer 73242 blt 0,0,640,480,0, 11220,640,480:waittimer 73248 blt 0,0,640,480,0, 11221,640,480:waittimer 73255 blt 0,0,640,480,0, 11222,640,480:waittimer 73261 blt 0,0,640,480,0, 11223,640,480:waittimer 73268 blt 0,0,640,480,0, 11224,640,480:waittimer 73274 blt 0,0,640,480,0, 11225,640,480:waittimer 73281 blt 0,0,640,480,0, 11226,640,480:waittimer 73288 blt 0,0,640,480,0, 11227,640,480:waittimer 73294 blt 0,0,640,480,0, 11228,640,480:waittimer 73301 blt 0,0,640,480,0, 11229,640,480:waittimer 73307 blt 0,0,640,480,0, 11230,640,480:waittimer 73314 blt 0,0,640,480,0, 11231,640,480:waittimer 73320 blt 0,0,640,480,0, 11232,640,480:waittimer 73327 blt 0,0,640,480,0, 11233,640,480:waittimer 73333 blt 0,0,640,480,0, 11234,640,480:waittimer 73340 blt 0,0,640,480,0, 11235,640,480:waittimer 73346 blt 0,0,640,480,0, 11236,640,480:waittimer 73353 blt 0,0,640,480,0, 11237,640,480:waittimer 73359 blt 0,0,640,480,0, 11238,640,480:waittimer 73366 blt 0,0,640,480,0, 11239,640,480:waittimer 73372 blt 0,0,640,480,0, 11240,640,480:waittimer 73379 blt 0,0,640,480,0, 11241,640,480:waittimer 73385 blt 0,0,640,480,0, 11242,640,480:waittimer 73392 blt 0,0,640,480,0, 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11903,640,480:waittimer 77707 blt 0,0,640,480,0, 11904,640,480:waittimer 77714 blt 0,0,640,480,0, 11905,640,480:waittimer 77720 blt 0,0,640,480,0, 11906,640,480:waittimer 77727 blt 0,0,640,480,0, 11907,640,480:waittimer 77733 blt 0,0,640,480,0, 11908,640,480:waittimer 77740 blt 0,0,640,480,0, 11909,640,480:waittimer 77746 blt 0,0,640,480,0, 11910,640,480:waittimer 77753 blt 0,0,640,480,0, 11911,640,480:waittimer 77759 blt 0,0,640,480,0, 11912,640,480:waittimer 77766 blt 0,0,640,480,0, 11913,640,480:waittimer 77773 blt 0,0,640,480,0, 11914,640,480:waittimer 77779 blt 0,0,640,480,0, 11915,640,480:waittimer 77786 blt 0,0,640,480,0, 11916,640,480:waittimer 77792 blt 0,0,640,480,0, 11917,640,480:waittimer 77799 blt 0,0,640,480,0, 11918,640,480:waittimer 77805 blt 0,0,640,480,0, 11919,640,480:waittimer 77812 blt 0,0,640,480,0, 11920,640,480:waittimer 77818 blt 0,0,640,480,0, 11921,640,480:waittimer 77825 blt 0,0,640,480,0, 11922,640,480:waittimer 77831 blt 0,0,640,480,0, 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11963,640,480:waittimer 78099 blt 0,0,640,480,0, 11964,640,480:waittimer 78105 blt 0,0,640,480,0, 11965,640,480:waittimer 78112 blt 0,0,640,480,0, 11966,640,480:waittimer 78119 blt 0,0,640,480,0, 11967,640,480:waittimer 78125 blt 0,0,640,480,0, 11968,640,480:waittimer 78132 blt 0,0,640,480,0, 11969,640,480:waittimer 78138 blt 0,0,640,480,0, 11970,640,480:waittimer 78145 blt 0,0,640,480,0, 11971,640,480:waittimer 78151 blt 0,0,640,480,0, 11972,640,480:waittimer 78158 blt 0,0,640,480,0, 11973,640,480:waittimer 78164 blt 0,0,640,480,0, 11974,640,480:waittimer 78171 blt 0,0,640,480,0, 11975,640,480:waittimer 78177 blt 0,0,640,480,0, 11976,640,480:waittimer 78184 blt 0,0,640,480,0, 11977,640,480:waittimer 78190 blt 0,0,640,480,0, 11978,640,480:waittimer 78197 blt 0,0,640,480,0, 11979,640,480:waittimer 78203 blt 0,0,640,480,0, 11980,640,480:waittimer 78210 blt 0,0,640,480,0, 11981,640,480:waittimer 78216 blt 0,0,640,480,0, 11982,640,480:waittimer 78223 blt 0,0,640,480,0, 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12103,640,480:waittimer 79013 blt 0,0,640,480,0, 12104,640,480:waittimer 79019 blt 0,0,640,480,0, 12105,640,480:waittimer 79026 blt 0,0,640,480,0, 12106,640,480:waittimer 79033 blt 0,0,640,480,0, 12107,640,480:waittimer 79039 blt 0,0,640,480,0, 12108,640,480:waittimer 79046 blt 0,0,640,480,0, 12109,640,480:waittimer 79052 blt 0,0,640,480,0, 12110,640,480:waittimer 79059 blt 0,0,640,480,0, 12111,640,480:waittimer 79065 blt 0,0,640,480,0, 12112,640,480:waittimer 79072 blt 0,0,640,480,0, 12113,640,480:waittimer 79078 blt 0,0,640,480,0, 12114,640,480:waittimer 79085 blt 0,0,640,480,0, 12115,640,480:waittimer 79091 blt 0,0,640,480,0, 12116,640,480:waittimer 79098 blt 0,0,640,480,0, 12117,640,480:waittimer 79104 blt 0,0,640,480,0, 12118,640,480:waittimer 79111 blt 0,0,640,480,0, 12119,640,480:waittimer 79117 blt 0,0,640,480,0, 12120,640,480:waittimer 79124 blt 0,0,640,480,0, 12121,640,480:waittimer 79130 blt 0,0,640,480,0, 12122,640,480:waittimer 79137 blt 0,0,640,480,0, 12123,640,480:waittimer 79144 blt 0,0,640,480,0, 12124,640,480:waittimer 79150 blt 0,0,640,480,0, 12125,640,480:waittimer 79157 blt 0,0,640,480,0, 12126,640,480:waittimer 79163 blt 0,0,640,480,0, 12127,640,480:waittimer 79170 blt 0,0,640,480,0, 12128,640,480:waittimer 79176 blt 0,0,640,480,0, 12129,640,480:waittimer 79183 blt 0,0,640,480,0, 12130,640,480:waittimer 79189 blt 0,0,640,480,0, 12131,640,480:waittimer 79196 blt 0,0,640,480,0, 12132,640,480:waittimer 79202 blt 0,0,640,480,0, 12133,640,480:waittimer 79209 blt 0,0,640,480,0, 12134,640,480:waittimer 79215 blt 0,0,640,480,0, 12135,640,480:waittimer 79222 blt 0,0,640,480,0, 12136,640,480:waittimer 79228 blt 0,0,640,480,0, 12137,640,480:waittimer 79235 blt 0,0,640,480,0, 12138,640,480:waittimer 79241 blt 0,0,640,480,0, 12139,640,480:waittimer 79248 blt 0,0,640,480,0, 12140,640,480:waittimer 79254 blt 0,0,640,480,0, 12141,640,480:waittimer 79261 blt 0,0,640,480,0, 12142,640,480:waittimer 79268 blt 0,0,640,480,0, 12143,640,480:waittimer 79274 blt 0,0,640,480,0, 12144,640,480:waittimer 79281 blt 0,0,640,480,0, 12145,640,480:waittimer 79287 blt 0,0,640,480,0, 12146,640,480:waittimer 79294 blt 0,0,640,480,0, 12147,640,480:waittimer 79300 blt 0,0,640,480,0, 12148,640,480:waittimer 79307 blt 0,0,640,480,0, 12149,640,480:waittimer 79313 blt 0,0,640,480,0, 12150,640,480:waittimer 79320 blt 0,0,640,480,0, 12151,640,480:waittimer 79326 blt 0,0,640,480,0, 12152,640,480:waittimer 79333 blt 0,0,640,480,0, 12153,640,480:waittimer 79339 blt 0,0,640,480,0, 12154,640,480:waittimer 79346 blt 0,0,640,480,0, 12155,640,480:waittimer 79352 blt 0,0,640,480,0, 12156,640,480:waittimer 79359 blt 0,0,640,480,0, 12157,640,480:waittimer 79365 blt 0,0,640,480,0, 12158,640,480:waittimer 79372 blt 0,0,640,480,0, 12159,640,480:waittimer 79379 blt 0,0,640,480,0, 12160,640,480:waittimer 79385 blt 0,0,640,480,0, 12161,640,480:waittimer 79392 blt 0,0,640,480,0, 12162,640,480:waittimer 79398 blt 0,0,640,480,0, 12163,640,480:waittimer 79405 blt 0,0,640,480,0, 12164,640,480:waittimer 79411 blt 0,0,640,480,0, 12165,640,480:waittimer 79418 blt 0,0,640,480,0, 12166,640,480:waittimer 79424 blt 0,0,640,480,0, 12167,640,480:waittimer 79431 blt 0,0,640,480,0, 12168,640,480:waittimer 79437 blt 0,0,640,480,0, 12169,640,480:waittimer 79444 blt 0,0,640,480,0, 12170,640,480:waittimer 79450 blt 0,0,640,480,0, 12171,640,480:waittimer 79457 blt 0,0,640,480,0, 12172,640,480:waittimer 79463 blt 0,0,640,480,0, 12173,640,480:waittimer 79470 blt 0,0,640,480,0, 12174,640,480:waittimer 79476 blt 0,0,640,480,0, 12175,640,480:waittimer 79483 blt 0,0,640,480,0, 12176,640,480:waittimer 79490 blt 0,0,640,480,0, 12177,640,480:waittimer 79496 blt 0,0,640,480,0, 12178,640,480:waittimer 79503 blt 0,0,640,480,0, 12179,640,480:waittimer 79509 blt 0,0,640,480,0, 12180,640,480:waittimer 79516 blt 0,0,640,480,0, 12181,640,480:waittimer 79522 blt 0,0,640,480,0, 12182,640,480:waittimer 79529 blt 0,0,640,480,0, 12183,640,480:waittimer 79535 blt 0,0,640,480,0, 12184,640,480:waittimer 79542 blt 0,0,640,480,0, 12185,640,480:waittimer 79548 blt 0,0,640,480,0, 12186,640,480:waittimer 79555 blt 0,0,640,480,0, 12187,640,480:waittimer 79561 blt 0,0,640,480,0, 12188,640,480:waittimer 79568 blt 0,0,640,480,0, 12189,640,480:waittimer 79574 blt 0,0,640,480,0, 12190,640,480:waittimer 79581 blt 0,0,640,480,0, 12191,640,480:waittimer 79587 blt 0,0,640,480,0, 12192,640,480:waittimer 79594 blt 0,0,640,480,0, 12193,640,480:waittimer 79600 blt 0,0,640,480,0, 12194,640,480:waittimer 79607 blt 0,0,640,480,0, 12195,640,480:waittimer 79614 blt 0,0,640,480,0, 12196,640,480:waittimer 79620 blt 0,0,640,480,0, 12197,640,480:waittimer 79627 blt 0,0,640,480,0, 12198,640,480:waittimer 79633 blt 0,0,640,480,0, 12199,640,480:waittimer 79640 blt 0,0,640,480,0, 12200,640,480:waittimer 79646 blt 0,0,640,480,0, 12201,640,480:waittimer 79653 blt 0,0,640,480,0, 12202,640,480:waittimer 79659 blt 0,0,640,480,0, 12203,640,480:waittimer 79666 blt 0,0,640,480,0, 12204,640,480:waittimer 79672 blt 0,0,640,480,0, 12205,640,480:waittimer 79679 blt 0,0,640,480,0, 12206,640,480:waittimer 79685 blt 0,0,640,480,0, 12207,640,480:waittimer 79692 blt 0,0,640,480,0, 12208,640,480:waittimer 79698 blt 0,0,640,480,0, 12209,640,480:waittimer 79705 blt 0,0,640,480,0, 12210,640,480:waittimer 79711 blt 0,0,640,480,0, 12211,640,480:waittimer 79718 blt 0,0,640,480,0, 12212,640,480:waittimer 79725 blt 0,0,640,480,0, 12213,640,480:waittimer 79731 blt 0,0,640,480,0, 12214,640,480:waittimer 79738 blt 0,0,640,480,0, 12215,640,480:waittimer 79744 blt 0,0,640,480,0, 12216,640,480:waittimer 79751 blt 0,0,640,480,0, 12217,640,480:waittimer 79757 blt 0,0,640,480,0, 12218,640,480:waittimer 79764 blt 0,0,640,480,0, 12219,640,480:waittimer 79770 blt 0,0,640,480,0, 12220,640,480:waittimer 79777 blt 0,0,640,480,0, 12221,640,480:waittimer 79783 blt 0,0,640,480,0, 12222,640,480:waittimer 79790 blt 0,0,640,480,0, 12223,640,480:waittimer 79796 blt 0,0,640,480,0, 12224,640,480:waittimer 79803 blt 0,0,640,480,0, 12225,640,480:waittimer 79809 blt 0,0,640,480,0, 12226,640,480:waittimer 79816 blt 0,0,640,480,0, 12227,640,480:waittimer 79822 blt 0,0,640,480,0, 12228,640,480:waittimer 79829 blt 0,0,640,480,0, 12229,640,480:waittimer 79836 blt 0,0,640,480,0, 12230,640,480:waittimer 79842 blt 0,0,640,480,0, 12231,640,480:waittimer 79849 blt 0,0,640,480,0, 12232,640,480:waittimer 79855 blt 0,0,640,480,0, 12233,640,480:waittimer 79862 blt 0,0,640,480,0, 12234,640,480:waittimer 79868 blt 0,0,640,480,0, 12235,640,480:waittimer 79875 blt 0,0,640,480,0, 12236,640,480:waittimer 79881 blt 0,0,640,480,0, 12237,640,480:waittimer 79888 blt 0,0,640,480,0, 12238,640,480:waittimer 79894 blt 0,0,640,480,0, 12239,640,480:waittimer 79901 blt 0,0,640,480,0, 12240,640,480:waittimer 79907 blt 0,0,640,480,0, 12241,640,480:waittimer 79914 blt 0,0,640,480,0, 12242,640,480:waittimer 79920 blt 0,0,640,480,0, 12243,640,480:waittimer 79927 blt 0,0,640,480,0, 12244,640,480:waittimer 79933 blt 0,0,640,480,0, 12245,640,480:waittimer 79940 blt 0,0,640,480,0, 12246,640,480:waittimer 79947 blt 0,0,640,480,0, 12247,640,480:waittimer 79953 blt 0,0,640,480,0, 12248,640,480:waittimer 79960 blt 0,0,640,480,0, 12249,640,480:waittimer 79966 blt 0,0,640,480,0, 12250,640,480:waittimer 79973 blt 0,0,640,480,0, 12251,640,480:waittimer 79979 blt 0,0,640,480,0, 12252,640,480:waittimer 79986 blt 0,0,640,480,0, 12253,640,480:waittimer 79992 blt 0,0,640,480,0, 12254,640,480:waittimer 79999 blt 0,0,640,480,0, 12255,640,480:waittimer 80005 blt 0,0,640,480,0, 12256,640,480:waittimer 80012 blt 0,0,640,480,0, 12257,640,480:waittimer 80018 blt 0,0,640,480,0, 12258,640,480:waittimer 80025 blt 0,0,640,480,0, 12259,640,480:waittimer 80031 blt 0,0,640,480,0, 12260,640,480:waittimer 80038 blt 0,0,640,480,0, 12261,640,480:waittimer 80044 blt 0,0,640,480,0, 12262,640,480:waittimer 80051 blt 0,0,640,480,0, 12263,640,480:waittimer 80057 blt 0,0,640,480,0, 12264,640,480:waittimer 80064 blt 0,0,640,480,0, 12265,640,480:waittimer 80071 blt 0,0,640,480,0, 12266,640,480:waittimer 80077 blt 0,0,640,480,0, 12267,640,480:waittimer 80084 blt 0,0,640,480,0, 12268,640,480:waittimer 80090 blt 0,0,640,480,0, 12269,640,480:waittimer 80097 blt 0,0,640,480,0, 12270,640,480:waittimer 80103 blt 0,0,640,480,0, 12271,640,480:waittimer 80110 blt 0,0,640,480,0, 12272,640,480:waittimer 80116 blt 0,0,640,480,0, 12273,640,480:waittimer 80123 blt 0,0,640,480,0, 12274,640,480:waittimer 80129 blt 0,0,640,480,0, 12275,640,480:waittimer 80136 blt 0,0,640,480,0, 12276,640,480:waittimer 80142 blt 0,0,640,480,0, 12277,640,480:waittimer 80149 blt 0,0,640,480,0, 12278,640,480:waittimer 80155 blt 0,0,640,480,0, 12279,640,480:waittimer 80162 blt 0,0,640,480,0, 12280,640,480:waittimer 80168 blt 0,0,640,480,0, 12281,640,480:waittimer 80175 blt 0,0,640,480,0, 12282,640,480:waittimer 80182 blt 0,0,640,480,0, 12283,640,480:waittimer 80188 blt 0,0,640,480,0, 12284,640,480:waittimer 80195 blt 0,0,640,480,0, 12285,640,480:waittimer 80201 blt 0,0,640,480,0, 12286,640,480:waittimer 80208 blt 0,0,640,480,0, 12287,640,480:waittimer 80214 blt 0,0,640,480,0, 12288,640,480:waittimer 80221 blt 0,0,640,480,0, 12289,640,480:waittimer 80227 blt 0,0,640,480,0, 12290,640,480:waittimer 80234 blt 0,0,640,480,0, 12291,640,480:waittimer 80240 blt 0,0,640,480,0, 12292,640,480:waittimer 80247 blt 0,0,640,480,0, 12293,640,480:waittimer 80253 blt 0,0,640,480,0, 12294,640,480:waittimer 80260 blt 0,0,640,480,0, 12295,640,480:waittimer 80266 blt 0,0,640,480,0, 12296,640,480:waittimer 80273 blt 0,0,640,480,0, 12297,640,480:waittimer 80279 blt 0,0,640,480,0, 12298,640,480:waittimer 80286 blt 0,0,640,480,0, 12299,640,480:waittimer 80293 blt 0,0,640,480,0, 12300,640,480:waittimer 80299 blt 0,0,640,480,0, 12301,640,480:waittimer 80306 blt 0,0,640,480,0, 12302,640,480:waittimer 80312 blt 0,0,640,480,0, 12303,640,480:waittimer 80319 blt 0,0,640,480,0, 12304,640,480:waittimer 80325 blt 0,0,640,480,0, 12305,640,480:waittimer 80332 blt 0,0,640,480,0, 12306,640,480:waittimer 80338 blt 0,0,640,480,0, 12307,640,480:waittimer 80345 blt 0,0,640,480,0, 12308,640,480:waittimer 80351 blt 0,0,640,480,0, 12309,640,480:waittimer 80358 blt 0,0,640,480,0, 12310,640,480:waittimer 80364 blt 0,0,640,480,0, 12311,640,480:waittimer 80371 blt 0,0,640,480,0, 12312,640,480:waittimer 80377 blt 0,0,640,480,0, 12313,640,480:waittimer 80384 blt 0,0,640,480,0, 12314,640,480:waittimer 80390 blt 0,0,640,480,0, 12315,640,480:waittimer 80397 blt 0,0,640,480,0, 12316,640,480:waittimer 80403 blt 0,0,640,480,0, 12317,640,480:waittimer 80410 blt 0,0,640,480,0, 12318,640,480:waittimer 80417 blt 0,0,640,480,0, 12319,640,480:waittimer 80423 blt 0,0,640,480,0, 12320,640,480:waittimer 80430 blt 0,0,640,480,0, 12321,640,480:waittimer 80436 blt 0,0,640,480,0, 12322,640,480:waittimer 80443 blt 0,0,640,480,0, 12323,640,480:waittimer 80449 blt 0,0,640,480,0, 12324,640,480:waittimer 80456 blt 0,0,640,480,0, 12325,640,480:waittimer 80462 blt 0,0,640,480,0, 12326,640,480:waittimer 80469 blt 0,0,640,480,0, 12327,640,480:waittimer 80475 blt 0,0,640,480,0, 12328,640,480:waittimer 80482 blt 0,0,640,480,0, 12329,640,480:waittimer 80488 blt 0,0,640,480,0, 12330,640,480:waittimer 80495 blt 0,0,640,480,0, 12331,640,480:waittimer 80501 blt 0,0,640,480,0, 12332,640,480:waittimer 80508 blt 0,0,640,480,0, 12333,640,480:waittimer 80514 blt 0,0,640,480,0, 12334,640,480:waittimer 80521 blt 0,0,640,480,0, 12335,640,480:waittimer 80528 blt 0,0,640,480,0, 12336,640,480:waittimer 80534 blt 0,0,640,480,0, 12337,640,480:waittimer 80541 blt 0,0,640,480,0, 12338,640,480:waittimer 80547 blt 0,0,640,480,0, 12339,640,480:waittimer 80554 blt 0,0,640,480,0, 12340,640,480:waittimer 80560 blt 0,0,640,480,0, 12341,640,480:waittimer 80567 blt 0,0,640,480,0, 12342,640,480:waittimer 80573 blt 0,0,640,480,0, 12343,640,480:waittimer 80580 blt 0,0,640,480,0, 12344,640,480:waittimer 80586 blt 0,0,640,480,0, 12345,640,480:waittimer 80593 blt 0,0,640,480,0, 12346,640,480:waittimer 80599 blt 0,0,640,480,0, 12347,640,480:waittimer 80606 blt 0,0,640,480,0, 12348,640,480:waittimer 80612 blt 0,0,640,480,0, 12349,640,480:waittimer 80619 blt 0,0,640,480,0, 12350,640,480:waittimer 80625 blt 0,0,640,480,0, 12351,640,480:waittimer 80632 blt 0,0,640,480,0, 12352,640,480:waittimer 80639 blt 0,0,640,480,0, 12353,640,480:waittimer 80645 blt 0,0,640,480,0, 12354,640,480:waittimer 80652 blt 0,0,640,480,0, 12355,640,480:waittimer 80658 blt 0,0,640,480,0, 12356,640,480:waittimer 80665 blt 0,0,640,480,0, 12357,640,480:waittimer 80671 blt 0,0,640,480,0, 12358,640,480:waittimer 80678 blt 0,0,640,480,0, 12359,640,480:waittimer 80684 blt 0,0,640,480,0, 12360,640,480:waittimer 80691 blt 0,0,640,480,0, 12361,640,480:waittimer 80697 blt 0,0,640,480,0, 12362,640,480:waittimer 80704 blt 0,0,640,480,0, 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12523,640,480:waittimer 81755 blt 0,0,640,480,0, 12524,640,480:waittimer 81761 blt 0,0,640,480,0, 12525,640,480:waittimer 81768 blt 0,0,640,480,0, 12526,640,480:waittimer 81774 blt 0,0,640,480,0, 12527,640,480:waittimer 81781 blt 0,0,640,480,0, 12528,640,480:waittimer 81788 blt 0,0,640,480,0, 12529,640,480:waittimer 81794 blt 0,0,640,480,0, 12530,640,480:waittimer 81801 blt 0,0,640,480,0, 12531,640,480:waittimer 81807 blt 0,0,640,480,0, 12532,640,480:waittimer 81814 blt 0,0,640,480,0, 12533,640,480:waittimer 81820 blt 0,0,640,480,0, 12534,640,480:waittimer 81827 blt 0,0,640,480,0, 12535,640,480:waittimer 81833 blt 0,0,640,480,0, 12536,640,480:waittimer 81840 blt 0,0,640,480,0, 12537,640,480:waittimer 81846 blt 0,0,640,480,0, 12538,640,480:waittimer 81853 blt 0,0,640,480,0, 12539,640,480:waittimer 81859 blt 0,0,640,480,0, 12540,640,480:waittimer 81866 blt 0,0,640,480,0, 12541,640,480:waittimer 81872 blt 0,0,640,480,0, 12542,640,480:waittimer 81879 blt 0,0,640,480,0, 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12903,640,480:waittimer 84236 blt 0,0,640,480,0, 12904,640,480:waittimer 84242 blt 0,0,640,480,0, 12905,640,480:waittimer 84249 blt 0,0,640,480,0, 12906,640,480:waittimer 84255 blt 0,0,640,480,0, 12907,640,480:waittimer 84262 blt 0,0,640,480,0, 12908,640,480:waittimer 84268 blt 0,0,640,480,0, 12909,640,480:waittimer 84275 blt 0,0,640,480,0, 12910,640,480:waittimer 84281 blt 0,0,640,480,0, 12911,640,480:waittimer 84288 blt 0,0,640,480,0, 12912,640,480:waittimer 84294 blt 0,0,640,480,0, 12913,640,480:waittimer 84301 blt 0,0,640,480,0, 12914,640,480:waittimer 84307 blt 0,0,640,480,0, 12915,640,480:waittimer 84314 blt 0,0,640,480,0, 12916,640,480:waittimer 84321 blt 0,0,640,480,0, 12917,640,480:waittimer 84327 blt 0,0,640,480,0, 12918,640,480:waittimer 84334 blt 0,0,640,480,0, 12919,640,480:waittimer 84340 blt 0,0,640,480,0, 12920,640,480:waittimer 84347 blt 0,0,640,480,0, 12921,640,480:waittimer 84353 blt 0,0,640,480,0, 12922,640,480:waittimer 84360 blt 0,0,640,480,0, 12923,640,480:waittimer 84366 blt 0,0,640,480,0, 12924,640,480:waittimer 84373 blt 0,0,640,480,0, 12925,640,480:waittimer 84379 blt 0,0,640,480,0, 12926,640,480:waittimer 84386 blt 0,0,640,480,0, 12927,640,480:waittimer 84392 blt 0,0,640,480,0, 12928,640,480:waittimer 84399 blt 0,0,640,480,0, 12929,640,480:waittimer 84405 blt 0,0,640,480,0, 12930,640,480:waittimer 84412 blt 0,0,640,480,0, 12931,640,480:waittimer 84418 blt 0,0,640,480,0, 12932,640,480:waittimer 84425 blt 0,0,640,480,0, 12933,640,480:waittimer 84432 blt 0,0,640,480,0, 12934,640,480:waittimer 84438 blt 0,0,640,480,0, 12935,640,480:waittimer 84445 blt 0,0,640,480,0, 12936,640,480:waittimer 84451 blt 0,0,640,480,0, 12937,640,480:waittimer 84458 blt 0,0,640,480,0, 12938,640,480:waittimer 84464 blt 0,0,640,480,0, 12939,640,480:waittimer 84471 blt 0,0,640,480,0, 12940,640,480:waittimer 84477 blt 0,0,640,480,0, 12941,640,480:waittimer 84484 blt 0,0,640,480,0, 12942,640,480:waittimer 84490 blt 0,0,640,480,0, 12943,640,480:waittimer 84497 blt 0,0,640,480,0, 12944,640,480:waittimer 84503 blt 0,0,640,480,0, 12945,640,480:waittimer 84510 blt 0,0,640,480,0, 12946,640,480:waittimer 84516 blt 0,0,640,480,0, 12947,640,480:waittimer 84523 blt 0,0,640,480,0, 12948,640,480:waittimer 84529 blt 0,0,640,480,0, 12949,640,480:waittimer 84536 blt 0,0,640,480,0, 12950,640,480:waittimer 84543 blt 0,0,640,480,0, 12951,640,480:waittimer 84549 blt 0,0,640,480,0, 12952,640,480:waittimer 84556 blt 0,0,640,480,0, 12953,640,480:waittimer 84562 blt 0,0,640,480,0, 12954,640,480:waittimer 84569 blt 0,0,640,480,0, 12955,640,480:waittimer 84575 blt 0,0,640,480,0, 12956,640,480:waittimer 84582 blt 0,0,640,480,0, 12957,640,480:waittimer 84588 blt 0,0,640,480,0, 12958,640,480:waittimer 84595 blt 0,0,640,480,0, 12959,640,480:waittimer 84601 blt 0,0,640,480,0, 12960,640,480:waittimer 84608 blt 0,0,640,480,0, 12961,640,480:waittimer 84614 blt 0,0,640,480,0, 12962,640,480:waittimer 84621 blt 0,0,640,480,0, 12963,640,480:waittimer 84627 blt 0,0,640,480,0, 12964,640,480:waittimer 84634 blt 0,0,640,480,0, 12965,640,480:waittimer 84640 blt 0,0,640,480,0, 12966,640,480:waittimer 84647 blt 0,0,640,480,0, 12967,640,480:waittimer 84653 blt 0,0,640,480,0, 12968,640,480:waittimer 84660 blt 0,0,640,480,0, 12969,640,480:waittimer 84667 blt 0,0,640,480,0, 12970,640,480:waittimer 84673 blt 0,0,640,480,0, 12971,640,480:waittimer 84680 blt 0,0,640,480,0, 12972,640,480:waittimer 84686 blt 0,0,640,480,0, 12973,640,480:waittimer 84693 blt 0,0,640,480,0, 12974,640,480:waittimer 84699 blt 0,0,640,480,0, 12975,640,480:waittimer 84706 blt 0,0,640,480,0, 12976,640,480:waittimer 84712 blt 0,0,640,480,0, 12977,640,480:waittimer 84719 blt 0,0,640,480,0, 12978,640,480:waittimer 84725 blt 0,0,640,480,0, 12979,640,480:waittimer 84732 blt 0,0,640,480,0, 12980,640,480:waittimer 84738 blt 0,0,640,480,0, 12981,640,480:waittimer 84745 blt 0,0,640,480,0, 12982,640,480:waittimer 84751 blt 0,0,640,480,0, 12983,640,480:waittimer 84758 blt 0,0,640,480,0, 12984,640,480:waittimer 84764 blt 0,0,640,480,0, 12985,640,480:waittimer 84771 blt 0,0,640,480,0, 12986,640,480:waittimer 84778 blt 0,0,640,480,0, 12987,640,480:waittimer 84784 blt 0,0,640,480,0, 12988,640,480:waittimer 84791 blt 0,0,640,480,0, 12989,640,480:waittimer 84797 blt 0,0,640,480,0, 12990,640,480:waittimer 84804 blt 0,0,640,480,0, 12991,640,480:waittimer 84810 blt 0,0,640,480,0, 12992,640,480:waittimer 84817 blt 0,0,640,480,0, 12993,640,480:waittimer 84823 blt 0,0,640,480,0, 12994,640,480:waittimer 84830 blt 0,0,640,480,0, 12995,640,480:waittimer 84836 blt 0,0,640,480,0, 12996,640,480:waittimer 84843 blt 0,0,640,480,0, 12997,640,480:waittimer 84849 blt 0,0,640,480,0, 12998,640,480:waittimer 84856 blt 0,0,640,480,0, 12999,640,480:waittimer 84862 blt 0,0,640,480,0, 13000,640,480:waittimer 84869 blt 0,0,640,480,0, 13001,640,480:waittimer 84875 blt 0,0,640,480,0, 13002,640,480:waittimer 84882 blt 0,0,640,480,0, 13003,640,480:waittimer 84889 blt 0,0,640,480,0, 13004,640,480:waittimer 84895 blt 0,0,640,480,0, 13005,640,480:waittimer 84902 blt 0,0,640,480,0, 13006,640,480:waittimer 84908 blt 0,0,640,480,0, 13007,640,480:waittimer 84915 blt 0,0,640,480,0, 13008,640,480:waittimer 84921 blt 0,0,640,480,0, 13009,640,480:waittimer 84928 blt 0,0,640,480,0, 13010,640,480:waittimer 84934 blt 0,0,640,480,0, 13011,640,480:waittimer 84941 blt 0,0,640,480,0, 13012,640,480:waittimer 84947 blt 0,0,640,480,0, 13013,640,480:waittimer 84954 blt 0,0,640,480,0, 13014,640,480:waittimer 84960 blt 0,0,640,480,0, 13015,640,480:waittimer 84967 blt 0,0,640,480,0, 13016,640,480:waittimer 84973 blt 0,0,640,480,0, 13017,640,480:waittimer 84980 blt 0,0,640,480,0, 13018,640,480:waittimer 84986 blt 0,0,640,480,0, 13019,640,480:waittimer 84993 blt 0,0,640,480,0, 13020,640,480:waittimer 84999 resettimer return ;************************************************* ;　BT用　変数指定用ルーチン ;　（グローバル変数　3500〜4000を使用可能） ; (非グローバル変数　2300〜2499） ;************************************************* *BT_DEF ;音楽室用 ; ＢＧＭモード、変数エリアの宣言(変数３６００、３７００、３８００番台使用） numalias bgmm,50 ;配列番号の指定 numalias bm_n,0 ;曲名 numalias bm_t,1 ;曲の時間指定（ミリ秒） numalias bm_c,2 ;曲の割り当て番号（チャンネル） numalias bm_r,3 ;ランダムモード用、チェック変数 numalias bm_k,4 ;怖い曲かどうかのチェック用変数 numalias bm_pa,5 ;ファイルパスを入力した変数番号を入力 ;numalias bgm_max,28 ;曲数 dim ?bgmm[200][10] mov %0,3700 numalias bm_m,%0 : inc %0 ;演奏モードの保持(0は一曲、１は順次、２はランダム、１０以上は特殊な切替） numalias bm_one,0 numalias bm_junnji,1 numalias bm_rnd,2 numalias bm_p,%0 : inc %0 ;演奏曲の曲番保持 numalias bm_pt,%0 : inc %0 ;演奏中の時間保持 numalias bm_pt2,%0 : inc %0 ;演奏中の時間保持 numalias bm_rnd_kazu,%0 : inc %0 ;ランダムモード用、演奏曲数 numalias bm_rpi,%0 : inc %0 ;リピートのオン、オフ numalias bm_stop,%0 : inc %0 ;演奏のオン、オフ numalias bgm_max1,%0 : inc %0 ;BGMの曲数 numalias bgm_max2,%0 : inc %0 ;アンビエントが始まる番号 numalias bgm_furagu,%0 : inc %0 ;bgmモード、フラグ numalias bgm_kowai_skip,%0 : inc %0 ;bgmモード、怖い曲をスキップするかどうかのチェック numalias bgm_mood_kaijo,%0 : inc %0 ;BGMモード解除フラグ（１で解除） numalias bgm_mood_1min,%0 : inc %0 ;1分モードのフラグ numalias bgm_mood_demo,%0 : inc %0 ;デモモードのフラグ numalias bgm_mood_demo_kaisuu,%0 : inc %0 ;デモモード、オープニングを一定回数毎に再生する為のチェック変数 numalias bgm_mood_turu_pettan_no,%0 : inc %0 ;ツルペッタンの曲番号 numalias bgm_mood_op_no,%0 : inc %0 ;OPムービーの番号（デモモードで使用） numalias bgm_mood_op2_no,%0 : inc %0 ;OPムービー２の番号（デモモードで使用） numalias bgm_mood_op3_no,%0 : inc %0 ;OPムービー３の番号（デモモードで使用） numalias bgm_mood_ed_no,%0 : inc %0 ;EDの番号（デモモードで使用） numalias bgm_mood_me1_no,%0 : inc %0 ;ME1 numalias bgm_mood_me1_btn_no,%0 : inc %0 ;ME1 numalias bgm_mood_me2_no,%0 : inc %0 ;ME2 numalias bgm_mood_me2_btn_no,%0 : inc %0 ;ME2 numalias bgm_mood_file_path_flg,%0 : inc %0 ;ファイルパスを取得するフラグ numalias bgm_mood_sha_hoe_flg,%0 : inc %0 ;１だと紗音がほえ〜するようになる。 numalias bgm_mood_tyokuzenn_op_fede_skip,%0 : inc %0 ;直前がＯＰだったかどうかを判断するフラグ変数。 numalias bgm_mood_demo_zennkai_nagasita_op,%0 : inc %0 ;直前のＯＰがどれだったかを判断するフラグ変数。 numalias bgm_mood_page,%0 : inc %0 ;曲一覧ページ数。 numalias UMINEKOEND_MUSIC_FLG,%0 : inc %0 ;音楽室追加告知フラグ ;システムボタン用割付 mov %1,154 numalias bgm_btn_ennsou,%1 : inc %1 ;演奏 numalias bgm_btn_stop,%1 : inc %1 ;停止 numalias bgm_btn_zennkyoku,%1 : inc %1 ;全曲演奏 numalias bgm_btn_ranndamu,%1 : inc %1 ;ランダム演奏 numalias bgm_btn_rpi,%1 : inc %1 ;繰り返し演奏 numalias bgm_btn_kowai_skip,%1 : inc %1 ;怖い曲を飛ばす numalias bgm_btn_kowai_only,%1 : inc %1 ;怖い曲だけ演奏 numalias bgm_btn_min,%1 : inc %1 ;1分モード numalias bgm_btn_demo,%1 : inc %1 ;デモモード numalias bgm_btn_title,%1 : inc %1 ;タイトルへ戻る numalias bgm_btn_next,%1 : inc %1 ;曲一覧、ネクストページ numalias bgm_btn_back,%1 : inc %1 ;曲一覧、バックページ numalias bgm_x,%1 : inc %1 ;座標指定用変数 numalias bgm_y1,%1 : inc %1 ;座標指定用変数 numalias bgm_y2,%1 : inc %1 ;座標指定用変数 numalias bgm_y3,%1 : inc %1 ;座標指定用変数 mov %1,40 numalias bgm_window_lsp,%1 : dec %1 ;ウィンドウ枠用のスプライト番号 numalias bgm_btn_ennsou_lsp,%1 : dec %1 ;演奏 numalias bgm_ennsou_lsp,%1 : dec %1 ;演奏 numalias bgm_btn_zennkyoku_lsp,%1 : dec %1 ;全曲演奏 numalias bgm_zennkyoku_lsp,%1 : dec %1 ;全曲演奏 numalias bgm_btn_ranndamu_lsp,%1 : dec %1 ;ランダム演奏 numalias bgm_ranndamu_lsp,%1 : dec %1 ;ランダム演奏 numalias bgm_btn_stop_lsp,%1 : dec %1 ;停止 numalias bgm_btn_rpi_lsp,%1 : dec %1 ;繰り返し演奏 numalias bgm_rpi_lsp,%1 : dec %1 ;繰り返し演奏 numalias bgm_btn_min_lsp,%1 : dec %1 ;1分モード numalias bgm_min_lsp,%1 : dec %1 ;1分モード numalias bgm_btn_demo_lsp,%1 : dec %1 ;デモモード numalias bgm_demo_lsp,%1 : dec %1 ;デモモード numalias bgm_btn_kowai_skip_lsp,%1 : dec %1 ;怖い曲を飛ばす numalias bgm_kowai_skip_lsp,%1 : dec %1 ;怖い曲を飛ばす numalias bgm_btn_kowai_only_lsp,%1 : dec %1 ;怖い曲だけ演奏 numalias bgm_kowai_only_lsp,%1 : dec %1 ;怖い曲だけ演奏 numalias bgm_btn_title_lsp,%1 : dec %1 ;タイトルへ戻る numalias bgm_btn_next_lsp,%1 : dec %1 ;曲一覧、ネクストページ numalias bgm_btn_back_lsp,%1 : dec %1 ;曲一覧、バックページ ;曲情報表示用スプライト numalias bgm_title_lsp,%1 : dec %1 ;タイトル名 numalias bgm_sakka_lsp,%1 : dec %1 ;作家名 numalias bgm_time_lsp,%1 : dec %1 ;曲の長さ ;----------------------------------------------------------- ;時計処理用 mov %0,3900 numalias tmp,%0 : inc %0 ;作業用変数 numalias tmp1,%0 : inc %0 ;作業用変数 numalias tmp2,%0 : inc %0 ;作業用変数 numalias tmp3,%0 : inc %0 ;作業用変数 numalias tmp4,%0 : inc %0 ;作業用変数 numalias tmp5,%0 : inc %0 ;作業用変数 numalias tmp6,%0 : inc %0 ;作業用変数 numalias tmp7,%0 : inc %0 ;作業用変数 numalias tmp8,%0 : inc %0 ;作業用変数 numalias tmp9,%0 : inc %0 ;作業用変数 numalias tmp10,%0 : inc %0 ;作業用変数 numalias tmp11,%0 : inc %0 ;作業用変数 numalias tmp12,%0 : inc %0 ;作業用変数 numalias tmp13,%0 : inc %0 ;作業用変数 numalias tmp14,%0 : inc %0 ;作業用変数 numalias tmp15,%0 : inc %0 ;作業用変数 numalias ran,%0 : inc %0 ;作業用変数 numalias ran1,%0 : inc %0 ;作業用変数 numalias ran2,%0 : inc %0 ;作業用変数 numalias ran3,%0 : inc %0 ;作業用変数 numalias ran4,%0 : inc %0 ;作業用変数 numalias ran5,%0 : inc %0 ;作業用変数 numalias meta_tmp1,%0 : inc %0 ;メタ視処理用_作業用変数 numalias meta_tmp2,%0 : inc %0 ;メタ視処理用_作業用変数 numalias meta_tmp3,%0 : inc %0 ;メタ視処理用_作業用変数 numalias meta_tmp4,%0 : inc %0 ;メタ視処理用_作業用変数 numalias meta_tmp5,%0 : inc %0 ;メタ視処理用_作業用変数 numalias meta_tmp6,%0 : inc %0 ;メタ視処理用_作業用変数 numalias meta_tmp7,%0 : inc %0 ;メタ視処理用_作業用変数 numalias meta_tmp8,%0 : inc %0 ;メタ視処理用_作業用変数 numalias efe_spd1,%0 : inc %0 ;エフェクトスピード用変数 numalias efe_spd2,%0 : inc %0 ;エフェクトスピード用変数 numalias debag_save_no,%0 : inc %0 ;デバッグ用セーブ変数 numalias debag_save_count,%0 : inc %0 ;カウント mov %debag_save_count,0 numalias debag_load_no,%0 : inc %0 ;デバッグロード用の変数を保持 numalias msp_l,883 ;メタ世界、左立ち絵スプライト番号 numalias msp_c,884 ;メタ世界、真ん中立ち絵スプライト番号 numalias msp_r,885 ;メタ世界、右立ち絵スプライト番号 numalias msp_bg,886 ;メタ世界、背景スプライト番号 numalias msp_hana_d,887 ;メタ世界、華模様下　スプライト番号 numalias msp_hana_u,888 ;メタ世界、華模様上　スプライト番号 numalias msp_kuro,889 ;メタ世界、黒幕　スプライト番号 numalias x_get_tmp1,%0 : inc %0 ;作業用変数 numalias x_get_tmp2,%0 : inc %0 ;作業用変数 numalias x_get_tmp3,%0 : inc %0 ;作業用変数 numalias x_get_tmp4,%0 : inc %0 ;作業用変数 numalias x_get_tmp5,%0 : inc %0 ;作業用変数 numalias fry_tmp1,%0 : inc %0 ;バタフライ処理用_作業用変数 numalias fry_tmp2,%0 : inc %0 numalias l,1 ;メタ視処理用_作業用変数 numalias c,2 ;メタ視処理用_作業用変数 ;numalias r,3 ;メタ視処理用_作業用変数 numalias a,4 ;メタ視処理用_作業用変数 stralias white,"white" ;メタ視処理用_作業用変数 stralias black,"black" ;メタ視処理用_作業用変数 ;時計用の変数指定ルーチン numalias clock_moto_h,%0 : inc %0 ;進む前の　時 numalias clock_moto_m,%0 : inc %0 ;進む前の　分 numalias clock_h,%0 : inc %0 ;現在の時 numalias clock_m,%0 : inc %0 ;現在の分 ;日をまたぐ時の処理、元々の進む時間をここに代入する。 numalias clock_tmp_h,%0 : inc %0 numalias clock_tmp_m,%0 : inc %0 ;１回の処理あたりに進む角度 numalias clock_kakudo_h,%0 : inc %0 numalias clock_kakudo_m,%0 : inc %0 numalias clock_x,%0 : inc %0 ;時計の針、中心座標Ｘ numalias clock_y,%0 : inc %0 ;時計の針、中心座標Ｙ numalias clock_kakudai,%0 : inc %0 ;時計の拡大率 numalias clock_reverse,%0 : inc %0 ;時計の進む方向、0は順方向、1は逆方向 numalias clock_iti_flg,%0 : inc %0 ;時計の位置確認、テストルーチンフラグ ;作業用 numalias tmp_h,%0 : inc %0 ;短針表示角度等 numalias tmp_m,%0 : inc %0 ;長針表示角度等 numalias tmp_sub,%0 : inc %0 ;元の時間と進む時間との差分（分数） numalias clock_lsp,100 ;時計表示用スプライト番号 numalias clock_h_lsp,99 ;時計表示用スプライト番号 numalias clock_m_lsp,98 ;時計表示用スプライト番号 numalias clock_c_lsp,97 ;時計表示用スプライト番号 ;時計の進む速さ（基本は１分　1000ミリ秒？　倍数を入力） numalias clock_speed,%0 : inc %0 ;画像パス stralias clock,":a;bmp\clock\clock.bmp" ;時計 stralias clock_h,":a;bmp\clock\clock_h.bmp" ;時計_短針 stralias clock_m,":a;bmp\clock\clock_m.bmp" ;時計_長針 stralias clock_c,":a;bmp\clock\clock_c.bmp" ;時計_中心 ;SEへのパス stralias clock_kane,"bmp\clock\kane.wav" ;時計_鐘 stralias clock_byou,"bmp\clock\byou.wav" ;時計_短針 ;黒と白のエフェクト stralias r_black,":c;bmp\r_click\black.bmp" stralias r_white,":c;bmp\r_click\white.bmp" numalias debagu,%0 : inc %0 ;デバック用変数 ;タイトル画面表示関連 numalias title_skip,%0 : inc %0 numalias UMINEKOEND_FLG,%0 : inc %0 ;新要素追加の告知、チェック変数 numalias UMINEKOEND_TIPS_FLG,%0 : inc %0 ;Tips新要素追加告知、チェック変数 ;---------------------------------- ;右クリックシステム用変数宣言 ;システムボタン ;tipsボタンのパスの入力（1シナリオ1番目のtipsは　tips1_1.bmp　と表記） ;ep1 stralias r_tips_1_1,":a/2,0,3;bmp\r_click\tips_btn\tips1_1.bmp" stralias r_tips_1_2,":a/2,0,3;bmp\r_click\tips_btn\tips1_2.bmp" stralias r_tips_1_3,":a/2,0,3;bmp\r_click\tips_btn\tips1_3.bmp" stralias r_tips_1_4,":a/2,0,3;bmp\r_click\tips_btn\tips1_4.bmp" stralias r_tips_1_5,":a/2,0,3;bmp\r_click\tips_btn\tips1_5.bmp" stralias r_tips_1_6,":a/2,0,3;bmp\r_click\tips_btn\tips1_6.bmp" stralias r_tips_1_7,":a/2,0,3;bmp\r_click\tips_btn\tips1_7.bmp" ;Grmoir stralias r_grim1,":a/2,0,3;bmp\r_click\notes_btn\notes_1.bmp" stralias r_grim2,":a/2,0,3;bmp\r_click\notes_btn\notes_2.bmp" stralias r_grim3,":a/2,0,3;bmp\r_click\notes_btn\notes_3.bmp" stralias r_grim4,":a/2,0,3;bmp\r_click\notes_btn\notes_4.bmp" stralias r_grim5,":a/2,0,3;bmp\r_click\notes_btn\notes_5.bmp" stralias r_grim6,":a/2,0,3;bmp\r_click\notes_btn\notes_6.bmp" stralias r_grim7,":a/2,0,3;bmp\r_click\notes_btn\notes_7.bmp" stralias r_grim8,":a/2,0,3;bmp\r_click\notes_btn\notes_8.bmp" stralias r_grim9,":a/2,0,3;bmp\r_click\notes_btn\notes_9.bmp" stralias r_grim10,":a/2,0,3;bmp\r_click\notes_btn\notes_10.bmp" stralias r_grim11,":a/2,0,3;bmp\r_click\notes_btn\notes_11.bmp" stralias r_grim12,":a/2,0,3;bmp\r_click\notes_btn\notes_12.bmp" stralias r_grim13,":a/2,0,3;bmp\r_click\notes_btn\notes_13.bmp" stralias r_grim14,":a/2,0,3;bmp\r_click\notes_btn\notes_14.bmp" ;ep2 stralias r_tips_2_1,":a/2,0,3;bmp\r_click\tips_btn\tips2_1.bmp" stralias r_tips_2_2,":a/2,0,3;bmp\r_click\tips_btn\tips2_2.bmp" stralias r_tips_2_3,":a/2,0,3;bmp\r_click\tips_btn\tips2_3.bmp" stralias r_tips_2_4,":a/2,0,3;bmp\r_click\tips_btn\tips2_4.bmp" stralias r_tips_2_5,":a/2,0,3;bmp\r_click\tips_btn\tips2_5.bmp" stralias r_tips_2_6,":a/2,0,3;bmp\r_click\tips_btn\tips2_6.bmp" stralias r_tips_2_7,":a/2,0,3;bmp\r_click\tips_btn\tips2_7.bmp" ;ep3 stralias r_tips_3_1,":a/2,0,3;bmp\r_click\tips_btn\tips3_1.bmp" stralias r_tips_3_2,":a/2,0,3;bmp\r_click\tips_btn\tips3_2.bmp" stralias r_tips_3_3,":a/2,0,3;bmp\r_click\tips_btn\tips3_3.bmp" stralias r_tips_3_4,":a/2,0,3;bmp\r_click\tips_btn\tips3_4.bmp" stralias r_tips_3_5,":a/2,0,3;bmp\r_click\tips_btn\tips3_5.bmp" stralias r_tips_3_6,":a/2,0,3;bmp\r_click\tips_btn\tips3_6.bmp" stralias r_tips_3_7,":a/2,0,3;bmp\r_click\tips_btn\tips3_7.bmp" ;ep4 stralias r_tips_4_1,":a/2,0,3;bmp\r_click\tips_btn\tips4_1.bmp" stralias r_tips_4_2,":a/2,0,3;bmp\r_click\tips_btn\tips4_2.bmp" stralias r_tips_4_3,":a/2,0,3;bmp\r_click\tips_btn\tips4_3.bmp" stralias r_tips_4_4,":a/2,0,3;bmp\r_click\tips_btn\tips4_4.bmp" stralias r_tips_4_5,":a/2,0,3;bmp\r_click\tips_btn\tips4_5.bmp" stralias r_tips_4_6,":a/2,0,3;bmp\r_click\tips_btn\tips4_6.bmp" stralias r_tips_4_7,":a/2,0,3;bmp\r_click\tips_btn\tips4_7.bmp" ;tips、ページ送りボタンのパス入力 stralias tips_next,":c/2,0,3;bmp\r_click\tips_btn\tips_next.bmp" stralias tips_back,":c/2,0,3;bmp\r_click\tips_btn\tips_back.bmp" ;タイトルバック、確認メッセージ用 stralias title_back_yes,":a/2,0,3;bmp\r_click\sys_btn\yes.bmp" stralias title_back_no,":a/2,0,3;bmp\r_click\sys_btn\no.bmp" stralias title_back_bg,":c/2,0,3;bmp\r_click\sys_btn\title_bg.bmp" numalias tips,60 ;ティップス用の配列を設定 dim ?tips[10][5] ;一次元はティップス番号　二次元は各種フラグなど mov %0,0 numalias tips_page_max,%0 : inc %0 ;そのtipsのページ数 numalias tips_flg,%0 : inc %0 ;tipsを手に入れたかどうかのチェック変数 numalias grim,62 dim ?grim[15][5] ;一次元はティップス番号　二次元は各種フラグなど mov %0,0 numalias grim_page_max,%0 : inc %0 ;そのtipsのページ数 numalias grim_flg,%0 : inc %0 ;tipsを手に入れたかどうかのチェック変数 mov %0,100 numalias title_back_yes_lsp,%0 : inc %0 numalias title_back_no_lsp,%0 : inc %0 numalias title_back_bg_lsp,%0 : inc %0 numalias tips1_lsp,%0 : inc %0 numalias tips2_lsp,%0 : inc %0 numalias tips3_lsp,%0 : inc %0 numalias tips4_lsp,%0 : inc %0 numalias tips5_lsp,%0 : inc %0 numalias tips6_lsp,%0 : inc %0 numalias tips7_lsp,%0 : inc %0 numalias grim1_lsp,%0 : inc %0 numalias grim2_lsp,%0 : inc %0 numalias grim3_lsp,%0 : inc %0 numalias grim4_lsp,%0 : inc %0 numalias grim5_lsp,%0 : inc %0 numalias grim6_lsp,%0 : inc %0 numalias grim7_lsp,%0 : inc %0 numalias grim8_lsp,%0 : inc %0 numalias grim9_lsp,%0 : inc %0 numalias grim10_lsp,%0 : inc %0 numalias grim11_lsp,%0 : inc %0 numalias grim12_lsp,%0 : inc %0 numalias grim13_lsp,%0 : inc %0 numalias grim14_lsp,%0 : inc %0 numalias grim_next_lsp,%0 : inc %0 numalias grim_back_lsp,%0 : inc %0 numalias tips_next_lsp,%0 : inc %0 numalias tips_back_lsp,%0 : inc %0 numalias cha_page_mode,%0 : inc %0 numalias cha_text_page,%0 : inc %0 ;現在表示しているキャラテキストページ numalias cha_next_lsp,%0 : inc %0 numalias cha_back_lsp,%0 : inc %0 numalias cha_page_flg,%0 : inc %0 ;システムボタンのパスの入力 stralias r_char,":a/2,0,3;bmp\r_click\sys_btn\cha.bmp" ;キャラクター一覧表示 stralias r_tips,":a/2,0,3;bmp\r_click\sys_btn\tips.bmp" ;Tipsの一覧表示 stralias r_save,":a/2,0,3;bmp\r_click\sys_btn\save.bmp" ;セーブ＆ロード stralias r_load,":a/2,0,3;bmp\r_click\sys_btn\load.bmp" ;セーブ＆ロード stralias r_blog,":a/2,0,3;bmp\r_click\sys_btn\log.bmp" ;バックログ stralias r_exec,":a/2,0,3;bmp\r_click\sys_btn\execute.bmp" ;死亡 stralias r_grim,":a/2,0,3;bmp\r_click\sys_btn\grimoire_btn.bmp" ;死亡 stralias r_resu,":a/2,0,3;bmp\r_click\sys_btn\resur.bmp" ;復活 stralias r_title,":a/2,0,3;bmp\r_click\sys_btn\title.bmp" ;ウィンドクリアー stralias r_exit,":a/2,0,3;bmp\r_click\sys_btn\exit.bmp" stralias r_next,":a/2,0,3;bmp\r_click\sys_btn\cha_next.bmp" ;キャラ一覧_切替 stralias r_change,":c/2,0,3;bmp\r_click\sys_btn\change.bmp" ;衣装切替ボタン stralias r_ep1,":c/2,0,3;bmp\r_click\sys_btn\ep1.bmp" ;ep1のTipsへ stralias r_ep2,":c/2,0,3;bmp\r_click\sys_btn\ep2.bmp" ;ep2のTipsへ stralias r_ep3,":c/2,0,3;bmp\r_click\sys_btn\ep3.bmp" ;ep3のTipsへ stralias r_ep4,":c/2,0,3;bmp\r_click\sys_btn\ep4.bmp" ;ep4のTipsへ numalias r_char_lsp,%0 : inc %0 numalias r_tips_lsp,%0 : inc %0 numalias r_grim_lsp,%0 : inc %0 numalias r_save_lsp,%0 : inc %0 numalias r_load_lsp,%0 : inc %0 numalias r_blog_lsp,%0 : inc %0 numalias r_exec_lsp,%0 : inc %0 numalias r_resu_lsp,%0 : inc %0 numalias r_title_lsp,%0 : inc %0 numalias r_exit_lsp,%0 : inc %0 numalias r_next_lsp,%0 : inc %0 numalias r_change_lsp,%0 : inc %0 numalias r_ep1_lsp,%0 : inc %0 numalias r_ep2_lsp,%0 : inc %0 numalias r_ep3_lsp,%0 : inc %0 numalias r_ep4_lsp,%0 : inc %0 ;キャラ一覧のボタン用スプライト番号 mov %tmp10,%0 ;魔女空間とでスプライト番号を共用する。 numalias kin_btn_lsp,%0 : inc %0 numalias kla_btn_lsp,%0 : inc %0 numalias nat_btn_lsp,%0 : inc %0 numalias jes_btn_lsp,%0 : inc %0 numalias eva_btn_lsp,%0 : inc %0 numalias hid_btn_lsp,%0 : inc %0 numalias geo_btn_lsp,%0 : inc %0 numalias rud_btn_lsp,%0 : inc %0 numalias kir_btn_lsp,%0 : inc %0 numalias but_btn_lsp,%0 : inc %0 numalias ros_btn_lsp,%0 : inc %0 numalias mar_btn_lsp,%0 : inc %0 numalias nan_btn_lsp,%0 : inc %0 numalias gen_btn_lsp,%0 : inc %0 numalias kum_btn_lsp,%0 : inc %0 numalias goh_btn_lsp,%0 : inc %0 numalias sha_btn_lsp,%0 : inc %0 numalias kan_btn_lsp,%0 : inc %0 numalias bea_btn_lsp,%0 : inc %0 numalias ber_btn_lsp,%0 : inc %0 numalias lam_btn_lsp,%0 : inc %0 numalias enj_btn_lsp,%0 : inc %0 mov %tmp11,%0 mov %0,%tmp10 numalias ma_bea_btn_lsp,%0 : inc %0 numalias ma_ber_btn_lsp,%0 : inc %0 numalias ma_lam_btn_lsp,%0 : inc %0 numalias ma_rg_btn_lsp,%0 : inc %0 numalias ma_kin_btn_lsp,%0 : inc %0 numalias ma_gen_btn_lsp,%0 : inc %0 numalias ma_sha_btn_lsp,%0 : inc %0 numalias ma_kan_btn_lsp,%0 : inc %0 numalias ma_mar_btn_lsp,%0 : inc %0 numalias ma_but_btn_lsp,%0 : inc %0 mov %0,%tmp10 numalias ma3_bea_btn_lsp,%0 : inc %0 numalias ma3_ber_btn_lsp,%0 : inc %0 numalias ma3_lam_btn_lsp,%0 : inc %0 numalias ma3_rg_btn_lsp,%0 : inc %0 numalias ma3_goa_btn_lsp,%0 : inc %0 numalias ma3_wal_btn_lsp,%0 : inc %0 numalias ma3_ron_btn_lsp,%0 : inc %0 numalias ma3_ev2_btn_lsp,%0 : inc %0 numalias ma3_enj_btn_lsp,%0 : inc %0 numalias ma3_s_btn_lsp,%0 : inc %0 mov %0,%tmp10 numalias ma4_lam_btn_lsp,%0 : inc %0 numalias ma4_ber_btn_lsp,%0 : inc %0 numalias ma4_bea_btn_lsp,%0 : inc %0 numalias ma4_mar_btn_lsp,%0 : inc %0 numalias ma4_enj_btn_lsp,%0 : inc %0 numalias ma4_kin_btn_lsp,%0 : inc %0 numalias ma4_sak_btn_lsp,%0 : inc %0 numalias ma4_wal_btn_lsp,%0 : inc %0 numalias ma4_ron_btn_lsp,%0 : inc %0 numalias ma4_gap_btn_lsp,%0 : inc %0 numalias ma4_s_btn_lsp,%0 : inc %0 numalias ma4_rg_btn_lsp,%0 : inc %0 numalias ma4_goa_btn_lsp,%0 : inc %0 mov %0,%tmp10 numalias enj_eva_btn_lsp,%0 : inc %0 numalias enj_oko_btn_lsp,%0 : inc %0 numalias enj_kas_btn_lsp,%0 : inc %0 numalias enj_enj_btn_lsp,%0 : inc %0 numalias enj_ama_btn_lsp,%0 : inc %0 numalias enj_sak_btn_lsp,%0 : inc %0 numalias enj_mar_btn_lsp,%0 : inc %0 numalias enj_rg_btn_lsp,%0 : inc %0 numalias enj_pro_btn_lsp,%0 : inc %0 numalias enj_mas_btn_lsp,%0 : inc %0 numalias enj_sab_btn_lsp,%0 : inc %0 numalias enj_kwa_btn_lsp,%0 : inc %0 numalias enj_ber_btn_lsp,%0 : inc %0 mov %0,%tmp11 numalias r_cha_txt_lsp,%0 : inc %0 ;キャラコメントテキスト用 ;立ち絵用、スプライト番号 numalias cha_lsp,%0 : inc %0 ;飾り背景 stralias r_hana,":a;bmp\r_click\hana_back.bmp" ;右下、花模様 ;stralias r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" ;キャラ一覧表示の黒背景 stralias r_tips1_back,":c;bmp\r_click\tips_btn\tips1_back.bmp" ;tips用黒背景 numalias r_tips_txt_lsp,%0 : inc %0 numalias r_grim_txt_lsp,%0 : inc %0 numalias r_hana_lsp,%0 : inc %0 numalias r_txt_lsp,%0 : inc %0 numalias r_cha_back_lsp,%0 : inc %0 numalias r_cha_back,%0 : inc %0 ;キャラ一覧表示、背景画像へのパス numalias r_tips1_back_lsp,%0 : inc %0 ;右クリック入る前のボタンメニュー表示用 numalias r_system_lsp,%0 : inc %0 numalias r_clear_lsp,%0 : inc %0 numalias r_used_lsp,%0 ;何番までスプライトを使用したかを保持する（背景画像は除く、保持しない） numalias r_black_lsp,%0 : inc %0 ;明るさを落す処理 numalias r_bg_lsp,%0 ;背景用スプライト番号 ;キャラの状態、管理変数 numalias r,61 dim ?r[30][15] numalias r_cha_text,63 dim ?r_cha_text[8][50][5] mov %1,6 ;0〜5までは状態をいれる為の変数 numalias tati_x,%1 : inc %1 ;立ち絵の表示位置、Ｘ座標 numalias itiran_x,%1 : inc %1 ;一覧表示アイコン位置、Ｘ座標 numalias itiran_y,%1 : inc %1 ;一覧表示アイコン位置、Ｙ座標 numalias condition,%1 : inc %1 ;キャラの状態 numalias condition_end,%1 : inc %1 ;キャラのコンディションの末端数（０から始るので実質+1） numalias r_ishou,%1 : inc %1 ;キャラの衣装フラグ（0〜） ;numalias coment,%1 : inc %1 ;表示コメント ;システム用変数 mov %0,2300 ;------------------------ ;右クリック関連 numalias clear_flg,%0 : inc %0 ;シナリオクリアのフラグ（後で変更する可能性大） numalias r_for_title,%0 : inc %0 ;タイトルメニューから入って来たかどうかを判断 numalias r_hyouji,%0 : inc %0 ;メニュー表示（０はキャラ一覧、１はtips）2 is grm numalias r_tea_bea,%0 : inc %0 ;表お茶会用のフラグ numalias r_u_tea_flg,%0 : inc %0 ;Uお茶フラグ numalias r_ber_flg,%0 : inc %0 ;Uお茶、Ber登場フラグ numalias r_hyouji_cha,%0 : inc %0 ;表示キャラをキャラ番号で保持 numalias r_hyouji_cha_ma,%0 : inc %0 ;表示キャラをキャラ番号で保持（魔女サイド） numalias r_hyouji_cha_enj,%0 : inc %0 ;表示キャラをキャラ番号で保持（縁寿編） numalias r_hyouji_grim,%0 : inc %0 numalias r_grim_txt_path,%0 : inc %0;チップステキスト文画像へのパス numalias r_hyouji_tips,%0 : inc %0 ;表示tips番号を保持 numalias r_txt_path,%0 : inc %0 ;テキスト文画像へのパス numalias r_tips_txt_path,%0 : inc %0 ;チップステキスト文画像へのパス numalias r_cha_tati_path,%0 : inc %0 ;表示キャラ、キャラの画像パス numalias r_bg_path,%0 : inc %0 ;背景画像のパス numalias tips_page,%0 : inc %0 ;各Tipsの表示ページ数を記録 numalias tips_kazu,%0 : inc %0 ;各Tipsの数を記録 numalias grim_page,0 numalias grim_kazu,0 ;エピソード２よりの追加変数 numalias play_ep,%0 : inc %0 ;プレイ中のエピソードの番号を保持 numalias play_scene,%0 : inc %0 ;シーン番号の保持、シーンに応じて右クリックのメニューを変更する。 mov %play_scene,0 numalias r_side,%0 : inc %0 ;表示サイドのチェック（0、人間、１、魔女） numalias r_side_change,%0 : inc %0 ;表示サイドの切替チェック、表示切替の処理を入れる。 mov %r_side_change,0 numalias r_hyouji_side,%0 : inc %0 ;表示サイドの保持（0人間　１魔女　２縁寿編） mov %r_hyouji_side,0 numalias grim_scene,%0 : inc %0 ;stores the scene number for the grimoire mov %grim_scene,0 numalias scene_tea,200 ;シーン定数（表お茶会） numalias scene_back_tea,300 ;シーン定数（裏お茶会） ;キャラ一覧用変数（主に文字変数にパスを入力） numalias kin_btn,%0 : inc %0 numalias kla_btn,%0 : inc %0 numalias nat_btn,%0 : inc %0 numalias jes_btn,%0 : inc %0 numalias eva_btn,%0 : inc %0 numalias hid_btn,%0 : inc %0 numalias geo_btn,%0 : inc %0 numalias rud_btn,%0 : inc %0 numalias kir_btn,%0 : inc %0 numalias but_btn,%0 : inc %0 numalias ros_btn,%0 : inc %0 numalias mar_btn,%0 : inc %0 numalias nan_btn,%0 : inc %0 numalias gen_btn,%0 : inc %0 numalias kum_btn,%0 : inc %0 numalias goh_btn,%0 : inc %0 numalias sha_btn,%0 : inc %0 numalias kan_btn,%0 : inc %0 numalias bea_btn,%0 : inc %0 numalias ber_btn,%0 : inc %0 numalias lam_btn,%0 : inc %0 numalias enj_btn,%0 : inc %0 numalias rg_btn,%0 : inc %0 ;キャラの総数 numalias cha_kazu,20 ;EP2　キャラの総数 numalias cha_kazu_ep2,21 ;EP3　キャラの総数 numalias cha_kazu_ep3,22 ;EP4　人間サイド_キャラの総数 numalias cha_kazu_ep4,22 ;人間と魔女サイドの切替 numalias r_ma_side,%0 : inc %0 ;人間と魔女サイドの切替 ;-------------------- ;ＥＰ２_魔女サイドは別途変数を入れていく ;ラムダ（仮） mov %1,1 numalias ma_bea,%1 : inc %1 numalias ma_ber,%1 : inc %1 numalias ma_lam,%1 : inc %1 numalias ma_rg,%1 : inc %1 numalias ma_kin,%1 : inc %1 numalias ma_gen,%1 : inc %1 numalias ma_sha,%1 : inc %1 numalias ma_kan,%1 : inc %1 numalias ma_mar,%1 : inc %1 numalias ma_but,%1 ;EP2　魔女サイド　キャラの総数 numalias cha_kazu_ep2_2,%1 ;-------------------- numalias r_ma_side_ep3,%0 : inc %0 ;人間と魔女サイドの切替 ;魔女サイドは別途変数を入れていく（EP3用） ;魔女サイドは別途変数を入れていく mov %1,1 numalias ma3_bea,%1 : inc %1 numalias ma3_ber,%1 : inc %1 numalias ma3_lam,%1 : inc %1 numalias ma3_rg,%1 : inc %1 numalias ma3_goa,%1 : inc %1 numalias ma3_wal,%1 : inc %1 numalias ma3_ron,%1 : inc %1 numalias ma3_ev2,%1 : inc %1 numalias ma3_enj,%1 : inc %1 numalias ma3_s,%1 ;EP3　魔女サイド　キャラの総数 numalias cha_kazu_ep3_2,%1 ;-------------------- numalias r_ma_side_ep4,%0 : inc %0 ;人間と魔女サイドの切替 numalias r_s_hyouji,%0 : inc %0 ;表示シエスタを保持する変数 numalias r_s556_flg,%0 : inc %0 ;シエスタ５５６、状態変化フラグ mov %r_s556_flg,0 ;魔女サイドは別途変数を入れていく（EP4用） ;魔女サイドは別途変数を入れていく mov %1,1 numalias ma4_lam,%1 : inc %1 numalias ma4_ber,%1 : inc %1 numalias ma4_bea,%1 : inc %1 numalias ma4_mar,%1 : inc %1 numalias ma4_enj,%1 : inc %1 numalias ma4_kin,%1 : inc %1 numalias ma4_sak,%1 : inc %1 numalias ma4_wal,%1 : inc %1 numalias ma4_ron,%1 : inc %1 numalias ma4_gap,%1 : inc %1 numalias ma4_s,%1 : inc %1 numalias ma4_rg,%1 : inc %1 numalias ma4_goa,%1 ;EP4　魔女サイド　キャラの総数 numalias cha_kazu_ep4_2,%1 ;-------------------- ;縁寿編（1998年編は別途変数を入れていく（EP4用）） numalias r_enj_side_ep4,%0 : inc %0 mov %1,1 numalias enj_eva,%1 : inc %1 numalias enj_oko,%1 : inc %1 numalias enj_kas,%1 : inc %1 numalias enj_enj,%1 : inc %1 numalias enj_ama,%1 : inc %1 numalias enj_sak,%1 : inc %1 numalias enj_mar,%1 : inc %1 numalias enj_rg,%1 : inc %1 numalias enj_pro,%1 : inc %1 numalias enj_mas,%1 : inc %1 numalias enj_sab,%1 : inc %1 numalias enj_kwa,%1 : inc %1 numalias enj_ber,%1 ;キャラの総数 numalias cha_kazu_ep4_3,%1 ;-------------------- ;右クリックシステム、上余白 numalias r_top_y,30 ;右クリックシステムボタン、Ｙ座標（上余白＋２２８ピクセル） mov %tmp,r_top_y : add %tmp,228 numalias r_menu_top_y,%tmp ;------------------------ ;---------------------------------------- ;セーブロードシステム用 ;mov %0,100 ;numalias b_save,%0 : inc %0 ;numalias b_load,%0 : inc %0 ;numalias b_rmenu_btn_Exit,%0 : inc %0 numalias load_for_title,%0 : inc %0 ;タイトルからロードに入ったかのチェック mov %load_for_title,0 numalias black_toukaritu,150 ;黒幕透過率 numalias debag_save_flg,%0 : inc %0 ;自動セーブ用のフラグ変数（デフォは０にする） ;---------------------------------------- ;タイトル画面ようスプライト番号 mov %0,100 numalias t_bg_lsp,%0 : dec %0 ;100 numalias t_hane_lsp,%0 : dec %0 ;99 numalias t_logo_lsp,%0 : dec %0 ;98 numalias t_btn_start_lsp,%0 : dec %0 ;97 numalias t_btn_web_lsp,%0 : dec %0 ;96 numalias t_btn_exit_lsp,%0 : dec %0 ;95 numalias t_btn_tea_lsp,%0 : dec %0 ;94 numalias t_btn_tips_lsp,%0 : dec %0 ;93 numalias t_btn_music_lsp,%0 : dec %0 ;92 numalias t_btn_ura_tea_lsp,%0 : dec %0 ;91 numalias t_btn_load_lsp,%0 : dec %0 ;90 numalias t_txt_bg_lsp,%0 : dec %0 ;89 dec %0 ;88 numalias t_txt_load_lsp,%0 : dec %0 ;87 numalias t_txt_web_lsp,%0 : dec %0 ;86 numalias t_txt_tea_lsp,%0 : dec %0 ;85 numalias t_txt_tips_lsp,%0 : dec %0 ;84 numalias t_txt_music_lsp,%0 : dec %0 ;83 numalias t_txt_start_lsp,%0 : dec %0 ;82 numalias t_txt_exit_lsp,%0 : dec %0 ;81 numalias t_txt_ura_tea_lsp,%0 : dec %0 ;80 dec %0 numalias t_txt_lock_lsp,%0 : dec %0 ;78 numalias t_txt_unlock_lsp,%0 : dec %0 ;77 mov %0,70 numalias t_btn_ep1_lsp,%0 : dec %0 ;70 numalias t_btn_ep2_lsp,%0 : dec %0 ;69 numalias t_btn_ep3_lsp,%0 : dec %0 ;68 numalias t_btn_ep4_lsp,%0 : dec %0 ;67 mov %0,65 numalias t_txt_ep1_lsp,%0 : dec %0 ;65 numalias t_txt_ep2_lsp,%0 : dec %0 ;64 numalias t_txt_ep3_lsp,%0 : dec %0 ;63 numalias t_txt_ep4_lsp,%0 : dec %0 ;62 mov %0,60 numalias t_btn_ep1_lock_lsp,%0 : dec %0 ;60 numalias t_btn_ep2_lock_lsp,%0 : dec %0 ;59 numalias t_btn_ep3_lock_lsp,%0 : dec %0 ;58 numalias t_btn_ep4_lock_lsp,%0 : dec %0 ;57 mov %0,55 numalias t_btn_ep1_unlock_lsp,%0 : dec %0 ;55 numalias t_btn_ep2_unlock_lsp,%0 : dec %0 ;54 numalias t_btn_ep3_unlock_lsp,%0 : dec %0 ;53 numalias t_btn_ep4_unlock_lsp,%0 : dec %0 ;52 mov %0,50 numalias t_btn_ep1_tea_lsp,%0 : dec %0 ;50 numalias t_btn_ep2_tea_lsp,%0 : dec %0 ;49 numalias t_btn_ep3_tea_lsp,%0 : dec %0 ;48 numalias t_btn_ep4_tea_lsp,%0 : dec %0 ;47 mov %0,45 numalias t_txt_ep1_tea_lsp,%0 : dec %0 ;65 numalias t_txt_ep2_tea_lsp,%0 : dec %0 ;64 numalias t_txt_ep3_tea_lsp,%0 : dec %0 ;63 numalias t_txt_ep4_tea_lsp,%0 : dec %0 ;62 mov %0,40 numalias t_btn_ep1_tips_lsp,%0 : dec %0 ;60 numalias t_btn_ep2_tips_lsp,%0 : dec %0 ;59 numalias t_btn_ep3_tips_lsp,%0 : dec %0 ;58 numalias t_btn_ep4_tips_lsp,%0 : dec %0 ;58 mov %0,35 numalias t_txt_ep1_tips_lsp,%0 : dec %0 ;60 numalias t_txt_ep2_tips_lsp,%0 : dec %0 ;59 numalias t_txt_ep3_tips_lsp,%0 : dec %0 ;59 numalias t_txt_ep4_tips_lsp,%0 : dec %0 ;59 mov %0,30 numalias t_btn_ep1_ura_tea_lsp,%0 : dec %0 ;60 numalias t_btn_ep2_ura_tea_lsp,%0 : dec %0 ;59 numalias t_btn_ep3_ura_tea_lsp,%0 : dec %0 ;59 numalias t_btn_ep4_ura_tea_lsp,%0 : dec %0 ;59 mov %0,25 numalias t_txt_ep1_ura_tea_lsp,%0 : dec %0 ;60 numalias t_txt_ep2_ura_tea_lsp,%0 : dec %0 ;59 numalias t_txt_ep3_ura_tea_lsp,%0 : dec %0 ;59 numalias t_txt_ep4_ura_tea_lsp,%0 : dec %0 ;59 mov %0,10 numalias unlock_bg_lsp,%0 : dec %0 ;10 numalias unlock_yes_lsp,%0 : dec %0 ;9 numalias unlock_no_lsp,%0 : dec %0 ;8 ;---------------------------------------- return ;************************************************* ;************************************************* ;　ゲーム開始時、変数の初期化 ;************************************************* *bt_def2 return ;************************************************* ;************************************************* ;　EP１用、変数の初期化 ;************************************************* *bt_ep1_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu for %tmp12 = 0 to 5 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[kin][condition_end],3 ;0〜3 なので実質４となる。 mov $?r[kin][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[kin][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_l.png" mov $?r[kin][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_m.png" mov $?r[kin][3],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_d.png" mov ?r[kla][condition_end],2 mov $?r[kla][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[kla][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_l.png" mov $?r[kla][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_d.png" mov ?r[nat][condition_end],2 mov $?r[nat][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[nat][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_l.png" mov $?r[nat][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_d.png" mov ?r[jes][condition_end],2 mov $?r[jes][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[jes][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_l.png" mov $?r[jes][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_d.png" mov ?r[eva][condition_end],2 mov $?r[eva][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[eva][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_l.png" mov $?r[eva][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_d.png" mov ?r[hid][condition_end],2 mov $?r[hid][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[hid][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_l.png" mov $?r[hid][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_d.png" mov ?r[geo][condition_end],2 mov $?r[geo][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[geo][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_l.png" mov $?r[geo][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_d.png" mov ?r[rud][condition_end],2 mov $?r[rud][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[rud][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_l.png" mov $?r[rud][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_d.png" mov ?r[kir][condition_end],2 mov $?r[kir][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[kir][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_l.png" mov $?r[kir][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_d.png" mov ?r[but][condition_end],2 mov $?r[but][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[but][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_l.png" mov $?r[but][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_d.png" mov ?r[ros][condition_end],2 mov $?r[ros][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[ros][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_l.png" mov $?r[ros][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_d.png" mov ?r[mar][condition_end],2 mov $?r[mar][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[mar][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l.png" mov $?r[mar][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_d.png" mov ?r[nan][condition_end],2 mov $?r[nan][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[nan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_l.png" mov $?r[nan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_d.png" mov ?r[gen][condition_end],2 mov $?r[gen][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[gen][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_l.png" mov $?r[gen][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_d.png" mov ?r[kum][condition_end],2 mov $?r[kum][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[kum][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_l.png" mov $?r[kum][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_d.png" mov ?r[goh][condition_end],2 mov $?r[goh][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[goh][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_l.png" mov $?r[goh][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_d.png" mov ?r[sha][condition_end],2 mov $?r[sha][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[sha][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_l.png" mov $?r[sha][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_d.png" mov ?r[kan][condition_end],2 mov $?r[kan][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[kan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_l.png" mov $?r[kan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_d.png" mov ?r[bea][condition_end],2 mov $?r[bea][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[bea][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov $?r[bea][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_d.png" mov ?r[ber][condition_end],2 mov $?r[ber][0],":c/2,0,3;bmp\r_click\cha_btn\non.bmp" mov $?r[ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" mov $?r[ber][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_d.png" ;一覧表示の座標を入力 ;numalias itiran_x,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｘ座標 ;numalias itiran_y,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｙ座標 mov ?r[kin][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kin][itiran_y],%tmp mov ?r[kla][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kla][itiran_y],%tmp mov ?r[nat][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[nat][itiran_y],%tmp mov ?r[jes][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov ?r[nan][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[nan][itiran_y],%tmp mov ?r[eva][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[eva][itiran_y],%tmp mov ?r[hid][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[hid][itiran_y],%tmp mov ?r[geo][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[geo][itiran_y],%tmp mov ?r[rud][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[rud][itiran_y],%tmp mov ?r[kir][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[kir][itiran_y],%tmp mov ?r[but][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[but][itiran_y],%tmp mov ?r[gen][itiran_x],17 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[gen][itiran_y],%tmp mov ?r[ros][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ros][itiran_y],%tmp mov ?r[mar][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov ?r[sha][itiran_x],17 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[sha][itiran_y],%tmp mov ?r[kan][itiran_x],62 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kan][itiran_y],%tmp mov ?r[goh][itiran_x],106 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[goh][itiran_y],%tmp mov ?r[kum][itiran_x],150 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kum][itiran_y],%tmp mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp mov ?r[ber][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ber][itiran_y],%tmp ;キャラの立ち位置、X座標を入力 mov ?r[kin][tati_x],380 mov ?r[kla][tati_x],425 mov ?r[nat][tati_x],430 mov ?r[jes][tati_x],420 mov ?r[nan][tati_x],425 mov ?r[eva][tati_x],440 mov ?r[hid][tati_x],415 mov ?r[geo][tati_x],435 mov ?r[rud][tati_x],455 mov ?r[kir][tati_x],455 mov ?r[but][tati_x],455 mov ?r[gen][tati_x],455 mov ?r[ros][tati_x],445 mov ?r[mar][tati_x],390 mov ?r[sha][tati_x],430 mov ?r[kan][tati_x],460 mov ?r[goh][tati_x],450 mov ?r[kum][tati_x],440 mov ?r[bea][tati_x],380 mov ?r[ber][tati_x],430 mov ?tips[1][tips_page_max],3 ;肖像画の碑文 mov ?tips[2][tips_page_max],6 ;魔女の手紙 mov ?tips[3][tips_page_max],1 ;魔女の手紙U mov ?tips[4][tips_page_max],1 ;魔女の手紙V mov ?tips[5][tips_page_max],4 ;魔女の棋譜 mov ?tips[6][tips_page_max],1 ;ウィンチェスターＭ1894 mov ?tips[7][tips_page_max],1 ;煉獄の七杭 ;mmmm mov ?grim[1][grim_page_max],5 ;intro/suffixes pro mov ?grim[2][grim_page_max],1 ;western names pro mov ?grim[3][grim_page_max],1 ;namunamunamu pro mov ?grim[4][grim_page_max],1 ;Jessicanessnesssness 1 mov ?grim[5][grim_page_max],1 ;torii, tutelary god 1 mov ?grim[6][grim_page_max],1 ;yakitori 2 mov ?grim[7][grim_page_max],1 ;kotatsu 3 mov ?grim[8][grim_page_max],1 ;kikurage 4 mov ?grim[9][grim_page_max],1 ;sogakishi 6 mov ?grim[10][grim_page_max],1 ;inari shrine/kitsunesama 12 mov ?grim[11][grim_page_max],1 ;kakera ura_tea ;;also Krauss=Muska ;; Jessica's speech mov %tips_kazu,7 mov %grim_kazu,11 return ;************************************************* ;************************************************* ;　ep2用、変数の初期化 ;************************************************* *bt_ep2_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu_ep2 for %tmp12 = 0 to 6 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[kin][condition_end],2 ;0〜3 なので実質４となる。 mov $?r[kin][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[kin][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_l.png" mov $?r[kin][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_d.png" mov ?r[kla][condition_end],2 mov $?r[kla][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[kla][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_l.png" mov $?r[kla][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_d.png" mov ?r[nat][condition_end],2 mov $?r[nat][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[nat][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_l.png" mov $?r[nat][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_d.png" mov ?r[jes][condition_end],2 mov $?r[jes][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[jes][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_l.png" mov $?r[jes][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_d.png" mov ?r[eva][condition_end],2 mov $?r[eva][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[eva][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_l.png" mov $?r[eva][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_d.png" mov ?r[hid][condition_end],2 mov $?r[hid][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[hid][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_l.png" mov $?r[hid][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_d.png" mov ?r[geo][condition_end],2 mov $?r[geo][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[geo][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_l.png" mov $?r[geo][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_d.png" mov ?r[rud][condition_end],2 mov $?r[rud][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[rud][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_l.png" mov $?r[rud][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_d.png" mov ?r[kir][condition_end],2 mov $?r[kir][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[kir][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_l.png" mov $?r[kir][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_d.png" mov ?r[but][condition_end],2 mov $?r[but][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[but][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_l.png" mov $?r[but][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_d.png" mov ?r[ros][condition_end],2 mov $?r[ros][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[ros][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_l.png" mov $?r[ros][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_d.png" mov ?r[mar][condition_end],2 mov $?r[mar][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[mar][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l.png" mov $?r[mar][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_d.png" mov ?r[nan][condition_end],3 mov $?r[nan][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[nan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_l.png" mov $?r[nan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_d.png" mov $?r[nan][3],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_d.png" mov ?r[gen][condition_end],2 mov $?r[gen][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[gen][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_l.png" mov $?r[gen][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_d.png" mov ?r[kum][condition_end],3 mov $?r[kum][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[kum][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_l.png" mov $?r[kum][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_d.png" mov $?r[kum][3],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_d.png" mov ?r[goh][condition_end],2 mov $?r[goh][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[goh][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_l.png" mov $?r[goh][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_d.png" mov ?r[sha][condition_end],2 mov $?r[sha][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[sha][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_l.png" mov $?r[sha][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_d.png" mov ?r[kan][condition_end],3 mov $?r[kan][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[kan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_l.png" mov $?r[kan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_m.png" mov $?r[kan][3],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_d.png" mov ?r[bea][condition_end],3 mov $?r[bea][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[bea][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov $?r[bea][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l2.png" mov $?r[bea][3],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_d.png" mov ?r[ber][condition_end],2 mov $?r[ber][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" mov $?r[ber][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_d.png" mov ?r[lam][condition_end],1 mov $?r[lam][0],":c/2,0,3;bmp\r_click\cha_btn\ep2\non.bmp" mov $?r[lam][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\lam_l.png" mov $?r[lam][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\lam_d.png" ;一覧表示の座標を入力 ;numalias itiran_x,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｘ座標 ;numalias itiran_y,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｙ座標 mov ?r[kin][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kin][itiran_y],%tmp mov ?r[kla][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kla][itiran_y],%tmp mov ?r[nat][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[nat][itiran_y],%tmp mov ?r[jes][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov ?r[nan][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[nan][itiran_y],%tmp mov ?r[eva][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[eva][itiran_y],%tmp mov ?r[hid][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[hid][itiran_y],%tmp mov ?r[geo][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[geo][itiran_y],%tmp mov ?r[rud][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[rud][itiran_y],%tmp mov ?r[kir][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[kir][itiran_y],%tmp mov ?r[but][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[but][itiran_y],%tmp mov ?r[gen][itiran_x],17 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[gen][itiran_y],%tmp mov ?r[ros][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ros][itiran_y],%tmp mov ?r[mar][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov ?r[sha][itiran_x],17 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[sha][itiran_y],%tmp mov ?r[kan][itiran_x],62 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kan][itiran_y],%tmp mov ?r[goh][itiran_x],106 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[goh][itiran_y],%tmp mov ?r[kum][itiran_x],150 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kum][itiran_y],%tmp mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp ;mov ?r[ber][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ber][itiran_y],%tmp ;キャラの立ち位置、X座標を入力 mov ?r[kin][tati_x],380 mov ?r[kla][tati_x],425 mov ?r[nat][tati_x],430 mov ?r[jes][tati_x],420 mov ?r[nan][tati_x],425 mov ?r[eva][tati_x],440 mov ?r[hid][tati_x],415 mov ?r[geo][tati_x],435 mov ?r[rud][tati_x],455 mov ?r[kir][tati_x],455 mov ?r[but][tati_x],455 mov ?r[gen][tati_x],455 mov ?r[ros][tati_x],445 mov ?r[mar][tati_x],390 mov ?r[sha][tati_x],430 mov ?r[kan][tati_x],460 mov ?r[goh][tati_x],450 mov ?r[kum][tati_x],440 mov ?r[bea][tati_x],380 mov ?r[ber][tati_x],430 mov ?r[lam][tati_x],420 mov ?tips[1][tips_page_max],3 ;肖像画の碑文 mov ?tips[2][tips_page_max],6 ;魔女の手紙 mov ?tips[3][tips_page_max],1 ;魔女の手紙U mov ?tips[4][tips_page_max],1 ;魔女の手紙V mov ?tips[5][tips_page_max],1 ;魔女の手紙W mov ?tips[6][tips_page_max],4 ;魔女の棋譜 mov ?tips[7][tips_page_max],1 ;黄金蝶のブローチ mov ?grim[1][grim_page_max],5 ;intro pro mov ?grim[2][grim_page_max],1 ;tsundora 3 mov ?grim[3][grim_page_max],1 ;boku/omg 3 mov ?grim[4][grim_page_max],2 ;tsurupettan 3 mov ?grim[5][grim_page_max],1 ;devil's proof 7 mov ?grim[6][grim_page_max],1 ;locus 10 mov ?grim[7][grim_page_max],1 ;42 11 mov %tips_kazu,7 mov %grim_kazu,7 return ;************************************************* ;************************************************* ;　ep2_2（魔女サイドメニュー、変数の初期化） ;************************************************* *bt_ep2_2_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu_ep2_2 for %tmp12 = 0 to 6 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[ma_kin][condition_end],1 ;0〜3 なので実質４となる。 mov $?r[ma_kin][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_l.png" mov ?r[ma_but][condition_end],1 mov $?r[ma_but][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_l.png" mov ?r[ma_mar][condition_end],1 mov $?r[ma_mar][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l.png" mov ?r[ma_gen][condition_end],1 mov $?r[ma_gen][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_l.png" mov ?r[ma_sha][condition_end],1 mov $?r[ma_sha][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_l.png" mov ?r[ma_kan][condition_end],1 mov $?r[ma_kan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_l.png" mov ?r[ma_bea][condition_end],1 mov $?r[ma_bea][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov ?r[ma_ber][condition_end],1 mov $?r[ma_ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" mov ?r[ma_lam][condition_end],1 mov $?r[ma_lam][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\lam_l.png" mov ?r[ma_rg][condition_end],1 mov $?r[ma_rg][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rg_l.png" ;一覧表示の座標を入力 ;numalias itiran_x,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｘ座標 ;numalias itiran_y,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｙ座標 mov ?r[ma_bea][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma_bea][itiran_y],%tmp mov ?r[ma_rg][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma_rg][itiran_y],%tmp mov ?r[ma_ber][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma_ber][itiran_y],%tmp mov ?r[ma_kin][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma_kin][itiran_y],%tmp mov ?r[ma_but][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma_but][itiran_y],%tmp mov ?r[ma_mar][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma_mar][itiran_y],%tmp mov ?r[ma_lam][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma_lam][itiran_y],%tmp mov ?r[ma_gen][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma_gen][itiran_y],%tmp mov ?r[ma_sha][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma_sha][itiran_y],%tmp mov ?r[ma_kan][itiran_x],62 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[ma_kan][itiran_y],%tmp ;キャラの立ち位置、X座標を入力 mov ?r[ma_kin][tati_x],380 mov ?r[ma_but][tati_x],455 mov ?r[ma_gen][tati_x],455 mov ?r[ma_mar][tati_x],390 mov ?r[ma_sha][tati_x],430 mov ?r[ma_kan][tati_x],460 mov ?r[ma_bea][tati_x],380 mov ?r[ma_ber][tati_x],430 mov ?r[ma_lam][tati_x],410 mov ?r[ma_rg][tati_x],420 mov ?tips[1][tips_page_max],3 ;肖像画の碑文 mov ?tips[2][tips_page_max],6 ;魔女の手紙 mov ?tips[3][tips_page_max],1 ;魔女の手紙U mov ?tips[4][tips_page_max],1 ;魔女の手紙V mov ?tips[5][tips_page_max],1 ;魔女の手紙W mov ?tips[6][tips_page_max],4 ;魔女の棋譜 mov ?tips[7][tips_page_max],1 ;黄金蝶のブローチ mov ?grim[1][grim_page_max],5 ;intro pro mov ?grim[2][grim_page_max],1 ;tsundora 3 mov ?grim[3][grim_page_max],1 ;boku/omg 3 mov ?grim[4][grim_page_max],2 ;tsurupettan 3 mov ?grim[5][grim_page_max],1 ;devil's proof 7 mov ?grim[6][grim_page_max],1 ;locus 10 mov ?grim[7][grim_page_max],1 ;42 11 mov %tips_kazu,7 mov %grim_kazu,7 return ;************************************************* ;************************************************* ;　ep3用、変数の初期化 ;************************************************* *bt_ep3_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu_ep3 for %tmp12 = 0 to 6 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[kin][condition_end],2 mov $?r[kin][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[kin][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_l.png" mov $?r[kin][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_d.png" mov ?r[kla][condition_end],2 mov $?r[kla][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[kla][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_l.png" mov $?r[kla][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_d.png" mov ?r[nat][condition_end],2 mov $?r[nat][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[nat][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_l.png" mov $?r[nat][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_d.png" mov ?r[jes][condition_end],2 mov $?r[jes][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[jes][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_l.png" mov $?r[jes][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_d.png" mov ?r[eva][condition_end],1 mov $?r[eva][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[eva][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_l.png" mov $?r[eva][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_d.png" mov ?r[hid][condition_end],2 mov $?r[hid][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[hid][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_l.png" mov $?r[hid][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_d.png" mov ?r[geo][condition_end],2 mov $?r[geo][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[geo][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_l.png" mov $?r[geo][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_d.png" mov ?r[rud][condition_end],2 mov $?r[rud][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[rud][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_l.png" mov $?r[rud][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_d.png" mov ?r[kir][condition_end],2 mov $?r[kir][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[kir][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_l.png" mov $?r[kir][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_d.png" mov ?r[but][condition_end],2 mov $?r[but][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[but][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_l.png" mov $?r[but][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_d.png" mov ?r[ros][condition_end],2 mov $?r[ros][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[ros][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_l.png" mov $?r[ros][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_d.png" mov ?r[mar][condition_end],2 mov $?r[mar][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[mar][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l.png" mov $?r[mar][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_d.png" mov ?r[nan][condition_end],2 mov $?r[nan][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[nan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_l.png" mov $?r[nan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_d.png" mov ?r[gen][condition_end],2 mov $?r[gen][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[gen][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_l.png" mov $?r[gen][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_d.png" mov ?r[kum][condition_end],2 mov $?r[kum][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[kum][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_l.png" mov $?r[kum][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_d.png" mov ?r[goh][condition_end],2 mov $?r[goh][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[goh][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_l.png" mov $?r[goh][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_d.png" mov ?r[sha][condition_end],2 mov $?r[sha][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[sha][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_l.png" mov $?r[sha][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_d.png" mov ?r[kan][condition_end],2 mov $?r[kan][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[kan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_l.png" mov $?r[kan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_d.png" mov ?r[bea][condition_end],2 mov $?r[bea][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[bea][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov $?r[bea][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_d.png" mov ?r[ber][condition_end],2 mov $?r[ber][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" mov $?r[ber][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_d.png" mov ?r[lam][condition_end],1 mov $?r[lam][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[lam][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\lam_l.png" mov ?r[enj][condition_end],1 mov $?r[enj][0],":c/2,0,3;bmp\r_click\cha_btn\ep3\non.bmp" mov $?r[enj][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l.png" ;一覧表示の座標を入力 ;numalias itiran_x,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｘ座標 ;numalias itiran_y,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｙ座標 mov ?r[kin][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kin][itiran_y],%tmp mov ?r[kla][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kla][itiran_y],%tmp mov ?r[nat][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[nat][itiran_y],%tmp mov ?r[jes][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov ?r[nan][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[nan][itiran_y],%tmp mov ?r[eva][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[eva][itiran_y],%tmp mov ?r[hid][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[hid][itiran_y],%tmp mov ?r[geo][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[geo][itiran_y],%tmp mov ?r[rud][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[rud][itiran_y],%tmp mov ?r[kir][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[kir][itiran_y],%tmp mov ?r[but][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[but][itiran_y],%tmp mov ?r[gen][itiran_x],17 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[gen][itiran_y],%tmp mov ?r[ros][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ros][itiran_y],%tmp mov ?r[mar][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov ?r[sha][itiran_x],17 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[sha][itiran_y],%tmp mov ?r[kan][itiran_x],62 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kan][itiran_y],%tmp mov ?r[goh][itiran_x],106 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[goh][itiran_y],%tmp mov ?r[kum][itiran_x],150 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kum][itiran_y],%tmp mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp ;mov ?r[ber][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ber][itiran_y],%tmp mov ?r[enj][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[enj][itiran_y],%tmp ;キャラの立ち位置、X座標を入力 mov ?r[kin][tati_x],380 mov ?r[kla][tati_x],425 mov ?r[nat][tati_x],430 mov ?r[jes][tati_x],420 mov ?r[nan][tati_x],425 mov ?r[eva][tati_x],440 mov ?r[hid][tati_x],415 mov ?r[geo][tati_x],435 mov ?r[rud][tati_x],455 mov ?r[kir][tati_x],455 mov ?r[but][tati_x],455 mov ?r[gen][tati_x],455 mov ?r[ros][tati_x],445 mov ?r[mar][tati_x],390 mov ?r[sha][tati_x],430 mov ?r[kan][tati_x],460 mov ?r[goh][tati_x],450 mov ?r[kum][tati_x],440 mov ?r[bea][tati_x],380 mov ?r[ber][tati_x],430 mov ?r[lam][tati_x],420 mov ?r[enj][tati_x],440 mov ?tips[1][tips_page_max],3 ;肖像画の碑文 mov ?tips[2][tips_page_max],1 ;魔女の手紙 mov ?tips[3][tips_page_max],4 ;魔女の棋譜 mov ?tips[4][tips_page_max],1 ; mov ?tips[5][tips_page_max],1 ; mov ?tips[6][tips_page_max],1 ; mov ?grim[1][grim_page_max],5 ;intro/stuff 1 mov ?grim[2][grim_page_max],1 ;ore/watashi 1 mov ?grim[3][grim_page_max],1 ;give up and die 1 mov ?grim[4][grim_page_max],1 ;lines in English 2 mov ?grim[5][grim_page_max],1 ;merute 7 mov ?grim[6][grim_page_max],1 ;Valkyria 8 mov ?grim[7][grim_page_max],1 ;Riddle of the Epitaph 10 mov ?grim[8][grim_page_max],1 ;pinning 14 mov ?grim[9][grim_page_max],1 ;don't use katakana?! 18 mov ?grim[10][grim_page_max],1 ;naniwa-bushis 18 mov ?grim[11][grim_page_max],1 ;galge 18 mov ?grim[12][grim_page_max],1 ;ebaaah ura tea mov ?grim[13][grim_page_max],1 ;The Names of Witches final tips only mov %tips_kazu,6 mov %grim_kazu,13 return ;************************************************* ;************************************************* ;　ep3_2（魔女サイドメニュー、変数の初期化） ;************************************************* *bt_ep3_2_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu_ep3_2 for %tmp12 = 0 to 6 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[ma3_bea][condition_end],1 mov $?r[ma3_bea][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov ?r[ma3_ber][condition_end],1 mov $?r[ma3_ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" mov ?r[ma3_lam][condition_end],1 mov $?r[ma3_lam][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\lam_l.png" mov ?r[ma3_rg][condition_end],1 mov $?r[ma3_rg][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rg_l.png" mov ?r[ma3_goa][condition_end],1 mov $?r[ma3_goa][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goa_l.png" mov ?r[ma3_wal][condition_end],1 mov $?r[ma3_wal][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\wal_l.png" mov ?r[ma3_ron][condition_end],1 mov $?r[ma3_ron][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ron_l.png" mov ?r[ma3_ev2][condition_end],1 mov $?r[ma3_ev2][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ev2_l.png" mov ?r[ma3_enj][condition_end],1 mov $?r[ma3_enj][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l.png" mov ?r[ma3_s][condition_end],1 mov $?r[ma3_s][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\s_l.png" ;一覧表示の座標を入力 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_lam][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_lam][itiran_y],%tmp mov ?r[ma3_ber][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_ber][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp mov ?r[ma3_enj][itiran_x],17 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[ma3_enj][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back15.bmp" ;キャラの立ち位置、X座標を入力 mov ?r[ma3_bea][tati_x],380 mov ?r[ma3_ber][tati_x],430 mov ?r[ma3_lam][tati_x],410 mov ?r[ma3_rg][tati_x],420 mov ?r[ma3_goa][tati_x],380 mov ?r[ma3_wal][tati_x],360 mov ?r[ma3_ron][tati_x],420 mov ?r[ma3_ev2][tati_x],400 mov ?r[ma3_enj][tati_x],440 mov ?r[ma3_s][tati_x],420 mov ?grim[1][grim_page_max],5 ;intro/stuff 1 mov ?grim[2][grim_page_max],1 ;ore/watashi 1 mov ?grim[3][grim_page_max],1 ;give up and die 1 mov ?grim[4][grim_page_max],1 ;lines in English 2 mov ?grim[5][grim_page_max],1 ;merute 7 mov ?grim[6][grim_page_max],1 ;Valkyria 8 mov ?grim[7][grim_page_max],1 ;Riddle of the Epitaph 10 mov ?grim[8][grim_page_max],1 ;pinning 14 mov ?grim[9][grim_page_max],1 ;don't use katakana?! 18 mov ?grim[10][grim_page_max],1 ;naniwa-bushis 18 mov ?grim[11][grim_page_max],1 ;galge 18 mov ?grim[12][grim_page_max],1 ;ebaaah ura tea mov ?grim[13][grim_page_max],1 ;The Names of Witches final tips only mov %tips_kazu,6 mov %grim_kazu,13 return ;************************************************* ;************************************************* ;　ep4用、変数の初期化 ;************************************************* *bt_ep4_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu_ep4 for %tmp12 = 0 to 6 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[kin][condition_end],2 mov $?r[kin][0],":c/2,0,3;bmp\r_click\cha_btn\ep4\non.png" mov $?r[kin][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_l.png" mov $?r[kin][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_d.png" mov ?r[kla][condition_end],2 mov $?r[kla][0],":c/2,0,3;bmp\r_click\cha_btn\ep4\non.png" mov $?r[kla][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_l.png" mov $?r[kla][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kla_d.png" mov ?r[nat][condition_end],2 mov $?r[nat][0],":c/2,0,3;bmp\r_click\cha_btn\ep4\non.png" mov $?r[nat][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_l.png" mov $?r[nat][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nat_d.png" mov ?r[jes][condition_end],2 mov $?r[jes][0],":c/2,0,3;bmp\r_click\cha_btn\ep4\non.png" mov $?r[jes][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_l.png" mov $?r[jes][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\jes_d.png" mov ?r[eva][condition_end],2 mov $?r[eva][0],":c/2,0,3;bmp\r_click\cha_btn\ep4\non.png" mov $?r[eva][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_l.png" mov $?r[eva][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_d.png" mov ?r[hid][condition_end],2 mov $?r[hid][0],":c/2,0,3;bmp\r_click\cha_btn\ep4\non.png" mov $?r[hid][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_l.png" mov $?r[hid][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\hid_d.png" mov ?r[geo][condition_end],2 mov $?r[geo][0],":c/2,0,3;bmp\r_click\cha_btn\ep4\non.png" mov $?r[geo][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_l.png" mov $?r[geo][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\geo_d.png" mov ?r[rud][condition_end],2 mov $?r[rud][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[rud][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_l.png" mov $?r[rud][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rud_d.png" mov ?r[kir][condition_end],2 mov $?r[kir][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[kir][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_l.png" mov $?r[kir][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kir_d.png" mov ?r[but][condition_end],2 mov $?r[but][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[but][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_l.png" mov $?r[but][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\but_d.png" mov ?r[ros][condition_end],2 mov $?r[ros][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[ros][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_l.png" mov $?r[ros][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ros_d.png" mov ?r[mar][condition_end],2 mov $?r[mar][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[mar][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l.png" mov $?r[mar][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_d.png" mov ?r[nan][condition_end],2 mov $?r[nan][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[nan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_l.png" mov $?r[nan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\nan_d.png" mov ?r[gen][condition_end],2 mov $?r[gen][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[gen][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_l.png" mov $?r[gen][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gen_d.png" mov ?r[kum][condition_end],2 mov $?r[kum][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[kum][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_l.png" mov $?r[kum][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kum_d.png" mov ?r[goh][condition_end],2 mov $?r[goh][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[goh][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_l.png" mov $?r[goh][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goh_d.png" mov ?r[sha][condition_end],2 mov $?r[sha][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[sha][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_l.png" mov $?r[sha][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sha_d.png" mov ?r[kan][condition_end],2 mov $?r[kan][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[kan][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_l.png" mov $?r[kan][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kan_d.png" mov ?r[bea][condition_end],2 mov $?r[bea][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[bea][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov $?r[bea][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_d.png" mov ?r[ber][condition_end],2 mov $?r[ber][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" mov $?r[ber][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_d.png" mov ?r[lam][condition_end],1 mov $?r[lam][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[lam][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\lam_l.png" mov ?r[enj][condition_end],1 mov $?r[enj][0],":c/2,0,3;custom\bmp\Tipsmenu\buttons\non.png" mov $?r[enj][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l.png" ;一覧表示の座標を入力 ;numalias itiran_x,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｘ座標 ;numalias itiran_y,%tmp11 : inc %tmp11 ;一覧表示アイコン位置、Ｙ座標 mov ?r[kin][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kin][itiran_y],%tmp mov ?r[kla][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[kla][itiran_y],%tmp mov ?r[nat][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[nat][itiran_y],%tmp mov ?r[jes][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov ?r[nan][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[nan][itiran_y],%tmp mov ?r[eva][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[eva][itiran_y],%tmp mov ?r[hid][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[hid][itiran_y],%tmp mov ?r[geo][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[geo][itiran_y],%tmp mov ?r[rud][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[rud][itiran_y],%tmp mov ?r[kir][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[kir][itiran_y],%tmp mov ?r[but][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[but][itiran_y],%tmp mov ?r[gen][itiran_x],17 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[gen][itiran_y],%tmp mov ?r[ros][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ros][itiran_y],%tmp mov ?r[mar][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov ?r[sha][itiran_x],17 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[sha][itiran_y],%tmp mov ?r[kan][itiran_x],62 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kan][itiran_y],%tmp mov ?r[goh][itiran_x],106 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[goh][itiran_y],%tmp mov ?r[kum][itiran_x],150 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[kum][itiran_y],%tmp mov ?r[bea][itiran_x],-200 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp mov ?r[ber][itiran_x],-200 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ber][itiran_y],%tmp mov ?r[enj][itiran_x],-200 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[enj][itiran_y],%tmp ;キャラの立ち位置、X座標を入力 mov ?r[kin][tati_x],380 mov ?r[kla][tati_x],425 mov ?r[nat][tati_x],430 mov ?r[jes][tati_x],420 mov ?r[nan][tati_x],425 mov ?r[eva][tati_x],440 mov ?r[hid][tati_x],415 mov ?r[geo][tati_x],435 mov ?r[rud][tati_x],455 mov ?r[kir][tati_x],455 mov ?r[but][tati_x],455 mov ?r[gen][tati_x],455 mov ?r[ros][tati_x],445 mov ?r[mar][tati_x],390 mov ?r[sha][tati_x],430 mov ?r[kan][tati_x],460 mov ?r[goh][tati_x],450 mov ?r[kum][tati_x],440 mov ?r[bea][tati_x],380 mov ?r[ber][tati_x],430 mov ?r[lam][tati_x],420 mov ?r[enj][tati_x],440 mov ?tips[1][tips_page_max],1 ; mov ?tips[2][tips_page_max],1 ; mov ?tips[3][tips_page_max],1 ; mov ?tips[4][tips_page_max],1 ; mov ?tips[5][tips_page_max],1 ; mov ?tips[6][tips_page_max],1 ; mov ?tips[7][tips_page_max],1 ; mov %tips_kazu,7 mov ?grim[1][grim_page_max],5 ;intro/stuff 1 mov ?grim[2][grim_page_max],1 ;lines in English 1 mov ?grim[3][grim_page_max],1 ;Shotoku Taishi 2 mov ?grim[4][grim_page_max],1 ;'Demon' Kasumi 3 mov ?grim[5][grim_page_max],1 ;Vessel 5 mov ?grim[6][grim_page_max],1 ;Rifle/teppou 8 mov ?grim[7][grim_page_max],1 ;shiritori 8 mov ?grim[8][grim_page_max],1 ;110 13 mov ?grim[9][grim_page_max],1 ;kyukyukyu 16 mov ?grim[10][grim_page_max],1 ;IME 16 mov ?grim[11][grim_page_max],1 ;Loser Flags 16 mov ?grim[12][grim_page_max],1 ;Minmeishobou 16 mov %grim_kazu,12 return ;************************************************* ;************************************************* ;　ep4_2（魔女サイドメニュー、変数の初期化） ;************************************************* *bt_ep4_2_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu_ep4_2 for %tmp12 = 0 to 6 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[ma4_lam][condition_end],1 mov $?r[ma4_lam][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\lam_l.png" mov ?r[ma4_ber][condition_end],1 mov $?r[ma4_ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" mov ?r[ma4_bea][condition_end],2 mov $?r[ma4_bea][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov $?r[ma4_bea][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\bea_l.png" mov ?r[ma4_mar][condition_end],2 mov $?r[ma4_mar][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l.png" mov $?r[ma4_mar][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l2.png" mov ?r[ma4_enj][condition_end],1 mov $?r[ma4_enj][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l.png" mov ?r[ma4_kin][condition_end],1 mov $?r[ma4_kin][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kin_l.png" mov ?r[ma4_sak][condition_end],2 mov $?r[ma4_sak][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sak_l.png" mov $?r[ma4_sak][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sak_d.png" mov ?r[ma4_wal][condition_end],1 mov $?r[ma4_wal][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\wal_l.png" mov ?r[ma4_ron][condition_end],1 mov $?r[ma4_ron][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ron_l.png" mov ?r[ma4_gap][condition_end],1 mov $?r[ma4_gap][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\gap_l.png" mov ?r[ma4_s][condition_end],1 mov $?r[ma4_s][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\s_l.png" mov ?r[ma4_rg][condition_end],1 mov $?r[ma4_rg][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rg_l.png" mov ?r[ma4_goa][condition_end],1 mov $?r[ma4_goa][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\goa_l.png" ;一覧表示の座標を入力 mov ?r[ma4_lam][itiran_x],62 : mov %tmp,5 : add %tmp,r_top_y : mov ?r[ma4_lam][itiran_y],%tmp mov ?r[ma4_ber][itiran_x],150 : mov %tmp,5 : add %tmp,r_top_y : mov ?r[ma4_ber][itiran_y],%tmp mov ?r[ma4_bea][itiran_x],62 : mov %tmp,48 : add %tmp,r_top_y : mov ?r[ma4_bea][itiran_y],%tmp mov ?r[ma4_mar][itiran_x],106 : mov %tmp,48 : add %tmp,r_top_y : mov ?r[ma4_mar][itiran_y],%tmp mov ?r[ma4_enj][itiran_x],150 : mov %tmp,48 : add %tmp,r_top_y : mov ?r[ma4_enj][itiran_y],%tmp mov ?r[ma4_kin][itiran_x],62 : mov %tmp,91 : add %tmp,r_top_y : mov ?r[ma4_kin][itiran_y],%tmp mov ?r[ma4_sak][itiran_x],106 : mov %tmp,91 : add %tmp,r_top_y : mov ?r[ma4_sak][itiran_y],%tmp mov ?r[ma4_wal][itiran_x],17 : mov %tmp,138 : add %tmp,r_top_y : mov ?r[ma4_wal][itiran_y],%tmp mov ?r[ma4_ron][itiran_x],62 : mov %tmp,138 : add %tmp,r_top_y : mov ?r[ma4_ron][itiran_y],%tmp mov ?r[ma4_gap][itiran_x],106 : mov %tmp,138 : add %tmp,r_top_y : mov ?r[ma4_gap][itiran_y],%tmp mov ?r[ma4_s][itiran_x],150 : mov %tmp,138 : add %tmp,r_top_y : mov ?r[ma4_s][itiran_y],%tmp mov ?r[ma4_rg][itiran_x],17 : mov %tmp,185 : add %tmp,r_top_y : mov ?r[ma4_rg][itiran_y],%tmp mov ?r[ma4_goa][itiran_x],62 : mov %tmp,185 : add %tmp,r_top_y : mov ?r[ma4_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back15.bmp" ;キャラの立ち位置、X座標を入力 mov ?r[ma4_lam][tati_x],410 mov ?r[ma4_ber][tati_x],430 mov ?r[ma4_bea][tati_x],380 mov ?r[ma4_mar][tati_x],390 mov ?r[ma4_enj][tati_x],440 mov ?r[ma4_kin][tati_x],380 mov ?r[ma4_sak][tati_x],380 mov ?r[ma4_wal][tati_x],360 mov ?r[ma4_ron][tati_x],420 mov ?r[ma4_gap][tati_x],415 mov ?r[ma4_s][tati_x],420 mov ?r[ma4_rg][tati_x],420 mov ?r[ma4_goa][tati_x],380 mov ?tips[1][tips_page_max],1 ;肖像画の碑文 mov ?tips[2][tips_page_max],1 ;魔女の手紙 mov ?tips[3][tips_page_max],1 ;魔女の棋譜 mov ?tips[4][tips_page_max],1 ; mov ?tips[5][tips_page_max],1 ; mov ?tips[6][tips_page_max],1 ; mov ?tips[7][tips_page_max],1 ; mov %tips_kazu,7 mov ?grim[1][grim_page_max],5 ;intro/stuff 1 mov ?grim[2][grim_page_max],1 ;lines in English 1 mov ?grim[3][grim_page_max],1 ;Shotoku Taishi 2 mov ?grim[4][grim_page_max],1 ;'Demon' Kasumi 3 mov ?grim[5][grim_page_max],1 ;Vessel 5 mov ?grim[6][grim_page_max],1 ;Rifle/teppou 8 mov ?grim[7][grim_page_max],1 ;shiritori 8 mov ?grim[8][grim_page_max],1 ;110 13 mov ?grim[9][grim_page_max],1 ;kyukyukyu 16 mov ?grim[10][grim_page_max],1 ;IME 16 mov ?grim[11][grim_page_max],1 ;Loser Flags 16 mov ?grim[12][grim_page_max],1 ;Minmeishobou 16 mov %grim_kazu,12 return ;************************************************* ;************************************************* ;　ep4_3（縁寿編_サイドメニュー、変数の初期化） ;************************************************* *bt_ep4_3_def ;配列に数字を入力、数字の文字変数にパスを入力 mov %tmp10,2400 for %tmp11 = 1 to cha_kazu_ep4_3 for %tmp12 = 0 to 6 mov ?r[%tmp11][%tmp12],%tmp10 : inc %tmp10 next next ;配列にパスを入力（キャラごとの状態変化数分入力） mov ?r[enj_eva][condition_end],1 mov $?r[enj_eva][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\eva_d.png" mov ?r[enj_oko][condition_end],1 mov $?r[enj_oko][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\oko_l.png" mov ?r[enj_kas][condition_end],1 mov $?r[enj_kas][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kas_l.png" mov ?r[enj_enj][condition_end],1 mov $?r[enj_enj][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l.png" mov ?r[enj_ama][condition_end],1 mov $?r[enj_ama][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ama_l.png" mov ?r[enj_sak][condition_end],1 mov $?r[enj_sak][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sak_l.png" mov ?r[enj_mar][condition_end],1 mov $?r[enj_mar][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l.png" mov $?r[enj_mar][2],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mar_l2.png" mov ?r[enj_rg][condition_end],1 mov $?r[enj_rg][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\rg_l.png" mov ?r[enj_pro][condition_end],1 mov $?r[enj_pro][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\pro_l.png" mov ?r[enj_mas][condition_end],1 mov $?r[enj_mas][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\mas_l.png" mov ?r[enj_sab][condition_end],1 mov $?r[enj_sab][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\sab_l.png" mov ?r[enj_kwa][condition_end],1 mov $?r[enj_kwa][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\kwa_l.png" mov ?r[enj_ber][condition_end],1 mov $?r[enj_ber][1],":c/2,0,3;custom\bmp\Tipsmenu\buttons\ber_l.png" ;一覧表示の座標を入力 mov ?r[enj_eva][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[enj_eva][itiran_y],%tmp mov ?r[enj_oko][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[enj_oko][itiran_y],%tmp mov ?r[enj_kas][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[enj_kas][itiran_y],%tmp mov ?r[enj_enj][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[enj_enj][itiran_y],%tmp mov ?r[enj_ama][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[enj_ama][itiran_y],%tmp mov ?r[enj_sak][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[enj_sak][itiran_y],%tmp mov ?r[enj_mar][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[enj_mar][itiran_y],%tmp mov ?r[enj_rg][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[enj_rg][itiran_y],%tmp mov ?r[enj_pro][itiran_x],17 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[enj_pro][itiran_y],%tmp mov ?r[enj_mas][itiran_x],62 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[enj_mas][itiran_y],%tmp mov ?r[enj_sab][itiran_x],106 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[enj_sab][itiran_y],%tmp mov ?r[enj_kwa][itiran_x],150 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[enj_kwa][itiran_y],%tmp mov ?r[enj_ber][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[enj_ber][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" ;キャラの立ち位置、X座標を入力 mov ?r[enj_eva][tati_x],440 mov ?r[enj_oko][tati_x],380 mov ?r[enj_kas][tati_x],380 mov ?r[enj_enj][tati_x],440 mov ?r[enj_ama][tati_x],430 mov ?r[enj_sak][tati_x],380 mov ?r[enj_mar][tati_x],410 mov ?r[enj_rg][tati_x],420 mov ?r[enj_pro][tati_x],380 mov ?r[enj_mas][tati_x],377 mov ?r[enj_sab][tati_x],380 mov ?r[enj_kwa][tati_x],380 mov ?r[enj_ber][tati_x],430 mov ?tips[1][tips_page_max],1 mov ?tips[2][tips_page_max],1 mov ?tips[3][tips_page_max],1 mov ?tips[4][tips_page_max],1 mov ?tips[5][tips_page_max],1 mov ?tips[6][tips_page_max],1 mov ?tips[7][tips_page_max],1 mov %tips_kazu,7 mov ?grim[1][grim_page_max],5 ;intro/stuff 1 mov ?grim[2][grim_page_max],1 ;lines in English 1 mov ?grim[3][grim_page_max],1 ;Shotoku Taishi 2 mov ?grim[4][grim_page_max],1 ;'Demon' Kasumi 3 mov ?grim[5][grim_page_max],1 ;Vessel 5 mov ?grim[6][grim_page_max],1 ;Rifle/teppou 8 mov ?grim[7][grim_page_max],1 ;shiritori 8 mov ?grim[8][grim_page_max],1 ;110 13 mov ?grim[9][grim_page_max],1 ;kyukyukyu 16 mov ?grim[10][grim_page_max],1 ;IME 16 mov ?grim[11][grim_page_max],1 ;Loser Flags 16 mov ?grim[12][grim_page_max],1 ;Minmeishobou 16 mov %grim_kazu,12 return ;************************************************* ;*********************************************************************** ; ;うみねこのなく頃に ;ＢＧＭ、試聴モード(変数３７００、３８００番台使用） ; ;*********************************************************************** *bgm_mode ;***【初期化処理】****************************************************** E_A ;現在演奏中の曲をストップする setwindow 31,16,22,16,22,22,0,2,20,1,1,#ffffff,0,0,639,479 textclear rmode 0 ;右クリックメニューの無効化 erasetextwindow 0 csp -1 ;スプライト画像の、メモリからの消去 btndef "" ;ボタン画像の、メモリからの消去 ;print 10,1000 ;画像の消去 ;衣装の初期化 gosub *SHA_isyou1 gosub *GEO_isyou1 gosub *KAN_isyou1 gosub *bea_isyou1 gosub *EV2_isyou1 gosub *ENJ_isyou1 gosub *MAR_isyou1 ;観音フェードで seplay 9,17 bg white,18,1200,":c;Bmp\Efe\1.bmp" wait 500 ;print 1 mov %bm_m,0 mov %bm_p,10 ;最初に流れる曲の番号 mov %bm_rnd_kazu,0 mov %bm_rpi,1 mov %bm_stop,0 mov %bgm_kowai_skip,0 mov %bgm_mood_1min,0 mov %bgm_mood_demo,0 mov %bgm_mood_file_path_flg,0 mov %bgm_mood_tyokuzenn_op_fede_skip,0 mov %bgm_mood_page,1 ;曲一覧ページ数 if %UMINEKOEND_MUSIC_FLG = 1 mov %UMINEKOEND_MUSIC_FLG,0 ;新規追加告知フラグ mov %bgm_mood_demo_zennkai_nagasita_op,3 bgmvol 70 : mov %BGM_v_Ch,70 mov %bgm_max2,116 ;アンビエントも含めた曲数（登録数＋６） mov %3801,%bgm_max2 - 5 mov %bgm_mood_turu_pettan_no,94 ;ツルペッタンの番号（重複欠番の９４を当てる） mov %bgm_mood_op_no,%3801 : inc %3801 ;ムービーの番号（デモモードで使用） mov %bgm_mood_op2_no,%3801 : inc %3801 ;ムービーの番号（デモモードで使用） mov %bgm_mood_op3_no,%3801 : inc %3801 ;ムービーの番号（デモモードで使用） mov %bgm_mood_ed_no,%3801 : inc %3801 ;EDの番号（デモモードでは演奏を行わない） mov %bgm_mood_me1_no,%3801 : inc %3801 ;MEの番号 mov %bgm_mood_me2_no,%3801 : inc %3801 ;MEの番号 mov %bgm_mood_me1_btn_no,0 ;MEの(ファイルパス数字変数） mov %bgm_mood_me2_btn_no,0 ;MEの(ファイルパス数字変数） mov %bgm_mood_demo_kaisuu,0 ;デモモード時、一定回数毎にOPを流す為の変数。 ;ランダムチェック変数の初期化 for %3801 = 0 to %bgm_max2 mov ?bgmm[%3801][bm_r],0 next ;***【データ入力】****************************************************** ;データを順番に入力、曲の順番を入れ替える時は、順序をそのまま入れ替える gosub *bgm_mode_bgm_date_input ;製作中一時変更点 mov %bm_pt,?bgmm[%bm_p][bm_t] bgm $?bgmm[%bm_p][bm_pa] ;delay 500 mov $tmp,":c;" : add $tmp,Mhal_1b lsp 510,$tmp,0,0 ;bg black,22 ;18,1000,":c;Bmp\Efe\1.bmp" lsp 499,":c;bmp\r_click\black.bmp",0,0,120 ;print 22 ;setwindow 40,16,22,16,26,26,0,2,20,1,1,#ffffff,0,0,639,479 ;lsp 50,":s#FFFFFF演奏したい曲を選んでクリックして下さい",60,11 print 22 setwindow 31,16,22,16,16,16,0,2,20,1,1,#ffffff,0,0,639,479 ;文字スプライトを作成してボタン化する ;４列、１５行で固定 mov %3805,301 mov %3807,101 mov %3806,15 ;曲一覧の、一番上の高さ mov %3801,25 : mov %3802,%3806 : mov %3803,0 : mov %3804,19 lsp %3805,":s#B7B7B7#FF1D1D$4001",%3801,%3802 : lsph %3807,":s#FFFFFF$4001",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4002",%3801,%3802 : lsph %3807,":s#FFFFFF$4002",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4003",%3801,%3802 : lsph %3807,":s#FFFFFF$4003",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4004",%3801,%3802 : lsph %3807,":s#FFFFFF$4004",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4005",%3801,%3802 : lsph %3807,":s#FFFFFF$4005",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4006",%3801,%3802 : lsph %3807,":s#FFFFFF$4006",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4007",%3801,%3802 : lsph %3807,":s#FFFFFF$4007",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4008",%3801,%3802 : lsph %3807,":s#FFFFFF$4008",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4009",%3801,%3802 : lsph %3807,":s#FFFFFF$4009",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4010",%3801,%3802 : lsph %3807,":s#FFFFFF$4010",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4011",%3801,%3802 : lsph %3807,":s#FFFFFF$4011",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4012",%3801,%3802 : lsph %3807,":s#FFFFFF$4012",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4013",%3801,%3802 : lsph %3807,":s#FFFFFF$4013",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4014",%3801,%3802 : lsph %3807,":s#FFFFFF$4014",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4015",%3801,%3802 : lsph %3807,":s#FFFFFF$4015",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 mov %3801,175 : mov %3802,%3806 : mov %3803,0 lsp %3805,":s#B7B7B7#FF1D1D$4016",%3801,%3802 : lsph %3807,":s#FFFFFF$4016",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4017",%3801,%3802 : lsph %3807,":s#FFFFFF$4017",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4018",%3801,%3802 : lsph %3807,":s#FFFFFF$4018",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4019",%3801,%3802 : lsph %3807,":s#FFFFFF$4019",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4020",%3801,%3802 : lsph %3807,":s#FFFFFF$4020",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4021",%3801,%3802 : lsph %3807,":s#FFFFFF$4021",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4022",%3801,%3802 : lsph %3807,":s#FFFFFF$4022",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4023",%3801,%3802 : lsph %3807,":s#FFFFFF$4023",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4024",%3801,%3802 : lsph %3807,":s#FFFFFF$4024",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4025",%3801,%3802 : lsph %3807,":s#FFFFFF$4025",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4026",%3801,%3802 : lsph %3807,":s#FFFFFF$4026",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4027",%3801,%3802 : lsph %3807,":s#FFFFFF$4027",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4028",%3801,%3802 : lsph %3807,":s#FFFFFF$4028",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4029",%3801,%3802 : lsph %3807,":s#FFFFFF$4029",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4030",%3801,%3802 : lsph %3807,":s#FFFFFF$4030",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 mov %3801,330 : mov %3802,%3806 : mov %3803,0 lsp %3805,":s#B7B7B7#FF1D1D$4031",%3801,%3802 : lsph %3807,":s#FFFFFF$4031",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4032",%3801,%3802 : lsph %3807,":s#FFFFFF$4032",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4033",%3801,%3802 : lsph %3807,":s#FFFFFF$4033",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4034",%3801,%3802 : lsph %3807,":s#FFFFFF$4034",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4035",%3801,%3802 : lsph %3807,":s#FFFFFF$4035",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4036",%3801,%3802 : lsph %3807,":s#FFFFFF$4036",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4037",%3801,%3802 : lsph %3807,":s#FFFFFF$4037",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4038",%3801,%3802 : lsph %3807,":s#FFFFFF$4038",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4039",%3801,%3802 : lsph %3807,":s#FFFFFF$4039",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4040",%3801,%3802 : lsph %3807,":s#FFFFFF$4040",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4041",%3801,%3802 : lsph %3807,":s#FFFFFF$4041",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4042",%3801,%3802 : lsph %3807,":s#FFFFFF$4042",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4043",%3801,%3802 : lsph %3807,":s#FFFFFF$4043",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4044",%3801,%3802 : lsph %3807,":s#FFFFFF$4044",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4045",%3801,%3802 : lsph %3807,":s#FFFFFF$4045",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 mov %3801,480 : mov %3802,%3806 : mov %3803,0 lsp %3805,":s#B7B7B7#FF1D1D$4046",%3801,%3802 : lsph %3807,":s#FFFFFF$4046",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4047",%3801,%3802 : lsph %3807,":s#FFFFFF$4047",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4048",%3801,%3802 : lsph %3807,":s#FFFFFF$4048",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4049",%3801,%3802 : lsph %3807,":s#FFFFFF$4049",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4050",%3801,%3802 : lsph %3807,":s#FFFFFF$4050",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4051",%3801,%3802 : lsph %3807,":s#FFFFFF$4051",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4052",%3801,%3802 : lsph %3807,":s#FFFFFF$4052",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4053",%3801,%3802 : lsph %3807,":s#FFFFFF$4053",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4054",%3801,%3802 : lsph %3807,":s#FFFFFF$4054",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4055",%3801,%3802 : lsph %3807,":s#FFFFFF$4055",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4056",%3801,%3802 : lsph %3807,":s#FFFFFF$4056",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4057",%3801,%3802 : lsph %3807,":s#FFFFFF$4057",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4058",%3801,%3802 : lsph %3807,":s#FFFFFF$4058",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4059",%3801,%3802 : lsph %3807,":s#FFFFFF$4059",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4060",%3801,%3802 : lsph %3807,":s#FFFFFF$4060",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 ;２ページ目に移行 mov %3801,25 : mov %3802,%3806 : mov %3803,0 lsph %3805,":s#B7B7B7#FF1D1D$4061",%3801,%3802 : lsph %3807,":s#FFFFFF$4061",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4062",%3801,%3802 : lsph %3807,":s#FFFFFF$4062",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4063",%3801,%3802 : lsph %3807,":s#FFFFFF$4063",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4064",%3801,%3802 : lsph %3807,":s#FFFFFF$4064",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4065",%3801,%3802 : lsph %3807,":s#FFFFFF$4065",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4066",%3801,%3802 : lsph %3807,":s#FFFFFF$4066",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4067",%3801,%3802 : lsph %3807,":s#FFFFFF$4067",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4068",%3801,%3802 : lsph %3807,":s#FFFFFF$4068",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4069",%3801,%3802 : lsph %3807,":s#FFFFFF$4069",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4070",%3801,%3802 : lsph %3807,":s#FFFFFF$4070",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4071",%3801,%3802 : lsph %3807,":s#FFFFFF$4071",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4072",%3801,%3802 : lsph %3807,":s#FFFFFF$4072",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4073",%3801,%3802 : lsph %3807,":s#FFFFFF$4073",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4074",%3801,%3802 : lsph %3807,":s#FFFFFF$4074",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4075",%3801,%3802 : lsph %3807,":s#FFFFFF$4075",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 mov %3801,175 : mov %3802,%3806 : mov %3803,0 lsph %3805,":s#B7B7B7#FF1D1D$4076",%3801,%3802 : lsph %3807,":s#FFFFFF$4076",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4077",%3801,%3802 : lsph %3807,":s#FFFFFF$4077",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4078",%3801,%3802 : lsph %3807,":s#FFFFFF$4078",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4079",%3801,%3802 : lsph %3807,":s#FFFFFF$4079",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4080",%3801,%3802 : lsph %3807,":s#FFFFFF$4080",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4081",%3801,%3802 : lsph %3807,":s#FFFFFF$4081",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4082",%3801,%3802 : lsph %3807,":s#FFFFFF$4082",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4083",%3801,%3802 : lsph %3807,":s#FFFFFF$4083",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4084",%3801,%3802 : lsph %3807,":s#FFFFFF$4084",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4085",%3801,%3802 : lsph %3807,":s#FFFFFF$4085",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4086",%3801,%3802 : lsph %3807,":s#FFFFFF$4086",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4087",%3801,%3802 : lsph %3807,":s#FFFFFF$4087",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4088",%3801,%3802 : lsph %3807,":s#FFFFFF$4088",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4089",%3801,%3802 : lsph %3807,":s#FFFFFF$4089",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsph %3805,":s#B7B7B7#FF1D1D$4090",%3801,%3802 : lsph %3807,":s#FFFFFF$4090",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 mov %3801,330 : mov %3802,%3806 : mov %3803,0 lsp %3805,":s#B7B7B7#FF1D1D$4091",%3801,%3802 : lsph %3807,":s#FFFFFF$4091",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4092",%3801,%3802 : lsph %3807,":s#FFFFFF$4092",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4093",%3801,%3802 : lsph %3807,":s#FFFFFF$4093",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4094",%3801,%3802 : lsph %3807,":s#FFFFFF$4094",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4095",%3801,%3802 : lsph %3807,":s#FFFFFF$4095",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4096",%3801,%3802 : lsph %3807,":s#FFFFFF$4096",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4097",%3801,%3802 : lsph %3807,":s#FFFFFF$4097",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4098",%3801,%3802 : lsph %3807,":s#FFFFFF$4098",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4099",%3801,%3802 : lsph %3807,":s#FFFFFF$4099",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4100",%3801,%3802 : lsph %3807,":s#FFFFFF$4100",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4101",%3801,%3802 : lsph %3807,":s#FFFFFF$4101",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4102",%3801,%3802 : lsph %3807,":s#FFFFFF$4102",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4103",%3801,%3802 : lsph %3807,":s#FFFFFF$4103",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4104",%3801,%3802 : lsph %3807,":s#FFFFFF$4104",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4105",%3801,%3802 : lsph %3807,":s#FFFFFF$4105",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 mov %3801,485 : mov %3802,%3806 : mov %3803,0 lsp %3805,":s#B7B7B7#FF1D1D$4106",%3801,%3802 : lsph %3807,":s#FFFFFF$4106",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4107",%3801,%3802 : lsph %3807,":s#FFFFFF$4107",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4108",%3801,%3802 : lsph %3807,":s#FFFFFF$4108",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4109",%3801,%3802 : lsph %3807,":s#FFFFFF$4109",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4110",%3801,%3802 : lsph %3807,":s#FFFFFF$4110",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4111",%3801,%3802 : lsph %3807,":s#FFFFFF$4111",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4112",%3801,%3802 : lsph %3807,":s#FFFFFF$4112",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4113",%3801,%3802 : lsph %3807,":s#FFFFFF$4113",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4114",%3801,%3802 : lsph %3807,":s#FFFFFF$4114",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4115",%3801,%3802 : lsph %3807,":s#FFFFFF$4115",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 lsp %3805,":s#B7B7B7#FF1D1D$4116",%3801,%3802 : lsph %3807,":s#FFFFFF$4116",%3801,%3802 : add %3802,%3804 : inc %3805 : inc %3807 *bgm_mode_mini_skip ;各システムボタンの配置 ;mov %3801,30 mov %3802,442 mov %3803,422 mov %3804,444 lsp bgm_ennsou_lsp,":a;bgm_mode\ensou_w.bmp",40,%3802 lsph bgm_btn_ennsou_lsp,":a/2,0,3;bgm_mode\ensou_btn.bmp",40,%3802 lsph bgm_zennkyoku_lsp,":a;bgm_mode\all_w.bmp",90,%3803 lsp bgm_btn_zennkyoku_lsp,":a/2,0,3;bgm_mode\all_btn.bmp",90,%3803 lsph bgm_ranndamu_lsp,":a;bgm_mode\rnd_w.bmp",90,%3804 lsp bgm_btn_ranndamu_lsp,":a/2,0,3;bgm_mode\rnd_btn.bmp",90,%3804 lsp bgm_btn_stop_lsp,":a/2,0,3;bgm_mode\stop_btn.bmp",198,%3802 lsp bgm_rpi_lsp,":a;bgm_mode\r_1_w.bmp",240,%3802 lsph bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_1.bmp",240,%3802 lsph bgm_min_lsp,":a;bgm_mode\min_w.bmp",343,%3803 lsp bgm_btn_min_lsp,":a/2,0,3;bgm_mode\min_btn.bmp",343,%3803 lsph bgm_demo_lsp,":a;bgm_mode\demo_w.bmp",343,%3804 lsp bgm_btn_demo_lsp,":a/2,0,3;bgm_mode\demo_btn.bmp",343,%3804 lsph bgm_kowai_skip_lsp,":a;bgm_mode\ko_skip_w.bmp",425,%3803 lsp bgm_btn_kowai_skip_lsp,":a/2,0,3;bgm_mode\ko_skip_btn.bmp",425,%3803 lsph bgm_kowai_only_lsp,":a;bgm_mode\kowai_w.bmp",425,%3804 lsp bgm_btn_kowai_only_lsp,":a/2,0,3;bgm_mode\kowai_btn.bmp",425,%3804 lsp bgm_btn_title_lsp,":a/2,0,3;bgm_mode\modoru_btn.bmp",570,%3802 ;タイトルに戻る lsp bgm_btn_next_lsp,":a/2,0,3;bgm_mode\next_btn.bmp",510,300 ;曲一覧ネクストボタン lsph bgm_btn_back_lsp,":a/2,0,3;bgm_mode\back_btn.bmp",15,300 ;曲一覧バックボタン ;ウィンドウの表示 lsp bgm_window_lsp,":a;bgm_mode\window.bmp",2,325,230 ;print 22 ;** ボタンの設定と処理ルーチン*************************************** *bgm_mode_botann_teigi btndef "" notif %bgm_mood_page = 1 goto *bgm_mode_botann_teigi_100 ;ボタン、表示と非表示の調整 for %tmp = 301 to 360 : vsp %tmp,1 : next for %tmp = 361 to 450 : vsp %tmp,0 : next vsp bgm_btn_next_lsp,1 vsp bgm_btn_back_lsp,0 print 22 ;１ページ目　１〜６０曲まで表示、ＮＥＸＴボタンを表示 exbtn_d "P301,0P302,0P303,0P304,0P305,0P306,0P307,0P308,0P309,0P310,0P311,0P312,0P313,0P314,0P315,0P316,0P317,0P318,0P319,0P320,0P321,0P322,0P323,0P324,0P325,0P326,0P327,0P328,0P329,0P330,0P331,0P332,0P333,0P334,0P335,0P336,0P337,0P338,0P339,0P340,0P341,0P342,0P343,0P344,0P345,0P346,0P347,0P348,0P349,0P350,0P351,0P352,0P353,0P354,0P355,0P356,0P357,0P358,0P359,0P360,0" mov %3801,301 : mov %3802,1 exbtn %3801,%3802,"P301,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P302,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P303,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P304,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P305,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P306,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P307,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P308,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P309,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P310,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P311,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P312,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P313,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P314,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P315,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P316,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P317,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P318,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P319,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P320,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P321,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P322,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P323,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P324,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P325,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P326,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P327,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P328,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P329,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P330,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P331,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P332,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P333,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P334,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P335,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P336,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P337,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P338,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P339,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P340,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P341,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P342,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P343,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P344,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P345,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P346,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P347,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P348,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P349,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P350,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P351,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P352,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P353,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P354,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P355,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P356,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P357,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P358,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P359,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P360,1" : inc %3801 : inc %3802 exbtn bgm_btn_next_lsp,bgm_btn_next,"P21,1" *bgm_mode_botann_teigi_100 notif %bgm_mood_page = 2 goto *bgm_mode_botann_teigi_200 ;ボタン、表示と非表示の調整 for %tmp = 301 to 360 : vsp %tmp,0 : next for %tmp = 361 to 450 : vsp %tmp,1 : next vsp bgm_btn_next_lsp,0 vsp bgm_btn_back_lsp,1 print 22 ;２ページ目　６１〜８０曲まで表示、ＢＡＣＫボタンを表示 exbtn_d "P361,0P362,0P363,0P364,0P365,0P366,0P367,0P368,0P369,0P370,0P371,0P372,0P373,0P374,0P375,0P376,0P377,0P378,0P379,0P380,0P381,0P382,0P383,0P384,0P385,0P386,0P387,0P388,0P389,0P390,0P391,0P392,0P393,0P394,0P395,0P396,0P397,0P398,0P399,0P400,0P401,0P402,0P403,0P404,0P405,0P406,0P407,0P408,0P409,0P410,0P411,0P412,0P413,0P414,0P415,0P416,0" mov %3801,361 : mov %3802,61 exbtn %3801,%3802,"P361,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P362,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P363,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P364,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P365,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P366,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P367,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P368,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P369,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P370,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P371,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P372,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P373,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P374,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P375,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P376,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P377,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P378,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P379,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P380,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P381,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P382,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P383,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P384,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P385,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P386,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P387,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P388,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P389,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P390,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P391,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P392,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P393,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P394,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P395,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P396,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P397,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P398,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P399,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P400,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P401,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P402,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P403,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P404,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P405,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P406,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P407,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P408,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P409,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P410,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P411,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P412,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P413,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P414,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P415,1" : inc %3801 : inc %3802 exbtn %3801,%3802,"P416,1" : inc %3801 : inc %3802 exbtn bgm_btn_back_lsp,bgm_btn_back,"P20,1" *bgm_mode_botann_teigi_200 exbtn bgm_btn_ennsou_lsp,bgm_btn_ennsou,"P39,1" ;演奏 ;ボタンのオン、オフで、定義を切り替える exbtn bgm_btn_zennkyoku_lsp,bgm_btn_zennkyoku,"P37,1" ;全曲演奏 exbtn bgm_btn_ranndamu_lsp,bgm_btn_ranndamu,"P35,1" ;気まぐれ演奏 exbtn bgm_btn_stop_lsp,bgm_btn_stop,"P33,1" ;ストップ exbtn bgm_btn_rpi_lsp,bgm_btn_rpi,"P32,1" ;繰り返し演奏 exbtn bgm_btn_min_lsp,bgm_btn_min,"P30,1" ;１分モード exbtn bgm_btn_demo_lsp,bgm_btn_demo,"P28,1" ;デモモード exbtn bgm_btn_kowai_skip_lsp,bgm_btn_kowai_skip,"P26,1" ;怖い曲を飛ばす exbtn bgm_btn_kowai_only_lsp,bgm_btn_kowai_only,"P24,1" ;怖い曲だけ演奏 exbtn bgm_btn_title_lsp,bgm_btn_title,"P22,1" ;タイトルへ戻る ;ED演奏時はスキップ if %bm_p = %bgm_mood_ed_no goto *bgm_mode_btn_lp *bgm_mode_btn_lp_0 ;ランダム、順番演奏の為に時間制限ボタンを使用する。 getbtntimer %bm_pt2 sub %bm_pt,%bm_pt2 *bgm_mode_btn_lp if %bm_pt < 0 mov %bm_pt,0 notif %bm_p = 0 btntime %bm_pt if %bm_stop = 0 btntime 10000 if %bm_p = 0 btntime 10000 btnwait2 %BtnRes ;時間切れの処理、ループ、次の曲に、ランダム notif %BtnRes <= -5 goto *bgm_mode_100 ;演奏停止中は、ボタン待ち if %bm_stop = 0 goto *bgm_mode_btn_lp ;【演奏＋リピート】　一曲リピート if %bm_rpi=1 if %bm_m = 0 mov %bm_pt,?bgmm[%bm_p][bm_t]: goto *bgm_mode_btn_lp ;演奏のみなら、停止処理 if %bm_rpi=0 if %bm_m = 0 mov %BtnRes,bgm_btn_stop : goto *bgm_mode_100 ;順演奏 notif %bm_m = 1 goto *bgm_mode_10 ;演奏している曲が一番最後なら、リピートのオンオフを確認 if %bm_rpi = 1 && %bm_p >= %bgm_max2 mov %BtnRes,1 : goto *bgm_mode_play_kyokunitobu if %bm_p < %bgm_max2 mov %BtnRes,%bm_p : inc %BtnRes : goto *bgm_mode_play_kyokunitobu ;リピートがオフならストップを入力する。 mov %BtnRes,bgm_btn_stop : goto *bgm_mode_100 *bgm_mode_10 ;ランダム演奏 notif %bm_m = 2 goto *bgm_mode_20 ;ランダムに次の曲へ ;テスト ;notif %bgm_mood_demo = 1 jumpf ; if %bm_p = %bgm_max2 mov %BtnRes,1 : goto *bgm_mode_play_kyokunitobu ; mov %BtnRes,%bm_p : inc %BtnRes : goto *bgm_mode_play_kyokunitobu ; ;~ ;曲数がマックスなら、リピートのオン、オフを確認 notif %bm_rnd_kazu >= %bgm_max2 goto *bgm_mode_25 if %bm_rpi = 1 gosub *bgm_r_shokika if %bm_rpi = 0 mov %BtnRes,bgm_btn_stop : goto *bgm_mode_100 *bgm_mode_25 ;演奏されていない曲数から、ランダムで何番目を演奏するか算出 mov %3803,%bgm_max2 : sub %3803,%bm_rnd_kazu rnd2 %3802,1,%3803 notif %bgm_mood_demo = 1 goto *bgm_mode_26 ;デモモード時は決まった回数に一度、オープニングを流す。 notif %bgm_mood_demo_kaisuu >= 8 jumpf mov %bgm_mood_demo_kaisuu,0 ;交互に曲を流す if %bgm_mood_demo_zennkai_nagasita_op = 1 mov %bgm_mood_demo_zennkai_nagasita_op,2 : mov %BtnRes,2 : goto *bgm_mode_play_kyokunitobu if %bgm_mood_demo_zennkai_nagasita_op = 2 mov %bgm_mood_demo_zennkai_nagasita_op,3 : mov %BtnRes,3 : goto *bgm_mode_play_kyokunitobu if %bgm_mood_demo_zennkai_nagasita_op = 3 mov %bgm_mood_demo_zennkai_nagasita_op,1 : mov %BtnRes,1 : goto *bgm_mode_play_kyokunitobu ~ inc %bgm_mood_demo_kaisuu *bgm_mode_26 ;何番目かを決定したら、1からチェックして、演奏されていない曲を演奏する for %3803 = 1 to %bgm_max2 if ?bgmm[%3803][bm_r] = 0 dec %3802 : if %3802 = 0 mov %BtnRes,%3803 :break next goto *bgm_mode_play_kyokunitobu *bgm_mode_20 ;リピート演奏への切り替え notif %bm_m = 10 goto *bgm_mode_50 mov %bm_m,0 bgm $?bgmm[%bm_p][bm_pa] mov %bm_pt,?bgmm[%bm_p][bm_t] ;曲の時間を入力 goto *bgm_mode_btn_lp *bgm_mode_50 *bgm_mode_100 ;0と-1、デモモードの時はデモモードを抜ける処理を行う。 notif %bgm_mood_demo = 1 goto *bgm_mode_demo_kaijo_skip notif %BtnRes = -1 jumpf csp 0 csp 1 vsp bgm_demo_lsp,0 print 1 mov %bgm_mood_demo,0 mov %BtnRes,bgm_btn_stop goto *bgm_mode_100 ~ notif %BtnRes = 0 jumpf csp 0 csp 1 vsp bgm_demo_lsp,0 print 1 mov %bgm_mood_demo,0 mov %BtnRes,bgm_btn_stop goto *bgm_mode_100 ~ *bgm_mode_demo_kaijo_skip if %BtnRes = -1 goto *bgm_mode_end ;エンド処理 if %BtnRes = 0 goto *bgm_mode_btn_lp_0 ;ページ数、次のページを押されたら曲一覧を次のページに移動 notif %BtnRes = bgm_btn_next goto *bgm_mode_next_100 if %bgm_mood_page = 1 mov %bgm_mood_page,2 : for %tmp = 101 to 250 : vsp %tmp,0 : next : goto *bgm_mode_botann_teigi if %bgm_mood_page = 2 mov %bgm_mood_page,1 : for %tmp = 101 to 250 : vsp %tmp,0 : next : goto *bgm_mode_botann_teigi *bgm_mode_next_100 ;ページ数、前のページを押されたら曲一覧を前のページに移動 notif %BtnRes = bgm_btn_back goto *bgm_mode_back_100 if %bgm_mood_page = 1 mov %bgm_mood_page,2 : for %tmp = 101 to 250 : vsp %tmp,0 : next : goto *bgm_mode_botann_teigi if %bgm_mood_page = 2 mov %bgm_mood_page,1 : for %tmp = 101 to 250 : vsp %tmp,0 : next : goto *bgm_mode_botann_teigi *bgm_mode_back_100 ;演奏 notif %BtnRes = bgm_btn_ennsou goto *bgm_mode_150 ;他のパネルの設定に従って演奏を行う ;ランダムモードがＯＮの時は、曲番号をランダムに変化 if %bm_m = 2 rnd2 %bm_p,1,%bgm_max2 ;曲番号を入力して、演奏ルーチンに飛ぶ if %bm_p <= 0 mov %bm_p,1 mov %BtnRes,%bm_p goto *bgm_mode_play_kyokunitobu_0 *bgm_mode_150 ;リピートのオン、オフ notif %BtnRes = bgm_btn_rpi goto *bgm_mode_200 ;リピートがオンになっているのならオフ、オフならオンに notif %bm_rpi=1 goto *bgm_mode_210 ;一曲、全曲、リピートボタンの変更 if %bm_m = 0 vsp bgm_rpi_lsp,0 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_1.bmp",240,442 if %bm_m = 1 vsp bgm_rpi_lsp,0 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_a.bmp",240,442 if %bm_m = 2 vsp bgm_rpi_lsp,0 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_a.bmp",240,442 mov %bm_rpi,0 vsp bgm_rpi_lsp,0 print 1 goto *bgm_mode_btn_lp_0 *bgm_mode_210 ;一曲、全曲、リピートボタンの変更 if %bm_m = 0 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_1_w.bmp",240,442 if %bm_m = 1 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_a_w.bmp",240,442 if %bm_m = 2 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_a_w.bmp",240,442 mov %bm_rpi,1 vsp bgm_rpi_lsp,1 : print 1 ;通常演奏なら、%bm_mを10に設定（BGMONCEで演奏されていた物を、BGMに変える為） if %bm_m = 0 mov %bm_m,10 goto *bgm_mode_btn_lp_0 *bgm_mode_200 ;順次演奏のオン、オフ notif %BtnRes = bgm_btn_zennkyoku goto *bgm_mode_300 ;オンならオフに、オフならオンにする notif %bm_m = 1 goto *bgm_mode_350 mov %bm_m,0 ;リピートボタンの変更 if %bm_rpi=1 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_1_w.bmp",240,442 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_1.bmp",240,442 if %bm_rpi=0 vsp bgm_rpi_lsp,0 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_1.bmp",240,442 vsp bgm_zennkyoku_lsp,0: print 1 ;リピートがオンなら10を入力（BGMONCEで演奏されていた物を、BGMに変える為） if %bm_rpi = 1 mov %bm_m,10 goto *bgm_mode_btn_lp_0 *bgm_mode_350 ;リピートボタンの変更 ;original ; if %bm_rpi=1 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_a_w.bmp",240,442 if %bm_rpi=1 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_a_w.bmp",240,442 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_a.bmp",240,442 if %bm_rpi=0 vsp bgm_rpi_lsp,0 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_a.bmp",240,442 mov %bm_m,1 vsp bgm_zennkyoku_lsp,1 vsp bgm_ranndamu_lsp,0 print 1 ;演奏されていないのなら、自動的に演奏をスタートする。 notif %bm_stop = 0 jumpf mov %BtnRes,bgm_btn_ennsou goto *bgm_mode_100 ~ goto *bgm_mode_btn_lp_0 *bgm_mode_300 ;ランダム演奏のオン、オフ notif %BtnRes = bgm_btn_ranndamu goto *bgm_mode_400 notif %bm_m = 2 goto *bgm_mode_450 mov %bm_m,0 ;リピートボタンの変更 if %bm_rpi=1 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_1_w.bmp",240,442 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_1.bmp",240,442 if %bm_rpi=0 vsp bgm_rpi_lsp,0 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_1.bmp",240,442 vsp bgm_ranndamu_lsp,0 : print 1 ;リピートがオンなら10を入力（BGMONCEで演奏されていた物を、BGMに変える為） if %bm_rpi = 1 mov %bm_m,10 goto *bgm_mode_btn_lp_0 *bgm_mode_450 mov %bm_m,2 ;リピートボタンの変更 ; if %bm_rpi=1 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_a_w.bmp",240,442 ;xcode if %bm_rpi=1 vsp bgm_btn_rpi_lsp,0 : lsp bgm_rpi_lsp,":a;bgm_mode\r_a_w.bmp",240,442 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_a.bmp",240,442 if %bm_rpi=0 vsp bgm_rpi_lsp,0 : lsp bgm_btn_rpi_lsp,":a/2,0,3;bgm_mode\r_a.bmp",240,442 vsp bgm_zennkyoku_lsp,0 vsp bgm_ranndamu_lsp,1 print 1 gosub *bgm_r_shokika ;演奏中なら現在の曲をチェック変数に入力 notif %bm_stop = 0 mov ?bgmm[%bm_p][bm_r],1 : mov %bm_rnd_kazu,0 : goto *bgm_mode_btn_lp_0 ;演奏されていないのなら、自動的に演奏をスタートする。 if %bm_stop = 0 mov %BtnRes,bgm_btn_ennsou : goto *bgm_mode_100 *bgm_mode_400 ;メドレーボタンのオン、オフ notif %BtnRes = bgm_btn_min goto *bgm_mode_1min_skip ;ON notif %bgm_mood_1min = 0 goto *bgm_mode_1min_10 mov %bgm_mood_1min,1 vsp bgm_min_lsp,1 print 1 ;曲が演奏されていなければ演奏を行う(この時､単曲再生なら､全曲再生にする｡ notif %bm_stop = 0 jumpf if %bm_m <> 0 mov %BtnRes,bgm_btn_ennsou : goto *bgm_mode_100 if %bm_m = 0 mov %BtnRes,bgm_btn_zennkyoku : goto *bgm_mode_100 ~ ;曲が演奏中ならば、その曲はすぐにフェードアウトさせてしまう。 ;単曲演奏中ならば、順次演奏に変更 if %bm_m = 0 vsp bgm_zennkyoku_lsp,1 : vsp bgm_ranndamu_lsp,0 : print 1 : mov %bm_m,1 mov %bm_pt,0 : goto *bgm_mode_btn_lp goto *bgm_mode_btn_lp_0 *bgm_mode_1min_10 ;OFF if %bgm_mood_1min = 1 mov %bgm_mood_1min,0 : vsp bgm_min_lsp,0 :print 1 :goto *bgm_mode_btn_lp *bgm_mode_1min_skip ;デモモードのオン、オフ notif %BtnRes = bgm_btn_demo goto *bgm_mode_demo_skip ;ON notif %bgm_mood_demo = 0 goto *bgm_mode_demo_10 mov %bgm_mood_demo,1 vsp bgm_demo_lsp,1 print 1 ;デモ演奏用のルーチンに飛ぶ ;goto *bgm_demo_play ;演奏、ランダム、繰り返しを自動的にONに vsp bgm_rpi_lsp,1 : mov %bm_rpi,1 vsp bgm_min_lsp,0 : mov %bgm_mood_1min,0 ;vsp bgm_kowai_skip_lsp,0 : ;vsp bgm_kowai_only_lsp,0 : mov %bgm_kowai_skip,0 print 1 ;曲が演奏されていなければ演奏を行う(この時､気まぐれ再生にする） notif %bm_stop = 0 jumpf if %bm_m = 2 mov %BtnRes,bgm_btn_ennsou : goto *bgm_mode_100 if %bm_m <> 2 mov %BtnRes,bgm_btn_ranndamu : goto *bgm_mode_100 ~ ;曲が演奏されていればランダム演奏を行う mov %bm_pt,0 if %bm_m <> 2 vsp bgm_zennkyoku_lsp,0 : vsp bgm_ranndamu_lsp,1 : print 1 : mov %bm_m,2 mov %bm_pt,0 : goto *bgm_mode_btn_lp goto *bgm_mode_btn_lp_0 *bgm_mode_demo_10 notif %bgm_mood_demo = 1 goto *bgm_mode_demo_20 csp 0 vsp bgm_demo_lsp,0 print 1 mov %bgm_mood_demo,0 mov %BtnRes,bgm_btn_stop goto *bgm_mode_100 *bgm_mode_demo_20 *bgm_mode_demo_skip ;演奏停止処理 notif %BtnRes = bgm_btn_stop goto *bgm_mode_stop *bgm_mode_stop100 ;fede 0,2000 E_A textclear csp bgm_title_lsp : csp bgm_sakka_lsp : csp bgm_time_lsp : vsp bgm_ennsou_lsp,0 mov %tmp,100 : add %tmp,%bm_p : vsp %tmp,0 print 1 mov %bm_stop,0 vsp bgm_ennsou_lsp,0 ;vsp bgm_zennkyoku_lsp,0 ;vsp bgm_ranndamu_lsp,0 print 1 gosub *bgm_r_shokika mov %bm_rnd_kazu,0 goto *bgm_mode_btn_lp *bgm_mode_stop ;怖い曲は飛ばすのチェック notif %BtnRes = bgm_btn_kowai_skip goto *bgm_mode500 notif %bgm_kowai_skip <= 0 goto *bgm_mode550 mov %bgm_kowai_skip,1 vsp bgm_kowai_skip_lsp,1 vsp bgm_kowai_only_lsp,0 print 1 goto *bgm_mode_btn_lp_0 *bgm_mode550 mov %bgm_kowai_skip,0 vsp bgm_kowai_skip_lsp,0 vsp bgm_kowai_only_lsp,0 : print 1 gosub *bgm_r_shokika goto *bgm_mode_btn_lp_0 *bgm_mode500 ;怖い曲だけ演奏のチェック notif %BtnRes = bgm_btn_kowai_only goto *bgm_mode600 notif %bgm_kowai_skip >= 0 goto *bgm_mode650 mov %bgm_kowai_skip,-1 vsp bgm_kowai_skip_lsp,0 vsp bgm_kowai_only_lsp,1 print 1 goto *bgm_mode_btn_lp_0 *bgm_mode650 mov %bgm_kowai_skip,0 vsp bgm_kowai_only_lsp,0 vsp bgm_kowai_skip_lsp,0 : print 1 gosub *bgm_r_shokika goto *bgm_mode_btn_lp_0 *bgm_mode600 ;タイトルへ戻る if %BtnRes = bgm_btn_title goto *bgm_mode_end ;------------------------------- ;上記該当以外は、曲の選択扱い *bgm_mode_play_kyokunitobu_0 vsp bgm_ennsou_lsp,1 :print 1 ;演奏ボタンをＯＮにする。 ;曲を選択して、尚且つランダムモードの場合は初期化を行う if %bm_m = 2 gosub *bgm_r_shokika *bgm_mode_play_kyokunitobu ;演奏する曲の曲番号を保持する mov %bm_p,%BtnRes ;ボタン番号を曲番号に変換 mov %BtnRes,?bgmm[%BtnRes][bm_c] ;怖い曲はスキップにチェックが入っている場合、怖い曲は演奏した事にする notif %bgm_kowai_skip = 1 goto *bgm_mode_kowai_skip if ?bgmm[%bm_p][bm_k] = 0 goto *bgm_mode_kowai_skip ;スキップ処理 ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu ;通常演奏で、リピートがオンになっている時、演奏の停止処理 if %bm_m = 0 if %bm_rpi = 1 goto *bgm_mode_stop100 ;曲の時間に０を入れて、演奏中のフラグ変数をONにして次の処理に移る mov %bm_pt,0 mov %bm_stop,1 goto *bgm_mode_btn_lp *bgm_mode_kowai_skip ;怖い曲だけ演奏にチェック（-1が代入）されている場合、怖くない曲は演奏した事 notif %bgm_kowai_skip = -1 goto *bgm_mode_kowakunai_skip if ?bgmm[%bm_p][bm_k] = 1 goto *bgm_mode_kowakunai_skip ;スキップ処理 ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu ;通常演奏で、リピートがオンになっている時、演奏の停止処理 if %bm_m = 0 if %bm_rpi = 1 goto *bgm_mode_stop100 ;曲の時間に０を入れて、演奏中のフラグ変数をONにして次の処理に移る mov %bm_pt,0 mov %bm_stop,1 goto *bgm_mode_btn_lp *bgm_mode_kowakunai_skip ;デモモードでは、ＥＤ、アンビエントを流さない notif %bgm_mood_demo = 1 goto *bgm_mode_ed_skip notif %BtnRes = %bgm_mood_ed_no goto *bgm_mode_ed_skip_100 ;スキップ処理 ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu ;通常演奏で、リピートがオンになっている時、演奏の停止処理 if %bm_m = 0 if %bm_rpi = 1 goto *bgm_mode_stop100 ;曲の時間に０を入れて、次の処理に移る mov %bm_pt,0 goto *bgm_mode_btn_lp *bgm_mode_ed_skip_100 notif %BtnRes = %bgm_mood_me1_no goto *bgm_mode_ed_skip ;スキップ処理 ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu ;通常演奏で、リピートがオンになっている時、演奏の停止処理 if %bm_m = 0 if %bm_rpi = 1 goto *bgm_mode_stop100 ;曲の時間に０を入れて、演奏中のフラグ変数をONにして次の処理に移る mov %bm_pt,0 mov %bm_stop,1 goto *bgm_mode_btn_lp *bgm_mode_ed_skip ;作曲者名などの情報を表示する座標を変数に格 mov %bgm_x,20 ;Ｘ座標 mov %bgm_y1,339 ;Ｙ座標(曲タイトル) mov %bgm_y2,364 ;Ｙ座標(曲タイトル) mov %bgm_y3,389 ;Ｙ座標(曲タイトル) ;101〜450までのスプライト(ブリンクさせている曲のタイトルのブリンクを外す） for %tmp = 101 to 250 vsp %tmp,0 next ;直前の曲がＯＰムービーだった場合はフェードをスキップする。 if %bgm_mood_tyokuzenn_op_fede_skip >= 1 jumpf ;メドレーモードでストップからの演奏でなければここでフェードアウト命令を入れる。 if %bgm_mood_1min = 1 notif %bm_stop = 0 fede 0,3000 : wait 1000 ;デモモードでストップからの演奏でなければここでフェードアウト命令を入れる。 if %bgm_mood_demo = 1 notif %bm_stop = 0 fede 0,2000 : wait 1000 ~ mov %bgm_mood_tyokuzenn_op_fede_skip,0 ;演奏のオン、オフ変数をオンに mov %bm_stop,1 ;それぞれの曲のルーチンに飛ぶ if %BtnRes = 1 goto *bgm_mode_sample_u3 if %BtnRes = 2 goto *bgm_mode_natunotobira if %BtnRes = 3 goto *bgm_mode_hane if %BtnRes = 4 goto *bgm_mode_ride_on if %BtnRes = 5 goto *bgm_mode_sea if %BtnRes = 6 goto *bgm_mode_kurayaminotoki if %BtnRes = 7 goto *bgm_mode_q_Sample17 if %BtnRes = 8 goto *bgm_mode_hope if %BtnRes = 9 goto *bgm_mode_siroikage if %BtnRes = 10 goto *bgm_mode_u_Sample21 if %BtnRes = 11 goto *bgm_mode_towering if %BtnRes = 12 goto *bgm_mode_t_Sample20 if %BtnRes = 13 goto *bgm_mode_sample_u4 if %BtnRes = 14 goto *bgm_mode_rinnsi if %BtnRes = 15 goto *bgm_mode_rennsakairou if %BtnRes = 16 goto *bgm_mode_fortitude if %BtnRes = 17 goto *bgm_mode_witch_cenba if %BtnRes = 18 goto *bgm_mode_sasoi if %BtnRes = 19 goto *bgm_mode_yomiage if %BtnRes = 20 goto *bgm_mode_stupefaction if %BtnRes = 21 goto *bgm_mode_h_sample8 if %BtnRes = 22 goto *bgm_mode_c_sample3 if %BtnRes = 23 goto *bgm_mode_sample_u5 if %BtnRes = 24 goto *bgm_mode_goldenslaughterer if %BtnRes = 25 goto *bgm_mode_worldend_solo if %BtnRes = 26 goto *bgm_mode_eganomajo if %BtnRes = 27 goto *bgm_mode_suspicion if %BtnRes = 28 goto *bgm_mode_kizuoto if %BtnRes = 29 goto *bgm_mode_toitume if %BtnRes = 30 goto *bgm_mode_m_darkness if %BtnRes = 31 goto *bgm_mode_m_u2_tipica1 if %BtnRes = 32 goto *bgm_mode_closed_My_Heart if %BtnRes = 33 goto *bgm_mode_requiem if %BtnRes = 34 goto *bgm_mode_mind_2 if %BtnRes = 35 goto *bgm_mode_worldend if %BtnRes = 36 goto *bgm_mode_play if %BtnRes = 37 goto *bgm_mode_system0 if %BtnRes = 38 goto *bgm_mode_voiceless if %BtnRes = 39 goto *bgm_mode_deadangle if %BtnRes = 40 goto *bgm_mode_orugann if %BtnRes = 41 goto *bgm_mode_rougoku if %BtnRes = 42 goto *bgm_mode_gc_01 ;EP2追加分 if %BtnRes = 43 goto *bgm_mode_cage if %BtnRes = 44 goto *bgm_mode_ougon_no_kage if %BtnRes = 45 goto *bgm_mode_sasorinoharawata if %BtnRes = 46 goto *bgm_mode_sy if %BtnRes = 47 goto *bgm_mode_Answer if %BtnRes = 48 goto *bgm_mode_Answer_short if %BtnRes = 49 goto *bgm_mode_sirabe_oche if %BtnRes = 50 goto *bgm_mode_Read_Dread if %BtnRes = 51 goto *bgm_mode_moon if %BtnRes = 52 goto *bgm_mode_where if %BtnRes = 53 goto *bgm_mode_Dread_grave if %BtnRes = 54 goto *bgm_mode_Worldenddominator if %BtnRes = 55 goto *bgm_mode_ririana if %BtnRes = 56 goto *bgm_mode_kiyuusoku if %BtnRes = 57 goto *bgm_mode_hakujitunohate if %BtnRes = 58 goto *bgm_mode_sirabe_vocal if %BtnRes = 59 goto *bgm_mode_Over_the_sky ;EP3追加分 if %BtnRes = 60 goto *bgm_mode_hidamari if %BtnRes = 61 goto *bgm_mode_org_remake if %BtnRes = 62 goto *bgm_mode_Haruka if %BtnRes = 63 goto *bgm_mode_psy_chorus_mx if %BtnRes = 64 goto *bgm_mode_far if %BtnRes = 65 goto *bgm_mode_akaikutu2 if %BtnRes = 66 goto *bgm_mode_mother if %BtnRes = 67 goto *bgm_mode_haze if %BtnRes = 68 goto *bgm_mode_ennkan if %BtnRes = 69 goto *bgm_mode_dread_grave2 if %BtnRes = 70 goto *bgm_mode_orugan_2okuban if %BtnRes = 71 goto *bgm_mode_rhythm_changer_mx if %BtnRes = 72 goto *bgm_mode_happiness_omake if %BtnRes = 73 goto *bgm_mode_happiness if %BtnRes = 74 goto *bgm_mode_tuki_usagi if %BtnRes = 75 goto *bgm_mode_melting_away if %BtnRes = 76 goto *bgm_mode_soul_of_soul if %BtnRes = 77 goto *bgm_mode_miragecoordinator if %BtnRes = 78 goto *bgm_mode_prison if %BtnRes = 79 goto *bgm_mode_umare if %BtnRes = 80 goto *bgm_mode_tubasa if %BtnRes = 81 goto *bgm_mode_siturakuenn if %BtnRes = 82 goto *bgm_mode_wingless if %BtnRes = 83 goto *bgm_mode_activepain if %BtnRes = 84 goto *bgm_mode_Dread_grave_rhythm if %BtnRes = 85 goto *bgm_mode_kuonn if %BtnRes = 86 goto *bgm_mode_over if %BtnRes = 87 goto *bgm_mode_gc19 if %BtnRes = 88 goto *bgm_mode_f1_02 if %BtnRes = 89 goto *bgm_mode_mclock if %BtnRes = 90 goto *bgm_mode_apathy if %BtnRes = 91 goto *bgm_mode_forest if %BtnRes = 92 goto *bgm_mode_mdoramu if %BtnRes = 93 goto *bgm_mode_fs2 if %BtnRes = 95 goto *bgm_mode_org_kui if %BtnRes = 96 goto *bgm_mode_happy_maria if %BtnRes = 97 goto *bgm_mode_Surrounding if %BtnRes = 98 goto *bgm_mode_hibuta if %BtnRes = 99 goto *bgm_mode_death if %BtnRes = 100 goto *bgm_mode_mortal if %BtnRes = 101 goto *bgm_mode_Victima if %BtnRes = 102 goto *bgm_mode_Revolt if %BtnRes = 103 goto *bgm_mode_renngoku_kyousou if %BtnRes = 104 goto *bgm_mode_h_maria_uta if %BtnRes = 105 goto *bgm_mode_dive_to_emergency if %BtnRes = 106 goto *bgm_mode_dir if %BtnRes = 107 goto *bgm_mode_e_nain if %BtnRes = 108 goto *bgm_mode_dreamenddischarger if %BtnRes = 109 goto *bgm_mode_discode if %BtnRes = 110 goto *bgm_mode_kururi if %BtnRes = %bgm_mood_turu_pettan_no goto *bgm_mode_turu_pettan if %BtnRes = %bgm_mood_op_no goto *bgm_mode_op if %BtnRes = %bgm_mood_op2_no goto *bgm_mode_op2 if %BtnRes = %bgm_mood_op3_no goto *bgm_mode_op3 if %BtnRes = %bgm_mood_ed_no goto *bgm_mode_ed if %BtnRes = %bgm_mood_me1_no goto *bgm_mode_me_arasi if %BtnRes = %bgm_mood_me2_no goto *bgm_mode_me_tokei goto *bgm_mode_btn_lp ;*********************************************************************** ; 曲の一覧を消すルーチン *bgm_mode_k layermessage 0,"x" bg black,0 ;101〜450までのスプライトを隠す。 for %tmp = 101 to 450 vsp %tmp,0 next for %tmp = 40 to 20 step -1 vsp %tmp,0 next vsp 499,0 mono 0 csp 0 : csp 1 csp 10 : csp 11 : csp 12 : csp 13 : csp 14 : csp 15 : csp 16 csp 500 : csp 501 : csp 502 : csp 503 : csp 504 : csp 505 : csp 506: csp 507: csp 508: csp 509: csp 510 csp bgm_title_lsp : csp bgm_sakka_lsp : csp bgm_time_lsp textclear setwindow 40,385,30,3,22,22,0,2,20,1,1,#ffffff,0,0,610,495 return ;----------------------------------- *bgm_mode_k2 bg black,0 csp 0 : csp 1 csp 10 : csp 11 : csp 12 : csp 13 : csp 14 : csp 15 : csp 16 csp 500 : csp 501 : csp 502 : csp 503 : csp 504 : csp 505 : csp 506: csp 507: csp 508: csp 509: csp 510 csp bgm_title_lsp : csp bgm_sakka_lsp : csp bgm_time_lsp textclear setwindow 40,385,30,3,22,22,0,2,20,1,1,#ffffff,0,0,610,495 return ;----------------------------------- ; 曲の一覧を表示するルーチン *bgm_mode_h2 ;演奏されている曲に、曲の一覧ページを合わせる。 ;if %bm_p >= 1 && %bm_p <=52 mov %bgm_mood_page,1 ;if %bm_p >= 53 mov %bgm_mood_page,2 if %bgm_mood_page = 1 for %tmp = 301 to 360 : vsp %tmp,1 : next : vsp bgm_btn_next_lsp,1 if %bgm_mood_page = 2 for %tmp = 361 to 450 : vsp %tmp,1 : next : vsp bgm_btn_back_lsp,1 vsp 499,1 ;演奏中の曲は白くブリンクさせる if %bgm_mood_page = 1 && %bm_p <= 60 mov %tmp,100 : add %tmp,%bm_p : vsp %tmp,1 if %bgm_mood_page = 2 && %bm_p >= 61 mov %tmp,100 : add %tmp,%bm_p : vsp %tmp,1 for %tmp = 40 to 22 step -1 vsp %tmp,1 next ;フラグの立っていないメニューはOFF（白いブリンクを解除する） if %bm_m = 0 vsp bgm_zennkyoku_lsp,0 : vsp bgm_ranndamu_lsp,0 if %bm_m = 1 vsp bgm_zennkyoku_lsp,1 : vsp bgm_ranndamu_lsp,0 if %bm_m = 2 vsp bgm_zennkyoku_lsp,0 : vsp bgm_ranndamu_lsp,1 if %bm_rpi = 0 vsp bgm_rpi_lsp,0 if %bgm_mood_1min = 0 vsp bgm_min_lsp,0 if %bgm_mood_demo = 0 vsp bgm_demo_lsp,0 if %bgm_kowai_skip = 0 vsp bgm_kowai_skip_lsp,0 : vsp bgm_kowai_only_lsp,0 if %bgm_kowai_skip = 1 vsp bgm_kowai_skip_lsp,1 : vsp bgm_kowai_only_lsp,0 if %bgm_kowai_skip = -1 vsp bgm_kowai_skip_lsp,0 : vsp bgm_kowai_only_lsp,1 ;演奏中の曲は白くブリンクさせる if %bgm_mood_page = 1 && %bm_p <= 60 mov %tmp,100 : add %tmp,%bm_p : vsp %tmp,1 if %bgm_mood_page = 2 && %bm_p >= 61 mov %tmp,100 : add %tmp,%bm_p : vsp %tmp,1 return ;--------------------------------- ;ランダムモード、演奏曲チェック初期化ルーチン *bgm_r_shokika ;現在演奏している以外の曲のチェック変数を初期化する。 for %3810 = 1 to %bgm_max2 mov ?bgmm[%3810][bm_r],0 next mov %bm_rnd_kazu,0 return ;----------------------------------- ;** 各ＢＧＭを演奏、情報を表示*************************************** ;演奏ルーチン *bgm_play if %bm_m = 10 mov %bm_m,0 E_A ;曲の時間を入力 mov %bm_pt,?bgmm[%bm_p][bm_t] ;ボリュームを７０に固定 bgmvol 70 : mov %BGM_v_Ch,70 ;メドレーモードがＯＮの場合は56000-3000ミリ秒を入力 if %bgm_mood_1min = 1 if ?bgmm[%bm_p][bm_t] > 60000 mov %bm_pt,53000 ;デモモードがＯＮの場合は15000-4000ミリ秒を入力 if %bgm_mood_demo = 1 mov %bm_pt,11000 ;環境音なら演奏はなし演奏処理をスキップ if %bm_p = %bgm_mood_me1_btn_no jumpf ;通常演奏で、リピートがオンになっている時のみ、一曲リピート if %bm_m = 0 if %bm_rpi = 1 bgm $?bgmm[%bm_p][bm_pa] : resettimer : return ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu bgmonce $?bgmm[%bm_p][bm_pa] ~ resettimer add %bm_pt,4000 ;無音状態の時間 return ;*********************************************************************** ;デモモード用、ＣＧの表示 *demo_hyouji mono 0 ;ゲームロゴを常に表示 ;bgm_mode\ss\demo_pvの画像をランダムで選択して表示する。 rnd2 %tmp,1,266 mov $tmp,":c;bgm_mode\demo_pv\" itoa $tmp2,%tmp add $tmp,$tmp2 add $tmp,".jpg" gosub *bgm_play ;環境音はここで改めて演奏する。 if %bm_p = %bgm_mood_me1_btn_no meplay2 1,13,70 lsp 0,":a;bmp\efe\Cinema_logo2.BMP",310,350 lsp 1,$tmp,0,0 : print 22 goto *bgm_mode_btn_lp ;*********************************************************************** ;ランダム表情システム ;ランダムにキャラ、表情を配置するシステム ;------------------------- *bgm_mode_rnd_tati1 ;真里亞、ジェシカ、譲治、バトラを配置 ;（%tmp1　ｌ　%tmp2　ｃ　%tmp3　ｒ　%tmp10　キャラ番号） ;------------------------------------------- ;立ち位置 for %tmp15 = 1 to 3 ~ rnd2 %ran,1,4 if %tmp15 = 2 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp2 jumpb if %tmp15 = 1 mov %tmp1,%ran if %tmp15 = 2 mov %tmp2,%ran ;バトラ notif %ran = 1 goto *bgm_mode_tati1_100 ;表情の決定 ~ rnd2 %tmp,BUT_DefA1,BUT_FutekiA1 if %tmp = BUT_kuyasigaruA1 jumpb if %tmp = BUT_NakuA1 jumpb if %tmp = BUT_NiramuA1 jumpb if %tmp = BUT_NiramuA2 jumpb if %tmp = BUT_NiramuA3 jumpb if %tmp15 = 1 mov %tmp11,but :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,but :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,but :mov $tmp3,$%tmp *bgm_mode_tati1_100 ;ジェシカ notif %ran = 2 goto *bgm_mode_tati1_200 ;表情の決定 ~ rnd2 %tmp,JES_DefA1,JES_AtyaA3 if %tmp = JES_NakuA1 jumpb if %tmp = JES_IkariA2 jumpb if %tmp = JES_NakuA2 jumpb if %tmp = JES_NakuA3 jumpb if %tmp15 = 1 mov %tmp11,jes :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,jes :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,jes :mov $tmp3,$%tmp *bgm_mode_tati1_200 ;譲治 notif %ran = 3 goto *bgm_mode_tati1_300 ;表情の決定 ~ rnd2 %tmp,GEO_DefA1,GEO_KomaruA5k if %tmp = GEO_nakuA1 jumpb if %tmp = GEO_nakuA1k jumpb if %tmp = GEO_nakuA2 jumpb if %tmp = GEO_nakuA2k jumpb if %tmp15 = 1 mov %tmp11,geo :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,geo :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,geo :mov $tmp3,$%tmp *bgm_mode_tati1_300 ;マリア notif %ran = 4 goto *bgm_mode_tati1_400 ;表情の決定 ~ rnd2 %tmp,1,8 if %tmp = 1 mov $tmp4,$MAR_DefA1 if %tmp = 2 mov $tmp4,$MAR_waraiA1 if %tmp = 3 mov $tmp4,$MAR_waraiA2 if %tmp = 4 mov $tmp4,$MAR_niyariA1 if %tmp = 5 mov $tmp4,$MAR_niyariA2 if %tmp = 6 mov $tmp4,$MAR_odorokiA1 if %tmp = 7 mov $tmp4,$MAR_fukigenA1 if %tmp = 8 mov $tmp4,$MAR_fukigenA2 if %tmp15 = 1 mov %tmp11,mar :mov $tmp1,$tmp4 if %tmp15 = 2 mov %tmp12,mar :mov $tmp2,$tmp4 if %tmp15 = 3 mov %tmp13,mar :mov $tmp3,$tmp4 *bgm_mode_tati1_400 next return ;*********************************************************************** *bgm_mode_rnd_tati_siyounin ;キャラのランダム配置（使用人） ;（%tmp1　ｌ　%tmp2　ｃ　%tmp3　ｒ　%tmp10　キャラ番号） for %tmp15 = 1 to 3 ~ rnd2 %ran,1,5 if %tmp15 = 2 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp2 jumpb if %tmp15 = 1 mov %tmp1,%ran if %tmp15 = 2 mov %tmp2,%ran ;源次 notif %ran = 1 goto *bgm_mode_rnd_tati_siyounin_100 ;表情の決定 ~ rnd2 %tmp,GEN_DefA1,GEN_MajimeA2 if %tmp15 = 1 mov %tmp11,gen :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,gen :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,gen :mov $tmp3,$%tmp *bgm_mode_rnd_tati_siyounin_100 ;紗音 notif %ran = 2 goto *bgm_mode_rnd_tati_siyounin_200 ;表情の決定 ~ rnd2 %tmp,SHA_DefA1,SHA_OdorokiA2 if %tmp15 = 1 mov %tmp11,sha :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,sha :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,sha :mov $tmp3,$%tmp *bgm_mode_rnd_tati_siyounin_200 ;嘉音 notif %ran = 3 goto *bgm_mode_rnd_tati_siyounin_300 ;表情の決定 ~ rnd2 %tmp,KAN_DefA1,KAN_NayamuA1 if %tmp = KAN_IkariA1 jumpb if %tmp15 = 1 mov %tmp11,kan :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,kan :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,kan :mov $tmp3,$%tmp *bgm_mode_rnd_tati_siyounin_300 ;郷田 notif %ran = 4 goto *bgm_mode_rnd_tati_siyounin_400 ;表情の決定 ~ rnd2 %tmp,GOH_DefA1,GOH_KomaruA3 if %tmp = GOH_IkariA2 jumpb if %tmp15 = 1 mov %tmp11,goh :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,goh :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,goh :mov $tmp3,$%tmp *bgm_mode_rnd_tati_siyounin_400 ;熊沢 notif %ran = 5 goto *bgm_mode_rnd_tati_siyounin_500 ;表情の決定 ~ rnd2 %tmp,KUM_DefA1,KUM_WaraiA2 if %tmp15 = 1 mov %tmp11,goh :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,goh :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,goh :mov $tmp3,$%tmp *bgm_mode_rnd_tati_siyounin_500 next return ;-------------------------------------------------- *bgm_mode_rnd_tati_4kyoudai ;キャラのランダム配置（４人兄弟） ;（%tmp1　ｌ　%tmp2　ｃ　%tmp3　ｒ　%tmp10　キャラ番号） for %tmp15 = 1 to 3 ~ rnd2 %ran,1,4 if %tmp15 = 2 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp2 jumpb if %tmp15 = 1 mov %tmp1,%ran if %tmp15 = 2 mov %tmp2,%ran ;蔵臼 notif %ran = 1 goto *bgm_mode_rnd_tati_4kyoudai_100 ;表情の決定 ~ rnd2 %tmp,KLA_DefA1,KLA_NayamuA1 if %tmp15 = 1 mov %tmp11,kla :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,kla :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,kla :mov $tmp3,$%tmp *bgm_mode_rnd_tati_4kyoudai_100 ;絵羽 notif %ran = 2 goto *bgm_mode_rnd_tati_4kyoudai_200 ;表情の決定 ~ rnd2 %tmp,EVA_DefA1,EVA_futekiA1 if %tmp = EVA_DefB1 jumpb if %tmp = EVA_WaraiB1 jumpb if %tmp = EVA_IkariB1 jumpb if %tmp = EVA_KomaruB1 jumpb if %tmp = EVA_MajimeB1 jumpb if %tmp15 = 1 mov %tmp11,eva :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,eva :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,eva :mov $tmp3,$%tmp *bgm_mode_rnd_tati_4kyoudai_200 ;留弗夫 notif %ran = 3 goto *bgm_mode_rnd_tati_4kyoudai_300 ;表情の決定 ~ rnd2 %tmp,RUD_DefA1,RUD_WaraiA2 if %tmp15 = 1 mov %tmp11,rud :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,rud :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,rud :mov $tmp3,$%tmp *bgm_mode_rnd_tati_4kyoudai_300 ;楼座 notif %ran = 4 goto *bgm_mode_rnd_tati_4kyoudai_400 ;表情の決定 ~ rnd2 %tmp,ROS_DefA1,ROS_AseruA1 if %tmp = ros_waraiA1 jumpb if %tmp = ros_waraiA2 jumpb if %tmp15 = 1 mov %tmp11,ros :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,ros :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,ros :mov $tmp3,$%tmp *bgm_mode_rnd_tati_4kyoudai_400 next return ;---------------------------------- *bgm_mode_rnd_yomiage ;キャラのランダム配置（真里亞、使用人と金蔵を除く全員）） ;（%tmp1　ｌ　%tmp2　ｃ　%tmp3　ｒ　%tmp10　キャラ番号） for %tmp15 = 1 to 3 ~ rnd2 %ran,1,12 if %tmp15 = 2 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp2 jumpb if %tmp15 = 1 mov %tmp1,%ran if %tmp15 = 2 mov %tmp2,%ran ;バトラ notif %ran = 1 goto *bgm_mode_rnd_yomiage_100 ;表情の決定 ~ rnd2 %tmp,BUT_DefA1,BUT_FutekiA1 if %tmp = BUT_kuyasigaruA1 jumpb if %tmp = BUT_NakuA1 jumpb if %tmp = BUT_NiramuA1 jumpb if %tmp = BUT_NiramuA2 jumpb if %tmp = BUT_NiramuA3 jumpb if %tmp15 = 1 mov %tmp11,but :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,but :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,but :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_100 ;ジェシカ notif %ran = 2 goto *bgm_mode_rnd_yomiage_200 ;表情の決定 ~ rnd2 %tmp,JES_DefA1,JES_AtyaA3 if %tmp = JES_NakuA1 jumpb if %tmp = JES_IkariA2 jumpb if %tmp = JES_NakuA2 jumpb if %tmp = JES_NakuA3 jumpb if %tmp15 = 1 mov %tmp11,jes :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,jes :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,jes :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_200 ;譲治 notif %ran = 3 goto *bgm_mode_rnd_yomiage_300 ;表情の決定 ~ rnd2 %tmp,GEO_DefA1,GEO_KomaruA5k if %tmp = GEO_nakuA1 jumpb if %tmp = GEO_nakuA1k jumpb if %tmp = GEO_nakuA2 jumpb if %tmp = GEO_nakuA2k jumpb if %tmp15 = 1 mov %tmp11,geo :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,geo :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,geo :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_300 ;マリア notif %ran = 4 goto *bgm_mode_tati1_350 ;表情の決定 ~ rnd2 %tmp,1,8 if %tmp = 1 mov $tmp4,$MAR_DefA1 if %tmp = 2 mov $tmp4,$MAR_waraiA1 if %tmp = 3 mov $tmp4,$MAR_waraiA2 if %tmp = 4 mov $tmp4,$MAR_niyariA1 if %tmp = 5 mov $tmp4,$MAR_niyariA2 if %tmp = 6 mov $tmp4,$MAR_odorokiA1 if %tmp = 7 mov $tmp4,$MAR_fukigenA1 if %tmp = 8 mov $tmp4,$MAR_fukigenA2 if %tmp15 = 1 mov %tmp11,mar :mov $tmp1,$tmp4 if %tmp15 = 2 mov %tmp12,mar :mov $tmp2,$tmp4 if %tmp15 = 3 mov %tmp13,mar :mov $tmp3,$tmp4 *bgm_mode_tati1_350 ;蔵臼 notif %ran = 5 goto *bgm_mode_rnd_yomiage_400 ;表情の決定 ~ rnd2 %tmp,KLA_DefA1,KLA_NayamuA1 if %tmp15 = 1 mov %tmp11,kla :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,kla :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,kla :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_400 ;夏妃 notif %ran = 6 goto *bgm_mode_rnd_yomiage_500 ;表情の決定 ~ rnd2 %tmp,NAT_DefA1,NAT_TukareB2 if %tmp15 = 1 mov %tmp11,nat :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,nat :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,nat :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_500 ;絵羽 notif %ran = 7 goto *bgm_mode_rnd_yomiage_600 ;表情の決定 ~ rnd2 %tmp,EVA_DefA1,EVA_futekiA1 if %tmp = EVA_DefB1 jumpb if %tmp = EVA_WaraiB1 jumpb if %tmp = EVA_IkariB1 jumpb if %tmp = EVA_KomaruB1 jumpb if %tmp = EVA_MajimeB1 jumpb if %tmp15 = 1 mov %tmp11,eva :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,eva :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,eva :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_600 ;秀吉 notif %ran = 8 goto *bgm_mode_rnd_yomiage_700 ;表情の決定 ~ rnd2 %tmp,HID_DefA1,HID_WaraiA2 if %tmp15 = 1 mov %tmp11,hid :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,hid :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,hid :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_700 ;留弗夫 notif %ran = 9 goto *bgm_mode_rnd_yomiage_800 ;表情の決定 ~ rnd2 %tmp,RUD_DefA1,RUD_WaraiA2 if %tmp15 = 1 mov %tmp11,rud :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,rud :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,rud :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_800 ;霧江 notif %ran = 10 goto *bgm_mode_rnd_yomiage_900 ;表情の決定 ~ rnd2 %tmp,KIR_DefA1,KIR_WaraiA2 if %tmp15 = 1 mov %tmp11,kir :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,kir :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,kir :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_900 ;楼座 notif %ran = 11 goto *bgm_mode_rnd_yomiage_1000 ;表情の決定 ~ rnd2 %tmp,ROS_DefA1,ROS_AseruA1 if %tmp = ROS_IkariA2 jumpb if %tmp = ROS_IkariA3 jumpb if %tmp = ROS_IkariA4 jumpb if %tmp15 = 1 mov %tmp11,ros :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,ros :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,ros :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_1000 ;南條 notif %ran = 12 goto *bgm_mode_rnd_yomiage_1100 ;表情の決定 ~ rnd2 %tmp,NAN_DefA1,NAN_fumuA1 if %tmp15 = 1 mov %tmp11,nan :mov $tmp1,$%tmp if %tmp15 = 2 mov %tmp12,nan :mov $tmp2,$%tmp if %tmp15 = 3 mov %tmp13,nan :mov $tmp3,$%tmp *bgm_mode_rnd_yomiage_1100 next return ;*********************************************************************** *bgm_mode_rnd_yomiage2 ;キャラのランダム配置（戦人、ベアト、ロノウェ） ;（%tmp1　ｌ　%tmp2　ｃ　%tmp3　ｒ　%tmp10　キャラ番号） for %tmp15 = 1 to 3 ~ rnd2 %ran,1,3 if %tmp15 = 2 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp2 jumpb if %tmp15 = 1 mov %tmp1,%ran if %tmp15 = 2 mov %tmp2,%ran ;バトラ notif %ran = 1 goto *bgm_mode_rnd_yomiage2_100 ;表情の決定 rnd2 %tmp,BUT_DefA1,BUT_NayamuA3 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_yomiage2_100 ;ベアト notif %ran = 2 goto *bgm_mode_rnd_yomiage2_200 ;表情の決定 rnd2 %tmp,BEA_DefA1,BEA_WaraiA4 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_yomiage2_200 ;ロノウェ notif %ran = 3 goto *bgm_mode_rnd_yomiage2_300 ;表情の決定 rnd2 %tmp,RON_DefA1,RON_OdorokiA2 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_yomiage2_300 next return ;*********************************************************************** *bgm_mode_rnd_yomiage3 ;キャラのランダム配置（ベアト、ベルン、ラムダ） ;（%tmp1　ｌ　%tmp2　ｃ　%tmp3　ｒ　%tmp10　キャラ番号） for %tmp15 = 1 to 3 ~ rnd2 %ran,1,3 if %tmp15 = 2 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp2 jumpb if %tmp15 = 1 mov %tmp1,%ran if %tmp15 = 2 mov %tmp2,%ran ;ベルン notif %ran = 1 goto *bgm_mode_rnd_yomiage3_100 ;表情の決定 rnd2 %tmp,BER_DefA1,BER_DefA2 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_yomiage3_100 ;ベアト notif %ran = 2 goto *bgm_mode_rnd_yomiage3_200 ;表情の決定 rnd2 %tmp,BEA_DefA1,BEA_WaraiA4 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_yomiage3_200 ;ラムダ notif %ran = 3 goto *bgm_mode_rnd_yomiage3_300 ;表情の決定 rnd2 %tmp,LAM_AkuwaraiA1,LAM_OdorokiA1 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_yomiage3_300 next return ;*********************************************************************** ;*********************************************************************** *bgm_mode_rnd_siesuta ;キャラのランダム配置（シエスタ姉妹） ;（%tmp1　ｌ　%tmp2　ｃ　%tmp3　ｒ　%tmp10　キャラ番号） for %tmp15 = 1 to 3 ~ rnd2 %ran,1,3 if %tmp15 = 2 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp1 jumpb if %tmp15 = 3 if %ran = %tmp2 jumpb if %tmp15 = 1 mov %tmp1,%ran if %tmp15 = 2 mov %tmp2,%ran ;００ notif %ran = 1 goto *bgm_mode_rnd_siesuta_100 ;表情の決定 rnd2 %tmp,S00_DefA1,S00_KomaruA1 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_siesuta_100 ;４５ notif %ran = 2 goto *bgm_mode_rnd_siesuta_200 ;表情の決定 rnd2 %tmp,S45_DefA1,S45_MajimeA1 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_siesuta_200 ;４１０ notif %ran = 3 goto *bgm_mode_rnd_siesuta_300 ;表情の決定 rnd2 %tmp,S41_DefA1,S41_OdorokiA1 if %tmp15 = 1 mov $tmp1,$%tmp if %tmp15 = 2 mov $tmp2,$%tmp if %tmp15 = 3 mov $tmp3,$%tmp *bgm_mode_rnd_siesuta_300 next return ;*********************************************************************** ;背景をランダムで配置 *bgm_mode_rnd_bg1 mov $tmp,":c;" rnd2 %tmp,1,14 if %tmp = 1 add $tmp,ship_P1a if %tmp = 2 add $tmp,ship_P1b if %tmp = 3 add $tmp,ship_S2a if %tmp = 4 add $tmp,ship_S2b if %tmp = 5 add $tmp,rose_1a if %tmp = 6 add $tmp,rose_1b if %tmp = 7 add $tmp,rose_G1d if %tmp = 8 add $tmp,G1F_S2a if %tmp = 9 add $tmp,G2F_R1a if %tmp = 10 add $tmp,G2F_R1c if %tmp = 11 add $tmp,Sky_2a if %tmp = 12 add $tmp,Sky_1a if %tmp = 13 add $tmp,beach_2a if %tmp = 14 add $tmp,beach_2b return ;--------------------------------------------- ;背景をランダムで表示（メインホール） *bgm_mode_rnd_bg_mhal mov $tmp,":c;" rnd2 %ran,1,6 if %ran = 1 add $tmp,Mhal_1c if %ran = 2 add $tmp,Mhal_2a if %ran = 3 add $tmp,Mdin_1e if %ran = 4 add $tmp,Mlib_1e if %ran = 5 add $tmp,MNAT_1c if %ran = 6 add $tmp,M2F_P1c return ;--------------------------------------------- ;背景をランダムで表示（メインホール） *bgm_mode_rnd_bg_mhal2 mov $tmp,":c;" rnd2 %ran,1,13 if %ran = 1 add $tmp,Mhal_1c if %ran = 2 add $tmp,Mhal_2a if %ran = 3 add $tmp,Mdin_1e if %ran = 4 add $tmp,Mlib_1e if %ran = 5 add $tmp,MNAT_1c if %ran = 6 add $tmp,M2F_P1c if %ran = 7 add $tmp,M1F_P2b if %ran = 8 add $tmp,M1F_S1a if %ran = 9 add $tmp,M1F_S1c if %ran = 10 add $tmp,M1F_S2a if %ran = 11 add $tmp,Mlib_1b if %ran = 12 add $tmp,Mlib_1c if %ran = 13 add $tmp,Mlib_1d return ;--------------------------------------------- ;背景を魔女の空間をランダムで表示 *bgm_mode_rnd_bg_majo mov $tmp,":c;" rnd2 %ran,1,4 ;if %ran = 1 add $tmp,butterfly_1a ;if %ran = 2 add $tmp,butterfly_3a if %ran = 1 add $tmp,Different_spiral_1a if %ran = 2 add $tmp,Different_space_1a if %ran = 3 add $tmp,Different_space_1b if %ran = 4 add $tmp,Different_space_1c ;if %ran = 7 add $tmp,butterfly_3a ;if %ran = 7 add $tmp,butterfly_4a return ;*********************************************************************** ;背景をランダムに1998年編にする。 *bgm_mode_rnd_bg_1998 mov $tmp,":c;" rnd2 %ran,1,8 if %ran = 1 add $tmp,HOT_R1a if %ran = 2 add $tmp,HOT_R1b if %ran = 3 add $tmp,HOT_R1c if %ran = 4 add $tmp,BUI_R1a if %ran = 5 add $tmp,BUI_R1b if %ran = 6 add $tmp,BUI_R1c if %ran = 7 add $tmp,BUI_R1d if %ran = 8 add $tmp,BUI_o1a return ;*********************************************************************** *bgm_mode_end ;エンド処理 ;各設定の初期化 csp -1 ;スプライト画像の、メモリからの消去 btndef "" ;ボタン画像の、メモリからの消去 ;立ち絵の消去 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 erasetextwindow 1 rmode 1 mono 0 ;右クリックメニューの有効化 E_A seplay 9,1006 print 1 cl a,1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 wait 1000 mov %title_skip,1 reset ;goto *b_title ;*********************************************************************** ;*********************************************************************** ;ＢＧＭ、曲のデータ入力サブルーチン ;*********************************************************************** *bgm_mode_bgm_date_input mov %3801,0 inc %3801 ; OPムービー mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],%bgm_mood_op_no ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],100000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Umineko/ver.A" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック add %3802,400 mov ?bgmm[%3801][bm_pa],%3802 mov $%3802,"movie\umineko_op.mpg" inc %3801 ; OPムービー2 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],%bgm_mood_op2_no ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],100000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Umineko/ver.B" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック add %3802,400 mov ?bgmm[%3801][bm_pa],%3802 mov $%3802,"movie\umineko_op2.avi" inc %3801 ; OPムービー3 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],%bgm_mood_op3_no ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],100000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Umineko/ver.C" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック add %3802,400 mov ?bgmm[%3801][bm_pa],%3802 mov $%3802,"movie\umineko_op3.mpg" ; １ inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],1 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],289000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"`透百合" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],2 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],117000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"夏の扉" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],3 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],94000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"ＨＡＮＥ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],4 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],187000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Ｒｉｄｅ　ｏｎ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],5 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],45000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Ｓｅａ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],6 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],76000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆暗闇の刻" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],7 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],332000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Novelette " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],8 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],179000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"ｈｏｐｅ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],9 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],83000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"白い影" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],10 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],260000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"てくてく" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],11 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],108000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"T_c_in_summer " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],12 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],206000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"月夜" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],13 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],521000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"薔薇" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],14 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],193000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆隣死" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],15 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],180000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆煉沙回廊" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],16 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],305000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Fortitude " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],17 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],161000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"w_in_gold(cembalo)" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],18 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],99000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆誘い" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],19 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],193000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"胡散の香り" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],20 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],289000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆stupefaction" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],21 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],146000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Ｐｒａｉｓｅ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],22 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],282000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Ｐａｓｓ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],23 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],92000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"ａｇｅｈａ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],24 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],422000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"goldenslaughterer " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],25 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],172000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"worldend(bp)" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],26 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],148000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆絵画の魔女" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 ;環境音 inc %3801 mov %bgm_mood_me2_btn_no,%3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],%bgm_mood_me2_no ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],32000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆Ｍｅ：時計" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],27 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],308000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"suspicion " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],28 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],168000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"痕音" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],29 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],108000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Ｃｏｒｅ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],30 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],132000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"minute_darkness " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],31 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],182000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"nighteyes " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],32 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],176000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Closed_My_Heart " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],33 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],171000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Requiem " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],34 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],57000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"ｍｉｎｄ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],35 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],336000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"worldend" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],36 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],149000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆ｐｌａｙ" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],37 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],206000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"システム零" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],38 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],250000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"voiceless " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],39 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],397000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"dead_angle " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 ;環境音 inc %3801 mov %bgm_mood_me1_btn_no,%3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],%bgm_mood_me1_no ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],40000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"◆Ｍｅ：嵐" ;曲名 mov ?bgmm[%3801][bm_k],1 ;怖い曲かどうかのチェック ;gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],%bgm_mood_ed_no ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],281000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Bring_The_Fate" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック add %3802,400 mov ?bgmm[%3801][bm_pa],%3802 mov $%3802,"bgm\UmiNeko C FINALMIX_01.ogg" inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],40 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],93000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"オルガン〜６億番" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],41 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],257000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"牢獄ＳＴＲＩＰ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],42 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],124000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"弦楽〜　第１番〜" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 ;ＥＰ２ inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],43 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],238000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"ｃａｇｅ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],94 ;%bgm_mood_turu_pettan_no ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],114000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"つるぺったん" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック add %3802,400 mov ?bgmm[%3801][bm_pa],%3802 : mov $%3802,"bgm\tsurupeta-128.ogg" inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],49 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],485000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"旋律(inst.ver)" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],47 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],101000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Answer" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],44 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],350000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"金色の嘲笑" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],45 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],202000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"サソリのハラワタ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],46 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],159000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"終焉_VerC " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],52 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],235000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"where " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],51 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],172000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"moon" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],48 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],62000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Answer_short" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],53 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],364000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"D_of_the_grave" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],50 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],163000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Red_Dread " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],54 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],457000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Worldenddominator " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],55 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],319000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"黒のリリアナ" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],56 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],90000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"休息" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],57 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],102000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"白日夢の果て" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],58 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],485000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"旋律（シラベ） " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],59 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],211000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Over_the_sky" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 ;EP3追加分 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],60 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],211000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"ひだまり" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],61 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],211000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"ロウソクたちが踊る" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],62 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],194000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Haruka" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],63 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],466000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"psy-chorus" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],64 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],190000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"far " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],65 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],244000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"あかいくつ偽" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],66 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],137000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"mother" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],67 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],328000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"haze" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],68 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],245000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"踊る煙管" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],69 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],367000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"D_g_-More_fear- " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],70 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],94000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"オルガン小曲〜" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],71 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],233000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"rhythm-changer" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],72 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],120000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"h_of_m_omake" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],73 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],139000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"h_of_m" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],74 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],154000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"月うさぎの舞踏" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],75 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],181000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Melting_away" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],76 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],130000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"soul_of_soul" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],78 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],176000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"prison" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],79 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],190000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"生まれてきて〜" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],80 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],162000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"翼" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],81 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],240000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"失楽園" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],82 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],221000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"wingless" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],84 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],226000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"D_g-rhythm- " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],77 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],435000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"miragecoordinator " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],83 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],131000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"activepain" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 ;EP4追加分 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],93 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],251000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Parallel" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],88 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],169000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"F_Style " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],96 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],169000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Happy_Maria!(Inst)" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],95 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],92000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"599_million_ruins " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],91 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],165000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"神秘の森" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],89 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],120000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"M_Clock " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],90 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],256000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"apathy" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],87 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],234000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Like_the_gale " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],86 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],142000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"over" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 ;add %3802,400 ;mov ?bgmm[%3801][bm_pa],%3802 ;mov $%3802,"bgm\over.ogg" inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],85 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],144000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"久遠" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],92 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],116000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"さくたろうの〜" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],97 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],157000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Surrounding " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],99 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],478000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"death " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],98 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],149000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"hibuta " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],100 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],239000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"m_stampede" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],101 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],296000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Victima_P " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],102 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],192000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Revolt" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],103 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],216000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"煉獄凶狂葬曲" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],104 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],169000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"Happy_Maria!" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],105 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],352000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"dive_to_emergency " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],106 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],115000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"dir " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],108 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],568000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"dreamenddischarger" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],107 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],336000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"エンドレスナイン" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],109 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],168000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"discode " ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 inc %3801 mov %3802,3600 : add %3802,%3801 mov ?bgmm[%3801][bm_c],110 ;曲の割り当て番号（チャンネル） mov ?bgmm[%3801][bm_t],106000 ;曲の長さ add %3802,400 mov ?bgmm[%3801][bm_n],%3802 : mov $%3802,"くるり" ;曲名 mov ?bgmm[%3801][bm_k],0 ;怖い曲かどうかのチェック gosub *bgm_mode_path_shutoku ;ファイルへのパスの取得 return ;------------------- ;ＯＰ等は変数にパスを入れる ;ファイルへのパスの取得サブルーチン *bgm_mode_path_shutoku add %3802,400 mov ?bgmm[%3801][bm_pa],%3802 mov %BGM_s_Ch,?bgmm[%3801][bm_c] mov %bgm_mood_file_path_flg,1 gosub *BGM_List mov $%3802,$BGM_Play return ;------------------- ;------------------- ;*********************************************************************** ;ＢＧＭモード、各曲ごとの処理、表示ルーチン ;*********************************************************************** *bgm_mode_kururi if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k ;: print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"bgm_mode\ss\kururi1.bmp" trap *bgm_mode_renngoku_kururi_1000 lsp 510,$tmp,0,0 print 99,2000,"whirl.dll/l" delay 2000 *bgm_mode_renngoku_kururi_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: くるり [About Face]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:46`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_discode if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"custom\bmp\title\bg2.png" trap *bgm_mode_discode_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_discode_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｄｉｓｃｏｄｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: sunny,xaki,cap,pyon,佐倉かなえ [Sakura Kanae]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Vocal: 佐倉かなえ [Sakura Kanae]`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_dreamenddischarger if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,9 if %ran2 = 1 : add $tmp,"bgm_mode\ss\dreamend1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\dreamend2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\dreamend5.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\dreamend8.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\dreamend9.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\dreamend10.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\dreamend13.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\dreamend14.bmp" if %ran2 = 9 : add $tmp,"bgm_mode\ss\dreamend15.bmp" trap *bgm_mode_dreamenddischarger_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_dreamenddischarger_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: dreamenddischarger`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 9:28`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_e_nain if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,8 if %ran2 = 1 : add $tmp,"bgm_mode\ss\e_nain1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\e_nain2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\e_nain3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\e_nain4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\e_nain5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\e_nain6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\e_nain7.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\e_nain8.bmp" trap *bgm_mode_e_nain_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_e_nain_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: エンドレスナイン [Endless Nine]",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:36`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_dir if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,8 if %ran2 = 1 : add $tmp,"bgm_mode\ss\dir1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\dir2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\dir3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\dir4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\dir5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\dir6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\dir7.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\dir8.bmp" trap *bgm_mode_dir_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 22 delay 2000 *bgm_mode_dir_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: dir`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:56`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_dive_to_emergency if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,5 if %ran2 = 1 : add $tmp,"bgm_mode\ss\dive1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\dive2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\dive3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\dive4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\dive5.bmp" trap *bgm_mode_dive_to_emergency_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_dive_to_emergency_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: dive_to_emergency`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:52`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_h_maria_uta if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"bgm_mode\ss\h_m_uta.bmp" trap *bgm_mode_h_maria_uta_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_h_maria_uta_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｈａｐｐｙ　Ｍａｒｉａ！`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力、E.Kida、ナカオボウシ、ますだ麻美",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Vocal: 木野寧 [Kino Nei]`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_renngoku_kyousou if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"bgm_mode\ss\kyousou1.bmp" trap *bgm_mode_renngoku_kyousou_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_renngoku_kyousou_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 煉獄凶狂葬曲`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` [The Dark and Crazed Requiem of Purgatory]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Artist: 北大路瑞希（グラサンねこ） [Kitaouji Mizuki]`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Revolt if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,"bgm_mode\ss\revolt1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\revolt2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\revolt5.bmp" trap *bgm_mode_Revolt_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_Revolt_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Revolt`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:12`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Victima if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,7 if %ran2 = 1 : add $tmp,"bgm_mode\ss\vp1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\vp2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\vp3.bmp" ; if %ran2 = 4 : add $tmp,"bgm_mode\ss\vp4.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\vp5.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\vp6.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\vp7.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\vp8.bmp" trap *bgm_mode_Victima_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 26 delay 2000 *bgm_mode_Victima_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Victima_propiciatoria`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ＳＢ　ＹＵＮＥ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:56`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_mortal if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,"bgm_mode\ss\mortal1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\mortal2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\mortal3.bmp" trap *bgm_mode_mortal_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_mortal_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: mortal_stampede`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:59`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_hibuta if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"bgm_mode\ss\hibuta1.bmp" trap *bgm_mode_hibuta_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_hibuta_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: HIBUTA [Launch]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:29`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_death if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"bgm_mode\ss\death1.bmp" ;if %ran2 = 4 : add $tmp,"bgm_mode\ss\death2.bmp" ;if %ran2 = 3 : add $tmp,"bgm_mode\ss\death3.bmp" trap *bgm_mode_death_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 3000 *bgm_mode_death_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: death(from_stupefaction)`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 7:59`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Surrounding if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,Sky_1a trap *bgm_mode_Surrounding_1000 lsp 510,r_white,0,0 : print 22 : delay 500 lsp 510,$tmp,0,0 print 8 delay 3000 *bgm_mode_Surrounding_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Surrounding`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:37`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_kuonn if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,"bgm_mode\ss\kuon.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\kuon2.bmp" trap *bgm_mode_kuonn_1000 lsp 510,r_black,0,0 : print 22 : delay 500 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_kuonn_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 久遠 [Eternity]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:24`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_over if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,"bgm_mode\ss\over1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\over2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\over3.bmp" trap *bgm_mode_over_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_over_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: over`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:22`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_gc19 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,"bgm_mode\ss\gc-19_1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\gc-19_2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\gc-19_3.bmp" trap *bgm_mode_gc19_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 26 delay 2000 *bgm_mode_gc19_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Like_the_gale`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: 北大路瑞希（グラサンねこ） [Kitaouji Mizuki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:54`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_f1_02 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,"bgm_mode\ss\f_style1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\f_style2.bmp" trap *bgm_mode_f1_02_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_f1_02_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: F Style`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:49`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_mclock if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,car_i3a ;if %ran2 = 2 : add $tmp,car_i1a if %ran2 = 2 : add $tmp,car_i1a trap *bgm_mode_mclock_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 26 delay 2000 *bgm_mode_mclock_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Monochrome Clock`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Ｍ．Ｚａｋｋｙ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:00`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_apathy if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,11 if %ran2 = 1 : add $tmp,"bgm_mode\ss\apathy1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\apathy2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\apathy3.bmp" if %ran2 = 4 : add $tmp,Sakutaro2a if %ran2 = 5 : add $tmp,"bgm_mode\ss\apathy5.bmp" if %ran2 = 6 : add $tmp,Sakutaro2b if %ran2 = 7 : add $tmp,"bgm_mode\ss\apathy7.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\apathy8.bmp" if %ran2 = 9 : add $tmp,"bgm_mode\ss\apathy9.bmp" if %ran2 = 10 : add $tmp,"bgm_mode\ss\apathy10.bmp" if %ran2 = 11 : add $tmp,"bgm_mode\ss\apathy11.bmp" trap *bgm_mode_apathy_1000 lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_apathy_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: apathy`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:16`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_forest if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"bgm_mode\ss\forest1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\forest2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\forest3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\forest4.bmp" trap *bgm_mode_forest_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_forest_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 神秘の森 [Mystic Forest]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Ｒｙｕ−Ｇａ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:45`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_mdoramu if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,6 if %ran2 = 1 : add $tmp,"bgm_mode\ss\sak1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\sak2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\sak3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\sak4.bmp" if %ran2 = 5 : add $tmp,Sakutaro2a if %ran2 = 6 : add $tmp,Sakutaro2b trap *bgm_mode_mdoramu_1000 lsp 510,r_white,0,0 : print 22 : delay 300 lsp 510,$tmp,0,0 print 8 delay 3000 *bgm_mode_mdoramu_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: さくたろうの頑張り物語 [Sakutarou's Adventure]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:56`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_fs2 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,"bgm_mode\ss\Parallel1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\Parallel2.bmp" trap *bgm_mode_fs2_1000 lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_fs2_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Parallel`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:11`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_org_kui if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,6 if %ran2 = 1 : add $tmp,"bgm_mode\ss\org_kui_1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\org_kui_2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\org_kui_3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\org_kui_4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\org_kui_5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\org_kui_6.bmp" trap *bgm_mode_org_kui_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_org_kui_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 599_million_ruins`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:32`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_happy_maria if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,5 if %ran2 = 1 : add $tmp,"bgm_mode\ss\happy_maria1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\happy_maria2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\happy_maria3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\happy_maria4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\happy_maria5.bmp" trap *bgm_mode_happy_maria_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 4000 *bgm_mode_happy_maria_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Happy_Maria!(Instrumental)`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:49`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp ;胡散の香りに、魔女サイドのランダム立ち絵を入れる（別途サブルーチンを作成） ;ドミネータに追加 *bgm_mode_hidamari if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,Sehal_1a trap *bgm_mode_hidamari_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$WAL_defA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 8 delay 3000 *bgm_mode_hidamari_1000 trap off lsp 510,$tmp,0,0 lsp 509,$WAL_defA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ひだまり [In the Sun]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:13`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_org_remake if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,G1F_S1aP if %ran2 = 2 : add $tmp,"bgm_mode\ss\org.bmp" trap *bgm_mode_org_remake_1000 notif %ran2 = 1 jumpf lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$BEA_defA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 26 delay 3000 ~ notif %ran2 = 2 jumpf lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 22 delay 3000 ~ *bgm_mode_org_remake_1000 trap off lsp 510,$tmp,0,0 if %ran2 = 1 lsp 509,$BEA_defA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ロウソクたちが踊る [The Candles Dance]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:22`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Haruka if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,4 notif %ran = 1 jumpf mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,G_o1bN trap *bgm_mode_Haruka_1000 lsp 510,r_black,0,0 : print 22 lsp 509,$EV2_WaraiA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 2 delay 3000 *bgm_mode_Haruka_1000 trap off lsp 510,r_black,0,0 lsp 509,$EV2_WaraiA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 ~ notif %ran <> 1 jumpf mov $tmp,":c;" rnd2 %ran2,1,6 if %ran2 = 1 : add $tmp,forest_P2a if %ran2 = 2 : add $tmp,forest_P2b if %ran2 = 3 : add $tmp,Se_o1a if %ran2 = 4 : add $tmp,garden_Se2b if %ran2 = 5 : add $tmp,garden_Se2c if %ran2 = 6 : add $tmp,"bgm_mode\ss\haruka1.bmp" trap *bgm_mode_Haruka_2000 lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_Haruka_2000 trap off lsp 510,$tmp,0,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: Ｈａｒｕｋａ [Distant]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:14`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_psy_chorus_mx if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,text010c if %ran2 <> 1 : mov $tmp,":c;bgm_mode\ss\psy.bmp" trap *bgm_mode_psy_chorus_mx_1000 notif %ran2 = 1 jumpf lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 2 ~ if %ran2 = 1 jumpf lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 print 8 ~ delay 3000 *bgm_mode_psy_chorus_mx_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｐｓｙ−ｃｈｏｒｕｓ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｘａｋｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 7:46`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_far if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,6 if %ran2 = 1 : add $tmp,Se_o1a if %ran2 = 2 : add $tmp,garden_Se1a if %ran2 = 3 : add $tmp,garden_Se1c if %ran2 = 4 : add $tmp,garden_Se2a if %ran2 = 5 : add $tmp,garden_Se2b if %ran2 = 6 : add $tmp,garden_Se2c rnd2 %ran3,1,7 if %ran3 = 1 :mov $tmp2,$BEA_WaraiA1 if %ran3 = 2 :mov $tmp2,$BEA_WaraiA2 if %ran3 = 3 :mov $tmp2,$BEA_WaraiA3 if %ran3 = 4 :mov $tmp2,$BEA_WaraiA4 if %ran3 = 5 :mov $tmp2,$BEA_fukigenA2 if %ran3 = 6 :mov $tmp2,$BEA_nayamuA1 if %ran3 = 7 :mov $tmp2,$BEA_nayamuA2 trap *bgm_mode_far_1000 lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 lsp 509,$tmp2,0,0 : tati_x_get 509,r : amsp 509,%x,0 print 2 delay 3000 *bgm_mode_far_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp2,0,0 : tati_x_get 509,r : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｆａｒ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:10`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_akaikutu2 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran2,1,8 if %ran2 = 1 : mov $tmp,":c;BMP\background\efe\Armor7b.bmp" if %ran2 = 2 : mov $tmp,":c;BMP\background\efe\javelin1.bmp" if %ran2 = 3 : mov $tmp,":c;BMP\background\efe\javelin1d.bmp" if %ran2 = 4 : mov $tmp,":c;BMP\background\efe\tower3.bmp" if %ran2 = 5 : mov $tmp,":c;BMP\background\efe\tower2R.bmp" if %ran2 = 6 : mov $tmp,":c;bgm_mode\ss\akaikutu1.bmp" if %ran2 = 7 : mov $tmp,":c;bgm_mode\ss\akaikutu2.bmp" if %ran2 = 8 : mov $tmp,":c;bgm_mode\ss\akaikutu3.bmp" trap *bgm_mode_akaikutu2_1000 ;lsp 510,r_black,0,0 : print 22 lsp 510,r_white,0,0 : print 1 : delay 10 lsp 510,$tmp,0,0 print 28 delay 3000 *bgm_mode_akaikutu2_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: あかいくつ偽 [Fake Red Shoes]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: −４５`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:04`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_mother if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,8 if %ran2 = 1 : add $tmp,Se_o1a if %ran2 = 2 : add $tmp,garden_Se1a if %ran2 = 3 : add $tmp,garden_Se1c if %ran2 = 4 : add $tmp,garden_Se2a if %ran2 = 5 : add $tmp,garden_Se2b if %ran2 = 6 : add $tmp,garden_Se2c if %ran2 = 7 : add $tmp,forest_P2a if %ran2 = 8 : add $tmp,forest_P2b rnd2 %ran3,1,4 if %ran3 = 1 :mov $tmp2,$BEA_WaraiA2 if %ran3 = 2 :mov $tmp2,$BEA_WaraiA3 if %ran3 = 3 :mov $tmp2,$BEA_fukigenA3 if %ran3 = 4 :mov $tmp2,$BEA_nayamuA1 if %ran3 = 5 :mov $tmp2,$BEA_komaruA2 if %ran3 = 6 :mov $tmp2,$BEA_odorokiA2 trap *bgm_mode_mother_1000 lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 lsp 509,$tmp2,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 2 delay 3000 *bgm_mode_mother_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp2,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｍｏｔｈｅｒ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:17`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_haze if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,"bgm_mode\ss\haze1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\haze2.bmp" trap *bgm_mode_haze_1000 lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_haze_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｈａｚｅ",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:28`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_ennkan if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,11 if %ran2 = 1 : add $tmp,"bgm_mode\ss\ennkan1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\ennkan2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\ennkan3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\ennkan4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\ennkan5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\ennkan6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\dread_grave.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\dread2_1.bmp" if %ran2 = 9 : add $tmp,"bgm_mode\ss\dread2_2.bmp" if %ran2 = 10 : add $tmp,"bgm_mode\ss\dread2_3.bmp" if %ran2 = 11 : add $tmp,"bgm_mode\ss\dread2_4.bmp" trap *bgm_mode_ennkan_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_ennkan_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 踊る煙管 [Dancing Pipe]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:05`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_dread_grave2 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,14 if %ran2 = 1 : add $tmp,"bgm_mode\ss\ennkan1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\ennkan2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\ennkan3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\ennkan4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\ennkan5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\ennkan6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\dread_grave.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\dread2_1.bmp" if %ran2 = 9 : add $tmp,"bgm_mode\ss\dread2_2.bmp" if %ran2 = 10 : add $tmp,"bgm_mode\ss\dread2_3.bmp" if %ran2 = 11 : add $tmp,"bgm_mode\ss\dread2_4.bmp" if %ran2 = 12 : add $tmp,"bgm_mode\ss\tubasa1.bmp" if %ran2 = 13 : add $tmp,"bgm_mode\ss\tubasa3.bmp" if %ran2 = 14 : add $tmp,"bgm_mode\ss\tubasa5.bmp" trap *bgm_mode_dread_grave2_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_dread_grave2_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Dread_of_the_grave-More_fear-`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ＳＢ　ＹＵＮＥ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 6:07`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_orugan_2okuban if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,G1F_S1bP trap *bgm_mode_orugan_2okuban_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$BEA_NayamuA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 6 delay 3000 *bgm_mode_orugan_2okuban_1000 trap off lsp 510,$tmp,0,0 lsp 509,$BEA_NayamuA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 ; lsp bgm_title_lsp,":s#FFFFFF【Title 】　オルガン小曲　第２億番　ハ短調",%bgm_x,%bgm_y1 ; lsp bgm_sakka_lsp,":s#FFFFFF【Artist】　ラック眼力",%bgm_x,%bgm_y2 ; lsp bgm_time_lsp,":s#FFFFFF【Time　】　１：３４",%bgm_x,%bgm_y3 lsp bgm_title_lsp,":s#FFFFFF` Title: オルガン小曲　第２億番　ハ短調`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` [Organ Short #200 Million in C Minor]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki] Time: 1:34`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_rhythm_changer_mx if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,4 if %ran2 = 1 : mov $tmp,Glob_1aN if %ran2 = 2 : mov $tmp,Glob_1bN if %ran2 = 3 : mov $tmp,Glob_1cN if %ran2 = 4 : mov $tmp,Glob_1dN trap *bgm_mode_rhythm_changer_mx_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_rhythm_changer_mx_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: rhythm-changer`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｘａｋｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:53`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_happiness_omake if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,portrait4 trap *bgm_mode_happiness_omake_1000 lsp 510,r_white,0,0 : print 2 : delay 1500 lsp 510,$tmp,0,0 print 6 delay 5000 *bgm_mode_happiness_omake_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: happiness_of_marionette(short)`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:00`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_happiness if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran3,1,2 notif %ran3 = 1 jumpf mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,Mhal_1b trap *bgm_mode_happiness_1000 lsp 510,r_white,0,0 : print 22 : delay 1500 lsp 510,$tmp,0,0 lsp 509,butterfly_4sp1,0,0 gosub *EV2_isyou2 lsp 508,$EV2_WaraiA2,0,0 : tati_x_get 508,c : amsp 508,%x,0 ;lsp 508,$EV2_HohoemiA1,0,0 : tati_x_get 508,c : amsp 508,%x,0 print 8 delay 3000 *bgm_mode_happiness_1000 trap off lsp 510,$tmp,0,0 lsp 509,butterfly_4sp1,0,0 gosub *EV2_isyou2 lsp 508,$EV2_WaraiA2,0,0 : tati_x_get 508,c : amsp 508,%x,0 print 8 gosub *EV2_isyou1 ~ if %ran3 = 1 jumpf mov $tmp,":c;" rnd2 %ran2,1,18 if %ran2 = 1 : add $tmp,"bgm_mode\ss\happ1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\happ2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\happ3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\happ4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\happ5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\happ6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\happ7.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\happ8.bmp" if %ran2 = 9 : add $tmp,"bgm_mode\ss\happ9.bmp" if %ran2 = 10 : add $tmp,"bgm_mode\ss\happ10.bmp" if %ran2 = 11 : add $tmp,"bgm_mode\ss\happ11.bmp" if %ran2 = 12 : add $tmp,"bgm_mode\ss\happ12.bmp" if %ran2 = 13 : add $tmp,"bgm_mode\ss\happ13.bmp" if %ran2 = 14 : add $tmp,"bgm_mode\ss\happ14.bmp" if %ran2 = 15 : add $tmp,"bgm_mode\ss\happ15.bmp" if %ran2 = 16 : add $tmp,"bgm_mode\ss\happ16.bmp" if %ran2 = 17 : add $tmp,"bgm_mode\ss\happ17.bmp" if %ran2 = 18 : add $tmp,"bgm_mode\ss\happ18.bmp" trap *bgm_mode_happiness_2000 lsp 510,r_white,0,0 : print 22 : delay 1000 lsp 510,$tmp,0,0 print 8 delay 2000 *bgm_mode_happiness_2000 trap off lsp 510,$tmp,0,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: happiness_of_marionette`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:19`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_tuki_usagi if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran3,1,10 notif %ran3 <= 2 goto *bgm_mode_tuki_usagi_100 mov $tmp,":c;" rnd2 %ran2,1,5 if %ran2 = 1 : add $tmp,"bgm_mode\ss\usagi1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\usagi2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\usagi3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\usagi4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\usagi5.bmp" trap *bgm_mode_tuki_usagi_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 26 delay 2000 *bgm_mode_tuki_usagi_1000 trap off lsp 510,$tmp,0,0 *bgm_mode_tuki_usagi_100 notif %ran3 >= 3 goto *bgm_mode_tuki_usagi_200 gosub *bgm_mode_rnd_siesuta ;立ち絵のランダム配置 mov $tmp,":c;" rnd2 %ran2,1,6 if %ran2 = 1 : add $tmp,system5 if %ran2 = 2 : add $tmp,homing6 if %ran2 = 3 : add $tmp,moon_1a if %ran2 = 4 : add $tmp,Mhal_1aN if %ran2 = 5 : add $tmp,sky_3a if %ran2 = 6 : add $tmp,butterfly_3a trap *bgm_mode_tuki_usagi_2000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 26 delay 3000 *bgm_mode_tuki_usagi_2000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 *bgm_mode_tuki_usagi_200 lsp bgm_title_lsp,":s#FFFFFF` Title: 月うさぎの舞踏 [Dance of the Moon Rabbits]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:34`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_melting_away if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,"bgm_mode\ss\melting1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\melting2.bmp" trap *bgm_mode_melting_away_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_melting_away_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Melting_away`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:01`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_soul_of_soul if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,butterfly_2a if %ran2 = 2 : add $tmp,"bgm_mode\ss\soul_of_soul2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\soul_of_soul3.bmp" trap *bgm_mode_soul_of_soul_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 2 delay 3000 *bgm_mode_soul_of_soul_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: soul_of_soul`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:10`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_miragecoordinator if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,5 if %ran2 <= 4 : add $tmp,"bgm_mode\ss\mira.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\mira2.bmp" trap *bgm_mode_miragecoordinator_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 3000 *bgm_mode_miragecoordinator_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: miragecoordinator`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 7:15`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_prison if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : add $tmp,"bgm_mode\ss\prison1.bmp" trap *bgm_mode_prison_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 26 delay 3000 *bgm_mode_prison_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｐｒｉｓｏｎ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:56`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_umare if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,4 if %ran2 = 1 : add $tmp,"bgm_mode\ss\umare1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\umare2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\umare3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\umare4.bmp" trap *bgm_mode_umare_1000 lsp 510,r_white,0,0 : print 22 : delay 1000 lsp 510,$tmp,0,0 print 8 delay 3000 *bgm_mode_umare_1000 trap off lsp 510,$tmp,0,0 ; lsp bgm_title_lsp,":s#FFFFFF` Title: 生まれてきてくれてありがとう [Thanks for Being Born]`",%bgm_x,%bgm_y1 ; lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 ; lsp bgm_time_lsp,":s#FFFFFF` Time: 3:10`",%bgm_x,%bgm_y3 lsp bgm_title_lsp,":s#FFFFFF` Title: 生まれてきてくれてありがとう`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` [Thanks for Being Born]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Artist: ｄａｉ Time: 3:10`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_tubasa if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,7 if %ran2 = 1 : add $tmp,"bgm_mode\ss\tubasa1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\tubasa2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\tubasa3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\tubasa4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\tubasa5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\tubasa6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\tubasa7.bmp" trap *bgm_mode_tubasa_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 2500 *bgm_mode_tubasa_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 翼 [Wings]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:42`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_siturakuenn if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,9 if %ran2 = 1 : add $tmp,"bgm_mode\ss\tubasa1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\tubasa2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\tubasa3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\tubasa4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\tubasa5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\tubasa6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\tubasa7.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\situ1.bmp" if %ran2 = 9 : add $tmp,"bgm_mode\ss\situ2.bmp" trap *bgm_mode_siturakuenn_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 26 delay 2000 *bgm_mode_siturakuenn_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 失楽園 [Lost Paradise]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:00`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_wingless if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : mov $tmp,cit_2a if %ran2 = 2 : mov $tmp,cit_2b trap *bgm_mode_wingless_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 2000 *bgm_mode_wingless_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｗｉｎｇｌｅｓｓ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:41`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_activepain if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,1 if %ran2 = 1 : mov $tmp,cit_2a trap *bgm_mode_activepain_1000 lsp 510,r_white,0,0 : print 1 : delay 200 lsp 510,$tmp,0,0 print 28 delay 3000 *bgm_mode_activepain_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ａｃｔｉｖｅｐａｉｎ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｓｕｎｎｙ、ｘａｋｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Vocal: 本木咲黒 [Motoki Zakuro]`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Dread_grave_rhythm if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,2 if %ran2 = 1 : add $tmp,"bgm_mode\ss\d_g_r1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\d_g_r2.bmp" trap *bgm_mode_Dread_grave_rhythm_1000 lsp 510,r_white,0,0 : print 22 : wait 100 lsp 510,$tmp,0,0 print 28 delay 2000 *bgm_mode_Dread_grave_rhythm_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Dread_of_the_grave-rhythm_ver-`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ＳＢ　ＹＵＮＥ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:46`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp ;------------------------ ;EP3追加分 *bgm_mode_me_tokei if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,4 if %ran2 = 1 : add $tmp,Mhal_1aN if %ran2 = 2 : add $tmp,Mhal_2aN if %ran2 = 3 : add $tmp,Mhal_2bN if %ran2 = 4 : add $tmp,Mhal_2cN ;ランダムに鳴らす時計の種類を変更する。 rnd2 %ran3,1,3 if %ran3 = 1 : meplay2 1,11,70 : mov ?bgmm[%bm_p][bm_t],32000 if %ran3 = 2 : meplay2 1,15,70 : mov ?bgmm[%bm_p][bm_t],42000 if %ran3 = 3 : meplay2 1,19,70 : mov ?bgmm[%bm_p][bm_t],32000 trap *bgm_mode_me_tokei_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 22 delay 5000 *bgm_mode_me_tokei_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｍｅ：時計 [Clock]`",%bgm_x,%bgm_y1 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp ;------------------------ ;------------------------ ;オープニングの演奏（ムービーなのでここだけ特殊処理、ムービーの流れている間は操作不可） *bgm_mode_op mono 0 E_A lsp 0,":c;bmp\r_click\black.bmp",0,0 bg black,22 ;通常演奏で、リピートがオンになっている時のみ、一曲リピート if %bm_m = 10 mov %bm_m,0 notif %bm_m = 0 goto *bgm_mode_op_sk notif %bm_rpi = 1 goto *bgm_mode_op_sk movie "movie\umineko_op.mpg",click,loop gosub *bgm_mode_k gosub *bgm_mode_h2 bg black,22 mov %BtnRes,bgm_btn_stop goto *bgm_mode_100 *bgm_mode_op_sk ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu movie "movie\umineko_op.mpg",click mov %bm_pt,0 gosub *bgm_mode_k gosub *bgm_mode_h2 if %bgm_mood_demo = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 bg black,22 delay 1500 mov %bgm_mood_tyokuzenn_op_fede_skip,0 gettimer %3801:sub %bm_pt,%3801;曲の残り時間を入力 goto *bgm_mode_btn_lp ;------------------------ ;オープニングの演奏（ムービーなのでここだけ特殊処理、ムービーの流れている間は操作不可） *bgm_mode_op2 mono 0 E_A lsp 0,":c;bmp\r_click\black.bmp",0,0 bg black,22 ;通常演奏で、リピートがオンになっている時、一曲リピート if %bm_m = 10 mov %bm_m,0 notif %bm_m = 0 goto *bgm_mode_op2_sk notif %bm_rpi = 1 goto *bgm_mode_op2_sk ;movie "movie\umineko_op2.avi",click,loop gosub *bgm_mode_k gosub *bgm_mode_h2 bg black,22 mov %BtnRes,bgm_btn_stop goto *bgm_mode_100 *bgm_mode_op2_sk ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu ;movie "movie\umineko_op2.avi",click mov %bm_pt,0 gosub *bgm_mode_k gosub *bgm_mode_h2 if %bgm_mood_demo = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 bg black,22 delay 1500 mov %bgm_mood_tyokuzenn_op_fede_skip,0 gettimer %3801:sub %bm_pt,%3801;曲の残り時間を入力 goto *bgm_mode_btn_lp ;------------------------ ;オープニングの演奏（ムービーなのでここだけ特殊処理、ムービーの流れている間は操作不可） *bgm_mode_op3 mono 0 E_A lsp 0,":c;bmp\r_click\black.bmp",0,0 bg black,22 ;通常演奏で、リピートがオンになっている時、一曲リピート if %bm_m = 10 mov %bm_m,0 notif %bm_m = 0 goto *bgm_mode_op3_sk notif %bm_rpi = 1 goto *bgm_mode_op3_sk movie "movie\umineko_op3.mpg",click,loop gosub *bgm_mode_k gosub *bgm_mode_h2 bg black,22 mov %BtnRes,bgm_btn_stop goto *bgm_mode_100 *bgm_mode_op3_sk ;ランダム演奏時の設定、演奏曲にチェック、演奏数をプラス１ if %bm_m = 2 mov ?bgmm[%bm_p][bm_r],1 : inc %bm_rnd_kazu movie "movie\umineko_op3.mpg",click mov %bm_pt,0 gosub *bgm_mode_k gosub *bgm_mode_h2 if %bgm_mood_demo = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 bg black,22 delay 1500 mov %bgm_mood_tyokuzenn_op_fede_skip,0 gettimer %3801:sub %bm_pt,%3801;曲の残り時間を入力 goto *bgm_mode_btn_lp ;------------------------ *bgm_mode_sample_u3 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" : add $tmp,mlib_1cN trap *bgm_sample_u3_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$nan_fumuA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$kin_waraiA2,0,0: tati_x_get 508,r : amsp 508,%x,0 print 6 delay 3000 *bgm_sample_u3_1000 trap off lsp 510,$tmp,0,0 lsp 509,$nan_fumuA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$kin_waraiA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 透百合 [Sukashiyuri]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:49`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp ;------------------------ *bgm_mode_natunotobira if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play gosub *bgm_mode_rnd_tati1 ;立ち絵のランダム配置 gosub *bgm_mode_rnd_bg1 ;背景をランダムで配置 trap *bgm_mode_natunotobira_1000 lsp 510,r_white,0,0 : print 28 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 6 delay 3000 *bgm_mode_natunotobira_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 夏の扉 [Doorway of Summer]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:57`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_hane if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,3 notif %ran > 1 jumpf mov $tmp,":c;" : add $tmp,beach_2b trap *bgm_mode_hane_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 : print 26 delay 2000 *bgm_mode_hane_1000 trap off lsp 510,$tmp,0,0 ~ notif %ran = 1 jumpf mov $tmp,":c;" : add $tmp,sea_1A trap *bgm_mode_hane_2000 ;何回かに1回は船のシーンを完全再現 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 : print 22 meplay2 2,3,100 for %tmp = 1 to 8 : quakey 3,500 : next lsp 509,$but_odorokiA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 26 setwindow 40,385,30,3,100,100,0,2,20,1,1,#ffffff,0,0,610,495 ; lsp 508,":s#FF0000ら、らめぇ〜〜〜落ちるぅうぅうぅ！！",640,50 lsp 508,":s#FF0000`S, stop iii~~~t, I'll faaaaaaallll!!`",640,50 for %tmp = 1 to 70 msp 508,-40,0 : print 1 wait 100 next delay 2000 *bgm_mode_hane_2000 trap off lsp 509,$but_odorokiA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp 510,$tmp,0,0 setwindow 40,385,30,3,22,22,0,2,20,1,1,#ffffff,0,0,610,495 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: ＨＡＮＥ [Feathers]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:34`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_ride_on if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran2,1,2 notif %ran2 = 1 goto *bgm_mode_ride_on_2000 trap *bgm_mode_ride_on_1000 mov %free1,8000 lsp 510,r_black,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0101 : lsp 510,$tmp,0,0 : print 2 delay %free1 delay 2000 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0102 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0103 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0104 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0105 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0106 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0107 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0108 : lsp 510,$tmp,0,0 : print 2 delay 3000 bg white,2 *bgm_mode_ride_on_1000 trap off mov $tmp,":c;" : add $tmp,OP0108 : lsp 510,$tmp,0,0 *bgm_mode_ride_on_2000 notif %ran2 = 2 goto *bgm_mode_ride_on_4000 trap *bgm_mode_ride_on_3000 mov %free1,8000 lsp 510,r_black,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0201 : lsp 510,$tmp,0,0 : print 2 delay %free1 delay 2000 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0202 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0203 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0204 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0205 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0206 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0207 : lsp 510,$tmp,0,0 : print 2 delay %free1 lsp 510,r_white,0,0 : print 24 mov $tmp,":c;" : add $tmp,OP0208 : lsp 510,$tmp,0,0 : print 2 delay 3000 bg white,2 *bgm_mode_ride_on_3000 trap off mov $tmp,":c;" : add $tmp,OP0208 : lsp 510,$tmp,0,0 *bgm_mode_ride_on_4000 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｒｉｄｅ　ｏｎ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:07`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 delay 6000 bg black,2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sea if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play gosub *bgm_mode_rnd_tati1 ;立ち絵のランダム配置 gosub *bgm_mode_rnd_bg1 ;背景をランダムで配置 trap *bgm_mode_sea_1000 lsp 510,r_white,0,0 : print 28 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 6 delay 3000 *bgm_mode_sea_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｓｅａ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 0:45`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_kurayaminotoki if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,12 if %ran2 = 1 : add $tmp,G_o1bN if %ran2 = 2 : add $tmp,G_o1cN if %ran2 = 3 : add $tmp,M_o1aN if %ran2 = 4 : add $tmp,M_o1bN if %ran2 = 5 : add $tmp,Mdin_1fN if %ran2 = 6 : add $tmp,M2F_P1bN if %ran2 = 7 : add $tmp,M1F_P1bN if %ran2 = 8 : add $tmp,Mhal_2cN if %ran2 = 9 : add $tmp,garden_1cN if %ran2 = 10 : add $tmp,garden_1aN if %ran2 = 11 : add $tmp,garden_1bN if %ran2 = 12 : add $tmp,M_door2 trap *bgm_mode_kurayaminotoki_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_kurayaminotoki_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 暗闇の刻 [Hour of Darkness]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:16`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_q_Sample17 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play gosub *bgm_mode_rnd_bg_mhal ;メインホールの背景をランダムで選択する。 trap *bgm_mode_q_Sample17_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 5000 *bgm_mode_q_Sample17_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｎｏｖｅｌｅｔｔｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:32`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_hope if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;バラ園の背景をランダムで rnd2 %ran,1,5 if %ran = 1 add $tmp,rose_1a if %ran = 2 add $tmp,rose_1b if %ran = 3 add $tmp,rose_G1d if %ran = 4 add $tmp,beach_2a if %ran = 5 add $tmp,Sky_1a trap *bgm_mode_hope_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 4000 *bgm_mode_hope_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｈｏｐｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:59`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_siroikage if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" : add $tmp,rose_G1b trap *bgm_mode_siroikage_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$kan_defA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 print 6 delay 4000 *bgm_mode_siroikage_1000 trap off lsp 510,$tmp,0,0 lsp 509,$kan_defA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 白い影 [White Shadow]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:23`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_u_Sample21 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play gosub *bgm_mode_rnd_bg_mhal ;背景をランダムで表示（メインホール） ~ rnd2 %ran,NAT_DefA1,NAT_TukareB2 if %ran = nat_hisuA1 jumpb if %ran = nat_hisuB1 jumpb if %ran = nat_majimeA1 jumpb if %ran = nat_majimeB1 jumpb if %ran = nat_odorokiA2 jumpb if %ran = nat_odorokiB2 jumpb if %ran = nat_odorokiA1 jumpb if %ran = nat_odorokiB1 jumpb if %ran = nat_ikariA1 jumpb if %ran = nat_ikariB1 jumpb mov $tmp1,$%ran trap *bgm_mode_u_Sample21_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 6 delay 7000 *bgm_mode_u_Sample21_1000 trap off lsp 509,$tmp1,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: てくてく [Steady Pace]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:20`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_towering if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play ;５回に一回、朱志香と紗音のレアバージョン rnd2 %ran,1,5 ;mov %ran,3 notif %ran > 3 jumpf mov $tmp,":c;" : add $tmp,Sky_2a trap *bgm_mode_towering_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 28 delay 4000 *bgm_mode_towering_1000 trap off lsp 510,$tmp,0,0 ~ notif %ran = 1 jumpf mov $tmp,":c;" : add $tmp,Sky_1a trap *bgm_mode_towering_2000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 28 ;紗音を中央に、朱志香を右画面外から、左へ抜けさせる、紗音ビックリ!!! lsp 509,$sha_tokuiA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 : print 26 lsp 508,$jes_waraiA2,640,0 setwindow 40,385,30,3,100,100,0,2,20,1,1,#ffffff,0,0,610,495 ;lsp 507,":s#FFFFFFほええーん☆",640,50 for %tmp = 1 to 140 ;msp 507,-10,0 if %tmp <= 10 msp 508,-10,10 if %tmp > 10 && %tmp <= 20 msp 508,-10,-10 if %tmp > 20 && %tmp <= 30 msp 508,-10,10 if %tmp > 30 && %tmp <= 40 msp 508,-10,-10 if %tmp > 40 && %tmp <= 50 msp 508,-10,10 if %tmp > 50 && %tmp <= 60 msp 508,-10,-10 if %tmp > 60 && %tmp <= 70 msp 508,-10,10 if %tmp > 70 && %tmp <= 80 msp 508,-10,-10 if %tmp > 80 && %tmp <= 90 msp 508,-10,10 if %tmp > 90 && %tmp <= 100 msp 508,-10,-10 if %tmp > 100 && %tmp <= 110 msp 508,-10,-10 if %tmp > 110 && %tmp <= 120 msp 508,-10,-10 if %tmp > 120 && %tmp <= 130 msp 508,-10,-10 if %tmp > 130 && %tmp <= 140 msp 508,-10,-10 if %tmp = 20 lsp 509,$sha_odorokiA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 1 delay 100 next delay 1000 *bgm_mode_towering_2000 trap off lsp 510,$tmp,0,0 lsp 509,$sha_odorokiA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 setwindow 40,385,30,3,22,22,0,2,20,1,1,#ffffff,0,0,610,495 mov %bgm_mood_sha_hoe_flg,1 ~ notif %ran = 2 jumpf mov $tmp,":c;" : add $tmp,Sky_1a trap *bgm_mode_towering_3000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 28 ;紗音を中央に、譲冶を右画面外から、左へ抜けさせる、紗音ビックリ!!! lsp 509,$sha_defA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 : print 26 lsp 508,$geo_waraiA2k,640,0 setwindow 40,385,30,3,100,100,0,2,20,1,1,#ffffff,0,0,610,495 ;lsp 507,":s#FFFFFFほええーん☆",640,50 for %tmp = 1 to 140 ;msp 507,-10,0 if %tmp <= 10 msp 508,-10,10 if %tmp > 10 && %tmp <= 20 msp 508,-10,-10 if %tmp > 20 && %tmp <= 30 msp 508,-10,10 if %tmp > 30 && %tmp <= 40 msp 508,-10,-10 if %tmp > 40 && %tmp <= 50 msp 508,-10,10 if %tmp > 50 && %tmp <= 60 msp 508,-10,-10 if %tmp > 60 && %tmp <= 70 msp 508,-10,10 if %tmp > 70 && %tmp <= 80 msp 508,-10,-10 if %tmp > 80 && %tmp <= 90 msp 508,-10,10 if %tmp > 90 && %tmp <= 100 msp 508,-10,-10 if %tmp > 100 && %tmp <= 110 msp 508,-10,-10 if %tmp > 110 && %tmp <= 120 msp 508,-10,-10 if %tmp > 120 && %tmp <= 130 msp 508,-10,-10 if %tmp > 130 && %tmp <= 140 msp 508,-10,-10 if %tmp = 20 lsp 509,$sha_odorokiA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 1 delay 100 next delay 1000 *bgm_mode_towering_3000 trap off lsp 510,$tmp,0,0 lsp 509,$sha_odorokiA2,0,0 : tati_x_get 509,c : amsp 509,%x,0 setwindow 40,385,30,3,22,22,0,2,20,1,1,#ffffff,0,0,610,495 mov %bgm_mood_sha_hoe_flg,1 ~ notif %ran = 3 jumpf mov $tmp,":c;" : add $tmp,Sky_1a trap *bgm_mode_towering_4000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 28 if %bgm_mood_sha_hoe_flg = 0 goto *bgm_mode_towering_4000 ;紗音を中央に、譲冶を右画面外から、左へ抜けさせる、紗音ビックリ!!! lsp 508,$sha_odorokiA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 : print 26 setwindow 40,385,30,3,100,100,0,2,20,1,1,#ffffff,0,0,610,495 lsp 507,":s#FFFFFF・・・・・・・・・",240,50 print 22 delay 1000 lsp 508,$sha_hajiraiA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 : print 22 lsp 507,":s#FFFFFFほ、ほえぇー☆",200,50 print 22 for %tmp = 1 to 110 msp 507,-10,0 if %tmp <= 10 msp 508,-10,10 if %tmp > 10 && %tmp <= 20 msp 508,-10,-10 if %tmp > 20 && %tmp <= 30 msp 508,-10,10 if %tmp > 30 && %tmp <= 40 msp 508,-10,-10 if %tmp > 40 && %tmp <= 50 msp 508,-10,10 if %tmp > 50 && %tmp <= 60 msp 508,-10,-10 if %tmp > 60 && %tmp <= 70 msp 508,-10,10 if %tmp > 70 && %tmp <= 80 msp 508,-10,-10 if %tmp > 80 && %tmp <= 90 msp 508,-10,10 if %tmp > 90 && %tmp <= 100 msp 508,-10,-10 if %tmp > 100 && %tmp <= 110 msp 508,-10,-10 print 1 delay 100 next *bgm_mode_towering_4000 trap off lsp 510,$tmp,0,0 csp 507 setwindow 40,385,30,3,22,22,0,2,20,1,1,#ffffff,0,0,610,495 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: Towering_cloud_in_summer`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:48`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_t_Sample20 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play gosub *bgm_mode_rnd_bg_mhal ;背景をランダムで表示（メインホール） rnd2 %ran,SHA_DefA1,SHA_OdorokiA2 mov $tmp1,$%ran trap *bgm_mode_t_Sample20_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 2 delay 5000 *bgm_mode_t_Sample20_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 月夜 [Moonlit Night]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:26`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sample_u4 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran2,1,4 notif %ran2 > 1 jumpf gosub *bgm_mode_rnd_tati_siyounin ;立ち絵のランダム配置 gosub *bgm_mode_rnd_bg_mhal ;背景をランダムで表示（メインホール） trap *bgm_mode_sample_u4_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 6 delay 3000 *bgm_mode_sample_u4_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 ~ notif %ran2 = 1 jumpf mov $tmp,":c;" : add $tmp,Mlib_1d trap *bgm_mode_sample_u4_2000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$kin_fumuA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 6 delay 4000 *bgm_mode_sample_u4_2000 trap off lsp 510,$tmp,0,0 lsp 509,$kin_fumuA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: 薔薇 [Rose]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 8:41`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_rinnsi if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,2 notif %ran = 1 jumpf trap *bgm_mode_rinnsi_1000 lsp 510,":c;bmp\background\mainbuilding\portrait1.bmp",0,-825 for %Free1 = 1 to 412 msp 510,0,2 print 1 wait 30 next delay 6000 *bgm_mode_rinnsi_1000 trap off lsp 510,":c;bmp\background\mainbuilding\portrait1.bmp",0,-1 ~ notif %ran = 2 jumpf gosub *bgm_mode_rnd_tati_4kyoudai mov $tmp,":c;" : add $tmp,M1F_S1b trap *bgm_mode_rinnsi_2000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 2 delay 3000 *bgm_mode_rinnsi_2000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: 隣死 [At Death's Door]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: プレコ [Pureco]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:13`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_rennsakairou if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,6 if %ran = 1 add $tmp,M1F_P1dN if %ran = 2 add $tmp,M2F_P1aN if %ran = 3 add $tmp,M2F_P1bN if %ran = 4 add $tmp,Ment_1aN if %ran = 5 add $tmp,Mhal_2cN if %ran = 6 add $tmp,portrait2 trap *bgm_mode_rennsakairou_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_rennsakairou_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 煉沙回廊 [Corridor of Purgatory's Sands]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: プレコ [Pureco]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:00`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_fortitude if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play gosub *bgm_mode_rnd_bg_mhal2 ;背景をランダムで配置 rnd2 %ran2,1,4 if %ran2 = 1 mov $tmp,":c;" : add $tmp,rose_1b trap *bgm_mode_fortitude_1000 lsp 510,r_black,0,0 : print 28 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_fortitude_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｆｏｒｔｉｔｕｄｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: 荒井英理也 [Arai Eriya]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:05`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_witch_cenba if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play ;gosub *bgm_mode_rnd_bg_soto_n ;建物外背景をランダムで配置 mov $tmp,":c;" rnd2 %ran2,1,8 if %ran2 = 1 : add $tmp,G_o1bN if %ran2 = 2 : add $tmp,G_o1cN if %ran2 = 3 : add $tmp,M_o1aN if %ran2 = 4 : add $tmp,M_o1bN if %ran2 = 5 : add $tmp,Mlib_1cN if %ran2 = 6 : add $tmp,Mlib_1aN if %ran2 = 7 : add $tmp,Mlib_1bN if %ran2 = 8 : add $tmp,Mlib_1dN ;外の背景は、雨を降らせる。 notif %ran2 <= 4 jumpf meplay2 1,12,70 lsp 509,"*0" layermessage 0,"i|bmp\efe\rain1.bmp,bmp\efe\rain2.bmp,bmp\efe\rain3.bmp" layermessage 0,"s|1,30,-9,0,0" ~ trap *bgm_mode_witch_cenba_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 22 delay 5000 *bgm_mode_witch_cenba_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: witch_in_gold(cembalo)`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:41`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sasoi if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play ;gosub *bgm_mode_rnd_bg_soto_n ;建物外背景をランダムで配置 mov $tmp,":c;" rnd2 %ran2,1,8 if %ran2 = 1 : add $tmp,G_o1bN if %ran2 = 2 : add $tmp,G_o1cN if %ran2 = 3 : add $tmp,M_o1aN if %ran2 = 4 : add $tmp,M_o1bN if %ran2 = 5 : add $tmp,Mdin_1fN if %ran2 = 6 : add $tmp,M2F_P1bN if %ran2 = 7 : add $tmp,M1F_P1bN if %ran2 = 8 : add $tmp,Mhal_2cN ;外の背景は、雨を降らせ、風も入れる notif %ran2 <= 4 jumpf meplay2 1,12,70 meplay2 2,5,70 lsp 509,"*0" layermessage 0,"i|bmp\efe\rain1.bmp,bmp\efe\rain2.bmp,bmp\efe\rain3.bmp" layermessage 0,"s|1,30,-9,0,0" ~ trap *bgm_mode_sasoi_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 22 delay 5000 *bgm_mode_sasoi_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 誘い [Lure]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:39`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_yomiage if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran3,1,2 notif %ran3 = 1 goto *bgm_mode_yomiage_100 gosub *bgm_mode_rnd_yomiage ;立ち絵のランダム配置 mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,Mdin_1dN if %ran2 = 2 : add $tmp,Mdin_1eN if %ran2 = 3 : add $tmp,Mdin_1fN *bgm_mode_yomiage_100 notif %ran3 = 2 goto *bgm_mode_yomiage_200 gosub *bgm_mode_rnd_yomiage2 ;立ち絵のランダム配置 mov $tmp,":c;" rnd2 %ran2,1,4 if %ran2 = 1 : add $tmp,Different_spiral_1a if %ran2 = 2 : add $tmp,G1F_S1aP if %ran2 = 3 : add $tmp,G1F_S1bP if %ran2 = 4 : add $tmp,G1F_S1cP *bgm_mode_yomiage_200 trap *bgm_mode_yomiage_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 26 delay 4000 *bgm_mode_yomiage_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 胡散の香り [Fishy Aroma]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:13`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_stupefaction if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,3 if %ran = 1 add $tmp,M1F_P1dN if %ran = 2 add $tmp,M2F_P1aN if %ran = 3 add $tmp,M1F_P1aN ;3は嵐の音を入れる。 if %ran = 3 meplay2 1,13,40 trap *bgm_mode_stupefaction_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 3000 *bgm_mode_stupefaction_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｓｔｕｐｅｆａｃｔｉｏｎ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:08`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_h_sample8 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran3,1,2 notif %ran3 = 1 goto *bgm_mode_h_sample8_2000 mov $tmp,":c;" add $tmp,garden_R1aN ;紗音（左）、譲冶を右に表示 rnd2 %ran,1,6 if %ran = 1 mov $tmp1,$sha_waraiA1 if %ran = 2 mov $tmp1,$sha_waraiA2 if %ran = 3 mov $tmp1,$sha_waraiA3 if %ran = 4 mov $tmp1,$sha_hajiraiA1 if %ran = 5 mov $tmp1,$sha_hajiraiA2 if %ran = 6 mov $tmp1,$sha_hajiraiA3 rnd2 %ran2,1,7 if %ran2 = 1 mov $tmp2,$geo_defA1 if %ran2 = 2 mov $tmp2,$geo_defA1k if %ran2 = 3 mov $tmp2,$geo_hohoemiA1 if %ran2 = 4 mov $tmp2,$geo_hohoemiA1k if %ran2 = 5 mov $tmp2,$geo_waraiA1 if %ran2 = 6 mov $tmp2,$geo_waraiA1k if %ran2 = 7 mov $tmp2,$geo_waraiA2 trap *bgm_mode_h_sample8_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 8 delay 4000 *bgm_mode_h_sample8_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,r : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｐｒａｉｓｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:26`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 *bgm_mode_h_sample8_2000 notif %ran3 = 2 goto *bgm_mode_h_sample8_4000 ;水族館をランダムで mov $tmp,":c;" rnd2 %ran2,1,6 if %ran2 = 1 : add $tmp,aqu_i1a if %ran2 = 2 : add $tmp,aqu_i1b if %ran2 = 3 : add $tmp,aqu_i1c if %ran2 = 4 : add $tmp,aqu_i2a if %ran2 = 5 : add $tmp,aqu_i2b if %ran2 = 6 : add $tmp,aqu_i2c gosub *SHA_isyou2 gosub *GEO_isyou2 ;譲治（左）、紗音を右に表示 rnd2 %ran,1,6 if %ran = 1 mov $tmp2,$sha_waraiA1 if %ran = 2 mov $tmp2,$sha_waraiA2 if %ran = 3 mov $tmp2,$sha_waraiA3 if %ran = 4 mov $tmp2,$sha_hajiraiA1 if %ran = 5 mov $tmp2,$sha_hajiraiA2 if %ran = 6 mov $tmp2,$sha_hajiraiA3 rnd2 %ran2,1,11 if %ran2 = 1 mov $tmp1,$geo_defA1 if %ran2 = 2 mov $tmp1,$geo_defA1k if %ran2 = 3 mov $tmp1,$geo_hohoemiA1 if %ran2 = 4 mov $tmp1,$geo_hohoemiA1k if %ran2 = 5 mov $tmp1,$geo_waraiA1 if %ran2 = 6 mov $tmp1,$geo_waraiA1k if %ran2 = 7 mov $tmp1,$geo_waraiA2 if %ran2 = 8 mov $tmp1,$geo_komaruA3 if %ran2 = 9 mov $tmp1,$geo_komaruA3k if %ran2 = 10 mov $tmp1,$geo_komaruA5 if %ran2 = 11 mov $tmp1,$geo_komaruA5k trap *bgm_mode_h_sample8_3000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 8 delay 4000 *bgm_mode_h_sample8_3000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,r : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｐｒａｉｓｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:26`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gosub *SHA_isyou1 gosub *GEO_isyou1 *bgm_mode_h_sample8_4000 goto *bgm_mode_btn_lp *bgm_mode_c_sample3 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,garden_R1bN ;紗音（左）、譲冶を右に表示 mov $tmp1,$sha_hajiraiA1 mov $tmp2,$geo_majimeA1 trap *bgm_mode_c_sample3_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 8 delay 4000 mov $tmp1,$sha_hajiraiA3 mov $tmp2,$geo_hohoemiA1 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 22 delay 2000 *bgm_mode_c_sample3_1000 trap off mov $tmp1,$sha_hajiraiA3 mov $tmp2,$geo_hohoemiA1 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,r : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｐａｓｓ",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:42`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sample_u5 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,Mhal_2cN trap *bgm_mode_sample_u5_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 70000 mov $tmp,":c;" add $tmp,portrait2 lsp 510,$tmp,0,0 print 8 delay 18000 *bgm_mode_sample_u5_1000 trap off mov $tmp,":c;" add $tmp,portrait2 lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ａｇｅｈａ [Swallowtail Butterfly]",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: スミイ酸 [Sumiisan]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:32`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_goldenslaughterer if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,1 notif %ran = 1 jumpf mov $tmp,":c;" add $tmp,warehous_o2a trap *bgm_mode_goldenslaughterer_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$nat_odorokiA2,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$jes_ikariA1,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 28 delay 4000 *bgm_mode_goldenslaughterer_1000 trap off lsp 510,$tmp,0,0 lsp 509,$nat_odorokiA2,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$jes_ikariA1,0,0 : tati_x_get 508,r : amsp 508,%x,0 ~ notif %ran = 2 jumpf mov $tmp,":c;" add $tmp,M1F_S1dN trap *bgm_mode_goldenslaughterer_2000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$MAR_DefA1k,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 46 delay 5000 *bgm_mode_goldenslaughterer_2000 trap off lsp 510,$tmp,0,0 lsp 509,$MAR_DefA1k,0,0 : tati_x_get 509,c : amsp 509,%x,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: ｇｏｌｄｅｎｓｌａｕｇｈｔｅｒｅｒ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 7:02`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_worldend_solo if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,3 notif %ran > 1 jumpf rnd2 %ran2,1,2 mov $tmp,":c;" add $tmp,warehous_i1d trap *bgm_mode_worldend_solo_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 if %ran2 = 1 lsp 509,$geo_nakuA2k,0,0 : tati_x_get 509,r : amsp 509,%x,0 if %ran2 = 2 lsp 509,$kan_majimeA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 6 delay 4000 *bgm_mode_worldend_solo_1000 trap off lsp 510,$tmp,0,0 if %ran2 = 1 lsp 509,$geo_nakuA2k,0,0 : tati_x_get 509,r : amsp 509,%x,0 if %ran2 = 2 lsp 509,$kan_majimeA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 ~ notif %ran = 1 jumpf mov $tmp,":c;" add $tmp,rose_G1d mono 1 trap *bgm_mode_worldend_solo_2000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$jes_waraiA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$sha_odorokiA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 6 delay 4000 *bgm_mode_worldend_solo_2000 trap off lsp 510,$tmp,0,0 lsp 509,$jes_waraiA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$sha_tokuiA1,0,0 : tati_x_get 508,r : amsp 508,%x,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: ｗｏｒｌｄｅｎｄ(bp)`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:52`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_eganomajo if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,M1F_S1bR trap *bgm_mode_eganomajo_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$but_nayamuA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$jes_nayamuA1,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$geo_majimeA3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 6 delay 4000 *bgm_mode_eganomajo_1000 trap off lsp 510,$tmp,0,0 lsp 509,$but_nayamuA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$jes_nayamuA1,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$geo_majimeA3,0,0 : tati_x_get 507,r : amsp 507,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 絵画の魔女 [Witch of the Painting]",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:28`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_suspicion if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,2 notif %ran = 1 jumpf mov $tmp,":c;" add $tmp,M1F_S1dR trap *bgm_mode_suspicion_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 22 delay 1000 *bgm_mode_suspicion_1000 trap off lsp 510,$tmp,0,0 ~ notif %ran = 2 jumpf mov $tmp,":c;" add $tmp,M1F_S1cN trap *bgm_mode_suspicion_2000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$but_majimeA1,0,0 : tati_x_get 509,r : amsp 509,%x,0 print 22 delay 1000 *bgm_mode_suspicion_2000 trap off lsp 510,$tmp,0,0 lsp 509,$but_majimeA1,0,0 : tati_x_get 509,r : amsp 509,%x,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: ｓｕｓｐｉｃｉｏｎ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:24",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_kizuoto if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,M1F_S1aR trap *bgm_mode_kizuoto_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$NAT_MajimeA1G,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 28 delay 1000 *bgm_mode_kizuoto_1000 trap off lsp 510,$tmp,0,0 lsp 509,$NAT_MajimeA1G,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 痕音 [Scar Sound]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:48`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_toitume if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play ;mov $tmp,":c;" ;add $tmp,M1F_S1bR trap *bgm_mode_toitume_1000 lsp 510,r_black,0,0 : print 22 lsp 509,$but_nayamuA2,0,0 : tati_x_get 509,r : amsp 509,%x,0 print 3 delay 2000 *bgm_mode_toitume_1000 trap off lsp 510,r_black,0,0 : print 22 lsp 509,$but_nayamuA2,0,0 : tati_x_get 509,r : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｃｏｒｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:48`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_m_darkness if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,M1F_S1bR trap *bgm_mode_m_darkness_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$but_nayamuA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$jes_nayamuA1,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$geo_majimeA3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 6 delay 4000 *bgm_mode_m_darkness_1000 trap off lsp 510,$tmp,0,0 lsp 509,$but_nayamuA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$jes_nayamuA1,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$geo_majimeA3,0,0 : tati_x_get 507,r : amsp 507,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｍｉｎｕｔｅ　ｄａｒｋｎｅｓｓ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: プレコ [Pureco]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:12`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_m_u2_tipica1 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,2 notif %ran = 1 jumpf mov $tmp,":c;" add $tmp,M1F_S1bN trap *bgm_mode_m_u2_tipica1_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$NAT_IkariB1G,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$EVA_IkariA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 26 delay 3000 *bgm_mode_m_u2_tipica1_1000 trap off lsp 510,$tmp,0,0 lsp 509,$NAT_IkariB1G,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$EVA_IkariA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 ~ notif %ran = 2 jumpf trap *bgm_mode_m_u2_tipica1_2000 lsp 510,r_black,0,0 : print 22 lsp 510,":c;bgm_mode\ss\nighteye.bmp",0,0 print 26 delay 3000 *bgm_mode_m_u2_tipica1_2000 trap off lsp 510,":c;bgm_mode\ss\nighteye.bmp",0,0 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: ｎｉｇｈｔｅｙｅｓ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: あきやまうに [U2 Akiyama]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:02`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_closed_My_Heart if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,Mhal_2aN trap *bgm_mode_closed_My_Heart_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 4000 *bgm_mode_closed_My_Heart_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｃｌｏｓｅｄ　Ｍｙ　Ｈｅａｒｔ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｐｒｅ−ｈｏｌｄｅｒ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:56`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_requiem if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,butterfly_3a trap *bgm_mode_requiem_1000 lsp 510,r_black,0,0 : print 2 delay 5000 lsp 510,$tmp,0,0 print 18,5000,":c;bmp\r_click\efe\kannon_r.bmp" delay 10000 lsp 510,r_black,0,0 print 18,5000,":c;bmp\r_click\efe\kannon_r.bmp" *bgm_mode_requiem_1000 trap off lsp 510,r_black,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｒｅｑｕｉｅｍ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:51`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_mind_2 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,2 notif %ran = 1 jumpf mov $tmp,":c;" add $tmp,M1F_S1bN trap *bgm_mode_mind_2_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$KIR_majimeA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 mono 1 print 6 delay 4000 *bgm_mode_mind_2_1000 trap off lsp 510,$tmp,0,0 lsp 509,$KIR_majimeA1,0,0 : tati_x_get 509,c : amsp 509,%x,0 mono 1 ~ notif %ran = 2 jumpf mov $tmp,":c;" add $tmp,chess1 trap *bgm_mode_mind_2_2000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 mono 1 print 6 delay 4000 *bgm_mode_mind_2_2000 trap off lsp 510,$tmp,0,0 mono 1 ~ lsp bgm_title_lsp,":s#FFFFFF` Title: ｍｉｎｄ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｄａｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 0:57`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_worldend if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,portrait2 trap *bgm_mode_worldend_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 8 delay 5000 *bgm_mode_worldend_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｗｏｒｌｄｅｎｄ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:36`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_play if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":a;bmp\r_click\text\tips\1_2.bmp" trap *bgm_mode_play_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,100,50 print 6 delay 6000 lsp 510,r_black,0,0 print 2 *bgm_mode_play_1000 trap off lsp 510,r_black,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｐｌａｙ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:29`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_system0 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,Mlib_1aN trap *bgm_mode_system0_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$NAT_IkariB1G,0,0 : tati_x_get 509,c : amsp 509,%x,0 print 28 delay 30000 *bgm_mode_system0_1000 trap off lsp 510,$tmp,0,0 lsp 509,$NAT_IkariB1G,0,0 : tati_x_get 509,c : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: システム零 [System 0]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: −４５`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:26`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_voiceless if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,M2F_R1dN trap *bgm_mode_voiceless_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 6000 *bgm_mode_voiceless_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｖｏｉｃｅｌｅｓｓ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:10`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_deadangle if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,butterfly_1a trap *bgm_mode_deadangle_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 44 delay 4000 mov $tmp,":c;" add $tmp,butterfly_3a lsp 510,$tmp,0,0 print 44 *bgm_mode_deadangle_1000 trap off mov $tmp,":c;" add $tmp,butterfly_3a lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｄｅａｄ　ａｎｇｌｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 6:37`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_orugann if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,G1F_S1a trap *bgm_mode_orugann_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$bea_defA1,0,0 : tati_x_get 509,r : amsp 509,%x,0 print 6 delay 5000 *bgm_mode_orugann_1000 trap off lsp 510,$tmp,0,0 lsp 509,$bea_defA1,0,0 : tati_x_get 509,r : amsp 509,%x,0 ;wwww ;wwww ; lsp bgm_title_lsp,":s#FFFFFF` Title: オルガン小曲　第６億番　ハ短調 [Organ Short #600 Million in C Minor]`",%bgm_x,%bgm_y1 ; lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 ; lsp bgm_time_lsp,":s#FFFFFF` Time: 1:33`",%bgm_x,%bgm_y3 lsp bgm_title_lsp,":s#FFFFFF` Title: オルガン小曲　第６億番　ハ短調`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` [Organ Short #600 Million in C Minor]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki] Time: 1:33`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_rougoku if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" add $tmp,Mhal_2cN trap *bgm_mode_rougoku_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$but_odorokiA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$bea_waraiA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 print 28 delay 6000 *bgm_mode_rougoku_1000 trap off lsp 510,$tmp,0,0 lsp 509,$but_odorokiA1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$bea_waraiA2,0,0 : tati_x_get 508,r : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 牢獄ＳＴＲＩＰ [Prison Strip]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: −４５`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:17`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_ed if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 btndef "bmp\background\efe\end_1a.jpg" ;スクロール画像を読みこむ lsph 510,r_black,0,0 gosub *bgm_play trap *bgm_mode_ed_1000 vsp 510,1 : print 1 blt 0,0,640,480,0,0,640,480 ;高速描画処理　座標０ bg end_1b,0 ;最後の背景を裏側に表示 waittimer 40 ; gosub *bgm_ep1_scroll ;スクロール実行本体 delay 1000 prnumclear ;数値ラベル設定クリア ofscpy lsp 510,end_1b,0,0 print 42 *bgm_mode_ed_1000 trap off lsp 510,end_1b,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｂｒｉｎｇ　Ｔｈｅ　Ｆａｔｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: 土井宏紀 [Doi Hironori]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 4:39`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 42 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_botann_teigi *bgm_mode_gc_01 if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran,1,1 notif %ran = 1 jumpf ;mov $tmp,":c;bmp\background\efe\Different_space_1a.bmp" mov $tmp,":c;" add $tmp,Different_space_1a trap *bgm_mode_gc_01_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 5000 *bgm_mode_gc_01_1000 trap off lsp 510,$tmp,0,0 ~ ;String Quartet #1 in G Major lsp bgm_title_lsp,":s#FFFFFF` Title: 弦楽四重奏曲第１番ト長調-I.Allegro`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` [String Quartet #1 in G Major - I. Allegro]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Artist: 北大路瑞希（グラサンねこ） [Kitaouji Mizuki]`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_me_arasi if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,7 if %ran2 = 1 : add $tmp,G_o1bN if %ran2 = 2 : add $tmp,G_o1cN if %ran2 = 3 : add $tmp,M_o1aN if %ran2 = 4 : add $tmp,M_o1bN if %ran2 = 5 : add $tmp,garden_1cN if %ran2 = 6 : add $tmp,garden_1aN if %ran2 = 7 : add $tmp,rose_G1aN meplay2 1,13,70 lsp 509,"*0" layermessage 0,"i|bmp\efe\rain1.bmp,bmp\efe\rain2.bmp,bmp\efe\rain3.bmp" layermessage 0,"s|1,30,-9,0,0" trap *bgm_mode_me_arasi_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 22 delay 5000 *bgm_mode_me_arasi_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Ｍｅ：嵐 [Storm]",%bgm_x,%bgm_y1 lsp bgm_time_lsp,":s#FFFFFF` Time: 0:40`",%bgm_x,%bgm_y2 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_cage if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;バラ園の背景をランダムで rnd2 %ran,1,1 if %ran = 1 add $tmp,Sky_1a trap *bgm_mode_cage_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 10000 *bgm_mode_cage_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: ｃａｇｅ`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:58`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_ougon_no_kage if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran3,1,3 notif %ran3 = 1 goto *bgm_mode_ougon_no_kage_100 gosub *bgm_mode_rnd_yomiage ;立ち絵のランダム配置 mov $tmp,":c;" rnd2 %ran2,1,3 if %ran2 = 1 : add $tmp,Mdin_1dN if %ran2 = 2 : add $tmp,Mdin_1eN if %ran2 = 3 : add $tmp,Mdin_1fN *bgm_mode_ougon_no_kage_100 notif %ran3 = 2 goto *bgm_mode_ougon_no_kage_200 gosub *bgm_mode_rnd_yomiage2 ;立ち絵のランダム配置 mov $tmp,":c;" rnd2 %ran2,1,4 if %ran2 = 1 : add $tmp,Different_spiral_1a if %ran2 = 2 : add $tmp,G1F_S1aP if %ran2 = 3 : add $tmp,G1F_S1bP if %ran2 = 4 : add $tmp,G1F_S1cP *bgm_mode_ougon_no_kage_200 notif %ran3 = 3 goto *bgm_mode_ougon_no_kage_300 gosub *bgm_mode_rnd_yomiage3 ;立ち絵のランダム配置 mov $tmp,":c;" rnd2 %ran2,1,4 if %ran2 = 1 : add $tmp,Different_spiral_1a if %ran2 = 2 : add $tmp,Different_space_1a if %ran2 = 3 : add $tmp,Different_space_1b if %ran2 = 4 : add $tmp,Different_space_1c *bgm_mode_ougon_no_kage_300 trap *bgm_mode_ougon_no_kage_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 print 26 delay 4000 *bgm_mode_ougon_no_kage_1000 trap off lsp 510,$tmp,0,0 lsp 509,$tmp1,0,0 : tati_x_get 509,l : amsp 509,%x,0 lsp 508,$tmp2,0,0 : tati_x_get 508,c : amsp 508,%x,0 lsp 507,$tmp3,0,0 : tati_x_get 507,r : amsp 507,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 金色の嘲笑 [Golden Sneer]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:50`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sasorinoharawata if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;ホールに蝶を重ねた画像 rnd2 %ran,1,1 if %ran = 1 add $tmp,Mhal_1aN trap *bgm_mode_sasorinoharawata_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,butterfly_4sp1R,0,0 print 6 delay 4000 *bgm_mode_sasorinoharawata_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: サソリのハラワタ [Scorpion Entrails]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:22`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sy if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;ホールに蝶を重ねた画像 rnd2 %ran,1,1 if %ran = 1 add $tmp,butterfly_3a trap *bgm_mode_sy_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$GOA_DefA1,0,0 tati_x_get 509,c : amsp 509,%x,0 print 6 delay 6000 *bgm_mode_sy_1000 trap off lsp 510,$tmp,0,0 lsp 509,$GOA_DefA1,0,0 tati_x_get 509,c : amsp 509,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 終焉_VerC [Life's End]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: pre-holder`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:39`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_where if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;ホールに蝶を重ねた画像 rnd2 %ran,1,1 if %ran = 1 add $tmp,butterfly_3a trap *bgm_mode_where_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 509,$GOA_DefA1B,0,0 lsp 508,$KAN_IkariA2B,0,0 tati_x_get 509,r : amsp 509,%x,0 tati_x_get 508,l : amsp 508,%x,0 print 6 delay 6000 *bgm_mode_where_1000 trap off lsp 510,$tmp,0,0 lsp 509,$GOA_DefA1B,0,0 lsp 508,$KAN_IkariA2B,0,0 tati_x_get 509,r : amsp 509,%x,0 tati_x_get 508,l : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: where`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: pre-holder`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:55`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Answer if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;ホールに蝶を重ねた画像 rnd2 %ran,1,1 if %ran = 1 add $tmp,G1F_S1cP trap *bgm_mode_Answer_1000 lsp 510,r_white,0,0 : print 1 :wait 10 lsp 510,$tmp,0,0 lsp 508,$BEA_AkuwaraiA1,0,0 lsp 509,$BUT_OdorokiA1,0,0 tati_x_get 509,l : amsp 509,%x,0 tati_x_get 508,r : amsp 508,%x,0 print 6 delay 6000 *bgm_mode_Answer_1000 trap off lsp 510,$tmp,0,0 lsp 508,$BEA_AkuwaraiA1,0,0 lsp 509,$BUT_OdorokiA1,0,0 tati_x_get 509,l : amsp 509,%x,0 tati_x_get 508,r : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Answer`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: dai`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:41`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Answer_short if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;ホールに蝶を重ねた画像 rnd2 %ran,1,1 if %ran = 1 add $tmp,chess1 trap *bgm_mode_Answer_short_1000 lsp 510,r_white,0,0 : print 1 :wait 10 lsp 510,$tmp,0,0 ;lsp 508,$BEA_AkuwaraiA1,0,0 ;lsp 509,$BUT_OdorokiA1,0,0 ;tati_x_get 509,l : amsp 509,%x,0 ;tati_x_get 508,r : amsp 508,%x,0 print 6 delay 6000 *bgm_mode_Answer_short_1000 trap off lsp 510,$tmp,0,0 ;lsp 508,$BEA_AkuwaraiA1,0,0 ;lsp 509,$BUT_OdorokiA1,0,0 ;tati_x_get 509,l : amsp 509,%x,0 ;tati_x_get 508,r : amsp 508,%x,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Answer_short`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: dai`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:02`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Read_Dread if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;ホールに蝶を重ねた画像 rnd2 %ran,1,4 if %ran = 1 add $tmp,Pumpkin2 if %ran = 2 add $tmp,"bgm_mode\ss\red1.bmp" if %ran = 3 add $tmp,"bgm_mode\ss\red2.bmp" if %ran = 4 add $tmp,"bgm_mode\ss\red3.bmp" trap *bgm_mode_Read_Dread_1000 lsp 510,r_white,0,0 : print 1 :wait 10 lsp 510,$tmp,0,0 print 26 delay 4000 *bgm_mode_Read_Dread_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Red_Dread`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Ryu-Ga`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:43`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sirabe_oche if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;バラ園の背景をランダムで rnd2 %ran,1,1 if %ran = 1 add $tmp,portrait3 trap *bgm_mode_sirabe_oche_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 6000 *bgm_mode_sirabe_oche_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 旋律（シラベ）inst.ver [Melody]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｓｕｎｎｙ、ｃａｐ、ｘａｋｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 8:05`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Dread_grave if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran2,1,12 if %ran2 = 1 : add $tmp,"bgm_mode\ss\ennkan1.bmp" if %ran2 = 2 : add $tmp,"bgm_mode\ss\ennkan2.bmp" if %ran2 = 3 : add $tmp,"bgm_mode\ss\ennkan3.bmp" if %ran2 = 4 : add $tmp,"bgm_mode\ss\ennkan4.bmp" if %ran2 = 5 : add $tmp,"bgm_mode\ss\ennkan5.bmp" if %ran2 = 6 : add $tmp,"bgm_mode\ss\ennkan6.bmp" if %ran2 = 7 : add $tmp,"bgm_mode\ss\dread_grave.bmp" if %ran2 = 8 : add $tmp,"bgm_mode\ss\dread2_1.bmp" if %ran2 = 9 : add $tmp,"bgm_mode\ss\dread2_2.bmp" if %ran2 = 10 : add $tmp,"bgm_mode\ss\dread2_3.bmp" if %ran2 = 11 : add $tmp,"bgm_mode\ss\dread2_4.bmp" if %ran2 = 12 : add $tmp,"bgm_mode\ss\dread2_6.bmp" trap *bgm_mode_Dread_grave_1000 lsp 510,r_white,0,0 : print 1 :wait 10 lsp 510,$tmp,0,0 print 1 delay 3000 *bgm_mode_Dread_grave_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Dread_of_the_grave`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ＳＢ　ＹＵＮＥ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 6:04`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_moon if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play rnd2 %ran2,1,2 notif %ran2 = 1 goto *bgm_mode_moon_2000 mov $tmp,":c;" rnd2 %ran,1,1 if %ran = 1 add $tmp,MJES_1bN trap *bgm_mode_moon_1000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 lsp 508,$JES_NakuA3,0,0,128 lsp 509,$KAN_NayamuA1,0,0,128 tati_x_get 509,c : amsp 509,%x,0,128 tati_x_get 508,r : amsp 508,%x,0,128 print 6 delay 6000 *bgm_mode_moon_1000 trap off lsp 510,$tmp,0,0 lsp 508,$JES_NakuA3,0,0,128 lsp 509,$KAN_NayamuA1,0,0,128 tati_x_get 509,c : amsp 509,%x,0,128 tati_x_get 508,r : amsp 508,%x,0,128 *bgm_mode_moon_2000 notif %ran2 = 2 goto *bgm_mode_moon_4000 mov $tmp,":c;" rnd2 %ran,1,1 if %ran = 1 add $tmp,"bgm_mode\ss\moon1.bmp" trap *bgm_mode_moon_3000 lsp 510,r_black,0,0 : print 22 lsp 510,$tmp,0,0 print 6 delay 6000 *bgm_mode_moon_3000 trap off lsp 510,$tmp,0,0 *bgm_mode_moon_4000 lsp bgm_title_lsp,":s#FFFFFF` Title: moon`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: dai`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 2:52`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Worldenddominator if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,12 if %ran = 1 add $tmp,"bgm_mode\ss\w_end1.bmp" if %ran = 2 add $tmp,"bgm_mode\ss\w_end2.bmp" if %ran = 3 add $tmp,"bgm_mode\ss\w_end3.bmp" if %ran = 4 add $tmp,"bgm_mode\ss\w_end4.bmp" if %ran = 5 add $tmp,"bgm_mode\ss\w_end5.bmp" if %ran = 6 add $tmp,"bgm_mode\ss\w_end6.bmp" if %ran = 7 add $tmp,"bgm_mode\ss\w_end7.bmp" if %ran = 8 add $tmp,"bgm_mode\ss\w_end8.bmp" if %ran = 9 add $tmp,"bgm_mode\ss\w_end1.bmp" if %ran = 10 add $tmp,"bgm_mode\ss\w_end2.bmp" if %ran = 11 add $tmp,"bgm_mode\ss\w_end2.bmp" if %ran = 12 add $tmp,"bgm_mode\ss\w_end2.bmp" trap *bgm_mode_Worldenddominator_1000 lsp 510,r_black,0,0 : print 1 : wait 10 lsp 510,$tmp,0,0 print 28 delay 3000 *bgm_mode_Worldenddominator_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Worldend_dominator`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｚｔｓ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 7:37`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_ririana if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,3 if %ran = 1 add $tmp,"bgm_mode\ss\ririana1.bmp" if %ran = 2 add $tmp,"bgm_mode\ss\ririana2.bmp" if %ran = 3 add $tmp,"bgm_mode\ss\ririana3.bmp" trap *bgm_mode_ririana_1000 lsp 510,r_white,0,0 : print 1 : wait 10 lsp 510,$tmp,0,0 print 2 delay 6000 *bgm_mode_ririana_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 黒のリリアナ [Black Lilliana]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: あきやまうに [U2 Akiyama]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 5:19`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_turu_pettan if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" ;ホールに蝶を重ねた画像 rnd2 %ran,1,1 if %ran = 1 add $tmp,"custom\bmp\background\special\07.png" trap *bgm_mode_turu_pettan_1000 lsp 510,r_white,0,0 : print 1 :wait 10 lsp 510,$tmp,0,0 print 28 delay 5000 *bgm_mode_turu_pettan_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: つるぺったん（short.ver) [Tsuru Pettan]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Silver_Forest`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:54`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_kiyuusoku if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,2 if %ran = 1 add $tmp,"bgm_mode\ss\kyuusoku1.bmp" if %ran = 2 add $tmp,"bgm_mode\ss\kyuusoku2.bmp" trap *bgm_mode_kiyuusoku_1000 lsp 510,r_white,0,0 : print 22 lsp 510,$tmp,0,0 print 2 delay 6000 *bgm_mode_kiyuusoku_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 休息 [Rest]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: Ryu-Ga`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 1:30`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_hakujitunohate if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,2 if %ran = 1 add $tmp,"bgm_mode\ss\hakujitumunohate1.bmp" if %ran = 2 add $tmp,"bgm_mode\ss\hakujitumunohate2.bmp" trap *bgm_mode_hakujitunohate_1000 lsp 510,r_white,0,0 : print 2 lsp 510,$tmp,0,0 print 10 delay 6000 *bgm_mode_hakujitunohate_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 白日夢の果て [Daydream's End]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ラック眼力 [Luck Ganriki]`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Chorus: 木野寧 [Kino Nei]",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_sirabe_vocal if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,1 if %ran = 1 add $tmp,"bmp\background\efe\butterfly_4a.bmp" trap *bgm_mode_sirabe_vocal_1000 lsp 510,r_black,0,0 : print 2 lsp 510,$tmp,0,0 print 2 delay 6000 *bgm_mode_sirabe_vocal_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: 旋律（シラベ） [Melody]`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: ｓｕｎｎｙ、ｃａｐ、ｘａｋｉ`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Vocal: 木村 圭見 [Kimura Kazumi]`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 2 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp *bgm_mode_Over_the_sky if %bgm_mood_demo = 1 goto *demo_hyouji gosub *bgm_mode_k : print 22 gosub *bgm_play mov $tmp,":c;" rnd2 %ran,1,1 if %ran = 1 add $tmp,"bgm_mode\ss\time_as_go1.bmp" trap *bgm_mode_Over_the_sky_1000 lsp 510,r_white,0,0 : print 2 lsp 510,$tmp,0,0 print 48 delay 6000 *bgm_mode_Over_the_sky_1000 trap off lsp 510,$tmp,0,0 lsp bgm_title_lsp,":s#FFFFFF` Title: Over_the_sky`",%bgm_x,%bgm_y1 lsp bgm_sakka_lsp,":s#FFFFFF` Artist: pre-holder`",%bgm_x,%bgm_y2 lsp bgm_time_lsp,":s#FFFFFF` Time: 3:31`",%bgm_x,%bgm_y3 gosub *bgm_mode_h2 print 22 gettimer %3801:sub %bm_pt,%3801 ;曲の残り時間を入力 goto *bgm_mode_btn_lp ;***********　立ち位置の座標を取得して、%xの変数に代入するルーチン *tati_x_get ;(スプライト番号、立ち位置） getparam %x_get_tmp1,%x_get_tmp2 getspsize %x_get_tmp1,%x_get_tmp3,%x_get_tmp4,%x_get_tmp5 if %x_get_tmp2 = l div %x_get_tmp3,2 : mov %x,160 : sub %x,%x_get_tmp3 if %x_get_tmp2 = c div %x_get_tmp3,2 : mov %x,320 : sub %x,%x_get_tmp3 if %x_get_tmp2 = r div %x_get_tmp3,2 : mov %x,480 : sub %x,%x_get_tmp3 return ;*************************************************************** ;*********************************************** *bgm_ep1_scroll ;スクロール実行本体 skipoff ;resettimer blt 0,0,640,480,0, 1,640,480:waittimer 45 blt 0,0,640,480,0, 2,640,480:waittimer 90 blt 0,0,640,480,0, 3,640,480:waittimer 136 blt 0,0,640,480,0, 4,640,480:waittimer 181 blt 0,0,640,480,0, 5,640,480:waittimer 227 blt 0,0,640,480,0, 6,640,480:waittimer 272 blt 0,0,640,480,0, 7,640,480:waittimer 318 blt 0,0,640,480,0, 8,640,480:waittimer 363 blt 0,0,640,480,0, 9,640,480:waittimer 409 blt 0,0,640,480,0, 10,640,480:waittimer 454 blt 0,0,640,480,0, 11,640,480:waittimer 500 blt 0,0,640,480,0, 12,640,480:waittimer 545 blt 0,0,640,480,0, 13,640,480:waittimer 591 blt 0,0,640,480,0, 14,640,480:waittimer 636 blt 0,0,640,480,0, 15,640,480:waittimer 682 blt 0,0,640,480,0, 16,640,480:waittimer 727 blt 0,0,640,480,0, 17,640,480:waittimer 773 blt 0,0,640,480,0, 18,640,480:waittimer 818 blt 0,0,640,480,0, 19,640,480:waittimer 863 blt 0,0,640,480,0, 20,640,480:waittimer 909 blt 0,0,640,480,0, 21,640,480:waittimer 954 blt 0,0,640,480,0, 22,640,480:waittimer 1000 blt 0,0,640,480,0, 23,640,480:waittimer 1045 blt 0,0,640,480,0, 24,640,480:waittimer 1091 blt 0,0,640,480,0, 25,640,480:waittimer 1136 blt 0,0,640,480,0, 26,640,480:waittimer 1182 blt 0,0,640,480,0, 27,640,480:waittimer 1227 blt 0,0,640,480,0, 28,640,480:waittimer 1273 blt 0,0,640,480,0, 29,640,480:waittimer 1318 blt 0,0,640,480,0, 30,640,480:waittimer 1364 blt 0,0,640,480,0, 31,640,480:waittimer 1409 blt 0,0,640,480,0, 32,640,480:waittimer 1455 blt 0,0,640,480,0, 33,640,480:waittimer 1500 blt 0,0,640,480,0, 34,640,480:waittimer 1546 blt 0,0,640,480,0, 35,640,480:waittimer 1591 blt 0,0,640,480,0, 36,640,480:waittimer 1636 blt 0,0,640,480,0, 37,640,480:waittimer 1682 blt 0,0,640,480,0, 38,640,480:waittimer 1727 blt 0,0,640,480,0, 39,640,480:waittimer 1773 blt 0,0,640,480,0, 40,640,480:waittimer 1818 blt 0,0,640,480,0, 41,640,480:waittimer 1864 blt 0,0,640,480,0, 42,640,480:waittimer 1909 blt 0,0,640,480,0, 43,640,480:waittimer 1955 blt 0,0,640,480,0, 44,640,480:waittimer 2000 blt 0,0,640,480,0, 45,640,480:waittimer 2046 blt 0,0,640,480,0, 46,640,480:waittimer 2091 blt 0,0,640,480,0, 47,640,480:waittimer 2137 blt 0,0,640,480,0, 48,640,480:waittimer 2182 blt 0,0,640,480,0, 49,640,480:waittimer 2228 blt 0,0,640,480,0, 50,640,480:waittimer 2273 blt 0,0,640,480,0, 51,640,480:waittimer 2319 blt 0,0,640,480,0, 52,640,480:waittimer 2364 blt 0,0,640,480,0, 53,640,480:waittimer 2409 blt 0,0,640,480,0, 54,640,480:waittimer 2455 blt 0,0,640,480,0, 55,640,480:waittimer 2500 blt 0,0,640,480,0, 56,640,480:waittimer 2546 blt 0,0,640,480,0, 57,640,480:waittimer 2591 blt 0,0,640,480,0, 58,640,480:waittimer 2637 blt 0,0,640,480,0, 59,640,480:waittimer 2682 blt 0,0,640,480,0, 60,640,480:waittimer 2728 blt 0,0,640,480,0, 61,640,480:waittimer 2773 blt 0,0,640,480,0, 62,640,480:waittimer 2819 blt 0,0,640,480,0, 63,640,480:waittimer 2864 blt 0,0,640,480,0, 64,640,480:waittimer 2910 blt 0,0,640,480,0, 65,640,480:waittimer 2955 blt 0,0,640,480,0, 66,640,480:waittimer 3001 blt 0,0,640,480,0, 67,640,480:waittimer 3046 blt 0,0,640,480,0, 68,640,480:waittimer 3092 blt 0,0,640,480,0, 69,640,480:waittimer 3137 blt 0,0,640,480,0, 70,640,480:waittimer 3182 blt 0,0,640,480,0, 71,640,480:waittimer 3228 blt 0,0,640,480,0, 72,640,480:waittimer 3273 blt 0,0,640,480,0, 73,640,480:waittimer 3319 blt 0,0,640,480,0, 74,640,480:waittimer 3364 blt 0,0,640,480,0, 75,640,480:waittimer 3410 blt 0,0,640,480,0, 76,640,480:waittimer 3455 blt 0,0,640,480,0, 77,640,480:waittimer 3501 blt 0,0,640,480,0, 78,640,480:waittimer 3546 blt 0,0,640,480,0, 79,640,480:waittimer 3592 blt 0,0,640,480,0, 80,640,480:waittimer 3637 blt 0,0,640,480,0, 81,640,480:waittimer 3683 blt 0,0,640,480,0, 82,640,480:waittimer 3728 blt 0,0,640,480,0, 83,640,480:waittimer 3774 blt 0,0,640,480,0, 84,640,480:waittimer 3819 blt 0,0,640,480,0, 85,640,480:waittimer 3865 blt 0,0,640,480,0, 86,640,480:waittimer 3910 blt 0,0,640,480,0, 87,640,480:waittimer 3955 blt 0,0,640,480,0, 88,640,480:waittimer 4001 blt 0,0,640,480,0, 89,640,480:waittimer 4046 blt 0,0,640,480,0, 90,640,480:waittimer 4092 blt 0,0,640,480,0, 91,640,480:waittimer 4137 blt 0,0,640,480,0, 92,640,480:waittimer 4183 blt 0,0,640,480,0, 93,640,480:waittimer 4228 blt 0,0,640,480,0, 94,640,480:waittimer 4274 blt 0,0,640,480,0, 95,640,480:waittimer 4319 blt 0,0,640,480,0, 96,640,480:waittimer 4365 blt 0,0,640,480,0, 97,640,480:waittimer 4410 blt 0,0,640,480,0, 98,640,480:waittimer 4456 blt 0,0,640,480,0, 99,640,480:waittimer 4501 blt 0,0,640,480,0, 100,640,480:waittimer 4547 blt 0,0,640,480,0, 101,640,480:waittimer 4592 blt 0,0,640,480,0, 102,640,480:waittimer 4638 blt 0,0,640,480,0, 103,640,480:waittimer 4683 blt 0,0,640,480,0, 104,640,480:waittimer 4728 blt 0,0,640,480,0, 105,640,480:waittimer 4774 blt 0,0,640,480,0, 106,640,480:waittimer 4819 blt 0,0,640,480,0, 107,640,480:waittimer 4865 blt 0,0,640,480,0, 108,640,480:waittimer 4910 blt 0,0,640,480,0, 109,640,480:waittimer 4956 blt 0,0,640,480,0, 110,640,480:waittimer 5001 blt 0,0,640,480,0, 111,640,480:waittimer 5047 blt 0,0,640,480,0, 112,640,480:waittimer 5092 blt 0,0,640,480,0, 113,640,480:waittimer 5138 blt 0,0,640,480,0, 114,640,480:waittimer 5183 blt 0,0,640,480,0, 115,640,480:waittimer 5229 blt 0,0,640,480,0, 116,640,480:waittimer 5274 blt 0,0,640,480,0, 117,640,480:waittimer 5320 blt 0,0,640,480,0, 118,640,480:waittimer 5365 blt 0,0,640,480,0, 119,640,480:waittimer 5411 blt 0,0,640,480,0, 120,640,480:waittimer 5456 blt 0,0,640,480,0, 121,640,480:waittimer 5501 blt 0,0,640,480,0, 122,640,480:waittimer 5547 blt 0,0,640,480,0, 123,640,480:waittimer 5592 blt 0,0,640,480,0, 124,640,480:waittimer 5638 blt 0,0,640,480,0, 125,640,480:waittimer 5683 blt 0,0,640,480,0, 126,640,480:waittimer 5729 blt 0,0,640,480,0, 127,640,480:waittimer 5774 blt 0,0,640,480,0, 128,640,480:waittimer 5820 blt 0,0,640,480,0, 129,640,480:waittimer 5865 blt 0,0,640,480,0, 130,640,480:waittimer 5911 blt 0,0,640,480,0, 131,640,480:waittimer 5956 blt 0,0,640,480,0, 132,640,480:waittimer 6002 blt 0,0,640,480,0, 133,640,480:waittimer 6047 blt 0,0,640,480,0, 134,640,480:waittimer 6093 blt 0,0,640,480,0, 135,640,480:waittimer 6138 blt 0,0,640,480,0, 136,640,480:waittimer 6184 blt 0,0,640,480,0, 137,640,480:waittimer 6229 blt 0,0,640,480,0, 138,640,480:waittimer 6275 blt 0,0,640,480,0, 139,640,480:waittimer 6320 blt 0,0,640,480,0, 140,640,480:waittimer 6365 blt 0,0,640,480,0, 141,640,480:waittimer 6411 blt 0,0,640,480,0, 142,640,480:waittimer 6456 blt 0,0,640,480,0, 143,640,480:waittimer 6502 blt 0,0,640,480,0, 144,640,480:waittimer 6547 blt 0,0,640,480,0, 145,640,480:waittimer 6593 blt 0,0,640,480,0, 146,640,480:waittimer 6638 blt 0,0,640,480,0, 147,640,480:waittimer 6684 blt 0,0,640,480,0, 148,640,480:waittimer 6729 blt 0,0,640,480,0, 149,640,480:waittimer 6775 blt 0,0,640,480,0, 150,640,480:waittimer 6820 blt 0,0,640,480,0, 151,640,480:waittimer 6866 blt 0,0,640,480,0, 152,640,480:waittimer 6911 blt 0,0,640,480,0, 153,640,480:waittimer 6957 blt 0,0,640,480,0, 154,640,480:waittimer 7002 blt 0,0,640,480,0, 155,640,480:waittimer 7048 blt 0,0,640,480,0, 156,640,480:waittimer 7093 blt 0,0,640,480,0, 157,640,480:waittimer 7138 blt 0,0,640,480,0, 158,640,480:waittimer 7184 blt 0,0,640,480,0, 159,640,480:waittimer 7229 blt 0,0,640,480,0, 160,640,480:waittimer 7275 blt 0,0,640,480,0, 161,640,480:waittimer 7320 blt 0,0,640,480,0, 162,640,480:waittimer 7366 blt 0,0,640,480,0, 163,640,480:waittimer 7411 blt 0,0,640,480,0, 164,640,480:waittimer 7457 blt 0,0,640,480,0, 165,640,480:waittimer 7502 blt 0,0,640,480,0, 166,640,480:waittimer 7548 blt 0,0,640,480,0, 167,640,480:waittimer 7593 blt 0,0,640,480,0, 168,640,480:waittimer 7639 blt 0,0,640,480,0, 169,640,480:waittimer 7684 blt 0,0,640,480,0, 170,640,480:waittimer 7730 blt 0,0,640,480,0, 171,640,480:waittimer 7775 blt 0,0,640,480,0, 172,640,480:waittimer 7821 blt 0,0,640,480,0, 173,640,480:waittimer 7866 blt 0,0,640,480,0, 174,640,480:waittimer 7911 blt 0,0,640,480,0, 175,640,480:waittimer 7957 blt 0,0,640,480,0, 176,640,480:waittimer 8002 blt 0,0,640,480,0, 177,640,480:waittimer 8048 blt 0,0,640,480,0, 178,640,480:waittimer 8093 blt 0,0,640,480,0, 179,640,480:waittimer 8139 blt 0,0,640,480,0, 180,640,480:waittimer 8184 blt 0,0,640,480,0, 181,640,480:waittimer 8230 blt 0,0,640,480,0, 182,640,480:waittimer 8275 blt 0,0,640,480,0, 183,640,480:waittimer 8321 blt 0,0,640,480,0, 184,640,480:waittimer 8366 blt 0,0,640,480,0, 185,640,480:waittimer 8412 blt 0,0,640,480,0, 186,640,480:waittimer 8457 blt 0,0,640,480,0, 187,640,480:waittimer 8503 blt 0,0,640,480,0, 188,640,480:waittimer 8548 blt 0,0,640,480,0, 189,640,480:waittimer 8594 blt 0,0,640,480,0, 190,640,480:waittimer 8639 blt 0,0,640,480,0, 191,640,480:waittimer 8684 blt 0,0,640,480,0, 192,640,480:waittimer 8730 blt 0,0,640,480,0, 193,640,480:waittimer 8775 blt 0,0,640,480,0, 194,640,480:waittimer 8821 blt 0,0,640,480,0, 195,640,480:waittimer 8866 blt 0,0,640,480,0, 196,640,480:waittimer 8912 blt 0,0,640,480,0, 197,640,480:waittimer 8957 blt 0,0,640,480,0, 198,640,480:waittimer 9003 blt 0,0,640,480,0, 199,640,480:waittimer 9048 blt 0,0,640,480,0, 200,640,480:waittimer 9094 blt 0,0,640,480,0, 201,640,480:waittimer 9139 blt 0,0,640,480,0, 202,640,480:waittimer 9185 blt 0,0,640,480,0, 203,640,480:waittimer 9230 blt 0,0,640,480,0, 204,640,480:waittimer 9276 blt 0,0,640,480,0, 205,640,480:waittimer 9321 blt 0,0,640,480,0, 206,640,480:waittimer 9367 blt 0,0,640,480,0, 207,640,480:waittimer 9412 blt 0,0,640,480,0, 208,640,480:waittimer 9457 blt 0,0,640,480,0, 209,640,480:waittimer 9503 blt 0,0,640,480,0, 210,640,480:waittimer 9548 blt 0,0,640,480,0, 211,640,480:waittimer 9594 blt 0,0,640,480,0, 212,640,480:waittimer 9639 blt 0,0,640,480,0, 213,640,480:waittimer 9685 blt 0,0,640,480,0, 214,640,480:waittimer 9730 blt 0,0,640,480,0, 215,640,480:waittimer 9776 blt 0,0,640,480,0, 216,640,480:waittimer 9821 blt 0,0,640,480,0, 217,640,480:waittimer 9867 blt 0,0,640,480,0, 218,640,480:waittimer 9912 blt 0,0,640,480,0, 219,640,480:waittimer 9958 blt 0,0,640,480,0, 220,640,480:waittimer 10003 blt 0,0,640,480,0, 221,640,480:waittimer 10049 blt 0,0,640,480,0, 222,640,480:waittimer 10094 blt 0,0,640,480,0, 223,640,480:waittimer 10140 blt 0,0,640,480,0, 224,640,480:waittimer 10185 blt 0,0,640,480,0, 225,640,480:waittimer 10230 blt 0,0,640,480,0, 226,640,480:waittimer 10276 blt 0,0,640,480,0, 227,640,480:waittimer 10321 blt 0,0,640,480,0, 228,640,480:waittimer 10367 blt 0,0,640,480,0, 229,640,480:waittimer 10412 blt 0,0,640,480,0, 230,640,480:waittimer 10458 blt 0,0,640,480,0, 231,640,480:waittimer 10503 blt 0,0,640,480,0, 232,640,480:waittimer 10549 blt 0,0,640,480,0, 233,640,480:waittimer 10594 blt 0,0,640,480,0, 234,640,480:waittimer 10640 blt 0,0,640,480,0, 235,640,480:waittimer 10685 blt 0,0,640,480,0, 236,640,480:waittimer 10731 blt 0,0,640,480,0, 237,640,480:waittimer 10776 blt 0,0,640,480,0, 238,640,480:waittimer 10822 blt 0,0,640,480,0, 239,640,480:waittimer 10867 blt 0,0,640,480,0, 240,640,480:waittimer 10913 blt 0,0,640,480,0, 241,640,480:waittimer 10958 blt 0,0,640,480,0, 242,640,480:waittimer 11003 blt 0,0,640,480,0, 243,640,480:waittimer 11049 blt 0,0,640,480,0, 244,640,480:waittimer 11094 blt 0,0,640,480,0, 245,640,480:waittimer 11140 blt 0,0,640,480,0, 246,640,480:waittimer 11185 blt 0,0,640,480,0, 247,640,480:waittimer 11231 blt 0,0,640,480,0, 248,640,480:waittimer 11276 blt 0,0,640,480,0, 249,640,480:waittimer 11322 blt 0,0,640,480,0, 250,640,480:waittimer 11367 blt 0,0,640,480,0, 251,640,480:waittimer 11413 blt 0,0,640,480,0, 252,640,480:waittimer 11458 blt 0,0,640,480,0, 253,640,480:waittimer 11504 blt 0,0,640,480,0, 254,640,480:waittimer 11549 blt 0,0,640,480,0, 255,640,480:waittimer 11595 blt 0,0,640,480,0, 256,640,480:waittimer 11640 blt 0,0,640,480,0, 257,640,480:waittimer 11686 blt 0,0,640,480,0, 258,640,480:waittimer 11731 blt 0,0,640,480,0, 259,640,480:waittimer 11776 blt 0,0,640,480,0, 260,640,480:waittimer 11822 blt 0,0,640,480,0, 261,640,480:waittimer 11867 blt 0,0,640,480,0, 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78210 blt 0,0,640,480,0, 1721,640,480:waittimer 78255 blt 0,0,640,480,0, 1722,640,480:waittimer 78301 blt 0,0,640,480,0, 1723,640,480:waittimer 78346 blt 0,0,640,480,0, 1724,640,480:waittimer 78392 blt 0,0,640,480,0, 1725,640,480:waittimer 78437 blt 0,0,640,480,0, 1726,640,480:waittimer 78482 blt 0,0,640,480,0, 1727,640,480:waittimer 78528 blt 0,0,640,480,0, 1728,640,480:waittimer 78573 blt 0,0,640,480,0, 1729,640,480:waittimer 78619 blt 0,0,640,480,0, 1730,640,480:waittimer 78664 blt 0,0,640,480,0, 1731,640,480:waittimer 78710 blt 0,0,640,480,0, 1732,640,480:waittimer 78755 blt 0,0,640,480,0, 1733,640,480:waittimer 78801 blt 0,0,640,480,0, 1734,640,480:waittimer 78846 blt 0,0,640,480,0, 1735,640,480:waittimer 78892 blt 0,0,640,480,0, 1736,640,480:waittimer 78937 blt 0,0,640,480,0, 1737,640,480:waittimer 78983 blt 0,0,640,480,0, 1738,640,480:waittimer 79028 blt 0,0,640,480,0, 1739,640,480:waittimer 79074 blt 0,0,640,480,0, 1740,640,480:waittimer 79119 blt 0,0,640,480,0, 1741,640,480:waittimer 79165 blt 0,0,640,480,0, 1742,640,480:waittimer 79210 blt 0,0,640,480,0, 1743,640,480:waittimer 79255 blt 0,0,640,480,0, 1744,640,480:waittimer 79301 blt 0,0,640,480,0, 1745,640,480:waittimer 79346 blt 0,0,640,480,0, 1746,640,480:waittimer 79392 blt 0,0,640,480,0, 1747,640,480:waittimer 79437 blt 0,0,640,480,0, 1748,640,480:waittimer 79483 blt 0,0,640,480,0, 1749,640,480:waittimer 79528 blt 0,0,640,480,0, 1750,640,480:waittimer 79574 blt 0,0,640,480,0, 1751,640,480:waittimer 79619 blt 0,0,640,480,0, 1752,640,480:waittimer 79665 blt 0,0,640,480,0, 1753,640,480:waittimer 79710 blt 0,0,640,480,0, 1754,640,480:waittimer 79756 blt 0,0,640,480,0, 1755,640,480:waittimer 79801 blt 0,0,640,480,0, 1756,640,480:waittimer 79847 blt 0,0,640,480,0, 1757,640,480:waittimer 79892 blt 0,0,640,480,0, 1758,640,480:waittimer 79938 blt 0,0,640,480,0, 1759,640,480:waittimer 79983 blt 0,0,640,480,0, 1760,640,480:waittimer 80028 blt 0,0,640,480,0, 1761,640,480:waittimer 80074 blt 0,0,640,480,0, 1762,640,480:waittimer 80119 blt 0,0,640,480,0, 1763,640,480:waittimer 80165 blt 0,0,640,480,0, 1764,640,480:waittimer 80210 blt 0,0,640,480,0, 1765,640,480:waittimer 80256 blt 0,0,640,480,0, 1766,640,480:waittimer 80301 blt 0,0,640,480,0, 1767,640,480:waittimer 80347 blt 0,0,640,480,0, 1768,640,480:waittimer 80392 blt 0,0,640,480,0, 1769,640,480:waittimer 80438 blt 0,0,640,480,0, 1770,640,480:waittimer 80483 blt 0,0,640,480,0, 1771,640,480:waittimer 80529 blt 0,0,640,480,0, 1772,640,480:waittimer 80574 blt 0,0,640,480,0, 1773,640,480:waittimer 80620 blt 0,0,640,480,0, 1774,640,480:waittimer 80665 blt 0,0,640,480,0, 1775,640,480:waittimer 80711 blt 0,0,640,480,0, 1776,640,480:waittimer 80756 blt 0,0,640,480,0, 1777,640,480:waittimer 80801 blt 0,0,640,480,0, 1778,640,480:waittimer 80847 blt 0,0,640,480,0, 1779,640,480:waittimer 80892 blt 0,0,640,480,0, 1780,640,480:waittimer 80938 blt 0,0,640,480,0, 1781,640,480:waittimer 80983 blt 0,0,640,480,0, 1782,640,480:waittimer 81029 blt 0,0,640,480,0, 1783,640,480:waittimer 81074 blt 0,0,640,480,0, 1784,640,480:waittimer 81120 blt 0,0,640,480,0, 1785,640,480:waittimer 81165 blt 0,0,640,480,0, 1786,640,480:waittimer 81211 blt 0,0,640,480,0, 1787,640,480:waittimer 81256 blt 0,0,640,480,0, 1788,640,480:waittimer 81302 blt 0,0,640,480,0, 1789,640,480:waittimer 81347 blt 0,0,640,480,0, 1790,640,480:waittimer 81393 blt 0,0,640,480,0, 1791,640,480:waittimer 81438 blt 0,0,640,480,0, 1792,640,480:waittimer 81484 blt 0,0,640,480,0, 1793,640,480:waittimer 81529 blt 0,0,640,480,0, 1794,640,480:waittimer 81575 blt 0,0,640,480,0, 1795,640,480:waittimer 81620 blt 0,0,640,480,0, 1796,640,480:waittimer 81665 blt 0,0,640,480,0, 1797,640,480:waittimer 81711 blt 0,0,640,480,0, 1798,640,480:waittimer 81756 blt 0,0,640,480,0, 1799,640,480:waittimer 81802 blt 0,0,640,480,0, 1800,640,480:waittimer 81847 blt 0,0,640,480,0, 1801,640,480:waittimer 81893 blt 0,0,640,480,0, 1802,640,480:waittimer 81938 blt 0,0,640,480,0, 1803,640,480:waittimer 81984 blt 0,0,640,480,0, 1804,640,480:waittimer 82029 blt 0,0,640,480,0, 1805,640,480:waittimer 82075 blt 0,0,640,480,0, 1806,640,480:waittimer 82120 blt 0,0,640,480,0, 1807,640,480:waittimer 82166 blt 0,0,640,480,0, 1808,640,480:waittimer 82211 blt 0,0,640,480,0, 1809,640,480:waittimer 82257 blt 0,0,640,480,0, 1810,640,480:waittimer 82302 blt 0,0,640,480,0, 1811,640,480:waittimer 82348 blt 0,0,640,480,0, 1812,640,480:waittimer 82393 blt 0,0,640,480,0, 1813,640,480:waittimer 82438 blt 0,0,640,480,0, 1814,640,480:waittimer 82484 blt 0,0,640,480,0, 1815,640,480:waittimer 82529 blt 0,0,640,480,0, 1816,640,480:waittimer 82575 blt 0,0,640,480,0, 1817,640,480:waittimer 82620 blt 0,0,640,480,0, 1818,640,480:waittimer 82666 blt 0,0,640,480,0, 1819,640,480:waittimer 82711 blt 0,0,640,480,0, 1820,640,480:waittimer 82757 blt 0,0,640,480,0, 1821,640,480:waittimer 82802 blt 0,0,640,480,0, 1822,640,480:waittimer 82848 blt 0,0,640,480,0, 1823,640,480:waittimer 82893 blt 0,0,640,480,0, 1824,640,480:waittimer 82939 blt 0,0,640,480,0, 1825,640,480:waittimer 82984 blt 0,0,640,480,0, 1826,640,480:waittimer 83030 blt 0,0,640,480,0, 1827,640,480:waittimer 83075 blt 0,0,640,480,0, 1828,640,480:waittimer 83121 blt 0,0,640,480,0, 1829,640,480:waittimer 83166 blt 0,0,640,480,0, 1830,640,480:waittimer 83211 blt 0,0,640,480,0, 1831,640,480:waittimer 83257 blt 0,0,640,480,0, 1832,640,480:waittimer 83302 blt 0,0,640,480,0, 1833,640,480:waittimer 83348 blt 0,0,640,480,0, 1834,640,480:waittimer 83393 blt 0,0,640,480,0, 1835,640,480:waittimer 83439 blt 0,0,640,480,0, 1836,640,480:waittimer 83484 blt 0,0,640,480,0, 1837,640,480:waittimer 83530 blt 0,0,640,480,0, 1838,640,480:waittimer 83575 blt 0,0,640,480,0, 1839,640,480:waittimer 83621 blt 0,0,640,480,0, 1840,640,480:waittimer 83666 blt 0,0,640,480,0, 1841,640,480:waittimer 83712 blt 0,0,640,480,0, 1842,640,480:waittimer 83757 blt 0,0,640,480,0, 1843,640,480:waittimer 83803 blt 0,0,640,480,0, 1844,640,480:waittimer 83848 blt 0,0,640,480,0, 1845,640,480:waittimer 83894 blt 0,0,640,480,0, 1846,640,480:waittimer 83939 blt 0,0,640,480,0, 1847,640,480:waittimer 83984 blt 0,0,640,480,0, 1848,640,480:waittimer 84030 blt 0,0,640,480,0, 1849,640,480:waittimer 84075 blt 0,0,640,480,0, 1850,640,480:waittimer 84121 blt 0,0,640,480,0, 1851,640,480:waittimer 84166 blt 0,0,640,480,0, 1852,640,480:waittimer 84212 blt 0,0,640,480,0, 1853,640,480:waittimer 84257 blt 0,0,640,480,0, 1854,640,480:waittimer 84303 blt 0,0,640,480,0, 1855,640,480:waittimer 84348 blt 0,0,640,480,0, 1856,640,480:waittimer 84394 blt 0,0,640,480,0, 1857,640,480:waittimer 84439 blt 0,0,640,480,0, 1858,640,480:waittimer 84485 blt 0,0,640,480,0, 1859,640,480:waittimer 84530 blt 0,0,640,480,0, 1860,640,480:waittimer 84576 blt 0,0,640,480,0, 1861,640,480:waittimer 84621 blt 0,0,640,480,0, 1862,640,480:waittimer 84667 blt 0,0,640,480,0, 1863,640,480:waittimer 84712 blt 0,0,640,480,0, 1864,640,480:waittimer 84757 blt 0,0,640,480,0, 1865,640,480:waittimer 84803 blt 0,0,640,480,0, 1866,640,480:waittimer 84848 blt 0,0,640,480,0, 1867,640,480:waittimer 84894 blt 0,0,640,480,0, 1868,640,480:waittimer 84939 blt 0,0,640,480,0, 1869,640,480:waittimer 84985 blt 0,0,640,480,0, 1870,640,480:waittimer 85030 blt 0,0,640,480,0, 1871,640,480:waittimer 85076 blt 0,0,640,480,0, 1872,640,480:waittimer 85121 blt 0,0,640,480,0, 1873,640,480:waittimer 85167 blt 0,0,640,480,0, 1874,640,480:waittimer 85212 blt 0,0,640,480,0, 1875,640,480:waittimer 85258 blt 0,0,640,480,0, 1876,640,480:waittimer 85303 blt 0,0,640,480,0, 1877,640,480:waittimer 85349 blt 0,0,640,480,0, 1878,640,480:waittimer 85394 blt 0,0,640,480,0, 1879,640,480:waittimer 85440 blt 0,0,640,480,0, 1880,640,480:waittimer 85485 blt 0,0,640,480,0, 1881,640,480:waittimer 85530 blt 0,0,640,480,0, 1882,640,480:waittimer 85576 blt 0,0,640,480,0, 1883,640,480:waittimer 85621 blt 0,0,640,480,0, 1884,640,480:waittimer 85667 blt 0,0,640,480,0, 1885,640,480:waittimer 85712 blt 0,0,640,480,0, 1886,640,480:waittimer 85758 blt 0,0,640,480,0, 1887,640,480:waittimer 85803 blt 0,0,640,480,0, 1888,640,480:waittimer 85849 blt 0,0,640,480,0, 1889,640,480:waittimer 85894 blt 0,0,640,480,0, 1890,640,480:waittimer 85940 blt 0,0,640,480,0, 1891,640,480:waittimer 85985 blt 0,0,640,480,0, 1892,640,480:waittimer 86031 blt 0,0,640,480,0, 1893,640,480:waittimer 86076 blt 0,0,640,480,0, 1894,640,480:waittimer 86122 blt 0,0,640,480,0, 1895,640,480:waittimer 86167 blt 0,0,640,480,0, 1896,640,480:waittimer 86213 blt 0,0,640,480,0, 1897,640,480:waittimer 86258 blt 0,0,640,480,0, 1898,640,480:waittimer 86303 blt 0,0,640,480,0, 1899,640,480:waittimer 86349 blt 0,0,640,480,0, 1900,640,480:waittimer 86394 blt 0,0,640,480,0, 1901,640,480:waittimer 86440 blt 0,0,640,480,0, 1902,640,480:waittimer 86485 blt 0,0,640,480,0, 1903,640,480:waittimer 86531 blt 0,0,640,480,0, 1904,640,480:waittimer 86576 blt 0,0,640,480,0, 1905,640,480:waittimer 86622 blt 0,0,640,480,0, 1906,640,480:waittimer 86667 blt 0,0,640,480,0, 1907,640,480:waittimer 86713 blt 0,0,640,480,0, 1908,640,480:waittimer 86758 blt 0,0,640,480,0, 1909,640,480:waittimer 86804 blt 0,0,640,480,0, 1910,640,480:waittimer 86849 blt 0,0,640,480,0, 1911,640,480:waittimer 86895 blt 0,0,640,480,0, 1912,640,480:waittimer 86940 blt 0,0,640,480,0, 1913,640,480:waittimer 86986 blt 0,0,640,480,0, 1914,640,480:waittimer 87031 blt 0,0,640,480,0, 1915,640,480:waittimer 87076 blt 0,0,640,480,0, 1916,640,480:waittimer 87122 blt 0,0,640,480,0, 1917,640,480:waittimer 87167 blt 0,0,640,480,0, 1918,640,480:waittimer 87213 blt 0,0,640,480,0, 1919,640,480:waittimer 87258 blt 0,0,640,480,0, 1920,640,480:waittimer 87304 blt 0,0,640,480,0, 1921,640,480:waittimer 87349 blt 0,0,640,480,0, 1922,640,480:waittimer 87395 blt 0,0,640,480,0, 1923,640,480:waittimer 87440 blt 0,0,640,480,0, 1924,640,480:waittimer 87486 blt 0,0,640,480,0, 1925,640,480:waittimer 87531 blt 0,0,640,480,0, 1926,640,480:waittimer 87577 blt 0,0,640,480,0, 1927,640,480:waittimer 87622 blt 0,0,640,480,0, 1928,640,480:waittimer 87668 blt 0,0,640,480,0, 1929,640,480:waittimer 87713 blt 0,0,640,480,0, 1930,640,480:waittimer 87759 blt 0,0,640,480,0, 1931,640,480:waittimer 87804 blt 0,0,640,480,0, 1932,640,480:waittimer 87850 blt 0,0,640,480,0, 1933,640,480:waittimer 87895 blt 0,0,640,480,0, 1934,640,480:waittimer 87940 blt 0,0,640,480,0, 1935,640,480:waittimer 87986 blt 0,0,640,480,0, 1936,640,480:waittimer 88031 blt 0,0,640,480,0, 1937,640,480:waittimer 88077 blt 0,0,640,480,0, 1938,640,480:waittimer 88122 blt 0,0,640,480,0, 1939,640,480:waittimer 88168 blt 0,0,640,480,0, 1940,640,480:waittimer 88213 blt 0,0,640,480,0, 1941,640,480:waittimer 88259 blt 0,0,640,480,0, 1942,640,480:waittimer 88304 blt 0,0,640,480,0, 1943,640,480:waittimer 88350 blt 0,0,640,480,0, 1944,640,480:waittimer 88395 blt 0,0,640,480,0, 1945,640,480:waittimer 88441 blt 0,0,640,480,0, 1946,640,480:waittimer 88486 blt 0,0,640,480,0, 1947,640,480:waittimer 88532 blt 0,0,640,480,0, 1948,640,480:waittimer 88577 blt 0,0,640,480,0, 1949,640,480:waittimer 88623 blt 0,0,640,480,0, 1950,640,480:waittimer 88668 blt 0,0,640,480,0, 1951,640,480:waittimer 88713 blt 0,0,640,480,0, 1952,640,480:waittimer 88759 blt 0,0,640,480,0, 1953,640,480:waittimer 88804 blt 0,0,640,480,0, 1954,640,480:waittimer 88850 blt 0,0,640,480,0, 1955,640,480:waittimer 88895 blt 0,0,640,480,0, 1956,640,480:waittimer 88941 blt 0,0,640,480,0, 1957,640,480:waittimer 88986 blt 0,0,640,480,0, 1958,640,480:waittimer 89032 blt 0,0,640,480,0, 1959,640,480:waittimer 89077 blt 0,0,640,480,0, 1960,640,480:waittimer 89123 blt 0,0,640,480,0, 1961,640,480:waittimer 89168 blt 0,0,640,480,0, 1962,640,480:waittimer 89214 blt 0,0,640,480,0, 1963,640,480:waittimer 89259 blt 0,0,640,480,0, 1964,640,480:waittimer 89305 blt 0,0,640,480,0, 1965,640,480:waittimer 89350 blt 0,0,640,480,0, 1966,640,480:waittimer 89396 blt 0,0,640,480,0, 1967,640,480:waittimer 89441 blt 0,0,640,480,0, 1968,640,480:waittimer 89486 blt 0,0,640,480,0, 1969,640,480:waittimer 89532 blt 0,0,640,480,0, 1970,640,480:waittimer 89577 blt 0,0,640,480,0, 1971,640,480:waittimer 89623 blt 0,0,640,480,0, 1972,640,480:waittimer 89668 blt 0,0,640,480,0, 1973,640,480:waittimer 89714 blt 0,0,640,480,0, 1974,640,480:waittimer 89759 blt 0,0,640,480,0, 1975,640,480:waittimer 89805 blt 0,0,640,480,0, 1976,640,480:waittimer 89850 blt 0,0,640,480,0, 1977,640,480:waittimer 89896 blt 0,0,640,480,0, 1978,640,480:waittimer 89941 blt 0,0,640,480,0, 1979,640,480:waittimer 89987 blt 0,0,640,480,0, 1980,640,480:waittimer 90032 blt 0,0,640,480,0, 1981,640,480:waittimer 90078 blt 0,0,640,480,0, 1982,640,480:waittimer 90123 blt 0,0,640,480,0, 1983,640,480:waittimer 90169 blt 0,0,640,480,0, 1984,640,480:waittimer 90214 blt 0,0,640,480,0, 1985,640,480:waittimer 90259 blt 0,0,640,480,0, 1986,640,480:waittimer 90305 blt 0,0,640,480,0, 1987,640,480:waittimer 90350 blt 0,0,640,480,0, 1988,640,480:waittimer 90396 blt 0,0,640,480,0, 1989,640,480:waittimer 90441 blt 0,0,640,480,0, 1990,640,480:waittimer 90487 blt 0,0,640,480,0, 1991,640,480:waittimer 90532 blt 0,0,640,480,0, 1992,640,480:waittimer 90578 blt 0,0,640,480,0, 1993,640,480:waittimer 90623 blt 0,0,640,480,0, 1994,640,480:waittimer 90669 blt 0,0,640,480,0, 1995,640,480:waittimer 90714 blt 0,0,640,480,0, 1996,640,480:waittimer 90760 blt 0,0,640,480,0, 1997,640,480:waittimer 90805 blt 0,0,640,480,0, 1998,640,480:waittimer 90851 blt 0,0,640,480,0, 1999,640,480:waittimer 90896 blt 0,0,640,480,0, 2000,640,480:waittimer 90942 blt 0,0,640,480,0, 2001,640,480:waittimer 90987 blt 0,0,640,480,0, 2002,640,480:waittimer 91032 blt 0,0,640,480,0, 2003,640,480:waittimer 91078 blt 0,0,640,480,0, 2004,640,480:waittimer 91123 blt 0,0,640,480,0, 2005,640,480:waittimer 91169 blt 0,0,640,480,0, 2006,640,480:waittimer 91214 blt 0,0,640,480,0, 2007,640,480:waittimer 91260 blt 0,0,640,480,0, 2008,640,480:waittimer 91305 blt 0,0,640,480,0, 2009,640,480:waittimer 91351 blt 0,0,640,480,0, 2010,640,480:waittimer 91396 blt 0,0,640,480,0, 2011,640,480:waittimer 91442 blt 0,0,640,480,0, 2012,640,480:waittimer 91487 blt 0,0,640,480,0, 2013,640,480:waittimer 91533 blt 0,0,640,480,0, 2014,640,480:waittimer 91578 blt 0,0,640,480,0, 2015,640,480:waittimer 91624 blt 0,0,640,480,0, 2016,640,480:waittimer 91669 blt 0,0,640,480,0, 2017,640,480:waittimer 91715 blt 0,0,640,480,0, 2018,640,480:waittimer 91760 blt 0,0,640,480,0, 2019,640,480:waittimer 91805 blt 0,0,640,480,0, 2020,640,480:waittimer 91851 blt 0,0,640,480,0, 2021,640,480:waittimer 91896 blt 0,0,640,480,0, 2022,640,480:waittimer 91942 blt 0,0,640,480,0, 2023,640,480:waittimer 91987 blt 0,0,640,480,0, 2024,640,480:waittimer 92033 blt 0,0,640,480,0, 2025,640,480:waittimer 92078 blt 0,0,640,480,0, 2026,640,480:waittimer 92124 blt 0,0,640,480,0, 2027,640,480:waittimer 92169 blt 0,0,640,480,0, 2028,640,480:waittimer 92215 blt 0,0,640,480,0, 2029,640,480:waittimer 92260 blt 0,0,640,480,0, 2030,640,480:waittimer 92306 blt 0,0,640,480,0, 2031,640,480:waittimer 92351 blt 0,0,640,480,0, 2032,640,480:waittimer 92397 blt 0,0,640,480,0, 2033,640,480:waittimer 92442 blt 0,0,640,480,0, 2034,640,480:waittimer 92488 blt 0,0,640,480,0, 2035,640,480:waittimer 92533 blt 0,0,640,480,0, 2036,640,480:waittimer 92578 blt 0,0,640,480,0, 2037,640,480:waittimer 92624 blt 0,0,640,480,0, 2038,640,480:waittimer 92669 blt 0,0,640,480,0, 2039,640,480:waittimer 92715 blt 0,0,640,480,0, 2040,640,480:waittimer 92760 blt 0,0,640,480,0, 2041,640,480:waittimer 92806 blt 0,0,640,480,0, 2042,640,480:waittimer 92851 blt 0,0,640,480,0, 2043,640,480:waittimer 92897 blt 0,0,640,480,0, 2044,640,480:waittimer 92942 blt 0,0,640,480,0, 2045,640,480:waittimer 92988 blt 0,0,640,480,0, 2046,640,480:waittimer 93033 blt 0,0,640,480,0, 2047,640,480:waittimer 93079 blt 0,0,640,480,0, 2048,640,480:waittimer 93124 blt 0,0,640,480,0, 2049,640,480:waittimer 93170 blt 0,0,640,480,0, 2050,640,480:waittimer 93215 blt 0,0,640,480,0, 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5376,640,480:waittimer 244452 blt 0,0,640,480,0, 5377,640,480:waittimer 244497 blt 0,0,640,480,0, 5378,640,480:waittimer 244543 blt 0,0,640,480,0, 5379,640,480:waittimer 244588 blt 0,0,640,480,0, 5380,640,480:waittimer 244634 blt 0,0,640,480,0, 5381,640,480:waittimer 244679 blt 0,0,640,480,0, 5382,640,480:waittimer 244725 blt 0,0,640,480,0, 5383,640,480:waittimer 244770 blt 0,0,640,480,0, 5384,640,480:waittimer 244815 blt 0,0,640,480,0, 5385,640,480:waittimer 244861 blt 0,0,640,480,0, 5386,640,480:waittimer 244906 blt 0,0,640,480,0, 5387,640,480:waittimer 244952 blt 0,0,640,480,0, 5388,640,480:waittimer 244997 blt 0,0,640,480,0, 5389,640,480:waittimer 245043 blt 0,0,640,480,0, 5390,640,480:waittimer 245088 blt 0,0,640,480,0, 5391,640,480:waittimer 245134 blt 0,0,640,480,0, 5392,640,480:waittimer 245179 blt 0,0,640,480,0, 5393,640,480:waittimer 245225 blt 0,0,640,480,0, 5394,640,480:waittimer 245270 blt 0,0,640,480,0, 5395,640,480:waittimer 245316 blt 0,0,640,480,0, 5396,640,480:waittimer 245361 blt 0,0,640,480,0, 5397,640,480:waittimer 245407 blt 0,0,640,480,0, 5398,640,480:waittimer 245452 blt 0,0,640,480,0, 5399,640,480:waittimer 245498 blt 0,0,640,480,0, 5400,640,480:waittimer 245543 blt 0,0,640,480,0, 5401,640,480:waittimer 245588 blt 0,0,640,480,0, 5402,640,480:waittimer 245634 blt 0,0,640,480,0, 5403,640,480:waittimer 245679 blt 0,0,640,480,0, 5404,640,480:waittimer 245725 blt 0,0,640,480,0, 5405,640,480:waittimer 245770 blt 0,0,640,480,0, 5406,640,480:waittimer 245816 blt 0,0,640,480,0, 5407,640,480:waittimer 245861 blt 0,0,640,480,0, 5408,640,480:waittimer 245907 blt 0,0,640,480,0, 5409,640,480:waittimer 245952 blt 0,0,640,480,0, 5410,640,480:waittimer 245998 blt 0,0,640,480,0, 5411,640,480:waittimer 246043 blt 0,0,640,480,0, 5412,640,480:waittimer 246089 blt 0,0,640,480,0, 5413,640,480:waittimer 246134 blt 0,0,640,480,0, 5414,640,480:waittimer 246180 blt 0,0,640,480,0, 5415,640,480:waittimer 246225 blt 0,0,640,480,0, 5416,640,480:waittimer 246271 blt 0,0,640,480,0, 5417,640,480:waittimer 246316 blt 0,0,640,480,0, 5418,640,480:waittimer 246361 blt 0,0,640,480,0, 5419,640,480:waittimer 246407 blt 0,0,640,480,0, 5420,640,480:waittimer 246452 blt 0,0,640,480,0, 5421,640,480:waittimer 246498 blt 0,0,640,480,0, 5422,640,480:waittimer 246543 blt 0,0,640,480,0, 5423,640,480:waittimer 246589 blt 0,0,640,480,0, 5424,640,480:waittimer 246634 blt 0,0,640,480,0, 5425,640,480:waittimer 246680 blt 0,0,640,480,0, 5426,640,480:waittimer 246725 blt 0,0,640,480,0, 5427,640,480:waittimer 246771 blt 0,0,640,480,0, 5428,640,480:waittimer 246816 blt 0,0,640,480,0, 5429,640,480:waittimer 246862 blt 0,0,640,480,0, 5430,640,480:waittimer 246907 blt 0,0,640,480,0, 5431,640,480:waittimer 246953 blt 0,0,640,480,0, 5432,640,480:waittimer 246998 blt 0,0,640,480,0, 5433,640,480:waittimer 247044 blt 0,0,640,480,0, 5434,640,480:waittimer 247089 blt 0,0,640,480,0, 5435,640,480:waittimer 247134 blt 0,0,640,480,0, 5436,640,480:waittimer 247180 blt 0,0,640,480,0, 5437,640,480:waittimer 247225 blt 0,0,640,480,0, 5438,640,480:waittimer 247271 blt 0,0,640,480,0, 5439,640,480:waittimer 247316 blt 0,0,640,480,0, 5440,640,480:waittimer 247362 blt 0,0,640,480,0, 5441,640,480:waittimer 247407 blt 0,0,640,480,0, 5442,640,480:waittimer 247453 blt 0,0,640,480,0, 5443,640,480:waittimer 247498 blt 0,0,640,480,0, 5444,640,480:waittimer 247544 blt 0,0,640,480,0, 5445,640,480:waittimer 247589 blt 0,0,640,480,0, 5446,640,480:waittimer 247635 blt 0,0,640,480,0, 5447,640,480:waittimer 247680 blt 0,0,640,480,0, 5448,640,480:waittimer 247726 blt 0,0,640,480,0, 5449,640,480:waittimer 247771 blt 0,0,640,480,0, 5450,640,480:waittimer 247817 blt 0,0,640,480,0, 5451,640,480:waittimer 247862 blt 0,0,640,480,0, 5452,640,480:waittimer 247907 blt 0,0,640,480,0, 5453,640,480:waittimer 247953 blt 0,0,640,480,0, 5454,640,480:waittimer 247998 blt 0,0,640,480,0, 5455,640,480:waittimer 248044 blt 0,0,640,480,0, 5456,640,480:waittimer 248089 blt 0,0,640,480,0, 5457,640,480:waittimer 248135 blt 0,0,640,480,0, 5458,640,480:waittimer 248180 blt 0,0,640,480,0, 5459,640,480:waittimer 248226 blt 0,0,640,480,0, 5460,640,480:waittimer 248271 blt 0,0,640,480,0, 5461,640,480:waittimer 248317 blt 0,0,640,480,0, 5462,640,480:waittimer 248362 blt 0,0,640,480,0, 5463,640,480:waittimer 248408 blt 0,0,640,480,0, 5464,640,480:waittimer 248453 blt 0,0,640,480,0, 5465,640,480:waittimer 248499 blt 0,0,640,480,0, 5466,640,480:waittimer 248544 blt 0,0,640,480,0, 5467,640,480:waittimer 248590 blt 0,0,640,480,0, 5468,640,480:waittimer 248635 blt 0,0,640,480,0, 5469,640,480:waittimer 248680 blt 0,0,640,480,0, 5470,640,480:waittimer 248726 blt 0,0,640,480,0, 5471,640,480:waittimer 248771 blt 0,0,640,480,0, 5472,640,480:waittimer 248817 blt 0,0,640,480,0, 5473,640,480:waittimer 248862 blt 0,0,640,480,0, 5474,640,480:waittimer 248908 blt 0,0,640,480,0, 5475,640,480:waittimer 248953 blt 0,0,640,480,0, 5476,640,480:waittimer 248999 blt 0,0,640,480,0, 5477,640,480:waittimer 249044 blt 0,0,640,480,0, 5478,640,480:waittimer 249090 blt 0,0,640,480,0, 5479,640,480:waittimer 249135 blt 0,0,640,480,0, 5480,640,480:waittimer 249181 blt 0,0,640,480,0, 5481,640,480:waittimer 249226 blt 0,0,640,480,0, 5482,640,480:waittimer 249272 blt 0,0,640,480,0, 5483,640,480:waittimer 249317 blt 0,0,640,480,0, 5484,640,480:waittimer 249363 blt 0,0,640,480,0, 5485,640,480:waittimer 249408 blt 0,0,640,480,0, 5486,640,480:waittimer 249453 blt 0,0,640,480,0, 5487,640,480:waittimer 249499 blt 0,0,640,480,0, 5488,640,480:waittimer 249544 blt 0,0,640,480,0, 5489,640,480:waittimer 249590 blt 0,0,640,480,0, 5490,640,480:waittimer 249635 blt 0,0,640,480,0, 5491,640,480:waittimer 249681 blt 0,0,640,480,0, 5492,640,480:waittimer 249726 blt 0,0,640,480,0, 5493,640,480:waittimer 249772 blt 0,0,640,480,0, 5494,640,480:waittimer 249817 blt 0,0,640,480,0, 5495,640,480:waittimer 249863 blt 0,0,640,480,0, 5496,640,480:waittimer 249908 blt 0,0,640,480,0, 5497,640,480:waittimer 249954 blt 0,0,640,480,0, 5498,640,480:waittimer 249999 blt 0,0,640,480,0, 5499,640,480:waittimer 250045 blt 0,0,640,480,0, 5500,640,480:waittimer 250090 blt 0,0,640,480,0, 5501,640,480:waittimer 250136 blt 0,0,640,480,0, 5502,640,480:waittimer 250181 blt 0,0,640,480,0, 5503,640,480:waittimer 250227 blt 0,0,640,480,0, 5504,640,480:waittimer 250272 blt 0,0,640,480,0, 5505,640,480:waittimer 250317 blt 0,0,640,480,0, 5506,640,480:waittimer 250363 blt 0,0,640,480,0, 5507,640,480:waittimer 250408 blt 0,0,640,480,0, 5508,640,480:waittimer 250454 blt 0,0,640,480,0, 5509,640,480:waittimer 250499 blt 0,0,640,480,0, 5510,640,480:waittimer 250545 blt 0,0,640,480,0, 5511,640,480:waittimer 250590 blt 0,0,640,480,0, 5512,640,480:waittimer 250636 blt 0,0,640,480,0, 5513,640,480:waittimer 250681 blt 0,0,640,480,0, 5514,640,480:waittimer 250727 blt 0,0,640,480,0, 5515,640,480:waittimer 250772 blt 0,0,640,480,0, 5516,640,480:waittimer 250818 blt 0,0,640,480,0, 5517,640,480:waittimer 250863 blt 0,0,640,480,0, 5518,640,480:waittimer 250909 blt 0,0,640,480,0, 5519,640,480:waittimer 250954 blt 0,0,640,480,0, 5520,640,480:waittimer 251000 return ;************************************************* ;　2007年6月4日　BT作成 ;　時計用プログラム ;************************************************* *clock ;元の時間と現在の時間を入力 ;引数（進む前の時間、進んだ後の時間、進む速さ(1処理に何度進むか入力）、順送りかどうかのフラグ,座標,拡大率） getparam %clock_moto_h,%clock_moto_m,%clock_h,%clock_m,%clock_speed,%clock_reverse,%clock_x,%clock_y,%clock_kakudai if %clock_reverse < 10 goto *clock_iti_test_skip sub %clock_reverse,10 ;時計の座標を手入力するモード *clock_iti_test ;$tmpの内容を残す。 mov %clock_iti_flg,1 input $tmp,"中心Ｘ座標，Ｙ座標，拡大率",$tmp,20,0 split $tmp,",",%clock_x,%clock_y,%clock_kakudai ;時計のテスト表示 lsp2 clock_lsp,clock,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,0 ;時計盤 lsp2 clock_m_lsp,clock_m,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_m ;長針（分） lsp2 clock_h_lsp,clock_h,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_h ;短針（時） lsp2 clock_c_lsp,clock_c,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,0 lsp2 10,":a;bmp\efe\Cinema_logo2.BMP",470,410,100,100,0 print 1 click この座標で処理を進めますか？ select "はい",*clock_iti_test_skip,"いいえ",*clock_iti_test *clock_iti_test_skip ;if %debagu = 1 return ;初期化 mov %clock_tmp_h,-1 mov %clock_tmp_m,-1 ;処理上、0時は24時にする。 ;if %clock_h = 0 mov %clock_h,24 ;スピードは５段階くらいで調整（１は1分、２は２分、３は3分、４は4分〜10分まで作る）で処理 ;mov %clock_speed,1 ;(１分1秒） ;mov %clock_reverse,1 ;時計の座標と拡大率 ;mov %clock_x,320 ;mov %clock_y,240 ;mov %clock_kakudai,100 ;時、分をそれぞれ角度に計算しなおす。 mov %tmp_m,%clock_moto_m : mul %tmp_m,-6 mov %tmp_h,%clock_moto_h : mul %tmp_h,-30 ;分数により長針の角度修正 mov %tmp1,%tmp_m : div %tmp1,12 add %tmp_h,%tmp1 lsp2 clock_lsp,clock,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,0 ;時計盤 lsp2 clock_m_lsp,clock_m,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_m ;長針（分） lsp2 clock_h_lsp,clock_h,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_h ;短針（時） lsp2 clock_c_lsp,clock_c,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,0 print 2 wait 1000 ;順送りで日をまたぐ場合は、一度０時で止める notif %clock_reverse = 0 goto *clock500 ;%clock_moto_h < %clock_h （日をまたいでいるので２４時００を仮代入して処理を行う） notif %clock_moto_h > %clock_h jumpf mov %clock_tmp_h,%clock_h mov %clock_tmp_m,%clock_m mov %clock_h,24 mov %clock_m,0 ~ ;48時間表記で、２３時から２４時に跨ぐ時 if %clock_moto_h >= 24 jumpf if %clock_h < 24 jumpf mov %clock_tmp_h,%clock_h mov %clock_tmp_m,%clock_m mov %clock_h,24 mov %clock_m,0 ~ *clock500 ;現在の時、分まで時間を進める（1分単位で動かしてみる） ;まず何分動かすかを計算する ;分数の差を計算する(順送り） *clock_hariwo_susumeru notif %clock_reverse =0 goto *clock1000 notif %clock_h >= %clock_moto_h jumpf mov %tmp_sub,%clock_h sub %tmp_sub,%clock_moto_h mul %tmp_sub,60 add %tmp_sub,%clock_m : sub %tmp_sub,%clock_moto_m ~ notif %clock_h < %clock_moto_h jumpf mov %tmp_sub,%clock_h add %tmp_sub,24 sub %tmp_sub,%clock_moto_h mul %tmp_sub,60 add %tmp_sub,%clock_m : sub %tmp_sub,%clock_moto_m ~ *clock1000 ;分数の差を計算する(逆送り） notif %clock_reverse =1 goto *clock2000 notif %clock_moto_h >= %clock_h jumpf mov %tmp_sub,%clock_moto_h sub %tmp_sub,%clock_h mul %tmp_sub,60 add %tmp_sub,%clock_moto_m : sub %tmp_sub,%clock_m ~ notif %clock_moto_h < %clock_h jumpf mov %tmp_sub,%clock_moto_h add %tmp_sub,24 sub %tmp_sub,%clock_h mul %tmp_sub,60 add %tmp_sub,%clock_moto_m : sub %tmp_sub,%clock_m ~ *clock2000 ;分数の差が出たら、その差の分だけ分を進める処理を実行する。 mov %tmp6,%tmp_sub mod %tmp6,%clock_speed ;あまりの数を出す。４で割り切れない分のあまりは分で動かす div %tmp_sub,%clock_speed mov %tmp7,0 ;1分＝６度 角度を進める、時間は5/10度進む mov %clock_kakudo_m,6 : mul %clock_kakudo_m,%clock_speed ;針が進むME（順送りと、巻き戻しで音を変える、針が進まない場合は音を鳴らさない） if %tmp_sub = 0 jumpf if %clock_reverse = 0 meplay 5,1050 if %clock_reverse = 1 meplay 5,1051 ~ for %tmp5 = 1 to %tmp_sub resettimer mov %clock_kakudo_h,5 : mul %clock_kakudo_h,%clock_speed add %clock_kakudo_h,%tmp7 mov %tmp7,%clock_kakudo_h : mod %tmp7,10 div %clock_kakudo_h,10 notif %clock_reverse =0 jumpf sub %tmp_h,%clock_kakudo_h sub %tmp_m,%clock_kakudo_m ~ notif %clock_reverse =1 jumpf ;if %tmp6 = 0 add %tmp_h,%clock_kakudo_h add %tmp_m,%clock_kakudo_m ~ amsp2 clock_m_lsp,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_m amsp2 clock_h_lsp,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_h print 1 ;1回の処理に0.1秒を想定 waittimer 50 next ;あまった分数の処理 notif %clock_reverse =0 jumpf mov %tmp7,%tmp6 mul %tmp6,6 div %tmp7,2 sub %tmp_h,%tmp7 sub %tmp_m,%tmp6 ~ notif %clock_reverse =1 jumpf mov %tmp7,%tmp6 mul %tmp6,6 div %tmp7,2 add %tmp_h,%tmp7 add %tmp_m,%tmp6 ~ amsp2 clock_m_lsp,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_m amsp2 clock_h_lsp,%clock_x,%clock_y,%clock_kakudai,%clock_kakudai,%tmp_h print 1 ;２４時を跨いだ時の処理、%clock_tmp_h　が−１でないのなら日を跨いでいるので日を跨ぐ処理を行う。 notif %clock_tmp_h >= 0 goto *clock5000 wait 300 ;針の音を止めて、鐘の音を鳴らす。 e_ 2,5 meplay 3,1052 wait 3000 ;%clock_tmp_hに仮代入していた時間を入れて、元時間には０時００分を入れて時計を進める処理を行う。 ;(進める時間が２４時００分の場合は処理を停止して抜ける） if %clock_tmp_h = 24 && %clock_tmp_m = 0 goto *clock5000 mov %clock_h,%clock_tmp_h mov %clock_m,%clock_tmp_m mov %clock_moto_h,24 : mov %clock_moto_m,0 mov %clock_tmp_h,-1 : mov %clock_tmp_m,-1 goto *clock_hariwo_susumeru *clock5000 e_ 2,4 e_ 2,5 return ;************************************************* ;********************************************************* ;アイキャッチ ;アイキャッチ方式が三パターン ;<*eye,*eye1>は左右から表示、その後ロゴ ;********************************************************* *eye return *eye1 getparam %clock_moto_h,%clock_moto_m,%clock_h,%clock_m,%clock_speed,%clock_reverse,%clock_x,%clock_y,%clock_kakudai dllefe_off ;雨を停止する命令を入れる skipoff textoff ;テキストウィンドウ消去（エフェクトはデフォルト） if %intro_prog_flg = off jumpf ;スプライトプログラムが動いているかの確認 mov %intro_prog_flg,off ;スプライトプログラムのフラグをオフ layermessage 10,"clear/10" ;スプライトプログラムのスプライト消去 layermessage 10,"program_end/10" ;スプライトプログラムのプログラム停止 csp 10 ~ lsp 101,":c;bmp\r_click\black.bmp",0,0,150 print 1 ;ワレエフェクトと共に黒フェード lsp 100,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1022 print 1 wait 1000 ;ロゴの表示(左から右） lsp2 10,":a;bmp\efe\Cinema_logo.BMP",470,410,100,100,0 print 5 ;時計の表示 clock %clock_moto_h,%clock_moto_m,%clock_h,%clock_m,%clock_speed,%clock_reverse,%clock_x,%clock_y,%clock_kakudai gosub *eye_btn_exit csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd texton print 2 notif %clock_iti_flg = 1 jumpf $tmp ~ mov %clock_iti_flg,0 return ;--------------------------------------- *eye2 getparam %clock_moto_h,%clock_moto_m,%clock_h,%clock_m,%clock_speed,%clock_reverse,%clock_x,%clock_y,%clock_kakudai dllefe_off ;雨を停止する命令を入れる ;華模様のアイキャッチを上下に表示する。 ;時計を表示して回す。 ;clock 7,10,6,13,10,0,320,240,50 ;delay 5000 lsp 100,":a;bmp\efe\hana_u.bmp",0,0 lsp 99,":a;bmp\efe\hana_d.bmp",0,364 ;lsp 700,":c;bmp\efe\cinema.bmp",0,430 print 7 lsp2 10,":a;bmp\efe\Cinema_logo2.BMP",470,410,100,100,0 print 5 delay 6000 ;lsp 101,":c;bmp\r_click\black.bmp",0,0,150 csp -1 bg black,2 delay 2000 clock %clock_moto_h,%clock_moto_m,%clock_h,%clock_m,%clock_speed,%clock_reverse,%clock_x,%clock_y,%clock_kakudai gosub *eye_btn_exit csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd texton print 1 notif %clock_iti_flg = 1 jumpf $tmp ~ mov %clock_iti_flg,0 return ;--------------------------------------- *eye3 getparam %clock_moto_h,%clock_moto_m,%clock_h,%clock_m,%clock_speed,%clock_reverse,%clock_x,%clock_y,%clock_kakudai dllefe_off ;雨を停止する命令を入れる csp -1 lsp 100,":c;bmp\r_click\black.bmp",0,0 ;泡フェード print 99,4000,"breakup.dll/llB" lsp2 10,":a;bmp\efe\Cinema_logo2.BMP",470,410,100,100,0 print 5 clock %clock_moto_h,%clock_moto_m,%clock_h,%clock_m,%clock_speed,%clock_reverse,%clock_x,%clock_y,%clock_kakudai csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd texton print 2 return ;--------------------------------------- *eye11 dllefe_off ;雨を停止する命令を入れる skipoff textoff ;テキストウィンドウ消去（エフェクトはデフォルト） if %intro_prog_flg = off jumpf ;スプライトプログラムが動いているかの確認 mov %intro_prog_flg,off ;スプライトプログラムのフラグをオフ layermessage 10,"clear/10" ;スプライトプログラムのスプライト消去 layermessage 10,"program_end/10" ;スプライトプログラムのプログラム停止 csp 10 ~ lsp 101,":c;bmp\r_click\black.bmp",0,0,150 print 1 ;ワレエフェクトと共に黒フェード lsp 100,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1022 print 1 wait 1000 ;ロゴの表示(左から右） lsp2 10,":a;bmp\efe\Cinema_logo.BMP",470,410,100,100,0 print 5 gosub *eye_btn_exit2 csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd texton print 2 notif %clock_iti_flg = 1 jumpf $tmp ~ mov %clock_iti_flg,0 return ;--------------------------------------- *eye12 dllefe_off ;雨を停止する命令を入れる ;華模様のアイキャッチを上下に表示する。 lsp 100,":a;bmp\efe\hana_u.bmp",0,0 lsp 99,":a;bmp\efe\hana_d.bmp",0,364 print 7 lsp2 10,":a;bmp\efe\Cinema_logo2.BMP",470,410,100,100,0 print 5 delay 6000 ;lsp 101,":c;bmp\r_click\black.bmp",0,0,150 csp -1 bg black,2 delay 2000 gosub *eye_btn_exit2 csp -1 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd texton print 1 notif %clock_iti_flg = 1 jumpf $tmp ~ mov %clock_iti_flg,0 return ;--------------------------------------- ;アイキャッチのクリック待ち、左クリックはそのまま進み右クリックなら右クリックシステムに移動する。 *eye_btn_exit btndef "" ;針の停止音、２４時００分にはこの音は入れない if %clock_h = 24 && %clock_m = 0 jumpf seplay 9,30 ~ btntime 8000 btnwait2 %tmp if %tmp = -1 csp -1 : csp2 -1 : bg black,2 : gosub *rmenu_main : fede 0,2000 : return if %tmp >= 0 csp -1 : csp2 -1 : bg black,2 : fede 0,2000 : return if %tmp < 0 csp -1 : csp2 -1 : bg black,2 : fede 0,2000 : return goto *eye_btn_exit ;--------------------------------------- ;アイキャッチのクリック待ち、左クリックはそのまま進み右クリックなら右クリックシステムに移動する。 ;時計表示なしバージョン *eye_btn_exit2 btndef "" btntime 4000 btnwait2 %tmp if %tmp = -1 csp -1 : csp2 -1 : bg black,2 : gosub *rmenu_main : fede 0,2000 : return if %tmp >= 0 csp -1 : csp2 -1 : bg black,2 : fede 0,2000 : return if %tmp < 0 csp -1 : csp2 -1 : bg black,2 : fede 0,2000 : return goto *eye_btn_exit2 ;--------------------------------------- ;********************************************************* ;メタ視点での特殊処理（レイヤーの番号に注意）（８８０〜８９０を使用） ;********************************************************* ;--------------------------------------- ;メタ視_背景セット *meta_set *mset ;フィルターセット。 ;黒のフィルターを表示 lsp msp_kuro,":c;bmp\r_click\black.bmp",0,0,150 print 22 lsp msp_hana_u,":a;bmp\efe\hana_u.bmp",0,0 lsp msp_hana_d,":a;bmp\efe\hana_d.bmp",0,364 print 28 delay 1000 return ;--------------------------------------- ;メタ視_背景セット（華を表示しないバージョン） *meta_set2 *mset2 ;フィルターセット。 ;黒のフィルターを表示 lsp msp_kuro,":c;bmp\r_click\black.bmp",0,0,150 print 22 delay 1000 return ;--------------------------------------- ;メタ視_背景セット(背景切替のエフェクトを指定する） *meta_set_ef *msetef getparam %tmp11,%tmp12 ;フィルターセット ;黒のフィルターを表示 lsp msp_kuro,":c;bmp\r_click\black.bmp",0,0,150 print %tmp11 lsp msp_hana_u,":a;bmp\efe\hana_u.bmp",0,0 lsp msp_hana_d,":a;bmp\efe\hana_d.bmp",0,364 print %tmp12 delay 1000 return ;--------------------------------------- ;メタ視_背景セット(背景切替のエフェクトを指定する） *meta_set2_ef *mset2ef getparam %tmp11 ;フィルターセット ;黒のフィルターを表示 lsp msp_kuro,":c;bmp\r_click\black.bmp",0,0,150 print %tmp11 return ;--------------------------------------- ;メタ視を抜ける処理 *meta_end *mend for %meta_tmp1 = 880 to msp_kuro csp %meta_tmp1 next print 8 return ;--------------------------------------- ;メタ視を抜ける処理 *meta_end_ef *mendef getparam %tmp11 for %meta_tmp1 = 880 to msp_kuro csp %meta_tmp1 next print %tmp11 return ;--------------------------------------- ;メタ視、立ち絵の表示 *meta_ld *mld getparam %meta_tmp1,$meta_tmp2,%meta_tmp3 ;立ち絵位置（l左　C中央　ｒ右）、立ち絵、表示方法 ;左の画像が前に来るようにする。レイヤー293左　294真ん中　295が右 if %meta_tmp1 = l mov %meta_tmp4,msp_l lsp msp_l,$meta_tmp2,0,0 if %meta_tmp1 = c mov %meta_tmp4,msp_c lsp msp_c,$meta_tmp2,0,0 if %meta_tmp1 = r mov %meta_tmp4,msp_r lsp msp_r,$meta_tmp2,0,0 ;スプライトの画像情報を取得（%meta_tmp5に画像の幅が代入される） getspsize %meta_tmp4,%meta_tmp5,%meta_tmp6,%meta_tmp7 ;画像の幅/4　で画像中心からの幅が求められるので（立ち位置のX座標からその幅を引く） div %meta_tmp5,2 if %meta_tmp1 = l mov %x,160 if %meta_tmp1 = c mov %x,320 if %meta_tmp1 = r mov %x,480 sub %x,%meta_tmp5 amsp %meta_tmp4,%x,0 print %meta_tmp3 return ;--------------------------------------- ;メタ視、立ち絵の消去 *meta_cl *mcl getparam %meta_tmp1,%meta_tmp3 ;消去立ち絵位置（l左　C中央　ｒ右　a全部）、消去方法 ;左の画像が前に来るようにする。レイヤー293左　294真ん中　295が右 if %meta_tmp1 = l csp msp_l if %meta_tmp1 = c csp msp_c if %meta_tmp1 = r csp msp_r if %meta_tmp1 = a csp msp_l : csp msp_c : csp msp_r print %meta_tmp3 return ;--------------------------------------- ;メタ視、背景の切替 *meta_bg *mbg getparam $meta_tmp2,%meta_tmp3 ;ファイルパス、表示方法 ;文字にblack、whiteを指定したら、黒、白入れて対応する。 if $meta_tmp2 = "black" lsp msp_bg,":c;bmp\r_click\black.bmp",0,0 jumpf if $meta_tmp2 = "white" lsp msp_bg,":c;bmp\r_click\white.bmp",0,0 jumpf mov $meta_tmp3,":c;" add $meta_tmp3,$meta_tmp2 lsp msp_bg,$meta_tmp3,0,0 ~ print %meta_tmp3 return ;--------------------------------------- ;メタ視、背景の削除 *meta_cbg *mcbg getparam %meta_tmp3 ;表示方法 csp msp_bg print %meta_tmp3 return ;--------------------------------------- ;メタ視、華の削除 *mchana getparam %meta_tmp3 ;表示方法 csp msp_hana_d csp msp_hana_u print %meta_tmp3 return ;--------------------------------------- ;メタ視、華背景の切替 *mhana1 getparam %meta_tmp3 ;表示方法 csp msp_hana_d csp msp_hana_u lsp msp_hana_d,":a;bmp\background\efe\hana1.bmp",0,0 print %meta_tmp3 return ;--------------------------------------- ;メタ視、華背景の切替 *mhana2 getparam %meta_tmp3 ;表示方法 csp msp_hana_d csp msp_hana_u lsp msp_hana_d,":a;bmp\background\efe\hana2.bmp",0,0 print %meta_tmp3 return ;--------------------------------------- ;************************** ;蝶を上に被せる命令 *bfly1 getparam %fry_tmp1 ;表示方法 lsp bgsp2,":a;bmp\background\efe\butterfly_4sp1.bmp",0,0 print %fry_tmp1 return ;-------------------- *bfly1R getparam %fry_tmp1 ;表示方法 lsp bgsp2,":a;bmp\background\efe\butterfly_4sp1R.bmp",0,0 print %fry_tmp1 return ;-------------------- *bfly2 getparam %fry_tmp1 ;表示方法 lsp bgsp2,":a;bmp\background\efe\butterfly_4sp2.bmp",0,0 print %fry_tmp1 return ;-------------------- *bfly2R getparam %fry_tmp1 ;表示方法 lsp bgsp2,":a;bmp\background\efe\butterfly_4sp2R.bmp",0,0 print %fry_tmp1 return ;-------------------- *cbfly getparam %fry_tmp1 ;表示方法 csp bgsp2 print %fry_tmp1 return ;************************** ;************************** ;煉獄の七姉妹のブレードON *bld getparam %meta_tmp1,$meta_tmp2,%meta_tmp3 ;立ち絵位置（l左　C中央　ｒ右）、立ち絵、表示方法 ;画像の幅/4　で画像中心からの幅が求められるので（立ち位置のX座標からその幅を引く） mov %meta_tmp5,511 ;(中心座標） if %meta_tmp1 = l ld l,$meta_tmp2,0 : lsp 895,":a;bmp\TATI\RG_blade\blade.bmp",-110,280 if %meta_tmp1 = c ld c,$meta_tmp2,0 : lsp 894,":a;bmp\TATI\RG_blade\blade.bmp",50,280 if %meta_tmp1 = r ld r,$meta_tmp2,0 : lsp 893,":a;bmp\TATI\RG_blade\blade.bmp",210,280 print %meta_tmp3 return ;------------------------------ ;煉獄の七姉妹のブレードOFF *bcl getparam %meta_tmp1,%meta_tmp3 ;消去立ち絵位置（l左　C中央　ｒ右　a全部）、消去方法 ;左の画像が前に来るようにする。レイヤー293左　294真ん中　295が右 if %meta_tmp1 = l csp 895 : cl l,%meta_tmp3 if %meta_tmp1 = c csp 894 : cl c,%meta_tmp3 if %meta_tmp1 = r csp 893 : cl r,%meta_tmp3 if %meta_tmp1 = a csp 895 : csp 894 : csp 893 : cl a,%meta_tmp3 return ;********************************************************* ;右クリックカスタムシステム ;右クリックで最初に現れる関数 ;ＢＴ作成版　２００７年６月２０ ;********************************************************* ;---------------------------------------- ;右クリックシステムに入る前の予備メニュー *rmenu_csutom ;右クリック画面表示 ;definereset if %rroff < 1 jumpf return ~ mov %r_for_title,0 textoff btndef "" lsp r_clear_lsp,":a/2,0,3;bmp\r_click\r_btn_clear.bmp",15,400 lsp r_system_lsp,":a/2,0,3;bmp\r_click\r_btn_system.bmp",15,440 print 1 *rmenu_btlp btndef "" spbtn r_clear_lsp,r_clear_lsp spbtn r_system_lsp,r_system_lsp btnwait2 %BtnRes if %BtnRes = r_system_lsp seplay 9,1001 : goto *rmenu_main if %BtnRes = r_clear_lsp csp r_clear_lsp : csp r_system_lsp : seplay 9,1000 : print 1:goto *rmenu_btlp ;if %BtnRes = r_clear_lsp E_A ;デバッグでEP4に飛ぶようになっているので必ず修正する。 texton csp r_clear_lsp csp r_system_lsp btndef "" print 1 return ;goto *rmenu_custom_btlp_100 ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main btndef "" ;プレイしているエピソードによって、ジャンプ先を変える。 if %scenario_Number = 1 goto *rmenu_main_ep1 ;シナリオ番号に合わせて表示TIPSを変える if %scenario_Number = 2 goto *rmenu_main_ep2 ;シナリオ番号に合わせて表示TIPSを変える if %scenario_Number = 3 goto *rmenu_main_ep3_def ;シナリオ番号に合わせて表示TIPSを変える if %scenario_Number = 4 goto *rmenu_main_ep4_def ;シナリオ番号に合わせて表示TIPSを変える *rmenu_main_ep1 btndef "" ;引数予定 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips）3 is grmoir ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;キャラの状態、コンデション、コメントの更新等は配列を使用 ;状態は　?r[キャラ(kin〜bea)[condition] に、(0〜6）を入力 ;コンディションの状態によって、各キャラの説明テキストと立ち絵を変える。 ;上記配列に関しては、立ち上げ時に*bt_def2で初期化を行っている。 gosub *bt_ep1_def if %r_side_change = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 : print 10,2000 : csp 0 ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov ?r[bea][condition],-1 mov ?r[ber][condition],-1 ;チェック、コンディションの指定が各キャラごとエンド以上になっていないか確認 for %tmp = 1 to cha_kazu if ?r[%tmp][condition] >= ?r[%tmp][condition_end] mov ?r[%tmp][condition],?r[%tmp][condition_end] next textoff ;タイトルから入って来た時にはキャラを全員liveで背景はランダムで表示 ;beaも表示する。 ;Tips新要素告知フラグが立っている場合はそれをOFFにする。 notif %r_for_title = 1 jumpf for %tmp = 1 to cha_kazu mov ?r[%tmp][condition],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next gosub *bgm_mode_rnd_bg_mhal2 mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 mov ?r[ber][condition],-1 mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp if %UMINEKOEND_TIPS_FLG <= 1 mov %UMINEKOEND_TIPS_FLG,0 ~ ;u_tea設定 notif %r_u_tea_flg = 1 jumpf ;U_teaでは通常のキャラを表示しない for %tmp = 1 to cha_kazu mov ?r[%tmp][condition],-1 next ;状態設定 mov ?r[bea][condition],1 ;表示位置の修正 mov ?r[bea][itiran_x],62 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp ~ ;U_teaでBerが登場した時の処理 notif %r_ber_flg = 1 jumpf ;Berの表示設定 mov ?r[ber][condition],1 mov ?r[ber][itiran_x],106 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ber][itiran_y],%tmp ~ ;お茶会でbeaが登場した時の処理 if %r_tea_bea = 1 mov ?r[bea][condition],1 : mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu *rmenu_sai_hyouji textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf ;if %r_u_tea_flg =1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;裏おつ画面の場合は、liveボタンをつける notif %r_u_tea_flg = 1 jumpf ;選択しているキャラのコンディションによって切り替え mov %tmp10,%tmp1 : sub %tmp10,128 lsp r_exec_lsp,r_exec,%tmp,%tmp10 : add %tmp10,32 lsp r_resu_lsp,r_resu,%tmp,%tmp10 ;: add %tmp1,32 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でEP2のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : add %tmp2,63 cell r_ep1_lsp,1 ~ ;表示形式から、tips、キャラ一覧表示かを使い分ける。 ;notif %r_hyouji = 1 jumpf ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 ; mov %tmp,12 : mov %tmp1,55 ;~ if %r_hyouji = 0 gosub *r_cha_botann if %r_hyouji = 1 gosub *r_tips_botann if %r_hyouji = 2 gosub *r_grim_botann ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,r_hana,300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji if %r_hyouji = 1 gosub *r_tips_hyouji if %r_hyouji = 2 gosub *r_grim_hyouji if %r_side_change = 1 print 10,500 : mov %r_side_change,0 if %r_side_change = 2 print 99,3000,"breakup.dll/urB" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei btndef "" spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp if ?tips[7][tips_flg] = 1 notif %r_hyouji_tips = 7 spbtn tips7_lsp,tips7_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp if ?grim[8][grim_flg] = 1 notif %r_hyouji_grim = 8 spbtn grim8_lsp,grim8_lsp if ?grim[9][grim_flg] = 1 notif %r_hyouji_grim = 9 spbtn grim9_lsp,grim9_lsp if ?grim[10][grim_flg] = 1 notif %r_hyouji_grim = 10 spbtn grim10_lsp,grim10_lsp if ?grim[11][grim_flg] = 1 notif %r_hyouji_grim = 11 spbtn grim11_lsp,grim11_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp ;spbtn r_ep1_lsp,r_ep1_lsp spbtn r_ep2_lsp,r_ep2_lsp spbtn r_ep3_lsp,r_ep3_lsp spbtn r_ep4_lsp,r_ep4_lsp mov %tmp,kin_btn_lsp : add %tmp,cha_kazu mov %tmp3,1 for %tmp2 = kin_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;tipsのボタン化 *rmenu_custom_btlp btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji notif %BtnRes = r_exec_lsp jumpf ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_50 if ?r[%r_hyouji_cha][condition] >= ?r[%r_hyouji_cha][condition_end] goto *rmenu_custom_btlp_50 if ?r[%r_hyouji_cha][condition] <= 0 goto *rmenu_custom_btlp_50 mov %tmp,?r[%r_hyouji_cha][condition] : inc %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_100 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90 next seplay 9,1100 *rmenu_custom_btlp_100 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji , 0 : lsp r_tips_lsp,r_tips,12,r_menu_top_y if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji , 0 : lsp r_tips_lsp,r_tips,12,r_menu_top_y gosub *r_cha_botann print 1 ;チェック goto *t_tyekku ~ notif %BtnRes = r_resu_lsp jumpf if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_150 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha][condition] <= 1 goto *rmenu_custom_btlp_200 mov %tmp,?r[%r_hyouji_cha][condition] : dec %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_200 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190 next seplay 9,1023 *rmenu_custom_btlp_200 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : lsp r_tips_lsp,r_tips,12,r_menu_top_y if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : lsp r_tips_lsp,r_tips,12,r_menu_top_y gosub *r_cha_botann print 22 ;チェック goto *t_tyekku ~ if %BtnRes = 0 mov %r_hyouji_cha,0 : goto *rmenu_botann_saisettei if %BtnRes = r_save_lsp gosub *r_gazou_shokika : seplay 9,1000 : gosub *savemode :goto *r_exit2 if %BtnRes = r_load_lsp gosub *r_gazou_shokika : seplay 9,1000 : gosub *loadmode :goto *r_exit2 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back if %BtnRes = r_exit_lsp goto *r_exit if %BtnRes = -1 goto *r_exit ;右クリックで抜ける if %BtnRes = -10 goto *r_exit ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep2_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika goto *rmenu_main_ep2 ~ ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep3_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika goto *rmenu_main_ep3 ~ ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep4_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 mov %r_hyouji_side,0 gosub *r_gazou_shokika goto *rmenu_main_ep4 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = kin_btn_lsp mov %r_hyouji_cha,kin : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;金蔵 if %BtnRes = kla_btn_lsp mov %r_hyouji_cha,kla : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;長男 if %BtnRes = nat_btn_lsp mov %r_hyouji_cha,nat : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;夏妃 if %BtnRes = jes_btn_lsp mov %r_hyouji_cha,jes : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;ジェシカ if %BtnRes = hid_btn_lsp mov %r_hyouji_cha,hid : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;秀吉 if %BtnRes = eva_btn_lsp mov %r_hyouji_cha,eva : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;絵羽 if %BtnRes = geo_btn_lsp mov %r_hyouji_cha,geo : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;譲治 if %BtnRes = rud_btn_lsp mov %r_hyouji_cha,rud : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;留弗夫 if %BtnRes = kir_btn_lsp mov %r_hyouji_cha,kir : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;霧江 if %BtnRes = but_btn_lsp mov %r_hyouji_cha,but : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;戦人 if %BtnRes = ros_btn_lsp mov %r_hyouji_cha,ros : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;楼座 if %BtnRes = mar_btn_lsp mov %r_hyouji_cha,mar : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;真里亞 if %BtnRes = nan_btn_lsp mov %r_hyouji_cha,nan : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;南條 if %BtnRes = gen_btn_lsp mov %r_hyouji_cha,gen : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;源氏 if %BtnRes = kum_btn_lsp mov %r_hyouji_cha,kum : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;熊沢 if %BtnRes = goh_btn_lsp mov %r_hyouji_cha,goh : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;郷田 if %BtnRes = sha_btn_lsp mov %r_hyouji_cha,sha : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;紗音 if %BtnRes = kan_btn_lsp mov %r_hyouji_cha,kan : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = bea_btn_lsp mov %r_hyouji_cha,bea : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ;ベアトリーチェ if %BtnRes = ber_btn_lsp mov %r_hyouji_cha,ber : gosub *r_cha_hyouji : seplay 9,1001 : print 1 ; ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = tips7_lsp jumpf notif %r_hyouji_tips = 7 mov %tips_page,1 mov %r_hyouji_tips,7 gosub *r_tips_hyouji goto *rmenu_botann_saisettei ~ ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim8_lsp jumpf notif %r_hyouji_grim = 8 mov %grim_page,1 mov %r_hyouji_grim,8 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim9_lsp jumpf notif %r_hyouji_grim = 9 mov %grim_page,1 mov %r_hyouji_grim,9 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim10_lsp jumpf notif %r_hyouji_grim = 10 mov %grim_page,1 mov %r_hyouji_grim,10 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ notif %BtnRes = grim11_lsp jumpf notif %r_hyouji_grim = 11 mov %grim_page,1 mov %r_hyouji_grim,11 gosub *r_grim_hyouji goto *rmenu_botann_saisettei ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji : goto *rmenu_botann_saisettei if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji : goto *rmenu_botann_saisettei ;************************* if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji : goto *rmenu_botann_saisettei if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji : goto *rmenu_botann_saisettei goto *rmenu_botann_saisettei ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit btndef "" gosub *r_gazou_shokika csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2 btndef "" gosub *r_gazou_shokika csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,360 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\1_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\1_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\1_3.png" *tips_1 notif %r_hyouji_tips = 2 goto *tips_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\2_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\2_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\2_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\2_4.png" if %tips_page = 5 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\2_5.png" if %tips_page = 6 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\2_6.png" *tips_2 notif %r_hyouji_tips = 3 goto *tips_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\3_1.png" *tips_3 notif %r_hyouji_tips = 4 goto *tips_4 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\4_1.png" cell tips4_lsp,1 *tips_4 notif %r_hyouji_tips = 5 goto *tips_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\5_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\5_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\5_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\5_4.png" *tips_5 notif %r_hyouji_tips = 6 goto *tips_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\6_1.png" *tips_6 notif %r_hyouji_tips = 7 goto *tips_7 cell tips7_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\7_1.png" *tips_7 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;Grimoireの表示、それぞれGrimoireの表示処理にfly *r_grim_hyouji csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,360 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1a.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2a.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3a.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4a.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5a.png" *grim_1 notif %r_hyouji_grim = 2 goto *grim_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n1_1.png" *grim_2 notif %r_hyouji_grim = 3 goto *grim_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n2_1.png" *grim_3 notif %r_hyouji_grim = 4 goto *grim_4 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n3_1.png" cell grim4_lsp,1 *grim_4 notif %r_hyouji_grim = 5 goto *grim_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n4_1.png" *grim_5 notif %r_hyouji_grim = 6 goto *grim_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n5_1.png" *grim_6 notif %r_hyouji_grim = 7 goto *grim_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n6_1.png" *grim_7 notif %r_hyouji_grim = 8 goto *grim_8 cell grim8_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n7_1.png" *grim_8 notif %r_hyouji_grim = 9 goto *grim_9 cell grim9_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n8_1.png" *grim_9 notif %r_hyouji_grim = 10 goto *grim_10 cell grim10_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n9_1.png" *grim_10 notif %r_hyouji_grim = 11 goto *grim_11 cell grim11_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep1n10_1.png" *grim_11 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji if %r_hyouji_cha = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp vsp r_hana_lsp,1 ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha = kin : gosub *r_cha_kin ;金蔵 if %r_hyouji_cha = kla : gosub *r_cha_kla ;長男 if %r_hyouji_cha = nat : gosub *r_cha_nat ;夏妃 if %r_hyouji_cha = jes : gosub *r_cha_jes ;ジェシカ if %r_hyouji_cha = hid : gosub *r_cha_hid ;秀吉 if %r_hyouji_cha = eva : gosub *r_cha_eva ;絵羽 if %r_hyouji_cha = geo : gosub *r_cha_geo ;譲治 if %r_hyouji_cha = rud : gosub *r_cha_rud ;留弗夫 if %r_hyouji_cha = kir : gosub *r_cha_kir ;霧江 if %r_hyouji_cha = but : gosub *r_cha_but ;戦人 if %r_hyouji_cha = ros : gosub *r_cha_ros ;楼座 if %r_hyouji_cha = mar : gosub *r_cha_mar ;真里亞 if %r_hyouji_cha = nan : gosub *r_cha_nan ;南條 if %r_hyouji_cha = gen : gosub *r_cha_gen ;源氏 if %r_hyouji_cha = kum : gosub *r_cha_kum ;熊沢 if %r_hyouji_cha = goh : gosub *r_cha_goh ;郷田 if %r_hyouji_cha = sha : gosub *r_cha_sha ;紗音 if %r_hyouji_cha = kan : gosub *r_cha_kan ;嘉音 if %r_hyouji_cha = bea : gosub *r_cha_bea ;bea if %r_hyouji_cha = ber : gosub *r_cha_ber ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ *r_cha_kin ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin_m.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin_d.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\kin_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\kin_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\kin_3.png" return ;------------------------------ *r_cha_kla ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\kla_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\kla_2.png" return ;------------------------------ *r_cha_nat ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\nat_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\nat_2.png" return ;------------------------------ *r_cha_jes ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\jes_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\jes_2.png" return ;------------------------------ *r_cha_eva ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\eva_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\eva_2.png" return ;------------------------------ *r_cha_hid ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\hid_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\hid_2.png" return ;------------------------------ *r_cha_geo ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\geo_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\geo_2.png" return ;------------------------------ *r_cha_rud ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\rud_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\rud_2.png" return ;------------------------------ *r_cha_kir ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\kir_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\kir_2.png" return ;------------------------------ *r_cha_but ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\but_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\but_2.png" return ;------------------------------ *r_cha_gen ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\gen_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\gen_2.png" return ;------------------------------ *r_cha_ros ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ros_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ros_2.png" return ;------------------------------ *r_cha_mar ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\mar_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\mar_2.png" return ;------------------------------ *r_cha_nan ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\nan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\nan_2.png" return ;------------------------------ *r_cha_sha ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\sha_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\sha_2.png" return ;------------------------------ *r_cha_kan ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\kan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\kan_2.png" return ;------------------------------ *r_cha_goh ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\goh_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\goh_2.png" return ;------------------------------ *r_cha_kum ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\kum_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\kum_2.png" return ;------------------------------ *r_cha_bea ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea_d.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\bea_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\bea_2.png" return ;------------------------------ *r_cha_ber ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber_d.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber_d.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ber_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ber_2.png" return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann for %tmp2 = kin_btn_lsp to ber_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_1_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_1_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_1_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_1_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_1_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_1_6,%tmp,%tmp1 : add %tmp1,32 if ?tips[7][tips_flg] = 1 lsp tips7_lsp,r_tips_1_7,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** ; 右クリック Grimoireボタンの表示 ;************************************************************** *r_grim_botann for %tmp2 = kin_btn_lsp to ber_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips7_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 : add %tmp,91 if ?grim[8][grim_flg] = 1 lsp grim8_lsp,r_grim8,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[9][grim_flg] = 1 lsp grim9_lsp,r_grim9,%tmp,%tmp1 : add %tmp,91 if ?grim[10][grim_flg] = 1 lsp grim10_lsp,r_grim10,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[11][grim_flg] = 1 lsp grim11_lsp,r_grim11,%tmp,%tmp1 : add %tmp,91 return ;************************************************************** ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp csp r_grim_txt_lsp vsp r_hana_lsp,1 ;背景の表示 if %r_u_tea_flg = 0 lsp r_cha_back_lsp,":c;bmp\r_click\cha_btn\cha_back.bmp",12,r_top_y if %r_u_tea_flg = 1 lsp r_cha_back_lsp,":c;bmp\r_click\cha_btn\cha_back2.bmp",12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,kin_btn_lsp for %tmp2 = 1 to cha_kazu if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;フラグがたっていなければ、キャラを表示しない if %r_for_title = 0 && %r_u_tea_flg = 0 if %r_tea_bea = 0 csp bea_btn_lsp : csp ber_btn_lsp if %r_u_tea_flg = 0 csp ber_btn_lsp ;現在表示しているキャラを表示 gosub *r_cha_hyouji return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha : dec %tmp lsp %tmp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;************************************************************** ;************************************************************** ; tチェック ;************************************************************** *t_tyekku ;↓保険の意味でのGOTO goto *rmenu_botann_saisettei ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji goto *rmenu_title_back_btn_lp ;************************************************************** ;********************************************************* ;右クリックメニュー　EP２版 ;2007/11/17作成 ;********************************************************* ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main_ep2 ;エピソード２の裏お茶会なら、*rmenu_main_ep2_2に処理を飛ばす。 notif %r_for_title = 1 if %play_scene >= 2010 goto *rmenu_main_ep2_2 btndef "" ;テスト用 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji_cha,sha ;mov %UMINEKOEND,4 ;mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;bg G2F_R1a,1 ;mov %play_scene,80 ;キャラの状態、コンデション、コメントの更新等は配列を使用 gosub *bt_ep2_def if %r_side_change = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 : print 10,2000 : csp 0 ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov %r_side,0 mov %r_u_tea_flg,0 ;チェック、コンディションデフォルト設定（初期化、魔女以外を表示） for %tmp = 1 to cha_kazu_ep2 mov ?r[%tmp][condition],1 next mov ?r[bea][condition],-1 mov ?r[ber][condition],-1 mov ?r[lam][condition],-1 ;キャラの衣装変数を初期化（デフォルト→１にする） for %tmp = 1 to cha_kazu_ep2 mov ?r[%tmp][r_ishou],1 next textoff ;ep2からはシーン変数で状態を逐次チェックして処理を行う ;シーン変数をチェックサブルーチンにて処理（84.txtを使用） if %play_scene = 10 gosub *rmenu_main_ep2_scene_10 if %play_scene = 20 gosub *rmenu_main_ep2_scene_20 if %play_scene = 30 gosub *rmenu_main_ep2_scene_30 if %play_scene = 40 gosub *rmenu_main_ep2_scene_40 if %play_scene = 41 gosub *rmenu_main_ep2_scene_41 if %play_scene = 45 gosub *rmenu_main_ep2_scene_45 if %play_scene = 50 gosub *rmenu_main_ep2_scene_50 if %play_scene = 51 gosub *rmenu_main_ep2_scene_51 if %play_scene = 52 gosub *rmenu_main_ep2_scene_52 if %play_scene = 60 gosub *rmenu_main_ep2_scene_60 if %play_scene = 70 gosub *rmenu_main_ep2_scene_70 if %play_scene = 71 gosub *rmenu_main_ep2_scene_71 if %play_scene = 80 gosub *rmenu_main_ep2_scene_80 if %play_scene = 90 gosub *rmenu_main_ep2_scene_90 if %play_scene = 100 gosub *rmenu_main_ep2_scene_100 if %play_scene = 101 gosub *rmenu_main_ep2_scene_101 if %play_scene = 102 gosub *rmenu_main_ep2_scene_102 if %play_scene = 110 gosub *rmenu_main_ep2_scene_110 if %play_scene = 120 gosub *rmenu_main_ep2_scene_120 if %play_scene = 130 gosub *rmenu_main_ep2_scene_130 if %play_scene = 140 gosub *rmenu_main_ep2_scene_140 if %play_scene = 150 gosub *rmenu_main_ep2_scene_150 if %play_scene = 160 gosub *rmenu_main_ep2_scene_160 if %play_scene = 170 gosub *rmenu_main_ep2_scene_170 if %play_scene = 180 gosub *rmenu_main_ep2_scene_180 ;ここからお茶会 if %play_scene = 1010 gosub *rmenu_main_ep2_scene_1010 if %play_scene = 1020 gosub *rmenu_main_ep2_scene_1020 ;コンディションチェック、コンディションが−１の場合は、%r_hyouji_cha_maを０に if ?r[%r_hyouji_cha][condition]= -1 mov %r_hyouji_cha,0 ;タイトルから入って来た時にはキャラを全員liveで背景はランダムで表示 ;シーン番号に３０００を代入。 notif %r_for_title = 1 goto *rmenu_main_100_ep2 for %tmp = 1 to cha_kazu_ep2 mov ?r[%tmp][condition],1 next for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next gosub *bgm_mode_rnd_bg_mhal2 mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 ;ベアトリーチェも表示、ベルン、ラムダは非表示 mov ?r[ber][condition],-1 mov ?r[lam][condition],-1 mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp mov %play_scene,3000 mov %r_hyouji_cha,but mov %r_hyouji,0 *rmenu_main_100_ep2 lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu *rmenu_sai_hyouji_ep2 textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;タイトルから入った場合で、キャラ一覧表示の時はnextボタンを表示 notif %r_for_title = 1 csp r_next_lsp : add %tmp1,17 : jumpf notif %r_hyouji = 0 csp r_next_lsp : add %tmp1,17 : jumpf mov %tmp2,%tmp : add %tmp2,112 sub %tmp1,2 lsp r_next_lsp,r_next,%tmp2,%tmp1 : add %tmp1,19 ~ ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける ;（NEXTボタンを設置する為、全体的に17ピクセル下に表示する） notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;裏おつ画面の場合は、liveボタンをつける notif %r_u_tea_flg = 1 jumpf ;選択しているキャラのコンディションによって切り替え mov %tmp10,%tmp1 : sub %tmp10,128 lsp r_exec_lsp,r_exec,%tmp,%tmp10 : add %tmp10,32 lsp r_resu_lsp,r_resu,%tmp,%tmp10 ;: add %tmp1,32 ~ ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でEP2のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : add %tmp2,63 cell r_ep2_lsp,1 ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ if %r_hyouji_cha = geo && ?r[geo][condition] = 1 lsp r_change_lsp,r_change,572,452 if %r_hyouji_cha = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 if %r_hyouji_cha = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 ;表示形式から、tips、キャラ一覧表示かを使い分ける。 ;notif %r_hyouji = 1 jumpf ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 ; mov %tmp,12 : mov %tmp1,55 ;~ if %r_hyouji = 0 gosub *r_cha_botann_ep2 if %r_hyouji = 1 gosub *r_tips_botann_ep2 if %r_hyouji = 2 gosub *r_grim_botann_ep2 ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def2.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,":a;bmp\r_click\hana3_back.bmp",300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji_ep2 if %r_hyouji = 1 gosub *r_tips_hyouji_ep2 if %r_hyouji = 2 gosub *r_grim_hyouji_ep2 if %r_side_change = 1 print 10,500 : mov %r_side_change,0 if %r_side_change = 2 print 99,1500,"breakup.dll/urB" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei_ep2 ;衣装チェンジボタンの再設定 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ if %r_hyouji_cha = geo && ?r[geo][condition] = 1 lsp r_change_lsp,r_change,572,452 if %r_hyouji_cha = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 if %r_hyouji_cha = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ print 1 btndef "" spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp if ?tips[7][tips_flg] = 1 notif %r_hyouji_tips = 7 spbtn tips7_lsp,tips7_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp mov %tmp,kin_btn_lsp : add %tmp,cha_kazu_ep2 mov %tmp3,1 for %tmp2 = kin_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;NEXT、EP、changeのボタン化 spbtn r_next_lsp,r_next_lsp spbtn r_ep1_lsp,r_ep1_lsp ;spbtn r_ep2_lsp,r_ep2_lsp spbtn r_ep3_lsp,r_ep3_lsp spbtn r_ep4_lsp,r_ep4_lsp spbtn r_change_lsp,r_change_lsp *rmenu_custom_btlp_ep2 btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2 if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2 if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2 notif %BtnRes = r_exec_lsp jumpf ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_50_ep2 if ?r[%r_hyouji_cha][condition] >= ?r[%r_hyouji_cha][condition_end] goto *rmenu_custom_btlp_50_ep2 if ?r[%r_hyouji_cha][condition] <= 0 goto *rmenu_custom_btlp_50_ep2 mov %tmp,?r[%r_hyouji_cha][condition] : inc %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50_ep2 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_100_ep2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep2 if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90_ep2 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90_ep2 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90_ep2 next seplay 9,1100 *rmenu_custom_btlp_100_ep2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2 gosub *r_cha_botann_ep2 print 1 ;チェック goto *t_tyekku_ep2 ~ notif %BtnRes = r_resu_lsp jumpf if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_150_ep2 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha][condition] <= 1 goto *rmenu_custom_btlp_200_ep2 mov %tmp,?r[%r_hyouji_cha][condition] : dec %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150_ep2 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_200_ep2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep2 if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190_ep2 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190_ep2 next seplay 9,1023 *rmenu_custom_btlp_200_ep2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2 gosub *r_cha_botann_ep2 print 22 ;チェック goto *t_tyekku_ep2 ~ if %BtnRes = 0 mov %r_hyouji_cha,0 : goto *rmenu_botann_saisettei_ep2 if %BtnRes = r_save_lsp gosub *r_gazou_shokika_ep2 : seplay 9,1000 : gosub *savemode :goto *r_exit2_ep2 if %BtnRes = r_load_lsp gosub *r_gazou_shokika_ep2 : seplay 9,1000 : gosub *loadmode :goto *r_exit2_ep2 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika_ep2 : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main_ep2 if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back_ep2 if %BtnRes = r_exit_lsp goto *r_exit_ep2 if %BtnRes = -1 goto *r_exit_ep2 ;右クリックで抜ける if %BtnRes = -10 goto *r_exit_ep2 ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep1_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep2 goto *rmenu_main_ep1 ~ notif %BtnRes = r_ep3_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep2 goto *rmenu_main_ep3 ~ notif %BtnRes = r_ep4_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 mov %r_hyouji_side,0 gosub *r_gazou_shokika_ep2 goto *rmenu_main_ep4 ~ ;NEXTボタン（人間サイド、魔女サイドの切替） notif %BtnRes = r_next_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,bea mov %r_side,1 mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep2 mov %cha_text_page,1 goto *rmenu_main_ep2_2 ~ ;衣装チェンジボタン（衣装のチェンジ出来るキャラはコンディションを１に初期化して、衣装チェンジを行う） notif %BtnRes = r_change_lsp jumpf mov ?r[%r_hyouji_cha][condition],1 if ?r[%r_hyouji_cha][r_ishou] = 1 mov ?r[%r_hyouji_cha][r_ishou],2 : goto *r_change_lsp_100 if ?r[%r_hyouji_cha][r_ishou] = 2 mov ?r[%r_hyouji_cha][r_ishou],1 : goto *r_change_lsp_100 *r_change_lsp_100 gosub *r_cha_hyouji_ep2 seplay 9,1001 print 1 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = kin_btn_lsp mov %r_hyouji_cha,kin : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;金蔵 if %BtnRes = kla_btn_lsp mov %r_hyouji_cha,kla : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;長男 if %BtnRes = nat_btn_lsp mov %r_hyouji_cha,nat : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;夏妃 if %BtnRes = jes_btn_lsp mov %r_hyouji_cha,jes : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;ジェシカ if %BtnRes = hid_btn_lsp mov %r_hyouji_cha,hid : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;秀吉 if %BtnRes = eva_btn_lsp mov %r_hyouji_cha,eva : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;絵羽 if %BtnRes = geo_btn_lsp mov %r_hyouji_cha,geo : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;譲治 if %BtnRes = rud_btn_lsp mov %r_hyouji_cha,rud : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;留弗夫 if %BtnRes = kir_btn_lsp mov %r_hyouji_cha,kir : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;霧江 if %BtnRes = but_btn_lsp mov %r_hyouji_cha,but : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;戦人 if %BtnRes = ros_btn_lsp mov %r_hyouji_cha,ros : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;楼座 if %BtnRes = mar_btn_lsp mov %r_hyouji_cha,mar : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;真里亞 if %BtnRes = nan_btn_lsp mov %r_hyouji_cha,nan : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;南條 if %BtnRes = gen_btn_lsp mov %r_hyouji_cha,gen : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;源氏 if %BtnRes = kum_btn_lsp mov %r_hyouji_cha,kum : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;熊沢 if %BtnRes = goh_btn_lsp mov %r_hyouji_cha,goh : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;郷田 if %BtnRes = sha_btn_lsp mov %r_hyouji_cha,sha : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;紗音 if %BtnRes = kan_btn_lsp mov %r_hyouji_cha,kan : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = bea_btn_lsp mov %r_hyouji_cha,bea : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;ベアトリーチェ if %BtnRes = ber_btn_lsp mov %r_hyouji_cha,ber : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;ベルンカステル if %BtnRes = lam_btn_lsp mov %r_hyouji_cha,lam : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;ラムダデルタ ;煉獄の七姉妹（表示に関してはランダム） ;if %BtnRes = ber_btn_lsp mov %r_hyouji_cha,ber : gosub *r_cha_hyouji_ep2 : seplay 9,1001 : print 1 ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = tips7_lsp jumpf notif %r_hyouji_tips = 7 mov %tips_page,1 mov %r_hyouji_tips,7 gosub *r_tips_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji_ep2 : goto *rmenu_botann_saisettei_ep2 if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji_ep2 : goto *rmenu_botann_saisettei_ep2 ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji_ep2 goto *rmenu_botann_saisettei_ep2 ~ if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji_ep2 : goto *rmenu_botann_saisettei_ep2 if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji_ep2 : goto *rmenu_botann_saisettei_ep2 goto *rmenu_botann_saisettei_ep2 ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika_ep2 for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit_ep2 btndef "" gosub *r_gazou_shokika_ep2 csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2_ep2 btndef "" gosub *r_gazou_shokika_ep2 csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji_ep2 notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） ;衣装替え、チェンジボタンの消去 csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,377 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_ep2_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\1_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\1_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\1_3.png" *tips_ep2_1 notif %r_hyouji_tips = 2 goto *tips_ep2_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_4.png" if %tips_page = 5 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_5.png" if %tips_page = 6 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_6.png" *tips_ep2_2 notif %r_hyouji_tips = 3 goto *tips_ep2_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\3_1.png" *tips_ep2_3 notif %r_hyouji_tips = 4 goto *tips_ep2_4 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\4_1.png" cell tips4_lsp,1 *tips_ep2_4 notif %r_hyouji_tips = 5 goto *tips_ep2_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\5_1.png" *tips_ep2_5 notif %r_hyouji_tips = 6 goto *tips_ep2_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_4.png" *tips_ep2_6 notif %r_hyouji_tips = 7 goto *tips_ep2_7 cell tips7_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\7_1.png" *tips_ep2_7 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;Grimoireの表示、それぞれGrimoireの表示処理にfly *r_grim_hyouji_ep2 csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,377 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_ep2_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5.png" *grim_ep2_1 notif %r_hyouji_grim = 2 goto *grim_ep2_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n1_1.png" *grim_ep2_2 notif %r_hyouji_grim = 3 goto *grim_ep2_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n2_1.png" *grim_ep2_3 notif %r_hyouji_grim = 4 goto *grim_ep2_4 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n3_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n3_2.png" cell grim4_lsp,1 *grim_ep2_4 notif %r_hyouji_grim = 5 goto *grim_ep2_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n4_1.png" *grim_ep2_5 notif %r_hyouji_grim = 6 goto *grim_ep2_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n5_1.png" *grim_ep2_6 notif %r_hyouji_grim = 7 goto *grim_ep2_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n6_1.png" *grim_ep2_7 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji_ep2 if %r_hyouji_cha = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp vsp r_hana_lsp,1 ;タイトル画面から入っていて、所定のキャラならチェンジボタンを表示する、それ以外ならボタンを消去 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示している場合は、チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji_cha = geo lsp r_change_lsp,r_change,572,452 if %r_hyouji_cha = sha lsp r_change_lsp,r_change,572,452 if %r_hyouji_cha = kan lsp r_change_lsp,r_change,572,452 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha = kin : gosub *r_cha_kin_ep2 ;金蔵 if %r_hyouji_cha = kla : gosub *r_cha_kla_ep2 ;長男 if %r_hyouji_cha = nat : gosub *r_cha_nat_ep2 ;夏妃 if %r_hyouji_cha = jes : gosub *r_cha_jes_ep2 ;ジェシカ if %r_hyouji_cha = hid : gosub *r_cha_hid_ep2 ;秀吉 if %r_hyouji_cha = eva : gosub *r_cha_eva_ep2 ;絵羽 if %r_hyouji_cha = geo : gosub *r_cha_geo_ep2 ;譲治 if %r_hyouji_cha = rud : gosub *r_cha_rud_ep2 ;留弗夫 if %r_hyouji_cha = kir : gosub *r_cha_kir_ep2 ;霧江 if %r_hyouji_cha = but : gosub *r_cha_but_ep2 ;戦人 if %r_hyouji_cha = ros : gosub *r_cha_ros_ep2 ;楼座 if %r_hyouji_cha = mar : gosub *r_cha_mar_ep2 ;真里亞 if %r_hyouji_cha = nan : gosub *r_cha_nan_ep2 ;南條 if %r_hyouji_cha = gen : gosub *r_cha_gen_ep2 ;源氏 if %r_hyouji_cha = kum : gosub *r_cha_kum_ep2 ;熊沢 if %r_hyouji_cha = goh : gosub *r_cha_goh_ep2 ;郷田 if %r_hyouji_cha = sha : gosub *r_cha_sha_ep2 ;紗音 if %r_hyouji_cha = kan : gosub *r_cha_kan_ep2 ;嘉音 if %r_hyouji_cha = bea : gosub *r_cha_bea_ep2 ;bea if %r_hyouji_cha = ber : gosub *r_cha_ber_ep2 ;ber ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ *r_cha_kin_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kin_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kin_2.png" return ;------------------------------ *r_cha_kla_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kla_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kla_2.png" return ;------------------------------ *r_cha_nat_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\nat_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\nat_2.png" return ;------------------------------ *r_cha_jes_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\jes_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\jes_2.png" return ;------------------------------ *r_cha_eva_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\eva_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\eva_2.png" return ;------------------------------ *r_cha_hid_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\hid_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\hid_2.png" return ;------------------------------ *r_cha_geo_ep2 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],435 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\geo_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\geo_2.png" ;コンディションによってアイコンを変更する。 lsp geo_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo2.png" : mov ?r[geo][tati_x],435 : lsp geo_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\geo_l2.png",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_rud_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\rud_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\rud_2.png" return ;------------------------------ *r_cha_kir_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kir_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kir_2.png" return ;------------------------------ *r_cha_but_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\but_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\but_2.png" return ;------------------------------ *r_cha_gen_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\gen_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\gen_2.png" return ;------------------------------ *r_cha_ros_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\ros_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\ros_2.png" return ;------------------------------ *r_cha_mar_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\mar_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\mar_2.png" return ;------------------------------ *r_cha_nan_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan_d2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan_d2a.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\nan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\nan_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\nan_3.png" return ;------------------------------ *r_cha_sha_ep2 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],430 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\sha_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\sha_2.png" ;コンディションによってアイコンを変更する。 lsp sha_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha2.png" : mov ?r[%r_hyouji_cha][tati_x],430 : lsp sha_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\sha_l2.png",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_kan_ep2 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],460 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan_m.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kan_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kan_3.png" ;コンディションによってアイコンを変更する。 lsp kan_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan2.png" : mov ?r[%r_hyouji_cha][tati_x],440 : lsp kan_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\kan_l2.png",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_goh_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\goh_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\goh_2.png" return ;------------------------------ *r_cha_kum_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\\kum.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\\kum_d2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\\kum_d2a.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kum_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kum_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\kum_3.png" return ;------------------------------ *r_cha_bea_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" : mov ?r[bea][tati_x],380 if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea2.png" : mov ?r[bea][tati_x],435 if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\\bea_d.png" : mov ?r[bea][tati_x],380 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\bea_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\bea_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\bea_3.png" return ;------------------------------ *r_cha_ber_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;bmp\r_click\cha_tati\ep2\ber.bmp" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;bmp\r_click\cha_tati\ep2\ber_d.bmp" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\ber_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\ber_2.png" return ;------------------------------ *r_cha_lam_ep2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;bmp\r_click\cha_tati\ep2\lam.bmp" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2\ber_1.png" return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann_ep2 for %tmp2 = kin_btn_lsp to ber_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_2_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_2_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_2_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_2_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_2_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_2_6,%tmp,%tmp1 : add %tmp1,32 if ?tips[7][tips_flg] = 1 lsp tips7_lsp,r_tips_2_7,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_grim_botann_ep2 for %tmp2 = kin_btn_lsp to ber_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips7_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 return ;************************************************************** ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann_ep2 ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp csp r_grim_txt_lsp vsp r_hana_lsp,1 ;背景の表示 lsp r_cha_back_lsp,$r_cha_back,12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,kin_btn_lsp for %tmp2 = 1 to cha_kazu_ep2 if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;衣装が絵に応じてキャラアイコンを変える if %tmp2 = sha && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp sha_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\sha_l2.png",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] if %tmp2 = geo && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp geo_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\geo_l2.png",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] if %tmp2 = kan && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp kan_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\kan_l2.png",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;現在表示しているキャラを表示 gosub *r_cha_hyouji_ep2 return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu_ep2 csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha : dec %tmp lsp %tmp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;************************************************************** ;************************************************************** ; 裏お茶会用のチェック ;************************************************************** *t_tyekku_ep2 goto *rmenu_botann_saisettei_ep2 ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back_ep2 ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp_ep2 btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2 if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep2 if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep2 goto *rmenu_title_back_btn_lp_ep2 ;************************************************************** ;********************************************************* ;右クリックメニュー　EP２_２　魔女サイド ;2007/11/17作成 ;********************************************************* ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main_ep2_2 btndef "" ;テスト用 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji_cha,ma_bea ;mov %UMINEKOEND,4 ;mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;mov %play_scene,2000 ;キャラの状態、コンデション、コメントの更新等は配列を使用 gosub *bt_ep2_2_def ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov %r_side,1 mov %r_u_tea_flg,0 ;チェック、コンディションデフォルト設定（初期化、魔女以外を表示） for %tmp = 1 to cha_kazu_ep2_2 mov ?r[%tmp][condition],1 next ;キャラの衣装変数を初期化（デフォルト→１にする） for %tmp = 1 to cha_kazu_ep2_2 mov ?r[%tmp][r_ishou],1 next ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" ;背景を暗くする。 lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu ;タイトルから入って来た時にはキャラを全員liveで背景はランダムは蝶の画像をランダムで表示 ;シーン番号に３０００を代入。 ;Tips新要素告知フラグが立っている場合はそれをOFFにする。 notif %r_for_title = 1 goto *rmenu_main_100_ep2_2 for %tmp = 1 to cha_kazu_ep2_2 mov ?r[%tmp][condition],1 next for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next gosub *bgm_mode_rnd_bg_majo mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 ;ベアトリーチェも表示、ベルン、ラムダは非表示 ;mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back_ma.bmp" mov %r_hyouji_cha,ma_bea mov %play_scene,3000 if %UMINEKOEND_TIPS_FLG <= 2 mov %UMINEKOEND_TIPS_FLG,0 amsp r_black_lsp,0,0,0 *rmenu_main_100_ep2_2 ;ep2からはシーン変数で状態を逐次チェックして処理を行う ;シーン変数をチェックサブルーチンにて処理（84.txtを使用） ;魔女サイドは２０００からカウント ;裏お茶会は２０１０からカウント（ベアトとベルンを表示） if %play_scene = 2010 gosub *rmenu_main_ep2_scene_2010 ;裏お茶会は２０２０からカウント（ラムダデルタを表示） if %play_scene = 2020 gosub *rmenu_main_ep2_scene_2020 *rmenu_sai_hyouji_ep2_2 textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;タイトルから入った場合で、キャラ一覧表示の時はnextボタンを表示 notif %r_for_title = 1 csp r_next_lsp : add %tmp1,17 : jumpf notif %r_hyouji = 0 csp r_next_lsp : add %tmp1,17 : jumpf mov %tmp2,%tmp : add %tmp2,112 sub %tmp1,2 lsp r_next_lsp,r_next,%tmp2,%tmp1 : add %tmp1,19 ~ ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける ;（NEXTボタンを設置する為、全体的に17ピクセル下に表示する） notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;裏おつ画面の場合は、liveボタンをつける ;notif %r_u_tea_flg = 1 jumpf ;選択しているキャラのコンディションによって切り替え ; mov %tmp10,%tmp1 : sub %tmp10,128 ; lsp r_exec_lsp,r_exec,%tmp,%tmp10 : add %tmp10,32 ; lsp r_resu_lsp,r_resu,%tmp,%tmp10 ;: add %tmp1,32 ;~ ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でEP2のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : add %tmp2,63 cell r_ep2_lsp,1 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 0 gosub *r_cha_botann_ep2_2 if %r_hyouji = 1 gosub *r_tips_botann_ep2_2 if %r_hyouji = 2 gosub *r_grim_botann_ep2_2 ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def2.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,r_hana,300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji_ep2_2 if %r_hyouji = 1 gosub *r_tips_hyouji_ep2_2 if %r_hyouji = 2 gosub *r_grim_hyouji_ep2_2 if %r_side_change = 2 se1v 52,100 : print 99,1500,"whirl.dll/l" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei_ep2_2 ;衣装チェンジボタンの再設定 csp r_change_lsp btndef "" if ?r_cha_text[2][%r_hyouji_cha][1] < 2 mov %cha_page_mode,0 : jumpf notif ?r_cha_text[2][%r_hyouji_cha][1] = %cha_text_page spbtn cha_next_lsp,cha_next_lsp notif %cha_text_page = 1 spbtn cha_back_lsp,cha_back_lsp mov %cha_page_mode,1 ~ if ?r_cha_text[2][%r_hyouji_cha][1] = %cha_text_page csp cha_next_lsp if %cha_text_page = 1 csp cha_back_lsp spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp if ?tips[7][tips_flg] = 1 notif %r_hyouji_tips = 7 spbtn tips7_lsp,tips7_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp mov %tmp,ma_bea_btn_lsp : add %tmp,cha_kazu_ep2_2 mov %tmp3,1 for %tmp2 = ma_bea_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;NEXT、EP、changeのボタン化 spbtn r_next_lsp,r_next_lsp spbtn r_ep1_lsp,r_ep1_lsp ;spbtn r_ep2_lsp,r_ep2_lsp spbtn r_ep3_lsp,r_ep3_lsp spbtn r_ep4_lsp,r_ep4_lsp ;spbtn r_change_lsp,r_change_lsp *rmenu_custom_btlp_ep2_2 btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2_2 if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2_2 if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2_2 notif %BtnRes = r_exec_lsp jumpf goto *rmenu_botann_saisettei_ep2_2 ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_50_ep2_2 if ?r[%r_hyouji_cha][condition] >= ?r[%r_hyouji_cha][condition_end] goto *rmenu_custom_btlp_50_ep2_2 if ?r[%r_hyouji_cha][condition] <= 0 goto *rmenu_custom_btlp_50_ep2_2 mov %tmp,?r[%r_hyouji_cha][condition] : inc %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50_ep2_2 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_100_ep2_2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep2_2 if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90_ep2_2 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90_ep2_2 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90_ep2_2 next seplay 9,1100 *rmenu_custom_btlp_100_ep2_2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2_2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2_2 gosub *r_cha_botann_ep2_2 print 1 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = r_resu_lsp jumpf goto *rmenu_botann_saisettei_ep2_2 if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_150_ep2_2 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha][condition] <= 1 goto *rmenu_custom_btlp_200_ep2_2 mov %tmp,?r[%r_hyouji_cha][condition] : dec %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150_ep2_2 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_200_ep2_2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep2_2 if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190_ep2_2 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190_ep2_2 next seplay 9,1023 *rmenu_custom_btlp_200_ep2_2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2_2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep2_2 gosub *r_cha_botann_ep2_2 print 22 goto *rmenu_botann_saisettei_ep2_2 ~ if %BtnRes = 0 && %cha_page_mode = 1 goto *rmenu_botann_saisettei_ep2_2 if %BtnRes = 0 mov %r_hyouji_cha,0 : goto *rmenu_botann_saisettei_ep2_2 if %BtnRes = r_save_lsp gosub *r_gazou_shokika_ep2_2 : seplay 9,1000 : gosub *savemode :goto *r_exit2_ep2_2 if %BtnRes = r_load_lsp gosub *r_gazou_shokika_ep2_2 : seplay 9,1000 : gosub *loadmode :goto *r_exit2_ep2_2 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika_ep2_2 : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main_ep2_2 if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back_ep2_2 if %BtnRes = r_exit_lsp goto *r_exit_ep2_2 if %BtnRes = -1 goto *r_exit_ep2_2 ;右クリックで抜ける if %BtnRes = -10 goto *r_exit_ep2_2 ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep1_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep2_2 goto *rmenu_main_ep1 ~ ;エピソード移動ボタン（押されたボタンによって、EP3の魔女空間に移動する） notif %BtnRes = r_ep3_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep2_2 goto *rmenu_main_ep3_2 ~ ;エピソード移動ボタン（押されたボタンによって、EP3の魔女空間に移動する） notif %BtnRes = r_ep4_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 mov %r_hyouji_side,1 gosub *r_gazou_shokika_ep2_2 goto *rmenu_main_ep4_2 ~ ;NEXTボタン（人間サイド、魔女サイドの切替） notif %BtnRes = r_next_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,bea mov %r_side,0 mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep2_2 mov %cha_text_page,1 goto *rmenu_main_ep2 ~ ;sssss if %BtnRes = cha_next_lsp inc %cha_text_page : mov %cha_page_flg,%r_hyouji_cha : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 : jumpf if %BtnRes = cha_back_lsp dec %cha_text_page : mov %cha_page_flg,%r_hyouji_cha : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 : jumpf ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = ma_kin_btn_lsp mov %r_hyouji_cha,ma_kin : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;金蔵 if %BtnRes = ma_but_btn_lsp mov %r_hyouji_cha,ma_but : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;戦人 if %BtnRes = ma_mar_btn_lsp mov %r_hyouji_cha,ma_mar : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;真里亞 if %BtnRes = ma_gen_btn_lsp mov %r_hyouji_cha,ma_gen : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;源氏 if %BtnRes = ma_sha_btn_lsp mov %r_hyouji_cha,ma_sha : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;紗音 if %BtnRes = ma_kan_btn_lsp mov %r_hyouji_cha,ma_kan : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = ma_bea_btn_lsp mov %r_hyouji_cha,ma_bea : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;ベアトリーチェ if %BtnRes = ma_ber_btn_lsp mov %r_hyouji_cha,ma_ber : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;ベルンカステル if %BtnRes = ma_lam_btn_lsp mov %r_hyouji_cha,ma_lam : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;ラムダデルタ if %BtnRes = ma_rg_btn_lsp mov %r_hyouji_cha,ma_rg : gosub *r_cha_hyouji_ep2_2 : seplay 9,1001 : print 1 ;煉獄の七姉妹 ~ ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = tips7_lsp jumpf notif %r_hyouji_tips = 7 mov %tips_page,1 mov %r_hyouji_tips,7 gosub *r_tips_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji_ep2_2 : goto *rmenu_botann_saisettei_ep2_2 if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji_ep2_2 : goto *rmenu_botann_saisettei_ep2_2 ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ~ if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji_ep2_2 : goto *rmenu_botann_saisettei_ep2_2 if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji_ep2_2 : goto *rmenu_botann_saisettei_ep2_2 goto *rmenu_botann_saisettei_ep2_2 ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika_ep2_2 for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit_ep2_2 btndef "" gosub *r_gazou_shokika_ep2_2 csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2_ep2_2 btndef "" gosub *r_gazou_shokika_ep2_2 csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji_ep2_2 csp cha_next_lsp csp cha_back_lsp notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） ;衣装替え、チェンジボタンの消去 csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,377 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_ep2_2_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\1_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\1_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\1_3.png" *tips_ep2_2_1 notif %r_hyouji_tips = 2 goto *tips_ep2_2_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_4.png" if %tips_page = 5 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_5.png" if %tips_page = 6 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\2_6.png" *tips_ep2_2_2 notif %r_hyouji_tips = 3 goto *tips_ep2_2_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\3_1.png" *tips_ep2_2_3 notif %r_hyouji_tips = 4 goto *tips_ep2_2_4 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\4_1.png" cell tips4_lsp,1 *tips_ep2_2_4 notif %r_hyouji_tips = 5 goto *tips_ep2_2_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\5_1.png" *tips_ep2_2_5 notif %r_hyouji_tips = 6 goto *tips_ep2_2_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\6_4.png" *tips_ep2_2_6 notif %r_hyouji_tips = 7 goto *tips_ep2_2_7 cell tips7_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep2\7_1.png" *tips_ep2_2_7 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;Grimoireの表示、それぞれGrimoireの表示処理にfly *r_grim_hyouji_ep2_2 csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,377 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_ep2_2_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5.png" *grim_ep2_2_1 notif %r_hyouji_grim = 2 goto *grim_ep2_2_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n1_1.png" *grim_ep2_2_2 notif %r_hyouji_grim = 3 goto *grim_ep2_2_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n2_1.png" *grim_ep2_2_3 notif %r_hyouji_grim = 4 goto *grim_ep2_2_4 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n3_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n3_2.png" cell grim4_lsp,1 *grim_ep2_2_4 notif %r_hyouji_grim = 5 goto *grim_ep2_2_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n4_1.png" *grim_ep2_2_5 notif %r_hyouji_grim = 6 goto *grim_ep2_2_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n5_1.png" *grim_ep2_2_6 notif %r_hyouji_grim = 7 goto *grim_ep2_2_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep2n6_1.png" *grim_ep2_2_7 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji_ep2_2 if %r_hyouji_cha = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp csp cha_back_lsp csp cha_next_lsp vsp r_hana_lsp,1 ;sssss if %cha_text_page > ?r_cha_text[2][%r_hyouji_cha][1] mov %cha_text_page,1 notif %cha_page_flg = %r_hyouji_cha mov %cha_text_page,1 ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha = ma_kin : gosub *r_cha_kin_ep2_2 ;金蔵 if %r_hyouji_cha = ma_but : gosub *r_cha_but_ep2_2 ;戦人 if %r_hyouji_cha = ma_mar : gosub *r_cha_mar_ep2_2 ;真里亞 if %r_hyouji_cha = ma_gen : gosub *r_cha_gen_ep2_2 ;源氏 if %r_hyouji_cha = ma_sha : gosub *r_cha_sha_ep2_2 ;紗音 if %r_hyouji_cha = ma_kan : gosub *r_cha_kan_ep2_2 ;嘉音 if %r_hyouji_cha = ma_bea : gosub *r_cha_bea_ep2_2 ;bea if %r_hyouji_cha = ma_ber : gosub *r_cha_ber_ep2_2 ;ber if %r_hyouji_cha = ma_lam : gosub *r_cha_lam_ep2_2 ;lam if %r_hyouji_cha = ma_rg : gosub *r_cha_rg_ep2_2 ;rg if ?r_cha_text[2][%r_hyouji_cha][1] > %cha_text_page lsp cha_next_lsp,tips_next,200,407 if %cha_text_page > 1 lsp cha_back_lsp,tips_back,250,407 ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ *r_cha_kin_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\kin_1.png" return ;------------------------------ *r_cha_but_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\but_1.png" return ;------------------------------ *r_cha_gen_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\gen_1.png" return ;------------------------------ *r_cha_mar_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\mar_1.png" return ;------------------------------ *r_cha_sha_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;sssss ;if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\sha_1.png" notif ?r[%r_hyouji_cha][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\sha_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\sha_12.png" ~ return ;------------------------------ *r_cha_kan_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\kan_1.png" return ;------------------------------ *r_cha_bea_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" : mov ?r[bea][tati_x],380 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\bea_1.png" return ;------------------------------ *r_cha_ber_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\ber_1.png" return ;------------------------------ *r_cha_lam_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\lam_1.png" notif ?r[%r_hyouji_cha][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\lam_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\lam_12.png" ~ return ;------------------------------ *r_cha_rg_ep2_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;ランダムで７姉妹の内、一人を表示 rnd2 %ran,1,7 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if %ran = 1 && ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\rg1_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg1.png" if %ran = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\rg2_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg2.png if %ran = 3 && ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\rg3_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg3.png if %ran = 4 && ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\rg4_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg4.png if %ran = 5 && ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\rg5_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg5.png" if %ran = 6 && ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\rg6_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg6.png if %ran = 7 && ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep2_2\rg7_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg7.png" return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann_ep2_2 for %tmp2 = ma_bea_btn_lsp to ma_but_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_2_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_2_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_2_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_2_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_2_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_2_6,%tmp,%tmp1 : add %tmp1,32 if ?tips[7][tips_flg] = 1 lsp tips7_lsp,r_tips_2_7,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** *r_grim_botann_ep2_2 for %tmp2 = ma_bea_btn_lsp to ma_but_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips7_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 return ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann_ep2_2 ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 ;背景の表示 lsp r_cha_back_lsp,$r_cha_back,12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,ma_bea_btn_lsp for %tmp2 = 1 to cha_kazu_ep2_2 if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;衣装によってキャラアイコンの表示を切り替える ;if %tmp2 = sha && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp sha_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\sha_l2.png",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = geo && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp geo_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\geo_l2.png",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = kan && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp kan_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\kan_l2.png",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;現在表示しているキャラを表示 gosub *r_cha_hyouji_ep2_2 return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu_ep2_2 csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha : dec %tmp lsp %tmp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back_ep2_2 ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp_ep2_2 btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji_ep2_2 if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep2_2 if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep2_2 goto *rmenu_title_back_btn_lp_ep2_2 ;************************************************************** ;********************************************************* ;右クリックメニュー　EP3版 ;2008/06/05 BT作成 ;********************************************************* ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main_ep3_def ;mov %play_scene,32030 ;mov %r_hyouji_cha,ma3_enj ;mov %r_for_title,1 ;シーンによって、魔女サイドに移行するよう分岐させる。 ;（各変数の初期化は別途に行う） notif %r_for_title = 1 if %play_scene = 30020 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30021 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30022 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30035 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30050 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30070 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30071 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30110 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30120 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30130 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30140 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30150 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30170 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30181 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30190 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30210 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 30260 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 31010 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 31011 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 31020 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 32030 goto *rmenu_main_ep3_2 notif %r_for_title = 1 if %play_scene = 32040 goto *rmenu_main_ep3_2 ;テスト用 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji_cha,sha ;mov %UMINEKOEND,40 ;mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;bg G2F_R1a,1 ;---------------------------------------- ;EP３　通常サイド *rmenu_main_ep3 btndef "" ;キャラの状態、コンデション、コメントの更新等は配列を使用 gosub *bt_ep3_def if %r_side_change = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 : print 10,2000 : csp 0 ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov %r_side,0 mov %r_u_tea_flg,0 ;チェック、コンディションデフォルト設定（初期化、魔女以外を表示） for %tmp = 1 to cha_kazu_ep3 mov ?r[%tmp][condition],1 next mov ?r[bea][condition],-1 mov ?r[ber][condition],-1 mov ?r[lam][condition],-1 mov ?r[enj][condition],-1 ;キャラの衣装変数を初期化（デフォルト→１にする） for %tmp = 1 to cha_kazu_ep3 mov ?r[%tmp][r_ishou],1 next textoff ;ep3からはシーン変数で状態を逐次チェックして処理を行う ;シーン変数をチェックサブルーチンにて処理（84.txtを使用） if %play_scene = 30010 gosub *rmenu_main_ep3_scene_30010 if %play_scene = 30020 gosub *rmenu_main_ep3_scene_30020 if %play_scene = 30021 gosub *rmenu_main_ep3_scene_30021 if %play_scene = 30022 gosub *rmenu_main_ep3_scene_30022 if %play_scene = 30030 gosub *rmenu_main_ep3_scene_30030 if %play_scene = 30031 gosub *rmenu_main_ep3_scene_30031 if %play_scene = 30032 gosub *rmenu_main_ep3_scene_30032 if %play_scene = 30035 gosub *rmenu_main_ep3_scene_30035 if %play_scene = 30040 gosub *rmenu_main_ep3_scene_30040 if %play_scene = 30045 gosub *rmenu_main_ep3_scene_30045 if %play_scene = 30050 gosub *rmenu_main_ep3_scene_30050 if %play_scene = 30060 gosub *rmenu_main_ep3_scene_30060 if %play_scene = 30070 gosub *rmenu_main_ep3_scene_30070 if %play_scene = 30071 gosub *rmenu_main_ep3_scene_30071 if %play_scene = 30080 gosub *rmenu_main_ep3_scene_30080 if %play_scene = 30090 gosub *rmenu_main_ep3_scene_30090 if %play_scene = 30100 gosub *rmenu_main_ep3_scene_30100 if %play_scene = 30110 gosub *rmenu_main_ep3_scene_30110 if %play_scene = 30120 gosub *rmenu_main_ep3_scene_30120 if %play_scene = 30130 gosub *rmenu_main_ep3_scene_30130 if %play_scene = 30140 gosub *rmenu_main_ep3_scene_30140 if %play_scene = 30150 gosub *rmenu_main_ep3_scene_30150 if %play_scene = 30160 gosub *rmenu_main_ep3_scene_30160 if %play_scene = 30170 gosub *rmenu_main_ep3_scene_30170 if %play_scene = 30180 gosub *rmenu_main_ep3_scene_30180 if %play_scene = 30181 gosub *rmenu_main_ep3_scene_30181 if %play_scene = 30190 gosub *rmenu_main_ep3_scene_30190 if %play_scene = 30200 gosub *rmenu_main_ep3_scene_30200 if %play_scene = 30210 gosub *rmenu_main_ep3_scene_30210 if %play_scene = 30220 gosub *rmenu_main_ep3_scene_30220 if %play_scene = 30230 gosub *rmenu_main_ep3_scene_30230 if %play_scene = 30240 gosub *rmenu_main_ep3_scene_30240 if %play_scene = 30250 gosub *rmenu_main_ep3_scene_30250 if %play_scene = 30260 gosub *rmenu_main_ep3_scene_30260 if %play_scene = 30270 gosub *rmenu_main_ep3_scene_30270 if %play_scene = 30280 gosub *rmenu_main_ep3_scene_30280 if %play_scene = 30281 gosub *rmenu_main_ep3_scene_30281 if %play_scene = 30282 gosub *rmenu_main_ep3_scene_30282 if %play_scene = 30283 gosub *rmenu_main_ep3_scene_30283 if %play_scene = 30290 gosub *rmenu_main_ep3_scene_30290 if %play_scene = 30300 gosub *rmenu_main_ep3_scene_30300 ;ここからお茶会 if %play_scene = 31010 gosub *rmenu_main_ep3_scene_31010 if %play_scene = 31011 gosub *rmenu_main_ep3_scene_31011 if %play_scene = 31020 gosub *rmenu_main_ep3_scene_31020 if %play_scene = 31030 gosub *rmenu_main_ep3_scene_31030 ;？？？ if %play_scene = 32010 gosub *rmenu_main_ep3_scene_32010 if %play_scene = 32020 gosub *rmenu_main_ep3_scene_32020 if %play_scene = 32030 gosub *rmenu_main_ep3_scene_32030 if %play_scene = 32040 gosub *rmenu_main_ep3_scene_32040 ;保険、必要なシーン以外で縁寿が表示されないようにする保険 notif %play_scene >= 32020 mov ?r[enj][condition],-1 ;aaaa for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Grimoire section mov %tmp2,%grim_scene sub %tmp2,300 if %tmp2 > 12 mov %tmp2,12 add %tmp2,1 for %tmp = 1 to %tmp2 : mov ?grim[%tmp][grim_flg],1 : next ;コンディションチェック、コンディションが−１の場合は、%r_hyouji_cha_maを０に if ?r[%r_hyouji_cha][condition]= -1 mov %r_hyouji_cha,0 ;タイトルから入って来た時にはキャラを全員liveで背景はランダムで表示 ;シーン番号に３０００を代入。 notif %r_for_title = 1 goto *rmenu_main_100_ep3 for %tmp = 1 to cha_kazu_ep3 mov ?r[%tmp][condition],1 next for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next gosub *bgm_mode_rnd_bg_mhal2 mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 ;ベアトリーチェ、縁寿を表示、ベルン、ラムダは非表示、真里亞をずらしてバックの線画も変更 mov ?r[ber][condition],-1 mov ?r[lam][condition],-1 mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp mov ?r[enj][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[enj][itiran_y],%tmp mov ?r[mar][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back4.bmp" mov %play_scene,33000 if %UMINEKOEND_TIPS_FLG <= 3 mov %UMINEKOEND_TIPS_FLG,0 mov %r_hyouji_cha,enj mov %r_hyouji,0 *rmenu_main_100_ep3 lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu *rmenu_sai_hyouji_ep3 textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;タイトルから入った場合で、キャラ一覧表示の時はnextボタンを表示 ;notif %r_for_title = 1 csp r_next_lsp : add %tmp1,17 : jumpf notif %r_hyouji = 0 csp r_next_lsp : add %tmp1,17 : jumpf mov %tmp2,%tmp : add %tmp2,112 sub %tmp1,2 lsp r_next_lsp,r_next,%tmp2,%tmp1 : add %tmp1,19 ~ ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける ;（NEXTボタンを設置する為、全体的に17ピクセル下に表示する） notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;裏おつ画面の場合は、liveボタンをつける notif %r_u_tea_flg = 1 jumpf ;選択しているキャラのコンディションによって切り替え mov %tmp10,%tmp1 : sub %tmp10,128 lsp r_exec_lsp,r_exec,%tmp,%tmp10 : add %tmp10,32 lsp r_resu_lsp,r_resu,%tmp,%tmp10 ;: add %tmp1,32 ~ ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でep3のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : cell r_ep3_lsp,1 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : add %tmp2,63 ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ ;if %r_hyouji_cha = geo && ?r[geo][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 ;表示形式から、tips、キャラ一覧表示かを使い分ける。 ;notif %r_hyouji = 1 jumpf ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 ; mov %tmp,12 : mov %tmp1,55 ;~ if %r_hyouji = 0 gosub *r_cha_botann_ep3 if %r_hyouji = 1 gosub *r_tips_botann_ep3 if %r_hyouji = 2 gosub *r_grim_botann_ep3 ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def2.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,":a;bmp\r_click\hana3_back.bmp",300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji_ep3 if %r_hyouji = 1 gosub *r_tips_hyouji_ep3 if %r_hyouji = 2 gosub *r_grim_hyouji_ep3 if %r_side_change = 1 print 10,500 : mov %r_side_change,0 if %r_side_change = 2 print 99,1500,"breakup.dll/urB" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei_ep3 ;衣装チェンジボタンの再設定 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ ;if %r_hyouji_cha = geo && ?r[geo][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ print 1 btndef "" spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp ;if ?tips[7][tips_flg] = 1 notif %r_hyouji_tips = 7 spbtn tips7_lsp,tips7_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp if ?grim[8][grim_flg] = 1 notif %r_hyouji_grim = 8 spbtn grim8_lsp,grim8_lsp if ?grim[9][grim_flg] = 1 notif %r_hyouji_grim = 9 spbtn grim9_lsp,grim9_lsp if ?grim[10][grim_flg] = 1 notif %r_hyouji_grim = 10 spbtn grim10_lsp,grim10_lsp if ?grim[11][grim_flg] = 1 notif %r_hyouji_grim = 11 spbtn grim11_lsp,grim11_lsp if ?grim[12][grim_flg] = 1 notif %r_hyouji_grim = 12 spbtn grim12_lsp,grim12_lsp if ?grim[13][grim_flg] = 1 notif %r_hyouji_grim = 13 spbtn grim13_lsp,grim13_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp mov %tmp,kin_btn_lsp : add %tmp,cha_kazu_ep3 mov %tmp3,1 for %tmp2 = kin_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;NEXT、EP、changeのボタン化 spbtn r_next_lsp,r_next_lsp spbtn r_ep1_lsp,r_ep1_lsp spbtn r_ep2_lsp,r_ep2_lsp ;spbtn r_ep3_lsp,r_ep3_lsp spbtn r_ep4_lsp,r_ep4_lsp spbtn r_change_lsp,r_change_lsp *rmenu_custom_btlp_ep3 btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3 if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3 if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3 notif %BtnRes = r_exec_lsp jumpf ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_50_ep3 if ?r[%r_hyouji_cha][condition] >= ?r[%r_hyouji_cha][condition_end] goto *rmenu_custom_btlp_50_ep3 if ?r[%r_hyouji_cha][condition] <= 0 goto *rmenu_custom_btlp_50_ep3 mov %tmp,?r[%r_hyouji_cha][condition] : inc %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50_ep3 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_100_ep3 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep3 if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90_ep3 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90_ep3 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90_ep3 next seplay 9,1100 *rmenu_custom_btlp_100_ep3 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 goto *rmenu_sai_hyouji_ep3 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 goto *rmenu_sai_hyouji_ep3 gosub *r_cha_botann_ep3 print 1 ;チェック goto *t_tyekku_ep3 ~ notif %BtnRes = r_resu_lsp jumpf if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_150_ep3 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha][condition] <= 1 goto *rmenu_custom_btlp_200_ep3 mov %tmp,?r[%r_hyouji_cha][condition] : dec %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150_ep3 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_200_ep3 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep3 if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190_ep3 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190_ep3 next seplay 9,1023 *rmenu_custom_btlp_200_ep3 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep3 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep3 gosub *r_cha_botann_ep3 print 22 ;チェック goto *t_tyekku_ep3 ~ if %BtnRes = 0 mov %r_hyouji_cha,0 : goto *rmenu_botann_saisettei_ep3 if %BtnRes = r_save_lsp gosub *r_gazou_shokika_ep3 : seplay 9,1000 : gosub *savemode :goto *r_exit2_ep3 if %BtnRes = r_load_lsp gosub *r_gazou_shokika_ep3 : seplay 9,1000 : gosub *loadmode :goto *r_exit2_ep3 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika_ep3 : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main_ep3 if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back_ep3 if %BtnRes = r_exit_lsp goto *r_exit_ep3 if %BtnRes = -1 goto *r_exit_ep3 ;右クリックで抜ける if %BtnRes = -10 goto *r_exit_ep3 ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep1_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep3 goto *rmenu_main_ep1 ~ notif %BtnRes = r_ep2_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep3 goto *rmenu_main_ep2 ~ notif %BtnRes = r_ep4_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_side,0 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep3 goto *rmenu_main_ep4 ~ ;NEXTボタン（人間サイド、魔女サイドの切替） notif %BtnRes = r_next_lsp jumpf ;各変数の初期化 mov %r_side,1 mov %r_hyouji,0 lsp 0,":a;bmp\efe\ware.bmp",0,0 seplay 9,1100 print 1 csp 0 mov %cha_text_page,1 mov %r_side_change,2 gosub *r_gazou_shokika_ep3 goto *rmenu_main_ep3_2 ~ ;衣装チェンジボタン（衣装のチェンジ出来るキャラはコンディションを１に初期化して、衣装チェンジを行う） notif %BtnRes = r_change_lsp jumpf mov ?r[%r_hyouji_cha][condition],1 if ?r[%r_hyouji_cha][r_ishou] = 1 mov ?r[%r_hyouji_cha][r_ishou],2 : goto *r_change_lsp_ep3_100 if ?r[%r_hyouji_cha][r_ishou] = 2 mov ?r[%r_hyouji_cha][r_ishou],1 : goto *r_change_lsp_ep3_100 *r_change_lsp_ep3_100 gosub *r_cha_hyouji_ep3 seplay 9,1001 print 1 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = kin_btn_lsp mov %r_hyouji_cha,kin : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;金蔵 if %BtnRes = kla_btn_lsp mov %r_hyouji_cha,kla : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;長男 if %BtnRes = nat_btn_lsp mov %r_hyouji_cha,nat : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;夏妃 if %BtnRes = jes_btn_lsp mov %r_hyouji_cha,jes : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;ジェシカ if %BtnRes = hid_btn_lsp mov %r_hyouji_cha,hid : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;秀吉 if %BtnRes = eva_btn_lsp mov %r_hyouji_cha,eva : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;絵羽 if %BtnRes = geo_btn_lsp mov %r_hyouji_cha,geo : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;譲治 if %BtnRes = rud_btn_lsp mov %r_hyouji_cha,rud : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;留弗夫 if %BtnRes = kir_btn_lsp mov %r_hyouji_cha,kir : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;霧江 if %BtnRes = but_btn_lsp mov %r_hyouji_cha,but : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;戦人 if %BtnRes = ros_btn_lsp mov %r_hyouji_cha,ros : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;楼座 if %BtnRes = mar_btn_lsp mov %r_hyouji_cha,mar : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;真里亞 if %BtnRes = nan_btn_lsp mov %r_hyouji_cha,nan : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;南條 if %BtnRes = gen_btn_lsp mov %r_hyouji_cha,gen : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;源氏 if %BtnRes = kum_btn_lsp mov %r_hyouji_cha,kum : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;熊沢 if %BtnRes = goh_btn_lsp mov %r_hyouji_cha,goh : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;郷田 if %BtnRes = sha_btn_lsp mov %r_hyouji_cha,sha : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;紗音 if %BtnRes = kan_btn_lsp mov %r_hyouji_cha,kan : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = bea_btn_lsp mov %r_hyouji_cha,bea : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;ベアトリーチェ if %BtnRes = ber_btn_lsp mov %r_hyouji_cha,ber : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;ベルンカステル if %BtnRes = lam_btn_lsp mov %r_hyouji_cha,lam : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;ラムダデルタ if %BtnRes = enj_btn_lsp mov %r_hyouji_cha,enj : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;enj ;煉獄の七姉妹（表示に関してはランダム） ;if %BtnRes = ber_btn_lsp mov %r_hyouji_cha,ber : gosub *r_cha_hyouji_ep3 : seplay 9,1001 : print 1 ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = tips7_lsp jumpf notif %r_hyouji_tips = 7 mov %tips_page,1 mov %r_hyouji_tips,7 gosub *r_tips_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji_ep3 : goto *rmenu_botann_saisettei_ep3 if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji_ep3 : goto *rmenu_botann_saisettei_ep3 ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim8_lsp jumpf notif %r_hyouji_grim = 8 mov %grim_page,1 mov %r_hyouji_grim,8 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim9_lsp jumpf notif %r_hyouji_grim = 9 mov %grim_page,1 mov %r_hyouji_grim,9 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim10_lsp jumpf notif %r_hyouji_grim = 10 mov %grim_page,1 mov %r_hyouji_grim,10 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim11_lsp jumpf notif %r_hyouji_grim = 11 mov %grim_page,1 mov %r_hyouji_grim,11 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim12_lsp jumpf notif %r_hyouji_grim = 12 mov %grim_page,1 mov %r_hyouji_grim,12 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ notif %BtnRes = grim13_lsp jumpf notif %r_hyouji_grim = 13 mov %grim_page,1 mov %r_hyouji_grim,13 gosub *r_grim_hyouji_ep3 goto *rmenu_botann_saisettei_ep3 ~ if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji_ep3 : goto *rmenu_botann_saisettei_ep3 if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji_ep3 : goto *rmenu_botann_saisettei_ep3 goto *rmenu_botann_saisettei_ep3 ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika_ep3 for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit_ep3 btndef "" gosub *r_gazou_shokika_ep3 csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2_ep3 btndef "" gosub *r_gazou_shokika_ep3 csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji_ep3 notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） ;衣装替え、チェンジボタンの消去 csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,377 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_ep3_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\1_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\1_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\1_3.png" *tips_ep3_1 notif %r_hyouji_tips = 2 goto *tips_ep3_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\2_1.png" *tips_ep3_2 notif %r_hyouji_tips = 3 goto *tips_ep3_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_4.png" *tips_ep3_3 notif %r_hyouji_tips = 4 goto *tips_ep3_4 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\4_1.png" cell tips4_lsp,1 *tips_ep3_4 notif %r_hyouji_tips = 5 goto *tips_ep3_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\5_1.png" *tips_ep3_5 notif %r_hyouji_tips = 6 goto *tips_ep3_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\6_1.png" *tips_ep3_6 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;Grimoireの表示、それぞれGrimoireの表示処理にfly *r_grim_hyouji_ep3 csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,377 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_ep3_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5.png" *grim_ep3_1 notif %r_hyouji_grim = 2 goto *grim_ep3_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n1_1.png" *grim_ep3_2 notif %r_hyouji_grim = 3 goto *grim_ep3_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n2_1.png" *grim_ep3_3 notif %r_hyouji_grim = 4 goto *grim_ep3_4 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n3_1.png" cell grim4_lsp,1 *grim_ep3_4 notif %r_hyouji_grim = 5 goto *grim_ep3_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n4_1.png" *grim_ep3_5 notif %r_hyouji_grim = 6 goto *grim_ep3_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n5_1.png" *grim_ep3_6 notif %r_hyouji_grim = 7 goto *grim_ep3_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n6_1.png" *grim_ep3_7 notif %r_hyouji_grim = 8 goto *grim_ep3_8 cell grim8_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n7_1.png" *grim_ep3_8 notif %r_hyouji_grim = 9 goto *grim_ep3_9 cell grim9_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n8_1.png" *grim_ep3_9 notif %r_hyouji_grim = 10 goto *grim_ep3_10 cell grim10_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n9_1.png" *grim_ep3_10 notif %r_hyouji_grim = 11 goto *grim_ep3_11 cell grim11_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n10_1.png" *grim_ep3_11 notif %r_hyouji_grim = 12 goto *grim_ep3_12 cell grim12_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n11_1.png" *grim_ep3_12 notif %r_hyouji_grim = 13 goto *grim_ep3_13 cell grim13_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n12_1.png" *grim_ep3_13 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji_ep3 if %r_hyouji_cha = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp vsp r_hana_lsp,1 ;タイトル画面から入っていて、所定のキャラならチェンジボタンを表示する、それ以外ならボタンを消去 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示している場合は、チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） ;if %r_hyouji_cha = geo lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = sha lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = kan lsp r_change_lsp,r_change,572,452 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha = kin : gosub *r_cha_kin_ep3 ;金蔵 if %r_hyouji_cha = kla : gosub *r_cha_kla_ep3 ;長男 if %r_hyouji_cha = nat : gosub *r_cha_nat_ep3 ;夏妃 if %r_hyouji_cha = jes : gosub *r_cha_jes_ep3 ;ジェシカ if %r_hyouji_cha = hid : gosub *r_cha_hid_ep3 ;秀吉 if %r_hyouji_cha = eva : gosub *r_cha_eva_ep3 ;絵羽 if %r_hyouji_cha = geo : gosub *r_cha_geo_ep3 ;譲治 if %r_hyouji_cha = rud : gosub *r_cha_rud_ep3 ;留弗夫 if %r_hyouji_cha = kir : gosub *r_cha_kir_ep3 ;霧江 if %r_hyouji_cha = but : gosub *r_cha_but_ep3 ;戦人 if %r_hyouji_cha = ros : gosub *r_cha_ros_ep3 ;楼座 if %r_hyouji_cha = mar : gosub *r_cha_mar_ep3 ;真里亞 if %r_hyouji_cha = nan : gosub *r_cha_nan_ep3 ;南條 if %r_hyouji_cha = gen : gosub *r_cha_gen_ep3 ;源氏 if %r_hyouji_cha = kum : gosub *r_cha_kum_ep3 ;熊沢 if %r_hyouji_cha = goh : gosub *r_cha_goh_ep3 ;郷田 if %r_hyouji_cha = sha : gosub *r_cha_sha_ep3 ;紗音 if %r_hyouji_cha = kan : gosub *r_cha_kan_ep3 ;嘉音 if %r_hyouji_cha = bea : gosub *r_cha_bea_ep3 ;bea if %r_hyouji_cha = ber : gosub *r_cha_ber_ep3 ;ber if %r_hyouji_cha = enj : gosub *r_cha_enj_ep3 ;enj ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ *r_cha_kin_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kin_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kin_2.png" return ;------------------------------ *r_cha_kla_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kla_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kla_2.png" return ;------------------------------ *r_cha_nat_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\nat_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\nat_2.png" return ;------------------------------ *r_cha_jes_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\jes_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\jes_2.png" return ;------------------------------ *r_cha_eva_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\eva_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\eva_2.png" return ;------------------------------ *r_cha_hid_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\hid_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\hid_2.png" return ;------------------------------ *r_cha_geo_ep3 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],435 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\geo_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\geo_2.png" ;コンディションによってアイコンを変更する。 lsp geo_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo2.png" : mov ?r[geo][tati_x],435 : lsp geo_btn_lsp,":c/2,0,3;custom\bmp\tipsmenu\geo_l2.bmp",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_rud_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\rud_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\rud_2.png" return ;------------------------------ *r_cha_kir_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kir_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kir_2.png" return ;------------------------------ *r_cha_but_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\but_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\but_2.png" return ;------------------------------ *r_cha_gen_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\gen_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\gen_2.png" return ;------------------------------ *r_cha_ros_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\ros_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\ros_2.png" return ;------------------------------ *r_cha_mar_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\mar_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\mar_2.png" return ;------------------------------ *r_cha_nan_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan_d3.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan_d3A.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\nan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\nan_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\nan_3.png" return ;------------------------------ *r_cha_sha_ep3 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],430 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\sha_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\sha_2.png" ;コンディションによってアイコンを変更する。 lsp sha_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha2.bmp" : mov ?r[%r_hyouji_cha][tati_x],430 : lsp sha_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep3\sha_l2.bmp",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_kan_ep3 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],460 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kan_2.png" ;コンディションによってアイコンを変更する。 lsp kan_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan2.bmp" : mov ?r[%r_hyouji_cha][tati_x],440 : lsp kan_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep3\kan_l2.bmp",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_goh_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\goh_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\goh_2.png" return ;------------------------------ *r_cha_kum_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum_d3.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum_d3A.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kum_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kum_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\kum_3.png" return ;------------------------------ *r_cha_bea_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" : mov ?r[bea][tati_x],380 if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea_d.png" : mov ?r[bea][tati_x],380 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\bea_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\bea_2.png" return ;------------------------------ *r_cha_ber_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\ber_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\ber_2.png" return ;------------------------------ *r_cha_lam_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.png" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\ber_1.png" return ;------------------------------ *r_cha_enj_ep3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3\enj_1.png" return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann_ep3 for %tmp2 = kin_btn_lsp to enj_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_3_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_3_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_3_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_3_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_3_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_3_6,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_grim_botann_ep3 for %tmp2 = kin_btn_lsp to enj_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips6_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 : add %tmp,91 if ?grim[8][grim_flg] = 1 lsp grim8_lsp,r_grim8,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[9][grim_flg] = 1 lsp grim9_lsp,r_grim9,%tmp,%tmp1 : add %tmp,91 if ?grim[10][grim_flg] = 1 lsp grim10_lsp,r_grim10,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[11][grim_flg] = 1 lsp grim11_lsp,r_grim11,%tmp,%tmp1 : add %tmp,91 if ?grim[12][grim_flg] = 1 lsp grim12_lsp,r_grim12,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[13][grim_flg] = 1 lsp grim13_lsp,r_grim13,%tmp,%tmp1 : add %tmp,91 return ;************************************************************** ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann_ep3 ;tips用ボタンの削除 ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp csp r_grim_txt_lsp vsp r_hana_lsp,1 ;背景の表示 lsp r_cha_back_lsp,$r_cha_back,12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,kin_btn_lsp for %tmp2 = 1 to cha_kazu_ep3 if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;衣装が絵に応じてキャラアイコンを変える ;if %tmp2 = sha && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp sha_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep3\sha_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = geo && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp geo_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep3\geo_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = kan && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp kan_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep3\kan_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;現在表示しているキャラを表示 gosub *r_cha_hyouji_ep3 return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu_ep3 csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha : dec %tmp lsp %tmp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;************************************************************** ;************************************************************** ; 裏お茶会用のチェック ;************************************************************** *t_tyekku_ep3 goto *rmenu_botann_saisettei_ep3 ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back_ep3 ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp_ep3 btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3 if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep3 if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep3 goto *rmenu_title_back_btn_lp_ep3 ;************************************************************** ;********************************************************* ;右クリックメニュー　EP３_２　魔女サイド ;2008/06/9　作成 ;********************************************************* ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main_ep3_2 btndef "" ;テスト用 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji_cha_ma,ma_bea ;mov %UMINEKOEND,4 ;mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;mov %play_scene,2000 ;キャラの状態、コンデション、コメントの更新等は配列を使用 gosub *bt_ep3_2_def ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" for %tmp = 1 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov %r_side,1 mov %r_u_tea_flg,0 ;チェック、コンディションデフォルト設定 for %tmp = 1 to cha_kazu_ep3_2 mov ?r[%tmp][condition],-1 next ;キャラの衣装変数を初期化（デフォルト→１にする） for %tmp = 1 to cha_kazu_ep3_2 mov ?r[%tmp][r_ishou],1 next ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" if %play_scene = 30010 gosub *rmenu_main_ep3_2_scene_30010 if %play_scene = 30020 gosub *rmenu_main_ep3_2_scene_30020 if %play_scene = 30021 gosub *rmenu_main_ep3_2_scene_30021 if %play_scene = 30022 gosub *rmenu_main_ep3_2_scene_30022 if %play_scene = 30030 gosub *rmenu_main_ep3_2_scene_30030 if %play_scene = 30031 gosub *rmenu_main_ep3_2_scene_30031 if %play_scene = 30032 gosub *rmenu_main_ep3_2_scene_30032 if %play_scene = 30035 gosub *rmenu_main_ep3_2_scene_30035 if %play_scene = 30040 gosub *rmenu_main_ep3_2_scene_30040 if %play_scene = 30050 gosub *rmenu_main_ep3_2_scene_30050 if %play_scene = 30060 gosub *rmenu_main_ep3_2_scene_30060 if %play_scene = 30070 gosub *rmenu_main_ep3_2_scene_30070 if %play_scene = 30071 gosub *rmenu_main_ep3_2_scene_30071 if %play_scene = 30080 gosub *rmenu_main_ep3_2_scene_30080 if %play_scene = 30090 gosub *rmenu_main_ep3_2_scene_30090 if %play_scene = 30100 gosub *rmenu_main_ep3_2_scene_30100 if %play_scene = 30110 gosub *rmenu_main_ep3_2_scene_30110 if %play_scene = 30120 gosub *rmenu_main_ep3_2_scene_30120 if %play_scene = 30130 gosub *rmenu_main_ep3_2_scene_30130 if %play_scene = 30140 gosub *rmenu_main_ep3_2_scene_30140 if %play_scene = 30150 gosub *rmenu_main_ep3_2_scene_30150 if %play_scene = 30160 gosub *rmenu_main_ep3_2_scene_30160 if %play_scene = 30170 gosub *rmenu_main_ep3_2_scene_30170 if %play_scene = 30180 gosub *rmenu_main_ep3_2_scene_30180 if %play_scene = 30181 gosub *rmenu_main_ep3_2_scene_30181 if %play_scene = 30190 gosub *rmenu_main_ep3_2_scene_30190 if %play_scene = 30200 gosub *rmenu_main_ep3_2_scene_30200 if %play_scene = 30210 gosub *rmenu_main_ep3_2_scene_30210 if %play_scene = 30220 gosub *rmenu_main_ep3_2_scene_30220 if %play_scene = 30230 gosub *rmenu_main_ep3_2_scene_30230 if %play_scene = 30240 gosub *rmenu_main_ep3_2_scene_30240 if %play_scene = 30250 gosub *rmenu_main_ep3_2_scene_30250 if %play_scene = 30260 gosub *rmenu_main_ep3_2_scene_30260 if %play_scene = 30270 gosub *rmenu_main_ep3_2_scene_30270 if %play_scene = 30280 gosub *rmenu_main_ep3_2_scene_30280 if %play_scene = 30281 gosub *rmenu_main_ep3_2_scene_30281 if %play_scene = 30282 gosub *rmenu_main_ep3_2_scene_30282 if %play_scene = 30283 gosub *rmenu_main_ep3_2_scene_30283 if %play_scene = 30290 gosub *rmenu_main_ep3_2_scene_30290 if %play_scene = 30300 gosub *rmenu_main_ep3_2_scene_30300 ;ここからお茶会 if %play_scene = 31010 gosub *rmenu_main_ep3_2_scene_31010 if %play_scene = 31011 gosub *rmenu_main_ep3_2_scene_31011 if %play_scene = 31020 gosub *rmenu_main_ep3_2_scene_31020 if %play_scene = 31030 gosub *rmenu_main_ep3_2_scene_31030 ;？？？ if %play_scene = 32010 gosub *rmenu_main_ep3_2_scene_32010 if %play_scene = 32020 gosub *rmenu_main_ep3_2_scene_32020 if %play_scene = 32030 gosub *rmenu_main_ep3_2_scene_32030 if %play_scene = 32040 gosub *rmenu_main_ep3_2_scene_32040 ;保険、必要なシーン以外で縁寿が表示されないようにする保険 notif %play_scene >= 32040 mov ?r[enj][condition],-1 for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Grimoire section mov %tmp2,%grim_scene sub %tmp2,300 if %tmp2 > 12 mov %tmp2,12 add %tmp2,1 for %tmp = 1 to %tmp2 : mov ?grim[%tmp][grim_flg],1 : next ;aaaa ;コンディションチェック、コンディションが−１の場合は、%r_hyouji_cha_maを０に if ?r[%r_hyouji_cha_ma][condition]= -1 mov %r_hyouji_cha_ma,0 ;背景を暗くする。 lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu ;タイトルから入って来た時にはキャラを全員liveで背景はランダムは蝶の画像をランダムで表示 ;シーン番号に３０００を代入。 ;Tips新要素告知フラグが立っている場合はそれをOFFにする。 notif %r_for_title = 1 goto *rmenu_main_100_ep3_2 for %tmp = 1 to cha_kazu_ep3_2 mov ?r[%tmp][condition],1 next for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next gosub *bgm_mode_rnd_bg_majo mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back15.bmp" mov %r_hyouji_cha_ma,ma3_enj mov %play_scene,33000 amsp r_black_lsp,0,0,0 ;新規要素追加のフラグ解除変数 if %UMINEKOEND_TIPS_FLG <= 3 mov %UMINEKOEND_TIPS_FLG,0 *rmenu_main_100_ep3_2 *rmenu_sai_hyouji_ep3_2 textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;タイトルから入った場合で、キャラ一覧表示の時はnextボタンを表示 notif %r_hyouji = 0 csp r_next_lsp : add %tmp1,17 : jumpf mov %tmp2,%tmp : add %tmp2,112 sub %tmp1,2 lsp r_next_lsp,r_next,%tmp2,%tmp1 : add %tmp1,19 ~ ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける ;（NEXTボタンを設置する為、全体的に17ピクセル下に表示する） notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でEP2のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : cell r_ep3_lsp,1 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : add %tmp2,63 ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ if %r_hyouji_cha_ma = ma3_ev2 && ?r[ma3_ev2][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha_ma = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha_ma = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 0 gosub *r_cha_botann_ep3_2 if %r_hyouji = 1 gosub *r_tips_botann_ep3_2 if %r_hyouji = 2 gosub *r_grim_botann_ep3_2 ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def2.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,r_hana,300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji_ep3_2 if %r_hyouji = 1 gosub *r_tips_hyouji_ep3_2 if %r_hyouji = 2 gosub *r_tips_hyouji_ep3_2 if %r_side_change = 2 se1v 52,100 : print 99,1500,"whirl.dll/l" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei_ep3_2 ;衣装チェンジボタンの再設定 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ if %r_hyouji_cha_ma = ma3_ev2 && ?r[ma3_ev2][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ print 1 ;ボタンの再設定 btndef "" if ?r_cha_text[3][%r_hyouji_cha_ma][1] < 2 mov %cha_page_mode,0 : jumpf notif ?r_cha_text[3][%r_hyouji_cha_ma][1] = %cha_text_page spbtn cha_next_lsp,cha_next_lsp notif %cha_text_page = 1 spbtn cha_back_lsp,cha_back_lsp mov %cha_page_mode,1 ~ if ?r_cha_text[3][%r_hyouji_cha_ma][1] = %cha_text_page csp cha_next_lsp if %cha_text_page = 1 csp cha_back_lsp spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp if ?grim[8][grim_flg] = 1 notif %r_hyouji_grim = 8 spbtn grim8_lsp,grim8_lsp if ?grim[9][grim_flg] = 1 notif %r_hyouji_grim = 9 spbtn grim9_lsp,grim9_lsp if ?grim[10][grim_flg] = 1 notif %r_hyouji_grim = 10 spbtn grim10_lsp,grim10_lsp if ?grim[11][grim_flg] = 1 notif %r_hyouji_grim = 11 spbtn grim11_lsp,grim11_lsp if ?grim[12][grim_flg] = 1 notif %r_hyouji_grim = 12 spbtn grim12_lsp,grim12_lsp if ?grim[12][grim_flg] = 1 notif %r_hyouji_grim = 13 spbtn grim13_lsp,grim13_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp mov %tmp,ma_bea_btn_lsp : add %tmp,cha_kazu_ep3_2 mov %tmp3,1 for %tmp2 = ma_bea_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;NEXT、EP、changeのボタン化 spbtn r_next_lsp,r_next_lsp spbtn r_ep1_lsp,r_ep1_lsp spbtn r_ep2_lsp,r_ep2_lsp ;spbtn r_ep3_lsp,r_ep3_lsp spbtn r_ep4_lsp,r_ep4_lsp spbtn r_change_lsp,r_change_lsp *rmenu_custom_btlp_ep3_2 btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3_2 if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3_2 if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3_2 notif %BtnRes = r_exec_lsp jumpf goto *rmenu_botann_saisettei_ep3_2 ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_50_ep3_2 if ?r[%r_hyouji_cha_ma][condition] >= ?r[%r_hyouji_cha_ma][condition_end] goto *rmenu_custom_btlp_50_ep3_2 if ?r[%r_hyouji_cha_ma][condition] <= 0 goto *rmenu_custom_btlp_50_ep3_2 mov %tmp,?r[%r_hyouji_cha_ma][condition] : inc %tmp : mov ?r[%r_hyouji_cha_ma][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50_ep3_2 notif %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_100_ep3_2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep3_2 if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90_ep3_2 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90_ep3_2 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90_ep3_2 next seplay 9,1100 *rmenu_custom_btlp_100_ep3_2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep3_2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep3_2 gosub *r_cha_botann_ep3_2 print 1 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = r_resu_lsp jumpf goto *rmenu_botann_saisettei_ep3_2 if %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_150_ep3_2 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha_ma][condition] <= 1 goto *rmenu_custom_btlp_200_ep3_2 mov %tmp,?r[%r_hyouji_cha_ma][condition] : dec %tmp : mov ?r[%r_hyouji_cha_ma][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150_ep3_2 notif %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_200_ep3_2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep3_2 if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190_ep3_2 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190_ep3_2 next seplay 9,1023 *rmenu_custom_btlp_200_ep3_2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep3_2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep3_2 gosub *r_cha_botann_ep3_2 print 22 goto *rmenu_botann_saisettei_ep3_2 ~ if %BtnRes = 0 && %cha_page_mode = 1 goto *rmenu_botann_saisettei_ep3_2 if %BtnRes = 0 mov %r_hyouji_cha_ma,0 : goto *rmenu_botann_saisettei_ep3_2 if %BtnRes = r_save_lsp gosub *r_gazou_shokika_ep3_2 : seplay 9,1000 : gosub *savemode :goto *r_exit2_ep3_2 if %BtnRes = r_load_lsp gosub *r_gazou_shokika_ep3_2 : seplay 9,1000 : gosub *loadmode :goto *r_exit2_ep3_2 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika_ep3_2 : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main_ep3_2 if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back_ep3_2 if %BtnRes = r_exit_lsp goto *r_exit_ep3_2 if %BtnRes = -1 goto *r_exit_ep3_2 ;右クリックで抜ける if %BtnRes = -10 goto *r_exit_ep3_2 ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep1_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep2_2 goto *rmenu_main_ep1 ~ ;エピソード移動ボタン（押されたボタンによって、魔女空間に移動する） notif %BtnRes = r_ep2_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,1 ;mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep3_2 goto *rmenu_main_ep2_2 ~ notif %BtnRes = r_ep4_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,1 ;mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep3_2 goto *rmenu_main_ep4_2 ~ ;NEXTボタン（人間サイド、魔女サイドの切替） notif %BtnRes = r_next_lsp jumpf ;各変数の初期化 mov %r_side,0 mov %r_hyouji,0 lsp 0,":a;bmp\efe\ware.bmp",0,0 seplay 9,1100 print 1 csp 0 mov %cha_text_page,1 mov %r_side_change,2 gosub *r_gazou_shokika_ep3_2 goto *rmenu_main_ep3 ~ ;衣装チェンジボタン（衣装のチェンジ出来るキャラはコンディションを１に初期化して、衣装チェンジを行う） notif %BtnRes = r_change_lsp jumpf mov ?r[%r_hyouji_cha_ma][condition],1 if ?r[%r_hyouji_cha_ma][r_ishou] = 1 mov ?r[%r_hyouji_cha_ma][r_ishou],2 : goto *r_change_lsp_100_ep3_2 if ?r[%r_hyouji_cha_ma][r_ishou] = 2 mov ?r[%r_hyouji_cha_ma][r_ishou],1 : goto *r_change_lsp_100_ep3_2 *r_change_lsp_100_ep3_2 gosub *r_cha_hyouji_ep3_2 seplay 9,1001 print 1 ~ if %BtnRes = cha_next_lsp inc %cha_text_page : mov %cha_page_flg,%r_hyouji_cha_ma : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 : jumpf if %BtnRes = cha_back_lsp dec %cha_text_page : mov %cha_page_flg,%r_hyouji_cha_ma : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 : jumpf ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = ma3_bea_btn_lsp mov %r_hyouji_cha_ma,ma3_bea : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;金蔵 if %BtnRes = ma3_ber_btn_lsp mov %r_hyouji_cha_ma,ma3_ber : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;戦人 if %BtnRes = ma3_lam_btn_lsp mov %r_hyouji_cha_ma,ma3_lam : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;真里亞 if %BtnRes = ma3_rg_btn_lsp mov %r_hyouji_cha_ma,ma3_rg : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;源氏 if %BtnRes = ma3_goa_btn_lsp mov %r_hyouji_cha_ma,ma3_goa : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;紗音 if %BtnRes = ma3_wal_btn_lsp mov %r_hyouji_cha_ma,ma3_wal : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = ma3_ron_btn_lsp mov %r_hyouji_cha_ma,ma3_ron : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;ベアトリーチェ if %BtnRes = ma3_ev2_btn_lsp mov %r_hyouji_cha_ma,ma3_ev2 : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;ベルンカステル if %BtnRes = ma3_enj_btn_lsp mov %r_hyouji_cha_ma,ma3_enj : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;ラムダデルタ if %BtnRes = ma3_s_btn_lsp mov %r_hyouji_cha_ma,ma3_s : gosub *r_cha_hyouji_ep3_2 : seplay 9,1001 : print 1 ;姉妹 ~ ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji_ep3_2 : goto *rmenu_botann_saisettei_ep3_2 if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji_ep3_2 : goto *rmenu_botann_saisettei_ep3_2 ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim8_lsp jumpf notif %r_hyouji_grim = 8 mov %grim_page,1 mov %r_hyouji_grim,8 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim9_lsp jumpf notif %r_hyouji_grim = 9 mov %grim_page,1 mov %r_hyouji_grim,9 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim10_lsp jumpf notif %r_hyouji_grim = 10 mov %grim_page,1 mov %r_hyouji_grim,10 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim11_lsp jumpf notif %r_hyouji_grim = 11 mov %grim_page,1 mov %r_hyouji_grim,11 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim12_lsp jumpf notif %r_hyouji_grim = 12 mov %grim_page,1 mov %r_hyouji_grim,12 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ notif %BtnRes = grim13_lsp jumpf notif %r_hyouji_grim = 13 mov %grim_page,1 mov %r_hyouji_grim,13 gosub *r_grim_hyouji_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ~ if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji_ep3_2 : goto *rmenu_botann_saisettei_ep3_2 if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji_ep3_2 : goto *rmenu_botann_saisettei_ep3_2 goto *rmenu_botann_saisettei_ep3_2 ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika_ep3_2 for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit_ep3_2 btndef "" gosub *r_gazou_shokika_ep3_2 csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2_ep3_2 btndef "" gosub *r_gazou_shokika_ep3_2 csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji_ep3_2 csp cha_next_lsp csp cha_back_lsp notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha_ma,0 ;tispの表示を０（なしにする） ;衣装替え、チェンジボタンの消去 csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,377 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_ep3_2_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\1_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\1_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\1_3.png" *tips_ep3_2_1 notif %r_hyouji_tips = 2 goto *tips_ep3_2_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\2_1.png" *tips_ep3_2_2 notif %r_hyouji_tips = 3 goto *tips_ep3_2_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_1.png" if %tips_page = 2 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_2.png" if %tips_page = 3 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_3.png" if %tips_page = 4 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\3_4.png" *tips_ep3_2_3 notif %r_hyouji_tips = 4 goto *tips_ep3_2_4 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\4_1.png" cell tips4_lsp,1 *tips_ep3_2_4 notif %r_hyouji_tips = 5 goto *tips_ep3_2_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\5_1.png" *tips_ep3_2_5 notif %r_hyouji_tips = 6 goto *tips_ep3_2_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep3\6_1.png" *tips_ep3_2_6 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** *r_grim_hyouji_ep3_2 csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp cha_next_lsp csp cha_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,377 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_ep3_2_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5.png" *grim_ep3_2_1 notif %r_hyouji_grim = 2 goto *grim_ep3_2_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n1_1.png" *grim_ep3_2_2 notif %r_hyouji_grim = 3 goto *grim_ep3_2_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n2_1.png" *grim_ep3_2_3 notif %r_hyouji_grim = 4 goto *grim_ep3_2_4 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n3_1.png" cell grim4_lsp,1 *grim_ep3_2_4 notif %r_hyouji_grim = 5 goto *grim_ep3_2_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n4_1.png" *grim_ep3_2_5 notif %r_hyouji_grim = 6 goto *grim_ep3_2_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n5_1.png" *grim_ep3_2_6 notif %r_hyouji_grim = 7 goto *grim_ep3_2_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n6_1.png" *grim_ep3_2_7 notif %r_hyouji_grim = 8 goto *grim_ep3_2_8 cell grim8_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n7_1.png" *grim_ep3_2_8 notif %r_hyouji_grim = 9 goto *grim_ep3_2_9 cell grim9_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n8_1.png" *grim_ep3_2_9 notif %r_hyouji_grim = 10 goto *grim_ep3_2_10 cell grim10_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n9_1.png" *grim_ep3_2_10 notif %r_hyouji_grim = 11 goto *grim_ep3_2_11 cell grim11_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n10_1.png" *grim_ep3_2_11 notif %r_hyouji_grim = 12 goto *grim_ep3_2_12 cell grim12_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n11_1.png" *grim_ep3_2_12 notif %r_hyouji_grim = 13 goto *grim_ep3_2_13 cell grim13_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep3n12_1.png" *grim_ep3_2_13 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji_ep3_2 csp cha_next_lsp csp cha_back_lsp if %r_hyouji_cha_ma = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp vsp r_hana_lsp,1 csp cha_next_lsp csp cha_back_lsp if %cha_text_page > ?r_cha_text[3][%r_hyouji_cha_ma][1] mov %cha_text_page,1 notif %cha_page_flg = %r_hyouji_cha_ma mov %cha_text_page,1 ;タイトル画面から入っていて、所定のキャラならチェンジボタンを表示する、それ以外ならボタンを消去 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示している場合は、チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji_cha_ma = ma3_ev2 lsp r_change_lsp,r_change,572,452 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha_ma = ma3_bea : gosub *r_cha_bea_ep3_2 ;金蔵 if %r_hyouji_cha_ma = ma3_ber : gosub *r_cha_ber_ep3_2 ;戦人 if %r_hyouji_cha_ma = ma3_lam : gosub *r_cha_lam_ep3_2 ;真里亞 if %r_hyouji_cha_ma = ma3_goa : gosub *r_cha_goa_ep3_2 ;源氏 if %r_hyouji_cha_ma = ma3_wal : gosub *r_cha_wal_ep3_2 ;紗音 if %r_hyouji_cha_ma = ma3_ron : gosub *r_cha_ron_ep3_2 ;嘉音 if %r_hyouji_cha_ma = ma3_ev2 : gosub *r_cha_ev2_ep3_2 ;bea if %r_hyouji_cha_ma = ma3_enj : gosub *r_cha_enj_ep3_2 ;ber if %r_hyouji_cha_ma = ma3_s : gosub *r_cha_s_ep3_2 ;lam if %r_hyouji_cha_ma = ma3_rg : gosub *r_cha_rg_ep3_2 ;rg if ?r_cha_text[3][%r_hyouji_cha_ma][1] > %cha_text_page lsp cha_next_lsp,tips_next,200,407 if %cha_text_page > 1 lsp cha_back_lsp,tips_back,250,407 ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha_ma][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ *r_cha_bea_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" : mov ?r[bea][tati_x],380 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\bea_1.png" return ;------------------------------ *r_cha_ber_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\ber_1.png" return ;------------------------------ *r_cha_lam_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\lam_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\lam_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\lam_12.png" ~ return ;------------------------------ *r_cha_goa_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goa.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\goa_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\goa_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\goa_12.png" ~ return ;------------------------------ *r_cha_wal_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\wal.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\wal_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\wal_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\wal_12.png" ~ return ;------------------------------ *r_cha_ron_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ron.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\ron_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\ron_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\ron_12.png" ~ return ;------------------------------ *r_cha_ev2_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ev2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\ev2_1.png" lsp ma3_ev2_btn_lsp,":c/2,0,3;custom\bmp\Tipsmenu\ev2_l2.png",?r[%r_hyouji_cha_ma][itiran_x],?r[%r_hyouji_cha_ma][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha_ma][r_ishou] = 1 && ?r[%r_hyouji_cha_ma][condition] = 1 lsp ma3_ev2_btn_lsp,":c/2,0,3;custom\bmp\Tipsmenu\buttons\ev2_l.png",?r[%r_hyouji_cha_ma][itiran_x],?r[%r_hyouji_cha_ma][itiran_y] if ?r[%r_hyouji_cha_ma][r_ishou] = 2 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ev2_2.png" : lsp ma3_ev2_btn_lsp,":c/2,0,3;custom\bmp\Tipsmenu\buttons\ev2_l2.png",?r[%r_hyouji_cha_ma][itiran_x],?r[%r_hyouji_cha_ma][itiran_y] return ;------------------------------ *r_cha_enj_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\enj_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\enj_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\enj_12.png" ~ return ;------------------------------ *r_cha_s_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s45.png" ;ランダムで姉妹の内、一人を表示 rnd2 %ran,1,2 if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if %ran = 1 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\s45_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s45.png" if %ran = 2 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\s41_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s41.png" return ;------------------------------ *r_cha_rg_ep3_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;ランダムで７姉妹の内、一人を表示 rnd2 %ran,1,7 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if %ran = 1 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\rg1_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg1.png" if %ran = 2 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\rg2_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg2.png" if %ran = 3 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\rg3_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg3.png" if %ran = 4 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\rg4_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg4.png" if %ran = 5 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\rg5_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg5.png" if %ran = 6 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\rg6_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg6.png" if %ran = 7 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep3_2\rg7_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg7.png" return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann_ep3_2 for %tmp2 = ma_bea_btn_lsp to ma_but_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_3_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_3_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_3_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_3_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_3_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_3_6,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** *r_grim_botann_ep3_2 for %tmp2 = ma_bea_btn_lsp to ma_but_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips6_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 : add %tmp,91 if ?grim[8][grim_flg] = 1 lsp grim8_lsp,r_grim8,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[9][grim_flg] = 1 lsp grim9_lsp,r_grim9,%tmp,%tmp1 : add %tmp,91 if ?grim[10][grim_flg] = 1 lsp grim10_lsp,r_grim10,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[11][grim_flg] = 1 lsp grim11_lsp,r_grim11,%tmp,%tmp1 : add %tmp,91 if ?grim[12][grim_flg] = 1 lsp grim12_lsp,r_grim12,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[13][grim_flg] = 1 lsp grim13_lsp,r_grim13,%tmp,%tmp1 : add %tmp,91 return ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann_ep3_2 ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp csp r_grim_txt_lsp vsp r_hana_lsp,1 ;背景の表示 lsp r_cha_back_lsp,$r_cha_back,12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,ma_bea_btn_lsp for %tmp2 = 1 to cha_kazu_ep3_2 if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;衣装によってキャラアイコンの表示を切り替える if %tmp2 = ma3_ev2 && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp ma3_ev2_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep3_2\ev2_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = geo && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp geo_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep2\geo_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = kan && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp kan_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep2\kan_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;現在表示しているキャラを表示 gosub *r_cha_hyouji_ep3_2 return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu_ep3_2 csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha_ma : dec %tmp lsp %tmp,$?r[%r_hyouji_cha_ma][?r[%r_hyouji_cha_ma][condition]],?r[%r_hyouji_cha_ma][itiran_x],?r[%r_hyouji_cha_ma][itiran_y] return ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back_ep3_2 ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp_ep3_2 btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji_ep3_2 if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep3_2 if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep3_2 goto *rmenu_title_back_btn_lp_ep3_2 ;************************************************************** ;********************************************************* ;右クリックメニュー　EP4版 ;2008/06/05 BT作成 ;********************************************************* ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main_ep4_def ;mov %play_scene,32030 ;mov %r_hyouji_cha,ma3_enj ;mov %r_for_title,1 ;mov %r_hyouji_side,0 ;表示サイドを保持する、そのサイドの表示を行うようにする。 ;（各変数の初期化は別途に行う） ;if %r_for_title = 1 goto *rmenu_main_ep4 if %r_hyouji_side = 0 goto *rmenu_main_ep4 if %r_hyouji_side = 1 goto *rmenu_main_ep4_2 if %r_hyouji_side = 2 goto *rmenu_main_ep4_3 ;テスト用 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji_cha,sha ;mov %UMINEKOEND,40 ;mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;bg G2F_R1a,1 ;---------------------------------------- ;EP４　通常サイド *rmenu_main_ep4 btndef "" ;キャラの状態、コンデション、コメントの更新等は配列を使用 gosub *bt_ep4_def if %r_side_change = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 : wait 300 : print 10,300 : csp 0 ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov %r_side,0 mov %r_u_tea_flg,0 mov %r_hyouji_side,0 ;キャラの衣装変数を初期化（デフォルト→１にする） for %tmp = 1 to cha_kazu_ep4 mov ?r[%tmp][r_ishou],1 next ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep4 : mov ?r[%tmp][condition],-1 : next mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;ep4からはシーン変数で状態を逐次チェックして処理を行う ;シーン変数をチェックサブルーチンにて処理（84.txtを使用） if %r_for_title = 1 jumpf if %play_scene >= 40190 && %play_scene <= 40300 gosub *rmenu_main_ep4_scene_40190 if %play_scene = 40260 gosub *rmenu_main_ep4_scene_40260 if %play_scene >= 40270 && %play_scene <= 40330 gosub *rmenu_main_ep4_scene_40270 if %play_scene = 40335 gosub *rmenu_main_ep4_scene_40260 if %play_scene = 40340 gosub *rmenu_main_ep4_scene_40260 if %play_scene = 40350 gosub *rmenu_main_ep4_scene_40350 if %play_scene = 40360 gosub *rmenu_main_ep4_scene_40360 if %play_scene = 40370 gosub *rmenu_main_ep4_scene_40370 if %play_scene = 40380 gosub *rmenu_main_ep4_scene_40380 if %play_scene = 40390 gosub *rmenu_main_ep4_scene_40390 if %play_scene = 40400 gosub *rmenu_main_ep4_scene_40400 if %play_scene = 40410 gosub *rmenu_main_ep4_scene_40410 if %play_scene = 40420 gosub *rmenu_main_ep4_scene_40420 if %play_scene = 40430 gosub *rmenu_main_ep4_scene_40430 if %play_scene = 40440 gosub *rmenu_main_ep4_scene_40440 if %play_scene = 40450 gosub *rmenu_main_ep4_scene_40450 ;Grimoire section mov %tmp2,%grim_scene sub %tmp2,400 if %tmp2 > 11 mov %tmp2,11 ; this add is for grim tip 0 add %tmp2,1 for %tmp = 1 to %tmp2 : mov ?grim[%tmp][grim_flg],1 : next ~ ;コンディションチェック、コンディションが−１の場合は、%r_hyouji_cha_maを０に if ?r[%r_hyouji_cha][condition]= -1 mov %r_hyouji_cha,0 ;タイトルから入って来た時にはキャラを全員liveで背景はランダムで表示 ;シーン番号に３０００を代入。 notif %r_for_title = 1 goto *rmenu_main_100_ep4 for %tmp = 1 to cha_kazu_ep4 mov ?r[%tmp][condition],1 next for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next gosub *bgm_mode_rnd_bg_mhal2 mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 ;ベアトリーチェ、縁寿を表示、ベルン、ラムダは非表示、真里亞をずらしてバックの線画も変更 mov ?r[bea][condition],-1 mov ?r[ber][condition],-1 mov ?r[lam][condition],-1 mov ?r[enj][condition],-1 ;mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp ;mov ?r[enj][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[enj][itiran_y],%tmp ;mov ?r[mar][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back.bmp" mov %play_scene,43000 ;新規要素追加のフラグ解除変数 if %UMINEKOEND_TIPS_FLG <= 4 mov %UMINEKOEND_TIPS_FLG,0 mov %r_hyouji_cha,but mov %r_hyouji,0 *rmenu_main_100_ep4 lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu *rmenu_sai_hyouji_ep4 textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;タイトルから入った場合で、キャラ一覧表示の時はnextボタンを表示 ;表お茶会の間はNEXTボタンを消去 ;notif %r_for_title = 1 csp r_next_lsp : add %tmp1,17 : jumpf notif %r_hyouji = 0 csp r_next_lsp : add %tmp1,17 : jumpf ;if %play_scene >= 40340 && %play_scene <= 40500 csp r_next_lsp : add %tmp1,17 : jumpf mov %tmp2,%tmp : add %tmp2,112 sub %tmp1,2 lsp r_next_lsp,r_next,%tmp2,%tmp1 : add %tmp1,19 ~ ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける ;（NEXTボタンを設置する為、全体的に17ピクセル下に表示する） notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;裏おつ画面の場合は、liveボタンをつける notif %r_u_tea_flg = 1 jumpf ;選択しているキャラのコンディションによって切り替え mov %tmp10,%tmp1 : sub %tmp10,128 lsp r_exec_lsp,r_exec,%tmp,%tmp10 : add %tmp10,32 lsp r_resu_lsp,r_resu,%tmp,%tmp10 ;: add %tmp1,32 ~ ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でep4のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : cell r_ep4_lsp,1 ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ ;if %r_hyouji_cha = geo && ?r[geo][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 ;表示形式から、tips、キャラ一覧表示かを使い分ける。 ;notif %r_hyouji = 1 jumpf ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 ; mov %tmp,12 : mov %tmp1,55 ;~ if %r_hyouji = 0 gosub *r_cha_botann_ep4 if %r_hyouji = 1 gosub *r_tips_botann_ep4 if %r_hyouji = 2 gosub *r_grim_botann_ep4 ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def2.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,":a;bmp\r_click\hana3_back.bmp",300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji_ep4 if %r_hyouji = 1 gosub *r_tips_hyouji_ep4 if %r_hyouji = 2 gosub *r_grim_hyouji_ep4 if %r_side_change = 1 print 10,500 : mov %r_side_change,0 if %r_side_change = 2 print 99,1500,"breakup.dll/urB" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei_ep4 ;衣装チェンジボタンの再設定 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ ;if %r_hyouji_cha = geo && ?r[geo][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ print 1 btndef "" spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp if ?tips[7][tips_flg] = 1 notif %r_hyouji_tips = 7 spbtn tips7_lsp,tips7_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp if ?grim[8][grim_flg] = 1 notif %r_hyouji_grim = 8 spbtn grim8_lsp,grim8_lsp if ?grim[9][grim_flg] = 1 notif %r_hyouji_grim = 9 spbtn grim9_lsp,grim9_lsp if ?grim[10][grim_flg] = 1 notif %r_hyouji_grim = 10 spbtn grim10_lsp,grim10_lsp if ?grim[11][grim_flg] = 1 notif %r_hyouji_grim = 11 spbtn grim11_lsp,grim11_lsp if ?grim[12][grim_flg] = 1 notif %r_hyouji_grim = 12 spbtn grim12_lsp,grim12_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp mov %tmp,kin_btn_lsp : add %tmp,cha_kazu_ep4 mov %tmp3,1 for %tmp2 = kin_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;NEXT、EP、changeのボタン化 spbtn r_next_lsp,r_next_lsp spbtn r_ep1_lsp,r_ep1_lsp spbtn r_ep2_lsp,r_ep2_lsp spbtn r_ep3_lsp,r_ep3_lsp ;spbtn r_ep4_lsp,r_ep4_lsp spbtn r_change_lsp,r_change_lsp *rmenu_custom_btlp_ep4 btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4 if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4 if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4 notif %BtnRes = r_exec_lsp jumpf ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_50_ep4 if ?r[%r_hyouji_cha][condition] >= ?r[%r_hyouji_cha][condition_end] goto *rmenu_custom_btlp_50_ep4 if ?r[%r_hyouji_cha][condition] <= 0 goto *rmenu_custom_btlp_50_ep4 mov %tmp,?r[%r_hyouji_cha][condition] : inc %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50_ep4 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_100_ep4 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep4 if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90_ep4 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90_ep4 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90_ep4 next seplay 9,1100 *rmenu_custom_btlp_100_ep4 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 goto *rmenu_sai_hyouji_ep4 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 goto *rmenu_sai_hyouji_ep4 gosub *r_cha_botann_ep4 print 1 ;チェック goto *t_tyekku_ep4 ~ notif %BtnRes = r_resu_lsp jumpf if %r_hyouji_cha = 0 goto *rmenu_custom_btlp_150_ep4 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha][condition] <= 1 goto *rmenu_custom_btlp_200_ep4 mov %tmp,?r[%r_hyouji_cha][condition] : dec %tmp : mov ?r[%r_hyouji_cha][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150_ep4 notif %r_hyouji_cha = 0 goto *rmenu_custom_btlp_200_ep4 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep4 if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190_ep4 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190_ep4 next seplay 9,1023 *rmenu_custom_btlp_200_ep4 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4 gosub *r_cha_botann_ep4 print 22 ;チェック goto *t_tyekku_ep4 ~ if %BtnRes = 0 mov %r_hyouji_cha,0 : goto *rmenu_botann_saisettei_ep4 if %BtnRes = r_save_lsp gosub *r_gazou_shokika_ep4 : seplay 9,1000 : gosub *savemode :goto *r_exit2_ep4 if %BtnRes = r_load_lsp gosub *r_gazou_shokika_ep4 : seplay 9,1000 : gosub *loadmode :goto *r_exit2_ep4 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika_ep4 : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main_ep4 if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back_ep4 if %BtnRes = r_exit_lsp goto *r_exit_ep4 if %BtnRes = -1 goto *r_exit_ep4 ;右クリックで抜ける if %BtnRes = -10 goto *r_exit_ep4 ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep1_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep4 goto *rmenu_main_ep1 ~ notif %BtnRes = r_ep2_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep4 goto *rmenu_main_ep2 ~ notif %BtnRes = r_ep3_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep4 goto *rmenu_main_ep3 ~ ;NEXTボタン（人間サイド、魔女サイドの切替） notif %BtnRes = r_next_lsp jumpf ;各変数の初期化 mov %r_side,1 mov %r_hyouji,0 lsp 0,":a;bmp\efe\ware.bmp",0,0 seplay 9,1100 print 1 csp 0 mov %cha_text_page,1 mov %r_side_change,2 gosub *r_gazou_shokika_ep4 goto *rmenu_main_ep4_2 ~ ;衣装チェンジボタン（衣装のチェンジ出来るキャラはコンディションを１に初期化して、衣装チェンジを行う） notif %BtnRes = r_change_lsp jumpf mov ?r[%r_hyouji_cha][condition],1 if ?r[%r_hyouji_cha][r_ishou] = 1 mov ?r[%r_hyouji_cha][r_ishou],2 : goto *r_change_lsp_ep4_100 if ?r[%r_hyouji_cha][r_ishou] = 2 mov ?r[%r_hyouji_cha][r_ishou],1 : goto *r_change_lsp_ep4_100 *r_change_lsp_ep4_100 gosub *r_cha_hyouji_ep4 seplay 9,1001 print 1 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = kin_btn_lsp mov %r_hyouji_cha,kin : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;金蔵 if %BtnRes = kla_btn_lsp mov %r_hyouji_cha,kla : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;長男 if %BtnRes = nat_btn_lsp mov %r_hyouji_cha,nat : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;夏妃 if %BtnRes = jes_btn_lsp mov %r_hyouji_cha,jes : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;ジェシカ if %BtnRes = hid_btn_lsp mov %r_hyouji_cha,hid : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;秀吉 if %BtnRes = eva_btn_lsp mov %r_hyouji_cha,eva : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;絵羽 if %BtnRes = geo_btn_lsp mov %r_hyouji_cha,geo : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;譲治 if %BtnRes = rud_btn_lsp mov %r_hyouji_cha,rud : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;留弗夫 if %BtnRes = kir_btn_lsp mov %r_hyouji_cha,kir : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;霧江 if %BtnRes = but_btn_lsp mov %r_hyouji_cha,but : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;戦人 if %BtnRes = ros_btn_lsp mov %r_hyouji_cha,ros : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;楼座 if %BtnRes = mar_btn_lsp mov %r_hyouji_cha,mar : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;真里亞 if %BtnRes = nan_btn_lsp mov %r_hyouji_cha,nan : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;南條 if %BtnRes = gen_btn_lsp mov %r_hyouji_cha,gen : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;源氏 if %BtnRes = kum_btn_lsp mov %r_hyouji_cha,kum : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;熊沢 if %BtnRes = goh_btn_lsp mov %r_hyouji_cha,goh : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;郷田 if %BtnRes = sha_btn_lsp mov %r_hyouji_cha,sha : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;紗音 if %BtnRes = kan_btn_lsp mov %r_hyouji_cha,kan : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = bea_btn_lsp mov %r_hyouji_cha,bea : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;ベアトリーチェ if %BtnRes = ber_btn_lsp mov %r_hyouji_cha,ber : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;ベルンカステル if %BtnRes = lam_btn_lsp mov %r_hyouji_cha,lam : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;ラムダデルタ if %BtnRes = enj_btn_lsp mov %r_hyouji_cha,enj : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;enj ;煉獄の七姉妹（表示に関してはランダム） ;if %BtnRes = ber_btn_lsp mov %r_hyouji_cha,ber : gosub *r_cha_hyouji_ep4 : seplay 9,1001 : print 1 ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = tips7_lsp jumpf notif %r_hyouji_tips = 7 mov %tips_page,1 mov %r_hyouji_tips,7 gosub *r_tips_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji_ep4 : goto *rmenu_botann_saisettei_ep4 if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji_ep4 : goto *rmenu_botann_saisettei_ep4 ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim8_lsp jumpf notif %r_hyouji_grim = 8 mov %grim_page,1 mov %r_hyouji_grim,8 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim9_lsp jumpf notif %r_hyouji_grim = 9 mov %grim_page,1 mov %r_hyouji_grim,9 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim10_lsp jumpf notif %r_hyouji_grim = 10 mov %grim_page,1 mov %r_hyouji_grim,10 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim11_lsp jumpf notif %r_hyouji_grim = 11 mov %grim_page,1 mov %r_hyouji_grim,11 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ notif %BtnRes = grim12_lsp jumpf notif %r_hyouji_grim = 12 mov %grim_page,1 mov %r_hyouji_grim,12 gosub *r_grim_hyouji_ep4 goto *rmenu_botann_saisettei_ep4 ~ if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji_ep4 : goto *rmenu_botann_saisettei_ep4 if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji_ep4 : goto *rmenu_botann_saisettei_ep4 goto *rmenu_botann_saisettei_ep4 ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika_ep4 for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit_ep4 btndef "" gosub *r_gazou_shokika_ep4 csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2_ep4 btndef "" gosub *r_gazou_shokika_ep4 csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji_ep4 notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） ;衣装替え、チェンジボタンの消去 csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,377 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_ep4_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\1_1.png" *tips_ep4_1 notif %r_hyouji_tips = 2 goto *tips_ep4_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\2_1.png" *tips_ep4_2 notif %r_hyouji_tips = 3 goto *tips_ep4_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\3_1.png" *tips_ep4_3 notif %r_hyouji_tips = 4 goto *tips_ep4_4 cell tips4_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\4_1.png" *tips_ep4_4 notif %r_hyouji_tips = 5 goto *tips_ep4_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\5_1.png" *tips_ep4_5 notif %r_hyouji_tips = 6 goto *tips_ep4_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\6_1.png" *tips_ep4_6 notif %r_hyouji_tips = 7 goto *tips_ep4_7 cell tips7_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\7_1.png" *tips_ep4_7 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;Grimoireの表示、それぞれGrimoireの表示処理にfly *r_grim_hyouji_ep4 csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,377 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_ep4_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5.png" *grim_ep4_1 notif %r_hyouji_grim = 2 goto *grim_ep4_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n1_1.png" *grim_ep4_2 notif %r_hyouji_grim = 3 goto *grim_ep4_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n2_1.png" *grim_ep4_3 notif %r_hyouji_grim = 4 goto *grim_ep4_4 cell grim4_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n3_1.png" *grim_ep4_4 notif %r_hyouji_grim = 5 goto *grim_ep4_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n4_1.png" *grim_ep4_5 notif %r_hyouji_grim = 6 goto *grim_ep4_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n5_1.png" *grim_ep4_6 notif %r_hyouji_grim = 7 goto *grim_ep4_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n6_1.png" *grim_ep4_7 notif %r_hyouji_grim = 8 goto *grim_ep4_8 cell grim8_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n7_1.png" *grim_ep4_8 notif %r_hyouji_grim = 9 goto *grim_ep4_9 cell grim9_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n8_1.png" *grim_ep4_9 notif %r_hyouji_grim = 10 goto *grim_ep4_10 cell grim10_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n9_1.png" *grim_ep4_10 notif %r_hyouji_grim = 11 goto *grim_ep4_11 cell grim11_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n10_1.png" *grim_ep4_11 notif %r_hyouji_grim = 12 goto *grim_ep4_12 cell grim12_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n11_1.png" *grim_ep4_12 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji_ep4 if %r_hyouji_cha = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp vsp r_hana_lsp,1 ;タイトル画面から入っていて、所定のキャラならチェンジボタンを表示する、それ以外ならボタンを消去 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示している場合は、チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） ;if %r_hyouji_cha = geo lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = sha lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha = kan lsp r_change_lsp,r_change,572,452 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha = kin : gosub *r_cha_kin_ep4 ;金蔵 if %r_hyouji_cha = kla : gosub *r_cha_kla_ep4 ;長男 if %r_hyouji_cha = nat : gosub *r_cha_nat_ep4 ;夏妃 if %r_hyouji_cha = jes : gosub *r_cha_jes_ep4 ;ジェシカ if %r_hyouji_cha = hid : gosub *r_cha_hid_ep4 ;秀吉 if %r_hyouji_cha = eva : gosub *r_cha_eva_ep4 ;絵羽 if %r_hyouji_cha = geo : gosub *r_cha_geo_ep4 ;譲治 if %r_hyouji_cha = rud : gosub *r_cha_rud_ep4 ;留弗夫 if %r_hyouji_cha = kir : gosub *r_cha_kir_ep4 ;霧江 if %r_hyouji_cha = but : gosub *r_cha_but_ep4 ;戦人 if %r_hyouji_cha = ros : gosub *r_cha_ros_ep4 ;楼座 if %r_hyouji_cha = mar : gosub *r_cha_mar_ep4 ;真里亞 if %r_hyouji_cha = nan : gosub *r_cha_nan_ep4 ;南條 if %r_hyouji_cha = gen : gosub *r_cha_gen_ep4 ;源氏 if %r_hyouji_cha = kum : gosub *r_cha_kum_ep4 ;熊沢 if %r_hyouji_cha = goh : gosub *r_cha_goh_ep4 ;郷田 if %r_hyouji_cha = sha : gosub *r_cha_sha_ep4 ;紗音 if %r_hyouji_cha = kan : gosub *r_cha_kan_ep4 ;嘉音 if %r_hyouji_cha = bea : gosub *r_cha_bea_ep4 ;bea if %r_hyouji_cha = ber : gosub *r_cha_ber_ep4 ;ber if %r_hyouji_cha = enj : gosub *r_cha_enj_ep4 ;enj ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** *r_cha_kin_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kin_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kin_2.png" return ;------------------------------ *r_cha_kla_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kla_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kla_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kla_2.png" return ;------------------------------ *r_cha_nat_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nat_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\nat_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\nat_2.png" return ;------------------------------ *r_cha_jes_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\jes.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\\jes_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\jes_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\jes_2.png" return ;------------------------------ *r_cha_eva_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\eva_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\eva_2.png" return ;------------------------------ *r_cha_hid_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\hid_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\hid_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\hid_2.png" return ;------------------------------ *r_cha_geo_ep4 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],435 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\geo_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\geo_2.png" ;コンディションによってアイコンを変更する。 lsp geo_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\geo2.png" : mov ?r[geo][tati_x],435 : lsp geo_btn_lsp,":c/2,0,3;;custom\bmp\Tipsmenu\buttons\geo_l2.png",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_rud_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rud_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\rud_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\rud_2.png" return ;------------------------------ *r_cha_kir_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kir_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kir_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kir_2.png" return ;------------------------------ *r_cha_but_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\but_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\but_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\but_2.png" return ;------------------------------ *r_cha_gen_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gen_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\gen_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\gen_2.png" return ;------------------------------ *r_cha_ros_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ros_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\ros_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\ros_2.png" return ;------------------------------ *r_cha_mar_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\mar_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\mar_2.png" return ;------------------------------ *r_cha_nan_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan_d4.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\nan_d2.bmp" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\nan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\nan_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\nan_3.png" return ;------------------------------ *r_cha_sha_ep4 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],430 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\sha_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\sha_2.png" ;コンディションによってアイコンを変更する。 lsp sha_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sha2.png" : mov ?r[%r_hyouji_cha][tati_x],430 : lsp sha_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4\sha_l2.png",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_kan_ep4 ;状態、進行によってコメントを変える mov ?r[%r_hyouji_cha][tati_x],460 if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kan_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kan_2.png" ;コンディションによってアイコンを変更する。 lsp kan_btn_lsp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kan2.png" : mov ?r[%r_hyouji_cha][tati_x],440 : lsp kan_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4\kan_l2.bmp",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;------------------------------ *r_cha_goh_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goh_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\goh_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\goh_2.png" return ;------------------------------ *r_cha_kum_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum_d4.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kum_d2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kum_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kum_2.png" if ?r[%r_hyouji_cha][condition] = 3 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\kum_3.png" return ;------------------------------ *r_cha_bea_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" : mov ?r[bea][tati_x],380 if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea_d4.png" : mov ?r[bea][tati_x],380 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\bea_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\bea_2.png" return ;------------------------------ *r_cha_ber_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber_d4.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\ber_1.png" if ?r[%r_hyouji_cha][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\ber_2.png" return ;------------------------------ *r_cha_lam_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\lam_1.png" return ;------------------------------ *r_cha_enj_ep4 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha][condition] = 0 return if ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4\enj_1.png" ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha][r_ishou] = 2 && ?r[%r_hyouji_cha][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj_2.png" : mov ?r[%r_hyouji_cha][tati_x],440 : lsp enj_btn_lsp,":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l2.png",?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann_ep4 for %tmp2 = kin_btn_lsp to enj_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_4_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_4_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_4_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_4_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_4_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_4_6,%tmp,%tmp1 : add %tmp1,32 if ?tips[7][tips_flg] = 1 lsp tips7_lsp,r_tips_4_7,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** ;************************************************************** *r_grim_botann_ep4 for %tmp2 = kin_btn_lsp to enj_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips7_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 : add %tmp,91 if ?grim[8][grim_flg] = 1 lsp grim8_lsp,r_grim8,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[9][grim_flg] = 1 lsp grim9_lsp,r_grim9,%tmp,%tmp1 : add %tmp,91 if ?grim[10][grim_flg] = 1 lsp grim10_lsp,r_grim10,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[11][grim_flg] = 1 lsp grim11_lsp,r_grim11,%tmp,%tmp1 : add %tmp,91 if ?grim[12][grim_flg] = 1 lsp grim12_lsp,r_grim12,%tmp,%tmp1 return ;************************************************************** ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann_ep4 ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp csp r_grim_txt_lsp vsp r_hana_lsp,1 ;背景の表示 lsp r_cha_back_lsp,$r_cha_back,12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,kin_btn_lsp for %tmp2 = 1 to cha_kazu_ep4 if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;衣装が絵に応じてキャラアイコンを変える if %tmp2 = enj && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp enj_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4\enj_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = geo && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp geo_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4\geo_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = kan && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp kan_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4\kan_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;現在表示しているキャラを表示 gosub *r_cha_hyouji_ep4 return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu_ep4 csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha : dec %tmp lsp %tmp,$?r[%r_hyouji_cha][?r[%r_hyouji_cha][condition]],?r[%r_hyouji_cha][itiran_x],?r[%r_hyouji_cha][itiran_y] return ;************************************************************** ;************************************************************** ; 裏お茶会用のチェック ;************************************************************** *t_tyekku_ep4 goto *rmenu_botann_saisettei_ep4 ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back_ep4 ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp_ep4 btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4 if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep4 if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep4 goto *rmenu_title_back_btn_lp_ep4 ;************************************************************** ;********************************************************* ;右クリックメニュー　EP４_２　魔女サイド ;2008/06/9　作成 ;********************************************************* ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main_ep4_2 btndef "" ;テスト用 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji_cha_ma,ma_bea ;mov %UMINEKOEND,4 mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;mov %play_scene,2000 ;キャラの状態、コンデション、コメントの更新等は配列を使用 gosub *bt_ep4_2_def ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov %r_side,1 mov %r_u_tea_flg,0 mov %r_s556_flg,0 mov %r_hyouji_side,1 ;キャラの衣装変数を初期化（デフォルト→１にする） for %tmp = 1 to cha_kazu_ep4_2 mov ?r[%tmp][r_ishou],1 next ;チェック、コンディションデフォルト設定 for %tmp = 1 to cha_kazu_ep4_2 mov ?r[%tmp][condition],-1 next ;Tipsフラグ設定 for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],0 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],0 next mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" if %r_for_title = 1 jumpf if %play_scene = 40001 gosub *rmenu_main_ep4_2_scene_40001 if %play_scene = 40005 gosub *rmenu_main_ep4_2_scene_40005 if %play_scene < 40090 && %play_scene >= 40010 gosub *rmenu_main_ep4_2_scene_40005 if %play_scene = 40090 gosub *rmenu_main_ep4_2_scene_40090 if %play_scene = 40100 gosub *rmenu_main_ep4_2_scene_40100 if %play_scene >= 40110 && %play_scene <= 40140 gosub *rmenu_main_ep4_2_scene_40110 if %play_scene = 40150 gosub *rmenu_main_ep4_2_scene_40150 if %play_scene = 40160 gosub *rmenu_main_ep4_2_scene_40160 if %play_scene = 40170 gosub *rmenu_main_ep4_2_scene_40170 if %play_scene = 40175 gosub *rmenu_main_ep4_2_scene_40170 if %play_scene = 40180 gosub *rmenu_main_ep4_2_scene_40180 if %play_scene = 40190 gosub *rmenu_main_ep4_2_scene_40180 if %play_scene = 40200 gosub *rmenu_main_ep4_2_scene_40200 if %play_scene = 40210 gosub *rmenu_main_ep4_2_scene_40210 if %play_scene >= 40220 && %play_scene <= 40270 gosub *rmenu_main_ep4_2_scene_40220 if %play_scene = 40280 gosub *rmenu_main_ep4_2_scene_40280 if %play_scene = 40290 gosub *rmenu_main_ep4_2_scene_40280 if %play_scene = 40300 gosub *rmenu_main_ep4_2_scene_40300 if %play_scene = 40310 gosub *rmenu_main_ep4_2_scene_40310 if %play_scene = 40320 gosub *rmenu_main_ep4_2_scene_40320 if %play_scene >= 40330 && %play_scene <= 40440 gosub *rmenu_main_ep4_2_scene_40330 if %play_scene >= 40450 gosub *rmenu_main_ep4_2_scene_40450 ;Grimoire section mov %tmp2,%grim_scene sub %tmp2,400 if %tmp2 > 11 mov %tmp2,11 ; this add is for grim tip 0 add %tmp2,1 for %tmp = 1 to %tmp2 : mov ?grim[%tmp][grim_flg],1 : next ~ ;コンディションチェック、コンディションが−１の場合は、%r_hyouji_cha_maを０に if ?r[%r_hyouji_cha_ma][condition]= -1 mov %r_hyouji_cha_ma,0 ;背景を暗くする。 lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu ;タイトルから入って来た時にはキャラを全員liveで背景はランダムは蝶の画像をランダムで表示 ;シーン番号に３０００を代入。 ;Tips新要素告知フラグが立っている場合はそれをOFFにする。 notif %r_for_title = 1 goto *rmenu_main_100_ep4_2 for %tmp = 1 to cha_kazu_ep4_2 mov ?r[%tmp][condition],1 next for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next gosub *bgm_mode_rnd_bg_majo mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_7.bmp" mov %r_hyouji_cha_ma,ma4_bea mov %play_scene,43000 amsp r_black_lsp,0,0,0 ;新規要素追加のフラグ解除変数 if %UMINEKOEND_TIPS_FLG <= 4 mov %UMINEKOEND_TIPS_FLG,0 *rmenu_main_100_ep4_2 *rmenu_sai_hyouji_ep4_2 textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;タイトルから入った場合で、キャラ一覧表示の時はnextボタンを表示 notif %r_hyouji = 0 csp r_next_lsp : add %tmp1,17 : jumpf if %play_scene = 40450 csp r_next_lsp : add %tmp1,17 : jumpf mov %tmp2,%tmp : add %tmp2,112 sub %tmp1,2 lsp r_next_lsp,r_next,%tmp2,%tmp1 : add %tmp1,19 ~ ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける ;（NEXTボタンを設置する為、全体的に17ピクセル下に表示する） notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でEP2のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : add %tmp2,63 cell r_ep4_lsp,1 ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ ;if %r_hyouji_cha_ma = ma3_ev2 && ?r[ma3_ev2][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha_ma = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha_ma = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 0 gosub *r_cha_botann_ep4_2 if %r_hyouji = 1 gosub *r_tips_botann_ep4_2 if %r_hyouji = 2 gosub *r_grim_botann_ep4_2 ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def2.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,r_hana,300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji_ep4_2 if %r_hyouji = 1 gosub *r_tips_hyouji_ep4_2 if %r_hyouji = 2 gosub *r_grim_hyouji_ep4_2 if %r_side_change = 2 se1v 52,100 : print 99,1500,"whirl.dll/l" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei_ep4_2 ;ボタンの再設定 btndef "" if ?r_cha_text[4][%r_hyouji_cha_ma][1] < 2 mov %cha_page_mode,0 : jumpf notif ?r_cha_text[4][%r_hyouji_cha_ma][1] = %cha_text_page spbtn cha_next_lsp,cha_next_lsp notif %cha_text_page = 1 spbtn cha_back_lsp,cha_back_lsp mov %cha_page_mode,1 ~ if ?r_cha_text[4][%r_hyouji_cha_ma][1] = %cha_text_page csp cha_next_lsp if %cha_text_page = 1 csp cha_back_lsp spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp if ?tips[7][tips_flg] = 1 notif %r_hyouji_tips = 7 spbtn tips7_lsp,tips7_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp if ?grim[8][grim_flg] = 1 notif %r_hyouji_grim = 8 spbtn grim8_lsp,grim8_lsp if ?grim[9][grim_flg] = 1 notif %r_hyouji_grim = 9 spbtn grim9_lsp,grim9_lsp if ?grim[10][grim_flg] = 1 notif %r_hyouji_grim = 10 spbtn grim10_lsp,grim10_lsp if ?grim[11][grim_flg] = 1 notif %r_hyouji_grim = 11 spbtn grim11_lsp,grim11_lsp if ?grim[12][grim_flg] = 1 notif %r_hyouji_grim = 12 spbtn grim12_lsp,grim12_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp mov %tmp,ma4_lam_btn_lsp : add %tmp,cha_kazu_ep4_2 mov %tmp3,1 for %tmp2 = ma4_lam_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;NEXT、EP、changeのボタン化 spbtn r_next_lsp,r_next_lsp spbtn r_ep1_lsp,r_ep1_lsp spbtn r_ep2_lsp,r_ep2_lsp spbtn r_ep3_lsp,r_ep3_lsp ;spbtn r_ep4_lsp,r_ep4_lsp spbtn r_change_lsp,r_change_lsp *rmenu_custom_btlp_ep4_2 btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_2 if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_2 if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_2 notif %BtnRes = r_exec_lsp jumpf ;選択キャラがシエスタで、尚且つ５５６なら、状態を死亡に変化させる。 if %r_hyouji_cha_ma = ma4_s && %r_s_hyouji = 4 mov %r_s556_flg,1 : seplay 9,1100 : goto *rmenu_custom_btlp_100_ep4_2 ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_50_ep4_2 if ?r[%r_hyouji_cha_ma][condition] >= ?r[%r_hyouji_cha_ma][condition_end] goto *rmenu_custom_btlp_50_ep4_2 if ?r[%r_hyouji_cha_ma][condition] <= 0 goto *rmenu_custom_btlp_50_ep4_2 mov %tmp,?r[%r_hyouji_cha_ma][condition] : inc %tmp : mov ?r[%r_hyouji_cha_ma][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50_ep4_2 notif %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_100_ep4_2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep4_2 if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90_ep4_2 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90_ep4_2 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90_ep4_2 next seplay 9,1100 *rmenu_custom_btlp_100_ep4_2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_2 gosub *r_cha_botann_ep4_2 print 1 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = r_resu_lsp jumpf ;選択キャラがシエスタで、尚且つ５５６なら、状態を死亡に変化させる。 if %r_hyouji_cha_ma = ma4_s && %r_s_hyouji = 4 mov %r_s556_flg,2 : seplay 9,1021 : goto *rmenu_custom_btlp_200_ep4_2 if %r_hyouji_cha_ma = ma4_s goto *rmenu_botann_saisettei_ep4_2 if %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_150_ep4_2 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha_ma][condition] <= 1 goto *rmenu_custom_btlp_200_ep4_2 mov %tmp,?r[%r_hyouji_cha_ma][condition] : dec %tmp : mov ?r[%r_hyouji_cha_ma][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150_ep4_2 notif %r_hyouji_cha_ma = 0 goto *rmenu_custom_btlp_200_ep4_2 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep4_2 if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190_ep4_2 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190_ep4_2 next seplay 9,1023 *rmenu_custom_btlp_200_ep4_2 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_2 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_2 gosub *r_cha_botann_ep4_2 print 22 goto *rmenu_botann_saisettei_ep4_2 ~ if %BtnRes = 0 && %cha_page_mode = 1 goto *rmenu_botann_saisettei_ep4_2 if %BtnRes = 0 mov %r_hyouji_cha_ma,0 : goto *rmenu_botann_saisettei_ep4_2 if %BtnRes = r_save_lsp gosub *r_gazou_shokika_ep4_2 : seplay 9,1000 : gosub *savemode :goto *r_exit2_ep4_2 if %BtnRes = r_load_lsp gosub *r_gazou_shokika_ep4_2 : seplay 9,1000 : gosub *loadmode :goto *r_exit2_ep4_2 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika_ep4_2 : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main_ep4_2 if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back_ep4_2 if %BtnRes = r_exit_lsp goto *r_exit_ep4_2 if %BtnRes = -1 goto *r_exit_ep4_2 ;右クリックで抜ける if %BtnRes = -10 goto *r_exit_ep4_2 ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep1_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 ;mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep2_2 goto *rmenu_main_ep1 ~ ;エピソード移動ボタン（押されたボタンによって、魔女空間に移動する） notif %BtnRes = r_ep2_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,1 ;mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep4_2 goto *rmenu_main_ep2_2 ~ notif %BtnRes = r_ep3_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,1 ;mov %r_hyouji,0 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,2 gosub *r_gazou_shokika_ep4_2 goto *rmenu_main_ep3_2 ~ ;NEXTボタン（人間サイド、魔女サイドの切替） notif %BtnRes = r_next_lsp goto *r_next_btn_skip_100_ep4_2 ;各変数の初期化 mov %r_side,0 mov %r_hyouji,0 lsp 0,":a;bmp\efe\ware.bmp",0,0 seplay 9,1100 print 1 csp 0 mov %cha_text_page,1 if %play_scene >= 40010 mov %r_side_change,1 : gosub *r_gazou_shokika_ep4_3 : goto *rmenu_main_ep4_3 if %play_scene < 40010 mov %r_side_change,2 : gosub *r_gazou_shokika_ep4_3 : goto *rmenu_main_ep4 *r_next_btn_skip_100_ep4_2 ;衣装チェンジボタン（衣装のチェンジ出来るキャラはコンディションを１に初期化して、衣装チェンジを行う） notif %BtnRes = r_change_lsp jumpf mov ?r[%r_hyouji_cha_ma][condition],1 if ?r[%r_hyouji_cha_ma][r_ishou] = 1 mov ?r[%r_hyouji_cha_ma][r_ishou],2 : goto *r_change_lsp_100_ep4_2 if ?r[%r_hyouji_cha_ma][r_ishou] = 2 mov ?r[%r_hyouji_cha_ma][r_ishou],1 : goto *r_change_lsp_100_ep4_2 *r_change_lsp_100_ep4_2 gosub *r_cha_hyouji_ep4_2 seplay 9,1001 print 1 ~ if %BtnRes = cha_next_lsp inc %cha_text_page : mov %cha_page_flg,%r_hyouji_cha_ma : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 : jumpf if %BtnRes = cha_back_lsp dec %cha_text_page : mov %cha_page_flg,%r_hyouji_cha_ma : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 : jumpf ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = ma4_lam_btn_lsp mov %r_hyouji_cha_ma,ma4_lam : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_ber_btn_lsp mov %r_hyouji_cha_ma,ma4_ber : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_bea_btn_lsp mov %r_hyouji_cha_ma,ma4_bea : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_mar_btn_lsp mov %r_hyouji_cha_ma,ma4_mar : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_enj_btn_lsp mov %r_hyouji_cha_ma,ma4_enj : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_kin_btn_lsp mov %r_hyouji_cha_ma,ma4_kin : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_sak_btn_lsp mov %r_hyouji_cha_ma,ma4_sak : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_wal_btn_lsp mov %r_hyouji_cha_ma,ma4_wal : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_ron_btn_lsp mov %r_hyouji_cha_ma,ma4_ron : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_gap_btn_lsp mov %r_hyouji_cha_ma,ma4_gap : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_s_btn_lsp mov %r_hyouji_cha_ma,ma4_s : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_rg_btn_lsp mov %r_hyouji_cha_ma,ma4_rg : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 if %BtnRes = ma4_goa_btn_lsp mov %r_hyouji_cha_ma,ma4_goa : gosub *r_cha_hyouji_ep4_2 : seplay 9,1001 : print 1 ~ ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = tips7_lsp jumpf notif %r_hyouji_tips = 7 mov %tips_page,1 mov %r_hyouji_tips,7 gosub *r_tips_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji_ep4_2 : goto *rmenu_botann_saisettei_ep4_2 if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji_ep4_2 : goto *rmenu_botann_saisettei_ep4_2 ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim8_lsp jumpf notif %r_hyouji_grim = 8 mov %grim_page,1 mov %r_hyouji_grim,8 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim9_lsp jumpf notif %r_hyouji_grim = 9 mov %grim_page,1 mov %r_hyouji_grim,9 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim10_lsp jumpf notif %r_hyouji_grim = 10 mov %grim_page,1 mov %r_hyouji_grim,10 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim11_lsp jumpf notif %r_hyouji_grim = 11 mov %grim_page,1 mov %r_hyouji_grim,11 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ notif %BtnRes = grim12_lsp jumpf notif %r_hyouji_grim = 12 mov %grim_page,1 mov %r_hyouji_grim,12 gosub *r_grim_hyouji_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ~ if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji_ep4_2 : goto *rmenu_botann_saisettei_ep4_2 if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji_ep4_2 : goto *rmenu_botann_saisettei_ep4_2 goto *rmenu_botann_saisettei_ep4_2 ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika_ep4_2 for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit_ep4_2 btndef "" gosub *r_gazou_shokika_ep4_2 csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2_ep4_2 btndef "" gosub *r_gazou_shokika_ep4_2 csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji_ep4_2 csp cha_next_lsp csp cha_back_lsp notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha_ma,0 ;tispの表示を０（なしにする） ;衣装替え、チェンジボタンの消去 csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,377 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_ep4_2_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\1_1.png" *tips_ep4_2_1 notif %r_hyouji_tips = 2 goto *tips_ep4_2_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\2_1.png" *tips_ep4_2_2 notif %r_hyouji_tips = 3 goto *tips_ep4_2_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\3_1.png" *tips_ep4_2_3 notif %r_hyouji_tips = 4 goto *tips_ep4_2_4 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\4_1.png" cell tips4_lsp,1 *tips_ep4_2_4 notif %r_hyouji_tips = 5 goto *tips_ep4_2_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\5_1.png" *tips_ep4_2_5 notif %r_hyouji_tips = 6 goto *tips_ep4_2_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\6_1.png" *tips_ep4_2_6 notif %r_hyouji_tips = 7 goto *tips_ep4_2_7 cell tips7_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\7_1.png" *tips_ep4_2_7 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;Grimoireの表示、それぞれGrimoireの表示処理にfly *r_grim_hyouji_ep4_2 csp cha_next_lsp csp cha_back_lsp csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,377 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_ep4_2_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5.png" *grim_ep4_2_1 notif %r_hyouji_grim = 2 goto *grim_ep4_2_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n1_1.png" *grim_ep4_2_2 notif %r_hyouji_grim = 3 goto *grim_ep4_2_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n2_1.png" *grim_ep4_2_3 notif %r_hyouji_grim = 4 goto *grim_ep4_2_4 cell grim4_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n3_1.png" *grim_ep4_2_4 notif %r_hyouji_grim = 5 goto *grim_ep4_2_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n4_1.png" *grim_ep4_2_5 notif %r_hyouji_grim = 6 goto *grim_ep4_2_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n5_1.png" *grim_ep4_2_6 notif %r_hyouji_grim = 7 goto *grim_ep4_2_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n6_1.png" *grim_ep4_2_7 notif %r_hyouji_grim = 8 goto *grim_ep4_2_8 cell grim8_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n7_1.png" *grim_ep4_2_8 notif %r_hyouji_grim = 9 goto *grim_ep4_2_9 cell grim9_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n8_1.png" *grim_ep4_2_9 notif %r_hyouji_grim = 10 goto *grim_ep4_2_10 cell grim10_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n9_1.png" *grim_ep4_2_10 notif %r_hyouji_grim = 11 goto *grim_ep4_2_11 cell grim11_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n10_1.png" *grim_ep4_2_11 notif %r_hyouji_grim = 12 goto *grim_ep4_2_12 cell grim12_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n11_1.png" *grim_ep4_2_12 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji_ep4_2 if %r_hyouji_cha_ma = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp vsp r_hana_lsp,1 csp cha_next_lsp csp cha_back_lsp if %cha_text_page > ?r_cha_text[4][%r_hyouji_cha_ma][1] mov %cha_text_page,1 notif %cha_page_flg = %r_hyouji_cha_ma mov %cha_text_page,1 ;タイトル画面から入っていて、所定のキャラならチェンジボタンを表示する、それ以外ならボタンを消去 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示している場合は、チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） ;if %r_hyouji_cha_ma = ma3_ev2 lsp r_change_lsp,r_change,572,452 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha_ma = ma4_lam : gosub *r_cha_lam_ep4_2 if %r_hyouji_cha_ma = ma4_ber : gosub *r_cha_ber_ep4_2 if %r_hyouji_cha_ma = ma4_bea : gosub *r_cha_bea_ep4_2 if %r_hyouji_cha_ma = ma4_mar : gosub *r_cha_mar_ep4_2 if %r_hyouji_cha_ma = ma4_enj : gosub *r_cha_enj_ep4_2 if %r_hyouji_cha_ma = ma4_kin : gosub *r_cha_kin_ep4_2 if %r_hyouji_cha_ma = ma4_sak : gosub *r_cha_sak_ep4_2 if %r_hyouji_cha_ma = ma4_wal : gosub *r_cha_wal_ep4_2 if %r_hyouji_cha_ma = ma4_ron : gosub *r_cha_ron_ep4_2 if %r_hyouji_cha_ma = ma4_gap : gosub *r_cha_gap_ep4_2 if %r_hyouji_cha_ma = ma4_s : gosub *r_cha_s_ep4_2 if %r_hyouji_cha_ma = ma4_rg : gosub *r_cha_rg_ep4_2 if %r_hyouji_cha_ma = ma4_goa : gosub *r_cha_goa_ep4_2 if ?r_cha_text[4][%r_hyouji_cha_ma][1] > %cha_text_page lsp cha_next_lsp,tips_next,200,407 if %cha_text_page > 1 lsp cha_back_lsp,tips_back,250,407 ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha_ma][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ *r_cha_lam_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\lam_1.png" return ;------------------------------ *r_cha_ber_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\ber_1.png" return ;------------------------------ *r_cha_bea_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" if ?r[%r_hyouji_cha_ma][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\bea.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\bea_1.png" if ?r[%r_hyouji_cha_ma][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\bea_2.png" return ;------------------------------ *r_cha_mar_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar.png" : mov ?r[ma4_mar][tati_x],380 if ?r[%r_hyouji_cha_ma][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar_2.png" : mov ?r[ma4_mar][tati_x],410 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\mar_1.png" if ?r[%r_hyouji_cha_ma][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\mar_2.png" return ;------------------------------ *r_cha_enj_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\enj_1.png" return ;------------------------------ *r_cha_kin_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kin.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\kin_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\kin_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\kin_12.png" ~ return ;------------------------------ *r_cha_sak_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sak.png" if ?r[%r_hyouji_cha_ma][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sak_d.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\sak_1.png" if ?r[%r_hyouji_cha_ma][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\sak_2.png" return ;------------------------------ *r_cha_wal_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\wal.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\wal_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\wal_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\wal_12.png" ~ return ;------------------------------ *r_cha_ron_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ron.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\ron_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\ron_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\ron_12.png" ~ return ;------------------------------ *r_cha_gap_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\gap.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\gap_1.png" return ;------------------------------ *r_cha_s_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s45.png" ;変化フラグが１、２の場合は５５６の特殊処理を入れる if %r_s556_flg = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\s55_2.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s55_d.png" : mov %r_s556_flg,0 : return if %r_s556_flg = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\s55_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s55.png" : mov %r_s556_flg,0 : return ;ランダムで姉妹の内、一人を表示 if %r_for_title = 0 rnd2 %r_s_hyouji,1,3 if %r_for_title = 1 rnd2 %r_s_hyouji,1,4 if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if %r_s_hyouji = 1 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\s45_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s45.png" if %r_s_hyouji = 2 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\s41_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s41.png" if %r_s_hyouji = 3 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\s00_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s00.png" if %r_s_hyouji = 4 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\s55_2.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\s55_d.png" return ;------------------------------ *r_cha_rg_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;ランダムで７姉妹の内、一人を表示 rnd2 %ran,1,7 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if %ran = 1 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\rg1_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg1.png" if %ran = 2 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\rg2_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg2.png" if %ran = 3 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\rg3_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg3.png" if %ran = 4 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\rg4_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg4.png" if %ran = 5 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\rg5_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg5.png" if %ran = 6 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\rg6_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg6.png" if %ran = 7 && ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\rg7_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg7.png" return ;------------------------------ *r_cha_goa_ep4_2 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_ma][condition] = 0 return if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\goa.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_ma][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_ma][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\goa_1.png" notif ?r[%r_hyouji_cha_ma][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\goa_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_2\goa_12.png" ~ return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann_ep4_2 for %tmp2 = ma4_lam_btn_lsp to ma4_goa_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_4_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_4_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_4_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_4_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_4_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_4_6,%tmp,%tmp1 : add %tmp1,32 if ?tips[7][tips_flg] = 1 lsp tips7_lsp,r_tips_4_7,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** *r_grim_botann_ep4_2 for %tmp2 = kin_btn_lsp to enj_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips7_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 : add %tmp,91 if ?grim[8][grim_flg] = 1 lsp grim8_lsp,r_grim8,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[9][grim_flg] = 1 lsp grim9_lsp,r_grim9,%tmp,%tmp1 : add %tmp,91 if ?grim[10][grim_flg] = 1 lsp grim10_lsp,r_grim10,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[11][grim_flg] = 1 lsp grim11_lsp,r_grim11,%tmp,%tmp1 : add %tmp,91 if ?grim[12][grim_flg] = 1 lsp grim12_lsp,r_grim12,%tmp,%tmp1 return ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann_ep4_2 ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp csp r_grim_txt_lsp vsp r_hana_lsp,1 ;背景の表示 lsp r_cha_back_lsp,$r_cha_back,12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,ma4_lam_btn_lsp for %tmp2 = 1 to cha_kazu_ep4_2 if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;衣装によってキャラアイコンの表示を切り替える ;if %tmp2 = ma3_ev2 && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp ma3_ev2_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4_2\ev2_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = geo && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp geo_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep2\geo_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = kan && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp kan_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep2\kan_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;現在表示しているキャラを表示 gosub *r_cha_hyouji_ep4_2 return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu_ep4_2 csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha_ma : dec %tmp lsp %tmp,$?r[%r_hyouji_cha_ma][?r[%r_hyouji_cha_ma][condition]],?r[%r_hyouji_cha_ma][itiran_x],?r[%r_hyouji_cha_ma][itiran_y] return ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back_ep4_2 ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp_ep4_2 btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_2 if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep4_2 if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep4_2 goto *rmenu_title_back_btn_lp_ep4_2 ;************************************************************** ;********************************************************* ;右クリックメニュー　EP４_３　縁寿サイド ;********************************************************* ;---------------------------------------- ;右クリックシステム、メインメニュー *rmenu_main_ep4_3 btndef "" ;テスト用 ;mov %r_for_title,1 ;タイトルメニューから入って来たかどうかを判断(1ならタイトルから） ;mov %r_hyouji_cha_enj,ma_bea ;mov %UMINEKOEND,4 mov %r_hyouji,0 ;メニュー表示（０はキャラ一覧、１はtips） ;mov %tips_flg,6 ;tips取得数 ;mov %r_u_tea_flg,1 ;mov %play_scene,2000 ;キャラの状態、コンデション、コメントの更新等は配列を使用 gosub *bt_ep4_3_def if %r_side_change = 1 lsp 0,":c;bmp\r_click\black.bmp",0,0 : wait 300 : print 10,300 : csp 0 ;初期化 mov $r_txt_path,":a;bmp\r_click\text\txt_def.bmp" mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" csp r_clear_lsp csp r_system_lsp csp r_change_lsp textoff monocro off mov %load_for_title,0 mov %r_side,1 mov %r_u_tea_flg,0 mov %r_hyouji_side,2 ;キャラの衣装変数を初期化（デフォルト→１にする） for %tmp = 1 to cha_kazu_ep4_3 mov ?r[%tmp][r_ishou],1 next ;チェック、コンディションデフォルト設定 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" if %r_for_title = 1 jumpf if %play_scene = 40000 gosub *rmenu_main_ep4_3_scene_40000 if %play_scene > 40000 && %play_scene < 40010 gosub *rmenu_main_ep4_2_scene_40000 if %play_scene = 40010 gosub *rmenu_main_ep4_3_scene_40010 if %play_scene = 40020 gosub *rmenu_main_ep4_3_scene_40020 if %play_scene = 40030 gosub *rmenu_main_ep4_3_scene_40030 if %play_scene = 40040 gosub *rmenu_main_ep4_3_scene_40040 if %play_scene = 40050 gosub *rmenu_main_ep4_3_scene_40050 if %play_scene = 40060 gosub *rmenu_main_ep4_3_scene_40060 if %play_scene = 40070 gosub *rmenu_main_ep4_3_scene_40070 if %play_scene >= 40080 && %play_scene <= 40110 gosub *rmenu_main_ep4_3_scene_40080 if %play_scene = 40120 gosub *rmenu_main_ep4_3_scene_40120 if %play_scene = 40130 gosub *rmenu_main_ep4_3_scene_40130 if %play_scene >= 40140 && %play_scene <= 40170 gosub *rmenu_main_ep4_3_scene_40140 if %play_scene >= 40175 && %play_scene <= 40220 gosub *rmenu_main_ep4_3_scene_40175 if %play_scene = 40230 gosub *rmenu_main_ep4_3_scene_40230 if %play_scene = 40240 gosub *rmenu_main_ep4_3_scene_40240 if %play_scene >= 40250 && %play_scene <= 40280 gosub *rmenu_main_ep4_3_scene_40250 if %play_scene = 40290 gosub *rmenu_main_ep4_3_scene_40290 if %play_scene >= 40300 && %play_scene <= 40500 gosub *rmenu_main_ep4_3_scene_40250 ;Grimoire section mov %tmp2,%grim_scene sub %tmp2,400 if %tmp2 > 11 mov %tmp2,11 ; this add is for grim tip 0 add %tmp2,1 for %tmp = 1 to %tmp2 : mov ?grim[%tmp][grim_flg],1 : next ~ ;コンディションが１以上でないキャラが指定されている場合、キャラ指定を０に変更する。 if ?r[%r_hyouji_cha_enj][condition] <= 0 mov %r_hyouji_cha_enj,0 ;背景を暗くする。 lsp r_black_lsp,":c;bmp\r_click\black.bmp",0,0,black_toukaritu ;タイトルから入って来た時にはキャラを全員liveで背景はランダムは蝶の画像をランダムで表示 ;シーン番号に３０００を代入。 ;Tips新要素告知フラグが立っている場合はそれをOFFにする。 notif %r_for_title = 1 goto *rmenu_main_100_ep4_3 for %tmp = 1 to cha_kazu_ep4_3 mov ?r[%tmp][condition],1 next mov ?r[enj_ber][condition],-1 for %tmp = 1 to 10 mov ?tips[%tmp][tips_flg],1 next for %tmp = 1 to 14 mov ?grim[%tmp][grim_flg],1 next gosub *bgm_mode_rnd_bg_1998 mov $r_bg_path,$tmp lsp r_bg_lsp,$r_bg_path,0,0 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_7.bmp" mov %r_hyouji_cha_enj,enj_enj mov %play_scene,43000 amsp r_black_lsp,0,0,0 ;新規要素追加のフラグ解除変数 if %UMINEKOEND_TIPS_FLG <= 4 mov %UMINEKOEND_TIPS_FLG,0 *rmenu_main_100_ep4_3 *rmenu_sai_hyouji_ep4_3 textoff btndef "" ;システムボタンの表示 mov %tmp,12 : mov %tmp1,r_menu_top_y ;タイトルから入った場合で、キャラ一覧表示の時はnextボタンを表示 notif %r_hyouji = 0 csp r_next_lsp : add %tmp1,17 : jumpf mov %tmp2,%tmp : add %tmp2,112 sub %tmp1,2 lsp r_next_lsp,r_next,%tmp2,%tmp1 : add %tmp1,19 ~ ;tipsボタンか、キャラ表示か if %r_u_tea_flg =1 jumpf if %r_hyouji = 0 csp r_char_lsp :lsp r_tips_lsp,r_tips,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 1 csp r_tips_lsp : lsp r_grim_lsp,r_grim,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 2 csp r_grim_lsp : lsp r_char_lsp,r_char,%tmp,%tmp1 : add %tmp1,32 ~ if %r_u_tea_flg =1 mov %r_hyouji,0 : add %tmp1,32 ;タイトルから入った場合はセーブボタンは表示しない。 if %r_for_title = 1 jumpf lsp r_save_lsp,r_save,%tmp,%tmp1 : mov %tmp2,%tmp : add %tmp2,87 lsp r_load_lsp,r_load,%tmp2,%tmp1 :add %tmp1,32 lsp r_blog_lsp,r_blog,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトル画面の場合は、liveボタンをつける ;（NEXTボタンを設置する為、全体的に17ピクセル下に表示する） notif %r_for_title = 1 jumpf ;選択しているキャラのコンディションによって切り替え lsp r_exec_lsp,r_exec,%tmp,%tmp1 : add %tmp1,32 lsp r_resu_lsp,r_resu,%tmp,%tmp1 : add %tmp1,32 ~ ;タイトルから入った場合はep移動ボタンを表示 notif %r_for_title = 1 jumpf ;現在いるエピソードのボタンを赤でブリンク（画像は表示するがボタン化はしない） ;シナリオクリアフラグに注意、2以上でEP1、４以上でEP2のボタンを表示 if %UMINEKOEND >= 20 lsp r_ep1_lsp,r_ep1,%tmp,452 : mov %tmp2,%tmp : add %tmp2,63 if %UMINEKOEND >= 30 lsp r_ep2_lsp,r_ep2,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 40 lsp r_ep3_lsp,r_ep3,%tmp2,452 : add %tmp2,63 if %UMINEKOEND >= 50 lsp r_ep4_lsp,r_ep4,%tmp2,452 : add %tmp2,63 cell r_ep4_lsp,1 ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ if %r_hyouji_cha_enj = enj_enj && ?r[enj_enj][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha_enj = sha && ?r[sha][condition] = 1 lsp r_change_lsp,r_change,572,452 ;if %r_hyouji_cha_enj = kan && ?r[kan][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ lsp r_title_lsp,r_title,%tmp,%tmp1 : add %tmp1,32 lsp r_exit_lsp,r_exit,%tmp,%tmp1 : add %tmp1,32 if %r_hyouji = 0 gosub *r_cha_botann_ep4_3 if %r_hyouji = 1 gosub *r_tips_botann_ep4_3 if %r_hyouji = 2 gosub *r_grim_botann_ep4_3 ;中央説明テキスト lsp r_txt_lsp,":a;bmp\r_click\text\txt_def2.bmp",188,r_top_y ;華飾り lsp r_hana_lsp,":a;bmp\r_click\hana2_back.bmp",300,86 ;最後に選択したキャラ、tipsに自動的にあわせる if %r_hyouji = 0 gosub *r_cha_hyouji_ep4_3 if %r_hyouji = 1 gosub *r_tips_hyouji_ep4_3 if %r_hyouji = 2 gosub *r_grim_hyouji_ep4_3 if %r_side_change = 1 print 10,500 : mov %r_side_change,0 if %r_side_change = 2 print 99,1500,"breakup.dll/urB" : mov %r_side_change,0 ;if %r_side_change = 2 se1v 52,100 : print 99,1500,"whirl.dll/l" : mov %r_side_change,0 print 1 *rmenu_botann_saisettei_ep4_3 ;衣装チェンジボタンの再設定 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示していてコンデションが通常なら、衣装チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） if %r_hyouji > 0 jumpf ;Tips表示ならスキップ if %r_hyouji_cha_enj = enj_enj && ?r[enj_enj][condition] = 1 lsp r_change_lsp,r_change,572,452 ~ print 1 ;ボタンの再設定 btndef "" if ?r_cha_text[4][%r_hyouji_cha_enj][2] < 2 mov %cha_page_mode,0 : jumpf notif ?r_cha_text[4][%r_hyouji_cha_enj][2] = %cha_text_page spbtn cha_next_lsp,cha_next_lsp notif %cha_text_page = 1 spbtn cha_back_lsp,cha_back_lsp mov %cha_page_mode,1 ~ if ?r_cha_text[4][%r_hyouji_cha_enj][2] = %cha_text_page csp cha_next_lsp if %cha_text_page = 1 csp cha_back_lsp spbtn r_char_lsp,r_char_lsp spbtn r_tips_lsp,r_tips_lsp spbtn r_grim_lsp,r_grim_lsp spbtn r_save_lsp,r_save_lsp spbtn r_load_lsp,r_load_lsp spbtn r_exec_lsp,r_exec_lsp spbtn r_resu_lsp,r_resu_lsp spbtn r_blog_lsp,r_blog_lsp spbtn r_title_lsp,r_title_lsp spbtn r_exit_lsp,r_exit_lsp if ?tips[1][tips_flg] = 1 notif %r_hyouji_tips = 1 spbtn tips1_lsp,tips1_lsp if ?tips[2][tips_flg] = 1 notif %r_hyouji_tips = 2 spbtn tips2_lsp,tips2_lsp if ?tips[3][tips_flg] = 1 notif %r_hyouji_tips = 3 spbtn tips3_lsp,tips3_lsp if ?tips[4][tips_flg] = 1 notif %r_hyouji_tips = 4 spbtn tips4_lsp,tips4_lsp if ?tips[5][tips_flg] = 1 notif %r_hyouji_tips = 5 spbtn tips5_lsp,tips5_lsp if ?tips[6][tips_flg] = 1 notif %r_hyouji_tips = 6 spbtn tips6_lsp,tips6_lsp if ?tips[7][tips_flg] = 1 notif %r_hyouji_tips = 7 spbtn tips7_lsp,tips7_lsp if ?grim[1][grim_flg] = 1 notif %r_hyouji_grim = 1 spbtn grim1_lsp,grim1_lsp if ?grim[2][grim_flg] = 1 notif %r_hyouji_grim = 2 spbtn grim2_lsp,grim2_lsp if ?grim[3][grim_flg] = 1 notif %r_hyouji_grim = 3 spbtn grim3_lsp,grim3_lsp if ?grim[4][grim_flg] = 1 notif %r_hyouji_grim = 4 spbtn grim4_lsp,grim4_lsp if ?grim[5][grim_flg] = 1 notif %r_hyouji_grim = 5 spbtn grim5_lsp,grim5_lsp if ?grim[6][grim_flg] = 1 notif %r_hyouji_grim = 6 spbtn grim6_lsp,grim6_lsp if ?grim[7][grim_flg] = 1 notif %r_hyouji_grim = 7 spbtn grim7_lsp,grim7_lsp if ?grim[8][grim_flg] = 1 notif %r_hyouji_grim = 8 spbtn grim8_lsp,grim8_lsp if ?grim[9][grim_flg] = 1 notif %r_hyouji_grim = 9 spbtn grim9_lsp,grim9_lsp if ?grim[10][grim_flg] = 1 notif %r_hyouji_grim = 10 spbtn grim10_lsp,grim10_lsp if ?grim[11][grim_flg] = 1 notif %r_hyouji_grim = 11 spbtn grim11_lsp,grim11_lsp if ?grim[12][grim_flg] = 1 notif %r_hyouji_grim = 12 spbtn grim12_lsp,grim12_lsp spbtn tips_next_lsp,tips_next_lsp spbtn tips_back_lsp,tips_back_lsp spbtn grim_next_lsp,grim_next_lsp spbtn grim_back_lsp,grim_back_lsp mov %tmp,enj_eva_btn_lsp : add %tmp,cha_kazu_ep4_3 mov %tmp3,1 for %tmp2 = enj_eva_btn_lsp to %tmp if ?r[%tmp3][condition] >= 1 spbtn %tmp2,%tmp2 inc %tmp3 next ;NEXT、EP、changeのボタン化 spbtn r_next_lsp,r_next_lsp spbtn r_ep1_lsp,r_ep1_lsp spbtn r_ep2_lsp,r_ep2_lsp spbtn r_ep3_lsp,r_ep3_lsp ;spbtn r_ep4_lsp,r_ep4_lsp spbtn r_change_lsp,r_change_lsp *rmenu_custom_btlp_ep4_3 btnwait2 %BtnRes if %BtnRes = r_char_lsp mov %r_hyouji,0 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_3 if %BtnRes = r_tips_lsp mov %r_hyouji,1 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_3 if %BtnRes = r_grim_lsp mov %r_hyouji,2 : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_3 notif %BtnRes = r_exec_lsp jumpf ;選択されているキャラを一段悪化させる（コンディションがエンドまで来ているのなら処理を飛ばす） ;コンディションが０以下（未登場なら状態を変化させない） if %r_hyouji_cha_enj = 0 goto *rmenu_custom_btlp_50_ep4_3 if ?r[%r_hyouji_cha_enj][condition] >= ?r[%r_hyouji_cha_enj][condition_end] goto *rmenu_custom_btlp_50_ep4_3 if ?r[%r_hyouji_cha_enj][condition] <= 0 goto *rmenu_custom_btlp_50_ep4_3 mov %tmp,?r[%r_hyouji_cha_enj][condition] : inc %tmp : mov ?r[%r_hyouji_cha_enj][condition],%tmp seplay 9,1100 *rmenu_custom_btlp_50_ep4_3 notif %r_hyouji_cha_enj = 0 goto *rmenu_custom_btlp_100_ep4_3 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep4_2 if ?r[%tmp][condition] >= ?r[%tmp][condition_end] goto *rmenu_custom_btlp_90_ep4_3 if ?r[%tmp][condition] <= 0 goto *rmenu_custom_btlp_90_ep4_3 mov %tmp2,?r[%tmp][condition] : inc %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_90_ep4_3 next seplay 9,1100 *rmenu_custom_btlp_100_ep4_3 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_3 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_3 gosub *r_cha_botann_ep4_3 print 1 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = r_resu_lsp jumpf if %r_hyouji_cha_enj = 0 goto *rmenu_custom_btlp_150_ep4_3 ;選択されているキャラを一段回復させる（コンディションがエンドまで来ているのなら処理を飛ばす、０は処理を飛ばす） if ?r[%r_hyouji_cha_enj][condition] <= 1 goto *rmenu_custom_btlp_200_ep4_3 mov %tmp,?r[%r_hyouji_cha_enj][condition] : dec %tmp : mov ?r[%r_hyouji_cha_enj][condition],%tmp seplay 9,1021 *rmenu_custom_btlp_150_ep4_3 notif %r_hyouji_cha_enj = 0 goto *rmenu_custom_btlp_200_ep4_3 ;キャラ全員の状態を悪化させる。 for %tmp = 1 to cha_kazu_ep4_3 if ?r[%tmp][condition] <= 1 goto *rmenu_custom_btlp_190_ep4_3 mov %tmp2,?r[%tmp][condition] : dec %tmp2 : mov ?r[%tmp][condition],%tmp2 *rmenu_custom_btlp_190_ep4_3 next seplay 9,1023 *rmenu_custom_btlp_200_ep4_3 ;メニュー表示がTIPSなら、キャラに変更してしまう if %r_hyouji = 1 csp r_grim_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_3 if %r_hyouji = 2 csp r_char_lsp : mov %r_hyouji,0 : goto *rmenu_sai_hyouji_ep4_3 gosub *r_cha_botann_ep4_3 print 22 goto *rmenu_botann_saisettei_ep4_3 ~ if %BtnRes = 0 && %cha_page_mode = 1 goto *rmenu_botann_saisettei_ep4_3 if %BtnRes = 0 mov %r_hyouji_cha_enj,0 : goto *rmenu_botann_saisettei_ep4_3 if %BtnRes = r_save_lsp gosub *r_gazou_shokika_ep4_3 : seplay 9,1000 : gosub *savemode :goto *r_exit2_ep4_3 if %BtnRes = r_load_lsp gosub *r_gazou_shokika_ep4_3 : seplay 9,1000 : gosub *loadmode :goto *r_exit2_ep4_3 if %BtnRes = r_blog_lsp gosub *r_gazou_shokika_ep4_3 : seplay 9,1000 : gosub *text_cw_lookback : goto *rmenu_main_ep4_3 if %BtnRes = r_title_lsp seplay 9,1000 : goto *rmenu_title_back_ep4_3 if %BtnRes = r_exit_lsp goto *r_exit_ep4_3 if %BtnRes = -1 goto *r_exit_ep4_3 ;右クリックで抜ける if %BtnRes = -10 goto *r_exit_ep4_3 ;ＥＳＣで抜ける ;エピソード移動ボタン（押されたボタンによって、EP１のTips、EP２のTipsを移動する） notif %BtnRes = r_ep1_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,0 mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep4_3 goto *rmenu_main_ep1 ~ ;エピソード移動ボタン（押されたボタンによって、魔女空間に移動する） notif %BtnRes = r_ep2_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,1 mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep4_3 goto *rmenu_main_ep2 ~ notif %BtnRes = r_ep3_lsp jumpf ;各変数の初期化 mov %r_hyouji_cha,0 mov %r_side,1 mov %r_hyouji,1 mov %r_hyouji_tips,0 mov %tips_page,1 mov %r_hyouji_grim,0 mov %grim_page,1 lsp 0,":a;bmp\efe\ware.bmp",0,0 E_A seplay 9,1100 print 1 csp 0 mov %r_side_change,1 gosub *r_gazou_shokika_ep4_3 goto *rmenu_main_ep3 ~ ;NEXTボタン（人間サイド、魔女サイドの切替） notif %BtnRes = r_next_lsp jumpf ;各変数の初期化 mov %r_side,0 mov %r_hyouji,0 lsp 0,":a;bmp\efe\ware.bmp",0,0 seplay 9,1100 print 1 csp 0 mov %cha_text_page,1 mov %r_side_change,1 mov %r_hyouji_side,0 gosub *r_gazou_shokika_ep4_3 goto *rmenu_main_ep4 ~ ;衣装チェンジボタン（衣装のチェンジ出来るキャラはコンディションを１に初期化して、衣装チェンジを行う） notif %BtnRes = r_change_lsp jumpf mov ?r[%r_hyouji_cha_enj][condition],1 if ?r[%r_hyouji_cha_enj][r_ishou] = 1 mov ?r[%r_hyouji_cha_enj][r_ishou],2 : goto *r_change_lsp_100_ep4_3 if ?r[%r_hyouji_cha_enj][r_ishou] = 2 mov ?r[%r_hyouji_cha_enj][r_ishou],1 : goto *r_change_lsp_100_ep4_3 *r_change_lsp_100_ep4_3 gosub *r_cha_hyouji_ep4_3 seplay 9,1001 print 1 ~ if %BtnRes = cha_next_lsp inc %cha_text_page : mov %cha_page_flg,%r_hyouji_cha_enj : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 : jumpf if %BtnRes = cha_back_lsp dec %cha_text_page : mov %cha_page_flg,%r_hyouji_cha_enj : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 : jumpf ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %BtnRes = enj_eva_btn_lsp mov %r_hyouji_cha_enj,enj_eva : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;金蔵 if %BtnRes = enj_oko_btn_lsp mov %r_hyouji_cha_enj,enj_oko : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;戦人 if %BtnRes = enj_kas_btn_lsp mov %r_hyouji_cha_enj,enj_kas : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;真里亞 if %BtnRes = enj_enj_btn_lsp mov %r_hyouji_cha_enj,enj_enj : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;源氏 if %BtnRes = enj_ama_btn_lsp mov %r_hyouji_cha_enj,enj_ama : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;紗音 if %BtnRes = enj_sak_btn_lsp mov %r_hyouji_cha_enj,enj_sak : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = enj_mar_btn_lsp mov %r_hyouji_cha_enj,enj_mar : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;嘉音 if %BtnRes = enj_rg_btn_lsp mov %r_hyouji_cha_enj,enj_rg : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;ベアトリーチェ if %BtnRes = enj_pro_btn_lsp mov %r_hyouji_cha_enj,enj_pro : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;ベルンカステル if %BtnRes = enj_mas_btn_lsp mov %r_hyouji_cha_enj,enj_mas : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;ラムダデルタ if %BtnRes = enj_sab_btn_lsp mov %r_hyouji_cha_enj,enj_sab : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;姉妹 if %BtnRes = enj_kwa_btn_lsp mov %r_hyouji_cha_enj,enj_kwa : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;姉妹 if %BtnRes = enj_ber_btn_lsp mov %r_hyouji_cha_enj,enj_ber : gosub *r_cha_hyouji_ep4_3 : seplay 9,1001 : print 1 ;姉妹 ~ ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = tips1_lsp jumpf notif %r_hyouji_tips = 1 mov %tips_page,1 mov %r_hyouji_tips,1 gosub *r_tips_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = tips2_lsp jumpf notif %r_hyouji_tips = 2 mov %tips_page,1 mov %r_hyouji_tips,2 gosub *r_tips_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = tips3_lsp jumpf notif %r_hyouji_tips = 3 mov %tips_page,1 mov %r_hyouji_tips,3 gosub *r_tips_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = tips4_lsp jumpf notif %r_hyouji_tips = 4 mov %tips_page,1 mov %r_hyouji_tips,4 gosub *r_tips_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = tips5_lsp jumpf notif %r_hyouji_tips = 5 mov %tips_page,1 mov %r_hyouji_tips,5 gosub *r_tips_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = tips6_lsp jumpf notif %r_hyouji_tips = 6 mov %tips_page,1 mov %r_hyouji_tips,6 gosub *r_tips_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = tips7_lsp jumpf notif %r_hyouji_tips = 7 mov %tips_page,1 mov %r_hyouji_tips,7 gosub *r_tips_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ ;NEXT､Backが押された場合はそのページを表示する。 if %BtnRes = tips_next_lsp inc %tips_page : gosub *r_tips_hyouji_ep4_3 : goto *rmenu_botann_saisettei_ep4_3 if %BtnRes = tips_back_lsp dec %tips_page : gosub *r_tips_hyouji_ep4_3 : goto *rmenu_botann_saisettei_ep4_3 ;*************************************************************** ;Tipsが押された場合、Tips表示処理に飛ぶ notif %BtnRes = grim1_lsp jumpf notif %r_hyouji_grim = 1 mov %grim_page,1 mov %r_hyouji_grim,1 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim2_lsp jumpf notif %r_hyouji_grim = 2 mov %grim_page,1 mov %r_hyouji_grim,2 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim3_lsp jumpf notif %r_hyouji_grim = 3 mov %grim_page,1 mov %r_hyouji_grim,3 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim4_lsp jumpf notif %r_hyouji_grim = 4 mov %grim_page,1 mov %r_hyouji_grim,4 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim5_lsp jumpf notif %r_hyouji_grim = 5 mov %grim_page,1 mov %r_hyouji_grim,5 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim6_lsp jumpf notif %r_hyouji_grim = 6 mov %grim_page,1 mov %r_hyouji_grim,6 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim7_lsp jumpf notif %r_hyouji_grim = 7 mov %grim_page,1 mov %r_hyouji_grim,7 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim8_lsp jumpf notif %r_hyouji_grim = 8 mov %grim_page,1 mov %r_hyouji_grim,8 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim9_lsp jumpf notif %r_hyouji_grim = 9 mov %grim_page,1 mov %r_hyouji_grim,9 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim10_lsp jumpf notif %r_hyouji_grim = 10 mov %grim_page,1 mov %r_hyouji_grim,10 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim11_lsp jumpf notif %r_hyouji_grim = 11 mov %grim_page,1 mov %r_hyouji_grim,11 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ notif %BtnRes = grim12_lsp jumpf notif %r_hyouji_grim = 12 mov %grim_page,1 mov %r_hyouji_grim,12 gosub *r_grim_hyouji_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ~ if %BtnRes = grim_next_lsp inc %grim_page : gosub *r_grim_hyouji_ep4_3 : goto *rmenu_botann_saisettei_ep4_3 if %BtnRes = grim_back_lsp dec %grim_page : gosub *r_grim_hyouji_ep4_3 : goto *rmenu_botann_saisettei_ep4_3 goto *rmenu_botann_saisettei_ep4_3 ;******************************************************************************** ; 画像初期化ルーチン *r_gazou_shokika_ep4_3 for %tmp = 100 to r_used_lsp : csp %tmp next csp r_bg_lsp csp r_black_lsp return ;******************************************************************************** ;******************************************************************************** ; 右クリックシステムを抜ける処理 *r_exit_ep4_3 btndef "" gosub *r_gazou_shokika_ep4_3 csp r_bg_lsp csp r_black_lsp seplay 9,1100 print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;------------------------------------- ; 右クリックシステムを抜ける処理割れるエフェクトなし *r_exit2_ep4_3 btndef "" gosub *r_gazou_shokika_ep4_3 csp r_bg_lsp csp r_black_lsp print 1 texton if %monoflg = 1 mono 1 if %monoflg = 2 mono 2 return ;右クリックシステムを抜ける ;******************************************************************************** ;******************************************************************************** ;Tipsの表示、それぞれTipsの表示処理に飛ぶ *r_tips_hyouji_ep4_3 csp cha_next_lsp csp cha_back_lsp notif %r_hyouji_tips = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y print 1 return ~ mov %r_hyouji,1 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?tips[%r_hyouji_tips][tips_flg] = 0 mov %r_hyouji_tips,0 : mov %tips_page,1 : return ;mov %r_hyouji_cha_enj,0 ;tispの表示を０（なしにする） ;衣装替え、チェンジボタンの消去 csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %tips_page <= 0 mov %tips_page,1 if %tips_page > ?tips[%r_hyouji_tips][tips_page_max] mov %tips_page,?tips[%r_hyouji_tips][tips_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp tips_next_lsp csp tips_back_lsp mov %tmp,r_top_y : add %tmp,377 if %tips_page < ?tips[%r_hyouji_tips][tips_page_max] lsp tips_next_lsp,tips_next,580,%tmp if %tips_page > 1 lsp tips_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_tips = 1 goto *tips_ep4_3_1 cell tips1_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\1_1.png" *tips_ep4_3_1 notif %r_hyouji_tips = 2 goto *tips_ep4_3_2 cell tips2_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\2_1.png" *tips_ep4_3_2 notif %r_hyouji_tips = 3 goto *tips_ep4_3_3 cell tips3_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\3_1.png" *tips_ep4_3_3 notif %r_hyouji_tips = 4 goto *tips_ep4_3_4 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\4_1.png" cell tips4_lsp,1 *tips_ep4_3_4 notif %r_hyouji_tips = 5 goto *tips_ep4_3_5 cell tips5_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\5_1.png" *tips_ep4_3_5 notif %r_hyouji_tips = 6 goto *tips_ep4_3_6 cell tips6_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\6_1.png" *tips_ep4_3_6 notif %r_hyouji_tips = 7 goto *tips_ep4_3_7 cell tips7_lsp,1 if %tips_page = 1 mov $r_tips_txt_path,":a;bmp\r_click\text\tips\ep4\7_1.png" *tips_ep4_3_7 csp cha_lsp csp r_cha_txt_lsp lsp r_tips_txt_lsp,$r_tips_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;Grimoireの表示、それぞれGrimoireの表示処理にfly *r_grim_hyouji_ep4_3 csp cha_next_lsp csp cha_back_lsp csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp notif %r_hyouji_grim = 0 jumpf mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" csp cha_lsp csp r_cha_txt_lsp lsp r_txt_lsp,$r_txt_path,188,r_top_y if %r_side_change = 0 print 1 return ~ mov %r_hyouji,2 ;フラグがないtipsを選択されていたら、tipsに０を入れてスキップさせる。 if ?grim[%r_hyouji_grim][grim_flg] = 0 mov %r_hyouji_grim,0 : mov %grim_page,1 : return ;mov %r_hyouji_cha,0 ;tispの表示を０（なしにする） csp r_change_lsp ;tips表示数のチェック、ページ数が０なら１に最大ページ数を超えていたら最大ページ数に if %grim_page <= 0 mov %grim_page,1 if %grim_page > ?grim[%r_hyouji_grim][grim_page_max] mov %grim_page,?grim[%r_hyouji_grim][grim_page_max] ;次のページがある場合はNextを２ページ以降ならBackのボタンを表示 vsp r_hana_lsp,0 csp grim_next_lsp csp grim_back_lsp mov %tmp,r_top_y : add %tmp,377 if %grim_page < ?grim[%r_hyouji_grim][grim_page_max] lsp grim_next_lsp,tips_next,580,%tmp if %grim_page > 1 lsp grim_back_lsp,tips_back,530,%tmp ;肖像画の碑文 notif %r_hyouji_grim = 1 goto *grim_ep4_3_1 cell grim1_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_1.png" if %grim_page = 2 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_2.png" if %grim_page = 3 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_3.png" if %grim_page = 4 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_4.png" if %grim_page = 5 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\n0_5.png" *grim_ep4_3_1 notif %r_hyouji_grim = 2 goto *grim_ep4_3_2 cell grim2_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n1_1.png" *grim_ep4_3_2 notif %r_hyouji_grim = 3 goto *grim_ep4_3_3 cell grim3_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n2_1.png" *grim_ep4_3_3 notif %r_hyouji_grim = 4 goto *grim_ep4_3_4 cell grim4_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n3_1.png" *grim_ep4_3_4 notif %r_hyouji_grim = 5 goto *grim_ep4_3_5 cell grim5_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n4_1.png" *grim_ep4_3_5 notif %r_hyouji_grim = 6 goto *grim_ep4_3_6 cell grim6_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n5_1.png" *grim_ep4_3_6 notif %r_hyouji_grim = 7 goto *grim_ep4_3_7 cell grim7_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n6_1.png" *grim_ep4_3_7 notif %r_hyouji_grim = 8 goto *grim_ep4_3_8 cell grim8_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n7_1.png" *grim_ep4_3_8 notif %r_hyouji_grim = 9 goto *grim_ep4_3_9 cell grim9_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n8_1.png" *grim_ep4_3_9 notif %r_hyouji_grim = 10 goto *grim_ep4_3_10 cell grim10_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n9_1.png" *grim_ep4_3_10 notif %r_hyouji_grim = 11 goto *grim_ep4_3_11 cell grim11_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n10_1.png" *grim_ep4_3_11 notif %r_hyouji_grim = 12 goto *grim_ep4_3_12 cell grim12_lsp,1 if %grim_page = 1 mov $r_grim_txt_path,":a;bmp\r_click\text\notes\ep4n11_1.png" *grim_ep4_3_12 csp cha_lsp csp r_cha_txt_lsp lsp r_grim_txt_lsp,$r_grim_txt_path,188,r_top_y seplay 9,1010 print 1 return ;******************************************************************************** ;******************************************************************************** ;キャラの立ち絵、テキストの表示、それぞれのキャラ毎に処理を行う *r_cha_hyouji_ep4_3 if %r_hyouji_cha_enj = 0 return mov %r_hyouji,0 ;mov %tips_page ,1 ;mov %r_hyouji_tips,0 ;tispの表示を０（なしにする） csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_grim_txt_lsp csp grim_next_lsp csp grim_back_lsp vsp r_hana_lsp,1 csp cha_next_lsp csp cha_back_lsp if %cha_text_page > ?r_cha_text[4][%r_hyouji_cha_enj][2] mov %cha_text_page,1 notif %cha_page_flg = %r_hyouji_cha_enj mov %cha_text_page,1 ;タイトル画面から入っていて、所定のキャラならチェンジボタンを表示する、それ以外ならボタンを消去 csp r_change_lsp notif %r_for_title = 1 jumpf ;衣装変更があるキャラを表示している場合は、チェンジボタンを表示 ;（キャラ表示ルーチンで対応？） ;if %r_hyouji_cha_enj = ma3_ev2 lsp r_change_lsp,r_change,572,452 ~ ;キャラアイコンが押された場合、それぞれのキャラへとジャンプする if %r_hyouji_cha_enj = enj_eva : gosub *r_cha_eva_ep4_3 ;金蔵 if %r_hyouji_cha_enj = enj_oko : gosub *r_cha_oko_ep4_3 ;戦人 if %r_hyouji_cha_enj = enj_kas : gosub *r_cha_kas_ep4_3 ;真里亞 if %r_hyouji_cha_enj = enj_enj : gosub *r_cha_enj_ep4_3 ;源氏 if %r_hyouji_cha_enj = enj_ama : gosub *r_cha_ama_ep4_3 ;紗音 if %r_hyouji_cha_enj = enj_sak : gosub *r_cha_sak_ep4_3 ;嘉音 if %r_hyouji_cha_enj = enj_mar : gosub *r_cha_mar_ep4_3 ;嘉音 if %r_hyouji_cha_enj = enj_rg : gosub *r_cha_rg_ep4_3 ;bea if %r_hyouji_cha_enj = enj_pro : gosub *r_cha_pro_ep4_3 ;ber if %r_hyouji_cha_enj = enj_mas : gosub *r_cha_mas_ep4_3 ;lam if %r_hyouji_cha_enj = enj_sab : gosub *r_cha_sab_ep4_3 ;rg if %r_hyouji_cha_enj = enj_kwa : gosub *r_cha_kwa_ep4_3 ;rg if %r_hyouji_cha_enj = enj_ber : gosub *r_cha_ber_ep4_3 ;rg if ?r_cha_text[4][%r_hyouji_cha_enj][2] > %cha_text_page lsp cha_next_lsp,tips_next,200,407 if %cha_text_page > 1 lsp cha_back_lsp,tips_back,250,407 ;(表示処理） lsp cha_lsp,$r_cha_tati_path,?r[%r_hyouji_cha_enj][tati_x],0 lsp r_cha_txt_lsp,$r_txt_path,188,r_top_y return ;******************************************************************************** ;******************************************************************************** ;******************************************************* ;　■キャラ情報表示 ; ;　　キャラ立ち絵 ;　　コメント１（名前、年齢など変化しない、しにくい部分） ;　　コメント２（現在状況等、状況によって変化するところ） ;　　キャラクター切り替えボタン　←→ ; ;******************************************************* ;****************************************** ;キャラの立ち絵の表示 ;キャラ毎の細かいルーチンへの移動。 ;****************************************** ;------------------------------ *r_cha_eva_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\eva_d3.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\eva_1.png" notif ?r[%r_hyouji_cha_enj][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\eva_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\eva_12.png" ~ return ;------------------------------ *r_cha_oko_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\oko.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\oko_1.png" return ;------------------------------ *r_cha_kas_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kas.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\kas_1.png" notif ?r[%r_hyouji_cha_enj][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\kas_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\kas_12.png" ~ return ;------------------------------ *r_cha_enj_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\enj_1.png" mov ?r[%r_hyouji_cha_enj][tati_x],440 ;衣装チェンジがされた場合は私服に変更する。 if ?r[%r_hyouji_cha_enj][r_ishou] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj.png" : mov ?r[%r_hyouji_cha_enj][tati_x],440 : lsp enj_enj_btn_lsp,":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l.png",?r[%r_hyouji_cha_enj][itiran_x],?r[%r_hyouji_cha_enj][itiran_y] if ?r[%r_hyouji_cha_enj][r_ishou] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\enj_2.png" : mov ?r[%r_hyouji_cha_enj][tati_x],415 : lsp enj_enj_btn_lsp,":c/2,0,3;custom\bmp\Tipsmenu\buttons\enj_l2.png",?r[%r_hyouji_cha_enj][itiran_x],?r[%r_hyouji_cha_enj][itiran_y] return ;------------------------------ *r_cha_ama_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ama.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" ;if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\ama_1.png" notif ?r[%r_hyouji_cha_enj][condition] = 1 jumpf if %cha_text_page = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\ama_11.png" if %cha_text_page = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\ama_12.png" ~ return ;------------------------------ *r_cha_sak_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sak.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\sak_1.png" return ;------------------------------ *r_cha_mar_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar_2.png" if ?r[%r_hyouji_cha_enj][condition] = 2 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mar_2.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\mar_1.png" if ?r[%r_hyouji_cha_enj][condition] = 2 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\mar_2.png" return ;------------------------------ *r_cha_rg_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\lam.png" ;ランダムで７姉妹の内、一人を表示 rnd2 %ran,1,7 ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if %ran = 1 && ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\rg1_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg1.png" if %ran = 2 && ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\rg2_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg2.png" if %ran = 3 && ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\rg3_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg3.png" if %ran = 4 && ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\rg4_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg4.png" if %ran = 5 && ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\rg5_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg5.png" if %ran = 6 && ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\rg6_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg6.png" if %ran = 7 && ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\rg7_1.png" : mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\rg7.png" return ;------------------------------ *r_cha_pro_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\pro.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\pro_1.png" return ;------------------------------ *r_cha_mas_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\mas.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\mas_1.png" return ;------------------------------ *r_cha_sab_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\sab.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\sab_1.png" return ;------------------------------ *r_cha_kwa_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\kwa.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\kwa_1.png" return ;------------------------------ *r_cha_ber_ep4_3 ;状態、進行によってコメントを変える if ?r[%r_hyouji_cha_enj][condition] = 0 return if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_cha_tati_path,":a;custom\bmp\Tipsmenu\ber.png" ;(状態に応じたテキスト文を表示） if ?r[%r_hyouji_cha_enj][condition] = 0 mov $r_txt_path,":a;bmp\r_click\text\txt_def2.bmp" if ?r[%r_hyouji_cha_enj][condition] = 1 mov $r_txt_path,":a;bmp\r_click\text\cha\ep4_3\ber_1.png" return ;------------------------------ ;************************************************************** ; 右クリック、Tipsボタンの表示 ;************************************************************** *r_tips_botann_ep4_3 for %tmp2 = enj_eva_btn_lsp to enj_ber_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips1_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?tips[1][tips_flg] = 1 lsp tips1_lsp,r_tips_4_1,%tmp,%tmp1 : add %tmp1,32 if ?tips[2][tips_flg] = 1 lsp tips2_lsp,r_tips_4_2,%tmp,%tmp1 : add %tmp1,32 if ?tips[3][tips_flg] = 1 lsp tips3_lsp,r_tips_4_3,%tmp,%tmp1 : add %tmp1,32 if ?tips[4][tips_flg] = 1 lsp tips4_lsp,r_tips_4_4,%tmp,%tmp1 : add %tmp1,32 if ?tips[5][tips_flg] = 1 lsp tips5_lsp,r_tips_4_5,%tmp,%tmp1 : add %tmp1,32 if ?tips[6][tips_flg] = 1 lsp tips6_lsp,r_tips_4_6,%tmp,%tmp1 : add %tmp1,32 if ?tips[7][tips_flg] = 1 lsp tips7_lsp,r_tips_4_7,%tmp,%tmp1 : add %tmp1,32 return ;************************************************************** *r_grim_botann_ep4_3 for %tmp2 = kin_btn_lsp to enj_btn_lsp : csp %tmp2 :next for %tmp2 = tips1_lsp to tips7_lsp : csp %tmp2 :next csp r_tips_txt_lsp csp tips_next_lsp csp tips_back_lsp csp r_cha_back_lsp vsp r_hana_lsp,1 ;背景黒枠の表示 lsp r_tips1_back_lsp,r_tips1_back,12,r_top_y,150 ;tipsの表示（tipsナンバーによって表示するtipsの数を変化 mov %tmp,12 : mov %tmp1,r_top_y if ?grim[1][grim_flg] = 1 lsp grim1_lsp,r_grim1,%tmp,%tmp1 : add %tmp,91 if ?grim[2][grim_flg] = 1 lsp grim2_lsp,r_grim2,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[3][grim_flg] = 1 lsp grim3_lsp,r_grim3,%tmp,%tmp1 : add %tmp,91 if ?grim[4][grim_flg] = 1 lsp grim4_lsp,r_grim4,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[5][grim_flg] = 1 lsp grim5_lsp,r_grim5,%tmp,%tmp1 : add %tmp,91 if ?grim[6][grim_flg] = 1 lsp grim6_lsp,r_grim6,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[7][grim_flg] = 1 lsp grim7_lsp,r_grim7,%tmp,%tmp1 : add %tmp,91 if ?grim[8][grim_flg] = 1 lsp grim8_lsp,r_grim8,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[9][grim_flg] = 1 lsp grim9_lsp,r_grim9,%tmp,%tmp1 : add %tmp,91 if ?grim[10][grim_flg] = 1 lsp grim10_lsp,r_grim10,%tmp,%tmp1 : sub %tmp,91 : add %tmp1,32 if ?grim[11][grim_flg] = 1 lsp grim11_lsp,r_grim11,%tmp,%tmp1 : add %tmp,91 if ?grim[12][grim_flg] = 1 lsp grim12_lsp,r_grim12,%tmp,%tmp1 return ;************************************************************** ; 右クリック、キャラ一覧の表示 ;************************************************************** *r_cha_botann_ep4_3 ;tips用ボタンの削除 mov %tmp,tips1_lsp : add %tmp,%tips_kazu for %tmp2 = tips1_lsp to %tmp : csp %tmp2 :next for %tmp2 = grim1_lsp to grim14_lsp : csp %tmp2 :next csp grim_next_lsp csp grim_back_lsp csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp csp r_grim_txt_lsp vsp r_hana_lsp,1 ;背景の表示 lsp r_cha_back_lsp,$r_cha_back,12,r_top_y ;キャラアイコンの表示(コンディションによって表示を変える) mov %tmp,enj_eva_btn_lsp for %tmp2 = 1 to cha_kazu_ep4_3 if ?r[%tmp2][condition] = -1 jumpf ;コンデション−１は完全に非表示 lsp %tmp,$?r[%tmp2][?r[%tmp2][condition]],?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;衣装によってキャラアイコンの表示を切り替える ;if %tmp2 = enj_enj && ?r[%tmp2][r_ishou] = 2 lsp enj_enj_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4_3\enj_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = geo && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp geo_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep2\geo_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ;if %tmp2 = kan && ?r[%tmp2][condition] = 1 && ?r[%tmp2][r_ishou] = 2 lsp kan_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep2\kan_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] if %tmp2 = enj_enj && ?r[%tmp2][r_ishou] = 2 : lsp enj_enj_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4_3\enj_l2.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] if %tmp2 = enj_enj && ?r[%tmp2][r_ishou] = 1 : lsp enj_enj_btn_lsp,":c/2,0,3;bmp\r_click\cha_btn\ep4_3\enj_l.bmp",?r[%tmp2][itiran_x],?r[%tmp2][itiran_y] ~ inc %tmp next ;現在表示しているキャラを表示 gosub *r_cha_hyouji_ep4_3 return ;キャラ一覧、個別キャラごとの変更。 *r_cha_botann_kobetu_ep4_3 csp tips_next_lsp csp tips_back_lsp csp r_tips_txt_lsp vsp r_hana_lsp,1 mov %tmp,kin_btn_lsp : add %tmp,%r_hyouji_cha_enj : dec %tmp lsp %tmp,$?r[%r_hyouji_cha_enj][?r[%r_hyouji_cha_enj][condition]],?r[%r_hyouji_cha_enj][itiran_x],?r[%r_hyouji_cha_enj][itiran_y] return ;************************************************************** ;************************************************************** ; 右クリック、タイトルバック機能 ; 確認メッセージを出して、処理を行う。 ;************************************************************** *rmenu_title_back_ep4_3 ;確認メッセージの表示 lsp title_back_bg_lsp,title_back_bg,193,171,230 lsp title_back_yes_lsp,title_back_yes,216,216 lsp title_back_no_lsp,title_back_no,216,254 print 1 btndef "" spbtn title_back_yes_lsp,title_back_yes_lsp spbtn title_back_no_lsp,title_back_no_lsp *rmenu_title_back_btn_lp_ep4_3 btnwait2 %tmp notif %tmp = title_back_yes_lsp jumpf btndef "" csp -1 E_A mov %title_skip,1 seplay 9,18 bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" delay 3000 texton reset ~ if %tmp = title_back_no_lsp csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp : seplay 9,1000 : goto *rmenu_sai_hyouji_ep4_3 if %tmp = 0 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep4_3 if %tmp = -1 csp title_back_bg_lsp : csp title_back_yes_lsp :csp title_back_no_lsp goto *rmenu_sai_hyouji_ep4_3 goto *rmenu_title_back_btn_lp_ep4_3 ;************************************************************** ;****************************************************************** ;　右クリックシステム、エピソード４　シーン変数による各変数の設定 ;****************************************************************** ;--------------------------------- ;シーン０（ゲーム開始時） *rmenu_main_ep4_3_scene_40000 mov ?r[enj_eva][condition],1 mov ?r[enj_enj][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_0.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40001 mov ?r[ma4_enj][condition],1 mov ?r[ma4_ber][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" mov ?r[ma4_enj][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_enj][itiran_y],%tmp mov ?r[ma4_ber][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_ber][itiran_y],%tmp return ;--------------------------------- *rmenu_main_ep4_2_scene_40005 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_0.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40030 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_0.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40040 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_1.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40050 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov ?r[enj_kas][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_2.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40060 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_3.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40070 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 mov ?r[enj_ber][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_3.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40080 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_3.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40090 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_1.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40100 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_2.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40110 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],1 mov ?r[ma4_mar][condition],2 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_2.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40120 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 mov ?r[enj_pro][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_3.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40130 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 mov ?r[enj_pro][condition],1 mov ?r[enj_mar][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_5.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40140 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 mov ?r[enj_pro][condition],1 mov ?r[enj_mar][condition],1 mov ?r[enj_rg][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_6.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40150 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" mov ?r[ma4_lam][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_lam][itiran_y],%tmp mov ?r[ma4_enj][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_enj][itiran_y],%tmp return ;--------------------------------- *rmenu_main_ep4_2_scene_40160 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],1 mov ?r[ma4_mar][condition],2 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_2.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40170 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],2 mov ?r[ma4_mar][condition],2 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_2.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40175 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 : mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 : mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 : mov ?r[enj_pro][condition],1 mov ?r[enj_mar][condition],1 : mov ?r[enj_rg][condition],1 mov ?r[enj_sak][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_7.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40180 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],2 mov ?r[ma4_mar][condition],2 mov ?r[ma4_s][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_4.bmp" return ;--------------------------------- *rmenu_main_ep4_scene_40190 return ;--------------------------------- *rmenu_main_ep4_2_scene_40200 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],2 mov ?r[ma4_mar][condition],2 mov ?r[ma4_s][condition],1 mov ?r[ma4_ron][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_5.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40210 mov ?r[ma4_ber][condition],1 mov ?r[ma4_lam][condition],1 mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],2 mov ?r[ma4_mar][condition],2 mov ?r[ma4_s][condition],1 mov ?r[ma4_ron][condition],1 mov ?r[ma4_wal][condition],1 mov ?r[ma4_goa][condition],1 mov ?r[ma4_rg][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_6.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40220 mov ?r[ma4_ber][condition],1 : mov ?r[ma4_lam][condition],1 : mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 : mov ?r[ma4_bea][condition],1 : mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],2 : mov ?r[ma4_mar][condition],2 : mov ?r[ma4_s][condition],1 mov ?r[ma4_ron][condition],1 : mov ?r[ma4_wal][condition],1 : mov ?r[ma4_goa][condition],1 mov ?r[ma4_rg][condition],1 mov ?r[ma4_gap][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_7.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40230 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 : mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 : mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 : mov ?r[enj_pro][condition],1 mov ?r[enj_mar][condition],1 : mov ?r[enj_rg][condition],1 mov ?r[enj_sak][condition],1 : mov ?r[enj_mas][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_7.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40240 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 : mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 : mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 : mov ?r[enj_pro][condition],1 mov ?r[enj_mar][condition],1 : mov ?r[enj_rg][condition],1 mov ?r[enj_sak][condition],1 : mov ?r[enj_mas][condition],1 mov ?r[enj_sab][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_7.bmp" return ;--------------------------------- *rmenu_main_ep4_3_scene_40250 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 : mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 : mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 : mov ?r[enj_pro][condition],1 mov ?r[enj_mar][condition],1 : mov ?r[enj_rg][condition],1 mov ?r[enj_sak][condition],1 : mov ?r[enj_mas][condition],1 mov ?r[enj_sab][condition],1 : mov ?r[enj_kwa][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_7.bmp" return ;--------------------------------- *rmenu_main_ep4_scene_40260 mov ?r[geo][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40270 mov ?r[geo][condition],2 mov ?r[but][condition],-1 mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back16.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40280 mov ?r[ma4_bea][condition],1 mov ?r[ma4_mar][condition],2 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" mov ?r[ma4_mar][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_mar][itiran_y],%tmp mov ?r[ma4_bea][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_bea][itiran_y],%tmp return ;--------------------------------- *rmenu_main_ep4_3_scene_40290 for %tmp = 1 to cha_kazu_ep4_3 : mov ?r[%tmp][condition],-1 : next mov ?r[enj_enj][condition],1 : mov ?r[enj_eva][condition],1 mov ?r[enj_oko][condition],1 : mov ?r[enj_kas][condition],1 mov ?r[enj_ama][condition],1 : mov ?r[enj_pro][condition],1 mov ?r[enj_mar][condition],1 : mov ?r[enj_rg][condition],1 mov ?r[enj_sak][condition],1 : mov ?r[enj_mas][condition],1 mov ?r[enj_sab][condition],1 : mov ?r[enj_kwa][condition],1 mov ?r[enj_ber][condition],1 mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_3_7.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40300 mov ?r[ma4_enj][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_mar][condition],2 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" mov ?r[ma4_enj][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_enj][itiran_y],%tmp mov ?r[ma4_mar][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_mar][itiran_y],%tmp mov ?r[ma4_bea][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_bea][itiran_y],%tmp return ;--------------------------------- *rmenu_main_ep4_2_scene_40310 mov ?r[ma4_enj][condition],1 mov ?r[ma4_sak][condition],1 mov ?r[ma4_bea][condition],1 mov ?r[ma4_mar][condition],2 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" mov ?r[ma4_enj][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_enj][itiran_y],%tmp mov ?r[ma4_sak][itiran_x],62 : mov %tmp,55 : add %tmp,r_top_y : mov ?r[ma4_sak][itiran_y],%tmp mov ?r[ma4_mar][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_mar][itiran_y],%tmp mov ?r[ma4_bea][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_bea][itiran_y],%tmp return ;--------------------------------- *rmenu_main_ep4_2_scene_40320 mov ?r[ma4_enj][condition],1 mov ?r[ma4_bea][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" mov ?r[ma4_enj][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_enj][itiran_y],%tmp mov ?r[ma4_bea][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_bea][itiran_y],%tmp return ;--------------------------------- *rmenu_main_ep4_2_scene_40330 mov ?r[ma4_ber][condition],1 : mov ?r[ma4_lam][condition],1 : mov ?r[ma4_enj][condition],1 mov ?r[ma4_mar][condition],1 : mov ?r[ma4_bea][condition],1 : mov ?r[ma4_kin][condition],1 mov ?r[ma4_sak][condition],1 : mov ?r[ma4_mar][condition],2 : mov ?r[ma4_s][condition],1 mov ?r[ma4_ron][condition],1 : mov ?r[ma4_wal][condition],1 : mov ?r[ma4_goa][condition],1 mov ?r[ma4_rg][condition],1 mov ?r[ma4_gap][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\ba4_2_7.bmp" return ;--------------------------------- *rmenu_main_ep4_scene_40350 mov ?r[geo][condition],2 mov ?r[eva][condition],2 mov ?r[rud][condition],2 mov ?r[ros][condition],2 mov ?r[nat][condition],2 mov ?r[hid][condition],2 mov ?r[gen][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40360 mov ?r[geo][condition],2 mov ?r[eva][condition],2 mov ?r[rud][condition],2 mov ?r[ros][condition],2 mov ?r[nat][condition],2 mov ?r[hid][condition],2 mov ?r[gen][condition],2 mov ?r[mar][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40370 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40380 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 : mov ?r[kir][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40390 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 : mov ?r[kir][condition],2 mov ?r[kla][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40400 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 : mov ?r[kir][condition],2 mov ?r[kla][condition],2 mov ?r[nan][condition],2 : mov ?r[sha][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40410 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 : mov ?r[kir][condition],2 mov ?r[kla][condition],2 : mov ?r[sha][condition],2 mov ?r[nan][condition],2 : mov ?r[kin][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40420 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 : mov ?r[kir][condition],2 mov ?r[kla][condition],2 : mov ?r[sha][condition],2 mov ?r[nan][condition],2 : mov ?r[kin][condition],2 mov ?r[goh][condition],2 : mov ?r[kum][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40430 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 : mov ?r[kir][condition],2 mov ?r[kla][condition],2 : mov ?r[sha][condition],2 mov ?r[nan][condition],2 : mov ?r[kin][condition],2 mov ?r[goh][condition],2 : mov ?r[kum][condition],2 mov ?r[kan][condition],2 return ;--------------------------------- *rmenu_main_ep4_scene_40440 mov ?r[geo][condition],2 : mov ?r[eva][condition],2 mov ?r[rud][condition],2 : mov ?r[ros][condition],2 mov ?r[nat][condition],2 : mov ?r[hid][condition],2 mov ?r[gen][condition],2 : mov ?r[mar][condition],2 mov ?r[jes][condition],2 : mov ?r[kir][condition],2 mov ?r[kla][condition],2 : mov ?r[sha][condition],2 mov ?r[nan][condition],2 : mov ?r[kin][condition],2 mov ?r[goh][condition],2 : mov ?r[kum][condition],2 mov ?r[kan][condition],2 mov ?r[but][condition],1 mov ?r[bea][condition],1 mov ?r[bea][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[bea][itiran_y],%tmp ;キャラ一覧表示の背景を変える ;mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" return ;--------------------------------- *rmenu_main_ep4_2_scene_40450 mov ?r[ma4_lam][condition],1 mov ?r[ma4_ber][condition],1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" mov ?r[ma4_lam][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_lam][itiran_y],%tmp mov ?r[ma4_ber][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma4_ber][itiran_y],%tmp return ;--------------------------------- ;****************************************************************** ;　右クリックシステム、エピソード３　シーン変数による各変数の設定 ;****************************************************************** ;メモ ;シーン変数の入力　mov %play_scene,30030 ;登場　seplay2 9,1060,70 ;死亡　seplay2 9,1061,70 ;Tips入手　seplay2 9,1062,70 ;mov %r_hyouji_cha,0 ;mov %r_hyouji_tips,1 ;mov %tips_page,1 ;--------------------------------- ;シーン１０（ゲーム開始時） *rmenu_main_ep3_scene_30000 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],-1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next return ;シーン１０（ゲーム開始時　魔女サイド） *rmenu_main_ep3_2_scene_30000 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next return ;--------------------------------- *rmenu_main_ep3_scene_30010 *rmenu_main_ep3_scene_30020 *rmenu_main_ep3_scene_30030 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 19 to 22 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 return ;シーン１０（ゲーム開始時　魔女サイド） *rmenu_main_ep3_2_scene_30010 *rmenu_main_ep3_2_scene_30020 *rmenu_main_ep3_2_scene_30030 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_bea][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back10.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30021 *rmenu_main_ep3_scene_30031 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 19 to 22 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 return ;シーン１０（ゲーム開始時　魔女サイド） *rmenu_main_ep3_2_scene_30021 *rmenu_main_ep3_2_scene_30031 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_bea][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back10.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30022 *rmenu_main_ep3_scene_30032 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 19 to 22 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;シーン１０（ゲーム開始時　魔女サイド） *rmenu_main_ep3_2_scene_30022 *rmenu_main_ep3_2_scene_30032 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_bea][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back10.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30035 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;シーン１０（ゲーム開始時　魔女サイド） *rmenu_main_ep3_2_scene_30035 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_bea][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back10.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30040 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;シーン１０（ゲーム開始時　魔女サイド） *rmenu_main_ep3_2_scene_30040 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_bea][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back10.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30050 *rmenu_main_ep3_scene_30060 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30050 *rmenu_main_ep3_2_scene_30060 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_bea][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back11.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30070 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30070 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back12.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30071 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30071 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back12.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30080 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30080 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back12.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30090 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30090 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back12.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30100 *rmenu_main_ep3_scene_30110 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30100 *rmenu_main_ep3_2_scene_30110 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back12.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30120 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30120 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30130 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30130 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_lam][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_lam][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_lam][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30140 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30140 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_lam][condition],1 mov ?r[ma3_ber][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_lam][itiran_x],106 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_lam][itiran_y],%tmp mov ?r[ma3_ber][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_ber][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30150 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30150 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30160 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30160 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30170 ;（楼座、真里亞の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30170 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30180 ;（楼座、真里亞の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30180 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30181 ;（楼座、真里亞の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30181 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back13.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30190 ;（シエスタ姉妹の追加） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30190 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30200 ;（シエスタ姉妹の追加） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30200 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30210 ;（留弗夫、霧江、秀吉の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30210 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30220 ;（留弗夫、霧江、秀吉の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30220 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30230 ;（蔵臼、夏妃の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30230 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30240 ;（譲治の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30240 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30250 ;（南條の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30250 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30260 ;（南條の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30260 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30270 ;（戦人の死亡） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30270 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30280 ;（黄金郷） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30280 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30281 ;（黄金郷） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30281 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 return;--------------------------------- *rmenu_main_ep3_scene_30282 ;（黄金郷） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30282 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_30283 ;（黄金郷） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_30283 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 return ;--------------------------------- ;************************************ *rmenu_main_ep3_scene_31010 ;（お茶会） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 mov ?r[jes][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_31010 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;キャラ状態設定 mov ?r[ma3_bea][condition],1 mov ?r[ma3_ber][condition],1 mov ?r[ma3_lam][condition],1 ;表示位置の修正 mov ?r[ma3_bea][itiran_x],38 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ber][itiran_x],84 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_ber][itiran_y],%tmp mov ?r[ma3_lam][itiran_x],130 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_lam][itiran_y],%tmp ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 return ;************************************ *rmenu_main_ep3_scene_31011 ;（お茶会） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 mov ?r[jes][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_31011 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;キャラ状態設定 mov ?r[ma3_bea][condition],1 mov ?r[ma3_ber][condition],1 mov ?r[ma3_lam][condition],1 ;表示位置の修正 mov ?r[ma3_bea][itiran_x],38 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ber][itiran_x],84 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_ber][itiran_y],%tmp mov ?r[ma3_lam][itiran_x],130 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_lam][itiran_y],%tmp ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_31020 ;（お茶会） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 mov ?r[jes][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_31020 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;キャラ状態設定 mov ?r[ma3_bea][condition],1 mov ?r[ma3_lam][condition],1 ;表示位置の修正 mov ?r[ma3_bea][itiran_x],62 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_lam][itiran_x],106 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma3_lam][itiran_y],%tmp ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_32010 ;（？？？） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[bea][condition],-1 mov ?r[eva][condition],1 mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 mov ?r[jes][condition],2 ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_32010 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_32020 ;（？？？） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[bea][condition],-1 mov ?r[eva][condition],1 mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 mov ?r[jes][condition],2 mov ?r[enj][condition],1 mov ?r[enj][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[enj][itiran_y],%tmp mov ?r[mar][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back4.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_32020 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_32030 ;（？？？） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[bea][condition],-1 mov ?r[eva][condition],1 mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 mov ?r[jes][condition],2 mov ?r[enj][condition],1 mov ?r[enj][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[enj][itiran_y],%tmp mov ?r[mar][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back4.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_32030 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_ber][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_ber][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_ber][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back14.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;--------------------------------- *rmenu_main_ep3_scene_32040 ;（？？？） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to cha_kazu_ep3 : mov ?r[%tmp][condition],-1 : next mov ?r[bea][condition],-1 mov ?r[eva][condition],1 mov ?r[kin][condition],2 mov ?r[gen][condition],2 mov ?r[sha][condition],2 mov ?r[kan][condition],2 mov ?r[goh][condition],2 mov ?r[kum][condition],2 mov ?r[ros][condition],2 mov ?r[mar][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[hid][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[geo][condition],2 mov ?r[nan][condition],2 mov ?r[but][condition],2 mov ?r[jes][condition],2 mov ?r[enj][condition],1 mov ?r[enj][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[enj][itiran_y],%tmp mov ?r[mar][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[mar][itiran_y],%tmp mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back4.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;（魔女サイド） *rmenu_main_ep3_2_scene_32040 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep3_2 : mov ?r[%tmp][condition],-1 : next ;mov ?r[enj][condition],-1 mov ?r[ma3_bea][condition],1 mov ?r[ma3_rg][condition],1 mov ?r[ma3_goa][condition],1 mov ?r[ma3_ron][condition],1 mov ?r[ma3_wal][condition],1 mov ?r[ma3_ev2][condition],1 mov ?r[ma3_s][condition],1 mov ?r[ma3_ber][condition],1 mov ?r[ma3_enj][condition],1 mov ?r[ma3_wal][itiran_x],17 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_wal][itiran_y],%tmp mov ?r[ma3_ber][itiran_x],150 : mov %tmp,7 : add %tmp,r_top_y : mov ?r[ma3_ber][itiran_y],%tmp mov ?r[ma3_bea][itiran_x],17 : mov %tmp,52 : add %tmp,r_top_y : mov ?r[ma3_bea][itiran_y],%tmp mov ?r[ma3_ev2][itiran_x],17 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_ev2][itiran_y],%tmp mov ?r[ma3_s][itiran_x],62 : mov %tmp,96 : add %tmp,r_top_y : mov ?r[ma3_s][itiran_y],%tmp mov ?r[ma3_ron][itiran_x],62 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_ron][itiran_y],%tmp mov ?r[ma3_rg][itiran_x],106 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_rg][itiran_y],%tmp mov ?r[ma3_goa][itiran_x],150 : mov %tmp,140 : add %tmp,r_top_y : mov ?r[ma3_goa][itiran_y],%tmp mov ?r[ma3_enj][itiran_x],17 : mov %tmp,184 : add %tmp,r_top_y : mov ?r[ma3_enj][itiran_y],%tmp ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back15.bmp" ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return ;****************************************************************** ;　右クリックシステム、エピソード２　シーン変数による各変数の設定 ;****************************************************************** ;--------------------------------- ;シーン１０（沖縄のシーン、譲治と紗音を私服で表示） *rmenu_main_ep2_scene_10 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;キャラ状態設定 mov ?r[geo][condition],1 mov ?r[sha][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 ;衣装設定 mov ?r[geo][r_ishou],2 mov ?r[sha][r_ishou],2 ;表示位置の修正 mov ?r[geo][itiran_x],62 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[geo][itiran_y],%tmp mov ?r[sha][itiran_x],106 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[sha][itiran_y],%tmp mov %r_hyouji_cha,sha ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" return ;シーン２０（ほこら、紗音のみを使用人服で表示） *rmenu_main_ep2_scene_20 ;キャラ、Tipsフラグの初期化 ;for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） ;for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next ;キャラ状態設定 ;mov ?r[sha][condition],1 ;Tips設定 ;mov ?tips[1][tips_flg],1 ;表示位置の修正 ;mov ?r[sha][itiran_x],80 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[sha][itiran_y],%tmp ;mov %r_hyouji_cha,sha ;キャラ一覧表示の背景を変える ;mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" ;（全員生存、ベアト以外を通常表示） ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 19 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 return ;シーン３０（全員生存、ベアト以外を通常表示） *rmenu_main_ep2_scene_30 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 19 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 return ;シーン４０（ベアトの登場、ベアトを含めて通常表示） *rmenu_main_ep2_scene_40 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next mov ?r[bea][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 return ;シーン４０（ベアトの登場、ベアトを含めて通常表示） *rmenu_main_ep2_scene_41 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next mov ?r[bea][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 return ;シーン４５（文化祭　朱志香だけを表示） *rmenu_main_ep2_scene_45 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;キャラ状態設定 mov ?r[jes][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 ;表示位置の修正 mov ?r[jes][itiran_x],84 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov %r_hyouji_cha,jes ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" return ;シーン４５（文化祭　朱志香だけを表示） *rmenu_main_ep2_scene_46 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;キャラ状態設定 mov ?r[jes][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 ;表示位置の修正 mov ?r[jes][itiran_x],84 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov %r_hyouji_cha,jes ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" return ;シーン５０（朱志香と嘉音だけ私服で表示） *rmenu_main_ep2_scene_50 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;キャラ状態設定 mov ?r[jes][condition],1 mov ?r[kan][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 ;衣装設定 mov ?r[jes][r_ishou],2 mov ?r[kan][r_ishou],2 ;表示位置の修正 mov ?r[jes][itiran_x],62 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov ?r[kan][itiran_x],106 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[kan][itiran_y],%tmp mov %r_hyouji_cha,jes ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" return ;シーン５０（朱志香と嘉音だけ私服で表示） *rmenu_main_ep2_scene_51 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;キャラ状態設定 mov ?r[jes][condition],1 mov ?r[kan][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 ;衣装設定 mov ?r[jes][r_ishou],2 mov ?r[kan][r_ishou],2 ;表示位置の修正 mov ?r[jes][itiran_x],62 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov ?r[kan][itiran_x],106 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[kan][itiran_y],%tmp mov %r_hyouji_cha,jes ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" return ;シーン５０（朱志香と嘉音だけ私服で表示） *rmenu_main_ep2_scene_52 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;キャラ状態設定 mov ?r[jes][condition],1 mov ?r[kan][condition],1 ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 ;衣装設定 mov ?r[jes][r_ishou],2 mov ?r[kan][r_ishou],2 ;表示位置の修正 mov ?r[jes][itiran_x],62 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[jes][itiran_y],%tmp mov ?r[kan][itiran_x],106 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[kan][itiran_y],%tmp mov %r_hyouji_cha,jes ;キャラ一覧表示の背景を変える mov $r_cha_back,":c;bmp\r_click\cha_btn\cha_back3.bmp" return ;シーン６０（ベアトを含めて通常表示） *rmenu_main_ep2_scene_60 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 return ;シーン７０（ベアト来訪、ベアトの情報を２に） *rmenu_main_ep2_scene_70 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 return ;シーン７０（ベアト来訪、ベアトの情報を２に） *rmenu_main_ep2_scene_71 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 return ;シーン８０（蔵臼、夏妃、絵羽、秀吉、留弗夫、霧江の情報が死亡扱いに） *rmenu_main_ep2_scene_80 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 return ;シーン９０（Tips２　魔女の手紙を追加） *rmenu_main_ep2_scene_90 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 return ;シーン１００（Tips２　魔女の手紙2を追加） *rmenu_main_ep2_scene_100 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 return ;シーン１００（Tips２　魔女の手紙2を追加） *rmenu_main_ep2_scene_101 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 return ;シーン１００（Tips２　魔女の手紙2を追加） *rmenu_main_ep2_scene_102 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 return ;シーン１１０（Tips２　朱志香死亡） *rmenu_main_ep2_scene_110 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 return ;シーン１２０（嘉音　行方不明） *rmenu_main_ep2_scene_120 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 mov ?r[kan][condition],2 return ;シーン１３０（嘉音　死亡） *rmenu_main_ep2_scene_130 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 mov ?r[kan][condition],3 return ;シーン１４０（南條　熊沢　死亡１） *rmenu_main_ep2_scene_140 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定（魔女の碑文のみ表示） for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 mov ?r[kan][condition],3 mov ?r[nan][condition],2 mov ?r[kum][condition],2 return ;シーン１５０（TIPS魔女の手紙V） *rmenu_main_ep2_scene_150 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 mov ?r[kan][condition],3 mov ?r[nan][condition],2 mov ?r[kum][condition],2 return ;シーン１６０（南條、熊沢　死亡２） *rmenu_main_ep2_scene_160 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 mov ?r[kan][condition],3 mov ?r[nan][condition],3 mov ?r[kum][condition],3 return ;シーン１７０（譲治・紗音・郷田、死亡） *rmenu_main_ep2_scene_170 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 mov ?r[kan][condition],3 mov ?r[nan][condition],3 mov ?r[kum][condition],3 mov ?r[geo][condition],2 mov ?r[sha][condition],2 mov ?r[goh][condition],2 return ;シーン１８０（Ｔｉｐｓ　魔女の手紙W） *rmenu_main_ep2_scene_180 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],1 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?tips[5][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[bea][condition],2 mov ?r[kla][condition],2 mov ?r[nat][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[jes][condition],2 mov ?r[kan][condition],3 mov ?r[nan][condition],3 mov ?r[kum][condition],3 mov ?r[geo][condition],2 mov ?r[sha][condition],2 mov ?r[goh][condition],2 return ;************* エピソード２　お茶会　*************** ;シーン１０１０（お茶会　バトラ、ベアト未登場） *rmenu_main_ep2_scene_1010 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],2 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?tips[5][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?r[bea][condition],0 mov ?r[but][condition],0 mov ?r[kan][condition],3 mov ?r[nan][condition],3 mov ?r[kum][condition],3 return ;シーン１０２０（お茶会　バトラ、ベアト未登場） *rmenu_main_ep2_scene_1020 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to 19 : mov ?r[%tmp][condition],2 : next for %tmp = 20 to 21 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?tips[5][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?r[bea][condition],1 mov ?r[but][condition],0 mov ?r[kan][condition],3 mov ?r[nan][condition],3 mov ?r[kum][condition],3 return ;************* エピソード２　裏お茶会　*************** ;シーン２０１０（裏お茶会、ベアトとベルンのみを表示） *rmenu_main_ep2_scene_2010 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2_2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?tips[5][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[ma_bea][condition],1 mov ?r[ma_ber][condition],1 ;表示位置の修正 mov ?r[ma_bea][itiran_x],62 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma_bea][itiran_y],%tmp mov ?r[ma_ber][itiran_x],106 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma_ber][itiran_y],%tmp mov %r_hyouji_cha,ma_bea return ;シーン２０２０（裏お茶会、ラムダ登場） *rmenu_main_ep2_scene_2020 ;キャラ、Tipsフラグの初期化 for %tmp = 1 to cha_kazu_ep2_2 : mov ?r[%tmp][condition],-1 : next ;Tipsフラグ設定 for %tmp = 1 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 1 to 14 : mov ?grim[%tmp][grim_flg],0 : next ;Tips設定 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?tips[5][tips_flg],1 mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 ;キャラ状態設定 mov ?r[ma_bea][condition],1 mov ?r[ma_ber][condition],1 mov ?r[ma_lam][condition],1 ;表示位置の修正 mov ?r[ma_bea][itiran_x],38 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma_bea][itiran_y],%tmp mov ?r[ma_ber][itiran_x],84 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma_ber][itiran_y],%tmp mov ?r[ma_lam][itiran_x],130 : mov %tmp,72 : add %tmp,r_top_y : mov ?r[ma_lam][itiran_y],%tmp mov %r_hyouji_cha,ma_lam return ;***************************************************************** ;つるぺったんスクリプト ;***************************************************************** *turu_pettann skipoff textoff E_A mov %rmordflg,on ;drawclear ;erasetextwindow 0 ;文字スプライトの登録 setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 csp -1 bg black,22 bg white,22 lsp 4,":c;custom\bmp\background\Special\07.png",0,0 print 28 ;lsp %tmp,":a;bmp\TATI\JES\1\JES_AkuwaraiA1.bmp",100,0 mov %tmp,20 lsph %tmp,":s#ffff00ジェシー！！！",0,0 : inc %tmp lsph %tmp,":s#00ffff　キャーーーーーーーー！！！",0,0 : inc %tmp lsph %tmp,":s#80ff00　　　　　　　　　　　ｷﾀ━━━(ﾟ∀ﾟ)━━━!!!! ",0,0 : inc %tmp lsph %tmp,":s#ff0000☆つるぺったん☆　　　　　　　　　　　ジェシ様！！！",0,0 : inc %tmp lsph %tmp,":s#ffff00ジェシジェシジェシさまぁああぁああ〜〜〜〜〜〜☆",0,0 : inc %tmp lsph %tmp,":s#0000ffらめぇ〜〜〜〜〜　落ちるぅ〜〜〜〜",0,0 : inc %tmp lsph %tmp,":s#ffffff　　　　　　　ジェシさま最高！！！",0,0 : inc %tmp lsph %tmp,":s#ff8040　お姉様ぁあああぁああ〜〜〜〜☆",0,0 : inc %tmp mov %tmp,30 lsph %tmp,":a;custom\bmp\background\Special\07.png",270,0 : inc %tmp setwindow 31,16,22,16,25,25,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ff0000（じゃない！！！）",0,0 : inc %tmp lsph %tmp,":s#80ff00Title ：つるぺったん",0,0 : inc %tmp lsph %tmp,":s#00ffffArtist：Silver Forest ",0,0 : inc %tmp setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 mov %tmp,10 lsph %tmp,":s#00ffffぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffff00　ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ff8040　　ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#80ff00　ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#0000ffぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ff0000　ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#00ffff　　ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffffff　ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp mov %tmp,40 lsph %tmp,":s#ff0000　　　　( ﾟ∀ﾟ)o彡ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffffff　( ﾟ∀ﾟ)o彡( ﾟ∀ﾟ)o彡( ﾟ∀ﾟ)o彡( ﾟ∀ﾟ)o彡",0,0 : inc %tmp lsph %tmp,":s#00ffff　　　( ﾟ∀ﾟ)o彡ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#80ff00( ﾟ∀ﾟ)o彡ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#0000ff　　( ﾟ∀ﾟ)o彡( ﾟ∀ﾟ)o彡( ﾟ∀ﾟ)o彡( ﾟ∀ﾟ)o彡( ﾟ∀ﾟ)o彡",0,0 : inc %tmp lsph %tmp,":s#00ffff　　　　　　( ﾟ∀ﾟ)o彡ぺったん☆ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ff8040　( ﾟ∀ﾟ)o彡ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffff00　　( ﾟ∀ﾟ)o彡ぺったん☆ぺったん☆つるぺったん☆",0,0 : inc %tmp mov %tmp,50 setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#00ffffぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffff00　　　　ぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp setwindow 31,16,22,16,30,30,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ff8040　ぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#80ff00　　　　　ぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#0000ff　　　　ぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ff0000　　ぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#00ffff　ぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffffffぺったん　　　ぺったん　　　餅ぺったん☆",0,0 : inc %tmp mov %tmp,60 setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#00ffffぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffff00　　　ぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp setwindow 31,16,22,16,30,30,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ff8040　　　ぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#80ff00ぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#0000ff　　　　　　ぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ff0000　　ぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#00ffff　　　　　ぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffffffぺったん　　　ぺったん　　　胸ぺったん☆",0,0 : inc %tmp mov %tmp,70 setwindow 31,16,22,16,25,25,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ffff00　　　　　　　　許可取ってんのかよ氏ね",0,0 : inc %tmp lsph %tmp,":s#ffff00　　　　　　　　　　　　　　　　↑ちゃんと取りました！",0,0 : inc %tmp lsph %tmp,":a;bmp\pettan\pettan_aa2.bmp",270,0 : inc %tmp setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ff8040　　　　全俺が萌えた！！！",0,0 : inc %tmp setwindow 31,16,22,16,25,25,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#00ffff☆　　（　＾∇＾）σ）≧∇≦）　　☆",0,0 : inc %tmp lsph %tmp,":s#ff0000［←樹海］",0,0 : inc %tmp lsph %tmp,":s#ff0000　　||　　　　オワタ ┗(^o^）┓三",0,0 : inc %tmp lsph %tmp,":s#ff0000　　||　　　　　　　　┏┗　 三",0,0 : inc %tmp mov %tmp,80 setwindow 31,16,22,16,30,30,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ffff00ヽξ(`・３・)ﾉ うぜぇぜ！",0,0 : inc %tmp lsph %tmp,":s#ffff00　　（　へ）",0,0 : inc %tmp lsph %tmp,":s#ffff00　　 く ",0,0 : inc %tmp setwindow 31,16,22,16,25,25,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ff0000この早さなら言える！　朱志香は俺の嫁！！！",0,0 : inc %tmp lsph %tmp,":s#ff0000　　　　　　　　　　　　　　いや、俺の嫁だ！！！",0,0 : inc %tmp lsph %tmp,":s#ff0000　　　　　　　　　　　　　　　　　　　朱志香なら、俺の隣で寝ているぜ",0,0 : inc %tmp ;lsph %tmp,":s#ff0000　　　　うぜぇぜ！ヽξ(`・３・)ﾉ ",0,0 : inc %tmp ;lsph %tmp,":s#ff0000　　　　　　　　　　　（へ　）",0,0 : inc %tmp ;lsph %tmp,":s#ff0000　　　 　　　　　　　　　　> ",0,0 : inc %tmp setwindow 31,16,22,16,25,25,0,2,20,1,1,#999999,0,0,639,479 mov %tmp,110 lsph %tmp,":s#ffffff＼　　　∩─−、　　　＝＝ ",0,0 : inc %tmp lsph %tmp,":s#ffffff　＼／　●　､_ ｀ヽ 　　＝＝＝",0,0 : inc %tmp lsph %tmp,":s#ffffff　／＼（　●　●　| つ",0,0 : inc %tmp lsph %tmp,":s#ffffff　| 　Ｘ＿入＿ノ　　ミ　　　そんな貧乳で俺様が釣られクマ――",0,0 : inc %tmp lsph %tmp,":s#ffffff　、　（＿／　　　ノ　／⌒l ",0,0 : inc %tmp lsph %tmp,":s#ffffff　／＼＿＿＿ノ＿／　／　　＝＝＝＝",0,0 : inc %tmp lsph %tmp,":s#ffffffく　　　　　　　　　　ノ　　＝＝＝＝",0,0 : inc %tmp lsph %tmp,":s#ffffff　＼　＼＿　　　　　＼",0,0 : inc %tmp lsph %tmp,":s#ffffff　　＼＿＿）　　　　　＼　　　＝＝＝＝　（⌒",0,0 : inc %tmp lsph %tmp,":s#ffffff　　　　＼　　＿＿＿＿　＼＿＿　　（⌒（⌒",0,0 : inc %tmp lsph %tmp,":s#ffffff　　　　　＼＿＿＿）＿＿＿）（⌒　（⌒　　ズザザザ",0,0 : inc %tmp mov %tmp,90 lsph %tmp,":a;bmp\pettan\pettan_aa1.bmp",270,0 : inc %tmp lsph %tmp,":a;bmp\pettan\pettan_aa3.bmp",270,0 : inc %tmp setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 ;lsph %tmp,":s#ff0000全俺が萌えた！！！",0,0 : inc %tmp setwindow 31,16,22,16,25,25,0,2,20,1,1,#999999,0,0,639,479 lsph %tmp,":s#ffffff／hidden／hidden／hidden／hidden／hidden／hidden",0,0 : inc %tmp lsph %tmp,":s#ffffff　　　／hidden／hidden／hidden／hidden／hidden／hidden",0,0 : inc %tmp lsph %tmp,":s#ffffff／hidden／hidden／hidden／hidden／hidden／hidden",0,0 : inc %tmp lsph %tmp,":s#ffffff　　　　　　　／hidden／hidden／hidden／hidden／hidden／hidden",0,0 : inc %tmp lsph %tmp,":s#ffffff　　　／hidden／hidden／hidden／hidden／hidden／hidden",0,0 : inc %tmp lsph %tmp,":s#ffffff／hidden／hidden／hidden／hidden／hidden／hidden",0,0 : inc %tmp ;lsph %tmp,":a;bmp\pettan\pettan_aa4.bmp",270,0 : inc %tmp setwindow 31,16,22,16,50,50,0,2,20,1,1,#999999,0,0,639,479 mov %tmp,100 lsph %tmp,":s#ffff00きゃーきゃーきゃーーー！！！",0,0 : inc %tmp lsph %tmp,":s#00ffff　にゃり〜〜〜〜〜ん☆",0,0 : inc %tmp lsph %tmp,":s#80ff00（＞０＜）★タイが曲がっていてよ★（＞０＜） ",0,0 : inc %tmp lsph %tmp,":s#ff0000☆つるぺったん☆",0,0 : inc %tmp lsph %tmp,":s#ffff00ジェシジェシジェシさまぁああぁああ〜〜〜〜〜〜☆",0,0 : inc %tmp lsph %tmp,":s#0000ffらめぇ〜〜〜〜〜　落ちるぅ〜〜〜〜",0,0 : inc %tmp lsph %tmp,":s#ffffff　　　　　　　ジェシさま最高！！！",0,0 : inc %tmp lsph %tmp,":s#ff8040　お姉様ぁあああぁああ〜〜〜〜☆",0,0 : inc %tmp bgmonce "BGM\tsurupeta-128.ogg" resettimer mov %tmp1,600 mov %tmp2,600 mov %tmp4,600 mov %tmp5,600 mov %tmp6,600 mov %tmp7,600 mov %tmp8,500 mov %tmp9,600 mov %tmp11,600 ;１６秒で区切る for %tmp10 = 0 to 18000 step 130 drawclear drawsp 4,1,255,0,0 ;drawsp 5,1,255,100,0 notif %tmp10 >= 0 goto *pettann_50 notif %tmp10 <= 2400 goto *pettann_50 drawsp 20,1,255,%tmp2,0 drawsp 21,1,255,%tmp2,60 drawsp 22,1,255,%tmp2,120 drawsp 23,1,255,%tmp2,180 drawsp 24,1,255,%tmp2,240 drawsp 25,1,255,%tmp2,300 drawsp 26,1,255,%tmp2,360 drawsp 27,1,255,%tmp2,420 sub %tmp2,100 *pettann_50 notif %tmp10 >= 2500 goto *pettann_60 notif %tmp10 <= 4700 goto *pettann_60 drawsp 30,1,255,260,0 drawsp 32,1,255,370,400 drawsp 33,1,255,370,430 *pettann_60 ;notif %tmp10 >= 3500 goto *pettann_70 ;notif %tmp10 <= 4700 goto *pettann_70 ;drawsp 31,1,320,185,280 ;*pettann_70 notif %tmp10 >= 5500 goto *pettann_100 notif %tmp10 <= 7500 goto *pettann_100 drawsp 10,1,255,%tmp1,0 drawsp 11,1,255,%tmp1,60 drawsp 12,1,255,%tmp1,120 drawsp 13,1,255,%tmp1,180 drawsp 14,1,255,%tmp1,240 drawsp 15,1,255,%tmp1,300 drawsp 16,1,255,%tmp1,360 drawsp 17,1,255,%tmp1,420 sub %tmp1,100 *pettann_100 notif %tmp10 >= 6500 goto *pettann_150 notif %tmp10 <= 10000 goto *pettann_150 drawsp 80,1,255,%tmp8,0 drawsp 81,1,255,%tmp8,30 drawsp 82,1,255,%tmp8,60 drawsp 83,1,255,%tmp8,120 drawsp 84,1,255,%tmp8,150 drawsp 85,1,255,%tmp8,180 drawsp 110,1,255,%tmp8,210 drawsp 111,1,255,%tmp8,235 drawsp 112,1,255,%tmp8,260 drawsp 113,1,255,%tmp8,285 drawsp 114,1,255,%tmp8,310 drawsp 115,1,255,%tmp8,335 drawsp 116,1,255,%tmp8,360 drawsp 117,1,255,%tmp8,385 drawsp 118,1,255,%tmp8,410 drawsp 119,1,255,%tmp8,435 drawsp 120,1,255,%tmp8,460 sub %tmp8,60 *pettann_150 notif %tmp10 >= 8000 goto *pettann_200 notif %tmp10 <= 11000 goto *pettann_200 drawsp 40,1,255,%tmp4,0 drawsp 41,1,255,%tmp4,60 drawsp 42,1,255,%tmp4,120 drawsp 43,1,255,%tmp4,180 drawsp 44,1,255,%tmp4,240 drawsp 45,1,255,%tmp4,300 drawsp 46,1,255,%tmp4,360 drawsp 47,1,255,%tmp4,420 sub %tmp4,100 *pettann_200 notif %tmp10 >= 9500 goto *pettann_250 notif %tmp10 <= 13000 goto *pettann_250 drawsp 70,1,255,%tmp7,0 drawsp 71,1,255,%tmp7,30 drawsp 72,1,255,%tmp7,55 drawsp 73,1,255,%tmp7,320 drawsp 74,1,255,%tmp7,370 drawsp 75,1,255,%tmp7,410 drawsp 76,1,255,%tmp7,435 drawsp 77,1,255,%tmp7,460 sub %tmp7,60 *pettann_250 notif %tmp10 >= 11000 goto *pettann_300 notif %tmp10 <= 13500 goto *pettann_300 drawsp 50,1,255,%tmp5,0 drawsp 51,1,255,%tmp5,60 drawsp 52,1,255,%tmp5,120 drawsp 53,1,255,%tmp5,180 drawsp 54,1,255,%tmp5,240 drawsp 55,1,255,%tmp5,300 drawsp 56,1,255,%tmp5,360 drawsp 57,1,255,%tmp5,420 sub %tmp5,100 *pettann_300 notif %tmp10 >= 12000 goto *pettann_350 notif %tmp10 <= 16000 goto *pettann_350 drawsp 90,1,255,%tmp9,0 drawsp 91,1,255,%tmp9,370 ;drawsp 92,1,255,%tmp9,120 drawsp 93,1,255,%tmp9,170 drawsp 94,1,255,%tmp9,200 drawsp 95,1,255,%tmp9,230 drawsp 96,1,255,%tmp9,250 drawsp 97,1,255,%tmp9,280 drawsp 98,1,255,%tmp9,310 sub %tmp9,70 *pettann_350 notif %tmp10 >= 13500 goto *pettann_400 notif %tmp10 <= 16000 goto *pettann_400 drawsp 60,1,255,%tmp6,0 drawsp 61,1,255,%tmp6,60 drawsp 62,1,255,%tmp6,120 drawsp 63,1,255,%tmp6,180 drawsp 64,1,255,%tmp6,240 drawsp 65,1,255,%tmp6,300 drawsp 66,1,255,%tmp6,360 drawsp 67,1,255,%tmp6,420 sub %tmp6,100 *pettann_400 notif %tmp10 >= 15000 goto *pettann_500 notif %tmp10 <= 20000 goto *pettann_500 drawsp 100,1,255,%tmp11,0 drawsp 101,1,255,%tmp11,60 drawsp 102,1,255,%tmp11,120 drawsp 103,1,255,%tmp11,180 drawsp 104,1,255,%tmp11,240 drawsp 105,1,255,%tmp11,300 drawsp 106,1,255,%tmp11,360 drawsp 107,1,255,%tmp11,420 sub %tmp11,100 *pettann_500 draw waittimer %tmp10 next bg "custom\bmp\background\Special\07.png",0 mov %rmordflg,off drawclear csp -1 textoff setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd bg "custom\bmp\background\Special\07.png",1 return *rmord_data mov %Free1,1 ;資料変数使用 mov %Free2,1 ;ページ数変数使用 lsp introduction_back,":c;bmp\black.bmp",0,0 print 10,200 lsp left,":a/2,0,3;bmp\system\left.bmp",45,405 ;次の資料 lsp right,":a/2,0,3;bmp\system\right.bmp",545,405 ;前の資料 lsp introduction_sp,":a/2,0,3;bmp\system\right.bmp",295,405 ;読むボタン *rmord_data_page btndef "" ;ページ数チェック if %Free1 = %data_pagemax csp right ;現在資料が最大数なら右ボタン表示しない if %Free1 = 1 csp left ;現在巣量が１なら左ボタン表示しない ;現在ページ資料パス取得 mov $Free1,"bmp\data\data" itoa $Free2,%Free1 add $Free1,$Free2 add $Free1,".bmp" lsp comment_sp1,$Free1,0,0 ;資料背景 spbtn left,left ;左ボタン spbtn right,right ;右ボタン spbtn introduction_sp,introduction_sp ~ print 1 *rmord_data_btnwait btnwait2 %BtnRes if %BtnRes = left inc %Free1 : mov %Free2,1 : goto *rmord_data_page if %BtnRes = right dec %Free1 : mov %Free2,1 : goto *rmord_data_page if %BtnRes = -1 jumpf if %BtnRes = introduction_sp goto *rmord_data_btnwait ~ csp left csp right csp introduction_sp csp introduction_back csp comment_sp1 print 10,500 goto *rmenu_csutom ;セーブ＆ロード画面 ;************************************************************ ;セーブ画面 ;************************************************************ *savemode ;テスト用 ;bg M_o1b,1 saveoff if %remnu_data = on csp rmenu_databtn csp rmenu_btn1 csp rmenu_btn2 csp rmenu_btn3 *savemode1 for %Free1 = 1 to 100 csp %Free1 next mov %Free1,0 mov %Free2,0 mov %Free3,0 mov %Free4,0 mov %Free5,0 mov %Free6,0 mov %savescreenshotsp,31 ;セーブデータスクリーンショットスプライト mov %saveTimesp,11 mov %saveTextsp,21 csp Page1 csp Page2 csp Page3 csp Page4 csp Page5 csp rmenu_btn_Exit csp Save csp Load btndef "" ;セーブ画面のページの初期化の有無 ;初回起動時にはページ数を１に変更 if %savemodePage = 0 mov %savemodePage,1 mov %savemodePageNow,%savemodePage ;画面表示 ;背景表示 ;背景飾り lsp 700,":c;bmp\r_click\black.bmp",0,0,black_toukaritu lsp 699,":a;bmp\system\hana_save.bmp",301,86,100 lsp 698,":a;bmp\system\hane_save.bmp",6,0,200 ;システムボタン mov %tmp1,130 : mov %tmp2,38 lsp Save,":a/2,0,3;bmp\system\save_b.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ２ lsp Load,":a/2,0,3;bmp\system\Load.bmp",10,%tmp1 : add %tmp1,%tmp2 lsp rmenu_btn_Exit,":a/2,0,3;bmp\system\exit.bmp",10,%tmp1 ;ページボタン(現在のページをブリンクする） mov %tmp1,280 : mov %tmp2,38 lsp Page1,":a/2,0,3;bmp\system\Page1.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ１ lsp Page2,":a/2,0,3;bmp\system\Page2.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ２ lsp Page3,":a/2,0,3;bmp\system\Page3.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ３ lsp Page4,":a/2,0,3;bmp\system\Page4.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ２ lsp Page5,":a/2,0,3;bmp\system\Page5.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ３ if %savemodePageNow = 1 lsp Page1,":a/2,0,3;bmp\system\Page1_b.bmp",10,280 ;ページ１ if %savemodePageNow = 2 lsp Page2,":a/2,0,3;bmp\system\Page2_b.bmp",10,318 ;ページ２ if %savemodePageNow = 3 lsp Page3,":a/2,0,3;bmp\system\Page3_b.bmp",10,356 ;ページ３ if %savemodePageNow = 4 lsp Page4,":a/2,0,3;bmp\system\Page4_b.bmp",10,394 ;ページ２ if %savemodePageNow = 5 lsp Page5,":a/2,0,3;bmp\system\Page5_b.bmp",10,432 ;ページ３ ;セーブデータ用表示枠 mov %tmp,15 lsp 41,":c/2,0,3;bmp\system\savearea.bmp",212,%tmp,150 : add %tmp,107 ;セーブエリア枠１ lsp 42,":c/2,0,3;bmp\system\savearea.bmp",212,%tmp,150 : add %tmp,107 ;セーブエリア枠２ lsp 43,":c/2,0,3;bmp\system\savearea.bmp",212,%tmp,150 : add %tmp,107 ;セーブエリア枠３ lsp 44,":c/2,0,3;bmp\system\savearea.bmp",212,%tmp,150 ;セーブエリア枠４ ;セーブエリア枠５ mov %tmp,40 lsp 45,":c/2,0,3;bmp\system\savearea.bmp",425,%tmp,150 : add %tmp,107 lsp 46,":c/2,0,3;bmp\system\savearea.bmp",425,%tmp,150 : add %tmp,107 ;セーブエリア枠６ lsp 47,":c/2,0,3;bmp\system\savearea.bmp",425,%tmp,150 : add %tmp,107 ;セーブエリア枠７ lsp 48,":c/2,0,3;bmp\system\savearea.bmp",425,%tmp,150 ;セーブエリア枠８ ; lsp 49,":a;bmp\system\savearea9.bmp",425,%tmp,50 : add %tmp,110 ;セーブエリア枠９ ; lsp 50,":a;bmp\system\savearea10.bmp",425,%tmp,50 ;セーブエリア枠１０ *savemode2 ;ページ確認 mov %Free1,savedataflg ;セーブデータグローバルエリア番号取得 mov %Free2,%savemodePageNow mul %Free2,8 sub %Free2,8 inc %Free2 add %Free1,%Free2 ;セーブデータエリア開始番号収得 mov %Free3,%Free2 ;セーブデータ番号 mov %savedataTime,savedataTime add %savedataTime,%Free3 mov %Free5,savedataComment add %Free5,%Free3 mov %savescreenshotsp,31 ;セーブデータスクリーンショットスプライト mov %saveTimesp,11 mov %saveTextsp,21 mov %x,218 mov %y,25 mov %x2,218 mov %y2,86 mov %x3,294 mov %y3,55 for %Free2 = 1 to 8 ;xy軸を取得 if %y > 400 mov %y,50 : mov %x,431 : mov %y2,111 : mov %y3,80 :mov %x2,431 : mov %x3,511 ;セーブデータを収得しているか確認する if %%Free1 = 0 jumpf ;セーブデータのスクリーンショットを表示する mov $Free1,":c;screenshot\ss" itoa $Free2,%Free3 add $Free1,$Free2 add $Free1,".bmp" lsp %savescreenshotsp,$Free1,%x,%y ;セーブデータの時間データを表示する mov $saveTimesp2,":s/8,15,1;#FFFFFF" add $saveTimesp2,$%savedataTime lsp %saveTimesp,$saveTimesp2,%x2,%y2 ;セーブデータのテキストデータを表示する mov $saveTextsp2,":s/10,10,1;#FFFFFF" add $saveTextsp2,$%Free5 lsp %saveTextsp,$saveTextsp2,%x3,%y3 ~ inc %Free3 inc %Free1 add %y2,107 add %y3,107 add %y,107 inc %savedataTime inc %saveTimesp inc %saveTextsp inc %savescreenshotsp inc %Free4 inc %Free5 next ;ボタン化 btndef "" spbtn 41,1 ;セーブエリア１ spbtn 42,2 ;セーブエリア２ spbtn 43,3 ;セーブエリア３ spbtn 44,4 ;セーブエリア４ spbtn 45,5 ;セーブエリア５ spbtn 46,6 ;セーブエリア６ spbtn 47,7 ;セーブエリア７ spbtn 48,8 ;セーブエリア８ ;spbtn 49,9 ;セーブエリア９ ;spbtn 50,10 ;セーブエリア１０ spbtn Page1,Page1 ;ページボタン　１〜８ spbtn Page2,Page2 ;ページボタン　９〜１６ spbtn Page3,Page3 ;ページボタン１７〜２４ spbtn Page4,Page4 ;ページボタン２５〜３２ spbtn Page5,Page5 ;ページボタン３３〜４０ spbtn rmenu_btn_Exit,rmenu_btn_Exit ;終了ボタン spbtn Load,Load ;ロード画面変更ボタン print 10,200 *savemode_btn_loop btnwait2 %BtnRes ;セーブデータボタンを選択 if %BtnRes = 1 goto *savemode_save if %BtnRes = 2 goto *savemode_save if %BtnRes = 3 goto *savemode_save if %BtnRes = 4 goto *savemode_save if %BtnRes = 5 goto *savemode_save if %BtnRes = 6 goto *savemode_save if %BtnRes = 7 goto *savemode_save if %BtnRes = 8 goto *savemode_save ;if %BtnRes = 9 goto *savemode_save ;if %BtnRes = 10 goto *savemode_save ;ページ移動ボタンを選択 if %BtnRes = Page1 mov %savemodePage,1 : seplay 9,1010 : goto *savemode1 if %BtnRes = Page2 mov %savemodePage,2 : seplay 9,1010 : goto *savemode1 if %BtnRes = Page3 mov %savemodePage,3 : seplay 9,1010 : goto *savemode1 if %BtnRes = Page4 mov %savemodePage,4 : seplay 9,1010 : goto *savemode1 if %BtnRes = Page5 mov %savemodePage,5 : seplay 9,1010 : goto *savemode1 ;システム切り替えボタンを選択 if %BtnRes = rmenu_btn_Exit goto *save_exit if %BtnRes = Load seplay 9,1000 : goto *loadmode if %BtnRes = -1 goto *save_exit goto *savemode_btn_loop *savemode_save if %savemodePageNow = 1 lsp Page1,":a/2,0,3;bmp\system\Page1_b.bmp",10,280 ;ページ１ if %savemodePageNow = 2 lsp Page2,":a/2,0,3;bmp\system\Page2_b.bmp",10,318 ;ページ２ if %savemodePageNow = 3 lsp Page3,":a/2,0,3;bmp\system\Page3_b.bmp",10,356 ;ページ３ if %savemodePageNow = 4 lsp Page4,":a/2,0,3;bmp\system\Page4_b.bmp",10,394 ;ページ２ if %savemodePageNow = 5 lsp Page5,":a/2,0,3;bmp\system\Page5_b.bmp",10,432 ;ページ３ ;セーブ番号収得 mov %savedataNowNum,%savemodePageNow mul %savedataNowNum,8 sub %savedataNowNum,8 add %savedataNowNum,%BtnRes ;セーブ savegame %savedataNowNum mov %savedataflg,savedataflg add %savedataflg,%savedataNowNum mov %%savedataflg,1 ;スクリーンショットの保存 mov $Free1,"screenshot\ss" itoa $Free2,%savedataNowNum add $Free1,$Free2 add $Free1,".bmp" ;セーブデータ番号　月　日　時　分 savescreenshot2 $Free1 savetime %savedataNowNum,%Morth,%Day,%Hour,%Minute ;itoa2 $SaveTime,%Morth : add $SaveTime,"月" ;itoa2 $Free1,%Day : add $SaveTime,$Free1 : add $SaveTime,"日" ;itoa2 $Free1,%Hour : add $SaveTime,$Free1 : add $SaveTime,"時" ;itoa2 $Free1,%Minute : add $SaveTime,$Free1 : add $SaveTime,"分" ; Use abbrev. month name if %Morth = 1 mov $SaveTime,"Jan " if %Morth = 2 mov $SaveTime,"Feb " if %Morth = 3 mov $SaveTime,"Mar " if %Morth = 4 mov $SaveTime,"Apr " if %Morth = 5 mov $SaveTime,"May " if %Morth = 6 mov $SaveTime,"Jun " if %Morth = 7 mov $SaveTime,"Jul " if %Morth = 8 mov $SaveTime,"Aug " if %Morth = 9 mov $SaveTime,"Sep " if %Morth = 10 mov $SaveTime,"Oct " if %Morth = 11 mov $SaveTime,"Nov " if %Morth = 12 mov $SaveTime,"Dec " itoa $Free1,%Day : add $SaveTime,$Free1 : add $SaveTime,", " ; Use 12-hour time (AM/PM) if %Hour = 0 mov $Free2," AM" : itoa $Free1,12 if %Hour > 0 && %Hour < 12 mov $Free2," AM" : itoa $Free1,%Hour if %Hour = 12 mov $Free2," PM" : itoa $Free1,12 if %Hour > 12 && %Hour < 24 mov $Free2," PM" : sub %Hour,12 : itoa $Free1,%Hour : add %Hour,12 add $SaveTime,$Free1 : add $SaveTime,":" if %Minute < 10 add $SaveTime,"0" itoa $Free1,%Minute : add $SaveTime,$Free1 : add $SaveTime,$Free2 mov %Free2,savedataTime ;セーブデータタイムのエリア数の取得 add %Free2,%savedataNowNum ;保存エリアの確定 mov $%Free2,$SaveTime ;mov $%Free2,":s/8,10,1;#FFFFFF" ;if %scenario_Number = 1 mov $%Free2,"Ｅｐ１　" : add $%Free2,$SaveTime ;if %scenario_Number = 2 mov $%Free2,"Ｅｐ２　" : add $%Free2,$SaveTime ;if %scenario_Number = 3 mov $%Free2,"Ｅｐ３　" : add $%Free2,$SaveTime ;if %scenario_Number = 4 mov $%Free2,"Ｅｐ４　" : add $%Free2,$SaveTime if %scenario_Number = 1 mov $%Free2,"`Ep1; " : add $%Free2,$SaveTime if %scenario_Number = 2 mov $%Free2,"`Ep2; " : add $%Free2,$SaveTime if %scenario_Number = 3 mov $%Free2,"`Ep3; " : add $%Free2,$SaveTime if %scenario_Number = 4 mov $%Free2,"`Ep4; " : add $%Free2,$SaveTime ;セーブデータ作成時のコメント取得 ;保存するグローバル変数の変数番号を取る mov %Free2,savedataComment+%savedataNowNum ;mid $Free2,$TextlogNow,0,16 ;add $Free2,"……" mid $Free1,$TextlogNow,0,16 mov $Free2,"` " : add $Free2,$Free1 add $Free2,"…" mov $%Free2,$Free2 seplay 9,1030 goto *savemode1 ;*************************************************************** ;ロード画面 *loadmode ;*************************************************************** if %remnu_data = on csp rmenu_databtn csp rmenu_btn1 csp rmenu_btn2 csp rmenu_btn3 *loadmode1 saveoff for %Free1 = 1 to 100 csp %Free1 next csp rmenu_btn1 csp rmenu_btn2 csp rmenu_btn3 csp Page1 csp Page2 csp Page3 csp Page4 csp Page5 csp rmenu_btn_Exit csp Save csp Load btndef "" ;セーブ画面のページの初期化の有無 ;初回起動時にはページ数を１に変更 if %savemodePage = 0 mov %savemodePage,1 mov %savemodePageNow,%savemodePage ;画面表示 ;背景表示 ;背景飾り lsp 700,":c;bmp\r_click\black.bmp",0,0,black_toukaritu lsp 699,":a;bmp\system\hana_load.bmp",301,86,100 lsp 698,":a;bmp\system\hane_load.bmp",6,0,200 ;システムボタン mov %tmp1,130 : mov %tmp2,38 if %m_temp1 == 0 skip 2 lsp Save,":a/2,0,3;bmp\system\save.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ２ lsp Load,":a/2,0,3;bmp\system\Load_b.bmp",10,%tmp1 : add %tmp1,%tmp2 lsp rmenu_btn_Exit,":a/2,0,3;bmp\system\exit.bmp",10,%tmp1 ;ページボタン(現在のページをブリンクする） mov %tmp1,280 : mov %tmp2,38 lsp Page1,":a/2,0,3;bmp\system\Page1.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ１ lsp Page2,":a/2,0,3;bmp\system\Page2.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ２ lsp Page3,":a/2,0,3;bmp\system\Page3.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ３ lsp Page4,":a/2,0,3;bmp\system\Page4.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ２ lsp Page5,":a/2,0,3;bmp\system\Page5.bmp",10,%tmp1 : add %tmp1,%tmp2 ;ページ３ if %savemodePageNow = 1 lsp Page1,":a/2,0,3;bmp\system\Page1_b.bmp",10,280 ;ページ１ if %savemodePageNow = 2 lsp Page2,":a/2,0,3;bmp\system\Page2_b.bmp",10,318 ;ページ２ if %savemodePageNow = 3 lsp Page3,":a/2,0,3;bmp\system\Page3_b.bmp",10,356 ;ページ３ if %savemodePageNow = 4 lsp Page4,":a/2,0,3;bmp\system\Page4_b.bmp",10,394 ;ページ２ if %savemodePageNow = 5 lsp Page5,":a/2,0,3;bmp\system\Page5_b.bmp",10,432 ;ページ３ ;セーブデータ用表示枠 mov %tmp,15 lsp 41,":c/2,0,3;bmp\system\loadarea.bmp",212,%tmp,150 : add %tmp,107 ;セーブエリア枠１ lsp 42,":c/2,0,3;bmp\system\loadarea.bmp",212,%tmp,150 : add %tmp,107 ;セーブエリア枠２ lsp 43,":c/2,0,3;bmp\system\loadarea.bmp",212,%tmp,150 : add %tmp,107 ;セーブエリア枠３ lsp 44,":c/2,0,3;bmp\system\loadarea.bmp",212,%tmp,150 ;セーブエリア枠４ ;セーブエリア枠５ mov %tmp,40 lsp 45,":c/2,0,3;bmp\system\loadarea.bmp",425,%tmp,150 : add %tmp,107 lsp 46,":c/2,0,3;bmp\system\loadarea.bmp",425,%tmp,150 : add %tmp,107 ;セーブエリア枠６ lsp 47,":c/2,0,3;bmp\system\loadarea.bmp",425,%tmp,150 : add %tmp,107 ;セーブエリア枠７ lsp 48,":c/2,0,3;bmp\system\loadarea.bmp",425,%tmp,150 ;セーブエリア枠８ ; lsp 49,":a;bmp\system\savearea9.bmp",425,%tmp,50 : add %tmp,110 ;セーブエリア枠９ ; lsp 50,":a;bmp\system\savearea10.bmp",425,%tmp,50 ;セーブエリア枠１０ *loadmode2 ;ページ確認 mov %Free1,savedataflg ;セーブデータグローバルエリア番号取得 mov %Free2,%savemodePageNow mul %Free2,8 sub %Free2,8 inc %Free2 add %Free1,%Free2 ;セーブデータエリア開始番号収得 mov %Free3,%Free2 ;セーブデータ番号 mov %savedataTime,savedataTime add %savedataTime,%Free3 mov %Free5,savedataComment add %Free5,%Free3 mov %savescreenshotsp,31 ;セーブデータスクリーンショットスプライト mov %saveTimesp,11 mov %saveTextsp,21 mov %x,218 mov %y,25 mov %x2,218 mov %y2,86 mov %x3,294 mov %y3,55 btndef "" for %Free2 = 1 to 8 ;xy軸を取得 if %y > 400 mov %y,50 : mov %x,431 : mov %y2,111 : mov %y3,80 :mov %x2,431 : mov %x3,511 ;セーブデータを収得しているか確認する if %%Free1 = 0 jumpf ;セーブデータのスクリーンショットを表示する mov $Free1,":c;screenshot\ss" itoa $Free2,%Free3 add $Free1,$Free2 add $Free1,".bmp" lsp %savescreenshotsp,$Free1,%x,%y ;セーブデータの時間データを表示する mov $saveTimesp2,":s/8,15,1;#FFFFFF" add $saveTimesp2,$%savedataTime lsp %saveTimesp,$saveTimesp2,%x2,%y2 ;セーブデータのテキストデータを表示する mov $saveTextsp2,":s/10,10,1;#FFFFFF" add $saveTextsp2,$%Free5 lsp %saveTextsp,$saveTextsp2,%x3,%y3 ;ボタン化（データがない場合はボタンにしない） mov %tmp,40 : add %tmp,%Free2 spbtn %tmp,%Free2 ~ inc %Free3 inc %Free1 add %y2,107 add %y3,107 add %y,107 inc %savedataTime inc %saveTimesp inc %saveTextsp inc %savescreenshotsp inc %Free4 inc %Free5 next spbtn Page1,Page1 ;ページボタン　１〜８ spbtn Page2,Page2 ;ページボタン　９〜１６ spbtn Page3,Page3 ;ページボタン１７〜２４ spbtn Page4,Page4 ;ページボタン２５〜３２ spbtn Page5,Page5 ;ページボタン３３〜４０ spbtn rmenu_btn_Exit,rmenu_btn_Exit ;終了ボタン spbtn Save,Save ;ロード画面変更ボタン print 10,200 *loadmode_btn_loop btnwait2 %BtnRes ;セーブデータボタンを選択 if %BtnRes = 1 goto *loadmode_load if %BtnRes = 2 goto *loadmode_load if %BtnRes = 3 goto *loadmode_load if %BtnRes = 4 goto *loadmode_load if %BtnRes = 5 goto *loadmode_load if %BtnRes = 6 goto *loadmode_load if %BtnRes = 7 goto *loadmode_load if %BtnRes = 8 goto *loadmode_load ;if %BtnRes = 9 goto *loadmode_load ;if %BtnRes = 10 goto *loadmode_load ;ページ移動ボタンを選択 if %BtnRes = Page1 mov %savemodePage,1 : seplay 9,1010 : goto *loadmode1 if %BtnRes = Page2 mov %savemodePage,2 : seplay 9,1010 : goto *loadmode1 if %BtnRes = Page3 mov %savemodePage,3 : seplay 9,1010 : goto *loadmode1 if %BtnRes = Page4 mov %savemodePage,4 : seplay 9,1010 : goto *loadmode1 if %BtnRes = Page5 mov %savemodePage,5 : seplay 9,1010 : goto *loadmode1 ;システム切り替えボタンを選択 if %BtnRes = rmenu_btn_Exit :goto *save_exit if %BtnRes = Save seplay 9,1000 : goto *savemode if %BtnRes = -1 goto *save_exit goto *loadmode_btn_loop *loadmode_load ;ロード番号収得 mov %savedataNowNum,%savemodePageNow mul %savedataNowNum,8 sub %savedataNowNum,8 add %savedataNowNum,%BtnRes ;ロード ;右クリックからのエフェクト notif %load_for_title = 0 jumpf ;ワレエフェクトと共に黒フェード E_A seplay 9,1022 lsp 0,":a;bmp\efe\ware.bmp",0,0 print 1 delay 1000 lsp 0,":c;bmp\r_click\black.bmp",0,0 print 22 delay 2000 ~ for %Free1 = 1 to 100 csp %Free1 next csp -1 csp rmenu_btn1 csp rmenu_btn2 csp rmenu_btn3 csp Page1 csp Page2 csp Page3 csp Page4 csp Page5 csp rmenu_btn_Exit csp Save csp Load btndef "" ;layermessage 10,"clear/10" ;タイトルからのエフェクト notif %load_for_title = 1 jumpf ;ワレエフェクトと共に黒フェード E_A seplay 9,17 bg white,10 delay 3000 ~ mov %load_for_title,0 loadgame %savedataNowNum goto *loadmode2 ;セーブシステム終了 *save_exit for %Free1 = 1 to 100 csp %Free1 next csp rmenu_btn1 csp rmenu_btn2 csp rmenu_btn3 csp Page1 csp Page2 csp Page3 csp Page4 csp Page5 csp rmenu_btn_Exit csp Load csp Save csp 700 csp 699 csp 698 seplay 8,1100 print 1 texton mov %load_for_title,0 wait 500 ;セーブ、ロードから抜ける時は右クリックメニューを飛ばして ;ゲーム画面に復帰させる。 return *DATA_SET ;立ち絵画像の基本ルート設定 mov $KIN_DefA1,":a;custom\BMP\tati\Kinzo\KIN_DefA1.png" ;金 立ち絵デフォ mov $KIN_WaraiA1,":a;custom\BMP\tati\Kinzo\KIN_WaraiA1.png" ;笑い mov $KIN_IkariA1,":a;custom\BMP\tati\Kinzo\KIN_IkariA1.png" ;怒り mov $KIN_MajimeA1,":a;custom\BMP\tati\Kinzo\KIN_MajimeA1.png" ;真面目 ;mov $KIN_DefA2,":a;custom\BMP\tati\Kinzo\KIN_DefA2.png" mov $KIN_AkuwaraiA1,":a;custom\BMP\tati\Kinzo\KIN_AkuwaraiA1.png" ;悪笑い mov $KIN_AkuwaraiA2,":a;custom\BMP\tati\Kinzo\KIN_AkuwaraiA2.png" ;悪笑い ;mov $KIN_KomaruA1,":a;custom\BMP\tati\Kinzo\KIN_KomaruA1.png" ;困る ;mov $KIN_OdorokiA1,":a;custom\BMP\tati\Kinzo\KIN_OdorokiA1.png" ;驚き mov $KIN_WaraiA2,":a;custom\BMP\tati\Kinzo\KIN_WaraiA2.png" ;笑い mov $KIN_nakuA1,":a;custom\BMP\tati\Kinzo\KIN_nakuA1.png" ;泣く mov $KIN_nakuA2,":a;custom\BMP\tati\Kinzo\KIN_nakuA2.png" ;泣く２ mov $KIN_fumuA1,":a;custom\BMP\tati\Kinzo\KIN_fumuA1.png" ;ふーむ mov $KIN_fukigenA1,":a;custom\BMP\tati\Kinzo\KIN_fukigenA1.png" ;ふーむ mov $KLA_DefA1,":a;custom\BMP\tati\krauss\KLA_DefA1.png" ; 臼立ち絵デフォ mov $KLA_AkuwaraiA1,":a;custom\BMP\tati\krauss\1\KLA_AkuwaraiA1.png" ;悪笑い mov $KLA_KomaruA1,":a;custom\BMP\tati\krauss\KLA_KomaruA1.png" ;困る mov $KLA_KomaruA2,":a;custom\BMP\tati\krauss\KLA_KomaruA2.png" ;困る mov $KLA_KomaruA3,":a;custom\BMP\tati\krauss\KLA_KomaruA3.png" ;困る mov $KLA_KomaruA4,":a;custom\BMP\tati\krauss\1\KLA_KomaruA4.png" ;困る mov $KLA_MajimeA1,":a;custom\BMP\tati\krauss\KLA_MajimeA1.png" ;真面目 mov $KLA_IkariA1,":a;custom\BMP\tati\krauss\KLA_IkariA1.png" ;怒り ;mov $KLA_DefA2,":a;custom\BMP\tati\krauss\KLA_DefA2.png" ;mov $KLA_WaraiA1,":a;custom\BMP\tati\krauss\KLA_WaraiA1.png" ;笑い ;mov $KLA_OdorokiA1,":a;custom\BMP\tati\krauss\KLA_OdorokiA1.png" ;驚き mov $KLA_AkuwaraiA2,":a;custom\BMP\tati\krauss\KLA_AkuwaraiA2.png" ;悪笑い２ mov $KLA_AkuwaraiA3,":a;custom\BMP\tati\krauss\KLA_AkuwaraiA3.png" ;悪笑い３ mov $KLA_MajimeA2,":a;custom\BMP\tati\krauss\KLA_MajimeA2.png" ;真面目２ mov $KLA_NayamuA1,":a;custom\BMP\tati\krauss\KLA_NayamuA1.png" ;悩む mov $KLA_NayamuA2,":a;custom\BMP\tati\krauss\KLA_NayamuA2.png" ;悩む mov $KLA_NayamuA3,":a;custom\BMP\tati\krauss\KLA_NayamuA3.png" ;悩む mov $KLA_DefA1G,":a;custom\BMP\tati\krauss\KLA_DefA1G.png" ; 臼立ち絵デフォ mov $KLA_AkuwaraiA1G,":a;custom\BMP\tati\krauss\KLA_AkuwaraiA1G.png" ;悪笑い mov $KLA_KomaruA1G,":a;custom\BMP\tati\krauss\KLA_KomaruA1G.png" ;困る mov $KLA_KomaruA2G,":a;custom\BMP\tati\krauss\KLA_KomaruA2G.png" ;困る mov $KLA_KomaruA3G,":a;custom\BMP\tati\krauss\KLA_KomaruA3G.png" ;困る mov $KLA_KomaruA4G,":a;custom\BMP\tati\krauss\KLA_KomaruA4G.png" ;困る mov $KLA_MajimeA1G,":a;custom\BMP\tati\krauss\KLA_MajimeA1G.png" ;真面目 mov $KLA_IkariA1G,":a;custom\BMP\tati\krauss\KLA_IkariA1G.png" ;怒り mov $KLA_AkuwaraiA2G,":a;custom\BMP\tati\krauss\KLA_AkuwaraiA2G.png" ;悪笑い２ mov $KLA_AkuwaraiA3G,":a;custom\BMP\tati\krauss\KLA_AkuwaraiA3G.png" ;悪笑い３ mov $KLA_MajimeA2G,":a;custom\BMP\tati\krauss\KLA_MajimeA2G.png" ;真面目２ mov $KLA_NayamuA1G,":a;custom\BMP\tati\krauss\KLA_NayamuA1G.png" ;悩む mov $KLA_NayamuA2G,":a;custom\BMP\tati\krauss\KLA_NayamuA2G.png" ;悩む mov $KLA_NayamuA3G,":a;custom\BMP\tati\krauss\KLA_NayamuA3G.png" ;悩む mov $NAT_DefA1,":a;custom\BMP\tati\Natsuhi\NAT_DefA1.png" ;夏妃立ち絵デフォ mov $NAT_DefB1,":a;custom\BMP\tati\Natsuhi\NAT_DefA1.png" ;夏妃立ち絵デフォ mov $NAT_WaraiA1,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA1.png" ;笑い mov $NAT_WaraiB1,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA1.png" ;笑い mov $NAT_IkariA1,":a;custom\BMP\tati\Natsuhi\NAT_IkariA1.png" ;怒り mov $NAT_IkariB1,":a;custom\BMP\tati\Natsuhi\NAT_IkariA1.png" ;怒り mov $NAT_OdorokiA1,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA1.png" ;驚き mov $NAT_OdorokiB1,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA1.png" ;驚き mov $NAT_MajimeA1,":a;custom\BMP\tati\Natsuhi\NAT_MajimeA1.png" ;真面目 mov $NAT_MajimeB1,":a;custom\BMP\tati\Natsuhi\NAT_MajimeA1.png" ;真面目 ;mov $NAT_DefA2,":a;custom\BMP\tati\Natsuhi\NAT_DefA2.png" ;mov $NAT_AkuwaraiA1,":a;custom\BMP\tati\Natsuhi\NAT_AkuwaraiA1.png" ;悪笑い ;mov $NAT_KomaruA1,":a;custom\BMP\tati\Natsuhi\NAT_KomaruA1.png" ;困る mov $NAT_WaraiA2,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA2.png" ;笑い２ mov $NAT_WaraiB2,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA2.png" ;笑い２ mov $NAT_OdorokiA2,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA2.png" ;驚き２ mov $NAT_OdorokiB2,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA2.png" ;驚き２ mov $NAT_HisuA1,":a;custom\BMP\tati\Natsuhi\NAT_HisuA1.png" ;ヒステリー mov $NAT_HisuB1,":a;custom\BMP\tati\Natsuhi\NAT_HisuA1.png" ;ヒステリー mov $NAT_zutuuA1,":a;custom\BMP\tati\Natsuhi\NAT_zutuuA1.png" ;頭痛 mov $NAT_zutuuB1,":a;custom\BMP\tati\Natsuhi\NAT_zutuuA1.png" ;頭痛 mov $NAT_TukareA1,":a;custom\BMP\tati\Natsuhi\NAT_TukareA1.png" ;疲れ mov $NAT_TukareB1,":a;custom\BMP\tati\Natsuhi\NAT_TukareA1.png" ;疲れ mov $NAT_TukareA2,":a;custom\BMP\tati\Natsuhi\NAT_TukareA2.png" ;疲れ２ mov $NAT_TukareB2,":a;custom\BMP\tati\Natsuhi\NAT_TukareA2.png" ;疲れ２ mov $NAT_DefA1G,":a;custom\BMP\tati\Natsuhi\NAT_DefA1G.png" ;夏妃立ち絵デフォ mov $NAT_DefB1G,":a;custom\BMP\tati\Natsuhi\NAT_DefB1G.png" ;夏妃立ち絵デフォ mov $NAT_WaraiA1G,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA1G.png" ;笑い mov $NAT_WaraiB1G,":a;custom\BMP\tati\Natsuhi\NAT_WaraiB1G.png" ;笑い mov $NAT_IkariA1G,":a;custom\BMP\tati\Natsuhi\NAT_IkariA1G.png" ;怒り mov $NAT_IkariB1G,":a;custom\BMP\tati\Natsuhi\NAT_IkariB1G.png" ;怒り mov $NAT_OdorokiA1G,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA1G.png" ;驚き mov $NAT_OdorokiB1G,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiB1G.png" ;驚き mov $NAT_MajimeA1G,":a;custom\BMP\tati\Natsuhi\NAT_MajimeA1G.png" ;真面目 mov $NAT_MajimeB1G,":a;custom\BMP\tati\Natsuhi\NAT_MajimeB1G.png" ;真面目 ;mov $NAT_DefA2,":a;custom\BMP\tati\Natsuhi\NAT_DefA2.png" ;mov $NAT_AkuwaraiA1,":a;custom\BMP\tati\Natsuhi\NAT_AkuwaraiA1.png" ;悪笑い ;mov $NAT_KomaruA1,":a;custom\BMP\tati\Natsuhi\NAT_KomaruA1.png" ;困る mov $NAT_WaraiA2G,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA2G.png" ;笑い２ mov $NAT_WaraiB2G,":a;custom\BMP\tati\Natsuhi\NAT_WaraiB2G.png" ;笑い２ mov $NAT_OdorokiA2G,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA2G.png" ;驚き２ mov $NAT_OdorokiB2G,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiB2G.png" ;驚き２ mov $NAT_HisuA1G,":a;custom\BMP\tati\Natsuhi\NAT_HisuA1G.png" ;ヒステリー mov $NAT_HisuB1G,":a;custom\BMP\tati\Natsuhi\NAT_HisuB1G.png" ;ヒステリー mov $NAT_zutuuA1G,":a;custom\BMP\tati\Natsuhi\NAT_zutuuA1G.png" ;頭痛 mov $NAT_zutuuB1G,":a;custom\BMP\tati\Natsuhi\NAT_zutuuB1G.png" ;頭痛 mov $NAT_TukareA1G,":a;custom\BMP\tati\Natsuhi\NAT_TukareA1G.png" ;疲れ mov $NAT_TukareB1G,":a;custom\BMP\tati\Natsuhi\NAT_TukareB1G.png" ;疲れ mov $NAT_TukareA2G,":a;custom\BMP\tati\Natsuhi\NAT_TukareA2G.png" ;疲れ２ mov $NAT_TukareB2G,":a;custom\BMP\tati\Natsuhi\NAT_TukareB2G.png" ;疲れ２ mov $JES_DefA1,":a;custom\BMP\tati\Jessica\JES_DefA1.png" ;朱志香立ち絵デフォ mov $JES_DefA2,":a;custom\BMP\tati\Jessica\JES_DefA2.png" ;朱志香立ち絵デフォ mov $JES_WaraiA1,":a;custom\BMP\tati\Jessica\JES_WaraiA1.png" ;笑い mov $JES_AKuwaraiA1,":a;custom\BMP\tati\Jessica\JES_AkuwaraiA1.png" ;悪笑い mov $JES_IkariA1,":a;custom\BMP\tati\Jessica\JES_IkariA1.png" ;怒り mov $JES_KomaruA1,":a;custom\BMP\tati\Jessica\JES_KomaruA1.png" ;困る mov $JES_KomaruA2,":a;custom\BMP\tati\Jessica\JES_KomaruA2.png" ;困る２ mov $JES_KomaruA3,":a;custom\BMP\tati\Jessica\JES_KomaruA3.png" ;困る３ mov $JES_OdorokiA1,":a;custom\BMP\tati\Jessica\JES_OdorokiA1.png" ;驚き mov $JES_MajimeA1,":a;custom\BMP\tati\Jessica\JES_MajimeA1.png" ;真面目 mov $JES_futekiA1,":a;custom\BMP\tati\Jessica\JES_futekiA1.png" ;不敵 mov $JES_futekiA2,":a;custom\BMP\tati\Jessica\JES_futekiA2.png" ;不敵２ mov $JES_TohohoA1,":a;custom\BMP\tati\Jessica\JES_TohohoA1.png" ;とほほ mov $JES_TohohoA2,":a;custom\BMP\tati\Jessica\JES_TohohoA2.png" ;とほほ２ mov $JES_TohohoA3,":a;custom\BMP\tati\Jessica\JES_TohohoA3.png" ;とほほ３ mov $JES_TohohoA4,":a;custom\BMP\tati\Jessica\JES_TohohoA4.png" ;とほほ４ mov $JES_atyaA1,":a;custom\BMP\tati\Jessica\JES_atyaA1.png" ; ちゃー mov $JES_WaraiA2,":a;custom\BMP\tati\Jessica\JES_WaraiA2.png" ;笑い２ mov $JES_IkariA2,":a;custom\BMP\tati\Jessica\JES_IkariA2.png" ;怒り２ mov $JES_IkariA3,":a;custom\BMP\tati\Jessica\JES_IkariA3.png" ;怒り３ mov $JES_NakuA1,":a;custom\BMP\tati\Jessica\JES_NakuA1.png" ;泣く mov $JES_NayamuA1,":a;custom\BMP\tati\Jessica\JES_NayamuA1.png" ;悩む mov $JES_NakuA2,":a;custom\BMP\tati\Jessica\JES_NakuA2.png" ;泣く（半ベソ mov $JES_NakuA3,":a;custom\BMP\tati\Jessica\JES_NakuA3.png" ;泣く（半ベソ mov $JES_TereruA1,":a;custom\BMP\tati\Jessica\JES_TereruA1.png" ;泣く（半ベソ mov $JES_TereruA2,":a;custom\BMP\tati\Jessica\JES_TereruA2.png" ;泣く（半ベソ mov $JES_NakiWaraiA1,":a;custom\BMP\tati\Jessica\JES_NakiWaraiA1.png" ;泣く（半ベソ mov $JES_AisoWaraiA1,":a;custom\BMP\tati\Jessica\JES_AisoWaraiA1.png" ;泣く（半ベソ mov $JES_AtyaA2,":a;custom\BMP\tati\Jessica\JES_AtyaA2.png" ;泣く（半ベソ mov $JES_AtyaA3,":a;custom\BMP\tati\Jessica\JES_AtyaA3.png" ;泣く（半ベソ mov $EVA_DefA1,":a;custom\BMP\tati\Eva\EVA_DefA1.png" ;絵羽立ち絵デフォ mov $EVA_DefB1,":a;custom\BMP\tati\Eva\EVA_DefA1.png" mov $EVA_WaraiA1,":a;custom\BMP\tati\Eva\EVA_WaraiA1.png" ;笑い mov $EVA_WaraiB1,":a;custom\BMP\tati\Eva\EVA_WaraiA1.png" ;笑い mov $EVA_IkariA1,":a;custom\BMP\tati\Eva\EVA_IkariA1.png" ;怒り mov $EVA_IkariB1,":a;custom\BMP\tati\Eva\EVA_IkariA1.png" ;怒り mov $EVA_KomaruA1,":a;custom\BMP\tati\Eva\EVA_KomaruA1.png" ;困る mov $EVA_KomaruB1,":a;custom\BMP\tati\Eva\EVA_KomaruA1.png" ;困る mov $EVA_MajimeA1,":a;custom\BMP\tati\Eva\EVA_MajimeA1.png" ;真面目 mov $EVA_MajimeB1,":a;custom\BMP\tati\Eva\EVA_MajimeB1.png" ;真面目 ;mov $EVA_DefA2,":a;custom\BMP\tati\Eva\EVA_DefA2.png" ;絵羽立ち絵デフォ ;mov $EVA_DefB2,":a;custom\BMP\tati\Eva\EVA_DefA2.png" ;mov $EVA_AkuwaraiA1,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1.png" ;悪笑い ;mov $EVA_AkuwaraiB1,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1.png" ;悪笑い ;mov $EVA_OdorokiA1,":a;custom\BMP\tati\Eva\EVA_OdorokiA1.png" ;驚き ;mov $EVA_OdorokiB1,":a;custom\BMP\tati\Eva\EVA_OdorokiA1.png" ;驚き mov $EVA_HohoemiA1,":a;custom\BMP\tati\Eva\EVA_HohoemiA1.png" ;微笑み mov $EVA_HohoemiA2,":a;custom\BMP\tati\Eva\EVA_HohoemiA2.png" ;微笑み２ mov $EVA_akireA1,":a;custom\BMP\tati\Eva\EVA_akireA1.png" ;呆れ mov $EVA_futekiA1,":a;custom\BMP\tati\Eva\EVA_futekiA1.png" ;不敵 mov $EVA_IkariA2,":a;custom\BMP\tati\Eva\EVA_IkariA2.png" ;怒り２ mov $EVA_KomaruA2,":a;custom\BMP\tati\Eva\EVA_KomaruA2.png" ;困る２ mov $EVA_KomaruA3,":a;custom\BMP\tati\Eva\EVA_KomaruA3.png" ;困る３ mov $EVA_futekiA1,":a;custom\BMP\tati\Eva\EVA_futekiA1.png" ;不敵 mov $EVA_akireA2,":a;custom\BMP\tati\Eva\EVA_akireA2.png" ;呆れ２ mov $EVA_AkuwaraiA1,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1.png" ;不敵 mov $EVA_KomaruA4,":a;custom\BMP\tati\Eva\EVA_KomaruA4.png" ;怒り２ mov $EVA_NakuA1,":a;custom\BMP\tati\Eva\EVA_NakuA1.png" ;困る２ mov $EVA_NakuA2,":a;custom\BMP\tati\Eva\EVA_NakuA2.png" ;困る３ mov $EVA_OdorokiA1,":a;custom\BMP\tati\Eva\EVA_OdorokiA1.png" ;不敵 mov $EVA_OdorokiA2,":a;custom\BMP\tati\Eva\EVA_OdorokiA2.png" ;呆れ２ mov $EVA_DefA1G,":a;custom\BMP\tati\Eva\EVA_DefA1G.png" ;絵羽立ち絵デフォ mov $EVA_WaraiA1G,":a;custom\BMP\tati\Eva\EVA_WaraiA1G.png" ;笑い mov $EVA_IkariA1G,":a;custom\BMP\tati\Eva\EVA_IkariA1G.png" ;怒り mov $EVA_KomaruA1G,":a;custom\BMP\tati\Eva\EVA_KomaruA1G.png" ;困る mov $EVA_MajimeA1G,":a;custom\BMP\tati\Eva\EVA_MajimeA1G.png" ;真面目 mov $EVA_HohoemiA1G,":a;custom\BMP\tati\Eva\EVA_HohoemiA1G.png" ;微笑み mov $EVA_HohoemiA2G,":a;custom\BMP\tati\Eva\EVA_HohoemiA2G.png" ;微笑み２ mov $EVA_akireA1G,":a;custom\BMP\tati\Eva\EVA_akireA1G.png" ;呆れ mov $EVA_futekiA1G,":a;custom\BMP\tati\Eva\EVA_futekiA1G.png" ;不敵 mov $EVA_IkariA2G,":a;custom\BMP\tati\Eva\EVA_IkariA2G.png" ;怒り２ mov $EVA_KomaruA2G,":a;custom\BMP\tati\Eva\EVA_KomaruA2G.png" ;困る２ mov $EVA_KomaruA3G,":a;custom\BMP\tati\Eva\EVA_KomaruA3G.png" ;困る３ mov $EVA_futekiA1G,":a;custom\BMP\tati\Eva\EVA_futekiA1G.png" ;不敵 mov $EVA_akireA2G,":a;custom\BMP\tati\Eva\EVA_akireA2G.png" ;呆れ２ mov $EVA_AkuwaraiA1G,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1G.png" ;不敵 mov $EVA_KomaruA4G,":a;custom\BMP\tati\Eva\EVA_KomaruA4G.png" ;怒り２ mov $EVA_NakuA1G,":a;custom\BMP\tati\Eva\EVA_NakuA1G.png" ;困る２ mov $EVA_NakuA2G,":a;custom\BMP\tati\Eva\EVA_NakuA2G.png" ;困る３ mov $EVA_OdorokiA1G,":a;custom\BMP\tati\Eva\EVA_OdorokiA1G.png" ;不敵 mov $EVA_OdorokiA2G,":a;custom\BMP\tati\Eva\EVA_OdorokiA2G.png" ;呆れ２ mov $EVA_DefB1G,":a;custom\BMP\tati\Eva\EVA_DefB1G.png" ; mov $EVA_WaraiB1G,":a;custom\BMP\tati\Eva\EVA_WaraiB1G.png" ;笑い mov $EVA_IkariB1G,":a;custom\BMP\tati\Eva\EVA_IkariB1G.png" ;怒り mov $EVA_KomaruB1G,":a;custom\BMP\tati\Eva\EVA_KomaruB1G.png" ;困る mov $EVA_MajimeB1G,":a;custom\BMP\tati\Eva\EVA_MajimeB1G.png" ;真面目 mov $EVA_HohoemiB1G,":a;custom\BMP\tati\Eva\EVA_HohoemiB1G.png" ;微笑み mov $EVA_HohoemiB2G,":a;custom\BMP\tati\Eva\EVA_HohoemiB2G.png" ;微笑み２ mov $EVA_akireB1G,":a;custom\BMP\tati\Eva\EVA_akireB1G.png" ;呆れ mov $EVA_futekiB1G,":a;custom\BMP\tati\Eva\EVA_futekiB1G.png" ;不敵 mov $EVA_IkariB2G,":a;custom\BMP\tati\Eva\EVA_IkariB2G.png" ;怒り２ mov $EVA_KomaruB2G,":a;custom\BMP\tati\Eva\EVA_KomaruB2G.png" ;困る２ mov $EVA_KomaruB3G,":a;custom\BMP\tati\Eva\EVA_KomaruB3G.png" ;困る３ mov $EVA_futekiB1G,":a;custom\BMP\tati\Eva\EVA_futekiB1G.png" ;不敵 mov $EVA_akireB2G,":a;custom\BMP\tati\Eva\EVA_akireB2G.png" ;呆れ２ mov $EVA_AkuwaraiB1G,":a;custom\BMP\tati\Eva\EVA_AkuwaraiB1G.png" ;不敵 mov $EVA_KomaruB4G,":a;custom\BMP\tati\Eva\EVA_KomaruB4G.png" ;怒り２ mov $EVA_NakuB1G,":a;custom\BMP\tati\Eva\EVA_NakuB1G.png" ;困る２ mov $EVA_NakuB2G,":a;custom\BMP\tati\Eva\EVA_NakuB2G.png" ;困る３ mov $EVA_OdorokiB1G,":a;custom\BMP\tati\Eva\EVA_OdorokiB1G.png" ;不敵 mov $EVA_OdorokiB2G,":a;custom\BMP\tati\Eva\EVA_OdorokiB2G.png" ;呆れ２ mov $HID_DefA1,":a;custom\BMP\tati\Hideyoshi\HID_DefA1.png" ;秀吉立ち絵デフォ mov $HID_WaraiA1,":a;custom\BMP\tati\Hideyoshi\HID_WaraiA1.png" ;笑い mov $HID_KomaruA1,":a;custom\BMP\tati\Hideyoshi\HID_KomaruA1.png" ;困る mov $HID_MajimeA1,":a;custom\BMP\tati\Hideyoshi\HID_MajimeA1.png" ;真面目 ;mov $HID_DefA2,":a;custom\BMP\tati\Hideyoshi\HID_DefA2.png" ;秀吉立ち絵デフォ ;mov $HID_AkuwaraiA1,":a;custom\BMP\tati\Hideyoshi\HID_AkuwaraiA1.png" ;悪笑い ;mov $HID_IkariA1,":a;custom\BMP\tati\Hideyoshi\HID_IkariA1.png" ;怒り ;mov $HID_OdorokiA1,":a;custom\BMP\tati\Hideyoshi\HID_OdorokiA1.png" ;驚き mov $HID_fumuA1,":a;custom\BMP\tati\Hideyoshi\HID_fumuA1.png" ;ふーむ mov $HID_KomaruA2,":a;custom\BMP\tati\Hideyoshi\HID_KomaruA2.png" ;困る２ mov $HID_MajimeA2,":a;custom\BMP\tati\Hideyoshi\HID_MajimeA2.png" ;真面目２ mov $HID_WaraiA2,":a;custom\BMP\tati\Hideyoshi\HID_WaraiA2.png" ;笑い２ mov $HID_DefA1G,":a;custom\BMP\tati\Hideyoshi\HID_DefA1G.png" ;秀吉立ち絵デフォ mov $HID_WaraiA1G,":a;custom\BMP\tati\Hideyoshi\HID_WaraiA1G.png" ;笑い mov $HID_KomaruA1G,":a;custom\BMP\tati\Hideyoshi\HID_KomaruA1G.png" ;困る mov $HID_MajimeA1G,":a;custom\BMP\tati\Hideyoshi\HID_MajimeA1G.png" ;真面目 mov $HID_fumuA1G,":a;custom\BMP\tati\Hideyoshi\HID_fumuA1G.png" ;ふーむ mov $HID_KomaruA2G,":a;custom\BMP\tati\Hideyoshi\HID_KomaruA2G.png" ;困る２ mov $HID_MajimeA2G,":a;custom\BMP\tati\Hideyoshi\HID_MajimeA2G.png" ;真面目２ mov $HID_WaraiA2G,":a;custom\BMP\tati\Hideyoshi\HID_WaraiA2G.png" ;笑い２ mov $GEO_DefA1,":a;custom\BMP\tati\George\1\GEO_DefA1.png" ;譲治立ち絵デフォ mov $GEO_WaraiA1,":a;custom\BMP\tati\George\1\GEO_WaraiA1.png" ;笑い mov $GEO_KomaruA1,":a;custom\BMP\tati\George\1\GEO_KomaruA1.png" ;困る mov $GEO_MajimeA1,":a;custom\BMP\tati\George\1\GEO_MajimeA1.png" ;真面目 ;mov $GEO_DefA2,":a;custom\BMP\tati\George\1\GEO_DefA2.png" ;譲治立ち絵デフォ mov $GEO_AkuwaraiA1,":a;custom\BMP\tati\George\1\GEO_AkuwaraiA1.png" ;悪笑い mov $GEO_AkuwaraiA1k,":a;custom\BMP\tati\George\1\GEO_AkuwaraiA1k.png" ;悪笑い ;mov $GEO_IkariA1,":a;custom\BMP\tati\George\1\GEO_IkariA1.png" ;怒り ;mov $GEO_OdorokiA1,":a;custom\BMP\tati\George\1\GEO_OdorokiA1.png" ;驚き mov $GEO_DefA1k,":a;custom\BMP\tati\George\1\GEO_DefA1k.png" ;デフォ（曇り眼鏡 mov $GEO_NakuA1,":a;custom\BMP\tati\George\1\GEO_NakuA1.png" ;泣く mov $GEO_NakuA1k,":a;custom\BMP\tati\George\1\GEO_NakuA1k.png" ;泣く（曇り眼鏡 mov $GEO_NakuA2,":a;custom\BMP\tati\George\1\GEO_NakuA2.png" ;泣く２ mov $GEO_NakuA2k,":a;custom\BMP\tati\George\1\GEO_NakuA2k.png" ;泣く２（曇り眼鏡 mov $GEO_HohoemiA1,":a;custom\BMP\tati\George\1\GEO_HohoemiA1.png" ;微笑み mov $GEO_HohoemiA1k,":a;custom\BMP\tati\George\1\GEO_HohoemiA1k.png" ;微笑み（曇り眼鏡 mov $GEO_KomaruA1k,":a;custom\BMP\tati\George\1\GEO_KomaruA1k.png" ;困る（曇り眼鏡 mov $GEO_WaraiA1k,":a;custom\BMP\tati\George\1\GEO_WaraiA1k.png" ;笑い（曇り眼鏡 mov $GEO_WaraiA2,":a;custom\BMP\tati\George\1\GEO_WaraiA2.png" ;笑い mov $GEO_WaraiA2k,":a;custom\BMP\tati\George\1\GEO_WaraiA2k.png" ;笑い（曇り眼鏡 mov $GEO_MajimeA1k,":a;custom\BMP\tati\George\1\GEO_MajimeA1k.png" ;真面目（曇り眼鏡 mov $GEO_MajimeA2,":a;custom\BMP\tati\George\1\GEO_MajimeA2.png" ;真面目２ mov $GEO_MajimeA2k,":a;custom\BMP\tati\George\1\GEO_MajimeA2k.png" ;真面目２（曇り眼鏡 mov $GEO_MajimeA3,":a;custom\BMP\tati\George\1\GEO_MajimeA3.png" ;真面目３ mov $GEO_MajimeA3k,":a;custom\BMP\tati\George\1\GEO_MajimeA3k.png" ;真面目３（曇り眼鏡 mov $GEO_MajimeA4,":a;custom\BMP\tati\George\1\GEO_MajimeA4.png" ;真面目４ mov $GEO_MajimeA4k,":a;custom\BMP\tati\George\1\GEO_MajimeA4k.png" ;真面目４（曇り眼鏡 mov $GEO_MajimeA5,":a;custom\BMP\tati\George\1\GEO_MajimeA5.png" ;真面目５ mov $GEO_MajimeA5k,":a;custom\BMP\tati\George\1\GEO_MajimeA5k.png" ;真面目５（曇り眼鏡 mov $GEO_KomaruA2,":a;custom\BMP\tati\George\1\GEO_KomaruA2.png" mov $GEO_KomaruA2k,":a;custom\BMP\tati\George\1\GEO_KomaruA2k.png" mov $GEO_KomaruA3,":a;custom\BMP\tati\George\1\GEO_KomaruA3.png" mov $GEO_KomaruA3k,":a;custom\BMP\tati\George\1\GEO_KomaruA3k.png" mov $GEO_KomaruA4,":a;custom\BMP\tati\George\1\GEO_KomaruA4.png" mov $GEO_KomaruA4k,":a;custom\BMP\tati\George\1\GEO_KomaruA4k.png" mov $GEO_KomaruA5,":a;custom\BMP\tati\George\1\GEO_KomaruA5.png" mov $GEO_KomaruA5k,":a;custom\BMP\tati\George\1\GEO_KomaruA5k.png" mov $GEO_IkariA1,":a;custom\BMP\tati\George\1\GEO_IkariA1.png" mov $GEO_IkariA1k,":a;custom\BMP\tati\George\1\GEO_IkariA1k.png" mov $GEO_IkariA2,":a;custom\BMP\tati\George\1\GEO_IkariA2.png" mov $GEO_IkariA2k,":a;custom\BMP\tati\George\1\GEO_IkariA2k.png" mov $GEO_IkariA3,":a;custom\BMP\tati\George\1\GEO_IkariA3.png" mov $GEO_IkariA3k,":a;custom\BMP\tati\George\1\GEO_IkariA3k.png" mov $GEO_IkariA4,":a;custom\BMP\tati\George\1\GEO_IkariA4.png" mov $GEO_IkariA4k,":a;custom\BMP\tati\George\1\GEO_IkariA4k.png" mov $GEO_NiramuA1,":a;custom\BMP\tati\George\1\GEO_NiramuA1.png" mov $GEO_NiramuA1k,":a;custom\BMP\tati\George\1\GEO_NiramuA1k.png" mov $RUD_DefA1,":a;custom\BMP\tati\Rudolf\RUD_DefA1.png" ;留弗夫立ち絵デフォ mov $RUD_DefA2,":a;custom\BMP\tati\Rudolf\RUD_DefA2.png" mov $RUD_WaraiA1,":a;custom\BMP\tati\Rudolf\RUD_WaraiA1.png" ;笑い mov $RUD_AkuwaraiA1,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiA1.png" ;悪笑い mov $RUD_KomaruA1,":a;custom\BMP\tati\Rudolf\RUD_KomaruA1.png" ;困る mov $RUD_MajimeA1,":a;custom\BMP\tati\Rudolf\RUD_MajimeA1.png" ;真面目 mov $RUD_OdorokiA1,":a;custom\BMP\tati\Rudolf\RUD_OdorokiA1.png" ;驚き ;mov $RUD_IkariA1,":a;custom\BMP\tati\Rudolf\RUD_IkariA1.png" ;怒り mov $RUD_NayamuA1,":a;custom\BMP\tati\Rudolf\RUD_NayamuA1.png" ;悩む mov $RUD_AkuwaraiA2,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiA2.png" ;悪笑い２ mov $RUD_MajimeA2,":a;custom\BMP\tati\Rudolf\RUD_MajimeA2.png" ;真面目２ mov $RUD_WaraiA2,":a;custom\BMP\tati\Rudolf\RUD_WaraiA2.png" ;笑い２ mov $RUD_DefA1G,":a;custom\BMP\tati\Rudolf\RUD_DefA1G.png" ;留弗夫立ち絵デフォ mov $RUD_DefA2G,":a;custom\BMP\tati\Rudolf\RUD_DefA2G.png" mov $RUD_WaraiA1G,":a;custom\BMP\tati\Rudolf\RUD_WaraiA1G.png" ;笑い mov $RUD_AkuwaraiA1G,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiA1G.png" ;悪笑い mov $RUD_KomaruA1G,":a;custom\BMP\tati\Rudolf\RUD_KomaruA1G.png" ;困る mov $RUD_MajimeA1G,":a;custom\BMP\tati\Rudolf\RUD_MajimeA1G.png" ;真面目 mov $RUD_OdorokiA1G,":a;custom\BMP\tati\Rudolf\RUD_OdorokiA1G.png" ;驚き mov $RUD_NayamuA1G,":a;custom\BMP\tati\Rudolf\RUD_NayamuA1G.png" ;悩む mov $RUD_AkuwaraiA2G,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiA2G.png" ;悪笑い２ mov $RUD_MajimeA2G,":a;custom\BMP\tati\Rudolf\RUD_MajimeA2G.png" ;真面目２ mov $RUD_WaraiA2G,":a;custom\BMP\tati\Rudolf\RUD_WaraiA2G.png" ;笑い２ mov $RUD_DefB1G,":a;custom\BMP\tati\Rudolf\RUD_DefB1G.png" ;留弗夫立ち絵デフォ mov $RUD_DefB2G,":a;custom\BMP\tati\Rudolf\RUD_DefB2G.png" mov $RUD_WaraiB1G,":a;custom\BMP\tati\Rudolf\RUD_WaraiB1G.png" ;笑い mov $RUD_AkuwaraiB1G,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiB1G.png" ;悪笑い mov $RUD_KomaruB1G,":a;custom\BMP\tati\Rudolf\RUD_KomaruB1G.png" ;困る mov $RUD_MajimeB1G,":a;custom\BMP\tati\Rudolf\RUD_MajimeB1G.png" ;真面目 mov $RUD_OdorokiB1G,":a;custom\BMP\tati\Rudolf\RUD_OdorokiB1G.png" ;驚き mov $RUD_NayamuB1G,":a;custom\BMP\tati\Rudolf\RUD_NayamuB1G.png" ;悩む mov $RUD_AkuwaraiB2G,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiB2G.png" ;悪笑い２ mov $RUD_MajimeB2G,":a;custom\BMP\tati\Rudolf\RUD_MajimeB2G.png" ;真面目２ mov $RUD_WaraiB2G,":a;custom\BMP\tati\Rudolf\RUD_WaraiB2G.png" ;笑い２ mov $KIR_DefA1,":a;custom\BMP\tati\Kyrie\KIR_DefA1.png" ;霧江立ち絵デフォ mov $KIR_WaraiA1,":a;custom\BMP\tati\Kyrie\KIR_WaraiA1.png" ;笑い mov $KIR_MajimeA1,":a;custom\BMP\tati\Kyrie\KIR_MajimeA1.png" ;真面目 mov $KIR_KomaruA1,":a;custom\BMP\tati\Kyrie\KIR_KomaruA1.png" ;困る mov $KIR_KomaruA2,":a;custom\BMP\tati\Kyrie\KIR_KomaruA2.png" ;困る２ ;mov $KIR_DefA2,":a;custom\BMP\tati\Kyrie\KIR_DefA2.png" ;mov $KIR_AkuwaraiA1,":a;custom\BMP\tati\Kyrie\KIR_AkuwaraiA1.png" ;悪笑い ;mov $KIR_IkariA1,":a;custom\BMP\tati\Kyrie\KIR_IkariA1.png" ;怒り ;mov $KIR_OdorokiA1,":a;custom\BMP\tati\Kyrie\KIR_OdorokiA1.png" ;驚き mov $KIR_NayamuA1,":a;custom\BMP\tati\Kyrie\KIR_NayamuA1.png" ;悩む mov $KIR_MajimeA2,":a;custom\BMP\tati\Kyrie\KIR_MajimeA2.png" ;真面目２ mov $KIR_WaraiA2,":a;custom\BMP\tati\Kyrie\KIR_WaraiA2.png" ;笑い２ mov $KIR_futekiA1,":a;custom\BMP\tati\Kyrie\KIR_futekiA1.png" ;不敵 mov $KIR_SakebuA1,":a;custom\BMP\tati\Kyrie\KIR_SakebuA1.png" ;叫ぶ mov $KIR_DefB1G,":a;custom\BMP\tati\Kyrie\KIR_DefB1G.png" ;霧江立ち絵デフォ mov $KIR_WaraiB1G,":a;custom\BMP\tati\Kyrie\KIR_WaraiB1G.png" ;笑い mov $KIR_MajimeB1G,":a;custom\BMP\tati\Kyrie\KIR_MajimeB1G.png" ;真面目 mov $KIR_KomaruB1G,":a;custom\BMP\tati\Kyrie\KIR_KomaruB1G.png" ;困る mov $KIR_KomaruB2G,":a;custom\BMP\tati\Kyrie\KIR_KomaruB2G.png" ;困る２ mov $KIR_NayamuB1G,":a;custom\BMP\tati\Kyrie\KIR_NayamuB1G.png" ;悩む mov $KIR_MajimeB2G,":a;custom\BMP\tati\Kyrie\KIR_MajimeB2G.png" ;真面目２ mov $KIR_WaraiB2G,":a;custom\BMP\tati\Kyrie\KIR_WaraiB2G.png" ;笑い２ mov $KIR_futekiB1G,":a;custom\BMP\tati\Kyrie\KIR_futekiB1G.png" ;不敵 mov $KIR_SakebuB1G,":a;custom\BMP\tati\Kyrie\KIR_SakebuB1G.png" ;叫ぶ mov $BUT_DefA1,":a;custom\BMP\tati\Battler\BUT_DefA1.png" ;戦人立ち絵デフォ mov $BUT_DefA2,":a;custom\BMP\tati\Battler\BUT_DefA2.png" mov $BUT_WaraiA1,":a;custom\BMP\tati\Battler\BUT_WaraiA1.png" ;笑い mov $BUT_KomaruA1,":a;custom\BMP\tati\Battler\BUT_KomaruA1.png" ;困る mov $BUT_OdorokiA1,":a;custom\BMP\tati\Battler\BUT_OdorokiA1.png" ;驚き mov $BUT_MajimeA1,":a;custom\BMP\tati\Battler\BUT_MajimeA1.png" ;真面目 ;mov $BUT_AkuwaraiA1,":a;custom\BMP\tati\Battler\BUT_AkuwaraiA1.png" ;悪笑い ;mov $BUT_IkariA1,":a;custom\BMP\tati\Battler\BUT_IkariA1.png" ;怒り mov $BUT_NakuA1,":a;custom\BMP\tati\Battler\BUT_NakuA1.png" ;泣く mov $BUT_WaraiA2,":a;custom\BMP\tati\Battler\BUT_WaraiA2.png" ;笑い２ mov $BUT_OyaA1,":a;custom\BMP\tati\Battler\BUT_OyaA1.png" ;おや？ mov $BUT_KuyasigaruA1,":a;custom\BMP\tati\Battler\BUT_KuyasigaruA1.png" ;悔しがる mov $BUT_AseruA1,":a;custom\BMP\tati\Battler\BUT_AseruA1.png" ;焦る mov $BUT_OdorokiA2,":a;custom\BMP\tati\Battler\BUT_OdorokiA2.png" ;驚き２ mov $BUT_OdorokiA3,":a;custom\BMP\tati\Battler\BUT_OdorokiA3.png" ;驚き３ mov $BUT_KomaruA2,":a;custom\BMP\tati\Battler\BUT_KomaruA2.png" ;困る２ mov $BUT_KomaruA3,":a;custom\BMP\tati\Battler\BUT_KomaruA3.png" ;困る３ mov $BUT_NayamuA1,":a;custom\BMP\tati\Battler\BUT_NayamuA1.png" ;悩む mov $BUT_NayamuA2,":a;custom\BMP\tati\Battler\BUT_NayamuA2.png" ;悩む２ mov $BUT_NiramuA1,":a;custom\BMP\tati\Battler\BUT_NiramuA1.png" mov $BUT_NiramuA2,":a;custom\BMP\tati\Battler\BUT_NiramuA2.png" mov $BUT_NiramuA3,":a;custom\BMP\tati\Battler\BUT_NiramuA3.png" mov $BUT_NiramuA4,":a;custom\BMP\tati\Battler\BUT_NiramuA4.png" mov $BUT_FutekiA1,":a;custom\BMP\tati\Battler\BUT_FutekiA1.png" mov $BUT_NakuA2,":a;custom\BMP\tati\Battler\BUT_NakuA2.png" mov $BUT_NakuA3,":a;custom\BMP\tati\Battler\BUT_NakuA3.png" mov $BUT_FutekiA2,":a;custom\BMP\tati\Battler\BUT_FutekiA2.png" mov $BUT_FutekiA3,":a;custom\BMP\tati\Battler\BUT_FutekiA3.png" mov $BUT_MajimeA2,":a;custom\BMP\tati\Battler\BUT_MajimeA2.png" mov $BUT_MajimeA3,":a;custom\BMP\tati\Battler\BUT_MajimeA3.png" mov $BUT_MajimeA4,":a;custom\BMP\tati\Battler\BUT_MajimeA4.png" mov $BUT_MajimeA5,":a;custom\BMP\tati\Battler\BUT_MajimeA5.png" mov $BUT_NayamuA3,":a;custom\BMP\tati\Battler\BUT_NayamuA3.png" mov $BUT_NayamuA4,":a;custom\BMP\tati\Battler\BUT_NayamuA4.png" mov $BUT_SakebuA1,":a;custom\BMP\tati\Battler\BUT_SakebuA1.png" mov $BUT_SakebuA2,":a;custom\BMP\tati\Battler\BUT_SakebuA2.png" mov $BUT_DefB1,":a;custom\BMP\tati\Battler\BUT_DefB1.png" ;戦人立ち絵デフォＢポーズ mov $BUT_DefB2,":a;custom\BMP\tati\Battler\BUT_DefB2.png" mov $BUT_WaraiB1,":a;custom\BMP\tati\Battler\BUT_WaraiB1.png" ;笑い mov $BUT_KomaruB1,":a;custom\BMP\tati\Battler\BUT_KomaruB1.png" ;困る mov $BUT_OdorokiB1,":a;custom\BMP\tati\Battler\BUT_OdorokiB1.png" ;驚き mov $BUT_MajimeB1,":a;custom\BMP\tati\Battler\BUT_MajimeB1.png" ;真面目 ;mov $BUT_AkuwaraiB1,":a;custom\BMP\tati\Battler\BUT_AkuwaraiB1.png" ;悪笑い ;mov $BUT_IkariB1,":a;custom\BMP\tati\Battler\BUT_IkariB1.png" ;怒り mov $BUT_NakuB1,":a;custom\BMP\tati\Battler\BUT_NakuB1.png" ;泣く mov $BUT_WaraiB2,":a;custom\BMP\tati\Battler\BUT_WaraiB2.png" ;笑い２ mov $BUT_OyaB1,":a;custom\BMP\tati\Battler\BUT_OyaB1.png" ;おや？ mov $BUT_KuyasigaruB1,":a;custom\BMP\tati\Battler\BUT_KuyasigaruB1.png" ;悔しがる mov $BUT_AseruB1,":a;custom\BMP\tati\Battler\BUT_AseruB1.png" ;焦る mov $BUT_OdorokiB2,":a;custom\BMP\tati\Battler\BUT_OdorokiB2.png" ;驚き２ mov $BUT_OdorokiB3,":a;custom\BMP\tati\Battler\BUT_OdorokiB3.png" ;驚き３ mov $BUT_KomaruB2,":a;custom\BMP\tati\Battler\BUT_KomaruB2.png" ;困る２ mov $BUT_KomaruB3,":a;custom\BMP\tati\Battler\BUT_KomaruB3.png" ;困る３ mov $BUT_NayamuB1,":a;custom\BMP\tati\Battler\BUT_NayamuB1.png" ;悩む mov $BUT_NayamuB2,":a;custom\BMP\tati\Battler\BUT_NayamuB2.png" ;悩む２ mov $BUT_NiramuB1,":a;custom\BMP\tati\Battler\BUT_NiramuB1.png" mov $BUT_NiramuB2,":a;custom\BMP\tati\Battler\BUT_NiramuB2.png" mov $BUT_NiramuB3,":a;custom\BMP\tati\Battler\BUT_NiramuB3.png" mov $BUT_NiramuB4,":a;custom\BMP\tati\Battler\BUT_NiramuB4.png" mov $BUT_FutekiB1,":a;custom\BMP\tati\Battler\BUT_FutekiB1.png" mov $BUT_NakuB2,":a;custom\BMP\tati\Battler\BUT_NakuB2.png" mov $BUT_NakuB3,":a;custom\BMP\tati\Battler\BUT_NakuB3.png" mov $BUT_FutekiB2,":a;custom\BMP\tati\Battler\BUT_FutekiB2.png" mov $BUT_FutekiB3,":a;custom\BMP\tati\Battler\BUT_FutekiB3.png" mov $BUT_MajimeB2,":a;custom\BMP\tati\Battler\BUT_MajimeB2.png" mov $BUT_MajimeB3,":a;custom\BMP\tati\Battler\BUT_MajimeB3.png" mov $BUT_MajimeB4,":a;custom\BMP\tati\Battler\BUT_MajimeB4.png" mov $BUT_MajimeB5,":a;custom\BMP\tati\Battler\BUT_MajimeB5.png" mov $BUT_NayamuB3,":a;custom\BMP\tati\Battler\BUT_NayamuB3.png" mov $BUT_NayamuB4,":a;custom\BMP\tati\Battler\BUT_NayamuB4.png" mov $BUT_SakebuB1,":a;custom\BMP\tati\Battler\BUT_SakebuB1.png" mov $BUT_SakebuB2,":a;custom\BMP\tati\Battler\BUT_SakebuB2.png" mov $ROS_DefA1,":a;custom\BMP\tati\Rosa\ROS_DefA1.png" ;楼座立ち絵デフォ mov $ROS_WaraiA1,":a;custom\BMP\tati\Rosa\ROS_WaraiA1.png" ;笑い mov $ROS_IkariA1,":a;custom\BMP\tati\Rosa\ROS_IkariA1.png" ;怒り mov $ROS_KomaruA1,":a;custom\BMP\tati\Rosa\ROS_KomaruA1.png" ;困る mov $ROS_AkuwaraiA1,":a;custom\BMP\tati\Rosa\ROS_AkuwaraiA1.png" ;悪笑い mov $ROS_MajimeA1,":a;custom\BMP\tati\Rosa\ROS_MajimeA1.png" ;真面目 ;mov $ROS_DefA2,":a;custom\BMP\tati\Rosa\ROS_DefA2.png" ;mov $ROS_OdorokiA1,":a;custom\BMP\tati\Rosa\ROS_OdorokiA1.png" ;驚き mov $ROS_WaraiA2,":a;custom\BMP\tati\Rosa\ROS_WaraiA2.png" ;笑い２ mov $ROS_KomaruA2,":a;custom\BMP\tati\Rosa\ROS_KomaruA2.png" ;困る２ mov $ROS_KomaruA3,":a;custom\BMP\tati\Rosa\ROS_KomaruA3.png" ;困る３ mov $ROS_NayamuA1,":a;custom\BMP\tati\Rosa\ROS_NayamuA1.png" ;悩む mov $ROS_KomaruA4,":a;custom\BMP\tati\Rosa\ROS_KomaruA4.png" mov $ROS_OdorokiA1,":a;custom\BMP\tati\Rosa\ROS_OdorokiA1.png" mov $ROS_IkariA2,":a;custom\BMP\tati\Rosa\ROS_IkariA2.png" mov $ROS_IkariA3,":a;custom\BMP\tati\Rosa\ROS_IkariA3.png" mov $ROS_IkariA4,":a;custom\BMP\tati\Rosa\ROS_IkariA4.png" mov $ROS_AseruA1,":a;custom\BMP\tati\Rosa\ROS_AseruA1.png" mov $ROS_DefA1G,":a;custom\BMP\tati\Rosa\ROS_DefA1G.png" ;楼座立ち絵デフォ mov $ROS_WaraiA1G,":a;custom\BMP\tati\Rosa\ROS_WaraiA1G.png" ;笑い mov $ROS_IkariA1G,":a;custom\BMP\tati\Rosa\ROS_IkariA1G.png" ;怒り mov $ROS_KomaruA1G,":a;custom\BMP\tati\Rosa\ROS_KomaruA1G.png" ;困る mov $ROS_AkuwaraiA1G,":a;custom\BMP\tati\Rosa\ROS_AkuwaraiA1G.png" ;悪笑い mov $ROS_MajimeA1G,":a;custom\BMP\tati\Rosa\ROS_MajimeA1G.png" ;真面目 ;mov $ROS_DefA2G,":a;custom\BMP\tati\Rosa\ROS_DefA2G.png" ;mov $ROS_OdorokiA1G,":a;custom\BMP\tati\Rosa\ROS_OdorokiA1G.png" ;驚き mov $ROS_WaraiA2G,":a;custom\BMP\tati\Rosa\ROS_WaraiA2G.png" ;笑い２ mov $ROS_KomaruA2G,":a;custom\BMP\tati\Rosa\ROS_KomaruA2G.png" ;困る２ mov $ROS_KomaruA3G,":a;custom\BMP\tati\Rosa\ROS_KomaruA3G.png" ;困る３ mov $ROS_NayamuA1G,":a;custom\BMP\tati\Rosa\ROS_NayamuA1G.png" ;悩む mov $ROS_KomaruA4G,":a;custom\BMP\tati\Rosa\ROS_KomaruA4G.png" mov $ROS_OdorokiA1G,":a;custom\BMP\tati\Rosa\ROS_OdorokiA1G.png" mov $ROS_IkariA2G,":a;custom\BMP\tati\Rosa\ROS_IkariA2G.png" mov $ROS_IkariA3G,":a;custom\BMP\tati\Rosa\ROS_IkariA3G.png" mov $ROS_IkariA4G,":a;custom\BMP\tati\Rosa\ROS_IkariA4G.png" mov $ROS_AseruA1G,":a;custom\BMP\tati\Rosa\ROS_AseruA1G.png" mov $ROS_DefB1G,":a;custom\BMP\tati\Rosa\ROS_DefB1G.png" ;楼座立ち絵デフォ mov $ROS_WaraiB1G,":a;custom\BMP\tati\Rosa\ROS_WaraiB1G.png" ;笑い mov $ROS_IkariB1G,":a;custom\BMP\tati\Rosa\ROS_IkariB1G.png" ;怒り mov $ROS_KomaruB1G,":a;custom\BMP\tati\Rosa\ROS_KomaruB1G.png" ;困る mov $ROS_AkuwaraiB1G,":a;custom\BMP\tati\Rosa\ROS_AkuwaraiB1G.png" ;悪笑い mov $ROS_MajimeB1G,":a;custom\BMP\tati\Rosa\ROS_MajimeB1G.png" ;真面目 ;mov $ROS_DefB2G,":a;custom\BMP\tati\Rosa\ROS_DefB2G.png" ;mov $ROS_OdorokiB1G,":a;custom\BMP\tati\Rosa\ROS_OdorokiB1G.png" ;驚き mov $ROS_WaraiB2G,":a;custom\BMP\tati\Rosa\ROS_WaraiB2G.png" ;笑い２ mov $ROS_KomaruB2G,":a;custom\BMP\tati\Rosa\ROS_KomaruB2G.png" ;困る２ mov $ROS_KomaruB3G,":a;custom\BMP\tati\Rosa\ROS_KomaruB3G.png" ;困る３ mov $ROS_NayamuB1G,":a;custom\BMP\tati\Rosa\ROS_NayamuB1G.png" ;悩む mov $ROS_KomaruB4G,":a;custom\BMP\tati\Rosa\ROS_KomaruB4G.png" mov $ROS_OdorokiB1G,":a;custom\BMP\tati\Rosa\ROS_OdorokiB1G.png" mov $ROS_IkariB2G,":a;custom\BMP\tati\Rosa\ROS_IkariB2G.png" mov $ROS_IkariB3G,":a;custom\BMP\tati\Rosa\ROS_IkariB3G.png" mov $ROS_IkariB4G,":a;custom\BMP\tati\Rosa\ROS_IkariB4G.png" mov $ROS_AseruB1G,":a;custom\BMP\tati\Rosa\ROS_AseruB1G.png" mov $MAR_DefA1,":a;custom\BMP\tati\Maria\1\MAR_DefA1.png" ;真里亞立ち絵デフォ mov $MAR_DefA1k,":a;custom\BMP\tati\Maria\1\MAR_DefA1k.png" ;真っ黒真里亞立ち絵デフォ mov $MAR_WaraiA1,":a;custom\BMP\tati\Maria\1\MAR_WaraiA1.png" ;笑い mov $MAR_AkuwaraiA1,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA1.png" ;悪笑い mov $MAR_IkariA1,":a;custom\BMP\tati\Maria\1\MAR_IkariA1.png" ;怒り mov $MAR_KomaruA1,":a;custom\BMP\tati\Maria\1\MAR_KomaruA1.png" ;困る mov $MAR_OdorokiA1,":a;custom\BMP\tati\Maria\1\MAR_OdorokiA1.png" ;驚き mov $MAR_MajimeA1,":a;custom\BMP\tati\Maria\1\MAR_MajimeA1.png" ;真面目 mov $MAR_NakuA1,":a;custom\BMP\tati\Maria\1\MAR_NakuA1.png" ;泣く ;mov $MAR_DefA2,":a;custom\BMP\tati\Maria\1\MAR_DefA2.png" ;mov $MAR_Kuro_DefA1,":a;custom\BMP\tati\Maria\1\MAR_Kuro_DefA1.png" ;黒真里亞立ち絵デフォ ;mov $MAR_Kuro_WaraiA1,":a;custom\BMP\tati\Maria\1\MAR_Kuro_WaraiA1.png" ;黒真里亞笑い mov $MAR_AkuwaraiA2,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA2.png" ;悪笑い２ mov $MAR_AkuwaraiA3,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA3.png" ;悪笑い３ mov $MAR_WaraiA2,":a;custom\BMP\tati\Maria\1\MAR_WaraiA2.png" ;笑い２ mov $MAR_NiyariA1,":a;custom\BMP\tati\Maria\1\MAR_niyariA1.png" ;ニヤリ mov $MAR_NiyariA2,":a;custom\BMP\tati\Maria\1\MAR_niyariA2.png" ;ニヤリ２ mov $MAR_fukigenA1,":a;custom\BMP\tati\Maria\1\MAR_fukigenA1.png" ;不機嫌 mov $MAR_fukigenA2,":a;custom\BMP\tati\Maria\1\MAR_fukigenA2.png" ;不機嫌２ mov $MAR_SakebuA1,":a;custom\BMP\tati\Maria\1\MAR_SakebuA1.png" ;叫ぶ ;真里亞、猫耳バージョン mov $MAR_DefA1N,":a;custom\BMP\tati\Maria\1\MAR_DefA1N.png" ;真里亞立ち絵デフォ mov $MAR_DefA1kN,":a;custom\BMP\tati\Maria\1\MAR_DefA1kN.png" ;真っ黒真里亞立ち絵デフォ mov $MAR_WaraiA1N,":a;custom\BMP\tati\Maria\1\MAR_WaraiA1N.png" ;笑い mov $MAR_AkuwaraiA1N,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA1N.png" ;悪笑い mov $MAR_IkariA1N,":a;custom\BMP\tati\Maria\1\MAR_IkariA1N.png" ;怒り mov $MAR_KomaruA1N,":a;custom\BMP\tati\Maria\1\MAR_KomaruA1N.png" ;困る mov $MAR_OdorokiA1N,":a;custom\BMP\tati\Maria\1\MAR_OdorokiA1N.png" ;驚き mov $MAR_MajimeA1N,":a;custom\BMP\tati\Maria\1\MAR_MajimeA1N.png" ;真面目 mov $MAR_NakuA1N,":a;custom\BMP\tati\Maria\1\MAR_NakuA1N.png" ;泣く mov $MAR_AkuwaraiA2N,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA2N.png" ;悪笑い２ mov $MAR_AkuwaraiA3N,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA3N.png" ;悪笑い３ mov $MAR_WaraiA2N,":a;custom\BMP\tati\Maria\1\MAR_WaraiA2N.png" ;笑い２ mov $MAR_NiyariA1N,":a;custom\BMP\tati\Maria\1\MAR_niyariA1N.png" ;ニヤリ mov $MAR_NiyariA2N,":a;custom\BMP\tati\Maria\1\MAR_niyariA2N.png" ;ニヤリ２ mov $MAR_fukigenA1N,":a;custom\BMP\tati\Maria\1\MAR_fukigenA1N.png" ;不機嫌 mov $MAR_fukigenA2N,":a;custom\BMP\tati\Maria\1\MAR_fukigenA2N.png" ;不機嫌２ mov $MAR_SakebuA1N,":a;custom\BMP\tati\Maria\1\MAR_SakebuA1N.png" ;叫ぶ mov $NAN_DefA1,":a;custom\BMP\tati\Nanjo\NAN_DefA1.png" ;南条立ち絵デフォ mov $NAN_KomaruA1,":a;custom\BMP\tati\Nanjo\NAN_KomaruA1.png" ;困る mov $NAN_MajimeA1,":a;custom\BMP\tati\Nanjo\NAN_MajimeA1.png" ;真面目 ;mov $NAN_DefA2,":a;custom\BMP\tati\Nanjo\NAN_DefA2.png" ;mov $NAN_WaraiA1,":a;custom\BMP\tati\Nanjo\NAN_WaraiA1.png" ;笑い ;mov $NAN_AkuwaraiA1,":a;custom\BMP\tati\Nanjo\NAN_AkuwaraiA1.png" ;悪笑い ;mov $NAN_IkariA1,":a;custom\BMP\tati\Nanjo\NAN_IkariA1.png" ;怒り ;mov $NAN_OdorokiA1,":a;custom\BMP\tati\Nanjo\NAN_OdorokiA1.png" ;驚き mov $NAN_MajimeA2,":a;custom\BMP\tati\Nanjo\NAN_MajimeA2.png" ;真面目２ mov $NAN_KomaruA2,":a;custom\BMP\tati\Nanjo\NAN_KomaruA2.png" ;困る２ mov $NAN_KomaruA3,":a;custom\BMP\tati\Nanjo\NAN_KomaruA3.png" ;困る３ mov $NAN_KomaruA4,":a;custom\BMP\tati\Nanjo\NAN_KomaruA4.png" ;困る４ mov $NAN_fumuA1,":a;custom\BMP\tati\Nanjo\NAN_fumuA1.png" ;ふむ mov $GEN_DefA1,":a;custom\BMP\tati\Genji\GEN_DefA1.png" ;源次立ち絵デフォ mov $GEN_KomaruA1,":a;custom\BMP\tati\Genji\GEN_KomaruA1.png" ;困る mov $GEN_MajimeA1,":a;custom\BMP\tati\Genji\GEN_MajimeA1.png" ;真面目 ;mov $GEN_DefA2,":a;custom\BMP\tati\Genji\GEN_DefA2.png" ;mov $GEN_WaraiA1,":a;custom\BMP\tati\GenjiGEN_WaraiA1.png" ;笑い ;mov $GEN_AkuwaraiA1,":a;custom\BMP\tati\GenjiGEN_AkuwaraiA1.png" ;悪笑い ;mov $GEN_IkariA1,":a;custom\BMP\tati\GenjiGEN_IkariA1.png" ;怒り mov $GEN_OdorokiA1,":a;custom\BMP\tati\Genji\GEN_OdorokiA1.png" ;驚き mov $GEN_MajimeA2,":a;custom\BMP\tati\Genji\GEN_MajimeA2.png" ;真面目２ mov $KUM_DefA1,":a;custom\BMP\tati\Kumasawa\\KUM_DefA1.png" ;熊沢立ち絵デフォ mov $KUM_DefA2,":a;custom\BMP\tati\Kumasawa\\KUM_DefA2.png" mov $KUM_WaraiA1,":a;custom\BMP\tati\Kumasawa\\KUM_WaraiA1.png" ;笑い mov $KUM_KomaruA1,":a;custom\BMP\tati\Kumasawa\\KUM_KomaruA1.png" ;困る mov $KUM_OdorokiA1,":a;custom\BMP\tati\Kumasawa\\KUM_OdorokiA1.png" ;驚き mov $KUM_MajimeA1,":a;custom\BMP\tati\Kumasawa\\KUM_MajimeA1.png" ;真面目 ;mov $KUM_AkuwaraiA1,":a;custom\BMP\tati\Kumasawa\KUM_AkuwaraiA1.png" ;悪笑い ;mov $KUM_IkariA1,":a;custom\BMP\tati\Kumasawa\KUM_IkariA1.png" ;怒り mov $KUM_WaraiA2,":a;custom\BMP\tati\Kumasawa\\KUM_WaraiA2.png" ;笑い２ mov $KUM_MajimeA2,":a;custom\BMP\tati\Kumasawa\\KUM_MajimeA2.png" ;真面目２ mov $GOH_DefA1,":a;custom\BMP\tati\Gohda\GOH_DefA1.png" ;俊朗立ち絵デフォ mov $GOH_WaraiA1,":a;custom\BMP\tati\Gohda\GOH_WaraiA1.png" ;笑い ;mov $GOH_DefA2,":a;custom\BMP\tati\GohdaGOH_DefA2.png" ;mov $GOH_AkuwaraiA1,":a;custom\BMP\tati\GohdaGOH_AkuwaraiA1.png" ;悪笑い ;mov $GOH_IkariA1,":a;custom\BMP\tati\GohdaGOH_IkariA1.png" ;怒り ;mov $GOH_KomaruA1,":a;custom\BMP\tati\GohdaGOH_KomaruA1.png" ;困る mov $GOH_OdorokiA1,":a;custom\BMP\tati\Gohda\GOH_OdorokiA1.png" ;驚き mov $GOH_MajimeA1,":a;custom\BMP\tati\Gohda\GOH_MajimeA1.png" ;真面目 mov $GOH_hohoemiA1,":a;custom\BMP\tati\Gohda\GOH_hohoemiA1.png" ;微笑み mov $GOH_hohoemiA2,":a;custom\BMP\tati\Gohda\GOH_hohoemiA2.png" ;微笑み２ mov $GOH_omakaseA1,":a;custom\BMP\tati\Gohda\GOH_omakaseA1.png" ;お任せください mov $GOH_omakaseA2,":a;custom\BMP\tati\Gohda\GOH_omakaseA2.png" ;お任せください２ mov $GOH_omakaseA3,":a;custom\BMP\tati\Gohda\GOH_omakaseA3.png" ;お任せください３ mov $GOH_IkariA1,":a;custom\BMP\tati\Gohda\GOH_IkariA1.png" ;怒り mov $GOH_IkariA2,":a;custom\BMP\tati\Gohda\GOH_IkariA2.png" ;怒り２ mov $GOH_IiwakeA1,":a;custom\BMP\tati\Gohda\GOH_IiwakeA1.png" mov $GOH_IiwakeA2,":a;custom\BMP\tati\Gohda\GOH_IiwakeA2.png" mov $GOH_KomaruA1,":a;custom\BMP\tati\Gohda\GOH_KomaruA1.png" mov $GOH_KomaruA2,":a;custom\BMP\tati\Gohda\GOH_KomaruA2.png" mov $GOH_KomaruA3,":a;custom\BMP\tati\Gohda\GOH_KomaruA3.png" mov $SHA_DefA1,":a;custom\BMP\tati\Shannon\1\SHA_DefA1.png" ;紗音立ち絵デフォ mov $SHA_WaraiA1,":a;custom\BMP\tati\Shannon\1\SHA_WaraiA1.png" ;笑い mov $SHA_KomaruA1,":a;custom\BMP\tati\Shannon\1\SHA_KomaruA1.png" ;困る mov $SHA_OdorokiA1,":a;custom\BMP\tati\Shannon\1\SHA_OdorokiA1.png" ;驚き mov $SHA_MajimeA1,":a;custom\BMP\tati\Shannon\1\SHA_MajimeA1.png" ;真面目 mov $SHA_HajiraiA1,":a;custom\BMP\tati\Shannon\1\SHA_HajiraiA1.png" ;恥らい ;mov $SHA_DefA2,":a;custom\BMP\tati\Shannon\1\SHA_DefA2.png" ;mov $SHA_AkuwaraiA1,":a;custom\BMP\tati\Shannon\1\SHA_AkuwaraiA1.png" ;悪笑い ;mov $SHA_IkariA1,":a;custom\BMP\tati\Shannon\1\SHA_IkariA1.png" ;怒り mov $SHA_WaraiA2,":a;custom\BMP\tati\Shannon\1\SHA_WaraiA2.png" ;笑い２ mov $SHA_WaraiA3,":a;custom\BMP\tati\Shannon\1\SHA_WaraiA3.png" ;笑い３ mov $SHA_MajimeA2,":a;custom\BMP\tati\Shannon\1\SHA_MajimeA2.png" ;真面目２ mov $SHA_HajiraiA2,":a;custom\BMP\tati\Shannon\1\SHA_HajiraiA2.png" ;恥らい２ mov $SHA_HajiraiA3,":a;custom\BMP\tati\Shannon\1\SHA_HajiraiA3.png" ;恥らい３ mov $SHA_fumanA1,":a;custom\BMP\tati\Shannon\1\SHA_fumanA1.png" ;不満 mov $SHA_tokuiA1,":a;custom\BMP\tati\Shannon\1\SHA_tokuiA1.png" ;得意 mov $SHA_OdorokiA2,":a;custom\BMP\tati\Shannon\1\SHA_OdorokiA2.png" ;驚き２ mov $SHA_MajimeA3,":a;custom\BMP\tati\Shannon\1\SHA_MajimeA3.png" mov $SHA_IkariA1,":a;custom\BMP\tati\Shannon\1\SHA_IkariA1.png" mov $SHA_IkariA2,":a;custom\BMP\tati\Shannon\1\SHA_IkariA2.png" mov $KAN_DefA1,":a;custom\BMP\tati\Kanon\1\KAN_DefA1.png" ;嘉音立ち絵デフォ mov $KAN_DefA2,":a;custom\BMP\tati\Kanon\1\KAN_DefA2.png" mov $KAN_IkariA1,":a;custom\BMP\tati\Kanon\1\KAN_IkariA1.png" ;怒り mov $KAN_KomaruA1,":a;custom\BMP\tati\Kanon\1\KAN_KomaruA1.png" ;困る mov $KAN_OdorokiA1,":a;custom\BMP\tati\Kanon\1\KAN_OdorokiA1.png" ;驚き mov $KAN_MajimeA1,":a;custom\BMP\tati\Kanon\1\KAN_MajimeA1.png" ;真面目 ;mov $KAN_WaraiA1,":a;custom\BMP\tati\Kanon\1\KAN_WaraiA1.png" ;笑い ;mov $KAN_AkuwaraiA1,":a;custom\BMP\tati\Kanon\1\KAN_AkuwaraiA1.png" ;悪笑い mov $KAN_OdorokiA2,":a;custom\BMP\tati\Kanon\1\KAN_OdorokiA2.png" ;驚き２ mov $KAN_NayamuA1,":a;custom\BMP\tati\Kanon\1\KAN_NayamuA1.png" ;悩む mov $KAN_FumanA1,":a;custom\BMP\tati\Kanon\1\KAN_FumanA1.png" mov $KAN_FumanA2,":a;custom\BMP\tati\Kanon\1\KAN_FumanA2.png" mov $KAN_IkariA2,":a;custom\BMP\tati\Kanon\1\KAN_IkariA2.png" ;怒り mov $KAN_IkariA3,":a;custom\BMP\tati\Kanon\1\KAN_IkariA3.png" ;怒り mov $KAN_DefA1B,":a;custom\BMP\tati\Kanon\1\KAN_DefA1B.png" ;嘉音魔法の刃装備　 blade mov $KAN_DefA2B,":a;custom\BMP\tati\Kanon\1\KAN_DefA2B.png" mov $KAN_IkariA1B,":a;custom\BMP\tati\Kanon\1\KAN_IkariA1B.png" ;怒り mov $KAN_KomaruA1B,":a;custom\BMP\tati\Kanon\1\KAN_KomaruA1B.png" ;困る mov $KAN_OdorokiA1B,":a;custom\BMP\tati\Kanon\1\KAN_OdorokiA1B.png" ;驚き mov $KAN_MajimeA1B,":a;custom\BMP\tati\Kanon\1\KAN_MajimeA1B.png" ;真面目 ;mov $KAN_WaraiA1B,":a;custom\BMP\tati\Kanon\1\KAN_WaraiA1B.png" ;笑い ;mov $KAN_AkuwaraiA1B,":a;custom\BMP\tati\Kanon\1\KAN_AkuwaraiA1B.png" ;悪笑い mov $KAN_OdorokiA2B,":a;custom\BMP\tati\Kanon\1\KAN_OdorokiA2B.png" ;驚き２ mov $KAN_NayamuA1B,":a;custom\BMP\tati\Kanon\1\KAN_NayamuA1B.png" ;悩む mov $KAN_FumanA1B,":a;custom\BMP\tati\Kanon\1\KAN_FumanA1B.png" mov $KAN_FumanA2B,":a;custom\BMP\tati\Kanon\1\KAN_FumanA2B.png" mov $KAN_IkariA2B,":a;custom\BMP\tati\Kanon\1\KAN_IkariA2B.png" mov $KAN_IkariA3B,":a;custom\BMP\tati\Kanon\1\KAN_IkariA3B.png" ;偽嘉音 mov $KA2_DefA1,":a;custom\BMP\tati\Kanon\1\KA2_DefA1.png" ;嘉音立ち絵デフォ mov $KA2_DefA2,":a;custom\BMP\tati\Kanon\1\KA2_DefA2.png" mov $KA2_IkariA1,":a;custom\BMP\tati\Kanon\1\KA2_IkariA1.png" ;怒り mov $KA2_KomaruA1,":a;custom\BMP\tati\Kanon\1\KA2_KomaruA1.png" ;困る mov $KA2_OdorokiA1,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA1.png" ;驚き mov $KA2_MajimeA1,":a;custom\BMP\tati\Kanon\1\KA2_MajimeA1.png" ;真面目 ;mov $KA2_WaraiA1,":a;custom\BMP\tati\Kanon\1\KA2_WaraiA1.png" ;笑い ;mov $KA2_AkuwaraiA1,":a;custom\BMP\tati\Kanon\1\KA2_AkuwaraiA1.png" ;悪笑い mov $KA2_OdorokiA2,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA2.png" ;驚き２ mov $KA2_NayamuA1,":a;custom\BMP\tati\Kanon\1\KA2_NayamuA1.png" ;悩む mov $KA2_FumanA1,":a;custom\BMP\tati\Kanon\1\KA2_FumanA1.png" mov $KA2_FumanA2,":a;custom\BMP\tati\Kanon\1\KA2_FumanA2.png" mov $KA2_IkariA2,":a;custom\BMP\tati\Kanon\1\KA2_IkariA2.png" ;怒り mov $KA2_IkariA3,":a;custom\BMP\tati\Kanon\1\KA2_IkariA3.png" ;怒り mov $KA2_DefA1B,":a;custom\BMP\tati\Kanon\1\KA2_DefA1B.png" ;嘉音魔法の刃装備　 blade mov $KA2_DefA2B,":a;custom\BMP\tati\Kanon\1\KA2_DefA2B.png" mov $KA2_IkariA1B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA1B.png" ;怒り mov $KA2_KomaruA1B,":a;custom\BMP\tati\Kanon\1\KA2_KomaruA1B.png" ;困る mov $KA2_OdorokiA1B,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA1B.png" ;驚き mov $KA2_MajimeA1B,":a;custom\BMP\tati\Kanon\1\KA2_MajimeA1B.png" ;真面目 ;mov $KA2_WaraiA1B,":a;custom\BMP\tati\Kanon\1\KA2_WaraiA1B.png" ;笑い ;mov $KA2_AkuwaraiA1B,":a;custom\BMP\tati\Kanon\1\KA2_AkuwaraiA1B.png" ;悪笑い mov $KA2_OdorokiA2B,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA2B.png" ;驚き２ mov $KA2_NayamuA1B,":a;custom\BMP\tati\Kanon\1\KA2_NayamuA1B.png" ;悩む mov $KA2_FumanA1B,":a;custom\BMP\tati\Kanon\1\KA2_FumanA1B.png" mov $KA2_FumanA2B,":a;custom\BMP\tati\Kanon\1\KA2_FumanA2B.png" mov $KA2_IkariA2B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA2B.png" mov $KA2_IkariA3B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA3B.png" mov $BEA_DefA1,":a;custom\BMP\tati\Beatrice\1\BEA_DefA1.png" ;BEA立ち絵デフォ mov $BEA_DefA2,":a;custom\BMP\tati\Beatrice\1\BEA_DefA2.png" mov $BEA_WaraiA1,":a;custom\BMP\tati\Beatrice\1\BEA_WaraiA1.png" ;笑い mov $BEA_AkuwaraiA1,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA1.png" ;悪笑い ;mov $BEA_MajimeA1,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA1.png" ;真面目 mov $BEA_WaraiA2,":a;custom\BMP\tati\Beatrice\1\BEA_WaraiA2.png" ;笑い２ mov $BEA_futekiA1,":a;custom\BMP\tati\Beatrice\1\BEA_futekiA1.png" ;笑い２ mov $BEA_AkuwaraiA2,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA2.png" ;悪笑い mov $BEA_AkuwaraiA3,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA3.png" ;悪笑い mov $BEA_AkuwaraiA4,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA4.png" ;悪笑い mov $BEA_AkuwaraiA5,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA5.png" ;悪笑い mov $BEA_OdorokiA1,":a;custom\BMP\tati\Beatrice\1\BEA_OdorokiA1.png" ;驚き mov $BEA_futekiA2,":a;custom\BMP\tati\Beatrice\1\BEA_futekiA2.png" ;不敵２ mov $BEA_FukigenA1,":a;custom\BMP\tati\Beatrice\1\BEA_FukigenA1.png" ;不機嫌１ mov $BEA_FukigenA2,":a;custom\BMP\tati\Beatrice\1\BEA_FukigenA2.png" ;不機嫌２ mov $BEA_FukigenA3,":a;custom\BMP\tati\Beatrice\1\BEA_FukigenA3.png" ;不機嫌３ mov $BEA_NayamuA1,":a;custom\BMP\tati\Beatrice\1\BEA_NayamuA1.png" ;悩む mov $BEA_AseruA1,":a;custom\BMP\tati\Beatrice\1\BEA_AseruA1.png" ;焦る mov $BEA_WaraiA3,":a;custom\BMP\tati\Beatrice\1\BEA_WaraiA3.png" ;笑い３ mov $BEA_KomaruA1,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA1.png" ;困る mov $BEA_KomaruA2,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA2.png" ;困る２ mov $BEA_OdorokiA2,":a;custom\BMP\tati\Beatrice\1\BEA_OdorokiA2.png" ;驚き２ mov $BEA_NayamuA2,":a;custom\BMP\tati\Beatrice\1\BEA_NayamuA2.png" ;悩む２ mov $BEA_IiwakeA1,":a;custom\BMP\tati\Beatrice\1\BEA_IiwakeA1.png" ;いい訳 mov $BEA_IiwakeA2,":a;custom\BMP\tati\Beatrice\1\BEA_IiwakeA2.png" ;いい訳２ mov $BEA_HanbesoA1,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA1.png" ;半ベソ mov $BEA_HanbesoA2,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA2.png" ;半ベソ２ mov $BEA_HanbesoA3,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA3.png" ;半ベソ３ mov $BEA_HanbesoA4,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA4.png" ;半ベソ４ mov $BEA_HanbesoA5,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA5.png" ;半ベソ５ mov $BEA_HanbesoA6,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA6.png" ;半ベソ６ mov $BEA_GamanA1,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA1.png" ; mov $BEA_GamanA2,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA2.png" ; mov $BEA_GamanA3,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA3.png" ; mov $BEA_GamanA4,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA4.png" ; mov $BEA_GamanA5,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA5.png" ; mov $BEA_GamanA6,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA6.png" ; mov $BEA_GamanA7,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA7.png" ; mov $BEA_IiwakeA3,":a;custom\BMP\tati\Beatrice\1\BEA_IiwakeA3.png" ; mov $BEA_KomaruA3,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA3.png" ; mov $BEA_KomaruA4,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA4.png" ; mov $BEA_MajimeA1,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA1.png" ; mov $BEA_MajimeA2,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA2.png" ; mov $BEA_MajimeA3,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA3.png" ; mov $BEA_MajimeA4,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA4.png" ; mov $BEA_WaraiA4,":a;custom\BMP\tati\Beatrice\1\BEA_WaraiA4.png" ; mov $BEA_FumanA1,":a;custom\BMP\tati\Beatrice\1\BEA_FumanA1.png" ; mov $BEA_FumanA2,":a;custom\BMP\tati\Beatrice\1\BEA_FumanA2.png" ; mov $BEA_FumanA3,":a;custom\BMP\tati\Beatrice\1\BEA_FumanA3.png" ; mov $BEA_NakuA1,":a;custom\BMP\tati\Beatrice\1\BEA_NakuA1.png" ; mov $BEA_IkariA1,":a;custom\BMP\tati\Beatrice\1\BEA_IkariA1.png" ; mov $BEA_IkariA2,":a;custom\BMP\tati\Beatrice\1\BEA_IkariA2.png" ; mov $BER_DefA1,":a;custom\BMP\tati\Bernkastel\BER_DefA1.png" ;ベルン立ち絵デフォ mov $BER_DefA2,":a;custom\BMP\tati\Bernkastel\BER_DefA2.png" mov $BER_AkuwaraiA1,":a;custom\BMP\tati\Bernkastel\BER_AkuwaraiA1.png" mov $LAM_AkuwaraiA1,":a;custom\BMP\tati\Lambdadelta\LAM_AkuwaraiA1.png" ;ラムダデルタ立ち絵 mov $LAM_AkuwaraiA2,":a;custom\BMP\tati\Lambdadelta\LAM_AkuwaraiA2.png" mov $LAM_AkuwaraiA3,":a;custom\BMP\tati\Lambdadelta\LAM_AkuwaraiA3.png" mov $LAM_AkuwaraiA4,":a;custom\BMP\tati\Lambdadelta\LAM_AkuwaraiA4.png" mov $LAM_OdorokiA1,":a;custom\BMP\tati\Lambdadelta\LAM_OdorokiA1.png" mov $LAM_AkuwaraiA5,":a;custom\BMP\tati\Lambdadelta\LAM_AkuwaraiA5.png" mov $LAM_AkuwaraiA6,":a;custom\BMP\tati\Lambdadelta\LAM_AkuwaraiA6.png" mov $LAM_FutekiA1,":a;custom\BMP\tati\Lambdadelta\LAM_FutekiA1.png" ;ラムダデルタ立ち絵 mov $LAM_FutekiA2,":a;custom\BMP\tati\Lambdadelta\LAM_FutekiA2.png" mov $LAM_FutekiA3,":a;custom\BMP\tati\Lambdadelta\LAM_FutekiA3.png" mov $LAM_OdorokiA2,":a;custom\BMP\tati\Lambdadelta\LAM_OdorokiA2.png" mov $GOA_DefA1,":a;custom\BMP\tati\Goat\GOA_DefA1.png" ;山羊の従者 mov $GOA_DefA1B,":a;custom\BMP\tati\Goat\GOA_DefA1B.png" ;刃装備 mov $RG1_DefA1,":a;custom\BMP\tati\Lucifer\RG1_DefA1.png" ;七姉妹 mov $RG1_HohoemiA1,":a;custom\BMP\tati\Lucifer\RG1_HohoemiA1.png" mov $RG1_HohoemiA2,":a;custom\BMP\tati\Lucifer\RG1_HohoemiA2.png" mov $RG1_WaraiA1,":a;custom\BMP\tati\Lucifer\RG1_WaraiA1.png" mov $RG1_WaraiA2,":a;custom\BMP\tati\Lucifer\RG1_WaraiA2.png" mov $RG1_WaraiA3,":a;custom\BMP\tati\Lucifer\RG1_WaraiA3.png" mov $RG1_WaraiA4,":a;custom\BMP\tati\Lucifer\RG1_WaraiA4.png" mov $RG1_AkuwaraiA1,":a;custom\BMP\tati\Lucifer\RG1_AkuwaraiA1.png" mov $RG1_AkuwaraiA2,":a;custom\BMP\tati\Lucifer\RG1_AkuwaraiA2.png" mov $RG1_AkuwaraiA3,":a;custom\BMP\tati\Lucifer\RG1_AkuwaraiA3.png" mov $RG1_AkuwaraiA4,":a;custom\BMP\tati\Lucifer\RG1_AkuwaraiA4.png" mov $RG1_MajimeA1,":a;custom\BMP\tati\Lucifer\RG1_MajimeA1.png" mov $RG1_FumanA1,":a;custom\BMP\tati\Lucifer\RG1_FumanA1.png" mov $RG1_FumanA2,":a;custom\BMP\tati\Lucifer\RG1_FumanA2.png" mov $RG1_KomaruA1,":a;custom\BMP\tati\Lucifer\RG1_KomaruA1.png" ; mov $RG1_KomaruA2,":a;custom\BMP\tati\Lucifer\RG1_KomaruA2.png" ; mov $RG1_KomaruA3,":a;custom\BMP\tati\Lucifer\RG1_KomaruA3.png" ; mov $RG1_OdorokiA1,":a;custom\BMP\tati\Lucifer\RG1_OdorokiA1.png" ; mov $RG1_OdorokiA2,":a;custom\BMP\tati\Lucifer\RG1_OdorokiA2.png" ; mov $RG1_OdorokiA3,":a;custom\BMP\tati\Lucifer\RG1_OdorokiA3.png" ; mov $RG1_IkariA1,":a;custom\BMP\tati\Lucifer\RG1_IkariA1.png" ; mov $RG1_IkariA2,":a;custom\BMP\tati\Lucifer\RG1_IkariA2.png" ; mov $RG1_NakuA1,":a;custom\BMP\tati\Lucifer\RG1_NakuA1.png" ; mov $RG2_DefA1,":a;custom\BMP\tati\leviathan\RG2_DefA1.png" ;七姉妹 mov $RG2_HohoemiA1,":a;custom\BMP\tati\leviathan\RG2_HohoemiA1.png" mov $RG2_HohoemiA2,":a;custom\BMP\tati\leviathan\RG2_HohoemiA2.png" mov $RG2_WaraiA1,":a;custom\BMP\tati\leviathan\RG2_WaraiA1.png" mov $RG2_WaraiA2,":a;custom\BMP\tati\leviathan\RG2_WaraiA2.png" mov $RG2_WaraiA3,":a;custom\BMP\tati\leviathan\RG2_WaraiA3.png" mov $RG2_WaraiA4,":a;custom\BMP\tati\leviathan\RG2_WaraiA4.png" mov $RG2_AkuwaraiA1,":a;custom\BMP\tati\leviathan\RG2_AkuwaraiA1.png" mov $RG2_AkuwaraiA2,":a;custom\BMP\tati\leviathan\RG2_AkuwaraiA2.png" mov $RG2_AkuwaraiA3,":a;custom\BMP\tati\leviathan\RG2_AkuwaraiA3.png" mov $RG2_AkuwaraiA4,":a;custom\BMP\tati\leviathan\RG2_AkuwaraiA4.png" mov $RG2_MajimeA1,":a;custom\BMP\tati\leviathan\RG2_MajimeA1.png" mov $RG2_FumanA1,":a;custom\BMP\tati\leviathan\RG2_FumanA1.png" mov $RG2_FumanA2,":a;custom\BMP\tati\leviathan\RG2_FumanA2.png" mov $RG2_KomaruA1,":a;custom\BMP\tati\leviathan\RG2_KomaruA1.png" ; mov $RG2_KomaruA2,":a;custom\BMP\tati\leviathan\RG2_KomaruA2.png" ; mov $RG2_KomaruA3,":a;custom\BMP\tati\leviathan\RG2_KomaruA3.png" ; mov $RG2_OdorokiA1,":a;custom\BMP\tati\leviathan\RG2_OdorokiA1.png" ; mov $RG2_OdorokiA2,":a;custom\BMP\tati\leviathan\RG2_OdorokiA2.png" ; mov $RG2_OdorokiA3,":a;custom\BMP\tati\leviathan\RG2_OdorokiA3.png" ; mov $RG2_IkariA1,":a;custom\BMP\tati\leviathan\RG2_IkariA1.png" ; mov $RG2_IkariA2,":a;custom\BMP\tati\leviathan\RG2_IkariA2.png" ; mov $RG2_NakuA1,":a;custom\BMP\tati\leviathan\RG2_NakuA1.png" ; mov $RG3_DefA1,":a;custom\BMP\tati\Satan\RG3_DefA1.png" ;七姉妹 mov $RG3_HohoemiA1,":a;custom\BMP\tati\Satan\RG3_HohoemiA1.png" mov $RG3_HohoemiA2,":a;custom\BMP\tati\Satan\RG3_HohoemiA2.png" mov $RG3_WaraiA1,":a;custom\BMP\tati\Satan\RG3_WaraiA1.png" mov $RG3_WaraiA2,":a;custom\BMP\tati\Satan\RG3_WaraiA2.png" mov $RG3_WaraiA3,":a;custom\BMP\tati\Satan\RG3_WaraiA3.png" mov $RG3_WaraiA4,":a;custom\BMP\tati\Satan\RG3_WaraiA4.png" mov $RG3_AkuwaraiA1,":a;custom\BMP\tati\Satan\RG3_AkuwaraiA1.png" mov $RG3_AkuwaraiA2,":a;custom\BMP\tati\Satan\RG3_AkuwaraiA2.png" mov $RG3_AkuwaraiA3,":a;custom\BMP\tati\Satan\RG3_AkuwaraiA3.png" mov $RG3_AkuwaraiA4,":a;custom\BMP\tati\Satan\RG3_AkuwaraiA4.png" mov $RG3_MajimeA1,":a;custom\BMP\tati\Satan\RG3_MajimeA1.png" mov $RG3_FumanA1,":a;custom\BMP\tati\Satan\RG3_FumanA1.png" mov $RG3_FumanA2,":a;custom\BMP\tati\Satan\RG3_FumanA2.png" mov $RG3_KomaruA1,":a;custom\BMP\tati\Satan\RG3_KomaruA1.png" ; mov $RG3_KomaruA2,":a;custom\BMP\tati\Satan\RG3_KomaruA2.png" ; mov $RG3_KomaruA3,":a;custom\BMP\tati\Satan\RG3_KomaruA3.png" ; mov $RG3_OdorokiA1,":a;custom\BMP\tati\Satan\RG3_OdorokiA1.png" ; mov $RG3_OdorokiA2,":a;custom\BMP\tati\Satan\RG3_OdorokiA2.png" ; mov $RG3_OdorokiA3,":a;custom\BMP\tati\Satan\RG3_OdorokiA3.png" ; mov $RG3_IkariA1,":a;custom\BMP\tati\Satan\RG3_IkariA1.png" ; mov $RG3_IkariA2,":a;custom\BMP\tati\Satan\RG3_IkariA2.png" ; mov $RG3_NakuA1,":a;custom\BMP\tati\Satan\RG3_NakuA1.png" ; mov $RG4_DefA1,":a;custom\BMP\tati\Belphegor\RG4_DefA1.png" ;七姉妹 mov $RG4_HohoemiA1,":a;custom\BMP\tati\Belphegor\RG4_HohoemiA1.png" mov $RG4_HohoemiA2,":a;custom\BMP\tati\Belphegor\RG4_HohoemiA2.png" mov $RG4_WaraiA1,":a;custom\BMP\tati\Belphegor\RG4_WaraiA1.png" mov $RG4_WaraiA2,":a;custom\BMP\tati\Belphegor\RG4_WaraiA1.png" mov $RG4_WaraiA3,":a;custom\BMP\tati\Belphegor\RG4_WaraiA1.png" mov $RG4_WaraiA4,":a;custom\BMP\tati\Belphegor\RG4_WaraiA1.png" mov $RG4_AkuwaraiA1,":a;custom\BMP\tati\Belphegor\RG4_AkuwaraiA1.png" mov $RG4_AkuwaraiA2,":a;custom\BMP\tati\Belphegor\RG4_AkuwaraiA2.png" mov $RG4_AkuwaraiA3,":a;custom\BMP\tati\Belphegor\RG4_AkuwaraiA3.png" mov $RG4_AkuwaraiA4,":a;custom\BMP\tati\Belphegor\RG4_AkuwaraiA4.png" mov $RG4_FumanA1,":a;custom\BMP\tati\Belphegor\RG4_FumanA1.png" mov $RG4_FumanA2,":a;custom\BMP\tati\Belphegor\RG4_FumanA2.png" mov $RG4_KomaruA1,":a;custom\BMP\tati\Belphegor\RG4_KomaruA1.png" ; mov $RG4_KomaruA2,":a;custom\BMP\tati\Belphegor\RG4_KomaruA2.png" ; mov $RG4_KomaruA3,":a;custom\BMP\tati\Belphegor\RG4_KomaruA3.png" ; mov $RG4_OdorokiA1,":a;custom\BMP\tati\Belphegor\RG4_OdorokiA1.png" ; mov $RG4_OdorokiA2,":a;custom\BMP\tati\Belphegor\RG4_OdorokiA2.png" ; mov $RG4_OdorokiA3,":a;custom\BMP\tati\Belphegor\RG4_OdorokiA3.png" ; mov $RG4_IkariA1,":a;custom\BMP\tati\Belphegor\RG4_IkariA1.png" ; mov $RG4_IkariA2,":a;custom\BMP\tati\Belphegor\RG4_IkariA2.png" ; mov $RG4_NakuA1,":a;custom\BMP\tati\Belphegor\RG4_NakuA1.png" ; mov $RG5_DefA1,":a;custom\BMP\tati\Mammon\RG5_DefA1.png" ;七姉妹 mov $RG5_HohoemiA1,":a;custom\BMP\tati\Mammon\RG5_HohoemiA1.png" mov $RG5_HohoemiA2,":a;custom\BMP\tati\Mammon\RG5_HohoemiA2.png" mov $RG5_WaraiA1,":a;custom\BMP\tati\Mammon\RG5_WaraiA1.png" mov $RG5_WaraiA2,":a;custom\BMP\tati\Mammon\RG5_WaraiA2.png" mov $RG5_WaraiA3,":a;custom\BMP\tati\Mammon\RG5_WaraiA3.png" mov $RG5_WaraiA4,":a;custom\BMP\tati\Mammon\RG5_WaraiA4.png" mov $RG5_AkuwaraiA1,":a;custom\BMP\tati\Mammon\RG5_AkuwaraiA1.png" mov $RG5_AkuwaraiA2,":a;custom\BMP\tati\Mammon\RG5_AkuwaraiA2.png" mov $RG5_AkuwaraiA3,":a;custom\BMP\tati\Mammon\RG5_AkuwaraiA3.png" mov $RG5_AkuwaraiA4,":a;custom\BMP\tati\Mammon\RG5_AkuwaraiA4.png" mov $RG5_MajimeA1,":a;custom\BMP\tati\Mammon\RG5_MajimeA1.png" mov $RG5_FumanA1,":a;custom\BMP\tati\Mammon\RG5_FumanA1.png" mov $RG5_FumanA2,":a;custom\BMP\tati\Mammon\RG5_FumanA2.png" mov $RG5_KomaruA1,":a;custom\BMP\tati\Mammon\RG5_KomaruA1.png" ; mov $RG5_KomaruA2,":a;custom\BMP\tati\Mammon\RG5_KomaruA2.png" ; mov $RG5_KomaruA3,":a;custom\BMP\tati\Mammon\RG5_KomaruA3.png" ; mov $RG5_OdorokiA1,":a;custom\BMP\tati\Mammon\RG5_OdorokiA1.png" ; mov $RG5_OdorokiA2,":a;custom\BMP\tati\Mammon\RG5_OdorokiA2.png" ; mov $RG5_OdorokiA3,":a;custom\BMP\tati\Mammon\RG5_OdorokiA3.png" ; mov $RG5_IkariA1,":a;custom\BMP\tati\Mammon\RG5_IkariA1.png" ; mov $RG5_IkariA2,":a;custom\BMP\tati\Mammon\RG5_IkariA2.png" ; mov $RG5_NakuA1,":a;custom\BMP\tati\Mammon\RG5_NakuA1.png" ; mov $RG6_DefA1,":a;custom\BMP\tati\Beelzebub\RG6_DefA1.png" ;七姉妹 mov $RG6_HohoemiA1,":a;custom\BMP\tati\Beelzebub\RG6_HohoemiA1.png" mov $RG6_HohoemiA2,":a;custom\BMP\tati\Beelzebub\RG6_HohoemiA2.png" mov $RG6_WaraiA1,":a;custom\BMP\tati\Beelzebub\RG6_WaraiA1.png" mov $RG6_WaraiA2,":a;custom\BMP\tati\Beelzebub\RG6_WaraiA2.png" mov $RG6_WaraiA3,":a;custom\BMP\tati\Beelzebub\RG6_WaraiA3.png" mov $RG6_WaraiA4,":a;custom\BMP\tati\Beelzebub\RG6_WaraiA4.png" mov $RG6_AkuwaraiA1,":a;custom\BMP\tati\Beelzebub\RG6_AkuwaraiA1.png" mov $RG6_AkuwaraiA2,":a;custom\BMP\tati\Beelzebub\RG6_AkuwaraiA2.png" mov $RG6_AkuwaraiA3,":a;custom\BMP\tati\Beelzebub\RG6_AkuwaraiA3.png" mov $RG6_AkuwaraiA4,":a;custom\BMP\tati\Beelzebub\RG6_AkuwaraiA4.png" mov $RG6_MajimeA1,":a;custom\BMP\tati\Beelzebub\RG6_MajimeA1.png" mov $RG6_FumanA1,":a;custom\BMP\tati\Beelzebub\RG6_FumanA1.png" mov $RG6_FumanA2,":a;custom\BMP\tati\Beelzebub\RG6_FumanA2.png" mov $RG6_KomaruA1,":a;custom\BMP\tati\Beelzebub\RG6_KomaruA1.png" ; mov $RG6_KomaruA2,":a;custom\BMP\tati\Beelzebub\RG6_KomaruA2.png" ; mov $RG6_KomaruA3,":a;custom\BMP\tati\Beelzebub\RG6_KomaruA3.png" ; mov $RG6_OdorokiA1,":a;custom\BMP\tati\Beelzebub\RG6_OdorokiA1.png" ; mov $RG6_OdorokiA2,":a;custom\BMP\tati\Beelzebub\RG6_OdorokiA2.png" ; mov $RG6_OdorokiA3,":a;custom\BMP\tati\Beelzebub\RG6_OdorokiA3.png" ; mov $RG6_IkariA1,":a;custom\BMP\tati\Beelzebub\RG6_IkariA1.png" ; mov $RG6_IkariA2,":a;custom\BMP\tati\Beelzebub\RG6_IkariA2.png" ; mov $RG6_NakuA1,":a;custom\BMP\tati\Beelzebub\RG6_NakuA1.png" ; mov $RG7_DefA1,":a;custom\BMP\tati\Asmodeus\RG7_DefA1.png" ;七姉妹 mov $RG7_HohoemiA1,":a;custom\BMP\tati\Asmodeus\RG7_HohoemiA1.png" mov $RG7_HohoemiA2,":a;custom\BMP\tati\Asmodeus\RG7_HohoemiA2.png" mov $RG7_WaraiA1,":a;custom\BMP\tati\Asmodeus\RG7_WaraiA1.png" mov $RG7_WaraiA2,":a;custom\BMP\tati\Asmodeus\RG7_WaraiA2.png" mov $RG7_WaraiA3,":a;custom\BMP\tati\Asmodeus\RG7_WaraiA3.png" mov $RG7_WaraiA4,":a;custom\BMP\tati\Asmodeus\RG7_WaraiA4.png" mov $RG7_AkuwaraiA1,":a;custom\BMP\tati\Asmodeus\RG7_AkuwaraiA1.png" mov $RG7_AkuwaraiA2,":a;custom\BMP\tati\Asmodeus\RG7_AkuwaraiA2.png" mov $RG7_AkuwaraiA3,":a;custom\BMP\tati\Asmodeus\RG7_AkuwaraiA3.png" mov $RG7_AkuwaraiA4,":a;custom\BMP\tati\Asmodeus\RG7_AkuwaraiA4.png" mov $RG7_MajimeA1,":a;custom\BMP\tati\Asmodeus\RG7_MajimeA1.png" mov $RG7_FumanA1,":a;custom\BMP\tati\Asmodeus\RG7_FumanA1.png" mov $RG7_FumanA2,":a;custom\BMP\tati\Asmodeus\RG7_FumanA2.png" mov $RG7_KomaruA1,":a;custom\BMP\tati\Asmodeus\RG7_KomaruA1.png" ; mov $RG7_KomaruA2,":a;custom\BMP\tati\Asmodeus\RG7_KomaruA2.png" ; mov $RG7_KomaruA3,":a;custom\BMP\tati\Asmodeus\RG7_KomaruA3.png" ; mov $RG7_OdorokiA1,":a;custom\BMP\tati\Asmodeus\RG7_OdorokiA1.png" ; mov $RG7_OdorokiA2,":a;custom\BMP\tati\Asmodeus\RG7_OdorokiA2.png" ; mov $RG7_OdorokiA3,":a;custom\BMP\tati\Asmodeus\RG7_OdorokiA3.png" ; mov $RG7_IkariA1,":a;custom\BMP\tati\Asmodeus\RG7_IkariA1.png" ; mov $RG7_IkariA2,":a;custom\BMP\tati\Asmodeus\RG7_IkariA2.png" ; mov $RG7_NakuA1,":a;custom\BMP\tati\Asmodeus\RG7_NakuA1.png" ; mov $WAL_DefA1,":a;custom\BMP\tati\Virgilia\WAL_DefA1.png" ;ワルギリア mov $WAL_DefA2,":a;custom\BMP\tati\virgilia\WAL_DefA2.png" mov $WAL_WaraiA1,":a;custom\BMP\tati\Virgilia\WAL_WaraiA1.png" mov $WAL_WaraiA2,":a;custom\BMP\tati\Virgilia\WAL_WaraiA2.png" mov $WAL_KomaruA1,":a;custom\BMP\tati\Virgilia\WAL_KomaruA1.png" mov $WAL_KomaruA2,":a;custom\BMP\tati\Virgilia\WAL_KomaruA2.png" mov $WAL_majimeA1,":a;custom\BMP\tati\Virgilia\WAL_MajimeA1.png" mov $WAL_OdorokiA1,":a;custom\BMP\tati\Virgilia\WAL_OdorokiA1.png" mov $WAL_IkariA1,":a;custom\BMP\tati\Virgilia\WAL_IkariA1.png" mov $WAL_IkariA2,":a;custom\BMP\tati\Virgilia\WAL_IkariA2.png" mov $WAL_FumanA1,":a;custom\BMP\tati\Virgilia\WAL_FumanA1.png" mov $WAL_AkuwaraiA1,":a;custom\BMP\tati\Virgilia\WAL_AkuwaraiA1.png" mov $WAL_AkuwaraiA2,":a;custom\BMP\tati\Virgilia\WAL_AkuwaraiA2.png" mov $EV2_DefA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_DefA1.png" ;魔女絵羽 mov $EV2_WaraiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_WaraiA1.png" ; mov $EV2_WaraiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_WaraiA2.png" ; mov $EV2_HohoemiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_HohoemiA1.png" mov $EV2_HohoemiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_HohoemiA2.png" mov $EV2_TokuiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_TokuiA1.png" mov $EV2_AkuwaraiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA1.png" ; mov $EV2_AkuwaraiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA2.png" ; mov $EV2_AkuwaraiA3,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA3.png" ; mov $EV2_AkuwaraiA4,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA4.png" ; mov $EV2_AkuwaraiA5,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA5.png" ; mov $EV2_AkuwaraiA6,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA6.png" ; mov $EV2_AkuwaraiA7,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA7.png" ; mov $EV2_AkuwaraiA8,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA8.png" ; mov $EV2_NiramuA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_NiramuA1.png" ; mov $EV2_NiramuA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_NiramuA2.png" ; mov $EV2_NiramuA3,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_NiramuA3.png" ; mov $EV2_KomaruA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_KomaruA1.png" ; mov $EV2_OdorokiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_OdorokiA1.png" ; mov $EV2_OdorokiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_OdorokiA2.png" ; mov $EV2_FukigenA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_FukigenA1.png" ; mov $EV2_FukigenA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_FukigenA2.png" ; mov $EV2_FukigenA3,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_FukigenA3.png" ; mov $EV2_IkariA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_IkariA1.png" ; mov $EV2_IkariA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_IkariA2.png" ; mov $EV2_KomaruA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_KomaruA1.png" ; mov $EV2_MajimeA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_MajimeA1.png" ; mov $RON_DefA1,":a;custom\BMP\tati\Ronove\RON_DefA1.png" ;ロノウェ mov $RON_DefA2,":a;custom\BMP\tati\Ronove\RON_DefA2.png" ; mov $RON_WaraiA1,":a;custom\BMP\tati\Ronove\RON_WaraiA1.png" ; mov $RON_WaraiA2,":a;custom\BMP\tati\Ronove\RON_WaraiA2.png" ; mov $RON_AkuwaraiA1,":a;custom\BMP\tati\Ronove\RON_AkuwaraiA1.png" ; mov $RON_MajimeA1,":a;custom\BMP\tati\Ronove\RON_MajimeA1.png" ; mov $RON_MajimeA2,":a;custom\BMP\tati\Ronove\RON_MajimeA2.png" ; mov $RON_OdorokiA1,":a;custom\BMP\tati\Ronove\RON_OdorokiA1.png" ; mov $RON_OdorokiA2,":a;custom\BMP\tati\Ronove\RON_OdorokiA2.png" ; mov $S45_DefA1,":a;custom\BMP\tati\Siesta45\S45_DefA1.png" ;シエスタ４５ mov $S45_DefA2,":a;custom\BMP\tati\Siesta45\S45_DefA2.png" ;シエスタ４５ mov $S45_OdorokiA1,":a;custom\BMP\tati\Siesta45\S45_OdorokiA1.png" ;シエスタ４５ mov $S45_KomaruA1,":a;custom\BMP\tati\Siesta45\S45_KomaruA1.png" ;シエスタ４５ mov $S45_MajimeA1,":a;custom\BMP\tati\siesta45\S45_MajimeA1.png" ;シエスタ４５ mov $S45_NakuA1,":a;custom\BMP\tati\siesta45\S45_NakuA1.png" ;シエスタ４５ mov $S41_DefA1,":a;custom\BMP\tati\siesta410\S41_DefA1.png" ;シエスタ４１ mov $S41_AkuwaraiA1,":a;custom\BMP\tati\siesta410\S41_AkuwaraiA1.png" ;シエスタ４１ mov $S41_AkuwaraiA2,":a;custom\BMP\tati\Siesta410\S41_AkuwaraiA2.png" ;シエスタ４１ mov $S41_MajimeA1,":a;custom\BMP\tati\siesta410\S41_MajimeA1.png" ;シエスタ４１ mov $S41_OdorokiA1,":a;custom\BMP\tati\Siest410\S41_OdorokiA1.png" ;シエスタ４１ mov $S41_NakuA1,":a;custom\BMP\tati\Siesta410\S41_NakuA1.png" ;シエスタ４１ mov $S41_NakuA2,":a;custom\BMP\tati\Siesta410\S41_NakuA2.png" ;シエスタ４１ mov $ENJ_DefA1,":a;custom\BMP\tati\Ange\1\ENJ_DefA1.png" ;縁寿 mov $ENJ_DefA2,":a;custom\BMP\tati\Ange\1\ENJ_DefA2.png" ;縁寿 mov $ENJ_WaraiA1,":a;custom\BMP\tati\Ange\1\ENJ_WaraiA1.png" ;縁寿（ mov $ENJ_WaraiA2,":a;custom\BMP\tati\Ange\1\ENJ_WaraiA2.png" ;縁寿 mov $ENJ_WaraiA3,":a;custom\BMP\tati\Ange\1\ENJ_WaraiA3.png" ;縁寿 mov $ENJ_FumanA1,":a;custom\BMP\tati\Ange\1\ENJ_FumanA1.png" ;縁寿 mov $ENJ_FumanA2,":a;custom\BMP\tati\Ange\1\ENJ_FumanA2.png" ;縁寿 mov $ENJ_MajimeA1,":a;custom\BMP\tati\Ange\1\ENJ_MajimeA1.png" ;縁寿 mov $ENJ_NayamuA1,":a;custom\BMP\tati\Ange\1\ENJ_NayamuA1.png" ;縁寿 mov $ENJ_KomaruA1,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA1.png" ;縁寿 mov $ENJ_KomaruA2,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA2.png" ;縁寿 mov $ENJ_KomaruA3,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA3.png" ;縁寿 mov $ENJ_KomaruA4,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA4.png" ;縁寿 mov $ENJ_KomaruA5,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA5.png" ;縁寿 mov $ENJ_IkariA1,":a;custom\BMP\tati\Ange\1\ENJ_IkariA1.png" ;縁寿 mov $ENJ_IkariA2,":a;custom\BMP\tati\Ange\1\ENJ_IkariA2.png" ;縁寿 mov $ENJ_HanbesoA1,":a;custom\BMP\tati\Ange\1\ENJ_HanbesoA1.png" ;縁寿 mov $ENJ_HanbesoA2,":a;custom\BMP\tati\Ange\1\ENJ_HanbesoA2.png" ;縁寿 mov $ENJ_HanbesoA3,":a;custom\BMP\tati\Ange\1\ENJ_HanbesoA3.png" ;縁寿 mov $ENJ_NakuA1,":a;custom\BMP\tati\Ange\1\ENJ_NakuA1.png" ;縁寿 mov $ENJ_NakuA2,":a;custom\BMP\tati\Ange\1\ENJ_NakuA2.png" ;縁寿 mov $OKO_DefA1,":a;custom\BMP\tati\Okonogi\OKO_DefA1.png" ;小此木 mov $OKO_WaraiA1,":a;custom\BMP\tati\Okonogi\OKO_WaraiA1.png" ;小此木 mov $OKO_WaraiA2,":a;custom\BMP\tati\okonogi\OKO_WaraiA2.png" ;小此木 mov $OKO_AkuwaraiA1,":a;custom\BMP\tati\okonogi\OKO_AkuwaraiA1.png" ;小此木 mov $KAS_DefA1,":a;custom\BMP\tati\Kasumi\KAS_DefA1.png" ;須磨寺霞 mov $KAS_WaraiA1,":a;custom\BMP\tati\Kasumi\KAS_WaraiA1.png" ;須磨寺霞 mov $KAS_WaraiA2,":a;custom\BMP\tati\Kasumi\KAS_WaraiA2.png" ;須磨寺霞 mov $KAS_AkuwaraiA1,":a;custom\BMP\tati\Kasumi\KAS_AkuwaraiA1.png" ;須磨寺霞 mov $KAS_AkuwaraiA2,":a;custom\BMP\tati\Kasumi\KAS_AkuwaraiA2.png" ;須磨寺霞 mov $KAS_AkuwaraiA3,":a;custom\BMP\tati\Kasumi\KAS_AkuwaraiA3.png" ;須磨寺霞 mov $KAS_KomaruA1,":a;custom\BMP\tati\Kasumi\KAS_KomaruA1.png" ;須磨寺霞 mov $KAS_IkariA1,":a;custom\BMP\tati\Kasumi\KAS_IkariA1.png" ;須磨寺霞 mov $KAS_AseruA1,":a;custom\BMP\tati\Kasumi\KAS_AseruA1.png" ;須磨寺霞 mov $KAS_AseruA2,":a;custom\BMP\tati\Kasumi\KAS_AseruA2.png" ;須磨寺霞 mov $KAS_SakebuA1,":a;custom\BMP\tati\Kasumi\KAS_SakebuA1.png" ;須磨寺霞 mov $AMA_DefA1,":a;custom\BMP\tati\Amakusa\AMA_DefA1.png" ;天草十三 mov $AMA_DefA2,":a;custom\BMP\tati\Amakusa\AMA_DefA2.png" ;天草十三 mov $AMA_AkuwaraiA1,":custom\BMP\tati\Amakusa\AMA_AkuwaraiA1.png" ;天草十三 mov $AMA_MajimeA1,":a;custom\BMP\tati\Amakusa\AMA_MajimeA1.png" ;天草十三 mov $AMA_DESU,":a;custom\BMP\tati\Amakusa\AMA_DESU.png" ;天草十三 mov $SAK_DefA1,":a;custom\BMP\tati\sakutarou\SAK_DefA1.png" ;さくたろ mov $SAK_WaraiA1,":a;custom\BMP\tati\sakutarou\SAK_WaraiA1.png" ;さくたろ mov $SAK_WaraiA2,":a;custom\BMP\tati\sakutarou\SAK_WaraiA2.png" ;さくたろ mov $SAK_WaraiA3,":a;custom\BMP\tati\sakutarou\SAK_WaraiA3.png" ;さくたろ mov $SAK_OdorokiA1,":a;custom\BMP\tati\sakutarou\SAK_OdorokiA1.png" ;さくたろ mov $SAK_KomaruA1,":a;custom\BMP\tati\sakutarou\SAK_KomaruA1.png" ;さくたろ mov $SAK_KomaruA2,":a;custom\BMP\tati\sakutarou\SAK_KomaruA2.png" ;さくたろ mov $SAK_NakuA1,":a;custom\BMP\tati\sakutarou\SAK_NakuA1.png" ;さくたろ mov $SAK_NakuA2,":a;custom\BMP\tati\sakutarou\SAK_NakuA2.png" ;さくたろ mov $SAK_NakuA3,":a;custom\BMP\tati\sakutarou\SAK_NakuA3.png" ;さくたろ mov $PRO_DefA1,":a;custom\BMP\tati\Professor\PRO_DefA1.png" ;教授 mov $PRO_WaraiA1,":a;custom\BMP\tati\Professor\PRO_WaraiA1.png" ;教授 mov $PRO_MajimeA1,":a;custom\BMP\tati\Professor\PRO_MajimeA1.png" ;教授 mov $PRO_MajimeA2,":a;custom\BMP\tati\Professor\PRO_MajimeA2.png" ;教授 mov $PRO_KomaruA1,":a;custom\BMP\tati\Professor\PRO_KomaruA1.png" ;教授 mov $PRO_OdorokiA1,":a;custom\BMP\tati\Professor\PRO_OdorokiA1.png" ;教授 mov $S00_DefA1,":a;custom\BMP\tati\siesta00\S00_DefA1.png" ;シエスタ００ mov $S00_MajimeA1,":a;custom\BMP\tati\siesta00\S00_MajimeA1.png" ;シエスタ００ mov $S00_MajimeA2,":a;custom\BMP\tati\siesta00\S00_MajimeA2.png" ;シエスタ００ mov $S00_OdorokiA1,":a;custom\BMP\tati\siesta00\S00_OdorokiA1.png" ;シエスタ００ mov $S00_OdorokiA2,":a;custom\BMP\tati\siesta00\S00_OdorokiA2.png" ;シエスタ００ mov $S00_KomaruA1,":a;custom\BMP\tati\siesta00\S00_KomaruA1.png" ;シエスタ００ mov $S00_NakuA1,":a;custom\BMP\tati\siesta00\S00_NakuA1.png" ;シエスタ００ mov $S00_NakuA2,":a;custom\BMP\tati\Siesta00\S00_NakuA2.png" ;シエスタ００ mov $GAP_DefA1,":a;custom\BMP\tati\Gaap\GAP_DefA1.png" ;ガァプ mov $GAP_DefA1a,":a;custom\BMP\tati\Gaap\GAP_DefA1a.png" ;ガァプ mov $GAP_DefA2,":a;custom\BMP\tati\Gaap\GAP_DefA2.png" ;ガァプ mov $GAP_DefA2a,":a;custom\BMP\tati\Gaap\GAP_DefA2a.png" ;ガァプ mov $GAP_DefA3,":a;custom\BMP\tati\Gaap\GAP_DefA3.png" ;ガァプ mov $GAP_DefA3a,":a;custom\BMP\tati\Gaap\GAP_DefA3a.png" ;ガァプ mov $GAP_WaraiA1,":a;custom\BMP\tati\Gaap\GAP_WaraiA1.png" ;ガァプ mov $GAP_WaraiA1a,":a;custom\BMP\tati\Gaap\GAP_WaraiA1a.png" ;ガァプ mov $GAP_WaraiA2,":a;custom\BMP\tati\Gaap\GAP_WaraiA2.png" ;ガァプ mov $GAP_WaraiA2a,":a;custom\BMP\tati\Gaap\GAP_WaraiA2a.png" ;ガァプ mov $GAP_WaraiA3,":a;custom\BMP\tati\Gaap\GAP_WaraiA3.png" ;ガァプ mov $GAP_WaraiA3a,":a;custom\BMP\tati\Gaap\GAP_WaraiA3a.png" ;ガァプ mov $GAP_AkuwaraiA1,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA1.png" ;ガァプ mov $GAP_AkuwaraiA1a,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA1a.png" ;ガァプ mov $GAP_AkuwaraiA2,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA2.png" ;ガァプ mov $GAP_AkuwaraiA2a,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA2a.png" ;ガァプ mov $GAP_AkuwaraiA3,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA3.png" ;ガァプ mov $GAP_AkuwaraiA3a,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA3a.png" ;ガァプ mov $GAP_AkuwaraiA4,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA4.png" ;ガァプ mov $GAP_AkuwaraiA4a,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA4a.png" ;ガァプ mov $GAP_AkuwaraiA5,":a;custom\BMP\tati\Gaap\GAP_AkuwaraiA5.png" ;ガァプ mov $GAP_AseruA1,":a;custom\BMP\tati\Gaap\GAP_AseruA1.png" ;ガァプ mov $GAP_AseruA1a,":a;custom\BMP\tati\Gaap\GAP_AseruA1a.png" ;ガァプ mov $GAP_IkariA1,":a;custom\BMP\tati\Gaap\GAP_IkariA1.png" ;ガァプ mov $GAP_IkariA1a,":a;custom\BMP\tati\Gaap\GAP_IkariA1a.png" ;ガァプ mov $NA2_DefA1,":a;custom\BMP\tati\Nanjoson\NA2_DefA1.png" ;南条息子 mov $NA2_DefA2,":a;custom\BMP\tati\Nanjoson\NA2_DefA2.png" ;南条息子 mov $NA2_DefA3,":a;custom\BMP\tati\Nanjoson\NA2_DefA3.png" ;南条息子 mov $NA2_MajimeA1,":a;custom\BMP\tati\Nanjoson\NA2_MajimeA1.png" ;南条息子 mov $NA2_MajimeA2,":a;custom\BMP\tati\Nanjoson\NA2_MajimeA2.png" ;南条息子 mov $NA2_MajimeA3,":a;custom\BMP\tati\Nanjoson\NA2_MajimeA3.png" ;南条息子 mov $KU2_DefA1,":a;custom\BMP\tati\Kumasawa\son\KU2_DefA1.png" ;熊沢息子 mov $KU2_WaraiA1,":a;custom\BMP\tati\Kumasawa\son\KU2_WaraiA1.png" ;熊沢息子 mov $KU2_MajimeA1,":a;custom\BMP\tati\Kumasawa\son\KU2_MajimeA1.png" ;熊沢息子 mov $KAW_DefA1,":a;custom\BMP\tati\Kawabata\KAW_DefA1.png" ;川畑船瀦 mov $KAW_DefA2,":a;custom\BMP\tati\Kawabata\KAW_DefA2.png" ;川畑船瀦 mov $KAW_WaraiA1,":a;custom\BMP\tati\Kawabata\KAW_WaraiA1.png" ;川畑船瀦 mov $KAW_NayamuA1,":a;custom\BMP\tati\Kawabata\KAW_NayamuA1.png" ;川畑船瀦 mov $KAW_KomaruA1,":a;custom\BMP\tati\Kawabata\KAW_KomaruA1.png" ;川畑船瀦 return ;立ち絵画像の衣装変更のルート設定 *KIN_Isyou1 mov $KIN_DefA1,":a;custom\BMP\tati\Kinzo\KIN_DefA1.png" ;金 立ち絵デフォ mov $KIN_WaraiA1,":a;custom\BMP\tati\Kinzo\KIN_WaraiA1.png" ;笑い mov $KIN_IkariA1,":a;custom\BMP\tati\Kinzo\KIN_IkariA1.png" ;怒り mov $KIN_MajimeA1,":a;custom\BMP\tati\Kinzo\KIN_MajimeA1.png" ;真面目 ;mov $KIN_DefA2,":a;custom\BMP\tati\Kinzo\KIN_DefA2.png" mov $KIN_AkuwaraiA1,":a;custom\BMP\tati\Kinzo\KIN_AkuwaraiA1.png" ;悪笑い（EP4暫定 mov $KIN_AkuwaraiA2,":a;custom\BMP\tati\Kinzo\KIN_AkuwaraiA2.png" ;悪笑い（EP4暫定 ;mov $KIN_KomaruA1,":a;custom\BMP\tati\Kinzo\KIN_KomaruA1.png" ;困る ;mov $KIN_OdorokiA1,":a;custom\BMP\tati\Kinzo\KIN_OdorokiA1.png" ;驚き mov $KIN_WaraiA2,":a;custom\BMP\tati\Kinzo\KIN_WaraiA2.png" ;笑い mov $KIN_nakuA1,":a;custom\BMP\tati\Kinzo\KIN_nakuA1.png" ;泣く mov $KIN_nakuA2,":a;custom\BMP\tati\Kinzo\KIN_nakuA2.png" ;泣く２ mov $KIN_fumuA1,":a;custom\BMP\tati\Kinzo\KIN_fumuA1.png" ;ふーむ mov $KIN_fukigenA1,":a;custom\BMP\tati\Kinzo\KIN_fukigenA1.png" ;ふーむ return *KLA_Isyou1 mov $KLA_DefA1,":a;custom\BMP\tati\Krauss\KLA_DefA1.png" ; 臼立ち絵デフォ mov $KLA_AkuwaraiA1,":a;custom\BMP\tati\Krauss\KLA_AkuwaraiA1.png" ;悪笑い mov $KLA_KomaruA1,":a;custom\BMP\tati\Krauss\KLA_KomaruA1.png" ;困る mov $KLA_MajimeA1,":a;custom\BMP\tati\Krauss\KLA_MajimeA1.png" ;真面目 mov $KLA_IkariA1,":a;custom\BMP\tati\Krauss\KLA_IkariA1.png" ;怒り ;mov $KLA_DefA2,":a;custom\BMP\tati\Krauss\KLA_DefA2.png" ;mov $KLA_WaraiA1,":a;custom\BMP\tati\Krauss\KLA_WaraiA1.png" ;笑い ;mov $KLA_OdorokiA1,":a;custom\BMP\tati\Krauss\KLA_OdorokiA1.png" ;驚き mov $KLA_AkuwaraiA2,":a;custom\BMP\tati\Krauss\KLA_AkuwaraiA2.png" ;悪笑い２ mov $KLA_AkuwaraiA3,":a;custom\BMP\tati\Krauss\KLA_AkuwaraiA3.png" ;悪笑い３ mov $KLA_MajimeA2,":a;custom\BMP\tati\Krauss\KLA_MajimeA2.png" ;真面目２ mov $KLA_NayamuA1,":a;custom\BMP\tati\Krauss\KLA_NayamuA1.png" ;悩む return *NAT_Isyou1 mov $NAT_DefA1,":a;custom\BMP\tati\Natsuhi\NAT_DefA1.png" ;夏妃立ち絵デフォ mov $NAT_DefB1,":a;custom\BMP\tati\Natsuhi\NAT_DefA1.png" ;夏妃立ち絵デフォ mov $NAT_WaraiA1,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA1.png" ;笑い mov $NAT_WaraiB1,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA1.png" ;笑い mov $NAT_IkariA1,":a;custom\BMP\tati\Natsuhi\NAT_IkariA1.png" ;怒り mov $NAT_IkariB1,":a;custom\BMP\tati\Natsuhi\NAT_IkariA1.png" ;怒り mov $NAT_OdorokiA1,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA1.png" ;驚き mov $NAT_OdorokiB1,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA1.png" ;驚き mov $NAT_MajimeA1,":a;custom\BMP\tati\Natsuhi\NAT_MajimeA1.png" ;真面目 mov $NAT_MajimeB1,":a;custom\BMP\tati\Natsuhi\NAT_MajimeA1.png" ;真面目 ;mov $NAT_DefA2,":a;custom\BMP\tati\Natsuhi\NAT_DefA2.png" ;mov $NAT_AkuwaraiA1,":a;custom\BMP\tati\Natsuhi\NAT_AkuwaraiA1.png" ;悪笑い ;mov $NAT_KomaruA1,":a;custom\BMP\tati\Natsuhi\NAT_KomaruA1.png" ;困る mov $NAT_WaraiA2,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA2.png" ;笑い２ mov $NAT_WaraiB2,":a;custom\BMP\tati\Natsuhi\NAT_WaraiA2.png" ;笑い２ mov $NAT_OdorokiA2,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA2.png" ;驚き２ mov $NAT_OdorokiB2,":a;custom\BMP\tati\Natsuhi\NAT_OdorokiA2.png" ;驚き２ mov $NAT_HisuA1,":a;custom\BMP\tati\Natsuhi\NAT_HisuA1.png" ;ヒステリー mov $NAT_HisuB1,":a;custom\BMP\tati\Natsuhi\NAT_HisuA1.png" ;ヒステリー mov $NAT_zutuuA1,":a;custom\BMP\tati\Natsuhi\NAT_zutuuA1.png" ;頭痛 mov $NAT_zutuuB1,":a;custom\BMP\tati\Natsuhi\NAT_zutuuA1.png" ;頭痛 mov $NAT_TukareA1,":a;custom\BMP\tati\Natsuhi\NAT_TukareA1.png" ;疲れ mov $NAT_TukareB1,":a;custom\BMP\tati\Natsuhi\NAT_TukareA1.png" ;疲れ mov $NAT_TukareA2,":a;custom\BMP\tati\Natsuhi\NAT_TukareA2.png" ;疲れ２ mov $NAT_TukareB2,":a;custom\BMP\tati\Natsuhi\NAT_TukareA2.png" ;疲れ２ return *JES_Isyou1 mov $JES_DefA1,":a;custom\BMP\tati\Jessica\JES_DefA1.png" ;朱志香立ち絵デフォ mov $JES_DefA2,":a;custom\BMP\tati\Jessica\JES_DefA2.png" ;朱志香立ち絵デフォ mov $JES_WaraiA1,":a;custom\BMP\tati\Jessica\JES_WaraiA1.png" ;笑い mov $JES_AKuwaraiA1,":a;custom\BMP\tati\Jessica\JES_AkuwaraiA1.png" ;悪笑い mov $JES_IkariA1,":a;custom\BMP\tati\Jessica\JES_IkariA1.png" ;怒り mov $JES_KomaruA1,":a;custom\BMP\tati\Jessica\JES_KomaruA1.png" ;困る mov $JES_OdorokiA1,":a;custom\BMP\tati\Jessica\JES_OdorokiA1.png" ;驚き mov $JES_MajimeA1,":a;custom\BMP\tati\Jessica\JES_MajimeA1.png" ;真面目 mov $JES_futekiA1,":a;custom\BMP\tati\Jessica\JES_futekiA1.png" ;不敵 mov $JES_TohohoA1,":a;custom\BMP\tati\Jessica\JES_TohohoA1.png" ;とほほ mov $JES_TohohoA2,":a;custom\BMP\tati\Jessica\JES_TohohoA2.png" ;とほほ２ mov $JES_atyaA1,":a;custom\BMP\tati\Jessica\JES_atyaA1.png" ; ちゃー mov $JES_WaraiA2,":a;custom\BMP\tati\Jessica\JES_WaraiA2.png" ;笑い２ mov $JES_IkariA2,":a;custom\BMP\tati\Jessica\JES_IkariA2.png" ;怒り２ mov $JES_NakuA1,":a;custom\BMP\tati\Jessica\JES_NakuA1.png" ;泣く mov $JES_NayamuA1,":a;custom\BMP\tati\Jessica\JES_NayamuA1.png" ;悩む mov $JES_NakuA2,":a;custom\BMP\tati\Jessica\JES_NakuA2.png" ;泣く（半ベソ mov $JES_NakuA3,":a;custom\BMP\tati\Jessica\JES_NakuA3.png" ;泣く（半ベソ mov $JES_TereruA1,":a;custom\BMP\tati\Jessica\JES_TereruA1.png" ;泣く（半ベソ mov $JES_TereruA2,":a;custom\BMP\tati\Jessica\JES_TereruA2.png" ;泣く（半ベソ mov $JES_NakiWaraiA1,":a;custom\BMP\tati\Jessica\JES_NakiWaraiA1.png" ;泣く（半ベソ mov $JES_AisoWaraiA1,":a;custom\BMP\tati\Jessica\JES_AisoWaraiA1.png" ;泣く（半ベソ mov $JES_AtyaA2,":a;custom\BMP\tati\Jessica\JES_AtyaA2.png" ;泣く（半ベソ mov $JES_AtyaA3,":a;custom\BMP\tati\Jessica\JES_AtyaA3.png" ;泣く（半ベソ return *EVA_Isyou1 mov $EVA_DefA1,":a;custom\BMP\tati\Eva\EVA_DefA1.png" ;絵羽立ち絵デフォ mov $EVA_DefB1,":a;custom\BMP\tati\Eva\EVA_DefA1.png" mov $EVA_WaraiA1,":a;custom\BMP\tati\Eva\EVA_WaraiA1.png" ;笑い mov $EVA_WaraiB1,":a;custom\BMP\tati\Eva\EVA_WaraiA1.png" ;笑い mov $EVA_IkariA1,":a;custom\BMP\tati\Eva\EVA_IkariA1.png" ;怒り mov $EVA_IkariB1,":a;custom\BMP\tati\Eva\EVA_IkariA1.png" ;怒り mov $EVA_KomaruA1,":a;custom\BMP\tati\Eva\EVA_KomaruA1.png" ;困る mov $EVA_KomaruB1,":a;custom\BMP\tati\Eva\EVA_KomaruA1.png" ;困る mov $EVA_MajimeA1,":a;custom\BMP\tati\Eva\EVA_MajimeA1.png" ;真面目 mov $EVA_MajimeB1,":a;custom\BMP\tati\Eva\EVA_MajimeB1.png" ;真面目 ;mov $EVA_DefA2,":a;custom\BMP\tati\Eva\EVA_DefA2.png" ;絵羽立ち絵デフォ ;mov $EVA_DefB2,":a;custom\BMP\tati\Eva\EVA_DefA2.png" ;mov $EVA_AkuwaraiA1,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1.png" ;悪笑い ;mov $EVA_AkuwaraiB1,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1.png" ;悪笑い ;mov $EVA_OdorokiA1,":a;custom\BMP\tati\Eva\EVA_OdorokiA1.png" ;驚き ;mov $EVA_OdorokiB1,":a;custom\BMP\tati\Eva\EVA_OdorokiA1.png" ;驚き mov $EVA_HohoemiA1,":a;custom\BMP\tati\Eva\EVA_HohoemiA1.png" ;微笑み mov $EVA_HohoemiA2,":a;custom\BMP\tati\Eva\EVA_HohoemiA2.png" ;微笑み２ mov $EVA_akireA1,":a;custom\BMP\tati\Eva\EVA_akireA1.png" ;呆れ mov $EVA_futekiA1,":a;custom\BMP\tati\Eva\EVA_futekiA1.png" ;不敵 mov $EVA_IkariA2,":a;custom\BMP\tati\Eva\EVA_IkariA2.png" ;怒り２ mov $EVA_KomaruA2,":a;custom\BMP\tati\Eva\EVA_KomaruA2.png" ;困る２ mov $EVA_KomaruA3,":a;custom\BMP\tati\Eva\EVA_KomaruA3.png" ;困る３ mov $EVA_futekiA1,":a;custom\BMP\tati\Eva\EVA_futekiA1.png" ;不敵 mov $EVA_akireA2,":a;custom\BMP\tati\Eva\EVA_akireA2.png" ;呆れ２ mov $EVA_AkuwaraiA1,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1.png" ;不敵 mov $EVA_KomaruA4,":a;custom\BMP\tati\Eva\EVA_KomaruA4.png" ;怒り２ mov $EVA_NakuA1,":a;custom\BMP\tati\Eva\EVA_NakuA1.png" ;困る２ mov $EVA_NakuA2,":a;custom\BMP\tati\Eva\EVA_NakuA2.png" ;困る３ mov $EVA_OdorokiA1,":a;custom\BMP\tati\Eva\EVA_OdorokiA1.png" ;不敵 mov $EVA_OdorokiA2,":a;custom\BMP\tati\Eva\EVA_OdorokiA2.png" ;呆れ２ mov $EVA_DefA1G,":a;custom\BMP\tati\Eva\EVA_DefA1.png" ;絵羽立ち絵デフォ mov $EVA_WaraiA1G,":a;custom\BMP\tati\Eva\EVA_WaraiA1G.png" ;笑い mov $EVA_IkariA1G,":a;custom\BMP\tati\Eva\EVA_IkariA1G.png" ;怒り mov $EVA_KomaruA1G,":a;custom\BMP\tati\Eva\EVA_KomaruA1G.png" ;困る mov $EVA_MajimeA1G,":a;custom\BMP\tati\Eva\EVA_MajimeA1G.png" ;真面目 mov $EVA_HohoemiA1G,":a;custom\BMP\tati\Eva\EVA_HohoemiA1G.png" ;微笑み mov $EVA_HohoemiA2G,":a;custom\BMP\tati\Eva\EVA_HohoemiA2G.png" ;微笑み２ mov $EVA_akireA1G,":a;custom\BMP\tati\Eva\EVA_akireA1G.png" ;呆れ mov $EVA_futekiA1G,":a;custom\BMP\tati\Eva\EVA_futekiA1G.png" ;不敵 mov $EVA_IkariA2G,":a;custom\BMP\tati\Eva\EVA_IkariA2G.png" ;怒り２ mov $EVA_KomaruA2G,":a;custom\BMP\tati\Eva\EVA_KomaruA2G.png" ;困る２ mov $EVA_KomaruA3G,":a;custom\BMP\tati\Eva\EVA_KomaruA3G.png" ;困る３ mov $EVA_futekiA1G,":a;custom\BMP\tati\Eva\EVA_futekiA1G.png" ;不敵 mov $EVA_akireA2G,":a;custom\BMP\tati\Eva\EVA_akireA2G.png" ;呆れ２ mov $EVA_AkuwaraiA1G,":a;custom\BMP\tati\Eva\EVA_AkuwaraiA1G.png" ;不敵 mov $EVA_KomaruA4G,":a;custom\BMP\tati\Eva\EVA_KomaruA4G.png" ;怒り２ mov $EVA_NakuA1G,":a;custom\BMP\tati\Eva\EVA_NakuA1G.png" ;困る２ mov $EVA_NakuA2G,":a;custom\BMP\tati\Eva\EVA_NakuA2G.png" ;困る３ mov $EVA_OdorokiA1G,":a;custom\BMP\tati\Eva\EVA_OdorokiA1G.png" ;不敵 mov $EVA_OdorokiA2G,":a;custom\BMP\tati\Eva\EVA_OdorokiA2G.png" ;呆れ２ mov $EVA_WaraiB1G,":a;custom\BMP\tati\Eva\EVA_WaraiB1G.png" ;笑い mov $EVA_IkariB1G,":a;custom\BMP\tati\Eva\EVA_IkariB1G.png" ;怒り mov $EVA_KomaruB1G,":a;custom\BMP\tati\Eva\EVA_KomaruB1G.png" ;困る mov $EVA_MajimeB1G,":a;custom\BMP\tati\Eva\EVA_MajimeB1G.png" ;真面目 mov $EVA_HohoemiB1G,":a;custom\BMP\tati\Eva\EVA_HohoemiB1G.png" ;微笑み mov $EVA_HohoemiB2G,":a;custom\BMP\tati\Eva\EVA_HohoemiB2G.png" ;微笑み２ mov $EVA_akireB1G,":a;custom\BMP\tati\Eva\EVA_akireB1G.png" ;呆れ mov $EVA_futekiB1G,":a;custom\BMP\tati\Eva\EVA_futekiB1G.png" ;不敵 mov $EVA_IkariB2G,":a;custom\BMP\tati\Eva\EVA_IkariB2G.png" ;怒り２ mov $EVA_KomaruB2G,":a;custom\BMP\tati\Eva\EVA_KomaruB2G.png" ;困る２ mov $EVA_KomaruB3G,":a;custom\BMP\tati\Eva\EVA_KomaruB3G.png" ;困る３ mov $EVA_futekiB1G,":a;custom\BMP\tati\Eva\EVA_futekiB1G.png" ;不敵 mov $EVA_akireB2G,":a;custom\BMP\tati\Eva\EVA_akireB2G.png" ;呆れ２ mov $EVA_AkuwaraiB1G,":a;custom\BMP\tati\Eva\EVA_AkuwaraiB1G.png" ;不敵 mov $EVA_KomaruB4G,":a;custom\BMP\tati\Eva\EVA_KomaruB4G.png" ;怒り２ mov $EVA_NakuB1G,":a;custom\BMP\tati\Eva\EVA_NakuB1G.png" ;困る２ mov $EVA_NakuB2G,":a;custom\BMP\tati\Eva\EVA_NakuB2G.png" ;困る３ mov $EVA_OdorokiB1G,":a;custom\BMP\tati\Eva\EVA_OdorokiB1G.png" ;不敵 mov $EVA_OdorokiB2G,":a;custom\BMP\tati\Eva\EVA_OdorokiB2G.png" ;呆れ２ return *HID_Isyou1 mov $HID_DefA1,":a;custom\BMP\tati\Hideyoshi\HID_DefA1.png" ;秀吉立ち絵デフォ mov $HID_WaraiA1,":a;custom\BMP\tati\Hideyoshi\HID_WaraiA1.png" ;笑い mov $HID_KomaruA1,":a;custom\BMP\tati\Hideyoshi\HID_KomaruA1.png" ;困る mov $HID_MajimeA1,":a;custom\BMP\tati\Hideyoshi\HID_MajimeA1.png" ;真面目 ;mov $HID_DefA2,":a;custom\BMP\tati\Hideyoshi\HID_DefA2.png" ;秀吉立ち絵デフォ ;mov $HID_AkuwaraiA1,":a;custom\BMP\tati\Hideyoshi\HID_AkuwaraiA1.png" ;悪笑い ;mov $HID_IkariA1,":a;custom\BMP\tati\Hideyoshi\HID_IkariA1.png" ;怒り ;mov $HID_OdorokiA1,":a;custom\BMP\tati\Hideyoshi\HID_OdorokiA1.png" ;驚き mov $HID_fumuA1,":a;custom\BMP\tati\Hideyoshi\HID_fumuA1.png" ;ふーむ mov $HID_KomaruA2,":a;custom\BMP\tati\Hideyoshi\HID_KomaruA2.png" ;困る２ mov $HID_MajimeA2,":a;custom\BMP\tati\Hideyoshi\HID_MajimeA2.png" ;真面目２ mov $HID_WaraiA2,":a;custom\BMP\tati\Hideyoshi\HID_WaraiA2.png" ;笑い２ return *GEO_Isyou1 mov $GEO_DefA1,":a;custom\BMP\tati\George\1\GEO_DefA1.png" ;譲治立ち絵デフォ mov $GEO_WaraiA1,":a;custom\BMP\tati\George\1\GEO_WaraiA1.png" ;笑い mov $GEO_KomaruA1,":a;custom\BMP\tati\George\1\GEO_KomaruA1.png" ;困る mov $GEO_MajimeA1,":a;custom\BMP\tati\George\1\GEO_MajimeA1.png" ;真面目 ;mov $GEO_DefA2,":a;custom\BMP\tati\George\1\GEO_DefA2.png" ;譲治立ち絵デフォ mov $GEO_AkuwaraiA1,":a;custom\BMP\tati\George\1\GEO_AkuwaraiA1.png" ;悪笑い mov $GEO_AkuwaraiA1k,":a;custom\BMP\tati\George\1\GEO_AkuwaraiA1k.png" ;悪笑い ;mov $GEO_IkariA1,":a;custom\BMP\tati\George\1\GEO_IkariA1.png" ;怒り ;mov $GEO_OdorokiA1,":a;custom\BMP\tati\George\1\GEO_OdorokiA1.png" ;驚き mov $GEO_DefA1k,":a;custom\BMP\tati\George\1\GEO_DefA1k.png" ;デフォ（曇り眼鏡 mov $GEO_NakuA1,":a;custom\BMP\tati\George\1\GEO_NakuA1.png" ;泣く mov $GEO_NakuA1k,":a;custom\BMP\tati\George\1\GEO_NakuA1k.png" ;泣く（曇り眼鏡 mov $GEO_NakuA2,":a;custom\BMP\tati\George\1\GEO_NakuA2.png" ;泣く２ mov $GEO_NakuA2k,":a;custom\BMP\tati\George\1\GEO_NakuA2k.png" ;泣く２（曇り眼鏡 mov $GEO_HohoemiA1,":a;custom\BMP\tati\George\1\GEO_HohoemiA1.png" ;微笑み mov $GEO_HohoemiA1k,":a;custom\BMP\tati\George\1\GEO_HohoemiA1k.png" ;微笑み（曇り眼鏡 mov $GEO_KomaruA1k,":a;custom\BMP\tati\George\1\GEO_KomaruA1k.png" ;困る（曇り眼鏡 mov $GEO_WaraiA1k,":a;custom\BMP\tati\George\1\GEO_WaraiA1k.png" ;笑い（曇り眼鏡 mov $GEO_WaraiA2,":a;custom\BMP\tati\George\1\GEO_WaraiA2.png" ;笑い mov $GEO_WaraiA2k,":a;custom\BMP\tati\George\1\GEO_WaraiA2k.png" ;笑い（曇り眼鏡 mov $GEO_MajimeA1k,":a;custom\BMP\tati\George\1\GEO_MajimeA1k.png" ;真面目（曇り眼鏡 mov $GEO_MajimeA2,":a;custom\BMP\tati\George\1\GEO_MajimeA2.png" ;真面目２ mov $GEO_MajimeA2k,":a;custom\BMP\tati\George\1\GEO_MajimeA2k.png" ;真面目２（曇り眼鏡 mov $GEO_MajimeA3,":a;custom\BMP\tati\George\1\GEO_MajimeA3.png" ;真面目３ mov $GEO_MajimeA3k,":a;custom\BMP\tati\George\1\GEO_MajimeA3k.png" ;真面目３（曇り眼鏡 mov $GEO_MajimeA4,":a;custom\BMP\tati\George\1\GEO_MajimeA4.png" ;真面目４ mov $GEO_MajimeA4k,":a;custom\BMP\tati\George\1\GEO_MajimeA4k.png" ;真面目４（曇り眼鏡 mov $GEO_MajimeA5,":a;custom\BMP\tati\George\1\GEO_MajimeA5.png" ;真面目５ mov $GEO_MajimeA5k,":a;custom\BMP\tati\George\1\GEO_MajimeA5k.png" ;真面目５（曇り眼鏡 mov $GEO_KomaruA2,":a;custom\BMP\tati\George\1\GEO_KomaruA2.png" mov $GEO_KomaruA2k,":a;custom\BMP\tati\George\1\GEO_KomaruA2k.png" mov $GEO_KomaruA3,":a;custom\BMP\tati\George\1\GEO_KomaruA3.png" mov $GEO_KomaruA3k,":a;custom\BMP\tati\George\1\GEO_KomaruA3k.png" mov $GEO_KomaruA4,":a;custom\BMP\tati\George\1\GEO_KomaruA4.png" mov $GEO_KomaruA4k,":a;custom\BMP\tati\George\1\GEO_KomaruA4k.png" mov $GEO_KomaruA5,":a;custom\BMP\tati\George\1\GEO_KomaruA5.png" mov $GEO_KomaruA5k,":a;custom\BMP\tati\George\1\GEO_KomaruA5k.png" mov $GEO_NiramuA1,":a;custom\BMP\tati\George\1\GEO_NiramuA1.png" mov $GEO_NiramuA1k,":a;custom\BMP\tati\George\1\GEO_NiramuA1k.png" mov $GEO_IkariA1,":a;custom\BMP\tati\George\1\GEO_IkariA1.png" mov $GEO_IkariA1k,":a;custom\BMP\tati\George\1\GEO_IkariA1k.png" mov $GEO_IkariA2,":a;custom\BMP\tati\George\1\GEO_IkariA2.png" mov $GEO_IkariA2k,":a;custom\BMP\tati\George\1\GEO_IkariA2k.png" mov $GEO_IkariA3,":a;custom\BMP\tati\George\1\GEO_IkariA3.png" mov $GEO_IkariA3k,":a;custom\BMP\tati\George\1\GEO_IkariA3k.png" mov $GEO_IkariA4,":a;custom\BMP\tati\George\1\GEO_IkariA4.png" mov $GEO_IkariA4k,":a;custom\BMP\tati\George\1\GEO_IkariA4k.png" return *RUD_Isyou1 mov $RUD_DefA1,":a;custom\BMP\tati\Rudolf\RUD_DefA1.png" ;留弗夫立ち絵デフォ mov $RUD_DefA2,":a;custom\BMP\tati\Rudolf\RUD_DefA2.png" mov $RUD_WaraiA1,":a;custom\BMP\tati\Rudolf\RUD_WaraiA1.png" ;笑い mov $RUD_AkuwaraiA1,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiA1.png" ;悪笑い mov $RUD_KomaruA1,":a;custom\BMP\tati\Rudolf\RUD_KomaruA1.png" ;困る mov $RUD_MajimeA1,":a;custom\BMP\tati\Rudolf\RUD_MajimeA1.png" ;真面目 mov $RUD_OdorokiA1,":a;custom\BMP\tati\Rudolf\RUD_OdorokiA1.png" ;驚き ;mov $RUD_IkariA1,":a;custom\BMP\tati\Rudolf\RUD_IkariA1.png" ;怒り mov $RUD_NayamuA1,":a;custom\BMP\tati\Rudolf\RUD_NayamuA1.png" ;悩む mov $RUD_AkuwaraiA2,":a;custom\BMP\tati\Rudolf\RUD_AkuwaraiA2.png" ;悪笑い２ mov $RUD_MajimeA2,":a;custom\BMP\tati\Rudolf\RUD_MajimeA2.png" ;真面目２ mov $RUD_WaraiA2,":a;custom\BMP\tati\Rudolf\RUD_WaraiA2.png" ;笑い２ return *KIR_Isyou1 mov $KIR_DefA1,":a;custom\BMP\tati\Kyrie\KIR_DefA1.png" ;霧江立ち絵デフォ mov $KIR_WaraiA1,":a;custom\BMP\tati\Kyrie\KIR_WaraiA1.png" ;笑い mov $KIR_MajimeA1,":a;custom\BMP\tati\Kyrie\KIR_MajimeA1.png" ;真面目 mov $KIR_KomaruA1,":a;custom\BMP\tati\Kyrie\KIR_KomaruA1.png" ;困る ;mov $KIR_DefA2,":a;custom\BMP\tati\Kyrie\KIR_DefA2.png" ;mov $KIR_AkuwaraiA1,":a;custom\BMP\tati\Kyrie\KIR_AkuwaraiA1.png" ;悪笑い ;mov $KIR_IkariA1,":a;custom\BMP\tati\Kyrie\KIR_IkariA1.png" ;怒り ;mov $KIR_OdorokiA1,":a;custom\BMP\tati\Kyrie\KIR_OdorokiA1.png" ;驚き mov $KIR_NayamuA1,":a;custom\BMP\tati\Kyrie\KIR_NayamuA1.png" ;悩む mov $KIR_MajimeA2,":a;custom\BMP\tati\Kyrie\KIR_MajimeA2.png" ;真面目２ mov $KIR_WaraiA2,":a;custom\BMP\tati\Kyrie\KIR_WaraiA2.png" ;笑い２ mov $KIR_futekiA1,":a;custom\BMP\tati\Kyrie\KIR_futekiA1.png" ;不敵 return *BUT_Isyou1 mov $BUT_DefA1,":a;custom\BMP\tati\Battler\BUT_DefA1.png" ;戦人立ち絵デフォ mov $BUT_DefA2,":a;custom\BMP\tati\Battler\BUT_DefA2.png" mov $BUT_WaraiA1,":a;custom\BMP\tati\Battler\BUT_WaraiA1.png" ;笑い mov $BUT_KomaruA1,":a;custom\BMP\tati\Battler\BUT_KomaruA1.png" ;困る mov $BUT_OdorokiA1,":a;custom\BMP\tati\Battler\BUT_OdorokiA1.png" ;驚き mov $BUT_MajimeA1,":a;custom\BMP\tati\Battler\BUT_MajimeA1.png" ;真面目 ;mov $BUT_AkuwaraiA1,":a;custom\BMP\tati\Battler\BUT_AkuwaraiA1.png" ;悪笑い ;mov $BUT_IkariA1,":a;custom\BMP\tati\Battler\BUT_IkariA1.png" ;怒り mov $BUT_NakuA1,":a;custom\BMP\tati\Battler\BUT_NakuA1.png" ;泣く mov $BUT_WaraiA2,":a;custom\BMP\tati\Battler\BUT_WaraiA2.png" ;笑い２ mov $BUT_OyaA1,":a;custom\BMP\tati\Battler\BUT_OyaA1.png" ;おや？ mov $BUT_KuyasigaruA1,":a;custom\BMP\tati\Battler\BUT_KuyasigaruA1.png" ;悔しがる mov $BUT_AseruA1,":a;custom\BMP\tati\Battler\BUT_AseruA1.png" ;焦る mov $BUT_OdorokiA2,":a;custom\BMP\tati\Battler\BUT_OdorokiA2.png" ;驚き２ mov $BUT_KomaruA2,":a;custom\BMP\tati\Battler\BUT_KomaruA2.png" ;困る２ mov $BUT_KomaruA3,":a;custom\BMP\tati\Battler\BUT_KomaruA3.png" ;困る３ mov $BUT_NayamuA1,":a;custom\BMP\tati\Battler\BUT_NayamuA1.png" ;悩む mov $BUT_NayamuA2,":a;custom\BMP\tati\Battler\BUT_NayamuA2.png" ;悩む２ mov $BUT_NiramuA1,":a;custom\BMP\tati\Battler\BUT_NiramuA1.png" mov $BUT_NiramuA2,":a;custom\BMP\tati\Battler\BUT_NiramuA2.png" mov $BUT_NiramuA3,":a;custom\BMP\tati\Battler\BUT_NiramuA3.png" mov $BUT_FutekiA1,":a;custom\BMP\tati\Battler\BUT_FutekiA1.png" mov $BUT_NakuA2,":a;custom\BMP\tati\Battler\BUT_NakuA2.png" mov $BUT_NakuA3,":a;custom\BMP\tati\Battler\BUT_NakuA3.png" mov $BUT_FutekiA2,":a;custom\BMP\tati\Battler\BUT_FutekiA2.png" mov $BUT_FutekiA3,":a;custom\BMP\tati\Battler\BUT_FutekiA3.png" mov $BUT_MajimeA2,":a;custom\BMP\tati\Battler\BUT_MajimeA2.png" mov $BUT_MajimeA3,":a;custom\BMP\tati\Battler\BUT_MajimeA3.png" mov $BUT_MajimeA4,":a;custom\BMP\tati\Battler\BUT_MajimeA4.png" mov $BUT_NayamuA3,":a;custom\BMP\tati\Battler\BUT_NayamuA3.png" return *ROS_Isyou1 mov $ROS_DefA1,":a;custom\BMP\tati\Rosa\ROS_DefA1.png" ;楼座立ち絵デフォ mov $ROS_WaraiA1,":a;custom\BMP\tati\Rosa\ROS_WaraiA1.png" ;笑い mov $ROS_IkariA1,":a;custom\BMP\tati\Rosa\ROS_IkariA1.png" ;怒り mov $ROS_KomaruA1,":a;custom\BMP\tati\Rosa\ROS_KomaruA1.png" ;困る mov $ROS_AkuwaraiA1,":a;custom\BMP\tati\Rosa\ROS_AkuwaraiA1.png" ;悪笑い mov $ROS_MajimeA1,":a;custom\BMP\tati\Rosa\ROS_MajimeA1.png" ;真面目 ;mov $ROS_DefA2,":a;custom\BMP\tati\Rosa\ROS_DefA2.png" ;mov $ROS_OdorokiA1,":a;custom\BMP\tati\Rosa\ROS_OdorokiA1.png" ;驚き mov $ROS_WaraiA2,":a;custom\BMP\tati\Rosa\ROS_WaraiA2.png" ;笑い２ mov $ROS_KomaruA2,":a;custom\BMP\tati\Rosa\ROS_KomaruA2.png" ;困る２ mov $ROS_KomaruA3,":a;custom\BMP\tati\Rosa\ROS_KomaruA3.png" ;困る３ mov $ROS_NayamuA1,":a;custom\BMP\tati\Rosa\ROS_NayamuA1.png" ;悩む mov $ROS_KomaruA4,":a;custom\BMP\tati\Rosa\ROS_KomaruA4.png" mov $ROS_OdorokiA1,":a;custom\BMP\tati\Rosa\ROS_OdorokiA1.png" mov $ROS_IkariA2,":a;custom\BMP\tati\Rosa\ROS_IkariA2.png" mov $ROS_IkariA3,":a;custom\BMP\tati\Rosa\ROS_IkariA3.png" mov $ROS_IkariA4,":a;custom\BMP\tati\Rosa\ROS_IkariA4.png" mov $ROS_AseruA1,":a;custom\BMP\tati\Rosa\ROS_AseruA1.png" return *MAR_Isyou1 mov $MAR_DefA1,":a;custom\BMP\tati\Maria\1\MAR_DefA1.png" ;真里亞立ち絵デフォ mov $MAR_WaraiA1,":a;custom\BMP\tati\Maria\1\MAR_WaraiA1.png" ;笑い mov $MAR_AkuwaraiA1,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA1.png" ;悪笑い mov $MAR_IkariA1,":a;custom\BMP\tati\Maria\1\MAR_IkariA1.png" ;怒り mov $MAR_KomaruA1,":a;custom\BMP\tati\Maria\1\MAR_KomaruA1.png" ;困る mov $MAR_OdorokiA1,":a;custom\BMP\tati\Maria\1\MAR_OdorokiA1.png" ;驚き mov $MAR_MajimeA1,":a;custom\BMP\tati\Maria\1\MAR_MajimeA1.png" ;真面目 mov $MAR_NakuA1,":a;custom\BMP\tati\Maria\1\MAR_NakuA1.png" ;泣く ;mov $MAR_DefA2,":a;custom\BMP\tati\Maria\1\MAR_DefA2.png" ;mov $MAR_Kuro_DefA1,":a;custom\BMP\tati\Maria\1\MAR_Kuro_DefA1.png" ;黒真里亞立ち絵デフォ ;mov $MAR_Kuro_WaraiA1,":a;custom\BMP\tati\Maria\1\MAR_Kuro_WaraiA1.png" ;黒真里亞笑い mov $MAR_AkuwaraiA2,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA2.png" ;悪笑い２ mov $MAR_AkuwaraiA3,":a;custom\BMP\tati\Maria\1\MAR_AkuwaraiA3.png" ;悪笑い３ mov $MAR_WaraiA2,":a;custom\BMP\tati\Maria\1\MAR_WaraiA2.png" ;笑い２ mov $MAR_NiyariA1,":a;custom\BMP\tati\Maria\1\MAR_niyariA1.png" ;ニヤリ mov $MAR_NiyariA2,":a;custom\BMP\tati\Maria\1\MAR_niyariA2.png" ;ニヤリ２ mov $MAR_fukigenA1,":a;custom\BMP\tati\Maria\1\MAR_fukigenA1.png" ;不機嫌 mov $MAR_fukigenA2,":a;custom\BMP\tati\Maria\1\MAR_fukigenA2.png" ;不機嫌２ mov $MAR_SakebuA1,":a;custom\BMP\tati\Maria\1\MAR_SakebuA1.png" ;叫ぶ return *NAN_Isyou1 mov $NAN_DefA1,":a;custom\BMP\tati\NanjoNAN_DefA1.png" ;南条立ち絵デフォ mov $NAN_KomaruA1,":a;custom\BMP\tati\NanjoNAN_KomaruA1.png" ;困る mov $NAN_MajimeA1,":a;custom\BMP\tati\NanjoNAN_MajimeA1.png" ;真面目 ;mov $NAN_DefA2,":a;custom\BMP\tati\NanjoNAN_DefA2.png" ;mov $NAN_WaraiA1,":a;custom\BMP\tati\NanjoNAN_WaraiA1.png" ;笑い ;mov $NAN_AkuwaraiA1,":a;custom\BMP\tati\NanjoNAN_AkuwaraiA1.png" ;悪笑い ;mov $NAN_IkariA1,":a;custom\BMP\tati\NanjoNAN_IkariA1.png" ;怒り ;mov $NAN_OdorokiA1,":a;custom\BMP\tati\NanjoNAN_OdorokiA1.png" ;驚き mov $NAN_MajimeA2,":a;custom\BMP\tati\NanjoNAN_MajimeA2.png" ;真面目２ mov $NAN_KomaruA2,":a;custom\BMP\tati\NanjoNAN_KomaruA2.png" ;困る２ mov $NAN_KomaruA3,":a;custom\BMP\tati\NanjoNAN_KomaruA3.png" ;困る３ mov $NAN_KomaruA4,":a;custom\BMP\tati\NanjoNAN_KomaruA4.png" ;困る４ mov $NAN_fumuA1,":a;custom\BMP\tati\NanjoNAN_fumuA1.png" ;ふむ return *GEN_Isyou1 mov $GEN_DefA1,":a;custom\BMP\tati\GenjiGEN_DefA1.png" ;源次立ち絵デフォ mov $GEN_KomaruA1,":a;custom\BMP\tati\GenjiGEN_KomaruA1.png" ;困る mov $GEN_MajimeA1,":a;custom\BMP\tati\GenjiGEN_MajimeA1.png" ;真面目 ;mov $GEN_DefA2,":a;custom\BMP\tati\GenjiGEN_DefA2.png" ;mov $GEN_WaraiA1,":a;custom\BMP\tati\GenjiGEN_WaraiA1.png" ;笑い ;mov $GEN_AkuwaraiA1,":a;custom\BMP\tati\GenjiGEN_AkuwaraiA1.png" ;悪笑い ;mov $GEN_IkariA1,":a;custom\BMP\tati\GenjiGEN_IkariA1.png" ;怒り mov $GEN_OdorokiA1,":a;custom\BMP\tati\GenjiGEN_OdorokiA1.png" ;驚き mov $GEN_MajimeA2,":a;custom\BMP\tati\GenjiGEN_MajimeA2.png" ;真面目 return *KUM_Isyou1 mov $KUM_DefA1,":a;custom\BMP\tati\Kumasawa\KUM_DefA1.png" ;熊沢立ち絵デフォ mov $KUM_DefA2,":a;custom\BMP\tati\Kumasawa\KUM_DefA2.png" mov $KUM_WaraiA1,":a;custom\BMP\tati\Kumasawa\KUM_WaraiA1.png" ;笑い mov $KUM_KomaruA1,":a;custom\BMP\tati\Kumasawa\KUM_KomaruA1.png" ;困る mov $KUM_OdorokiA1,":a;custom\BMP\tati\Kumasawa\KUM_OdorokiA1.png" ;驚き mov $KUM_MajimeA1,":a;custom\BMP\tati\Kumasawa\KUM_MajimeA1.png" ;真面目 ;mov $KUM_AkuwaraiA1,":a;custom\BMP\tati\Kumasawa\KUM_AkuwaraiA1.png" ;悪笑い ;mov $KUM_IkariA1,":a;custom\BMP\tati\Kumasawa\KUM_IkariA1.png" ;怒り mov $KUM_WaraiA2,":a;custom\BMP\tati\Kumasawa\KUM_WaraiA2.png" ;笑い２ mov $KUM_MajimeA2,":a;bmp\TATI\KUM\1\KUM_MajimeA2.png" ;真面目２ return *GOH_Isyou1 mov $GOH_DefA1,":a;custom\BMP\tati\GohdaGOH_DefA1.png" ;俊朗立ち絵デフォ mov $GOH_WaraiA1,":a;custom\BMP\tati\GohdaGOH_WaraiA1.png" ;笑い ;mov $GOH_DefA2,":a;custom\BMP\tati\GohdaGOH_DefA2.png" ;mov $GOH_AkuwaraiA1,":a;custom\BMP\tati\GohdaGOH_AkuwaraiA1.png" ;悪笑い ;mov $GOH_IkariA1,":a;custom\BMP\tati\GohdaGOH_IkariA1.png" ;怒り ;mov $GOH_KomaruA1,":a;custom\BMP\tati\GohdaGOH_KomaruA1.png" ;困る mov $GOH_OdorokiA1,":a;custom\BMP\tati\GohdaGOH_OdorokiA1.png" ;驚き mov $GOH_MajimeA1,":a;custom\BMP\tati\GohdaGOH_MajimeA1.png" ;真面目 mov $GOH_hohoemiA1,":a;custom\BMP\tati\GohdaGOH_hohoemiA1.png" ;微笑み mov $GOH_hohoemiA2,":a;custom\BMP\tati\GohdaGOH_hohoemiA2.png" ;微笑み２ mov $GOH_omakaseA1,":a;custom\BMP\tati\GohdaGOH_omakaseA1.png" ;お任せください mov $GOH_omakaseA2,":a;custom\BMP\tati\GohdaGOH_omakaseA2.png" ;お任せください２ mov $GOH_omakaseA3,":a;custom\BMP\tati\GohdaGOH_omakaseA3.png" ;お任せください３ mov $GOH_IkariA1,":a;custom\BMP\tati\GohdaGOH_IkariA1.png" ;怒り mov $GOH_IkariA2,":a;custom\BMP\tati\GohdaGOH_IkariA2.png" ;怒り２ mov $GOH_IiwakeA1,":a;custom\BMP\tati\GohdaGOH_IiwakeA1.png" mov $GOH_IiwakeA2,":a;custom\BMP\tati\GohdaGOH_IiwakeA2.png" mov $GOH_KomaruA1,":a;custom\BMP\tati\GohdaGOH_KomaruA1.png" mov $GOH_KomaruA2,":a;custom\BMP\tati\GohdaGOH_KomaruA2.png" mov $GOH_KomaruA3,":a;custom\BMP\tati\GohdaGOH_KomaruA3.png" return *SHA_Isyou1 mov $SHA_DefA1,":a;custom\BMP\tati\Shannon\1\SHA_DefA1.png" ;紗音立ち絵デフォ mov $SHA_WaraiA1,":a;custom\BMP\tati\Shannon\1\SHA_WaraiA1.png" ;笑い mov $SHA_KomaruA1,":a;custom\BMP\tati\Shannon\1\SHA_KomaruA1.png" ;困る mov $SHA_OdorokiA1,":a;custom\BMP\tati\Shannon\1\SHA_OdorokiA1.png" ;驚き mov $SHA_MajimeA1,":a;custom\BMP\tati\Shannon\1\SHA_MajimeA1.png" ;真面目 mov $SHA_HajiraiA1,":a;custom\BMP\tati\Shannon\1\SHA_HajiraiA1.png" ;恥らい ;mov $SHA_DefA2,":a;custom\BMP\tati\Shannon\1\SHA_DefA2.png" ;mov $SHA_AkuwaraiA1,":a;custom\BMP\tati\Shannon\1\SHA_AkuwaraiA1.png" ;悪笑い ;mov $SHA_IkariA1,":a;custom\BMP\tati\Shannon\1\SHA_IkariA1.png" ;怒り mov $SHA_WaraiA2,":a;custom\BMP\tati\Shannon\1\SHA_WaraiA2.png" ;笑い２ mov $SHA_WaraiA3,":a;custom\BMP\tati\Shannon\1\SHA_WaraiA3.png" ;笑い３ mov $SHA_MajimeA2,":a;custom\BMP\tati\Shannon\1\SHA_MajimeA2.png" ;真面目２ mov $SHA_HajiraiA2,":a;custom\BMP\tati\Shannon\1\SHA_HajiraiA2.png" ;恥らい２ mov $SHA_HajiraiA3,":a;custom\BMP\tati\Shannon\1\SHA_HajiraiA3.png" ;恥らい３ mov $SHA_fumanA1,":a;custom\BMP\tati\Shannon\1\SHA_fumanA1.png" ;不満 mov $SHA_tokuiA1,":a;custom\BMP\tati\Shannon\1\SHA_tokuiA1.png" ;得意 mov $SHA_OdorokiA2,":a;custom\BMP\tati\Shannon\1\SHA_OdorokiA2.png" ;驚き２ mov $SHA_MajimeA3,":a;custom\BMP\tati\Shannon\1\SHA_MajimeA3.png" mov $SHA_IkariA1,":a;custom\BMP\tati\Shannon\1\SHA_IkariA1.png" mov $SHA_IkariA2,":a;custom\BMP\tati\Shannon\1\SHA_IkariA2.png" return *KAN_Isyou1 mov $KAN_DefA1,":a;custom\BMP\tati\Kanon\1\KAN_DefA1.png" ;嘉音立ち絵デフォ mov $KAN_DefA2,":a;custom\BMP\tati\Kanon\1\KAN_DefA2.png" mov $KAN_IkariA1,":a;custom\BMP\tati\Kanon\1\KAN_IkariA1.png" ;怒り mov $KAN_KomaruA1,":a;custom\BMP\tati\Kanon\1\KAN_KomaruA1.png" ;困る mov $KAN_OdorokiA1,":a;custom\BMP\tati\Kanon\1\KAN_OdorokiA1.png" ;驚き mov $KAN_MajimeA1,":a;custom\BMP\tati\Kanon\1\KAN_MajimeA1.png" ;真面目 ;mov $KAN_WaraiA1,":a;custom\BMP\tati\Kanon\1\KAN_WaraiA1.png" ;笑い ;mov $KAN_AkuwaraiA1,":a;custom\BMP\tati\Kanon\1\KAN_AkuwaraiA1.png" ;悪笑い mov $KAN_OdorokiA2,":a;custom\BMP\tati\Kanon\1\KAN_OdorokiA2.png" ;驚き２ mov $KAN_NayamuA1,":a;custom\BMP\tati\Kanon\1\KAN_NayamuA1.png" ;悩む mov $KAN_FumanA1,":a;custom\BMP\tati\Kanon\1\KAN_FumanA1.png" mov $KAN_FumanA2,":a;custom\BMP\tati\Kanon\1\KAN_FumanA2.png" mov $KAN_IkariA2,":a;custom\BMP\tati\Kanon\1\KAN_IkariA2.png" ;怒り mov $KAN_IkariA3,":a;custom\BMP\tati\Kanon\1\KAN_IkariA3.png" ;怒り ;偽嘉音 mov $KA2_DefA1,":a;custom\BMP\tati\Kanon\1\KA2_DefA1.png" ;嘉音立ち絵デフォ mov $KA2_DefA2,":a;custom\BMP\tati\Kanon\1\KA2_DefA2.png" mov $KA2_IkariA1,":a;custom\BMP\tati\Kanon\1\KA2_IkariA1.png" ;怒り mov $KA2_KomaruA1,":a;custom\BMP\tati\Kanon\1\KA2_KomaruA1.png" ;困る mov $KA2_OdorokiA1,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA1.png" ;驚き mov $KA2_MajimeA1,":a;custom\BMP\tati\Kanon\1\KA2_MajimeA1.png" ;真面目 ;mov $KA2_WaraiA1,":a;custom\BMP\tati\Kanon\1\KA2_WaraiA1.png" ;笑い ;mov $KA2_AkuwaraiA1,":a;custom\BMP\tati\Kanon\1\KA2_AkuwaraiA1.png" ;悪笑い mov $KA2_OdorokiA2,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA2.png" ;驚き２ mov $KA2_NayamuA1,":a;custom\BMP\tati\Kanon\1\KA2_NayamuA1.png" ;悩む mov $KA2_FumanA1,":a;custom\BMP\tati\Kanon\1\KA2_FumanA1.png" mov $KA2_FumanA2,":a;custom\BMP\tati\Kanon\1\KA2_FumanA2.png" mov $KA2_IkariA2,":a;custom\BMP\tati\Kanon\1\KA2_IkariA2.png" ;怒り mov $KA2_IkariA3,":a;custom\BMP\tati\Kanon\1\KA2_IkariA3.png" ;怒り mov $KA2_DefA1B,":a;custom\BMP\tati\Kanon\1\KA2_DefA1B.png" ;嘉音魔法の刃装備　 blade mov $KA2_DefA2B,":a;custom\BMP\tati\Kanon\1\KA2_DefA2B.png" mov $KA2_IkariA1B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA1B.png" ;怒り mov $KA2_KomaruA1B,":a;custom\BMP\tati\Kanon\1\KA2_KomaruA1B.png" ;困る mov $KA2_OdorokiA1B,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA1B.png" ;驚き mov $KA2_MajimeA1B,":a;custom\BMP\tati\Kanon\1\KA2_MajimeA1B.png" ;真面目 ;mov $KA2_WaraiA1B,":a;custom\BMP\tati\Kanon\1\KA2_WaraiA1B.png" ;笑い ;mov $KA2_AkuwaraiA1B,":a;custom\BMP\tati\Kanon\1\KA2_AkuwaraiA1B.png" ;悪笑い mov $KA2_OdorokiA2B,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA2B.png" ;驚き２ mov $KA2_NayamuA1B,":a;custom\BMP\tati\Kanon\1\KA2_NayamuA1B.png" ;悩む mov $KA2_FumanA1B,":a;custom\BMP\tati\Kanon\1\KA2_FumanA1B.png" mov $KA2_FumanA2B,":a;custom\BMP\tati\Kanon\1\KA2_FumanA2B.png" mov $KA2_IkariA2B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA2B.png" mov $KA2_IkariA3B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA3B.png" return *BEA_Isyou1 mov $BEA_DefA1,":a;custom\BMP\tati\Beatrice\1\BEA_DefA1.png" ;BEA立ち絵デフォ mov $BEA_DefA2,":a;custom\BMP\tati\Beatrice\1\BEA_DefA2.png" mov $BEA_WaraiA1,":a;custom\BMP\tati\Beatrice\1\BEA_WaraiA1.png" ;笑い mov $BEA_AkuwaraiA1,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA1.png" ;悪笑い mov $BEA_AkuwaraiA2,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA2.png" ;悪笑い ;mov $BEA_MajimeA1,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA1.png" ;真面目 mov $BEA_WaraiA2,":a;custom\BMP\tati\Beatrice\1\BEA_WaraiA2.png" ;笑い２ mov $BEA_futekiA1,":a;custom\BMP\tati\Beatrice\1\BEA_futekiA1.png" ;笑い２ mov $BEA_AkuwaraiA2,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA2.png" ;悪笑い mov $BEA_AkuwaraiA3,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA3.png" ;悪笑い mov $BEA_AkuwaraiA4,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA4.png" ;悪笑い mov $BEA_AkuwaraiA5,":a;custom\BMP\tati\Beatrice\1\BEA_AkuwaraiA5.png" ;悪笑い mov $BEA_OdorokiA1,":a;custom\BMP\tati\Beatrice\1\BEA_OdorokiA1.png" ;悪笑い mov $BEA_futekiA2,":a;custom\BMP\tati\Beatrice\1\BEA_futekiA2.png" ;笑い２ mov $BEA_FukigenA1,":a;custom\BMP\tati\Beatrice\1\BEA_FukigenA1.png" ;笑い２ mov $BEA_FukigenA2,":a;custom\BMP\tati\Beatrice\1\BEA_FukigenA2.png" ;笑い２ mov $BEA_FukigenA3,":a;custom\BMP\tati\Beatrice\1\BEA_FukigenA3.png" ;笑い２ mov $BEA_NayamuA1,":a;custom\BMP\tati\Beatrice\1\BEA_NayamuA1.png" ;笑い２ mov $BEA_AseruA1,":a;custom\BMP\tati\Beatrice\1\BEA_AseruA1.png" ;笑い２ mov $BEA_WaraiA3,":a;custom\BMP\tati\Beatrice\1\BEA_WaraiA3.png" ;笑い３ mov $BEA_KomaruA1,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA1.png" ;困る mov $BEA_KomaruA2,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA2.png" ;困る２ mov $BEA_OdorokiA2,":a;custom\BMP\tati\Beatrice\1\BEA_OdorokiA2.png" ;驚き２ mov $BEA_NayamuA2,":a;custom\BMP\tati\Beatrice\1\BEA_NayamuA2.png" ;悩む２ mov $BEA_IiwakeA1,":a;custom\BMP\tati\Beatrice\1\BEA_IiwakeA1.png" ;いい訳 mov $BEA_IiwakeA2,":a;custom\BMP\tati\Beatrice\1\BEA_IiwakeA2.png" ;いい訳２ mov $BEA_HanbesoA1,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA1.png" ;半ベソ mov $BEA_HanbesoA2,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA2.png" ;半ベソ２ mov $BEA_HanbesoA3,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA3.png" ;半ベソ３ mov $BEA_HanbesoA4,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA4.png" ;半ベソ４ mov $BEA_HanbesoA5,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA5.png" ;半ベソ５ mov $BEA_HanbesoA6,":a;custom\BMP\tati\Beatrice\1\BEA_HanbesoA6.png" ;半ベソ６ mov $BEA_GamanA1,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA1.png" ; mov $BEA_GamanA2,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA2.png" ; mov $BEA_GamanA3,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA3.png" ; mov $BEA_GamanA4,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA4.png" ; mov $BEA_GamanA5,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA5.png" ; mov $BEA_GamanA6,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA6.png" ; mov $BEA_GamanA7,":a;custom\BMP\tati\Beatrice\1\BEA_GamanA7.png" ; mov $BEA_IiwakeA3,":a;custom\BMP\tati\Beatrice\1\BEA_IiwakeA3.png" ; mov $BEA_KomaruA3,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA3.png" ; mov $BEA_KomaruA4,":a;custom\BMP\tati\Beatrice\1\BEA_KomaruA4.png" ; mov $BEA_MajimeA1,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA1.png" ; mov $BEA_MajimeA2,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA2.png" ; mov $BEA_MajimeA3,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA3.png" ; mov $BEA_MajimeA4,":a;custom\BMP\tati\Beatrice\1\BEA_MajimeA4.png" ; mov $BEA_FumanA1,":a;custom\BMP\tati\Beatrice\1\BEA_FumanA1.png" ; mov $BEA_FumanA2,":a;custom\BMP\tati\Beatrice\1\BEA_FumanA2.png" ; mov $BEA_FumanA3,":a;custom\BMP\tati\Beatrice\1\BEA_FumanA3.png" ; mov $BEA_NakuA1,":a;custom\BMP\tati\Beatrice\1\BEA_NakuA1.png" ; mov $BEA_IkariA1,":a;custom\BMP\tati\Beatrice\1\BEA_IkariA1.png" ; mov $BEA_IkariA2,":a;custom\BMP\tati\Beatrice\1\BEA_IkariA2.png" ; return *EV2_Isyou1 mov $EV2_DefA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_DefA1.png" ;魔女絵羽 mov $EV2_WaraiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_WaraiA1.png" ; mov $EV2_WaraiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_WaraiA2.png" ; mov $EV2_HohoemiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_HohoemiA1.png" mov $EV2_HohoemiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_HohoemiA2.png" mov $EV2_TokuiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_TokuiA1.png" mov $EV2_AkuwaraiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA1.png" ; mov $EV2_AkuwaraiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA2.png" ; mov $EV2_AkuwaraiA3,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA3.png" ; mov $EV2_AkuwaraiA4,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA4.png" ; mov $EV2_AkuwaraiA5,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA5.png" ; mov $EV2_AkuwaraiA6,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA6.png" ; mov $EV2_AkuwaraiA7,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA7.png" ; mov $EV2_AkuwaraiA8,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_AkuwaraiA8.png" ; mov $EV2_NiramuA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_NiramuA1.png" ; mov $EV2_NiramuA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_NiramuA2.png" ; mov $EV2_NiramuA3,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_NiramuA3.png" ; mov $EV2_KomaruA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_KomaruA1.png" ; mov $EV2_OdorokiA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_OdorokiA1.png" ; mov $EV2_OdorokiA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_OdorokiA2.png" ; mov $EV2_FukigenA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_FukigenA1.png" ; mov $EV2_FukigenA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_FukigenA2.png" ; mov $EV2_FukigenA3,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_FukigenA3.png" ; mov $EV2_IkariA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_IkariA1.png" ; mov $EV2_IkariA2,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_IkariA2.png" ; mov $EV2_KomaruA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_KomaruA1.png" ; mov $EV2_MajimeA1,":a;custom\BMP\tati\Eva-Beatrice\1\EV2_MajimeA1.png" ; return *ENJ_Isyou1 mov $ENJ_DefA1,":a;custom\BMP\tati\Ange\1\ENJ_DefA1.png" ;縁寿 mov $ENJ_DefA2,":a;custom\BMP\tati\Ange\1\ENJ_DefA2.png" ;縁寿 mov $ENJ_WaraiA1,":a;custom\BMP\tati\Ange\1\ENJ_WaraiA1.png" ;縁寿（ mov $ENJ_WaraiA2,":a;custom\BMP\tati\Ange\1\ENJ_WaraiA2.png" ;縁寿 mov $ENJ_WaraiA3,":a;custom\BMP\tati\Ange\1\ENJ_WaraiA3.png" ;縁寿 mov $ENJ_FumanA1,":a;custom\BMP\tati\Ange\1\ENJ_FumanA1.png" ;縁寿 mov $ENJ_FumanA2,":a;custom\BMP\tati\Ange\1\ENJ_FumanA2.png" ;縁寿 mov $ENJ_MajimeA1,":a;custom\BMP\tati\Ange\1\ENJ_MajimeA1.png" ;縁寿 mov $ENJ_NayamuA1,":a;custom\BMP\tati\Ange\1\ENJ_NayamuA1.png" ;縁寿 mov $ENJ_KomaruA1,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA1.png" ;縁寿 mov $ENJ_KomaruA2,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA2.png" ;縁寿 mov $ENJ_KomaruA3,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA3.png" ;縁寿 mov $ENJ_KomaruA4,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA4.png" ;縁寿 mov $ENJ_KomaruA5,":a;custom\BMP\tati\Ange\1\ENJ_KomaruA5.png" ;縁寿 mov $ENJ_IkariA1,":a;custom\BMP\tati\Ange\1\ENJ_IkariA1.png" ;縁寿 mov $ENJ_IkariA2,":a;custom\BMP\tati\Ange\1\ENJ_IkariA2.png" ;縁寿 mov $ENJ_HanbesoA1,":a;custom\BMP\tati\Ange\1\ENJ_HanbesoA1.png" ;縁寿 mov $ENJ_HanbesoA2,":a;custom\BMP\tati\Ange\1\ENJ_HanbesoA2.png" ;縁寿 mov $ENJ_HanbesoA3,":a;custom\BMP\tati\Ange\1\ENJ_HanbesoA3.png" ;縁寿 mov $ENJ_NakuA1,":a;custom\BMP\tati\Ange\1\ENJ_NakuA1.png" ;縁寿 mov $ENJ_NakuA2,":a;custom\BMP\tati\Ange\1\ENJ_NakuA2.png" ;縁寿 return ;＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞ ;第二衣装 ;＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞ *NAT_Isyou2 ;夏妃Ｂ服 mov $NAT_DefA1,":a;bmp\TATI\NAT\2\NAT_DefA1.png" ;夏妃立ち絵デフォ mov $NAT_DefB1,":a;bmp\TATI\NAT\2\NAT_DefB1.png" ;夏妃立ち絵デフォ mov $NAT_WaraiA1,":a;bmp\TATI\NAT\2\NAT_WaraiA1.png" ;笑い mov $NAT_WaraiB1,":a;bmp\TATI\NAT\2\NAT_WaraiB1.png" ;笑い mov $NAT_IkariA1,":a;bmp\TATI\NAT\2\NAT_IkariA1.png" ;怒り mov $NAT_IkariB1,":a;bmp\TATI\NAT\2\NAT_IkariB1.png" ;怒り mov $NAT_OdorokiA1,":a;bmp\TATI\NAT\2\NAT_OdorokiA1.png" ;驚き mov $NAT_OdorokiB1,":a;bmp\TATI\NAT\2\NAT_OdorokiB1.png" ;驚き mov $NAT_MajimeA1,":a;bmp\TATI\NAT\2\NAT_MajimeA1.png" ;真面目 mov $NAT_MajimeB1,":a;bmp\TATI\NAT\2\NAT_MajimeB1.png" ;真面目 ;mov $NAT_DefA2,":a;bmp\TATI\NAT\2\NAT_DefA2.png" ;mov $NAT_AkuwaraiA1,":a;bmp\TATI\NAT\2\NAT_AkuwaraiA1.png" ;悪笑い ;mov $NAT_KomaruA1,":a;bmp\TATI\NAT\2\NAT_KomaruA1.png" ;困る mov $NAT_WaraiA2,":a;bmp\TATI\NAT\2\NAT_WaraiA2.png" ;笑い２ mov $NAT_WaraiB2,":a;bmp\TATI\NAT\2\NAT_WaraiB2.png" ;笑い２ mov $NAT_OdorokiA2,":a;bmp\TATI\NAT\2\NAT_OdorokiA2.png" ;驚き２ mov $NAT_OdorokiB2,":a;bmp\TATI\NAT\2\NAT_OdorokiB2.png" ;驚き２ mov $NAT_HisuA1,":a;bmp\TATI\NAT\2\NAT_HisuA1.png" ;ヒステリー mov $NAT_HisuB1,":a;bmp\TATI\NAT\2\NAT_HisuB1.png" ;ヒステリー mov $NAT_zutuuA1,":a;bmp\TATI\NAT\2\NAT_zutuuA1.png" ;頭痛 mov $NAT_zutuuB1,":a;bmp\TATI\NAT\2\NAT_zutuuB1.png" ;頭痛 mov $NAT_TukareA1,":a;bmp\TATI\NAT\2\NAT_TukareA1.png" ;疲れ mov $NAT_TukareB1,":a;bmp\TATI\NAT\2\NAT_TukareB1.png" ;疲れ mov $NAT_TukareA2,":a;bmp\TATI\NAT\2\NAT_TukareA2.png" ;疲れ２ mov $NAT_TukareB2,":a;bmp\TATI\NAT\2\NAT_TukareB2.png" ;疲れ２ return ;■譲治私服 *GEO_Isyou2 mov $GEO_DefA1,":a;custom\BMP\tati\George\2\GEO_DefA1.png" ;譲治立ち絵デフォ mov $GEO_WaraiA1,":a;custom\BMP\tati\George\2\GEO_WaraiA1.png" ;笑い mov $GEO_KomaruA1,":a;custom\BMP\tati\George\2\GEO_KomaruA1.png" ;困る mov $GEO_MajimeA1,":a;custom\BMP\tati\George\2\GEO_MajimeA1.png" ;真面目 ;mov $GEO_DefA2,":a;custom\BMP\tati\George\2\GEO_DefA2.png" ;譲治立ち絵デフォ ;mov $GEO_AkuwaraiA1,":a;custom\BMP\tati\George\2\GEO_AkuwaraiA1.png" ;悪笑い ;mov $GEO_IkariA1,":a;custom\BMP\tati\George\2\GEO_IkariA1.png" ;怒り ;mov $GEO_OdorokiA1,":a;custom\BMP\tati\George\2\GEO_OdorokiA1.png" ;驚き mov $GEO_DefA1k,":a;custom\BMP\tati\George\2\GEO_DefA1k.png" ;デフォ（曇り眼鏡 mov $GEO_NakuA1,":a;custom\BMP\tati\George\2\GEO_NakuA1.png" ;泣く mov $GEO_NakuA1k,":a;custom\BMP\tati\George\2\GEO_NakuA1k.png" ;泣く（曇り眼鏡 mov $GEO_NakuA2,":a;custom\BMP\tati\George\2\GEO_NakuA2.png" ;泣く２ mov $GEO_NakuA2k,":a;custom\BMP\tati\George\2\GEO_NakuA2k.png" ;泣く２（曇り眼鏡 mov $GEO_HohoemiA1,":a;custom\BMP\tati\George\2\GEO_HohoemiA1.png" ;微笑み mov $GEO_HohoemiA1k,":a;custom\BMP\tati\George\2\GEO_HohoemiA1k.png" ;微笑み（曇り眼鏡 mov $GEO_KomaruA1k,":a;custom\BMP\tati\George\2\GEO_KomaruA1k.png" ;困る（曇り眼鏡 mov $GEO_WaraiA1k,":a;custom\BMP\tati\George\2\GEO_WaraiA1k.png" ;笑い（曇り眼鏡 mov $GEO_WaraiA2,":a;custom\BMP\tati\George\2\GEO_WaraiA2.png" ;笑い mov $GEO_WaraiA2k,":a;custom\BMP\tati\George\2\GEO_WaraiA2k.png" ;笑い（曇り眼鏡 mov $GEO_MajimeA1k,":a;custom\BMP\tati\George\2\GEO_MajimeA1k.png" ;真面目（曇り眼鏡 mov $GEO_MajimeA2,":a;custom\BMP\tati\George\2\GEO_MajimeA2.png" ;真面目２ mov $GEO_MajimeA2k,":a;custom\BMP\tati\George\2\GEO_MajimeA2k.png" ;真面目２（曇り眼鏡 mov $GEO_MajimeA3,":a;custom\BMP\tati\George\2\GEO_MajimeA3.png" ;真面目３ mov $GEO_MajimeA3k,":a;custom\BMP\tati\George\2\GEO_MajimeA3k.png" ;真面目３（曇り眼鏡 mov $GEO_KomaruA2,":a;custom\BMP\tati\George\2\GEO_KomaruA2.png" mov $GEO_KomaruA2k,":a;custom\BMP\tati\George\2\GEO_KomaruA2k.png" mov $GEO_KomaruA3,":a;custom\BMP\tati\George\2\GEO_KomaruA3.png" mov $GEO_KomaruA3k,":a;custom\BMP\tati\George\2\GEO_KomaruA3k.png" mov $GEO_KomaruA4,":a;custom\BMP\tati\George\2\GEO_KomaruA4.png" mov $GEO_KomaruA4k,":a;custom\BMP\tati\George\2\GEO_KomaruA4k.png" mov $GEO_KomaruA5,":a;custom\BMP\tati\George\2\GEO_KomaruA5.png" mov $GEO_KomaruA5k,":a;custom\BMP\tati\George\2\GEO_KomaruA5k.png" mov $GEO_IkariA1,":a;custom\BMP\tati\George\2\GEO_IkariA1.png" mov $GEO_IkariA1k,":a;custom\BMP\tati\George\2\GEO_IkariA1k.png" mov $GEO_IkariA2,":a;custom\BMP\tati\George\2\GEO_IkariA2.png" mov $GEO_IkariA2k,":a;custom\BMP\tati\George\2\GEO_IkariA2k.png" return *MAR_Isyou2 ;魔女マリア mov $MAR_DefA1,":a;custom\BMP\tati\Maria\2\MAR_DefA1.png" ;真里亞立ち絵デフォ mov $MAR_DefA1k,":a;custom\BMP\tati\Maria\2\MAR_DefA1k.png" ;デフォ影 mov $MAR_WaraiA1,":a;custom\BMP\tati\Maria\2\MAR_WaraiA1.png" ;笑い mov $MAR_AkuwaraiA1,":a;custom\BMP\tati\Maria\2\MAR_AkuwaraiA1.png" ;悪笑い mov $MAR_IkariA1,":a;custom\BMP\tati\Maria\2\MAR_IkariA1.png" ;怒り mov $MAR_KomaruA1,":a;custom\BMP\tati\Maria\2\MAR_KomaruA1.png" ;困る mov $MAR_OdorokiA1,":a;custom\BMP\tati\Maria\2\MAR_OdorokiA1.png" ;驚き mov $MAR_MajimeA1,":a;custom\BMP\tati\Maria\2\MAR_MajimeA1.png" ;真面目 mov $MAR_NakuA1,":a;custom\BMP\tati\Maria\2\MAR_NakuA1.png" ;泣く ;mov $MAR_DefA2,":a;custom\BMP\tati\Maria\2\MAR_DefA2.png" ;mov $MAR_Kuro_DefA1,":a;custom\BMP\tati\Maria\2\MAR_Kuro_DefA1.png" ;黒真里亞立ち絵デフォ ;mov $MAR_Kuro_WaraiA1,":a;custom\BMP\tati\Maria\2\MAR_Kuro_WaraiA1.png" ;黒真里亞笑い mov $MAR_AkuwaraiA2,":a;custom\BMP\tati\Maria\2\MAR_AkuwaraiA2.png" ;悪笑い２ mov $MAR_AkuwaraiA3,":a;custom\BMP\tati\Maria\2\MAR_AkuwaraiA3.png" ;悪笑い３ mov $MAR_WaraiA2,":a;custom\BMP\tati\Maria\2\MAR_WaraiA2.png" ;笑い２ mov $MAR_NiyariA1,":a;custom\BMP\tati\Maria\2\MAR_niyariA1.png" ;ニヤリ mov $MAR_NiyariA2,":a;custom\BMP\tati\Maria\2\MAR_niyariA2.png" ;ニヤリ２ mov $MAR_fukigenA1,":a;custom\BMP\tati\Maria\2\MAR_fukigenA1.png" ;不機嫌 mov $MAR_fukigenA2,":a;custom\BMP\tati\Maria\2\MAR_fukigenA2.png" ;不機嫌２ mov $MAR_SakebuA1,":a;custom\BMP\tati\Maria\2\MAR_SakebuA1.png" ;叫ぶ return ;■紗音私服 *SHA_Isyou2 mov $SHA_DefA1,":a;custom\BMP\tati\Shannon\2\SHA_DefA1.png" ;紗音立ち絵デフォ mov $SHA_WaraiA1,":a;custom\BMP\tati\Shannon\2\SHA_WaraiA1.png" ;笑い mov $SHA_KomaruA1,":a;custom\BMP\tati\Shannon\2\SHA_KomaruA1.png" ;困る mov $SHA_OdorokiA1,":a;custom\BMP\tati\Shannon\2\SHA_OdorokiA1.png" ;驚き mov $SHA_MajimeA1,":a;custom\BMP\tati\Shannon\2\SHA_MajimeA1.png" ;真面目 mov $SHA_HajiraiA1,":a;custom\BMP\tati\Shannon\2\SHA_HajiraiA1.png" ;恥らい ;mov $SHA_DefA2,":a;custom\BMP\tati\Shannon\1\SHA_DefA2.png" ;mov $SHA_AkuwaraiA1,":a;custom\BMP\tati\Shannon\1\SHA_AkuwaraiA1.png" ;悪笑い ;mov $SHA_IkariA1,":a;custom\BMP\tati\Shannon\1\SHA_IkariA1.png" ;怒り mov $SHA_WaraiA2,":a;custom\BMP\tati\Shannon\2\SHA_WaraiA2.png" ;笑い２ mov $SHA_WaraiA3,":a;custom\BMP\tati\Shannon\2\SHA_WaraiA3.png" ;笑い３ mov $SHA_MajimeA2,":a;custom\BMP\tati\Shannon\2\SHA_MajimeA2.png" ;真面目２ mov $SHA_HajiraiA2,":a;custom\BMP\tati\Shannon\2\SHA_HajiraiA2.png" ;恥らい２ mov $SHA_HajiraiA3,":a;custom\BMP\tati\Shannon\2\SHA_HajiraiA3.png" ;恥らい３ mov $SHA_fumanA1,":a;custom\BMP\tati\Shannon\2\SHA_fumanA1.png" ;不満 mov $SHA_tokuiA1,":a;custom\BMP\tati\Shannon\2\SHA_tokuiA1.png" ;得意 mov $SHA_OdorokiA2,":a;custom\BMP\tati\Shannon\2\SHA_OdorokiA2.png" ;驚き２ mov $SHA_MajimeA3,":a;custom\BMP\tati\Shannon\2\SHA_MajimeA3.png" mov $SHA_IkariA1,":a;custom\BMP\tati\Shannon\2\SHA_IkariA1.png" mov $SHA_IkariA2,":a;custom\BMP\tati\Shannon\2\SHA_IkariA2.png" return *KAN_Isyou2 mov $KAN_DefA1,":a;custom\BMP\tati\Kanon\2\KAN_DefA1.png" ;嘉音立ち絵デフォ mov $KAN_DefA2,":a;custom\BMP\tati\Kanon\2\KAN_DefA2.png" mov $KAN_IkariA1,":a;custom\BMP\tati\Kanon\2\KAN_IkariA1.png" ;怒り mov $KAN_KomaruA1,":a;custom\BMP\tati\Kanon\2\KAN_KomaruA1.png" ;困る mov $KAN_OdorokiA1,":a;custom\BMP\tati\Kanon\2\KAN_OdorokiA1.png" ;驚き mov $KAN_MajimeA1,":a;custom\BMP\tati\Kanon\2\KAN_MajimeA1.png" ;真面目 ;mov $KAN_WaraiA1,":a;custom\BMP\tati\Kanon\1\KAN_WaraiA1.png" ;笑い ;mov $KAN_AkuwaraiA1,":a;custom\BMP\tati\Kanon\1\KAN_AkuwaraiA1.png" ;悪笑い mov $KAN_OdorokiA2,":a;custom\BMP\tati\Kanon\2\KAN_OdorokiA2.png" ;驚き２ mov $KAN_NayamuA1,":a;custom\BMP\tati\Kanon\2\KAN_NayamuA1.png" ;悩む mov $KAN_FumanA1,":a;custom\BMP\tati\Kanon\2\KAN_FumanA1.png" mov $KAN_FumanA2,":a;custom\BMP\tati\Kanon\2\KAN_FumanA2.png" mov $KAN_IkariA2,":a;custom\BMP\tati\Kanon\2\KAN_IkariA2.png" ;怒り mov $KAN_IkariA3,":a;custom\BMP\tati\Kanon\2\KAN_IkariA3.png" ;怒り ;偽嘉音 mov $KA2_DefA1,":a;custom\BMP\tati\Kanon\1\KA2_DefA1.png" ;嘉音立ち絵デフォ mov $KA2_DefA2,":a;custom\BMP\tati\Kanon\1\KA2_DefA2.png" mov $KA2_IkariA1,":a;custom\BMP\tati\Kanon\1\KA2_IkariA1.png" ;怒り mov $KA2_KomaruA1,":a;custom\BMP\tati\Kanon\1\KA2_KomaruA1.png" ;困る mov $KA2_OdorokiA1,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA1.png" ;驚き mov $KA2_MajimeA1,":a;custom\BMP\tati\Kanon\1\KA2_MajimeA1.png" ;真面目 ;mov $KA2_WaraiA1,":a;custom\BMP\tati\Kanon\1\KA2_WaraiA1.png" ;笑い ;mov $KA2_AkuwaraiA1,":a;custom\BMP\tati\Kanon\1\KA2_AkuwaraiA1.png" ;悪笑い mov $KA2_OdorokiA2,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA2.png" ;驚き２ mov $KA2_NayamuA1,":a;custom\BMP\tati\Kanon\1\KA2_NayamuA1.png" ;悩む mov $KA2_FumanA1,":a;custom\BMP\tati\Kanon\1\KA2_FumanA1.png" mov $KA2_FumanA2,":a;custom\BMP\tati\Kanon\1\KA2_FumanA2.png" mov $KA2_IkariA2,":a;custom\BMP\tati\Kanon\1\KA2_IkariA2.png" ;怒り mov $KA2_IkariA3,":a;custom\BMP\tati\Kanon\1\KA2_IkariA3.png" ;怒り mov $KA2_DefA1B,":a;custom\BMP\tati\Kanon\1\KA2_DefA1B.png" ;嘉音魔法の刃装備　 blade mov $KA2_DefA2B,":a;custom\BMP\tati\Kanon\1\KA2_DefA2B.png" mov $KA2_IkariA1B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA1B.png" ;怒り mov $KA2_KomaruA1B,":a;custom\BMP\tati\Kanon\1\KA2_KomaruA1B.png" ;困る mov $KA2_OdorokiA1B,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA1B.png" ;驚き mov $KA2_MajimeA1B,":a;custom\BMP\tati\Kanon\1\KA2_MajimeA1B.png" ;真面目 ;mov $KA2_WaraiA1B,":a;custom\BMP\tati\Kanon\1\KA2_WaraiA1B.png" ;笑い ;mov $KA2_AkuwaraiA1B,":a;custom\BMP\tati\Kanon\1\KA2_AkuwaraiA1B.png" ;悪笑い mov $KA2_OdorokiA2B,":a;custom\BMP\tati\Kanon\1\KA2_OdorokiA2B.png" ;驚き２ mov $KA2_NayamuA1B,":a;custom\BMP\tati\Kanon\1\KA2_NayamuA1B.png" ;悩む mov $KA2_FumanA1B,":a;custom\BMP\tati\Kanon\1\KA2_FumanA1B.png" mov $KA2_FumanA2B,":a;custom\BMP\tati\Kanon\1\KA2_FumanA2B.png" mov $KA2_IkariA2B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA2B.png" mov $KA2_IkariA3B,":a;custom\BMP\tati\Kanon\1\KA2_IkariA3B.png" return *BEA_Isyou2 mov $BEA_DefA1,":a;custom\BMP\tati\Beatrice\2\BEA_DefA1.png" ;BEA立ち絵デフォ mov $BEA_DefA2,":a;custom\BMP\tati\Beatrice\2\BEA_DefA2.png" mov $BEA_WaraiA1,":a;custom\BMP\tati\Beatrice\2\BEA_WaraiA1.png" ;笑い mov $BEA_AkuwaraiA1,":a;custom\BMP\tati\Beatrice\2\BEA_AkuwaraiA1.png" ;悪笑い mov $BEA_AkuwaraiA2,":a;custom\BMP\tati\Beatrice\2\BEA_AkuwaraiA2.png" ;悪笑い ;mov $BEA_MajimeA1,":a;custom\BMP\tati\Beatrice\2\BEA_MajimeA1.png" ;真面目 mov $BEA_WaraiA2,":a;custom\BMP\tati\Beatrice\2\BEA_WaraiA2.png" ;笑い２ mov $BEA_futekiA1,":a;custom\BMP\tati\Beatrice\2\BEA_futekiA1.png" ;笑い２ mov $BEA_AkuwaraiA2,":a;custom\BMP\tati\Beatrice\2\BEA_AkuwaraiA2.png" ;悪笑い mov $BEA_AkuwaraiA3,":a;custom\BMP\tati\Beatrice\2\BEA_AkuwaraiA3.png" ;悪笑い mov $BEA_AkuwaraiA4,":a;custom\BMP\tati\Beatrice\2\BEA_AkuwaraiA4.png" ;悪笑い mov $BEA_AkuwaraiA5,":a;custom\BMP\tati\Beatrice\2\BEA_AkuwaraiA5.png" ;悪笑い mov $BEA_OdorokiA1,":a;custom\BMP\tati\Beatrice\2\BEA_OdorokiA1.png" ;悪笑い mov $BEA_futekiA2,":a;custom\BMP\tati\Beatrice\2\BEA_futekiA2.png" ;笑い２ mov $BEA_FukigenA1,":a;custom\BMP\tati\Beatrice\2\BEA_FukigenA1.png" ;笑い２ mov $BEA_FukigenA2,":a;custom\BMP\tati\Beatrice\2\BEA_FukigenA2.png" ;笑い２ mov $BEA_FukigenA3,":a;custom\BMP\tati\Beatrice\2\BEA_FukigenA3.png" ;笑い２ mov $BEA_NayamuA1,":a;custom\BMP\tati\Beatrice\2\BEA_NayamuA1.png" ;笑い２ mov $BEA_AseruA1,":a;custom\BMP\tati\Beatrice\2\BEA_AseruA1.png" ;笑い２ mov $BEA_WaraiA3,":a;custom\BMP\tati\Beatrice\2\BEA_WaraiA3.png" ;笑い３ mov $BEA_KomaruA1,":a;custom\BMP\tati\Beatrice\2\BEA_KomaruA1.png" ;困る mov $BEA_KomaruA2,":a;custom\BMP\tati\Beatrice\2\BEA_KomaruA2.png" ;困る２ mov $BEA_OdorokiA2,":a;custom\BMP\tati\Beatrice\2\BEA_OdorokiA2.png" ;驚き２ mov $BEA_NayamuA2,":a;custom\BMP\tati\Beatrice\2\BEA_NayamuA2.png" ;悩む２ mov $BEA_IiwakeA1,":a;custom\BMP\tati\Beatrice\2\BEA_IiwakeA1.png" ;いい訳 mov $BEA_IiwakeA2,":a;custom\BMP\tati\Beatrice\2\BEA_IiwakeA2.png" ;いい訳２ mov $BEA_HanbesoA1,":a;custom\BMP\tati\Beatrice\2\BEA_HanbesoA1.png" ;半ベソ mov $BEA_HanbesoA2,":a;custom\BMP\tati\Beatrice\2\BEA_HanbesoA2.png" ;半ベソ２ mov $BEA_HanbesoA3,":a;custom\BMP\tati\Beatrice\2\BEA_HanbesoA3.png" ;半ベソ３ mov $BEA_HanbesoA4,":a;custom\BMP\tati\Beatrice\2\BEA_HanbesoA4.png" ;半ベソ４ mov $BEA_HanbesoA5,":a;custom\BMP\tati\Beatrice\2\BEA_HanbesoA5.png" ;半ベソ５ mov $BEA_HanbesoA6,":a;custom\BMP\tati\Beatrice\2\BEA_HanbesoA6.png" ;半ベソ６ mov $BEA_GamanA1,":a;custom\BMP\tati\Beatrice\2\BEA_GamanA1.png" ; mov $BEA_GamanA2,":a;custom\BMP\tati\Beatrice\2\BEA_GamanA2.png" ; mov $BEA_GamanA3,":a;custom\BMP\tati\Beatrice\2\BEA_GamanA3.png" ; mov $BEA_GamanA4,":a;custom\BMP\tati\Beatrice\2\BEA_GamanA4.png" ; mov $BEA_GamanA5,":a;custom\BMP\tati\Beatrice\2\BEA_GamanA5.png" ; mov $BEA_GamanA6,":a;custom\BMP\tati\Beatrice\2\BEA_GamanA6.png" ; mov $BEA_GamanA7,":a;custom\BMP\tati\Beatrice\2\BEA_GamanA7.png" ; mov $BEA_IiwakeA3,":a;custom\BMP\tati\Beatrice\2\BEA_IiwakeA3.png" ; mov $BEA_KomaruA3,":a;custom\BMP\tati\Beatrice\2\BEA_KomaruA3.png" ; mov $BEA_KomaruA4,":a;custom\BMP\tati\Beatrice\2\BEA_KomaruA4.png" ; mov $BEA_MajimeA1,":a;custom\BMP\tati\Beatrice\2\BEA_MajimeA1.png" ; mov $BEA_MajimeA2,":a;custom\BMP\tati\Beatrice\2\BEA_MajimeA2.png" ; mov $BEA_MajimeA3,":a;custom\BMP\tati\Beatrice\2\BEA_MajimeA3.png" ; mov $BEA_MajimeA4,":a;custom\BMP\tati\Beatrice\2\BEA_MajimeA4.png" ; mov $BEA_FumanA1,":a;custom\BMP\tati\Beatrice\2\BEA_FumanA1.png" ; mov $BEA_FumanA2,":a;custom\BMP\tati\Beatrice\2\BEA_FumanA2.png" ; mov $BEA_FumanA3,":a;custom\BMP\tati\Beatrice\2\BEA_FumanA3.png" ; mov $BEA_NakuA1,":a;custom\BMP\tati\Beatrice\2\BEA_NakuA1.png" ; mov $BEA_IkariA1,":a;custom\BMP\tati\Beatrice\2\BEA_IkariA1.png" ; mov $BEA_IkariA2,":a;custom\BMP\tati\Beatrice\2\BEA_IkariA2.png" ; return *EV2_Isyou2 mov $EV2_DefA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_DefA1.png" ;魔女絵羽 mov $EV2_WaraiA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_WaraiA1.png" ; mov $EV2_WaraiA2,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_WaraiA2.png" ; mov $EV2_HohoemiA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_HohoemiA1.png" mov $EV2_HohoemiA2,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_HohoemiA2.png" mov $EV2_TokuiA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_TokuiA1.png" mov $EV2_AkuwaraiA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA1.png" ; mov $EV2_AkuwaraiA2,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA2.png" ; mov $EV2_AkuwaraiA3,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA3.png" ; mov $EV2_AkuwaraiA4,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA4.png" ; mov $EV2_AkuwaraiA5,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA5.png" ; mov $EV2_AkuwaraiA6,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA6.png" ; mov $EV2_AkuwaraiA7,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA7.png" ; mov $EV2_AkuwaraiA8,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_AkuwaraiA8.png" ; mov $EV2_NiramuA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_NiramuA1.png" ; mov $EV2_NiramuA2,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_NiramuA2.png" ; mov $EV2_NiramuA3,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_NiramuA3.png" ; mov $EV2_KomaruA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_KomaruA1.png" ; mov $EV2_OdorokiA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_OdorokiA1.png" ; mov $EV2_OdorokiA2,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_OdorokiA2.png" ; mov $EV2_FukigenA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_FukigenA1.png" ; mov $EV2_FukigenA2,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_FukigenA2.png" ; mov $EV2_FukigenA3,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_FukigenA3.png" ; mov $EV2_IkariA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_IkariA1.png" ; mov $EV2_IkariA2,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_IkariA2.png" ; mov $EV2_KomaruA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_KomaruA1.png" ; mov $EV2_MajimeA1,":a;custom\BMP\tati\EVA-Beatrice\2\EV2_MajimeA1.png" ; return *ENJ_Isyou2 mov $ENJ_DefA1,":a;custom\BMP\tati\Ange\2\ENJ_DefA1.png" ;縁寿 mov $ENJ_DefA2,":a;custom\BMP\tati\Ange\2\ENJ_DefA2.png" ;縁寿 mov $ENJ_WaraiA1,":a;custom\BMP\tati\Ange\2\ENJ_WaraiA1.png" ;縁寿（ mov $ENJ_WaraiA2,":a;custom\BMP\tati\Ange\2\ENJ_WaraiA2.png" ;縁寿 mov $ENJ_WaraiA3,":a;custom\BMP\tati\Ange\2\ENJ_WaraiA3.png" ;縁寿 mov $ENJ_FumanA1,":a;custom\BMP\tati\Ange\2\ENJ_FumanA1.png" ;縁寿 mov $ENJ_FumanA2,":a;custom\BMP\tati\Ange\2\ENJ_FumanA2.png" ;縁寿 mov $ENJ_MajimeA1,":a;custom\BMP\tati\Ange\2\ENJ_MajimeA1.png" ;縁寿 mov $ENJ_NayamuA1,":a;custom\BMP\tati\Ange\2\ENJ_NayamuA1.png" ;縁寿 mov $ENJ_KomaruA1,":a;custom\BMP\tati\Ange\2\ENJ_KomaruA1.png" ;縁寿 mov $ENJ_KomaruA2,":a;custom\BMP\tati\Ange\2\ENJ_KomaruA2.png" ;縁寿 mov $ENJ_KomaruA3,":a;custom\BMP\tati\Ange\2\ENJ_KomaruA3.png" ;縁寿 mov $ENJ_KomaruA4,":a;custom\BMP\tati\Ange\2\ENJ_KomaruA4.png" ;縁寿 mov $ENJ_KomaruA5,":a;custom\BMP\tati\Ange\2\ENJ_KomaruA5.png" ;縁寿 mov $ENJ_IkariA1,":a;custom\BMP\tati\Ange\2\ENJ_IkariA1.png" ;縁寿 mov $ENJ_IkariA2,":a;custom\BMP\tati\Ange\2\ENJ_IkariA2.png" ;縁寿 mov $ENJ_HanbesoA1,":a;custom\BMP\tati\Ange\2\ENJ_HanbesoA1.png" ;縁寿 mov $ENJ_HanbesoA2,":a;custom\BMP\tati\Ange\2\ENJ_HanbesoA2.png" ;縁寿 mov $ENJ_HanbesoA3,":a;custom\BMP\tati\Ange\2\ENJ_HanbesoA3.png" ;縁寿 mov $ENJ_NakuA1,":a;custom\BMP\tati\Ange\2\ENJ_NakuA1.png" ;縁寿 mov $ENJ_NakuA2,":a;custom\BMP\tati\Ange\2\ENJ_NakuA2.png" ;縁寿 return ;*********************************************************************** ; ;[プロジェクト] うみねこのなく頃に ;[ファイル概要] サークルロゴの表示 ;[処理概要] ソフト立ち上げ時に、サークルロゴを表示する ; ;*********************************************************************** *b_sakuru_logo ;mov %debagu,0 ;デバック用命令 ;if %debagu = 1 goto *umi1_standby ;if %debagu = 1 goto *b_sakuru_logo_shuuryou E_B E_MA saveoff ;セーブオフで、処理を高速化する。 erasetextwindow 0 ;テキストエフェクトを切る事で処理を高速化 rmode 0 ;右クリックのメニュー表示の無効化 textoff ;スキップ用の変数が１になっていたらタイトルをスキップさせる if %title_skip = 1 goto *b_sakuru_logo_shuuryou ;ボタンが押しっぱなしになっていたらタイトルをスキップさせる。 isdown %tmp if %tmp = 1 goto *b_sakuru_logo_shuuryou ;----------------------- ;サークルロゴの表示 ;左右クリックで、ロゴの表示を飛ばして終了処理、タイトル画面へ進む lr_trap *b_sakuru_logo_shuuryou btndef "" btntime 2000 btnwait2 %tmp notif %tmp = -5 goto *b_sakuru_logo_shuuryou seplay 7,1031 lsp 100,":c;custom\bmp\title\Circle_logo\circle_logo2.png",0,0 print 99,3000,"trvswave.dll/h" btndef "" btntime 3000 btnwait2 %tmp notif %tmp = -5 mov %title_skip,1 ; サークルロゴの表示終了処理 goto *b_sakuru_logo_skip_100 *b_sakuru_logo_shuuryou mov %title_skip,1 ;タイトルスキップON *b_sakuru_logo_skip_100 lr_trap off ;クリックトラップの解除 rmode 1 ;右クリックのメニュー表示を有効にする。 erasetextwindow 1 ;テキスト透過度落としをＯＮにする。 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 btndef "" saveoff csp -1 if %title_skip = 1 goto *b_title goto *b_title ;タイトル画面へ ;****************************************************************************** ;*********************************************************************** ; ;[プロジェクト] うみねこのなく頃に ;[ファイル概要] タイトルの表示 ;[処理概要] タイトル画面の表示 ;[製作] ＢＴ ;フラグ管理用変数　 ; ;*********************************************************************** *b_title ;テスト用変数 ;if %debagu = 1 mov %UMINEKOEND,50 ;クリア状態の調整 ;mov %UMINEKOEND_TIPS_FLG,3 ;mov %UMINEKOEND_FLG,0 ;新要素追加の告知フラグ ;mov %UMINEKOEND_TIPS_FLG,2 ;TIPS新要素追加告知フラグ ;（エンドフラグと組合せて使用する　０は非表示　数字は表示　本編中で変数を初期化する） ;（EP1本編クリア（Ep１お茶会追加）で１を代入、お茶会のシーンで１１を０に初期化する） ;（if %UMINEKOEND_FLG = １1 mov %UMINEKOEND_FLG,0) ;mov %UMINEKOEND_MUSIC_FLG,1 ;UMINEKOENDとクリア状態 ;0　未クリア状態 ;11　Ep１本編をクリア　→　Ep1お茶会を追加　：　背景を夕焼け ;12　Ep１お茶会クリア　→　Ep1裏お茶会の追加 ;20　Ep１裏お茶会クリア　→　Ep１Tips　：　Ep２本編の追加　：　背景を水族館へ ;21　Ep２本編をクリア　→　Ep２お茶会を追加 ;22　Ep２お茶会クリア　→　Ep２裏お茶会の追加 ;30　Ep２裏お茶会クリア　→　Ep２Tips追加 ;シナリオの終了時にクリア変数をチェックして、変数を代入（フラグ変数も一緒に代入） ;（if %UMINEKOEND < 11 mov %UMINEKOEND,11 : mov %UMINEKOEND_FLG,11 ;----------------------------------------- ;各フラグ変数の初期化処理 ;----------------------------------------- mono 0 ;キャラの状態をリセットする for %tmp = 1 to cha_kazu mov ?r[%tmp][condition],0 next ;右クリックシステム、選択キャラ、Tips表示をなし（０）に初期化 mov %r_hyouji_cha,0 mov %r_hyouji_cha_ma,0 mov %r_hyouji_tips,0 mov %r_for_title,0 mov %r_tea_bea,0 mov %r_ber_flg,0 mov %rmordflg,off ;右クリックOFFを解除 mov %save_on_flg,on ;セーブON命令を動作させる。 mov %rroff,0 ;右クリック、お茶フラグ mov %r_u_tea_flg,0 mov %bgm_mood_file_path_flg,0 ;tips配列の初期化 for %tmp = 0 to 10 mov ?tips[%tmp][tips_flg],0 next for %tmp = 0 to 15 mov ?grim[%tmp][grim_flg],0 next ;シーン変数を初期化 mov %play_scene,0 mov %grim_scene,0 ;----------------------------------------- ; Ｂｇｍスタート ; 初期化とホワイトアウト E_B E_MA ;シナリオ１クリア後とクリア前で背景、Meを変える if %UMINEKOEND = 0 meplay 1,2 : mov $tmp10,"custom\bmp\title\bg.png" if %UMINEKOEND = 11 meplay 1,2 : mov $tmp10,"custom\bmp\title\bg.png" if %UMINEKOEND = 12 meplay 1,2 : mov $tmp10,"custom\bmp\title\bg.png" if %UMINEKOEND = 20 meplay 1,2 : mov $tmp10,aqu_i1c if %UMINEKOEND = 21 meplay 1,2 : mov $tmp10,aqu_i1c if %UMINEKOEND = 22 meplay 1,2 : mov $tmp10,aqu_i1c if %UMINEKOEND = 30 meplay 1,2 : mov $tmp10,garden_Se1a if %UMINEKOEND = 31 meplay 1,2 : mov $tmp10,garden_Se1a if %UMINEKOEND = 32 meplay 1,2 : mov $tmp10,garden_Se1a if %UMINEKOEND = 40 meplay 1,2 : mov $tmp10,portrait2 if %UMINEKOEND = 41 meplay 1,2 : mov $tmp10,portrait2 if %UMINEKOEND = 42 meplay 1,2 : mov $tmp10,portrait2 if %UMINEKOEND >= 50 me1v 16,50 : mov $tmp10,"custom\bmp\title\bg2.png" mov %title_y,140 csp -1 ;スプライト画像の、メモリからの消去 btndef "" ;ボタン画像の、メモリからの消去 setwindow 31,16,22,16,26,26,0,2,20,1,1,#ffffff,0,0,639,479 ;順番に画像を表示していく（背景、ロゴ、各種ボタンの画像をメモリに読み込む） ;背景の表示 lsph t_hane_lsp,":a;bmp\title\hana.bmp",299,10,150 lsph t_logo_lsp,":a;bmp\title\logo.bmp",272,23 ;---------------------- ;ボタンの配置 lsph t_btn_start_lsp,":a/2,0,3;bmp\title\title_menu\start.bmp",432,146 lsph t_btn_web_lsp,":a/2,0,3;bmp\title\title_menu\web.bmp",432,178 if %UMINEKOEND = 0 lsph t_btn_exit_lsp,":a/2,0,3;bmp\title\title_menu\exit.bmp",432,210 if %UMINEKOEND = 11 lsph t_btn_exit_lsp,":a/2,0,3;bmp\title\title_menu\exit2.bmp",432,242 if %UMINEKOEND = 12 lsph t_btn_exit_lsp,":a/2,0,3;bmp\title\title_menu\exit3.bmp",432,274 if %UMINEKOEND >= 20 && %UMINEKOEND < 50 lsph t_btn_exit_lsp,":a/2,0,3;bmp\title\title_menu\exit4.bmp",432,306 if %UMINEKOEND >= 50 lsph t_btn_exit_lsp,":a/2,0,3;bmp\title\title_menu\exit5.bmp",432,338 ;クリアフラグによってボタンの表示、非表示、EXITの高さを行う。 if %UMINEKOEND >= 11 lsph t_btn_tea_lsp,":a/2,0,3;bmp\title\title_menu\tea.bmp",432,210 if %UMINEKOEND >= 12 lsph t_btn_ura_tea_lsp,":a/2,0,3;bmp\title\title_menu\ura_tea.bmp",432,242 if %UMINEKOEND >= 20 lsph t_btn_tips_lsp,":a/2,0,3;bmp\title\title_menu\tips.bmp",432,274 if %UMINEKOEND >= 50 lsph t_btn_music_lsp,":a/2,0,3;bmp\title\title_menu\music.bmp",432,306 ;新要素追加時（新要素追加のフラグ変数が所定の値になっている時には、表示するボタンを切り替える） if %UMINEKOEND_FLG = 11 lsph t_btn_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_tea.bmp",432,210 if %UMINEKOEND_FLG = 12 lsph t_btn_ura_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_ura_tea.bmp",432,242 if %UMINEKOEND_TIPS_FLG = 1 lsph t_btn_tips_lsp,":a/2,0,3;bmp\title\title_menu\new_tips.bmp",432,274 if %UMINEKOEND_FLG = 20 lsph t_btn_start_lsp,":a/2,0,3;bmp\title\title_menu\new_start.bmp",432,146 if %UMINEKOEND_FLG = 21 lsph t_btn_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_tea.bmp",432,242 if %UMINEKOEND_FLG = 22 lsph t_btn_ura_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_ura_tea.bmp",432,274 if %UMINEKOEND_TIPS_FLG = 2 lsph t_btn_tips_lsp,":a/2,0,3;bmp\title\title_menu\new_tips.bmp",432,306 if %UMINEKOEND_FLG = 30 lsph t_btn_start_lsp,":a/2,0,3;bmp\title\title_menu\new_start.bmp",432,146 if %UMINEKOEND_FLG = 31 lsph t_btn_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_tea.bmp",432,242 if %UMINEKOEND_FLG = 32 lsph t_btn_ura_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_ura_tea.bmp",432,274 if %UMINEKOEND_TIPS_FLG = 3 lsph t_btn_tips_lsp,":a/2,0,3;bmp\title\title_menu\new_tips.bmp",432,306 if %UMINEKOEND_FLG = 40 lsph t_btn_start_lsp,":a/2,0,3;bmp\title\title_menu\new_start.bmp",432,146 if %UMINEKOEND_FLG = 41 lsph t_btn_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_tea.bmp",432,242 if %UMINEKOEND_FLG = 42 lsph t_btn_ura_tea_lsp,":a/2,0,3;bmp\title\title_menu\new_ura_tea.bmp",432,274 if %UMINEKOEND_TIPS_FLG = 4 lsph t_btn_tips_lsp,":a/2,0,3;bmp\title\title_menu\new_tips.bmp",432,306 if %UMINEKOEND_MUSIC_FLG = 1 lsph t_btn_music_lsp,":a/2,0,3;bmp\title\title_menu\new_music.bmp",432,306 ;---------------------- lr_trap *b_title_shunkan ;クリックに反応して瞬間表示を行う ;サークルロゴをスキップしていたたら、ここも瞬間表示にする。 ;瞬間表示でないのなら、順番に表示していく if %title_skip = 1 goto *b_title_skip_100 cl a,1 ;立ち絵の消去 bg black,2 delay 2000 bg $tmp10,6 ;vsp t_bg_lsp,1 : print 24 vsp t_hane_lsp,1 : print 5 vsp t_logo_lsp,1 : print 22 vsp t_btn_start_lsp,1 : print 22 vsp t_btn_web_lsp,1 : print 22 if %UMINEKOEND >= 11 vsp t_btn_tea_lsp,1 : amsp t_btn_tea_lsp,432,210,250 : print 22 if %UMINEKOEND >= 12 vsp t_btn_ura_tea_lsp,1 : amsp t_btn_ura_tea_lsp,432,242,250 : print 22 if %UMINEKOEND >= 20 vsp t_btn_tips_lsp,1 : amsp t_btn_tips_lsp,432,274,250 : print 22 if %UMINEKOEND >= 50 vsp t_btn_music_lsp,1 : print 22 vsp t_btn_exit_lsp,1 : print 22 ;サブメニューのボタンは消去する csp t_btn_ep1_lsp : csp t_btn_ep2_lsp : csp t_btn_ep3_lsp : csp t_btn_ep4_lsp csp t_btn_ep2_unlock_lsp : csp t_btn_ep3_unlock_lsp : csp t_btn_ep4_unlock_lsp csp t_btn_load_lsp csp t_btn_ep1_tea_lsp : csp t_btn_ep2_tea_lsp : csp t_btn_ep3_tea_lsp : csp t_btn_ep4_tea_lsp csp t_btn_ep1_tips_lsp : csp t_btn_ep2_tips_lsp : csp t_btn_ep3_tips_lsp : csp t_btn_ep4_tips_lsp csp t_btn_ep1_ura_tea_lsp : csp t_btn_ep2_ura_tea_lsp : csp t_btn_ep3_ura_tea_lsp : csp t_btn_ep4_ura_tea_lsp cl a,1 ;立ち絵の消去 *b_title_skip_100 ;瞬間表示なら下の処理を行う *b_title_shunkan lr_trap off vsp t_bg_lsp,1 vsp t_hane_lsp,1 vsp t_logo_lsp,1 vsp t_btn_start_lsp,1 vsp t_btn_web_lsp,1 vsp t_btn_exit_lsp,1 vsp t_btn_ep1_lsp,0 vsp t_btn_ep2_lsp,0 vsp t_btn_ep3_lsp,0 vsp t_btn_ep4_lsp,0 vsp t_btn_ep2_unlock_lsp,0 vsp t_btn_ep3_unlock_lsp,0 vsp t_btn_ep4_unlock_lsp,0 vsp t_btn_load_lsp,0 if %UMINEKOEND >= 11 vsp t_btn_tea_lsp,1 : amsp t_btn_tea_lsp,432,210,250 if %UMINEKOEND >= 12 vsp t_btn_ura_tea_lsp,1 : amsp t_btn_ura_tea_lsp,432,242,250 if %UMINEKOEND >= 20 vsp t_btn_tips_lsp,1 : amsp t_btn_tips_lsp,432,274,250 if %UMINEKOEND >= 50 vsp t_btn_music_lsp,1 ;サブメニューのボタンは消去する ;サブメニューのボタンは消去する csp t_btn_ep1_lsp : csp t_btn_ep2_lsp : csp t_btn_ep3_lsp : csp t_btn_ep4_lsp csp t_btn_ep2_unlock_lsp : csp t_btn_ep3_unlock_lsp : csp t_btn_ep4_unlock_lsp csp t_btn_load_lsp csp t_btn_ep1_tea_lsp : csp t_btn_ep2_tea_lsp : csp t_btn_ep3_tea_lsp : csp t_btn_ep4_tea_lsp csp t_btn_ep1_tips_lsp : csp t_btn_ep2_tips_lsp : csp t_btn_ep3_tips_lsp : csp t_btn_ep4_tips_lsp csp t_btn_ep1_ura_tea_lsp : csp t_btn_ep2_ura_tea_lsp : csp t_btn_ep3_ura_tea_lsp : csp t_btn_ep4_ura_tea_lsp cl a,1 ;立ち絵の消去 bg $tmp10,1 mov %title_skip,0 ;瞬間表示のフラグを解除 ;説明テキストの読み込み lsph t_txt_ep1_lsp,":a;bmp\title\txt_box\ep1.bmp",16,220 lsph t_txt_ep2_lsp,":a;bmp\title\txt_box\ep2.bmp",16,220 lsph t_txt_ep3_lsp,":a;bmp\title\txt_box\ep3.bmp",16,220 lsph t_txt_ep4_lsp,":a;bmp\title\txt_box\ep4.bmp",16,220 lsph t_txt_load_lsp,":a;bmp\title\txt_box\load.bmp",16,220 lsph t_txt_web_lsp,":a;bmp\title\txt_box\web.bmp",16,220 lsph t_txt_music_lsp,":a;bmp\title\txt_box\music.bmp",16,220 lsph t_txt_start_lsp,":a;bmp\title\txt_box\start.bmp",16,220 lsph t_txt_exit_lsp,":a;bmp\title\txt_box\exit.bmp",16,220 lsph t_txt_lock_lsp,":a;bmp\title\txt_box\warning.bmp",16,220 lsph t_txt_unlock_lsp,":a;bmp\title\txt_box\unlock.bmp",16,220 lsph t_txt_tea_lsp,":a;bmp\title\txt_box\tea.bmp",16,220 lsph t_txt_ep1_tea_lsp,":a;bmp\title\txt_box\tea.bmp",16,220 lsph t_txt_ep2_tea_lsp,":a;bmp\title\txt_box\tea.bmp",16,220 lsph t_txt_ep3_tea_lsp,":a;bmp\title\txt_box\tea.bmp",16,220 lsph t_txt_ep4_tea_lsp,":a;bmp\title\txt_box\tea.bmp",16,220 lsph t_txt_ura_tea_lsp,":a;bmp\title\txt_box\ura_tea.bmp",16,220 lsph t_txt_ep1_ura_tea_lsp,":a;bmp\title\txt_box\ura_tea.bmp",16,220 lsph t_txt_ep2_ura_tea_lsp,":a;bmp\title\txt_box\ura_tea.bmp",16,220 lsph t_txt_ep3_ura_tea_lsp,":a;bmp\title\txt_box\ura_tea.bmp",16,220 lsph t_txt_ep4_ura_tea_lsp,":a;bmp\title\txt_box\ura_tea.bmp",16,220 lsph t_txt_tips_lsp,":a;bmp\title\txt_box\tips.bmp",16,220 lsph t_txt_ep1_tips_lsp,":a;bmp\title\txt_box\tips.bmp",16,220 lsph t_txt_ep2_tips_lsp,":a;bmp\title\txt_box\tips.bmp",16,220 lsph t_txt_ep3_tips_lsp,":a;bmp\title\txt_box\tips.bmp",16,220 lsph t_txt_ep4_tips_lsp,":a;bmp\title\txt_box\tips.bmp",16,220 ; ボタン定義と、ボタンクリック待ちの処理 *b_title_botun_loop btndef "" exbtn_d "C80C81C82C83C84C85C86C87" exbtn t_btn_start_lsp,t_btn_start_lsp,"P82" exbtn t_btn_web_lsp,t_btn_web_lsp,"P86" exbtn t_btn_exit_lsp,t_btn_exit_lsp,"P81" exbtn t_btn_tea_lsp,t_btn_tea_lsp,"P85" exbtn t_btn_tips_lsp,t_btn_tips_lsp,"P84" exbtn t_btn_music_lsp,t_btn_music_lsp,"P83" exbtn t_btn_ura_tea_lsp,t_btn_ura_tea_lsp,"P80" btnwait2 %BtnRes if %BtnRes = t_btn_start_lsp cell t_btn_start_lsp,1 : print 1:btndef "" : goto *start_sub_menu if %BtnRes = t_btn_web_lsp seplay 9,1001 : menu_window : shell "http://07th-expansion.net" if %BtnRes = t_btn_tea_lsp cell t_btn_tea_lsp,1 : print 1:btndef "" : goto *tea_sub_menu if %BtnRes = t_btn_ura_tea_lsp cell t_btn_ura_tea_lsp,1 : print 1:btndef "" : goto *ura_tea_sub_menu if %BtnRes = t_btn_tips_lsp cell t_btn_tips_lsp,1 : print 1:btndef "" : goto *tips_sub_menu if %BtnRes = t_btn_exit_lsp seplay 9,18 : csp -1 : bg black,18,3000,"bmp\r_click\efe\kannon_r.bmp" : wait 3000 : end ;xxxxrrrrvvvvzzzz ;Taken out for the Music Box if %BtnRes = t_btn_music_lsp btndef "" : goto *bgm_mode goto *b_title_botun_loop ;------------------------------ ;スタートを押した後のサブメニュー *start_sub_menu btndef "" seplay 1,51 ;スタート以外のボタンを消して、ep1スタート、ロードの小ボタンを配置する。 ;ep2、Unlockのボタンを配置する（注意：クリア状態で分岐） ;UMINEKOEND　<　20　未クリア状態、ブリンクしないEP2とUnlockボタンを表示 ;UMINEKOEND　>=20　EP1をクリア、ブリンクありのEP2を表示する。 vsp t_btn_web_lsp,0 vsp t_btn_tea_lsp,0 vsp t_btn_tips_lsp,0 vsp t_btn_exit_lsp,0 vsp t_btn_music_lsp,0 vsp t_btn_ura_tea_lsp,0 print 1 ;エピソード１、未クリア状態 ;------------------------------ *start_sub_menu_100 notif %UMINEKOEND < 20 goto *start_sub_menu_btn_100 lsp t_btn_ep1_lsp,":c/2,0,3;bmp\title\title_menu\ep1.bmp",500,178 lsp t_btn_ep2_lsp,":c/2,0,3;bmp\title\title_menu\ep2_1.bmp",500,197 lsp t_btn_ep3_lsp,":c/2,0,3;bmp\title\title_menu\ep3_1.bmp",500,216 lsp t_btn_ep4_lsp,":c/2,0,3;bmp\title\title_menu\ep4_1.bmp",500,235 lsp t_btn_ep2_unlock_lsp,":c/2,0,3;bmp\title\title_menu\unlock.bmp",432,197 lsp t_btn_ep3_unlock_lsp,":c/2,0,3;bmp\title\title_menu\unlock.bmp",432,216 lsp t_btn_ep4_unlock_lsp,":c/2,0,3;bmp\title\title_menu\unlock.bmp",432,235 lsp t_btn_load_lsp,":c/2,0,3;bmp\title\title_menu\load.bmp",500,254 print 85 *start_sub_menu_btn_100_loop btndef "" exbtn_d "P97,1C80C81C82C83C84C85C86C87C65C64C63C62C78C77" exbtn t_btn_ep1_lsp,t_btn_ep1_lsp,"P65" exbtn t_btn_ep2_lsp,t_btn_ep2_lsp,"P78" exbtn t_btn_ep3_lsp,t_btn_ep3_lsp,"P78" exbtn t_btn_ep4_lsp,t_btn_ep4_lsp,"P78" exbtn t_btn_ep2_unlock_lsp,t_btn_ep2_unlock_lsp,"P77" exbtn t_btn_ep3_unlock_lsp,t_btn_ep3_unlock_lsp,"P77" exbtn t_btn_ep4_unlock_lsp,t_btn_ep4_unlock_lsp,"P77" exbtn t_btn_load_lsp,t_btn_load_lsp,"P87" btnwait2 %BtnRes if %BtnRes = t_btn_ep1_lsp mov %scenario_Number,1 : goto *umi_start if %BtnRes = t_btn_ep2_lsp btndef "" : seplay 9,5 : goto *start_sub_menu_btn_100_loop ;弾かれた音を出してボタン処理へ if %BtnRes = t_btn_ep3_lsp btndef "" : seplay 9,5 : goto *start_sub_menu_btn_100_loop ;弾かれた音を出してボタン処理へ if %BtnRes = t_btn_ep4_lsp btndef "" : seplay 9,5 : goto *start_sub_menu_btn_100_loop ;弾かれた音を出してボタン処理へ if %BtnRes = t_btn_ep2_unlock_lsp btndef "" : seplay 9,1001 : goto *ep2_unlock ;確認メッセージを出してアンロックする。 if %BtnRes = t_btn_ep3_unlock_lsp btndef "" : seplay 9,1001 : goto *ep3_unlock ;確認メッセージを出してアンロックする。 if %BtnRes = t_btn_ep4_unlock_lsp btndef "" : seplay 9,1001 : goto *ep4_unlock ;確認メッセージを出してアンロックする。 if %BtnRes = t_btn_load_lsp btndef "" : seplay 9,1001 : mov %load_for_title,1 : gosub *loadmode : mov %title_skip,1 : goto *b_title if %BtnRes = 0 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan if %BtnRes = -1 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan goto *start_sub_menu_btn_100_loop ;確認メッセージを出して、アンロック処理を行う *ep2_unlock lsp unlock_bg_lsp,":a;bmp\title\title_menu\unlock_kaku_bg.bmp",201,146 lsp unlock_yes_lsp,":a/2,0,3;bmp\title\title_menu\yes.bmp",222,196 lsp unlock_no_lsp,":a/2,0,3;bmp\title\title_menu\no.bmp",222,234 print 24 ;ボタン処理 *ep2_unlock_loop btndef "" spbtn unlock_yes_lsp,unlock_yes_lsp spbtn unlock_no_lsp,unlock_no_lsp btnwait2 %BtnRes ;%bm_p notif %BtnRes = unlock_yes_lsp goto *ep2_unlock_100 ;エピソード１をクリア状態にする。 se3 1001 mov %UMINEKOEND,20 mov %UMINEKOEND_FLG,20 wait 1000 E_A se1 31 csp -1 bg black,22 wait 2000 se1 25 bg TEXT006,22 delay 12000 bg black,22 E_A goto *b_title *ep2_unlock_100 notif %BtnRes = unlock_no_lsp notif %BtnRes = -1 goto *ep2_unlock_200 csp unlock_bg_lsp csp unlock_yes_lsp csp unlock_no_lsp btndef "" seplay 9,1001 print 1 goto *start_sub_menu_100 *ep2_unlock_200 goto *ep2_unlock_loop ;確認メッセージを出して、アンロック処理を行う *ep3_unlock lsp unlock_bg_lsp,":a;bmp\title\title_menu\unlock_kaku_bg.bmp",201,146 lsp unlock_yes_lsp,":a/2,0,3;bmp\title\title_menu\yes.bmp",222,196 lsp unlock_no_lsp,":a/2,0,3;bmp\title\title_menu\no.bmp",222,234 print 24 ;ボタン処理 *ep3_unlock_loop btndef "" spbtn unlock_yes_lsp,unlock_yes_lsp spbtn unlock_no_lsp,unlock_no_lsp btnwait2 %BtnRes ;%bm_p notif %BtnRes = unlock_yes_lsp goto *ep3_unlock_100 ;エピソード１をクリア状態にする。 se3 1001 mov %UMINEKOEND,30 mov %UMINEKOEND_FLG,30 wait 1000 E_A se1 31 csp -1 bg black,22 wait 2000 se1 25 bg TEXT006,22 delay 12000 bg black,22 E_A goto *b_title *ep3_unlock_100 notif %BtnRes = unlock_no_lsp notif %BtnRes = -1 goto *ep3_unlock_200 csp unlock_bg_lsp csp unlock_yes_lsp csp unlock_no_lsp btndef "" seplay 9,1001 print 1 goto *start_sub_menu_100 *ep3_unlock_200 goto *ep3_unlock_loop ;確認メッセージを出して、アンロック処理を行う *ep4_unlock lsp unlock_bg_lsp,":a;bmp\title\title_menu\unlock_kaku_bg.bmp",201,146 lsp unlock_yes_lsp,":a/2,0,3;bmp\title\title_menu\yes.bmp",222,196 lsp unlock_no_lsp,":a/2,0,3;bmp\title\title_menu\no.bmp",222,234 print 24 ;ボタン処理 *ep4_unlock_loop btndef "" spbtn unlock_yes_lsp,unlock_yes_lsp spbtn unlock_no_lsp,unlock_no_lsp btnwait2 %BtnRes ;%bm_p notif %BtnRes = unlock_yes_lsp goto *ep4_unlock_100 ;エピソード３をクリア状態にする。 se3 1001 mov %UMINEKOEND,40 mov %UMINEKOEND_FLG,40 wait 1000 E_A se1 31 csp -1 bg black,22 wait 2000 se1 25 bg TEXT006,22 delay 12000 bg black,22 E_A goto *b_title *ep4_unlock_100 notif %BtnRes = unlock_no_lsp notif %BtnRes = -1 goto *ep4_unlock_200 csp unlock_bg_lsp csp unlock_yes_lsp csp unlock_no_lsp btndef "" seplay 9,1001 print 1 goto *start_sub_menu_100 *ep4_unlock_200 goto *ep4_unlock_loop *start_sub_menu_btn_100 ;------------------------------ ;エピソード１クリア､エピソード２未クリア状態 *start_sub_menu_200 notif %UMINEKOEND >= 20 goto *start_sub_menu_btn_200 notif %UMINEKOEND < 30 goto *start_sub_menu_btn_200 lsp t_btn_ep1_lsp,":c/2,0,3;bmp\title\title_menu\ep1.bmp",500,178 lsp t_btn_ep2_lsp,":c/2,0,3;bmp\title\title_menu\ep2_2.bmp",500,197 lsp t_btn_ep3_lsp,":c/2,0,3;bmp\title\title_menu\ep3_1.bmp",500,216 lsp t_btn_ep4_lsp,":c/2,0,3;bmp\title\title_menu\ep4_1.bmp",500,235 lsp t_btn_ep3_unlock_lsp,":c/2,0,3;bmp\title\title_menu\unlock.bmp",432,216 lsp t_btn_ep4_unlock_lsp,":c/2,0,3;bmp\title\title_menu\unlock.bmp",432,235 lsp t_btn_load_lsp,":c/2,0,3;bmp\title\title_menu\load.bmp",500,254 print 85 *start_sub_menu_btn_200_loop btndef "" exbtn_d "P97,1C80C81C82C83C84C85C86C87C65C64C63C62C78C77" exbtn t_btn_ep1_lsp,t_btn_ep1_lsp,"P65" exbtn t_btn_ep2_lsp,t_btn_ep2_lsp,"P64" exbtn t_btn_ep3_lsp,t_btn_ep3_lsp,"P78" exbtn t_btn_ep4_lsp,t_btn_ep4_lsp,"P78" exbtn t_btn_ep3_unlock_lsp,t_btn_ep3_unlock_lsp,"P77" exbtn t_btn_ep4_unlock_lsp,t_btn_ep4_unlock_lsp,"P77" exbtn t_btn_load_lsp,t_btn_load_lsp,"P87" btnwait2 %BtnRes if %BtnRes = t_btn_ep1_lsp mov %scenario_Number,1 : goto *umi_start if %BtnRes = t_btn_ep2_lsp mov %scenario_Number,2 : goto *umi_start if %BtnRes = t_btn_ep3_lsp btndef "" : seplay 9,5 : goto *start_sub_menu_btn_100_loop ;弾かれた音を出してボタン処理へ if %BtnRes = t_btn_ep4_lsp btndef "" : seplay 9,5 : goto *start_sub_menu_btn_100_loop ;弾かれた音を出してボタン処理へ if %BtnRes = t_btn_ep3_unlock_lsp btndef "" : seplay 9,1001 : goto *ep3_unlock_2 ;確認メッセージを出してアンロックする。 if %BtnRes = t_btn_ep4_unlock_lsp btndef "" : seplay 9,1001 : goto *ep4_unlock_2 ;確認メッセージを出してアンロックする。 if %BtnRes = t_btn_load_lsp btndef "" : seplay 9,1001 : mov %load_for_title,1 : gosub *loadmode : mov %title_skip,1 : goto *b_title if %BtnRes = 0 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan if %BtnRes = -1 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan goto *start_sub_menu_btn_200_loop ;確認メッセージを出して、アンロック処理を行う *ep3_unlock_2 lsp unlock_bg_lsp,":a;bmp\title\title_menu\unlock_kaku_bg.bmp",201,146 lsp unlock_yes_lsp,":a/2,0,3;bmp\title\title_menu\yes.bmp",222,196 lsp unlock_no_lsp,":a/2,0,3;bmp\title\title_menu\no.bmp",222,234 print 24 ;ボタン処理 *ep3_unlock_2_loop btndef "" spbtn unlock_yes_lsp,unlock_yes_lsp spbtn unlock_no_lsp,unlock_no_lsp btnwait2 %BtnRes ;%bm_p notif %BtnRes = unlock_yes_lsp goto *ep3_unlock_2_100 ;エピソード１をクリア状態にする。 se3 1001 mov %UMINEKOEND,30 mov %UMINEKOEND_FLG,30 wait 1000 E_A se1 31 csp -1 bg black,22 wait 2000 se1 25 bg TEXT006,22 delay 12000 bg black,22 E_A goto *b_title *ep3_unlock_2_100 notif %BtnRes = unlock_no_lsp notif %BtnRes = -1 goto *ep3_unlock_2_200 csp unlock_bg_lsp csp unlock_yes_lsp csp unlock_no_lsp btndef "" seplay 9,1001 print 1 goto *start_sub_menu_200 *ep3_unlock_2_200 goto *ep3_unlock_2_loop ;確認メッセージを出して、アンロック処理を行う *ep4_unlock_2 lsp unlock_bg_lsp,":a;bmp\title\title_menu\unlock_kaku_bg.bmp",201,146 lsp unlock_yes_lsp,":a/2,0,3;bmp\title\title_menu\yes.bmp",222,196 lsp unlock_no_lsp,":a/2,0,3;bmp\title\title_menu\no.bmp",222,234 print 24 ;ボタン処理 *ep4_unlock_2_loop btndef "" spbtn unlock_yes_lsp,unlock_yes_lsp spbtn unlock_no_lsp,unlock_no_lsp btnwait2 %BtnRes ;%bm_p notif %BtnRes = unlock_yes_lsp goto *ep4_unlock_2_100 ;エピソード１をクリア状態にする。 se3 1001 mov %UMINEKOEND,40 mov %UMINEKOEND_FLG,40 wait 1000 E_A se1 31 csp -1 bg black,22 wait 2000 se1 25 bg TEXT006,22 delay 12000 bg black,22 E_A goto *b_title *ep4_unlock_2_100 notif %BtnRes = unlock_no_lsp notif %BtnRes = -1 goto *ep4_unlock_2_200 csp unlock_bg_lsp csp unlock_yes_lsp csp unlock_no_lsp btndef "" seplay 9,1001 print 1 goto *start_sub_menu_200 *ep4_unlock_2_200 goto *ep4_unlock_2_loop *start_sub_menu_btn_200 ;------------------------------ ;エピソード2クリア状態 *start_sub_menu_300 notif %UMINEKOEND >= 30 goto *start_sub_menu_btn_300 notif %UMINEKOEND < 40 goto *start_sub_menu_btn_300 lsp t_btn_ep1_lsp,":c/2,0,3;bmp\title\title_menu\ep1.bmp",500,178 lsp t_btn_ep2_lsp,":c/2,0,3;bmp\title\title_menu\ep2_2.bmp",500,197 lsp t_btn_ep3_lsp,":c/2,0,3;bmp\title\title_menu\ep3_2.bmp",500,216 lsp t_btn_ep4_lsp,":c/2,0,3;bmp\title\title_menu\ep4_1.bmp",500,235 lsp t_btn_ep4_unlock_lsp,":c/2,0,3;bmp\title\title_menu\unlock.bmp",432,235 lsp t_btn_load_lsp,":c/2,0,3;bmp\title\title_menu\load.bmp",500,254 print 85 *start_sub_menu_btn_300_loop btndef "" exbtn_d "P97,1C80C81C82C83C84C85C86C87C65C64C63C62C78C77" exbtn t_btn_ep1_lsp,t_btn_ep1_lsp,"P65" exbtn t_btn_ep2_lsp,t_btn_ep2_lsp,"P64" exbtn t_btn_ep3_lsp,t_btn_ep3_lsp,"P63" exbtn t_btn_ep4_lsp,t_btn_ep4_lsp,"P78" exbtn t_btn_ep4_unlock_lsp,t_btn_ep4_unlock_lsp,"P77" exbtn t_btn_load_lsp,t_btn_load_lsp,"P87" btnwait2 %BtnRes if %BtnRes = t_btn_ep1_lsp mov %scenario_Number,1 : goto *umi_start if %BtnRes = t_btn_ep2_lsp mov %scenario_Number,2 : goto *umi_start if %BtnRes = t_btn_ep3_lsp mov %scenario_Number,3 : goto *umi_start if %BtnRes = t_btn_ep4_lsp btndef "" : seplay 9,5 : goto *start_sub_menu_btn_100_loop ;弾かれた音を出してボタン処理へ if %BtnRes = t_btn_ep4_unlock_lsp btndef "" : seplay 9,1001 : goto *ep4_unlock_3 ;確認メッセージを出してアンロックする。 if %BtnRes = t_btn_load_lsp btndef "" : seplay 9,1001 : mov %load_for_title,1 : gosub *loadmode : mov %title_skip,1 : goto *b_title if %BtnRes = 0 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan if %BtnRes = -1 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan goto *start_sub_menu_btn_300_loop ;確認メッセージを出して、アンロック処理を行う *ep4_unlock_3 lsp unlock_bg_lsp,":a;bmp\title\title_menu\unlock_kaku_bg.bmp",201,146 lsp unlock_yes_lsp,":a/2,0,3;bmp\title\title_menu\yes.bmp",222,196 lsp unlock_no_lsp,":a/2,0,3;bmp\title\title_menu\no.bmp",222,234 print 24 ;ボタン処理 *ep4_unlock_3_loop btndef "" spbtn unlock_yes_lsp,unlock_yes_lsp spbtn unlock_no_lsp,unlock_no_lsp btnwait2 %BtnRes ;%bm_p notif %BtnRes = unlock_yes_lsp goto *ep4_unlock_3_100 ;エピソード１をクリア状態にする。 se3 1001 mov %UMINEKOEND,40 mov %UMINEKOEND_FLG,40 wait 1000 E_A se1 31 csp -1 bg black,22 wait 2000 se1 25 bg TEXT006,22 delay 12000 bg black,22 E_A goto *b_title *ep4_unlock_3_100 notif %BtnRes = unlock_no_lsp notif %BtnRes = -1 goto *ep4_unlock_3_200 csp unlock_bg_lsp csp unlock_yes_lsp csp unlock_no_lsp btndef "" seplay 9,1001 print 1 goto *start_sub_menu_300 *ep4_unlock_3_200 goto *ep4_unlock_3_loop *start_sub_menu_btn_300 ;------------------------------ ;エピソード3クリア状態 *start_sub_menu_400 notif %UMINEKOEND >= 40 goto *start_sub_menu_btn_400 lsp t_btn_ep1_lsp,":c/2,0,3;bmp\title\title_menu\ep1.bmp",500,178 lsp t_btn_ep2_lsp,":c/2,0,3;bmp\title\title_menu\ep2_2.bmp",500,197 lsp t_btn_ep3_lsp,":c/2,0,3;bmp\title\title_menu\ep3_2.bmp",500,216 lsp t_btn_ep4_lsp,":c/2,0,3;bmp\title\title_menu\ep4_2.bmp",500,235 lsp t_btn_load_lsp,":c/2,0,3;bmp\title\title_menu\load.bmp",500,254 print 85 *start_sub_menu_btn_400_loop btndef "" exbtn_d "P97,1C80C81C82C83C84C85C86C87C65C64C63C62C78C77" exbtn t_btn_ep1_lsp,t_btn_ep1_lsp,"P65" exbtn t_btn_ep2_lsp,t_btn_ep2_lsp,"P64" exbtn t_btn_ep3_lsp,t_btn_ep3_lsp,"P63" exbtn t_btn_ep4_lsp,t_btn_ep4_lsp,"P62" exbtn t_btn_load_lsp,t_btn_load_lsp,"P87" btnwait2 %BtnRes if %BtnRes = t_btn_ep1_lsp mov %scenario_Number,1 : goto *umi_start if %BtnRes = t_btn_ep2_lsp mov %scenario_Number,2 : goto *umi_start if %BtnRes = t_btn_ep3_lsp mov %scenario_Number,3 : goto *umi_start if %BtnRes = t_btn_ep4_lsp mov %scenario_Number,4 : goto *umi_start if %BtnRes = t_btn_load_lsp btndef "" : seplay 9,1001 : mov %load_for_title,1 : gosub *loadmode : mov %title_skip,1 : goto *b_title if %BtnRes = 0 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan if %BtnRes = -1 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan goto *start_sub_menu_btn_400_loop *start_sub_menu_btn_400 ;------------------------------ ;------------------------------ ;お茶会を押した後のサブメニュー *tea_sub_menu btndef "" ;お茶会以外のボタンを消して、エピソード毎のお茶会ボタンを表示する ;クリアフラグに注意、１以上でep1、３以上でep2を表示して行く。 vsp t_btn_start_lsp,0 vsp t_btn_web_lsp,0 ;vsp t_btn_tea_lsp,0 vsp t_btn_tips_lsp,0 vsp t_btn_exit_lsp,0 vsp t_btn_music_lsp,0 vsp t_btn_ura_tea_lsp,0 seplay 1,51 print 1 wait 100 ;お茶会ボタン上にずらす。 resettimer msp t_btn_tea_lsp,0,-16,-100 : print 1 : waittimer 50 msp t_btn_tea_lsp,0,-16,0 : print 1 : waittimer 100 msp t_btn_tea_lsp,0,-16,0 : print 1 : waittimer 150 msp t_btn_tea_lsp,0,-16,100 :print 1 seplay 9,1001 *tea_sub_menu_100 ;クリア状態によって表示するレイヤーを調整 if %UMINEKOEND >= 11 lsp t_btn_ep1_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep1_tea.bmp",500,178 if %UMINEKOEND >= 21 lsp t_btn_ep2_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep2_tea.bmp",500,197 if %UMINEKOEND >= 31 lsp t_btn_ep3_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep3_tea.bmp",500,216 if %UMINEKOEND >= 41 lsp t_btn_ep4_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep4_tea.bmp",500,235 print 85 ;15,10 *tea_sub_menu_btn_100_loop btndef "" exbtn_d "P94,1C80C81C82C83C84C86C45C44C43C42" exbtn t_btn_ep1_tea_lsp,t_btn_ep1_tea_lsp,"" exbtn t_btn_ep2_tea_lsp,t_btn_ep2_tea_lsp,"" exbtn t_btn_ep3_tea_lsp,t_btn_ep3_tea_lsp,"" exbtn t_btn_ep4_tea_lsp,t_btn_ep4_tea_lsp,"" btnwait2 %BtnRes if %BtnRes = t_btn_ep1_tea_lsp btndef "" : mov %scenario_Number,1 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *teatime_1 if %BtnRes = t_btn_ep2_tea_lsp btndef "" : mov %scenario_Number,2 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *teatime_2 if %BtnRes = t_btn_ep3_tea_lsp btndef "" : mov %scenario_Number,3 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *teatime_3 if %BtnRes = t_btn_ep4_tea_lsp btndef "" : mov %scenario_Number,4 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *teatime_4 if %BtnRes = 0 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan if %BtnRes = -1 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan goto *tea_sub_menu_btn_100_loop ;------------------------------ ;------------------------------ ;裏お茶会を押した後のサブメニュー *ura_tea_sub_menu btndef "" ;お茶会以外のボタンを消して、エピソード毎のお茶会ボタンを表示する ;クリアフラグに注意、１以上でep1、３以上でep2を表示して行く。 vsp t_btn_start_lsp,0 vsp t_btn_web_lsp,0 vsp t_btn_tea_lsp,0 vsp t_btn_tips_lsp,0 vsp t_btn_exit_lsp,0 vsp t_btn_music_lsp,0 ;vsp t_btn_ura_tea_lsp,0 seplay 1,51 print 1 wait 100 ;お茶会ボタン上にずらす。 resettimer msp t_btn_ura_tea_lsp,0,-16,-100 : print 1 : waittimer 50 msp t_btn_ura_tea_lsp,0,-16,0 : print 1 : waittimer 100 msp t_btn_ura_tea_lsp,0,-16,0 : print 1 : waittimer 150 msp t_btn_ura_tea_lsp,0,-16,0 : print 1 : waittimer 200 msp t_btn_ura_tea_lsp,0,-16,50 : print 1 : waittimer 250 msp t_btn_ura_tea_lsp,0,-16,50 :print 1 seplay 9,1001 *ura_tea_sub_menu_100 ;クリア状態によって表示するレイヤーを調整 if %UMINEKOEND >= 12 lsp t_btn_ep1_ura_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep1_ura_tea.bmp",500,178 if %UMINEKOEND >= 22 lsp t_btn_ep2_ura_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep2_ura_tea.bmp",500,197 if %UMINEKOEND >= 32 lsp t_btn_ep3_ura_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep3_ura_tea.bmp",500,216 if %UMINEKOEND >= 42 lsp t_btn_ep4_ura_tea_lsp,":c/2,0,3;bmp\title\title_menu\ep4_ura_tea.bmp",500,235 print 85 ;15,10 *ura_tea_sub_menu_btn_100_loop btndef "" exbtn_d "P91,1C81C82C83C84C86C25C24C23C22" exbtn t_btn_ep1_ura_tea_lsp,t_btn_ep1_ura_tea_lsp,"" exbtn t_btn_ep2_ura_tea_lsp,t_btn_ep2_ura_tea_lsp,"" exbtn t_btn_ep3_ura_tea_lsp,t_btn_ep3_ura_tea_lsp,"" exbtn t_btn_ep4_ura_tea_lsp,t_btn_ep4_ura_tea_lsp,"" btnwait2 %BtnRes if %BtnRes = t_btn_ep1_ura_tea_lsp btndef "" : mov %scenario_Number,1 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *ura_teatime if %BtnRes = t_btn_ep2_ura_tea_lsp btndef "" : mov %scenario_Number,2 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *ura_teatime_2 if %BtnRes = t_btn_ep3_ura_tea_lsp btndef "" : mov %scenario_Number,3 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *ura_teatime_3 if %BtnRes = t_btn_ep4_ura_tea_lsp btndef "" : mov %scenario_Number,4 : csp -1 : seplay 9,17 : bg white,10 : delay 2000 : goto *ura_teatime_4 if %BtnRes = 0 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan if %BtnRes = -1 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan goto *ura_tea_sub_menu_btn_100_loop ;------------------------------ ;------------------------------ ;Tipsを押した後のサブメニュー *tips_sub_menu btndef "" vsp t_btn_start_lsp,0 vsp t_btn_web_lsp,0 vsp t_btn_tea_lsp,0 ;vsp t_btn_tips_lsp,0 vsp t_btn_exit_lsp,0 vsp t_btn_music_lsp,0 vsp t_btn_ura_tea_lsp,0 seplay 8,1001 print 1 wait 100 ;Tipsボタン上にずらす。 resettimer msp t_btn_tips_lsp,0,-16,-100 : print 1 : waittimer 50 msp t_btn_tips_lsp,0,-16,0 : print 1 : waittimer 100 msp t_btn_tips_lsp,0,-16,0 : print 1 : waittimer 150 msp t_btn_tips_lsp,0,-16,0 : print 1 : waittimer 200 msp t_btn_tips_lsp,0,-16,0 : print 1 : waittimer 250 msp t_btn_tips_lsp,0,-16,0 : print 1 : waittimer 300 msp t_btn_tips_lsp,0,-16,50 : print 1 : waittimer 350 msp t_btn_tips_lsp,0,-16,50 :print 1 seplay 9,1001 *tips_sub_menu_100 ;クリア状態によって表示するレイヤーを調整 if %UMINEKOEND >= 20 lsp t_btn_ep1_tips_lsp,":c/2,0,3;bmp\title\title_menu\ep1_tips.bmp",500,178 if %UMINEKOEND >= 30 lsp t_btn_ep2_tips_lsp,":c/2,0,3;bmp\title\title_menu\ep2_tips.bmp",500,197 if %UMINEKOEND >= 40 lsp t_btn_ep3_tips_lsp,":c/2,0,3;bmp\title\title_menu\ep3_tips.bmp",500,216 if %UMINEKOEND >= 50 lsp t_btn_ep4_tips_lsp,":c/2,0,3;bmp\title\title_menu\ep4_tips.bmp",500,235 print 85 ;15,10 *tips_sub_menu_btn_100_loop btndef "" exbtn_d "P93,1C79C81C82C83C86C35C34C33C32" exbtn t_btn_ep1_tips_lsp,t_btn_ep1_tips_lsp,"" exbtn t_btn_ep2_tips_lsp,t_btn_ep2_tips_lsp,"" exbtn t_btn_ep3_tips_lsp,t_btn_ep3_tips_lsp,"" exbtn t_btn_ep4_tips_lsp,t_btn_ep4_tips_lsp,"" btnwait2 %BtnRes if %BtnRes = t_btn_ep1_tips_lsp csp -1 : mov %scenario_Number,1 : seplay 9,1001 : bg black,10,200 : mov %r_hyouji,1 : mov %r_for_title,1 : gosub *rmenu_main_ep1 : mov %title_skip,1 : goto *b_title if %BtnRes = t_btn_ep2_tips_lsp csp -1 : mov %scenario_Number,2 : seplay 9,1001 : bg black,10,200 : mov %r_hyouji,1 : mov %r_for_title,1 : gosub *rmenu_main_ep2 : mov %title_skip,1 : goto *b_title if %BtnRes = t_btn_ep3_tips_lsp csp -1 : mov %scenario_Number,3 : seplay 9,1001 : bg black,10,200 : mov %r_hyouji,1 : mov %r_for_title,1 : gosub *rmenu_main_ep3 : mov %title_skip,1 : goto *b_title if %BtnRes = t_btn_ep4_tips_lsp csp -1 : mov %scenario_Number,4 : seplay 9,1001 : bg black,10,200 : mov %r_hyouji,1 : mov %r_for_title,1 : gosub *rmenu_main_ep4 : mov %title_skip,1 : goto *b_title if %BtnRes = 0 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan if %BtnRes = -1 btndef "" : seplay 9,1001 : mov %r_for_title,1 : goto *b_title_shunkan goto *tips_sub_menu_btn_100_loop ;------------------------------ ;＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞ *umi_start mov %m_temp1,1 csp -1 seplay 9,17 bg white,10 E_MA delay 2000 if %scenario_Number = 1 goto *umi1_standby if %scenario_Number = 2 goto *umi2_standby if %scenario_Number = 3 goto *umi3_standby if %scenario_Number = 4 goto *umi4_standby ;多分、シナリオ選択画面になる予定 *umi1_standby if %UMINEKOEND >= 11 goto *scenario_jump_q gosub *jump_sysdata_set1_1 goto *umi1_opning *umi2_standby if %UMINEKOEND >= 21 goto *scenario_jump_q gosub *jump_sysdata_set1_1 goto *umi2_opning *umi3_standby if %UMINEKOEND >= 31 goto *scenario_jump_q gosub *jump_sysdata_set1_1 goto *umi3_opning *umi4_standby if %UMINEKOEND >= 41 goto *scenario_jump_q if %UMINEKOPATCH > 0 goto *scenario_jump_q ;xxxxzzzzyyyytttt gosub *jump_sysdata_set1_1 goto *umi4_opning ;*********************************************************** ; ; シナリオジャンプモード ; ;*********************************************************** *scenario_jump_q ;テスト用 ;mov %scenario_Number,1 ;mov %scenario_Number,2 ;シナリオジャンプモード使用確認 ;デバックモード ;if %debagu = 1:csp -1:bg black,1: goto *scenario_jump_name csp -1 ;時計に花飾りを表示、背景はチェス盤を使用する。 lsp 703,":c;bmp\r_click\black.bmp",0,0,100 lsp 701,":a;bmp\efe\hana_u.bmp",0,0 lsp 702,":a;bmp\efe\hana_d.bmp",0,364 ;小さい時計の画像を用意する。 ;lsp 701,":a;bmp\system\jump\clock.bmp",192,112 bg chess1,2 locate 4,5 ;時を進める魔法が使用できます。 `You may perform witchcraft locate 4,6 `to jump forward in time. br ;select "　　　　　魔法を使用する",*scenario_jump_name,"　　　　　魔法を使用しない",*scenario_start select "` Cast the spell",*scenario_jump_name,"` Don't cast the spell",*scenario_start ;-------------------------------------------- *scenario_start ;シナリオを最初からはじめる ;開始シナリオ確認 if %scenario_Number = 1 gosub *jump_sysdata_set1_1 : goto *umi1_opning ;シナリオ１　基本データ収得 if %scenario_Number = 2 gosub *jump_sysdata_set1_1 : goto *umi2_opning ;シナリオ２　基本データ収得 if %scenario_Number = 3 gosub *jump_sysdata_set1_1 : goto *umi3_opning ;シナリオ３　基本データ収得 if %scenario_Number = 4 gosub *jump_sysdata_set1_1 : goto *umi4_opning ;シナリオ４　基本データ収得 ;-------------------------------------------- *scenario_jump_name setwindow 31,16,22,16,20,20,0,2,20,1,1,#999999,0,0,639,479 ;シナリオ変数によりタイトル名取得 notif %scenario_Number = 1 jumpf ;第一シナリオじゃなきゃ次へ ;notif %scenario_Number = 0 jumpf ;テストモード ;mov %scenario_Number,4 : jumpf ;シナリオ１ mov %Free1,501 mov $%Free1,":s#C7C7C7#FFFFFF`Arrival at Niijima Airport Sat, Oct 4 1986 8:00AM" :inc %Free1 ;*umi1_1 ;;新島飛行場到着 mov $%Free1,":s#C7C7C7#FFFFFF`Arrival at Rokkenjima Sat, Oct 4 1986 10:30AM" :inc %Free1 ;*umi1_2 ;;六軒島到着 mov $%Free1,":s#C7C7C7#FFFFFF`Guesthouse Sat, Oct 4 1986 12:00PM" :inc %Free1 ;*umi1_3 ;;ゲストハウス mov $%Free1,":s#C7C7C7#FFFFFF`Dining Room Sat, Oct 4 1986 1:30PM" :inc %Free1 ;*umi1_4 ;;食堂 mov $%Free1,":s#C7C7C7#FFFFFF`Epitaph on the Portrait Sat, Oct 4 1986 1:30PM" :inc %Free1 ;*umi1_5 ;;肖像画の碑文 mov $%Free1,":s#C7C7C7#FFFFFF`Sandy Beach Sat, Oct 4 1986 3:00PM" :inc %Free1 ;*umi1_6 ;;砂浜 mov $%Free1,":s#C7C7C7#FFFFFF`Letter and Umbrella Sat, Oct 4 1986 6:00PM" :inc %Free1 ;*umi1_7 ;;手紙と傘 mov $%Free1,":s#C7C7C7#FFFFFF`Legend of the Gold Sat, Oct 4 1986 10:00PM" :inc %Free1 ;*umi1_8 ;;黄金伝説 mov $%Free1,":s#C7C7C7#FFFFFF`Night of the Storm Sat, Oct 4 1986 -------" :inc %Free1 ;*umi1_9 ;;嵐の夜 mov $%Free1,":s#C7C7C7#FFFFFF`The Six Chosen by the Key Sun, Oct 5 1986 6:00AM" :inc %Free1 ;*umi1_10 ;;鍵の選びし六人 mov $%Free1,":s#C7C7C7#FFFFFF`Curtain-rise on Tragedy Sun, Oct 5 1986 8:45AM" :inc %Free1 ;*umi1_11 ;;惨劇の開幕 mov $%Free1,":s#C7C7C7#FFFFFF`Occult Sun, Oct 5 1986 1:00PM" :inc %Free1 ;*umi1_12 ;;オカルト mov $%Free1,":s#C7C7C7#FFFFFF`The Two Who Are Close Sun, Oct 5 1986 7:00PM" :inc %Free1 ;*umi1_13 ;;寄り添う二人 mov $%Free1,":s#C7C7C7#FFFFFF`Boiler Room Sun, Oct 5 1986 -------" :inc %Free1 ;*umi1_14 ;;ボイラー室 mov $%Free1,":s#C7C7C7#FFFFFF`Besieged Sun, Oct 5 1986 8:00PM" :inc %Free1 ;*umi1_15 ;;籠城 mov $%Free1,":s#C7C7C7#FFFFFF`The Golden Witch Sun, Oct 5 1986 11:30PM" :inc %Free1 ;*umi1_16 ;;黄金の魔女 mov $%Free1,":s#C7C7C7#FFFFFF`Notebook Fragment in a Wine Bottle" :inc %Free1 ;*umi1_17 ;;ワインボトルのノート片 ;シナリオ１のラベル数取得 mov %Free2,17 ~ notif %scenario_Number = 2 jumpf ;第二シナリオじゃなきゃ次へ ;シナリオ２ mov %Free1,501 mov $%Free1,":s#C7C7C7#FFFFFF`'Furniture' " :inc %Free1 ;*umi2_1　13 ;;「家具」 mov $%Free1,":s#C7C7C7#FFFFFF`Wonderful Utopia " :inc %Free1 ;*umi2_2　16 ;;素晴らしき理想の世界 mov $%Free1,":s#C7C7C7#FFFFFF`School Culture Festival " :inc %Free1 ;*umi2_3　20 ;;文化祭 mov $%Free1,":s#C7C7C7#FFFFFF`Chessboard Preparations Sat, Oct 4 1986 " :inc %Free1 ;*umi2_4　26 ;;チェス盤の準備 mov $%Free1,":s#C7C7C7#FFFFFF`Guest of Honor Sat, Oct 4 1986 10:45AM" :inc %Free1 ;*umi2_5　34 ;;賓客 mov $%Free1,":s#C7C7C7#FFFFFF`The Witch's Move Sat, Oct 4 1986 1:00PM" :inc %Free1 ;*umi2_6　41 ;;魔女の一手 mov $%Free1,":s#C7C7C7#FFFFFF`'Furniture' and 'People' Sat, Oct 4 1986 6:00PM" :inc %Free1 ;*umi2_7　46 ;;「家具」と「人」 mov $%Free1,":s#C7C7C7#FFFFFF`Wedding Ring Sat, Oct 4 1986 10:00PM" :inc %Free1 ;*umi2_8　50 ;;結婚指輪 mov $%Free1,":s#C7C7C7#FFFFFF`Halloween Sun, Oct 5 1986 6:00AM" :inc %Free1 ;*umi2_9　54 ;;ハロウィン mov $%Free1,":s#C7C7C7#FFFFFF`Jessica and Kanon Sun, Oct 5 1986 6:43AM" :inc %Free1 ;*umi2_10　60 ;;朱志香と嘉音 mov $%Free1,":s#C7C7C7#FFFFFF`New Rule Sun, Oct 5 1986 6:50AM" :inc %Free1 ;*umi2_11　61 ;;新しいルール mov $%Free1,":s#C7C7C7#FFFFFF`A Suspect Sun, Oct 5 1986 7:30AM" :inc %Free1 ;*umi2_12　62 ;;容疑者 mov $%Free1,":s#C7C7C7#FFFFFF`Wolves and Sheep Puzzle Sun, Oct 5 1986 1:00PM" :inc %Free1 ;*umi2_13　63 ;;狼と羊のパズル mov $%Free1,":s#C7C7C7#FFFFFF`Devil's Proof Sun, Oct 5 1986 1:17PM" :inc %Free1 ;*umi2_14　64 ;;悪魔の証明 mov $%Free1,":s#C7C7C7#FFFFFF`Fleeting Resistance Sun, Oct 5 1986 6:00PM" :inc %Free1 ;*umi2_15　64 ;;儚き抵抗 mov $%Free1,":s#C7C7C7#FFFFFF`Surrender Sun, Oct 5 1986 9:00PM" :inc %Free1 ;*umi2_16　64 ;;屈服 mov $%Free1,":s#C7C7C7#FFFFFF`Resurrection Sun, Oct 5 1986 11:30PM" :inc %Free1 ;*umi2_17　64 ;;復活 mov $%Free1,":s#C7C7C7#FFFFFF`Banquet of the Witch Sun, Oct 5 1986 11:59PM" :inc %Free1 ;*umi2_18　64 ;;魔女の宴 ;シナリオ２のラベル数取得 mov %Free2,18 ~ notif %scenario_Number = 3 jumpf ;第三シナリオじゃなきゃ次へ ;notif %scenario_Number = 1 jumpf ;テストモード mov %scenario_Number,3 ;テストモード ;シナリオ３ mov %Free1,501 ; mov $%Free1,":s#C7C7C7#FFFFFF少女時代　　　　　　　　１０月４日（土）　　　　　　" :inc %Free1 ;*umi3_1　12 ; mov $%Free1,":s#C7C7C7#FFFFFF妾の準備はすでに万端よ　１０月４日（土）１４時００分　　" :inc %Free1 ;*umi3_2　15 ; mov $%Free1,":s#C7C7C7#FFFFFF魔女の挑戦状　　　　　　１０月４日（土）２０時００分　　" :inc %Free1 ;*umi3_3　19 ; mov $%Free1,":s#C7C7C7#FFFFFF１９人目の可能性　　　　１０月４日（土）２１時００分　　" :inc %Free1 ;*umi3_4　21 ; mov $%Free1,":s#C7C7C7#FFFFFF楼座と森の魔女　　　　　　　　　　　　　　　　　　　　　" :inc %Free1 ;*umi3_5　23 ; mov $%Free1,":s#C7C7C7#FFFFFF儀式の開始　　　　　　　１０月５日（日）０時００分　　" :inc %Free1 ;*umi3_6　30 ; mov $%Free1,":s#C7C7C7#FFFFFFマダム・ベアトリーチェ　１０月５日（日）０時２１分　　" :inc %Free1 ;*umi3_7　33 ; mov $%Free1,":s#C7C7C7#FFFFFFワルギリア　　　　　　　１０月５日（日）０６時００分　　" :inc %Free1 ;*umi3_8　35 ; mov $%Free1,":s#C7C7C7#FFFFFF前哨戦　　　　　　　　　１０月５日（日）０７時００分　　" :inc %Free1 ;*umi3_9　37 ; mov $%Free1,":s#C7C7C7#FFFFFF黄金郷の鍵　　　　　　　１０月５日（日）０９時００分　　" :inc %Free1 ;*umi3_10　39 ; mov $%Free1,":s#C7C7C7#FFFFFF戴冠式　　　　　　　　　１０月５日（日）１０時００分　　" :inc %Free1 ;*umi3_11　42 ; mov $%Free1,":s#C7C7C7#FFFFFF新しき魔女　　　　　　　１０月５日（日）１０時３０分　　" :inc %Free1 ;*umi3_12　44 ; mov $%Free1,":s#C7C7C7#FFFFFF生贄の予告　　　　　　　１０月５日（日）１１時００分　　" :inc %Free1 ;*umi3_13　48 ; mov $%Free1,":s#C7C7C7#FFFFFFホールの死闘　　　　　　１０月５日（日）１３時００分　　" :inc %Free1 ;*umi3_14　50 ; mov $%Free1,":s#C7C7C7#FFFFFF魔女の定義　　　　　　　１０月５日（日）１３時３０分　　" :inc %Free1 ;*umi3_15　54 ; mov $%Free1,":s#C7C7C7#FFFFFF本当の魔法　　　　　　　１０月５日（日）１７時４４分　　" :inc %Free1 ;*umi3_16　58 ; mov $%Free1,":s#C7C7C7#FFFFFF魔女法廷　　　　　　　　１０月５日（日）１８時０３分　　" :inc %Free1 ;*umi3_17　61 ; mov $%Free1,":s#C7C7C7#FFFFFF魔女幻想　　　　　　　　　　　　　　　　　　　　　　　　　　　" :inc %Free1 ;*umi3_18　65 mov $%Free1,":s#C7C7C7#FFFFFF`Days as a Girl Sat, Oct 4 1986 " :inc %Free1 ;*umi3_1　12 ;;少女時代 mov $%Free1,":s#C7C7C7#FFFFFF`My Preparations Are Complete Sat, Oct 4 1986 2:00PM" :inc %Free1 ;*umi3_2　15 ;;妾の準備はすでに万端よ mov $%Free1,":s#C7C7C7#FFFFFF`The Witch's Written Challenge Sat, Oct 4 1986 8:00PM" :inc %Free1 ;*umi3_3　19 ;;魔女の挑戦状 mov $%Free1,":s#C7C7C7#FFFFFF`Possibility of a 19th Person Sat, Oct 4 1986 9:00PM" :inc %Free1 ;*umi3_4　21 ;;１９人目の可能性 mov $%Free1,":s#C7C7C7#FFFFFF`Rosa and the Witch of the Forest " :inc %Free1 ;*umi3_5　23 ;;楼座と森の魔女 mov $%Free1,":s#C7C7C7#FFFFFF`The Beginning of the Ceremony Sun, Oct 5 1986 0:00 " :inc %Free1 ;*umi3_6　30 ;;儀式の開始 mov $%Free1,":s#C7C7C7#FFFFFF`Madam Beatrice Sun, Oct 5 1986 12:21AM" :inc %Free1 ;*umi3_7　33 ;;マダム・ベアトリーチェ mov $%Free1,":s#C7C7C7#FFFFFF`Virgilia Sun, Oct 5 1986 6:00AM" :inc %Free1 ;*umi3_8　35 ;;ワルギリア mov $%Free1,":s#C7C7C7#FFFFFF`Skirmish Sun, Oct 5 1986 7:00AM" :inc %Free1 ;*umi3_9　37 ;;前哨戦 mov $%Free1,":s#C7C7C7#FFFFFF`The Key to the Golden Land Sun, Oct 5 1986 9:00AM" :inc %Free1 ;*umi3_10　39 ;;黄金郷の鍵 mov $%Free1,":s#C7C7C7#FFFFFF`Coronation Sun, Oct 5 1986 10:00AM" :inc %Free1 ;*umi3_11　42 ;;戴冠式 mov $%Free1,":s#C7C7C7#FFFFFF`The New Witch Sun, Oct 5 1986 10:30AM" :inc %Free1 ;*umi3_12　44 ;;新しき魔女 mov $%Free1,":s#C7C7C7#FFFFFF`Warning of Sacrifices Sun, Oct 5 1986 11:00AM" :inc %Free1 ;*umi3_13　48 ;;生贄の予告 mov $%Free1,":s#C7C7C7#FFFFFF`Battle to the Death in the Hall Sun, Oct 5 1986 1:00PM" :inc %Free1 ;*umi3_14　50 ;;ホールの死闘 mov $%Free1,":s#C7C7C7#FFFFFF`The Definition of a Witch Sun, Oct 5 1986 1:30PM" :inc %Free1 ;*umi3_15　54 ;;魔女の定義 mov $%Free1,":s#C7C7C7#FFFFFF`Real Magic Sun, Oct 5 1986 5:44PM" :inc %Free1 ;*umi3_16　58 ;;本当の魔法 mov $%Free1,":s#C7C7C7#FFFFFF`The Witch's Courtroom Sun, Oct 5 1986 6:03PM" :inc %Free1 ;*umi3_17　61 ;;魔女法廷 mov $%Free1,":s#C7C7C7#FFFFFF`The Witch's Illusion　　　　　　　　　　　　　　　　　　　　　 " :inc %Free1 ;*umi3_18　65 ;;魔女幻想 ;シナリオ３のラベル数取得 mov %Free2,18 ~ ;シナリオ４ notif %scenario_Number = 4 jumpf ;第四シナリオじゃなきゃ次へ mov %scenario_Number,4 ;テストモード mov %Free1,501 ; mov $%Free1,":s#C7C7C7#FFFFFF新しき客人" : inc %Free1 ;*umi4_1　12 ; mov $%Free1,":s#C7C7C7#FFFFFF縁寿と真里亞" : inc %Free1 ;*umi4_2　13 ; mov $%Free1,":s#C7C7C7#FFFFFF１２年後の未来" : inc %Free1 ;*umi4_3　15 ; mov $%Free1,":s#C7C7C7#FFFFFF赤き真実、青き真実" : inc %Free1 ;*umi4_4　18 ; mov $%Free1,":s#C7C7C7#FFFFFF縁寿の回想" : inc %Free1 ;*umi4_5　20 ; mov $%Free1,":s#C7C7C7#FFFFFFマリアージュ・ソルシエール" : inc %Free1 ;*umi4_6　23 ; mov $%Free1,":s#C7C7C7#FFFFFF幻想への誘い" : inc %Free1 ;*umi4_7　25 ; mov $%Free1,":s#C7C7C7#FFFFFF私の世界" : inc %Free1 ;*umi4_8　27 ; mov $%Free1,":s#C7C7C7#FFFFFFさくたろ" : inc %Free1 ;*umi4_9　29 ; mov $%Free1,":s#C7C7C7#FFFFFF魔女の島へ" : inc %Free1 ;*umi4_10　31 ; mov $%Free1,":s#C7C7C7#FFFFFF右代宮金蔵" : inc %Free1 ;*umi4_11　32 ; mov $%Free1,":s#C7C7C7#FFFFFF甘美なる魔女の世界" : inc %Free1 ;*umi4_12　36 ; mov $%Free1,":s#C7C7C7#FFFFFF地下牢" : inc %Free1 ;*umi4_13　38 ; mov $%Free1,":s#C7C7C7#FFFFFF私の使命" : inc %Free1 ;*umi4_14　42 ; mov $%Free1,":s#C7C7C7#FFFFFF最後の親族会議" : inc %Free1 ;*umi4_15　44 ; mov $%Free1,":s#C7C7C7#FFFFFF次期当主" : inc %Free1 ;*umi4_16　45 ; mov $%Free1,":s#C7C7C7#FFFFFF惨劇の原因" : inc %Free1 ;*umi4_17　46 ; mov $%Free1,":s#C7C7C7#FFFFFF旅の終着点" : inc %Free1 ;*umi4_18　47 ; mov $%Free1,":s#C7C7C7#FFFFFF右代宮縁寿" : inc %Free1 ;*umi4_19　47 mov $%Free1,":s#C7C7C7#FFFFFF`The New Guest" : inc %Free1 ;*umi4_1　12 mov $%Free1,":s#C7C7C7#FFFFFF`Ange and Maria" : inc %Free1 ;*umi4_2　13 mov $%Free1,":s#C7C7C7#FFFFFF`The Future 12 Years Later" : inc %Free1 ;*umi4_3　15 mov $%Free1,":s#C7C7C7#FFFFFF`Red Truth, Blue Truth" : inc %Free1 ;*umi4_4　18 mov $%Free1,":s#C7C7C7#FFFFFF`Ange's Recollection" : inc %Free1 ;*umi4_5　20 mov $%Free1,":s#C7C7C7#FFFFFF`Mariage Sorciere" : inc %Free1 ;*umi4_6　23 mov $%Free1,":s#C7C7C7#FFFFFF`Lure Towards Illusions" : inc %Free1 ;*umi4_7　25 mov $%Free1,":s#C7C7C7#FFFFFF`My World" : inc %Free1 ;*umi4_8　27 mov $%Free1,":s#C7C7C7#FFFFFF`Sakutaro" : inc %Free1 ;*umi4_9　29 mov $%Free1,":s#C7C7C7#FFFFFF`To the Island of the Witch" : inc %Free1 ;*umi4_10　31 mov $%Free1,":s#C7C7C7#FFFFFF`Ushiromiya Kinzo" : inc %Free1 ;*umi4_11　32 mov $%Free1,":s#C7C7C7#FFFFFF`The Sweet World of Witches" : inc %Free1 ;*umi4_12　36 mov $%Free1,":s#C7C7C7#FFFFFF`Dungeon" : inc %Free1 ;*umi4_13　38 mov $%Free1,":s#C7C7C7#FFFFFF`My Mission" : inc %Free1 ;*umi4_14　42 mov $%Free1,":s#C7C7C7#FFFFFF`Final Family Conference" : inc %Free1 ;*umi4_15　44 mov $%Free1,":s#C7C7C7#FFFFFF`The Next Head" : inc %Free1 ;*umi4_16　45 mov $%Free1,":s#C7C7C7#FFFFFF`Cause of the Tragedy" : inc %Free1 ;*umi4_17　46 mov $%Free1,":s#C7C7C7#FFFFFF`Journey's Endpoint" : inc %Free1 ;*umi4_18　47 mov $%Free1,":s#C7C7C7#FFFFFF`Ushiromiya Ange" : inc %Free1 ;*umi4_19　47 ;シナリオ４のラベル数取得 if %UMINEKOEND >= 41 mov %Free2,19 ;xxxxyyyyzzzztttt if %UMINEKOEND < 41 mov %Free2,10 ~ *scenario_jump mov %Free1,501 ;Ｘ軸基本値 mov %x,50 if %scenario_Number = 3 mov %x,50 ;Ｙ軸基本値 mov %y,60 if %scenario_Number = 2 mov %y,38 if %scenario_Number = 3 mov %y,50 ;画面配置 ;説明テキストの表示 ;lsp 500,":s#FFFFFF行き先をご選択くださいませ",100,20 ;if %scenario_Number = 2 lsp 500,":s#FFFFFF行き先をご選択くださいませ",100,10 lsp 500,":s#FFFFFF`Please select your destination. ",50,20 ;;行き先をご選択くださいませ if %scenario_Number = 2 lsp 500,":s#FFFFFF`Please select your destination. ",50,10 ;;行き先をご選択くださいませ ;スプライトボタンの配置（EP1〜EP3） ;EP4は二段組にする為、別途ボタンの配置を行う。 if %scenario_Number = 4 jumpf for %Free3 = 1 to %Free2 ;スプライト配置回数が　倍数なら、次の行へ ;スプライト配置開始 lsp %Free1,$%Free1,%x,%y ;ボタン化 spbtn %Free1,%Free3 ;Ｘ値増加 add %y,22 inc %Free1 next ;戻るボタンスプライトの設置 ; lsp rmenu_btn_Exit,":s#C7C7C7#FFFFFF戻る　　",%x,%y lsp rmenu_btn_Exit,":s#C7C7C7#FFFFFF`Back to Main Menu ",%x,%y ~ notif %scenario_Number = 4 jumpf mov %x,70 : mov %y,100 lsp 500,":s#FFFFFF`Please select your destination. ",%x,50 for %Free3 = 1 to %Free2 ;１０以上は２列目に表示を行う。 if %Free3 = 11 mov %x,370 : mov %y,100 ;スプライト配置回数が　倍数なら、次の行へ ;スプライト配置開始 lsp %Free1,$%Free1,%x,%y ;ボタン化 spbtn %Free1,%Free3 ;Ｘ値増加 add %y,30 inc %Free1 next ;戻るボタンスプライトの設置 lsp rmenu_btn_Exit,":s#C7C7C7#FFFFFF`Back to Main Menu ",70,420 ~ spbtn 499,499 spbtn rmenu_btn_Exit,rmenu_btn_Exit amsp 703,0,0,200 print 1 *scenario_jump_btnwait ;ボタン待ち btnwait %btnRes if %btnRes = rmenu_btn_Exit mov %m_temp1,0: goto *b_title if %btnRes = -1 mov %m_temp1,0: goto *b_title if %scenario_Number = 1 goto *scenario_jump_data1 if %scenario_Number = 2 goto *scenario_jump_data2 if %scenario_Number = 3 goto *scenario_jump_data3 if %scenario_Number = 4 goto *scenario_jump_data4 ;戻るでタイトルに戻る goto *scenario_jump_btnwait ;ボタン待ちにジャンプ ;--------------------------- *jump_sysdata_set1_1 ;シナリオ１-１システム設定 btndef "" textoff gosub *DATA_SET csp -1 bg black,22 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd return *jump_sysdata_set1_2 ;シナリオ１-２システム設定 ;右クリックで登場人物リストが閲覧可能 btndef "" textoff gosub *DATA_SET csp -1 bg black,22 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd return *jump_sysdata_set1_3 ;シナリオ１-３システム設定 ;ＴＩＰＳ閲覧可能 btndef "" textoff gosub *DATA_SET csp -1 bg black,22 setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 !sd return *scenario_jump_data1 if %BtnRes < 1 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ if %BtnRes > 17 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ csp -1 lsp 703,":c;bmp\r_click\black.bmp",0,0,200 lsp2 8,":a;bmp\efe\hana_u.bmp",320,58,100,100,0 lsp2 9,":a;bmp\efe\hana_d.bmp",320,422,100,100,0 print 22 if %BtnRes = 1 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,8,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : gosub *jump_flg_set1_1 : goto *umi1_1 if %BtnRes = 2 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,10,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : gosub *jump_flg_set1_2 : goto *umi1_2 if %BtnRes = 3 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,12,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : gosub *jump_flg_set1_3 : goto *umi1_3 if %BtnRes = 4 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,13,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : gosub *jump_flg_set1_4 : goto *umi1_4 if %BtnRes = 5 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,13,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_2 : gosub *jump_flg_set1_5 : goto *umi1_5 if %BtnRes = 6 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,15,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_6 : goto *umi1_6 if %BtnRes = 7 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,18,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_7 : goto *umi1_7 if %BtnRes = 8 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,22,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_8 : goto *umi1_8 if %BtnRes = 9 gosub *scenario_jump_hiduke_1986_10_4 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_9 : goto *umi1_9 if %BtnRes = 10 clock 24,0,30,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_10 : goto *umi1_10 if %BtnRes = 11 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,32,45,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_11 : goto *umi1_11 if %BtnRes = 12 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,37,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_12 : goto *umi1_12 if %BtnRes = 13 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,43,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_13 : goto *umi1_13 if %BtnRes = 14 gosub *scenario_jump_hiduke_1986_10_5 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_14 : goto *umi1_14 if %BtnRes = 15 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,44,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_15 : goto *umi1_15 if %BtnRes = 16 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,47,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_16 : goto *umi1_16 if %BtnRes = 17 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : gosub *jump_flg_set1_17 : goto *umi1_17 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ *scenario_jump_data2 if %BtnRes < 1 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ if %BtnRes > 18 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ csp -1 lsp 703,":c;bmp\r_click\black.bmp",0,0,200 lsp2 8,":a;bmp\efe\hana_u.bmp",320,58,100,100,0 lsp2 9,":a;bmp\efe\hana_d.bmp",320,422,100,100,0 print 22 if %BtnRes = 1 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi2_1 if %BtnRes = 2 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi2_2 if %BtnRes = 3 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi2_3 if %BtnRes = 4 gosub *scenario_jump_hiduke_1986_10_4 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi2_4 if %BtnRes = 5 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,10,45,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_2 : goto *umi2_5 if %BtnRes = 6 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,13,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_6 if %BtnRes = 7 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,18,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_7 if %BtnRes = 8 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,22,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_8 if %BtnRes = 9 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,30,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_9 if %BtnRes = 10 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,30,43,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_10 if %BtnRes = 11 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,30,50,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_11 if %BtnRes = 12 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,31,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_12 if %BtnRes = 13 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,37,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_13 if %BtnRes = 14 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,37,17,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_14 if %BtnRes = 15 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,42,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_15 if %BtnRes = 16 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,45,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_16 if %BtnRes = 17 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,47,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_17 if %BtnRes = 18 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,47,59,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi2_18 *scenario_jump_data3 if %BtnRes < 1 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ if %BtnRes > 18 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ csp -1 lsp 703,":c;bmp\r_click\black.bmp",0,0,200 lsp2 8,":a;bmp\efe\hana_u.bmp",320,58,100,100,0 lsp2 9,":a;bmp\efe\hana_d.bmp",320,422,100,100,0 print 22 if %BtnRes = 1 gosub *scenario_jump_hiduke_1986_10_4 : *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi3_1 if %BtnRes = 2 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,14,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi3_2 if %BtnRes = 3 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,20,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi3_3 if %BtnRes = 4 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,21,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi3_4 if %BtnRes = 5 gosub *scenario_jump_hiduke_1986_10_4 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_2 : goto *umi3_5 if %BtnRes = 6 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,24,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_6 if %BtnRes = 7 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,24,21,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_7 if %BtnRes = 8 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,30,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_8 if %BtnRes = 9 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,31,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_9 if %BtnRes = 10 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,33,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_10 if %BtnRes = 11 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,34,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_11 if %BtnRes = 12 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,34,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_12 if %BtnRes = 13 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,35,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_13 if %BtnRes = 14 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,37,00,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_14 if %BtnRes = 15 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,37,30,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_15 if %BtnRes = 16 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,41,44,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_16 if %BtnRes = 17 gosub *scenario_jump_hiduke_1986_10_5 : clock 24,0,42,03,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_17 if %BtnRes = 18 gosub *scenario_jump_hiduke_1986_10_5 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi3_18 *scenario_jump_data4 if %BtnRes < 1 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ if %BtnRes > 19 goto *scenario_jump_btnwait ;ボタン待ちにジャンプ csp -1 lsp 703,":c;bmp\r_click\black.bmp",0,0,200 lsp2 8,":a;bmp\efe\hana_u.bmp",320,58,100,100,0 lsp2 9,":a;bmp\efe\hana_d.bmp",320,422,100,100,0 print 22 if %BtnRes = 1 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi4_1 if %BtnRes = 2 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi4_2 if %BtnRes = 3 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi4_3 if %BtnRes = 4 clock 0,0,14,51,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_1 : goto *umi4_4 if %BtnRes = 5 gosub *scenario_jump_hiduke_1986_10_4 : clock 0,0,18,7,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_2 : goto *umi4_5 if %BtnRes = 6 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_6 if %BtnRes = 7 gosub *scenario_jump_exit_efe1 : gosub *scenario_jump_hiduke_1998 : gosub *jump_sysdata_set1_3 : goto *umi4_7 if %BtnRes = 8 gosub *scenario_jump_exit_efe1 : gosub *scenario_jump_hiduke_enj_mirai : gosub *jump_sysdata_set1_3 : goto *umi4_8 if %BtnRes = 9 csp -1 : csp2 -1 : bg black,2 : gosub *jump_sysdata_set1_3 : goto *umi4_9 if %BtnRes = 10 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_10 if %BtnRes = 11 clock 0,0,21,48,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_11 if %BtnRes = 12 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_12 if %BtnRes = 13 gosub *scenario_jump_hiduke_1986_10_4_2 : clock 0,0,22,32,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_13 if %BtnRes = 14 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_14 if %BtnRes = 15 gosub *scenario_jump_hiduke_1986_10_4_2 : clock 0,0,23,0,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_15 if %BtnRes = 16 gosub *scenario_jump_hiduke_1986_10_4_2 : clock 0,0,23,11,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_16 if %BtnRes = 17 gosub *scenario_jump_hiduke_1986_10_4_2 : clock 0,0,23,47,11,0,320,240,30 : gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_17 if %BtnRes = 18 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_18 if %BtnRes = 19 gosub *scenario_jump_exit_efe1 : gosub *jump_sysdata_set1_3 : goto *umi4_19 ;---------------------------------------- *scenario_jump_hiduke_1986_10_4 csp -1 csp2 -1 bg black,2 se1 29 bg oct_4_1986,2 wait 1000 bg black,2 return *scenario_jump_hiduke_1986_10_4_2 csp -1 csp2 -1 bg black,2 se1 28 bg oct_4_1986,2 wait 1000 bg black,2 return *scenario_jump_hiduke_1986_10_5 csp -1 csp2 -1 bg black,2 se1 28 bg oct_5_1986,2 wait 1000 bg black,2 return *scenario_jump_hiduke_1998 E_A csp -1 csp2 -1 bg black,2 se1v 29,70 bg oct_1998,80 wait 4000 bg black,22 return *scenario_jump_hiduke_enj_mirai E_A csp -1 csp2 -1 se1v 29,70 bg ENJ_mirai01,80 wait 4000 bg black,22 return ;---------------------------------------- *scenario_jump_exit_efe1 ;ガラス割れエフェクトを使用する。 E_A delay 1000 lsp2 1,":a;bmp\efe\ware.bmp",320,240,100,100,0 seplay 9,1100 print 1 delay 1000 csp2 -1 csp -1 bg black,2 return ;---------------------------------------- ;シナリオジャンプ時のキャラコンディション、フラグの管理 *jump_flg_set1_0 ;キャラ状態、Tipsの初期化 for %tmp = 1 to cha_kazu : mov ?r[%tmp][condition],0 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next return *jump_flg_set1_1 ;キャラ状態、Tipsの初期化 for %tmp = 1 to cha_kazu : mov ?r[%tmp][condition],0 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?r[but][condition],1 mov ?r[geo][condition],1 mov ?r[hid][condition],1 mov ?r[eva][condition],1 mov ?r[kir][condition],1 mov ?r[rud][condition],1 mov ?r[mar][condition],1 mov ?r[ros][condition],1 return *jump_flg_set1_2 ;キャラ状態、Tipsの初期化 for %tmp = 1 to cha_kazu : mov ?r[%tmp][condition],0 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?r[but][condition],1 mov ?r[geo][condition],1 mov ?r[hid][condition],1 mov ?r[eva][condition],1 mov ?r[kir][condition],1 mov ?r[rud][condition],1 mov ?r[mar][condition],1 mov ?r[ros][condition],1 mov ?r[jes][condition],1 mov ?r[kum][condition],1 return *jump_flg_set1_3 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?r[bea][condition],0 mov ?r[ber][condition],0 mov ?r[sha][condition],0 mov ?r[gen][condition],0 mov ?r[nat][condition],0 mov ?r[kin][condition],0 mov ?r[nan][condition],0 mov ?r[kla][condition],0 return *jump_flg_set1_4 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?r[bea][condition],0 mov ?r[ber][condition],0 mov ?r[nan][condition],0 mov ?r[kla][condition],0 return *jump_flg_set1_5 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 return *jump_flg_set1_6 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?tips[1][tips_flg],1 return *jump_flg_set1_7 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?tips[1][tips_flg],1 return *jump_flg_set1_8 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 return *jump_flg_set1_9 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 return *jump_flg_set1_10 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 return *jump_flg_set1_11 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?r[kla][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[ros][condition],2 mov ?r[goh][condition],2 mov ?r[sha][condition],2 return *jump_flg_set1_12 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?r[kla][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[ros][condition],2 mov ?r[goh][condition],2 mov ?r[sha][condition],2 mov ?r[kin][condition],2 return *jump_flg_set1_13 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?grim[10][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?r[kla][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[ros][condition],2 mov ?r[goh][condition],2 mov ?r[sha][condition],2 mov ?r[kin][condition],2 return *jump_flg_set1_14 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?grim[10][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?r[kla][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[ros][condition],2 mov ?r[goh][condition],2 mov ?r[sha][condition],2 mov ?r[kin][condition],2 mov ?r[eva][condition],2 mov ?r[hid][condition],2 return *jump_flg_set1_15 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?grim[10][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?r[kla][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[ros][condition],2 mov ?r[goh][condition],2 mov ?r[sha][condition],2 mov ?r[kin][condition],3 mov ?r[eva][condition],2 mov ?r[hid][condition],2 return *jump_flg_set1_16 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],1 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?grim[10][grim_flg],1 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 mov ?r[kla][condition],2 mov ?r[rud][condition],2 mov ?r[kir][condition],2 mov ?r[ros][condition],2 mov ?r[goh][condition],2 mov ?r[sha][condition],2 mov ?r[kin][condition],3 mov ?r[eva][condition],2 mov ?r[hid][condition],2 mov ?r[kan][condition],2 return *jump_flg_set1_17 ;キャラ状態、Tipsの初期化 for %tmp = 1 to 18 : mov ?r[%tmp][condition],2 : next for %tmp = 0 to 10 : mov ?tips[%tmp][tips_flg],0 : next for %tmp = 0 to 11 : mov ?grim[%tmp][grim_flg],0 : next mov ?grim[1][grim_flg],1 mov ?grim[2][grim_flg],1 mov ?grim[3][grim_flg],1 mov ?grim[4][grim_flg],1 mov ?grim[5][grim_flg],1 mov ?grim[6][grim_flg],1 mov ?grim[7][grim_flg],1 mov ?grim[8][grim_flg],1 mov ?grim[9][grim_flg],1 mov ?grim[10][grim_flg],1 mov ?r[kin][condition],3 mov ?tips[1][tips_flg],1 mov ?tips[2][tips_flg],1 mov ?tips[3][tips_flg],1 mov ?tips[4][tips_flg],1 return ;************************************************************************************ ;タイトル：*csp ;目的　　：Ｃｓｐ文によるスプライト破棄時のカーソルのセット ;　　　　：文章を表示するときの矢印などをスプライトを拾得する　　　　　 ;2006/03/15 ;************************************************************************************ *csp getparam %cspParam ;全てのスプライト破棄であるならば、破棄後にカーソルデータを拾得 if %cspParam = -1 _csp-1 : lsph TextCC1SpNum,":l/3,160,2;Bmp\cursor0.bmp",0,0 : lsph TextCC2SpNum,":l/3,160,2;Bmp\cursor1.bmp",0,0 : jumpf if %cspParam = -2 && %efespflg = 0_csp-1 : lsph TextCC1SpNum,":l/3,160,2;Bmp\cursor0.bmp",0,0 : lsph TextCC2SpNum,":l/3,160,2;Bmp\cursor1.bmp",0,0 : jumpf if %cspParam = -2 && %efespflg > 0_csp-1 : lsph TextCC1SpNum,":l/3,160,2;Bmp\cursor0.bmp",0,0 : lsph TextCC2SpNum,":l/3,160,2;Bmp\cursor1.bmp",0,0 : dllefe %efespflg,%efespflg2 : jumpf ;if %cspParam = -1 _csp-1 : lsph TextCC1SpNum,":l/3,160,2;Bmp\cursor0.bmp",0,0 : lsph TextCC2SpNum,":l/3,160,2;Bmp\cursor1.bmp",0,0 : lsp text_back,":a;bmp\introduction_back1.bmp",0,0 : return if %cspParam = TextCC1SpNum return if %cspParam = TextCC2SpNum return ;それ以外なら、指定のスプライトを破棄する _csp %cspParam return ~ ;現在ページをログにコピーする ;if %tmordflg = 1 return dec %BacklogNum mov $%BacklogNum,$Textlog inc %BacklogNum return ;************************************************************************************ ;タイトル：*texton　*textoff ;目的　　：テキスト表示エリアの背景をスプライトにする ;　　　　：文章を表示するときの背景画像のスプライトを拾得する　　　　　 ;2007/01/19 ;************************************************************************************ *texton ;テキスト背景をオンにする vsp text_back,1 ;文字表示エリアを表示する _texton print 1 return *textoff vsp text_back,0 _textoff print 1 return ;******************************************* ;人物紹介フラグコマンド ; ;******************************************* *introduction_flg btndef "" ;if %intro_prog_flg = off jumpf ;スプライトプログラムが動いているかの確認 ;mov %intro_prog_flg,off ;スプライトプログラムのフラグをオフ ;layermessage 10,"clear/10" ;スプライトプログラムのスプライト消去 ;layermessage 10,"program_end/10" ;スプライトプログラムのプログラム停止 ;csp 10 ;print 1 ;~ getparam %Free1,%Free2,%Free3,%Free4 ;人物、状態、コメント１、コメント２ mov %name_namber,%Free1 ;人物紹介開始番号移動 mov ?condition[%Free1],%Free2 ;対象者の状態変更 mov %introduction_open,on ;人物紹介システム　フラグオン mov %Free5,Kin_com1 ;コメント１変数の頭だし dec %Free5 add %Free5,%Free1 ;人物番号を追加して、コメント変数を確定する mov %%Free5,%Free3 ;コメント変数にシナリオ進行度を収納する mov %Free5,Kin_com2 ;コメント２変数の頭だし dec %Free5 add %Free5,%Free1 ;人物番号を追加して、コメント変数を確定する mov %%Free5,%Free4 ;コメント変数にシナリオ進行度を収納する ;mov %intro_prog_flg,on ;スプライトプログラムのフラグをオン ;lsp intro,":a/5,600,1;紹介.bmp",340,380 ;lsp 10,"*10" ;layermessage 10,"draw/10,:a;紹介2.bmp,700,390,255,0,1,1,0,-1" ;layermessage 10,"program_begin/10" ;layermessage 10,"set/10,dcenter_x=-20,acenter_x=1" ;layermessage 10,"loop_begin/10,10" ;layermessage 10,"wait/10,2.5" ;layermessage 10,"loop_end/10" ;layermessage 10,"set/10,dcenter_x=0,acenter_x=0" ;layermessage 10,"loop_begin/10,10" ;layermessage 10,"wait/10,3" ;layermessage 10,"loop_end/10" ;layermessage 10,"set/10,dcenter_x=5,acenter_x=1" ;layermessage 10,"loop_begin/10,40" ;layermessage 10,"wait/10,10" ;layermessage 10,"loop_end/10" ;layermessage 10,"clear/10" ;layermessage 10,"loop_begin/10,10" ;layermessage 10,"wait/10,1000" ;layermessage 10,"loop_end/10" ;layermessage 10,"set/10,dcenter_x=0,acenter_x=0" return 　フェードアウト *Fade_out lsp Fade_back,":c;bmp\black.bmp",0,0,0 ;背景指定 mov %Free1,256 mov %Fade_wait1,100 ;総合ウェイト指定 mov %Fade,20 ;回数指定（透過率のため256回以上不可 *Fade_out_costom mov %Free3,BGM_v_Chx ;音量の減少値 mov %Free4,BGM_v_Chy ;音量値の百倍値 mov %Free5,BGM_v_Ch ;音量値の反映値 mov %Free2,%BGM_v_Ch mul %Free2,100 mov %Free3,%Free2 div %Free3,%Fade mov %BGM_v_Chx,%Free3 mov %BGM_v_Chy,%Free2 mov %Free2,%Me_v_Ch0 mul %Free2,100 mov %Free3,%Free2 div %Free3,%Fade mov %Me_v_Chx0,%Free3 mov %Me_v_Chy0,%Free2 mov %Free2,%Me_v_Ch1 mul %Free2,100 mov %Free3,%Free2 div %Free3,%Fade mov %Me_v_Chx1,%Free3 mov %Me_v_Chy1,%Free2 mov %Free2,%Me_v_Ch2 mul %Free2,100 mov %Free3,%Free2 div %Free3,%Fade mov %Me_v_Chx2,%Free3 mov %Me_v_Chy2,%Free2 mov %Free2,%Me_v_Ch3 mul %Free2,100 mov %Free3,%Free2 div %Free3,%Fade mov %Me_v_Chx3,%Free3 mov %Me_v_Chy3,%Free2 mov %Free2,%Me_v_Ch4 mul %Free2,100 mov %Free3,%Free2 div %Free3,%Fade mov %Me_v_Chx4,%Free3 mov %Me_v_Chy4,%Free2 mov %Free2,%Me_v_Ch5 mul %Free2,100 mov %Free3,%Free2 div %Free3,%Fade mov %Me_v_Chx5,%Free3 mov %Me_v_Chy5,%Free2 div %Fade_wait1,%Fade ;一回のウェイトの計算（総合ウェイト／回数） div %Free1,%Fade ;一回の不透過上昇値の計算（２５６／回数） for %Free9 = 1 to %Fade resettimer msp Fade_back,0,0,%Free1 ;黒幕をフェード率に合わせて透過値を変化 mov %Free3,BGM_v_Chy mov %Free5,BGM_v_Ch for %Free2 = BGM_v_Chx to Me_v_Chx5 mov %Free4,%%Free3 sub %Free4,%%Free2 sub %%Free3,%%Free2 div %Free4,100 mov %%Free5,%Free4 inc %Free3 inc %Free5 next print 1 bgmvol %BGM_v_Ch ;BGM音量を反映する chvol 10,%Me_v_Ch0 chvol 11,%Me_v_Ch1 chvol 12,%Me_v_Ch2 chvol 13,%Me_v_Ch3 chvol 14,%Me_v_Ch4 chvol 15,%Me_v_Ch5 waittimer %Fade_wait1 next bg black,1 gosub *E_A csp Fade_back print 1 return ;アイキャッチのカスタム ;************************************************** ;背景表示を司るのは<%eye_custom1>で ;ロゴ表示を司るのは<%eye_custom2>です ; ;<%eye_efeB1>〜<%eye_efeB3>は背景表示の時のdllによるパラメーターの制御用です ;<%eye_efeL1>〜<%eye_efeL3>はロゴ表示の時のdllによるパラメーターの制御用です ;<%eye_waitB> <%eye_waitL>は背景、ロゴ表示速度です ;************************************************** *eye_custom ; rmode OFF ;右クリック一時使用不可 textoff ;テキストウィンドウ消去（エフェクトはデフォルト） if %intro_prog_flg = off jumpf ;スプライトプログラムが動いているかの確認 mov %intro_prog_flg,off ;スプライトプログラムのフラグをオフ layermessage 10,"clear/10" ;スプライトプログラムのスプライト消去 layermessage 10,"program_end/10" ;スプライトプログラムのプログラム停止 csp 10 ~ lsp Cinema_up,":c;bmp\efe\Cinema.BMP",0,0 lsp Cinema_down,":c;bmp\efe\Cinema.BMP",0,400 ;カスタム値から背景表示エフェクトを選択 ;普通　　　　　（上段下段に別れ左右からのみ） if %eye_custom1 = 1 print 7 ;クロスフェード if %eye_custom1 = 2 print 2 ;クロス渦巻き　（右巻き左巻き） notif %eye_custom1 = 3 jumpf if %eye_efeB1 = 1 print 99,%eye_waitB,"whirl.dll/r" if %eye_efeB1 = 2 print 99,%eye_waitB,"whirl.dll/l" ~ ;拡散　　　　　（上下、左右、拡散集積逆拡散逆集積） notif %eye_custom1 = 4 jumpf if %eye_efeB1 = 1 mov $Free1,"breakup.dll/u" ;上から if %eye_efeB1 = 2 mov $Free1,"breakup.dll/l" ;下から if %eye_efeB2 = 1 mov $Free1,$Free1+"r" ;右から if %eye_efeB2 = 2 mov $Free1,$Free1+"l" ;左から if %eye_efeB3 = 1 mov $Free1,$Free1+"b" ;拡散 if %eye_efeB3 = 2 mov $Free1,$Free1+"p" ;集積 if %eye_efeB3 = 3 mov $Free1,$Free1+"B" ;拡散(反転) if %eye_efeB3 = 4 mov $Free1,$Free1+"P" ;集積(反転) print 99,%eye_waitB,$Free1 ~ ;クロス滝　　　（上下左右、右左クロス） notif %eye_custom1 = 5 jumpf if %eye_efeB1 = 1 mov $Free1,"cascade.dll/u" ;上から if %eye_efeB1 = 2 mov $Free1,"cascade.dll/d" ;下から if %eye_efeB1 = 3 mov $Free1,"cascade.dll/r" ;右から if %eye_efeB1 = 4 mov $Free1,"cascade.dll/l" ;左から if %eye_efeB2 = 1 mov $Free1,$Free1+"i" ;イン if %eye_efeB2 = 2 mov $Free1,$Free1+"o" ;アウト if %eye_efeB2 = 3 mov $Free1,$Free1+"x" ;クロス print 99,%eye_waitB,$Free1 ~ lsp Cinema_logo,":a;bmp\efe\Cinema_logo.BMP",320,360 ;カスタム値からロゴ表示エフェクトを選択 ;普通　　　　　（上段下段に別れ左右からのみ） if %eye_custom2 = 1 print 7 ;クロスフェード if %eye_custom2 = 2 print 42 ;クロス渦巻き　（右巻き左巻き） notif %eye_custom2 = 3 jumpf if %eye_efeL1 = 1 print 99,%eye_waitL,"whirl.dll/r" if %eye_efeL1 = 2 print 99,%eye_waitL,"whirl.dll/l" ~ ;拡散　　　　　（上下、左右、拡散集積逆拡散逆集積） notif %eye_custom2 = 4 jumpf if %eye_efeL1 = 1 mov $Free1,"breakup.dll/u" ;上から if %eye_efeL1 = 2 mov $Free1,"breakup.dll/l" ;下から if %eye_efeL2 = 1 mov $Free1,$Free1+"r" ;右から if %eye_efeL2 = 2 mov $Free1,$Free1+"l" ;左から if %eye_efeL3 = 1 mov $Free1,$Free1+"b" ;拡散 if %eye_efeL3 = 2 mov $Free1,$Free1+"p" ;集積 if %eye_efeL3 = 3 mov $Free1,$Free1+"B" ;拡散(反転) if %eye_efeL3 = 4 mov $Free1,$Free1+"P" ;集積(反転) print 99,%eye_waitL,$Free1 ~ ;クロス滝　　　（上下左右、右左クロス） notif %eye_custom2 = 5 jumpf if %eye_efeL1 = 1 mov $Free1,"cascade.dll/u" ;上から if %eye_efeL1 = 2 mov $Free1,"cascade.dll/d" ;下から if %eye_efeL1 = 3 mov $Free1,"cascade.dll/r" ;右から if %eye_efeL1 = 4 mov $Free1,"cascade.dll/l" ;左から if %eye_efeL2 = 1 mov $Free1,$Free1+"i" ;イン if %eye_efeL2 = 2 mov $Free1,$Free1+"o" ;アウト if %eye_efeL2 = 3 mov $Free1,$Free1+"x" ;クロス print 99,%eye_waitL,$Free1 ~ resettimer ;使用変数の初期化 mov %eye_custom1,0 mov %eye_custom2,0 mov %eye_efeB1,0 mov %eye_efeB2,0 mov %eye_efeB3,0 mov %eye_efeL1,0 mov %eye_efeL2,0 mov %eye_efeL3,0 mov %eye_waitB,2000 mov %eye_waitL,2000 waittimer 2000 bg black,42 csp -1 print 7 ;setwindow 31,16,22,16,26,26,0,2,20,1,1,#999999,0,0,639,479 ;rmode ON !sd return *eye_rnd rnd %Free1,6 ;背景表示方法　現在五種類 notif %Free1 = 3 jumpf rnd2 %Free2,1,2 ~ notif %Free1 = 4 jumpf rnd2 %Free2,1,2 rnd2 %Free3,1,2 rnd2 %Free4,1,4 ~ notif %Free1 = 5 jumpf rnd2 %Free2,1,4 rnd2 %Free3,1,3 ~ mov %eye_custom1,%Free1 mov %eye_efeB1,%Free2 mov %eye_efeB2,%Free3 mov %eye_efeB3,%Free4 rnd %Free1,5 ;ロゴ表示方法　現在５種類 inc %Free1 notif %Free1 = 3 jumpf rnd2 %Free2,1,2 ~ notif %Free1 = 4 jumpf rnd2 %Free2,1,2 rnd2 %Free3,1,2 rnd2 %Free4,1,4 ~ notif %Free1 = 5 jumpf rnd2 %Free2,1,4 rnd2 %Free3,1,3 ~ mov %eye_custom2,%Free1 mov %eye_efeL1,%Free2 mov %eye_efeL2,%Free3 mov %eye_efeL3,%Free4 rnd2 %Free1,1500,3000 rnd2 %Free2,1500,3000 mov %eye_waitB,%Free1 mov %eye_waitL,%Free2 return *mono getparam %Free1 ;モノクロ値を文字変数で取る notif %Free1 = off jumpf ;OFFで無いならON処理へ mov %monoflg,off monocro off return ~ if %Free1 = 1 mov %monoflg,1 : monocro #cccccc if %Free1 = 2 mov %monoflg,2 : monocro #ff4444 return ;******************************************************************* ;タイトル：ウミネコのなく頃に ;目的　　：音関連のシステムの構築 ;　　　　　呼び出す関数の制御 ;製作　　：2006/09/7（八咫桜） ;修正　　：2006/010/7（八咫桜） ;******************************************************************* ;使用変数名 BGM_Play　　　　：曲名のパス収納用 Me_Play　　　　：ミュージックエフェクトのパス収納用 Se_Play　　　　：サウンドエフェクトのパス収納用 Me_Play_Channel：ミュージックエフェクトの再生チャンネル用 Se_Play_Channel：サウンドエフェクトの再生チャンネル用 Me_Number ：再生するミュージックエフェクトのナンバー収納用 Me_s_Ch0　　　　：主音用ミュージックエフェクトのチャンネル使用フラグ Me_s_Ch1 ：副音用 Me_s_Ch2 Me_s_Ch3 Me_s_Ch4 Me_s_Ch5 Set_vol ：指定ボリューム BGM_v_Ch ：ＢＧＭ用ボリュームフラグ Me_v_Ch0　　　　：主音用ミュージックエフェクトのボリュームフラグ Me_v_Ch1 ：副音用 Me_v_Ch2 Me_v_Ch3 Me_v_Ch4 Me_v_Ch5 Se_v_Ch1 ：サウンド用 Se_v_Ch2 Se_v_Ch3 Free1 :フリーエリア Free2 ;****************************目的*********************************** ;ＢＧＭを再生する ;前回より簡略化する ;******************************************************************* ;******************************************************************* ;ＢＧＭのデータ部分 ;******************************************************************* *bgm1 *bgmplay getparam %BGM_s_Ch mov %Set_vol,default_vol mov %BGM_Play_Channel,%BGM_s_Ch goto *BGM_List return *bgm1v *bgmplay2 getparam %BGM_s_Ch,%Set_vol mov %BGM_Play_Channel,%BGM_s_Ch goto *BGM_List return ;******************************************************************* ;ＢＧＭの演奏システム部分 ;******************************************************************* *BGM_Play_Mord ;BGMモードの演奏部分 mov %BGM_v_Ch,%Set_vol bgmvol %Set_vol bgm $BGM_Play return ;****************************目的*********************************** ;ミュージックエフェクトをループ再生する。 ;再生チャンネルは１０〜１４ ; ;******************************************************************* *me1 mov %Set_vol,default_vol getparam %Me_Number ;チャンネルと曲番号と取得 mov %Me_Play_Channel,11 mov %Free1,Me_s_Ch1 mov %Free2,Me_v_Ch1 goto *mesys *me1v getparam %Me_Number,%Set_vol ;チャンネルと曲番号と取得 mov %Me_Play_Channel,11 mov %Free1,Me_s_Ch1 mov %Free2,Me_v_Ch1 goto *mesys *me2 mov %Set_vol,default_vol getparam %Me_Number ;チャンネルと曲番号と取得 mov %Me_Play_Channel,12 mov %Free1,Me_s_Ch2 mov %Free2,Me_v_Ch2 goto *mesys *me2v getparam %Me_Number,%Set_vol ;チャンネルと曲番号と取得 mov %Me_Play_Channel,12 mov %Free1,Me_s_Ch2 mov %Free2,Me_v_Ch2 goto *mesys *me3 mov %Set_vol,default_vol getparam %Me_Number ;チャンネルと曲番号と取得 mov %Me_Play_Channel,13 mov %Free1,Me_s_Ch3 mov %Free2,Me_v_Ch3 goto *mesys *me3v getparam %Me_Number,%Set_vol ;チャンネルと曲番号と取得 mov %Me_Play_Channel,13 mov %Free1,Me_s_Ch3 mov %Free2,Me_v_Ch3 goto *mesys *me4 mov %Set_vol,default_vol getparam %Me_Number ;チャンネルと曲番号と取得 mov %Me_Play_Channel,14 mov %Free1,Me_s_Ch4 mov %Free2,Me_v_Ch4 goto *mesys *me4v getparam %Me_Number,%Set_vol ;チャンネルと曲番号と取得 mov %Me_Play_Channel,14 mov %Free1,Me_s_Ch4 mov %Free2,Me_v_Ch4 goto *mesys *me5 mov %Set_vol,default_vol getparam %Me_Number ;チャンネルと曲番号と取得 mov %Me_Play_Channel,15 mov %Free1,Me_s_Ch5 mov %Free2,Me_v_Ch5 goto *mesys *me5v getparam %Me_Number,%Set_vol ;チャンネルと曲番号と取得 mov %Me_Play_Channel,15 mov %Free1,Me_s_Ch5 mov %Free2,Me_v_Ch5 goto *mesys *se1v mov %Se_Play_Channel,1 ;チャンネルは２固定 dwavestop 1 ;まだ鳴っている演奏を止める getparam %Se_Number,%Set_vol ;効果音番号と音量取得 goto *Se_Play_List *se2v mov %Se_Play_Channel,2 ;チャンネルは３固定 dwavestop 2 ;まだ鳴っている演奏を止める getparam %Se_Number,%Set_vol ;効果音番号と音量取得 goto *Se_Play_List *se3v mov %Se_Play_Channel,3 ;チャンネルは１固定 dwavestop 3 ;まだ鳴っている演奏を止める getparam %Se_Number,%Set_vol ;効果音番号と音量取得 goto *Se_Play_List ;******************************************************************* ;ミュージックエフェクトのデータ部分 ;******************************************************************* *meplay mov %Set_vol,default_vol getparam %Free1,%Me_Number ;チャンネルと曲番号と取得 if %Me_Number = -1 goto *mestop ;停止命令 mov %Free2,%Free1 ; mov %Free3,%Free1 ; add %Free1,Me_s_Ch0 ;ロード時再生エリア番号を取得 add %Free2,Me_v_Ch0 ;ロード時再生エリア番号を取得 add %Free3,10 mov %Me_Play_Channel,%Free3 goto *mesys *meplay2 getparam %Free1,%Me_Number,%Set_vol ;チャンネルと曲番号と取得 if %Me_Number = -1 goto *mestop ;停止命令 mov %Free2,%Free1 ; mov %Free3,%Free1 ; add %Free1,Me_s_Ch0 ;ロード時再生エリア番号を取得 add %Free2,Me_v_Ch0 ;ロード時再生エリア番号を取得 add %Free3,10 mov %Me_Play_Channel,%Free3 goto *mesys *mesys ;実行部分 if %Me_Number = -1 goto *mestop ;停止命令 mov %%Free1,%Me_Number ;曲取得番号をロード時再生エリアにコピー mov %%Free2,%Set_vol ;音量をロード時再生エリアにコピー gosub *Me_List goto *Me_Play_Mord return ;この命令は、チャンネル、曲番号になります *ME_set gosub *Me_List mov %Me_v_Ch0,%Set_vol goto *Me_Play_Mord ;***************************************************************** ;ミュージックエフェクトのシステム部分 ;***************************************************************** *Me_Play_Mord ;ミュージックエフェクトの演奏部分 dwavestop %Me_Play_Channel dwaveload %Me_Play_Channel,$Me_Play dwaveplayloop %Me_Play_Channel chvol %Me_Play_Channel,%Set_vol ;音量反映 return ;****************************目的*********************************** ;サウンドエフェクトの再生 ;複数のチャンネルモードを用意 ;チャンネルは１、２、３（仮）とする ;***************************************************************** ;******************************************************************* ;サウンドエフェクトのデータ部分 ;******************************************************************* *se1 mov %Set_vol,default_vol ;音量はdefault_vol（７０）固定 mov %Se_Play_Channel,1 ;チャンネルは１固定 dwavestop 1 ;まだ鳴っている演奏を止める getparam %Se_Number goto *Se_Play_List *se2 mov %Set_vol,default_vol ;音量はdefault_vol（７０）固定 mov %Se_Play_Channel,2 ;チャンネルは１固定 dwavestop 2 ;まだ鳴っている演奏を止める getparam %Se_Number goto *Se_Play_List *se3 mov %Set_vol,default_vol ;音量はdefault_vol（７０）固定 mov %Se_Play_Channel,3 ;チャンネルは１固定 dwavestop 3 ;まだ鳴っている演奏を止める getparam %Se_Number goto *Se_Play_List *seplay mov %Set_vol,default_vol ;音量はdefault_vol（７０）固定 getparam %Se_Play_Channel,%Se_Number ;チャンネルと効果音番号取得 dwavestop %Se_Play_Channel goto *Se_Play_List *seplay2 getparam %Se_Play_Channel,%Se_Number,%Set_vol ;チャンネルと効果音番号と音量取得 dwavestop %Se_Play_Channel goto *Se_Play_List ;******************************************************************* ;サウンドエフェクトの再生部分 ;******************************************************************* *Se_Play_Mord dwaveload %Se_Play_Channel,$Se_Play dwaveplay %Se_Play_Channel chvol %Se_Play_Channel,%Set_vol ;音量反映 return ;******************************************************************* ;音量制御 ;******************************************************************* *bgmvol getparam %Set_vol ;音量取得 _bgmvol %Set_vol mov %BGM_v_Ch,%Set_vol return *mevol getparam %Me_Play_Channel,%Set_vol ;チャンネルと音量取得 mov %Free1,%Me_Play_Channel add %Free1,Me_v_Ch0 ;ロード時再生エリア番号を取得 mov %%Free1,%Set_vol ;音量をロード時再生エリアにコピー add %Me_Play_Channel,10 ;チャンネル値を変換 chvol %Me_Play_Channel,%Set_vol ;音量反映 return ;******************************************************** ;音停止命令 ;********************************************************* *e_ *erase *silent getparam %Free3,%Free1 ;属性とチャンネルを取得 if %Free3 = 1 E_B notif %Free3 = 2 jumpf ; if %Free1 > 6 mov %Free1,1 ; if %Free1 < 0 mov %Free1,1 mov %Free2,%Free1 add %Free2,Me_s_Ch0 add %Free1,10 dwavestop %Free1 mov %%Free2,0 ;使用チャンネルフラグを消す return ~ notif %Free3 = 3 jumpf if %Free1 > 3 mov %Free1,1 dwavestop %Free1 return ~ notif %Free3 = 0 jumpf stop dwavestop 1 dwavestop 2 dwavestop 3 dwavestop 10 dwavestop 11 dwavestop 12 dwavestop 13 dwavestop 14 dwavestop 15 loopbgmstop mov %BGM_s_Ch,0 mov %Me_s_Ch0,0 ;使用チャンネルフラグを消す mov %Me_s_Ch1,0 ;使用チャンネルフラグを消す mov %Me_s_Ch2,0 ;使用チャンネルフラグを消す mov %Me_s_Ch3,0 ;使用チャンネルフラグを消す mov %Me_s_Ch4,0 ;使用チャンネルフラグを消す mov %Me_s_Ch5,0 ;使用チャンネルフラグを消す dwavestop 90 dwavestop 91 dwavestop 92 dwavestop 93 dwavestop 94 dwavestop 95 dwavestop 96 dwavestop 97 dwavestop 98 dwavestop 99 dwavestop 100 bgmvol default_vol ;BGM音量を戻す chvol 1,default_vol chvol 2,default_vol chvol 3,default_vol chvol 10,default_vol chvol 11,default_vol chvol 12,default_vol chvol 13,default_vol chvol 14,default_vol chvol 15,default_vol ~ return ;******************************************************************* ;旧命令　音の停止 ;******************************************************************* *St_BGM ;ＢＧＭだけ止める *E_C *E_B *E_B1 stop loopbgmstop bgmvol default_vol ;音量を戻す mov %BGM_s_Ch,0 ;演奏番号を破棄 return *E_B2 ;ミュージックエフェクトの指定チャンネルだけ止める *E_M0 dwavestop 10 chvol 10,default_vol return *E_B3 ;ミュージックエフェクトの指定チャンネルだけ止める *E_M1 dwavestop 11 mov %Me_s_Ch1,0 ;使用チャンネルフラグを消す chvol 11,default_vol return *E_B4 ;ミュージックエフェクトの指定チャンネルだけ止める *E_M2 dwavestop 12 mov %Me_s_Ch2,0 ;使用チャンネルフラグを消す chvol 12,default_vol return *E_B5 ;ミュージックエフェクトの指定チャンネルだけ止める *E_M3 dwavestop 13 mov %Me_s_Ch3,0 ;使用チャンネルフラグを消す chvol 13,default_vol return *E_B6 ;ミュージックエフェクトの指定チャンネルだけ止める *E_M4 dwavestop 14 mov %Me_s_Ch4,0 ;使用チャンネルフラグを消す chvol 14,default_vol return *E_M5 dwavestop 15 mov %Me_s_Ch5,0 ;使用チャンネルフラグを消す chvol 15,default_vol return *E_S1 chvol 1,default_vol dwavestop 1 return *E_S2 chvol 2,default_vol dwavestop 2 return *E_S3 chvol 3,default_vol dwavestop 3 return ;**************************複合********************************** *St_all ;完全停止 *St_a *E_A stop dwavestop 1 dwavestop 2 dwavestop 3 dwavestop 10 dwavestop 11 dwavestop 12 dwavestop 13 dwavestop 14 dwavestop 15 dwavestop 90 dwavestop 91 dwavestop 92 dwavestop 93 dwavestop 94 dwavestop 95 dwavestop 96 dwavestop 97 dwavestop 98 dwavestop 99 dwavestop 100 loopbgmstop mov %BGM_s_Ch,0 mov %Me_s_Ch0,0 ;使用チャンネルフラグを消す mov %Me_s_Ch1,0 ;使用チャンネルフラグを消す mov %Me_s_Ch2,0 ;使用チャンネルフラグを消す mov %Me_s_Ch3,0 ;使用チャンネルフラグを消す mov %Me_s_Ch4,0 ;使用チャンネルフラグを消す mov %Me_s_Ch5,0 ;使用チャンネルフラグを消す bgmvol default_vol ;BGM音量を戻す chvol 1,default_vol chvol 2,default_vol chvol 3,default_vol chvol 10,default_vol chvol 11,default_vol chvol 12,default_vol chvol 13,default_vol chvol 14,default_vol chvol 15,default_vol return *St_All2 ;ロード時の消音専用 *E_A2 loopbgmstop stop dwavestop 1 dwavestop 2 dwavestop 3 dwavestop 10 dwavestop 11 dwavestop 12 dwavestop 13 dwavestop 14 dwavestop 15 return *E_Me_all ;ミュージックエフェクトだけ完全停止 *E_Me_a *E_MA *E_L dwavestop 10 dwavestop 11 dwavestop 12 dwavestop 13 dwavestop 14 dwavestop 15 dwavestop 16 chvol 10,default_vol chvol 11,default_vol chvol 12,default_vol chvol 13,default_vol chvol 14,default_vol chvol 15,default_vol chvol 16,default_vol mov %Me_s_Ch0,0 ;使用チャンネルフラグを消す mov %Me_s_Ch1,0 ;使用チャンネルフラグを消す mov %Me_s_Ch2,0 ;使用チャンネルフラグを消す mov %Me_s_Ch3,0 ;使用チャンネルフラグを消す mov %Me_s_Ch4,0 ;使用チャンネルフラグを消す mov %Me_s_Ch5,0 ;使用チャンネルフラグを消す return *St_Se_all ;サウンドエフェクトだけ完全停止 *St_Se_a *E_SE dwavestop 1 dwavestop 2 dwavestop 3 chvol 1,100 chvol 2,100 chvol 3,100 return *mestop mov %Free2,%Free1 ; add %Free2,Me_s_Ch0 ;ロード時再生エリア番号を取得 mov %%Free2,0 add %Free1,10 mov %Me_Play_Channel,%Free1 dwavestop %Me_Play_Channel return ;*************************************************************************** ;ロード時のＭｅの再生、及びDllエフェクト再生 ;製作　　：2006/09/7（八咫桜） ;修正　　：2006/012/6（八咫桜） ;*************************************************************************** *Coll_system gosub *St_All2 mov %Set_vol,%BGM_v_Ch : gosub *BGM_List notif %Me_s_Ch0 = 0 mov %Set_vol,%Me_v_Ch0 : mov %Me_Play_Channel,10 : mov %Me_Number,%Me_s_Ch0 : gosub *Coll_ME ;主音が使用されているかのチェック notif %Me_s_Ch1 = 0 mov %Set_vol,%Me_v_Ch1 : mov %Me_Play_Channel,11 : mov %Me_Number,%Me_s_Ch1 : gosub *Coll_ME ;主音が使用されているかのチェック notif %Me_s_Ch2 = 0 mov %Set_vol,%Me_v_Ch2 : mov %Me_Play_Channel,12 : mov %Me_Number,%Me_s_Ch2 : gosub *Coll_ME ;主音が使用されているかのチェック notif %Me_s_Ch3 = 0 mov %Set_vol,%Me_v_Ch3 : mov %Me_Play_Channel,13 : mov %Me_Number,%Me_s_Ch3 : gosub *Coll_ME ;主音が使用されているかのチェック notif %Me_s_Ch4 = 0 mov %Set_vol,%Me_v_Ch4 : mov %Me_Play_Channel,14 : mov %Me_Number,%Me_s_Ch4 : gosub *Coll_ME ;主音が使用されているかのチェック notif %Me_s_Ch5 = 0 mov %Set_vol,%Me_v_Ch5 : mov %Me_Play_Channel,15 : mov %Me_Number,%Me_s_Ch5 : gosub *Coll_ME ;主音が使用されているかのチェック ;layermessage 10,"program_end/10" ;csp 10 ;layermessage 10,"clear/10" if %efespflg = 0 jumpf lsp efesp,"*0" layermessage 0,"i|bmp\efe\rain1.bmp,bmp\efe\rain2.bmp,bmp\efe\rain3.bmp" ;画像登録 if %efespflg2 = 1 layermessage 0,"s|1,30,-9,0,0" : layermessage 0,"f" :vsp efesp,1 if %efespflg2 = 2 layermessage 0,"s|1,30,-9,0,0" ;delay 800 ~ textshow print 1 texton return *Coll_ME gosub *Me_List dwaveload %Me_Play_Channel,$Me_Play dwaveplayloop %Me_Play_Channel chvol %Me_Play_Channel,%Set_vol ;音量反映 return ;**************************************************** ;Dllエフェクトの使用命令、停止命令 ;製作　　：2006/09/7（八咫桜） ;修正　　：2006/012/6（八咫桜） ;**************************************************** *dllefe getparam %efespflg,%efespflg2 ;降らせる物体とエフェクト表示法を取得 lsp efesp,"*0" if %efespflg = 1 layermessage 0,"i|bmp\efe\rain1.bmp,bmp\efe\rain2.bmp,bmp\efe\rain3.bmp" ;画像登録 if %efespflg2 = 1 layermessage 0,"s|1,30,-9,0,0" : layermessage 0,"f" :vsp efesp,1 if %efespflg2 = 2 layermessage 0,"s|1,30,-9,0,0" delay 800 ;print 10,500 return *dllefe_off mov %efespflg,off layermessage 0,"x" csp efesp ;print 1 return ;＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞＜＞ *Fede ;パラメーター取得 ;属性、タイマー（全体時間100ミリ秒ごとで指定） getparam %Free1,%Free9 if %Free1 = 0 goto *Fede_0 ;全てフェードアウト if %Free1 = 1 goto *Fede_10 ;ＢＧＭのみフェードアウト if %Free1 = 10 goto *Fede_1 ;Ｍｅ全てフェードアウト if %Free1 = 11 goto *Fede_11 ;Ｍｅ１のみフェードアウト if %Free1 = 12 goto *Fede_11 ;Ｍｅ２のみフェードアウト if %Free1 = 13 goto *Fede_11 ;Ｍｅ３のみフェードアウト if %Free1 = 14 goto *Fede_11 ;Ｍｅ４のみフェードアウト if %Free1 = 15 goto *Fede_11 ;Ｍｅ５のみフェードアウト ;対象チャンネルのｖｏｌ量計算 *Fede_0 ;全てフェードアウト ;変化回数を１０回に固定する、変化秒は%Fede_wait/10で計算 ;ウェイトタイマーは%bm_ptの変数に代入する。 mov %bm_pt,%Free9/10 mov %Free3,BGM_v_Ch for %Free1 = Free11 to Free17 ;各チャンネルの減少値計算を準備 mov %%Free1,%%Free3 inc %Free3 next ;之により、Free11〜Free17までがｖｏｌ減少値10ミリ単位と成る mov %Free21,%BGM_v_Ch*10 mov %Free22,%Me_v_Ch0*10 mov %Free23,%Me_v_Ch1*10 mov %Free24,%Me_v_Ch2*10 mov %Free25,%Me_v_Ch3*10 mov %Free26,%Me_v_Ch4*10 mov %Free27,%Me_v_Ch5*10 ;フェードアウト開始 for %Free1 = 1 to 10 resettimer ;内部タイマーをリセット ;減少計算 sub %Free21,%Free11 sub %Free22,%Free12 sub %Free23,%Free13 sub %Free24,%Free14 sub %Free25,%Free15 sub %Free26,%Free16 sub %Free27,%Free17 mov %BGM_v_Ch,%Free21/10 mov %Me_v_Ch0,%Free22/10 mov %Me_v_Ch1,%Free23/10 mov %Me_v_Ch2,%Free24/10 mov %Me_v_Ch3,%Free25/10 mov %Me_v_Ch4,%Free26/10 mov %Me_v_Ch5,%Free27/10 _bgmvol %BGM_v_Ch chvol 10,%Me_v_Ch0 ;音量反映 chvol 11,%Me_v_Ch1 ;音量反映 chvol 12,%Me_v_Ch2 ;音量反映 chvol 13,%Me_v_Ch3 ;音量反映 chvol 14,%Me_v_Ch4 ;音量反映 chvol 15,%Me_v_Ch5 ;音量反映 waittimer %bm_pt ;内部タイマーウェイト next ;ボリューム数値をロード用の値に収納　及び、音完全消去 wait 500 E_A return *Fede_1 ;変化回数を１０回に固定する、変化秒は%Fede_wait/10で計算 ;ウェイトタイマーは%bm_ptの変数に代入する。 mov %bm_pt,%Free9/10 mov %Free3,Me_v_Ch0 for %Free1 = Free12 to Free17 ;各チャンネルの減少値計算を準備 mov %%Free1,%%Free3 inc %Free3 next ;之により、Free11〜Free17までがｖｏｌ減少値10ミリ単位と成る mov %Free22,%Me_v_Ch0*10 mov %Free23,%Me_v_Ch1*10 mov %Free24,%Me_v_Ch2*10 mov %Free25,%Me_v_Ch3*10 mov %Free26,%Me_v_Ch4*10 mov %Free27,%Me_v_Ch5*10 ;フェードアウト開始 for %Free1 = 1 to 10 resettimer ;内部タイマーをリセット ;減少計算 sub %Free22,%Free12 sub %Free23,%Free13 sub %Free24,%Free14 sub %Free25,%Free15 sub %Free26,%Free16 sub %Free27,%Free17 mov %Me_v_Ch0,%Free22/10 mov %Me_v_Ch1,%Free23/10 mov %Me_v_Ch2,%Free24/10 mov %Me_v_Ch3,%Free25/10 mov %Me_v_Ch4,%Free26/10 mov %Me_v_Ch5,%Free27/10 chvol 10,%Me_v_Ch0 ;音量反映 chvol 11,%Me_v_Ch1 ;音量反映 chvol 12,%Me_v_Ch2 ;音量反映 chvol 13,%Me_v_Ch3 ;音量反映 chvol 14,%Me_v_Ch4 ;音量反映 chvol 15,%Me_v_Ch5 ;音量反映 waittimer %bm_pt ;内部タイマーウェイト next ;ボリューム数値をロード用の値に収納　及び、音完全消去 wait 500 E_MA return *Fede_10 ;BGMフェードアウト ;変化回数を１０回に固定する、変化秒は%Fede_wait/10で計算 ;ウェイトタイマーは%bm_ptの変数に代入する。 mov %bm_pt,%Free9/10 mov %Free11,%BGM_v_Ch ;之により、Free11〜Free17までがｖｏｌ減少値10ミリ単位と成る mov %Free21,%BGM_v_Ch*10 ;フェードアウト開始 for %Free1 = 1 to 10 resettimer ;内部タイマーをリセット ;減少計算 sub %Free21,%Free11 mov %BGM_v_Ch,%Free21/10 _bgmvol %BGM_v_Ch waittimer %bm_pt ;内部タイマーウェイト next ;ボリューム数値をロード用の値に収納　及び、音完全消去 wait 500 E_B return *Fede_11 ;変化回数を１０回に固定する、変化秒は%Fede_wait/10で計算 ;ウェイトタイマーは%bm_ptの変数に代入する。 mov %bm_pt,%Free9/10 mov %Free3,%Free1 + Me_v_Ch0 - 10 mov %Free12,%%Free3 ;之により、Free11〜Free17までがｖｏｌ減少値10ミリ単位と成る mov %Free22,%%Free3*10 ;フェードアウト開始 for %Free19 = 1 to 10 resettimer ;内部タイマーをリセット ;減少計算 sub %Free22,%Free12 mov %%Free3,%Free22/10 chvol %Free1,%%Free3 ;音量反映 waittimer %bm_pt ;内部タイマーウェイト next ;ボリューム数値をロード用の値に収納　及び、音完全消去 wait 500 sub %Free1,10 e_ 2,%Free1 return *cross1 ;ウェイト、Ｍｅ１〜５ getparam %Free9,%Free1,%Free2,%Free3,%Free4,%Free5 ;差分より、増減値を求める（プラスなら音量アップ、マイナスなら音量ダウン） sub %Free1,%Me_v_Ch1 : div %Free1,10 sub %Free2,%Me_v_Ch2 : div %Free2,10 sub %Free3,%Me_v_Ch3 : div %Free3,10 sub %Free4,%Me_v_Ch4 : div %Free4,10 sub %Free5,%Me_v_Ch5 : div %Free5,10 ;ウェイトの計算準備 mov %crosstimer,%Free9/10 for %Free8 = 1 to 10 ;音量変更開始 resettimer ;内部タイマーをリセット ;ＢＧＭの音量減少 sub %BGM_v_Ch,%BGM_v_Ch/10 ;Ｍｅの増加計算 mov %Free11,Free1 for %Free16 = Me_v_Ch1 to Me_v_Ch5 notif %Free11 = 0 add %%Free16,%%Free11 inc %Free11 next _bgmvol %BGM_v_Ch chvol 11,%Me_v_ch1 ;音量反映 chvol 12,%Me_v_ch2 ;音量反映 chvol 13,%Me_v_ch3 ;音量反映 chvol 14,%Me_v_ch4 ;音量反映 chvol 15,%Me_v_ch5 ;音量反映 waittimer %crosstimer ;内部タイマーウェイト next E_B for %Free1 = Me_v_ch1 to Me_v_ch5 if %%Free1 < 1 e_ 2,%Free1 next return *cross2 ;ウェイト、ＢＧＭ getparam %Free9,%Free1 ;BGMの一回あたりの増減値を算出（処理回数は１０回で固定） sub %Free1,%BGM_v_Ch : div %Free1,10 ;ウェイトタイマーの算出 mov %crosstimer,%Free9/10 for %Free16 = 1 to 10 resettimer ;内部タイマーをリセット ;ＢＧＭ増減の計算 add %BGM_v_Ch,%Free1 ;Ｍｅの減少 for %Free11 = Me_v_Ch1 to Me_v_Ch5 notif %%Free11 = 0 sub %%Free11,%%Free11/10 next _bgmvol %BGM_v_Ch chvol 11,%Me_v_ch1 ;音量反映 chvol 12,%Me_v_ch2 ;音量反映 chvol 13,%Me_v_ch3 ;音量反映 chvol 14,%Me_v_ch4 ;音量反映 chvol 15,%Me_v_ch5 ;音量反映 waittimer %crosstimer ;内部タイマーウェイト next E_MA if %BGM_v_Ch = 0 E_B return ;命令文　（ｂｇｍ）（Ｍｅ１）（Ｍｅ２）（Ｍｅ３）（Ｍｅ４）（Ｍｅ５）（ウェイト） *fedeXX getparam %Fede_bgmv,%Fede_Me1v,%Fede_Me2v,%Fede_Me3v,%Fede_Me4v,%Fede_Me5v,%Fede_wait ;変動なしチェック if %Fede_bgmv > 0 mov %Fede_bgmvflg,1 if %Fede_Me1v > 0 mov %Fede_Me1vflg,1 if %Fede_Me2v > 0 mov %Fede_Me2vflg,1 if %Fede_Me3v > 0 mov %Fede_Me3vflg,1 if %Fede_Me4v > 0 mov %Fede_Me4vflg,1 if %Fede_Me5v > 0 mov %Fede_Me5vflg,1 if %Fede_bgmv < 100 mov %Fede_bgmvflg,1 if %Fede_Me1v < 100 mov %Fede_Me1vflg,1 if %Fede_Me2v < 100 mov %Fede_Me2vflg,1 if %Fede_Me3v < 100 mov %Fede_Me3vflg,1 if %Fede_Me4v < 100 mov %Fede_Me4vflg,1 if %Fede_Me5v < 100 mov %Fede_Me5vflg,1 if %Fede_bgmv = %BGM_v_Ch mov %Fede_bgmvflg,0 if %Fede_Me1v = %Me_v_Ch1 mov %Fede_Me1vflg,0 if %Fede_Me2v = %Me_v_Ch2 mov %Fede_Me2vflg,0 if %Fede_Me3v = %Me_v_Ch3 mov %Fede_Me3vflg,0 if %Fede_Me4v = %Me_v_Ch4 mov %Fede_Me4vflg,0 if %Fede_Me5v = %Me_v_Ch5 mov %Fede_Me5vflg,0 ;変動音量値算出 mov %Free5,Fede_bgmvflg2 ;音量変動方向フラグ　ｏｎ＝ダウン　ｏｆｆ＝アップ mov %Free4,Fede_bgmv2 ;音量変動値 mov %Free2,Fede_bgmv ;音量指定値 mov %Free3,bgm_v_ch ;音量現在値 for %Free1 = Fede_bgmvflg to Fede_Me5vflg ;変動なしフラグオンの時は飛ばす if %%Free1 = 0 jumpf if %%Free2 < %%Free3 mov %%Free4,%%Free3 : sub %%Free4,%%Free2 : mov %%Free5,on if %%Free2 > %%Free3 mov %%Free4,%%Free2 : sub %%Free4,%%Free3 : mov %%Free5,off ~ inc %Free2 inc %Free3 inc %Free4 inc %Free5 if %Free3 = Me_v_Ch0 inc %Free3 next ;１０ミリ単位の計算準備 mov %Free3,Fede_bgmv4 ;１０ミリ用変動値 mov %Free6,Fede_bgmv2 ;変動幅 mov %Fede_bgmv3,%bgm_v_ch ;１０ミリ用現在値 mov %Fede_Me1v3,%Me_v_ch1 mov %Fede_Me2v3,%Me_v_ch2 mov %Fede_Me3v3,%Me_v_ch3 mov %Fede_Me4v3,%Me_v_ch4 mov %Fede_Me5v3,%Me_v_ch5 mul %Fede_bgmv3,100 mul %Fede_Me1v3,100 mul %Fede_Me2v3,100 mul %Fede_Me3v3,100 mul %Fede_Me4v3,100 mul %Fede_Me5v3,100 ;†改造部分 ;div %Fede_wait,100 ;１００ミリセコンド用ウェイト回数 ;変化回数を１０回に固定する、変化秒は%Fede_wait/10で計算 ;ウェイトタイマーは%bm_ptの変数に代入する。 mov %bm_pt,%Fede_wait/10 for %Free1 = Fede_bgmvflg to Fede_Me5vflg ;変動なしフラグオンの時は飛ばす if %%Free1 = 0 jumpf mov %%Free3,%%Free6 mul %%Free3,100 div %%Free3,10 ~ inc %Free3 inc %Free4 inc %Free6 next ;音量変動実行式 for %Free9 = 1 to 10 resettimer ;内部タイマーをリセット mov %Free2,Fede_bgmv3 ;１０ミリ用現在値 mov %Free3,Fede_bgmv4 ;１０ミリ用変動値 mov %Free5,Fede_bgmvflg2 mov %Free6,Free11 ;演奏用音量値 ;変動計算 ;変動なしフラグオン時は飛ばす for %Free1 = Fede_bgmvflg to Fede_Me5vflg if %%Free1 = 0 jumpf if %%Free5 = on sub %%Free2,%%Free3 if %%Free5 = off add %%Free2,%%Free3 mov %%Free6,%%Free2 div %%Free6,100 ~ inc %Free2 inc %Free3 inc %Free5 inc %Free6 next ;変動実行部分 if %Fede_bgmvflg = 1 _bgmvol %Free11 if %Fede_Me1vflg = 1 chvol 11,%Free12 ;音量反映 if %Fede_Me2vflg = 1 chvol 12,%Free13 ;音量反映 if %Fede_Me3vflg = 1 chvol 13,%Free14 ;音量反映 if %Fede_Me4vflg = 1 chvol 14,%Free15 ;音量反映 if %Fede_Me5vflg = 1 chvol 15,%Free16 ;音量反映 waittimer %bm_pt ;内部タイマーウェイト next ;ボリューム数値をロード用の値に収納 if %Fede_bgmvflg = 1 _bgmvol %Fede_bgmv : mov %bgm_v_ch,%Fede_bgmv if %Fede_Me1vflg = 1 chvol 11,%Fede_Me1v : mov %Me_v_Ch1,%Fede_Me1v ;音量反映 if %Fede_Me2vflg = 1 chvol 12,%Fede_Me2v : mov %Me_v_Ch2,%Fede_Me2v ;音量反映 if %Fede_Me3vflg = 1 chvol 13,%Fede_Me3v : mov %Me_v_Ch3,%Fede_Me3v ;音量反映 if %Fede_Me4vflg = 1 chvol 14,%Fede_Me4v : mov %Me_v_Ch4,%Fede_Me4v ;音量反映 if %Fede_Me5vflg = 1 chvol 15,%Fede_Me5v : mov %Me_v_Ch5,%Fede_Me5v ;音量反映 for %Free1 = Fede_bgmv to Fede_Me5v4 mov %%Free1,0 next return *flg_set getparam %Free1,%Free2,%Free3 ;%Free1 = フラグタイトルの選択 ;%Free2 = フラグタイトルの主な表示位置（右上とか、左下とか） ;%Free3 = フラグの変数の直接値 ;フラグのタイトル決め if %Free1 = 1 mov $flg_passT,"bmp\efe\number\flg_titel1.bmp" : jumpf ;負けフラグ if %Free1 = 2 mov $flg_passT,"bmp\efe\number\flg_titel1.bmp" : jumpf ;死亡フラグ if %Free1 = 3 mov $flg_passT,"bmp\efe\number\flg_titel1.bmp" : jumpf ;フラグ ;指定値が規定外だったとき mov $flg_passT,"bmp\efe\number\flg_titel1.bmp" ~ ;スプライトの位置決め if %Free2 = 1 mov %flg_sp_x,510 : mov %flg_sp_y,0 : mov %flg_number_tx,530 : mov %flg_number_ty,0 : mov %flg_number_ox,575 : mov %flg_number_oy,0 : jumpf ;右上 if %Free2 = 2 mov %flg_sp_x,510 : mov %flg_sp_y,360 : mov %flg_number_tx,530 : mov %flg_number_ty,420 : mov %flg_number_ox,575 : mov %flg_number_oy,420 : jumpf ;右下 if %Free2 = 3 mov %flg_sp_x,0 : mov %flg_sp_y,0 : mov %flg_number_tx,0 : mov %flg_number_ty,0 : mov %flg_number_ox,45 : mov %flg_number_oy,0 : jumpf ;左上 if %Free2 = 4 mov %flg_sp_x,0 : mov %flg_sp_y,360 : mov %flg_number_tx,0 : mov %flg_number_ty,420 : mov %flg_number_ox,45 : mov %flg_number_oy,420 : jumpf ;左下 ;指定値が規定外だったとき mov %flg_sp_x,0 mov %flg_sp_y,360 mov flg_number_tx,0 mov flg_number_ty,420 mov flg_number_ox,65 mov flg_number_oy,420 ~ ;十の桁算出 mov %flg_number_t,%Free3 div %flg_number_t,10 if %flg_number_t = 0 mov $flg_pass10,"bmp\efe\number\0.bmp" : jumpf if %flg_number_t = 1 mov $flg_pass10,"bmp\efe\number\1.bmp" : jumpf if %flg_number_t = 2 mov $flg_pass10,"bmp\efe\number\2.bmp" : jumpf if %flg_number_t = 3 mov $flg_pass10,"bmp\efe\number\3.bmp" : jumpf if %flg_number_t = 4 mov $flg_pass10,"bmp\efe\number\4.bmp" : jumpf if %flg_number_t = 5 mov $flg_pass10,"bmp\efe\number\5.bmp" : jumpf if %flg_number_t = 6 mov $flg_pass10,"bmp\efe\number\6.bmp" : jumpf if %flg_number_t = 7 mov $flg_pass10,"bmp\efe\number\7.bmp" : jumpf if %flg_number_t = 8 mov $flg_pass10,"bmp\efe\number\8.bmp" : jumpf if %flg_number_t = 9 mov $flg_pass10,"bmp\efe\number\9.bmp" : jumpf mov $flg_pass10,"" ~ ;一の桁算出 mov %flg_number_o,%Free3 mod %flg_number_o,10 if %flg_number_o = 0 mov $flg_pass1,"bmp\efe\number\0.bmp" : jumpf if %flg_number_o = 1 mov $flg_pass1,"bmp\efe\number\1.bmp" : jumpf if %flg_number_o = 2 mov $flg_pass1,"bmp\efe\number\2.bmp" : jumpf if %flg_number_o = 3 mov $flg_pass1,"bmp\efe\number\3.bmp" : jumpf if %flg_number_o = 4 mov $flg_pass1,"bmp\efe\number\4.bmp" : jumpf if %flg_number_o = 5 mov $flg_pass1,"bmp\efe\number\5.bmp" : jumpf if %flg_number_o = 6 mov $flg_pass1,"bmp\efe\number\6.bmp" : jumpf if %flg_number_o = 7 mov $flg_pass1,"bmp\efe\number\7.bmp" : jumpf if %flg_number_o = 8 mov $flg_pass1,"bmp\efe\number\8.bmp" : jumpf if %flg_number_o = 9 mov $flg_pass1,"bmp\efe\number\9.bmp" : jumpf mov $flg_pass1,"bmp\efe\" ~ ;タイトルをセット ;lsph flg_sp1,$flg_passT,%flg_sp_x,%flg_sp_y lsph flg_sp2,$flg_pass10,%flg_number_tx,%flg_number_ty lsph flg_sp3,$flg_pass1,%flg_number_ox,%flg_number_oy return *flg_p inc %flg_number_o if %flg_number_o = 1 mov $flg_pass1,"bmp\efe\number\1.bmp" : jumpf if %flg_number_o = 2 mov $flg_pass1,"bmp\efe\number\2.bmp" : jumpf if %flg_number_o = 3 mov $flg_pass1,"bmp\efe\number\3.bmp" : jumpf if %flg_number_o = 4 mov $flg_pass1,"bmp\efe\number\4.bmp" : jumpf if %flg_number_o = 5 mov $flg_pass1,"bmp\efe\number\5.bmp" : jumpf if %flg_number_o = 6 mov $flg_pass1,"bmp\efe\number\6.bmp" : jumpf if %flg_number_o = 7 mov $flg_pass1,"bmp\efe\number\7.bmp" : jumpf if %flg_number_o = 8 mov $flg_pass1,"bmp\efe\number\8.bmp" : jumpf if %flg_number_o = 9 mov $flg_pass1,"bmp\efe\number\9.bmp" : jumpf ;繰り上がり mov $flg_pass1,"bmp\efe\number\0.bmp" mov %flg_number_o,0 inc %flg_number_t if %flg_number_t = 1 mov $flg_pass10,"bmp\efe\number\1.bmp" if %flg_number_t = 2 mov $flg_pass10,"bmp\efe\number\2.bmp" if %flg_number_t = 3 mov $flg_pass10,"bmp\efe\number\3.bmp" if %flg_number_t = 4 mov $flg_pass10,"bmp\efe\number\4.bmp" if %flg_number_t = 5 mov $flg_pass10,"bmp\efe\number\5.bmp" if %flg_number_t = 6 mov $flg_pass10,"bmp\efe\number\6.bmp" if %flg_number_t = 7 mov $flg_pass10,"bmp\efe\number\7.bmp" if %flg_number_t = 8 mov $flg_pass10,"bmp\efe\number\8.bmp" if %flg_number_t = 9 mov $flg_pass10,"bmp\efe\number\9.bmp" if %flg_number_t = 10 mov $flg_pass10,"bmp\efe\number\0.bmp" : mov %flg_number_t,0 lsp flg_sp2,$flg_pass10,%flg_number_tx,%flg_number_ty ~ erasetextwindow 0 ;vsp flg_sp1,1 notif %flg_number_t = 0 vsp flg_sp2,1 :jumpf csp flg_sp2 ~ lsp flg_sp3,$flg_pass1,%flg_number_ox,%flg_number_oy se1 70 ;効果音 print 1 erasetextwindow 1 return *BGM_List ;ミュージックデータパス一覧 if %BGM_s_Ch = 0 return ;無音のときは処理を抜ける if %ispatched = 1 jumpf if %BGM_s_Ch = 1 mov $BGM_Play,"bgm\tsubaki.ogg" if %BGM_s_Ch = 2 mov $BGM_Play,"bgm\夏の扉.ogg" if %BGM_s_Ch = 3 mov $BGM_Play,"bgm\HANE.ogg" if %BGM_s_Ch = 4 mov $BGM_Play,"bgm\Ride on（飛行機に乗って島に行くときのイメージ）.ogg" if %BGM_s_Ch = 5 mov $BGM_Play,"bgm\sea.ogg" if %BGM_s_Ch = 6 mov $BGM_Play,"bgm\暗闇の刻.ogg";元はwav if %BGM_s_Ch = 7 mov $BGM_Play,"bgm\novelette.ogg" if %BGM_s_Ch = 8 mov $BGM_Play,"bgm\hope(Ver1.00).ogg" if %BGM_s_Ch = 9 mov $BGM_Play,"bgm\白い影.ogg" if %BGM_s_Ch = 10 mov $BGM_Play,"bgm\tekuteku.ogg" if %BGM_s_Ch = 11 mov $BGM_Play,"bgm\Towering cloud in summer.ogg" if %BGM_s_Ch = 12 mov $BGM_Play,"bgm\slowmotion.ogg" if %BGM_s_Ch = 13 mov $BGM_Play,"bgm\shika_long.ogg" if %BGM_s_Ch = 14 mov $BGM_Play,"bgm\隣死　mu.ogg";元はwav if %BGM_s_Ch = 15 mov $BGM_Play,"bgm\煉沙回廊mu.ogg";元はwav if %BGM_s_Ch = 16 mov $BGM_Play,"bgm\Fortitude.ogg";この曲のマスターは、同名のwavファイル。どうやら、巨大なwavの再生は何かの不具合を引き起こす模様。 if %BGM_s_Ch = 17 mov $BGM_Play,"bgm\10_witch_in_gold_cenba.ogg" if %BGM_s_Ch = 18 mov $BGM_Play,"bgm\誘い.ogg";元はwav if %BGM_s_Ch = 19 mov $BGM_Play,"bgm\犯行の予告状読み上げ（ラック眼力）.ogg";元はwav if %BGM_s_Ch = 20 mov $BGM_Play,"bgm\02_stupefaction.ogg";怖い曲 if %BGM_s_Ch = 21 mov $BGM_Play,"bgm\M4.ogg" if %BGM_s_Ch = 22 mov $BGM_Play,"bgm\sakura.ogg" if %BGM_s_Ch = 23 mov $BGM_Play,"bgm\ageha.ogg" if %BGM_s_Ch = 24 mov $BGM_Play,"bgm\rahu_goldenslaughterer.ogg" if %BGM_s_Ch = 25 mov $BGM_Play,"bgm\11b_worldend_solo.ogg" if %BGM_s_Ch = 26 mov $BGM_Play,"bgm\絵画の魔女.ogg" if %BGM_s_Ch = 27 mov $BGM_Play,"bgm\09_suspicion.ogg";推理曲 if %BGM_s_Ch = 28 mov $BGM_Play,"bgm\痕音.ogg" if %BGM_s_Ch = 29 mov $BGM_Play,"bgm\問い詰め.ogg" if %BGM_s_Ch = 30 mov $BGM_Play,"bgm\minute darkness.ogg" if %BGM_s_Ch = 31 mov $BGM_Play,"bgm\u2_nighteyes.ogg" if %BGM_s_Ch = 32 mov $BGM_Play,"bgm\Closed My Heart.ogg" if %BGM_s_Ch = 33 mov $BGM_Play,"bgm\Ｒｅｑｕｉｅｍ.ogg" if %BGM_s_Ch = 34 mov $BGM_Play,"bgm\mind_2.ogg" if %BGM_s_Ch = 35 mov $BGM_Play,"bgm\11a_worldend.ogg" if %BGM_s_Ch = 36 mov $BGM_Play,"bgm\03_play.ogg" if %BGM_s_Ch = 37 mov $BGM_Play,"bgm\system0.ogg" if %BGM_s_Ch = 38 mov $BGM_Play,"bgm\07_voiceless.ogg" if %BGM_s_Ch = 39 mov $BGM_Play,"bgm\08_deadangle.ogg" if %BGM_s_Ch = 40 mov $BGM_Play,"bgm\オルガン小曲_第6億番_ハ短調.ogg" if %BGM_s_Ch = 41 mov $BGM_Play,"bgm\rougoku.ogg" if %BGM_s_Ch = 42 mov $BGM_Play,"bgm\gc-01.ogg" if %BGM_s_Ch = 43 mov $BGM_Play,"bgm\00_cage_take3.ogg";ここからＥＰ２ if %BGM_s_Ch = 44 mov $BGM_Play,"bgm\黄金の影修正版（ラック眼力）.ogg" if %BGM_s_Ch = 45 mov $BGM_Play,"bgm\sasorinoharawata.ogg" if %BGM_s_Ch = 46 mov $BGM_Play,"bgm\sy.ogg" if %BGM_s_Ch = 47 mov $BGM_Play,"bgm\Answer.ogg" if %BGM_s_Ch = 48 mov $BGM_Play,"bgm\Answer_short.ogg" if %BGM_s_Ch = 49 mov $BGM_Play,"bgm\sirabe_oche.ogg" if %BGM_s_Ch = 50 mov $BGM_Play,"bgm\Red Dread.ogg" if %BGM_s_Ch = 51 mov $BGM_Play,"bgm\moon.ogg" if %BGM_s_Ch = 52 mov $BGM_Play,"bgm\where-02.ogg" if %BGM_s_Ch = 53 mov $BGM_Play,"bgm\Dread of the grave.ogg" if %BGM_s_Ch = 54 mov $BGM_Play,"bgm\worldenddominator.ogg" if %BGM_s_Ch = 55 mov $BGM_Play,"bgm\u2_黒のリリアナ.ogg" if %BGM_s_Ch = 56 mov $BGM_Play,"bgm\休息.ogg" if %BGM_s_Ch = 57 mov $BGM_Play,"bgm\白日夢の果て_age.ogg" if %BGM_s_Ch = 58 mov $BGM_Play,"bgm\sirabe_mx.ogg" if %BGM_s_Ch = 59 mov $BGM_Play,"bgm\As time goes by.ogg" if %BGM_s_Ch = 60 mov $BGM_Play,"bgm\ひだまり.ogg";ここからＥＰ３ if %BGM_s_Ch = 61 mov $BGM_Play,"bgm\ロウソクたちが踊る.ogg" if %BGM_s_Ch = 62 mov $BGM_Play,"bgm\Haruka.ogg" if %BGM_s_Ch = 63 mov $BGM_Play,"bgm\psy-chorus.ogg" if %BGM_s_Ch = 64 mov $BGM_Play,"bgm\far.ogg" if %BGM_s_Ch = 65 mov $BGM_Play,"bgm\あかいくつ偽.ogg" if %BGM_s_Ch = 66 mov $BGM_Play,"bgm\mother.ogg" if %BGM_s_Ch = 67 mov $BGM_Play,"bgm\haze.ogg" if %BGM_s_Ch = 68 mov $BGM_Play,"bgm\踊る煙官.ogg" if %BGM_s_Ch = 69 mov $BGM_Play,"bgm\Dread of the grave -More fear-.ogg" if %BGM_s_Ch = 70 mov $BGM_Play,"bgm\オルガン小曲_第2億番_ハ短調.ogg" if %BGM_s_Ch = 71 mov $BGM_Play,"bgm\rhythm-changer.ogg" if %BGM_s_Ch = 72 mov $BGM_Play,"bgm\happiness of marionette_omake.ogg" if %BGM_s_Ch = 73 mov $BGM_Play,"bgm\happiness of marionette.ogg" if %BGM_s_Ch = 74 mov $BGM_Play,"bgm\月うさぎの舞踏.ogg" if %BGM_s_Ch = 75 mov $BGM_Play,"bgm\Melting away.ogg" if %BGM_s_Ch = 76 mov $BGM_Play,"bgm\soul of soul.ogg" if %BGM_s_Ch = 77 mov $BGM_Play,"bgm\miragecoordinator.ogg" if %BGM_s_Ch = 78 mov $BGM_Play,"bgm\prison.ogg" if %BGM_s_Ch = 79 mov $BGM_Play,"bgm\生まれてきてくれてありがとう.ogg" if %BGM_s_Ch = 80 mov $BGM_Play,"bgm\翼.ogg" if %BGM_s_Ch = 81 mov $BGM_Play,"bgm\失楽園.ogg" if %BGM_s_Ch = 82 mov $BGM_Play,"bgm\wingless.ogg" if %BGM_s_Ch = 83 mov $BGM_Play,"bgm\activepain.ogg" if %BGM_s_Ch = 84 mov $BGM_Play,"bgm\Dread of the grave -rhythm ver-.ogg" ;EP4追加 if %BGM_s_Ch = 85 mov $BGM_Play,"bgm\久遠.ogg" if %BGM_s_Ch = 86 mov $BGM_Play,"bgm\over.ogg" if %BGM_s_Ch = 87 mov $BGM_Play,"bgm\Like the gale.ogg" if %BGM_s_Ch = 88 mov $BGM_Play,"bgm\F Style.ogg" if %BGM_s_Ch = 89 mov $BGM_Play,"bgm\Monochrome Clock.ogg" if %BGM_s_Ch = 90 mov $BGM_Play,"bgm\apathy.ogg" if %BGM_s_Ch = 91 mov $BGM_Play,"bgm\神秘の森.ogg" if %BGM_s_Ch = 92 mov $BGM_Play,"bgm\さくたろうの頑張り物語り.ogg" if %BGM_s_Ch = 93 mov $BGM_Play,"bgm\Parallel.ogg" if %BGM_s_Ch = 94 mov $BGM_Play,"bgm\F Style.ogg" if %BGM_s_Ch = 95 mov $BGM_Play,"bgm\599 million ruins.ogg" if %BGM_s_Ch = 96 mov $BGM_Play,"bgm\maria_utanasi_mx.ogg" if %BGM_s_Ch = 97 mov $BGM_Play,"bgm\Surrounding.ogg" if %BGM_s_Ch = 98 mov $BGM_Play,"bgm\hibuta.ogg" if %BGM_s_Ch = 99 mov $BGM_Play,"bgm\death(from stupefaction).ogg" if %BGM_s_Ch = 100 mov $BGM_Play,"bgm\mortal stampede.ogg" if %BGM_s_Ch = 101 mov $BGM_Play,"bgm\Victima_propiciatoria.ogg" if %BGM_s_Ch = 102 mov $BGM_Play,"bgm\Revolt.ogg" if %BGM_s_Ch = 103 mov $BGM_Play,"bgm\煉獄凶狂葬曲.ogg" if %BGM_s_Ch = 104 mov $BGM_Play,"bgm\happy_maria_uta_m.ogg" if %BGM_s_Ch = 105 mov $BGM_Play,"bgm\26_dive to emergency.ogg" if %BGM_s_Ch = 106 mov $BGM_Play,"bgm\dir.ogg" if %BGM_s_Ch = 107 mov $BGM_Play,"bgm\エンドレスナイン（リズム付き）.ogg" if %BGM_s_Ch = 108 mov $BGM_Play,"bgm\dreamenddischarger.ogg" if %BGM_s_Ch = 109 mov $BGM_Play,"bgm\discode1c.ogg" ;ディスコード if %BGM_s_Ch = 110 mov $BGM_Play,"bgm\くるり.ogg" ; if %BGM_s_Ch = 111 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ; if %BGM_s_Ch = 112 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ; if %BGM_s_Ch = 113 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ; if %BGM_s_Ch = 114 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ~ if %ispatched <> 1 jumpf if %BGM_s_Ch = 1 mov $BGM_Play,"bgm\tsubaki.ogg" if %BGM_s_Ch = 2 mov $BGM_Play,"bgm\02.ogg" if %BGM_s_Ch = 3 mov $BGM_Play,"bgm\HANE.ogg" if %BGM_s_Ch = 4 mov $BGM_Play,"bgm\Ride on.ogg" if %BGM_s_Ch = 5 mov $BGM_Play,"bgm\sea.ogg" if %BGM_s_Ch = 6 mov $BGM_Play,"bgm\06.ogg";元はwav if %BGM_s_Ch = 7 mov $BGM_Play,"bgm\novelette.ogg" if %BGM_s_Ch = 8 mov $BGM_Play,"bgm\hope(Ver1.00).ogg" if %BGM_s_Ch = 9 mov $BGM_Play,"bgm\09.ogg" if %BGM_s_Ch = 10 mov $BGM_Play,"bgm\tekuteku.ogg" if %BGM_s_Ch = 11 mov $BGM_Play,"bgm\Towering cloud in summer.ogg" if %BGM_s_Ch = 12 mov $BGM_Play,"bgm\slowmotion.ogg" if %BGM_s_Ch = 13 mov $BGM_Play,"bgm\shika_long.ogg" if %BGM_s_Ch = 14 mov $BGM_Play,"bgm\14.ogg";元はwav if %BGM_s_Ch = 15 mov $BGM_Play,"bgm\15.ogg";元はwav if %BGM_s_Ch = 16 mov $BGM_Play,"bgm\Fortitude.ogg";この曲のマスターは、同名のwavファイル。どうやら、巨大なwavの再生は何かの不具合を引き起こす模様。 if %BGM_s_Ch = 17 mov $BGM_Play,"bgm\10_witch_in_gold_cenba.ogg" if %BGM_s_Ch = 18 mov $BGM_Play,"bgm\18.ogg";元はwav if %BGM_s_Ch = 19 mov $BGM_Play,"bgm\19.ogg";元はwav if %BGM_s_Ch = 20 mov $BGM_Play,"bgm\02_stupefaction.ogg";怖い曲 if %BGM_s_Ch = 21 mov $BGM_Play,"bgm\M4.ogg" if %BGM_s_Ch = 22 mov $BGM_Play,"bgm\sakura.ogg" if %BGM_s_Ch = 23 mov $BGM_Play,"bgm\ageha.ogg" if %BGM_s_Ch = 24 mov $BGM_Play,"bgm\rahu_goldenslaughterer.ogg" if %BGM_s_Ch = 25 mov $BGM_Play,"bgm\11b_worldend_solo.ogg" if %BGM_s_Ch = 26 mov $BGM_Play,"bgm\26.ogg" if %BGM_s_Ch = 27 mov $BGM_Play,"bgm\09_suspicion.ogg";推理曲 if %BGM_s_Ch = 28 mov $BGM_Play,"bgm\28.ogg" if %BGM_s_Ch = 29 mov $BGM_Play,"bgm\29.ogg" if %BGM_s_Ch = 30 mov $BGM_Play,"bgm\minute darkness.ogg" if %BGM_s_Ch = 31 mov $BGM_Play,"bgm\u2_nighteyes.ogg" if %BGM_s_Ch = 32 mov $BGM_Play,"bgm\Closed My Heart.ogg" if %BGM_s_Ch = 33 mov $BGM_Play,"bgm\Requiem.ogg" if %BGM_s_Ch = 34 mov $BGM_Play,"bgm\mind_2.ogg" if %BGM_s_Ch = 35 mov $BGM_Play,"bgm\11a_worldend.ogg" if %BGM_s_Ch = 36 mov $BGM_Play,"bgm\03_play.ogg" if %BGM_s_Ch = 37 mov $BGM_Play,"bgm\system0.ogg" if %BGM_s_Ch = 38 mov $BGM_Play,"bgm\07_voiceless.ogg" if %BGM_s_Ch = 39 mov $BGM_Play,"bgm\08_deadangle.ogg" if %BGM_s_Ch = 40 mov $BGM_Play,"bgm\40.ogg" if %BGM_s_Ch = 41 mov $BGM_Play,"bgm\rougoku.ogg" if %BGM_s_Ch = 42 mov $BGM_Play,"bgm\gc-01.ogg" if %BGM_s_Ch = 43 mov $BGM_Play,"bgm\00_cage_take3.ogg";ここからＥＰ２ if %BGM_s_Ch = 44 mov $BGM_Play,"bgm\44.ogg" if %BGM_s_Ch = 45 mov $BGM_Play,"bgm\sasorinoharawata.ogg" if %BGM_s_Ch = 46 mov $BGM_Play,"bgm\sy.ogg" if %BGM_s_Ch = 47 mov $BGM_Play,"bgm\Answer.ogg" if %BGM_s_Ch = 48 mov $BGM_Play,"bgm\Answer_short.ogg" if %BGM_s_Ch = 49 mov $BGM_Play,"bgm\sirabe_oche.ogg" if %BGM_s_Ch = 50 mov $BGM_Play,"bgm\Red Dread.ogg" if %BGM_s_Ch = 51 mov $BGM_Play,"bgm\moon.ogg" if %BGM_s_Ch = 52 mov $BGM_Play,"bgm\where-02.ogg" if %BGM_s_Ch = 53 mov $BGM_Play,"bgm\Dread of the grave.ogg" if %BGM_s_Ch = 54 mov $BGM_Play,"bgm\worldenddominator.ogg" if %BGM_s_Ch = 55 mov $BGM_Play,"bgm\55.ogg" if %BGM_s_Ch = 56 mov $BGM_Play,"bgm\56.ogg" if %BGM_s_Ch = 57 mov $BGM_Play,"bgm\57.ogg" if %BGM_s_Ch = 58 mov $BGM_Play,"bgm\sirabe_mx.ogg" if %BGM_s_Ch = 59 mov $BGM_Play,"bgm\As time goes by.ogg" if %BGM_s_Ch = 60 mov $BGM_Play,"bgm\60.ogg";ここからＥＰ３ if %BGM_s_Ch = 61 mov $BGM_Play,"bgm\61.ogg" if %BGM_s_Ch = 62 mov $BGM_Play,"bgm\Haruka.ogg" if %BGM_s_Ch = 63 mov $BGM_Play,"bgm\psy-chorus.ogg" if %BGM_s_Ch = 64 mov $BGM_Play,"bgm\far.ogg" if %BGM_s_Ch = 65 mov $BGM_Play,"bgm\65.ogg" if %BGM_s_Ch = 66 mov $BGM_Play,"bgm\mother.ogg" if %BGM_s_Ch = 67 mov $BGM_Play,"bgm\haze.ogg" if %BGM_s_Ch = 68 mov $BGM_Play,"bgm\68.ogg" if %BGM_s_Ch = 69 mov $BGM_Play,"bgm\Dread of the grave -More fear-.ogg" if %BGM_s_Ch = 70 mov $BGM_Play,"bgm\70.ogg" if %BGM_s_Ch = 71 mov $BGM_Play,"bgm\rhythm-changer.ogg" if %BGM_s_Ch = 72 mov $BGM_Play,"bgm\happiness of marionette_omake.ogg" if %BGM_s_Ch = 73 mov $BGM_Play,"bgm\happiness of marionette.ogg" if %BGM_s_Ch = 74 mov $BGM_Play,"bgm\74.ogg" if %BGM_s_Ch = 75 mov $BGM_Play,"bgm\Melting away.ogg" if %BGM_s_Ch = 76 mov $BGM_Play,"bgm\soul of soul.ogg" if %BGM_s_Ch = 77 mov $BGM_Play,"bgm\miragecoordinator.ogg" if %BGM_s_Ch = 78 mov $BGM_Play,"bgm\prison.ogg" if %BGM_s_Ch = 79 mov $BGM_Play,"bgm\79.ogg" if %BGM_s_Ch = 80 mov $BGM_Play,"bgm\80.ogg" if %BGM_s_Ch = 81 mov $BGM_Play,"bgm\81.ogg" if %BGM_s_Ch = 82 mov $BGM_Play,"bgm\wingless.ogg" if %BGM_s_Ch = 83 mov $BGM_Play,"bgm\activepain.ogg" if %BGM_s_Ch = 84 mov $BGM_Play,"bgm\Dread of the grave -rhythm ver-.ogg" ;EP4追加 if %BGM_s_Ch = 85 mov $BGM_Play,"bgm\85.ogg" if %BGM_s_Ch = 86 mov $BGM_Play,"bgm\over.ogg" if %BGM_s_Ch = 87 mov $BGM_Play,"bgm\Like the gale.ogg" if %BGM_s_Ch = 88 mov $BGM_Play,"bgm\F Style.ogg" if %BGM_s_Ch = 89 mov $BGM_Play,"bgm\Monochrome Clock.ogg" if %BGM_s_Ch = 90 mov $BGM_Play,"bgm\apathy.ogg" if %BGM_s_Ch = 91 mov $BGM_Play,"bgm\91.ogg" if %BGM_s_Ch = 92 mov $BGM_Play,"bgm\92.ogg" if %BGM_s_Ch = 93 mov $BGM_Play,"bgm\Parallel.ogg" if %BGM_s_Ch = 94 mov $BGM_Play,"bgm\F Style.ogg" if %BGM_s_Ch = 95 mov $BGM_Play,"bgm\599 million ruins.ogg" if %BGM_s_Ch = 96 mov $BGM_Play,"bgm\maria_utanasi_mx.ogg" if %BGM_s_Ch = 97 mov $BGM_Play,"bgm\Surrounding.ogg" if %BGM_s_Ch = 98 mov $BGM_Play,"bgm\hibuta.ogg" if %BGM_s_Ch = 99 mov $BGM_Play,"bgm\death(from stupefaction).ogg" if %BGM_s_Ch = 100 mov $BGM_Play,"bgm\mortal stampede.ogg" if %BGM_s_Ch = 101 mov $BGM_Play,"bgm\Victima_propiciatoria.ogg" if %BGM_s_Ch = 102 mov $BGM_Play,"bgm\Revolt.ogg" if %BGM_s_Ch = 103 mov $BGM_Play,"bgm\103.ogg" if %BGM_s_Ch = 104 mov $BGM_Play,"bgm\happy_maria_uta_m.ogg" if %BGM_s_Ch = 105 mov $BGM_Play,"bgm\26_dive to emergency.ogg" if %BGM_s_Ch = 106 mov $BGM_Play,"bgm\dir.ogg" if %BGM_s_Ch = 107 mov $BGM_Play,"bgm\107.ogg" if %BGM_s_Ch = 108 mov $BGM_Play,"bgm\dreamenddischarger.ogg" if %BGM_s_Ch = 109 mov $BGM_Play,"bgm\discode1c.ogg" ;ディスコード if %BGM_s_Ch = 110 mov $BGM_Play,"bgm\110.ogg" ; if %BGM_s_Ch = 111 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ; if %BGM_s_Ch = 112 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ; if %BGM_s_Ch = 113 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ; if %BGM_s_Ch = 114 mov $BGM_Play,"bgm\dreamenddischarger.ogg" ~ if %BGM_s_Ch = 1000 mov $BGM_Play,"bgm\tsurupeta-128.ogg" ;つるぺったん ;BGMを鳴らさずファイルパスを取得する為の命令 if %bgm_mood_file_path_flg = 1 mov %bgm_mood_file_path_flg,0 : return goto *BGM_Play_Mord *Me_List ;ミュージックエフェクトデータパス一覧 if %Me_Number = 1 mov $Me_Play,"ME\A1_03052.WAV" ;飛行機のエンジン音（プロペラ△ if %Me_Number = 2 mov $Me_Play,"ME\A3_05051.WAV" ;港の音△カモメ付き if %Me_Number = 3 mov $Me_Play,"ME\A3_05045.WAV" ;嵐の岸辺の音 if %Me_Number = 4 mov $Me_Play,"ME\A1_03055.WAV" ;船のエンジン音△ if %Me_Number = 5 mov $Me_Play,"ME\A3_01005.WAV" ;風の音△ if %Me_Number = 6 mov $Me_Play,"ME\A3_02012.WAV" ;嵐の音△ if %Me_Number = 7 mov $Me_Play,"ME\A5_01033.WAV" ;雨の音△ if %Me_Number = 8 mov $Me_Play,"ME\A1_12222.WAV" ;古時計の秒針 ; if %Me_Number = 9 mov $Me_Play,"ME\A5_08234.WAV" ;柱時計 ; if %Me_Number = 10 mov $Me_Play,"ME\A5_14445.WAV" ;街の音△ if %Me_Number = 11 mov $Me_Play,"ME\時計ループL4.WAV" ;時計の音 if %Me_Number = 12 mov $Me_Play,"ME\雨2.WAV" ;雨の音○ 静かめ。 if %Me_Number = 13 mov $Me_Play,"ME\Rain4_Long.WAV" ;雨の音雷鳴混じり○ if %Me_Number = 14 mov $Me_Play,"ME\STORM2.WAV" ;暴風の音○ if %Me_Number = 15 mov $Me_Play,"ME\不思議時計.wav" ;時計の音深い。○ if %Me_Number = 16 mov $Me_Play,"ME\A5_14446.wav" ;幽霊のような風 if %Me_Number = 17 mov $Me_Play,"ME\嵐_フランジャー.wav" ;嵐フランジャー if %Me_Number = 18 mov $Me_Play,"ME\風フランジャー1.wav";風フランジャー if %Me_Number = 19 mov $Me_Play,"ME\時計フランジャー3.wav";時計フランジャー if %Me_Number = 20 mov $Me_Play,"ME\ボイラー室.wav" ;重く低い機械音 if %Me_Number = 21 mov $Me_Play,"ME\flangefemale.wav" ;不気味な赤ん坊声 if %Me_Number = 22 mov $Me_Play,"ME\黒電話_ベル2_far.wav";電話 if %Me_Number = 23 mov $Me_Play,"ME\黒電話_ベル2.wav" ;電話音（大） if %Me_Number = 24 mov $Me_Play,"ME\がや0.wav" ;がやがや if %Me_Number = 25 mov $Me_Play,"ME\電車内3.WAV" ;電車、がたんごとん。 if %Me_Number = 26 mov $Me_Play,"ME\洞窟の水滴.wav" ;洞窟の水滴　ピチョン if %Me_Number = 27 mov $Me_Play,"ME\洞窟の水流.wav" ;洞窟の水流　サラサラ ;EP4追加 if %Me_Number = 28 mov $Me_Play,"ME\壊れ風.wav" ;壊れた風の音 if %Me_Number = 29 mov $Me_Play,"ME\街の交通の音.WAV" ;クラクション系 if %Me_Number = 30 mov $Me_Play,"ME\街の交通の音２.WAV" ;走行音系 if %Me_Number = 31 mov $Me_Play,"ME\洞窟の水滴.wav" ; if %Me_Number = 32 mov $Me_Play,"ME\洞窟の水滴.wav" ; if %Me_Number = 33 mov $Me_Play,"ME\洞窟の水滴.wav" ; if %Me_Number = 34 mov $Me_Play,"ME\洞窟の水滴.wav" ; ;時計用効果音 if %Me_Number = 1050 mov $Me_Play,"sys_se\clock_ticking.wav" ;時計、針の進む音 if %Me_Number = 1051 mov $Me_Play,"sys_se\ネジ.wav" ;時計、針の巻き戻る音 if %Me_Number = 1052 mov $Me_Play,"sys_se\柱時計の鐘.WAV" ;時計、１２時の鐘 if %Me_Number = 1053 mov $Me_Play,"sys_se\柱時計の鐘2.WAV" ;時計、１２時の鐘 return *Se_Play_List if %Se_Number = 1 mov $Se_Play,"SE\A5_06196.WAV" ;タイトル if %Se_Number = 2 mov $Se_Play,"SE\A5_02047.WAV" ;エンド if %Se_Number = 3 mov $Se_Play,"SE\A1_16258.WAV" ;ぴゅーん（コミカル if %Se_Number = 4 mov $Se_Play,"SE\A1_17270.WAV" ;きゅぴーん（閃く if %Se_Number = 5 mov $Se_Play,"SE\A5_08263.WAV" ;しゃきーん if %Se_Number = 6 mov $Se_Play,"SE\A1_07130.WAV" ;叩く（対物軽く if %Se_Number = 7 mov $Se_Play,"SE\A1_07131.WAV" ;叩く（対物早く if %Se_Number = 8 mov $Se_Play,"SE\A1_07132.WAV" ;叩く（対物鈍く if %Se_Number = 9 mov $Se_Play,"SE\A1_07133.WAV";ピュン。軽い。 if %Se_Number = 10 mov $Se_Play,"SE\A5_04105.WAV" ;叩く（対人 if %Se_Number = 11 mov $Se_Play,"SE\A5_04107.WAV" ;叩く（対人 if %Se_Number = 12 mov $Se_Play,"SE\A5_10316.WAV" ;打撃音 if %Se_Number = 13 mov $Se_Play,"SE\A5_10317.WAV" ;倒れる if %Se_Number = 14 mov $Se_Play,"SE\A1_21333.WAV" ;足音（近づく if %Se_Number = 15 mov $Se_Play,"SE\A5_01023.WAV" ;ドアを閉める（屋敷） if %Se_Number = 16 mov $Se_Play,"SE\重いドア閉める2.wav";ドアを開ける（屋敷） if %Se_Number = 17 mov $Se_Play,"SE\A5_07201.WAV" ;大扉を開ける（屋敷） if %Se_Number = 18 mov $Se_Play,"SE\A5_07202.WAV" ;大扉を閉める（屋敷） if %Se_Number = 19 mov $Se_Play,"SE\ノック2.wav" ;ノック　イマイチ・軽い if %Se_Number = 20 mov $Se_Play,"SE\A5_10315.WAV" ;ぶぉん！（スイング音 if %Se_Number = 21 mov $Se_Play,"SE\遠雷2.wav" ;遠雷ゴロゴロ…。 if %Se_Number = 22 mov $Se_Play,"SE\horror.wav" ;黄金の蝶々ME if %Se_Number = 23 mov $Se_Play,"SE\clock_grand_fathers3.wav";大時計初日終了ME・長いよー！se51はそこだけ切り抜いてあるので便利です。 if %Se_Number = 24 mov $Se_Play,"SE\07_se_umi.wav" ;グロいME if %Se_Number = 25 mov $Se_Play,"SE\A6_24636.WAV" ;カギ開けの音 if %Se_Number = 26 mov $Se_Play,"SE\05_se_umi.wav" ;不思議不気味ME if %Se_Number = 27 mov $Se_Play,"SE\落雷3.wav" ;落雷！　ドーン！ if %Se_Number = 28 mov $Se_Play,"SE\SE4.WAV" ;静かなる低音ME if %Se_Number = 29 mov $Se_Play,"ME\黒電話_ベル2_far.wav";黒電話・目覚しME if %Se_Number = 30 mov $Se_Play,"SE\リロード速.WAV";リロード速い！ if %Se_Number = 31 mov $Se_Play,"SE\鍵束2.wav" ;カチャリ if %Se_Number = 32 mov $Se_Play,"SE\クサリ.WAV" ;扉を開けようとして鎖 if %Se_Number = 33 mov $Se_Play,"SE\02se_umi.wav" ;怖い物発見系ME if %Se_Number = 34 mov $Se_Play,"SE\01se_umi.wav" ;怖い物衝撃！ME if %Se_Number = 35 mov $Se_Play,"SE\血4.wav" ;血ぼた if %Se_Number = 36 mov $Se_Play,"SE\clash.wav" ;煉獄の七杭 if %Se_Number = 37 mov $Se_Play,"SE\ahaha.wav" ;ハッハハハハ！ if %Se_Number = 38 mov $Se_Play,"SE\lowclick.wav" ;ゴポリ、グリ… if %Se_Number = 39 mov $Se_Play,"SE\鉈を落とした音.wav";ガランガラーン if %Se_Number = 40 mov $Se_Play,"SE\金属パイプを叩く音.wav" ;コーン if %Se_Number = 41 mov $Se_Play,"SE\金属パイプを叩く音B.wav";キーン if %Se_Number = 42 mov $Se_Play,"SE\金属パイプを叩く音C.wav";カーン if %Se_Number = 43 mov $Se_Play,"SE\リロード遅.wav";リロードゆっくり！ if %Se_Number = 44 mov $Se_Play,"SE\オートロック5.wav";書斎のオートロック if %Se_Number = 45 mov $Se_Play,"SE\03se_umi.wav";残酷衝撃…！！ME if %Se_Number = 46 mov $Se_Play,"SE\raihuru3d.wav";ライフル発砲！ if %Se_Number = 47 mov $Se_Play,"SE\B1.WAV";バネの音：プイン if %Se_Number = 48 mov $Se_Play,"SE\B5.WAV";バネの音：ポヨン if %Se_Number = 49 mov $Se_Play,"SE\シャッター：残響1.wav";シャッター開ける if %Se_Number = 50 mov $Se_Play,"SE\シャッター閉じる：残響1.wav";閉める if %Se_Number = 51 mov $Se_Play,"SE\bell1.wav";24時の鐘の音 if %Se_Number = 52 mov $Se_Play,"SE\テレポート1.wav";テレポート if %Se_Number = 53 mov $Se_Play,"SE\電話_受話器上げる.wav";受話器を取る if %Se_Number = 54 mov $Se_Play,"SE\喝采1.wav";パチパチわーわー！ if %Se_Number = 55 mov $Se_Play,"SE\ジュー（蒸発2）.wav";ジュウ！　肉を焼く音。 if %Se_Number = 56 mov $Se_Play,"SE\Z1.wav";メタ空間展開 if %Se_Number = 57 mov $Se_Play,"SE\バリア展開_03.wav";軌跡の剣の展開 if %Se_Number = 58 mov $Se_Play,"SE\つばぜり合い.wav";剣戟の音１ if %Se_Number = 59 mov $Se_Play,"SE\バリア展開_02.wav";ベアト赤宣言 if %Se_Number = 60 mov $Se_Play,"SE\重い衝撃音1.wav"; if %Se_Number = 61 mov $Se_Play,"SE\重い衝撃音2.wav"; if %Se_Number = 62 mov $Se_Play,"SE\重い衝撃音3.wav"; if %Se_Number = 63 mov $Se_Play,"SE\衝撃音.wav"; if %Se_Number = 64 mov $Se_Play,"SE\B4.wav"; if %Se_Number = 65 mov $Se_Play,"SE\B_long.wav"; if %Se_Number = 66 mov $Se_Play,"SE\迫る弾幕.wav"; if %Se_Number = 67 mov $Se_Play,"SE\04_se_umi.wav";怖い系SE if %Se_Number = 68 mov $Se_Play,"SE\車の急停車.wav"; if %Se_Number = 69 mov $Se_Play,"SE\学園ベル.wav"; if %Se_Number = 70 mov $Se_Play,"SE\ピンポン２.WAV"; if %Se_Number = 71 mov $Se_Play,"SE\24時のチャイム.wav"; if %Se_Number = 72 mov $Se_Play,"SE\AAAAA.wav"; if %Se_Number = 73 mov $Se_Play,"SE\AAAAA.wav"; if %Se_Number = 74 mov $Se_Play,"SE\AAAAA.wav"; if %Se_Number = 75 mov $Se_Play,"SE\AAAAA.wav"; if %Se_Number = 76 mov $Se_Play,"SE\AAAAA.wav"; ;システム用効果音（錠前系の音） if %Se_Number = 1000 mov $Se_Play,"sys_se\zyosys7.WAV" ;ボタンを押す音１ if %Se_Number = 1001 mov $Se_Play,"sys_se\zyosys1.WAV" ;ボタンを押す音２ if %Se_Number = 1005 mov $Se_Play,"sys_se\zyosys3.WAV" ;キャンセル音 if %Se_Number = 1006 mov $Se_Play,"sys_se\ZS1.WAV" ;EXIT音（ガラスが割れる音（小）に差替える） if %Se_Number = 1010 mov $Se_Play,"sys_se\page.wav" ;ページをめくる音 if %Se_Number = 1020 mov $Se_Play,"sys_se\ZS1.WAV" ;一人死ぬ（ガラスが割れる音（小）に差替える） if %Se_Number = 1021 mov $Se_Play,"sys_se\one_re.wav" ;一人生き返る（ワインを注ぐ音等？） if %Se_Number = 1022 mov $Se_Play,"sys_se\ZS1.WAV" ;全員死ぬ if %Se_Number = 1023 mov $Se_Play,"sys_se\Z2.wav" ;全員生き返る if %Se_Number = 1030 mov $Se_Play,"sys_se\mizu_d.wav" ;セーブ音（水の落ちる音） if %Se_Number = 1031 mov $Se_Play,"sys_se\mizu_d2.wav" ;セーブ音（水の落ちる音） if %Se_Number = 1040 mov $Se_Play,"sys_se\da_kane.wav" ;スタート音（鐘の音、後で短い物に差替える）） ;時計用効果音 if %Se_Number = 1050 mov $Se_Play,"sys_se\clock_ticking.wav" ;時計、針の進む音 if %Se_Number = 1051 mov $Se_Play,"sys_se\ネジ.wav" ;時計、針の巻き戻る音 if %Se_Number = 1052 mov $Se_Play,"sys_se\da_kane2.wav" ;時計、１２時の鐘 ;右クリック、キャラ追加時、Tips入手時の効果音 if %Se_Number = 1060 mov $Se_Play,"sys_se\KT1.wav" ;キャラの追加（明るいバージョン） if %Se_Number = 1061 mov $Se_Play,"sys_se\mizu_ijou.wav" ;キャラの状態変化（暗いバージョン） if %Se_Number = 1062 mov $Se_Play,"sys_se\KT1.wav" ;Tips入手A if %Se_Number = 1063 mov $Se_Play,"sys_se\mizu_ijou.wav" ;Tips入手B ;ガラスの割れる音（ランダム用、1100番の効果音が指定された、ランダムでガラスの割れる音を返す） notif %Se_Number = 1100 jumpf rnd2 %ran,1,6 if %ran = 1 mov $Se_Play,"sys_se\ZS1.WAV" if %ran = 2 mov $Se_Play,"sys_se\ZS2.WAV" if %ran = 3 mov $Se_Play,"sys_se\ZS3.WAV" if %ran = 4 mov $Se_Play,"sys_se\ZS4.WAV" if %ran = 5 mov $Se_Play,"sys_se\ZS5.WAV" if %ran = 6 mov $Se_Play,"sys_se\ZS6.WAV" ~ goto *Se_Play_Mord *text_cw ;テキストクリックシステム ;現在のテキストを取得（セーブデータで使用） gettext $textlognow getcursorpos %x,%y ;テキストのx軸とy軸の拾得 ispage %Textcc12Flug ;クリック待ちか、改ページか isskip %BtnRes erasetextwindow 0 mov %tmordflg,%Textcc12Flug if %BtnRes = 3 saveoff : goto *Text_cw_next2 if %TextCC12Flug = 0 amsp TextCC1SpNum,%x,%y:vsp TextCC1SpNum,1 if %TextCC12Flug = 1 amsp TextCC2SpNum,%x,%y:vsp TextCC2SpNum,1 print 1 btndef clear ;getenter *Text_cwlp saveoff ;mov %BtnRes,99 ;仮　テキスト異常スキップ対策 delay 100 ; for %click_observe = 0 to 1 step 0 ;ボタン入力を待つ textbtnwait %BtnRes ; if %BtnRes > -4 break ;ボタン入力があるまでループ ; next if %BtnRes = 0 goto *Text_cw_next if %BtnRes = -3 goto *Text_cw_next if %BtnRes = -11 goto *Text_cw_next if %BtnRes = -19 goto *Text_cw_next if %BtnRes = -1 && %rmordflg = 0 gosub *text_cw_rclk : goto *Text_cw if %BtnRes = -10 && %rmordflg = 0 gosub *text_cw_rclk : goto *Text_cw if %BtnRes = -2 gosub *text_cw_lookback : goto *Text_cw goto *text_cwlp *Text_cw_next vsp TextCC1SpNum,0 : vsp TextCC2SpNum,0 print 1 *Text_cw_next2 if %tmordflg = 0 jumpf if %TextCC12Flug = 1 && %backlogTotalNum < BacklogpageMax inc %backlogTotalNum if %TextCC12Flug = 1 getlog $Textlog,0 : gosub *text_tagsave ~ texec erasetextwindow 1 return *Text_cw_rclk btndef "" ;if %intro_prog_flg = off jumpf ;スプライトプログラムが動いているかの確認 ;mov %intro_prog_flg,off ;スプライトプログラムのフラグをオフ ;layermessage 10,"clear/10" ;スプライトプログラムのスプライト消去 ;layermessage 10,"program_end/10" ;スプライトプログラムのプログラム停止 ;csp 10 ~ ;セーブ画面に入る前にセーブデータ用スクリーンショット画像を取得 getscreenshot 80,60 texthide ;テキストを隠す vsp TextCC1SpNum,0 : vsp TextCC2SpNum,0 print 1 gosub *rmenu_csutom ;取得していたスクリーンショットの破棄 deletescreenshot textshow return *text_tagsave ;現在ページをログにコピーする mov $%BacklogNum,$Textlog ;ログの現在登録位置の増加 if %BacklogNum = BacklogpageMax mov %BacklogNum,Backlogpage0 ;ログ位置が最大値であった場合 inc %BacklogNum return *text_cw_lookback if %backlogTotalNum < 1 return vsp TextCC1SpNum,0 vsp TextCC2SpNum,0 textoff print 1 mov %backloglook,BacklogNum ;バックログ表示画面指定 ;表示ページの初期化 mov %Readbacklogpage,1 ;ログの頭だし mov %backloglook,%BacklogNum dec %backloglook if %backloglook < Backlogpage1 mov %backloglook,BacklogpageMax *text_cw_lookback2 btndef "" ;ボタン配置 lsp backscreen,":a;bmp\introduction_back1.bmp",0,0 lsp backlogupbtn,":r;bmp\system\UONCUR.BMP",0,0 ;座標は仮 lsp backlogdownbtn,":r;bmp\system\DONCUR.BMP",0,450 ;ボタンセット ;テキストセット itoa $Free1,%backloglook ;ログ表示 logsp backlogtext,$%backloglook,20,20,#FFFFaa ;現在表示の最大値最低値の判定 if %backlogTotalNum = 1 vsp backlogdownbtn,0 : vsp backlogupbtn,0 : jumpf if %Readbacklogpage = %backlogTotalNum spbtn backlogdownbtn,backlogdownbtn : vsp backlogupbtn,0 : jumpf if %Readbacklogpage = mini spbtn backlogupbtn,backlogupbtn : vsp backlogdownbtn,0 : jumpf if %Readbacklogpage = Max spbtn backlogdownbtn,backlogdownbtn : vsp backlogupbtn,0 : jumpf spbtn backlogupbtn,backlogupbtn spbtn backlogdownbtn,backlogdownbtn ~ ;表示 print 1 ;入力受付 *backlogbtn btnwait2 %BtnRes if %BtnRes = backlogupbtn && %Readbacklogpage < MAX && %Readbacklogpage < %backlogTotalNum inc %Readbacklogpage : dec %backloglook : goto *text_cw_lookback3 if %BtnRes = backlogdownbtn & %Readbacklogpage > mini & %Readbacklogpage <= %backlogTotalNum dec %Readbacklogpage : inc %backloglook : goto *text_cw_lookback3 if %BtnRes = -2 & %Readbacklogpage < Max & %Readbacklogpage < %backlogTotalNum inc %Readbacklogpage : dec %backloglook : goto *text_cw_lookback3 if %BtnRes = -3 & %Readbacklogpage > mini dec %Readbacklogpage : inc %backloglook : goto *text_cw_lookback3 if %BtnRes = -3 & %Readbacklogpage <= mini jumpf if %BtnRes = -1 jumpf ;右クリックで抜ける if %BtnRes = -10 jumpf ;ＥＳＣで抜ける if %BtnRes = 0 jumpf ;空打ちで抜ける goto *backlogbtn ~ mov %tmordflg,0 ;テキスト表示モード切替 csp backlogupbtn csp backlogdownbtn csp backscreen csp backlogtext ;csp -2 texton print 1 return ;ログのループ対応 *text_cw_lookback3 if %backloglook < Backlogpage1 mov %backloglook,BacklogpageMax if %backloglook > BacklogpageMax mov %backloglook,Backlogpage1 goto *text_cw_lookback2 ;********************************************************* ;右クリックカスタムシステム ;右クリックで最初に現れる関数 ;********************************************************* ;*rmenu_csutom ;右クリック画面表示 textoff mov %tmordflg,1 ; *rmenu_custom_spset if %remnu_data = on lsp rmenu_databtn,":a;bmp\system\Menu_data.bmp",180,122 lsp rmenu_back,":a;bmp\system\c.bmp",0,0 lsp rmenu_btn1,":c/3,0,3;bmp\Menu_TipsAll.BMP",180,186 lsp rmenu_btn2,":c/3,0,3;bmp\Menu_save.bmp",180,250 lsp rmenu_btn3,":c/3,0,3;bmp\Menu_load.bmp",180,314 lsp rmenu_btn_Exit,":c/3,0,3;bmp\Exit.bmp",180,378 print 4,500 ; *rmenu_custom_btset btndef "" if %remnu_data = on spbtn rmenu_databtn,rmenu_databtn spbtn rmenu_btn1,rmenu_btn1 spbtn rmenu_btn2,rmenu_btn2 spbtn rmenu_btn3,rmenu_btn3 spbtn rmenu_btn_Exit,rmenu_btn_Exit ; *rmenu_custom_btlp btnwait2 %BtnRes if %BtnRes = rmenu_databtn goto *rmord_data if %BtnRes = rmenu_btn1 goto *rmord_introduction ; if %BtnRes = rmenu_btn2 goto *rmord_save if %BtnRes = rmenu_btn2 goto *savemode if %BtnRes = rmenu_btn3 goto *loadmode if %BtnRes = rmenu_btn_Exit goto *rmord_cls ;Ｅｘｉｔボタンで背景消去 if %BtnRes = -1 jumpf ;右クリックで抜ける if %BtnRes = -10 jumpf ;ＥＳＣで抜ける ; goto *rmenu_custom_btlp ~ ;mov %tmordflg,0 if %remnu_data = on csp rmenu_databtn csp rmenu_back csp rmenu_btn1 csp rmenu_btn2 csp rmenu_btn3 csp rmenu_btn_Exit print 4,500 texton return *YATA_r_def ;全キャラの初期化 for %Free1 = 1 to 40 mov ?r_cha_text[2][%free1][1],1 mov ?r_cha_text[3][%free1][1],1 mov ?r_cha_text[4][%free1][1],1 mov ?r_cha_text[4][%free1][2],1 next mov %cha_text_page,1 ;ページ設定 ;ssssssss mov ?r_cha_text[2][ma_sha][1],2 mov ?r_cha_text[2][ma_lam][1],2 mov ?r_cha_text[3][ma3_lam][1],2 mov ?r_cha_text[3][ma3_enj][1],2 mov ?r_cha_text[3][ma3_ron][1],2 mov ?r_cha_text[3][ma3_wal][1],2 mov ?r_cha_text[3][ma3_goa][1],2 mov ?r_cha_text[4][ma4_kin][1],2 mov ?r_cha_text[4][ma4_goa][1],2 mov ?r_cha_text[4][ma4_wal][1],2 mov ?r_cha_text[4][ma4_ron][1],2 mov ?r_cha_text[4][enj_eva][2],2 mov ?r_cha_text[4][enj_kas][2],2 mov ?r_cha_text[4][enj_ama][2],2 return ;***************************************** ;背景の鑑賞 ;*************************************** *rmord_cls if %remnu_data = on vsp rmenu_databtn,0 vsp rmenu_back,0 vsp rmenu_btn1,0 vsp rmenu_btn2,0 vsp rmenu_btn3,0 vsp rmenu_btn_Exit,0 print 10,500 textoff click if %remnu_data = on vsp rmenu_databtn,1 vsp rmenu_back,1 vsp rmenu_btn1,1 vsp rmenu_btn2,1 vsp rmenu_btn3,1 vsp rmenu_btn_Exit,1 print 10,200 goto *rmenu_custom_btlp ;************************************************ ;セーブデータ作成 ;************************************************ *rmord_save btndef "" ;背景表示 lsp introduction_back,":c;bmp\black.bmp",0,0 systemcall save csp introduction_back print 1 goto *rmenu_custom_btset *rmord_load btndef "" ;背景表示 lsp introduction_back,":c;bmp\black.bmp",0,0 systemcall load csp introduction_back print 1 goto *rmenu_custom_btset ;************************************* ;文章表示前の割り込みルーチン *pretext if %save_on_flg = on saveon return ;************************************* ;*help_sonoa ;`orz `!d200`.rz `!d200`,rz `!d200`_rz` ;wait 1000 ;`If you are reading this, get the hell out of my code.`@` And then go to this website.`\ ;shell "http://sonozakifutagotachi.blogspot.com/2008/10/getting-game.html" ;wait 1000 ;end *check_game menu_waveon fileexist %998,"bmp\efe\cinema_logo2.bmp" fileexist %999,"bmp\tati\kin\1\kin_akuwaraia1.bmp" fileexist %997,"BGM\翼.ogg" fileexist %996,"BGM\80.ogg" fileexist %993,"bmp\background\efe\comment1.bmp" mov %ispatched,0 mov %UMINEKOPATCH,0 if %998=1 jumpf `Umineko no Naku Koro ni Episode 4 patch`@ br br `This patch is not installed properly.`@ `What OS are you running?` br select "`Windows (XP, Vista, or 7)`",*help_windows,"Mac",*help_mac,"Linux",*help_linux ~ if %999=1 jumpf locate 0,3 `You've got the wrong version of Umineko.`@ `This patch only works with Umineko no Naku Koro ni Episode 4: Alliance of the Golden Witch.`@ br `Unfortunately, we no longer host translation patches for the previous versions of the game.`@` To use this patch, you will have to purchase the EP4 version of the game, which includes all Episodes 1-4.`@` We apologize for any inconvenience this may have caused.`@ br select "`Click this thing",*help_web ~ if %997=1 jumpf mov %ispatched,1 if %996=1 jumpf `You are either missing some music files or they are unreadable. This is probably because you installed the game incorrectly.`@ `Please try re-installing using the installer available on our website.`@ goto *help_web ~ if %993=0 jumpf `The core arcs of this game (Episode 5 and after) do not contain Episodes 1-4, which are the ones covered by this patch.`@ `These arcs must be purchased separately.`\ `Patches for later Episodes will be available on our website as soon as they are completed.`\ br select "`This is probably the best button to press.`",*help_webb ~ return *help_windows `If you are having trouble getting the patch to run, please download the installer from our website, which will guide you through the installation process.`@` Please email us if you are still having trouble.` br select "`This is probably the best button to press.`",*help_web *help_mac br `Go to our website www.witch-hunt.com and download the latest Mac OSX patch.`@ `Then, run the installer and insert your EP4 game disk when prompted.`@ `This will correct any problems with your install.`\ br select "`This is probably the best button to press.`",*help_web *help_linux br br br br br br br `Good luck. wait 3000 end *help_web shell "http://witch-hunt.com/stage4" wait 1000 end *help_webb shell "http://witch-hunt.com/stage8" wait 1000 end